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diff --git a/Master/texmf-dist/doc/fonts/fc/fc.rme b/Master/texmf-dist/doc/fonts/fc/fc.rme new file mode 100644 index 00000000000..1680523dc53 --- /dev/null +++ b/Master/texmf-dist/doc/fonts/fc/fc.rme @@ -0,0 +1,600 @@ +fc.rme version 1.4b of 1-JUN-2004 +(c) Copyright 1992--2004 by J"org Knappen + +This is the documentation of the fc-Fonts for African languages + +Contents: + +I) Introduction + +II) About the FC-Scheme + a) The language base + b) Technical points + c) Copiing conditions + +III) How to generate the fonts with METAFONT + +IV) How to use the FC-Fonts with LaTeX2e + +V) Availability + +VI) Acknowledgements + +Appendix A) The FC encoding scheme (codes 128 -- 255) +Appendix B) Removed -- see file fc.bug +Appendix C) Shortcomings and known bugs of the first release +Appendix D) T4-to-UCS correspondence + + I. Introduction + + TeX is a typesetting system for high quality typesetting. It is available + free due to the generosity of its developper, Prof D. E. Knuth. It is + available for many different platforms, from microcomputers (PC, Atari, Mac) + to mainframes and even supercomputers. TeX files can be interchanged between + different systems and will produce identical output. TeX is well documented + in D. E. Knuth, Computers and typesetting, Vol. A -- The Texbook. + + The release of TeX Version 3 stimulated lots of work in the area of adapting + TeX to the needs of other languages than english. One outstanding project was + the creation of a font encoding scheme with 256 characters for international + use. It soon turned out, that with 256 code points only the needs of european + languages could be satisfied (the EC scheme proceeds this way), and there had + to be other fonts for non-european languages. The FC (aFrican Computer) + scheme fits the needs of african languages with latin writing. This scheme + comes together with an implementation of the fonts in METAFONT. The fonts + created by METAFONT can also be used by other system than TeX. + + II. About the FC-Scheme + + a) The language base + + There is a great diversity of languages spoken in africa, and it was + impossible to check all of them for their alphabets. This work is based on + the examination of the ``critical languages'' according to a definition of + the US department of education in 1985. They include all those languages + with more than 1 mio speakers. + + Only orthographical writing is considered. Transscription systems devolopped + by linguists are outside the scope of this work. Obsolete orthographies are + also not included (for example the obsolete uppercase form of hooktop B in + Xhosa and Zulu or the obsolete (catholic) orthography of \d{I}gb\d{o}). + + Even these constraints showed the lack of code space. Therefore some accented + letters did not enter the fc scheme. Generally, accented letters were omitted, + if the accent denotes a tonal mark. This is in consistency with the current + trend in orthography to suppress tonal marks, except if ambiguities occur. + Also omitted are consonants with tilde to denote nasalisation. The mentioned + letters can be created in TeX by the use of macros (e.g. \~y). + + The following languages are supported: + + Akan, Bamileke, Basa (Kru), Bemba, Ciokwe, Dinka, Dholuo (Luo), Efik, + Ewe-Fon, Fulani (Fulful), G\~a, Gbaya, Hausa, Igbo, Kanuri, Kikuyu, + Kikongo, Kpelle, Krio, Luba, Mandekan (Bambara), Mende, More, Ngala, + Nyanja, Oromo, Rundi, Kinya Rwanda, Sango, Serer, Shona, Somali, Songhai, + Sotho (two different writing systems), Suaheli, Tiv, Yao, Yoruba, Xhosa + and Zulu. + + I decided to support two european languages, which are not covered by the + EC-scheme, namely Maltese and Sami. + + Currency symbols (Like Naira and Cedi) aren't part of the fc fonts. They + are available from the tc (Text companion symbols) fonts distributed + together with the ec (European Computer Modern) fonts. + + b) Technical points + + The fc encoding scheme will not be changed anymore. Every font, which begins + with the two characters fc should be encoded according to the fc scheme. + + The fonts named fcr etc. contain what you expect from TeX naming conventions. + They are currently maintained by the author. + + The code points are choosen from scratch, according to the following rules: + + * The lower 128 codes are identical to the Cork (ec) scheme + + * A glyph also occurring in the Cork scheme is placed on the same code point + as in the Cork scheme + + * Each letter from TeX's original cm-fonts is saved. Thus, you can print + polish L, skandinavian crossed O and some other letters with the fc fonts. + + * The difference between uppercase and corresponding lowercase letter is + a constant. + + c) Copying conditions + + The fc fonts are copyrighted but free according to the conditions of the GNU + licence, version 2. You should receive a copy of the file licence.gnu + containing this licence. If not, complain to the person from which you + received these fonts. Read the licence carefully. + + + III) How to generate the fonts with METAFONT + + Besides the files of the fc package, you need the following: + + * plain.mf (or a METAFONT with plain preloaded) + * cmbase.mf (or a METAFONT with cmbase preloaded) + + * The files romand.mf, itald.mf, and olddig.mf (the original digits from the + cm fonts) + + * The Sauter tools. These are a bunch of files, named like c-cmr.mf and so on. + They are available from the CTAN archive sites and their mirros. The CTAN + sites are ftp.dante.de and ftp.tex.ac.uk. + The Sauter tools are located there under tex-archive/fonts/cm/sauter. + + Make sure, that all files are in appropriate directories, where METAFONT + finds them. + + Now you are ready to create the fc fonts at any size you want, for example to + create the font fcr10 do the following: + + mf "\mode=localfont; design_size:=10; input b-fcr" + gftopk b-fcr.300gf fcr10.pk + rename b-fcr.tfm fcr10.tfm + + and move the .pk and .tfm-files to their directories. The exact form of the + calls depends a little on your operating system. + + You might find it helpful to make yourself little mf-files of the type + + % fcr10.mf + design_size:=10; + input b-fcr; + endinput; + % end of fcr10.mf + + These files are especially usefull, if you have an automagic procedure + invoking METAFONT. Note, that for the sizes 11pt and >12pt, the design_size + is not identical to the last digits of the fontname. It is + + fcr11 design_size:=10.95; + fcr14 design_size:=14.4; + fcr17 design_size:=17.28; + fcr20 design_size:=20.74; + fcr24 design_size:=24.88; + + Note that there is only one fc italic font, called fci. It is not planned to + add fc math fonts to the distribution. Use the cm math fonts (or the not yet + released ec math fonts). + + IV) How to use the FC-Fonts with LaTeX2e + + The LaTeX3 team has assigned the encoding T4 to fc encoded fonts. So you + can use the fc fonts in LaTeX2e simply by saying + \usepackage[T4]{fontenc} + + This call loads the following files, which must be located in the search + path of LaTeX2e: + + t4enc.def, t4cmr.fd, t4cmss.fd, t4cmtt.fd. + + There is another option which aemulates the behaviour of the previous + LaTeX209 with NFSS1 implementation. It gives you easy access to the + sans serif typerwriter font included in this package by simply typing + \ss\tt or \tt\ss. This option is called by + + \usepackage{fclfont} + + and requires the four abovementioned file plus + + fclfont.sty and t4fcr.fd. + + The files fclfont.sty_old and fontdef.fc_old from the previous release + are obsolete and now frozen. They have been renamed to make this notion + clear. + + fcuse.sty shows you how to make the input easy by employing active + characters. It is an example rather than a standard package. Its use is + only recomended, if you want to use the complete fc character set. Usually + you only want to typeset text in one or two languages, and a language + specific style option will be more appropriate. Look into existing language + dependent style options (e.g. german.sty) or into the babel system by + J. Braams to figure out how to create a new one. + + V) Availability + + The fc package is available per anonymous ftp or e-mail from the DANTE-server + at Heidelberg, which is the primary site of its distribution. Since the main + TeX archives cooperate, it will be available from other sites, too. + + The address of the DANTE-Server is: + (ftp:) ftp.dante.de + (e-mail:) mailserver@rusinfo.rus.uni-stuttgart.de + + Update notices are distributed via the mailing list CTAN-Ann@shsu.edu. + + + VI) Acknowledgements + + Without the work of other authors on META-fonts, these fonts would surely + never have come out. I took deliberately from all available free metafont + sources ideas, macros, and even whole characters. All bugs and mistakes in + this code are mine, noone of the acknowledged authors should be blamed for + them. + + The first acknoledgement goes to Donald E. Knuth, the author of the TeX and + METAFONT programs and also of the computer modern (cm) family of fonts. + His work is the base of this one. + + I also want to acknowledge the following persons: + + Julian Bradfield, who made the cmoe old english font. + Malcolm Clark, editor of the newsletter TeXline. + Nana Glonti and Aleksander Samarin, who made the cmcyr cyrillic fonts. + Yannis Haralambous, who created of the 128-char greek fonts (and many others) + Emma Pease, who made the cmph phonetic fonts (Her work is used in the + Hausa--English dictionary by Rosanna Ma Newman) + J"orgen Pind, who made icelandic TeX and fonts for it. + Tom Ridgeway of the University of Washington, who made the wncyr cyrillic + fonts and experiments with a new ipa font. + Norbert Schwarz, who made the dc-fonts, a first implementation of the + ec- (Cork-) scheme. + Janene Winter, who made the wsuipa international phonetic fonts, from which + I learned much. + + For help in the africanist part of the work, I want to thank Prof. Norbert + Ciffer, Institut f"ur Ethnologie und Afrikastudien Mainz, for pointing me to + the critical languages and help in finding references. I thank Prof. Fiona + McLaughlin, University of Kansas, Lawrence, Kansas, for good references on + Serer and Prof Michael MacMahon, University of Glasgow for sending samples + of african letters. + + + Appendix A: The fc encoding scheme (octal 200 -- 377) + +octal code description input + +200 uppercase hooktop B \m B +201 uppercase hooktop D \m D +202 uppercase open E (\varepsilon-like) \m E +203 uppercase reversed E (like \exists) \M E +204 uppercase long F \m F +205 uppercase E with ha\v{c}ek \v E +206 uppercase ipa Gamma \m G +207 uppercase double barred H \B H + +210 uppercase hooktop K \m K +211 uppercase Enj \m J +212 uppercase open O (revesed C) \m O +213 uppercase N with acute \'N +214 uppercase Esh \m S +215 uppercase Eng \m N +216 uppercase variant U (\upsilon-like) \m U or \m V +217 uppercase hooktop Y \m Y + +220 uppercase hooktop C \m C +221 uppercase hooktop P \m P +222 uppercase S with ha\v{c}ek \v S +223 uppercase N with dot above \.N +224 uppercase N with line below \b N +225 uppercase S with dot below \d S +226 uppercase Ezh \m Z +227 uppercase crossed T \B T + +230 uppercase E with dot above \.E +231 uppercase E with dot below \d E +232 uppercase hooktop T \m T +233 uppercase T with tail \M T +234 ligature t-esh \tsh +235 ligature fj fj +236 lowercase crossed d \B d +237 double grave accent \G + +240 lowercase hooktop b \m b +241 lowercase hooktop d \m d +242 lowercase open e \m e +243 lowercase inverted e \M e +244 lowercase long f \m f +245 lowercase e with ha\v{c]ek \v e +246 lowercase ipa gamma \m g +247 lowercase crossed h \B h + +250 lowercase hooktop k \m k +251 lowercase enj \m j +252 lowercase open o \m o +253 lowercase n with acute \'n +254 lowercase esh \m s +255 lowercase eng \m n +256 lowercase variant u \m u or \m v +257 lowercase hooktop y \m y + +260 lowercase hooktop c \m c +261 lowercase hooktop p \m p +262 lowercase s with ha\v{c}ek \v s +263 lowercase n with dot above \.n +264 lowercase n with line below \b n +265 lowercase s with dot below \d s +266 lowercase ezh \m z +267 lowercase crossed t \B t + +270 lowercase e with dot above \.e +271 lowercase e with dot below \d e +272 lowercase hooktop t \m t +273 lowercase t with tail \M t +274 double universal accent \U +275 inverted exclamation mark !` +276 inverted question mark ?` +277 unversal accent \I + +300 uppercase latin Iota \m I +301 uppercase I with dot below \d I +302 uppercase open E with tilde \T E +303 uppercase A with tilde \~A +304 uppercase M with acute \'M +305 uppercase Open O with tilde \T O +306 uppercase ligature AE \AE +307 uppercase C with cedilla \c C + +310 uppercase E with grave \`E +311 uppercase E with acute \'E +312 uppercase E with circumflex \^E +313 uppercase E with diaresis \"E +314 uppercase E with line below \b E +315 uppercase E with macron \=E +316 uppercase E with tilde \~E +317 uppercase I with tilde \~I + +320 uppercase crossed D \B D + uppercase D with tail \M D + uppercase Edh \DH +321 uppercase N with tilde \~N +322 uppercase O with grave \`O +323 uppercase O with dot above \.O +324 uppercase O with circumflex \^O +325 uppercase O with tilde \~O +326 uppercase O with diaresis \"O +327 uppercase ligature OE \OE + +330 uppercase crossed O (skandinavian) \O +331 uppercase O with dot below \d O +332 uppercase O with line below \b O +333 uppercase O with macron \= O +334 uppercase O with ha\v{c}ek \v O +335 uppercase U with dot below \d U +336 uppercase U with tilde \~U +337 cross piece for polish L and l \char'337 +Macro uppercase polish L with crossbar \L +Macro lowercase polish l with crossbar \l + +340 lowercase latin iota \m i +341 lowercase i with dot below \d i +342 lowercase open e with tilde \T e +343 lowercase a with tilde \~a +344 lowercase m with acute \'m +345 lowercase open o with tilde \T o +346 lowercase ligature ae \ae +347 lowercase c with cedilla \c c + +350 lowercase e with grave \`e +351 lowercase e with acute \'e +352 lowercase e with circumflex \^e +353 lowercase e with diaresis \"e +354 lowercase e with line below \b e +355 lowercase e with macron \=e +356 lowercase e with tilde \~e +357 lowercase i with tilde \~i + +360 lowercase d with tail (note: not edh!) \M d +361 lowercase n with tilde \~n +362 lowercase o with grave \`o +363 lowercase o with dot above \.o +364 lowercase o with circumflex \^o +365 lowercase o with tilde \~o +366 lowercase o with diaresis \"o +367 lowercase ligature oe \oe + +370 lowercase crossed o (skandinavian) \o +371 lowercase o with dot below \d o +372 lowercase o with line below \b o +373 lowercase o with macron \= o +374 lowercase o with ha\v{c}ek \v o +375 lowercase u with dot below \d u +376 lowercase u with tilde \~u +377 lowercase scharfes s \ss + +Macro Copyleft sign (circled open o) \copyleft + + Appendix B: List of files + +Please find the list of files together with the current version number +and date in fc.bug. + + Appendix C: Bugs + + Unfortunately, one has to expect bugs (sigh!) in this package, allthough + I'm trying to get rid of them. For a list of already known (and maybe + fixed) bugs, see the file fc.bug. + + The fonts were developped on a 300dpi write white device, and + probably even a bit optimised to it. They are also tested on a 300dpi + write black engine and a 600dpi write black engine. Some times + strange path error messages occurred, but they did not seem to cause visible + harm. There might be visible errors, too, which I did not discover. + + If you find an bug or mistake, send it to me, including the following + information: + + Which parameters caused the error/bug? + (e.g. design_size=6; b-fctt) + + Which mode did you use? + (Please don't say ``localfont', this tells nothing to me... + e.g. lowres from cmbase, + ricoh from Karl Berry's modes.mf) + + Which character contains the bug? + (e.g. [162] open_e) + + Is the damage visible in the printout? What does it look like? + (e.g. Nothing at all is printed, or some part of the letter is missing) + + Send bug reports to: + + J\"org Knappen + Dieselstra\ss{}e 13 + 66123 Saarbr\"ucken + R.F.A. + + e-mail joerg.knappen@uni-mainz.de. + + P.S if you know a fix, it is greatly appreciated... + + Appendix D: T4-to-UCS correspondence + +This appendix contains a correspondence between the characters encoded in +the T4 encoding and the Universal Character Set (UCS) as defined in the ISO +Standard ISO-10646. The UCS is also popularly known as UNicode. + +The following characters are not part of the UCS: + + latin small ligature fj + latin [small|capital] letter e with line below + latin [small|capital] letter o with line below + latin [small|capital] letter open e with tilde + latin [small|capital] letter open o with tilde + +The ligature character of the fj ligature is ignored here and it is +mapped to the two characters f j. The remaining 8 characters are coded using +combining diacritics. There are two digraphs added at the end of the list +for the polish l with stroke. + + +T4 Unicode latex2e macro +128 0x0181 \m B +129 0x018a \m D +130 0x0190 \m E +131 0x018e \M E +132 0x0191 \m F +133 0x011a \v E +134 0x0194 \m G +135 0x0126 \B H +136 0x0198 \m K +137 0x019d \m J +138 0x0186 \m O +139 0x0134 \'N +140 0x01a9 \m S +141 0x014a \NG{} +142 0x01b2 \m U +143 0x01b3 \m Y +144 0x0187 \m C +145 0x01a4 \m P +146 0x0160 \v S +147 0x1e44 \.N +148 0x1e48 \b N +149 0x1e62 \d S +150 0x0167 \m Z +151 0x0166 \B T +152 0x0166 \.E +153 0x1eb8 \d E +154 0x01ac \m T +155 0x01ae \M T +156 0x02a7 \tsh{} +157 0x0066,0x0069 fj +158 0x0111 \dj{} +159 0x030f \G{} +160 0x0253 \m b +161 0x0257 \m d +162 0x0258 \m e +163 0x01dd \M e +164 0x0192 \m f +165 0x011b \v e +166 0x0263 \m g +167 0x0127 \B h +168 0x0199 \m k +169 0x0272 \m j +170 0x0254 \m o +171 0x0144 \'n +172 0x03a3 \m s +173 0x028b \ng{} +174 0x014b \m u +175 0x01b4 \m y +176 0x0188 \m c +177 0x01a5 \m p +178 0x0161 \v s +179 0x1e45 \.n +180 0x1e49 \b n +181 0x1e63 \d s +182 0x0292 \m z +183 0x0167 \B t +184 0x0117 \.e +185 0x1eb9 \d e +186 0x01ad \m t +187 0x0288 \M t +188 0x030e \U{} +189 0x00a1 \textexclamdown{} +190 0x00bf \textquestiondown{} +191 0x030d \I{} +192 0x0196 \m I +193 0x1eca \d I +194 0x0190,0x0303 \~{\m E} +195 0x00c3 \~A +196 0x1e3e \'M +197 0x0186,0x0303 \~{\m O} +198 0x00c6 \AE{} +199 0x00c7 \c C +200 0x00c8 \^E +201 0x00c9 \'E +202 0x00ca \^E +203 0x00cb \"E +204 0x0045,0x0331 \b E +205 0x0112 \=E +206 0x1ebc \~E +207 0x0128 \~I +208 0x0189 \M D +209 0x00d1 \~N +210 0x00d2 \NG{} +211 0x022e \.O +212 0x00d4 \^O +213 0x00d5 \~O +214 0x00d6 \"O +215 0x0152 \OE{} +216 0x00d8 \O{} +217 0x1ecc \d O +218 0x004f,0x0331 \b O +219 0x014c \=O +220 0x01d1 \v O +221 0x1ee4 \d U +222 0x0168 \~U +223 0x0337 {\fontencoding[T4]\selectfont \char223 } +224 0x0269 \m i +225 0x1ecb \d i +226 0x0258,0x0303 \~{\m e} +227 0x00e3 \~a +228 0x1e3f \'m +229 0x0254,0x0303 \~{\m o} +230 0x00e6 \ae{} +231 0x00e7 \c c +232 0x00e8 \^e +233 0x00e9 \'e +234 0x00ea \^e +235 0x00eb \"e +236 0x0065,0x0331 \b e +237 0x0113 \=e +238 0x1ebd \~e +239 0x0129 \~\i +240 0x0256 \M d +241 0x00f1 \~n +242 0x00f2 \ng{} +243 0x022f \.o +244 0x00f4 \^o +245 0x00f5 \~o +246 0x00f6 \"o +247 0x0153 \oe{} +248 0x00f8 \o{} +249 0x1ecd \d o +250 0x006f,0x0331 \b o +251 0x014d \=o +252 0x01d2 \v o +253 0x1ee5 \.u +254 0x0169 \~u +255 0x00df \ss{} + +T4 digraph Unicode latex2e macro +223,76 0x0141 \L{} +223,108 0x0142 \l{} + + [The End] |