\documentclass[10pt]{newlfm} \newlfmP{leftmargintopdist=1.65in,% dateskipbefore=12pt,dateskipafter=12pt,% stdmemo,Avery5160,useenvlab,setuplabel,unprleft=16pt,unprtop=16pt,% addrtoskipbefore=4pt,headermarginskip=10pt,% addrtoskipafter=2pt,addrfromskipbefore=24pt,addrfromskipafter=24pt,Blankheader,% letrh=mastc,addrt=PIT,addrf=CCR,sigskipcolumn=7pt,sigskipbefore=8pt,addrfromright,orderdatefromto}% \sigacross{3} \LUheader{\framebox{testa}}\siglist{sLvBa,sLvBb,sLvBc} \RUheader{testc} \CUheader{testb} \speciala{Test1}{2}{2}\spacespb{6pt}{6pt} \specialb{Test2}{4}{2} \usepackage{tabls} \re{Fonts and music} \regarding{Orders for trucks} \begin{document} \begin{newlfm} In terms of the relationships between font descriptions and musical typography, it seems to me that only in the case of the early 1800s should we think of such a really odd notion. \end{newlfm} \end{document} %%% Local Variables: %%% mode: latex %%% TeX-master: t %%% End: