%format plain %--------------------------------------------------- \input german.sty %\input verbatim % macros for verbatim scanning % im wesentlichen dem file MANHDR TEX von DEK entnommen \catcode`@=11 \def\tt{\fam\ttfam\tentt}% \newskip\ttglue \ttglue=.5em plus .25em minus .15em \chardef\other=12 \def\ttverbatim{\begingroup \catcode`\\=\other \catcode`\{=\other \catcode`\}=\other \catcode`\$=\other \catcode`\&=\other \catcode`\#=\other \catcode`\%=\other \catcode`\~=\other \catcode`\_=\other \catcode`\^=\other \catcode`\"=\other \parskip \z@ \obeyspaces \obeylines \tt} \def\begintt{$$\let\par=\endgraf \ttverbatim \catcode`\|=0 \rightskip-5pc \ttfinish} {\catcode`\|=0 |catcode`|\=\other % | is temporary escape character |obeylines % end of line is active |gdef|ttfinish#1^^M#2\endtt{|vbox{#2}|endgroup$$}} \catcode`\|=\active {\obeylines \gdef|{\ttverbatim \spaceskip\ttglue \let^^M=\ \let|=\endgroup}} %\def\ttspace{{\tt\hskip\ttglue}} \def\vrt{\hbox{\tt\char`\|}} % vertical line \def\dn{\hbox{\tt\char'14}} % downward arrow \def\up{\hbox{\tt\char'13}} % upward arrow \def\]{\hbox{\tt\char`\ }} % visible space \catcode`@=12 % at signs are no longer letters \def\verbatimon{\catcode`\|=\active} \def\verbatimoff{\catcode`\|=\other} \verbatimoff %--------------------------------------------------- end of verbatim.tex \nopagenumbers \headline{\eightrm \hfill Beispiele f"ur den Notensatz mit \TeX \hfill\hbox to 0pt{\hss Schofer/Steinbach 1987}} %--------------------------------------------------- \input mtex %--------------------------------------------------- \let\os=\^ \let\us=\_ \def\ks#1{\noindent\hbox{{\tt \char\hex5C}\bf#1}} \def\bs{\noindent\hbox{{\tt \char\hex5C}}}%Backslash \def\lk{\hbox{{\tt\char\hex7B}}}%linke Klammer auf \def\strich{{\hbox{\tt \char\hex7C}}} \def\dpkt{{\hbox{\tt \char\hex3A}}}%Doppelpunkt \def\gleich{{\hbox{\tt \char\hex3D}}}% \def\slash{\noindent{\hbox{\tt \char\hex2F}}} \def\blank{{\hbox{\tt \char\hex20}}} % \let\leftbrace=\{ \def\{{\ifmmode\leftbrace\else{$\leftbrace$}\fi} \let\rightbrace=\} \def\}{\ifmmode\rightbrace\else{$\rightbrace$}\fi} % % \verbatimon \normalbaselines \openup\jot % %\universal %ist f"ur MTEX etwas zu breit \small %so gehts vielleicht besser % \title{\vbox{\hbox to 0pt{\hss 6 Suiten f"ur Cello Solo\hss} \hbox to 0pt{\hss Suite II Menuet I\hss}}} \poet{\vtop{\hbox to 0pt{F"ur Viola "ubertragen \hss} \hbox to 0pt{von Franz Schmidtner\hss}}} \composer{Johann Sebastian Bach} \parindent 20pt \beginsong\alto\F\meter3/4% \rchord \h5\h7\h9\endchord\v{10}\|% \two{\group{\\{\a{10}}\\{\a9}\\{\a{10}}\\{\a8}}{\\{10}\\{9}\\{10}\\{8}}% \ubeam14\uslur12\go}{\rchord \a4\a6\endchord}% \v9\|\rchord\v3\v5\endchord\v8% \group{\\{\a7}\\{\a6}}{\\{7}\\{6}}\lbeam12\go\|% \two{\group{\\{\a7}\\{\a6}\\{\a5}\\{\x4\a4}\\{\n3\a3}\\{\a2}} {\\{7}\\{6}\\{5}\\{4}\\{3}\\{2}}\ubeam16\uslur13\go}% {\a2}\|\rchord \h5\h7\h9\endchord\v{10}\|% \two{\group{\\{\a{10}}\\{\a9}\\{\tenuto\a{10}}\\{\tenuto\a8\noaccent}} {\\{10}\\{9}\\{10}\\{8}}\ubeam14\uslur12\go}{\a6}% \v{11}\|\rchord\v7\v9\endchord\rchord\v3\v7\v{12}\endchord \rchord\v1\v8\v{13}\endchord\|\rchord\h2\.1\h6\.1\x{11}\h{11}\.1\endchord \leftrightrepeat \rchord\h9\h{13}\endchord {\def\beamlist{\\{1-3,}\\{2-3,}}% \group{\\{\a{12}}\\{\s{13}}\\{\s{14}}}{\\{12}\\{13}\\{14}}\lbeam13% \uslur13\go}\| \two{\group{\\{\a{13}}\\{\a{12}}\\{\x{11}\a{11}}\\{\a{13}}\\{\a9}\\{\a8}} {\\{13}\\{12}\\{11}\\{13}\\{9}\\{8}}\ubeam16\uslur15\go}{\a8}\|% \two{\group{\\{\v9}\\{\v{12}}}{\\{9}\\{12}}\uslur12\go}{\h7}% \x{11}\two{\v{11}}{\v6}\|% \two{\group{\\{\a{15}}\\{\a{14}}\\{\a{13}}\\{\a{14}}\\{\a{12}}% \\{\n{11}\a{11}}} {\\{15}\\{14}\\{13}\\{14}\\{12}\\{11}}\ubeam16\uslur15\go}{\a5}\|% \two{\h{10}}{\group{\\{\v8}\\{\v7}}{\\{8}\\{7}}\lslur12\go}% \two{\v{11}}{\v6}\|% \two{\group{\\{\a9}\\{\a8}\\{\a9}\\{\a7}}{\\{9}\\{8}\\{9}\\{7}}\ubeam14% \go}{\a7}% \rchord\v{12}\v6\v3\endchord\|\rchord\v{11}\v7\v2\endchord \group{\\{\a{10}}\\{\a9}\\{\a8}\\{\a9}}{\\{10}\\{9}\\{8}\\{9}}\lbeam14\go \|\group{\\{\a7}\\{\a6}\\{\a7}\\{\a9}\\{\a8}\\{\a{10}}} {\\{7}\\{6}\\{7}\\{9}\\{8}\\{10}}\lbeam16\go\|% \x7\two{\tr\h9\noaccent}{\h7}% \two{\v{10}}{\pv}\|\b6% \two{\group{\\{\a8}\\{\a7}\\{\a8}\\{\a6}} {\\{8}\\{7}\\{8}\\{6}}\ubeam14\uslur12\go}{\a6}% \x7\tr\v7\noaccent\|\rchord\v{12}\v8\v3\endchord\rchord\v{11}\v8\v4\endchord \two{\group{\\{\a{10}}\\{\a9}}{\\{10}\\{9}}\ubeam12\uslur12\go}{\v5}\|% \group{\\{\rchord\a{11}\a5\a1\endchord }\\{\a{10}}\\{\a9}\\{\a{10}}\\{\a8}\\{\a{10}}} {\\{1}\\{10}\\{9}\\{10}\\{8}\\{10}}\lbeam16\go\|% \two{\group{\\{\v{12}}\\{\x{11}\v{11}}} {\\{12}\\{11}}\uslur12\go}{\v8\pv}\n7% \two{\v{12}}{\v7}\|\x4% \two{\group{\\{\a8}\\{\a7}\\{\a8}\\{\a6}} {\\{8}\\{7}\\{8}\\{6}}\ubeam14\uslur12\go}{\a4}% \two{\v7}{\v5}\|% \group{\\{\a1}\\{\a8}}{\\{1}\\{8}}\lbeam12\go\two{\tr\v6\.1}{\v2\.1}% \two{\a5}{\raise-1.5\nhh\hbox{\pa}}\|\lchord\h5\.1\h2\.1\h{-2}\.1\endchord \rightrepeat \endsong \parindent0pt {\eightrm Aus: Johann Sebastian Bach, Sechs Suiten, f"ur Viola bearbeitet von Franz Schmidtner, Musikverlag Hans Sikorski, Hamburg. } \vskip0.5cm F"ur dieses Musikst"uck lautet die Eingabe: \vskip0.5cm %%%%%%%%%%%%%%%%%% %%%%% bach %%%%%%% %%%%%%%%%%%%%%%%%% {\bf !!} \ks{title}\{6 Suiten f"ur Cello Solo \bs{atop} Suite II Menuet I\}\par \ks{composer}\{Johann Sebastian Bach\} \ks{poet}\{F"ur Viola "ubertragen \bs{atop} von Franz Schmidtner\}\par \ks{alto}\ks{F}\ks{meter}\{{\bf3}\slash {\bf4}\}\ks{two} \par{\bf \{\ \ \ \ks{chord}\{2`d f a\} 4h\strich \ks{chord}\{'8c `e\}\slash\ \slash\ \slash\ 4a\strich \par \ks{chord}\{4,h `d\} g\ks{beam}\{8f e\}\strich ,8a \slash\ \slash\ \slash\ \slash\ \slash\ \strich \ks{chord}\{`2d f a\} 4h\strich 8e \slash\ \slash\ \slash\ {`}{`}4c \strich\par \ks{chord}\{4`f a\}\ks{chord}\{,h `f {`}{`}d\} \ks{chord}\{,g `g {`}{`}e\}\strich \par\ks{chord}\{2.,a ,`e ,x{`}{`}c\} \dpkt\strich\strich\dpkt \par\ks{chord}\{2`a {`}{`}e\}\ks{slur}\{\ks{beam}\{8d 6e f\}\}\strich 8`g\slash\ \slash\ \slash\ \slash\ \slash\ \strich 2f \slash\ 4e\strich 8d \slash\ \slash\ \slash\ \slash\ \slash\strich \ks{slur}\{4g f\}e\strich\par 8f\slash\ \slash\ \slash\ \ks{chord}\{4,h `e {`}{`}d\}\strich\ks{chord}\{4,a `f {`}{`}c\} \ks{beam}\{8`h a g a\}\strich\par \ks{beam}\{8f e f a g h\}\strich 2xf 4p \strich b8e \slash\ \slash\ \slash\ 4xf \ks{tr}\strich\ks{chord}\{4,h `g {`}{`}d\} \ks{chord}\{4`c g {`}{`}c\} `d\slash\ \strich \par\ks{beam}\{\ks{chord}\{,8g `d {`}{`}c\} 8`h a h g h\}\strich 4g p nf\strich 8xc \slash\ \slash\ \slash\ 4d\strich \par\ks{beam}\{8,g `g\} 4.,a 8p\strich \ \slash\ \dpkt\strich\strich\ \ \}\par \{\ \ \slash\ \slash\ \strich \ks{beam}\{\ks{slur}\{8{`}h a\} h g\}\slash\ \strich \slash\ \slash\ \slash\ \slash\ \strich \ks{beam}\{\ks{slur}\{'8f e d\}xc ,nh a\}\strich \slash\ \slash\ \strich\par\ks{beam}\{\ks{slur}\{8h a\}\ks{tenuto} h f \ks{noaccent}\ \slash\ \}\strich \slash\ \slash\ \slash\ \strich \slash\ \dpkt\strich\strich\dpkt\par \slash\ \slash\ \slash\ \slash\ \strich \ks{beam}\{\ks{slur}\{8{`}{`}e d xc e `a\}g\}\strich \ks{slur}\{`4a {`}{`}d\}xc\strich \ks{beam}\{\ks{slur}\{8{`}{`}g f e f d \}nc\}\strich\par `2h\slash\ {`}{`}4c\strich \ks{beam}\{8`a g a f\}\slash\ \strich \slash\ \slash\ \slash\ \slash\ \slash\strich \slash\ \slash\ \slash\ \slash\ \slash\ \slash\strich\par 2`a \ks{tr} 4h\strich \ks{beam}\{\ks{slur}\{8g f\} g e\}\slash\strich \slash\ \slash\ \ks{beam}\{\ks{slur}\{8h a\}\}\strich \slash\ \slash\ \slash\ \slash\ \slash\ \slash\ \strich\par \ks{slur}\{{`}{`}4d `a\} {`}{`}d\strich \ks{beam}\{\ks{slur}\{8`g f\} g e\} 4f\strich \slash\ \slash\ 4.e \ks{tr} 8d\strich \ks{chord}\{2.,d .a `.d\} \dpkt\strich\strich \ \ \} }{\bf!!} \vfill\eject \vskip2cm \title{Lobe den Herren} \composer{Hugo Distler} \def\@#1#2{{$\hbox{#1\hfill}\atop\hbox{#2\hfill}$}} \def\lv{{\leaders\hrule \hskip1cm plus 1fill}} \parindent 40pt \voice{Sopran}% \universal \beginsong\vio\G\^r{{\rm Schnell}}{\vrule height 7\nhh width0pt% \gluebrule}\meter3/4% \^{\mezzoforte}\_{\@{Lo-}{Mei-}}{\v2}% \_{\@{be}{ne}}{\v2}% \_{\@{den}{ge - }}{\v6}\|% \_{\@{Her-}{lie - }}{\v4\.1}\_{\@{ren, }{be - }}{\a3}% \_l{\@{den}{te }}{\v2}\|% \_l{\@{m"ach - }{See - }}{\v1}\_{\@{ti - }{le, }}{\v0}% \_{\@{gen }{das }}{\v{-1}}\|% \_{\@{K"o - }{ist }}{\h0}% \group{\\{\_n{\@{nig \lv }{mein \lv }}{\v1}}\\{\|\meter2/4}\\{\v1}} {\\{1}\\{0}\\{1}}\lslur13\go\_{\@{der }{Be- }}{\v2}\|\meter4/4% \_{\@{Eh - }{geh - }}{\h3}\_{\@{ren!}{ren.}}{\h2}\rightrepeat\meter3/4% %Ende Wiederholung \_{Kom-}\^{\forte}{\v6}\_{met}{\v6}\_{zu}{\v6}\|% \_{Hauf!}{\h7\.1}\caesura\|\_l{Psal - }{\v4}\_{ter}{\a5}% \_l{und }{\a5}% \group{\\{\_n{Har\hskip40pt - \hskip40pt -\hskip 40pt - \hskip40pt }{\v6}}\\{\|}\\{\a6}\\{\a7}\\{\a6}\\{\a4}\\{\v6}% \\{\|}\\{\a6}\\{\a7}\\{\v6\.1}\\{\a7}\\{\|}\\{\v6\.1}} {\\{6}\\{8}\\{6}\\{7}\\{6}\\{4}\\{6}\\{8}\\{6}\\{7}\\{6}\\{7}\\{8}\\{6}}% \lbeam36\lbeam9{10}\uslur13\uslur79\uslur1{14}\go \_{fe,}{\a5}\_l{wacht}{\v4}\|% \^{\piano}\_{auf, }{\h3}\group{\\{\_n{wacht}{\caesura\a4}}\\{\a2}} {\\{4}\\{2}}\ubeam12\go\|\^{\dec}\_{auf,}{\h3}% \group{\\{\_n{wacht}\^{zart}{\caesura\a4}}\\{\a2}} {\\{4}\\{2}}\ubeam12\go\|\^{\dec}\_{auf,}{\h6\.1}\caesura\|% \^{\forte}\_{las-}{\v{-1}}\_{set}{\v0\.1}\_{den}{\a1}\|% \meter4/4\_{Lob - }{\h2}\_{ge - }{\v3}\_{sang}{\v4}\|\meter7/4% \group{\\{\_n{h"o \hskip20pt - \hskip20pt - \hskip20pt - }{\h5}}\\{\v4\.1}\\{\a3}\\{\v2}\\{\h3}} {\\{5}\\{4}\\{3}\\{2}\\{9}}\uslur15\go \|\meter3/4\_{ren!}{\h2\.1}\=\endsong \parindent=0pt \eightrm Aus: R. Baum,``Geselliges Chorbuch I'' B"arenreiter-Verlag, Kassel und Basel. \vskip1cm \rm Auch zu diesem St"uck sei die Eingabe aufgef"uhrt: \vskip1cm %%%%%%%%%%%%%%%% %%%%%% distler% %%%%%%%%%%%%%%%% {\bf !!}\ks{title}\{Lobe den Herren\} \ks{composer}\{Hugo Distler\} \par \ks{voice}\{Sopran\} \ks{treble}\ks{signature}\{{`}{`}xf\} \ks{text}\{\ks{\os{ }l} Schnell\} \ks{meter}\{{\bf3}\slash {\bf4}\}\ks{vocal} \par {\bf\{\ \ \ 4g\ks{mezzoforte} g {`}{`}d\strich `h. 8a 4g\strich f e d \strich 2e \ks{slur}\{4f\strich\ks{meter}\{2\slash 4\} f\} 4g\strich \par\ks{meter}\{4\slash 4\} 2a 2g\dpkt\strich\strich \ks{meter}\{3\slash 4\} 4{`}{`}d d d \strich 2.e 0p\strich \par `4h 8{`}{`}c c \ks{group}\{4d\strich 8d e d `h 4{`}{`}d\strich 8d e 4.d 8e\strich 4.d\} \ks{gslur}\{1-3, 1-13\}\par \ks{gbeam}\{3-6, 9-10\} 8c 4`h\strich 2a \ks{piano} 0p\ks{beam}\{8h g\}\strich\par 2a \ks{decr} 0p %ks{beam}\{8h g\}\strich\par 2a \ks{decr} 0p \ks{beam}\{8h \ks{text}\{{\rm zart}\}g\}\strich {`}{`}2.d\ks{decr} 0p\strich \par `4d\ks{forte} .e 8f\strich \ks{meter}\{4\slash 4\} 2g 4a h\strich \par \ks{meter}\{7\slash 4\}\ks{slur}\{`{}`2c `4.h 8a 4g 2a\}\strich \ks{meter}\{3\slash 4\} 2.g \gleich\ \ \ \} } \par \{\ \ \ \{Lo-\bs{atop} Mei-\} \{be\bs{atop} ne\} \{den\bs{atop} ge-\} \{Her-\bs{atop} lie-\} \{ren,\bs{atop} be-\}\par \{den \bs{atop} te\} \{m"ach-\bs{atop} See-\} \{ti-\bs{atop} le,\} \{gen\bs{atop} das\} \par \{K"o-\bs{atop} ist\} \{nig--\bs{atop} mein--\} \slash\ \{der\bs{atop} Be-\} \{Eh-\bs{atop} geh-\} \{ren!\bs{atop} ren.\} \par Kom- met zu Hauf! Psal- ter und Har- \slash\ \slash\ \slash\ \slash\ \slash\ \slash\ \slash\ \slash\ \slash\ \slash\ fe, \par wacht auf, wacht \slash\ auf, wacht\ \slash\ auf, \par las- set den Lob- ge- sang h"o- \slash\ \slash\ \slash\ \slash\ ren!\ \ \ \}{\bf!!} \vfill\eject % % \bye