pmxchords (12dec13)

git-svn-id: svn://tug.org/texlive/trunk@32405 c570f23f-e606-0410-a88d-b1316a301751

19 files changed, 1854 insertions, 0 deletions

diff --git a/Master/texmf-dist/doc/pmxchords/README b/Master/texmf-dist/doc/pmxchords/README
new file mode 100644
index 00000000000..a8f378429cf
--- /dev/null
+++ b/Master/texmf-dist/doc/pmxchords/README
@@ -0,0 +1,20 @@
+2013-12-11
+Author: Ondrej Fafejta <fafejtao@gmail.com>
+Website: https://github.com/fafejtao/pmxChords
+
+Pmxchords extends the PMX preprocesor for musixtex to output chord
+notations over the notes. The syntax for chord symbols is as inline
+tex commands in the .pmx file. 
+e.g. \ch.C.\ c44 e \ch.G7.\ d2 | \ch.C.\ c r /
+
+PMX supports key transposition and the pmxchords.lua script is
+used to transpose chord symbols accordingly (and then call pmxab as
+usual to generate a .tex file). From version 0.3, the pmx2pdf script
+in the PMX package supports a -c option to use pmxchords (and then
+pmxab) as the preprocessor (rather than pmxab directly).
+
+For installation and usage, see the pmxchords-install document.
+
+pmxchords is licensed under the GPL version 2 or later.
+
+This README was edited by Bob Tennent (rdt@cs.queensu.ca).
diff --git a/Master/texmf-dist/doc/pmxchords/chordsRef.pdf b/Master/texmf-dist/doc/pmxchords/chordsRef.pdf
new file mode 100644
index 00000000000..d54e2ffa11c
--- /dev/null
+++ b/Master/texmf-dist/doc/pmxchords/chordsRef.pdf
diff --git a/Master/texmf-dist/doc/pmxchords/chordsRef.tex b/Master/texmf-dist/doc/pmxchords/chordsRef.tex
new file mode 100644
index 00000000000..128abed2a85
--- /dev/null
+++ b/Master/texmf-dist/doc/pmxchords/chordsRef.tex
@@ -0,0 +1,426 @@
+\documentclass[10pt]{article}
+\usepackage[landscape,a4paper,top=1.5cm,right=1.5cm,bottom=1.5cm,left=1.5cm]{geometry}
+\pagestyle{empty}
+%\usepackage[utf8]{inputenc}
+%\usepackage{czech}
+
+\begin{document}
+
+\input chords
+
+\def\chBase#1{\chFont #1}   % override default chord base macro
+
+\def\chSrc#1{\small \tt $\backslash$ch.#1.}
+
+\subsection*{Macro: chords}
+\begin{tabular}{ | l | l | l | l | l | l | l | l | l | l | l | l |}
+\hline
+  \ch.C.
+& \ch.Cs.
+& \ch.D.
+& \ch.Ef.
+& \ch.E.
+& \ch.F.
+& \ch.Fs.
+& \ch.G.
+& \ch.Af.
+& \ch.A.
+& \ch.Bf.
+& \ch.B.
+\\ 
+  \chSrc{C}
+& \chSrc{Cs}
+& \chSrc{D}
+& \chSrc{Ef}
+& \chSrc{E}
+& \chSrc{F}
+& \chSrc{Fs}
+& \chSrc{G}
+& \chSrc{Af}
+& \chSrc{A}
+& \chSrc{Bf}
+& \chSrc{B}
+\\ 
+\hline
+  \ch.Cm.
+& \ch.Csm.
+& \ch.Dm.
+& \ch.Efm.
+& \ch.Em.
+& \ch.Fm.
+& \ch.Fsm.
+& \ch.Gm.
+& \ch.Afm.
+& \ch.Am.
+& \ch.Bfm.
+& \ch.Bm.
+\\ 
+  \chSrc{Cm}
+& \chSrc{Csm}
+& \chSrc{Dm}
+& \chSrc{Efm}
+& \chSrc{Em}
+& \chSrc{Fm}
+& \chSrc{Fsm}
+& \chSrc{Gm}
+& \chSrc{Afm}
+& \chSrc{Am}
+& \chSrc{Bfm}
+& \chSrc{Bm}
+\\ 
+\hline
+  \ch.C+.
+& \ch.Cs+.
+& \ch.D+.
+& \ch.Ef+.
+& \ch.E+.
+& \ch.F+.
+& \ch.Fs+.
+& \ch.G+.
+& \ch.Af+.
+& \ch.A+.
+& \ch.Bf+.
+& \ch.B+.
+\\ 
+  \chSrc{C+}
+& \chSrc{Cs+}
+& \chSrc{D+}
+& \chSrc{Ef+}
+& \chSrc{E+}
+& \chSrc{F+}
+& \chSrc{Fs+}
+& \chSrc{G+}
+& \chSrc{Af+}
+& \chSrc{A+}
+& \chSrc{Bf+}
+& \chSrc{B+}
+\\ 
+\hline
+  \ch.C4.
+& \ch.Cs4.
+& \ch.D4.
+& \ch.Ef4.
+& \ch.E4.
+& \ch.F4.
+& \ch.Fs4.
+& \ch.G4.
+& \ch.Af4.
+& \ch.A4.
+& \ch.Bf4.
+& \ch.B4.
+\\ 
+  \chSrc{C4}
+& \chSrc{Cs4}
+& \chSrc{D4}
+& \chSrc{Ef4}
+& \chSrc{E4}
+& \chSrc{F4}
+& \chSrc{Fs4}
+& \chSrc{G4}
+& \chSrc{Af4}
+& \chSrc{A4}
+& \chSrc{Bf4}
+& \chSrc{B4}
+\\ 
+\hline
+  \ch.Cdim.
+& \ch.Csdim.
+& \ch.Ddim.
+& \ch.Efdim.
+& \ch.Edim.
+& \ch.Fdim.
+& \ch.Fsdim.
+& \ch.Gdim.
+& \ch.Afdim.
+& \ch.Adim.
+& \ch.Bfdim.
+& \ch.Bdim.
+\\ 
+  \chSrc{Cdim}
+& \chSrc{Csdim}
+& \chSrc{Ddim}
+& \chSrc{Efdim}
+& \chSrc{Edim}
+& \chSrc{Fdim}
+& \chSrc{Fsdim}
+& \chSrc{Gdim}
+& \chSrc{Afdim}
+& \chSrc{Adim}
+& \chSrc{Bfdim}
+& \chSrc{Bdim}
+\\ 
+\hline
+  \ch.Cmaj.
+& \ch.Csmaj.
+& \ch.Dmaj.
+& \ch.Efmaj.
+& \ch.Emaj.
+& \ch.Fmaj.
+& \ch.Fsmaj.
+& \ch.Gmaj.
+& \ch.Afmaj.
+& \ch.Amaj.
+& \ch.Bfmaj.
+& \ch.Bmaj.
+\\ 
+  \chSrc{Cmaj}
+& \chSrc{Csmaj}
+& \chSrc{Dmaj}
+& \chSrc{Efmaj}
+& \chSrc{Emaj}
+& \chSrc{Fmaj}
+& \chSrc{Fsmaj}
+& \chSrc{Gmaj}
+& \chSrc{Afmaj}
+& \chSrc{Amaj}
+& \chSrc{Bfmaj}
+& \chSrc{Bmaj}
+\\ 
+\hline
+  \ch.C6.
+& \ch.Cs6.
+& \ch.D6.
+& \ch.Ef6.
+& \ch.E6.
+& \ch.F6.
+& \ch.Fs6.
+& \ch.G6.
+& \ch.Af6.
+& \ch.A6.
+& \ch.Bf6.
+& \ch.B6.
+\\ 
+  \chSrc{C6}
+& \chSrc{Cs6}
+& \chSrc{D6}
+& \chSrc{Ef6}
+& \chSrc{E6}
+& \chSrc{F6}
+& \chSrc{Fs6}
+& \chSrc{G6}
+& \chSrc{Af6}
+& \chSrc{A6}
+& \chSrc{Bf6}
+& \chSrc{B6}
+\\ 
+\hline
+  \ch.C7.
+& \ch.Cs7.
+& \ch.D7.
+& \ch.Ef7.
+& \ch.E7.
+& \ch.F7.
+& \ch.Fs7.
+& \ch.G7.
+& \ch.Af7.
+& \ch.A7.
+& \ch.Bf7.
+& \ch.B7.
+\\ 
+  \chSrc{C7}
+& \chSrc{Cs7}
+& \chSrc{D7}
+& \chSrc{Ef7}
+& \chSrc{E7}
+& \chSrc{F7}
+& \chSrc{Fs7}
+& \chSrc{G7}
+& \chSrc{Af7}
+& \chSrc{A7}
+& \chSrc{Bf7}
+& \chSrc{B7}
+\\ 
+\hline
+  \ch.C9.
+& \ch.Cs9.
+& \ch.D9.
+& \ch.Ef9.
+& \ch.E9.
+& \ch.F9.
+& \ch.Fs9.
+& \ch.G9.
+& \ch.Af9.
+& \ch.A9.
+& \ch.Bf9.
+& \ch.B9.
+\\ 
+  \chSrc{C9}
+& \chSrc{Cs9}
+& \chSrc{D9}
+& \chSrc{Ef9}
+& \chSrc{E9}
+& \chSrc{F9}
+& \chSrc{Fs9}
+& \chSrc{G9}
+& \chSrc{Af9}
+& \chSrc{A9}
+& \chSrc{Bf9}
+& \chSrc{B9}
+\\ 
+\hline
+  \ch.C9f.
+& \ch.Cs9f.
+& \ch.D9f.
+& \ch.Ef9f.
+& \ch.E9f.
+& \ch.F9f.
+& \ch.Fs9f.
+& \ch.G9f.
+& \ch.Af9f.
+& \ch.A9f.
+& \ch.Bf9f.
+& \ch.B9f.
+\\ 
+  \chSrc{C9f}
+& \chSrc{Cs9f}
+& \chSrc{D9f}
+& \chSrc{Ef9f}
+& \chSrc{E9f}
+& \chSrc{F9f}
+& \chSrc{Fs9f}
+& \chSrc{G9f}
+& \chSrc{Af9f}
+& \chSrc{A9f}
+& \chSrc{Bf9f}
+& \chSrc{B9f}
+\\ 
+\hline
+  \ch.Cm7.
+& \ch.Csm7.
+& \ch.Dm7.
+& \ch.Efm7.
+& \ch.Em7.
+& \ch.Fm7.
+& \ch.Fsm7.
+& \ch.Gm7.
+& \ch.Afm7.
+& \ch.Am7.
+& \ch.Bfm7.
+& \ch.Bm7.
+\\ 
+  \chSrc{Cm7}
+& \chSrc{Csm7}
+& \chSrc{Dm7}
+& \chSrc{Efm7}
+& \chSrc{Em7}
+& \chSrc{Fm7}
+& \chSrc{Fsm7}
+& \chSrc{Gm7}
+& \chSrc{Afm7}
+& \chSrc{Am7}
+& \chSrc{Bfm7}
+& \chSrc{Bm7}
+\\ 
+\hline
+  \ch.Cm6.
+& \ch.Csm6.
+& \ch.Dm6.
+& \ch.Efm6.
+& \ch.Em6.
+& \ch.Fm6.
+& \ch.Fsm6.
+& \ch.Gm6.
+& \ch.Afm6.
+& \ch.Am6.
+& \ch.Bfm6.
+& \ch.Bm6.
+\\ 
+  \chSrc{Cm6}
+& \chSrc{Csm6}
+& \chSrc{Dm6}
+& \chSrc{Efm6}
+& \chSrc{Em6}
+& \chSrc{Fm6}
+& \chSrc{Fsm6}
+& \chSrc{Gm6}
+& \chSrc{Afm6}
+& \chSrc{Am6}
+& \chSrc{Bfm6}
+& \chSrc{Bm6}
+\\ 
+\hline
+  \ch.Cm5f.
+& \ch.Csm5f.
+& \ch.Dm5f.
+& \ch.Efm5f.
+& \ch.Em5f.
+& \ch.Fm5f.
+& \ch.Fsm5f.
+& \ch.Gm5f.
+& \ch.Afm5f.
+& \ch.Am5f.
+& \ch.Bfm5f.
+& \ch.Bm5f.
+\\ 
+  \chSrc{Cm5f}
+& \chSrc{Csm5f}
+& \chSrc{Dm5f}
+& \chSrc{Efm5f}
+& \chSrc{Em5f}
+& \chSrc{Fm5f}
+& \chSrc{Fsm5f}
+& \chSrc{Gm5f}
+& \chSrc{Afm5f}
+& \chSrc{Am5f}
+& \chSrc{Bfm5f}
+& \chSrc{Bm5f}
+\\ 
+\hline
+  \ch.C47.
+& \ch.Cs47.
+& \ch.D47.
+& \ch.Ef47.
+& \ch.E47.
+& \ch.F47.
+& \ch.Fs47.
+& \ch.G47.
+& \ch.Af47.
+& \ch.A47.
+& \ch.Bf47.
+& \ch.B47.
+\\ 
+  \chSrc{C47}
+& \chSrc{Cs47}
+& \chSrc{D47}
+& \chSrc{Ef47}
+& \chSrc{E47}
+& \chSrc{F47}
+& \chSrc{Fs47}
+& \chSrc{G47}
+& \chSrc{Af47}
+& \chSrc{A47}
+& \chSrc{Bf47}
+& \chSrc{B47}
+\\ 
+\hline
+  \ch.Cm75f.
+& \ch.Csm75f.
+& \ch.Dm75f.
+& \ch.Efm75f.
+& \ch.Em75f.
+& \ch.Fm75f.
+& \ch.Fsm75f.
+& \ch.Gm75f.
+& \ch.Afm75f.
+& \ch.Am75f.
+& \ch.Bfm75f.
+& \ch.Bm75f.
+\\ 
+  \chSrc{Cm75f}
+& \chSrc{Csm75f}
+& \chSrc{Dm75f}
+& \chSrc{Efm75f}
+& \chSrc{Em75f}
+& \chSrc{Fm75f}
+& \chSrc{Fsm75f}
+& \chSrc{Gm75f}
+& \chSrc{Afm75f}
+& \chSrc{Am75f}
+& \chSrc{Bfm75f}
+& \chSrc{Bm75f}
+\\ 
+\hline
+
+\end{tabular}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/pmxchords/chordsRefCZ.pdf b/Master/texmf-dist/doc/pmxchords/chordsRefCZ.pdf
new file mode 100644
index 00000000000..335d57174a1
--- /dev/null
+++ b/Master/texmf-dist/doc/pmxchords/chordsRefCZ.pdf
diff --git a/Master/texmf-dist/doc/pmxchords/chordsRefCZ.tex b/Master/texmf-dist/doc/pmxchords/chordsRefCZ.tex
new file mode 100644
index 00000000000..1feb4dbcaf2
--- /dev/null
+++ b/Master/texmf-dist/doc/pmxchords/chordsRefCZ.tex
@@ -0,0 +1,426 @@
+\documentclass[10pt]{article}
+\usepackage[landscape,a4paper,top=1.5cm,right=1.5cm,bottom=1.5cm,left=1.5cm]{geometry}
+\pagestyle{empty}
+%\usepackage[utf8]{inputenc}
+%\usepackage{czech}
+
+\begin{document}
+
+\input chordsCZ
+
+\def\chBase#1{\chFont #1}   % override default chord base macro
+
+\def\chSrc#1{\small \tt $\backslash$ch.#1.}
+
+\subsection*{Macro: chordsCZ}
+\begin{tabular}{ | l | l | l | l | l | l | l | l | l | l | l | l |}
+\hline
+  \ch.C.
+& \ch.Cs.
+& \ch.D.
+& \ch.Ef.
+& \ch.E.
+& \ch.F.
+& \ch.Fs.
+& \ch.G.
+& \ch.Af.
+& \ch.A.
+& \ch.Bf.
+& \ch.B.
+\\ 
+  \chSrc{C}
+& \chSrc{Cs}
+& \chSrc{D}
+& \chSrc{Ef}
+& \chSrc{E}
+& \chSrc{F}
+& \chSrc{Fs}
+& \chSrc{G}
+& \chSrc{Af}
+& \chSrc{A}
+& \chSrc{Bf}
+& \chSrc{B}
+\\ 
+\hline
+  \ch.Cm.
+& \ch.Csm.
+& \ch.Dm.
+& \ch.Efm.
+& \ch.Em.
+& \ch.Fm.
+& \ch.Fsm.
+& \ch.Gm.
+& \ch.Afm.
+& \ch.Am.
+& \ch.Bfm.
+& \ch.Bm.
+\\ 
+  \chSrc{Cm}
+& \chSrc{Csm}
+& \chSrc{Dm}
+& \chSrc{Efm}
+& \chSrc{Em}
+& \chSrc{Fm}
+& \chSrc{Fsm}
+& \chSrc{Gm}
+& \chSrc{Afm}
+& \chSrc{Am}
+& \chSrc{Bfm}
+& \chSrc{Bm}
+\\ 
+\hline
+  \ch.C+.
+& \ch.Cs+.
+& \ch.D+.
+& \ch.Ef+.
+& \ch.E+.
+& \ch.F+.
+& \ch.Fs+.
+& \ch.G+.
+& \ch.Af+.
+& \ch.A+.
+& \ch.Bf+.
+& \ch.B+.
+\\ 
+  \chSrc{C+}
+& \chSrc{Cs+}
+& \chSrc{D+}
+& \chSrc{Ef+}
+& \chSrc{E+}
+& \chSrc{F+}
+& \chSrc{Fs+}
+& \chSrc{G+}
+& \chSrc{Af+}
+& \chSrc{A+}
+& \chSrc{Bf+}
+& \chSrc{B+}
+\\ 
+\hline
+  \ch.C4.
+& \ch.Cs4.
+& \ch.D4.
+& \ch.Ef4.
+& \ch.E4.
+& \ch.F4.
+& \ch.Fs4.
+& \ch.G4.
+& \ch.Af4.
+& \ch.A4.
+& \ch.Bf4.
+& \ch.B4.
+\\ 
+  \chSrc{C4}
+& \chSrc{Cs4}
+& \chSrc{D4}
+& \chSrc{Ef4}
+& \chSrc{E4}
+& \chSrc{F4}
+& \chSrc{Fs4}
+& \chSrc{G4}
+& \chSrc{Af4}
+& \chSrc{A4}
+& \chSrc{Bf4}
+& \chSrc{B4}
+\\ 
+\hline
+  \ch.Cdim.
+& \ch.Csdim.
+& \ch.Ddim.
+& \ch.Efdim.
+& \ch.Edim.
+& \ch.Fdim.
+& \ch.Fsdim.
+& \ch.Gdim.
+& \ch.Afdim.
+& \ch.Adim.
+& \ch.Bfdim.
+& \ch.Bdim.
+\\ 
+  \chSrc{Cdim}
+& \chSrc{Csdim}
+& \chSrc{Ddim}
+& \chSrc{Efdim}
+& \chSrc{Edim}
+& \chSrc{Fdim}
+& \chSrc{Fsdim}
+& \chSrc{Gdim}
+& \chSrc{Afdim}
+& \chSrc{Adim}
+& \chSrc{Bfdim}
+& \chSrc{Bdim}
+\\ 
+\hline
+  \ch.Cmaj.
+& \ch.Csmaj.
+& \ch.Dmaj.
+& \ch.Efmaj.
+& \ch.Emaj.
+& \ch.Fmaj.
+& \ch.Fsmaj.
+& \ch.Gmaj.
+& \ch.Afmaj.
+& \ch.Amaj.
+& \ch.Bfmaj.
+& \ch.Bmaj.
+\\ 
+  \chSrc{Cmaj}
+& \chSrc{Csmaj}
+& \chSrc{Dmaj}
+& \chSrc{Efmaj}
+& \chSrc{Emaj}
+& \chSrc{Fmaj}
+& \chSrc{Fsmaj}
+& \chSrc{Gmaj}
+& \chSrc{Afmaj}
+& \chSrc{Amaj}
+& \chSrc{Bfmaj}
+& \chSrc{Bmaj}
+\\ 
+\hline
+  \ch.C6.
+& \ch.Cs6.
+& \ch.D6.
+& \ch.Ef6.
+& \ch.E6.
+& \ch.F6.
+& \ch.Fs6.
+& \ch.G6.
+& \ch.Af6.
+& \ch.A6.
+& \ch.Bf6.
+& \ch.B6.
+\\ 
+  \chSrc{C6}
+& \chSrc{Cs6}
+& \chSrc{D6}
+& \chSrc{Ef6}
+& \chSrc{E6}
+& \chSrc{F6}
+& \chSrc{Fs6}
+& \chSrc{G6}
+& \chSrc{Af6}
+& \chSrc{A6}
+& \chSrc{Bf6}
+& \chSrc{B6}
+\\ 
+\hline
+  \ch.C7.
+& \ch.Cs7.
+& \ch.D7.
+& \ch.Ef7.
+& \ch.E7.
+& \ch.F7.
+& \ch.Fs7.
+& \ch.G7.
+& \ch.Af7.
+& \ch.A7.
+& \ch.Bf7.
+& \ch.B7.
+\\ 
+  \chSrc{C7}
+& \chSrc{Cs7}
+& \chSrc{D7}
+& \chSrc{Ef7}
+& \chSrc{E7}
+& \chSrc{F7}
+& \chSrc{Fs7}
+& \chSrc{G7}
+& \chSrc{Af7}
+& \chSrc{A7}
+& \chSrc{Bf7}
+& \chSrc{B7}
+\\ 
+\hline
+  \ch.C9.
+& \ch.Cs9.
+& \ch.D9.
+& \ch.Ef9.
+& \ch.E9.
+& \ch.F9.
+& \ch.Fs9.
+& \ch.G9.
+& \ch.Af9.
+& \ch.A9.
+& \ch.Bf9.
+& \ch.B9.
+\\ 
+  \chSrc{C9}
+& \chSrc{Cs9}
+& \chSrc{D9}
+& \chSrc{Ef9}
+& \chSrc{E9}
+& \chSrc{F9}
+& \chSrc{Fs9}
+& \chSrc{G9}
+& \chSrc{Af9}
+& \chSrc{A9}
+& \chSrc{Bf9}
+& \chSrc{B9}
+\\ 
+\hline
+  \ch.C9f.
+& \ch.Cs9f.
+& \ch.D9f.
+& \ch.Ef9f.
+& \ch.E9f.
+& \ch.F9f.
+& \ch.Fs9f.
+& \ch.G9f.
+& \ch.Af9f.
+& \ch.A9f.
+& \ch.Bf9f.
+& \ch.B9f.
+\\ 
+  \chSrc{C9f}
+& \chSrc{Cs9f}
+& \chSrc{D9f}
+& \chSrc{Ef9f}
+& \chSrc{E9f}
+& \chSrc{F9f}
+& \chSrc{Fs9f}
+& \chSrc{G9f}
+& \chSrc{Af9f}
+& \chSrc{A9f}
+& \chSrc{Bf9f}
+& \chSrc{B9f}
+\\ 
+\hline
+  \ch.Cm7.
+& \ch.Csm7.
+& \ch.Dm7.
+& \ch.Efm7.
+& \ch.Em7.
+& \ch.Fm7.
+& \ch.Fsm7.
+& \ch.Gm7.
+& \ch.Afm7.
+& \ch.Am7.
+& \ch.Bfm7.
+& \ch.Bm7.
+\\ 
+  \chSrc{Cm7}
+& \chSrc{Csm7}
+& \chSrc{Dm7}
+& \chSrc{Efm7}
+& \chSrc{Em7}
+& \chSrc{Fm7}
+& \chSrc{Fsm7}
+& \chSrc{Gm7}
+& \chSrc{Afm7}
+& \chSrc{Am7}
+& \chSrc{Bfm7}
+& \chSrc{Bm7}
+\\ 
+\hline
+  \ch.Cm6.
+& \ch.Csm6.
+& \ch.Dm6.
+& \ch.Efm6.
+& \ch.Em6.
+& \ch.Fm6.
+& \ch.Fsm6.
+& \ch.Gm6.
+& \ch.Afm6.
+& \ch.Am6.
+& \ch.Bfm6.
+& \ch.Bm6.
+\\ 
+  \chSrc{Cm6}
+& \chSrc{Csm6}
+& \chSrc{Dm6}
+& \chSrc{Efm6}
+& \chSrc{Em6}
+& \chSrc{Fm6}
+& \chSrc{Fsm6}
+& \chSrc{Gm6}
+& \chSrc{Afm6}
+& \chSrc{Am6}
+& \chSrc{Bfm6}
+& \chSrc{Bm6}
+\\ 
+\hline
+  \ch.Cm5f.
+& \ch.Csm5f.
+& \ch.Dm5f.
+& \ch.Efm5f.
+& \ch.Em5f.
+& \ch.Fm5f.
+& \ch.Fsm5f.
+& \ch.Gm5f.
+& \ch.Afm5f.
+& \ch.Am5f.
+& \ch.Bfm5f.
+& \ch.Bm5f.
+\\ 
+  \chSrc{Cm5f}
+& \chSrc{Csm5f}
+& \chSrc{Dm5f}
+& \chSrc{Efm5f}
+& \chSrc{Em5f}
+& \chSrc{Fm5f}
+& \chSrc{Fsm5f}
+& \chSrc{Gm5f}
+& \chSrc{Afm5f}
+& \chSrc{Am5f}
+& \chSrc{Bfm5f}
+& \chSrc{Bm5f}
+\\ 
+\hline
+  \ch.C47.
+& \ch.Cs47.
+& \ch.D47.
+& \ch.Ef47.
+& \ch.E47.
+& \ch.F47.
+& \ch.Fs47.
+& \ch.G47.
+& \ch.Af47.
+& \ch.A47.
+& \ch.Bf47.
+& \ch.B47.
+\\ 
+  \chSrc{C47}
+& \chSrc{Cs47}
+& \chSrc{D47}
+& \chSrc{Ef47}
+& \chSrc{E47}
+& \chSrc{F47}
+& \chSrc{Fs47}
+& \chSrc{G47}
+& \chSrc{Af47}
+& \chSrc{A47}
+& \chSrc{Bf47}
+& \chSrc{B47}
+\\ 
+\hline
+  \ch.Cm75f.
+& \ch.Csm75f.
+& \ch.Dm75f.
+& \ch.Efm75f.
+& \ch.Em75f.
+& \ch.Fm75f.
+& \ch.Fsm75f.
+& \ch.Gm75f.
+& \ch.Afm75f.
+& \ch.Am75f.
+& \ch.Bfm75f.
+& \ch.Bm75f.
+\\ 
+  \chSrc{Cm75f}
+& \chSrc{Csm75f}
+& \chSrc{Dm75f}
+& \chSrc{Efm75f}
+& \chSrc{Em75f}
+& \chSrc{Fm75f}
+& \chSrc{Fsm75f}
+& \chSrc{Gm75f}
+& \chSrc{Afm75f}
+& \chSrc{Am75f}
+& \chSrc{Bfm75f}
+& \chSrc{Bm75f}
+\\ 
+\hline
+
+\end{tabular}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/pmxchords/examples/jazz/misty/misty.pdf b/Master/texmf-dist/doc/pmxchords/examples/jazz/misty/misty.pdf
new file mode 100644
index 00000000000..86370f4594b
--- /dev/null
+++ b/Master/texmf-dist/doc/pmxchords/examples/jazz/misty/misty.pdf
diff --git a/Master/texmf-dist/doc/pmxchords/examples/jazz/misty/misty.pmx b/Master/texmf-dist/doc/pmxchords/examples/jazz/misty/misty.pmx
new file mode 100644
index 00000000000..71e3f7a589a
--- /dev/null
+++ b/Master/texmf-dist/doc/pmxchords/examples/jazz/misty/misty.pmx
@@ -0,0 +1,155 @@
+%----------------%
+%
+% misty.pmx
+%
+% Created at: 2012-03-18
+% Author: Ondrej Fafejta <fafejtao@gmail.com>
+%----------------%
+---
+\input musixtex
+\input pmx
+
+\input chords     % default chords macro
+%\input chordsCZ     % czech chords macro B -> H, Bf -> B
+
+% better bars numbering
+\def\writebarno{\llap{\tenrm\the\barno\barnoadd}}
+\def\raisebarno{2\internote}
+\def\shiftbarno{1.3\Interligne}
+
+
+\def\raisevolta{8\internote} % change volta offset (default is 4\internote)
+---
+%
+% nv,noinst,mtrnuml,mtrdenl,mtrnmp,mtrdnp,xmtrnum0,isig,
+   1      1       4       4      4      4        2    -3
+%
+% npages,nsyst,musicsize,fracindent
+       1     6        16       0
+
+t
+./
+\\\stafftopmarg12\Interligne\relax\
+%\\\staffbotmarg12\Interligne\relax\
+Tc99
+Erroll Garner
+Tt
+Misty
+Ar
+K-2+0
+
+%
+% Bar 0
+%
+b44 g /
+
+%
+% Bar 1
+%
+m4400
+Rl \ch.Efmaj.\ r2b \ch.Ef6.\ r2b //
+d24d [ b8 c ] /
+
+%
+% Bar 2
+%
+\ch.Bfm7.\ [ d84f c+ c c ] \ch.Ef7.\ [ c b g e ] /
+
+%
+% Bar 3
+%
+\ch.Afmaj.\ c24 \ch.Af6.\ r4x3 g a  c4x3 e g /
+
+%
+% Bar 4
+%
+\ch.Afm7.\ [ b84 b b a ] \ch.Cs7.\ b4d a8 /
+
+%
+% Bar 5
+%
+\ch.Gm7.\ ( g44 g4x3 ) a b \ch.Cm7.\ ( e4- ex3 ) f g /
+
+%
+% Bar 6
+%
+\ch.Fm7.\ a84 c4- c8 \ch.Bf7.\ d2x3 e f /
+
+%
+% Bar 7
+%
+V1
+g0 s //
+\ch.G7.\ r2b \ch.C7.\ r2b /
+
+%
+% Bar 8
+%
+\ch.Fm7.\ g2 s \ch.Bf7.\ r4 [ b8 g ] Rr /
+
+%
+% Bar 9
+%
+V2x
+e04 //
+\ch.Efmaj.\ r2b \ch.Fm7.\ r2b /
+
+%
+% Bar 10
+%
+\ch.Ef.\ r2x3 e44 f \ch.Fm.\ g2x3 b c Rd /
+
+%
+% Bar 11
+%
+Vb
+\ch.Bfm.\ [ d85f d d  d s ] \ch.F9f.\ d2 s s /
+
+%
+% Bar 12
+%
+\ch.Bfm7.\ d45 s [ d8f e ] \ch.Ef9f.\ ff2x3 e d /
+
+%
+% Bar 13
+%
+\ch.Afmaj.\ [ c85 c c c s ] \ch.Csmaj.\ c2 s /
+
+%
+% Bar 14
+%
+\ch.Afmaj.\ r2x3 e44 f a2x3 b c /
+
+%
+% Bar 15
+%
+\ch.Am7.\ [ d85 d d c ] \ch.D7.\ d2 s /
+
+%
+% Bar 16
+%
+\ch.Cm7.\ [ d85 s d d c ] \ch.F7.\ f2x3 d c /
+
+%
+% Bar 17
+%
+b04 s //
+\ch.Gm7.\ r2b \ch.C7.\ r2b /
+
+%
+% Bar 18
+%
+\ch.Fm.\ b24 s \ch.Bf7.\ r4 [ b8 g ] Rd /
+
+%
+% Bar 19
+%
+V3
+e04 //
+\ch.Efmaj.\ r2b \ch.C7.\ r2b /
+
+%
+% Bar 20
+%
+r0-1 //
+\ch.Fm7.\ r2b \ch.Bf7.\ r2b /
diff --git a/Master/texmf-dist/doc/pmxchords/examples/jazz/schema/schema.pdf b/Master/texmf-dist/doc/pmxchords/examples/jazz/schema/schema.pdf
new file mode 100644
index 00000000000..1f6a1ca8f65
--- /dev/null
+++ b/Master/texmf-dist/doc/pmxchords/examples/jazz/schema/schema.pdf
diff --git a/Master/texmf-dist/doc/pmxchords/examples/jazz/schema/schema.pmx b/Master/texmf-dist/doc/pmxchords/examples/jazz/schema/schema.pmx
new file mode 100644
index 00000000000..2f7b8e58073
--- /dev/null
+++ b/Master/texmf-dist/doc/pmxchords/examples/jazz/schema/schema.pmx
@@ -0,0 +1,93 @@
+%----------------%
+%
+% schema.pmx
+%
+% Created at: 2012-03-19
+% Author: Ondrej Fafejta <fafejtao@gmail.com>
+%----------------%
+---
+\input musixtex
+\input pmx
+
+\input chords     % default chords macro
+%\input chordsCZ     % czech chords macro B -> H, Bf -> B
+
+\nobarnumbers  % disable bar numbers
+
+---
+%
+% nv,noinst,mtrnuml,mtrdenl,mtrnmp,mtrdnp,xmtrnum0,isig,
+   2      1       4       4      4      4        0    0
+%
+% npages,nsyst,musicsize,fracindent
+       1     1        16       0
+
+bt
+./
+\\\stafftopmarg12\Interligne\relax\
+%\\\staffbotmarg12\Interligne\relax\
+Ar
+%K-3+1
+%K+3-1
+
+%K+1+2
+%K-1-2
+
+%K-2+3
+%K+2-3
+
+%K+2+4
+%K-2-4
+
+%
+% Bar 1
+%
+d22 g /
+\ch.Dm7.\ c24 zf \ch.G7.\ b23 zf+ /
+
+%
+% Bar 2
+%
+e22 a /
+\ch.Em7.\ d24 zg \ch.A7.\ cs24 zg+ /
+
+%
+% Bar 3
+%
+d22 g /
+\ch.Dm7.\ c24 zf \ch.G7.\ b23 zf+ /
+
+%
+% Bar 4
+%
+c02 zc+ /
+\ch.Cmaj.\ b23 ze \ch.C6.\ a- ze+ /
+
+%
+% again in other position
+%
+
+%
+% Bar 5
+%
+Rd d23 g- /
+\ch.Dm7.\ f24 zc+ \ch.G7.\ f24 zb /
+
+%
+% Bar 6
+%
+e23 a- /
+\ch.Em7.\ g24 zd+ \ch.A7.\ g24 zcs /
+
+%
+% Bar 7
+%
+d23 g- /
+\ch.Dm7.\ f24 zc+ \ch.G7.\ f24 zb /
+
+%
+% Bar 8
+%
+c02 zc+ /
+\ch.Cmaj.\ e24 zb+ \ch.C6.\ e- za /
+
diff --git a/Master/texmf-dist/doc/pmxchords/examples/jazz/schema/schema_full.pdf b/Master/texmf-dist/doc/pmxchords/examples/jazz/schema/schema_full.pdf
new file mode 100644
index 00000000000..6f8ceb69110
--- /dev/null
+++ b/Master/texmf-dist/doc/pmxchords/examples/jazz/schema/schema_full.pdf
diff --git a/Master/texmf-dist/doc/pmxchords/examples/jazz/schema/schema_full.pmx b/Master/texmf-dist/doc/pmxchords/examples/jazz/schema/schema_full.pmx
new file mode 100644
index 00000000000..ca2acb5026d
--- /dev/null
+++ b/Master/texmf-dist/doc/pmxchords/examples/jazz/schema/schema_full.pmx
@@ -0,0 +1,93 @@
+%----------------%
+%
+% schema2.pmx
+%
+% Created at: 2012-03-19
+% Author: Ondrej Fafejta <fafejtao@gmail.com>
+%----------------%
+---
+\input musixtex
+\input pmx
+
+\input chords     % default chords macro
+%\input chordsCZ   % czech chords macro B -> H, Bf -> B
+
+\nobarnumbers  % disable bar numbers
+
+---
+%
+% nv,noinst,mtrnuml,mtrdenl,mtrnmp,mtrdnp,xmtrnum0,isig,
+   2      1       4       4      4      4        0    0
+%
+% npages,nsyst,musicsize,fracindent
+       1     1        16       0
+
+bt
+./
+\\\stafftopmarg12\Interligne\relax\
+%\\\staffbotmarg12\Interligne\relax\
+Ar
+%K-3+1
+%K+3-1
+
+%K+1+2
+%K-1-2
+
+%K-2+3
+%K+2-3
+
+%K+2+4
+%K-2-4
+
+%
+% Bar 1
+%
+d22 g /
+\ch.Dm7.\ c24 ze zf za \ch.G7.\ b23 ze zf za /
+
+%
+% Bar 2
+%
+e22 a /
+\ch.Em7.\ d24 zfs zg zb \ch.A7.\ cs24 zfs zg zb /
+
+%
+% Bar 3
+%
+d22 g /
+\ch.Dm7.\ c24 ze zf za \ch.G7.\ b23 zef zf zaf /
+
+%
+% Bar 4
+%
+c02 zc+ /
+\ch.Cmaj.\ b23 zd ze zg \ch.C6.\ a- zc ze zg /
+
+%
+% again in other position
+%
+
+%
+% Bar 5
+%
+Rd d23 g- /
+\ch.Dm7.\ f24 za zc ze \ch.G7.\ f24 za zb ze /
+
+%
+% Bar 6
+%
+e23 a- /
+\ch.Em7.\ g24 zb zd zfs \ch.A7.\ g24 zb zcs zfs /
+
+%
+% Bar 7
+%
+d23 g- /
+\ch.Dm7.\ f24 za zc ze \ch.G7.\ f24 zas zb zef /
+
+%
+% Bar 8
+%
+c02 zc+ /
+\ch.Cmaj.\ e24 zg zb zd \ch.C6.\ e- zg za zc /
+
diff --git a/Master/texmf-dist/doc/pmxchords/examples/noel/aj_co_to_hlasaju/aj_co_to_hlasaju.pdf b/Master/texmf-dist/doc/pmxchords/examples/noel/aj_co_to_hlasaju/aj_co_to_hlasaju.pdf
new file mode 100644
index 00000000000..d21a69b202f
--- /dev/null
+++ b/Master/texmf-dist/doc/pmxchords/examples/noel/aj_co_to_hlasaju/aj_co_to_hlasaju.pdf
diff --git a/Master/texmf-dist/doc/pmxchords/examples/noel/aj_co_to_hlasaju/aj_co_to_hlasaju.pmx b/Master/texmf-dist/doc/pmxchords/examples/noel/aj_co_to_hlasaju/aj_co_to_hlasaju.pmx
new file mode 100644
index 00000000000..553891104fd
--- /dev/null
+++ b/Master/texmf-dist/doc/pmxchords/examples/noel/aj_co_to_hlasaju/aj_co_to_hlasaju.pmx
@@ -0,0 +1,112 @@
+%----------------%
+%
+% aj_co_to_hlasaju.pmx
+%
+% created at: 2011-11-18
+% Autor: Ondrej Fafejta
+%----------------%
+---
+\input musixtex   % These commands are necessary
+\input pmx        % because pmx.tex MUST be \input
+\input musixlyr   % before musixlyr.tex!
+
+%\input chordsCZ     % chords input czech - B is displayed as H, Bf is displayed as B
+\input chords     % chords default - B -> B, Bf -> Bf
+
+\let\BM\beginmel % For brevity within the subsequent
+\let\EM\endmel   % music coding recommended
+
+\def\verseNum#1{\llap{\sl#1 }}
+
+\setlyrics{V1}
+{\verseNum{1.}Aj, co to hl\'a-sa-j\'u
+u n\'as v~d\v e-di-n\v e?
+U\v z sa to roz-n\'es-lo v~ce-l\'ej do-li-n\v e.
+Zro-di-lo sa v~Bet-l\'e-m\v e
+Bo-\v z\'\i{} d\'\i{}t-ko na se-n\v e,
+Ve-li-k\'y Me-si-\'a\v s, Vy-ku-pi-tel n\'a\v s.}
+
+\assignlyrics{1}{V1}
+%\assignlyrics{2}{text}\lyrmodealter2
+% posuneme text vertikalne
+%\lyrraise{1}{-2\internote}
+
+% better bars numbering
+\def\writebarno{\llap{\tenrm\the\barno\barnoadd}}
+\def\raisebarno{2\internote}
+\def\shiftbarno{1.3\Interligne}
+
+% make a text that starts after the last system
+\def\verses{
+\centerline{
+ \vbox{ 
+  \hbox{\verseNum{2.}K~Betl\'emu cesta je od n\'as dalek\'a,}
+  \hbox{ale m\v na mal\'eho nijak nelek\'a.}
+  \hbox{Obuju si papu\v cky, budu \v slapat tichu\v cky}
+  \hbox{dalek\'ym chodn\'\i{}\v ckem tam, za Je\v z\'\i{}\v skem}
+ }
+}
+\vskip1cm
+\centerline{
+ \vbox{
+  \hbox{\verseNum{3.}V\v cera mn\v e sl\'ubili na\v si sta\v re\v cek,}
+  \hbox{\v ze mn\v e pro\v n zrobij\'u p\v ekn\'y hrk\'a\v cek.}
+  \hbox{Sta\v renka d\'a jabl\'\i{}\v cka pro Bo\v z\'\i{}ho syne\v cka:}
+  \hbox{To\v t m\'a\v s aj krupi\v cky, di\v ta malu\v ck\'y.}
+ }
+}
+} \
+
+% add space between lowest staff and foot line
+% and put the text in it:
+\let\Endpiecesav\Endpiece\
+\def\Endpiece{\let\Endpiece\Endpiecesav\Endpiece\vskip 1.5cm\verses}\
+
+---
+%
+% nv,noinst,mtrnuml,mtrdenl,mtrnmp,mtrdnp,xmtrnum0,isig,
+   1      1       2     4      2      4        0    -1
+%
+% npages,nsyst,musicsize,fracindent
+       1     2        16       0
+
+t
+./
+\\centerline{\bigtype Aj, co to hl\'asaj\'u}\
+\\vskip0.5cm\
+\\line{M\'\i{}rn\v e\hfill \sl Slov\'acko}\
+\\vskip.8cm\
+\\\stafftopmarg10\Interligne\relax\
+\\\staffbotmarg8\Interligne\relax\
+
+%
+% bar 1-4
+%
+Ar
+%K-2+2
+\ch.F.\ f84a a c4- | f8a a c4 | 
+\ch.C7.\ c15a b8da aa g | \ch.F.\ f4d r8 /
+
+%
+% bar 5-8
+%
+\ch.C.\ g84a g g4 | c8a g g4 |
+\ch.G7.\ g14a f8da ea d | \ch.C.\ c4d \ch.C7.\ r8 /
+
+%
+% bar 9-12
+%
+\ch.F.\ c85a ca da c | \ch.Gm.\ ca ba b4 |
+\ch.C7.\ b8a ba ca b | \ch.F.\ b8a a a4 /
+
+%
+% bar 13-14
+%
+\ch.Dm.\ f84a f f4 | \ch.Bf.\ f8a d+ d4 /
+
+%
+% bar 15-16
+%
+m3434
+\ch.Gm.\ c8a b \ch.F.\ a4 \ch.C7.\ g |
+\ch.F.\ f2d /
diff --git a/Master/texmf-dist/doc/pmxchords/examples/noel/pasli_ovce_valasi/README b/Master/texmf-dist/doc/pmxchords/examples/noel/pasli_ovce_valasi/README
new file mode 100644
index 00000000000..fcb2186e502
--- /dev/null
+++ b/Master/texmf-dist/doc/pmxchords/examples/noel/pasli_ovce_valasi/README
@@ -0,0 +1,6 @@
+This noel shows how to write verse number in musixlyr.
+
+Special hidden space is prepared for verse number.
+See the first BAR in pmx file
+
+\llyr\lyroffset{-3}\lyr\
diff --git a/Master/texmf-dist/doc/pmxchords/examples/noel/pasli_ovce_valasi/pasli_ovce_valasi.pdf b/Master/texmf-dist/doc/pmxchords/examples/noel/pasli_ovce_valasi/pasli_ovce_valasi.pdf
new file mode 100644
index 00000000000..2ae8e3029d3
--- /dev/null
+++ b/Master/texmf-dist/doc/pmxchords/examples/noel/pasli_ovce_valasi/pasli_ovce_valasi.pdf
diff --git a/Master/texmf-dist/doc/pmxchords/examples/noel/pasli_ovce_valasi/pasli_ovce_valasi.pmx b/Master/texmf-dist/doc/pmxchords/examples/noel/pasli_ovce_valasi/pasli_ovce_valasi.pmx
new file mode 100644
index 00000000000..1a802a6ec0b
--- /dev/null
+++ b/Master/texmf-dist/doc/pmxchords/examples/noel/pasli_ovce_valasi/pasli_ovce_valasi.pmx
@@ -0,0 +1,84 @@
+%----------------%
+%
+% pasli_ovce_valasi.pmx 
+%
+% created at: 2011-01-06
+% Author: Ondrej Fafejta <fafejtao@gmail.com>
+%----------------%
+---
+\input musixtex   % These commands are necessary
+\input pmx        % because pmx.tex MUST be \input
+\input musixlyr   % before musixlyr.tex!
+
+\input chords     % default chords macro
+%\input chordsCZ     % czech chords macro B -> H, Bf -> B
+
+\def\verseNum#1{\llap{\sl#1}}
+
+%
+% lyrics
+%
+% The space after \verseNumber{x} is mandatory.
+%
+\setlyrics{v1}
+{\verseNum{1.} P\'a-sli ov-ce Va-la-\v si, p\v ri be-tl\'em-sk\'em sa-la-\v si.}
+
+\setlyrics{v2}
+{\verseNum{2.} An-d\v el se jim u-k\'a-zal, do Be-tl\'e-ma j\'\i{}t k\'a-zal.}
+
+\setlyrics{v3}
+{\verseNum{3.} Vsta\v n-te ho-re a cho\v d-te, P\'a-na Kri-sta naj-de-te.}
+
+\setlyrics{v4}
+{\verseNum{4.} On tam le-\v z\'\i{} v~je-sli\v c-k\'ach o-vi-nu-t\'y v~plen-\v ci\v c-k\'ach.}
+
+\setlyrics{ref}
+{Haj-dom, haj-dom ty-dli dom, haj-dom, haj-dom ty-dli dom.}
+
+\assignlyrics{1}{v1,v2,v3,v4}
+
+% better bars numbering
+\def\writebarno{\llap{\tenrm\the\barno\barnoadd}}% % REMOVE
+\def\raisebarno{2\internote}% % REMOVE
+\def\shiftbarno{1.3\Interligne}% % REMOVE
+
+---
+%
+%
+%
+% nv,noinst,mtrnuml,mtrdenl,mtrnmp,mtrdnp,xmtrnum0,isig,
+   1      1       2       4      2      4        0    0
+%
+% npages,nsyst,musicsize,fracindent
+       1     2        16       0
+
+t
+./
+\\centerline{\bigtype P\'asli ovce Vala\v si}\
+\\vskip8mm\
+\\interstaff{22}\
+\\\stafftopmarg14\Interligne\relax\
+\\\staffbotmarg8\Interligne\relax\
+%Tt
+%P\'asli ovce vala\v si
+%
+% Bar 1-2
+%
+% added hidden space for verse number.
+\llyr\lyroffset{-3}\lyr\
+\ch.C.\ [ c85 g ] [ g f ] | [ e f ] g4 /
+
+%
+% Bar 3-4
+%
+[ c85 g ] [ g f ] | \ch.G7.\ [ e d ] \ch.C.\ c4 /
+
+%
+% Bar 5-6
+%
+\assignlyricshere{ref}\ \ch.C.\ [ c84 e ] [ e f ] | [ e d ] e4 /
+
+%
+% Bar 7-8
+%
+[ c84 e ] [ e f ] | \ch.G7.\ [ e d ] \ch.C.\ c4 /
diff --git a/Master/texmf-dist/doc/pmxchords/gpl-2.0.txt b/Master/texmf-dist/doc/pmxchords/gpl-2.0.txt
new file mode 100644
index 00000000000..d159169d105
--- /dev/null
+++ b/Master/texmf-dist/doc/pmxchords/gpl-2.0.txt
@@ -0,0 +1,339 @@
+                    GNU GENERAL PUBLIC LICENSE
+                       Version 2, June 1991
+
+ Copyright (C) 1989, 1991 Free Software Foundation, Inc.,
+ 51 Franklin Street, Fifth Floor, Boston, MA 02110-1301 USA
+ Everyone is permitted to copy and distribute verbatim copies
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+
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+    (at your option) any later version.
+
+    This program is distributed in the hope that it will be useful,
+    but WITHOUT ANY WARRANTY; without even the implied warranty of
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+If the program is interactive, make it output a short notice like this
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+    Gnomovision version 69, Copyright (C) year name of author
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+    This is free software, and you are welcome to redistribute it
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+
+The hypothetical commands `show w' and `show c' should show the appropriate
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+
+  Yoyodyne, Inc., hereby disclaims all copyright interest in the program
+  `Gnomovision' (which makes passes at compilers) written by James Hacker.
+
+  <signature of Ty Coon>, 1 April 1989
+  Ty Coon, President of Vice
+
+This General Public License does not permit incorporating your program into
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+library.  If this is what you want to do, use the GNU Lesser General
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diff --git a/Master/texmf-dist/doc/pmxchords/pmxchords-install.pdf b/Master/texmf-dist/doc/pmxchords/pmxchords-install.pdf
new file mode 100644
index 00000000000..decfa88be36
--- /dev/null
+++ b/Master/texmf-dist/doc/pmxchords/pmxchords-install.pdf
diff --git a/Master/texmf-dist/doc/pmxchords/pmxchords-install.tex b/Master/texmf-dist/doc/pmxchords/pmxchords-install.tex
new file mode 100644
index 00000000000..1e1fef83171
--- /dev/null
+++ b/Master/texmf-dist/doc/pmxchords/pmxchords-install.tex
@@ -0,0 +1,100 @@
+\documentclass[11pt]{article}
+\usepackage[textwidth=6.5in,textheight=8.5in]{geometry}
+\usepackage[osf]{mathpazo}
+\PassOptionsToPackage{urlcolor=black,colorlinks}{hyperref}
+\RequirePackage{hyperref}
+\usepackage{xcolor}
+\newcommand{\myurl}[1]{\textcolor{blue}{\underline{\textcolor{black}{\url{#1}}}}}
+\newcommand{\pmxVersion}{2.7.0}
+\begin{document}
+\title{Installation of the CTAN pmxchords Distribution}
+\author{Bob Tennent\\
+\small\url{rdt@cs.queensu.ca}}
+\date{\today}
+\maketitle 
+\thispagestyle{empty}
+
+\section{Introduction}
+We assume that you have already installed a MusiXTeX distribution
+and PMX.
+Before trying to install pmxchords from CTAN, check whether your TeX distribution
+provides a package for pmxchords; this will be easier than doing it yourself.
+But if your TeX distribution
+doesn't have pmxchords (or doesn't have the most recent version), this distribution
+of pmxchords is very easy to install, though
+you may need to read the material on 
+installation of (La)TeX files in the 
+TeX FAQ\footnote{%
+\myurl{http://www.tex.ac.uk/cgi-bin/texfaq2html}},
+particularly
+the pages on 
+which tree to use\footnote{%
+\myurl{http://www.tex.ac.uk/cgi-bin/texfaq2html?label=what-TDS}}
+and installing files\footnote{%
+\myurl{http://www.tex.ac.uk/cgi-bin/texfaq2html?label=inst-wlcf}}.
+
+\section{Installing \texttt{pmxchords.tds.zip}}
+
+In this distribution of pmxchords, most of the files to be installed 
+(including macros, documentation, and a processing script) are in 
+\texttt{tex-archive/install/support/pmxchords.tds.zip} at CTAN.
+The file \verb|pmxchords.tds.zip| is a zipped TEXMF
+hierarchy; simply download it and unzip in the root folder/directory of whichever TEXMF tree
+you decide is most appropriate, likely a ``local'' or ``personal'' one.
+This should work with any TDS\footnote{%
+\myurl{http://www.tex.ac.uk/cgi-bin/texfaq2html?label=tds}}
+compliant TeX distribution, including MikTeX, TeXlive and teTeX.
+
+After unzipping the archive, update the filename database as necessary,
+for example, by executing \verb\texhash ~/texmf\ or 
+clicking the button labelled ``Refresh FNDB" in the MikTeX settings program.
+
+Documentation for pmxchords is installed under \verb\doc/generic/pmx\
+in the TEXMF tree.  
+
+\section{The Processing Script}
+
+The Lua script \verb\.../scripts/pmx/pmxchords.lua\ 
+transposes chord symbols in the \verb\pmx\ file as necessary
+and then calls \verb\pmxab\. 
+
+On a Unix-like system (with \texttt{texlua} installed), put a
+symbolic link \texttt{pmxchords} in any directory on the executable PATH as follows:
+\begin{list}{}{}
+\item \verb\ln -s <path to pmxchords.lua> pmxchords \
+\end{list}
+On Windows, you can \emph{either}
+copy the batch file
+\begin{list}{}{}
+\item \verb|Windows\pmxchords.bat| 
+\end{list}
+to a folder
+on the executable PATH \emph{or} add the folder
+\verb|Windows| to the executable PATH.
+
+\section{Testing}
+
+Copy \verb\doc/pmxchords/example/noel/aj_co_to_hlasaju/aj_co_to_hlasaju.pmx\ to a
+working directory and do
+\begin{list}{}{}\item
+\verb\pmxchords aj_co_to_hlasaju\
+\end{list}
+Then process the resulting \verb\aj_co_to_hlasaju.tex\ file as usual. The piece
+is in the key of F~major.  
+
+Uncomment the line
+\verb\K-2+2\ in the \verb\pmx\ file and repeat as above; the piece should
+now be typeset in D major, with appropriate chords. If the line
+\begin{list}{}{}\item
+\verb|\input chords|
+\end{list}
+in the source file is replaced by
+\begin{list}{}{}\item
+\verb|\input chordsCZ|
+\end{list}
+the chord symbols will be in Czech style (e.g., Hmi instead of Bmi).
+
+The macro calls for various chord symbols are displayed in the \verb|chordsRef|
+and \verb|chordsRefCZ| documents.
+
+\end{document}