%NAME: nothingelsematters.tex % % Andrey Babushkin, 2018/05/01 % babusand@fit.cvut.cz % % An example of guitartabs class usage. % % Released under the The LaTeX Project Public License 1.3c. \documentclass{guitartabs} \artistname{Metallica} \albumtitle{Metallica} \songname{Nothing Else Matters} \begin{document} \maketabheader Refrain: \begin{tabline}{3}{6}{8}{E,A,D,G,B,E} % 1 bar \notel{1}{2}{1}{0}{4.5} \note{1}{2}{2}{1} \note{1}{2}{3}{0} \note{1}{2}{4}{2} \note{1}{2}{5}{3} \notel{2}{2}{2}{2}{4.5} \note{2}{2}{3}{2} \note{2}{2}{4}{2} \note{2}{2}{5}{0} \nextbar % 2 bar \notel{1}{12}{1}{2}{8.5} \note{1}{12}{2}{3} \note{1}{12}{3}{2} \note{1}{12}{4}{0} \notel{4}{12}{1}{2}{16} \note{4}{12}{2}{3} \note{4}{12}{3}{2} \note{4}{12}{4}{0} \notel{5}{12}{1}{2}{16} \note{5}{12}{2}{3} \note{5}{12}{3}{2} \note{5}{12}{4}{0} \notel{6}{12}{1}{2}{16} \note{6}{12}{2}{3} \note{6}{12}{3}{2} \note{6}{12}{4}{0} \notel{7}{12}{1}{3}{16} \note{7}{12}{2}{3} \note{7}{12}{3}{2} \note{7}{12}{4}{0} \notel{8}{12}{1}{2}{8} \note{8}{12}{2}{3} \note{8}{12}{3}{2} \note{8}{12}{4}{0} \notel{10}{12}{1}{0}{8} \note{10}{12}{2}{3} \note{10}{12}{3}{2} \note{10}{12}{4}{0} \notel{12}{12}{1}{2}{16} \note{12}{12}{2}{3} \note{12}{12}{3}{2} \note{12}{12}{4}{0} \nextbar % 3 bar \notel{1}{2}{1}{0}{4.5} \note{1}{2}{2}{1} \note{1}{2}{3}{0} \note{1}{2}{4}{2} \note{1}{2}{5}{3} \notel{2}{2}{2}{2}{4.5} \note{2}{2}{3}{2} \note{2}{2}{4}{2} \note{2}{2}{5}{0} \end{tabline} \begin{tabline}{3}{6}{8}{E,A,D,G,B,E} % 1 bar \notel{1}{12}{1}{2}{8.5} \note{1}{12}{2}{3} \note{1}{12}{3}{2} \note{1}{12}{4}{0} \notel{4}{12}{1}{2}{16} \note{4}{12}{2}{3} \note{4}{12}{3}{2} \note{4}{12}{4}{0} \notel{5}{12}{1}{2}{16} \note{5}{12}{2}{3} \note{5}{12}{3}{2} \note{5}{12}{4}{0} \notel{6}{12}{1}{2}{16} \note{6}{12}{2}{3} \note{6}{12}{3}{2} \note{6}{12}{4}{0} \notel{7}{12}{1}{3}{16} \note{7}{12}{2}{3} \note{7}{12}{3}{2} \note{7}{12}{4}{0} \notel{8}{12}{1}{2}{8} \note{8}{12}{2}{3} \note{8}{12}{3}{2} \note{8}{12}{4}{0} \notel{10}{12}{1}{0}{8} \note{10}{12}{2}{3} \note{10}{12}{3}{2} \note{10}{12}{4}{0} \notel{12}{12}{1}{2}{16} \note{12}{12}{2}{3} \note{12}{12}{3}{2} \note{12}{12}{4}{0} \nextbar % 2 bar \notel{1}{2}{1}{0}{4.5} \note{1}{2}{2}{1} \note{1}{2}{3}{0} \note{1}{2}{4}{2} \note{1}{2}{5}{3} \notel{2}{2}{2}{2}{4.5} \note{2}{2}{3}{2} \note{2}{2}{4}{2} \note{2}{2}{5}{0} \nextbar % 3 bar \notel{1}{6}{1}{2}{8} \note{1}{6}{2}{3} \note{1}{6}{3}{2} \note{1}{6}{4}{0} \notel{3}{6}{1}{2}{16} \note{3}{6}{2}{3} \note{3}{6}{3}{2} \note{3}{6}{4}{0} \notel{4}{6}{1}{2}{16} \note{4}{6}{2}{3} \note{4}{6}{3}{2} \note{4}{6}{4}{0} \notel{5}{6}{1}{2}{8} \note{5}{6}{2}{3} \note{5}{6}{3}{2} \note{5}{6}{4}{0} \end{tabline} \begin{tabline}{3}{6}{8}{E,A,D,G,B,E} % 1 bar \notel{1}{6}{6}{0}{8} \notel{2}{6}{3}{0}{8} \notel{3}{6}{2}{0}{8} \notel{4}{6}{1}{0}{8} \notel{5}{6}{2}{0}{8} \notel{6}{6}{3}{0}{8} \nextbar % 2 bar \notel{1}{12}{6}{0}{8} \notel{3}{12}{3}{0}{8} \notel{5}{12}{2}{0}{8} \notel{7}{12}{1}{0}{8} \notel{9}{12}{2}{0}{8} \notel{11}{12}{6}{3}{16} \notel{12}{12}{6}{2}{16} \nextbar % 3 bar \notel{1}{12}{6}{0}{8} \notel{3}{12}{3}{0}{8} \notel{5}{12}{2}{0}{8} \notel{7}{12}{1}{3}{8} \notel{9}{12}{3}{0}{16} \notel{10}{12}{1}{0}{16} \notel{11}{12}{2}{0}{16} \notel{12}{12}{3}{0}{16} \end{tabline} \vspace{2cm} Here I demonstrate the functionality of drawing pauses: \begin{tabline}{1}{}{}{E,A,D,G,B,E} % Pauses \restwhole{1}{5} \resthalf{2}{5} \restquarter{3}{5} \resteighth{4}{5} \restsixteenth{5}{5} \end{tabline} \end{document}