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+\documentstyle[array,ltugboat]{article}
+% I used ltugboat.sty v1.02
+
+%************************************************************************
+% TUGboat editorial macros
+\def\showpart#1{%
+ \expandafter\def\csname **#1\expandafter\endcsname\space{}
+ \expandafter\def\csname **end #1\expandafter\endcsname\space{}
+ }
+\def\noshowpart#1{%
+ \long\expandafter\def\csname **#1\expandafter\endcsname\space##1\TUBedit##2 {}}
+\def\TUBedit#1{\csname**#1\endcsname}
+\noshowpart{author}
+\showpart{editor}
+\noshowpart{change summary}
+%************************************************************************
+
+\TUBedit{change summary}
+1. Capitalization in title and heads.
+2. Some spelling and grammatical changes.
+3. \makesignature used.
+4. Placement of Table 2 so as to be typeset on final page
+\TUBedit{end change summary}
+%%JK
+\noshowpart{last change summary}
+\TUBedit{last change summary}
+1. Changed postal address because of new german ZIP codes
+2. Introduced italic font to show examples
+3. Exhibited a scharfes s
+\TUBedit{end last change summary}
+%%/JK
+
+
+\TUBedit{author}
+\title{Fonts for Africa: The fc-fonts}
+\TUBedit{end author}
+%
+\TUBedit{editor}
+% remove hyphen, add cap
+\title{Fonts for Africa: The fc Fonts}
+\TUBedit{end editor}
+
+\TUBedit{author}
+\author{J\"org Knappen\\
+ Chair of the TWG on african languages with latin writing\\
+ Institut f\"ur Kernphysik\\
+ Postfach 39 80\\
+ D-W 6500 Mainz\\
+ R. F. A.\\
+ {\tt knappen@vkpmzd.kph.uni-mainz.de}}
+\signature{J\"org Knappen}
+\TUBedit{end author}
+%
+\TUBedit{editor}
+% At least the address information should go to the bottom of
+% the article where the signature is placed. Should we keep the
+% chairmanship up top?
+%%JK: I think so.
+%%/JK
+\author{J\"org Knappen\\
+ Chair of the TWG on African Languages with Latin Writing}
+\address{Institut f\"ur Kernphysik\\
+%%JK Postfach 39 80\\
+%%JK D-W 6500 Mainz\\
+%%JK New ZIP code, no Postfach any more:
+ D 55 099 Mainz\\
+%%/JK
+ R. F. A.}
+\netaddress{knappen@vkpmzd.kph.uni-mainz.de}
+\TUBedit{end editor}
+\begin{document}
+\maketitle
+\setlength{\extrarowheight}{2pt}
+%
+{% Begin a group to keep things local
+\font\fc=fcr10 % You can get the fc fonts from ftp.uni-stuttgart.de
+\def\FC#1{{\fc\char"#1}} % The argument is an uppercase hex number
+\font\sstt=fcsstt10
+%%JK Add fc italic font:
+\font\fci=fci10
+%%/JK
+%
+\font\logo=logo10
+\def\MF{{\logo META}\-{\logo FONT}}
+%
+\font\cyr=wncyr10
+%
+\makeatletter
+\input fcuse.sty % Available from ftp.uni-stuttgart.de
+\makeatother
+%
+\begin{abstract}
+\TUBedit{author}
+A font (fc) with 256 characters for the needs of african languages with latin
+\TUBedit{end author}
+%
+\TUBedit{editor}
+% At one time, I recommended changing `africa/n' to `Africa/n' throughout,
+% but I gather that this is consistent with `european', `german, `french',
+% etc. and we should just regard this as a matter of style left to the
+% author.
+A font (fc) with 256 characters for the needs of african languages with latin
+\TUBedit{end editor}
+writing is presented. The so-called critical languages with more than
+\TUBedit{author}
+1~mio\ speakers are supported. It is implemented in \MF\ using Sauter's
+\TUBedit{end author}
+%
+\TUBedit{editor}
+% I'm not that familiar with the term `mio', although I suppose it's a
+% contraction for `million'. Is this just American ignorance? If so,
+% we can leave it here; otherwise I would prefer to use the more standard
+% `million'. We should also be consistent with respect to the terminating
+% period. None occurs here, but there is one where `mio' is next used.
+1~mio\ speakers are supported. It is implemented in \MF\ using Sauter's
+\TUBedit{end editor}
+tools for the parametrisation.
+\end{abstract}
+%
+\TUBedit{author}
+\renewcommand{\abstractname}{Zusammenfassung}
+\begin{abstract}
+Ein Zeichensatz (fc) mit 256 Zeichen, der zum Satz afrikanischer Sprachen mit
+lateinischer Schrift entwickelt worden ist, wird vorgestellt. Er
+unterst\"utzt die sog.\ kritischen Sprachen in Afrika mit mehr als 1~Mio.\ %
+Sprechern. Die Implementierung der fc-Zeichensatzfamilie geschieht in \MF\ %
+unter Ausnutzung der Sauter'schen Parametrisierungen.
+\end{abstract}
+\TUBedit{end author}
+%
+\TUBedit{editor}
+% comment out for TUGboat
+%\renewcommand{\abstractname}{Zusammenfassung}
+%\begin{abstract}
+%Ein Zeichensatz (fc) mit 256 Zeichen, der zum Satz afrikanischer Sprachen mit
+%lateinischer Schrift entwickelt worden ist, wird vorgestellt. Er
+%unterst\"utzt die sog.\ kritischen Sprachen in Afrika mit mehr als 1~Mio.\ %
+%Sprechern. Die Implementierung der fc-Zeichensatzfamilie geschieht in \MF\ %
+%unter Ausnutzung der Sauter'schen Parametrisierungen.
+%\end{abstract}
+\TUBedit{end editor}
+%
+%
+\section*{Introduction}
+On the continent of africa, several hundred different languages are spoken,
+\TUBedit{author}
+the numbers of speakers range from more than 100~mio.\ down to few
+\TUBedit{end author}
+%
+\TUBedit{editor}
+% grammatical adjustment
+the numbers of speakers of each ranging from more than 100~mio.\ down to few
+\TUBedit{end editor}
+hundreds. Many languages do not have a written form, other language have
+\TUBedit{author}
+some written form, but it is not standardised yet. Or even worse: There
+\TUBedit{end author}
+%
+\TUBedit{editor}
+% lowercase after :
+some written form, but it is not standardised yet. Or even worse: there
+\TUBedit{end editor}
+exists more than one writing system for the same language (e.g.~protestant
+and catholic orthography). Clearly, it was impossible to check out all
+writing systems of all possible languages. This work confines itself to the
+so-called `critical languages' according to a definition of the US
+\TUBedit{author}
+department of education in 1986. All these languages have more than 1~mio.\ %
+\TUBedit{end author}
+%
+\TUBedit{editor}
+% capitalize DoE
+Department of Education in 1986. All these languages have more than 1~mio.\ %
+\TUBedit{end editor}
+speakers.
+
+\TUBedit{author}
+On the continent of africa, three main writing systems are in use:
+\TUBedit{end author}
+%
+\TUBedit{editor}
+% Since the previous paragraph also begins with `On the continent ...',
+% let's modify a little. Perhaps:
+%%JK Good idea. Let's noindent it, as you have done it further down
+\noindent
+%%/JK
+Three main writing systems are in use in Africa:
+\TUBedit{end editor}
+\begin{itemize}
+\item {\it {\ae}thiopian} writing, used for several languages in
+ {\AE}thiopia and Eritrea.
+\item {\it arabic} writing, used in northern africa and on the east coast
+\TUBedit{author}
+ for several languages. It is now loosing ground against latin writing,
+\TUBedit{end author}
+%
+\TUBedit{editor}
+% `loosing' -> `losing' and `,' -> `;'
+ for several languages. It is now losing ground against latin writing;
+\TUBedit{end editor}
+ languages like suaheli and hausa are now mainly written in latin.
+\item {\it latin} writing is now being introduced or established in the
+ rest of africa.
+\end{itemize}
+In this overview, I want to mention also some other writing systems.
+The Tuareg
+living in the sahara use the over 2,000 years old {\em tifinagh} writing
+\TUBedit{author}
+system, a right-to-left writing, the Kopts in {\AE}gypt still use
+\TUBedit{end author}
+%
+\TUBedit{editor}
+% `,' -> `;'
+system, a right-to-left writing; the Kopts in {\AE}gypt still use
+\TUBedit{end editor}
+{\em koptic} for religious purposes.
+
+An interesting development was the invention of a somali alphabet by
+Osman Yusuf, which combined influences from the three major writing systems,
+but this system did not achieve official status in Somalia.
+
+The introduction of latin writing was first done by missionaries, who
+invented orthographies quite arbitrarily. But since the first half of this
+\TUBedit{author}
+century, there are attempts to standardise the newly introduced alphabets.
+\TUBedit{end author}
+%
+\TUBedit{editor}
+% `are' -> `have been'
+century, there have been
+attempts to standardise the newly introduced alphabets.
+\TUBedit{end editor}
+
+As a result of these attempts, an `african reference alphabet' emerged,
+based on the principle of {\em one sound, one sign} which is also the
+principle of the international phonetic alphabet. There are many borrowings
+from the phonetic alphabet in african writing. These efforts are now
+coordinated by the {\sc UNESCO}.
+
+\TUBedit{author}
+\section*{The fc fonts}
+\TUBedit{end author}
+%
+\TUBedit{editor}
+% capitalize `fonts'
+\section*{The fc Fonts}
+\TUBedit{end editor}
+The fc font encoding scheme encodes characters necessary to typeset the
+major african languages with latin writing. In selecting these languages, I
+followed the list of so-called critical languages. Unfortunately, it proved
+impossible to put really all characters into one 256-character font.
+Therefore, I applied the following selection rules:
+\begin{itemize}
+\item The standard \TeX\ character set is still available.
+\item Characters with entirely new shapes are included with highest
+ priority.
+\item Characters which need another accent in some languages have the
+ second highest priority.
+\item Characters which are difficult to handle by TeX macros are preferred
+ over those which are easier to handle (e.g. characters with diacritic
+\TUBedit{author}
+ below are prefered to those with diacritics above).
+\TUBedit{end author}
+%
+\TUBedit{editor}
+% `prefered' -> `preferred'
+ below are preferred to those with diacritics above).
+\TUBedit{end editor}
+\TUBedit{author}
+\item Characters which occur only in tonal languages and are carrying a
+ tonal mark, are most likely discarded.
+\TUBedit{end author}
+%
+\TUBedit{editor}
+% `are carrying' -> `carry'
+\item Characters which occur only in tonal languages and carry a
+ tonal mark, are most likely discarded.
+\TUBedit{end editor}
+\end{itemize}
+
+\TUBedit{editor}
+% To accentuate the regular text as opposed to the surrounding lists.
+\noindent
+\TUBedit{end editor}
+The fc fonts have several other interesting features some of which I list
+here:
+\begin{itemize}
+\item The lower half of the fc encoding scheme is identical to the Cork
+ (or ec) encoding scheme for european languages.
+\item If a character occurs both in the fc scheme and in the Cork scheme,
+ it has the same encoding.
+\item The difference between uppercase and the corresponding
+ lowercase character is a constant.
+\item It is possible to create virtual fonts to obtain all those
+ characters of tonal languages which needed to be discarded.
+\item It is possible to rebuild the cm fonts and the ec fonts as virtual
+ fonts from the fc fonts. In the latter case three letters are missing
+ (edh, thorn and Thorn) and cannot be done without larger loss in
+ quality. Of course, there are smaller quality losses in building
+ such a virtual font, e.g.~for \^\i, where the \^{}-accent comes out
+ too wide.
+\end{itemize}
+
+\TUBedit{editor}
+% Again to accentuate the regular text.
+\noindent
+\TUBedit{end editor}
+The following languages are supported (with the proviso about tones made
+above): Akan, Bamileke, Basa (Kru), Bemba, Ciokwe, Dinka, Dholuo (Luo), Efik,
+ Ewe-Fon, Fulani (Fulful), G\~a, Gbaya, Hausa, \d{I}gb\d{o}, Kanuri, Kikuyu,
+ Kikongo, Kpelle, Krio, Luba, Mandekan (Bambara), Mende, More, Ngala,
+ Nyanja, Oromo, Rundi, Kinya Rwanda, Sango, Serer, Shona, Somali, Songhai,
+ Sotho (two different writing systems), Suaheli, Tiv, Yao, Yoruba, Xhosa,
+ and Zulu.
+
+ I decided to support two european languages, which are not covered by the
+\TUBedit{author}
+ EC-scheme,
+\TUBedit{end author}
+%
+\TUBedit{editor}
+% Elsewhere we use lowercase for ec and fc.
+ ec-scheme,
+\TUBedit{end editor}
+namely Maltese and Sami\footnote{The Cork scheme includes the
+\TUBedit{author}
+letter eng ({\fc+n}) especially for Sami, but it missed the letter t with bar
+\TUBedit{end author}
+%
+\TUBedit{editor}
+% `missed' -> `is missing'
+letter eng ({\fc+n}) especially for Sami, but it is missing
+the letter t with bar
+\TUBedit{end editor}
+({\fc/t}). However, with the letter eng several african languages can be
+written using the Cork scheme as well.}.
+% Comment: I noticed that the examples come out too big, but regard this as
+% a feature. In fact, footnotesized, they would come out nearly illegible.
+
+There are some writing systems which are not supported by the fc fonts.
+\TUBedit{author}
+
+\TUBedit{end author}
+%
+\TUBedit{editor}
+% Let's run these two paragraphs together.
+\TUBedit{end editor}
+First to mention is the writing of Khoi-San languages with their
+characteristic click sounds. Missing is the letter $\neq$ which can be
+constructed as a macro. The obsolete orthographies of Xhosa and Zulu are not
+supported (they used a cyrillic B ({\cyr B}) as uppercase of {\fc +b}).
+
+Also not supported is the obsolete orthography of \d{I}gb\d{o} which
+contains an o with horizontal bar (\accent45o). A proposed alphabet for
+Tamasheq (a berber language) is not supported because there is no evidence
+that it ever caught on.
+
+\section*{Design of the letters}
+The design of the letters closely follows the {\em computer modern} fonts
+by Donald E.~Knuth. Much of the \MF\ code made its way unchanged to the fc
+fonts. However, several modification were necessary in the case of italics.
+Since {\fc E+ue} has both `f' and {\fc`+f'}, the latter looking like the
+italic letter f, the italic letter f was redesigned to have a straight,
+uncurved descender
+%%JK Show the new italic forms
+({\fci f, +f\/}).
+%%/JK
+\TUBedit{editor}
+% It would be good to show the new italic `f' here. Similarly for the
+% other characters mentioned immediately below and the scharfes s.
+\TUBedit{end editor}
+Similarly, the italic letter v was redesigned to have
+sharp edge
+%%JK show it
+({\fci v\/}).
+%%/JK
+In consequence of the last change, the italic letters w and y
+were changed, too
+%%JK show them
+({\fci w, y\/}).
+%%/JK
+
+\TUBedit{author}
+Deliberately, I changed the appearence of the roman letter {\em
+scharfes s}. Its new shape exhibits the ligature of long and short s from
+\TUBedit{end author}
+%
+\TUBedit{editor}
+% `appearence' -> `appearance'
+Deliberately, I changed the appearance of the roman letter {\em
+scharfes s}. Its new shape exhibits the ligature of long and short s from
+\TUBedit{end editor}
+which it originally derives
+%%JK Show it
+(\FC{FF}).
+%%/JK
+
+\section*{How to use the fc fonts}
+At the present time, I support only \LaTeX\ and plain \TeX\ with the new
+font selection scheme (NFSS) by R.~Sch\"opf and F.~Mittelbach. There are
+the files {\tt fontdef.fc} and {\tt fclfont.sty} which load the fonts and
+set the standard \TeX\ commands for accents correctly. But, at the moment
+there are no standard control sequences to get the newly added characters,
+except that {\verb:\|:} shall produce the universal
+%%JK tie it to the line
+accent~(\FC{BF}).
+%%/JK
+
+\begin{table}[htbp]
+\begin{center}
+\begin{tabular}{lcc}
+% Name, (Gro"s, Klein), fcuse (gro"s, Klein)
+Name & Shape & Input\\ \hline
+Hooktop b & {\fc +b, +B} & \verb:+b, +B: \\
+Hooktop c & {\fc +c, +C} & \verb:+c, +C: \\
+Hooktop d & {\fc +d, +D} & \verb:+d, +D: \\
+Open e & {\fc +e, +E} & \verb:+e, +E: \\
+Long f & {\fc +f, +F} & \verb:+f, +F: \\
+Ipa gamma & {\fc +g, +G} & \verb:+g, +G: \\
+Latin iota& {\fc +i, +I} & \verb:+i, +I: \\
+Enj & {\fc +j, +J} & \verb:+j, +J: \\
+Hooktop k & {\fc +k, +K} & \verb:+k, +K: \\
+Eng & {\fc +n, +N} & \verb:+n, +N: \\
+Open o & {\fc +o, +O} & \verb:+o, +O: \\
+Hooktop p & {\fc +p, +P} & \verb:+p, +P: \\
+Esh & {\fc +s, +S} & \verb:+s, +S: \\
+Hooktop t & {\fc +t, +T} & \verb:+t, +T: \\
+Variant u & {\fc +u, +U} & \verb:+u, +U: \\
+Ezh & {\fc +z, +Z} & \verb:+z, +Z: \\ \hline
+Crossed d & {\fc /d, /D} & \verb:/d, /D: \\
+Crossed h & {\fc /h, /H} & \verb:/h, /H: \\
+Crossed t & {\fc /t, /T} & \verb:/t, /T: \\ \hline
+Tailed d & {\fc =d, =D} & \verb:=d, =D: \\
+Inverted e& {\fc =e, =E} & \verb:=e, =E: \\
+Long t & {\fc =t, =T} & \verb:=t, =T: \\ \hline
+\end{tabular}
+\caption{Overview of the special letters in the fc fonts and their access
+via {\tt fcuse.sty}}
+\label{jk:tab:fcuse}
+\end{center}
+\end{table}
+
+There is another style option ({\tt fcuse.sty}) which makes the special
+characters accesible via active characters. Three characters needed to be
+activated, since the letters d and t carry the load of three new variants
+\TUBedit{author}
+({\fc +d, =d, /d; +t, =t, /t}). An overview of the assignments gives
+table~\ref{jk:tab:fcuse}.
+\TUBedit{end author}
+%
+\TUBedit{editor}
+% `gives' -> `is given in'; cap `table'
+({\fc +d, =d, /d; +t, =t, /t}). An overview of the assignments is given in
+Table~\ref{jk:tab:fcuse}.
+\TUBedit{end editor}
+
+\TUBedit{editor}
+% This achieves placement of Table 2 on the last page. Admittedly,
+% this is not the way one should do it, but it appears that LaTeX can't
+% adjust its textheight for the current page on the fly.
+\begin{table*}[btp]
+\begin{center}
+\begin{tabular}{|c||c|c|c|c|c|c|c|c|c|c|c|c|c|c|c|c|}
+\hline
+ &x0&x1&x2&x3&x4&x5&x6&x7&x8&x9&xA&xB&xC&xD&xE&xF\\
+\hline\hline
+0y
+&\FC{00}&\FC{01}&\FC{02}&\FC{03}&\FC{04}&\FC{05}&\FC{06}&\FC{07}&\FC{08}
+ &\FC{09}&\FC{0A}&\FC{0B}&\FC{0C}&\FC{0D}&\FC{0E}&\FC{0F}\\ \hline
+1y
+&\FC{10}&\FC{11}&\FC{12}&\FC{13}&\FC{14}&\FC{15}&\FC{16}&\FC{17}&\FC{18}
+ &\FC{19}&\FC{1A}&\FC{1B}&\FC{1C}&\FC{1D}&\FC{1E}&\FC{1F}\\ \hline
+2y
+&\FC{20}&\FC{21}&\FC{22}&\FC{23}&\FC{24}&\FC{25}&\FC{26}&\FC{27}&\FC{28}
+ &\FC{29}&\FC{2A}&\FC{2B}&\FC{2C}&\FC{2D}&\FC{2E}&\FC{2F}\\ \hline
+3y
+&\FC{30}&\FC{31}&\FC{32}&\FC{33}&\FC{34}&\FC{35}&\FC{36}&\FC{37}&\FC{38}
+ &\FC{39}&\FC{3A}&\FC{3B}&\FC{3C}&\FC{3D}&\FC{3E}&\FC{3F}\\ \hline
+4y
+&\FC{40}&\FC{41}&\FC{42}&\FC{43}&\FC{44}&\FC{45}&\FC{46}&\FC{47}&\FC{48}
+ &\FC{49}&\FC{4A}&\FC{4B}&\FC{4C}&\FC{4D}&\FC{4E}&\FC{4F}\\ \hline
+5y
+&\FC{50}&\FC{51}&\FC{52}&\FC{53}&\FC{54}&\FC{55}&\FC{56}&\FC{57}&\FC{58}
+ &\FC{59}&\FC{5A}&\FC{5B}&\FC{5C}&\FC{5D}&\FC{5E}&\FC{5F}\\ \hline
+6y
+&\FC{60}&\FC{61}&\FC{62}&\FC{63}&\FC{64}&\FC{65}&\FC{66}&\FC{67}&\FC{68}
+ &\FC{69}&\FC{6A}&\FC{6B}&\FC{6C}&\FC{6D}&\FC{6E}&\FC{6F}\\ \hline
+7y
+&\FC{70}&\FC{71}&\FC{72}&\FC{73}&\FC{74}&\FC{75}&\FC{76}&\FC{77}&\FC{78}
+ &\FC{79}&\FC{7A}&\FC{7B}&\FC{7C}&\FC{7D}&\FC{7E}&\FC{7F}\\ \hline
+8y
+&\FC{80}&\FC{81}&\FC{82}&\FC{83}&\FC{84}&\FC{85}&\FC{86}&\FC{87}&\FC{88}
+ &\FC{89}&\FC{8A}&\FC{8B}&\FC{8C}&\FC{8D}&\FC{8E}&\FC{8F}\\ \hline
+9y
+&\FC{90}&\FC{91}&\FC{92}&\FC{93}&\FC{94}&\FC{95}&\FC{96}&\FC{97}&\FC{98}
+ &\FC{99}&\FC{9A}&\FC{9B}&\FC{9C}&\FC{9D}&\FC{9E}&\FC{9F}\\ \hline
+Ay
+&\FC{A0}&\FC{A1}&\FC{A2}&\FC{A3}&\FC{A4}&\FC{A5}&\FC{A6}&\FC{A7}&\FC{A8}
+ &\FC{A9}&\FC{AA}&\FC{AB}&\FC{AC}&\FC{AD}&\FC{AE}&\FC{AF}\\ \hline
+By
+&\FC{B0}&\FC{B1}&\FC{B2}&\FC{B3}&\FC{B4}&\FC{B5}&\FC{B6}&\FC{B7}&\FC{B8}
+ &\FC{B9}&\FC{BA}&\FC{BB}&\FC{BC}&\FC{BD}&\FC{BE}&\FC{BF}\\ \hline
+Cy
+&\FC{C0}&\FC{C1}&\FC{C2}&\FC{C3}&\FC{C4}&\FC{C5}&\FC{C6}&\FC{C7}&\FC{C8}
+ &\FC{C9}&\FC{CA}&\FC{CB}&\FC{CC}&\FC{CD}&\FC{CE}&\FC{CF}\\ \hline
+Dy
+&\FC{D0}&\FC{D1}&\FC{D2}&\FC{D3}&\FC{D4}&\FC{D5}&\FC{D6}&\FC{D7}&\FC{D8}
+ &\FC{D9}&\FC{DA}&\FC{DB}&\FC{DC}&\FC{DD}&\FC{DE}&\FC{DF}\\ \hline
+Ey
+&\FC{E0}&\FC{E1}&\FC{E2}&\FC{E3}&\FC{E4}&\FC{E5}&\FC{E6}&\FC{E7}&\FC{E8}
+ &\FC{E9}&\FC{EA}&\FC{EB}&\FC{EC}&\FC{ED}&\FC{EE}&\FC{EF}\\ \hline
+Fy
+&\FC{F0}&\FC{F1}&\FC{F2}&\FC{F3}&\FC{F4}&\FC{F5}&\FC{F6}&\FC{F7}&\FC{F8}
+ &\FC{F9}&\FC{FA}&\FC{FB}&\FC{FC}&\FC{FD}&\FC{FE}&\FC{FF}\\ \hline
+\end{tabular}
+\caption{The font fcr10}\label{jk:tab:fcr10}
+\end{center}
+\end{table*}
+\TUBedit{end editor}
+\section*{Implementation}
+The implementation follows closely to the one of the cm fonts. The
+distinction between parameter files, driver files and programme files is
+kept. The parameters are computed from the design size of the fonts with
+the help of the Sauter tools. This allows an easy nonlinear scaling. I
+added only one new parameter, {\tt univ\_acc\_breath}, which governs the
+shape of the universal accent. To adjust the height of accented capitals
+the parameter {\tt comma\_depth} was employed. The result is excellent with
+serif fonts, but not that good with sans serif ones. I made up one new
+parameter file, creating a {\sstt sans serif typewriter} fontshape. There
+were only minor modifications needed in the programmes of the letters i, I,
+and l to make it work.
+
+There is not much to say about the driver files, except that there are
+additional kerns for {\fc kV, kW, mV, mW, and eV}. The ligatures from
+the Cork scheme to get german and french quotes are included, too.
+\TUBedit{author}
+The programme files are completely reorganised. The huge files are splitted
+\TUBedit{end author}
+%
+\TUBedit{editor}
+% `splitted' -> `split'
+The programme files are completely reorganised. The huge files are split
+\TUBedit{end editor}
+into smaller ones each containing only one to three letters of the
+alphabet. The shape of the letter is saved as a picture and only the
+diacritic is calculated to get an accented letter. This is done to save cpu
+time and to make the maintenance of the files easier. The accented letters
+are generated only on demand, i.e.\ if their code is known. The codes are
+given in the file {\tt coding.fc}. It is possible to use the same source
+to create other real fonts by replacing the coding file. The so-created
+fonts may not be called fc, since this abbreviation is reserved to fonts
+which are fc-encoded.
+
+\section*{Outlook}
+The fonts are done now, but there is lot of work left in creating suitable
+styles for african languages and virtual fonts, if needed. For this work,
+the speakers and users of the african languages are qualified best, and I
+hope that there will be some results of this work soon.
+
+\TUBedit{editor}
+% add signature
+\makesignature
+\TUBedit{end editor}
+
+% The following dirty tricks make the table print on a separate page. In
+% principle it should fit on the bottom of the previous page, but I didn't
+% manage to get it there. It _must_ start in left column.
+
+\TUBedit{author}
+\newpage
+\null
+\newpage
+\begin{table}[p]
+\begin{center}
+\begin{tabular}{|c||c|c|c|c|c|c|c|c|c|c|c|c|c|c|c|c|}
+\hline
+ &x0&x1&x2&x3&x4&x5&x6&x7&x8&x9&xA&xB&xC&xD&xE&xF\\
+\hline\hline
+0y
+&\FC{00}&\FC{01}&\FC{02}&\FC{03}&\FC{04}&\FC{05}&\FC{06}&\FC{07}&\FC{08}
+ &\FC{09}&\FC{0A}&\FC{0B}&\FC{0C}&\FC{0D}&\FC{0E}&\FC{0F}\\ \hline
+1y
+&\FC{10}&\FC{11}&\FC{12}&\FC{13}&\FC{14}&\FC{15}&\FC{16}&\FC{17}&\FC{18}
+ &\FC{19}&\FC{1A}&\FC{1B}&\FC{1C}&\FC{1D}&\FC{1E}&\FC{1F}\\ \hline
+2y
+&\FC{20}&\FC{21}&\FC{22}&\FC{23}&\FC{24}&\FC{25}&\FC{26}&\FC{27}&\FC{28}
+ &\FC{29}&\FC{2A}&\FC{2B}&\FC{2C}&\FC{2D}&\FC{2E}&\FC{2F}\\ \hline
+3y
+&\FC{30}&\FC{31}&\FC{32}&\FC{33}&\FC{34}&\FC{35}&\FC{36}&\FC{37}&\FC{38}
+ &\FC{39}&\FC{3A}&\FC{3B}&\FC{3C}&\FC{3D}&\FC{3E}&\FC{3F}\\ \hline
+4y
+&\FC{40}&\FC{41}&\FC{42}&\FC{43}&\FC{44}&\FC{45}&\FC{46}&\FC{47}&\FC{48}
+ &\FC{49}&\FC{4A}&\FC{4B}&\FC{4C}&\FC{4D}&\FC{4E}&\FC{4F}\\ \hline
+5y
+&\FC{50}&\FC{51}&\FC{52}&\FC{53}&\FC{54}&\FC{55}&\FC{56}&\FC{57}&\FC{58}
+ &\FC{59}&\FC{5A}&\FC{5B}&\FC{5C}&\FC{5D}&\FC{5E}&\FC{5F}\\ \hline
+6y
+&\FC{60}&\FC{61}&\FC{62}&\FC{63}&\FC{64}&\FC{65}&\FC{66}&\FC{67}&\FC{68}
+ &\FC{69}&\FC{6A}&\FC{6B}&\FC{6C}&\FC{6D}&\FC{6E}&\FC{6F}\\ \hline
+7y
+&\FC{70}&\FC{71}&\FC{72}&\FC{73}&\FC{74}&\FC{75}&\FC{76}&\FC{77}&\FC{78}
+ &\FC{79}&\FC{7A}&\FC{7B}&\FC{7C}&\FC{7D}&\FC{7E}&\FC{7F}\\ \hline
+8y
+&\FC{80}&\FC{81}&\FC{82}&\FC{83}&\FC{84}&\FC{85}&\FC{86}&\FC{87}&\FC{88}
+ &\FC{89}&\FC{8A}&\FC{8B}&\FC{8C}&\FC{8D}&\FC{8E}&\FC{8F}\\ \hline
+9y
+&\FC{90}&\FC{91}&\FC{92}&\FC{93}&\FC{94}&\FC{95}&\FC{96}&\FC{97}&\FC{98}
+ &\FC{99}&\FC{9A}&\FC{9B}&\FC{9C}&\FC{9D}&\FC{9E}&\FC{9F}\\ \hline
+Ay
+&\FC{A0}&\FC{A1}&\FC{A2}&\FC{A3}&\FC{A4}&\FC{A5}&\FC{A6}&\FC{A7}&\FC{A8}
+ &\FC{A9}&\FC{AA}&\FC{AB}&\FC{AC}&\FC{AD}&\FC{AE}&\FC{AF}\\ \hline
+By
+&\FC{B0}&\FC{B1}&\FC{B2}&\FC{B3}&\FC{B4}&\FC{B5}&\FC{B6}&\FC{B7}&\FC{B8}
+ &\FC{B9}&\FC{BA}&\FC{BB}&\FC{BC}&\FC{BD}&\FC{BE}&\FC{BF}\\ \hline
+Cy
+&\FC{C0}&\FC{C1}&\FC{C2}&\FC{C3}&\FC{C4}&\FC{C5}&\FC{C6}&\FC{C7}&\FC{C8}
+ &\FC{C9}&\FC{CA}&\FC{CB}&\FC{CC}&\FC{CD}&\FC{CE}&\FC{CF}\\ \hline
+Dy
+&\FC{D0}&\FC{D1}&\FC{D2}&\FC{D3}&\FC{D4}&\FC{D5}&\FC{D6}&\FC{D7}&\FC{D8}
+ &\FC{D9}&\FC{DA}&\FC{DB}&\FC{DC}&\FC{DD}&\FC{DE}&\FC{DF}\\ \hline
+Ey
+&\FC{E0}&\FC{E1}&\FC{E2}&\FC{E3}&\FC{E4}&\FC{E5}&\FC{E6}&\FC{E7}&\FC{E8}
+ &\FC{E9}&\FC{EA}&\FC{EB}&\FC{EC}&\FC{ED}&\FC{EE}&\FC{EF}\\ \hline
+Fy
+&\FC{F0}&\FC{F1}&\FC{F2}&\FC{F3}&\FC{F4}&\FC{F5}&\FC{F6}&\FC{F7}&\FC{F8}
+ &\FC{F9}&\FC{FA}&\FC{FB}&\FC{FC}&\FC{FD}&\FC{FE}&\FC{FF}\\ \hline
+\end{tabular}
+\caption{The font fcr10}\label{jk:tab:fcr10}
+\end{center}
+\end{table}
+\TUBedit{end author}
+%
+
+}% end the group from the beginning, forget the font \fc and the
+% definitions of fcuse.sty
+\end{document}