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Diffstat (limited to 'Master/texmf-dist/doc/plain')
3 files changed, 4422 insertions, 15 deletions
diff --git a/Master/texmf-dist/doc/plain/font-change/default-amssymbols.tex b/Master/texmf-dist/doc/plain/font-change/default-amssymbols.tex deleted file mode 100644 index ed7b376e4a0..00000000000 --- a/Master/texmf-dist/doc/plain/font-change/default-amssymbols.tex +++ /dev/null @@ -1,15 +0,0 @@ -% The author of this work is Amit Raj Dhawan -% This work has been released under -% Creative Commons Attribution-Share Alike 3.0 Unported License -% on July 19, 2010. For details visit: -% http://creativecommons.org/licenses/by-sa/3.0/. -% -\def\loadmsam{\font\tenmsa=msam10 \font\sevenmsa=msam7 \font\fivemsa=msam5 -\fam\msafam \textfont\msafam=\tenmsa \scriptfont\msafam=\sevenmsa \scriptscriptfont\msafam=\fivemsa -\global\let\loadmsam\empty}% -\loadmsam -% -\def\loadmsbm{\font\tenmsb=msbm10 \font\sevenmsb=msbm7 \font\fivemsb=msbm5 -\fam\msbfam \textfont\msbfam=\tenmsb \scriptfont\msbfam=\sevenmsb \scriptscriptfont\msbfam=\fivemsb -\global\let\loadmsbm\empty}% -\loadmsbm
\ No newline at end of file diff --git a/Master/texmf-dist/doc/plain/font-change/font-change.tex b/Master/texmf-dist/doc/plain/font-change/font-change.tex new file mode 100644 index 00000000000..90739e3d20d --- /dev/null +++ b/Master/texmf-dist/doc/plain/font-change/font-change.tex @@ -0,0 +1,2209 @@ +% The author of this work is Amit Raj Dhawan +% This work was released under +% Creative Commons Attribution-Share Alike 3.0 Unported License +% on July 19, 2010. For details visit: +% http://creativecommons.org/licenses/by-sa/3.0/. +% +%%%%%%%%% Fonts %%%%%%%%%% +\font\webomints=WebOMintsGd at40pt +\font\titlefont=artemisiarg8a at40pt +\font\titleone=mdputr7t at18pt +\font\titletwo=mdputri7t at18pt +\font\sectionfont=rm-kurierh at18pt +\font\subsectionfont=rm-kurierb at14pt +\font\subsubsectionfont=rm-kurierb at12pt +\font\sansrm=rm-kurierl at10pt +\font\foliofont=mdbchr7t at9pt +\font\amstexfont=cmsy10 at7.5pt +\font\dev=dvng10 scaled \magstep1 +\font\letterone=RoyalIn at36pt + + +%%%%%%%%%% Packages %%%%%%%%%% +%%% Eplain +\input eplain % Add Eplain before AmSTeX +\beginpackages +\usepackage{url} +\usepackage{color} +\usepackage{graphicx} +\endpackages +\enablehyperlinks[dvipdfm] % Enables hyperlinks using Eplain +%\hlopts{colormodel=named,color=Black} % Produces links in black color +%% Color +\definecolor{brown}{rgb}{.7,.2,.2} + + +%%% AmSTeX +\input amstex +\UseAMSsymbols + +\catcode`@=12 + +%%% eps files +\input epsf % Includes files like pictures and figures in eps format + + + + +%%%%%%%%%% Page characteristics %%%%%%%%%% +\magnification=1120 +\parindent=20pt +\parfillskip=\parindent plus1fil +\everypar{\looseness=-1} +\headline{} \footline{} +\vsize=24truecm +\hoffset-2.9mm +\settabs 20 \columns +\exhyphenpenalty10000 % stops TeX to break words at dashes +\hyphenpenalty200 + + + +%%%%%%%%%% Definitions %%%%%%%%%% +\def\bs{\bigskip}% +\def\ms{\medskip}% +\def\sk{\smallskip}% +\def\cl{\centerline}% +\def\ii{\noindent}% +\def\pic#1#2#3{\bigskip\cl{\epsfxsize#1\epsfbox{#2.eps}}\par\cl{\eightrm #3}}% +\def\amstex{{\amstexfont A\kern-.1667em\lower.5ex\hbox{M}\kern-.125em S}-\capstex}% +\def\xetex{X\lower0.5ex\hbox{\kern-0.11em\reflectbox{E}}\kern-0.165em\TeX}% +\def\latex{L\setbox0=\hbox{\sc A}\kern-0.5766\wd0\raise0.41ex\hbox{\sc A}\setbox1=\hbox{T}\kern-.177\wd1\TeX}% +\def\xelatex{X\lower0.5ex\hbox{\kern-0.11em\reflectbox{E}}\kern-0.13em\latex}% +\def\capstex{{\caps t\kern-.122em\lower.38ex\hbox{e}\kern-.11em x}}% +\def\capslatex{{\caps l\setbox0=\hbox{\sevencaps a}\kern-0.5888\wd0{\raise0.33ex\hbox{\sevencaps a}}\setbox1=\hbox{t}\kern-.2\wd1\capstex}}% +\def\capsxetex{{\caps x\lower0.38ex\hbox{\kern-0.1em\reflectbox{e}}\kern-0.13em\capstex}}% +\def\capsxelatex{{\caps x\lower0.38ex\hbox{\kern-0.1em\reflectbox{e}}\kern-0.122em\capslatex}}% +\def\fontss{\baselineskip=2.7ex plus0pt minus0pt% +\spaceskip=0.29em plus0.1em minus0.1em}% +\def\footnote#1{\numberedfootnote{\hskip-7mm\hbox to 20cm{\vtop{\hangindent\parindent\hangafter1\eightrm\fontss #1}}}}% +\def\quote#1{\sk\leftskip10mm{\sl\noindent #1}\sk \leftskip0mm\rightskip0mm}% +\def\emdash{\hbox{\kern0.15em---\kern0.15em}\relax}% +\def\endash{\hbox{\kern0.15em--\kern0.15em}\relax}% + + +\def\sample{\hrule\vbox{\noindent\vrule\NoBlackBoxes\vbox{\vskip2mm\leftskip7mm\rightskip7mm +\noindent{\bf Euler Formula}: The Euler formula, also known as {\bf Euler identity}, states +$$e^{\imath x} =\cos(x) + \imath \sin(x), $$ +where $\imath$~is the {\sl imaginary unit}. + +The Euler formula can be expanded as a series: +$$\eqalign {e^{\imath x} +&= \sum_{n=0}^{\infty} {(\imath x)^n\over{n!}}\cr +&= \sum_{n=0}^{\infty}{(-1)^{n}x^{2n}\over (2n)!} + \imath\sum_1^{\infty}{(-1)^{n-1}x^{2n-1}\over(2n-1)!}\cr +&= \cos(x) + \imath\sin(x).\cr}$$ + +\bigskip\bigskip +\noindent{\bf Cauchy Integral Theorem}: If $f(z)$ is analytic and its partial derivatives are continuous throughout some simply connected region~$R$,~then +$$\oint_\gamma f(z)\,dz = 0$$ +for any closed contour~$\gamma$ completely contained in~$R$.\vskip2mm +}\vrule}\hrule\BlackBoxes\bigskip\bigskip +%\input mathcharacters +} + + +%%%%%%%%%% Chapter, Section %%%%%%%%%% +\newcount\sectionno\sectionno=0 % For sections +\newcount\subsectionno\subsectionno=0 % For subsections +\newcount\subsubsectionno\subsubsectionno=0 % For subsubsections +\definecolor{sectioncolor}{rgb}{0.22,0.38,0.62} +% NOTE: No two cross-references should be the same. This will cause chaos. In other words, no two chapters can the same "label name" + +\def\section#1#2{\newpage +{\definexref{#2}{#2}{}} +{\writetocentry{section}{\refs{#2}}} +{\special{pdf: outline 1 << /Title (#2)/F 0 /Dest [@thispage /FitH @ypos ] >> }} +\subsectionno=0 % For subsections +\centerline{\textcolor{sectioncolor}{\sectionfont\fontss #1}} +\nopagebreak\bigskip\nopagebreak\noindent} + +\def\subsection#1{ +{\definexref{#1}{#1}{}} +{\writetocentry{subsection}{\kern5mm\refs{#1}}} +{\special{pdf: outline 2 << /Title (#1)/F 0 /Dest [@thispage /FitH @ypos ] >> }} +\bigskip\bigskip\medskip\goodbreak +{\global\advance\subsectionno by 1 + \noindent{\textcolor{sectioncolor}{\subsectionfont\fontss #1}}} +\nopagebreak\medskip\nopagebreak\noindent} + +\def\subsubsection#1{ +{\definexref{#1}{#1}{}} +{\writetocentry{subsubsection}{\kern5mm\refs{#1}}} +{\special{pdf: outline 2 << /Title (#1)/F 0 /Dest [@thispage /FitH @ypos ] >> }} +\bigskip\bigskip\medskip\goodbreak +{\global\advance\subsubsectionno by 1 + \noindent{\textcolor{sectioncolor}{\subsubsectionfont\fontss #1}}} +\nopagebreak\medskip\nopagebreak\noindent} + + + + + + + + + + + + + + + + + +\input font_charter +\fontss % font change and spacing +\frenchspacing + + + + + + + + + + + + + + + +%%%%%%%%%% Cover %%%%%%%%%% +{\special{pdf: outline 1 << /Title (Cover)/F 0 /Dest [@thispage /FitH @ypos ] >> }} +{\centerline{{\color{brown}\webomints\char'160}\hskip8mm\titlefont\color{sectioncolor} font-change\hskip8mm{\color{brown}\webomints\char'161}}\bs +\centerline{{\color{brown}\webomints\char'125\char'126}} +\bs +\centerline{Version \ 2015.2} +\bs\bs +{{\color{sectioncolor}\titleone\fontss\centerline{Macros to Change Text \& Math fonts in \TeX}\kern3mm +\centerline{{\titleone 45}{\titletwo\fontss \ Beautiful Variants}}} +\vskip2cm +\centerline{\color{brown}\webomints \char'063} +\vskip2cm +\centerline{\twelvebf\fontss Amit Raj Dhawan}\sk +\centerline{\href{mailto:amitrajdhawan@gmail.com}{\sansrm amitrajdhawan\@gmail.com}}\sk +\centerline{\rm September 2, 2015} + +\vskip6cm + +% Licence +\hrule\kern1pt\hrule\sk +\ii{\epsfxsize2cm\epsfbox{by-sa.eps}} +\vskip-7mm +\vbox{\leftskip3cm\parindent=0pt\eightrm\fontss This work had been released under \href{http://creativecommons.org/licenses/by-sa/3.0/}{\eightbf Creative Commons Attribution-Share Alike 3.0 Unported License} on July 19, 2010. + +You are free to {\eightitbf Share\/} (to copy, distribute and transmit the work) and to {\eightitbf Remix\/} (to adapt the work) provided you follow the {\eightitbf Attribution\/} and {\eightitbf Share Alike\/} guidelines of the licence. For the full licence text, please visit: +\href{http://creativecommons.org/licenses/by-sa/3.0/legalcode}{\eightrm http://creativecommons.org/licenses/by-sa/3.0/legalcode}.}\leftskip0cm +\sk\hrule\kern1pt\hrule + +\BlackBoxes + + + + + + +%%%%%%%%% Quote %%%%%%%%%%%% +{\input font_artemisia_euler + +\sixteenrm \fontss +\ + +\vskip1cm +\cl{\webomints\char'064} +\vskip2cm + +\leftskip1cm \rightskip4cm + +\raggedright +\ii When I reach the destination, more than I realize that I have realized the goal, I~am occupied with the reminiscences of the journey. It strikes to me again and again, ``Isn't the journey to the goal the\break real attainment of the goal?'' In this way even if I miss {\sixteencaps the} goal, I still have attained {\sixteencaps some} goal. + + +} +\leftskip0cm \rightskip0cm + + + + + + + +%%%%%%%%%% Contents %%%%%%%%%% +\newpage\pageno=-3\footline{\centerline{\foliofont\folio}} +{\special{pdf: outline 1 << /Title (Contents)/F 0 /Dest [@thispage /FitH @ypos ] >> }} +\cl{\textcolor{sectioncolor}{\sectionfont Contents}} + + +{\parskip0pt\bs\bs +\readtocfile} + + + + + + + + + + + + + + + + + + + + + + + + + + + +%%%%%%%%%% Introduction %%%%%%%%%% +\section{Introduction}{Introduction} +\pageno=1 + + +\hbox{\letterone \TeX\ }\vskip-14.5mm\ii \hangindent2.6cm\hangafter-3 typesets documents in Computer Modern fonts by default.\footnote{Typographically, the correct expression is, ``\capstex\ typesets documents in Computer Modern typefaces by default.'' But most people (including me) use the words {\eightit font\/} and {\eightit typeface\/} synonymously. In this manual such distinction has been avoided.} Knuth's Computer Modern fonts are very elegant but sometimes we all look for a change. Many of us want to typeset \capstex\ documents in fonts other than Computer Modern. At the user level, changing the font in \capstex's {\sl text mode}, i.e.\ the text font, is simple and there are many free fonts available with various typefaces like {\rm roman}, {\bf bold}, {\it italic}, {\sl slanted}, {\itbf italic bold}, {\slbf slanted bold}, {\caps Caps}, {\capsbf Bold Caps}, etc. The difficulty lies in changing the math fonts in \capstex\ documents. This is mainly due to the lack of math fonts for \capstex. Another reason is that switching the font in {\sl math mode\/} is not as simple as switching the font in {\sl text mode}. For \capslatex\ there are various packages that can be used to change the font\emdash text and math\emdash with one statement. But for \capstex, I could not find an easy way to change the font in the document\emdash text and math. Using one font in {\sl text mode\/} and another in {\sl math mode\/} can spoil the look of the document. It is always desired to have text and math in the same font; text in New Century and math in Computer Modern do not go well. Though there are some combinations, as we will see later, that go well. + +Being able to choose from different fonts is quite advantageous. Computer Modern fonts look very good on paper, esp.\ on inkjet printouts, but they look relatively thin on new computer screens (LCDs) and on laser printouts. For slide shows, most people prefer sans-serif fonts of relatively heavier weight. The idea of changing the entire font family which includes various typefaces like boldface, italics, etc., and the math fonts, with one control statement has been the motivation behind my work. For this purpose I have written 45~\capstex\ macros that instruct \capstex\ to typeset documents in the fonts called by those macros. In this document, the use of the above mentioned 45~font macros has been displayed. Each of these macros changes the fonts in the document globally, and can be used locally too, i.e.\ within a group. Now a \capstex\ document, which is normally produced in Computer Modern, can be produced in 45 other font variants. These macro files can be easily understood, and changed if convenient. Each macro has various typefaces declared at 5, 6, 7, 8, 9, 10, 12, 14, 16, 18, and 20\,pt~sizes. + +To display our 45~font changing macros in action, a sample text has been typeset 45 times but in different fonts. The fonts/font~families called by our macros have almost all the glyphs contained in the Computer Modern family. In general, these fonts have more glyphs than Computer Modern. To see all the glyphs in a font, please use Werner Lemberg's \href{http://www.tex.ac.uk/ctan/help/Catalogue/entries/fontchart.html}{fontchart}~utility. In a few cases, e.g., in Epigrafica normal font~(\verbatim epigrafican8r|endverbatim), some important glyphs like $\Gamma$ and~$\Theta$ are missing. Our macro takes care of this; the user need not bother unless something very unusual is demanded from~\capstex. + + + +\subsection{Usage}These macros have been bundled as a package called {\color{brown}\verbatim font-change|endverbatim} which is included in {\caps m{\eightrm i}k}\capstex\ and \capstex~{\caps l{\eightrm ive}} distributions. The package can also be downloaded from \href{http://www.ctan.org/tex-archive/macros/plain/contrib/font-change/}{\caps ctan}. If our \capstex\ installation has the package {\color{brown}\verbatim font-change|endverbatim} installed then we can readily use it, e.g., to typeset our document in Charter, we have to type {\color{brown}\verbatim \input font_charter|endverbatim} in our source file. Of course, in order to use any of the macros of font-change, our \capstex\ installation should have the required fonts. In case we do not have {\color{brown}\verbatim font-change|endverbatim} installed on our \capstex\ system and we are lazy to install it, then we can download the package from the internet and follow the following procedure. Please read the following to know about the available options and to see the macros in~effect. + +Suppose we would like to typeset our \capstex\ document in Charter font. To do this we have to copy the \capstex\ macro file {\color{brown}\verbatim font_charter.tex|endverbatim} to the directory~(folder) which contains our \capstex\ source file. In our \capstex\ source file, we have to type {\color{brown}\verbatim \input font_charter|endverbatim}. This will change the font to Charter from the point where the statement {\color{brown}\verbatim \input font_charter|endverbatim} was declared. We can declare {\color{brown}\verbatim \input font_charter|endverbatim} in a closed group ({\color{brown}\verbatim {\input font_charter ... }|endverbatim}) to change the font to Charter in that group, provided no other font change is called in that group or its~sub-group. + +Another way to use the font changing macro files is to put them in a folder (say ``font-change") in some drive~(say ``C'') and then call these files in our \capstex\ source file. If we want to use the Charter font, we should type {\color{brown}\verbatim \input C:/font-change/font_charter|endverbatim} to get the desired change. If we have put the font changing macro files in a folder that has space(s) in its name~(say ``font change''), then we should type {\color{brown}\verbatim \input "C:/font change/font_charter"|endverbatim} to use the Charter font. + +The complete change of font will be at the default size in \capstex\ (10\,pt), though a little manipulation with the macro file will enable us to use the text and math fonts at smaller and larger point~changes. + +\goodbreak The basic typeface changing \capstex\ control statements\sk +{\obeylines\leftskip1cm +{\color{brown}\verbatim\rm|endverbatim} \dots {\rm roman} +{\color{brown}\verbatim\it|endverbatim} \dots {\it italic} +{\color{brown}\verbatim\bf|endverbatim} \dots {\bf boldface} +{\color{brown}\verbatim\sl|endverbatim} \dots {\sl slanted} +{\color{brown}\verbatim\tt|endverbatim} \dots {\tt typewriter} +\leftskip0cm}\sk + +\ii hold their usual meaning. All the macro files that this {\caps pdf} mentions have the above mentioned five options. In addition, most macro files have other useful options too. These~are:\sk +{\obeylines\leftskip1cm +{\color{brown}\verbatim\itbf|endverbatim} \dots {\itbf italic boldface} +{\color{brown}\verbatim\slbf|endverbatim} \dots {\slbf slanted boldface} +{\color{brown}\verbatim\caps|endverbatim} \dots {\caps Caps} +{\color{brown}\verbatim\capsbf|endverbatim} \dots {\capsbf Caps in Boldface} +\leftskip0cm}\ms + +In the {\sl text mode}, the above mentioned typefaces can be used at 5, 6, 7, 8, 9, 10, 12, 14, 16, 18, and 20\,pt~sizes. This is done by typing the size in words between the backslash~($\backslash$) and the words that declare the typeface. For example, if we want to typeset some text in bold at~14\,pt then we have to use the control statement {\color{brown}\verbatim \fourteenbf|endverbatim}. + + + + + +\newpage\subsection{Example}A sample \capstex\ source file as shown below: + +\bigskip\hrule\vbox{\noindent\vrule\NoBlackBoxes\vbox{\vskip2mm\leftskip7mm\rightskip7mm +{\obeylines\parindent=0pt\color{brown}\verbatim +\parindent=0pt +\input C:/font-change/font_cm +This is the {\bf Computer Modern font}. The {\twelveslbf Gamma function\/} +is defined as: +$$\Gamma(z) \equiv \int_0^\infty t^{z-1} e^{-t} dt.$$ + +\input C:/font-change/font_charter +This is the {\bf Charter font}. The {\twelveslbf Gamma function\/} +is defined as: +$$\Gamma(z) \equiv \int_0^\infty t^{z-1} e^{-t} dt.$$ + +{ % begin group +\input C:/font-change/font_century +This is the {\bf New Century Schoolbook font}. The {\twelveslbf Gamma +function\/} is defined as: +$$\Gamma(z) \equiv \int_0^\infty t^{z-1} e^{-t} dt.$$ +} % end group + +Now we are back to Charter.|endverbatim} +\vskip2mm}\vrule}\hrule\BlackBoxes\bigskip\bigskip + + + + +\nopagebreak\ii after compilation will produce:\nopagebreak + + + + +\bigskip\bigskip\hrule\vbox{\noindent\vrule\NoBlackBoxes\vbox{\vskip2mm\leftskip7mm\rightskip7mm +{\parindent=0pt +\input font_cm \fontss +This is the {\bf Computer Modern font}. The {\twelveslbf Gamma function\/} is defined~as: +$$\Gamma(z) \equiv \int_0^\infty t^{z-1} e^{-t} dt.$$ + +\input font_charter \fontss +This is the {\bf Charter font}. The {\twelveslbf Gamma function\/} is defined as: +$$\Gamma(z) \equiv \int_0^\infty t^{z-1} e^{-t} dt.$$ + +{\input font_century \fontss +This is the {\bf New Century font}. The {\twelveslbf Gamma function\/} is defined as: +$$\Gamma(z) \equiv \int_0^\infty t^{z-1} e^{-t} dt.$$} + +Now we are back to Charter.} +\vskip2mm}\vrule}\hrule\BlackBoxes\bigskip\bigskip + + +\subsection{AMS Symbols}Some fonts, e.g., Kp-Fonts, have support for {\caps ams} symbols. Fonts {\verbatim msam|endverbatim} and {\verbatim msbm|endverbatim} of the {\caps ams} font collection contain these symbols. Blackboard letters~($\Bbb A, \Bbb B, \Bbb C, \Bbb R, \dots$) are a part of {\caps ams} symbols. If we are using \amstex, and we are using the preprint style or we have already declared {\color{brown}\verbatim \UseAMSsymbols|endverbatim} (default \amstex\ command), then we can use {\caps ams} symbols with some of the macros of {\color{brown}\verbatim font-change|endverbatim} by declaring {\color{brown}\verbatim \UseAMSsymbols|endverbatim} {\bf again} after calling the macro. In a while we will look at an example of this implementation. + +If we have used instructions {\color{brown}\verbatim \loadmsam|endverbatim} or {\color{brown}\verbatim \loadmsbm|endverbatim} of \amstex, we can use the statements {\bf again} after declaring the {\color{brown}\verbatim font-change|endverbatim} macro to obtain the desired results. The control sequence {\color{brown}\verbatim \UseAMSsymbols|endverbatim} subsumes the instructions {\color{brown}\verbatim \loadmsam|endverbatim} and {\color{brown}\verbatim \loadmsbm|endverbatim}. + +If we would like to return to the default {\caps ams} fonts\emdash {\verbatim msam|endverbatim} and {\verbatim msbm|endverbatim}\emdash we will have to input the macro file {\color{brown}\verbatim default-amssymbols.tex|endverbatim} by instructing {\color{brown}\verbatim \input default-amssymbols|endverbatim} in our source file. This small file has just the following two defintions: + + +\bigskip\hrule\vbox{\noindent\vrule\NoBlackBoxes\vbox{\vskip2mm\leftskip7mm\rightskip7mm +{\obeylines\parindent=0pt\color{brown}\verbatim +\def\loadmsam{\font\tenmsa=msam10 \font\sevenmsa=msam7 \font\fivemsa=msam5 +\fam\msafam +\textfont\msafam=\tenmsa \scriptfont\msafam=\sevenmsa +\scriptscriptfont\msafam=\fivemsa \global\let\loadmsam\empty}% +\loadmsam +% +\def\loadmsbm{\font\tenmsb=msbm10 \font\sevenmsb=msbm7 \font\fivemsb=msbm5 +\fam\msbfam +\textfont\msbfam=\tenmsb \scriptfont\msbfam=\sevenmsb +\scriptscriptfont\msbfam=\fivemsb \global\let\loadmsbm\empty}% +\loadmsbm +|endverbatim} +\vskip2mm}\vrule}\hrule\BlackBoxes\bigskip + +It will be mentioned further if a macro of package {\color{brown}\verbatim font-change|endverbatim} offers {\caps ams} symbols support. The following shows the discussed in action (the character in {\color{red}red} color is from {\caps ams} symbols): + +\bigskip\hrule\vbox{\noindent\vrule\NoBlackBoxes\vbox{\vskip2mm\leftskip7mm\rightskip7mm +{\obeylines\parindent=0pt\color{brown}\verbatim +\input amstex % Input AmSTeX +\UseAMSsymbols % Calls AMS symbols +$$f:{\color{red}\Bbb R}^3\to R$$ + +\input font_kp % Call Kp-Fonts +\UseAMSsymbols % Uses jkpsya and jkpsyb of Kp-Fonts instead of msam and msbm of AMS fonts +$$f:{\color{red}\Bbb R}\to R$$ + +\input default-amssymbols % Return to default +$$f:{\color{red}\Bbb R}^3\to R$$ +|endverbatim} +\vskip2mm}\vrule}\hrule\BlackBoxes\bigskip + +\nopagebreak\ii upon compilation produces:\nopagebreak + +\bigskip\hrule\vbox{\noindent\vrule\NoBlackBoxes\vbox{\vskip2mm\leftskip7mm\rightskip7mm +{\input font_cm +$$f:{\color{red}\Bbb R}^3\to R$$ +\input font_kp +\UseAMSsymbols +$$f:{\color{red}\Bbb R}^3\to R$$ +\input default-amssymbols +$$f:{\color{red}\Bbb R}^3\to R$$} +\vskip2mm}\vrule}\hrule\BlackBoxes\bigskip + + + +\subsection{Available Weights} +Some font changing macros of the package {\color{brown}\verbatim font-change|endverbatim} offer light, medium, and bold weights. There are many font families that offer the bold weight variant of the math fonts, but we have not all included such variants as they do not supply a heavier font to produce the contrast. If we type all text in boldface then at places where we would like to get bolder we are be left without an option. The philosophy of {\color{brown}\verbatim font-change|endverbatim} says that to use bold for all text and math we need a heavier typeface available within the type family, which is heavier than the usual bold. Font families Kp-Fonts, Antykwa Toru\'nska, Iwona, and Kurier include such weights and they have been included in {\color{brown}\verbatim font-change|endverbatim}. For instance, macro {\color{brown}\verbatim font_kurier-bold|endverbatim}, which uses boldface as the normal font~(in math and text), uses the heavy weight font as the~boldface. + + + +\subsection{Changes and warning}The fonts used in these 45 macros are included in \href{http://miktex.org/}{{\caps m{\eightrm i}k}\capstex} and \href{http://www.tug.org/texlive/}{\capstex~{\caps l{\eightrm ive}}} distributions. All these mac\-ros should work smoothly with a full installation of {{\caps m{\eightrm i}k}\capstex} (version 2.9.4503 tested). The macros should work smoothly with \capstex~{\caps l{\eightrm ive}}~2014 too, but \capstex~{\caps l{\eightrm ive}}~2013 does not contain the recent font updates, due to which many macros from the new version of {\color{brown}\verbatim font-change|endverbatim} might not work with \capstex~{\caps l{\eightrm ive}} 2013 or earlier. But this should not be a big issue as the installation disk of \capstex~{\caps l{\eightrm ive}} 2013 contains the older version of {\color{brown}\verbatim font-change|endverbatim}, which has older font names. Many macros of {\color{brown}\verbatim font-change|endverbatim} use {\verbatim inconsolata|endverbatim} font as the typewriter font. The font was {\verbatim rm-inconsolata|endverbatim} in version 2010.1 of {\color{brown}\verbatim font-change|endverbatim}. The new version of {\verbatim inconsolata|endverbatim}, which has been updated in {\caps m{\eightrm i}k}\capstex}~2.9.4503, does not contain any font named {\verbatim rm-inconsolata|endverbatim}. Therefore in {\color{brown}\verbatim font-change|endverbatim}~(version 2013.1), we have chosen another {\verbatim inconsolata|endverbatim} font called {\verbatim ly1-zi4r-1|endverbatim}, which is the same or at least looks just the same like {\verbatim rm-inconsolata|endverbatim}. Some other changes in names of fonts have been too, e.g. in Libertine fonts. If the user, who has a complete installation of {{\caps m{\eightrm i}k}\capstex} or TeXLive, is encountered with missing font issues when using {\color{brown}\verbatim font-change|endverbatim}, then it is recommended to use an older or newer version of {\color{brown}\verbatim font-change|endverbatim}. + +\footline{\centerline{\foliofont\folio}} + + +These 45~font changing macros have worked successfully with plain~\capstex, and a combination of plain~\capstex\ and other formats based on plain~\capstex, e.g., \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/amstex.html}{\amstex} and~\href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/eplain.html}{eplain}. The macros work smoothly with \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/pdftex.html}{pdf\capstex} and \href{http://scripts.sil.org/cms/scripts/page.php?site_id=nrsi&id=xetex}{\capsxetex} too. Please note that these macros do not work with \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/latex.html}{\capslatex}, pdf\capslatex\hfuzz2pt, or \capsxelatex. + +\hfuzz1pt +If we are typesetting our document in English with any mathematics, then using these macros should be trouble free. They might demur when we try to type letters like \l, esp.\ when using typefaces like {\slbf slanted boldface\/} or {\caps Caps}. These are issues of missing glyphs and encoding. In the current typeface (Charter, regular roman, {\verbatim mdbchr7t|endverbatim}), {\color{brown}\verbatim\l|endverbatim} produces \l, {\color{brown}\verbatim\slbf \l|endverbatim} produces {\slbf \l}, but {\color{brown}\verbatim\caps\l|endverbatim} produces~{\caps \l}. + + + + + +Sans-serif fonts do not have {\it italics}\emdash they only have {\sl slanted\/} glyphs. To make the font changing macro files more consistent, both italics and slanted commands, e.g., {\color{brown}\verbatim\it|endverbatim} and {\color{brown}\verbatim\sl|endverbatim}, produce {\sl slanted} typefaces in case of sans-serif fonts and in those fonts that do not have distinct italic and slanted glyphs. Displayed further are samples exhibiting the change of \capstex's text and math fonts using macros of {\color{brown}\verbatim font-change|endverbatim}. All the fonts used in any macro of {\color{brown}\verbatim font-change|endverbatim} are also listed in this~document. + +It is hoped that these macros work well and do not raise compatibility issues but it can not be promised. There is no warranty. If the user find any bugs, or has suggestions or complaints, please email them to~me. + + + + + + + + + + + + + + + + + +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +%%%%%%%%%% Macros %%%%%%%%%% +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% + + +\section{\sixteenbf\fontss Charter}{Charter} +\sample +\ii The Charter font is declared by typing {\color{brown}\verbatim\input font_charter|endverbatim}. The font family uses fonts from the \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/mathdesign-charter.html}{mdbch} family, which corresponds to \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/charter.html}{Bitstream Charter} text fonts. This family is a part of Paul Pichaureau's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/mathdesign.html}{MathDesign} project. The \href{http://new.myfonts.com/fonts/bitstream/charter-bt-pro/}{Charter font} was originally designed by Matthew Carter for Bitstream Inc.\ in 1987. Details of this \capstex\ macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_charter|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss \+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil mdbchr7t &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil mdbchb7t &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil mdbchri7m &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil md-chr7y &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil mdbchbi7t &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil mdbchr7v &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil mdbchbo7t &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil mdbchri7t &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Caps &\strut\vrule\strut\hfil mdbchrfc8t &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil mdbchro7t &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Caps in Boldface &\strut\vrule\strut\hfil mdbchbfc8t &\cr \hrule +}\vrule}}\hrule}\hfil} + +\BlackBoxes + + + + + + + + + + +\input font_utopia \fontss +\section{\sixteenbf\fontss Utopia}{Utopia} +\sample +\ii The Utopia font is declared by typing {\color{brown}\verbatim\input font_utopia|endverbatim}. The font family uses most of its fonts from the \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/mathdesign-utopia.html}{mdput} family, which corresponds to \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/utopia.html}{Adobe Utopia} text fonts. This family is a part of Paul Pichaureau's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/mathdesign.html}{MathDesign}~project. The font family is very complete and includes the math fonts too. For inter-letter spacing reasons, macro {\color{brown}\verbatim font_utopia.tex|endverbatim} uses math italic font and math symbols font from Michel Bovani's \href{http://www.ctan.org/tex-archive/fonts/fourier-GUT/}{fourier} package. The \href{http://new.myfonts.com/fonts/adobe/utopia/}{Utopia font} was originally designed by Robert Slimbach for Adobe in~1989. + +Math italic~(\verbatim mdputri7m|endverbatim) and math symbols~(\verbatim md-utr7y|endverbatim) from the \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/mathdesign-utopia.html}{mdput} family can also be used. Details of this \capstex\ macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_utopia|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss \+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil mdputr7t &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil mdputb7t &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil futmii &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil futsy &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil mdputbi7t &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil mdputr7v &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil mdputbo7t &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil mdputri7t &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Caps &\strut\vrule\strut\hfil mdputrfc8t &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil mdputro7t &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Caps in Boldface &\strut\vrule\strut\hfil mdputbfc8t &\cr \hrule +}\vrule}}\hrule}\hfil} + +\BlackBoxes + + + + + + + + + + + + + + + + + + + + + + + +\input font_century \fontss +\section{\sixteenbf\fontss New Century Schoolbook}{New Century Schoolbook} +\sample +\ii The New Century Schoolbook font is declared by typing {\color{brown}\verbatim\input font_century|endverbatim}. The font family \NoBlackBoxes uses fonts from the \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/tex-gyre-schola.html}{TeX Gyre Schola} family, which corresponds to \href{http://store1.adobe.com/cfusion/store/html/index.cfm?store=OLS-US&event=displayFontPackage&code=1240} +{Adobe New Century Schoolbook} text~fonts. The \href{http://new.myfonts.com/fonts/adobe/new-century-schoolbook/}{Century Schoolbook} font was created by Morris Fuller Benton between 1918 and~1921. + +\BlackBoxes +The macro uses math italic~(fncmii) and math symbols~(fncsy) from Michael Zedler's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/fouriernc.html}{fouriernc} package. Details of this \capstex\ macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_century|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes\eightrm\fontss +\+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil rm-qcsr &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil rm-qcsb &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil fncmii &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil cmtt10 &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil fncsy &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil rm-qsbi &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil cmex10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil pncbo7t &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil rm-qcsri &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Caps &\strut\vrule\strut\hfil rm-qcsr-sc &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil pncro7t &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Caps in Boldface &\strut\vrule\strut\hfil rm-qcsb-sc &\cr \hrule +}\vrule}}\hrule}\hfil} + +\BlackBoxes + + + + + + + + + +\input font_palatino \fontss +\UseAMSsymbols +\section{\sixteenbf\fontss Palatino}{Palatino} +\sample +\ii The Palatino font is declared by typing {\color{brown}\verbatim\input font_palatino|endverbatim}. The font family uses fonts from Young Ryu's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/pxfonts.html}{pxfonts} package, which corresponds to \href{http://www.myfonts.com/fonts/urw/palladio/} +{{\caps urw++} Palladio} text fonts designed by Herman Zapf. The {\caps urw++} Palladio font is based on the \href{http://new.myfonts.com/fonts/adobe/palatino/}{Palatino font} which was originally\break designed by Hermann Zapf for the Stempel foundry in 1950. The fonts of this macro provide their own {\caps ams} symbols. Details of this \capstex\ macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_palatino|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss \+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil pxr &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil pxb &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil pxmi &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil cmtt10 &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil pxsy &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil pxbi &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil pxex &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil pxbsl &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil pxi &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Caps &\strut\vrule\strut\hfil pxsc &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil pxsl &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Caps in Boldface &\strut\vrule\strut\hfil pxbsc &\cr \hrule +}\vrule}}\hrule}\hfil} + +\BlackBoxes + +\bs\ii Matching {\caps ams} symbols: \circledR \ \yen \ $\blacksquare \ \approxeq \ \eqslantgtr \ \curlyeqprec \ \curlyeqsucc \ \preccurlyeq \ \leqq \ \leqslant \ \lessgtr \ \nless \ \nleq \ \nleqslant \ \Bbb R \ \Bbb E \ \Bbb C \ \dots$ + + + + + + + + +\input font_pagella \fontss +\UseAMSsymbols +\section{\sixteenbf\fontss Pagella}{Pagella} +\sample +\ii The Pagella font is declared by typing {\color{brown}\verbatim\input font_pagella|endverbatim}. Most of text is typeset using fonts from \href{http://www.gust.org.pl/projects/e-foundry/tex-gyre/pagella}{\capstex~Gyre Pagella} package and most math typesetting uses Diego Puga's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/mathpazo.html}{mathpazo} package, and some text~(slanted fonts) and some math~({\caps ams} symbols) is from Young Ryu's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/pxfonts.html}{pxfonts}\emdash all of these correspond to \href{http://www.myfonts.com/fonts/urw/palladio/} +{{\caps urw++} Palladio} text fonts designed by Herman Zapf. The {\caps urw++} Palladio font is based on the \href{http://new.myfonts.com/fonts/adobe/palatino/}{Palatino font} which was originally designed by Hermann Zapf for the Stempel foundry in 1950. The \capstex~Gyre \href{http://www.gust.org.pl/projects/e-foundry/tex-gyre/pagella}{Pagella} fonts can be said to be a bit more refined version of the Palatino fonts and they also have the ff ligature, which is missing in \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/pxfonts.html}{pxfonts} or other Palatino-based fonts. The fonts of this macro provide their own {\caps ams} symbols. Details of this \capstex\ macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_pagella|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil rm-qplr &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil rm-qplb &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil zplmr7m &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil cmtt10 &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil zplmr7y &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil rm-qplbi &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil zplmr7v &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil pxbsl &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil rm-qplri &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Caps &\strut\vrule\strut\hfil rm-qplr-sc &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil pxsl &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Caps in Boldface &\strut\vrule\strut\hfil rm-qplb-sc &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + +\bs\ii Matching {\caps ams} symbols: \circledR \ \yen \ $\blacksquare \ \approxeq \ \eqslantgtr \ \curlyeqprec \ \curlyeqsucc \ \preccurlyeq \ \leqq \ \leqslant \ \lessgtr \ \nless \ \nleq \ \nleqslant \ \Bbb R \ \Bbb E \ \Bbb C \ \dots$ + + + + + + + + + + + + + + + + +\input font_times \fontss +\UseAMSsymbols +\section{\sixteenbf\fontss Times}{Times} +\sample +\ii The Times font is declared by typing {\color{brown}\verbatim\input font_times|endverbatim}. The font family uses fonts from Young Ryu's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/txfonts.html}{txfonts} package, which corresponds to \href{http://new.myfonts.com/fonts/adobe/times/}{Adobe Times} text fonts. The \href{http://new.myfonts.com/fonts/adobe/times/}{Times font} was designed in 1931 by Stanley Morison at Monotype Corp. The fonts of this macro provide their own {\caps ams} symbols. Details of this \capstex\ macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_times|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss \+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil txr &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil txb &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil txmi &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil txtt &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil txsy &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil txbi &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil txex &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil txbsl &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil txi &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Caps &\strut\vrule\strut\hfil txsc &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil txsl &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Caps in Boldface &\strut\vrule\strut\hfil txbsc &\cr \hrule +}\vrule}}\hrule}\hfil} + +\BlackBoxes + +\bs\ii Matching {\caps ams} symbols: \circledR \ \yen \ $\blacksquare \ \approxeq \ \eqslantgtr \ \curlyeqprec \ \curlyeqsucc \ \preccurlyeq \ \leqq \ \leqslant \ \lessgtr \ \nless \ \nleq \ \nleqslant \ \Bbb R \ \Bbb E \ \Bbb C \ \dots$ + + + + + + + + +\input font_bookman \fontss +\section{\sixteenbf\fontss Bookman Font}{Bookman Font} +\sample +\ii The Bookman font is declared by typing {\color{brown}\verbatim\input font_bookman|endverbatim}. The font family uses fonts from Jackowski and Nowacki's (\capstex\ Gyre) \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/tex-gyre-bonum.html}{bonum} family, and Antonis Tsolomitis' \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/kerkis.html}{kerkis} package; both these packages correspond to \href{http://new.myfonts.com/fonts/adobe/itc-bookman/}{ITC Bookman} text fonts. The math symbols and extension characters are taken from Young Ryu's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/txfonts.html}{txfonts} package. The \href{http://new.myfonts.com/fonts/adobe/itc-bookman/}{Bookman} font was originally designed by Alexander Phemister in 1860 for the Miller \& Richard foundry in Scotland. Details of this \capstex\ macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_bookman|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss \+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil rm-qbkr &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil rm-qbkb &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil kmath8r &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil txtt &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil txsy &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil rm-qbkbi &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil txex &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil pbkdo7t &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil rm-qbkri &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Caps &\strut\vrule\strut\hfil rm-qbkr-sc &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil pbklo7t &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Caps in Boldface &\strut\vrule\strut\hfil rm-qbkb-sc &\cr \hrule +}\vrule}}\hrule}\hfil} + +\BlackBoxes + + + + + + + + + + + + + + +\input font_kp \fontss +\UseAMSsymbols +\section{\sixteenbf\fontss Kp-Fonts}{Kp-Fonts} +\sample +\ii Kp-Fonts are declared by typing {\color{brown}\verbatim\input font_kp|endverbatim}. The font family uses fonts from Chris\-tophe \hfuzz4pt Caignaert's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/kpfonts.html}{Kp-Fonts} family. The fonts of this macro provide their own {\caps ams} symbols. Details of this \capstex\ macro are given in the table~below. +\bs\hfuzz=1pt +\hfil{Font assignment in {\color{brown}\verbatim font_kp|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss \+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil jkpmn7t &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil jkpbn7t &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil jkpmi &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil jkpttmn7t &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil jkpsy &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil jkpbit7t &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil jkpex &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil jkpbsl7t &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil jkpmit7t &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Caps &\strut\vrule\strut\hfil jkpmsc7t &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil jkpmsl7t &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Caps in Boldface &\strut\vrule\strut\hfil jkpbsc7t &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + +\bs\ii Matching {\caps ams} symbols: \circledR \ \yen \ $\blacksquare \ \approxeq \ \eqslantgtr \ \curlyeqprec \ \curlyeqsucc \ \preccurlyeq \ \leqq \ \leqslant \ \lessgtr \ \nless \ \nleq \ \nleqslant \ \Bbb R \ \Bbb E \ \Bbb C \ \dots$ + + + + + + +\input font_kp-light \fontss +\UseAMSsymbols +\section{{\sixteenbf\fontss Kp}-{\sixteenslbf Light}}{Kp-Light} +\sample +\ii Kp-{\sl Light\/} fonts are declared by typing {\color{brown}\verbatim\input font_kp-light|endverbatim}. The font family uses fonts from Christophe Caignaert's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/kpfonts.html}{Kp-Fonts} family. This is the light version of Kp-Fonts. The difference between the medium~(regular) and light versions is visible in the text {\sl color} and of course, upon magnification of characters. The {\sl light\/} option, which certainly saves the printer tones, is claimed by the author of Kp-Fonts to be better on print than display. The fonts of this macro provide their own {\caps ams} symbols. Details of this \capstex\ macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_kp-light|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss \+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil jkplmn7t &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil jkplbn7t &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil jkplmi &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil jkpttmn7t &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil jkplsy &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil jkplbit7t &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil jkpex &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil jkplbsl7t &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil jkplmit7t &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Caps &\strut\vrule\strut\hfil jkplmsc7t &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil jkplmsl7t &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Caps in Boldface &\strut\vrule\strut\hfil jkplbsc7t &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + +\bs\ii Matching {\caps ams} symbols: \circledR \ \yen \ $\blacksquare \ \approxeq \ \eqslantgtr \ \curlyeqprec \ \curlyeqsucc \ \preccurlyeq \ \leqq \ \leqslant \ \lessgtr \ \nless \ \nleq \ \nleqslant \ \Bbb R \ \Bbb E \ \Bbb C \ \dots$ + + + + + + + + + +\input font_antt \fontss +\section{\sixteenbf\fontss Antykwa Toru\'nska}{Antykwa Torunska} +\sample +\ii The Antykwa Toru\'nska font is declared by typing {\color{brown}\verbatim\input font_antt|endverbatim}. The font family uses fonts from J.\;M.\;Nowacki's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/antt.html}{antt} package, which corresponds to Zygfryd Gardzielewski's \href{http://nowacki.strefa.pl/torunska-e.html}{Antykwa Toru\'nska} text fonts. Zygfryd Gardzielewski designed Antykwa Toru\'nska in 1960 for Grafmasz typefoundry in Warsaw. L with stroke~(\Lstroke) is displayed by {\color{brown}\verbatim\Lstroke|endverbatim} and l with stroke (\lstroke) is displayed by {\color{brown}\verbatim\lstroke|endverbatim}. When this macro is in use the default plain \capstex\ control statements {\color{brown}\verbatim\L|endverbatim} or {\color{brown}\verbatim\l|endverbatim} do not work. Details of this \capstex\ macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_antt|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss \+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil rm-anttr &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil rm-anttb &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil mi-anttri &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil sy-anttrz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil rm-anttbi &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil ex-anttr &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil rm-anttbi &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil rm-anttri &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Caps &\strut\vrule\strut\hfil qx-anttrcap &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil rm-anttri &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Caps in Boldface &\strut\vrule\strut\hfil rx-anttbcap &\cr \hrule +}\vrule}}\hrule}\hfil} + +\BlackBoxes + + + + + + + + + +\input font_antt-light \fontss +\section{{\sixteenbf\fontss Antykwa Toru\'nska}-{\sixteenslbf Light}}{Antykwa Torunska-Light} +\sample +\ii The Antykwa Toru\'nska-{\sl Light} font is declared by typing {\color{brown}\verbatim\input font_antt-light|endverbatim}. The font family uses light and medium weight fonts from J.\;M.\;Nowacki's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/antt.html}{antt} package, which corresponds to Zygfryd Gardzielewski's \href{http://nowacki.strefa.pl/torunska-e.html}{Antykwa Toru\'nska} text fonts. Zygfryd Gardzielewski designed Antykwa Toru\'nska in 1960 for Grafmasz typefoundry in Warsaw. L with stroke~(\Lstroke) is displayed by {\color{brown}\verbatim\Lstroke|endverbatim} and l with stroke~(\lstroke) is displayed by {\color{brown}\verbatim\lstroke|endverbatim}. When this macro is in use the default plain \capstex\ control statements {\color{brown}\verbatim\L|endverbatim} or {\color{brown}\verbatim\l|endverbatim} do not work. Details of this \capstex\ macro are given in the table below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_antt-light|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss +\+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil rm-anttl &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil rm-anttm &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil mi-anttli &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil sy-anttlz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil rm-anttmi &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil ex-anttl &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil rm-anttmi &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil rm-anttli &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Caps &\strut\vrule\strut\hfil qx-anttlcap &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil rm-anttli &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Caps in Boldface &\strut\vrule\strut\hfil qx-anttmcap &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + + + + + + + +\input font_antt-medium \fontss +\section{{\sixteenbf\fontss Antykwa Toru\'nska}-{\sixteenslbf Medium}}{Antykwa Torunska-Medium} +\sample +\ii The Antykwa Toru\'nska-{\sl Medium} font is declared by typing {\color{brown}\verbatim\input font_antt-medium|endverbatim}. The font family uses medium and bold weight fonts from J.\;M.\;Nowacki's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/antt.html}{antt} package, which corresponds to Zygfryd Gardzielewski's \href{http://nowacki.strefa.pl/torunska-e.html}{Antykwa Toru\'nska} text fonts. Zygfryd Gardzie\-lewski designed Antykwa Toru\'nska in 1960 for Grafmasz typefoundry in Warsaw. L with stroke~(\Lstroke) is displayed by {\color{brown}\verbatim\Lstroke|endverbatim} and l with stroke~(\lstroke) is displayed by {\color{brown}\verbatim\lstroke|endverbatim}. When this macro is in use the default plain \capstex\ control statements {\color{brown}\verbatim\L|endverbatim} or {\color{brown}\verbatim\l|endverbatim} do not work. Details of this \capstex\ macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_antt-medium|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil rm-anttm &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil rm-anttb &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil mi-anttmi &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil sy-anttmz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil rm-anttbi &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil ex-anttm &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil rm-anttbi &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil rm-anttmi &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Caps &\strut\vrule\strut\hfil qx-anttmcap &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil rm-anttmi &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Caps in Boldface &\strut\vrule\strut\hfil qx-anttbcap &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + + + + + + + + + + + + +\input font_antt-condensed \fontss +\section{{\sixteenbf\fontss Antykwa Toru\'nska}-{\sixteenslbf Condensed}}{Antykwa Torunska-Condensed} +\sample +\ii The Antykwa Toru\'nska-{\sl Condensed} font is declared by typing {\color{brown}\verbatim\input font_antt-condensed|endverbatim}. The font family uses condensed width regular and bold weight fonts from J.\;M.\;Nowacki's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/antt.html}{antt} package, which corresponds to Zygfryd Gardzielewski's \href{http://nowacki.strefa.pl/torunska-e.html}{Antykwa Toru\'nska} text fonts. Zygfryd Gardzie\-lewski designed Antykwa Toru\'nska in 1960 for Grafmasz typefoundry in Warsaw. L with stroke~(\Lstroke) is displayed by {\color{brown}\verbatim\Lstroke|endverbatim} and l with stroke~(\lstroke) is displayed by {\color{brown}\verbatim\lstroke|endverbatim}. When this macro is in use the default plain \capstex\ control statements {\color{brown}\verbatim\L|endverbatim} or {\color{brown}\verbatim\l|endverbatim} do not work. Details of this \capstex\ macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_antt-condensed|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil rm-anttcr &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil rm-anttcb &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil mi-anttcri &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil sy-anttcrz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil rm-anttcbi &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil ex-anttcr &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil rm-anttcbi &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil rm-anttcri &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Caps &\strut\vrule\strut\hfil qx-anttcrcap &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil rm-anttcri &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Caps in Boldface &\strut\vrule\strut\hfil qx-anttcbcap &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + + + + + + + + + + + + +\input font_antt-condensed-light \fontss +\section{{\sixteenbf\fontss Antykwa Toru\'nska}-{\sixteenslbf Condensed Light}}{Antykwa Torunska-Condensed Light} +\sample +\ii Antykwa Toru\'nska-{\sl Condensed Light} font is declared by typing {\color{brown}\verbatim\input font_antt-condensed-light|endverbatim}. The font family uses condensed width light and medium weight fonts from J.\;M.\;Nowacki's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/antt.html}{antt} package, which corresponds to Zygfryd Gardzielewski's \href{http://nowacki.strefa.pl/torunska-e.html}{Antykwa Toru\'nska} text fonts. Zygfryd Gardzie\-lewski designed Antykwa Toru\'nska in 1960 for Grafmasz typefoundry in Warsaw. L with stroke~(\Lstroke) is displayed by {\color{brown}\verbatim\Lstroke|endverbatim} and l with stroke~(\lstroke) is displayed by {\color{brown}\verbatim\lstroke|endverbatim}. When this macro is in use the default plain \capstex\ control statements {\color{brown}\verbatim\L|endverbatim} or {\color{brown}\verbatim\l|endverbatim} do not work. Details of this \capstex\ macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_antt-condensed-light|endverbatim}~macro}\hfil + + % Antykwa Toru?ska-Light +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil rm-anttcl &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil rm-anttcm &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil mi-anttcli &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil sy-anttclz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil rm-anttcmi &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil ex-anttcl &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil rm-anttcmi &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil rm-anttcli &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Caps &\strut\vrule\strut\hfil qx-anttclcap &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil rm-anttcli &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Caps in Boldface &\strut\vrule\strut\hfil qx-anttcmcap &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + + + + + + + + + + + + + + + + + +\input font_antt-condensed-medium \fontss +\section{{\sixteenbf\fontss Antykwa Toru\'nska}-{\sixteenslbf Condensed Medium}}{Antykwa Torunska-Condensed Medium} +\sample +\ii The Antykwa Toru\'nska-{\sl Condensed Medium} font can be used in \capstex\ documents after typing\break {\color{brown}\verbatim\input font_antt-condensed-medium|endverbatim}. The font family uses condensed width medium and bold weight fonts from J.\,M.\,Nowacki's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/antt.html}{antt} package, which corresponds to Zygfryd Gardzielewski's \href{http://nowacki.strefa.pl/torunska-e.html}{Antykwa Toru\'nska} text fonts. Zygfryd Gardzie\-lewski designed Antykwa Toru\'nska in 1960 for Grafmasz typefoundry in Warsaw. L with stroke~(\Lstroke) is displayed by {\color{brown}\verbatim\Lstroke|endverbatim} and l with stroke~(\lstroke) is displayed by {\color{brown}\verbatim\lstroke|endverbatim}. When this macro is in use the default plain \capstex\ control statements {\color{brown}\verbatim\L|endverbatim} or {\color{brown}\verbatim\l|endverbatim} do not work. Details of this \capstex\ macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_antt-condensed-medium|endverbatim}~macro}\hfil + + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil rm-anttcm &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil rm-anttcb &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil mi-anttcmi &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil sy-anttcmz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil rm-anttcbi &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil ex-anttcm &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil rm-anttcbi &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil rm-anttcmi &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Caps &\strut\vrule\strut\hfil qx-anttcmcap &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil rm-anttcmi &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Caps in Boldface &\strut\vrule\strut\hfil qx-anttcbcap &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + + + + + + + + + + + + + + +\input font_iwona \fontss +\section{\sixteenbf\fontss Iwona}{Iwona} +\sample +\ii The Iwona font is declared by typing {\color{brown}\verbatim\input font_iwona|endverbatim}. The font family uses fonts from J.\;M.\break Nowacki's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/iwona.html}{iwona} package, which corresponds to Ma\lstroke{}gorzata Budyta's text fonts. L with stroke~(\Lstroke) is displayed by {\color{brown}\verbatim\Lstroke|endverbatim} and l with stroke~(\lstroke) is displayed by {\color{brown}\verbatim\lstroke|endverbatim}. When this macro is in use the default plain \capstex\ control statements {\color{brown}\verbatim\L|endverbatim} or {\color{brown}\verbatim\l|endverbatim} do not work. Details of this \capstex\ macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_iwona|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss \+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil rm-iwonar &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil rm-iwonab &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil mi-iwonari &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil sy-iwonarz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil rm-iwonabi &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil ex-iwonar &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil rm-iwonabi &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil rm-iwonari &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Caps &\strut\vrule\strut\hfil qx-iwonarcap &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil rm-iwonari &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Caps in Boldface &\strut\vrule\strut\hfil qx-iwonabcap &\cr \hrule +}\vrule}}\hrule}\hfil} + +\BlackBoxes + + + + + + + + + + +\input font_iwona-light \fontss +\section{\sixteenbf\fontss Iwona-{\sixteenslbf Light}}{Iwona-Light} +\sample +\ii The Iwona-{\sl Light\/} font is declared by typing {\color{brown}\verbatim\input font_iwona-light|endverbatim}. The font family uses light and bold weight Iwona fonts from J.\;M.\;Nowacki's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/iwona.html}{iwona} package, which corresponds to Ma\lstroke{}gorzata Budyta's text fonts. L with stroke~(\Lstroke) is displayed by {\color{brown}\verbatim\Lstroke|endverbatim} and l with stroke~(\lstroke) is displayed by {\color{brown}\verbatim\lstroke|endverbatim}. When this macro is in use the default plain \capstex\ control statements {\color{brown}\verbatim\L|endverbatim} or {\color{brown}\verbatim\l|endverbatim} do not work. Details of this \capstex\ macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_iwona-light|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil rm-iwonal &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil rm-iwonam &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil mi-iwonali &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil sy-iwonalz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil rm-iwonami &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil ex-iwonal &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil rm-iwonami &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil rm-iwonali &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Caps &\strut\vrule\strut\hfil qx-iwonalcap &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil rm-iwonali &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Caps in Boldface &\strut\vrule\strut\hfil qx-iwonamcap &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + + + + + + + + + +\input font_iwona-medium \fontss +\section{\sixteenbf\fontss Iwona-{\sixteenslbf Medium}}{Iwona-Medium} +\sample +\ii The Iwona-{\sl Medium\/} font is declared by typing {\color{brown}\verbatim\input font_iwona-medium|endverbatim}. The font family uses\break medium and heavy weight Iwona fonts from J.\;M.\;Nowacki's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/iwona.html}{iwona} package, which corresponds to Ma\lstroke{}gorzata Budyta's text fonts. L with stroke~(\Lstroke) is displayed by {\color{brown}\verbatim\Lstroke|endverbatim} and l with stroke~(\lstroke) is displayed by {\color{brown}\verbatim\lstroke|endverbatim}. When this macro is in use the default plain \capstex\ control statements {\color{brown}\verbatim\L|endverbatim} or {\color{brown}\verbatim\l|endverbatim} do not work. Details of this \capstex\ macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_iwona-medium|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil rm-iwonam &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil rm-iwonah &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil mi-iwonami &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil sy-iwonamz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil rm-iwonahi &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil ex-iwonam &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil rm-iwonahi &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil rm-iwonami &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Caps &\strut\vrule\strut\hfil qx-iwonamcap &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil rm-iwonami &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Caps in Boldface &\strut\vrule\strut\hfil qx-iwonahcap &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + + + + + +\input font_iwona-bold \fontss +\section{\sixteenbf\fontss Iwona-{\sixteenslbf Bold}}{Iwona-Bold} +\sample +\ii The Iwona-{\sl Bold\/} font is declared by typing {\color{brown}\verbatim\input font_iwona-bold|endverbatim}. The font family uses bold and heavy weight Iwona fonts from J.\;M.\;Nowacki's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/iwona.html}{iwona} package, which corresponds to Ma\lstroke{}gorzata Budyta's text fonts. L with stroke~(\Lstroke) is displayed by {\color{brown}\verbatim\Lstroke|endverbatim} and l with stroke~(\lstroke) is displayed by {\color{brown}\verbatim\lstroke|endverbatim}. When this macro is in use the default plain \capstex\ control statements {\color{brown}\verbatim\L|endverbatim} or {\color{brown}\verbatim\l|endverbatim} do not work. Details of this \capstex\ macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_iwona-medium|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil rm-iwonab &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil rm-iwonah &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil mi-iwonabi &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil sy-iwonabz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil rm-iwonahi &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil ex-iwonab &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil rm-iwonahi &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil rm-iwonabi &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Caps &\strut\vrule\strut\hfil qx-iwonabcap &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil rm-iwonabi &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Caps in Boldface &\strut\vrule\strut\hfil qx-iwonahcap &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + + + + + + + +\input font_iwona-condensed \fontss +\section{\sixteenbf\fontss Iwona-{\sixteenslbf Condensed}}{Iwona-Condensed} +\sample +\ii The Iwona-{\sl Condensed\/} font is declared by typing {\color{brown}\verbatim\input font_iwona-condensed|endverbatim}. The font family uses condensed width regular and bold weight Iwona fonts from J.\;M.\;Nowacki's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/iwona.html}{iwona} package, which corresponds to Ma\lstroke{}gorzata Budyta's text fonts. L with stroke~(\Lstroke) is displayed by {\color{brown}\verbatim\Lstroke|endverbatim} and l with stroke~(\lstroke) is displayed by {\color{brown}\verbatim\lstroke|endverbatim}. When this macro is in use the default plain \capstex\ control statements {\color{brown}\verbatim\L|endverbatim} or {\color{brown}\verbatim\l|endverbatim} do not work. Details of this \capstex\ macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_iwona-condensed|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil rm-iwonacr &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil rm-iwonacb &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil mi-iwonacri &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil sy-iwonacrz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil rm-iwonacbi &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil ex-iwonacr &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil rm-iwonacbi &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil rm-iwonacri &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Caps &\strut\vrule\strut\hfil qx-iwonacrcap &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil rm-iwonacri &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Caps in Boldface &\strut\vrule\strut\hfil qx-iwonacbcap &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + + + + + + +\input font_iwona-condensed-light \fontss +\section{\sixteenbf\fontss Iwona-{\sixteenslbf Condensed-Light}}{Iwona-Condensed-Light} +\sample +\ii The Iwona-{\sl Condensed-Light\/} font is declared by typing {\color{brown}\verbatim\input font_iwona-condensed-light|endverbatim}. The font family uses condensed width light and medium weight Iwona fonts from J.\;M.\;Nowacki's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/iwona.html}{iwona} package, which corresponds to Ma\lstroke{}gorzata Budyta's text fonts. L with stroke~(\Lstroke) is displayed by {\color{brown}\verbatim\Lstroke|endverbatim} and l with stroke~(\lstroke) is displayed by {\color{brown}\verbatim\lstroke|endverbatim}. When this macro is in use the default plain \capstex\ control statements {\color{brown}\verbatim\L|endverbatim} or {\color{brown}\verbatim\l|endverbatim} do not work. Details of this \capstex\ macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_iwona-condensed-light|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil rm-iwonacl &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil rm-iwonacm &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil mi-iwonacli &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil sy-iwonaclz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil rm-iwonacmi &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil ex-iwonacl &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil rm-iwonacmi &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil rm-iwonacli &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Caps &\strut\vrule\strut\hfil qx-iwonaclcap &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil rm-iwonacli &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Caps in Boldface &\strut\vrule\strut\hfil qx-iwonacmcap &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + + + + + + + + +\input font_iwona-condensed-medium \fontss +\section{\sixteenbf\fontss Iwona-{\sixteenslbf Condensed-Medium}}{Iwona-Condensed-Medium} +\sample +\ii The Iwona-{\sl Condensed-Medium\/} font is declared by typing {\color{brown}\verbatim\input font_iwona-condensed-medium|endverbatim}. The font family uses condensed width medium and heavy weight Iwona fonts from J.\;M.\;Nowacki's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/iwona.html}{iwona} package, which corresponds to Ma\lstroke{}gorzata Budyta's text fonts. L with stroke~(\Lstroke) is displayed by {\color{brown}\verbatim\Lstroke|endverbatim} and l with stroke~(\lstroke) is displayed by {\color{brown}\verbatim\lstroke|endverbatim}. When this macro is in use the default plain \capstex\ control statements {\color{brown}\verbatim\L|endverbatim} or {\color{brown}\verbatim\l|endverbatim} do not work. Details of this \capstex\ macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_iwona-condensed-medium|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil rm-iwonacm &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil rm-iwonach &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil mi-iwonacmi &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil sy-iwonacmz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil rm-iwonachi &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil ex-iwonacm &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil rm-iwonachi &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil rm-iwonacmi &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Caps &\strut\vrule\strut\hfil qx-iwonacmcap &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil rm-iwonacmi &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Caps in Boldface &\strut\vrule\strut\hfil qx-iwonachcap &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + + + + + + +\input font_iwona-condensed-bold \fontss +\section{\sixteenbf\fontss Iwona-{\sixteenslbf Condensed-Bold}}{Iwona-Condensed-Bold} +\sample +\ii The Iwona-{\sl Condensed-Bold\/} font is declared by typing {\color{brown}\verbatim\input font_iwona-condensed-bold|endverbatim}. The font\break family uses condensed width bold and heavy weight Iwona fonts from J.\;M.\;Nowacki's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/iwona.html}{iwona} package, which corresponds to Ma\lstroke{}gorzata Budyta's text fonts. L with stroke~(\Lstroke) is displayed by {\color{brown}\verbatim\Lstroke|endverbatim} and l with stroke~(\lstroke) is displayed by {\color{brown}\verbatim\lstroke|endverbatim}. When this macro is in use the default plain \capstex\ control statements {\color{brown}\verbatim\L|endverbatim} or {\color{brown}\verbatim\l|endverbatim} do not work. Details of this \capstex\ macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_iwona-condensed-bold|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil rm-iwonacb &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil rm-iwonach &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil mi-iwonacbi &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil sy-iwonacbz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil rm-iwonachi &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil ex-iwonacb &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil rm-iwonachi &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil rm-iwonacbi &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Caps &\strut\vrule\strut\hfil qx-iwonacbcap &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil rm-iwonacbi &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Caps in Boldface &\strut\vrule\strut\hfil qx-iwonachcap &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + + + + + + + + + +\input font_kurier \fontss +\section{\sixteenbf\fontss Kurier}{Kurier} +\sample +\ii The Kurier font is declared by typing {\color{brown}\verbatim\input font_kurier|endverbatim}. The font family uses fonts from J.\;M.\ Nowacki's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/kurier.html}{kurier} package, which corresponds to Ma\lstroke{}gorzata Budyta's text fonts. The Kurier font is very similar to Iwona font; Kurier is a bit extended and has ink traps. L with stroke~(\Lstroke) is displayed by {\color{brown}\verbatim\Lstroke|endverbatim} and l with stroke~(\lstroke) is displayed by {\color{brown}\verbatim\lstroke|endverbatim}. When this macro is in use the default plain \capstex\ control statements {\color{brown}\verbatim\L|endverbatim} or {\color{brown}\verbatim\l|endverbatim} do not work. Details of this \capstex\ macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_kurier|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss \+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil rm-kurierr &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil rm-kurierb &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil mi-kurierri &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil sy-kurierrz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil rm-kurierbi &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil ex-kurierr &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil rm-kurierbi &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil rm-kurierri &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Caps &\strut\vrule\strut\hfil qx-kurierrcap &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil rm-kurierri &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Caps in Boldface &\strut\vrule\strut\hfil qx-kurierbcap &\cr \hrule +}\vrule}}\hrule}\hfil} + +\BlackBoxes + + + + + + + + + + + + + + + +\input font_kurier-light \fontss +\section{\sixteenbf\fontss Kurier-{\sixteenslbf Light}}{Kurier-Light} +\sample +\ii The Kurier-{\sl Light\/} font is declared by typing {\color{brown}\verbatim\input font_kurier-light|endverbatim}. The font family uses light and medium weight Kurier fonts from J.\;M.\;Nowacki's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/kurier.html}{kurier} package, which corresponds to Ma\lstroke{}gorzata Budyta's text fonts. The Kurier font is very similar to Iwona font; Kurier is a bit extended and has ink traps. L with stroke~(\Lstroke) is displayed by {\color{brown}\verbatim\Lstroke|endverbatim} and l with stroke~(\lstroke) is displayed by {\color{brown}\verbatim\lstroke|endverbatim}. When this macro is in use the default plain \capstex\ control statements {\color{brown}\verbatim\L|endverbatim} or {\color{brown}\verbatim\l|endverbatim} do not work. Details of this \capstex\ macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_kurier-light|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil rm-kurierl &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil rm-kurierm &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil mi-kurierli &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil sy-kurierlz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil rm-kuriermi &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil ex-kurierl &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil rm-kuriermi &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil rm-kurierli &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Caps &\strut\vrule\strut\hfil qx-kurierlcap &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil rm-kurierli &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Caps in Boldface &\strut\vrule\strut\hfil qx-kuriermcap &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + + + + + + + + + +\input font_kurier-medium \fontss +\section{\sixteenbf\fontss Kurier-{\sixteenslbf Medium}}{Kurier-Medium} +\sample +\ii The Kurier-{\sl Medium\/} font is declared by typing {\color{brown}\verbatim\input font_kurier-medium|endverbatim}. The font family uses medium and heavy weight Kurier fonts from J.\;M.\;Nowacki's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/kurier.html}{kurier} package, which corresponds to Ma\lstroke{}gorzata Budyta's text fonts. The Kurier font is very similar to Iwona font; Kurier is a bit extended and has ink traps. L with stroke~(\Lstroke) is displayed by {\color{brown}\verbatim\Lstroke|endverbatim} and l with stroke~(\lstroke) is displayed by {\color{brown}\verbatim\lstroke|endverbatim}. When this macro is in use the default plain \capstex\ control statements {\color{brown}\verbatim\L|endverbatim} or {\color{brown}\verbatim\l|endverbatim} do not work. Details of this \capstex\ macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_kurier-medium|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil rm-kurierm &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil rm-kurierh &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil mi-kuriermi &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil sy-kuriermz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil rm-kurierhi &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil ex-kurierm &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil rm-kurierhi &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil rm-kuriermi &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Caps &\strut\vrule\strut\hfil qx-kuriermcap &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil rm-kuriermi &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Caps in Boldface &\strut\vrule\strut\hfil qx-kurierhcap &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + + + + + +\input font_kurier-bold \fontss +\section{\sixteenbf\fontss Kurier-{\sixteenslbf Bold}}{Kurier-Bold} +\sample +\ii The Kurier-{\sl Bold\/} font is declared by typing {\color{brown}\verbatim\input font_kurier-bold|endverbatim}. The font family uses bold and heavy weight Kurier fonts from J.\;M.\;Nowacki's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/kurier.html}{kurier} package, which corresponds to Ma\lstroke{}gorzata Budyta's text fonts. The Kurier font is very similar to Iwona font; Kurier is a bit extended and has ink traps. L with stroke~(\Lstroke) is displayed by {\color{brown}\verbatim\Lstroke|endverbatim} and l with stroke~(\lstroke) is displayed by {\color{brown}\verbatim\lstroke|endverbatim}. When this macro is in use the default plain \capstex\ control statements {\color{brown}\verbatim\L|endverbatim} or {\color{brown}\verbatim\l|endverbatim} do not work. Details of this \capstex\ macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_kurier-medium|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil rm-kurierb &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil rm-kurierh &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil mi-kurierbi &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil sy-kurierbz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil rm-kurierhi &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil ex-kurierb &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil rm-kurierhi &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil rm-kurierbi &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Caps &\strut\vrule\strut\hfil qx-kurierbcap &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil rm-kurierbi &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Caps in Boldface &\strut\vrule\strut\hfil qx-kurierhcap &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + + + + + + + +\input font_kurier-condensed \fontss +\section{\sixteenbf\fontss Kurier-{\sixteenslbf Condensed}}{Kurier-Condensed} +\sample +\ii The Kurier-{\sl Condensed\/} font is declared by typing {\color{brown}\verbatim\input font_kurier-condensed|endverbatim}. The font family uses condensed width regular and bold weight Kurier fonts from J.\;M.\;Nowacki's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/kurier.html}{kurier} package, which corresponds to Ma\lstroke{}gorzata Budyta's text fonts. The Kurier font is very similar to Iwona font; Kurier is a bit extended and has ink traps. L with stroke~(\Lstroke) is displayed by {\color{brown}\verbatim\Lstroke|endverbatim} and l with stroke~(\lstroke) is displayed by {\color{brown}\verbatim\lstroke|endverbatim}. When this macro is in use the default plain \capstex\ control statements {\color{brown}\verbatim\L|endverbatim} or {\color{brown}\verbatim\l|endverbatim} do not work. Details of this \capstex\ macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_kurier-condensed|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil rm-kuriercr &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil rm-kuriercb &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil mi-kuriercri &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil sy-kuriercrz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil rm-kuriercbi &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil ex-kuriercr &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil rm-kuriercbi &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil rm-kuriercri &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Caps &\strut\vrule\strut\hfil qx-kuriercrcap &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil rm-kuriercri &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Caps in Boldface &\strut\vrule\strut\hfil qx-kuriercbcap &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + + + + + + +\input font_kurier-condensed-light \fontss +\section{\sixteenbf\fontss Kurier-{\sixteenslbf Condensed-Light}}{Kurier-Condensed-Light} +\sample +\ii The Kurier-{\sl Condensed-Light\/} font is declared by typing {\color{brown}\verbatim\input font_kurier-condensed-light|endverbatim}. The font family uses condensed width light and medium weight Kurier fonts from J.\;M.\;Nowacki's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/kurier.html}{kurier} package, which corresponds to Ma\lstroke{}gorzata Budyta's text fonts. The Kurier font is very similar to Iwona font; Kurier is a bit extended and has ink traps. L with stroke~(\Lstroke) is displayed by {\color{brown}\verbatim\Lstroke|endverbatim} and l with stroke~(\lstroke) is displayed by {\color{brown}\verbatim\lstroke|endverbatim}. When this macro is in use the default plain \capstex\ control statements {\color{brown}\verbatim\L|endverbatim} or {\color{brown}\verbatim\l|endverbatim} do not work. Details of this \capstex\ macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_kurier-condensed-light|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil rm-kuriercl &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil rm-kuriercm &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil mi-kuriercli &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil sy-kurierclz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil rm-kuriercmi &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil ex-kuriercl &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil rm-kuriercmi &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil rm-kuriercli &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Caps &\strut\vrule\strut\hfil qx-kurierclcap &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil rm-kuriercli &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Caps in Boldface &\strut\vrule\strut\hfil qx-kuriercmcap &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + + + + + + + + +\input font_kurier-condensed-medium \fontss +\section{\sixteenbf\fontss Kurier-{\sixteenslbf Condensed-Medium}}{Kurier-Condensed-Medium} +\sample +\ii The Kurier-{\sl Condensed-Medium\/} font is declared by typing {\color{brown}\verbatim\input font_kurier-condensed-medium|endverbatim}. The font family uses condensed width medium and heavy weight Kurier fonts from J.\;M.\;Nowacki's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/kurier.html}{kurier} package, which corresponds to Ma\lstroke{}gorzata Budyta's text fonts. The Kurier font is very similar to Iwona font; Kurier is a bit extended and has ink traps. L with stroke~(\Lstroke) is displayed by {\color{brown}\verbatim\Lstroke|endverbatim} and l with stroke~(\lstroke) is displayed by {\color{brown}\verbatim\lstroke|endverbatim}. When this macro is in use the default plain \capstex\ control statements {\color{brown}\verbatim\L|endverbatim} or {\color{brown}\verbatim\l|endverbatim} do not work. Details of this \capstex\ macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_kurier-condensed-medium|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil rm-kuriercm &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil rm-kurierch &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil mi-kuriercmi &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil sy-kuriercmz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil rm-kurierchi &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil ex-kuriercm &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil rm-kurierchi &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil rm-kuriercmi &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Caps &\strut\vrule\strut\hfil qx-kuriercmcap &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil rm-kuriercmi &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Caps in Boldface &\strut\vrule\strut\hfil qx-kurierchcap &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + + + + + + +\input font_kurier-condensed-bold \fontss +\section{\sixteenbf\fontss Kurier-{\sixteenslbf Condensed-Bold}}{Kurier-Condensed-Bold} +\sample +\ii The Kurier-{\sl Condensed-Bold\/} font is declared by typing {\color{brown}\verbatim\input font_kurier-condensed-bold|endverbatim}. The font family uses condensed width bold and heavy weight Kurier fonts from J.\;M.\;Nowacki's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/kurier.html}{kurier} package, which corresponds to Ma\lstroke{}gorzata Budyta's text fonts. The Kurier font is very similar to Iwona font; Kurier is a bit extended and has ink traps. L with stroke~(\Lstroke) is displayed by {\color{brown}\verbatim\Lstroke|endverbatim} and l with stroke~(\lstroke) is displayed by {\color{brown}\verbatim\lstroke|endverbatim}. When this macro is in use the default plain \capstex\ control statements {\color{brown}\verbatim\L|endverbatim} or {\color{brown}\verbatim\l|endverbatim} do not work. Details of this \capstex\ macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_kurier-condensed-bold|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil rm-kuriercb &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil rm-kurierch &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil mi-kuriercbi &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil sy-kuriercbz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil rm-kurierchi &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil ex-kuriercb &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil rm-kurierchi &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil rm-kuriercbi &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Caps &\strut\vrule\strut\hfil qx-kuriercbcap &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil rm-kuriercbi &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Caps in Boldface &\strut\vrule\strut\hfil qx-kurierchcap &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + + + + + + + + + + + + + + + +\input font_arev \fontss +\section{\sixteenbf\fontss Arev}{Arev} +\sample +\ii The Arev font is declared by typing {\color{brown}\verbatim\input font_arev|endverbatim}. The font family uses fonts from S.\;G.\; Hartke's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/arev.html}{arev} package, which corresponds to \href{http://www.fontsquirrel.com/fonts/Bitstream-Vera-Sans}{Bitstream Vera Sans} text fonts. \href{http://www.gnome.org/fonts/}{Bitstream Vera} font was designed by Jim Lyles. Details of this {\eightrm\TeX} macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_arev|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss \+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil zavmr7t &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil zavmb7t &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil zavmri7m &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil fvmr8t &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil zavmr7y &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil favbi8t &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil ex-kurierr &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil favbi8t &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil favri8t &\strut\vrule\kern1pt\vrule\strut\hfil No caps &\strut\vrule\strut\hfil \emdash &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil favri8t &\strut\vrule\kern1pt\vrule\strut\hfil No caps in bold &\strut\vrule\strut\hfil \emdash &\cr \hrule +}\vrule}}\hrule}\hfil} + +\BlackBoxes + + + + + + + + + +\input font_cmbright \fontss +\UseAMSsymbols +\section{\sixteenbf\fontss Computer Modern Bright}{Computer Modern Bright} +\sample +\ii The Computer Modern Bright font is declared by typing {\color{brown}\verbatim\input font_cmbright|endverbatim}. The font family uses fonts from Walter Schmidt's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/cmbright.html}{cmbright} package, which corresponds to Donald Knuth's Computer Modern Sans Serif text fonts. Computer Modern Bright fonts are lighter than Knuth's Computer Modern Sans Serif fonts. The fonts of this macro provide their own {\eightrm AMS} symbols. Details of this {\eightrm\TeX} macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_cmbright|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss \+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil cmbr10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil cmbrbx10 &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil cmbrmi10 &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil cmbrsy10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil rm-lmssbo10 &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil ex-kurierr &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil rm-lmssbo10 &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil cmbrsl10 &\strut\vrule\kern1pt\vrule\strut\hfil No caps &\strut\vrule\strut\hfil \emdash &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil cmbrsl10 &\strut\vrule\kern1pt\vrule\strut\hfil No caps in bold &\strut\vrule\strut\hfil \emdash &\cr \hrule +}\vrule}}\hrule}\hfil} + +\BlackBoxes + +\bs\ii Matching {\eightrm AMS} symbols: \circledR \ \yen \ $\blacksquare \ \approxeq \ \eqslantgtr \ \curlyeqprec \ \curlyeqsucc \ \preccurlyeq \ \leqq \ \leqslant \ \lessgtr \ \nless \ \nleq \ \nleqslant \ \Bbb R \ \Bbb E \ \Bbb C \ \dots$ + + + + + + + + + + + + +\input font_epigrafica_euler \fontss +\section{\sixteenbf\fontss Epigrafica with Euler}{Epigrafica with Euler} +\sample +\ii This macro enables us to type text in Epigrafica font and math in Euler font. The macro is declared by typing {\color{brown}\verbatim\input font_epigrafica_euler|endverbatim}. The macro typesets text in fonts from Antonis Tsolomitis's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/epigrafica.html}{epigrafica} package (based on Hermann Zapf's \href{http://new.myfonts.com/fonts/adobe/optima/}{Optima} text font) and math in Walter Schmidt's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/eulervm.html}{Euler-VM} fonts (based on Hermann Zapf's Euler and Knuth's CM fonts). Details of this \capstex\ macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_epigrafica_euler|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss \+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil epigrafican8r &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil epigraficab8r &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil eurm10 &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil cmsy10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil epigraficabi8r &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil euex10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil epigraficabi8r &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil epigraficai8r &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Caps &\strut\vrule\strut\hfil epigraficac8r &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil epigraficai8r &\strut\vrule\kern1pt\vrule\strut\hfil No caps in bold &\strut\vrule\strut\hfil \emdash &\cr \hrule +}\vrule}}\hrule}\hfil} + +\BlackBoxes + + + + + + + + + +\input font_epigrafica_palatino \fontss +\section{\sixteenbf\fontss Epigrafica with Palatino}{Epigrafica with Palatino} +\sample +\ii This macro enables us to type text in Epigrafica font and math in PX~Fonts. The macro is declared by typing {\color{brown}\verbatim\input font_epigrafica_palatino|endverbatim}. The macro typesets text in fonts from Antonis Tsolomitis's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/epigrafica.html}{epigrafica} package (based on Hermann Zapf's \href{http://new.myfonts.com/fonts/adobe/optima/}{Optima} text font) and math in Young Ryu's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/pxfonts.html}{pxfonts} package (which corresponds to \href{http://www.adobe.com/type/browser/html/readmes/PalatinoStdReadMe.html#A2} +{Adobe Palatino} text fonts). Details of this \capstex\ macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_epigrafica_palatino|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss \+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil epigrafican8r &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil epigraficab8r &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil pxmi &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil pxsy &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil epigraficabi8r &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil pxex &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil epigraficabi8r &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil epigraficai8r &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Caps &\strut\vrule\strut\hfil epigraficac8r &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil epigraficai8r &\strut\vrule\kern1pt\vrule\strut\hfil No caps in bold &\strut\vrule\strut\hfil \emdash &\cr \hrule +}\vrule}}\hrule}\hfil} + +\BlackBoxes + + + + + + + +\input font_antp_euler \fontss +\section{\sixteenbf\fontss Antykwa P\'o\char'252tawskiego with Euler}{Antykwa Poltawskiego with Euler} +\sample +\ii This macro enables us to type text in Antykwa P\'o\lstroke{}tawskiego font and math in Euler font. The macro is declared by typing {\color{brown}\verbatim\input font_antp_euler|endverbatim}. The macro typesets text in fonts from J.\;M.\;No\-wacki's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/antp.html}{antp} package (based on Polish typographer, Adam P\'o\lstroke{}tawski's \href{http://nowacki.strefa.pl/poltawski-e.html}{Antykwa P\'o\lstroke{}tawskiego} text fonts) and math in Walter Schmidt's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/eulervm.html}{Euler-VM} fonts (based on Hermann Zapf's Euler and Knuth's CM fonts). L with stroke~(\Lstroke) is displayed by {\color{brown}\verbatim\Lstroke|endverbatim} and l with stroke~(\lstroke) is displayed by {\color{brown}\verbatim\lstroke|endverbatim}. When this macro is in use the default {\eightrm \TeX} control statement {\color{brown}\verbatim\L|endverbatim} or {\color{brown}\verbatim\l|endverbatim} do not work. Details of this {\eightrm \TeX} macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_antp_euler|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss \+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil rm-antpr10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil rm-antpb10 &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil eurm10 &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil cmsy10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil rm-antpbi10 &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil euex10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil rm-antpbi10 &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil rm-antpri10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Caps &\strut\vrule\strut\hfil rm-antpr10-sc &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil rm-antpri10 &\strut\vrule\kern1pt\vrule\strut\hfil\eightcapsbf Caps in Boldface &\strut\vrule\strut\hfil rm-antpb10-sc &\cr \hrule +}\vrule}}\hrule}\hfil} + +\BlackBoxes + + + + + + + + + +\input font_bera_concrete \fontss +\section{\sixteenbf\fontss Bera Serif with Concrete}{Bera Serif with Concrete} +\sample +\ii This macro enables us to type text in Bera serif and math in Concrete. The macro is declared by typing {\color{brown}\verbatim\input font_bera_concrete|endverbatim}. The macro typesets text in Bera serif fonts from Walter Schmidt's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/bera.html}{bera} package (based on \href{http://www.fontsquirrel.com/fonts/Bitstream-Vera-Serif?q[term]=bitstream+vera&q[search_check]=Y}{Bitstream Vera serif} font designed by Jim Lyles of Bitstream Inc.) and math is typeset using in Jackowski, Ry\char'242ko and Bzyl's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/cc-pl.html}{cc-pl} package (based on Knuth's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/concrete.html}{Concrete Roman} fonts). Details of this {\eightrm \TeX} macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_bera_concrete|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss \+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil fver8t &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil fveb8t &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil pcmi10 &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil fvmr8t &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil cmsy10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil fvebo8t &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil cmex10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil fvebo8t &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil fvero8t &\strut\vrule\kern1pt\vrule\strut\hfil No caps &\strut\vrule\strut\hfil \emdash &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil fvero8t &\strut\vrule\kern1pt\vrule\strut\hfil No caps in bold &\strut\vrule\strut\hfil \emdash &\cr \hrule +}\vrule}}\hrule}\hfil} + +\BlackBoxes + + + + + + + + + +\input font_bera_euler \fontss +\section{\sixteenbf\fontss Bera Serif with Euler}{Bera Serif with Euler} +\sample +\ii This macro enables us to type text in Bera serif and math in Euler. The macro is declared by typing {\color{brown}\verbatim\input font_bera_euler|endverbatim}. The macro typesets text in Bera serif fonts from Walter Schmidt's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/bera.html}{bera} package (based on \href{http://www.fontsquirrel.com/fonts/Bitstream-Vera-Serif?q[term]=bitstream+vera&q[search_check]=Y}{Bitstream Vera serif} font designed by Jim Lyles of Bitstream Inc.) and math in Walter Schmidt's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/eulervm.html}{Euler-VM} fonts (based on Hermann Zapf's Euler and Knuth's CM fonts). Details of this {\eightrm \TeX} macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_bera_euler|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss \+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil fver8t &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil fveb8t &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil eurm10 &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil fvmr8t &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil cmsy10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil fvebo8t &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil euex10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil fvebo8t &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil fvero8t &\strut\vrule\kern1pt\vrule\strut\hfil No caps &\strut\vrule\strut\hfil \emdash &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil fvero8t &\strut\vrule\kern1pt\vrule\strut\hfil No caps in bold &\strut\vrule\strut\hfil \emdash &\cr \hrule +}\vrule}}\hrule}\hfil} + +\BlackBoxes + + + + + + + + + +\input font_bera_fnc \fontss +\section{\sixteenbf\fontss Bera Serif with Fouriernc}{Bera Serif with Fouriernc} +\sample +\ii This macro enables us to type text in Bera serif and math in Fouriernc (originally used with New Century). The macro is declared by typing {\color{brown}\verbatim\input font_bera_fnc|endverbatim}. The macro typesets text in Bera serif fonts from Walter Schmidt's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/bera.html}{bera} package (based on \href{http://www.fontsquirrel.com/fonts/Bitstream-Vera-Serif?q[term]=bitstream+vera&q[search_check]=Y}{Bitstream Vera serif} font designed by Jim Lyles of Bitstream Inc.) and math using in Michael Zedler's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/fouriernc.html}{fouriernc} package. Details of this {\eightrm \TeX} macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_bera_fnc|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss \+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil fver8t &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil fveb8t &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil fncmii &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil fvmr8t &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil fncsy &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil fvebo8t &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil cmex10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil fvebo8t &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil fvero8t &\strut\vrule\kern1pt\vrule\strut\hfil No caps &\strut\vrule\strut\hfil \emdash &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil fvero8t &\strut\vrule\kern1pt\vrule\strut\hfil No caps in bold &\strut\vrule\strut\hfil \emdash &\cr \hrule +}\vrule}}\hrule}\hfil} + +\BlackBoxes + + + + + + + + + + + + + + + + + + + + + +\input font_artemisia_euler \fontss +\section{\sixteenbf\fontss Artemisia with Euler}{Artemisia with Euler} +\sample +\ii This macro enables us to type text in GFS Artemisia and math in Euler. The macro is declared by typing {\color{brown}\verbatim\input font_artemisia_euler|endverbatim}. The macro typesets text in Antonis Tsolomitis, George D.\ Matthiopoulos and The Greek Font Society's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/gfsartemisia.html}{GFS Artemisia fonts} and math in Walter Schmidt's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/eulervm.html}{Euler-VM} fonts (based on Hermann Zapf's Euler and Knuth's CM fonts). Details of this {\eightrm \TeX} macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_artemisia_euler|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil artemisiarg8a &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil artemisiab8a &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil zeurm10 &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil zeusm10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil artemisiabi8a &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil zeuex10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil artemisiabo8a &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil artemisiai8a &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Caps &\strut\vrule\strut\hfil artemisiasc8a &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil artemisiao8a &\strut\vrule\kern1pt\vrule\strut\hfil No caps in bold &\strut\vrule\strut\hfil \emdash &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + + + + + + + + + + + +\input font_libertine_kp \fontss +\UseAMSsymbols +\section{\sixteenbf\fontss Libertine with Kp-Fonts}{Libertine with Kp-Fonts} +\sample +\ii This macro enables us to type text in Linux-Libertine and math in Kp-Fonts. The macro is declared by typing {\color{brown}\verbatim\input font_libertine_kp|endverbatim}. The macro typesets text in Michael Niedermair's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/libertine.html}{Linux-Libertine} font and math in Chris\-tophe Caignaert's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/kpfonts.html}{Kp-Fonts}. The fonts of this macro provide their own {\caps ams} symbols. Details of this {\eightrm \TeX} macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_libertine_kp|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil LinLibertineT-lf-ot1 &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil LinLibertineTZ-lf-ot1 &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil jkpmi &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil jkpsy &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil LinLibertineTZI-lf-ot1 &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil jkpex &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil LinLibertineTZI-lf-ot1 &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil LinLibertineTI-lf-ot1 &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Caps &\strut\vrule\strut\hfil LinLibertineT-lf-sc-ot1 &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil LinLibertineTI-lf-ot1 &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Caps in Boldface &\strut\vrule\strut\hfil LinLibertineTZ-lf-sc-ot1 &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + +\bs\ii Matching {\eightrm AMS} symbols: \circledR \ \yen \ $\blacksquare \ \approxeq \ \eqslantgtr \ \curlyeqprec \ \curlyeqsucc \ \preccurlyeq \ \leqq \ \leqslant \ \lessgtr \ \nless \ \nleq \ \nleqslant \ \Bbb R \ \Bbb E \ \Bbb C \ \dots$ + + + + + + +\input font_libertine_palatino \fontss +\UseAMSsymbols +\section{\sixteenbf\fontss Libertine with Palatino}{Libertine with Palatino} +\sample +\ii This macro enables us to type text in Linux-Libertine and math in PX~Fonts. The macro is declared by typing {\color{brown}\verbatim\input font_libertine_palatino|endverbatim}. The macro typesets text in Michael Niedermair's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/libertine.html}{Linux\-Liber\-tine} font and math in Young Ryu's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/pxfonts.html}{pxfonts}, which corresponds to \href{http://www.myfonts.com/fonts/urw/palladio/} +{{\caps urw++} Palladio} text fonts designed by Herman Zapf. The {\caps urw++} Palladio font is based on the \href{http://new.myfonts.com/fonts/adobe/palatino/}{Palatino font} which was originally designed by Hermann Zapf for the Stempel foundry in 1950. The fonts of this macro provide their own {\caps ams} symbols. Details of this {\eightrm \TeX} macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_libertine_palatino|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil LinLibertineT-lf-ot1 &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil LinLibertineTZ-lf-ot1 &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil pxmi &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil pxsy &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil LinLibertineTZI-lf-ot1 &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil pxex &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil LinLibertineTZI-lf-ot1 &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil LinLibertineTI-lf-ot1 &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Caps &\strut\vrule\strut\hfil LinLibertineT-lf-sc-ot1 &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil LinLibertineTI-lf-ot1 &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Caps in Boldface &\strut\vrule\strut\hfil LinLibertineTZ-lf-sc-ot1 &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + +\bs\ii Matching {\eightrm AMS} symbols: \circledR \ \yen \ $\blacksquare \ \approxeq \ \eqslantgtr \ \curlyeqprec \ \curlyeqsucc \ \preccurlyeq \ \leqq \ \leqslant \ \lessgtr \ \nless \ \nleq \ \nleqslant \ \Bbb R \ \Bbb E \ \Bbb C \ \dots$ + + + + + + + +\input font_libertine_times \fontss +\UseAMSsymbols +\section{\sixteenbf\fontss Libertine with Times}{Libertine with Times} +\sample +\ii This macro enables us to type text in Linux Libertine and math in TX~Fonts. The macro is declared by typing {\color{brown}\verbatim\input font_libertine_times|endverbatim}. The macro typesets text in Michael Niedermair's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/libertine.html}{Linux\-Libertine} font and math in Young Ryu's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/txfonts.html}{txfonts}, which corresponds to \href{http://new.myfonts.com/fonts/adobe/times/}{Adobe Times} text fonts. The fonts of this macro provide their own {\caps ams} symbols. Details of this {\eightrm \TeX} macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_libertine_times|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil LinLibertineT-lf-ot1 &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil LinLibertineTZ-lf-ot1 &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil txmi &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil cmtt10 &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil txsy &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil LinLibertineTZI-lf-ot1 &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil txex &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil LinLibertineTZI-lf-ot1 &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil LinLibertineTI-lf-ot1 &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Caps &\strut\vrule\strut\hfil LinLibertineT-lf-sc-ot1 &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil LinLibertineTI-lf-ot1 &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Caps in Boldface &\strut\vrule\strut\hfil LinLibertineTZ-lf-sc-ot1 &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + +\bs\ii Matching {\eightrm AMS} symbols: \circledR \ \yen \ $\blacksquare \ \approxeq \ \eqslantgtr \ \curlyeqprec \ \curlyeqsucc \ \preccurlyeq \ \leqq \ \leqslant \ \lessgtr \ \nless \ \nleq \ \nleqslant \ \Bbb R \ \Bbb E \ \Bbb C \ \dots$ + + + + + + + + + + + + + + + + + + + + + + + +\input font_concrete \fontss +\section{\fourteenrm Concrete}{Concrete} + +{\hrule\vbox{\noindent\vrule\NoBlackBoxes\vbox{\vskip2mm\leftskip7mm\rightskip7mm +\noindent\underbar{\rm Euler Formula}: The Euler formula, also known as {\rm Euler identity}, states +$$e^{\imath x} =\cos(x) + \imath \sin(x), $$ +where $\imath$~is the {\sl imaginary unit}. + +The Euler formula can be expanded as a series: +$$\eqalign {e^{\imath x} +&= \sum_{n=0}^{\infty} {(\imath x)^n\over{n!}}\cr +&= \sum_{n=0}^{\infty}{(-1)^{n}x^{2n}\over (2n)!} + \imath\sum_1^{\infty}{(-1)^{n-1}x^{2n-1}\over(2n-1)!}\cr +&= \cos(x) + \imath\sin(x).\cr}$$ +\bigskip\bigskip +\noindent\underbar{\rm Cauchy Integral Theorem}: If $f(z)$ is analytic and its partial derivatives are continuous throughout some simply connected region~$R$,~then +$$\oint_\gamma f(z)\,dz = 0$$ +for any closed contour~$\gamma$ completely contained in~$R$.\vskip2mm +}\vrule}\hrule\BlackBoxes\bigskip\bigskip} + +\ii This macro enables us to type text and math in Donald Knuth's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/concrete.html}{Concrete} fonts. The macro is declared by typing {\color{brown}\verbatim\input font_concrete|endverbatim}. The macro uses Jackowski, Ry\'cko and Bzyl's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/cc-pl.html}{cc-pl} package which is based on Knuth's \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/concrete.html}{Concrete Roman} fonts. Details of this \capstex\ macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_concrete|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss \+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil pcr10 &\strut\vrule\kern1pt\vrule\strut\hfil No boldface text &\strut\vrule\strut\hfil \emdash &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil pcmi10 &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil cmtt10 &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil cmsy10 &\strut\vrule\kern1pt\vrule\strut\hfil No italic boldface text &\strut\vrule\strut\hfil \emdash &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil cmex10 &\strut\vrule\kern1pt\vrule\strut\hfil No slanted boldface text &\strut\vrule\strut\hfil \emdash &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil pcti10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Caps &\strut\vrule\strut\hfil pccsc10 &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil pcsl10 &\strut\vrule\kern1pt\vrule\strut\hfil No caps in bold &\strut\vrule\strut\hfil \emdash &\cr \hrule +}\vrule}}\hrule}\hfil} + +\BlackBoxes + + + + + + + + +\input font_cm \fontss +\section{\sixteenbf\fontss Computer Modern}{Computer Modern} +\sample +\ii This macro enables us to type text in Computer Modern font (serif). Though \capstex\ typesets documents in Donald Knuth's Computer Modern fonts by default, this macro is being supplied so that the user can use the different sizes as discussed in this document and in case the main font of any \capstex\ document is other than Computer Modern then by using this macro we can set the font to Computer Modern in some group. The macro is declared by typing {\color{brown}\verbatim\input font_cm|endverbatim}. Details of this \capstex\ macro are given in the table~below. +\bs +\hfil{Font assignment in {\color{brown}\verbatim font_cm|endverbatim}~macro}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss \+\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Typeface} &\strut\vrule\strut\hfil \textcolor{blue}{ Font name} &\cr \hrule +\+\hfil \eightrm Roman text &\strut\vrule\strut\hfil cmr10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Boldface text &\strut\vrule\strut\hfil cmbx10 &\cr \hrule +\+\hfil \eighti Math italic &\strut\vrule\strut\hfil cmmi10 &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Typewriter text &\strut\vrule\strut\hfil cmtt10 &\cr \hrule +\+\hfil \eightrm Math symbols &\strut\vrule\strut\hfil cmsy10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Italic boldface text &\strut\vrule\strut\hfil cmbxti10 &\cr \hrule +\+\hfil \eightrm Math extension &\strut\vrule\strut\hfil cmex10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Slanted boldface text &\strut\vrule\strut\hfil cmbxsl10 &\cr \hrule +\+\hfil \eightit Italic text &\strut\vrule\strut\hfil cmti10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Caps &\strut\vrule\strut\hfil cmcsc10 &\cr \hrule +\+\hfil \eightsl Slanted text &\strut\vrule\strut\hfil cmsl10 &\strut\vrule\kern1pt\vrule\strut\hfil No caps in Boldface &\strut\vrule\strut\hfil \emdash &\cr \hrule +}\vrule}}\hrule}\hfil} + +\BlackBoxes + + + + + + + + + +%%%%%%%%%% Typefaces and Sizes %%%%%%%%%% +\input font_charter \fontss +\section{Typefaces and Sizes}{Typefaces and Sizes} + +\ii Given below are various typefaces and sizes that our macros offer.\bs\hrule\kern1pt\hrule\bs + + +{\obeylines +\rightline{Roman}\nopagebreak +{\twentyrm \fontss This text is in 20\,pt size.} +{\eighteenrm \fontss This text is in 18\,pt size.} +{\sixteenrm \fontss This text is in 16\,pt size.} +{\fourteenrm \fontss This text is in 14\,pt size.} +{\twelverm \fontss This text is in 12\,pt size.} +{\rm \fontss This text is in 10\,pt size.} +{\ninerm \fontss This text is in 9\,pt size.} +{\eightrm \fontss This text is in 8\,pt size.} +{\sevenrm \fontss This text is in 7\,pt size.} +{\sixrm \fontss This text is in 6\,pt size.} +{\fiverm \fontss This text is in 5\,pt size.} +\ + +\rightline{Italic}\nopagebreak +{\twentyit \fontss This text is in 20\,pt size.} +{\eighteenit \fontss This text is in 18\,pt size.} +{\sixteenit \fontss This text is in 16\,pt size.} +{\fourteenit \fontss This text is in 14\,pt size.} +{\twelveit \fontss This text is in 12\,pt size.} +{\it \fontss This text is in 10\,pt size.} +{\nineit \fontss This text is in 9\,pt size.} +{\eightit \fontss This text is in 8\,pt size.} +{\sevenit \fontss This text is in 7\,pt size.} +{\sixit \fontss This text is in 6\,pt size.} +{\fiveit \fontss This text is in 5\,pt size.} +\ + +\rightline{Slanted}\nopagebreak +{\twentysl \fontss This text is in 20\,pt size.} +{\eighteensl \fontss This text is in 18\,pt size.} +{\sixteensl \fontss This text is in 16\,pt size.} +{\fourteensl \fontss This text is in 14\,pt size.} +{\twelvesl \fontss This text is in 12\,pt size.} +{\sl \fontss This text is in 10\,pt size.} +{\ninesl \fontss This text is in 9\,pt size.} +{\eightsl \fontss This text is in 8\,pt size.} +{\sevensl \fontss This text is in 7\,pt size.} +{\sixsl \fontss This text is in 6\,pt size.} +{\fivesl \fontss This text is in 5\,pt size.} +\ + +\newpage +\rightline{Boldface}\nopagebreak +{\twentybf \fontss This text is in 20\,pt size.} +{\eighteenbf \fontss This text is in 18\,pt size.} +{\sixteenbf \fontss This text is in 16\,pt size.} +{\fourteenbf \fontss This text is in 14\,pt size.} +{\twelvebf \fontss This text is in 12\,pt size.} +{\bf \fontss This text is in 10\,pt size.} +{\ninebf \fontss This text is in 9\,pt size.} +{\eightbf \fontss This text is in 8\,pt size.} +{\sevenbf \fontss This text is in 7\,pt size.} +{\sixbf \fontss This text is in 6\,pt size.} +{\fivebf \fontss This text is in 5\,pt size.} +\ + +\rightline{Italic boldface}\nopagebreak +{\twentyitbf \fontss This text is in 20\,pt size.} +{\eighteenitbf \fontss This text is in 18\,pt size.} +{\sixteenitbf \fontss This text is in 16\,pt size.} +{\fourteenitbf \fontss This text is in 14\,pt size.} +{\twelveitbf \fontss This text is in 12\,pt size.} +{\itbf \fontss This text is in 10\,pt size.} +{\nineitbf \fontss This text is in 9\,pt size.} +{\eightitbf \fontss This text is in 8\,pt size.} +{\sevenitbf \fontss This text is in 7\,pt size.} +{\sixitbf \fontss This text is in 6\,pt size.} +{\fiveitbf \fontss This text is in 5\,pt size.} +\ + +\rightline{Slanted boldface}\nopagebreak +{\twentyslbf \fontss This text is in 20\,pt size.} +{\eighteenslbf \fontss This text is in 18\,pt size.} +{\sixteenslbf \fontss This text is in 16\,pt size.} +{\fourteenslbf \fontss This text is in 14\,pt size.} +{\twelveslbf \fontss This text is in 12\,pt size.} +{\slbf \fontss This is 10 \,pt slanted boldface.} +{\nineslbf \fontss This text is in 9\,pt size.} +{\eightslbf \fontss This text is in 8\,pt size.} +{\sevenslbf \fontss This text is in 7\,pt size.} +{\sixslbf \fontss This text is in 6\,pt size.} +{\fiveslbf \fontss This text is in 5\,pt size.} +\ + +\rightline{Caps}\nopagebreak +{\twentycaps \fontss This text is in 20\,pt size.} +{\eighteencaps \fontss This text is in 18\,pt size.} +{\sixteencaps \fontss This text is in 16\,pt size.} +{\fourteencaps \fontss This text is in 14\,pt size.} +{\twelvecaps \fontss This text is in 12\,pt size.} +{\caps \fontss This text is in 10\,pt size.} +{\ninecaps \fontss This text is in 9\,pt size.} +{\eightcaps \fontss This text is in 8\,pt size.} +{\sevencaps \fontss This text is in 7\,pt size.} +{\sixcaps \fontss This text is in 6\,pt size.} +{\fivecaps \fontss This text is in 5\,pt size.} + +\ + +\rightline{Caps in boldface}\nopagebreak +{\twentycapsbf \fontss This text is in 20\,pt size.} +{\eighteencapsbf \fontss This text is in 18\,pt size.} +{\sixteencapsbf \fontss This text is in 16\,pt size.} +{\fourteencapsbf \fontss This text is in 14\,pt size.} +{\twelvecapsbf \fontss This text is in 12\,pt size.} +{\capsbf \fontss This text is in 10\,pt size.} +{\ninecapsbf \fontss This text is in 9\,pt size.} +{\eightcapsbf \fontss This text is in 8\,pt size.} +{\sevencapsbf \fontss This text is in 7\,pt size.} +{\sixcapsbf \fontss This text is in 6\,pt size.} +{\fivecapsbf \fontss This text is in 5\,pt size.} +} + + + + + + + + + + + + + + +%%%%%%%%%% Inter-Line and Inter-Word Spacing %%%%%%%%%% +\section{Inter-Line and Inter-Word Spacing}{Inter-Line and Inter-Word Spacing} + +\ii As typefaces are very dear to typographic style, so is their arrangement. Of course, the value of the meaning and purpose of text, which holds even if sentences have been scribbled, is beyond comparison, but it is good to arrange good text in a good way. This part of our discussion deals with two salient features of typeset text arrangement\emdash inter-line and inter-word~spacing. + +If the text font in \capstex\ is changed, the inter-line and inter-word spacing is not changed accordingly. This is not such a problem if we declare the new font at the same size as the preceding one. But if the new font is declared at a considerably larger or smaller size, the typesetting might not be aesthetically~elegant. + +We deal with the inter-line and inter-word spacing problem first-hand by starting with an example. Then an ``acceptable'' solution to the spacing problem has been elaborated. The solution is not perfect but it is handy and a passable compromise. Then we move towards theoretical aspects of spacing. The discussion is fairly brief and can act as a good starting point for re-evaluating the ``space problem''. When it comes to word spacing, the best guide is our own experience. If we try to justify text~(12\,pt) in triple columns on an A4 page, then we are likely to face some problems. Narrower the column, sterner the justification. We will not deliberate on microtypography\emdash a distinctive approach that devotes much to spacing issues and can be used with~pdf\capstex. Curious readers are referred to these three works: \cite{zapf_microtypography}, \cite{thanh_microtypographic}, and~\cite{text_justification}. + + +\subsection{Example}A sample \capstex\ source file as shown below: + +\bigskip\hrule\vbox{\parindent=0pt\vrule\NoBlackBoxes\vbox{\vskip2mm\leftskip7mm\rightskip7mm +{\obeylines\parindent=0pt\color{brown}\verbatim +\parindent=0pt +\input font_epigrafica_euler % the font size is 10pt +Inter-line and inter-word spacing are very important parameters of +typesetting. A text typeset in a beautiful typeface but `bad' +inter-line and inter-word spacing does not look beautiful. Check +the spacing between lines of the paragraph, and words of a line. +\medskip + +\sixrm % changes the font size to 6pt +Inter-line and inter-word spacing are very important parameters of +typesetting. A text typeset in a beautiful typeface but `bad' +inter-line and inter-word spacing does not look beautiful. Check +the spacing between lines of the paragraph, and words of a line. +\medskip + +\eighteenrm % changes the font size to 18pt +Inter-line and inter-word spacing are very important parameters of +typesetting. A text typeset in a beautiful typeface but `bad' +inter-line and inter-word spacing does not look beautiful. Check +the spacing between lines of the paragraph, and words of a line.|endverbatim} +\vskip2mm}\vrule}\hrule\BlackBoxes\bigskip + +\nopagebreak\ii after compilation should produce something like this:\nopagebreak + +\bigskip\hrule\vbox{\noindent\vrule\NoBlackBoxes\vbox{\vskip2mm\leftskip7mm\rightskip7mm +{\parindent=0pt +\input font_epigrafica_euler +% the font size is 10pt +Inter-line and inter-word spacing are very important parameters of +typesetting. A text typeset in a beautiful typeface but `bad' +inter-line and inter-word spacing does not look beautiful. Check +the spacing between lines of the paragraph, and words of a line. +\medskip +\sixrm % changes the font size to 6pt +Inter-line and inter-word spacing are very important parameters of +typesetting. A text typeset in a beautiful typeface but `bad' +inter-line and inter-word spacing does not look beautiful. Check +the spacing between lines of the paragraph, and words of a line. +\medskip +\eighteenrm % changes the font size to 18pt +Inter-line and inter-word spacing are very important parameters of +typesetting. A text typeset in a beautiful typeface but `bad' +inter-line and inter-word spacing does not look beautiful. Check +the spacing between lines of the paragraph, and words of a line.} +\vskip2mm}\vrule}\hrule\BlackBoxes\bigskip\bigskip + + +\ii In the output we can notice that both inter-line and inter-word spacing are quite fine when the font size is 10\,pt. In the 6\,pt text the inter-line space is too much and and the inter-word space is more then needed. In the text at 18\,pt both inter-line and inter-word spacing are less then adequate. This is because \capstex\ is still working according to the default space values, which are declared for 10\,pt font size. To tackle this, \capstex\ offers two very useful primitive control statements~(\cite{knuth_texbook}, pp.\;76, 78). These~are:\ms +{\color{brown}\verbatim \spaceskip|endverbatim} to control the inter-word space, + +{\color{brown}\verbatim \baselineskip|endverbatim} to control the inter-line space. + + + + +\definexref{solution}{solution}{} +\subsection{An Easy Solution}Here I~am stating a technique that I use to confront spacing problems when using different fonts at different sizes. Let us make a new definition called~{\color{brown}\verbatim \fontspacing|endverbatim}.\ms + +\ii {\color{brown}\verbatim\def\fontspacing{\baselineskip=2.8ex plus0pt minus0pt + \spaceskip=0.333333em plus0.122222em minus0.0999999em}|endverbatim}\sk + \def\fontspacing{\baselineskip=2.8ex plus0pt minus0pt + \spaceskip=0.333333em plus0.122222em minus0.0999999em} + +\ii The units, {\sl ex\/} and {\sl em\/} are relative~(\cite{knuth_texbook}, pp.\;60). This makes our definition more~general.\ms + +{\sl em\/} is the width of a ``quad'' in the current font, + +{\sl ex\/} is the ``x-height'' of the current font.\sk + +\ii Declaring {\color{brown}\verbatim \fontspacing|endverbatim} would set our inter-line space to 2.8ex~(=~12.05553\,pt in case of font {\verbatim cmr10|endverbatim} at 10\,pt) with no {\sl stretchability\/}~(given after {\sl plus\/}) or {\sl shrinkability}~(given after {\sl minus\/}). Also {\color{brown}\verbatim \fontspacing|endverbatim} would set our inter-word space to 0.333333\,em, with 0.122222\,em of stretchability and 0.0999999\,em of shrinkability allowed. In case of font {\verbatim cmr10|endverbatim}, these values (default) are 3.33333\,pt, 1.66666\,pt, and 1.11111\,pt, respectively. + +Let us try to use {\color{brown}\verbatim \fontspacing|endverbatim} in the example given at the beginning of this chapter. A sample \capstex\ source file as given here: + + +\newpage + +\bigskip\hrule\vbox{\noindent\vrule\NoBlackBoxes\vbox{\vskip2mm\leftskip7mm\rightskip7mm +{\obeylines\parindent=0pt\color{brown} +\verbatim +\parindent=0pt +\input font_epigrafica_euler % the font size is 10pt +\fontspacing % \baselineskip and \spaceskip are set accordingly +Inter-line and inter-word spacing are very important parameters of +typesetting. A text typeset in a beautiful typeface but `bad' +inter-line and inter-word spacing does not look beautiful. Check +the spacing between lines of the paragraph, and words of a line. +\medskip +\sixrm % changes the font size to 6pt +\fontspacing % \baselineskip and \spaceskip are set accordingly +Inter-line and inter-word spacing are very important parameters of +typesetting. A text typeset in a beautiful typeface but `bad' +inter-line and inter-word spacing does not look beautiful. Check +the spacing between lines of the paragraph, and words of a line. +\medskip +\eighteenrm % changes the font size to 18pt +\fontspacing % \baselineskip and \spaceskip are set accordingly +Inter-line and inter-word spacing are very important parameters of +typesetting. A text typeset in a beautiful typeface but `bad' +inter-line and inter-word spacing does not look beautiful. Check +the spacing between lines of the paragraph, and words of a line.|endverbatim} +\vskip2mm}\vrule}\hrule\BlackBoxes\bigskip + + +\nopagebreak\ii after compilation should produce something like this:\nopagebreak + + +\bigskip\hrule\vbox{\noindent\vrule\NoBlackBoxes\vbox{\vskip2mm\leftskip7mm\rightskip7mm +{\parindent=0pt +\input font_epigrafica_euler % the font size is 10pt +\fontspacing % \baselineskip and \spaceskip are set accordingly +Inter-line and inter-word spacing are very important parameters of +typesetting. A text typeset in a beautiful typeface but `bad' +inter-line and inter-word spacing does not look beautiful. Check +the spacing between lines of the paragraph, and words of a line. +\medskip +\sixrm % changes the font size to 6pt +\fontspacing % \baselineskip and \spaceskip are set accordingly +Inter-line and inter-word spacing are very important parameters of +typesetting. A text typeset in a beautiful typeface but `bad' +inter-line and inter-word spacing does not look beautiful. Check +the spacing between lines of the paragraph, and words of a line. +\medskip +\eighteenrm % changes the font size to 18pt +\fontspacing % \baselineskip and \spaceskip are set accordingly +Inter-line and inter-word spacing are very important parameters of +typesetting. A text typeset in a beautiful typeface but `bad' +inter-line and inter\-word spacing does not look beautiful. Check +the spacing between lines of the paragraph, and words of a line.} +\vskip2mm}\vrule}\hrule\BlackBoxes\bigskip\bigskip + +By using the control primitives {\color{brown}\verbatim \spaceskip|endverbatim} and {\color{brown}\verbatim \baselineskip|endverbatim} we get the desired spacing and these can be declared almost anywhere. For more details on spacing, please refer~to~\cite{knuth_texbook}. + + +\subsection{Ideal Spacing?}It is a well-known fact that inter-line and inter-word spacing are vital aspects of good typography. Inter-line space is also referred to as {\sl leading}, {\sl line space}, {\sl interlinear space}, and {\sl interline space}. Inter-word space is also known as {\sl word space} and {\sl interword space}. What are the ``best'' values for inter-line and inter-word space? For sure there is no one-line answer to this question. It is subjective; what might be the ``best'' for someone, may look to ``poor'' someone~else. + +It can be noted that spacing is certainly dependent on the size of typesetting font. Fonts at larger sizes have different spacing requirements than font at normal or smaller sizes. Also, spacing (inter-line or inter-word) is not directly or inversely proportional to font-size, though it can serve as a good approximation and in our \ref{solution} we had used the proportionality concept. Different typefaces have different spacing demands. The medium of representation also influences spacing values\emdash text on paper is different from text on computer screens or projected slides. Spacing requirements vary if text is a single line and is meant to pass the eye in a glance, e.g., file names in a list, or if it is for continued reading, e.g., this~paragraph. + +Let us streamline our discussion by considering the most likely case, i.e.\ normal text; we find it in books, novels, and magazines. In this case the text is designed for continued reading. Even in this case, for a particular font, spacing requisites depend on the width of the text. A text that runs 15\,cm wide should be typeset with different spacing parameters than some text that runs only 6\,cm, e.g., in a column of a multiple-column page. But this is for some other time. For now we focus on the general case\emdash the case of continued normal text, which is mostly in 10\endash 14\,pt. From this point we will discuss inter-line and inter-word space one at a~time. + +\subsubsection{Inter-Word Space} +We commence with \href{http://www.linotype.com/794/inhonorofthe100thbirthdayofjantschichold.html}{Jan Tschichold}'s text composition rules which are constituents of \href{http://openlibrary.org/books/OL19449256M/Penguin_composition_rules.}{The Penguin Composition Rules}, which are a compilation of Tschichold's ideas. They can be found \href{http://ronin-group.org/misc_etext_tschichold.html}{here}. On text composition it is mentioned: +\sk{\sl +\itemitem{1.}All text composition should be as closely word-spaced as possible. As a rule, the spacing should be about a middle space or the thickness of an `i' in the type size used.\sk +\itemitem{2.}Wide spaces should be strictly avoided. Words may be freely broken whenever necessary to void wide spacing, as breaking words is less harmful to the appearance of the page than too much space between words.\sk +\itemitem{3.}All major punctuation marks\emdash full point, colon, and semicolon\emdash should be followed by the same spacing as is used throughout the rest of the line.\ms} + +\ii In this game there are no rigid rules. \href{http://www.typotheque.com/authors/robert_bringhurst}{Robert Bringhurst} writes in his influential book~(\cite{elements_typographic}): +\quote{For a normal text face in a normal text size, a typical value for the word space is a quarter of an em which can be written M/4. A quarter of an em is typically about the same as, or slightly more than, the set-width of the letter~t.} + +\ii The optimum~(without stretching or shrinking) inter-word space in \capstex's default regular font (\hfuzz4pt{\verbatim cmr10|endverbatim} at 10\,pt) is 3.33333\,pt. The width of letter `i' of {\verbatim cmr10|endverbatim} at 10\,pt is 2.77779\,pt and of letter `t' is 3.8889\,pt. One quarter of an em of {\verbatim cmr10|endverbatim} at 10\,pt is 2.5\,pt. A small manipulation in inter-word space, its stretchability or shrinkability, can lead to quite apparent changes. + +\hfuzz1pt + +Ideally inter-word spacing should be constant in the whole text but in justified text this is almost impossible to attain. The amount of stretching and shrinking of inter-word space and hyphenation of words has its limits. Some people would agree with Tschichold and opt for more hyphenation and less flexible inter-word space to maintain better page color while others would say that excessive hyphenation hinders readability and they would set wider and flexible inter-word space that might lead to rivers. Over the years the inter-word space in text has increased or maybe it is too language dependent or the lack of paper was the issue\emdash compare the inter-word space in \href{http://burton.byu.edu/Bible\%20Site/Gutenberg.htm}{Gutenberg's Bible}, hallmark of excellent typography, and book~\cite{knuth_texbook}, a book typeset with typo\-gra\-phic elegance. + +In book~\cite{knuth_texbook}, Knuth instructed \capstex\ to give some extra space after periods, commas, question and exclamation marks, colons and semicolons. By default plain~\capstex\ would do this unless we use the control sequence {\color{brown}\verbatim \frenchspacing|endverbatim}. Tschichold urges not to give such extra space. In this document, I have used {\color{brown}\verbatim \frenchspacing|endverbatim} as the typeset text seemed to have even color without white blocks or rivers. But when I write a scientific report or thesis, which contains mathematics, symbols, variables, etc., I prefer Knuth's way which puts extra space after punctuation\emdash I think it makes text more readable and easier to~understand. In multiple columns with normal size text on an A4 or letter size page, my experience suggests that extra space after punctuation leads to rivers and blocks of~white. + +Different fonts demand different inter-word space. Bitstream Charter, the current typeface, can bear and looks better with stiffer and lesser inter-word space than Computer Modern. In case we desire prime typography then we should set inter-word space according to the font in~use. + +Book~\cite{elements_typographic} mentions a `reasonable' value of inter-word space with stretch and shrink values. When translated into \capstex's language, it becomes {\color{brown}\verbatim \spaceskip=0.25em plus0.08em minus0.05em|endverbatim}. Try it to find out how good it is. Does it fill the page with black boxes? What effect does it have on hyphenation? What if multiple columns are~used? + +Our discussion on inter-word space concludes with the statement: {\sl There are no ideal or perfect or best inter-word space parameters}. We are the judge of our own work and refinement in judgement comes with experience, so let's see what's~coming. + +\subsubsection{Inter-Line Space} +Managing inter-line space is usually easy, unless we encounter a club or widow line. In case of normal size text, the inter-line space is usually 0\endash 4\,pt more than the typeface size in points. The regular font this document is {\verbatim mdbchr7t|endverbatim} at 10\,pt, with an inter-line space of {\tt\the\baselineskip}, and for the global magnification, {\verbatim \magnification=1100|endverbatim} has been~used. + +On a page, say A4 size, for any particular font, it is acceptable to have lesser inter-line space when using multiple columns. The eye does not loose track of the line and is at ease in stepping down to the next line when the column width is less, e.g., about~6\,cm. In the realm of inter-line spacing there are challenges like grid typesetting and widow lines but we will not discuss them here. \TeX's instruction, {\color{brown}\verbatim \baselineskip|endverbatim}, we have already discussed and more can be found in \cite{knuth_texbook} and~\cite{against_widows}. + + + +%%%%%%%%%% Acknowledgements %%%%%%%%%% +\section{Acknowledgements}{Acknowledgements} + +\bs + +\ii I wholeheartedly thank Donald~E.\;Knuth for giving us \capstex\emdash the best typesetting program till date, which has succeeded the test of time. Also, I~am grateful to dear \capstex\ users who have contributed to make \capstex\ better by giving more freedom to its free feature. The designers of fonts and packages that I have used are a few of those dear \capstex\ users. I~am grateful to Petr Habala for introducing me to \capstex. I~am beholden to my family for their indispensable love and support. I thank my wife, Daphne, for participating in discussions on fonts and for her understanding. There are so many factors that I~am not able to take into account that in the end but above all, I say, ``Thank you~{\dev :}.'' + + + + + + + + + + + +%%%%%%%%%% References %%%%%%%%%% +\section{References\raise3mm\hbox{\bf 2}}{References} + +\nocite{habala_amstex}\nocite{knuth_texbook}\nocite{fonts_tex_latex}\nocite{elements_typographic} + +\bibliography{C:/bib} + +\bibliographystyle{ieeetran} + + +\vskip7.5cm\hrule width 5.70truecm\kern2mm\eightrm\fontss +\hbox{ \raise1.2mm\hbox{\ \ \ 2}\ \; The reader has been referred to most of the references (they have not been listed on this page) via hyperlinks} +\hbox{\ \ \ \ \ \ \ \ provided in this {\caps pdf} document.} + + + + + + + + + + + + + + + + + + + + + +\special{pdf: docinfo << /Author (Amit Raj Dhawan) +/Title (Macros to Change Text fonts & Math fonts in TeX) +/Creator(XeTeX: Based on TeX---The Genius of Knuth) +/Subject(Text and Math Fonts in TeX) +/Keywords(TeX, free, fonts, math font, text, maths font, font-change, Charter, Utopia, Century, Palatino, Bookman, Times, Euler, Bera, Arev, Vera, Iwona, Kurier, Kp-Fonts, Antykwa Torunska, Libertine, Epigrafica, Computer Modern Bright, CM Bright, Computer Modern, Concrete, macro, macros)>>} + +\special{pdf: docview <</PageMode /UseOutlines>> } + + + + +\bye diff --git a/Master/texmf-dist/doc/plain/font-change/font-change_FRENCH.tex b/Master/texmf-dist/doc/plain/font-change/font-change_FRENCH.tex new file mode 100644 index 00000000000..45b24ddfc7a --- /dev/null +++ b/Master/texmf-dist/doc/plain/font-change/font-change_FRENCH.tex @@ -0,0 +1,2213 @@ +% The author of this work is Daphne Parramon-Dhawan. +% This is a translation of the documentation of package font-change. +% This work was released under +% Creative Commons Attribution-Share Alike 3.0 Unported License +% on July 19, 2010. For details visit: +% http://creativecommons.org/licenses/by-sa/3.0/. +% +%%%%%%%%% Fonts %%%%%%%%%% +\font\webomints=WebOMintsGd at40pt +\font\titlefont=artemisiarg8a at40pt +\font\titleone=mdputr7t at18pt +\font\titletwo=mdputri7t at18pt +\font\sectionfont=rm-kurierh at18pt +\font\subsectionfont=rm-kurierb at14pt +\font\subsubsectionfont=rm-kurierb at12pt +\font\sansrm=rm-kurierl at10pt +\font\foliofont=mdbchr7t at9pt +\font\amstexfont=cmsy10 at7.5pt +\font\dev=dvng10 scaled \magstep1 +\font\letterone=RoyalIn at36pt + + +%%%%%%%%%% Packages %%%%%%%%%% +%%% Eplain +\input eplain % Add Eplain before AmSTeX +\beginpackages +\usepackage{url} +\usepackage{color} +\usepackage{graphicx} +\endpackages +\enablehyperlinks[dvipdfm] % Enables hyperlinks using Eplain +%\hlopts{colormodel=named,color=Black} % Produces links in black color +%% Color +\definecolor{brown}{rgb}{.7,.2,.2} + + +%%% AmSTeX +\input amstex +\UseAMSsymbols + +\catcode`@=12 + +%%% eps files +\input epsf % Includes files like pictures and figures in eps format + + + + +%%%%%%%%%% Page characteristics %%%%%%%%%% +\magnification=1120 +\parindent=20pt +\parfillskip=\parindent plus1fil +\everypar{\looseness=-1} +\headline{} \footline{} +\vsize=24truecm +\hoffset-2.9mm +\settabs 20 \columns +\exhyphenpenalty10000 % stops TeX to break words at dashes +\hyphenpenalty200 + + + +%%%%%%%%%% Definitions %%%%%%%%%% +\def\bs{\bigskip}% +\def\ms{\medskip}% +\def\sk{\smallskip}% +\def\cl{\centerline}% +\def\ii{\noindent}% +\def\pic#1#2#3{\bigskip\cl{\epsfxsize#1\epsfbox{#2.eps}}\par\cl{\eightrm #3}}% +\def\amstex{{\amstexfont A\kern-.1667em\lower.5ex\hbox{M}\kern-.125em S}-\capstex}% +\def\xetex{X\lower0.5ex\hbox{\kern-0.11em\reflectbox{E}}\kern-0.165em\TeX}% +\def\latex{L\setbox0=\hbox{\sc A}\kern-0.5766\wd0\raise0.41ex\hbox{\sc A}\setbox1=\hbox{T}\kern-.177\wd1\TeX}% +\def\xelatex{X\lower0.5ex\hbox{\kern-0.11em\reflectbox{E}}\kern-0.13em\latex}% +\def\capstex{{\caps t\kern-.122em\lower.38ex\hbox{e}\kern-.11em x}}% +\def\capslatex{{\caps l\setbox0=\hbox{\sevencaps a}\kern-0.5888\wd0{\raise0.33ex\hbox{\sevencaps a}}\setbox1=\hbox{t}\kern-.2\wd1\capstex}}% +\def\capsxetex{{\caps x\lower0.38ex\hbox{\kern-0.1em\reflectbox{e}}\kern-0.13em\capstex}}% +\def\capsxelatex{{\caps x\lower0.38ex\hbox{\kern-0.1em\reflectbox{e}}\kern-0.122em\capslatex}}% +\def\fontss{\baselineskip=2.7ex plus0pt minus0pt% +\spaceskip=0.29em plus0.14em minus0.14em}% +\def\footnote#1{\numberedfootnote{\hskip-7mm\hbox to 20cm{\vtop{\hangindent\parindent\hangafter1\eightrm\fontss #1}}}}% +\def\quote#1{\sk\leftskip10mm{\sl\noindent #1}\sk \leftskip0mm\rightskip0mm}% +\def\emdash{\hbox{\kern0.15em---\kern0.15em}\relax}% +\def\endash{\hbox{\kern0.15em--\kern0.15em}\relax}% + + +\def\sample{\hrule\vbox{\noindent\vrule\NoBlackBoxes\vbox{\vskip2mm\leftskip7mm\rightskip7mm +\noindent{\bf Formule D'Euler} : La formule d'Euler, aussi connue sous le nom d'{\bf identit\'e d'Euler}, nous dit que +$$e^{\imath x} =\cos(x) + \imath \sin(x), $$ +o\`u $\imath$~est {\sl l'unit\'e imaginaire}. + +On peut \'etendre la formule d'Euler \`a une s\'erie +$$\eqalign {e^{\imath x} +&= \sum_{n=0}^{\infty} {(\imath x)^n\over{n!}}\cr +&= \sum_{n=0}^{\infty}{(-1)^{n}x^{2n}\over (2n)!} + \imath\sum_1^{\infty}{(-1)^{n-1}x^{2n-1}\over(2n-1)!}\cr +&= \cos(x) + \imath\sin(x).\cr}$$ + +\bigskip\bigskip +\noindent{\bf Th\'eor\`eme Int\'egral de Cauchy~:} Si $f(z)$ est analytique et ses d\'eriv\'ees partielles continues sur une r\'egion~$R$ simplement connexe,~alors +$$\oint_\gamma f(z)\,dz = 0$$ +pour tout lacet rectifiable~$\gamma$ contenu int\'egralement dans~$R$.\vskip2mm +}\vrule}\hrule\BlackBoxes\bigskip\bigskip +%\input mathcharacters +}% + + +\def\sampleansi{\hrule\vbox{\noindent\vrule\NoBlackBoxes\vbox{\vskip2mm\leftskip7mm\rightskip7mm +\noindent{\bf Formule D'Euler} : La formule d'Euler, aussi connue sous le nom d'{\bf identité d'Euler}, nous dit que +$$e^{\imath x} =\cos(x) + \imath \sin(x), $$ +où $\imath$~est {\sl l'unité imaginaire}. + +On peut étendre la formule d'Euler à une série +$$\eqalign {e^{\imath x} +&= \sum_{n=0}^{\infty} {(\imath x)^n\over{n!}}\cr +&= \sum_{n=0}^{\infty}{(-1)^{n}x^{2n}\over (2n)!} + \imath\sum_1^{\infty}{(-1)^{n-1}x^{2n-1}\over(2n-1)!}\cr +&= \cos(x) + \imath\sin(x).\cr}$$ + +\bigskip\bigskip +\noindent{\bf Théorème Intégral de Cauchy}: Si $f(z)$ est analytique et ses dérivées partielles continues sur une région~$R$ simplement connexe,~alors +$$\oint_\gamma f(z)\,dz = 0$$ +pour tout lacet rectifiable~$\gamma$ contenu intégralement dans~$R$.\vskip2mm +}\vrule}\hrule\BlackBoxes\bigskip\bigskip +%\input mathcharacters +}% + + +\def\samplebera{\hrule\vbox{\noindent\vrule\NoBlackBoxes\vbox{\vskip2mm\leftskip7mm\rightskip7mm +\noindent{\bf Formule D'Euler} : La formule d'Euler, aussi connue sous le nom d'{\bf identité d'Euler}, nous dit que +$$e^{\imath x} =\cos(x) + \imath \sin(x), $$ +où $\imath$~est {\sl l'unité imaginaire}. + +On peut étendre la formule d'Euler à une série +$$\eqalign {e^{\imath x} +&= \sum_{n=0}^{\infty} {(\imath x)^n\over{n!}}\cr +&= \sum_{n=0}^{\infty}{(-1)^{n}x^{2n}\over (2n)!} + \imath\sum_1^{\infty}{(-1)^{n-1}x^{2n-1}\over(2n-1)!}\cr +&= \cos(x) + \imath\sin(x).\cr}$$ + +\bigskip\bigskip +\noindent{\bf Th\'eor\`eme Int\'egral de Cauchy}: Si $f(z)$ est analytique et ses dérivées partielles continues sur une région~$R$ simplement connexe,~alors +$$\oint_\gamma f(z)\,dz = 0$$ +pour tout lacet rectifiable~$\gamma$ contenu intégralement dans~$R$.\vskip2mm +}\vrule}\hrule\BlackBoxes\bigskip\bigskip +%\input mathcharacters +}% + +%%%%%%%%%% Chapter, Section %%%%%%%%%% +\newcount\sectionno\sectionno=0 % For sections +\newcount\subsectionno\subsectionno=0 % For subsections +\newcount\subsubsectionno\subsubsectionno=0 % For subsubsections +\definecolor{sectioncolor}{rgb}{0.22,0.38,0.62} +% NOTE: No two cross-references should be the same. This will cause chaos. In other words, no two chapters can have the same "label name" + +\def\section#1#2{\newpage +{\definexref{#2}{#2}{}} +{\writetocentry{section}{\refs{#2}}} +{\special{pdf: outline 1 << /Title (#2)/F 0 /Dest [@thispage /FitH @ypos ] >> }} +\subsectionno=0 % For subsections +\centerline{\textcolor{sectioncolor}{\sectionfont\fontss #1}} +\nopagebreak\bigskip\nopagebreak\noindent} + +\def\subsection#1#2{ +{\definexref{#2}{#2}{}} +{\writetocentry{subsection}{\kern5mm\refs{#2}}} +{\special{pdf: outline 2 << /Title (#2)/F 0 /Dest [@thispage /FitH @ypos ] >> }} +\bigskip\bigskip\medskip\goodbreak +{\global\advance\subsectionno by 1 + \noindent{\textcolor{sectioncolor}{\subsectionfont\fontss #1}}} +\nopagebreak\medskip\nopagebreak\noindent} + +\def\subsubsection#1{ +{\definexref{#1}{#1}{}} +{\writetocentry{subsubsection}{\kern5mm\refs{#1}}} +{\special{pdf: outline 2 << /Title (#1)/F 0 /Dest [@thispage /FitH @ypos ] >> }} +\bigskip\bigskip\medskip\goodbreak +{\global\advance\subsubsectionno by 1 + \noindent{\textcolor{sectioncolor}{\subsubsectionfont\fontss #1}}} +\nopagebreak\medskip\nopagebreak\noindent} + + + + + + + + + + + + + + + + +\input font_charter +\fontss % font change and spacing +\frenchspacing + + + + + + + + + + +%%%%%%%%%% Cover %%%%%%%%%% +{\special{pdf: outline 1 << /Title (Cover)/F 0 /Dest [@thispage /FitH @ypos ] >> }} +{\centerline{{\color{brown}\webomints\char'160}\hskip8mm\titlefont\color{sectioncolor} font-change\hskip8mm{\color{brown}\webomints\char'161}}\bs +\centerline{{\color{brown}\webomints\char'125\char'126}} +\bs +\centerline{Version \ 2015.2} +\bs\bs +{\color{sectioncolor}\titleone\fontss +\centerline{Macros utiles pour modifier les polices} +\centerline{de texte et de maths en \TeX}\kern3mm +\centerline{{\titleone 45}{\titletwo\fontss \ Variantes esth\'etiques}}} +\vskip2cm +\centerline{\color{brown}\webomints \char'063} +\vskip2cm +\centerline{\twelvebf\fontss Amit Raj Dhawan}\sk +\centerline{\href{mailto:amitrajdhawan@gmail.com}{\sansrm amitrajdhawan\@gmail.com}}\bs +\centerline{Traduit par {\twelvebf\fontss Daphne Parramon-Dhawan}}\ms +\centerline{\rm 2 Septembre 2015} + +\vskip4cm + +% Licence +\hrule\kern1pt\hrule\sk +\ii{\epsfxsize2cm\epsfbox{by-sa.eps}} +\vskip-7mm +\vbox{\leftskip3cm\parindent=0pt\eightrm\fontss Ce travail a \'et\'e publi\'e sous la licence \href{http://creativecommons.org/licenses/by-sa/3.0/}{\eightbf Creative Commons Attribution-Share Alike 3.0 Unported License}, le 19 Juillet 2010. + +Vous \^etes donc libres de {\eightitbf Partager\/} (de copier, distribuer et/ou de transmettre ce travail) et de {\eightitbf Modifier\/} (d'adapter ce document) pourvu que vous suiviez les lignes directrices {\eightitbf d'Attribution\/} et de {\eightitbf Partage \`a l'Identique\/}. Pour le texte complet de la licence, vous pouvez aller sur le site~: +\href{http://creativecommons.org/licenses/by-sa/3.0/legalcode}{\eightrm http://creativecommons.org/licenses/by-sa/3.0/legalcode}.}\leftskip0cm +\sk\hrule\kern1pt\hrule + +\BlackBoxes + + + + + + +%%%%%%%%% Quote %%%%%%%%%%%% +{%\input font_artemisia_euler + +\fourteenit \fontss +\ + +\vskip1cm +\cl{\webomints\char'064} +\vskip2cm + +\leftskip1cm \rightskip4cm + +\raggedright +\ii Quand j'arrive \`a ma destination, plus que de r\'ealiser que j'ai atteint mon but, je suis occup\'e \`a me rem\'emorer les d\'etails de mon voyage. Et il m'appara\^\i t, encore et encore~: ``Le trajet n'est-il pas la vraie concr\'etisation de l'objectif ?'' De cette mani\`ere, m\^eme si je manque {\sixteencaps le} but, j'aurai au moins atteint {\sixteencaps un} but. + + +} +\leftskip0cm \rightskip0cm + + + + + + + +%%%%%%%%%% Contents %%%%%%%%%% +\newpage\pageno=-3\footline{\centerline{\foliofont\folio}} +{\special{pdf: outline 1 << /Title (Contents)/F 0 /Dest [@thispage /FitH @ypos ] >> }} +\cl{\textcolor{sectioncolor}{\sectionfont Table des Mati\`eres}} + + +{\parskip0pt\bs\bs +\readtocfile} + + + + + + + + + + + + + + + + + + + + + + + + + + + +%%%%%%%%%% Introduction %%%%%%%%%% +\section{Introduction}{Introduction} +\pageno=1 + + +\hbox{\letterone \TeX\ }\vskip-14.5mm\ii \hangindent2.6cm\hangafter-3 typographie les documents dans les polices d'\'ecriture Computer Modern par d\'efaut.\footnote{La plupart des utilisateurs (j'en fait partie) utilise les termes {\eightit police}, {\eightit police de caract\`eres\/}, {\eightit fonte}, {\eightit police d'\'ecriture\/} ou encore {\eightit famille de polices...} comme synonymes. Dans ce manuel nous avons \'evit\'e ces distinctions.} Les polices Computer Modern de Knuth sont tr\`es \'el\'egantes mais de temps \`a autre nous cherchons tous un peu de changement. Bon nombre d'entre nous souhaiterait avoir un rendu de nos documents \capstex\ dans d'autres fontes que Computer Modern. Au niveau utilisateur, il est ais\'e de changer la police du {\sl mode texte} de \capstex\ (autrement dit la police texte), et il existe de nombreuses polices gratuites aux multiples styles de caract\`eres tels que {\rm romain}, {\bf gras}, {\it italique}, {\sl pench\'e}, {\itbf gras italique}, {\slbf gras pench\'e}, {\caps petites capitales}, {\capsbf petites capitales en gras}, etc. La difficult\'e est de changer les polices math\'ematiques dans les documents \capstex\. Ceci est principalement d\^u au manque de fontes math\'ematiques pour \capstex. Une autre raison est que changer de police en {\sl mode maths\/} n'est pas aussi simple que de la changer en {\sl mode texte}. Pour \capslatex\, beaucoup de packages peuvent servir \`a changer la police (texte et math) en une commande. Mais pour \capstex, je n'ai pas pu trouver de mani\`ere simple pour changer la fonte dans le document, \`a la fois pour le texte et l'\'ecriture math\'ematique. Le fait d'utiliser une police en {\sl mode texte\/} et une autre en {\sl mode maths\/} peut g\^acher le rendu du document. Il est bien s\^ur d\'esirable d'obtenir le texte et les \'ecritures math\'ematiques dans la m\^eme police; un texte en police New Century et des maths en Computer Modern ne vont pas bien ensemble. Certaines combinaisons, comme nous le verrons plus loin, marchent pourtant bien. + +Etre en mesure de choisir entre plusieurs fontes est plut\^ot avantageux. Les polices Computer Modern rendent tr\`es bien sur papier, particuli\`erement sur les impressions jet d'encre, mais ont l'air relativement fines sur les \'ecrans d'ordinateurs (LCD) et dans une moindre mesure sur les impressions laser. Pour les diaporamas, la plupart des gens pr\'ef\`ere les caract\`eres sans s\'erif qui sont relativement plus ``lourds''. L'id\'ee de changer, en une seule commande, \`a la fois les polices math\'ematiques et la totalit\'e d'une famille de polices qui comprend des styles vari\'es comme le gras, l'italique, etc., a engendr\'e la motivation n\'ecessaire \`a l'accomplissement de cette t\^ache. Pour ce faire, j'ai \'ecrit 45~macros \capstex\ qui ordonnent \`a \capstex\ de typographier les documents dans les polices appel\'ees par ces macros. Tout au long de ce document, l'utilisation des 45 macros mentionn\'ees a \'et\'e expos\'ee. Chacune de ces macros change les fontes dans le document de mani\`ere globale, mais peut \'egalement \^etre utilis\'ee localement, par exemple \`a l'int\'erieur d'un groupe. D\'esormais, un document \capstex, normalement produit en Computer Modern, peut \^etre produit en 45 autres variantes. Ces fichiers macro sont facilement compr\'ehensibles et peuvent \^etre modifi\'es si besoin. Chaque macro a diff\'erents caract\`eres d\'eclar\'es en tailles 5, 6, 7, 8, 9, 10, 12, 14, 16, 18, et 20\,pt. + +Afin de montrer nos 45~macros de changement de fonte en action, nous avons \'ecrit un texte \'echantillon 45 fois mais dans des polices diff\'erentes. Les polices/familles de police invoqu\'ees par ces macros ont presque tous les glyphes contenus dans la famille Computer Modern. En g\'en\'eral, ces polices contiennent plus de glyphes que Computer Modern. Pour voir tous les glyphes pr\'esents dans une police, vous pouvez utiliser \href{https://www.ctan.org/pkg/fontchart?lang=en}{l'outil en ligne} de Werner Lemberg. Dans quelques cas, par exemple pour la police Epigrafica normal~(\verbatim epigrafican8r|endverbatim), il manque des symboles importants comme $\Gamma$ and~$\Theta$. Notre macro prend cela en charge; l'utilisateur ne doit pas s'en soucier \`a moins qu'il ne demande \`a~\capstex\ quelque chose de tr\`es inhabituel. + + + +\subsection{Utilisation}{Utilisation}Ces macros ont \'et\'e rassembl\'ees dans un package appel\'e {\color{brown}\verbatim font-change|endverbatim} qui est inclus dans les distributions {\caps m{\eightrm i}k}\capstex\ et \capstex~{\caps l{\eightrm ive}}. Le package peut aussi \^etre t\'el\'echarg\'e sur \href{http://www.ctan.org/tex-archive/macros/plain/contrib/font-change/}{\caps ctan}. Si l'installation \capstex\ contient d\'ej\`a le package {\color{brown}\verbatim font-change|endverbatim}, il peut \^etre utilis\'e d\`es \`a pr\'esent, pour mettre en forme n'importe quel document en police Charter par exemple. Il suffit d'\'ecrire la commande {\color{brown}\verbatim \input font_charter|endverbatim} dans le fichier source. Bien s\^ur, pour pouvoir utiliser les macros de font-change, l'installation \capstex\ doit contenir les polices en question. Au cas o\`u {\color{brown}\verbatim font-change|endverbatim} n'est pas install\'e sur le syst\`eme de l'utilisateur et celui-ci n'a pas envie de le faire, on peut t\'el\'echarger le package sur internet et suivre la proc\'edure ci-dessous. Pour conna\^\i tre toutes les options disponibles et voir les macros en action, veuillez lire la suite. + +Supposons qu'on veuille typographier un document \capstex\ document en police Charter. Pour ce faire, il faut copier le fichier macro \capstex\ {\color{brown}\verbatim font_charter.tex|endverbatim} dans le dossier contenant le fichier source \capstex\. Apr\`es avoir ouvert ce fichier source dans l'\'editeur, il faudra y \'ecrire la commande {\color{brown}\verbatim \input font_charter|endverbatim}. Ceci changera la police du document en police Charter \`a partir de l'endroit o\`u la commande {\color{brown}\verbatim \input font_charter|endverbatim} a \'et\'e d\'eclar\'ee. Il est possible de d\'eclarer {\color{brown}\verbatim \input font_charter|endverbatim} dans un groupe ferm\'e~: ({\color{brown}\verbatim {\input font_charter ... }|endverbatim}) afin de changer la police de caract\`eres en Charter dans tout le groupe, pourvu qu'il n'y ait pas d'autre appel \`a font-change dans ce groupe ou dans un de ses sous-groupes. + +Une autre mani\`ere d'utiliser les fichiers macros est de les mettre dans un dossier, nomm\'e par exemple ``font-change'', dans un endroit du disque (par exemple \`a la racine de ``C''), et ensuite d'invoquer ces fichiers dans le fichier source \capstex\. Pour utiliser la police Charter, il faudra \'ecrire la commande suivante (qui pr\'ecise juste la localisation du fichier dans l'arborescence syst\`eme) {\color{brown}\verbatim \input C:/font-change/font_charter|endverbatim}. Si les fichiers macros ont \'et\'e plac\'es dans un dossier dont le nom contient des espaces (par exemple ``font change''), il faudra alors \'ecrire naturellement la commande avec les espaces correspondants~: {\color{brown}\verbatim \input "C:/font change/font_charter"|endverbatim}. + +Le changement complet de la police se fera \`a la taille \capstex\ par d\'efaut, \`a savoir (10\,pt), bien que l'on puisse utiliser les polices texte et maths \`a des tailles plus petites et plus grandes via de petites manipulations du fichier macro. + +\goodbreak Les commandes de contr\^ole typographique \capstex\ basiques \sk +{\obeylines\leftskip1cm +{\color{brown}\verbatim\rm|endverbatim} \dots {\rm romain} +{\color{brown}\verbatim\it|endverbatim} \dots {\it italique} +{\color{brown}\verbatim\bf|endverbatim} \dots {\bf gras} +{\color{brown}\verbatim\sl|endverbatim} \dots {\sl pench\'e} +{\color{brown}\verbatim\tt|endverbatim} \dots {\tt machine \`a \'ecrire} +\leftskip0cm}\sk + +\ii gardent leur signification habituelle. Tous les fichiers macro que ce {\caps pdf} mentionne incluent les cinq options ci-dessus. De plus, la plupart des fichiers macro ont \'egalement d'autres options utiles. Ce sont:\sk +{\obeylines\leftskip1cm +{\color{brown}\verbatim\itbf|endverbatim} \dots {\itbf gras italique} +{\color{brown}\verbatim\slbf|endverbatim} \dots {\slbf gras pench\'e} +{\color{brown}\verbatim\caps|endverbatim} \dots {\caps petites capitales} +{\color{brown}\verbatim\capsbf|endverbatim} \dots {\capsbf petites capitales en gras} +\leftskip0cm}\ms + +En {\sl mode texte}, les styles mentionn\'es ci-dessus peuvent \^etre utilis\'es en taille 5, 6, 7, 8, 9, 10, 12, 14, 16, 18, et 20\,pt. Ceci est obtenu en tapant la taille (nombre en anglais) en toutes lettres entre un backslash~($\backslash$) et le mot qui d\'eclare le style de caract\`eres \`a utiliser. Par exemple, si nous voulions typographier un texte en gras \`a~14\,pt nous n'aurions qu'\`a utiliser la commande de contr\^ole suivante {\color{brown}\verbatim \fourteenbf|endverbatim}. + + + + + +\newpage\subsection{Exemple}{Exemple}Voici un exemple de fichier source \capstex~: + +\bigskip\hrule\vbox{\noindent\vrule\NoBlackBoxes\vbox{\vskip2mm\leftskip7mm\rightskip7mm +{\obeylines\parindent=0pt\color{brown}\verbatim +\parindent=0pt +\input C:/font-change/font_cm +Voici la {\bf police Computer Modern}. La {\twelveslbf fonction Gamma\/} +est d\'efinie comme suit~: +$$\Gamma(z) \equiv \int_0^\infty t^{z-1} e^{-t} dt.$$ + +\input C:/font-change/font_charter +Voici la {\bf police Charter}. La {\twelveslbf fonction Gamma\/} +est d\'efinie comme suit~: +$$\Gamma(z) \equiv \int_0^\infty t^{z-1} e^{-t} dt.$$ + +{ % d\'ebut du groupe +\input C:/font-change/font_century +Voici la {\bf police New Century Schoolbook}. La {\twelveslbf fonction Gamma\/} +est d\'efinie comme suit~: +$$\Gamma(z) \equiv \int_0^\infty t^{z-1} e^{-t} dt.$$ +} % fin du groupe + +Nous revoil\`a en police Charter.|endverbatim} +\vskip2mm}\vrule}\hrule\BlackBoxes\bigskip\bigskip + + + + +\nopagebreak\ii qui nous donnera, apr\`es compilation~:\nopagebreak + + + + +\bigskip\bigskip\hrule\vbox{\noindent\vrule\NoBlackBoxes\vbox{\vskip2mm\leftskip7mm\rightskip7mm +{\parindent=0pt +\input font_cm \fontss +Voici la {\bf police Computer Modern}. La {\twelveslbf fonction Gamma\/} est d\'efinie comme suit~: +$$\Gamma(z) \equiv \int_0^\infty t^{z-1} e^{-t} dt.$$ + +\input font_charter \fontss +Voici la {\bf police Charter}. La {\twelveslbf fonction Gamma\/} est d\'efinie comme suit~: +$$\Gamma(z) \equiv \int_0^\infty t^{z-1} e^{-t} dt.$$ + +{\input font_century \fontss +Voici la {\bf police New Century}. La {\twelveslbf fonction Gamma\/} est d\'efinie comme suit~: +$$\Gamma(z) \equiv \int_0^\infty t^{z-1} e^{-t} dt.$$} + +Nous revoil\`a en police Charter.} +\vskip2mm}\vrule}\hrule\BlackBoxes\bigskip\bigskip + + +\subsection{Symboles AMS}{Symboles AMS}Certaines polices d'\'ecriture, comme par exemple Kp-Fonts, supportent les symboles {\caps ams}. Les polices {\verbatim msam|endverbatim} et {\verbatim msbm|endverbatim} de la collection {\caps ams} contiennent ces symboles. Les lettres ajour\'ees~($\Bbb A, \Bbb B, \Bbb C, \Bbb R, \dots$) font partie des symboles {\caps ams}. Si vous utilisez \amstex, avec le style preprint (pr\'e-impression) ou que la commande \amstex\ {\color{brown}\verbatim \UseAMSsymbols|endverbatim} a d\'ej\`a \'et\'e d\'eclar\'ee, vous pourrez alors utiliser les symboles {\caps ams} avec certaines macros {\color{brown}\verbatim font-change|endverbatim} en d\'eclarant {\color{brown}\verbatim \UseAMSsymbols|endverbatim} {\bf \`a nouveau} apr\`es l'instruction d'appel \`a la macro. Nous allons voir un exemple de cette impl\'ementation dans un petit moment. + +Si vous avez utilis\'e les instructions {\color{brown}\verbatim \loadmsam|endverbatim} ou {\color{brown}\verbatim \loadmsbm|endverbatim} de \amstex, vous pourrez les utiliser {\bf \`a nouveau} apr\`es avoir d\'eclar\'e la macro {\color{brown}\verbatim font-change|endverbatim} afin d'obtenir les r\'esultats d\'esir\'es. La s\'equence de contr\^ole {\color{brown}\verbatim \UseAMSsymbols|endverbatim} reprend les instructions {\color{brown}\verbatim \loadmsam|endverbatim} et {\color{brown}\verbatim \loadmsbm|endverbatim}. + +Pour revenir aux polices {\caps ams} par d\'efaut ({\verbatim msam|endverbatim} et {\verbatim msbm|endverbatim}), il faudra entrer le fichier macro {\color{brown}\verbatim default-amssymbols.tex|endverbatim} en \'ecrivant la commande {\color{brown}\verbatim \input default-amssymbols|endverbatim} dans le fichier source. Ce petit fichier contient seulement ces deux d\'efinitions~: + + +\bigskip\hrule\vbox{\noindent\vrule\NoBlackBoxes\vbox{\vskip2mm\leftskip7mm\rightskip7mm +{\obeylines\parindent=0pt\color{brown}\verbatim +\def\loadmsam{\font\tenmsa=msam10 \font\sevenmsa=msam7 \font\fivemsa=msam5 +\fam\msafam +\textfont\msafam=\tenmsa \scriptfont\msafam=\sevenmsa +\scriptscriptfont\msafam=\fivemsa \global\let\loadmsam\empty}% +\loadmsam +% +\def\loadmsbm{\font\tenmsb=msbm10 \font\sevenmsb=msbm7 \font\fivemsb=msbm5 +\fam\msbfam +\textfont\msbfam=\tenmsb \scriptfont\msbfam=\sevenmsb +\scriptscriptfont\msbfam=\fivemsb \global\let\loadmsbm\empty}% +\loadmsbm +|endverbatim} +\vskip2mm}\vrule}\hrule\BlackBoxes\bigskip + +Il sera pr\'ecis\'e plus loin pour chaque macro du package {\color{brown}\verbatim font-change|endverbatim} si celle-ci supporte les symboles {\caps ams}. Ci-dessous la pr\'esentation de ce qui a \'et\'e discut\'e (le caract\`ere en {\color{red}rouge} provient des symboles {\caps ams})~: + +\bigskip\hrule\vbox{\noindent\vrule\NoBlackBoxes\vbox{\vskip2mm\leftskip7mm\rightskip7mm +{\obeylines\parindent=0pt\color{brown}\verbatim +\input amstex % Charge AmSTeX +\UseAMSsymbols % Invoque les symboles AMS +$$f:{\color{red}\Bbb R}^3\to R$$ + +\input font_kp % Invoque Kp-Fonts +\UseAMSsymbols % Utilise jkpsya et jkpsyb de Kp-Fonts \`a la place de msam et msbm des polices AMS +$$f:{\color{red}\Bbb R}\to R$$ + +\input default-amssymbols % Revient au d\'efaut +$$f:{\color{red}\Bbb R}^3\to R$$ +|endverbatim} +\vskip2mm}\vrule}\hrule\BlackBoxes\bigskip + +\nopagebreak\ii produit apr\`es compilation~:\nopagebreak + +\bigskip\hrule\vbox{\noindent\vrule\NoBlackBoxes\vbox{\vskip2mm\leftskip7mm\rightskip7mm +{\input font_cm +$$f:{\color{red}\Bbb R}^3\to R$$ +\input font_kp +\UseAMSsymbols +$$f:{\color{red}\Bbb R}^3\to R$$ +\input default-amssymbols +$$f:{\color{red}\Bbb R}^3\to R$$} +\vskip2mm}\vrule}\hrule\BlackBoxes\bigskip + + + +\subsection{Graisses disponibles}{Graisses disponibles} +Certaines macros de changement de police d'\'ecriture du package {\color{brown}\verbatim font-change|endverbatim} proposent des graisses l\'eg\`eres, moyennes et grasses. De nombreuses familles de police offrent la variante grasse des fontes math\'ematiques, mais nous n'avons pas toujours inclus certaines variantes qui ne fournissaient pas une police assez \'epaisse pour rendre le contraste. En tapant tout le texte en gras, si \`a certains endroits nous voulons mettre encore plus de gras, nous serons coinc\'es. La philosophie de {\color{brown}\verbatim font-change|endverbatim} dit que pour mettre en gras tout le texte et les maths, il faut trouver une police plus \'epaisse parmi la famille de polices utilis\'ee, encore plus grasse que le gras habituel. Les familles de fontes Kp-Fonts, Antykwa Toru\'nska, Iwona, et Kurier incluent de telles \'epaisseurs et font partie de {\color{brown}\verbatim font-change|endverbatim}. Par exemple, la macro {\color{brown}\verbatim font_kurier-bold|endverbatim}, qui utilise un style gras pour sa police normale (en maths et texte), prend une police poids lourd pour le style gras. + + + +\subsection{Mises \`a jour et avertissement}{Mises a jour et avertissement}Les polices utilis\'ees dans ces 45 macros sont incluses dans les distributions \href{http://miktex.org/}{{\caps m{\eightrm i}k}\capstex} et \href{http://www.tug.org/texlive/}{\capstex~{\caps l{\eightrm ive}}}. Toutes ces macros devraient marcher sans probl\`eme avec une installation compl\`ete de {{\caps m{\eightrm i}k}\capstex} (version 2.9.4503 test\'ee). Les macros devraient aussi fonctionner avec \capstex~{\caps l{\eightrm ive}}~2014, mais \capstex~{\caps l{\eightrm ive}}~2013 ne contient pas les mises \`a jour r\'ecentes de police, et donc plusieurs macros de la nouvelle version de {\color{brown}\verbatim font-change|endverbatim} pourraient ne pas fonctionner avec \capstex~{\caps l{\eightrm ive}} 2013 ou ant\'erieur. Mais cela ne devrait pas \^etre un gros probl\`eme puisque le disque d'installation de \capstex~{\caps l{\eightrm ive}} 2013 contient une version plus ancienne de {\color{brown}\verbatim font-change|endverbatim}, qui a les anciens noms de polices. De nombreuses macros de {\color{brown}\verbatim font-change|endverbatim} utilisent la police {\verbatim inconsolata|endverbatim} pour les caract\`eres machine \`a \'ecrire. La police s'appelait {\verbatim rm-inconsolata|endverbatim} en version 2010.1 de {\color{brown}\verbatim font-change|endverbatim}. La nouvelle version de {\verbatim inconsolata|endverbatim}, qui a \'et\'e mise \`a jour en {\caps m{\eightrm i}k}\capstex}~2.9.4503, ne contient aucune police appel\'ee {\verbatim rm-inconsolata|endverbatim}. Ainsi, en {\color{brown}\verbatim font-change|endverbatim}~(version 2013.1), nous avons choisi une autre police {\verbatim inconsolata|endverbatim} nomm\'ee {\verbatim ly1-zi4r-1|endverbatim}, qui est identique, ou tout du moins, semble identique, \`a {\verbatim rm-inconsolata|endverbatim}. Il y a eu aussi d'autres changements dans les noms des polices, par exemple pour les polices Libertine. Si des probl\`emes de police manquante sont rencontr\'es en utilisant {\color{brown}\verbatim font-change|endverbatim}, avec une installation compl\`ete de {{\caps m{\eightrm i}k}\capstex} ou de TeXLive, il est recommand\'e d'utiliser un version soit plus ancienne, soit plus r\'ecente de {\color{brown}\verbatim font-change|endverbatim}. + +\footline{\centerline{\foliofont\folio}} + + +Ces 45 macros de changement de police ont bien fonctionn\'e avec plain~\capstex, ainsi qu'avec une combinaison de plain~\capstex\ et d'autres formats bas\'es sur plain~\capstex, par exemple~ \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/amstex.html}{\amstex} et~\href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/eplain.html}{eplain}. Les macros marchent parfaitement avec \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/pdftex.html}{pdf\capstex} et \href{http://scripts.sil.org/cms/scripts/page.php?site_id=nrsi&id=xetex}{\capsxetex} \'egalement. Veuillez noter que ces macros ne fonctionnent pas avec \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/latex.html}{\capslatex}, pdf\capslatex\hfuzz2pt, ou \capsxelatex. + +\hfuzz1pt +La composition d'un texte en anglais ou en fran\c cais avec des math\'ematiques ne devrait pas poser probl\`eme, \`a part peut-\^etre si des lettres comme \l~ sont utilis\'ees, surtout avec des caract\`eres en {\slbf gras pench\'e\/} ou {\caps petites capitales}. Ce sont des questions de glyphes manquants et d'encodage. Dans la police courante (Charter, romain r\'egulier, {\verbatim mdbchr7t|endverbatim}), {\color{brown}\verbatim\l|endverbatim} produit \l, {\color{brown}\verbatim\slbf \l|endverbatim} produit {\slbf \l}, mais {\color{brown}\verbatim\caps\l|endverbatim} produit~{\caps \l}. + + + + + +Les polices sans s\'erif ne proposent pas de caract\`eres {\it italiques} mais seulement {\sl pench\'es\/}. Pour rendre les fichiers macros de {\color{brown}\verbatim font-change|endverbatim} plus coh\'erents, les commandes pour l'italique et le pench\'e (par exemple~: {\color{brown}\verbatim\it|endverbatim} et {\color{brown}\verbatim\sl|endverbatim}), produisent des caract\`eres {\sl pench\'es} dans le cas des polices sans s\'erif et de celles ne disposant pas de glyphes distincts pour l'italique et le pench\'e. Nous montrerons plus loin des exemples de changement des polices texte et maths de \capstex\ utilisant les macros de {\color{brown}\verbatim font-change|endverbatim}. Toutes les polices utilis\'ees dans ces macros sont aussi list\'ees dans ce document. + + +Ces macros ont \'et\'e con\c{c}ues \`a l'origine pour des utilisateurs de langue anglaise. Compte tenu des capacit\'es de \TeX, elles peuvent \^etre utiles pour composer en d'autres langages \'egalement, mais certaines polices contenues dans {\color{brown}\verbatim font-change|endverbatim} peuvent ne pas fonctionner pour toutes les langues (\`a cause du rendu des accents et caract\`eres sp\'eciaux). Nous avons remarqu\'e que pour ce document, qui est en langue franç\c{c}aise, les accents ne sont pas, ou mal, plac\'es sur certaines fontes de type pench\'e ou machine \`a \'ecrire. Cela concerne les polices Arev (page 38), Epigrafica (pages 40 \`a 41), Bera (pages 43 \`a 45), Artemisia (page 46), et Libertine (pages 47 \`a 49). + + +Nous esp\'erons que ces macros fonctionnent bien, sans probl\`eme de compatibilit\'e, mais nous ne pouvons rien promettre. Il n'y a pas de garantie. Si l'utilisateur trouve un d\'efaut, ou pour toute autre remarque, merci de m'envoyer un email. + + + + + + + + + + + + + + + + + +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +%%%%%%%%%% Macros %%%%%%%%%% +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% + + +\section{\sixteenbf\fontss Charter}{Charter} +\sample +\ii La police Charter est d\'eclar\'ee en entrant l'instruction {\color{brown}\verbatim\input font_charter|endverbatim}. Cette famille de polices utilise des fontes de la famille \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/mathdesign-charter.html}{mdbch}, correspondant aux polices texte \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/charter.html}{Bitstream Charter}. Cette famille fait partie du projet \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/mathdesign.html}{MathDesign} de Paul Pichaureau. Les caract\`eres \href{http://new.myfonts.com/fonts/bitstream/charter-bt-pro/}{Charter} ont \'et\'e con\c cus \`a l'origine par Matthew Carter pour Bitstream Inc.\ en 1987. Des d\'etails sur cette macro sont donn\'es dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_charter|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss \+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil mdbchr7t &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil mdbchb7t &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil mdbchri7m &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecrire &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil md-chr7y &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil mdbchbi7t &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil mdbchr7v &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil mdbchbo7t &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil mdbchri7t &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Petites capitales &\strut\vrule\strut\hfil mdbchrfc8t &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil mdbchro7t &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Petites capitales en gras &\strut\vrule\strut\hfil mdbchbfc8t &\cr \hrule +}\vrule}}\hrule}\hfil} + +\BlackBoxes + + + + + + + + + + +\input font_utopia \fontss +\section{\sixteenbf\fontss Utopia}{Utopia} +\sample +\ii La police Utopia est d\'eclar\'ee en entrant l'instruction {\color{brown}\verbatim\input font_utopia|endverbatim}. Cette famille de polices utilise pour la plupart les fontes de la famille \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/mathdesign-utopia.html}{mdput}, ce qui correspond aux polices de texte \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/utopia.html}{Adobe Utopia}. Cette famille fait parte du projet \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/mathdesign.html}{MathDesign}~de Paul Pichaureau. Elle est tr\`es compl\`ete et inclut les polices math\'ematiques \'egalemement. Pour des raisons d'espacement interlettre, la macro {\color{brown}\verbatim font_utopia.tex|endverbatim} utilise la fonte maths italique et la fonte symboles math\'ematique du package \href{http://www.ctan.org/tex-archive/fonts/fourier-GUT/}{fourier} de Michel Bovani. La \href{http://new.myfonts.com/fonts/adobe/utopia/}{police Utopia} a \'et\'e con\c cue \`a l'origine par Robert Slimbach pour Adobe en~1989. + +Les fontes maths italique~(\verbatim mdputri7m|endverbatim) et symboles math\'ematiques~(\verbatim md-utr7y|endverbatim) de la famille \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/mathdesign-utopia.html}{mdput} peuvent \^etre aussi utilis\'ees. Des d\'etails sur cette macro sont donn\'es dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_utopia|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss \+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil mdputr7t &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil mdputb7t &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil futmii &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecrire &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil futsy &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil mdputbi7t &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil mdputr7v &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil mdputbo7t &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil mdputri7t &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Petites capitales &\strut\vrule\strut\hfil mdputrfc8t &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil mdputro7t &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Petites capitales en gras &\strut\vrule\strut\hfil mdputbfc8t &\cr \hrule +}\vrule}}\hrule}\hfil} + +\BlackBoxes + + + + + + + + + + + + + + + + + + + + + + + +\input font_century \fontss +\section{\sixteenbf\fontss New Century Schoolbook}{New Century Schoolbook} +\sample +\ii La police New Century Schoolbook est d\'eclar\'ee en entrant l'instruction {\color{brown}\verbatim\input font_century|endverbatim}. Cette famille de polices utilise des fontes de la famille \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/tex-gyre-schola.html}{TeX Gyre Schola}, ce qui correspond aux polices de texte \href{http://store1.adobe.com/cfusion/store/html/index.cfm?store=OLS-US&event=displayFontPackage&code=1240} +{Adobe New Century Schoolbook}. La police \href{http://new.myfonts.com/fonts/adobe/new-century-schoolbook/}{Century Schoolbook} a \'et\'e cr\'ee par Morris Fuller Benton entre 1918 et~1921. + +\BlackBoxes +La macro utilise l'italique math\'ematique~(fncmii) et les symboles maths~(fncsy) du package \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/fouriernc.html}{fouriernc} de Michael Zedler. Des d\'etails sur cette macro sont donn\'es dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_century|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes\eightrm\fontss +\+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil rm-qcsr &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil rm-qcsb &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil fncmii &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecrire &\strut\vrule\strut\hfil cmtt10 &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil fncsy &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil rm-qsbi &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil cmex10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil pncbo7t &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil rm-qcsri &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Petites capitales &\strut\vrule\strut\hfil rm-qcsr-sc &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil pncro7t &\strut\vrule\kern1pt\vrule\strut\hfil \sevencapsbf Petites capitales en gras &\strut\vrule\strut\hfil rm-qcsb-sc &\cr \hrule +}\vrule}}\hrule}\hfil} + +\BlackBoxes + + + + + + + + + +\input font_palatino \fontss +\UseAMSsymbols +\section{\sixteenbf\fontss Palatino}{Palatino} +\sample +\ii La police Palatino est d\'eclar\'ee en entrant l'instruction {\color{brown}\verbatim\input font_palatino|endverbatim}. Cette famille de polices utilise les fontes du package \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/pxfonts.html}{pxfonts} de Young Ryu, correspondant aux polices texte \href{http://www.myfonts.com/fonts/urw/palladio/} +{{\caps urw++} Palladio} dessin\'ees par Herman Zapf. La police Palladio {\caps urw++} est bas\'ee sur la \href{http://new.myfonts.com/fonts/adobe/palatino/}{police Palatino} qui avait \'et\'e con\c cue \`a l'origine par Hermann Zapf pour la fonderie Stempel en 1950. Les polices de cette macro fournissent leurs propres symboles {\caps ams}. Des d\'etails sur cette macro sont donn\'es dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_palatino|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss \+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil pxr &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil pxb &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil pxmi &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecrire &\strut\vrule\strut\hfil cmtt10 &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil pxsy &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil pxbi &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil pxex &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil pxbsl &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil pxi &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Petites capitales &\strut\vrule\strut\hfil pxsc &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil pxsl &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Petites capitales en gras &\strut\vrule\strut\hfil pxbsc &\cr \hrule +}\vrule}}\hrule}\hfil} + +\BlackBoxes + +\bs\ii Symboles {\caps ams} associ\'es~: \circledR \ \yen \ $\blacksquare \ \approxeq \ \eqslantgtr \ \curlyeqprec \ \curlyeqsucc \ \preccurlyeq \ \leqq \ \leqslant \ \lessgtr \ \nless \ \nleq \ \nleqslant \ \Bbb R \ \Bbb E \ \Bbb C \ \dots$ + + + + + + + + +\input font_pagella \fontss +\UseAMSsymbols +\section{\sixteenbf\fontss Pagella}{Pagella} +\sample +\ii La police Pagella est d\'eclar\'ee en entrant l'instruction {\color{brown}\verbatim\input font_pagella|endverbatim}. La plupart du texte est typographi\'e en utilisant des polices du package \href{http://www.gust.org.pl/projects/e-foundry/tex-gyre/pagella}{\capstex~Gyre Pagella}, et en utilisant le package de Diego Puga \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/mathpazo.html}{mathpazo} pour les math\'ematiques. Certains styles~(polices pench\'ees) et maths~(symboles {\caps ams}) proviennent de \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/pxfonts.html}{pxfonts} de Young Ryu (toutes ces polices correspondent aux polices texte \href{http://www.myfonts.com/fonts/urw/palladio/}{{\caps urw++} Palladio} cr\'e\'ees par Herman Zapf). La police {\caps urw++} Palladio font est bas\'ee sur la \href{http://new.myfonts.com/fonts/adobe/palatino/}{police Palatino} qui avait \'et\'e con\c cue \`a l'origine par Hermann Zapf pour la fonderie Stempel en 1950. On peut dire que les polices \capstex~Gyre \href{http://www.gust.org.pl/projects/e-foundry/tex-gyre/pagella}{Pagella} sont une version un peu plus raffin\'ee des polices Palatino; elles proposent \'egalement la ligature ff, ce qui manque dans les polices \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/pxfonts.html}{pxfonts} ou autres polices bas\'ees sur Palatino. Les polices de cette macro fournissent leurs propres symboles {\caps ams}. Des d\'etails sur cette macro sont donn\'es dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_pagella|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil rm-qplr &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil rm-qplb &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil zplmr7m &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecrire &\strut\vrule\strut\hfil cmtt10 &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil zplmr7y &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil rm-qplbi &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil zplmr7v &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil pxbsl &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil rm-qplri &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Petites capitales &\strut\vrule\strut\hfil rm-qplr-sc &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil pxsl &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Petites capitales en gras &\strut\vrule\strut\hfil rm-qplb-sc &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + +\bs\ii Symboles {\caps ams} associ\'es~: \circledR \ \yen \ $\blacksquare \ \approxeq \ \eqslantgtr \ \curlyeqprec \ \curlyeqsucc \ \preccurlyeq \ \leqq \ \leqslant \ \lessgtr \ \nless \ \nleq \ \nleqslant \ \Bbb R \ \Bbb E \ \Bbb C \ \dots$ + + + + + + + + + + + + + + + + +\input font_times \fontss +\UseAMSsymbols +\section{\sixteenbf\fontss Times}{Times} +\sample +\ii La police Times est d\'eclar\'ee en entrant l'instruction {\color{brown}\verbatim\input font_times|endverbatim}. Cette famille de polices utilise des polices du package de Young Ryu \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/txfonts.html}{txfonts}, ce qui correspond aux polices de texte \href{http://new.myfonts.com/fonts/adobe/times/}{Adobe Times}. La police \href{http://new.myfonts.com/fonts/adobe/times/}{Times} a \'et\'e cr\'e\'ee en 1931 par Stanley Morison de Monotype Corp. Les polices de cette macro fournissent leurs propres symboles {\caps ams}. Des d\'etails sur cette macro sont donn\'es dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_times|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss \+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil txr &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil txb &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil txmi &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecrire &\strut\vrule\strut\hfil txtt &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil txsy &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil txbi &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil txex &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil txbsl &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil txi &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Petites capitales &\strut\vrule\strut\hfil txsc &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil txsl &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Petites capitales en gras &\strut\vrule\strut\hfil txbsc &\cr \hrule +}\vrule}}\hrule}\hfil} + +\BlackBoxes + +\bs\ii Symboles {\caps ams} associ\'es~: \circledR \ \yen \ $\blacksquare \ \approxeq \ \eqslantgtr \ \curlyeqprec \ \curlyeqsucc \ \preccurlyeq \ \leqq \ \leqslant \ \lessgtr \ \nless \ \nleq \ \nleqslant \ \Bbb R \ \Bbb E \ \Bbb C \ \dots$ + + + + + + + + +\input font_bookman \fontss +\section{\sixteenbf\fontss Bookman}{Bookman} +\sample +\ii La police Bookman est d\'eclar\'ee en entrant l'instruction {\color{brown}\verbatim\input font_bookman|endverbatim}. Cette famille de polices utilise des polices (\capstex\ Gyre) \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/tex-gyre-bonum.html}{bonum} de Jackowski et Nowacki, et du package \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/kerkis.html}{kerkis} d'Antonis Tsolomitis; ces deux packages correspondent aux polices texte \href{http://new.myfonts.com/fonts/adobe/itc-bookman/}{ITC Bookman}. Les symboles math\'ematiques et caract\`eres d'extension sont issus du package \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/txfonts.html}{txfonts} de Young Ryu. La police \href{http://new.myfonts.com/fonts/adobe/itc-bookman/}{Bookman} a \'et\'e con\c cue \`a l'origine par Alexander Phemister en 1860, pour la fonderie Miller \& Richard (Ecosse). Des d\'etails sur cette macro sont donn\'es dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_bookman|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss \+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil rm-qbkr &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil rm-qbkb &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil kmath8r &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecrire &\strut\vrule\strut\hfil txtt &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil txsy &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil rm-qbkbi &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil txex &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil pbkdo7t &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil rm-qbkri &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Petites capitales &\strut\vrule\strut\hfil rm-qbkr-sc &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil pbklo7t &\strut\vrule\kern1pt\vrule\strut\hfil \sevencapsbf Petites capitales en gras &\strut\vrule\strut\hfil rm-qbkb-sc &\cr \hrule +}\vrule}}\hrule}\hfil} + +\BlackBoxes + + + + + + + + + + + + + + +\input font_kp \fontss +\UseAMSsymbols +\section{\sixteenbf\fontss Kp-Fonts}{Kp-Fonts} +\sample +\ii Kp-Fonts est d\'eclar\'ee en entrant l'instruction {\color{brown}\verbatim\input font_kp|endverbatim}. Cette famille de fontes utilise des polices de la famille \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/kpfonts.html}{Kp-Fonts} de Chris\-tophe \hfuzz4pt Caignaert. Les polices de cette macro fournissent leurs propres symboles {\caps ams}. Des d\'etails sur cette macro sont donn\'es dans le tableau ci-dessous. +\bs\hfuzz=1pt +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_kp|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss \+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil jkpmn7t &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil jkpbn7t &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil jkpmi &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecrire &\strut\vrule\strut\hfil jkpttmn7t &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil jkpsy &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil jkpbit7t &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil jkpex &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil jkpbsl7t &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil jkpmit7t &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Petites capitales &\strut\vrule\strut\hfil jkpmsc7t &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil jkpmsl7t &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Petites capitales en gras &\strut\vrule\strut\hfil jkpbsc7t &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + +\bs\ii Symboles {\caps ams} associ\'es~: \circledR \ \yen \ $\blacksquare \ \approxeq \ \eqslantgtr \ \curlyeqprec \ \curlyeqsucc \ \preccurlyeq \ \leqq \ \leqslant \ \lessgtr \ \nless \ \nleq \ \nleqslant \ \Bbb R \ \Bbb E \ \Bbb C \ \dots$ + + + + + + +\input font_kp-light \fontss +\UseAMSsymbols +\section{{\sixteenbf\fontss Kp}-{\sixteenslbf Light}}{Kp-Light} +\sample +\ii Le polices Kp-{\sl Light\/} sont d\'eclar\'ees en entrant l'instruction {\color{brown}\verbatim\input font_kp-light|endverbatim}. Cette famille de fontes utilise des polices de la famille \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/kpfonts.html}{Kp-Fonts} de Christophe Caignaert. C'est la version l\'eg\`ere de Kp-Fonts. La diff\'erence entre les versions moyenne~(normal) et l\'eg\`ere est visible dans la {\sl couleur} du texte et, bien s\^ur, lorsque l'on agrandi les caract\`eres. D'apr\`es les auteurs de Kp-Fonts, l'option {\sl l\'eg\`ere\/}, qui fait r\'ealiser des \'economies au niveau de l'impression, devrait mieux rendre imprim\'ee que sur \'ecran. Les polices de cette macro fournissent leurs propres symboles {\caps ams}. Des d\'etails sur cette macro sont donn\'es dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_kp-light|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss \+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil jkplmn7t &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil jkplbn7t &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil jkplmi &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecrire &\strut\vrule\strut\hfil jkpttmn7t &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil jkplsy &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil jkplbit7t &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil jkpex &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil jkplbsl7t &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil jkplmit7t &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Petites capitales &\strut\vrule\strut\hfil jkplmsc7t &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil jkplmsl7t &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Petites capitales en gras &\strut\vrule\strut\hfil jkplbsc7t &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + +\bs\ii Symboles {\caps ams} associ\'es~: \circledR \ \yen \ $\blacksquare \ \approxeq \ \eqslantgtr \ \curlyeqprec \ \curlyeqsucc \ \preccurlyeq \ \leqq \ \leqslant \ \lessgtr \ \nless \ \nleq \ \nleqslant \ \Bbb R \ \Bbb E \ \Bbb C \ \dots$ + + + + + + + + +\input font_antt \fontss +\section{\sixteenbf\fontss Antykwa Toru\'nska}{Antykwa Torunska} +\sample +\ii La police Antykwa Toru\'nska est d\'eclar\'ee en entrant l'instruction {\color{brown}\verbatim\input font_antt|endverbatim}. Cette famille de fontes utilise des polices du package \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/antt.html}{antt} de J.\;M.\;Nowacki, correspondant aux polices texte de Zygfryd Gardzielewski \href{http://nowacki.strefa.pl/torunska-e.html}{Antykwa Toru\'nska}. Zygfryd Gardzielewski a \'elabor\'e Antykwa Toru\'nska en 1960 pour la fonderie Grafmasz \`a Varsovie. On obtient un L barr\'e~(\Lstroke) avec la commande {\color{brown}\verbatim\Lstroke|endverbatim} et un l barr\'e (\lstroke) avec la commande {\color{brown}\verbatim\lstroke|endverbatim}. Pendant l'utilisation de cette macro, les commandes par d\'efaut de plain \capstex\ {\color{brown}\verbatim\L|endverbatim} ou {\color{brown}\verbatim\l|endverbatim} ne marchent pas. Des d\'etails sur cette macro sont donn\'es dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_antt|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss \+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil rm-anttr &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil rm-anttb &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil mi-anttri &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecire &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil sy-anttrz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil rm-anttbi &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil ex-anttr &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil rm-anttbi &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil rm-anttri &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Petites capitales &\strut\vrule\strut\hfil qx-anttrcap &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil rm-anttri &\strut\vrule\kern1pt\vrule\strut\hfil \sevencapsbf Petites capitales en gras &\strut\vrule\strut\hfil rx-anttbcap &\cr \hrule +}\vrule}}\hrule}\hfil} + +\BlackBoxes + + + + + + + + + +\input font_antt-light \fontss +\section{{\sixteenbf\fontss Antykwa Toru\'nska}-{\sixteenslbf Light}}{Antykwa Torunska-Light} +\sample +\ii La police Antykwa Toru\'nska-{\sl Light\/} est d\'eclar\'ee en entrant l'instruction {\color{brown}\verbatim\input font_antt-light|endverbatim}. Cette famille de fontes utilise les polices de graisses l\'eg\`ere et moyenne du package \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/antt.html}{antt} de J.\;M.\;Nowacki, correspondant aux polices texte de Zygfryd Gardzielewski \href{http://nowacki.strefa.pl/torunska-e.html}{Antykwa Toru\'nska}. Zygfryd Gardzielewski a \'elabor\'e Antykwa Toru\'nska en 1960 pour la fonderie Grafmasz \`a Varsovie. On obtient un L barr\'e~(\Lstroke) avec la commande {\color{brown}\verbatim\Lstroke|endverbatim} et un l barr\'e (\lstroke) avec la commande {\color{brown}\verbatim\lstroke|endverbatim}. Pendant l'utilisation de cette macro, les commandes par d\'efaut de plain \capstex\ {\color{brown}\verbatim\L|endverbatim} ou {\color{brown}\verbatim\l|endverbatim} ne marchent pas. Des d\'etails sur cette macro sont donn\'es dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_antt-light|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss +\+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil rm-anttl &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil rm-anttm &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil mi-anttli &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecire &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil sy-anttlz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil rm-anttmi &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil ex-anttl &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil rm-anttmi &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil rm-anttli &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Petites capitales &\strut\vrule\strut\hfil qx-anttlcap &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil rm-anttli &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Petites capitales en gras &\strut\vrule\strut\hfil qx-anttmcap &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + + + + + + + +\input font_antt-medium \fontss +\section{{\sixteenbf\fontss Antykwa Toru\'nska}-{\sixteenslbf Medium}}{Antykwa Torunska-Medium} +\sample +\ii La police Antykwa Toru\'nska-{\sl Medium} est d\'eclar\'ee en entrant l'instruction\break {\color{brown}\verbatim\input font_antt-medium|endverbatim}. Cette famille de fontes utilise les polices de graisses moyenne et gras du package \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/antt.html}{antt} de J.\;M.\;Nowacki, correspondant aux polices texte de Zygfryd Gardzielewski \href{http://nowacki.strefa.pl/torunska-e.html}{Antykwa Toru\'nska}. Zygfryd Gardzielewski a \'elabor\'e Antykwa Toru\'nska en 1960 pour la fonderie Grafmasz \`a Varsovie. On obtient un L barr\'e~(\Lstroke) avec la commande {\color{brown}\verbatim\Lstroke|endverbatim} et un l barr\'e (\lstroke) avec la commande {\color{brown}\verbatim\lstroke|endverbatim}. Pendant l'utilisation de cette macro, les commandes par d\'efaut de plain \capstex\ {\color{brown}\verbatim\L|endverbatim} ou {\color{brown}\verbatim\l|endverbatim} ne marchent pas. Des d\'etails sur cette macro sont donn\'es dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_antt-medium|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil rm-anttm &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil rm-anttb &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil mi-anttmi &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecire &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil sy-anttmz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil rm-anttbi &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil ex-anttm &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil rm-anttbi &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil rm-anttmi &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Petites capitales &\strut\vrule\strut\hfil qx-anttmcap &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil rm-anttmi &\strut\vrule\kern1pt\vrule\strut\hfil \sevencapsbf Petites capitales en gras &\strut\vrule\strut\hfil qx-anttbcap &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + + + + + + + + + + + + +\input font_antt-condensed \fontss +\section{{\sixteenbf\fontss Antykwa Toru\'nska}-{\sixteenslbf Condensed}}{Antykwa Torunska-Condensed} +\sample +\ii La police Antykwa Toru\'nska-{\sl Condensed\/} est d\'eclar\'ee en entrant l'instruction\break {\color{brown}\verbatim\input font_antt-condensed|endverbatim}. Cette famille de fontes utilise les polices de largeur condens\'ee et graisses normal et gras du package \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/antt.html}{antt} de J.\;M.\;Nowacki, correspondant aux polices texte de Zygfryd Gardzielewski \href{http://nowacki.strefa.pl/torunska-e.html}{Antykwa Toru\'nska}. Zygfryd Gardzielewski a \'elabor\'e Antykwa Toru\'nska en 1960 pour la fonderie Grafmasz \`a Varsovie. On obtient un L barr\'e~(\Lstroke) avec la commande {\color{brown}\verbatim\Lstroke|endverbatim} et un l barr\'e (\lstroke) avec la commande {\color{brown}\verbatim\lstroke|endverbatim}. Pendant l'utilisation de cette macro, les commandes par d\'efaut de plain \capstex\ {\color{brown}\verbatim\L|endverbatim} ou {\color{brown}\verbatim\l|endverbatim} ne marchent pas. Des d\'etails sur cette macro sont donn\'es dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_antt-condensed|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil rm-anttcr &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil rm-anttcb &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil mi-anttcri &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecire &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil sy-anttcrz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil rm-anttcbi &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil ex-anttcr &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil rm-anttcbi &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil rm-anttcri &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Petites capitales &\strut\vrule\strut\hfil qx-anttcrcap &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil rm-anttcri &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Petites capitales en gras &\strut\vrule\strut\hfil qx-anttcbcap &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + + + + + + + + + + + + +\input font_antt-condensed-light \fontss +\section{{\sixteenbf\fontss Antykwa Toru\'nska}-{\sixteenslbf Condensed Light}}{Antykwa Torunska-Condensed Light} +\sample +\ii La police Antykwa Toru\'nska-{\sl Condensed Light\/} est d\'eclar\'ee en entrant l'instruction\break {\color{brown}\verbatim\input font_antt-condensed-light|endverbatim}. Cette famille de fontes utilise les polices de largeur condens\'ee et graisses l\'eg\`ere et moyenne du package \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/antt.html}{antt} de J.\;M.\;Nowacki, correspondant aux polices texte de Zygfryd Gardzielewski \href{http://nowacki.strefa.pl/torunska-e.html}{Antykwa Toru\'nska}. Zygfryd Gardzielewski a \'elabor\'e Antykwa Toru\'nska en 1960 pour la fonderie Grafmasz \`a Varsovie. On obtient un L barr\'e~(\Lstroke) avec la commande {\color{brown}\verbatim\Lstroke|endverbatim} et un l barr\'e (\lstroke) avec la commande {\color{brown}\verbatim\lstroke|endverbatim}. Pendant l'utilisation de cette macro, les commandes par d\'efaut de plain \capstex\ {\color{brown}\verbatim\L|endverbatim} ou {\color{brown}\verbatim\l|endverbatim} ne marchent pas. Des d\'etails sur cette macro sont donn\'es dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_antt-condensed-light|endverbatim}}\hfil + + % Antykwa Toru?ska-Light +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil rm-anttcl &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil rm-anttcm &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil mi-anttcli &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecire &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil sy-anttclz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil rm-anttcmi &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil ex-anttcl &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil rm-anttcmi &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil rm-anttcli &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Petites capitales &\strut\vrule\strut\hfil qx-anttclcap &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil rm-anttcli &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Petites capitales en gras &\strut\vrule\strut\hfil qx-anttcmcap &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + + + + + + + + + + + + + + + + + +\input font_antt-condensed-medium \fontss +\section{{\sixteenbf\fontss Antykwa Toru\'nska}-{\sixteenslbf Condensed Medium}}{Antykwa Torunska-Condensed Medium} +\sample +\ii La police Antykwa Toru\'nska-{\sl Condensed Medium\/} peut \^etre uilis\'ee dans les documents \capstex\ apr\`es avoir tap\'e l'instruction {\color{brown}\verbatim\input font_antt-condensed-medium|endverbatim}. Cette famille de fontes utilise les polices de largeur condens\'ee et graisses moyenne et gras du package \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/antt.html}{antt} de J.\;M.\;Nowacki, correspondant aux polices texte de Zygfryd Gardzielewski \href{http://nowacki.strefa.pl/torunska-e.html}{Antykwa Toru\'nska}. Zygfryd Gardzielewski a \'elabor\'e Antykwa Toru\'nska en 1960 pour la fonderie Grafmasz \`a Varsovie. On obtient un L barr\'e~(\Lstroke) avec la commande {\color{brown}\verbatim\Lstroke|endverbatim} et un l barr\'e (\lstroke) avec la commande {\color{brown}\verbatim\lstroke|endverbatim}. Pendant l'utilisation de cette macro, les commandes par d\'efaut de plain \capstex\ {\color{brown}\verbatim\L|endverbatim} ou {\color{brown}\verbatim\l|endverbatim} ne marchent pas. Des d\'etails sur cette macro sont donn\'es dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_antt-condensed-medium|endverbatim}}\hfil + + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil rm-anttcm &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil rm-anttcb &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil mi-anttcmi &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecire &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil sy-anttcmz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil rm-anttcbi &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil ex-anttcm &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil rm-anttcbi &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil rm-anttcmi &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Petites capitales &\strut\vrule\strut\hfil qx-anttcmcap &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil rm-anttcmi &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Petites capitales en gras &\strut\vrule\strut\hfil qx-anttcbcap &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + + + + + + + + + + + + + + +\input font_iwona \fontss +\section{\sixteenbf\fontss Iwona}{Iwona} +\sample +\ii La police Iwona est d\'eclar\'ee en entrant l'instruction {\color{brown}\verbatim\input font_iwona|endverbatim}. Cette famille de fontes utilise des polices du package \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/iwona.html}{iwona} de J.\;M. Nowacki, correspondant aux polices texte de Ma\lstroke{}gorzata Budyta. On obtient un L barr\'e~(\Lstroke) avec la commande {\color{brown}\verbatim\Lstroke|endverbatim} et un l barr\'e (\lstroke) avec la commande {\color{brown}\verbatim\lstroke|endverbatim}. Pendant l'utilisation de cette macro, les commandes par d\'efaut de plain \capstex\ {\color{brown}\verbatim\L|endverbatim} ou {\color{brown}\verbatim\l|endverbatim} ne marchent pas. Des d\'etails sur cette macro sont donn\'es dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_iwona|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss \+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil rm-iwonar &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil rm-iwonab &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil mi-iwonari &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecire &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil sy-iwonarz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil rm-iwonabi &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil ex-iwonar &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil rm-iwonabi &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil rm-iwonari &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Petites capitales &\strut\vrule\strut\hfil qx-iwonarcap &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil rm-iwonari &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Petites capitales en gras &\strut\vrule\strut\hfil qx-iwonabcap &\cr \hrule +}\vrule}}\hrule}\hfil} + +\BlackBoxes + + + + + + + + + + +\input font_iwona-light \fontss +\section{\sixteenbf\fontss Iwona-{\sixteenslbf Light}}{Iwona-Light} +\sample +\ii La police Iwona-{\sl Light\/} est d\'eclar\'ee en entrant l'instruction {\color{brown}\verbatim\input font_iwona-light|endverbatim}. Cette famille de fontes utilise les polices Iwona de graisses l\'eg\`ere et gras du package \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/iwona.html}{iwona} de J.\;M. Nowacki, correspondant aux polices texte de Ma\lstroke{}gorzata Budyta. On obtient un L barr\'e~(\Lstroke) avec la commande {\color{brown}\verbatim\Lstroke|endverbatim} et un l barr\'e (\lstroke) avec la commande {\color{brown}\verbatim\lstroke|endverbatim}. Pendant l'utilisation de cette macro, les commandes par d\'efaut de plain \capstex\ {\color{brown}\verbatim\L|endverbatim} ou {\color{brown}\verbatim\l|endverbatim} ne marchent pas. Des d\'etails sur cette macro sont donn\'es dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_iwona-light|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil rm-iwonal &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil rm-iwonam &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil mi-iwonali &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecire &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil sy-iwonalz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil rm-iwonami &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil ex-iwonal &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil rm-iwonami &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil rm-iwonali &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Petites capitales &\strut\vrule\strut\hfil qx-iwonalcap &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil rm-iwonali &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Petites capitales en gras &\strut\vrule\strut\hfil qx-iwonamcap &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + + + + + + + + + +\input font_iwona-medium \fontss +\section{\sixteenbf\fontss Iwona-{\sixteenslbf Medium}}{Iwona-Medium} +\sample +\ii La police Iwona-{\sl Medium\/} est d\'eclar\'ee en entrant l'instruction {\color{brown}\verbatim\input font_iwona-medium|endverbatim}. Cette famille de fontes utilise les polices Iwona de graisses moyenne et gras du package \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/iwona.html}{iwona} de J.\;M. Nowacki, correspondant aux polices texte de Ma\lstroke{}gorzata Budyta. On obtient un L barr\'e~(\Lstroke) avec la commande {\color{brown}\verbatim\Lstroke|endverbatim} et un l barr\'e (\lstroke) avec la commande {\color{brown}\verbatim\lstroke|endverbatim}. Pendant l'utilisation de cette macro, les commandes par d\'efaut de plain \capstex\ {\color{brown}\verbatim\L|endverbatim} ou {\color{brown}\verbatim\l|endverbatim} ne marchent pas. Des d\'etails sur cette macro sont donn\'es dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_iwona-medium|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil rm-iwonam &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil rm-iwonah &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil mi-iwonami &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecire &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil sy-iwonamz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil rm-iwonahi &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil ex-iwonam &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil rm-iwonahi &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil rm-iwonami &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Petites capitales &\strut\vrule\strut\hfil qx-iwonamcap &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil rm-iwonami &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Petites capitales en gras &\strut\vrule\strut\hfil qx-iwonahcap &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + + + + + +\input font_iwona-bold \fontss +\section{\sixteenbf\fontss Iwona-{\sixteenslbf Bold}}{Iwona-Bold} +\sample +\ii La police Iwona-{\sl Bold\/} est d\'eclar\'ee en entrant l'instruction {\color{brown}\verbatim\input font_iwona-bold|endverbatim}. Cette famille de fontes utilise les fontes grasses Iwona du package \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/iwona.html}{iwona} de J.\;M. Nowacki, correspondant aux polices texte de Ma\lstroke{}gorzata Budyta. On obtient un L barr\'e~(\Lstroke) avec la commande {\color{brown}\verbatim\Lstroke|endverbatim} et un l barr\'e (\lstroke) avec la commande {\color{brown}\verbatim\lstroke|endverbatim}. Pendant l'utilisation de cette macro, les commandes par d\'efaut de plain \capstex\ {\color{brown}\verbatim\L|endverbatim} ou {\color{brown}\verbatim\l|endverbatim} ne marchent pas. Des d\'etails sur cette macro sont donn\'es dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_iwona-medium|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil rm-iwonab &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil rm-iwonah &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil mi-iwonabi &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecire &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil sy-iwonabz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil rm-iwonahi &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil ex-iwonab &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil rm-iwonahi &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil rm-iwonabi &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Petites capitales &\strut\vrule\strut\hfil qx-iwonabcap &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil rm-iwonabi &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Petites capitales en gras &\strut\vrule\strut\hfil qx-iwonahcap &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + + + + + + + +\input font_iwona-condensed \fontss +\section{\sixteenbf\fontss Iwona-{\sixteenslbf Condensed}}{Iwona-Condensed} +\sample +\ii La police Iwona-{\sl Condensed\/} est d\'eclar\'ee en entrant l'instruction {\color{brown}\verbatim\input font_iwona-condensed|endverbatim}. Cette famille de fontes utilise les polices Iwona en largeur condens\'ee et styles gras du package \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/iwona.html}{iwona} de J.\;M. Nowacki, correspondant aux polices texte de Ma\lstroke{}gorzata Budyta. On obtient un L barr\'e~(\Lstroke) avec la commande {\color{brown}\verbatim\Lstroke|endverbatim} et un l barr\'e (\lstroke) avec la commande {\color{brown}\verbatim\lstroke|endverbatim}. Pendant l'utilisation de cette macro, les commandes par d\'efaut de plain \capstex\ {\color{brown}\verbatim\L|endverbatim} ou {\color{brown}\verbatim\l|endverbatim} ne marchent pas. Des d\'etails sur cette macro sont donn\'es dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_iwona-condensed|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil rm-iwonacr &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil rm-iwonacb &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil mi-iwonacri &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecire &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil sy-iwonacrz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil rm-iwonacbi &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil ex-iwonacr &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil rm-iwonacbi &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil rm-iwonacri &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Petites capitales &\strut\vrule\strut\hfil qx-iwonacrcap &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil rm-iwonacri &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Petites capitales en gras &\strut\vrule\strut\hfil qx-iwonacbcap &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + + + + + + +\input font_iwona-condensed-light \fontss +\section{\sixteenbf\fontss Iwona-{\sixteenslbf Condensed Light}}{Iwona-Condensed Light} +\sample +\ii La police Iwona-{\sl Condensed Light\/} est d\'eclar\'ee en entrant l'instruction {\color{brown}\verbatim\input font_iwona-condensed-light|endverbatim}. Cette famille de fontes utilise les polices Iwona en largeur condens\'ee et graisses moyenne et l\'eg\`ere du package \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/iwona.html}{iwona} de J.\;M. Nowacki, correspondant aux polices texte de Ma\lstroke{}gorzata Budyta. On obtient un L barr\'e~(\Lstroke) avec la commande {\color{brown}\verbatim\Lstroke|endverbatim} et un l barr\'e (\lstroke) avec la commande {\color{brown}\verbatim\lstroke|endverbatim}. Pendant l'utilisation de cette macro, les commandes par d\'efaut de plain \capstex\ {\color{brown}\verbatim\L|endverbatim} ou {\color{brown}\verbatim\l|endverbatim} ne marchent pas. Des d\'etails sur cette macro sont donn\'es dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_iwona-condensed-light|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil rm-iwonacl &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil rm-iwonacm &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil mi-iwonacli &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecire &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil sy-iwonaclz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil rm-iwonacmi &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil ex-iwonacl &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil rm-iwonacmi &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil rm-iwonacli &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Petites capitales &\strut\vrule\strut\hfil qx-iwonaclcap &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil rm-iwonacli &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Petites capitales en gras &\strut\vrule\strut\hfil qx-iwonacmcap &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + + + + + + + + +\input font_iwona-condensed-medium \fontss +\section{\sixteenbf\fontss Iwona-{\sixteenslbf Condensed Medium}}{Iwona-Condensed Medium} +\sample +\ii La police Iwona-{\sl Condensed Medium\/} est d\'eclar\'ee en entrant l'instruction\newline {\color{brown}\verbatim\input font_iwona-condensed-medium|endverbatim}. Cette famille de fontes utilise les polices Iwona en largeur condens\'ee et graisses moyenne et gras du package \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/iwona.html}{iwona} de J.\;M. Nowacki, correspondant aux polices texte de Ma\lstroke{}gorzata Budyta. On obtient un L barr\'e~(\Lstroke) avec la commande {\color{brown}\verbatim\Lstroke|endverbatim} et un l barr\'e (\lstroke) avec la commande {\color{brown}\verbatim\lstroke|endverbatim}. Pendant l'utilisation de cette macro, les commandes par d\'efaut de plain \capstex\ {\color{brown}\verbatim\L|endverbatim} ou {\color{brown}\verbatim\l|endverbatim} ne marchent pas. Des d\'etails sur cette macro sont donn\'es dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_iwona-condensed-medium|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil rm-iwonacm &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil rm-iwonach &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil mi-iwonacmi &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecire &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil sy-iwonacmz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil rm-iwonachi &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil ex-iwonacm &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil rm-iwonachi &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil rm-iwonacmi &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Petites capitales &\strut\vrule\strut\hfil qx-iwonacmcap &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil rm-iwonacmi &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Petites capitales en gras &\strut\vrule\strut\hfil qx-iwonachcap &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + + + + + + +\input font_iwona-condensed-bold \fontss +\section{\sixteenbf\fontss Iwona-{\sixteenslbf Condensed Bold}}{Iwona-Condensed Bold} +\sample +\ii La police Iwona-{\sl Condensed Bold\/} est d\'eclar\'ee en entrant l'instruction {\color{brown}\verbatim\input font_iwona-condensed-bold|endverbatim}. Cette famille de fontes utilise les polices Iwona en largeur condens\'ee et styles gras du package \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/iwona.html}{iwona} de J.\;M. Nowacki, correspondant aux polices texte de Ma\lstroke{}gorzata Budyta. On obtient un L barr\'e~(\Lstroke) avec la commande {\color{brown}\verbatim\Lstroke|endverbatim} et un l barr\'e (\lstroke) avec la commande {\color{brown}\verbatim\lstroke|endverbatim}. Pendant l'utilisation de cette macro, les commandes par d\'efaut de plain \capstex\ {\color{brown}\verbatim\L|endverbatim} ou {\color{brown}\verbatim\l|endverbatim} ne marchent pas. Des d\'etails sur cette macro sont donn\'es dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_iwona-condensed-bold|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil rm-iwonacb &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil rm-iwonach &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil mi-iwonacbi &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecire &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil sy-iwonacbz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil rm-iwonachi &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil ex-iwonacb &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil rm-iwonachi &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil rm-iwonacbi &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Petites capitales &\strut\vrule\strut\hfil qx-iwonacbcap &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil rm-iwonacbi &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Petites capitales en gras &\strut\vrule\strut\hfil qx-iwonachcap &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + + + +\input font_kurier \fontss +\section{\sixteenbf\fontss Kurier}{Kurier} +\sample +\ii La police Kurier est d\'eclar\'ee en entrant l'instruction {\color{brown}\verbatim\input font_kurier|endverbatim}. Cette famille de fontes utilise des polices du package \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/kurier.html}{kurier} de J.\;M.\ Nowacki, correspondant aux polices texte de Ma\lstroke{}gorzata Budyta. La police Kurier est tr\`es similaire \`a la police Iwona; Kurier est un peu plus \'etendue et comporte des pi\`eges d'encre ({\it ink traps}). On obtient un L barr\'e~(\Lstroke) avec la commande {\color{brown}\verbatim\Lstroke|endverbatim} et un l barr\'e (\lstroke) avec la commande {\color{brown}\verbatim\lstroke|endverbatim}. Pendant l'utilisation de cette macro, les commandes par d\'efaut de plain \capstex\ {\color{brown}\verbatim\L|endverbatim} ou {\color{brown}\verbatim\l|endverbatim} ne marchent pas. Des d\'etails sur cette macro sont donn\'es dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_kurier|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss \+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil rm-kurierr &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil rm-kurierb &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil mi-kurierri &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecire &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil sy-kurierrz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil rm-kurierbi &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil ex-kurierr &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil rm-kurierbi &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil rm-kurierri &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Petites capitales &\strut\vrule\strut\hfil qx-kurierrcap &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil rm-kurierri &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Petites capitales en gras &\strut\vrule\strut\hfil qx-kurierbcap &\cr \hrule +}\vrule}}\hrule}\hfil} + +\BlackBoxes + + + + + + + + + + + + + + + +\input font_kurier-light \fontss +\section{\sixteenbf\fontss Kurier-{\sixteenslbf Light}}{Kurier-Light} +\sample +\ii La police Kurier-{\sl Light\/} est d\'eclar\'ee en entrant l'instruction {\color{brown}\verbatim\input font_kurier-light|endverbatim}. Cette famille de fontes utilise les polices Kurier en graisses l\'eg\`ere et moyenne du package \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/kurier.html}{kurier} de J.\;M.\;Nowacki, correspondant aux polices texte de Ma\lstroke{}gorzata Budyta. La police Kurier est tr\`es similaire \`a la police Iwona; Kurier est un peu plus \'etendue et comporte des pi\`eges d'encre ({\it ink traps}). On obtient un L barr\'e~(\Lstroke) avec la commande {\color{brown}\verbatim\Lstroke|endverbatim} et un l barr\'e (\lstroke) avec la commande {\color{brown}\verbatim\lstroke|endverbatim}. Pendant l'utilisation de cette macro, les commandes par d\'efaut de plain \capstex\ {\color{brown}\verbatim\L|endverbatim} ou {\color{brown}\verbatim\l|endverbatim} ne marchent pas. Des d\'etails sur cette macro sont donn\'es dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_kurier-light|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil rm-kurierl &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil rm-kurierm &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil mi-kurierli &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecire &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil sy-kurierlz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil rm-kuriermi &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil ex-kurierl &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil rm-kuriermi &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil rm-kurierli &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Petites capitales &\strut\vrule\strut\hfil qx-kurierlcap &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil rm-kurierli &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Petites capitales en gras &\strut\vrule\strut\hfil qx-kuriermcap &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + + + + + + + + + +\input font_kurier-medium \fontss +\section{\sixteenbf\fontss Kurier-{\sixteenslbf Medium}}{Kurier-Medium} +\sample +\ii La police Kurier-{\sl Medium\/} est d\'eclar\'ee en entrant l'instruction {\color{brown}\verbatim\input font_kurier-medium|endverbatim}. Cette famille de fontes utilise les polices Kurier en graisses moyenne et gras du package \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/kurier.html}{kurier} de J.\;M.\;Nowacki, correspondant aux polices texte de Ma\lstroke{}gorzata Budyta. La police Kurier est tr\`es similaire \`a la police Iwona; Kurier est un peu plus \'etendue et comporte des pi\`eges d'encre ({\it ink traps}). On obtient un L barr\'e~(\Lstroke) avec la commande {\color{brown}\verbatim\Lstroke|endverbatim} et un l barr\'e (\lstroke) avec la commande {\color{brown}\verbatim\lstroke|endverbatim}. Pendant l'utilisation de cette macro, les commandes par d\'efaut de plain \capstex\ {\color{brown}\verbatim\L|endverbatim} ou {\color{brown}\verbatim\l|endverbatim} ne marchent pas. Des d\'etails sur cette macro sont donn\'es dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_kurier-medium|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil rm-kurierm &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil rm-kurierh &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil mi-kuriermi &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecire &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil sy-kuriermz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil rm-kurierhi &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil ex-kurierm &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil rm-kurierhi &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil rm-kuriermi &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Petites capitales &\strut\vrule\strut\hfil qx-kuriermcap &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil rm-kuriermi &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Petites capitales en gras &\strut\vrule\strut\hfil qx-kurierhcap &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + + + + + +\input font_kurier-bold \fontss +\section{\sixteenbf\fontss Kurier-{\sixteenslbf Bold}}{Kurier-Bold} +\sample +\ii La police Kurier-{\sl Bold\/} est d\'eclar\'ee en entrant l'instruction {\color{brown}\verbatim\input font_kurier-bold|endverbatim}. Cette famille de fontes utilise les polices Kurier en styles gras du package \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/kurier.html}{kurier} de J.\;M.\;Nowacki, correspondant aux polices texte de Ma\lstroke{}gorzata Budyta. La police Kurier est tr\`es similaire \`a la police Iwona; Kurier est un peu plus \'etendue et comporte des pi\`eges d'encre ({\it ink traps}). On obtient un L barr\'e~(\Lstroke) avec la commande {\color{brown}\verbatim\Lstroke|endverbatim} et un l barr\'e (\lstroke) avec la commande {\color{brown}\verbatim\lstroke|endverbatim}. Pendant l'utilisation de cette macro, les commandes par d\'efaut de plain \capstex\ {\color{brown}\verbatim\L|endverbatim} ou {\color{brown}\verbatim\l|endverbatim} ne marchent pas. Des d\'etails sur cette macro sont donn\'es dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_kurier-medium|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil rm-kurierb &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil rm-kurierh &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil mi-kurierbi &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecire &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil sy-kurierbz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil rm-kurierhi &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil ex-kurierb &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil rm-kurierhi &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil rm-kurierbi &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Petites capitales &\strut\vrule\strut\hfil qx-kurierbcap &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil rm-kurierbi &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Petites capitales en gras &\strut\vrule\strut\hfil qx-kurierhcap &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + + + + + + + +\input font_kurier-condensed \fontss +\section{\sixteenbf\fontss Kurier-{\sixteenslbf Condensed}}{Kurier-Condensed} +\sample +\ii La police Kurier-{\sl Condensed\/} est d\'eclar\'ee en entrant l'instruction {\color{brown}\verbatim\input font_kurier-condensed|endverbatim}. Cette famille de fontes utilise les polices Kurier de largeur condens\'ee en graisses normal et gras du package \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/kurier.html}{kurier} de J.\;M.\;Nowacki, correspondant aux polices texte de Ma\lstroke{}gorzata Budyta. La police Kurier est tr\`es similaire \`a la police Iwona; Kurier est un peu plus \'etendue et comporte des pi\`eges d'encre ({\it ink traps}). On obtient un L barr\'e~(\Lstroke) avec la commande {\color{brown}\verbatim\Lstroke|endverbatim} et un l barr\'e (\lstroke) avec la commande {\color{brown}\verbatim\lstroke|endverbatim}. Pendant l'utilisation de cette macro, les commandes par d\'efaut de plain \capstex\ {\color{brown}\verbatim\L|endverbatim} ou {\color{brown}\verbatim\l|endverbatim} ne marchent pas. Des d\'etails sur cette macro sont donn\'es dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_kurier-condensed|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil rm-kuriercr &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil rm-kuriercb &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil mi-kuriercri &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecire &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil sy-kuriercrz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil rm-kuriercbi &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil ex-kuriercr &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil rm-kuriercbi &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil rm-kuriercri &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Petites capitales &\strut\vrule\strut\hfil qx-kuriercrcap &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil rm-kuriercri &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Petites capitales en gras &\strut\vrule\strut\hfil qx-kuriercbcap &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + + + + + + +\input font_kurier-condensed-light \fontss +\section{\sixteenbf\fontss Kurier-{\sixteenslbf Condensed Light}}{Kurier-Condensed Light} +\sample +\ii La police Kurier-{\sl Condensed Light\/} est d\'eclar\'ee en entrant l'instruction\newline {\color{brown}\verbatim\input font_kurier-condensed-light|endverbatim}. Cette famille de fontes utilise les polices Kurier de largeur condens\'ee en graisses l\'eg\`ere et moyenne du package \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/kurier.html}{kurier} de J.\;M.\;Nowacki, correspondant aux polices texte de Ma\lstroke{}gorzata Budyta. La police Kurier est tr\`es similaire \`a la police Iwona; Kurier est un peu plus \'etendue et comporte des pi\`eges d'encre ({\it ink traps}). On obtient un L barr\'e~(\Lstroke) avec la commande {\color{brown}\verbatim\Lstroke|endverbatim} et un l barr\'e (\lstroke) avec la commande {\color{brown}\verbatim\lstroke|endverbatim}. Pendant l'utilisation de cette macro, les commandes par d\'efaut de plain \capstex\ {\color{brown}\verbatim\L|endverbatim} ou {\color{brown}\verbatim\l|endverbatim} ne marchent pas. Des d\'etails sur cette macro sont donn\'es dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_kurier-condensed-light|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil rm-kuriercl &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil rm-kuriercm &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil mi-kuriercli &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecire &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil sy-kurierclz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil rm-kuriercmi &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil ex-kuriercl &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil rm-kuriercmi &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil rm-kuriercli &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Petites capitales &\strut\vrule\strut\hfil qx-kurierclcap &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil rm-kuriercli &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Petites capitales en gras &\strut\vrule\strut\hfil qx-kuriercmcap &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + + + + + + + + +\input font_kurier-condensed-medium \fontss +\section{\sixteenbf\fontss Kurier-{\sixteenslbf Condensed Medium}}{Kurier-Condensed Medium} +\sample +\ii La police Kurier-{\sl Condensed Medium\/} est d\'eclar\'ee en entrant l'instruction\newline {\color{brown}\verbatim\input font_kurier-condensed-medium|endverbatim}. Cette famille de fontes utilise les polices Kurier de largeur condens\'ee en graisses moyenne et gras du package \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/kurier.html}{kurier} de J.\;M.\;Nowacki, correspondant aux polices texte de Ma\lstroke{}gorzata Budyta. La police Kurier est tr\`es similaire \`a la police Iwona; Kurier est un peu plus \'etendue et comporte des pi\`eges d'encre ({\it ink traps}). On obtient un L barr\'e~(\Lstroke) avec la commande {\color{brown}\verbatim\Lstroke|endverbatim} et un l barr\'e (\lstroke) avec la commande {\color{brown}\verbatim\lstroke|endverbatim}. Pendant l'utilisation de cette macro, les commandes par d\'efaut de plain \capstex\ {\color{brown}\verbatim\L|endverbatim} ou {\color{brown}\verbatim\l|endverbatim} ne marchent pas. Des d\'etails sur cette macro sont donn\'es dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_kurier-condensed-medium|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil rm-kuriercm &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil rm-kurierch &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil mi-kuriercmi &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecire &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil sy-kuriercmz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil rm-kurierchi &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil ex-kuriercm &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil rm-kurierchi &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil rm-kuriercmi &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Petites capitales &\strut\vrule\strut\hfil qx-kuriercmcap &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil rm-kuriercmi &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Petites capitales en gras &\strut\vrule\strut\hfil qx-kurierchcap &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + + + + + + +\input font_kurier-condensed-bold \fontss +\section{\sixteenbf\fontss Kurier-{\sixteenslbf Condensed Bold}}{Kurier-Condensed Bold} +\sample +\ii La police Kurier-{\sl Condensed Bold\/} est d\'eclar\'ee en entrant l'instruction\newline {\color{brown}\verbatim\input font_kurier-condensed-bold|endverbatim}. Cette famille de fontes utilise les polices Kurier de largeur condens\'ee et styles gras du package \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/kurier.html}{kurier} de J.\;M.\;Nowacki, correspondant aux polices texte de Ma\lstroke{}gorzata Budyta. La police Kurier est tr\`es similaire \`a la police Iwona; Kurier est un peu plus \'etendue et comporte des pi\`eges d'encre ({\it ink traps}). On obtient un L barr\'e~(\Lstroke) avec la commande {\color{brown}\verbatim\Lstroke|endverbatim} et un l barr\'e (\lstroke) avec la commande {\color{brown}\verbatim\lstroke|endverbatim}. Pendant l'utilisation de cette macro, les commandes par d\'efaut de plain \capstex\ {\color{brown}\verbatim\L|endverbatim} ou {\color{brown}\verbatim\l|endverbatim} ne marchent pas. Des d\'etails sur cette macro sont donn\'es dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_kurier-condensed-bold|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil rm-kuriercb &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil rm-kurierch &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil mi-kuriercbi &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecire &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil sy-kuriercbz &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil rm-kurierchi &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil ex-kuriercb &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil rm-kurierchi &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil rm-kuriercbi &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Petites capitales &\strut\vrule\strut\hfil qx-kuriercbcap &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil rm-kuriercbi &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Petites capitales en gras &\strut\vrule\strut\hfil qx-kurierchcap &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + + + + + + + + + + + + + + + +\input font_arev \fontss +\section{\sixteenbf\fontss Arev}{Arev} +\sample +\ii La police Arev est d\'eclar\'ee en entrant l'instruction {\color{brown}\verbatim\input font_arev|endverbatim}. Cette famille de fontes utilise des polices du package \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/arev.html}{arev} de S.\;G.\; Hartke, correspondant aux polices texte \href{http://www.fontsquirrel.com/fonts/Bitstream-Vera-Sans}{Bitstream Vera Sans}. La police \href{http://www.gnome.org/fonts/}{Bitstream Vera} a \'et\'e cr\'e\'ee par Jim Lyles. Des d\'etails sur cette macro sont donn\'es dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_arev|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss \+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil zavmr7t &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil zavmb7t &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil zavmri7m &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecire &\strut\vrule\strut\hfil fvmr8t &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil zavmr7y &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil favbi8t &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil ex-kurierr &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil favbi8t &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil favri8t &\strut\vrule\kern1pt\vrule\strut\hfil Petites capitales &\strut\vrule\strut\hfil \emdash &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil favri8t &\strut\vrule\kern1pt\vrule\strut\hfil Petites capitales en gras &\strut\vrule\strut\hfil \emdash &\cr \hrule +}\vrule}}\hrule}\hfil} + +\BlackBoxes + + + + + + + + + +\input font_cmbright \fontss +\UseAMSsymbols +\section{\sixteenbf\fontss Computer Modern Bright}{Computer Modern Bright} +\sample +\ii La police Computer Modern Bright est d\'eclar\'ee en entrant l'instruction {\color{brown}\verbatim\input font_cmbright|endverbatim}. Cette famille de fontes utilise des polices du package \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/cmbright.html}{cmbright} de Walter Schmidt, correspondant aux polices texte Computer Modern Sans Serif de Donald Knuth. Les polices Computer Modern Bright sont plus l\'eg\`eres que les polices Computer Modern Sans Serif. Les polices de cette macro fournissent leurs propres symboles {\eightrm AMS}. Des d\'etails sur cette macro sont donn\'es dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_cmbright|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss \+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil cmbr10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil cmbrbx10 &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil cmbrmi10 &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecire &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil cmbrsy10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil rm-lmssbo10 &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil ex-kurierr &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil rm-lmssbo10 &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil cmbrsl10 &\strut\vrule\kern1pt\vrule\strut\hfil Petites capitales &\strut\vrule\strut\hfil Non disponible &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil cmbrsl10 &\strut\vrule\kern1pt\vrule\strut\hfil Petites capitales en gras &\strut\vrule\strut\hfil Non disponible &\cr \hrule +}\vrule}}\hrule}\hfil} + +\BlackBoxes + +\bs\ii Symboles {\eightrm AMS} associ\'es~: \circledR \ \yen \ $\blacksquare \ \approxeq \ \eqslantgtr \ \curlyeqprec \ \curlyeqsucc \ \preccurlyeq \ \leqq \ \leqslant \ \lessgtr \ \nless \ \nleq \ \nleqslant \ \Bbb R \ \Bbb E \ \Bbb C \ \dots$ + + + + + + + + + + + + +\input font_epigrafica_euler \fontss +\section{\sixteenbf\fontss Epigrafica avec Euler}{Epigrafica avec Euler} +\sample +\ii Cette macro nous permet de taper du texte dans la police Epigrafica et des maths dans la police Euler. La macro est d\'eclar\'ee en entrant l'instruction {\color{brown}\verbatim\input font_epigrafica_euler|endverbatim}. Celle-ci typographie le texte dans les fontes du package \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/epigrafica.html}{epigrafica} de Antonis Tsolomitis (bas\'e sur la police texte \href{http://new.myfonts.com/fonts/adobe/optima/}{Optima} d'Hermann Zapf) et les maths dans les fontes \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/eulervm.html}{Euler-VM} de Walter Schmidt (bas\'e sur la police Euler d'Hermann Zapf et la police CM de Knuth). Des d\'etails sur cette macro sont donn\'es dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_epigrafica_euler|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss \+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil epigrafican8r &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil epigraficab8r &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil eurm10 &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecire &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil cmsy10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil epigraficabi8r &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil euex10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil epigraficabi8r &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil epigraficai8r &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Petites capitales &\strut\vrule\strut\hfil epigraficac8r &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil epigraficai8r &\strut\vrule\kern1pt\vrule\strut\hfil Petites capitales en gras &\strut\vrule\strut\hfil Non disponible &\cr \hrule +}\vrule}}\hrule}\hfil} + +\BlackBoxes + + + + + + + + + +\input font_epigrafica_palatino \fontss +\section{\sixteenbf\fontss Epigrafica with Palatino}{Epigrafica avec Palatino} +\sample +\ii Cette macro nous permet de taper du texte dans la police Epigrafica et des maths dans la police PX. La macro est d\'eclar\'ee en entrant l'instruction {\color{brown}\verbatim\input font_epigrafica_palatino|endverbatim}. Celle-ci typographie le texte dans les fontes du package \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/epigrafica.html}{epigrafica} de Antonis Tsolomitis (bas\'e sur la police texte \href{http://new.myfonts.com/fonts/adobe/optima/}{Optima} d'Hermann Zapf) et les maths dans les fontes du package \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/pxfonts.html}{pxfonts} de Young Ryu (correspondant aux polices texte \href{http://www.adobe.com/type/browser/html/readmes/PalatinoStdReadMe.html#A2} +{Adobe Palatino}). Des d\'etails sur cette macro sont donn\'es dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_epigrafica_palatino|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss \+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil epigrafican8r &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil epigraficab8r &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil pxmi &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecire &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil pxsy &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil epigraficabi8r &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil pxex &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil epigraficabi8r &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil epigraficai8r &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Petites capitales &\strut\vrule\strut\hfil epigraficac8r &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil epigraficai8r &\strut\vrule\kern1pt\vrule\strut\hfil Petites capitales en gras &\strut\vrule\strut\hfil Non disponible &\cr \hrule +}\vrule}}\hrule}\hfil} + +\BlackBoxes + + + + + + + +\input font_antp_euler \fontss +\section{\sixteenbf\fontss Antykwa P\'o\char'252tawskiego avec Euler}{Antykwa Poltawskiego avec Euler} +\sample +\ii Cette macro nous permet de taper du texte dans la police Antykwa P\'o\lstroke{}tawskiego et des maths dans la police Euler. Elle est d\'eclar\'ee en entrant l'instruction {\color{brown}\verbatim\input font_antp_euler|endverbatim}. Celle-ci typographie le texte dans les fontes du package \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/antp.html}{antp} de J.\;M.\;No\-wacki (bas\'e sur les polices de texte \href{http://nowacki.strefa.pl/poltawski-e.html}{Antykwa P\'o\lstroke{}tawskiego} du typographe polonais Adam P\'o\lstroke{}tawski) et les math\'ematiques dans les fontes de Walter Schmidt \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/eulervm.html}{Euler-VM} (bas\'e sur la police Euler d'Hermann Zapf et la police CM de Knuth). On obtient un L barr\'e~(\Lstroke) avec la commande {\color{brown}\verbatim\Lstroke|endverbatim} et un l barr\'e (\lstroke) avec la commande {\color{brown}\verbatim\lstroke|endverbatim}. Pendant l'utilisation de cette macro, les commandes par d\'efaut de plain \capstex\ {\color{brown}\verbatim\L|endverbatim} ou {\color{brown}\verbatim\l|endverbatim} ne marchent pas. Des d\'etails sur cette macro sont donn\'es dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_antp_euler|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss \+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil rm-antpr10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil rm-antpb10 &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil eurm10 &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecire &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil cmsy10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil rm-antpbi10 &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil euex10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil rm-antpbi10 &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil rm-antpri10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Petites capitales &\strut\vrule\strut\hfil rm-antpr10-sc &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil rm-antpri10 &\strut\vrule\kern1pt\vrule\strut\hfil\eightcapsbf Petites capitales en gras &\strut\vrule\strut\hfil rm-antpb10-sc &\cr \hrule +}\vrule}}\hrule}\hfil} + +\BlackBoxes + + + + + + + + + +\input font_bera_concrete \fontss +\section{\sixteenbf\fontss Bera Serif avec Concrete}{Bera Serif avec Concrete} +\samplebera +\ii Cette macro nous permet de taper du texte dans la police Bera serif et des maths avec Concrete. La macro est déclarée en entrant l'instruction {\color{brown}\verbatim\input font_bera_concrete|endverbatim}. Celle-ci typographie le texte dans les fontes Bera serif du package \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/bera.html}{bera} de Walter Schmidt (basé sur la police \href{http://www.fontsquirrel.com/fonts/Bitstream-Vera-Serif?q[term]=bitstream+vera&q[search_check]=Y}{Bitstream Vera serif} dessinée par Jim Lyles de Bitstream Inc.) et les parties mathématiques sont typographiées en utilisant le package \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/cc-pl.html}{cc-pl} de Jackowski, Ry\char'242ko et Bzyl (basé sur les polices de Knuth \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/concrete.html}{Concrete Roman}). Des détails sur cette macro sont donnés dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_bera_concrete|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss \+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil fver8t &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil fveb8t &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil pcmi10 &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecire &\strut\vrule\strut\hfil fvmr8t &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil cmsy10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil fvebo8t &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil cmex10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil fvebo8t &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil fvero8t &\strut\vrule\kern1pt\vrule\strut\hfil Petites capitales &\strut\vrule\strut\hfil Non disponible &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil fvero8t &\strut\vrule\kern1pt\vrule\strut\hfil Petites capitales en gras &\strut\vrule\strut\hfil Non disponible &\cr \hrule +}\vrule}}\hrule}\hfil} + +\BlackBoxes + + + + + + + + + +\input font_bera_euler \fontss +\section{\sixteenbf\fontss Bera Serif avec Euler}{Bera Serif avec Euler} +\sample +\ii Cette macro nous permet de taper du texte dans la police Bera serif et des maths avec Euler. La macro est d\'eclar\'ee en entrant l'instruction {\color{brown}\verbatim\input font_bera_euler|endverbatim}. Celle-ci typographie le texte dans les fontes Bera serif du package \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/bera.html}{bera} de Walter Schmidt (bas\'e sur la police \href{http://www.fontsquirrel.com/fonts/Bitstream-Vera-Serif?q[term]=bitstream+vera&q[search_check]=Y}{Bitstream Vera serif} dessin\'ee par Jim Lyles de Bitstream Inc.) et les maths dans les fontes \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/eulervm.html}{Euler-VM} de Walter Schmidt (bas\'e sur la police Euler d'Hermann Zapf et la police CM de Knuth). Des d\'etails sur cette macro sont donn\'es dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_bera_euler|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss \+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil fver8t &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil fveb8t &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil eurm10 &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecire &\strut\vrule\strut\hfil fvmr8t &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil cmsy10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil fvebo8t &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil euex10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil fvebo8t &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil fvero8t &\strut\vrule\kern1pt\vrule\strut\hfil Petites capitales &\strut\vrule\strut\hfil Non disponible &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil fvero8t &\strut\vrule\kern1pt\vrule\strut\hfil Petites capitales en gras &\strut\vrule\strut\hfil Non disponible &\cr \hrule +}\vrule}}\hrule}\hfil} + +\BlackBoxes + + + + + + + + + +\input font_bera_fnc \fontss +\section{\sixteenbf\fontss Bera Serif avec Fouriernc}{Bera Serif avec Fouriernc} +\sample +\ii Cette macro nous permet de taper du texte dans la police Bera serif et des math\'ematiques avec Fouriernc (utilis\'ee \`a l'origine avec New Century). La macro est d\'eclar\'ee en entrant l'instruction {\color{brown}\verbatim\input font_bera_fnc|endverbatim}. Celle-ci typographie le texte dans les fontes Bera serif du package \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/bera.html}{bera} de Walter Schmidt (bas\'e sur la police \href{http://www.fontsquirrel.com/fonts/Bitstream-Vera-Serif?q[term]=bitstream+vera&q[search_check]=Y}{Bitstream Vera serif} dessin\'ee par Jim Lyles de Bitstream Inc.) et les maths dans les fontes \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/fouriernc.html}{fouriernc} de Michael Zedler. Des d\'etails sur cette macro sont donn\'es dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_bera_fnc|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss \+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil fver8t &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil fveb8t &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil fncmii &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecire &\strut\vrule\strut\hfil fvmr8t &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil fncsy &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil fvebo8t &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil cmex10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil fvebo8t &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil fvero8t &\strut\vrule\kern1pt\vrule\strut\hfil Petites capitales &\strut\vrule\strut\hfil Non disponible &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil fvero8t &\strut\vrule\kern1pt\vrule\strut\hfil Petites capitales en gras &\strut\vrule\strut\hfil Non disponible &\cr \hrule +}\vrule}}\hrule}\hfil} + +\BlackBoxes + + + + + + +\input font_artemisia_euler \fontss +\section{\sixteenbf\fontss Artemisia avec Euler}{Artemisia avec Euler} +\sampleansi +\ii Cette macro nous permet de taper du texte dans la police GFS Artemisia et des maths avec Euler. La macro est déclarée en entrant l'instruction {\color{brown}\verbatim\input font_artemisia_euler|endverbatim}. Celle-ci typographie le texte dans les fontes d'Antonis Tsolomitis, George D.\ Matthiopoulos et de The Greek Font Society \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/gfsartemisia.html}{GFS Artemisia fonts}, et les maths dans les fontes \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/eulervm.html}{Euler-VM} de Walter Schmidt (basé sur la police Euler d'Hermann Zapf et la police CM de Knuth). Des détails sur cette macro sont donnés dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_artemisia_euler|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil artemisiarg8a &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil artemisiab8a &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil zeurm10 &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecire &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil zeusm10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil artemisiabi8a &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil zeuex10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil artemisiabo8a &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil artemisiai8a &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Petites capitales &\strut\vrule\strut\hfil artemisiasc8a &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil artemisiao8a &\strut\vrule\kern1pt\vrule\strut\hfil Petites capitales en gras &\strut\vrule\strut\hfil \emdash &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + + + + + + + + + + + + +\input font_libertine_kp \fontss +\UseAMSsymbols +\section{\sixteenbf\fontss Libertine avec Kp-Fonts}{Libertine avec Kp-Fonts} +\sampleansi +\ii Cette macro nous permet de taper du texte dans la police Linux-Libertine et des maths dans les polices Kp-Fonts. La macro est déclarée en entrant l'instruction {\color{brown}\verbatim\input font_libertine_kp|endverbatim}. Celle-ci typographie le texte dans les fontes \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/libertine.html}{Linux-Libertine} de Michael Niedermair et les maths dans celles de Chris\-tophe Caignaert, \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/kpfonts.html}{Kp-Fonts}. Les polices de cette macro fournissent leurs propres symboles {\caps ams}. Des détails sur cette macro sont donnés dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_libertine_kp|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil LinLibertineT-lf-ot1 &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil LinLibertineTZ-lf-ot1 &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil jkpmi &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecire &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil jkpsy &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil LinLibertineTZI-lf-ot1 &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil jkpex &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil LinLibertineTZI-lf-ot1 &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil LinLibertineTI-lf-ot1 &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Petites capitales &\strut\vrule\strut\hfil LinLibertineT-lf-sc-ot1 &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil LinLibertineTI-lf-ot1 &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Petites capitales en gras &\strut\vrule\strut\hfil LinLibertineTZ-lf-sc-ot1 &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + +\bs\ii Symboles {\eightrm AMS} associ\'es~: \circledR \ \yen \ $\blacksquare \ \approxeq \ \eqslantgtr \ \curlyeqprec \ \curlyeqsucc \ \preccurlyeq \ \leqq \ \leqslant \ \lessgtr \ \nless \ \nleq \ \nleqslant \ \Bbb R \ \Bbb E \ \Bbb C \ \dots$ + + + + + + +\input font_libertine_palatino \fontss +\UseAMSsymbols +\section{\sixteenbf\fontss Libertine avec Palatino}{Libertine avec Palatino} +\sampleansi +\ii Cette macro nous permet de taper du texte dans la police Linux-Libertine et des maths dans les fontes PX. Elle est déclarée en entrant l'instruction {\color{brown}\verbatim\input font_libertine_palatino|endverbatim}. Celle-ci typographie le texte dans les fontes \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/libertine.html}{Linux-Libertine} de Michael Niedermair et les maths dans celles de Young Ryu, \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/pxfonts.html}{pxfonts}, correspondant aux polices texte \href{http://www.myfonts.com/fonts/urw/palladio/} +{{\caps urw++} Palladio} dessinées par Herman Zapf. La police Palladio {\caps urw++} est basée sur la \href{http://new.myfonts.com/fonts/adobe/palatino/}{police Palatino} qui avait été conçue à l'origine par Hermann Zapf pour la fonderie Stempel en 1950. Les polices de cette macro fournissent leurs propres symboles {\caps ams}. Des détails sur cette macro sont donnés dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_libertine_palatino|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil LinLibertineT-lf-ot1 &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil LinLibertineTZ-lf-ot1 &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil pxmi &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecire &\strut\vrule\strut\hfil ly1-zi4r-1 &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil pxsy &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil LinLibertineTZI-lf-ot1 &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil pxex &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil LinLibertineTZI-lf-ot1 &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil LinLibertineTI-lf-ot1 &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Petites capitales &\strut\vrule\strut\hfil LinLibertineT-lf-sc-ot1 &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil LinLibertineTI-lf-ot1 &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Petites capitales en gras &\strut\vrule\strut\hfil LinLibertineTZ-lf-sc-ot1 &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + +\bs\ii Symboles {\eightrm AMS} associ\'es~: \circledR \ \yen \ $\blacksquare \ \approxeq \ \eqslantgtr \ \curlyeqprec \ \curlyeqsucc \ \preccurlyeq \ \leqq \ \leqslant \ \lessgtr \ \nless \ \nleq \ \nleqslant \ \Bbb R \ \Bbb E \ \Bbb C \ \dots$ + + + + + + + +\input font_libertine_times \fontss +\UseAMSsymbols +\section{\sixteenbf\fontss Libertine avec Times}{Libertine avec Times} +\sampleansi +\ii Cette macro nous permet de taper du texte dans la police Linux Libertine et des maths dans les fontes TX. La macro est déclarée en entrant l'instruction {\color{brown}\verbatim\input font_libertine_times|endverbatim}. Celle-ci typographie le texte dans les fontes \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/libertine.html}{Linux-Libertine} de Michael Niedermair et les maths dans celles de Young Ryu, \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/txfonts.html}{txfonts}, correspondant aux polices texte \href{http://new.myfonts.com/fonts/adobe/times/}{Adobe Times}. Les polices de cette macro fournissent leurs propres symboles {\caps ams}. Des détails sur cette macro sont donnés dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_libertine_times|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss + +\+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil LinLibertineT-lf-ot1 &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil LinLibertineTZ-lf-ot1 &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil txmi &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecire &\strut\vrule\strut\hfil cmtt10 &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil txsy &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil LinLibertineTZI-lf-ot1 &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil txex &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil LinLibertineTZI-lf-ot1 &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil LinLibertineTI-lf-ot1 &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Petites capitales &\strut\vrule\strut\hfil LinLibertineT-lf-sc-ot1 &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil LinLibertineTI-lf-ot1 &\strut\vrule\kern1pt\vrule\strut\hfil \eightcapsbf Petites capitales en gras &\strut\vrule\strut\hfil LinLibertineTZ-lf-sc-ot1 &\cr \hrule + + }\vrule}}\hrule}\hfil} + + \BlackBoxes + +\bs\ii Symboles {\eightrm AMS} associ\'es~: \circledR \ \yen \ $\blacksquare \ \approxeq \ \eqslantgtr \ \curlyeqprec \ \curlyeqsucc \ \preccurlyeq \ \leqq \ \leqslant \ \lessgtr \ \nless \ \nleq \ \nleqslant \ \Bbb R \ \Bbb E \ \Bbb C \ \dots$ + + + + + + + + + + + + + + + + + + + + + + + +\input font_concrete \fontss +\section{\fourteenrm Concrete}{Concrete} + + +{\hrule\vbox{\noindent\vrule\NoBlackBoxes\vbox{\vskip2mm\leftskip7mm\rightskip7mm +\noindent\underbar{Formule D'Euler}: La formule d'Euler, aussi connue sous le nom d'{identit\'e d'Euler}, nous dit que~: +$$e^{\imath x} =\cos(x) + \imath \sin(x), $$ +o\`u $\imath$~est {\sl l'unit\'e imaginaire}. + +On peut \'etendre la formule d'Euler \`a une s\'erie~: +$$\eqalign {e^{\imath x} +&= \sum_{n=0}^{\infty} {(\imath x)^n\over{n!}}\cr +&= \sum_{n=0}^{\infty}{(-1)^{n}x^{2n}\over (2n)!} + \imath\sum_1^{\infty}{(-1)^{n-1}x^{2n-1}\over(2n-1)!}\cr +&= \cos(x) + \imath\sin(x).\cr}$$ + +\bigskip\bigskip +\noindent\underbar{Th\'eor\`eme Int\'egral de Cauchy}: Si $f(z)$ est analytique et ses d\'eriv\'ees partielles continues sur une r\'egion~$R$ simplement connexe,~alors~: +$$\oint_\gamma f(z)\,dz = 0$$ +pour tout lacet rectifiable~$\gamma$ contenu int\'egralement dans~$R$.\vskip2mm +}\vrule}\hrule\BlackBoxes\bigskip\bigskip} + +\ii Cette macro nous permet de taper du texte et des maths dans la police \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/concrete.html}{Concrete} de Donald Knuth. Cette macro est d\'eclar\'ee en entrant l'instruction {\color{brown}\verbatim\input font_concrete|endverbatim}. La macro utilise le package de Jackowski, Ry\'cko et Bzyl \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/cc-pl.html}{cc-pl}, qui est bas\'e sur la police de Knuth, \href{http://www.tex.ac.uk/tex-archive/help/Catalogue/entries/concrete.html}{Concrete Roman}. Des d\'etails sur cette macro sont donn\'es dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_concrete|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss \+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil pcr10 &\strut\vrule\kern1pt\vrule\strut\hfil Gras &\strut\vrule\strut\hfil Non disponible &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil pcmi10 &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecire &\strut\vrule\strut\hfil cmtt10 &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil cmsy10 &\strut\vrule\kern1pt\vrule\strut\hfil Gras italique &\strut\vrule\strut\hfil Non disponible &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil cmex10 &\strut\vrule\kern1pt\vrule\strut\hfil Gras pench\'e &\strut\vrule\strut\hfil Non disponible &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil pcti10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Petites capitales &\strut\vrule\strut\hfil pccsc10 &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil pcsl10 &\strut\vrule\kern1pt\vrule\strut\hfil Petites capitales en gras &\strut\vrule\strut\hfil Non disponible &\cr \hrule +}\vrule}}\hrule}\hfil} + +\BlackBoxes + + + + + + + + +\input font_cm \fontss +\section{\sixteenbf\fontss Computer Modern}{Computer Modern} +\sample +\ii Cette macro nous permet de taper du texte dans la police Computer Modern (s\'erif). Bien que \capstex\ produit des documents par d\'efaut dans les polices Computer Modern de Donald Knuth, cette macro est fournie pour que l'utilisateur puisse utiliser les diff\'erentes tailles comme mentionn\'e dans ce document, et au cas o\`u la police principale de n'importe quel document \capstex\ document est autre que Computer Modern (ainsi, en utilisant cette macro, on peut changer la police en Computer Modern dans un groupe). La macro est d\'eclar\'ee en entrant l'instruction {\color{brown}\verbatim\input font_cm|endverbatim}. Des d\'etails sur cette macro sont donn\'es dans le tableau ci-dessous. +\bs +\hfil{Affectation de fonte pour la macro {\color{brown}\verbatim font_cm|endverbatim}}\hfil + +{\parindent=0pt\settabs4\columns\hfil\vbox{\hrule\hbox{\vrule\hbox{\vbox{\kern1pt\hrule\NoBlackBoxes \eightrm\fontss \+\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\strut\vrule\kern1pt\vrule\strut\hfil \textcolor{blue}{ Style} &\strut\vrule\strut\hfil \textcolor{blue}{ Nom de la fonte} &\cr \hrule +\+\hfil \eightrm Romain &\strut\vrule\strut\hfil cmr10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightbf Gras &\strut\vrule\strut\hfil cmbx10 &\cr \hrule +\+\hfil \eighti Maths italique &\strut\vrule\strut\hfil cmmi10 &\strut\vrule\kern1pt\vrule\strut\hfil \eighttt Machine \`a \'ecire &\strut\vrule\strut\hfil cmtt10 &\cr \hrule +\+\hfil \eightrm Symboles maths &\strut\vrule\strut\hfil cmsy10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightitbf Gras italique &\strut\vrule\strut\hfil cmbxti10 &\cr \hrule +\+\hfil \eightrm Extension maths &\strut\vrule\strut\hfil cmex10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightslbf Gras pench\'e &\strut\vrule\strut\hfil cmbxsl10 &\cr \hrule +\+\hfil \eightit Italique &\strut\vrule\strut\hfil cmti10 &\strut\vrule\kern1pt\vrule\strut\hfil \eightcaps Petites capitales &\strut\vrule\strut\hfil cmcsc10 &\cr \hrule +\+\hfil \eightsl Pench\'e &\strut\vrule\strut\hfil cmsl10 &\strut\vrule\kern1pt\vrule\strut\hfil Petites capitales en gras &\strut\vrule\strut\hfil Non disponible &\cr \hrule +}\vrule}}\hrule}\hfil} + +\BlackBoxes + + + + + + + + + +%%%%%%%%%% Styles et Tailles %%%%%%%%%% +\input font_charter \fontss +\section{Typefaces and Sizes}{Styles et Tailles} + +\ii Sont montr\'es ci-dessous diff\'erents styles et tailles propos\'es par mes macros. \bs\hrule\kern1pt\hrule\bs + + +{\obeylines +\rightline{Romain}\nopagebreak +{\twentyrm \fontss Ce texte est en taille 20\,pt.} +{\eighteenrm \fontss Ce texte est en taille 18\,pt.} +{\sixteenrm \fontss Ce texte est en taille 16\,pt.} +{\fourteenrm \fontss Ce texte est en taille 14\,pt.} +{\twelverm \fontss Ce texte est en taille 12\,pt.} +{\rm \fontss Ce texte est en taille 10\,pt.} +{\ninerm \fontss Ce texte est en taille 9\,pt.} +{\eightrm \fontss Ce texte est en taille 8\,pt.} +{\sevenrm \fontss Ce texte est en taille 7\,pt.} +{\sixrm \fontss Ce texte est en taille 6\,pt.} +{\fiverm \fontss Ce texte est en taille 5\,pt.} +\ + +\rightline{Italique}\nopagebreak +{\twentyit \fontss Ce texte est en taille 20\,pt.} +{\eighteenit \fontss Ce texte est en taille 18\,pt.} +{\sixteenit \fontss Ce texte est en taille 16\,pt.} +{\fourteenit \fontss Ce texte est en taille 14\,pt.} +{\twelveit \fontss Ce texte est en taille 12\,pt.} +{\it \fontss Ce texte est en taille 10\,pt.} +{\nineit \fontss Ce texte est en taille 9\,pt.} +{\eightit \fontss Ce texte est en taille 8\,pt.} +{\sevenit \fontss Ce texte est en taille 7\,pt.} +{\sixit \fontss Ce texte est en taille 6\,pt.} +{\fiveit \fontss Ce texte est en taille 5\,pt.} +\ + +\rightline{Pench\'e}\nopagebreak +{\twentysl \fontss Ce texte est en taille 20\,pt.} +{\eighteensl \fontss Ce texte est en taille 18\,pt.} +{\sixteensl \fontss Ce texte est en taille 16\,pt.} +{\fourteensl \fontss Ce texte est en taille 14\,pt.} +{\twelvesl \fontss Ce texte est en taille 12\,pt.} +{\sl \fontss Ce texte est en taille 10\,pt.} +{\ninesl \fontss Ce texte est en taille 9\,pt.} +{\eightsl \fontss Ce texte est en taille 8\,pt.} +{\sevensl \fontss Ce texte est en taille 7\,pt.} +{\sixsl \fontss Ce texte est en taille 6\,pt.} +{\fivesl \fontss Ce texte est en taille 5\,pt.} +\ + +\newpage +\rightline{Gras}\nopagebreak +{\twentybf \fontss Ce texte est en taille 20\,pt.} +{\eighteenbf \fontss Ce texte est en taille 18\,pt.} +{\sixteenbf \fontss Ce texte est en taille 16\,pt.} +{\fourteenbf \fontss Ce texte est en taille 14\,pt.} +{\twelvebf \fontss Ce texte est en taille 12\,pt.} +{\bf \fontss Ce texte est en taille 10\,pt.} +{\ninebf \fontss Ce texte est en taille 9\,pt.} +{\eightbf \fontss Ce texte est en taille 8\,pt.} +{\sevenbf \fontss Ce texte est en taille 7\,pt.} +{\sixbf \fontss Ce texte est en taille 6\,pt.} +{\fivebf \fontss Ce texte est en taille 5\,pt.} +\ + +\rightline{Gras italique}\nopagebreak +{\twentyitbf \fontss Ce texte est en taille 20\,pt.} +{\eighteenitbf \fontss Ce texte est en taille 18\,pt.} +{\sixteenitbf \fontss Ce texte est en taille 16\,pt.} +{\fourteenitbf \fontss Ce texte est en taille 14\,pt.} +{\twelveitbf \fontss Ce texte est en taille 12\,pt.} +{\itbf \fontss Ce texte est en taille 10\,pt.} +{\nineitbf \fontss Ce texte est en taille 9\,pt.} +{\eightitbf \fontss Ce texte est en taille 8\,pt.} +{\sevenitbf \fontss Ce texte est en taille 7\,pt.} +{\sixitbf \fontss Ce texte est en taille 6\,pt.} +{\fiveitbf \fontss Ce texte est en taille 5\,pt.} +\ + +\rightline{Gras pench\'e}\nopagebreak +{\twentyslbf \fontss Ce texte est en taille 20\,pt.} +{\eighteenslbf \fontss Ce texte est en taille 18\,pt.} +{\sixteenslbf \fontss Ce texte est en taille 16\,pt.} +{\fourteenslbf \fontss Ce texte est en taille 14\,pt.} +{\twelveslbf \fontss Ce texte est en taille 12\,pt.} +{\slbf \fontss Ce texte est en taille 10\,pt.} +{\nineslbf \fontss Ce texte est en taille 9\,pt.} +{\eightslbf \fontss Ce texte est en taille 8\,pt.} +{\sevenslbf \fontss Ce texte est en taille 7\,pt.} +{\sixslbf \fontss Ce texte est en taille 6\,pt.} +{\fiveslbf \fontss Ce texte est en taille 5\,pt.} +\ + +\rightline{Petites capitales}\nopagebreak +{\twentycaps \fontss Ce texte est en taille 20\,pt.} +{\eighteencaps \fontss Ce texte est en taille 18\,pt.} +{\sixteencaps \fontss Ce texte est en taille 16\,pt.} +{\fourteencaps \fontss Ce texte est en taille 14\,pt.} +{\twelvecaps \fontss Ce texte est en taille 12\,pt.} +{\caps \fontss Ce texte est en taille 10\,pt.} +{\ninecaps \fontss Ce texte est en taille 9\,pt.} +{\eightcaps \fontss Ce texte est en taille 8\,pt.} +{\sevencaps \fontss Ce texte est en taille 7\,pt.} +{\sixcaps \fontss Ce texte est en taille 6\,pt.} +{\fivecaps \fontss Ce texte est en taille 5\,pt.} + +\ + +\rightline{Petites capitales en gras}\nopagebreak +{\twentycapsbf \fontss Ce texte est en taille 20\,pt.} +{\eighteencapsbf \fontss Ce texte est en taille 18\,pt.} +{\sixteencapsbf \fontss Ce texte est en taille 16\,pt.} +{\fourteencapsbf \fontss Ce texte est en taille 14\,pt.} +{\twelvecapsbf \fontss Ce texte est en taille 112\,pt.} +{\capsbf \fontss Ce texte est en taille 10\,pt.} +{\ninecapsbf \fontss Ce texte est en taille 9\,pt.} +{\eightcapsbf \fontss Ce texte est en taille 8\,pt.} +{\sevencapsbf \fontss Ce texte est en taille 7\,pt.} +{\sixcapsbf \fontss Ce texte est en taille 6\,pt.} +{\fivecapsbf \fontss Ce texte est en taille 5\,pt.} +} + + + + + + + + + + + + + + +%%%%%%%%%% Espacement Interligne et Intermot %%%%%%%%%% +\section{Espacement Interligne et Intermot}{Espacement Interligne et Intermot} + +\ii Les caract\`eres \'etant chers au style typographique, leur arrangement l'est aussi. Bien s\^ur, la valeur de la signification et de l'utilit\'e du texte, qui tient m\^eme si les phrases ont \'et\'e gribouill\'ees, n'a pas de comparaison, mais il est de bon ton d'arranger un texte d'une jolie mani\`ere. Cette partie traite de deux caract\'eristiques pro\'eminentes dans la composition de texte, l'espacement interligne et intermot. + +Si l'on change la police texte \capstex, l'espacement interligne et intermot n'est pas modifi\'e en cons\'equence. Ce n'est pas un gros probl\`eme si on d\'eclare une nouvelle police \`a la m\^eme taille que la pr\'ec\'edente. Mais si la nouvelle police est d\'eclar\'ee \`a une taille consid\'erablement inf\'erieure ou sup\'erieure, la composition ne sera probablement pas (esth\'etiquement) \'el\'egante. + +Examinons ces probl\`emes d'espacement en commen\c cant par un exemple. Ensuite, une solution ``acceptable'' pour ce probl\`eme sera pr\'esent\'ee. Celle-ci n'est pas parfaite, mais elle est pratique et c'est un compromis tol\'erable. Puis nous nous dirigerons vers les aspects plus th\'eoriques de l'espacement. La discussion, plut\^ot br\`eve, pourra agir comme point de d\'epart dans la r\'e-\'evaluation de ``probl\`emes d'espace''. En ce qui concerne l'espacement des mots, le meilleur guide est l'exp\-\'erience. En essayant de justifier du texte~(12\,pt) dans des colonnes triples sur une page A4, on s'expose certainement \`a quelques difficult\'es. Plus la colonne est \'etroite, et plus la justification est s\'ev\`ere. Nous n'allons pas d\'elib\'erer sur des histoires de microtypographie (une approche distinctive qui traite beaucoup de probl\`emes d'espacement et qui peut \^etre utilis\'ee avec~pdf\capstex\ ). Les lecteurs curieux pourront se r\'ef\'erer \`a ces trois ouvrages~:~\cite{zapf_microtypography}, \cite{thanh_microtypographic}, et~\cite{text_justification}. + + +\subsection{Exemple}{Exemple}Un \'echantillon de fichier source \capstex\, montr\'e ci-dessous\dots + +\bigskip\hrule\vbox{\parindent=0pt\vrule\NoBlackBoxes\vbox{\vskip2mm\leftskip7mm\rightskip7mm +{\obeylines\parindent=0pt\color{brown}\verbatim +\parindent=0pt +\input font_century % la taille de la police est de 10pt +Les espacements interligne et intermot sont d'importants param\`etres de composition. Un texte compos\'e avec de jolis caract\`eres mais avec un ``mauvais'' espacement interligne et intermot ne pla\^\i t pas \`a l'\oe il. Attention \`a l'espace entre les lignes d'un paragraphe, et entre les mots d'une ligne. +\medskip + +\sixrm % modifie la taille de police en 6pt +Les espacements interligne et intermot sont d'importants param\`etres de composition. Un texte compos\'e avec de jolis caract\`eres mais avec un ``mauvais'' espacement interligne et intermot ne pla\^\i t pas \`a l'\oe il. Attention \`a l'espace entre les lignes d'un paragraphe, et entre les mots d'une ligne. +\medskip + +\eighteenrm % modifie la taille de police en 18pt +Les espacements interligne et intermot sont d'importants param\`etres de composition. Un texte compos\'e avec de jolis caract\`eres mais avec un ``mauvais'' espacement interligne et intermot ne pla\^\i t pas \`a l'\oe il. Attention \`a l'espace entre les lignes d'un paragraphe, et entre les mots d'une ligne.|endverbatim} +\vskip2mm}\vrule}\hrule\BlackBoxes\bigskip + +\nopagebreak\ii produira apr\`es compilation le r\'esultat suivant~: \nopagebreak + +\bigskip\hrule\vbox{\noindent\vrule\NoBlackBoxes\vbox{\vskip2mm\leftskip7mm\rightskip7mm +{\parindent=0pt +\input font_century +% la taille de la police est de 10pt +Les espacements interligne et intermot sont d'importants param\`etres de composition. Un texte compos\'e avec de jolis caract\`eres mais avec un ``mauvais'' espacement interligne et intermot ne pla\^\i t pas \`a l'\oe il. Attention \`a l'espace entre les lignes d'un paragraphe, et entre les mots d'une ligne. +\medskip +\sixrm % modifie la taille de police en 6pt +Les espacements interligne et intermot sont d'importants param\`etres de composition. Un texte compos\'e avec de jolis caract\`eres mais avec un ``mauvais'' espacement interligne et intermot ne pla\^\i t pas \`a l'\oe il. Attention \`a l'espace entre les lignes d'un paragraphe, et entre les mots d'une ligne. +\medskip +\eighteenrm % modifie la taille de police en 18pt +Les espacements interligne et intermot sont d'importants param\`etres de composition. Un texte compos\'e avec de jolis caract\`eres mais avec un ``mauvais'' espacement interligne et intermot ne pla\^\i t pas \`a l'\oe il. Attention \`a l'espace entre les lignes d'un paragraphe, et entre les mots d'une ligne.} +\vskip2mm}\vrule}\hrule\BlackBoxes\bigskip\bigskip + + +\ii Au final, on remarque que les espacements interligne et intermot sont ad\'equats lorsque la taille de la police est de 10\,pt. Dans un texte en 6\,pt, l'espace interligne est trop important et l'espace intermot plus grand que n\'ecessaire. Dans un texte en 18\,pt, \`a la fois l'espace interligne et l'espace intermot sont moindres. C'est parce que \capstex\ fonctionne encore avec les valeurs d'espacement par d\'efaut, qui sont d\'eclar\'ees pour des tailles de police de 10\,pt. Pour y rem\'edier, \capstex\ offre deux primitives de contr\^ole tr\`es utiles~(\cite{knuth_texbook}, pages~76 et 78), qui sont~:\ms +{\color{brown}\verbatim \spaceskip|endverbatim} pour contr\^oler l'espace intermot, et + +{\color{brown}\verbatim \baselineskip|endverbatim} pour contr\^oler l'espace interligne. + + + + +\definexref{solution}{solution}{} +\subsection{Une Solution Ais\'ee}{Une Solution Aisee}Ici je pr\'esente une technique que j'utilise pour r\'esoudre des probl\`emes d'espacement quand j'utilise diff\'erentes polices \`a diff\'erentes tailles. Ecrivons une nouvelle d\'efinition appel\'ee~{\color{brown}\verbatim \fontspacing|endverbatim}.\ms + +\ii {\color{brown}\verbatim\def\fontspacing{\baselineskip=2.8ex plus0pt minus0pt + \spaceskip=0.333333em plus0.122222em minus0.0999999em}|endverbatim}\sk + \def\fontspacing{\baselineskip=2.8ex plus0pt minus0pt + \spaceskip=0.333333em plus0.122222em minus0.0999999em} + +\ii Les unit\'es {\sl ex\/} et {\sl em\/} sont relatives~(\cite{knuth_texbook}, page~60). Cela rend notre d\'efinition plus g\'en\'erale.\ms + +{\sl em\/} est la largeur d'un cadratin (caract\`ere carr\'e dont la chasse et le corps ont la m\^eme +valeur) dans la police courante, + +{\sl ex\/} est la hauteur d'x (hauteur des bas de casse) de la police courante.\sk + +\ii D\'eclarer {\color{brown}\verbatim \fontspacing|endverbatim} va fixer notre espace interligne \`a 2.8ex~(=~12.05553\,pt si la police {\verbatim cmr10|endverbatim} \`a 10\,pt est utilis\'ee), sans aucune {\sl \'etirabilit\'e\/}~(donn\'e apr\`es {\sl plus\/}) ou {\sl contractibilit\'e}~(donn\'e apr\`es {\sl minus\/}). {\color{brown}\verbatim \fontspacing|endverbatim} fixe \'egalement l'espace intermot \`a 0.333333\,em, avec 0.122222\,em d'\'etirabilit\'e et 0.0999999\,em de contractibilit\'e autoris\'ees. Pour la police {\verbatim cmr10|endverbatim}, ces valeurs (d\'efaut) sont 3.33333\,pt, 1.66666\,pt, et 1.11111\,pt, respectivement. + +Essayons d'utiliser {\color{brown}\verbatim \fontspacing|endverbatim} dans l'exemple donn\'e au d\'ebut de ce chapitre. Ci-dessous un exemple de source \capstex~: + + +\newpage + +\bigskip\hrule\vbox{\noindent\vrule\NoBlackBoxes\vbox{\vskip2mm\leftskip7mm\rightskip7mm +{\obeylines\parindent=0pt\color{brown} +\verbatim +\parindent=0pt +\input font_century % the font size is 10pt +\fontspacing % \baselineskip and \spaceskip are set accordingly +Les espacements interligne et intermot sont d'importants param\`etres de composition. Un texte compos\'e avec de jolis caract\`eres mais avec un ``mauvais'' espacement interligne et intermot ne pla\^\i t pas \`a l'\oe il. Attention \`a l'espace entre les lignes d'un paragraphe, et entre les mots d'une ligne. +\medskip +\sixrm % changes the font size to 6pt +\fontspacing % \baselineskip and \spaceskip are set accordingly +Les espacements interligne et intermot sont d'importants param\`etres de composition. Un texte compos\'e avec de jolis caract\`eres mais avec un ``mauvais'' espacement interligne et intermot ne pla\^\i t pas \`a l'\oe il. Attention \`a l'espace entre les lignes d'un paragraphe, et entre les mots d'une ligne. +\medskip +\eighteenrm % changes the font size to 18pt +\fontspacing % \baselineskip and \spaceskip are set accordingly +Les espacements interligne et intermot sont d'importants param\`etres de composition. Un texte compos\'e avec de jolis caract\`eres mais avec un ``mauvais'' espacement interligne et intermot ne pla\^\i t pas \`a l'\oe il. Attention \`a l'espace entre les lignes d'un paragraphe, et entre les mots d'une ligne.|endverbatim} +\vskip2mm}\vrule}\hrule\BlackBoxes\bigskip + + +\nopagebreak\ii \nopagebreak\ii produira apr\`es compilation le r\'esultat suivant~:\nopagebreak + + +\bigskip\hrule\vbox{\noindent\vrule\NoBlackBoxes\vbox{\vskip2mm\leftskip7mm\rightskip7mm +{\parindent=0pt +\input font_century % the font size is 10pt +\fontspacing % \baselineskip and \spaceskip are set accordingly +Les espacements interligne et intermot sont d'importants param\`etres de composition. Un texte compos\'e avec de jolis caract\`eres mais avec un ``mauvais'' espacement interligne et intermot ne pla\^\i t pas \`a l'\oe il. Attention \`a l'espace entre les lignes d'un paragraphe, et entre les mots d'une ligne. +\medskip +\sixrm % changes the font size to 6pt +\fontspacing % \baselineskip and \spaceskip are set accordingly +Les espacements interligne et intermot sont d'importants param\`etres de composition. Un texte compos\'e avec de jolis caract\`eres mais avec un ``mauvais'' espacement interligne et intermot ne pla\^\i t pas \`a l'\oe il. Attention \`a l'espace entre les lignes d'un paragraphe, et entre les mots d'une ligne. +\medskip +\eighteenrm % changes the font size to 18pt +\fontspacing % \baselineskip and \spaceskip are set accordingly +Les espacements interligne et intermot sont d'importants param\`etres de composition. Un texte compos\'e avec de jolis caract\`eres mais avec un ``mauvais'' espacement interligne et intermot ne pla\^\i t pas \`a l'\oe il. Attention \`a l'espace entre les lignes d'un paragraphe, et entre les mots d'une ligne.} +\vskip2mm}\vrule}\hrule\BlackBoxes\bigskip\bigskip + +En utilisant les primitives de contr\^ole {\color{brown}\verbatim \spaceskip|endverbatim} et {\color{brown}\verbatim \baselineskip|endverbatim}, qui peuvent \^etre d\'eclar\'ees presque n'importe o\`u, nous obtenons l'espacement d\'esir\'e. Pour plus de d\'etails sur l'espacement, vous pouvez vous r\'ef\'erer \`a~\cite{knuth_texbook}. + + +\subsection{Espacement id\'eal ?}{Espacement ideal ?}C'est un fait bien connu que les espacements interligne et intermot sont des aspects essentiels d'une bonne typographie. On appelle aussi l'espace interligne {\sl interlignage}, {\sl espace ligne}, ou encore {\sl espace interlin\'eaire}. L'espace intermot est aussi connu sous le nom d'{\sl espace mot}, ou {\sl interlettrage}. Quelles sont les ``meilleures'' valeurs pour les espaces interligne et intermot ? Bien s\^ur, il n'existe pas de r\'eponse en une ligne \`a cette question. C'est subjectif; ce qui est optimal pour l'un para\^\i tra mauvais pour l'autre. + +On peut d\'ej\`a noter que l'espacement est certainement d\'ependent de la taille de la fonte. Des fontes de taille plus \'elev\'ees demandent un espacement diff\'erent de celles de tailles moyennes ou de tailles plus petites. Aussi, l'espacement (interligne et intermot) n'est pas directement ou inversement proportionnel \`a la taille des caract\`eres, bien que cela peuve servir de bonne approximation; dans notre \ref{solution} nous avons utilis\'e ce concept de proportionnalit\'e. Diff\'erents styles de caract\`eres auront besoin d'espacements diff\'erents. Le support de repr\'esentation influe aussi les valeurs d'espacement (un texte sur du papier est bien diff\'erent d'un texte sur un \'ecran d'ordinateur ou d'un diaporama projet\'e). Les exigences d'espacement varient si le texte est sur une seule ligne et sera lu en un coup d'\oe il (tels que les listes de noms), ou si la lecture est continue (tel que ce paragraphe). + +Recentrons la discussion en ne consid\'erant que le cas le plus courant, c'est-\`a-dire le texte normal; celui des livres, romans et magazines. Dans ce cas, le texte est con\c cu pour une lecture continue. M\^eme dans ce cas, pour une police donn\'ee, les exigences en terme d'espacement d\'ependent de la largeur du texte. Un texte de largeur 15\,cm devra \^etre typographi\'e avec diff\'erents param\`etres d'espacement qu'un texte de seulement 6\,cm de largeur, par exemple pour une colonne dans une page multicolonne. Mais ceci est pour une autre fois. Pour l'instant, nous allons nous concentrer sur le cas g\'en\'eral (du texte normal et continu, principalement en taille 10 \`a 14\,pt), et ainsi traiter s\'epar\'ement de l'espace interligne et de l'espace intermot. + +\subsubsection{Espace Intermot} +Commen\c cons avec les r\`egles de composition de texte de \href{http://www.linotype.com/794/inhonorofthe100thbirthdayofjantschichold.html}{Jan Tschichold}, qui font partie des +\href{http://openlibrary.org/books/OL19449256M/Penguin_composition_rules.}{R\`egles de composition des livres Penguin Books}, compilation des id\'ees de Tschichold. On peut les trouver \href{http://ronin-group.org/misc_etext_tschichold.html}{ici}. Il est mentionn\'e que, pour la composition d'un texte~: +\sk{\sl +\itemitem{1.}Toute composition de texte devra avoir des mots aussi rapproch\'es que possible. Comme r\`egle, l'espacement devrait \^etre un espace moyen ou l'\'epaisseur du i dans la taille de texte utilis\'ee.\sk +\itemitem{2.}De larges espaces devront \^etre strictement \'evit\'es. Les mots seront coup\'es librement lorsque n\'ecessaire afin d'\'eviter de grands espaces, puisque la c\'esure fait moins de d\'eg\^ats dans l'apparence de la page que trop d'espace entre les mots.\sk +\itemitem{3.}Toute ponctuation majeure du texte (point, virgule, point-virgule et double point) devra \^etre suivie par le m\^eme espacement que celui utilis\'e sur le reste de la ligne.\ms} + +\ii Il n'y a pas de r\`egles du jeu rigides. \href{http://www.typotheque.com/authors/robert_bringhurst}{Robert Bringhurst} \'ecrit, dans son livre influent~(\cite{elements_typographic}): +\quote{Pour un texte normal dans une taille normale, la valeur typique pour l'espace intermot est un quart d'em, ce qu'on peut \'ecrire M/4. Un quart d'em est g\'en\'eralement identique \`a, ou l\'eg\`erement plus que, la largeur de la lettre t.} + +\ii L'espace intermot optimal~(sans \'etirement ou contraction) dans la police r\'eguli\`ere \capstex\ par d\'efaut (\hfuzz4pt{\verbatim cmr10|endverbatim} en 10\,pt) est de 3.33333\,pt. La largeur de la lettre i de {\verbatim cmr10|endverbatim} en 10\,pt est de 2.77779\,pt et celle de la lettre t est de 3.8889\,pt. Un quart d'em de {\verbatim cmr10|endverbatim} en 10\,pt est de 2.5\,pt. Une petite manipulation de l'espace intermot, de son \'etirabilit\'e ou contractibilit\'e, peuvent conduire \`a des changements plut\^ot apparents. + +\hfuzz1pt + +Id\'ealement, l'espacement intermot devrait \^etre constant tout au long du texte, ce qui est impossible d'obtenir avec un texte justifi\'e. L'\'etirement et la contraction de l'espace intermot ainsi que la c\'esure des mots ont leurs limites. Certains seraient d'accord avec Tschichold et opteraient pour plus de c\'esures et un espace intermot moins flexible pour maintenir une meilleure coloration de page, alors que d'autres diraient qu'un nombre de c\'esures excessif emp\^eche de lire correctement, et mettraient ainsi en place un espacement intermot plus large et flexible, ce qui pourrait conduire \`a des rivi\`eres. Au fil des ans, l'espace intermot s'est \'elargi, ou peut-\^etre qu'il est trop d\'ependent du langage, ou encore le manque de papier \'etait un probl\`eme par le pass\'e~: comparez l'espace intermot dans \href{http://burton.byu.edu/Bible\%20Site/Gutenberg.htm}{La Bible de Gutenberg}, connue pour son excellente typographie, et le livre de Knuth~\cite{knuth_texbook}, ouvrage typographi\'e avec \'el\'egance. + +Dans ce livre~\cite{knuth_texbook}, Knuth demande \`a \capstex\ de mettre plus d'espace apr\`es les points, les virgules, les points-virgules, les doubles points, les points d'interrogation et d'exclamation. Plain~\capstex\ le ferait par d\'efaut sauf si la commande {\color{brown}\verbatim \frenchspacing|endverbatim} \'etait donn\'ee. Tschichold pr\'econise au contraire de ne pas donner autant d'espace suppl\'ementaire. Dans ce document, j'ai utilis\'e la commande {\color{brown}\verbatim \frenchspacing|endverbatim} car le texte mis en forme semblait ainsi avoir une coloration uniforme sans blocs blancs ou rivi\`eres. Mais quand j'\'ecris un rapport scientifique ou une th\`ese, qui contiennent des math\'ematiques, symboles, variables, etc., je pr\'ef\`ere la mani\`ere de Knuth, qui donne plus d'espace apr\`es la ponctuation (je pense que cela rend le texte plus lisible et plus facile \`a comprendre). Pour des colonnes multiples avec une taille de texte normale sur du A4 ou une feuille taille lettre, mon exp\'erience sugg\`ere que l'espace suppl\'ementaire apr\`es la ponctuation conduit \`a des rivi\`eres et des blocs blancs. + +Diff\'erentes polices n\'ecessitent diff\'erents espaces intermot. Bitstream Charter, la police actuel\-le\-ment utilis\'ee, peut supporter un espacement intermot moindre et plus rigide (et donne m\^eme un meilleur rendu) que la police Computer Modern. Pour une typographie ``au top'', il faudra modifier l'espacement intermot en fonction de l'usage de telle ou telle police. + +Le livre ~\cite{elements_typographic} mentionne une valeur ``raisonnable'' de l'espace intermot, accompagn\'ee de valeurs \'etir\'ees et r\'etr\'ecies. Traduit en langage \capstex, cela devient~: {\color{brown}\verbatim \spaceskip=0.25em plus0.08em minus0.05em|endverbatim}. Essayez-les pour voir les diff\'erents effets. Cela remplit-il la page de bo\^\i tes noires ? Quel effet sur la c\'esure ? Et si l'on utilise des colonnes multiples ? + +Notre discussion sur l'espace intermot se conclut avec la phrase~: {\sl Il n'y a pas de param\`etres id\'eaux ou parfaits ou meilleurs que d'autres pour l'espacement intermot}. Nous sommes juges de notre propre travail, et raffiner sa capacit\'e de jugement vient avec l'exp\'erience, donc allons voir ce qui suit. + +\subsubsection{Espace Interligne} +Il est normalement facile de g\'erer l'espace interligne, sauf si la ligne est veuve (club line). Pour du texte de taille normale, l'espace interligne a g\'en\'eralement 0\endash 4\,pt de plus que la taille des caract\`eres en points. Ce document est principalement en police {\verbatim mdbchr7t|endverbatim} en 10\,pt, avec un espace interligne de {\tt\the\baselineskip}, et, pour le grossissement global, j'ai utilis\'e {\verbatim \magnification=1100|endverbatim}. + +Sur une page, disons A4, et pour n'importe quelle police, on peut accepter d'avoir un espace interligne plus restreint lorsqu'on utilise des colonnes multiples. Le regard ne perd pas la ligne et il est ais\'e de sauter \`a la ligne suivante lorsque la largeur de la colonne est moindre, par exemple environ~6\,cm. Plusieurs d\'efis tels que la composition de grilles ou les lignes veuves ponctuent le domaine de l'espacement interligne, mais nous n'allons pas en parler ici. Quant \`a l'instruction \TeX\ {\color{brown}\verbatim \baselineskip|endverbatim}, nous en avons d\'ej\`a touch\'e un mot, et pour en savoir plus, vous pouvez vous r\'ef\'erer \`a \cite{knuth_texbook} et~\cite{against_widows}. + + + +%%%%%%%%%% Remerciements %%%%%%%%%% +\section{Remerciements}{Remerciements} + +\bs + +\ii Je remercie Donald~E.\;Knuth du fond du c\oe ur de nous avoir donn\'e \capstex, le meilleur programme de mise en forme \`a ce jour, et qui a r\'eussi \`a l'\'epreuve du temps. J'\'eprouve \'egalement de la gratitude envers nos chers utilisateurs \capstex\ qui ont contribu\'e \`a l'am\'elioration de \capstex\ en donnant plus de latitude \`a ses fonctionalit\'es libres. Les concepteurs des polices et packages que j'ai utilis\'es font partie de ces chers utilisateurs. Je suis reconnaissant envers Petr Habala pour m'avoir initi\'e \`a \capstex; \`a ma famille pour leur amour et soutien indispensable. Je remercie ma femme, Daphne, pour avoir particip\'e aux discussions sur la typographie et pour sa compr\'ehension. Il y a tellement de facteurs que je suis incapable de prendre en compte qu'\`a la fin, mais par dessus tout, je dis~: ``Merci~{\dev~:}.'' + + + + + + + + + + + +%%%%%%%%%% R\'ef\'erences %%%%%%%%%% +\section{R\'ef\'erences\raise3mm\hbox{\bf 2}}{References} + +\nocite{habala_amstex}\nocite{knuth_texbook}\nocite{fonts_tex_latex}\nocite{elements_typographic} + +\bibliography{C:/bib} + +\bibliographystyle{ieeetran} + + +\vskip7.5cm\hrule width 5.70truecm\kern2mm\eightrm\fontss +\hbox{ \raise1.2mm\hbox{\ \ \ 2}\ \; Le lecteur a \'et\'e renvoy\'e \`a la plupart des r\'ef\'erences (non list\'ees sur cette page) par des hyperliens} +\hbox{\ \ \ \ \ \ \ \ donn\'es dans ce document {\caps pdf}.} + + + + + + + + + + + + + + + + + + + + + +\special{pdf: docinfo << /Author (Daphne Parramon-Dhawan) +/Title (Macros de changement des polices Texte et Maths en TeX) +/Creator(XeTeX: Bas\'e sur TeX---Le G\'enie de Knuth) +/Subject(Polices Texte et Maths en TeX) +/Keywords(TeX, gratuit, polices, fontes, typographie, fonte math\'ematique, texte, polices math\'ematiques, font-change, Charter, Utopia, Century, Palatino, Bookman, Times, Euler, Bera, Arev, Vera, Iwona, Kurier, Kp-Fonts, Antykwa Torunska, Libertine, Epigrafica, Computer Modern Bright, CM Bright, Computer Modern, Concrete, macro, macros)>>} + +\special{pdf: docview <</PageMode /UseOutlines>> } + + + + + + + + + + + + + + + +\bye + + + + + + + |