From 084f5d8435744b7ea7ef487ec111a7bfd100ed62 Mon Sep 17 00:00:00 2001 From: Norbert Preining Date: Tue, 30 Jan 2024 03:00:44 +0000 Subject: CTAN sync 202401300300 --- macros/generic/musixtex/README | 90 + macros/generic/musixtex/doc/ChangeLog-114.txt | 98 + macros/generic/musixtex/doc/ChangeLog-115.txt | 270 + macros/generic/musixtex/doc/ChangeLog-116.txt | 35 + macros/generic/musixtex/doc/ChangeLog-117.txt | 12 + macros/generic/musixtex/doc/ChangeLog-118.txt | 11 + macros/generic/musixtex/doc/ChangeLog-119.txt | 7 + macros/generic/musixtex/doc/ChangeLog-120.txt | 6 + macros/generic/musixtex/doc/ChangeLog-121.txt | 16 + macros/generic/musixtex/doc/ChangeLog-122.txt | 8 + macros/generic/musixtex/doc/ChangeLog-123.txt | 6 + macros/generic/musixtex/doc/ChangeLog-124.txt | 10 + macros/generic/musixtex/doc/ChangeLog-125.txt | 6 + macros/generic/musixtex/doc/ChangeLog-126.txt | 5 + macros/generic/musixtex/doc/ChangeLog-127.txt | 15 + macros/generic/musixtex/doc/ChangeLog-128.txt | 7 + macros/generic/musixtex/doc/ChangeLog-129.txt | 6 + macros/generic/musixtex/doc/ChangeLog-130.txt | 5 + macros/generic/musixtex/doc/ChangeLog-131.txt | 4 + macros/generic/musixtex/doc/ChangeLog-132.txt | 6 + macros/generic/musixtex/doc/ChangeLog-133.txt | 8 + macros/generic/musixtex/doc/ChangeLog-134.txt | 9 + macros/generic/musixtex/doc/ChangeLog-135.txt | 8 + macros/generic/musixtex/doc/ChangeLog-136.txt | 7 + macros/generic/musixtex/doc/ChangeLog-137.txt | 5 + macros/generic/musixtex/doc/ChangeLog-musixdoc.txt | 30 + macros/generic/musixtex/doc/examples/adagio.tex | 446 ++ macros/generic/musixtex/doc/examples/albinoni.tex | 614 ++ macros/generic/musixtex/doc/examples/angescam.tex | 19 + macros/generic/musixtex/doc/examples/angescao.tex | 24 + macros/generic/musixtex/doc/examples/angescax.tex | 366 ++ macros/generic/musixtex/doc/examples/avemaria.tex | 18 + macros/generic/musixtex/doc/examples/avemarid.tex | 1016 ++++ macros/generic/musixtex/doc/examples/avemaril.tex | 20 + macros/generic/musixtex/doc/examples/avemario.tex | 1014 ++++ macros/generic/musixtex/doc/examples/avemarix.tex | 951 ++++ macros/generic/musixtex/doc/examples/avemaroo.tex | 858 +++ macros/generic/musixtex/doc/examples/aveverch.tex | 3 + macros/generic/musixtex/doc/examples/aveverdd.tex | 4 + macros/generic/musixtex/doc/examples/aveveruc.tex | 4 + macros/generic/musixtex/doc/examples/aveverud.tex | 4 + macros/generic/musixtex/doc/examples/aveverum.tex | 297 + .../musixtex/doc/examples/changecontext.tex | 95 + macros/generic/musixtex/doc/examples/chanson.tex | 318 ++ macros/generic/musixtex/doc/examples/dissonan.tex | 947 ++++ .../generic/musixtex/doc/examples/eightbitchar.tex | 12 + macros/generic/musixtex/doc/examples/fantaisc.tex | 4 + macros/generic/musixtex/doc/examples/fantaisd.tex | 2 + macros/generic/musixtex/doc/examples/fantaisi.tex | 1238 ++++ macros/generic/musixtex/doc/examples/fantcmol.tex | 626 ++ macros/generic/musixtex/doc/examples/fantfuga.tex | 18 + macros/generic/musixtex/doc/examples/fugcmoll.tex | 517 ++ macros/generic/musixtex/doc/examples/fugue.tex | 677 +++ macros/generic/musixtex/doc/examples/gloriab.tex | 314 + macros/generic/musixtex/doc/examples/glorias.tex | 286 + macros/generic/musixtex/doc/examples/gloriax.tex | 283 + macros/generic/musixtex/doc/examples/gymnoman.tex | 569 ++ macros/generic/musixtex/doc/examples/ilestne.tex | 22 + macros/generic/musixtex/doc/examples/ilestnex.tex | 202 + macros/generic/musixtex/doc/examples/ilfaitda.tex | 18 + macros/generic/musixtex/doc/examples/ilfaitdx.tex | 171 + macros/generic/musixtex/doc/examples/kinder.tex | 125 + macros/generic/musixtex/doc/examples/kv315.tex | 827 +++ macros/generic/musixtex/doc/examples/kv315f.tex | 2 + macros/generic/musixtex/doc/examples/kv315h.tex | 2 + macros/generic/musixtex/doc/examples/kv315o.tex | 2 + macros/generic/musixtex/doc/examples/kv315org.tex | 813 +++ macros/generic/musixtex/doc/examples/marcello.tex | 319 ++ macros/generic/musixtex/doc/examples/marcon1.tex | 729 +++ macros/generic/musixtex/doc/examples/marcon2.tex | 723 +++ macros/generic/musixtex/doc/examples/marcon3.tex | 1106 ++++ macros/generic/musixtex/doc/examples/marconf.tex | 21 + macros/generic/musixtex/doc/examples/marconh.tex | 20 + macros/generic/musixtex/doc/examples/marcono.tex | 19 + .../musixtex/doc/examples/musixdbrexample.tex | 52 + macros/generic/musixtex/doc/examples/onuitbri.tex | 25 + macros/generic/musixtex/doc/examples/onuitbrr.tex | 12 + macros/generic/musixtex/doc/examples/onuitbrx.tex | 174 + macros/generic/musixtex/doc/examples/ossiaexa.tex | 30 + macros/generic/musixtex/doc/examples/ostinato.tex | 450 ++ macros/generic/musixtex/doc/examples/pacifiqb.tex | 9 + macros/generic/musixtex/doc/examples/pacifiqn.tex | 1128 ++++ macros/generic/musixtex/doc/examples/pacifiqt.tex | 10 + macros/generic/musixtex/doc/examples/parnasum.tex | 132 + macros/generic/musixtex/doc/examples/partitur.tex | 433 ++ macros/generic/musixtex/doc/examples/pedal.tex | 24 + macros/generic/musixtex/doc/examples/prelfug.tex | 4 + macros/generic/musixtex/doc/examples/prelude.tex | 715 +++ macros/generic/musixtex/doc/examples/pslurvgap.tex | 21 + macros/generic/musixtex/doc/examples/quod.tex | 162 + macros/generic/musixtex/doc/examples/racine.tex | 596 ++ macros/generic/musixtex/doc/examples/recit.tex | 416 ++ macros/generic/musixtex/doc/examples/recueil.tex | 156 + macros/generic/musixtex/doc/examples/rests.tex | 229 + macros/generic/musixtex/doc/examples/reves.tex | 543 ++ macros/generic/musixtex/doc/examples/romances.tex | 499 ++ macros/generic/musixtex/doc/examples/scale.tex | 67 + macros/generic/musixtex/doc/examples/souvenir.tex | 31 + macros/generic/musixtex/doc/examples/souvenix.tex | 474 ++ macros/generic/musixtex/doc/examples/tierce.tex | 376 ++ macros/generic/musixtex/doc/examples/traeumer.tex | 299 + macros/generic/musixtex/doc/examples/widor.tex | 792 +++ macros/generic/musixtex/doc/examples/widor_16.tex | 20 + macros/generic/musixtex/doc/examples/widor_20.tex | 18 + macros/generic/musixtex/doc/musixcrd/doc.pdf | 2564 +++++++++ macros/generic/musixtex/doc/musixdoc.pdf | Bin 0 -> 1448431 bytes .../generic/musixtex/doc/musixdoc/accidentals.tex | 77 + macros/generic/musixtex/doc/musixdoc/barlines.tex | 316 ++ .../generic/musixtex/doc/musixdoc/barnumbering.tex | 127 + macros/generic/musixtex/doc/musixdoc/beams.tex | 627 ++ macros/generic/musixtex/doc/musixdoc/changing.tex | 498 ++ macros/generic/musixtex/doc/musixdoc/embedding.tex | 180 + macros/generic/musixtex/doc/musixdoc/examples.tex | 125 + .../generic/musixtex/doc/musixdoc/extensions.tex | 2510 ++++++++ .../generic/musixtex/doc/musixdoc/extracting.tex | 101 + macros/generic/musixtex/doc/musixdoc/fonts.tex | 231 + .../generic/musixtex/doc/musixdoc/frontmatter.tex | 143 + macros/generic/musixtex/doc/musixdoc/index.tex | 10 + .../generic/musixtex/doc/musixdoc/introduction.tex | 822 +++ macros/generic/musixtex/doc/musixdoc/layout.tex | 185 + macros/generic/musixtex/doc/musixdoc/lyrics.tex | 407 ++ .../musixtex/doc/musixdoc/miscellaneous.tex | 1097 ++++ macros/generic/musixtex/doc/musixdoc/musixdoc.ltx | 102 + macros/generic/musixtex/doc/musixdoc/musixdoc.sty | 149 + .../generic/musixtex/doc/musixdoc/parameters.tex | 220 + macros/generic/musixtex/doc/musixdoc/preparing.tex | 285 + macros/generic/musixtex/doc/musixdoc/repeats.tex | 272 + macros/generic/musixtex/doc/musixdoc/restsdoc.tex | 233 + macros/generic/musixtex/doc/musixdoc/settingup.tex | 367 ++ .../musixtex/doc/musixdoc/slurstiesTypeK.tex | 382 ++ .../musixtex/doc/musixdoc/slurstiesfont.tex | 598 ++ macros/generic/musixtex/doc/musixdoc/smaller.tex | 190 + macros/generic/musixtex/doc/musixdoc/spacing.tex | 106 + macros/generic/musixtex/doc/musixdoc/staffsize.tex | 101 + macros/generic/musixtex/doc/musixdoc/summary.tex | 310 + .../musixtex/doc/musixdoc/transposition.tex | 217 + .../generic/musixtex/doc/musixdoc/writingnotes.tex | 294 + .../musixtex/doc/musixftab/frenchtab-samples.pdf | Bin 0 -> 20014 bytes .../musixtex/doc/musixftab/frenchtab-samples.tex | 9 + .../generic/musixtex/doc/musixlyr/README.musixlyr | 74 + .../musixtex/doc/musixlyr/examples/nonmoriar.pdf | Bin 0 -> 11229 bytes .../musixtex/doc/musixlyr/examples/nonmoriar.tex | 23 + macros/generic/musixtex/doc/musixlyr/mxlyrdoc.pdf | Bin 0 -> 245264 bytes macros/generic/musixtex/doc/musixlyr/mxlyrdoc.tex | 1876 ++++++ macros/generic/musixtex/doc/musixtex-install.pdf | Bin 0 -> 119496 bytes macros/generic/musixtex/doc/musixtex-install.tex | 158 + .../musixtex/doc/notationMistakes/coulhack.tex | 70 + .../musixtex/doc/notationMistakes/sottieng.pdf | Bin 0 -> 126207 bytes .../musixtex/doc/notationMistakes/sottieng.tex | 1075 ++++ .../musixtex/doc/notationMistakes/sottiger.pdf | Bin 0 -> 132877 bytes .../musixtex/doc/notationMistakes/sottiger.tex | 1103 ++++ .../musixtex/doc/notationMistakes/sottigra.pdf | Bin 0 -> 191646 bytes .../musixtex/doc/notationMistakes/sottigra.tex | 1086 ++++ macros/generic/musixtex/doc/psslurs/README.psslurs | 42 + macros/generic/musixtex/doc/psslurs/slurs.pdf | Bin 0 -> 16083 bytes macros/generic/musixtex/doc/psslurs/slurs.tex | 77 + macros/generic/musixtex/doc/reference/musixre1.pdf | Bin 0 -> 85655 bytes macros/generic/musixtex/doc/scripts/musixflx.1 | 46 + macros/generic/musixtex/doc/scripts/musixflx.pdf | Bin 0 -> 9286 bytes macros/generic/musixtex/doc/scripts/musixtex.1 | 204 + macros/generic/musixtex/doc/scripts/musixtex.pdf | Bin 0 -> 23518 bytes macros/generic/musixtex/dvips/psslurs.pro | 282 + macros/generic/musixtex/latex/musixcpt.sty | 3 + macros/generic/musixtex/latex/musixcrd.sty | 11 + macros/generic/musixtex/latex/musixfll.sty | 2 + macros/generic/musixtex/latex/musixltx.tex | 33 + macros/generic/musixtex/latex/musixtex.sty | 3 + macros/generic/musixtex/scripts/musixflx.bat | 6 + macros/generic/musixtex/scripts/musixflx.lua | 1071 ++++ macros/generic/musixtex/scripts/musixtex.bat | 6 + macros/generic/musixtex/scripts/musixtex.lua | 648 +++ macros/generic/musixtex/source/doc.tex | 24 + macros/generic/musixtex/source/makefile | 45 + macros/generic/musixtex/source/musixcrd.dtx | 811 +++ macros/generic/musixtex/source/readme | 54 + macros/generic/musixtex/source/strip.tex | 20 + macros/generic/musixtex/tex/musixadd.tex | 30 + macros/generic/musixtex/tex/musixadf.tex | 138 + macros/generic/musixtex/tex/musixbar.tex | 148 + macros/generic/musixtex/tex/musixbbm.tex | 69 + macros/generic/musixtex/tex/musixblx.tex | 44 + macros/generic/musixtex/tex/musixbm.tex | 25 + macros/generic/musixtex/tex/musixcho.tex | 68 + macros/generic/musixtex/tex/musixcpt.tex | 826 +++ macros/generic/musixtex/tex/musixcrd.tex | 272 + macros/generic/musixtex/tex/musixdat.tex | 59 + macros/generic/musixtex/tex/musixdbr.tex | 250 + macros/generic/musixtex/tex/musixdia.tex | 110 + macros/generic/musixtex/tex/musixec.tex | 169 + macros/generic/musixtex/tex/musixeng.tex | 42 + macros/generic/musixtex/tex/musixesf.tex | 79 + macros/generic/musixtex/tex/musixevo.tex | 19 + macros/generic/musixtex/tex/musixext.tex | 26 + macros/generic/musixtex/tex/musixfll.tex | 44 + macros/generic/musixtex/tex/musixftab.tex | 148 + macros/generic/musixtex/tex/musixgre.tex | 351 ++ macros/generic/musixtex/tex/musixgui.tex | 41 + macros/generic/musixtex/tex/musixhor.tex | 41 + macros/generic/musixtex/tex/musixhou.tex | 58 + macros/generic/musixtex/tex/musixhv.tex | 180 + macros/generic/musixtex/tex/musixinv.tex | 2 + macros/generic/musixtex/tex/musixlit.tex | 87 + macros/generic/musixtex/tex/musixlyr.tex | 1162 ++++ macros/generic/musixtex/tex/musixmad.tex | 30 + macros/generic/musixtex/tex/musixmkm.tex | 54 + macros/generic/musixtex/tex/musixmtab.tex | 166 + macros/generic/musixtex/tex/musixper.tex | 195 + macros/generic/musixtex/tex/musixplt.tex | 184 + macros/generic/musixtex/tex/musixpoi.tex | 67 + macros/generic/musixtex/tex/musixppff.tex | 169 + macros/generic/musixtex/tex/musixps.tex | 976 ++++ macros/generic/musixtex/tex/musixref.tex | 305 + macros/generic/musixtex/tex/musixslu.tex | 4 + macros/generic/musixtex/tex/musixsqr.tex | 3 + macros/generic/musixtex/tex/musixste.tex | 35 + macros/generic/musixtex/tex/musixstf.tex | 28 + macros/generic/musixtex/tex/musixstr.tex | 47 + macros/generic/musixtex/tex/musixsty.tex | 388 ++ macros/generic/musixtex/tex/musixtex.tex | 5970 ++++++++++++++++++++ macros/generic/musixtex/tex/musixthacc.tex | 49 + macros/generic/musixtex/tex/musixtmr.tex | 201 + macros/generic/musixtex/tex/musixtri.tex | 64 + macros/generic/musixtex/tex/musixvbm.tex | 212 + macros/generic/musixtex/tex/tuplet.tex | 27 + macros/generic/musixtnt/README | 49 + macros/generic/musixtnt/doc/TransformNotes.3 | 98 + macros/generic/musixtnt/doc/TransformNotes.pdf | Bin 0 -> 6616 bytes macros/generic/musixtnt/doc/msxlint.1 | 36 + macros/generic/musixtnt/doc/msxlint.pdf | Bin 0 -> 4148 bytes macros/generic/musixtnt/macosx/msxlint | Bin 0 -> 19544 bytes macros/generic/musixtnt/tex/musixtnt.tex | 30 + macros/hptex/dochc.tex | 827 --- macros/hptex/hpmanual.tex | 1240 ---- macros/hptex/hptex.doc | 751 --- macros/hptex/hptex.tex | 836 --- macros/hptex/macroshc.tex | 897 --- macros/latex/contrib/easybook/easybook.dtx | 22 +- macros/latex/contrib/easybook/easybook.pdf | Bin 599153 -> 599150 bytes macros/latex/contrib/easybook/easybook.tex | 4 +- macros/latex/contrib/llncs/README.md | 8 +- macros/latex/contrib/llncs/history.txt | 214 +- macros/latex/contrib/llncs/llncs.cls | 37 +- macros/latex/contrib/llncs/llncsdoc.pdf | Bin 236737 -> 232527 bytes macros/latex/contrib/llncs/llncsdoc.tex | 28 +- macros/latex/contrib/mhchem/README | 8 +- .../mhchem/hpstatement.inc/hpstatement-bg.inc.sty | 26 +- .../mhchem/hpstatement.inc/hpstatement-cs.inc.sty | 26 +- .../mhchem/hpstatement.inc/hpstatement-da.inc.sty | 26 +- .../mhchem/hpstatement.inc/hpstatement-de.inc.sty | 26 +- .../mhchem/hpstatement.inc/hpstatement-el.inc.sty | 26 +- .../mhchem/hpstatement.inc/hpstatement-en.inc.sty | 26 +- .../mhchem/hpstatement.inc/hpstatement-es.inc.sty | 29 +- .../mhchem/hpstatement.inc/hpstatement-et.inc.sty | 26 +- .../mhchem/hpstatement.inc/hpstatement-fi.inc.sty | 26 +- .../mhchem/hpstatement.inc/hpstatement-fr.inc.sty | 26 +- .../mhchem/hpstatement.inc/hpstatement-ga.inc.sty | 634 +-- .../mhchem/hpstatement.inc/hpstatement-hr.inc.sty | 26 +- .../mhchem/hpstatement.inc/hpstatement-hu.inc.sty | 26 +- .../mhchem/hpstatement.inc/hpstatement-it.inc.sty | 26 +- .../mhchem/hpstatement.inc/hpstatement-lt.inc.sty | 26 +- .../mhchem/hpstatement.inc/hpstatement-lv.inc.sty | 26 +- .../mhchem/hpstatement.inc/hpstatement-mt.inc.sty | 26 +- .../mhchem/hpstatement.inc/hpstatement-nl.inc.sty | 26 +- .../mhchem/hpstatement.inc/hpstatement-pl.inc.sty | 26 +- .../mhchem/hpstatement.inc/hpstatement-pt.inc.sty | 26 +- .../mhchem/hpstatement.inc/hpstatement-ro.inc.sty | 26 +- .../mhchem/hpstatement.inc/hpstatement-sk.inc.sty | 26 +- .../mhchem/hpstatement.inc/hpstatement-sl.inc.sty | 26 +- .../mhchem/hpstatement.inc/hpstatement-sv.inc.sty | 26 +- macros/latex/contrib/mhchem/hpstatement.sty | 8 +- macros/latex/contrib/mhchem/manifest.txt | 1 - macros/latex/contrib/mhchem/mhchem.4ht | 206 - macros/latex/contrib/mhchem/mhchem.pdf | Bin 409122 -> 410230 bytes macros/latex/contrib/mhchem/mhchem.sty | 6 +- macros/latex/contrib/mhchem/mhchem.tex | 34 +- .../latex/contrib/proflycee/doc/ProfLycee-doc.pdf | Bin 1461582 -> 1508923 bytes .../latex/contrib/proflycee/doc/ProfLycee-doc.tex | 18 +- macros/latex/contrib/proflycee/tex/ProfLycee.sty | 3 +- .../proflycee/tex/proflycee-tools-analyse.tex | 72 +- .../proflycee/tex/proflycee-tools-arithm.tex | 306 + .../proflycee/tex/proflycee-tools-complexes.tex | 151 +- macros/mathematica/CHANGES | 65 - macros/mathematica/README | 222 - macros/mathematica/tex-mma-j.ps.gz | Bin 40574 -> 0 bytes macros/mathematica/tex-mma.tar_z | Bin 418881 -> 0 bytes macros/musixtex/README | 90 - macros/musixtex/doc/ChangeLog-114.txt | 98 - macros/musixtex/doc/ChangeLog-115.txt | 270 - macros/musixtex/doc/ChangeLog-116.txt | 35 - macros/musixtex/doc/ChangeLog-117.txt | 12 - macros/musixtex/doc/ChangeLog-118.txt | 11 - macros/musixtex/doc/ChangeLog-119.txt | 7 - macros/musixtex/doc/ChangeLog-120.txt | 6 - macros/musixtex/doc/ChangeLog-121.txt | 16 - macros/musixtex/doc/ChangeLog-122.txt | 8 - macros/musixtex/doc/ChangeLog-123.txt | 6 - macros/musixtex/doc/ChangeLog-124.txt | 10 - macros/musixtex/doc/ChangeLog-125.txt | 6 - macros/musixtex/doc/ChangeLog-126.txt | 5 - macros/musixtex/doc/ChangeLog-127.txt | 15 - macros/musixtex/doc/ChangeLog-128.txt | 7 - macros/musixtex/doc/ChangeLog-129.txt | 6 - macros/musixtex/doc/ChangeLog-130.txt | 5 - macros/musixtex/doc/ChangeLog-131.txt | 4 - macros/musixtex/doc/ChangeLog-132.txt | 6 - macros/musixtex/doc/ChangeLog-133.txt | 8 - macros/musixtex/doc/ChangeLog-134.txt | 9 - macros/musixtex/doc/ChangeLog-135.txt | 8 - macros/musixtex/doc/ChangeLog-136.txt | 7 - macros/musixtex/doc/ChangeLog-137.txt | 5 - macros/musixtex/doc/ChangeLog-musixdoc.txt | 30 - macros/musixtex/doc/examples/adagio.tex | 446 -- macros/musixtex/doc/examples/albinoni.tex | 614 -- macros/musixtex/doc/examples/angescam.tex | 19 - macros/musixtex/doc/examples/angescao.tex | 24 - macros/musixtex/doc/examples/angescax.tex | 366 -- macros/musixtex/doc/examples/avemaria.tex | 18 - macros/musixtex/doc/examples/avemarid.tex | 1016 ---- macros/musixtex/doc/examples/avemaril.tex | 20 - macros/musixtex/doc/examples/avemario.tex | 1014 ---- macros/musixtex/doc/examples/avemarix.tex | 951 ---- macros/musixtex/doc/examples/avemaroo.tex | 858 --- macros/musixtex/doc/examples/aveverch.tex | 3 - macros/musixtex/doc/examples/aveverdd.tex | 4 - macros/musixtex/doc/examples/aveveruc.tex | 4 - macros/musixtex/doc/examples/aveverud.tex | 4 - macros/musixtex/doc/examples/aveverum.tex | 297 - macros/musixtex/doc/examples/changecontext.tex | 95 - macros/musixtex/doc/examples/chanson.tex | 318 -- macros/musixtex/doc/examples/dissonan.tex | 947 ---- macros/musixtex/doc/examples/eightbitchar.tex | 12 - macros/musixtex/doc/examples/fantaisc.tex | 4 - macros/musixtex/doc/examples/fantaisd.tex | 2 - macros/musixtex/doc/examples/fantaisi.tex | 1238 ---- macros/musixtex/doc/examples/fantcmol.tex | 626 -- macros/musixtex/doc/examples/fantfuga.tex | 18 - macros/musixtex/doc/examples/fugcmoll.tex | 517 -- macros/musixtex/doc/examples/fugue.tex | 677 --- macros/musixtex/doc/examples/gloriab.tex | 314 - macros/musixtex/doc/examples/glorias.tex | 286 - macros/musixtex/doc/examples/gloriax.tex | 283 - macros/musixtex/doc/examples/gymnoman.tex | 569 -- macros/musixtex/doc/examples/ilestne.tex | 22 - macros/musixtex/doc/examples/ilestnex.tex | 202 - macros/musixtex/doc/examples/ilfaitda.tex | 18 - macros/musixtex/doc/examples/ilfaitdx.tex | 171 - macros/musixtex/doc/examples/kinder.tex | 125 - macros/musixtex/doc/examples/kv315.tex | 827 --- macros/musixtex/doc/examples/kv315f.tex | 2 - macros/musixtex/doc/examples/kv315h.tex | 2 - macros/musixtex/doc/examples/kv315o.tex | 2 - macros/musixtex/doc/examples/kv315org.tex | 813 --- macros/musixtex/doc/examples/marcello.tex | 319 -- macros/musixtex/doc/examples/marcon1.tex | 729 --- macros/musixtex/doc/examples/marcon2.tex | 723 --- macros/musixtex/doc/examples/marcon3.tex | 1106 ---- macros/musixtex/doc/examples/marconf.tex | 21 - macros/musixtex/doc/examples/marconh.tex | 20 - macros/musixtex/doc/examples/marcono.tex | 19 - macros/musixtex/doc/examples/musixdbrexample.tex | 52 - macros/musixtex/doc/examples/onuitbri.tex | 25 - macros/musixtex/doc/examples/onuitbrr.tex | 12 - macros/musixtex/doc/examples/onuitbrx.tex | 174 - macros/musixtex/doc/examples/ossiaexa.tex | 30 - macros/musixtex/doc/examples/ostinato.tex | 450 -- macros/musixtex/doc/examples/pacifiqb.tex | 9 - macros/musixtex/doc/examples/pacifiqn.tex | 1128 ---- macros/musixtex/doc/examples/pacifiqt.tex | 10 - macros/musixtex/doc/examples/parnasum.tex | 132 - macros/musixtex/doc/examples/partitur.tex | 433 -- macros/musixtex/doc/examples/pedal.tex | 24 - macros/musixtex/doc/examples/prelfug.tex | 4 - macros/musixtex/doc/examples/prelude.tex | 715 --- macros/musixtex/doc/examples/pslurvgap.tex | 21 - macros/musixtex/doc/examples/quod.tex | 162 - macros/musixtex/doc/examples/racine.tex | 596 -- macros/musixtex/doc/examples/recit.tex | 416 -- macros/musixtex/doc/examples/recueil.tex | 156 - macros/musixtex/doc/examples/rests.tex | 229 - macros/musixtex/doc/examples/reves.tex | 543 -- macros/musixtex/doc/examples/romances.tex | 499 -- macros/musixtex/doc/examples/scale.tex | 67 - macros/musixtex/doc/examples/souvenir.tex | 31 - macros/musixtex/doc/examples/souvenix.tex | 474 -- macros/musixtex/doc/examples/tierce.tex | 376 -- macros/musixtex/doc/examples/traeumer.tex | 299 - macros/musixtex/doc/examples/widor.tex | 792 --- macros/musixtex/doc/examples/widor_16.tex | 20 - macros/musixtex/doc/examples/widor_20.tex | 18 - macros/musixtex/doc/musixcrd/doc.pdf | 2564 --------- macros/musixtex/doc/musixdoc.pdf | Bin 1448431 -> 0 bytes macros/musixtex/doc/musixdoc/accidentals.tex | 77 - macros/musixtex/doc/musixdoc/barlines.tex | 316 -- macros/musixtex/doc/musixdoc/barnumbering.tex | 127 - macros/musixtex/doc/musixdoc/beams.tex | 627 -- macros/musixtex/doc/musixdoc/changing.tex | 498 -- macros/musixtex/doc/musixdoc/embedding.tex | 180 - macros/musixtex/doc/musixdoc/examples.tex | 125 - macros/musixtex/doc/musixdoc/extensions.tex | 2510 -------- macros/musixtex/doc/musixdoc/extracting.tex | 101 - macros/musixtex/doc/musixdoc/fonts.tex | 231 - macros/musixtex/doc/musixdoc/frontmatter.tex | 143 - macros/musixtex/doc/musixdoc/index.tex | 10 - macros/musixtex/doc/musixdoc/introduction.tex | 822 --- macros/musixtex/doc/musixdoc/layout.tex | 185 - macros/musixtex/doc/musixdoc/lyrics.tex | 407 -- macros/musixtex/doc/musixdoc/miscellaneous.tex | 1097 ---- macros/musixtex/doc/musixdoc/musixdoc.ltx | 102 - macros/musixtex/doc/musixdoc/musixdoc.sty | 149 - macros/musixtex/doc/musixdoc/parameters.tex | 220 - macros/musixtex/doc/musixdoc/preparing.tex | 285 - macros/musixtex/doc/musixdoc/repeats.tex | 272 - macros/musixtex/doc/musixdoc/restsdoc.tex | 233 - macros/musixtex/doc/musixdoc/settingup.tex | 367 -- macros/musixtex/doc/musixdoc/slurstiesTypeK.tex | 382 -- macros/musixtex/doc/musixdoc/slurstiesfont.tex | 598 -- macros/musixtex/doc/musixdoc/smaller.tex | 190 - macros/musixtex/doc/musixdoc/spacing.tex | 106 - macros/musixtex/doc/musixdoc/staffsize.tex | 101 - macros/musixtex/doc/musixdoc/summary.tex | 310 - macros/musixtex/doc/musixdoc/transposition.tex | 217 - macros/musixtex/doc/musixdoc/writingnotes.tex | 294 - .../musixtex/doc/musixftab/frenchtab-samples.pdf | Bin 20014 -> 0 bytes .../musixtex/doc/musixftab/frenchtab-samples.tex | 9 - macros/musixtex/doc/musixlyr/README.musixlyr | 74 - .../musixtex/doc/musixlyr/examples/nonmoriar.pdf | Bin 11229 -> 0 bytes .../musixtex/doc/musixlyr/examples/nonmoriar.tex | 23 - macros/musixtex/doc/musixlyr/mxlyrdoc.pdf | Bin 245264 -> 0 bytes macros/musixtex/doc/musixlyr/mxlyrdoc.tex | 1876 ------ macros/musixtex/doc/musixtex-install.pdf | Bin 119496 -> 0 bytes macros/musixtex/doc/musixtex-install.tex | 158 - macros/musixtex/doc/notationMistakes/coulhack.tex | 70 - macros/musixtex/doc/notationMistakes/sottieng.pdf | Bin 126207 -> 0 bytes macros/musixtex/doc/notationMistakes/sottieng.tex | 1075 ---- macros/musixtex/doc/notationMistakes/sottiger.pdf | Bin 132877 -> 0 bytes macros/musixtex/doc/notationMistakes/sottiger.tex | 1103 ---- macros/musixtex/doc/notationMistakes/sottigra.pdf | Bin 191646 -> 0 bytes macros/musixtex/doc/notationMistakes/sottigra.tex | 1086 ---- macros/musixtex/doc/psslurs/README.psslurs | 42 - macros/musixtex/doc/psslurs/slurs.pdf | Bin 16083 -> 0 bytes macros/musixtex/doc/psslurs/slurs.tex | 77 - macros/musixtex/doc/reference/musixre1.pdf | Bin 85655 -> 0 bytes macros/musixtex/doc/scripts/musixflx.1 | 46 - macros/musixtex/doc/scripts/musixflx.pdf | Bin 9286 -> 0 bytes macros/musixtex/doc/scripts/musixtex.1 | 204 - macros/musixtex/doc/scripts/musixtex.pdf | Bin 23518 -> 0 bytes macros/musixtex/dvips/psslurs.pro | 282 - macros/musixtex/latex/musixcpt.sty | 3 - macros/musixtex/latex/musixcrd.sty | 11 - macros/musixtex/latex/musixfll.sty | 2 - macros/musixtex/latex/musixltx.tex | 33 - macros/musixtex/latex/musixtex.sty | 3 - macros/musixtex/scripts/musixflx.bat | 6 - macros/musixtex/scripts/musixflx.lua | 1071 ---- macros/musixtex/scripts/musixtex.bat | 6 - macros/musixtex/scripts/musixtex.lua | 648 --- macros/musixtex/source/doc.tex | 24 - macros/musixtex/source/makefile | 45 - macros/musixtex/source/musixcrd.dtx | 811 --- macros/musixtex/source/readme | 54 - macros/musixtex/source/strip.tex | 20 - macros/musixtex/tex/musixadd.tex | 30 - macros/musixtex/tex/musixadf.tex | 138 - macros/musixtex/tex/musixbar.tex | 148 - macros/musixtex/tex/musixbbm.tex | 69 - macros/musixtex/tex/musixblx.tex | 44 - macros/musixtex/tex/musixbm.tex | 25 - macros/musixtex/tex/musixcho.tex | 68 - macros/musixtex/tex/musixcpt.tex | 826 --- macros/musixtex/tex/musixcrd.tex | 272 - macros/musixtex/tex/musixdat.tex | 59 - macros/musixtex/tex/musixdbr.tex | 250 - macros/musixtex/tex/musixdia.tex | 110 - macros/musixtex/tex/musixec.tex | 169 - macros/musixtex/tex/musixeng.tex | 42 - macros/musixtex/tex/musixesf.tex | 79 - macros/musixtex/tex/musixevo.tex | 19 - macros/musixtex/tex/musixext.tex | 26 - macros/musixtex/tex/musixfll.tex | 44 - macros/musixtex/tex/musixftab.tex | 148 - macros/musixtex/tex/musixgre.tex | 351 -- macros/musixtex/tex/musixgui.tex | 41 - macros/musixtex/tex/musixhor.tex | 41 - macros/musixtex/tex/musixhou.tex | 58 - macros/musixtex/tex/musixhv.tex | 180 - macros/musixtex/tex/musixinv.tex | 2 - macros/musixtex/tex/musixlit.tex | 87 - macros/musixtex/tex/musixlyr.tex | 1162 ---- macros/musixtex/tex/musixmad.tex | 30 - macros/musixtex/tex/musixmkm.tex | 54 - macros/musixtex/tex/musixmtab.tex | 166 - macros/musixtex/tex/musixper.tex | 195 - macros/musixtex/tex/musixplt.tex | 184 - macros/musixtex/tex/musixpoi.tex | 67 - macros/musixtex/tex/musixppff.tex | 169 - macros/musixtex/tex/musixps.tex | 976 ---- macros/musixtex/tex/musixref.tex | 305 - macros/musixtex/tex/musixslu.tex | 4 - macros/musixtex/tex/musixsqr.tex | 3 - macros/musixtex/tex/musixste.tex | 35 - macros/musixtex/tex/musixstf.tex | 28 - macros/musixtex/tex/musixstr.tex | 47 - macros/musixtex/tex/musixsty.tex | 388 -- macros/musixtex/tex/musixtex.tex | 5970 -------------------- macros/musixtex/tex/musixthacc.tex | 49 - macros/musixtex/tex/musixtmr.tex | 201 - macros/musixtex/tex/musixtri.tex | 64 - macros/musixtex/tex/musixvbm.tex | 212 - macros/musixtex/tex/tuplet.tex | 27 - macros/musixtnt/README | 49 - macros/musixtnt/doc/TransformNotes.3 | 98 - macros/musixtnt/doc/TransformNotes.pdf | Bin 6616 -> 0 bytes macros/musixtnt/doc/msxlint.1 | 36 - macros/musixtnt/doc/msxlint.pdf | Bin 4148 -> 0 bytes macros/musixtnt/macosx/msxlint | Bin 19544 -> 0 bytes macros/musixtnt/tex/musixtnt.tex | 30 - 516 files changed, 63366 insertions(+), 67543 deletions(-) create mode 100644 macros/generic/musixtex/README create mode 100644 macros/generic/musixtex/doc/ChangeLog-114.txt create mode 100644 macros/generic/musixtex/doc/ChangeLog-115.txt create mode 100644 macros/generic/musixtex/doc/ChangeLog-116.txt create mode 100644 macros/generic/musixtex/doc/ChangeLog-117.txt create mode 100644 macros/generic/musixtex/doc/ChangeLog-118.txt create mode 100644 macros/generic/musixtex/doc/ChangeLog-119.txt create mode 100644 macros/generic/musixtex/doc/ChangeLog-120.txt create mode 100644 macros/generic/musixtex/doc/ChangeLog-121.txt create mode 100644 macros/generic/musixtex/doc/ChangeLog-122.txt create mode 100644 macros/generic/musixtex/doc/ChangeLog-123.txt create mode 100644 macros/generic/musixtex/doc/ChangeLog-124.txt create mode 100644 macros/generic/musixtex/doc/ChangeLog-125.txt create mode 100644 macros/generic/musixtex/doc/ChangeLog-126.txt create mode 100644 macros/generic/musixtex/doc/ChangeLog-127.txt create mode 100644 macros/generic/musixtex/doc/ChangeLog-128.txt create mode 100644 macros/generic/musixtex/doc/ChangeLog-129.txt create mode 100644 macros/generic/musixtex/doc/ChangeLog-130.txt create mode 100644 macros/generic/musixtex/doc/ChangeLog-131.txt create mode 100644 macros/generic/musixtex/doc/ChangeLog-132.txt create mode 100644 macros/generic/musixtex/doc/ChangeLog-133.txt create mode 100644 macros/generic/musixtex/doc/ChangeLog-134.txt create mode 100644 macros/generic/musixtex/doc/ChangeLog-135.txt create mode 100644 macros/generic/musixtex/doc/ChangeLog-136.txt create mode 100644 macros/generic/musixtex/doc/ChangeLog-137.txt create mode 100644 macros/generic/musixtex/doc/ChangeLog-musixdoc.txt create mode 100644 macros/generic/musixtex/doc/examples/adagio.tex create mode 100644 macros/generic/musixtex/doc/examples/albinoni.tex create mode 100644 macros/generic/musixtex/doc/examples/angescam.tex create mode 100644 macros/generic/musixtex/doc/examples/angescao.tex create mode 100644 macros/generic/musixtex/doc/examples/angescax.tex create mode 100644 macros/generic/musixtex/doc/examples/avemaria.tex create mode 100644 macros/generic/musixtex/doc/examples/avemarid.tex create mode 100644 macros/generic/musixtex/doc/examples/avemaril.tex create mode 100644 macros/generic/musixtex/doc/examples/avemario.tex create mode 100644 macros/generic/musixtex/doc/examples/avemarix.tex create mode 100644 macros/generic/musixtex/doc/examples/avemaroo.tex create mode 100644 macros/generic/musixtex/doc/examples/aveverch.tex create mode 100644 macros/generic/musixtex/doc/examples/aveverdd.tex create mode 100644 macros/generic/musixtex/doc/examples/aveveruc.tex create mode 100644 macros/generic/musixtex/doc/examples/aveverud.tex create mode 100644 macros/generic/musixtex/doc/examples/aveverum.tex create mode 100644 macros/generic/musixtex/doc/examples/changecontext.tex create mode 100644 macros/generic/musixtex/doc/examples/chanson.tex create mode 100644 macros/generic/musixtex/doc/examples/dissonan.tex create mode 100644 macros/generic/musixtex/doc/examples/eightbitchar.tex create mode 100644 macros/generic/musixtex/doc/examples/fantaisc.tex create mode 100644 macros/generic/musixtex/doc/examples/fantaisd.tex create mode 100644 macros/generic/musixtex/doc/examples/fantaisi.tex create mode 100644 macros/generic/musixtex/doc/examples/fantcmol.tex create mode 100644 macros/generic/musixtex/doc/examples/fantfuga.tex create mode 100644 macros/generic/musixtex/doc/examples/fugcmoll.tex create mode 100644 macros/generic/musixtex/doc/examples/fugue.tex create mode 100644 macros/generic/musixtex/doc/examples/gloriab.tex create mode 100644 macros/generic/musixtex/doc/examples/glorias.tex create mode 100644 macros/generic/musixtex/doc/examples/gloriax.tex create mode 100644 macros/generic/musixtex/doc/examples/gymnoman.tex create mode 100644 macros/generic/musixtex/doc/examples/ilestne.tex create mode 100644 macros/generic/musixtex/doc/examples/ilestnex.tex create mode 100644 macros/generic/musixtex/doc/examples/ilfaitda.tex create mode 100644 macros/generic/musixtex/doc/examples/ilfaitdx.tex create mode 100644 macros/generic/musixtex/doc/examples/kinder.tex create mode 100644 macros/generic/musixtex/doc/examples/kv315.tex create mode 100644 macros/generic/musixtex/doc/examples/kv315f.tex create mode 100644 macros/generic/musixtex/doc/examples/kv315h.tex create mode 100644 macros/generic/musixtex/doc/examples/kv315o.tex create mode 100644 macros/generic/musixtex/doc/examples/kv315org.tex create mode 100644 macros/generic/musixtex/doc/examples/marcello.tex create mode 100644 macros/generic/musixtex/doc/examples/marcon1.tex create mode 100644 macros/generic/musixtex/doc/examples/marcon2.tex create mode 100644 macros/generic/musixtex/doc/examples/marcon3.tex create mode 100644 macros/generic/musixtex/doc/examples/marconf.tex create mode 100644 macros/generic/musixtex/doc/examples/marconh.tex create mode 100644 macros/generic/musixtex/doc/examples/marcono.tex create mode 100644 macros/generic/musixtex/doc/examples/musixdbrexample.tex create mode 100644 macros/generic/musixtex/doc/examples/onuitbri.tex create mode 100644 macros/generic/musixtex/doc/examples/onuitbrr.tex create mode 100644 macros/generic/musixtex/doc/examples/onuitbrx.tex create mode 100644 macros/generic/musixtex/doc/examples/ossiaexa.tex create mode 100644 macros/generic/musixtex/doc/examples/ostinato.tex create mode 100644 macros/generic/musixtex/doc/examples/pacifiqb.tex create mode 100644 macros/generic/musixtex/doc/examples/pacifiqn.tex create mode 100644 macros/generic/musixtex/doc/examples/pacifiqt.tex create mode 100644 macros/generic/musixtex/doc/examples/parnasum.tex create mode 100644 macros/generic/musixtex/doc/examples/partitur.tex create mode 100644 macros/generic/musixtex/doc/examples/pedal.tex create mode 100644 macros/generic/musixtex/doc/examples/prelfug.tex create mode 100644 macros/generic/musixtex/doc/examples/prelude.tex create mode 100644 macros/generic/musixtex/doc/examples/pslurvgap.tex create mode 100644 macros/generic/musixtex/doc/examples/quod.tex create mode 100644 macros/generic/musixtex/doc/examples/racine.tex create mode 100644 macros/generic/musixtex/doc/examples/recit.tex create mode 100644 macros/generic/musixtex/doc/examples/recueil.tex create mode 100644 macros/generic/musixtex/doc/examples/rests.tex create mode 100644 macros/generic/musixtex/doc/examples/reves.tex create mode 100644 macros/generic/musixtex/doc/examples/romances.tex create mode 100644 macros/generic/musixtex/doc/examples/scale.tex create mode 100644 macros/generic/musixtex/doc/examples/souvenir.tex create mode 100644 macros/generic/musixtex/doc/examples/souvenix.tex create mode 100644 macros/generic/musixtex/doc/examples/tierce.tex create mode 100644 macros/generic/musixtex/doc/examples/traeumer.tex create mode 100644 macros/generic/musixtex/doc/examples/widor.tex create mode 100644 macros/generic/musixtex/doc/examples/widor_16.tex create mode 100644 macros/generic/musixtex/doc/examples/widor_20.tex create mode 100644 macros/generic/musixtex/doc/musixcrd/doc.pdf create mode 100644 macros/generic/musixtex/doc/musixdoc.pdf create mode 100644 macros/generic/musixtex/doc/musixdoc/accidentals.tex create mode 100644 macros/generic/musixtex/doc/musixdoc/barlines.tex create mode 100644 macros/generic/musixtex/doc/musixdoc/barnumbering.tex create mode 100644 macros/generic/musixtex/doc/musixdoc/beams.tex create mode 100644 macros/generic/musixtex/doc/musixdoc/changing.tex create mode 100644 macros/generic/musixtex/doc/musixdoc/embedding.tex create mode 100644 macros/generic/musixtex/doc/musixdoc/examples.tex create mode 100644 macros/generic/musixtex/doc/musixdoc/extensions.tex create mode 100644 macros/generic/musixtex/doc/musixdoc/extracting.tex create mode 100644 macros/generic/musixtex/doc/musixdoc/fonts.tex create mode 100644 macros/generic/musixtex/doc/musixdoc/frontmatter.tex create mode 100644 macros/generic/musixtex/doc/musixdoc/index.tex create mode 100644 macros/generic/musixtex/doc/musixdoc/introduction.tex create mode 100644 macros/generic/musixtex/doc/musixdoc/layout.tex create mode 100644 macros/generic/musixtex/doc/musixdoc/lyrics.tex create mode 100644 macros/generic/musixtex/doc/musixdoc/miscellaneous.tex create mode 100644 macros/generic/musixtex/doc/musixdoc/musixdoc.ltx create mode 100644 macros/generic/musixtex/doc/musixdoc/musixdoc.sty create mode 100644 macros/generic/musixtex/doc/musixdoc/parameters.tex create mode 100644 macros/generic/musixtex/doc/musixdoc/preparing.tex create mode 100644 macros/generic/musixtex/doc/musixdoc/repeats.tex create mode 100644 macros/generic/musixtex/doc/musixdoc/restsdoc.tex create mode 100644 macros/generic/musixtex/doc/musixdoc/settingup.tex create mode 100644 macros/generic/musixtex/doc/musixdoc/slurstiesTypeK.tex create mode 100644 macros/generic/musixtex/doc/musixdoc/slurstiesfont.tex create mode 100644 macros/generic/musixtex/doc/musixdoc/smaller.tex create mode 100644 macros/generic/musixtex/doc/musixdoc/spacing.tex create mode 100644 macros/generic/musixtex/doc/musixdoc/staffsize.tex create mode 100644 macros/generic/musixtex/doc/musixdoc/summary.tex create mode 100644 macros/generic/musixtex/doc/musixdoc/transposition.tex create mode 100644 macros/generic/musixtex/doc/musixdoc/writingnotes.tex create mode 100644 macros/generic/musixtex/doc/musixftab/frenchtab-samples.pdf create mode 100644 macros/generic/musixtex/doc/musixftab/frenchtab-samples.tex create mode 100644 macros/generic/musixtex/doc/musixlyr/README.musixlyr create mode 100644 macros/generic/musixtex/doc/musixlyr/examples/nonmoriar.pdf create mode 100644 macros/generic/musixtex/doc/musixlyr/examples/nonmoriar.tex create mode 100644 macros/generic/musixtex/doc/musixlyr/mxlyrdoc.pdf create mode 100644 macros/generic/musixtex/doc/musixlyr/mxlyrdoc.tex create mode 100644 macros/generic/musixtex/doc/musixtex-install.pdf create mode 100644 macros/generic/musixtex/doc/musixtex-install.tex create mode 100644 macros/generic/musixtex/doc/notationMistakes/coulhack.tex create mode 100644 macros/generic/musixtex/doc/notationMistakes/sottieng.pdf create mode 100644 macros/generic/musixtex/doc/notationMistakes/sottieng.tex create mode 100644 macros/generic/musixtex/doc/notationMistakes/sottiger.pdf create mode 100644 macros/generic/musixtex/doc/notationMistakes/sottiger.tex create mode 100644 macros/generic/musixtex/doc/notationMistakes/sottigra.pdf create mode 100644 macros/generic/musixtex/doc/notationMistakes/sottigra.tex create mode 100644 macros/generic/musixtex/doc/psslurs/README.psslurs create mode 100644 macros/generic/musixtex/doc/psslurs/slurs.pdf create mode 100644 macros/generic/musixtex/doc/psslurs/slurs.tex create mode 100644 macros/generic/musixtex/doc/reference/musixre1.pdf create mode 100644 macros/generic/musixtex/doc/scripts/musixflx.1 create mode 100644 macros/generic/musixtex/doc/scripts/musixflx.pdf create mode 100644 macros/generic/musixtex/doc/scripts/musixtex.1 create mode 100644 macros/generic/musixtex/doc/scripts/musixtex.pdf create mode 100644 macros/generic/musixtex/dvips/psslurs.pro create mode 100644 macros/generic/musixtex/latex/musixcpt.sty create mode 100644 macros/generic/musixtex/latex/musixcrd.sty create mode 100644 macros/generic/musixtex/latex/musixfll.sty create mode 100644 macros/generic/musixtex/latex/musixltx.tex create mode 100644 macros/generic/musixtex/latex/musixtex.sty create mode 100644 macros/generic/musixtex/scripts/musixflx.bat create mode 100644 macros/generic/musixtex/scripts/musixflx.lua create mode 100644 macros/generic/musixtex/scripts/musixtex.bat create mode 100755 macros/generic/musixtex/scripts/musixtex.lua create mode 100644 macros/generic/musixtex/source/doc.tex create mode 100644 macros/generic/musixtex/source/makefile create mode 100644 macros/generic/musixtex/source/musixcrd.dtx create mode 100644 macros/generic/musixtex/source/readme create mode 100644 macros/generic/musixtex/source/strip.tex create mode 100644 macros/generic/musixtex/tex/musixadd.tex create mode 100644 macros/generic/musixtex/tex/musixadf.tex create mode 100644 macros/generic/musixtex/tex/musixbar.tex create mode 100644 macros/generic/musixtex/tex/musixbbm.tex create mode 100644 macros/generic/musixtex/tex/musixblx.tex create mode 100644 macros/generic/musixtex/tex/musixbm.tex create mode 100644 macros/generic/musixtex/tex/musixcho.tex create mode 100644 macros/generic/musixtex/tex/musixcpt.tex create mode 100644 macros/generic/musixtex/tex/musixcrd.tex create mode 100644 macros/generic/musixtex/tex/musixdat.tex create mode 100644 macros/generic/musixtex/tex/musixdbr.tex create mode 100644 macros/generic/musixtex/tex/musixdia.tex create mode 100644 macros/generic/musixtex/tex/musixec.tex create mode 100644 macros/generic/musixtex/tex/musixeng.tex create mode 100644 macros/generic/musixtex/tex/musixesf.tex create mode 100644 macros/generic/musixtex/tex/musixevo.tex create mode 100644 macros/generic/musixtex/tex/musixext.tex create mode 100644 macros/generic/musixtex/tex/musixfll.tex create mode 100644 macros/generic/musixtex/tex/musixftab.tex create mode 100644 macros/generic/musixtex/tex/musixgre.tex create mode 100644 macros/generic/musixtex/tex/musixgui.tex create mode 100644 macros/generic/musixtex/tex/musixhor.tex create mode 100644 macros/generic/musixtex/tex/musixhou.tex create mode 100644 macros/generic/musixtex/tex/musixhv.tex create mode 100644 macros/generic/musixtex/tex/musixinv.tex create mode 100644 macros/generic/musixtex/tex/musixlit.tex create mode 100644 macros/generic/musixtex/tex/musixlyr.tex create mode 100644 macros/generic/musixtex/tex/musixmad.tex create mode 100644 macros/generic/musixtex/tex/musixmkm.tex create mode 100644 macros/generic/musixtex/tex/musixmtab.tex create mode 100644 macros/generic/musixtex/tex/musixper.tex create mode 100644 macros/generic/musixtex/tex/musixplt.tex create mode 100644 macros/generic/musixtex/tex/musixpoi.tex create mode 100644 macros/generic/musixtex/tex/musixppff.tex create mode 100644 macros/generic/musixtex/tex/musixps.tex create mode 100644 macros/generic/musixtex/tex/musixref.tex create mode 100644 macros/generic/musixtex/tex/musixslu.tex create mode 100644 macros/generic/musixtex/tex/musixsqr.tex create mode 100644 macros/generic/musixtex/tex/musixste.tex create mode 100644 macros/generic/musixtex/tex/musixstf.tex create mode 100644 macros/generic/musixtex/tex/musixstr.tex create mode 100644 macros/generic/musixtex/tex/musixsty.tex create mode 100644 macros/generic/musixtex/tex/musixtex.tex create mode 100644 macros/generic/musixtex/tex/musixthacc.tex create mode 100644 macros/generic/musixtex/tex/musixtmr.tex create mode 100644 macros/generic/musixtex/tex/musixtri.tex create mode 100644 macros/generic/musixtex/tex/musixvbm.tex create mode 100644 macros/generic/musixtex/tex/tuplet.tex create mode 100644 macros/generic/musixtnt/README create mode 100644 macros/generic/musixtnt/doc/TransformNotes.3 create mode 100644 macros/generic/musixtnt/doc/TransformNotes.pdf create mode 100644 macros/generic/musixtnt/doc/msxlint.1 create mode 100644 macros/generic/musixtnt/doc/msxlint.pdf create mode 100755 macros/generic/musixtnt/macosx/msxlint create mode 100644 macros/generic/musixtnt/tex/musixtnt.tex delete mode 100644 macros/hptex/dochc.tex delete mode 100644 macros/hptex/hpmanual.tex delete mode 100644 macros/hptex/hptex.doc delete mode 100644 macros/hptex/hptex.tex delete mode 100644 macros/hptex/macroshc.tex delete mode 100644 macros/latex/contrib/mhchem/mhchem.4ht delete mode 100644 macros/mathematica/CHANGES delete mode 100644 macros/mathematica/README delete mode 100644 macros/mathematica/tex-mma-j.ps.gz delete mode 100644 macros/mathematica/tex-mma.tar_z delete mode 100644 macros/musixtex/README delete mode 100644 macros/musixtex/doc/ChangeLog-114.txt delete mode 100644 macros/musixtex/doc/ChangeLog-115.txt delete mode 100644 macros/musixtex/doc/ChangeLog-116.txt delete mode 100644 macros/musixtex/doc/ChangeLog-117.txt delete mode 100644 macros/musixtex/doc/ChangeLog-118.txt delete mode 100644 macros/musixtex/doc/ChangeLog-119.txt delete mode 100644 macros/musixtex/doc/ChangeLog-120.txt delete mode 100644 macros/musixtex/doc/ChangeLog-121.txt delete mode 100644 macros/musixtex/doc/ChangeLog-122.txt delete mode 100644 macros/musixtex/doc/ChangeLog-123.txt delete mode 100644 macros/musixtex/doc/ChangeLog-124.txt delete mode 100644 macros/musixtex/doc/ChangeLog-125.txt delete mode 100644 macros/musixtex/doc/ChangeLog-126.txt delete mode 100644 macros/musixtex/doc/ChangeLog-127.txt delete mode 100644 macros/musixtex/doc/ChangeLog-128.txt delete mode 100644 macros/musixtex/doc/ChangeLog-129.txt delete mode 100644 macros/musixtex/doc/ChangeLog-130.txt delete mode 100644 macros/musixtex/doc/ChangeLog-131.txt delete mode 100644 macros/musixtex/doc/ChangeLog-132.txt delete mode 100644 macros/musixtex/doc/ChangeLog-133.txt delete mode 100644 macros/musixtex/doc/ChangeLog-134.txt delete mode 100644 macros/musixtex/doc/ChangeLog-135.txt delete mode 100644 macros/musixtex/doc/ChangeLog-136.txt delete mode 100644 macros/musixtex/doc/ChangeLog-137.txt delete mode 100644 macros/musixtex/doc/ChangeLog-musixdoc.txt delete mode 100644 macros/musixtex/doc/examples/adagio.tex delete mode 100644 macros/musixtex/doc/examples/albinoni.tex delete mode 100644 macros/musixtex/doc/examples/angescam.tex delete mode 100644 macros/musixtex/doc/examples/angescao.tex delete mode 100644 macros/musixtex/doc/examples/angescax.tex delete mode 100644 macros/musixtex/doc/examples/avemaria.tex delete mode 100644 macros/musixtex/doc/examples/avemarid.tex delete mode 100644 macros/musixtex/doc/examples/avemaril.tex delete mode 100644 macros/musixtex/doc/examples/avemario.tex delete mode 100644 macros/musixtex/doc/examples/avemarix.tex delete mode 100644 macros/musixtex/doc/examples/avemaroo.tex delete mode 100644 macros/musixtex/doc/examples/aveverch.tex delete mode 100644 macros/musixtex/doc/examples/aveverdd.tex delete mode 100644 macros/musixtex/doc/examples/aveveruc.tex delete mode 100644 macros/musixtex/doc/examples/aveverud.tex delete mode 100644 macros/musixtex/doc/examples/aveverum.tex delete mode 100644 macros/musixtex/doc/examples/changecontext.tex delete mode 100644 macros/musixtex/doc/examples/chanson.tex delete mode 100644 macros/musixtex/doc/examples/dissonan.tex delete mode 100644 macros/musixtex/doc/examples/eightbitchar.tex delete mode 100644 macros/musixtex/doc/examples/fantaisc.tex delete mode 100644 macros/musixtex/doc/examples/fantaisd.tex delete mode 100644 macros/musixtex/doc/examples/fantaisi.tex delete mode 100644 macros/musixtex/doc/examples/fantcmol.tex delete mode 100644 macros/musixtex/doc/examples/fantfuga.tex delete mode 100644 macros/musixtex/doc/examples/fugcmoll.tex delete mode 100644 macros/musixtex/doc/examples/fugue.tex delete mode 100644 macros/musixtex/doc/examples/gloriab.tex delete mode 100644 macros/musixtex/doc/examples/glorias.tex delete mode 100644 macros/musixtex/doc/examples/gloriax.tex delete mode 100644 macros/musixtex/doc/examples/gymnoman.tex delete mode 100644 macros/musixtex/doc/examples/ilestne.tex delete mode 100644 macros/musixtex/doc/examples/ilestnex.tex delete mode 100644 macros/musixtex/doc/examples/ilfaitda.tex delete mode 100644 macros/musixtex/doc/examples/ilfaitdx.tex delete mode 100644 macros/musixtex/doc/examples/kinder.tex delete mode 100644 macros/musixtex/doc/examples/kv315.tex delete mode 100644 macros/musixtex/doc/examples/kv315f.tex delete mode 100644 macros/musixtex/doc/examples/kv315h.tex delete mode 100644 macros/musixtex/doc/examples/kv315o.tex delete mode 100644 macros/musixtex/doc/examples/kv315org.tex delete mode 100644 macros/musixtex/doc/examples/marcello.tex delete mode 100644 macros/musixtex/doc/examples/marcon1.tex delete mode 100644 macros/musixtex/doc/examples/marcon2.tex delete mode 100644 macros/musixtex/doc/examples/marcon3.tex delete mode 100644 macros/musixtex/doc/examples/marconf.tex delete mode 100644 macros/musixtex/doc/examples/marconh.tex delete mode 100644 macros/musixtex/doc/examples/marcono.tex delete mode 100644 macros/musixtex/doc/examples/musixdbrexample.tex delete mode 100644 macros/musixtex/doc/examples/onuitbri.tex delete mode 100644 macros/musixtex/doc/examples/onuitbrr.tex delete mode 100644 macros/musixtex/doc/examples/onuitbrx.tex delete mode 100644 macros/musixtex/doc/examples/ossiaexa.tex delete mode 100644 macros/musixtex/doc/examples/ostinato.tex delete mode 100644 macros/musixtex/doc/examples/pacifiqb.tex delete mode 100644 macros/musixtex/doc/examples/pacifiqn.tex delete mode 100644 macros/musixtex/doc/examples/pacifiqt.tex delete mode 100644 macros/musixtex/doc/examples/parnasum.tex delete mode 100644 macros/musixtex/doc/examples/partitur.tex delete mode 100644 macros/musixtex/doc/examples/pedal.tex delete mode 100644 macros/musixtex/doc/examples/prelfug.tex delete mode 100644 macros/musixtex/doc/examples/prelude.tex delete mode 100644 macros/musixtex/doc/examples/pslurvgap.tex delete mode 100644 macros/musixtex/doc/examples/quod.tex delete mode 100644 macros/musixtex/doc/examples/racine.tex delete mode 100644 macros/musixtex/doc/examples/recit.tex delete mode 100644 macros/musixtex/doc/examples/recueil.tex delete mode 100644 macros/musixtex/doc/examples/rests.tex delete mode 100644 macros/musixtex/doc/examples/reves.tex delete mode 100644 macros/musixtex/doc/examples/romances.tex delete mode 100644 macros/musixtex/doc/examples/scale.tex delete mode 100644 macros/musixtex/doc/examples/souvenir.tex delete mode 100644 macros/musixtex/doc/examples/souvenix.tex delete mode 100644 macros/musixtex/doc/examples/tierce.tex delete mode 100644 macros/musixtex/doc/examples/traeumer.tex delete mode 100644 macros/musixtex/doc/examples/widor.tex delete mode 100644 macros/musixtex/doc/examples/widor_16.tex delete mode 100644 macros/musixtex/doc/examples/widor_20.tex delete mode 100644 macros/musixtex/doc/musixcrd/doc.pdf delete mode 100644 macros/musixtex/doc/musixdoc.pdf delete mode 100644 macros/musixtex/doc/musixdoc/accidentals.tex delete mode 100644 macros/musixtex/doc/musixdoc/barlines.tex delete mode 100644 macros/musixtex/doc/musixdoc/barnumbering.tex delete mode 100644 macros/musixtex/doc/musixdoc/beams.tex delete mode 100644 macros/musixtex/doc/musixdoc/changing.tex delete mode 100644 macros/musixtex/doc/musixdoc/embedding.tex delete mode 100644 macros/musixtex/doc/musixdoc/examples.tex delete mode 100644 macros/musixtex/doc/musixdoc/extensions.tex delete mode 100644 macros/musixtex/doc/musixdoc/extracting.tex delete mode 100644 macros/musixtex/doc/musixdoc/fonts.tex delete mode 100644 macros/musixtex/doc/musixdoc/frontmatter.tex delete mode 100644 macros/musixtex/doc/musixdoc/index.tex delete mode 100644 macros/musixtex/doc/musixdoc/introduction.tex delete mode 100644 macros/musixtex/doc/musixdoc/layout.tex delete mode 100644 macros/musixtex/doc/musixdoc/lyrics.tex delete mode 100644 macros/musixtex/doc/musixdoc/miscellaneous.tex delete mode 100644 macros/musixtex/doc/musixdoc/musixdoc.ltx delete mode 100644 macros/musixtex/doc/musixdoc/musixdoc.sty delete mode 100644 macros/musixtex/doc/musixdoc/parameters.tex delete mode 100644 macros/musixtex/doc/musixdoc/preparing.tex delete mode 100644 macros/musixtex/doc/musixdoc/repeats.tex delete mode 100644 macros/musixtex/doc/musixdoc/restsdoc.tex delete mode 100644 macros/musixtex/doc/musixdoc/settingup.tex delete mode 100644 macros/musixtex/doc/musixdoc/slurstiesTypeK.tex delete mode 100644 macros/musixtex/doc/musixdoc/slurstiesfont.tex delete mode 100644 macros/musixtex/doc/musixdoc/smaller.tex delete mode 100644 macros/musixtex/doc/musixdoc/spacing.tex delete mode 100644 macros/musixtex/doc/musixdoc/staffsize.tex delete mode 100644 macros/musixtex/doc/musixdoc/summary.tex delete mode 100644 macros/musixtex/doc/musixdoc/transposition.tex delete mode 100644 macros/musixtex/doc/musixdoc/writingnotes.tex delete mode 100644 macros/musixtex/doc/musixftab/frenchtab-samples.pdf delete mode 100644 macros/musixtex/doc/musixftab/frenchtab-samples.tex delete mode 100644 macros/musixtex/doc/musixlyr/README.musixlyr delete mode 100644 macros/musixtex/doc/musixlyr/examples/nonmoriar.pdf delete mode 100644 macros/musixtex/doc/musixlyr/examples/nonmoriar.tex delete mode 100644 macros/musixtex/doc/musixlyr/mxlyrdoc.pdf delete mode 100644 macros/musixtex/doc/musixlyr/mxlyrdoc.tex delete mode 100644 macros/musixtex/doc/musixtex-install.pdf delete mode 100644 macros/musixtex/doc/musixtex-install.tex delete mode 100644 macros/musixtex/doc/notationMistakes/coulhack.tex delete mode 100644 macros/musixtex/doc/notationMistakes/sottieng.pdf delete mode 100644 macros/musixtex/doc/notationMistakes/sottieng.tex delete mode 100644 macros/musixtex/doc/notationMistakes/sottiger.pdf delete mode 100644 macros/musixtex/doc/notationMistakes/sottiger.tex delete mode 100644 macros/musixtex/doc/notationMistakes/sottigra.pdf delete mode 100644 macros/musixtex/doc/notationMistakes/sottigra.tex delete mode 100644 macros/musixtex/doc/psslurs/README.psslurs delete mode 100644 macros/musixtex/doc/psslurs/slurs.pdf delete mode 100644 macros/musixtex/doc/psslurs/slurs.tex delete mode 100644 macros/musixtex/doc/reference/musixre1.pdf delete mode 100644 macros/musixtex/doc/scripts/musixflx.1 delete mode 100644 macros/musixtex/doc/scripts/musixflx.pdf delete mode 100644 macros/musixtex/doc/scripts/musixtex.1 delete mode 100644 macros/musixtex/doc/scripts/musixtex.pdf delete mode 100644 macros/musixtex/dvips/psslurs.pro delete mode 100644 macros/musixtex/latex/musixcpt.sty delete mode 100644 macros/musixtex/latex/musixcrd.sty delete mode 100644 macros/musixtex/latex/musixfll.sty delete mode 100644 macros/musixtex/latex/musixltx.tex delete mode 100644 macros/musixtex/latex/musixtex.sty delete mode 100644 macros/musixtex/scripts/musixflx.bat delete mode 100644 macros/musixtex/scripts/musixflx.lua delete mode 100644 macros/musixtex/scripts/musixtex.bat delete mode 100755 macros/musixtex/scripts/musixtex.lua delete mode 100644 macros/musixtex/source/doc.tex delete mode 100644 macros/musixtex/source/makefile delete mode 100644 macros/musixtex/source/musixcrd.dtx delete mode 100644 macros/musixtex/source/readme delete mode 100644 macros/musixtex/source/strip.tex delete mode 100644 macros/musixtex/tex/musixadd.tex delete mode 100644 macros/musixtex/tex/musixadf.tex delete mode 100644 macros/musixtex/tex/musixbar.tex delete mode 100644 macros/musixtex/tex/musixbbm.tex delete mode 100644 macros/musixtex/tex/musixblx.tex delete mode 100644 macros/musixtex/tex/musixbm.tex delete mode 100644 macros/musixtex/tex/musixcho.tex delete mode 100644 macros/musixtex/tex/musixcpt.tex delete mode 100644 macros/musixtex/tex/musixcrd.tex delete mode 100644 macros/musixtex/tex/musixdat.tex delete mode 100644 macros/musixtex/tex/musixdbr.tex delete mode 100644 macros/musixtex/tex/musixdia.tex delete mode 100644 macros/musixtex/tex/musixec.tex delete mode 100644 macros/musixtex/tex/musixeng.tex delete mode 100644 macros/musixtex/tex/musixesf.tex delete mode 100644 macros/musixtex/tex/musixevo.tex delete mode 100644 macros/musixtex/tex/musixext.tex delete mode 100644 macros/musixtex/tex/musixfll.tex delete mode 100644 macros/musixtex/tex/musixftab.tex delete mode 100644 macros/musixtex/tex/musixgre.tex delete mode 100644 macros/musixtex/tex/musixgui.tex delete mode 100644 macros/musixtex/tex/musixhor.tex delete mode 100644 macros/musixtex/tex/musixhou.tex delete mode 100644 macros/musixtex/tex/musixhv.tex delete mode 100644 macros/musixtex/tex/musixinv.tex delete mode 100644 macros/musixtex/tex/musixlit.tex delete mode 100644 macros/musixtex/tex/musixlyr.tex delete mode 100644 macros/musixtex/tex/musixmad.tex delete mode 100644 macros/musixtex/tex/musixmkm.tex delete mode 100644 macros/musixtex/tex/musixmtab.tex delete mode 100644 macros/musixtex/tex/musixper.tex delete mode 100644 macros/musixtex/tex/musixplt.tex delete mode 100644 macros/musixtex/tex/musixpoi.tex delete mode 100644 macros/musixtex/tex/musixppff.tex delete mode 100644 macros/musixtex/tex/musixps.tex delete mode 100644 macros/musixtex/tex/musixref.tex delete mode 100644 macros/musixtex/tex/musixslu.tex delete mode 100644 macros/musixtex/tex/musixsqr.tex delete mode 100644 macros/musixtex/tex/musixste.tex delete mode 100644 macros/musixtex/tex/musixstf.tex delete mode 100644 macros/musixtex/tex/musixstr.tex delete mode 100644 macros/musixtex/tex/musixsty.tex delete mode 100644 macros/musixtex/tex/musixtex.tex delete mode 100644 macros/musixtex/tex/musixthacc.tex delete mode 100644 macros/musixtex/tex/musixtmr.tex delete mode 100644 macros/musixtex/tex/musixtri.tex delete mode 100644 macros/musixtex/tex/musixvbm.tex delete mode 100644 macros/musixtex/tex/tuplet.tex delete mode 100644 macros/musixtnt/README delete mode 100644 macros/musixtnt/doc/TransformNotes.3 delete mode 100644 macros/musixtnt/doc/TransformNotes.pdf delete mode 100644 macros/musixtnt/doc/msxlint.1 delete mode 100644 macros/musixtnt/doc/msxlint.pdf delete mode 100755 macros/musixtnt/macosx/msxlint delete mode 100644 macros/musixtnt/tex/musixtnt.tex (limited to 'macros') diff --git a/macros/generic/musixtex/README b/macros/generic/musixtex/README new file mode 100644 index 0000000000..001f12edda --- /dev/null +++ b/macros/generic/musixtex/README @@ -0,0 +1,90 @@ +This is MusiXTeX, version 1.37 (2023-10-07). +MusiXTeX is a TeX-based system for typesetting music. + +The main author was Daniel Taupin, who died in a climbing +accident in 2003; other authors credited in the MusiXTeX +manual are Andreas Egler and Ross Mitchell. MusiXTeX is now +being maintained by + +Don Simons dsimons(at)roadrunner(dot)com +Hiroaki Morimoto CQX05646(at)nifty(dot)com +Bob Tennent rdt(at)cs(dot)queensu(dot)ca + +The package includes + + + Postscript slur support, due to Stanislav Kneifl + + + musixlyr support for lyrics, due to Rainer Dunker + + + musixcrd support for chord symbols, due to Robert Hennig + + + support for music text in Palatino, Helvetica, Times + and EC fonts + + + several other extension packages + + + a script musixflx.lua for the 2nd-pass processing + + + a script musixtex.lua that uses pre-processors prepmx, + pmxab or autosp, as necessary, and automates the 3-pass + etex -> musixflx -> [pdf]etex process, possibly + followed by calls to dvips and ps2pdf (or dvipdfm) to + convert the output to Portable Document Format (PDF) + + + wrapper scripts musixflx.bat and musixtex.bat for use on Windows + +MusiXTeX fonts, including both the original metafont sources +and Type 1 versions by Takanori Uchiyama, and specialized +fonts frenchtab and MuseJazzText have been moved to a +separate musixtex-fonts package, which must be installed +before using the MusiXTeX macros. + +musixtex-install.{pdf,tex} is a more-detailed version of the +following instructions: + +To install (on TDS-compliant TeX systems): + + + unzip mirror.ctan.org/install/macros/musixtex.tds.zip at the root of a + texmf tree and, if necessary, update the filename database; + e.g., texhash texmf. + + + on Windows: move the scripts in Windows to a folder + on the executable PATH (or add that folder to the PATH) + + + on any Unix-like system: install symbolic links musixflx + and musixtex in a directory on the executable PATH to + scripts/musixtex/musixflx.lua and scripts/musixtex/musixtex.lua, + respectively. + +Documentation for MusiXTeX and friends is installed under + +doc/generic/musixtex + +Documentation for the musixflx and musixtex scripts are in + +doc/generic/musixtex/scripts + +Many users, especially beginners, will find it easier to +use the PMX and M-Tx pre-processors, which accept a simpler +input language than MusiXTeX itself. Another pre-processor, +autosp, simplifies input to MusiXTeX by automatically +generating note-spacing commands. These pre-processor +packages may be found at CTAN under support. Additional +documentation, additional add-on packages, and many examples +of MusiXTeX typesetting may be found at the Werner Icking +Music Archive at + +http://icking-music-archive.org/ + +Support for users of MusiXTeX and related software may be +obtained via the MusiXTeX mail list at + +http://tug.org/mailman/listinfo/tex-music + +MusiXTeX may be freely copied, duplicated and used in +conformance to the GNU General Public License (Version 2, +1991, see included file gpl.txt) or (at your option) any +later version. + +This distribution is maintained by Bob Tennent +rdtennent(at)gmail(dot)com. diff --git a/macros/generic/musixtex/doc/ChangeLog-114.txt b/macros/generic/musixtex/doc/ChangeLog-114.txt new file mode 100644 index 0000000000..3e77097208 --- /dev/null +++ b/macros/generic/musixtex/doc/ChangeLog-114.txt @@ -0,0 +1,98 @@ +<<< Changelog of MusiXTeX since T.113 >>> + +------------------------------------------------------------------------- +Version T.114 [official release: 26 Dec 2009] +(1) \cclp, \zccup, \zcclp are moved from musixpoi.tex to musixtex.tex. +[14 June 2008, Hiroaki. T114-beta1] + +(2) musixpoi.tex does not work since T.111. +[14 June 2008, Hiroaki. T114-beta1] + +(3) musixmad.tex is inessential for typesetting musixdoc.tex, thus excluded from musixdoc.sty (see the next item) +[14 June 2008, Hiroaki. T114-beta1] + +(4) the stem length of \metron (at T.113 manual section 2.17.3: Metronomic indications) is too short when musixadd.tex/musixmad.tex is excluded. +[14 June 2008, Hiroaki. T114-beta1] + +(5) spacing problem when you change the music size. (\clef@skip\z@) +[16 June 2008, known bug pointed out by Daniel Taupin on 3 June 2003 before his accident. T114-beta2] + +(6) in \ttie and \tleg definition, #1 isn't braced in the expansion which causes a problem at ID>9. + * \def\ttie#1{\let\T@i\@c \t@slur{-\p@ne}{#1}\@ne} + * \def\tleg#1{\let\T@i\@c \tslur{#1}\@ne} +[1 Feb 2009, reported by David Allsopp. T114-beta4] + +(7) Create readme1st.txt +[16 Oct 2009, Don Simons and Andre Van Ryckeghem. T114 official] + +(8) Create changelog.txt (this file) +[16 Oct 2009, Hiroaki Morimoto. T114 official] + +(9) Updated musixdoc.pdf and its source code. +[16 Oct 2009, Don Simons and Andre Van Ryckeghem. T114 official] + +(10) Included the repository of music-notation mistakes, contributed by Jean-Pierre Coulon. +[16 Oct 2009, T114 official] + +(11) Create an install manual for MiKTeX on Win32: mxinsuse.{pdf|tex}. +[16 Oct 2009, Andre Van Ryckeghem and Don Simons. T114 official] + +(12) Create install batchfiles for MiKTeX on Win32. +[16 Oct 2009, Don Simons and Andre Van Ryckeghem. T114 official] + +(13) Create some MS-Win/DOS batch files for easy use: musixtex.bat, mudvi.bat, mudviall.bat, lapsview.bat, lapdfview.bat. +[16 Oct 2009, Don Simons and Andre Van Ryckeghem. T114 official] + +(14) utility: add flip.exe, flip.txt to musixtexadd folder instead of former utod.exe and dtou.exe (they don't work in XP). Run flip.exe on musixtex.bat. +[16 Oct 2009, Don Simons and Andre Van Ryckeghem. T114 official] + +(15) Changing directory structure. Add-in tex files are located in musixtexadd directory. + * musixlyr (by Rainer Dunker) + * musixps (by Stanislav Kneifl) +[16 Oct 2009, Don Simons and Andre Van Ryckeghem. T114 official] + +(16) Added some well-known add-ins to musixtexadd directory. + * curly.tex (by Mthimkhulu Molekwa,19 May 1999) + * musixdbr.tex (by Rainer Dunker, 23 February 2002) + * musixtmr.tex & musixesf.tex (by Hiroaki Morimoto, updated 2009-10-15) + * tuplet.tex. (by Col. G. L. Sicherman. 2003-05-17)... under GNU GPL +[16 Oct 2009, Don Simons, Andre Van Ryckeghem. T114 official] + +------------------------------------------------------------------------- +Version T.113 [19-Apr-2006] +no funtional change from 30 July 2005; just a maintenance of archive file and recompiling musicdoc. + +------------------------------------------------------------------------- +Version T.113 [28 June 2005, (rev.1)17 July 2005, (rev.2)30 July 2005] +(1) Include the contents of following packages. + * PostScript Type1 fonts. (by Uchiyama)... under LPPL. + * musixlyr ver.2.1c. (by Rainer Dunker)... under GNU GPL v.2. + * musixps ver.0.92a. (by Stanislav Kneifl)... under a unique license; see the file. +Note that some of these package have different license than GNU GPL v.2. + +(2) \Ioctfin[up | down] do not work when \sepbarrules is assigned. +musixtex.tex line 2259, \def\rul@sep#1 + +(3) Correction of a bug in the definition of choir bracket (l.1688-1698) + +(4) Added following macros. + * \lwp + * \rwp + * \lwpp + * \rwpp + * \lhp + * \rhp + * \lhpp + * \rhpp + +(5) bug: \catcode`\@=11 at external level in case using musixmad.tex without prior specifying of musixadd.tex. +[30 July 2005, T113-rev.2] + +(6) bug: \immediate\write10{...} in many files are corrected into \immediate\write16{...}. +[30 July 2005, T113-rev.2] + +------------------------------------------------------------------------- +Version T.112 [dated on 3 Jan. 2003, published on 9 Jan. 2003] +The final milestone by Daniel Taupin himself. + +------------------------------------------------------------------------- diff --git a/macros/generic/musixtex/doc/ChangeLog-115.txt b/macros/generic/musixtex/doc/ChangeLog-115.txt new file mode 100644 index 0000000000..be49e54b04 --- /dev/null +++ b/macros/generic/musixtex/doc/ChangeLog-115.txt @@ -0,0 +1,270 @@ +Changes from MusiXTeX 114 to 115: + +replace the changed tex files to T.115. Includes musixbbm.tex, version from Hiroaki's beta3, dtd 11/19/210 + +replace musixper.tex to the fixed one, posted by David Fritzsche on 19 Oct. (version number may be T.60a, is this ok?) Used file emailed to DAS by J-P Coulon, 1/26/11, + +MusiXTeX T.115 +Hiroaki MORIMOTO + +<<>> +(1) all-new registers allocation routines, ready for + 12>> +(1) In case of use with M-Tx, users can change the font format of +instrument names dinamically by redefining \mtxInstrfont in filename.mod. +(for example, writing \def\mtxInstrfont{\relax} in foo.mod.) + + +<<>> +(1) If you load musixper.tex and musixdia.tex is not yet loaded then +the catcode of @ will not be reset correctly, because musixdia will +overwrite the definition of \catcodeat. (reported by David Fritzsche) + +(2) Other internal macros. + + +------------------------------------------------------------------------------- +<<>> + +<<>> +\maxinstruments + Separate from the number of slurs. + It is defined with \chardef and now a kind of internal values. + Read-accecible anywhere; but it should not be set directly by a user. + See below for the number of other items. + +\mxversion + The expanded string of version string elements. + See also \mxvernumber and \mxversuffix. + +\setname + Using \def instead of \edef. This allows users to change the font + format of instrument names dynamically by redefining \mtxInstrfont + in filename.mod in case of use with M-Tx. + +\resetlayout +\resetclefsymbols + Let them compatible to >12 instruments. + + +<<>> +\mxvernumber + Major version number of the MusiXTeX kernel. (make it possible to use + \ifnum) + +\mxversuffix + Suffix of the version. "-beta1", etc. Optional; it must be empty + in case of completed version. + +\setmaxinstruments#1 +\setmaxcxxviiibeams#1 +\setmaxcclvibeams#1 +\setmaxgroups#1 +\setmaxslurs#1 +\setmaxtrills#1 +\setmaxoctlines#1 + set the available numbers of the elements to #1 and allocate + corresponding registers required. + +\maxcxxviiibeams +\maxcclvibeams +\maxgroups +\maxslurs +\maxtrilles +\maxtrills +\maxoctlines + They are now dynamically defined by \chardef and now a kind of internal + values. + Read-accecible anywhere; but they should not be set directly by a user. + + +\smalltrebleoct +\smalltreclelowoct +\smallbassoct +\smallbasslowoct + Reqested by Hermann Hinsch. (beta4) + + +<<>> +\test@num@slur +\test@num@beam +\s@l@ctslur +\s@l@ctbeam + Let them be independent from each other. + +\z@suspend + The change in cutslur section; to make the number of slurs independent + from the number of instruments. + Note: some other extension packages which overrides this macro will + confuse the internal status of linen-breaking font-based slurs. + + +<<>> +\noexpand@newcount +\noexpand@newdimen +\noexpand@newskip +\noexpand@newtoks + \new... for usage inside the loop, for plain TeX. + +\roman@c@ + A shortcut. + +\@oldmaxinstruments +\@oldmaxcxxviiibeams +\@oldmaxcclvibeams +\@oldmaxgroups +\@oldmaxslurs +\@oldmaxtrills +\@oldmaxoctlines + Individual element numbers in previous allocation; set by \chardef. + + +------------------------------------------------------------------------------- +<<>> +Completely the same of ver T.114-T.103. It goes on original TeX. +\input musixtex +\input musixmad +... +\input musixlyr +\input musixps <- this is optional +... + +Note that you can use musixps.tex (by Stanislav Kneifl) at your option, +without any problem. You can get the benefit of the increase of voices, +beams, groups, octave lines, trills. + + +<<>> +(a) without using musixadd/musixmad (recommended) +---- +\input musixtex +\setmaxinstruments{12} +\setmaxgroups{4} +\setmaxslurs{12} +... +---- +This example is equivalent to musixmad.tex. + + +(b) with musixadd/musixmad +---- +\input musixtex +\input musixmad +\setmaxgroups{6} +\setmaxslurs{24} +... +---- +From this version T.115, the maximum number of slurs becomes independent +of the maximum number of instruments. + + +(c) with musixps.tex by S. Kneifl, efficient usage for TeX's main memory +---- +\input musixtex +\setmaxinstruments{12} +\setmaxgroups{4} +\input musixlyr +\input musixps +... +---- +Note that there is no need to write \setmaxslurs{12}, because musixps.tex +0.92a requires pre-allocated registers for font-based slur ID 0-5 +(internally i-vi) only. + + +------------------------------------------------------------------------------- +<<>> + +[beta1: 2010/05/05] private test version, not published. +Drastic change from T.114. + _readme_T115-beta1.txt : this file + musixtex.tex : T.115 kernel + musixadd.tex : changed version for T.115 + musixmad.tex : changed version for T.115 + musixbm.tex : changed version for T.115 + musixbbm.tex : changed version for T.115 + musixper.tex : changed version for T.115 + + +[beta2: 2010/06/24] +musixtex.tex +Additions: +* error message for n>maxinstruments to \s@l@ctinstr, to avoid + the strange error message invoked at \startpiece. +* error message for n>100 to \setmax...{n}. +Fixes: +* \C@acc: adding \expandafter before \@Ti. + \@Ti (dynamically let to other instances) can't take any arguments + since T.109 due to \check@staff. + This is not a bug, however, it is more appropriate to close + \check@staff-\fi conditional clause before encountering \@Ti. + This fix make it compatible with T.107 and T.108, and MusixExp (need to + modify), without any harm. +Others: + Some old codes are deleted. + +_readme_T115-beta2.txt +Others: +* Typo corrections. + + +[beta3: 2010/06/27] +musixbbm.tex +Fixes: +* musixbbm does not work. + + +[beta4: 2011/01/01] +musixper.tex +Fixes: +* If you load musixper.tex and musixdia.tex is not yet loaded then + the catcode of @ will not be reset correctly, because musixdia will + overwrite the definition of \catcodeat. (reported by David Fritzsche) +musixtex.tex +Additions: + \smalltrebleoct, \smalltreblelowoct, \smallbassoct, \smallbasslowoct + (requested by Hermann Hinsch) + +------------------------------------------------------------------------------- +[End of File] diff --git a/macros/generic/musixtex/doc/ChangeLog-116.txt b/macros/generic/musixtex/doc/ChangeLog-116.txt new file mode 100644 index 0000000000..e57225c986 --- /dev/null +++ b/macros/generic/musixtex/doc/ChangeLog-116.txt @@ -0,0 +1,35 @@ +Changes from MusiXTeX 115 to 116: + + (2015-04-21) RDT corrected the definitions of \nnotes and \nnnotes + + HM corrected the definitions for cautionary small accidentals + + RDT added \check@staff ... \fi to \@qa h, \@mca, \hs, \qqs + so that \qa, \ca, \ha, etc. can be "hidden" using \setstaffs{n}{0} + + RDT incorporated tuplet.tex (approved by George Sicherman) + and introduced \txtfont to allow changing size or style + + RDT introduced + \qqsk, a one-quarter notehead skip + \tqu and \tql, synonyms for \tqh and \tqb + \ztqu and \ztql, synonyms for \ztqh and \ztqb + \hpp, \qpp, \dsp, \qsp, \hsp, \qqsp for pointed rests + \nnotes, \nnnotes: abbreviations with \multnoteskip\smallvalue + and \multnoteskip\tinyvalue spacing + + RDT incorporated curly.tex (approved by Mthimkhulu Molekwa) + + RDT modernized the treatment of text fonts + meterfonts must be bf, even if titling fonts are rm or sc + added dynamic-mark macros \sfz \sfzp + + Added to the extension library: musixppff.tex (HM), musixadf (HM), + musixplt (RDT), musixec (RDT), musixhv (RDT) + + RDT extended musixtmr + + Stanislav Kneifl fixed a bug in musixps. + + + diff --git a/macros/generic/musixtex/doc/ChangeLog-117.txt b/macros/generic/musixtex/doc/ChangeLog-117.txt new file mode 100644 index 0000000000..08bb03d9b6 --- /dev/null +++ b/macros/generic/musixtex/doc/ChangeLog-117.txt @@ -0,0 +1,12 @@ +Changes from MusiXTeX 116 to 117: + +2015-05-25 + re-defined \txtfont for non-normal staff sizes + defined \tinyppff and \ppfftwelve, and re-defined \ppff to be staffsize dependent + introduced abbreviations \tqqb \tqqh \tqqqb \tqqqh + and synonyms \tqql \tqqu \tqqql \tqqqu + introduced ornaments \tr, \trt + re-defined \triolet to be consistent with musixdoc (prints \txt, not nec. 3) + introduced \cpause etc. and corrected definitions of \centerpause etc. + introduced double-dotted rests \qppp, \dspp, \qspp, etc. + diff --git a/macros/generic/musixtex/doc/ChangeLog-118.txt b/macros/generic/musixtex/doc/ChangeLog-118.txt new file mode 100644 index 0000000000..cb5fbde19a --- /dev/null +++ b/macros/generic/musixtex/doc/ChangeLog-118.txt @@ -0,0 +1,11 @@ +Changes from MusiXTeX 117 to 118: + +2015-07-25 + + moved definitions of \raggedstoppiece and \slide + from musixtext.tex to musixtex.tex. + \xppff musicsize-dependent as well as staffsize-dependent + revised musixtmr.tex, musixplt.tex and musixhv.tex to allow + traditional accented characters for etex + increased the length of beam stems + diff --git a/macros/generic/musixtex/doc/ChangeLog-119.txt b/macros/generic/musixtex/doc/ChangeLog-119.txt new file mode 100644 index 0000000000..11871f1847 --- /dev/null +++ b/macros/generic/musixtex/doc/ChangeLog-119.txt @@ -0,0 +1,7 @@ +Changes from MusiXTeX 118 to 119: + +2015-11-29 + + definitions for tremolo commands \trml, \trmu, etc. + corrected typos in the definition of \comput@fonts affecting ppff fonts for + \Largemusicsize diff --git a/macros/generic/musixtex/doc/ChangeLog-120.txt b/macros/generic/musixtex/doc/ChangeLog-120.txt new file mode 100644 index 0000000000..5b9b796d15 --- /dev/null +++ b/macros/generic/musixtex/doc/ChangeLog-120.txt @@ -0,0 +1,6 @@ +Changes from MusiXTeX 119 to 120: + +2015-12-13 + + re-defined tremolo commands \trml, \trmu, etc. to allow for numerical + pitches diff --git a/macros/generic/musixtex/doc/ChangeLog-121.txt b/macros/generic/musixtex/doc/ChangeLog-121.txt new file mode 100644 index 0000000000..2a2464441b --- /dev/null +++ b/macros/generic/musixtex/doc/ChangeLog-121.txt @@ -0,0 +1,16 @@ +Changes from MusiXTeX 120 to 121: + + + adjusted the offsets and/or vertical positions for some tremolos + + + moved \lastbarpos\lin@pos after calls to \Writ@meters + to correct \centerbar positioning + + + copied the definition of \Hpause from musixlit.tex + + + introduced \Changeclefs, \cHpause and \centerHpause + + + replaced \smalltype\it by \txtfont in octave clef commands + + + moved definitions of \txtfont into \comput@fonts + + + added support for piano-pedal bracket notation diff --git a/macros/generic/musixtex/doc/ChangeLog-122.txt b/macros/generic/musixtex/doc/ChangeLog-122.txt new file mode 100644 index 0000000000..87a76a65d3 --- /dev/null +++ b/macros/generic/musixtex/doc/ChangeLog-122.txt @@ -0,0 +1,8 @@ + +Changes from MusiXTeX 121 to 122: + + + bi and sc font definitions added; sl and tt definitions for musixsty moved + + explicit font choices for \txtfont replaced by generic commands + \smalltype\it etc. + + \pdlud \halfwidthbigwedge and \raise height font-dependent + + \zbreath and \cbreath use BIGtype rather than BIGfont diff --git a/macros/generic/musixtex/doc/ChangeLog-123.txt b/macros/generic/musixtex/doc/ChangeLog-123.txt new file mode 100644 index 0000000000..4ffcfed2e9 --- /dev/null +++ b/macros/generic/musixtex/doc/ChangeLog-123.txt @@ -0,0 +1,6 @@ + +Changes from MusiXTeX 122 to 123: + + + added \xtr and \ptr ornaments + + adjusted spacing of \tr + + corrected definition of \C@Inter for \nblines > 6 diff --git a/macros/generic/musixtex/doc/ChangeLog-124.txt b/macros/generic/musixtex/doc/ChangeLog-124.txt new file mode 100644 index 0000000000..0a2beb1b4e --- /dev/null +++ b/macros/generic/musixtex/doc/ChangeLog-124.txt @@ -0,0 +1,10 @@ + +Changes from MusiXTeX 123 to 124: + + + preserve changes to \transpose in an hboxed tremolo command + + test that musixtex.tex has already been loaded in some extensions: + + musixps, musixec, musixhv, musixplt, musixtmr, musixppff + + changed from \it to \ppff in several places + + support new command \setinterstaff{n}{m} + + define \largenotesize, \Largenotesize + + corrected typos \twtybf[g] \svtbf[g] diff --git a/macros/generic/musixtex/doc/ChangeLog-125.txt b/macros/generic/musixtex/doc/ChangeLog-125.txt new file mode 100644 index 0000000000..9e392be79a --- /dev/null +++ b/macros/generic/musixtex/doc/ChangeLog-125.txt @@ -0,0 +1,6 @@ + +Changes from MusiXTeX 124 to 125: + +* included a "dummy" tuplet.tex in the distribution +* added \ignorespaces in musixltx.tex +* defined \qap, \qapp, \tqsk diff --git a/macros/generic/musixtex/doc/ChangeLog-126.txt b/macros/generic/musixtex/doc/ChangeLog-126.txt new file mode 100644 index 0000000000..1c16206882 --- /dev/null +++ b/macros/generic/musixtex/doc/ChangeLog-126.txt @@ -0,0 +1,5 @@ + +Changes from MusiXTeX 125 to 126: + +* Corrected minor bugs in the implementation of + \setinterstaff that were causing Overfull hboxes. diff --git a/macros/generic/musixtex/doc/ChangeLog-127.txt b/macros/generic/musixtex/doc/ChangeLog-127.txt new file mode 100644 index 0000000000..399d5a2eed --- /dev/null +++ b/macros/generic/musixtex/doc/ChangeLog-127.txt @@ -0,0 +1,15 @@ + +Changes from MusiXTeX 126 to 127: + +* introduced \meterN, \xxtuplet + +* introduced \nqqb \nqqh \nqqqb \nqqqh abbreviations and + synonyms \nqql \nqqu \nqqql \nqqqu + +* introduced \hap, \happ analogous to \qap, \qapp + +* introduced \hbsk analogous to \hsk + +* introduced \bqsk, \bhsk, \btsk analogous to \qsk, \hqsk, \tqsk + +* eliminated \ds@oup diff --git a/macros/generic/musixtex/doc/ChangeLog-128.txt b/macros/generic/musixtex/doc/ChangeLog-128.txt new file mode 100644 index 0000000000..39c5fa708e --- /dev/null +++ b/macros/generic/musixtex/doc/ChangeLog-128.txt @@ -0,0 +1,7 @@ + +Changes from MusiXTeX 127 to 128: + + * introduced \z[left|right|leftright]repeat, for use *within* a bar + and \zz...repeat, to force to the end of a system + + * corrected definition of \C@Inter for \nblines < 4 diff --git a/macros/generic/musixtex/doc/ChangeLog-129.txt b/macros/generic/musixtex/doc/ChangeLog-129.txt new file mode 100644 index 0000000000..780d4cef33 --- /dev/null +++ b/macros/generic/musixtex/doc/ChangeLog-129.txt @@ -0,0 +1,6 @@ + +Changes from MusiXTeX 128 to 129: + + * introduced support for tablature notation: \tabfnt, + \tabcleffnt, \tabstringfnt, \tabstylespace, \tab, \ztab, + etc. diff --git a/macros/generic/musixtex/doc/ChangeLog-130.txt b/macros/generic/musixtex/doc/ChangeLog-130.txt new file mode 100644 index 0000000000..69dae51de7 --- /dev/null +++ b/macros/generic/musixtex/doc/ChangeLog-130.txt @@ -0,0 +1,5 @@ + +Changes from MusiXTeX 129 to 130: + + * defined \zdoublebar for use within a bar + * defined \hbp and \hbpp diff --git a/macros/generic/musixtex/doc/ChangeLog-131.txt b/macros/generic/musixtex/doc/ChangeLog-131.txt new file mode 100644 index 0000000000..93fac608e5 --- /dev/null +++ b/macros/generic/musixtex/doc/ChangeLog-131.txt @@ -0,0 +1,4 @@ + +Changes from MusiXTeX 130 to 131: + + * defined \zzdoublebar, \zzbar, \zendpiece diff --git a/macros/generic/musixtex/doc/ChangeLog-132.txt b/macros/generic/musixtex/doc/ChangeLog-132.txt new file mode 100644 index 0000000000..2d288c95bc --- /dev/null +++ b/macros/generic/musixtex/doc/ChangeLog-132.txt @@ -0,0 +1,6 @@ + +Changes from MusiXTeX 131 to 132: + + * commented out spurious \let\doublebar\doublebar@II + * forbid line-breaking at \zdoublebar + * new add-on musixvbm.tex to support vectorized beams diff --git a/macros/generic/musixtex/doc/ChangeLog-133.txt b/macros/generic/musixtex/doc/ChangeLog-133.txt new file mode 100644 index 0000000000..226ded73bf --- /dev/null +++ b/macros/generic/musixtex/doc/ChangeLog-133.txt @@ -0,0 +1,8 @@ + +Changes from MusiXTeX 132 to 133a: + + * \tabfnt etc. now uses (Helvetica) bold for tablature notes + * replace ledger lines by slashes (/) or numbers for tablature notes below the staff + * new commands \tzqu, \tzcup, etc. for tiny notes to indicate duration, for use in + tablature + diff --git a/macros/generic/musixtex/doc/ChangeLog-134.txt b/macros/generic/musixtex/doc/ChangeLog-134.txt new file mode 100644 index 0000000000..fb19280be0 --- /dev/null +++ b/macros/generic/musixtex/doc/ChangeLog-134.txt @@ -0,0 +1,9 @@ + +Changes from MusiXTeX 133 to 134: + + * new extension library musixftab.tex to support traditional French + tablature using script letters instead of numerals + + * \tabfnt ... commands re-defined to allow re-definition in + musixftab.tex + diff --git a/macros/generic/musixtex/doc/ChangeLog-135.txt b/macros/generic/musixtex/doc/ChangeLog-135.txt new file mode 100644 index 0000000000..ae00d0c07b --- /dev/null +++ b/macros/generic/musixtex/doc/ChangeLog-135.txt @@ -0,0 +1,8 @@ + +Changes from MusiXTeX 134 to 135: + + * new extension library musixjt.tex to support using the handwriting + font MuseJazzText for all textual elements of a MusiXTeX score. + + * Aug. 30, 2021: moved frenchtab and MuseJazzText fonts and + associated support files to the musixtex-fonts package diff --git a/macros/generic/musixtex/doc/ChangeLog-136.txt b/macros/generic/musixtex/doc/ChangeLog-136.txt new file mode 100644 index 0000000000..06ac3fee83 --- /dev/null +++ b/macros/generic/musixtex/doc/ChangeLog-136.txt @@ -0,0 +1,7 @@ + +Changes from MusiXTeX 135 to 136: + + * Support for Turkish classical music accidentalsi; see musixmkm.tex. + * Re-define \hlthick to produce thicker ledger lines. + * Provide thinner accidentals; see musixthacc.tex. + * Thicker Postscript hairpins. diff --git a/macros/generic/musixtex/doc/ChangeLog-137.txt b/macros/generic/musixtex/doc/ChangeLog-137.txt new file mode 100644 index 0000000000..2f62d7a0e9 --- /dev/null +++ b/macros/generic/musixtex/doc/ChangeLog-137.txt @@ -0,0 +1,5 @@ + +Changes from MusiXTeX 136 to 137: + + * added small ss fonts + * added extension library musixmtab.tex supporting "modern" tablature diff --git a/macros/generic/musixtex/doc/ChangeLog-musixdoc.txt b/macros/generic/musixtex/doc/ChangeLog-musixdoc.txt new file mode 100644 index 0000000000..aea36ae40c --- /dev/null +++ b/macros/generic/musixtex/doc/ChangeLog-musixdoc.txt @@ -0,0 +1,30 @@ +2016-11-12 RDT + + Expanded treatment of big cautionary accidentals + +2016-06-06 RDT + + Revised the material on page layout. + +2015-02-20 RDT + + Clean up title page and preface(s). + Three-pass system material revised. + Link to WIMA for installation instructions. + Extracting-parts material (DT) restored from T114. + Chapter 3 (Acquiring, Installing, and Using MusiXTeX) deleted. + musixdoc.sty revamped to allow use of Times or Palatino fonts. + musixdoc.tex broken up into separate chapter files for use with includeonly. + Many corrections and improvements, too numerous to list. + +2011-04 + + Musixdoc: Update links to CTAN in 3.1. + + Musixdoc: Set link for musixtex.zip once we decide if it should be 1.15 + + Musixdoc: Edit 128th beam stuff. + + Musixdoc: Add smalltreblelowoct etc. + + Musixdoc: Explain where musixflx source and binaries are. diff --git a/macros/generic/musixtex/doc/examples/adagio.tex b/macros/generic/musixtex/doc/examples/adagio.tex new file mode 100644 index 0000000000..1d63294cf2 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/adagio.tex @@ -0,0 +1,446 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi +\title{Adagio} +\subtitle{(pour orgue)} +\headtitle{I. Adagio} +\csname titremorceautoc\endcsname +\shortauthor{D. Taupin} +\fullauthor{Daniel TAUPIN\\organiste \`{a} Gif-sur-Yvette} +\othermention{Compos\'{e} en 1989} +% +% + +\maketitle +\parindent 18mm +% +% calcul de \elemskip en fonction de la largeur de page pour eviter les glues +% +\def\znotes{\vnotes 0\elemskip}% + + +\tracingstats=1\relax +% +\nbporteesii=2\relax +\def\nbinstruments{2} +\global\cleftoksii={{6}{0}{0}{0}}% +\global\cleftoksi={{6}{0}{0}{0}}% +% +\signaturegenerale{-1}\relax % un bemol a la clef +\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% +\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% +%\check +\def\instrumenti{16', 8'} + \def\instrumentii{\vbox{\hsize=\parindent\centerline{cornet}\vskip \interportee +\vskip -10pt\centerline{fl\^ute 8'}}}% +%\check +%\elemskip=10pt\relax +%\normal +\def\gluemaxskip{7pt}% +% +% formes frequentes +% deux croches hautes +\def\dqb#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% +\def\dqh#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qu0{#3}}% +\def\doubler{\multiply\noteskip by 2\relax}% +% +\noautolines +\quatretemps +% +\debutmorceau +\hyphenpenalty -50\relax +\global\cleftoksii={{0}{0}{0}{0}}% +\changeclefs\zglu +\notes&|\uptext{\raise 1.5\Interligne\hbox{\kern -14mm\moyen Adagio \bf \metron{\qu}{60}}}\enotes +% mesure 1 +\zglu\notes\itenl1K\wh K&\zq f\zqu h\itenl2d\wh d|\ibbu0h0\qh0h\tbbu0\qh0g\enotes +\Notes&|\tbu0\itenu0h\qh0h\enotes +\NOTes&\zq f\qu h|\tten0\hu h\enotes +\temps\NOTes&\zq f\qu h\enotes +\temps\NOTes&\zq f\qu h|\qu i\enotes +% mesure 2 +\barre\NOTes\tten1\hu K&\zq e\zqu g\qsk\tten2\wh d|\hu g\enotes +\temps\NOTes&\zq e\qu g\enotes +\temps\NOTes\soupir&\zq e\qu g|\soupir\enotes +\temps\Notes\qu K&\zq e\qu g|\ibu0h3\qh0g\enotes +\notes&|\nbbu0\qh0h\enotes +\notes&|\tbu0\qh0i\enotes +% mesure 3 +\barre\Notes\wh{^J}&\rlap{\wh{^c}}\zq e\qu g|\ibu0i{-3}\qh0i\tbu0\qh0h\enotes +\temps\Notes &\zq e\qu g|\ibu0h{-3}\qh0h\tbu0\qh0g\enotes +\temps\Notes &\zq e\qu g|\ibu0g{-3}\qh0g\tbu0\qh0f\enotes +\temps\Notes &\zq e\qu h|\ibu0f{-3}\qh0f\tbu0\qh0e\enotes +% mesure 4 +%\etroit +\barre\NOTes\hup K&\zw d\zq f\zqu h|\qup f\enotes +\temps\Notes&\zq f\qu h|\sk\cu e\enotes +\temps\NOTes&\zq f\qu h|\qup d\enotes +\temps\Notes\soupir&\zq f\qu h|\sk\demisoupir\enotes +% mesure 5 +\barre\notes\wh K&\itenl1d\zq f\zqu h\wh d|\ibbu0h0\qh0h\tbbu0\qh0g\enotes +\Notes&|\tbu0\itenl0h\qh0h\enotes +\NOTes&\zq f\qu h|\tten0\hu h\enotes +\temps\NOTes&\zq f\qu h\enotes +\temps\NOTes&\zq f\qu h|\qu j\enotes +% mesure 6 +\barre\nspace\NOTes\wh{=I}&\tten1\lsh g\zw d\zq f\rq g\qu{=i}|\itenl2i\hu{=i}\enotes +\temps\NOTes&\zq f\rq g\qu i\enotes +\temps\Notes&\zq f\rq g\qu i|\tten2\ibl0i3\qb0i\enotes +\notes&|\nbbl0\qb0j\tbl0\qb0k\enotes +\temps\NOTes&\zq{eg}\qu i|\qu{^g}\enotes +% mesure 7 +\barre\NOTes\wh{^J}&\itenl1c\zq e\zqu h\wh{^c}|\itenl0h\hu h\enotes +\temps\NOTes&\zq e\qu h|\enotes +\temps\Notes&\zq e\qu h|\tten0\ibu0h{-3}\qh0h\tbu0\qh0{=g}\enotes +\temps\Notes&\zq e\qu h|\ibu0h{-4}\qh0h\tbu0\qh0f\enotes +% mesure 8 +\barre\NOTes\wh H&\tten1\zq e\zqu g\wh{^c}|\itenl0g\hu g\enotes +\temps\NOTes&\zq e\qu g|\enotes +\temps\Notes&\zq e\qu g|\tten0\ibu0g{-3}\qh0g\tbu0\qh0f\enotes +\temps\Notes&\zq e\qu g|\ibu0g{-4}\qh0g\tbu0\qh0e\enotes +% mesure 9 +\barre\NOTes\hup K&\rlap{\wh a}\zq d\qu f|\qup f\enotes +\temps\Notes&\zq d\qu f|\sk\cu e\enotes +\temps\NOTes&\zq d\qu f|\qup d\enotes +\temps\Notes\soupir&\zq d\qu f|\sk\demisoupir\enotes +% mesure 10 +\barre\notes\wh K&\rlap{\wh d}\zq f\qu h|\ibbu0h0\qh0h\tbbu0\qh0g\enotes +\Notes&|\tbu0\itenl0h\qh0h\enotes +\NOTes&\zq f\qu h|\tten0\hu h\enotes +\temps\NOTes&\zq f\qu h\enotes +\temps\NOTes&\zq f\qu h|\qu i\enotes +%\check +% mesure 11 +\barre\NOTes \wh J&\zw c\zq{^f}\qu h|\hu j\enotes +\temps\NOTes&\zq f\qu h\enotes +\temps\NOTes&\zq f\qu h|\soupir\enotes +\temps\Notes&\zq f\qu h|\ibl0i3\qb0j\enotes +\notes &|\nbbl0\qb0k\tbl0\qb0{_l}\enotes +%\check +% mesure 12 +\barre\Notes\wh K&\itenl0d\zq{^f}\zqu h\wh d|\ibl0l{-3}\qb0{_l}\tbl0\qb0k\enotes +\temps\Notes &\zq f\qu h|\ibl0k{-3}\qb0k\tbl0\qb0j\enotes +\temps\Notes &\zq f\qu h|\ibl0j{-3}\qb0j\tbl0\qb0i\enotes +\temps\Notes&\zq f\qu h|\ibl0i{-3}\qb0i\tbl0\qb0h\enotes +%\check +% mesure 13 +\barre\NOTes\wh N&\tten0\zw d\zq g\qu i|\qlp i\enotes +\temps\Notes&\zq g\qu i|\sk\cu h\enotes +\temps\NOTes&\zq g\qu i|\qup g\enotes +\temps\Notes&\zq g\qu i|\sk\ds \enotes +%\check +% mesure 14 +\barre\nspace\NOTes\wh L&\lna e\zw{^c}\zq e\qu h|\rlap{\hl{^j}}\zcharnote + n{\Trille{2\noteskip}}\relax +\zcharnote q{\ \ (*)}\enotes +\footnote{}{(*) Trilles commenc\'es sur la note et finissant sans +terminaison sur la note suivante.}\relax + \temps\NOTes&\zq e\qu h\enotes +\temps\NOTes&\zq e\qu h|\ql j\enotes +\temps\Notes&\zq e\qu h|\ibl0i3\qb0{=i}\tbl0\qb0j\enotes +%\check +% mesure 15 +\barre\NOTes\wh K&\rlap{\wh d}\zq f\qu h|\rlap{\hl k}\zcharnote n{\Trille{2\noteskip}}\enotes +\temps\NOTes&\zq f\qu h\enotes +\temps\NOTes&\zq f\qu h|\ql k\enotes +\temps\Notes&\zq f\qu h|\ibl0j3\qb0{^j}\tbl0\qb0k\enotes +%\check +% mesure 16 +\barre\NOTes\wh{^J}&\rlap{\wh e}\zq g\qu i|\rlap{\hl l}\zcharnote n{\Trille{2\noteskip}}\enotes +\temps\NOTes&\zq g\qu i\enotes +\temps\Notes&\zq g\qu i|\ibl0l0\qb0l\enotes +\notes&|\nbbl0\qb0m\tbl0\qb0l\enotes +\temps\Notes&\zq g\qu i|\ibl0k3\qb0k\tbl0\qb0l\enotes +%\check +% mesure 17 +\barre\NOTes\wh K&\zw d\zq f\qu h|\hlp m\enotes +\temps\NOTes&\zq f\qu h\enotes +\temps\NOTes&\zq f\qu h\enotes +\temps\NOTes&\zq f\qu h|\soupir\enotes +%\check +% mesure 18 +\barre\NOTes\wh J&\zw{=c}\zq{^f}\qu h|\rlap{\hl{^m}}% +\zcharnote p{\Trille{2\noteskip}}\enotes +\temps\NOTes&\zq f\qu h\enotes +\temps\NOTes&\zq f\qu h|\ql m\enotes +\temps\Notes&\zq f\qu h|\ibl0l3\qb0l\tbl0\qb0m\enotes +%\check +% mesure 19 +\barre\NOTes\wh I&\rlap{\wh d}\zq g\qu i|\rlap{\hl n}\zcharnote p{\Trille{2\noteskip}}\enotes +\temps\NOTes&\zq g\qu i\enotes +\temps\NOTes&\zq g\qu i|\ql n\enotes +\temps\Notes&\zq g\qu i|\ibl0m3\qb0{^m}\tbl0\qb0n\enotes +%\check +% mesure 20 +\barre\NOTes\wh H&\rlap{\wh c}\zq{^f}\qu h|\rlap{\hl o}\zcharnote q{\Trille{2\noteskip}}\enotes +\temps\NOTes&\zq f\qu h\enotes +\temps\Notes&\zq f\qu h|\ibl0o0\qb0o\enotes +\notes&|\nbbl0\qb0p\tbl0\qb0o\enotes +\temps\Notes&\zq f\qu h|\ibl0n3\qb0n\tbl0\qb0o\enotes +%\check +% mesure 21 +\barre\NOTes\wh G&\zw d\zq g\qu i|\qlp p\enotes +\temps\Notes&\zq g\qu i|\sk\cl o\enotes +\temps\Notes&\zq g\qu i|\ibl0n{-3}\qb0n\tbl0\qb0m\enotes +\temps\Notes&\zq g\qu i|\ibl0l{-3}\qb0l\tbl0\qb0k\enotes +%\check +% mesure 22 +\barre\Notes\hup H&\zw{^c}\zq e\qu g|\ibl0j{-4}\qb0{^j}\tbl0\qb0h\enotes +\temps\Notes&\zq e\qu g|\ibl0i3\qb0{=i}\tbl0\qb0 j\enotes +\temps\Notes&\zq e\qu g|\ibl0k3\qb0k\tbl0\qb0l\enotes +\temps\Notes\qu G&\zq e\qu g|\ibl0m3\qb0m\tbl0\qb0n\enotes +%\check +% mesure 23 +\barre\NOTes\hu F&\zw d\zq f\qu h|\qlp o\enotes +\temps\Notes&\zq f\qu h|\sk\cl k\enotes +\temps\Notes\qu G&\zq b\qu g|\ibl0n{-3}\qb0n\tbl0\qb0m\enotes +\temps\NOTes\itenl0H\qu H&\zq a\qu f|\ql m\enotes +%\check +% mesure 24 +\barre\NOTes\tten0\wh H&\zw a\zq{^c}\qu e|\zcharnote o{\Trille{3\noteskip}}\wh l\enotes +\temps\NOTes&\zq c\qu e|\enotes +\temps\NOTes&\zq c\qu e|\enotes +\temps\Notes&\zq {ce}\qu g|\ibl0l{-3}\qb0l\tbl0\qb0k\enotes +%\check +% mesure 25 +\barre\NOTes\hup K&\zw d\zq f\qu h|\hlp k\enotes +\temps\NOTes&\zq f\qu h|\enotes +\temps\NOTes&\zq f\qu h|\enotes +\temps\NOtes\soupir&\zq f\qu h|\soupir\enotes +% mesure 26 +\barre\notes\hup K&\rlap{\hlp d}\zq f\qu h|\ibbl0k0\qb0k\tbbl0\qb0{=j}\enotes +\Notes&|\tbl0\itenl0k\qb0k\enotes +\NOTes&\zq f\qu h|\tten0\hl k\enotes +\temps\NOTes&\zq f\qu h\enotes +\temps\NOtes\qu J&\rlap{\ql c}\zq{_e}\qu h|\ql{_l}\enotes +% mesure 27 +\barre\NOtes\wh{=I}&\rlap{\zw d}\rq g\qu f|\hl m\enotes +\temps\NOtes&\rq g\qu f\enotes +\temps\NOtes&\rq g\qu f|\soupir\enotes +\temps\Notes&\rq g\qu f|\ibl0m3\qb0m\enotes +\notes&|\nbbl0\qb0n\tbl0\qb0{_o}\enotes +% mesure 28 +\barre\nspace\Notes\wh G&\rlap{\wh{=b}}\zq d\qu f|\ibl0o{-3}\qb0{_o}\tbl0\qb0n\enotes +\temps\Notes &\zq d\qu f|\ibl0n{-3}\qb0n\tbl0\qb0m\enotes +\temps\Notes &\zq d\qu f|\ibl0m{-3}\qb0m\tbl0\qb0{_l}\enotes +\temps\Notes &\zq d\zq f\qu{=i}|\ibl0l{-3}\qb0l\tbl0\qb0k\enotes +% mesure 29 +\barre\NOTes\wh J&\zw c\zq{_e}\qu g|\qlp{_l}\enotes +\temps\Notes&\zq e\qu g|\sk\cl k\enotes +\temps\NOTes&\zq e\qu g|\qlp j\enotes +\temps\Notes&\zq e\qu g|\sk\ds \enotes +%\check +% mesure 30 +\barre\NOTes\wh H&\zw c\zq{^f}\qu h|\itenu0o\hl o\enotes +\temps\NOTes&\zq f\qu h&\enotes +\temps\Notes&\zq f\qu h|\tten0\ibl0o3\qb0o\enotes +\notes&|\nbbl0\qb0p\tbl0\qb0q\enotes +\NOTes&\zq f\qu h|\ql{^m}\enotes +% mesure 31 +\barre\NOTes\wh I&\zw b\zq d\qu g|\itenu0n\hl n\enotes +\temps\NOTes&\zq d\qu g|\enotes +\temps\Notes&\zq d\qu g|\tten0\ibl0n{-3}\qb0n\tbl0\qb0{=m}\enotes +\Notes&\zq d\qu g|\ibl0n{-4}\qb0n\tbl0\qb0{_l}\enotes +%\check +% mesure 32 +\barre\NOTes\wh{=I}&\zw d\zq f\qu{=i}|\itenu0m\hl m\enotes +\temps\NOTes&\zq f\qu i|\enotes +\temps\Notes&\zq f\qu i|\tten0\ibl0m{-3}\qb0m\tbl0\qb0{_l}\enotes +\temps\Notes&\zq f\qu{_h}|\ibl0m{-4}\qb0m\tbl0\qb0k\enotes +%\check +% mesure 33 +\barre\NOTes\wh J&\zw c\zq{_e}\qu g|\fl l\qlp l\enotes +\temps\Notes&\zq e\qu g|\sk\cl k\enotes +\temps\NOTes&\zq e\qu g|\qlp j\enotes +\temps\Notes&\zq e\qu g|\sk\ds \enotes +%\check +% mesure 34 +\barre\nspace +\NOTes\wh K&\zw d\lsh f\zq f\qu{=h}|\itenu0k\hl k\enotes +\temps\NOTes&\zq f\qu h|\enotes +\temps\Notes&\zq f\qu h|\tten0\dqb3k{_l}\enotes +\temps\Notes&\zq f\qu h|\dqb{-3}kj\enotes +% mesure 35 +\barre +\Notes\wh J&\zw c\sh f\zq f\qu h|\dqb3k{=l}\enotes +\temps\Notes&\zq f\qu h|\dqb3{^m}n\enotes +\temps\Notes&\zq f\qu h|\dqb3op\enotes +\temps\Notes&\zq f\qu h|\dqb{-4}qo\enotes +% mesure 36 +\barre% +\Notes\wh I&\zw b\zq d\qu g|\dqb{-3}rq\enotes +\temps\Notes&\zq d\qu g|\dqb{-3}po\enotes +\temps\Notes&\zq d\qu g|\dqb{-3}nm\enotes +\temps\Notes&\zq d\qu g|\dqb{-4}nl\enotes +% mesure 37 +\barre +\Notes\wh H&\zw c\zq{^f}\qu h|\sh m\dqb{-3}ml\enotes +\temps\Notes&\zq f\qu h|\dqb3mn\enotes +\temps\Notes&\zq f\qu h|\dqb3op\enotes +\temps\Notes&\zq f\qu h|\dqb{-4}qo\enotes +% mesure 38 +\barre +\Notes\wh G&\itenl0d\zw d\zq g\qu i|\dqb{-3}po\enotes +\temps\Notes&\zq g\qu i|\dqb{-3}n{=m}\enotes +\temps\Notes&\zq g\qu i|\fl l\dqb{-3}lk\enotes +\temps\Notes&\zq g\qu i|\dqb{-3}ji\enotes +% mesure 39 +%\check +\barre +\NOTes\wh F&\tten0\zw d\na i\zq f\qu i|\rlap{\hl{=i}}\zcharnote n{\Trille{2\noteskip}}\enotes +\temps\NOTes&\zq f\qu i|\enotes +\temps\Notes&\zq f\qu i|\ibl0i0\qb0i\enotes +\notes&|\nbbl0\qb0j\tbl0\qb0i\enotes +\temps\Notes&\zq f\qu i|\dqb3hi\enotes +%\check +% mesure 40 +\barre\NOTes\wh E&\zw c\zq e\qu g|\zcharnote o{\Trille{2\noteskip}}\hl j\enotes +\temps\NOTes&\zq e\qu g|\enotes +\temps\Notes&\zq e\qu g|\ibl0j0\qb0j\enotes +\notes&|\nbbl0\qb0k\tbl0\qb0j\enotes +\temps\Notes&\zq e\qu g|\dqb3{=i}j\enotes +% mesure 41 +\barre\NOTes\wh H&\zw{^c}\zq e\qu g|\zcharnote o{\Trille{2\noteskip}}\hl{^j}\enotes +\temps\NOTes&\zq e\qu g|\enotes +\temps\Notes&\rlap{\midtwotext{\it rit.}}\zq e\qu g|\ibl0j0\qb0j\enotes +\notes&|\nbbl0\qb0k\tbl0\qb0j\enotes +\temps\Notes&\zq e\qu g|\dqb3{=i}j\enotes +% mesure 42 +\barre\NOTes\hup D&\rlap{\midtwotext{\it a tempo}}\zw d\zq{^f}\qu h|\hlp k\enotes +\temps\NOTes&\zq f\qu h\enotes +\temps\NOTes&\zq f\qu h\enotes +\temps\NOTes\soupir&\zq f\qu h|\soupir\enotes +%\check +% mesure 43 +\barre\notes\wh K&\rlap{\wh d}\zq{=f}\qu h|\ibbu0h0\qh0h\tbbu0\qh0g\enotes +\Notes&|\tbu0\itenl0h\qh0h\enotes +\NOTes&\zq f\qu h|\tten0\hu h\enotes +\temps\NOTes&\zq f\qu h\enotes +\temps\NOTes&\zq f\qu h|\qu i\enotes +%\check +% mesure 44 +\barre\NOTes\wh G&\zw b\zq d\qu g|\hu g\enotes +\temps\NOTes&\zq d\qu g\enotes +\temps\NOTes&\zq d\qu g|\soupir\enotes +\temps\Notes&\zq d\qu g|\ibu0h3\qh0g\enotes +\notes&|\nbbu0\qh0h\tbu0\qh0i\enotes +% mesure 45 +\barre\Notes\wh J&\rlap{\rhl b}\zq c\qu e|\ibu0i{-3}\qh0i\tbu0\qh0h\enotes +\temps\Notes &\zq c\qu e|\ibu0h{-3}\qh0h\tbu0\qh0g\enotes +\temps\Notes &\rlap{\hl c}\zq e\qu i|\ibu0g{-3}\qh0g\tbu0\qh0f\enotes +\temps\Notes &\zq e\qu i|\ibu0f{-3}\qh0f\tbu0\qh0e\enotes +%\check +% mesure 46 +\barre \NOTes\wh F&\zw a\zq c\qu f|\qup f\enotes +\temps\Notes&\zq c\qu f|\sk\cu g\enotes +\temps\NOTes&\zq c\qu f|\qup h\enotes +\temps\Notes&\zq c\qu f|\sk\ds\enotes +% mesure 47 +%\check +\large +\barre\notes\hl K&\rlap{\hl d}\zq g\qu i|\ibbu0i0\qh0{iji}\tbu0\qh0h\enotes +\temps\notes&\zq g\qu i|\ibbu0i0\qh0{igh}\tbu0\qh0{=i}\enotes +\temps\notes\hl L&\rlap{\hl{^c}}\zq e\qu g|\ibbl0j3\qb0{^jkl}\tbl0\qb0m\enotes +\temps\notes&\zq e\qu g|\ibbl0n3\qb0{no=p}\tbl0\qb0{^q}\enotes +% mesure 48 +%\check +\barre\notes\hl M&\rlap{\hl a}\zq d\qu f|\ibbl0r{-3}\qb0{r=q_p}\tbl0\qb0o\enotes +\temps\notes&\zq d\qu f|\ibbl0n{-3}\qb0{nml}\tbl0\qb0 k\enotes +\temps\notes\hl G&\rlap{\hl b}\zq e\qu g|\ibbl0n{-3}\qb0{nml}\tbl0\qb0k\enotes +\temps\notes&\zq e\qu g|\ibbl0j{-3}\qb0{^j=ih}\tbl0\qb0g\enotes +% mesure 49 +%\check +\barre\notes\hu H&\rlap{\hl a}\zq d\qu f|\ibbl0f3\qb0{fhk}\tbl0\qb0h\enotes +\temps\notes&\zq d\qu f|\ibbl0k3\qb0{mko}\tbl0\qb0m\enotes +\temps\notes\hu I&\rlap{\hl b}\zq d\qu g|\ibbl0g3\qb0{g_il}\tbl0\qb0i\enotes +\temps\notes&\zq d\qu g|\ibbl0l3\qb0{nl_p}\tbl0\qb0n\enotes +% mesure 50 +%\check +\barre\notes\hu H&\rlap{\hl d}\zq f\qu h|\ibbl0h3\qb0{hkm}\tbl0\qb0k\enotes +\temps\notes&\zq f\qu h|\ibbl0m3\qb0{omr}\tbl0\qb0o\enotes +\temps\notes\hu G&\rlap{\hl d}\zq g\qu i|\ibbl0i3\qb0{ikn}\tbl0\qb0k\enotes +\temps\notes&\zq g\qu i|\ibbl0m3\qb0{pnr}\tbl0\qb0 p\enotes +% mesure 51 +%\check +\normal +\barre\NOTes\hup F&\rlap{\hlp d}\zq f\qu h|\qlp o\enotes +\temps\Notes&\zq f\qu h|\sk\cl n\enotes +\temps\notes&\zq f\qu h|\ibl0m{-3}\qb0m\zcharnote o{\sl 3}\qb0l\tbl0\qb0k\enotes +\temps\Notes\qu G&\rlap{\ql b}\zq e\qu g|\ibl0n{-3}\qb0n\tbl0\qb0m\enotes +% mesure 52 +%\check +\barre\NOTes\wh H&\itenl0a\zw a\zq d\qu f|\ql m\enotes +\temps\NOTes&\zq{^c}\qu e|\zcharnote n{\Trille{2\noteskip}}\hl l\enotes +\temps\NOTes&\zq c\qu e|\enotes +\temps\NOtes&\zq c\qu e|\ibl0l{-3}\pt l\qb0l\enotes +\notes&|\tbbl0\tbl0\qb0k\enotes +% mesure 53 +%\check +\barre\NOTes\hup D&\tten0\zw a\zq d\qu f|\hlp k\enotes +\temps\NOTes&\zq d\qu f|\enotes +\temps\NOTes&\zq d\qu f|\enotes +\temps\NOTes\soupir&\zq d\qu f|\soupir\enotes +% mesure 54 +%\cleftoksii={{3}{0}{0}{0}}\changeclefs +\barre\notes\itenu1K\wh K&\itenl2d\zw d\zq f\qu h|\ibbu0h0\qh0h\tbbu0\qh0g\enotes +\Notes&|\tbu0\itenl0h\qh0h\enotes +\NOTes&\zq f\qu h|\tten0\hu h\enotes +\temps\NOTes&\zq f\qu h\enotes +\temps\NOTes&\zq f\qu h|\qu i\enotes +% mesure 55 +\barre\NOTes\tten1\hu K&\zq e\zqu g\qsk\tten2\wh d|\hu g\enotes +\temps\NOTes&\zq e\qu g\enotes +\temps\NOTes\soupir&\zq e\qu g|\soupir\enotes +\temps\Notes\qu K&\zq e\qu g|\ibu0h3\qh0g\enotes +\notes&|\nbbu0\qh0h\enotes +\notes&|\tbu0\qh0i\enotes +% mesure 56 +\barre\Notes\wh{^J}&\rlap{\wh{^c}}\zq e\qu g|\ibu0i{-3}\qh0i\tbu0\qh0h\enotes +\temps\Notes &\zq e\qu g|\ibu0h{-3}\qh0h\tbu0\qh0g\enotes +\temps\Notes &\zq e\qu g|\ibu0g{-3}\qh0g\tbu0\qh0{^f}\enotes +\temps\Notes &\zq e\qu h|\ibu0f{-3}\qh0f\tbu0\qh0e\enotes +% mesure 57 +\barre\NOTes\wh K&\rlap{\wh d}\zq{^f}\qu h|\qup {^f}\enotes +\temps\Notes&\zq f\qu h|\sk\cu g\enotes +\temps\NOTes&\zq f\qu h|\qup h\enotes +\temps\Notes&\zq f\qu h|\sk\ds \enotes +% mesure 58 +\barre\NOTes\qu J&\zq{=c}\rq d\qu g|\qu d\enotes +\temps\NOTes\hup I&\rlap{\hlp b}\zq d\qu g|\itenl0g\qu g\enotes +\temps\notes&\zq d\qu g|\tten0\ibbu0g{-3}\qh0{g=fe}\tbu0\qh0d\enotes +\temps\notes&\zq d\qu g|\ibbu0g{-3}\qh0{gfe}\tbu0\qh0d\enotes +% mesure 59 +%\check +\barre\notes\wh H&\doubler\itenl0a\zw a\zq{^c}\qu e|\ibbu0c0\qh0{^c=bc}\tbu0\qh0a\enotes +\temps\notes&\zq c\qu e|\ibbu0b3\qh0{bcd}\tbu0\qh0e\enotes +\temps\NOTes&\zq d\qu f|\qu f\enotes +\temps\Notes&\zq d\qu f|\ibu0f{-3}\qh0f\tbu0\qh0e\enotes +% mesure 60 +%\check +\barre\NOTes\wh H&\tten0\zw a\zq{^c}\qu e|\zcharnote n{\Trille{3\noteskip}}\hup e\enotes +\temps\NOTes&\zq c\qu e\rlap{\midtwotext{\sl rall.\ \ \ }}\enotes +\temps\NOTes&\zq c\qu e|\enotes +\temps\Notes&\zq c\qu e|\ibu0e{-3}\qh0e\tbu0\qh0d\enotes +% mesure 61 +%\check +\cleftoksii={{6}{0}{0}{0}}% +\zchangeclefs +\barre +\elemskip=1.1\elemskip +\NOTes\itenl1D\wh D&\itenu2d\zw d\zq M\ql a|\itenl0d\zw d\enotes +\temps\NOTes&\zq M\ql a|\enotes +\temps\NOTes&\zq N\ql b|\enotes +\temps\NOTes&\zq L\ql N|\enotes +% mesure 62 +\barre\nspace +\NOTEs\tten1\pointdorgue a\hu D&\tten2\zh{Ma}\pointdorgue d\hl d|\tten0\pointdorgue o\hu d\enotes +\temps\NOTEs\hpause&\hpause|\hpause\enotes +\mulooseness -2\relax +\finmorceau +\bigskip +\rightline{\it \aujourdhui} +\vfil +\eject +\bye diff --git a/macros/generic/musixtex/doc/examples/albinoni.tex b/macros/generic/musixtex/doc/examples/albinoni.tex new file mode 100644 index 0000000000..9b30fd3bb7 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/albinoni.tex @@ -0,0 +1,614 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi + \input musixadd + \title{Adagio (Albinoni)} +\csname titremorceautoc\endcsname +\fulltitle{Adagio per archi ed organo} +\title{Adagio per archi ed organo} + \author{Tomaso Albinoni\\Transcription orgue et clarinette Daniel +Taupin} + \shortauthor{Albinoni} + \subtitle{\relax} + \othermention{G.O. (I): Montre 8'+4'\\Positif (II): 8'+4'+quinte + \\R\'ecit (III): fl\^utes +8'+4'\\P\'edale : 16'\\Tirasse positif, claviers accoupl‚s.\\Gif : +2-4/9-11-13/19-22/33-37/46-47-48-49-54} + \maketitle + + +\parindent 13mm +\musicsize=20 +\normal +\relativeaccidentals +\bigaccid +\def\nbinstruments{4} +\def\instrumenti{P\'edale} +\def\instrumentii{Positif} +\def\instrumentiii{Positif} +\def\instrumentiv{Clarinette} +\def\staffspacingiv{0.64} +\generalmeter{\meterfrac34}% +\cleftoksi{6000} +\cleftoksii{6000} +\cleftoksiii{0000} +\cleftoksiv{0000} +\generalsignature{-2} + % + \def\pto#1#2#3{\Ibbbu0{#1}{#3}2\qh0{#1}\tbbu0\qh0{#2}\tbu0\itenu0{#3}\multnoteskip{1.42}\qhp0{#3}}% + \def\ptb#1#2#3{\Ibbbl0{#1}{#3}2\qb0{#1}\tbbl0\qb0{#2}\tbl0\itenu0{#3}\multnoteskip{1.42}\qbp0{#3}}% + \def\qpqu#1#2{\Ibu0{#1}{#2}2\qhp0{#1}\sk\tbbu0\tqh0{#2}} + \def\qpql#1#2{\Ibl0{#1}{#2}2\qbp0{#1}\sk\tbbl0\tqb0{#2}} + \def\Qpqu#1#2{\Ibu1{#1}{#2}2\qhp1{#1}\sk\tbbu1\tqh1{#2}} + \def\Qpql#1#2{\Ibl1{#1}{#2}2\qbp1{#1}\sk\tbbl1\tqb1{#2}} + \def\Qpqlt#1#2#3{\Ibl1{#1}{#2}2\qbp1{#1}\sk\tbbl1\tslur3{#3}\tqb1{#2}} + % + \def\grnotes{\vnotes0.7\elemskip}% 16th + \def\ggrnotes{\vnotes0.5\elemskip}% 16th + % + \def\qqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}} + \def\qqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}} + \def\qqqb#1#2#3{{\advance\transpose -13\relax\triolet #2}\Ibl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}} + \def\qqqh#1#2#3{{\advance\transpose 8\relax\triolet #1}\Ibu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}} + % +\debutmorceau +\NOtes\sk\pause&\lpz G\qu G\upz N\ql N\lpz G\qu G + &\roff{\itenl1b\itenl2d\itenu3g}\zhp b\zhp d\hlp g&\Uptext{\bf\kern -5mm(\metron{\qu}60)}\sk\pause\enotes + \barre %2 +\NOtes\sk\pause&\zcharnote {-7}{\it il basso staccato}\lpz F\qu F\upz M\ql +M\lpz F\qu F&\tten1\tten2\tten3\zhp b\zhp d\hlp g&\sk\pause\enotes + \barre %3 +\notes&\qu E&\roff{\itenl1b\itenl2e}\zhp b\zhlp e\pto ghi&\enotes +\NOtes\pause&\ql L&\tten0\qup i&\pause\enotes +\Notes&\qu E&\sk\cu g\enotes + \barre %4 +\NOtes&\qu D\ql K\qu D&\tten1\tten2\zhp b\zhlp e\hup g&\sk\pause\enotes + \barre %5 +\notes&\qu C&\roff{\zhp e\zhlp h}\pto hij\enotes +\NOtes\pause&\qu J\qu C&\tten0\hu j&\pause\enotes + \barre %6 +\notes&\qu {^C}&\zhp {^e}\zhlp g\pto ihi\enotes +\NOtes\pause&\qu {^J}\qu C&\tten0\hu i&\pause\enotes + \barre %7 +\notes&\qu D&\lh d\itenl1d\zhl d\pto hgh\enotes +\NOtes\pause&\ql K&\tten0\itenu0h\qu h&\pause\enotes +\Notes&\qu D&\tten1\lq{=c}\zql d\tten0\triolet p\Ibu0hf2\qh0{hg}\tqh0{^f}\enotes + \barre %8 +\NOtes\sk\pause&\qu G\ql N\qu G&\zhp b\zhlp d\hup g&\sk\pause\enotes + \setclef2\treble \changeclefs + \barre %9 + \NOtes\lpz G\qu G\upz N\ql N&\zcharnote n{{\bf III} -- fl–tes}\zhp b\hup d&\zcharnote n{{\bf II} -- quinte}\ppt5\soupir&\isluru3m\ql k\Ibl1ji1\qbp 1j\enotes + \notes&&\ccu N&\tbbl1\tqb1i\enotes + \notes\lpz G\qu G&&\Ibu0ab1\qhp0a\sk\tbbu0\tqh0b&\Ibl1hg2\qbp1h\sk\tbbl1\tslur3m\tqb1g\enotes + %\check + \barre %10 + \notes\qu H&\hup c&\qpqu cd&\isluru3m\hu g\enotes + \notes\ql a&&\qpqu ed\enotes + \notes\qu H&&\qpqu ec&\tslur3l\qu{^f}\enotes + \barre %11 + \NOtes\qu H&\qup c&\qup{^f}&\isluru3l\ql l\enotes + \notes\ql a&\sk\dsoupir&\sk\sk\ccu a&\Qpql kj\enotes + \notes\qu H&\soupir&\qpqu bc&\Qpqlt ihk\enotes + \barre %12 + \notes\qu I&\hlp d&\qpqu d{^e}&\isluru3l\hl h\enotes + \notes\ql b&&\qpqu {^f}d\enotes + \NOtes\qu I&&\qu g&\tslur3k\qu g\enotes + \barre %13 + \NOtes\qu I&\zhp d\zhlp g\hu k&\hu g&\isluru3o\ql n\enotes + \Notes\ql b&&&\Ibl1mn2\qb1m\tqb1n\enotes + \Notes\qu I&&\qu d&\triolet o\Ibl0lk2\qb0{lm}\tqb0k\enotes + \barre %14 + \NOtes\qu J&\zh e\hu g&\qu d&\tslur3n\hlp l\enotes + \Notes\ql c&&\Ibu0cd1\qh0c\tqh0d\enotes + \Notes\qu J&\soupir&\triolet M\Ibu0ba2\qh0{bc}\tqh0a\enotes + \barre %15 + \NOtes\qu H&\zh c\hu j&\hu f&\isluru3n\ql m\enotes + \Notes\ql a&&&\Ibl0lm1\qb0l\tqb0m\enotes + \Notes\qu H&\zq c\qu f&\qu c&\triolet n\Ibl0kj2\qb0{kl}\tqb0j\enotes + \barre %16 + \NOtes\qu I&\zh d\hu f&\qu c&\tslur3l\hlp k\enotes + \Notes\ql b&&\qqh bc\enotes + \Notes\qu I&\soupir&\qqqh abN\enotes + \barre %17 + \NOtes\qu G&\zh b\hu i&\hu e&\isluru3m\ql l\enotes + \Notes\ql N&&&\qqb kl\enotes + \Notes\qu G&\zq b\qu e&\qu b&\qqqb jki\enotes + \barre %18 + \NOtes\qu H&\zhp c\hup e&\qu b&\tslur3k\hl j\enotes + \Notes\ql a&&\qqh ab\enotes + \Notes\qu H&&\qqqh cba&\isluru3k\ql j\enotes + \barre %19 + \NOtes\qu I&\hu d&\zq a\qu d&\hl k\enotes + \Notes\ql b&&\Ibl1NM1\Ibu0gf1\zqb1N\qh0g\tbl1\zqb1{^M}\tqh0{^f}\enotes + \Notes\qu J&\qu e&\Ibl1Na1\Ibu0gh1\zqb1N\zql e\qh0g\tbl1\zqb1a\tqh0h&\ql l\enotes + \barre %20 + \NOTEs\pointdurgue F\hu K&\hu d&\pointdorgue n\zh {bdg}\hu i&\pointdorgue + m\tslur3l\hl k\enotes + \Notes\soupir&\soupir&\uptext{\kern -5mm\it a tempo}\soupir&\Uptext{\kern -5mm\it a tempo}\ds\cl n\enotes + \barre %21 + \Notes\sk\sk\sk\pause&\sk\sk\sk\pause&\sk\sk\sk\pause&\qqb op\qqb on\qqb {^m}n\enotes + \barre %22 + \NOTes\qu{^I}\ql{^b}&&\zh{df}\hu{_h}&\hlp{=m}\enotes + \notes\qu I&&\ibbbu0g0\zq d\qh0f\tbbu0\zq e\qh0g\zq f\qh0h\sk\nbbbu0\zq +e\qh0g\zq d\tqh0f\enotes + \barre %23 + \NOtes\qu J&&\zhp c\zhlp e\raise 2\Interligne\soupir&\isluru3m\qlp l\enotes + \Notes\ql c&&\hu g&\sk\cl j\enotes + \notes\qu J&&&\qpql ln\enotes + \barre %24 + \NOtes\qu {=I}&&\zhp N\zhlp d\raise 2\Interligne\soupir&\tslur3l\qlp k\enotes + \Notes\ql {=b}&&\hu g&\sk\isluru3l\cl i\enotes + \notes\qu I&&&\qpql kn\enotes + \barre %25 + \NOtes\qu {_H}\ql{_a}&&\zh {_a}\zhl c&\tslur3l\hl j\enotes + \notes\qu H&\zcharnote a{(III -- fl–tes)}\qu e&\ibbbu0j0\zq {_h}\qh0j\tbbu0\zq i\qh0k\zq j\qh0l\sk\nbbbu0\zq +i\qh0k\zq h\tqh0j&\isluru4k\ql j\enotes + \barre %26 + \NOtes\qu K\ql d&\hup d&\zh g\zhu i&\hlp i\enotes + \notes\qu K&&\ibbbu0i0\zq g\qh0i\tbbu0\zq {=h}\qh0j\zq i\qh0k\sk\nbbbu0\zq +h\qh0j\zq g\tqh0i\enotes + \barre %27 + \NOtes\qu K\ql d&\hup c&\zh {^f}\zhu h&\hlp h\enotes + \notes\qu K&&\ibbbu0h0\zq f\qh0h\tbbu0\zq g\qh0i\zq h\qh0j\sk\nbbbu0\zq +g\qh0i\zq f\tqh0h\enotes + \barre %28 + \NOtes\qu G\ql N\qu G&\itenl1b\hup b&\itenl2d\itenu3g\zhp d\hup g&\tslur4l\hup g\enotes + %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% + \barno 1\relax + \barre %2 +\NOtes\zcharnote {-7}{\it il basso staccato}\lpz F\qu F\upz M\ql +M\lpz F\qu F&\tten1\hup b&\tten2\tten3\zhp d\hup g&\sk\pause\enotes + \barre %3 +\notes\qu E&&\roff{\itenl1b\itenl2e}\zhp b\zhlp e\pto ghi&\enotes +\NOtes\ql L&&\tten0\qup i&\pause\enotes +\Notes\qu E&&\sk\cu g\enotes + \barre %4 +\NOtes\qu D\ql K\qu D&&\tten1\tten2\zhp b\zhlp e\hup g\enotes + \barre %5 +\notes\qu C&&\roff{\zhp e\zhlp h}\pto hij\enotes +\NOtes\qu J\qu C&&\tten0\hu j&\pause\enotes + \barre %6 +\notes\qu {^C}&&\zhp {^e}\zhlp g\pto ihi\enotes +\NOtes\qu {^J}\qu C&&\tten0\hu i&\pause\enotes + \barre %7 +\notes\qu D&&\lh d\itenl1d\zhl d\pto hgh\enotes +\NOtes\ql K&&\tten0\itenu0h\qu h&\pause\enotes +\Notes\qu D&&\tten1\lq{=c}\zql d\tten0\triolet p\Ibu0hf2\qh0{hg}\tqh0{^f}\enotes + \barre %8 +\NOtes\qu G\ql N\qu G&&\zhp b\zhlp d\hup g\enotes + \barre %9 + \NOtes\lpz G\qu G\upz N\ql N&\zhp b\hup d\zcharnote a{(III -- +fl–tes)}&\ppt5\soupir\zcharnote n{(II -- quinte)}&\isluru3m\ql +k\Ibl1ji1\qbp 1j\enotes + \notes&&\ccu N&\tbbl1\tqb1i\enotes + \notes\lpz G\qu G&&\Ibu0ab1\qhp0a\sk\tbbu0\tqh0b&\Ibl1hg2\qbp1h\sk\tbbl1\tslur3m\tqb1g\enotes + %\check + \barre %10 + \notes\qu H&\hup c&\qpqu cd&\isluru3m\hu g\enotes + \notes\ql a&&\qpqu ed\enotes + \notes\qu H&&\qpqu ec&\tslur3l\qu{^f}\enotes + \barre %11 + \NOtes\qu H&\qup c&\qup{^f}&\isluru3l\ql l\enotes + \notes\ql a&\sk\dsoupir&\sk\sk\ccu a&\Qpql kj\enotes + \notes\qu H&\soupir&\qpqu bc&\Qpqlt ihk\enotes + \barre %12 + \notes\qu I&\hlp d&\qpqu d{^e}&\isluru3l\hl h\enotes + \notes\ql b&&\qpqu {^f}d\enotes + \NOtes\qu I&&\qu g&\tslur3k\qu g\enotes + \barre %13 + \NOtes\qu I&\zhp d\zhlp g\hu k&\hu g&\isluru3o\ql n\enotes + \Notes\ql b&&&\Ibl1mn2\qb1m\tqb1n\enotes + \Notes\qu I&&\qu d&\triolet o\Ibl0lk2\qb0{lm}\tqb0k\enotes + \barre %14 + \NOtes\qu J&\zh e\hu g&\qu d&\tslur3n\hlp l\enotes + \Notes\ql c&&\Ibu0cd1\qh0c\tqh0d\enotes + \Notes\qu J&\soupir&\triolet M\Ibu0ba2\qh0{bc}\tqh0a\enotes + \barre %15 + \NOtes\qu H&\zh c\hu j&\hu f&\isluru3n\ql m\enotes + \Notes\ql a&&&\Ibl0lm1\qb0l\tqb0m\enotes + \Notes\qu H&\zq c\qu f&\qu c&\triolet n\Ibl0kj2\qb0{kl}\tqb0j\enotes + \barre %16 + \NOtes\qu I&\zh d\hu f&\qu c&\tslur3l\hlp k\enotes + \Notes\ql b&&\qqh bc\enotes + \Notes\qu I&\soupir&\qqqh abN\enotes + \barre %17 + \NOtes\qu G&\zh b\hu i&\hu e&\isluru3m\ql l\enotes + \Notes\ql N&&&\qqb kl\enotes + \Notes\qu G&\zq b\qu e&\qu b&\qqqb jki\enotes + \barre %18 + \NOtes\qu H&\zhp c\hup e&\qu b&\tslur3k\hl j\enotes + \Notes\ql a&&\qqh ab\enotes + \Notes\qu H&&\qqqh cba&\isluru3k\ql j\enotes + \barre %19 + \NOtes\qu I&\hu d&\zq a\qu d&\hl k\enotes + \Notes\ql b&&\Ibl1NM1\Ibu0gf1\zqb1N\qh0g\tbl1\zqb1{^M}\tqh0{^f}\enotes + \Notes\qu J&\qu e&\Ibl1Na1\Ibu0gh1\zqb1N\zql e\qh0g\tbl1\zqb1a\tqh0h&\ql l\enotes + \barre %20 + \NOTEs\pointdurgue F\hu K&\hu d&\pointdorgue n\zh {bdg}\hu i&\pointdorgue + m\tslur3l\hl k\enotes + \Notes\soupir&\soupir&\uptext{\kern -5mm\it a tempo}\soupir&\Uptext{\it a tempo}\ds\cl n\enotes + \barre %21 + \Notes\sk\sk\sk\pause&\sk\sk\sk\pause&\sk\sk\sk\pause&\qqb op\qqb on\qqb {^m}n\enotes + \barre %22 + \NOTes\qu{^I}\ql{^b}&&\zh{df}\hu{_h}&\hlp{=m}\enotes + \notes\qu I&&\ibbbu0g0\zq d\qh0f\tbbu0\zq e\qh0g\zq f\qh0h\sk\nbbbu0\zq +e\qh0g\zq d\tqh0f\enotes + \barre %23 + \NOtes\qu J&&\zhp c\zhlp e\raise 2\Interligne\soupir&\isluru3m\qlp l\enotes + \Notes\ql c&&\hu g&\sk\cl j\enotes + \notes\qu J&&&\qpql ln\enotes + \barre %24 + \NOtes\qu {=I}&&\zhp N\zhlp d\raise 2\Interligne\soupir&\tslur3l\qlp k\enotes + \Notes\ql {=b}&&\hu g&\sk\isluru3l\cl i\enotes + \notes\qu I&&&\qpql kn\enotes + \barre %25 + \NOtes\qu {_H}\ql{_a}&&\zh {_a}\zhl c&\tslur3l\hl j\enotes + \notes\qu H&\zcharnote a{(III -- +fl–tes)}\qu e&\ibbbu0j0\zq {_h}\qh0j\tbbu0\zq i\qh0k\zq j\qh0l\sk\nbbbu0\zq +i\qh0k\zq h\tqh0j&\isluru3k\ql j\enotes + \barre %26 + \NOtes\qu K\ql d&\hup d&\zh g\zhu i&\hlp i\enotes + \notes\qu K&&\ibbbu0i0\zq g\qh0i\tbbu0\zq {=h}\qh0j\zq i\qh0k\sk\nbbbu0\zq +h\qh0j\zq g\tqh0i\enotes + \barre %27 + \NOtes\qu K\ql d&\hup c&\zh {^f}\zhu h&\hlp h\enotes + \notes\qu K&&\ibbbu0h0\zq f\qh0h\tbbu0\zq g\qh0i\zq h\qh0j\sk\nbbbu0\zq +g\qh0i\zq f\tqh0h\enotes + \barno 29\relax + \barre %30 + \znotes&&&\tslur3l\enotes + \NOTEs\itenl0G\hup G&\itenl1b\itenu2f\zhp{=f}\hup{^b}&\itenl3b\itenu4g\itenl5d\zhp{^b}\zhp d\hup g&\itenu6g\hup g\enotes + \barre %31 + \znotes\tten0&\tten1\tten2&\tten3\tten4\tten5&\tten6\enotes + \NOTes\itenl0G\hup G&\zq f\qu{^b}&\itenl1b\itenl2d\itenu3g\zhp{^b}\zhp d\hup g&\qu g\enotes + \zalapage + \def\qqqq#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% + \def\qqqqh{\qqqq}% + \def\qqqqb#1#2#3#4{\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% + \notes&&\zcharnote n{\kern -4mm{\bf III} -- fl–tes}&\ds\cu g\qqqq{_h}g{^f}g\enotes + \barre %32 + \znotes&&\tten1\tten2\tten3\zcharnote r{\kern -2mm +\it reprendre au III}\zcharnote n{\kern -2mm +\it l'accord du II accoupl‚}\enotes + \notes\tten0\itenl0G\hup G&&\itenl1d\itenl2b\itenu3g\zhp d\zhp +g\hup{^b}&\qqqq{=f}ede\qqqq fede\qqqq dc{^b}c\enotes + \barre %33 + \NOTes\tten0\hu G&&\tten1\tten2\tten3\zh d\zh g\hu{^b}&\hu d\enotes + \cleftoksii{6000}\zchangeclefs + \notes\pt5\ds\ccu G&\uptext{\bf II}\pt5\ds\ccl M&\uptext{\bf II}\pt5\ds\zq {^b}\zq d\ccu g&\soupir\enotes + \barre %34 + \NOtes\itenl0G\hup G&\ql L&\itenl1c\itenl2e\itenu3g\zhp c\zhp e\hup g&\soupir\enotes + \Notes&&\uptext{{\bf III} - fl–tes}&\ds\cu g\enotes + \notes&\hpause&&\qqqq{_h}g{^f}g\enotes + \barre %35 + \notes\tten0\itenl0G\hup G&&\tten1\tten2\tten3\itenl1c\itenl2e\zhp{ce}\hup +g&\qqqq{=f}ede\qqqq fede\qqqq edc{^b}\enotes + \barre %36 + \NOTes\pointdorgue b\tten0\itenl0G\hup G&&\pointdorgue m\tten1\tten2\itenl1c\itenl2e\zhp c\hup +e&\pointdorgue m\qu c\enotes + \Notes&&&\ds\cu N\qqh ce\enotes + \barre %37 + \notes\tten0\itenl0G\hup G&&\tten1\tten2\itenl1c\itenl2e\zhp c\hup e&\qqqq +gecN\qqqq cegj\qqqq ljge\enotes + \barre %38 + \notes\tten0\itenl0G\hup G&&\tten1\tten2\itenl1c\itenl2e\zhp c\hup e&\qqqq +gjln\qqqq qnlj\qqqq lnqs\enotes + \barre %39 + \NOTes\tten0\hu G&&\tten1\tten2\zh c\hu e&\pointdurgue c\qlp {!'n}\enotes + \notes\pt5\ds\ccu G&\uptext{\kern -5mm\bf I -- \ppff ff}\pt5\ds\ccl N&\uptext{\kern -5mm\bf I -- +\ppff ff}\pt5\ds\zq c\ccu e&\soupir\enotes + \barre %40 + \NOtes\itenl0G\hup G&\ql N&\itenl1b\roff{\itenl2c}\itenu3e\zhp b\roff{\zhp c}\hup {^e}&\soupir\enotes + \Notes&\soupir&\uptext{{\bf III} - fl–tes}&\ds\cl j\enotes + \notes&&&\qqqq{_k}j{^i}j\enotes + \barre %41 + \notes\tten0\itenl0G\hup G&&\tten1\tten2\tten3\itenl1b\roff{\itenl2c}\itenu3e\zhp b\roff{\zhp c}\hup {^e}% + &\qqqq {=i}{_h}gh\qqqq ihgh\qqqq gf{^e}f\enotes + \barre %42 + \NOTes\tten0\hu G&&\tten1\tten2\tten3\zh b\rh c\hu {^e}&\hu g\enotes + \notes\pt5\ds\ccu G&\uptext{\bf II}\pt5\ds\ccl N&\uptext{\bf II}\pt5\ds\zq +b\rq c\ccu {^e}&\soupir\enotes + \barre %43 + \NOtes\itenl0F\hup F&\ql M&\itenl1a\itenl2c\itenu3f\zhp {_a}\zhp c\hup f&\soupir\enotes + \Notes&&\uptext{{\bf III} - fl–tes}&\ds\cu j\enotes + \notes&\hpause&&\qqqq{_k}j{^i}j\enotes + \barre %44 + \notes\tten0\itenl0F\hup F&&\tten1\tten2\tten3\itenl1a\itenl2c\zhp{_a}\zhp c\hup +f&\qqqq{=i}{_h}gh\qqqq ihgh\qqqq hgf{^e}\enotes + \barre %45 + \NOTes\pointdorgue b\tten0\itenl0F\hup F&&\pointdorgue m\tten1\tten2\itenl1a\itenl2c\zhp {_a}\hup +c&\pointdorgue m\qu f\enotes + \Notes&&&\ds\cu {_a}\qqh cf\enotes + \barre %46 + \notes\tten0\itenl0F\hup F&&\tten1\tten2\itenl1a\itenl2c\zhp {_a}\hup c&\qqqq +{_h}fc{_a}\qqqq cfhj\qqqq mjhf\enotes + \barre %47 + \notes\tten0\itenl0F\hup F&&\tten1\tten2\itenl1a\itenl2c\zhp {_a}\hup c&\qqqq +{_h}jm{_o}\qqqq qomj\qqqq moqt\enotes + \barre %48 + \NOTes\tten0\hu F&&\tten1\tten2\zh {_a}\hu c&\pointdurgue e\qlp {!'_o}\enotes + \notes\pt5\ds\ccu F&\uptext{\kern -5mm\bf I -- \ppff ff}\pt5\ds\ccl +M&\uptext{\kern -5mm\bf I -- +\ppff ff}\pt5\ds\zq {ac}\ccu f&\soupir\enotes + \barre %49 + \NOtes\itenl0D\hup D&\qu K&\itenl1a\itenl2c\itenu3f\zhp {=a}\zhp c\hup {^f}&\soupir\enotes + \Notes&\soupir&\uptext{{\bf III} - fl–tes}&\ds\cl j\enotes + \Notes&&&\qqb kl\enotes + \barre %50 + \notes\tten0\hup D&&\tten1\tten2\tten3\zhp a\zhp c\hup {^f}% + &\qqqq lk{=m}l\qqqq lkkj\qqqq j{^i}ij\enotes + \barre %51 + \notes\lpz G\qu G&&\zhp N\zhp{^b}\itenu1f\hup{=f}&\ptb {^i}jk\enotes + \NOtes\upz N\ql N&&&\tten0\qlp k\enotes + \Notes\lpz N\qu G&&\tten1\qqh fe&\sk\cl j\enotes + \barre %52 + \NOtes\lpz J\qu J\upz c\ql c\upz J\qu J&&\itenl1N\itenl2c\itenu3e\zhp N\zhp +c\hup e&\hlp j\enotes + \barre %53 + \NOtes\qu{=I}\ql{=b}\qu I&\sk\uptext{\bf II}&\tten1\tten2\tten3\zhp N\zhp +c\hup e\uptext{\bf II}&\sk\pause\enotes + \barre %54 +\notes\qu {_H}&&\itenl1e\itenl2h\zhp e\zhlp {_h}\pto jkl&\enotes +\NOtes\ql {_a}&&\tten0\qup l&\pause\enotes +\Notes\qu H&&\sk\cu j\enotes + \barre %55 +\NOtes\qu G\ql N\qu G&&\tten1\tten2\zhp e\zhlp {_h}\hup j\enotes + \barre %56 +\notes\qu F&&\roff{\zhp {_h}\zhlp k}\pto klm\enotes +\NOtes\qu M\qu F&&\tten0\hu m&\pause\enotes + \barre %57 +\notes\qu {^F}&&\zhp {=h}\zhlp j\pto lkl\enotes +\NOtes\qu {^M}\qu F&\hpause\ql c&\tten0\hu l&\pause\enotes + \barre %58 +\notes\qu G&\hl c&\zhlp g\pto kjk\enotes +\NOtes\ql N&&\tten0\itenu0k\qu k&\pause\enotes +\Notes\qu G&\uptrio e2{10}\ql{^b}\sk\cl{=f}&\tten0\triolet t\Ibu0ki2\qh0{kj}\tqh0{^i}\enotes + \barre %59 +\NOtes\qu J\ql c\qu J&\hlp e\uptext{ \bf I -- \ff}&\zhlp g\hup j\uptext{ \bf I -- \ff}&\sk\pause\enotes + \barre %60 + \NOTes\qu C&&\zq g\zq j\ql l&\isluru3m\ql n\enotes + \Notes\qu J&\sk\sk\ccl N&\pt5\ds\sk\ccu c&\qpql ml\enotes + \Notes\qu C&\qpql {^b}c&\qpqu de&\qpql kj\enotes + \barre %61 + \Notes\qu D&\hl c&\qpqu fg&\hl k\enotes + \Notes\qu K&&\qpqu {_h}g\enotes + \Notes\qu D&\ql{^b}&\rlap{\sk\sk\itenl0f}\qpqu hf&\tslur3j\ql{^i}\enotes + \barre %62 + \NOTes\qu D&&\tten0\Sh i\lFl h\rq i\zq h\qu f&\isluru3p\ql {_o}\enotes + \Notes\qu K&\sk\sk\ccl {^b}&\pt5\ds\sk\ccu d&\qpql nm\enotes + \Notes\qu D&\qpql cd&\qpqu ef&\qpql lk\enotes + \barre %63 + \Notes\qu E&\hl d&\qpqu g{=h}&\hl k\enotes + \Notes\qu L&&\rlap{\sk\sk\itenl1g}\qpqu {^i}g\enotes + \Notes\qu E&\ql c&\tten1\zq g\qu j&\tslur3j\ql j\enotes + \barre %64 + \NOTes\qu E&\ql c&\zq g\qu j&\ust q\ql q\enotes + \Notes\ql L&\zhl N\Ibu1dc1\qh1d\itenu0c\tqh1c&\qqh{=i}j&\qqb{=p}q\enotes + \Notes\qu E&\tten0\itenu0c\qu c&\Fl h\rlap{\sk\sk\itenl2g}\qqqh hig&\isluru3p\Fl o\qqqb opn\enotes + \barre %65 + \NOTes\qu F&\tten0\hup c&\roff{\tten2\zql g}\hup{_h}&\tslur3p\hlp{_o}\enotes + \Notes\ql M&\qqb fg&\enotes + \Notes\qu F&\qqqb efd\enotes + \barre %66 + \NOTes\qu D&\ql b&\zq f\qu i&\ust p\ql p\enotes + \Notes\ql K&\zhl M\Ibu1cb1\qh1c\itenu0b\tqh1b&\qqh{_h}i&\qqb{_o}p\enotes + \Notes\qu D&\tten0\itenu0b\qu b&\rlap{\sk\sk\itenl2f}\qqqh ghf&\isluru3o\qqqb {n}om\enotes + \barre %67 + \NOTes\qu E&\tten0\hup b&\roff{\tten2\zql f}\hup g&\tslur3o\hlp n\enotes + \Notes\ql L&\qqb ef\enotes + \Notes\qu E&\qqqb dec\enotes + \barre %68 + \NOtes\qu C&\lh e\itenu1f\hlp f&\qu{=h}&\itenu3m\hlp m\enotes + \Notes\qu J&&\sk\cu h\enotes + \Notes\qu C&&\qpqu ij\enotes + \barre %69 + \NOtes\qu D&\zhp b\tten1\zhlp f&\hup i&\tten3\ql m\enotes + \Notes\qu K&&\uptext{\bf II}&\ds\isluru3n\cl m\enotes + \Notes\qu D&&&\qpql ki\enotes + \barre %70 + \NOtes\qu E&\hlp b&\zh e\hu g&\tslur3j\ql i\enotes + \Notes\qu L&&&\ds\isluru3j\cl {=h}\enotes + \Notes\qu E&&\qqh ge&\qpql ij\enotes + \barre %71 + \NOtes\qu D&\ql b&\qu f&\tslur3k\qlp i\enotes + \Notes\qu K&\soupir&\ds\cu f&\sk\ds\enotes + \Notes\qu D&\ql M&\qpqu db&\soupir\enotes + \barre %72 + \NOtes\qu E&\hl N&\qup b\enotes + \Notes\qu L&&\ds\cu a&\pause\enotes + \Notes\qu E&\ql N&\qpqu bc\enotes + \barre %73 + \NOtes\pointdorgue a\hup D&\hlp M\uptext{\bf III}&\pointdorgue l\hup +b\uptext{\bf III}&\sk\pointdorgue l\pause\sk\enotes + \barre %74 + \NOtes\hup D&\hlp M&\zq b\qu f&\itenu3p\ql p\enotes + \notes&&\zhl f\qu k&\tten3\qqqqb ponm\enotes + \notes&&\qu i&\qqqqb lkji\enotes + \barre %75 + \Notes\hup E&\hlp L&\zql e\zh g\hu j&\cu g\itenu3n\qlp n\enotes + \NOtes&&\zhl c&\enotes + \notes&&\zq b\qu g&\tten3\qqqb nlj\enotes + \barre %76 + \NOtes\lpz F\qu F\upz M\ql M\lpz F\qu F&\hl b\sk\ql{_a}&\zhp c\hup f&\hl i\sk\ql{_h}\enotes + \barre %77 + \NOtes\lpz D\qu D&\ql f&\hu i&\itenu3m\hl m\enotes + \NOtes\upz K\ql K&\hl b&&\enotes + \notes\lpz D\qu D&\ql {_a}&\qu f&\tten3\qqqb mki\enotes + \barre %78 + \NOtes\qu E&\roff{\zql a}\Fl a\zhp e\hlp b&\uptext{{\bf II} -- quinte}\soupir&\qu{_h}\enotes + \Notes\ql L&\hl N&\ds\cu e&\hu g\enotes + \notes\qu E&&\qpqu bN\enotes + \barre %79 + \NOtes\qu D&\hl M&\hup{^b}&\qu f\enotes + \Notes\qu K&&&\ds\cu {^b}\enotes + \notes\qu D&\ql M&&\qpqu cd\enotes + \barre %80 + \NOtes\qu E&\zhp N\hlp c&\soupir&\hup c\enotes + \Notes\ql L&&\ds\cl q\enotes + \notes\qu E&\zqp N\qlp c&\qpqu nl\enotes +% \def\grace{\catcodesmusic\grnotes&&&\grcu}% + \def\grace{\catcodesmusic\hardnotes 1.5\Interligne\notes&&&\grcu}% + \barre %81 + \grace{_a}\enotes + \NOtes\qu F&\hlp {_a}&\qup j&\hup f\enotes + \Notes\ql M&&\ds\cu {^i}\enotes + \notes\qu F&&\qpqu jk\enotes + \barre %82 + \grace{N}\enotes + \NOtes\qu E&\hlp N&\hlp j&\qup e\enotes + \Notes\ql L&&&\sk\cl j\enotes + \notes\qu E&&&\qpqu ge\enotes + \barre %83 + \NOtes\qu F&\itenu2c\zhp c\hlp {_a}&&\qup c\enotes + \Notes\ql M&&&\sk\cu {^b}\enotes + \notes\qu F&&&\qpqu cd\enotes + \barre %84 + \NOTes\qup E&\tten2\zqp c\qlp g&&\qup c\enotes + \Notes\soupir\sk\cu +E&&\ibl0c0\ibu1j0\zqb0c\qh1j\zqb0{^b}\qh1{^i}\tbl0\tbu1\zqb0c\zq g\qh1j&\ds\soupir\enotes + \barre %85 + \NOtes\qu F\ql M&&\zhl {_d}\zh {_h}\hu {_k}\enotes + \notes\qu F&&\ibbbl0f0\ibbbu1k0\zqb0d\qh1k\tbbl0\tbbu1\zqb0e\qh1l\zqb0f\qh1m\sk + \nbbbl0\nbbbu1\zqb0e\qh1l\tbl0\tbu1\zqb0d\qh1k&\pause\enotes + %\check + \barre %86 + \NOtes\pointdorgue a\hu G&&\pointdorgue m\zhl c\zh e\zh g\hu +j&\sk\pointdorgue l\hpause\enotes + \Notes\soupir&&\ds\zcl c\cu j&\ds\cl q\enotes + \barre %87 + \Notes\sk\sk\pause&&\ibl0d0\ibu1j0\rlap{\qb0{=dedc^b}\tqb0c}\qh1{=klkj^i}\tqh1j&\ibl0p0\qb0{=rsrq^p}\tqb0q\enotes + \barre %88 + \NOtes\qu{^E}\ql{^L}&&\zhl{=b}\zh{_d}\zh g\hu{=i}&\hl{=p}\enotes + \notesp\qu E&&\ibbbl0i0\zq g\qb0i\tbbl0\zq {_h}\qb0j\zq i\qb0{_k}\sk\nbbbl0\zq +h\qb0j\zq g\tqb0i&\advance\transpose 7\ibbbl0i0\qh0i\tbbl0\qh0j\qh0{_k}\sk\nbbbl0\qh0j\tqb0i\enotes + \barre %89 + \NOtes\qu F&&\zqp f\qup{_h}&\qlp{_o}\enotes + \Notes\ql M&\sk\cl {_a}&\sk\cu f&\sk\cl m\enotes + \notes\qu F&\ql c&\qpqu hj&\qpql oq\enotes + \barre %90 + \NOtes\qu {=E}&\qlp c&\qup g&\qlp n\enotes + \Notes\ql {=L}&\sk\cl N&\sk\cu e&\sk\cl l\enotes + \notes\qu E&\ql c&\qpqu gj&\qpql nq\enotes + \barre %91 + \NOtes\qu{_D}\ql{_K}&\hl{_d}&\hu f&\hl m\enotes + \notes\qu D&&\ibbbu0j0\zq {f}\zql{_h}\qh0{_k}\tbbu0\qh0l\qh0m\sk\nbbbu0\qh0l\tqh0k&\ibbbl0n0\qb0m\tbbl0\qb0n\qb0{_o}\sk\nbbbl0\qb0n\tqb0m\enotes + \barre %92 + \NOtes\qu{G}\ql{N}&&\zh {e}\zhl{g}\hu j&\hl l\enotes + \notesp\qu G&&\ibbbu0i0\zq {e}\zql{g}\qh0{j}\tbbu0&\ibbbu1m0\qh1l\tbbu1\enotes + \notes&&\qh0{=k}\qh0l\sk\nbbbu0\qh0k\tqh0j&\qh1m\qh1n\sk\nbbbu1\qh1m\tqh1l\enotes + \barre %93 + \NOtes\qu{G}\ql{N}&&\zh {d}\zhl{f}\hu {^i}&\hl k\enotes + \notes\qu G&&\ibbbu0h0\zq {d}\zql{f}\qh0i\tbbu0\qh0{j}\qh0k\sk\nbbbu0\qh0j\tqh0i&\ibbbu0l0\qh0k\tbbu0\qh0l\qh0m\sk\nbbbu0\qh0l\tqh0k\enotes + \barre %94 + \NOtes\qu{_H}\ql{_a}\qu{_H}&\zhp e\hlp c&\hup j&\itenu3j\hlp j\enotes + \barre %95 + \notes\qu G&\ptb cde&\hup j&\tten3\hlp j\enotes + \NOtes\ql N&\tten0\hl e\enotes + \NOtes\qu G\enotes + \barre %96 + \def\alldsp{\notes\pt5\ds&\pt5\ds&\pt5\ds&\pt5\ds\enotes}% + \grace e\enotes + \notesp\pointdurgue E\hu +{^F}&\Ibbl3ce2\roff{\tbbl3}\qb3c\sk\itenu0e\tbl3\qbp3e\sk&\zq{=h}\Ibbbu0jl2\qh0j\tbbu0\zq{^i}\qh0 +k\itenu1j\zqp j\itenu2l\tbu0\qhp0l\sk&\pointdorgue l\hl j\enotes + \NOTes\pointdorgue c\qu {^M}&\tten0\pointdorgue e\zq L\lSh M\lq M\zq a\ql +e&\pointdorgue s\tten1\tten2\zq j\qu l\enotes + \advance\mulooseness -1\relax + \zalapage + \alldsp\grace{j}\enotes + \notes\ccu {^F}&\ccl c\zmidtwotext{\llap{\bf I -- \ff\space\space}}&\zq e\ccu h&\ccl l\Uptext{\llap{\ppff +Solenne }}\enotes + \barre %97 + \grace j\enotes + \NOtes\hup G&\zql c&\zhp d\hup g&\ql k\enotes + \grace{^i}\enotes + \NOTes&\hl{^b}&&\hl k\enotes + \barre %98 + \grace k\enotes + \NOTes\hu{^I}&\hl{_a}&\zh d\hu f&\hl m\enotes + \alldsp\grace{k}\enotes + \notes\cu I&\ccl d&\zq f\ccu{_h}&\ccl m\enotes + \barre %99 + \grace k\enotes + \NOtes\hup J&\ql d&\zhp e\hup g&\ql l\enotes + \grace j\enotes + \NOTes&\hl c&&\hl l\enotes + \barre %100 + \grace{^l}\enotes + \NOTes\hu{^J}&\hl{=b}&\zh{^e}\hu g&\hl n\enotes + \alldsp\grace{l}\enotes + \notes\ccu J&\zq {^e}\ccl g&\ccu i&\ccl n\enotes + \barre %101 + \grace{^l}\enotes + \NOtes\hup K&\zq {^e}\ql g&\hup h&\ql n\enotes + \grace k\enotes + \NOTes&\zh f\hl d&&\hl m\enotes + \barre %102 + \grace{i}\enotes + \NOTes\hu G&\zh{b}\hl{=e}&\hu i&\hl {=l}\enotes + \alldsp\grace i\enotes + \notes\ccu G&\zq{b}\ccl{e}&\ccu i&\ccl l\enotes + \barre %103 + \grace i\enotes + \NOtes\hup H&\zq b\ql e&\hu i&\ql l\enotes + \notes&&&\enotes + \NOtes&\lSh c\zh{c}\hl{^e}&&\ql {^j}\enotes + \grace h\enotes + \Notes&&\qu h&\ibl0j0\qb0j\enotes + \grace g\enotes + \Notes&&&\tqb0j\enotes + \barre %104 + \grace f\enotes + \NOTEs\pointdurgue F\hup I&\pointdorgue d\hl d&\pointdorgue l\hup f&\pointdorgue m\hlp k\enotes + \barre %105 + \ggrnotes&&&\tinynotesize\Ibbu0ej1\qh0e\tqh0j\enotes + \NOTes\hu{^F}&\hl{=e}&\zh{hj}\hu l&\hl o\enotes + \notes\pt5\ds&\soupir&\pt5\ds&\pt5\ds\enotes + \grace j\enotes + \notes\ccu F&&\zq{hj}\ccu l&\ccl o\enotes + \barre %106 + \grace j\enotes + \NOtes\hup G&\soupir\soupir\ql b&\roff{\zql h}\zhp i\hup k\hlp g&\ql o\hl n\enotes + \barre %107 + \grnotes&&&\tinynotesize\Ibbu0dh1\qh0d\tqh0{_h}\enotes + \NOTes\hu{^I}&\hl{^b}&\zh{f_h}\hu k&\hl m\enotes + \notes\pt5\ds&\soupir&\pt5\ds&\pt5\ds\enotes + \grace h\enotes + \notes\ccu I&&\zq{fh}\ccu k&\ccl m\enotes + \barre %108 + \grace g\enotes + \NOtes\hup J&\soupir\soupir\ql c&\roff{\zhlp g}\zq f\qu k\zh e\hu j&\ql m\hl l\enotes + \barre %109 + \grace{g}\enotes + \NOTes\hu{^J}&\hl{^c}&\zh{^eg}\hu i&\hl i\enotes + \notes\pt5\ds&\soupir&\pt5\ds&\pt5\ds\enotes + \grace {=e}\enotes + \notes\ccu {^C}&&\ccl g&\ccl i\enotes + \barre %110 + \ggrnotes&&&\tinynotesize\Ibbu0Nd1\qh0N\tqh0{d}\enotes + \NOtes\qu D\qu K\qu D&&\zhp {bd}\hup g&\hlp i\enotes + \barre %111 + \notes\qu{=C}&&\pt L\zh N\roff{\zhp a}\hup e&\ptb hij\enotes + \NOtes\qu{=J}\qu C&&&\tten0\hl j\enotes + \barre %112 + \notes\qu{^C}&&\zhp b\zhp N\hup {^e}&\ptb ihi\enotes + \NOtes\qu{^J}\qu C&&&\tten0\hl i\enotes + \barre %113 + \notes\qu D&\hl N&\zh a\hup d&\pto hgh\enotes + \NOtes\qu K&&&\tten0\itenu0h\ql h\enotes + \Notes\qu D&\zql K\triolet d\ibu0L0\qh0{^MN}\tqh0M&\triolet l\Ibu0ca2\qh0c\qh0b\tqh0a&\tten0\qqqh hg{^f}\enotes + \barre %114 + \NOTes\itenl0G\hup G&\itenl1K\hlp K&\itenl2N\itenl3b\zhp N\hup b&\qup g\enotes + \notes&&&\cu N\islurd5c\qqqq bdgi\enotes + \barre %115 + \notes\tten0\hup G&\tten1\hlp K&\tten2\tten3\itenl2N\itenl3b\zhp N\hup +b&\rlap{\sk\sk\sk\tslur5c}\qqqqh gdbd\islurd5f\qqqqh gikn\tslur5n\rlap{\sk\isluru5n}\qqqqb pnpr\enotes + \barre %116 + \NOtes\pointdorgue a\hup G&\sk\pause&\pointdorgue l\tten2\tten3\zhp b\zhp d\hup +g&\pointdurgue e\tslur5u\hlp u\enotes +\mulooseness 1\relax +\finmorceau +\bigskip\rightline{\sl\aujourdhui} +\bye diff --git a/macros/generic/musixtex/doc/examples/angescam.tex b/macros/generic/musixtex/doc/examples/angescam.tex new file mode 100644 index 0000000000..f2b915632f --- /dev/null +++ b/macros/generic/musixtex/doc/examples/angescam.tex @@ -0,0 +1,19 @@ +\advance\staffbotmarg by 7\Interligne +% +% option pas d'accompagnement +\newcount\orgue +\orgue=0\relax +% +\def\Transpose{0}% +\def\Signature{1}\relax % un dieze a la clef +\input angescax +\signaturegenerale{0}\savesignature\barsinline=0\relax\linesinpage=0\relax +\def\Transpose{-1}\relax +\def\Signature{-1}\relax % un bemol a la clef +\input angescax +\signaturegenerale{0}\savesignature\barsinline=0\relax\linesinpage=0\relax +\def\Transpose{-2}\relax +\def\Signature{-3}\relax % un bemol a la clef +\input angescax +\bye + diff --git a/macros/generic/musixtex/doc/examples/angescao.tex b/macros/generic/musixtex/doc/examples/angescao.tex new file mode 100644 index 0000000000..e2a7b34bce --- /dev/null +++ b/macros/generic/musixtex/doc/examples/angescao.tex @@ -0,0 +1,24 @@ +\input musixtex +\input musixcpt +\input musixsty + +\advance\staffbotmarg by 4\Interligne +% +% option accompagnement +\newcount\orgue +\orgue=1\relax +% +\interinstrument=41pt +\def\Transpose{0}% +\def\Signature{1}\relax % un dieze a la clef +\input angescax +\signaturegenerale{0}\savesignature\barsinline=0\relax\linesinpage=0\relax +\def\Transpose{-1}\relax +\def\Signature{-1}\relax % un bemol a la clef +\input angescax +\signaturegenerale{0}\savesignature\barsinline=0\relax\linesinpage=0\relax +\def\Transpose{-2}\relax +\def\Signature{-3}\relax % un bemol a la clef +\input angescax +\bye + diff --git a/macros/generic/musixtex/doc/examples/angescax.tex b/macros/generic/musixtex/doc/examples/angescax.tex new file mode 100644 index 0000000000..6dcab817c7 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/angescax.tex @@ -0,0 +1,366 @@ +\tenpoint +% +\catcodesmusic +\ifnum\orgue=1\relax + \def\org#1\\{#1&}\relax +% \def\cadrage{\vrule width 0pt height 40mm}\relax + \def\cadrage{\vrule width 0pt height 1mm}\relax +\else + \def\org#1\\{}\relax + \def\cadrage{\vrule width 0pt height 10mm}\relax +\fi +% +\title{Les anges dans nos campagnes} +\subtitle{No\"el du XIII\umero\ si\`ecle} +\fullauthor{Harmonisation + Fran\c cois-Auguste GEVAERT\\1828 -- 1908\ifnum\orgue>0\\ + Partition d'orgue Daniel TAUPIN\fi} +\shortauthor{F.-A. Gevaert, D. Taupin} +\maketitle +% +\parindent 12mm +\sepbarrules +% deux croches hautes +\def\dql#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% +\def\dqu#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% +\def\dqh{\dqu}\def\dqb{\dql}% +% +% quatre croches +\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax +\def\qqbH#1#2#3#4#5#6{\ibu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax +\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax +\def\qqbL#1#2#3#4#5#6{\ibl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax +%\check +%\bigskip +% +% soufflets crescendo et decrescendo +% +\def\soufflcr#1{\zcharnote{#1}{\kern -1cm\Cresc}}% +\def\Soufflcr#1{\zcharnote{#1}{\kern -1cm\CREsc}}% +% +\def\souffldim#1{\zcharnote{#1}{\kern -1cm\Dimin}}% +\def\Souffldim#1{\zcharnote{#1}{\kern -1cm\DIMin}}% +% +%\check +\ifnum\orgue=0\relax + \def\nbinstruments{4}\global\nbporteesi=1\relax + \global\nbporteesii=1\relax + \global\nbporteesiii=1\relax + \global\nbporteesiv=1\relax + \global\cleftoksi={{6}{0}{0}{0}}\relax + \global\cleftoksii={{0}{0}{0}{0}}\relax + \global\cleftoksiii={{0}{0}{0}{0}}\relax + \global\cleftoksiv={{0}{0}{0}{0}}\relax + \def\instrumenti{Basses}\relax + \def\instrumentii{T\'enors}\relax + \def\instrumentiii{Altos}\relax + \def\instrumentiv{Sopran.}\relax + \interinstrument=30pt + \songbottom{1} % to be used to make heavy bars at staff left + \songtop{4} % to be used to make heavy bars at staff left +\else + \interinstrument=25pt + \def\interinstrumenti{0pt} + \def\nbinstruments{6}\global\nbporteesi=1\relax + \global\nbporteesii=2\relax + \global\nbporteesiii=1\relax + \global\nbporteesiv=1\relax + \global\nbporteesv=1\relax + \global\nbporteesvi=1\relax + \global\cleftoksi={{6}{0}{0}{0}}\relax + \global\cleftoksii={{0}{0}{0}{0}}\relax + \global\cleftoksiii={{6}{0}{0}{0}}\relax + \global\cleftoksiv={{0}{0}{0}{0}}\relax + \global\cleftoksv={{0}{0}{0}{0}}\relax + \global\cleftoksvi={{0}{0}{0}{0}}\relax + \def\instrumenti{P\'edale}\relax + \def\instrumentii{Manuel}\relax + \def\instrumentiii{Basses}\relax + \def\instrumentiv{T\'enors}\relax + \def\instrumentv{Altos}\relax + \def\instrumentvi{Sopran.}\relax + \def\staffspacingiii{0.7}\relax + \def\staffspacingiv{0.7}\relax + \def\staffspacingv{0.7}\relax + \def\staffspacingvi{0.7}\relax + \songbottom{3} % to be used to make heavy bars at staff left + \songtop{6} % to be used to make heavy bars at staff left +\fi +%\check +% +\signaturegenerale{\Signature}% +\relativeaccidentals +\generalmeter{\meterfrac{4}{4}} +%\check +\def\interfacteur{9}% +%\check +\def\respire{\notes\org&\\&&&\zbreath\enotes}% +% +%\check +\catcode`\@=13 +%\ifx\ninerm\undefined\font\ninerm=\fontid r9\fi + +\def@#1|#2|#3*{\zcharnote{-11}{\vbox to 0pt{\ninerm + \vss\lineskiplimit=0pt +\baselineskip 9.5pt\parindent 0pt\parskip 0pt\rlap{\vphantom{\'EQ}#3} +\rlap{\vphantom{\'EQ}#2}\rlap{\vphantom{\'EQ}#1}\relax +\vss}}}% +% +\barsinline=0\relax +\linesinpage=0\relax +\debutmorceau\def\dmtp{}\def\dmtph{}\def\!{\kern -4pt}% +\ifnum\orgue=0\relax + \autolines {8}42\relax +\else + \autolines {8}42\relax + \advance\linesinpage 1\relax +\fi +\transpose=\Transpose +\znotes\org&\zmidtwotext{\moyen III}\\&&&\Uptext{\moyen Allegretto}\enotes +% +\dmtp\def\txt{@\!Ber-|\!\!Cher-|\!Les*}\Notes\org&\qu g|\ql i\\\relax + &\txt\ql n&\txt\qu g&\txt\ql i\enotes +\dmtp\def\txt{@gers,|\!chons|an-*}\Notes\org&\qu f|\ql i\\&\txt\ql m\relax + &\txt\qu g&\txt\ql i\enotes +\dmtph\def\txt{@quit-|tous|ges*}\Notes\org\pause&\qu e|\ql i\\\pause + &\txt\ql l&\txt\qu g&\txt\ql i\enotes +\dmtp\def\txt{@tez|l'heu-|dans*}\notes\org&\qu d|\dql3ik\\&\txt\ql k\relax + &\txt\dqu3gi&\txt\dql3ik\enotes +% +%\check +% mesure 2 +\barre\def\txt{@vos|reux|nos*}\Notes\org&\qu e|\qlp k\\&\txt\qlp k\relax + &\txt\qu i&\txt\qlp k\enotes +\dmtp\def\txt{@re-|vil-|cam-*}\notes\org&\qu f|\sk\cl j\\\hpause + &\sk\txt\cl k\qsk&\txt\qu f&\sk\txt\cl j\qsk\enotes +\dmtph\def\txt{@trai-|la-|pa-*}\notes\org\pause&\qu g|\ql i\\\qp + &\txt\dql{-3}kj&\txt\dqu{-4}ge&\txt\ql i\enotes +\dmtp\def\txt{@tes|ge|gnes*}\Notes\org&\qu d|\ql g\\@U--|Qui--|Ont--*\itenu0N\ql N\relax + &\txt\ql i&\txt\qu d&\txt\ql g\enotes +% +%\check +% mesure 3 +\barre\def\txt{@U-|Qui|Ont*}\Notes\org&\qu g|\ql i\\\tten0\ql N\relax + &\txt\ql k&\txt\qu g&\txt\ql i\enotes +\dmtp\def\txt{@nis-|l'a|en-*}\notes\org&\qu f|\rlap{\dql{-2}ih}\\\txt\cl M\relax + &\txt\cl k&\txt\cu g&\txt\cl i\enotes +\dmtp\def\txt{@sez-|vu|ton-*}\notes\org&|\\\txt\cl M\relax + &\txt\cl k&\txt\cu g&\txt\cl h\enotes +\dmtph\def\txt{@vous|na\^\i-|n\'e*}\notes\org\pause&\qu e|\ql i\\\txt\ql L\relax + &\txt\qu g&\txt\dqu{-2}gf&\txt\ql i\enotes +\dmtp\def\txt{@\`a--|tre--|l'hym--*}\notes\org&\dqu2ef|\dql3ik\\\txt\dql2LM\relax + &\txt\dqu2gh&\txt\dqu{-2}ed&\txt\dql3ik\enotes +% +%\check +% mesure 4 +\barre\def\txt{@leurs|sous|ne*}\Notes\org&\qu f|\qlp k\\\txt\ql M\relax + &\txt\ql h&\txt\qu d&\txt\qlp k\enotes +\dmtp\def\txt{@con-|ses|des*}\notes\org&\qu d|\sk\cl j\\\txt\ql K\sk + &\txt\dql5hk&\txt\qu f&\sk\rlap{\!\txt}\cl j\enotes +\dmtph\def\txt{@\!certs,|\!toits;|\!Cieux,*}\notes\org\pause + &\qu b|\zqu i\dql{-6}gd\\\txt\ql N\relax + &\txt\ql k&\txt\qu g&\txt\ql i\qsk\enotes +\dmtp\def\txt{@Et|Of-|Et*}\notes\org&\soupir|\rlap{\dql2ef}\soupir\\\soupir\relax + &\txt\cl l&\soupir&\soupir\enotes +\dmtp\def\txta{@que|\!frons|l'\'e*}\notes\org&|\\\relax + &\txta\cl m&&\enotes +% +%\check +% mesure 5 +\def\txtb{@vos-|lui|cho*}% +\ifnum\orgue=0\relax + \barre +\else + \global\cleftoksii={{6}{0}{0}{0}}\changeclefs\alapage% barre +\fi +\Notes\org&\ql N|\zql g\qu i\\&\txtb\ql n&\txt\qu g&\txt\ql i\enotes +\dmtp\Notes\org&\ql M|\zql g\qu i\\&\txta\ql m&\txta\qu g&\txta\ql i\enotes +\dmtph\Notes\org\pause&\ql L|\zql g\qu i\\\pause + &\txtb\ql l&\txtb\qu g&\txtb\ql i\enotes +\dmtp\def\txt{@ten-|le|de*}\notes\org&\ql K|\rlap{\dql3gi}\dqu3ik\\\relax + &\txt\ql k&\txt\dqu3gi&\txt\dql3ik\cadrage\enotes +% +%\check +% mesure 6 +\barre +\def\txt{@dres|\!\!tendre|nos*}\Notes\org&\hl K|\zql i\qup k\\&\txt\qlp k\relax + &\txt\qu i&\txt\qlp k\enotes +\dmtp\def\txt{@mu-|hom-|mon-*}\notes\org&|\ql f\cu j\\\hpause + &\sk\txt\cl k\qsk&\txt\qu f&\sk\txt\cl j\qsk\enotes +\dmtph\def\txt{@set-|ma-|ta-*}\notes\org\pause + &\dql{-3}KJ|\zqu i\dql{-4}ge\\\soupir + &\txt\dql{-3}kj&\txt\dqu{-4}ge&\txt\ql i\enotes +\def\txta{@Fas-|Et|Re-*}\relax +\dmtp\def\txt{@tes|ge|gnes*}\Notes\org&\ql I|\zql d\qu g\\\txta\ql N\relax + &\txt\ql i&\txt\qu d&\txt\ql g\enotes +% +%\check +% mesure 7 +\def\txtb{@\!sent|de|dit*}% +\barre + \Notes\org&\ql N|\zql d\qu i\\\txtb\ql N&\txta\qu i\relax + &\txta\qu d&\txta\ql i\enotes +\dmtp\def\txt{@re-|nos|ce*}\notes\org&\ql M|\rlap{\dqu{-2}ih}\qlp{^d}\\\txt\ql M\relax + &\txtb\cu h&\txtb\cu{^d}&\txtb\cl i\enotes +\dmtp\notes\org&|\\\relax + &\txt\cu h&\txt\cu d&\txt\cl h\enotes +\dmtph\def\txt{@ten-|c\oe urs|chant*}\notes\org\pause + &\dql{-2}ML|\qu i\cl e\\\relax + \txt\dql{-2}ML&\txt\dqu{-2}hg&\txt\dqu2de&\txt\ql i\enotes +\dmtp\def\txt{@tir--|et--|m\'e--*}\notes + \org&\dql{-6}LI|\rlap{\dql{-2}gf}\dqu3ik\\\txt\dql{-6}LI\relax + &\txt\dqu4gi&\txt\dqu{-2}gf&\txt\dql3ik\enotes +% +%\check +% mesure 8 +\barre\def\txt{@dans|de|lo-*}\Notes\org&\ql J|\zql e\qup k\\\txt\ql J\relax + &\txt\ql i&\txt\qu e&\txt\qlp k\enotes +\dmtp\def\txt{@les|nos|di-*}\notes\org&\ql K|\ql f\cu j\\\txt\ql K\sk + &\txt\qu h&\txt\qu f&\sk\txt\cl j\enotes +\dmtph\def\txt{@airs:|voix.|eux.*}\Notes\org\pause&\ql N|\zql{=d}\qu i\\\txt\ql N\relax + &\txt\ql i&\txt\qu{=d}&\txt\ql i\enotes +\temps\Notes\org&\soupir|\soupir\\\soupir\relax + &\soupir&\soupir&\soupir\enotes +\ifnum\orgue=0\relax +\else + \global\cleftoksii={{0}{0}{0}{0}}\changeclefs +\fi +\suspmorceau +%\eject +\catcodesmusic +% +%\check +\def@#1|#2|#3*{\zcharnote{-5}{\vbox to 0pt{\vss\lineskiplimit=0pt +\baselineskip 10pt\parindent 0pt\parskip 0pt\rlap{\vphantom{\'EQ}#3} +\rlap{\vphantom{\'EQ}#2}\rlap{\vphantom{\'EQ}#1}\relax +\vss}}} +\ifnum\orgue=0\relax + \autolines {8}43\relax +\linesinpage=0\relax +\barsinline=0\relax + \interinstrument=6pt +\else + \interinstrument=5pt + \def\interinstrumenti{0pt} +\fi +% +% +% mesure 9 +\def\xx{@|---|*}% +\reprmorceau\def\Glo{@|Glo -|*}\Notes\org&\zcharnote{-5}{\moyen II}\hpause + |\uptext{\moyen I}\hl k\\&&\sk\hpause&\Glo\hl k\enotes +\temps\notes\org\pause&\hu g\relax + |\qqbl{-2}lkji\\\pause&\pause + &\Glo\hu g&\xx\qqbl{-2}lkji\cadrage\enotes +% +% mesure 10 +\barre\notes\org&\qqbh{-2}hgfe|\hl j\\&&\xx\qqbh{-2}hgfe&\xx\hl j\enotes +\temps\notes\org\pause&\hu f|\qqbl{-2}kjih\\\pause&\pause&\xx\hu f&\xx\qqbl{-2}kjih\enotes +% +% mesure 11 +\barre\notes\org&\qqbh{-2}gfed|\hl i\\&&\xx\qqbh{-2}gfed&\xx\hl i\enotes +\temps\def\Ri{@|ri-|*}\notes\org\pause&\hu e|\qqbl{-2}jihg\\\pause&\pause + &\xx\qup e\sk\sk\Ri\cu e&\xx\qqbl{-2}jihg\enotes +% +% mesure 12 +%\check +\barre\def\txta{@|a|*}\def\Txta{@|a--|*}% +\notes\org&\qqbh{-1}fede|\qup h\sk\sk\cu h\\&\soupir\sk\Glo\hl k\relax + &\Txta\qqbh{-1}fede&\xx\qup h\sk\sk\Ri\cu h\enotes +\temps\notes\org\pause&\qu f\sk\soupir|\rlap{\ql d\sk\ql c}\qqbH0gfghf\\\pause + &\xx\sk\sk\Ri\cl j\txta\cl j\relax + &\xx\qqbH0gfghf&\txta\qu d\sk\soupir\enotes +\ifnum\orgue=0\relax +\else + \global\cleftoksii={{6}{0}{0}{0}}\changeclefs +\fi +% +% mesure 13 +\barre\def\In{@|in|*}\NOtes\org&\qu K|\zq{bd}\upz g\ql g\\&\In\ql i\relax + &\xx\qu d&\In\lpz g\qu g\enotes +\dmtp\def\Ex{@|ex-|*}\notes\org&\zql J\qu M|\zq{cf}\upz h\ql h\\&\Ex\dql{-4}jh\relax + &\In\cu e\Ex\cu f&\Ex\lpz h\qu h\enotes +\temps\def\txt{@|cel-|*}\notes\org\pause&\zql I\qu N|\zq{eg}\upz i\ql i\\\pause\relax + &\txt\dql{-2}lk&\txt\qu g&\txt\upz i\ql i\enotes +\dmtp\def\txt{@|sis|*}\Notes\org&\zql J\qu L|\zq{eh}\upz j\ql j\\&\txt\ql j&\txt\itenl0h\qu h\relax + &\txt\upz j\ql j\enotes +% +% mesure 14 +\barre\def\De{@|De-|*}\Notes\org&\hu K|\zw d\zh g\hu i\\\relax + &\De\ql k&\tten0\qu h&\De\hl i\enotes +\dmtp\Notes\org&|\\&@|o!|*\ql k&\De\hu g&\xx\enotes +\temps\notes\org\pause&\zcharnote{-6}{\moyen I}\qqbl{-2}MLKJ|\zh f\hu h\\\pause&\Glo\qqbl{-2}kjih\relax + &\sk\sk@|o!|*\qu f&@|o!|*\hl h\cadrage\enotes +% +% mesure 15 +\barre\notes\org\ql N\sk\ql M&\hu I|\zw g\zh i\hu k\\\sk\hpause + &\xx\hlp i&\Glo\qqbh{-2}ihgf&\Glo\hl k\enotes +\temps\notes\org\hl L&\hl N|\qqbh{-2}lkji\\\Glo\hl N&\xx\sk\sk\dql{-2}lk\relax + &\xx\itenl0e\hu e&\xx\qqbl{-2}lkji\enotes +%\check +% mesure 16 +% +\barre\notes\org\ql M\sk\ql L&\qqbl{-2}aNML|\zh e\zh h\hu j\relax + \\\xx\qqbl{-2}aNML&\xx\dql{-2}ji\hl h\relax + &\xx\tten0\qu e\sk\dqu{-2}hg&\xx\qu j\enotes +\temps\notes\org\hl K&\hl K|\zh f\zhl h\rlap{\qqbh{-2}kjih}\relax + \\\xx\hl M&\sk\sk&\xx\dqh{-2}fe\relax + &\xx\rlap{\qqbl{-2}kjih}\enotes +\dmtp\notes\org&|\\&\xx\dql{-2}kj&\itenl0d\qu d&\enotes +% +% mesure 17 +\barre +%\autolines 753 +\notes\org\ql L\sk\ql K&\qqbl{-2}NMLK|\zw e\zw g\hu i\relax + \\\xx\qqbl{-2}NMLK&\dqh{-2}ih\xx\hu g\relax + &\tten0\qu d\zbreath\sk\dqh{-2}gf&\xx\hl i\enotes +\temps\notes\org\hl J&\hl J|\rlap{\qqbh{-2}jihg}\relax + \\\xx\hl L&\sk\sk&\xx\dqh{-2}ed\relax + &\xx\rlap{\qqbh{-2}jihg}\enotes +\dmtp\notes\org&|\\&\dql{-2}ji&\itenl0c\qu c&\cadrage\enotes +% +% mesure 18 +\barre\notes\org\bigaccid\hu{^J}&\qqbl{-1}MLKL\relax + |\bigaccid\Sh c\zhl c\zqp f\qup h\relax + \sk\sk\zq f\cu h\\\xx\qqbl{-1}MLKL&\xx\dqh{-2}hg\Ri\dqh2fg\relax + &\tten0\dqh0c{^c}\Ri\dqh{-2}dc\relax + &\xx\qup h\sk\sk\Ri\cu h\enotes +\def\txt{@|a--|*}% +\temps\notes\org\hu K&\qqbl0MNaM|\zhu d\hl d\\\xx +\qqbl0MNaM&\qqbH0ihi{=j}h\relax + &\txt\qqbH0edefe&\txt\qu d\sk\soupir\enotes +% +%mesure 19 +\barre\def\Ex{@|ex-|*}\relax +\notes\org\qu I\sk\qu H&\ql N\sk\ql M|\zq b\zq d\upz g\ql g\sk\bigaccid +\zq{=c}\zq f\upz h\ql h\relax + \\\xx\qqbl{-1}bcba&\In\upz k\ql k\sk\Ex\upz j\ql j\relax + &\In\lpz d\qu d\sk\Ex\lpz f\qu f\relax + &\In\lpz g\qu g\sk\Ex\lpz h\qu h\enotes +\temps\def\Cel{@|cel-|*}\NOtes\org\qu I&\ql N|\zq d\zq g\upz i\ql i\relax + \\\Ri\ql N&\Cel\upz k\ql k\relax + &\Cel\lpz g\qu g&\Cel\upz i\ql i\enotes +\dmtp\def\Sis{@|sis|*}\Notes\org\qu{=J}\relax + &\qu L|\zq e\zq h\upz j\ql j\relax + \\@|a|*\qu J&\Sis\upz l\ql l\relax + &\Sis\itenl0h\qu h&\Sis\upz j\ql j\enotes +% mesure 20 +\barre\Notes\org\hu K&\qu K|\zh d\zhl i\qsk\qu h\relax + \\\De\ql K&\De\itenu1k\hl k&\tten0\qu h&\De\hl i\enotes +\temps\notes\org&\dqb5Nb|\qu g\\\dqb5Nb&&\De\qu g&\enotes +\temps\notes\org\hu D&\qqbL{-2}bdcbc|\zh f\hu h\sk\itenl2d\ql d\sk\relax + \\\xx\hl d&\tten1\xx\qqbl{-1}kjij&\xx\hu f&\xx\hl h\sk\enotes +% mesure 21 +\xbarre\def\txt{@|o!|*}\NOTes\org\pointdorgue a\hu G\relax + &\pointdorgue b\zh N\hl b|\tten2\pointdorgue n\zh d\hu g\relax + \\\txt\pointdorgue a\hl N\relax + &\txt\pointdorgue l\hl i&\txt\pointdorgue l\hu d\relax + &\txt\pointdorgue m\hu g\enotes +\temps\Notes\org&|\\\hpause&\hpause&\hpause&\hpause\enotes +% +\finmorceau +\medskip\rightline{\it le \aujourdhui} +\absoluteaccidentals +\eject + +\endinput diff --git a/macros/generic/musixtex/doc/examples/avemaria.tex b/macros/generic/musixtex/doc/examples/avemaria.tex new file mode 100644 index 0000000000..67348d0423 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/avemaria.tex @@ -0,0 +1,18 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi +\tracingstats=2\relax +\hsize=185mm +\vsize=270mm +\hoffset -1.70cm +\voffset -1.54cm +\barsinline=0\relax +\linesinpage=0\relax +\resetfacteurs +\computewidths +\sepbarrules +% +\input avemarix +\bye diff --git a/macros/generic/musixtex/doc/examples/avemarid.tex b/macros/generic/musixtex/doc/examples/avemarid.tex new file mode 100644 index 0000000000..e190c1201f --- /dev/null +++ b/macros/generic/musixtex/doc/examples/avemarid.tex @@ -0,0 +1,1016 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi + \title{Ave Maria (Gounod)} +\csname titremorceautoc\endcsname +\fulltitle{M\'editation -- Ave Maria} +\title{M\'editation -- Ave Maria} + \author{Charles Gounod \& J.-S. Bach\\Transcription Orgue solo Daniel +Taupin\\\& Markus Veittes} + \shortauthor{C. Gounod, J.-S. Bach, D. Taupin} + \subtitle{\relax} + \othermention{G.O.: fl\^ute 8' [+4']\\R\'ecit : fl\^utes 8'+4' [+nasard ou +chalumeau {\it ad lib.}]\\Positif : quinte\\P\'edale : 16', acc. +G.O.\\Gif : 2/9-11-12/20-23/33-37-45/50-52-54} +\maketitle + +\staffbotmarg\Interligne +% +\parindent 13mm +\musicsize=20 +\normal +\relativeaccidentals +\generalsignature{2} +\transpose=1 +\def\oct{\advance\transpose by 7\relax} +\def\nbinstruments{3} +\def\instrumenti{P\'edale} +\def\instrumentii{G.O.} +%\def\interinstrumenti{-2\Interligne} +%\def\interinstrumentii{-2\Interligne} +\def\instrumentiii{Positif} +\nbporteesi=1\relax +\nbporteesii=1\relax +\nbporteesiii=1\relax + +\generalmeter{\meterC}% +\cleftoksi{{6}{0}{0}{0}} +\cleftoksii{{0}{0}{0}{0}} +\cleftoksiii{{0}{0}{0}{0}} +%\raggedlinestrue % uncomment for ragged right lines + + +\debutmorceau +\def\OrgNotes#1\enotes{\Notes#1&\relax#5\enotes}% +\autolines{25}{3}{5}% + %\check +%Takt 1 +\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&\enotes +\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes +\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes +\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause&&\pause&\enotes +\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&\enotes +\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&\enotes +\barre + %\check +%Takt 2 +\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes +\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes +\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes +\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause&&\pause&\enotes +\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes +\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes +\barre + %\check +%Takt 3 +\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes +\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes +\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes +\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause&&\pause&\enotes +\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes +\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes +\barre + %\check +%Takt 4 +\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&\enotes +\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes +\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes +\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause&&\pause&&&&\enotes +\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&\enotes +\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&\enotes +\barre + %\check +%Takt 5 +\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\wh l&A\rlap{---}&\wh e&&&&\enotes +\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&&\enotes +\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&&&&\enotes +\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&\enotes +\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes +\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&&&&\enotes +\barre + %\check +%Takt 6 +\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\wh m&ve&\hupp f&&&&\enotes +\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes +\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes +\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&&&&\enotes +\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes +\OrgNotes&\ibbl2k0\qb2m\qb2h&&&&\enotes +\OrgNotes&\qb2k\tqb2m&&Ma-&\cu f&&&&\enotes +\barre + %\check +%Takt 7 +\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hlp n&ri\rlap{---}&\hup g&&&&\enotes +\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes +\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes +\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes +\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes +\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&\ql k&\rlap{---}&\qu d&&&&\enotes +\barre + %\check +%Takt 8 +\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hlp l&a,&\hup e&&&&\enotes +\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes +\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes +\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&\enotes +\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes +\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&\qp&&\qp&&&&\enotes +\barre + %\check +%Takt 9 +\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\oct + \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h&&&&\enotes +\OrgNotes&\ibbl0j3\qb0h\tqb0l&&&&\enotes +\OrgNotes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o&&&&\enotes +\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\oct + \tten5\ibl4c0\qb4h&&\tten4\cu h&&&&\enotes +\OrgNotes&\ibbl0j3\qb0h\tqb0l&\oct\qb4a&\rlap{---}&\Ibu5ac4\qh5a&&&&\enotes +\OrgNotes&\ibbl1k0\qb1o\qb1h&\oct\qb4b&ti-&\qh5b&&&&\enotes +\OrgNotes&\qb1l\tqb1o&\oct\tqb4c&a&\tqh5c&&&&\enotes +\barre + %\check +%Takt 10 +\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct + \qlp d&ple\rlap{---}&\qup d&&&&\enotes +\OrgNotes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h&&&&\enotes +\OrgNotes&\ibbu2i0\qh2k\qh2f&&&&\enotes +\OrgNotes&\qh2h\tqh2k&\oct \cl e&&\cu e&&&&\enotes +\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct + \ql d&na,&\qu d&&&&\enotes +\OrgNotes&\ibbu1g3\qh1f\tqh1h&&&&\enotes +\OrgNotes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\qp&&\qp&&&&\enotes +\barre + %\check +%Takt 11 +\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct + \itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g&&&&\enotes +\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes +\OrgNotes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&&&&\enotes +\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct + \tten5\ibl4b0\qb4g&&\tten4\cu g&&&&\enotes +\OrgNotes&\ibbl1j3\qb1g\tqb1k&\oct + \qb4N&\rlap{---}&\Ibu5Nb4\qh5N&&&&\enotes +\OrgNotes&\ibbl2k0\qb2n\qb2g&\oct + \qb4a&mi-&\qh5a&&&&\enotes +\OrgNotes&\qb2k\tqb2n&\oct + \tqb4b&nus&\tqh5b&&&&\enotes +\def\atnextline{\autolines{25}35}\relax +\barre + %\check +%Takt 12 +\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\oct + \qlp c&te\rlap{---}&\qup c&&&&\enotes +\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes +\OrgNotes&\ibbu2i0\qh2j\qh2e&&&&\enotes +\OrgNotes&\qh2g\tqh2j&\oct + \cl d&&\cu d&&&&\enotes +\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\oct + \ql c&cum,&\qu c&&&&\enotes +\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes +\OrgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&\qp&&\qp&&&&\enotes +% +\def\atnextline{\autolines{25}35}\relax +\barre + %\check +%Takt 13 +\OrgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\oct + \itenu5j\hl j&be\rlap{---}&\itenu4j\hu j&&&&\enotes +\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes +\OrgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&&&\enotes +\temps\OrgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\oct + \tten5\ibl4c0\qb4j&&\tten4\cu j&&&&\enotes +\OrgNotes&\ibbu1f3\qh1e\tqh1g&\oct + \qb4c&\rlap{---}&\Ibu5ce4\qh5c&&&&\enotes +\OrgNotes&\ibbu2i0\qh2j\qh2e&\oct + \qb4d&ne\rlap{---}&\qh5d&&&&\enotes +\OrgNotes&\qh2g\tqh2j&\oct + \tqb4e&&\tqh5e&&&&\enotes +\barre + %\check +%Takt 14 +\OrgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\oct\bigaccid + \qlp{^f}&\rlap{dic---}&\bigaccid\qup {^f}&&&&\enotes +\OrgNotes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}&&&&\enotes +\OrgNotes&\ibbu2i0\qh2j\qh2d&&&&\enotes +\OrgNotes&\qh2f\tqh2j&\oct + \cl e&&\cu e&&&&\enotes +\temps\OrgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\oct + \ql d&\rlap{---}&\qu d&&&&\enotes +\OrgNotes&\ibbu1f3\qh1d\tqh1f&&&&\enotes +\OrgNotes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&\oct + \ql a&ta&\qu a&&&&\enotes +\barre + %\check +%Takt 15 +\def\atnextline{\staffbotmarg3\Interligne}% +\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\oct + \hl b&tu&\hu b&&&&\enotes +\OrgNotes&\ibbu1f3\qh1d\tqh1g&&&&\enotes +\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&&&\enotes +\temps\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\qp&&\qp&&&&\enotes +\OrgNotes&\ibbu1f3\qh1d\tqh1g&&&&\enotes +\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&\oct + \ql d&in&\qu d&&&&\enotes +\barre + %\check +%Takt 16 +\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&\oct + \itenu5e\hl e&mu\rlap{---}&\itenl4e\hu e&&&&\enotes +\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes +\OrgNotes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j&&&&\enotes +\temps\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\oct + \tten5\ibl5e1\qb5e&&\tten4\cu e&&&&\enotes +\OrgNotes&\ibbu1f3\qh1e\tqh1g&\oct + \qb5e&li\rlap{---}&\Ibu4eg4\qh4e&&&&\enotes +\OrgNotes&\ibbu2i0\qh2j\qh2e&\oct + \qb5f&&\qh4f&&&&\enotes +\OrgNotes&\qh2g\tqh2j&\oct + \tqb5g&&\tqh4g&&&&\enotes +\barre + %\check +%Takt 17 +\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct + \hl h&e\rlap{---}&\ppt h\qu h&&&&\enotes +\OrgNotes&\ibbu1g3\qh1d\tqh1h&&&&\enotes +\OrgNotes&\ibbu2i0\qh2k\qh2d\qh2h&&&&\enotes +\OrgNotes&\tqh2k&&ri-&\ccu a&&&&\enotes +\temps\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct + \ql a&bus&\qu a&&&&\enotes +\OrgNotes&\ibbu1g3\qh1d\tqh1h&&&&\enotes +\OrgNotes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&\qp&&\qp&&&&\enotes +\barre + %\check +%Takt 18 +\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\oct + \itenu5d\hl d&et\rlap{---}&\itenl4d\hu d&&&&\enotes +\OrgNotes&\ibbu1f3\qh1d\tqh1f&&&&\enotes +\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i&&&&\enotes +\temps\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct + \tten5\ibl4d1\qb4d&&\tten4\cu d&&&&\enotes +\OrgNotes&\ibbu1f3\qh1d\tqh1f&\oct + \qb4d&be\rlap{---}&\Ibu5df4\qh5d&&&&\enotes +\OrgNotes&\ibbu2i0\qh2i\qh2d&\oct + \qb4e&&\qh5e&&&&\enotes +\OrgNotes&\qh2f\tqh2i&\oct + \tqb4f&ne-&\tqh5f&&&&\enotes +\barre + %\check +%Takt 19 +\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\oct + \hl g&\rlap{dic---}&\hu g&&&&\enotes +\OrgNotes&\ibbu1f3\qh1c\tqh1g&&&&\enotes +\OrgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&&&&\enotes +\temps\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\oct + \qu N&tus&\qu N&&&&\enotes +\OrgNotes&\ibbu1f3\qh1c\tqh1g&&&&\enotes +\OrgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qp&&\qp&&&&\enotes +\barre + %\check +%Takt 20 +\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\oct + \itenu5c\hl c&fruc\rlap{---}&\itenl4c\hu c&&&&\enotes +\OrgNotes&\ibbu1c3\qh1a\tqh1c&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&\enotes +\temps\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\oct + \tten5\ibl4c1\qb4c&&\tten4\cu c&&&&\enotes +\OrgNotes&\ibbu1c3\qh1a\tqh1c&\oct + \qb4c&tus&\Ibu5ce4\qh5c&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct + \qb4d&&\qh5d&&&&\enotes +\OrgNotes&\qh2c\tqh2f&\oct + \tqb4e&&\tqh5e&&&&\enotes +\barre + %\check +%Takt 21 +\OrgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\oct + \itenu5f\hl f&vent\rlap{---}&\itenl4f\hu f&&&&\enotes +\OrgNotes&\ibbu1c3\qh1a\tqh1c&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&\enotes +\temps\OrgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\oct + \tten5\ibl4f1\qb4f&&\tten4\cu f&&&&\enotes +\OrgNotes&\ibbu1c3\qh1a\tqh1c&\oct + \qb4f&ris&\Ibu5fh4\qh5f&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct + \qb4g&&\qh5g&&&&\enotes +\OrgNotes&\qh2c\tqh2f&\oct + \tqb4h&&\tqh5h&&&&\enotes +\barre + %\check +%Takt 22 +\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct + \qlp i&tu--&\qlp i&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2N&&&&\enotes +\OrgNotes&\qh2b\tqh2f&\oct + \cl h&i,&\cl h&&&&\enotes +\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct + \ql g&\rlap{Je---}&\qu g&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct + \ql d&&\qu d&&&&\enotes +\barre + %\check +%Takt 23 +\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct + \hlp e&sus.&\hup e&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&\enotes +\temps\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct + &&&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct + &&&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct + \pt a\ds\sk\sk\cl e&&\qp&&&&\enotes +\barre + %\check +%Takt 24 +\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\oct + \hl g&\rlap{Sanc---}&\hu g&&&&\enotes +\OrgNotes&\bigaccid\ibbu1b3\qh1{_b}\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e&&&&\enotes +\temps\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\oct + \ql e&ta&\qu e&&&&\enotes +\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c&\oct + \pt a\ds&&\pt h\ds&&&&\enotes +\OrgNotes&\tqh2e&\oct + \ccl e&\rlap{\kern -\Interligne Ma-}&\ccu e&&&&\enotes +\barre + %\check +%Takt 25 +\OrgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct + \hl h&ri\rlap{---}&\hu h&&&&\enotes +\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&&&\enotes +\temps\OrgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct + \ql a&a,&\qu a&&&&\enotes +\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&\oct + \qp&&\qp&&&&\enotes +\barre + %\check +%Takt 26 +\OrgNotes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\oct + \hl h&\rlap{sanc---}&\hu h&&&&\enotes +\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes +\OrgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e&&&&\enotes +\temps\OrgNotes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\oct + \ql c&ta&\qu c&&&&\enotes +\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c&\oct\qsk + \pt a\ds&&\qsk\pt h\ds&&&&\enotes +\OrgNotes&\tqh2e&\oct + \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h&&&&\enotes +\barre + %\check +%Takt 27 +\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {_L}&\ds&\oct + \hl j&ri\rlap{---}&\hl j&&&&\enotes +\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes +\OrgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e&&&&\enotes +\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct + \bigaccid\ql{_e}&a,&\bigaccid\qu{_e}&&&&\enotes +\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c&\oct + \pt a\ds&&\pt j\ds&&&&\enotes +\OrgNotes&\tqh2e&\oct + \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j&&&&\enotes +\barre + %\check +%Takt 28 +\OrgNotes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct + \hl j&ri\rlap{---}&\hl j&&&&\enotes +\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&&&\enotes +\temps\OrgNotes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct + \ql d&a!&\qu d&&&&\enotes +\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&\oct + \pt a\ds\sk\sk\ccl d&&\qp&&&&\enotes +\barre + %\check +%Takt 29 +\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct + \itenu5d\hl d&O\rlap{---}&\itenl4d\hu d&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes +\OrgNotes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d&&&&\enotes +\temps\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct + \tten5\ibl4d{-1}\qb4d&&\tten4\cu d&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1b&\oct + \qb4d&ra&\Ibu5db4\qh5d&&&&\enotes +\OrgNotes&\ibbu2d0\qh2d\qh2N&\oct + \qb4c&&\qh5c&&&&\enotes +\OrgNotes&\qh2b\tqh2d&\oct + \tqb4b&pro&\tqh5 b&&&&\enotes +\barre + %\check +%Takt 30 +\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct + \qlp g&no\rlap{---}&\qup g&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2N&&&&\enotes +\OrgNotes&\qh2c\tqh2e&\oct + \cl e&&\cu e&&&&\enotes +\temps\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct + \ql c&bis,&\qu c&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct + \qp&&\qp&&&&\enotes +\barre + %\check +%Takt 31 +\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct + \itenu5f\hl f&no\rlap{---}&\itenl4f\hu f&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&\enotes +\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct + \tten5\ibl4f{-1}\qb4f&&\tten4\cu f&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct + \qb4f&bis&\Ibu5fd4\qh5f&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct + \qb4e&pec-&\qh5e&&&&\enotes +\OrgNotes&\qh2c\tqh2f&\oct + \tqb4d&ca-&\tqh5d&&&&\enotes +\barre + %\check +%Takt 32 +\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct + \qlp k&to\rlap{---}&\qlp k&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2N&&&&\enotes +\OrgNotes&\qh2b\tqh2f&\oct + \cl i&ri-&\cl i&&&&\enotes +\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct + \ql g&bus,&\qu g&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct + \qp&&\qp&&&&\enotes +\barre + %\check +%Takt 33 +\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\oct + \itenu5h\hl h&nunc&\itenl4h\hu h&&&&\enotes +\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes +\OrgNotes&\bigaccid\qsk\ibbu2e0\qh2{^f}\qh2a\qh2c\tqh2f&&&&\enotes +\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct + \tten5\ibl4h1\qb4h&&\tten4\cu h&&&&\enotes +\OrgNotes&\ibbu1b3\qh1a\tqh1c&\oct + \qb4h&et\rlap{---}&\Ibu5hj4\qh5h&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct + \qb4i&&\qh5i&&&&\enotes +\OrgNotes&\qh2c\tqh2f&\oct + \tqb4j&in&\tqh5j&&&&\enotes +\barre + %\check +%Takt 34 +\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {=L}&\ds&\oct + \itenu5l\hl l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes +\OrgNotes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g&&&&\enotes +\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct + \tten5\ibl4j{-4}\qb4l&&\tten4\cl l&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct + \qb4j&--&\Ibu5je4\qh5j&&&&\enotes +\OrgNotes&\ibbu2e0\qh2g\qh2N&\oct + \qb4g&ra,&\qh5g&&&&\enotes +\OrgNotes&\qh2c\tqh2g&\oct + \tqb4e&in&\tqh5e&&&&\enotes +\barre + %\check +%Takt 35 +\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct + \itenu5d\hl d&ho\rlap{---}&\itenl4d\hu d&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&\enotes +\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct + \tten5\ibl4d3\qb4d&&\tten4\ibu5g3\qh5d&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct + \qb4h&&\tqh5h&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct + \qb4i&ra&\ibu5i{-1}\qh5i&&&&\enotes +\OrgNotes&\qh2c\tqh2f&\oct + \tqb4h&&\tqh5h&&&&\enotes +\barre + %\check +%Takt 36 +\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct + \ibl4h{-3}\usf h\qb4h&\rlap{mor---}&\ibu5j2\qh5g&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1b&\oct + \usf g\qb4g&&\tqh5k&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct + \usf f\qb4f&tis&\ibu5i{-2}\qh5i&&&&\enotes +\OrgNotes&\qh2b\tqh2f&\oct + \usf d\tqb4d&&\tqh5g&&&&\enotes +\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\relax + \lsf i\ibu4i{-3}\qh4i&nos-&\ibu5f{-2}\qh5f&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1b&\relax + \lsf h\qh4h&&\tqh5d&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2N&\relax + \lsf f\qh4f&tr\ae.&\ibu5b{-2}\qh5b&&&&\enotes +\OrgNotes&\qh2b\tqh2f&\relax + \lsf d\tqh4d&&\tqh5N&&&&\enotes +\barre + %\check +%Takt 37 +\OrgNotes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds&\relax + \hup c&A\rlap{---}&\itenl4c\hu c&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&\enotes +\temps\OrgNotes\zhl J\raise2\Interligne\hbox{\qs}\qupp L&\ds&&\rlap{men.}&\tten4\qu c&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&\uptext{R\'ecit (doux)}&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\qp&&\qp&&&&\enotes +\barre + %\check +%Takt 38 +\def\orgNotes#1\enotes{\Notes#1&\relax#4\enotes}% +\def\orgNOTes#1\enotes{\NOTes#1&\relax#4\enotes}% +\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&&\wh l&A\rlap{---}&&&&&\enotes +\orgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&\enotes +\orgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&\raise -2\Interligne\hpause&&&&&\enotes +\temps\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&&\hl g&&&&&&\enotes +\orgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes +\orgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&&&&\enotes +\barre + %\check +%Takt 39 +\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\wh m&ve&&&&&&&\enotes +\orgNotes&\ibbl1j3\qb1h\tqb1k&&&&&&&&\enotes +\orgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&\raise -2\Interligne\hpause&&&&&\enotes +\temps\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp d&\ds&&\hl h&&&&&&&&&\enotes +\orgNotes&\ibbl1j3\qb1h\tqb1k&&&&&&&\enotes +\orgNotes&\ibbl2k0\qb2m\qb2h&&&&&&&\enotes +\orgNotes&\qb2k\tqb2m&&&\rlap{\kern -\Interligne Ma-}&\cu f&&&&&&\enotes +\barre + %\check +%Takt 40 +\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\itenu3g\wh g&\zhl i\hup n&&&&&&&\enotes +\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&\enotes +\orgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&&&\enotes +\temps\orgNotes\zhl b\raise 5.5\Interligne\qs\qupp d&\ds&&\hl f&&&&&&\enotes +\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&\enotes +\orgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&\qu k&&&&&&\enotes +\barre + %\check +%Takt 41 +\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\tten3\zw e\wh + g&\zhlp g\hup l&&&&&&&&&\enotes +\orgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&&&\enotes +\orgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&&&&&\enotes +\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&&&&&\enotes +\orgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&&&&&\enotes +\orgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&\qp&&\qp&&&&&&&&\enotes +\barre + %\check +%Takt 42 +\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hu h&\relax + {\roffset{0.3}{\zhu j}}\oct + \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h&&&&&&&&\enotes +\orgNotes&\ibbl0j3\qb0h\tqb0l&&&&&&&&\enotes +\orgNotes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o&&&&&&&&\enotes +\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp +e&\ds&&{\roffset {0.3}{\zhu l}}\oct + \tten5\ibl4a0\qb4h&&\tten4\ibu5g{-3}\qh5h&&&&&&&&\enotes +\orgNotes&\ibbl0j3\qb0h\tqb0l&&\oct\qb4a&\rlap{---}&\tqh5a&&&&&&&&\enotes +\orgNotes&\ibbl1k0\qb1o\qb1h&&\oct\qb4b&ti-&\cu b&&&&&&&&\enotes +\orgNotes&\qb1l\tqb1o&&\oct\tqb4c&a&\cu c&&&&&&&&\enotes +\barre + %\check +%Takt 43 +\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\bigaccid\zw{^f}&\itenu5o{\zhu o}\oct + \qlp d&ple\rlap{---}&\Ilegu4k\qup d&&&&&&&&\enotes +\orgNotes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2k\qh2f&&&&&&&&\enotes +\orgNotes&\qh2h\tqh2k&&\oct \cl e&&\tleg4\cu e&&&&&&&&\enotes +\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\tten5{\ibu3m{-2}\zqh3o}\oct + \ql d&na,&\qu d&&&&&&&&\enotes +\orgNotes&\ibbu1g3\qh1f\tqh1h&&{\qh3h}&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&&\raise -2\Interligne\rlap{\qp}{\qh3i\sk\tqh3j}&&\qp&&&&&&&&\enotes +\barre + %\check +%Takt 44 +\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\zw g&\relax + \rlap{\roffset{0.3}{\qupp k}}\oct + \normalnotesize\itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g&&&&&&&&\enotes +\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&&&\enotes +\orgNotes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&&\sk\sk\sk\ccu l&&&&&&&\enotes +\temps\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\roffset {0.5}{\zhu k}\oct + \normalnotesize\tten5\ibl4N0\qb4g&&\tten4\ibu5f{-3}\qh5g&&&&&&&&\enotes +\orgNotes&\ibbl1j3\qb1g\tqb1k&&\oct + \qb4N&\rlap{---}&\tqh5N&&&&&&&&\enotes +\orgNotes&\ibbl2k0\qb2n\qb2g&&\oct + \qb4a&mi-&\cu a&&&&&&&&\enotes +\orgNotes&\qb2k\tqb2n&&\oct + \tqb4b&nus&\cu b&&&&&&&&\enotes +\def\atnextline{\autolines{25}35}\relax +\barre + %\check +%Takt 45 +\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\itenl4e\zw e&{\itenu3n\zhu n}\oct + \qlp c&te\rlap{---}&\Ilegu2j\qup c&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2j\qh2e&&&&&&&&\enotes +\orgNotes&\qh2g\tqh2j&&\oct + \cl d&&\tleg2\cu d&&&&&&&&\enotes +\temps\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&&{\tten3\ibu3l{-3}\zqh3n}\oct + \ql c&cum,&\qu c&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1e\tqh1g&&\qh3g&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&\raise -2.5\Interligne\rlap{\qp}\qh3h\sk\tqh3i&\qp&\qp&&&&&&&&\enotes +% +\barre + %\check +%Takt 46 +\orgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\tten4\zw e&\relax + {\roffset{0.3}{\zhl j}}\oct + \itenu5j\hu j&be\rlap{---}&\itenu4j\hu j&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&&&&&&&\enotes +\temps\orgNotes\zhl a\raise 5\Interligne\qs\qupp c&\ds&&{\zql h}\oct + \tten5\cu j&&\tten4\cl j&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1e\tqh1g&&\oct + \Ibu4ce4\qh4c&\rlap{---}&\Ibl5ce4\qh5c&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2j\qh2e&&{\zql g}\oct + \qh4d&ne\rlap{---}&\ibu5e1\qh5d&&&&&&&&\enotes +\orgNotes&\qh2g\tqh2j&&\oct + \tqh4e&&\tqh5e&&&&&&&&\enotes +\barre + %\check +%Takt 47 +\orgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds + &&\bigaccid\zhlp h\oct + \qup{^f}&\rlap{dic---}&\bigaccid\Ilegu4l\qup {^f}&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2j\qh2d&&&&&&&&\enotes +\orgNotes&\qh2f\tqh2j&&\oct + \cu e&&\tleg4\cu e&&&&&&&&\enotes +\temps\orgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&&\oct + \qu d&\rlap{---}&\qu d&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1d\tqh1f&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&&\oct + \zql a\qu a&ta&\qu a&&&&&&&&\enotes +\barre + %\check +%Takt 48 +\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\relax + {\zw g}\oct \hu b&tu&\hu b&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1d\tqh1g&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&&&&&&&\enotes +\temps\orgNotes\zhl N\raise 4.2\Interligne\qs\qupp b&\ds&&\relax + \raise\Interligne\qp&&\qp&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1d\tqh1g&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&\oct + \qu d&in&\qu d&&&&&&&&\enotes +\barre + %\check +%Takt 49 +\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&&{\zw{^j}}\oct + \itenu5e\hu e&mu\rlap{---}&\itenl4e\hu e&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes +\orgNotes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j&&&&&&&&\enotes +\temps\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\oct + \tten5\cu e&&\tten4\cu e&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1e\tqh1g&&\oct + \Ibu5eg4\qh5e&li\rlap{---}&\Ibu4eg4\qh4e&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2j\qh2e&&\oct + \qh5f&&\qh4f&&&&&&&&\enotes +\orgNotes&\qh2g\tqh2j&&\oct + \tqh5g&&\tqh4g&&&&&&&&\enotes +\barre + %\check +%Takt 50 +\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\itenu3o\hu o&\relax + \rlap{\hlp k}\oct \itenu4h\hu h&e\rlap{---}&\ppt h\qu h&&&&&&&&\enotes +\orgNotes&\ibbu1g3\qh1d\tqh1h&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2k\qh2d\qh2h&&&&&&&&\enotes +\orgNotes&\tqh2k&&&ri-&\ccu a&&&&&&&&\enotes +\temps\orgNotes\zhl M\raise 3.8\Interligne\qs\qupp a&\ds&\tten3&\tten4\relax + \oct \cu h&bus&\qu a&&&&&&&&\enotes +\orgNotes&\ibbu1g3\qh1d\tqh1h&&{\Ibu3hj4\qh3h}&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&&\qh3i\sk\tqh3j&&\qp&&&&&&&&\enotes +\barre + %\check +%Takt 51 +\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\bigaccid + \hu r&\bigaccid\zw {=i}\oct\itenu5d\hu d&et\rlap{---}&\itenl4d\hu d&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1d\tqh1f&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i&&&&&&&&\enotes +\temps\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\hu k&\oct + \tten5\cu d&&\tten4\cu d&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1d\tqh1f&&\oct + \Ibu4df4\qh4d&be\rlap{---}&\ibu5e1\qh5d&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2i\qh2d&&\oct + \qh4e&&\tqh5e&&&&&&&&\enotes +\orgNotes&\qh2f\tqh2i&&\oct + \tqh4f&ne-&\cu f&&&&&&&&\enotes +\barre + %\check +%Takt 52 +\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\itenu3n\hu +n&{\zhlp j}\oct + \itenu4g\hu g&\rlap{dic---}&\hu g&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1c\tqh1g&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&&&&&&&&\enotes +\temps\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\tten3\ibl3n{3}\qb3n&\oct + \tten4\cu g&tus&\qu N&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1c\tqh1g&\qb3n&\Ibu4gi4\qh4g&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qb3o\sk\tqb3p&\qh4h\sk\tqh4i&&\qp&&&&&&&&\enotes +\barre + %\check +%Takt 53 +\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\zw h\hu +q&{\zw h}\oct + \itenu5c\hu c&fruc\rlap{---}&\itenl4c\hu c&&&&&&&&\enotes +\orgNotes&\ibbu1c3\qh1a\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&&&&&\enotes +\temps\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\itenu3j\hu j&\oct + \tten5\cu c&&\tten4\cu c&&&&&&&&\enotes +\orgNotes&\ibbu1c3\qh1a\tqh1c&&\oct + \Ibu4ce4\qh4c&tus&\ibu5d1\qh5c&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct + \qh4d&&\qh5d&&&&&&&&\enotes +\orgNotes&\qh2c\tqh2f&&\oct + \tqh4e&&\tqh5e&&&&&&&&\enotes +\barre + %\check +%Takt 54 +\orgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\tten3\zw c\hu j&\relax + {\zw j}\oct + \itenu5f\hu f&vent\rlap{---}&\itenl4f\hu f&&&&&&&&\enotes +\orgNotes&\ibbu1c3\qh1a\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&&&&&\enotes +\temps\orgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&&\oct + \tten5\cu f&&\tten4\cu f&&&&&&&&\enotes +\orgNotes&\ibbu1c3\qh1a\tqh1c&\hu h&\oct + \Ibu4fh4\qh4f&ris&\ibu5g1\qh5f&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct + \qh4g&&\qh5g&&&&&&&&\enotes +\orgNotes&\qh2c\tqh2f&&\oct + \tqh4h&&\tqh5h&&&&&&&&\enotes +\barre + %\check +%Takt 55 +\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\hu +g&{\zqlp n}\oct + \qup i&tu--&\Ilegu4k\qlp i&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2N&&&&&&&&\enotes +\orgNotes&\qh2b\tqh2f&&\oct + \cu h&i,&\tleg4\cl h&&&&&&&&\enotes +\temps\orgNotes\zhl G\raise 1.6\Interligne\qs\qupp K&\ds&&\relax + \rlap{\roff{\hl m}}\oct \qu g&\rlap{Je---}&\Ilegu5l\qu g&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct + \qu d&&\tleg5\qu d&&&&&&&&\enotes +\barre + %\check +%Takt 56 +\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&&{\zhlp j}\oct + \hup e&sus.&\hup e&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&&&&&\enotes +\temps\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\hu g&\oct + &&&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct + &&&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct + \pt a\ds\sk\sk\ccl e&&\qp&&&&&&&&\enotes +\barre + %\check +%Takt 57 +\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\zw e\relax + &{\bigfl i\zhlp i}\oct \hu g&&&&&&&\enotes +\orgNotes&\ibbu1b3\bigaccid\qh1{_b}\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e&&&&&&&&\enotes +\temps\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\hu l&\oct + \qu e&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct + \pt a\ds&&&&&&&&&\enotes +\orgNotes&\tqh2e&&\oct + \ccl e&&&&&&\enotes +\barre + %\check +%Takt 58 +\orgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zhl c\itenl3e\itenu4h\zh e\hu +h&\itenu2j\zh j\hl o&ri\rlap{---}&\hu h&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&&&&&&&\enotes +\temps\orgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\tten3\tten4\zh e\zhl h\hu +j&\tten2\zq j\ql h&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&\oct + \qp&&\qp&&&&&&&&\enotes +\barre + %\check +%Takt 59 +\orgNotes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\bigaccid + \zw h\hu{_l}&{\bigfl l\zh l}\oct + \hl h&\rlap{sanc---}&\hu h&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes +\orgNotes&\qsk\bigaccid\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e&&&&&&&&\enotes +\temps\orgNotes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\hu +o&{\zq h}\oct + \ql c&ta&\qu c&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c&&\oct + \pt a\ds&&\pt h\ds&&&&&&&&\enotes +\orgNotes&\tqh2e&&\oct + \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h&&&&&&&&\enotes +\barre + %\check +%Takt 60 +\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\zw g\zw j\hu +n&\itenl2j\zh j\oct \hl j&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes +\orgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e&&&&&&&&\enotes +\temps\orgNotes\zhl G\raise 1.6\Interligne\qs\qupp L&\ds&\bigaccid\hu{_l}&\bigaccid + \tten2\zq j\ql{_l}&&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct + \pt a\ds&&\pt j\ds&&&&&&&&\enotes +\orgNotes&\tqh2e&&\oct + \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j&&&&&&&&\enotes +\barre + %\check +%Takt 61 +\orgNotes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu +k&{\zhp l}\oct + \hl j&ri\rlap{---}&\hl j&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&&&&&&&\enotes +\temps\orgNotes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\hu j&\oct + \ql d&a!&\qu d&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&\oct + \pt a\ds\sk\sk\ccl d&&\qp&&&&&&&&\enotes +\barre + %\check +%Takt 62 +\orgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu +i&{\zhl f}\oct + \itenu5d\hu d&O\rlap{---}&\itenl4d\hu d&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d&&&&&&&&\enotes +\temps\orgNotes\zhl G\raise 2\Interligne\qs\qupp M&\ds&&{\zql i}\oct + \tten5\cu d&&\tten4\cu d&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1b&&\oct + \Ibu4db4\qh4d&ra&\ibu5d{-1}\qh5d&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2d\qh2N&&{\itenl4g\zql g}\oct + \qh4c&&\tqh5c&&&&&&&&\enotes +\orgNotes&\qh2b\tqh2d&&\oct + \tqh4b&pro&\cu b&&&&&&&&\enotes +\barre + %\check +%Takt 63 +\orgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\zw e\hu +g&{\tten4\zhlp g}\oct + \qup g&no\rlap{---}&\Ilegu4l\qup g&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2N&&&&&&&&\enotes +\orgNotes&\qh2c\tqh2e&&\oct + \cu e&&\tleg4\cu e&&&&&&&&\enotes +\temps\orgNotes\zhl G\raise 2\Interligne\qs\qupp L&\ds&\itenu3j\zhl g\hu j&\oct + \qu c&bis,&\qu c&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct + \raise\Interligne\qp&&\qp&&&&&&&&\enotes +\barre + %\check +%Takt 64 +\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\itenl3f\zw +f&{\zhl j}\oct + \itenu5f\hu f&no\rlap{---}&\itenl4f\hu f&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&&&&&\enotes +\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl c&{\zhl h}\oct + \tten5\cu f&&\tten4\cu f&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct + \Ibu4fd4\qh4f&bis&\cu f&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct + \qh4e&pec-&\cu e&&&&&&&&\enotes +\orgNotes&\qh2c\tqh2f&&\oct + \tqh4d&ca-&\cu d&&&&&&&&\enotes +\barre + %\check +%Takt 65 +\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\zw f\zhl d\hu +i&{\zh m}\oct + \qlp k&\raise\Interligne\hbox{to---}&\Ilegu4k\qlp k&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2N&&&&&&&&\enotes +\orgNotes&\qh2b\tqh2f&&\oct + \cl i&ri-&\tleg4\cl i&&&&&&&&\enotes +\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl b\hu +k&{\zq i}\oct + \ql g&bus,&\qu g&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct + \qp&&\qp&&&&&&&&\enotes +\barre + %\check +%Takt 66 +\def\atnextline{\autolines{25}25}\relax +\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid + \qupp {_L}&\ds&\bigaccid\zhl{^f}&{\bigaccid\zw j\zhl{_l}}\oct + \itenu5h\hu h&nunc&\itenl4h\hu h&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes +\orgNotes&\qsk\ibbu2e0\bigaccid\qh2{^f}\qh2a\qh2c\tqh2f&&&&&&&&\enotes +\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\zhl h&{\bigaccid\zhl{^m}}\oct + \tten5\cu h&&\tten4\cu h&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1a\tqh1c&&\oct + \Ibl4hj4\qb4h&et\rlap{---}&\ibu5i1\qh5h&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct + \qb4i&&\tqh5i&&&&&&&&\enotes +\orgNotes&\qh2c\tqh2f&&\oct + \tqb4j&in&\cl j&&&&&&&&\enotes +\barre + %\check +%Takt 67 +\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {=L}&\ds&\zw g\zh j&{\zhl n}\oct + \itenu5l\hu l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g&&&&&&&&\enotes +\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\hu{=l}&{\zql{=l}}\oct + \tten5\cu l&&\tten4\ibu5j{-2}\qh5l&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct + \Ibu4je4\qh4j&---&\tqh5j&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2g\qh2N&&{\zql j}\oct + \qh4g&ra,&\cu g&&&&&&&&\enotes +\orgNotes&\qh2c\tqh2g&&\oct + \tqh4e&in&\cu e&&&&&&&&\enotes +\barre + %\check +%Takt 68 +\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw f\hu +k&{\zhl f}\oct + \itenu5d\hu d&&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&&&&&\enotes +\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu +h&{\zhl h}\oct + \tten5\cu d&&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct + \Ibu4hh4\qh4h&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct + \qh4i&&&&&&&&&\enotes +\orgNotes&\qh2c\tqh2f&&\oct + \tqh4h&&&&&&&&\enotes +\alaligne + %\check +%Takt 69 +\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\zw d\rh f\zhu +g&\zhl i\oct \Ibu4fc6\qh4h&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1b&&\oct \qh4g&&&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct + \qh4f&tis&\ibu5i{-2}\qh5i&&&&&&&&\enotes +\orgNotes&\qh2b\tqh2f&&\oct + \tqh4d&&&&&&&&&&\enotes +\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu N&\relax + {\zhl d}\ibu4i{-3}\qh4i&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1b&&\relax + \qh4h&&\tqh5d&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2N&&\relax + \qh4f&&&&&&&\enotes +\orgNotes&\qh2b\tqh2f&&\relax + \tqh4d&&&&&&\enotes +\barre +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% + %\check +%Takt 70 +\orgNotes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds + &\bigaccid\zw{_b}\roff{\itenu3c\zw c}&\roff{\itenu4c\zw c}\bigaccid\wh{_b}\relax + &&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\bigaccid\qsk\tqh1{_b}&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e&&&&&&&&\enotes +\temps\orgNotes\zhu C\raise\Interligne\qs\qupp J&\ds&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e&&&&&&&&\enotes +\def\atnextline{\autolines{20}35}\relax +%\cleftoksii{6000}\changeclefs +\alaligne + %\check +%Takt 71 +\orgNotes\raise\Interligne\rlap{\qs}\wh C\itenl2J\qupp J&\ds&\tten3\zw a\wh +c&\tten4\zw a\wh c&&&&&&&&&\enotes +\orgNotes&\oct\ibbu1a3\qh1M\tqh1a&&&&&&&&\enotes +\orgNotes&\oct\ibbu2e0\qh2c\qh2f\qh2c\tqh2a&&&&&&&&\enotes +\temps\orgNotes\tten2\hu J&\oct\ibbu2b0\qh2c\qh2a\qh2M\tqh2a&&&&&&&&\enotes +\orgNotes&\oct\ibbu3M0\qh3M\qh3K\qh3M\tqh3K&&&&&&&&\enotes +%\cleftoksii{0000}\changeclefs +\barre + %\check +%Takt 72 +\orgNotes\zw C\qs\itenl3I\qupp I&\ds&&\bigaccid\wh{=b}&&&&&&&&&\enotes +\orgNotes&\ibbl1h3\qb1g\tqb1i&&&&&&&&\enotes +\orgNotes&\ibbl2j{-2}\qb2k\qb2m\qb2k\tqb2i&&&&&&&&\enotes +\temps\orgNotes\tten3\hu I&\ibbl2h0\qb2k\qb2i\qb2g\tqb2i&&&&&&&&&&\enotes +\orgNotes&\ibbu3e0\qh3d\qh3f\pince n\qh3e\tqh3d&&&&&&&&\enotes +\barre + %\check +%Takt 73 +\orgNOTes\pointdurgue C\zwh C\wh J&\zwh e\zwh g\pointdorgue j\wh j\relax + &&\pointdorgue f\wh c&&&&&&&&\enotes +\finmorceau +\bye + diff --git a/macros/generic/musixtex/doc/examples/avemaril.tex b/macros/generic/musixtex/doc/examples/avemaril.tex new file mode 100644 index 0000000000..ac2d11f3e4 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/avemaril.tex @@ -0,0 +1,20 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi +\tracingstats=2\relax +\hsize=185mm +\vsize=270mm +\hoffset -1.70cm +\voffset -1.54cm +\barsinline=0\relax +\linesinpage=0\relax +\resetfacteurs +\computewidths +\musicsize 29 +% +\input avemarix +\bye + + diff --git a/macros/generic/musixtex/doc/examples/avemario.tex b/macros/generic/musixtex/doc/examples/avemario.tex new file mode 100644 index 0000000000..747452c4a4 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/avemario.tex @@ -0,0 +1,1014 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi + \title{Ave Maria (Gounod)} +\csname titremorceautoc\endcsname +\fulltitle{M\'editation -- Ave Maria} +\title{M\'editation -- Ave Maria} + \author{Charles Gounod \& J.-S. Bach\\Transcription Orgue solo Daniel +Taupin\\\& Markus Veittes} + \shortauthor{C. Gounod, J.-S. Bach, D. Taupin} + \subtitle{\relax} + \othermention{G.O.: fl\^ute 8' [+4']\\R\'ecit : fl\^utes 8'+4' [+nasard ou +chalumeau {\it ad lib.}]\\Positif : quinte\\P\'edale : 16', acc. +G.O.\\Gif : 2/9-11-12/20-23/33-37-45/50-52-54} +\maketitle + +\staffbotmarg\Interligne +% +\parindent 13mm +\musicsize=20 +\normal +\relativeaccidentals +\def\oct{\advance\transpose by 7\relax} +\def\nbinstruments{3} +\def\instrumenti{P\'edale} +\def\instrumentii{G.O.} +%\def\interinstrumenti{-2\Interligne} +%\def\interinstrumentii{-2\Interligne} +\def\instrumentiii{Positif} +\nbporteesi=1\relax +\nbporteesii=1\relax +\nbporteesiii=1\relax + +\generalmeter{\meterC}% +\cleftoksi{{6}{0}{0}{0}} +\cleftoksii{{0}{0}{0}{0}} +\cleftoksiii{{0}{0}{0}{0}} +%\raggedlinestrue % uncomment for ragged right lines + + +\debutmorceau +\def\OrgNotes#1\enotes{\Notes#1&\relax#5\enotes}% +\autolines{25}{3}{5}% + %\check +%Takt 1 +\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&\enotes +\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes +\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes +\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause&&\pause&\enotes +\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&\enotes +\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&\enotes +\barre + %\check +%Takt 2 +\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes +\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes +\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes +\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause&&\pause&\enotes +\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes +\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes +\barre + %\check +%Takt 3 +\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes +\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes +\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes +\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause&&\pause&\enotes +\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes +\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes +\barre + %\check +%Takt 4 +\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&\enotes +\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes +\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes +\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause&&\pause&&&&\enotes +\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&\enotes +\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&\enotes +\barre + %\check +%Takt 5 +\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\wh l&A\rlap{---}&\wh e&&&&\enotes +\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&&\enotes +\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&&&&\enotes +\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&\enotes +\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes +\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&&&&\enotes +\barre + %\check +%Takt 6 +\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\wh m&ve&\hupp f&&&&\enotes +\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes +\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes +\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&&&&\enotes +\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes +\OrgNotes&\ibbl2k0\qb2m\qb2h&&&&\enotes +\OrgNotes&\qb2k\tqb2m&&Ma-&\cu f&&&&\enotes +\barre + %\check +%Takt 7 +\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hlp n&ri\rlap{---}&\hup g&&&&\enotes +\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes +\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes +\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes +\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes +\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&\ql k&\rlap{---}&\qu d&&&&\enotes +\barre + %\check +%Takt 8 +\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hlp l&a,&\hup e&&&&\enotes +\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes +\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes +\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&\enotes +\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes +\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&\qp&&\qp&&&&\enotes +\barre + %\check +%Takt 9 +\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\oct + \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h&&&&\enotes +\OrgNotes&\ibbl0j3\qb0h\tqb0l&&&&\enotes +\OrgNotes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o&&&&\enotes +\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\oct + \tten5\ibl4c0\qb4h&&\tten4\cu h&&&&\enotes +\OrgNotes&\ibbl0j3\qb0h\tqb0l&\oct\qb4a&\rlap{---}&\Ibu5ac4\qh5a&&&&\enotes +\OrgNotes&\ibbl1k0\qb1o\qb1h&\oct\qb4b&ti-&\qh5b&&&&\enotes +\OrgNotes&\qb1l\tqb1o&\oct\tqb4c&a&\tqh5c&&&&\enotes +\barre + %\check +%Takt 10 +\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct + \qlp d&ple\rlap{---}&\qup d&&&&\enotes +\OrgNotes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h&&&&\enotes +\OrgNotes&\ibbu2i0\qh2k\qh2f&&&&\enotes +\OrgNotes&\qh2h\tqh2k&\oct \cl e&&\cu e&&&&\enotes +\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct + \ql d&na,&\qu d&&&&\enotes +\OrgNotes&\ibbu1g3\qh1f\tqh1h&&&&\enotes +\OrgNotes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\qp&&\qp&&&&\enotes +\barre + %\check +%Takt 11 +\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct + \itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g&&&&\enotes +\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes +\OrgNotes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&&&&\enotes +\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct + \tten5\ibl4b0\qb4g&&\tten4\cu g&&&&\enotes +\OrgNotes&\ibbl1j3\qb1g\tqb1k&\oct + \qb4N&\rlap{---}&\Ibu5Nb4\qh5N&&&&\enotes +\OrgNotes&\ibbl2k0\qb2n\qb2g&\oct + \qb4a&mi-&\qh5a&&&&\enotes +\OrgNotes&\qb2k\tqb2n&\oct + \tqb4b&nus&\tqh5b&&&&\enotes +\def\atnextline{\autolines{25}35}\relax +\barre + %\check +%Takt 12 +\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\oct + \qlp c&te\rlap{---}&\qup c&&&&\enotes +\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes +\OrgNotes&\ibbu2i0\qh2j\qh2e&&&&\enotes +\OrgNotes&\qh2g\tqh2j&\oct + \cl d&&\cu d&&&&\enotes +\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\oct + \ql c&cum,&\qu c&&&&\enotes +\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes +\OrgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&\qp&&\qp&&&&\enotes +% +\def\atnextline{\autolines{25}35}\relax +\barre + %\check +%Takt 13 +\OrgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\oct + \itenu5j\hl j&be\rlap{---}&\itenu4j\hu j&&&&\enotes +\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes +\OrgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&&&\enotes +\temps\OrgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\oct + \tten5\ibl4c0\qb4j&&\tten4\cu j&&&&\enotes +\OrgNotes&\ibbu1f3\qh1e\tqh1g&\oct + \qb4c&\rlap{---}&\Ibu5ce4\qh5c&&&&\enotes +\OrgNotes&\ibbu2i0\qh2j\qh2e&\oct + \qb4d&ne\rlap{---}&\qh5d&&&&\enotes +\OrgNotes&\qh2g\tqh2j&\oct + \tqb4e&&\tqh5e&&&&\enotes +\barre + %\check +%Takt 14 +\OrgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\oct\bigaccid + \qlp{^f}&\rlap{dic---}&\bigaccid\qup {^f}&&&&\enotes +\OrgNotes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}&&&&\enotes +\OrgNotes&\ibbu2i0\qh2j\qh2d&&&&\enotes +\OrgNotes&\qh2f\tqh2j&\oct + \cl e&&\cu e&&&&\enotes +\temps\OrgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\oct + \ql d&\rlap{---}&\qu d&&&&\enotes +\OrgNotes&\ibbu1f3\qh1d\tqh1f&&&&\enotes +\OrgNotes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&\oct + \ql a&ta&\qu a&&&&\enotes +\barre + %\check +%Takt 15 +\def\atnextline{\staffbotmarg3\Interligne}% +\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\oct + \hl b&tu&\hu b&&&&\enotes +\OrgNotes&\ibbu1f3\qh1d\tqh1g&&&&\enotes +\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&&&\enotes +\temps\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\qp&&\qp&&&&\enotes +\OrgNotes&\ibbu1f3\qh1d\tqh1g&&&&\enotes +\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&\oct + \ql d&in&\qu d&&&&\enotes +\barre + %\check +%Takt 16 +\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&\oct + \itenu5e\hl e&mu\rlap{---}&\itenl4e\hu e&&&&\enotes +\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes +\OrgNotes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j&&&&\enotes +\temps\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\oct + \tten5\ibl5e1\qb5e&&\tten4\cu e&&&&\enotes +\OrgNotes&\ibbu1f3\qh1e\tqh1g&\oct + \qb5e&li\rlap{---}&\Ibu4eg4\qh4e&&&&\enotes +\OrgNotes&\ibbu2i0\qh2j\qh2e&\oct + \qb5f&&\qh4f&&&&\enotes +\OrgNotes&\qh2g\tqh2j&\oct + \tqb5g&&\tqh4g&&&&\enotes +\barre + %\check +%Takt 17 +\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct + \hl h&e\rlap{---}&\ppt h\qu h&&&&\enotes +\OrgNotes&\ibbu1g3\qh1d\tqh1h&&&&\enotes +\OrgNotes&\ibbu2i0\qh2k\qh2d\qh2h&&&&\enotes +\OrgNotes&\tqh2k&&ri-&\ccu a&&&&\enotes +\temps\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct + \ql a&bus&\qu a&&&&\enotes +\OrgNotes&\ibbu1g3\qh1d\tqh1h&&&&\enotes +\OrgNotes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&\qp&&\qp&&&&\enotes +\barre + %\check +%Takt 18 +\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\oct + \itenu5d\hl d&et\rlap{---}&\itenl4d\hu d&&&&\enotes +\OrgNotes&\ibbu1f3\qh1d\tqh1f&&&&\enotes +\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i&&&&\enotes +\temps\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct + \tten5\ibl4d1\qb4d&&\tten4\cu d&&&&\enotes +\OrgNotes&\ibbu1f3\qh1d\tqh1f&\oct + \qb4d&be\rlap{---}&\Ibu5df4\qh5d&&&&\enotes +\OrgNotes&\ibbu2i0\qh2i\qh2d&\oct + \qb4e&&\qh5e&&&&\enotes +\OrgNotes&\qh2f\tqh2i&\oct + \tqb4f&ne-&\tqh5f&&&&\enotes +\barre + %\check +%Takt 19 +\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\oct + \hl g&\rlap{dic---}&\hu g&&&&\enotes +\OrgNotes&\ibbu1f3\qh1c\tqh1g&&&&\enotes +\OrgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&&&&\enotes +\temps\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\oct + \qu N&tus&\qu N&&&&\enotes +\OrgNotes&\ibbu1f3\qh1c\tqh1g&&&&\enotes +\OrgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qp&&\qp&&&&\enotes +\barre + %\check +%Takt 20 +\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\oct + \itenu5c\hl c&fruc\rlap{---}&\itenl4c\hu c&&&&\enotes +\OrgNotes&\ibbu1c3\qh1a\tqh1c&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&\enotes +\temps\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\oct + \tten5\ibl4c1\qb4c&&\tten4\cu c&&&&\enotes +\OrgNotes&\ibbu1c3\qh1a\tqh1c&\oct + \qb4c&tus&\Ibu5ce4\qh5c&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct + \qb4d&&\qh5d&&&&\enotes +\OrgNotes&\qh2c\tqh2f&\oct + \tqb4e&&\tqh5e&&&&\enotes +\barre + %\check +%Takt 21 +\OrgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\oct + \itenu5f\hl f&vent\rlap{---}&\itenl4f\hu f&&&&\enotes +\OrgNotes&\ibbu1c3\qh1a\tqh1c&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&\enotes +\temps\OrgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\oct + \tten5\ibl4f1\qb4f&&\tten4\cu f&&&&\enotes +\OrgNotes&\ibbu1c3\qh1a\tqh1c&\oct + \qb4f&ris&\Ibu5fh4\qh5f&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct + \qb4g&&\qh5g&&&&\enotes +\OrgNotes&\qh2c\tqh2f&\oct + \tqb4h&&\tqh5h&&&&\enotes +\barre + %\check +%Takt 22 +\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct + \qlp i&tu--&\qlp i&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2N&&&&\enotes +\OrgNotes&\qh2b\tqh2f&\oct + \cl h&i,&\cl h&&&&\enotes +\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct + \ql g&\rlap{Je---}&\qu g&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct + \ql d&&\qu d&&&&\enotes +\barre + %\check +%Takt 23 +\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct + \hlp e&sus.&\hup e&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&\enotes +\temps\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct + &&&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct + &&&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct + \pt a\ds\sk\sk\cl e&&\qp&&&&\enotes +\barre + %\check +%Takt 24 +\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\oct + \hl g&\rlap{Sanc---}&\hu g&&&&\enotes +\OrgNotes&\bigaccid\ibbu1b3\qh1{_b}\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e&&&&\enotes +\temps\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\oct + \ql e&ta&\qu e&&&&\enotes +\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c&\oct + \pt a\ds&&\pt h\ds&&&&\enotes +\OrgNotes&\tqh2e&\oct + \ccl e&\rlap{\kern -\Interligne Ma-}&\ccu e&&&&\enotes +\barre + %\check +%Takt 25 +\OrgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct + \hl h&ri\rlap{---}&\hu h&&&&\enotes +\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&&&\enotes +\temps\OrgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct + \ql a&a,&\qu a&&&&\enotes +\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&\oct + \qp&&\qp&&&&\enotes +\barre + %\check +%Takt 26 +\OrgNotes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\oct + \hl h&\rlap{sanc---}&\hu h&&&&\enotes +\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes +\OrgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e&&&&\enotes +\temps\OrgNotes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\oct + \ql c&ta&\qu c&&&&\enotes +\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c&\oct\qsk + \pt a\ds&&\qsk\pt h\ds&&&&\enotes +\OrgNotes&\tqh2e&\oct + \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h&&&&\enotes +\barre + %\check +%Takt 27 +\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {_L}&\ds&\oct + \hl j&ri\rlap{---}&\hl j&&&&\enotes +\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes +\OrgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e&&&&\enotes +\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct + \bigaccid\ql{_e}&a,&\bigaccid\qu{_e}&&&&\enotes +\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c&\oct + \pt a\ds&&\pt j\ds&&&&\enotes +\OrgNotes&\tqh2e&\oct + \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j&&&&\enotes +\barre + %\check +%Takt 28 +\OrgNotes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct + \hl j&ri\rlap{---}&\hl j&&&&\enotes +\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&&&\enotes +\temps\OrgNotes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct + \ql d&a!&\qu d&&&&\enotes +\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&\oct + \pt a\ds\sk\sk\ccl d&&\qp&&&&\enotes +\barre + %\check +%Takt 29 +\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct + \itenu5d\hl d&O\rlap{---}&\itenl4d\hu d&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes +\OrgNotes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d&&&&\enotes +\temps\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct + \tten5\ibl4d{-1}\qb4d&&\tten4\cu d&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1b&\oct + \qb4d&ra&\Ibu5db4\qh5d&&&&\enotes +\OrgNotes&\ibbu2d0\qh2d\qh2N&\oct + \qb4c&&\qh5c&&&&\enotes +\OrgNotes&\qh2b\tqh2d&\oct + \tqb4b&pro&\tqh5 b&&&&\enotes +\barre + %\check +%Takt 30 +\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct + \qlp g&no\rlap{---}&\qup g&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2N&&&&\enotes +\OrgNotes&\qh2c\tqh2e&\oct + \cl e&&\cu e&&&&\enotes +\temps\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct + \ql c&bis,&\qu c&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct + \qp&&\qp&&&&\enotes +\barre + %\check +%Takt 31 +\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct + \itenu5f\hl f&no\rlap{---}&\itenl4f\hu f&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&\enotes +\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct + \tten5\ibl4f{-1}\qb4f&&\tten4\cu f&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct + \qb4f&bis&\Ibu5fd4\qh5f&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct + \qb4e&pec-&\qh5e&&&&\enotes +\OrgNotes&\qh2c\tqh2f&\oct + \tqb4d&ca-&\tqh5d&&&&\enotes +\barre + %\check +%Takt 32 +\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct + \qlp k&to\rlap{---}&\qlp k&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2N&&&&\enotes +\OrgNotes&\qh2b\tqh2f&\oct + \cl i&ri-&\cl i&&&&\enotes +\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct + \ql g&bus,&\qu g&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct + \qp&&\qp&&&&\enotes +\barre + %\check +%Takt 33 +\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\oct + \itenu5h\hl h&nunc&\itenl4h\hu h&&&&\enotes +\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes +\OrgNotes&\bigaccid\qsk\ibbu2e0\qh2{^f}\qh2a\qh2c\tqh2f&&&&\enotes +\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct + \tten5\ibl4h1\qb4h&&\tten4\cu h&&&&\enotes +\OrgNotes&\ibbu1b3\qh1a\tqh1c&\oct + \qb4h&et\rlap{---}&\Ibu5hj4\qh5h&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct + \qb4i&&\qh5i&&&&\enotes +\OrgNotes&\qh2c\tqh2f&\oct + \tqb4j&in&\tqh5j&&&&\enotes +\barre + %\check +%Takt 34 +\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {=L}&\ds&\oct + \itenu5l\hl l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes +\OrgNotes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g&&&&\enotes +\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct + \tten5\ibl4j{-4}\qb4l&&\tten4\cl l&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct + \qb4j&--&\Ibu5je4\qh5j&&&&\enotes +\OrgNotes&\ibbu2e0\qh2g\qh2N&\oct + \qb4g&ra,&\qh5g&&&&\enotes +\OrgNotes&\qh2c\tqh2g&\oct + \tqb4e&in&\tqh5e&&&&\enotes +\barre + %\check +%Takt 35 +\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct + \itenu5d\hl d&ho\rlap{---}&\itenl4d\hu d&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&\enotes +\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct + \tten5\ibl4d3\qb4d&&\tten4\ibu5g3\qh5d&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct + \qb4h&&\tqh5h&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct + \qb4i&ra&\ibu5i{-1}\qh5i&&&&\enotes +\OrgNotes&\qh2c\tqh2f&\oct + \tqb4h&&\tqh5h&&&&\enotes +\barre + %\check +%Takt 36 +\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct + \ibl4h{-3}\usf h\qb4h&\rlap{mor---}&\ibu5j2\qh5g&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1b&\oct + \usf g\qb4g&&\tqh5k&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct + \usf f\qb4f&tis&\ibu5i{-2}\qh5i&&&&\enotes +\OrgNotes&\qh2b\tqh2f&\oct + \usf d\tqb4d&&\tqh5g&&&&\enotes +\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\relax + \lsf i\ibu4i{-3}\qh4i&nos-&\ibu5f{-2}\qh5f&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1b&\relax + \lsf h\qh4h&&\tqh5d&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2N&\relax + \lsf f\qh4f&tr\ae.&\ibu5b{-2}\qh5b&&&&\enotes +\OrgNotes&\qh2b\tqh2f&\relax + \lsf d\tqh4d&&\tqh5N&&&&\enotes +\barre + %\check +%Takt 37 +\OrgNotes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds&\relax + \hup c&A\rlap{---}&\itenl4c\hu c&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&\enotes +\temps\OrgNotes\zhl J\raise2\Interligne\hbox{\qs}\qupp L&\ds&&\rlap{men.}&\tten4\qu c&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&\uptext{R\'ecit (doux)}&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\qp&&\qp&&&&\enotes +\barre + %\check +%Takt 38 +\def\orgNotes#1\enotes{\Notes#1&\relax#4\enotes}% +\def\orgNOTes#1\enotes{\NOTes#1&\relax#4\enotes}% +\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&&\wh l&A\rlap{---}&&&&&\enotes +\orgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&\enotes +\orgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&\raise -2\Interligne\hpause&&&&&\enotes +\temps\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&&\hl g&&&&&&\enotes +\orgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes +\orgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&&&&\enotes +\barre + %\check +%Takt 39 +\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\wh m&ve&&&&&&&\enotes +\orgNotes&\ibbl1j3\qb1h\tqb1k&&&&&&&&\enotes +\orgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&\raise -2\Interligne\hpause&&&&&\enotes +\temps\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp d&\ds&&\hl h&&&&&&&&&\enotes +\orgNotes&\ibbl1j3\qb1h\tqb1k&&&&&&&\enotes +\orgNotes&\ibbl2k0\qb2m\qb2h&&&&&&&\enotes +\orgNotes&\qb2k\tqb2m&&&\rlap{\kern -\Interligne Ma-}&\cu f&&&&&&\enotes +\barre + %\check +%Takt 40 +\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\itenu3g\wh g&\zhl i\hup n&&&&&&&\enotes +\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&\enotes +\orgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&&&\enotes +\temps\orgNotes\zhl b\raise 5.5\Interligne\qs\qupp d&\ds&&\hl f&&&&&&\enotes +\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&\enotes +\orgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&\qu k&&&&&&\enotes +\barre + %\check +%Takt 41 +\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\tten3\zw e\wh + g&\zhlp g\hup l&&&&&&&&&\enotes +\orgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&&&\enotes +\orgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&&&&&\enotes +\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&&&&&\enotes +\orgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&&&&&\enotes +\orgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&\qp&&\qp&&&&&&&&\enotes +\barre + %\check +%Takt 42 +\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hu h&\relax + {\roffset{0.3}{\zhu j}}\oct + \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h&&&&&&&&\enotes +\orgNotes&\ibbl0j3\qb0h\tqb0l&&&&&&&&\enotes +\orgNotes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o&&&&&&&&\enotes +\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp +e&\ds&&{\roffset {0.3}{\zhu l}}\oct + \tten5\ibl4a0\qb4h&&\tten4\ibu5g{-3}\qh5h&&&&&&&&\enotes +\orgNotes&\ibbl0j3\qb0h\tqb0l&&\oct\qb4a&\rlap{---}&\tqh5a&&&&&&&&\enotes +\orgNotes&\ibbl1k0\qb1o\qb1h&&\oct\qb4b&ti-&\cu b&&&&&&&&\enotes +\orgNotes&\qb1l\tqb1o&&\oct\tqb4c&a&\cu c&&&&&&&&\enotes +\barre + %\check +%Takt 43 +\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\bigaccid\zw{^f}&\itenu5o{\zhu o}\oct + \qlp d&ple\rlap{---}&\Ilegu4k\qup d&&&&&&&&\enotes +\orgNotes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2k\qh2f&&&&&&&&\enotes +\orgNotes&\qh2h\tqh2k&&\oct \cl e&&\tleg4\cu e&&&&&&&&\enotes +\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\tten5{\ibu3m{-2}\zqh3o}\oct + \ql d&na,&\qu d&&&&&&&&\enotes +\orgNotes&\ibbu1g3\qh1f\tqh1h&&{\qh3h}&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&&\raise -2\Interligne\rlap{\qp}{\qh3i\sk\tqh3j}&&\qp&&&&&&&&\enotes +\barre + %\check +%Takt 44 +\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\zw g&\relax + \rlap{\roffset{0.3}{\qupp k}}\oct + \normalnotesize\itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g&&&&&&&&\enotes +\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&&&\enotes +\orgNotes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&&\sk\sk\sk\ccu l&&&&&&&\enotes +\temps\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\roffset {0.5}{\zhu k}\oct + \normalnotesize\tten5\ibl4N0\qb4g&&\tten4\ibu5f{-3}\qh5g&&&&&&&&\enotes +\orgNotes&\ibbl1j3\qb1g\tqb1k&&\oct + \qb4N&\rlap{---}&\tqh5N&&&&&&&&\enotes +\orgNotes&\ibbl2k0\qb2n\qb2g&&\oct + \qb4a&mi-&\cu a&&&&&&&&\enotes +\orgNotes&\qb2k\tqb2n&&\oct + \tqb4b&nus&\cu b&&&&&&&&\enotes +\def\atnextline{\autolines{25}35}\relax +\barre + %\check +%Takt 45 +\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\itenl4e\zw e&{\itenu3n\zhu n}\oct + \qlp c&te\rlap{---}&\Ilegu2j\qup c&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2j\qh2e&&&&&&&&\enotes +\orgNotes&\qh2g\tqh2j&&\oct + \cl d&&\tleg2\cu d&&&&&&&&\enotes +\temps\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&&{\tten3\ibu3l{-3}\zqh3n}\oct + \ql c&cum,&\qu c&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1e\tqh1g&&\qh3g&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&\raise -2.5\Interligne\rlap{\qp}\qh3h\sk\tqh3i&\qp&\qp&&&&&&&&\enotes +% +\barre + %\check +%Takt 46 +\orgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\tten4\zw e&\relax + {\roffset{0.3}{\zhl j}}\oct + \itenu5j\hu j&be\rlap{---}&\itenu4j\hu j&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&&&&&&&\enotes +\temps\orgNotes\zhl a\raise 5\Interligne\qs\qupp c&\ds&&{\zql h}\oct + \tten5\cu j&&\tten4\cl j&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1e\tqh1g&&\oct + \Ibu4ce4\qh4c&\rlap{---}&\Ibl5ce4\qh5c&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2j\qh2e&&{\zql g}\oct + \qh4d&ne\rlap{---}&\ibu5e1\qh5d&&&&&&&&\enotes +\orgNotes&\qh2g\tqh2j&&\oct + \tqh4e&&\tqh5e&&&&&&&&\enotes +\barre + %\check +%Takt 47 +\orgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds + &&\bigaccid\zhlp h\oct + \qup{^f}&\rlap{dic---}&\bigaccid\Ilegu4l\qup {^f}&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2j\qh2d&&&&&&&&\enotes +\orgNotes&\qh2f\tqh2j&&\oct + \cu e&&\tleg4\cu e&&&&&&&&\enotes +\temps\orgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&&\oct + \qu d&\rlap{---}&\qu d&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1d\tqh1f&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&&\oct + \zql a\qu a&ta&\qu a&&&&&&&&\enotes +\barre + %\check +%Takt 48 +\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\relax + {\zw g}\oct \hu b&tu&\hu b&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1d\tqh1g&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&&&&&&&\enotes +\temps\orgNotes\zhl N\raise 4.2\Interligne\qs\qupp b&\ds&&\relax + \raise\Interligne\qp&&\qp&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1d\tqh1g&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&\oct + \qu d&in&\qu d&&&&&&&&\enotes +\barre + %\check +%Takt 49 +\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&&{\zw{^j}}\oct + \itenu5e\hu e&mu\rlap{---}&\itenl4e\hu e&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes +\orgNotes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j&&&&&&&&\enotes +\temps\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\oct + \tten5\cu e&&\tten4\cu e&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1e\tqh1g&&\oct + \Ibu5eg4\qh5e&li\rlap{---}&\Ibu4eg4\qh4e&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2j\qh2e&&\oct + \qh5f&&\qh4f&&&&&&&&\enotes +\orgNotes&\qh2g\tqh2j&&\oct + \tqh5g&&\tqh4g&&&&&&&&\enotes +\barre + %\check +%Takt 50 +\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\itenu3o\hu o&\relax + \rlap{\hlp k}\oct \itenu4h\hu h&e\rlap{---}&\ppt h\qu h&&&&&&&&\enotes +\orgNotes&\ibbu1g3\qh1d\tqh1h&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2k\qh2d\qh2h&&&&&&&&\enotes +\orgNotes&\tqh2k&&&ri-&\ccu a&&&&&&&&\enotes +\temps\orgNotes\zhl M\raise 3.8\Interligne\qs\qupp a&\ds&\tten3&\tten4\relax + \oct \cu h&bus&\qu a&&&&&&&&\enotes +\orgNotes&\ibbu1g3\qh1d\tqh1h&&{\Ibu3hj4\qh3h}&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&&\qh3i\sk\tqh3j&&\qp&&&&&&&&\enotes +\barre + %\check +%Takt 51 +\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\bigaccid + \hu r&\bigaccid\zw {=i}\oct\itenu5d\hu d&et\rlap{---}&\itenl4d\hu d&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1d\tqh1f&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i&&&&&&&&\enotes +\temps\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\hu k&\oct + \tten5\cu d&&\tten4\cu d&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1d\tqh1f&&\oct + \Ibu4df4\qh4d&be\rlap{---}&\ibu5e1\qh5d&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2i\qh2d&&\oct + \qh4e&&\tqh5e&&&&&&&&\enotes +\orgNotes&\qh2f\tqh2i&&\oct + \tqh4f&ne-&\cu f&&&&&&&&\enotes +\barre + %\check +%Takt 52 +\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\itenu3n\hu +n&{\zhlp j}\oct + \itenu4g\hu g&\rlap{dic---}&\hu g&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1c\tqh1g&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&&&&&&&&\enotes +\temps\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\tten3\ibl3n{3}\qb3n&\oct + \tten4\cu g&tus&\qu N&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1c\tqh1g&\qb3n&\Ibu4gi4\qh4g&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qb3o\sk\tqb3p&\qh4h\sk\tqh4i&&\qp&&&&&&&&\enotes +\barre + %\check +%Takt 53 +\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\zw h\hu +q&{\zw h}\oct + \itenu5c\hu c&fruc\rlap{---}&\itenl4c\hu c&&&&&&&&\enotes +\orgNotes&\ibbu1c3\qh1a\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&&&&&\enotes +\temps\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\itenu3j\hu j&\oct + \tten5\cu c&&\tten4\cu c&&&&&&&&\enotes +\orgNotes&\ibbu1c3\qh1a\tqh1c&&\oct + \Ibu4ce4\qh4c&tus&\ibu5d1\qh5c&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct + \qh4d&&\qh5d&&&&&&&&\enotes +\orgNotes&\qh2c\tqh2f&&\oct + \tqh4e&&\tqh5e&&&&&&&&\enotes +\barre + %\check +%Takt 54 +\orgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\tten3\zw c\hu j&\relax + {\zw j}\oct + \itenu5f\hu f&vent\rlap{---}&\itenl4f\hu f&&&&&&&&\enotes +\orgNotes&\ibbu1c3\qh1a\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&&&&&\enotes +\temps\orgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&&\oct + \tten5\cu f&&\tten4\cu f&&&&&&&&\enotes +\orgNotes&\ibbu1c3\qh1a\tqh1c&\hu h&\oct + \Ibu4fh4\qh4f&ris&\ibu5g1\qh5f&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct + \qh4g&&\qh5g&&&&&&&&\enotes +\orgNotes&\qh2c\tqh2f&&\oct + \tqh4h&&\tqh5h&&&&&&&&\enotes +\barre + %\check +%Takt 55 +\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\hu +g&{\zqlp n}\oct + \qup i&tu--&\Ilegu4k\qlp i&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2N&&&&&&&&\enotes +\orgNotes&\qh2b\tqh2f&&\oct + \cu h&i,&\tleg4\cl h&&&&&&&&\enotes +\temps\orgNotes\zhl G\raise 1.6\Interligne\qs\qupp K&\ds&&\relax + \rlap{\roff{\hl m}}\oct \qu g&\rlap{Je---}&\Ilegu5l\qu g&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct + \qu d&&\tleg5\qu d&&&&&&&&\enotes +\barre + %\check +%Takt 56 +\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&&{\zhlp j}\oct + \hup e&sus.&\hup e&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&&&&&\enotes +\temps\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\hu g&\oct + &&&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct + &&&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct + \pt a\ds\sk\sk\ccl e&&\qp&&&&&&&&\enotes +\barre + %\check +%Takt 57 +\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\zw e\relax + &{\bigfl i\zhlp i}\oct \hu g&&&&&&&\enotes +\orgNotes&\ibbu1b3\bigaccid\qh1{_b}\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e&&&&&&&&\enotes +\temps\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\hu l&\oct + \qu e&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct + \pt a\ds&&&&&&&&&\enotes +\orgNotes&\tqh2e&&\oct + \ccl e&&&&&&\enotes +\barre + %\check +%Takt 58 +\orgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zhl c\itenl3e\itenu4h\zh e\hu +h&\itenu2j\zh j\hl o&ri\rlap{---}&\hu h&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&&&&&&&\enotes +\temps\orgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\tten3\tten4\zh e\zhl h\hu +j&\tten2\zq j\ql h&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&\oct + \qp&&\qp&&&&&&&&\enotes +\barre + %\check +%Takt 59 +\orgNotes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\bigaccid + \zw h\hu{_l}&{\bigfl l\zh l}\oct + \hl h&\rlap{sanc---}&\hu h&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes +\orgNotes&\qsk\bigaccid\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e&&&&&&&&\enotes +\temps\orgNotes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\hu +o&{\zq h}\oct + \ql c&ta&\qu c&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c&&\oct + \pt a\ds&&\pt h\ds&&&&&&&&\enotes +\orgNotes&\tqh2e&&\oct + \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h&&&&&&&&\enotes +\barre + %\check +%Takt 60 +\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\zw g\zw j\hu +n&\itenl2j\zh j\oct \hl j&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes +\orgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e&&&&&&&&\enotes +\temps\orgNotes\zhl G\raise 1.6\Interligne\qs\qupp L&\ds&\bigaccid\hu{_l}&\bigaccid + \tten2\zq j\ql{_l}&&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct + \pt a\ds&&\pt j\ds&&&&&&&&\enotes +\orgNotes&\tqh2e&&\oct + \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j&&&&&&&&\enotes +\barre + %\check +%Takt 61 +\orgNotes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu +k&{\zhp l}\oct + \hl j&ri\rlap{---}&\hl j&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&&&&&&&\enotes +\temps\orgNotes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\hu j&\oct + \ql d&a!&\qu d&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&\oct + \pt a\ds\sk\sk\ccl d&&\qp&&&&&&&&\enotes +\barre + %\check +%Takt 62 +\orgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu +i&{\zhl f}\oct + \itenu5d\hu d&O\rlap{---}&\itenl4d\hu d&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d&&&&&&&&\enotes +\temps\orgNotes\zhl G\raise 2\Interligne\qs\qupp M&\ds&&{\zql i}\oct + \tten5\cu d&&\tten4\cu d&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1b&&\oct + \Ibu4db4\qh4d&ra&\ibu5d{-1}\qh5d&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2d\qh2N&&{\itenl4g\zql g}\oct + \qh4c&&\tqh5c&&&&&&&&\enotes +\orgNotes&\qh2b\tqh2d&&\oct + \tqh4b&pro&\cu b&&&&&&&&\enotes +\barre + %\check +%Takt 63 +\orgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\zw e\hu +g&{\tten4\zhlp g}\oct + \qup g&no\rlap{---}&\Ilegu4l\qup g&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2N&&&&&&&&\enotes +\orgNotes&\qh2c\tqh2e&&\oct + \cu e&&\tleg4\cu e&&&&&&&&\enotes +\temps\orgNotes\zhl G\raise 2\Interligne\qs\qupp L&\ds&\itenu3j\zhl g\hu j&\oct + \qu c&bis,&\qu c&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct + \raise\Interligne\qp&&\qp&&&&&&&&\enotes +\barre + %\check +%Takt 64 +\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\itenl3f\zw +f&{\zhl j}\oct + \itenu5f\hu f&no\rlap{---}&\itenl4f\hu f&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&&&&&\enotes +\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl c&{\zhl h}\oct + \tten5\cu f&&\tten4\cu f&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct + \Ibu4fd4\qh4f&bis&\cu f&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct + \qh4e&pec-&\cu e&&&&&&&&\enotes +\orgNotes&\qh2c\tqh2f&&\oct + \tqh4d&ca-&\cu d&&&&&&&&\enotes +\barre + %\check +%Takt 65 +\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\zw f\zhl d\hu +i&{\zh m}\oct + \qlp k&\raise\Interligne\hbox{to---}&\Ilegu4k\qlp k&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2N&&&&&&&&\enotes +\orgNotes&\qh2b\tqh2f&&\oct + \cl i&ri-&\tleg4\cl i&&&&&&&&\enotes +\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl b\hu +k&{\zq i}\oct + \ql g&bus,&\qu g&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct + \qp&&\qp&&&&&&&&\enotes +\barre + %\check +%Takt 66 +\def\atnextline{\autolines{25}25}\relax +\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid + \qupp {_L}&\ds&\bigaccid\zhl{^f}&{\bigaccid\zw j\zhl{_l}}\oct + \itenu5h\hu h&nunc&\itenl4h\hu h&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes +\orgNotes&\qsk\ibbu2e0\bigaccid\qh2{^f}\qh2a\qh2c\tqh2f&&&&&&&&\enotes +\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\zhl h&{\bigaccid\zhl{^m}}\oct + \tten5\cu h&&\tten4\cu h&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1a\tqh1c&&\oct + \Ibl4hj4\qb4h&et\rlap{---}&\ibu5i1\qh5h&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct + \qb4i&&\tqh5i&&&&&&&&\enotes +\orgNotes&\qh2c\tqh2f&&\oct + \tqb4j&in&\cl j&&&&&&&&\enotes +\barre + %\check +%Takt 67 +\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {=L}&\ds&\zw g\zh j&{\zhl n}\oct + \itenu5l\hu l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g&&&&&&&&\enotes +\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\hu{=l}&{\zql{=l}}\oct + \tten5\cu l&&\tten4\ibu5j{-2}\qh5l&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct + \Ibu4je4\qh4j&---&\tqh5j&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2g\qh2N&&{\zql j}\oct + \qh4g&ra,&\cu g&&&&&&&&\enotes +\orgNotes&\qh2c\tqh2g&&\oct + \tqh4e&in&\cu e&&&&&&&&\enotes +\barre + %\check +%Takt 68 +\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw f\hu +k&{\zhl f}\oct + \itenu5d\hu d&&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&&&&&\enotes +\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu +h&{\zhl h}\oct + \tten5\cu d&&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct + \Ibu4hh4\qh4h&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct + \qh4i&&&&&&&&&\enotes +\orgNotes&\qh2c\tqh2f&&\oct + \tqh4h&&&&&&&&\enotes +\alaligne + %\check +%Takt 69 +\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\zw d\rh f\zhu +g&\zhl i\oct \Ibu4fc6\qh4h&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1b&&\oct \qh4g&&&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct + \qh4f&tis&\ibu5i{-2}\qh5i&&&&&&&&\enotes +\orgNotes&\qh2b\tqh2f&&\oct + \tqh4d&&&&&&&&&&\enotes +\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu N&\relax + {\zhl d}\ibu4i{-3}\qh4i&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1b&&\relax + \qh4h&&\tqh5d&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2N&&\relax + \qh4f&&&&&&&\enotes +\orgNotes&\qh2b\tqh2f&&\relax + \tqh4d&&&&&&\enotes +\barre +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% + %\check +%Takt 70 +\orgNotes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds + &\bigaccid\zw{_b}\roff{\itenu3c\zw c}&\roff{\itenu4c\zw c}\bigaccid\wh{_b}\relax + &&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\bigaccid\qsk\tqh1{_b}&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e&&&&&&&&\enotes +\temps\orgNotes\zhu C\raise\Interligne\qs\qupp J&\ds&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e&&&&&&&&\enotes +\def\atnextline{\autolines{20}35}\relax +%\cleftoksii{6000}\changeclefs +\alaligne + %\check +%Takt 71 +\orgNotes\raise\Interligne\rlap{\qs}\wh C\itenl2J\qupp J&\ds&\tten3\zw a\wh +c&\tten4\zw a\wh c&&&&&&&&&\enotes +\orgNotes&\oct\ibbu1a3\qh1M\tqh1a&&&&&&&&\enotes +\orgNotes&\oct\ibbu2e0\qh2c\qh2f\qh2c\tqh2a&&&&&&&&\enotes +\temps\orgNotes\tten2\hu J&\oct\ibbu2b0\qh2c\qh2a\qh2M\tqh2a&&&&&&&&\enotes +\orgNotes&\oct\ibbu3M0\qh3M\qh3K\qh3M\tqh3K&&&&&&&&\enotes +%\cleftoksii{0000}\changeclefs +\barre + %\check +%Takt 72 +\orgNotes\zw C\qs\itenl3I\qupp I&\ds&&\bigaccid\wh{=b}&&&&&&&&&\enotes +\orgNotes&\ibbl1h3\qb1g\tqb1i&&&&&&&&\enotes +\orgNotes&\ibbl2j{-2}\qb2k\qb2m\qb2k\tqb2i&&&&&&&&\enotes +\temps\orgNotes\tten3\hu I&\ibbl2h0\qb2k\qb2i\qb2g\tqb2i&&&&&&&&&&\enotes +\orgNotes&\ibbu3e0\qh3d\qh3f\pince n\qh3e\tqh3d&&&&&&&&\enotes +\barre + %\check +%Takt 73 +\orgNOTes\pointdurgue C\zwh C\wh J&\zwh e\zwh g\pointdorgue j\wh j\relax + &&\pointdorgue f\wh c&&&&&&&&\enotes +\finmorceau +\bye + diff --git a/macros/generic/musixtex/doc/examples/avemarix.tex b/macros/generic/musixtex/doc/examples/avemarix.tex new file mode 100644 index 0000000000..c6a57cca4b --- /dev/null +++ b/macros/generic/musixtex/doc/examples/avemarix.tex @@ -0,0 +1,951 @@ +% \input musixtex +% \input musixcpt +% \input musixsty +\fulltitle{M\'editation -- Ave Maria} +\author{Charles Gounod \& J.-S. Bach\\Transcription Orgue+soliste Daniel + Taupin\\\& Markus Veittes} +\shortauthor{C. Gounod, J.-S. Bach, D. Taupin} + \title{Ave Maria} + \othermention{G.O.: fl\^ute 8' [+4']\\Positif : fl\^utes 8'+4' +[+2']\\P\'edale : 16', acc. positif} + \maketitle + +\parindent 13mm +\ifnum\musicsize=0\musicsize=20\fi +\normal +\relativeaccidentals +\def\oct{\advance\transpose by 7\relax} +\def\nbinstruments{4} +\def\instrumenti{Positif} +\def\staffspacingii{0.64} +\def\staffspacingiv{0.64} +\def\instrumentii{Violon} +%\def\interinstrumenti{-2\Interligne} +%\def\interinstrumentii{-2\Interligne} +\def\instrumentiv{Chant} +\nbporteesi=2\relax +\nbporteesiii=0\relax +%\font\gros=\fonthdg\fonthdge bx12 scaled \magstep3 + +\generalmeter{\meterC}% +\cleftoksi{{6}{0}{0}{0}} +\cleftoksii{{0}{0}{0}{0}} +\cleftoksiv{{0}{0}{0}{0}} +%\raggedlinestrue % uncomment for ragged right lines +\def\nbinstruments{1}% +\debutmorceau +\autolines{25}{3}{4}% +%Takt 1 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds\enotes +\Notes|\ibbl0j3\qb0g\tqb0j\enotes +\Notes|\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes +\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds\enotes +\Notes|\ibbl2j3\qb2g\tqb2j\enotes +\Notes|\ibbl3k0\qb3l\qb3g\qb3j\tqb3l\enotes +\barre +%Takt 2 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds\enotes +\Notes|\ibbl1j3\qb1h\tqb1k\enotes +\Notes|\ibbl2k0\qb2m\qb2h\qb2k\tqb2m\enotes +\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds\enotes +\Notes|\ibbl1j3\qb1h\tqb1k\enotes +\Notes|\ibbl2k0\qb2m\qb2h\qb2k\tqb2m\enotes +\barre +%Takt 3 +\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds\enotes +\Notes|\ibbl1j3\qb1g\tqb1k\enotes +\Notes|\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes +\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds\enotes +\Notes|\ibbl1j3\qb1g\tqb1k\enotes +\Notes|\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes +% +\suspmorceau +% +% +\def\nbinstruments{4}% +\debutmorceau +\barno=4\relax +%Takt 4 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds\enotes +\Notes|\ibbl0j3\qb0g\tqb0j\enotes +\Notes|\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes +\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&\pause&&\pause\enotes +\Notes|\ibbl2j3\qb2g\tqb2j\enotes +\Notes|\ibbl3k0\qb3l\qb3g\qb3j\tqb3l\enotes +\barre +%Takt 5 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&\wh l&A\rlap{---}&\wh e\enotes +\Notes|\ibbl0j3\qb0g\tqb0j&&&\enotes +\Notes|\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&\enotes +\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&&&\enotes +\Notes|\ibbl2j3\qb2g\tqb2j&&&\enotes +\Notes|\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&\enotes +\barre +%Takt 6 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&\wh m&ve&\hupp f\enotes +\Notes|\ibbl1j3\qb1h\tqb1k\enotes +\Notes|\ibbl2k0\qb2m\qb2h\qb2k\tqb2m\enotes +\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&&&\enotes +\Notes|\ibbl1j3\qb1h\tqb1k\enotes +\Notes|\ibbl2k0\qb2m\qb2h\enotes +\Notes|\qb2k\tqb2m&&Ma-&\cu f\enotes +\barre +%Takt 7 +\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&\hlp n&ri\rlap{---}&\hup g\enotes +\Notes|\ibbl1j3\qb1g\tqb1k\enotes +\Notes|\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes +\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds\enotes +\Notes|\ibbl1j3\qb1g\tqb1k\enotes +\Notes|\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&\ql k&\rlap{---}&\qu d\enotes +\barre +%Takt 8 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&\hlp l&a,&\hup e\enotes +\Notes|\ibbl0j3\qb0g\tqb0j\enotes +\Notes|\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes +\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&&&\enotes +\Notes|\ibbl2j3\qb2g\tqb2j&&&\enotes +\Notes|\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&\qp&&\qp\enotes +\barre +%Takt 9 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&\oct + \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h\enotes +\Notes|\ibbl0j3\qb0h\tqb0l\enotes +\Notes|\ibbl1k0\qb1o\qb1h\qb1l\tqb1o\enotes +\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&\oct + \tten5\ibl4c0\qb4h&&\tten4\ibu5g{-3}\qh5h\enotes +\Notes|\ibbl0j3\qb0h\tqb0l&\oct\qb4a&\rlap{---}&\tqh5a\enotes +\Notes|\ibbl1k0\qb1o\qb1h&\oct\qb4b&ti-&\cu b\enotes +\Notes|\qb1l\tqb1o&\oct\tqb4c&a&\cu c\enotes +\barre +%Takt 10 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&\oct + \qlp d&ple\rlap{---}&\Ilegu4k\pt d\qu d\enotes +\Notes|\ibbu1g3\bigaccid\qh1{^f}\tqh1h\enotes +\Notes|\ibbu2i0\qh2k\qh2f\enotes +\Notes|\qh2h\tqh2k&\oct \cl e&&\tleg4\cu e\enotes +\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&\oct + \ql d&na,&\qu d\enotes +\Notes|\ibbu1g3\qh1f\tqh1h\enotes +\Notes|\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\qp&&\qp\enotes +\barre +%Takt 11 +\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&\oct + \itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g\enotes +\Notes|\ibbl1j3\qb1g\tqb1k\enotes +\Notes|\ibbl2k0\qb2n\qb2g\qb2k\tqb2n\enotes +\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&\oct + \tten5\ibl4b0\qb4g&&\tten4\ibu5f{-3}\qh5g\enotes +\Notes|\ibbl1j3\qb1g\tqb1k&\oct + \qb4N&\rlap{---}&\tqh5N\enotes +\Notes|\ibbl2k0\qb2n\qb2g&\oct + \qb4a&mi-&\cu a\enotes +\Notes|\qb2k\tqb2n&\oct + \tqb4b&nus&\cu b\enotes +\def\atnextline{\autolines{25}34}\relax +\barre +%Takt 12 +\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c|\ds&\oct + \qlp c&te\rlap{---}&\Ilegu4j\pt c\qu c\enotes +\Notes|\ibbu1f3\qh1e\tqh1g\enotes +\Notes|\ibbu2i0\qh2j\qh2e\enotes +\Notes|\qh2g\tqh2j&\oct + \cl d&&\tleg4\cu d\enotes +\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c|\ds&\oct + \ql c&\rlap{cum,}&\qu c\enotes +\Notes|\ibbu1f3\qh1e\tqh1g\enotes +\Notes|\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&\qp&&\qp\enotes +% +\def\atnextline{\autolines{25}34}\relax +\barre +%Takt 13 +\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c|\ds&\oct + \itenu5j\hl j&be\rlap{---}&\itenu4j\hu j\enotes +\Notes|\ibbu1f3\qh1e\tqh1g\enotes +\Notes|\ibbu2i0\qh2j\qh2e\qh2g\tqh2j\enotes +\temps\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c|\ds&\oct + \tten5\ibl4c0\qb4j&&\tten4\ibu5h{-3}\qh5j\enotes +\Notes|\ibbu1f3\qh1e\tqh1g&\oct + \qb4c&\rlap{---}&\tqh5c\enotes +\Notes|\ibbu2i0\qh2j\qh2e&\oct + \qb4d&ne\rlap{---}&\ibu5e1\qh5d\enotes +\Notes|\qh2g\tqh2j&\oct + \tqb4e&&\tqh5e\enotes +\barre +%Takt 14 +\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a|\ds&\oct\bigaccid + \qlp{^f}&\rlap{dic---}&\bigaccid\Ilegu4l\pt f\qu {^f}\enotes +\Notes|\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}\enotes +\Notes|\ibbu2i0\qh2j\qh2d\enotes +\Notes|\qh2f\tqh2j&\oct + \cl e&&\tleg4\cu e\enotes +\temps\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a|\ds&\oct + \ql d&\rlap{---}&\qu d\enotes +\Notes|\ibbu1f3\qh1d\tqh1f\enotes +\Notes|\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&\oct + \ql a&ta&\qu a\enotes +\barre +%Takt 15 +\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b|\ds&\oct + \hl b&tu&\hu b\enotes +\Notes|\ibbu1f3\qh1d\tqh1g\enotes +\Notes|\ibbu2i0\qh2i\qh2d\qh2g\tqh2i\enotes +\temps\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b|\ds&\qp&&\qp\enotes +\Notes|\ibbu1f3\qh1d\tqh1g\enotes +\Notes|\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&\oct + \ql d&in&\qu d\enotes +\barre +%Takt 16 +\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}|\ds&\oct + \itenu5e\hl e&mu\rlap{---}&\itenl4e\hu e\enotes +\Notes|\ibbu1f3\qh1e\tqh1g\enotes +\Notes|\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j\enotes +\temps\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b|\ds&\oct + \tten5\ibl5e1\qb5e&&\tten4\cu e\enotes +\Notes|\ibbu1f3\qh1e\tqh1g&\oct + \qb5e&li\rlap{---}&\ibu4f1\qh4e\enotes +\Notes|\ibbu2i0\qh2j\qh2e&\oct + \qb5f&&\qh4f\enotes +\Notes|\qh2g\tqh2j&\oct + \tqb5g&&\tqh4g\enotes +\barre +%Takt 17 +\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a|\ds&\oct + \hl h&e\rlap{---}&\ppt h\qu h\enotes +\Notes|\ibbu1g3\qh1d\tqh1h\enotes +\Notes|\ibbu2i0\qh2k\qh2d\qh2h\enotes +\Notes|\tqh2k&&ri-&\ccu a\enotes +\temps\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a|\ds&\oct + \ql a&bus&\qu a\enotes +\Notes|\ibbu1g3\qh1d\tqh1h\enotes +\Notes|\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&\qp&&\qp\enotes +\barre +%Takt 18 +\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}|\ds&\oct + \itenu5d\hl d&et\rlap{---}&\itenl4d\hu d\enotes +\Notes|\ibbu1f3\qh1d\tqh1f\enotes +\Notes|\ibbu2i0\qh2i\qh2d\qh2f\tqh2i\enotes +\temps\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a|\ds&\oct + \tten5\ibl4d1\qb4d&&\tten4\cu d\enotes +\Notes|\ibbu1f3\qh1d\tqh1f&\oct + \qb4d&be\rlap{---}&\ibu5e1\qh5d\enotes +\Notes|\ibbu2i0\qh2i\qh2d&\oct + \qb4e&&\tqh5e\enotes +\Notes|\qh2f\tqh2i&\oct + \tqb4f&ne-&\cu f\enotes +\barre +%Takt 19 +\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N|\ds&\oct + \hl g&\rlap{dic---}&\hu g\enotes +\Notes|\ibbu1f3\qh1c\tqh1g\enotes +\Notes|\ibbu2i0\qh2j\qh2c\qh2g\tqh2j\enotes +\temps\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N|\ds&\oct + \qu N&tus&\qu N\enotes +\Notes|\ibbu1f3\qh1c\tqh1g\enotes +\Notes|\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qp&&\qp\enotes +\barre +%Takt 20 +\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M|\ds&\oct + \itenu5c\hl c&fruc\rlap{---}&\itenl4c\hu c\enotes +\Notes|\ibbu1c3\qh1a\tqh1c\enotes +\Notes|\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes +\temps\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M|\ds&\oct + \tten5\ibl4c1\qb4c&&\tten4\cu c\enotes +\Notes|\ibbu1c3\qh1a\tqh1c&\oct + \qb4c&tus&\ibu5d1\qh5c\enotes +\Notes|\ibbu2e0\qh2f\qh2a&\oct + \qb4d&&\qh5d\enotes +\Notes|\qh2c\tqh2f&\oct + \tqb4e&&\tqh5e\enotes +\barre +%Takt 21 +\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M|\ds&\oct + \itenu5f\hl f&vent\rlap{---}&\itenl4f\hu f\enotes +\Notes|\ibbu1c3\qh1a\tqh1c\enotes +\Notes|\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes +\temps\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M|\ds&\oct + \tten5\ibl4f1\qb4f&&\tten4\cu f\enotes +\Notes|\ibbu1c3\qh1a\tqh1c&\oct + \qb4f&ris&\ibu5g1\qh5f\enotes +\Notes|\ibbu2e0\qh2f\qh2a&\oct + \qb4g&&\qh5g\enotes +\Notes|\qh2c\tqh2f&\oct + \tqb4h&&\tqh5h\enotes +\barre +%Takt 22 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct + \qlp i&tu--&\Ilegu4k\pt i\ql i\enotes +\Notes|\ibbu1b3\qh1N\tqh1b\enotes +\Notes|\ibbu2e0\qh2f\qh2N\enotes +\Notes|\qh2b\tqh2f&\oct + \cl h&i,&\tleg4\cl h\enotes +\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct + \ql g&\rlap{Je---}&\Ilegu5l\qu g\enotes +\Notes|\ibbu1b3\qh1N\tqh1b\enotes +\Notes|\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct + \ql d&&\tleg5\qu d\enotes +\barre +%Takt 23 +\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L|\ds&\oct + \hlp e&sus.&\hup e\enotes +\Notes|\ibbu1b3\qh1N\tqh1c\enotes +\Notes|\ibbu2d0\qh2e\qh2N\qh2c\tqh2e\enotes +\temps\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L|\ds&\oct + &&\enotes +\Notes|\ibbu1b3\qh1N\tqh1c&\oct + &&\enotes +\Notes|\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct + \pt a\ds\sk\sk\cl e&&\qp\enotes +\barre +%Takt 24 +\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N|\ds&\oct + \hl g&\rlap{Sanc---}&\hu g\enotes +\Notes|\bigaccid\ibbu1b3\qh1{_b}\tqh1c\enotes +\Notes|\ibbu2d0\qh2e\qh2b\qh2c\tqh2e\enotes +\temps\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N|\ds&\oct + \ql e&ta&\qu e\enotes +\Notes|\ibbu1b3\qh1b\tqh1c\enotes +\Notes|\ibbu2d0\qh2e\qh2b\qh2c&\oct + \pt a\ds&&\pt h\ds\enotes +\Notes|\tqh2e&\oct + \ccl e&\rlap{\kern -\Interligne Ma-}&\ccu e\enotes +\barre +%Takt 25 +\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M|\ds&\oct + \hl h&ri\rlap{---}&\hu h\enotes +\Notes|\ibbu1b3\qh1a\tqh1c\enotes +\Notes|\ibbu2d0\qh2e\qh2a\qh2c\tqh2e\enotes +\temps\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M|\ds&\oct + \ql a&a,&\qu a\enotes +\Notes|\ibbu1b3\qh1a\tqh1c\enotes +\Notes|\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&\oct + \qp&&\qp\enotes +\barre +%Takt 26 +\Notes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J|\ds&\oct + \hl h&\rlap{sanc---}&\hu h\enotes +\Notes|\ibbu1b3\qh1a\tqh1c\enotes +\Notes|\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e\enotes +\temps\Notes\zhl F\raise\Interligne\hbox{\qs}\qupp J|\ds&\oct + \ql c&ta&\qu c\enotes +\Notes|\ibbu1b3\qh1a\tqh1c\enotes +\Notes|\ibbu2d0\qh2e\qh2a\qh2c&\oct\qsk + \pt a\ds&&\qsk\pt h\ds\enotes +\Notes|\tqh2e&\oct + \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h\enotes +\barre +%Takt 27 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {_L}|\ds&\oct + \hl j&ri\rlap{---}&\hl j\enotes +\Notes|\ibbu1b3\qh1b\tqh1c\enotes +\Notes|\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e\enotes +\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L|\ds&\oct + \bigaccid\ql{_e}&a,&\bigaccid\qu{_e}\enotes +\Notes|\ibbu1b3\qh1b\tqh1c\enotes +\Notes|\ibbu2d0\qh2e\qh2b\qh2c&\oct + \pt a\ds&&\pt j\ds\enotes +\Notes|\tqh2e&\oct + \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j\enotes +\barre +%Takt 28 +\Notes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M|\ds&\oct + \hl j&ri\rlap{---}&\hl j\enotes +\Notes|\ibbu1b3\qh1b\tqh1c\enotes +\Notes|\ibbu2d0\qh2d\qh2b\qh2c\tqh2d\enotes +\temps\Notes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M|\ds&\oct + \ql d&a!&\qu d\enotes +\Notes|\ibbu1b3\qh1b\tqh1c\enotes +\Notes|\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&\oct + \pt a\ds\sk\sk\ccl d&&\qp\enotes +\barre +%Takt 29 +\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M|\ds&\oct + \itenu5d\hl d&O\rlap{---}&\itenl4d\hu d\enotes +\Notes|\ibbu1b3\qh1N\tqh1b\enotes +\Notes|\ibbu2d0\qh2d\qh2N\qh2b\tqh2d\enotes +\temps\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M|\ds&\oct + \tten5\ibl4d{-1}\qb4d&&\tten4\cu d\enotes +\Notes|\ibbu1b3\qh1N\tqh1b&\oct + \qb4d&ra&\ibu5d{-1}\qh5d\enotes +\Notes|\ibbu2d0\qh2d\qh2N&\oct + \qb4c&&\tqh5c\enotes +\Notes|\qh2b\tqh2d&\oct + \tqb4b&pro&\cu b\enotes +\barre +%Takt 30 +\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L|\ds&\oct + \qlp g&no\rlap{---}&\Ilegu4l\pt g\qu g\enotes +\Notes|\ibbu1b3\qh1N\tqh1c\enotes +\Notes|\ibbu2d0\qh2e\qh2N\enotes +\Notes|\qh2c\tqh2e&\oct + \cl e&&\tleg4\cu e\enotes +\temps\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L|\ds&\oct + \ql c&bis,&\qu c\enotes +\Notes|\ibbu1b3\qh1N\tqh1c\enotes +\Notes|\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct + \qp&&\qp\enotes +\barre +%Takt 31 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct + \itenu5f\hl f&no\rlap{---}&\itenl4f\hu f\enotes +\Notes|\ibbu1b3\qh1N\tqh1c\enotes +\Notes|\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes +\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct + \tten5\ibl4f{-1}\qb4f&&\tten4\cu f\enotes +\Notes|\ibbu1b3\qh1N\tqh1c&\oct + \qb4f&bis&\cu f\enotes +\Notes|\ibbu2e0\qh2f\qh2N&\oct + \qb4e&pec-&\cu e\enotes +\Notes|\qh2c\tqh2f&\oct + \tqb4d&ca-&\cu d\enotes +\barre +%Takt 32 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct + \qlp k&to\rlap{---}&\Ilegu4k\pt k\ql k\enotes +\Notes|\ibbu1b3\qh1N\tqh1b\enotes +\Notes|\ibbu2e0\qh2f\qh2N\enotes +\Notes|\qh2b\tqh2f&\oct + \cl i&ri-&\tleg4\cl i\enotes +\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct + \ql g&bus,&\qu g\enotes +\Notes|\ibbu1b3\qh1N\tqh1b\enotes +\Notes|\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct + \qp&&\qp\enotes +\barre +%Takt 33 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}|\ds&\oct + \itenu5h\hl h&nunc&\itenl4h\hu h\enotes +\Notes|\ibbu1b3\qh1a\tqh1c\enotes +\Notes|\bigaccid\qsk\ibbu2e0\qh2{^f}\qh2a\qh2c\tqh2f\enotes +\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L|\ds&\oct + \tten5\ibl4h1\qb4h&&\tten4\cu h\enotes +\Notes|\ibbu1b3\qh1a\tqh1c&\oct + \qb4h&et\rlap{---}&\ibu5i1\qh5h\enotes +\Notes|\ibbu2e0\qh2f\qh2a&\oct + \qb4i&&\tqh5i\enotes +\Notes|\qh2c\tqh2f&\oct + \tqb4j&in&\cl j\enotes +\barre +%Takt 34 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {=L}|\ds&\oct + \itenu5l\hl l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l\enotes +\Notes|\ibbu1b3\qh1N\tqh1c\enotes +\Notes|\ibbu2e0\qh2g\qh2N\qh2c\tqh2g\enotes +\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L|\ds&\oct + \tten5\ibl4j{-4}\qb4l&&\tten4\ibu5j{-2}\qh5l\enotes +\Notes|\ibbu1b3\qh1N\tqh1c&\oct + \qb4j&--&\tqh5j\enotes +\Notes|\ibbu2e0\qh2g\qh2N&\oct + \qb4g&ra,&\cu g\enotes +\Notes|\qh2c\tqh2g&\oct + \tqb4e&in&\cu e\enotes +\barre +%Takt 35 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct + \itenu5d\hl d&ho\rlap{---}&\itenl4d\hu d\enotes +\Notes|\ibbu1b3\qh1N\tqh1c\enotes +\Notes|\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes +\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct + \tten5\ibl4d3\qb4d&&\tten4\ibu5g3\qh5d\enotes +\Notes|\ibbu1b3\qh1N\tqh1c&\oct + \qb4h&&\tqh5h\enotes +\Notes|\ibbu2e0\qh2f\qh2N&\oct + \qb4i&ra&\ibu5i{-1}\qh5i\enotes +\Notes|\qh2c\tqh2f&\oct + \tqb4h&&\tqh5h\enotes +\barre +%Takt 36 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct + \ibl4h{-3}\usf h\qb4h&\rlap{mor---}&\ibu5j2\qh5g\enotes +\Notes|\ibbu1b3\qh1N\tqh1b&\oct + \usf g\qb4g&&\tqh5k\enotes +\Notes|\ibbu2e0\qh2f\qh2N&\oct + \usf f\qb4f&tis&\ibu5i{-2}\qh5i\enotes +\Notes|\qh2b\tqh2f&\oct + \usf d\tqb4d&&\tqh5g\enotes +\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\relax + \lsf i\ibu4i{-3}\qh4i&nos-&\ibu5f{-2}\qh5f\enotes +\Notes|\ibbu1b3\qh1N\tqh1b&\relax + \lsf h\qh4h&&\tqh5d\enotes +\Notes|\ibbu2e0\qh2f\qh2N&\relax + \lsf f\qh4f&tr\ae.&\ibu5b{-2}\qh5b\enotes +\Notes|\qh2b\tqh2f&\relax + \lsf d\tqh4d&&\tqh5N\enotes +\suspmorceau +\eject +% +%Takt 37 +\def\instrumenti{P\'ed. 16'} +\def\instrumentii{Positif} +\def\instrumentiii{(Pos.)} +\def\instrumentiv{Violon} +\def\instrumentvi{Chant} +\def\nbinstruments{6} +\linesinpage=0\relax +\nbporteesi=1\relax +\nbporteesii=1\relax +\nbporteesiii=1\relax +\nbporteesiv=1\relax +\nbporteesv=0\relax +\nbporteesvi=1\relax +\cleftoksi={6000}\relax +\cleftoksii={6000}\relax +\cleftoksiii={0000}\relax +\cleftoksiv={0000}\relax +\cleftoksvi={0000}\relax +\def\interinstrumenti{0pt} +\def\interinstrumentii{0pt} +%\def\interinstrumentiv{-2\Interligne} +\def\staffspacingi{1}% +\def\staffspacingii{1}% +\def\staffspacingiii{1}% +\def\staffspacingiv{0.64}% +\def\staffspacingvi{0.64}% +\debutmorceau\barno=37\relax +\autolines{26}33\relax +\def\atnextline{\autolines{24}33}\relax +% +\Notes&\zhl C\raise\Interligne\hbox{\qs}\qupp J&\ds&\relax + \hup c&A\rlap{---}&\itenl4c\hu c\enotes +\Notes&&\ibbu1b3\qh1N\tqh1c&\enotes +\Notes&&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e\enotes +\temps\Notes\pause&\zhl J\raise2\Interligne\hbox{\qs}\qupp L&\ds&&\rlap{men.}&\tten4\qu c\enotes +\Notes&&\ibbu1b3\qh1N\tqh1c\enotes +\Notes&&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\qp&&\qp\enotes +\cleftoksii={0000}\changeclefs +\barre +%Takt 38 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\uptext{G.O.}&\wh l&A\rlap{---}&\wh e\enotes +\Notes&\ibbl0j3\qb0g\tqb0j&\hpause\enotes +\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&\enotes +\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hu e&&&\enotes +\Notes&\ibbl2j3\qb2g\tqb2j&&&\enotes +\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&\enotes +\barre +%Takt 39 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\wh m&ve&\hupp f\enotes +\Notes&\ibbl1j3\qb1h\tqb1k&\hpause\enotes +\Notes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&\enotes +\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hu h&&&\enotes +\Notes&\ibbl1j3\qb1h\tqb1k\enotes +\Notes&\ibbl2k0\qb2m\qb2h\enotes +\Notes&\qb2k\tqb2m&&&\rlap{\kern -\Interligne Ma-}&\cu f\enotes +\barre +%Takt 40 +\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\itenu3g\wh g&\hlp n&ri\rlap{---}&\hup g\enotes +\Notes&\ibbl1j3\qb1g\tqb1k\enotes +\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes +\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hl f\enotes +\Notes&\ibbl1j3\qb1g\tqb1k\enotes +\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&\ql k&\rlap{---}&\qu d\enotes +\barre +%Takt 41 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\tten3\zw e\wh g&\hlp l&a,&\hup e\enotes +\Notes&\ibbl0j3\qb0g\tqb0j\enotes +\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes +\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&\enotes +\Notes&\ibbl2j3\qb2g\tqb2j&&&\enotes +\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&\qp&&\qp\enotes +\barre +%Takt 42 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hu h&\oct + \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h\enotes +\Notes&\ibbl0j3\qb0h\tqb0l\enotes +\Notes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o\enotes +\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hu e&\oct + \tten5\ibl4a0\qb4h&&\tten4\ibu5g{-3}\qh5h\enotes +\Notes&\ibbl0j3\qb0h\tqb0l&&\oct\qb4a&\rlap{---}&\tqh5a\enotes +\Notes&\ibbl1k0\qb1o\qb1h&&\oct\qb4b&ti-&\cu b\enotes +\Notes&\qb1l\tqb1o&&\oct\tqb4c&a&\cu c\enotes +\barre +%Takt 43 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\bigaccid\zw{^f}\itenu5o\hu o&\oct + \qlp d&ple\rlap{---}&\Ilegu4k\pt d\qu d\enotes +\Notes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h\enotes +\Notes&\ibbu2i0\qh2k\qh2f\enotes +\Notes&\qh2h\tqh2k&&\oct \cl e&&\tleg4\cu e\enotes +\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\tten5\ibu3m{-2}\qh3o&\oct + \ql d&na,&\qu d\enotes +\Notes&\ibbu1g3\qh1f\tqh1h&\qh3h\enotes +\Notes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\qh3i\sk\tqh3j&\qp&&\qp\enotes +\barre +%Takt 44 +\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\zw g\qupp k&\oct + \itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g\enotes +\Notes&\ibbl1j3\qb1g\tqb1k\enotes +\Notes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&\sk\sk\sk\ccu l\enotes +\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hu k&\oct + \tten5\ibl4N0\qb4g&&\tten4\ibu5f{-3}\qh5g\enotes +\Notes&\ibbl1j3\qb1g\tqb1k&&\oct + \qb4N&\rlap{---}&\tqh5N\enotes +\Notes&\ibbl2k0\qb2n\qb2g&&\oct + \qb4a&mi-&\cu a\enotes +\Notes&\qb2k\tqb2n&&\oct + \tqb4b&nus&\cu b\enotes +\def\atnextline{\autolines{25}33}\relax +\barre +%Takt 45 +\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\itenl4e\zw e\itenu3n\hu n&\oct + \qlp c&te\rlap{---}&\Ilegu2j\pt c\qu c\enotes +\Notes&\ibbu1f3\qh1e\tqh1g\enotes +\Notes&\ibbu2i0\qh2j\qh2e\enotes +\Notes&\qh2g\tqh2j&&\oct + \cl d&&\tleg2\cu d\enotes +\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\tten3\ibu3l{-3}\qh3n&\oct + \ql c&\rlap{cum,}&\qu c\enotes +\Notes&\ibbu1f3\qh1e\tqh1g&\qh3g\enotes +\Notes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&\qh3h\sk\tqh3i&\qp&&\qp\enotes +% +\def\atnextline{\autolines{25}33}\relax +\barre +%Takt 46 +\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\tten4\zw e\hu j&\oct + \itenu5j\hl j&be\rlap{---}&\itenu4j\hu j\enotes +\Notes&\ibbu1f3\qh1e\tqh1g\enotes +\Notes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j\enotes +\temps\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\qu h&\oct + \tten5\ibl4c0\qb4j&&\tten4\ibu5h{-3}\qh5j\enotes +\Notes&\ibbu1f3\qh1e\tqh1g&&\oct + \qb4c&\rlap{---}&\tqh5c\enotes +\Notes&\ibbu2i0\qh2j\qh2e&\qu g&\oct + \qb4d&ne\rlap{---}&\ibu5e1\qh5d\enotes +\Notes&\qh2g\tqh2j&&\oct + \tqb4e&&\tqh5e\enotes +\barre +%Takt 47 +\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds + &\bigaccid\zw {^f}\zw c\roff{\itenl3d\zw d}&\oct\bigaccid + \qlp{^f}&\rlap{dic---}&\bigaccid\Ilegu4l\pt f\qu {^f}\enotes +\Notes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}\enotes +\Notes&\ibbu2i0\qh2j\qh2d\enotes +\Notes&\qh2f\tqh2j&&\oct + \cl e&&\tleg4\cu e\enotes +\temps\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&&\oct + \ql d&\rlap{---}&\qu d\enotes +\Notes&\ibbu1f3\qh1d\tqh1f\enotes +\Notes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&&\oct + \ql a&ta&\qu a\enotes +\barre +%Takt 48 +\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\tten3\zw d\wh g&\oct + \hl b&tu&\hu b\enotes +\Notes&\ibbu1f3\qh1d\tqh1g\enotes +\Notes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i\enotes +\temps\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\qp&&\qp\enotes +\Notes&\ibbu1f3\qh1d\tqh1g\enotes +\Notes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&\oct + \ql d&in&\qu d\enotes +\barre +%Takt 49 +\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&\bigsh c\wh{c}&\oct + \itenu5e\hl e&mu\rlap{---}&\itenl4e\hu e\enotes +\Notes&\ibbu1f3\qh1e\tqh1g\enotes +\Notes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j\enotes +\temps\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\oct + \tten5\ibl5e1\qb5e&&\tten4\cu e\enotes +\Notes&\ibbu1f3\qh1e\tqh1g&&\oct + \qb5e&li\rlap{---}&\ibu4f1\qh4e\enotes +\Notes&\ibbu2i0\qh2j\qh2e&&\oct + \qb5f&&\qh4f\enotes +\Notes&\qh2g\tqh2j&&\oct + \tqb5g&&\tqh4g\enotes +\barre +%Takt 50 +\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\zw k\itenu3o\hu o&\oct + \hl h&e\rlap{---}&\ppt h\qu h\enotes +\Notes&\ibbu1g3\qh1d\tqh1h\enotes +\Notes&\ibbu2i0\qh2k\qh2d\qh2h\enotes +\Notes&\tqh2k&&&ri-&\ccu a\enotes +\temps\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\tten3\ibl3m2\qb3o&\oct + \ql a&bus&\qu a\enotes +\Notes&\ibbu1g3\qh1d\tqh1h&\qb3o\enotes +\Notes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&\qb3p\sk\tqb3q&\qp&&\qp\enotes +\barre +%Takt 51 +\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\bigaccid + \zw {=i}\hu r&\oct\itenu5d\hl d&et\rlap{---}&\itenl4d\hu d\enotes +\Notes&\ibbu1f3\qh1d\tqh1f\enotes +\Notes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i\enotes +\temps\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\hu k&\oct + \tten5\ibl4d1\qb4d&&\tten4\cu d\enotes +\Notes&\ibbu1f3\qh1d\tqh1f&&\oct + \qb4d&be\rlap{---}&\ibu5e1\qh5d\enotes +\Notes&\ibbu2i0\qh2i\qh2d&&\oct + \qb4e&&\tqh5e\enotes +\Notes&\qh2f\tqh2i&&\oct + \tqb4f&ne-&\cu f\enotes +\barre +%Takt 52 +\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\zw j\itenu3n\hu n&\oct + \hl g&\rlap{dic---}&\hu g\enotes +\Notes&\ibbu1f3\qh1c\tqh1g\enotes +\Notes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j\enotes +\temps\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\tten3\ibl3n{3}\qb3n&\oct + \qu N&tus&\qu N\enotes +\Notes&\ibbu1f3\qh1c\tqh1g&\qb3n\enotes +\Notes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qb3o\sk\tqb3p&\qp&&\qp\enotes +\barre +%Takt 53 +\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\zw h\hu q&\oct + \itenu5c\hl c&fruc\rlap{---}&\itenl4c\hu c\enotes +\Notes&\ibbu1c3\qh1a\tqh1c\enotes +\Notes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes +\temps\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\itenu3j\hu j&\oct + \tten5\ibl4c1\qb4c&&\tten4\cu c\enotes +\Notes&\ibbu1c3\qh1a\tqh1c&&\oct + \qb4c&tus&\ibu5d1\qh5c\enotes +\Notes&\ibbu2e0\qh2f\qh2a&&\oct + \qb4d&&\qh5d\enotes +\Notes&\qh2c\tqh2f&&\oct + \tqb4e&&\tqh5e\enotes +\barre +%Takt 54 +\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\tten3\zw c\hu j&\oct + \itenu5f\hl f&vent\rlap{---}&\itenl4f\hu f\enotes +\Notes&\ibbu1c3\qh1a\tqh1c\enotes +\Notes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes +\temps\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&&\oct + \tten5\ibl4f1\qb4f&&\tten4\cu f\enotes +\Notes&\ibbu1c3\qh1a\tqh1c&\hu h&\oct + \qb4f&ris&\ibu5g1\qh5f\enotes +\Notes&\ibbu2e0\qh2f\qh2a&&\oct + \qb4g&&\qh5g\enotes +\Notes&\qh2c\tqh2f&&\oct + \tqb4h&&\tqh5h\enotes +\barre +%Takt 55 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\hu g&\oct + \qlp i&tu--&\Ilegu4k\pt i\ql i\enotes +\Notes&\ibbu1b3\qh1N\tqh1b\enotes +\Notes&\ibbu2e0\qh2f\qh2N\enotes +\Notes&\qh2b\tqh2f&&\oct + \cl h&i,&\tleg4\cl h\enotes +\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu f&\oct + \ql g&\rlap{Je---}&\Ilegu5l\qu g\enotes +\Notes&\ibbu1b3\qh1N\tqh1b\enotes +\Notes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct + \ql d&&\tleg5\qu d\enotes +\barre +%Takt 56 +\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\zw c\hu e&\oct + \hlp e&sus.&\hup e\enotes +\Notes&\ibbu1b3\qh1N\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e\enotes +\temps\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\hu g&\oct + &&\enotes +\Notes&\ibbu1b3\qh1N\tqh1c&&\oct + &&\enotes +\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct + \pt a\ds\sk\sk\cl e&&\qp\enotes +\barre +%Takt 57 +\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\zw e\bigfl i\relax + \roff{\zw i}\hu j&\oct \hl g&\rlap{Sanc---}&\hu g\enotes +\Notes&\ibbu1b3\bigaccid\qh1{_b}\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e\enotes +\temps\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\hu l&\oct + \ql e&ta&\qu e\enotes +\Notes&\ibbu1b3\qh1b\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct + \pt a\ds&&\pt h\ds\enotes +\Notes&\tqh2e&&\oct + \ccl e&\rlap{\kern -\Interligne Ma-}&\ccu e\enotes +\barre +%Takt 58 +\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zhl c\itenl3e\itenu4h\zh e\hu h&\oct + \hl h&ri\rlap{---}&\hu h\enotes +\Notes&\ibbu1b3\qh1a\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e\enotes +\temps\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\tten3\tten4\zh e\zhl h\hu j&\oct + \ql a&a,&\qu a\enotes +\Notes&\ibbu1b3\qh1a\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&\oct + \qp&&\qp\enotes +\barre +%Takt 59 +\Notes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\bigaccid + \zw h\hu{_l}&\oct + \hl h&\rlap{sanc---}&\hu h\enotes +\Notes&\ibbu1b3\qh1a\tqh1c\enotes +\Notes&\qsk\bigaccid\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e\enotes +\temps\Notes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\hu o&\oct + \ql c&ta&\qu c\enotes +\Notes&\ibbu1b3\qh1a\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2a\qh2c&&\oct + \pt a\ds&&\pt h\ds\enotes +\Notes&\tqh2e&&\oct + \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h\enotes +\barre +%Takt 60 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\zw g\zw j\hu n&\oct + \hl j&ri\rlap{---}&\hl j\enotes +\Notes&\ibbu1b3\qh1b\tqh1c\enotes +\Notes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e\enotes +\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\hu{_l}&\oct\bigaccid + \ql{_e}&a,&\bigaccid\qu{_e}\enotes +\Notes&\ibbu1b3\qh1b\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct + \pt a\ds&&\pt j\ds\enotes +\Notes&\tqh2e&&\oct + \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j\enotes +\barre +%Takt 61 +\Notes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu k&\oct + \hl j&ri\rlap{---}&\hl j\enotes +\Notes&\ibbu1b3\qh1b\tqh1c\enotes +\Notes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d\enotes +\temps\Notes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\hu j&\oct + \ql d&a!&\qu d\enotes +\Notes&\ibbu1b3\qh1b\tqh1c\enotes +\Notes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&\oct + \pt a\ds\sk\sk\ccl d&&\qp\enotes +\barre +%Takt 62 +\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu i&\oct + \itenu5d\hl d&O\rlap{---}&\itenl4d\hu d\enotes +\Notes&\ibbu1b3\qh1N\tqh1b\enotes +\Notes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d\enotes +\temps\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zhl b\itenu3g\hu g&\oct + \tten5\ibl4d{-1}\qb4d&&\tten4\cu d\enotes +\Notes&\ibbu1b3\qh1N\tqh1b&&\oct + \qb4d&ra&\ibu5d{-1}\qh5d\enotes +\Notes&\ibbu2d0\qh2d\qh2N&&\oct + \qb4c&&\tqh5c\enotes +\Notes&\qh2b\tqh2d&&\oct + \tqb4b&pro&\cu b\enotes +\barre +%Takt 63 +\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\tten3\zw e\hu g&\oct + \qlp g&no\rlap{---}&\Ilegu4l\pt g\qu g\enotes +\Notes&\ibbu1b3\qh1N\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2N\enotes +\Notes&\qh2c\tqh2e&&\oct + \cl e&&\tleg4\cu e\enotes +\temps\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\itenu3j\zhl g\hu j&\oct + \ql c&bis,&\qu c\enotes +\Notes&\ibbu1b3\qh1N\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct + \qp&&\qp\enotes +\barre +%Takt 64 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\itenl3f\zw f\hu j&\oct + \itenu5f\hl f&no\rlap{---}&\itenl4f\hu f\enotes +\Notes&\ibbu1b3\qh1N\tqh1c\enotes +\Notes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes +\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl c\hu h&\oct + \tten5\ibl4f{-1}\qb4f&&\tten4\cu f\enotes +\Notes&\ibbu1b3\qh1N\tqh1c&&\oct + \qb4f&bis&\cu f\enotes +\Notes&\ibbu2e0\qh2f\qh2N&&\oct + \qb4e&pec-&\cu e\enotes +\Notes&\qh2c\tqh2f&&\oct + \tqb4d&ca-&\cu d\enotes +\barre +%Takt 65 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\zw f\zhl d\hu i&\oct + \qlp k&\raise\Interligne\hbox{to---}&\Ilegu4k\pt k\ql k\enotes +\Notes&\ibbu1b3\qh1N\tqh1b\enotes +\Notes&\ibbu2e0\qh2f\qh2N\enotes +\Notes&\qh2b\tqh2f&&\oct + \cl i&ri-&\tleg4\cl i\enotes +\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl b\hu k&\oct + \ql g&bus,&\qu g\enotes +\Notes&\ibbu1b3\qh1N\tqh1b\enotes +\Notes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct + \qp&&\qp\enotes +\barre +%Takt 66 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid + \qupp {_L}&\ds&\bigaccid\zw j\zhl{^f}\hu{_l}&\oct + \itenu5h\hl h&nunc&\itenl4h\hu h\enotes +\Notes&\ibbu1b3\qh1a\tqh1c\enotes +\Notes&\qsk\ibbu2e0\bigaccid\qh2{^f}\qh2a\qh2c\tqh2f\enotes +\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\zhl h\hu{^m}&\oct + \tten5\ibl4h1\qb4h&&\tten4\cu h\enotes +\Notes&\ibbu1b3\qh1a\tqh1c&&\oct + \qb4h&et\rlap{---}&\ibu5i1\qh5h\enotes +\Notes&\ibbu2e0\qh2f\qh2a&&\oct + \qb4i&&\tqh5i\enotes +\Notes&\qh2c\tqh2f&&\oct + \tqb4j&in&\cl j\enotes +\barre +%Takt 67 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {=L}&\ds&\zw g\zh j\hu n&\oct + \itenu5l\hl l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l\enotes +\Notes&\ibbu1b3\qh1N\tqh1c\enotes +\Notes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g\enotes +\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\hu{=l}&\oct + \tten5\ibl4j{-3}\qb4l&&\tten4\ibu5j{-2}\qh5l\enotes +\Notes&\ibbu1b3\qh1N\tqh1c&&\oct + \qb4j&---&\tqh5j\enotes +\Notes&\ibbu2e0\qh2g\qh2N&&\oct + \qb4g&ra,&\cu g\enotes +\Notes&\qh2c\tqh2g&&\oct + \tqb4e&in&\cu e\enotes +\barre +%Takt 68 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw f\hu k&\oct + \itenu5d\hl d&ho\rlap{---}&\itenl4d\hu d\enotes +\Notes&\ibbu1b3\qh1N\tqh1c\enotes +\Notes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes +\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu h&\oct + \tten5\ibl4d3\qb4d&&\tten4\ibu5g3\qh5d\enotes +\Notes&\ibbu1b3\qh1N\tqh1c&&\oct + \qb4h&&\tqh5h\enotes +\Notes&\ibbu2e0\qh2f\qh2N&&\oct + \qb4i&ra&\ibu5i{-1}\qh5i\enotes +\Notes&\qh2c\tqh2f&&\oct + \tqb4h&&\tqh5h\enotes +\barre +%Takt 69 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\zw d\rh f\zhu g&\oct + \ibl4h{-3}\usf h\qb4h&\rlap{mor---}&\ibu5j2\qh5g\enotes +\Notes&\ibbu1b3\qh1N\tqh1b&&\oct + \usf g\qb4g&&\tqh5k\enotes +\Notes&\ibbu2e0\qh2f\qh2N&&\oct + \usf f\qb4f&tis&\ibu5i{-2}\qh5i\enotes +\Notes&\qh2b\tqh2f&&\oct + \usf d\tqb4d&&\tqh5g\enotes +\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu N&\relax + \lsf i\ibu4i{-3}\qh4i&\rlap{nos---}&\ibu5f{-2}\qh5f\enotes +\Notes&\ibbu1b3\qh1N\tqh1b&&\relax + \lsf h\qh4h&&\tqh5d\enotes +\Notes&\ibbu2e0\qh2f\qh2N&&\relax + \lsf f\qh4f&tr\ae.&\ibu5b{-2}\qh5b\enotes +\Notes&\qh2b\tqh2f&&\relax + \lsf d\tqh4d&&\tqh5N\enotes +\barre +\autolines{19}43\relax +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +%Takt 70 +\Notes\zhl C\raise\Interligne\hbox{\qs}\qupp J&\ds + &\bigaccid\zw{_b}\roff{\itenu3c\zw c}&\itenl4c\wh c + &A\rlap{---}&\wh c\enotes +\Notes&\ibbu1b3\qh1N\bigaccid\qsk\tqh1{_b}\enotes +\Notes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e\enotes +\temps\Notes\zhl C\raise\Interligne\hbox{\qs}\qupp J&\ds\enotes +\Notes&\ibbu1b3\qh1N\tqh1b\enotes +\Notes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e\enotes +\barre +%Takt 71 +\Notes\raise\Interligne\rlap{\qs}\wh C\itenl2J\qupp J&\ds&\tten3\zw a\wh c&\tten4\wh c + &\rlap{\kern -\interligne men!}&\hu c\enotes +\Notes&\ibbu1a3\qh1M\tqh1a\enotes +\Notes&\ibbu2e0\qh2c\qh2f\qh2c\tqh2a\enotes +\temps\Notes\tten2\hu J&\ibbu2b0\qh2c\qh2a\qh2M\tqh2a&&\oct + &&\hpause\enotes +\Notes\ibbu3M0\qh3M\qh3K\qh3M\tqh3K\enotes +\barre +%Takt 72 +\Notes\zw C\qs\itenl3I\qupp I&\ds&\bigaccid\zw{=b}\wh g&\itenl4N\wh N + &A\rlap{---}&\wh g\enotes +\Notes&\ibbl1h3\qb1g\tqb1i\enotes +\Notes&\ibbl2j{-2}\qb2k\qb2m\qb2k\tqb2i\enotes +\temps\Notes\tten3\hu I&\ibbl2h0\qb2k\qb2i\qb2g\tqb2i&&\enotes +\Notes&\ibbu3e0\qh3d\qh3f\pince n\qh3e\tqh3d\enotes +\barre +%Takt 73 +\NOTes\pointdurgue C\zwh C\wh J&\zwh e\zwh g\pointdorgue j\wh j\relax + &\zw N\zw c\wh e&\tten4\wh N&\rlap{\kern -\interligne men!}&\pointdorgue g\wh g\enotes +\finmorceau +\bye + diff --git a/macros/generic/musixtex/doc/examples/avemaroo.tex b/macros/generic/musixtex/doc/examples/avemaroo.tex new file mode 100644 index 0000000000..520d5f0530 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/avemaroo.tex @@ -0,0 +1,858 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi + \input avemaria.reg + \title{Ave Maria (Gounod)} +\csname titremorceautoc\endcsname +\fulltitle{M\'editation -- Ave Maria} +\title{M\'editation -- Ave Maria} + \author{Charles Gounod \& J.-S. Bach\\Transcription Orgue solo Daniel +Taupin\\\& Markus Veittes} + \shortauthor{C. Gounod, J.-S. Bach, D. Taupin} + \subtitle{\relax} + \othermention{G.O.: fl\^ute 8' [+4']\\R\'ecit : fl\^utes 8'+4' [+nasard ou +chalumeau {\it ad lib.}]\\Positif : quinte\\P\'edale : 16', acc. +G.O.\\Gif : 2/9-11-12/20-23/33-37-45/50-52-54} +\maketitle + +\staffbotmarg\Interligne +% +\parindent 13mm +\musicsize=20 +\normal +\relativeaccidentals +\def\oct{\advance\transpose by 7\relax} +\def\nbinstruments{3} +\def\instrumenti{P\'edale} +\def\instrumentii{G.O.} +%\def\interinstrumenti{-2\Interligne} +%\def\interinstrumentii{-2\Interligne} +\def\instrumentiii{Positif} +\nbporteesi=1\relax +\nbporteesii=1\relax +\nbporteesiii=1\relax + +\generalmeter{\meterC}% +\cleftoksi{{6}{0}{0}{0}} +\cleftoksii{{0}{0}{0}{0}} +\cleftoksiii{{0}{0}{0}{0}} +%\raggedlinestrue % uncomment for ragged right lines + + +\debutmorceau +\def\OrgNotes#1\enotes{\Notes#1&\relax#5\enotes}% +\def\orgNotes#1\enotes{\Notes#1&\relax#4\enotes}% +\def\orgNOTes#1\enotes{\NOTes#1&\relax#4\enotes}% + %\check +%Takt 1 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds\enotes +\Notes&\ibbl0j3\qb0g\tqb0j\enotes +\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause\enotes +\Notes&\ibbl2j3\qb2g\tqb2j\enotes +\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l\enotes +\barre + %\check +%Takt 2 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds\enotes +\Notes&\ibbl1j3\qb1h\tqb1k\enotes +\Notes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m\enotes +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause\enotes +\Notes&\ibbl1j3\qb1h\tqb1k\enotes +\Notes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m\enotes +\barre + %\check +%Takt 3 +\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds\enotes +\Notes&\ibbl1j3\qb1g\tqb1k\enotes +\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes +\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause\enotes +\Notes&\ibbl1j3\qb1g\tqb1k\enotes +\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes +\barre + %\check +%Takt 4 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds\enotes +\Notes&\ibbl0j3\qb0g\tqb0j\enotes +\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause\enotes +\Notes&\ibbl2j3\qb2g\tqb2j\enotes +\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l\enotes +\barre + %\check +%Takt 5 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\wh e\enotes +\Notes&\ibbl0j3\qb0g\tqb0j\enotes +\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds\enotes +\Notes&\ibbl2j3\qb2g\tqb2j\enotes +\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l\enotes +\barre + %\check +%Takt 6 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hupp f\enotes +\Notes&\ibbl1j3\qb1h\tqb1k\enotes +\Notes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m\enotes +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds\enotes +\Notes&\ibbl1j3\qb1h\tqb1k\enotes +\Notes&\ibbl2k0\qb2m\qb2h\enotes +\Notes&\qb2k\tqb2m&\cu f\enotes +\barre + %\check +%Takt 7 +\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hup g\enotes +\Notes&\ibbl1j3\qb1g\tqb1k\enotes +\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes +\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds\enotes +\Notes&\ibbl1j3\qb1g\tqb1k\enotes +\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&\qu d\enotes +\barre + %\check +%Takt 8 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hup e\enotes +\Notes&\ibbl0j3\qb0g\tqb0j\enotes +\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds\enotes +\Notes&\ibbl2j3\qb2g\tqb2j\enotes +\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&\qp\enotes +\barre + %\check +%Takt 9 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\itenl4h\hu h\enotes +\Notes&\ibbl0j3\qb0h\tqb0l\enotes +\Notes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o\enotes +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\tten4\cu h\enotes +\Notes&\ibbl0j3\qb0h\tqb0l&\Ibu5ac4\qh5a\enotes +\Notes&\ibbl1k0\qb1o\qb1h&\qh5b\enotes +\Notes&\qb1l\tqb1o&\tqh5c\enotes +\barre + %\check +%Takt 10 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\qup d\enotes +\Notes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h\enotes +\Notes&\ibbu2i0\qh2k\qh2f\enotes +\Notes&\qh2h\tqh2k&\cu e\enotes +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\qu d\enotes +\Notes&\ibbu1g3\qh1f\tqh1h\enotes +\Notes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\qp\enotes +\barre + %\check +%Takt 11 +\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\itenu4g\hu g\enotes +\Notes&\ibbl1j3\qb1g\tqb1k\enotes +\Notes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n\enotes +\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\tten4\cu g\enotes +\Notes&\ibbl1j3\qb1g\tqb1k&\Ibu5Nb4\qh5N\enotes +\Notes&\ibbl2k0\qb2n\qb2g&\qh5a\enotes +\Notes&\qb2k\tqb2n&\tqh5b\enotes +\barre + %\check +%Takt 12 +\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\qup c\enotes +\Notes&\ibbu1f3\qh1e\tqh1g\enotes +\Notes&\ibbu2i0\qh2j\qh2e\enotes +\Notes&\qh2g\tqh2j&\cu d\enotes +\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\qu c\enotes +\Notes&\ibbu1f3\qh1e\tqh1g\enotes +\Notes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&\qp\enotes +% +\barre + %\check +%Takt 13 +\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\itenu4j\hu j\enotes +\Notes&\ibbu1f3\qh1e\tqh1g\enotes +\Notes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j\enotes +\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\tten4\cu j\enotes +\Notes&\ibbu1f3\qh1e\tqh1g&\Ibu5ce4\qh5c\enotes +\Notes&\ibbu2i0\qh2j\qh2e&\qh5d\enotes +\Notes&\qh2g\tqh2j&\tqh5e\enotes +\barre + %\check +%Takt 14 +\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\bigaccid\qup {^f}\enotes +\Notes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}\enotes +\Notes&\ibbu2i0\qh2j\qh2d\enotes +\Notes&\qh2f\tqh2j&\cu e\enotes +\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\qu d\enotes +\Notes&\ibbu1f3\qh1d\tqh1f\enotes +\Notes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&\qu a\enotes +\barre + %\check +%Takt 15 +\def\atnextline{\staffbotmarg3\Interligne}% +\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\hu b\enotes +\Notes&\ibbu1f3\qh1d\tqh1g\enotes +\Notes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i\enotes +\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\qp\enotes +\Notes&\ibbu1f3\qh1d\tqh1g\enotes +\Notes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&\qu d\enotes +\barre + %\check +%Takt 16 +\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&\itenl4e\hu e\enotes +\Notes&\ibbu1f3\qh1e\tqh1g\enotes +\Notes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j\enotes +\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\tten4\cu e\enotes +\Notes&\ibbu1f3\qh1e\tqh1g&\Ibu4eg4\qh4e\enotes +\Notes&\ibbu2i0\qh2j\qh2e&\qh4f\enotes +\Notes&\qh2g\tqh2j&\tqh4g\enotes +\barre + %\check +%Takt 17 +\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\ppt h\qu h\enotes +\Notes&\ibbu1g3\qh1d\tqh1h\enotes +\Notes&\ibbu2i0\qh2k\qh2d\qh2h\enotes +\Notes&\tqh2k&\ccu a\enotes +\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\qu a\enotes +\Notes&\ibbu1g3\qh1d\tqh1h\enotes +\Notes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&\qp\enotes +\barre + %\check +%Takt 18 +\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\itenl4d\hu d\enotes +\Notes&\ibbu1f3\qh1d\tqh1f\enotes +\Notes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i\enotes +\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\tten4\cu d\enotes +\Notes&\ibbu1f3\qh1d\tqh1f&\Ibu5df4\qh5d\enotes +\Notes&\ibbu2i0\qh2i\qh2d&\qh5e\enotes +\Notes&\qh2f\tqh2i&\tqh5f\enotes +\barre + %\check +%Takt 19 +\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\hu g\enotes +\Notes&\ibbu1f3\qh1c\tqh1g\enotes +\Notes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j\enotes +\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\qu N\enotes +\Notes&\ibbu1f3\qh1c\tqh1g\enotes +\Notes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qp\enotes +\barre + %\check +%Takt 20 +\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\itenl4c\hu c\enotes +\Notes&\ibbu1c3\qh1a\tqh1c\enotes +\Notes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes +\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\tten4\cu c\enotes +\Notes&\ibbu1c3\qh1a\tqh1c&\Ibu5ce4\qh5c\enotes +\Notes&\ibbu2e0\qh2f\qh2a&\qh5d\enotes +\Notes&\qh2c\tqh2f&\tqh5e\enotes +\barre + %\check +%Takt 21 +\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\itenl4f\hu f\enotes +\Notes&\ibbu1c3\qh1a\tqh1c\enotes +\Notes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes +\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\tten4\cu f\enotes +\Notes&\ibbu1c3\qh1a\tqh1c&\Ibu5fh4\qh5f\enotes +\Notes&\ibbu2e0\qh2f\qh2a&\qh5g\enotes +\Notes&\qh2c\tqh2f&\tqh5h\enotes +\barre + %\check +%Takt 22 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\qlp i\enotes +\Notes&\ibbu1b3\qh1N\tqh1b\enotes +\Notes&\ibbu2e0\qh2f\qh2N\enotes +\Notes&\qh2b\tqh2f&\cl h\enotes +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\qu g\enotes +\Notes&\ibbu1b3\qh1N\tqh1b\enotes +\Notes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\qu d\enotes +\barre + %\check +%Takt 23 +\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\hup e\enotes +\Notes&\ibbu1b3\qh1N\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e\enotes +\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds\enotes +\Notes&\ibbu1b3\qh1N\tqh1c&\enotes +\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\qp\enotes +\barre + %\check +%Takt 24 +\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\hu g\enotes +\Notes&\bigaccid\ibbu1b3\qh1{_b}\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e\enotes +\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\qu e\enotes +\Notes&\ibbu1b3\qh1b\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2b\qh2c&\pt h\ds\enotes +\Notes&\tqh2e&\ccu e\enotes +\barre + %\check +%Takt 25 +\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\hu h\enotes +\Notes&\ibbu1b3\qh1a\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e\enotes +\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\qu a\enotes +\Notes&\ibbu1b3\qh1a\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&\qp\enotes +\barre + %\check +%Takt 26 +\Notes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\hu h\enotes +\Notes&\ibbu1b3\qh1a\tqh1c\enotes +\Notes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e\enotes +\Notes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\qu c\enotes +\Notes&\ibbu1b3\qh1a\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2a\qh2c&\qsk\pt h\ds\enotes +\Notes&\tqh2e&\ccu h\enotes +\barre + %\check +%Takt 27 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {_L}&\ds&\hl j\enotes +\Notes&\ibbu1b3\qh1b\tqh1c\enotes +\Notes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e\enotes +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\qu{_e}\enotes +\Notes&\ibbu1b3\qh1b\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2b\qh2c&\pt j\ds\enotes +\Notes&\tqh2e&\ccl j\enotes +\barre + %\check +%Takt 28 +\Notes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\hl j\enotes +\Notes&\ibbu1b3\qh1b\tqh1c\enotes +\Notes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d\enotes +\Notes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\qu d\enotes +\Notes&\ibbu1b3\qh1b\tqh1c\enotes +\Notes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&\qp\enotes +\barre + %\check +%Takt 29 +\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\itenl4d\hu d\enotes +\Notes&\ibbu1b3\qh1N\tqh1b\enotes +\Notes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d\enotes +\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\tten4\cu d\enotes +\Notes&\ibbu1b3\qh1N\tqh1b&\Ibu5db4\qh5d\enotes +\Notes&\ibbu2d0\qh2d\qh2N&\qh5c\enotes +\Notes&\qh2b\tqh2d&\tqh5 b\enotes +\barre + %\check +%Takt 30 +\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\qup g\enotes +\Notes&\ibbu1b3\qh1N\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2N\enotes +\Notes&\qh2c\tqh2e&\cu e\enotes +\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\qu c\enotes +\Notes&\ibbu1b3\qh1N\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\qp\enotes +\barre + %\check +%Takt 31 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\itenl4f\hu f\enotes +\Notes&\ibbu1b3\qh1N\tqh1c\enotes +\Notes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten4\cu f\enotes +\Notes&\ibbu1b3\qh1N\tqh1c&\Ibu5fd4\qh5f\enotes +\Notes&\ibbu2e0\qh2f\qh2N&\qh5e\enotes +\Notes&\qh2c\tqh2f&\tqh5d\enotes +\barre + %\check +%Takt 32 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\qlp k\enotes +\Notes&\ibbu1b3\qh1N\tqh1b\enotes +\Notes&\ibbu2e0\qh2f\qh2N\enotes +\Notes&\qh2b\tqh2f&\cl i\enotes +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\qu g\enotes +\Notes&\ibbu1b3\qh1N\tqh1b\enotes +\Notes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\qp\enotes +\barre + %\check +%Takt 33 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\itenl4h\hu h\enotes +\Notes&\ibbu1b3\qh1a\tqh1c\enotes +\Notes&\bigaccid\qsk\ibbu2e0\qh2{^f}\qh2a\qh2c\tqh2f\enotes +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\tten4\cu h\enotes +\Notes&\ibbu1b3\qh1a\tqh1c&\Ibu5hj4\qh5h\enotes +\Notes&\ibbu2e0\qh2f\qh2a&\qh5i\enotes +\Notes&\qh2c\tqh2f&\tqh5j\enotes +\barre + %\check +%Takt 34 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {=L}&\ds&\itenu4l\hl l\enotes +\Notes&\ibbu1b3\qh1N\tqh1c\enotes +\Notes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g\enotes +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\tten4\cl l\enotes +\Notes&\ibbu1b3\qh1N\tqh1c&\Ibu5je4\qh5j\enotes +\Notes&\ibbu2e0\qh2g\qh2N&\qh5g\enotes +\Notes&\qh2c\tqh2g&\tqh5e\enotes +\barre + %\check +%Takt 35 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\itenl4d\hu d\enotes +\Notes&\ibbu1b3\qh1N\tqh1c\enotes +\Notes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten4\ibu5g3\qh5d\enotes +\Notes&\ibbu1b3\qh1N\tqh1c&\tqh5h\enotes +\Notes&\ibbu2e0\qh2f\qh2N&\ibu5i{-1}\qh5i\enotes +\Notes&\qh2c\tqh2f&\tqh5h\enotes +\barre + %\check +%Takt 36 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\ibu5j2\qh5g\enotes +\Notes&\ibbu1b3\qh1N\tqh1b&\tqh5k\enotes +\Notes&\ibbu2e0\qh2f\qh2N&\ibu5i{-2}\qh5i\enotes +\Notes&\qh2b\tqh2f&\tqh5g\enotes +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\ibu5f{-2}\qh5f\enotes +\Notes&\ibbu1b3\qh1N\tqh1b&\tqh5d\enotes +\Notes&\ibbu2e0\qh2f\qh2N&\ibu5b{-2}\qh5b\enotes +\Notes&\qh2b\tqh2f&\tqh5N\enotes +\barre + %\check +%Takt 37 +\Notes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds&\itenl4c\hu c\enotes +\Notes&\ibbu1b3\qh1N\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e\enotes +\Notes\zhl J\raise2\Interligne\hbox{\qs}\qupp L&\ds&\tten4\qu c\enotes +\Notes&\ibbu1b3\qh1N\tqh1c&\uptext{R\'ecit (doux)}\enotes +\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\qp\enotes +\barre + %\check +%Takt 38 +\Notes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&\wh l\enotes +\Notes&\ibbl0j3\qb0g\tqb0j\enotes +\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&\raise -2\Interligne\hpause\enotes +\Notes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&\hl g\enotes +\Notes&\ibbl2j3\qb2g\tqb2j\enotes +\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l\enotes +\barre + %\check +%Takt 39 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\wh m\enotes +\Notes&\ibbl1j3\qb1h\tqb1k\enotes +\Notes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&\raise -2\Interligne\hpause\enotes +\Notes\zhl c\raise 5.5\Interligne\qs\qupp d&\ds&\hl h\enotes +\Notes&\ibbl1j3\qb1h\tqb1k\enotes +\Notes&\ibbl2k0\qb2m\qb2h\enotes +\Notes&\qb2k\tqb2m\enotes +\barre + %\check +%Takt 40 +\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\zhl i\hup n\enotes +\Notes&\ibbl1j3\qb1g\tqb1k\enotes +\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes +\Notes\zhl b\raise 5.5\Interligne\qs\qupp d&\ds&\hl f\enotes +\Notes&\ibbl1j3\qb1g\tqb1k\enotes +\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&\qu k\enotes +\barre + %\check +%Takt 41 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\zhlp g\hup l\enotes +\Notes&\ibbl0j3\qb0g\tqb0j\enotes +\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds\enotes +\Notes&\ibbl2j3\qb2g\tqb2j\enotes +\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&\qp\enotes +\barre + %\check +%Takt 42 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\relax + {\roffset{0.3}{\zhu j}}\oct + \itenu5h\hl h\enotes +\Notes&\ibbl0j3\qb0h\tqb0l\enotes +\Notes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o\enotes +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp +e&\ds&{\roffset {0.3}{\zhu l}}\oct + \tten5\ibl4a0\qb4h\enotes +\Notes&\ibbl0j3\qb0h\tqb0l&\oct\qb4a\enotes +\Notes&\ibbl1k0\qb1o\qb1h&\oct\qb4b\enotes +\Notes&\qb1l\tqb1o&\oct\tqb4c\enotes +\barre + %\check +%Takt 43 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\itenu5o{\zhu o}\oct + \qlp d\enotes +\Notes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h\enotes +\Notes&\ibbu2i0\qh2k\qh2f\enotes +\Notes&\qh2h\tqh2k&\oct \cl e\enotes +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\tten5{\ibu3m{-2}\zqh3o}\oct + \ql d\enotes +\Notes&\ibbu1g3\qh1f\tqh1h&{\qh3h}\enotes +\Notes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\raise -2\Interligne\rlap{\qp}{\qh3i\sk\tqh3j}\enotes +\barre + %\check +%Takt 44 +\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\relax + \rlap{\roffset{0.3}{\qupp k}}\oct + \normalnotesize\itenu5g\hl g\enotes +\Notes&\ibbl1j3\qb1g\tqb1k\enotes +\Notes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&\sk\sk\sk\ccu l\enotes +\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\roffset {0.5}{\zhu k}\oct + \normalnotesize\tten5\ibl4N0\qb4g\enotes +\Notes&\ibbl1j3\qb1g\tqb1k&\oct \qb4N\enotes +\Notes&\ibbl2k0\qb2n\qb2g&\oct + \qb4a\enotes \Notes&\qb2k\tqb2n&\oct \tqb4b\enotes +\barre + %\check +%Takt 45 +\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&{\itenu3n\zhu n}\oct + \qlp c\enotes +\Notes&\ibbu1f3\qh1e\tqh1g\enotes +\Notes&\ibbu2i0\qh2j\qh2e\enotes +\Notes&\qh2g\tqh2j&\oct + \cl d\enotes +\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&{\tten3\ibu3l{-3}\zqh3n}\oct + \ql c\enotes +\Notes&\ibbu1f3\qh1e\tqh1g&\qh3g\enotes +\Notes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&\raise -2.5\Interligne\rlap{\qp}\qh3h\sk\tqh3i\enotes +% +\barre + %\check +%Takt 46 +\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\relax + {\roffset{0.3}{\zhl j}}\oct + \itenu5j\hu j\enotes +\Notes&\ibbu1f3\qh1e\tqh1g\enotes +\Notes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j\enotes +\Notes\zhl a\raise 5\Interligne\qs\qupp c&\ds&{\zql h}\oct + \tten5\cu j\enotes +\Notes&\ibbu1f3\qh1e\tqh1g&\oct + \Ibu4ce4\qh4c\enotes +\Notes&\ibbu2i0\qh2j\qh2e&{\zql g}\oct + \qh4d\enotes +\Notes&\qh2g\tqh2j&\oct + \tqh4e\enotes +\barre + %\check +%Takt 47 +\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds + &\bigaccid\zhlp h\oct + \qup{^f}\enotes +\Notes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}\enotes +\Notes&\ibbu2i0\qh2j\qh2d\enotes +\Notes&\qh2f\tqh2j&\oct \cu e\enotes +\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\oct + \qu d\enotes +\Notes&\ibbu1f3\qh1d\tqh1f\enotes +\Notes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&\oct + \zql a\qu a\enotes +\barre + %\check +%Takt 48 +\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\relax + {\zw g}\oct \hu b\enotes +\Notes&\ibbu1f3\qh1d\tqh1g\enotes +\Notes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i\enotes +\Notes\zhl N\raise 4.2\Interligne\qs\qupp b&\ds&\relax + \raise\Interligne\qp\enotes +\Notes&\ibbu1f3\qh1d\tqh1g\enotes +\Notes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&\oct + \qu d\enotes +\barre + %\check +%Takt 49 +\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&\zw{^j}\oct + \itenu5e\hu e\enotes +\Notes&\ibbu1f3\qh1e\tqh1g\enotes +\Notes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j\enotes +\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\oct + \tten5\cu e&\enotes +\Notes&\ibbu1f3\qh1e\tqh1g&\oct + \Ibu5eg4\qh5e\enotes +\Notes&\ibbu2i0\qh2j\qh2e&\oct + \qh5f\enotes +\Notes&\qh2g\tqh2j&\oct + \tqh5g\enotes +\barre + %\check +%Takt 50 +\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds& + \rlap{\hlp k}\oct \itenu4h\hu h\enotes +\Notes&\ibbu1g3\qh1d\tqh1h\enotes +\Notes&\ibbu2i0\qh2k\qh2d\qh2h\enotes +\Notes&\tqh2k\enotes +\Notes\zhl M\raise 3.8\Interligne\qs\qupp a&\ds&\tten4\relax + \oct \cu h\enotes +\Notes&\ibbu1g3\qh1d\tqh1h&{\Ibu3hj4\qh3h}\enotes +\Notes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&\qh3i\sk\tqh3j\enotes +\barre + %\check +%Takt 51 +\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\bigaccid\zw {=i}\oct\itenu5d\hu d\enotes +\Notes&\ibbu1f3\qh1d\tqh1f\enotes +\Notes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i\enotes +\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct + \tten5\cu d\enotes +\Notes&\ibbu1f3\qh1d\tqh1f&\oct + \Ibu4df4\qh4d\enotes +\Notes&\ibbu2i0\qh2i\qh2d&\oct + \qh4e\enotes +\Notes&\qh2f\tqh2i&\oct + \tqh4f\enotes +\barre + %\check +%Takt 52 +\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&{\zhlp j}\oct + \itenu4g\hu g\enotes +\Notes&\ibbu1f3\qh1c\tqh1g\enotes +\Notes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j\enotes +\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\oct + \tten4\cu g\enotes +\Notes&\ibbu1f3\qh1c\tqh1g&\Ibu4gi4\qh4g\enotes +\Notes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qh4h\sk\tqh4i\enotes +\barre + %\check +%Takt 53 +\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&{\zw h}\oct + \itenu5c\hu c\enotes +\Notes&\ibbu1c3\qh1a\tqh1c\enotes +\Notes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes +\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\oct + \tten5\cu c\enotes +\Notes&\ibbu1c3\qh1a\tqh1c&\oct + \Ibu4ce4\qh4c\enotes +\Notes&\ibbu2e0\qh2f\qh2a&\oct + \qh4d\enotes +\Notes&\qh2c\tqh2f&\oct + \tqh4e\enotes +\barre + %\check +%Takt 54 +\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\relax + {\zw j}\oct + \itenu5f\hu f\enotes +\Notes&\ibbu1c3\qh1a\tqh1c\enotes +\Notes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes +\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\oct + \tten5\cu f\enotes +\Notes&\ibbu1c3\qh1a\tqh1c&\oct + \Ibu4fh4\qh4f\enotes +\Notes&\ibbu2e0\qh2f\qh2a&\oct + \qh4g\enotes +\Notes&\qh2c\tqh2f&\oct + \tqh4h\enotes +\barre + %\check +%Takt 55 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&{\zqlp n}\oct + \qup i\enotes +\Notes&\ibbu1b3\qh1N\tqh1b\enotes +\Notes&\ibbu2e0\qh2f\qh2N\enotes +\Notes&\qh2b\tqh2f&\oct \cu h\enotes +\Notes\zhl G\raise 1.6\Interligne\qs\qupp K&\ds&\relax + \rlap{\roff{\hl m}}\oct \qu g\enotes +\Notes&\ibbu1b3\qh1N\tqh1b\enotes +\Notes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct + \qu d&\enotes +\barre + %\check +%Takt 56 +\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&{\zhlp j}\oct + \hup e\enotes +\Notes&\ibbu1b3\qh1N\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e\enotes +\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct + \enotes +\Notes&\ibbu1b3\qh1N\tqh1c&\oct + \enotes +\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct + \pt a\ds\sk\sk\ccl e\enotes +\barre + %\check +%Takt 57 +\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&{\bigfl i\zhlp i}\oct \hu g\enotes +\Notes&\ibbu1b3\bigaccid\qh1{_b}\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e\enotes +\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\oct \qu e\enotes +\Notes&\ibbu1b3\qh1b\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2b\qh2c&\oct \pt a\ds\enotes +\Notes&\tqh2e&\oct \ccl e\enotes +\barre + %\check +%Takt 58 +\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\itenu2j\zh j\hl o\enotes +\Notes&\ibbu1b3\qh1a\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e\enotes +\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\tten2\zq j\ql h\enotes +\Notes&\ibbu1b3\qh1a\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&\oct \qp\enotes +\barre + %\check + %Takt 59 + \Notes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp +J&\ds&{\bigfl l\zh l}\oct \hl h\enotes + \Notes&\ibbu1b3\qh1a\tqh1c\enotes + \Notes&\qsk\bigaccid\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e\enotes + \Notes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&{\zq h}\oct \ql c\enotes +\Notes&\ibbu1b3\qh1a\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2a\qh2c&\oct \pt a\ds\enotes +\Notes&\tqh2e&\oct \ccl h\enotes +\barre + %\check +%Takt 60 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\itenl2j\zh j\oct \hl j\enotes +\Notes&\ibbu1b3\qh1b\tqh1c\enotes +\Notes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e\enotes +\Notes\zhl G\raise 1.6\Interligne\qs\qupp L&\ds&\bigaccid + \tten2\zq j\ql{_l}\enotes +\Notes&\ibbu1b3\qh1b\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2b\qh2c&\oct + \pt a\ds\enotes +\Notes&\tqh2e&\oct + \ccl j\enotes +\barre + %\check +%Takt 61 +\Notes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&{\zhp l}\oct + \hl j\enotes +\Notes&\ibbu1b3\qh1b\tqh1c\enotes +\Notes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d\enotes +\Notes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct + \ql d\enotes +\Notes&\ibbu1b3\qh1b\tqh1c\enotes +\Notes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&\oct + \pt a\ds\sk\sk\ccl d\enotes +\barre + %\check +%Takt 62 +\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&{\zhl f}\oct + \itenu5d\hu d\enotes +\Notes&\ibbu1b3\qh1N\tqh1b\enotes +\Notes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d\enotes +\Notes\zhl G\raise 2\Interligne\qs\qupp M&\ds&{\zql i}\oct + \tten5\cu d\enotes +\Notes&\ibbu1b3\qh1N\tqh1b&\oct + \Ibu4db4\qh4d\enotes +\Notes&\ibbu2d0\qh2d\qh2N&{\itenl4g\zql g}\oct + \qh4c\enotes +\Notes&\qh2b\tqh2d&\oct + \tqh4b\enotes +\barre + %\check +%Takt 63 +\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&{\tten4\zhlp g}\oct + \qup g\enotes +\Notes&\ibbu1b3\qh1N\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2N\enotes +\Notes&\qh2c\tqh2e&\oct + \cu e\enotes +\Notes\zhl G\raise 2\Interligne\qs\qupp L&\ds&\oct + \qu c\enotes +\Notes&\ibbu1b3\qh1N\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct + \raise\Interligne\qp\enotes +\barre + %\check +%Takt 64 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&{\zhl j}\oct + \itenu5f\hu f\enotes +\Notes&\ibbu1b3\qh1N\tqh1c\enotes +\Notes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&{\zhl h}\oct + \tten5\cu f\enotes +\Notes&\ibbu1b3\qh1N\tqh1c&\oct + \Ibu4fd4\qh4f\enotes +\Notes&\ibbu2e0\qh2f\qh2N&\oct + \qh4e\enotes +\Notes&\qh2c\tqh2f&\oct + \tqh4d\enotes +\barre + %\check +%Takt 65 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&{\zh m}\oct + \qlp k\enotes +\Notes&\ibbu1b3\qh1N\tqh1b\enotes +\Notes&\ibbu2e0\qh2f\qh2N\enotes +\Notes&\qh2b\tqh2f&\oct + \cl i\enotes +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zq i\oct + \ql g\enotes +\Notes&\ibbu1b3\qh1N\tqh1b\enotes +\Notes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\qp\enotes +\barre + %\check +%Takt 66 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid + \qupp {_L}&\ds&{\bigaccid\zw j\zhl{_l}}\oct + \itenu5h\hu h\enotes +\Notes&\ibbu1b3\qh1a\tqh1c\enotes +\Notes&\qsk\ibbu2e0\bigaccid\qh2{^f}\qh2a\qh2c\tqh2f\enotes +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&{\bigaccid\zhl{^m}}\oct + \tten5\cu h\enotes +\Notes&\ibbu1b3\qh1a\tqh1c&\oct + \Ibl4hj4\qb4h\enotes +\Notes&\ibbu2e0\qh2f\qh2a&\oct + \qb4i\enotes +\Notes&\qh2c\tqh2f&\oct + \tqb4j\enotes +\barre + %\check +%Takt 67 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {=L}&\ds +&{\zhl n}\oct \itenu5l\hu l\enotes +\Notes&\ibbu1b3\qh1N\tqh1c\enotes +\Notes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g\enotes +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&{\zql{=l}}\oct + \tten5\cu l\enotes +\Notes&\ibbu1b3\qh1N\tqh1c&\oct + \Ibu4je4\qh4j\enotes +\Notes&\ibbu2e0\qh2g\qh2N&{\zql j}\oct \qh4g\enotes +\Notes&\qh2c\tqh2g&\oct \tqh4e\enotes +\barre + %\check +%Takt 68 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&{\zhl f}\oct + \itenu5d\hu d\enotes +\Notes&\ibbu1b3\qh1N\tqh1c\enotes +\Notes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&{\zhl h}\oct + \tten5\cu d\enotes +\Notes&\ibbu1b3\qh1N\tqh1c&\oct + \Ibu4hh4\qh4h\enotes +\Notes&\ibbu2e0\qh2f\qh2N&\oct + \qh4i\enotes +\Notes&\qh2c\tqh2f&\oct + \tqh4h\enotes +\barre + %\check +%Takt 69 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl i\oct \Ibu4fc6\qh4h\enotes +\Notes&\ibbu1b3\qh1N\tqh1b&\oct \qh4g\enotes +\Notes&\ibbu2e0\qh2f\qh2N&\oct + \qh4f\enotes +\Notes&\qh2b\tqh2f&\oct + \tqh4d\enotes +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\relax + {\zhl d}\ibu4i{-3}\qh4i\enotes +\Notes&\ibbu1b3\qh1N\tqh1b&\relax + \qh4h\enotes +\Notes&\ibbu2e0\qh2f\qh2N&\relax + \qh4f\enotes +\Notes&\qh2b\tqh2f&\relax + \tqh4d\enotes +\barre +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% + %\check +%Takt 70 +\Notes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds + &\bigaccid\zw{_b}\roff{\itenu3c\zw c}\enotes +\Notes&\ibbu1b3\qh1N\bigaccid\qsk\tqh1{_b}\enotes +\Notes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e\enotes +\Notes\zhu C\raise\Interligne\qs\qupp J&\ds\enotes +\Notes&\ibbu1b3\qh1N\tqh1b\enotes +\Notes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e\enotes +%\cleftoksii{6000}\changeclefs +\barre + %\check +%Takt 71 +\Notes\raise\Interligne\rlap{\qs}\wh C\itenl2J\qupp J&\ds&\tten3\zw a\wh c\enotes +\Notes&\oct\ibbu1a3\qh1M\tqh1a\enotes +\Notes&\oct\ibbu2e0\qh2c\qh2f\qh2c\tqh2a\enotes +\Notes\tten2\hu J&\oct\ibbu2b0\qh2c\qh2a\qh2M\tqh2a\enotes +\Notes&\oct\ibbu3M0\qh3M\qh3K\qh3M\tqh3K\enotes +%\cleftoksii{0000}\changeclefs +\barre + %\check +%Takt 72 +\Notes\zw C\qs\itenl3I\qupp I&\ds&\bigaccid\wh{=b}\enotes +\Notes&\ibbl1h3\qb1g\tqb1i\enotes +\Notes&\ibbl2j{-2}\qb2k\qb2m\qb2k\tqb2i\enotes +\Notes\tten3\hu I&\ibbl2h0\qb2k\qb2i\qb2g\tqb2i\enotes +\Notes&\ibbu3e0\qh3d\qh3f\pince n\qh3e\tqh3d\enotes +\barre + %\check +%Takt 73 +\NOTes\pointdurgue C\zwh C\wh J&\zwh e\zwh g\pointdorgue j\wh j\relax + &\pointdorgue f\wh c\enotes + \linegoal 19 +\finmorceau +\bye + diff --git a/macros/generic/musixtex/doc/examples/aveverch.tex b/macros/generic/musixtex/doc/examples/aveverch.tex new file mode 100644 index 0000000000..3d29ea6f48 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/aveverch.tex @@ -0,0 +1,3 @@ +\def\chorale{\relax} +\input aveverum +\endinput diff --git a/macros/generic/musixtex/doc/examples/aveverdd.tex b/macros/generic/musixtex/doc/examples/aveverdd.tex new file mode 100644 index 0000000000..7480111e5f --- /dev/null +++ b/macros/generic/musixtex/doc/examples/aveverdd.tex @@ -0,0 +1,4 @@ +\def\Signature{-5} +\def\Transpose{-1} +\input aveverum +\endinput diff --git a/macros/generic/musixtex/doc/examples/aveveruc.tex b/macros/generic/musixtex/doc/examples/aveveruc.tex new file mode 100644 index 0000000000..be83ce5730 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/aveveruc.tex @@ -0,0 +1,4 @@ +\def\Signature{0} +\def\Transpose{-2} +\input aveverum +\endinput diff --git a/macros/generic/musixtex/doc/examples/aveverud.tex b/macros/generic/musixtex/doc/examples/aveverud.tex new file mode 100644 index 0000000000..329d5ac4c8 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/aveverud.tex @@ -0,0 +1,4 @@ +\def\Signature{2} +\def\Transpose{-1} +\input aveverum +\endinput diff --git a/macros/generic/musixtex/doc/examples/aveverum.tex b/macros/generic/musixtex/doc/examples/aveverum.tex new file mode 100644 index 0000000000..c5e732595e --- /dev/null +++ b/macros/generic/musixtex/doc/examples/aveverum.tex @@ -0,0 +1,297 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi + \title{Ave Verum} + \author{Charles Gounod} + \shortauthor{C. Gounod} + \subtitle{\relax} + \maketitle +\parindent 13mm +\musicsize=20 +\normal +\relativeaccidentals +\def\nbinstruments{1} +\def\instrumenti{Orgue} +\def\instrumentii{Basse} +\def\instrumentiii{T\'{e}nor} +\def\instrumentiv{\vbox{\hsize\parindent\centerline{Soprano}\centerline{Alto}}} +\nbporteesi=2\relax +\generalmeter{\allabreve} +\setinterinstrument1{10pt} +\setinterinstrument2{10pt} +\setinterinstrument3{10pt} +\cleftoksi{6000} +\cleftoksii{6000} +\cleftoksiii{6000} + +\ifx\Transpose\undefined + \def\Transpose{0} + \def\Signature{-3} +\fi +\generalsignature{\Signature} + +\ifx\chorale\undefined + \setsize1{\normalvalue} + \setsize2{\smallvalue} + \setsize3{\smallvalue} + \setsize4{\smallvalue} +\else + \setsize1{\smallvalue} + \setsize2{\normalvalue} + \setsize3{\normalvalue} + \setsize4{\normalvalue} +\fi +\ninepoint + +\def\Zsong{\zsong} + +\stemcut + +\transpose=\Transpose +\debutmorceau +\qspace +\NOtes\itenl1E\itenl2L\zw E\wh L|\hpause\enotes +\NOtes\hu N|\zh b\hu e\enotes +\barre % 2 +\NOtes\tten1\tten2\itenl1E\itenl2L\zw E\zwh L\hu a|\itenl0c\zwh c\hu f\enotes +\NOtes\hu N|\hu g\enotes +\barre %3 +\NOtes\tten1\tten2\zhl E\roff{\itenu1M}\rh M\hu L|\tten0\zhl c\hu h\enotes +\NOtes\zhl F\tten1\zh M\hu a|\zh d\hu j\enotes +\barre %4 +\NOtes\zhl G\zh N\hu b|\zwh e\hu i\enotes +\NOtes\zhl H\zh J\hu a|\hu e\enotes +\barre %5 +\NOtes\itenl2I\zwh I\hu b|\itenl1e\zh e\hu g\enotes +\NOtes\hu N|\tten1\itenu1e\zh b\hu e\enotes +\barre %6 +\NOtes\tten2\zwh I\hu M|\zwh a\zh c\tten1\hu e\enotes +\NOtes|\zh b\hu d\enotes +\barre %7 +\NOTes\zhlp E\hup L|\zhp N\zhp b\hup e\enotes +\Notes\soupir|\soupir\enotes +\suspmorceau +\def\nbinstruments{4}% +\debutmorceau %8 +\barno 8\relax +\qspace +\def\H#1#2#3#4#5{\NOtes\zhl{#1}\hu{#2}|\zhl{#3}\hu{#4}&\Zsong{#5}\hu{#1}&\Zsong{#5}\hl{#2}&\Zsong{#5}\zhl{#3}\hu{#4}\enotes}% +\def\Hh#1#2#3#4#5{\NOtes\hl{#1}|\zhl{#2}\zh{#3}\hu{#4}&\Zsong{#5}\hu{#1}&\Zsong{#5}\hl{#2}&\Zsong{#5}\zhl{#3}\hu{#4}\enotes}% +\def\Hqhq#1#2#3#4#5{\Notes\zhl{#1}\qu{#2}|\zhl{#3}\qu{#4}&\Zsong{#5}\hu{#1}&\Zsong{#5}\ql{#2}&\Zsong{#5}\zhl{#3}\qu{#4}\enotes}% +\def\Hhhq#1#2#3#4#5{\Notes\zhl{#1}\hu{#2}|\zhl{#3}\qu{#4}&\Zsong{#5}\hu{#1}&\Zsong{#5}\hl{#2}&\Zsong{#5}\zhl{#3}\qu{#4}\enotes}% +\H LNei{A--}% +\Hqhq I{ba}d{gf}{ve}% +\barre %9 +\H JNee{ve--}% +\NOtes \zhl I\hu N|\Fl d\zhu e\roff{\hl d}&\Zsong{rum }\hu I&\Zsong{rum }\hl +N&\Zsong{rum }\Fl d\zhu e\roff{\hl d}\enotes +\barre %10 +\H Hacj{Cor--}% +\Hqhq I{NM}{=d}{ih}{pus }% +\barre %11 +\Hh Lceh{na--}% +\Hh Lbeg{tum }% +\barre %12 +\H LNgi{de }% +\Hqhq K{^a^b}f{jk}{Ma--}% +\barre %13 +\H Jcel{ri--}% +\H Lcgg{a }% +\barre %14 +\Notes\zw M\wh{=a}|\zhl c\qu{fg}\zql f\qu h\zql e\qu j\relax + &\Zsong{Vir-}\hup M\sk\sk\Zsong{gi-}\qu M\relax + &\Zsong{Vir-}\hup{=a}\sk\sk\Zsong{gi-}\qu a\relax + &\Zsong{Vir-}\zhl c\qu{fg}\Zsong{gi-}\zql f\qu h\zql e\qu j\enotes +\barre %15 +\NOtes\zw I\wh a|\zw d\hu {ji}&\Zsong{ne.}\wh I&\Zsong{ne.}\wh a&\Zsong{ne.}\zw + d\hu {ji}\enotes +\barre %16 +\H LNei{Ve-}% +\Hqhq I{ba}d{gf}{re}% +\barre %17 +\H JNee{pas-}% +\NOtes \zhl I\hu N|\Fl d\zhu e\roff{\hl d}&\Zsong{sum }\hu I&\Zsong{sum }\hl +N&\Zsong{sum }\Fl d\zhu e\roff{\hl d}\enotes +\barre %18 +\H Hacj{im-}% +\Hqhq I{NM}{=d}{ih}{mo-}% +\barre %19 +\Hh Lceh{la-}% +\Hh Lbeg{tum }% +\barre %20 +\H Kbfi{In }% +\H Ibfk{cru-}% +\barre %21 +\Hhhq Lbe{g^f}{ce }% +\Hhhq JLe{g^h}{pro }% +\barre %22 +\NOtes\zw K\hu d|\zhl g\hu i&\Zsong{ho-}\hup K&\Zsong{ho-}\hl +d&\Zsong{ho-}\zhl g\hu i\enotes +\Notes\qup c|\lSh f\zqlp f\qup{^h}&&\Zsong{-}\qlp c&\Zsong{-}\lSh f\zqp f\qup{^h}\enotes +\notes\sk\cu c|\sk\lNa h\zq{=f}\cu h&\Zsong{mi-}\qu K&\sk\Zsong{mi-}\cl +c&\sk\Zsong{mi-}\lNa h\zcl{=f}\cu h\enotes +\barre %23 +\def\Hp#1#2#3#4#5{\NOTes\zhlp{#1}\hup{#2}|\zhlp{#3}\hup{#4}&\Zsong{#5}\hup{#1}&\Zsong{#5}\hlp{#2}&\Zsong{#5}\zhlp{#3}\hup{#4}\enotes}% +\def\Qhhq#1#2#3#4#5{\Notes\zhu{#2}\ql{#1}|\zhl{#3}\qu{#4}&\Zsong{#5}\qu{#1}&\Zsong{#5}\hl{#2}&\Zsong{#5}\zhl{#3}\qu{#4}\enotes}% +\Hp Nbgg{ne }% +\Notes\soupir|\soupir&\soupir&\soupir&\soupir\enotes +\barre %24 +\H Nbei{Cu-}% +\Qhhq {ML}be{=hg}{jus }% +\barre %25 +\NOtes\roff{\zhl a}\hu b|\zhl d\hu g&\Zsong{la-}\hu a&\Zsong{la-}\hl +b&\Zsong{la-}\zhl d\hu g\enotes +\NOtes\roff{\zhl a}\hu b|\zhl d\hu f&\Zsong{tus }\hu a&\Zsong{tus }\hl +b&\Zsong{tus }\zhl d\hu f\enotes +\barre %26 +\H Nbei{per-}% +\Qhhq {ML}be{hg}{fo-}% +\barre %27 +\NOtes\roff{\zhl a}\hu b|\zhl d\hu g&\Zsong{ra-}\hu a&\Zsong{ra-}\hl +b&\Zsong{ra-}\zhl d\hu g\enotes +\NOtes\roff{\zhl a}\hu b|\zhl d\hu f&\Zsong{tum }\hu a&\Zsong{tum }\hl +b&\Zsong{tum }\zhl d\hu f\enotes +\barre %28 +\H Nbee{flu-}% +\Hhhq Kbf{ih}{xit}% +\barre %29 +\def\Qqqq#1#2#3#4#5{\Notes\rlap{\qu{#2}}\ql{#1}|\rlap{\ql{#3}}\qu{#4}&\Zsong{#5}\qu{#1}&\Zsong{#5}\ql{#2}&\Zsong{#5}\rlap{\ql{#3}}\qu{#4}\enotes}% +\H Lbgg{un-}% +\Qqqq L{^b}gk{da }% +\Qqqq Lcgj{et }% +\barre %30 +\Notes\zhlp M\qu {dc=b}\zql M\qu c|\zhl f\qu{i^h}\zhl +e\qu{g=h}\relax + &\Zsong{san-}\hup M\sk\sk\Zsong{gui-}\qu M\relax + &\Zsong{san-}\ql{dc}\Zsong{gui-}\ql{=bc}\relax + &\Zsong{san-}\zhl f\qu{i^h}\Zsong{gui-}\zhl e\qu{g=h}\enotes +\barre %31 +\Hp Ibdi{ne, }% +\Notes\soupir|\soupir&\soupir&\soupir&\soupir\enotes +\barre %32 +\H LNei{Es-}% +\Hqhq I{ba}d{gf}{to }% +\barre %33 +\H JNee{no-}% +\NOtes \zhl N\hu b|\Fl d\zhu e\roff{\hl d}&\Zsong{bis }\hu N&\Zsong{bis }\hl +b&\Zsong{bis }\Fl d\zhu e\roff{\hl d}\enotes +\barre %34 +\def\Qqhh#1#2#3#4#5{\Notes\rlap{\qu{#2}}\ql{#1}|\zhl{#3}\hu{#4}&\Zsong{#5}\qu{#1}&\Zsong{#5}\ql{#2}&\Zsong{#5}\zhl{#3}\hu{#4}\enotes}% +\def\Qqqh#1#2#3#4#5{\Notes\rlap{\qu{#2}}\ql{#1}|\zhu{#4}\ql{#3}&\Zsong{#5}\qu{#1}&\Zsong{#5}\ql{#2}&\Zsong{#5}\zhu{#4}\ql{#3}\enotes}% +\Qqhh {aN}{cb}cj{pr\ae{}-}% +\Qqqh {ML}{aN}{=de}j{gus-}% +\barre %35 +\H Kafj{ta-}% +\H Kafi{tum }% +\barre %36 +\H LNei{Mor-}% +\Hh Jegj{tis }% +\barre %37 +\Hhhq Mcf{ih}{in }% +\Hqhq H{ba}c{gf}{ex-}% +\barre %38 +\NOtes\zhlp I\hu N|\zhlp b\hu e&\Zsong{a-}\hup +I&\Zsong{a-}\hl N&\Zsong{a-}\zhlp b\hu e\enotes +\Notes\hu a\ql I|\hu d\ql b&\sk\Zsong{mi-}\qup I&\Zsong{ni-}\hl +a&\Zsong{mi-}\hu d\ql b\enotes +\barre %39 +\NOtes\zhlp L\hup N|\zhlp b\hup e&\Zsong{ne }\hu L&\Zsong{ne +}\hlp N&\Zsong{ne }\zhlp b\hup e\enotes +\Notes\sk\soupir|\sk\soupir&\Zsong{O }\hu L&\sk\soupir&\sk\soupir\enotes +\barre %40 +\NOtes\zhl L\hu c|\zhl e\hu h&\Zsong{Je-}\hu L&\Zsong{O }\hl c&\Zsong{O }\zhl +e\hu h\enotes +\Notes\zhl L\qu{bb}|\zhl d\qu{hg}&\Zsong{su }\hu L&\Zsong{Je-}\ql b\Zsong{su +}\ql b&\Zsong{Je-}\zql d\qu h\Zsong{su }\zql d\qu g\enotes +\barre %41 +\def\qhhh#1#2#3#4#5{\Notes\zhu{#2}\ql{#1}|\zhl{#3}\qu{#4}&\Zsong{#5}\qu{#1}&\Zsong{#5}\hl{#2}&\Zsong{#5}\zhl{#3}\hu{#4}\enotes}% +\H Lacg{dul-}% +\Notes \zhu a\zhl{LL}|\zhl c\hu f&\Zsong{cis }\qu L\Zsong{O }\qu L&\Zsong{cis +}\hl a&\Zsong{cis }\zhl c\hu f\enotes +\barre %42 +\NOtes\zhl L\hu e|\zhl h\hu j&\Zsong{Je-}\hu L&\Zsong{O }\hl e&\Zsong{O }\zhl +h\hu j\enotes +\Notes\zhl L\qu{_dd}|\zhl g\qu{ji}&\Zsong{su }\hu L&\Zsong{Je-}\ql {_d}\Zsong{su +}\ql d&\Zsong{Je-}\zql g\qu j\Zsong{su }\zql g\qu i\enotes +\barre %43 +\H Lcfi{pi-}% +\H Lcfh{e }% +\barre %44 +\H b{=d}hm{Je-}% +\NOtes\zhu c\roff{\hl b}|\zhl h\hu l&\Zsong{su, }\hu b&\Zsong{su, }\hl +f&\Zsong{su, }\zhl h\hu l\enotes +\barre %45 +\H bfhk{Je-}% +\H begj{su }% +\barre %46 +\Hhhq Idf{ji}{fi-}% +\Qqqq Icej{li }% +\Qqqq Ibdh{Ma-}% +\barre %47 +\H Lbeh{ri-}% +\Qqqq Lbeg{\ae{} }% +\Qqqq bbeg{In }% +\barre %48 +\Qqqq aceg{no-}% +\Notes \zql a\qu c|\zqu f\roff{\ql e}&\Zsong{bis }\qu a&\Zsong{bis }\ql c&\Zsong{bis }\roff{\zql +e}\qu f\enotes +\Notes \roff{\zql a}\qu b|\zqu f\ql d&\Zsong{mi-}\qu a&\Zsong{mi-}\ql b&\Zsong{mi-}\roff{\zql +e}\qu f\enotes +\Notes \roff{\zql a}\qu b|\zqu j\ql d&\Zsong{se-}\qu a&\Zsong{se-}\ql b&\Zsong{se-}\zql +d\qu j\enotes +\barre %49 +\H Nbej{re-}% +\Qqqq Nbei{re }% +\Qqqq Nbei{O }% +\barre %50 +\Qqqq {Lb}{bd}{gh}{nm}{Je-}% +\Qqqq cegl{su }% +\Qqqq N{^b}fk{In }% +\barre %51 +\Qqqq acej{no-}% +\Qqqq {^L}{_d}gi{bis }% +\Qqqq Mcfh{mi-}% +\Qqqq Hacf{se-}% +\barre %52 +\def\Whhh#1#2#3#4#5{\NOtes\zwh{#1}\hu{#2}|\rlap{\hl{#3}}\hu{#4}&\Zsong{#5}\zwh{#1}&\Zsong{#5}\hl{#2}&\Zsong{#5}\rlap{\hl{#3}}\hu{#4}\enotes}% +\Whhh I{Na}{eb}{id}{re-}% +\barre %53 +\NOtes\zhl L\hup N|\zhlp b\hup e&\Zsong{re }\hu L&\Zsong{re }\hlp N&\Zsong{re }\zhlp b\hup e\enotes +\Notes\itenl1E\itenl2L\zh E\hl L\raise2\Interligne\soupir|\sk\soupir&\itenl3L\Zsong{A-}\hu L&\sk\soupir&\sk\soupir\enotes +\barre %54 +\NOtes\tten1\tten2\zwh c\zh E\hl L|\zw g\wh l&\Zsong{--}\tten3\hu L&\Zsong{A-}\wh +c&\Zsong{A-}\zw g\wh l\enotes +\Notes\itenl1E\itenl2L\zh E\hl L&\csong{men !}\itenl3L\hu L\enotes +\barre %55 +\NOtes\tten1\tten2\zh E\zhl L\hup b|\zhlp g\hup k&\tten3\Zsong{--}\hu L&\csong{men !}\hlp b&\csong{men !}\zhlp g\hup k\enotes +\Notes\itenl1E\itenl2L\zh E\hl L\raise2\Interligne\soupir|\sk\soupir&\itenl3L\Zsong{A-}\hu L&\sk\soupir&\sk\soupir\enotes +\barre %56 +\NOtes\tten1\tten2\zwh {^a}\zh E\hl L|\zw {^f}\wh j&\tten3\Zsong{--}\hu L&\Zsong{A-}\wh +{^a}&\Zsong{A-}\zw {^f}\wh j\enotes +\Notes\itenl1E\itenl2L\zh E\hl L&\csong{men !}\itenl3L\hu L\enotes +\barre %57 +\NOtes\tten1\tten2\zh E\zhl L\hu b|\zhlp g\hup i&\tten3\Zsong{--}\hu L&\csong{men !}\hlp b&\csong{men !}\zhlp g\hup i\enotes +\Notes\itenl1E\itenl2L\zh E\hl L\raise2\Interligne\soupir|\sk\soupir&\itenl3L\Zsong{A-}\hu L&\sk\soupir&\sk\soupir\enotes +\barre %58 +\NOtes\tten1\tten2\zwh c\zh E\hl L|\zw e\wh h&\tten3\Zsong{--}\hu L&\Zsong{A-}\wh +c&\Zsong{A-}\zw e\wh h\enotes +\Notes\itenl1E\itenl2L\zh E\hl L&\csong{men !}\itenl3L\hu L\enotes +\barre %59 +\NOtes\tten1\tten2\zhp E\zhlp L\hup b|\zhlp e\hup g&\tten3\hu L&\csong{men !}\hlp b&\csong{men !}\zhlp e\hup g\enotes +\Notes\sk\soupir|\sk\soupir&\sk\soupir&\sk\soupir&\sk\soupir\enotes +\barre %60 +\NOtes\zw I\rw b\wh a|\zw d\hu{gf}&\Zsong{A-}\wh I&\Zsong{A-}\rw b\wh +a&\Zsong{A-}\zw d\hu{gf}\enotes +\barre %61 +\NOtes\zw E\wh L|\pointdorgue l\zw{Nb}\wh e&\Zsong{men.}\zw E\wh L&\Zsong{men.}\zw N\wh +b&\pointdorgue l\Zsong{men.}\wh e\enotes +\ifnum\Signature<-3\relax +\mulooseness1\relax +\else +\mulooseness2\relax +\fi +\finmorceau +\bye + diff --git a/macros/generic/musixtex/doc/examples/changecontext.tex b/macros/generic/musixtex/doc/examples/changecontext.tex new file mode 100644 index 0000000000..819a59131f --- /dev/null +++ b/macros/generic/musixtex/doc/examples/changecontext.tex @@ -0,0 +1,95 @@ +\input musixtex +\instrumentnumber2\setstaffs22% +\hsize 100mm \vsize 230mm +\generalmeter{\meterfrac{4}{4}\meterfrac{2}{4}\meterfrac{1}{4}}% +\setclef1{\bass}\generalsignature2% +\startpiece +\notes\qu K&\qu d|\qu e\en +% +% Signatures +% if there is no bar line, the signatures are confusing +% it is not clear if they are for a single note or not +% bar 1 +%% Signature changing in a single instrument with 2 staves +\setsign21\changesignature +\notes\qu J&\qu d|\qu e\en +% Signature changing in a single instrument +%\setsign1{-1}\changesignature +%\notes\qu K&\qu d|\qu e\en +% Signature changing in a single staff without naturals +\setsign11\ignorenats\changesignature +\notes\qu M&\qu d|\qu e\en +% bar 2 +% New signatures after a bar line +\generalsignature{-2}\changecontext% +\notes\qu K&\qu d|\qu e\en% +\notes\qu K&\qu d|\qu e\en% +% New signatures after an invisible bar line +\generalsignature{1}\zchangecontext% +\notes\qu K&\qu d|\qu e\en% +% +% new music line caused by mulooseness +\mulooseness1 +% +% bar 3 +%\setsign2{-1}\changesignature\Changecontext% +\setsign2{-1}\ignorenats\Changecontext% +%\zalaligne% +\notes\qu K&\qu d|\qu e\en% +% bar 4 +\generalsignature{2}\ignorenats\Changecontext% +\notes\qu K&\qu d|\qu e\en% +% bar 5 OK : +\setsign1{-3}\setsign2{-3}\changecontext% +\notes\qu K&\qu d|\qu e\en% +% bar 6 +% Are all this options common (choose 1 line of 3)? +%\generalsignature{-3}\changecontext\alaligne% +%\generalsignature{-3}\changesignature\setdoublebar\alaligne% +\generalsignature{-3}\changesignature\Changecontext% +% +\notes\qu K&\qu d|\qu e\en% +% bar 7 +\generalsignature{2}\ignorenats\Changecontext% +\notes\qu K&\qu d|\qu e\en% +% +% Clefs +% in 1 staff and taking space +\setclef1\treble\changeclefs% +\notes\qu k&\cu{.d}\ccu{e}|\qu e\en% +% combined with signature change - space is already available +\setclef1\bass\zchangeclefs\setsign1{-2}\setsign2{-2}% +\ignorenats\changesignature% +\notes\qu K&\cu{de}|\qu e\en% +% clef change before barline +\setclef1\treble\zchangeclefs\bar% +\notes\qu k&\cu{de}|\qu e\en% +% clef change after barline +\setclef1\bass\bar\zchangeclefs% +\notes\qu K&\cu{de}|\qu e\en% +% bar 10 +% Meter +\setmeter1{{\meterfrac{2}{4}}}% +% How big the '2' must be? +\setmeter2{{\lower2pt\hbox{\meterfrac{\Bigtype 2}{}}}% +{\meterfrac{3}{4}}}\changecontext +\notes\qu K&\cu{de}|\qu e\en +% bar 11 +% Meter Clefs and Key Signatures +% all 3 clefs after bar if no changeclefs +\setmeter1{{\meterfrac{2}{8}}}% +\setmeter2{{\meterfrac{3}{6}}{\meterfrac{3}{8}}}% +\setsign2{-1}% +% How to force showing the bass clef? +\setclef1\bass\setclef2{23}% +\Changecontext +\notes\qu K&\cu{de}|\qu e\en +% bar 12 +% Meter Clefs Keys Signatures all 3 with clef before the bar +% probably not if signatures are involved +\setmeter1{{\meterfrac{2}{4}}}% +\setmeter2{{\meterfrac{3}{8}}{\meterfrac{3}{6}}}% +\setsign2{-1}% +\setclef1\treble\zchangeclefs\changecontext +\notes\qu k&\cu{de}|\qu e\en +\mulooseness1\Stoppiece\eject\bye diff --git a/macros/generic/musixtex/doc/examples/chanson.tex b/macros/generic/musixtex/doc/examples/chanson.tex new file mode 100644 index 0000000000..1047b9f948 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/chanson.tex @@ -0,0 +1,318 @@ +\ifx +\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi +\title{Chanson innocente} +\subtitle{(pour orgue)} +\fulltitle{XII. Chanson innocente} +\csname titremorceautoc\endcsname +\shortauthor{D. Taupin} +\fullauthor{Daniel TAUPIN\\organiste \`{a} Gif-sur-Yvette} +\othermention{Compos\'{e} en 1996-1999} +% +% + +\maketitle +\parindent 18mm + +\instrumentnumber{3} +\setname1{Fl\^{u}te 16, 8'} +\setname2{Fl\^{u}te 8'} +\setname3{Sesquialtera} +\generalmeter{\meterfrac68} + +%\def\ttriou#1#2#3{\def\txt{\eightit3}\Ibbu0{#1}{#3}2\qh0{#1}\butext0\qh0{#2}\tqh0{#3}} + +%\def\ttriol#1#2#3{\def\txt{\eightit3}\Ibbl0{#1}{#3}2\qb0{#1}\bltext0\qb0{#2}\tqb0{#3}} + +\def\sextol#1#2#3{\ibbl0{#1}0\qb0{#1}\qb0{#2}\qb0{#3}\qb0{#1}\qb0{#2}\tqb0{#3}} +\def\sextou#1#2#3{\ibbu0{#3}0\qb0{#1}\qb0{#2}\qb0{#3}\qb0{#1}\qb0{#2}\tqh0{#3}} + %\check +\def\Sextol#1#2#3#4#5#6{\Ibbl0{#1}{#4}3\qb0{#1}\qb0{#2}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}} +\def\Sextou#1#2#3#4#5#6{\Ibbu0{#3}{#6}3\qb0{#1}\qb0{#2}\qb0{#3}\qb0{#4}\qb0{#5}\tqh0{#6}} + %\check +\def\triou#1#2#3{\Ibu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}} + %\check +\def\triol#1#2#3{\Ibl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}} + %\check +\def\triopl#1#2#3{\Ibl0{#1}{#3}4\qbp0{#1}\sk\sk\tbbl0\qb0{#2}\tqb0{#3}\sk} +\def\triopu#1#2#3{\Ibu0{#1}{#3}4\qhp0{#1}\sk\sk\tbbu0\qh0{#2}\tqh0{#3}\sk} +\noautolines +\setname1{P\'{e}dale}\setname2{Fl\^{u}te}\setname3{Sesquialtera} +\generalsignature{1} +\setclef1{\bass}\setclef2{\treble}\setclef3{\treble} +\def\tripler{\noteskip=3\noteskip} +\def\doubler{\noteskip=2\noteskip} +\debutmorceau +\Notes\qup G&\sextou bdg&\Uptext{\moyen Andantino \bf \metron{\qup}{40}}\enotes +\Notes\qup H&\sextou ceg&\pause\enotes +\barre %2 +\Notes\qup K&\Sextou adfacf&\doubler\sk\pt5\soupir\enotes +\Notes\qup G&\Sextou Nbdbdg&\doubler\soupir\sk\ilegu0n\cu g\enotes +\barre %3 +\Notes\qup G&\sextou bdg&\doubler\qu i\sk\cu i\enotes +\Notes\qup H&\sextou acf&\doubler\triou jij\enotes +\barre %4 +\Notes\qup I&\sextou bdg&\doubler\qu k\sk\cu i\enotes +\Notes\qup L&\sextou beg&\doubler\cu g\tleg0\ds\ilegu0n\cu g\enotes +\barre %5 +\Notes\qup J&\sextou Nce&\doubler\ql l\sk\cl l\enotes +\Notes\qup H&\sextou acf&\doubler\triol jkl\enotes +\barre %6 +\Notes\qup I&\sextou bdg&\doubler\qlp k\enotes +\Notes\qlp L&\sextou beg&\doubler\cu i\tleg0\ds\ilegu0n\cu g\enotes +\barre %7 +\Notes\qup H&\sextou ace&\doubler\qu j\sk\cu j\enotes +\Notes\qlp K&\sextou Mad&\doubler\triou hij\enotes +\barre %8 +\Notes\qup I&\Sextou Ma{^d}Mad&\doubler\qu i\sk\cu h\enotes +\Notes\qlp L&\sextou Nbe&\doubler\cu g\tleg0\ds\ilegu0n\cu i\enotes +\barre %9 +\Notes\qlp J&\sextou ace&\doubler\qu h\sk\cu g\enotes +\Notes\qlp K&\Sextou adgadf&\doubler\qu g\sk\cu f\enotes +\barre %10 +\Notes\qup I&\sextou bdg&\qup g\tleg0\enotes +\Notes\qup H&\Sextou acgacd&\doubler\soupir\sk\ilegu0n\cu g\enotes +\barre %11 +\Notes\qup G&\Sextou Nbdbdg&\doubler\qu i\sk\cu i\enotes +\Notes\qup H&\sextou acf&\doubler\triou jij\enotes +\barre %12 +\Notes\qup I&\sextou bdg&\doubler\qu k\sk\cu i\enotes +\Notes\qup L&\sextou beg&\doubler\cu g\tleg0\ds\ilegu0n\cu g\enotes +\barre %13 +\Notes\qup J&\sextou ceg&\doubler\ql l\sk\cl l\enotes +\Notes\qup H&\sextou acf&\doubler\triol lmn\enotes +\barre %14 +\Notes\qup I&\sextou bdg&\doubler\qlp k\enotes +\Notes\qlp L&\sextou beg&\doubler\cu i\tleg0\ds\sk\ilegu0n\cu g\enotes +\barre %15 +\Notes\qup H&\sextou ace&\doubler\qu j\sk\cu j\enotes +\Notes\qup {^K}&\sextou acf&\doubler\triou hij\enotes +\barre %16 +\Notes\qlp L&\Sextou NbeNaf&\doubler\qu i\sk\cu h\enotes +\Notes\doubler\qup J&\sextou Nce&\doubler\cu g\tleg0\ds\ilegu0n\cu i\enotes +\barre %17 +\Notes\qup H&\sextou ace&\doubler\qu h\sk\cu g\enotes +\Notes\qlp K&\Sextou acdacf&\doubler\qu g\sk\cu f\enotes +\barre %18 +\Notes\qup G&\sextou bdg&\hu g\tleg0\enotes +\Notes\sk\sk\sk\soupir&\sextou dgi&\doubler\soupir\sk\ilegu0n\cl i\enotes +\barre %19 +\Notes\qup I&\sextou dgi&\doubler\ql k\sk\cl k\enotes +\Notes\qup K&\Sextou dfhcfh&\triopl mlm\enotes +\barre %20 +\Notes\qup L&\sextou egi&\triopl nml\enotes +\Notes\qup I&\sextou dgi&\doubler\ql k\sk\cl l\enotes +\barre %21 +\Notes\qup H&\sextou acf&\doubler\ql j\sk\cl k\enotes +\Notes\qup G&\Sextou bdgdgi&\doubler\qu i\sk\cu g\enotes +\barre %22 +\Notes\qup K&\sextou dfh&\doubler\qup h\tleg0\enotes +\Notes\qup D&\Sextou dfhcfh&\doubler\soupir\sk\ilegu0n\cu h\enotes +\barre %23 +\Notes\qup G&\sextou dgi&\doubler\qu i\sk\cu i\enotes +\Notes\qup H&\sextou fhj&\doubler\triou jij\enotes +\barre %24 +\Notes\qup I&\sextou dgi&\doubler\qu k\sk\cu i\enotes +\Notes\qup L&\sextou beg&\doubler\cu g\tleg0\ds\ilegu0n\cu i\enotes +\barre %25 +\Notes\qup J&\sextou ehj&\doubler\qu h\sk\cu g\enotes +\Notes\qup K&\Sextou cdhdfj&\doubler\qu g\sk\cu f\enotes +\barre %26 +\Notes\qup G&\sextou bdg&\qup g\tleg0\enotes +\Notes\sk\sk\pt 5\soupir&\sextou dgi&\doubler\soupir\sk\ilegu0n\cl i\enotes +\barre %27 +\Notes\qup G&\sextou dgi&\doubler\ql k\sk\cl k\enotes +\Notes\qup H&\sextou cfh&\doubler\triol mkm\enotes +\barre %28 +\Notes\qup I&\sextou dgi&\triopl nml\enotes +\Notes\qup G&\sextou dgi&\doubler\ql k\sk\cl l\enotes +\barre %29 +\Notes\qup H&\sextou acf&\doubler\ql j\sk\cl k\enotes +\Notes\qup G&\Sextou bdgdgi&\triopl iji\enotes +\generalmeter{\meterfrac 98}% +\changecontext %30 +\Notes\qup K&\sextou dfh&\doubler\cu h\tleg0\ds\ilegu0n\cu h\enotes +\Notes\qup G&\sextou dgi&\triopu iji\enotes +\Notes\qup D&\Sextou dghcfh&\triopu hih\enotes +\generalmeter{\meterfrac 68}% +\changecontext %31 +\Notes\hu G&\Sextou bdgNbd&\qup g\tleg0\enotes +\Notes\sk\sk\soupir&\sextou bdg&\doubler\soupir\sk\ilegu0n\cu g\enotes +\generalsignature{-2}% +\changecontext %32 +\Notes\qup G&\sextou bdg&\doubler\ql i\sk\cl i\enotes +\Notes\qup H&\Sextou ac{^f}acf&\triopl jij\enotes +\barre %33 +\Notes\qup I&\sextou bdg&\doubler\ql k\sk\cl i\enotes +\Notes\qup L&\sextou beg&\doubler\cu g\tleg0\ds\ilegu0n\cu g\enotes +\barre %34 +\Notes\qup J&\sextou Nce&\doubler\ql l\sk\cl l\enotes +\Notes\qup K&\Sextou d{^f}hcfh&\doubler\triol jkl\enotes +\barre %35 +\Notes\qup I&\Sextou bdgNbd&\doubler\qlp k\enotes +\Notes\qlp L&\sextou beg&\doubler\cu i\tleg0\ds\ilegu0n\cu g\enotes +\barre %36 +\Notes\qup H&\sextou ace&\doubler\qu j\sk\cu j\enotes +\Notes\qlp K&\sh M\sextou Mad&\doubler\triou hij\enotes +\barre %37 +\Notes\qup G&\Sextou bdgac{^f}&\doubler\qu i\sk\cu h\enotes +\Notes\qlp L&\sextou beg&\doubler\cu g\tleg0\ds\ilegu0n\cu i\enotes +\barre %38 +\Notes\qlp J&\sextou ace&\doubler\qu h\sk\cu g\enotes +\Notes\qlp K&\Sextou adgad{^f}&\doubler\qu g\sk\cu {^f}\enotes +\barre %39 +\Notes\hu G&\Sextou bdgNbd&\qup g\tleg0\enotes +\Notes\doubler\sk\soupir&\sextou bdg&\doubler\soupir\sk\ilegu0n\cl i\enotes +\barre %40 +\Notes\qup G&\sextou bdg&\doubler\ql k\sk\cl k\enotes +\Notes\qup H&\Sextou ac{^f}acf&\triopl{^m}{=l}m\enotes +\barre %41 +\Notes\qup I&\sextou bdg&\triopl n{=m}{_l}\enotes +\Notes\qup J&\sextou ceg&\doubler\ql k\sk\cl j\enotes +\barre %42 + %\check +\Notes\qup K&\sextou dgi&\triopl iji\enotes +\Notes\qup K&\Sextou d{^f}hdfh&\triopl hih\enotes +\barre %43 +\Notes\hu G&\Sextou dgibdg&\doubler\qup g\tleg0\enotes +\Notes\doubler\sk\soupir&\sextou dgi&\doubler\soupir\sk\ilegu0n\cl i\enotes +\barre %44 +\Notes\qup I&\sextou dfi&\doubler\ql k\sk\cl k\enotes +\Notes\qup K&\sextou fik&\triopl mlk\enotes +\Notes\doubler\ql{=M}\sk\cl{^M}&\sextou fhj&\doubler\ql j\sk\cl k\enotes +\barre %45 +\Notes\qlp N&\sextou dgi&\triopl iji\enotes +\Notes\qup K&\Sextou d{^f}hdfh&\doubler\cu h\tleg0\ds\ilegu0n\cu h\enotes +\barre %46 +\Notes\qlp N&\sextou dgi&\triopu iji\enotes +\Notes\qlp K&\Sextou d{^f}hdfj&\triopu hih\enotes +\barre %47 +\Notes\hu G&\Sextou bdgdgi&\qup g\tleg0\enotes +\Notes\doubler\sk\soupir&\Sextou dg{=i}dgi&\doubler\soupir\sk\ilegu0o\cl k\enotes +\generalsignature{1}% +\changecontext %48 +\Notes\qup G&\sextou dgi&\doubler\ql p\sk\cl p\enotes +\Notes\qlp K&\sextou dfh&\triopl opo\enotes +\barre %49 +\Notes\qlp L&\sextou beg&\triopl nml\enotes +\Notes\qup I&\sextou bdg&\doubler\ql k\sk\cl i\enotes +\barre %50 +\Notes\qup H&\Sextou cfhacf&\triopl jkj\enotes +\Notes\qup G&\Sextou bdgdgi&\triopu ihg\enotes +\barre %51 +\Notes\qup K&\sextou dfh&\qu h\tleg0\sk\ds\enotes +\Notes\qup I&\sh d\sextou dfi&\doubler\ilegu0n\qu i\sk\cu h\enotes +\barre %52 +\Notes\qlp L&\sextou beg&\doubler\qu g\sk\cu g\enotes +\Notes\qup H&\sextou acf&\triopu jih\enotes +\barre %53 +\Notes\qup I&\sextou beg&\doubler\qu i\sk\cu i\enotes +\Notes\qup I&\sextou bfh&\doubler\qu i\sk\cu i\enotes +\barre %54 +\Notes\hl L&\Sextou begNbe&\doubler\qup e\tleg0\enotes +\Notes\doubler\sk\soupir&\sextou beg&\doubler\soupir\sk\ilegu0n\cl i\enotes +\barre %55 +\Notes\qlp L&\sextou beg&\doubler\ql n\sk\cl n\enotes +\Notes\qup H&\sextou acf&\ibl0m0\pt m\qb0m\sk\sk\nbbl0\qb0{nm}\tqb0l\enotes +\barre %56 +\Notes\qup I&\Sextou b{^d}fadf&\doubler\cl{^k}\tleg0\ds\ilegu0n\cl i\enotes +\Notes\qlp L&\sextou beg&\doubler\ql l\sk\cl m\enotes +\barre %57 +\Notes\qup J&\Sextou cegceh&\doubler \ql n\sk\ql o\enotes +\Notes\qup I&\Sextou {^d}fidfi&\doubler\ql p\sk\cl m\enotes +\barre %58 +\Notes\qup L&\sextou egi&\Ibl0nl5\qb0n\sk\nbbl0\qb0{onm}\tqb0l\enotes +\Notes\qup I&\sh d\sextou dfi&\doubler\cl {^k}\tleg0\ds\ilegu0o\cl i\enotes +\barre %59 +\Notes\qlp L&\sextou beg&\doubler\ql l\sk\cl m\enotes +\Notes\qup J&\Sextou cegceh&\doubler \ql n\sk\cl o\enotes +\barre %60 +\Notes\qup G&\sextou dgi&\doubler\ql p\sk\cl n\enotes +\Notes\qup I&\sextou bdg&\Ibl0nl5\qbp0n\sk\sk\nbbl0\qb0{on}\tqb0m\enotes +\barre %61 +\Notes\qup J&\sextou ceg&\doubler\ql l\sk\cl j\enotes +\Notes\qlp N&\sextou dgi&\triopl iji\enotes +\barre %62 +\Notes\qup K&\sextou dfh&\triopu hih\enotes +\Notes\qup L&\sextou egi&\triopu gfe\enotes +\barre %63 +\Notes\qup H&\sextou acf&\doubler\qu f\sk\cu f\enotes +\Notes\qup I&\sextou beg&\triopu gfe\enotes +\Notes\qup I&\sextou bfh&\triopu fe{^d}\enotes +\barre %64 +\Notes\hu L&\Sextou begNbe&\qup e\tleg0\enotes +\Notes\doubler\sk\soupir&\Sextou begbdg&\doubler\soupir\sk\ilegu0n\cu g\enotes +\barre %65 +\Notes\qup G&\sextou dgi&\doubler\ql i\sk\cl i\enotes +\Notes\qup I&\sextou bdg&\triopl kji\enotes +\barre %66 +\Notes\doubler\qu K\sk\cu{^K}&\Sextou dfhdfi&\doubler\qu h\sk\cu i\enotes +\Notes\qup L&\sextou egi&\Ibu0ge5\qh0g\sk\nbbu0\qh0{hgf}\tqh0e\enotes +\Notes\qup I&\sh d\sextou dfi&\Ibu0fd5\qh0f\sk\nbbu0\qh0{gfe}\tqh0{^d}\enotes +\barre %67 +\Notes\hl L&\Sextou egibeg&\qup e\tleg0\enotes +\Notes\doubler\sk\soupir&\Sextou egidgi&\doubler\soupir\sk\ilegu0n\cu g\enotes +\barre %68 +\Notes\qup G&\sextou bdg&\doubler\qu i\sk\cu i\enotes +\Notes\qup H&\sextou acf&\doubler\triou jij\enotes +\barre %69 +\Notes\qup I&\sextou bdg&\doubler\qu k\sk\cu i\enotes +\Notes\qup L&\sextou beg&\doubler\cu g\tleg0\ds\ilegu0n\cu g\enotes +\barre %70 +\Notes\qup J&\sextou ceg&\doubler\ql l\sk\cl l\enotes +\Notes\qup H&\sextou cfh&\doubler\triol lmn\enotes +\barre %71 +\Notes\qup I&\sextou bdg&\doubler\qlp k\enotes +\Notes\qlp L&\sextou beg&\doubler\cu i\tleg0\ds\ilegu0n\cu i\enotes +\barre %72 +\Notes\qup H&\sextou ace&\doubler\qu j\sk\cu j\enotes +\Notes\qlp K&\sextou Mad&\doubler\triou lkj\enotes +\barre %73 +\Notes\qup I&\Sextou Ma{^d}Mad&\doubler\qu i\sk\cu h\enotes +\Notes\qlp L&\sextou Nbe&\doubler\cu g\tleg0\ds\ilegu0n\cu i\enotes +\barre %74 +\Notes\qlp J&\sextou ace&\doubler\qu h\sk\cu g\enotes +\Notes\qlp K&\Sextou adgadf&\doubler\qu g\sk\cu f\enotes +\barre %75 +\Notes\qup I&\sextou bdg&\qup g\tleg0\enotes +\Notes\qup H&\ibbu0f0\qh0{acged}\tqh0c&\doubler\soupir\sk\ilegu0n\cl i\enotes +\barre %76 +\Notes\qup I&\sextou bdg&\doubler\ql k\sk\cl k\enotes +\Notes\qup K&\Sextou dfhcfh&\triopl mlm\enotes +\barre %77 +\Notes\qup L&\sextou egi&\triopl nml\enotes +\Notes\qup I&\Sextou dgibeg&\doubler\ql k\sk\cl l\enotes +\barre %78 +\Notes\qup H&\sextou acf&\doubler\ql j\sk\cl k\enotes +\Notes\qup G&\Sextou bdgdgi&\doubler\qu i\sk\cu g\enotes +\barre %79 +\Notes\qup K&\sextou dfh&\doubler\cu h\tleg0\ds\ilegu0n\cu h\enotes +\Notes\qup G&\sextou dgi&\triopu iji\enotes +\Notes\qup D&\Sextou dghcfh&\triopu hih\enotes +\barre %80 +\Notes\hu G&\Sextou bdgdgi&\qup g\tleg0\enotes +\Notes\sk\sk\soupir&\Sextou gikikn&\uptext{\moyen Rall.}\doubler\soupir\sk\ilegu0o\cl n\enotes +\barre %81 +\Notes\qup G&\Ibbl0nk3\qb0{pnknk}\tqb0i&\advance\transpose 7\triopl iji\enotes +\Notes\qup D&\Ibbu0jg5\qh0{khfcf}\tqh0h&\advance\transpose 7\triopl hih\enotes +\barre %82 +\Notes\hup G&\Ibbu0je5\qh0{igdgd}\tqh0b&\hlp n\tleg0\enotes +\Notes&\Sextou Nbdbdf\enotes +\NOtes\pt 5\soupir&\qup g&\pt 5\soupir\enotes +%\linegoal 28 +\mulooseness -7 +\finmorceau + +\rightline{\sl\aujourdhui}\vfil\eject + +\ifx\toc\undefined + \let\finishpiece \end +\else + \let\finishpiece\relax +\fi +\finishpiece +\endinput + diff --git a/macros/generic/musixtex/doc/examples/dissonan.tex b/macros/generic/musixtex/doc/examples/dissonan.tex new file mode 100644 index 0000000000..021607ab3f --- /dev/null +++ b/macros/generic/musixtex/doc/examples/dissonan.tex @@ -0,0 +1,947 @@ +\title{Fantaisie aigre-douce} +\subtitle{(pour orgue)} +\shortauthor{D. Taupin} +\fullauthor{Daniel TAUPIN} +\othermention{Compos\'e en 1993} +\maketitle + +\tracingstats=2\relax +% +% formes fr‚quentes +% +%au moins deux croches basses et hautes +\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% +\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% +%au moins deux doubles croches basses et hautes +\def\dqbb#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% +\def\dqhh#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% +%au moins trois doubles croches basses et hautes +\def\tqbb#1#2#3{\Ibbl0{#1}{#3}2\qb0{#1#2}\tqb0{#3}}% +\def\Tqbb#1#2#3{\ibbl0{#2}0\qb0{#1#2}\tqb0{#3}}% +%au moins quatre croches basses et hautes +\def\qqb#1#2#3#4{\Ibl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% +\def\Qqb#1#2#3#4{\Ibl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}% +\def\qqB#1#2#3#4{\Ibl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}% +\def\qqh#1#2#3#4{\Ibu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% +\def\Qqh#1#2#3#4{\Ibu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}% +\def\qqH#1#2#3#4{\Ibu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}% +%au moins quatre doubles croches basses et hautes +\def\qqbb#1#2#3#4{\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% +\def\Qqbb#1#2#3#4{\Ibbl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}% +\def\qqBB#1#2#3#4{\Ibbl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}% +\def\qqhh#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% +\def\Qqhh#1#2#3#4{\Ibbu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}% +\def\qqHH#1#2#3#4{\Ibbu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}% +% +\def\qlppz#1{\uppz #1\ql #1} +\def\zlppz#1{\lppz #1\zq #1} +\def\quppz#1{\lppz #1\qu #1} +% +\nbporteesii=2\relax +\def\nbinstruments{2} +\global\cleftoksii={{6}{0}{0}{0}}% +\global\cleftoksi={{6}{0}{0}{0}}% +% +\signaturegenerale{0}\relax % ut majeur +\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% +%\check +\def\instrumenti{P\'edale}% +\def\instrumentii{G.O.}% +%\check +\medskip\noindent{\rm G.O.: Plein jeu, anches 8' et fonds 16' {\sl ad libitum.}}% +\par\noindent{\rm P\'ed.: fonds et anches 16', tirasse G.O.}% +\smallskip +% +\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}% +\def\doubler{\multiply\noteskip by 2\relax}% +\troistemps +\debutmorceau +\bigaccid +\notes&|\Uptext{\hbox{\kern -16mm\moyen Allegro + \bf(\metron{\hup}{50})}}\enotes +\advance\linesinpage by 1\relax +\ifx\mxversion\undefined\kern -\Interligne\fi +%\check +% mesure 1 +\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes +\temps\NOtes&\zq L\qlppz N|\zlppz c\qu e\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\qu e\enotes +%\check +% mesure 2 +\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes +\temps\NOtes&\zq L\qlppz N|\zlppz c\qu e\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\qu e\enotes +%\check +% mesure 3 +\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes +\temps\notes&\zq L\uppz a\ql{_a}|\lppz c\zql{_d}\dqh fe\enotes +\temps\NOtes\soupir&\zq L\qlppz a|\lppz c\zql d\qu f\enotes +%\check +% mesure 4 +\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes +\temps\notes&\zq L\uppz a\ql{_a}|\na d\roff{\lppz d\zql d}\dqh ef\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\qu e\enotes +%\check +% mesure 5 +\barre\NOtes\hu{_K}&\zq L\qlppz N|\lppz d\zq{_d}\qu f\enotes +\temps\NOtes&\zq L\qlppz N|\lppz d\rq e\qu{=d}\enotes +\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\lppz d\zq{_d}\qu f\enotes +%\check +% mesure 6 +\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\qu e\enotes +\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\na d\roff{\lppz d\zql d}\dqh ef\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\qu e\enotes +%\check +% mesure 7 +\barre\NOtes\hu{^J}&\zq K\qlppz N|\lppz c\zq{^c}\qu g\enotes +\temps\NOtes&\zq L\qlppz N|\lppz d\zq d\qu{^f}\enotes +\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\zlppz c\qu{=f}\enotes +%\check +% mesure 8 +\barre\NOtes\qu J&\zq L\qlppz N|\na c\zlppz c\qu e\enotes +\temps\notes\doubler\qu{K}&\zq L\uppz a\ql{_a}|\lppz c\zql c\dqh e{^d}\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\qu e\enotes +%\check +% mesure 9 +\barre\NOtes\hu{_L}&\zq L\qlppz N|\lppz b\zq {_e}\qu{b}\enotes +\temps\NOtes&\zq L\qlppz N|\zq a\lppz a\qu{^c}\enotes +\temps\NOtes\qu{K}&\zq M\uppz a\ql{_a}|\lppz b\zq b\qu d\enotes +%\check +% mesure 10 +\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu{=e}\enotes +\temps\NOtes&\zq L\qlppz N|\zlppz c\qu e\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\qu e\enotes +%\check +% mesure 11 +\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\qu e\enotes +\temps\NOtes\qu{_K}&\zq L\qlppz N|\zlppz c\qu e\enotes +\temps\NOtes\qu J&\zq L\qlppz N|\zlppz c\qu e\enotes +% mesure 12 +\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\NOtes&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +%\check +% mesure 13 +\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\NOtes&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +%\check +% mesure 14 +\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\notes\qu{_K}&\zq L\uppz a\ql{_a}|\lppz c\zq f\zql{_d}\dqh {_h}g\enotes +\temps\NOtes\soupir&\zq L\qlppz a|\lppz c\zq d\zql f\qu h\enotes +%\check +% mesure 15 +\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\relax + \na d\lppz d\zq f\zql d\roff{\dqh g{_h}}\enotes + \nspace +\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\zq e\qu g\enotes +%\check +% mesure 16 +\barre\NOtes\hu{^J}&\zq L\qlppz N|\lppz c\zq{^c}\zq f\qu{_h}\enotes +\temps\NOtes&\zq L\qlppz N|\lppz d\rq e\zq d\qu g\enotes +\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\lppz c\zq{=c}\zq f\qu h\enotes +%\check +% mesure 17 +\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\relax + \lfl e\lq e\lppz d\zql d\dqh g{=h}\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\na e\lppz c\zql c\zq e\qu g\enotes +%\check +% mesure 18 +\barre\NOtes\hu{^J}&\zq L\qlppz N|\lppz c\zq{^c}\zq e\zq g\qu{_i}\enotes +\temps\NOtes&\zq L\qlppz N|\lppz d\zq d\zq{^f}\qu h\enotes +\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\zlppz c\zql{_e}\qu{_h}\enotes +%\check +% mesure 19 +\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq{=e}\qu g\enotes +\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\lppz c\zq e\zql c\dqh g{^f}\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\zq e\qu g\enotes +%\check +% mesure 20 +\barre\NOtes\hu{^K}&\zq L\qlppz N|\lsh c\lppz b\rq c\zq{_b}\qu{^f}\enotes +\temps\NOtes&\zq L\qlppz N|\na b\lppz d\zq b\rq c\qu{=f}\enotes +\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\lppz b\zq b\qu{^f}\enotes +%\check +% mesure 21 +\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\NOtes&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +%\check +% mesure 22 +\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\NOtes\qu{_K}&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +%\check +% mesure 23 +\barre\NOtes\qu L&\zq {La}\qlppz c|\zlppz e\zq h\qu j\enotes +\temps\NOtes\qu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes +\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes +%\check +% mesure 24 +\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes +\temps\NOtes&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes +\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes +% mesure 25 +\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes +\temps\notes&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\dqh jk\enotes +\temps\NOtes\soupir&\zq {Ma}\qlppz c|\zlppz f\zql {h}\qu j\enotes +%\check +% mesure 26 +\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq {jg}\qu l\enotes +\temps\NOtes&\zq {L=a}\qlppz c|\lna h\sh f\zlppz f\zq {hj}\qu{_l}\enotes +\temps\NOtes\soupir&\lfl a\zq {^Ma}\qlppz c|\zlppz f\zq {_h}\qu k\enotes +% mesure 27 +\barre\NOtes\hu J&\zq {L=a}\qlppz c|\zlppz e\zq{=h}\qu j\enotes +\temps\notes&\zq {LN}\qlppz c|\zlppz e\zql {g}\dqh ji\enotes +\temps\NOtes\soupir&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\qu j\enotes +%\check +% mesure 28 +\barre\NOtes\hu J&\zq {L_a}\qlppz c|\zlppz e\rq f\qu{_h}\enotes +\temps\NOtes&\zq {LN}\uppz b\qlp{_b}|\zlppz e\zq g\qu{_i}\enotes +\temps\NOtes\soupir&\zq {_LN}\na b\qlppz b|\fl e\zlppz e\zq g\qu{=i}\enotes +%\check +% mesure 29 +\barre\NOtes\hu J&\zq {=LN}\qlppz c|\na e\zlppz e\zq g\qu j\enotes +\temps\notes&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\dqh jk\enotes +\temps\NOtes\soupir&\lsh M\zq {M=a}\qlppz c|\lsh f\zlppz f\zql {=h}\qu j\enotes +%\check +% mesure 30 +\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq {gj}\qu l\enotes +\temps\NOtes&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\NOtes\soupir&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +%\check +% mesure 31 +\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq {gj}\qu l\enotes +\temps\NOtes&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\NOtes\soupir&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +%\check +% mesure 32 +\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\notes&\zq {L_a}\uppz d\ql{_d}|\lppz f\zq{f_h}\zql{_k}\dqh ml\enotes +\temps\NOtes\soupir&\zq{La}\qlppz d|\lppz f\zq{fh}\zql k\qu m\enotes +%\check +% mesure 33 +\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\notes&\zq {L_a}\uppz d\ql{=d}|\zlppz e\zq{=h}\zql k\roff{\dqh lm}\enotes +\nspace +\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +%\check +% mesure 34 +\barre\NOtes\hu{^J}&\zq {LN}\sh c\qlppz c|\zlppz f\zq{h^j}\qu m\enotes +\temps\NOtes&\zq {LN}\qlppz d|\zlppz e\rq k\zq g\qu l\enotes +\temps\NOtes\soupir&\lfl a\zq {Ma}\na c\qlppz c|\zlppz f\zq{h=j}\qu m\enotes +%\check +% mesure 35 +\barre\NOtes\qu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\notes\doubler\qu{=K}&\zq {L_a}\ql d|\lppz e\zq{e_h}\zql k\roff{\dqh lm}\enotes +\nspace +\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +%\check +% mesure 36 +\barre\NOtes\hu{^J}&\zq {KN}\sh c\qlppz c|\lppz g\zq{g^j}\rq k\qu n\enotes +\temps\NOtes&\zq{LN}\qlppz d|\zq{^fj}\rq l\qu{^m}\enotes +\temps\NOtes\soupir&\zq {M_a}\qlppz c|\lfl h\na f\zlppz f\zq{hj}\qu{=m}\enotes +%\check +% mesure 37 +\barre\NOtes\qu J&\zq {LN}\na c\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\notes\doubler\qu{=K}&\lfl a\zq {La}\na d\qlppz d|\lppz e\zq{_h}\zql j\dqh l{^k}\enotes +\temps\NOtes\soupir&\zq {LN}\qlppz c|\lppz e\zq{egj}\qu l\enotes +%\check +% mesure 38 +\barre\NOtes\qsk\hu{^K}&\qsk\lfl b\na d\zq {LNb}\qlppz d|\qsk + \zlppz e\zq{g}\qu{=k}\enotes +\temps\NOtes&\sh c\zq {LN}\qlppz c|\zq e\lppz e\zq h\qu{^j}\enotes +\temps\NOtes\qu{=K}&\lq a\lfl a\zq {M}\qlppz b|\lppz d\zq {df_h}\qu k\enotes +%\check +% mesure 39 +\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\NOtes&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +%\check +% mesure 40 +\barre\NOtes\hu J&\zq {LN}\qlppz c|\Uptext{\it rit.}\zlppz e\zq{gj}\qu l\enotes +\temps\NOtes&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +%\check +% mesure 41 +\barre +\notes\zcharnote B{\it legato}\Ilegu0b\hl L&\zcharnote g{\it + a tempo}\Qqbb Nece|\Uptext{\it bien + sirupeux~!}\ibbu0i0\qh0{lgj}\tqh0g\enotes +\temps\notes&\Qqbb Nece|\ibbu0i0\qh0{lgj}\tqh0g\enotes +\temps\notes\ql L&\Qqbb Nece|\ibbu0i0\qh0{lgj}\tqh0g\enotes +%\check +% mesure 42 +\barre\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql K&\Qqbb Ndbd|\Qqhh kgig\enotes +\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 43 +\barre\notes\ql J&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql K&\Qqbb Ndbd|\Qqhh kgig\enotes +\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 44 +\barre\notes\qlp N&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\sk\tleg0\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\Ilegu0b\ql N&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 45 +\barre\notes\hlp a&\Qqbb Mcac|\Qqhh mhjh\enotes +\temps\notes&\Qqbb Mcac|\Qqhh mhjh\enotes +\temps\notes&\Qqbb Mcac|\Qqhh mhjh\enotes +%\check +% mesure 46 +\barre\notes\qlp N\tleg0&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\sk\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\Ilegu0c\ql N&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 47 +\barre\notes\hl c&\Qqbb afcf|\Qqhh mhjh\enotes +\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes +\temps\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 48 +\barre\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql M&\Qqbb afcf|\Qqhh mhjh\enotes +\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 49 +\barre\notes\hu K\tleg0&\Qqbb Ndbd|\Qqhh kgig\enotes +\temps\notes&\Qqbb Ndbd|\Qqhh kgig\enotes +\temps\notes\soupir&\Qqbb Ndbd|\Qqhh kgig\enotes +%\check +% mesure 50 +\barre\notes\Ilegu0c\hl L&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 51 +\barre\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql K&\Qqbb Ndbd|\Qqhh kgig\enotes +\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 52 +\barre\notes\ql J&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql K&\Qqbb Ndbd|\Qqhh kgig\enotes +\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 53 +\barre\notes\hl a&\Qqbb aece|\Qqhh lhjh\enotes +\temps\notes&\Qqbb aece|\Qqhh lhjh\enotes +\temps\notes\ql b&\Qqbb {^N}ebe|\Qqhh l{^g}ig\enotes +%\check +% mesure 54 +\barre\notes\qlp c\tleg0&\Qqbb aece|\Qqhh lhjh\enotes +\temps\notes\sk\sk\ds&\Qqbb aece|\Qqhh lhjh\enotes +\temps\notes\Ilegu0c\ql c&\Qqbb aece|\Qqhh lhjh\enotes +%\check +% mesure 55 +\barre\notes\hl b&\Qqbb Nebe|\Qqhh lgig\enotes +\temps\notes&\Qqbb Nebe|\Qqhh lgig\enotes +\temps\nspace\notes\ql a&\Qqbb aece|\bigsh m\Qqhh mhjh\enotes +%\check +% mesure 56 +\barre\notes\hl N&\Qqbb Nebe|\Qqhh lgig\enotes +\temps\notes&\Qqbb Nebe|\Qqhh lgig\enotes +\temps\notes\ql a&\Qqbb aece|\Qqhh lhjh\enotes +%\check +% mesure 57 +\barre\notes\hl N&\Qqbb Nebe|\Qqhh lgig\enotes +\temps\notes&\Qqbb Nebe|\Qqhh lgig\enotes +\temps\nspace\notes\ql {^M}&\varaccid\Qqbb a{^f}{^d}f|\sh m\varaccid\Qqhh mh{^k}h\enotes +%\check +% mesure 58 +\barre\notes\hl L\tleg0&\Qqbb Nebe|\Qqhh lgig\enotes +\temps\notes&\Qqbb Nebe|\Qqhh lgig\enotes +\temps\notes\soupir&\Qqbb Nebe|\Qqhh lgig\enotes +%\check +% mesure 59 +\barre\notes\Ilegu0b\hl N&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 60 +\barre\notes\hl M&\Qqbb afcf|\Qqhh mhjh\enotes +\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes +\temps\notes\ql L&\Qqbb Nece|\Qqhh njlj\enotes +%\check +% mesure 61 +\barre\notes\hlp K&\Qqbb Ndbd|\Qqhh niki\enotes +\temps\notes&\Qqbb Ndbd|\Qqhh niki\enotes +\temps\notes&\Qqbb Ndbd|\Qqhh niki\enotes +%\check +% mesure 62 +\barre\notes\hl J\tleg0&\Qqbb Nece|\Qqhh njlj\enotes +\temps\notes&\Qqbb Nece|\Qqhh njlj\enotes +\temps\notes\soupir&\Qqbb Nece|\Qqhh njlj\enotes +% mesure 63 +\barre\notes\Ilegu0b\hl L&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 64 +\barre\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql K&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 65 +\barre\notes\ql J&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql K&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 66 +\barre\notes\qlp N&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\sk\tleg0\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\Ilegu0c\ql N&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 67 +\barre\notes\hlp c&\Qqbb afcf|\Qqhh mhjh\enotes +\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes +\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes +%\check +% mesure 68 +\barre\notes\qlp N\tleg0&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\sk\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\Ilegu0c\ql N&\Qqbb Nece|\Qqhh lgjg\enotes +% mesure 69 +\barre\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql M&\Qqbb Ndbd|\Qqhh kgig\enotes +\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 70 +\barre\notes\hu K&\Qqbb Ndbd|\Qqhh kgig\enotes +\temps\notes&\Qqbb Ndbd|\Qqhh kgig\enotes +\temps\notes\qu K&\Qqbb Ndbd|\Qqhh kgig\enotes +%\check +% mesure 71 +\barre\notes\hu J\tleg0&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\soupir&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 72 +\barre\notes\lppz J\qu J&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\lppz J\qu J&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\lppz J\qu J&\Qqbb Nece|\soupir\enotes +%\check +% mesure 73 +\barre + \NOtes\hu J&\zq L\qlppz N|\uptext{\it aigre et nerveux}\zlppz c\qu e\enotes +\temps\NOtes&\zq L\qlppz N|\zlppz c\qu e\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\qu e\enotes +%\check +% mesure 74 +\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes +\temps\NOtes&\zq L\qlppz N|\zlppz c\qu e\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\qu e\enotes +%\check +% mesure 75 +\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes +\temps\notes&\zq L\uppz a\ql{_a}|\lppz c\zql{_d}\dqh fe\enotes +\temps\NOtes\soupir&\zq L\qlppz a|\lppz c\zql d\qu f\enotes +%\check +% mesure 76 +\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes +\temps\notes&\zq L\uppz a\ql{_a}|\na d\roff{\lppz d\zql d}\dqh ef\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\qu e\enotes +%\check +% mesure 77 +\barre\NOtes\hu{_K}&\zq L\qlppz N|\lppz c\zq{_d}\qu f\enotes +\temps\NOtes&\zq L\qlppz N|\lppz d\rq e\qu{=d}\enotes +\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\zlppz c\qu f\enotes +%\check +% mesure 78 +\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\qu e\enotes +\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\na d\roff{\lppz d\zql d}\dqh ef\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\qu e\enotes +%\check +% mesure 79 +\barre\NOtes\hu{_K}&\zq K\qlppz N|\lppz c\zq{_d}\qu g\enotes +\temps\NOtes&\zq L\qlppz N|\lppz d\zq{=d}\qu{^f}\enotes +\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\zlppz c\qu{=f}\enotes +%\check +% mesure 80 +\barre\NOtes\qu J&\zq L\qlppz N|\na c\zlppz c\qu e\enotes +\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\lppz c\zql c\dqh e{^d}\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\qu e\enotes +%\check +% mesure 81 +\barre\NOtes\hu{^K}&\zq L\qlppz N|\lppz b\zq {^d}\qu{b}\enotes +\temps\NOtes&\zq L\qlppz N|\zq a\lppz a\qu{^c}\enotes +\temps\NOtes\qu{=K}&\zq M\uppz a\ql{_a}|\lppz b\zq b\qu{=d}\enotes +%\check +% mesure 82 +\barre\NOtes\hu J&\zq L\qlppz N|\lppz c\zq{=c}\qu e\enotes +\temps\NOtes&\zq L\qlppz N|\zlppz c\qu e\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\qu e\enotes +%\check +% mesure 83 +\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\qu e\enotes +\temps\NOtes\qu{_K}&\zq L\qlppz N|\zlppz c\qu e\enotes +\temps\NOtes\qu J&\zq L\qlppz N|\zlppz c\qu e\enotes +% mesure 84 +\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\NOtes&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +%\check +% mesure 85 +\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\NOtes&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +%\check +% mesure 86 +\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\notes\qu{_K}&\zq L\uppz a\ql{_a}|\lppz c\zq f\zql{_d}\dqh {_h}g\enotes +\temps\NOtes\soupir&\zq L\qlppz a|\lppz c\zq d\zql f\qu h\enotes +%\check +% mesure 87 +\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\relax + \na d\lppz d\zq f\zql d\roff{\dqh g{_h}}\enotes + \nspace +\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\zq e\qu g\enotes +%\check +% mesure 88 +\barre\NOtes\hu{^J}&\zq L\qlppz N|\lppz c\zq{^c}\zq f\qu{_h}\enotes +\temps\NOtes&\zq L\qlppz N|\lppz d\rq e\zq d\qu g\enotes +\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\zlppz c\zq f\qu h\enotes +%\check +% mesure 89 +\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\notes\qu{K}&\zq L\uppz a\ql{_a}|\relax + \lfl e\lq e\lppz d\zql d\dqh g{=h}\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\na e\lppz c\zql c\zq e\qu g\enotes +%\check +% mesure 90 +\barre\NOtes\hu{^J}&\zq L\qlppz N|\lppz c\zq{^c}\zq e\zq g\qu{_i}\enotes +\temps\NOtes&\zq L\qlppz N|\lppz d\zq d\zq{^f}\qu h\enotes +\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\zlppz c\zql{_e}\qu{_h}\enotes +%\check +% mesure 91 +\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq{=e}\qu g\enotes +\temps\notes\qu{K}&\zq L\uppz a\ql{_a}|\lppz c\zq e\zql c\dqh g{^f}\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\zq e\qu g\enotes +%\check +% mesure 92 +\barre\NOtes\hu{^K}&\zq L\qlppz N|\lsh c\lppz b\rq c\zq{_b}\qu{^f}\enotes +\temps\NOtes&\zq L\qlppz N|\na b\lppz d\zq b\rq c\qu{=f}\enotes +\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\lppz b\zq b\qu{^f}\enotes +%\check +% mesure 93 +\barre\NOtes\hu J&\zq L\qlppz N|\lppz c\zq{=c}\zq e\qu g\enotes +\temps\NOtes&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +%\check +% mesure 94 +\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\NOtes\qu{_K}&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +%\check +% mesure 95 +\barre\NOtes\qu L&\zq {La}\qlppz c|\zlppz e\zq h\qu j\enotes +\temps\NOtes\qu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes +\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes +%\check +% mesure 96 +\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes +\temps\NOtes&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes +\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes +% mesure 97 +\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes +\temps\notes&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\dqh jk\enotes +\temps\NOtes\soupir&\zq {Ma}\qlppz c|\zlppz f\zql {h}\qu j\enotes +%\check +% mesure 98 +\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq {jg}\qu l\enotes +\temps\NOtes&\zq {L=a}\qlppz c|\lna h\sh f\zlppz f\zq {hj}\qu{_l}\enotes +\temps\NOtes\soupir&\lfl a\zq {^Ma}\qlppz c|\zlppz f\zq {_h}\qu k\enotes +% mesure 99 +\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes +\temps\notes&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\dqh jk\enotes +\temps\NOtes\soupir&\zq {Ma}\qlppz c|\zlppz f\zql {h}\qu j\enotes +%\check +% mesure 100 +\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq {jg}\qu l\enotes +\temps\NOtes&\zq {L=a}\qlppz c|\lna h\sh f\zlppz f\zq {hj}\qu{_l}\enotes +\temps\NOtes\soupir&\lfl a\zq {^Ma}\qlppz c|\zlppz f\zq {_h}\qu k\enotes +% mesure 101 +\barre\NOtes\hu J&\zq {L=a}\qlppz c|\zlppz e\zq{=h}\qu j\enotes +\temps\notes&\zq {LN}\qlppz c|\zlppz e\zql {g}\dqh ji\enotes +\temps\NOtes\soupir&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\qu j\enotes +%\check +% mesure 102 +\barre\NOtes\hu J&\zq {L_a}\qlppz c|\zlppz e\rq f\qu{_h}\enotes +\temps\NOtes&\zq {LN}\uppz b\qlp{_b}|\zlppz e\zq g\qu{_i}\enotes +\temps\NOtes\soupir&\zq {_LN}\na b\qlppz b|\fl e\zlppz e\zq g\qu{=i}\enotes +%\check +% mesure 103 +\barre\NOtes\hu J&\zq {L=a}\qlppz c|\zlppz e\zq{=h}\qu j\enotes +\temps\notes&\zq {LN}\qlppz c|\zlppz e\zql {g}\dqh ji\enotes +\temps\NOtes\soupir&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\qu j\enotes +%\check +% mesure 104 +\barre\NOtes\hu J&\zq {L_a}\qlppz c|\zlppz e\rq f\qu{_h}\enotes +\temps\NOtes&\zq {LN}\uppz b\qlp{_b}|\zlppz e\zq g\qu{_i}\enotes +\temps\NOtes\soupir&\zq {_LN}\na b\qlppz b|\fl e\zlppz e\zq g\qu{=i}\enotes +%\check +% mesure 105 +\barre\NOtes\hu J&\zq {=LN}\qlppz c|\na e\zlppz e\zq g\qu j\enotes +\temps\notes&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\dqh jk\enotes +\temps\NOtes\soupir&\lsh M\zq {M=a}\qlppz c|\lsh f\zlppz f\zql {=h}\qu j\enotes +%\check +% mesure 106 +\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq {gj}\qu l\enotes +\temps\NOtes&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\NOtes\soupir&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +%\check +% mesure 107 +\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq {gj}\qu l\enotes +\temps\NOtes&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\NOtes\soupir&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +%\check +% mesure 108 +\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\notes&\zq {L_a}\uppz d\ql{_d}|\lppz f\zq{f_h}\zql{_k}\dqh ml\enotes +\temps\NOtes\soupir&\zq{La}\qlppz d|\lppz f\zq{fh}\zql k\qu m\enotes +%\check +% mesure 109 +\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\notes&\zq {L_a}\uppz d\ql{=d}|\zlppz e\zq{=h}\zql k\roff{\dqh lm}\enotes +\nspace +\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +%\check +% mesure 110 +\barre\NOtes\hu{^J}&\zq {LN}\sh c\qlppz c|\zlppz f\zq{h^j}\qu m\enotes +\temps\NOtes&\zq {LN}\qlppz d|\zlppz e\rq k\zq g\qu l\enotes +\temps\NOtes\soupir&\lfl a\zq {Ma}\na c\qlppz c|\lfl h\zlppz f\zq{h=j}\qu m\enotes + %\check +% mesure 111 +\barre\NOtes\hu K&\zq {^Ma}\qlppz d|\sh f\zlppz f\zq{hk}\qu{^m}\enotes +\temps\NOtes&\zq {^La}\sh c\qlppz c|\lsh j\sh e\zlppz e\zq{hj}\qu{^l}\enotes +\temps\NOtes\soupir&\zq {Ma}\qlppz d|\zlppz f\zq{hk}\qu{m}\enotes + %\check +% mesure 112 +\barre\NOtes\hu L&\zq {N=c}\qlppz e|\zlppz g\zq{j=l}\qu{n}\enotes +\temps\NOtes&\zq {^Ma}\qlppz d|\sh f\zlppz f\zq{hk}\qu{^m}\enotes +\temps\NOtes\soupir&\zq {Nc}\qlppz e|\zlppz g\zq{jl}\qu{n}\enotes + %\check +% mesure 113 +\barre\NOtes\hu K&\zq {^Ma}\qlppz d|\sh f\zlppz f\zq{hk}\qu{^m}\enotes +\temps\NOtes&\zq {^La}\sh c\qlppz c|\lsh j\sh e\zlppz e\zq{hj}\qu{^l}\enotes +\temps\NOtes\soupir&\zq {Ma}\qlppz d|\zlppz f\zq{hk}\qu{m}\enotes + %\check +% mesure 114 +\barre\NOtes\hu{_L}&\zq{Nc}\lppz e\ql{_e}|\zlppz g\zq{_lj}\qu{n}\enotes +\temps\NOtes&\zq{Nc}\qlppz{e}|\zlppz g\zq{lj}\qu{n}\enotes +\temps\NOtes\soupir&\zq{Nc}\qlppz{e}|\zlppz g\zq{lj}\qu{n}\enotes + %\check +% mesure 115 +\barre\NOtes\hu{K}&\zq{Nc}\fl e\qlppz{e}|\zlppz g\zq{_lj}\qu{n}\enotes +\temps\NOtes&\zq{Nc}\qlppz{e}|\zlppz g\zq{lj}\qu{n}\enotes +\temps\NOtes\soupir&\zq{Nc}\qlppz{e}|\zlppz g\zq{lj}\qu{n}\enotes + %\check +% mesure 116 +\barre\NOtes\hu{K}&\zq{Nb}\qlppz{d}|\zlppz g\zq{ik}\qu{n}\enotes +\temps\NOtes&\zq{Nb}\qlppz{d}|\zlppz g\zq{ik}\qu{n}\enotes +\temps\NOtes\soupir&\zq{Nb}\qlppz{d}|\zlppz g\zq{ik}\qu{n}\enotes +% mesure 117 +\barre +\notes\zcharnote B{\it legato}\Ilegu0b\hl L&\zcharnote g{\it + a tempo}\Qqbb Nece|\Uptext{\it bien + sirupeux~!}\ibbu0i0\qh0{lgj}\tqh0g\enotes +\temps\notes&\Qqbb Nece|\ibbu0i0\qh0{lgj}\tqh0g\enotes +\temps\notes\ql L&\Qqbb Nece|\ibbu0i0\qh0{lgj}\tqh0g\enotes +%\check +% mesure 118 +\barre\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql K&\Qqbb Ndbd|\Qqhh kgig\enotes +\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 119 +\barre\notes\ql J&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql K&\Qqbb Ndbd|\Qqhh kgig\enotes +\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 120 +\barre\notes\qlp N&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\sk\tleg0\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\Ilegu0b\ql N&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 121 +\barre\notes\bigfl a\hlp a&\bigaccid\Qqbb Mc{_a}c|\bigaccid\Qqhh m{_h}jh\enotes +\temps\notes&\Qqbb Mcac|\Qqhh mhjh\enotes +\temps\notes&\Qqbb Mcac|\Qqhh mhjh\enotes +%\check +% mesure 122 +\barre\notes\qlp N\tleg0&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\sk\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\Ilegu0c\ql N&\Qqbb Nece|\Qqhh lgjg\enotes +% mesure 123 +\barre\notes\hl c&\bigfl a\Qqbb afcf|\bigaccid\Qqhh m{_h}jh\enotes +\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes +\temps\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 124 +\barre\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql M&\Qqbb {=a}fcf|\Qqhh m{=h}jh\enotes +\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 125 +\barre\notes\hu K\tleg0&\Qqbb Ndbd|\Qqhh kgig\enotes +\temps\notes&\Qqbb Ndbd|\Qqhh kgig\enotes +\temps\notes\soupir&\Qqbb Ndbd|\Qqhh kgig\enotes +%\check +% mesure 126 +\barre\notes\Ilegu0b\hl L&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 127 +\barre\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql K&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 128 +\barre\notes\ql J&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql K&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 129 +\barre\notes\qlp N&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\sk\tleg0\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\Ilegu0c\ql N&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 130 +\barre\notes\hlp c&\Qqbb afcf|\Qqhh mhjh\enotes +\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes +\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes +%\check +% mesure 131 +\barre\notes\qlp b\tleg0&\Qqbb Nebe|\Qqhh lgig\enotes +\temps\notes\sk\sk\ds&\Qqbb Nebe|\Qqhh lgig\enotes +\temps\notes\Ilegu0c\ql c&\Qqbb aece|\Qqhh lhjh\enotes +% mesure 132 +\barre\notes\qlp b\tleg0&\Qqbb Nebe|\Qqhh lgig\enotes +\temps\notes\sk\sk\ds&\Qqbb Nebe|\Qqhh lgig\enotes +\temps\notes\Ilegu0c\ql c&\Qqbb aece|\Qqhh lhjh\enotes +%\check +% mesure 133 +\barre\notes\ql b&\Qqbb Nebe|\Qqhh lgig\enotes +\temps\notes\ql N&\Qqbb Nebe|\Qqhh lgig\enotes +\temps\notes\ql a&\Qqbb aece|\Qqhh lhjh\enotes +%\check +% mesure 134 +\barre\notes\ql b&\Qqbb Nebe|\Qqhh lgig\enotes +\temps\notes\ql a&\Qqbb aece|\Qqhh lhjh\enotes +\temps\nspace\notes\ql b&\varaccid\Qqbb a{^f}{^d}f|\varaccid\sh m\Qqhh mh{^k}h\enotes +%\check +% mesure 135 +\barre\notes\hl L\tleg0&\Qqbb Nebe|\Qqhh lgig\enotes +\temps\notes&\Qqbb Nebe|\Qqhh lgig\enotes +\temps\notes\soupir&\Qqbb Nebe|\Qqhh lgig\enotes +%\check +% mesure 136 +\barre\notes\Ilegu0b\hl N&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 137 +\barre\notes\ql N&\Qqbb Nebe|\Qqhh lgig\enotes +\temps\notes\ql M&\Qqbb afcf|\Qqhh mhjh\enotes +\temps\notes\ql L&\Qqbb Nece|\Qqhh njlj\enotes +%\check +% mesure 138 +\barre\notes\hl K&\Qqbb Ndbd|\Qqhh niki\enotes +\temps\notes&\Qqbb Ndbd|\Qqhh niki\enotes +\temps\notes\ql K&\Qqbb Ndbd|\Qqhh niki\enotes +%\check +% mesure 139 +\barre\notes\hl J\tleg0&\Qqbb Nece|\Qqhh njlj\enotes +\temps\notes&\Qqbb Nece|\Qqhh njlj\enotes +\temps\notes\soupir&\Qqbb Nece|\Qqhh njlj\enotes +%\check +% mesure 140 +\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq {gj}\qu l\enotes +\temps\NOtes&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\NOtes\soupir&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +%\check +% mesure 141 +\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\notes&\zq {L_a}\uppz d\ql{_d}|\lppz f\zq{f_h}\zql{_k}\dqh ml\enotes +\temps\NOtes\soupir&\zq{La}\qlppz d|\lppz f\zq{fh}\zql k\qu m\enotes +%\check +% mesure 142 +\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\notes&\zq {L_a}\uppz d\ql{=d}|\zlppz e\zq{=h}\zql k\roff{\dqh lm}\enotes +\nspace +\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +%\check +% mesure 143 +\barre\NOtes\hu{^J}&\zq {LN}\sh c\qlppz c|\zlppz f\zq{h^j}\qu m\enotes +\temps\NOtes&\zq {LN}\qlppz d|\zlppz e\rq k\zq g\qu l\enotes +\temps\NOtes\soupir&\lfl a\zq {Ma}\na c\qlppz c|\zlppz f\zq{h=j}\qu m\enotes +%\check +% mesure 144 +\barre\NOtes\qu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\notes\doubler\qu{=K}&\zq {L_a}\ql d|\lppz e\zq{e_h}\zql k\roff{\dqh lm}\enotes +\nspace +\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +%\check +% mesure 145 +\barre\NOtes\hu{^J}&\zq {KN}\sh c\qlppz c|\lppz g\zq{g^j}\rq k\qu n\enotes +\temps\NOtes&\zq{LN}\qlppz d|\zq{^fj}\rq l\qu{^m}\enotes +\temps\NOtes\soupir&\zq {M_a}\qlppz c|\lfl h\na f\zlppz f\zq{hj}\qu{=m}\enotes +%\check +% mesure 146 +\barre\NOtes\qu J&\zq {LN}\na c\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\notes\doubler\qu{=K}&\lfl a\zq {La}\na d\qlppz d|\lppz e\zq{_h}\zql j\dqh l{^k}\enotes +\temps\NOtes\soupir&\zq {LN}\qlppz c|\lppz e\zq{egj}\qu l\enotes +%\check +% mesure 147 +\barre\NOtes\qsk\hu{^K}&\qsk\lfl b\na d\zq {LNb}\qlppz d|\qsk + \zlppz e\zq{g}\qu{=k}\enotes +\temps\NOtes&\sh c\zq {LN}\qlppz c|\zq e\lppz e\zq h\qu{^j}\enotes +\temps\NOtes\qu{=K}&\lq a\lfl a\zq {M}\qlppz b|\lppz d\zq {df_h}\qu k\enotes +%\check +% mesure 148 +\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\NOtes&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +%\check +% mesure 149 +\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\NOtes&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +%\check +% mesure 150 +\def\sQqbb{\smallnotesize\Qqbb}% +\def\sqqBB{\smallnotesize\qqBB}% +\def\sQqhh{\smallnotesize\Qqhh}% +\notes\hu J&\sQqbb Nece|\smallnotesize\roff{\normalnotesize\zhu l}\relax + \ibbl0i0\qb0{lgj}\tqb0g\enotes +\temps\notes&\sQqbb cece|\smallnotesize\ibbl0i0\qb0{jgj}\tqb0g\enotes +\temps\notes\qu J&\sQqbb Nece|\zqu l\smallnotesize\ibbl0i0\qb0{lgj}\tqb0g\enotes +%\check +% mesure 151 +\barre\notes\qu J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes +\temps\notes\qu G&\sQqbb Ndbd|\zqu k\sqqBB kgig\enotes +\temps\notes\qu J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes +%\check +% mesure 152 +\barre\notes\qu H&\sQqbb Nece|\zqu j\sqqBB jghg\enotes +\temps\notes\qu I&\sQqbb Ndbd|\zqu k\sqqBB kgig\enotes +\temps\notes\qu J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes +%\check +% mesure 153 +\barre\notes\qlp L&\sQqbb Nece|\zqup n\sqqBB njlj\enotes +\temps\notes\sk\sk\ds&\sQqbb cece|\rlap{\sk\sk\raise 3\Interligne\ds}\relax + \sqqBB ljlj\enotes +\temps\notes\ql L&\sQqbb Nece|\zqu n\sqqBB njlj\enotes +%\check +% mesure 154 +\barre\notes\hlp M&\sQqbb Mcac|\rlap{\smallnotesize\qsk\normalnotesize\hup o}\relax + \sqqBB ojmj\enotes +\temps\notes&\sQqbb acac|\sqqBB mjmj\enotes +\temps\notes&\sQqbb acac|\sqqBB mjmj\enotes +%\check +% mesure 155 +\barre\notes\qlp L&\sQqbb Nece|\zqup n\sqqBB njlj\enotes +\temps\notes\sk\sk\ds&\sQqbb cece|\rlap{\sk\sk\raise 3\Interligne\ds}\relax + \sqqBB ljlj\enotes +\temps\notes\ql L&\sQqbb Nece|\zqu n\sqqBB njlj\enotes +%\check +% mesure 156 +\barre\notes\hl M&\sQqbb afcf|\rlap{\smallnotesize\qsk + \normalnotesize\hu q}\sqqBB qmom\enotes +\temps\notes&\sQqbb afcf|\sqqBB omom\enotes +\temps\notes\itenu0L\ql L&\sQqbb Nece|\zqu n\sqqBB njlj\enotes +%\check +% mesure 157 +\barre\notes\tten0\ql L&\sQqbb Nece|\zqu n\sqqBB njlj\enotes +\temps\notes\ql K&\sQqbb afcf|\zqu m\sqqBB mhjh\enotes +\temps\notes\ql J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes +%\check +% mesure 158 +\barre\notes\hu G&\sQqbb Ndbd|\rlap{\smallnotesize\qsk\normalnotesize\hu k}\relax + \sqqBB kgig\enotes +\temps\notes&\sQqbb Ndbd|\sqqBB igig\enotes +\temps\notes\soupir&\sQqbb Ndbd|\raise 2\Interligne\rlap{\soupir}\sqqBB igig\enotes +%\check +% mesure 159 +\barre\notes\hu J&\sQqbb Nece|\rlap{\smallnotesize\qsk\normalnotesize\hu l}\relax + \sqqBB lgjg\enotes +\temps\notes&\sQqbb Nece|\sqqBB jgjg\enotes +\temps\notes\qu J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes +%\check +% mesure 160 +\barre\notes\qu J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes +\temps\notes\qu I&\sQqbb Ndbd|\zqu k\sqqBB kgig\enotes +\temps\notes\qu G&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes +%\check +% mesure 161 +\barre\notes\qu J&\sQqbb Nece|\zqu j\sqqBB jghg\enotes +\temps\notes\qu H&\sQqbb Nece|\zqu k\sqqBB kgig\enotes +\temps\notes\qu G&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes +%\check +% mesure 162 +\barre\notes\qup J&\sQqbb Nece|\zqup n\sqqBB njlj\enotes +\temps\notes\sk\sk\ds&\sQqbb Nece|\rlap{\sk\sk\raise 3\Interligne\ds}\relax + \sqqBB ljlj\enotes +\temps\notes\qu J&\sQqbb Nece|\zqu n\sqqBB njlj\enotes +%\check +% mesure 163 +\barre\notes\hlp M&\sQqbb afcf|\rlap{\smallnotesize\qsk\normalnotesize\hup q}\relax + \sqqBB qmom\enotes +\temps\notes&\sQqbb afcf|\sqqBB omom\enotes +\temps\notes&\sQqbb afcf|\sqqBB omom\enotes +%\check +% mesure 164 +\barre\notes\qlp L&\sQqbb Nece|\zqup n\sqqBB njlj\enotes +\temps\notes\sk\sk\ds&\sQqbb Nece|\rlap{\sk\sk\raise 3\Interligne\ds}\relax + \sqqBB ljlj\enotes +\temps\notes\ql L&\sQqbb Nece|\zqu n\sqqBB njlj\enotes +% mesure 165 +\barre\notes\ql L&\sQqbb Nece|\zqu n\sqqBB njlj\enotes +\temps\notes\ql K&\sQqbb afcf|\zqu m\sqqBB mhjh\enotes +\temps\notes\ql J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes +%\check +% mesure 166 +\barre\notes\hu G&\sQqbb Ndbd|\rlap{\smallnotesize\qsk\normalnotesize\hu k}\relax + \sqqBB kgig\enotes +\temps\notes&\sQqbb Ndbd|\sqqBB igig\enotes +\temps\notes\qu G&\sQqbb Ndbd|\zqu k\sqqBB kgig\enotes +%\check +% mesure 167 +\barre\notes\hu J&\sQqbb +LcNc|\normalnotesize\roff{\zhu j}\relax + \sqqBB jege\enotes +\temps\notes&\sQqbb LcNc|\sqqBB gege\enotes +\temps\notes\soupir&\sQqbb LcNc|\rlap{\raise 2\interligne\soupir}\relax + \sqqBB gege\enotes +% mesure 168 +\barre +\Notes\hu L&\zh c\hl g|\zh{jl}\hl n\enotes +\temps\Notes&\enotes +\temps\Notes\qu L&\zq c\qlppz g|\zq{jl}\qlppz n\enotes +% mesure 169 +\barre\Notes\qu L&\zq c\ql g|\zq{jl}\ql n\enotes +\temps\Notes\qu K&\zq b\ql f|\zq{ik}\ql m\enotes +\temps\Notes\qu J&\zq N\ql e|\zq{gj}\ql l\enotes +%\check +% mesure 170 +\barre\Notes\hu G&\zh N\hl d|\zh{gi}\hl k\enotes +\temps\Notes&\enotes +\temps\Notes\qu G&\zq N\ql d|\zq{gi}\ql k\enotes +%\check +% mesure 171 +\barre\NOtes\itenu0J\hup J&\itenl1N\itenu2c\zhp N\hlp c|\itenl3e\itenu4g\itenu5j\zhp e\zhp g\hlp j\enotes +%\check +% mesure 172 +\barre\Notes\tten0\zhlp J\hlp C&\tten1\tten2\zhp N\hlp c|\tten3\tten4\tten5\zhp e\zhp g\hlp j\enotes +%\mulooseness 1\relax +\mulooseness -4\relax +\finmorceau +\rightline{\sl\aujourdhui}\vfil\eject +\bye diff --git a/macros/generic/musixtex/doc/examples/eightbitchar.tex b/macros/generic/musixtex/doc/examples/eightbitchar.tex new file mode 100644 index 0000000000..54969d68d0 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/eightbitchar.tex @@ -0,0 +1,12 @@ + +\input plainenc\relax\inputencoding{cp1252} +\input musixtex +\input musixlyr +\hsize50mm +\setlyrics1{á ä ö}\assignlyrics11% +\startpiece\addspace{4pt}% +\znotes\zcharnote{12}{Poème naïf}\en% +\Notes\qa{ggg}\en% +\endpiece +\vfill\eject +\end diff --git a/macros/generic/musixtex/doc/examples/fantaisc.tex b/macros/generic/musixtex/doc/examples/fantaisc.tex new file mode 100644 index 0000000000..7a965a7350 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/fantaisc.tex @@ -0,0 +1,4 @@ +\def\ftranspose{-1} +\def\fsignature{-3} +\input fantaisi +\bye diff --git a/macros/generic/musixtex/doc/examples/fantaisd.tex b/macros/generic/musixtex/doc/examples/fantaisd.tex new file mode 100644 index 0000000000..7bb931e091 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/fantaisd.tex @@ -0,0 +1,2 @@ +\input fantaisi +\bye diff --git a/macros/generic/musixtex/doc/examples/fantaisi.tex b/macros/generic/musixtex/doc/examples/fantaisi.tex new file mode 100644 index 0000000000..3d84d2b181 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/fantaisi.tex @@ -0,0 +1,1238 @@ +\ifx\ftranspose\undefined\def\ftranspose{0}\fi +\ifx\fsignature\undefined\def\fsignature{-1}\fi + +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi + + +\fullauthor{Daniel TAUPIN} +\shortauthor{D. Taupin} +\shorttitle{Fantaisie en style romantique} +\title{Fantaisie en style romantique} +\transpose=\ftranspose\relax +\newif\iffiveoctaves +\ifnum\transpose=0\relax + \subtitle{(pour orgue \`a 5 octaves)} + \fiveoctavestrue + \else\ifnum\transpose=-1\relax + \subtitle{(pour orgue \`a 4 octaves et demi, do--sol)} + \fiveoctavesfalse + \else + \subtitle{(pour orgue)} + \fiveoctavesfalse + \fi +\fi + +\othermention{Compos\'e en 1992\\r\'evis\'e en 1995} +\maketitle + +\ifx\ftranspose\undefined\def\ftranspose{0}\fi +\ifx\fsignature\undefined\def\fsignature{-1}\fi + +\parindent 18mm +\tracingstats=2\relax +% +% formes fr\'equentes +% +%au moins deux croches basses et hautes +\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% +\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% +%au moins deux doubles croches basses et hautes +\def\dqbb#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% +\def\dqhh#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% +%au moins trois doubles croches basses et hautes +\def\tqbb#1#2#3{\Ibbl0{#1}{#3}2\qb0{#1#2}\tqb0{#3}}% +\def\Tqbb#1#2#3{\ibbl0{#2}0\qb0{#1#2}\tqb0{#3}}% +\def\sTqbb#1#2#3{{\smallnotesize\Tqbb{#1}{#2}{#3}}}% +%au moins quatre croches basses et hautes +\def\qqb#1#2#3#4{\Ibl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% +\def\Qqb#1#2#3#4{\Ibl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}% +\def\qqB#1#2#3#4{\Ibl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}% +\def\qqh#1#2#3#4{\Ibu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% +\def\Qqh#1#2#3#4{\Ibu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}% +\def\qqH#1#2#3#4{\Ibu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}% +%au moins quatre doubles croches basses et hautes +\def\qqbb#1#2#3#4{\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% +\def\sqqbb#1#2#3#4{{\smallnotesize\qqbb{#1}{#2}{#3}{#4}}}% +\def\Qqbb#1#2#3#4{\Ibbl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}% +\def\sQqbb#1#2#3#4{{\smallnotesize\Qqbb{#1}{#2}{#3}{#4}}}% +\def\qqBB#1#2#3#4{\Ibbl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}% +\def\sqqBB#1#2#3#4{{\smallnotesize\qqBB{#1}{#2}{#3}{#4}}}% +\def\qqhh#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% +\def\Qqhh#1#2#3#4{\Ibbu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}% +\def\qqHH#1#2#3#4{\Ibbu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}% +\def\sqqHH#1#2#3#4{{\smallnotesize\qqHH{#1}{#2}{#3}{#4}}}% +% +\nbporteesii=2\relax +\def\nbinstruments{2} +\global\cleftoksii={{6}{0}{0}{0}}% +\global\cleftoksi={{6}{0}{0}{0}}% +% +\signaturegenerale{\fsignature}\relax % r\'e mineur +\transpose=\ftranspose\relax +\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% +\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% +\def\deuxtemps{\generalmeter{\meterfrac{2}{4}}}% +\def\Quatretemps{\generalmeter{\meterfrac{4}{2}}}% +\def\Troistemps{\generalmeter{\meterfrac{3}{2}}}% +\def\Deuxtemps{\generalmeter{\meterfrac{2}{2}}}% +%\check +\def\instrumenti{P\'edale 16'}% +\def\instrumentii{G.O.}% +%\check +\medskip\noindent{\rm G.O.: Plein jeu, fonds 16' {\sl ad libitum.}}% +\par\noindent{\rm Pos.: Plein jeu, acc. G.O.}% +\par\noindent{\rm P\'ed.: fonds et anches 16', tirasses G.O. \& pos.}% +\smallskip +% +\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}% +\def\doubler{\multiply\noteskip by 2\relax}% +\quatretemps +\staffbotmarg=10pt +\debutmorceau +\relativeaccidentals +\bigaccid +\autolines{9}55\relax +\notes&|\Uptext{\hbox{\kern -16mm\moyen Allegro maestoso + \bf(\metron{\qu}{55})}}\enotes +\advance\linesinpage by 1\relax +%\check +% mesure 1 +\temps\notes\sk\soupir&\sk\soupir|\qqhh de{^c}d\enotes +%\check +% mesure 2 +%\check +\barre\NOTes\hu K&\zh M\hl a|\zh d\hu f\enotes +\temps\NOtes&|\soupir\enotes +\temps\notes\hpause&\hpause|\qqhh de{^c}d\enotes +%\check +% mesure 3 +%\check +\barre\NOTes\hu K&\zh M\hl a|\zh{df}\hu h\enotes +\temps\NOtes&|\soupir\enotes +\temps\notes\hpause&\hpause|\qqhh de{^c}d\enotes +%\check +% mesure 4 +%\check +\deuxtemps\changecontext +\Notes\dqh{^J}J&\zmidtwotext{\it rit.}\ibl1L0\zq{LN}\qb1b\zq{LN}\tqb1b\relax + |\ibu2i0\zq{eg}\qh2i\zq{eg}\tqh2i\enotes +\temps\Notes\dqh{J}J&\ibl1L0\zq{LN}\qb1b\zq{LN}\tqb1b\relax + |\ibu2i0\zq{eg}\qh2i\zq{eg}\tqh2i\enotes +%\check +% mesure 5 +%\check +\quatretemps\changecontext +\NOTes\pointdurgue G\hu K&\pointdorgue a\zh{M}\hl a\relax + |\pointdorgue l\zh{df}\hu h\enotes +\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes +%\check +% mesure 6 +%\check +\barre\NOTes\hu K&\zh{LN}\hl b|\zh{d}\lh e\hl g\enotes +\temps\NOtes&\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes +%\check +% mesure 7 +%\check +\barre\NOTes\hu K&\zh{M}\hl a|\zh{d}\hu f\enotes +\temps\NOtes&\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh HI{^G}H|\qqhh ab{^N}a\enotes +%\check +% mesure 8 +%\check +\deuxtemps\changecontext +\addspace{-0.5\afterruleskip}% +\Notes\dqh HH&\zcharnote c{\it rit.}\ibl0K0\zq{K}\qb0M\zq{K}\tqb0M\relax + |\ibu0f0\zq{ad}\qh0f\zq{ad}\tqh0f\enotes +\temps\Notes\dqh HH&\ibl0J0\zq{^J}\qb0L\zq{J}\tqb0L\relax + |\ibu0e0\zq{a^c}\qh0e\zq{ac}\tqh0e\enotes +%\check +% mesure 9 +%\check +\quatretemps\changecontext +\NOTes\pointdurgue D\hu D&\pointdorgue N\zh{HK}\hl M\relax + |\pointdorgue l\zh{a}\hu d\enotes +\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes +%\check +% mesure 10 +%\check +\barre\NOTes\hu K&\zh M\hl a|\zh d\hu f\enotes +\temps\NOtes&\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes +%\check +% mesure 11 +%\check +\barre\NOTes\hu K&\zh M\hl a|\zh{df}\hu h\enotes +\temps\NOtes&\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes +%\check +% mesure 12 +%\check +\deuxtemps\changecontext +\Notes\dqh{^J}J&\zmidtwotext{\it rit.}\ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax + |\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes +\temps\Notes\dqh{J}J&\ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax + |\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes +%\check +% mesure 13 +%\check +\quatretemps\changecontext +\NOTes\pointdurgue G\hu{=J}&\pointdorgue a\Sh M\zh{M}\hl a\relax + |\pointdorgue l\lsh f\zh{=cf}\hu h\enotes +\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh JK{^I}J|\qqhh cd{^b}c\enotes +%\check +% mesure 14 +%\check +\barre\NOTes\hu J&\zh{=M}\hl a|\zh{c=f}\hu h\enotes +\temps\NOtes&\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh {^I}JHI|\qqhh {^b}cab\enotes +%\check +% mesure 15 +%\check +\barre\NOTes\hu{^I}&\zh{K}\hl N|\zh{d}\hu g\enotes +\temps\NOtes&\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh {=I}JHI|\qqhh {=b}cab\enotes +%\check +% mesure 16 +%\check +\barre\NOTes\hu{=I}&\zh{L}\hl N|\zh{be}\hu g\enotes +\temps\NOtes&\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh HI{^G}H|\qqhh ab{^N}a\enotes +%\check +% mesure 17 +%\check +\deuxtemps\changecontext +\addspace{-0.5\afterruleskip}% +\Notes\dqh HH&\zcharnote c{\it rit.}\ibl0K0\zq{K}\qb0M\zq{K}\tqb0M\relax + |\ibu0f0\zq{ad}\qh0f\zq{ad}\tqh0f\enotes +\temps\Notes\dqh HH&\ibl0J0\zq{^J}\qb0L\zq{J}\tqb0L\relax + |\ibu0e0\zq{a^c}\qh0e\zq{ac}\tqh0e\enotes +%\check +% mesure 18 +%\check +\quatretemps\changecontext +\NOTes\pointdurgue D\hu D&\pointdorgue N\zh{HK}\hl M\relax + |\pointdorgue l\zh{a}\hu d\enotes +\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes +%\check +% mesure 19 +\advance\barsinline by 1\relax +\barre\notes\hup K&\bigSh M\Qqbb Mcac|\doubler\bigSh f\zh{f}\zhl h\qu{_l}\enotes +\temps\notes&\Qqbb Mcac|\doubler\qu k\enotes +\temps\notes&\Qqbb Mcac|\doubler\zh{f}\zhl h\qu k\enotes +\temps\notes\soupir&\Qqbb Mcac|\doubler\qu j\enotes +%\check +% mesure 20 +\barre\autolines{16}45\relax +\notes\hup G&\Qqbb KbNb|\doubler\zh{d}\zhl g\hu i\enotes +\temps\notes&\Qqbb KbNb\enotes +\temps\notes&\Qqbb KbNb|\doubler\dqh gh\enotes +\temps\notes\soupir&\Qqbb KbNb|\doubler\dqh{^f}g\enotes +%\check +% mesure 21 +\barre\notes\hup J&\Qqbb LcNc|\doubler\zh{e}\zhl g\qu k\enotes +\temps\notes&\Qqbb LcNc|\doubler\qu j\enotes +\temps\notes&\Qqbb LcNc|\doubler\zh{e}\zhl g\qu j\enotes +\temps\notes\soupir&\Qqbb LcNc|\doubler\qu i\enotes +%\check +% mesure 22 +\barre\notes\hup F&\Qqbb JaLa|\doubler\zh{cf}\hu h\enotes +\temps\notes&\Qqbb JaLa\enotes +\temps\notes&\Qqbb JaMa|\doubler\cNa f\dqh fg\enotes +\temps\notes\soupir&\Qqbb JaMa|\doubler\dqh ef\enotes +%\check +% mesure 23 +\barre\notes\hup I&\Qqbb KbMb|\doubler\zh{d}\zhl f\qu j\enotes +\temps\notes&\Qqbb KbMb|\doubler\qu i\enotes +\temps\notes&\Qqbb KbMb|\doubler\zh{d}\zhl f\qu i\enotes +\temps\notes\soupir&\Qqbb KbMb|\doubler\qu h\enotes +%\check +% mesure 24 +\barre\autolines{16}35\relax +\notes\hup H&\Qqbb LbNb|\doubler\zh{^ce}\hu g\enotes +\temps\notes&\Qqbb LbNb\enotes +\temps\notes&\bigaccid\Qqbb L{^c}Nc|\doubler\dqh ef\enotes +\temps\notes\soupir&\Qqbb LcNc|\doubler\dqh de\enotes +%\check +% mesure 25 +\barre\notes\hu G&\Qqbb LbNb|\doubler\zh{^c}\zhl e\qu i\enotes +\temps\notes&\Qqbb LbNb|\doubler\qu h\enotes +\temps\notes\hu H&\Qqbb LbNb|\doubler\zh{c}\zhl e\qu h\enotes +\temps\notes&\Qqbb LbNb|\doubler\qu g\enotes +%\check +% mesure 26 +\barre\notes\hu K&\Qqbb KaMa|\doubler\zhl{d}\qu f\enotes +\temps\notes&\Qqbb KaMa|\qqhh gfef\enotes +\nspace +\temps\notes\hu K&\bigaccid\Qqbb Ka{^M}a|\doubler\zhl{d}\qu{^f}\enotes +\temps\notes&\Qqbb KaMa|\qqhh gfef\enotes +%\check +% mesure 27 +\barre\notes\hu K&\Qqbb KbNb|\doubler\zhl{d}\qu g\enotes +\temps\notes&\Qqbb KbNb|\qqhh hg{^f}g\enotes +\temps\notes\hu K&\bigaccid\Qqbb Ka{^M}a|\doubler\zh d\zhl{f}\qu h\enotes +\temps\notes&\Qqbb KaMa|\qqhh ihgh\enotes +%\check +% mesure 28 +\barre\notes\hl K&\Qqbb KbNb|\doubler\zh d\zhl{g}\qu i\enotes +\temps\notes&\Qqbb KbNb|\qqhh hg{^f}g\enotes +\nspace +\temps\notes\hl L&\bigaccid\Qqbb L{^c}Nc|\doubler\zh e\zhl{g}\qu{^j}\enotes +\temps\notes&\Qqbb LcNc|\qqhh kj{^i}j\enotes +%\check +% mesure 29 +\barre\bigaccid +\notes\wh M&\Qqbb Mdad|\bigaccid\zh{=fh}\hu k\enotes +\temps\notes&\Qqbb Mdad|\enotes +\temps\notes&\Qqbb Mdad|\zh{f}\hu h\enotes +\temps\notes&\Qqbb Mdad|\enotes +% +% mesure 30 +\barre\autolines{10}55\relax +\notes\hu G&\Qqbb INKN|\doubler\zh{b}\zhl d\qu g\enotes +\temps\notes&\zmidtwotext{\it rit.}\Qqbb INKN|\qu f\enotes +\temps\notes\hu H&\Qqbb {^J}NLN|\doubler\zhl{a^c}\qu e\enotes +\temps\notes&\Qqbb {J}NLN|\qu d\enotes +%\check +% mesure 31 +%\check +\barre\NOTes\pointdurgue D\hu D&\pointdorgue N\zh{HK}\hl M\relax + |\pointdorgue l\zh{a}\hu d\enotes +\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes +\varaccid +\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes +%\check +% mesure 32 +%\check +\barre\NOTes\hu K&\zh M\hl a|\zh d\hu f\enotes +\temps\Notes&\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes +%\check +% mesure 33 +%\check +\barre\NOTes\hu K&\zh M\hl a|\zh{df}\hu h\enotes +\temps\Notes&\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes +%\check +% mesure 34 +%\check +\deuxtemps\changecontext\autolines{9}55\relax +\addspace{-\afterruleskip}% +\Notes\qsk\cNa J\dqh{J}J&\qsk\zmidtwotext{\it rit.} + \ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax + |\qsk\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes +\temps\Notes\dqh{J}J&\ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax + |\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes +%\check +% mesure 35 +%\check +\quatretemps\changecontext +\NOTEs\cNa F\hu{F}&\zh{JL}\hl a|\zh{ce}\hu h\enotes +\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh JK{^I}J|\qqhh cd{^b}c\enotes +%\check +% mesure 36 +%\check +\barre\NOTes\hu H&\zh{J=M}\hl a|\zh{c=f}\hu h\enotes +\temps\NOtes&\soupir|\soupir\enotes +\bigaccid +\temps\notes\hpause&\qqhh {^I}JHI|\qqhh {^b}cab\enotes +%\check +% mesure 37 +%\check +\barre\NOTes\hu{=I}&\zh{L}\hl{N}|\zh{=be}\hu g\enotes +\temps\NOtes&\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh {=I}JHI|\qqhh bcab\enotes +%\check +% mesure 38 +%\check +\deuxtemps\changecontext +\Notes\dqh HH&\zcharnote c{\it rit.}\ibl0K0\zq{K}\qb0M\zq{K}\tqb0M\relax + |\ibu0f0\zq{ad}\qh0f\zq{ad}\tqh0f\enotes +\temps\Notes\dqh HH&\ibl0J0\zq{^J}\qb0L\zq J\tqb0L\relax + |\ibu0e0\zq{a^c}\qh0e\zq{ac}\tqh0e\enotes +%\check +% mesure 39 +\quatretemps\changecontext\stemcut +\notes\hu D&\Qqbb HMKM|\uptext{\it\kern -1em un +poco pi\`u vivo}\zqp a\qup d\enotes +\temps\notes&\Qqbb HMKM|\sk\sk\ds\enotes +\zalaligne\autolines{15}45\relax +%\check +\notes\sk\sk\hpause&\Qqbb KaMa|\Ilegu0r\ql o\enotes +\temps\notes&\Qqbb KaMa|\ql o\enotes +%\check +% mesure 40 +\def\atnextline{\autolines{17}35}\relax +\barre\notes\wh K&\Qqbb Mdad|\zhl h\qu o\enotes +\temps\notes&\Qqbb Mdad|\doubler\dqh nm\enotes +\temps\notes&\Qqbb Mdad|\zhl g\qu l\enotes +\temps\notes&\Qqbb Mdad|\qu k\enotes +%\check +% mesure 41 +\barre\notes\wh H&\bigaccid\Qqbb L{^c}Nc|\doubler\zhl h\hu{^j}\tleg0\enotes +\temps\notes&\Qqbb LcNc|\enotes +\temps\notes&\Qqbb LcNc|\Ilegu0r\zql h\qu h\enotes +\temps\notes&\Qqbb LcNc|\zqu h\qsk\zql g\enotes +%\check +% mesure 42 +\barre\notes\qu K&\Qqbb Mdad|\zql f\qu k\enotes +\temps\notes\bigSh J\qu J&\Qqbb L{^c}Nc|\zql i\qu l\enotes +\temps\notes\qu K&\Qqbb Mdad|\zql h\qu m\enotes +\temps\notes\qu I&\Qqbb KbNb|\zql i\qu n\enotes +%\check +% mesure 43 +\barre\notes\hu H&\Qqbb L{^c}Nc|\bigSh j\zqlp j\qup l\tleg0\enotes +\temps\notes&\Qqbb LcNc|\sk\sk\ds\enotes +\temps\notes\sk\sk\sk\hpause&\Qqbb KaMa|\zhl h\Ilegu0r\qu o\enotes +\temps\notes&\Qqbb KaMa|\qu o\enotes +%\check +% mesure 44 +\barre\notes\hu K&\Qqbb Mdad|\zhl h\qu o\enotes +\temps\notes&\Qqbb Mdad|\doubler\dqh nm\enotes +\temps\notes\hu K&\Qqbb Mdad|\zhl g\qu l\enotes +\temps\notes&\Qqbb Mdad|\qu k\enotes +%\check +% mesure 45 +\barre\notes\zwh G&\Qqbb KbNb|\zhlp i\hu p\enotes +\temps\notes&\Qqbb KbNb|\enotes +\temps\notes&\Qqbb KbNb|\qu n\enotes +\temps\notes&\Qqbb KbNb|\zqu p\raise -2\Interligne\soupir\enotes +%\check +% mesure 46 +\barre\notes\qu H&\Qqbb Mdad|\zql m\qu o\enotes +\temps\notes\qu I&\Qqbb KbNb|\zql l\qu n\enotes +\temps\notes\hu H&\Qqbb Mdad|\zql k\qu m\enotes +\temps\notes&\bigaccid\Qqbb L{^c}Nc|\bigSh j\zql j\qu l\enotes +%\check +% mesure 47 +\barre\notes\hup D&\Qqbb KaMa|\zqlp f\qup k\tleg0\enotes +\temps\notes&\Qqbb KaMa|\sk\sk\dsoupir\enotes +\temps\notes&\Qqbb KbNb|\Ilegu0r\ql r\enotes +\temps\notes\soupir&\Qqbb KbNb|\ql r\enotes +\def\atnextline{}% +%\check +% mesure 48 +\barre\notes\hu G&\Qqbb LcNc|\ql r\enotes +\temps\notes&\Qqbb LcNc|\doubler\dqb qp\enotes +\temps\notes\hu J&\Qqbb LcNc|\ql o\enotes +\temps\notes&\Qqbb LcNc|\ql n\enotes +%\check +% mesure 49 +\barre\notes\hu H&\Qqbb Mcac|\hl q\enotes +\temps\notes&\Qqbb Mcac\enotes +\temps\notes\hu F&\Qqbb Mcac|\zhl m\qu o\enotes +\temps\notes&\Qqbb Mcac|\qu o\enotes +%\check +% mesure 50 +\barre\notes\hu G&\Qqbb KbNb|\zhl n\qu p\enotes +\temps\notes&\Qqbb KbNb|\qu r\enotes +\temps\notes\hu J&\Qqbb LcNc|\zhl l\qu q\enotes +\temps\notes&\Qqbb LcNc|\qu p\enotes +%\check +%\check +% mesure 51 +\barre\def\atnextline{\autolines{14}45}\relax +\notes\hu F&\Qqbb Mcac|\zqlp m\qup o\tleg0\enotes +\temps\notes&\Qqbb Mcac|\sk\sk\ds\enotes +\temps\notes\hu I&\Qqbb KbMb|\Ilegu0s\zhl k\qu p\enotes +\temps\notes&\Qqbb KbNb|\qu p\enotes +%\check +% mesure 52 +\barre\notes\hu L&\Qqbb LbNb|\zhl n\qu p\enotes +\temps\notes&\Qqbb LbNb|\doubler\dqh qp\enotes +\temps\notes\bigSh J\hu J&\bigaccid\Qqbb L{^c}Nc|\zhl l\qu o\enotes +\temps\notes&\Qqbb LcNc|\qu n\enotes +%\check +% mesure 53 +\barre\notes\hup K&\Qqbb Mdad|\zhl m\hu r\enotes +\temps\notes&\Qqbb Mdad\enotes +\temps\notes&\Qqbb Mdad|\zhl h\qu m\enotes +\temps\notes\sk\soupir&\Qqbb Mdad|\qu m\enotes +%\check +% mesure 54 +\barre\notes\hu H&\bigaccid\Qqbb L{^c}Nc|\bigSh j\zql j\qu l\enotes +\temps\notes&\Qqbb Mdad|\zql k\qu m\enotes +\temps\notes\soupir&\Qqbb LcNc|\zhl l\qu n\enotes +\temps\notes\qu H&\Qqbb LcNc|\qu o\enotes +%\check +% mesure 55 +\barre\notes\hu D&\Qqbb Mdad|\wh k\tleg0\enotes +\temps\notes&\Qqbb Mdad|\raise -\Interligne\hpause\enotes +\temps\zalaligne +\notes\Ilegu0a\ql a&\sQqbb Mdad|\Uptext{\it \kern -1.5\Interligne + les petites notes}\uptext{\it\kern -1.5\Interligne au positif ad lib.}% + \qs\sTqbb fhf\enotes +\temps\notes\ql a&\sQqbb Mdad|\sQqbb hfhf\enotes +%\check +% mesure 56 +\barre\notes\ql a&\sQqbb Mdad|\smallnotesize\zhu k\raise -\Interligne\qs\Tqbb fhf\enotes +\temps\notes\doubler\dqb NM&\sQqbb Mdad|\sQqbb hfhf\enotes +\temps\notes\ql L&\sQqbb Mdad|\smallnotesize\zhu k\raise -\Interligne\qs\Tqbb fhf\enotes +\temps\notes\ql K&\sQqbb Mdad|\sQqbb hfhf\enotes +%\check +% mesure 57 +\barre\notes\tleg0\bigSh J\hu J&\smallnotesize\bigaccid\Qqbb L{^c}Nc|\smallnotesize\zw l\raise -\Interligne\qs + \bigaccid\Tqbb h{^j}h\enotes +\temps\notes&\sQqbb L{c}Nc|\sQqbb jhjh\enotes +\temps\notes\Ilegu0N\qu H&\sQqbb L{c}Nc|\sQqbb jhjh\enotes +\temps\notes\qu H&\sQqbb L{c}Nc|\sQqbb jgjg\enotes +%\check +% mesure 58 +\barre\def\atnextline{\autolines{17}35}\relax +\notes\ql K&\sQqbb Mdad|\smallnotesize\zw m\raise -\Interligne\qs + \Tqbb hkh\enotes +\temps\notes\ql L&\smallnotesize\bigaccid\Qqbb L{^c}Nc|\smallnotesize\bigSh j\Qqbb jhjh\enotes +\temps\notes\ql M&\sQqbb Mdad|\sQqbb khkh\enotes +\temps\notes\ql N&\sQqbb Ndbd|\sQqbb kiki\enotes +%\check +% mesure 59 +\barre\notes\hl L\tleg0&\smallnotesize\bigaccid\Qqbb L{^c}Nc|\smallnotesize\zw o\raise -\Interligne\qs + \bigSh j\Tqbb jlj\enotes +\temps\notes&\sQqbb L{c}Nc|\sQqbb ljlj\enotes +\temps\notes\Ilegu0a\ql a&\sQqbb L{c}Nc|\sQqbb ljlj\enotes +\temps\notes\ql a&\sQqbb L{c}Nc|\sQqbb ljlj\enotes +%\check +% mesure 60 +\barre\notes\ql a&\sQqbb Mdad|\smallnotesize\zw o\raise -\Interligne\qs\Tqbb lml\enotes +\temps\notes\doubler\dqb NM&\sQqbb Mdad|\sQqbb mlml\enotes +\temps\notes\ql L&\sQqbb Mdad|\sQqbb mlml\enotes +\temps\notes\ql K&\sQqbb Mdad|\sQqbb mlml\enotes +%\check +% mesure 61 +\barre\notes\hl b\tleg0&\sQqbb Ndbd|\smallnotesize\zw n\raise -\Interligne\qs\Tqbb iki\enotes +\temps\notes&\sQqbb Ndbd|\sQqbb kiki\enotes +\temps\notes\Ilegu0a\ql N&\sQqbb Ndbd|\sQqbb kiki\enotes +\temps\notes\ql b&\sQqbb Ndbd|\sQqbb kiki\enotes +%\check +% mesure 62 +\barre\notes\ql a&\sQqbb Mdad|\smallnotesize\zhup m\raise -\Interligne\qs\Tqbb hkh\enotes +\temps\notes\ql N&\smallnotesize\bigaccid\Qqbb L{^c}Nc|\smallnotesize\bigSh j\Qqbb jljl\enotes +\temps\notes\ql M&\sQqbb Mdad|\sQqbb hkhk\enotes +\temps\notes\ql L&\sQqbb LcNc|\smallnotesize\zqu l\Qqbb hjhj\enotes +%\check +% mesure 63 +\barre\notes\hl K\tleg0&\sQqbb Mdad|\smallnotesize\zwh k\raise -\Interligne\qs\Tqbb fhf\enotes +\temps\notes&\sQqbb Mdad|\sQqbb hfhf\enotes +\temps\notes\Ilegu0d\ql d&\sQqbb Mdad|\sQqbb hfhf\enotes +\temps\notes\ql d&\sQqbb Mdad|\sQqbb hfhf\enotes +%\check +% mesure 64 +\barre\notes\ql d&\sQqbb Mdbd|\smallnotesize\zhu k\raise -\Interligne\qs\Tqbb gig\enotes +\temps\notes\doubler\dqb cb&\sQqbb Mdbd|\sQqbb igig\enotes +\temps\notes\ql a&\sQqbb LcNc|\smallnotesize\zhu l\raise -\Interligne\qs\Tqbb gig\enotes +\temps\notes\ql N&\sQqbb LcNc|\sQqbb igig\enotes +%\check +% mesure 65 +\barre\notes\hl c\tleg0&\sQqbb Mcac|\smallnotesize\zw m\raise -\Interligne\qs\Tqbb hjh\enotes +\temps\notes&\sQqbb Mcac|\sQqbb jhjh\enotes +\temps\notes\Ilegu0b\ql a&\sQqbb Mcac|\sQqbb jhjh\enotes +\temps\notes\ql a&\sQqbb Mcac|\sQqbb jhjh\enotes +%\check +% mesure 66 +\barre\notes\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\Tqbb iki\enotes +\temps\notes\ql d&\sQqbb Mdbd|\sQqbb kiki\enotes +\temps\notes\ql c&\sQqbb LcNc|\smallnotesize\zhu l\raise -\Interligne\qs\Tqbb jgj\enotes +\temps\notes\ql b&\sQqbb LcNc|\sQqbb gjgj\enotes +%\check +% mesure 67 +\barre\notes\hl a\tleg0&\sQqbb Mcac|\smallnotesize\zhu m\raise -\Interligne\qs\Tqbb hjh\enotes +\temps\notes&\sQqbb Mcac|\sQqbb jhjh\enotes +\temps\notes\Ilegu0c\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\Tqbb iki\enotes +\temps\notes\ql b&\sQqbb Mdbd|\sQqbb kiki\enotes +%\check +% mesure 68 +\barre\notes\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\Tqbb iki\enotes +\temps\notes\doubler\dqb cb&\sQqbb Mdbd|\sQqbb kiki\enotes +\temps\notes\ql a&\sQqbb Mdbd|\smallnotesize\zhu l\raise -\Interligne\qs\Tqbb gig\enotes +\temps\notes\ql N&\sQqbb Mdbd|\sQqbb igig\enotes +%\check +% mesure 69 +\barre\notes\hl d\tleg0&\sQqbb Mdad|\smallnotesize\zwh k\raise -\Interligne\qs\Tqbb fhf\enotes +\temps\notes&\sQqbb Mdad|\sQqbb hfhf\enotes +\temps\notes\Ilegu0N\ql M&\sQqbb Mdad|\sQqbb hfhf\enotes +\temps\notes\ql M&\sQqbb Mdad|\sQqbb hfhf\enotes +%\check +% mesure 70 +\barre\notes\ql L&\bigaccid\sQqbb L{^c}ac|\smallnotesize\bigaccid + \zwh l\raise -\Interligne\qs\Tqbb h{^j}h\enotes +\temps\notes\ql M&\sQqbb L{c}ac|\sQqbb jhjh\enotes +\temps\notes\ql N&\sQqbb LcNc|\sQqbb jgjg\enotes +\temps\notes\ql a&\sQqbb LcNc|\sQqbb jgjg\enotes +%\check +% mesure 71 +\def\uppzql#1{\uppz #1\ql #1}% +\barre\notes\hu K\tleg0&\sk\hpause + |\smallnotesize\varaccid\Ibbl0hk3\qb0h\zq k\qb0m\zq{^j}\qb0l\zq{^i}\tqb0k\enotes +\temps\notes&\zq M\uppzql a\relax + |\smallnotesize\Ibbl0hk3\qb0h\zq k\qb0m\zq j\qb0l\zq i\tqb0k\enotes +\temps\notes\bigaccid\hu{^J}&\zq L\uppzql N\relax + |\smallnotesize\Ibbl0hl3\qb0h\zq l\qb0n\zq k\qb0m\zq{j}\tqb0l\enotes +\temps\notes&\zq L\uppzql N\relax + |\smallnotesize\Ibbl0hl3\qb0h\zq l\qb0n\zq k\qb0m\zq{j}\tqb0l\enotes +%\check +% mesure 72 +\barre\notes\hu K&\zq M\uppzql a\relax + |\smallnotesize\Ibbl0hm3\qb0h\zq m\qb0o\zq l\qb0n\zq k\tqb0m\enotes +\temps\notes&\zq M\uppzql a\relax +|\smallnotesize\Ibbl0hm3\qb0h\zq m\qb0o\zq l\qb0n\zq k\tqb0m\enotes +\temps\notes\hu I&\zq N\uppzql b\relax + |\smallnotesize\Ibbl0in3\qb0i\zq n\qb0p\zq m\qb0o\zq l\tqb0n\enotes +\temps\notes&\zq N\uppzql b\relax + |\smallnotesize\Ibbl0in3\qb0i\zq n\qb0p\zq m\qb0o\zq l\tqb0n\enotes +%\check +% mesure 73 +\barre\notes\qu H&\zq M\uppzql a\relax + |\smallnotesize\Ibbl0hm3\qb0h\zq m\qb0o\zq l\qb0n\zq k\tqb0m\enotes +\temps\notes\qu H&\zq L\uppzql N\relax + |\smallnotesize\Ibbl0hl3\qb0h\zq l\qb0n\zq k\qb0m\zq{j}\tqb0l\enotes +\temps\notes\qu H&\zq K\uppzql M\relax + |\smallnotesize\varaccid\Ibbl0hk3\qb0h\zq k\qb0m\zq{^j}\qb0l\zq{^i}\tqb0k\enotes +\temps\notes\qu H&\zq{^J}\uppzql L\relax + |\smallnotesize\Ibbl0hj3\qb0h\zq j\qb0l\zq i\qb0k\zq h\tqb0j\enotes +%\check +% mesure 74 +\barre\notes\Ilegl2H\qu K&\sQqbb Mdad|\smallnotesize\itenu1k\zwh k\raise -\Interligne\qs\Tqbb fhf\enotes +\temps\notes\doubler\dqh ML&\sQqbb Mdad|\sQqbb hfhf\enotes +\temps\notes\qu K&\sQqbb Mdad|\sQqbb hfhf\enotes +\temps\notes\doubler\bigSh J\dqh JK&\sQqbb Mdad|\sQqbb hfhf\enotes +%\check +% mesure 75 +\barre\notes\qu L&\sQqbb Mdad|\smallnotesize\tten1\zwh k\Qqbb hfhf\enotes +\temps\notes\qu M&\sQqbb Mdad|\sQqbb hfhf\enotes +\temps\notes\hu K\tleg2&\sQqbb Mdad|\sQqbb hfhf\enotes +\temps\notes&\sQqbb Mdad|\sQqbb hfhf\enotes +%\check +% mesure 76 +\barre\notes\Ilegu2a\ql M&\sQqbb afcf|\smallnotesize\itenu1m\zwh m\raise -\Interligne\qs\Tqbb hjh\enotes +\temps\notes\doubler\dqb aN&\sQqbb afcf|\sQqbb jhjh\enotes +\temps\notes\ql M&\sQqbb afcf|\sQqbb jhjh\enotes +\temps\notes\doubler\dqb LM&\sQqbb afcf|\sQqbb jhjh\enotes +%\check +% mesure 77 +\barre\notes\ql N&\sQqbb afcf|\smallnotesize\tten1\zwh m\raise -\Interligne\qs\Tqbb hjh\enotes +\temps\notes\ql a&\sQqbb afcf|\sQqbb jhjh\enotes +\temps\notes\hl M\tleg2&\sQqbb afcf|\sQqbb jhjh\enotes +\temps\notes&\sQqbb afcf|\sQqbb jhjh\enotes +\cleftoksii={0000}\changeclefs +%\check +% mesure 78 +\barre\notes\Ilegu2b\ql a&\sqqHH cheh|\smallnotesize\zwh o\raise -\Interligne\qs\Tqbb jlj\enotes +\temps\notes\doubler\dqb c{^b}&\sqqHH cheh|\sQqbb ljlj\enotes +\temps\notes\ql a&\sqqHH cheh|\sQqbb ljlj\enotes +\temps\notes\doubler\dqb {^N}a&\sqqHH cheh|\sQqbb ljlj\enotes +%\check +% mesure 79 +\barre\notes\bigaccid\ql {^b}&\sqqHH ei{^g}i\relax + |\smallnotesize\zhu p\raise -\Interligne\qs\Tqbb l{^n}l\enotes +\temps\notes\ql c&\sqqHH eigi|\sQqbb nlnl\enotes +\temps\notes\ql a\tleg2&\sqqHH ejhj\relax + |\smallnotesize\zhu q\raise -\Interligne\qs\Tqbb lol\enotes +\temps\notes\ql e&\sqqHH ejhj|\sQqbb olol\enotes +%\check +% mesure 80 +%\cleftoksii={6000}\changeclefs +\barre\notes\hlp f&\sqqHH dhfh|\smallnotesize\zwh o\raise -\Interligne\qs\Tqbb kmk\enotes +\temps\notes&\sqqHH dhfh|\sQqbb mkmk\enotes +\temps\notes&\sqqHH dhfh|\sQqbb mkmk\enotes +\temps\notes\doubler\dqb ed&\sqqHH dhfh|\sQqbb mkmk\enotes +%\check +% mesure 81 +\barre\notes\hl e&\sqqHH cheh|\smallnotesize\zwh o\raise -\Interligne\qs\Tqbb jlj\enotes +\temps\notes&\sqqHH cheh|\sQqbb ljlj\enotes +\temps\notes\soupir&\sqqHH cheh|\sQqbb ljlj\enotes +\temps\notes\ql a&\sqqHH cheh|\sQqbb ljlj\enotes +%\check +% mesure 82 +\barre\notes\hlp d&\sqqHH bfdf|\smallnotesize\zwh m\raise -\Interligne\qs\Tqbb iki\enotes +\temps\notes&\sqqHH bfdf|\sQqbb kiki\enotes +\temps\notes&\sqqHH bfdf|\sQqbb kiki\enotes +\temps\notes\doubler \dqb cb&\sqqHH bfdf|\sQqbb kiki\enotes +%\check +% mesure 83 +\barre\notes\hl c&\sqqHH afcf|\smallnotesize\zw m\raise -\Interligne\qs\Tqbb hjh\enotes +\temps\notes&\sqqHH afcf|\sQqbb jhjh\enotes +\temps\notes\soupir\zcharnote{-4}{\it non legato}&\sqqHH afcf|\sQqbb jhjh\enotes +\temps\notes\ql M&\sqqHH afcf|\sQqbb jhjh\enotes +% mesure 84 +\barre\notes\ql b&\sqqHH bgdg|\sqqBB niki\enotes +\temps\notes\ql a&\sqqHH bfdf|\sqqBB miki\enotes +\temps\notes\ql N&\sqqHH bede|\sqqBB liki\enotes +\temps\notes\ql M&\sqqHH bdbd|\sqqBB kiki\enotes +%\check +% mesure 85 +\barre\notes\ql b&\sqqHH bgdg|\sqqBB niki\enotes +\temps\notes\ql a&\sqqHH bfdf|\sqqBB miki\enotes +\temps\notes\ql N&\sqqHH bede|\sqqBB liki\enotes +\temps\notes\ql M&\sqqHH bdbd|\sqqBB kiki\enotes +%\check +% mesure 86 +\cleftoksii={6000}\changeclefs +\barre\notes\ql L&\sQqbb Ne{^c}e|\bigaccid\sqqBB o{^j}lj\enotes +\temps\notes\ql a&\sQqbb Ne{c}e|\sqqBB ojlj\enotes +\temps\notes\ql L&\sQqbb Ne{c}e|\sqqBB ojlj\enotes +\temps\notes\ql a&\sQqbb Ne{c}e|\sqqBB ojlj\enotes +%\check +% mesure 87 +\barre\notes\ql M&\sQqbb Mdad|\bigaccid\sqqBB okmk\enotes +\temps\notes\ql K&\sQqbb Mdad|\sqqBB okmk\enotes +\temps\notes\ql M&\sQqbb Mdad|\sqqBB okmk\enotes +\temps\notes\ql K&\sQqbb Mdad|\sqqBB okmk\enotes +%\check +% mesure 88 +\barre\notes\ql L&\sQqbb Ne{^c}e|\bigaccid\sqqBB o{^j}lj\enotes +\temps\notes\ql a&\sQqbb Nece|\sqqBB ojlj\enotes +\temps\notes\ql L&\sQqbb Nece|\sqqBB ojlj\enotes +\temps\notes\ql a&\sQqbb Nece|\sqqBB ojlj\enotes +%\check +% mesure 89 +\barre\notes\ql M&\sQqbb Ndbd|\bigaccid\sqqBB okmk\enotes +\temps\notes\ql a&\sQqbb Ndbd|\sqqBB okmk\enotes +\temps\notes\ql L&\bigaccid\sQqbb L{^c}Nc|\bigaccid\sqqBB o{^j}lj\enotes +\temps\notes\ql a&\sQqbb LcNc|\sqqBB ojlj\enotes +% +% mesure 90 +\def\octp{\advance\transpose by 7\relax}% +\barre\notes\hup K&\sQqbb Mdad|\sQqbb komo\enotes +\temps\notes&\sQqbb Mdad|\sQqbb komo\enotes +\cleftoksii={0000}\changeclefs +\temps\notes&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes +\temps\notes\soupir&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes +% +% mesure 91 +\barre\notes\wh K&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes +\advance\linesinpage by 1\relax +\temps\notes&\sqqHH dhfh|\octp\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax + \Ibbl1gf2\qb1{gkf}\tqb1k\enotes +\temps\notes&\sqqHH dhfh|\varaccid\octp\zq e\zqu l\qqbb e{^j}gj\enotes +\temps\notes&\sqqHH dhfh|\varaccid\octp\zq d\zqu k\qqbb dhfh\enotes +%\check +% mesure 92 +\barre\nspace\notes\wh H&\qsk\Sh c\sqqHH cgeg|\zh{^j}\zhu{^q}\qsk\qqbb jolo\enotes +\temps\notes&\sqqHH cgeg|\qqbb lolo\enotes +\temps\notes&\sqqHH cgeg|\zq h\zqu o\qqbb hljl\enotes +\temps\notes&\sqqHH cgeg|\zq h\zqu o\qqbb hljl\enotes +%\check +% mesure 93 +\barre\notes\qu K&\sqqHH dhfh|\zq k\zqu r\qqbb komo\enotes +\temps\notes\qu{^J}&\sqqHH{^c}heh|\zq l\zqu s\qqbb lono\enotes +\temps\notes\qu K&\sqqHH dhfh|\zq m\zqu t\qqbb mror\enotes +\temps\notes\qu I&\sqqHH digi|\zq n\zqu u\qqbb nrpr\enotes +%\check +% mesure 94 +\barre\notes\wh H&\roff{\sqqHH{^c}heh}|\zh l\zhu s\roff{\qqbb l{^q}oq}\enotes +\temps\notes&\sqqHH cheh|\qqbb oqoq\enotes +\temps\notes&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes +\temps\notes&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes +% +% mesure 95 +\barre\notes\wh K&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes +\temps\notes&\sqqHH dhfh|\octp\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax + \Ibbl1gf2\qb1{gkf}\tqb1k\enotes +\temps\notes&\sqqHH dhfh|\varaccid\octp\zq e\zqu l\qqbb e{^j}gj\enotes +\temps\notes&\sqqHH dhfh|\varaccid\octp\zq d\zqu k\qqbb dhfh\enotes +% +% mesure 96 +\barre\notes\wh G&\roff{\sqqHH digi}|\iffiveoctaves + \octp\zh i\zhu p\roff{\qqbb inkn}\relax + \else\octp\zh g\zhu n\roff{\qqbb gkik}\relax + \fi\enotes + \nspace +\temps\notes&\sqqHH digi|\iffiveoctaves + \octp\qqbb knkn\relax + \else\octp\qqbb gkik\relax + \fi\enotes +\temps\notes&\sqqHH digi|\iffiveoctaves + \octp\zq g\zqu n\qqbb gkik\relax + \else\octp\zq e\zqu l\qqbb eigi\relax + \fi\enotes +\temps\notes&\sqqHH eigi|\iffiveoctaves + \octp\zq i\zqu p\qqbb inln\relax + \else\octp\zq e\zqu l\qqbb eigi\relax + \fi\enotes +%\check +% mesure 97 +\barre\notes\wh H&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hmkm\enotes +\temps\notes&\sqqHH{^c}heh|\octp\zq g\zqu n\qqbb gl{^j}l\enotes +\temps\notes&\sqqHH dhfh|\octp\zq f\zqu m\qqbb fkhk\enotes +\temps\notes&\sqqHH cheh|\varaccid\octp\zq e\zqu l\qqbb e{^j}gj\enotes +%\check +% mesure 98 +\barre\notes\hu D&\qsk\sqqHH afdf|\zh k\zhu r\qsk\qqbb komo\enotes +\temps\notes&\sqqHH dfdf|\qqbb komo\enotes +\temps\notes\hu K&\sqqHH afdf|\zq k\zqu r\qqbb komo\enotes +\temps\notes&\sqqHH afdf|\zq k\zqu r\qqbb komo\enotes +%\check +% mesure 99 +\barre\notes\wh G&\sqqHH digi|\zq k\zqu r\qqbb kpnp\enotes +\temps\notes&\sqqHH bgdg|\rlap{\doubler\zq j\Ibu0qp1\qh0 q\zq i\tqh0p}\relax + \Ibbl1ji2\qb1{jni}\tqb1n\enotes +\temps\notes&\sqqHH bgdg|\zq h\zqu o\qqbb hkik\enotes +\temps\notes&\sqqHH bgdg|\zq g\zqu n\qqbb gkik\enotes +% +% mesure 100 +\barre\notes\wh H&\qsk\sqqHH afcf|\zh j\zhu q\qsk\qqbb jomo\enotes +\temps\notes&\sqqHH afcf|\qqbb momo\enotes +\temps\notes&\sqqHH afcf|\zq h\zqu o\qqbb hmjm\enotes +\temps\notes&\sqqHH afcf|\zq h\zqu o\qqbb hmjm\enotes +%\check +% mesure 101 +\cleftoksii={6000}\changeclefs +\barre\notes\hu G&\sQqbb Ndbd|\zq i\zqu p\qqbb inkn\enotes +\temps\notes&\sQqbb Ndbd|\zq k\zqu r\qqbb kpnp\enotes +\temps\notes\hu J&\sQqbb LcNc|\zq j\zqu q\qqbb jnln\enotes +\temps\notes&\sQqbb LcNc|\zq i\zqu p\qqbb inln\enotes +% +% mesure 102 +\advance\linesinpage by 1\relax +\barre\notes\hu F&\qsk\sQqbb Mcac|\zh h\zhu o\qsk\qqbb hmjm\enotes +\temps\notes&\sQqbb Mcac|\qqbb jmjm\enotes +\temps\notes\hu G&\sQqbb Ndbd|\zq i\zqu p\qqbb inkn\enotes +\temps\notes&\sQqbb Ndbd|\zq i\zqu p\qqbb inkn\enotes +%\check +% mesure 103 +\barre\notes\wh L&\sQqbb Ne{^c}e|\zq i\zqu p\qqbb inln\enotes +\temps\notes&\sQqbb Nece|\cNa j\rlap{\doubler\zq j\Ibu0qp1\qh0 q\zq i\tqh0p}\relax + \Ibbl1ji2\qb1{jni}\tqb1n\enotes +\cleftoksii={0000}\changeclefs +\temps\notes&\sqqHH af{=c}f|\zq h\zqu o\qqbb hmjm\enotes +\temps\notes&\sqqHH Nece|\zq g\zqu n\qqbb gljl\enotes +% +% mesure 104 +\barre\notes\wh K&\qsk\sqqHH afdf|\zh k\zhu r\qsk\qqbb komo\enotes +\temps\notes&\sqqHH afdf|\qqbb momo\enotes +\temps\notes&\sqqHH afdf|\octp\zq f\zqu m\qqbb fkhk\enotes +\temps\notes&\sqqHH afdf|\octp\zq f\zqu m\qqbb fkhk\enotes +% +% mesure 105 +\barre\notes\qu H&\sqqHH Ne{^c}e|\octp\zq e\zqu l\qqbb e{^j}hj\enotes +\temps\notes\qu I&\sqqHH afdf|\octp\zq f\zqu m\qqbb fkhk\enotes +\temps\notes\qu G&\sqqHH Nece|\octp\zq g\zqu n\qqbb gl{^j}l\enotes +\temps\notes\qu H&\sqqHH Nece|\octp\zq h\zqu o\qqbb hljl\enotes +%\check +% mesure 106 +\barre\notes\hup D&\qsk\sqqHH afdf|\octp\zh d\zhu k\qsk\Qqbb dhfh\enotes +\temps\notes&\sqqHH afdf|\octp\Qqbb fhfh\enotes +\temps\notes&\sqqHH afdf|\zq h\zqu o\qqbb hkmk\enotes +\temps\notes\soupir&\sqqHH afdf|\zq h\zqu o\qqbb hkmk\enotes +% +% mesure 107 +\barre\notes\wh K&\sqqHH Mdad|\zq h\zqu o\qqbb hkmk\enotes +\temps\notes&\sqqHH Mdad|\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax + \Ibbl1gf2\qb1{gkf}\tqb1k\enotes +\temps\notes&\sqqHH Mdad|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes +\temps\notes&\sqqHH Mdad|\varaccid\zq d\zqu k\qqbb dhfh\enotes +% +% mesure 108 +\barre\notes\wh G&\qsk\sqqHH Ndbd|\zh i\zhu p\qsk\qqbb inkn\enotes +\temps\notes&\sqqHH Ndbd|\qqbb knkn\enotes +\temps\notes&\sqqHH Ndbd|\zq g\zqu n\qqbb gkik\enotes +\temps\notes&\sqqHH Ndbd|\zq i\zqu p\qqbb inln\enotes +%\check +% mesure 109 +\barre\notes\wh H&\sqqHH afdf|\zq h\zqu o\qqbb hmkm\enotes +\temps\notes&\sqqHH ae{^c}e|\zq g\zqu n\qqbb gl{^j}l\enotes +\temps\notes&\sqqHH afdf|\zq f\zqu m\qqbb fkhk\enotes +\temps\notes&\sqqHH aece|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes +% mesure 110 +%\check +\xbarre\autolines{9}55\relax +\NOtes&\pointdorgue l\hpause + |\pointdorgue l\hpause\enotes +\zalapage\nostemcut +\temps\NOtes\pointdorgue a\pause + &\soupir|\soupir\enotes +\cleftoksii={6000}\changeclefs +\varaccid +\temps\notes&\qqhh KL{^J}K|\qqhh de{^c}d\enotes +%\check +% mesure 111 +%\check +\barre\NOtes\hu K&\zh M\hl a|\zh d\hu f\enotes +\temps\NOtes&\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes +%\check +% mesure 112 +%\check +\barre +\NOTes\hu K&\zh M\hl a|\zh{df}\hu h\enotes +\temps\NOtes&\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes +%\check +% mesure 113 +%\check +\deuxtemps\changecontext +\def\atnextline{\autolines{9}55\relax}\relax +\Notes\qsk\cNa J\dqh{J}J&\qsk\zmidtwotext{\it rit.} + \ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax + |\qsk\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes +\temps\Notes\dqh{J}J&\ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax + |\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes +%\check +% mesure 114 +%\check +\quatretemps\changecontext +\NOTEs\cNa F\hu{F}&\zh{JL}\hl a|\zh{ce}\hu h\enotes +\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh JK{^I}J|\qqhh cd{^b}c\enotes +%\check +% mesure 115 +%\check +\barre\NOTes\hu H&\zh{J=M}\hl a|\zh{c=f}\hu h\enotes +\temps\NOtes&\soupir|\soupir\enotes +\bigaccid +\temps\notes\hpause&\qqhh {^I}JHI|\qqhh {^b}cab\enotes +% mesure 116 +%\check +\barre\NOTes\hup{=I}&\zh{L}\hl{N}|\zh{=be}\hu g\enotes +\temps\NOtes&\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh {=I}JHI|\qqhh {=b}cab\enotes +% mesure 117 +%\check +\barre\NOTes\hup{I}&\zh{K}\hl{N}|\zh{bd}\hu g\enotes +\temps\NOtes&\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh HIGH|\qqhh abNa\enotes +% mesure 118 +\def\atnextline{\autolines{16}45\relax}\relax +%\check +\deuxtemps\changecontext +\Notes\dqh HH&\zcharnote c{\it rit.}\ibl0K0\zq{K}\qb0M\zq{K}\tqb0M\relax + |\ibu0f0\zq{ad}\qh0f\zq{ad}\tqh0f\enotes +\temps\Notes\dqh HH&\ibl0J0\zq{^J}\qb0L\zq{J}\tqb0L\relax + |\ibu0e0\zq{a^c}\qh0e\zq{ac}\tqh0e\enotes +%\check +% mesure 119 +%\check +\quatretemps\changecontext +\NOTes\pointdurgue D\hu D&\pointdorgue N\zh{HK}\hl M\relax + |\pointdorgue l\zh{a}\hu d\enotes +\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes +%\check +% mesure 120 +\advance\barsinline by 1\relax +\barre\notes\hup K&\bigSh M\Qqbb Mcac|\doubler + \bigSh f\zh{f}\zhl h\qu{_l}\enotes +\temps\notes&\Qqbb Mcac|\doubler\qu k\enotes +\temps\notes&\Qqbb Mcac|\doubler\zh{f}\zhl h\qu k\enotes +\temps\notes\soupir&\Qqbb Mcac|\doubler\qu j\enotes +%\check +% mesure 121 +\barre\notes\hup G&\Qqbb KbNb|\doubler\zh{d}\zhl g\hu i\enotes +\temps\notes&\Qqbb KbNb\enotes +\temps\notes&\Qqbb KbNb|\doubler\dqh gh\enotes +\temps\notes\soupir&\Qqbb KbNb|\doubler\dqh{^f}g\enotes +%\check +% mesure 122 +\barre\notes\hup J&\Qqbb LcNc|\doubler\zh{e}\zhl g\qu k\enotes +\temps\notes&\Qqbb LcNc|\doubler\qu j\enotes +\temps\notes&\Qqbb LcNc|\doubler\zh{e}\zhl g\qu j\enotes +\temps\notes\soupir&\Qqbb LcNc|\doubler\qu i\enotes +%\check +% mesure 123 +\barre\notes\hup F&\Qqbb JaLa|\doubler\zh{cf}\hu h\enotes +\temps\notes&\Qqbb JaLa\enotes +\temps\notes&\Qqbb JaMa|\doubler\cNa f\dqh fg\enotes +\temps\notes\soupir&\Qqbb JaMa|\doubler\dqh ef\enotes +%\check +% mesure 124 +\barre\notes\hup I&\Qqbb KbMb|\doubler\zh{d}\zhl f\qu j\enotes +\temps\notes&\Qqbb KbMb|\doubler\qu i\enotes +\temps\notes&\Qqbb KbMb|\doubler\zh{d}\zhl f\qu i\enotes +\temps\notes\soupir&\Qqbb KbMb|\doubler\qu h\enotes +%\check +% mesure 125 +\barre\autolines{16}35\relax +\notes\hup H&\Qqbb LbNb|\doubler\zh{^ce}\hu g\enotes +\temps\notes&\Qqbb LbNb\enotes +\temps\notes&\bigaccid\Qqbb L{^c}Nc|\doubler\dqh ef\enotes +\temps\notes\soupir&\Qqbb LcNc|\doubler\dqh de\enotes +%\check +% mesure 126 +\barre\notes\hu G&\Qqbb LbNb|\doubler\zh{^c}\zhl e\qu i\enotes +\temps\notes&\Qqbb LbNb|\doubler\qu h\enotes +\temps\notes\hu H&\Qqbb LbNb|\doubler\zh{c}\zhl e\qu h\enotes +\temps\notes&\Qqbb LbNb|\doubler\qu g\enotes +%\check +% mesure 127 +\barre\notes\hu K&\Qqbb KaMa|\doubler\zhl{d}\qu f\enotes +\temps\notes&\Qqbb KaMa|\qqhh gfef\enotes +\nspace +\temps\notes\hu K&\bigaccid\Qqbb Ka{^M}a|\doubler\zhl{d}\qu{^f}\enotes +\temps\notes&\Qqbb KaMa|\qqhh gfef\enotes +%\check +% mesure 128 +\barre\notes\hu K&\Qqbb KbNb|\doubler\zhl{d}\qu g\enotes +\temps\notes&\Qqbb KbNb|\qqhh hg{^f}g\enotes +\nspace +\temps\notes\hu K&\bigaccid\Qqbb Ka{^M}a|\doubler\zh d\zhl{f}\qu h\enotes +\temps\notes&\Qqbb KaMa|\qqhh ihgh\enotes +%\check +% mesure 129 +\barre\notes\hl K&\Qqbb KbNb|\doubler\zh d\zhl{g}\qu i\enotes +\temps\notes&\Qqbb KbNb|\qqhh hg{^f}g\enotes +\nspace +\temps\notes\hl L&\bigaccid\Qqbb L{^c}Nc|\doubler\zh e\zhl{g}\qu{^j}\enotes +\temps\notes&\Qqbb LcNc|\qqhh kj{^i}j\enotes +%\check +% mesure 130 +\barre\autolines{17}35\relax +\bigaccid +\notes\hl M&\Qqbb Mdad|\bigaccid\zh{=fh}\hu k\enotes +\temps\notes&\Qqbb Mdad|\enotes +\temps\notes\hu K&\Qqbb Mdad|\zh{f}\hu h\enotes +\temps\notes&\Qqbb Mdad|\enotes +% +% mesure 131 +\barre\notes\hu G&\Qqbb INKN|\doubler\zh{b}\zhl d\qu g\enotes +\temps\notes&\zmidtwotext{\it rit.}\Qqbb INKN|\qu f\enotes +\temps\notes\hu H&\Qqbb {^J}NLN|\doubler\zhl{a^c}\qu e\enotes +\temps\notes&\Qqbb {J}NLN|\qu d\enotes +% +% mesure 132 +\stemcut +\barre \notes\hu D&\Qqbb HMKM|\doubler\zh{a}\hu d\enotes +\temps\notes&\Qqbb HMKM|\enotes +\temps\notes\uptext{\it a tempo}\sk\hpause + &\sQqbb KaMa|\zq h\zqu o\qqbb hkmk\enotes +\temps\notes&\sQqbb KaMa|\zq h\zqu o\qqbb hkmk\enotes +%\check +% +% mesure 133 +\barre\notes\wh F&\sQqbb KaMa|\zq h\zqu o\qqbb hkmk\enotes +\temps\notes&\sQqbb KaMa|\normalnotesize\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax + \Ibbl1gf2\qb1{gkf}\tqb1k\enotes +\temps\notes&\sQqbb {^J}NLN|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes +\temps\notes&\sQqbb INKN|\varaccid\zq d\zqu k\qqbb digi\enotes +% +% mesure 134 +\def\octm{\advance\transpose by -7\relax}% +\barre\notes\hu H&\qsk\Sh J\sQqbb JNLN|\zh{^c}\zhu{^j}\qsk\qqbb cheh\enotes +\temps\notes&\sQqbb JNLN|\qqbb eheh\enotes +\temps\notes\hu G&\sQqbb JNLN|\zq a\zqu h\qqBB aece\enotes +\temps\notes&\sQqbb JNLN|\zq a\zqu h\qqBB aece\enotes +%\check +% mesure 135 +\barre\notes\qu F&\sQqbb HMKM|\octm\zq k\zqu r\qqbb komo\enotes +\temps\notes\qu G&\sQqbb{^J}aLa|\octm\zq l\zqu s\qqbb lono\enotes +\temps\notes\qu H&\sQqbb KaMa|\octm\zq m\zqu t\qqbb mror\enotes +\temps\notes\qu I&\sQqbb KbNb|\octm\zq n\zqu u\qqbb nrpr\enotes +%\check +% mesure 136 +\barre\notes\wh H&\qsk\octm\sQqbb{^c}heh|\octm\zh l\zhu s\qsk\qqbb l{^q}oq\enotes +\temps\notes&\octm\sQqbb cheh|\octm\qqbb oqoq\enotes +\temps\notes&\octm\sQqbb dhfh|\zq h\zqu o\qqbb hkmk\enotes +\temps\notes&\octm\sQqbb dhfh|\zq h\zqu o\qqbb hkmk\enotes +% +% mesure 137 +\barre\notes\wh K&\octm\sQqbb dhfh|\zq h\zqu o\qqbb hkmk\enotes +\temps\notes&\octm\sQqbb dhfh|\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax + \Ibbl1gf2\qb1{gkf}\tqb1k\enotes +\temps\notes&\octm\sQqbb dhfh|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes +\temps\notes&\octm\sQqbb dhfh|\varaccid\zq d\zqu k\qqbb dhfh\enotes +% +% mesure 138 +\barre\notes\wh G&\qsk\sQqbb KbNb|\zh i\zhu p\qsk\qqbb inkn\enotes +\temps\notes&\sQqbb KbNb|\qqbb knkn\enotes +\temps\notes&\octm\sQqbb bgdg|\zq g\zqu n\qqbb gkik\enotes +\temps\notes&\octm\sQqbb bgdg|\zq i\zqu p\qqbb inln\enotes +%\check +% mesure 139 +\barre\notes\wh H&\octm\sQqbb dhfh|\zq h\zqu o\qqbb hmkm\enotes +\temps\notes&\octm\sQqbb{^c}heh|\zq g\zqu o\qqbb gl{^j}l\enotes +\temps\notes&\octm\sQqbb afdf|\zq h\zqu o\qqbb hmkm\enotes +\temps\notes&\sQqbb JaLa|\zq g\zqu o\qqbb gljl\enotes +%\check +% mesure 140 +\barre\notes\hl K&\sQqbb Mdad|\zhu k\raise -\Interligne\qs\Tqbb fhf\enotes +\temps\notes&\sQqbb Mdad|\Qqbb hfhf\enotes +\temps\notes\Ilegu0d\ql d&\sQqbb KaMa|\uptext{\it positif}\sQqbb hfhf\enotes +\temps\notes\ql d&\sQqbb KaMa|\raise\Interligne\rlap{\hpause}\sQqbb hfhf\enotes +%\check +% mesure 141 +\barre\notes\ql d&\sQqbb KbNb|\smallnotesize\zhu k\raise -\Interligne\qs\sTqbb gig\enotes +\temps\notes\doubler\dqb cb&\sQqbb KbNb|\sQqbb igig\enotes +\temps\notes\ql a&\sQqbb LcNc|\smallnotesize\zhu l\raise -\Interligne\qs\sTqbb gig\enotes +\temps\notes\ql N&\sQqbb LcNc|\sQqbb igig\enotes +%\check +% mesure 142 +\barre\notes\hl c\tleg0&\sQqbb JaMa|\smallnotesize\zw m\raise -\Interligne\qs\sTqbb hjh\enotes +\temps\notes&\sQqbb JaMa|\sQqbb jhjh\enotes +\temps\notes\Ilegu0a\ql a&\sQqbb JaMa|\sQqbb jhjh\enotes +\temps\notes\ql a&\sQqbb JaMa|\sQqbb jhjh\enotes +%\check +% mesure 143 +\barre\notes\ql b&\sQqbb IMKM|\smallnotesize\zhu m\raise -\Interligne\qs\sTqbb iki\enotes +\temps\notes\ql d&\sQqbb IMKM|\sQqbb kiki\enotes +\temps\notes\ql c&\sQqbb JNLN|\smallnotesize\zhu l\raise -\Interligne\qs\sTqbb jgj\enotes +\temps\notes\ql b&\sQqbb JNLN|\sQqbb gjgj\enotes +%\check +% mesure 144 +\barre\notes\tleg0\hl a&\sQqbb Mcac|\smallnotesize\zhu m\raise -\Interligne\qs\sTqbb hjh\enotes +\temps\notes&\sQqbb Mcac|\sQqbb jhjh\enotes +\temps\notes\Ilegu0c\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\sTqbb iki\enotes +\temps\notes\ql b&\sQqbb Mdbd|\sQqbb kiki\enotes +%\check +% mesure 145 +\barre\notes\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\sTqbb iki\enotes +\temps\notes\doubler\dqb cb&\sQqbb Mdbd|\sQqbb kiki\enotes +\temps\notes\ql a&\sQqbb Mdbd|\smallnotesize\zhu l\raise -\Interligne\qs\sTqbb gig\enotes +\temps\notes\ql N&\sQqbb Mdbd|\sQqbb igig\enotes +%\check +% mesure 146 +\barre\notes\hl d\tleg0&\sQqbb Mdad|\smallnotesize\zwh k\raise -\Interligne\qs\sTqbb fhf\enotes +\temps\notes&\sQqbb Mdad|\sQqbb hfhf\enotes +\temps\notes\Ilegu0a\ql M&\sQqbb Mdad|\sQqbb hfhf\enotes +\temps\notes\ql M&\sQqbb Mdad|\sQqbb hfhf\enotes +%\check +% mesure 147 +\barre\notes\ql L&\bigaccid\sQqbb L{^c}ac|\smallnotesize\bigaccid + \zwh l\raise -\Interligne\qs\sTqbb h{^j}h\enotes +\temps\notes\ql M&\sQqbb L{c}ac|\sQqbb jhjh\enotes +\temps\notes\ql N&\sQqbb LcNc|\sQqbb jgjg\enotes +\temps\notes\ql a&\sQqbb LcNc|\sQqbb jgjg\enotes +%\check +% mesure 148 +\barre\autolines{8}65\relax +\NOTes\pointdurgue H\hu K\tleg0&\pointdurgue H\smallnotesize\zh{Ma}\hl d\relax + |\pointdorgue m\smallnotesize\zh{fh}\hu k\enotes +\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes +%\check +% mesure 149 +\barre\NOtes\hu K&\zh M\hl a|\zh d\hu f\enotes +\temps\Notes&\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes +%\check +% mesure 150 +%\check +\barre\NOtes\hu K&\zh M\hl a|\zh{df}\hu h\enotes +\temps\Notes&\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes +% mesure 151 +%\check +\deuxtemps\changecontext +\Notes\dqh{^J}J&\zmidtwotext{\it rit.}\ibl1L0\zq{LN}\qb1b\zq{LN}\tqb1b\relax + |\ibu2i0\zq{eg}\qh2i\zq{eg}\tqh2i\enotes +\temps\Notes\dqh{J}J&\ibl1L0\zq{LN}\qb1b\zq{LN}\tqb1b\relax + |\ibu2i0\zq{eg}\qh2i\zq{eg}\tqh2i\enotes +%\advancebottom{-2\Interligne}% +%\check +% mesure 152 +\quatretemps\changecontext\varaccid +\NOTes\pointdurgue H\hu K&\pointdorgue a\zh{M}\hl a\relax + |\pointdorgue l\zh{df}\hu h\enotes +\temps\Notes&\soupir|\uptext{\it\kern -1em a tempo}\soupir\enotes +\temps\notes\hpause&\qqhh K{_L}{^J}K|\qqhh d{_e}{^c}d\enotes +% mesure 153 +\barre\NOtes\hu K&\zh{^Ma}\hl c|\zh{^fhj}\hl{_l}\enotes +\temps\Notes&\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh K{_L}{^J}K|\qqhh d{_e}{^c}d\enotes +% mesure 154 +\barre\NOtes\hu J&\zh{^Ma}\hl c|\zh{hj}\hl{^m}\enotes +\temps\Notes&\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh K{_L}{=J}K|\qqhh d{_e}{=c}d\enotes +% mesure 155 +\barre\NOtes\hu I&\zh{LN}\hl{^c}|\lSh j\zh{j=l}\hl n\enotes +\temps\Notes&\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh K{_L}{=J}K|\qqhh d{_e}{=c}d\enotes +% mesure 156 +\barre\NOtes\hu G&\zh{KN}\hl{b}|\zh{ik}\hl n\enotes +\temps\Notes&\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh HIGH|\qqhh abNa\enotes +%\check +% mesure 157 +\barre\NOtes\qu D&\zq{^Ma}\ql{d}|\zq{^fh}\ql k\enotes +\temps\NOtes\pointdorgue a\soupir&\pointdorgue a\soupir|\pointdorgue l\soupir\enotes +\temps\notes\hu H&\sQqbb Mdad|\zq h\zqu o\qqbb hkmk\enotes +\temps\notes&\sQqbb Mdad|\zq h\zqu o\qqbb hkmk\enotes +% +% mesure 158 +\barre\autolines{16}35\relax +\notes\wh H&\sQqbb KaMa|\zq h\zqu o\qqbb hkmk\enotes +\temps\notes&\sQqbb KaMa|\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax + \Ibbl1gf2\qb1{gkf}\tqb1k\enotes +\temps\notes&\sQqbb KaMa|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes +\temps\notes&\sQqbb KaMa|\varaccid\zq d\zqu k\qqbb dhfh\enotes +% +% mesure 159 +\staffbotmarg=2pt +\barre\notes\qu H&\sQqbb L{^c}ac|\zq h\zqu o\qqbb hl{^j}l\enotes +\temps\NOtes\pointdorgue a\soupir&\pointdorgue a\soupir|\pointdorgue l\soupir\enotes +\cleftoksii={0000}\changeclefs +\temps\notes\sk\hpause&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes +\temps\notes&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes +% +% mesure 160 +\barre\notes\wh K&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes +\temps\notes&\sqqHH dhfh|\octp\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax + \Ibbl1gf2\qb1{gkf}\tqb1k\enotes +\temps\notes&\sqqHH dhfh|\varaccid\octp\zq e\zqu l\qqbb e{^j}gj\enotes +\temps\notes&\sqqHH dhfh|\varaccid\octp\zq d\zqu k\qqbb dhfh\enotes +% +% mesure 161 +\barre\notes\wh G&\roff{\sqqHH digi}|\iffiveoctaves + \octp\zh i\zhu p\roff{\qqbb inkn}\relax + \else\octp\zh g\zhu n\roff{\qqbb gkik}\relax + \fi\enotes + \nspace +\temps\notes&\sqqHH digi|\iffiveoctaves + \octp\qqbb knkn\relax + \else\octp\qqbb gkik\relax + \fi\enotes +\temps\notes&\sqqHH digi|\iffiveoctaves + \octp\zq g\zqu n\qqbb gkik\relax + \else\octp\zq e\zqu l\qqbb eigi\relax + \fi\enotes +\temps\notes&\sqqHH eigi|\iffiveoctaves + \octp\zq i\zqu p\qqbb inln\relax + \else\octp\zq e\zqu l\qqbb eigi\relax + \fi\enotes +%\check +% mesure 162 +\barre\autolines{8}65\relax +\notes\wh H&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hmkm\enotes +\temps\notes&\sqqHH{^c}heh|\octp\zq g\zqu n\qqbb gl{^j}l\enotes +\temps\notes&\sqqHH dhfh|\octp\zq f\zqu m\qqbb fkhk\enotes +\temps\notes&\sqqHH aece|\varaccid\octp\zq e\zqu l\qqbb e{j}gj\enotes +%\check +% mesure 163 +\barre\NOtes\pointdorgue N\hpause + &\zmidtwotext{\ppff {f}{f}{f}}\pointdurgue f\hpause|\pointdorgue l\hpause\enotes +\temps\NOtes\lppz G\qu G&\lppz b\zq{bd}\qu g|\Uptext{\moyen Maestoso}\octp\uppz g\zq{bd}\ql g\enotes +\temps\NOtes\lppz G\qu I&\lppz d\zq{dg}\qu i|\octp\uppz i\zq{dg}\ql i\enotes +% mesure 164 +\barre +\NOtes\lppz H\qu H&\octp\lppz K\zq{KM}\qu a|\octp\uppz h\zq{df}\ql h\enotes +\temps\NOtes\lppz H\qu H&\octp\lppz I\zq{IK}\qu N|\octp + \uppz g\zq{bd}\ql g\enotes +\temps\NOtes\lppz H\qu H&\octp\lppz H\zq{HK}\qu M|\octp + \uppz f\zq{ad}\ql f\enotes +\temps\NOtes\lppz H\qu H&\octp\lppz H\zq{H^J}\qu L|\octp + \uppz e\zq{a^c}\ql e\enotes +% mesure 165 +\barre\NOtes\qu I&\zq{bd}\qu{h}|\zq{ik}\ql o\enotes +\temps\NOtes\pointdorgue a\soupir&\pointdorgue l\soupir|\pointdorgue l\soupir\enotes +\temps\NOtes\lppz G\qu G&\octp\uppz N\zq{IK}\ql N|\octp\uppz g\zq{bd}\ql g\enotes +\temps\notes\lppz G\qu I&\octp\uppz N\zq{IK}\ql N|\octp\uppz i\zq{bdg}\ql i\enotes +\cleftoksii={6000}\changeclefs +% mesure 166 +\barre\NOtes\lppz G\qu H&\octp\uppz M\zq{HK}\ql M|\octp\uppz h\zq{adf}\ql h\enotes +\temps\NOtes\lppz G\qu G&\octp\uppz K\zq{GI}\ql K|\octp\uppz g\zq{Nbd}\ql g\enotes +\temps\NOtes\lppz F\qu F&\octp\uppz K\zq{FH}\ql K|\octp\uppz f\zq{Mad}\ql f\enotes +\temps\NOtes\lppz E\qu E&\octp\uppz J\zq{EH}\ql{^J}|\octp\uppz e\zq{La^c}\ql e\enotes +% mesure 167 +\barre\NOTes\wh D&\octp\zw{DF}\wh{H}|\octp\zw{KMa}\wh d\enotes +\finmorceau +\staffbotmarg=0pt +\rightline{\sl\aujourdhui}\vfil\eject + +\end diff --git a/macros/generic/musixtex/doc/examples/fantcmol.tex b/macros/generic/musixtex/doc/examples/fantcmol.tex new file mode 100644 index 0000000000..fae4884314 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/fantcmol.tex @@ -0,0 +1,626 @@ +\fullauthor{Daniel TAUPIN} +\shortauthor{D. Taupin} +\fulltitle{XI. Fantaisie et fugue en style baroque} +\shorttitle{Fantaisie et fugue en style baroque} +\csname titremorceautoc\endcsname +\shorttitle{Fantaisie en style baroque} +\subtitle{{\frtbf Fantaisie}} +\othermention{Compos\'e en 1995} +\maketitle + + % if transpose not defined outside assume 0 and three flats +\ifx\ftranspose\undefined\def\ftranspose{0}\fi +\ifx\fsignature\undefined\def\fsignature{-3}\fi + + +\parindent 18mm +\tracingstats=2\relax + % + % formes fr\'equentes + % + %au moins deux croches basses et hautes +\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% +\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% + %au moins deux doubles croches basses et hautes +\def\dqbb#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% +\def\dqhh#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% + %au moins trois doubles croches basses et hautes +\def\tqbb#1#2#3{\Ibbl0{#1}{#3}2\qb0{#1#2}\tqb0{#3}}% +\def\Tqbb#1#2#3{\ibbl0{#2}0\qb0{#1#2}\tqb0{#3}}% +\def\sTqbb#1#2#3{{\smallnotesize\Tqbb{#1}{#2}{#3}}}% + %au moins quatre croches basses et hautes +\def\qqb#1#2#3#4{\Ibl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% +\def\Qqb#1#2#3#4{\Ibl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}% +\def\qqB#1#2#3#4{\Ibl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}% +\def\qqh#1#2#3#4{\Ibu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% +\def\Qqh#1#2#3#4{\Ibu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}% +\def\qqH#1#2#3#4{\Ibu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}% + %au moins quatre doubles croches basses et hautes +\def\qqbb#1#2#3#4{\varaccid\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% +\def\sqqbb#1#2#3#4{\varaccid\smallnotesize\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% +\def\Qqbb#1#2#3#4{\varaccid\Ibbl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}% +\def\sQqbb#1#2#3#4{{\varaccid\smallnotesize\Qqbb{#1}{#2}{#3}{#4}}}% +\def\qqBB#1#2#3#4{\varaccid\Ibbl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}% +\def\sqqBB#1#2#3#4{{\varaccid\smallnotesize\qqBB{#1}{#2}{#3}{#4}}}% +\def\qqhh#1#2#3#4{\varaccid\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% +\def\sqqhh#1#2#3#4{\varaccid\smallnotesize\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% +\def\Qqhh#1#2#3#4{\varaccid\Ibbu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}% +\def\sQqhh#1#2#3#4{\varaccid\smallnotesize\Ibbu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}% +\def\qqHH#1#2#3#4{\varaccid\Ibbu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}% +\def\sqqHH#1#2#3#4{{\varaccid\smallnotesize\qqHH{#1}{#2}{#3}{#4}}}% + % +\nbporteesii=2\relax +\def\nbinstruments{2} +\global\cleftoksii={6000}% +\global\cleftoksi={6000}% +% +\noautolines + % +\generalsignature{\fsignature}\relax % r\'e mineur +\transpose=\ftranspose\relax + %\check +\def\instrumenti{P\'edale 16'}% +\def\instrumentii{G.O.}% + %\check +\medskip\noindent{\rm G.O.: Plein jeu, fonds 16' {\sl ad libitum.}}% +\par\noindent{\rm Pos.: Plein jeu, acc. G.O.}% +\par\noindent{\rm P\'ed.: fonds et anches 16', tirasses G.O. \& pos.}% +\smallskip + % +\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}% +\def\doubler{\multiply\noteskip by 2\relax}% +\generalmeter{\meterfrac 34} +\staffbotmarg=10pt +\stafftopmarg=0pt +\interstaff{10} +\debutmorceau +%\noautolines +\relativeaccidentals +\bigaccid +%\autolines{9}55\relax +\znotes&|\Uptext{\hbox{\kern -8mm\moyen Allegro + \bf(\metron{\qu}{55})}}\enotes + %\advance\linesinpage by 1\relax + %\check + % mesure 1 +\notes&\sqqhh JKLM|\sqqhh cdef\enotes +\temps\notes\sk\pause&\sqqhh NLKJ|\sqqhh gedc\enotes +\temps\notes&\sqqhh caNM|\sqqhh jhgf\enotes + %\check + % mesure 2 +\barre\notes&\sqqhh NaMa|\sqqhh ghfh\enotes +\temps\notes\sk\pause&\sqqhh NLKJ|\sqqhh gedc\enotes +\temps\notes&\sqqhh caNM|\sqqhh jhgf\enotes + %\check + % mesure 3 +\barre\notes&\sqqhh NaMN|\sqqhh ghfg\enotes +\temps\notes\sk\pause&\sqqhh LMKL|\sqqhh efde\enotes +\temps\notes&\sqqhh JLKJ|\sqqhh cedc\enotes + %\check + % mesure 4 +\barre\notes\hu G&\sqqbb N{^a}{^b}c|\itenu1i\itenl2g\zq{^id}\qu g\enotes +\temps\notes&\sqqbb dbaN|\tten1\tten2\itenl1g\zhl g\zq{k}\qu{^i}\enotes +\temps\notes\qu J&\sqqbb edec|\zq{l}\qu j\enotes + %\check + % mesure 5 +\barre\notes\hu G&\sqqbb{^b}cdb|\tten1\itenl1g\zhlp g\zh{^i}\hu k\enotes +\temps\notes&\sqqbb NabN|\enotes +\temps\notes\qu J&\sqqbb edec|\zq j\qu l\enotes + %\check + % mesure 6 +\barre\notes\qu I&\sqqbb decd|\tten1\zq{g=i}\qu k\enotes +\temps\notes\qu K&\sqqbb {=b}c{^a}b|\zq{hj}\qu{^m}\enotes +\temps\notes\qu G&\sqqbb N{^b}aN|\zq{^ik}\qu n\enotes + %\check + % mesure 7 +\barre\notes\hu J&\itenu1c\zh{Nc}\hl e|\sqqbb jklm\enotes +\temps\notes&|\sqqbb nlkj\enotes +\temps\notes\qu H&\tten1\itenu1c\zq{ac}\ql f|\sqqbb qonm\enotes + %\check + % mesure 8 +\barre\notes\hu J&\tten1\itenu1c\zh{Nc}\hl e|\sqqbb nomo\enotes +\temps\notes&|\sqqbb nlkj\enotes +\temps\notes\qu H&\tten1\zq{ac}\ql f|\sqqbb qonm\enotes + %\check + % mesure 9 +\barre\notes\qu G&\itenl1N\zh N\zhl{^b}\qu d|\sqqbb nomn\enotes +\temps\notes\qu{^I}&\qu f|\sqqhh lmkl\enotes +\temps\notes\qu J&\tten1\zq N\lfl b\zq{b}\ql{^e}|\sqqhh j{^l}kj\enotes + %\check + % mesure 10 +\barre\notes\hu F&\sqqbb MNab|\itenu1m\zh h\zhl j\hup m\enotes +\temps\notes&\sqqbb caNM\enotes +\temps\notes\qu I&\sqqbb f{_d}cb|\zq i\ql k\enotes + %\check + % mesure 11 +\barre\notes\hu F&\sqqbb c{_d}bd|\tten1\itenu1m\zh h\zhl j\hup m\enotes +\temps\notes&\sqqbb caNM\enotes +\temps\notes\qu I&\sqqbb fdcb|\zq i\ql k\enotes + %\check + % mesure 12 +\barre\notes\qu H&\sqqbb c{_d}bc|\tten 1\zq h\zq j\ql m\enotes +\temps\notes\qu J&\sqqbb abNa|\zq g\zq i\ql{^l}\enotes +\temps\notes\qu F&\sqqbb MNab|\zq h\zq j\ql m\enotes + %\check + % mesure 13 +\barre\notes\hu J&\zh N\zhl{^e}\roff{\qu c}|\sqqbb jk{^l}m\enotes +\temps\notes&\qu b|\sqqbb nlkj\enotes +\temps\notes\qu H&\zq{ac}\ql f|\sqqbb qonm\enotes + %\check + % mesure 14 +\barre\notes\hu J&\zh N\zhl{^e}\roff{\qu c}|\sqqbb nomo\enotes +\temps\notes&\qu b|\sqqbb n{^l}kj\enotes +\temps\notes\qu H&\zq{ac}\ql f|\sqqbb qonm\enotes + %\check + % mesure 15 +\barre\notes\qu G&\itenl1N\zql N\zq c\qu {=e}|\sqqbb nomn\enotes +\temps\notes\qu {^I}&\tten1\zq N\zq {^b}\qu f|\sqqbb {=l}mkl\enotes +\temps\notes\qu J&\zq {=b}\rq c\qu {^e}|\sqqbb jk{^l}j\enotes + %\check + % mesure 16 +\barre\notes\hu {^H}&\sqqbb MN{^a}b|\itenl1h\zhp{^hj}\hlp m\enotes +\temps\notes&\sqqbb cbca\enotes +\temps\notes\qu J&\sqqbb {=e}c{^a}N|\enotes + %\check + % mesure 17 +\barre\notes\hu K&\sqqbb {^M}N{^a}b|\tten1\itenl1h\itenu2m\zh{^hk}\hl{^m}\enotes +\temps\notes&\sqqbb cbca\enotes +\temps\notes\qu J&\sqqbb {^f}{=e}dc|\tten1\tten2\zq{hj}\ql m\enotes + %\check + % mesure 18 +\barre\notes\qu I&\sqqbb bcdb|\itenl1i\itenu2n\zq{ik}\ql n\enotes +\temps\notes\qu L&\sqqbb g{=e}dc|\tten1\tten2\zq{il}\ql n\enotes +\temps\notes\qu K&\sqqbb d{^e}{^f}d|\zq{^hj}\ql{^m}\enotes + %\check + % mesure 19 +\barre\notes\qu I&\sqqbb g{=e}dc|\zq{ik}\zqu n\enotes +\temps\notes\qu H&\sqqbb dcba|\zq{^hj}\zqu{^m}\enotes +\temps\notes\qu G&\sqqbb N{^a}{^b}N|\zq{^ik}\zqu{=m}\enotes + %\check + % mesure 20 +\barre\notes\hu{^H}&\itenl1c\itenu2e\lSh c\zq{^ac}\ql{^e}|\sqqbb {^j}k{^l}m\enotes +\temps\notes&\tten1\tten2\zq{ce}\ql g|\sqqbb nmnl\enotes +\temps\notes\qu K&\zq{^ad}\ql{=f}|\sqqbb mlk{=j}\enotes + %\check + % mesure 21 +\barre\notes\qu G&\itenl1N\itenu2f\zhlp N\zq{^b}\qu f|\sqqbb {^i}jkl\enotes +\temps\notes\qu {^I}&\tten2\zq{d}\qu f|\sqqbb mlmk\enotes +\temps\notes\qu J&\zq{=b}\qu {^e}|\sqqbb lkj{=i}\enotes + %\check + % mesure 22 +\barre\notes\hup{^H}&\tten1\lSh c\zql N\zhp{c}\hup{^e}|\sqqbb {^h}{^i}{^j}k\enotes +\temps\notes&\ql{^a}|\sqqbb {^l}k{^j}i\enotes +\temps\notes&\ql N|\sqqbb jhij\enotes + %\check + % mesure 23 +\generalsignature{2}\changecontext +\notes\itenl1K\hup K&\sqqbb MNaM|\itenl2k\zh {hm}\hu k\enotes +\temps\notes&\sqqbb KMNa|\enotes +\temps\notes&\sqqbb babN|\tten2\itenl2k\zq{ik}\ql n\enotes + %\check + % mesure 24 +\barre\notes\tten1\hup K&\sqqbb abad|\tten2\itenu2m\zh{hk}\hl m\enotes +\temps\notes&\sqqbb cbaN|\enotes +\temps\notes&\sqqbb MNaM|\tten2\itenu2m\zq{_j}\zql m\qu o\enotes + %\check + % mesure 25 +\barre\notes\hu I&\sqqbb KMNa|\tten2\zh i\zhl k\qu m\enotes +\temps\notes&\sqqbb babN|\qu n\enotes +\temps\notes\qu H&\sqqbb cabc|\zq j\zql l\qu o\enotes + %\check + % mesure 26 +\barre\notes\hu K&\itenu1d\zh{ad}\hl f|\sqqbb klmn\enotes +\temps\notes&|\sqqbb omlk|\enotes +\temps\notes\qu I&\tten1\itenu1d\zq{bd}\ql g|\sqqbb popn\enotes + %\check + % mesure 27 +\barre\notes\hu K&\tten1\zh{ad}\hl f|\sqqbb opon\enotes +\temps\notes&|\sqqbb monm|\enotes +\temps\notes\qu G&\zq{be}\ql g|\sqqbb nmlk\enotes + %\check + % mesure 28 +\barre\notes\hup H&\zhp a\zhlp c\hu e|\sqqbb jklm\enotes +\temps\notes&|\sqqbb nlon\enotes +\temps\notes&\qu g|\sqqbb {_m}lkj\enotes + %\check + % mesure 29 +\barre\notes\hu K&\sqqbb KL{_M}N|\itenu1k\zh {_fh}\hu k\enotes +\temps\notes&\sqqbb aNaM|\enotes +\temps\notes\qu G&\sqqbb {_b}aNb|\tten1\itenu1k\zq{g_i}\qu k\enotes + %\check + % mesure 30 +\barre\notes\hup K&\sqqbb a{_M}LK|\tten1\zq{_f}\zql h\hup k\enotes +\temps\notes&\sqqbb d{_b}aN|\zq g\ql{_i}\enotes +\temps\notes&\sqqbb aNMa|\zq f\ql h\enotes + %\check + % mesure 31 +\barre\notes\qu G&\sqqbb N{_M}LK|\zq g\zq{_i}\ql l\enotes +\temps\notes\qu H&\sqqbb JKLM|\itenu0j\zq h\zq j\ql {_m}\enotes +\temps\notes\qu F&\sqqbb {=M}{^N}{^a}M|\tten0\lSh h\zq{h}\zq j\ql {=m}\enotes + %\check + % mesure 32 +\barre\notes\itenl1I\hup I&\itenl2b\zh b\zh d\hl f|\sqqbb ijkl\enotes +\temps\notes&|\sqqbb mkji\enotes +\temps\notes&\tten2\itenl2b\zq b\zq e\ql g|\sqqbb pnml\enotes + %\check + % mesure 33 +\barre\notes\tten1\hu I&\tten2\zh b\zh d\itenu2f\hl f|\sqqbb mnml\enotes +\temps\notes&|\sqqbb km{^o}p\enotes +\temps\notes\qu F&\tten2\itenu2f\zq{^ac}\ql f|\sqqbb qpo{^n}\enotes + %\check + % mesure 34 +\barre\notes\hup I&\zh b\tten2\itenu2d\itenu3f\zh {^d}\hl f|\sqqbb ml{^k}j\enotes +\temps\notes&|\sqqbb klm{=o}\enotes +\temps\notes&\tten2\tten3\zq{df}\ql{=a}|\sqqbb {_q}omk\enotes + %\check + % mesure 35 +\barre\notes\hu E&\sqqbb LMNa|\zh{gi}\itenu1l\hl l\enotes +\temps\notes&\sqqbb bNML|\enotes +\temps\notes\qu H&\sqqbb e{_c}ba|\zq{h_j}\tten1\itenu1l\ql l\enotes + %\check + % mesure 36 +\barre\notes\hu E&\sqqbb b{_c}ac|\zh{gi}\tten1\itenu1l\hl l\enotes +\temps\notes&\sqqbb bNML|\enotes +\temps\notes\qu {_J}&\sqqbb ecba|\zq{h_j}\tten1\itenu1l\ql l\enotes + %\check + % mesure 37 +\barre\notes\hu I&\sqqbb b{_c}ab|\tten1\itenl1i\zq{g}\zql i\qu l\enotes +\temps\notes&\sqqbb NaMN|\loff{\tten1\zq g}\zql h\qu{^k}\enotes +\temps\notes\qu{^G}&\sqqbb L{^N}ML|\zq{^gi}\ql l\enotes + %\check + % mesure 38 +\barre\notes\hup H&\zh N\zh c\hl e|\sqqhh hijk\enotes +\temps\notes&|\sqqhh ljih\enotes +\temps\notes\qu{_F}&\itenl1a\zq a\zq d\ql {_f}|\sqqhh {_m}lmk\enotes + %\check + % mesure 39 +\barre\notes\hu J&\tten1\zhp c\zhlp a\hu e|\sqqhh lkji\enotes +\temps\notes&|\sqqhh jhjk\enotes +\temps\notes\qu H&\qu g|\sqqhh ljkl\enotes + %\check + % mesure 40 +\barre\notes\qu F&\itenu1f\zq {^a}\zq c\ql f|\sqqhh mlkj\enotes +\temps\notes\hu I&\tten1\zql b\zh{^d}\hu f|\sqqhh {^k}ikm\enotes +\temps\notes&\ql {=a}|\sqqhh ponm\enotes + %\check + % mesure 41 +\generalsignature{3}\relax +\changecontext\notes\hu J&\sqqbb {^L}M{N}L|\itenu0j\zh{^l}\zh g\hu j\enotes +\temps\notes&\sqqbb cbaN\enotes +\temps\notes\qu F&\sqqbb aMac|\tten0\itenu0m\zq m\zq h\qu j\enotes + %\check + % mesure 42 +\barre\notes\hu I&\sqqbb fedc|\tten0\zhp i\zhlp k\hu m\enotes +\temps\notes&\sqqbb decd\enotes +\temps\notes\qu K&\sqqbb bdcb|\qu n\enotes + %\check + % mesure 43 +\barre\notes\hu E&\zhp{N}\zhlp b\hu d|\sqqhh {g}hi{_j}\enotes +\temps\notes&|\sqqhh kihg\enotes +\temps\notes\qu G&\itenu1e\qu e|\sqqhh lkji\enotes + %\check + % mesure 44 +\barre\notes\hu H&\tten1\zhp c\zhup e\hl a|\sqqhh {=j}kji\enotes +\temps\notes&|\sqqhh jhjk\enotes +\temps\notes\qu{_G}&\ql {_N}|\sqqhh ljkl\enotes + %\check + % mesure 45 +\barre\notes\hu F&\advance\transpose -7\relax\sqqbb f{g}{^h}i|\zh{^h}\zhl + j\itenu1m\hup m\enotes +\temps\notes&\advance\transpose -7\relax\sqqbb jhgf\enotes +\temps\notes\qu I&\advance\transpose -7\relax\sqqbb kjki|\zq i\ql k\enotes + %\check + % mesure 46 +\barre\notes\hu F&\advance\transpose -7\relax\sqqbb jkik|\tten1\zh{^h}\zh j\hl m\enotes +\temps\notes&\advance\transpose -7\relax\sqqbb j{^h}{g}f\enotes +\temps\notes\qu{^H}&\advance\transpose -7\relax\sqqbb lklj|\zq j\zq l\ql{^o}\enotes + %\check + % mesure 47 +\barre\notes\qu I&\advance\transpose -7\relax\sqqbb kji{=h}|\itenl1i\itenl2k\zq +i\zq k\ql m\enotes +\temps\notes\qu K&\advance\transpose -7\relax\sqqbb +{g}hig|\tten1\tten2\itenu1n\zq i\zq k\ql n\enotes +\temps\notes\qu J&\advance\transpose -7\relax\sqqbb {^l}{^k}lj|\tten1\zq +j\zq{^l}\ql n\enotes + %\check + % mesure 48 +\barre\notes\hu H&\zh a\zhl c\itenu1f\hup f|\sqqbb mnop\enotes +\temps\notes&|\sqqbb qpqo\enotes +\temps\notes\qu I&\itenu2b\itenu0d\zq b\ql d|\sqqbb rqrp\enotes + %\check + % mesure 49 +\barre\notes\qu G&\tten0\tten1\tten2\zq b\zq d\ql f|\advance\transpose 7\sqqbb mkji\enotes +\temps\notes\qu J&\zq {c^e}\zql g|\advance\transpose 7\sqqbb jkik\enotes +\temps\notes\qu H&\zq{ac}\ql f|\advance\transpose 7\sqqbb jhgf\enotes + %\check + % mesure 50 +\barre\notes\qu G&\itenu1c\zql N\zh c\hu {^e}|\sqqhh nm{^l}{^k}\enotes +\temps\notes\qu J&\ql b|\sqqhh jihg\enotes +\temps\notes\qu H&\tten1\zq{a}\ql c|\sqqhh hfhj\enotes + % mesure 51 +\barre\notes\hup F&\sqqbb MNab|\zhp {hj}\itenu1m\hlp m\enotes +\temps\notes&\sqqbb c{^d}{^e}c\enotes +\temps\notes&\sqqbb f{=e}{=d}c\enotes + %\check + % mesure 52 +\barre\notes\hu I&\sqqbb dcdb|\tten1\zq i\zq k\ql m\enotes +\temps\notes&\sqqbb Nabc|\zq g\itenu1j\itenu2l\zq j\ql{^l}\enotes +\temps\notes\qu J&\sqqbb {^d}{^e}fg|\tten1\tten2\zq j\zq l\ql n\enotes + %\check + % mesure 53 +\barre\notes\hup H&|\zq h\itenu1j\itenu2m\zq j\zqu m\sqqbb f{^e}fc\enotes +\temps\notes&|\tten1\tten2\itenu2m\zq j\zqu m\sqqbb hghf\enotes +\temps\notes&|\tten2\zqu m\sqqbb jijh\enotes + % mesure 54 + %\check +\barre\notes\qu{^H}&|\itenl1f\zq f\zql c\sqqhh m{^l}mj\enotes +\temps\notes\qu I&|\tten1\zq b\zql f\sqqhh kjki\enotes +\temps\notes\qu G&|\zq N\zq b\zql{=e}\sqqhh {=l}kli\enotes + % mesure 55 + %\check +\barre\notes\qu H&\itenu1a\zq{ac}\ql e|\sqqhh jijh\enotes +\temps\notes\qu F&\tten1\itenu1d\zq{Ma}\ql d|\sqqhh kjkh\enotes +\temps\notes\qu G&\tten1\itenu1N\zq{Nb}\ql d|\sqqhh ihig\enotes + % mesure 56 + %\check +\barre\notes\qu{^E}&\tten1\zq{^L}\zql N\hu c|\sqqhh jijg\enotes +\temps\notes\qu F&\zh M\hl a|\sqqhh high\enotes +\temps\notes\qu D&\qu d|\sqqhh fhgf\enotes + % mesure 57 + %\check +\barre\notes\hup C&\zq{^L}\zql N\itenu1c\zhup c|\zqu j\ibbl0g0\qb0{j^e^d}\tqb0e\enotes +\temps\notes&\zq M\ql a|\zqu j\ibbl0h0\qb0{jfe}\tqb0f\enotes +\temps\notes&\zq N\ql b|\zqu j\ibbl0h0\qb0{jgf}\tqb0g\enotes + % mesure 58 + %\check +\barre\notes\qu D&\tten1\itenl1M\itenu2c\zq M\zq a\ql c|\zqu j\sqqBB jhgh\enotes +\temps\notes\qu F&\tten1\tten2\zq M\zq{^a}\ql c|\zqu m\sqqBB m{^h}gh\enotes +\temps\notes\qu G&\zq N\zq b\ql d|\zqu m\sqqBB mihi\enotes + % mesure 59 + %\check +\barre\notes\qu {^H}&\zq{^a}\zq c\itenu1f\ql f|\zqu m\sqqBB mjij\enotes +\temps\notes\qu I&\zh b\zh d\tten1\hl f|\zqu m\sqqBB mkjk\enotes +\temps\notes\qu {=H}&|\zqu i\sqqbb ijkm\enotes + % mesure 60 + %\check +\barre\notes\qu G&\zql N\zhp c\hup{^e}|\zqu n\sqqBB n{^l}kl\enotes +\temps\notes\hu I&\hl b|\zqu j\sqqbb jlkl\enotes +\temps\notes&|\zqu n\sqqBB nlkl\enotes + % mesure 61 + %\check +\barre\notes\hup H&\zhp {ac}\hlp f|\zqu j\sqqBB jm{^l}m\enotes +\temps\notes&|\zqu o\sqqbb omlm\enotes +\temps\notes&|\zqu j\sqqBB jmlm\enotes + % mesure 62 + %\check +\barre\notes\qu I&\itenu1g\zq b\zql d\hup g|\zqu p\sqqBB pnmn\enotes +\temps\notes\qu J&\zq{c}\ql {^e}|\zqu {^l}\sqqbb lnmn\enotes +\temps\notes\qu K&\zq{b}\ql d|\zqu p\sqqBB pnmn\enotes + % mesure 63 + %\check +\barre\notes\qu J&\tten1\itenu1c\zq{c^e}\ql g|\sqqbb {^l}nmn\enotes +\temps\notes\qu H&\tten1\zq{ac}\itenu1f\ql f|\sqqbb opno\enotes +\temps\notes\qu I&\tten1\zq{bd}\ql f|\sqqbb monm\enotes + % mesure 64 + %\check +\barre\notes\itenl3J\hup J&\sqqhh JK{^L}M|\itenu2q\zh{^ln}\hl q\enotes +\temps\notes&\sqqbb NabN\enotes +\temps\notes&\sqqbb abNa|\tten2\itenu1m\itenu2o\zq{mo}\ql q\enotes + % mesure 65 + %\check +\barre\notes\tten3\itenl3J\hup J&\sqqbb MaNM|\tten1\tten2\zq{jm}\ql o\enotes +\temps\notes&\sqqbb {^L}cbc|\itenu1q\zh{^ln}\hl q\enotes +\temps\notes&\sqqbb Lcbc\enotes + % mesure 66 + %\check +\barre\notes\tten3\itenl3J\hup J&\sqqbb Mcac|\tten1\itenu1q\zh m\zhl o\hup q\enotes +\temps\notes&\sqqbb Mcac\enotes +\temps\notes&\sqqbb Ncbc|\itenu4n\itenu2p\zq n\ql p\enotes + % mesure 67 + %\check +\barre\notes\tten3\hup J&\sqqbb Ncbc|\tten4\tten2\roff{\tten1\zhup q}\zq p\ql n\enotes +\temps\notes&\sqqbb af{^e}f|\itenu1m\zh m\hl o\enotes +\temps\notes&\sqqbb afef\enotes + % mesure 68 + %\check +\barre\notes\qu I&\sqqbb df{=e}d|\tten1\itenl1m\zhlp m\zq p\qu r\enotes +\temps\notes\hu J&\sqqbb cfac|\itenu2o\itenu3q\zh o\hu q\enotes +\temps\notes&\sqqbb MaNM\enotes + % mesure 69 + %\check +\barre\notes\qu H&\sqqbb JMac|\tten3\tten1\tten2\itenu1m\zq m\zq o\ql q\enotes +\temps\notes\qu I&\sqqbb dcba|\tten1\itenu1p\zq m\zq p\ql r\enotes +\temps\notes\qu L&\sqqbb NabN|\tten1\zq l\zq n\ql p\enotes + % mesure 70 + %\check +\barre\notes\hu H&\itenl1a\zh c\zhu e\hlp a|\sqqbb opqr\enotes +\temps\notes&|\sqqbb srsq\enotes +\temps\notes\qu K&\zq d\ql{_f}|\sqqbb {_t}str\enotes + % mesure 71 + %\check +\barre\notes\qu H&\tten1\zhl a\zq c\qu e|\sqqbb srqs\enotes +\temps\notes\qu I&\zq d\qu{_f}|\sqqbb r{_q}po\enotes +\temps\notes\qu E&\zq N\zq b\ql e|\sqqbb nopn\enotes + \generalsignature{0}\relax +% mesure 72 +\changecontext\notes\itenl2H\hup H&\sqqbb abcd|\itenl1o\zhlp o\zh q\hu s\enotes +\temps\notes&\sqqbb ecba\enotes +\temps\notes&\sqqbb hfed|\zq r\qu t\enotes + %\check + %mesure 73 +\barre\notes\tten2\itenl2H\hup H&\sqqbb efdf|\tten1\itenl1o\zhlp o\zh q\hu s\enotes +\temps\notes&\sqqbb ecba\enotes +\temps\notes&\sqqbb hfed|\zq r\qu t\enotes + %\check + %mesure 74 +\barre\notes\tten2\hu H&\sqqbb efde|\tten1\zh o\zh q\zhl s\enotes +\temps\notes&\sqqbb cdbc\enotes +\temps\notes\qu F&\sqqbb acba|\zq m\zq p\ql r\enotes + %\check + %mesure 75 +\barre\notes\hu E&\zh{^N}\zhl b\hup e|\sqqbb l{^m}{^n}o\enotes +\temps\notes&|\sqqbb pqrp\enotes +\temps\notes\qu H&\itenu1a\itenu2c\zq a\ql c|\sqqbb qrpq\enotes + %\check + %mesure 76 +\barre\notes\qu F&\tten1\tten2\zq M\zq a\ql c|\sqqbb oqpo\enotes +\temps\notes\hu E&\itenu1e\zq{^N}\zq b\ql e|\sqqbb {^n}opn\enotes +\temps\notes&\tten1\zq a\zq c\ql e|\sqqbb l{=m}{=n}l\enotes + %\check + %mesure 77 +\barre\notes\hup F&\itenl1M\itenu2d\zq M\zq a\ql d|\sqqbb mlkj\enotes +\temps\notes&\tten1\tten2\itenu1b\itenu2d\zq M\zq b\ql d|\sqqbb ijki\enotes +\temps\notes&\tten1\tten2\zq{Nb}\ql d|\sqqbb ghig\enotes + %\check + %mesure 78 +\barre\notes\hu J&\advance\transpose 7\sqqbb JKLM|\advance\transpose 7\sqqbb cdef\enotes +\temps\notes&\advance\transpose 7\sqqbb NLKJ|\advance\transpose 7\sqqbb gedc\enotes +\temps\notes\qu H&\advance\transpose 7\sqqbb aMLK|\advance\transpose 7\sqqbb jhgf\enotes + %\check + % mesure 79 +\barre\notes\hu J&\advance\transpose 7\sqqbb LMKM|\advance\transpose 7\sqqbb ghfh\enotes +\temps\notes&\advance\transpose 7\sqqbb LJIH|\advance\transpose 7\sqqbb gedc\enotes +\temps\notes\qu H&\advance\transpose 7\sqqbb aMLK|\advance\transpose 7\sqqbb jhgf\enotes + %\check + % mesure 80 +\barre\notes\qu J&\advance\transpose 7\sqqbb LMKL|\advance\transpose 7\sqqbb ghfg\enotes +\temps\notes\qu H&\advance\transpose 7\sqqbb JKIJ|\advance\transpose 7\sqqbb efde\enotes +\temps\notes\qu F&\advance\transpose 7\sqqbb HJIH|\advance\transpose 7\sqqbb cedc\enotes + %\check + % mesure 81 +\barre\notes\hu G&\sqqbb Nabc|\itenl1i\zhlp i\zq k\qu n\enotes +\temps\notes&\sqqbb dbaN|\zq k\qu m\enotes +\temps\notes\qu J&\sqqbb edec|\zq j\qu l\enotes + %\check + % mesure 82 +\barre\notes\hu G&\sqqbb bcdb|\tten1\itenl1g\zhlp g\zh{i}\hu k\enotes +\temps\notes&\sqqbb NabN|\enotes +\temps\notes\qu J&\sqqbb edec|\zq j\qu l\enotes + %\check + % mesure 83 +\barre\notes\qu I&\sqqbb decd|\tten1\itenu1k\zq{gi}\qu k\enotes +\temps\notes\qu K&\sqqbb bcab|\tten1\itenu1k\zq{hk}\qu m\enotes +\temps\notes\qu G&\rlap{\sk\sk\sk\itenu0N}\sqqbb NabN|\tten1\zq{ik}\qu n\enotes + %\check + % mesure 84 +\barre\notes\hu J&\itenu1c\tten0\zh{Nc}\hl e|\sqqbb jklm\enotes +\temps\notes&|\sqqbb nlkj\enotes +\temps\notes\qu H&\tten1\itenu1c\zq{ac}\ql f|\sqqbb qonm\enotes + %\check + % mesure 85 +\barre\notes\hu J&\tten1\itenu1c\zh{Nc}\hl e|\sqqbb nomo\enotes +\temps\notes&|\sqqbb nlkj\enotes +\temps\notes\qu H&\tten1\zq{ac}\ql f|\sqqbb qonm\enotes + %\check + % mesure 86 +\barre\notes\qu G&\itenl1N\zh N\zhl b\qu d|\sqqbb nomn\enotes +\temps\notes\qu I&\qu f|\sqqhh lmkl\enotes +\temps\notes\qu J&\tten1\zq N\zq{_b}\ql e|\sqqhh jlkj\enotes + %\check + % mesure 87 +\barre\notes\hu F&\sqqbb MNa{_b}|\itenu1m\zh h\zhl j\hup m\enotes +\temps\notes&\sqqbb caNM\enotes +\temps\notes\qu {_I}&\sqqbb fdcb|\zq{_i}\ql k\enotes + %\check + % mesure 88 +\barre\notes\hu F&\sqqbb cd{_b}d|\tten1\itenu1m\zh h\zhl j\hup m\enotes +\temps\notes&\sqqbb caNM\enotes +\temps\notes\qu {_I}&\sqqbb fdcb|\zq {_i}\ql k\enotes + %\check + % mesure 89 +\barre\notes\qu H&\sqqbb cdbc|\tten 1\zq h\zq j\ql m\enotes +\temps\notes\qu J&\sqqbb a{_b}Na|\zq g\zq{_i}\ql l\enotes +\temps\notes\qu F&\sqqbb MNab|\zq h\zq j\ql m\enotes + %\check + % mesure 90 +\barre\notes\hu J&\zh N\zhl e\roff{\qu c}|\sqqbb jklm\enotes +\temps\notes&\qu {_b}|\sqqbb nlkj\enotes +\temps\notes\qu H&\itenu1c\zq{ac}\ql f|\sqqbb qonm\enotes + %\check + % mesure 91 +\barre\notes\hu J&\zh N\zhl e\roff{\tten1\qu c}|\sqqbb nomo\enotes +\temps\notes&\qu {_b}|\sqqbb nlkj\enotes +\temps\notes\qu H&\itenu1c\zq{ac}\ql f|\sqqbb qonm\enotes + %\check + % mesure 92 +\barre\notes\qu G&\tten1\itenl1N\zql N\zq c\qu e|\sqqbb nomn\enotes +\temps\notes\qu I&\tten1\zq N\zq {=b}\qu f|\sqqbb lmkl\enotes +\temps\notes\qu J&\zq{_b}\rq c\qu e|\sqqbb jklj\enotes + %\check + % mesure 93 +\barre\notes\hu H&\sqqbb MNa{_b}|\itenl1h\zhp{hj}\hlp m\enotes +\temps\notes&\sqqbb cbca\enotes +\temps\notes\qu J&\sqqbb {_e}caN|\enotes + %\check + % mesure 94 +\barre\notes\hu K&\sqqbb {^M}Na{_b}|\tten1\itenl1h\itenu2m\zh{hk}\hl{^m}\enotes +\temps\notes&\sqqbb cbca\enotes +\temps\notes\qu J&\sqqbb {^f}{_e}dc|\tten1\tten2\zq{hj}\ql m\enotes + %\check + % mesure 95 +\barre\notes\qu {_I}&\sqqbb {_b}cdb|\itenl1i\itenu2n\zq{ik}\ql n\enotes +\temps\notes\qu {_L}&\sqqbb g{_e}dc|\tten1\tten2\zq{i_l}\ql n\enotes +\temps\notes\qu K&\sqqbb d{=e}{^f}d|\zq{hj}\ql{^m}\enotes + %\check + % mesure 96 +\barre\notes\qu {_I}&\sqqbb g{_e}dc|\zq{_ik}\zqu n\enotes +\temps\notes\qu H&\sqqbb dc{_b}a|\zq{hj}\zqu{^m}\enotes +\temps\notes\qu G&\rlap{\sk\sk\sk\itenl1N}\sqqbb Na{=b}N|\zq{=ik}\zqu{=m}\enotes + %\check + % mesure 97 + \barre\notes\hu J&\tten1\itenu1c\itenu2e\zhl N\zhp c\hup{_e}|\sqqbb jk{_l}m\enotes + \temps\notes&|\sqqbb nlkj\enotes + \temps\notes\qu{_H}&\ql {^M}|\sqqbb q{_o}n{^m}\enotes + %\check + % mesure 98 + \barre\notes\hu J&\tten1\tten2\itenu1c\itenu2e\zhl N\zhp c\hup{_e}|\sqqbb n{_o}{=m}o\enotes + \temps\notes&|\sqqbb n{_l}kj\enotes + \temps\notes\qu{_H}&\ql {=M}|\sqqbb qonm\enotes + %\check + % mesure 99 + \barre\notes\qu G&\tten1\tten2\zhl N\zq c\qu{_e}|\sqqbb n{_o}mo\enotes + \temps\notes\qu I&\zq b\qu d|\sqqbb nm{_l}k\enotes + \temps\notes\qu J&\zq c\qu {=e}|\sqqbb jk{=l}j\enotes + %\check + % mesure 100 + \barre +\znotes&|\Sh m\enotes + \nspace + \notes\hu K&\sqqbb acbc|\ust m\lh l\zh{h}\hl{m}\enotes + \temps\notes&\sqqbb acbc\enotes + \temps\notes\qu H&\sqqbb acbc|\uppz m\lq l\zq h\ql{m}\enotes + %\check + % mesure 101 + \barre\znotes&|\lFl l\Sh m\enotes + \nspace + \notes\hu {^F}&\sqqbb {^M}aNa|\ust q\lh l\zh{jm}\hl q\enotes + \temps\notes&\sqqbb MaNa\enotes + \temps\notes\qu J&\sqqbb MaNa|\uppz q\lq l\zq{jm}\ql q\enotes + %\check + % mesure 102 + \barre\notes\hu G&\sqqbb N{_e}ce|\uppz u\zq{nq_s}\ql u\enotes + \temps\notes&\sqqbb Nece|\uppz s\zq{_lnq}\ql s\enotes + \temps\notes\qu {_I}&\sqqbb Nd{_b}d|\uppz r\zq{kn_p}\ql r\enotes + %\check + % mesure 103 + \barre\nspace + \notes\hu H&\sqqbb ae{^c}e|\lSh j\zh{j=ln}\hl {^q}\enotes + \temps\notes&\sqqbb aece\enotes + \temps\notes\qu {^J}&\sqqbb aece|\uppz q\zq{jln}\ql q\enotes + %\check + % mesure 104 + \barre\notes\hu {_I}&\sqqbb {_b}fdf|\uppz r\zq{km_p}\ql r\enotes + \temps\notes&\sqqbb bfdf|\uppz t\zq{mpr}\ql t\enotes + \temps\notes\qu G&\sqqbb Nf{=b}f|\cNa i\uppz p\zq{ikn}\ql {=p}\enotes + %\check + % mesure 105 + \barre\nspace + \NOTEs\hu{_H}&\itenu1a\itenu3f\zh{_ac}\hl f|\itenu2q\zhl j\zh{m_o}\hu q\enotes + \temps\NOtes\qu F&\tten1\tten3\zq{ad}\ql f|\zql k\enotes + %\check + % mesure 106 + \barre\NOTEs\hup C&\zhp{Nce}\hlp g|\tten2\zhp{jln}\hlp q\enotes + \mulooseness -4\relax +\finmorceau +\rightline{\sl\aujourdhui}\vfil\eject +\endinput diff --git a/macros/generic/musixtex/doc/examples/fantfuga.tex b/macros/generic/musixtex/doc/examples/fantfuga.tex new file mode 100644 index 0000000000..d44cb7558e --- /dev/null +++ b/macros/generic/musixtex/doc/examples/fantfuga.tex @@ -0,0 +1,18 @@ +\input musixtex +\input musixcpt +\input musixsty +% +\def\misazero{\def\nbinstruments{2}\nbporteesi=1\relax +\nbporteesii=2\relax +\barsinline=0\relax +\linesinpage=0\relax +\signaturegenerale{0}\savesignature +\resetfacteurs +\computewidths}% +% +\misazero +\input fantcmol.tex +\misazero +\input fugcmoll.tex +\bye + diff --git a/macros/generic/musixtex/doc/examples/fugcmoll.tex b/macros/generic/musixtex/doc/examples/fugcmoll.tex new file mode 100644 index 0000000000..922cfac945 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/fugcmoll.tex @@ -0,0 +1,517 @@ +\fullauthor{Daniel TAUPIN} +\shortauthor{D. Taupin} +\fulltitle{{\frtbf Fugue}} +\shorttitle{Fugue en style baroque} +\subtitle{} +\othermention{} +\maketitle + + % if transpose not defined outside assume 0 and three flats +\ifx\ftranspose\undefined\def\ftranspose{0}\fi +\ifx\fsignature\undefined\def\fsignature{-3}\fi + + % + % formes fr\'equentes + % + %au moins deux croches basses et hautes +\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% +\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% + %au moins deux doubles croches basses et hautes +\def\dqbb#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% +\def\dqhh#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% + %au moins trois doubles croches basses et hautes +\def\tqbb#1#2#3{\Ibbl0{#1}{#3}2\qb0{#1#2}\tqb0{#3}}% +\def\Tqbb#1#2#3{\ibbl0{#2}0\qb0{#1#2}\tqb0{#3}}% +\def\sTqbb#1#2#3{{\smallnotesize\Tqbb{#1}{#2}{#3}}}% + %au moins quatre croches basses et hautes +\def\qqb#1#2#3#4{\Ibl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% +\def\Qqb#1#2#3#4{\Ibl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}% +\def\qqB#1#2#3#4{\Ibl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}% +\def\qqh#1#2#3#4{\Ibu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% +\def\Qqh#1#2#3#4{\Ibu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}% +\def\qqH#1#2#3#4{\Ibu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}% + %au moins quatre doubles croches basses et hautes +\def\qqbb#1#2#3#4{\varaccid\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% +\def\Qqbb#1#2#3#4{\varaccid\Ibbl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}% +\def\sQqbb#1#2#3#4{{\varaccid\smallnotesize\Qqbb{#1}{#2}{#3}{#4}}}% +\def\qqBB#1#2#3#4{\varaccid\Ibbl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}% +\def\sqqBB#1#2#3#4{{\varaccid\smallnotesize\qqBB{#1}{#2}{#3}{#4}}}% +\def\qqhh#1#2#3#4{\varaccid\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% +\def\Qqhh#1#2#3#4{\varaccid\Ibbu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}% +\def\qqHH#1#2#3#4{\varaccid\Ibbu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}% +\def\sqqHH#1#2#3#4{{\varaccid\smallnotesize\qqHH{#1}{#2}{#3}{#4}}}% + % +\nbporteesii=2\relax +\def\nbinstruments{2} +\global\cleftoksii={6000}% +\global\cleftoksi={6000}% + % +\generalsignature{\fsignature}\relax % r\'e mineur +\transpose=\ftranspose\relax + %\check +\def\instrumenti{P\'edale 16'}% +\def\instrumentii{G.O.}% + %\check +\medskip\noindent{\rm G.O.: mixtures {\sl ad libitum.}}% +\par\noindent{\rm Pos.: mixtures, acc. G.O.}% +\par\noindent{\rm P\'ed.: fonds 16', tirasses G.O. \& pos.}% +\smallskip +\generalmeter{\meterfrac 32} +\staffbotmarg=10pt +\stafftopmarg=0pt +\interstaff{10} +\debutmorceau +\relativeaccidentals +\varaccid +\nspace + \Notes\wh G\sk\sk\hu C&\sk\pause\sk\soupir\ql c|\Uptext{\hbox{\kern +-8mm\moyen Andante + \bf(\metron{\qu}{65})}}\sk\sk\pausep\enotes + %\check + % mesure 2 +\barre\Notes&\zhl L\qu N\hu e\hl M\enotes +\temps\notes\pause&\dqh dc\enotes +\temps\Notes&\zhl K\qu {^b}\enotes +\temps\notes&\dqh cd\enotes + %\check + % mesure 3 +\barre\Notes&\zhl L\qu N\hu c\enotes +\temps\Notes\sk\pause&\hl {^L}\qu b\zhl M\qu a\enotes +\temps\notes&\dqh Na\enotes + %\check + % mesure 4 +\barre\Notes\sk\sk\sk\pause&\zql {=L}\qu N\zql K\qu M\zql J\qu L\zql H\qu M\enotes % +\temps\Notes&\zhl G\qu N\enotes +\temps\notes&\dqh ML\enotes + %\check + % mesure 5 + \generalmeter{\meterfrac 22}% +\changecontext\Notes\sk\pause&\zhl{^I}\roff{\Pince c}\hu K\enotes +\temps\Notes&\zql J\qu J\soupir|\sk\qu g\enotes + %\check + % mesure 6 + \generalmeter{\meterfrac 32}% +\changecontext\Notes&\hl b\sk\hl{^M}|\roff{\zw d}\qu d\hu i\enotes +\temps\notes\pause&|\dqh hg\enotes +\temps\Notes&\hl K|\zhl c\qu{^f}\enotes +\temps\notes&|\dqh gh\enotes + %\check + % mesure 7 +\barre\Notes\sk\sk\sk\pause&\zhl I\hu b\sk\zhl{^I}\itenu1N\wh N\sk\ql J|\qu d\hu g\sk\qu f\qu e\enotes +\temps\notes&\dqb {=I}J|\dqh de\enotes + %\check + % mesure 8 +\barre\Notes\sk\sk\sk\pause&\tten1\zqu N\ql I\zqu {^M}\ql H\zqu N\ql G\zqu {^a}\ql L\zqu b\ql K|\qu {dcbcd}\enotes +\temps\notes&\rlap{\dqb LJ}\dqh aN|\dqh cb\enotes + %\check + % mesure 9 + \generalmeter{\meterfrac 22}% +\changecontext\Notes\sk\pause&\zhl K\hu{^M}|\roff{\Pince L}\hu a\enotes +\temps\Notes&\zql N\qu N\soupir|\qu N\qu g\enotes + %\check + % mesure 10 +\barre\Notes\sk\sk\pause&\hl L\sk\hl{^I}|\roff{\zhl c}\qu c\hu h\hl d\enotes +\temps\notes&|\dqh gf\enotes + %\check + % mesure 11 +\barre\Notes&\hl{=I}|\zhl c\qu{^e}\enotes +\temps\notes\sk\pause&|\dqh fg\enotes +\temps\Notes&\zhu M\hl H\sk|\qu c\qu j\enotes + %\check + % mesure 12 + \generalmeter{\meterfrac 32}% +\changecontext\Notes&\zhu N\hl I\sk\hl J|\qu f\hu{_k}\hl{^e}\enotes +\temps\notes\pause&|\dqh ji\enotes +\temps\Notes&\hl {_K}|\zhl f\qu h\enotes +\temps\notes&|\dqh ij\enotes + %\check + % mesure 13 +\barre\Notes&\hl J|\zhl{=b}\qu {^e}\enotes +\temps\notes&|\dqh fg\enotes +\temps\Notes\pause&\hl I|\zhl a\qu c\enotes +\temps\notes&|\dqh de\enotes +\temps\Notes&\itenu1M\zhu M\hl{^H}\sk|\qu f\qu m\enotes + %\check + % mesure 14 +\barre\Notes&\tten1\zhu M\hl G|\qu {^i}\hu o\enotes +\temps\Notes&\zw N\hl{^I}|\enotes +\temps\notes\pause&|\dqh nm\enotes +\temps\Notes&\hl {^H}|\qu l\enotes +\temps\notes&|\dqh kj\enotes + %\check + % mesure 15 +\barre\Notes\sk\sk\pause&\zqu a\ql K\zqu c\ql L\hl N|\qu m\qu l\zql g\hu k\ql f\enotes +\temps\Notes\soupir\qu J&\ql c\soupir|\zql e\qu j\soupir\enotes + %\check + % mesure 16 + \generalmeter{\meterfrac 22}% +\changecontext\Notes\qu G\hu L\sk&\sk\pause|\sk\pause\enotes +\temps\notes\dqh KL&|\enotes + %\check + % mesure 17 +\barre\Notes\qu M\qu K&|\sk\hpause\enotes +\temps\Notes\hu L&\pause|\soupir\qu h\enotes + %\check + % mesure 18 +\barre\Notes\hu K\sk\hu J&\sk\sk\pause|\qu f\hu j\enotes +\temps\notes&|\dqh{^i}j\enotes + %\check + % mesure 19 +\barre\Notes\hu {^I}\sk&\sk\hpause|\qu k\qu{^i}\enotes +\temps\Notes\hu J&\sk\qu N|\itenu1j\hu j\enotes + %\check + % mesure 20 +\barre\Notes\hu H&\qu L\hu c|\tten1\wh j\enotes +\temps\Notes\hu {_K}&\enotes +\temps\notes&\dqh{=b}c\enotes + %\check + % mesure 21 +\barre\Notes\hu I&\qu {_d}\qu b|\hu g\enotes +\temps\Notes\qu H\qu M&\itenu1c\hu c|\soupir\qu h\enotes + %\check + % mesure 22 +\barre\Notes\qu J\hl a&\tten1\wh c|\qu m\qu{^l}|\enotes +\temps\Notes\sk&|\qu m\enotes +\temps\notes\dqb Na&|\dqh lk\enotes + %\check + % mesure 23 +\barre\Notes\ql N&\ql b|\hu j\enotes +\temps\Notes\ql M&\ql a\enotes +\temps\Notes\ql {^L}&\ql N|\zhl i\hu{^l}\enotes +\temps\notes\dqb KJ&\dqb ab\enotes + %\check + % mesure 24 +\barre\Notes\ql M&\ql c|\zql h\qu m\enotes +\temps\Notes\ql J&\ql b|\zql i\qu {^l}\enotes +\temps\Notes\hu F&\ql a\soupir|\zql j\qu m\zql f\raise 2\Interligne\soupir\enotes + %\check + % mesure 25 +\barre\Notes\hu H&|\ql c\hl h\enotes +\temps\Notes\hu I&\pause|\sk\enotes +\temps\notes&|\dqb gh\enotes + %\check + % mesure 26 +\barre\Notes\hu {_K}&|\ql i\zql g\raise4\internote\hpause\enotes +\temps\Notes\hu J&\hpause|\hl h\qu j\enotes + %\check + % mesure 27 +\barre\Notes\hu H&\wh c|\qu m\hu {^l}\enotes +\temps\Notes\hu I&|\sk\enotes +\temps\notes&|\dqh kl\enotes + %\check + % mesure 28 +\barre\Notes\hu {^I}&\zhl a\hu d|\qu m\qu k\enotes +\temps\Notes\hu{=I}&\zhl N\itenu1c\hu c|\qu {^l}\enotes +\temps\notes&|\dqh kj\enotes + %\check + % mesure 29 +\barre\Notes\hu{H}&\tten1\zhl M\wh c|\qu m\enotes +\temps\notes&|\bigNa l\dqh l{_k}\enotes +\temps\notes\hu G&\hu{^e}|\dqh ji\enotes +\temps\notes&|\dqh hg\enotes + %\check + % mesure 30 + \generalmeter{\meterfrac 32}% +\changecontext\Notes\hu F&\zhl M\hu d|\qu h\enotes +\temps\notes&|\dqh gf\enotes +\temps\Notes\hu{^E}&\zhl N\hu c|\qu {j^e}\enotes +\temps\Notes\hu F&\zql M\hu a|\hu f\enotes +\temps\Notes&\qu M|\sk\enotes + %\check + % mesure 31 +\barre\Notes\hu K&\qu a\hu{^I}\enotes +\temps\Notes\hu G&\enotes +\temps\notes&\dqh JK|\pause\enotes +\temps\Notes\qu {LK}&\qu N\qu M\enotes + %\check + %mseure 32 +\barre\Notes\hu J&\qu L\enotes +\temps\notes&\dqh KL\enotes +\temps\notes\hu H&\dqh ML|\pause\enotes +\temps\notes&\dqh KJ\enotes +\temps\Notes\hu G&\qu N\soupir|\soupir\qu g\enotes + %\check + % mesure 33 +\barre\Notes\hu H&\hu M|\qu c\hu h\enotes +\temps\Notes\hu {^I}&\zhl K\hu{^b}\enotes +\temps\notes&|\dqh gf\enotes +\temps\Notes\hu J&\zhl L\hu c|\qu e\enotes +\temps\notes&|\dqh dc\enotes + %\check + % mesure 34 + \generalmeter{\meterfrac 22}% +\changecontext\notes\hu G&\zhl K\hu{^b}|\dqh gf\enotes +\temps\notes&|\dqh ed\enotes +\temps\Notes\hu J&\zql L\qu N\soupir|\qu c\qu j\enotes + %\check + % mesure 35 + \generalmeter{\meterfrac 32}% +\changecontext\Notes\hu {^H}&\zql M\hu c\ql {^a}|\qu l\hu{^f}\enotes +\temps\Notes\hu K&\zw{^M}\hu d|\enotes +\temps\notes&|\dqh kj\enotes +\temps\notes\hu{^F}&\hu c|\dqh kj\enotes +\temps\notes&|\dqh ih\enotes + %\check + % mesure 36 +\barre\Notes\hu G&\zhl b\hu d|\qu g\enotes +\temps\notes&|\dqh {^h}i\enotes +\temps\Notes\hu {^H}&\zhl L\itenu0c\hu c|\qu j\enotes +\temps\Notes&|\qu e\enotes +\temps\Notes\hu K&\zhl{^M}\tten0\qu c|\qu d\enotes +\temps\notes&\qu a|\dqh {^e}{^f}\enotes + %\check + % mesure 37 +\barre\Notes\hu G&\zql N\hu b\ql L|\hu g\enotes +\temps\notes\qu {^H}&\zql K\qu{^M}|\dqh ji\enotes +\temps\notes\qu K&\zql M\qu c|\dqh {^h}g\enotes +\temps\Notes\hu G&\zqu{^b}\ql N|\qu g\enotes +\temps\notes&\soupir|\dqh g{^h}\enotes + %\check + % mesure 38 + \generalmeter{\meterfrac 22}% +\changecontext\notes\hu K&\zhl{^b}\hu f|\dqh {^i}j\dqh kl\enotes +\temps\Notes\hu{^I}&\cNa a\zhl a\hu d|\qu m\enotes +\temps\notes&|\dqh fg\enotes + %\check + % mesure 39 +\barre\notes\hu G&\itenl1N\zhl N\qu f\sk\qu d|\dqh {^h}{^i}\dqh jk\enotes +\temps\Notes\itenl0J\hu J&\tten1\zql N\qu e|\itenu1l\ql l\enotes +\temps\notes&\dqh LK\enotes + %\check + % mesure 40 +\barre\notes\tten0\hu J&\dqh LM\dqh Na|\itenl0g\zhl g\tten1\hu l\enotes +\temps\Notes\hu F&\qu a|\tten0\itenl0g\zhl g\hu k\enotes +\temps\notes&\dqh NM\enotes + %\check + % mesure 41 + \generalmeter{\meterfrac 32}% +\changecontext\Notes\hu G&\qu L|\tten0\zhl g\hu j\enotes +\temps\notes&\dqh KJ\enotes +\temps\notes\hu{^I}&\dqh NM|\zhl f\hu{^i}\enotes +\temps\notes&\dqh LK\enotes +\temps\Notes\hu H&\qu {^J}|\zql g\qu{^j}\enotes +\temps\Notes&\soupir|\qu h\enotes + %\check + % mesure 42 +\barre\Notes\hl K&|\qu f\enotes +\temps\Notes\sk\hl{^L}&|\hu k\sk\enotes +\temps\notes&\pause|\dqh{^j}{^i}\enotes +\temps\Notes\hu{^H}&|\qu j\enotes +\temps\notes&|\dqh k{^l}\enotes + %\check + % mesure 43 +\barre\Notes\hu F&|\qu h\enotes +\temps\Notes\sk\hu I&|\hu k\sk\enotes +\temps\Notes&\pause|\qu j\enotes +\temps\Notes\hu J&|\qu {=i}\enotes +\temps\notes&|\dqh hi\enotes + %\check + % mesure 44 +\barre\Notes\qu{^J}&|\qu {^h}\enotes +\temps\Notes\cNa I\qu I&|\qu g\enotes +\temps\Notes\qu H&|\qu f\enotes +\temps\Notes\qu G&\pause|\qu g\enotes +\temps\Notes\qu F&|\qu {^h}\enotes +\temps\notes\qu G&|\dqh gf\enotes + %\check + % mesure 45 + \generalmeter{\meterfrac 22}% +\changecontext\Notes\hu {^H}&|\roff{\Pince l}\hu {^e}\enotes +\temps\Notes&\hpause|\sk\enotes +\temps\Notes\hu D&\soupir|\hu d\enotes +\temps\Notes&\ql{^a}|\sk\enotes + %\check + % mesure 46 + \generalmeter{\meterfrac 32}% +\changecontext\Notes\hu I&\ql M\hl d|\zhl{^h}\hu k\enotes +\temps\Notes\hu {^H}&|\zhl g\hu{^l}\enotes +\temps\notes&\dqb{^c}{^b}\enotes +\temps\Notes\hu{^J}&\ql c|\zhl l\hu n\enotes +\temps\notes&\dqb d{^e}\enotes + %\check + % mesure 47 + \barre\Notes\hu K&\ql f|\zhl h\hu m\enotes + \temps\notes&\dqb{^e}d\enotes + \temps\notes\hu{^H}&\ql e\sk\ql{^c}|\itenl0j\zhl{^j}\dqh {^o}n\dqh m{^l}\enotes + \temps\Notes\hu F&\ql {^a}\soupir|\roff{\tten0\zql j}\qu k\ql k\enotes + %\check + % mesure 48 + \barre\Notes\hu G&\qu K|\ql p\enotes + \temps\notes&\dqh{^L}M|\hl n\enotes + \temps\Notes\hu J&\qu L|\enotes + \temps\notes\sk\sk\hu I&\dqh KJ\hu{^L}|\dqb m{^l}\dqb qp\dqb {=o}n\enotes + %\check + % mesure 49 + \barre\Notes\hu H&\ql M|\ql o\enotes + \temps\notes&\dqb Na|\dqb nm\enotes + \temps\Notes\hu I\sk\hu J&\hl N\sk\ql{^L}|\ql {_r}\hl {^l}\sk\enotes + \temps\notes&\dqb Nb|\dqb mn\enotes + %\check + % mesure 50 + \barre\notes\hu H&\dqb aN\dqb M{=L}|\ql j\sk\ql m\enotes + \temps\notes\qu G\sk\qu J&\hl{^L}|\dqb po\dqb nm\enotes + \temps\Notes\hu F&\ql a\soupir|\ql m\qu m\enotes + %\check + % mesure 51 + \barre\Notes\hu H&\zhl a\itenu1f\hu f|\zhl h\qu j\enotes + \temps\Notes\sk&|\hu o\enotes + \temps\Notes\hu I&\tten1\itenl1b\zhl b\zhu f|\hl{_k}\enotes + \temps\notes\sk&|\dqh nm\enotes + \temps\Notes\hu J&\tten1\zhl b\hu{^e}|\zhl j\qu{^l}\enotes + \temps\notes\sk&|\dqh mn\enotes + %\check + % mesure 52 + \barre\Notes\hu H&\zhl a\itenu1f\hu f|\zhl h\qu j\enotes + \temps\Notes\sk&|\hu m\enotes + \temps\Notes\hu{^H}&\zhl{^a}\tten1\itenu1f\hu f|\hl j\enotes + \temps\Notes\sk&|\qu{=l}\enotes + \temps\Notes\hu I&\tten1\zhl b\hu f|\zhl i\qu{_k}\enotes + \temps\notes\sk&|\dqh jk\enotes + %\check + % mesure 53 + \barre\Notes\qu J&\zhl b\hu{^e}|\loff{\zqu j}\hl i\enotes + \temps\Notes\qu I&|\qu{^l}\enotes + \temps\Notes\qu H&\zql c\hu f|\zhl h\qu m\enotes + \temps\notes\qu I&\ql{_d}|\dqh {=l}{_k}\enotes + \temps\Notes\qu J&\zql c\hu{^e}|\zhl g\qu j\enotes + \temps\Notes\qu I&\ql N|\qu {^l}\enotes + %\check + % mesure 54 + \barre\Notes\hu H&\zhl a\itenu0f\hu f|\zhl j\qu m\enotes + \temps\Notes\sk&|\qu {=l}\enotes + \temps\Notes\hu G&\zhl{^b}\tten0\hu f|\zhl {^i}\qu{=k}\enotes + \temps\notes\sk&|\dqh jk\enotes + \temps\Notes\hu J&\zhl N\hu{=e}|\zhl g\qu l\enotes + \temps\notes\sk&|\dqh kj\enotes + %\check + % mesure 55 + \generalmeter{\meterfrac 22}% + \changecontext\notes\hu G&\zql{^b}\hu f|\zhl{^i}\dqh lk\enotes + \temps\notes\sk&\rlap{\sk\itenu1N}\dqb aN|\dqh j{^i}\enotes + \temps\Notes\qu J&\tten1\zql N\qu e|\zhl g\qu j\enotes + \temps\Notes\soupir&\itenu1c\zqu c\raise -\Interligne\soupir|\qu l\enotes + %\check + % mesure 56 + \generalmeter{\meterfrac 32}% +\changecontext\Notes\hu G\sk\hu H&\tten1\zhl L\qu c\hu e\hl M|\zhl g\qu j\hu n\hl h\enotes +\temps\notes&\dqh dc|\dqh ml\enotes +\temps\Notes\hu F&\zhl K\qu {^b}|\zhl h\qu k\enotes +\temps\notes&\dqh cd|\dqh lm\enotes + %\check + % mesure 57 +\barre\Notes\hu E&\zhl L\qu N\hu c|\itenl0j\zwh j\qu l\hu o\enotes +\temps\Notes\hu J\sk\hu H&\hl {^L}\qu b\zhl M\qu a|\sk\qu n\tten0\zhl j\qu m\enotes +\temps\notes&\rlap{\sk\itenu0c}\dqh bc|\dqh no\enotes + %\check + % mesure 58 +\barre\Notes\hu G\sk \qu J\qu H&\zql N\tten0\qu c\zql M\qu {^b}\zql L\qu N\zql a\qu +d|\zql l\qu n\zql k\qu m\zql j\qu l\zql h\qu m\enotes % +\temps\Notes\itenl2G\hu G&\zql N\qu e|\zql j\qu n\enotes +\temps\notes&\rlap{\dqb aN}\dqh dc|\rlap{\dqb hg}\dqh ml\enotes + %\check + % mesure 59 + \generalmeter{\meterfrac 22}% +\changecontext\Notes\tten2\hu G&\zql a\hu d\itenl1N\ql N|\zhl{^i}\roff{\Pince q}\hu k\enotes +\temps\Notes\qu J\qu J&\tten1\zql N\qu e\soupir|\zql g\qu j\soupir\enotes + %\check + % mesure 60 + \barre \temps\Notes\qu K&\zhl a\itenu1f\hu f|\zhl h\hu k\enotes + \temps\Notes\hu G\sk&\sk\itenl0N\zhl N\tten1\hu f|\sk\zhl {^i}\hu m\enotes + \temps\notes\dqh H{^I}&|\enotes + \temps\Notes\qu J&\tten0\zhl N\hu e|\zhl j\hu l\enotes + \temps\notes\dqh KL&|\enotes + %\check + % mesure 61 + \barre\Notes\ql M&\zhl a\hu f|\zhl k\hu m\enotes + \temps\notes\dqb Na&|\enotes + \temps\Notes\ql N&\zhl c\hu g|\zhl l\itenu1n\hu n\enotes + \temps\notes\dqb ML&|\enotes + \temps\Notes\ql K&\zhl {^b}\hu f|\zhl k\tten1\hu n\enotes + \temps\Notes\ql N&|\enotes + %\check + % mesure 62 + \setclef2{0000}\changeclefs + \barre\Notes\hl J&\zhl c\hu e|\zhl g\qu j\enotes + \temps\Notes\sk&|\hu l\enotes + \temps\Notes\hl L&\zhl e\hu g|\hl j\enotes + \temps\Notes\sk&|\qu n\enotes + \temps\Notes\hl M&\itenl0d\zhl d\hu h|\zql j\itenu1o\hu o\enotes + \temps\Notes\sk&|\ql k\enotes + %\check + % mesure 63 + \barre\Notes\hl N&\tten0\zhl d\hu f|\zhl{^i}\tten1\qu o\enotes + \temps\notes\sk&|\dqh nm\enotes + \temps\Notes\hl J&\zhl e\qu h|\zw j\hu l\enotes + \temps\Notes\sk&\qu g|\enotes + \temps\Notes\hl L&\zhl c\qu e|\hu m\enotes + \temps\Notes\sk&\itenu1h\qu h|\enotes + %\check + % mesure 64 + \barre\Notes\hl{^I}&\tten1\zhl d\qu h|\zhl k\hu n\enotes + \temps\notes\sk&\dqh gf|\enotes + \temps\Notes\hl J&\zhl c\qu e|\zhl l\hu o\enotes + \temps\Notes\sk&\hu j|\enotes + \temps\Notes\hl{^L}&\hl g|\zhl k\hu n\enotes + \temps\Notes\sk&\qu i|\enotes + %\check + % mesure 65 + \barre\Notes\hl M&\zql h\itenu1j\hu j|\itenl2l\zhl l\hu o\enotes + \temps\notes\sk&\dqb gf|\enotes + \temps\Notes\hl{=L}&\tten1\zql g\qu j|\tten2\zql l\hu q\enotes + \temps\Notes\sk&\itenl1f\ql f|\ql o\enotes + \temps\Notes\hl K&\roff{\tten1\zhl f}\qu g|\zql n\hu{^p}\enotes + \temps\Notes\sk&\qu h|\ql m\enotes + %\check + % mesure 66 + \barre\Notes\qu J&\zhl e\itenu1g\wh g|\zhl j\qu l\enotes + \temps\Notes\qu H&|\qu m\enotes + \temps\Notes\hu G&\hl d|\zhl{^i}\hu n\enotes + \temps\Notes\sk&|\enotes + \temps\Notes\hu C&\zql c\zq e\tten1\qu g|\soupir\enotes + \temps\Notes\sk&\soupir|\qu j\enotes + %\check + % mesure 67 + \barre\Notes\hu K&\zh{^b}\itenu1f\zhl f\bracket h{27}\hu h|\ql o\enotes + \temps\Notes\sk&|\hl {^i}\enotes + \temps\Notes\hu G&\tten1\zh a\itenl1d\zh d\hu f|\enotes + \temps\notes\sk&|\dqb jk\enotes + \temps\Notes\hu E&\roff{\itenu0c}\rh c\zh N\tten1\hu d|\ql g\enotes + \temps\notes\sk&|\dqb nm\enotes + %\check + % mesure 68 + \barre\Notes\hu G&\tten0\itenl1a\itenl2c\zh{ac}\hu e|\ql l\enotes + \temps\notes\sk&|\dqb mn\enotes + \temps\Notes\hu F&\tten1\tten2\zh{a}\zhl c\qu f|\ql o\enotes + \temps\notes\sk&\rlap{\sk\itenu2h}\dqh gh|\dqb nm\enotes + \temps\Notes\hu G&\tten2\zh{^b}\zhl f\qu h|\ql {^p}\enotes + \temps\notes\sk&\dqh gf|\dqb {^o}n\enotes + %\check + % mesure 69 + \barre\Notes\hu{^H}&\zh{ce}\hu g|\ql q\enotes + \temps\Notes\sk&|\ql n\enotes + \temps\notes\hu{=H}&\itenu1f\zh{^bf}\hu{=h}|\dqb ml\enotes + \temps\notes\sk&|\dqb kj\enotes + \temps\Notes\hu F&\tten1\zh{ad}\hu f|\ql o\enotes + \temps\notes\sk&|\dqb nm\enotes + %\check + \generalmeter{\meterfrac 22}% + % mesure 70 + \changecontext\notes\hu G&\itenu1c\itenu2e\zh{Nc}\hu e|\dqb lm\enotes + \temps\Notes\sk&|\hl n\enotes + \temps\Notes\hu J&\tten1\tten2\itenl0a\zh{ac}\hu e|\sk\enotes + \temps\notes\sk&|\dqb ml\enotes + %\check + % mesure 71 + \generalmeter{\meterfrac 32}% + \changecontext\Notes\qu G&\tten0\zh a\itenu2f\hu f|\ITrille 0p\zw{^i}\wh k\enotes + \temps\Notes\qu H&|\enotes + \temps\NOtes\wh G&\tten2\zw{^b}\wh f|\enotes + \temps\NOtes\sk&|\Ttrille 0\zhl j\hu j\enotes + %\check + % mesure 72 + \barre\NOTes\whp C&\zwp{Nc}\whp e|\whp j\enotes +\mulooseness 5\relax +\finmorceau +\rightline{\sl\aujourdhui}\vfil\eject +\endinput + diff --git a/macros/generic/musixtex/doc/examples/fugue.tex b/macros/generic/musixtex/doc/examples/fugue.tex new file mode 100644 index 0000000000..d6065f3651 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/fugue.tex @@ -0,0 +1,677 @@ +\parindent 18mm +% +\centerline{\moyen FUGUE}\bigskip +\tracingstats=2\relax +% +\nbporteesii=2\relax +\def\nbinstruments{2} +\global\cleftoksii={{6}{0}{0}{0}}% +\global\cleftoksi={{6}{0}{0}{0}}% +% +\signaturegenerale{1}\relax % sol majeur +%\check +\def\instrumenti{P\'edale 16'}% +\def\instrumentii{G.O.}% +%\check +\def\gluemaxskip{7pt}% +\medskip\noindent{\rm G.O.: mixtures, fonds 8'}% +\par\noindent{\rm P\'ed.: fonds 16', tirasse G.O.}% +\smallskip +% +\generalmeter{\meterfrac 68}% +% +\debutmorceau +% calcul de \elemskip en fonction de la largeur de page pour eviter les glues +% +\autolines {12}45\relax +%\check +% +\hyphenpenalty -50\relax +\notes&|\Uptext{\hbox{\kern -16mm\moyen Giocoso \bf(\metron{\cu}{120})}}\enotes +\advance\linesinpage by 1\relax +% +% formes frequentes +\def\ptsoupir{\pt 5\soupir}% soupir pointe +% deux croches hautes +\def\dql#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% +\def\dqu#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% +\def\dqh{\dqu}\def\dqb{\dql}% +% +% formes frequentes +% trois croches hautes +\def\trql#1#2#3#4{\ibl0{#2}{#1}\qb0{#2#3}\tbl0\qb0{#4}}% +\def\trqL#1#2#3#4{\ibl0{#3}{#1}\qb0{#2#3}\tbl0\qb0{#4}}% +%\check +\def\trqu#1#2#3#4{\ibu0{#2}{#1}\qh0{#2#3}\tbu0\qh0{#4}}% +\def\trqU#1#2#3#4{\ibu0{#3}{#1}\qh0{#2#3}\tbu0\qh0{#4}}% +%\check +% +% formes frequentes +% trois croches hautes pizzicato +\def\pztql#1#2#3#4{\ibl0{#2}{#1}\blpz0\qb0{#2}\blpz0\qb0{#3}\blpz0\tbl0\qb0{#4}}% +\def\pztqL#1#2#3#4{\ibl0{#3}{#1}\blpz0\qb0{#2}\blpz0\qb0{#3}\blpz0\tbl0\qb0{#4}}% +% +\def\pztqu#1#2#3#4{\ibu0{#2}{#1}\bupz0\qh0{#2}\bupz0\qh0{#3}\bupz0\tbu0\qh0{#4}}% +\def\pztqU#1#2#3#4{\ibu0{#3}{#1}\bupz0\qh0{#2}\bupz0\qh0{#3}\bupz0\tbu0\qh0{#4}}% +% +\def\lpztqu#1#2#3#4{\ilegl0{#3}\ibu0{#2}{#1}\qh0{#2}\tleg0\bupz0\qh0{#3}\bupz0\tbu0\qh0{#4}}% +\def\lpztqL#1#2#3#4{\ilegu0{#2}\ibl0{#3}{#1}\qb0{#2}\tleg0\blpz0\qb0{#3}\blpz0\tbl0\qb0{#4}}% +\def\lpztql#1#2#3#4{\ilegu0{#3}\ibl0{#2}{#1}\qb0{#2}\tleg0\blpz0\qb0{#3}\blpz0\tbl0\qb0{#4}}% +% +\def\lPztqL#1#2#3#4{\ilegu0{#2}\ibl0{#3}{#1}\qb0{#2}\tleg0\upzqb{#3}\tbl0\upzqb{#4}}% +\def\lPztql#1#2#3#4{\ilegu0{#3}\ibl0{#2}{#1}\qb0{#2}\tleg0\upzqb{#3}\tbl0\upzqb{#4}}% +\def\lPztqU#1#2#3#4{\ilegl0{#2}\ibu0{#3}{#1}\qh0{#2}\tleg0\lpzqh{#3}\tbu0\lpzqh{#4}}% +% +\def\upzqb#1{\upz{#1}\qb0{#1}}% +\def\lpzqh#1{\lpz{#1}\qh0{#1}}% +% +\def\Pztql#1#2#3#4{\ibl0{#2}{#1}\upzqb{#2}\upzqb{#3}\tbl0\upzqb{#4}}% +\def\PztqL#1#2#3#4{\ibl0{#3}{#1}\upzqb{#2}\upzqb{#3}\tbl0\upzqb{#4}}% +\def\Pztqu#1#2#3#4{\ibu0{#2}{#1}\lpzqh{#2}\lpzqh{#3}\tbu0\lpzqh{#4}}% +\def\PztqU#1#2#3#4{\ibu0{#3}{#1}\lpzqh{#2}\lpzqh{#3}\tbu0\lpzqh{#4}}% +\def\Pztqh{\Pztqu}\def\Pztqb{\Pztql}% +% +% deux doubles croches hautes +\def\dqbbu#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% +\def\dqbbl#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% +\def\dqbbh{\dqbbu}\def\dqbbb{\dqbbl}% +% +% quatre doubles croches +\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax +\def\qqbbH#1#2#3#4#5#6{\ibbu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax +\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}% +\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax +\def\qqbbL#1#2#3#4#5#6{\ibbl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax +%\check +% quatre croches +\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax +\def\qqbH#1#2#3#4#5#6{\ibu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax +\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax +\def\qqbL#1#2#3#4#5#6{\ibl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax +%\check +% croche pointee et 3 doubles croches +\def\cpdddu#1#2#3#4{\ibu0{#1}{-2}\qhp0{#1}\sk\sk\nbbu0\qh0{#2}\qh0{#3}\tqh0{#4}}% +\def\cpdddl#1#2#3#4{\ibl0{#2}{-2}\qbp0{#1}\sk\sk\nbbl0\qb0{#2}\qb0{#3}\tqb0{#4}}% +%\check +% croche et 4 doubles croches +\def\cddddu#1#2#3#4#5#6{\ibu0{#2}{#1}\qh0{#2}\sk\nbbu0\qh0{#3#4#5}\tqh0{#6}}% +\def\cddddl#1#2#3#4#5#6{\ibl0{#2}{#1}\qb0{#2}\sk\nbbl0\qb0{#3#4#5}\tqb0{#6}}% +% +\def\doubler{\multiply\noteskip by 2\relax}% +% +% mesure 1 +\Notes&|\pztql0iki\enotes +\temps\notes\pause&\pause|\cpdddl lkji\enotes +%\check +% mesure 2 +\barre\Notes&|\pztqU0hjh\enotes +\temps\Notes\pause&\pause|\qu k\sk\dsoupir\enotes +%\check +% mesure 3 +\barre\Notes&|\pztqU0gig\enotes +\temps\Notes\pause&\pause|\pztqu0jhj\enotes +% +% mesure 4 +\barre\Notes&|\lpztqu0khk\enotes +\temps\notes\pause&\pause|\cddddu2ighij\enotes +%\check +% mesure 5 +\barre\autolines {10}55\relax +\Notes&\Pztql0bdb|\pztql0kmk\enotes +\temps\notes\pause&\doubler\ql L\sk\cu{^J}|\cpdddl nmlk\enotes +%\check +% mesure 6 +\barre\Notes&\sh a\Pztql0a{^c}a|\sh j\pztql0jlj\enotes +\temps\Notes\pause&\ql K\sk\cl M|\ql m\sk\dsoupir\enotes +%\check +% mesure 7 +\barre\Notes&\ql N\sk\cl b|\pztql0iki\enotes +\temps\Notes\pause&\ql c\sk\na a\cl a|\pztqL0l{=j}l\enotes +% mesure 8 +\barre\Notes&\ql M\sk\cl K|\pztqL0khk\enotes +\temps\notes\pause&\ql N\sk\dsoupir|\cddddu1gefgh\enotes +% mesure 9 +\barre\Notes&\pztql0LNL|\rlap{\qlp i}\qup n\enotes +\temps\notes\pause&\cpdddl aNML|\rlap{\qlp j}\qup l\enotes +%\check +% mesure 10 +\barre\Notes&\pztql0KMK|\rlap{\qlp h}\qup m\enotes +\temps\notes\pause&\cpdddl baNM|\rlap{\qlp g}\qup k\enotes +% mesure 11 +\barre\Notes&\pztql0LNL|\rlap{\qup l}\pztql2ghi\enotes +\temps\Notes\pause&\pztqu{-2}JIH|\itenu0m\rlap{\qup m}\pztql2hi{^j}\enotes +% mesure 12 +\barre\Notes\ptsoupir&\pztqu0I{^K}I|\tten0\sh k\rlap{\qlp k}\qup m\enotes +\temps\Notes\PztqU0EGE&\qu L\sk\dsoupir|\zql i\qu n\sk\dsoupir\enotes +%\check +\cleftoksii={{0}{0}{0}{0}}\changeclefs % +% mesure 13 +\barre\Notes\qu I\sk\dsoupir&\PztqU0{^d}fd|\pztql0i{^k}i\enotes +\temps\notes\doubler\pztqU0EGE&\doubler\pztqu0geg|\cpdddu l{=k}ji\enotes +%\check +% mesure 14 +\barre\Notes\qu J\sk\dsoupir&\PztqU0cec|\pztql0hjh\enotes +\temps\notes\doubler\pztqU0FHF&\doubler\PztqU0{^d}fd|\cpdddl ml{^k}j\enotes +%\check +\def\atnextline{\autolines{10}45}\relax +% mesure 15 +\barre\Notes\qup{^K}&\pztqU0fhf|\pztql0i{^k}i\enotes +\temps\Notes\qlp L&\pztqu0igi|\pztqL0nln\enotes +%\check +% mesure 16 +\barre\Notes\qup I&\qup{^d}|\rlap{\qup m}\pztql0i{^k}i\enotes +\temps\notes\qup J&\doubler\pztqU0ege|\bigaccid + \rlap{\qup n}\cpdddl l{=k}ji\enotes +%\check +% mesure 17 +\barre\notes\qup H&\cpdddu fe{=d}c|\doubler\rlap{\qup m}\pztql0hjh\enotes +\temps\Notes\qup I&\PztqU0bdb|\zql i\qu n\sk\dsoupir\enotes +%\check +% mesure 18 +\barre\notes\qup G&\cpdddu edcb|\doubler\zhup l\pztql0gig\enotes +\temps\Notes\qup H&\PztqU0aca|\pztqL0jhj\enotes +% +% mesure 19 +\barre\Notes\qup F&\Pztqu0dcd|\rlap{\qup m}\lpztqL0khk\enotes +\temps\notes\qup G&\qu b\sk\sk\sk\dsoupir|\rlap{\doubler + \qu n\sk\raise 2\Interligne\dsoupir}\cl i\sk\qqbbl2ghij\off{-\elemskip}\enotes +%\check +% mesure 20 +\cleftoksii={{6}{0}{0}{0}}\changeclefs % +\barre\Notes\qup I&\Pztql0bdb|\rlap{\qlp g}\pztqU0kmk\enotes +\temps\notes\qup E&\doubler\PztqL0ebe|\rlap{\qlp i}\cpdddu nmlk\enotes +%\check +% mesure 21 +\barre\notes\qup H&\bigsh c\cpdddl cbaN|\itenl0h\rlap{\qlp h}\doubler\sh j\pztqU0jlj\enotes +\temps\Notes\qup D&\pztql0MaM|\tten0\zql h\qu m\sk\dsoupir\enotes +%\check +\def\atnextline{\autolines{10}55}\relax +% mesure 22 +\barre\notes\qup G&\cpdddl baNM|\rlap{\hlp g}\doubler\pztqU0iki\enotes +\temps\Notes\qup C&\pztql0LNL|\pztqu0ljl\enotes +% mesure 23 +\barre\Notes\qup D&\pztql0MKM|\rlap{\qlp f}\pztqu0khk\enotes +\temps\notes\qup G&\ql b\sk\sk\sk\dsoupir|\rlap{\doubler + \ql d\sk\raise-2\Interligne\dsoupir}\cu i\sk\qqbbu2ghij\enotes +%\check +% mesure 24 +\cleftoksii={{6}{0}{0}{0}}\changeclefs % +\barre\Notes\qup I&\Pztql0bdb|\rlap{\qlp g}\pztqU0kmk\enotes +\temps\notes\qup E&\doubler\PztqL0ebe|\rlap{\qlp i}\cpdddu nmlk\enotes +%\check +% mesure 25 +\barre\notes\qup H&\cpdddl cbaN|\itenl0h\rlap{\qlp h}\doubler\pztqU0jlj\enotes +\temps\Notes\qup D&\pztql0MaM|\tten0\zql h\qu m\sk\dsoupir\enotes +%\check +% mesure 26 +\barre\notes\qup G&\cpdddl baN{=M}|\rlap{\hlp g}\doubler\pztqU0iki\enotes +\temps\Notes\qup C&\qlp L|\pztqu0ljl\enotes +% mesure 27 +\barre\Notes\qup {=F}&\qlp a|\rlap{\hlp{=f}}\pztqu0khk\enotes +\temps\Notes\qup G&\qlp N|\pztqu0igi\enotes +\signaturegenerale{0}% +% mesure 28 +\changecontext\Notes\pztql0JLJ&\ql N\sk\dsoupir|\zql c\qu j\sk\dsoupir\enotes +\transpose=1\relax % pour eviter de monter d'un cran ce qui ecrit en si bemol +\temps\notes\cpdddl MLKJ&\ptsoupir|\ptsoupir\enotes +% mesure 29 +\barre\Notes\pztql0IKI\enotes +\temps\notes\cpdddl NMLK&\pause|\pause\enotes +% mesure 30 +\barre\Notes\pztql0JLJ\enotes +\temps\Notes\lpztqL0aMa&\pause|\pause\enotes +% mesure 31 +\barre\Notes\lpztqL0bab\enotes +\temps\Notes\ql M\sk\dsoupir&\pause|\pause\enotes +% mesure 32 +\barre\Notes\qup I&\Pztql0bdb|\rlap{\kern -1pt\qlp i}\pztqU0dfd\enotes +\temps\notes\doubler\qup L&\doubler\pztqL0NLN|\zql e\cpdddu gfed\enotes +% mesure 33 +\barre\Notes\qup H&\pztql0aca|\rlap{\kern -1pt\qlp h}\PztqU0cec\enotes +\temps\notes\qup K&\doubler\pztql0MaM|\rlap{\qlp d}\cpdddu fedc\enotes +% mesure 34 +\barre\Notes\qup G&\pztql0NbN|\rlap{\kern -1pt\hlp g}\PztqU0bdb\enotes +\temps\notes\qup J&\cpdddl NMLK|\doubler\Pztqu0ece\enotes +% mesure 35 +\barre\Notes\qup H&\pztql1JML|\rlap{\kern -1pt\qlp h}\pztqu0fcf\enotes +\transpose=0\relax % retour a la normale +\temps\Notes\qu J&\zql L\qu N\sk\dsoupir|\rlap{\kern -1pt\qlp j}\Pztqu{-3}ecb\enotes +\signaturegenerale{-3}% +% mesure 36 +\changecontext\Notes\PztqU0CEC&|\qu c\sk\dsoupir\enotes +\temps\Notes\qu G\sk\dsoupir&\pause|\Pztqu0{=b}db\enotes +% mesure 37 +\barre\notes\doubler\PztqU0CEC&|\cpdddu gfed\enotes +\temps\Notes\qu H\sk\dsoupir&\pause|\Pztqu0cec\enotes +% mesure 38 +\barre\notes\doubler\PztqU0DFD&|\cpdddu hgfe\enotes +\temps\Notes\qu {=I}\sk\dsoupir&\pause|\Pztqu0dfd\enotes +% mesure 39 +\barre\notes\doubler\PztqU0G{=I}G&|\bigaccid\cpdddu {=i}{=h}gf\enotes +\temps\Notes\qu J\sk\dsoupir&\pause|\pztqU0ege\enotes +% mesure 40 +\barre\notes\qup E&\rlap{\qlp L}\cpdddu cbaN|\doubler\pztqu0jgj\enotes +\temps\Notes\qup F&\rlap{\qlp M}\pztqU0cac|\bigna h\pztqu0hfh\enotes +% mesure 41 +\barre\notes\qup I&\rlap{\qlp M}\cpdddu dcba|\doubler\pztqu0khk\enotes +\temps\Notes\qup L&\rlap{\qlp N}\pztqu0beb|\pztqu0igi\enotes +% mesure 42 +\barre\notes\qup J&\rlap{\qlp N}\cpdddu edcb|\doubler\pztqu0lil\enotes +\temps\Notes\qup H&\rlap{\qlp a}\qup c|\pztqu0jhj\enotes +% mesure 43 +\barre\notes\doubler\qup{=H}&\rlap{\bigna a\qlp a}\cpdddu fedc|\doubler\pztqu0mjm\enotes +\temps\Notes\qup I&\rlap{\qlp b}\itenu0d\qup d|\pztqu0kik\enotes +% mesure 44 +\barre\Notes\qup G&\tten0\rlap{\qlp{=b}}\qup d|\pztqL0nkn\enotes +\temps\Notes\qup J&\itenu0c\itenu1e\rlap{\zqp c\qlp N}\qup e|\pztql0ljl\enotes +% mesure 45 +\barre\Notes\qup{=H}&\tten0\tten1\itenu0a\rlap{\zqp c\qlp{=a}}\qup e|\na o\pztqL0olo\enotes +\temps\Notes\qup J&\tten0\itenu0d\rlap{\zqp a\qup{^M}}\qup d|\pztqu0{^m}km\enotes +% mesure 46 +\signaturegenerale{-2}% +\changecontext\Notes\qup G&\tten0\zqp {Nb}\qlp d|\pztql{-4}nkj\enotes +\temps\Notes\ptsoupir&\ptsoupir|\pztql2ijk\enotes +% mesure 47 +\barre\Notes\qup G&\Pztql0bdb|\qu g\sk\dsoupir\enotes +\temps\notes\qup J&\cpdddl edcb|\ptsoupir\enotes +% mesure 48 +\barre\Notes\qup F&\Pztql0aca|\enotes +\temps\notes\qup I&\cpdddl dcba|\pause\enotes +% mesure 49 +\barre\Notes\qup E&\Pztql0NbN|\enotes +\temps\Notes\qup H&\lPztqL0cac|\pause\enotes +% mesure 50 +\barre\Notes\sh F\qup F&\PztqL0dad\enotes +\temps\notes\qup G&\cl b\sk\qqbbl3Nabc|\pause\enotes +% mesure 51 +\barre\Notes\qup I&\PztqL0dbd|\pztql0iki\enotes +\temps\notes\qup J&\doubler\PztqL0geg|\cpdddl lkji\enotes +%\check +% mesure 52 +\barre\Notes\qup L&\Pztql0cec|\pztqU0hjh\enotes +\temps\Notes\qup K&\PztqL0{^f}df|\qu k\sk\dsoupir\enotes +%\check +% mesure 53 +\barre\Notes\qup E&\Pztql0bdb|\pztqU0gig\enotes +\temps\notes\qup H&\cpdddl edcb|\doubler\pztqu0jhj\enotes +% +% mesure 54 +\barre\Notes\qup{^F}&\lpztql0ada|\Pztqu0khk\enotes +\temps\notes\qup G&\itenl0N\rlap{\qlp N}\qup d|\cddddu2ighij\enotes +%\check +% mesure 55 +\barre\Notes\qup I&\tten0\rlap{\kern 1pt\qup N}\Pztql0bdb|\pztql0kmk\enotes +\temps\notes\qup G&\doubler\rlap{\kern 1pt\qup a}\Pztql0ege|\bigaccid + \cpdddl n{=m}lk\enotes +%\check +% mesure 56 +\barre\Notes\qup H&\sh M\rlap{\kern 1pt\hup M}\Pztql0aca|\pztql0jlj\enotes +\temps\Notes\qup K&\Pztql0d{^f}d|\ql{^m}\sk\dsoupir\enotes +%\check +% mesure 57 +\barre\Notes\qup G&\rlap{\kern 1pt\qup N}\PztqL0dbd|\pztql0iki\enotes +\temps\Notes\qup H&\rlap{\kern 1pt\qup L}\PztqL0cac|\pztqL0ljl\enotes +% mesure 58 +\barre\Notes\qup{^F}&\sh M\rlap{\kern 1pt\qup M}\Pztql0aca|\pztqL0khk\enotes +\temps\Notes\itenl0G\qup G&\rlap{\qup d}\Pztql0NbN|\qu g\sk\dsoupir\enotes +% mesure 59 +\barre\notes\tten0\qup G&\bigfl e\cpdddl edcb|\enotes +\temps\Notes\qup{=F}&\Pztql0aca|\pause\enotes +%\check +% mesure 60 +\barre\Notes\qu I\sk\dsoupir&\ql d\sk\dsoupir|\ptsoupir\enotes +\temps\Notes\qup E&\Pztql2Nab|\qup i\enotes +% mesure 61 +\barre\notes\qup H&\doubler\Pztql0cec|\cpdddl lkji\enotes +\temps\Notes\qup D&\Pztql2MNa|\qup h\enotes +% mesure 62 +\barre\Notes\qup G&\Pztql0bdb|\qup k\enotes +\temps\Notes\qup C&\pztql2LMN|\qup g\enotes +% mesure 63 +\barre\Notes\hup H&\Pztql0aca|\pztql0jlj\enotes +\temps\Notes&\pztqL0MLM|\pztqu0hfh\enotes +%\check +% mesure 64 +\barre\Notes\pztql0IKI&\ql b\sk\dsoupir|\ql i\sk\dsoupir\enotes +\temps\notes\cpdddl MLKJ&\ptsoupir|\ptsoupir\enotes +% mesure 65 +\barre\Notes\pztql0IKI\enotes +\temps\notes\cpdddl NMLK&\pause|\pause\enotes +% mesure 66 +\barre\Notes\pztql0JLJ\enotes +\temps\Notes\lpztqL0aMa&\pause|\pause\enotes +% mesure 67 +\barre\Notes\lpztqL0bab\enotes +\temps\Notes\ql M\sk\dsoupir&\pause|\pause\enotes +% mesure 68 +\barre\Notes\qup I&\Pztql0bdb|\pztqU0dfd\enotes +\temps\notes\doubler\qup L&\doubler\pztqL0NLN|\cpdddu gfed\enotes +% mesure 69 +\barre\Notes\qup H&\pztql0aca|\PztqU0cec\enotes +\temps\notes\qup K&\doubler\pztql0MaM|\cpdddu fedc\enotes +% mesure 70 +\barre\Notes\qup G&\pztql0NbN|\PztqU0bdb\enotes +\temps\notes\qup J&\cpdddl NMLK|\doubler\Pztqu0ece\enotes +% mesure 71 +\barre\Notes\qup H&\pztql1JML|\pztqu0fcf\enotes +\temps\Notes\qup I&\itenl0M\rlap{\qlp K}\qup M|\pztqu0dbd\enotes +% mesure 72 +\barre\Notes\qup{=I}&\tten0\pt a\rlap{\qu N}\qsk\qlp M|\pztqu0gdg\enotes +\temps\Notes\qup J&\itenl0L\rlap{\qlp L}\qup N|\pztqu0ece\enotes +% mesure 73 +\barre\Notes\qup H&\tten0\rlap{\qlp L}\hup a|\pztqu0heh\enotes +\temps\Notes\itenl0K\qup K&\itenl1M\qlp M|\pztqu0fdf\enotes +% mesure 74 +\barre\Notes\tten0\qup K&\tten1\rlap{\qlp M}\hup b|\pztqu0ifi\enotes +\temps\Notes\qlp L&\itenl0N\qlp N|\pztqu0geg\enotes +% mesure 75 +\barre\Notes\qup J&\tten0\rlap{\qlp N}\zhp c\hup e|\pztqu0jgj\enotes +\temps\Notes\qlp M&\itenu0a\qlp a|\pztqu0hfh\enotes +% mesure 76 +\barre\Notes\qup K&\tten0\itenu0d\zqp{^Ma}\qlp d|\pztqu0khk\enotes +\temps\Notes\qup G&\tten0\itenl0N\itenu1b\zqp{dN}\qlp b|\pztqu0igi\enotes +% mesure 77 +\barre\Notes\qup J&\tten0\tten1\zqp{N}\rlap{\qlp b}\hup e|\pztqu0lil\enotes +\temps\Notes\qup H&\itenl2a\itenu3c\zqp{a}\qlp c\relax +|\pztqu0jhj\enotes +% mesure 78 +\barre\Notes\qup K&\tten2\tten3\rlap{\kern 1pt\qup c}\zhp a\hlp{^f}|\pztqL0{^m}km\enotes +\temps\Notes\qup J&\qlp d|\pztqL0{m}km\enotes +% mesure 79 +\signaturegenerale{1}% +\changecontext\Notes\qup G&\zqp {Nb}\qlp d|\pztql{-4}nkj\enotes +\temps\Notes\ptsoupir&\ptsoupir|\lpztql2{=i}jk\enotes +% mesure 80 +\barre\Notes\qup G&\Pztql0bdb|\qup g\enotes +\temps\notes\qup J&\cpdddl edcb|\ptsoupir\enotes +% mesure 81 +\barre\Notes\qup F&\Pztql0aca|\enotes +\temps\notes\qup I&\cpdddl dcba|\pause\enotes +% mesure 82 +\barre\Notes\qup E&\Pztql0NbN|\enotes +\temps\Notes\qup H&\lPztqL0cac|\pause\enotes +% mesure 83 +\barre\Notes\qup F&\PztqL0dad\enotes +\temps\notes\qup G&\cl b\sk\qqbbl2Nabc|\pause\enotes +\cleftoksii={{0}{0}{0}{0}}\changeclefs +% mesure 84 +\barre\Notes\qup I&\PztqU0dfd|\pztql0iki\enotes +\temps\notes\qup E&\doubler\pztqu0geg|\cpdddl lkji\enotes +%\check +% mesure 85 +\barre\Notes\qup F&\PztqU0{^c}ec|\pztqU0{^h}{^j}h\enotes +\temps\Notes\qup I&\Pztqu0fdf|\qu k\sk\dsoupir\enotes +%\check +% mesure 86 +\barre\Notes\qup E&\PztqU0bdb|\pztqU0gig\enotes +\temps\notes\qup H&\cpdddu ed{=c}b|\doubler\pztqu0j{=h}{=j}\enotes +% +% mesure 87 +\barre\Notes\qup{=F}&\lPztqU0ada|\lpztqu0khk\enotes +\temps\Notes\qup G&\Pztqu0d{_b}d|\pztqu0{_i}gi\enotes +% mesure 88 +\barre\Notes\qup J&\PztqU0cec|\pztqL0l{_i}l\enotes +\cleftoksii={{6}{0}{0}{0}}\changeclefs +\temps\Notes\qup{=F}&\pztqL0a{_L}a|\pztqu0h{=f}h\enotes +%\check +\signaturegenerale{-2}% +% mesure 89 +\changecontext\Notes\qup I&\Pztql0bdb|\rlap{\kern -1pt\hlp i}\pztqU0dfd\enotes +\temps\notes\doubler\qup L&\doubler\pztqL0NLN|\cpdddu gfed\enotes +% mesure 90 +\barre\Notes\qup H&\pztql0aca|\rlap{\kern -1pt\hlp h}\PztqU0cec\enotes +\temps\notes\qup K&\doubler\pztql0MaM|\cpdddu fedc\enotes +% mesure 91 +\barre\Notes\qup G&\pztql0NbN|\rlap{\kern -1pt\hlp g}\PztqU0bdb\enotes +\temps\notes\qup J&\cpdddl NMLK|\doubler\Pztqu0ece\enotes +% mesure 92 +\barre\Notes\qup H&\pztql1JML|\rlap{\kern -1pt\qlp h}\pztqu0fcf\enotes +\temps\Notes\qup I&\ql K\sk\dsoupir|\zql d\qu i\sk\dsoupir\enotes +% mesure 93 +\barre\Notes&\Pztql0bdb\enotes +\temps\notes\pause&\bigaccid\cpdddl edcb|\pause\enotes +% mesure 94 +\barre\Notes&\fl a\Pztql0aca|\enotes +\temps\Notes\pause&\ql d\sk\dsoupir|\pause\enotes +% mesure 95 +\barre\Notes&\Pztql2N{_a}b\enotes +\temps\Notes\pause&\lpztqL{-2}cba|\pause\enotes +% mesure 96 +\barre\Notes&\Pztql0b{_a}b|\ptsoupir\enotes +\temps\Notes\pause&\qlp L|\Pztqu0ege|\enotes +% mesure 97 +\barre\notes&\qlp K|\bigaccid\cpdddu i{_h}gf\enotes +\temps\Notes\pause&\qlp J|\Pztqu0ege\enotes +\def\atnextline{\autolines{9}65}\relax +% mesure 98 +\barre\Notes&\qup{_H}|\ql j\sk\dsoupir\enotes +\temps\Notes\pause&\qlp I|\Pztqu0f{_h}f\enotes +% mesure 99 +\barre\Notes&\qup K|\lpztqL0kik\enotes +\temps\Notes\pause&\qup L|\Pztqu{-3}li{_h}\enotes +% mesure 100 +\def\atnextline{\autolines{10}55}\relax +\barre\Notes&\Pztql0N{=b}N|\qu g\sk\dsoupir\enotes +\temps\notes\pause&\cpdddl edcb|\ptsoupir\enotes +%\check +% mesure 101 +\barre\Notes&\cna a\Pztql0aca\enotes +\temps\Notes\pause&\qu K\sk\dsoupir|\pause\enotes +% mesure 102 +\barre\Notes&\lPztql2Nab\enotes +\temps\Notes\pause&\Pztql0cec|\pause\enotes +%\check +% mesure 103 +\barre\Notes&\lPztql2MNa\enotes +\temps\Notes\pause&\Pztql0bdb|\pause\enotes +% mesure 104 +\barre\Notes&\lPztql2LMN\enotes +\temps\Notes\pause&\Pztql0aca|\pause\enotes +% mesure 105 +\barre\Notes&\lPztql2K{=L}{^M}\enotes +\temps\Notes\pause&\Pztql0NbN|\pause\enotes +%\check +% mesure 106 +\barre +\Notes&\ql d\sk\dsoupir|\ptsoupir\enotes +\temps\Notes\pause&\Pztql0N{=b}N|\rlap{\qlp{=i}}\qup k\enotes +% mesure 107 +\barre\notes&\cpdddl edcb|\doubler\rlap{\qlp g}\pztqu0ljl\enotes +\temps\Notes\pause&\Pztql0aca|\rlap{\qlp f}\qup h\enotes +% mesure 108 +\barre\Notes&\qu K\sk\dsoupir|\rlap{\qlp{^f}}\pztqu0khk\enotes +\temps\Notes\pause&\lPztql2Nab|\itenl0g\rlap{\qlp g}\qup i\enotes +%\check +% mesure 109 +\barre\notes&\doubler\Pztql0cec|\tten0\rlap{\qlp g}\cpdddu lkji\enotes +\temps\Notes\pause&\lPztql2MNa|\itenl0f\rlap{\qlp {=f}}\qup h\enotes +% mesure 110 +\barre\Notes&\Pztql0bdb|\tten0\rlap{\qlp f}\qup k\enotes +\temps\Notes\pause&\lPztql2LMN|\itenl0e\rlap{\qlp e}\qup g\enotes +% mesure 111 +\barre\notes&\doubler\Pztql0aca|\tten0\rlap{\qlp e}\cpdddu jihg\enotes +\temps\Notes\pause&\lPztql2K{=L}{^M}|\rlap{\qlp d}\qup{^f}\enotes +%\check +% mesure 112 +\barre\Notes&\Pztql0NbN|\itenl1g\rlap{\hlp g}\qup i\enotes +\temps\Notes\pause&\lPztql2JK{_L}|\qup l\enotes +% mesure 113 +\barre\Notes&\Pztql0{=M}N{_a}|\rlap{\qsk\tten1\qlp g}\pt i\hu{_h}\enotes +\temps\Notes\pause&\lpztql2KLM|\zqp {=f}\qlp k\enotes +\def\atnextline{\autolines {13}45}\relax +% mesure 114 +\barre\Notes\ptsoupir&\pztqL0NMN|\rlap{\qlp g}\qup{=i}\enotes +\temps\Notes\PztqU0CEC&\qu J\sk\dsoupir|\ptsoupir\enotes +%\check +% mesure 115 +\barre\NOtes\qu G\sk\dsoupir&|\PztqU0cec\enotes +\temps\notes\doubler\Pztqu0CEC&\pause|\cpdddu gfed\enotes +% mesure 116 +\barre\NOtes\qu{_H}\sk\dsoupir&|\PztqU0cec\enotes +\temps\notes\doubler\PztqU0DFD&\pause|\bigfl h\cpdddu hgfe\enotes +% mesure 117 +\barre\NOtes\qu{=I}\sk\dsoupir&|\PztqU0dfd\enotes +\temps\notes\doubler\pztqU0GIG&\pause|\bigaccid\na i\cpdddu i{=h}gf\enotes +%\check +% mesure 118 +\barre\NOtes\qup J&\trql{-3}cN{^M}|\uptext + {\it legato}\rlap{\qlp e\itenl0g\ql g}\trqu6egj\enotes +\temps\NOtes\pointdorgue N\qu G\sk\dsoupir + &\pointdurgue H\ql N\sk\dsoupir|\tten0\zq d\zql g\pointdorgue o\qu{=i}\sk\dsoupir\enotes +\signaturegenerale{-3}% +% mesure 119 +\setdoublebar +\changecontext\NOtes\qup J&\rlap{\qup e}\trqL0cNc|\Uptext{\bf\kern -14mm+acc. III}\rlap{\zqp g\qlp j}\trqU0lnl\enotes +\temps\notes\qup F&\doubler + \rlap{\qlp L}\trqu0cac|\rlap{\zqp h\qlp j}\cpdddu onml\enotes +%\check +% mesure 120 +\barre\NOtes\qup I&\rlap{\qup d}\trqL0aMa|\rlap{\zqp f\qlp h}\trqU0kmk\enotes +\temps\notes\qup E&\doubler + \rlap{\qlp K}\trqu0bNb|\rlap{\zqp g\qlp i}\cpdddu nmlk\enotes +% mesure 121 +\barre\NOtes\qup H&\rlap{\qup c}\trqL0aLa|\rlap{\zqp e\qlp h}\trqU0jlj\enotes +\temps\NOtes\qup F&\rlap{\qlp M}\trqu0dad|\rlap{\zqp f\qlp h}\trqu0mkm\enotes +% mesure 122 +\barre\NOtes\qup G&\rlap{\qup {=b}}\trqL0NMN|\rlap{\zqp d\qlp f}\na i\trqU0igi\enotes +\temps\NOtes\qup E&\rlap{\qlp L}\trqu0cNc|\rlap{\zqp e\qlp g}\trqu0jlj\enotes +%\check +% mesure 123 +\barre\NOtes\qu G\sk\dsoupir&\zq{KN=b}\ql d\sk\dsoupir + |\zq{=ik}\ql n\sk\dsoupir\enotes +\temps\NOtes\qup J&\rlap{\qup e}\trqL0cNc|\rlap{\zqp g\qlp j}\trqU0lnl\enotes +% mesure 124 +\barre\notes\qup F&\doubler + \rlap{\qlp L}\trqu0cac|\rlap{\zqp h\qlp j}\cpdddu onml\enotes +\temps\NOtes\qup I&\rlap{\qup d}\trqL0aMa|\rlap{\zqp f\qlp h}\trqU0kmk\enotes +%\check +% mesure 125 +\def\atnextline{\autolines {12}45}\relax +\signaturegenerale{-2}\relax +\changecontext\notes\qup E&\doubler + \rlap{\qlp K}\trqu0bNb|\rlap{\zqp g\qlp i}\cpdddu nmlk\enotes +\temps\NOtes\qup H&\rlap{\qup c}\trqL0N{^M}N|\relax + \rlap{\zqp{^f}\qlp h}\trqU0jlj\enotes +% mesure 126 +\barre\NOtes\qup{^F}&\rlap{\qlp{^M}}\trqu0dad|\rlap{\zqp{^f}\qlp h}\trqu0{^m}km\enotes +\temps\NOtes\qup G&\rlap{\qup d}\trqL0bNb|\rlap{\zqp g\qlp i}\trqu{-5}nkj\enotes +% mesure 127 +\barre\NOtes\qup D&\itenl0K\rlap{\qlp K}\trqU{-2}cba|\rlap{\zqp d\qlp{^f}}\trqu2ijk\enotes +\temps\NOtes\qu G\sk\dsoupir&\tten0\zq{KN}\ql b\sk\dsoupir + |\qu g\sk\dsoupir\enotes +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% reprise prelude +%\check +% mesure 128 +\barre\def\atnextline{\autolines{12}35}\relax +\notes\qup G&\zqu N\qqbbl0N{dbd}Nb|\doubler\rlap{\trqL0igi}\trqu0kik\enotes +\temps\notes\qup J&\zqu L\qqbbl0L{cNc}LN|\doubler\rlap{\trqL0jej}\trqu0lgl\enotes +%\check +% mesure 129 +\barre +\notes\qup F&\zqu M\qqbbl0M{cac}Ma|\doubler\rlap{\trqL0hfh}\trqu0jhj\enotes +\temps\notes\qup I&\zqu K\qqbbl0K{bMb}KM|\doubler\rlap{\trqL0idi}\trqu0kfk\enotes +%\check +% mesure 130 +\barre\notes\qup E&\zqu L\qqbbl0L{bNb}LN|\doubler\rlap{\trqL0geg}\relax + \trqu0igi\enotes +\temps\notes\qup H&\zqu J\qqbbl0J{aLa}JL|\doubler\rlap{\trqL0hch}\trqu0jej\enotes +% mesure 131 +\barre\notes\qup D&\zqu K\qqbbl0K{a^Ma}KM|\doubler\rlap{\trqL0{^f}df}\relax + \trqu0hfh\enotes +\temps\notes\qup G&\zqu N\qqbbl0N{dad}bd|\doubler\rlap{\trqL0ghi}\trqu0ijk\enotes +%\check +% mesure 132 +\barre\notes\doubler\qup{=I}&\zqu N\qqbbl0N{d=bd}Nb|\doubler\rlap{\trqL0{=i}{=f}i}\trqu0nkn\enotes +\temps\notes\qup J&\zqu L\qqbbl0L{cNc}LN|\doubler\rlap{\trqL0geg}\trqu0ljl\enotes +%\check +% mesure 133 +\barre\notes\qup F&\zqu M\qqbbl0M{cac}Ma|\doubler\rlap{\qlp h}\trqu0mjm\enotes +\temps\notes\qup I&\zqu K\qqbbl0K{_bMb}KM|\doubler\rlap{\trql0fef}\trqu0kjk\enotes +%\check +% mesure 134 +\barre\notes\qup E&\zqu L\qqbbl0L{bNb}LN|\doubler\rlap{\trql0geg}\trqu0lgl\enotes +\temps\notes\qup H&\zqu J\qqbbl0J{aLa}JL|\doubler\rlap{\trqL0heh}\trqu0jhj\enotes +% mesure 135 +\barre\notes\qup D&\zqu K\qqbbl0K{a^Ma}KM|\doubler\rlap{\qlp {^f}}\trqu0khk\enotes +\temps\notes\qup G&\zqu N\qqbbl0N{dad}bd|\doubler\rlap{\trqL0gfg}\trqu{-2}ihg\enotes +%\check +% mesure 136 +\barre\notes\doubler\qu G\sk\dsoupir + &\zqu N\qqbbl0N{d=bd}Nb|\doubler\rlap{\trqL0{=i}{=f}i}\trqu0nkm\enotes +\temps\notes\doubler\qu J\sk\dsoupir + &\zqu L\qqbbl0L{cNc}LN|\doubler\rlap{\trqL0gfg}\trqu0lkl\enotes +%\check +% mesure 137 +\barre\notes\doubler\qu F\sk\dsoupir + &\zqu M\qqbbl0M{cac}Ma|\doubler\rlap{\qlp h}\trqu0mjl\enotes +\temps\notes\doubler\qu I\sk\dsoupir + &\zqu K\qqbbl0K{_bMb}KM|\doubler\rlap{\trql0fef}\trqu0kjk\enotes +%\check +% mesure 138 +\barre\notes\doubler\qu E\sk\dsoupir + &\zqu L\qqbbl0L{bNb}LN|\doubler\rlap{\qlp g}\trqu0lik\enotes +\temps\notes\doubler\qu H\sk\dsoupir + &\zqu J\qqbbl0J{aLa}JL|\doubler\rlap{\trqL0hgh}\trqu{-2}jih\enotes +% mesure 139 +\barre\Notes\qu K\sk\dsoupir&\zq{Nb}\ql K\sk\dsoupir|\zq{gi}\ql k\sk\dsoupir\enotes +\temps\Notes\qu G\sk\dsoupir&\zq{LN}\ql c\sk\dsoupir|\zq{gj}\ql l\sk\dsoupir\enotes +% mesure 140 +\barre% \advance\barsinline by -1\relax +\Notes\qu H\sk\dsoupir&\zq{La}\ql c\sk\dsoupir|\zq{eh}\ql j\sk\dsoupir\enotes +\temps\Notes\pointdurgue K\qup K&\pointdorgue d\zqp{^Ma}\qlp d|\pointdorgue l\zqp{^fh}\qlp k\enotes +\temps\Notes&\zmidtwotext{\ff}|\Uptext{\moyen Maestoso\ \bf(\metron{\cu}{90})}\enotes +%\check +% mesure 141 +\def\motif#1#2#3#4{\doubler{\advance\transpose by 2\relax + \ibl0{#1}0\advance\transpose by-3\relax + \ibu1{#4}0}\zq{#1}\rlap{\qb0{#2}}\buppz1\qh1{#3}\relax + \zq{#2}\rlap{\qb0{#3}}\buppz1\qh1{#4}\relax + \zq{#1}\rlap{\tqb0{#2}}\buppz1\tqh1{#3}}% +\setdoublebar\signaturegenerale{1}\changecontext +\notes\qup G&\qqbbl{-2}b{cba}NM|\motif dgik\enotes +\temps\notes\qup J&\qqbbl1LM{Nba}N|\relax + \rlap{\doubler\zq g\ql j\sk\zq e\cl g}\cpdddu lkji\enotes +% mesure 142 +\barre\notes\qup K&\qqbbl1MN{acb}a|\motif cfhj\enotes +\temps\notes\qup I&\qqbbl{-1}N{aba}NM|\relax + \rlap{\doubler\zq g\ql i\sk\zq d\cl g}\cpdddu kjih\enotes +% mesure 143 % +\barre\notes\qup L&\qqbbl1L{MNa}bN|\motif begi\enotes +\temps\notes\qup H&\qqbbl{-2}c{baN}ML|\relax + \rlap{\doubler\zq e\ql h\sk\zq c\cl e}\cpdddu jihg\enotes +% mesure 144 % +\barre\notes\qup I&\bigaccid\sh K\qqbbl1K{LMa}NM|\bigsh d\motif bdfh\enotes +\temps\notes\qup E&\qqbbl2L{MNa}bc|\relax + \doubler\zq{gi}\ql e\sk\dsoupir\enotes +% mesure 145 +\barre\notes\qup G&\qqbbl{-2}b{cba}NM|\motif dgik\enotes +\temps\notes\qup J&\qqbbl1LM{Nba}N|\relax + \rlap{\doubler\zq g\ql j\sk\zq e\cl g}\cpdddu lkji\enotes +% mesure 146 +\barre\notes\qup K&\qqbbl1MN{acb}a|\motif cfhj\enotes +\temps\notes\qup I&\qqbbl{-1}N{aba}NM|\relax + \rlap{\doubler\zq g\ql i\sk\zq d\cl g}\cpdddu kjih\enotes +% mesure 147 +\barre\notes\qup L&\qqbbl1L{MNa}bN|\motif begi\enotes +\temps\notes\qup H&\qqbbl{-2}c{baN}ML|\relax + \rlap{\doubler\zq e\ql h\sk\zq c\cl e}\cpdddu jihg\enotes +% mesure 148 % +\barre\notes\qup J&\qqbbl1K{LMN}aN|\motif adfh\enotes +\temps\notes\doubler\qup I&\qqbbl1M{LMa}bc|\relax + \rlap{\doubler\zq f\ql h\sk\zq d\cl f}\cpdddu kjih\enotes +% mesure 149 % +\barre\notes\qup L&\qqbbl1L{MNa}bN|\Uptext{\it rit.}\motif begi\enotes +\temps\notes\qup H&\qqbbl{-2}c{baN}ML|\relax + \rlap{\doubler\zq e\ql h\sk\zq c\cl e}\cpdddu jihg\enotes +% mesure 150 % +\barre\notes\qup K&\qqbbl1K{LMa}NM|\Uptext{\it rall. molto}\doubler + \itenl5c\rlap{\pt b\lh d\hlp c}\trqU0fhf\enotes +\temps\NOtes\itenl0G\qup G&\itenl1K\itenu3N\zqp {K}\qlp N|\relax +\itenu2d\rlap{\qsk\tten5\qlp c}\itenu4g\itenu5i\zq d\pt e\zqp g\qup i\enotes +% mesure 151 +\advance\barsinline by -1\relax + \barre\NOtes\tten0\hup G&\tten1\zhp {KN}\hlp +b|\tten2\tten3\tten4\tten5\zhp{dg}\hup i\enotes + \finmorceau +\rightline{\sl\aujourdhui}\vfil\eject +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% diff --git a/macros/generic/musixtex/doc/examples/gloriab.tex b/macros/generic/musixtex/doc/examples/gloriab.tex new file mode 100644 index 0000000000..8813989fc3 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/gloriab.tex @@ -0,0 +1,314 @@ +\input musixtex +\input musixcpt +\input musixsty +\ifx\qh\undefined\let\qh\qb\fi % +\ifx\qhp\undefined\let\qhp\qbp\fi % +\ifx\qhpp\undefined\let\qhpp\qbpp\fi % +\parindent 15mm + % +\title{Gloria} +\fullauthor{M\'elodie~: Guy BOUSSION\\Harmonisation~: Daniel TAUPIN} +\shortauthor{G. Boussion} +\maketitle + +\tracingstats=1\relax + % + +\def\nbinstruments{3} +\setsize3{\tinyvalue} +\setstaffs22\relax +\setclef2{6000}% +\setclef1{6000}% +\setclef3{0000}% + % +\generalsignature{-1}\relax % un bemol a la clef +\generalmeter{\meterfrac{2}{2}} + %\check +\def\instrumenti{P\'edale} +\def\instrumentii{\vbox{\hsize=\parindent\centerline{Orgue$^{\tenbf *}$}\centerline{(manuel)}}} +\def\instrumentiii{}\def\instrumentiv{Chant} + %\check +\elemskip=7pt\relax +\setinterinstrument2{3\Interligne} + % + \footnote{}{\noindent\bf{*} \rm Si, pour une raison ou une autre, il n'est +pas possible de jouer la partie basse au p\'edalier, celle-ci devra \^etre +jou\'ee \`a la main gauche sur un clavier manuel, de pr\'ef\'erence avec un +jeu de 16 pieds. Dans ce cas, on pourra sacrifier la partie manuelle en clef +de Fa. Les indications {\bf I} et {\bf II} indiquent des changements de plan +sonore (ou de clavier) dans le cas o\`u l'on alterne le chant par +l'assembl\'ee (I) et par une chorale (II). +}% + % + %\check +\geometricskipscale +\eightrm +\sepbarrules +\startpiece +\def\respire{\notes&&\cbreath\enotes}% +\znotes&\zmidstaff{\bf \kern -6pt I \ppff(mf)}&\uptext{\kern -9mm\raise 9pt\hbox{\bigfont + Majestueux, sans tra\^\i ner \rm(\metron{\hu}{50})}}\enotes +\hardlyrics{\kern-9pt Gloire }\notes\qp&\qp|\qu c&\hsong\thelyrics\cu c\enotes +\notes &| &\hsong{\`a }\cu c\enotes +\barre +\NOtes\hup F&\hup M|\zhp a\zhp c\hup f&\hsong{Dieu~}\hu f\enotes +\notes &|&\hsong{au~}\cu f\enotes +\hardlyrics{plus~}\notes &|&\hsong\thelyrics\cu f\enotes +\hardlyrics{haut~}\notes \qu J&\qu L|\zq{ce}\qu g&\hsong\thelyrics\cu g\enotes +\notes&&\zsong{des~}\cu g\enotes +\barre +\NOtes\hl M&\hl M|\zh{cf}\hu h&\hsong{cieux~}\qup h\enotes +\notes&&\hsong{et~}\cu h\enotes +\Notes\qu K&\hl b|\zq{df}\qu i&\hsong{paix~}\qu i\enotes +\notes\qu L&|\ibu0h{-3}\rlap{\zq c\ql e}\qh0h&\hsong{sur~}\cu h\enotes +\notes&|\tbu0\qh0g&\hsong{la~}\cu g\enotes +\barre +\Notes\hl M&\wh M|\zh{ac}\hu f&\hsong{ter-~}\qu f\enotes +\notes&&\hsong{re~}\cu f\enotes +\hardlyrics{aux~}\notes&&\hsong\thelyrics\cu f\enotes +\hardlyrics{hom-~}\notes\qu I&|\rlap{\zh b\hl d}\qu g&\hsong\thelyrics\qu g\enotes +\hardlyrics{mes~}\notes\qu G&|\ibu0h3\qh0h&\hsong\thelyrics\cu h\enotes +\notes &|\tbu0\qh0i&\zsong{qu'il~}\cu i\enotes +\barre +\Notes\qu J&\hl N|\rlap{\ql c}\zh e\hu g&\hsong{ai-~}\hu g\enotes +\Notes\qu C&|\ql b&\enotes +\Notes\hu F&\hl M|\zh a\zh c\hu f&\hsong{me. }\hu f\enotes + %\check +\respire\Notes&\cmidstaff{\kern -15pt\bf II \ppff(mf)}\enotes +\barre +\hardlyrics{Nous~}\notes\ql M&\ql a|\rlap{\hl c}\zq f\qu h&\hsong\thelyrics\qu h\enotes +\notes\qu J&\ql N|\zq e\qu g&\hsong{Te~}\cu g\enotes +\hardlyrics{lou-~}\notes&&\hsong\thelyrics\cu g\enotes +\NOtes\hl M&\hl a|\zh{cf}\hu h&\hsong{ons,~}\hu h\enotes + %\check +\barre +\hardlyrics{nous~}\notes\qu K&\ql M|\zq{df}\qu h&\hsong\thelyrics\cu h\enotes +\notes&&\hsong{Te~}\cu h\enotes +\notes\qu L&\ql N|\zq{eg}\qu j&\hsong{b\'e-~}\cu j\enotes +\hardlyrics{nis-~}\notes&&\hsong\thelyrics\cu j\enotes + %\check +\NOTes \hl M&\hl a|\zh{cf}\hu h&\hsong{sons,~}\hu h\enotes +\barre +\hardlyrics{nous~}\notes \qu M&\ql a|\zq{cf}\qu h&\hsong\thelyrics\qu h\enotes + %\check +\Notes\hup J&\hlp N|\rlap{\ql c}\zh e\hu g&\hsong{T'a-~}\hu g\enotes +\Notes&|\hl b&\enotes +\Notes&|\zq c\qu f&\hsong{do-~}\qu f\enotes +\barre +\NOtes \hu F&\hl M|\zh{ac}\hu f&\hsong{rons,~}\hu f\enotes + %\check +\znotes&\cmidstaff{\bf I}\enotes +\respire +\hardlyrics{nous~}\notes\ql M&\ql a|\rlap{\hl c}\istied0c\zq f\qu h&\hsong\thelyrics\cu h\enotes +\notes&&\hsong{Te~}\cu h\enotes + %\check +\hardlyrics{glo-~}\notes\ql J&\ql N|\zq e\qu g&\hsong\thelyrics\cu g\enotes +\notes&&\hsong{ri-~}\cu g\enotes +\barre +\NOTes\hl M&\hl a|\tten0\rlap{\hl c}\zh f\hu h&\hsong{fions,~}\hu h\enotes + %\chec +\hardlyrics{\kern -4pt nous~}\notes\qlp K&\qlp a|\rlap{\hl d}\zqp f\qup h&\hsong\thelyrics\cu h\enotes +\notes&&\hsong{Te~}\cu h\enotes +\hardlyrics{ren-~}\notes&&\hsong\thelyrics\cu h\enotes +\notes\cu I&\cl N|\zq g\cu i&\zsong{dons~}\cu i\enotes +\barre +\NOtes\qup J&\qlp L|\zqp c\zqp e\qup g&\hsong{gr\^a-~}\qu g\enotes +\notes&&\hsong{ces }\cu g\enotes +\hardlyrics{pour~}\notes\cu J&\cl L|\zq e\cu g&\hsong\thelyrics\cu g\enotes +\hardlyrics{Ton~}\notes\ibl0L0\qb0M&\ibl1M3\qb1M|\ibu2h3\zq f\qh2h&\hsong\thelyrics\cu h\enotes +\hardlyrics{im-~}\notes\qb0L&\qb1N|\zq g\qh2i&\hsong\thelyrics\cu i\enotes +\hardlyrics{men-~}\notes\qb0M&\qb1a|\zq h\qh2j&\hsong\thelyrics\cu j\enotes +\notes\tbl0\qb0K&\tbl1\qb1b|\tbu2\zq i\qh2k&\hsong{se~}\cu k\enotes + %\check +\barre +\Notes\qu L&\ql c|\rlap{\zh e\hl g}\qu j&\isluru1k\hsong{gloi-~}\ql j\enotes +\Notes\qu J&\ql L|\qu i&\hsong{--~}\ql i\enotes +\notes\ql M&\ql a|\zq f\qu h&\tslur1j\hsong{re~!~}\ql h\enotes +\rlap{\respire}\notes&\cmidstaff{\bf II}\enotes +\notes\ibl2M3\qb2M&\ibl0a3\qb0a|\ibu1h3\zq{cf}\qh1h&\hsong{\kern -4pt Sei-~}\cu h\enotes +\hardlyrics{gneur~}\notes\tbl2\qb2N&\tbl0\qb0b|\tbu1\zq{dg}\qh1i&\hsong\thelyrics\cu i\enotes +\barre +\hardlyrics{Dieu,~}\notes\ql a&\zql c\roff{\zhup c}|\zq{fh}\qu j&\hsong\thelyrics\qu j\enotes + %\check +\hardlyrics{Roi~}\notes\ibl2M{-3}\qb2M&\ibl0a{-3}\qb0a|\ibu1h{-3}\zq f\qh1h&\hsong\thelyrics\cu h\enotes +\notes\tbl2\qb2L&\tbl0\qb0N|\tbu1\zq e\qh1g&\hsong{du~}\cu g\enotes +\Notes\ql M&\ql a|\zq f\qu h&\hsong{Ciel,~}\qu h\enotes + %\check +\hardlyrics{Dieu~}\notes\ibl2K{-3}\qb2K&\ibl0a{-3}\qb0a|\ibu1h{-3}\zq{df}\qh1h&\hsong\thelyrics\cu h\enotes +\notes\tbl2\qb2J&\tbl0\qb0N|\tbu1\zq{ce}\qh1g&\hsong{le~}\cu g\enotes + %\check +\barre +\notes\ibl2I{-4}\qb2I&\ibl0M{-4}\qb0M|\ibu1h0\rlap{\ql c}\zq +f\qh1h&\hsong{\kern -4pt P\`e-~}\cu h\enotes +\notes\tbl2\qb2G&\tbl0\qb0K|\zq g\qh1i&\hsong{re~}\cu i\enotes +\hardlyrics{\kern -4pt tout-~}\notes\ql J&\ql L|\rlap{\ql e}\qh1g&\hsong\thelyrics\cu g\enotes +\hardlyrics{puis-~}\notes&|\tbu1\zq c\qh1h&\hsong\thelyrics\cu h\enotes +\NOtes\qup F&\hl M|\zqp c\zqp f\qup h&\hsong{sant~!~}\qup h\enotes +\notes&\cmidstaff{\bf I}\enotes +\respire +\hardlyrics{Sei-~}\notes\ds&|\cu h&\hsong\thelyrics\cu h\enotes + %\check +\barre +\hardlyrics{gneur,~}\notes \ql M&\ql a|\rlap{\hl c}\zq f\qu h&\hsong\thelyrics\qu h\enotes +\notes \qu J&\ql L|\zq e\qu g&\hsong{Fils~}\cu g\enotes +\notes&&\hsong{u-~}\cu g\enotes +\notes \qu K&\ql M|\zq {ad}\qu f&\hsong{ni-~}\cu f\enotes +\notes&&\hsong{que~}\cu f\enotes +\notes \qu J&\ql N|\zq{ce}\qu g&\hsong{J\'e-~}\cu g\enotes +\notes&&\hsong{sus~}\cu g\enotes + %\check +\barre +\NOtes \hl M&\hl a|\zh{cf}\hu h&\hsong{Christ,~}\hu h\enotes +\respire +\Notes \ql M&\ql a|\rlap{\hl c}\zq f\qu h&\hsong{Sei-~}\qu h\enotes +\Notes \qu J&\ql N|\zq e\qu g&\zsong{gneur~}\qu g\enotes + %\check +\barre +\NOtes \hl M&\hl a|\zh c\zh f\hu h&\hsong{Dieu,~}\hu h\enotes +\notes\soupir&\soupir|\ds&\ds\enotes +\notes&|\cu h&\hsong{a-~}\cu h\enotes +\hardlyrics{\kern -4pt gneau~}\notes \Ibu0KI1\qh0K&\ql a|\rlap{\zq d\ql f}\ibu1h3\qh1h&\hsong\thelyrics\cu h\enotes +\notes \tbu0\qh0I&|\tbu1\qh1i&\hsong{de~}\cu i\enotes +\barre +\NOtes \qup J&\qlp N|\zqp c\zqp e\qup g&\hsong{Dieu,~}\qup g\enotes +\notes \cu K&\cl a|\zq d\cu f&\hsong{le~}\cu f\enotes +\Notes \hu J&\ql N|\rlap{\zh c\hl e}\qu g&\hsong{Fils~}\qu g\enotes +\Notes&|\qu g&\hsong{du~}\qu g\enotes +\barre +\NOTes \hup F&\hlp a|\rlap{\zhp c\hlp f}\hu h&\isluru1n\hsong{P\`e-~}\hu h\enotes +\Notes&|\qu h&\tslur1m\hsong{re~}\qu h\enotes +\Notes\soupir &\rlap{\soupir}\cmidstaff{\kern -8pt \bf II \ppff(mp)\kern 17pt}|\soupir&\soupir\enotes +\barre +\Notes\qu K&\ql a|\zq d\qu f&\hsong{Toi~}\qu f\enotes +\notes\qu J&\ql N|\rlap{\hl c}\zq e\qu g&\hsong{qui~}\cu g\enotes +\notes&&\hsong{en-~}\cu g\enotes +\notes\ql M&\ql a|\zq f\qu h&\hsong{l\`e-~}\cu h\enotes +\notes&&\hsong{ves~}\cu h\enotes +\notes\ql K&\ql b|\zq d\zq f\qu i&\hsong{le~}\cl i\enotes +\notes&&\hsong{p\'e-~}\cl i\enotes +\barre +\notes\hup J&\ibl0M3\qb0M|\istied0c\rlap{\hl c}\ibu1h{-3}\zq f\qh1h&\hsong{ch\'e~}\cu h\enotes +\notes&\tbl0\qb0N|\tbu1\zq e\qh1g&\hsong{du~}\cu g\enotes +\hardlyrics{mon-~}\notes&\ql M|\zq f\qu h&\hsong\thelyrics\qu h\enotes +\Notes&\ql L|\tten0\zq{ce}\qu g&\hsong{de,~}\qu g\enotes +\Notes\soupir&\soupir|\soupir&\soupir\enotes +\barre +\NOtes\qup K&\qlp a|\zqp d\qup f&\hsong{prends~}\qup f\enotes +\notes\cu G&\cl N|\zq{bd}\cu g&\hsong{pi-~}\cu g\enotes +\NOtes\hu J&\hl N|\itenu0c\rlap{\hl c}\zq e\qup g&\hsong{ti\'e~}\qup g\enotes +\notes&|\zq b\cu f&\hsong{de~}\cu f\enotes +\barre +\NOTes\hup F&\hlp M|\tten0\zhp a\zhp c\hup f&\hsong{nous~!~}\hup f\enotes +\Notes\soupir&\zmidstaff{\bf\kern -20pt I \ppff(mp)}\soupir|\soupir&\soupir\enotes + %\check +\barre +\Notes\qu K&\ql a|\zq d\qu f&\hsong{Toi~}\qu f\enotes +\notes\qu J&\ql N|\rlap{\hl c}\zq e\qu g&\hsong{qui~}\cu g\enotes +\notes&&\hsong{en-~}\cu g\enotes +\notes\ql M&\ql a|\zq f\qu h&\hsong{l\`e-~}\cu h\enotes +\notes&&\hsong{ves~}\cu h\enotes +\notes\ql K&\ql b|\zq d\zq f\qu i&\hsong{le~}\cl i\enotes +\notes&&\hsong{p\'e-~}\cl i\enotes +\barre +\notes\hup J&\ibl0M3\qb0M|\istied0c\rlap{\hl c}\ibu1h{-3}\zq f\qh1h&\hsong{ch\'e~}\cu h\enotes +\notes&\tbl0\qb0N|\tbu1\zq e\qh1g&\hsong{du~}\cu g\enotes +\Notes&\ql M|\zq f\qu h&\hsong{mon-~}\qu h\enotes +\Notes&\ql L|\tten0\zq{ce}\qu g&\hsong{de,~}\qu g\enotes +\notes\soupir&\soupir|\ds&\ds\enotes +\notes&|\cu h&\hsong{en-~}\cu h\enotes +\barre +\hardlyrics{tends~}\notes\qu K&\ql a|\zq d\qu f&\hsong\thelyrics\cu f\enotes +\notes&&\hsong{no-~}\cu f\enotes +\notes\qu J&\ql N|\rlap{\hlp c}\zq e\qu g&\hsong{tre~}\cu g\enotes +\hardlyrics{pri-~}\notes&&\hsong\thelyrics\cu g\enotes +\Notes\ql M&\ql M|\zq f\qu h&\hsong{\`e-~}\qu h\enotes +\Notes\qu J&\ql L|\zq e\qu g&\hsong{re~! }\qu g\enotes +\rlap{\respire}\notes&\cmidstaff{\bf II}\enotes +\barre +\NOTEs \hu L&\istied0c\wh c|\zh{eg}\hu j&\hsong{Toi~}\hu j\enotes +\Notes \ql M&|\rlap{\hl f}\zq h\qu j&\hsong{qui~}\qu j\enotes +\notes \qu I&|\zq i\qu k&\hsong{es~}\cu k\enotes +\notes&&\hsong{as-~}\cu k\enotes +\barre +\Notes \qu H&\tten0\hl c|\zq f\zq h\qu j&\hsong{sis~}\ql j\enotes +\notes \ibu1G{-3}\qh1G&|\zq g\ibu0i{-3}\qh0i&\hsong{\`a~}\cl i\enotes +\notes \tbu1\qh1F&|\zq f\tbu0\qh0h&\hsong{la~}\cl h\enotes +\Notes \qu J&\ql L|\zq c\zq e\qu g&\hsong{droi-~}\qu g\enotes +\notes \ibl1K3\qb1K&\ibl2M3\qb2M|\zq d\ibu0f3\qh0f&\hsong{te~}\cu f\enotes +\notes \tbl1\qb1L&\tbl2\qb2N|\zq e\tbu0\qh0g&\hsong{du~}\cu g\enotes +\barre +\NOTes \hl M&\hl a|\rlap{\hlp c}\zh f\hu h&\isluru1n\hsong{P\`e-~}\hu h\enotes +\Notes \qu J&\ql N|\zq e\qu g&\tslur1m\hsong{re~}\qu g\enotes +\Notes\soupir&\soupir|\soupir&\soupir\enotes + %\check + %\check +\barre +\NOtes \hu K&\hl a|\rlap{\zh d\hl f}\qup h&\hsong{prends~}\qup h\enotes +\notes&|\cu h&\hsong{pi-~}\cu h\enotes +\NOtes \hu G&\hl N|\rlap{\zh b\hl d}\qup g&\hsong{ti\'e~}\qup g\enotes +\notes&|\cu h&\hsong{de~}\cu h\enotes + %\check +\barre +\NOTes \hu H&\hl a|\zh{^ce}\hu h&\hsong{nous~!~}\hu h\enotes +\notes&\zmidstaff{\kern -12pt\bf I \ppff(f)}|\soupir + &\Uptext{\bigfont plus anim\'e}\soupir\enotes +\notes\hpause&\hpause|\qu{=c}&\hsong{\kern -4pt Car~}\cu c\enotes +\notes&&\hsong{Toi~}\cu c\enotes + %\check +\barre +\Notes\qu K&\ql M|\zq{ad}\qu f&\hsong{seul~}\qu f\enotes +\Notes\qu J&\ql N|\zq{ce}\qu g&\hsong{es~}\qu g\enotes +\Notes\hu F&\hl M|\zqp c\zqp f\qup h&\zsong{saint~!~}\qup h\enotes +\notes&|\qs&\qs\enotes +\notes&|\zq{cf}\ccu h&\zsong{Toi~}\ccu h\enotes +\barre +\Notes\qu F&\ql M|\zq {cf}\qu h&\hsong{seul~}\qu h\enotes +\notes\Ibu0CF1\qhp0C&\ibl1L3\qbp1L|\zql c\Ibu2gh1\zqp e\qhp2g&\hsong{es~}\cup g\enotes +\hardlyrics{Sei-~}\notes\tbbu0\tbu0\qh0 F&\tbbl1\tbl1\qb1M|\zq {f}\tbbu2\tbu2\qh2h&\hsong\thelyrics\ccu h\enotes +\NOtes\qup F&\qlp M|\zqp c\zqp f\qup h&\hsong{gneur~!~}\qup h\enotes +\notes&\cmidstaff{\bf II \ppff(f)\kern 12pt}\enotes +\respire +\notes\ds&\cl M|\zq {cf}\cu h&\hsong{Toi~}\cu h\enotes + %\check +\barre +\notes\ibu0M0\qh0M&\ibl2a0\qb2a|\ibu1h0\rlap{\hl c}\zq f\qh1h&\hsong{\kern + -4pt seul~}\cu h\enotes +\notes\qh0J&\qb2N|\zq e\qh1g&\hsong{es~}\cu g\enotes +\notes\qh0M&\qb2a|\zq f\qh1h&\hsong{le~}\cu h\enotes +\hardlyrics{Tr\`es-~}\notes\tbu0\qh0N&\tbl2\qb2b|\zq g\tbu1\qh1i&\hsong\thelyrics\cu i\enotes +\hardlyrics{haut,~}\notes\ql a&\ql c|\zq {fh}\qu j&\hsong\thelyrics\ql j\enotes +\notes\ibl0a{-3}\qb0a&\ibl2c{-3}\qb2c|\zq {h}\ibl1j{-3}\qb1j&\hsong{J\'e-~}\cl j\enotes +\notes\tbl0\qb0N&\tbl2\qb2b|\zq g\tbl1\qb1i&\zsong{sus-~}\cl i\enotes + %\check +\barre +\NOtes\hl M&\hl a|\zhl f\zq h\qup j&\hsong{Christ,~}\qlp j\enotes +\notes&|\cu h&\hsong{a-}\cu h\enotes +\notes \qu K&\ql M|\zq{ad}\qu f&\hsong{vec~}\cu f\enotes +\notes&&\hsong{le~}\cu f\enotes +\hardlyrics{\kern -4pt Saint-~}\notes \qu J&\ql N|\zq{ce}\qu g&\hsong\thelyrics\cu g\enotes +\notes&&\hsong{Es-~}\cu g\enotes + %\check +\barre +\NOtes \hl M&\hl a|\zh{cf}\hu h&\hsong{prit~! }\hu h\enotes +\notes&\cmidstaff{\bf I}\enotes +\Notes\qu K&\ql M|\zq{ad}\qu f&\hsong{dans~}\qu f\enotes +\notes\qu J&\ql N|\zq{ce}\qu g&\hsong{la~}\qu g\enotes +\barre +\Notes\qup F&\qlp a|\rlap{\hl c}\zqp f\qu h&\hsong{gloi-~}\qu h\enotes +\notes&|&\hsong{re~}\cu h\enotes +\notes\cu C&\cl N|\zq e\cu g&\hsong{de~}\cu g\enotes +\Notes\qu F&\ql M|\zq{cf}\qu h&\hsong{Dieu~}\qu h\enotes +\Notes\qu I&\ql b|\zq{df}\qu i&\hsong{le~}\qu i\enotes +\barre +\Notes\qu J\qu C&\hl N|\rlap{\ql c}\zh e\hu g\ql b&\isluru1m\hsong{P\`e-~}\hu g\enotes +\NOtes\hu F&\hl M|\zh{ac}\hu f&\tslur1l\hsong{re. }\hu f\enotes +\rlap{\respire}\Notes&\cmidstaff{\kern -12pt\ppff $<$ ff}\enotes +\barre +\Notes\qu J\qu I\qu H\qu G&\wh L|\zw c\zw e\wh g&\islurd1e\zsong{A - - - - - }\wh g\enotes\barre +\NOtes\zhp F\hup M&\hlp a|\zhp c\zhp f\hup h&\tslur1f\hsong{men~!~}\hup h\enotes +\notes\soupir&\soupir|\soupir&\soupir\enotes +\mulooseness 2 +\Stoppiece +\medskip\rightline{\it le \aujourdhui} +\eject +\bye diff --git a/macros/generic/musixtex/doc/examples/glorias.tex b/macros/generic/musixtex/doc/examples/glorias.tex new file mode 100644 index 0000000000..351730c676 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/glorias.tex @@ -0,0 +1,286 @@ +\input musixtex +\input musixcpt +\input musixsty +% +\parindent 15mm +% +\title{Gloria} +\fullauthor{M\'elodie~: Guy BOUSSION} +\shortauthor{G. Boussion} +\maketitle +\tracingstats=1\relax +% +\bigskip +\def\nbinstruments{1} +\setstaffs11 +% +\generalsignature{-1}\relax % un bemol a la clef +\generalmeter{\meterfrac{2}{2}} +%\check +% +\geometricskipscale +\staffbotmarg=5\Interligne\stafftopmarg=1.5\Interligne +\startpiece +\setsongraise1{2\Interligne}% +\def\respire{\notes\cbreath\enotes}% +\znotes\uptext{\kern -9mm\raise 9pt\hbox{\bigfont + Majestueux, sans tra\^\i ner \rm(\metron{\hu}{50})}}\enotes +% +\hardlyrics {\kern-5pt Gloire }\notes\hsong{\thelyrics }\cu c\enotes +\notes\hsong{\`a }\cu c\enotes +\barre +\NOTes\hsong{Dieu~}\hu f\enotes +\notes\hsong{au}\cu f\enotes +\hardlyrics{plus~}\notes\hsong{\thelyrics }\cu f\enotes +\hardlyrics{haut~}\notes\hsong{\thelyrics }\cu g\enotes +\notes\hsong{des}\cu g\enotes +\barre +\NOtes\hsong{cieux~}\qup h\enotes +\notes\hsong{et~}\cu h\enotes +\hardlyrics{paix~}\notes\hsong{\thelyrics }\qu i\enotes +\hardlyrics{sur~}\notes\hsong{\thelyrics }\cu h\enotes +\notes\hsong{la~}\cu g\enotes +\barre +\Notes\hsong{ter-}\qu f\enotes +\notes\hsong{re~}\cu f\enotes +\hardlyrics{aux~}\notes\hsong{\thelyrics}\cu f\enotes +\hardlyrics{hom- }\notes\hsong{\thelyrics}\qu g\enotes +\hardlyrics{mes~}\notes\hsong{\thelyrics }\cu h\enotes +\hardlyrics{qu'il~}\notes\hsong{\thelyrics }\cu i\enotes +\barre +\Notes\hsong{ai-}\hu g\enotes +\Notes\hsong{}\enotes +\Notes\hsong{me.}\hu f\enotes +%\check +\respire\Notes\uptext{\bf II }\enotes +\barre +\hardlyrics{Nous~}\notes\hsong{\thelyrics}\qu h\enotes +\notes\hsong{Te~}\cu g\enotes +\notes\hsong{lou-}\cu g\enotes +\NOtes\hsong{ons,}\hu h\enotes +%\check +\barre +\hardlyrics{nous~}\notes\hsong{\thelyrics }\cu h\enotes +\notes\hsong{Te~}\cu h\enotes +\notes\hsong{b\'e-}\cu j\enotes +\notes\hsong{nis-}\cu j\enotes +%\check +\NOTes\hsong{sons,}\hu h\enotes +\barre +\Notes\hsong{nous~}\qu h\enotes +%\check +\Notes\hsong{t'a-}\hu g\enotes +\Notes\enotes +\Notes\hsong{do-}\qu f\enotes +\barre +\NOtes\hsong{rons,~}\hu f\enotes +%\check +\respire\notes\uptext{\bf I}\enotes +\hardlyrics{nous~}\notes\hsong{\thelyrics }\cu h\enotes +\notes\hsong{Te~}\cu h\enotes +%\check +\notes\hsong{glo-}\cu g\enotes +\notes\hsong{ri-}\cu g\enotes +\barre +\NOTEs\hsong{fions,~}\hu h\enotes +%\chec +\hardlyrics{\kern -4pt nous~}\notes\hsong\thelyrics\cu h\enotes +\notes\hsong{Te~}\cu h\enotes +\notes\hsong{ren-}\cu h\enotes +\notes\zsong{dons~}\cu i\enotes +\barre +\NOtes\hsong{gr\^a~-}\qu g\enotes +\notes\hsong{ces~}\cu g\enotes +\hardlyrics{pour~}\notes\hsong\thelyrics\cu g\enotes +\hardlyrics{Ton~}\notes\hsong\thelyrics\cu h\enotes +\notes\hsong{im-}\cu i\enotes +\hardlyrics{men-}\notes\hsong\thelyrics\cu j\enotes +\notes\zsong{se~}\cu k\enotes +%\check +\barre +\Notes\hsong{gloi-}\ql j\enotes +\Notes\hsong{-}\ql i\enotes +\Notes\hsong{re~!}\qu h\enotes +\respire\notes\uptext{\bf II}\enotes +\notes\hsong{Sei-}\cu h\enotes +\notes\zsong{gneur~}\thelyrics\cu i\enotes +\barre +\hardlyrics{Dieu,~}\notes\hsong\thelyrics\qu j\enotes +%\check +\notes\hsong{Roi~}\cu h\enotes +\notes\hsong{du~}\cu g\enotes +\Notes\hsong{Ciel,~}\qu h\enotes +%\check +\hardlyrics{Dieu~}\notes\hsong\thelyrics\cu h\enotes +\notes\zsong{le~}\cu g\enotes +%\check +\barre +\notes\hsong{P\`e-~}\itied1h\cu h\enotes +\notes\hsong{re~}\ttie1\cu i\enotes +\hardlyrics{tout-}\notes\hsong\thelyrics\cu g\enotes +\hardlyrics{puis-}\notes\hsong\thelyrics\cu h\enotes +\Notes\hsong{sant~!}\qup h\enotes +\respire\notes\uptext{\bf I}\enotes +\notes\zsong{Sei-}\cu h\enotes +%\check +\barre +\hardlyrics{gneur,~}\notes\hsong\thelyrics\qu h\enotes +\hardlyrics{Fils~}\notes\hsong\thelyrics\cu g\enotes +\notes\hsong{u-}\cu g\enotes +\notes\hsong{ni-}\cu f\enotes +\hardlyrics{que~}\notes\hsong\thelyrics\cu f\enotes +\notes\hsong{J\'e-}\cu g\enotes +\notes\zsong{sus~}\cu g\enotes +%\check +\barre +\NOtes\hsong{Christ,}\hu h\enotes +\respire +\Notes\hsong{Sei-}\qu h\enotes +\Notes\zsong{gneur}\qu g\enotes +%\check +\barre +\NOtes\hsong{Dieu,}\hu h\enotes +\notes\hsong{}\ds\enotes +\notes\hsong{a-}\cu h\enotes +\hardlyrics{\kern -4pt gneau~}\notes\hsong\thelyrics\cu h\enotes +\notes\zsong{de~}\cu i\enotes +\barre +\NOtes\hsong{Dieu,}\qup g\enotes +\notes\hsong{le~}\cu f\enotes +\Notes\hsong{Fils~}\qu g\enotes +\Notes\zsong{du~}\qu g\enotes +\barre +\NOTes\hsong{P\`e-}\hu h\enotes +\Notes\hsong{re~}\qu h\enotes +\Notes\hsong{}\rlap{\uptext{\bf II }}\soupir\enotes +\barre +\Notes\hsong{Toi~}\qu f\enotes +\notes\hsong{qui~}\cu g\enotes +\notes\hsong{en-}\cu g\enotes +\notes\hsong{l\`e-}\cu h\enotes +\notes\hsong{ves~}\cu h\enotes +\notes\hsong{le~}\cl i\enotes +\notes\zsong{p\'e-}\cl i\enotes +\barre +\notes\hsong{ch\'e~}\cu h\enotes +\notes\hsong{du~}\cu g\enotes +\Notes\hsong{mon-}\qu h\enotes +\NOtes\hsong{de,}\qu g\enotes +\Notes\hsong{}\soupir\enotes +\barre +\NOtes\hsong{prends~}\qup f\enotes +\notes\hsong{pi-}\cu g\enotes +\NOtes\hsong{ti\'e~}\qup g\enotes +\notes\zsong{de~}\cu f\enotes +\barre +\NOTes\hsong{nous~!}\hup f\uptext{\bf I}\enotes +\Notes\hsong{}\soupir\enotes +%\check +\barre +\Notes\hsong{Toi~}\qu f\enotes +\notes\hsong{qui~}\cu g\enotes +\notes\hsong{en-}\cu g\enotes +\notes\hsong{l\`e-}\cu h\enotes +\notes\hsong{ves~}\cu h\enotes +\notes\hsong{le~}\cl i\enotes +\notes\zsong{p\'e-}\cl i\enotes +\barre +\notes\hsong{ch\'e~}\cu h\enotes +\notes\hsong{du~}\cu g\enotes +\Notes\hsong{mon-}\qu h\enotes +\NOtes\hsong{de,}\qu g\enotes +\notes\hsong{}\ds\enotes +\notes\zsong{en-}\cu h\enotes +\barre +\hardlyrics{tends~}\notes\hsong\thelyrics\cu f\enotes +\notes\hsong{no-}\cu f\enotes +\notes\hsong{tre~}\cu g\enotes +\notes\hsong{pri-}\cu g\enotes +\Notes\hsong{\`e-}\qu h\enotes +\Notes\hsong{re~!}\qu g\enotes +\respire\notes\uptext{\bf II}\enotes +\barre +\NOTEs\hsong{Toi~}\hu j\enotes +\Notes\hsong{qui~}\qu j\enotes +\notes\hsong{es~}\cu k\enotes +\notes\zsong{as-}\cu k\enotes +\barre +\Notes\hsong{sis~}\ql j\enotes +\notes\hsong{ \`a~}\cl i\enotes +\notes\hsong{la~}\cl h\enotes +\Notes\hsong{droi-}\qu g\enotes +\notes\hsong{te~}\cu f\enotes +\notes\zsong{du~}\cu g\enotes +\barre +\NOTes\hsong{P\`e-}\hu h\enotes +\Notes\hsong{re~}\qu g\enotes +\Notes\hsong{}\soupir\enotes +%\check +%\check +\barre +\NOtes\hsong{prends~}\qup h\enotes +\notes\hsong{pi-}\cu h\enotes +\NOtes\hsong{ti\'e~}\qup g\enotes +\notes\zsong{de~}\cu h\enotes +%\check +\barre +\NOTes\hsong{nous~!}\hu h\uptext{\bf I }\enotes +\notes\rlap{\uptext{\raise 9pt\hbox{\bigfont\ + plus anim\'e\kern 5pt}}}\soupir\enotes +\hardlyrics{Car~}\notes\hsong\thelyrics\cu c\enotes +\notes\zsong{Toi~}\cu c\enotes +%\check +\barre +\Notes\hsong{seul~}\qu f\enotes +\Notes\hsong{es~}\qu g\enotes +\Notes\zsong{saint~!}\qup h\enotes +\notes\zsong{\sk Toi~}\qs\ccu h\enotes +\barre +\Notes\hsong{seul~}\qu h\enotes +\notes\hsong{es~}\cup g\enotes +\notes\hsong{Sei-}\ccu h\enotes +\NOtes\hsong{gneur~!}\qup h\enotes +\respire\notes\uptext{\bf II }\enotes +\notes\zsong{Toi~}\cu h\enotes +%\check +\barre +\notes\hsong{\kern -4pt seul~}\cu h\enotes +\notes\hsong{es~}\cu g\enotes +\notes\hsong{le~}\cu h\enotes +\hardlyrics{Tr\`es-}\notes\hsong\thelyrics\cu i\enotes +\Notes\hsong{haut,}\ql j\enotes +\notes\hsong{J\'e-}\cl j\enotes +\notes\zsong{sus-}\cl i\enotes +%\check +\barre +\NOtes\hsong{Christ,}\qlp j\enotes +\notes\hsong{a-}\cu h\enotes +\notes\hsong{vec~}\cu f\enotes +\notes\hsong{le~}\cu f\enotes +\hardlyrics{\kern -4pt Saint-}\notes\hsong\thelyrics\cu g\enotes +\notes\zsong{Es-}\cu g\enotes +%\check +\barre +\NOtes\hsong{prit~!}\hu h\enotes +\notes\uptext{\bf I}\enotes +\Notes\hsong{dans~}\qu f\enotes +\notes\zsong{la~}\qu g\enotes +\barre +\Notes\hsong{gloi-}\qu h\enotes +\notes\hsong{re~}\cu h\enotes +\notes\hsong{de~}\cu g\enotes +\Notes\hsong{Dieu~}\qu h\enotes +\Notes\zsong{le~}\qu i\enotes +\barre +\Notes\hsong{P\`e-}\hu g\enotes +\NOtes\zsong{re.}\hu f\enotes +\respire +\barre +\Notes\zsong{A - - - - - }\wh g\enotes +\barre +\NOtes\hsong{men~!}\hup h\enotes +\notes\hsong{}\soupir\enotes +\mulooseness 4% +\Stoppiece +\medskip\rightline{\it le \aujourdhui\ \ \ \ } +\bye diff --git a/macros/generic/musixtex/doc/examples/gloriax.tex b/macros/generic/musixtex/doc/examples/gloriax.tex new file mode 100644 index 0000000000..509b8dea32 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/gloriax.tex @@ -0,0 +1,283 @@ +\input musixtex +\input musixcpt +\input musixsty +\sepbarrules +\def\tempz{\temps}% +% +\vsize=28.2cm +\hsize=18.5cm +\parindent 15mm +% +\vbox{% +\centerline{\enorme Gloria} +\medskip +\rightline{\cmbx M\'elodie~: Guy BOUSSION} +}% +\tracingstats=1\relax +% +\bigskip +\def\nbinstruments{2} +\global\nbporteesi=0 +% +\signaturegenerale{-1}\relax % un bemol a la clef +\generalmeter{\meterfrac{2}{2}} +%\check +%\check + +% +\def\eightpoint{\Tenpoint}% +% +%\check +\catcode`\@=11 +\newdimen\lyricskip +\def\varskip#1{% + \setbox\ch@box\hbox{#1}\global\lyricskip\wd\ch@box} +\catcode`\@=12 + +\normal\elemskip=15pt +\def\gluemaxskip{6pt}% +\staffbotmarg=1.5\Interligne\stafftopmarg=1.5\Interligne +\debutmorceau +% +\def\respire{\notes&\cbreath\enotes}% +\temps\znotes&\uptext{\kern -9mm\raise 9pt\hbox{\moyen + Majestueux, sans tra\^\i ner \rm(\metron{\hu}{50})}}\enotes +% +\def\Varnotes#1\enotes{\vnotes0.05\elemskip &\enotes +% \varskip{#1}\vnotes0.05\elemskip\rlap{#1}&\rlap{#2}\enotes + \varskip{#1}\znotes\rlap{#1}&\rlap{#2}\enotes + \hardspace{\lyricskip}% + \vnotes0.05\elemskip &\enotes +}% +% +\def\VarNotes#1\enotes{\vnotes0.05\elemskip &\enotes + \varskip{#1}\vnotes1\elemskip\rlap{#1}&\rlap{#2}\enotes + \hardspace{\lyricskip}% + \vnotes0.05\elemskip &\enotes +}% +% +\def\VarNOtes#1\enotes{\vnotes0.05\elemskip &\enotes + \varskip{#1}\vnotes2\elemskip\rlap{#1}&\rlap{#2}\enotes + \hardspace{\lyricskip}% + \vnotes0.05\elemskip &\enotes +}% +\temps\Varnotes \kern-5pt Gloire &\cu c\enotes +\temps\Varnotes \`a &\cu c\enotes +\barre\NOTes Dieu~&\hu f\enotes +\tempz\Varnotes au&\cu f\enotes +\temps\Varnotes plus~&\cu f\enotes +\temps\Varnotes haut~&\cu g\enotes +\temps\Varnotes des &\cu g\enotes +\barre\VarNOtes cieux~&\qup h\enotes +\temps\Varnotes et~&\cu h\enotes +\tempz\VarNotes paix~&\qu i\enotes +\temps\Varnotes sur~&\cu h\enotes +\temps\Varnotes la~&\cu g\enotes +\barre\VarNotes ter-&\qu f\enotes +\temps\Varnotes re~&\cu f\enotes +\temps\Varnotes aux~&\cu f\enotes +\tempz\VarNotes hom~-&\qu g\enotes +\temps\Varnotes mes~&\cu h\enotes +\temps\Varnotes qu'il~&\cu i\enotes +\alaligne\VarNotes ai-&\hu g\enotes +\temps\VarNotes &\enotes +\tempz\VarNotes me.&\hu f\enotes +%\check +\temps\respire\VarNotes&\uptext{\bf II }\enotes +\barre\VarNotes Nous~&\qu h\enotes +\temps\Varnotes Te~&\cu g\enotes +\temps\Varnotes lou-&\cu g\enotes +\tempz\VarNOtes ons,&\hu h\enotes +%\check +\barre\Varnotes nous~&\cu h\enotes +\temps\Varnotes Te~&\cu h\enotes +\temps\Varnotes b\'e-&\cu j\enotes +\temps\Varnotes nis-&\cu j\enotes +%\check +\tempz\NOTes sons,&\hu h\enotes +\barre\VarNotes nous~&\qu h\enotes +%\check +\temps\VarNotes t'a-&\hu g\enotes +\tempz\VarNotes&\enotes +\temps\VarNotes do-&\qu f\enotes +\alaligne\VarNOtes rons,~&\hu f\enotes +%\check +\temps\respire\Varnotes&\uptext{\bf I}\enotes +\tempz\Varnotes nous~&\cu h\enotes +\temps\Varnotes Te~&\cu h\enotes +%\check +\temps\Varnotes glo-&\cu g\enotes +\temps\Varnotes ri-&\cu g\enotes +\barre\NOTEs fions,~&\hu h\enotes +%\chec +\tempz\Varnotes \kern -4pt nous~&\cu h\enotes +\temps\Varnotes Te~&\cu h\enotes +\temps\Varnotes ren-&\cu h\enotes +\temps\Varnotes dons~&\cu i\enotes +\barre\VarNOtes gr\^a~-&\qu g\enotes +\temps\Varnotes ces&\cu g\enotes +\temps\Varnotes pour&\cu g\enotes +\tempz\Varnotes Ton~&\cu h\enotes +\temps\Varnotes im-&\cu i\enotes +\temps\Varnotes men&\cu j\enotes +\temps\Varnotes se~&\cu k\enotes +%\check +\alaligne\VarNotes gloi-&\ql j\enotes +\temps\VarNotes -&\ql i\enotes +\temps\VarNotes re~!&\qu h\enotes +\temps\respire\Varnotes&\uptext{\bf II}\enotes +\temps\Varnotes Sei-&\cu h\enotes +\temps\Varnotes gneur~&\cu i\enotes +\barre\VarNotes Dieu,~&\qu j\enotes +%\check +\temps\Varnotes Roi~&\cu h\enotes +\temps\Varnotes du~&\cu g\enotes +\tempz\VarNotes Ciel,~&\qu h\enotes +%\check +\temps\Varnotes Dieu~&\cu h\enotes +\temps\Varnotes le~&\cu g\enotes +%\check +\barre\Varnotes P\`e-~&\cu h\enotes +\temps\Varnotes re~&\cu i\enotes +\temps\Varnotes tout-&\cu g\enotes +\temps\Varnotes puis-&\cu h\enotes +\tempz\VarNOtes sant~!&\qup h\enotes +\temps\respire\Varnotes&\uptext{\bf I}\enotes +\temps\Varnotes Sei-&\cu h\enotes +%\check +\barre\VarNotes gneur,~&\qu h\enotes +\temps\Varnotes Fils~&\cu g\enotes +\temps\Varnotes u-&\cu g\enotes +\tempz\Varnotes ni-&\cu f\enotes +\temps\Varnotes que-&\cu f\enotes +\temps\Varnotes J\'e-&\cu g\enotes +\temps\Varnotes sus~&\cu g\enotes +%\check +\barre\VarNOtes Christ,&\hu h\enotes +\temps\respire +\tempz\VarNotes Sei-&\qu h\enotes +\temps\VarNotes gneur&\qu g\enotes +%\check +\barre\VarNOtes Dieu,&\hu h\enotes +\tempz\notes &\ds\enotes +\temps\Varnotes a-&\cu h\enotes +\temps\Varnotes \kern -4pt gneau~&\cu h\enotes +\temps\Varnotes de~&\cu i\enotes +\alaligne +\temps\VarNOtes Dieu,&\qup g\enotes +\temps\Varnotes le~&\cu f\enotes +\tempz\VarNotes Fils~&\qu g\enotes +\temps\VarNotes du~&\qu g\enotes +\barre\NOTes P\`e-&\hu h\enotes +\tempz\VarNotes re~&\qu h\enotes +\temps\Notes &\rlap{\uptext{\bf II }}\soupir\enotes +\barre\VarNotes Toi~&\qu f\enotes +\temps\Varnotes qui~&\cu g\enotes +\temps\Varnotes en-&\cu g\enotes +\tempz\Varnotes l\`e-&\cu h\enotes +\temps\Varnotes ves~&\cu h\enotes +\temps\Varnotes le~&\cl i\enotes +\temps\Varnotes p\'e-&\cl i\enotes +\barre\Varnotes ch\'e~&\cu h\enotes +\temps\Varnotes du~&\cu g\enotes +\temps\VarNotes mon-&\qu h\enotes +\tempz\VarNOtes de,&\qu g\enotes +\temps\Notes &\soupir\enotes +\alaligne\VarNOtes prends~&\qup f\enotes +\temps\Varnotes pi-&\cu g\enotes +\tempz\VarNOtes ti\'e~&\qup g\enotes +\temps\Varnotes de~&\cu f\enotes +\barre\NOTes nous~!&\hup f\uptext{\bf I}\enotes +\temps\Notes &\soupir\enotes +%\check +\barre\VarNotes Toi~&\qu f\enotes +\temps\Varnotes qui~&\cu g\enotes +\temps\Varnotes en-&\cu g\enotes +\tempz\Varnotes l\`e-&\cu h\enotes +\temps\Varnotes ves~&\cu h\enotes +\temps\Varnotes le~&\cl i\enotes +\temps\Varnotes p\'e-&\cl i\enotes +\barre\Varnotes ch\'e~&\cu h\enotes +\temps\Varnotes du~&\cu g\enotes +\temps\VarNotes mon-&\qu h\enotes +\tempz\VarNOtes de,&\qu g\enotes +\temps\notes &\ds\enotes +\temps\Varnotes en-&\cu h\enotes +\barre\Varnotes tends~&\cu f\enotes +\temps\Varnotes no-&\cu f\enotes +\temps\Varnotes tre~&\cu g\enotes +\temps\Varnotes pri-&\cu g\enotes +\tempz\VarNotes \`e-&\qu h\enotes +\temps\VarNotes re~!&\qu g\enotes +\temps\respire\Varnotes&\uptext{\bf II}\enotes +\barre\NOTEs Toi~&\hu j\enotes +\tempz\VarNotes qui~&\qu j\enotes +\tempz\Varnotes es~&\cu k\enotes +\tempz\Varnotes as-&\cu k\enotes +\barre\VarNotes sis~&\ql j\enotes +\temps\Varnotes \`a~&\cl i\enotes +\temps\Varnotes la~&\cl h\enotes +\tempz\VarNotes droi-&\qu g\enotes +\tempz\Varnotes te~&\cu f\enotes +\temps\Varnotes du~&\cu g\enotes +\alaligne\NOTes P\`e-&\hu h\enotes +\tempz\VarNotes re~&\qu g\enotes +\temps\Notes &\soupir\enotes +%\check +%\check +\barre\VarNOtes prends~&\qup h\enotes +\temps\Varnotes pi-&\cu h\enotes +\tempz\VarNOtes ti\'e~&\qup g\enotes +\temps\Varnotes de~&\cu h\enotes +%\check +\barre\NOTes nous~!&\hu h\uptext{\bf I }\enotes +\tempz\notes&\rlap{\uptext{\raise 8pt\hbox{\moyen plus anim\'e\kern 5pt}}}\soupir\enotes +\temps\Varnotes Car~&\cu c\enotes +\temps\Varnotes Toi~&\cu c\enotes +%\check +\barre\VarNotes seul~&\qu f\enotes +\temps\VarNotes es~&\qu g\enotes +\tempz\VarNotes saint~!&\qup h\enotes +\temps\notes \sk&\qsoupir\enotes +\temps\Varnotes Toi~&\ccu h\enotes +\alaligne\VarNotes seul~&\qu h\enotes +\temps\Varnotes es~&\cup g\enotes +\temps\Varnotes Sei-&\ccu h\enotes +\tempz\VarNOtes gneur~!&\qup h\enotes +\temps\respire\Varnotes&\uptext{\bf II }\enotes +\temps\Varnotes Toi~&\cu h\enotes +%\check +\barre\Varnotes seul~&\cu h\enotes +\temps\Varnotes es~&\cu g\enotes +\temps\Varnotes le~&\cu h\enotes +\temps\Varnotes Tr\`es-&\cu i\enotes +\tempz\VarNotes haut,&\ql j\enotes +\temps\Varnotes J\'e-&\cl j\enotes +\temps\Varnotes sus-&\cl i\enotes +%\check +\barre\VarNOtes Christ,&\qlp j\enotes +\temps\Varnotes a-&\cu h\enotes +\tempz\Varnotes vec~&\cu f\enotes +\temps\Varnotes le~&\cu f\enotes +\temps\Varnotes \kern -4pt Saint-&\cu g\enotes +\temps\Varnotes Es-&\cu g\enotes +%\check +\barre\VarNOtes prit~!&\hu h\enotes +\tempz\Varnotes&\uptext{\bf I}\enotes +\temps\VarNotes dans~&\qu f\enotes +\temps\Varnotes la~&\qu g\enotes +\barre\VarNotes gloi-&\qu h\enotes +\temps\Varnotes re~&\cu h\enotes +\temps\Varnotes de~&\cu g\enotes +\tempz\VarNotes Dieu~&\qu h\enotes +\temps\VarNotes le~&\qu i\enotes +\barre\VarNotes P\`e-&\hu g\enotes +\tempz\VarNOtes re.&\hu f\enotes +\temps\respire +\barre\VarNotes A - - - - - &\wh g\enotes +\barre\VarNOtes men~!&\hup h\enotes +\tempz\notes &\soupir\enotes +%\mulooseness -2\relax +\finmorceau +\medskip\rightline{\it le \aujourdhui\ \ \ \ } +\bye diff --git a/macros/generic/musixtex/doc/examples/gymnoman.tex b/macros/generic/musixtex/doc/examples/gymnoman.tex new file mode 100644 index 0000000000..07f1ac9966 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/gymnoman.tex @@ -0,0 +1,569 @@ +% \input musixtex +% \input musixcpt +% \input musixsty +\title{Gymnomanie} +\shortauthor{D. Taupin} +\fullauthor{Daniel TAUPIN} +% +\othermention{Compos\'e en 1994} +\maketitle + +\parindent 12mm +\tracingstats=2\relax +% +\nbporteesi=2\relax +\def\nbinstruments{1}% +\global\cleftoksi={{6}{0}{0}{0}}% +% +\signaturegenerale{0}\relax % un bemol a la clef +\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% +\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% +\def\deuxtemps{\generalmeter{\meterfrac{2}{4}}}% +%\check +\def\instrumenti{Piano} +%\check +\troistemps +\def\fff{{f}\kern -1pt{f}\kern -1pt{f}}% +\def\ff{{f}\kern -1pt{f}}% +\def\gluemaxskip{6pt}% +% +% formes frequentes +% +%\check +% au moins deux croches basses et hautes +\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% +\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% +% +% trois doubles croches hautes +\def\tqbbl#1#2#3{\Ibbl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}}% +\def\tqbbu#1#2#3{\Ibbu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}}% +\def\tqbbh{\tqbbu}% +\def\tqbbb{\tqbbl}% +% quatre doubles croches +\def\qqbbh#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1}\qh0{#2}\qh0{#3}\tqh0{#4}}\relax +\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}% +\def\qqbbl#1#2#3#4{\Ibbl0{#1}{#2}3\qb0{#1}\qb0{#2}\qb0{#3}\tqb0{#4}}\relax +%\check +% octave basse en blanche +\def\bohl#1{\zh{!`#1}\hl{!#1}}% +\def\bohu#1{\zh{!`#1}\hu{!#1}}% +\def\sohl#1{\zh{!'#1}\hl{!#1}}% +\def\sohu#1{\zh{!'#1}\hu{!#1}}% +% octave basse en blanche pointee +\def\bohlp#1{\zhp{!`#1}\hlp{!#1}}% +\def\bohup#1{\zhp{!`#1}\hup{!#1}}% +\def\sohlp#1{\zhp{!'#1}\hlp{!#1}}% +\def\sohup#1{\zhp{!'#1}\hup{!#1}}% +% +\def\bozh#1{\zh{!`#1!#1}}% +\def\bozq#1{\zq{!`#1!#1}}% +\def\boql#1{\zq{!`#1}\ql{!#1}}% +\def\boqu#1{\zq{!`#1}\qu{!#1}}% +% octave sup. en croches u +\def\soqh#1{\zq{!'#1}\qh0{!#1}}% +\def\soqb#1{\zq{!'#1}\qb0{!#1}}% +\def\soqu#1{\zq{!'#1}\qu{!#1}}% +\def\soql#1{\zq{!'#1}\ql{!#1}}% +%\check +% +\def\interfacteur{11}% +\computewidths +\staffbotmarg=5\Interligne % +\def\lPED{\zcharnote{-5}{\hbox to 2.4\internote{\hss\Ped\kern -2pt}}}% +\def\PEDDEP{\PED\sk\sk\sk\DEP\pause}% +\def\PEDpDEP{\PED\sk\sk\sk\DEP\sk}% +\def\upsoupir#1{\raise#1\Interligne\rlap{\soupir}} +% +\debutmorceau +% call \autolines with musiCtex, not with musiXtex !!! +\ifx\mxversion\undefined\autolines {6}55\relax\fi +\advance\barsinline by 1\relax +\notes|\Uptext{\moyen\kern -20pt Lento \rm(\metron{\qu}{65})}\enotes +\vnotes 0.2\elemskip\uptext{\kern -5mm\ppff + p}|\zcharnote a{\kern -5mm\ppff mp}\enotes + % +\temps\NOtes \upsoupir2\bohlp K|\hu m\enotes +\temps\NOtes\zq{Ma}\qu d\enotes +\temps\NOtes\zq{Maf}\qu d|\qu m\enotes + % mesure 2 +\barre\NOtes \upsoupir2\bohlp{^J}|\upsoupir{-2}\hup l\enotes +\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes +\temps\NOtes\zq{LN}\qu{c}|\zq h\qu e\enotes + %\check + % mesure 3 +\barre\NOtes \upsoupir2\bohlp K|\hu m\enotes +\temps\NOtes\zq{Ma}\qu d\enotes +\temps\NOtes\zq{ad}|\zql f\qu m\enotes + % mesure 4 +\barre\NOtes \upsoupir2\bohlp{=J}|\upsoupir{-2}\hup n\enotes +\temps\NOtes\zq{LN}\qu{=c}|\qu e\enotes +\temps\NOtes\zq{LN}\qu{c}|\zq g\qu e\enotes + % mesure 5 +\barre\NOtes \upsoupir2\bohup F|\upsoupir{-2}\hu o\enotes +\temps\NOtes\zq{Ma}\qu c|\qu f\enotes +\temps\NOtes\zq{Mac}|\zql f\zq h\qu o\enotes + % mesure 6 +\barre\NOtes \upsoupir2\bohlp{H}|\qu q\enotes +\temps\NOtes\zq{Ma}\qu{c}|\qu o\enotes +\temps\NOtes\zq{Mad}|\zql f\qu m\enotes + % mesure 7 + %\check +\barre\NOtes \upsoupir2\bohlp J|\upsoupir{-2}\hu n\enotes +\temps\NOtes\zq L\qu N|\zq c\qu e\enotes +\temps\NOtes\zq L\qu N|\upsoupir3\zq {ce}\qu g\enotes + % mesure 8 +\barre\NOtes \upsoupir2\bohlp K|\hu o\enotes +\temps\NOtes\zq{Ma}\qu d\enotes +\temps\NOtes\zq{Maf}\qu d|\qu o\enotes + % mesure 9 +\barre\NOtes \upsoupir2\bohlp{H}|\upsoupir{-2}\hup n\enotes +\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes +\temps\NOtes\zq{L}\qu{c}|\zq g\qu e\enotes + % mesure 10 +\barre\NOtes \upsoupir2\bohlp{^J}|\upsoupir{-2}\hu o\enotes +\temps\NOtes\zq{a^c}\qu e|\qu g\enotes +\temps\NOtes\zq{ae}\qu g|\zql h\qu o\enotes + % mesure 11 +\barre\NOtes \upsoupir2\bohup{D}|\upsoupir{-2}\hup m\enotes +\temps\NOtes\zq{KMa}\qu{d}|\upsoupir{-2}\enotes +\temps\NOtes\zq{Ka}\qu{d}|\qu f\enotes + %\check + % mesure 12 +\barre\NOtes \upsoupir2\bohup F|\hu o\enotes +\temps\NOtes\zq{Mad}|\zql f\enotes +\temps\NOtes\zq{ad}|\zq f\zql h\qu o\enotes + %\check + % mesure 13 +\barre\NOtes \upsoupir2\bohlp{H}|\upsoupir{-2}\hup n\enotes +\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes +\temps\NOtes\zq{L}\qu{c}|\zq h\ql e\enotes + %\check + % mesure 14 +\barre\NOtes \upsoupir2\bohup{F}|\qu o\enotes +\temps\NOtes\zq{Mad}|\zql{f}\qu n\enotes +\temps\NOtes\zq{ad}|\zq f\zql{h}\qu m\enotes + %\check + % mesure 15 +\barre\NOtes \upsoupir2\bohup{C}|\hu n\enotes +\temps\NOtes\zq{LNc}\qu{e}|\enotes +\temps\NOtes\zq{Nce}|\upsoupir2\ql g\enotes + %\check + % mesure 16 +\barre\NOtes \upsoupir2\bohup D|\hu m\enotes +\temps\NOtes\zq{KMa}\qu d\enotes +\temps\NOtes\zq{Mad}\qu f|\qu m\enotes + %\check + % mesure 17 +\barre\NOtes \upsoupir2\bohlp G|\hup l\enotes +\temps\NOtes\zq{LN_b}\qu e\enotes +\temps\NOtes\zq{Nbe}\qu g|\enotes + %\check + % mesure 18 +\barre\NOtes \upsoupir2\bohup D|\zcharnote b{\CREsc}\hu {^m}\enotes +\temps\NOtes\zq{K^Ma}\qu d\enotes +\temps\NOtes\zq{Mad}\qu{^f}|\qu m\enotes + %\check + % mesure 19 +\barre\NOtes \upsoupir2\bohup E|\hu{^n}\enotes +\temps\NOtes\zq{L^Nb}\qu e\enotes +\temps\NOtes\zq{Nbe}|\zql{^g}\qu n\enotes + %\check + % mesure 20 +\barre\NOtes \upsoupir2\bohup{^F}|\hu{^o}\enotes +\temps\NOtes\lsh a\zq{^Ma^c}|\ql{^f}\enotes +\temps\NOtes\zq{ac}|\zq f\zql{^h}\qu o\enotes + %\check + % mesure 21 +\barre\NOtes \upsoupir2\bohlp{^G}|\hup{^p}\enotes +\temps\NOtes\lsh b\zq{^Nb^d}|\ql{^g}\enotes +\temps\NOtes\zq{^Mdb}|\zq g\zql{^i}\enotes + %\check + % mesure 22 +\barre\NOtes \upsoupir2\bohlp{=H}|\hup{^q}\enotes +\temps\NOtes\lna a\zq{a^c}|\zq e\ql{=h}\enotes +\temps\NOtes\zq{Lc}|\zq {eg}\ql{^j}\enotes + %\check + % mesure 23 +\barre\NOtes \upsoupir2\bohup{^F}|\qu{^q}\enotes +\temps\NOtes\zq{^Ma^c}|\zql{^f}\qu p\enotes +\temps\NOtes\zq{ac}|\zq f\zql{h}\qu o\enotes + %\check + % mesure 24 +\barre\NOtes \upsoupir2\bohup{^C}|\hup{^n}\enotes +\temps\NOtes\lsh N\zq{^LN^c}|\ql{^e}\enotes +\temps\NOtes\zq{Nb}|\zq e\ql {^g}\enotes + %\check + % mesure 25 +\barre\NOtes \upsoupir2\bohlp{K}|\hu{^m}\enotes +\temps\NOtes\zq{^Mad}|\ql{^f}\enotes +\temps\NOtes\zq{ad}|\zq f\zql {h}\qu m\enotes + %\check + % mesure 26 +\barre\NOtes \upsoupir2\bohlp{^J}|\hup{l}\enotes +\temps\NOtes\lsh N\zq{LN^c}|\ql{e}\enotes +\temps\NOtes\zq{Nc}|\zq e\ql {^g}\enotes + %\check + % mesure 27 +\barre\NOtes \upsoupir2\bohlp{K}\zmidtwotext{\DIMin}|\qu k\enotes +\temps\NOtes\zq{^Ma}\ql d|\qu l\enotes +\temps\NOtes\zq{ad}|\zql {^f}\qu{^m}\enotes + %\check + % mesure 28 +\xbarre\NOtes \upsoupir2\bohlp{^J}|\hu{^j}\enotes +\temps\NOtes\lsh N\zq{^LN^c}|\ql{^e}\enotes +\temps\NOtes\zq{Nb}|\zq e\zql {^g}\upsoupir2\enotes + %\check + % mesure 29 +\barre\NOtes \upsoupir2\bohup{^F}|\bohu{o}\enotes +\temps\NOtes\lna a\zq{^Ma}\ql{^c}|\enotes +\temps\NOtes\zq{Mac}\ql {^f}|\boqu o\enotes + %\check + % mesure 30 +\barre\NOtes \upsoupir2\bohlp{^J}|\bohup{^n}\enotes +\temps\NOtes\lsh N\zq{^LN^c}|\ql{^e}\enotes +\temps\NOtes\zq{Nb}|\zq e\ql {^g}\enotes + %\check + % mesure 31 +\barre\NOtes \upsoupir2\bohup{^F}|\bohu{o}\enotes +\temps\NOtes\lna a\zq{^Ma}\ql{^c}|\enotes +\temps\NOtes\zq{Mac}\qu {^f}|\boqu o\enotes + %\check + % mesure 32 +\barre\NOtes \upsoupir2\bohup{E}|\bohup{p}\enotes +\temps\NOtes\zq{L^Nb}|\ql{e}\enotes +\temps\NOtes\zq{Nb}|\zq d\ql {g}\enotes + %\check + % mesure 33 +\barre\NOtes \upsoupir2\bohlp{H}|\bohu{^q}\enotes +\temps\NOtes\zq{a^ce}|\ql{h}\enotes +\temps\NOtes\zq{Lc}\ql {e}|\boqu q\enotes + %\check + % mesure 34 +\barre\NOtes \upsoupir2\bohlp{^J}|\boqu{s}\enotes +\temps\NOtes\zq{a^c}|\zq{^f}\zql{h}\boqu{^q}\enotes +\temps\NOtes\zq{^Mac}|\zql f\boqu o\enotes + %\check + % mesure 35 +\barre\NOtes \upsoupir2\bohlp{^J}|\bohu{^n}\enotes +\temps\NOtes\lsh e\lsh N\zq{^LN^c}\ql{e}\enotes +\temps\NOtes\zq{LN}\lq b\zql c|\soupir\enotes + %\check + % mesure 36 +\barre\NOtes \upsoupir2\bohup{^F}|\bohu{o}\enotes +\temps\NOtes\lna a\zq{^Ma}\ql{^c}|\enotes +\temps\NOtes\zq{Mac}\ql {^f}|\boqu o\enotes + %\check + % mesure 37 +\barre\NOtes \upsoupir2\bohup{H}|\bohu{=n}\enotes +\temps\NOtes\lna a\zq{=La^c}|\ql{=e}|\enotes +\temps\NOtes\zq{ac}|\zql e\boqu n\enotes + %\check + % mesure 38 +\barre\NOtes \upsoupir3\bohup K|\boqu {^m}\enotes +\temps\NOtes\zq{K^Ma}\qu d|\boqu l\enotes +\temps\NOtes\zq{Ma}\qu{^f}|\boqu k\enotes + %\check + % mesure 39 +\barre\NOtes \upsoupir2\bohup{H}|\bohu{^j}\enotes +\temps\NOtes\zq{La^c}\ql{e}|\enotes +\temps\NOtes\zq{ace}|\zql h\upsoupir2\enotes + %\check + % mesure 40 +\barre\NOtes \upsoupir2\bohup{G}|\bohup{p}\enotes +\temps\NOtes\zq{KNb}\ql{d}|\enotes +\temps\NOtes\zq{Nbd}|\zql g\enotes + %\check + % mesure 41 +\barre\NOtes \upsoupir2\bohup{H}|\bohup{^q}\enotes +\temps\NOtes\zq{La^c}\ql{e}|\enotes +\temps\NOtes\zq{ace}|\ql h\enotes + %\check + % mesure 42 +\barre\NOtes \upsoupir2\bohup{I}|\boqu{^r}\enotes +\temps\NOtes\zq{^Mb^d}|\zql{^f}\boqu{^q}\enotes +\temps\NOtes\zq{bd}|\zq h\zql {f}\qsk\boqu p\enotes + %\check + % mesure 43 +\barre\NOtes \upsoupir2\bohup{E}|\bohup{s}\enotes +\temps\NOtes\zq{LN}\ql{c}|\enotes +\temps\NOtes\zq{Nc}\ql e\enotes + %\check + % mesure 44 +\barre\NOtes \upsoupir2\bohup{G}|\boqu{t}\enotes +\temps\NOtes\zq{KNb}\ql d|\boqu{s}\enotes +\temps\NOtes\zq{Nbd}\zql {f}|\boqu r\enotes + %\check + % mesure 45 +\barre\NOtes \upsoupir2\bohup{C}|\bohu{s}\enotes +\temps\NOtes\zq{LNc}|\ql{e}\enotes +\temps\NOtes\zq{Nc}|\zq e\zql g\boqu s\enotes + %\check + % mesure 46 +\barre\NOtes \upsoupir2\bohup{G}|\bohup{r}\enotes +\temps\NOtes\zq{Nb}\ql e|\enotes +\temps\NOtes\zq{Nb}\ql d|\enotes + %\check + % mesure 47 +\barre\NOtes \upsoupir2\bohup{H}|\boqu{q}\enotes +\temps\NOtes\zq{Lac}\zql{e}|\boqu p\enotes +\temps\NOtes\zq{Lac}\zql e|\boqu o\enotes + %\check + % mesure 48 +\barre\NOtes \qsk\upsoupir2\bohup{G}|\qsk\bohup{_p}\enotes +\temps\NOtes\zq{KN_b}\ql d|\enotes +\temps\NOtes\zq{Nbd}|\ql g|\enotes + %\check + % mesure 49 +\barre\NOtes \zmidtwotext{\it rit.}\upsoupir2\bohup{H}|\bohu{o}\enotes +\temps\NOtes\zq{La^c}\ql e|\enotes +\temps\NOtes\zq{ac}\ql e|\boqu n\enotes + %\check + % mesure 50 +\barre\NOtes \zmidtwotext{\it a tempo}\upsoupir2\bohlp K|\bohu m\enotes +\temps\NOtes\zq{Ma}\qu d\enotes +\temps\NOtes\zq{Maf}\qu d|\boqu m\enotes + % mesure 51 +\barre\NOtes \upsoupir2\bohlp{^J}|\bohup l\enotes +\temps\NOtes\zq{LN^c}\ql e\enotes +\temps\NOtes\zq{LNc}|\zq h\ql e\enotes + %\check + % mesure 52 +\barre\NOtes \upsoupir2\bohlp K|\bohu m\enotes +\temps\NOtes\zq{Ma}\qu d\enotes +\temps\NOtes\zq{M_b}\qu d|\boqu m\enotes + % mesure 53 +\barre\NOtes \upsoupir2\bohlp{=J}|\bohup n\enotes +\temps\NOtes\zq{LN=c}|\ql e\enotes +\temps\NOtes\zq{LNc}|\zq g\ql e\enotes + % mesure 54 +\barre\NOtes \upsoupir2\bohup F|\bohu o\enotes +\temps\NOtes\zq{Mac}|\zql f\enotes +\temps\NOtes\zq{Mac}|\zql f\boqu o\enotes + % mesure 55 +\barre\NOtes \upsoupir2\bohlp{H}|\boqu q\enotes +\temps\NOtes\zq{Ma}\qu{c}|\boqu o\enotes +\temps\NOtes\zq{Ma}\zql d|\boqu m\enotes + % mesure 56 + %\check +\barre\NOtes \upsoupir2\bohlp{^J}|\bohu n\enotes +\temps\NOtes\zq {LN}|\zq{^c}\ql e\enotes +\temps\NOtes\zq L\zq N|\upsoupir3\zq {ce}\ql g\enotes + % mesure 57 +\barre\NOtes \upsoupir2\bohlp K|\bohu o\enotes +\temps\NOtes\zq{Ma}\qu d\enotes +\temps\NOtes\zq{Maf}\qu d|\boqu o\enotes + % mesure 58 +\barre\NOtes \upsoupir2\bohlp{G}|\bohup n\enotes +\temps\NOtes\zq{KN_b}\qu{d}|\enotes +\temps\NOtes\zq{Nbd}|\ql g\enotes + % mesure 59 + %\check +\barre\NOtes \upsoupir2\bohlp{H}|\boqu o\enotes +\temps\NOtes\zq {KMa}\qu d|\boqu n\enotes +\temps\NOtes\zq {Ma}\zql d|\boqu m\enotes + % mesure 60 + %\check +\barre\NOtes \upsoupir2\bohlp{J}|\bohup {_l}\enotes +\temps\NOtes\zq {_LNc}\zql{_e}\enotes +\temps\NOtes\zq {Nce}|\ql g\enotes + % mesure 61 + %\check +\barre\NOtes \upsoupir2\bohlp{K}|\bohu k\enotes +\temps\NOtes\zq {K^Ma}\zql d|\enotes +\temps\NOtes\zq {Mad}\zql{^f}|\soupir\enotes + %\check + % mesure 62 +\barre\NOtes \qsk\upsoupir2\bohup{G}|\bohu{n}\enotes +\temps\NOtes\zq{KN_b}\ql d|\enotes +\temps\NOtes\zq{Nb}\ql d|\boqu n\enotes + % mesure 63 + %\check +\barre\NOtes \upsoupir2\bohlp{F}|\bohup {_o}\enotes +\temps\NOtes\lfl a\zq {=Mac}\zql{=f}|\enotes +\temps\NOtes\zq {acf}|\zql h\enotes + % mesure 64 + %\check +\barre\NOtes \upsoupir2\bohlp{J}|\boqu n\enotes +\temps\NOtes\zq {_LNc}\zql{_e}|\boqu m\enotes +\temps\NOtes\zq {Nc}\zql{g}|\boqu{_l}\enotes + % mesure 65 + %\check +\barre\NOtes \upsoupir2\bohlp{F}|\bohup {_k}\enotes +\temps\NOtes\lfl a\zq {Ma_d}\zql{f}|\enotes +\temps\NOtes\zq {adf}\zql{_h}|\enotes + % mesure 66 + %\check +\barre\NOtes \upsoupir2\bohlp{G}|\cna b\cna i\bohu {i}\enotes +\temps\NOtes\zq {Nb}\zql{=d}|\enotes +\temps\NOtes\zq {bd}\zql{f}|\soupir\enotes + % mesure 67 + %\check +\barre\NOtes \upsoupir2\bohlp{_H}|\zcharnote a{\ppff mf}\bohup {q}\enotes +\temps\NOtes\zq {_ac}|\zq{_e}\zql{_h}\enotes +\temps\NOtes|\zq {ceh}\ql{j}|\enotes + % mesure 68 + %\check +\barre\NOtes \upsoupir2\bohlp{J}|\boqu {_s}\enotes +\temps\NOtes\zq {_ac}|\zq{_e}\zql{_h}\boqu q\enotes +\temps\NOtes|\zq {ceh}\zql{j}\qsk\fl o\boqu {o}\enotes + % mesure 69 + %\check +\barre\NOtes \upsoupir3\bohlp{_L}|\bohup {n}\enotes +\temps\NOtes\zq {_LN_b}\zql{_e}\enotes +\temps\NOtes\zq {Nbe}|\ql{g}\enotes + % mesure 70 + %\check +\barre\NOtes \upsoupir2\bohlp{_H}|\boqu {q}\enotes +\temps\NOtes\zq {_ac}\zql{_e}|\zq{j_l}\boqu {_o}\enotes +\temps\NOtes\zq {ce}|\zql h\zq{lo}\boqu {q}\enotes + % mesure 71 + %\check +\barre\NOtes \qsk\upsoupir3\bohlp{_L}|\qsk\boqu {_p}\enotes +\temps\NOtes\zq {N_b}\zql{_e}|\zq{_i_l}\boqu {n}\enotes +\temps\NOtes\zq {be}|\zql g\zq{ln}\boqu {p}\enotes + % mesure 72 + %\check +\barre\NOtes \qsk\upsoupir3\bohlp{M}|\qsk\boqu {_o}\enotes +\temps\NOtes\zq {_ac}\zql{f}|\zq{_hj}\boqu {m}\enotes +\temps\NOtes\zq {c}\zql f|\zq{jm}\boqu {o}\enotes + % mesure 73 + %\check +\barre\NOtes \qsk\upsoupir3\bohlp{_L}|\qsk\bohup {_p}\enotes +\temps\NOtes\zq {_LN_b}\zql{_e}|\enotes +\temps\NOtes\zq {Nbe}|\zql g\enotes + % mesure 74 + %\check +\barre\NOtes \upsoupir2\bohlp{_H}|\boqu {q}\enotes +\temps\NOtes\zq {_ac}\zql{_e}|\zq{j_l}\boqu {_o}\enotes +\temps\NOtes\zq {ce}|\zql h\zq{lo}\boqu {q}\enotes + % mesure 75 + %\check +\barre\NOtes \qsk\upsoupir3\bohlp{_L}|\qsk\boqu {_p}\enotes +\temps\NOtes\zq {N_b}\zql{_e}|\zq{_i_l}\boqu {n}\enotes +\temps\NOtes\zq {be}|\zql g\zq{ln}\boqu {p}\enotes + % mesure 76 + %\check +\barre\NOtes \qsk\upsoupir3\bohlp{M}|\qsk\boqu {_o}\enotes +\temps\NOtes\zq {_ac}\zql{f}|\zq{_hj}\boqu {m}\enotes +\temps\NOtes\zq {c}\zql f|\zq{jm}\boqu {o}\enotes + % mesure 77 + %\check +\barre\NOtes \upsoupir3\bohlp{J}|\bohup {n}\enotes +\temps\NOtes\zq {=LNc}\zql{=e}|\enotes +\temps\NOtes\zq {Nce}|\zql g\enotes + % mesure 78 + %\check +\barre\NOtes \upsoupir3\bohlp{_K}|\bohu {m}\enotes +\temps\NOtes\zq {M_a_d}\ql{f}|\enotes +\temps\NOtes\zq {KMa}\ql d|\boqu m\enotes + % mesure 79 + %\check +\barre\NOtes \upsoupir3\bohlp{J}|\qsk\bohup {_l}\enotes +\temps\NOtes\zq {_LNc}\ql{_e}|\enotes +\temps\NOtes\zq {Nce}|\ql g\enotes + % mesure 80 + %\check +\barre\NOtes \qsk\upsoupir3\bohlp{_K}|\qsk\zq{f_h}\boqu {_k}\enotes +\temps\NOtes\fl N\fl d\zq {KN_b}\ql{d}|\zq{_g_i}\boqu{_l}\enotes +\temps\NOtes\zq {KM_a}\ql d|\zq{hk}\boqu m\enotes + % mesure 81 + %\check +\barre\NOtes \qsk\upsoupir2\bohlp{J}|\qsk\lna g\zh{=eg}\bohu {j}\enotes +\temps\NOtes\lna L\zq {L=N}\ql{c}|\enotes +\temps\NOtes\zq {Nc}\ql{=e}|\soupir\enotes + %\check + % mesure 82 +\barre\NOtes \upsoupir2\zmidtwotext{\DIMin}\bohup{G}|\bohu{n}\enotes +\temps\NOtes\zq{KN_b}\ql d|\enotes +\temps\NOtes\zq{Nb}\ql d|\boqu n\enotes + %\check + % mesure 83 +\barre\NOtes \upsoupir3\bohlp K|\bohup m\enotes +\temps\NOtes\zq{Ma}\qu d\enotes +\temps\NOtes\zq{Maf}\qu d|\enotes + %\check + % mesure 84 +\barre\NOtes \upsoupir2\bohlp J|\zq{gj}\boqu{_l}\enotes +\temps\NOtes\zq{_LN}\ql c|\boqu{k}\enotes +\temps\NOtes\zq{LN}\qu {_e}|\boqu j\enotes + % mesure 85 + %\check +\barre\NOtes \upsoupir2\bohlp{K}|\bohu k\enotes +\temps\NOtes\zq {K^Ma}\zql d|\enotes +\temps\NOtes\zq {Mad}\zql{^f}|\soupir\enotes + % mesure 86 +\barre\NOtes\uptext{\kern -\Interligne\ppff + p} \upsoupir2\bohlp K|\zcharnote a{\kern -\Interligne\ppff mp}\cna m\hu m\enotes +\temps\NOtes\zq{=Ma}\qu d\enotes +\temps\NOtes\zq{Maf}\qu d|\qu m\enotes + % mesure 87 +\barre\NOtes \upsoupir2\bohlp{^J}|\upsoupir{-2}\hup l\enotes +\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes +\temps\NOtes\zq{LN}\qu{c}|\zq h\qu e\enotes + %\check + % mesure 88 +\barre\NOtes \upsoupir2\bohlp K|\hu m\enotes +\temps\NOtes\zq{Ma}\qu d\enotes +\temps\NOtes\zq{ad}|\zql f\qu m\enotes + % mesure 89 +\barre\NOtes \upsoupir2\bohlp{=J}|\upsoupir{-2}\hup n\enotes +\temps\NOtes\zq{LN}\qu{=c}|\qu e\enotes +\temps\NOtes\zq{LN}\qu{c}|\zq g\qu e\enotes + % mesure 90 +\barre\NOtes \upsoupir2\bohup F|\upsoupir{-2}\hu o\enotes +\temps\NOtes\zq{Ma}\qu c|\qu f\enotes +\temps\NOtes\zq{Mac}|\zql f\zq h\qu o\enotes + % mesure 91 +\barre\NOtes \upsoupir2\bohlp{H}|\qu q\enotes +\temps\NOtes\zq{Ma}\qu{c}|\qu o\enotes +\temps\NOtes\zq{Mad}|\zql f\qu m\enotes + % mesure 92 + %\check +\barre\NOtes \upsoupir2\bohlp J|\upsoupir{-2}\hu n\enotes +\temps\NOtes\zq L\qu N|\zq c\qu e\enotes +\temps\NOtes\zq L\qu N|\upsoupir3\zq {ce}\qu g\enotes + % mesure 93 +\ifx\mxversion\undefined\def\atnextline{\autolines665}\fi % only with musiCtex +\barre\NOtes\upsoupir2\zmidtwotext{\it diminuendo}\bohlp K|\hu m\enotes +\temps\NOtes\zq{Ma}\qu d\enotes +\temps\NOtes\zq{Maf}\qu d|\qu m\enotes + % mesure 94 +\barre\NOtes \upsoupir2\bohlp{H}|\upsoupir{-2}\hup l\enotes +\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes +\temps\NOtes\zq{LN}\qu{c}|\zq h\qu e\enotes + %\check + % mesure 95 +\barre\NOtes \upsoupir2\bohlp K|\hu m\enotes +\temps\NOtes\zq{Ma}\qu d\enotes +\temps\NOtes\zq{ad}|\zql f\qu m\enotes + % mesure 96 +\barre\NOtes \upsoupir2\bohlp{G}|\upsoupir{-2}\hup n\enotes +\temps\NOtes\zq{KN}\qu{_b}|\zq d\qu g\enotes +\temps\NOtes\zq{N}\qu{b}|\zq d\zq g\qu{_i}\enotes + % mesure 97 +\barre\NOtes \upsoupir2\bohup F|\upsoupir{-2}\hu o\enotes +\temps\NOtes\zq{Ma}\qu c|\qu f\enotes +\temps\NOtes\zq{Mac}|\zql f\zq h\qu o\enotes + % mesure 98 +\barre\NOtes \upsoupir2\bohlp{H}|\qu q\enotes +\temps\NOtes\zq{Ma}\qu{c}|\qu o\enotes +\temps\NOtes\zq{Mad}|\zql f\qu m\enotes + % mesure 99 +\barre\NOtes \upsoupir2\bohlp{H}|\hup l\enotes +\temps\NOtes\zq{Lae}\qu{^c}\enotes +\temps\NOtes\zq{ace}|\ql g\enotes + % mesure 100 +\barre\NOtes \pointdurgue{!`D}\upsoupir2\bohup{D}\zmidtwotext{\it rall.}\relax + |\pointdorgue n\hup k\enotes +\temps\NOtes\zq{Mad}|\ql f\enotes +\temps\NOtes\pointdorgue d\zq{Ma}\ql d\enotes +\mulooseness 1\relax +\finmorceau + \rightline{\sl \aujourdhui}\eject +\bye + + + + + + diff --git a/macros/generic/musixtex/doc/examples/ilestne.tex b/macros/generic/musixtex/doc/examples/ilestne.tex new file mode 100644 index 0000000000..dd9ce0b018 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/ilestne.tex @@ -0,0 +1,22 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi +\resetfacteurs\advance\staffbotmarg by 2\Interligne +\barsinline=0\relax\linesinpage=0\relax +\def\Transpose{0}\relax +\def\Signature{1}\relax % un dieze a la clef +\input ilestnex +\resetfacteurs\advance\staffbotmarg by 2\Interligne +\barsinline=0\relax\linesinpage=0\relax +\def\Transpose{-1}\relax +\def\Signature{-1}\relax % un bemol a la clef +\input ilestnex +\resetfacteurs\advance\staffbotmarg by 2\Interligne +\barsinline=0\relax\linesinpage=0\relax +\def\Transpose{-2}\relax +\def\Signature{-3}\relax % un bemol a la clef +\input ilestnex +\bye + diff --git a/macros/generic/musixtex/doc/examples/ilestnex.tex b/macros/generic/musixtex/doc/examples/ilestnex.tex new file mode 100644 index 0000000000..c264edb937 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/ilestnex.tex @@ -0,0 +1,202 @@ +\fulltitle{Il est n\'e, le divin enfant} +\title{Il est n\'e, le divin enfant} +\author{traditionnel\\Harmonisation Pierre Darmon} +\shortauthor{traditionnel} +\maketitle + +\tracingstats=1\relax +\relativeaccidentals +\sepbarrules +% +\bigskip +% au moins deux croches basses et hautes +\def\dql#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% +\def\dqu#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% +\def\dqh{\dqu}\def\dqb{\dql}% +% +% +% soufflets crescendo et decrescendo +% +\def\soufflcr#1{\zcharnote{#1}{\kern -1cm\cresc}}% +\def\Soufflcr#1{\zcharnote{#1}{\kern -1cm\CResc}}% +% +\def\souffldim#1{\zcharnote{#1}{\kern -1cm\dimin}}% +\def\Souffldim#1{\zcharnote{#1}{\kern -1cm\DImin}}% +% +%\check +\def\nbinstruments{2}\resetsignatures +\barsinline=0\relax\linesinpage=0\relax +\global\nbporteesi=1\relax +\global\nbporteesii=1\relax +\global\cleftoksi={{6}{0}{0}{0}}% +\global\cleftoksii={{0}{0}{0}{0}}% +\songbottom{1} % to be used to make heavy bars at staff left +\songtop{2} % to be used to make heavy bars at staff left +% +\ifx\Signature\undefined\def\Signature{1}\fi +\ifx\Transpose\undefined\def\Transpose{0}\fi +% +\signaturegenerale{\Signature}% +\generalmeter{\meterfrac{4}{4}} +%\check +\def\interfacteur{12}% +\def\instrumenti{\vbox{\hsize=\parindent +\centerline{T\'enors}\centerline{basses}}}% +\def\instrumentii{\vbox{\hsize=\parindent +\centerline{Sopran.}\centerline{Altos}}}% +%\check +\def\respire{\notes&\cbreath\enotes}% +% +\def\eightpoint{\Tenpoint}% +%\check +\catcodesmusic + +\def\txt#1|#2|#3&{{\vbox to 0pt{\Smalltype\baselineskip 9pt +\vss\hrule width 9pt height 0pt +\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote + #3\kern\internote}\smallskip +\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote + #2\kern\internote}\smallskip +\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote + #1\kern\internote}\kern -12pt}}}% + % +\def\interfacteur{16}% +% +\debutmorceau +\autolines 784\relax +\transpose=\Transpose +\notes&\Uptext{\raise 2\Interligne\hbox{\moyen Lent}}\enotes + % +% +\Notes\zql N\qu b&\hsong{\txt |Il |&}\qu d\enotes +\temps\Notes\zql N\qu b&\hsong{\txt |est|&}\qu g\enotes +% +%\check +\barre\Notes\zql N\qu b&\hsong{\txt |n\'e|&}\qu g\enotes +\notes\rlap{\dqb NK}\dqu db&\zsong{\txt |le di-|&}\thelyrics\dqu ig\enotes +% +%\check +\barre\Notes\zql I\qu N&\hsong{\txt |vin|&}\qu d\enotes +\temps\notes\zqu b\dql KM&\hsong{\txt |en-|&}\qu g\enotes +% +%\check +\barre\hardlyrics{\txt |fant !|&}\notes\zql N\qu b&\hsong\thelyrics\qu g\enotes +\temps\Notes\soupir&\soupir\enotes +% +%\check +\barre\Notes\zql N\qu b&\hsong{\txt |Jou-|&}\qu g\enotes +\temps\notes\rlap{\dqb NM}\dqu bc&\zsong{\txt |ez haut-|&}\dqu gh\enotes +% +%\check +\barre\hardlyrics{\txt |bois, |&}\notes\zql L\qu d&\hsong\thelyrics\ql i\enotes +\temps\notes\rlap{\dqb NL}\dqu ed&\zsong{\txt |r\'eson-|&}\dql ji\enotes +% +%\check +\barre\Notes\zql M\qu c&\hsong{\txt |nez|&}\qu h\enotes +\temps\Notes\zql L\qu b&\hsong{\txt |mu-|&}\qu g\enotes +% +%\check +\barre\Notes\zql K\qu c&\hsong{\txt |set-|&}\qu h\enotes +\temps\notes\zcl M\cu c&\zsong{\txt |tes |&}\cu d\enotes +\temps\notes\ds&\ds\enotes +% +%\check +\barre\notes\zql N\qu b&\hsong{\txt |Il |&}\zql d\dqu nm\enotes +\temps\notes\zql N\qu b&\zsong{\txt |est |&}\zql g\dqu lk\enotes +% +%\check +\barre\notes\zql N\qu b&\hsong{\txt |n\'e |&}\zql g\dqu lk\enotes +\temps\notes\rlap{\dqb NK}\dqu db&\zsong{\txt |le di-|&}% + \Ibl0 ig1\zqb0 i\loff{\Ibu1ji1\qh1j}\tbl0\zqb0g\tqh1i\enotes +% +%\check +\barre\notes\zql I\qu N&\hsong{\txt |vin|&}\zql d\dqu ji\enotes +\temps\notes\zqu b\dql KM&\hsong{\txt |en-|&}\zql g\qsk\dqu hg\enotes +% +%\check +\barre\hardlyrics{\txt |fant !|&}\notes\zql N\qu b&\hsong\thelyrics\zql g\qu k\enotes +\temps\Notes\soupir&\soupir\enotes +% +%\check +\barre\hardlyrics{\txt |Chan-|&}\notes\zql N\qu b&\hsong\thelyrics\zql g\qu k\enotes +\temps\notes\zql M\dqu ca&\zsong{\txt |tons|&}\zql h\qu k\enotes +% +%\check +\barre\hardlyrics{\txt |tous |&}\notes\zql L\qu N&\hsong\thelyrics\zql i\qu l\enotes +\temps\notes\rlap{\dqb LJ}\qu a&\zsong{\txt |son a-|&}\zqu l\dql ji\enotes +% +%\check +\barre\Notes\zql K\qu d&\hsong{\txt |v\`e-|&}\zql h\qu m\enotes +\temps\Notes\zql K\qu c&\hsong{\txt |ne-|&}\zql k\qu m\enotes +% +%\check +\barre\NOTes\zhl N\hu b&\hsong{\txt |ment|&}\zhl g\zh k\hu n\enotes +\setdoublebar +% +%\check +\barre\Notes\itenu0N\tten0\itenu0N\hl N&\hsong{\txt |De-|&}\zql g\qu i\enotes +\temps\Notes&\hsong{\txt |puis|&}\zql h\qu j\enotes +% +%\check +\barre\Notes\tten0\itenu0N\hl N&\hsong{\txt |plus|&}\zql i\qu k\enotes +\temps\notes&\zsong{\txt |de qua-|&}\rlap{\dqb hg}\dqu ji\enotes +% +%\check +\barre\Notes\tten0\itenu0N\hl N&\hsong{\txt |tre|&}\zql h\qu j\enotes +\temps\Notes&\hsong{\txt |mille|&}\zql j\qu l\enotes +% +%\check +\barre\NOtes\tten0\itenu0N\hl N&\hsong{\txt |ans|&}\zhl i\hu k\enotes +% +%\check +\barre\Notes\tten0\itenu0N\hl N&\hsong{\txt |Nous|&}\zql g\qu i\enotes +\temps\Notes&\hsong{\txt |le|&}\zql h\qu j\enotes +% +%\check +\barre\Notes\tten0\itenu0N\hl N&\hsong{\txt |pro-|&}\zql i\qu k\enotes +\temps\notes&\zsong{\txt |mettaient|&}\rlap{\dqb ji}\dqu lk\enotes +% +%\check +\barre\Notes\tten0\itenu0N\hl N&\hsong{\txt |les|&}\zql h\qu j\enotes +\temps\Notes&\hsong{\txt |pro-|&}\zql g\qu i\enotes +% +%\check +\barre\Notes\tten0\qlp N&\hsong{\txt |ph\`e-|&}\zql g\qu i\enotes +\temps\notes&\hsong{\txt |tes|&}\zcl f\cu h\enotes +\temps\notes\ds&\ds\enotes +% +%\check +\barre\Notes\ql N&\hsong{\txt |De-|&}\zql g\qu i\enotes +\temps\Notes\ql M&\hsong{\txt |puis|&}\zql h\qu j\enotes +% +%\check +\barre\Notes\ql L&\hsong{\txt |plus|&}\zql i\qu k\enotes +\temps\notes\dqb MN&\zsong{\txt |de qua-|&}\rlap{\dqb hg}\dqu ji\enotes +% +%\check +\barre\Notes\ql K&\hsong{\txt |tre|&}\zql h\qu j\enotes +\temps\Notes\ql N&\hsong{\txt |mille|&}\zql j\qu l\enotes +% +%\check +\barre\NOtes\hl N&\hsong{\txt |ans|&}\zhl i\hu k\enotes +% +%\check +\barre\Notes\ql N&\hsong{\txt |Nous|&}\zql g\qu i\enotes +\temps\Notes\ql M&\hsong{\txt |at-|&}\zql h\qu j\enotes +% +%\check +\barre\Notes\ql L&\hsong{\txt |ten-|&}\zql i\qu k\enotes +\temps\notes\dqb aL&\zsong{\txt |dions cet|&}\rlap{\dqb ji}\dqu lk\enotes +% +%\check +\barre\Notes\ql M&\hsong{\txt |heu-|&}\zql h\qu j\enotes +\temps\notes\dql LI&\zsong{\txt |reux|&}\zql g\qu i\enotes +% +%\check +\barre\NOtes\hl K&\hsong{\txt |temps.|&}\zhl f\hu h\enotes +% +\finmorceau +\medskip\rightline{\it le \aujourdhui} +\absoluteaccidentals +\vfil\eject + diff --git a/macros/generic/musixtex/doc/examples/ilfaitda.tex b/macros/generic/musixtex/doc/examples/ilfaitda.tex new file mode 100644 index 0000000000..25a596e928 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/ilfaitda.tex @@ -0,0 +1,18 @@ + +\resetfacteurs\advance\staffbotmarg by 2\Interligne +\barsinline=0\relax\linesinpage=0\relax +\def\Transpose{0}% +\def\Signature{0}\relax % +\input ilfaitdx +\resetfacteurs\advance\staffbotmarg by 2\Interligne +\barsinline=0\relax\linesinpage=0\relax +\def\Transpose{-1}\relax +\def\Signature{-2}\relax % deux diezes a la clef +\input ilfaitdx +\resetfacteurs\advance\staffbotmarg by 2\Interligne +\barsinline=0\relax\linesinpage=0\relax +\def\Transpose{-2}\relax +\def\Signature{+3}\relax % un bemol a la clef +\input ilfaitdx +\bye + diff --git a/macros/generic/musixtex/doc/examples/ilfaitdx.tex b/macros/generic/musixtex/doc/examples/ilfaitdx.tex new file mode 100644 index 0000000000..009d000f54 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/ilfaitdx.tex @@ -0,0 +1,171 @@ +\fulltitle{Il fait danser les mondes} +\shorttitle{Il fait danser les mondes} + \fullauthor{Jean-S‚bastien Bach\\Transposition +Daniel Taupin\\paroles Jacques Tournier} + \shortauthor{J.-S. Bach} + \maketitle + % +\tracingstats=1\relax +\relativeaccidentals +\sepbarrules + % +\parindent 15mm + % soufflets crescendo et decrescendo + % +\def\soufflcr#1{\zcharnote{#1}{\kern -0.5cm\cresc}}% +\def\Soufflcr#1{\zcharnote{#1}{\kern -0.5cm\CResc}}% + % +\def\souffldim#1{\zcharnote{#1}{\kern -0.5cm\dimin}}% +\def\Souffldim#1{\zcharnote{#1}{\kern -0.5cm\DImin}}% + % + %au moins deux croches basses et hautes +\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% +\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% + % + %\check +\def\nbinstruments{2}\resetsignatures +\global\nbporteesi=1\relax +\global\nbporteesii=1\relax +\global\cleftoksi={{6}{0}{0}{0}}% +\global\cleftoksii={{0}{0}{0}{0}}% +\def\lowersonginstrum{1} % to be used to make heavy bars at staff left +\def\uppersonginstrum{2} % to be used to make heavy bars at staff left + % +\signaturegenerale{\Signature}% +\generalmeter{\meterC} + %\check +\def\interfacteur{20}% +\def\instrumenti{\vbox{\hsize=\parindent +\centerline{T\'enors}\centerline{basses}}}% +\def\instrumentii{\vbox{\hsize=\parindent +\centerline{Sopran.}\centerline{Altos}}}% + %\check + % +\def\eightpoint{\Tenpoint}% + %\check +\catcode`\@=13 +\catcodesmusic + % +\def\respire{\notes&\cbreath\enotes}% + % +\def\txt#1|#2|#3&{{\vbox to 0pt{\Smalltype\baselineskip 9pt +\vss\hrule width 9pt height 0pt +\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote + #3\kern\internote}\smallskip +\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote + #2\kern\internote}\smallskip +\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote + #1\kern\internote}\kern -12pt}}}% + % +\elemskip 20pt\relax +\debutmorceau + %\autolines 754\relax + \transpose=\Transpose + \qspace + % + \NOtes\zql J\qu L&\hsong{\txt Chaque|Il|Il&}\zql N\qu c\enotes + \barre %1 +\hardlyrics{\txt homme |est|fait&}\notes\zql L\qu N&\hsong\thelyrics\zql c\qu g\enotes + \Notes\zql J\qu c&\hsong{\txt est |en |dan-&}\zql e\qu g\enotes + \Notes\zql M\qu c&\hsong{\txt son |cha-|ser &}\zql f\qu h\enotes + \Notes\zql{^G}\qu b&\hsong{\txt re-|que |les &}\zql e\qu i\enotes + % + %\check + \barre %2 + \NOtes\zhl H\hu a&\hsong{\txt fu- |pier-|mon-&}\zhl e\hu j\enotes + \Notes\zql H\qu a&\hsong{\txt ge |re |des &}\zql e\qu j\enotes + \Notes\zql a\qu c&\hsong{\txt Il |En |Les &}\zql h\qu l\enotes + % + %\check + \barre %3 + \Notes\zql M\qu a&\hsong{\txt se |cha-|as-&}\zql h\qu k\enotes + \Notes\zql K\qu a&\hsong{\txt re-|que |tres &}\zql f\qu j\enotes + \Notes\zql N\qu N&\hsong{\txt pose |c\oe ur |les &}\zql e\qu j\enotes + \Notes\zql G\qu N&\hsong{\txt en |vi-|sau-&}\zql d\qu i\enotes + % + %\check + \barre %4 + \NOTes\zhlp J\hup N&\hsong{\txt lui, |vant |sons &}\zhlp e\hup j\enotes + \Notes\zql J\qu L&\hsong{\txt Mais |Au |Il &}\zql N\qu c\enotes + % + %\check + \barre %5 + \Notes\zql L\qu N&\hsong{\txt y |cen-|pŠ-&}\zql c\qu g\enotes + \Notes\zql J\qu c&\hsong{\txt p‚-|tre |se &}\zql e\qu g\enotes + \hardlyrics{\txt nŠtre |de |juge &}\notes\zql M\qu c&\hsong\thelyrics\zql f\qu h\enotes + \Notes\zql{^G}\qu b&\hsong{\txt en |la |et &}\zql e\qu i\enotes + % + %\check + \barre %6 + \NOtes\zhl H\hu a&\hsong{\txt Ju- |ter-|son-&}\zhl e\hu j\enotes + \Notes\zql H\qu a&\hsong{\txt ge |re |de &}\zql e\qu j\enotes + \Notes\zql a\qu c&\hsong{\txt L'‚- |Au |Ren-&}\zql h\qu l\enotes + % + %\check + \barre %7 + \hardlyrics{\txt prouve |fond |ver-&}\notes\zql M\qu a&\hsong\thelyrics\zql h\qu k\enotes + \Notes\zql K\qu a&\hsong{\txt et |des |se &}\zql f\qu j\enotes + \Notes\zql N\qu N&\hsong{\txt le |o-|les &}\zql e\qu j\enotes + \Notes\zql G\qu N&\hsong{\txt con-|c‚-|pri-&}\zql d\qu i\enotes + % + %\check + \barre %8 + \NOTes\zhlp J\hup N&\hsong{\txt duit. |ans. |sons. &}\zhlp e\hup j\enotes + \notes\zql J\qu L&\zsong{\txt L'a |Il |Il &}\rlap{\dqb ef}\dqh jk\enotes + % + %\check + \barre %9 + \notes\zqu c\dqb cb&\zsong{\txt fait |fait |per-&}\zql g\qu l\enotes + \notes\zqu c\dqb aN&\zsong{\txt … |ger-|ce &}\zql h\qu l\enotes + \Notes\zql {^M}\qu d&\hsong{\txt son |mer |l'im-&}\zql h\qu k\enotes + \Notes\zql K\qu d&\hsong{\txt i-|les |pos-&}\zql {^f}\qu j\enotes + % + %\check + \barre %10 + \notes\zhl N\dqh dc&\zsong{\txt ma-|grai-|tu-&}\rlap{\dqb g{^f}}\dqh ih\enotes + \Notes\qu d&\hsong{\txt -- |--|-- &}\zql g\qu i\enotes + \Notes\zql G\qu b&\hsong{\txt ge |nes, |re &}\zql d\qu g\enotes + \Notes\zql {=M}\qu d&\hsong{\txt D'a-|Di-|A-&}\zql g\qu i\enotes + % + %\check + \barre %11 + \Notes\zql L\qu c&\hsong{\txt mour |ri-|bais-&}\zql g\qu j\enotes + \Notes\zql K\qu d&\hsong{\txt et |ge |se &}\zql f\qu i\enotes + \Notes\zql J\qu e&\hsong{\txt de |les |les &}\zql e\qu h\enotes + \notes\zql K\dqh dc&\hsong{\txt bon-|ruis-|plus &}\zql{^f}\qu h\enotes + % + %\check + \barre %12 + \NOTes\zhlp G\hup b&\hsong{\txt heur |seaux |forts &}\zhlp d\hup g\enotes + \Notes\zql I\qu N&\hsong{\txt Et |Fait |D‚-&}\zql d\qu g\enotes + % + %\check + \barre %13 + \notes\zql J\qu N&\hsong{\txt l'at-|jail-|mas-&}\rlap{\dqb cd}\dqh ef\enotes + \Notes\zql {_I}\qu c&\hsong{\txt tend |lir |que &}\zql e\qu g\enotes + \notes\zqu c\dqb H{=I}&\hsong{\txt au |les |le &}\zql f\qu h\enotes + \notes\zql {^J}\qu {_b}&\hsong{\txt ri-|fon-|par-&}\zql e\qu g\enotes + % + %\check + \barre %14 + \Notes\zhl K\hu a&\hsong{\txt va-|tai-|ju-&}\islurd1e\isluru2g\zql e\qu g\enotes + \Notes&\hsong{\txt --|--|--&}\tslur1d\tslur2f\zql d\qu f\enotes + \Notes\zql H\qu a&\hsong{\txt ge |nes, |re &}\zql c\qu e\enotes + \Notes\zql {_I}\qu L&\hsong{\txt Dont |Et |Et &}\zql c\qu g\enotes + % + %\check + \barre %15 + \Notes\zql H\qu M&\hsong{\txt il |chan-|com-&}\zql c\qu f\enotes + \hardlyrics{\txt est |ter |mande &}\notes\zql G\qu N&\hsong\thelyrics\zql c\qu e\enotes + \Notes\cNa F\zql F\qu a&\hsong{\txt le |les |… &}\roff{\zql c}\qu d\enotes + \notes\zql G\dqh NM&\zsong{\txt Sei-|oi-|la &}\zql b\qu d\enotes + % + %\check + \barre %16 + \NOTes\zhlp J\hup L&\hsong{\txt gneur.|seaux.|mort.&}\zhlp N\hup c\enotes + \finmorceau +\medskip\rightline{\it le \aujourdhui} +\absoluteaccidentals +\vfil\eject + +\endinput diff --git a/macros/generic/musixtex/doc/examples/kinder.tex b/macros/generic/musixtex/doc/examples/kinder.tex new file mode 100644 index 0000000000..d5869d25ab --- /dev/null +++ b/macros/generic/musixtex/doc/examples/kinder.tex @@ -0,0 +1,125 @@ +\input musixtex +\input musixplt +\input soul.sty % comment out this line and the next line if soul.sty not available +\sodef{\so}{}{0.15em}{0.5em}{0.5em} +\smallmusicsize +\geometricskipscale +\input musixps +\nohalfties +\def\pstiehgt{0.5} +\def\psslurhgt{1} +\def\qqsk{\off{0.25\elemskip}} +\input musixsty +\setclef1\bass\setbassclefsymbol1\bassoct +\setclef4\treble\settrebleclefsymbol4\trebleoct +\setname1{Bass Recorder} +\setname2{Tenor Recorder} +\setname3{Treble Recorder} +\setname4{Descant Recorder} +\advance\parindent by 18ex +\fulltitle{\BIgfont\so{Von fremden Ländern und Menschen}} +\subtitle{From {\rm Kinderszenen} (Scenes from Childhood), Opus~15 No.1} +\othermention{Arranged for Recorders by R. D. Tennent} +\author{Robert Schumann {\sc (1810--1856)}} +\hsize=7.275in +\vsize=9.5in +\hoffset=8.5in\advance\hoffset-\hsize\divide\hoffset2\advance\hoffset-1.0in +\voffset=11in\advance\voffset-\vsize\divide\voffset2\advance\voffset-1.0in +\def\outmorceau{\shipout\vbox{\vbox to \vsize{\vss\pagecontents\vss}\line{% +\hss\rm \copyright\ R.D. Tennent {\sc 2014}.\quad Licensed under a Creative Commons Attribution--Share Alike license.\hss}}} +\maketitle +\generalsignature{1} +\relativeaccid +\instrumentnumber4 +\songbottom{1}\songtop{4} +\setmeter1{{\meterfrac24}} +\setmeter2{{\meterfrac24}} +\setmeter3{{\meterfrac68}} +\setmeter4{{\meterfrac24}} +\stafftopmarg=7.0\Interligne% +\staffbotmarg=7.0\Interligne% +\setinterinstrument1{2.5\internote} +\startbarno=1 +\nobarnumbers +\def\raisebarno{8\internote}% +\def\shiftbarno{-1.0\Interligne}% +\startpiece\addspace\afterruleskip% +\systemnumbers +\znotes\zcharnote{e}{\ppff \kern-3ex mezzo staccato}&&&\en +\notes\qa N&\qa i&\ds\ibl1k5\qb1{k}\tqb1n&\isluru1k\qa i\en +\notes\qa{^J}&\qa{_i}&\ds\ibl1l5\qb1{l}\tqb1n&\qa n\en +\bar%2 +\notes\qa K&\qa h&\ds\ibl1k5\qb1{k}\tqb1m&\ibl2m{-2}\qb2{.m}\sk\hroff{\tbbl2\tqb2l}\en +\notes\qa M&\qa j&\ds\ibl1k5\qb1{k}\tqb1o&\tslur1l\qa k\en +\bar%3 +\notes\qa N&\qa i&\ds\ibl1k5\qb1{k}\tqb1n&\isluru1k\qa i\en +\notes\qa{^J}&\qa{_i}&\ds\ibl1l5\qb1{l}\tqb1n&\qa n\en +\bar%4 +\notes\qa K&\qa h&\ds\ibl1k5\qb1{k}\tqb1m&\ibl2m{-2}\qb2{.m}\sk\hroff{\tbbl2\tqb2l}\en +\notes\qa M&\qa j&\ds\ibl1k5\qb1{k}\tqb1o&\tslur1l\qa k\en +\bar%5 +\notes\qa N&\qa i&\ds\ibl1k5\qb1{k}\tqb1n&\isluru1k\qa i\en +\notes\qa{I}&\itied1g\qa g&\ds\ibl1k5\qb1{k}\tqb1n&\qa n\sk\sk\en +\bar%6 +\notes\qa J&\ttie1\qa g&\ds\ibl1l5\qb1{l}\tqb1n&\ibl2l{-2}\qb2{.l}\sk\hroff{\tbbl2\tqb2k}\en +\notes\qa L&\qa g&\ds\ibl1j{5}\qb1{j}\tqb1n&\qa j\sk\sk\tfslur1o\en +\bar%7 +\notes\qa K&\qa g&\ds\ibl1j{5}\qb1{j}\tqb1n&\isluru1o\qa h\en +\notes\qa{K}&\qa f&\ds\ibl1j5\qb1{j}\tqb1m&\qa k\en +\bar%8 +\notes\qa G&\qa d&\ds\ibl1i5\qb1{i}\tqb1n&\tfslur1k\ha i\en +\notes\qp&\qa g&\ds\ibl1i5\qb1{i}\tqb1n&\en +\setmeter3{{\meterfrac24}}% +\setmeter2{{\meterfrac68}}% +\setleftrightrepeat%9 +\changecontext% +\notes\zcharnote{A}{\ppff tenuto}\qa L&\ds\ibl1i5\qb1{i}\tqb1l&\qa n&\isluru1j\qa i\en +\notes\qa H&\ds\ibl1h5\qb1{h}\tqb1l&\qa o&\qa j\en +\bar%10 +\notes\ibu0K{-2}\qb0{.K}\sk\hroff{\tbbu0\tqh0J}&\ds\ibl1h{5}\qb1{h}\tqb1k&\qa m&\qa h\en +\notes\qa I&\ds\ibl1g5\qb1{g}\tqb1k&\qa n&\tslur1j\qa i\en +\bar%11 +\notes\qa J&\ds\ibu1h5\qb1{g}\tqh1j&\qa l&\isluru1n\qa g\en +\notes\off{6pt}{\smallnotesize\zqu M}\qu F&\ds\ibu1h5\qb1{f}\tqh1j&\qa l&\qa h\sk\sk\en +\bar%12 +\notes\ibu0I{-2}\qb0{.I}\sk\hroff{\tbbu0\tqh0H}&\ds\ibu1g5\qb1{f}\tqh1{i}&\qa{^k}&\qa f\en +\notes\qa G&\ds\ibu1g5\qb1{g}\tqh1i&\qa{=k}&\tfslur1n\qa g\en +\setmeter3{{\meterfrac24}}% +\setmeter4{{\meterfrac68}}% +\changecontext%13 +\znotes&&&\zcharnote{s}{\ppff ritardando}\en +\notes\qa J&\qa c&\ds\ibu1h5\qb1{g}\tqh1j&\isluru1m\qa e\en +\notes\qa J&\qa d&\ds\ibu1i5\qb1{h}\tqh1k&\qa f\en +\bar%14 +\notes\ibu0I{-2}\qb0{.I}\sk\hroff{\tbbu0\tqh0H}&\fermataup l\ha d&\ds\ibl1g5\qb1{g}\tqb1k&\ibu2g1\qb2{.g}\sk\hroff{\tbbu2\tqh2h}\hqsk\en +\notes\fermataup N\qa G&&\ds\ibl1h{5}\qb1{h}\fermataup l\tqb1k&\ibl2i1\fermataup l\qb2{.i}\sk\tfslur1n\qqsk\roff{\tbbl2\tqb2j}\hqsk\en +\bar%15 +\znotes&&&\zcharnote{t}{\kern-2ex\ppff a tempo}\en +\notes\zcharnote{e}{\ppff \kern-3.0ex mezzo staccato}\qa N&\qa i&\ds\ibl1k5\qb1{k}\tqb1n&\isluru1m\qa k\en +\notes\qa{^J}&\qa{_i}&\ds\ibl1l5\qb1{l}\tqb1n&\qa n\en +\bar%16 +\notes\qa K&\qa h&\ds\ibl1k5\qb1{k}\tqb1m&\ibl2m{-2}\qb2{.m}\sk\hroff{\tbbl2\tqb2l}\en +\notes\qa M&\qa j&\ds\ibl1k5\qb1{k}\tqb1o&\tslur1l\qa k\en +\bar%17 +\notes\qa N&\qa i&\ds\ibl1k5\qb1{k}\tqb1n&\isluru1k\qa i\en +\notes\qa{^J}&\qa{_i}&\ds\ibl1l5\qb1{l}\tqb1n&\qa n\en +\bar%18 +\notes\qa K&\qa h&\ds\ibl1k5\qb1{k}\tqb1m&\ibl2m{-2}\qb2{.m}\sk\hroff{\tbbl2\tqb2l}\en +\notes\qa M&\qa j&\ds\ibl1k5\qb1{k}\tqb1o&\tslur1l\qa k\en +\bar%19 +\notes\qa N&\qa i&\ds\ibl1k5\qb1{k}\tqb1n&\isluru1k\qa i\en +\notes\qa{I}&\itied1g\qa g&\ds\ibl1k5\qb1{k}\tqb1n&\qa n\sk\sk\en +\bar%20 +\notes\qa J&\ttie1\qa g&\ds\ibl1l5\qb1{l}\tqb1n&\ibl2l{-2}\qb2{.l}\sk\hroff{\tbbl2\tqb2k}\en +\notes\qa L&\qa g&\ds\ibl1j{5}\qb1{j}\tqb1n&\qa j\en +\bar%21 +\notes\qa K&\qa g&\ds\ibl1j{5}\qb1{j}\tqb1n&\qa h\en +\notes\qa{K}&\qa f&\ds\ibl1j5\qb1{j}\tqb1m&\qa k\en +\bar%22 +\notes\ha G&\ha d&\ds\ibl1i5\qb1{i}\tqb1n&\thslur1k\ha i\en +\notes&&\ds\ibl1i5\qb1{i}\tqb1n&\en +\mulooseness0% +\setrightrepeat% +\endpiece +\eject +\end diff --git a/macros/generic/musixtex/doc/examples/kv315.tex b/macros/generic/musixtex/doc/examples/kv315.tex new file mode 100644 index 0000000000..390d5d0030 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/kv315.tex @@ -0,0 +1,827 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi +\title{Andante KV 315}\subtitle{pour fl\^ute et orchestre} +\author{W. A. Mozart\\transcription pour fl\^ute, hautbois et orgue\\D. Taupin} +\shortauthor{W. A. Mozart / D. Taupin} +\maketitle + +\parindent 2cm +\generalsignature{0} +\instrumentnumber{3} + %\setname1{P\'edale 16'} +\setname1{Orgue} +\setname2{\vbox{\hbox{Haubois}\hbox{Violon}}} +\setname3{Fl\^ute} +\setstaffs12 +\setclef1{6000} +\ifx\orgue\undefined\else\setsize2{0.64}\setsize3{0.64}\fi +\ifx\oboe\undefined\else\setsize1{0.64}\setsize3{0.64}\fi +\ifx\flute\undefined\else\setsize2{0.64}\setsize1{0.64}\fi +\generalmeter{\meterfrac 24} +\def\dble{\multnoteskip 2} + +\debutmorceau +\zbarre +\NOTes\zq J\ql N\zq G\ql N|\zq c\qu e\zq d\qu f&\ql j\ql i&\multnoteskip{0.7}\sk\pause\enotes +% +\barre %2 +\NOtes + \ibl0K0\upz a\zq N\qb0J\upz b\zq N\qb0 b\relax + |\Ibu1eg2\lpz c\zq c\qh1e\qh1g\relax + &\Ibl2jl2\qb2j\zcharnote n{\it tr}\multnoteskip{0.6}\qb2k\relax + {\multnoteskip{0.4}\tinynotesize\Ibbu3jk1\qh3j\tqh3k}\relax + &\soupir\enotes +\NOtes + \zq J\upz c\tqb0c|\tqh1g\relax + &\tqb2l&\ds\enotes +\notes\ds|\ds&\ds&\Ibbl0lm2\zcharnote n{\it tr}\qbp0l\sk\tbbbl0\tqb0m\enotes +% +\barre %3 +\notes\dble\zhu N\cl J\raise -\Interligne\ds\cl G\raise -\Interligne\ds + |\ibbu0e0\qh0c\zq c\qh0e\zq e\qh0g\zq e\tqh0c\zq e\ibbu0e0\qh0g\zq +c\qh0e\zq d\qh0f\zq b\tqh0d\relax + & \dble\dble\sk\pause + &\Ibbl0nl1\qb0n\tqb0l\dble\isluru0j\ql j\sk\tslur0k\cl k\enotes +% +\barre %4 +\notes\dble\zq C\cu J\ds\zq C\cu J\ds\relax + |\qs\ibbu0d0\zq b\qh0{^d}\zq c\qh0e\zq b\tqh0d\relax + \Ibbu0df3\zq c\qh0e\zq c\qh0e\zq {=d}\qh0f\zq e\tqh0g\relax + &\dble\dble\sk\pause + &\Ibl0kl2\qb0{^k}\sk\tqb0l\sk\qs\Ibbl0ln2\qb0{lm}\tqb0n\enotes +% +\barre %5 +\notes\dble\zq C\cu J\ds\cu J\ds + |\qs\ibbu0g0\zq f\qh0h\zq c\qh0f\zq f\tqh0h\Ibbu0ig3\zq h\qh0j\zq +h\qh0j\sk\zq g\qh0i\zq f\tqh0h\relax + &\dble\dble\sk\pause + &\ibbl0o0\qb0o\tbbl0\qb0m\itenu0q\tqb0q\sk + \ibbl0o0\tten0\qbp0q\relax + {\multnoteskip{0.66}\sk\nbbbl0\qb0r\tqb0q}\relax + \Ibbl0po1\qb0p\tqb0o\enotes +% +\barre %6 +\notes\dble\zq C\cu J\ds\cu J\ds + |\qs\Ibbu0fd2\zq f\qh0h\zq e\qh0g\zq{^d}\tqh0{^f}\relax + \ibbu0i0\zq e\qh0g\zq g\qh0j\zq c\qh0e\zq e\tqh0g\relax + &\dble\dble\sk\pause + &\dble\Ibl0on1\zcharnote q{\it tr}\qb0o\tqb0n\ds + \multnoteskip{0.33}\zcharnote p{\it tr}\ibbl0n0\qbp0n\sk\tbbbl0\tqb0n\enotes +% +\barre %7 +\notes\dble\zq H\ql a\sk\zq{_H}\ql{_a}\relax + |\qs\Ibbu0fj2\zq c\qh0f\zq f\qh0h\zq h\tqh0j\ds\Ibbu0fj2\zq c\qh0f\zq +f\qh0{_h}\zq h\tqh0j\relax + &\dble\dble\sk\pause + &\Ibbl0qo1\qb0q\tqb0o\dble\ql m\sk\cl m\enotes +% +\barre %8 +\Notes\zq G\ql N|\qs\Ibbu0di2\zq b\qh0d&\relax + &\multnoteskip{0.5}\Ibbbl1nk3\qb1{nml}\tqb1k\enotes +\notes|\zq d\qh0f\zq f\tqh0i&\sk\pause + &\ql k\sk\enotes +\notes\dble\Ibu0MJ1\zq G\qh0N\zq C\tqh0J\relax + |\qs\ibbu0i0\zq f\qh0i\zq e\qh0j\zq e\tqh0g\relax + &&\sk\sk\multnoteskip{0.7}\Ibbl0lj2\qbp0l\sk\tbbbl0\tqb0j\enotes +% +\barre %9 +\notes\dble\zq F\qu M\sk\zql G\ibu0L0\qh0N\tqh0N\relax + |\dble\zqp d\qup f\sk\sk\zq b\cu d\relax + &\dble\dble\sk\pause + &\ibbl0i0\isluru0i\qb0i\tslur0h\qb0h\isluru0m\qb0m\tslur0k\tqb0k\relax + \ibbl0j0\isluru0j\qb0j\tslur0i\qb0i\isluru0n\qb0n\tslur0m\tqb0m\enotes +% +\barre %10 +\notes\dble\zhu N\ql J\sk\Ibl0JI1\qb0J\tqb0I\relax + |\qs\Ibbu0bd2\qh0b\qh0c\tqh0{=d}\Ibbu0eg3\qh0{^de=d}\tqh0g\relax + &\qs\Ibbu0ef2\qh0{^de}\tqh0f\Ibbu0fi3\qh0{^fgh}\tqh0i\relax + &\dble\Ibl0kl1\qb0{^k}\tqb0l\ds + \zcharnote p{\it tr}\multnoteskip{0.4}\ibbl0n0\qbp0n\sk\tbbbl0\tqb0n\enotes +% +\barre %11 +\notes\dble\zq H\ql a\sk\zq{_H}\ql{_a}\relax + |\qs\Ibbu0fj2\zq f\qh0c\zq f\qh0h\zq h\tqh0j\relax + \qs\Ibbu0fj2\zq c\qh0f\zq f\qh0{_h}\zq h\tqh0j\relax + &\dble\ql j\sk\ds\cl j\relax + &{\multnoteskip{0.667}\triolet q\Ibbl0qm2\qb0{qo}\tqb0m}\relax + \dble\ql m\sk\cl m\enotes +% +\barre %12 +\notes\dble\Ibu0LK1\lpz G\zq G\qh0N\lpz F\zq F\tqh0M\ds + |\dble\lpz d\zq d\Ibu0gd1\qh0g\lpz b\zq b\tqh0d\ds + &\dble\Ibu0ig2\lpz i\qh0i\lpz g\tqh0g\ds + &\ibbl0k0\qb0m\tbbl0\qb0p\tqb0p\sk\ds\enotes +\notes\cl L|\cu c&\cu g&\Ibbbl0qo3\qb0{qp_p}\tqb0o\enotes +% +\barre %13 +\notes\ql M|\dble\dble\Ibu0cd1\qh0c\tqh0d\relax + &\dble\dble\Ibu0fh1\qh0f\tqh0h\relax + &\ibbbl0n0\qb0{^no=p}\tqb0o\Ibbbl0nk3\qb0{=nml}\tqb0k\enotes +\Notes\dble\ibl0N0\qb0N\tqb0N\relax + |\ds\Ibbu0gd2\zq e\qh0g\zq c\qh0e\zq b\tqh0d\relax + &\sk\sk\soupir + &\ibbl0j0\roff{\tbbl0}\qh0{jl}\sk + \multnoteskip{0.6}\nbbbl0\qb0m\tqb0k\enotes +% +\barre %14 +\notes\zql J\Ibbu0JI2\qh0M\tbbu0\qh0L\tqh0L\sk\dble\zq{_L}\ql N\relax + |\qs\Ibbu0cg2\zq c\qh0N\zq c\qh0e\zq e\tqh0g\qs + \Ibbu0ej2\zq c\qh0{_e}\zq e\qh0g\zq g\tqh0j\relax + &\dble\dble\sk\pause + &\zcharnote n{\it tr}\Ibbl0kj2\qb0k\tbbl0\qb0 j\tqb0j\sk\ds\sk + \multnoteskip{0.67}\Ibbl0jn2\qbp0j\sk\tbbbl0\tqb0n\enotes +% +\barre %15 +\notes\zh D\hu K|\dble\ibl1h0\qb1h\qb1{^f}\relax + &\dble\ds\isluru0m\ql k\relax + &\Ibbl0nm2\qb0n\tbbl0\qb0{^m}\itenu3m\tqb0m\enotes +\notes|\multnoteskip{0.75}\dble\dble\qb1g\itenu1h\tqb1h\relax + &\multnoteskip{0.75}\dble\dble\sk\tslur0l\itenu2j\cl j\relax + &\multnoteskip{0.75}\tten3\ibbbl0m0\qb0{mln}\tqb0m\Ibbbl0ol3\qb0{onm}\tqb0l\enotes +% +\barre %16 +\notes\zh D\hu K|\dble\zcl{^f}\tten1\cu h\Ibl0po1\zq o\qb0q\zq +n\tqb0p\itenl1g\cu g\relax + &\tten2\dble\cu j\ds\ds\itenu2i\cu i\relax + &\uppersh p\zcharnote n{\it tr}\Ibbl0nk2\qb0l\tbbl0\qb0k\itenu3k\tqb0k\sk + \tten3\ibbl0k0\qb0k\tqb0p\multnoteskip{0.8}\Ibbbl0ol2\qb0{on^m}\tqb0l\enotes +% +\barre %17 +\notes\zh D\hu K|\dble\zcl e\tten1\cu g\Ibl0on1\zq n\qb0p\zq +{^m}\tqb0o\zq d\cu {^f}\relax + &\tten2\dble\cu i\ds\ds\cu h\relax + &\ibbl0k0\qb0k\tbbl0\qb0j\itenu3q\tqb0q\sk + \tten3\Ibbl0qj2\qb0{qo^m}\tqb0j\enotes +% +\barre %18 +\notes\dble\zq G\qu N\sk\ds\zq d\cl b\relax + |\zq d\cu g\sk\sk\sk\ds\ibbu0f0\qh0d\qh0g\tqh0{=f}\relax + &\dble\qu i\sk\soupir\relax + &\Ibbl0ip3\qb0{ikn}\tqb0p\itenu4r\ql r\enotes +% +\barre %19 +\notes\dble\ibl0c0\qb0{ccc}\tqb0c\relax + |\zhl e\ibbu0j0\roff{\tbbu0}\qh0g\qh0l\sk\qh0k\sk\qh0j\sk\tbbu0\tqh0i\relax + &\dble\ibu0g0\qh0{g^gh}\tqh0{=g}\relax + &\tten4\Ibbl0rn7\roff{\tbbl0}\qb0r\qb0q\sk\qb0p\sk\qb0o\sk\tbbl0\tqb0n\enotes +% +\barre %20 +\NOtes\dble\ibl0d0\qb0d\tqb0d\multnoteskip{0.7}\cl d\ds + |\dble\ibu0h0\qh0h\tqh0h\multnoteskip{0.7}\cu h\ds + &\dble\ibu0f0\qh0{^f}\tqh0f\multnoteskip{0.7}\cu f\ds + &{\multnoteskip{0.5}\Ibbbl0nk3\qb0{n^ml}\tqb0k\Ibbbl0jk3\qb0{^jkl}\tqb0k}\relax + \cl k\ds\enotes +% +\barre %21 +\Notes\zq G\cu N\ds\zq K\cu D|\zq b\cu d\ds\zq c\rq d\cu{^f}\ds + &\cu g\ds\cu h\ds&\sk\sk\pause\enotes +% +\barre %22 +\Notes\Ibl0HJ2\upz N\zq N\qb0G\upz a\zq a\qb0H|\ibu1g1\zq d\qh1g\zq d\qh1{^f}\relax + &\Ibl2ik2\upz i\qb2i\upz j\zq j\qb2j&\soupir\enotes +\notes\upz b\zq I\tqb0b\sk\ds + |\zq d\tqh1g\sk\ds + &\tqb2k\sk\ds + &\qs\Ibbl2kp2\qb2{kn}\tqb2p\enotes +% +\barre %23 +\NOtes\zhu d\islurd0a\ql a\tslur0N\ql N|\isluru0j\ql j\tslur0i\ql i\relax + &\isluru0m\ql{^m}\tslur0n\ql n&\itenu5r\hl r\enotes +% +\barre %24 +\NOtes\upz d\zq d\lq c\Ibl0Ma2\qb0{^M}\upz d\zq d\zq b\qb0N\upz f\zq{^f}\tqb0a\relax + |\ibl0k0\qb0{kk}\tqb0k\relax + &\Ibl0oq2\qb0o\zcharnote r{\it tr}\relax + \rlap{\multnoteskip{0.25}\sk\sk\tinynotesize\Ibbu1op1\qh1o\tqh1p}\relax + \qb0p\tqb0q\relax + &\tten5\itenu5r\ql r\sk + \tten5\multnoteskip{0.6}\ibbl0r0\qb0r\relax + \nbbbl0\multnoteskip{0.6}\qb0s\tqb0r\enotes +\notes\ds|\ds&\ds&\multnoteskip{0.72}\Ibbbl0ro3\qb0{rqp}\tqb0o\enotes +% +\barre %25 +\Notes\ql N|\qs\ibbu1i0\zq b\qh1g\relax + &&\multnoteskip{0.5}\ibbbl0n0\qb0{nop}\tqb0o\enotes +\notes\dble\sk\ql b|\zq i\qh1k\zq g\tqh1i\ibbu0g0\zq d\qh0g\zq d\qh0g\zq d\qh0g\zq d\tqh0g\relax + &\sk\pause + &\dble\isluru0n\ql n\sk\tslur0m\cl{^m}\enotes +% +\barre %26 +\Notes\ql c|\qs\ibbu1g0\zq e\qh1g\relax + &&\multnoteskip{0.5}\ibbbl0l0\qb0{l^mn}\tqb0m\enotes +\notes\dble\sk\ql N|\qh1e\zq g\tqh1e\ibbu0i0\zq j\qh0g\zq j\qh0g\zq i\qh0g\zq i\tqh0g\relax + &\sk\pause + &\dble\isluru0l\ql l\sk\tslur0k\cl{k}\enotes +% +\barre %27 +\notes\ql a|\ds\ibbu0g0\zq e\qh0g\zq e\qh0g\zq e\tqh0g\relax + &\sk\sk\sk\pause + &\ibl0j0\zcharnote m{\it tr}\qbp0j\sk\sk\nbbbl0\multnoteskip{0.7}\qb0i\tqb0j\enotes +\notes\ql K|\ibbu0h0\zq{^f}\qh0h\zq f\qh0h\zq f\qh0h\zq f\tqh0h\relax + &&\Ibl0kj2\isluru0k\qb0k\sk\tslur0j\tqb0j\enotes +% +\barre %28 +\NOtes\ds\Ibl1LJ3\zqu b\qb1L|\ds\zqu g\Ibl2ge3\qb2g\relax + &&\Ibu3hi1\islurd3h\qh3{^h}\tslur3i\tqh3i\enotes +\notes\dble\dble\qb1K\zcu c\tqb1J|\dble\dble\qb2{^f}\zcu g\tqb2e\relax + &\pause + &\hs\Ibbbu0gi2\qh0{g=h}\tqh0i\Ibbbl0jm3\qb0{jkl}\tqb0{^m}\enotes +% +\barre %29 +\Notes\cu I|\zqup g\raise -6\Internote\qs\ibbl1f0\zq b\qb1d\relax + &\soupir&\multnoteskip{0.5}\ibbbl0n0\qb0{nop}\tqb0o\enotes +\notes\dble\ds\cu I\ds|\zq d\qb1b\zq d\tqb1b\Ibbl0ef3\zq b\qb0d\zq b\qb0d\zq d\qb0{=f}\zq d\tqb0f\relax + &\dble\sk\ds\cu{^g}\relax + &\itenu0n\cl n\sk\tten0\ibbl0o0\qb0{nrq}\tqb0p\enotes +% +\barre %30 +\notes\ibu1J0\qh1J\sk\qh1J|\Ibbu0fe2\zq d\qh0f\zq c\tbbu0\qh0e\zq c\tqh0e\relax + &\Ibbu0ih2\qh0i\tbbu0\qh0h\tqh0h\relax + &\Ibbl0no1\qb0{^n}\tqb0o\qs\ccl s\enotes +\Notes\dble\qh1J\tqh1J|\dble\Ibu0hj1\zq e\qh0h\zq h\tqh0j\relax + &\dble\Ibu0jl1\qh0j\tqh0l\relax + &\multnoteskip{0.5}\qs\sk\Ibbbl0rq1\qb0r\tqb0q\qs\sk\Ibbbl0po1\qb0p\tqb0o\enotes +% +\barre %31 +\Notes\zq K\ql d|\qs\ibbu1i0\zq g\qh1i\relax + &\ds + &\multnoteskip{0.71}\ibbl3n0\qbp3p\sk\tbbbl3\tbbl3\qb3n\enotes +\Notes\dble\sk\zq K\ql d|\qh1i\tqh1i\Ibbu0ig3\qh0i\zq e\qh0{^h}\lna h\zq{^f}\qh0h\tqh0g\relax + &\ibbu0k0\qh0k\tqh0k\Ibbu0ki3\qh0{k^j=j}\tqh0i\relax + &\itenu1r\tqb3r\sk\tten1\Ibbl0rp3\qb0{r^q=q}\tqb0p\enotes +% +\barre %32 +\Notes\zcl K\roff{\zq d\itenu1d}\itenl0c\qu c\sk\raise -2\Internote\ds + |\qs\ibbu0g0\qh0{gg}\tqh0g\relax + &\itenl2h\qu h\relax + &\zhl o\xTrille q{8\noteskip}\enotes +\notes\dble\zcl K\ibbu0b0\roff{\zq d\tten1}\tten0\qh0c\rq d\qh0c\rq d\relax + \raise -2\Internote\rlap{\ds}\qh0c\rq d\tqh0c\relax + |\Ibbbu0fg3\qh0{^fgh}\tqh0g\ibbbu0i0\qh0{hij}\tqh0h\relax + &\tten2\Ibbbu0hi3\qh0{hij}\tqh0i\Ibbbu0jm3\qh0{jkl}\tqh0{^m}\relax + &\sk\sk\sk\sk\sk\sk\sk\multnoteskip{0.7}\tinynotesize\Ibbbu0lm1\qh0n\tqh0o\enotes +% +\barre %33 +\notes\zql N\zql G\ibbu1a0\qh1b\zcharnote C{(p\'ed.)}\sk\qh1d\relax + |\Ibbbu0gh3\qh0{ghi}\tqh0h\relax + &\Ibbbl0no3\qb0{nop}\tqb0o\relax + &\ql n\enotes +\Notes\qh1b\tqh1d\zql I\raise4\Internote\qs\ibbu0N0\qh0{Nd}\tqh0N\relax + |\dble\qu g\sk\cu{^f}\relax + &\dble\isluru0n\ql n\sk\tslur0m\cl{^m}\relax + &\dble\sk\soupir\enotes +% +\barre %34 +\notes\zql J\raise4\Internote\qs\sk\ibbu1M0\qh0N\relax + |\Ibbbu0ef3\qh0{e^fg}\tqh0f\relax + &\Ibbbl0lm3\qb0{l^mn}\tqb0m\relax + &\enotes +\Notes\qh1c\tqh1N\rlap{\dble\Ibl0JK1\qb0J\tqb0L}\Ibbu0aM3\qh0{cNb}\tqh0N\relax + |\dble\qu e\sk\cu d\relax + &\dble\isluru0l\ql l\sk\tslur0k\cl k\relax + &\dble\sk\pause\enotes +% +\barre %35 +\notes\zqlp L\Ibbbu0LM3\qh0{L=MN}\tqh0M\relax + |\Ibbbu0cd3\qh0{cde}\tqh0d\relax + &\Ibbbl0jk3\qb0{jkl}\tqb0k\relax + &\enotes +\Notes\ibbu0L0\qh0L\tqh0N\Ibbu0LK2\qh0{LN}\roff{\zcl K}\qh0K\tqh0N\relax + |\dble\qu c\sk\cu b\relax + &\dble\isluru0j\ql j\sk\tslur0i\cl i\relax + &\dble\sk\pause\enotes +% +\barre %36 +\Notes\zql J\Ibu0Lc3\qh0L\sk\nbbu0\qh0a\tqh0c|\dble\ibu0e0\qh0e\tqh0e\relax + &\Ibbu0gl3\qh0{^ghj}\tqh0l\enotes +\notes\zql K\ibl0f0\qb0d\sk\sk\tqb0d\relax + |\Ibbu0ig2\qhp0i\sk\tbbbu0\tqh0g\Ibbbu0if3\qh0{ihg}\tqh0{^f}\relax + &\islurd0k\Ibbu0ki2\qhp0k\sk\tbbbu0\tqh0i\Ibbbu0kh3\qh0{kji}\tslur0h\tqh0h\relax + &\sk\pause\enotes +% +\barre %37 +\Notes\zcl G\zq {Nb}\cu d\sk\ds|\cu g\sk\ds + &\cu g\sk\ds + &\qs\isluru0g\Ibbl0gk2\qb0{gi}\tqb0k\enotes +\notes\soupir|\soupir&\soupir + &\tslur0n\ibbbl0n0\qb0n\upz k\qb0k\upz l\qb0l\upz +m\tqb0{^m}\Ibbbl0nq3\upz n\qb0n\upz o\qb0o\upz p\qb0p\upz q\tqb0q\enotes +% +\barre %38 +\Notes\zq G\cu N\ds\zq D\cu K\ds|\zq {_bd}\cu g\ds\zq{ac}\rq d\cu{^f}\sk + &\cu g\ds\cu {^f}\ds&\itenu0r\hl r\enotes +% +\barre %39 +\Notes\Ibl1GN2\upz N\zq N\qb1G\upz c\zq c\qb1K\relax + |\Ibu2gi2\lpz b\zq{_bd}\qh2g\zq{d^f}\qh2h\relax + &\Ibu3gi2\lpz g\qh3g\lpz h\qh3h\relax + &\tten0\itenu0r\ql r\enotes +\notes\upz b\zq N\tqb1{_b}\sk\ds + |\lpz d\zq{dg}\tqh2{_i}\sk\ds + &\lpz i\tqh3{_i}\sk\ds + &\tten0\ibbl0r0\qb0{rrr}\tqb0r\enotes +% +\barre %40 +\notes\zql H\raise2\Interligne\qs\Ibbu0Ma1\qh0{^M}\zqlp a\tqh0a\relax + |\ds\sk\qs\itenl0c\ccu c\relax + &\relax + &\dble\dble\isluru1s\ql{_s}\enotes + \nspace +\notes + |\tten0\zq c\zql{_e}\Ibbu0ej3\qh0{e^fh}\tqh0j\relax + &\pause + &\tslur1m\ql{^m}\enotes +% +\barre %41 +\Notes\lpz I\Ibu0NL2\zq{_I}\qh0{_b}\lpz F\zq{^F}\qh0{^M}\lpz G\zq G\tqh0N\ds + |\lpz d\Ibu0ki2\zq{dg}\qh0k\lpz d\zq{dh}\qh0j\lpz d\zq{dg}\tqh0{_i}\ds + &\upz k\Ibl0ki2\qb0k\upz j\qb0j\upz i\tqb0{_i}\ds + &\Ibl0no1\qb0n\zcharnote q{\it tr}\upperfl s\qb0o\tqb0{_p}\ds + \enotes +% +\barre %42 +\notes\ql c|\ds&&\multnoteskip{0.8}\ibbbl0o0\qb0{_poq}\tqb0o\enotes +\Notes\sk\ql d|\Ibl0jh2\zq{_l}\qb0j\zq l\qb0{_i}\zq j\tqb0 h\relax + &\sk\pause + &\isluru0n\ql n\sk\tslur0m\cl{^m}\enotes +% +\barre %43 +\notes\dble\zql N\hu d\sk\ql{=M}\relax + |\Ibbu0ji3\zq{^f}\qh0j\zq g\qh0{_i}\zq g\qh0i\zq g\tqh0i\relax + \qs\ibbu0i0\zq g\qh0i\zq f\qh0h\zq g\tqh0i\relax + &\dble\sk\sk\pause + &\Ibbl0on2\qb0o\tbbl0\qb0n\tqb0n\sk\ds\sk\cl n\enotes +% +\barre %44 +\notes\dble\zq L\ql{^c}\sk\zq K\ql d\relax + |\qs\ibbu0i0\zq g\qh0{_i}\zq{^f}\qh0h\zq g\tqh0i\relax + \qs\ibbu0i0\zq g\qh0i\zq f\qh0h\zq g\tqh0i\relax + &\dble\sk\sk\pause + &\itenu1n\ql n\sk\sk\sk\tten1\ibbl0n0\qb0n\qb0n\qb0{^m}\tqb0n\enotes +% +\barre %45 +\notes\dble\qu{^J}\sk\qu K\relax + |\zql e\ibbu0h0\qh0{gh^g}\tqh0h\ibbu0h0\zq d\qh0{=f}\zq f\qh0h\zq +e\qh0{=g}\zq d\tqh0f\relax + &\dble\sk\sk\pause + &\Ibbl0po2\qb0{_p}\tbbl0\qb0o\itenu0o\tqb0o\sk + \tten0\Ibbl0oq3\qb0{or^q}\tqb0r\enotes +% +\barre %46 +\notes\zql E\raise2\Interligne\qs\Ibbu0JL1\qh0{^J}\zqlp L\tqh0L\relax + |\ds\sk\qs\itenl0N\ccu N\relax + &\relax + &\dble\dble\isluru1p\ql{_p}\enotes + \nspace +\notes + |\tten0\zq N\zql{_b}\Ibbu0bg3\qh0{b^ce}\tqh0g\relax + &\pause + &\tslur1j\ql{^j}\enotes +% +\barre %47 +\Notes\lpz F\Ibu0MK2\zq F\qh0M\lpz C\zq{^C}\qh0{^J}\lpz D\zq D\tqh0K\ds + |\lpz a\Ibu0hf2\zq{ad}\qh0h\lpz a\zq{ae}\qh0g\lpz a\zq{ad}\tqh0f\ds + &\lpz h\Ibu0hf2\qh0h\lpz g\qh0g\lpz f\tqh0f\ds + &\Ibl0kl1\qb0k\zcharnote n{\it tr}\qb0l\tqb0m\ds + \enotes +% +\barre %48 +\notes\ql N|\ds&&\multnoteskip{0.8}\ibbbl0l0\qb0{mln}\tqb0l\enotes +\Notes\sk\ql a|\Ibu0hf2\zq{_i}\qh0g\zq h\qh0f\zq g\tqh0 e\relax + &\pause + &\isluru0k\ql k\sk\tslur0j\cl{^j}\enotes +% +\barre %49 +\notes\dble\zq K\ql a\sk\zq{=I}\ql{=b}\relax + |\ibbu0g0\zq{^c}\qh0h\zq d\qh0f\lpz d\zq d\qh0f\lpz d\zq d\tqh0f\zq d\qh0{^g}\relax + &\dble\sk\sk\pause + &\Ibbl0lk2\qb0l\tbbl0\qb0k\tqb0k\sk\qs\ibbl0m0\qb0{mm}\tqb0m\enotes +% +\barre %50 +\notes\dble\zq J\ql c\sk\zq{^G}\ql{^N}\relax + |\qs\ibbu0i0\zq e\qh0h\zq e\qh0h\zq e\tqh0h\zq e\qh0{=i}\relax + &\dble\sk\pause + &\Ibbl0ml2\qb0m\tbbl0\qb0l\tqb0l\sk\qs\ibbl0k0\qb0{kk}\tqb0k\enotes +% +\barre %51 +\notes\dble\zq H\ql a\sk\zq F\qu M\relax + |\zcl e\Ibbu0ih1\qh0i\tqh0h\zq c\dble\qu h\relax + &\dble\sk\sk\pause + &\ibbl0k0\qb0k\tbbl0\qb0j\itenu0o\tqb0o\sk + \multnoteskip{0.6}\Ibbl0om3\tten0\qb0o\sk\nbbbl0\qb0n\tqb0m\enotes +\notes|\zq a\cu h&&\Ibbl0lk1\qb0l\tqb0{^k}\enotes +% +\barre %52 +\notes\zql E\raise2\Interligne\qs\ibbu0L0\qh0{LL}\tqh0L\dble\cu L\ds + |\Ibbu0hg3\zq c\qh0h\zq b\qh0{^g}\zq b\zq e\qh0g\zq b\zq e\tqh0g\dble\zq + {be}\cu g\ds + &\dble\dble\pause + &\Ibbl0kl2\qb0{^k}\tbbl0\qb0l\tqb0l\sk\qs\ibbl0l0\qb0{ll}\tqb0l\enotes +% +\barre %53 +\notes\qs\ibbl0K0\qb0{KK}\tqb0K\relax + |\qs\ibbu0i0\rq g\sh g\zq f\qh0i\rq g\zq f\qh0i\rq g\zq f\tqh0i\relax + &\qs\ibbu0i0\qh0{ii}\tqh0i\relax + &\Ibbl0nm2\qb0n\tbbl0\qb0m\tqb0m\enotes +\notes\multnoteskip{0.7}\cl K\sk\sk\sk\ds + |\multnoteskip{0.7}\zq f\rq g\cu i\sk\sk\sk\ds + &\multnoteskip{0.7}\cu i\sk\sk\sk\ds + &\multnoteskip{0.7}\hs\ibbbl0l0\qb0{ml}\tqb0m\ibbbl0l0\qb0{nml}\tqb0m\enotes +% +\barre %54 +\notes\zql G\raise3\Internote\qs\ibbl0N0\qb0{NN}\tqb0N\relax + |\qs\ibbu0i0\zq d\zq f\qh0i\zq d\zq f\qh0i\zq d\zq f\tqh0i\relax + &\qs\ibbu0i0\qh0{ii}\tqh0i\relax + &\Ibbl0qp2\qb0q\tbbl0\qb0p\tqb0p\enotes +\notes\multnoteskip{0.7}\cl N\sk\sk\sk\ds + |\multnoteskip{0.7}\zq f\rq g\cu i\sk\sk\sk\ds + &\multnoteskip{0.7}\cu i\sk\sk\sk\ds + &\multnoteskip{0.7}\hs\ibbbl0o0\qb0{po}\tqb0p\ibbbl0o0\qb0{qpo}\tqb0p\enotes +% +\barre %55 +\NOTes\zq J\ql N\zq G\ql N|\zq c\qu e\zq d\qu f&\ql j\ql i&\ql q\soupir\enotes +% +\barre %56 +\NOtes + \ibl0K0\upz a\zq N\qb0J\upz b\zq N\qb0 b\relax + |\Ibu1eg2\lpz c\zq c\qh1e\qh1g\relax + &\Ibl2jl2\qb2j\zcharnote n{\it tr}\multnoteskip{0.6}\qb2k\relax + {\multnoteskip{0.4}\tinynotesize\Ibbu3jk1\qh3j\tqh3k}\relax + &\soupir\enotes +\NOtes + \zq J\upz c\tqb0c|\tqh1g\relax + &\tqb2l&\ds\enotes +\notes\ds|\ds&\ds&\Ibbl0lm2\zcharnote n{\it tr}\qbp0l\sk\tbbbl0\tqb0m\enotes +% +\barre %57 +\notes\dble\zhu N\cl J\raise -\Interligne\ds\cl G\raise -\Interligne\ds + |\ibbu0e0\qh0c\zq c\qh0e\zq e\qh0g\zq e\tqh0c\zq e\ibbu0e0\qh0g\zq +c\qh0e\zq d\qh0f\zq b\tqh0d\relax + & \dble\dble\sk\pause + &\Ibbl0nl1\qb0n\tqb0l\dble\isluru0j\ql j\sk\tslur0k\cl k\enotes +% +\barre %58 +\notes\dble\zq C\cu J\ds\zq C\cu J\ds\relax + |\qs\ibbu0d0\zq b\qh0{^d}\zq c\qh0e\zq b\tqh0d\relax + \Ibbu0df3\zq c\qh0e\zq c\qh0e\zq {=d}\qh0f\zq e\tqh0g\relax + &\dble\dble\sk\pause + &\Ibl0kl2\qb0{^k}\sk\tqb0l\sk\qs\Ibbl0ln2\qb0{lm}\tqb0n\enotes +% +\barre %59 +\notes\dble\zq C\cu J\ds\cu J\ds + |\qs\ibbu0g0\zq f\qh0h\zq c\qh0f\zq f\tqh0h\Ibbu0ig3\zq h\qh0j\zq +h\qh0j\sk\zq g\qh0i\zq f\tqh0h\relax + &\dble\dble\sk\pause + &\ibbl0o0\qb0o\tbbl0\qb0m\itenu0q\tqb0q\sk + \ibbl0o0\tten0\qbp0q\relax + {\multnoteskip{0.66}\sk\nbbbl0\qb0r\tqb0q}\relax + \Ibbl0po1\qb0p\tqb0o\enotes +% +\barre %60 +\notes\dble\zq C\cu J\ds\cu J\ds + |\qs\Ibbu0fd2\zq f\qh0h\zq e\qh0g\zq{^d}\tqh0{^f}\relax + \ibbu0i0\zq e\qh0g\zq g\qh0j\zq c\qh0e\zq e\tqh0g\relax + &\dble\dble\sk\pause + &\dble\Ibl0on1\zcharnote q{\it tr}\qb0o\tqb0n\ds + \multnoteskip{0.33}\zcharnote p{\it tr}\ibbl0n0\qbp0n\sk\tbbbl0\tqb0n\enotes +% +\barre %61 +\notes\dble\zq H\ql a\sk\zq{_H}\ql{_a}\relax + |\qs\Ibbu0fj2\zq c\qh0f\zq f\qh0h\zq h\tqh0j\ds\Ibbu0fj2\zq c\qh0f\zq +f\qh0{_h}\zq h\tqh0j\relax + &\dble\dble\sk\pause + &\Ibbl0qo1\qb0q\tqb0o\dble\ql m\sk\cl m\enotes +% +\barre %62 +\Notes\zq G\ql N|\qs\Ibbu0di2\zq b\qh0d&\relax + &\multnoteskip{0.5}\Ibbbl1nk3\qb1{nml}\tqb1k\enotes +\notes|\zq d\qh0f\zq f\tqh0i&\sk\pause + &\ql k\sk\enotes +\notes\dble\Ibu0MJ1\zq G\qh0N\zq C\tqh0J\relax + |\qs\ibbu0i0\zq f\qh0i\zq e\qh0j\zq e\tqh0g\relax + &&\sk\sk\multnoteskip{0.7}\Ibbl0lj2\qbp0l\sk\tbbbl0\tqb0j\enotes +% +\barre %63 +\notes\dble\zq F\qu M\sk\zql G\ibu0L0\qh0N\tqh0N\relax + |\dble\zqp d\qup f\sk\sk\zq b\cu d\relax + &\dble\dble\sk\pause + &\ibbl0i0\isluru0i\qb0i\tslur0h\qb0h\isluru0m\qb0m\tslur0k\tqb0k\relax + \ibbl0j0\isluru0j\qb0j\tslur0i\qb0i\isluru0n\qb0n\tslur0m\tqb0m\enotes +% +\barre %64 +\notes\dble\zhu N\ql J\sk\Ibl0JI1\qb0J\tqb0I\relax + |\qs\Ibbu0bd2\qh0b\qh0c\tqh0{=d}\Ibbu0eg3\qh0{^de=d}\tqh0g\relax + &\qs\Ibbu0ef2\qh0{^de}\tqh0f\Ibbu0fi3\qh0{^fgh}\tqh0i\relax + &\dble\Ibl0kl1\qb0{^k}\tqb0l\ds + \zcharnote p{\it tr}\multnoteskip{0.4}\ibbl0n0\qbp0n\sk\tqb0n\enotes +% +\barre %65 +\notes\dble\zq H\ql a\sk\zq{_H}\ql{_a}\relax + |\qs\Ibbu0fj2\zq f\qh0c\zq f\qh0h\zq h\tqh0j\relax + \qs\Ibbu0fj2\zq c\qh0f\zq f\qh0{_h}\zq h\tqh0j\relax + &\dble\ql j\sk\ds\cl j\relax + &{\multnoteskip{0.667}\triolet q\Ibbl0qm2\qb0{qo}\tqb0m}\relax + \dble\ql m\sk\cl m\enotes +% +\barre %66 +\notes\dble\Ibu0LK1\lpz G\zq G\qh0N\lpz F\zq F\tqh0M\ds + |\dble\lpz d\zq d\Ibu0gd1\qh0g\lpz b\zq b\tqh0d\ds + &\dble\Ibu0ig2\lpz i\qh0i\lpz g\tqh0g\ds + &\ibbl0k0\qb0m\tbbl0\qb0p\tqb0p\sk\ds\enotes +\notes\cl L|\cu c&\cu g&\Ibbbl0qo3\qb0{qp_p}\tqb0o\enotes +% +\barre %67 +\notes\ql M|\dble\dble\Ibu0cd1\qh0c\tqh0d\relax + &\dble\dble\Ibu0fh1\qh0f\tqh0h\relax + &\ibbbl0n0\qb0{^no=p}\tqb0o\Ibbbl0nk3\qb0{=nml}\tqb0k\enotes +\Notes\dble\ibl0N0\qb0N\tqb0N\relax + |\ds\Ibbu0gd2\zq e\qh0g\zq c\qh0e\zq b\tqh0d\relax + &\sk\sk\soupir + &\ibbl0j0\roff{\tbbl0}\qh0{jl}\sk + \multnoteskip{0.6}\nbbbl0\qb0m\tqb0k\enotes +% +\barre %68 +\notes\zql J\Ibbu0JI2\qh0M\tbbu0\qh0L\tqh0L\sk\dble\ql N\relax + |\qs\Ibbu0cg2\zq c\qh0N\zq c\qh0e\zq e\tqh0g\qs + \Ibbu0ej2\zq c\qh0{e}\zq e\qh0g\zq g\tqh0j\relax + &\dble\dble\sk\pause + &\zcharnote n{\it tr}\Ibbl0kj2\qb0k\tbbl0\qb0 j\tqb0j\sk\ds\sk + \multnoteskip{0.67}\Ibbl0jj2\qbp0j\sk\tbbbl0\tqb0j\enotes +% +\barre %69 +\Notes\zhl J\qu a\relax + |\qs\Ibbu0fj2\zq c\qh0{^f}\zq f\qh0h\zq h\tqh0j\relax + &\relax + &\Ibbl0jn2\qb0{^j}\tbbl0\qb0k\itenu0r\tqb0r\enotes +\notes\ql{_b}|\dble\qs\Ibbu0gk2\zq d\qh0g\zq g\qh0{_i}\zq i\tqh0k\relax + &\pause + &\tten0\isluru0r\Ibbbl0ro3\qb0{r=q_p}\tqb0o\Ibbbl0nk3\qb0{nml}\tslur0k\tqb0k\enotes +% +\barre %70 +\Notes\zhl J\qu N\relax + |\qs\Ibbu0gk2\zq d\qh0g\zq g\qh0{_i}\zq i\tqh0k\relax + &\relax + &\zcharnote m{\it tr}\ibbl0j0\qb0k\tbbl0\qb0j\itenu0q\tqb0q\enotes +\notes\ql a|\dble\qs\Ibbu0fj2\zq c\qh0{=f}\zq f\qh0h\zq h\tqh0j\relax + &\pause + &\tten0\isluru0q\Ibbbl0qn3\qb0{q_po}\tqb0n\Ibbbl0mj3\qb0{mlk}\tslur0j\tqb0j\enotes +% +\barre %71 +\Notes\ql J\relax + |\qs\Ibbu0fj2\zq a\qh0d\zq d\qh0f\zq f\tqh0h\relax + &\relax + &\zcharnote m{\it tr}\ibbl0i0\qb0j\tbbl0\qb0{_i}\itenu0p\tqb0{_p}\enotes +\Notes\ql c\relax + |\ibbu0g0\zq e\qh0{g_ih}\tqh0g\relax + &\pause + &\tten0\ibbl0p0\qb0{prq}\tqb0p\enotes +% +\barre %72 +\notes\dble\ibl0N0\zq M\qb0c\zq N\qb0c\zq a\qb0c\zq N\tqb0c\relax + |\dble\ibu0g0\qh0{fef}\tqh0g\relax + &\dble\sk\pause + &\Ibbl0nl7\roff{\tbbl0}\qb0{^no}\sk\qb0{=n}\sk\qb0m\sk\tbbl0\tqb0l\enotes +% +\barre %73 +\notes\dble\dble\zhup a\ibl0M0\qb0{MMM}\zcu M\tqb0M\relax + |\dble\dble\ibu0h0\qh0{hhh}\zq f\tqh0h\relax + &\dble\dble\dble\pause + &\isluru0k\Ibbbl0jk3\qb0{^jkl}\tqb0k\Ibbbl0lm3\qb0{lmn}\tslur0m\tqb0m\relax + \isluru0n\Ibbbl0no3\qb0{^nop}\tqb0o\Ibbbl0nk3\qb0{=nml}\tslur0k\tqb0k\enotes +% +\barre %74 +\notes\dble\Ibu0LJ1\qh0N\tqh0G\relax + |\ibl0g0\zqu g\itenu0g\qbp0e\sk\multnoteskip{0.7}\sk\nbbbl0\qb0f\tqb0e\relax + &\sk\sk\sk\pause + &\ibl0j0\qbp0j\sk\multnoteskip{0.7}\sk\nbbbl0\qb0k\tqb0j\enotes +\Notes\cl N\ds|\tten0\zcl d\cu g\ds + &\relax + &\cl i\ds\enotes +% +\barre %75 +\NOtes\zq C\cu J\ds\zq G\qu N\ds|\zq e\cu g\ds\zq{eg}\cu i\ds + &\cl j\ds\cl k\ds + &\sk\sk\pause\enotes +% +\barre %76 +\Notes\lpz C\zq C\Ibu1JL2\qh1J\lpz D\zq D\qh1K\relax + |\upz j\zq j\ibu2i0\qh2g\upz i\zq g\qh2i\relax + &\upz l\Ibl3ln2\qb3l\upz m\qb3m\relax + &\soupir\enotes +\notes\lpz E\zq E\tqh1L\sk\ds + |\upz j\zq g\tqh2j\sk\ds + &\upz n\tqb3n\relax + &\qs\Ibbl0gl2\qb0{gj}\tqb0l\enotes +% +\barre %77 +\NOtes\zq N\lq M\ql d\zq{LN}\ql c|\qu g\qu g\relax + &\qu i\qu j\relax + &\itenu3n\hl n\enotes +% +\barre %78 +\Notes\Ibl1IK2\upz b\zq {Nb}\qb1I\upz c\zq{cN}\qb1J\relax + |\ibu2g0\qh2{gg}\relax + &\Ibl3km2\qb3k\zcharnote n{\it tr}\multnoteskip{0.33}\qb3l\tinynotesize\Ibbu0kl1\qh0k\tqh0l\relax + &\tten3\itenu3n\ql n\enotes +\notes\upz b\zq{Nb}\tqb1K\sk\ds + |\tqh2g\sk\ds + &\tqb3m\sk\ds + &\tten3\Ibbl0np3\qb0{n^no}\tqb0p\enotes +% +\barre %79 +\Notes\ql c|\qs\Ibbl1ij2\zq e\qb1j\relax + &&\multnoteskip{0.5}\ibbbl0q0\qb0{qrs}\tqb0r\enotes +\notes\dble\sk\ql e|\zq l\qb1n\zq j\tqb1l\ibbu0i0\zq j\qh0g\zq j\qh0g\zq j\qh0g\zq j\tqh0g\relax + &\sk\pause + &\dble\isluru0q\ql q\sk\tslur0p\cl p\enotes +% +\barre %80 +\Notes\ql f|\qs\Ibbl1hg0\zq h\qb1j\relax + &&\multnoteskip{0.5}\ibbbl0o0\qb0{opq}\tqb0p\enotes +\notes\dble\sk\ql c|\zq m\qb1j\zq j\tqb1h\ibbu0h0\zq f\qh0h\zq f\qh0h\zq e\qh0g\zq e\tqh0g\relax + &\sk\pause + &\dble\isluru0o\ql o\sk\tslur0n\cl n\enotes +% +\barre %81 +\notes\ql d|\qs\ibbu0i0\zq j\qh0h\zq j\qh0h\zq j\tqh0h\relax + &\sk\sk\sk\pause + &\ibl0m0\xTrille q{3\noteskip}\qbp0m\sk\sk\nbbbl0\multnoteskip{0.7}\qb0l\tqb0m\enotes +\notes\zq N\ql d|\ibbu0h0\zq g\qh0i\zq g\qh0i\zq g\qh0i\zq g\tqh0i\relax + &&\Ibl0nm2\isluru0n\qb0n\sk\tslur0m\tqb0m\enotes +% +\barre %82 +\NOtes\ds\Ibu1MK3\zqu a\qh1H\relax + |\ds\zql e\ibu2i0\qh2j\relax + &&\Ibl3kl1\isluru3k\qh3{^k}\tslur3l\tqb3l\enotes +\notes\dble\dble\zq G\qh1N\zq F\tqh1M\relax + |\dble\dble\rq j\qh2i\zcl f\zq h\tqh2j\relax + &\pause + &\hs\Ibbbl0jl2\qh0{j=k}\tqb0l\Ibbbl0mp3\qb0{mno}\tqb0p\enotes +% +\barre %83 +\Notes\zq E\cu L|\zqup j\raise -6\Internote\qs\ibbl1f0\zq e\qb1g\relax + &\soupir&\multnoteskip{0.5}\ibbbl0q0\qb0{qrs}\tqb0r\enotes +\notes\dble\ds\zq C\cu J\ds|\zq e\qb1g\zq e\tqb1g\ibbl0f0\zq e\qb0g\zq g\qb0{_i}\zq +f\qb0h\zq e\tqb0{^g}\relax + &\dble\sk\ds\cu j\relax + &\itenu0q\cl q\sk\tten0\Ibbl0qn3\qb0{q_po}\tqb0{^n}\enotes +% +\barre %84 +\notes\ibu1L0\zq F\qh1M\relax + |\ibu2i0\zq f\qh2h\relax + &\ibu3h0\qh3j\relax + &\Ibbl0no1\qb0{^n}\tqb0o\enotes +\Notes\dble\zq F\qh1M\zq F\qh1M\zq F\tqh1M\relax + |\dble\zq j\qh2f\zq h\qh2j\zq k\tqh2f\relax + &\dble\qh3h\qh3f\tqh3h\relax + &\multnoteskip{0.5}\qs\sk\Ibbbl0rq1\qb0r\tqb0q\relax + \qs\sk\Ibbbl0po1\qb0{=p}\tqb0o\relax + \qs\sk\Ibbbl0nm1\qb0{=n}\tqb0m\enotes +% +\barre %85 +\notes\dble\zq G\qu N\sk\zq G\qu N\relax + |\qs\advance\transpose 7\ibbl0d0\zq c\qh0e\zq e\qh0g\zq e\tqb0e\relax + \ibbl0d0\zq e\qh0g\zq{a^d}\qh0{^f}\zq{b=d}\qh0{=f}\zq c\tqb0e\relax + &\itenl0g\qu g\sk\sk\sk\tten0\Ibbu0ge3\qh0{g^f=f}\tqh0e\relax + &\Ibbl0ln2\qb0l\tbbl0\qb0n\itenu0n\tqb0n\sk\tten0\Ibbl0nl3\qb0{n^m=m}\tqb0l\enotes +% +\barre %86 +\Notes\zcl G\roff{\zq N\itenl1N}\itenl0M\qu M\sk\raise -4\Internote\ds + |\qs\advance\transpose 7\ibbl0e0\lq c\qh0d\lq c\qh0d\lq c\tqb0d\relax + &\itenl2d\qu d\relax + &\zhl k\xTrille q{8\noteskip}\enotes +\notes\dble\zcl G\tten0\roff{\tten1}\ibbu0L0\rq N\qh0M\rq N\qh0M\rq N\qh0M\rq N\tqh0M\relax + |\advance\transpose 7\Ibbbl0de3\qh0{bcd}\tqb0c\ibbbl0f0\qh0{def}\tqb0d\relax + &\tten2\Ibbbu0df3\qh0{def}\tqh0e\Ibbbu0fi3\qh0{fgh}\tqh0i\relax + &\dble\sk\sk\sk\multnoteskip{0.3}\tinynotesize\Ibbu0jk1\qh0j\tqh0k\enotes +% +\barre %87 +\Notes\zqu C\ibbu1N0\qh1L\zcharnote C{(p\'ed.)}\qh1N\relax + |\advance\transpose 7\multnoteskip{0.5}\ibbbl0j0\qb0{jkl}\tqb0k\relax + &\multnoteskip{0.5}\ibbbu0j0\qb0{jkl}\tqh0k\relax + &\ql j\enotes +\notes\qh1c\tqh1N\zql E\ibbu1N0\qh1{LNc}\tqh1N\relax + |\dble\advance\transpose 7\ql j\sk\cl i\relax + &\dble\islurd0j\qu j\sk\tslur0i\cu i\relax + &\dble\sk\soupir\enotes +% +\barre %88 +\Notes\zql F\ibbu1N0\qh1M\qh1a\relax + |\multnoteskip{0.5}\advance\transpose7\ibbbl0h0\qh0{hij}\tqb0i\relax + &\multnoteskip{0.5}\ibbbu0h0\qb0{hij}\tqh0i\relax + &\enotes +\notes\qh1c\tqh1N\zqu{^C}\ibbu1L0\qh1{^JLa}\tqh1L\relax + |\dble\advance\transpose 7\ql h\sk\cl g\relax + &\dble\islurd0h\qu h\sk\tslur0g\cu g\relax + &\dble\sk\pause\enotes +% +\barre %89 +\Notes\zql D\ibbu1a0\qh1K\qh1a\relax + |\multnoteskip{0.5}\advance\transpose7\ibbbl0h0\qh0{fgh}\tqb0g\relax + &\multnoteskip{0.5}\ibbbu0f0\qb0{fgh}\tqh0g\relax + &\enotes +\notes\qh1d\tqh1{_a}\zcl I\rlap{\sk\sk\zcl J}\ibbu1N0\qh1{NdN}\tqh1c\relax + |\dble\advance\transpose 7\ql f\sk\cl e\relax + &\dble\islurd0f\qu f\sk\tslur0e\cu e\relax + &\dble\sk\pause\enotes +% +\barre %90 +\Notes\zql F\multnoteskip{0.5}\ibbbu0M0\qh0{MNa}\tqh0N\relax + |\multnoteskip{0.5}\advance\transpose7\ibbbl0g0\qh0{def}\tqb0e\relax + &\multnoteskip{0.5}\ibbbu0d0\qb0{def}\tqh0e\relax + &\enotes +\notes\ibbl0N0\qb0M\tqb0c\ibbl0N0\qb0{Mc^M}\tqb0c\relax + |\dble\zq h\ql k\sk\zq h\cl{_l}\relax + &\dble\islurd0d\qu d\sk\tslur0e\cu{_e}\relax + &\sk\sk\pause\enotes +% +\barre %91 +\notes\zcl G\ibbu0N0\qh0{Nc_a}\tqh0c\ibbu0N0\qh0{Nc^M}\tqh0c\relax + |\dble\ibl0k0\zq j\qb0{=l}\zq j\qh0m\zq j\qh0n\zq j\tqb0o\relax + &\dble\ibu0e0\qh0{=efe}\tqh0{_e}\relax + &\dble\dble\sk\pause\enotes +% +\barre %92 +\notes\dble\pointdurgue F\zq G\qu N\sk\soupir + |\dble\pointdorgue n\zq{n}\ql j\sk\soupir + &\dble\pointdorgue m\qu{=e}\sk\soupir + &\Ibl0lj3\pointdorgue o\qbp0n\sk\sk\tbbl0\tqb0j\xTrille n{3\noteskip}\ibl0j0\qbp0k\sk\sk\multnoteskip{0.7}\nbbbl0\qb0j\tqb0k\enotes +% +\barre %93 +\NOtes\zq J\ql N\zq N\ql G|\zq e\qu c\zq f\qu d\relax + &\ql j\ql i&\ql j\soupir\enotes +% +\barre %94 +\NOtes + \ibl0K0\upz a\zq N\qb0J\upz b\zq N\qb0 b\relax + |\Ibu1eg2\lpz c\zq c\qh1e\qh1g\relax + &\Ibl2jl2\qb2j\zcharnote n{\it tr}\multnoteskip{0.6}\qb2k\relax + {\multnoteskip{0.4}\tinynotesize\Ibbu3jk1\qh3j\tqh3k}\relax + &\soupir\enotes +\NOtes + \zq J\upz c\tqb0c|\tqh1g\relax + &\tqb2l&\ds\enotes +\notes\ds|\ds&\ds&\Ibbl0lm2\zcharnote n{\it tr}\qbp0l\sk\tbbbl0\tqb0m\enotes +% +\barre %95 + %\check +\notes\dble\zhu N\cl J\raise -\Interligne\ds\cl G\raise -\Interligne\ds + |\ibbu0e0\qh0c\zq c\qh0e\zq e\qh0g\zq e\tqh0c\zq e\ibbu0e0\qh0g\zq +c\qh0e\zq d\qh0f\zq b\tqh0d\relax + & \dble\dble\sk\pause + &\Ibbl0nl1\qb0n\tqb0l\dble\isluru0j\ql j\sk\tslur0k\cl k\enotes +% +\barre %96 + %\check +\Notes\zhl J\Ibu1LN2\qh1N\sk\tqh1{_b}\relax + |\qs\Ibbu2dg2\zq b\qh2{^d}\zq c\qh2e\relax + &\relax + &\Ibl3kl3\qb3{^k}\sk\nbbl3\qb3l\enotes + %\check +\Notes\sk|\zq e\tqh2g\relax + &\relax + &\multnoteskip{0.6}\raise2\Interligne\hs\tbbbl3\tqb3l\enotes + %\check +\Notes\Ibu0MK2\qh0a\sk\tqh0M\relax + |\Ibbu0gc3\roff{\tbbu0}\zq f\qh0h\zq{=d}\qh0f\sk\tbbu0\zq{=b}\tqh0d\relax + &\pause + &\zcharnote o{\it tr}\multnoteskip{0.5}\ibbbl0n0\qb0{mlm}\tqb0n\relax + \zcharnote q{\it tr}\ibbbl0p0\qb0{ono}\tqb0p\enotes +% +\barre %97 + %\check +\notes\ibl1J0\zcu L\qb1J\relax + |\zq c\ibu2f0\qh2g\relax + &&\Ibbl3on2\qbp3q\sk\tbbbl3\tqb3n\enotes +\notes\zqb1M\Ibbu4MN3\qhp4M\sk\sk\tbbbu4\tqh4a\relax + |\nbbbu2\qh2{gfe}\tqh2d\relax + &\sk\pause + &\Ibbbl3pm3\isluru4p\qb3{pon}\tqb3m\enotes + %\check +\NOtes\qb1N\zq G\tqb1N\relax + |\cu c\zq{df}\cu i\relax + &\relax + &\Ibl0lk1\qb0l\tslur4k\tqb0k\enotes + %\check +% +\barre %98 +\NOTes\zqp J\qlp N\multnoteskip{0.7}\sk\ds|\isluru0i\zq d\zq f\qu i\tslur0j\multnoteskip{0.7}\zq c\zq e\cu j\ds + &\pause&\isluru0k\ql k\tslur0j\multnoteskip{0.7}\cl j\ds\enotes +% +\ifx\orgue\undefined + \ifx\flute\undefined + \ifx\oboe\undefined + \linegoal24\relax + \else\linegoal19\fi + \else\linegoal20\fi % flute +\else\linegoal20\fi % orgue +\finmorceau + +\rightline{\sl \today} +\eject + + +\bye diff --git a/macros/generic/musixtex/doc/examples/kv315f.tex b/macros/generic/musixtex/doc/examples/kv315f.tex new file mode 100644 index 0000000000..5ea4c9b67c --- /dev/null +++ b/macros/generic/musixtex/doc/examples/kv315f.tex @@ -0,0 +1,2 @@ +\def\flute{xxx} +\input kv315.tex diff --git a/macros/generic/musixtex/doc/examples/kv315h.tex b/macros/generic/musixtex/doc/examples/kv315h.tex new file mode 100644 index 0000000000..a502fc3a89 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/kv315h.tex @@ -0,0 +1,2 @@ +\def\oboe{xxx} +\input kv315.tex diff --git a/macros/generic/musixtex/doc/examples/kv315o.tex b/macros/generic/musixtex/doc/examples/kv315o.tex new file mode 100644 index 0000000000..4f71bd5536 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/kv315o.tex @@ -0,0 +1,2 @@ +\def\orgue{xxx} +\input kv315.tex diff --git a/macros/generic/musixtex/doc/examples/kv315org.tex b/macros/generic/musixtex/doc/examples/kv315org.tex new file mode 100644 index 0000000000..ab58cef273 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/kv315org.tex @@ -0,0 +1,813 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi +\title{Andante KV 315}\subtitle{pour fl\^ute et orchestre} +\author{W. A. Mozart\\transcription pour orgue solo \`a 3 claviers\\(disposition +baroque avec G.O. entre R\'ecit et Positif)\\D. Taupin, 2001} +\shortauthor{W. A. Mozart / D. Taupin} + \othermention{R\'ecit : fl\^utes 8', 4', nazard {\it ad lib.} +\\G.O. : principaux 8', 4' +\\Positif : fonds 8', 4', 2' {\it ad lib.}, acc. G.O. +\\P\'edale : bourdon 16', tirasse positif +\csname HomeReg\endcsname} +\maketitle + +\parindent 2cm +\generalsignature{0} +\instrumentnumber{3} +\setname1{P\'edale 16'} +\setname2{Orgue} +\setname3{R\'ecit} +\setstaffs22 +\setclef1{6000} +\setclef2{6000} +\setclef3{0000} +\generalmeter{\meterfrac 24} +\def\dble{\multnoteskip 2} + +\def\FourStaff{\relax + \gdef\Nextstaff{\nextstaff}\relax + \setclef2{6000}\relax + \setstaffs22\relax} + +\def\ThreeStaff{\relax + \gdef\Nextstaff{\relax}\setstaffs21\relax + \setclef2{0000}\relax +} + + \FourStaff + +\systemnumbers +\def\freqbarno{9999} + + +\debutmorceau +\zbarre +\NOTes\qu J\qu G&\zmidtwotext{\llap{\bf G.O.}}\ql N\ql N|\zq c\zq e\qu j\zq d\zq f\qu i&\multnoteskip{0.7}\sk\pause\enotes +% +\barre %2 +\NOtes + \ibu0K0\lpz J\qh0J\lpz G\qh0G&\Ibl1Na2\upz c\zq c\qb1N\upz b\zq N\qb1b\relax + |\Ibl2fh2\upz j\zq e\qb2j\Pince n\multnoteskip{0.6}\zq g\qb2k\relax + {\multnoteskip{0.4}\tinynotesize\Ibbu3jk1\qh3j\tqh3k}\relax + &\soupir\enotes +\NOtes + \lpz J\tqh0J&\upz c\tqb1c\relax + |\zq g\tqb2l&\ds\enotes +\notes\ds&\zmidtwotext{\bf Pos.}\ds|\ds&\Ibbl0lm2\qbp0l\turn n\sk\tbbbl0\tqb0m\enotes +% +\barre %3 +\def\atnextline{\ThreeStaff}% +\notes\dble\cl J\ds\cl G\ds + &\Nextstaff\ibbu0e0\zcl N\qh0c\zq c\qh0e\zq e\qh0g\zq +e\tqh0c\zq e\ibbu0e0\qh0g\zq c\qh0e\zq d\qh0f\zq b\tqh0d\relax + &\Ibbl0nl1\qb0n\tqb0l\dble\isluru0j\ql j\sk\tslur0k\cl k\enotes +% +\barre %4 +\notes\dble\cu J\ds\cu C\ds\relax + &\Nextstaff\qs\ibbu0d0\zq b\qh0{^d}\zq c\qh0e\zq b\tqh0d\relax + \Ibbu0df3\zq c\qh0e\zq c\qh0e\zq {=d}\qh0f\zq e\tqh0g\relax + &\Ibl0kl2\qb0{^k}\sk\tqb0l\sk\qs\Ibbl0ln2\qb0{lm}\tqb0n\enotes +% +\barre %5 +\notes\dble\cu J\ds\cu J\ds + &\Nextstaff\qs\ibbu0g0\zq f\qh0h\zq c\qh0f\zq f\tqh0h\Ibbu0ig3\zq h\qh0j\zq +h\qh0j\sk\zq g\qh0i\zq f\tqh0h\relax + &\ibbl0o0\qb0o\tbbl0\qb0m\itenu0q\tqb0q\sk + \ibbl0o0\tten0\qbp0q\relax + {\multnoteskip{0.66}\sk\nbbbl0\qb0r\tqb0q}\relax + \Ibbl0po1\qb0p\tqb0o\enotes +% +\barre %6 +\notes\dble\cu J\ds\cu J\ds + &\Nextstaff\qs\Ibbu0fd2\zq f\qh0h\zq e\qh0g\zq{^d}\tqh0{^f}\relax + \ibbu0i0\zq e\qh0g\zq g\qh0j\zq c\qh0e\zq e\tqh0g\relax + &\dble\Ibl0on1\Pince q\qb0o\tqb0n\ds + \multnoteskip{0.33}\ibbl0n0\qbp0n\uppersh m\turn r\sk\tbbbl0\tqb0n\enotes +% +\barre %7 +\notes\dble \cu H\ds\qu{_H}\ds\relax + &\Nextstaff\qs\Ibbu0fj2\zq c\qh0f\zq f\qh0h\zq h\tqh0j\ds\Ibbu0fj2\zq c\qh0f\zq +f\qh0{_h}\zq h\tqh0j\relax + &\Ibbl0qo1\qb0q\tqb0o\dble\ql m\sk\cl m\enotes +% +\barre %8 +\Notes\cu G\relax + &\Nextstaff\qs\Ibbu0di2\zq b\qh0d\relax + &\multnoteskip{0.5}\Ibbbl1nk3\qb1{nml}\tqb1k\enotes +\notes\ds&\Nextstaff\zq d\qh0f\zq f\tqh0i\relax + &\ql k\sk\enotes +\notes\dble\cu J\sk\relax + &\Nextstaff\qs\ibbu0i0\zq f\qh0i\zq e\qh0j\zq e\tqh0g\relax + &\sk\sk\multnoteskip{0.7}\Ibbl0lj2\qbp0l\sk\tbbbl0\tqb0j\enotes +% +\barre %9 +\notes\dble\cu F\ds\cu G\ds + &\Nextstaff\dble\zql d\qup f\sk\Ibu0ad0\qh0N\zq{d}\tqh0b\relax + &\ibbl0i0\isluru0i\qb0i\tslur0h\qb0h\isluru0m\qb0m\tslur0k\tqb0k\relax + \ibbl0j0\isluru0j\qb0j\tslur0i\qb0i\isluru0n\qb0n\tslur0m\tqb0m\enotes +% +\barre %10 +\notes\dble\qu J\sk\Ibu0JI1\qh0J\tqh0I\relax + &\Nextstaff\zql N\ds\Ibbu0ef2\zq{^d}\qh0b\zq e\qh0c\zq +f\tqh0{=d}\Ibbu0eg3\zq{^f}\qh0{^d}\zq e\qh0{g}\zq{=d}\qh0h\zq i\tqh0g\relax + &\dble\Ibl0kl1\qb0{^k}\tqb0l\ds + \multnoteskip{0.4}\ibbl0n0\qbp0n\turn o\sk\tbbbl0\tqb0n\enotes +% +\barre %11 +\notes\dble\qu H\sk\qu{_H}\relax + &\Nextstaff\zcu j\raise -4\Internote\qs\Ibbu0fj2\zq f\qh0c\zq f\qh0h\zq h\tqh0j\relax + \qs\Ibbu0fj2\zq c\qh0f\zq f\qh0{_h}\zq h\tqh0j\relax + &{\multnoteskip{0.667}\triolet q\Ibbl0qm2\qb0{qo}\tqb0m}\relax + \dble\ql m\sk\cl m\enotes +% +\barre %12 +\notes\dble\Ibu0GF1\lpz G\qh0G\tqh0F\ds + &\Nextstaff\dble\lpz d\zq d\zq g\Ibu0ig1\qh0i\zq b\zq g\tqh0d\ds + &\ibbl0k0\qb0m\tbbl0\qb0p\tqb0p\sk\ds\enotes +\notes\cl L&\Nextstaff\zq c\cu g&\Ibbbl0qo3\qb0{qp_p}\tqb0o\enotes +% +\barre %13 +\notes\ql M\relax + &\Nextstaff\dble\dble\Ibu0fh1\zq c\qh0f\zq d\tqh0h\relax + &\ibbbl0n0\qb0{^no=p}\tqb0o\Ibbbl0nk3\qb0{=nml}\tqb0k\enotes +\Notes\dble\ql N\relax + &\Nextstaff\ds\Ibbu0gd2\zq e\qh0g\zq c\qh0e\zq b\tqh0d\relax + &\ibbl0j0\roff{\tbbl0}\qh0{jl}\sk + \multnoteskip{0.6}\nbbbl0\qb0m\tqb0k\enotes +% +\barre %14 +\notes\dble\qu J\sk\ql{_L}\relax + &\Nextstaff\Ibbu0bg3\qh0M\zq c\qh0N\zq c\qh0e\zq e\tqh0g\relax + \qs\Ibbu0ej2\zq c\qh0{_e}\zq e\qh0g\zq g\tqh0j\relax + &\pince n\Ibbl0kj2\qb0k\tbbl0\qb0 j\tqb0j\sk\ds\sk + \multnoteskip{0.67}\Ibbl0jn2\qbp0j\sk\tbbbl0\tqb0n\enotes +% +\barre %15 +\notes\hl K\relax + &\Nextstaff\dble\raise 4\Internote\rlap{\ds}\ibl1h0\qb1h\zqu k\qb1{^f}\relax + &\Ibbl0nm2\qb0n\tbbl0\qb0{^m}\itenu3m\tqb0m\enotes +\notes&\Nextstaff\multnoteskip{0.75}\dble\dble\qb1g\zcu j\tqb1h\relax + &\multnoteskip{0.75}\tten3\ibbbl0m0\qb0{mln}\tqb0m\Ibbbl0ol3\qb0{onm}\tqb0l\enotes +% +\barre %16 +\notes\hl K\relax + &\Nextstaff\dble\zql{^f}\raise 2\Internote\ds\Ibu0ji1\zq h\qh0j\raise -6\Internote\rlap{\ds}\relax + \zq g\tqh0i\zq g\cu i\relax + &\uppersh o\pince n\Ibbl0lk2\qb0l\tbbl0\qb0k\itenu3k\tqb0k\sk + \tten3\ibbl0k0\qb0k\tqb0p\multnoteskip{0.8}\Ibbbl0ol2\qb0{on^m}\tqb0l\enotes +% +\def\atnextline{\FourStaff}% +\barre %17 +\notes\hl K\relax + &\Nextstaff\dble\zql e\raise 2\Internote\ds\raise +-6\Internote\rlap{\ds}\Ibu0ih1\roff{\zq h\itenu0h}\qb0g\zq +{^f}\tten0\itenu0h\tqh0h\zq d\tten0\itenl0d\zq h\cu {^f}\relax + &\ibbl3k0\qb3k\tbbl3\qb3j\itenu3q\tqb3q\sk + \tten3\Ibbl0qj2\qb0{qo^m}\tqb0j\enotes +% +\barre %18 +\notes\dble\ql N\sk\soupir + &\Nextstaff\tten0\zq d\zq i\qu g\sk\sk\sk\ds\ibbu0f0\qh0d\zcl b\qh0g\tqh0{=f}\relax + &\Ibbl0ip3\qb0{ikn}\tqb0p\itenu4r\ql r\enotes +% +\barre %19 +\notes\hl L\relax + &\Nextstaff\rlap{\ibbu0j0\roff{\tbbu0}\qh0g\qh0l\sk\qh0k\sk\qh0j\sk\tbbu0\tqh0i}\relax + \dble\Ibl0eg3\qb0{e^gh}\tqb0{=g}\relax + &\tten4\Ibbl0rn7\roff{\tbbl0}\qb0r\qb0q\sk\qb0p\sk\qb0o\sk\tbbl0\tqb0n\enotes +% +\barre %20 +\NOtes\dble\qup K\sk\multnoteskip{0.5}\sk\ds + &\Nextstaff \dble\ibu0h0\zq{^f}\qh0h\zq f\tqh0h\multnoteskip{0.5}\zq f\cu h\ds + &{\multnoteskip{0.5}\Ibbbl0nk3\qb0{n^ml}\tqb0k\Ibbbl0jk3\qb0{^jkl}\tqb0k}\relax + \cl k\ds\enotes +% +\barre %21 +\Notes\cu G\ds\cu D\ds + &\uptext{\rlap{\bf G.O.}}\relax + \cl N\ds\cl K\ds|\zq b\zq g\cu d\ds\zq h\zq c\rq d\cu{^f}\ds + &\sk\sk\pause\enotes +% +\barre %22 +\Notes\Ibu0GI2\lpz G\qh0G\lpz H\qh0H\relax + &\Ibl3Nb3\upz N\qb3N\upz a\qb3a\relax + |\Ibu1ik2\lpz d\zq i\zq d\qh1g\lpz d\zq j\zq d\qh1{^f}\relax + &\soupir\enotes +\notes\lpz I\tqh0I\sk\ds + &\upz b\tqb3b\sk\ds + |\lpz d\zq d\zq k\tqh1g\sk\ds + &\qs\Ibbl2kp2\qb2{kn}\tqb2p\enotes +% +\def\atnextline{\ThreeStaff}% +\barre %23 +\NOtes\ql a\ql N\relax + &\Nextstaff\lsh m\zq k\itenu2k\zhl k\islurd0j\lq j\isluru1m\ql{m}\tten2\zq k\tslur0i\zq i\tslur1n\ql n\relax + &\itenu5r\hl r\enotes +% +\barre %24 +\NOtes\upz M\Ibl0Ma2\qb0{^M}\upz N\qb0N\upz a\tqb0a\relax + &\Nextstaff\upz o\lq j\zq k\Ibl0jk2\qb0o\Pince r\relax + \rlap{\multnoteskip{0.25}\sk\sk\tinynotesize\Ibbu1op1\qh1o\tqh1p}\relax + \zq k\qb0p\zq{^m}\tqb0q\relax + &\tten5\itenu5r\ql r\sk + \tten5\multnoteskip{0.6}\ibbl0r0\qb0r\relax + \nbbbl0\multnoteskip{0.6}\qb0s\tqb0r\enotes +\notes\ds&\Nextstaff\ds&\multnoteskip{0.72}\Ibbbl0ro3\qb0{rqp}\tqb0o\enotes +% +\barre %25 +\Notes\ql N\relax + &\Nextstaff\zmidtwotext{\bf Pos.}\qs\ibbu1i0\zq b\qh1g\relax + &\multnoteskip{0.5}\ibbbl0n0\qb0{nop}\tqb0o\enotes +\notes\dble\sk\ql b\relax + &\Nextstaff\zq i\qh1k\zq g\tqh1i\ibbu0g0\zq d\qh0g\zq d\qh0g\zq d\qh0g\zq d\tqh0g\relax + &\dble\isluru0n\ql n\sk\tslur0m\cl{^m}\enotes +% +\barre %26 +\Notes\ql c\relax + &\Nextstaff\qs\ibbu1g0\zq e\qh1g\relax + &\multnoteskip{0.5}\ibbbl0l0\qb0{l^mn}\tqb0m\enotes +\notes\dble\sk\ql N\relax + &\Nextstaff\qh1e\zq g\tqh1e\ibbu0i0\zq j\qh0g\zq j\qh0g\zq i\qh0g\zq i\tqh0g\relax + &\dble\isluru0l\ql l\sk\tslur0k\cl{k}\enotes +% +\barre %27 +\notes\ql a\relax + &\Nextstaff\ds\ibbu0g0\zq e\qh0g\zq e\qh0g\zq e\tqh0g\relax + &\ibl0j0\xTrille n{3\noteskip}\qbp0j\sk\sk\nbbbl0\multnoteskip{0.7}\qb0i\tqb0j\enotes +\notes\ql K\relax + &\Nextstaff\ibbu0h0\zq{^f}\qh0h\zq f\qh0h\zq f\qh0h\zq f\tqh0h\relax + &\Ibl0kj2\isluru0k\qb0k\sk\tslur0j\tqb0j\enotes +% +\barre %28 +\NOtes\ds\Ibl1LJ3\qb1L\relax + &\Nextstaff\ds\zql b\zq g\ibu2g0\qu2g\relax + &\Ibu3hi1\islurd3h\qh3{^h}\tslur3i\tqh3i\enotes +\notes\dble\dble\qb1K\tqb1J\relax + &\Nextstaff\dble\dble\qh2{^f}\zcl e\tqh2g\relax + &\hs\Ibbbu0gi2\qh0{g=h}\tqh0i\Ibbbl0jm3\qb0{jkl}\tqb0{^m}\enotes +% +\barre %29 +\Notes\cu I\relax + &\Nextstaff\zqup g\raise -6\Internote\qs\ibbl1f0\zq b\qb1d\relax + &\multnoteskip{0.5}\ibbbl0n0\qb0{nop}\tqb0o\enotes +\notes\dble\ds\cu I\ds + &\Nextstaff\zq d\qb1b\zq d\tqb1b\Ibbl0ef3\zq b\qb0d\zq b\qb0d\zcu +{^g}\qb0g\zq d\tqb0f\relax + &\itenu0n\cl n\sk\tten0\ibbl0o0\qb0{nrq}\tqb0p\enotes +% +\def\atnextline{\FourStaff}% +\barre %30 +\notes\ibu1J0\qh1J\sk\qh1J\relax + &\Nextstaff\Ibbu0ih2\zq d\zq i\qh0f\zq c\zq h\tbbu0\qh0e\zq {hc}\tqh0e\relax + &\Ibbl0no1\qb0{^n}\tqb0o\qs\ccl s\enotes +\Notes\dble\qh1J\tqh1J\relax + &\Nextstaff\dble\Ibu0jl1\zq {je}\qh0h\zq {lh}\tqh0j\relax + &\multnoteskip{0.5}\qs\sk\Ibbbl0rq1\qb0r\tqb0q\qs\sk\Ibbbl0po1\qb0p\tqb0o\enotes +% +\barre %31 +\Notes\ql K\relax + &\Nextstaff\qs\Ibbu1ik2\zq g\qh1i\relax + &\multnoteskip{0.71}\ibbl3n0\qbp3p\sk\tbbbl3\tbbl3\qb3n\enotes +\Notes\dble\sk\ql K\relax + &\Nextstaff\zq k\qh1i\zq k\tqh1i\Ibbu0ki3\zq k\qh0i\lsh h\zq{^j}\zq e\qh0h\zq{=j}\lna +h\zq{^f}\qh0h\zq i\tqh0g\relax + &\itenu1r\tqb3r\sk\tten1\Ibbl0rp3\qb0{r^q=q}\tqb0p\enotes +% +\barre %32 +\Notes\ql K\relax + &\midtwotext{\bf G.O.}|\zqu h\itenu2h\raise -4\Internote\qs\ibbl0g0\qh0{gg}\tqb0g\relax + &\zhl o\xTrille q{8\noteskip}\enotes +\notes\dble\zcl K\sk\sk\ds + &\Nextstaff\zcl {^f}\tten2\Ibbbu0hi3\qh0{hij}\tqh0i\Ibbbu0jm3\qh0{jkl}\tqh0{^m}\relax + &\sk\sk\sk\sk\sk\sk\sk\multnoteskip{0.7}\tinynotesize\Ibbbu0lm1\qh0n\tqh0o\enotes +% +\barre %33 +\notes\qu G\relax + &\Nextstaff\Uptext{\bf m.g.}\Ibbbl0no3\qb0{nop}\tqb0o\relax + &\itenu3n\cl n\enotes + \nspace +\Notes\dble\sk\qu I\sk\relax + &\zcharnote f{\bf m.g.}\qs\ccl d\ibbl0N0\qb0{bNb}\tqb0N\relax + |\bracket m{22}\Uptext{\bf m.d.}\dble\isluru0n\ql n\sk\tslur0k\cl{^m}\relax + &\dble\tten3\cl n\ds\soupir\enotes +% +\barre %34 +\notes\qu J\relax + &\qs\sk\ibbl1M0\qh1N\relax + |\Ibbbl0lm3\qb0{l^mn}\tqb0m\relax + &\enotes +\Notes\dble\sk\Ibu0JK1\qh0J\tqh0K\relax + &\qb1c\tqb1N\Ibbl0aM3\qb0{cNb}\tqb0N\relax + |\dble\isluru0l\ql l\sk\tslur0k\cl k\relax + &\dble\sk\pause\enotes +% +\barre %35 +\notes\zqlp L\relax + &\Ibbbl0LM3\qb0{L=MN}\tqb0M\relax + |\Ibbbl0jk3\qb0{jkl}\tqb0k\relax + &\enotes +\Notes\dble\sk\sk\cl K\relax + &\ibbl0L0\qb0L\tqb0N\Ibbl0LK2\qb0{LN}\qb0K\tqb0N\relax + |\dble\isluru0j\ql j\sk\tslur0i\cl i\relax + &\dble\sk\pause\enotes +% +\barre %36 +\Notes\qu J\relax + &\Ibl0Lc3\qb0L\sk\nbbl0\qb0a\tqb0c\relax + |\rlap{\dble\ibl0g0\qb0e\tqb0e}\Ibbu0gl3\qh0{^ghj}\tqh0l\enotes +\notes\qu K\relax + &\ibl0d0\qb0d\sk\sk\tqb0d\relax + |\islurd0k\Ibbu0ki2\qhp0k\sk\tbbbu0\tqh0i\Ibbbu0kh3\qh0{kji}\tslur0h\tqh0h\relax + &\sk\pause\enotes +% +\barre %37 +\Notes\cu G\sk\ds + &\zq {Nb}\cl d\sk\ds|\cu g\sk\ds + &\qs\isluru0g\Ibbl0gk2\qb0{gi}\tqb0k\enotes +\notes\soupir&\soupir|\soupir + &\tslur0n\ibbbl0n0\qb0n\upz k\qb0k\upz l\qb0l\upz +m\tqb0{^m}\Ibbbl0nq3\upz n\qb0n\upz o\qb0o\upz p\qb0p\upz q\tqb0q\enotes +% +\barre %38 +\Notes\cu G\ds\cu D\ds\relax + &\Nextstaff\zq {_bd}\cu g\ds\zq{ac}\rq d\cu{^f}\sk + &\itenu0r\hl r\enotes +% +\barre %39 +\Notes\Ibl1GN2\upz G\qb1G\upz K\qb1K\relax + &\Nextstaff\Ibu2gi2\lpz b\zq{_bd}\qh2g\lpz d\zq{d^f}\qh2h\relax + &\tten0\itenu0r\ql r\enotes +\notes\upz N\tqb1N\sk\ds + &\Nextstaff\lpz d\zq{dg}\tqh2{_i}\sk\ds + &\tten0\ibbl0r0\qb0{rrr}\tqb0r\enotes +% +\barre %40 +\notes\hu H\relax + &\qs\Ibbu0Ma1\qh0{^Ma}\tqh0c\relax + &\dble\dble\isluru1s\ql{_s}\enotes +\notes + &\Nextstaff\Ibbu0ej3\qh0{_e^fh}\tqh0j\relax + &\tslur1m\ql{^m}\enotes +% +\barre %41 +\NOtes\lpz I\Ibu0IG2\qh0{_I}\lpz F\qh0{^F}\lpz G\tqh0G\ds + &\Nextstaff\lpz d\Ibu0ki2\zq{dg}\qh0k\lpz d\zq{dh}\qh0j\lpz d\zq{dg}\tqh0{_i}\ds + &\Ibl0no1\qb0n\turn q\upperfl r\qb0o\tqb0{_p}\ds + \enotes +% +\barre %42 +\notes\qu J&\zmidtwotext{\bf Pos.}|\ds&\multnoteskip{0.8}\ibbbl0o0\qb0{_poq}\tqb0o\enotes +\Notes\sk\qu K\relax + &\Nextstaff\Ibl0jh2\zq{_l}\qb0j\zq k\qb0{_i}\zq j\tqb0 h\relax + &\isluru0n\ql n\sk\tslur0m\cl{^m}\enotes +% +\barre %43 +\notes\dble\ql N\sk\ql{=M}\relax + &\Nextstaff\zhl d\Ibbu0ji3\zq{^f}\qh0j\zq g\qh0{_i}\zq g\qh0i\zq g\tqh0i\relax + \qs\ibbu0i0\zq g\qh0i\zq f\qh0h\zq g\tqh0i\relax + &\Ibbl0on2\qb0o\tbbl0\qb0n\tqb0n\sk\ds\sk\cl n\enotes +% +\barre %44 +\notes\dble\qu L\sk\qu K\relax + &\Nextstaff\zql{^c}\qs\ibbu0i0\zq g\qh0{_i}\zq{^f}\qh0h\zq g\tqh0i\relax + \zql d\qs\ibbu0i0\zq g\qh0i\zq f\qh0h\zq g\tqh0i\relax + &\itenu1n\ql n\sk\sk\sk\tten1\ibbl0n0\qb0n\qb0n\qb0{^m}\tqb0n\enotes +% +\barre %45 +\notes\dble\qu{^J}\sk\qu K\relax + &\Nextstaff\zql e\ibbu0h0\qh0{gh^g}\tqh0h\ibbu0h0\zq d\qh0{=f}\zq f\qh0h\zq +e\qh0{=g}\zq d\tqh0f\relax + &\Ibbl0po2\qb0{_p}\tbbl0\qb0o\itenu0o\tqb0o\sk + \tten0\Ibbl0oq3\qb0{or^q}\tqb0r\enotes +% +\barre %46 +\notes\qu E\relax + &\zmidtwotext{\bf G.O.}\qs\Ibbu0JN2\qh0{^JL}\tqh0N\relax + &\dble\dble\isluru1p\ql{_p}\enotes + \nspace +\notes\soupir + &\Nextstaff\Ibbu0bg3\qh0{_b^ce}\tqh0g\relax + &\tslur1j\ql{^j}\enotes +% +\barre %47 +\def\atnextline{\ThreeStaff}% +\NOtes\lpz F\Ibu0FK2\qh0F\lpz J\qh0{^J}\lpz K\tqh0K\ds + &\Nextstaff\lpz a\Ibu0hf2\zq{ad}\qh0h\lpz a\zq{ae}\qh0g\lpz a\zq{ad}\tqh0f\ds + &\Ibl0kl1\qb0k\turn n\qb0l\tqb0m\ds + \enotes +% +\barre %48 +\notes\ql N\relax + &\zmidtwotext{\bf Pos.}|\ds&\multnoteskip{0.8}\ibbbl0l0\qb0{mln}\tqb0l\enotes +\Notes\sk\ql a\relax + &\Nextstaff\Ibu0hf2\zq{_i}\qh0g\zq h\qh0f\zq g\tqh0 e\relax + &\isluru0k\ql k\sk\tslur0j\cl{^j}\enotes +% +\barre %49 +\notes\dble\qu K\sk\ql{=b}\relax + &\Nextstaff\ibbu0g0\zq{^c}\qh0h\zq d\qh0f\lpz d\zq d\qh0f\lpz d\zq d\tqh0f\zq d\qh0{^g}\relax + &\Ibbl0lk2\qb0l\tbbl0\qb0k\tqb0k\sk\qs\ibbl0m0\qb0{mm}\tqb0m\enotes +% +\barre %50 +\notes\dble\qu J\sk\ql{^N}\relax + &\Nextstaff\qs\ibbu0i0\zq e\qh0h\zq e\qh0h\zq e\tqh0h\zq e\qh0{=i}\relax + &\Ibbl0ml2\qb0m\tbbl0\qb0l\tqb0l\sk\qs\ibbl0k0\qb0{kk}\tqb0k\enotes +% +\barre %51 +\notes\dble\qu H\sk\qu F\relax + &\Nextstaff\zcl e\Ibbu0ih1\qh0i\tqh0h\zq c\dble\qu h\relax + &\ibbl0k0\qb0k\tbbl0\qb0j\itenu0o\tqb0o\sk + \multnoteskip{0.6}\Ibbl0om3\tten0\qb0o\sk\nbbbl0\qb0n\tqb0m\enotes +\notes&\Nextstaff\zq a\cu h&\Ibbl0lk1\qb0l\tqb0{^k}\enotes +% +\def\atnextline{\FourStaff}% +\barre %52 +\notes\dble\qu E\sk\cu L\ds + &\Nextstaff\Ibbu0hg3\zq c\qh0h\zq b\qh0{^g}\zq b\zq e\qh0g\zq b\zq e\tqh0g\dble\zq + {be}\cu g\ds + &\Ibbl0kl2\qb0{^k}\tbbl0\qb0l\tqb0l\sk\qs\ibbl0l0\qb0{ll}\tqb0l\enotes +% +\barre %53 +\notes\qs\ibbl0K0\qb0{KK}\tqb0K\relax + &\Nextstaff\qs\ibbu0i0\rq g\sh g\zq f\qh0i\rq g\zq f\qh0i\rq g\zq f\tqh0i\relax + &\Ibbl0nm2\qb0n\tbbl0\qb0m\tqb0m\enotes +\notes\multnoteskip{0.7}\cl K\sk\sk\sk\ds + &\Nextstaff\multnoteskip{0.7}\zq f\rq g\cu i\sk\sk\sk\ds + &\multnoteskip{0.7}\hs\ibbbl0l0\qb0{ml}\tqb0m\ibbbl0l0\qb0{nml}\tqb0m\enotes +% +\barre %54 +\notes\zql G\raise3\Internote\qs\ibbl0N0\qb0{NN}\tqb0N\relax + &\Nextstaff\zcharnote N{\bf G.O.}\relax + \qs\ibbu0i0\zq d\zq f\qh0i\zq d\zq f\qh0i\zq d\zq f\tqh0i\relax + &\Ibbl0qp2\qb0q\tbbl0\qb0p\tqb0p\enotes +\notes\multnoteskip{0.7}\cl N\sk\sk\sk\ds + &\Nextstaff\multnoteskip{0.7}\zq f\rq g\cu i\sk\sk\sk\ds + &\multnoteskip{0.7}\hs\ibbbl0o0\qb0{po}\tqb0p\ibbbl0o0\qb0{qpo}\tqb0p\enotes +% +\barre %55 +\NOTes\qu J\qu G\relax + &\sk\cl N|\zq c\zq j\qu e\zq d\zq g\qu i&\ql q\soupir\enotes +% +\barre %56 +\NOtes + \ibl0K0\upz J\qb0J\upz N\qb0 N\relax + &\ibl1b0\qb1{cb} + |\Ibl2fh2\zq {ce}\qb2j\zq g\Pince n\multnoteskip{0.6}\qb2k\relax + {\multnoteskip{0.4}\tinynotesize\Ibbu3jk1\qh3j\tqh3k}\relax + &\soupir\enotes +\NOtes + \upz J\tqb0J\relax + &\tqb1c|\zq g\tqb2l&\ds\enotes +\notes\ds&\zmidtwotext{\bf Pos.}\ds&\Ibbl0lm2\qbp0l\turn o\sk\tbbbl0\tqb0m\enotes +\def\atnextline{\ThreeStaff}% +% +\barre %57 +\notes\dble\cu J\ds\cu G\ds + &\Nextstaff\ibbu0e0\zq N\qh0c\zq c\qh0e\zq e\qh0g\zq e\tqh0c\zq e\ibbu0e0\qh0g\zq +c\qh0e\zq d\qh0f\zq b\tqh0d\relax + &\Ibbl0nl1\qb0n\tqb0l\dble\isluru0j\ql j\sk\tslur0k\cl k\enotes +% +\barre %58 +\notes\dble\cu J\ds\cu J\ds\relax + &\Nextstaff\qs\ibbu0d0\zq b\qh0{^d}\zq c\qh0e\zq b\tqh0d\relax + \Ibbu0df3\zq c\qh0e\zq c\qh0e\zq {=d}\qh0f\zq e\tqh0g\relax + &\Ibl0kl2\qb0{^k}\sk\tqb0l\sk\qs\Ibbl0ln2\qb0{lm}\tqb0n\enotes +% +\barre %59 +\notes\dble\cu J\ds\cu J\ds + &\Nextstaff\qs\ibbu0g0\zq f\qh0h\zq c\qh0f\zq f\tqh0h\Ibbu0ig3\zq h\qh0j\zq +h\qh0j\sk\zq g\qh0i\zq f\tqh0h\relax + &\ibbl0o0\qb0o\tbbl0\qb0m\itenu0q\tqb0q\sk + \ibbl0o0\tten0\qbp0q\relax + {\multnoteskip{0.66}\sk\nbbbl0\qb0r\tqb0q}\relax + \Ibbl0po1\qb0p\tqb0o\enotes +% +\barre %60 +\notes\dble\cu J\ds\cu J\ds + &\Nextstaff\qs\Ibbu0fd2\zq f\qh0h\zq e\qh0g\zq{^d}\tqh0{^f}\relax + \ibbu0i0\zq e\qh0g\zq g\qh0j\zq c\qh0e\zq e\tqh0g\relax + &\dble\Ibl0on1\Pince q\qb0o\tqb0n\ds + \multnoteskip{0.33}\ibbl0n0\qbp0n\turn p\sk\tbbbl0\tqb0n\enotes +% +\barre %61 +\notes\dble\qu H\sk\qu{_H}\relax + &\Nextstaff\qs\Ibbu0fj2\zq c\qh0f\zq f\qh0h\zq h\tqh0j\ds\Ibbu0fj2\zq c\qh0f\zq +f\qh0{_h}\zq h\tqh0j\relax + &\Ibbl0qo1\qb0q\tqb0o\dble\ql m\sk\cl m\enotes +% +\barre %62 +\Notes\qu G\relax + &\Nextstaff\qs\Ibbu2di2\zq b\qh2d\relax + &\multnoteskip{0.5}\Ibbbl3nk3\qb3{nml}\tqb3k\enotes +\notes&\Nextstaff\zq d\qh2f\zq f\tqh2i\relax + &\ql k\sk\enotes +\notes\dble\Ibu0GJ1\qh0G\tqh0J\relax + &\Nextstaff\qs\ibbu0i0\zq f\qh0i\zq e\qh0j\zq e\tqh0g\relax + &\sk\sk\multnoteskip{0.7}\Ibbl0lj2\qbp0l\sk\tbbbl0\tqb0j\enotes +% +\barre %63 +\notes\dble\qu F\sk\qu G\relax + &\Nextstaff\dble\zq d\qup f\sk\Ibu0bd1\qh0N\zq b\tqh0d\relax + &\ibbl0i0\isluru0i\qb0i\tslur0h\qb0h\isluru0m\qb0m\tslur0k\tqb0k\relax + \ibbl0j0\isluru0j\qb0j\tslur0i\qb0i\isluru0n\qb0n\tslur0m\tqb0m\enotes +% +\barre %64 +\notes\dble\qu J\sk\Ibu0JI1\qh0J\tqh0I\relax + &\Nextstaff\zcl N\qs\Ibbu0ef2\zq b\qh0{^d}\zq c\qh0e\zq{=d}\tqh0f\relax + \Ibbu0fi3\zq{^d}\qh0{^f}\zq e\qh0g\zq{=d}\qh0h\zq g\tqh0i\relax + &\dble\Ibl0kl1\qb0{^k}\tqb0l\ds + \turn p\multnoteskip{0.4}\ibbl0n0\qbp0n\sk\tqb0n\enotes +% +\barre %65 +\notes\dble\qu H\sk\qu{_H}\relax + &\Nextstaff\zcu j\raise -4\Internote\qs\Ibbu0fj2\zq f\qh0c\zq f\qh0h\zq h\tqh0j\relax + \qs\Ibbu0fj2\zq c\qh0f\zq f\qh0{_h}\zq h\tqh0j\relax + &{\multnoteskip{0.667}\triolet q\Ibbl0qm2\qb0{qo}\tqb0m}\relax + \dble\ql m\sk\cl m\enotes +% +\barre %66 +\notes\dble\Ibu0HM1\lpz G\qb0G\lpz M\tqh0M\ds + &\Nextstaff\dble\lpz d\zq d\Ibu0ig1\zq i\qh0g\lpz b\zq g\zq b\tqh0d\ds + &\ibbl0k0\qb0m\tbbl0\qb0p\tqb0p\sk\ds\enotes +\notes\cl L&\Nextstaff\zq c\cu g&\Ibbbl0qo3\qb0{qp_p}\tqb0o\enotes +% +\barre %67 +\notes\ql M\relax + &\Nextstaff\dble\dble\Ibu0fh1\zq f\qh0c\zq h\tqh0d\relax + &\ibbbl0n0\qb0{^no=p}\tqb0o\Ibbbl0nk3\qb0{=nml}\tqb0k\enotes +\Notes\dble\ql N\relax + &\Nextstaff\ds\Ibbu0gd2\zq e\qh0g\zq c\qh0e\zq b\tqh0d\relax + &\ibbl0j0\roff{\tbbl0}\qh0{jl}\sk + \multnoteskip{0.6}\nbbbl0\qb0m\tqb0k\enotes +% +\barre %68 +\notes\dble\qu J\sk\dble\ql N\relax + &\Nextstaff\Ibbu0bg3\qh0M\zq c\qh0N\zq c\qh0e\zq e\tqh0g\qs + \Ibbu0ej2\zq c\qh0{e}\zq e\qh0g\zq g\tqh0j\relax + &\pince n\Ibbl0kj2\qb0k\tbbl0\qb0 j\tqb0j\sk\ds\sk + \multnoteskip{0.67}\Ibbl0jj2\qbp0j\sk\tbbbl0\tqb0j\enotes +% +\barre %69 +\Notes\qu J\relax + &\Nextstaff\qs\Ibbu0fj2\zq c\qh0{^f}\zq f\qh0h\zq h\tqh0j\relax + &\Ibbl0jn2\qb0{^j}\tbbl0\qb0k\itenu0r\tqb0r\enotes +\notes\qu{_I}\relax + &\Nextstaff\dble\qs\Ibbu0gk2\zq d\qh0g\zq g\qh0{_i}\zq i\tqh0k\relax + &\tten0\isluru0r\Ibbbl0ro3\qb0{r=q_p}\tqb0o\Ibbbl0nk3\qb0{nml}\tslur0k\tqb0k\enotes +% +\barre %70 +\def\atnextline{\FourStaff}% +\Notes\qu J\relax + &\Nextstaff\qs\Ibbu0gk2\zq d\qh0g\zq g\qh0{_i}\zq i\tqh0k\relax + &\pince m\ibbl0j0\qb0k\tbbl0\qb0j\itenu0q\tqb0q\enotes +\notes\qu H\relax + &\Nextstaff\dble\qs\Ibbu0fj2\zq c\qh0{=f}\zq f\qh0h\zq h\tqh0j\relax + &\tten0\isluru0q\Ibbbl0qn3\qb0{q_po}\tqb0n\Ibbbl0mj3\qb0{mlk}\tslur0j\tqb0j\enotes +% +\barre %71 +\Notes\qu J\relax + &\Nextstaff\qs\Ibbu0fj2\zq N\qh0d\zq d\qh0f\zq f\tqh0h\relax + &\pince m\ibbl0i0\qb0j\tbbl0\qb0{_i}\itenu0p\tqb0{_p}\enotes +\Notes\qu J\relax + &\Nextstaff\ibbu0g0\zq e\qh0{g_ih}\tqh0g\relax + &\tten0\ibbl0p0\qb0{prq}\tqb0p\enotes +% +\barre %72 +\notes\dble\ibl0N0\qb0M\qb0N\qb0a\tqb0N\relax + &\Nextstaff\dble\ibu0g0\zq c\qh0f\zq c\qh0e\zq c\qh0f\zq c\tqh0g\relax + &\Ibbl0nl7\roff{\tbbl0}\qb0{^no}\sk\qb0{=n}\sk\qb0m\sk\tbbl0\tqb0l\enotes +% +\barre %73 +\notes\dble\dble\ibl0M0\qb0{MMM}\tqb0M\relax + &\Nextstaff\zhlp a\dble\dble\ibu0h0\qh0{hhh}\zcl f\tqh0h\relax + &\isluru0k\Ibbbl0jk3\qb0{^jkl}\tqb0k\Ibbbl0lm3\qb0{lmn}\tslur0m\tqb0m\relax + \isluru0n\Ibbbl0no3\qb0{^nop}\tqb0o\Ibbbl0nk3\qb0{=nml}\tslur0k\tqb0k\enotes +% +\barre %74 +\notes\dble\ql N\sk\relax + &\Nextstaff\ibl0e0\zqu g\itenu0g\qbp0e\sk\multnoteskip{0.7}\sk\nbbbl0\qb0f\tqb0e\relax + &\ibl0j0\qbp0j\sk\multnoteskip{0.7}\sk\nbbbl0\qb0k\tqb0j\enotes +\Notes\cu G\ds + &\Nextstaff\tten0\zcl d\cu g\ds + &\cl i\ds\enotes +% +\barre %75 +\NOtes\cu J\ds\cl N\ds\relax + &\zmidtwotext{\bf G.O.}\cl c\ds\cl b\ds\relax + |\zq g\zq e\cu j\ds\zq d\zq g\zq i\cu k\ds + &\sk\sk\pause\enotes +% +\barre %76 +\def\atnextline{\ThreeStaff}% +\Notes\lpz J\Ibu1JL1\qh1J\lpz K\qh1K\relax + &\Ibl2ce2\upz c\qb2c\upz d\qb2d\relax + |\upz l\Ibl3gi2\zq j\zq g\qb3l\upz m\zq g\zq i\qb3m\relax + &\soupir\enotes +\notes\lpz L\tqh1L\sk\ds + &\upz e\tqb2e\sk\ds + |\upz n\zq g\zq j\tqb3n\sk\ds + &\qs\Ibbl0gl2\qb0{gj}\tqb0l\enotes +% +\barre %77 +\NOtes\ql M\ql L\relax + &\Nextstaff\zq i\zq d\qu g\zq e\zq j\qu g\relax + &\itenu3n\hl n\enotes +% +\barre %78 +\NOtes\Ibu1IK2\lpz I\qh1I\lpz J\qh1J\relax + &\Nextstaff\Ibl3fh2\zq i\zq g\qb3k\Pince n\multnoteskip{0.33}\zq j\zq g\qb3l\sk\tinynotesize\Ibbu0kl1\qh0k\tqh0l\relax + &\tten3\itenu3n\ql n\enotes +\notes\lpz K\tqh1K\sk\ds + &\Nextstaff\Uptext{\hbox to 4\noteskip{\hss\bf R\'ec./G.O.}}\zq g\zq i\tqb3m\sk\ds + &\tten3\Ibbl0np3\qb0{n^no}\tqb0p\enotes +% +\barre %79 +\Notes\qu J\relax + &\zmidtwotext{\bf Pos.}\Nextstaff\qs\Ibbl1ij2\zq e\qb1j\relax + &\multnoteskip{0.5}\ibbbl0q0\qb0{qrs}\tqb0r\enotes +\notes\dble\sk\qu L\relax + &\Nextstaff\zq l\qb1n\zq j\tqb1l\ibbu0i0\zq j\qh0g\zq j\qh0g\zq j\qh0g\zq j\tqh0g\relax + &\dble\isluru0q\ql q\sk\tslur0p\cl p\enotes +% +\barre %80 +\Notes\ql M\relax + &\Nextstaff\qs\Ibbl1hg0\zq h\qb1j\relax + &\multnoteskip{0.5}\ibbbl0o0\qb0{opq}\tqb0p\enotes +\notes\dble\sk\qu J\relax + &\Nextstaff\zq m\qb1j\zq j\tqb1h\ibbu0h0\zq f\qh0h\zq f\qh0h\zq e\qh0g\zq e\tqh0g\relax + &\dble\isluru0o\ql o\sk\tslur0n\cl n\enotes +% +\barre %81 +\notes\qu K\relax + &\Nextstaff\qs\ibbu0i0\zq j\qh0h\zq j\qh0h\zq j\tqh0h\relax + &\ibl0m0\xTrille o{3\noteskip}\qbp0m\sk\sk\nbbbl0\multnoteskip{0.7}\qb0l\tqb0m\enotes +\notes\qu G\relax + &\Nextstaff\ibbu0h0\zq g\qh0i\zq g\qh0i\zq g\qh0i\zq g\tqh0i\relax + &\Ibl0nm2\isluru0n\qb0n\sk\tslur0m\tqb0m\enotes +% +\barre %82 +\NOtes\ds\Ibu1HF3\qh1H\relax + &\Nextstaff\ds\zql e\ibu2i0\qh2j\relax + &\Ibl3kl1\isluru3k\qh3{^k}\tslur3l\tqb3l\enotes +\notes\dble\dble\qh1G\tqh1F\relax + &\Nextstaff\dble\dble\rq j\qh2i\zcl f\zq h\tqh2j\relax + &\hs\Ibbbl0jl2\qh0{j=k}\tqb0l\Ibbbl0mp3\qb0{mno}\tqb0p\enotes +% +\barre %83 +\Notes\cu E\relax + &\Nextstaff\zqu j\raise -6\Internote\qs\ibbl1f0\zq e\qb1g\relax + &\multnoteskip{0.5}\ibbbl0q0\qb0{qrs}\tqb0r\enotes +\notes\dble\ds\cu J\ds + &\Nextstaff\raise 3\Internote\rlap{\ds}\zq e\qb1g\zq e\tqb1g\ibbl0f0\zq e\qb0g\zq +g\qb0{_i}\zcu j\zq f\qb0h\zq e\tqb0{^g}\relax + &\itenu0q\cl q\sk\tten0\Ibbl0qn3\qb0{q_po}\tqb0{^n}\enotes +% +\def\atnextline{\FourStaff}% +\barre %84 +\notes\ibu1M0\qh1M\relax + &\Nextstaff\ibu3j0\zq {fh}\qh3j\relax + &\Ibbl0no1\qb0{^n}\tqb0o\enotes +\Notes\dble\qh1M\qh1M\tqh1M\relax + &\Nextstaff\dble\zq j\qh3h\zq h\qh3f\zq k\tqh3h\relax + &\multnoteskip{0.5}\qs\sk\Ibbbl0rq1\qb0r\tqb0q\relax + \qs\sk\Ibbbl0po1\qb0{=p}\tqb0o\relax + \qs\sk\Ibbbl0nm1\qb0{=n}\tqb0m\enotes +% +\barre %85 +\notes\dble\ql N\sk\ql N\relax + &\Nextstaff\qs\ibbu0f0\zq c\qh0e\zq e\qh0g\zq e\tqh0e\relax + \Ibbu0ge3\zq e\qh0g\zq{a^d}\qh0{^f}\zq{b=d}\qh0{=f}\zq c\tqh0e\relax + &\Ibbl0ln2\qb0l\tbbl0\qb0n\itenu0n\tqb0n\sk\tten0\Ibbl0nl3\qb0{n^m=m}\tqb0l\enotes +% +\barre %86 +\Notes\cl G\sk\ds\relax % \roff{\zq N\itenl1N}\itenl0M\qu M\sk\raise -4\Internote\ds + &\Nextstaff\uptext{G.O.}\itenu2d\zq f\zqu d\raise -8\Internote\ds\ibbl0e0\qb0{cc}\tqb0c\relax + &\zhl k\xTrille q{8\noteskip}\enotes +\notes\dble\zcl G\raise 2\Internote\qs\ibbu0L0\qh0M\zqh0M\raise -4\Internote\ds\tqh0M\relax + &\Nextstaff\tten2\Ibbbu0df3\zcl b\qh0{def}\tqh0e\Ibbbu0fi3\qh0{fgh}\tqh0i\relax + &\dble\sk\sk\sk\multnoteskip{0.3}\tinynotesize\Ibbu0jk1\qh0j\tqh0k\enotes + \setclefs2{6000}\zchangeclefs +% +\barre %87 +\qspace +\Notes\qu C\relax + &\uptext{\bf m.g.}\ibbl1N0\qb1L\qb1N\relax + |\zcharnote b{\bf m.d.}\bracket h{22}\multnoteskip{0.5}\ibbbu0j0\qb0{jkl}\tqh0k\relax + &\ql j\enotes +\notes\dble\sk\qu E\relax + &\qh1c\tqb1N\ibbl1N0\qb1{LNc}\tqb1N\relax + |\dble\isluru0p\qu j\sk\tslur0p\cl p\relax + &\dble\sk\soupir\enotes +% +\barre %88 +\Notes\qu F\relax + &\ibbl1N0\qb1M\qb1a\relax + |\multnoteskip{0.5}\advance\transpose7\ibbbl0h0\qh0{hij}\tqb0i\relax + &\enotes +\notes\dble\sk\qu{^J}\relax + &\qh1c\tqb1N\ibbl1L0\qb1{^JLa}\tqb1L\relax + |\dble\advance\transpose 7\isluru0h\ql h\sk\tslur0g\cl g\relax + &\dble\sk\pause\enotes +% +\barre %89 +\Notes\qu K\relax + &\ibbu1a0\qh1K\qh1a\relax + |\multnoteskip{0.5}\advance\transpose7\ibbbl0h0\qh0{fgh}\tqb0g\relax + &\enotes +\notes\dble\sk\Ibu0IJ1\qh0I\tqh0J\relax + &\qh1d\tqh1{_a}\ibbu1N0\qh1{NdN}\tqh1c\relax + |\dble\advance\transpose 7\isluru0f\ql f\sk\tslur0e\cl e\relax + &\dble\sk\pause\enotes +% +\barre %90 +\Notes\qup F\relax + &\multnoteskip{0.5}\ibbbu0M0\qh0{MNa}\tqh0N\relax + |\multnoteskip{0.5}\advance\transpose7\ibbbl0g0\qh0{def}\tqb0e\relax + &\enotes +\notes\dble\sk\sk\cu{^F}\relax + &\ibbl0N0\qb0M\tqb0c\ibbl0N0\qb0{Mc^M}\tqb0c\relax + |\dble\zq h\isluru0k\ql k\sk\zq h\tslur0l\cl{_l}\relax + &\sk\sk\pause\enotes +% +\barre %91 +\notes\dble\ibu0G0\qh0{G_HG}\tqh0{^F}\relax + &\ibbu0N0\qh0{Nc_a}\tqh0c\ibbu0N0\qh0{Nc^M}\tqh0c\relax + |\dble\ibl0k0\zq j\upz l\qb0{=l}\zq j\upz m\qh0m\zq j\upz l\qh0l\lsh k\lq j\upz k\tqb0{k}\relax + &\dble\dble\sk\pause\enotes +% +\barre %92 +\notes\dble\pointdurgue F\qu G\sk\soupir + &\dble\pointdorgue b\qu N\sk\soupir + |\dble\pointdorgue o\zq{gj}\qu{=l}\sk\soupir + &\Ibl0lj3\pointdorgue o\qbp0n\Uptext{\it cadenza ad lib.}\sk\sk\tbbl0\tqb0j\xTrille n{3\noteskip}\ibl0j0\qbp0k\sk\sk\multnoteskip{0.7}\nbbbl0\qb0j\tqb0k\enotes +% +\barre %93 +\NOtes\qu J\qu G\relax + &\zmidtwotext{G.O.}\ql N\ql N|\zq e\zq j\qu c\zq f\zq i\qu d\relax + &\uptext{\vbox{\hbox{R\'ecit}\hbox{non acc.}}}\ql j\soupir\enotes +% +\barre %94 +\NOtes + \ibl0K0\upz J\qb0J\upz N\qb0N\relax + &\Ibu1Lc2\lpz J\qh1J\lpz N\qh1N\relax + |\Ibu2jl2\zq{ce}\qb2j\Pince n\multnoteskip{0.6}\zq g\qb2k\relax + {\multnoteskip{0.4}\tinynotesize\Ibbu3jk1\qh3j\tqh3k}\relax + &\soupir\enotes +\NOtes + \upz J\tqb0J\relax + &\tqh1c\relax + |\zq g\tqh2l&\ds\enotes +\notes\ds&\ds&\Ibbl0lm2\qbp0l\turn o\sk\tbbbl0\tqb0m\enotes +% +\def\atnextline{\ThreeStaff}% +\barre %95 + %\check +\notes\dble\cu J\ds\cu G\ds + &\Nextstaff\zhl N\ibbu0e0\qh0c\zq c\qh0e\zq e\qh0g\zq e\tqh0c\zq e\ibbu0e0\qh0g\zq +c\qh0e\zq d\qh0f\zq b\tqh0d\relax + &\Ibbl0nl1\qb0n\tqb0l\dble\isluru0j\ql j\sk\tslur0k\cl k\enotes +% +\barre %96 + %\check +\Notes\hu J\relax + &\Nextstaff\qs\Ibbu2dg2\zq b\qh2{^d}\zq c\qh2e\relax + &\Ibl3kl3\qb3{^k}\sk\nbbl3\qb3l\enotes + %\check +\Notes\sk + &\Nextstaff\zq e\tqh2g\relax + &\multnoteskip{0.6}\raise2\Interligne\hs\tbbbl3\tqb3l\enotes + %\check +\Notes\Ibl0aM2\qb0a\sk\tqb0M\relax + &\Nextstaff\Ibbu0gc3\roff{\tbbu0}\zq f\qh0h\zq{=d}\qh0f\sk\tbbu0\zq{=b}\tqh0d\relax + &\pince o\multnoteskip{0.5}\ibbbl0n0\qb0{mlm}\tqb0n\relax + \pince q\ibbbl0p0\qb0{ono}\tqb0p\enotes +% +\barre %97 + %\check +\notes\Ibl1LI{10}\qb1L\relax + &\Nextstaff\zq c\ibu2f0\qh2g\relax + &\Ibbl3on2\qbp3q\sk\tbbbl3\tqb3n\enotes +\notes\qb1M\relax + &\Nextstaff\nbbbu2\qh2{gfe}\tqh2d\relax + &\Ibbbl3pm3\isluru4p\qb3{pon}\tqb3m\enotes + %\check +\NOtes\qb1N\tqb1G\relax + &\Nextstaff\cu c\zq{df}\cu i\relax + &\Ibl0lk1\qb0l\tslur4k\tqb0k\enotes + %\check +% +\barre %98 +\NOTes\qu J\multnoteskip{0.7}\cu C\ds + &\Nextstaff\isluru0i\zq d\zq f\qu i\tslur0j\multnoteskip{0.7}\zq c\zq e\cu j\ds + &\Pince n\isluru0k\ql k\tslur0j\multnoteskip{0.7}\cl j\ds\enotes +% +\linegoal20 +\finmorceau + +\rightline{\today} +\eject + +\bye diff --git a/macros/generic/musixtex/doc/examples/marcello.tex b/macros/generic/musixtex/doc/examples/marcello.tex new file mode 100644 index 0000000000..45dfe704dd --- /dev/null +++ b/macros/generic/musixtex/doc/examples/marcello.tex @@ -0,0 +1,319 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi +\title{Adagio (B. Marcello)} +\csname titremorceautoc\endcsname +\title{Adagio} +\fulltitle{Adagio} +\subtitle{(extrait du Concerto pour Hautbois)} +\othermention{R\'ecit: cornet ou cromorne\\G.O. + bourdon 8'\\P\'ed.: bourdon 16'+tirasse G.O.} +\author{Benedetto MARCELLO\\Transcription Daniel TAUPIN} +\shortauthor{B. Marcello, D. Taupin} +\maketitle +% +\parindent 13mm +% +\tracingstats=2\relax +% +\def\nbinstruments{3} +\def\interfacteur{9} +\global\cleftoksi={{6}{0}{0}{0}}% +\global\cleftoksii={{0}{0}{0}{0}}% +\global\cleftoksiii={{0}{0}{0}{0}}% +\nbporteesi=1\relax% +\nbporteesii=1\relax% +\nbporteesiii=1\relax% +\signaturegenerale{-3}\relax +%\check +\def\instrumenti{P\'ed}% +\def\instrumentii{G.O.}% +\def\instrumentiii{R\'ecit}% +%\check +\def\gluemaxskip{7pt}% +% +\def\doubler{\multiply\noteskip by 2\relax}% +% formes frequentes +\def\Pause{\sk\sk\qsk\pause}% +% +%\check +% +\generalmeter{\meterfrac 34}% +% +\debutmorceau +\linesinpage=0\relax +\autolines{19}35\relax +%\check +% +\hyphenpenalty -50\relax +\notes&&\zcharnote{w}{\kern -20mm\moyen Adagio +\bf(\metron{\cu}{84})}\enotes +% +%\check +% +% mesure 1 +\NOTes\Pause&\ibl0j0\qb0{jjjjj}\tqb0j&\Pause\enotes +\advance\linesinpage by 1 +% mesure 2 +\barre\NOTes\Pause +&\ibl0j0\lq j\qb0k\lq j\qb0k\lq j\qb0k\lq j\qb0k\lq j\qb0k\lq j\tqb0k&\Pause\enotes +% mesure 3 +\def\motif{\zq i\qh0k}% +\barre\NOTes\hup G&\rlap{\pt g\lh f\hlp g}\bigna i\ibu0k0\motif +\motif\motif\motif\motif\tbu0\motif&\Pause\enotes +% mesure 4 +\def\motif{\zq j\qh0 l}% +\barre\NOTes\Ibu2CJ1\qh2C\itenl0J\tqh2J\relax +&\ibu0l0\itenl1e\rlap{\zhp g\hlp e}\motif\motif\relax +&\Ibl1jl1\qb1j\tqb1l\enotes +\NOTes\tten0\hu J&\motif\motif&\Ibl1ln1\qb1l\tqb1n\enotes +\NOTes&\motif&\ibl1n0\qb1n\enotes +\NOtes&\tbu0\motif&\nbbl1\qb1o\tqb1n\enotes +% mesure 5 +\def\motif{\zq h\qh0j}% +\barre\NOTes\qsk\hup F&\qsk\tten1\zql e\relax +\ibu0j0\motif\motif&\qsk\mordant q\zhl o\enotes +\NOTes&\zql d\motif\motif\enotes +\NOTes&\zql c\motif\tbu0\motif&\soupir\enotes +% mesure 6 +\def\motif{\zq h\qh0k}% +\barre\temps\NOTes\hup I&\zhl f\ibu0k0\motif\motif&\Ibl1ik1\qb1i\tqb1k\enotes +\NOTes&\motif&\Ibl1kl2\qb1k\enotes +\NOtes&\motif&\nbbl1\qb1m\tqb1l\enotes +\NOtes&\itenl1d\zql d\motif\sk\tbu0\motif&\Ibbl1mn3\qb1{mno}\tqb1n\enotes +% mesure 7 +\def\motif{\zq g\qh0i}% +\barre\autolines{20}35\relax +\NOTes\qsk\hup E&\qsk\tten1\zql d\ibu0i0\motif +\motif&\qsk\mordant p\zhl n\enotes +\NOTes&\zql c\motif\motif\enotes +\NOTes&\zql b\motif\tbu0\motif&\soupir\enotes +% mesure 8 +\def\motif{\zq h\qh0j}% +\barre\NOtes\hup H&\ibu0j0\zhl e\motif\sk\motif +&\Ibbl1hi3\qb1{hij}\tqb1i\enotes +\NOtes&\motif\sk\motif +&\Ibbl1jk3\qb1{jkl}\tqb1k\enotes +\NOtes&\itenl1c\zql c\motif\sk\tbu0\motif +&\Ibbl1lm3\qb1{lmn}\tqb1m\enotes +% mesure 9 +\def\motif{\zq f\qh0h}% +\barre\NOTes\qsk\hup K&\qsk\tten1\zql c\ibu0h0\motif +\tbu0\motif&\qsk\mordant o\zhl m\enotes +\def\motif{\zq f\qh0i}% +\temps\NOTes&\zql b\ibu0i0\motif\motif\enotes +\NOTes&\zql a\motif\tbu0\motif&\soupir\enotes +% mesure 10 +\def\motif{\zq i\qh0k}% +\barre\autolines{28}25\relax +\Notes\Ibu2NG4\qh2N\sk\sk\sk\itenl0G\tqh2G&\bigna i\zhlp f\relax +\ibu0k0\motif\sk\sk\sk\motif&\Ibbbu1gk7\qh1{g^fgh=ihi}\tqh1j\enotes +\Notes\tten0\hu G&\motif\sk\sk\sk\motif&\Ibbbl1jj7\qb1{kijkn=ml}\tqb1k\enotes +\NOtes&\motif\sk\tbu0\motif&\Ibbl1kl3\qb1{klm}\tqb1l\enotes +% mesure 11 +%\check +\def\motif{\zq g\qh0 j}% +\barre\notes\Ibu2CJ5\qh2C&\zhlp e\ibu0j0\motif +&\ibbbbl1l0\qb1{lkl}\tbbbbl1\tbbbl1\tbbl1\qb1m\enotes +\NOtes&&\tbl1\qbp1l\enotes +\NOTes\itenl0J\tqh2J&\motif&\enotes +\NOtes\tten0\itenl0J\hu J&\motif\sk\motif&\qsoupir\Ibbl1ln2\qb1{lo}\tqb1n\enotes +\NOtes&\motif\sk\tbu0\motif&\Ibbl1ol3\qb1{omm}\tqb1l\enotes +% mesure 12 +%\check +\barre +\NOTes\tten0\qu J&\ibu0h0\zhl d\zq f\qh0h\zq f\tqh0h\relax +&\mordant q\ql k\sk\enotes +\NOtes\itenl2I\hu I&\ibu0i0\zq g\qh0i\sk\zq g\tqh0i&\qsoupir +\Ibbl1km2\qb1{kn}\tqb1m\enotes +\NOtes&\ibu0j0\zq g\qh0j\sk&\ibbl1k0\qb1n\qbp1l\enotes +\Notes&\zq g\tqh0j&\sk\nbbbl1\qb1{kj}\tqb1k\enotes +% mesure 13 +\barre +\notes\tten2\qu I&\zhl c\ibu0g0\zq e\qh0g&\ibbbbl1j0\qb1{j=ij}\relax +\tbbbbl1\tbbbl1\tbbl1\qb1k\enotes +\NOtes&&\tbl1\qbp1j\enotes +\NOTes&\zq e\tqh0g&\enotes +\temps\Notes\hu H&\ibu0h0\zq f\qh0h\sk\sk\sk\zq f\tqh0h\relax +&\qsoupir\sk\ibbbl1j0\qb1j\tbbl1\qb1l\nbbbl1\qb1{kjk}\tqb1l\enotes +\temps\Notes&\zql d\ibu0h0\zq f\qh0h\sk\sk\sk\zq f\tqh0h&\ibbbl1k0\qb1{mnlmkl}\relax +\triolet M\qb1{jk}\tqb1j\enotes +% mesure 14 +%\check +\def\motif{\zq g\qh0 i}% +\barre\autolines{21}35\relax +\NOTes\hup G&\rlap{\qsk\hlp d}\bigna b\ibu0i0\qh0b\rq +f\rlap{\qsk\itenl0f}\bigna i\motif +&\bigna i\hl i\enotes +\NOTes&\rlap{\qsk\tten0\hl f}\motif\motif\motif\tbu0\motif&\sk\sk\soupir\enotes +% mesure 15 +\barre\NOTes\hup J&\bigna e\zhlp c\Ibu0jg1\zq e\qh0j\tqh0g\relax +&\ibl1l0\bigna l\qb1l\qb1n\enotes +\NOTes&\ibu0g0\zq e\qh0g\zq e\tqh0g&\qb1n\tqb1l\enotes +\temps\NOtes&\ibu0j0\zq e\qh0j\sk\zq e\tqh0j&\fl i\ibbl1i0\qb1{inl}\tqb1i\enotes +% mesure 16 +\barre\NOTes\hlp M&\zql c\ibu0j0\zq g\qh0j&\ibu1k0\itenl1i\qh1i\enotes +\Notes&\zq g\tqh0j&\tten1\nbbbu1\qh1{ihj}\tqh1i\enotes +\temps\NOTes&\ibu0j0\zhl f\zq h\qh0j\zq h\relax +\qh0j\zq h\qh0j\zq h\tqh0j&\qu h\sk\soupir\enotes +% mesure 17 +\def\motif{\zq h\qh0 k}% +\barre\autolines{24}35\relax +\NOtes\hup K&\lsh f\zhlp f\na h\ibu0k0\motif\sk\motif +&\ibbl1m0\sh m\qb1{m=om}\tqb1n\enotes +\Notes&\motif\sk\sk\sk\motif\sk\sk\sk&\Ibbbl1oh7\qb1{onm=lkji}\tqb1{=h}\enotes +\Notes&\motif\sk\sk\sk\sk\tbu0\motif\sk\sk\sk +&\Ibbbu1dl9\qh1{d=e^fghij}\qhp1k\qsk\tbbbbu1\tqh1j\enotes +% mesure 18 +\barre +\NOTes\hup G&\zql d\zq g\ibu0k0\qh0k\zq g\tqh0k&\Ibl1ji1\qb1j\tqb1i\enotes +\temps\NOTes&\itenl0e\zhl e\zq g\ibu0i0\qh0i\zq g\qh0i\zq g\qh0i\zq g\tqh0i\relax +&\Ibl1lk1\bigfl l\qb1l\tqb1k\mordant n\itenu1l\ql l\enotes +% mesure 19 +\barre\NOTes\hl M&\tten0\zql e\zq{_h}\ibu0j0\qh0j\relax +&\tten1\ibl1l0\qb1l\enotes +\NOtes&\zq h\tqh0j&\nbbl1\qb1m\tqb1l\enotes +\temps\NOTes&\zhl d\zq f\ibu0h0\qh0h&\ibl1k0\qb1k\enotes +\NOtes&\zq f\qh0h&\nbbl1\qb1l\tqb1j\enotes +\NOTes\qu F&\zq f\qh0h\zq f\tqh0h&\itenu1k\mordant m\ql k\enotes +% mesure 20 +\barre\autolines{28}35\relax +\NOtes\hu E&\zql d\ibu0i0\zq g\qh0i\sk\zq g\tqh0 i\relax +&\tten1\ibbl1k0\qb1{knl}\tqb1k\enotes +\temps\NOtes&\zhl c\ibu0g0\zq e\qh0g\sk\zq e\qh0g&\ibbl1i0\qb1{jih}\tqb1i\enotes +\NOTes\ql L&\zq e\qh0g\zq e\tqh0g&\upperna j\mordant o\itenu1j\ql j\enotes +% mesure 21 +\barre +\NOtes\hup K&\zhl b\zq f\ibu0h0\qh0h\sk\zq f\tqh0h\relax +&\ibbl1j0\tten1\qb1j\qb1{_i}\qb1k\enotes +\Notes&&\nbbbl1\qb1m\tqb1l\enotes +\temps\Notes&\zq d\ibu0f0\qh0f\sk\sk\sk\zq d\qh0f\relax +&\ibbbl1i0\qb1{kjihijk}\tqb1l\enotes +\NOtes&\zql a\zq d\qh0f\sk\zq d\tqh0f&\Ibbl1mi3\qb1{mk}\relax +\pince l\qb1j\enotes +\NOtes&&\itenu0i\tqb1i\enotes +% mesure 22 +\barre\Notes\hup J&\zql N\ibu0g0\zq e\qh0g\sk\sk\sk\zq e\tqh0g\relax +&\tten0\ibbbl1i0\qb1{ijj}\tqb1i\Ibbbu1ig3\qh1{ihh}\tqh1g\enotes +\temps\Notes&\ibu0j0\zql e\zq g\qh0j\sk\sk\sk\zq g\tqh0j\relax +&\ibbbu1g0\qh1{ghh}\tqh1g\Ibbbu1ge3\qh1{gff}\tqh1e\enotes +\temps\NOtes&\zql e\rq f\ibu0h0\qh0h\sk\zq f\tqh0h\relax +&\ibbu1k0\qh1{flk}\tqh1j\enotes +% mesure 23 +\barre\autolines{21}35\relax +\Notes\hu I&\doubler +\zhl d\zq f\ibu0h0\qh0h\zq f\qh0h\zq f\qh0h\zq f\tqh0h\relax +&\itenu1k\ql k\sk\sk\sk\tten1\Ibl1ki3\qbp1k\sk\sk\tbbl1\tqb1i\enotes +\NOTes\qu J&\zql c\zq e\ibu0g0\qh0g\zq e\tqh0g&\itenu1l\ql l\enotes +% mesure 24 +\barre +\NOTes\qu{H}&\zqu j\ibl0e0\zq e\qb0h&\tten1\ibl1i0\itenu1l\qb1l\enotes +\Notes&\zq e\tqb0 h&\tten1\nbbbl1\qb1{ljk}\tqb1l\enotes +\temps\NOTes\hu I&\zhu i\ibl0d0\zq d\qb0f\zq d\qb0f\zq d\qb0f\zq e\tqb0g\relax +&\qlp m\sk\sk\cl l\enotes +% mesure 25 +\barre\NOTes\hlp M&\zhlp f\ibu0k0\qh0h\zq h\qh0{_k}&\bigfl k\qlp k\enotes +\NOtes&\zq h\qh0k\sk\zq h\qh0k\sk\zq h\qh0k\sk\zq h\tqh0k\sk +&\sk\sk\ibbl1m0\qb1{mnonm}\tqb1l\enotes +% mesure 26 +\barre\autolines{23}35\relax +\NOTes\hlp N&\zhlp e\ibu0i0\zq g\qh0i\zq g\qh0i&\itenu1k\ql{_k}\enotes +\NOtes&\zq i\qh0g\sk\zq i\qh0g\sk\zq i\qh0g\sk\zq i\tqh0g\sk +&\tten1\Ibbl1ko3\qb1{kln}\tqb1{o}\Ibbl1pk3\qb1{pnl}\tqb1k\enotes +% mesure 27 +\barre +\NOTes\hl a&\zhl e\zq h\ibu0j0\qh0j\relax +&\bigfl k\ibl1j0\itenu1k\qb1k\enotes +\Notes&\zq h\qh0j&\tten1\nbbbl1\qb1{kjl}\tqb1k\enotes +\NOtes&\zq h\qh0j\sk\zq h\tqh0j&\Ibbl1jn3\qb1{jlm}\tqb1n\enotes +\temps\NOtes\qu H&\zql f\ibu0j0\zq h\qh0j\sk\zq h\tqh0j\relax +&\Ibbl1ol3\qb1{onm}\tqb1l\enotes +% mesure 28 +\barre\NOTes\hu G&\rlap{\qsk\zhl f}\ibu0i0\bigna i\zq g\qh0i\zq g\qh0i\relax +&\itenu1m\ql m\enotes +\NOtes&\zq g\qh0i\sk\zq g\tqh0i&\tten1\ibbl1h0\qb1{mgh}\tqb1{=i}\enotes +\temps\NOtes\qu{H}&\itenl0f\zql f\zq h\itenu2h\itenu1j\qu j\relax +&\Ibbl1jk3\qb1{j=kl}\tqb1k\enotes +% mesure 29 +\barre\autolines{23}35\relax +\NOtes\qu F&\tten2\tten1\tten0\zq f\zql h\Ibu0jk2\qh0j\sk\tqh0k\relax +&\ibbl1l0\qb1{lom}\tqb1k\enotes +\temps\NOTes\hu G&\zqlp d\na i\Ibu0ij3\zq g\qh0i\zq g\qh0i\zq g\qh0i\zq g\tqh0j\relax +&\qlp{=i}\sk\sk\cl j\enotes +% mesure 30 +%\check +\barre +\NOTes\hup{H}&\zhlp c\ibu0h0\zq f\qh0h\zq f\qh0h\zq f\qh0h\zq f\qh0h\relax +&\itenl1f\hu f\enotes +\NOtes&\zq f\qh0h\sk\zq f\tqh0h&\tten1\Ibbu1fe3\qh1{fcd}\tqh1e\enotes +% mesure 31 +%\check +\barre +\NOtes\hu G&\zhl d\bigna i\zq g\qh0i\sk\zq g\qh0i\sk +&\Ibbu1fe3\qh1{fed}\tqh1e\enotes +\NOtes&\zq g\qh0i\sk\zq g\tqh0i&\Ibbu1fg3\qh1{fgh}\tqh1g\enotes +\temps\Notes\ql L&\ibu0j0\zql c\zq g\qh0j\sk\sk\sk\zq g\tqh0j\relax +&\Ibbbu1gi7\qh1{gfefghi}\tqh1{=i}\enotes +% mesure 32 +%\check +\barre\autolines{21}35\relax +\NOtes\bigaccid\zql{a}&\zql c\ibu0h0\zq f\qh0h\sk\zq f\tqh0h\relax +&\Ibl1jk3\qbp1j\sk\sk\tbbl1\tqb1k\enotes +\temps\NOTes\hl N&\ibl0d0\rlap{\qup{=i}}\zq d\qb0f\zq d\qb0f\zq d\qb0f\zcu j\zq e\tqb0g\relax +&\qlp k\sk\sk\cl j\enotes +% mesure 33 +%\check +\def\motif{\zq h\qh0 j}% +\barre\NOTes\hu K&\bigaccid\lsh f\na h\zhl f\ibu0j0\motif\motif +\motif\tbu0\motif +&\bigsh m\itenu1m\hl m\enotes +\temps\NOTes\qu G&\zql d\bigna i\zq g\ibu0i0\qh0i\zq g\tqh0i\relax +&\tten1\Ibl1nk1\qb1n\tqb1k\enotes +% mesure 34 +%\check +\barre\NOTes\Ibl2JG5\qb2J&\zql e\zq g\ibu0j0\qh0j&\Ibl1lj2\qb1l\enotes +\NOtes\qb2L&\zq g\tqh0j&\nbbl1\qb1k\tqb1j\enotes +\NOTes\qb2{NMN}\tqb2G&\zh d\zhl g\na i\qup i\sk\sk\cu j&\zcharnote +n{\Trille{2\noteskip}}\na i\qlp i\sk\sk\cl j\enotes +% mesure 35 +%\check +\barre\autolines{17}35\relax +\NOTes\hup J&\Ibu0je1\zq e\zq g\qh0j&\hlp j\enotes +\NOTes&\itenl0N\zq N\zq c\tqh0e\enotes +\temps\NOTes&\tten0\zhl N\ibu0e0\zq c\qh0e\zq c\qh0e\zq c\qh0e\zq c\tqh0e\enotes +% mesure 36 +%\check +\barre\NOTes\hup G&\ibu0e0\zhlp N\zq c\qh0e\rq d\qh0c\rq d\qh0c\rq d\qh0c\zq +{_b}\qh0d\zq b\tqh0d&\sk\sk\qsk\pause\enotes +% mesure 37 +%\check +\barre\NOTes\hup J&\na e\zhlp N\ibu0e0\relax +\zq b\qh0 e\zq b\qh0 e\zq b\qh0 e\zq b\qh0 e\zq b\qh0 e\zq b\tqh0 e\relax +&\sk\sk\qsk\pause\enotes +% mesure 38 +%\check +\barre\autolines{16}45\relax +\NOTes\hlp M&\rlap{\qsk\zql b}\ibu0f0\zq c\qh0f\zq c\qh0f\enotes +\NOTes&\itenl1a\zql a\zq c\qh0 f\zq c\tqh0f&\sk\pause\enotes +\temps\NOTes&\tten1\zq {ac}\rq f\qu e\enotes +% mesure 39 +%\check +\barre\NOTes\hl N&\rlap{\qup f}\na b\ibl0b0\zq b\qb0d\zq b\qb0d\zq b\qb0d\relax +\Ibu1gc2\zq b\rlap{\tqb0d}\qh1g\relax +&\sk\sk\qsk\pause\enotes +\NOTes\ql a&\zq c\qh1e\rq d\tqh1c\enotes +% mesure 40 +%\check +\barre\NOTes\ql M&\zq a\zql c\Ibu1ef1\qh1e\tqh1f\enotes +\temps\NOTes\ibu2N0\qh2{NMN}\tqh2G&\na b\zh b\hu d&\qsk\pause\enotes +% mesure 41 +%\check +\cleftoksii={{6}{0}{0}{0}}\changeclefs\barre +\NOTES\hlp J&\zhp{LN}\hup c&\sk\pause\enotes +\finmorceau +\rightline{\sl\aujourdhui}\eject + + +\bye diff --git a/macros/generic/musixtex/doc/examples/marcon1.tex b/macros/generic/musixtex/doc/examples/marcon1.tex new file mode 100644 index 0000000000..47102c7ec7 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/marcon1.tex @@ -0,0 +1,729 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi + +% +\title{Concerto pour hautbois --- allegro} +\fulltitle{Concerto pour hautbois --- allegro} +\othermention{Transcription pour hautbois, fl\^{u}te et orgue\\{\bf + \ifFlute Partition fl\^{u}te\fi + \ifOboe Partition hautbois\fi + \ifOrgue Partition orgue\fi} +} +\shorttitle{Concerto pour hautbois --- allegro} +\author{Benedetto MARCELLO\\Transcription Daniel TAUPIN} +\shortauthor{B. Marcello, D. Taupin} +\maketitle +% +\parindent 13mm +\def\interfacteur{10} % was 9 +\def\OrgelManual{\ifOrgue + \global\cleftoksi={{6}{0}{0}{0}}% + \def\interinstrumentii{0pt}% + \def\interinstrumenti{0pt}% + \nbporteesi=2\relax% + \fi +} +\def\OrgelPedal{\ifOrgue + \global\cleftoksi={{6}{6}{0}{0}}% + \def\interinstrumentii{-\Interligne}% + \def\interinstrumenti{-\Interligne}% + \nbporteesi=3\relax% + \fi +} +\ifOrgue + \def\nbinstruments{3} + \global\cleftoksi={{6}{6}{0}{0}}% + \global\cleftoksii={{0}{0}{0}{0}}% + \global\cleftoksiii={{0}{0}{0}{0}}% + \nbporteesi=3\relax% + \nbporteesii=1\relax% + \nbporteesiii=1\relax% + \def\instrumenti{Orgue}% + \def\instrumentii{Fl\^{u}te}% + \def\instrumentiii{Hautbois}% + \def\staffspacingii{0.64}\def\staffspacingiii{0.64}% +\else + \def\nbinstruments{2} + \global\cleftoksi={{0}{0}{0}{0}}% + \global\cleftoksii={{0}{0}{0}{0}}% + \nbporteesi=1\relax% + \nbporteesii=1\relax% + \def\instrumenti{Fl\^{u}te}% + \def\instrumentii{Hautbois}% + \ifFlute\def\staffspacingi{1.0}\else\def\staffspacingi{0.64}\fi + \ifOboe\def\staffspacingii{1.0}\else\def\staffspacingii{0.64}\fi% + \def\everystaff{\vrule width 0pt depth 5mm\relax}% +\fi + +\ifOboe\def\interinstrumenti{2\Interligne}\fi +% +\signaturegenerale{-3}\relax +%\check +\def\doubler{\multiply\noteskip by 2\relax}% +% +% formes frequentes +% +\def\Pause{\sk\sk\sk\qsk\pause\sk\sk\sk}% +\def\PauseSoliste{\ifOrgue\Pause\else\sk\pause\sk\fi}% +\def\PauseSoliste{\Pause}% +% + \def\oct{\advance\transpose 7\relax}% +% +% +\def\clpz#1{\upz{#1}\cl{#1}} +\def\cupz#1{\lpz{#1}\cu{#1}} +\def\qlpz#1{\upz{#1}\ql{#1}} +\def\qupz#1{\lpz{#1}\qu{#1}} +% + \def\fourlll#1#2#3#4{\Ibbl0{#1}{#4}3% +\isluru0{#1}\qb0{#1}\tslur0{#2}\qb0{#2}\isluru0{#3}\qb0{#3}% +\tslur0{#4}\tqb0{#4}}% +% + \def\fourllu#1#2#3#4{\Ibbu0{#1}{#4}3% +\islurd0{#1}\qh0{#1}\tslur0{#2}\qh0{#2}\islurd0{#3}\qh0{#3}% +\tslur0{#4}\tqh0{#4}}% +% + \def\twobbu#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}} + \def\twobbl#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}} +% + \def\fourbu#1#2#3#4{\Ibu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}} + \def\fourbl#1#2#3#4{\Ibl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}} +% + \def\fourblu#1#2#3#4{\Ibu0{#1}{#4}3\islurd0{#1}\qh0{#1#2#3}\tslur0{#4}\tqh0{#4}} + \def\fourbll#1#2#3#4{\Ibl0{#1}{#4}3\isluru0{#1}\qb0{#1#2#3}\tslur0{#4}\tqb0{#4}} +% + \def\fourbbu#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}} + \def\fourbbl#1#2#3#4{\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}} +% + \def\fourbblu#1#2#3#4{\Ibbu0{#1}{#4}3{\advance\transpose-1\islurd0{#1}}\qh0{#1#2#3}{\advance\transpose-1\tslur0{#4}}\tqh0{#4}} + \def\fourbbll#1#2#3#4{\Ibbl0{#1}{#4}3{\advance\transpose 1\isluru0{#1}}\qb0{#1#2#3}{\advance\transpose 1\tslur0{#4}}\tqb0{#4}} +% + \def\twobu#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}} + \def\twobl#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}} + \def\twolbu#1#2{\Ibu0{#1}{#2}1\islurd0{#1}\qh0{#1}\tslur0{#2}\tqh0{#2}} + \def\twolbl#1#2{\Ibl0{#1}{#2}1\isluru0{#1}\qb0{#1}\tslur0{#2}\tqb0{#2}} + +\catcodesmusic +\def\org#1|#2&{\ifOrgue \ifnum\nbporteesi=3#1|\fi #2&\relax\fi} +\def\GO{\znotes\org|\zmidtwotext{\llap{\bf I}}&\enotes} +\def\Pos{\znotes\org|\zmidtwotext{\llap{\bf II}}&\enotes} +% +%\check +% +\generalmeter{\meterC}% +\sepbarrules +% +\OrgelPedal +\debutmorceau +\GO +\notes\org|\relax + &\ifFlute\zcharnote N{\sl (orgue solo)}\fi + &\ifOboe\zcharnote N{\sl (orgue solo)}\fi\zcharnote{w}{\kern -20mm\moyen Allegro moderato \bf(\metron{\cu}{112})}\enotes +% +%\check +% mesure 1 +\Notes\org \Ibu0cL1\qh0c\tqh0J\ds\cu J\ibu0L0\qh0{KGN}\tqh0K\relax + |\Pause + |\oct\Ibu0cL1\qh0c\tqh0J\ds\cu J\ibu0L0\qh0{KGN}\tqh0K\relax + &\ifFlute\tinynotesize\oct\Ibu0cL1\qh0c\tqh0J\ds\cu J\ibu0L0\qh0{KGN}\tqh0K\relax + \else\PauseSoliste\fi + &\ifOboe \tinynotesize\oct\Ibu0cL1\qh0c\tqh0J\ds\cu J\ibu0L0\qh0{KGN}\tqh0K\relax + \else\PauseSoliste\fi + \enotes + %\check + \barre % mesure 2 +\Notes\org \Ibu0LJ1\qh0L\tqh0J\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax + |\Pause + |\oct\Ibu0LJ1\qh0L\tqh0J\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax + &\ifFlute\tinynotesize\oct\Ibu0LJ1\qh0L\tqh0J\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax + \else\PauseSoliste\fi + &\ifOboe \tinynotesize\oct\Ibu0LJ1\qh0L\tqh0J\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax + \else\PauseSoliste\fi + \enotes + %\check + \barre % mesure 3 +\notes\org \qu G\sk\qs\sk\sk\soupir\sk\sk\sk\hpause + |\relax \soupir\sk\qs\Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax + |\oct\qu G\sk\qs \Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax + &\ifFlute\tinynotesize\oct\qu G\sk\qs \Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax + \else\multnoteskip{1.8}\PauseSoliste\fi + &\ifOboe\tinynotesize\oct\qu G\sk\qs \Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax + \else\multnoteskip{1.8}\PauseSoliste\fi + \enotes + %\check + \barre % mesure 4 + \Pos +\notes\org \doubler\Pause + |\doubler\ibl0K0\qb0{JKL}\tqb0J\qu{=I}\sk\ds\cu G\relax + |\doubler\zq N\zq c\qu e\sk\zql N\Ibu0ce1\qh0c\tqh0e\zq N\qu d\sk\ds\zq d\rq g\cu f\relax + &\ifFlute\zcharnote N{\sl fl\^{u}te}\fi + \ibu0g0\qh0g\sk\nbbu0\qh0g\tqh0f\doubler\qu g\sk\qu g\sk\ds\cu{=i}\relax + &\ifOboe\zcharnote N{\sl hautbois}\fi + \uptext{\p}\cl j\sk\sk\sk\qs\Ibbl0jl2\qb0j\qb0k\tqb0l\Ibl0kg2\qb0 k\sk\tqb0g\ibbl0m0\qb0{nmn}\tqb0k\enotes + %\check + \barre % mesure 5 +\Notes\org\soupir\sk|\ql J\sk|\zq{ce}\qu g&\ql j\sk&\Ibl0lj1\qb0l\tqb0j\enotes +\GO +\Notes\org \ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax + |\soupir\sk\sk\hpause + |\oct\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax + &\ifFlute\tinynotesize\oct\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax + \else\soupir\sk\sk\hpause\fi + &\ifOboe\tinynotesize\oct\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax + \else\soupir\sk\sk\hpause\fi + \enotes + %\check + \barre % mesure 6 + \ifOrgue\def\atnextline{\OrgelManual}\fi% +\notes\org \qu G\sk\qs\sk\sk\soupir\sk\sk\sk\hpause + |\relax \soupir\sk\qs\Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax + |\oct\qu G\sk\qs \Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax + &\ifFlute\tinynotesize\oct\qu G\sk\qs \Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax + \else\multnoteskip{1.8}\PauseSoliste\fi + &\ifOboe\tinynotesize\oct\qu G\sk\qs \Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax + \else\multnoteskip{1.8}\PauseSoliste\fi + \enotes + %\check + \barre % mesure 7 + \Pos +\notes\org \doubler\Pause + |\doubler\ibl0K0\qb0{JKL}\tqb0J\qu{=I}\sk\ds\cu G\relax + |\doubler\zq N\zq c\qu e\sk\zql N\Ibu0ce1\qh0c\tqh0e\zq N\qu d\sk\ds\zq d\rq g\cu f\relax + &\ibu0g0\qh0g\sk\nbbu0\qh0g\tqh0f\doubler\qu g\sk\qu g\sk\ds\cu{=i}\relax + &\uptext{\p}\cl j\sk\sk\sk\qs\Ibbl0jl2\qb0j\qb0k\tqb0l\Ibl0kg2\qb0 k\sk\tqb0g\ibbl0m0\qb0{nmn}\tqb0k\enotes + %\check + \barre % mesure 8 + \notes\org\doubler\Pause + |\doubler\ibl0L0\qb0{Jca}\tqb0M\ql b\sk\ds\cl N\relax + |\zq c\qu e\sk\sk\sk\zql c\ibu0f0\qh0e\sk\nbbu0\qh0h\tqh0g\zq d\qu f\sk\sk\sk\ds\sk\zcl d\Ibbu0gf1\qh0g\tqh0f\relax + &\ibu0j0\qh0j\sk\nbbu0\qh0j\tqh0{_i}\itenu0j\qu j\sk\sk\sk\tten0\Ibu0ji3\qh0j\sk\nbbu0\qh0j\tqh0i\itenu1i\qu i\relax + &\pince n\rlap{\Ibbl0lj2\multnoteskip{0.667}\qbp0l\sk\tbbbl0\qb0k\tqb0j}\sk\sk\sk\sk\qs\isluru0l\ibbl0l0\qb0{lm}\tslur0l\tqb0l\fourlll +lkkn\fourlll nknk\enotes + %\check + \barre % mesure 9 + \notes\org&\relax&\grcu l\enotes + \notes\org\doubler\Pause + |\doubler\ql a\sk\ds\cl M\Ibl0NK3\qb0{NNL}\tqb0J\relax + |\zq c\qu e\sk\sk\sk\ds\sk\zcl c\Ibbu0fe1\qh0f\tqh0e\doubler\Ibu0ec3\zq +c\qh0e\zq{=b}\qh0d\qh0c\zq N\tqh0c\relax + &\tten1\Ibu0ih3\qh0i\sk\nbbu0\qh0i\tqh0h\itenu0h\qu h\sk\sk\sk\tten0\Ibu0hg3\qh0h\sk\nbbu0\qh0h\tqh0g\Ibu0ge2\qh0g\sk\tqh0e\relax + &\fourlll kjjm\fourlll mjmj\pince m\Ibl0ji2\qb0j\sk\tqb0{=i}\sk\ds\sk\cu g\enotes + %\check + \barre % mesure 10 + \notes\org\doubler\Pause + |\doubler\ql M\sk\twobl LK\qu J\sk\twobu JI\relax + |{\doubler \Ibu0cd1\zq c\qh0a\zq d\tqh0{=b}\Ibu0ef1\zq c\qh0e\zq d\tqh0f\zq e\qu g\sk\rlap{\twobl d{=e}}}\fourllu hggh\relax + &\fourllu fggh\fourlll h{=i}ij\Ibbl0jg2\qb0j\tbbl0\qb0g\tqb0g\sk\doubler{\twobl jj}\relax + &\fourlll h{=i}ij\fourlll jkkl\fourlll ljjk\fourlll k{=l}lm\enotes + %\check + \barre % mesure 11 + \notes\org\doubler\Pause + |\doubler\ibu0K0\qh0{HaN}\tqh0{=I}\ibu0K0\qh0{JMN}\tqh0G\relax + |\rlap{\sk\sk\fourlll fggf}{\doubler\ibu0h0\zq f\qh0 h\qh0 j\qh0{=i}\rq +g\tqh0f\Ibu0gf1\zq e\qh0g\zq f\tqh0d}\Ibbu0fd2\zq d\qh0f\tbbu0\zq c\qh0e\zq{=b}\tqh0d\relax + &\fourlll jmml\Ibbu0lk2\qh0l\tbbu0\qh0k\tqh0k\sk\doubler\twobu jh\qu g\relax + &\mordent o{\doubler \isluru0m\qlp m\sk\sk\tslur0n\cl +n}\Ibl0lj3\qb0{_l}\sk\nbbl0\upz k\qb0k\upz j\tqb0j\Pince n\Ibl0ij3\isluru0i\qbp0{=i}\sk\sk\tbbl0\tslur0j\tqb0j\enotes + %\check + \barre % mesure 12 + \notes\org\doubler\Pause + |\doubler\ibu0J0\qh0{JKL}\tqh0J\qu M\sk\twobu LK\relax + |{\doubler\zq{Nc}\qu e\sk\Ibu0dg1\zq N\qh0c\zq e\tqh0g}\zql f\fourllu +h{=i}ij\rlap{\doubler\twobl gf}\fourllu jiij\relax + &\ibu0g0\qh0g\sk\nbbu0\qh0g\tqh0f{\doubler \twobu gj}\fourllu jkkl\fourllu lkkl\relax + &\doubler\ql j\sk\soupir\sk\hpause\enotes + %\check + \barre % mesure 13 + \notes\org\doubler\Pause + |\doubler\qu J\sk{\multnoteskip{1.2}\twobu JI}\twobu HH\twobu G{=I}\relax + |\rlap{\fourllu jjjk\multnoteskip{1.2}\fourllu k{=l}lm}{\doubler\twobl eg{\multnoteskip{1.2}\roff{\ibl0j0\qb0j}\tqb0j}\zql j\qu +m\sk}\ibu0g0\zq d\qh0g\sk\zq d\rq f\tqh0g\relax + &\fourlll lllm{\ifOrgue\multnoteskip{1.2}\fi\fourlll mnno\ql o}\sk\sk\sk\fourllu{=i}kgn\relax + &\doubler\Pause\enotes + %\check + \barre % musure 14 + \notes\org\doubler\Pause + |\doubler\ibu0L0\qh0{JMN}\tqh0G\qu J\sk\ql c\relax + |\Ibu1gh2\zq g\qh1e\sk\rlap{\twobbl fe}\tqh1h\sk{\doubler\zql d\twobu +gf}{\doubler\ibu0h0\zq c\qh0e\zq c\zq e\tqh0g}\ibu0g0\zq e\qh0g\sk\nbbu0\qb0e\tqh0g\relax + &\Ibl0lj3\qb0l\sk\nbbl0\qb0k\tqb0j\Ibl0ij3\qbp0{=i}\sk\sk\tbbl0\tqb0j\doubler\ibl0j0\qb0{jjj}\tqb0j\relax + &{\doubler\sk\hpause\sk\sk}\qs\ibbl0j0\qb0j\isluru0j\qb0j\tslur0l\tqb0l\fourlll + lnn{_i}\enotes + %\check + \barre % mesure 15 + \notes\org\doubler\Pause + |\doubler\qlpz M\sk\qlpz b\sk\qlpz L\sk\qlpz a\relax + |\zql c\ibu0h0\zq f\qh0h\sk\zq f\tqh0h\sk\ibu0f0\zq d\qh0f\sk\nbbu0\qh0d\tqh0f\relax + \roff{\zql d}\ibu0g0\zq e\qh0g\sk\zq e\tqh0g\sk\ibu0e0\zq c\qh0e\sk\nbbu0\qh0c\tqh0e\relax + &\doubler\ibu0j0\qh0{jj_i}\tqh0i\ibu0i0\qh0{iih}\tqh0h\relax + &\fourlll ihhk\fourlll kmmh\fourlll hggi\fourlll illg\enotes + \barre % mesure 16 + \notes\org\doubler\Pause + |\doubler\qlpz K\sk\qlpz N\sk\qlpz J\sk\qlpz M\relax + |\zql c\ibu0f0\qh0f\sk\tqh0f\sk\ibu0d0\zq b\qh0d\sk\nbbu0\qh0b\tqh0d\relax + \zql b\ibu0e0\qh0e\sk\tqh0e\sk\ibu0d0\zq a\qh0c\sk\nbbu0\qh0d\tqh0c\relax + &\doubler\ibu0h0\qh0{hhg}\tqh0g\ibu0g0\qh0{ggf}\tqh0f\relax + &\fourlll gffh\fourlll hkkf\fourlll feei\fourlll lnml\enotes + \barre % mesure 17 + \notes\org\doubler\Pause + |\doubler\Ibl0JL3\qb0{IbN}\tqb0L\ibl0a0\qb0{aNa}\tqb0N\relax + |\ibbu0d0\qh0{dfe}\tqh0d\ibbu0e0\qh0{egf}\tqh0e\ibbu0d0\qh0c\tbbu0\qh0e\tqh0b\sk\ibbu0d0\qh0c\tbbu0\qh0e\tqh0b\relax + &{\doubler\qu f\sk}\ibbu0g0\qh0{gih}\tqh0g\doubler\ibl0l0\qh0{ll}\ds\tqb0l\relax + &{\doubler\ql k\sk\ds\cl i}\fourlll jiij\fourlll jiij\enotes + %\check + \barre % mesure 18 + \notes\org\doubler\Pause + |\doubler\twobl aH\ds\cl a\ibl0a0\qb0{bab}\tqb0a\relax + |\ibbu0c0\qh0{cMa}\tqh0c\cu f\sk\cu c\sk\ibbu0e0\qh0d\tbbu0\qh0f\tqh0c\sk\ibbu0e0\qh0d\tbbu0\qh0f\tqh0c\relax + &\ql m\sk\sk\sk\Ibbl0hm3\qb0{jhj}\itenu0m\tqb0m\tten0\doubler\ibl0m0\qh0{mm}\ds\tqb0m\relax + &{\doubler\twobu jf\ds\cl j}\fourlll kjjk\fourlll kjjk\enotes + \ifOrgue\def\atnextline{\OrgelPedal}\fi% + %\check + \barre % mesure 19 + \notes\org\doubler\Pause + |\doubler\twobl bI\ds\cl{=b}\ibl0b0\qb0{cbc}\tqb0b\relax + |\ibbu0d0\qh0{dNb}\tqh0d\cu g\sk\cu d\sk\ibbu0f0\qh0e\tbbu0\qh0g\tqh0d\sk\ibbu0f0\qh0e\tbbu0\qh0g\tqh0d\relax + &\ql n\sk\sk\sk\Ibbl0in3\qb0{ikm}\itenu0n\tqb0n\tten0\doubler\ibl0n0\qh0{nn}\ds\tqb0n\relax + &{\doubler\twobu kg\ds\cl k}\fourlll lkkl\fourlll lkkl\enotes + %\check + \barre % mesure 20 + \notes\org\doubler\Pause + |\doubler\twobl cJ\ds\cu J\ibu0J0\qb0{KJK}\tqh0J\relax + |\ibbu0e0\qh0{eac}\tqh0e\cu h\sk\cu e\sk\doubler\zhl b\ibu0f0\qh0{fef}\tqh0d\relax + &\ql o\sk\sk\sk\ibbl0j0\qb0{hjl}\tqb0h\itenu0h\qu h\sk\sk\sk\tten0\ibu0h0\qhp0h\sk\sk\tbbu0\tqh0h\relax + &{\doubler\twobu lh\ds\cl l}\fourlll moom\fourlll mkki\enotes + %\check + \barre % mesure 21 + \notes\org\doubler\soupir\sk\soupir\sk\twobu LE\ds\cu L\relax + |\Ibl0La3\qb0L\sk\nbbl0\qb0N\tqb0a\doubler\zmidtwotext{\bf I}\twobl bI\twobu LL\soupir\relax + |\ibu0e0\zq b\qhp0e\sk\sk\tbbu0\zq c\tqh0e\Ibu0eg3\qh0d\sk\nbbu0\zq f\qh0h\zq e\tqh0g\doubler\zq e\twobu ge\ds\cu e\relax + &\Ibu0gj3\qhp0g\sk\sk\tbbu0\tqh0j\doubler\twobl ik\zmidtwotext{\f}\ql l\sk\soupir + \ifFlute\tinynotesize\cu e\fi + &\isluru0i\Ibbl0im3\qh0{ikl}\tslur0m\tqb0m\Pince +n\isluru0k\Ibl0kl3\qbp0k\sk\sk\tbbl0\tslur0l\tqb0l\doubler\ql l\sk\soupir + \ifOboe\tinynotesize\cu e\fi\enotes + %\check + \barre % mesure 22 + \def\orgel{\ibu0N0\qh0{MIb}\tqh0M\twobu NL\ds\cl c}% + \Notes\org\orgel|\Pause|\oct\orgel\relax + &\ifFlute\tinynotesize\oct\orgel + \else\PauseSoliste\fi + &\ifOboe\tinynotesize\oct\orgel + \else\PauseSoliste\fi\enotes + \barre % mesure 23 + \def\orgel{\ibu0N0\qh0{KbJ}\tqh0a\qu I\sk}% + \Notes\org\orgel|\sk\hpause\sk\sk\soupir|\oct\orgel\relax + &\ifFlute\tinynotesize\oct\orgel + \else\PauseSoliste\fi + &\ifOboe\tinynotesize\oct\orgel + \else\PauseSoliste\fi\enotes + \notes\org\sk\soupir|\qs\Ibbu0IK2\qh0{IJ}\tqh0K|\oct\qs\Ibbu0IK2\qh0{IJ}\tqh0K\relax + &\ifFlute\tinynotesize\oct\qs\Ibbu0IK2\qh0{IJ}\tqh0K\fi + &\ifOboe\tinynotesize\oct\qs\Ibbu0IK2\qh0{IJ}\tqh0K\fi\enotes + \ifOrgue\def\atnextline{\OrgelManual}\fi% + %\check + \barre % mesure 24 + \def\orgel{\Ibbu0La3\qh0{LMN}\tqh0a{\multnoteskip{1.42}\twobu bI}}% + \notes\org|\orgel|\oct\orgel + &\ifFlute\tinynotesize\oct\orgel + \else\doubler\sk\hpause\fi + &\ifOboe\tinynotesize\oct\orgel + \else\doubler\sk\hpause\fi\enotes + \nspace\Pos\nspace + \notes\org\pause + |\doubler\ibu0L0\qh0{LMN}\tqh0L|\doubler\zql b\itenl0e\qu e\sk\tten0\zql +b\twobu eg\relax + &\doubler\rlap{\sk\turn n}\twobl gh\ql i\relax + &\ql l\sk\sk\sk\qs\Ibbl0ln3\isluru0l\qb0{lm}\tslur0n\tqb0n\enotes + %\check + \barre % mesure 25 + \notes\org\doubler\Pause + |\doubler\qu K\sk\ds\cu I\ibu0L0\qh0{LKN}\tqh0L\relax + |\doubler\zq b\qu f\sk\ds\zq b\cu d\zq b\qu e\sk\Ibu0ei1\zq b\qh0e\zq g\tqh0i\relax + &{\doubler\qu i\sk\ds\cu +f}\Ibbu0gh3\islurd0g\qh0{gfg}\tslur0h\tqh0h\doubler\twobu il\relax + &{\doubler\twobl mi}\fourlll mhmh{\doubler\pince p\twolbu hg}\qs\ibbl0i0\qb0{il}\tqb0i\enotes + %\check + \barre % mesure 26 + \notes\org\doubler\Pause + |\doubler \ibl0M0\qb0{aaN}\tqb0L\twobl aH\ds\cl {=a}\relax + |\doubler \ibu0j0\qh0{jei}\tqh0g\twobu jh\twobu fj\relax + &{\doubler\ibl0l0\qb0{ljl}\tqb0i}\ibbl0j0\qb0{lhj}\tqb0l\ibbl0k0\qb0{mjl}\tqb0m\relax + &\ibbl0j0\isluru0j\qb0{jhj}\tslur0l\tqb0l\relax + \ibbl0i0\isluru0i\qb0{igi}\tslur0l\tqb0l\relax + \ql j\sk\sk\sk\qs\ibbl0j0\qb0{jm}\tqb0j\enotes + %\check + \barre % mesure 27 + \notes\org\doubler\Pause + |\doubler \ibl0N0\qh0{bb=a}\tqb0M\twobl bI\ds\cl {=b}\relax + |\doubler \ibu0k0\qh0{kfj}\tqh0{=h}\twobu ki\twobu gk\relax + &{\doubler\ibl0l0\qb0{mkm}\tqb0j}\ibbl0j0\qb0{mik}\tqb0m\ibbl0k0\qb0{nkm}\tqb0n\relax + &\ibbl0k0\isluru0k\qb0{kik}\tslur0m\tqb0m\relax + \ibbl0j0\isluru0i\qb0{j=hj}\tslur0m\tqb0m\relax + \ql k\sk\sk\sk\qs\ibbl0k0\qb0{kn}\tqb0k\enotes + %\check + \barre % mesure 28 + \notes\org\doubler\Pause + |\doubler \ibl0N0\qb0{cc=b}\tqb0N\twobl cJ\soupir\relax + |\doubler \ibu0l0\qh0{lgk}\tqh0{=i}\zq l\qu g\sk\soupir\relax + &\doubler\ibl0m0\qb0{nln}\tqb0k\ql n\sk\soupir\relax + &\ibbl0l0\isluru0l\qb0{ljl}\tslur0n\tqb0n\relax + \ibbl0j0\isluru0k\qb0{k=ik}\tslur0n\tqb0n\relax + \fourlll lnnl\fourlll ljj{=h}\enotes + %\check + \ifOrgue\def\atnextline{\OrgelPedal}\fi% + \barre % mesure 29 + \notes\org\doubler\Pause + |\doubler\doubler\ql M\soupir\ql L\soupir + |\doubler\doubler\zq e\qu c\qu d\zq d\qu g\qu c\relax + &\doubler\doubler\ql {=hkil}\relax + &\fourlll {=h}mmk\fourlll kiig\fourlll gllj\fourlll jhh{^f}\enotes + %\check + \barre % mesure 30 + \notes\org\doubler\Pause + |\doubler\doubler\qu K\soupir\qu G\soupir + |\doubler\doubler\lsh f\zq {df}\qu{=h}\soupir\zq {dg}\qu i\soupir\relax + &\doubler\doubler\ql {j^mkn}\relax + &\fourlll {^f}{=h}kh\fourlll fhkh\fourlll iknk\fourlll {=i}knk\enotes + %\check + \barre % mesure 31 + \notes\org\doubler\sk\sk\hpause + |\doubler\qu J\sk + |\doubler\zq{eg}\qu j\sk\soupir + &\doubler\doubler\ql l\soupir + &\fourlll lnnl\fourlll ljj{^m}\enotes + \GO + \notes\org\doubler\ibu0L0\qh0{K=L^M}\tqh0K\relax + |\hl d|\fourllu{^f}gg{=h}\doubler\twobu hf\relax + &\itenu0j\ql j\sk\sk\sk\tten0\ibl0j0\qbp0j\sk\sk\tbbl0\tqb0j\relax + &\ql m\sk\sk\sk\qs\Ibbl0km2\qb0{k=l}\tqb0m\enotes + %\check + \barre % mesure 32 + \notes\org\doubler\Ibu0LJ3\qh0{NJK}\tqh0D\qu G\relax + |\doubler\ibl0d0\qb0{ded}\tqb0d\ql N\relax + |\doubler\ibl0h0\qb0g\zq{gi}\qb0l\zq{=h}\qb0k\lq j\zq h\tqb0k\zq{gi}\ql k\relax + &{\doubler \twobl in}\ibl0n0\isluru0n\qbp0n\sk\sk\tslur0m\tbbl0\tqb0{^m}\ql n\relax + &\isluru0n\ibbl0k0\qb0{nki}\tslur0j\tqb0j\Pince n{\doubler\qu{=h}\sk\qu g}\qsk\enotes + \Notes\org\ds\cl e|\soupir|\ds\cl l\relax + &\soupir\ifFlute\tinynotesize\cl l\fi + &\soupir\ifOboe \tinynotesize\cl l\fi\enotes + %\check +\barre % mesure 33 + \Notes\org\ibl0M0\qb0{MdL}\tqb0c\qu K\relax + |\sk\sk\hpause\sk\soupir + |\ibu0h0\qh0{fke}\tqh0j\qu d\relax + &\ifFlute\tinynotesize\ibu0j0\qh0{fke}\tqh0j\qu d\relax + \else\rlap{\PauseSoliste}\fi + &\ifOboe \tinynotesize\ibu0j0\qh0{fke}\tqh0j\qu d\relax + \else\rlap{\PauseSoliste}\fi\enotes + %\check + \notes\org\sk\soupir + |\qs\Ibbl0KM2\qb0{K=L}\tqb0{^M}\relax + |\qs\Ibbu0df2\qb0{d=e}\tqh0{^f}\relax + &\ifFlute\tinynotesize\qs\Ibbu0df2\qb0{d=e}\tqh0{^f}\fi + &\ifOboe \tinynotesize\qs\Ibbu0df2\qb0{d=e}\tqh0{^f}\fi\enotes + %\check + \ifOrgue\def\atnextline{\OrgelManual}\fi% + \barre % mesure 34 + \notes\org + |\Ibbl0Nc3\qb0{N=a_b}\tqb0c\relax + |\Ibbu0gi3\qh0{g=h_i}\tqh0j\relax + &\ifFlute\tinynotesize\Ibbu0gi3\qh0{g=h_i}\tqh0j\relax + \else\rlap{\doubler\Pause}\fi + &\ifOboe \tinynotesize\Ibbu0gi3\qh0{g=h_i}\tqh0j\relax + \else\sk\sk\hpause\fi\enotes + \Notes\org + |\twobl dK\relax + |\twobu kd\relax + &\ifFlute\tinynotesize\twobu kd\fi + &\ifOboe \tinynotesize\twobu kd\fi\enotes + \notes\org\pause + |\doubler\ql N\sk\soupir + |\doubler\qu g\sk\soupir + &\ifFlute\tinynotesize\qu g\fi + &\ifOboe {\tinynotesize \zql g}\raise\Interligne\qs\else\qs\fi + \Ibbl0nk2\qb0n\isluru0n\qb0n\tslur0k\tqb0k\fourlll k{=i}ig\enotes + \Pos + %\check + \barre % mesure 35 + \notes\org\rlap{\doubler\Pause}\relax + |\doubler\zq G\qu N\sk\soupir + |\doubler\zq n\zq{=i}\ql k\sk\soupir + &\sk\sk\hpause + &\fourlll g{=i}ik\fourlll knn{=l}\enotes + %\check + \Notes\org + |\hu J\relax % fourbu JJJJ\relax + |\ibl0i0\lfl i\lq i\zq g\qb0j\lq i\zq g\qb0j\lq i\zq g\qb0j\lq i\zq g\tqb0j\relax + &\ibl0l0\na l\qb0{lll}\tqb0l\relax + &\doubler\ql l\soupir\enotes + %\check + \barre % mesure 36 + \notes\org\doubler\Pause + |\doubler\doubler\ql M\soupir\zq M\qu F\soupir + |\doubler\doubler\zq {f=h}\qu j\soupir\zq{=ac}\qu f\soupir + &\doubler\doubler\ql m\soupir\hpause + &\qs\Ibbl0mj2\qb0m\isluru0m\qh0m\tslur0j\tqb0j\relax + \fourllu j{=h}hf\fourllu fhhj\fourlll jmmk\enotes + \barre % mesure 37 + \nspace + \Notes\org + |\hu I\relax % \fourbu IIII\relax + |\ibl0j0\lfl h\lq h\zq i\qb0k\lq h\zq i\qb0k\lq h\zq i\qb0k\lq h\zq i\tqb0k\relax + &\ibl0m0\qb0{mmm}\tqb0m\relax + &\doubler\ql k\soupir\enotes + \notes\org\pause + |\doubler\ql L\sk\soupir + |\doubler\zq {il}\ql g\sk\soupir + &\doubler\ql n\sk\soupir + &\qs\Ibbl0li2\qb0l\isluru0l\qb0l\tslur0i\tqb0i\fourlll igge\enotes + %\check + \barre % mesure 38 + \notes\org\rlap{\doubler\Pause}\relax + |\doubler\zq E\qu L\sk\soupir + |\doubler\zq {Nbe}\qu g\sk\soupir + &\sk\sk\hpause + &\fourllu eggi\fourlll illj\enotes + %\check + \Notes\org + |\hu H\relax % \fourbu HHHH\relax + |\ibl0i0\zq h\qb0j\zq h\qb0j\zq h\qb0j\zq h\tqb0j\relax + &\fourbl llll\relax + &\doubler\ql j\soupir\enotes + %\check + \barre % mesure 39 + \notes\org\doubler\Pause + |\doubler\doubler\ql K\soupir\zq K\qu D\soupir + |\doubler\doubler\zq {fh}\qu k\soupir\zq{Mad}\qu f\soupir + &\doubler\doubler\ql m\soupir\hpause + &\qs\Ibbl0kh2\qb0k\isluru0k\qh0k\tslur0h\tqb0h\relax + \fourllu hffd\fourllu dffh\fourlll hkk{=i}\enotes + %\check + \barre % mesure 40 + \notes\org\doubler\Pause + |\doubler\hu G\sk\sk\sk\hu J\relax % \fourbu GGGG\fourbu JJJJ\relax + |\doubler\ibl0h0\zq{g=i}\qb0k\zq{gi}\qb0k\zq{gi}\qb0k\zq{gi}\tqb0k\relax + \lfl i\ibl0h0\lq i\zq g\qb0j\lq i\zq g\qb0j\lq i\zq g\qb0j\lq i\zq g\tqb0j\relax + &\doubler\fourbl mmmm\na l\fourbl llll\relax + &\fourbblu{=i}gik\fourbblu igik\rlap{\sk\islurd0c\sk\sk\tslur0g}\fourbbu{=l}c{=e}g\fourbblu eceg\enotes + %\check + \barre % mesure 41 + \notes\org\doubler\Pause +% |\doubler\fourbl MMMM\fourbl bbbb\relax + |\doubler\hl M\sk\sk\sk\hl b\relax + |\doubler\ibl0h0\zq{f=h}\qb0j\zq{fh}\qb0j\zq{fh}\qb0j\zq{fh}\tqb0j\relax + \ibu0h0\rq i\zq f\qh0{_h}\rq i\zq f\qh0h\rq i\zq f\qh0h\rq i\zq f\tqh0h\relax + &\doubler\fourbl {_l}lll\fourbl kkkk\relax + &\na h\fourbblu hfhj\fourbblu hfhj\fourbblu kikm\fourbblu kikm\enotes + \ifOrgue\def\atnextline{\OrgelPedal}\fi% + \barre % mesure 42 + \notes\org\doubler\Pause +% |\doubler\fourbl LLLL\fourbl aaaa\relax + |\doubler\hl L\sk\sk\sk\hl a\relax % fourbl LLLL\fourbl aaaa\relax + |\doubler\ibl0h0\zq{eg}\qb0i\zq{eg}\qb0i\zq{eg}\qb0i\zq{eg}\tqb0i\relax + \ibu0h0\zq e\qh0{_h}\zq e\qh0h\zq e\qh0h\zq e\tqh0h\relax + &\doubler\fourbl {_k}kkk\fourbl jjjj\relax + &\rlap{\sk\islurd0e\sk\sk\tslur0i}\fourbbu negi\fourbblu gegi\fourbbll jhjl\fourbbll jhjl\enotes + %\check + \barre % mesure 43 + \notes\org\doubler\Pause +% |\doubler\fourbl MMMM\fourbl MMMM\relax + |\doubler\hl M\sk\sk\sk\hl M\relax %MMM\fourbl MMMM\relax + |\doubler\ds\ibu0c0\zq a\qh0c\zq a\qh0c\zq a\tqh0c\relax + \ds\ibu0d0\zq a\qh0d\zq a\qh0d\zq a\tqh0d\relax + &\fourbblu jhjm\fourbblu jhjm\fourbblu hfhj\fourbblu hfhj\relax + &\itenu1m\wh m\enotes + \barre % mesure 44 + \notes\org\doubler\sk\sk\hpause\relax + |\doubler\ibu0L0\qh0{NJN}\tqh0G\relax + |\doubler\ibu0i0\zq d\qh0g\zq e\qh0g\zq d\qh0g\zq d\tqh0f\relax + &\doubler\ibu0i0\qh0{=i}\itenl0j\qh0j\tten0\qh0j\tqh0i\relax + &\tten1\ibl0m0\qb0m\sk\nbbl0\qb0l\tqb0m\Pince +n\ibl0k0\qhp0k\sk\sk\nbbl0\tqb0j\enotes + %\check + \Notes\org\soupir\sk\ds\cl a\relax + |\qu J\zmidtwotext{\bf I}\sk\soupir + |\zq e\qu c\sk\ds\cu h\relax + &\qu j\sk\soupir\ifFlute\tinynotesize\cu h\fi + &\ql j\sk\soupir\ifOboe \tinynotesize\cu h\fi\enotes + %\check + \barre % mesure 45 + \def\orgel{\ibu0L0\qh0{_INH}\tqh0M}% + \Notes\org\orgel|\sk\qsk\hpause|\oct\orgel + &\ifFlute\tinynotesize\oct\orgel + \else\rlap{\PauseSoliste}\fi + &\ifOboe \tinynotesize\oct\orgel + \else\rlap{\PauseSoliste}\fi + \enotes + %\check + \def\orgel{\qs\Ibbu0GI2\qh0{GH}\tqh0{=I}}% + \notes\org\qu G\sk\sk\soupir|\soupir\sk\orgel|\qu N\sk\oct\orgel\relax + &\ifFlute\tinynotesize\qu N\sk\oct\orgel\fi + &\ifOboe \tinynotesize\qu N\sk\oct\orgel\fi\enotes + \ifOrgue\def\atnextline{\OrgelManual}\fi% + %\check + \barre % mesure 46 + \notes\org|\fourbbu JKLM|\fourbbu cdef\relax + &\ifFlute\tinynotesize\fourbbu cdef\fi + &\ifOboe \tinynotesize\fourbbu cdef\relax + \else\sk\sk\sk\hpause\fi\enotes + \Notes\org\sk\pause|\twobu NG\qu J\zmidtwotext{\bf II}\sk\soupir|\twobu gN\qu +c\sk\ds\zq g\cu{_i}\relax + &\ifFlute\tinynotesize\twobu gN\qu c\relax + \else\sk\pause\fi + &\ifOboe \tinynotesize\twobu gN\qu c\relax + \else\sk\sk\soupir\sk\fi\normalnotesize\ds\cl{=l}\enotes + %\check + \barre % mesure 47 + \notes\org||\doubler\ibu0i0\zq h\qh0j\zq g\qh0 +i\zq h\qh0 j\zq g\tqh0i\relax + &&\fourlll m{=l}lm\fourlll mllm\enotes + \Notes\org\pause|\pause|\ibu0i0\zq h\qh0j\zq g\tqh0i\ds\zq{=h}\cl j\relax + &\pause&\twobl ml\ds\cl{^m}\enotes + %\check + \barre % mesure 48 + \notes\org\doubler\Pause + |\doubler\sk\hpause\sk\sk\ds\Ibl0bN2\qb0{=bc}\tqb0N\relax + |\doubler\ibl0i0\zq i\qb0k\zq h\qb0 j\zq i\qb0k\zq h\tqb0 j\relax + \ibu0h0\zq g\qh0i\tqh0{=i}\zq g\zq e\Ibu0jg1\qh0j\tqh0g\relax + &\doubler\Pause + &\fourlll n{^m}mn\fourlll nmmn\fourlll nkkl\fourlll l{=i}ij\enotes + %\check + \barre % mesure 49 + \notes\org\doubler\Pause + |\doubler\zqu c\twobl a{=L}\zqu a\twobl MJ\rlap{\qu N\sk\qu N}\fourbl KJ{=I}G\relax + |\doubler\zq f\twobu h{=e}\zq c\twobu fc\zq{=b}\ibu0e0\qh0f\zq c\qh0e\zq d\qh0f\zq b\tqh0d\relax + &\doubler\Pause + &\fourllu jggh\fourllu h{=e}ef\itenl0f\qu f\sk\sk\sk\sk\tten0\fourllu fhgf\enotes + %\check + \barre % mesure 50 + \Notes\org|\Ibl1JH3\qb1{JM}\relax + |\Ibu0eh1\zq{Nc}\qh0{_e}\zq{ac}\tqh0h\relax + &&\ibu2i0\qh2{_ej}\enotes + \notes\org\sk\sk\sk\pause|\qb1N\sk\tqb1G\relax + |\zql{=b}\fourbbu gfed\relax + &\hpause + &\doubler\qh2d\tqh2{=i}\enotes + \Notes\org|\rlap{\sk\sk\sk\cu c}\fourbl JKLJ\relax + |\zq{Nc}\qu e\sk\ds\cu g\relax + &\soupir\sk\ds\cl{=l}\relax + &\qup c\sk\sk\ds\enotes + %\check + \barre % mesure 51 + \notes\org\doubler\sk\sk\sk\pause + |\doubler\zqu c\ibl0K0\qb0{MJ}\raise6\internote\rlap{\ds}\qb0M\zcu c\tqb0J\relax + |\fourllu hggh\fourllu hggh\relax + &\fourlll m{=l}lm\fourlll mllm\relax + &\doubler\sk\sk\sk\pause\enotes + \Notes\org|\zqu c\twobl MJ\ds\zcl K\cu d\relax + |\twobu hg\ds\cu{=h}\relax + &\twobl ml\ds\cl{^m}&\enotes + %\check + \barre % mesure 52 + \notes\org\doubler\sk\sk\sk\pause + |\doubler\zqu d\ibl0L0\qb0{NK}\raise6\internote\rlap{\ds}\qb0N\zcu d\tqb0K\relax + |\fourllu i{=h}hi\fourllu ihhi\relax + &\fourlll n{^m}mn\fourlll nmmn\relax + &\doubler\sk\sk\sk\pause\enotes + %\check + \notes\org|\doubler\zqu d\ql N\sk + |\multnoteskip{1.2}\fourlll i{=i}ij\relax + &\ifOrgue\multnoteskip{1.2}\fi\fourlll nkkl&\enotes + %\check + \notes\org|\doubler\raise6\internote\rlap{\ds}\ql G\cu N\relax + |\fourlll jiij\relax + &\fourlll lkkl&\enotes + %\check + \barre % mesure 53 + \notes\org\doubler\sk\sk\sk\pause + |\doubler\zhl J\raise 2\internote\rlap{\ds}\hu c\ibu0N0\zq{=L}\qh0N\zq M\qh0a\tqh0N\relax + |\fourlll jgg{_h}\fourlll h{=l}lm\relax + &\fourlll l{=l}l{=m}\fourlll mnno\relax + &\doubler\sk\sk\sk\pause\enotes + \Notes\org|\zql M\cu c\qu d\multnoteskip{0.71}\doubler\rlap{\sk\cu N}\twobl NG\relax + |\ql m\sk\ql{=i}\relax + &\itenu0o\ql o\sk\multnoteskip{0.71}\tten0\fourbbl oonm\enotes + %\check + \barre % mesure 54 + \notes\org\doubler\sk\sk\sk\pause + |\rlap{\sk\sk\sk\sk\fourbbu NMLK}\doubler\zqu c\Ibl0JG3\qb0{JMN}\tqb0G\relax + |\fourbbl jlkj\ibl0i0\qbp0{=i}\sk\sk\tbbl0\tqb0j\relax + &\fourbbll lnml\isluru0k\ibl0j0\qbp0k\sk\sk\tbbl0\tslur0j\tqb0j\relax + &\doubler\sk\sk\hpause\enotes + \Notes\org|\zql J\fourbu JKLJ\relax + |\ql j\sk\ds\cu e\relax + &\ql j\sk\ds\cl j\relax + &\soupir\sk\ds\cl l\enotes + %\check + \barre % mesure 55 + \notes\org\doubler\Pause + |\itenu1N\wh N\relax + |\fourllu edde\fourllu fgfe\fourllu edde\fourllu fgfe\relax + &\fourlll j{=i}ij\fourlll klkj\fourlll jiij\fourlll klkj\relax + &\fourlll lkkl\fourbbll mnml\fourlll lkkl\fourbbll mnml\enotes + %\check + \barre % mesure 56 + \Notes\org|\tten1\fourbl NNLJ|\twobu ed\Ibu0ge1\zq g\qh0c\zq{Nc}\tqh0e\relax + &\twobl j{=i}\ql j\relax + &\twobl lk\ds\cu g\enotes + \notes\org\pause + |\doubler\zq a\ql M\sk\Ibl0LK1\zq c\qb0L\zq{=b}\tqb0K\relax + |\doubler\zq c\qu c\sk\twobu ef\relax + &\fourllu fggh\Ibbu0hg2\qh0h\tbbu0\qh0g\tqh0g\relax + &\fourlll h{=i}ij\fourlll jkkl\enotes + \ifOrgue\def\atnextline{\OrgelPedal}\fi% + %\check + \barre % mesure 57 + \notes\org\doubler\Pause + |\doubler\qu J\sk\twobu JI\ibu0M0\qh0{HaN}\tqh0{=I}\relax + |\zql c\zqu g\ibl0e0\qb0e\sk\nbbl0\qb0e\tqb0f\zql c\doubler\twobu f{=e}\zq +c\qu f\sk\zql d\multnoteskip{0.5}\ibu0g0\qhp0g\sk\sk\tbbu0\tqh0f\relax + &\qu g\sk\sk\sk\fourllu fggh\fourllu hjj{=i}\Ibbu0ik2\qh0i\tbbu0\qh0j\tqh0k\relax + &\fourlll ljjk\fourlll k{=l}lm\doubler\mordent o\isluru0m\qlp m\sk\sk\tslur0n\cl n\enotes + %\check + \barre % mesure 58 + \notes\org\doubler\sk\sk\hpause + |\doubler\ibu0M0\qh0{JMN}\tqh0G\relax + |{\doubler\ibu0f0\qh0{_e}\zq c\tqh0f}\zq {=b}\zql d\fourbblu gfed\relax + &{\doubler\twobu jh}\ibbu0k0\qh0{gml}\tqh0k\relax + &\Ibl0lj3\isluru0l\qb0 l\sk\nbbl0\qb0k\tslur0j\tqb0j\Pince n\isluru0i\Ibl0ij3\qbp0{=i}\sk\sk\tslur0j\tbbl0\tqb0j\enotes + \Notes\org\fourbu JKLJ\relax + |\qlp c\sk\sk\cl N\relax + |\fourbu efge\relax + &\fourbl lmnl\relax + &\ql j\sk\soupir\enotes + %\check + \barre % mesure 59 + \notes\org\doubler\ql M\sk\soupir\sk\sk\hpause + |\doubler\qu M\sk\twobu LK\qu J\sk \twobu JI\relax + |\fourllu a{=b}bc\fourllu cbbc\Ibbu0cd3\qh0{cc}\islurd0c\qh0c\tslur0d\tqh0d\fourllu d{=e}ef\relax + &\advance\transpose 7\fourlll cdde\fourlll edde\Ibbl0ef3\qb0{ee}\isluru0e\qb0e\tslur0f\tqb0f\fourlll fggh\relax + &\doubler\Pause\enotes + %\check + \barre % mesure 60 + \Notes\org\ibu0M0\qh0{HaN}\tqh0{=I}\relax + |\ql c\sk\twobl{=b}d\relax + |\zq f\ibu0h0\qh0h\itenu0f\qh0f\zq d\tten0\qh0f\tqh0g\relax + &\ibl0m0\qb0{omk}\tqb0n\enotes + \notes\org\ibu1M0\doubler\qh1{JM}\relax + |\zq c\ql N\relax + |\fourbbu fedc\relax + &\fourbbl mlkj&\pause\enotes + \Notes\org\qh1N\tqh1G\relax + |\twobl bN|\qu g\relax + &\twobl n{=i}\enotes + %\check + \barre % mesure 61 + \NOtes\org\pointdurgue B\wh C|\zw J\wh N|\zw c\wh e\relax + &\pointdorgue m\wh j&\pointdorgue m\pause\enotes +% \ifOrgue\advance\mulooseness 1\fi + \ifOrgue\linegoal 19\fi + \finmorceau + + + +\endinput + diff --git a/macros/generic/musixtex/doc/examples/marcon2.tex b/macros/generic/musixtex/doc/examples/marcon2.tex new file mode 100644 index 0000000000..0632c642a2 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/marcon2.tex @@ -0,0 +1,723 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi + +% +\title{Concerto pour hautbois --- adagio} +\fulltitle{Concerto pour hautbois --- adagio} +\othermention{Transcription pour hautbois, fl\^{u}te et orgue\\{\bf + \ifFlute Partition fl\^{u}te\fi + \ifOboe Partition hautbois\fi + \ifOrgue Partition orgue\fi} +} +\shorttitle{Concerto pour hautbois --- adagio} +\author{Benedetto MARCELLO\\Transcription Daniel TAUPIN} +\shortauthor{B. Marcello, D. Taupin} +\maketitle +% +\parindent 13mm +\def\interfacteur{10} % was 9 +\def\OrgelManual{% + \global\cleftoksi={{6}{0}{0}{0}}% + \def\interinstrumentii{0pt}% + \def\interinstrumenti{0pt}% + \nbporteesi=2\relax% +} +\def\OrgelPedal{% + \global\cleftoksi={{6}{6}{0}{0}}% + \def\interinstrumentii{0pt}% + \def\interinstrumenti{0pt}% + \nbporteesi=3\relax% +} +\ifOrgue + \def\nbinstruments{3} + \global\cleftoksi={{6}{0}{0}{0}}% + \global\cleftoksii={{0}{0}{0}{0}}% + \global\cleftoksiii={{0}{0}{0}{0}}% + \nbporteesi=3\relax% + \nbporteesii=1\relax% + \nbporteesiii=1\relax% + \def\instrumenti{Orgue}% + \def\instrumentii{Fl\^{u}te}% + \def\instrumentiii{Hautbois}% + \def\staffspacingii{0.64}\def\staffspacingiii{0.64}% +\else + \def\nbinstruments{2} + \global\cleftoksi={{0}{0}{0}{0}}% + \global\cleftoksii={{0}{0}{0}{0}}% + \nbporteesi=1\relax% + \nbporteesii=1\relax% + \def\instrumenti{Fl\^{u}te}% + \def\instrumentii{Hautbois}% + \ifFlute\def\staffspacingi{1.0}\else\def\staffspacingi{0.64}\fi + \ifOboe\def\staffspacingiii{1.0}\else\def\staffspacingii{0.64}\fi% + \def\everystaff{\vrule width 0pt depth 8mm\relax}% +\fi + +\ifOboe\def\interinstrumenti{2\Interligne}\fi +% +\signaturegenerale{-3}\relax +%\check +\def\doubler{\multiply\noteskip by 2\relax}% +% +% formes frequentes +% +\def\Pause{\sk\sk\qsk\pause}% +% + \def\twobbu#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}} + \def\twobbl#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}} +% + \def\fourbbu#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}} + \def\fourbbl#1#2#3#4{\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}} +% + \def\fourlll#1#2#3#4{\Ibbl0{#1}{#4}3% +\isluru0{#1}\qb0{#1}\tslur0{#2}\qb0{#2}\isluru0{#3}\qb0{#3}% +\tslur0{#4}\tqb0{#4}}% +% + \def\fourllu#1#2#3#4{\Ibbu0{#1}{#4}3% +\islurd0{#1}\qh0{#1}\tslur0{#2}\qh0{#2}\islurd0{#3}\qh0{#3}% +\tslur0{#4}\tqh0{#4}}% +% + \def\twobu#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}} + \def\twobl#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}} +% + \def\sixbu#1#2#3#4#5#6{\Ibu0{#1}{#2}1\qh0{#1}\qh0{#2}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}} + \def\sixbl#1#2#3#4#5#6{\Ibl0{#1}{#2}1\qb0{#1}\qb0{#2}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}} +% + \def\twolbu#1#2{\Ibu0{#1}{#2}1\islurd0{#1}\qh0{#1}\tslur0{#2}\tqh0{#2}} + \def\twolbl#1#2{\Ibl0{#1}{#2}1\isluru0{#1}\qb0{#1}\tslur0{#2}\tqb0{#2}} + +% +%\check +% +\catcodesmusic +\def\org#1|#2&{\ifOrgue \ifnum\nbporteesi=3#1|\fi #2&\relax\fi} +% +\generalmeter{\meterfrac 34}% +\sepbarrules +% +\debutmorceau +%\check +% +\notes\org\relax + |&&\zcharnote{w}{\kern -20mm\moyen Adagio +\bf(\metron{\cu}{84})}\enotes +% +%\check +% +% mesure 1 +\NOTes\org\Pause\relax + |\Pause\relax + |\ibl0j0\qb0{jjjjj}\tqb0j\relax + &\ifFlute\zcharnote N{\sl (orgue solo)}\fi + \ifFlute\tinynotesize\ibl0j0\qb0{jjjjj}\tqb0j\relax + \else\Pause + \fi\relax + &\ifOboe\zcharnote N{\sl (orgue solo)}\fi + \ifOboe\tinynotesize\ibl0j0\qb0{jjjjj}\tqb0j\relax + \else\Pause\fi\enotes +% mesure 2 +\barre\NOTes\org\Pause + |\Pause\relax + |\ibl0j0\qb0j\qb0j\qb0j\qb0j\qb0j\tqb0j\relax + &\ifFlute\zcharnote N{\sl fl\^{u}te}\fi\ibl0k0\qb0k\qb0k\qb0k\qb0k\qb0k\tqb0k\relax + &\ifOboe\tinynotesize\ibl0j0\qb0j\qb0j\qb0j\qb0j\qb0j\tqb0j\relax + \else\Pause\fi\enotes +% mesure 3 +\barre\NOTes\org\hup G\relax + |\roff{\pt g}\rh g\hup f\relax + |\na i\ibl0i0\qb0{iiiii}\tqb0i\relax + &\ibl0k0\qb0{kkkkk}\tqb0k\relax + &\ifOboe\tinynotesize\na i\ibl0i0\qb0{iiiii}\tqb0i\relax + \else\Pause\fi\enotes +% mesure 4 +\def\motif{\zq j\qh0 l}% +\barre\NOTes\org\Ibu1CJ1\qh1C\itenl5J\tqh1J\relax + |\itenl1e\zhp c\zhp g\hlp e\relax + |\ibl3j0\qb3{jj}\relax + &\ibl4l0\qb4{ll}\relax + &\ifOboe\zcharnote N{\sl hautbois}\fi\twolbl jl\enotes +\NOTes\org\tten5\hu J\relax + |\relax + |\qb3{jj}\relax + &\qb4{ll}\relax + &\twolbl ln\enotes +\NOTes\org\relax + |\relax + |\qb3j\relax + &\qb4l\relax + &\isluru5n\ibl5n0\qb5n\enotes +\NOtes\org\relax + |\relax + |\tqb3j\relax + &\tqb4l\relax + &\nbbl5\qb5o\tslur5n\tqb5n\enotes +% mesure 5 +\barre\NOTes\org\hup F\relax + |\tten1\zql e\roff{\hup f}\sk\ql d\sk\ql c\relax + |\ibu3h0\qh3{hhhhh}\tqh3h\relax + &\ibl4j0\qb4{jjjjj}\tqb4j\relax + &\mordant q\hl o\sk\sk\sk\soupir\enotes +% mesure 6 +\barre\temps\NOTes\org\hup I\relax + |\zhl b\hup f\relax + |\ibu3h0\qh3{hh}\relax + &\ibl4k0\qh4{kk}\relax + &\twolbl ik\enotes +\NOTes\org\relax + |\relax + |\qh3{h}\relax + &\qh4k\relax + &\Ibl5kl2\isluru5k\qb5k\enotes +\NOtes\org\relax + |\relax + |\qh3h\relax + &\qb4k\relax + &\nbbl5\qb5m\tslur5l\tqb5l\enotes +\NOtes\org\relax + |\itenl2d\ql d\relax + |\qb3h\sk\tqh3h\relax + &\qb4k\sk\tqb4k\relax + &\Ibbl5mn3\isluru5m\qb5{mno}\tslur5n\tqb5n\enotes +% mesure 7 +\barre +\NOTes\org\hup E\relax + |\tten2\qu d\sk\qu c\sk\qu b\relax + |\sixbu gggggg\relax + &\sixbu iiiiii\relax + &\doubler\mordant p\hl n\sk\soupir\enotes +% mesure 8 +\def\motif{\zq h\qh0j}% +\barre\NOtes\org\hup H\relax + |\doubler\doubler\zhl a\hup e\sk\itenl2c\qu c\relax + |\doubler\sixbu hhhhhh\relax + &\doubler\sixbl jjjjjj\relax + &\isluru0h\fourbbl hiji\fourbbl jklk\rlap{\sk\sk\sk\tslur0m}\fourbbl lmnm\enotes +% mesure 9 +\def\motif{\zq f\qh0h}% +\def\motifa{\zq f\qh0i}% +\barre\NOTes\org\hup K\relax + |\doubler\tten2\qu c\qu b\qu a\relax + |\ibu0h0\motif\tbu0\motif\ibu0i0\motifa\motifa\motifa\tbu0\motifa\relax + &\sixbl kkkkkk\relax + &\doubler\mordant o\hl m\sk\soupir\enotes +% mesure 10 +\barre +\Notes\org\Ibu1NG4\qh1N\sk\sk\sk\itenl1G\tqh1G\relax + |\hup f\relax + |\doubler\doubler\bigna i\ibu3i0\qh3{ii}\relax + &\doubler\doubler\ibl4k0\qb4k\qb4k\relax + &\islurd5f\Ibbbu5gk7\qh5{g^fgh=ihi}\tslur5i\tqh5j\enotes +\Notes\org\tten1\hu G\relax + |\relax + |\doubler\doubler\qh3{ii}\relax + &\doubler\doubler\qb4{kk}\relax + &\isluru5l\Ibbbl0jj7\qb0{kijkn=ml}\tslur5l\tqb0k\enotes +\NOtes\org\relax + |\relax + |\doubler\qh3i\tqh3i\relax + &\doubler\qb4k\tqb4k\relax + &\isluru5l\Ibbl0kl3\qb0{klm}\tslur5m\tqb0l\enotes +% mesure 11 +%\check +\def\motif{\zq e\qh3 g}% +\barre\notes\org\Ibu1CJ5\qh1C\relax + |\hup c\relax + |\ibu3g0\motif\relax + &\ibl4j0\qb4j\relax + &\isluru5l\ibbbbl5l0\qb5{lkl}\tbbbbl5\tbbbl5\tbbl5\qb5m\enotes +\NOtes\org\relax + |\relax + |\relax + &\relax + &\tbl5\tslur5l\qbp5l\enotes +\NOTes\org\itenl1J\tqh1J\relax + |\relax + |\motif\relax + &\qb4j\relax + &\enotes +\NOtes\org\tten1\itenl1J\hu J\relax + |\relax + |\motif\sk\motif\relax + &\qb4j\sk\qb4j\relax + &\qsoupir\isluru5n\Ibbl5ln2\qb5{lo}\tslur5o\tqb5n\enotes +\NOtes\org\relax + |\relax + |\motif\sk\tbu3\motif\relax + &\qb4j\sk\tqb4j\relax +% &\Ibbl5ol3\qb5{omm}\tqb5l\enotes + &\fourlll omml\enotes +% mesure 12 +%\check +\barre +\NOTes\org\tten1\qu J\relax + |\roff{\zql c}\hu d\relax + |\ibu3f0\qh3f\tqh3f\relax + &\ibu4h0\qh4h\tqh4h\relax + &\mordant p\ql k\sk\enotes +\NOtes\org\itenl1I\hu I\relax + |\hl b\relax + |\ibu0g0\qh0g\sk\tqh0g\relax + &\ibu0i0\qh0i\sk\tqh0i\relax + &\qsoupir + \isluru5m\Ibbl5km2\qb5{kn}\tslur5m\tqb5m\enotes +\NOtes\org\relax + |\qu e\relax + |\ibu3g0\qh3g\sk\relax + &\ibu4j0\qh4j\sk\relax + &\isluru5n\ibbl5k0\qb5n\qbp5l\enotes +\Notes\org\relax + |\relax + |\tqh3g\relax + &\tqh4j\relax + &\sk\nbbbl5\qb5{kj}\tslur5k\tqb5k\enotes +% mesure 13 +\barre +\notes\org\tten1\qu I\relax + |\roff{\zql b}\hu c\relax + |\ibu3e0\qh3e\relax + &\ibu4g0\qh4g\relax + &\isluru5k\ibbbbl1j0\qb1{j=ij}\relax +\tbbbbl1\tbbbl1\tbbl1\qb1k\enotes +\NOtes\org\relax + |\relax + |\relax + &\relax + &\tslur5k\tbl1\qbp1j\enotes +\NOTes\org\relax + |\relax + |\tqh3e\relax + &\tqh4g\relax + &\enotes +\temps\Notes\org\hu H\relax + |\hl a\relax + |\ibu0f0\qh0f\sk\sk\sk\tqh0f\relax + &\ibu0h0\qh0h\sk\sk\sk\tqh0h\relax + &\qsoupir\sk\isluru5k\ibbbl1j0\qb1j\tbbl1\qb1l\nbbbl1\qb1{kjk}\tslur5l\tqb1l\enotes +\temps\Notes\org\relax + |\qu d\relax + |\ibu0f0\qh0f\sk\sk\sk\tqh0f\relax + &\ibu0h0\qh0h\sk\sk\sk\tqh0h\relax + &\isluru5n\ibbbl1k0\qb1{mnlmkl}\relax +\triolet n\qb1{jk}\tslur5k\tqb1j\enotes +% mesure 14 +%\check +\def\motif{\rq g\qh3f}% +\barre +\NOTes\org\hup G\relax + |\hup b\relax + |\zhlp d\ds\ibu3g0\motif\motif\motif\motif\tbu3\motif + &\ds\ibu0i0\qh0{=iiii}\tqh0i\relax + &\bigna i\hl i\sk\sk\sk\soupir\enotes +% mesure 15 +\barre\NOTes\org\hup J\relax + |\hup c\relax + |\bigna e\ibu0g0\zq e\qh0g\zq e\tqh0g\relax + &\twobu jg\relax + &\bigna l\twolbl ln\enotes +\NOTes\org\relax + |\relax + |\ibu0g0\zq e\qh0g\zq e\tqh0g\relax + &\twobu gg\relax + &\twolbl nl\enotes +\NOtes\org\relax + |\relax + |\doubler\twobu ee\relax + &\doubler\twobl jj\relax + &\fl i\isluru5m\ibbl1i0\qb1{inl}\tslur5m\tqb1i\enotes +% mesure 16 +\barre\NOTes\org\hlp M\relax + |\qu c\relax + |\ibu3g0\qh3g\relax + &\ibl4j0\qb4j\relax + &\ibu5k0\itenl5i\qh5i\enotes +\Notes\org\relax + |\relax + |\tqh3g\relax + &\tqb4j\relax + &\tten5\nbbbu5\islurd5i\qh5{ihj}\tslur5i\tqh5i\enotes +\temps\NOTes\org\relax + |\hu f\relax + |\ibu0h0\qh0{hhh}\tqh0h\relax + &\ibl0j0\qb0{jjj}\tqb0j\relax + &\qu h\sk\soupir\enotes +% mesure 17 +\def\motif{\zq h\qh0 k}% +\barre +\NOtes\org\hup K\relax + |\hup {^f}\relax + |\ibu3h0\na h\qh3h\sk\qh3h\relax + &\ibl4k0\qb0k\sk\qb0k\relax + &\ibbl1m0\sh m\qb1{m=om}\tqb1n\enotes +\Notes\org\relax + |\relax + |\qh3h\sk\sk\sk\qh3h\sk\sk\sk\relax + &\qb4k\sk\sk\sk\qb4k\sk\sk\sk\relax + &\Ibbbl1oh7\qb1{onm=lkji}\tqb1{=h}\enotes +\Notes\org\relax + |\relax + |\qh3h\sk\sk\sk\sk\tqh3h\sk\sk\sk\relax + &\qb4k\sk\sk\sk\sk\tqb4k\sk\sk\sk\relax + &\Ibbbu1dl9\qh1{d=e^fghij}\pointdurgue e\qhp1k\qsk\tbbbbu1\tqh1j\enotes +% mesure 18 + \barre +\NOTes\org\hup G\relax + |\qu d\relax + |\twobu gg\relax + &\twobl kk\relax + &\twolbl ji\enotes +\NOTes\org\relax + |\itenl2e\hu e\relax + |\ibu3g0\qh3{ggg}\tqh3g\relax + &\ibl4i0\qb4{iii}\tqb4i\relax + &\bigfl l\twobl lk\mordant n\itenu5l\ql l\enotes +% mesure 19 +\barre\NOTes\org\hl M\relax + |\tten2\qu e\relax + |\ibu3h0\qh3{_h}\relax + &\ibl4j0\qh4j\relax + &\tten5\isluru5m\ibl5l0\qb5l\enotes +\NOtes\org\relax + |\relax + |\tqh3h\relax + &\tqb4j\relax + &\nbbl5\qb5m\tqb5l\enotes +\NOTes\org\relax + |\hu d\relax + |\ibu3f0\qh3f\relax + &\ibu4h0\qh4h\relax + &\ibl5k0\qb5k\enotes +\NOtes\org\relax + |\relax + |\qh3f\relax + &\qh4h\relax + &\nbbl5\qb5l\tslur5k\tqb5j\enotes +\NOTes\org\qu F\relax + |\relax + |\qh3f\tqh3f\relax + &\qh4h\tqh4h\relax + &\itenu5k\mordant m\ql k\enotes +% mesure 20 +\barre +\NOtes\org\hu E\relax + |\qu d\relax + |\doubler\twobu gg\relax + &\doubler\twobu ii\relax + &\tten5\ibbl0k0\rlap{\sk\isluru5n}\qb0{knl}\tqb0k\enotes +\temps\NOtes\org\relax + |\hu c\relax + |\ibu3e0\qh3{e*e}\relax + &\ibu4g0\qh4{g*g}\relax + &\ibbl0i0\qb0{jih}\tslur5i\tqb0i\enotes +\NOTes\org\ql L\relax + |\relax + |\qh3e\sk\tqh3e\relax + &\qh4g\sk\tqh4g\relax + &\upperna j\mordant o\itenu5j\ql j\enotes +% mesure 21 +\barre +\NOtes\org\hup K\relax + |\hu b\relax + |\doubler\twobu ff\relax + &\doubler\twobu fh\relax + &\ibbl5j0\tten5\qb5j\isluru5k\qb5{_i}\qb5k\multnoteskip{0.71}\nbbbl5\qb5m\tqb5l\enotes +\Notes\org\relax + |\relax + |\ibu3d0\qh3d\sk\sk\sk\qh3d\relax + &\ibu4f0\qh4f\sk\sk\sk\qh4f\relax + &\ibbbl5i0\qb5{kjihijk}\tqb5l\enotes +\NOtes\org\relax + |\qu a\relax + |\qh3d\sk\tqh3d\relax + &\qh4f\sk\tqh4f\relax + &\Ibbl5mi3\qb5{mk}\relax +\pince l\qb5j\enotes +\NOtes\org\relax + |\relax + &\relax + &\tslur5k\itenu5i\tqb5i\enotes +% mesure 22 +\barre +\Notes\org\hup J\relax + |\qu N\relax + |\ibu3e0\qh3e\sk\sk\sk\tqh3e\relax + &\ibu4g0\qh4g\sk\sk\sk\tqh4g\relax + &\tten5\ibbbl1i0\rlap{\sk\isluru5m}\qb1{ijj}\tqb1i\Ibbbu1ig3\qh1{ihh}\tqh1g\enotes +\Notes\org\relax + |\qu e\relax + |\ibu3g0\qh3g\sk\sk\sk\tqh3g\relax + &\ibu4j0\qh4j\sk\sk\sk\tqh4j\relax + &\ibbbu1g0\qh1{ghh}\tqh1g\Ibbbu1ge3\qh1{gff}\tqh1e\enotes +\temps\NOtes\org\relax + |\qu e\relax + |\ibu3f0\qh3f\sk\tqh3f\relax + &\ibu4h0\qh4h\sk\zq f\tqh4h\relax + &\ibbu5k0\tslur5m\rlap{\sk\isluru5r}\qh5{flk}\tqh5j\enotes +% mesure 23 +\barre +\NOTes\org\hu I\relax + |\hu d\relax + |\ibu3f0\qh3{fff}\relax + &\ibu4h0\qh4{hhh}\relax + &\tslur5n\itenu5k\ql k\sk\tten5\Ibl5ki3\qbp5k\enotes +\NOtes\org + |\relax + |\tqh3f\relax + &\tqh4h\relax + &\sk\tbbl5\tqb5i\enotes +\NOTes\org\qu J\relax + |\qu c\relax + |\twobu ee\relax + &\twobu gg\relax + &\itenu5l\ql l\enotes +% mesure 24 +\barre +\NOTes\org\qu{H}\relax + |\relax + |\ibu3h0\zq e\qh3h\relax + &\ql j\relax + &\tten5\ibl5i0\itenu5l\qb5l\enotes +\Notes\org\relax + |\relax + |\zq e\tqh3h\relax + &\relax + &\tten5\rlap{\sk\isluru5m}\nbbbl5\qb5{ljk}\tqb5l\enotes +\NOTes\org\hu I\relax + |\hpause + |\ibu0f0\zq d\qh0f\zq d\qh0f\zq d\qh0f\zq e\tqh0g\relax + &\hl i\relax + &\ifOboe\rlap{\tinynotesize\ibl0d0\zq d\qb0f\zq d\qb0f\zq d\qb0f\loff{\zq e\tqb0g}\relax}\fi + \qlp m\sk\sk\tslur5m\cl l\enotes +% mesure 25 +\barre\NOTes\org\hlp M\relax + |\relax + |\zhlp f\ibu3h0\qh3{hhh}\relax + &\Ibl4hk6\qb4h\qb4{_kk}\relax + &\Uptext{\pp}\bigfl k\qlp k\enotes +\NOtes\org\relax + |\pause + |\doubler\qh3{hh}\tqh3h\relax + &\doubler\qb4{kk}\tqb4k\relax + &\ibbl5m0\isluru5n\qb5{mnonm}\tslur5m\tqb5l\enotes +% mesure 26 +\barre +\NOTes\org\hlp N\relax + |\relax + |\zhlp e\ibu3g0\qh3{gg}\relax + &\ibu4i0\qh4{ii}\relax + &\itenu5k\ql{_k}\enotes +\NOtes\org\relax + |\sk\pause + |\doubler\qh3{ggg}\tqh3g\relax + &\doubler\qh4{iii}\tqh4i\relax + &\tten5\isluru5m\Ibbl1ko3\qb1{kln}\tqb1{o}\Ibbl1pk3\qb1{pnl}\tslur5m\tqb1k\enotes +% mesure 27 +\barre +\NOTes\org\hl a\relax + |\hu e\relax + |\ibu3h0\qh3h\relax + &\ibl4j0\qb4j\relax + &\bigfl k\ibl1j0\isluru5l\itenu1k\qb1k\enotes +\Notes\org\relax + |\relax + |\qh3h\relax + &\qh4j\relax + &\tten1\nbbbl1\qb1{kjl}\tqb1k\enotes +\NOtes\org\relax + |\relax + |\qh3h\sk\tqh3h\relax + &\qb4j\sk\tqb4j\relax + &\Ibbl1jn3\qb1{jlm}\tqb1n\enotes +\NOtes\org\qu H\relax + |\itenl2f\qu f\relax + |\ibu3h0\qh3h\sk\tqh3h\relax + &\ibl4j0\qb4j\sk\tqb4j\relax + &\Ibbl1ol3\qb1{onm}\tslur5m\tqb1l\enotes +% mesure 28 +\barre\NOTes\org\hu G\relax + |\tten2\hu f\relax + |\ibu3g0\qh3{gg}\relax + &\ibl4i0\bigna i\qb4{ii}\relax + &\itenu5m\ql m\enotes +\NOtes\org\relax + |\relax + |\qh3g\sk\tqh3g\relax + &\qb4i\sk\tqb4i\relax + &\tten5\ibbl5h0\rlap{\sk\isluru5j}\qb1{mgh}\tqb5{=i}\enotes +\NOtes\org\qu{H}\relax + |\itenl2f\qu f\relax + |\itenu3h\qu h\relax + &\itenu4j\ql j\relax + &\Ibbl1jk3\qb1{j=kl}\tqb1k\enotes +% mesure 29 +\barre +\NOtes\org\qu F\relax + |\tten2\qu f\relax + |\doubler\tten3\twobu hh\relax + &\doubler\tten4\twobl jk\relax + &\ibbl5l0\qb5{lom}\tslur5m\tqb5k\enotes +\temps\NOTes\org\hu G\relax + |\qup d\sk\sk\cu e\relax + |\ibu0g0\qh0{ggg}\tqh0g\relax + &\qlp{=i}\sk\sk\cl j\relax + &\ifOboe\rlap{\tinynotesize\ibl0g0\qb0{ggg}\tqb0g\relax}\fi + \isluru5k\qlp{=i}\sk\sk\tslur5l\cu j\enotes +% mesure 30 +%\check +\barre +\NOTes\org\hup{H}\relax + |\hup c\relax + |\ibu3h0\zq f\qh3h\zq f\qh3h\zq f\qh3h\zq f\qh3h\relax + &\ibl4j0\qb4{jjjj}\relax + &\itenl5f\hu f\enotes +\NOtes\org\relax + |\relax + |\zq f\qh3h\sk\zq f\tqh3h\relax + &\qb4j\sk\tqb4j\relax + &\tten5\rlap{\sk\islurd5c}\Ibbu5fe3\qh5{fcd}\tqh5e\enotes +% mesure 31 +%\check +\barre +\NOtes\org\hu G\relax + |\hu d\sk + |\doubler\ibu3g0\qh3{gggg}\relax + &\doubler\bigna i\ibl4i0\qb4{iii}\tqb4i\relax + &\Ibbu5fe3\qh5{fed}\tslur5d\tqh5e\islurd5e\Ibbu5fg3\qh5{fgh}\tslur5f\tqh5g\enotes +\Notes\org\ql L\relax + |\qu c\relax + |\doubler\doubler\qh3g\tqh3g\relax + &\doubler\doubler\twobl jj\relax + &\islurd5f\Ibbbu1gi7\qh1{gfefghi}\tslur5g\tqh1{=i}\enotes +% mesure 32 +%\check +\barre +\NOtes\org\bigaccid\zql{a}\relax + |\qu c\relax + |\ibu0f0\qh0f\sk\tqh0f\relax + &\doubler\twobu hh\relax + &\Ibl5jk3\qbp5j\sk\sk\tbbl5\tqb5k\enotes +\NOTes\org\hl N\relax + |\qup d\sk\sk\cu e\relax + |\twobu ff\twobu gg\relax + &\qlp{=i}\sk\sk\cl j\relax + &\ifOboe\rlap{\tinynotesize\twobl ff\twobl gg\relax}\fi + \isluru5l\qlp k\sk\sk\tslur5l\cu j\enotes +% mesure 33 +%\check +\barre\NOTes\org\hu K\relax + |\zhu{^f}\hlp d\relax + |\na h\ibu3h0\qh3{hhh}\tqh3h\relax + &\ibl4j0\qb4{jjj}\tqb4j\relax + &\bigsh m\isluru5n\hl m\enotes +\NOTes\org\qu G\relax + |\raise 2\internote\soupir + |\twobu gg\relax + &\bigna i\twobu ii\relax + &\tslur5o\isluru5o\twobl nk\enotes +% mesure 34 +%\check +\barre\NOTes\org\Ibl1JG5\qb1J\relax + |\qu e\relax + |\ibu3g0\qh3g\relax + &\ibl4j0\qb4j\relax + &\tslur5m\Ibl5lj2\qb5l\enotes +\NOtes\org\qb1L\relax + |\relax + |\tqh3g\relax + &\tqb4j\relax + &\nbbl5\qb5k\tqb5j\enotes +\NOTes\org\qb1{NMN}\tqb1G\relax + |\hu d\relax + |\hu g\relax + &\na i\qup i\sk\sk\cu j\relax + &\zcharnote o{\Trille{1.8\noteskip}}\na i\ql i\sk\rlap{\isluru5j\sk\tslur5k}\twobl ij\enotes + \ifOrgue\cleftoksi={{6}{6}{0}{0}}\changeclefs\fi +% mesure 35 +%\check +\barre +\NOTes\org\hup J\relax + |\rlap{\sk\itenl2N}\twobl cN\relax + |\Ibu3ge1\zq e\qh3g\zq c\tqh3e\relax + &\Ibl4jl5\qh4{jl}\relax + &\hlp j\enotes +\NOTes\org\relax + |\tten2\hl N\relax + |\ibu3e0\zq c\qh3e\zq c\qh3e\zq c\qh3e\zq c\tqh3e\relax + &\qb4{lll}\tqb4l\enotes +% mesure 36 +%\check +\barre\NOTes\org\hup G\relax + |\hlp N\relax + |\ibu3e0\zq c\qh3e\rq d\qh3c\rq d\qh3c\rq d\qh3c\zq +{_b}\qh3d\zq b\tqh3d\relax + &\Ibl4lk5\qb4{lkkkk}\tqb4k\relax + &\sk\sk\qsk\pause\enotes +% mesure 37 +%\check +\barre\NOTes\org\hup J\relax + |\hlp N + |\na e\ibu3e0\relax +\zq b\qh3 e\zq b\qh3 e\zq b\qh3 e\zq b\qh3 e\zq b\qh3 e\zq b\tqh3 e\relax + &\na l\ibl4l0\qb4{lllll}\tqb4l\relax + &\sk\sk\qsk\pause\enotes +% mesure 38 +%\check +\barre +\NOTes\org\hlp M\relax + |\zql b\relax + |\ibu3f0\zq c\qh3f\zq c\qh3f\relax + &\ibl4m0\qb4m\qb4m\enotes +\NOTes\org\relax + |\itenu2a\ql a\relax + |\zq c\qh3f\zq c\tqh3f\relax + &\qb4m\tqb4m\relax + &\sk\pause\enotes +\temps\NOTes\org\relax + |\tten2\ql a\relax + |\zq {c}\rq f\qu e\relax + &\ql m\sk + &\enotes +% mesure 39 +%\check +\barre +\NOTes\org\hl N\relax + |\na b\ibl2b0\zq b\qb2d\zq b\qb2d\zq b\qb2d\zq b\tqb2d\relax + |\qup f\sk\sk\Ibu3gc2\qh3g\relax + &\qlp m\sk\sk\Ibl4nj2\qb4n\relax + &\sk\sk\qsk\pause\enotes +\NOTes\org\ql a\relax + |\ql c\relax + |\qh3e\tqh3d\relax + &\qb4l\tqb4k\enotes +% mesure 40 +%\check +\barre +\NOTes\org\ql M\relax + |\zq c\ql a\sk\relax + |\twobu ef\relax + &\twobl lm\enotes +\NOTes\org\ibu2N0\qh2{NMN}\tqh2G\relax + |\hl{=b}\relax + |\hu d\relax + &\hl k\sk\sk\relax + &\qsk\pause\enotes +% mesure 41 +%\check +%\ifOrgue\cleftoksi={{6}{6}{0}{0}}\changeclefs\fi +\barre +\NOTES\org\hup J\relax + |\zhp{LN}\hlp c\relax + |\sk\pause + &\hlp j\relax + &\sk\pause\enotes +\ifOrgue \linegoal 9\relax +\else \linegoal 12\relax +\fi +\finmorceau + +\endinput + + + diff --git a/macros/generic/musixtex/doc/examples/marcon3.tex b/macros/generic/musixtex/doc/examples/marcon3.tex new file mode 100644 index 0000000000..de25e96f87 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/marcon3.tex @@ -0,0 +1,1106 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi + +% +\title{Concerto pour hautbois --- finale} +\fulltitle{Concerto pour hautbois --- finale} +\othermention{Transcription pour hautbois, fl\^{u}te et orgue\\{\bf + \ifFlute Partition fl\^{u}te\fi + \ifOboe Partition hautbois\fi + \ifOrgue Partition orgue\fi} +} +\shorttitle{Concerto pour hautbois --- finale} +\author{Benedetto MARCELLO\\Transcription Daniel TAUPIN} +\shortauthor{B. Marcello, D. Taupin} +\maketitle +% +\parindent 13mm +\def\interfacteur{10} % was 9 +\ifOrgue + \def\nbinstruments{3} + \global\cleftoksi={{6}{6}{0}{0}}% + \global\cleftoksii={{0}{0}{0}{0}}% + \global\cleftoksiii={{0}{0}{0}{0}}% + \nbporteesi=3\relax% + \nbporteesii=1\relax% + \nbporteesiii=1\relax% + \def\instrumenti{Orgue}% + \def\instrumentii{Fl\^{u}e}% + \def\instrumentiii{Hautbois}% + \def\staffspacingii{0.64}\def\staffspacingiii{0.64}% +\else + \def\nbinstruments{2} + \global\cleftoksi={{0}{0}{0}{0}}% + \global\cleftoksii={{0}{0}{0}{0}}% + \nbporteesi=1\relax% + \nbporteesii=1\relax% + \def\instrumenti{Fl\^{u}te}% + \def\instrumentii{Hautbois}% + \ifFlute\def\staffspacingi{1.0}\else\def\staffspacingi{0.64}\fi + \ifOboe\def\staffspacingiii{1.0}\else\def\staffspacingii{0.64}\fi% + \def\everystaff{\vrule width 0pt depth 5mm\relax}% +\fi + +\ifOboe\def\interinstrumenti{2\Interligne}\fi +% +\signaturegenerale{-3}\relax +%\check +\def\doubler{\multiply\noteskip by 2\relax}% +% formes frequentes +\def\Pause{\sk\sk\qsk\pause}% +% +% +\def\sixlpl#1#2#3#4#5#6{\Ibbl0{#1}{#6}5% +\isluru0{#1}\qb0{#1}\tslur0{#2}\qb0{#2}\upz{#3}\qb0{#3}% +\upz{#4}\qb0{#4}\upz{#5}\qb0{#5}\upz{#6}\tqb0{#6}}% +% +\def\Sixlpl#1#2#3#4#5#6{{\advance \transpose -1\relax\Ibbl0{#1}{#6}5}% +\isluru0{#1}\qb0{#1}\tslur0{#2}\qb0{#2}\upz{#3}\qb0{#3}% +\upz{#4}\qb0{#4}\upz{#5}\qb0{#5}\upz{#6}\tqb0{#6}}% +% +\def\fiveplpl#1#2#3#4#5{\Ibbl0{#1}{#5}4% +\isluru0{#1}\qb0{#1}\qb0{#2}\qb0{#3}% +\tslur0{#4}\tbbl0\qb0{#4}\upz{#5}\tqb0{#5}}% +% +\def\fourplpl#1#2#3#4{\Ibl0{#1}{#4}4% +\upz{#1}\qb0{#1}\sk\isluru0{#2}\nbbl0\qb0{#2}\tbbl0\tslur0{#3}\qb0{#3}% +\upz{#4}\tqb0{#4}\sk}% +% +\def\threelpl#1#2#3{\Ibbl0{#1}{#3}2% +\isluru0{#1}\qb0{#1}% +\tslur0{#2}\tbbl0\qb0{#2}\upz{#3}\tqb0{#3}}% +% +\def\threell#1#2#3{\Ibbl0{#1}{#3}2% +\isluru0{#1}\qb0{#1}% +\tslur0{#2}\tbbl0\qb0{#2}\tqb0{#3}}% +% +\def\sixlpu#1#2#3#4#5#6{\Ibbu0{#1}{#6}5% +\islurd0{#1}\qh0{#1}\tslur0{#2}\qh0{#2}\lpz{#3}\qh0{#3}% +\lpz{#4}\qh0{#4}\lpz{#5}\qh0{#5}\lpz{#6}\tqh0{#6}}% +% +\def\Sixlpu#1#2#3#4#5#6{{\advance\transpose 1\relax\Ibbu0{#1}{#6}5}% +\islurd0{#1}\qh0{#1}\tslur0{#2}\qh0{#2}\lpz{#3}\qh0{#3}% +\lpz{#4}\qh0{#4}\lpz{#5}\qh0{#5}\lpz{#6}\tqh0{#6}}% +% +\def\fiveplpu#1#2#3#4#5{\Ibbu0{#1}{#5}4% +\islurd0{#1}\qh0{#1}\qh0{#2}\lpz{#3}\qh0{#3}% +\tslur0{#4}\tbbu0\qh0{#4}\lpz{#5}\tqh0{#5}}% +% +\def\fourplpu#1#2#3#4{\Ibu0{#1}{#4}4% +\lpz{#1}\qh0{#1}\sk\islurd0{#2}\nbbu0\qh0{#2}\tbbu0\tslur0{#3}\qh0{#3}% +\lpz{#4}\tqh0{#4}\sk}% +% +\def\threelpu#1#2#3{\Ibbu0{#1}{#3}2% +\islurd0{#1}\qh0{#1}% +\tslur0{#2}\tbbu0\qh0{#2}\lpz{#3}\tqh0{#3}}% +% +\def\threelu#1#2#3{\Ibbu0{#1}{#3}2% +\islurd0{#1}\qh0{#1}% +\tslur0{#2}\tbbu0\qh0{#2}\tqh0{#3}}% +% +\def\sixppl#1#2#3#4#5#6{\Ibbl0{#1}{#6}5% +\upz{#1}\qb0{#1}\upz{#2}\qb0{#2}\upz{#3}\qb0{#3}% +\upz{#4}\qb0{#4}\upz{#5}\qb0{#5}\upz{#6}\tqb0{#6}}% +% +\def\Sixppl#1#2#3#4#5#6{{\advance\transpose -1\relax\Ibbl0{#1}{#6}5}% +\upz{#1}\qb0{#1}\upz{#2}\qb0{#2}\upz{#3}\qb0{#3}% +\upz{#4}\qb0{#4}\upz{#5}\qb0{#5}\upz{#6}\tqb0{#6}}% +% +\def\threeppl#1#2#3{\Ibbl0{#1}{#3}2% +\upz{#1}\qb0{#1}\tbbl0\upz{#2}\qb0{#2}\tqb0{#3}}% +% +\def\sixppu#1#2#3#4#5#6{\Ibbu0{#1}{#6}5% +\lpz{#1}\qh0{#1}\lpz{#2}\qh0{#2}\lpz{#3}\qh0{#3}% +\lpz{#4}\qh0{#4}\lpz{#5}\qh0{#5}\lpz{#6}\tqh0{#6}}% +% +\def\threeppu#1#2#3{\Ibbu0{#1}{#3}2% +\lpz{#1}\qh0{#1}\tbbu0\lpz{#2}\qh0{#2}\tqh0{#3}}% +% +\def\triol#1#2#3{\doubler\Ibl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}}% +\def\triou#1#2#3{\doubler\Ibu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}}% +\def\triopl#1#2#3{\doubler\Ibl0{#1}{#3}2\upz{#1}\qb0{#1}\upz{#2}\qb0{#2}\upz{#3}\tqb0{#3}}% +\def\triopu#1#2#3{\doubler\Ibu0{#1}{#3}2\lpz{#1}\qh0{#1}\lpz{#2}\qh0{#2}\lpz{#3}\tqh0{#3}}% +% +\def\clpz#1{\upz{#1}\cl{#1}} +\def\cupz#1{\lpz{#1}\cu{#1}} +% Siciliano : O. oO +\def\sicu#1#2#3{\Ibu0{#1}{#3}4\qhp0{#1}\sk\sk\tbbu0\qh0{#2}\tqh0{#3}\sk} +\def\sicl#1#2#3{\Ibl0{#1}{#3}4\qbp0{#1}\sk\sk\tbbl0\qb0{#2}\tqb0{#3}\sk} + +\catcodesmusic +\def\org#1&{\ifOrgue #1\relax + &\relax\fi} +% +%\check +% +\generalmeter{\meterfrac 38}% +\sepbarrules +% +\debutmorceau +\notes\org\relax + &\relax + &\zcharnote{w}{\kern -20mm\moyen Allegro \bf(\metron{\cu}{160})}\enotes +% +%\check +% mesure 1 +\notes\org\Pause + |\zmidtwotext{\llap{\bf II}}\qlp c\relax + |\zqp e\qup g\relax + &\qlp j\relax + &\uptext{\p}\sixlpl jgjklj\enotes +%\check + \barre % mesure 2 +\notes\org\Pause + |\qlp{=b}\relax + |\zqp d\qup g\relax + &\qlp k\relax + &\sixlpl kgklmk\enotes +%\check + \barre % mesure 3 +\notes\org\Pause + |\doubler\cl c\ql a\relax + |\doubler\zq e\cu g\zq c\qu f\relax + &\doubler\Ibu0ii1\bupz0\qh0j\bupz0\qh0l\bupz0\tqh0j\relax + &\sixppl lkjklm\enotes +%\check + \barre % mesure 4 +\Notes\org\sk\pause + |\qlp N\relax + |\zqp d\qup g\relax + &\qup{=i}\relax + &\isluru0n\ql n\sk\tslur0g\cl g\enotes +%\check + \barre % mesure 5 +\notes\org\Pause + |\qup J\relax + |\sixppl lkj{_i}hg\relax + &\sixppl nmlkj{_i}\relax + &\Pause\enotes +%\check + \barre % mesure 6 +\notes\org\Pause + |\sixppl MNMLKJ\relax + |\qu f\sk\sk\sk\ds\relax + &\threeppl hjm\sk\ds\relax + &\Pause\enotes +%\check + \barre % mesure 7 +\notes\org\Pause + |\zqlp I\Ibbu0KN2\qh0K\tbbu0\qh0M\tqh0b\sk\ds\relax + |\sixppu kjihgf\relax + &\sixppl mlkjih\relax + &\Pause\enotes +%\check + \barre % mesure 8 +\notes\org\Pause + |\sixppl LMLKJI\relax + |\qu e\sk\sk\sk\ds\relax + &\threeppl gil\sk\ds\relax + &\Pause\enotes +%\check + \barre % mesure 9 +\notes\org\Pause + |\zqlp H\Ibbu0JM2\qh0J\tbbu0\qh0L\tqh0a\sk\ds\relax + |\sixppu jihgfe\relax + &\sixppl lkjihg\relax + &\Pause\enotes +%\check + \barre % mesure 10 +\notes\org\Pause + |\sixppl KLKJIH\relax + |\qu d\sk\sk\sk\ds\relax + &\threeppl fhk\sk\ds\relax + &\Pause\enotes +%\check + \barre % mesure 11 +\notes\org\Pause + |\zqlp G\Ibbu0IL2\qh0{=I}\tbbu0\qh0K\tqh0N\sk\ds\relax + |\sixppu {=i}hgfed\relax + &\relax + \ifx\Quer\undefined \sixppu kj{=i}onm\else\sixppu kj{=i}hgf\fi + \relax + &\Pause\enotes +%\check + \barre % mesure 12 +\notes\org\Pause + |\sicu JKL\relax + |\Ibbu0cg4\qh0{cde}\tbbu0\qh0f\tqh0g\sk\relax + &\relax + \ifx\Quer\undefined \Ibbu0li2\qh0l\tqh0k\itenl0j\qu j\sk + \else\Ibbu0ei2\qh0e\tqh0g\itenl0j\qu j\sk + \fi\relax + &\Pause\enotes +%\check + \barre % mesure 13 +\notes\org\Pause + |\doubler\Ibl0MI2\qb0M\qb0N\tqb0G\relax + |\doubler +\Ibu0fd2\zq f\qb0h\zq g\qh0d\zq f\tqh0d\relax + &\tten0\ibbu0j0\qh0j\tbbu0\qh0k\qhp0{=i}\sk\sk\tbbu0\tqh0j\enotes +%\check + \barre % mesure 14 +\notes\org\qup J\relax + |\zmidtwotext{\llap{\bf I}}\qlp c\relax + |\zqp e\qup g\relax + &\qlp j\relax + &\sixlpl jgjklj\enotes +%\check + \barre % mesure 15 +\notes\org\doubler\qup {=I}\relax + |\doubler\qlp{=b}\relax + |\zqp d\qup g\relax + &\qlp k\relax + &\sixlpl kgklmk\enotes +%\check + \barre % mesure 16 +\notes\org\doubler\cu J\qu H\relax + |\doubler\cl c\ql a\relax + |\doubler\zq e\cu g\zq c\qu f\relax + &\doubler\Ibl0ii1\upz j\qb0j\upz l\qb0l\upz j\tqb0j\relax + &\sixppl lkjklm\enotes +%\check + \barre % mesure 17 +\notes\org\qup G\relax + |\qlp N\relax + |\zqp d\qup g\relax + &\fourplpl{=i}kji\relax + &\doubler\isluru0n\ql n\sk\tslur0g\cl g\enotes +%\check + \barre % mesure 18 +\notes\org\doubler\qu J\sk\lpz H\cu H\relax + |\doubler\ql c\sk\upz a\cl a\relax + |\doubler\zq e\qu g\sk\ds\relax + &\fourplpl llkj\relax + &\sixlpl nljlom\enotes + %\check + \barre % mesure 19 +\notes\org\doubler\qu I\sk\lpz G\cu G\relax + |\doubler\ql b\sk\upz N\cl N\relax + |\qu d\sk\ds\relax + &\fiveplpl iklmn\relax + &\threelpl kmp\sk\ds\enotes +%\check + \barre % mesure 20 +\notes\org\doubler\qu H\sk\lpz F\cu F\relax + |\doubler\ql a\sk\upz M\cl M\relax + |\doubler\zq c\qu e\sk\ds\relax + &\fourplpl jjih\relax + &\sixlpl ljhjlj\enotes + %\check + \barre % mesure 21 +\notes\org\doubler\qu G\sk\ds\relax + |\doubler\ql N\sk\ds\relax + |\doubler\qu {=b}\sk\ds\relax + &\fiveplpl gh{=i}jk\relax + &\threelpl {=i}kn\sk\ds\enotes + %\check + \barre % mesure 22 +\notes\org\Pause + |\Pause + |\doubler\ibu0g0\zq e\qh0g\zq e\qh0g\zq e\tqh0g\relax + &\fourplpl jlkj\relax + &\sixlpl lkjklj\enotes + %\check + \barre % mesure 23 +\notes\org\Pause + |\Pause + |\doubler\ibu0h0\zq {df}\qh0h\zq {df}\qh0h\zq {df}\tqh0h\relax + &\fourplpl imlk\relax + &\sixlpl mlklmk\enotes + %\check + \barre % mesure 24 +\notes\org\Pause + |\Pause + |\doubler\ibu0g0\zq e\qh0g\zq e\qh0g\zq e\tqh0g\relax + &\fourplpl inml\relax + &\sixlpl nmlmnl\enotes + %\check + \barre % mesure 25 +\notes\org\Pause + |\Pause + |\doubler\ibu0h0\zq f\qh0h\zq f\qh0h\zq f\tqh0h\relax + &\fourplpl ionm\relax + &\sixlpl pnmlkj\enotes + %\check + \barre % mesure 26 +\notes\org \Pause + |\Pause + |\doubler\Ibl0hg2\zq g\qb0i\zq f\qb0 h\zq e\tqb0 g\relax + &\Ibbl0li5\qb0{lkkjj}\tqb0i\relax + &\rlap{\sk\sk\sk\sk\itenu0l}\sicl iil\enotes + %\check + \barre % mesure 27 +\notes\org\Pause + |\doubler\ql c\sk\cl b\relax + |\doubler\Ibu0hi2\zq f\qh0{hi}\rq i\zq h\tqh0f\relax + &\doubler\Ibl0jk2\qb0{jk}\tqb0k\relax + &\tten0\ibbl0l0\qb0l\tbbl0\qb0m\isluru0m\Pince o\qb0m\sk\sk\tslur0l\tbbl0\tqb0l\enotes + %\check + \barre % mesure 28 + \notes\org\doubler\ibl0L0\qb0{LN}\tqb0L\relax + |\doubler\zq g\ql b\sk\itenu1b\itenu2e\zq e\cl +b\relax + |\sixppu iilmnl\relax + &\sixppl lilmnl\relax + &\doubler\ql l\sl\ds\enotes + %\check + \barre % mesure 29 + \notes\org\doubler\ibl0J0\qb0{IK}\tqb0I\relax + |\tten1\tten2\doubler\zql b\cu e\qu +d\cl b\relax + |\sixppu miklmk\relax + &\sixppl mimnom\relax + &\relax\Pause\enotes + %\check + \barre % mesure 30 + \notes\org\doubler\ibl0M0\qb0{LN}\tqb0L\relax + |\doubler\ibl0c0\qb0{be}\tqb0b\relax + |\sixppl lkjklm\relax + &\sixppl nmlmno\relax + &\Pause\enotes + %\check + \barre % mesure 31 + \notes\org\qup I\relax + |\Ibbl0bM5\qb0{bcbaN}\tqb0M\relax + |\doubler\isluru0k\ql k\sk\tslur0i\cl i\relax + &\doubler\ql p\sk\ds\relax + &\Pause\enotes + %\check + \barre % mesure 32 + \notes\org\Pause + |\zmidtwotext{\llap{\bf II}}\doubler\ibl0L0\upz L\qb0L\upz N\qb0 N\upz +L\tqb0L\relax + |\doubler\zq g\qu i\sk\zq g\cu i\relax + &\doubler\ibl0j0\isluru0l\qb0l\tslur0i\qb0i\upz l\tqb0l\relax + &\uptext{\mf}\sixlpl lilmnl\enotes + %\check + \barre % mesure 33 + \notes\org\Pause + |\doubler\ibu0J0\lpz I\qb0I\lpz K\qb0 K\lpz I\tqh0I\relax + |\doubler +\zq f\qu i\sk\zq k\cu i\relax + &\doubler\ibl0j0\isluru0l\qb0l\tslur0k\qb0k\upz m\tqb0m\relax + &\Sixlpl mimnom\enotes + %\check + \barre % mesure 34 + \notes\org\Pause + |\doubler\ibl0L0\upz L\qb0L\upz N\qb0 N\upz +L\tqb0L\relax + |\doubler\zq i\ql l\sk\zq i\cl l\relax + &\doubler\ibl0l0\isluru0n\qb0n\tslur0i\qb0i\upz n\tqb0n\relax + &\sixlpl nmlmno\enotes + %\check + \barre % mesure 35 + \notes\org\Pause + |\doubler\ql b\sk\ds\relax + |\doubler\zql i\Ibu0lk1\qh0l\tqh0k\ds\relax + &\doubler\Ibl0nm1\isluru0n\qb0n\tslur0m\tqb0m\ds\relax + &\doubler\isluru0p\ql p\sk\tslur0i\cl i\ds\enotes + %\check + \barre % mesure 36 + \notes\org\Pause + |\doubler\ql L\sk\ds\relax + |\doubler\zq e\zq g\ql i\sk\ds\relax + &\doubler\ql l\sk\ds\relax + &\Sixlpl ligili\enotes + %\check + \barre % mesure 37 + \notes\org\Pause + |\doubler\ibl0a0\upz c\zq a\qb0c\upz c\zq a\qb0c\upz c\zq a\tqb0c\relax + |\Pause\relax + &\sixlpl ljhjlj\relax + &\threelpl jlo\sk\ds\enotes + %\check + \barre % mesure 38 + \notes\org\Pause + |\doubler\zq M\ql c\sk\ds\relax + |\doubler\qu{=h}\sk\ds\relax + &\threelpl {=h}jm\sk\ds\relax + &\Sixlpl mj{=h}jmj\enotes + %\check + \barre % mesure 39 + \notes\org\Pause + |\doubler\ibl0c0\zq b\upz d\qb0d\zq b\upz d\qb0d\zq b\upz d\tqb0d\relax + |\Pause\relax + &\sixlpl mkikmk\relax + &\threelpl kmp\sk\ds\enotes + %\check + \barre % mesure 40 + \notes\org\Pause + |\doubler\zq N\ql d\sk\ds\relax + |\doubler\qu{=i}\sk\ds\relax + &\threelpl {=i}kn\sk\ds\relax + &\Sixlpl nk{=i}knk\enotes + %\check + \barre % mesure 41 + \notes\org\doubler\qu J\sk\cupz F\relax + |\zmidtwotext{\llap{\bf I}}\doubler\ql c\sk\clpz M\relax + |\doubler\ds\Ibu0gh1\qh0g\tqh0{_h}\relax + &\doubler\isluru0l\ql l\sk\tslur0m\clpz m\relax + &\sixlpl lnlj{_o}m\enotes + %\check + \barre % mesure 42 + \notes\org\doubler\qu I\sk\cupz E\relax + |\doubler + \ql b\sk\clpz L\relax + |\doubler\Ibu0fg2\qh0f\qh0 i\tqh0g\relax + &\doubler\isluru0k\ql k\sk\tslur0j\clpz j\relax + &\sixlpl kmkinl\enotes + %\check + \barre % mesure 43 + \notes\org\doubler\qu H\sk\cupz D\relax + |\doubler + \ql a\sk\clpz K\relax + |\doubler\ds\Ibu0eh1\zq c\qh0e\zq f\tqh0h\relax + &\Ibl0ji5\isluru0j\qb0j\sk\qb0l\sk\nbbl0\qb0h\tslur0i\tqb0i\relax + &\sixlpl jljhmk\enotes + %\check + \barre % mesure 44 + \notes\org\doubler\qu G\sk\cupz C\relax + |\doubler\ql N\sk\clpz J\relax + |\doubler\Ibu0de2\qh0d\qh0g\tqh0e\relax + &\doubler\isluru0i\ql i\sk\tslur0h\cl h\relax + &\sixlpl ikiglj\enotes + %\check + \barre % mesure 45 + \notes\org\doubler\qu F\sk\cupz I\relax + |\doubler\ql M\sk\clpz b\relax + |\doubler\ds\Ibu0cd1\qh0c\tqh0d\relax + &\itenl0h\qu h\sk\sk\sk\Ibbu0hg1\tten0\qh0h\tqh0g\relax + &\sixlpu hjhfki\enotes + %\check + \barre % mesure 46 + \notes\org\doubler\qu E\sk\cupz C\relax + |\doubler\ql L\sk\clpz J\relax + |\doubler\Ibu0dd2\qh0e\qh0N\tqh0e\relax + &\doubler\islurd0g\qu g\sk\tslur0h\cu {=h}\relax + &\sixlpu gigej{=h}\enotes + %\check + \barre % mesure 47 + \notes\org\doubler\qu D\sk\ds\relax + |\doubler\ql K\sk\ds\relax + |\zq c\rq d\qu{^f}\sk\ds\relax + &\doubler\qu {=h}\sk\ds\relax + &\sixlpu {^f}df{=h}kh\enotes + %\check + \barre % mesure 48 + \notes\org\doubler\qu G\sk\ds\relax + |\ql N\sk\ds\doubler\relax + |\doubler\zq {bd}\qu g\sk\ds\relax + &\doubler\qu i\sk\ds\relax + &\sixlpl igiknk\enotes + %\check + \barre % mesure 49 + \notes\org\doubler\qu J\sk\ds\relax + |\doubler\ql c\sk\ds\relax + |\doubler\zq e\qu g\sk\ds\relax + &\doubler\ql j\sk\ds \relax + &\sixlpl ljlnqn\enotes + %\check + \barre % mesure 50 + \notes\org\doubler\qu K\sk\cupz L\relax + |\doubler\ql{=a}\sk\ds\relax + |\doubler\zq d\qu{^f}\sk\zq e\cu g\relax + &\Ibu0hk5\qh0{=h}\sk\nbbu0\bupz0\qh0h\bupz0\qh0i\bupz0\qh0j\bupz0\tqh0k\relax + &\rlap{\sk\sk\sk\sk\itenu0n}\sicl {^m}kn\enotes + %\check + \barre % mesure 51 + \notes\org\doubler\qu J\sk\cupz G\relax + |\doubler\ql c\sk\cupz N\relax + |\doubler + \ibu0g0\lpz g\qh0g\lpz f\qh0{^f}\lpz g\tqh0g\relax + &\doubler\Ibl0lj2\qb0l\qb0k\tqb0j\relax + &\tten0\ibbl0n0\qb0n\tbbl0\qb0{=o}\Pince o\isluru0m\qh0{^m}\sk\sk\tslur0n\tbbl0\tqb0n\enotes + %\check + \barre % mesure 52 + \notes\org\doubler\qu G\sk\ds\relax + |\doubler\ql N\sk\ds\relax + |\doubler\zq {bd}\qu g\sk\ds\relax + &\doubler\qu i\sk\ds\relax + &\sixlpl nknkik\enotes + %\check + \barre % mesure 53 + \notes\org\qup G\relax + |\qlp N\relax + |\sixppu i{=h}gfed\relax + &\advance\transpose 7\relax\sixppl kji{=h}gf\relax + &\doubler\qu g\sk\ds\enotes + %\check + \barre % mesure 54 + \notes\org\doubler\qu E\sk\ds\relax + |\sixppu JKJI{=H}G\relax + |\doubler\qu c\sk\ds\relax + &\advance\transpose 7\relax \threeppl egj\sk\ds\relax + &\Pause\enotes + %\check + \barre % mesure 55 + \notes\org\qup F\relax + |\threeppu {=H}JM\sk\ds\relax + |\sixppu {=h}gfedc\relax + &\advance\transpose 7\relax \sixppl ji{=h}gfe\relax + &\Pause\enotes + %\check + \barre % mesure 56 + \notes\org\doubler\qu D\sk\ds\relax + |\sixppu IJI{=H}GF\relax + |\doubler\qu b\sk\ds\relax + &\advance\transpose 7\relax \threeppl dfi\sk\ds\relax + &\pause\enotes + %\check + \barre % mesure 57 + \notes\org\qup E\relax + |\threeppu GIL\sk\ds\relax + |\sixppu gfedcb\relax + &\advance\transpose 7\relax \sixppl i{=h}gfed\relax + &\Pause\enotes + %\check + \barre % mesure 58 + \notes\org\doubler\qu C\sk\ds\relax + |\sixppu {=H}IHGF{=E}\relax + |\doubler\qu {=a}\sk\ds\relax + &\advance\transpose 7\relax \threeppl c{=e}{=h}\sk\ds\relax + &\Pause\enotes + %\check + \barre % mesure 59 + \notes\org\doubler\qu D\sk\ds\relax + |\threeppu{^F}{=H}K\sk\ds\relax + |\sixppu {^f}{_e}dcb{=a}\relax + &\advance\transpose 7\relax \sixppu{=h}g{^f}{_e}dc\relax + &\Pause\enotes + %\check + \barre % mesure 60 + \notes\org\sicu G{=H}I\relax + |\Ibbl0Nd4\qb0N\qb0{=a}\qb0b\tbbl0\qb0c\tqb0d\sk\relax + |\Ibbu0bd1\qh0b\tqh0d\itenu1g\qu g\relax + &\advance\transpose 7\relax \Ibbl0bd1\qb0b\tqb0d\itenu0g\ql g\relax + &\Pause\enotes + %\check + \barre % mesure 61 + \notes\org\doubler\Ibu0IG2\qh0J\qh0K\tqh0D\relax + |\doubler + \Ibl0eb2\qb0e\zq{=a}\qb0d\zq a\tqb0c\relax + |\tten1\ibbu0g0\qh0g\tbbu0\qh0{=h}\qhp0{^f}\sk\sk\tbbu0\tqh0g\relax + &\advance\transpose 7\relax \tten0\ibbl0g0\qb0g\tbbl0\qb0{=h}\isluru0f\qbp0{^f}\sk\sk\tbbl0\tslur0g\tqb0g\relax + &\Pause\enotes + %\check + \barre % mesure 62 + \notes\org\qup G\relax + |\zqp{=b}\qlp N\relax + |\doubler\qup g\relax + &\relax\advance\transpose 7\relax + \qlp g\relax + &\Pause\enotes + \ifOrgue + \setrightrepeat + \alapage % mesure 63 + \addspace{-\afterruleskip}% + \leftrepeatsymbol + \else + \setleftrightrepeat + \barre % mesure 63 + \fi + \notes\org\triou GIG\relax + |\zmidtwotext{\llap{\bf I}}\triol NbN\relax + |\doubler\zq d\qu g\sk\zq d\cu g\relax + &\fourplpl ikji\relax + &\sixlpl nknopn\enotes + %\check + \barre % mesure 64 + \notes\org\triou JIH\relax + |\triol cba\relax + |\doubler\zq c\zq {=e}\qu g\sk \itenl0c\zq c\cu h\relax + &\doubler\ql n\sk\itenu1 j\cl j\relax + &\Ibl0lh5\qbp0{=l}\sk\sk\nbbl0\qb0{jm}\tqb0h\enotes + %\check + \barre % mesure 65 + \notes\org\triou IJJ\relax + |\triol bcc\relax + |\doubler\tten0\ibu0g0\zq c\qh0g\rq g\qh0f\zq{=e}\tqh0g\relax + &\doubler\tten1\ql j\sk\cl j\relax + &\ibbl0i0\qb0{gmgmg}\tqb0{=l}\enotes + %\check + \barre % mesure 66 + \notes\org\qu F\sk\ds\relax + |\triol MaM\relax + |\doubler\qu h\sk\ds\relax + &\Sixlpl mjmnom\relax + &\doubler\ql m\sk\ds\enotes + %\check + \barre % mesure 67 + \notes\org\Pause + |\doubler\qu I\sk\cu J\relax + |\ibu0i0\zqp h\zqp f\qhp0f\sk\sk\nbbu0\qh0{ij}\tqh0g\relax + &\doubler\ql k\sk\clpz l\relax + &\Pause\enotes + %\check + \barre % mesure 68 + \notes\org\Pause + |\triou HII\relax + |\ibbl0h0\qb0{flflf}\tqb0k\relax + &\triopl mmm\relax + &\Pause\enotes + %\check + \barre % mesure 69 + \notes\org\Pause + |\triopl LNL\relax + |\doubler\ibu0i0\lpz g\zq g\qh0i\lpz g\zq g\qh0i\lpz g\zq g\tqh0i\relax + &\doubler\ql l\sk\clpz l\relax + &\sixlpl lilmnl\enotes + %\check + \barre % mesure 70 + \notes\org\Pause + |\triopl IKI\relax + |\doubler\ibu0i0\lpz d\zq d\zq f\qh0i\lpz d\zq d\zq f\qh0i\lpz +d\zq d\zq f\tqh0i\relax + &\doubler\ql l\sk\clpz m\relax + &\Sixlpl mimnom\enotes + %\check + \barre % mesure 71 + \notes\org\Pause + |\triopl LNL\relax + |\doubler\ibu0k0\lpz g\zq g\zq i\qh0l\lpz g\zq g\zq i\qh0l\lpz +g\zq g\zq i\tqh0l\relax + &\doubler\ql n\sk\clpz n\relax + &\sixlpl nmlmno\enotes + %\check + \barre % mesure 72 + \Notes\org\sl\qsk\pause + |\ql b\sk\ds\relax + |\zql i\Ibu0lk1\qh0l\tqh0k\ds\relax + &\Ibl0nm1\isluru0n\qh0n\tslur0m\tqb0m\ds\relax + &\isluru0p\ql p\sk\tslur0i\cl i\enotes + %\check + \barre % mesure 73 +% + \def\sixllpl#1#2#3#4#5#6{\Ibbl0{#1}{#6}5% +\isluru0{#1}\qb0{#1}\tslur0{#2}\qb0{#2}\isluru0{#3}\qb0{#3}% +\tslur0{#4}\qb0{#4}\upz{#5}\qb0{#5}\upz{#6}\tqb0{#6}}% +% + \def\sixllpu#1#2#3#4#5#6{\Ibbu0{#1}{#6}5% +\islurd0{#1}\qh0{#1}\tslur0{#2}\qh0{#2}\islurd0{#3}\qh0{#3}% +\tslur0{#4}\qh0{#4}\lpz{#5}\qh0{#5}\lpz{#6}\tqh0{#6}}% +% + \def\sixllll#1#2#3#4#5#6{\Ibbl0{#1}{#6}5% +\isluru0{#1}\qb0{#1}\tslur0{#2}\qb0{#2}\isluru0{#3}\qb0{#3}% +\tslur0{#4}\qb0{#4}\isluru0{#5}\qb0{#5}\tslur0{#6}\tqb0{#6}}% +% + \def\sixlllu#1#2#3#4#5#6{\Ibbu0{#1}{#6}5% +\islurd0{#1}\qh0{#1}\tslur0{#2}\qh0{#2}\islurd0{#3}\qh0{#3}% +\tslur0{#4}\qh0{#4}\islurd0{#5}\qh0{#5}\tslur0{#6}\tqh0{#6}}% +% + \notes\org\Pause + |\zmidtwotext{\bf II}\doubler\ql L\sk\ds\relax + |\doubler\zq e\zq g\ql i\sk\ds\relax + &\doubler\ql l\sk\ds\relax + &\uptext{\p}\sixllpl liij{_k}k\enotes + %\check + \barre % mesure 74 + \notes\org\Pause + |\doubler\ibl0a0\upz a\qb0a\upz a\qb0a\upz a\tqb0a\relax + |\doubler\soupir\ibu0e0\lpz c\qh0c\lpz c\zq c\tqh0e\relax + &\sixllpu ihhijj\relax + &\usf m\threell {_k}jj\enotes + %\check + \barre % mesure 75 + \notes\org\Pause + |\doubler\zq M\ql{=a}\sk\ds\relax + |\qu e\sk\ds\relax + &\doubler\ql j\sk\ds\relax + &\sixllpl mjj{=k}ll\enotes + %\check + \barre % mesure 76 + \notes\org\Pause + |\doubler\ibl0b0\upz b\qb0b\upz b\qb0b\upz b\tqb0b\relax + |\doubler\soupir\ibu0f0\lpz d\qh0d\lpz d\zq f\tqh0d\relax + &\sixllpl jiijkk\relax + &\usf m\threell lkk\enotes + %\check + \barre % mesure 77 + \notes\org\Pause + |\doubler\zq N\ql{=b}\sk\ds\relax + |\doubler\qu f\sk\ds\relax + &\doubler\ql k\sk\ds\relax + &\sixllpl nkklmm\enotes + %\check + \barre % mesure 78 + \notes\org\Pause + |\doubler\ibl0c0\upz c\qb0c\upz c\qb0c\upz c\tqb0c\relax + |\doubler\soupir\ibu0g0\lpz e\qh0e\lpz e\zq e\tqh0g\relax + &\sixllpl kjjkll\relax + &\usf n\threell mll\enotes + %\check + \barre % mesure 79 + \notes\org\Pause + |\doubler\zq a\ql c\sk\ds\relax + |\doubler\qu {_g}\sk\ds\relax + &\doubler\ql l\sk\ds\relax + &\sixllpl ollm{_n}n\enotes + %\check + \barre % mesure 80 + \notes\org\Pause + |\doubler\ibl0d0\upz d\qb0{_d}\upz d\qb0d\upz d\tqb0d\relax + |\doubler\soupir\ibu0h0\lpz f\qh0f\lpz f\zq h\tqh0f\relax + &\sixllpl l{_k}klmm\relax + &\sixlpl {_n}mm{=n}op\enotes + %\check + \barre % mesure 81 + \notes\org\doubler\soupir\sk\cu J\relax + |\doubler\ust e\ql e\sk\zmidtwotext{\bf I}\clpz c\relax + |\doubler\lst g\qu g\sk\zq h\upz l\ql l\relax + &\doubler\ql l\sk\clpz o\relax + &\ibbl0k0\isluru0k\qb0{_k}\qb0j\tslur0k\qb0k\upz m\qb0m\upz l\qh0l\upz k\tqb0k\enotes + %\check + \barre % mesure 82 + \notes\org\triopl {_K}LE\relax + |\triopl {_d}eL\relax + |\doubler\Ibu0ki2\zq f\qh0m\zq i\qh0l\zq i\tqh0{_k}\relax + &\triopl oon\relax + &\uptext{\f}% + \Ibbl0in1\isluru0j\qb0j\tslur0o\tqb0o\Ibl0ih3\Pince m\isluru0i\qbp0i\sk\sk\tslur0h\tbbl0\tqb0h\enotes + %\check + \barre % mesure 83 + \notes\org\triopu HJH\relax + |\triopl aca\relax + |\zq h\sixppu jehijh\relax + &\ifx\Quer\undefined \advance\transpose 7\fi\sixppl hehijh\relax + &\relax\doubler\qu h\sk\ds\enotes + %\check + \barre % mesure 84 + \notes\org\triopu EGE\relax + |\triopu LNL\relax + |%\rlap{\roff{\ql h}\sk\ql g}% + \sixppu ieij{_k}i\relax + &\ifx\Quer\undefined \advance\transpose 7\fi\Sixppl ieij{_k}i\relax + &\Pause\enotes + %\check + \barre % mesure 85 + \notes\org\doubler\qu H\sk\cupz H\relax + |\doubler\ql a\sk\clpz a\relax + |\sixppu hgfghi\relax + &\ifx\Quer\undefined \advance\transpose 7\fi\sixppl jihij{=k}\relax + &\Pause\enotes + %\check + \barre % mesure 86 + \Notes\org\qup E\relax + |\qlp L\relax + |\zq g\qu i\sk\cu e\relax + &\ifx\Quer\undefined \advance\transpose 7\fi\isluru0l\ql l\sk\tslur0e\cl e\relax + &\sk\qsk\pause\enotes + %\check + \barre % mesure 87 + \notes\org\qup J\relax + |\doubler\qlp c\sk\zmidtwotext{\bf II}\relax + |\zqp e\zqp h\qlp l\relax + &\ifx\Quer\undefined \advance\transpose 7\fi\qlp h\relax + &\sixlpl ljhjlh\enotes + %\check + \barre % mesure 88 + \notes\org\Pause + |\doubler\ibl0L0\zq {_K}\upz a\qb0a\zq K\upz a\qb0a\zq K\upz a\tqb0a\relax + |\Pause\relax + &\sixlpl om{_k}mom\relax + &\doubler\ql m\sk\ds\enotes + %\check + \barre % mesure 89 + \notes\org\Pause + |\doubler\zq I\ql a\sk\ds\relax + |\doubler\ql i\sk\ds\relax + &\doubler\ql{=k}\sk\ds\relax + &\sixlpl mkikmi\enotes + %\check + \barre % mesure 90 + \notes\org\Pause + |\doubler\ibl0L0\zq L\upz N\qb0N\zq L\upz N\qb0N\zq L\upz N\tqb0N\relax + |\Pause\relax + &\sixlpl pnlnpn\relax + &\doubler\ql n\sk\ds\enotes + %\check + \barre % mesure 91 + \notes\org\Pause + |\doubler\zq J\ql N\sk\ds\relax + |\doubler\ql j\sk\ds\relax + &\doubler\ql{=l}\sk\ds\relax + &\sixlpl n{=l}jlnj\enotes + %\check + \barre % mesure 92 + \notes\org\Pause + |\doubler\isluru0a\Ibbl0Ma2\zq M\qb0a\zq N\qb0 b\tslur0c\zq +a\tqb0c\relax + |\rlap{\triol f{=e}f}\Ibu0jg5\qhp0j\sk\sk\nbbu0\qh0i\qh0h\tqh0g\relax + &\ifx\Quer\undefined \advance\transpose 7\fi\Ibl0jg5\qbp0j\sk\sk\nbbl0\qb0i\qb0h\tqb0g\relax + &\Ibl0ol5\isluru0o\qbp0o\sk\sk\nbbl0\qb0n\qb0m\tslur0l\tqb0{=l}\enotes + %\check + \barre % mesure 93 + \notes\org\Pause + |\doubler\Ibl0bK2\lq b\qb0c\qb0c\zq b\tqb0J\relax + |\zcl f\Ibbu0hj4\qh0h\tbbu0\qh0i\zql{=e}\qh0g\sk\tqh0j\relax + &\Ibbl0oq4\qb0o\tbbl0\qb0p\qb0n\sk\tqb0q\relax + &\ibbl0m0\isluru0m\qb0m\tslur0n\tbbl0\qb0n\Pince n\isluru0l\qbp0{=l}\sk\sk\tbbl0\tslur0m\tqb0m\enotes + %\check + \barre % mesure 94 + \notes\org\triopu MFF\relax + |\zmidtwotext{\bf I}\triopl aMM\relax + |\sixlpu jhfhjf\relax + &\ifx\Quer\undefined \advance\transpose 7\fi\sixppl jhfhjf\relax + &\doubler\ql m\sk\ds\enotes + %\check + \barre % mesure 95 + \notes\org\qup I\relax + |\triopl bbb\relax + |\doubler\ql {_k}\sk\ds\relax + &\ifx\Quer\undefined \advance\transpose 7\fi\ql{_k}\sk\ds\relax + &\sixlpl m{_k}ikmi\enotes + %\check + \barre % mesure 96 + \notes\org\triopu EEE\relax + |\qup L\relax + |\sixlpu igegie\relax + &\ifx\Quer\undefined \advance\transpose 7\fi\sixppl igegie\relax + &\doubler\ql n\sk\ds\enotes + %\check + \barre % mesure 97 + \notes\org\qup H\relax + |\triopl aaa\relax + |\doubler\ql j\sk\ds\relax + &\ifx\Quer\undefined \advance\transpose 7\fi\ql j\sk\ds\relax + &\sixlpl ljhjlh\enotes + %\check + \barre % mesure 98 + \notes\org\triopu {_D}DD\relax + |\qup {_K}\relax + |\sixlpu hf{_d}fhd\relax + &\ifx\Quer\undefined \advance\transpose 7\fi\sixppl hf{_d}fhd\relax + &\doubler\ql m\sk\ds\enotes + %\check + \barre % mesure 99 + \notes\org\qup G\relax + |\triopl NNN\relax + |\doubler\ql i\sk\ds\relax + &\ifx\Quer\undefined \advance\transpose 7\fi\ql i\sk\ds\relax + &\sixlpl {_k}igikg\enotes + %\check + \barre % mesure 100 + \notes\org\triopu CCC\relax + |\qup J\relax + |\sixlpu g{=e}cegc\relax + &\ifx\Quer\undefined \advance\transpose 7\fi\sixppl g{=e}cegc\relax + &\doubler\ql n\sk\ds\enotes + %\check + \barre % mesure 101 + \notes\org\triopu FFF\relax + |\zqup c\triopl MMM\relax + |\islurd0h\Ibbu0he5\qh0{hihgf}\tslur0e\tqh0e\relax + &\ifx\Quer\undefined \advance\transpose 7\relax\isluru0h\Ibbl0he5\qb0{hihgf}\tslur0e\tqb0e\relax + \else\isluru0h\Ibbu0he5\qh0{hihgf}\tslur0e\tqh0e\fi + &\isluru0m\Ibbl0mj5\qb0{mnml=k}\tslur0j\tqb0j\enotes + %\check + \barre % mesure 102 + \notes\org\doubler\qu G\sk\ds\relax + |\doubler\zql +N\cu{=b}\sk\ds\relax + |\doubler\ibu0g0\qh0d\rq g\zq d\qh0f\rq g\zq d\tqh0f\relax + &\doubler\ifx\Quer\undefined \Ibu0ki2\qh0k\else\Ibu0gi2\qh0d\fi\qh0{=i}\tqh0i\relax + &\ibbu0h0\rlap{\sl\islurd0g}\qh0{=igigi}\tslur0g\tqh0g\enotes + %\check + \barre % mesure 103 + \notes\org\doubler\qu J\sk\cu{=I}\relax + |\doubler\ql c\sk\cl{=b}\relax + |\doubler\ibu0g0\zq +e\qh0g\zq e\qh0g\zq d\tqh0 g\relax + &\triopl jjk\relax + &\ibbl0i0\isluru0j\qb0{jgjgk}\tslur0j\tqb0g\enotes + %\check + \barre % mesure 104 + \notes\org\sicu J{_I}H\relax + |\sicl c{_b}a\relax + |\doubler\ibu0i0\zq e\zq j\qh0g\zq e\zq j\qh0g\zq +f\zq j\tqh0h\relax + &\triopl llm\relax + &\ibbl0i0\isluru0l\qb0{lglgm}\tslur0l\tqb0h\enotes + %\check + \barre % mesure 105 + \notes\org\doubler\qu G\sk\cupz J\relax + |\doubler\ql N\sk\clpz c\relax + |\doubler\ibl0h0\zq +g\zq{=i}\qb0m\zq{gi}\qb0k\zq h\tqb0j\relax + &\Ibl0nk4\isluru0n\qbp0n\sk\sk\nbbl0\qb0{ml}\tslur0k\tqb0k\relax + &\Ibl0nk4\isluru0n\qbp0n\sk\sk\nbbl0\qb0{ml}\tslur0k\tqb0k\enotes + %\check + \barre % mesure 106 + \notes\org\triopu MNG\relax + |\triopl ffN\relax + |\doubler\zq h\cl j\zql g\Ibu0ji1\qh0j\tqh0{=i}\relax + &\isluru0l\Ibbl0lm1\qb0l\tslur0m\tqb0m\ql k\relax + &\Ibbl0lj5\isluru0l\qb0l\tslur0m\tbbl0\qb0m\isluru0k\Pince n\qbp0k\sk\sk\tslur0j\tbbl0\tqb0j\enotes + %\check + \barre % mesure 107 + \notes\org\qup J\relax + |\triopl eec\relax + |\doubler\ql j\sk\ds\relax + &\sixppu jgjklj\relax + &\doubler\ql j\sk\ds\enotes + %\check + \barre % mesure 108 + \notes\org\qup G\relax + |\qlp N\relax + |\doubler\cl j\ql{=i}\relax + &\sixppu kgklmk\relax + &\Pause\enotes + %\check + \barre % mesure 109 + \notes\org\qup J\relax + |\doubler\Ibl0ec2\zq e\qb0g\zq d\qb0f\zq c\tqb0e\relax + |\sixppl j{=i}jklm\relax + &\sixppl lklmno\relax + &\Pause\enotes + %\check + \barre % mesure 110 + \notes\org\qup G\relax + |\sixppl NaNMLK\relax + |\doubler\zqlp d\qu {=i}\sk\cu g\relax + &\doubler\isluru0n\ql n\sk\tslur0h\cu g\relax + &\Pause\enotes + %\check + \barre % mesure 111 + \notes\org\doubler\qu J\sk\ds\relax + |\doubler\ql c\sk\ds\relax + |\doubler\ibl0h0\zq g\upz j\qb0j\upz +j\qb0j\upz g\tqb0g\relax + &\triopl ljn\relax + &\uptext{\mf}\sixppl nmlkji\enotes + %\check + \barre % mesure 112 + \notes\org\qup F\relax + |\sixppl MNMLKJ\relax + |\sixppu hihgfe\relax + &\sixppl oponml\relax + &\threell hjm\sk\ds\enotes + %\check + \barre % mesure 113 + \notes\org\doubler\qu I\sk\ds\relax + |\doubler\ql b\sk\ds\relax + |\threelu dfi\sk\ds\relax + &\threell kmp\sk\ds\relax + &\sixppl mlkjih\enotes + %\check + \barre % mesure 114 + \notes\org\qup E\relax + |\sixppl LMLKJI\relax + |\sixppu ghgfed\relax + &\sixppl nonmlk\relax + &\threell gil\sk\ds\enotes + %\check + \barre % mesure 115 + \notes\org\doubler\qu H\sk\ds\relax + |\doubler\ql a\sk\ds\relax + |\threelu ceh\sk\ds\relax + &\threell jlo\sk\ds\relax + &\sixppl lkjihg\enotes + %\check + \barre % mesure 116 + \notes\org\doubler\qup D\relax + |\sixppl KLKJIH\relax + |\sixppu fgfedc\relax + &\sixppl mnmlkj\relax + &\threell fhk\sk\ds\enotes + %\check + \barre % mesure 117 + \notes\org\doubler\qu G\sk\ds\relax + |\doubler\ql N\sk\ds\relax + |\threelu {=b}dg\sk\ds\relax + &\threell {=i}kn\sk\ds\relax + &\sixppl kj{=i}hgf\enotes + %\check + \barre % mesure 118 + \notes\org\sicu JKL\relax + |\doubler\zq N\cl c\soupir\relax + |\Ibbu0eg4\lpz e\qh0e\lpz +d\qh0d\lpz e\qh0 e\lpz f\tbbu0\qh0f\lpz g\tqh0g\relax + &\advance\transpose 7\relax\Ibbl0eg4\upz e\qb0e\upz +d\qb0d\upz e\qb0 e\upz f\tbbl0\qb0f\upz g\tqb0g\relax + &\islurd0e\Ibbu0eg1\qh0e\tslur0g\tqh0g\itenu0j\ql j\enotes + %\check + \barre % mesure 119 + \notes\org\triopu MNG\relax + |\triopl c{=b}N\relax + |\doubler\Ibu0hf2\lpz e\zq e\qh0h\lpz +d\zq d\qh0g\lpz d\zq d\tqh0f\relax + &\triopl onm\relax + &\tten0\ibbl0j0\isluru0j\qb0j\tslur0k\tbbl0\qb0k\Pince n\isluru0i\qlp{=i}\sk\sk\tbbl0\tslur0j\tqb0j\enotes + %\check + \barre % mesure 120 + \notes\org\doubler\qu J\sk\cupz I\relax + |\doubler\ql N\sk\ds\relax + |\doubler\zq c\qu e\sk\ds\relax + &\doubler\ql l\sk\ds\relax + &\sixllll joonnm\enotes + %\check + \barre % mesure 121 + \notes\org\doubler\qu H\sk\cupz F\relax + |\doubler\ql a\sk\clpz M\relax + |\triou cff\relax + &\sixlllu fjkjj{=i}\relax + &\Ibl0mk5\qb0{mm}\isluru0m\qb0m\tslur0l\qb0l\isluru0l\qh0l\tslur0k\tqb0k\enotes + %\check + \barre % mesure 122 + \notes\org\qup G\relax + |\doubler\ql N\sk\clpz N\relax + |\doubler\ibu0f0\zq d\qh0f\rq f\zq d\qh0g\rq f\zq d\tqh0g\relax + &\triopu {=i}ii\relax + &\Ibbl0ih5\qb0{kg=igi}\tqb0g\enotes + %\check + \barre % mesure 123 + \notes\org\doubler\qu J\sk\cupz{=I}\relax + |\doubler\ql c\sk\clpz {=b}\relax + |\doubler\ibu0f0\zq e\qh0g\zq e\qh0g\zq d\tqh0g\relax + &\triopl jjk\relax + &\Ibbl0hi5\qb0{jgjgk}\tqb0g\enotes + %\check + \barre % mesure 124 + \notes\org\sicu J{_I}H\relax + |\doubler\ql c\sk\clpz a\relax + |\doubler\ibu0h0\zq {eg}\qh0j\zq {eg}\qh0j\zq {fh}\tqh0j\relax + &\triopl llm\relax + &\Ibbl0hi5\qb0{lglgm}\tqb0h\enotes + %\check + \barre % mesure 125 + \notes\org\doubler\qu G\sk\cupz H\relax + |\doubler\cl N\sk\clpz c\relax + |\doubler\ibl0h0\zq{m=i}\qb0g\zq{ki}\qb0g\tqb0j\relax + &\Ibl0nk5\isluru0n\qbp0n\sk\sk\nbbl0\qb0{ml}\tslur0k\tqb0k\relax + &\Ibl0nk5\isluru0n\qbp0n\sk\sk\nbbl0\qb0{ml}\tslur0k\tqb0k\enotes + %\check + \barre % mesure 126 + \notes\org\triopu FGG\relax + |\doubler\ql a\qu d\zq N\cl N\relax + |\doubler\zq j\cl h\zql f\Ibu0ji1\qh0j\tqh0{=i}\relax + &\Ibbl0lm1\qb0l\tqb0m\ql k\relax + &\isluru0l\Ibbl0lj5\qb0l\tslur0q\tbbl0\qb0q\Pince n\isluru0k\qbp0k\sk\sk\tbbl0\tslur0j\tqb0j\enotes + \setvoltabox{1}%\check + \barre % mesure 127 + \Notes\org\qu J\sk\ds\relax + |\ql c\sk\ds\relax + |\zq e\zq g\qu j\sk\ds\relax + &\ql j\sk\ds\relax + &\ql j\sk\ds\enotes + \endvoltabox + \nspace +\setrightrepeat + \setvoltabox{2}\setrightrepeat%\check + \barre % mesure 128 + \NOtes\org\qup J\relax + |\qlp c\relax + |\zqp e\zqp g\qup j\relax + &\qlp j\relax + &\qlp j\enotes + \endvoltabox +\ifOrgue \advance\mulooseness -1\relax +\else \advance\mulooseness 1\relax +\fi +\finmorceau + +\bye + diff --git a/macros/generic/musixtex/doc/examples/marconf.tex b/macros/generic/musixtex/doc/examples/marconf.tex new file mode 100644 index 0000000000..048ab60276 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/marconf.tex @@ -0,0 +1,21 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi +\newif\ifOrgue +\Orguefalse +\newif\ifFlute +\Flutetrue +\newif\ifOboe +\Oboefalse +%\def\Quer{z} % define Querfl\"ote +% +% +\input marcon1.tex +\eject +\input marcon2.tex +\eject +\input marcon3.tex +\bye + diff --git a/macros/generic/musixtex/doc/examples/marconh.tex b/macros/generic/musixtex/doc/examples/marconh.tex new file mode 100644 index 0000000000..fa7aa31533 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/marconh.tex @@ -0,0 +1,20 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi +\newif\ifOrgue +\Orguefalse +\newif\ifFlute +\Flutefalse +\newif\ifOboe +\Oboetrue +%\def\Quer{z} % define Querfl\"ote +% +\input marcon1.tex +\eject +\input marcon2.tex +\eject +\input marcon3.tex +\bye + diff --git a/macros/generic/musixtex/doc/examples/marcono.tex b/macros/generic/musixtex/doc/examples/marcono.tex new file mode 100644 index 0000000000..eb28d9a12e --- /dev/null +++ b/macros/generic/musixtex/doc/examples/marcono.tex @@ -0,0 +1,19 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi +\newif\ifOrgue +\Orguetrue +\newif\ifFlute +\Flutefalse +\newif\ifOboe +\Oboefalse +%\def\Quer{z} % define Querfl\"ote +% +\input marcon1.tex +\eject +\input marcon2.tex +\eject +\input marcon3.tex +\bye diff --git a/macros/generic/musixtex/doc/examples/musixdbrexample.tex b/macros/generic/musixtex/doc/examples/musixdbrexample.tex new file mode 100644 index 0000000000..94bd968e56 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/musixdbrexample.tex @@ -0,0 +1,52 @@ +\input musixtex +\input musixdbr + +\instrumentnumber4 \setstaffs23 \setstaffs32 \setlines14 +\setsize2\tinyvalue +\indivbarrules + +\startpiece + % normal barlines + \bar + % separate instrument 2 from 1 + \sepbarrule2\bar + % barlines on staves + \allbarrules\sepbarrule + \allbarrules\sepmultibarrule + \allbarrules\showbarrule + \bar + % barlines between staves + \allbarrules\conbarrule + \allbarrules\conmultibarrule + \allbarrules\hidebarrule + \bar + % dashed barlines on staves + \allbarrules\sepbarrule + \allbarrules\sepmultibarrule + \allbarrules\showdashbarrule + \bar + % dashed barlines between staves + \allbarrules\condashbarrule + \allbarrules\condashmultibarrule + \allbarrules\hidebarrule + \bar + % dotted barlines on staves + \allbarrules\sepbarrule + \allbarrules\sepmultibarrule + \allbarrules\showdotbarrule + \bar + % dotted barlines between staves + \allbarrules\condotbarrule + \allbarrules\condotmultibarrule + \allbarrules\hidebarrule + \bar + % a wild mixture of all + \showdotbarrule1\hidebarrule2\showdashbarrule3\showbarrule4% + \condashbarrule2\conbarrule3\condotbarrule4% + \condashmultibarrule2\sepmultibarrule3% + \bar + % conventional ending + \allbarrules\showbarrule + \allbarrules\conbarrule + \allbarrules\conmultibarrule +\Endpiece \bye diff --git a/macros/generic/musixtex/doc/examples/onuitbri.tex b/macros/generic/musixtex/doc/examples/onuitbri.tex new file mode 100644 index 0000000000..55bc22b61c --- /dev/null +++ b/macros/generic/musixtex/doc/examples/onuitbri.tex @@ -0,0 +1,25 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi + +\advance\staffbotmarg by 2\Interligne +\barsinline=0\relax\linesinpage=0\relax +\def\Transpose{0}% +\def\Signature{3}\relax % trois diezes a la clef +\input onuitbrx +\barsinline=0\relax\linesinpage=0\relax +\def\Transpose{1}\relax +\def\Signature{-2}\relax % deux diezes a la clef +\input onuitbrx +\barsinline=0\relax\linesinpage=0\relax +\def\Transpose{2}\relax +\def\Signature{0}\relax % un bemol a la clef +\input onuitbrx +\barsinline=0\relax\linesinpage=0\relax +\def\Transpose{-1}\relax +\def\Signature{1}\relax % un bemol a la clef +\input onuitbrx +\bye + diff --git a/macros/generic/musixtex/doc/examples/onuitbrr.tex b/macros/generic/musixtex/doc/examples/onuitbrr.tex new file mode 100644 index 0000000000..2a07b1c619 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/onuitbrr.tex @@ -0,0 +1,12 @@ +% + +% +\def\Transpose{0}% +\def\Signature{3}\relax % trois diezes a la clef +\input onuitbrx +\signaturegenerale{1}\savesignature\barsinline=0\relax\linesinpage=0\relax +\def\Transpose{-1}\relax +\def\Signature{1}\relax % un dieze a la clef +\input onuitbrx +\bye + diff --git a/macros/generic/musixtex/doc/examples/onuitbrx.tex b/macros/generic/musixtex/doc/examples/onuitbrx.tex new file mode 100644 index 0000000000..b18ba5f25e --- /dev/null +++ b/macros/generic/musixtex/doc/examples/onuitbrx.tex @@ -0,0 +1,174 @@ +\fulltitle{\^O nuit brillante} +\shorttitle{\^O nuit brillante} + \fullauthor{No\"el ancien\\Musique A. Sala\\Texte J. Bovet\\Transposition +Daniel Taupin} + \othermention{Paroisse de Gif-sur-Yvette\\Transposition \`a usage +priv\'e} + \shortauthor{Traditionnel -- A. Sala} + \maketitle + % +\tracingstats=1\relax +\relativeaccidentals +\sepbarrules + % +\parindent 15mm + % soufflets crescendo et decrescendo + % +\def\soufflcr#1{\zcharnote{#1}{\kern -0.5cm\cresc}}% +\def\Soufflcr#1{\zcharnote{#1}{\kern -0.5cm\CResc}}% + % +\def\souffldim#1{\zcharnote{#1}{\kern -0.5cm\dimin}}% +\def\Souffldim#1{\zcharnote{#1}{\kern -0.5cm\DImin}}% + % + %\check +\def\nbinstruments{2}\resetsignatures +\global\nbporteesi=1\relax +\global\nbporteesii=1\relax +\global\cleftoksi={{6}{0}{0}{0}}% +\global\cleftoksii={{0}{0}{0}{0}}% +\songbottom{1} % to be used to make heavy bars at staff left +\songtop{2} % to be used to make heavy bars at staff left + % +\signaturegenerale{\Signature}% +\generalmeter{\meterfrac68} + %\check +\def\interfacteur{18}% +\def\instrumenti{\vbox{\hsize=\parindent +\centerline{T\'enors}\centerline{basses}}}% +\def\instrumentii{\vbox{\hsize=\parindent +\centerline{Sopran.}\centerline{Altos}}}% + %\check + % +\def\eightpoint{\Tenpoint}% + %\check +\catcode`\@=13 +\catcodesmusic + % +\def\respire{\notes&\cbreath\enotes}% + % +\def\txt#1|#2&{{\vbox to 0pt{\Smalltype\baselineskip 9pt +\vss\hrule width 9pt height 0pt +\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote + #2\kern\internote}\smallskip +\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote + #1\kern\internote}\kern -6pt}}}% + % +\elemskip 20pt\relax +\debutmorceau + %\autolines 754\relax +\transpose=\Transpose +\znotes&\Uptext{\moyen Lent}\enotes + % +\znotes\zcharnote {-3}{\ppff p}&\zcharnote{10}{\ppff p}\enotes +\qspace +\NOtes\zqlp M\qup a&\hsong{\^O}\zqlp c\qup f\enotes +\notes\zql L\qu b\sk&\zsong{nuit }\zql e\Ibu0gf1\qh0g\tqh0f\enotes +\notes\zcl L\cu b&\hsong{bri-}\zcl e\cu g\enotes + % + \barre + \Notes\islurd0J\zql J\isluru1c\qu c&\hsong{lan-}\zqlp e\isluru2h\qu h\enotes + \notes\tslur0L\tslur1b\zcl L\cu b&\hsong{--}\tslur2g\cu g\enotes + \Notes\zql M\qu a&\hsong{te}\zql c\qu f\enotes + \notes\ds&\ds\enotes + % + \barre + \Notes\zql K\qu d&\hsong{Nuit }\zql f\qu h\enotes + \notes\zcl L\cu b&\hsong{de }\zcl e\cu g\enotes + \notes\zcl M\cu a&\hsong{vi-}\zcl c\cu f\enotes + \notes\zcl N\cu N&\hsong{ve }\zcl b\cu e\enotes + \hardlyrics{\kern -4pt splen-}\notes\zcl L\cu b&\hsong\thelyrics\zcl e\cu g\enotes + % + \barre + \NOtes\itenl0M\itenu1a\zqlp M\qup a&\hsong{deur.}\itenl2c\itenu3f\zqlp c\qup f\enotes + \Notes\tten0\tten1\zql M\qu a&\hsong{--}\tten2\tten3\zql c\qu f\enotes + \notes\ds&\ds\enotes + % + \barre + \Notes\zql M\qu a&\hsong{Ta }\zql c\qu f\enotes + \notes\zcl M\cu b&\Soufflcr q\hsong{lu-}\zcl e\cu g\enotes + \hardlyrics{\kern -4pt mi\`ere }\notes\zcl M\cu c&\hsong\thelyrics\zcl f\cu h\enotes + \notes\zcl M\cu d&\hsong{\'e-}\zcl g\cu i\enotes + \notes\zcl M\cu e&\hsong{cla-}\zcl h\cu j\enotes + % + \barre + \Notes\islurd0I\zql I\isluru1d\qu d&\roff{\Souffldim q}\hsong{tan-}\zqlp f\isluru2i\qu i\enotes + \notes\tslur0K\tslur1c\zcl I\cu c&\hsong{--}\tslur2g\cu h\enotes + \Notes\zql L\qu b&\hsong{te}\zql e\qu g\enotes + \notes\ds&\ds\enotes + % + \barre + \Notes\zql H\qu c&\hsong{Fait }\zql e\qu h\enotes + \notes\zcl L\cu b&\hsong{le }\zcl e\cu g\enotes + \hardlyrics{jour }\notes\zcl M\cu a&\hsong\thelyrics\zcl c\cu f\enotes + \hardlyrics{dans }\notes\zcl N\cu N&\hsong\thelyrics\zcl b\cu e\enotes + \notes\zcl L\cu b&\zsong{mon }\zcl e\cu g\enotes + % + \barre + \NOtes\itenl0M\itenu1a\zqlp M\qup a&\hsong{c\oe ur.}\itenl2c\itenu3f\zqlp c\qup f\enotes + \notes\tten0\tten1\zql M\qu a&\hsong{--}\tten2\tten3\zql c\qu f\enotes + \notes&\uptext{\sl FIN}\enotes + \setdoublebar + \barre + \znotes\zcharnote {-3}{\ppff f}&\zcharnote{10}{\ppff f}\enotes + \qspace + \notes\zcl a\cu e&\hsong{\txt Mer-|\'E-&}\zcl h\cu +j\enotes + % + \barre + \NOtes\zqlp a\zqup e&\hsong{\txt veil-|toi-&}\zqlp h\qup j\enotes + \notes\zql L\qu e&\hsong{\txt le !|les !&}\zql g\qu i\enotes + \respire + \notes\zcl L\cu e&\hsong{\txt Mer-|\'E-&}\zcl g\cu j\enotes + % + \barre + \Notes\zqlp M\qup c&\hsong{\txt veil-|toi-&}\zqlp f\isluru2i\qu i\enotes + \notes&\hsong{--}\tslur2h\cu h\enotes + \Notes\zql J\qu c&\hsong{\txt le !|les !&}\zql e\qu g\enotes + \notes\ds&\ds\enotes + % + \barre + \hardlyrics{\txt Gloire |res-&}\notes\zcl M\cu M&\hsong\thelyrics\zcl c\cu h\enotes + \notes\roff{\zcl M}\cu N&\hsong{\txt au |plen-&}\zcl c\cu g\enotes + \notes\zcl M\cu a&\hsong{\txt plus |dis-&}\zcl c\cu f\enotes + \Notes\zql K\qu a&\hsong{\txt Haut |sez &}\zql f\qu h\enotes + \notes\zcl K\cu a&\hsong{\txt des |sur &}\zcl f\cu i\enotes + \barre + \NOtes\itenl0H\itenu1a\zqlp H\qup a&\hsong{\txt cieux !|Lui +!&}\itenl2e\itenu3j\zqlp e\qup j\enotes + \Notes\tten0\tten1\zql H\qu a&\hsong{--}\tten2\tten3\zql e\qu j\enotes + \respire + \notes\zcl a\cu e&\hsong{\txt De-|Un &}\zcl h\cu j\enotes + % + \barre + \Notes\zqlp a\zqup e&\hsong{\txt bout, |Dieu &}\zqlp h\qup j\enotes + \hardlyrics{\txt qu'on |sous &}\notes\zcl a\cu e&\hsong\thelyrics\zcl h\cu +j\enotes + \hardlyrics{\txt se |d'hum-&}\notes\zql L\qu e&\hsong\thelyrics\zql g\qu +i\enotes + \notes\zcl L\cu d&\hsong{\txt r\'e-|bles &}\zcl g\cu j\enotes + % + \barre + \Notes\zqlp M\qup c&\hsong{\txt veil-|voi-&}\zqlp f\isluru2i\qu i\enotes + \notes&\hsong{--}\tslur2h\cu h\enotes + \Notes\zql J\qu c&\hsong{\txt le !|les !&}\zql e\qu g\enotes + \notes\ds&\ds\enotes + % + \barre + \Notes\zcharnote {-3}{\ppff p}\zql M\qu a&\zcharnote{10}{\ppff p}\hsong{\txt +Paix |Vient &}\zql c\qu h\enotes + \notes\zcl M\cu a&\Soufflcr q\hsong{\txt sur |\`a &}\zcl c\cu h\enotes + \notes\roff{\itenl0M\zqlp M}\cu N&\hsong{\kern -4pt\txt terre |nous &}\zcl d\cu i\enotes + \notes\cu a&\hsong{\txt en |cet-&}\zcl d\cu h\enotes + \notes\cu b&\hsong{\txt tous |te &}\zcl d\cu g\enotes + % + \barre + \notes\roff{\tten0\zcl M}\itenu1 N\qup N\cl L\cl K&\zsong{\txt + lieux.|nuit.&}\itenl2c\itenl3g\itenu4j\zqlp c\zqp g\qup j\Souffldim q\enotes + \Notes\zql J\tten1\zqu N&\hsong{---}\tten2\tten3\tten4\zql c\zq g\qu j\enotes + \NOtes\ds&\uptext{\kern -3\Internote\it au refrain}\ds\enotes + \finmorceau +\medskip\rightline{\it le \aujourdhui} +\absoluteaccidentals +\vfil\eject + +\endinput diff --git a/macros/generic/musixtex/doc/examples/ossiaexa.tex b/macros/generic/musixtex/doc/examples/ossiaexa.tex new file mode 100644 index 0000000000..4a5da5b12b --- /dev/null +++ b/macros/generic/musixtex/doc/examples/ossiaexa.tex @@ -0,0 +1,30 @@ +\input musixtex +\startmuflex +\hsize70mm +\def\xnum#1#2#3{\off{#1\elemskip}\zcharnote{#2}{\smalltype\it #3}% +\off{-#1\elemskip}}% +\newbox\ornamentbox +\setbox\ornamentbox=\hbox to 0pt{\kern-4pt\vbox{\hsize=2.6cm% +\nostartrule\smallmusicsize\setsize1{\smallvalue}\setclefsymbol1\empty% +\startpiece\addspace{2pt}% +\notes\ibbbl2{'c}0\qb2b\qb2c\qb2d\tbbbl2\qb2c\en% +\notes\xnum{1.15}{'e}3\qb2d\qb2c\tbl2\qb2d\en% +\notes\ibl2{'c}1\usf e\qb2c\en% +\notes\tbl2\qb2{'d}\en% +\zstoppiece% +}\hss} +\normalmusicsize\nopagenumbers +\def\nbinstruments{1}% +\setstaffs12\setclef1{60}% +\generalsignature{-2}\generalmeter{\meterfrac{3}{4}}% +\parindent 0pt% +\stafftopmarg0pt\staffbotmarg5\Interligne\interstaff{10}\relax +\startpiece\addspace\afterruleskip% +\notes\ibl1{'G}{-1}\qb1G\sk\bigna F\tbl1\qb1F|% +\ibbl2{'b}0\qb2b\qb2a\qb2b\tbl2\qb2c\en% +\notes\hl{'E}\bsk\raise6\internote\ds\ibu3{G}1\bigsh F% +\qb3F\qb3G\tbu3\qb3{'A}|\zcharnote{10}{\copy\ornamentbox}\qlp{'c}\sk\sk% +\cl d\en% +\endpiece +\vfill\eject\endmuflex +\bye diff --git a/macros/generic/musixtex/doc/examples/ostinato.tex b/macros/generic/musixtex/doc/examples/ostinato.tex new file mode 100644 index 0000000000..46feebddc1 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/ostinato.tex @@ -0,0 +1,450 @@ +\title{Adagio con basso ostinato} +\fulltitle{VIII. \titremorceau} +\csname titremorceautoc\endcsname +\subtitle{(pour orgue)} +\author{Daniel TAUPIN} +\shortauthor{D. Taupin} + +\othermention{Compos\'e en 1992\vrule width 0pt depth 3mm\\G.O.: fonds 8' ou +8'+4' doux\\R\'ec.: cornet ou cromorne\\P\'ed.: 16', tirasse G.O.}% + +\maketitle + +% formes frequentes +% deux croches hautes +\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}} +\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}} +\def\pzqu#1{\lpz{#1}\qu{#1}}% +\def\pzql#1{\upz{#1}\ql{#1}}% +% +\parindent 18mm +% +\tracingstats=2\relax +% +\nbporteesii=1\relax +\def\nbinstruments{3} +\global\cleftoksii={{0}{0}{0}{0}}% +\global\cleftoksi={{6}{0}{0}{0}}% +% +\signaturegenerale{-1}\relax % un bemol a la clef +\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% +\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% +%\check +\def\instrumenti{P\'edale 16'}% +\def\instrumentii{G.O. fonds}% +\def\instrumentiii{R\'ecit}% +%\check +\def\gluemaxskip{7pt}% +% +% +\troistemps +% +\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}% +\def\resp{\vnotes 0.2\elemskip&&\cbreath\enotes}% +\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax +\def\qqbbH#1#2#3#4#5{{\advance\transpose by 1\relax + \ibbu0{#2}{#1}}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax +\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax +% +\debutmorceau +% +\autolines 765\relax +%\check +% +\notes&&\Uptext{\hbox{\kern -16mm\moyen Andante + \bf(\metron{\qu}{65})}}\enotes +\advance\linesinpage by 1\relax +% mesure 1 +\nspace\NOtes\pzql M&&\enotes +\temps \NOtes\pzql M&\pause&\pause\enotes +\temps \NOtes\pzql M&\enotes +%\check +% mesure 2 +\barre\NOtes\pzql M&\zhp c\itenl0f\itenu1h\zhp f\hup h&\hup f\enotes +\temps\NOtes\pzql M&&\enotes +\temps\NOtes\pzql L&&\enotes +%\check +% mesure 3 +\barre\NOtes\pzqu K&\zhlp d\tten0\tten1\itenl0d\itenl1f\zhp f\hup h\relax + &\hup h\enotes +\temps\NOtes\pzqu K&&\enotes +\temps\notes\pzqu J&&\enotes +%\check +% mesure 4 +\barre\NOtes\pzqu I&\tten0\tten1\zhp i\zhlp d\hup f\relax + &\itenl2i\mordant o\hu i\enotes +\temps\NOtes\pzqu I&&\enotes +\temps\notes\pzqu I&\itenu3g\qu g&\tten2\trioskip\Ibu0ij2\qhp0i\sk\tbbu0\tqh0j\enotes +\def\atnextline{\autolines765}% +% mesure 5 +\barre\NOtes\pzqu J&\tten3\zhp e\zhup j\hl g&\hu j\enotes +\temps\NOtes\pzqu J&&\enotes +\temps\NOtes\pzqu J&\itenu0h\ql h&\soupir\enotes +% mesure 6 +\barre\NOtes\pzqu K&\tten0\zh d\zhl{^f}\hup h&\qlp k\enotes +\temps\notes\pzqu K&&\bigaccid\sk\cl{_l}\enotes +\temps\notes\pzqu J&\bigaccid\zq c\ql{_e}&\Ibl0jk1\qb0j\tqb0k\enotes +%\check +% mesure 7 +\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\hl i\enotes +\temps\NOtes\pzqu G&&\enotes +\temps\NOtes\pzqu I&\itenl0e\ql {=e}&\ql j\enotes +%\check +% mesure 8 +\barre\NOtes\pzqu J&\tten0\zhlp c\itenl0c\zh e\hu h&\qlp j\enotes +\temps\notes\pzqu J&&\sk\cl{k}\enotes +\temps\notes\pzqu I&\zq g\qu d&\Ibl0ij1\qb0i\tqb0j\enotes +% mesure 9 +\barre\NOtes\pzqu H&\tten0\itenu1h\zhp f\zhp c\hup h&\hu h\enotes +\temps\NOtes\pzqu H&&\enotes +\temps\NOtes\pzqu H&&\soupir\enotes +% mesure 10 +\barre\NOtes\pzqu H&\tten1\zhl e\zhp{^c}\itenu0h\hup h&\qup h\enotes +\temps\notes\pzqu H&&\sk\bigsh j\cl j\enotes +\temps\notes\pzqu H&\ql g&\dqb kl\enotes +% mesure 11 +\barre\NOtes\pzqu K&\tten0\zhp d\zhp f\hup h&\hl m\enotes +\temps\NOtes\pzqu K&&\enotes +\temps\NOtes\pzqu J&&\itenu0m\ql m\enotes +% mesure 12 +\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\tten0\ql m\enotes +\temps\notes\pzqu I&&\dqb lk\enotes +\temps\notes\pzqu I&\itenl0e\ql e&\bigaccid\dqb{^j}k\enotes +% mesure 13 +\barre\NOtes\pzqu H&\tten0\zhp{^c}\zhlp e\hu h&\hl{^j}\enotes +\temps\NOtes\pzqu H&&\enotes +\temps\NOtes\pzqu H&\qu g&\soupir\enotes +% mesure 14 +\barre\NOtes\pzqu I&\itenl0b\itenl1d\zhp b\zhp d\hup f&\hlp k\enotes +\temps\NOtes\pzqu I&&\enotes +\temps\NOtes\pzqu H&&\enotes +% mesure 15 +\barre\NOtes\pzqu G&\tten0\tten1\zhp b\zhp d\itenu0g\hup g&\qlp i\enotes +\temps\notes\pzqu G&&\sk\cl j\enotes +\temps\notes\pzqu I&&\dqb hi\enotes +% mesure 16 +\barre\NOtes\pzqu J&\tten0\itenl0c\zhp c\zhup g\hl e&\qlp j\enotes +\temps\notes\pzqu J&&\sk\cl k\enotes +\temps\notes\pzqu I&\ql d&\dqb ij\enotes +% mesure 17 +\barre\NOtes\pzqu H&\tten0\zhl e\zhp c\hup h&\hu h\enotes +\temps\NOtes\pzqu H&&\enotes +\temps\NOtes\pzqu H&\ql f&\soupir\enotes +%\check +% mesure 18 +\barre\NOtes\pzqu G&\zql g\zhp d\hup i&\qlp i\enotes +\temps\notes\pzqu G&\ql f&\sk\cl j\enotes +\temps\notes\pzqu I&\ql e&\dqb hi\enotes +%\check +% mesure 19 +\barre\NOtes\pzqu J&\pt b\itenl0c\zh c\zhu g\qsk\ql d&\hu g\enotes +\temps\NOtes\pzqu J&\hl e&\enotes +\temps\NOtes\pzqu J&\qu i&\qu f\enotes +%\check +% mesure 20 +\barre\NOtes\pzqu F&\tten0\zh c\zhu h\qsk\zql d&\hu f\enotes +\temps\NOtes\pzql M&\ql e&\enotes +\temps\NOtes\pzql M&\itenl2f\zql f\raise \Interligne\soupir&\soupir\enotes +%\check +% mesure 21 +\barre\NOtes\pzql M&\tten2\zhp c\itenl0f\itenu1h\zhp f\hup h\relax + &\hup f\enotes +\temps\NOtes\pzql M&&\enotes +\temps\NOtes\pzql L&&\enotes +%\check +% mesure 22 +\barre\NOtes\pzqu K&\zhlp d\tten0\tten1\itenl0d\itenl1f\zhp f\hup h\relax + &\hup h\enotes +\temps\NOtes\pzqu K&&\enotes +\temps\notes\pzqu J&&\enotes +%\check +% mesure 23 +\barre\NOtes\pzqu I&\tten0\tten1\zhp i\zhlp d\hu f\relax + &\itenl2i\mordant o\hu i\enotes +\temps\NOtes\pzqu I&&\enotes +\temps\notes\pzqu I&\itenu3g\qu g&\tten2\trioskip\Ibu0ij2\qhp0i\sk\tbbu0\tqh0j\enotes +% mesure 24 +\barre\NOtes\pzqu J&\tten3\zhl e\zhp g\hup j&\hu j\enotes +\temps\NOtes\pzqu J&&\enotes +\temps\NOtes\pzqu J&\ql{_e}&\soupir\enotes +% mesure 25 +\barre\NOtes\pzqu J&\zql d\zhp{^f}\hup h&\hl{_l}\enotes +\temps\NOtes\pzqu H&\hl c&\enotes +\temps\NOtes\pzqu{^F}&&\ql k\enotes +% mesure 26 +\barre\NOtes\pzqu G&\zhl b\zh d\hu g&\hl i\enotes +\temps\NOtes\pzqu G&&\enotes +\temps\NOtes\pzqu I&\soupir&\soupir\enotes +% mesure 27 +\barre\NOtes\pzqu L&\zhl b\zhp e\hup g&\hl{_k}\enotes +\temps\NOtes\pzqu L&&\enotes +\temps\NOtes\pzqu J&\itenl0c\ql c&\ql j\enotes +% mesure 28 +\barre\NOtes\pzqu H&\tten0\itenu1h\zqu e\zhp c\hlp h&\hu h\enotes +\temps\NOtes\pzqu H&\hu f&\enotes +\temps\NOtes\pzqu F&&\soupir\enotes +% mesure 29 +\barre\NOtes\pzqu H&\tten1\zhl{^c}\zhp e\hup h&\qup h\enotes +\temps\notes\pzqu G&&\sk\cu i\enotes +\temps\notes\pzqu F&\bigaccid\ql{=c}&\dqh hg\enotes +%\check +% mesure 30 +\barre\NOtes\pzqu I&\itenl0b\itenl1d\zhu f\zhp b\hlp d&\qu f\enotes +\temps\NOtes\pzqu H&&\qu h\enotes +\temps\NOtes\pzqu H&\itenu2g\qu g&\qu k\enotes +% mesure 31 +\barre\NOtes\pzqu I&\tten1\tten2\tten0\itenu1g\zhu d\zhp b\hlp g&\qlp n\enotes +\temps\notes\pzqu H&&\sk\cl m\enotes +\temps\notes\pzqu G&\itenl0e\qu e&\dqb lk\enotes +%\check +% mesure 32 +\barre\NOtes\pzqu H&\tten0\tten1\itenl1c\zhu g\zhp{^c}\hlp e&\ql{^j}\enotes +\temps\NOtes\pzqu H&&\ql l\enotes +\temps\NOtes\pzqu I&\qu h&\ql h\enotes +%\check +% mesure 33 +\barre\notes\pzqu G&\tten1\itenu1g\zql c\zhup g\qsk\hu d&\dqh ih\enotes +\temps\notes\pzqu G&\hl b&\dqh gf\enotes +\temps\notes\pzqu I&\itenl0e\qu e&\dqh ed\enotes +%\check +% mesure 34 +\barre\NOtes\pzqu H&\tten0\tten1\zhp{^ce}\hup g&\qu{^c}\enotes +\temps\NOtes\pzqu G&&\qu e\enotes +\temps\NOtes\pzqu F&&\qu h\enotes +% mesure 35 +\barre\NOtes\pzqu G&\itenl0b\itenl1d\zhu f\zhp b\hlp d&\qup f\enotes +\temps\notes\pzqu I&&\sk\cu g\enotes +\temps\notes\pzqu H&\qu e&\dqh ef\enotes +% mesure 36 +\barre\NOtes\pzqu K&\tten0\tten1\zq b\zqu g\hlp d&\hu d\enotes +\temps\NOtes\pzqu K&\zh a\hu f&\enotes +\temps\NOtes\pzqu K&&\soupir\enotes +% mesure 37 +%\check +\barre\NOtes\pzqu K&\itenl0d\zhp {ad}\hup f&\hup f\enotes +\temps\NOtes\pzqu K&&\enotes +\temps\NOtes\pzqu J&&\enotes +% mesure 38 +%\check +\barre\NOtes\pzqu I&\tten0\zhp {bd}\hup g&\hup g\enotes +\temps\NOtes\pzqu H&&\enotes +\temps\NOtes\pzqu J&&\enotes +% mesure 39 +%\check +\barre\NOtes\pzqu G&\zhl b\zhp e\hup g&\hu i\enotes +\temps\NOtes\pzqu G\enotes +\temps\NOtes\pzqu I&\ql{^c}&\qu h\enotes +% mesure 40 +%\check +\barre\NOtes\pzqu H&\zh {df}\hu h&\hu h\enotes +\temps\NOtes\pzqu H\enotes +\temps\NOtes\pzqu H&\soupir&\soupir\enotes +% mesure 41 +%\check +\barre\NOtes\pzqu J&\zhl{^f}\zhp d\hup h&\qlp k\enotes +\temps\notes\pzqu J&&\sk\cna l\cl l\enotes +\temps\notes\pzqu J&\bigfl e\ql e&\dqb jk\enotes +%\check +% mesure 42 +\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\hl i\enotes +\temps\notes\pzqu G&&\sk\cl j\enotes +\temps\notes\pzqu I&\itenl0e\bigna e\ql e&\dqb hi\enotes +%\check +% mesure 43 +\barre\NOtes\pzqu J&\tten0\zhl c\zhp e\hup g&\qlp j\enotes +\temps\notes\pzqu J&&\sk\cl{k}\enotes +\temps\notes\pzqu I&\itenl0c\bigsh c\ql c&\Ibl0ij1\qb0i\tqb0j\enotes +% mesure 44 +\barre\NOtes\pzqu H&\tten0\sh c\zhp c\zhup h\qsk\zql g&\hu h\enotes +\temps\NOtes\pzqu H&\ql f&\enotes +\temps\NOtes\pzqu H&\ql e&\soupir\enotes +%\check +% mesure 45 +\barre\NOtes\pzqu G&\zql g\zhp d\hup i&\qlp i\enotes +\temps\notes\pzqu G&\ql f&\sk\cl j\enotes +\temps\notes\pzqu I&\ql e&\dqb hi\enotes +%\check +% mesure 46 +\barre\NOtes\pzqu J&\zhp c\zhu g\qsk\ql d&\hu g\enotes +\temps\NOtes\pzqu J&\itenl0e\hl e&\enotes +\temps\NOtes\pzqu J&\qu i&\qu h\enotes +% mesure 47 +\barre\NOtes\pzqu H&\tten0\zhl e\zhp c\hup h&\hu h\enotes +\temps\NOtes\pzqu H&&\enotes +\temps\NOtes\pzqu H&\ql f&\soupir\enotes +% mesure 48 +%\check +\barre\NOtes\pzqu J&\zhl{^f}\zhp d\hup h&\qlp k\enotes +\temps\notes\pzqu J&&\sk\cna l\cl l\enotes +\temps\notes\pzqu J&\bigfl e\ql e&\dqb jk\enotes +%\check +% mesure 49 +\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\hl i\enotes +\temps\notes\pzqu G&&\sk\cl j\enotes +\temps\notes\pzqu I&\itenl0e\bigna e\ql e&\dqb hi\enotes +%\check +% mesure 50 +\barre\NOtes\pzqu J&\tten0\zhl c\zhp e\hup g&\qlp j\enotes +\temps\notes\pzqu J&&\sk\cl{k}\enotes +\temps\notes\pzqu I&\itenl0c\bigsh c\ql c&\Ibl0ij1\qb0i\tqb0j\enotes +% mesure 51 +\barre\NOtes\pzqu H&\tten0\sh c\zhp c\zhup h\qsk\zql g&\hu h\enotes +\temps\NOtes\pzqu H&\ql f&\enotes +\temps\NOtes\pzqu H&\ql e&\soupir\enotes +%\check +% mesure 52 +\barre\NOtes\pzqu G&\zql g\zhp d\hup i&\qlp i\enotes +\temps\notes\pzqu G&\ql f&\sk\cl j\enotes +\temps\notes\pzqu I&\ql e&\dqb hi\enotes +%\check +% mesure 53 +\barre\NOtes\pzqu J&\zhp c\zhu g\qsk\ql d&\hu g\enotes +\temps\NOtes\pzqu J&\hl e&\enotes +\temps\NOtes\pzqu J&\qu i&\qu f\enotes +%\check +% mesure 54 +\barre\NOtes\pzqu F&\zh c\zhu h\qsk\zql d&\hu f\enotes +\temps\NOtes\pzql M&\ql e&\enotes +\temps\NOtes\pzql M&\raise\Interligne\rlap{\soupir}\ql f&\soupir\enotes +%\check +% mesure 55 +\barre\NOtes\pzqu M&\zql e\zhp{^c}\itenu0h\hup h&\qup h\enotes +\temps\notes\pzqu M&\ql f&\sk\bigsh j\cl j\enotes +\temps\notes\pzqu L&\ql g&\dqb kl\enotes +% mesure 56 +\barre\NOtes\pzqu K&\tten0\itenl2d\itenl1f\zhp d\zhp f\hup h&\hl m\enotes +\temps\NOtes\pzqu K&&\enotes +\temps\NOtes\pzqu J&&\itenu0m\ql m\enotes +% mesure 57 +\barre\NOtes\pzqu{=I}&\tten2\tten1\itenu1d\zhp d\zhp f\hup{_h}&\tten0\ql m\enotes +\temps\notes\pzqu I&&\dqb lk\enotes +\temps\notes\pzqu I&&\bigaccid\dqb nm\enotes +%\check +% mesure 58 +\barre\NOtes\pzqu H&\zh{^c}\zhu{=h}\qsk\tten1\zql d&\hl l\enotes +\temps\NOtes\pzqu H&\ql e&\enotes +\temps\NOtes\pzqu{_I}&\raise\Interligne\rlap{\soupir}\ql f&\soupir\enotes +%\check +% mesure 59 +\bigaccid +\barre\NOtes\pzqu{=I}&\itenl0d\zq d\zql f\hup{_h}&\qlp m\enotes +\temps\notes\pzqu I&\tten0\zql d\qsk\itenu0e\zhu e&\sk\cl n\enotes +\temps\notes\pzqu{=J}&\zql{=c}&\dqb lm\enotes +% mesure 60 +\barre\NOtes\pzqu{^J}&\tten0\itenl0c\zq{^c}\zql e\hup{=h}&\qlp n\enotes +\temps\notes\pzqu J&\tten0\itenu0f\zql c\hu f&\sk\cl o\enotes +\temps\notes\pzqu{=J}&\itenl1d\ql d&\dqb mn\enotes +%\check +% mesure 61 +\barre\NOtes\pzqu{=I}&\tten0\tten1\itenl1d\zhp d\zhlp f\hu{_h}&\qlp o\enotes +\temps\notes\pzqu I&&\sk\cl n\enotes +\temps\notes\pzqu I&\qu g&\dqb mn\enotes +%\check +% mesure 62 +\barre\NOtes\pzqu{_I}&\zhp e\zhup g\qsk\tten1\zhl d&\itenu0l\hl l\enotes +\temps\NOtes\pzqu I\enotes +\temps\notes\pzqu I&\bigaccid\ql{^c}&\tten0\dqb lm\enotes +%\check +% mesure 63 +\barre\NOtes\pzqu{=I}&\itenl0d\zhlp d\zhu{_h}\qsk\qu f&\hl k\enotes +\temps\NOtes\pzqu I&\qu e\enotes +\temps\NOtes\pzqu I&\zq f\qu{=h}&\soupir\enotes +% mesure 64 +\barre\NOtes\pzqu H&\tten0\zh f\zhl d\itenu1h\hup h&\qlp m\enotes +\temps\notes\pzqu H&&\sk\cl n\enotes +\temps\notes\pzqu H&\zq e\ql{^c}&\dqb lm\enotes +% mesure 65 +\barre\NOtes\pzqu K&\tten1\zhlp d\zhp f\hup h&\hl k\enotes +\temps\NOtes\pzqu K&&\enotes +\temps\NOtes\pzqu K&&\soupir\enotes +% mesure 66 +\barre\NOtes\pzqu K&\itenu1f\itenl0d\zhp f\zhlp d\hup h&\hup f\enotes +\temps\NOtes\pzqu K&&\enotes +\temps\NOtes\pzqu J&&\enotes +% mesure 67 +\barre\NOtes\pzqu I&\tten1\tten0\zhlp d\zhp f\zhu i&\hu h\enotes +\temps\NOtes\pzqu I&&\enotes +\temps\NOtes\pzqu H&&\qu i\enotes +%\check +% mesure 68 +\barre\NOtes\pzqu G&\zhlp b\zh d\itenu0g\hu g\relax + &\itenl2i\mordant o\hu i\enotes +\temps\NOtes\pzqu G&&\enotes +\temps\notes\pzqu I&\tten0\itenu1e\zq e\qu g&\tten2\trioskip + \Ibu0ij2\qhp0i\sk\tbbu0\tqh0j\enotes +%\check +% mesure 69 +\barre\NOtes\pzqu H&\tten1\itenu0h\zql e\zhp c\hup h&\qu j\enotes +\temps\NOtes\pzqu H&\ql e&\enotes +\temps\NOtes\pzqu H&\ql f&\soupir\enotes +% mesure 70 +\barre\NOtes\pzqu K&\tten0\zh d\zhl{^f}\hup h&\qlp k\enotes +\temps\notes\pzqu K&&\bigaccid\sk\cl{_l}\enotes +\temps\notes\pzqu J&\bigaccid\zq c\ql{_e}&\Ibl0jk1\qb0j\tqb0k\enotes +%\check +% mesure 71 +\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\hl i\enotes +\temps\NOtes\pzqu G&&\enotes +\temps\NOtes\pzqu I&\itenl0e\ql {=e}&\ql j\enotes +%\check +% mesure 72 +\barre\NOtes\pzqu H&\tten0\itenl0e\zhl c\zhu h\hlp e&\qlp j\enotes +\temps\notes\pzqu H&&\sk\cl{k}\enotes +\temps\notes\pzqu G&\zq b\qu g&\Ibl0ij1\qb0i\tqb0j\enotes +% mesure 73 +\barre\NOtes\pzqu F&\tten0\itenu1h\zhp c\zhlp h\hu e&\hu h\enotes +\temps\NOtes\pzqu F&&\enotes +\temps\NOtes\pzqu F&\qu f&\soupir\enotes +% mesure 74 +\barre\NOtes\pzqu H&\tten1\zhl e\zhp{^c}\hup h&\qup h\enotes +\temps\notes\pzqu H&&\sk\bigsh j\cl j\enotes +\temps\notes\pzqu H&\ql g&\dqb kl\enotes +% mesure 75 +\barre\NOtes\pzqu K&\zhp d\zhup{_h}\hl f&\hl m\enotes +\temps\NOtes\pzqu K&&\enotes +\temps\NOtes\pzqu J&\itenu1g\ql g&\itenu0m\ql m\enotes +% mesure 76 +\barre\NOtes\na I\pzqu I&\itenu2g\tten1\zh d\zhl{=b}\hup g&\tten0\ql m\enotes +\temps\notes\pzqu I&&\dqb lk\enotes +\temps\notes\fl I\pzqu I&\itenl0e\zq{_b}\ql e&\bigaccid\dqb{^j}k\enotes +% mesure 77 +\barre\NOtes\pzqu H&\tten0\tten2\zhp{^c}\zhlp e\qu g&\hl{^j}\enotes +\temps\NOtes\pzqu H&\qu h&\enotes +\temps\NOtes\pzqu H&\cfl i\qu i&\soupir\enotes +% mesure 78 +\barre\NOtes\pzqu I&\zhp{_h}\zhp d\hup f&\hlp k\enotes +\temps\NOtes\pzqu I&&\enotes +\temps\NOtes\pzqu H&&\enotes +% mesure 79 +\barre\NOtes\pzqu G&\zhp b\zhup g\itenu0g\hl e&\qlp i\enotes +\temps\notes\pzqu G&&\sk\cl j\enotes +\temps\notes\pzqu I&\ql{^f}&\dqb hi\enotes +% mesure 80 +\barre\NOtes\pzqu H&\tten0\itenl0c\zhp c\zhup g\hl e&\qlp j\enotes +\temps\notes\pzqu H&&\sk\cl k\enotes +\temps\notes\pzqu G&\ql d&\dqb ij\enotes +% mesure 81 +\barre\NOtes\pzqu F&\tten0\zhl e\zhp c\hup h&\hu h\enotes +\temps\NOtes\pzqu F&&\enotes +\temps\NOtes\pzqu F&\ql f&\soupir\enotes +%\check +% mesure 82 +\barre\NOtes\pzqu G&\zql g\zhp d\hup i&\qlp i\enotes +\temps\notes\pzqu G&\ql f&\sk\cl j\enotes +\temps\notes\pzqu I&\ql e&\dqb hi\enotes +%\check +% mesure 83 +\barre\NOtes\pzqu J&\itenl0c\zhp c\zhu g\qsk\ql d&\hu g\enotes +\temps\NOtes\pzqu J&\hl e&\enotes +\temps\NOtes\pzqu J&\qu i&\qu f\enotes +%\check +% mesure 84 +\barre\NOtes\pzqu F&\tten0\pt b\zh c\zhup h\qsk\zql d&\pointdorgue m\hup f\enotes +\temps\NOtes\pzqu F&\ql e&\enotes +\temps\NOtes\pointdurgue F\qu F&\pointdorgue m\zql f&\enotes +%\check +\finmorceau +% +\medskip\rightline{\it \aujourdhui} +\vfil +\eject diff --git a/macros/generic/musixtex/doc/examples/pacifiqb.tex b/macros/generic/musixtex/doc/examples/pacifiqb.tex new file mode 100644 index 0000000000..c40994059b --- /dev/null +++ b/macros/generic/musixtex/doc/examples/pacifiqb.tex @@ -0,0 +1,9 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi +\musicsize=16\relax +\def\NoPageCut{\relax} +\input c:/taupin/musixtex/scores/pacifiqn +\bye diff --git a/macros/generic/musixtex/doc/examples/pacifiqn.tex b/macros/generic/musixtex/doc/examples/pacifiqn.tex new file mode 100644 index 0000000000..7839592745 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/pacifiqn.tex @@ -0,0 +1,1128 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi +% +\parindent 12mm +% +\title{Pacifique} +\shortauthor{D. Taupin} +\fullauthor{Daniel TAUPIN\\\`a Christiane} + \othermention{Compos\'e en 1972, \sl San Jose (Calif.)\\r\'ev. mai 1981, +janvier 1990} +\maketitle + +\tracingstats=2\relax +% +\nbporteesi=2\relax +\def\nbinstruments{1} +\global\cleftoksi={{6}{0}{0}{0}}% +\def\noteskipLARGE{\def\scalenoteskip{1.5}}% +\def\noteskipLarge{\def\scalenoteskip{1.2}}% +\def\noteskiplarge{\def\scalenoteskip{1.1}}% +\def\noteskipnormal{\def\scalenoteskip{1.0}}% +% +\signaturegenerale{-4}\relax % quatre bemols a la clef +\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% +\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% +%\check +\def\instrumenti{Piano} +%\check +\generalmeter{\allabreve} +\normal\noteskipLarge +\def\fff{{f}\kern -1pt{f}\kern -1pt{f}}% +\def\gluemaxskip{6pt}% +% +% formes frequentes +% +%au moins deux croches basses et hautes +\def\dqb#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% +\def\dqh#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% +%au moins quatre croches basses et hautes +\def\qqb#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2#3#4}\tbl0\qb0{#5}}% +\def\qqB#1#2#3#4#5{\ibl0{#3}{#1}\qb0{#2#3#4}\tbl0\qb0{#5}}% +\def\qqh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2#3#4}\tbu0\qh0{#5}}% +\def\qqH#1#2#3#4#5{\ibu0{#3}{#1}\qh0{#2#3#4}\tbu0\qh0{#5}}% +% octave basse en blanche +\def\bohl#1{{\advance\transpose by-7\relax\zh{#1}\relax}\hl{#1}}% +\def\bohu#1{{\advance\transpose by-7\relax\zh{#1}\relax}\hu{#1}}% +\def\sohl#1{\zh{#1}{\advance\transpose by 7\relax\hl{#1}}\sk}% +\def\sohu#1{\zh{#1}{\advance\transpose by 7\relax\hu{#1}}\sk}% +% +% octave sup. en croches u +\def\soqh#1{\zq{#1}\rlap{\advance\transpose by 7\qh0{#1}}\sk}% +\def\soqu#1{\zq{#1}\rlap{\advance\transpose by 7\qu{#1}}\sk}% +\def\soqb#1{\zq{#1}\rlap{\advance\transpose by 7\qb0{#1}}\sk}% +\def\soql#1{\zq{#1}\rlap{\advance\transpose by 7\ql{#1}}\sk}% +\def\dsoqh#1#2#3{{\advance\transpose by 7\ibu0{#2}{#1}}\soqh{#2}\tbu0\soqh{#3}}% +\def\dsoqb#1#2#3{\ibl0{#2}{#1}\soqb{#2}\tbl0\soqb{#3}}% +%\check +\def\qsoqh#1#2#3#4#5{{\advance\transpose by 7\relax\ibu0{#2}{#1}}\soqh{#2}\relax + \soqh{#3}\soqh{#4}\tbu0\soqh{#5}}% +\def\qsoqb#1#2#3#4#5{\ibl0{#2}{#1}\soqb{#2}\soqb{#3}\soqb{#4}\tbl0\soqb{#5}}% +%\check +\def\qsoqB#1#2#3#4#5{\ibl0{#3}{#1}\soqb{#2}\soqb{#3}\soqb{#4}\tbl0\soqb{#5}}% +%\check +% octave inf. en croches u +\def\boqh#1{{\advance\transpose by -7\relax\zq{#1}}\qh0{#1}}% +\def\boqb#1{{\advance\transpose by -7\relax\zq{#1}}\qb0{#1}}% +\def\dboqh#1#2#3{\ibu0{#2}{#1}\boqh{#2}\tbu0\boqh{#3}}% +\def\dboqb#1#2#3{{\advance\transpose by -7\relax\ibl0{#2}{#1}}\boqb{#2}\tbl0\boqb{#3}}% +%\check +\def\qboqb#1#2#3#4#5{{\advance\transpose by -7\relax\ibl0{#2}{#1}}\boqb{#2}\relax + \boqb{#3}\boqb{#4}\tbl0\boqb{#5}}% +\def\qboqh#1#2#3#4#5{\ibu0{#2}{#1}\boqh{#2}\boqh{#3}\boqh{#4}\tbu0\boqh{#5}}% +%\check +% +\def\arpg#1#2{\znotes\arpeggio{#1}{#2}\enotes} +\def\Arpg#1#2{\znotes\larpeggio{#1}{#2}\enotes} +\def\uarpg#1#2{\znotes\nextstaff\arpeggio{#1}{#2}\enotes} +\def\uArpg#1#2{\znotes\nextstaff\larpeggio{#1}{#2}\enotes} +% +% soufflets crescendo +% +\def\soufflcr{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\Cresc}}} +\def\Soufflcr{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\CREsc}}} +% +\def\interfacteur{11}% +\computewidths +\staffbotmarg=5\Interligne +% +% Changes for 16 pt musicsize +%\showthe\musicsize +\def\Zalapage{\ifx\NoPageCut\undefined\zalapage\else\zbarre\fi}% +\def\Zalaligne{\ifx\NoPageCut\undefined\zalaligne\else\zbarre\fi}% +\def\Alapage{\ifx\NoPageCut\undefined\alapage\else\barre\fi}% +\def\Alaligne{\ifx\NoPageCut\undefined\alaligne\else\barre\fi}% +\def\Eject{\ifx\NoPageCut\undefined\eject\else\par\fi}% +% +\debutmorceau +% +\noteskipLarge +\hyphenpenalty -50\relax +\notes|\Uptext{\moyen\kern -20pt Andante \rm(\metron{\qu}{70})}\enotes +\vnotes 0.2\elemskip\uptext{\kern -5mm\ppff p}|\uptext{\ppff mp}\enotes +\zglu\Notes\PED\zh{Ma}\hl c|\soupir\enotes +\zglu\notes\sk\DEP|\Ilegl0d\dqh3fg\enotes +\temps\notes\PED\zh{Ma}\hl c\sk\sk\DEP|\qqh0hfgh\enotes +% mesure 2 +\barre\notes\PED\zh{Mb}\hl d\sl\sk\DEP|\qqh0ighi\enotes +\temps\notes\PED\zh{Ma}\hl c\sk\sk\DEP|\qqh0jhij\enotes +% mesure 3 +\barre\notes\PED\zh{Mb}\hl d\sk\zcharnote{-5}{\it simile}|\Tleg0\qu k\sk\Ilegl0d\dqh4ik\enotes +\temps\notes\zh{Ma}\hl c|\qqh0jihj\enotes +% mesure 4 +\barre\notes\zh{Mb}\lh N\hl d|\qqh0ihgi\enotes +\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes +% mesure 5 +\alaligne\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes +\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes +\temps\notes|\raise -\internote\rlap{\Uptext{\it sempre \ppff mp}}\Ilegl0d\dqh3gh\enotes +% mesure 6 +\barre\notes\zh{LN}\hl b|\qqh0ighi\enotes +\temps\notes\zh{ac}\hl e|\qqh0jhij\enotes +% mesure 7 +\barre\notes\zh{N=b}\hl d|\qqh0{=k}{=i}jk\enotes +\temps\notes\zh{Nc}\hl{=e}|\qqh0{=l}jkl\enotes +% mesure 8 +\barre\notes\zh{Mc}\hl f|\qqh{-3}m{_l}{_k}j\enotes +\temps\notes\zh{M_b}\hl d|\qqh0k{_i}jk\enotes +% mesure 9 +\alaligne\notes\zh{LN}\hl b|\qqh{-3}lkji\enotes +\temps\notes\zh{ac}\hl e|\qqh0jhij\enotes +% mesure 10 +\barre\notes\zh{ad}\hl f|\qqh{-3}kjih\enotes +\temps\notes\lh b\zh c\hl{=e}|\qqh0ighi\enotes +% mesure 11 +\barre\notes\zh{Nb}\hl{=e}|\qqh{-3}jihg\enotes +\temps\notes\zh{Ma}\hl c|\Tleg0\qu h\sk\enotes +\temps\notes|\Ilegl0d\dqh3gh\enotes +% mesure 12 +\barre\notes\zh{Mb}\hl d|\qqh0ihgi\enotes +\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes +% mesure 13 +\Alaligne\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes +\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes +\temps\notes\rmidtwotext{\kern -3mm\it un poco}|\Ilegu0r\dqh3gh\enotes +% mesure 14 +\barre\notes\bohl e\rmidtwotext{\it pi\`u forte}\relax + |\zq g\qqh0ighi\enotes +\temps\notes\bohl a|\rlap{\hl e}\zq h\qqh0jhij\enotes +% mesure 15 +\barre\notes\bohu M|\rlap{\hl f}\zq h\qqh0kijk\enotes +\temps\notes\bohu L|\rlap{\hl g}\zq i\qqh{-3}lkji\enotes +% mesure 16 +\barre\notes\bohu a|\rlap{\hl e}\zq h\qqh0jijk\enotes +\temps\notes\bohu L|\rlap{\hl g}\zq i\qqh{-3}lkji\enotes +% mesure 17 +\Alaligne\Notes\bohu M|\zq f\tleg0\qu h\enotes +\temps\notes|\Ilegu0q\dqh3ij\enotes +\temps\notes\bohu K|\rlap{\hl f}\zq h\qqh{-3}kjih\enotes +% mesure 18 +\barre\notes\bohu J|\rlap{\hl c}\zq{=e}\qqh3ghik\enotes +\temps\notes\bohu{=L}|\rlap{\hl e}\zq g\qqh{-3}jihg\enotes +% mesure 19 +\barre\Notes\bohu M|\rlap{\ql f}\zq f\tleg0\qu h\enotes +\temps\notes|\Ilegu0p\dqh3gh\enotes +\temps\notes\bohu K|\rlap{\hl d}\zq f\qqh0ihgi\enotes +% mesure 20 +\barre\notes\bohu J|\rlap{\hl c}\zq f\qqh0hgfh\enotes +\temps\notes\bohu J|\rlap{\hl c}\zq{=e}\qqh0gfeg\enotes +% mesure 21 +\xbarre\Notes\zq F\ql M|\zq{ac}\tleg0\qu f\enotes +\Zalapage\notes\rlap{\zcharnote{-5}{\ppff mf}}\Ilegu0d\dqb3MN\relax + |\soupir\uptext{\ppff p}\enotes +\temps\notes\qqB0aMNa|\zh{fh}\hu j\enotes +% mesure 22 +\barre\notes\qqB0bNab|\zh{gi}\hu{=l}\enotes +\temps\notes\qqB0cabc|\zh{hj}\hu m\enotes +% mesure 23 +\barre\notes\Tleg0\ql d\sk|\zh{hk}\hu m\enotes +\temps\notes\Ilegu0d\dqb4bd|\enotes +\temps\notes\qqB0cbac|\zh{hj}\hu{_l}\enotes +% mesure 24 +\barre\notes\qqB0baNb|\zh i\rh j\hu{=l}\enotes +\temps\notes\qqB0aNMa|\zh{hj}\hu m\enotes +% mesure 25 +\Alaligne\notes\qqB0NM{=L}N|\zh{gj=l}\hl n\enotes +\temps\notes\Tleg0\ql M\zmidtwotext{\it crescendo}\sk|\zh{hjm}\hl o\enotes +\temps\notes\Ilegl0F\dqb3Na|\enotes +% mesure 26 +\barre\notes\zmidtwotext{\it\ poco\ \ a\ \ poco}\qqB0bNab\relax + |\zh{gi_l}\hu n\enotes +\temps\notes\qqB0cabc|\zh{fhj}\hu m\enotes +% mesure 27 +\barre\notes\qqB0{=d}bcd|\zh{fi=k}\hu m\enotes +\temps\notes\qqB0{=e}cde|\zh{gj}\rh i\hu{=l}\enotes +%\check +% mesure 28 +\barre\notes\qqb{-3}f{_e}{_d}c|\zh{f=hj}\hu m\enotes +\temps\notes\qqb{1}bcde|\zh{gil}\hu n\enotes +% mesure 29 +\Alaligne\notes\qqb0cbcd|\zh{_hjm}\hl o\enotes +\temps\notes\qqb0cbab|\zh{fhj}\hl m\enotes +% mesure 30 +\barre\notes\qqb{-3}cbaN|\zh{gj=l}\hl n\enotes +\temps\notes\qqb3MNac|\zh{hjm}\hl o\enotes +%\check +% mesure 31 +\barre\notes\qqb{-3}baNM|\zh{i_ln}\hl p\enotes +\temps\notes\qqb3LMNb|\zh{gil}\hu n\enotes +%\check +%mesure 32 +\barre\notes\Tleg0\ql a\sk|\zh{hjl}\hl o\enotes +\temps\notes\Ilegl0F\dqb3bc|\enotes +\temps\notes\qqb0dcde|\zh{iln}\hl p\enotes +% +% mesure 33 +% changement d'espacement +\def\atnextline{\def\interfacteur{12}}% +\Alaligne\noteskipLARGE\nspace\notes\qqb{-3}cbaN|\zh{j=ln}\hl q\enotes +\temps\notes\Tleg0\ql a\sk|\zh{hjm}\hl o\enotes +\temps\notes\Ilegl0F\dqb3bc|\enotes +% mesure 34 +\barre\notes\qqb{-3}dcba|\zh{ikm}\hl p\enotes +\temps\notes\qqb3Nabc|\zh{j=ln}\hl q\enotes +% mesure 35 +\barre\notes\qqb0dcde|\zh{kmp}\hl r\enotes +\temps\notes\soufflcr\qqb{-3}cbaN|\zh{=lnq}\hl{=s}\enotes +% mesure 36 +\barre\nspace\notes\zmidtwotext{\ppff f}\tleg0\ql M|\zq{m_oq}\ql t\cbreath\enotes +\Zalapage\noteskipLarge\notes\zmidtwotext{\ppff mf}\soupir|\Ilegu0s\dsoqb3fg\enotes +\temps\arpg K5\relax +\notes \zh{Mac}\hl f\uptext{\vbox{\offinterlineskip\hbox{\it arpeggi}\vskip 1mm\hbox{\it nervosi}}}\relax + |\qsoqb0hfgh\enotes +%\check +% mesure 37 +\barre\arpg K5\notes\zh{Mbd}\hl f|\qsoqb0ighi\enotes +\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0jhij\enotes +%\check +% mesure 38 +\barre\arpg K5\notes\zh{Mbd}\hl f|\qsoqb0kjik\enotes +\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0jihj\enotes +%\check +% mesure 39 +\barre\Arpg J5\notes\zh{=LNc}\lh b\hl{=e}|\qsoqb0ihgi\enotes +\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0hgfh\enotes +%\check +% mesure 40 +\Alaligne\Arpg J5\notes\zh{JNc}\lh b\hl{=e}|\qsoqb0gf{=e}g\enotes +\temps\arpg F6\notes\zq{FJMa}\ql c|\Tleg0\zq f\ql m\sk\enotes +\notes\soupir|\Ilegu0t\dsoqb3gh\enotes +%\check +% mesure 41 +\barre\Arpg L5\notes\zh{Lb_e}\hl g|\qsoqb0ighi\enotes +\temps\arpg a4\notes\zh{ace}\hl h|\qsoqb0jhij\enotes +%check +% mesure 42 +\barre\Arpg K5\notes\zh{Mb=d}\hl f|\qsoqb0{=k}ijk\enotes +\temps\Arpg J5\notes\zh{JNc}\hl{=e}|\qsoqb0{=l}jkl\enotes +%check +% mesure 43 +\barre\Arpg K5\notes\zh{Mcf}\hl{=h}|\qsoqb{-3}m{_l}{_k}j\enotes +\temps\Arpg I5\notes\zh{IMb}\hl{_d}\sk|\Tleg0\zq i\ql p\enotes +\temps\notes|\Ilegu0t\dsoqb3jk\enotes +%\check +% mesure 44 +\def\atnextline{\advancebottom{\Interligne}}\relax +\Alaligne\Arpg L5\notes\zh{Lb_e}\hl g|\qsoqb{-3}lkji\enotes +\temps\arpg K5\notes\zh{Mac}\hl f\sk|\Tleg0\zq h\ql o\enotes +\temps\notes|\Ilegu0r\dsoqb3gh\enotes +%\check +% mesure 45 +\barre\arpg I5\notes\zh{IMb}\hl d|\qsoqb0ihgi\enotes +\temps\arpg H5\notes\zh{JMa}\hl c|\qsoqb0hgfh\enotes +%check +% mesure 46 +\def\sfql#1{\usf{#1}\ql{#1}}% +\barre\Arpg J5\notes\soufflcr\zh{JNc}\hl{=e}|\qsoqb0gf{=e}g\enotes +\temps\arpg E5\notes\zq{FJM}\sfql a\sk|\Tleg0\zq f\sfql m\enotes +\temps\notes\zmidtwotext{\ppff f}\dsoqb{-3}F{=E}|\relax + \ifx\mxversion\undefined\Ilegu0s\relax + \else\Ilegu0q\relax + \fi + \dsoqb3fg\enotes +%\check +% mesure 47 +\barre\notes\zq F\ql M\sk\dsoqb3{_E}F|\zq{jm}\qsoqb0hfgh\enotes +\temps\notes\qsoqb0GEFG|\zq{_ln}\qsoqb0ighi\enotes +%\check +% mesure 48 +\Alaligne\noteskipLARGE\notes\zq H\ql a\sk\dsoqb{-3}FE|\zq{lo}\qsoqb0jhij\enotes +\temps\notes\zq D\ql K\sk\dsoqb3EF|\zq{mp}\qsoqb0kijk\enotes +%\check +% mesure 49 +\barre\notes\zq G\ql N\sk\zq E\ql L|\zq{np}\qsoqb{-3}lkji\enotes +\temps\notes\qsoqb0HGHI|\zq{mo}\qsoqb0jijk\enotes +%\check +% mesure 50 +\barre\notes\zq J\ql c\sk\zq J\ql c|\zq{=ln}\qsoqb{-3}jihg\enotes +\temps\notes\qboqb{-3}fe{=d}{_d}|\zq{jm}\qsoqb0hghi\enotes +%\check +% mesure 51 +\Alaligne\notes\zq J\ql c\sk\zq J\ql c|\zq{jm}\qsoqb{-3}hgf{=e}\enotes +\temps\arpg F5\notes\zq{FJM}\ql a\sk|\relax + \ifx\mxversion\undefined\Tleg0\relax + \else\tslur0o\relax + \fi + \zq{fhj}\ql m\enotes +\temps\notes\Ilegl0F\zmidtwotext{\it meno}\dqb3MN|\soupir\enotes +%\check +% mesure 52 +\barre\nspace\uarpg h4\notes\zmidtwotext{\it\ \ forte}\qqb0aNab|\zh{hjm}\hl o\enotes +\temps\uArpg h5\notes\qqb0cbcd|\zh{j_lo}\hl q\enotes +%\check +% mesure 53 +\barre\nspace\uarpg l4\notes\qqb0edef|\zh{lnp}\hl s\enotes +\temps\uarpg l4\notes\qqb{-3}edcb|\zh{lnp}\hl s\enotes +%\check +% mesure 54 +\barre\nspace\uarpg h5\notes\tleg0\ql a\sk|\zh{jlo}\hl q\enotes +\def\atnextline{\advancebottom{-\Interligne}\relax\def\interfacteur{10}}% +\Zalapage\noteskipLarge\notes\dsoqb3J{=K}|\enotes +\temps\uArpg h5\notes\qsoqb0{=L}KLM|\zh{j=ln}\hl q\enotes +% mesure 55 +\barre\noteskipLarge\nspace\uArpg h5\notes\qboqb0gfg{=h}|\zh{j=ln}\hl q\enotes +\temps\uArpg i4\notes\qboqb{-3}gf{=e}d|\zh{=ikn}\hl{=p}\enotes +%\check +%mesure 56 +\barre\nspace\uArpg h5\notes\zq J\ql c\sk\dboqb3{=d}{=e}|\zh{j=ln}\hl q\enotes +\temps\notes\zcharnote j{\kern -2\noteskip\it senza arpeggiare}\relax +\qboqb{-3}f{_e}{_d}c|\zq{m=oq}\ql t\sk\zq{moq}\ql t\enotes +%\check +% mesure 57 +\barre\notes\zmidtwotext{\ppff f}\zq I\ql b\sk|\zh{ikm}\hl p\enotes +\temps\notes\dsoqb3JK|\enotes +\temps\notes\Soufflcr\qsoqb{-3}LKJI|\zq{_lnp}\ql s\sk\zq{lnp}\ql s\enotes +%\check +% mesure 58 +\Alaligne\notes\zq H\ql a\sk|\zh{hjl}\hl o\enotes +\temps\notes\dsoqb3IJ|\enotes +\temps\notes\qsoqb0KJIK|\zq{ikm}\ql p\sk\zq{ikm}\ql p\enotes +%\check +% mesure 59 +\barre\notes\qsoqb0JIHJ|\zh{hjm}\hl o\enotes +\temps\notes\qsoqb0IHGI|\zq{i=ln}\ql p\sk\zq{i=ln}\ql p\sk\enotes +%\check +% mesure 60 +\barre\notes\soufflcr\zq H\ql a|\zh{jmo}\hl q\enotes +\temps\notes\dsoqb3GH|\enotes +\temps\notes\rlap{\sk\sk\zmidtwotext{\ppff ff}}\qsoqb0IHGI\relax + |\zq{kmp}\ql r\sk\zq{kmp}\ql r\sk\enotes +% mesure 61 +%\check +\barre\notes\qsoqb0HGFH|\zq{jmo}\ql q\sk\zq{jmo}\ql q\sk\enotes +\temps\notes\qsoqb0GF{=E}G|\zq{j=ln}\ql q\sk\zq{jln}\ql q\sk\enotes +%\check +%mesure 62 +\def\atnextline{\def\interfacteur{9}}% +\Alaligne\arpg F6\notes\zmidtwotext{\ppff \fff}\zq{FJMa}\ql c\relax + |\zq{moq}\ql t\cbreath\enotes +\temps\noteskipLarge\notes\zmidtwotext{\ppff mp \it subito}\soupir|\Ilegu0r\dqh3fg\enotes +\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0hfgh\enotes +%\check +% mesure 63 +\barre\arpg I4\notes\zh{IKM}\hl b|\qqh0ighi\enotes +\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0jhij\enotes +%\check +% mesure 64 +\barre\arpg I4\notes\zh{IKM}\hl b|\qqh0kjik\enotes +\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0jihj\enotes +%\check +% mesure 65 +% +\barre\Arpg H5\notes\zh{JN}\lh b\hl c|\qqh0ihgi\enotes +\temps\arpg H5\notes\zh{JMa}\hl c|\Tleg0\qu h\sk\enotes +\temps\notes|\Ilegu0q\dqh3gh\enotes +%\check +% mesure 66 +\Alaligne\arpg I4\notes\zh{KMb}\hl d|\qqh0ihgi\enotes +\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0hgfh\enotes +%\check +% mesure 67 +\barre\Arpg H5\notes\zh{J=LN}\hl c|\qqh0gf{=e}g\enotes +\temps\arpg M3\notes\zq{Ma}\ql c|\Tleg0\qu f\enotes +\cleftoksi={{6}{6}{0}{0}}% +\changeclefs\nspace +\notes\soupir|\zcharnote A{\ppff f}\ifx\mxversion\undefined\Ilegu0g\else + \Ilegu0d\fi + \dqb3MN\enotes +%\check +% mesure 68 +\def\bozh#1{{\advance\transpose by -7\zh{#1}}\zh{#1}}\relax +\def\bozq#1{{\advance\transpose by -7\zq{#1}}\zq{#1}}\relax +\barre\arpg{!`F}6\notes\uptext{\ppff f \it e nervoso}\bozh F\hu J\relax + |\qqB0aMNa\enotes +\temps\arpg{!`E}6\notes\bozh E\hu I|\qqB0bNab\enotes +% mesure 69 +%\check +\barre\arpg A6\notes\bozh H\hu L|\qqB0cabc\enotes +\temps\arpg B6\notes\bozh I\hu M|\qqB0{=d}bcd\enotes +%\check +% mesure 70 +\Alaligne\noteskipLARGE\Arpg A7\notes\bozh J\hu N|\qqB0{=e}c{=d}e\enotes +\temps\Arpg {!`E}8\notes\bozh F\zh{=H}\hu M|\qqb{-3}f{_e}{_d}c\enotes +%\check +% mesure 71 +\barre\arpg B6\notes\bozh I\hu M|\qqb3bcdf\enotes +\temps\arpg A8\notes\bozh E\zh I\hu N|\qqb{-3}edcb\enotes +%\check +% mesure 72 +\barre\arpg A6\notes\bozh H\hu L|\qqb3abce\enotes +\temps\arpg B6\notes\bozh I\hu M|\qqb{-3}dcba\enotes +%\check +% mesure 73 +\Alaligne\noteskipLARGE\arpg B5\notes\bozh J\hu{=L}|\qqb3Nabd\enotes +\temps\arpg B6\notes\bozh J\hu N|\qqb{-3}cbaN\enotes +% +% mesure 74 +\barre\arpg {!`D}6\notes\bozh F\hu J|\ifx\mxversion\undefined\Tleg0\relax + \else\tslur0b\fi + \ql a\sk\enotes +\temps\notes|\Ilegu0d\dqb3Na\enotes +\temps\arpg B5\notes\bozh I\hu K|\qqB0baNb\enotes +%\check +% mesure 75 +\barre\arpg C5\notes\bozh J\hu M|\qqB0aNMa\enotes +\temps\Arpg C5\notes\bozh J\hu {=L}\zmidtwotext{\ppff mf}|\qqB0NM{=L}N\enotes +%\check +% mesure 76 +\barre\noteskipLarge\arpg{-8}6\notes\bozq F\zq H\qu J\relax + |\Tleg0\ql M\enotes +\cleftoksi={{6}{0}{0}{0}}% +\changeclefs +\def\atnextline{\def\interfacteur{11}\advancebottom{\Interligne}}\relax +\Zalapage\nspace\notes\zmidtwotext{\it pi\`u dolce}\soupir|\Ilegu0r\dboqh3gh\enotes +\temps\arpg D5\notes\bozh L\hu N|\qboqh0ighi\enotes +% mesure 77 +%\check +\barre\arpg A6\notes\bozh H\hu L|\qboqh0jijk\enotes +\temps\arpg E5\notes\bozh L\hu N|\qboqh{-3}lkji\enotes +% mesure 78 +%\check +\barre\arpg F4\notes\zh{FJ}\hu M|\zq a\qu h\sk\enotes +\temps\notes|\dboqh3ij\enotes +\temps\arpg {!`G}7\notes\bozh I\hu M|\qboqh{-3}kjih\enotes +% mesure 79 +\barre\Arpg C5\Notes\bozh J\hu{=L}|\zq N\qu g\enotes +\temps\notes|\dboqh3hi\enotes +\temps\arpg C6\notes\bozh J\hu N|\qboqh{-3}jihg\enotes +%\check +% mesure 80 +\Alaligne\arpg {!`F}6\notes\bozh F\hu J|\zq a\qu h\sk\enotes +\temps\notes|\dboqh3gh\enotes +\temps\arpg B5\notes\bozh I\hu K|\qboqh0ihgi\enotes +% mesure 81 +\barre\arpg B6\notes\bozh J\hu M|\qboqh0hgfh\enotes +\temps\Arpg B5\notes\bozh J\hu{=L}|\qboqh0gfeg\enotes +%\check +%mesure 82 +\barre\arpg {!`F}6\notes\bozq F\qu J\zmidtwotext{\ppff f}|\Tleg0\zq{Ma}\qu f\sk\enotes +\temps\notes\dboqh3LM\zmidtwotext{\it sempre}|\dsoqb3gh\enotes +\temps\notes\qboqb0NLMN|\zq{ln}\qsoqh0ighi\enotes +% mesure 83 +\barre\notes\zmidtwotext{\it crescendo}\qboqb0aMNa|\zq{lo}\qsoqb0jhij\enotes +\temps\notes\zmidtwotext{\it\kern 1.5\noteskip e}\qboqb0bNab\relax + |\zq{mp}\qsoqb0kijk\enotes +% \check +% mesure 84 +\Alaligne\noteskipLARGE\notes\zmidtwotext{\it\ \ pi\`u}\qboqb{-3}cbaN|\zq{nq}\qsoqb{-3}lkji\enotes +\temps\notes\zmidtwotext{\it animato}\zh F\hl M|\zq{jm}\qsoqb2hijl\enotes +% \check +% mesure 85 +\def\boql#1{{\advance\transpose by -7\relax\zq{#1}}\ql{#1}}% +\def\boqu#1{{\advance\transpose by -7\relax\zq{#1}}\qu{#1}}% +\barre\notes\boql b\sk\boql b|\zq{mp}\qsoqb{-3}kjih\enotes +\temps\notes\bohu L|\zq{jl}\qsoqb2ghik\enotes +% mesure 86 +\barre\notes\boql a\sk\boql a|\zq{mo}\qsoqb{-3}jihg\enotes +\temps\notes\bohu K|\zq{ik}\qsoqb2fghj\enotes +% mesure 87 +\Alaligne\nspace\notes\boql N\sk\boql N|\zq{=ln}\qsoqh{-3}ihgf\enotes +\temps\notes\bohu J|\zq{gi}\qsoqh2{=e}fgi\enotes +% mesure 88 +\barre\notes\qboqh0M{=L}MN|\zq{jm}\qsoqb0hghi\enotes +\temps\notes\qboqb0aNab|\zq{mo}\qsoqb0jij{=k}\enotes +%\check +% mesure 89 +\barre\notes\zmidtwotext{\ppff \fff}\qboqb0c{=b}c{=d}|\relax + \ifx\mxversion\undefined\octsup v9\relax + \else \ioctfinup v\relax + \fi \zq{gj}\qsoqh0{=e}{=d}ef\enotes +\temps\notes\qboqb0{=e}def|\zq{j=l}\qsoqh0gfgh\enotes +%\check +% mesure 90 +\Alaligne\noteskipLarge\notes\qboqb{-2}gg{=e}{_d}|\relax + \ifx\mxversion\undefined\octfin v9\fi + \zq{=ln}\qsoqb{-2}iig{=e}\enotes +\temps\notes\qboqb{-2}cbN{=L}|\qsoqh{-2}{_d}dbN\relax + \ifx\mxversion\undefined\else\toctfin\fi + \enotes +% mesure 91 +%\check +\barre\notes\qboqh{-2}JIG{=E}|\qsoqh{-2}ddbN\enotes +\temps\notes\rlap{\qboqb0CGEC}\ibu0d{-2}\boqh d\qsk\boqh d\boqh b\tbu0\boqh N\enotes +%\check +% mesure 92 +\barre\notes\rlap{\qsk\ibu0A0\boqh C\tbu0\boqh C}\ibu0K0\boqh K\qsk\rq K\tbu0\qh0J|\enotes +\temps\notes\rlap{\qsk\dsoqb0CC}\ibu0d0\boqh d\qsk\rq d\tbu0\qh0c|\enotes +\temps\notes\dsoqb0JJ|\ibu0k0\boqh k\rq k\tbu0\qh0j\enotes +\temps\notes|\rlap{\qsk\dsoqb0cc}\ibu0q0\soqh k\qsk\rq r\tbu0\qh0q\enotes +\cleftoksi={{0}{0}{0}{0}}\zchangeclefs +%\check +% mesure 93 +\barre\noteskipLarge\def\scalenoteskip{1.05}\relax +\notes\dsoqb0jj\dsoqh0cc|\ifx\mxversion\undefined\octsup v6\else\ioctfinup t\fi + \ibl0l0\soqb k\lq q\soqb k\zq p\soqb k\lq p\tbl0\soqb j\enotes +\temps\notes\zq M\cu f|\zq m\cl t\zbreath\enotes +\cleftoksi={{6}{0}{0}{0}}\changeclefs +\def\atnextline{\staffbotmarg=3\Interligne\def\interfacteur{11}}% +\Zalapage\notes\midtwotext{\kern -6mm\it sempre + \ppff \fff}\enotes +\temps\notes\dsoupir\boql f|\ifx\mxversion\undefined\octline v\fi + \ibl0f1\soqb f\soqb g\tbl0\soqb h\enotes +% mesure 94 +\barre\notes\zmidtwotext{\it ed accelerando}\boql f\sk\boql f|\qsoqb0ighi\enotes +\temps\notes\boql f\sk\boql f|\qsoqb0jhij\enotes +%\check +% mesure 95 +\barre\notes\boql f\sk\boql f|\qsoqb0kjik\enotes +\temps\notes\boql f\sk\boql f|\qsoqb0jihj\enotes +%\check +% mesure 96 +\barre\notes\boql f\sk\boql f|\qsoqb0ihgi\enotes +\temps\notes\boql f\sk\boql f|\qsoqb0hgfh\enotes +%\check +% mesure 97 +\Alaligne\noteskipLarge +\notes\boql{=e}\sk\boql e|\ifx\mxversion\undefined\octline t\fi + \qsoqb0gf{=e}g\enotes +\temps\notes\boql f\sk\boql f|\qsoqb3ffgh\enotes +%\check +% mesure 98 +\barre\notes\boql d\sk\boql d|\qsoqb0ighi\enotes +\temps\notes\boql c\sk\boql c|\qsoqb0jhij\enotes +%\check +% mesure 99 +\barre\notes\boql b\sk\boql b|\qsoqb0kjik\enotes +\temps\notes\boql a\sk\boql a|\qsoqb0jihj\enotes +%\check +% mesure 100 +\barre\notes\boql N\sk\boql N|\qsoqb0ihgi\enotes +\temps\notes\boql M\sk\boql M|\soql h\sk\dsoqb3gh\enotes +%\check +% mesure 101 +\Alaligne\notes\boql K\sk\boql K|\ifx\mxversion\undefined\octfin u{17}\fi + \qsoqb0ihgi\enotes +\temps\notes\boql J\sk\boql J|\qsoqb0hgfh\enotes +%\check +% mesure 102 +\barre\notes\boql J\sk\boql J|\qsoqb0gf{=e}g\enotes +\temps\NOtes\pointdorgue d\bohu K|\pointdorgue o\zh{hk}\bohl m\relax + \ifx\mxversion\undefined\else\toctfin\fi \enotes +% mesure 103 +\barre\notes\zmidtwotext{\ppff mp \it dolce}\soupir|\Uptext{\moyen A tempo}\enotes +\temps\notes\islurd0G\dqb3Na|\hpause\enotes +\temps\notes\qqb2bcdf|\zh{fi}\hu k\enotes +%\check +% mesure 104 +\barre\notes\qqb{-3}edcb|\zh{gi}\lh k\hl l\enotes +\temps\notes\tslur0G\ql c\sk|\zh{hj}\hl l\enotes +\temps\notes\Ilegu0d\dqb3bc\enotes +%\check +% mesure 105 +\Alaligne\notes\qqB0dcbd|\zh{il}\hl n\enotes +\temps\notes\qqB0cbac|\zh{hj}\hl m\enotes +% mesure 106 +\barre\notes\qqB0baNb|\lh i\zh j\hl{=l}\enotes +\temps\notes\tleg0\ql a\sk|\zh{hj}\hl m\enotes +\temps\notes\Ilegu0c\dqb3Na|\enotes +%\check +% mesure 107 +\barre\notes\qqB0baNb|\zh{gik}\hl m\enotes +\temps\notes\qqB0aNMa|\zh{hj}\hl m\enotes +%\check +% mesure 108 +\barre\notes\qqB0NM{=L}N|\zh{gj}\lh i\hl{=l}\enotes +\temps\notes\Tleg0\ql M\sk|\zq{hj}\ql m\enotes +\temps\notes\soupir|\Ilegl0M\dqh3MN\enotes +% mesure 109 +\def\atnextline{\advancebottom{-2\Interligne}}% +%\check +\Alaligne\notes\uptext{\it senza arpeggiare}\zh{FJ}\hl M\relax + |\uptext{\it espressivo e delicato}\qqh3abcd\enotes +\temps\notes\rlap{\zh{EI}\hl L}\zh N|\qqh{-3}edcb\enotes +% mesure 110 +\barre\notes\zh H\hl L|\ifx\mxversion\undefined\Tleg0\else\tslur0a\fi + \qu a\sk\enotes +\temps\notes|\Ilegl0a\dqh3c{=d}\enotes +\temps\notes\zh{JN}\hl c|\qqh4{=e}fgh\enotes +%\check +% mesure 111 +\barre\notes\zh{JN}\hl b|\qqh{-6}ig{_d}c\enotes +\temps\notes\zh{FJ}\hl M|\Tleg0\qu c\sk\enotes +\temps\notes|\Ilegl0b\dqh3fg\enotes +% mesure 112 +\barre\notes\zh F\hl L|\rlap{\hl c}\qqh0{=h}ijh\enotes +\temps\notes\zh{IM}\hl b|\rlap{\hl d}\tleg0\qu f\sk\enotes +\temps\notes|\Ilegl0b\dqh3ij\enotes +% mesure 113 +\Alaligne\notes\zh{IM}\hl b|\rlap{\hl d}\qqh{-6}kigf\enotes +\temps\notes\zh{JN}\hl c|\qqH6{=e}gkj\enotes +% mesure 114 +\barre\notes\zh{FJ}\hu M|\ibu0j{-6}\qh0{j=h}\tbu0\tleg0\qh0f\enotes +\temps\notes\zmidtwotext{\it crescendo}|\Ilegu0q\cl{_n}\enotes +\Arpg F5\notes\zh{FJ}\hu{=a}|\qqB0mljl\enotes +% mesure 115 +\barre\arpg I5\notes\zh{IM}\hl d|\qqh{-5}lkif\enotes +\temps\notes\Soufflcr\zh{JN}\hl c|\rlap{\sk\sk\sk\tleg0}\qqH6{=e}gkj\enotes +%\check +% mesure 116 +\barre\notes\zmidtwotext{\ppff ff}\zq{J=L}\ql N|\dsoqh{-3}dc\enotes +\cleftoksi={{0}{0}{0}{0}}\zchangeclefs +\nspace\notes\zq{c=e}\qu g|\dsoqb{-3}kj\enotes +\temps\notes\zq{j=l}\ql n|\dsoqb{-3}rq\enotes +\temps\notes\zq{ce}\qu g|\dsoqb{-3}kj\enotes +\cleftoksi={{6}{0}{0}{0}}\zchangeclefs + %\check +% mesure 117 +\def\motif#1#2#3{\notes\ibu0F4\boqh F\relax + |\sk{\advance\transpose by 3\relax\ibu1{#3}6}\zq{#1}\zq{#2}\qh1{#3}\relax + \tbl0\zq{#1}\zq{#2}\qb0{#3}\tbu1{\advance\transpose by 7\relax + \zq{#1}\zq{#2}\qh1{#3}}\enotes}% +%\check +\staffbotmarg=5\Interligne +\Alapage\vnotes 0.2\elemskip\zmidtwotext{\ppff f}|\zcharnote v{\kern -10mm +\moyen pi\`u vivo \rm(\metron{\qu}{110})}\enotes +\motif acf\temps\motif bdg\relax +% mesure 118 +\barre\motif cfh\temps\motif acf\relax +% mesure 119 +\barre\motif bdg\temps\motif cfh\relax +% mesure 120 +\barre\motif dgi\temps\motif bdg\relax +% mesure 121 +\Alaligne\motif cfh\temps\motif dgi\relax +% mesure 122 +\xbarre\znotes\Soufflcr\enotes\motif {cf}hj\temps\motif cfh\relax +% mesure 123 +\xbarre\motif dfi\temps\motif fhj\relax +% mesure 124 +\barre\motif fik\temps\motif dfi\relax +\generalmeter{\meterfrac 54}\relax +\changecontext +\znotes\zmidtwotext{\kern -5mm\ppff ff}\enotes +% mesure 125 +%\check +\def\motif#1#2#3#4#5#6{\notes\ibu0a0\boqh C\ibu1e0{\advance\transpose by -14\relax +\zq{#1}\zq{#2}\qh1{#3}\zq{#4}\zq{#5}\qh0{#6}}\enotes +\notes{\advance\transpose by -7\relax +\zq{#1}\zq{#2}\qh1{#3}\zq{#4}\zq{#5}\qh0{#6}}\enotes +\notes|\zq{#1}\zq{#2}\qb1{#3}\zq{#4}\zq{#5}\qb0{#6}\enotes +\notes|{\advance\transpose by 7\relax +\zq{#1}\zq{#2}\qb1{#3}\tbl0\zq{#4}\zq{#5}\qb0{#6}}\enotes +\notes|{\advance\transpose by 14\relax +\tbl1\zq{#1}\zq{#2}\qb1{#3}}\enotes}% +%\check +\noteskipLarge\relax +\motif {=e}gjegj\relax +% mesure 126 +\barre\motif fhjfhj\relax +% mesure 127 +\barre\notes\ibu0a0\boqh C\ibu1e0{\advance\transpose by -14\relax +\zq g\rq i\qh1j\zq g\rq i\qh0j}\enotes +\notes{\advance\transpose by -7\relax +\zq g\rq i\qh1j\zq g\rq i\qh0j}\enotes +\notes|\zq g\lq i\qb1j\zq g\lq i\qb0j\enotes +\notes|{\advance\transpose by 7\relax +\zq g\lq i\qb1j\tbl0\zq g\lq i\qb0j}\enotes +\notes|{\advance\transpose by 14\relax +\tbl1\zq g\lq i\qb1j}\enotes +%\check +% mesure 128 +\Alaligne\motif fikfik\relax +% mesure 129 +\barre\motif gi{=l}gil\relax +% mesure 130 +\generalmeter{\allabreve}\changecontext +\noteskipnormal\NOtes|\octfin z1\rlap{\sforz I\zh{ce}\hl g}\relax +\sforz x\zh{j=ln}\hu q\enotes +\temps\NOtes\pointdorgue c\hpause|\pointdorgue o\hpause\enotes +% mesure 131 +\noteskipLarge\transpose=0\relax +\ifx\HalfPieceCut\undefined + \barre +\else + \advance\mulooseness -2\relax + \alapage + \advance\mulooseness 3\relax +\fi +\notes\rlap{\bohu F}\isluru0e\relax + \qqh3MNab|\zcharnote{-4}{\it dolce ed espressivo}\Uptext{\kern -3mm\moyen + tempo I$^{\bf o}$}\enotes +\temps\notes\qqb0cbcd% +\off{\beforeruleskip}\hloff{\Tslurbreak0h}\off{-\beforeruleskip}% +|\zh{hj}\hu m\uptext{\it m.s.}\enotes +% mesure 132 +\Alaligne +\notes +\off{-\afterruleskip}\hloff{\Islurdbreak0h}\off{\afterruleskip}% +\bohu L|\qqb0edef\enotes +\temps\notes|\rlap{\zh{il}\hu n}\qqb{-3}edcb\enotes +% mesure 133 +\barre\Notes\tslur0f\bohu H|\hl c\enotes +\temps\notes|\raise -5\Interligne\rlap{\soupir}\zh{lo}\hl q\enotes +\temps\notes|\Ilegl0K\ibl0c1\qb0{=b}\tqb0c\enotes +% mesure 134 +%\check +\barre\notes\bohu J|\qqb5{=e}gkj\enotes +\temps\notes|\rlap{\zh n\rh p\hu q}\qqB{-6}igdc\enotes +% mesure 135 +\barre\notes\bohl M|\ibl0e0\qb0{=h=ef}\tqb0g\enotes +\temps\notes|\rlap{\zh{m=o}\hu q}\qqb3hijk\enotes +%\check +% mesure 136 +\Alapage\noteskipLarge\Arpg D6\notes\zh{FJM}\hl{=a}|\rlap{\sk\sk\sk + \ifx\mxversion\undefined\tleg0\else\tslur0a\fi}\qqb{-6}lj{=h}f\enotes +\temps\arpg G6\notes\zh{IMb}\hl d|\qqb{-6}ki{_h}g\enotes +%\check +% mesure 137 +\barre\arpg I5\notes\zh{KMb}\hl d|\qqb{-6}ki{_h}g\enotes +\temps\Arpg H5\notes\zmidtwotext{\it crescendo}\zh{JN}\lh b\hl c|\qqh{-6}{=l}kig\enotes +% mesure 138 +%\check +\barre\Arpg H6\notes\zh{=Lb=e}\hl g\zmidtwotext{\it molto}|\qqh{-6}n{=l}ki\enotes +\temps\Arpg b{9}\notes\zh c|\rlap{\zh {=eg}\hl j}\qqh{-6}pnlk\enotes +%\check +% mesure 139 +\barre\Arpg H5\notes\zh{=LN}\bohl c|\qqb{-8}rpnj\enotes +\temps\notes\zmidtwotext{\ppff f}\boql c\sk\boql c|\qsoqb{-8}rpnj\enotes +%\check +% mesure 140 +\Alaligne\noteskiplarge\bigaccid +\notes\zmidtwotext{\vbox{\hbox{\ppff ff \it con fuoco}\smallskip + \hbox{\it e crescendo}}}\soupir|\soupir\enotes +%\check +\noteskipnormal\def\scalenoteskip{0.75}\relax +\notes\ibbl0F3\soqb F\qs\tbl0\soqb G\qs|\qs\ibbu0m3\soqh f\qs\tbu0\soqh g\enotes +%\check +\def\motif#1#2#3#4{\notes\ibbu0b0{\advance\transpose by -7\relax\boqh{#1}}\sk + |\qsk\sk\rlap{\soqb{#1}}\enotes +\notes{\advance\transpose by -7\relax\boqh{#2}}\sk|\rlap{\qsk\sk\soqb{#2}}\enotes +\notes{\advance\transpose by -7\relax\boqh{#3}}\sk|\rlap{\qsk\sk\soqb{#3}}\enotes +\notes{\advance\transpose by -7\relax\boqh{#4}}\sk\qsk|\rlap{\qsk\sk +\tbl0\soqb{#4}}\enotes +}% fin motif +%\check +\temps\motif hfgh\relax +%\check +% mesure 141 +\barre\motif ighi\temps\motif jhij\relax +% mesure 142 +\barre\motif kjik\temps\motif jihj\relax +% mesure 143 +\def\scalenoteskip{0.7}\Alaligne\motif ihgi\temps\motif hgfh\relax +%\check +% mesure 144 +\barre\motif gf{=e}g\temps\motif ffgh\relax +% mesure 145 +\barre\motif ighi\temps\motif jhij\relax +% mesure 146 +\Alaligne\motif {=k}ijk\temps\motif {=l}jkl\relax +% mesure 147 +\barre\motif m{_l}{_k}j\temps\motif iijk\relax +% mesure 148 +\barre\motif lkji\temps\motif hhij\relax +% mesure 149 +\Alaligne\motif kjik\relax +%\check +\def\motif#1#2#3#4#5#6#7#8{\notes\ibbu0b0{\advance\transpose by -7\relax +\boqh{#1}}\sk|\qsk\sk\rlap{\soqb{#5}}\enotes +\notes{\advance\transpose by -7\relax\boqh{#2}}\sk|\rlap{\qsk\sk\soqb{#6}}\enotes +\notes{\advance\transpose by -7\relax\boqh{#3}}\sk|\rlap{\qsk\sk\soqb{#7}}\enotes +\notes{\advance\transpose by -7\relax\boqh{#4}}\sk\qsk|\rlap{\qsk\sk +\tbl0\soqb{#8}}\enotes}% fin motif +%\check +\temps\motif j{^j}{=k}{^k}jjjj\relax +% mesure 150 +\barre\motif {=l}{_l}{=k}{_k}jjjj\relax +\temps\motif jihgjj{=k}{=l}\relax +% mesure 151 +\noteskipLarge\varaccid +\xbarre\Notes\pointdorgue a\zcharnote i{\ppff \fff}\bohl M\relax + |\pointdorgue u\zh{=oq}\sohl m\enotes +%\check +\NOtes\rlap{\pointdurgue F\soupir}\midtwotext{\it\vbox{\hsize 2\noteskip +\centerline{a piacere +}\centerline{% +quasi una}\centerline{cadenza}}}|\pointdorgue m\hpause\enotes +\Zalapage +\transpose=-7\relax +% +\staffbotmarg=3\Interligne +\Notes\charnote C{\ppff f}\dqh8FJ\enotes +% +% +% mesure 152 +% +\def\motif{}% +\def\motifb#1#2#3#4#5#6#7{\ibbl0{#2}{#1}\usf{#2}\qb0{#2}\tbbl0\qb0{#3}% +\nbbl0\qb0{#4}\tbbl0\qb0{#5}\nbbl0\qb0{#6}\tqb0{#7}}% +\def\motifh#1#2#3#4#5#6#7{\ibbu0{#2}{#1}\lsf{#2}\qh0{#2}\tbbu0\qh0{#3}% +\nbbu0\qh0{#4}\tbbu0\qh0{#5}\nbbu0\qh0{#6}\tqh0{#7}}% +\def\motifH#1#2#3#4#5#6#7{{\advance\transpose by 3\ibbu0{#2}{#1}}% +\lsf{#2}\qh0{#2}\tbbu0\qh0{#3}\nbbu0\qh0{#4}\tbbu0\qh0{#5}\nbbu0\qh0{#6}\tqh0{#7}}% +%\check +\noteskipnormal\def\scalenoteskip{1.11}\hyphenpenalty -20\relax +\transpose=0\relax +\barre\notes\motifh8FHJMac\enotes +\temps\notes|\motifb8fhjmoq\enotes +%\check +% mesure 153 +\barre\notes|\motifb{-6}t{=s}tqom\enotes +\zbarre\notes|\na l\motifb{-6}lmjhf{=e}\enotes +\zbarre\notes|\usf f\ibbl0d0\qb0f\tbbl0\qb0c\enotes +\notes\nbbu0\qh0a\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes +\zbarre\notes\motifh{-4}JHF{=E}FC\enotes +\transpose=-7\relax +\zbarre\notes\ibbu0I{-6}\qh0H\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes +%\check +% mesure 154 +\Alaligne +\transpose=-7\relax +\notes\motifh8FIKMbd\enotes +\zbarre\notes|\motifh8fikmpr\enotes +\transpose=7\relax +\notes|\usf f\ibbl0f4\qb0{fi}\tqb0k\enotes +%\check +% mesure 155 +\transpose=0\relax +\barre\notes|\motifb{-6}t{=s}trpm\enotes +\zbarre\notes|\na l\motifb{-6}lmkif{=e}\enotes +\zbarre\notes|\usf f\ibbl0e0\qb0f\tbbl0\qb0d\enotes +\notes\nbbu0\qh0b\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes +\zbarre\notes\motifh{-4}KIF{=E}FD\enotes +\transpose=-7\relax +\Zalaligne\notes\ibbu0I{-6}\qh0I\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes +%\check +% mesure 156 +\transpose=-7\relax +\barre\notes\motifH8FJ{_L}Mc{_e}\enotes +\zbarre\notes|\motifH8fj{_l}mq{_s}\enotes +\transpose=7\relax +\zbarre\notes|\sforz h\ibbl0g4\qb0{fj}\tqb0{_l}\enotes +%\check +% mesure 157 +\transpose=0\relax +\barre\notes|\motifb{-6}t{=s}t{_s}qm\enotes +\zbarre\notes|\na l\motifb{-6}lm{_l}jf{=e}\enotes +\zbarre\notes|\sforz h\ibbl0e0\qb0f\tbbl0\qb0{_e}\enotes +\notes\nbbu0\qh0c\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes +\Zalaligne\notes\motifh{-6}{_L}JF{=E}F{_E}\enotes +\transpose=-7\relax +\zbarre\notes\ibbu0I{-4}\qh0J\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes +%\check +% mesure 158 +\def\motif{}% +\def\motifb{}% +\def\motifh{}% +\noteskipnormal +\barre\notes\transpose=-7\relax\ibbu0H8\qh0{FIK}\tqh0M\enotes +\zbarre\notes\transpose=0\relax\ibbu0I8\qh0{IK}\tqh0M\enotes +\zbarre\notes|\transpose=7\relax\ibbu0I8\qh0{IK}\tqh0M\enotes +\zbarre\notes|\transpose=0\relax\lsf i\ibbu0i8\qh0{ik}\tqh0m\enotes +\zbarre\notes|\transpose=7\relax\lsf g\ibbu0g8\qh0{gik}\tqh0m\enotes +%\check +\def\souffldim{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\Dimin}}}% +% mesure 159 +\transpose=7\relax\def\motifa{\sforz u\ibbu0m0\qh0{nm}\tqh0n}\relax +\def\motifb{\ibbl0k{-8}\qb0{ki}\tqb0f}\relax +\barre\notes\souffldim|\motifa\enotes +\notes|\motifb\enotes +\transpose=0\relax +\zbarre\notes|\motifa\enotes +\notes|\motifb\enotes +\transpose=-7\relax +\zbarre\notes|\motifa\enotes +\notes\motifb\enotes +\transpose=-14\relax +\zbarre\notes\motifa\enotes +\notes\motifb\enotes +\transpose=-21\relax +\zbarre\notes\motifa\enotes +\notes\motifb\enotes +%\check +% mesure 160 +\barre\notes\transpose=-7\relax\ibbu0H8\qh0{FJM}\tqh0N\enotes +\zbarre\notes\transpose=0\relax\ibbu0H8\qh0{HJM}\tqh0N\enotes +\zbarre\notes\transpose=7\relax\ibbu0J0\qh0{HJ}\enotes +\notes|\transpose=7\qb0M\tqb0N\enotes +\zbarre\notes|\transpose=0\relax\ibbu0h8\qh0{hjm}\tqh0n\enotes +\zbarre\notes|\transpose=7\relax\ibbl0h8\qb0{hjm}\tqb0n\enotes +% +% mesure 161 +% sixte et quinte inferieures +\transpose=0\relax +\def\motifb{}\def\motifh{}\def\motifH{}% +\def\bsqh#1{{\advance\transpose by -5\relax\zq{#1}}\qh0{#1}}% +\def\bqqh#1{{\advance\transpose by -4\relax\zq{#1}}\qh0{#1}}% +\def\tbsqh{\tbu0\bsqh}\def\tbqqh{\tbu0\bqqh}% +\cleftoksi={{0}{0}{0}{0}}\changeclefs +\generalmeter{\meterfrac 44}\changecontext\staffbotmarg=5\Interligne +\def\serre{\def\scalenoteskip{0.8}}\serre +\def\motif{\ibbbl2n{-6}\qb2{onm}\tqb2j}% +\transpose=0\relax +\def\atnextline{\serre}\relax +\ifx\mxversion\undefined + \def\everystaff{\znotes\nextstaff\octline t\enotes}\relax +\fi +\Zalapage +\ifx\mxversion\undefined\else + \znotes|\ioctfinup t\enotes +\fi +\notes|\motif\enotes +\zbarre\notes\souffldim|\motif\enotes +\zbarre\notes\hpause|\motif\enotes +\zbarre\notes|\motif\enotes +% +% +\temps\notes\soupir|\motif\enotes +\zbarre\notes\zmidtwotext{\ppff p}|\motif\enotes +\zbarre\notes\ibu0f1\bsqh f|\motif\enotes +\notes\tbsqh g|\motif\enotes +% mesure 162 +\def\Motif#1#2#3#4{\Ibbbl2{#1}{#4}3\hb2{#1#2#3}\tbl2\hb2{#4}}% +\barre\NOtes\ibu0g0\bsqh h\bsqh f\bsqh g\tbsqh h\relax + |\Motif onmj\enotes +\temps\NOtes\ibu0h0\bsqh i\bsqh g\bsqh h\tbsqh i|\Motif ponk\enotes +% mesure 163 +%\check +\def\motif#1#2#3#4{\Ibbbl1{#1}{#4}3\qb1{#1#2#3}\tbl1\qb1{#4}}% +\barre\NOtes\ibu0g0\bsqh j\bsqh h\bsqh i\tbsqh j\relax + |\Motif qpom\enotes +\temps\notes\ibu0j{-6}\bsqh k|\motif rqpm\enotes +\notes\tbsqh i|\motif rqpm\enotes +\zbarre\notes\ibu0i{-6}\bsqh j|\motif qpom\enotes +\notes\tbsqh h|\motif qpom\enotes +%\check +% mesure 164 +\generalmeter{\meterfrac 34}\changecontext +\notes\ibu0h{-4}\zq d\qh0i|\motif pon{=l}\enotes +\notes\tbsqh g|\motif ponl\enotes +\temps\NOtes\zh b\zh{=e}\hu g|\Motif ponl\enotes +%\check +% mesure 165 +\generalmeter{\meterfrac 44}\changecontext\serre +\Notes\Ibu0hg3\bsqh i|\motif ponk\enotes +\Notes\tbsqh g|\motif ponk\enotes +\zbarre\Notes\Ibu0ge3\bsqh h|\motif onmj\enotes +\Notes\tbsqh f|\motif onmj\enotes +\zbarre\NOtes\zq a\qu f\sk\Ibu0gf1\bsqh h\tbsqh f|\Motif onmj\enotes +%\check +% mesure 166 +\barre\serre\notes\ibu0g1\bigna e\bsqh e\relax|\motif nm{=l}i\enotes +\notes\bsqh g|\motif nmli\enotes +\notes\bsqh f|\motif onmj\enotes +\notes\tbsqh h|\motif onmj\enotes +\notes\ibu0i1\bsqh g|\motif ponk\enotes +\notes\bsqh i|\motif ponk\enotes +\notes\bsqh h|\motif qpol\enotes +\notes\tbu0\bsqh j|\motif qpol\enotes +%\check +% mesure 167 +\generalmeter{\meterfrac 34}% +\changecontext\notes\ibu0j1\bigna h\bsqh h\relax +|\motif qp{=o}m\enotes +\notes\bsqh j|\motif qpom\enotes +\notes\bsqh i|\motif rqpm\enotes +\notes\tbsqh k|\motif rqpm\enotes +\notes\ibu0j1\bsqh j|\motif srqm\enotes +\notes\bigfl g\tbsqh l|\motif srqm\enotes +% +% mesure 168 +\generalmeter{\meterfrac 44}\changecontexte +\NOtes\zq f\qu k\sk\ibu0i2\bsqh i\tbsqh k|\Motif rqpm\enotes +\zbarre\NOtes\ibu0i0\bsqh j\bsqh i\fl h\bsqh h\tbsqh j|\Motif qpom\enotes +% +% mesure 169 +\barre\NOtes\ibu0h0\bsqh i\bsqh h\bsqh g\tbsqh i|\Motif ponk\enotes +\zbarre\Notes\ibu0g0\bsqh h\bsqh g\bsqh f\tbsqh h| +\Motif onmj\enotes +% mesure 170 +\barre\Notes\ibu0f0\bsqh g\bsqh f\na e\bsqh e\tbsqh g|\Motif nm{=l}i\enotes +\temps\Notes\zh a\hu f|\Motif onmj\enotes +%\check +% mesure 171 +\barre\Notes\ibu0f0\na a\zq c\bsqh f\zq c\bsqh f\zq c\bsqh f\zq c\tbsqh +f|\na o\Motif onmj\enotes +\temps\Notes\ibu0f0\zq d\bqqh f\zq d\bqqh f\zq d\bqqh f\zq d\tbqqh +f|\Motif p{_o}nk\enotes +%\check +% mesure 172 +\barre\Notes\ibu0g0\zq d\bsqh g\zq d\bsqh g\zq d\bsqh g\zq d\tbsqh +g|\Motif ponk\enotes +\temps\Notes\ibu0h0\zq f\bsqh h\zq f\bsqh h\zq f\bsqh h\zq f\tbsqh +h|\Motif qpom\enotes +% mesure 173 +\barre\Notes\ibu0g0\zmidtwotext{\it smorz.}\relax +\zq{c=e}\qh0i\zq{ce}\qh0i\zq{ce}\qh0i\zq{ce}\tqh0i|\Motif pon{=l}\enotes +\nspace\NOtes\pointdorgue l\hpause|\pointdorgue l\hpause\toctfin\enotes +\suspmorceau\def\everystaff{}\relax +\Eject +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +% finale % +\transpose=0\relax\cleftoksi={{6}{0}{0}{0}}% + \Eject\staffbotmarg=3\Interligne\relax +\def\atnextline{\def\interfacteur{11}}% +\def\scalenoteskip{1.0}% +% mesure 200 +\barno=200\relax +\generalmeter{\allabreve}\reprmorceau +\savemeters\noteskipLarge\saveclefs +\notes\zmidtwotext{\ppff p}|\Uptext{\kern -7mm\moyen +a tempo primo, con molta delicatezza}\soupir\enotes +\temps\notes\hpause|\Ilegl0d\dqh3fg\enotes +\temps\notes\zh{Ma}\hl c|\qqh0hfgh\enotes +% mesure 201 +\xbarre\notes\zh{Mb}\hl d|\qqh0ighi\enotes +\temps\notes\zh{Ma}\hl c|\Tleg0\qu j\sk\enotes +\temps\notes|\Ilegl0d\dqh3ij\enotes +% mesure 202 +\xbarre\notes\zh{Mb}\hl d|\qqh0kjik\enotes +\temps\notes\zh{Ma}\hl c|\qqh0jihj\enotes +%\check +% mesure 203 +\xbarre\notes\zh M\lh N\hl b|\qqh0ihgi\enotes +\temps\notes\zh{Ma}\hl c|\Tleg0\qu h\enotes +\temps\notes|\Ilegl0d\dqh3gh\enotes +%\check +% mesure 204 +\Alaligne\notes\zh{Mb}\hl d|\qqh0ihgi\enotes +\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes +% mesure 205 +\barre\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes +\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes +\temps\notes|\Ilegu0r\dqh3gh\enotes +% mesure 206 +\barre\notes\zh{LN}\hl b|\rlap{\hl e}\qqh0ighi\enotes +\temps\notes\zh{La}\hl c|\rlap{\hl e}\qqh0jijk\enotes +% mesure 207 +\barre\notes\zh b\bohl e|\rlap{\hl g}\qqh{-3}lkji\enotes +\cleftoksi={{0}{0}{0}{0}}\changeclefs +\temps\notes\zh{ac}\hl e|\Tleg0\qu h\sk\enotes +\temps\notes|\Ilegu0t\dqh3jk\enotes +% mesure 208 +\Alaligne\notes\zh{Nc}\hu{=e}|\na l\qqb3lmno\enotes +\temps\notes\zh{ce}\hu i|\qqb{-6}pnkj\enotes +% mesure 209 +\barre\nspace\notes\zh{cf}\hu{=h}|\Uptext{\it sempre \ppff p}\relax + \ibl0m0\qb0{=o=lm}\tqb0n\enotes +\temps\notes\zh{c_e}\hu h|\qqb3opqr\enotes +%\check +% mesure 210 +\xbarre\notes\zh{=ac}\hu{_g}|\qqb{-7}sq{=o}m\enotes +\temps\notes\zh{bd}\hu f|\Tleg0\ql r\enotes +\temps\notes|\Ilegu0s\dqb4pr\enotes +% mesure 211 +\xbarre\notes\zh{ac}\hu f|\qqB0qpoq\enotes +\cleftoksi={{6}{0}{0}{0}}\changeclefs +\temps\notes\zh{Nb}\hl{=e}|\qqB0ponp\enotes +% mesure 212 +\generalmeter{\meterfrac 32}\changecontexte +\Notes\zh{Ma}\hl c|\Tleg0\ql o\enotes +\temps\notes|\Ilegu0r\dqb3no\enotes +\temps\notes\zh{KM}\hl b|\qqB0ponp\enotes +\temps\notes\zh{JM}\hl a|\qqB0onmo\enotes +%\check +% mesure 213 +\generalmeter{\allabreve}\changecontexte +\notes\zh{J=L}\hl N|\qqB0nm{=l}n\enotes +\temps\Notes\boqu M|\Tleg0\hl m\enotes +\temps\notes\zmidtwotext{\kern -1.5\noteskip\ppff pp}\Ilegu0e\dqb3MN\enotes +%\check +% mesure 214 +\xbarre\notes\qqb3abcd|\zh{fh}\hu j\enotes +\temps\notes\qqb{-3}cbaN|\zh{=eg}\hu j\enotes +%\check +% mesure 215 +\xbarre\Notes\tleg0\ql a|\zh{fh}\hu j\enotes +\temps\notes\Ilegu0d\dqb3Na\enotes +\temps\notes\qqb0baNb|\zh{fi}\hu k\enotes% mesure 216 +\Alaligne\notes\qqB0aNMa|\zh{fh}\hl j\enotes +\temps\notes\qqB0NM{=L}N|\zh{=eg}\hu j\enotes +% mesure 217 +\barre\notes\Tleg0\hl M|\zh{fh}\hu j\enotes +\cleftoksi={{6}{6}{0}{0}}\changeclefs +\notes|\Ilegl0E\dqh3Na\enotes +\temps\notes\bohu K|\rlap{\hl M}\qqh5bcdf\enotes +% mesure 218 +\barre\notes\bohu L|\rlap{\hl N}\qqh{-3}edcb\enotes +\temps\Notes\bohu H|\Tleg0\rlap{\ql a}\qu c\enotes +\temps\notes|\Ilegl0E\dqh3bc\enotes +%\check +% mesure 219 +\barre\notes\bohu I|\rlap{\hl M}\qqh0dcbd\enotes +\temps\notes\bohu J|\rlap{\hl M}\qqh0cbac\enotes +%\check +% mesure 220 +\Alaligne\notes\bohu J|\rlap{\hl{=L}}\qqh0baNb\enotes +\temps\notes\bohu F\sk|\Tleg0\rlap{\ql J}\qu a\enotes +\temps\notes|\Ilegl0F\dqh3Na\enotes +% mesure 221 +\barre\notes\Uptext{\it diminuendo,\ \ \ ma senza}\bohu D\relax + |\rlap{\hl K}\qqh0baNb\enotes +\temps\notes\bohu C|\rlap{\hl J}\qqh0aNMa\enotes +% mesure 222 +%\check +\barre\notes\Uptext{\it rallentare}\bohu C|\rlap{\hl J}\qqh0NMLN\enotes +\temps\NOtes\bohu F|\Tleg0\rlap{\hl J}\hu M\enotes +% mesure 223 +\barre\notes\bohu F|\itenu0f\itenl1M\roff{\zqp b\zqup d}\bohl f\sk\sk +\itenu2a\itenu3c\zq a\cu c\qsk\enotes +\NOtes\pointdorgue a\bohu F\relax + |\pointdurgue F\tten0\tten1\tten2\tten3\zh{ac}\bohl f\enotes +\finmorceau \rightline{\sl \aujourdhui} +\eject +\bye +\endinput diff --git a/macros/generic/musixtex/doc/examples/pacifiqt.tex b/macros/generic/musixtex/doc/examples/pacifiqt.tex new file mode 100644 index 0000000000..2077a6b801 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/pacifiqt.tex @@ -0,0 +1,10 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi +\musicsize=20\relax +\def\NoPageCut{\relax} +\def\HalfPieceCut{\relax} +\input c:/taupin/musixtex/scores/pacifiqn +\bye diff --git a/macros/generic/musixtex/doc/examples/parnasum.tex b/macros/generic/musixtex/doc/examples/parnasum.tex new file mode 100644 index 0000000000..decd8797a8 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/parnasum.tex @@ -0,0 +1,132 @@ +%format musix + +\input musixtex + +\catcode`@=11 +\def\Special{\def\n@bbl{\C@nb\c@z\c@x\m@ne\z@}% + \def\beamst@m{\getcurpos\advance\y@v-\b@x + \y@ii\b@p\y@v \divide\y@ii\tw@nty \advance\y@ii\b@z \stem@skip\z@ + \advance\y@ii\b@n\interbeam \advance\y@ii\tw@\interbeam \st@bot\y@ii\C@stem}% + \def\t@xbl{\C@txb\lthick{\f@ur\b@amthick}\interbeam\hlthick<}}% +\def\DS{\zchar4\ds} +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +% TEX translation of MIDI File : +% o.MID +% +% Written by Hans Kuykens +% this translation of date : 1-9-1993 +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +\centerline{\BIGtype Doctor Gradus ad Parnassum}\bigskip\bigskip +\rightline{\medtype Claude Debussy}\medskip +\musicparskip +\parindent10mm + +\generalmeter{\meterfrac44} +\setstaffs1{2} +\interstaff{11} +\setclef1\bass +\startmuflex\startpiece\systemnumbers +%%% bar 1 +\scale\tinyvalue +\notes\zchar{11}{\p\lower.5ex\hbox{\it\ \'egal et sans s\'echeresse}}% + \itied0C\tinynotesize\stdstemfalse\grcu C% + |\Uptext{\medtype\bf Mod\'er\'ememt anim\'e}\en +\scale\normalvalue +\notes\tslur0H\isslurd0J\lst J\wh J% + |\qs\Ibbu0Nd2\isslurd1N\qb0{Nc}\tqh0d\en +\notes|\ibbu0d0\qb0{eNc}\tqh0e\ibbu0c0\qb0{dMc}\tqh0d\en +\notes|\ibbu0e0\qb0{fab}\tqh0f\en +%%% bar 2 +\bar +\notes\midslur{-4}\ttie0\itied0J\wh J|\ibbu0d0\qb0{eNc}\tqh0e\en +\notes|\ibbu0f0\qb0{gbc}\tqh0g\en +\notes|\ibbu0e0\qb0{fac}\tqh0f\en +\notes|\ibbu0g0\qb0{hbf}\tqh0h\curve{-2}15\tslur1d\midslur{-4}\en +%%% bar 3 +\bar +\notes\zchar4\qp\ttie0\ql J% + |\loffset{1.3}{\islurd1e}\ibbu0f0\qb0{gce}\tslur1f\tqh0g\en +\notes\roffset{1.1}{\zhu{.c}}\roffset{1.75}{\itieu1c}\ibslurd0c\ql c% + |\ibsluru2k\upz{11}\zcu j\ibbl0h0\qb0{je}\DS\qb0g\tqb0j\en +\notes\ql b|\upz{11}\zcu k\ibbl0h0\qb0{ke}\DS\qb0g\tqb0k\en +\notes\ql a|\upz{11}\zcu j\ibbl0h0\qb0{je}\DS\qb0g\tqb0j\en +%%% bar 4 +\bar +\notes\ttie1\zqu c\rql b% + |\upz{10}\zcu i\ibbl0h0\qb0{ie}\DS\qb0g\tqb0i\en +\notes\ql c|\upz9\zcu h\ibbl0h0\qb0{he}\DS\qb0g\tqb0h\en +\notes\ql b|\upz8\zcu g\ibbl0f0\qb0{gc}\DS\qb0e\tqb0g\en +\notes\midslur{-5}\tdbslur0a\ql a% + |\tdbslur2g\upz7\zcu f\ibbl0f0\qb0{fc}\DS\qb0e\tqb0f\en +%%% bar 5 +\bar +\notes\issluru0N\ql N|\ibsluru1f\zqu e\ibbl0d0\qb0{ebc}\tqb0e\en +\notes\ql M|\zqu d\ibbl0c0\qb0{dac}\tqb0d\en +\notes\icresc\ql L\sk\sk\roff{\zchar{12}\tcresc}% + |\zqu g\ibbl0e0\qb0{gbe}\tqb0g\en +\notes\icresc\curve200\tsslur0a\ql a\sk\sk\roff{\zchar{12}\tdecresc}% + |\zqu h\ibbl0e0\qb0{hce}\curve333\tslur1d\tqb0h\en +%%% bar 6 +\bar +\notes\uptext{\llap\p}\issluru0N\ql N% + |\ibsluru1e\zqu e\ibbl0c0\qb0{eac}\tqb0e\en +\notes\ql M|\zqu d\ibbl0c0\qb0{dac}\tqb0d\en +\setclef1{\bass\bass}\changeclefs +\notes\ql L|\zqu c\ibbl0a0\qb0{cNa}\tqb0c\en +\notes\curve236\tsslur0K\ql K% + |\zqu b\ibbl0N0\qb0{bMN}\curve974\tubslur1h\tqb0b\en +%%% bar 7 +\bar +\notes\roff{\lmidstaff\pp}\roffset{1.125}{\lst F\zw F}% + \ibbu0J5\qb0F\roff\icresc\qb0{JK}\tbbu0\qb0L|\ibsluru0{-10}\en +\notes|\Special\nbbl0\qb0{Mac}\tqb0d\en +\notes\ibbl0t{-5}\loff{\zqb0e\zchar{-2}\tcresc}\icresc + |\sk\qb0{dc}\tbbl0\qb0a\nbbl0\qb0M\en +\notes\qb0{LK}\roff{\zchar{-2}\tdecresc}\tqh0J% + |\sk\sk\curve{16}65\tubslur0{-10}\en +%%% bar 8 +\bar +\notes\roff{\lmidstaff{\pp\kern-2mm}}\roffset{1.125}{\lst F\zw F}% + \ibbu0J5\qb0F\roff\icresc\qb0{JK}\tbbu0\qb0L|\ibsluru0{-10}\en +\notes|\Special\nbbl0\qb0{Mac}\tqb0d\en +\notes\ibbl0t{-5}\loff{\zqb0e\zchar{-2}\tcresc}\icresc + |\sk\qb0{dc}\tbbl0\qb0b\nbbl0\qb0a\en +\notes\qb0{LK}\roff{\zchar{-2}\tdecresc}\tqh0J% + |\sk\sk\curve{16}65\tubslur0{-10}\en +%%% bar 9 +\bar +\notes\roff{\lmidstaff{\pp\kern-2mm}}\roffset{1.125}{\lst F\zw F}% + \ibbu0J5\qb0F\roff\icresc\qb0{JK}\tbbu0\qb0L|\ibsluru0{-10}\en +\notes|\Special\nbbl0\qb0{M_ac}\tqb0d\en +\notes\ibbl0t{-5}\loff{\zqb0e\zchar{-2}\tcresc}\icresc + |\sk\qb0{dc}\tbbl0\qb0a\nbbl0\qb0M\en +\notes\qb0{LK}\roff{\zchar{-2}\tdecresc}\tqh0J% + |\sk\sk\curve{16}65\tubslur0{-10}\en +%%% bar 10 +\bar +\notes\roff{\lmidstaff\pp}\roffset{1.125}{\lst F\zw F}% + \ibbu0J5\qb0F\roff\icresc\qb0{JK}\tbbu0\qb0L|\ibsluru0{-10}\en +\notes|\Special\nbbl0\qb0{M_ac}\tqb0d\en +\notes\ibbl0t{-5}\loff{\zqb0e\zchar{-2}\tcresc}\icresc + |\sk\qb0{dc}\tbbl0\qb0{_b}\nbbl0\qb0a\en +\notes\qb0{LK}\roff{\zchar{-2}\tdecresc}\tqh0J% + |\sk\sk\curve{16}66\tubslur0{-10}\en +%%% bar 11 +\bar +\notes\ibbu0K9\qb0{EI}|\ibsluru0{-13}\en +\notes|\qb0L\tqb0{^N}\en +\notes\ibbu0M9\qb0{IL}|\Uptext{\twelveit cresc. --~~~~--~~~~--~~~~--~~~~--}\en +\notes|\qb0N\tqb0b\en +\notes\ibbu0L3\qb0L\en +\znotes\qb0{^N}\en +\setclef1\bass\changeclefs +\notes|\qb0b\tqb0e\en +\notes\ibbu0N3\qb0{Nb}|\sk\sk\qb0e\tqb0{^g}\en +%%% bar 12 +\bar +\qspace +\NOTEs\lcharnote{17}{\twelveit s\kern-.25ex\f~}\isluru3e\wholeshift{% + \ust e\usfz f}\roffset2\icresc\wh e\zchar{19}\tdecresc + |\curve{16}33\tubslur0{-10}\en +\def\atnextbar{\znotes|\centerpause\en}\mulooseness1\stoppiece +\eject\endmuflex\end diff --git a/macros/generic/musixtex/doc/examples/partitur.tex b/macros/generic/musixtex/doc/examples/partitur.tex new file mode 100644 index 0000000000..bb2288e7a7 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/partitur.tex @@ -0,0 +1,433 @@ +% partitur.tex to demonstrate MusiXTeX's capabilities for large scores +% (c) 1997, Werner Icking + +\ifx\mxversion\undefined + \input musixtex + \fi + +% A4-width, letter-length +\hoffset-15.4mm\voffset-15.4mm +\hsize210mm\advance\hsize-20mm +\vsize11in\advance\vsize-20mm\advance\vsize-20pt + +\def\myfootline#1{% +\def\crtextde{Nicht-kommerzielle Vervielf\"altigung erw\"unscht.}% +\def\crtexten{Non-commercial copying welcome.}% +\def\cryear{#1}\setfootline} + +\def\setfootline{\footline={\ifodd\pageno% +{\rlap{\sevenrm\copyright~\cryear, Werner Icking, D-53721 Siegburg, Farnweg 28}% + \hfill\folio\hfill + \llap{\sevenrm\crtextde}}% +\else +{\rlap{\sevenrm\copyright~\cryear, Werner.Icking@gmd.de}% + \hfill\folio\hfill + \llap{\sevenrm\crtexten}}% +\fi}} +\myfootline{1997} + +\input musixmad + +\startmuflex + +\arithmeticskipscale +\let\ni\nextinstrument +\let\ns\nextstaff + +%= Example 1 ============================================================ + +\centerline{\BIGtype C}\par\medskip + +\parindent 90pt + +\instrumentnumber{12} + +\generalmeter{\allabreve} +\generalsignature 0 + +\groupbottom11 +\setstaffs11\setclef1\bass \setname1{Contrabassi} +\setstaffs21\setclef2\bass \setname2{Violoncelli} +\setstaffs31\setclef3\alto \setname3{Viole} +\setstaffs42\setclef4{\treble\treble} \setname4{\vbox{\hbox{Violini I}% + \vskip 6\Interligne\hbox{Violini II}}} +\grouptop14 +\setstaffs52\setclef5{\treble\treble} \setname5{Celesta} +\groupbottom26 +\setstaffs61\setclef6\treble\setclefsymbol6\empty + \setlines61 \setname6{Batteria} +\setstaffs71\setclef7\treble \setname7{Silofono} +\setstaffs81\setclef8\treble \setname8{3 Timpani} +\grouptop28 + +\groupbottom39 +\setstaffs91\setclef9\bass \setname9{Tuba} +\setstaffs{10}1\setclef{10}\bass \setname{10}{3 Tromboni} +\setstaffs{11}1\setclef{11}\treble \setname{11}{3 Trombe in Do} +\setstaffs{12}2\setclef{12}{\treble\treble} + \setsign{12}{-1} \setname{12}{4 Corni in Fa} +\grouptop3{12} + +\systemnumbers\startpiece\addspace\afterruleskip +\Notes \qa{CDEF}&\qa{CDEF}&\qa{`cdef}&\qa{cdef}|\qa{cdef}\ni + \qa{cdef}|\qa{cdef}\ni + \ni\ni\ni + \qa{CDEF}&\qa{CDEF}&\qa{cdef}\ni + \transpose3\qa{cdef}|\transpose3\qa{cdef}\en +\def\atnextbar{% +\znotes&&&&&\lower2\internote\hbox{\centerpause}&\centerpause&\centerpause&\en}% +\generalmeter{\meterfrac34}\changecontext +\Notes \qa{G'AB}&\qa{G'AB}&\qa{`g'ab}&\qa{g'ab}|\qa{g'ab}\ni + \qa{g'ab}|\qa{g'ab}\ni + \ni\ni\ni + \qa{G'AB}&\qa{G'AB}&\qa{g'ab}\ni + \transpose3\qa{g'ab}|\transpose3\qa{g'ab}\en +\def\atnextbar{% +\znotes&&&&&\lower2\internote\hbox{\centerpause}&\centerpause&\centerpause&\en}% +\generalmeter{\meterfrac44}\changecontext +\NOTes \wh{'C}&\wh{'C}&\wh{c}&\wh{'c}|\wh{'c}\ni + \wh{'c}|\wh{'c}\ni + \ni\ni\ni + \wh{'C}&\wh{'C}&\wh{'c}\ni + \transpose3\wh{'c}|\transpose3\wh{'c}\en +\def\atnextbar{% +\znotes&&&&&\lower2\internote\hbox{\centerpause}&\centerpause&\centerpause&\en}% +\setdoubleBAR\stoppiece + +\vfill\eject + +%= Example 2 ============================================================ + +\def\namespace{14mm} % provide space for instrument names +\advance\hoffset\namespace\advance\hsize-\namespace + +\centerline{\BIGtype Sinfonie D-Dur} \par\medskip +\centerline{\BIgtype Haffner Sinfonie} \par\medskip +\centerline{\Bigtype K.V. 385} \par\medskip +\rightline{\medtype Wolfgang Amadeus Mozart (1756--1791)}\par\bigskip + +\instrumentnumber{10}\resetlayout + +\interinstrument 1\Interligne + +\generalmeter{\meterC} +\generalsignature 2 + +\parindent 60pt + +\groupbottom11 +\setstaffs11\setclef1\bass \setname1{\vbox{\hbox{Violoncelli e} + \hbox{Contrabassi}}} +\setstaffs21\setclef2\alto \setname2{Viole} +\setstaffs32\setclef3{\treble\treble} \setname3{\vbox{\hbox{Violini I} + \vskip 6\Interligne\hbox{Violini II}}} +\setinterinstrument3{3\Interligne} +\grouptop13 + +\setstaffs41\setclef4\bass\setsign40 \setname4{Timpani} +\setinterinstrument4{3\Interligne} + +\groupbottom25 +\setstaffs51\setclef5\treble\setsign50 \setname5{\vbox{\hbox{2 Trombe}\hbox{~~~in Re}}} +\setstaffs61\setclef6\treble\setsign60 \setname6{\vbox{\hbox{2 Corni}\hbox{~~~in Re}}} +\setinterinstrument6{3\Interligne} +\grouptop26 + +\groupbottom37 +\setstaffs71\setclef7\bass \setname7{2 Fagotti} +\setstaffs81\setclef8\treble\setsign8{-1}\setname8{\vbox{\hbox{2 Clarinetti}\hbox{~~~in La}}} +\setstaffs91\setclef9\treble \setname9{2 Oboi} +\setstaffs{10}1\setclef{10}\treble \setname{10}{2 Flauti} +\grouptop3{10} +\stafftopmarg 8\Interligne +\staffbotmarg 5\Interligne + +\def\dsp{\pt 5\ds} +\def\TR#1{\zcharnote{#1}{\it tr}} +\def\adue{\zcharnote9{\llap{a}2}} +\def\dyn#1#2{\lower4\internote\hbox{\zcharnote{-#1}{#2}}} +\def\sFp{\sF\ppff p}% + +\afterruleskip0.8\afterruleskip +\beforeruleskip0.2\afterruleskip + +\nobarnumbers\startpiece\addspace\afterruleskip\systemnumbers +\makeatletter +\def\everystaff{\kern-\clef@skip\kern-\namespace\znotes + \zcharnote0{\vbox{\hbox{Vlc. e}\hbox{Cb.}}}\ni + \zcharnote2{Vle.}\ni + \zcharnote2{Vl.II}|\zcharnote4{Vl.I}\ni + \zcharnote2{Timp.}\ni + \zcharnote0{\vbox{\hbox{2 Tr.}\hbox{(Re)}}}\ni + \zcharnote0{\vbox{\hbox{2 Cor.}\hbox{(Re)}}}\ni% + \zcharnote2{2 Fg.}\ni + \zcharnote0{\vbox{\hbox{2 Cl.}\hbox{(Fa)}}}\ni + \zcharnote2{2 Ob.}\ni + \zcharnote2{2 Fl.}% + \en\kern\clef@skip\kern\namespace}% +\makeatother +\NOTEs \dyn0\f\wh{'D}&\dyn0\f\wh d\ni + \dyn2\f\roffset{1.4}{\zwh d}\wh d|\dyn2\f\roffset{1.4}{\zwh d}\zwh d\ni + \dyn0\f\Trille9{1.6}\wh{'D}\ni + \dyn3\f\adue\transpose-1\wh d&\dyn3\f\adue\transpose-1\wh d\ni + \dyn0\f\adue\wh{'D}&\dyn0\f\adue\transpose2\wh d\ni + \dyn0\f\adue\wh{'d}\ni + \loffset{5}{\zcharnote{'''b}{\medtype\bf Allegro con spirito}}% + \dyn0\f\adue\wh{```'d}\en +\bar\addspace{-.5\afterruleskip}% +\notes \ni\ni + \multnoteskip{.7}\tinynotesize\ibbbu0{'b}3\islurd0{`d}\qb0d\tslur0{'a}\tbu0\qb0d\ns + \multnoteskip{.7}\tinynotesize\ibbbu1{'b}3\islurd0{`d}\qb1d\tslur0{'a}\tbu1\qb1d\en + \Notes \isluru0{''D}\ha D&\isluru1{'d}\ha d\ni + \isluru2{''d}\ha d|\isluru3{''d}\ha d\ni + \qa{'D}\ni + \transpose-1\isluru4{'d}\ha d&\transpose-1\isluru5{'d}\ha d\ni + \isluru6{''D}\ha D&\transpose2\isluru7{'d}\ha d\ni + \isluru8{''d}\ha d&\isluru9{''d}\ha d\en +\NOtes &&&\qp\en +\NOtes \tslur0{''D}\ppt D\qa D&\tslur1{'d}\ppt d\qa d\ni + \tslur2{''d}\ppt d\qa d|\tslur3{''d}\ppt d\qa d\ni + \hpause\ni + \transpose-1\tslur4{'d}\qa d&\transpose-1\tslur5{'d}\qa d\ni + \tslur6{''D}\ppt D\qa D&\transpose2\tslur7{'d}\ppt d\qa d\ni + \tslur8{''d}\ppt d\qa d&\tslur9{''d}\ppt d\qa d\en +\Notesp &&&&\qp&\qp\en +\notes \cca{'D}&\cca d&\cca d|\cca d\ni + \ni + \ni\ni + \cca{'D}&\transpose2\cca d&\cca{'d}&\cca{'d}\en +\bar +\NOtes \lpz{'C}\qu C\upz{'C}\qa C\qp&\upz c\ql c\upz{'c}\ql c\qp\ni + \lpz c\qu c\upz{''c}\ql c\qp|\lpz c\qu c\upz{''c}\ql c\qp\ni + \lpz{'A}\qu A\lpz A\qu A\hpause\ni + \transpose-1\lpz{'a}\qu a\lpz a\qu a\hpause\ni + \transpose-1\lpz{'a}\qu a\lpz a\qu a\hpause\ni + \lpz{'C}\qu C\upz{'C}\qa C\qp&\transpose2\lpz c\qu c\upz{'c}\ql c\qp\ni + \upz{'c}\ql c\upz{'c}\ql c\qp&\upz{'c}\ql c\upz{'c}\ql c\qp\en +\Notesp \dsp&\dsp&\dsp|\dsp\ni + \ni + \ni\ni + \dsp&\dsp&\dsp&\dsp\en +\notes \cca{'C}&\cca c&\cca c|\cca c\ni + \ni + \ni\ni + \cca{'C}&\transpose2\cca c&\cca{'c}&\cca{'c}\en +\bar +\NOtes \qa{'B}&\qa b&\qa b|\qa b\ni + \qa{'D}\ni + \transpose-1\zq d\qu{'d}&\transpose-1\zq d\qu{'d}\ni + \qa{'B}&\transpose2\qa b&\qa{'b}&\qa{'b}\en +\Notesp \ibu0{'B}0\qbp0B&\ibu1b0\qbp1b&\ibu2b0\qbp2b|\ibu3b0\qbp3b\ni + \ibl4{'D}0\qbp4D\ni + \transpose-1\zqp d\ibu5{'d}0\qbp5d\ni + \transpose-1\zqp d\ibu6{'d}0\qbp6d\ni + \ibu7{'B}0\qbp7B&\transpose2\ibu8b0\qbp8b\ni + \ibl9{'b}0\qbp9b&\ibl{10}{'b}0\qbp{10}b\en +\notes \tbbu0\tbu0\qb0{'B}&\tbbu1\tbu1\qb1b\ni + \tbbu2\tbu2\qb2b|\tbbu3\tbu3\qb3b\ni + \tbbl4\tbl4\qb4{'D}\ni + \transpose-1\zq d\tbbu5\tbu5\qb5{'d}\ni + \transpose-1\zq d\tbbu6\tbu6\qb6{'d}\ni + \tbbu7\tbu7\qb7{'B}&\transpose2\tbbu8\tbu8\qb8b\ni + \tbbl9\tbl9\qb9{'b}&\tbbl{10}\tbl{10}\qb{10}{'b}\en +\NOtes \TR{10}\islurd0{'B}\pt B\qa B&\TR{11}\islurd1b\pt b\qa b\ni + \TR9\islurd2b\pt b\qa b|\TR9\islurd3b\pt b\qa b\ni + \qa{'D}\ni + \transpose-1\zq d\qu{'d}&\transpose-1\zq d\qu{'d}\ni + \TR{10}\islurd7{'B}\pt B\qa B&\transpose2\TR9\islurd8b\pt b\qa b\ni + \TR9\isluru9{'b}\pt b\qa b&\TR9\isluru{10}{'b}\pt b\qa b\en +\Notes \ni\ni\ni + \qa{'D}\ni + \transpose-1\zq d\qu{'d}&\transpose-1\zq d\qu{'d}\en +\notes \ibbu0{'A}3\qb0A\tslur0B\tbu0\qb0B\ni + \ibbu1a3\qb1a\tslur1b\tbu1\qb1b\ni + \ibbu2a3\qb2a\tslur2b\tbu2\qb2b|\ibbu3a3\qb3a\tslur3b\tbu3\qb3b\ni + \ni + \ni\ni + \ibbu7{'A}3\qb7A\tslur7B\tbu7\qb7B\ni + \transpose2\ibbu8a3\qb8a\tslur8b\tbu8\qb8b\ni + \ibbu9{'a}3\qb9a\tslur9{'b}\tbu9\qb9{`b}\ni + \ibbu{10}{'a}3\qb{10}a\tslur{10}{'b}\tbu{10}\qb{10}{`b}\en +\def\atnextline{% + \setinterinstrument3{8\Interligne}% + \setinterinstrument4{8\Interligne}% + \setinterinstrument6{8\Interligne}% + \stafftopmarg 11\Interligne + \staffbotmarg 8\Interligne }% +\barno200\alaligne +\NOtes \ha{'D}&\ha d\ni + \loffset{1.8}{\isluru2{'d}}\tslur2d\pt d\qa d\ns + \loffset{1.8}{\isluru3{'d}}\tslur3d\pt d\qa d\ni + \qa{'D}\ni + \transpose-1\adue\ha d&\transpose-1\adue\ha d\ni + \adue\ha{'D}&\transpose2\zh{`d}\hu{'d}\ni + \adue\ha{'d}&\adue\ha{'d}\en +\Notes &&&\qp\en +\notes \ni\ni + \ibbl2{'d}2\isluru2d\qb2d\tbl2\qb2e\ns + \ibbl3{'d}2\isluru3d\qb3d\tbl3\qb3e\en +\Notes \qa{'F}&\qa f\ni + \ibl2{'d}2\tslur2f\qb2f|\ibl3{'d}2\tslur3f\qb3f\ni + \hpause\ni + \transpose-1\qa f&\transpose-1\qa f\ni + \qa{'F}&\transpose2\zq{`f}\qu{'f}\ni + \qa{'f}&\qa{'f}\en +\notes \ni\ni + \nbbl2\isluru2{'f}\qb2f\tbl2\qb2g\ns + \nbbl3\isluru3{'f}\qb3f\tbl3\qb3g\en +\Notes \qa{''A}&\qa{'a}\ni + \ibl2{'f}2\tslur2{'a}\qb2a|\ibl3{'f}2\tslur3{'a}\qb3a\ni + \ni + \transpose-1\qa{'a}&\transpose-1\qa{'a}\ni + \qa{''A}&\transpose2\zq a\qu{'a}\ni + \qa{''a}&\qa{''a}\en +\notes \ni\ni + \multnoteskip{.707}\nbbl2\triolet d\isluru2{''a}\qb2{ab}\tbl2\qb2c\ns + \multnoteskip{.707}\nbbl3\triolet d\isluru3{''a}\qb3{ab}\tbl3\qb3c\en +\bar +\NOtes \qa{''DDA`F}&\qa{'dda`f}\ni + \tslur2{''d}\qa d\zq{``d'a}\ql f\zq{`d'a}\ql f\zq{`d'a}\ql f\ns + \tslur3{''d}\qa d\zq{``d'd}\ql{'d}\zq{``d'd}\ql{'d}\zq{``d'd}\ql{'d}\ni + \qa{'DDDD}\ni + \transpose-1\qa{'d}\zq{`f}\qu{'a}\zq{`f}\qu{'a}\zq{`f}\qu{'a}\ni + \transpose-1\qa{'d}\zq{`d}\qu{'d}\zq{`d}\qu{'d}\zq{`d}\qu{'d}\ni + \qa{''DDA`F}&\transpose2\zq d\qa{'d}\zq{``f}\qu{'a}\zq{`f}\qu{'a}\zq{`f}\qu{'a}\ni + \qa{''d}\zq{`d}\ql f\zq d\ql f\zq d\ql f\ni + \qa{''d}\zq{`f}\ql{'d}\zq{`f}\ql{'d}\zq{`f}\ql{'d}\en +\bar +\NOTes \ha{'DD}&\ha{dd}\ni + \zq{d'a}\hl f\zq{`d'a}\hl f|\zq{d'd}\hl{'d}\zq{``d'd}\hl{'d}\ni + \ha{'DD}\ni + \transpose-1\zh f\hu{'a}\zh{`f}\hu{'a}\ni + \transpose-1\zh d\hu{'d}\zh{`d}\hu{'d}\ni + \ha{'DD}&\transpose2\zh{`f}\hu{'a}\zh{`f}\hu{'a}\ni + \zh{'d}\hl f\zh d\hl f&\zh{'f}\hl{'d}\zh{`f}\hl{'d}\en +\bar +\NOTes \ha{'D}\hpause&\ha{d}\hpause\ni + \zq{d'a}\hl f\hpause|\zq{d'd}\hl{'d}\hpause\ni + \ha{'D}\hpause\ni + \transpose-1\zh f\hu{'a}\hpause&\transpose-1\zh d\hu{'d}\hpause\ni + \ha{'D}\hpause&\transpose2\zh{`f}\ha{'a}\hpause\ni + \zh{'d}\ha f\hpause&\zh{'f}\ha{'d}\hpause\en +\Endpiece\def\everystaff{} +\vfill\eject + +\instrumentnumber{6}\resetlayout + +\interinstrument 1\Interligne + +\generalmeter{\meterfrac 2 4} +\generalsignature 1 + +\parindent 60pt + +\groupbottom11 +\setstaffs11\setclef1\bass \setname1{\vbox{\hbox{Violoncelli e} + \hbox{Contrabassi}}} +\setinterinstrument1{0\Interligne} +\setstaffs21\setclef2\alto \setname2{Viole} +\setinterinstrument2{1\Interligne} +\setstaffs32\setclef3{\treble\treble} \setname3{\vbox{\hbox{Violini I} + \vskip 6\Interligne\hbox{Violini II}}} +\setinterinstrument3{2\Interligne} +\grouptop13 + +\groupbottom24 +\setstaffs41\setclef4\treble\setsign60 \setname4{\vbox{\hbox{2 Corni}\hbox{~~~in Sol}}} +\setinterinstrument4{1\Interligne} +\grouptop24 + +\groupbottom35 +\setstaffs51\setclef5\bass \setname5{2 Fagotti} +\setinterinstrument5{1\Interligne} +\setstaffs61\setclef6\treble \setname6{2 Oboi} +\grouptop36 + +\nobarnumbers\startpiece\addspace\afterruleskip\systemnumbers +\makeatletter +\newif\ifstaffseparator\staffseparatortrue +\def\everystaff{\kern-\clef@skip\kern-\namespace\znotes + \zcharnote0{\vbox{\hbox{Vlc. e}\hbox{Cb.}}}\ni + \zcharnote2{Vle.}\ni + \zcharnote2{Vl.II}|\zcharnote4{Vl.I}\ni + \zcharnote0{\vbox{\hbox{2 Cor.}\hbox{(Sol)}}}\ni + \zcharnote2{2 Fg.}\ni + \zcharnote2{2 Ob.}% + \ifstaffseparator\zcharnote{20}{\vbox{\hbox to 8mm{\leaders\hrule height 3pt\hfill}% + \vskip-7pt\hbox to 8mm{\leaders\hrule height 3pt\hfill}}}% + \else\staffseparatortrue\fi + \en\kern\clef@skip\kern\namespace}% +\makeatother +\notes \dyn0\p\qa{'G}&\dyn0\p\qa g\ni + \loffset{1.5}{\dyn4\p}\ibbu2c0\lpz{`g}\qb2g\lpz{'b}\qb2b\lpz d\qb2d\tbu2\lpz b\qb2b\ns + \dyn0\p\roffset{0.5}{\isluru3g}\qa g\ni + \dyn2\p\transpose-4\zh g\hu{'g}\ni + \dyn0\p\zh{''B}\isluru5D\hl D\ni + \loffset{5}{\zcharnote{''b}{\medtype\bf Andante}}% + \roffset{0.3}{\dyn1\p}\zhl{``g}\hu g\en +\notes \qp&\qp\ni + \ibbu2c0\lpz{`g}\qb2g\lpz{'b}\qb2b\lpz d\qb2d\tbu2\lpz b\qb2b\ns + \ibl3{'b}2\tslur3b\qbp3{b**}\tbbl3\tbl3\upz d\qb3d\en +\bar +\notes \dyn1\sF\qa{'D}&\dyn0\sF\qa d\ni + \dyn6\sF\ibbu2d0\lpz a\qb2a\lpz c\qb2c\lpz f\qb2f\tbu2\lpz c\qb2c\ns + \dyn0\sF\pt{'d}\qa d\ni + \dyn6\sFp\transpose-4\zh d\hu{'d}\ni + \dyn0\sFp\loff{\zh{''C}}\tslur5D\hl D\ni + \dyn0\sFp\zh f\hu{'a}\en +\notes \qp&\qp\ni + \ibbu2d0\lpz a\qb2a\lpz c\qb2c\lpz f\qb2f\tbu2\lpz c\qb2c\ns + \sk\sk\dyn2\p\multnoteskip{.667}\ibbl3{'d}{-2}\triolet d\qb3{cb}\tbl3\qb3a\en +\bar +\notes \dyn0\p\ibl0{'G}{-1}\upz G\qb0{G*}\upz{'B}\qb0{B*}\upz D\qb0{D*}\tbl0\upz{`D}\qb0{D*}\ni + \dyn1\p\ibl1d0\upz d\qb1{d*}\upz d\qb1{d*}\upz d\qb1{d*}\tbl1\upz f\qb1{f*}\ni + \dyn4\p\ibbu2e0\lpz b\qb2b\lpz d\qb2d\lpz g\qb2g\tbu2\lpz d\qb2d% + \ibbu2c0\lpz b\qb2b\lpz d\qb2d\lpz c\qb2c\tbu2\lpz a\qb2a\ns + \ibu3g1\lpz g\qb3{g*}\lpz g\qb3{g*}\lpz g\qb3{g*}\tbu3\lpz{'a}\qb3{a*}\en +\def\atnextbar{\znotes&&&\centerpause&\centerpause&\centerpause\en}\alaligne +\notes \slur{'G}Bu4\qa{G***}\ca{`G*}\ds\ni + \slur fgu4\qa{f***}\ca{g*}\ds\ni + \ibbu2c0\lpz a\qb2a\lpz c\qb2c\lpz d\qb2d\tbu2\lpz c\qb2c% + \ibbu2b0\lpz{`g}\qb2g\lpz{'b}\qb2b\lpz d\qb2d\tbu2\lpz b\qb2b\ns + \ibu3{'a}0\slur aad3\qbp3{a**}\tbbu3\tbu3\qb3{^a}\ca{b*}\ds\en +\def\atnextbar{\znotes&&&\centerpause&\centerpause&\centerpause\en}\bar +\notes \ds\dyn3\f\ibbl0{'F}{-3}\qb0{GE}\tbl0\qb0C\qa{`G}\ni + \ds\dyn2\f\ibbl0f{-3}\qb0{ge}\tbl0\qb0c\qa{`g}\ni + \dyn5\f\ibbu2e0\lpz c\qb2c\lpz e\qb2e\lpz g\qb2g\tbu2\lpz e\qb2e% + \dyn5\p\ibbu2e0\lpz c\qb2c\lpz e\qb2e\lpz g\qb2g\tbu2\lpz e\qb2e\ns + \roffset{0.3}{\dyn1\f}\zq g\zq{'c}\ql{e***}\qs\multnoteskip{0.5}% + \tinynotesize\slur fgd1\grcu f\normalnotesize\dyn0\p\ibbl3g0\qb3g% + \tinynotesize\slur fgd1\grcu f\normalnotesize\qb3g% + \tinynotesize\slur fgd1\grcu f\normalnotesize\tbl3\qb3g\ni + \dyn4\sFp\transpose-4\islurd4g\zh g\roffset{0.5}{\isluru5{'g}}\hu g\ni + \dyn0\sFp\islurd6{''C}\zh C\isluru7E\hl E\ni + \dyn0\sFp\islurd8{'c}\zh c\isluru9e\hl e\en +\bar +\notes \ni\ni + \ibbu2e0\lpz c\qb2c\lpz e\qb2e\lpz g\qb2g\tbu2\lpz e\qb2e% + \ibbu2e0\lpz c\qb2c\lpz e\qb2e\lpz g\qb2g\tbu2\lpz e\qb2e\ns + \ibbl3{''b}{-3}\slur cau1\qb3c\tbl3\qb3{`g}\qs\TR{'b}\cca{`g}% + \ibbl3{'b}{-3}\slur cau1\qb3c\qb3{`g}\slur geu1\qb3g\tbl3\qb3e\ni + \transpose-4\tslur4g\islurd4g\zh g\tslur5{'g}\roffset{0.5}{\isluru5g}\hu g\ni + \loffset{0.5}{\tslur6{''C}}\zh C\loffset{0.5}{\tslur7E}\hl E\ni + \loffset{0.5}{\tslur8{'c}}\zh c\loffset{0.5}{\tslur9e}\hl e\en +\def\atnextbar{\znotes\centerpause&\centerpause\en}\bar +\notes \ds\dyn3\f\ibbl0{'F}{-3}\qb0{GD}\tbl0\qb0B\qa{`G}\ni + \ds\dyn2\f\ibbl0f{-3}\qb0{gd}\tbl0\qb0b\qa{`g}\ni + \dyn5\f\ibbu2e0\lpz b\qb2b\lpz d\qb2d\lpz g\qb2g\tbu2\lpz d\qb2d% + \dyn5\p\ibbu2e0\lpz b\qb2b\lpz d\qb2d\lpz g\qb2g\tbu2\lpz d\qb2d\ns + \dyn6\f\zq{`g}\zq{'d}\qu{'d***}\qs\multnoteskip{0.5}% + \tinynotesize\slur fgd1\grcu f\normalnotesize\dyn0\p\ibbl3g0\qb3g% + \tinynotesize\slur fgd1\grcu f\normalnotesize\qb3g% + \tinynotesize\slur fgd1\grcu f\normalnotesize\tbl3\qb3g\ni + \dyn4\sFp\transpose-4\tslur4g\islurd4g\zh g% + \tslur5{'g}\roffset{0.5}{\isluru5g}\hu{g*******}% + \tslur4{`g}\tslur5{'g}\ni + \dyn0\sFp\islurd6{''B}\zh B\isluru7D\hl{D*******}\tslur6B\tslur7D\ni + \dyn1\sFp\islurd8{'b}\zh b\isluru9d\hl{d*******}\tslur8b\tslur9d\en +\endpiece\def\everystaff{} + +\vfill\eject + +\endmuflex +\bye diff --git a/macros/generic/musixtex/doc/examples/pedal.tex b/macros/generic/musixtex/doc/examples/pedal.tex new file mode 100644 index 0000000000..e666733515 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/pedal.tex @@ -0,0 +1,24 @@ +\input musixtex +%\largemusicsize +\setstaffs12 +\setclef1{\bass} +\def\raiseped{-8} +\nobarnumbers +\startpiece\addspace\afterruleskip% +\NOtes\qa H\qa I\pdld\qa J\qa K|\wh l\en +\NOtes\pdlu\qa L\qa M|\wh l\en +\bar% +\NOtes\pdld\qa J\qa K\pdlud\qa L\qa M\pdlu\qa N|\wh l\en +\bar% +\NOtes\pdld\qa J\qa K|\wh l\en +\NOtes\qa L\qa M|\wh l\en +\bar% +\NOtes\qa J\qa K\qa L\pdlu\qa M|\wh l\en +\NOtes\pdld\qa J\qa K\qa L\pdlu\qa M|\wh l\en +\bar% +\NOtes\qa J\qa K\qa L\qa M|\wh l\en +\NOtes\pdld\qa J\pdlud\qa K\pdlud\qa L\pdlu\qa M|\wh l\en +\bar% +\Notes\pdld\qa J\sk\qa K\sk\pdlud\qa L\sk\pdlu\qa M|\ibu1e2\qb1{efghij}\tqu1k\en +\stoppiece +\end diff --git a/macros/generic/musixtex/doc/examples/prelfug.tex b/macros/generic/musixtex/doc/examples/prelfug.tex new file mode 100644 index 0000000000..a1e6928ae7 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/prelfug.tex @@ -0,0 +1,4 @@ +\input prelude.tex +\barsinline=0\relax\linesinpage=0\relax +\input fugue.tex +\bye diff --git a/macros/generic/musixtex/doc/examples/prelude.tex b/macros/generic/musixtex/doc/examples/prelude.tex new file mode 100644 index 0000000000..160d9d5e7b --- /dev/null +++ b/macros/generic/musixtex/doc/examples/prelude.tex @@ -0,0 +1,715 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi +\title{Pr\'elude et fugue} +\fulltitle{\enorme VI. \titremorceau} +\subtitle{(pour orgue)} +\othermention{Compos\'e en 1990} +\author{Daniel TAUPIN} +\shortauthor{D. Taupin} +\csname titremorceautoc\endcsname +\maketitle + +\parindent 18mm +% +\bigskip +\centerline{\moyen PR\'ELUDE}\medskip +\tracingstats=2\relax +% +\nbporteesii=2\relax +\def\nbinstruments{2} +\global\cleftoksii={{6}{0}{0}{0}}% +\global\cleftoksi={{6}{0}{0}{0}}% +% +\signaturegenerale{-2}\relax % sol mineur +\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% +\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% +\def\deuxtemps{\generalmeter{\meterfrac{2}{4}}}% +\def\Mordant{\mordant{10}}% +%\check +\def\instrumenti{P\'edale 16'}% +\def\instrumentii{G.O.}% +%\check +\def\gluemaxskip{7pt}% +\medskip\noindent{\rm G.O.: Plein jeu, fonds 16' {\sl ad libitum.}}% +\par\noindent{\rm P\'ed.: fonds et anches 16', tirasse G.O.}% +\smallskip +% +\quatretemps% +% +\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}% +\def\doubler{\multiply\noteskip by 2\relax}% +\debutmorceau +% calcul de \elemskip en fonction de la largeur de page pour eviter les glues +% +\autolines {17}35\relax +\def\resp{\vnotes 0.2\elemskip&|\cbreath\enotes}% +%\check +% +\hyphenpenalty -50\relax +\notes&|\Uptext{\hbox{\kern -16mm\moyen Maestoso \bf(\metron{\qu}{50})}}\enotes +\advance\linesinpage by 1\relax +% +% formes frequentes +% deux croches hautes +\def\dql#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% +\def\dqu#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% +\def\dqh{\dqu}\def\dqb{\dql}% +% +% deux doubles croches hautes +\def\dqbbu#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% +\def\dqbbl#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% +\def\dqbbh{\dqbbu}\def\dqbbb{\dqbbl}% +% +% quatre doubles croches +\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax +\def\qqbbH#1#2#3#4#5#6{\ibbu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax +\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}% +\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax +\def\qqbbL#1#2#3#4#5#6{\ibbl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax +%\check +% quatre croches +\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax +\def\qqbH#1#2#3#4#5#6{\ibu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax +\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax +\def\qqbL#1#2#3#4#5#6{\ibl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax +%\check +% +% mesure 1 +\smallnotesize\varaccid +\notes&\zmidtwotext{\ppff ff\hskip 8mm}\qqbbH9KGKNa\enotes +\temps\notes\sk\sk\pause&\qqbbL{-4}abN{^M}N\enotes +\temps\notes&\qqbbl7KNbc\enotes +\temps\notes&\qqbbL{-4}cdbab\enotes +%\check +% mesure 2 +\barre\notes&|\qqbbH8bNbd{^f}\enotes +\temps\notes\sk\sk\pause&|\qqbbH{-4}ggdcd\enotes +\temps\notes&|\qqbbH7dbdfg\enotes +\temps\notes&|\qqbbu0ifgi\enotes +%\check +% mesure 3 +\barre\notes&|\qqbbL0ikgik\enotes +\normalnotesize +\temps\Notes\hpause&|\cl n\qsoupir\enotes +\temps\Notes\ccu G&\itenl1N\itenu2g\zq{Nbd}\ccl g|\itenu3n\zq{ik}\ccu n|\enotes +\temps +\NOtes\pointdorgue 8\qup G&\tten1\tten2\pointdurgue H\zqp{Nce}\qlp g\relax + |\tten3\pointdorgue o\zqp{jl}\qlp n\enotes +\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes +%\check +% mesure 4 +\autolines {16}35\relax +\smallnotesize\bigaccid +\barre\notes&\qqbbH7IGJLM\enotes +\temps\notes\sk\sk\pause&\qqbbL{-4}MNLKL\enotes +\temps\notes&\qqbbl7JLN{=b}\enotes +\temps\notes&\qqbbL{-4}acNMN\enotes +%\check +% mesure 5 +\barre\notes&\qqbbH7MLN{=b}c\enotes +\temps\notes\sk\sk\sk\pause&|\qqbbH0debce\enotes +\temps\notes&|\qqbbH7cNceg\enotes +\temps\notes&|\qqbbL0hjg{=i}j\enotes +%\check +% mesure 6 +\barre\notes&|\qqbbL0kljln\enotes +\normalnotesize +\temps\notes\hpause&|\cl q\qsoupir\sk\enotes +\temps\Notes\ccu E&\itenu1c\zq{LN}\ccl c|\itenu2j\zq{eg}\ccu j\enotes +\temps +\NOtes\pointdorgue 7\qup D&\tten1\pointdorgue{10}\zqp{K^Ma}\qlp c\relax + |\tten2\pointdorgue{10}\zqp{^fh}\qup j\enotes +\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes +%\check +% mesure 7 +\barre\autolines 775\relax +\smallnotesize +\notes&\qqbbH8FD{^F}HJ\enotes +\temps\notes\sk\sk\sk\pause&\qqbbH0KLKLJ\enotes +\zbarre\notes&\qqbbl3K{^M}Nb\enotes +\temps\notes&\qqbbL3aabcd\enotes +% mesure 8 +\barre\notes&|\qqbbH3dec{^f}g\enotes +\temps\notes\sk\sk\pause&|\qqbbl2hijk\enotes +\zbarre\notes&|\qqbbL{-2}jlj{=i}j\enotes +\temps\notes&|\bigaccid\qqbbl2{^m}non\enotes +% mesure 9 +\barre\notes\soupir&|\qqbbl{-3}{^m}lkj\enotes +\normalnotesize +\temps\NOtes\qu G&\zq{KN}\ql b|\zq{dg}\ql{_i}\enotes +\smallnotesize\varaccid +\zbarre\notes\sk\sk\sk\hpause&\qsoupir\ibbl0L4\qb0{KN}\tqb0{^M}\enotes +\temps\notes&\qqbbL3LNKba\enotes +% mesure 10 +\barre\notes&\qqbbL2abNdc\enotes +\temps\notes\sk\sk\sk\pause&|\qqbbH4fdbgh\enotes +\zbarre\notes&|\qqbbh{-3}ihg{=f}\enotes +\temps\notes&|\qqbbh{-3}gfed\enotes +%\check +% mesure 11 +\normalnotesize +\barre\NOtes\qu J&\zq {LN}\ql c|\qu e\enotes +\smallnotesize\varaccid +\temps\notes\sk\soupir&|\qsoupir\ibbu0d2\qh0{ce}\tqh0d\enotes +\zbarre\notes\sk\sk\hpause&|\qqbbH2fechg\enotes +\temps\notes&|\qqbbH2hh{^f}ji\enotes +% mesure 12 +\barre\varaccid\notes&|\qqbbH3jjhlk\enotes +\temps\notes\sk\sk\sk\pause&|\qqbbh{-4}lkji\enotes +\zbarre\notes&|\qqbbh{-4}hg{^f}e\enotes +\temps\notes&|\qqbbh{-4}dc{=b}a\enotes +% mesure 13 +\normalnotesize\bigaccid +\barre\NOtes\qu G&\zq {=IK}\lq M\ql N|\qu{=b}\enotes +\smallnotesize\varaccid +\temps\notes\soupir&|\qsoupir\ibbu0a2\qh0{N=b}\tqh0a\enotes +\zbarre\notes\sk\sk\hpause&|\qqbbH2cbNdc\enotes +\temps\notes&|\qqbbh3dbfe\enotes +%\check +% mesure 14 +\barre\notes&|\ifx\mxversion\undefined\off{-2\Interligne}\fi % was for musiCtex + \qqbbh3fd{_h}g\enotes +\temps\notes\sk\sk\sk\pause&|\qqbbl5hfml\enotes +\zbarre\notes&|\qqbbl{-3}kj{i}{_h}\enotes +\temps\notes&|\qqbbh{-3}gfed\enotes +% mesure 15 +\normalnotesize\bigaccid +\barre\NOtes\qu C&\zq {J=LN}\lq b\ql c|\qu{=e}\enotes +\smallnotesize\varaccid +\temps\notes\soupir&|\qsoupir\ibbu0d2\qh0{c=e}\tqh0d\enotes +\zbarre\notes\sk\sk\hpause&|\qqbbh3ecgf\enotes +\temps\notes&|\qqbbh3gei{_h}\enotes +%\check +% mesure 16 +\troistemps +\changecontext\notes&|\ifx\mxversion\undefined\off{-2.4\Interligne}\fi % was for musiCtex + \qqbbL5hig{=l}m\enotes +\temps\notes\sk\pause&\midtwotext{\it animando}|\qqbbl{-3}nmlk\enotes +\temps\notes&|\qqbbl{-3}j{i}{_h}g\enotes +% mesure 17 +\quatretemps\normalnotesize +\changecontext\Notes + \ifx\mxversion\undefined\off{-\Interligne}\fi % was for musiCtex +\qu F&\ifx\mxversion\undefined\off{-1.4\Interligne}\fi % was for musiCtex +\zq {M_ac}\ql f|\ifx\mxversion\indefined\off{-\Interligne}\fi % was for musiCtex + \qu{_h}\enotes +\smallnotesize\varaccid +\temps\notes\soupir&\zmidtwotext{\it poco a poco}|\qsoupir\ibbu0d6\qh0{cf}\tqh0g\enotes +\zbarre\notes\sk\sk\hpause&|\fl h\qqbbh{-3}hgfe\enotes +\temps\notes&|\qqbbh{-3}dc{=b}{=a}\enotes +%\check +% mesure 18 +\normalnotesize +\barre\autolines {16}35\relax\bigaccid +\NOtes\qu G&\zq {=IK}\ql N|\qu{=b}\enotes +\smallnotesize\varaccid +\temps\notes\soupir&|\qsoupir\ibbu0b7\qh0{Nb}\tqh0d\enotes +\temps\notes\sk\sk\hpause&|\qqbbu0gd{^f}g\enotes +\temps\notes&|\qqbbu3{=i}gik\enotes +%\check +% mesure 19 +\barre\notes&|\qqbbl{-2}m{_o}nm\enotes +\temps\notes\hpause&|\qqbbl{-3}lkj{=i}\enotes +\normalnotesize +\temps\notes\cu J&\bigaccid\zq{=LN}\lq b\ccl c|\bigna e\fl i\rq i\zq{eg}\ccu j\enotes +\smallnotesize +\temps\notes\sk\dsoupir&|\ibbu0f5\qh0{cg}\tqh0f\enotes +\temps\notes\sk\soupir&|\qqbbH3hgej{=i}\enotes +% mesure 20 +\normalnotesize\bigaccid +\barre\nspace\notes\cu I&\bigaccid\lfl b\zq{=LN}\lq b\ccl c|\fl i\rq i\zq{=eg}\ccu j\enotes +\smallnotesize\varaccid +\temps\notes\sk\dsoupir&|\ibbu0f5\qh0{cg}\tqh0f\enotes +\temps\notes\sk\soupir&|\qqbbH3hgej{=i}\enotes +\normalnotesize +\temps\notes\bigaccid\cu{_H}&\bigaccid\zq{M_a}\ccl c|\zq{f_h}\ccu j\enotes +\smallnotesize\varaccid +\temps\notes\sk\dsoupir&|\advance\noteskip by 1pt\ibbu0f5\qh0{ch}\tqh0g\enotes +\temps\notes\sk\soupir&|\qqbbH3ihfji\enotes +%\check +% mesure 21 +\normalnotesize\bigaccid +\barre\nspace\notes\cu G&\bigaccid\lfl b\zq{=LN}\lq b\ccl c|\fl i\rq i\zq{=eg}\ccu j\enotes +\smallnotesize\varaccid +\temps\notes\sk\dsoupir&|\ibbu0f5\qh0{cg}\tqh0f\enotes +\temps\notes\sk\soupir&|\qqbbH3hgej{=i}\enotes +\normalnotesize +\temps\notes\cu{F}&\bigaccid\zq{M_a}\ccl c|\zq{f_h}\ccu j\enotes +\smallnotesize\varaccid +\temps\notes\sk\dsoupir&|\advance\noteskip by 1pt\ibbu0f5\qh0{ch}\tqh0g\enotes +\temps\notes\sk\soupir&|\qqbbH3ihfji\enotes +%\check +% mesure 22 +\normalnotesize\bigaccid +\barre\notes\bigaccid\cu{^F}&\bigaccid\sh M\lna a\zq{JMa}\ccl c|\lna h\sh f\zq{fh}\ccu j\enotes +\smallnotesize\varaccid +\temps\notes\sk\dsoupir&|\advance\noteskip by 1pt\ibbu0f5\qh0{dh}\tqh0g\enotes +\temps\notes\sk\soupir&|\qqbbH3ihfj{=i}\enotes +\normalnotesize +\temps\notes\cu{K}&\zq{Ma}\ccl c|\zq{dfh}\ccu j\enotes +\smallnotesize\varaccid +\temps\notes\sk\dsoupir&|\ibbl0i5\qb0{ho}\tqb0n\enotes +\temps\notes\sk\soupir&|\qqbbL3mo{^m}q{=p}\enotes +% mesure 23 +\barre\notes&|\qqbbl3qosr\enotes +\temps\notes\sk\sk\sk\pause&|\qqbbl{-3}srq{_p}\enotes +\temps\notes&|\qqbbl{-3}qpon\enotes +\temps\notes&|\qqbbl{-3}{^m}lkj\enotes +%\check +% mesure 24 +\autolines {17}35\relax +\normalnotesize\varaccid +\barre\notes\qu G&\zq{Nb}\ql d|\Uptext{\hbox{\kern -6mm\moyen Allegro moderato + \bf(\metron{\qu}{65})}}\zqu i\qqbbL{-2}hig{^f}g\enotes +\temps\notes\soupir&\soupir|\zqu i\qqbbL{-2}higfg\enotes +\temps\notes\qu G&\lq a\zq{Nc}\ql e|\zqu j\qqbbL{-2}ijgfg\enotes +\temps\notes\soupir&\soupir|\zqu j\qqbbL{-2}ijgfg\enotes +% mesure 25 +%\check +\barre\notes\qu G&\zq{Nb}\ql d|\zqu k\qqbbL{-2}hig{^f}g\enotes +\temps\notes\soupir&\soupir|\zqu k\qqbbL{-2}higfg\enotes +\temps\notes\qu G&\lq a\zq{Nc}\ql e|\zqu l\qqbbL{-2}ijgfg\enotes +\temps\notes\soupir&\soupir|\zqu l\qqbbL{-2}ijgfg\enotes +%\check +% mesure 26 +\barre\notes\hu G&\zqu N\qqbbl2Ndbd|\doubler\rlap{\dql{-3}ig}\dqu{-3}ki\enotes +\temps\notes&\qqbbl{-2}bdNb|\ibu0i3\zql g\qh0i\sk\tqh0k\enotes +\temps\notes\hu J&\zqu L\qqbbl2LcNc|\rlap{\ibl1h{-4}\qb1j\sk\tqb1e}\relax + \ibu0l{-4}\qh0l\sk\tqh0g\enotes +\temps\notes&\qqbbl{-2}NcLN|\ibu0h6\zql e\qh0g\sk\tqh0l\enotes +%\check +% mesure 27 +\barre\notes\hu F&\zqu M\qqbbl3Mcac|\rlap{\ibl1h{-3}\qb1h\sk\tqb1f}\relax + \ibu0j{-3}\qh0j\sk\tqh0h\enotes +\temps\notes&\qqbbl{-3}acMa|\ibu0h3\zql f\qh0h\sk\tqh0j\enotes +\temps\notes\hu I&\zqu K\qqbbl3KbMb|\rlap{\ibl1g{-3}\qb1i\sk\tqb1d}\relax + \ibu0k{-4}\qh0k\sk\tqh0f\enotes +\temps\notes&\qqbbl{-2}MbKM|\ibu0h5\zql d\qh0f\sk\tqh0k\enotes +%\check +% mesure 28 +\barre\notes\hu E&\zqu L\qqbbl2LbNb|\rlap{\ibl1g{-3}\qb1g\sk\tqb1e}\relax + \ibu0i{-3}\qh0i\sk\tqh0g\enotes +\temps\notes&\qqbbl{-2}NbLN|\ibu0h2\zql e\qh0g\sk\tqh0i\enotes +\temps\notes\hu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-5}hc}\dqh{-5}je\enotes +\temps\notes&\qqbbl{-2}LaJL|\doubler\zql c\dqu7ej\enotes +% mesure 29 +\barre\notes\hu D&\zqu K\qqbbl2Ka{^M}a|\rlap{\ibl1f{-3}\qb1{^f}\sk\tqb1d}\relax + \ibu0h{-3}\qh0h\sk\tqh0f\enotes +\temps\notes&\qqbbl{-2}MaKM|\ibu0h2\zql d\qh0f\sk\tqh0h\enotes +\temps\notes\doubler\dqu2GH&\rlap{\doubler\cu N\cu a}\relax + \qqbbl2Ndad|\doubler\rlap{\dql2gh}\dqu2ij\enotes +\temps\notes\qu I&\rlap{\cu b}\qqbbl{-2}bdNb|\zql i\qu k\enotes +%\check +% mesure 30 +\barre\notes\bigaccid\hu{=I}&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes +\temps\notes&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0n\enotes +\temps\notes\hu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}ge}\dqu{-3}lj\enotes +\temps\notes&\qqbbl{-2}NcLN|\doubler\zql e\dqu4jl\enotes +%\check +% mesure 31 +\barre\notes\hu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes +\temps\notes&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes +\temps\notes\hu I&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\fl i\dql{-3}ih}\dqu{-4}kj\enotes +\temps\notes&\qqbbl{-2}MbKM|\ibu0i4\zql f\qh0i\sk\tqh0k\enotes +%\check +% mesure 32 +\barre\notes\hu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql{-3}gg}\dqu{-3}li\enotes +\temps\notes&\qqbbl{-2}NbLN|\ibu0j2\zql g\qh0i\sk\tqh0k\enotes +\temps\notes\hu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-3}ji\enotes +\temps\notes&\rlap{\qu b}\qqbbl{-2}LaJL|\ibu0h2\zql e\qh0h\sk\tqh0j\enotes +% mesure 33 +\barre\notes\hu D&\zqu K\qqbbl2Ka{^M}a|\doubler\rlap{\dql0{^f}f}\dqu{-4}kh\enotes +\temps\notes&\qqbbl{-2}MaKM|\ibu0h2\zql f\qh0h\sk\tqh0j\enotes +%\check +\temps\notes\doubler\dqu{-2}G{^F}&\rlap{\doubler\cu N\cu a}\qqbbl2Ndad\relax +|\doubler\rlap{\dql2gh}\dqu2ij\enotes +\temps\notes\qu G&\rlap{\cu b}\qqbbl{-2}bdNb|\zq i\qu k\enotes +%\check +% mesure 34 +\barre\notes\qup G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes +\temps\notes\bigaccid\sk\cu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0n\enotes +\temps\notes\doubler\dqu2JK&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes +\temps\notes\qu L&\qqbbl{-2}NcLN|\zql e\qu j\enotes +%\check +% mesure 35 +\barre\notes\qup F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes +\temps\notes\sk\cu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0m\enotes +\temps\notes\doubler\dqu2IJ&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes +\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\qu i\enotes +%\check +% mesure 36 +\barre\notes\qup E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql{-3}ge}\dqu{-3}lg\enotes +\temps\notes\sk\cu G&\qqbbl{-2}NbLN|\ibu0k2\zql e\qh0g\sk\tqh0l\enotes +\temps\notes\doubler\dqu2HI&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-5}he}\dqu{-3}jh\enotes +\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0h2\zql e\qh0h\sk\tqh0j\enotes +% mesure 37 +\barre\notes\qup D&\zqu K\qqbbl2Ka{^M}a|\doubler\rlap{\dql0{^f}f}\dqu{-4}kh\enotes +\temps\notes\sk\sh F\cu F&\qqbbl{-2}MaKM|\ibu0h2\zql f\qh0h\sk\tqh0k\enotes +\temps\notes\doubler\dqu2GH&\rlap{\doubler\cu N\cu a}\qqbbl2Ndad\relax +|\doubler\rlap{\dql{-2}gf}\dqu{-2}ih\enotes +\temps\notes\qu I&\rlap{\cu b}\qqbbl{-2}bdNb|\zql g\qu g\enotes +%\check +% mesure 38 +\barre\notes\qu G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes +\temps\notes\bigaccid\qu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0m\enotes +\temps\notes\qu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes +\temps\notes\qu L&\qqbbl{-2}NcLN|\doubler\zql g\dqu{-3}lj\enotes +%\check +% mesure 39 +\barre\notes\qu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes +\temps\notes\qu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes +\temps\notes\qu I&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes +\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\doubler\dqu{-3}ki\enotes +%\check +% mesure 40 +\barre\notes\qu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql0gg}\dqu{-3}li\enotes +\temps\notes\qu G&\qqbbl{-2}NbLN|\ibu0k2\zql g\qh0i\sk\tqh0k\enotes +\temps\notes\qu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-2}ji\enotes +\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0i{-2}\zql e\qh0j\sk\tqh0h\enotes +% mesure 41 +\generalmeter{\meterfrac 54}\changecontext +\NOTes\qu K&\zq{Nb}\ql K|\zq{gi}\ql k\enotes +\temps\NOTes\qu G&\zq{LN}\ql c|\zq{gj}\ql l\enotes +\temps\NOTes\qu H&\zq{La}\ql c|\zq{eh}\ql j\enotes +\temps\NOTEs\qup K&\zqp{^Ma}\qlp d|\zqp{^fh}\qlp k\enotes +\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes +%\check +% mesure 42 +\quatretemps\changecontext +\notes\qu G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes +\temps\notes\bigaccid\qu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0m\enotes +\temps\notes\qu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes +\temps\notes\qu L&\qqbbl{-2}NcLN|\doubler\zql g\dqu{-3}lj\enotes +%\check +% mesure 43 +\barre\notes\qu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes +\temps\notes\qu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes +\temps\notes\qu I&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes +\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\doubler\dqu{-3}ki\enotes +%\check +% mesure 44 +\barre\notes\qu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql0gg}\dqu{-3}li\enotes +\temps\notes\qu G&\qqbbl{-2}NbLN|\ibu0k2\zql g\qh0i\sk\tqh0k\enotes +\temps\notes\qu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-2}ji\enotes +\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0i{-2}\zql e\qh0j\sk\tqh0h\enotes +% mesure 45 +\barre\NOtes\qu K&\zq{Nb}\ql d|\zq{gi}\ql k\enotes +\temps\NOtes\soupir&\soupir|\soupir\enotes +\temps\NOtes\qu G&\zq{LN}\ql c|\zq{gj}\ql l\enotes +\temps\NOtes\soupir&\soupir|\soupir\enotes +% mesure 46 +\barre\NOtes\qu H&\zq{La}\ql c|\zq{eh}\ql j\enotes +\temps\NOtes\soupir&\soupir|\soupir\enotes +\temps\NOtes\qu K&\zq{^Ma}\ql d|\zq{^fh}\ql k\enotes +\temps\NOtes\soupir&\soupir|\soupir\enotes +%\check +% mesure 47 +\generalmeter{\meterfrac 32}\changecontext +\NOTEs\hu G&\zh I\zh K\hl N|\zh b\zh d\hu g\enotes +\smallnotesize\bigaccid +\notes&|\Uptext{\hbox{\kern -16mm\moyen Maestoso \bf(\metron{\qu}{50})}}\enotes +\notes&\qqbbH9KGKNa\enotes +\temps\notes\sk\sk\pause&\qqbbL{-4}abN{^M}N\enotes +\temps\notes&\qqbbl7KNbc\enotes +\temps\notes&\qqbbL{-4}cdbab\enotes +%\check +% mesure 48 +\quatretemps +\changecontext\notes&|\qqbbH8bNbd{^f}\enotes +\temps\notes\sk\sk\pause&|\qqbbH{-4}ggdcd\enotes +\temps\notes&|\qqbbH7dbdfg\enotes +\temps\notes&|\qqbbu0ifgi\enotes +%\check +% mesure 49 +\barre\notes&|\qqbbL0ikgik\enotes +\normalnotesize +\temps\notes\hpause&|\cl n\qsoupir\sk\enotes +\temps\Notes\ccu G&\itenl1N\itenu2g\zq{Nbd}\ccl g|\itenu3n\zq{ik}\ccu n|\enotes +\temps\NOtes\pointdorgue 8\qup G&\tten1\tten2\pointdurgue H\zqp{Nce}\qlp g\relax + |\tten3\pointdorgue o\zqp{jl}\qlp n\enotes +\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes +%\check +\autolines {16}35\relax +% mesure 50 +\smallnotesize\bigaccid +\barre\notes&\qqbbH7IGJLM\enotes +\temps\notes\sk\sk\pause&\qqbbL{-4}MNLKL\enotes +\temps\notes&\qqbbl7JLN{=b}\enotes +\temps\notes&\qqbbL{-4}acNMN\enotes +%\check +% mesure 51 +\barre\notes&\qqbbH7MLN{=b}c\enotes +\temps\notes\sk\sk\sk\pause&|\qqbbH0debce\enotes +\temps\notes&|\qqbbH7cNceg\enotes +\temps\notes&|\qqbbL0hjg{=i}j\enotes +%\check +% mesure 52 +\barre\notes&|\qqbbL0kljln\enotes +\normalnotesize +\temps\notes\hpause&|\cl q\qsoupir\sk\enotes +\temps\Notes\ccu E&\itenu1c\zq{LN}\ccl c|\itenu2j\zq{eg}\ccu j\enotes +\temps\NOtes\pointdorgue 7\qup F&\tten1\pointdorgue{10}\zqp{JM_a}\qlp c\relax + |\tten2\pointdorgue{10}\zqp{f_h}\qup j\enotes +\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes +%\check +% mesure 53 +\smallnotesize\bigaccid +\barre\notes&\qqbbH7KJM{_a}b\enotes +\temps\notes\sk\sk\pause&\qqbbL{-4}acaNa\enotes +\temps\notes&\qqbbl7Mac{=e}\enotes +\temps\notes&\qqbbL{-4}cfcbc\enotes +%\check +% mesure 54 +% \barre\notes&\qqbbH7c{_a}c{=e}f\enotes +\barre\notes&\ibbu0h7\qh0{_a}\qh0c|\sk\sk\qh0{=e}\tqh0f\enotes +\temps\notes\sk\sk\sk\pause&|\qqbbH0f{_h}fef\enotes +\temps\notes&|\qqbbH7ecfhi\enotes +\temps\notes&|\qqbbL0hjhgh\enotes +%\check +% mesure 55 +\troistemps\changecontext\notes&|\qqbbl6f{_h}j{=l}\enotes +\temps\notes\sk\sk\pause&|\qqbbl2mn{_o}n\enotes +\temps\notes&|\qqbbl{-3}m{_l}{_k}j\enotes +% mesure 56 +%\check +\normalnotesize +\quatretemps\changecontext\NOTes\qup I&\zqp M\zqp b\qlp{_d}|\zqp{fi}\qlp{_k}\enotes +\smallnotesize\bigaccid +\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes +\temps\notes\sk\sk\sk\hpause&\ibbu0h5\qh0M\qh0b|\sk\sk\qh0{_d}\tqh0e\enotes +\temps\notes&|\qqbbh{-2}fdcd\enotes +%\check +% mesure 57 +\barre\notes&|\qqbbH7bb{_d}fh\enotes +\temps\notes\sk\sk\sk\pause&|\qqbbL{-2}gifef\enotes +\temps\notes&|\qqbbH8e{_d}fi{_k}\enotes +\temps\notes&|\qqbbL{-2}kmkjk\enotes +% +% mesure 58 +\barre\notes&|\qqbbl5ikmo\enotes +\temps\notes\hpause&|\qqbbl{-3}p{_o}{_n}m\enotes +\normalnotesize +\temps\NOtes\qup E&\zqp{_Nb}|\zqp e\rlap{\qlp {_g}}\zqp{il}\qup{_n}\enotes +\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes +% mesure 59 +\smallnotesize\bigaccid +\barre\notes&\ibbl0L7\qb0L\qb0b\enotes +\notes&|\qb0e\tqb0f\enotes +\temps\notes\sk\sk\sk\pause&|\qqbbh{-2}{_g}e{_d}e\enotes +\temps\notes&|\qqbbH6dce{g}j\enotes +\temps\notes&|\qqbbL{-2}jljij\enotes +% mesure 60 +\barre\notes&|\qqbbl5{=h}jl{_n}\enotes +\temps\notes\sk\sk\sk\pause&|\qqbbl2opqp\enotes +\temps\notes&|\qqbbl{-3}o{=n}ml\enotes +\temps\notes&|\qqbbl{-3}{_k}jih\enotes +% mesure 61 +\normalnotesize +\barre\nspace\autolines{18}35\relax +\Notes\cu{_H}&\zmidtwotext{\it accelerando poco a poco}\relax +\zq K\lq a\lfl a\zq M\ccl b|\fl h\zq d\zq f\rq h\ccu i\enotes +\smallnotesize\varaccid +\temps\notes\dsoupir&|\ibbu0g3\qh0{fi}\tqh0h\enotes +\temps\notes\soupir&|\qqbbH3gidih\enotes +\normalnotesize +\temps\Notes\cu G&\zq L\zq N\ccl b|\zq e\zq g\ccu i\enotes +\smallnotesize\varaccid +\temps\notes\dsoupir&|\ibbu0f3\qh0{eg}\tqh0f\enotes +\temps\notes\soupir&|\qqbbH3fgeih\enotes +% mesure 62 +\barre\nspace +\normalnotesize +\Notes\cu F&\zq K\zq M\lfl a\lq a\ccl b|\fl h\zq d\zq f\rq h\ccu i\enotes +\smallnotesize\varaccid +\temps\notes\dsoupir&|\ibbu0f3\qh0{df}\tqh0e\enotes +\temps\notes\soupir&|\qqbbH3ffdih\enotes +\normalnotesize +\temps\Notes\cu E&\zq L\zq N\ccl b|\zq e\zq g\ccu i\enotes +\smallnotesize\varaccid +\temps\notes\dsoupir&|\ibbu0f3\qh0{eg}\tqh0f\enotes +\temps\notes\soupir&|\qqbbH3fgeih\enotes +% mesure 63 +\normalnotesize +\barre\Notes\cu D&\zq K\zq N\ccl{=b}|\zq d\zq g\ccu{=i}\enotes +\smallnotesize\varaccid +\temps\notes\dsoupir&|\ibbu0f3\qh0{dg}\tqh0f\enotes +\temps\notes\soupir&|\qqbbH3fgeji\enotes +\normalnotesize\nspace +\temps\Notes\cu C&\zq{=L}\zq N\lfl b\lq b\ccl c|\fl i\zq{=e}\zq g\rq i\ccu j\enotes +\smallnotesize\varaccid +\temps\notes\dsoupir&|\ibbu0f3\qh0{cg}\tqh0f\enotes +\temps\notes\soupir&|\qqbbH3fgej{=i}\enotes +% mesure 64 +\normalnotesize +\barre\Notes\cu I&\zq{=L}\zq N\lq b\ccl c|\fl i\zq{=e}\zq g\rq i\ccu j\enotes +\smallnotesize\varaccid +\temps\notes\dsoupir&|\ibbu0f3\qh0{cg}\tqh0f\enotes +\temps\notes\soupir&|\qqbbH3fgej{=i}\enotes +\normalnotesize\nspace +\temps\Notes\cu{_H}&\zq M\zq{_a}\ccl c|\zq f\zq{_h}\ccu j\enotes +\smallnotesize\varaccid +\temps\notes\dsoupir&|\ibbu0f3\qh0{c_h}\tqh0g\enotes +\temps\notes\soupir&|\qqbbH3fhfji\enotes +% mesure 65 +\normalnotesize +\barre\Notes\cu G&\zq{=L}\zq N\lq b\ccl c|\fl i\zq{=e}\zq g\rq i\ccu j\enotes +\smallnotesize\varaccid +\temps\notes\dsoupir&|\ibbu0f3\qh0{cg}\tqh0f\enotes +\temps\notes\soupir&|\qqbbH3fgej{=i}\enotes +\normalnotesize +\temps\Notes\cu F&\zq M\zq{=a}\ccl c|\zq f\zq{=h}\ccu j\enotes +\smallnotesize\varaccid +\temps\notes\dsoupir&|\ibbu0f3\qh0{fh}\tqh0g\enotes +\temps\notes\soupir&|\qqbbH3fhfj{=i}\enotes +% mesure 66 +\normalnotesize +\barre\Notes\cu{^F}&\zq{^M}\zq a\ccl c|\zq{^f}\zq h\ccu j\enotes +\smallnotesize\varaccid +\temps\notes\dsoupir&|\ibbu0f3\qh0{dh}\tqh0g\enotes +\temps\notes\soupir&|\qqbbH3fhf{_i}h\enotes +\normalnotesize +\temps\Notes\cu G&\zq K\zq N\ccl b|\zq d\zq g\ccu i\enotes +\smallnotesize\varaccid +\temps\notes\dsoupir&|\ibbu0f3\qh0{di}\tqh0h\enotes +\temps\notes\soupir&|\qqbbH5higik\enotes +\autolines {17}35\relax +%\check +% mesure 67 +\normalnotesize +\barre\notes\hu G&\zqu N\qqbbl2Ndbd|\raise 7\Interligne\rlap{\vbox to 2\Interligne +{\vss\hbox{\moyen Allegro \bf(\metron{\qu}{70})}}}\relax + \doubler\rlap{\dql{-3}ig}\dqu{-5}ni\enotes +\temps\notes&\qqbbl{-2}bdNb|\ibu0i3\zql g\qh0i\sk\tqh0k\enotes +\temps\notes\hu J&\zqu L\qqbbl2LcNc|\rlap{\ibl1h{-4}\qb1j\sk\tqb1e}\relax + \ibu0l{-4}\qh0l\sk\tqh0g\enotes +\temps\notes&\qqbbl{-2}NcLN|\ibu0h6\zql e\qh0g\sk\tqh0l\enotes +%\check +% mesure 68 +\barre\notes\hu F&\zqu M\qqbbl3Mcac|\rlap{\ibl1h{-3}\qb1h\sk\tqb1f}\relax + \ibu0j{-5}\qh0m\sk\tqh0h\enotes +\temps\notes&\qqbbl{-3}acMa|\ibu0h3\zql f\qh0h\sk\tqh0j\enotes +\temps\notes\hu I&\zqu K\qqbbl3KbMb|\rlap{\ibl1g{-3}\qb1i\sk\tqb1d}\relax + \ibu0k{-4}\qh0k\sk\tqh0f\enotes +\temps\notes&\qqbbl{-2}MbKM|\ibu0h5\zql d\qh0f\sk\tqh0i\enotes +%\check +% mesure 69 +\barre\notes\hu E&\zqu L\qqbbl2LbNb|\rlap{\ibl1g{-3}\qb1g\sk\tqb1e}\relax + \ibu0i{-5}\qh0l\sk\tqh0g\enotes +\temps\notes&\qqbbl{-2}NbLN|\ibu0h2\zql e\qh0g\sk\tqh0i\enotes +\temps\notes\hu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-5}hc}\dqh{-5}je\enotes +\temps\notes&\qqbbl{-2}LaJL|\doubler\zql c\dqu6eh\enotes +% mesure 70 +\barre\notes\hu D&\zqu K\qqbbl2Ka{^M}a|\rlap{\ibl1f{-3}\qb1{^f}\sk\tqb1d}\relax + \ibu0h{-5}\qh0k\sk\tqh0f\enotes +\temps\notes&\qqbbl{-2}MaKM|\ibu0h2\zql d\qh0f\sk\tqh0h\enotes +\temps\notes\doubler\dqu2GH&\rlap{\doubler\cu N\cu a}\relax + \qqbbl2Ndad|\doubler\rlap{\dql2gh}\dqu2ij\enotes +\temps\notes\qu I&\rlap{\cu b}\qqbbl{-2}bdNb|\zql i\qu k\enotes +%\check +% mesure 71 +\barre\notes\bigaccid\hu{=I}&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes +\temps\notes&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0n\enotes +\temps\notes\hu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}ge}\dqu{-3}lj\enotes +\temps\notes&\qqbbl{-2}NcLN|\doubler\zql e\dqu4jl\enotes +%\check +% mesure 72 +\barre\notes\hu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes +\temps\notes&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes +\temps\notes\bigaccid\hu{_I}&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\fl i\dql{-3}ih}\dqu{-4}kj\enotes +\temps\notes&\qqbbl{-2}MbKM|\ibu0i4\zql f\qh0i\sk\tqh0k\enotes +%\check +% mesure 73 +\barre\notes\hu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql{-3}gg}\dqu{-3}li\enotes +\temps\notes&\qqbbl{-2}NbLN|\ibu0j2\zql g\qh0i\sk\tqh0k\enotes +\temps\notes\hu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-3}ji\enotes +\temps\notes&\qqbbl{-2}LaJL|\ibu0h2\zql e\qh0h\sk\tqh0j\enotes +% mesure 74 +\barre\notes\hu D&\qqbbl2Ka{^M}a|\doubler\rlap{\dql0{^f}f}\dqu{-4}kh\enotes +\temps\notes&\qqbbl{-2}MaKM|\ibu0h2\zql f\qh0h\sk\tqh0j\enotes +%\check +\temps\notes\doubler\dqu{-2}G{^F}&\rlap{\doubler\cu N\cu a}\qqbbl2Ndad\relax +|\doubler\rlap{\dql2gh}\dqu2ij\enotes +\temps\notes\qu G&\rlap{\cu b}\qqbbl{-2}bdNb|\zq i\qu k\enotes +%\check +% mesure 75 +\barre\notes\qup G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes +\temps\notes\bigaccid\sk\cu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0n\enotes +\temps\notes\doubler\dqu2JK&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes +\temps\notes\qu L&\qqbbl{-2}NcLN|\zql e\qu j\enotes +%\check +% mesure 76 +\barre\notes\qup F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes +\temps\notes\sk\cu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0m\enotes +\temps\notes\doubler\dqu2IJ&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes +\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\qu i\enotes +%\check +% mesure 77 +\barre\notes\qup E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql{-3}ge}\dqu{-3}lg\enotes +\temps\notes\sk\cu G&\qqbbl{-2}NbLN|\ibu0k2\zql e\qh0g\sk\tqh0l\enotes +\temps\notes\doubler\dqu2HI&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-5}he}\dqu{-3}jh\enotes +\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0h2\zql e\qh0h\sk\tqh0j\enotes +% mesure 78 +\barre\notes\qup D&\zql K\qqbbl2Ka{^M}a|\doubler\rlap{\dql0{^f}f}\dqu{-4}kh\enotes +\temps\notes\doubler\sk\sh F\cu F&\qqbbl{-2}MaKM|\ibu0h2\zql f\qh0h\sk\tqh0k\enotes +\temps\notes\doubler\dqu2GH&\rlap{\doubler\cu N\cu a}\qqbbl2Ndad\relax +|\doubler\rlap{\dql{-2}gf}\dqu{-2}ih\enotes +\temps\notes\qu I&\rlap{\cu b}\qqbbl{-2}bdNb|\zql g\qu g\enotes +%\check +% mesure 79 +\barre\notes\qu G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes +\temps\notes\bigaccid\qu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0m\enotes +\temps\notes\qu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes +\temps\notes\qu L&\qqbbl{-2}NcLN|\zql g\doubler\dqu{-3}lj\enotes +%\check +% mesure 80 +\barre\notes\qu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes +\temps\notes\qu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes +\temps\notes\qu I&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes +\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\doubler\dqu{-3}ki\enotes +%\check +% mesure 81 +\barre\notes\qu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql0gg}\dqu{-3}li\enotes +\temps\notes\qu G&\qqbbl{-2}NbLN|\ibu0k2\zql g\qh0i\sk\tqh0k\enotes +\temps\notes\qu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-2}ji\enotes +\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0i{-2}\zql e\qh0j\sk\tqh0h\enotes +% mesure 82 +\barre\notes\qu K&\qqbbl2KbNb|\doubler\rlap{\dql{-2}ih}\dqu{-2}kj\enotes +\temps\notes\qu L&\qqbbl{-2}NbLN|\doubler\rlap{\dql2gh}\dqu2ij\enotes +\temps\notes\qup K&\qqbbl6KNbd|\rlap{\cl g\sk + \raise -3\internote\dsoupir}\zqp i\qup k\enotes +\notes\sk\sk\dsoupir&|\ql g\sk\raise 3\internote\dsoupir\enotes +% mesure 83 +\barre\notes\qu J&\qqbbl7JLNc|\zq{gj}\ql l\enotes +\temps\NOtes\soupir&\cl e\dsoupir|\soupir\enotes +\temps\notes\qu H&\qqbbl7HJLa|\zq{eh}\ql j\enotes +\temps\NOtes\soupir&\cl c\dsoupir|\soupir\enotes +% mesure 84 +\barre\notes\qu K&\qqbbl7K{^M}ad|\bigaccid\rlap{\cl{^f}\sk +\raise-3\interligne\dsoupir}\zq{h}\qu k\enotes +\temps\NOTEs\soupir&\soupir|\zql f\raise 3\interligne\soupir\enotes +\temps\NOTEs\hpause&\hpause|\hpause\enotes +% mesure 85 +\troistemps\changecontext\NOtes\cu G&\zq{KNb}\cl d|\zq{gik}\cl n\enotes +\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes +\temps\NOtes\cu E&\zq{JLN}\cl c|\zq{egj}\cl l\enotes +\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes +\temps\NOtes\cu C&\zq{JL}\cl a|\zq{ceh}\cl j\enotes +\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes +% mesure 86 +\barre\NOTEs\qu D&\zq{K^M}\ql a|\zq{d^fh}\ql k\enotes +\temps\NOTEs\soupir&\soupir|\soupir\enotes +\cleftoksii={{0}{0}{0}{0}}\changeclefs +\temps\NOtes\zq D\cu K&\cu d|\cu k\enotes +\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes +\advance\barsinline by -1\relax +% mesure 87 +\barre\NOTES\zh N\hl G&\hu g|\hu n\enotes +\temps\NOTES\soupir&\soupir|\soupir\enotes +% +\finmorceau +\rightline{\sl\aujourdhui}\vfil\eject +\endinput + diff --git a/macros/generic/musixtex/doc/examples/pslurvgap.tex b/macros/generic/musixtex/doc/examples/pslurvgap.tex new file mode 100644 index 0000000000..216f3d183d --- /dev/null +++ b/macros/generic/musixtex/doc/examples/pslurvgap.tex @@ -0,0 +1,21 @@ +\input musixtex +\input musixps + +\footline={} + \Nosluradjust \Notieadjust + +\startmuflex \nobarnumbers + +\startextract\NOTes\multnoteskip3\isluru0c\ql c\tslur0s\ql s\enotes + \bar\NOTes\multnoteskip3\isluru0c\ql c\tslur0z\ql z\enotes\endextract + + \instrumentnumber{1} \generalmeter{\meterfrac34} +\startextract +\NOTes\isluru0c\ql c\enotes\notes\tslur0j\ql j\enotes + \bar\NOTes\isluru0c\ql c\enotes\notes\tslur0n\ql n\enotes + \NOTes\isluru0c\ql c\enotes\notes\tslur0s\ql s\enotes + \bar\NOTes\isluru0c\ql c\enotes\notes\tslur0z\ql z\enotes + \endextract + +\endmuflex +\end diff --git a/macros/generic/musixtex/doc/examples/quod.tex b/macros/generic/musixtex/doc/examples/quod.tex new file mode 100644 index 0000000000..b73720fa6a --- /dev/null +++ b/macros/generic/musixtex/doc/examples/quod.tex @@ -0,0 +1,162 @@ +\input musixtex.tex +\input musixsty.tex +\input musixps +\nohalfties +\def\pstiehgt{0.5} +\def\psslurhgt{0.5} +\vsize9.75in +\voffset-0.5in +\hsize7.0in +\hoffset-0.25in +\smallmusicsize +\bigaccid +\advance\parindent by 10pt +\def\raisebarno{7\internote}% +\nobarnumbers +\relativeaccid +\geometricskipscale + +\instrumentnumber4 +\setclef1\bass\setbassclefsymbol1\bassoct +\setclef4\treble\settrebleclefsymbol4\trebleoct +\generalsignature{+1} +\generalmeter\meterC +\setname1{B} +\setname2{T} +\setname3{A} +\setname4{S} +\songtop4 +\songbottom1 +\fulltitle{Quodlibet} +\subtitle{Variation 30 of the Goldberg Variations for Clavier} +\title{Quodlibet} +\author{J. S. Bach (1685--1750)} +\shortauthor{J. S. Bach} +\othermention{Arranged for Recorders by R. D. Tennent} +\maketitle +\startbarno=0 +\nobarnumbers +\stafftopmarg=3.0\Interligne% +\staffbotmarg=3.0\Interligne% +\startpiece\addspace\afterruleskip% +\systemnumbers% +\Notes\ds&\cu d&\ds&\ds\en +\bar%1 +\Notes\hl N&\ibu1g2\qb1{ghi}\tqh1j&&\hpause\en +\Notes\hl M&\ibl1k{-2}\qb1k&&\en +\notes&\nbbl1\qb1j\tqb1i&&\qp\en +\Notes&\ibu1h0\qb1h&&\ds\en +\notes&\nbbu1\qb1g\tqh1h&&\cu d\en +\def\atnextbar{\znotes&&\centerpause&\en}% +\bar%2 +\Notes\hl L&\ibu1i{-2}\qb1i\tqh1h&\ql n&\ibu3g2\qb3{gh}\en +\Notes&\itied1g\qu g&\ql n&\qb3i\tqh3j\en +\Notes\ql{.K}&\ttie1\qu g&\ql o&\ibl3k{-2}\qb3k\en +\notes&&&\nbbl3\qb3j\tqb3i\en +\Notes&\ibu1f0\shake{n}\qb1f&\cl o&\cu h\en +\notes\cu J&\nbbu1\qb1e\tqh1f&\ds&\ds\en +\bar%3 +\Notes\hu I&\qu g&\ibl2n{-1}\qb2{no}&\ql k\en +\Notes&\ds\cl k&\qb2{n}\tqb2{=m}&\ql k\en +\Notes\hu J&\ibu1j{-2}\qb1{ji}&\ibl2j{0}\qb2{lk}&\ql l\en +\Notes&\qb1h\tqh1g&\qb2j\tqb2p&\ql l\en +\bar%4 +\Notes\hl K&\itied1f\shake{n}\qu f&\ibl2o{-1}\qb2{on}&\ibl3k{-1}\qb3{kl}\en +\notes&\ttie1\ibbu1e{-2}\qb1f\tbbu1\qb1e&\qb2o&\qb3k\en +%\vnotes1.5\elemskip&\nbbbu1\qb1e\tbbu1\qb1f&&\en +\Notes&\itied1d\tqh1d&\tqb2m&\tqb3j\en +\Notes\qu G&\ttie1\qu d&\ibl2n{-2}\qb2n\tqb2m&\ibu3h{-1}\shake{p}\qb3i\tqh3h\en +\Notes\ds&\qp&\ibl2n{-5}\qb2n&\qu g\en +\notes\ibbl0b{-1}\qb0b\tqb0a&&\tqb2k&\en +\bar%5 +\Notes\ibl0M0\qb0N&\ql n&\ibl2n2\qb2n&\hpause\en +\notes\nbbl0\qb0M\tqb0N&&\qb2o&\en +\Notes\ibl0K0\qb0L&\ql n&\qb2p&\en +\notes\nbbl0\qb0K\tqb0L&&\tqb2q&\en +\Notes\ql{.M}&\ql o&\ibl2r{-2}\qb2r&\qp\en +\notes&&\nbbl2\qb2q\tqb2p&\en +\Notes\sk\cu I&\ql o&\ibl2o6\qb2o\itieu2r\tqb2r&\ds\cl k\en +\bar%6 +\Notes\ql{.L}&\ibl1n{-1}\qb1{no}&\ttie2\ibl2r{-2}\qb2r\tqb2q&\ibl3n{-2}\qb3{nm}\en +\Notes&\qb1n&\ql p&\qb3l\en +\notes\ibbl0M2\qb0M\tqb0N&\tqb1m&&\tqb3k\en +\Notes\itieu0a\ql a&\ibl1l{-2}\qb1l&\ql{.o}&\shake{n}\ibl3i0\qb3{^j}\en +\notes&\tqb1k&&\nbbl3\qb3i\tqb3j\en +\notes\ttie0\ibbl0a{-2}\qb0{aN}&\cl{^j}&&\cu h\en +\notes\qb0M\tqb0L&\ds&\ibbl2i2\qb2i\qsk\tqb2{^j}&\ds\en +\bar%7 +\Notes\ql M&\ibu1g0\qb1{fg}&\ibl2k0\qb2{kl}&\qu h\en +\Notes\ql K&\qb1h\tqh1f&\qb2m\tqb2k&\qu h\en +\Notes\ql N&\ibu1g{-2}\qb1{gf}&\ibl2i4\qb2{ik}&\ql i\en +\Notes\qu G&\qb1e\tqh1d&\qb2n\tqb2m&\ql i\en +\bar%8 +\Notes\qu{.H}&\ibu1c4\qb1{^cd}&\ibl2l{-1}\qb2{.l}\roff{\itieu2k\tbbl2\tqb2k}\qsk&\ibu3i{-1}\qb3{hi}\en +\notes&\qb1e&\ttie2\ibbl2j0\qb2k\hqsk\tbbl2\qb2{^j}&\qb3h\en +\Notes\cu{^J}&\itied1h\tqh1h&\itieu2l\tqb2l&\tqh3g\en +\notes\ql K&\ttie1\ibu1h{-2}\qb1h&\ttie2\ibbl2l{-1}\qb2{lk}&\ibu3f{-1}\qb3f\en +\notes&\tqh1g&\qb2l\tqb2j&\tqh3e\en +\Notes\cl K&\cu f&\cl k&\cu d\en +\advance\barno by -1% +\leftrightrepeat +\Notes\ds&\cl m&\ds&\cl o\en +\bar%9 +\Notes\ql d\sk\ql c&\ibl1k0\qb1{kmk}\tqb1{m}&\ql o\sk\ql o&\ibl3m0\qb3{mom}\tqb3o\en +\Notes\ql b&\ibl1k0\qb1n&\ql p&\ibl3k2\qb3k\en +\notes&\qb1k&&\nbbl3\qb3l\tqb3m\en +\Notes\ql N&\qb1k\tqb1n&\ql p&\ibl3n{-4}\qb3n\tqb3l\en +\bar%10 +\Notes\ibl0b{-1}\qb0{cbc}\tqb0a&\cl l\ds\qp&\ibl2o{-1}\qb2{opo}\tqb2n&\ibl3o{-2}\qb3{onm}\tqb3l\en +\Notes\ql{.b}&\ql m&\ibl2m{-2}\qb2m&\ibl3j0\shake n\qb3{^k}\en +\notes&&\tqb2l&\nbbl3\qb3{^j}\tqb3k\en +\Notes\sk\cl a&\ql m&\cl{^k}\ds&\ibl3i8\qb3i\tqb3{p}\en +\bar%11 +\Notes\ql{N}\sk\ql{N}&\ibl1l0\qb1{nln}\tqb1l&\ql p\sk\ql p&\ibl3m0\qb3{lpl}\tqb3{p}\en +\notes\ql{.a}&\ibl1m{-1}\qb1{m*n}&\ql q&\ibbl3k2\qb3{^klm}\tqb3n\en +\Notes&\qb1m&\ql q&\ibl3o{-2}\qb3o\en +\notes\cl{^a}&\tqb1l&&\nbbl3\qb3n\qsk\tqb3{m}\en +\bar%12 +\Notes\ql b&\ibl1k2\qb1{^k}&\ibl2o{-1}\qb2p&\ibl3n{-2}\qb3n\en +\notes&\nbbl1\qb1l\tqb1m&\qb2q&\nbbl3\qb3m\tqb3l\qsk\en +\notes\qu I&\itied1i\qu i&\qb2p&\ibbl3k0\qb3{^kl}\en +\notes&&\tqb2o&\qb3m\tqb3k\en +\Notes\ql{.L}&\ttie1\ibu1i0\qb1i&\ibl2n0\qb2n&\itieu3l\hl l\en +\notes&\nbbu1\qb1h\tqh1i&\nbbl2\qb2m\tqb2n&\en +\Notes&\ibu1g2\qb1g&\cl l&\en +\notes\cl{=K}&\nbbu1\qb1h\tqh1i&\ds&\en +\bar%13 +\notes\qu J&\ibl1j2\qb1j\sk\qb1k&\hpause&\ttie3\ibbl3k1\slur lku1\qb3l\qb3k\slur mlu1\qb3m\tqb3l\en +\notes\ql c&\qb1l\sk\tqb1m&&\ibbl3m1\isluru3n\qb3n\tbbl3\tslur3m\qb3m\tqb3o\en +\notes\ql{.b}&\ibl1n{-1}\qb1n\sk\nbbl1\qb1m\tqb1l&\ql n&\ql{.k}\en +\Notes&\cl k&\ibl2i{-5}\qb2n&\en +\notes\ibbu0J{-2}\qb0J\tqh0I&\ds&\tqb2g&\ibbl3j2\qb3j\tqb3k\en +\bar%14 +\Notes\qu{.H}&\ds&\ibl2j1\qb2{.j}&\ibl3l2\qb3l\en +\notes&\cu h&\sk\tbbl2\tqb2k&\nbbl3\qb3m\tqb3n\en +\Notes&\ibu1e0\qb1e&\ibl2j{-2}\qb2j&\ibl3o{-2}\qb3o\en +\notes\ibbu0I2\qb0I\tqh0J&\nbbu1\qb1d\tqh1e&\tqb2{i}&\tqb3n\en +\notes\ql{.K}&\ibu1g1\qb1f&\ibu2h1\qb2h&\ibbl3m{-2}\shake{o}\qb3m\en +\notes&&&\tbbl3\qb3l\en +\Notes&\itied1g\tqh1g&\tqh2i&\tqb3k\en +\Notes&\ttie1\ibu1g{-1}\qb1g&\ibl2j2\qb2j&\ibu3i{-6}\qb3j\en +\notes\ibbu0J2\qb0J\tqh0K&\tqh1f&\tqb2k&\tqh3d\en +\bar%15 +\Notes\ibu0I0\qb0G&\qu d&\ibu2i0\qb2i&\ibl3i0\qb3i\en +\notes\qb0H&&\nbbu2\qb2h\tqh2i&\qb3j\en +\Notes\qb0I&\qu d&\cu g&\qb3k\en +\Notes\tqh0G&&\ds&\tqb3i\en +\Notes\qu{.J}&\qu e&\ds&\ibu3j{-2}\qb3j\en +\notes&&\ibbl2l{-2}\qb2l\tqb2k&\qb3i\en +\Notes&\qu e&\ibl2j4\qb2j&\qb3h\en +\Notes\cu{^J}&&\tqb2l&\tqh3g\en +\bar%16 +\notes\ql K&\ibu1g{1}\qb1d&\ibbl2h1\qb2{hk}&\ibu3f2\qb3f\en +\notes&\qb1e&\qb2j\tqb2i&\tqh3g\en +\notes\ql K&\qb1d&\ibbl2j0\qb2j\tbbl2\qb2h&\ibu3h{-4}\qb3h\en +\Notes&\tqh1j&\itieu2k\tqb2k&\tqh3f\en +\Notes\ql N&\ibu1i{-2}\qb1i&\ttie2\ibl2j0\qb2k&\qu g\en +\notes&\tqh1h&\nbbl2\qb2j\tqb2k&\en +\Notes\cu G&\cu g&\cl i&\cu g\en +\setrightrepeat +\endpiece% +\eject +\end diff --git a/macros/generic/musixtex/doc/examples/racine.tex b/macros/generic/musixtex/doc/examples/racine.tex new file mode 100644 index 0000000000..0354b45c26 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/racine.tex @@ -0,0 +1,596 @@ + +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi + +\hsize 190mm \vsize 280mm +\hoffset -1.84cm + + +\fulltitle{Cantique de Jean Racine} +\shorttitle{Cantique de Jean Racine} +\shortauthor{G. Faur\'e} +\fullauthor{Gabriel Faur\'e\\Transcription Orgue Daniel Taupin} +\othermention{Gif~: 2.4/9.11.13/19.23/33.37.41/54/46.47.48.51} +\maketitle + +% +\parindent 14mm +\musicsize=20 + +\def\quatreinstruments{\def\nbinstruments{4}\relax +\nbporteesi=1\relax +\nbporteesii=2\relax +\nbporteesiii=1\relax +\nbporteesiv=1\relax +\cleftoksi{6000}\relax +\cleftoksii{6000}\relax +\cleftoksiii{6000}\relax +\cleftoksiv{0000}\relax +\def\staffspacingi{1.0}\def\interinstrumenti{0pt}\relax +\def\staffspacingii{1.0}\def\interinstrumentii{-2\Interligne}\relax +\def\staffspacingiii{0.64}\def\interinstrumentiii{0pt}\relax +\def\staffspacingiv{0.64}\def\interinstrumentiv{0pt}\relax +} + % +\def\sanspedale{\def\nbinstruments{3}\relax +\nbporteesi=2\relax +\nbporteesii=1\relax +\nbporteesiii=1\relax +\cleftoksi{6000}\relax +\cleftoksii{6000}\relax +\cleftoksiii{0000}\relax +\def\staffspacingi{1.0}\def\interinstrumenti{-2\Interligne}\relax +\def\staffspacingii{0.64}\def\interinstrumentii{0pt}\relax +\def\staffspacingiii{0.64}\def\interinstrumentiii{0pt}\relax +} + % + +\def\paroles{\eightrm} + +%\paroles +% \line{G.O. ({\bf I}) : 8'+4', acc. Positif/R\'ecit\hss Gabriel Faur\'e} +% \line{Positif ({\bf II}) : 8'+4'+1 1/3, acc. R\'ecit\hss Transcription Orgue Daniel +%Taupin } +% \line{R\'ecit ({\bf III}) : 8'+4'\hss... } +% \line{P\'edale : 16'+8', acc. Positif\hss } + +\quatreinstruments +\normal +\def\instrumenti{P\'edale} +\def\instrumentii{Manuel} +\def\instrumentiii{\vbox{\hbox{T\'enors}\hbox{Basses}}} +\def\instrumentiv{\vbox{\hbox{Sopran.}\hbox{Altos}}} +\generalmeter{\meterC}% +% +% +% formes frequentes +% deux croches hautes +\def\dqb#1#2{\bigaccid\Ibl0{#1}{#2}1\qb0{#1}\varaccid\tqb0{#2}} +\def\dqh#1#2{\bigaccid\Ibu0{#1}{#2}1\qh0{#1}\varaccid\tqh0{#2}} +\def\sdqh{\ds\dqh} +\def\lsdqb{\raise-3\Internote\ds\dqb} +\def\sdqb{\ds\dqb} +\def\Tqb#1#2#3{\Ibl0{#1}{#3}2\qb0{#1}\varaccid\qb0{#2}\tqb0{#3}} +\def\tQb#1#2#3{\ibl0{#2}0\qb0{#1}\varaccid\qb0{#2}\tqb0{#3}} +\def\Tqh#1#2#3{\Ibu0{#1}{#3}2\qh0{#1}\varaccid\qh0{#2}\tqh0{#3}} +\def\tQh#1#2#3{\ibu0{#2}0\qh0{#1}\varaccid\qh0{#2}\tqh0{#3}} +\def\Sqh#1#2#3{\bigaccid\Tqh{#1}{#2}{#3}\Tqh} +\def\Sqb#1#2#3{\bigaccid\Tqb{#1}{#2}{#3}\Tqb} +\def\Qqh#1#2{\sdqh{#1}{#2}\Tqh} +\def\Qqb#1#2{\sdqb{#1}{#2}\Tqb} +\def\dnu#1#2{\bigaccid\qu{#1}\sk\sk\qu{#2}}% +\def\Dnu#1#2{\bigaccid\zq{!#1}\qu{!`#1}\sk\sk\zq{!`#2}\qu{!#2}}% +\def\dnb#1#2{\bigaccid\ql{#1}\sk\sk\ql{#2}}% +\def\Dnb#1#2{\bigaccid\zq{!#1}\ql{!`#1}\sk\sk\zq{!`#2}\ql{!#2}}% +\def\dnl{\dnb}\def\Dnl{\Dnb} +\def\Hu#1{\bigaccid\zh{!`#1}\hu{!#1}} +\def\Hl#1{\bigaccid\zh{!`#1}\hl{!#1}} +\def\hlu#1#2{\bigaccid\zhl{#1}\hu{#2}} +\def\huu#1#2{\bigaccid\zh{#1}\hu{#2}} +\def\hll#1#2{\bigaccid\zh{#1}\hl{#2}} +\def\qlu#1#2{\bigaccid\zql{#1}\qu{#2}} +\def\quu#1#2{\bigaccid\zq{#1}\qu{#2}} +\def\qll#1#2{\bigaccid\zq{#1}\ql{#2}} +\def\Pause{\sk\sk\sk\sk\sk\pause} +\def\Hpause{\sk\sk\hpause} +% +\def\zmid#1{\zcharnote{12}{\paroles #1}} +% +\staffbotmarg\Interligne + +\generalsignature{-5} +\def\nbinstruments{2}% +\debutmorceau +\autolines{14}{4}{4}% +%Takt 1 +\notes\zcharnote b{$\wedge$}\wh K&\uptext{\kern -1.5\Interligne + \bf II}\sdqb cd\Tqb fcd|\uptext{\moyen Andante}\Hpause\enotes +\temps\notes&\Tqb acd\sdqb cd|\sk\sk\sk\qu f\enotes +%Takt 2 +\barre\notes\hu F&\Sqb acdfda|\hu h\enotes +\temps\notes\hu H&\Qqb {=b}ceca|\hu g\enotes +%Takt 3 +\autolines{13}{4}{4}% +\barre\notes\hu K&\Qqb acdaM|\hup f\enotes +\temps\notes\hu J&\Sqb acdfda|\sk\sk\sk\qu h\enotes +%Takt 4 +\def\atnextline{\autolines{13}44}% +\barre\notes\qu I&\sdqb{=e}f|\qu k\enotes +\temps\notes\qu H&\sdqb fc|\qu j\enotes +\temps\notes\qu G&\sdqb cd|\qu i\enotes +\temps\notes\qu F&\sdqb da|\qu h\enotes +%Takt 5 +\barre\notes\hu H&\sdqb{=b}c|\qu h\enotes +\temps\notes &\Tqb eca|\qu g\enotes +\temps\notes\qu K&\sdqb{=N}a|\qu f\enotes +\temps\notes\qu F&\Tqb daM|\qu f\enotes +%Takt 6 +\barre\notes\hu G&\Qqb{=a}bdbL|\hu e\enotes +\temps\notes\hu H&\Qqb {=b}cec{_a}|\hu g\enotes +%Takt 7 +\barre\notes\dnu KJ&\Qqb{=N}adaM|\hu f\enotes +\temps\notes\dnu IH&\sdqb cd\sdqb da|\soupir\sk\sk\qu f\enotes +%Takt 8 +\barre\notes\hup G&\Qqb {=a}bdbL|\hu e\enotes +\temps\notes\sk\sk\sk\ql N&\Qqb{=b}cedc|\hu i\enotes +%Takt 9 +\barre\notes\dnb ML&\Qqb{=b}cfc{=a}|\hu{=h}\enotes +\temps\notes\dnb KJ&\sdqb ae\sdqb ea|\sk\sk\sk\qu f\enotes +%Takt 10 +\barre\notes\dnu IH&\sdqb{=e}f\sdqb fc|\dnu kj\enotes +\temps\notes\dnu GF&\sdqb cd\Tqb fd{_a}|\dnu i{_h}\enotes +%Takt 11 +\barre\notes\hu H&\Qqb{=b}ceca|\dnu hg\enotes +\temps\notes\dnu DF&\Qqb{=N}adad|\dnu fh\enotes +%Takt 12 +\advance\linesinpage by -1\relax + % +\barre\notes\hu G&\Qqb{=a}bdb{_N}|\hu f\enotes +\temps\notes\hu H&\Qqb N{_a}caN|\hu e\enotes +\def\atnextline{\sanspedale\def\nbinstruments{2}\savemeters}% + % +%Takt 13 +\barre\notes\zcharnote B{\kern -2\Interligne\rm(P\'ed.)}\zhl K\relax + \raise 2\Interligne\sdqb Ma\sdqb aM|\cu d\sk\ds\itenl1d\qu d&\Hpause\enotes +\temps\notes\cl a\sk\ds|\tten1\Tqh dcd&\soupir\enotes +\temps\notes\zcharnote C{\bf I \rm(G.O.)}\soupir|\Tqh fda&\relax + \zmid{Verbe \'e-}\clp M\sk\ccl M\enotes +%Takt 14 +\barre\notes\hu F|\Qqh cdfda&\zmid{gal}\hl a\enotes +\temps\notes\hu H|\Qqh {=b}ceca&\zmid{au}\qlp N\sk\sk\sk\zmid{Tr\`es-}\sk\cl N\enotes +%Takt 15 +\barre\notes\hu K|\Qqh acdaM&\zmid{Haut}\hlp M\enotes +\temps\notes\hu J|\Sqh acdfda&\sk\sk\sk\zmid{notre}\qll Ma\enotes +%Takt 16 +\barre\notes\qu I|\sdqh{=e}f&\zmid{u-}\qll Md\enotes +\temps\notes\qu H|\sdqh fc&\zmid{ni-}\zq M\ql c\enotes +\temps\notes\qu G|\sdqh cd&\zmid{que es-}\zq K\ql b\enotes +\temps\notes\qu F|\sdqh da&\zmid{p\'e}\zq a\ql a\enotes + %\check +%Takt 17 +\def\atnextline{\sanspedale\def\nbinstruments{3}\savemeters}% +\barre\notes\hu H|\Qqh aceca&\zmid{ran-}\zql a\hu c\sk\sk\ql N&\Pause\enotes +\temps\notes\dnu DF|\Qqh acdaM&\zmid{ce}\zq M\ql d\sk\sk\zmid{Jour}\zq M\ql d\enotes + %\check +%Takt 18 +\barre\notes\hu G|\Qqh bdedb&\zmid{\'e-}\zh L\hl d&\Pause\enotes +\temps\notes\hu H|\Qqh NcecN&\zmid{ter-}\zh N\hl c\enotes + %\check +%Takt 19 +\barre\notes\wh I|\Qqh MbdbM&\zmid{nel}\zh M\hl d&\Hpause\enotes +\temps\notes|\Sqh bcdfdb&\zmid{de}\zq M\ql d\sk\sk + \zmid{la}\zq M\ql d&\soupir\sk\sk\zmid{De}\qu f\enotes + %\check +%Takt 20 +\barre\notes\wh H|\Qqh cdfda&\zmid{terre}\hll Md&\zmid{la}\qu h\sk\sk + \zmid{pai-}\qu h\enotes +\temps\notes|\Qqh NdedN&\zmid{et}\zq L\ql d\sk\sk + \zmid{des}\zq M\ql c&\zmid{si-}\qu g\sk\sk + \zmid{ble}\qu g\enotes + %\check +%Takt 21 +\barre\notes\hu K|\Qqh MadaM&\zmid{cieux,}\zh K\hlp d&\zmid{nuit,}\hup f\enotes +\temps\notes\hu J|\Sqh acdfda&\hl J\sk\sk\zmid{nous}\qu a&\sk\sk\sk + \zq f\qu h\enotes + %\check +%Takt 22 +\barre\notes\dnu IH|\sdqh{=e}f\sdqh fc&\zmid{rom-}\qll Ib\sk\sk + \zmid{pons}\qll Hd&\quu fk\sk\sk\quu fj\enotes +\temps\notes\dnu {=G}J|\sdqh bf\sdqh eb&\zmid{le}\qll {=G}d\sk\sk + \zmid{si-}\qll Jc&\quu fi\sk\sk\quu {=e}j\enotes + %\check +%Takt 23 +\barre\notes\hup F|\Qqh {=N}c{=e}cN&\zmid{len-}\hll Fc&\huu {=e}i\enotes +\temps\notes\sk\sk\sk\qu J|\Sqh acfh{_e}c&\zmid{ce,}\qll Mc\sk\sk + \zmid{Di-}\qll Je&\quu fh\sk\sk\quu hj\enotes + %\check +%Takt 24 +\barre\notes\hu K|\Qqh bfhfb&\zmid{vin}\hll Kf&\zhu i\qsk\hl h\enotes +\temps\notes\hu L|\Qqh bd{=g}db&\zmid{Sau-}\hll Lb&\zh{=g}\hu k\enotes + %\check +%Takt 25 +\barre\notes\Dnu a{=N}|\sdqh ce\ds\rq c\dqh b{=e}\relax + &\zmid{veur,}\qll aa\sk\sk\qll{=N}b&\zhup j\dnb e{=e}\enotes +\temps\notes\Dnu ML|\ds\zq a\dqh cf\ds\zq{=a}\dqh c{_g}&\relax +\qll Ma\sk\sk\zmid{jet-}\qll L{=a}&\ql f\sk\sk\quu{_g}j\enotes + %\check +%Takt 26 +\barre\notes\Hu K|\Qqh bdfdb&\zmid{te}\zh K\hlp b\sk\sk\zmid{sur}\relax + &\zhl f\qu i\sk\sk\qu i\enotes +\temps\notes\Hu L|\Qqh bd{=g}db&\hl L\sk\sk\qu b&\zhl{=g}\qu k\sk\sk\qu k\enotes + %\check +%Takt 27 +\barre\notes\Hu{=L}|\Qqh c{=g}igc&\zmid{yeux,}\hll {=L}b&\zhl{=g}\hup j\enotes +\temps\notes\zq F\dnu MH|\Qqh ch{_g}ca&\quu Ma\sk\sk\zmid{Di-}\qll ac\relax + &\ql h\sk\sk\lfl g\zqu h\qsk\ql g\enotes + %\check +%Takt 28 +\barre\notes\Dnu KM|\sdqh fk\zq{=h}\Tqh jfe&\zmid{vin}\qll Kd\sk\sk\quu M{=a}\relax + &\Ilegu1q\zhl f\qu m\sk\sk\qu j\sk\tleg1\enotes +\temps\notes\Dnu ba|\Qqh di{_j}f{=d}&\zmid{Sau-}\qll bb\sk\sk\quu a{=d}&\relax + \Ilegu1q\quu fk\sk\sk\quu {_j}m\sk\tleg1\enotes + %\check +%Takt 29 +\barre\notes\Dnu{=N}{=L}|\Qqh ei{=g}{_d}i&\zmid{veur}\qll {=N}e\sk\sk + \zmid{jet-}\qll {=L}b&\quu il\sk\sk\quu {=g}k\enotes +\temps\notes\Dnu{M}{=K}|\Qqh chfca&\zmid{te}\qll Ma\sk\sk + \zmid{sur}\qll {=K}a&\quu hj\sk\sk\quu fj\enotes + %\check +%Takt 30 +\barre\notes\zh E\hu L|\Qqh c{=g}ec{=N}&\zmid{nous}\hll L{=N}&\huu ej\enotes +\temps\notes\hu E|\Qqh dgedN&\zmid{les}\hll LN&\huu di\enotes + %\check +%Takt 31 +\barre\notes\hu H|\Qqh cehec&\zmid{yeux !}\hll Ha&\huu ch\enotes +\temps\notes\Hpause|\Tqh e{=g}h\zqu j\Tqb jgh&\Hpause + &\Hpause\enotes + %\check +%Takt 32 +\barre\notes\hu J|\zhu l\Qqb{=g}hjgh&\Pause&\Pause\enotes +\temps\notes\hu L|\zhu k\raise -\interligne\ds\dqb{^f}g\Tqb ifg\enotes +\def\atnextline{\sanspedale\def\nbinstruments{1}}% + %\check +%Takt 33 +\advance\linesinpage by -1\relax + % +\barre\notes\hl a|\zhup j\raise -\interligne\ds\dqb e{=g}\Tqb hec\enotes +\temps\notes\hl{=N}|\Tqb egh\zqu l\sdqb jh\enotes + %\check +%Takt 34 +\barre\notes\dnb ML|\bigaccid\zqu o\sdqb{=i}j\bigaccid\zqu{=n}\sdqb kj\enotes +\temps\notes\dnb KJ|\bigaccid\zqu m\sdqb{=g}h\zqu l\sdqb ih\enotes + %\check +%Takt 35 +\barre\notes\dnu IL|\zqu l\sdqb fh\zqu k\raise -\Interligne\ds\dqb e{=g}\enotes +\temps\notes\dnu HJ|\zqu j\raise -2\Interligne\ds\dqb eg\zqu j\Tqb heh\enotes + %\check +%Takt 36 +\barre\notes\hl K|\zhu i\raise -2\Interligne\ds\dqb fh\Tqb dfh\enotes +\temps\notes\hl L|\zhu k\raise -2\Interligne\ds\dqb e{=g}\Tqb ieg\enotes + %\check +\def\atnextline{\quatreinstruments\savemeters}% + %\check +%Takt 37 +\barre\notes&\hl{=L}|\zhu j\raise -2\Interligne\ds\dqb {=g}i\Tqb {=e}gi&\Pause + &\Pause\enotes +\temps\notes\soupir\sk\sk\qu J&\dnb Mc|\Sqh cfhjeh\enotes + %\check +%Takt 38 +\barre\notes\hl K&\hl b|\Qqh fhifh&\Pause&\Pause\enotes +\temps\notes\hl L&\hl d|\Qqh e{=g}ieg\enotes + %\check +%Takt 39 +\barre\notes\wh H&\hlp c|\Qqh e{=g}hec&\Hpause&\Hpause\enotes +\temps\notes&\uptext{\bf II}\sk\sk\sk\soupir|\Sqh eghjhe&\soupir\sk\sk + \zmid{R\'e-}\qll Ha&\soupir\sk\sk\quu ej\enotes + \ifx\mxversion\undefined\hskip -\Interligne\fi % only with MusiCTeX, not MusiX +\cleftoksii{0000}\changeclefs + %\check +%Takt 40 +\barre\notes\hu H&\Qqh eecee|\zh h\hu j&\zmid{pands}\hll Ha&\huu ej\enotes +\temps\notes\hu I&\Qqh ddbdd|\zh f\hu i&\zmid{sur}\hll IM&\huu di\enotes + %\check +%Takt 41 +\barre\notes\wh J&\Qqh cc{=N}cc|\lna e\zq e\qu{=g}\sk\sk\qu e&\relax + \zmid{nous}\qll J{=L}\sk\sk + \zmid{le}\qll Jc&\quu c{=g}\sk\sk\zq c\qu {=e}\enotes +\temps\notes&\Qqh ccbcc|\zq{=d}\qu f\sk\sk\zq e\qu g&\zmid{feu}\qll +Jb\sk\sk\zmid{de la}\zq J\cl b\sk\zq J\cl b&\zq {=d}\qu f\sk + \sk\zq{=e}\cu h\sk\zq e\cu h\enotes + %\check +%Takt 42 +\barre\notes\wh M&\sdqh cc\sdqh cc|\zq f\qu h\sk\sk\zq f\qu h&\zmid{gr\^a-}\zhl +M\qu a\sk\sk\ql f&\huu fh\enotes +\temps\notes&\Qqh ffeff|\zq{=g}\qu i\sk\sk\zq{=h}\qu j&\zmid{ce}\qll Mf\sk\sk + \zmid{puis-}\qll Me&\zq {=g}\qu i\sk\sk\zq {=h}\qu j\enotes + %\check +%Takt 43 +\barre\notes\wh I&\Qqh ffeff|\zh{=h}\hu j&\zmid{gr\^a}\hll Ie&\zh h\hu j\enotes +\temps\notes&\Qqh ffiff|\zq i\qu k\sk\sk\zcharnote{n}{\bf I\rm(G.O.)}\soupir + &\zmid{te,}\qll Id\sk\sk\zmid{que}\qll bf&\zq i\qu k\sk\sk\zq i\qu k\enotes + %\check +%Takt 44 +\barre\notes\hl b&\Qqh ffdff|\zh i\hu k&\zmid{tout}\hll bf&\huu ik\enotes +\temps\notes\hl L&\Qqh eecee|\zh{_g}\hu j&\zmid{l'en-}\hll Le&\zh{_g}\hu j\enotes + %\check +%Takt 45 +\barre\notes\wh M&\Qqh ccfcc|\zh f\hu{=h}&\zmid{fer,}\qll Mc\sk\sk + \zmid{que}\qll Mf&\quu f{=h}\sk\sk\quu fh\enotes +\temps\notes&\Qqh ffeff|\zq{=g}\qu i\sk\sk\zq h\qu j&\zmid{tout}\qll {=N}f\sk\sk + \zmid{l'en-}\qll {=a}e&\quu fi\sk\sk\quu fj\enotes + %\check +%Takt 46 +\barre\notes\wh b&\Qqh ffiff|\zh i\hl k&\zmid{fer}\qll bd\sk\sk + \zmid{fuie}\ql b&\quu fk\sk\sk\quu ik\enotes +\temps\notes&\Qqh iihii|\zq j\ql l\sk\sk\zq{=k}\ql m&\zmid{au}\lq c\ql b\sk\sk + \zmid{son}\qll b{=d}&\quu il\sk\sk\qll hm\enotes + %\check +%Takt 47 +\barre\notes\wh L&\Qqb iihii|\zh{=k}\hl m\zcharnote m{\bf II \rm(Pos.)}\relax + &\zmid{de}\zqp L\qlp{=d}\sk\sk\sk\zmid{ta}\relax + \zq L\cl d&\zhp h\hup m\sk\sk\sk\zq g\cu n\enotes +\temps\notes&\sdqb ig\Tqb ebe|\zq l\cl n\sk\ds\sk\soupir&\zmid{voix}\qll Le\sk + \sk\soupir&\quu gn\sk\sk\zmid{Dis-}\quu in\enotes +\cleftoksii{6000}\changeclefs + %\check +%Takt 48 +\barre\notes\itenl0F\wh F&\Hpause|\sdqh{c}f\zql g\Tqh geb&\soupir\sk\sk + \zmid{Dis-}\qll bg&\Ilegu1o\zmid{si}\quu {=h}m\sk\sk\quu ej\tleg1\enotes +\temps\notes&\soupir\sk\sk\ql N|\zql f\Tqh fc{=h}\zql i\Tqh iec&\relax + \zmid{si-}\qll{=a}f\sk\sk\zmid{pe}\qll{N}e&\zq e\hu j\sk\sk\qu i\enotes +\def\atnextline{\sanspedale\savemeters}% + %\check +%Takt 49 +\barre\notes\tten0\zhl F\zhlp M\qsk\zcharnote D{\it(Ped.)}\relax + |\zhu h\raise -3\Interligne\ds\dqb ce\tQb fce\relax + &\zmid{le}\qll Me\sk\sk\zmid{som-}\zql M\noteskip=1.5\noteskip\dqh dc\relax + &\zq j\zqu{=h}\noteskip=1.5\noteskip\sk\sk\zql h\dqh kl\enotes +\temps\notes\ql I\sk\sk\soupir|\Sqh idfifd&\zmid{meil}\qll Id\sk\sk\soupir + &\quu ik\sk\sk\zmid{d'une}\quu fk\enotes + %\check +%Takt 50 +\barre\notes\itenl1J\wh J\sk\sk\ql d|\sdqh{=e}{=g}\zql f\Tqh fgi&\soupir + \sk\sk\zmid{lan-}\qll Md&\zmid{\^a-}\quu{=e}j\sk\sk\zmid{me}\quu d{=g}\enotes +\temps\notes\ql c\sk\sk\itenu2b\ql b|\bigaccid\zql{=e}\Tqh egi\ds\zq d\dqh fg\relax + &\qll{=L}c\sk\sk\zmid{guis-}\qll{_K}b&\zmid{lan-}\quu bg\sk\sk\rq g\qu f\enotes + %\check +%Takt 51 +\barre\notes\tten1\zhl J\tten2\ql b\sk\sk\noteskip=1.5\noteskip\dqh{=a}{=N}\relax + |\ds\zq c\dqh{=e}{=g}\Tqh{=h}ei&\zmid{san-}\zhl J\ql b\sk\sk\noteskip + =1.5\noteskip\dqb {=a}{=N}&\zhl{=e}\qu{=g}\sk\sk\noteskip=1.5\noteskip + \dqh{=h}i\enotes +\temps\notes\zcl M\cu a\sk\ds\zq F\qu M|\Qqh cfhfc&\zmid{te,}\qll Fa\sk + \sk\zmid{qui}\ql M&\quu fh\sk\sk\soupir\enotes + %\check +%Takt 52 +\barre\notes\Hu b|\Qqh dfifd&\hl b\sk + \zmid{qui}\sk\qu b&\hpause\enotes +\temps\notes\Hu{_a}|\Qqh cfjfc&\zmid{la}\zhl a\ql f\sk + \sk\zmid{con-}\ql f&\soupir\sk\sk\qu f\enotes + %\check +%Takt 53 +\barre\notes\Hu N|\Qqh fiebe&\zmid{duit}\zhl N\ql f\sk\sk\ql e\relax + &\hlp i\sk\sk\qu i\enotes +\temps\notes\Dnu MK|\Qqh dfifb&\zmid{\`a}\qll Md\sk\sk\zmid{l'ou-}\qll Kf\relax + &\qu m\sk\sk\qlu ii\enotes + %\check +%Takt 54 +\barre\notes\Hu L|\Qqh cgigc&\zmid{bli}\hll Lb&\rq j\qu i\sk\sk\noteskip + =1.5\noteskip\rq j\cu i\rq j\cu i\enotes +\temps\notes\Hu M|\Qqh ce{=h}ec&\zmid{ de}\zql M\noteskip=1.5\noteskip + \dqh fe\zmid{tes}\dqh dc&\quu {=h}j\sk\sk\noteskip=1.5\noteskip + \zq h\cu k\zq h\cu l\enotes + %\check +%Takt 55 +\barre\notes\Hu N|\Qqh d{=h}igd&\zmid{lois,}\zhl N\ql c\sk\sk\ql b\relax + &\quu{=h}l\sk\sk\quu ik\enotes +\temps\notes\zmidtwotext{\kern -2\Interligne\bf I \rm(G.O.)}\Dnu ML|\relax + \Qqh df{=h}fc&\soupir\sk\sk\ql M&\Hpause\enotes + %\check +%Takt 56 +\barre\notes\Hu K\zcharnote I{(+P\'ed.)}|\sdqh bf\itenu1i\zqu i\Tqb ifb&\hl b\sk + \zmid{qui}\sk\qu b&\hpause\enotes +\temps\notes\Hu J\zcharnote I{(+P\'ed.)}|\tten1\zqu i\raise -2\Interligne\ds + \dqb bf\zqu {_h}\qsk + \Tqb ifb&\zmid{la}\qll bf\sk\sk\zmid{con-}\qll af&\soupir\sk\sk\qu f\enotes + \def\atnextline{\quatreinstruments}% + %\check +%Takt 57 +\barre\notes\wh I&\hu I|\zhu g\raise -5\Internote\ds\dqb bf\Tqb ifb\relax + &\zmid{duit}\zhl N\ql f\sk\sk\ql e&\hlp i\sk\sk\qu i\enotes +\temps\notes&\Hl b|\zqu f\raise -6\Internote\ds\dqb df\zqu i\Tqb ifd\relax + &\zmid{\`a}\qll Md\sk\sk\zmid{l'ou-}\qll bd&\qu m\sk\sk\quu fk\enotes + %\check +%Takt 58 +\barre\notes\hu H&\Hl a|\itenu1j\zh h\zhu j\raise -3\Interligne\ds + \dqb ce\Tqb ece&\zmid{bli}\hll ac&\quu hl\sk\sk\noteskip=1.5\noteskip + \zq h\cu l\zq h\cu l\enotes +\temps\notes\hu G&\Hl N|\tten1\rh i\zhu j\raise -3\Interligne\ds + \dqb ce\Tqb ece&\zmid{de}\qll Nb\sk\sk\zmid{tes}\qll Nb&\quu il\sk\sk + \noteskip=1.5\noteskip\zq i\cu k\zq i\cu l\enotes + %\check +%Takt 59 +\barre\notes\hu F&\zw F\wh M|\zq{=h}\zqu j\raise -3\Interligne\ds + \dqb c{=e}\Tqb fc{=a}&\zmid{lois !}\zhp M\hl c&\huu {=h}m\enotes +\temps\notes\Hpause&\zmidtwotext{\bf II \rm(Pos.)}|\Sqh cefhfc&\sk + \sk\sk\zmid{\^O}\ql M&\Hpause\enotes +\def\atnextline{\sanspedale}% + %\check +%Takt 60 +\barre\notes\Pause + &\hu F|\Qqh cdfd{_a}&\zmid{Christ sois}\dnb aa&\Pause\enotes +\temps\notes&\hu H|\Qqh {=b}c{_e}ca&\zmid{fa-\ \ \ \ vo-}\dnb NN\enotes + %\check +%Takt 61 +\barre\notes\hu K|\Qqh acdaM&\zmid{ra-}\hl M&\Pause\enotes +\temps\notes\hu J|\Sqh acdfda&\zmid{ble \`a}\ql M\sk\sk\zmid{\ ce}\zql M\cu +a\sk\cu a\enotes + %\check +%Takt 62 +\barre\notes\dnu IH|\sdqh{=e}f\sdqh fc&\zmid{peu-}\zhl M\qu d\sk + \sk\qu c&\Pause\enotes +\temps\notes\qu G|\sdqh cd&\zmid{ple}\qll Kb\enotes +\temps\notes\qu F|\sdqh da&\zmid{fi-}\qll aa\enotes + %\check +%Takt 63 +\barre\notes\hu H|\sdqh ac\Tqh eca&\relax + \Ilegl1F\zmid{d\`e-}\zql a\hu c\sk\sk\ql N\tleg1&\Pause\enotes +\temps\notes\qu D|\sdqh ac&\zmid{le}\qll Md&\enotes +\temps\notes\qu F|\Tqh daM&\zmid{pour}\qll Md\sk\sk\enotes + %\check +%Takt 64 +\barre\notes\hu G|\Qqb bdedb&\zmid{te}\hll Ld&\Pause\enotes +\temps\notes\hu H|\Qqb NcecN&\zmid{b\'e-}\hll Nc\enotes + %\check +%Takt 65 +\barre\notes\wh I|\Qqh MbdbM&\zmid{nir}\hll Md&\Hpause\enotes +\temps\notes|\Sqh bcdfdb&\zmid{main-}\qll Md\sk\sk\zmid{te-}\qll Md&\relax + \soupir\sk\sk\zmid{Re-}\qu f\enotes +%Takt 66 +\barre\notes\wh H|\zh f\zhu h\raise -4\Interligne\ds\dqb ac\Tqb dad&\relax + \zmid{nant}\hll Md&\zmid{\c cois}\ql h\sk\sk\zmid{\c les}\ql h\enotes +\temps\notes|\zh e\zhu g\raise -4\Interligne\ds\dqb ac\Tqb dad&\relax + \zmid{ras-}\qll Ld\sk\sk\zmid{sem-}\qll Lc&\zmid{chants}\ql g\sk\sk + \zmid{qu'il}\ql g\enotes + %\check +%Takt 67 +\barre\notes\zql D\sdqh ac\zql H\Tqh daM|\zh d\zhu f&\relax + \zmid{bl\'e,}\zw d\ql K\sk\sk\qu H&\zmid{of-}\hu f\enotes +\temps\notes\dnb KJ|\Sqh adfhfd&\ql K\sk\sk\ql J&\zmid{re}\hl f\sk + \sk\zmid{Re-}\qu h\enotes + %\check +%Takt 68 +\barre\notes\wh I|\sdqh ad\zqu h\Tqb fda&\zmid{chants}\zhl I\raise\Interligne + \soupir\sk\sk + \qu a&\zmid{\c cois}\zhlp f\qu k\sk\sk\zmid{les}\qu j\enotes +\temps\notes|\zqu k\Tqb fdf\zqu j\Tqb hfd&\zmid{qu'il}\zhl I\ql d\sk\sk\ql c&\relax + \zmid{chants}\qu i\sk\sk\zmid{qu'il}\quu fh\enotes + %\check +%Takt 69 +\barre\notes\qsk\dnu LI|\zhu i\qsk\tQb hbe\Tqb heb&\zmid{offre}\zql L\hu b\sk + \sk\zmid{\`a}\ql I&\zmid{of-}\zh e\hu h\enotes +\temps\notes\dnu LK|\zqu i\Sqb gbegeb&\zmid{ta}\zql L\hu b\sk\sk + \zmid{gloi-}\ql K&\zmid{fre,}\zq e\qu g\sk\sk\zmid{\`a}\qu i\enotes + %\check +%Takt 70 +\barre\notes\zmidtwotext{\kern -\Interligne\bf I \rm(G.O.)}\wh J|\sdqb be\zqu i\Tqb geb\relax + &\zmid{ta}\zhl J\raise\Interligne\soupir\sk\sk\zmid{gloire}\qu b\relax + &\zhlp g\qu l\sk\sk\qu k\enotes +\temps\notes|\zqu l\Tqb geg\zqu k\Tqb ige&\zmid{im-}\zhl J\ql e\sk\sk + \zmid{mor-}\ql d&\qu j\sk\sk\quu gi\enotes + %\check +%Takt 71 +\barre\notes\qsk\Dnl MJ|\zhu j\qsk\tQb icf\Tqb ifc&\zmid{tel-}\zql M\hl c\sk\sk + \ql J&\zh f\hu i\enotes +\temps\notes\Dnl ML|\zqu j\tQb hcf\itenu1h\zqu h\qsk\Tqb gca&\zmid{le,}\relax + \qll Mc\sk\sk\zmid{et}\qll Lc&\zq f\qu h\sk\sk\rq h\qu g\enotes + %\check +%Takt 72 +\barre\notes\Dnl KM|\tten1\zqu h\tQb fdf\zqu{=h}\tQb ece&\zmid{de}\qll Kd\sk\sk + \qll M{=a}&\zhl f\qu m\sk\sk\qu j\enotes +\temps\notes\Dnl ba|\zqu i\Tqb dfd\zqu{_j}\tQb f{=d}f&\zmid{tex}\ql b\sk\sk + \qll {_a}{=d}&\zq f\qu k\sk\sk\zq{j}\qu m\enotes + %\check +%Takt 73 +\barre\notes\Dnl{=N}{=L}|\zqu i\tQb ebe\zqu{=g}\tQb{_d}bd&\zmid{dons}\qll {=N}e\sk + \sk\qll{=L}b&\zq i\qu l\sk\sk\zq{=g}\qu k\enotes +\temps\notes\Dnl M{=K}|\zqu h\tQb cac\zq h\zqu j\tQb fcf&\zmid{qu'il}\qll Ma\sk + \sk\qll{=K}a&\quu hj\sk\sk\quu fj\enotes + %\check +%Takt 74 +\barre\notes\zh E\hu L|\zh{=g}\zhu j\tQb ece\tQb ece&\zmid{tour-}\hll L{=N}\relax + &\huu ej\enotes +\temps\notes\zh{_D}\hu{_K}|\zh g\zhu i\raise -3\Interligne\ds + \dqb be\Tqb ebe&\zmid{ne}\zqp{_K}\qlp N\sk\sk\sk\zmid{com-}\zq K\cl N&\zqp e\qup i\sk + \sk\sk\zq e\cu i\enotes + %\check +%Takt 75 +\barre\notes\Hu J|\zhu h\raise -3\Interligne\ds\dqb ae\tQb eae\relax + &\hll Ja&\zh e\hup h\enotes +\temps\notes|\zcharnote n{\bf II}\sk\enotes +\temps\notes\hu K|\zhu{_j}\tQb fdf\Tqb hfd&\zmid{Et}\hll K{_c}&\hu f\sk + \sk\ql h\enotes + %\check +%Takt 76 +\barre\notes\dnu GI|\zqu i\raise -3\Interligne\ds\dqb dg\zqu h\relax + \raise -3\Interligne\ds\dqb {=d}f&\zmid{de}\qll Gd\sk\sk\qll Ia&\zq d\qu i\sk + \sk\zq{=d}\qu f\enotes +\temps\notes\dnb L{_K}|\zqu{_g}\raise -3\Interligne\ds + \dqb be\zq{=g}\zqu i\tQb gb{=e}&\zmid{tes}\qll LN\sk\sk\qll K{=N}&\relax + \zq d\qu g\sk\sk\zq{=f}\qu i\enotes + %\check +%Takt 77 +\def\atnextline{\quatreinstruments\savemeters}% + % +\barre\notes\Pause&\dnu JG|\zqu h\raise -3\Interligne\ds + \dqb a{_e}\zqu j\tQb {=h}eh&\zmid{dons}\qll Ja\sk\sk\qll Nc&\quu eh\sk\sk + \dfl i\quu il\enotes +\temps\notes\Pause&\dnu F{=G}\relax + |\zqu k\tQb {_h}fh\raise 2\Interligne\rlap{\ds}\Tqh bdb&\zmid{qu'il}\relax + \qll Md\sk\sk\zmid{re-}\qll {=N}b&\zq h\qu k\sk\sk\zq d\qu f\enotes + %\check +%Takt 78 +\barre\notes&\wh H|\Qqh acfca&\zmid{tour-}\hll aa&\zh c\hu h\enotes +\temps\notes&|\Qqh NcecN&\zmid{ne}\zqp H\qlp{_N}\sk\sk\sk + \zmid{com-}\zq H\cl N&\zqp c\qup e\sk\sk\sk\cu d\enotes + %\check + %Takt 79 +\barre\notes\zcharnote b{$\wedge$}\hl K&\zmidtwotext{\bf III + \rm(r\'ecit)}\sdqb Ma\Tqb daM|\sk\hpause&\zmid{bl\'e !}\zhp K\hlp M\relax + &\hup d\enotes +\temps\notes\hpause&\Tqb acd\sdqb da|\soupir\sk\sk\qu f&\sk\sk\sk\soupir + &\sk\sk\sk\soupir \enotes + %\check + %Takt 80 +\barre\notes\hu F&\Qqb cdfda|\hu h&\Pause&\Pause\enotes +\temps\notes\hu G&\Qqb {=a}bdbN|\hu g\enotes + %\check + %Takt 81 +\barre\notes\itenl1H\wh H&\Qqb {=N}adaM|\hup f&\Hpause&\Hpause\enotes +\temps\notes&\Sqb acdfda|\sk\sk\sk\soupir&\soupir\sk\sk +\zmid{Et}\qll Ha&\soupir\sk\sk\zq d\qu f\enotes + %\check + %Takt 82 +\barre\notes\tten1\wh H&\Qqb NdedN|&\zmid{de}\zhl H\dnu NM&\zhu e\qsk\hl d\enotes +\temps\notes&\Qqb NcecN|&\zmid{tes}\hll HL&\huu cg\enotes + %\check + %Takt 83 +\barre\notes\wh K&\Qqb MadaM|&\zmid{dons}\zhp K\hlp M&\zhp d\hup f\enotes +\temps\notes&\Tqb acd\sdqb da|\soupir\sk\sk\qu f&\sk\sk\sk\soupir + &\sk\sk\sk\soupir\enotes + %\check + %Takt 84 +\barre\notes\hu{=H}&|\zqu k\Tqb efe\zqu j\Tqb fef&\Pause&\Pause\enotes +\temps\notes\dnu IJ&|\zqu i\Tqb dfd\zqu h\tQb fcf&\enotes + %\check + %Takt 85 +\barre\notes\dnu KL&|\zqu h\Tqb cfc\zqu g\tQb ebe&\Hpause&\Hpause\enotes +\temps\notes\dnu MF&\Sqb {=a}cMd{_a}M|\qu f\sk\sk\soupir + &\zmid{qu'il}\qll F{=a}\sk\sk + \zmid{re-}\qll F{_a}&\zq c\qu f\sk\sk\zq d\qu {_h}\enotes + %\check + %Takt 86 +\barre\notes\wh G&\Qqh MbdbM|&\zmid{tour-}\zw G\wh b&\zw d\wh f\enotes +\temps\notes&|\Tqh bdf\zq i\cu k\ds\enotes + %\check + %Takt 87 +\barre\notes\wh H&\sdqh Na|\sk\sk\sk\Tqh ceg&\zmid{ne}\relax + \zhlp H\hup N&\zhp c\hup e\enotes +\temps\notes&|\zq h\cu j\sk\ds\soupir&\sk\sk\zmid{com-}\qll HN\relax + &\sk\sk\quu dd\enotes + %\check + %Takt 88 +\barre\notes\itenl1K\wh K&|\Qqh acdaM&\relax + \zmid{bl\'e}\itenl0K\itenu3M\zw K\wh M&\itenl4d\wh d\enotes +\temps\notes&|\Tqb acd\itenu2f\zqu f\Tqb fda\enotes + \advance\barsinline by -1\relax % accepter une mesure de plus + %\check + %Takt 89 +\barre\notes\tten1\wh K&|\tten2\zw {Mad}\wh f\sk + &\tten0\tten3\zw K\wh M&\tten4\wh d\enotes +\finmorceau +\bye + diff --git a/macros/generic/musixtex/doc/examples/recit.tex b/macros/generic/musixtex/doc/examples/recit.tex new file mode 100644 index 0000000000..be717f9bc5 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/recit.tex @@ -0,0 +1,416 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi +\title{R\'ecit} +\fulltitle{II. R\'ecit} +\csname titremorceautoc\endcsname +\subtitle{\sl (pour orgue)} +\othermention{Compos\'e en 1990} +\fullauthor{Daniel TAUPIN\\organiste \`a Gif-sur-Yvette} +\maketitle + +\tracingstats=2\relax +% +\nbporteesii=2\relax +\def\nbinstruments{2} +\global\cleftoksii={{0}{0}{0}{0}}% +\global\cleftoksi={{6}{0}{0}{0}}% +% +\signaturegenerale{-2}\relax % deux bemols a la clef +\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% +\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% +%\check +\def\instrumenti{P\'edale 16'}% +\def\instrumentii{\vbox{\hsize=\parindent\centerline{R\'ecit}\vskip 33pt + \centerline{G.O.}}}% +%\check +\def\gluemaxskip{7pt}% +% +% formes frequentes +% deux croches hautes +\def\dqb#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% +\def\dqh#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% +% +\medskip\noindent{\rm G.O.: fonds 8' ou 8'+4' doux}% +\par\noindent{\rm R\'ec.: cornet ou cromorne}% +\par\noindent{\rm P\'ed.: 16', tirasse G.O.}% +\smallskip +% +\troistemps +% +\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}% +\debutmorceau +% +\autolines 855\relax +\def\resp{\vnotes 0.2\elemskip&|\cbreath\enotes}% +%\check +% +\hyphenpenalty -50\relax +\NOtes&|\Uptext{ \hbox{\kern -16mm\moyen Adagio \bf(\metron{\qu}{60})}}\enotes +% mesure 1 +\advance\linesinpage by 1\relax +% +\NOtes\hu I&\zh{bd}\hu g|\qu d\enotes +\temps\NOtes&|\qu g\enotes +\temps\NOtes\qu H&\zq{ac}\qu{^f}|\qu h\enotes +%\check +% mesure 2 +\barre\NOtes\hu G&\zhp b\zh d\itenu1g\hup g|\hu i\enotes +\temps\NOtes&|\enotes +\temps\NOtes\qu J&\itenu2e\qu e|\itenl0i\qu i\enotes +%\check +% mesure 3 +\barre\NOtes\hu H&\zhp c\zhp e\tten2\tten1\hup g|\tten0\qu i\enotes +\temps\notes&|\dqh{-2}hg\enotes +\temps\notes\qu J&|\dqh{-2}ji\enotes +%\check +% mesure 4 +\barre\NOtes\hu K&\zh a\zh d\hu{^f}|\hu h\enotes +\temps\NOtes&|\enotes +\temps\NOtes\qu J&\soupir|\soupir\enotes +% mesure 5 +\barre\NOtes\hu I&\itenu0d\zh b\zh d\hu g|\qu d\enotes +\temps\NOtes&|\qu g\enotes +\temps\NOtes\qu H&\tten0\itenu0d\zq a\zq d\qu{^f}|\qu i\enotes +% mesure 6 +\autolines 755\relax +\barre\NOtes\hu G&\tten0\itenu1d\zhp b\zhp d\hup g|\hu k\enotes +\temps\NOtes&|\enotes +\temps\NOtes\qu I&|\qu k\enotes +%\check +% mesure 7 +\barre\NOtes\qu{=I}&\tten1\itenl1N\zqu d\zhp{=b}\hlp N|\qup m\enotes +\temps\notes&\qu{=f}|\sk\cu l\enotes +\temps\notes\qu G&\qu d|\dqh{-5}mk\enotes +%\check +% mesure 8 +\barre\NOtes\hup J&\tten1\zhl N\zhp c\hup e|\qup l\enotes +\temps\notes&|\sk\cu k\enotes +\temps\NOtes&\ql a|\qu j\enotes +% mesure 9 +\barre\notes\hl K&\zhp d\zhp{^f}\hup h|\dqh3kl\enotes +\temps\notes&|\dqh{-3}kj\enotes +\temps\notes\ql J&|\dqh{-3}ih\enotes +% mesure 10 +\barre\NOtes\hu I&\itenu1g\zh b\zhl d\hup g|\qup k\enotes +\temps\notes&|\sk\cu i\enotes +\temps\NOtes\qu J&\zq c\ql e|\qu g\enotes +% mesure 11 +\barre\NOtes\hu K&\tten1\zhl d\zhp g\hup i|\soupir\enotes +\temps\notes&|\dsoupir\cu d\enotes +\temps\notes\qu J&\ql e|\dqh7gj\enotes +% mesure 12 +\barre\NOtes\hup K&\zhp a\zh d\hup{^f}|\hup h\enotes +\temps\NOtes&|\relax\enotes +\temps\NOtes&\ql c|\relax\enotes +% mesure 13 +\barre\NOTes\hu G&\zh g\zh b\hu d|\hu g\enotes +\temps\NOtes\soupir&\soupir|\soupir\enotes +% +% mesure 14 +\barre\NOtes\hu I&\zh b\zh d\hu g|\qu d\enotes +\temps\NOtes&|\qu g\enotes +\temps\NOtes\qu H&\zq a\zq c\qu{^f}|\qu h\enotes +%\check +% mesure 15 +\barre\NOtes\itenl1G\hlp G&\itenu0d\zhu g\zhp b\hlp d|\hu i\enotes +\temps\NOtes&|\relax\enotes +\temps\NOtes&\itenl2N\ql N|\qu i\enotes +%\check +% mesure 16 +\barre\NOtes\tten1\hlp G&\tten2\tten0\itenl1N\zhp{=b}\zqu d\hlp N|\xTrille q{2\noteskip}\hu{=i}\enotes +\temps\NOtes&\qu{=f}|\relax\enotes +\temps\notes&\qu d|\ibu0i0\qh0i\noteskip=0.6\elemskip\relax\nbbu0\qh0h\tqh0i\enotes +%\check +% mesure 17 +\barre\NOtes\hu J&\tten1\zhl N\zhp c\hup e|\qup j\enotes +\temps\notes&|\sk\cu k\enotes +\temps\NOtes\qu H&\ql a|\qu l\enotes +%\check +% mesure 18 +\barre\NOtes\hlp K&\itenu1f\itenu2h\zhp d\zhp {^f}\hup h|\itenl0k\hlp k\enotes +\temps\NOtes&|\relax\enotes +\temps\NOtes&|\relax\enotes +% mesure 19 +\barre\notes\hup J&\tten1\tten2\zhp c\zhp{^f}\hup h|\tten0\dqb5k{^m}\enotes +\temps\notes&|\dqb3no\enotes +\temps\notes&|\dqb{-5}pn\enotes +% mesure 20 +\barre\notes\hup I&\zhp b\zhp d\hup g|\dqb6kn\enotes +\temps\notes&|\dqb3op\enotes +\temps\notes&|\dqb{-5}qo\enotes +% mesure 21 +\barre\notes\hup H&\zhp a\zhp c\hup{^f}|\dqb9ko\enotes +\temps\notes&|\dqb3pq\enotes +\temps\notes&|\dqb{-5}rp\enotes +% mesure 22 +\barre\notes\hup G&\itenl1N\zqu d\zhp N\hlp{=b}|\dqb3n{_o}\enotes +\temps\notes&\qu{=f}|\dqb{-3}nm\enotes +\temps\notes&\qu d|\dqb{-3}lk\enotes +% mesure 23 +\barre\NOtes\qu J&\tten1\zhp N\zhp c\hup e|\qup j\enotes +\temps\notes\qu H&|\sk\cl k\enotes +\temps\notes\qu J&|\dqb{-5}lj\enotes +% mesure 24 +\barre\notes\hu K&\zhp a\zhp d\hup{^f}|\dqb3kl\enotes +\temps\notes&|\dqb{-3}kj\enotes +\temps\notes\qu{^F}&|\dqb{-3}ih\enotes +% mesure 25 +\barre\NOtes\qu G&\zql b\zhp e\hup g|\qup g\enotes +\temps\notes\hu E&\hl c|\sk\cu h\enotes +\temps\notes&|\dqh3ij\enotes +% +% mesure 26 +\barre\NOtes\hup D&\zhl d\zhp{^f}\hup h|\hu h\enotes +\temps\NOtes&|\relax\enotes +\temps\notes&\ql c|\trioskip\ibl0d5\qbp0d\sk\tbbl0\tqb0k\enotes +% mesure 27 +\barre\NOtes\qu G&\itenu1d\itenu2g\zhp b\zhp d\hup g|\qlp k\enotes +\temps\notes\hu I&|\sk\cl l\enotes +\temps\notes&|\dqb5m{_o}\enotes +% mesure 28 +\barre\notes\hup{=I}&\tten1\tten2\itenu1g\zhl{=b}\zhp d\hup g|\dqb{-3}nm\enotes +\temps\notes&|\dqb{-3}lk\enotes +\temps\notes&\ql N|\dqb{-3}j{=i}\enotes +% mesure 29 +\barre\NOtes\hu J&\tten1\zh c\zh e\hu g|\ql k\enotes +\temps\notes&|\ql j\enotes +\resp +\temps\notes\qu H&\soupir|\trioskip\ibl0f5\qbp0f\sk\tbbl0\tqb0m\enotes +% mesure 30 +\barre\notes\hup F&\zhp a\zhp c\itenl1f\hup f|\dqb3mn\enotes +\temps\notes&|\dqb{-3}ml\enotes +\temps\notes&|\dqb{-3}kj\enotes +%\check +% mesure 31 +\barre\NOtes\qup I&\itenl3b\tten1\zhu f\zhp b\hlp d|\hl k\enotes +\temps\notes\sk\cu H&|\relax\enotes +\temps\NOtes\qu G&\itenl2g\qu g|\itenl0g\qu g\enotes +% mesure 32 +\barre\NOtes\hu E&\tten3\tten2\zhl b\zhp e\hup g|\tten0\qup g\enotes +\temps\notes&|\sk\cu d\enotes +\temps\notes\qu J&\ql c|\dqh7gj\enotes +% mesure 33 +\barre\NOtes\hu K&\zh d\zh{^f}\hu a|\hu h\enotes +\temps\Notes&|\relax\enotes +\resp +\temps\notes\qu J&\soupir|\trioskip\ibl0g5\qbp0g\sk\tbbl0\tqb0n\enotes +% mesure 34 +\barre\notes\hup{=I}&\itenu1g\zhp{=b}\zhp d\hup g|\dqb3n{_o}\enotes +\temps\notes&|\dqb{-3}nm\enotes +\temps\notes&|\dqb{-3}lk\enotes +% mesure 35 +\barre\notes\hup J&\tten1\itenl1c\zhp c\zhp e\hup g|\dqb{-3}ml\enotes +\temps\notes&|\dqb{-3}kj\enotes +\temps\notes&|\dqb3kl\enotes +% mesure 36 +\barre\notes\hup H&\tten1\itenu1f\zhp a\zhp c\hup f|\dqb3mn\enotes +\temps\notes&|\dqb{-3}ml\enotes +\temps\notes&|\dqb{-3}kj\enotes +% mesure 37 +\barre\notes\hu I&\tten1\zhl b\zq f\hup d|\dqh{-5}kg\enotes +\temps\notes&\qu{^f}|\dqh3{^f}g\enotes +\temps\notes\qu{=I}&\zqu{_h}\ql{=b}|\dqh3{=i}k\enotes +%\check +% mesure 38 +\barre\NOtes\hu J&\zhu g\zhp c\hlp e|\qu k\enotes +\temps\NOtes&|\qu j\enotes +\resp +\temps\notes\qu H&\qu{=h}|\trioskip\ibl0f5\qbp0f\sk\tbbl0\tqb0m\enotes +% mesure 39 +\barre\notes\hup F&\zhp a\zhp c\itenl1f\hup f|\dqb3mn\enotes +\temps\notes&|\dqb{-3}ml\enotes +\temps\notes&|\dqb{-3}kj\enotes +%\check +% mesure 40 +\barre\notes\hup I&\tten1\zhp f\zhp b\hup d|\dqh{-5}kg\enotes +\temps\notes&|\dqh3{^f}g\enotes +\temps\notes&|\dqh3{_i}k\enotes +%\check +% mesure 41 +\barre\notes\hup J&\itenu1c\itenu2e\zhp N\zhp c\hup e|\dqb3lm\enotes +\temps\notes&|\dqb{-3}lk\enotes +\temps\notes&|\dqb{-3}ji\enotes +% mesure 42 +\barre\notes\hup H&\tten1\tten2\itenl1a\zhp a\zhp c\hup e|\dqh3hi\enotes +\temps\notes&|\dqh{-3}hg\enotes +\temps\notes&|\dqh5hj\enotes +% mesure 43 +\barre\notes\hu K&\tten1\zhp a\zhp d\hup{^f}|\dqb3kl\enotes +\temps\notes&|\dqb{-3}kj\enotes +\temps\notes\qu{^F}&|\dqb{-3}ih\enotes +% mesure 44 +\barre\NOtes\qu G&\zql b\zhp e\hup g|\qup g\enotes +\temps\notes\hu E&\hl c|\sk\cu{^f}\enotes +\temps\notes&|\dqh8gj\enotes +% +% mesure 45 +\barre\NOtes\hup D&\zhp d\zhp{^f}\hup h|\xTrille p{3\noteskip}\hu h\enotes +\temps\NOtes&|\relax\enotes +\temps\NOtes&|\relax\enotes +%\check +% mesure 46 +\barre\NOtes\hup G&\zh b\zh d\hu g|\hu g\enotes +\temps\Notes&|\relax\enotes +\resp +\temps\notes&\soupir|\fl i\trioskip\ibl0i5\qbp0i\sk\tbbl0\tqb0p\enotes +%\check +% mesure 47 +\barre\notes\hup{=L}&\lna e\zhp e\zhp g\hup{_b}|\dqb{-3}p{_o}\enotes +\temps\notes&|\dqb{-3}nm\enotes +\temps\notes&|\dqb{-3}{=l}k\enotes +%\check +% mesure 48 +\barre\NOtes\hup M&\itenl1f\itenl2h\zhp f\zhp{_h}\hup c|\hu j\enotes +\temps\NOtes&|\relax\enotes +\temps\notes&|\trioskip\ibl0h5\qbp0{_h}\sk\tbbl0\tqb0{_o}\enotes +%\check +% mesure 49 +\barre\nspace\notes\hup K&\tten1\tten2\zhp d\zhp f\hup{_h}|\dqb{-3}{_o}n\enotes +\temps\notes&|\dqb{-3}m{_l}\enotes +\temps\notes&|\dqb{-3}kj\enotes +% mesure 50 +\barre\NOtes\hup L&\itenu1e\itenu2g\zhp b\zhp e\hup g|\hu i\enotes +\temps\NOtes&|\relax\enotes +\temps\notes&|\trioskip\ibl0e5\qbp0e\sk\tbbl0\tqb0l\enotes +% mesure 51 +\barre\notes\hup J&\tten1\tten2\zhp c\zhp e\hup g|\dqb{-3}lk\enotes +\temps\notes&|\dqb3jk\enotes +\temps\notes&|\dqb{-5}lj\enotes +%\check +% mesure 52 +\barre\notes\hup K&\itenu1d\zhp{ad}\hup{^f}|\dqb3hi\enotes +\temps\notes&|\dqb{-3}hg\enotes +\temps\notes&|\dqb5hj\enotes +%\check +% mesure 53 +\barre\notes\hup I&\tten1\zhp{bd}\hup g|\dqb3kl\enotes +\temps\notes&|\dqb{-3}kj\enotes +\temps\notes&|\dqb{-5}ki\enotes +% mesure 54 +\barre\notes\hup L&\itenu1c\itenu2e\zh{Nc}\hup e|\dqh3gh\enotes +\temps\notes&|\dqh{-3}g{^f}\enotes +\temps\notes&|\dqh5gi\enotes +% mesure 55 +\barre\notes\hup H&\tten1\tten2\itenl1a\zhp{ac}\hup e|\dqb3jk\enotes +\temps\notes&|\dqb{-3}ji\enotes +\temps\notes&|\dqb{-5}jh\enotes +% mesure 56 +\barre\notes\hup K&\tten1\itenu1d\zhp{ad}\hup{^f}|\dqh{-5}{^f}d\enotes +\temps\notes&|\dqh3ef\enotes +\temps\notes&|\dqh3gh\enotes +% mesure 57 +\barre\notes\itenl0G\hup G&\tten1\itenu1g\zhp{bd}\hup g|\dqh{-5}ig\enotes +\temps\notes&|\dqh3{^f}g\enotes +\temps\notes&|\dqh3hi\enotes +% mesure 58 +\barre\notes\tten0\itenl0G\hup G&\tten1\itenu1g\zhp{ce}\hup g|\dqh{-7}jg\enotes +\temps\notes&|\dqh5{^f}g\enotes +\temps\notes&|\dqh3ij\enotes +% mesure 59 +\barre\notes\tten0\hup G&\tten1\itenu1g\itenl2b\zhp{bd}\hup g|\dqh3kl\enotes +\temps\notes&|\dqh{-3}kj\enotes +\temps\notes&|\dqh{-3}i{_h}\enotes +%\check +% mesure 60 +\generalmeter{\meterfrac 24}% +\advance\elemskip by 1.5pt +\changecontext\notes\qu L&\itenu3e\tten1\tten2\zql b\zh e\hu g|\Uptext{\moyen pi\`u lento}\dqb5gi\enotes +\temps\notes\qu J&\itenl1c\ql c|\dqb3jk\enotes +%\check +% mesure 61 +\barre\NOTes\itenl0H\hu H&\tten1\tten3\itenl1a\zh a\zh c\hu e|\qlpp l\enotes +\temps\notes&|\ccl n\enotes +%\check +% mesure 62 +\barre\NOtes\tten0\hu H&\tten1\itenl1a\lna e\zh a\zh{^c}\hu e|\xTrille q{2\noteskip}\qup{^j}\enotes +\temps\notes&|\trioskip\sk\ibbl0i3\qb0i\tqb0j\enotes +%\check +% mesure 63 +\barre\NOTEs\pointdurgue G\hu K&\tten1\pointdorgue m\zh{ad}\hu{^f}|\pointdorgue m\hl k\enotes +% mesure 64 +\troistemps +\advance\elemskip by -1.5pt +\changecontext\NOtes\hu I&\soupir|\soupir\enotes +\temps\notes&\zq b\zql d\hu g|\dqh7dg\enotes +\temps\notes\qu L&\zq c\ql e|\dqh{-3}ji\enotes +% mesure 65 +\barre\NOTEs\hup K&\itenl0d\zhu h\zhp d\hlp{^f}|\Uptext{\moyen tempo primo}\xTrille o{\noteskip}\hu h\enotes +\temps\notes&\qu j|\dqb{-3}hg\enotes +% mesure 66 +\barre\NOTes\hu G&\tten0\zh{dg}\hu i|\hu g\enotes +\temps\notes\soupir&\soupir|\soupir\enotes +% mesure 67 +\barre\NOtes\hu I&\zh{bd}\hu g|\qu d\enotes +\temps\NOtes&|\qu g\enotes +\temps\NOtes\qu H&\zq{ac}\qu{^f}|\qu h\enotes +% mesure 68 +\barre\NOtes\hu G&\itenu1g\zhp b\zh d\hup g|\hu i\enotes +\temps\NOtes&|\relax\enotes +\temps\NOtes\qu I&\itenl2e\qu e|\itenl0i\qu i\enotes +% mesure 69 +\barre\NOtes\hu J&\tten1\tten2\zhl c\zhp e\hup g|\tten0\qu i\enotes +\temps\notes&|\dqh{-3}hg\enotes +\temps\notes\qu L&\ql a|\dqh{-3}ji\enotes +% mesure 70 +\barre\NOtes\hu K&\zh d\zh{^f}\hu h|\hu h\enotes +\temps\NOtes&|\relax\enotes +\temps\NOtes\qu J&\soupir|\soupir\enotes +% mesure 71 +\barre\NOtes\hu I&\itenl1d\itenu2g\zhp b\zhp d\hup g|\qu d\enotes +\temps\NOtes&|\qu g\enotes +\temps\notes\qu H&|\dqh5ik\enotes +% +% mesure 72 +\barre\NOtes\hup G&\zhp{=b}\tten1\tten2\zhp d\hup g|\qlp m\enotes +\temps\notes&|\sk\cl m\enotes +\temps\notes\qu{=I}&|\dqb{-3}lk\enotes +% mesure 73 +\barre\NOtes\hup J&\zh e\zhu g\hlp c|\hl j\enotes +\temps\Notes&|\relax\enotes +\temps\NOtes&\zq{^f}\qu h|\ql k\enotes +\autolines {12}45\relax +% mesure 74 +\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax +\def\qqbbH#1#2#3#4#5{\ibbu0{#3}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax +\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax +%\check +\barre\notes\hu I&\zhl b\zhp d\hup g|\qqbbl0klkj\enotes +\temps\notes&|\qqbbl{-3}kjih\enotes +\temps\notes\qu{=I}&\ql{=b}|\qqbbl{-3}gfed\enotes +% mesure 75 +\autolines{14}35\relax +\alaligne\notes\hu J&\zhu g\zhp c\hup e|\qqbbl0lmlk\enotes +\temps\notes&|\qqbbl{-3}lkji\enotes +\temps\notes\qu H&\qu a|\qqbbh{-3}hg{^f}{=e}\enotes +% mesure 76 +\barre\notes\hu K&\zhl d\zhp{^f}\hup h|\qqbbl0{^m}nm{=l}\enotes +\temps\notes&|\qqbbl{-4}mlkj\enotes +\temps\notes\qu J&\ql c|\qqbbl{-5}ihg{^f}\enotes +% mesure 77 +\barre\notes\qu I&\zq b\zq d\qu g|\qqbbh0g{=e}{^f}g\enotes +\temps\notes\qu H&\zq c\zql e\hu h|\qqbbl4hij{_l}\enotes +\temps\notes\qu K&\zq d\qu{^f}|\qqbbl0k{=l}{^m}k\enotes +\quatretemps +% mesure 78 +\autolines {10}35\relax +\changecontext\barsinline=0\relax +\NOTEs\hlp I&\zwh g\zhp b\hlp d|\hl n\enotes +\temps\NOtes&|\dsoupir\cl d\enotes +\temps\NOtes\qu J&\zq c\ql e|\dqb5gj\enotes +% mesure 79 +\barre\NOtes\hup K&\zw d\zw{^f}\wh h|\xTrille o{3\noteskip}\hlp h\enotes +\temps\NOtes&|\enotes +\temps\NOtes&|\enotes +\temps\notes\qu D&|\dqh{-3}hg\enotes +% mesure 80 +\barre\NOtes\wh G&\zw b\zw d\wh g|\mordant o\wh g\enotes +\temps\NOtes&|\enotes +\temps\NOtes&|\enotes +\temps\NOtes&|\enotes +\finmorceau +\medskip\rightline{\it \aujourdhui} +\eject +\bye diff --git a/macros/generic/musixtex/doc/examples/recueil.tex b/macros/generic/musixtex/doc/examples/recueil.tex new file mode 100644 index 0000000000..9e540aa192 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/recueil.tex @@ -0,0 +1,156 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi +\hyphenation{re-gis-tra-tion} +\csname french\endcsname +\tracingstats=2\relax +\line{\ \hss} +\vskip 15mm + +\def\magstep#1{\ifcase#1 \@m\or 1200\or 1440\or 1728\or 2074\or + 2488\or 2986\or 3583\or 4300\or 5160\fi\relax} + +\message{Font name: \fontname\the\font} +\iflongDCfontnames + \font\geant=\fontid bx3583 + \font\assezgros=\fontid r2074 +\else\iflongECfontnames + \font\geant=\fontid bx3583 + \font\assezgros=\fontid rm2074 + \else + \font\geant=\fontid bx12 scaled \magstep 6 + \font\assezgros=\fontid r17 scaled \magstep 1 + \fi +\fi +\centerline{\assezgros Daniel TAUPIN} +\vfil +{\baselineskip 20mm +\centerline{\geant PETITES} +\centerline{\geant PI\`ECES}\centerline{\geant POUR} +\centerline{\geant PLAIRE} +} +\vskip 15mm +\centerline{\sl Petites pi\`eces pas trop difficiles pour orgue} +\smallskip +\centerline{\sl \`a deux claviers et p\'edalier} +\vfil +\centerline{Orsay, \aujourdhui} +\eject +%\check +\null +\vfil +\hbox to \hsize{\hss\vbox{\hsize 12cm +\centerline{\moyen PR\'EFACE ET AVERTISSEMENT} + \bigskip Pour pouvoir avoir l'outrecuidance de se pr\'etendre compositeur \`a +la fin du XX\raise 0.7ex \hbox{\eightrm e} si\`ecle, il est indispensable de +faire preuve d'audaces, de produire du jamais entendu, m\^eme si seule une +minorit\'e infime d'initi\'es, c'est-\`a-dire l'\'elite musicale et +musicologique, est capable d'appr\'ecier la d\'elicate saveur des +\'etranget\'es harmoniques qu'on lui propose. + \medskip Ou bien alors, si l'on veut produire de la musique tonale, il faut +se r\'esigner \`a \^etre catalogu\'e dans cette musique de vari\'et\'es, qui +est r\'eput\'ee \^etre \`a la vraie musique ce que le ``fast-food'' est \`a +la gastronomie. + \medskip En d\'efinitive, l'audace de l'auteur de ces <<~Petites Pi\`eces +Pour Plaire~>> est d'avoir os\'e \'ecrire de la musique qui n'est ni de la +musique <<~contemporaine~>>, ni de la musique de <<~vari\'et\'es~>>, et qui +aurait pu \^etre \'ecrite -- disons modestement~: comme exercices de style -- +par des \'el\`eves des compositeurs des deux ou trois si\`ecles pass\'es. Leur +simple objectif est de charmer les oreilles d'auditeurs de culture classique, +tout en restant compatibles avec le genre des lieux o\`u l'on trouve le plus +d'orgues classiques, \`a savoir les \'eglises. + \medskip +\centerline{\vrule height 0.4pt width 0.5\hsize} +\vskip 1mm + \medskip Comme il est \'ecrit dans le titre, ces pi\`eces n\'ecessitent +l'usage du p\'edalier, mais la partie de p\'edale est rarement difficile~; de +ce fait elles pourront servir de pi\`eces d'initiation \`a l'orgue pour des +pianistes d'un niveau moyen. + \medskip Bien que certaines pi\`eces (notamment le Choral Vari\'e et la +Romance sans Paroles) +mentionnent une registration \`a trois claviers, toutes ces pi\`eces peuvent +\^etre jou\'ees avec les instruments usuels \`a deux claviers et p\'edalier. + \vskip 15mm + \rightline{\vtop{\divide\hsize by 2\relax\centerline{\sl Daniel +TAUPIN}\smallskip \centerline{\sl \aujourdhui}}} + + \bigskip + \centerline{\rm Tous droits de reproduction commerciale r\'eserv\'es} + \centerline{\rm All rights of commercial distribution reserved} + \bigskip + \def\tocitem#1#2{\hbox to \hsize{\hskip 1cm #1\dotfill\ p. #2\hskip 1cm}} + \input recueil.toc +}\hss}\vfil +\eject + \def\titremorceautoc{\edef\zetitre{\titremorceau}% + \write\toc{\noexpand\tocitem{\zetitre}{\the\pageno}}} + \newwrite\toc + \immediate\openout\toc=recueil.toc +% +% +\def\misazero{\def\nbinstruments{2}\nbporteesi=1\relax +\nbporteesii=2\relax +\barsinline=0\relax +\linesinpage=0\relax +\signaturegenerale{0}\savesignature +\resetfacteurs +\computewidths}% +% +\misazero +\input adagio +% +\misazero +\input recit +% +\misazero +\input tierce +% +\misazero +\input choral +% +\misazero +\input reves +% +\misazero +\input prelude +% +\misazero +\input fugue +% +\misazero +\input aria +% +\misazero +\input ostinato +% +\misazero +\input romances +% +\misazero +\input magnific +% +\misazero +\input fantcmol +% +\misazero +\input fugcmoll +% +\misazero +\input chanson +% +\misazero +\input quietude +% +\misazero +\input marcello +% +\misazero +\input purcellx +% +\misazero +\input avemario +% +\closeout\toc +\bye diff --git a/macros/generic/musixtex/doc/examples/rests.tex b/macros/generic/musixtex/doc/examples/rests.tex new file mode 100644 index 0000000000..075089d837 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/rests.tex @@ -0,0 +1,229 @@ +% format plain musixTex musixtEx musIxtex musiCtex +% (c) 1996, Werner Icking +% Multibar rests section revised 2015 for T1.17 by Bob Tennent. +% +\ifx\mxversion\undefined + \input musixtex + \fi +\input musixlit +\hoffset-15.4mm\voffset-15.4mm +\hsize210mm\advance\hsize-20mm +\vsize11in\advance\vsize-20mm\advance\vsize-20pt +\footline{\smalltype Edited by Werner.Icking@gmd.de using {\it Herbert Chlapik, + Die Praxis des Notensetzers, Doblinger Wien 1987, ISBN 3-9000~035-96-2}.\hfil} +\parskip 12pt minus 12pt +\nobarnumbers +%\smallmusicsize +\geometricskipscale +\transpose7 +\settrebleclefsymbol1\empty +\settrebleclefsymbol2\empty +\setinterinstrument1{-2\Interligne} +\def\qpp{\pt 5\qp} +\newbox\xtrcti\newbox\xtrctii\newbox\xtrctiii +\def\xtrct#1{ + \def\writeextract{\extract#1\vskip-6pt} + \ifnum#1=3\def\extractline{\setbox\xtrctiii\hbox}\fi + \ifnum#1=2\def\extractline{\setbox\xtrctii\hbox}\fi + \ifnum#1=1\def\extractline{\setbox\xtrcti\hbox}\fi + \ifnum#1=0\def\extractline{\centerline}\def\writeextract{}\fi} +\def\extract#1{ + \ifnum#1=1\line{\hfil\unhbox\xtrcti\hfil}\fi + \ifnum#1=2\line{\xhfil\unhbox\xtrcti\hfil\unhbox\xtrctii\xhfil}\fi + \ifnum#1=3\line{\xhfil\unhbox\xtrcti\hfil\unhbox\xtrctii\hfil + \unhbox\xtrctiii\xhfil}\fi} +\def\centeron{\def\xhfil{\hfil}}\def\centeroff{\def\xhfil{}}\centeron +\def\wrong{\uPtext{wrong}} +\def\right{\uPtext{right}} +\def\better{\uPtext{better}} +\def\notrec{\uPtext{not recommended}} +\def\uPtext#1{\uptext{\kern-\afterruleskip\medtype\it #1}} +\def\Endextract{\setdoubleBAR\endextract} +\def\Startextract{\startextract\addspace{-0.5\afterruleskip}} + +\bigtype + +Whole rest as whole rest\par + +\xtrct1\generalmeter{\meterfrac21}\Startextract +\NOTes\wh c\pause\en\endextract +\xtrct2\generalmeter{\meterfrac42}\Startextract +\NOtes\wrong\ha c\en\NOTes\pause\en\NOtes\hpause\en\endextract +\xtrct3\generalmeter{\meterfrac42}\Startextract +\NOtes\right\ha c\hpause\en\NOTes\pause\en\setdoublebar\bar +\NOtes\better\ha c\hpause\hpause\hpause\en\endextract +\writeextract + +Whole rest as full bar rest {\medtype --- not used for e.g. 3/16}\par + +\def\CP{\def\atnextbar{\znotes\centerpause\en}} +\def\CPB{\def\atnextbar{\znotes\nextinstrument\centerpause\en}} + +\xtrct1\generalmeter{\meterfrac18}\Startextract\notesp\sk\en\CP +\generalmeter{\meterfrac28}\Changecontext\Notes\sk\en\CP +\generalmeter{\meterfrac38}\Changecontext\Notesp\sk\en\CP +\generalmeter{\meterfrac48}\Changecontext\NOtes\sk\en\CP +\generalmeter{\meterfrac14}\Changecontext\Notesp\sk\en\CP +\generalmeter{\meterfrac24}\Changecontext\NOtes\sk\en\CP +\generalmeter{\meterfrac34}\Changecontext\NOtesp\sk\en\CP +\generalmeter{\meterfrac44}\Changecontext\NOTes\sk\en\CP +\generalmeter{\meterfrac54}\Changecontext\NOTes\sk\en\CP +\generalmeter{\meterfrac64}\Changecontext\NOTes\sk\en\CP +\endextract\writeextract + +\xtrct1\generalmeter{\meterfrac12}\Startextract\Notesp\sk\en\CP +\generalmeter{\meterfrac22}\Changecontext\NOtes\sk\en\CP +\generalmeter{\meterfrac32}\Changecontext\NOtesp\sk\en\CP +\generalmeter{\meterfrac42}\Changecontext\NOTes\sk\en\CP +\generalmeter{\meterfrac62}\Changecontext\NOTes\sk\en\CP +\generalmeter{\meterfrac21}\Changecontext\NOTES\wrong\sk\en\CP +\generalmeter{\meterfrac21}\Changecontext\NOTes\right\pause\pause\en +\endextract\writeextract + +\instrumentnumber2 +\xtrct1\generalmeter{\meterfrac24}\Startextract +\Notes\ca c&\ds\en\bar +\NOtesp\pt c\qa c\en\Notes\ca c\en\CPB\bar +\Notes\ca c\en\NOtesp\pt c\qa c\en\CPB\bar +\NOtesp\pt c\qa c&\wrong\en\CPB\Endextract +\xtrct2\generalmeter{\meterfrac24}\Startextract +\Notes\ca c&\ds\en\bar +\NOtesp\pt c\qa c\en\Notes\ca c\en\CPB\bar +\Notes\ca c\en\NOtesp\pt c\qa c\en\CPB\bar +\NOtes\pt c\qa c&\right\qp\en\Notes&\ds\en\Endextract +\writeextract + +\xtrct1\generalmeter{\meterfrac68}\Startextract +\NOtesp\pt c\qa c&\qpp\en\bar +\NOtesp\pt c\qa c\en\Notes\ibl0c0\qb0{cc}\tbl0\qb0c\en\CPB\bar +\NOtesp\pt c\qa c&\wrong\en\CPB\Endextract +\xtrct2\generalmeter{\meterfrac68}\Startextract +\Notesp\pt c\qa c&\qpp\en\bar +\NOtesp\pt c\qa c\en\Notes\ibl0c0\qb0{cc}\tbl0\qb0c\en\CPB\bar +\NOtesp\pt c\qa c&\right\qpp\en\Endextract +\writeextract +\instrumentnumber1 + +Rests and rhythm\par + +\centeroff +\scale{0.9} +\xtrct1\generalmeter{\meterfrac38}\Startextract +\NOtes\wrong\qp\en\Notes\ca c\en\bar +\Notes\right\ds\ds\ca c\en\setdoublebar\bar +\Notes\wrong\ca c\en\NOtes\qp\en\bar +\Notes\right\ca c\ds\ds\en\endextract +\xtrct2\generalmeter{\meterfrac34}\Startextract +\NOTes\wrong\hpause\en\NOtes\qa c\en\bar +\NOtes\right\qp\qp\qa c\en\setdoublebar\bar +\NOtes\wrong\qa c\en\NOTes\hpause\en\bar +\NOtes\right\qa c\qp\qp\en\endextract +\writeextract + +\scale{0.75} +\xtrct1\generalmeter{\meterfrac68}\Startextract +\Notes\wrong\ca c\en\NOtes\qp\en\Notes\ca c\en\NOtes\qp\en\bar +\Notes\right\ca c\ds\ds\ca c\ds\ds\en\setdoublebar\bar +\Notes\wrong\ca c\ds\ds\ds\ds\ca c\en\bar +\Notes\right\ca c\ds\ds\en\NOtes\qp\en\Notes\ca c\en\endextract +\xtrct2\generalmeter{\meterfrac44}\Startextract +\NOtes\wrong\qa c\en\NOTes\hpause\en\NOtes\qa c\en\bar +\NOtes\right\qa c\qp\qp\qa c\en\endextract +\writeextract + +\scale{0.7} +\xtrct1\generalmeter{\meterfrac34}\Startextract +\NOtes\uPtext{3/4 versus 6/8}\qa c\qp\qp\en +\generalmeter{\meterfrac68}\changecontext +\NOtes\qa c\en\Notes\ds\en\NOtes\qp\en\Notes\ds\en\endextract +\xtrct2\generalmeter{\meterfrac34}\Startextract +\Notes\ca c\ds\en\NOtes\qp\en\Notes\ds\ca c\en +\generalmeter{\meterfrac68}\changecontext +\Notes\ca c\ds\ds\en\NOtes\qp\en\Notes\ca c\en\endextract +\xtrct3\generalmeter{\meterfrac34}\Startextract +\Notes\ca c\ds\en\NOtes\qp\en\Notes\ibl0c0\qb0c\tbl0\qb0c\en +\generalmeter{\meterfrac68}\changecontext +\Notes\ca c\ds\ds\ds\en\Notes\ibl0c0\qb0c\tbl0\qb0c\en\endextract +\writeextract + +\scale{0.7} +\xtrct1\generalmeter{\meterfrac34}\Startextract +\NOtes\qp\qp\en\Notes\ibl0c0\qb0c\tbl0\qb0c\en +\generalmeter{\meterfrac68}\changecontext +\NOtes\qp\en\Notes\ds\ds\en\Notes\ibl0c0\qb0c\tbl0\qb0c\en\endextract +\xtrct2\generalmeter{\meterfrac34}\Startextract +\NOtesp\pt c\qa c\en\Notes\ds\en\NOtes\qp\en +\generalmeter{\meterfrac68}\changecontext +\NOtesp\pt c\qa c\en\NOtes\qp\en\Notes\ds\en\endextract +\xtrct3\generalmeter{\meterfrac32}\Startextract +\NOTes\uPtext{3/2 versus 6/4}\ha c\hpause\hpause\en +\generalmeter{\meterfrac64}\changecontext +\NOTes\ha c\en\NOtes\qp\en\NOTes\hpause\en\NOtes\qp\en\endextract +\writeextract + +\scale{0.8} +\xtrct1\generalmeter{\meterfrac{12}8}\Startextract +\NOTesp\wrong\pt c\ha c\hpausep\en\endextract +\xtrct2\generalmeter{\meterfrac{12}8}\Startextract +\Notes\notrec\ca c\ds\ds\en\NOtes\qp\en\Notes\ds\en\NOtes\qp\en\Notes\ds\en +\NOtes\qp\en\Notes\ds\en\endextract +\xtrct3\generalmeter{\meterfrac{12}8}\Startextract +\NOTesp\right\pt c\ha c\en\NOtesp\qpp\qpp\en\bar +\NOTesp\right\pt c\ha c\en\NOtesp\qp\en\Notes\ds\en\NOtesp\qp\en\Notes\ds\en +\endextract +\writeextract + +\scale{0.6} +\xtrct1\generalmeter{\meterfrac{12}8}\Startextract +\Notes\right\ca c\ds\ds\en\NOtesp\qpp\en\NOTesp\hpausep\en\bar +\Notes\right\ca c\ds\ds\en\NOtes\qp\en\Notes\ds\en\NOTesp\hpausep\en\endextract +\xtrct2\generalmeter{\meterfrac{15}8}\Startextract +\Notes\wrong\ca c\ds\ds\en\NOtesp\qpp\qpp\qpp\qpp\en\bar +\Notes\notrec\ca c\ds\ds\en\Notesp\qp\en\Notes\ds\en +\Notesp\qp\en\Notes\ds\en\Notesp\qp\en\Notes\ds\en\Notesp\qp\en\Notes\ds\en\bar +\Notes\right\ca c\ds\ds\en\NOTes\hpausep\hpausep\en\endextract +\writeextract + +\scale{0.8} +\xtrct1\generalmeter{\meterfrac64}\Startextract +\NOTesp\notrec\hpausep\en\NOTes\hpause\en\NOtes\qa c\en\endextract +\xtrct2\generalmeter{\meterfrac64}\Startextract +\NOTes\right\hpause\en\NOtes\qp\en\NOTes\hpause\en\NOtes\qa c\en\bar +\NOTesp\right\hpausep\en\NOtes\qp\qp\qa c\en\endextract +\xtrct3\generalmeter{\meterfrac64}\Startextract +\NOTesp\right\pt c\ha c\en\NOTes\hpause\en\NOtes\qp\en\bar +\NOTesp\right\pt c\ha c\hpausep\en\endextract +\writeextract + +%\scale{0.8} +%\xtrct1\generalmeter{\meterfrac{3\meterplus 2}8}\Startextract +%\NOTesp\notrec\hpausep\en\NOTes\hpause\en\NOtes\qa c\en\endextract +%\xtrct2\generalmeter{\meterfrac64}\Startextract +%\NOTes\right\hpause\en\NOtes\qp\en\NOTes\hpause\en\NOtes\qa c\en\bar +%\NOTesp\right\hpausep\en\NOtes\qp\qp\qa c\en\endextract +%\xtrct3\generalmeter{\meterfrac64}\Startextract +%\NOTesp\right\pt c\ha c\en\NOTes\hpause\en\NOtes\qp\en\bar +%\NOTesp\right\pt c\ha c\hpausep\en\endextract +%\writeextract + +Multibar rests + +\scale{1.1} +\def\TPF{\off{2.5\elemskip}} +\def\CB#1{\centerbar{#1}} +\def\CN#1{\CB{\ccn{9}{\meterfont{#1}}}} +\xtrct1\generalmeter{}\Startextract +\NOtesp\sk\en\def\atnextbar{\znotes\CN2\CB{\cPAuse}\en}\bar +\NOTes \sk\en\def\atnextbar{\znotes\CN3\CB{\cPAuse\TPF\cpause}\en}\bar +\NOtesp\sk\en\def\atnextbar{\znotes\CN4\CB{\cPAUSe}\en}\bar +\NOTes \sk\en\def\atnextbar{\znotes\CN5\CB{\cPAUSe\TPF\cpause}\en}\bar +\NOTes \sk\en\def\atnextbar{\znotes\CN6\CB{\cPAUSe\TPF\cPAuse}\en}\bar +\NOTEs \sk\en\def\atnextbar{\znotes\CN7\CB{\cPAUSe\TPF\cPAuse\TPF\cpause}\en}\bar +\NOTes \sk\en\def\atnextbar{\znotes\CN8\CB{\cPAUSe\TPF\cPAUSe}\en}\bar +\NOTEs \sk\en\def\atnextbar{\znotes\CN9\CB{\cPAUSe\TPF\cPAUSe\TPF\cpause}\en}\bar +\NOTEs \Hpause4{0.83}\en\def\atnextbar{\znotes\CN{10}\en}\bar +\NOTEsp\Hpause4{0.83}\en\def\atnextbar{\znotes\CN{11}\en}\endextract +\writeextract +\vfill\eject + +\bye diff --git a/macros/generic/musixtex/doc/examples/reves.tex b/macros/generic/musixtex/doc/examples/reves.tex new file mode 100644 index 0000000000..04702a1dd4 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/reves.tex @@ -0,0 +1,543 @@ + +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi +\title{R\^eves} +\fulltitle{V. \titremorceau} +\subtitle{(pour orgue)} +\csname titremorceautoc\endcsname +\othermention{Compos\'e en 1990} +\author{Daniel TAUPIN} +\shortauthor{D. Taupin} +\maketitle +\parindent 18mm +% + +\tracingstats=2\relax +% +\nbporteesii=2\relax +\def\nbinstruments{2} +\global\cleftoksii={{0}{0}{0}{0}}% +\global\cleftoksi={{6}{0}{0}{0}}% +% +\signaturegenerale{0}\relax % pas d'armature +\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% +\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% +\def\deuxtemps{\generalmeter{\meterfrac{2}{4}}}% +\def\Mordant{\mordant{10}}% +%\check +\def\instrumenti{P\'edale 16'}% +\def\instrumentii{\vbox{\hsize=\parindent\centerline{R\'ecit}\vskip 33pt + \centerline{G.O.}}}% +%\check +\def\gluemaxskip{7pt}% +% +\def\doubler{\multnoteskip 2\relax}% +\def\tripler{\multnoteskip 3\relax}% +% formes frequentes +% deux croches hautes +\def\dql#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% +\def\dqu#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% +\def\dqh{\dqu}\def\dqb{\dql}% +% +% deux doubles croches hautes +\def\dqbbu#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% +\def\dqbbl#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% +% +% croche pointee et double croche meme hauteur +\def\cpdcl#1{\trioskip\ibl0{#1}0\qbp0{#1}\sk\tbbl0\tqb0{#1}}% +\def\cpdcu#1{\trioskip\ibu0{#1}0\qhp0{#1}\sk\tbbu0\tqh0{#1}}% +% +% croche et deux doubles croches (1ere = 3eme) +\def\cddcu#1#2{\ibu0{#1}0\qh0{#1}\trioskip + \nbbu0\qh0{#2}\tqh0{#1}}% +\def\cddcl#1#2{\ibl0{#1}0\qb0{#1}\trioskip + \nbbl0\qb0{#2}\tqb0{#1}}% +% +\medskip\noindent{\rm G.O.: bourdon 8', unda maris ou tremblant}% +\par\noindent{\rm R\'ec.: nasard, tremblant}% +\par\noindent{\rm P\'ed.: 16', tirasse G.O.}% +\smallskip +% +\generalmeter{\meterfrac 44\meterfrac 54}% +% +\def\trioskip{\doubler\relax\divide\noteskip by 3\relax}% +\debutmorceau +\autolines {10}45\relax +\footnote{}{\noteskip=18pt\altportee=0pt\resetstem +\tenpoint\bf* \rm Notation :\ \ \zwq 1\ \ \ = \itenl01\wh 1\tten0\qu 1\ \ .}% +\def\resp{\vnotes 0.2\elemskip&|\cbreath\enotes}% +%\check +% +\hyphenpenalty -50\relax +\notes&|\Uptext{\hbox{\kern -16mm\moyen Adagio molto \bf(\metron{\qu}{50})}}\enotes +\advance\linesinpage by 1\relax +% \advance\barsinline by 1\relax +% +\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax +\def\qqbbH#1#2#3#4#5{\ibbu0{#3}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax +\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}% +\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax +\def\dqbbh#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tqh0{#3}}\relax +\def\dqbbu{\dqbbh}\def\dqbbb{\dqbbl}% +\def\dqbbl#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tqb0{#3}}\relax +%\check +\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax +\def\qqbH#1#2#3#4#5{\ibu0{#3}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax +\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax +%\check +% +% mesure 1 +\Notes\itenu0J\zwq J\zcharnote 8 {\bf *}&\itenl1c\qu c\enotes +\Notes&\tten1\itenl1c\zw c\qsk\wh d\enotes +\Notes&\qu g|\pause\enotes +\Notes&\qu{_h}\enotes +\Notes&\qu{_i}\enotes +% mesure 2 +\barre\nspace\nspace + \notes\tten0\itenu0J\zwq J&\tten1\itenl1c\lh d\lfl d\zhl c\relax + \ibu0g0\qh0g\trioskip\nbbu0\qh0{=h}\tqh0g|\sk\hpause\enotes +\notes&\dqu3ef\enotes +\NOTEs&\tten1\itenl1c\itenl2e\itenu3g\relax + \zhp c\zhp e\hup g|\divide\noteskip by 2\relax\sk\hpause\enotes +\NOtes&|\qu c\enotes +% mesure 3 +\def\atnextline{\autolines {9}45}\relax +\barre\nspace +\Notes\tten0\wh J&\tten1\tten2\tten3\zw c\zw e\itenu1g\wh g|\qu{_d}\enotes +\Notes&|\qu g\enotes +\Notes&|\qu{_h}\enotes +\Notes&|\qu{_i}\enotes +% mesure 4 +\barre\nspace\notes\doubler\hu{=H}&\zw g\tten1\lfl d\fl e\kern 3pt\lh d\hl e\relax + |\ibu0g0\qh0g\trioskip\nbbu0\qh0{_h}\tqh0g\enotes +\notes&|\dqu3{_e}f\enotes +\NOTEs\itenu0J\hup J&\itenu1c\itenu2e\zhp c\hlp{=e}|\hu g\enotes +\NOtes&\qu{_h}|\qu j\enotes +% mesure 5 +%\barre +\alaligne +\notes\tten0\wh J&\tten1\tten2\itenu1c\itenu2e\zw{ceg}\relax + |\ibu0g0\qh0g\trioskip\nbbu0\qh0f\tqh0g\enotes +\notes&|\dqh3ef\enotes +\NOtes&|\qu g\enotes +\NOtes&|\qu{_h}\enotes +% mesure 6 +\barre\NOtes\wh{_H}&\tten1\tten2\itenu2e\zw{_ac}\wh e|\qu{_i}\enotes +\NOtes&|\qu j\enotes +\NOtes&|\qu k\enotes +\notes&|\dql3l{^m}\enotes +% mesure 7 +\barre\nspace\NOtes\zwq E&\tten2\itenu2e\zwq{be}\zwq{^g}|\ql{^n}\enotes +\NOtes&|\ql l\enotes +\notes&|\cddcu i{^j}\enotes +\notes&|\dqu3{^g}h\enotes +\NOtes&|\qu i\enotes +% mesure 8 +\barre\NOtes\zwq J&\tten2\itenl1c\zwq{ce}\zwq{=g}|\ql j\enotes +\NOtes&|\qu{=g}\enotes +\notes&|\cddcu e{^f}\enotes +\notes&|\dqu3cd\enotes +\NOtes&|\qu e\enotes +% mesure 9 +\barre\Notes\zw{^G}&\tten1\itenl1c\zw{ac_e}|\qu{^f}\enotes +\Notes&|\qu{^g}\enotes +\Notes&|\qu{^h}\enotes +\notes&|\dql3jk\enotes +%\check +% mesure 10 +\barre\NOtes\zwq J&\tten1\zwq{Nc=e}|\ql l\enotes +\NOtes&|\ql j\enotes +\notes&|\na g\cddcu g{=h}\enotes +\notes&|\dqu3e{=f}\enotes +\NOtes&|\qu g\enotes +% mesure 11 +\barre\NOtes\zwq F&\fl d\zwq{_af}\rlap{\qsk\hup d}|\qu{_h}\enotes +\NOtes&|\qu{_i}\enotes +\NOtes&|\ql j\enotes +\notes&\itenl0b\hu b|\dql3kl\enotes +\NOtes&|\ql{^m}\enotes +% mesure 12 +\barre\nspace\Notes\zwq E&\tten0\zw b\zwq{e^g}|\ql{^n}\enotes +\Notes&|\ql l\enotes +\notes&|\cddcu i{^j}\enotes +\notes&|\dqu3{^g}{^h}\enotes +\NOtes&\qu{^b}|\qu{^i}\enotes +\def\atnextline{\autolines {11}45}\relax +% mesure 13 +\barre\NOtes\zwq{^J}&\lsh f\zwq{^c^g}\qsk\hu f|\qsk\ql{^j}\enotes +\NOtes&|\qu{^g}\enotes +\notes&\hu d|\na e\cddcu e{^f}\enotes +\notes&|\dqu3{^c}d\enotes +\NOtes&\qu e|\qu e\enotes +% mesure 14 +\barre\NOtes\wh F&\rlap{\lna c\qsk\hup{c}}\zw{a=f}|\qu {=f}\enotes +\NOtes&|\qu{=c}\enotes +\notes&|\dqu3de\enotes +\NOtes&\qu{_d}|\qu f\enotes +% mesure 15 +\barre\nspace\NOtes\wh{_E}&\lfl e\rlap{\qsk\hup e}\zw{_b_g}|\qu{_g}\enotes +\NOtes&|\qu{_d}\enotes +\notes&|\bigfl e\dqu3{e}f\enotes +\NOtes&\qu{=d}|\qu g\enotes +% mesure 16 +\advance\barsinline by -1\relax +\barre\nspace\NOtes\wh{=E}&\lna e\rlap{\qsk\hup e}\zw{=b_h}|\qu{_h}\enotes +\NOtes&|\qu{=e}\enotes +\notes&|\bigfl g\dqu3{g}{_h}\enotes +\NOtes&\qu f|\qu{_i}\enotes +% mesure 17 +\barre\NOtes\zwq J&\zwq{ce}\zwq g|\ql j\enotes +\NOtes&|\qu{=g}\enotes +\notes&|\cddcu ef\enotes +\notes&|\dqu3cd\enotes +\NOtes&|\qu e\enotes +% mesure 18 +\barre\nspace\NOtes\wh{^F}&\zw a\zw{_e}\qsk\itenu1d\wh d|\qu{_e}\enotes +\notes&|\dqu{3}de\enotes +\notes&|\dqu{3}cd\enotes +\notes&|\dqu{3}ef\enotes +% mesure 19 +\barre\NOtes\wh G&\tten1\zw b\zw d\zw g|\qu g\enotes +\notes&|\cddcu d{_e}\enotes +\Notes&|\dqu3bc\enotes +\Notes&|\qu d\enotes +% mesure 20 +\advance\barsinline by -1\relax +\autolines {22}25\relax +\cleftoksii={{6}{0}{0}{0}}\changeclefs +\def\sxtu#1#2#3#4#5#6{{\advance\transpose by 4\ibbu0{#1}2}\qh0{#1}\relax + \qh0{#2}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}% +%\check +\def\sxtl#1#2#3#4#5#6{{\advance\transpose by 2\ibbl0{#1}2}\qb0{#1}\relax + \qb0{#2}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}% +%\check +% croche et deux doubles croches (1ere = 3eme) +\def\duoskip{\tripler\relax + \divide\noteskip by 2\relax}% +\def\cddcu#1#2{\duoskip\ibu0{#1}0\qh0{#1}\sk + \nbbu0\qh0{#2}\tqh0{#1}}% +\def\cddcl#1#2{\duoskip\ibl0{#1}0\qb0{#1}\sk + \nbbl0\qb0{#2}\tqb0{#1}}% +% +\barre\notes\doubler\wh{_G}&\fl N\sxtl N{_a}{_d}{_e}da|\bigaccid\qu{_e}\enotes +\notes&\sxtl{N}ad{e}da|\qu f\enotes +\notes&\sxtl{N}ad{e}da|\qu g\enotes +\notes&\sxtl{N}{a}{=d}{=e}da|\tripler\dqu2hi\enotes +% mesure 21 +\autolines {29}25\relax +\barre\notes\doubler\wh{^J}&\sxtl M{_a}d{_e}da|\bigsh j\cddcu jk\enotes +\notes&\sxtl M{a}d{e}da|\tripler\dqu{-2}{^g}{^f}\enotes +\notes&\sxtl M{a}d{e}da|\tripler\dqu{2}{^e}f\enotes +\notes&\sxtl M{a}d{e}da|\qu g\enotes +% mesure 22 +\barre\notes\zwq K&\sxtl KMbcbM|\qu h\enotes +\notes&\sxtl KMbcbM|\qu i\enotes +\notes&\sxtl KMbcbM|\tripler\dqu2jk\enotes +\notes&\sxtl KMbcbM|\ql l\enotes +\notes&\sxtl KMbcbM|\ql m\enotes +\autolines {27}25\relax +% mesure 23 +\cleftoksii={{0}{0}{0}{0}}\changeclefs +\barre\notes\itenu0J\zwq J&\sxtu Ncefec|\ql n\enotes +\notes&\sxtu Ncefec|\tripler\dql{-2}lj\enotes +\notes&\sxtu Ncefec|\cddcu gh\enotes +\notes&\sxtu Ncefec|\tripler\dqu2ef\enotes +\notes&\sxtu Ncefec|\qu g\enotes +% mesure 24 +\barre\notes\tten0\hup J&\sxtu Ncefec|\tripler\dqu2hi\enotes +\notes&\sxtu Ncefec|\tripler\dqu2jk\enotes +\notes&\sxtu Ncefec|\tripler\dql4ln\enotes +\notes\qu H&\multnoteskip{1.1}\sxtu ac{_e}{^f}ec|\bigsh m\ql{m}\enotes +% mesure 25 +\autolines {31}25\relax +\barre\notes\zwq G&\noteskip 1.2\noteskip\sxtu ac{=e}{^f}ec|\ql n\enotes +\notes&\sxtu acefec|\tripler\dql{-4}lj\enotes +\notes&\sxtu acefec|\cddcu gh\enotes +\notes&\sxtu acefec|\tripler\dqu2e{^f}\enotes +\notes&\sxtu acegec|\qu g\enotes +% mesure 26 +\barre\notes\doubler\zwq{_G}&\noteskip 1.3\noteskip +\lfl N\bigfl a\sxtu N{a}e{^f}ea|\doubler\qu{_h}\enotes +\notes&\sxtu Naefea|\tripler\dql2{_i}j\enotes +\notes&\sxtu Naefea|\tripler\dql2kl\enotes +\notes&\sxtu Naefea|\tripler\dql2{^m}{^n}\enotes +\notes&\sxtu Naefea|\tripler\ql{_p}\enotes +% mesure 27 +\autolines {28}25\relax\barre\notes\zwq J&\bigna N\sxtu Ncegec|\ql q\enotes +\notes&\sxtu Ncegec|\doubler\ql{=n}\enotes +\notes&\sxtu Ncegec|\bigaccid\cddcl l{=m}\enotes +\notes&\sxtu Ncegec|\tripler\dql2jk\enotes +\notes&\sxtu Ncegec|\ql l\enotes +%\check +% mesure 28 +\barre\notes\zwq H&\noteskip 1.2\noteskip\sxtu ac{_e}{_g}ec|\bigaccid\ql{^m}\enotes +\notes&\sxtu acegec|\tripler\dql{-2}{=l}k\enotes +\notes&\fl a\sxtu ac{=e}fec|\tripler\dql{-2}j{_i}\enotes +\notes&\sxtu acefec|\tripler\dqu{-2}{_h}{_g}\enotes +% mesure 29 +\autolines {24}25\relax +\barre\notes\wh J&\sxtu Ncegec|\cddcu ef\enotes +\notes&\sxtu Ncegec|\tripler\dqu3{=g}{=i}\enotes +\notes&\sxtu Ncegec|\tripler\dql2jk\enotes +\notes&\sxtu Ncegec|\tripler\dql4ln\enotes +%\check +% mesure 30 +\barre\notes\wh H&\sxtu ac{^f}{^g}fc|\ql q\enotes +\notes&\sxtu acfgfc|\tripler\dql{-2}{_p}{^n}\enotes +\notes&\sxtu acfgfc|\tripler\dql{-2}{^m}l\enotes +\notes&\sxtu acfgfc|\tripler\dql{-2}kj\enotes +%\check +\cleftoksii={{6}{0}{0}{0}}\changeclefs +% mesure 31 +\autolines {25}25\relax +\barre\notes\hup J&\sxtl Ncegec|\cddcu gh\enotes +\notes&\sxtl Nce{^f}ec|\tripler\dqu{-2}{^f}e\enotes +\notes&\sxtl Ncefec|\tripler\dqu{-2}dc\enotes +\notes\itenl0H\doubler\qu{_H}&\fl N\sxtl N{_a}d{_e}da|\doubler + \itenl1e\qu{_e}\enotes +%\check +% mesure 32 +\barre\notes\doubler\tten0\wh{_H}&\noteskip 1.1\noteskip\fl N\sxtl +N{_a}d{_e}da|\bigfl e\tten1\qu{e}\enotes +\notes&\noteskip 1.1\noteskip\sxtl Nad{=e}da|\bigaccid\hup{=e}\enotes +\notes&\sxtl Nadeda|\enotes +\notes&\sxtl Nadeda|\enotes +%\check +% mesure 33 +\barre\notes\doubler\wh{_K}&\sxtl M{_a}{_d}fda|\qu f\enotes +\notes&\sxtl Madfda|\tripler\dql2{_h}{_i}\enotes +\notes&\sxtl Madfda|\tripler\dql2j{_k}\enotes +\notes&\sxtl Madfda|\tripler\dql2{_l}m\enotes +%\check +% mesure 34 +\barre\nspace\notes\doubler\wh{_L}&\noteskip 1.2\noteskip + \sxtl M{_N}{_b}{_e}bN|\bigaccid\ql{_p}\enotes +\notes&\sxtl MNbebN|\tripler\dql{-2}{_o}{_n}\enotes +\notes&\sxtl MNbebN|\tripler\dql{-2}m{_l}\enotes +\notes&\sxtl MNbebN|\tripler\dql{-4}{_k}{_i}\enotes +%\check +% mesure 35 +\barre\notes\doubler\wh{_K}&\sxtl M{_a}{_d}fda|\bigfl h\cddcu h{_i}\enotes +\notes&\sxtl Madfda|\tripler\dqu{-2}f{_e}\enotes +\notes&\sxtl Madfda|\tripler\dqu2{_d}e\enotes +\notes&\sxtl Madfda|\qu f\enotes +%\check +% mesure 36 +\barre\notes\doubler\wh{_L}&\sxtl M{_N}{_b}ebN|\doubler\uptext{\it rit.}\qu{_g}\enotes +\notes&\sxtl MNbebN|\doubler\qu{_h}\enotes +\notes&\sxtl MNbebN|\doubler\qu{_i}\enotes +\notes&\sxtl MNbebN|\qu j\enotes +%\check +% mesure 37 +\autolines{30}25\relax +\barre\notes\doubler\itenl0L\wh{=K}&\noteskip 1.2\noteskip\sxtl M{=a}{=d}fda|\itenu2m\wh m\enotes +\notes&\sxtl M{_a}dfda|\enotes +\notes&\noteskip 1.15\noteskip\sxtl M{=N}{_d}{_e}dN|\enotes +\notes&\noteskip 1.15\noteskip\sxtl M{_N}{=d}edN|\enotes +%\check +\barre\autolines{15}35\relax +% mesure 38 +\notes\tten0\itenl0L\wh K&\rlap{\sk\zcharnote D{\sl 3}}\ibl0M5\qb0M\qb0{_N}\tqb0d|\tten2\hlp m\enotes +\notes&\rlap{\sk\zcharnote D{\sl 3}}\ibl0d{-5}\qb0{_e}\qb0d\tqb0N\enotes +\notes&\rlap{\sk\zcharnote D{\sl 3}}\ibl0M5\qb0M\qb0N\tqb0d\enotes +\notes&\rlap{\sk\zcharnote D{\sl 3}}\ibl0d{-5}\qb0e\qb0d\tqb0N|\sk\soupir\enotes +% mesure 39 +\barre\notes\tten0\hup K&\rlap{\sk\zcharnote D{\sl 3}}\ibl0M5\qb0M\qb0{_N}\tqb0d|\enotes +\notes&\rlap{\sk\zcharnote D{\sl 3}}\ibl0d{-5}\qb0{_e}\qb0d\tqb0N|\sk\sk\pause\enotes +\NOtes&\itenl3L\hl L\enotes +\NOtes\itenl2J\qu J&|\enotes +%\check +% mesure 40 +\barre\nspace\autolines{11}45\relax +\NOtes\tten2\zwq J&\tten3\zwq L\itenl1L|\uptext{\it a tempo}\qu c\enotes +\NOtes&\wh{=N}|\qu{_d}\enotes +\NOtes&\itenu2c\hup c|\qu g\enotes +\NOtes&|\qu{_h}\enotes +\NOtes&|\qu{_i}\enotes +% mesure 41 +% +% croche et deux doubles croches (1ere = 3eme) +\def\cddcu#1#2{\ibu0{#1}0\qh0{#1}\trioskip + \nbbu0\qh0{#2}\tqh0{#1}}% +\def\cddcl#1#2{\ibl0{#1}0\qb0{#1}\trioskip + \nbbl0\qb0{#2}\tqb0{#1}}% +% +\barre +\nspace\notes\doubler\hu{_H}&\doubler\tten1\itenl1L\relax +\tten2\itenu2c\zwq L\zwq c\hl{_a}|\cddcu g{_h}\enotes +\notes&|\dqu3{_e}f\enotes +\NOTEs\itenu0J\hup J&\hl{N}|\hu g\enotes +\NOtes&\ql{a}|\qu j\enotes +% mesure 42 +\barre\notes\tten0\wh J&\tten1\tten2\itenu1c\itenl2L\zw{LNc}\relax + |\cddcu gf\enotes +\notes&|\dqh3ef\enotes +\NOtes&|\qu g\enotes +\NOtes&|\qu{_h}\enotes +% mesure 43 +\barre\NOtes\wh{_H}&\tten1\tten2\itenl1N\zw{_ac}\wh L|\qu{_i}\enotes +\NOtes&|\qu j\enotes +\NOtes&|\qu k\enotes +\notes&|\dql3l{^m}\enotes +% mesure 44 +\barre\nspace\NOtes\zwq E&\tten1\itenu2e\zwq{be}\zwq{^N}|\ql{^n}\enotes +\NOtes&|\ql l\enotes +\notes&|\cddcu i{^j}\enotes +\notes&|\dqu3{^g}h\enotes +\NOtes&|\qu i\enotes +% mesure 45 +\barre\NOtes\zwq J&\tten2\itenu1c\zwq{ce}\zwq{=N}|\ql j\enotes +\NOtes&|\qu{=g}\enotes +\notes&|\cddcu e{^f}\enotes +\notes&|\dqu3cd\enotes +\NOtes&|\qu e\enotes +% mesure 46 +\barre\NOtes\zw{^G}&\tten1\itenu1c\zw{ac_e}|\qu{^f}\enotes +\NOtes&|\qu{^g}\enotes +\NOtes&|\qu{^h}\enotes +\notes&|\dql3jk\enotes +%\check +% mesure 47 +\barre\NOtes\zwq J&\tten1\zwq{Lc}\kern 3pt\qsk\zhl M|\ql l\enotes +\NOtes&|\ql j\enotes +\notes&\hl{_a}|\na g\cddcu g{=h}\enotes +\notes&|\dqu3e{=f}\enotes +\NOtes&\ql N|\qu g\enotes +% mesure 48 +\barre\nspace\NOtes\zwq{_G}&\lfl a\zwq{_Nc}\qsk\zwq a|\qu{_h}\enotes +\NOtes&|\qu{_i}\enotes +\NOtes&|\ql j\enotes +\notes&|\dql3kl\enotes +\NOtes&|\ql{^m}\enotes +\cleftoksii={{0}{0}{0}{0}}\changeclefs +% mesure 49 +\barre\NOtes\zwq E&\zw b\zwq{b^g}\zw d|\ql{^n}\enotes +\NOtes&|\ql l\enotes +\notes&|\cddcu i{^j}\enotes +\notes&|\dqu3{^g}{^h}\enotes +\NOtes&\qu{^d}|\qu{^i}\enotes +% mesure 50 +\barre\NOtes\zwq{^J}&\lsh f\zwq{^c^g}\qsk\hu f|\qsk\ql{^j}\enotes +\NOtes&|\qu{^g}\enotes +\notes&\hu d|\bigna e\cddcu e{^f}\enotes +\notes&|\dqu3{^c}d\enotes +\NOtes&\qu e|\qu e\enotes +% mesure 51 +\barre\NOtes\wh F&\lna c\rlap{\qsk\hup c}\zw{a=f}|\qu f\enotes +\NOtes&|\qu{=c}\enotes +\notes&|\dqu3de\enotes +\NOtes&\qu{_d}|\qu f\enotes +% mesure 52 +\barre\autolines{10}35\nspace +\NOtes\wh{_E}&\bigna d\lfl b\rlap{\qsk\hup d}\zw{b_g}|\qu{_g}\enotes +\NOtes&|\qu{_d}\enotes +\notes&|\bigfl e\dqu3{e}f\enotes +\NOtes&\qu{_e}|\qu g\enotes +% mesure 53 +\barre\nspace\NOtes\wh{=E}&\lna e\rlap{\qsk\hup e}\zw{=b_h}|\qu{_h}\enotes +\NOtes&|\qu{=e}\enotes +\notes&|\dqu3{_g}{_h}\enotes +\NOtes&\qu f|\qu{_i}\enotes +% mesure 54 +\barre\NOtes\zwq J&\zwq{cf}\qsk\zw g|\ql j\enotes +\notes&|\cddcu gf\enotes +\notes&|\dqu{-2}ed\enotes +\notes&|\dqu2cd\enotes +\NOtes&\qu{_h}|\qu e\enotes +% mesure 55 +\barre\nspace\NOtes\wh H&\lfl d\zw{c=f}\qsk\zw{dg}|\qu{^f}\enotes +\notes&|\dqu{-2}gf\enotes +\notes&|\dqu{-2}ih\enotes +\notes&|\noteskip 0.9\noteskip\ibu0g{-1}\qh0g\zcharnote n{\sl 3}\relax +\qh0{^f}\tqh0{=f}\enotes +\cleftoksii={{6}{0}{0}{0}}\changeclefs +% mesure 56 +\barre\nspace\NOtes\wh J&\fl a\fl e\zw{Nd}\qsk\zw{ae}|\qu{=e}\enotes +\notes&|\bigsh f\dqu{-2}{f}e\enotes +\notes&|\dqu3{^g}{^h}\enotes +\notes&|\dqu3jk\enotes +%\check +% mesure 57 +\barre\bigaccid +\NOtes\zwq C&\zwq{Nc=e}|\ql l\enotes +\NOtes&|\ql j\enotes +\notes&|\cddcu gh\enotes +\notes&|\dqu{-2}{^f}e\enotes +\notes&|\dqu{-2}dc\enotes +%\check +% mesure 58 +\barre\NOtes\wh{_H}&\zw{^M}\rw d\wh{_e}|\qu{_e}\enotes +\notes&|\trioskip\fl f\ibu0f0\qh0f\zcharnote l{\sl 3}\qh0e\tqh0f\enotes +\notes&|\dqu2ef\enotes +\notes&|\dqu2de\enotes +% mesure 59 +\barre\NOtes\wh J&\zw{Nb}\rw c\wh{=e}|\qu{=e}\enotes +\notes&|\dqu{-2}{=f}e\enotes +\notes&|\dqu4gi\enotes +\notes&|\dqu4jl\enotes +% mesure 60 +\barre\NOtes\wh{_G}&\fl N\zw M\rw N\rw d\wh c|\ql{^m}\enotes +\notes&|\trioskip\ibl0l0\qb0l\zcharnote c{\sl 3}\qb0m\tqb0l\enotes +\notes&|\dqb{-2}kj\enotes +\notes&|\dqu{-2}{_i}{_h}\enotes +% mesure 61 +\barre\NOtes\wh H&\sh M\zw M\zw a\wh d|\qu{=h}\enotes +\notes&|\trioskip\ibu0e0\qh0{^f}\zcharnote n{\sl 3}\qh0e\tqh0f\enotes +\notes&|\dqu2de\enotes +\notes&|\dqu6fi\enotes +% mesure 62 +\barre\NOTEs\hup E&\itenu0a\zwq a\qsk\zhp L\hup N|\hu h\enotes +\notes&|\trioskip\ibu0g{-1}\qhp0g\sk\tbbu0\tqh0{^f}\enotes +\NOTEs\hu D&\itenu1d\zh {^M}\hu d|\hu f\enotes +\resp +% mesure 63 +\barre\Notes\itenl3D\zwq D&\tten0\tten1\itenu1d\zwq{^fad}|\qu d\enotes +\Notes&|\qu{_e}\enotes +\Notes&|\qu h\enotes +\Notes&|\qu{_i}\enotes +\Notes&|\qu j\enotes +% mesure 64 +\barre\notes\tten3\itenl3D\zwq D&\tten1\itenu1d\zh L\zhl N\zwq d|\cddcu h{_i}\enotes +\notes&|\dqu2{^f}g\enotes +\NOTEs&\itenl0M\zhu a\hlp{^M}|\hu h\enotes +\NOtes&\qu{_b}|\ql k\enotes +%\check +% mesure 65 +\barre\notes\tten3\itenl3D\zwq D&\tten0\tten1\itenu1d\zhp{^M}\zwq d\hlp a|\cddcu h{_i}\enotes +\notes&|\dqu2{^f}g\enotes +\NOtes&|\qu h\enotes +\notes&\zh{LN}\hl{_b}|\dqu2gh\enotes +\notes&|\dqu2gh\enotes +% mesure 66 +\barre\notes\tten3\itenl3D\zw D&\tten1\itenu1d\zh{^M}\zw d\hl a|\sh f\cddcu fe\enotes +\NOtes&|\qu d\enotes +\notes&\zh{LN}\hl{_b}|\dqu2gh\enotes +\notes&|\dqu2gh\enotes +% mesure 67 +\barre\notes\tten3\itenl3D\zw D&\tten1\zh{^M}\zw d\hl a|\sh f\cddcu fe\enotes +\NOtes&|\qu d\enotes +\notes&\zh{LN}\itenu2b\hl{_b}|\dqu2gh\enotes +\notes&|\dqu2gh\enotes +% mesure 68 +\barre\nspace\NOTes\tten3\itenl3D\zw D&\tten2\lfl b\zw{_L_Nb_e}|\hl{_i}\enotes +\NOtes&|\ql j\enotes +\NOtes&|\sh j\ql j\enotes +% mesure 69 +\barre\NOTes\tten3\zwq D\pointdorgue 8&\na L\na N\zwq{Kd}\qsk\itenl2N\zh L\hu N|\pointdorgue m\zwq k\enotes +\NOTes&\tten2\zh N\hu {_b}\enotes +\NOtes&\zq{^M}\pointdorgue {11}\qu a\enotes +\finmorceau +\rightline{\sl\aujourdhui}\vfil\eject +\varaccid + +\ifx\toc\undefined + \let\finishpiece \end +\else + \let\finishpiece\relax +\fi +\finishpiece +\endinput + diff --git a/macros/generic/musixtex/doc/examples/romances.tex b/macros/generic/musixtex/doc/examples/romances.tex new file mode 100644 index 0000000000..c337b1192b --- /dev/null +++ b/macros/generic/musixtex/doc/examples/romances.tex @@ -0,0 +1,499 @@ +\title{Romance sans paroles} +\fulltitle{IX. \titremorceau} +\subtitle{(pour orgue)} +\othermention{Compos\'e en 1992--93} +\author{Daniel TAUPIN} +\shortauthor{D. Taupin} +\maketitle + +\csname titremorceautoc\endcsname + +% +% formes frequentes +% deux croches hautes +\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}} +\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}} +\def\Tqb#1#2#3{\Ibl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}} +\def\Tqh#1#2#3{\Ibu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}} +\def\doubler{\noteskip=2\noteskip}% +\def\bassyn#1{\doubler\dsoupir\cu{#1}\dsoupir} +% +\parindent 18mm +% + +\tracingstats=2\relax +% +\nbporteesii=1\relax +\def\nbinstruments{3} +\global\cleftoksiii={{0}{0}{0}{0}}% +\global\cleftoksii={{0}{0}{0}{0}}% +\global\cleftoksi={{6}{0}{0}{0}}% +% +\signaturegenerale{-2}\relax % deux bemols a la clef +\def\quatretemps{\generalmeter{\meterfrac{12}{8}}}% +\def\troistemps{\generalmeter{\meterfrac{9}{8}}}% +\def\deuxtemps{\generalmeter{\meterfrac{6}{8}}}% +%\check +\def\instrumenti{P\'edale 16'}% +\def\instrumentii{Positif ({\bf II})}% +\def\instrumentiii{R\'ecit ({\bf III})}% +%\check +\def\gluemaxskip{7pt}% +% +\medskip\noindent{\rm G.O.: fonds 8'+4' ou 8'+4'+2' (acc. positif.)}% +\par\noindent{\rm Pos.: fonds 8'+4'+2' doux}% +\par\noindent{\rm R\'ec.: nasard, larigot ({\ppff f}, tremblant {\sl ad lib.})}% +\par\noindent{\rm P\'ed.: 16'+8',(+4' doux {\sl ad lib.})}% +\smallskip +% +\deuxtemps +% +\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}% +\def\resp{\vnotes 0.2\elemskip&&\cbreath\enotes}% +\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax +\def\qqbbH#1#2#3#4#5{{\advance\transpose by 1\relax + \ibbu0{#2}{#1}}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax +\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax +\def\sqbbh#1#2#3#4#5#6#7{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\relax + \qh0{#4}\qh0{#5}\qh0{#6}\tqh0{#7}}\relax +\def\sqbbH#1#2.#3#4#5#6#7#8{\Ibbu0{#1}{#2}5\qh0{#3}\qh0{#4}\relax + \qh0{#5}\qh0{#6}\qh0{#7}\tqh0{#8}}\relax +\def\sqbbl#1#2#3#4#5#6#7{\ibbl0{#2}{#1}\qb0{#2}\qh0{#3}\qh0{#4}\relax + \qh0{#5}\qh0{#6}\tqb0{#7}}\relax +\def\sqbbL#1#2.#3#4#5#6#7#8{\Ibbl0{#1}{#2}5\qb0{#3}\qb0{#4}\relax + \qb0{#5}\qb0{#6}\qb0{#7}\tqb0{#8}}\relax +% +\debutmorceau +% +\ifnum\musicsize>16\def\barperline{6}\else\def\barperline{7}\fi +\autolines {6}{\barperline}5\relax +%\check +% +\ifnum\musicsize>16\relax\advance\linesinpage by 1\relax\fi +% mesure 1 +\ifx\mxversion\undefined\kern -\internote\fi +\notes&\sqbbH dd.bdgdbN&\Uptext{\hbox{\kern -16mm\moyen Andante con moto + \bf(\metron{\qup}{60})}}\enotes +\zbarre \notes\pause&\sqbbH dd.a{^c}g{^f}gc&\pause\enotes +%\check +% mesure 2 +\barre\ifx\mxversion\undefined\kern -\Interligne\fi +\notes&\sqbbH ff.d{^f}gigd&\sk\sk\qsk\pt i\soupir\enotes +\zbarre\notes\pause&\sqbbH cc.{=c}dfdca&\sk\soupir\sk\Ilegu3o\sk\cu d\enotes +%\check +% mesure 3 +\barre\ifx\mxversion\undefined\kern -\Interligne\fi +\notes\bassyn G&\sqbbH eg.bdgi{=e}{^f}&\doubler + \qu g\sk\cu h\enotes +\zbarre\notes\doubler\dsoupir\cu I\dsoupir&\sqbbH gg.dfgied&\doubler + \qu i\sk\cu k\enotes +%\check +% mesure 4 +\barre\notes\doubler\dsoupir\cu H\dsoupir&\bigsh c\sqbbH gh.c{=e}g{^j}ge&\doubler + \qup{^j}\enotes +\zbarre\notes\doubler\dsoupir\cu{^J}\dsoupir&\sqbbH ee.acegfe&\doubler + \qu h\tleg3\sk\dsoupir\enotes +%\check +% mesure 5 +\barre\notes\doubler\dsoupir\cu{=I}\dsoupir&\sqbbH fg.dfh{=i}hf&\doubler + \Ilegu3o\Tqh{=i}hg\enotes +\zbarre\notes\doubler\dsoupir\cu{^J}\dsoupir&\sqbbH gh.{=e}gh{^j}hg&\doubler + \Tqh{_i}hg\enotes +%\check +% mesure 6 +\barre\notes\doubler\dsoupir\cu K\dsoupir&\sqbbH gh.d{^f}h{=j}{=i}h&\doubler + \qu{^f}\sk\cu{=e}\enotes +\zbarre\notes\bassyn I&\sqbbH hh.{_i}fgigd&\qu d\tleg3\sk + \cbreath\sk\Ilegu3o\cu d\enotes +%\check +% mesure 7 +\barre\notes\bassyn G&\sqbbH dg.bd{^f}g{=e}f&\doubler + \qu g\sk\cu h\enotes +\zbarre\notes\doubler\dsoupir\cu I\dsoupir&\sqbbH gg.dfgied&\doubler + \qu i\sk\cu k\enotes +%\check +% mesure 8 +\barre\notes\bassyn{^J}&\sqbbH gg.{^c}{=e}g{^j}ge&\doubler + \qlp{=l}\enotes +\zbarre\notes\doubler\dsoupir\cna J\cu{J}\dsoupir&\sqbbH fd.{^f}dhfd{=c}&\relax + \ql k\tleg3\sk + \cbreath\sk\Ilegu3o\cna j\cl j\enotes +%\check +% mesure 9 +\barre\notes\bassyn I&\sqbbH df.dbgd{_e}g&\doubler + \ql i\sk\cl j\enotes +\zbarre\notes\bassyn D&\sqbbH ff.d{^f}jhdf&\doubler + \ql h\sk\cl i\enotes +%\check +% mesure 10 +\barre\notes\bassyn G&\sqbbH fd.igdgdb&\doubler\hu g\tleg3\sk\sk\enotes +\zbarre\notes\bassyn J&\sqbbH bd.Nbcdec&\doubler\sk\dsoupir + \Ilegu3o\cu d\enotes +%\check +% mesure 11 +\barre\notes\bassyn G&\sqbbH df.bdgi{=e}{^f}&\doubler + \qu g\sk\cu h\enotes +\zbarre\notes\doubler\dsoupir\cu I\dsoupir&\sqbbH gg.dfgied&\doubler + \qu i\sk\cu k\enotes +%\check +% mesure 12 +\barre\notes\bassyn H&\sqbbH eg.{^c}{=e}gied&\doubler\qlp n\enotes +\zbarre\notes\bassyn J&\sqbbH fg.{=c}{^f}hjhf&\doubler\ql {^m}\sk\cl{=l}\enotes +%\check +% mesure 13 +\barre\notes\bassyn K&\sqbbH gi.dgijig&\doubler\Tqb kji\enotes +\zbarre\notes\doubler\dsoupir\cu{^J}\dsoupir&\sqbbH gh.{=e}gh{^j}hg&\doubler + \Tqh{i}hg\enotes +%\check +% mesure 14 +\barre\notes\bassyn K&\sqbbH gg.hd{^f}{=j}hf&\doubler\qu h\tleg3\sk\dsoupir\enotes +\zbarre\notes\bassyn G&\sqbbH gi.gdgili&\doubler\Ilegu3o\qu i\sk\cu i\enotes +%\check +% mesure 15 +\barre\notes\bassyn H&\sqbbH hj.hehjlj&\doubler\qu j\sk\cu j\enotes +\zbarre\notes\bassyn I&\sqbbH hj.idgilk&\doubler\qu k\sk\cu k\enotes +%\check +% mesure 16 +\barre\notes\bassyn{^F}&\sqbbH ii.{^j}hdfh{=i}&\doubler\Tqh k{^j}{=j}\enotes +\zbarre\notes\bassyn G&\sqbbH fh.egh{=j}{_i}g&\doubler\Tqh {_i}hg\enotes +%\check +% mesure 17 +\barre\notes\bassyn K&\sqbbH gg.hd{^f}hjh&\qup h\enotes +\zbarre\notes\doubler\qup G&\Ibbu0ge3\qh0{gig}\tqh0d&\cu g\tleg3\sk\dsoupir + \Ilegu3p\enotes +\cleftoksii={6000}\changeclefs +\temps\notes&\zmidtwotext{\kern -\Interligne\bf I \rm(GO)}\Ibbl0bc1\qb0b\tqb0c&\doubler + \uptext{\kern -\Interligne\bf I \rm(GO)}\itenl0d\cu d\enotes +%\check +% mesure 18 +\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL bM.babNa{^M}&\doubler + \tten0\itenl0d\zqlp d\qu g\sk\zq {^f}\cu h\enotes +\zbarre\notes\doubler\qu G\sk\cu I&\sqbbL Nc.NabN{=e}d&\doubler + \tten0\zql d\zq g\qu i\sk\zcl g\cu g\enotes +%\check +% mesure 19 +\barre\notes\doubler\qu H\sk\dsoupir&\sqbbL ce.{^c}a{=b}cd{=e}&\doubler + \zq g\rq h\qu{^j}\tleg3\sk\dsoupir\enotes +\zbarre\notes\doubler\qu {^F}\sk\cu H&\sqbbL dM.d{=c}{_b}aN{^M}&\doubler + \Ilegu3o\zqp {^f}\zqlp h\qu k\sk\cu {=j}\enotes +%\check +% mesure 20 +\barre\notes\doubler\qup G&\sqbbL LN.{=L}{^M}NabN&\doubler + \zqlp d\zq g\Tqh ihg\enotes +\zbarre\notes\doubler\qup J&\sqbbL cL.cbaN{=M}{=L}&\doubler + \zqlp{=e}\zq g\Tqh ihg\enotes +%\check +% mesure 21 +\barre\notes\doubler\hu K&\sqbbL La.{^M}K{=L}MNa&\doubler + \zq d\zql{^f}\qup h\sk\raise -2.5\Interligne\soupir\enotes +\zbarre\notes\doubler\sk\sk\soupir&\sqbbL NN.bMNabc&\qu d\tleg3\sk + \doubler\cbreath\Ilegu3o\itenl0d\cu d\enotes +%\check +% mesure 22 +\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL bM.babNa{^M}&\doubler + \tten0\itenl0d\zqlp d\qu g\sk\zq{^f}\cu h\enotes +\zbarre\notes\doubler\qu G\sk\cu I&\sqbbL Nc.NabN{=e}d&\doubler + \tten0\zql d\itenl0g\zq g\itenu1i\qu i\sk + \tten0\tten1\itenl0g\zq g\zq i\cu k\enotes +%\check +% mesure 23 +\barre\notes\doubler\qup{^J}&\sqbbL cM.{^c}{=e}cbaN&\doubler + \tten0\pt f\zqp g\rlap{\qsk\itenu1h\zqp h}\qup{=l}\sk\sk\enotes +\zbarre\notes\doubler\qu K\sk\dsoupir&\sqbbL La.{^M}K{=L}MNa&\relax + \tten1\zq {^f}\zq h\qu k\tleg3\sk\doubler\sk\Ilegu3o\cna j\cl j\enotes +%\check +% mesure 24 +\barre\notes\qup G&\sqbbL aa.{_b}aN{=c}aN&\doubler + \itenl0d\zqp d\zqlp g\qu i\sk\cu j\enotes +\zbarre\notes\qup K&\sqbbL LL.{^M}{=L}MKLM&\doubler + \tten0\zql d\zqp {^f}\qu h\sk \zcu i\raise -3\Interligne\ds\enotes +%\check +% mesure 25 +\barre\notes\hu G&\sqbbL NI.N{^M}NKIK&\doubler\zh b\zh d\hu g\sk\sk\enotes +\zbarre\notes\sk\sk\soupir&\cu G\sk\dsoupir&\sk\tleg3\sk\dsoupir\enotes +\cleftoksii={0000}\changeclefs +\temps\notes&\uptext{(I)}\Ibbu0dc1\qh0d\tqh0c&\relax + \uptext{\bf III}\Ilegu3p\cu d\enotes +%\check +% mesure 26 +\barre\notes\doubler\qu G\sk\cu K&\rlap{\ql b\sk\sk\sk\cl a}\relax +\sqbbH df.bdgdce&\doubler\qu g\sk\cu h\enotes +\zbarre\notes\doubler\qu I\sk\cu H&\rlap{\ql b\sk\sk\sk\qsk\cl c}\relax +\sqbbH ff.dgigd{^f}&\doubler\qu i\sk\cu k\enotes +%\check +% mesure 27 +\barre\notes\doubler\qu G\sk\cu{=I}&\rlap{\ql{=b}\sk\sk\sk\cl d}\relax + \sqbbH fh.dg{=i}g{=f}g&\doubler\ql n\sk\cl m\enotes +\zbarre\notes\qup J&\zqlp c\sqbbH gi.egjghg&\doubler\Tqb lkj\enotes +%\check +% mesure 28 +\barre\notes\doubler\qup H&\rlap{\qsk\zql e}\sqbbH gi.{^f}hjijh&\doubler + \Tqb lkj\enotes +\zbarre\notes\doubler\qup{^J}&\zqlp e\sqbbH gh.{=e}gh{^j}hg&\doubler + \Tqh{_i}hg\enotes +%\check +% mesure 29 +\barre\notes\doubler\qup{=J}&\rlap{\ql d\sk\sk\sk\cna c\cl c}\relax + \sqbbH gg.hg{^f}{=j}hf&\doubler\qu h\sk\cu{^f}\enotes +\zbarre\notes\doubler\qu I\sk\soupir&\rlap{\ql d\sk\sk\sk\cl c}\relax + \sqbbH gg.gihg{^f}g&\qu d\tleg3\sk\cbreath\sk + \Ilegu3o\cu d\enotes +%\check +% mesure 30 +\barre\notes\doubler\qup I&\zqlp b\sqbbH gh.dgigdg&\doubler + \Tqh ghi\enotes +\zbarre\notes\doubler\qup H&\zqlp c\sqbbH gh.eghjhg&\doubler + \Tqb ijk\enotes +%\check +% mesure 31 +\barre\notes\doubler + \qup K&\zqlp c\sqbbH fh.c{=e}{^f}hjh&\doubler + \Tqb k{=l}{^m}\enotes +\zbarre\notes\doubler\qu I\sk\cu{=I}&\zqlp d\sqbbH ii.giki{=i}g&\doubler + \ql n\sk\cl {=m}\enotes +%\check +% mesure 32 +\barre\notes\doubler\qup J&\zqlp c\sqbbH gi.{_e}ghjhg&\doubler + \Tqb {_l}kj\enotes +\zbarre\notes\doubler\qup{^J}&\lsh c\zqlp c\sqbbH gh.{=e}gh{^j}hg&\doubler + \Tqh ihg\enotes +%\check +% mesure 33 +\barre\notes\doubler\qup{_I}&\lna c\zqlp c\sqbbH gh.{_e}gh{=j}hg&\doubler + \Tqh ihg\enotes +\zbarre\notes\doubler\qu K\sk\ds&\zql d\sqbbH ge.{^f}hjhfd&\doubler + \qu h\tleg3\sk\dsoupir\enotes +%\check +% mesure 34 +\barre\notes\doubler\qu G\sk\cu F&\rlap{\ql b\sk\sk\sk\cl d}\relax + \sqbbH ff.dgigdg&\doubler\Ilegu3o\Tqh gh{=i}\enotes +\zbarre\notes\doubler\qup E&\zqlp c\sqbbH gh.eghjhg&\doubler + \Tqb ijk\enotes +%\check +% mesure 35 +\barre\notes\doubler + \qup D&\zqlp c\sqbbH gg.{^f}hjhdf&\doubler + \Tqb k{=l}{^m}\enotes +\zbarre\notes\doubler + \qu{=E}\sk\cu{=I}&\rlap{\ql b\sk\sk\sk\cl{=b}}\sqbbH gg.{=e}g{=i}gdf&\doubler + \ql n\sk\cl m\enotes +% mesure 36 +\barre\notes\doubler\qup J&\lna e\rlap{\qsk\zql e}\sqbbH gi.{^f}hjkjh&\doubler + \Tqb {=l}kj\enotes +\zbarre\notes\doubler\qup H&\zqlp c\sqbbH gh.{_e}ghjhg&\doubler + \Tqb {_i}hg\enotes +% mesure 37 +\barre\notes\doubler\ql{I}\sk\ds&\rlap{\clp{^c}\sk\sk\pt{-5}\raise -4\Interligne\ds}\relax + \sqbbH cc.{^c}egeca&\doubler + \ql{^j}\tleg3\sk\ds\enotes +\cleftoksii={6000}\changeclefs +\zbarre\notes\doubler\qup K&\uptext{\kern -\Interligne(I)}\sqbbL La.{^M}K{=L}MNa&\relax + \uptext{\kern -2\Interligne\bf I}\doubler\Ilegu3o + \zqp {^f}\zqlp h\qu k\sk\cu{=j}\enotes +%\check +% mesure 38 +\barre\notes\qup G&\sqbbL aa.{_b}aNcaN&\doubler + \itenl0d\zqp d\zqlp g\qu i\sk\cu j\enotes +\zbarre\notes\qup K&\sqbbL LL.{^M}{=L}MKLM&\doubler + \tten0\zql d\zqp {^f}\qu h\sk \zcu i\raise -3\Interligne\ds\enotes +%\check +% mesure 39 +\barre\notes\hu G&\sqbbL NI.N{^M}NKIK&\doubler\zh b\zh d\hu g\sk\sk\enotes +\zbarre\notes\sk\sk\soupir + &\cu G\sk\ds&\sk\tleg3\sk\uptext{\rm (I)}\dsoupir\enotes +\cleftoksii={0000}\changeclefs +\temps\notes&\uptext{\bf III}\Ibbu0dc1\qh0d\tqh0c&\relax + \Ilegu3q\cu k\enotes +%\check +% mesure 40 +\barre\notes\doubler\qu G\sk\cu{^F}&\sqbbH bb.babNac&\doubler + \zq{ik}\ql n\sk\zq{j^m}\cl o\enotes +\zbarre\notes\doubler\qu G\sk\cu I&\sqbbH bd.babNdb&\doubler + \zq{kn}\ql p\sk\zq{=mp}\cl r\enotes +%\check +% mesure 41 +\barre\notes\qup H&\sqbbH ce.a{^c}{=e}gfe&\doubler\zq{=lo}\ql{^q}\sk\tleg3\enotes +\zbarre\notes\doubler\qu K\sk\cu{^F}&\sqbbH ff.{^f}dhfd{=c}&\doubler + \Ilegu3r\zqp{^m}\zqlp o\qu r\sk\cl{=q}\enotes +%\check +% mesure 42 +\barre\notes\doubler\qu G\sk\cu J&\sqbbH dd.bdgdec&\doubler + \itenu2n\zq{kn}\ql p\sk\tten2\zq{ln}\cl q\enotes +\zbarre\notes\doubler\qu K\sk\cu K&\sqbbH dd.ac{^f}dcd&\doubler + \zqp k\zqlp{^m}\qu o\sk\cu p\enotes +% mesure 43 +\barre\notes\doubler\hu G&\sqbbH cc.bdgdec&\doubler + \zq{ik}\ql n\tleg3\sk\ds\enotes +\zbarre\notes\doubler\sk\soupir&\sqbbH ff.bd{=e}{^f}gh&\doubler + \Ilegu3r\ql k\sk\itenl0k\cl k\enotes +%\check +% mesure 44 +\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL if.{!'b}abNa{^M}&\doubler + \tten0\itenl0k\zqlp k\ql n\sk\zq{^m}\cl o\enotes +\zbarre\notes\doubler\qu G\sk\cu I&\sqbbH gj.{'N}abN{=e}d&\doubler + \tten0\zq k\itenl0n\itenu1p\zq n\ql p\sk + \tten0\tten1\zq n\zq p\cl r\enotes +%\check +% mesure 45 +\barre\notes\doubler\qsk\qup H&\qsk\sqbbL jf.{!'^c}{=e}cbaN&\doubler\qsk + \lna s\zqp o\zqp {^q}\qlp{s}\sk\tleg3\sk\enotes +\zbarre\notes\doubler\qu {^F}\sk\cu H&\sqbbH he.hgfed{=c}&\doubler + \Ilegu3s\zqp {^m}\zqlp o\qu r\sk\cu {=q}\enotes +%\check +% mesure 46 +\barre\notes\doubler\qup G&\sqbbH ce.bcd{=e}{^f}g&\doubler + \zqlp k\zq n\Tqh pon\enotes +\zbarre\notes\doubler\qup J&\sqbbL ff.eihg{=f}{=e}&\doubler + \zqlp{=l}\zq n\Tqh pon\enotes +%\check +% mesure 47 +\barre\notes\doubler\qup K&\sqbbL eh.{!'^M}K{=L}MNa&\doubler + \zqp {k^m}\qlp o\enotes +\zbarre\notes\doubler\qu G\sk&\Ibbu0gc3\qh0{g_ed}\tqh0c&\cl n\tleg3\sk\dsoupir\enotes +\cleftoksii={6000}\changeclefs +\temps\notes\ds&\Ibbl0bc1\qb0b\tqb0c&\doubler + \Ilegu3r\itenl0k\cu k\enotes +%\check +% mesure 48 +\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL bM.babNa{^M}&\doubler + \tten0\itenl0k\zqlp k\qu n\sk\zq {^m}\cu o\enotes +\zbarre\notes\doubler\qu G\sk\cu I&\sqbbL Nc.NabN{=e}d&\doubler + \tten0\zq k\zq n\ql p\sk\cl n\enotes +%\check +% mesure 49 +\barre\notes\doubler\qu H\sk\dsoupir&\sqbbL ce.{^c}a{=b}cd{=e}&\doubler + \lq n\zq o\ql{^q}\tleg3\sk\dsoupir\enotes +\cleftoksii={0000}\changeclefs +\zbarre\notes\doubler\qup K&\sqbbH eh.{!'^M}K{=L}MNa&\doubler + \Ilegu3r\zq {^m}\zq o\ql r\sk\cna q\cl q\enotes +%\check +% mesure 50 +\barre\notes\qup G&\sqbbH hh.{!'_b}aNcaN&\doubler + \itenl0k\zqp k\zqlp n\qu p\sk\cu q\enotes +\zbarre\notes\qup K&\sqbbH ee.{!'^M}{=L}MKLM&\doubler + \tten0\itenl0k\zqp k\zqlp {^m}\qu o\sk \cu p\enotes +%\check +% mesure 51 +\barre\notes\hu G&\sqbbH gd.{!'N}{^M}NKIK&\doubler\tten0\zh i\zh k\hl n\sk\sk\enotes +\zbarre\notes\sk\sk\soupir&\cu N\zmidtwotext{\bf I \ppff ff}\sk\dsoupir + &\sk\tleg3\sk\dsoupir\enotes +\cleftoksii={6000}\changeclefs +\temps\notes&\cl c&\cu d\enotes +%\check +% mesure 52 +\barre\NOtes\qu G\sk\cu H&\Tqb bN{^M}&\zqlp d\zq g\qu i\sk\zq{^f}\cu h\enotes +\zbarre\NOtes\Tqh IHG&\Tqb KMN&\zqlp d\Ibu1gi2\zq b\qh1g\zq{^f}\qh1h\zq g\tqh1i\enotes +%\check +% mesure 53 +\barre\NOtes\qu H\sk\cu J&\Tqb aLN&\zqlp e\zq g\qu j\sk\zq{g}\cu i\enotes +\zbarre\NOtes\qup K&\Tqb {^M}KJ&\zqp d\zqlp{^f}\qu h\sk\cu h\enotes +%\check +% mesure 54 +\barre\NOtes\qup I&\Tqb IKN&\zql d\Ibu1ig2\zq g\qh1i\zq{^f}\qh1h\zcl e\zq g\tqh1i\enotes +\zbarre\NOtes\qup{^J}&\Tqh {=L}{^J}N&\zqp{=e}\zqlp g\qu{^j}\sk\cu j\enotes +% check +% mesure 55 +\barre\notes\qup K&\sqbbL aJ.aN{^M}{=L}KJ&\doubler + \zqp{^f}\zqlp h\qu k\sk\cu k\enotes +\zbarre\notes\doubler\qu G\sk\cu J&\sqbbL IK.IKNK{_L}J&\doubler + \zq d\zq g\itenu1g\qu i\sk\tten1\zq e\zq g\cu j\enotes +%\check +% mesure 56 +\barre\notes\qup K&\sqbbL KK.KJK{^M}aJ&\doubler\zqp d\zqlp {^f}\qu h\sk\cu i\enotes +\zbarre\notes\qup G&\sqbbL Ia.IK{=L}MNa&\doubler\zq{bd}\qu g\sk\ds\enotes +%\check +% mesure 57 +\barre\notes\qup I&\sqbbL aa.babNab&\doubler + \uptext{\it non legato}\zq{dg}\qu i\sk\zq{dg}\cu i\enotes +\zbarre\notes\qup H&\sqbbL bb.cbcabc&\doubler\zq{eh}\qu j\sk\zq{eh}\cu j\enotes +%\check +% mesure 58 +\barre\notes\qup I&\sqbbL aa.d{^c}dbNd&\doubler\zq g\zq i\qu k\sk\zq{eg}\cu k\enotes +\zbarre\notes\qup {^F}&\sqbbL NN.{=c}aKMac&\doubler\zqp{^f}\zqlp h\Tqh k{^j}{=j}\enotes +%\check +% mesure 59 +\barre\notes\qup G&\sqbbL aa.{=b}aNbaN&\doubler + \zq{dg}\qu {=i}\sk\zq{dg}\cu i\enotes +\zbarre\notes\qup E&\sqbbL Ma.{!`e}gh{=j}{_i}g&\doubler + \zq e\zql g\Tqh {_i}hg\enotes +%\check +% mesure 60 +\barre\notes\qup D&\sqbbL LL.aK{^M}aca&\itenl1d\zqp d\zqp {^f}\qup h\enotes +\zbarre\notes\doubler\qu G&\cl N\sk\ds&\tten1\zq d\cu g\sk\dsoupir + \enotes +\temps\notes\ds&\zmidtwotext{\kern -2\Interligne\fff}\Ibbl0bc1\qb0b\tqb0c&\doubler + \Ilegu3o\itenl0d\cu d\enotes +%\check +% mesure 61 +\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL bM.babNa{^M}&\doubler + \tten0\itenl0d\zqlp d\qu g\sk\zq {^f}\cu h\enotes +\zbarre\notes\doubler\qu G\sk\cu I&\sqbbL Nc.NabN{=e}d&\doubler + \tten0\zql d\zq g\qu i\sk\zcl g\cu g\enotes +%\check +% mesure 62 +\barre\notes\doubler\qu H\sk\dsoupir&\sqbbL ce.{^c}a{=b}cd{=e}&\doubler + \zq g\rq h\qu{^j}\tleg3\sk\dsoupir\enotes +\zbarre\notes\doubler\qu {^F}\sk\cu H&\sqbbL dM.d{=c}{_b}aN{^M}&\doubler + \lst f\zq {^f}\zq h\qu k\sk\lppz f\zq {fh}\cu {=j}\enotes +%\check +% mesure 63 +\barre\notes\doubler\qu I\sk\cu G&\sqbbL aa.NabNcb&\doubler + \lst d\zq d\zq g\qu i\sk\lppz e\zq{eg}\cu j\enotes +\zbarre\notes\doubler\qu K\sk\cu D&\sqbbL NN.aNa{^M}ba&\doubler + \lst d\zq{d^f}\qu h\sk\lppz d\zq{d^f}\qu i\enotes +%\check +% mesure 64 +\barre\notes\doubler\qu G\sk\ds&\sqbbL NH.NLKJIH&\doubler + \zhp {bd}\hup g\enotes +\ifnum\musicsize<17\relax\autolines695\relax\fi +\zbarre\NOtes\qu G\sk\ds&\cu G\ds\cl a&\relax + \sk\ds\uptext{\kern 3\Interligne\llap{\moyen maestoso}}\rq d\cu c\enotes +%\check +% mesure 65 +\barre\NOtes\qu G\sk\cu{^F}&\ust N\ql N\sk\uppz a\zq{^M}\cl a&\relax + \lst b\zq{bd}\qu g\sk\lppz d\zq{^fd}\cu h\enotes +\zbarre\NOtes\qu G\sk\cu{=F}&\ust b\zq N\ql b\sk\uppz d\zq{=Mb}\cl d&\relax + \lst d\zq{dg}\qu i\sk\lppz f\zq{=fi}\cu k\enotes +%\check +% mesure 66 +\barre\NOtes\qu{=E}\sk\cu G&\lsh c\zqp{=LNc}\qlp{=e}&\relax + \Ilegu3o\lsh j\zqp{gj=l}\qlp n\enotes +\zbarre\NOtes\qu{^F}\sk\ds&\zq{^Ma}\ql d\sk\ds&\tleg3\zq {^fh}\ql k\sk\ds\enotes +%\check +% mesure 67 +\barre\NOtes\qu H\sk\cu I&\ust c\zq{_La}\ql c\sk\uppz b\zq{KN}\cl b&\relax + \lst e\zq{_eh}\qu{=j}\sk\lppz d\zq{dg}\cu i\enotes +\zbarre\NOtes\qu J\sk\cu{^J}&\zql L\qup N\sk\cl{=L}&\relax + \rlap{\zq c\ql e\sk\lsh c\zq c\cl{=e}}\Tqh hgh\enotes +%\check +% mesure 68 +\barre\Notes\hu K&\zh{=J^M}\hl a&\hu d\sk\sk\sk\enotes +\zbarre\NOtes\soupir&\ds\zq{^M}\cl a&\ds\rq d\cu c\enotes +%\check +% mesure 69 +\advance\maxbarsinline by 1\relax +\barre\NOtes\qu G\sk\cu{^F}&\ust N\ql N\sk\uppz a\zq{^M}\cl a&\relax + \lst b\zq{bd}\qu g\sk\lppz d\zq{^fd}\cu h\enotes +\zbarre\NOtes\qu G\sk\cu{=F}&\ust b\zq N\ql b\sk\uppz d\zq{=Mb}\cl d&\relax + \lst d\zq{dg}\qu i\sk\lppz f\zq{=fi}\cu k\enotes +%\check +% mesure 70 +\barre\NOtes\qup C&\zq{J=LN}\ql c\sk\ds&\zq{=egj}\ql{=l}\sk\ds\enotes +\zbarre +\NOtes\qu D\sk\cu{^F}&\zqp{^Ma}\qlp d&\zqp{^f}\zqlp h\qu k\sk\cu j\enotes +%\check +% mesure 71 +\barre\notes\qup G&\doubler\zcl K\zqp N\qup b\ql J&\relax + \rlap{\zq d\cl g\sk\zq{_e}\ql g}\ibu0i0\qh0i\sk\nbbu0\qh0{ihj}\tqh0i\enotes +\zbarre\notes\qup D&\doubler\zcl K\zqp{^M}\qup a\ql J&\relax + \rlap{\zq d\cl{^f}\sk\zq{c}\ql f}\ibu0h0\qh0h\sk\nbbu0\qh0{hgi}\tqh0h\enotes +% mesure 72 +\barre\NOtes\hup G\sk\sk&\zql{J}\zqp{=L}\itenu0N\qup N\sk\cl H&\relax + \zqp{c}\zqlp{=e}\itenu1g\qup g\enotes +\zbarre\NOtes&\zqp{I}\zqlp K\tten0\qup N&\zqp{b}\zqlp{d}\tten1\qup g\enotes +%\check +\finmorceau +% +\medskip\rightline{\it \aujourdhui} +\vfil +\eject diff --git a/macros/generic/musixtex/doc/examples/scale.tex b/macros/generic/musixtex/doc/examples/scale.tex new file mode 100644 index 0000000000..ac0d005ce9 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/scale.tex @@ -0,0 +1,67 @@ +\voffset-15.4mm\vsize=259mm +\hoffset-10.4mm\hsize=185mm +\nobarnumbers\nopagenumbers +\smallmusicsize\relativeaccid +\parindent45pt +\def\scale#1#2{\setname1{\vbox{\hbox{#1}\hbox{#2}}\hfill}% + \startpiece\addspace\afterruleskip + \notesp\qa{cdefg'abcba`gfedc}\en\setdoublebar\bar + \notesp\qa{abcde^f^g'a`=g=fedcba}\en\endpiece} +\def\german{\parindent45pt\def\Dur{Dur}\def\Moll{Moll} + \def\C{C}\def\Cis{Cis}\def\Des{Des}\def\D{D}\def\Es{Es}\def\E{E} + \def\F{F}\def\Fis{Fis}\def\Ges{Ges}\def\G{G}\def\As{As}\def\A{A} + \def\B{B}\def\H{H}\def\Ces{Ces} + \def\a{a}\def\ais{ais}\def\b{b}\def\h{h}\def\c{c}\def\cis{cis} + \def\d{d}\def\dis{dis}\def\es{es}\def\e{e}\def\f{f}\def\fis{fis} + \def\g{g}\def\gis{gis}\def\as{as}} + +\def\flat{\raise 0.5\Interligne\hbox{\musicsixteen 2}} +\def\sharp{\raise1.0\Interligne\hbox{\hskip1pt\musicsixteen 4}} +\def\english{\parindent45pt\def\Dur{major}\def\Moll{minor} + \def\C{C}\def\Cis{C\sharp}\def\Des{D\flat}\def\D{D}\def\Es{E\flat}\def\E{E} + \def\F{F}\def\Fis{F\sharp}\def\Ges{G\flat}\def\G{G}\def\As{A\flat}\def\A{A} + \def\B{B\flat}\def\H{B}\def\Ces{C\flat} + \def\a{a}\def\ais{a\sharp}\def\b{b\flat}\def\h{b}\def\c{c}\def\cis{c\sharp} + \def\d{d}\def\dis{d\sharp}\def\es{e\flat}\def\e{e}\def\f{f}\def\fis{f\sharp} + \def\g{g}\def\gis{g\sharp}\def\as{a\flat}} + +%--\german +\english + +\startmuflex +\transpose0 \generalsignature{-7} \scale{\Ces-\Dur}{\as-\Moll} +\vfil\hrule\vfil +\transpose4 \generalsignature{-6} \scale{\Ges-\Dur}{\es-\Moll} +\transpose1 \generalsignature{-5} \scale{\Des-\Dur}{\b-\Moll} +\transpose5 \generalsignature{-4} \scale{\As-\Dur}{\f-\Moll} +\transpose2 \generalsignature{-3} \scale{\Es-\Dur}{\c-\Moll} +\transpose6 \generalsignature{-2} \scale{\B-\Dur}{\g-\Moll} +\transpose3 \generalsignature{-1} \scale{\F-\Dur}{\d-\Moll} +\transpose0 \generalsignature0 \scale{\C-\Dur}{\a-\Moll} +\transpose4 \generalsignature1 \scale{\G-\Dur}{\e-\Moll} +\transpose1 \generalsignature2 \scale{\D-\Dur}{\h-\Moll} +\transpose5 \generalsignature3 \scale{\A-\Dur}{\fis-\Moll} +\transpose2 \generalsignature4 \scale{\E-\Dur}{\cis-\Moll} +\transpose6 \generalsignature5 \scale{\H-\Dur}{\gis-\Moll} +\transpose3 \generalsignature6 \scale{\Fis-\Dur}{\dis-\Moll} +\vfil\hrule\vfil +\transpose0 \generalsignature7 \scale{\Cis-\Dur}{\ais-\Moll} +\eject\musicparskip +\transpose0 \generalsignature0 \scale{\C-\Dur}{\a-\Moll} +\transpose0 \generalsignature7 \scale{\Cis-\Dur}{\ais-\Moll} +\transpose1 \generalsignature{-5} \scale{\Des-\Dur}{\b-\Moll} +\transpose1 \generalsignature2 \scale{\D-\Dur}{\h-\Moll} +\transpose2 \generalsignature{-3} \scale{\Es-\Dur}{\c-\Moll} +\transpose2 \generalsignature4 \scale{\E-\Dur}{\cis-\Moll} +\transpose3 \generalsignature{-1} \scale{\F-\Dur}{\d-\Moll} +\transpose3 \generalsignature6 \scale{\Fis-\Dur}{\dis-\Moll} +\transpose4 \generalsignature{-6} \scale{\Ges-\Dur}{\es-\Moll} +\transpose4 \generalsignature1 \scale{\G-\Dur}{\e-\Moll} +\transpose5 \generalsignature{-4} \scale{\As-\Dur}{\f-\Moll} +\transpose5 \generalsignature3 \scale{\A-\Dur}{\fis-\Moll} +\transpose6 \generalsignature{-2} \scale{\B-\Dur}{\g-\Moll} +\transpose6 \generalsignature5 \scale{\H-\Dur}{\gis-\Moll} +\transpose7 \generalsignature{-7} \scale{\Ces-\Dur}{\as-\Moll} +\transpose7 \generalsignature0 \scale{\C-\Dur}{\a-\Moll} +\endmuflex +\eject\bye diff --git a/macros/generic/musixtex/doc/examples/souvenir.tex b/macros/generic/musixtex/doc/examples/souvenir.tex new file mode 100644 index 0000000000..9ab7f02a6a --- /dev/null +++ b/macros/generic/musixtex/doc/examples/souvenir.tex @@ -0,0 +1,31 @@ +\input musixtex +\input musixsty +\input musixcpt +% +\def\Transpose{0}% +\def\Signature{-3}\relax % trois bemols a la clef +\generalsignature{\Signature}\savesignature +\barsinline=0\relax\linesinpage=0\relax +\input souvenix +% +\def\Transpose{-4}% +\def\Signature{-4}\relax % quatre bemols a la clef +\generalsignature{\Signature}\savesignature +\barsinline=0\relax\linesinpage=0\relax +\input souvenix +% +\bye + +\def\Transpose{-4}\relax +\def\Signature{3}\relax % trois diezes a la clef +\generalsignature{\Signature}\savesignature +\barsinline=0\relax\linesinpage=0\relax +\input souvenix +% +\def\Transpose{-3}\relax +\def\Signature{-2}\relax % deux bemols a la clef +\generalsignature{\Signature}\savesignature +\barsinline=0\relax\linesinpage=0\relax +\input souvenix +\bye + diff --git a/macros/generic/musixtex/doc/examples/souvenix.tex b/macros/generic/musixtex/doc/examples/souvenix.tex new file mode 100644 index 0000000000..a9ce439bf1 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/souvenix.tex @@ -0,0 +1,474 @@ + +\fulltitle{Un souvenir...} +\shortauthor{Rossi/Capitani} +\title{Un souvenir} +\othermention{Paroles d'Oreste ROSSI} +\fullauthor{Musique de Fernand CAPITANI}% +\maketitle + +\ifx\Transpose\undefined\def\Transpose{0}\fi +\ifx\Signature\undefined\def\Signature{-3}\fi + +\tracingstats=1\relax +%\check +% +% +% soufflets crescendo et decrescendo +% +\def\soufflcr#1{\zcharnote{#1}{\kern -1cm\cresc}}% +\def\Soufflcr#1{\zcharnote{#1}{\kern -1cm\CResc}}% +% +\def\souffldim#1{\zcharnote{#1}{\kern -1cm\dimin}}% +\def\Souffldim#1{\zcharnote{#1}{\kern -1cm\DImin}}% +% +%\check +\def\nbinstruments{2} +\setstaffs12\relax +\setstaffs21\relax +\setclefs1{6000}% +\setclefs2{0000}% +% +\generalsignature{\Signature}% +\generalmeter{\meterfrac{4}{4}} +%\check +\def\interfacteur{10}% +\parindent 15mm +\def\instrumenti{Piano}% +\def\instrumentii{Chant}% +\setinterinstrument1{4\Interligne} +%\check +\def\respire{\notes\nextinstrument\cbreath\enotes}% +% +%\check +\catcode`\@=13 +% +\def\doct#1#2{\Ibl0{#1}{#2}1{\zq{'#1}}\qb0{#1}{\zq{'#2}}\tqb0{#2}}% +\def\doctu#1#2{{\advance\transpose by 7\relax +\Ibu0{#1}{#2}1\zq{#1}}\qh0{#1}{\zq{'#2}}\tqh0{#2}}% +% +\def\nbinstruments{1}\computewidths +\debutmorceau +\autolines {10}44\relax +\transpose=\Transpose +\notes|\Uptext{\raise 2\Interligne\hbox{\moyen Moderato}}\enotes +% +\def\rchone{\lq q\zq{lnp}\ql s}% +\def\Lchone{\lh c\zh{be}\hl g}% +\def\lchone{\lq c\zq{be}\ql g}% +\def\Lchtwo{\zh{bd}\hl g}% +\def\lchtwo{\zq{bd}\ql g}% +\def\octs#1{\zw{#1}\advance\transpose by 7\zw{#1}\raise 3\Interligne\soupir}% +\znotes\zmidtwotext{\kern -3mm\ppff p}\enotes +\temps\NOtes\octs E|\soupir\enotes +\temps\NOtes\Lchone|\rchone\enotes +\temps\NOtes|\rchone\enotes +\temps\NOtes\lchone|\rchone\enotes + %\check +% mesure 2 +\barre\NOtes\octs G|\itenl1k\itenl2n\itenu3p\itenu4r\zw{knpr}\enotes +\temps\NOtes\Lchtwo\enotes +\temps\NOtes\sk\enotes +\temps\NOtes\lchtwo\enotes + %\check +% mesure 3 +% +\def\lchthree{\lq f\zq{ce}\ql h}% +\def\Lchthree{\lh f\zh{ce}\hl h}% +\xbarre\NOtes\octs H|\tten1\tten2\tten3\tten4\zq{knp}\ql r\enotes +\temps\notes\Lchthree|\doct jk\enotes +\temps\NOtes|\zq{lnq}\ql s\enotes +\temps\notes\lchthree|\doct kj\enotes +% + %\check +% mesure 4 +\def\lchfour{\zq{be}\ql g}% +\def\Lchfour{\zh{be}\hl g}% +\xbarre\NOtes\octs G|\zw{inp}\qsk\zql m\enotes +\temps\NOtes\Lchfour|\ql l\enotes +\temps\NOtes|\ql k\enotes +\temps\NOtes\lchfour|\Fl k\ql k\enotes +% + %\check +% mesure 5 +% +\def\lchfive{\lq e\zq c\ql f}% +\def\Lchfive{\lh e\zh c\hl f}% +\def\uchfive{\lq m\zq{hl}\ql o}% +\barre\autolines 854\relax +\NOtes\octs F|\soupir\enotes +\temps\NOtes\lFl c\Lchfive|\uchfive\enotes +\temps\NOtes|\uchfive\enotes +\temps\notes\lchfive|\lq m\zq l\doct hh\enotes +% + %\check +% mesure 6 +% +\def\lchsix{\lq c\zq{Nb}\ql e}% +\def\Lchsix{\lNa c\lh c\zh{Nb}\hl e}% +\xbarre\NOtes\octs B|\itenl1g\itenu2n\zw{gn}\qsk\ql m\enotes +\temps\NOtes\Lchsix|\ql l\enotes +\temps\NOtes|\ql j\enotes +\temps\NOtes\lchsix|\ql i\enotes +% + %\check +% mesure 7 +\def\lchseven{\zq{Ma}\ql c}% +\def\Lchseven{\Fl c\zh{Mac}\hl e}% +\xbarre\NOtes\octs B|\tten1\tten2\zq g\qu n\enotes +\temps\notes\bigaccid\Lchseven|\doctu fg\enotes +\temps\NOtes|\Fl j\zh h\zhl j\kern 1pt\zq f\zqu m\enotes +\temps\Notes\lchseven|\doctu ef\enotes +% + %\check +% mesure 8 +\xbarre\NOTes\itenl1E\itenu2L\zw E\zw L\raise 3\Interligne\hpause + |\Na j\rh j\zh{egi}\hu l\enotes +\temps\NOTes\Fl c\Lchthree|\lh m\zh{il}\hl p\enotes +% + %\check +% mesure 9 +\xbarre\notes\qsk\enotes +\NOTEs\llap{\lNa c\kern 1pt}\tten1\tten2\zw{EL}\lw c\zw{be}\wh g\relax + |\lw p\zw{lnq}\wh s\enotes +\setdoublebar\suspmorceau +% + %\check +% mesure 10 +\def\nbinstruments{2}\generalmeter{}\savemeters + %\computewidths + %\advance\linesinpage by 1 + \lreprmorceau +\llap{\leftrepeatsymbol}% +\def\txt#1|#2&{\hsong{\vbox to 0pt{\Smalltype\baselineskip 10pt +\vss\hrule width \noteskip height 0pt +\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote + #2\kern\internote}\smallskip +\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote + #1\kern\internote}}}}% +\znotes\zmidtwotext{\kern -3mm\ppff p}&\enotes +% +\def\arpg#1#2{\vnotes 0.2\elemskip\larpeggio{#1}{#2}\enotes}% +\def\uarpg#1#2{\vnotes 0.2\elemskip|\larpeggio{#1}{#2}\enotes}% +% +\vnotes 0.2\elemskip\rlap{\larpeggio E6}\larpeggio c6\enotes +\notes\zw{EILNb}|\wh g&\ds\enotes +\temps\notes&\txt Se |De &\cu g\enotes +\temps\notes&\txt sou-|la &\cu g\enotes +\temps\notes&\txt ve-|mer-&\cu g\enotes +\temps\notes&\txt nir |veil-&\cu i\enotes +\temps\notes&\txt c'est |leuse &\cu i\enotes +\temps\notes&\txt croire |a-&\cu j\enotes +\temps\notes&\txt en |ven-&\cu j\enotes + %\check +% mesure 11 +\xbarre\vnotes 0.2\elemskip\larpeggio G5|\larpeggio d4\enotes +\NOtes\zh{GK}\hu b|\zh{dgi}\hu k&\txt co-|tu-&\hl k\enotes +\temps\vnotes 0.2\elemskip\larpeggio M8|\larpeggio i4\enotes +\NOtes\zh{Nd}|\zhl g\zh{knp}\hu r&\txt re |re &\hl k\enotes +% + %\check +% mesure 12 +\xbarre +\vnotes 0.2\elemskip\rlap{\larpeggio D8}\larpeggio b4\enotes +\notes\zw{EILNb}|\zw g\qsk\hl f&\ds\enotes +\temps\notes&\txt Que |Qui &\cu g\enotes +\temps\notes&\txt tout |un &\cu g\enotes +\temps\notes&\txt vient |jour &\cu g\enotes +\temps\notes|\hl e&\txt de |a &\cu i\enotes +\temps\notes&\txt re-|pu &\cu i\enotes +\temps\notes&\txt com-|nous &\cu j\enotes +\temps\notes&\txt men-|u-&\cu j\enotes + %\check +% mesure 13 +\xbarre\vnotes 0.12\elemskip\larpeggio E6\qsk|\larpeggio c4\enotes +\NOtes\zw{GKb}|\Sh h\zw{dik}\qsk\zhl h\sk&\txt cer |nir &\wh k\enotes +\temps\NOtes|\hl g\enotes +% + %\check +% mesure 14 +\alaligne +\notes\zh{JN}\hl c|\zh{eg}\hu l&\ds\enotes +\temps\notes&\txt\kern -\Interligne C'est |Je &\cl l\enotes +\temps\notes&\txt re-|gar- &\cl k\enotes +\temps\notes&\txt voir-|de &\cu j\enotes +\temps\notes\bigaccid\zh H\zh L\Na a\hl a|\zh{cj}\zhu e\qsk\zql i&\txt + l'\^e-|mal-&\cu i\enotes +\temps\notes&\txt tre |gr\'e &\cu i\enotes +\temps\notes|\bigaccid\Na h\ql h&\txt qu'on |mes &\cu j\enotes +\temps\notes&\txt a- |bles-&\cu j\enotes + %\check +% mesure 15 +\xbarre\NOTes\zh{F}\zhl J\zh{ac}|\zh{e}\hu g&\txt do-|su-&\hu g\enotes +\temps\NOTes\zh{M}\hl c|\zh{hjl}\hl n&\txt re |res &\hu g\enotes +% + %\check +% mesure 16 +\xbarre +\notes\bigaccid\Sh a\zw{FLac}|\zw e\wh g&\ds\enotes +\temps\notes&\txt Et |L'in-&\cu g\enotes +\temps\notes&\txt re-|ef-&\cu g\enotes +\temps\notes&\txt trou-|fa-&\cu g\enotes +\temps\notes&\txt ver |\c ca-&\cu f\enotes +\temps\notes&\txt tout |ble &\cu f\enotes +\temps\notes&\txt le |sou-&\cu g\enotes +\temps\notes&\txt pas-|ve-&\cu g\enotes + %\check +% mesure 17 +\xbarre\NOtes\Na a\zw{Ia}|\zh{g}\zhu i\qlp d&\txt s\'e... |nir... &\wh i\enotes +\temps\notes|\Ibbl0ef2\qb0e\Sh e\qb0e\tqb0f\enotes +\NOTes|\Sh f\Sh m\zhl f\zh{ikm}\hu p\enotes +% + %\check +% mesure 18 +\setdoublebar\alaligne +% +\autolines {10}44\relax +\znotes\zmidtwotext{\kern -3mm\ppff p}&\uptext{\rm REFRAIN}\soupir\enotes +\temps\NOtes\octs E|\soupir\enotes +\temps\NOtes\Lchone|\rchone&\hsong{Un }\ql l\enotes +\temps\NOtes|\rchone&\hsong{sou- }\ql l\enotes +\temps\NOtes\lchone|\rchone&\hsong{ve- }\ql l\enotes + %\check +% mesure 19 +\barre\NOtes\octs G|\itenl1k\itenl2n\itenu3p\itenu4r\zw{knpr}&\hsong{nir }\wh k\enotes +\temps\NOtes\Lchtwo\enotes +\temps\NOtes\sk\enotes +\temps\NOtes\lchtwo\enotes + %\check +% mesure 20 +% +\xbarre\NOtes\octs H|\tten1\tten2\tten3\tten4\zq{knp}\ql r&\soupir\enotes +\temps\Notes\Lchthree|\doct jk&\hsong{\kern -2\Interligne C'est l'i-}\cl j\cl k\enotes +\temps\NOtes|\zq{lnq}\ql s&\hsong{ma- }\ql l\enotes +\temps\Notes\lchthree|\doct kj&\hsong{ge d'un }\cl k\cl j\enotes +% + %\check +% mesure 21 +\xbarre\NOtes\octs G|\zh{inl}\hl p&\hsong{r\^e- }\hl i\enotes +\temps\NOtes\Lchfour|\enotes +\temps\NOtes|\zh{inl}\hl p&\hsong{be }\hl i\enotes +\temps\NOtes\lchfour|\enotes +% + %\check +% mesure 22 +% +\def\lchttwo{\zq a\zq c\ql e}% +\def\Lchttwo{\zh a\zh c\hl e}% +\def\uchttwo{\zq{hjl}\ql o}% +\barre\NOtes\octs F|\soupir&\soupir\enotes +\temps\NOtes\Lchttwo|\uchttwo&\hsong{\kern -\internote D'une }\qu h\enotes +\temps\NOtes|\uchttwo&\hsong{\kern -\internote heu- }\qu h\enotes +\temps\Notes\lchttwo|\zq j\zq l\doct hh&\hsong{\kern -\internote re trop }\cu h\cu h\enotes +% + %\check +% mesure 23 +% +\def\Lchtthree{\lh c\zh{Nb}\hl e}% +\def\lchtthree{\lq c\zq{Nb}\ql e}% +\barre\NOtes\octs B|\zh{gjl}\hl n&\hsong{br\`e-}\hu g\enotes +\temps\NOtes\Lchtthree|\enotes +\temps\NOtes|\itenl1g\itenl2j\itenu3l\itenu4n\zh{gjl}\hl n&\hsong{be }\hu g\enotes +\temps\NOtes\lchsix|\enotes +% + %\check +% mesure 24 +\def\Lchtfour{\zh{Mac}\hl e}% +\barre\NOtes\octs B|\tten1\tten2\tten3\tten4\zq{gjl}\qu n&\soupir\enotes +\temps\Notes\Lchtfour|\doctu fg&\hsong{Qui ne }\cu f\cu g\enotes +\temps\NOtes|\zq f\qu m&\hsong{beut }\qu f\enotes +\temps\Notes\lchseven|\doctu ef&\hsong{pas fi-}\cu e\cu f\enotes +% + %\check +% mesure 25 +\barre\NOtes\octs E|\zh{gil}\hu n&\hsong{nir }\hu g\enotes +\temps\NOtes\lchtthree\enotes +\temps\NOtes\soupir|\Sh m\zh{ikm}\hu p&\hsong{--}\hu i\enotes +\temps\NOtes\qu I\enotes +% + %\check +% mesure 26 +\barre\temps\NOtes\octs E|\soupir&\soupir\enotes +\temps\NOtes\Lchone|\rchone&\hsong{Un }\ql l\enotes +\temps\NOtes|\rchone&\hsong{sou-}\ql l\enotes +\temps\NOtes\lchone|\rchone&\hsong{ve-}\ql l\enotes +% + %\check +% mesure 27 +\barre\NOtes\octs G|\itenl1k\itenu3p\itenu4r\Sh o\zw{kpr}\qsk\zql o&\hsong{nir }\wh k\enotes +\temps\NOtes\Lchtwo|\ql n\enotes +\temps\NOtes\sk|\Sh m\ql m\enotes +\temps\NOtes\lchtwo|\ql n\enotes + %\check +% mesure 28 +% +\barre\NOtes\octs H|\tten1\tten3\tten4\zq{kp}\ql r&\soupir\enotes +\temps\Notes\Lchthree|\doct jk&\hsong{\kern -2\Interligne C'est tou-}\cl {jk}\enotes +\temps\NOtes|\zq{lnq}\ql s&\hsong{te }\ql l\enotes +\temps\Notes\lchthree|\doct kj&\hsong{la ten-}\cl{kj}\enotes +% + %\check +% mesure 29 +\barre\NOtes\octs G|\zh{in}\zhl p\qsk\zqu m&\hsong{dres-}\hu i\enotes +\temps\NOtes\Lchfour|\qu l\enotes +\temps\NOtes\sk|\zh{in}\zhl p\qsk\zqu k&\hsong{se }\hu i\enotes +\temps\NOtes\lchfour|\Fl k\qu k\enotes +% + %\check +% mesure 30 +% +\barre\NOtes\octs F|\soupir&\soupir\enotes +\temps\NOtes\lFl c\Lchfive|\uchfive&\hsong{Des }\qu h\enotes +\temps\NOtes|\uchfive&\hsong{beaux }\qu h\enotes +\temps\Notes\lchfive|\lq m\zq l\doct hh&\hsong{jours d'i-}\cu{hh}\enotes +% + %\check +% mesure 31 +% +\barre\NOtes\octs B|\zh{g}\zhl n\qsk\qu m&\hsong{bres-}\hu g\enotes +\temps\NOtes\Lchsix|\qu l\enotes +\temps\NOtes|\itenl1g\itenu2n\zh{g}\zhl n\qsk\qu j&\hsong{se }\hu g\enotes +\temps\NOtes\lchsix|\qu i\enotes +% + %\check +% mesure 32 +\barre\NOtes\octs B|\tten1\tten2\zq g\qu n&\soupir\enotes +\temps\Notes\Lchseven|\doctu fg&\hsong{Que l'on }\cu f\cu g\enotes +\temps\NOtes|\Fl j\zh h\zhl j\kern 1pt\zq f\zqu m&\txt voit |croit&\qu f\enotes +\temps\Notes\lchseven|\doctu ef&\txt re-ve-|re-te-&\cu e\cu f\enotes +% + %\check +% mesure 33 +\barre\NOtes\octs E|\Na j\rh j\zh{egi}\hu l&\txt nir|nir&\wh e\enotes +\temps\NOtes\qu N\enotes +\temps\NOtes\qu a\enotes +\temps\NOtes\Sh a\qu a\enotes +% + %\check +% mesure 34 +\barre\notes\zh G\zhl K|\zh b\hu d&\ds\enotes +\temps\notes&\hsong{Un }\Ibu0eh2\qh0d\enotes +\notes&\hsong{soir }\qh0g\enotes +\notes&\hsong{tu }\bigaccid\Sh h\tqh0h\enotes +\temps\notes\zh I\hu N|\zh k\hl g&\hsong{as }\ibu0j0\qh0i\enotes +\notes&\hsong{pu }\qh0k\enotes +\notes&\hsong{te }\qh0j\enotes +\notes&\hsong{re-}\tqh0i\enotes + %\check +% mesure 35 +\barre\NOTes\Sh H\zw H\wh N|\zw e\zw g\hu k&\hsong{pren-}\hl k\enotes +\temps\NOTes|\hu j&\hsong{dre }\hl j\enotes + %\check +% mesure 36 +\barre\notes\zw K\bigaccid\Sh a\wh a|\bigaccid\Sh f\zw f\wh j&\ds\enotes +\temps\notes&\hsong{\kern -\internote Tout }\ibu0j0\qh0j\enotes +\notes&\hsong{bri-}\qh0j\enotes +\notes&\hsong{ser, }\tqh0j\enotes +\notes&\hsong{tout }\Ibu0kh4\qh0k\enotes +\notes&\hsong{a-}\qh0k\enotes +\notes&\hsong{n\'e-}\bigaccid\Sh h\qh0h\enotes +\notes&\hsong{an-}\tqh0h\enotes + %\check +% mesure 37 +\barre\notes\Ibu0Ga3\qh0{GKN}\Sh a\tqh0a|\zw{g}\wh i&\hsong{tir }\wh i\enotes +\temps\notes|\Ibu0cf3\qh0{bdg}\Sh f\tqh0f\enotes + %\check +% mesure 38 +\barre\notes\zh I\hu M|\zh d\bigaccid\Na f\hu f&\ds\enotes +\temps\notes&\hsong{\kern -3\internote Mais }\Ibu0gj3\qh0f\enotes +\notes&\hsong{pour }\qh0i\enotes +\notes&\hsong{moi }\tqh0j\enotes +\temps\notes\zh K\hl b|\zh f\hl i&\hsong{qui }\Ibu0ki3\qh0k\enotes +\notes&\hsong{ne }\qh0k\enotes +\notes&\hsong{sais }\qh0j\enotes +\notes&\hsong{com-}\tqh0i\enotes + %\check +% mesure 39 +\barre\NOTes\zw J\wh b|\bigaccid\Fl g\zw e\wh g&\hsong{pren-}\hu k\enotes +\temps\NOTes&\hsong{dre }\hu j\enotes + %\check +% mesure 40 +\barre\NOtes\zmidtwotext{\it rit.}\zw F\wh M|\zw e\zw j\qsk\zhl i&\soupir\enotes +\temps\NOtes&\hsong{\kern -\internote Qu'on }\ql j\enotes +\temps\NOtes|\Sh h\hl h&\hsong{peut }\ql k\enotes +\temps\NOtes&\hsong{men-}\ql l\enotes + %\check +% mesure 41 +\barre\NOtes\zw I\qu b|\bigaccid\Na h\zw{hm}\qsk\qu k&\hsong{tir }\wh m\enotes +\temps\NOtes\qu c|\qu j\enotes +\temps\NOtes\Sh c\qu c|\Sh i\qu i\enotes +\temps\NOtes\qu d|\Na i\qu i\enotes + %\check +% mesure 42 +\barre\temps\NOtes\zmidtwotext{\it a tempo}\octs E|\soupir&\soupir\enotes +\temps\NOtes\Lchone|\rchone&\hsong{Un }\ql l\enotes +\temps\NOtes|\rchone&\hsong{sou-}\ql l\enotes +\temps\NOtes\lchone|\rchone&\hsong{ve-}\ql l\enotes + %\check +% mesure 43 +\barre\NOtes\octs G|\itenl1k\itenu3p\itenu4r\Sh o\zw{kpr}\qsk\zql o&\hsong{nir }\wh k\enotes +\temps\NOtes\Lchtwo|\ql n\enotes +\temps\NOtes\sk|\Sh m\ql m\enotes +\temps\NOtes\lchtwo|\ql n\enotes + %\check +% mesure 44 +% +\barre\NOtes\octs H|\tten1\tten3\tten4\zq{kp}\ql r&\soupir\enotes +\temps\Notes\Lchthree|\doct jk&\hsong{\kern -2\Interligne C'est l'i-}\cl {jk}\enotes +\temps\NOtes|\zq{lnq}\ql s&\hsong{ma-}\ql l\enotes +\temps\Notes\lchthree|\doct kj&\hsong{ge d'un}\cl{kj}\enotes +% + %\check +% mesure 45 +\barre\NOtes\octs G|\zh{in}\zhl p\qsk\zqu m&\hsong{r\^e-}\hu i\enotes +\temps\NOtes\Lchfour|\qu l\enotes +\temps\NOtes\sk|\zh{in}\zhl p\qsk\zqu k&\hsong{be }\hu i\enotes +\temps\NOtes\lchfour|\Fl k\qu k\enotes +% + %\check +% mesure 46 +% +\barre\autolines {9}54\relax +\NOtes\octs F|\soupir&\soupir\enotes +\temps\NOtes\lFl c\Lchfive|\uchfive&\hsong{\kern -\internote D'une }\qu h\enotes +\temps\NOtes|\uchfive&\hsong{\kern -\internote heu-}\qu h\enotes +\temps\Notes\lchfive|\lq m\zq l\doct hh&\hsong{\kern -\internote re trop}\cu{hh}\enotes +% + %\check +% mesure 47 +% +\xbarre\NOtes\octs B|\zh{g}\zhl n\qsk\qu m&\hsong{br\`e-}\hu g\enotes +\temps\NOtes\Lchsix|\qu l\enotes +\temps\NOtes|\itenl1g\itenu2n\zh{g}\zhl n\qsk\qu j&\hsong{be }\hu g\enotes +\temps\NOtes\lchsix|\qu i\enotes +% + %\check +% mesure 48 +\xbarre\NOtes\octs B|\tten1\tten2\zq g\qu n&\soupir\enotes +\temps\Notes\Lchseven|\doctu fg&\hsong{\kern -\internote Qui ne }\cu f\cu g\enotes +\temps\NOtes|\Fl j\zh h\zhl j\kern 1pt\zq f\zqu m&\hsong{\kern -\internote veut }\qu f\enotes +\temps\Notes\lchseven|\doctu ef&\hsong{\kern -\internote pas fi-}\cu e\cu f\enotes +% + %\check +% mesure 49 +\xbarre\NOTes\itenl1E\itenl2L\octs E\relax +|\Na j\rh j\zh{egi}\hu l&\hsong{nir...}\wh e\enotes +\temps\NOTes + \ifnum\transpose<-2\relax + \Fl c\qsk\lh e\zh c\zh f\hl h\else \sk\fi +|\ifnum\transpose<-2\else + \rlap{\Fl c\qsk\lh e\zh c\zh f\zhl h}\fi + \zh{il}\rh m\hu p\relax +\enotes + %\check +% mesure 50 +\xbarre\NOTes\Na c\qsk\tten1\tten2\zh E\zhl L\rh c\zh b\zh e\hu g|\qsk +\lh q\zh l\zh n\zh p\hl s\enotes +\temps\NOtes\qu E|\hpause&\pause\enotes +\temps\NOtes\soupir\enotes +\setrightrepeat\finpartition +\medskip\rightline{\it le \aujourdhui} +\eject + + + + diff --git a/macros/generic/musixtex/doc/examples/tierce.tex b/macros/generic/musixtex/doc/examples/tierce.tex new file mode 100644 index 0000000000..1a17a982d6 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/tierce.tex @@ -0,0 +1,376 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi +\title{Tierce en taille} +\fulltitle{III. \titremorceau} +\csname titremorceautoc\endcsname +% +\parindent 18mm + +\subtitle{\sl (pour orgue)} +\othermention{Compos\'e en 1990} +\author{Daniel TAUPIN} +\maketitle + +\tracingstats=2\relax +% +\nbporteesii=2\relax +\def\nbinstruments{2} +\global\cleftoksii={{0}{3}{0}{0}}% +\global\cleftoksi={{6}{0}{0}{0}}% +% +\signaturegenerale{1}\relax % un dieze a la clef +\def\quatretemps{\generalmeter{\allabreve}}% +\def\troistemps{\generalmeter{\meterfrac{3}{2}}}% +\def\deuxtemps{\generalmeter{\meterfrac{2}{2}}}% +\def\Mordant{\mordant{10}}% +\def\tenPince{\pince{10}}% +%\check +\def\instrumenti{P\'edale 16'}% +\def\instrumentii{\vbox{\hsize=\parindent\centerline{R\'ecit}\vskip 33pt + \centerline{G.O.}}}% +%\check +\def\gluemaxskip{7pt}% +% +% formes frequentes +% +% deux croches hautes +\def\dql#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% +\def\dqu#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% +\def\dqh{\dqu}\def\dqb{\dql}% +% +% deux doubles croches hautes +\def\dqbbu#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% +\def\dqbbl#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% +% +% croche pointee et double croche meme hauteur +\def\cpdcl#1{\trioskip\ibl0{#1}0\qbp0{#1}\sk\tbbl0\tqb0{#1}}% +\def\cpdcu#1{\trioskip\ibu0{#1}0\qhp0{#1}\sk\tbbu0\tqh0{#1}}% +% +\medskip\noindent{\rm G.O.: fonds 8' ou 8'+4' doux}% +\par\noindent{\rm R\'ec.: cornet ou cromorne}% +\par\noindent{\rm P\'ed.: 16', tirasse G.O.}% +\smallskip +% +\quatretemps +% +\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}% +\debutmorceau +\noautolines +\advancebottom{4\internote}% +%\autolines {8}44\relax +\def\resp{\vnotes 0.2\elemskip&|\cbreath\enotes}% +%\check +% +\hyphenpenalty -50\relax +\notes&|\Uptext{ \hbox{\kern -16mm\moyen Adagio \bf(\metron{\qu}{60})}}\enotes +\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax +\def\qqbbH#1#2#3#4#5{\ibbu0{#3}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax +\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}% +\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax +\def\dqbbh#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tqh0{#3}}\relax +\def\dqbbu{\dqbbh}\def\dqbbb{\dqbbl}% +\def\dqbbl#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tqb0{#3}}\relax +%\check +\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax +\def\qqbH#1#2#3#4#5{\ibu0{#3}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax +\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax +%\check +% +% mesure 1 +\notes\hup G&\itenu1g\itenu2i\zw i\zw g\hlp d|\cpdcl g\enotes +\temps\NOTEs&|\hu d\enotes +\temps\notes\qu J&\ql e|\trioskip\tenPince\qqbbl{-5}edeb\enotes +% mesure 2 +\barre\NOTEs\hu I&\tten1\tten2\zh d\zhl g\hup i|\hu d\enotes +\temps\notes\qu L&\itenl1e\ql e|\cpdcu N\enotes +\temps\notes\qu H&\tten1\itenu0h\zq c\zql e\qu h|\dqu3ab\enotes +% mesure 3 +\barre\NOTes\hu K&\tten0\zw d\zh f\hu h|\xTrille i{1.0\noteskip}\qup a\enotes +\temps\notes&|\ibbu0N3\trioskip\qh0N\tqh0a\enotes +\temps\NOtes\hu G&\zh g\hu i|\itenl0b\qu b\enotes +\temps\notes&|\trioskip\tten0\qqbbh3bbcd\enotes +% mesure 4%\autolines{9}44\relax +\barre\NOTes\hu H&\zh f\zh h\hu j|\xTrille i{1.2\noteskip}\qup c\enotes +\temps\notes&|\sk\trioskip\ibbu0b3\qh0b\tqh0c\enotes +\temps\NOtes\hu I&\itenl1d\zh d\zh g\hu i|\itenl0d\qu d\enotes +\temps\notes&|\trioskip\tten0\qqbbh3defg\enotes +% mesure 5 +\barre\NOtes\hu K&\tten1\zql d\zh f\hu h|\tenPince\ql f\enotes +\temps\notes&\zql c|\dql{-2}ed\enotes +\temps\notes\hu I&\zh b\zh d\hu g|\dql6dg\enotes +\temps\notes&|\dql{-8}dN\enotes +% mesure 6 +\barre\NOTes\hu H&\zh c\zhl e\hup h|\qup c\enotes +\temps\notes&|\cu c\enotes +\temps\NOtes\hu D&\itenl1d\zh d\zhl f|\xTrille i{1.5\noteskip}\qup c\enotes +\temps\notes&\qu j|\sk\cu b\enotes +% mesure 7 +\barre\NOTEs\hup G&\tten1\zhp d\zhp g\hup i|\hup b\enotes +\resp +\temps\notes\soupir&\soupir|\cpdcu N\enotes +% mesure 8 +\barre\NOTes\hu H&\zh c\zhl e\wh h|\qup a\enotes +\temps\notes&|\cu b\enotes +\temps\NOTes\hu K&\itenl1d\zh d\hl f|\xTrille i{1.0\noteskip}\qup a\enotes +\temps\notes&|\trioskip\dqbbh3Na\enotes +% mesure 9 +\barre\NOtes\hu G&\tten1\zh d\zh g\hu i|\itenl1b\qu b\enotes +\temps\notes&|\tten1\qqbbh3bb{^c}d\enotes +\temps\NOTes\hu H&\itenu1h\zh{^ce}\hu h|\xTrille i{\noteskip}\qup{c}\enotes +\temps\notes&|\trioskip\ibbu1b3\qh1b\tqh1c\enotes +% mesure 10 +\barre\NOTes\hup K&\tten1\zhp {df}\hup h|\hup d\enotes +\resp +\temps\notes\soupir&\soupir|\cpdcu a\enotes +% mesure 11 +\barre\NOTes\wh H&\zh{=c}\zhl e\wh h|\qup{=c}\enotes +\temps\notes&|\cu c\enotes +\temps\notes\hu K&\itenl2d\zh d\zhl f|\ibu0c3\qh0c\trioskip\nbbu0\qh0d\tqh0e\enotes +\temps\notes&|\tenPince\dql{-3}dc\enotes +% mesure 12 +\troistemps +\changecontext\NOTes\hu G&\tten2\itenl2d\zh d\zh g\hu i|\xTrille i{\noteskip}\qup b\enotes +\temps\notes&|\cu a\enotes +\temps\NOTEs\wh K&\zw d\tten2\zw f\wh h|\Mordant \wh a\enotes +\resp +% mesure 13 +\deuxtemps\changecontext\notes\wh{=J}&\zw{=cf}\wh h|\cpdcl h\enotes +\temps\NOTes&|\hu f\enotes +\temps\notes&|\trioskip\pince j\qqbbl{-3}hghd\enotes +% mesure 14 +\barre\NOtes\hu I&\zh{bd}\hu g|\qu g\enotes +\temps\NOtes&|\qu N\enotes +\temps\NOtes\hu H&\itenu2h\zh{ce}\hu h|\itenl1a\qu a\enotes +\temps\notes&|\trioskip\tten1\qqbbu3aabc\enotes +% mesure 15 +\barre\NOtes\hu K&\tten2\itenl2d\zh{df}\hu h|\itenl1d\qu d\enotes +\temps\notes&|\trioskip\tten1\qqbbu3ddef\enotes +\temps\notes\qu I&\tten2\zq d\zq b\qu g|\ibu0e{-9}\qh0g\tqh0N\enotes +\temps\notes\qu J&\zq{ch}\qu e|\dql{-3}cb\enotes +%\check +% mesure 16 +\troistemps +\changecontext\temps\NOtes\qu K&\zql d\zh f\hu h|\xTrille i{1.5\noteskip}\qup a\enotes +\temps\notes\qu D&\zql c|\sk\cu N\enotes +\temps\NOTes\wh G&\zw{bd}\zw g|\wh N\enotes +\resp +% mesure 17 +\deuxtemps +\changecontext\notes\hup I&\zw{gi}\hlp d|\cpdcl g\enotes +\temps\NOTes&|\hl d\enotes +\temps\notes\qu J&\ql e|\trioskip\tenPince\qqbbl{-5}edeb\enotes +% mesure 18 +\barre\NOTEs\hup H&\itenl1e\itenu2h\zhp{^c}\zhp e\hup h|\hup{^c}\enotes +\temps\notes\qu {^J}&\tten1\tten2\zq e\rq g\qu h|\cpdcu a\enotes +% mesure 19 +\barre\NOtes\qu K&\zhl d\zq f\qu h|\ql h\enotes +\temps\notes\qu I&\zq g\qu i|\dql{-3}gf\enotes +\temps\NOtes\hu H&\zh{^c}\zhl e\qu h|\xTrille l{1.5\noteskip}\qlp e\enotes +\temps\notes&\qu g|\sk\cl d\enotes +% mesure 20 +\barre\NOTEs\hup D&\zhp d\zhp f\hup h|\hlp d\enotes +\resp +\temps\notes\qu J&\itenl1c\itenu2h\zq{=ce}\qu h|\cpdcu a\enotes +% mesure 21 +\barre\NOTes\hu H&\tten1\tten2\zw f\zw h\hl c|\hu c\enotes +\temps\notes&|\cu c\enotes +\temps\notes\hu K&|\ibl1c3\qb1c\trioskip\nbbl 1\qb1d\tqb1e\enotes +\temps\notes&\itenl1d\ql d|\tenPince\dql{-2}dc\enotes +% mesure 22 +\barre\NOtes\hu G&\tten1\zh g\zh i\hu d|\itenu1 b\qu b\enotes +\notes&|\tten1\trioskip\qqbbl3bbcd\enotes +\temps\notes\hu J&\zh c\zh e\hu g|\cpdcl e\enotes +\temps\notes&|\dql{-6}ea\enotes +% mesure 23 +\barre\NOtes\hu I&\zh d\zh g\hu i|\itenu0d\qu d\enotes +\temps\notes&|\tten0\trioskip\qqbbh{-1}dNab\enotes +\temps\NOTes\hu H&\itenu2h\zh e\zh h\hu c|\qup c\enotes +\temps\notes&|\cu c\enotes +% mesure 24 +\troistemps\changecontext\NOTes\hu F&\tten2\itenl2f\zh f\zh h\hu c|\xTrille i{1.2\noteskip}\qup c\enotes +\temps\notes&|\cu b\enotes +\temps\NOTEs\wh I&\tten2\zw{^d}\zw f\wh i|\Mordant \wh b\enotes +\resp +% mesure 25 +\barre\notes\wh H&\zw{^df}\hup i|\cpdcl f\enotes +\temps\NOTes&|\hu{^d}\enotes +\temps\notes&\qu h|\trioskip\tenPince\qqbbl{-3}fefb\enotes +% mesure 26 +\barre\notes\hu G&\zh b\zh e\hu g|\cpdcl e\enotes +\temps\NOtes&|\hu e\enotes +\temps\notes\hu H&\zh {cf}\hu h|\enotes +\temps\notes&|\trioskip\ibl0f3\qb0f\sk\nbbl0\qb0g\tqb0h\enotes +% mesure 27 +\barre\NOTes\hu I&\itenl1b\itenu2g\zh {bd}\hu g|\hu d\enotes +\temps\NOTes\hl L&\tten1\tten2\zh b\zh e\hu g|\hl g\enotes +% mesure 28 +\barre\temps\notes\hu H&\zh c\zh f\hu h|\qqbl{-2}fedc\enotes +\temps\NOTEs\hu I&\itenl1d\zh d\zh g\hu i|\hu b\enotes +% mesure 29 +\troistemps\changecontext\NOTes\hu K&\tten1\itenl1d\zh d\zh f\hu h|\xTrille i{\noteskip}\qup a\enotes +\temps\notes&|\cu N\enotes +\temps\NOTEs\hup G&\tten1\zhp d\zhp g\hup i|\hup N\enotes +\temps\Notes\soupir&\soupir|\soupir\enotes +%\check +% mesure 31 +\deuxtemps\changecontext\notes\hup G&\itenu1g\itenu2i\zw i\zw g\hlp d|\cpdcl g\enotes +\temps\NOTEs&|\hu d\enotes +\temps\notes\qu J&\ql e|\trioskip\tenPince\qqbbl{-5}edeb\enotes +% mesure 31 +\barre\NOTEs\hu I&\tten1\tten2\zhl d\zhp g\hup i|\hu d\enotes +\temps\notes\qu L&\itenl1e\zql e|\cpdcu N\enotes +\temps\notes\qu H&\tten1\itenu1h\zq c\zql e\qu h|\dqu3ab\enotes +% mesure 32 +\barre\NOTes\hu K&\tten1\zw d\zh f\hu h|\xTrille i{1.0\noteskip}\qup a\enotes +\temps\notes&|\ibbu0N3\trioskip\qh0N\tqh0a\enotes +\temps\NOtes\hu G&\zh g\hu i|\itenl0b\qu b\enotes +\temps\notes&|\trioskip\tten0\qqbbh3bbcd\enotes +% mesure 33 +\barre\NOtes\hu J&\zw g\zh c\hl e|\itenu0e\ql e\enotes +\temps\notes&|\trioskip\tten0\qqbbl3eefg\enotes +\temps\notes\hu I&\zh b\hl d|\dql6dg\enotes +\temps\notes&|\dql{-8}dN\enotes +% mesure 34 +\barre\NOtes\hu H&\zh c\zhl e\wh h|\itenl0a\qu a\enotes +\temps\notes&|\tten0\trioskip\qqbbh3aabc\enotes +\temps\NOtes\hu K&\zh d\hl f|\itenl0d\qu d\enotes +\temps\notes&|\tten0\trioskip\qqbbh3ddef\enotes +%\check +% mesure 35 +\cleftoksii={{0}{0}{0}{0}}\changeclefs +\barre\NOTes\hu I&\zhl d\zhp g\hup i|\qup g\enotes +\temps\notes&|\cu h\enotes +\temps\notes\qu L&\hl e|\dqu{-4}ge\enotes +\temps\notes\qu H&\zq h\qu j|\dqu{-3}ji\enotes +% mesure 36 +\troistemps\changecontext\NOtes\qu K&\zw d\zh f\hu h|\xTrille o{\noteskip}\qup h\enotes +\temps\notes\qu D&|\sk\cu g\enotes +\temps\NOtes\hup G&\zhp{dg}\hup i|\hup g\enotes +\resp +\temps\notes\soupir&\soupir|\cpdcu b\enotes +% mesure 37 +\deuxtemps\changecontext\notes\hu I&\zh{^d}\zhl f\wh i|\dqu3ij\enotes +\temps\notes&|\dqu{-3}ih\enotes +\temps\notes\hu L&\zh g\hl e|\pince o\dqu{-3}gf\enotes +\temps\notes&|\dqu{-5}ge\enotes +% mesure 38 +\barre\notes\hu{^J}&\zh{^c}\zhl e\wh h|\dqu3hi\enotes +\temps\notes&|\dqu{-3}hg\enotes +\temps\notes\hu K&\zh d\hl f|\pince o\dqu{-3}fe\enotes +\temps\NOtes&|\qu d\enotes +% mesure 39 +\barre\notes\hu I&\zh b\zhl d\wh g|\dqu3gh\enotes +\temps\notes&|\dqu{-8}gd\enotes +\temps\notes\hu J&\zh c\hl e|\dqu3ef\enotes +\temps\NOtes&|\pince o\qu e\enotes +% mesure 40 +\barre\notes\hu H&\zh{^c}\zhl e\wh h|\dqu3hi\enotes +\temps\notes&|\dqu{-8}he\enotes +\temps\notes\hu J&\zh d\hl f|\dqu3fg\enotes +\temps\NOtes&|\pince o\qu f\enotes +%\check +% mesure 41 +\barre\notes\hu G&\zhl d\zw g\wh i|\dqu3ij\enotes +\temps\notes&|\dqu{-3}ih\enotes +\temps\notes\hu L&\hl e|\dqu{-3}gf\enotes +\temps\notes&|\dqu{-5}ge\enotes +%\check +% mesure 42 +\barre\notes\hu H&\itenu1h\zh c\zhl e\wh h|\dqu3jk\enotes +\temps\notes&|\dqu{-3}ji\enotes +\temps\notes\hu{^J}&\hl{^c}|\dqu{-3}hg\enotes +\temps\notes&|\dqu{-3}fe\enotes +% mesure 43 +\barre\notes\qu K&\tten1\zql d\zh f\hu h|\dqu3fg\enotes +\temps\notes\qu{=J}&\ql{=c}|\pince o\dqu{-6}fd\enotes +\temps\NOTes\hu I&\zh{bd}\hu g|\qup g\enotes +\temps\notes&|\cu h\enotes +% mesure 44 +\troistemps\changecontext\NOtes\qu K&\itenl0d\zh d\zh f\hu h|\xTrille o{1.5\noteskip}\qup h\enotes +\temps\notes\qu D&|\sk\cu g\enotes +\temps\NOTEs\wh G&\tten0\zw b\zw d\wh g|\Mordant\wh g\enotes +\resp +% mesure 45 +\cleftoksii={{0}{3}{0}{0}}\changeclefs +\barre\notes\hup G&\itenu1g\itenu2i\zw i\zw g\hlp d|\cpdcl g\enotes +\temps\NOTEs&|\hu d\enotes +\temps\notes\qu J&\ql e|\trioskip\tenPince\qqbbl{-5}edeb\enotes +% mesure 46 +\barre\NOTEs\hu I&\tten1\tten2\zh d\zhl g\hup i|\hu d\enotes +\temps\notes\qu L&\itenl1e\ql e|\cpdcu N\enotes +\temps\notes\qu H&\tten1\itenu0h\zq c\zql e\qu h|\dqu3ab\enotes +% mesure 47 +\barre\NOTes\hu K&\tten0\zw d\zh f\hu h|\xTrille i{1.0\noteskip}\qup a\enotes +\temps\notes&|\ibbl0N3\trioskip\qb0N\tqb0a\enotes +\temps\NOtes\hu G&\zh g\hu i|\itenl0b\qu b\enotes +\temps\notes&|\trioskip\tten0\qqbbh3bbcd\enotes +% mesure 48 +\barre\NOTes\hu H&\zh f\zh h\hu j|\xTrille i{1.2\noteskip}\qup c\enotes +\temps\notes&|\sk\trioskip\ibbl0b3\qb0b\tqb0c\enotes +\temps\NOtes\hu I&\itenl1d\zh d\zh g\hu i|\itenl0d\qu d\enotes +\temps\notes&|\trioskip\tten0\qqbbh3defg\enotes +% mesure 49 +\barre\NOtes\hu K&\tten1\zql d\zh f\hu h|\tenPince\ql f\enotes +\temps\notes&\zql c|\dql{-2}ed\enotes +\temps\notes\hu I&\zh b\zh d\hu g|\dql6dg\enotes +\temps\notes&|\dql{-8}dN\enotes +% mesure 50 +\troistemps\changecontext\NOTes\hu H&\zh c\zhl e\hup h|\xTrille i{\noteskip}\qup a\enotes +\temps\notes&|\cu b\enotes +\temps\NOTEs\wh I&\zw{^d}\zw f\wh i|\Mordant\wh b\enotes +\resp +% mesure 51 +\deuxtemps\changecontext\notes\wh H&\zw{^df}\hup i|\cpdcl f\enotes +\temps\NOTes&|\hu{^d}\enotes +\temps\notes&\qu h|\trioskip\tenPince\qqbbl{-3}fefb\enotes +% mesure 52 +\barre\notes\hu G&\zh b\zh e\hu g|\cpdcl e\enotes +\temps\NOtes&|\hu e\enotes +\temps\notes\hu H&\zh {cf}\hu h|\enotes +\temps\notes&|\trioskip\ibl0f3\qb0f\sk\nbbl0\qb0g\tqb0h\enotes +% mesure 53 +\barre\NOTes\hu I&\itenl1b\itenu2g\zh {bd}\hu g|\hu d\enotes +\temps\NOTes\hl L&\tten1\tten2\zh b\zh e\hu g|\hl g\enotes +% mesure 54 +\barre\temps\notes\hu H&\zh c\zh f\hu h|\qqbl{-2}fedc\enotes +\temps\NOTes\hu I&\itenl1d\zw d\zh g\hu i|\xTrille i{1.5\noteskip}\qup b\enotes +\temps\notes&|\cu a\enotes +% mesure 55 +\barre\NOTes\wh K&\tten1\zw d\zw f\wh h|\Mordant \wh a\enotes +\resp +% mesure 56 +\barre\notes\wh{=J}&\zw{=cf}\wh h|\cpdcl h\enotes +\temps\NOTes&|\hu f\enotes +\temps\notes&|\trioskip\pince{11}\qqbbl{-3}hghd\enotes +% mesure 57 +\barre\NOtes\hu I&\zh{bd}\hu g|\qu g\enotes +\temps\NOtes&|\qu N\enotes +\temps\NOtes\hu H&\itenu2h\zh{ce}\hu h|\itenl1a\qu a\enotes +\temps\notes&|\trioskip\tten1\qqbbu3aabc\enotes +% mesure 58 +\barre\NOtes\hu K&\tten2\itenl2d\zh{df}\hu h|\itenl1d\qu d\enotes +\temps\notes&|\trioskip\tten1\qqbbu3ddef\enotes +\temps\notes\qu I&\tten2\zq d\zq b\qu g|\ibu0e{-9}\qh0g\tqh0N\enotes +\temps\notes\qu J&\zq{hc}\qu e|\dql{-3}cb\enotes +%\check +% mesure 59 +\barre\NOTes\hu K&\itenl1d\zw d\zh g\hu i|\hu b\enotes +\temps\NOTes\hu D&\zh f\hu h|\xTrille i{\noteskip}\qup a\enotes +\temps\notes&|\cu N\enotes +% mesure 60 +\barre\NOTEs\wh G&\tten1\zw{bd}\zw g|\wh N\enotes +\mulooseness 3\relax +\finmorceau +\rightline{\sl\aujourdhui}\vfil\eject + +\ifx\toc\undefined + \let\finishpiece \end +\else + \let\finishpiece\relax +\fi +\finishpiece +\endinput + diff --git a/macros/generic/musixtex/doc/examples/traeumer.tex b/macros/generic/musixtex/doc/examples/traeumer.tex new file mode 100644 index 0000000000..f97c8f8563 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/traeumer.tex @@ -0,0 +1,299 @@ +%format musix + +\input musixtex + +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +% TEX translation of MIDI File : +% b.MID +% +% Written by Hans Kuykens +% this translation of date : 1-9-1993 +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% + +\musicparskip + +\def\slopecresc#1#2#3#4{\rlap{\varline{#1}{#2\noteskip}{#3}}% + \rlap{\varline{#1}{#2\noteskip}{#4}}}% + +\def\liftqp#1{\raise#1\Interligne\rlap\qp} +\def\liftds#1{\raise#1\Interligne\rlap\ds} +\def\raiseped{-6} + +\nopagenumbers\parindent10mm + +\centerline{\BIGfont Tr\"aumerei}\bigskip +\rightline{\medtype Robert Schumann}\smallskip + +\generalsignature{-1} +\generalmeter\meterC +\setstaffs12 +\interstaff{12} +\setclef1\bass +\meterskip\Interligne +\relativeaccid +\startbarno0\startmuflex\startpiece\systemnumbers +%%% bar 0 +\nspace +\NOtes\zmidstaff\p\qp|\isluru2j\qu c\en +%%% bar 1 +\leftrepeat +\NOtes\sPED\zqu F\roff{\itied0F\zw F}|\liftqp{-4}\issluru1g\hu f\en +\qspace +\Notes\itieu3J\zhp J\issluru4b\hup a|\lpt c\lpt M\zh c\hl M\en +\Notes|\ttie1\ttie2\cu f\ibsluru5d% + \roff{\slopecresc{12}{4.3}8{11}}\ibu0d5\qb0e\en +\Notes|\qb0f\tqh0h\en +%%% bar 2 +\bar +\Notes\ttie0\zql F\ttie3\zq J\tslur4b\qu a|\liftqp{-2}\ibu1i5\qb1j\en +\znotes|\tubslur5j\tqh1m\en +\qspace +\notes\multnoteskip\smallvalue\sPED\tinynotesize\ibbu0J9\qb0I\islurd0N\tqh0M\en +\NOtes\ttie0\lpt M\zhl M\hu d|\islurd1f\zhlp f\hu m\en +\Notes\ibsluru0b\ibu0b{-1}\qb0c\tqh0b|\ibsluru2k\ibu2k{-2}\qb2l\tqh2k\en +%%% bar 3 +\bar +\Notes\zchar{-7}\Dep\tslur0J\zql J\qu a% + |\tsslur1f\zql f\ibu2j5\qb2j\tubslur2k\tqh2m\en +\Notes\ibsluru0a\zhl J\ibu0a{-2}\qb0b\tqh0a% + |\ibsluru1f\zhl e\ibu3f5\qb3g\tqh3h\en +\Notes\tubslur0M\qu N|\ibu3h5\qb3i\tubslur1i\tqh3k\en +\Notes\ibslurd0I\ibsluru1L\roffset{.5}{\slopecresc{-8}{2.6}48}% + \ibl0I5\qb0H\tbl0\zqb0J\bsk\ibu1L5\qb1M\tqh1N% + |\itied2c\ibsluru3e\zql{!c}\ibu4e5\qb4f\zq e\tqh4g\en +%%% bar 4 +\bar +\Notes\tdbslur0M\zql M\qu a% + |\ttie2\zql c\zq f\ibu2h5\qb2h\tqh2j\en +\Notes\tubslur1J\ibslurd0K\zhu N\ibl1K3\qb1J\tqb1K% + |\tubslur3g\zhl c\zh g\hu e\en +\Notes\ibl0J{-1}\qb0J\qb0I\en +\Notes\liftqp1\qb0G\tqb0H|\ibsluru2c\zql c\qu c\en +\def\atnextline{\Liftslur02\Liftslur23\def\interstaff{12}}% +%%% bar 5 +\bar +\NOtes\zchar{-7}\sPed\tsslur0M% + \roff{\isslurd0F\zw F}\qu F|\liftqp{-4}\issluru1g\hu f\en +\qspace +\Notes\issluru3J\zhp J\issluru4b\hup a|\lpt c\lpt M\zh c\hl M\en +\Notes|\ttie1\tubslur2f\cu f\ibsluru5d% + \roff{\slopecresc{12}{4.3}8{11}}\ibu0d5\qb0e\en +\Notes|\qb0f\tqh0h\en +%%% bar 6 +\bar +\Notes\tsslur0F\zq F\tsslur3J\zq J\tslur4b\qu a|\liftqp{-2}\ibu1k5\qb1j\en +\znotes|\tubslur5l\tqh1o\en +\qspace +\notes\multnoteskip\smallvalue\sPED\tinynotesize\ibbu0L9\qb0{^J}\islurd0b\tqh0O\en +\NOtes\ttie0\islurd0a\issluru1e\lpt a\zhl a\hup e% + |\islurd2g\lpt g\lh g\zhlp h\qup o\en +\Notes\sk\sk\DEP|\ibsluru3m\ibu2m{-3}\qb2n\qb2m\tqh2l\en +%%% bar 7 +\bar +\Notes\sPED\tsslur0a\tslur1e\lpt K\lpt a\zq K\zql a\qup d% + |\tsslur2h\zqlp h\ibu4l0\qb4m\en +\Notes|\qb4o\en +\Notes|\qb4k\en +\nspace +\Notes\DEP\islurd0M\isluru1c\zq M\cl c|\ibslurd4h\zcl{_h}\tqh4m\en +\Notes\sPED\tslur0N\ttie1\zqp N\qlp c|\ibl3g0\zqb3g\qup l\en +\Notes|\qb3j\en +\Notes|\qb3e\en +\nspace +\Notes\DEP\islurd0a\zcl a\ibsluru1b\cu c|\zcu{_l}\tqb3{^f}\en +%%% bar 8 +\bar +\nspace +\Notes\sPED\tsslur0a\zhl N\ibu1d0\qb1{^b}|\tdbslur4h\zqu k\zhl{=f}\en +\Notes\qb1g\en +\Notes\DEP\qb1a|\qu{=l}\en +\notes\tqh1b\en +\notes|\tinynotesize\grcu j\en +\Notes\tubslur1b\zcu c\ibslurd0K\ibl0K{-2}\qb0J% + |\curve105\tslur3g\zql e\hu j\en +\Notes\liftds3\qb0K\en +\nspace +\Notes\liftqp3\qb0{=I}|\liftds{-2}\en +\Notes\tqb0G|\isluru2j\cu c\en +%%% bar 9 +\rightrepeat +\NOtes\zchar{-7}\sPed\tdbslur0L\roff{\zw F}\qu F% + |\liftqp{-4}\issluru1g\hu f\en +\qspace +\Notes\zhp J\hup a|\lpt c\lpt M\zh c\hl M\en +\Notes|\ttie1\ttie2\cu f\ibsluru5d% + \roff{\slopecresc{12}{4.3}8{11}}\ibu0d5\qb0e\en +\Notes|\qb0f\tqh0h\tubslur5g\en +%%% bar 10 +\bar +\Notes\ds|\loffset{1.3}{\ibsluru5g}\ibl3j{-1}\zqb3j% + \rlap{\varline{14}{1.5\noteskip}8}% + \rlap{\varline{15}{1.5\noteskip}{11}}\ibu5i3\qb5j\en +\nspace +\Notes\zchar{-7}\Dep\islurd0G\ibsluru1M\zcu N\zcl J% + |\tubslur5j\loffset{.33}{\na i}\tbl3\zqb3i\tqh5{_l}\en +\nspace +\Notes\zchar{-7}\sPed\islurd2K\zhl K\ibu2L5\qb2{^M}|\zhl h\hu l\en +\Notes\tqh2a\en +\NOtes\ibu2d5\zqb2d\roffset{1.5}{\isluru3d}\rhl d\en +\Notes|\tqb2{^f}\en +\Notes\zchar{-7}\Dep\tsslur2L\invertslur1\curve300\tslur1e\ibl1L3\qb1K% + |\zql h\ibsluru4i\ibu5i{-3}\qb5k\en +\Notes\tqb1M|\tqh5j\en +%%% bar 11 +\bar +\Notes\tslur0H\ttie3\zqlp N\qup d|\lpt g\zql g\ibu3h0\qb3i\en +\Notes|\qb3k\en +\Notes|\qb3g\en +\nspace +\Notes\isluru0M\zq J\cl{^M}|\islurd3a\zcl{_e}\tqh3h\en +\Notes\tslur0N\zqp K\qlp N|\ibl2e0\zqb2d\qup i\en +\Notes|\tdbslur3M\qb2g&\en +\Notes|\ibslurd3e\qb2b\en +\Notes\islurd0L\cl{_L}|\zcu h\tqb2c\en +%%% bar 12 +\bar +\Notes\tsslur0K\lpt K\zql K\ibu0a0\qb0b|\qup g\en +\Notes\qb0d\en +\Notes\qb0N|\invertslur3\zchar{.5}{\curve{-1}00\tslur3c}\en +\Notes\islurd0G\islurd1K\issluru2a\zcl K\tqh0a% + |\roff{\islurd3c}\issluru5d\rcl c\cu d\en +\qspace +\Notes\tsslur1K\tsslur2a\ibl0K{-2}\zqb0K\ibu1N{-2}\qb1a% + |\tsslur3c\tsslur5d\tslur4d\zql b\qu d\en +\Notes\zqb0N\qb1N\en +\Notes\zqb0G\qb1G|\ds\en +\Notes\tbl0\zqb0H\tqh1H|\ibsluru3f\cu f\en +%%% bar 13 +\bar +\NOtes\zchar{-9.5}\sPed\curve{-5}30\tsslur0C\qu B% + |\liftqp{-3}\itieu2i\hu i\en +\Notes\zhp d\hlp M|\zhp f\hlp b\en +\Notes|\ttie3\ttie2\cu i\en +\Notes|\icresc\ibsluru2g\ibu0g5\qb0h\en +\Notes|\qb0i\en +\Notes|\tqh0k\en +%%% bar 14 +\bar +\Notes\ds|\zqu m\ibu4m{5}\qb4m\en +\Notes\DEP\islurd0J\ibsluru1c\zcl N\cu d% + |\roff{\zchar{-3}\tcresc}\tubslur2n\tqh4p\en +\nspace +\Notes\sPED\isslurd2a\zhl a\ibu2b3\qb2{^c}|\zhl l\hu p\en +\Notes\tqh2e\en +\NOtes\ibu2h5\zqb2h\roff{\isluru3h}\rhl h\en +\Notes|\tqb2{^j}\en +\Notes\DEP\tsslur2a\invertslur1\curve300\tslur1i\ibl1b3\qb1a% + |\zql l\ibsluru4n\ibu5n{-3}\qb5o\en +\Notes\tqb1c|\tqh5n\en +\def\atnextline{\Liftslur02\Liftslur4{-2}}% +%%% bar 15 +\bar +\Notes\ttie0\ttie3\zqlp d\qup h|\lpt k\zql k\ibu3l0\qb3m\en +\Notes|\qb3o\en +\Notes|\qb3k\en +\Notes\isluru0c\zq N\cl{^c}|\islurd3d\zcl i\tqh3l\en +\Notes\tslur0d\zqp a\qlp d|\ibl2h0\zqb2h\qup m\en +\Notes|\tdbslur3b\qb2k&\en +\Notes|\ibslurd3h\qb2f\en +\Notes\islurd0L\cl b|\zcu l\tqb2g\en +%%% bar 16 +\bar +\Notes\isslurd1a\zhl a|\ibl3f{-2}\zqb3f\qup k\en +\notes|\qb3h\en +\Notes\qb3d|\curve{-4}00\invertslur3\tslur3a\en +\nspace +\Notes\zq e\tqh3{^c}|\issluru2h\zcu h\rcl g\en +\qspace +\Notes\tsslur1a\ibl0b2\zqb0a\qu d% + |\zchar{12}{\twelveit ritard.}\tubslur4h\tsslur2h\zql f\qu h\en +\Notes\islurd2a\tqb0b\en +\nspace +\Notes\zchar{-7}\sPed\zcu{=c}\roff{\tsslur2a\ibl0N{-7}\qb0b}% + |\ibsluru2g\zql e\qu g\en +\qspace +\Notes\zchar{-7}\Dep\liftds2\tqb0J% + |\roff{\stdstemfalse\tinynotesize\grcu c}\en +%%% bar 17 +\bar +\NOtes\curve{-6}40\tsslur0G\zchar{-7}\sPed\zqu F\cchar{11}\p + \roff{\isslurd0F\zw F}% + |\zchar{12}{\twelveit a tempo}\liftqp{-4}\issluru1g\hu f\en +\qspace +\Notes\issluru3J\zhp J\issluru4b\hup a|\pt b\pt L\zh c\hl M\en +\Notes|\ttie1\tslur2e\cu f\ibsluru5d% + \roff{\slopecresc{12}{4.3}8{11}}\ibu0d5\qb0e\en +\Notes|\qb0f\tqh0h\en +%%% bar 18 +\bar +\Notes\tsslur0F\zq F\tsslur3J\zq J\tsslur4b\qu a|\liftqp{-2}\ibu1i5\qb1j\en +\znotes|\tubslur5j\tqh1m\en +\qspace +\notes\multnoteskip\tinyvalue\sPED\tinynotesize\ibbu0J9\qb0I\islurd0N\tqh0M\en +\NOtes\ttie0\lpt M\zhl M\hu d|\islurd1f\zhlp f\hu m\en +\Notes\ibsluru0b\ibu0b{-1}\qb0c\tqh0b|\ibsluru2k\ibu2k{-2}\qb2l\tqh2k\en +%%% bar 19 +\bar +\Notes\zchar{-7}\Dep\tslur0J\zql J\qu a% + |\tsslur1g\zql f\ibu2j5\qb2j\tubslur2k\tqh2m\en +\Notes\ibsluru0a\zhl J\ibu0a{-2}\qb0b\tqh0a% + |\ibsluru1f\zhl e\ibu3f5\qb3g\tqh3h\en +\Notes\tubslur0M\qu N|\ibu3h5\qb3i\tubslur1i\tqh3k\en +\Notes\ibslurd0I\ibsluru1L\roffset{.5}{\slopecresc{-8}{1.6}38}% + \ibl0I3\qb0H\tbl0\zqb0J\bsk\ibu1L3\qb1M\tqh1N% + |\isslurd2c\ibsluru3f\zql{!c}\ibu4f3\qb4f\zq e\tqh4g\en +%%% bar 20 +\def\atnextline{\Liftslur04}\bar +\Notes\tdbslur0M\zql M% + \rlap{\kern-2mm\varline{-6}{1.5\noteskip}3}% + \rlap{\kern-2mm\varline{-5.5}{1.5\noteskip}8}\qu a% + |\tsslur2c\zql c\zq f\ibu2h5\qb2h\tqh2j\en +\Notes\tubslur1K\ibslurd0K\zhu N\ibl1K3\qb1J\tqb1K% + |\tubslur3g\zhl c\zh g\hu e\en +\Notes\ibl0J{-1}\qb0J\qb0I\en +\Notes\liftqp1\qb0G\tqb0H|\ibsluru2c\zql c\qu c\en +%%% bar 21 +\bar +\NOtes\zchar{-7}\sPed\tdbslur0L\zqu F\roff{\isslurd0F\zw F}% + |\liftqp{-4}\issluru1g\hu f\en +\Notes\issluru3J\zhp J\issluru4b\hup a|\pt b\pt L\zh c\hl M\en +\Notes|\ttie1\tubslur2f\cu f\ibsluru5d% + \roff{\slopecresc{12}{4.3}8{11}}\ibu0d5\qb0e\en +\Notes|\qb0f\tqh0h\en +%%% bar 22 +\bar +\def\tx#1{\cchar{14}{\twelveit #1}}% +\def\rtx#1{\zchar{14}{\twelveit #1}}% +\def\ctx{\cchar{14}{\twelveit --}}% +\Notes\tsslur0F\zq F\tsslur3J\zq J\tslur4b\qu a|\liftqp{-2}\ibu1k5\qb1j\en +\Notes|\tubslur5l\tqh1o\en +\nspace +\NOtes\zchar{-8}{\kern1pt\sPed}\fermataup b\cchar{16}\pp + \isslurd0G\zhp{G^I}\hlp{^b}% + |\islurd2g\lpt g\lpt k\lh f\zhp g\zhl k\fermataup s\qup o\en +\Notes\tx{ri}\sk\sk\ctx|\ibsluru3m\ibu2m{-3}\qb2n\qb2m\tqh2k\en +%%% bar 23 +\bar +\Notes\rtx{tar}\zchar{-7}\Dep\tsslur0J\zq{Ja}\ql c% + |\tsslur2g\zql f\ibu2j5\qb2j\tubslur3k\tqh2m\en +\Notes\ctx\zhl J\zhu c\roff{\ibsluru0a\ibu0a{-2}\qb0b}% + |\ibsluru1f\zhl e\ibu3f5\qb3g\en +\qspace +\Notes\tqh0a|\tqh3h\en +\Notes\ctx\tubslur0L\qu N|\ibu3h5\qb3i\tubslur1i\tqh3k\en +\Notes\tx{dan}\isluru1N\ibl0I3\zq N\qb0I\rtx{\twelveit~--}% + |\isslurd2d\ibsluru3f\zql d\ibu4f3\qb4g\en +\nspace +\Notes\zq a\tqb0K|\zq{^f}\tqh4h\en +%%% bar 24 +\bar +\Notes\tslur1b\zq N\ql b|\tsslur2d\zql d\zq g\ibu1k3\qb1i\en +\Notes\ctx|\tubslur3k\tqh1k\en +\Notes\zchar{11}\p\ibslurd0G\issluru1J\zqu J\ibl0G{-3}\qb0J% + |\isluru2i\zql N\zq b\ibu1c2\qb1d\en +\Notes\tx{do}\tqb0C|\islurd3c\zq c\tqh1e\en +\NOTes\tslur0J\tsslur1J\fermatadown C\zh F\hu J% + |\zhl a\tsslur3d\zh c\tslur2h\fermataup m\hu f\en +%\mulooseness-2\relax +\mulooseness-1\relax +\Endpiece\eject\endmuflex\end diff --git a/macros/generic/musixtex/doc/examples/widor.tex b/macros/generic/musixtex/doc/examples/widor.tex new file mode 100644 index 0000000000..5fc02a89f8 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/widor.tex @@ -0,0 +1,792 @@ +\title{Toccata} +\shortauthor{Ch.-M. Widor} +\subtitle{(extraite de la cinqui\`eme symphonie pour orgue)} +\fullauthor{Charles-Marie WIDOR} +\maketitle +\parindent 13mm +% + +\tracingstats=2\relax +% +\nbporteesi=2\relax +\def\nbinstruments{1} +\global\cleftoksi={{0}{0}{0}{0}}% +% +\signaturegenerale{-1}\relax +\def\Mordant{\mordant{10}}% +%\check +\def\instrumenti{Manuel}% +%\check +\def\gluemaxskip{7pt}% +% +\def\bnotes{\barre\notes}\def\bnoteP{\bnotes\Pause} +\def\tnotes{\temps\notes} +\def\zbnotes{\zbarre\notes} +\def\doubler{\multiply\noteskip by 2\relax}% +\def\Pause{\sk\sk\sk\sk\sk\sk\sk\pause}% +% formes frequentes +% +\def\qbupz#1{\upz{#1}\qb0{#1}} +\def\qhlpz#1{\lpz{#1}\qh0{#1}} +%\check +\def\umotif#1#2#3#4#5#6#7#8#9{\varaccid +{\advance\transpose by 2\ibbl0{#9}0}\relax +\ilegu0{#1}\qb0{#1}\tleg0\qb0{#2#3}% +\qbupz{#1}\qbupz{#4#5}\qbupz{#6#7}\qbupz{#8#9}\qbupz{#7}\tbl0\qbupz{#5}}% +%\check +\def\mmotif#1#2#3#4#5#6#7#8#9{\varaccid +{\advance\transpose by -2\ibbu0{#1}0}\relax +\ilegl0{#3}\qh0{#1}\tleg0\qh0{#2#3}% +\qhlpz{#1}\qhlpz{#4#5}\qhlpz{#6#7}\qhlpz{#8#9}\qhlpz{#7}\tbu0\qhlpz{#5}}% +\def\Mmotif#1#2#3#4#5{\mmotif#1!#2!#3!#4!#5} +\def\Umotif#1#2#3#4#5{\umotif#1!#2!#3!#4!#5} +%\check +% +\def\culpz#1{\lpz{#1}\cu{#1}}% +\def\clupz#1{\upz{#1}\cl{#1}}% +% +%\check +% double accord de 4 + soupir +\def\dbuq#1#2#3#4{\lst{#4}\ibu0{#1}0\zq{#1#2#3}\qh0{#4}\sk +\lpz{#4}\zq{#1#2#3}\tqh0{#4}\sk\dsoupir\sk}% +\def\dblq#1#2#3#4{\ust{#1}\ibl0{#4}0\zq{#1#2#3}\qb0{#4}\sk +\upz{#1}\zq{#1#2#3}\tqb0{#4}\sk\dsoupir\sk}% +% +\def\dblql#1#2#3#4{\ust{#1}\ibl0{#4}0\zq{#1#3}\lq{#2}\qb0{#4}\sk +\upz{#1}\zq{#1#3}\lq{#2}\tqb0{#4}\sk\dsoupir\sk}% +\def\dbuqr#1#2#3#4{\lst{#4}\ibu0{#1}0\rq{#2}\zq{#1#3}\qh0{#4}\sk +\lpz{#4}\rq{#2}\zq{#1#3}\tqh0{#4}\sk\dsoupir\sk}% +% +%\check +% double accord de 3 + soupir +\def\dbut#1#2#3{\lst{#3}\ibu0{#1}0\zq{#1#2}\qh0{#3}\sk +\lpz{#3}\zq{#1#2}\tqh0{#3}\sk\dsoupir\sk}% +\def\Dbut#1#2#3{\ibu0{#1}0\zq{#1#2}\bupz0\qh0{#3}\sk +\zq{#1#2}\bupz0\tqh0{#3}\sk\dsoupir\sk}% +\def\dblt#1#2#3{\ust{#1}\ibl0{#3}0\zq{#1#2}\qb0{#3}\sk +\upz{#1}\zq{#1#2}\tqb0{#3}\sk\dsoupir\sk}% +% +\def\dbutr#1#2#3{\lst{#3}\ibu0{#1}0\zq{#1}\rq{#2}\qh0{#3}\sk +\lpz{#3}\rq{#2}\zq{#1}\tqh0{#3}\sk\dsoupir\sk}% +\def\Dbutr#1#2#3{\ibu0{#1}0\zq{#1}\rq{#2}\bupz0\qh0{#3}\sk +\rq{#2}\zq{#1}\bupz0\tqh0{#3}\sk\dsoupir\sk}% +\def\dbltl#1#2#3{\ust{#1}\ibl0{#3}0\zq{#1}\lq{#2}\qb0{#3}\sk +\upz{#1}\zq{#1}\lq{#2}\tqb0{#3}\sk\dsoupir\sk}% +% +%\check +% double accord de 2 + soupir +\def\dbud#1#2{\lst{#2}\ibu0{#1}0\zq{#1}\qh0{#2}\sk +\lpz{#2}\zq{#1}\tqh0{#2}\sk\dsoupir\sk}% +\def\Dbud#1#2{\ibu0{#1}0\zq{#1}\bupz0\qh0{#2}\sk +\zq{#1}\bupz0\tqh0{#2}\sk\dsoupir\sk}% +% +% double accord de 3 doubles croches +\def\ddbut#1#2#3{\lpz{#3}\ibbu0{#1}0\zq{#1#2}\qh0{#3}% +\lpz{#3}\zq{#1#2}\tqh0{#3}}% +\def\ddblt#1#2#3{\upz{#1}\ibbl0{#3}0\zq{#1#2}\qb0{#3}% +\upz{#1}\zq{#1#2}\tqb0{#3}}% +% +% double accord de 2 doubles croches +\def\ddbud#1#2{\lpz{#2}\ibbu0{#1}0\zq{#1}\qh0{#2}% +\lpz{#2}\zq{#1}\tqh0{#2}}% +\def\ddbld#1#2{\upz{#1}\ibbl0{#2}0\zq{#1}\qb0{#2}% +\upz{#1}\zq{#1}\tqb0{#2}}% +% +% double accord de 3 + soupir +\def\dbutmr#1#2#3{\lst{#3}\ibu0{#1}0\rq{#2}\zq{#1}\qh0{#3}\sk +\lpz{#3}\rq{#2}\zq{#1}\tqh0{#3}\sk\dsoupir\sk}% +% +% double accord de 2 + soupir +\def\dbudr#1#2{\lst{#2}\ibu0{#1}0\rq{#1}\qh0{#2}\sk +\lpz{#2}\rq{#1}\tqh0{#2}\sk\dsoupir\sk}% +% +% double accord de 3 doubles croches +\def\ddbutr#1#2#3{\lpz{#3}\ibbu0{#1}0\rq{#2}\zq{#1}\qh0{#3}% +\lpz{#3}\rq{#2}\zq{#1}\tqh0{#3}}% +\def\ddbltl#1#2#3{\upz{#1}\ibbl0{#3}0\lq{#2}\zq{#1}\qb0{#3}% +\upz{#1}\lq{#2}\zq{#1}\tqb0{#3}}% +% +% double accord de 2 doubles croches +\def\ddbudr#1#2{\lpz{#2}\ibbu0{#1}0\rq{#1}\qh0{#2}\relax +\lpz{#2}\rq{#1}\tqh0{#2}}% +% +% accord de 4, 3 doubles croches inf +\def\lmotbba#1#2#3#4{\dbuq{#1}{#2}{#3}{#4}% +\ddbut{#2}{#3}{#4}}% +%\check +% +% accord de 4, 2 doubles croches sup +\def\lmotbbb#1#2#3#4{\dbuq{#1}{#2}{#3}{#4}% +\ddbud{#1}{#2}}% +%\check +% +% accord de 4, 2 doubles croches med +\def\lmotbbc#1#2#3#4{\dbuq{#1}{#2}{#3}{#4}% +\ddbud{#2}{#3}}% +%\check +% +% accord de 2, 2 doubles croches med +\def\lmotbbd#1#2#3{\dbud{#1}{#2}% +\ddbud{#2}{#3}}% +%\check +% +\def\bld#1#2{\zq{#2}\clupz{#1}}% +\def\blt#1#2#3{\zq{#3#2}\clupz{#1}}% +\def\bltl#1#2#3{\zq{#3}\lq{#2}\clupz{#1}}% +\def\blq#1#2#3#4{\zq{#4#3#2}\clupz{#1}}% +\def\blql#1#2#3#4{\lq{#2}\zq{#3#4}\clupz{#1}}% +% +\def\bud#1#2{\zq{#1}\culpz{#2}}% +\def\budr#1#2{\rq{#1}\culpz{#2}}% +\def\but#1#2#3{\zq{#1#2}\culpz{#3}}% +\def\butr#1#2#3{\zq{#1}\rq{#2}\culpz{#3}}% +\def\buq#1#2#3#4{\zq{#1#3#2}\culpz{#4}}% +\def\buqr#1#2#3#4{\zq{#1#3}\rq{#2}\culpz{#4}}% +\def\tblq#1#2#3#4{\dblq{#1}{#2}{#3}{#4}\blq{#1}{#2}{#3}{#4}}% +\def\tblql#1#2#3#4{\dblql{#1}{#2}{#3}{#4}\blql{#1}{#2}{#3}{#4}}% +\def\tbuq#1#2#3#4{\dbuq{#1}{#2}{#3}{#4}\buq{#1}{#2}{#3}{#4}}% +\def\tblt#1#2#3{\dblt{#1}{#2}{#3}\blt{#1}{#2}{#3}}% +\def\tbltl#1#2#3{\dbltl{#1}{#2}{#3}\bltl{#1}{#2}{#3}}% +%\check +% +\def\tbuqr#1#2#3#4{\dbuqr{#1}{#2}{#3}{#4}\buqr{#1}{#2}{#3}{#4}}% +%\check +% +% accord de 3, final croche +\def\tbut#1#2#3{\dbut{#1}{#2}{#3}\but{#1}{#2}{#3}}% +\def\Tbut#1#2#3{\Dbut{#1}{#2}{#3}\but{#1}{#2}{#3}}% +%\check +% +\def\tbutr#1#2#3{\dbutr{#1}{#2}{#3}\butr{#1}{#2}{#3}}% +\def\Tbutr#1#2#3{\Dbutr{#1}{#2}{#3}\butr{#1}{#2}{#3}}% +%\check +% +% accord de 2, final croche +\def\tbud#1#2{\dbud{#1}{#2}\bud{#1}{#2}}% +\def\Tbud#1#2{\Dbud{#1}{#2}\bud{#1}{#2}}% +%\check +% +\def\register#1{\boxit{\hbox{\bf #1}}} +% +\generalmeter{\meterfrac 42}% +% +\ifnum\musicsize=16\def\bottomfacteur{7}\else\def\bottomfacteur{5}\fi +\debutmorceau +% +\ifnum\musicsize=16\relax + \autolines{19}47\else + \autolines{19}36\fi +\ifx\undefined\horizontalscore \else\autolines{19}54\fi +%\check +% +\bigaccid +\hyphenpenalty -50\relax +\notes\zmidtwotext{\fff}|\zcharnote{w}{\kern -20mm\moyen Allegro +\bf(\metron{\qu}{100})}\enotes +% +%\check +% +% mesure 1 +\tnotes\lmotbba mjhf|\umotif t!s!q!o!m\enotes +\tnotes\tbuq ljhf|\umotif s!r!q!o!m\enotes +\zbnotes\tbuqr kjhf|\umotif r!q!q!o!m\enotes +\tnotes\tbuq ljhf|\umotif s!r!q!o!m\enotes +% mesure 2 +\bnotes\lmotbba mjhf|\umotif t!s!q!o!m\enotes +\tnotes\tbuq ljhf|\umotif s!r!q!o!m\enotes +\ifnum\musicsize=16\relax + \autolines {17}47\else + \autolines {17}36\fi +\ifx\undefined\horizontalscore \else\autolines{17}54\fi +\zbnotes\tbuqr kjhf|\umotif r!q!q!o!m\enotes +\tnotes\na i\tbuq lige|\umotif s=p!p!n!m\enotes +% mesure 3 +\bnotes\lmotbba jgec|\umotif q=p!n!l!j\enotes +\nspace\tnotes\na i\tbuq igec|\na p\umotif p!o!n!l!j\enotes +\zbnotes\tbuqr hgec|\umotif o!n!n!l!j\enotes +\tnotes\tbuq igec|\umotif p!o!n!l!j\enotes +% mesure 4 +\bnotes\lmotbba jgec|\umotif q=p!n!l!j\enotes +\nspace\tnotes\na i\tbuq igec|\na p\umotif p!o!n!l!j\enotes +\zbnotes\tbuqr hgec|\umotif o!n!n!l!j\enotes +\tnotes\sh f\na i\tbut ifd|\na p\umotif p^m!m!k!j\enotes +% mesure 5 +\bnotes\na b\lmotbbc gdbN|\umotif n^m!k=i!g\enotes +\nspace\tnotes\sh c\tbut gec|\umotif o^n!l^j!h\enotes +\zbnotes\tbutr gfd|\umotif o=m!m!k!h\enotes +\tnotes\sh c\tbut gec|\umotif o^n!l^j!h\enotes +% mesure 6 +\bnotes\lmotbbb fd!N|\umotif o!m!m!k!h\enotes +\qspace +\tnotes\lsh d\sh f\tbut hfd|\na p\umotif p^o^m^k=i\enotes +\zbnotes\tbutr hge|\umotif p!n!n!l!i\enotes +\tnotes\tbut hfd|\umotif p!o!m!k!i\enotes +% mesure 7 +\bnotes\lmotbbb ge!N|\na p\umotif p!n!n!l=i\enotes +\nspace\tnotes\fl i\tbut ige|\umotif q!p!n!l!j\enotes +\zbnotes\tbut ifd|\umotif q!m!m!k!j\enotes +\tnotes\tbutr ihf|\umotif q!o!o!m!j\enotes +% mesure 8 +% increase the number of instruments at the next line change +\def\manuale{}% nothing until changed +\def\pedalepause{}% +\def\atnextline{\nbporteesii=2\relax + \nbporteesi=1\relax + \def\nbinstruments{2}\relax + \global\cleftoksii={{0}{0}{0}{0}}\global\cleftoksi={{6}{0}{0}{0}}\relax + \def\pedalepause{\Pause}\def\manuale{&}\relax + \signaturegenerale{-1}}\relax +% +\bnotes\pedalepause\manuale\tbut ige|\umotif q!n!n!l!j\enotes +\tnotes\manuale\sh j\fl e\tbuqr jige|\sh q\umotif q!n!n!l^j\enotes +% +\zbnotes\pedalepause\manuale\tbuq kigd|\umotif r^q!p!n!k\enotes +\tnotes\manuale\na c\na l\tbuq ligc\relax + |\ibbl0{p}0\ilegu0{s}\qb0{s}\tleg0\qb0{^r}% +\qbupz{s}\qbupz{=q}\qbupz{p}\qbupz{n}\qbupz{p}\tbl0\qbupz{q}\enotes +% mesure 9 +%\check +% modification de la liaison initiale en pizz. +\def\umotif#1#2#3#4#5#6#7#8#9{\varaccid +{\advance\transpose by 2\ibbl0{#9}0}\qbupz{#1}\qbupz{#2#3}% +\qbupz{#1}\qbupz{#4#5}\qbupz{#6#7}\qbupz{#8#9}\qbupz{#7}\tbl0\qbupz{#5}}% +%\check +\def\mmotif#1#2#3#4#5#6#7#8#9{\varaccid +{\advance\transpose by -2\ibbu0{#1}0}\qhlpz{#1}\qhlpz{#2#3}% +\qhlpz{#1}\qhlpz{#4#5}\qhlpz{#6#7}\qhlpz{#8#9}\qhlpz{#7}\tbu0\qhlpz{#5}}% +% +%\check +\bnotes\zcharnote{E}{\llap{\ff}}\relax +\doubler\qlp f\sk\sk\cu F&\lmotbba mjhf|\umotif t!s!q!o!m\enotes +\tnotes\doubler\qlp e\sk\sk\cu F&\tbuq ljhf|\umotif s!r!q!o!m\enotes +\zbnotes\doubler\qlp d\sk\sk\cu F&\tbuqr kjhf|\umotif r!q!q!o!m\enotes +\tnotes\doubler\qlp e\sk\sk\cu F&\tbuq ljhf|\umotif s!r!q!o!m\enotes +% mesure 10 +\bnotes\doubler\qlp f\sk\sk\cu F&\lmotbba mjhf|\umotif t!s!q!o!m\enotes +\tnotes\doubler\qlp e\sk\sk\cu F&\tbuq ljhf|\umotif s!r!q!o!m\enotes +\zbnotes\doubler\qlp d\sk\sk\cu F&\tbuqr kjhf|\umotif r!q!q!o!m\enotes +\tnotes\doubler\qlp e\sk\sk\cu G&\na i\tbut lig|\umotif s=p!p!n!m\enotes +% mesure 11 +\bnotes\itenu1c\wh c&\lmotbba jgec|\umotif q=p!n!l!j\enotes +\nspace\tnotes&\na i\tbuq igec|\na p\umotif p!o!n!l!j\enotes +\zbnotes\tten1\hl c&\tbuqr hgec|\umotif o!n!n!l!j\enotes +\tnotes\hpause&\na i\tbuq igec|\na p\umotif p!o!n!l!j\enotes +% mesure 12 +\bnotes\doubler\qlp c\sk\sk\cu C&\lmotbba jgec|\umotif q=p!n!l!j\enotes +\nspace\tnotes\doubler\qlp{=b}\sk\sk\cu C&\na i\tbuq igec|\na p\umotif p!o!n!l!j\enotes +\zbnotes\doubler\qlp a\sk\sk\cu C&\tbuqr hgec|\umotif o!n!n!l!j\enotes +\tnotes\doubler\qlp b\sk\sk\cu D&\sh f\na i\tbut ifd|\na p\umotif p^m!m!k!j\enotes +% mesure 13 +\bnotes\whp N&\na b\lmotbbc gdbN|\umotif n^m!k=i!g\enotes +\tnotes&\tbut gec|\umotif n!m!l!j!g\enotes +\zbnotes&\tbut gdb|\umotif n!m!k!i!g\enotes +\tnotes\hpause&\sh c\tbut gec|\umotif o^n!l^j!h\enotes +% mesure 14 +\bnotes\doubler\qlp N\sk\sk\cu G&\sh c\tbut hec|\umotif +o^n!l^j!h\enotes +\tnotes\doubler\qlp N\sk\sk\cu G&\tbut hec|\umotif o!n!l!j!h\enotes +\zbnotes\doubler\qlp M\sk\sk\cu F&\tbut hfd|\na p\umotif +p!m!m!k=i\enotes +\tnotes\doubler\qlp L\sk\sk\cu E&\tbutr hge|\sh q\umotif +q!o!o!n^j\enotes +% mesure 15 +\ifnum\musicsize=16\relax + \autolines{17}46\else + \autolines{17}35\relax +\fi +\ifx\undefined\horizontalscore \else\autolines{17}53\fi +\bnotes\itenu1K\wh K&\lmotbbd hfd|\umotif r^q!o!m!k\enotes +\tnotes&\tbud hf|\umotif r!q!o!m!k\enotes +\zbnotes\tten1\hl K&\na i\tbut ifd|\na p\umotif p!o!o!m!k\enotes +\tnotes\hpause&\tbut jfd|\na q\umotif q!p!o!m!k\enotes +% mesure 16 +\bnotes\doubler\qlp a\sk\sk\cu H&\sh d\lsh f\na i\tbut +ifd|\na p\umotif p^o^m^k=i\enotes +\tnotes\doubler\qlp a\sk\sk\cu H&\tbut ifd|\umotif p!o!m!k!i\enotes +\zbnotes\doubler\qlp N\sk\sk\cu G&\tbut ige|\sh q\umotif +q!n!n!l^j\enotes +\tnotes\doubler\qlp{^M}\sk\sk\cu{^F}&\na i\sh f\tbutr ihf|\sh r\umotif +r!p!p!o^k\enotes +%\check +% mesure 17 +\bnotes\itenu1L\wh L&\na i\dbud ig\ddbud ge|\umotif +s^r=p!n!l\enotes +\tnotes&\dbud ig\but ige|\umotif s!r!p!n!l\enotes +\zbnotes\tten1\hl L&\tbut jge|\umotif q=p!p!n!l\enotes +\tnotes\hpause&\tbut kge|\na r\umotif r=p!p!n!l\enotes +% mesure 18 +\bnotes\doubler\fl b\qlp b\sk\sk\cu I&\dbut jge\bud ge|\umotif q=p!n!l!j\enotes +\tnotes\doubler\qlp b\sk\sk\cu I&\dbut jge\bud ge|\umotif q!p!n!m!j\enotes +\zbnotes\doubler\qlp a\sk\sk\cu H&\dbuqr kjhf\but jhf|\umotif +r^q!o!m!k\enotes +\tnotes\doubler\qlp N\sk\sk\cu G&\fl i\tbuqr ljig\relax + |\varaccid\ibbl0{p}0\ilegu0{s}\qb0{s}\tleg0\qb0{^r}% +\qbupz{s}\qbupz{=q}\qbupz{_p}\qbupz{n}\qbupz{p}\tbl0\qbupz{s}\enotes +% mesure 19 +\bnotes\doubler\qlp M\sk\sk\cu F&\lmotbba mkhf|\umotif t!s!r!n!m\enotes +\nspace\tnotes\doubler\qlp N\sk\sk\cu G&\sh j\tbuqr lijg|\umotif s^r^q!p!n\enotes +\nspace\zbnotes\doubler\qlp M\sk\sk\cu F&\tbut khf|\sh q\umotif +r!q!o!m!l\enotes +\tnotes\doubler\qlp L\sk\sk\cu E&\na j\tbut jhe|\na q\umotif +q!o!o!l!j\enotes +% mesure 20 +\bnotes\doubler\qlp K\sk\sk\cu D&\fl i\tbutr ihd|\umotif p!o!o!m!i\enotes +\tnotes\doubler\qlp L\sk\sk\cu E&\tbut ige|\umotif p!n!n!l!i\enotes +\zbnotes\doubler\qlp{^J}\sk\sk\cu{^C}&\sh c\tbutr hgc|\umotif +o!n!n!l!h\enotes +\tnotes\doubler\qlp K\sk\sk\cu D&\tbut hfd|\umotif o!m!m!k!h\enotes +% mesure 21 +\bnotes\wh I&\mmotif h^f!f!d!b|\sh m\dblt omk\ddblt omk\enotes +\tnotes&\mmotif i!g!g!d!b|\tblq rpnk\enotes +\zbnotes\wh J&\mmotif g=f!f!d!c|\lna m\tbltl nmi\enotes +\tnotes&\mmotif g!e!e!d!c|\tblt nli\enotes +%\check +% mesure 22 +\bnotes\hu F&\dbut fca\ddbut fca|\umotif m!l!j!h!f\enotes +\tnotes\sk\hpause&\tbut eca|\umotif l!k!j!h!f\enotes +\zbnotes\Pause&\tbutr dca|\umotif k!j!j!h!f\enotes +\tnotes&\tbut eca|\umotif l!k!j!h!f\enotes +% mesure 23 +\global\cleftoksii={{6}{0}{0}{0}}\changeclefs +\bnotes\Pause&\umotif f!e!c!a!M|\dblt mjh\ddblt mjh\enotes +\tnotes&\umotif e!d!c!a!M|\tblt ljh\enotes +\zbnotes\hpause&\umotif d!c!c!a!M|\tbltl kjh\enotes +\tnotes\lpz F\qu F\sk\sk\sk\soupir&\umotif d=b!b!a!M|\na i\dblt +oki\na p\blt pki\enotes +% mesure 24 +\bnotes\qu E\sk\sk\sk\soupir&\lsh N\na b\tblt ebN|\mmotif l^k=i^g!e\enotes +\tnotes\sk\hpause&\sh d\tblt dbN|\mmotif k^j!i!g!e\enotes +\qspace +\zbnotes\Pause&\lsh c\tbltl cbN|\mmotif j!i!i!g!e\enotes +\tnotes&\tblt dbN|\mmotif k!i!i!g!e\enotes +% mesure 25 +\bnoteP&\umotif e^d=b^N!L|\lsh g\na i\dblt lig\ddblt lig\enotes +\nspace\tnotes&\umotif d^c!b!N!L|\sh k\tblt kig\enotes +\zbnotes\sk\hpause&\qsk\sh c\umotif c=b!b^N!L|\sh g\sh j\lna i\qsk\tbltl jig\enotes +\tnotes\lpz E\qu E\sk\sk\sk\soupir&\umotif c^a!a!N!L|\relax + \sh h\sh n\dblt njh\sh o\blt ojh\enotes +% mesure 26 +\bnotes\fl E\qu E\sk\sk\sk\soupir&\lfl b\na N\fl e\dblt +ebN\ddbld bN|\fl l\mmotif l!k!i!g_e\enotes +\tnotes\sk\hpause&\tblt dbN|\mmotif k!i!i!g!e\enotes +\qspace +\zbnotes\sk\hpause&\lsh c\tbltl cbN|\sh j\mmotif + j!i!i!g!e\enotes +\global\cleftoksii={{0}{0}{0}{0}}\changeclefs +\tnotes\ilegl1G\fl L\hl L&\sh c\dbutmr gcb\zq g\rq c\culpz b|\umotif + n^m^j!i!g\enotes +% mesure 27 +\bnotes\tleg1\hu G&\na b\dbut gdb\ddbud db|\umotif n^m!k=i!g\enotes +\nspace\tnotes\sk\hpause&\sh f\tbut fdb|\umotif m!k!k!i!g\enotes +\zbnotes\Pause&\sh e\tbutr edb|\bigsh l\umotif l!k!k!i!g\enotes +\tnotes\ilegl1I\hl N&\na i\tbutr ied|\bigna p\umotif p^o!l!k!i\enotes +% mesure 28 +%\check +\bnotes\na I\tleg1\hu I&\na i\lsh f\sh d\dbut ifd\ddbud fd|\na p\umotif + p^o^m^k=i\enotes +\nspace\tnotes\sk\hpause&\sh h\tbut hfd|\sh o\umotif o!m!m!k!i\enotes +\zbnotes\Pause&\na h\tbut hfd|\na o\umotif o!m!m!k!i\enotes +\tnotes\na b\ilegu1c\hl b&\sh k\dbut khf\zq{kh}\culpz f|\sh r\umotif + r!o!o!m!k\enotes +% mesure 29 +%\check +\bnotes\fl b\tleg1\hl b&\na f\lfl i\na k\dbut kif\ddbut ifd|\na r\umotif + r^q!p!m!k\enotes +\nspace\tnotes\doubler\soupir\sk\dsoupir\cu I\relax +&\fl g\fl l\dbutmr lhg\rq h\lpz g\cu g|\fl s\umotif s!o!o_n_l\enotes +\zbnotes\hl b&\dbut kif\ddbut ifd|\na r\umotif + r^q!o!m!k\enotes +\nspace\tnotes\doubler\soupir\sk\dsoupir\cu I\relax +&\fl g\fl l\dbutmr lhg\rq h\lpz g\zq l\cu g|\fl s\umotif + s!o!o_n_l\enotes +% mesure 30 +%\check +\bnotes\hl b&\dbut kif\ddbut ifd|\umotif r^q!p!m!k\enotes +\tnotes\sk\hpause +&\dbut kif\zq{if}\culpz d|\umotif r!q!p!m!k\enotes +\zbnotes&\dbut kif\zq{if}\culpz d|\umotif r!q!p!m!k\enotes +\tnotes\pause&\dbut kif\zq{if}\culpz d|\umotif r!q!p!m!k\enotes +% mesure 31 +%\check +\bnoteP&\zcharnote N{\llap{\register{II} }}% +\zmidtwotext{\llap{\mf}}\dbut khf\ddbut hfd|\zcharnote s{\llap{(I)}}% +\umotif r^q!o!m!k\enotes +\tnotes&\dbut khf\zq{hf}\culpz d|\umotif r!q!o!m!k\enotes +\zbnotes\Pause&\dbut khf\zq{hf}\culpz d|\umotif r!q!o!m!k\enotes +\tnotes&\dbut khf\zq{hf}\culpz d|\umotif r!q!o!m!k\enotes +% mesure 32 +%\check +\bnoteP&\qsk\zcharnote a{\llap{(II)}}% +\bigsh g\dbutr kgf\rq g\culpz f|\qsk\zcharnote r{\llap{\register{II} }}% +\umotif r^q^n!m!k\enotes +\tnotes&\dbutr kgf\rq g\culpz f|\umotif r!q!n!m!k\enotes +\zbnotes\Pause&\dbutr kgf\rq g\culpz f|\umotif r!q!n!m!k\enotes +\tnotes&\dbutr kgf\rq g\culpz f|\umotif r!q!n!m!k\enotes +% mesure 33 +%\check +\signaturegenerale{2}\Changecontext +\ifnum\musicsize=16\relax + \def\atnextline{\nbporteesi=2\relax + \def\nbinstruments{1}\relax + \global\cleftoksi={{0}{0}{0}{0}}\relax + \def\pedalepause{}\def\manuale{}}\fi +% +\znotes\manuale\zmidtwotext{\llap{\register{III} \pp}}\enotes +\notes\pedalepause\manuale\mmotif k!j!h!f!d|\dblt rom\ddblt rom\enotes +\tnotes\manuale\mmotif j!i!h!f!d|\tblq qomk\enotes +\zbnotes\pedalepause\manuale\mmotif i!h!h!f!d|\tblql pomk\enotes +\tnotes\manuale\mmotif j!h!h!f!d|\tblq qomk\enotes +% +% mesure 34 +\bnotes\pedalepause\manuale\mmotif k!j!h!f!d|\dblt rom\ddblt rom\enotes +\tnotes\manuale\mmotif j!i!h!f!d|\tblq qomk\enotes +\zbnotes\pedalepause\manuale\mmotif i!h!h!f!e|\tblql pomk\enotes +\tnotes\manuale\mmotif j^g!g!f!e|\tblql qlnk\enotes +% +%\check +% mesure 35 +\bnotes\pedalepause\manuale\dbut hec\ddbud ec|\umotif o^n!l!j!h\enotes +\nspace\tnotes\manuale\bigsh g\tbut gec|\umotif n!m!l!j!h\enotes +\zbnotes\pedalepause\manuale\tbutr fec|\umotif m!l!l!j!h\enotes +\tnotes\manuale\sh g\tbut gec|\bigsh n\umotif n!l!l!j!h\enotes +% +%\check +% mesure 36 +\ifnum\musicsize=16\advance\linesinpage by -1\relax\fi +% +\bnotes\pedalepause\manuale\mmotif h^g!e!c!a|\dblt olj\ddblt olj\enotes +\nspace\tnotes\manuale\mmotif g!f!e!c!a|\bigsh n\tblq nljh\enotes +\zbnotes\pedalepause\manuale\mmotif f!e!e!c!a|\tblql mljh\enotes +\tnotes\manuale\mmotif g^d!d!b!a|\bigsh k\tblql nhki\enotes +% +%\check +% mesure 37 +\bnotes\pedalepause\manuale\bigsh N\dbut ebN\bud bN|\umotif l^k!i^g!e\enotes +\qspace +\tnotes\manuale\mmotif e^c!c^a!L|\bigaccid\lsh h\sh j\tblq mjhf\enotes +\zbnotes\pedalepause\manuale\dbud db\bud db|\umotif m=k!k!i!f\enotes +\tnotes\manuale\mmotif e!c!c!a!L|\tblq mjhf\enotes +% +%\check +% mesure 38 +\bnotes\pedalepause\manuale\tbud db|\umotif m!k!k!i!f\enotes +\qspace +\tnotes\manuale\mmotif f^d!d^b!L|\bigaccid + \lsh n\lsh i\sh k\sh g\tblq nkig\enotes +\zbnotes\pedalepause\manuale\tbud ec|\sh n\umotif n!l!l!j^g\enotes +\qspace +\tnotes\manuale\mmotif f^d!d^b!L|\bigaccid\lsh i\sh k\tblq nkig\enotes +%\check +% mesure 39 +\bnotes\pedalepause\manuale\dbud ec\bud ec|\sh n\umotif n!l!l!j^g\enotes +\tnotes\manuale\bigna g\dbut gec\but gec|\umotif o!l!l!j!h\enotes +\zbnotes\pedalepause\manuale\dbut gdb\but gdb|\umotif o!k!k!i!h\enotes +\tnotes\manuale\tbutr gfd|\umotif o!m!m!k!h\enotes +% +%\check +% mesure 40 +\bnotes\pedalepause\manuale\tbut gec|\umotif o!l!l!j!h\enotes +\tnotes\manuale\tbut geb|\umotif p!n!n!l!i\enotes +\zbnotes\pedalepause\manuale\bigfl b\tbut geb|\bigna q\umotif q!n!n!l=j\enotes +\tnotes\manuale\tbut gea|\bigsh q\ibbl0{l}0\ilegu0{q}\qb0{q}\tleg0\qb0{n}% +\qbupz{q}\qbupz{n}\qbupz{l}\qbupz{^j}\qbupz{l}\tbl0\qbupz{j}\enotes +\ifnum\nbinstruments=1\relax + \global\cleftoksi={{6}{0}{0}{0}}\else + \global\cleftoksi={{6}{0}{0}{0}}\global\cleftoksii={{6}{0}{0}{0}}\fi +\changeclefs +%\check +% mesure 41 +\bnotes\pedalepause\manuale\qsk\zcharnote f{\llap{\pp}}\lsh N\tbltl cbN|\qsk + \mmotif j!i!i^g^e\enotes +\nspace\tnotes\manuale\tbltl cbM|\bigsh k\mmotif k!i!i!g^d\enotes +\qspace +\zbnotes\pedalepause\manuale\bigaccid\lsh a\tbltl cba|\bigna l\mmotif l!j!j!i=e\enotes +\qspace +\tnotes\manuale\bigaccid\lsh N\tbltl cbN|\bigsh l\mmotif l!j!j!i^e\enotes +\ifnum\nbinstruments=1\relax + \global\cleftoksi={{0}{0}{0}{0}}\else + \global\cleftoksi={{6}{0}{0}{0}}\global\cleftoksii={{0}{0}{0}{0}}\fi +\addspace{-2\afterruleskip}\changeclefs\notes\manuale \zcharnote N{\register{II}}\enotes +%\check +% mesure 42 +\bnotes\pedalepause\manuale +\zcharnote o{\it cresc.}\relax + \zwp{^a}\Dbud fc\ddbud fc|\zcharnote r{(III)}\umotif m!j!j^h!f\enotes +\nspace\tnotes\manuale\bigna f\Tbud fc|\bigna m\umotif m=l!j!h=f\enotes +\zbnotes\pedalepause\manuale\Tbud ec|\umotif l^k!j!h!e\enotes +\tnotes\manuale\zhl c\bigsh h\Tbud he|\bigsh o\umotif o!l!l!j!h\enotes +% +%\check +% mesure 43 +\bnotes\pedalepause\manuale\zwp d\bigna f\bigfl i\Dbud if\ddbud if|\bigfl p\umotif p=m!m!k_i\enotes +\tnotes\manuale\Tbud hf|\umotif o^n!m!k!h\enotes +\zbnotes\pedalepause\manuale\bigfl h\Tbud hf|\bigfl o\umotif o=n!m!k_h\enotes +\tnotes\manuale\zhl f\Tbud kh|\umotif r!o!o!m!k\enotes +% +% mesure 44 +\barre +\def\atnextline{\nbporteesii=2\relax + \nbporteesi=1\relax + \def\nbinstruments{2}\relax + \global\cleftoksii={{0}{0}{0}{0}}\global\cleftoksi={{6}{0}{0}{0}}\relax + \def\pedalepause{\Pause}\def\manuale{&}\relax + \signaturegenerale{2}}\relax +% +\notes\pedalepause\manuale\bigaccid\sh f\qsk\na h\zwp f\Dbud kh\ddbud kh|\qsk + \umotif r=o!o^m!k\enotes +\tnotes\manuale\Tbud jh|\umotif q^p!o!m!j\enotes +\zbnotes\manuale\bigna h\qsk\na j\Tbud jh|\qsk\bigna q\umotif q=p!o!m=j\enotes +\tnotes\manuale\zhl h\Tbud mj|\umotif t!q!q!o!m\enotes +% +%\check +% mesure 45 +\bnotes\pedalepause\manuale\bigsh j\qsk\zmidtwotext{\llap{\mf}}\zcharnote a{\llap{(II)}}\relax +\bigsh g\bigsh l\zhl g\Dbud lj\budr ji|\zcharnote r{\llap{\register{II}}}\qsk + \bigsh s\umotif s>r!q!p^l\enotes +\tnotes\manuale\zhl h\bigna j\Tbud mj|\umotif t=q!q!o!m\enotes +\zbnotes\pedalepause\manuale\zhl g\bigsh j\Dbud lj\loff{\ddbudr ji}|\umotif s!r^q!p!l\enotes +\tnotes\manuale\qsk\zhl h\bigna j\Tbud mj|\qsk\umotif t=q!q!o!m\enotes +% +%\check +% mesure 46 +\bnotes\doubler\pt 5\soupir\sk\sk\cl c\manuale\bigaccid +\lsh j\sh g\sh l\dblt ljg\bud jg|\bigsh s\umotif s>r!q!p^l\enotes +\tnotes\bigsh e\wh e\manuale\dbut ljg\ddbld jg|\umotif s!r!q!p!l\enotes +\zbnotes\manuale\tblt ljg|\umotif s!r!q!p!l\enotes +\tnotes\hpause\manuale\dblt ljg\bld jg|\umotif s!r!q!p!l\enotes +% +% mesure 47 +\generalsignature{-1}\Changecontext +\notes\doubler\pt 5\soupir\sk\sk + \cl c\manuale\bigfl h\dblt mjh\bud jh|\umotif t!s!q_o!m\enotes +\tnotes\wh f\manuale\dbut mjh\ddbud jh|\umotif t!s!q!o!m\enotes +\zbnotes\manuale\dblt mjh\bud jh|\umotif t!s!q_o!m\enotes +\tnotes\hpause\manuale\dblt mjh\bud jh|\umotif t!s!q!o!m\enotes +% +%\check +% mesure 48 +\bnotes\qsk\qsk\doubler\pt 5\soupir\sk\sk\bigna b\cl +b&\qsk\lfl h\na i\zcharnote N{\llap{\register{I}}}\qsk + \zmidtwotext{\llap{\ff}}\bigaccid +\dbltl mhi\budr ih|\qsk\qsk +\zcharnote r{\llap{(II)}}\umotif t!s_r_q!m\enotes +\tnotes\wh f&\dbltl mhi\ddbudr ih|\umotif t!s!r!q!m\enotes +\qspace\zbnotes&\dbltl mhi\budr ih|\umotif t!s!r!q!m\enotes +\tnotes\hpause&\dbltl mhi\budr ih|\umotif t!s!r!q!m\enotes +%\check +% +% mesure 49 +\bnotes\qsk\hpause&\zmidtwotext{\llap{\fff}}\relax + \zcharnote a{\llap{(I)}}\bigaccid +\lfl h\na i\qsk\dbltl mhi\budr ih|\zcharnote r{\llap{\register{I}}}\qsk + \umotif t!s_r_q!m\enotes +\tnotes\doubler\fl K\ql K\sk\soupir&\dbltl mhi\budr ih|\umotif t!s!r!q!m\enotes +\zbnotes\doubler\na b\ql b\sk\soupir&\dbltl mhi\budr ih|\umotif t!s!r!q!m\enotes +\tnotes\doubler\ql f\sk\soupir&\tbltl mhi|\umotif t!s!r!q!m\enotes +%\check +% +% mesure 50 +\bnotes\doubler\zh F\hu M&\zhl f\bigna h\Dbut mjh\ddbut mjh|\umotif t=s=q!o!m\enotes +\tnotes\doubler\zh E\hu L&\zhl e\Tbut ljh|\umotif s!r!q!o!m\enotes +\zbnotes\doubler\zh D\hu K&\zhl d\Tbutr kjh|\umotif r!q!q!o!m\enotes +\tnotes\doubler\zh E\hu L&\zhl e\Tbut ljh|\umotif s!r!q!o!m\enotes +% mesure 51 +\bnotes\doubler\zh F\hu M&\zhl f\Dbut mjh\ddbut mjh|\umotif t!s!q!o!m\enotes +\tnotes\doubler\zh E\hu L&\zhl e\Tbut ljh|\umotif s!r!q!o!m\enotes +\zbnotes\doubler\zh D\hu K&\zhl d\Tbutr kjh|\umotif r!q!q!o!m\enotes +\tnotes\doubler\zh E\hu L&\zhl e\na i\Tbut lig|\umotif s=p!p!n!m\enotes +% mesure 52 +\bnotes\zbv C\zbv J&\zbv c\Dbut jge\ddbut jge|\umotif q=p!n!l!j\enotes +\nspace\tnotes&\na i\Tbut ige|\umotif p!o!n!l!j\enotes +\zbnotes&\Tbutr hge|\umotif o!n!n!l!j\enotes +\tnotes&\Tbut ige|\umotif p!o!n!l!j\enotes +% mesure 53 +\bnotes\doubler\zh J\hl c&\dbut jge\ddbud ge|\umotif q=p!n!l!j\enotes +\nspace\tnotes\doubler\zh{=I}\hl{=b}&\na i\tbut ige|\umotif p!o!n!l!j\enotes +\zbnotes\doubler\zh H\hl a&\tbutr hge|\umotif o!n!n!l!j\enotes +\tnotes\doubler\zh I\hl b&\sh f\na i\tbuqr idfc|\umotif p^m!m!k!j\enotes +% mesure 54 +\bnotes\itenl2G\zw G\itenu1N\wh N&\na b\dbut gdb\ddbud db|\umotif n^m!k=i!g\enotes +\tnotes&\tbut gec|\umotif n!m!l!j!g\enotes +\zbnotes\tten1\tten2\zh G\hl N&\tbut gdb|\umotif n!m!k!i!g\enotes +\tnotes\hpause&\sh c\tbut gec|\umotif o^m!l^j!h\enotes +% mesure 55 +\bnotes\doubler\zh N\hl G&\sh c\tbut hec|\umotif +o^n!l^j!h\enotes +\tnotes\doubler\zh N\hl G&\tbut hec|\umotif o!n!l!j!h\enotes +\zbnotes\doubler\zh M\hu F&\tbut hfd|\na p\umotif +p!m!m!k=i\enotes +\tnotes\doubler\zh L\hu E&\tbutr hge|\sh q\umotif +q!o!o!n^j\enotes +% mesure 56 +\bnotes\itenl2D\zw D\itenu1K\wh K&\lmotbbd hfd|\umotif r^q!o!m!k\enotes +\tnotes&\dbud hf\but hfd|\umotif r!q!o!m!k\enotes +\zbnotes\tten1\tten2\zh D\hu K&\na i\tbut ifd|\na p\umotif p!o!o!m!k\enotes +\tnotes\hpause&\tbut jfd|\na q\umotif q!p!o!m!k\enotes +% mesure 57 +\bnotes\doubler\zh a\hl H&\sh d\lsh f\na i\tbut +ifd|\na p\umotif p^o^m^k=i\enotes +\tnotes\doubler\zh a\hl H&\tbut ifd|\umotif p!o!m!k!i\enotes +\zbnotes\doubler\zh N\hl G&\tbut ige|\sh q\umotif +q!n!n!l^j\enotes +\tnotes\doubler\zh{^M}\hl{^F}&\sh f\tbutr ihf|\sh r\umotif +r!p!p!o^k\enotes +%\check +% mesure 58 +\bnotes\itenl2E\itenu1L\zw E\wh L&\na i\dbud ig\ddbud ge|\umotif +s^r=p!n!l\enotes +\tnotes&\dbud ig\but ige|\umotif s!r!p!n!l\enotes +\zbnotes\tten2\tten1\zh E\hu L&\tbut jge|\umotif q=p!p!n!l\enotes +\tnotes\hpause&\tbut kge|\na r\umotif r!p!p!n!l\enotes +% mesure 59 +\bnotes\doubler\fl b\fl I\zh b\hu I&\dbut jge\bud ge|\umotif q=p!n!l!j\enotes +\tnotes\doubler\zh b\hu I&\dbut jge\bud ge|\umotif q!p!n!l!j\enotes +\zbnotes\doubler\zh a\hu H&\dbuqr kjhf\but jhf|\umotif +r^q!o!m!k\enotes +\tnotes\doubler\zh N\hu G&\tbuqr ljig\relax + |\varaccid\ibbl0{p}0\qbupz{s}\qbupz{^r}% +\qbupz{s}\qbupz{=q}\qbupz{_p}\qbupz{n}\qbupz{p}\tbl0\qbupz{s}\enotes +% mesure 60 +\bnotes\doubler\zh M\hu F&\lmotbba mkhf|\umotif t!s!r!n!m\enotes +\nspace\tnotes\doubler\zh N\hu G&\sh j\tbuqr lijg|\umotif s^r^q!p!n\enotes +\zbnotes\doubler\zh M\hu F&\tbut khf|\umotif +r^q!o!m!l\enotes +\tnotes\doubler\zh L\hu E&\na j\tbut jhe|\na q\umotif +q!o!o!l!j\enotes +% mesure 61 +\bnotes\doubler\zh K\hu D&\tbutr ihd|\umotif p!o!o!m!i\enotes +\tnotes\doubler\zh L\hu E&\tbut ige|\umotif p!n!n!l!i\enotes +\zbnotes\doubler\zh{^J}\hu{^C}&\sh c\tbutr hgc|\umotif +o!n!n!l!h\enotes +\tnotes\doubler\zh K\hu D&\tbut hfd|\umotif o!m!m!k!h\enotes +% mesure 62 +\bnotes\wh I&\mmotif h^f!f!d!b|\sh m\dblt omk\ddblt omk\enotes +\tnotes&\mmotif i!g!g!d!b|\tblq rpnk\enotes +\zbnotes\wh J&\mmotif g=f!f!d!c|\lna m\tbltl nmi\enotes +\tnotes&\mmotif g!e!e!d!c|\tblt nli\enotes +%\check +% mesure 63 +\bnotes\zbv F&\dblql mkjf\ddbutr kjf|\umotif t!r!r!q!m\enotes +\nspace\tnotes&\dblq mkif\but kif|\umotif t!r!r!p!m\enotes +\zbnotes&\dblql mijf\bltl jif|\umotif t!q!q!p!m\enotes +\tnotes&\dblq mjhf\bld jf|\umotif t!q!q!o!m\enotes +%\check +% mesure 64 +\bnoteP&\dbltl kjf\ddbld jf|\umotif r!q!q!m!k\enotes +\tnotes&\dblt kif\bld if|\umotif r!p!p!m!k\enotes +\zbnotes\pedalepause&\dbltl jif\bld if|\umotif q!p!p!m!j\enotes +\tnotes&\dblt jhf\bud fM|\umotif q!o!o!m!j\enotes +% +% mesure 65 +\bnoteP&\zcharnote N{\llap{\register{II}}}\qsk\zmidtwotext{\it diminuendo}\relax + \dblt ifd\ddbud fd|\qsk\zcharnote o{\llap{(I)}}\umotif p!o!o!m!i\enotes +\tnotes&\dbutr ied\budr ed|\umotif p!n!n!l!i\enotes +\zbnotes\pedalepause&\dbut hec\bud ec|\umotif o!n!n!l!h\enotes +\tnotes&\dbutr hdc\budr dc|\umotif o!m!m!k!h\enotes +% +% mesure 66 +\bnoteP&\dbut hdb\ddbud hf|\ibbl0m0\qbupz o\qbupz m\qbupz o\qbupz m\relax + \qbupz k\qbupz k\qbupz m\tbl0\qbupz o\enotes +\tnotes&\tblt kig|\umotif r!p!p!n!k\enotes +\zbnotes\sk\hpause&\dbutr gfc\bud fc|\umotif n!m!m!j!g\enotes +\tnotes\doubler\pt 5\soupir\sk\sk\cl M&\dbut gec\cl q|\umotif n!l!l!i!g\enotes +% +% mesure 67 +\bnotes\hl f&\Ioctfinup0p\dbltl mkj\ddbltl mkj|\mmotif m!k!k!j!f\enotes +\tnotes\hpause&\tblt mki|\mmotif m!k!k!i!f\enotes +\zbnotes\hpause&\tbltl mji|\mmotif m!j!j!i!f\enotes +\tnotes\doubler\pt 5\soupir\sk\sk\cl M&\tblt mjh|\mmotif m!j!j!h!f\enotes +% +% mesure 68 +\bnotes\hl f&\dbutr kjf\ddbltl kjf|\mmotif k!j!j!f!d\enotes +\tnotes\hpause&\tblt kif|\mmotif k!i!i!f!d\enotes +\zbnotes\hpause&\tbltl jif|\zcharnote L{\kern\noteskip\it sempre + diminuendo}\mmotif j!i!i!f!c\enotes +\tnotes\doubler\pt 5\soupir\sk\sk\cl M&\dblt jhf\bigfl e\rq f\cu e\relax + |\mmotif j!h!h!f!c\enotes +% +% mesure 69 +\bnotes\doubler\ql f\sk\soupir&\dbut ifd\ddblt ifd|\Mmotif ihhfd\enotes +\nspace\tnotes\doubler\pt 5\soupir\sk\sk\cl M&\bigna e\tblt ige|\Mmotif igged\enotes +\zbnotes\doubler\ql f\sk\soupir&\dbut hec\ddbut hec|\Mmotif hggec\enotes +\tnotes\doubler\pt 5\soupir\sk\sk\cu F&\tbut hfd|\Mmotif hffda\enotes +% +% mesure 70 +\bnotes\hl M&\dbut hdb\ddbld hf|\ibbu0g0\relax +\qhlpz h\qhlpz f\qhlpz h\qhlpz f\qhlpz d\qhlpz d\qhlpz f\tbu0\qhlpz h\enotes +\tnotes\hpause&\tblt kig|\Mmotif kiigd\enotes +\zbnotes\hpause&\tbutr gfc|\Mmotif gffcN\enotes +\tnotes\doubler\ql M\sk\soupir&\tbuqr gceb|\Mmotif geecN\enotes +% +% mesure 71 +\bnotes\doubler\lpz F\qu F\sk\soupir&\doubler + \zq{hfc}\lpz a\qu a\sk\soupir|\Mmotif fecaM\enotes +\tnotes\sk\hpause&\mmotif h^g!f!d!a|\doubler + \ibu0h0\zq{hf}\qhlpz a\tbu0\zq{hf}\qhlpz a\soupir\enotes +\zbnotes\doubler\upz M\ql M\sk\soupir&\doubler + \zq{hfc}\lpz a\qu a\sk\soupir|\Mmotif fecaM\enotes +\tnotes\sk\hpause&\Mmotif hgfda|\doubler + \ibu0h0\zq{hf}\qhlpz a\tbu0\zq{hf}\qhlpz a\soupir\enotes + \ifx\undefined\horizontalscore \else\autolines{17}43\fi +% +% mesure 72 +\bnotes\doubler\upz M\ql M\sk\soupir&\doubler + \zq{hfc}\lpz a\qu a\sk\soupir|\Mmotif fecaM\enotes +\tnotes\hpause&\dbut hfd\ddbut hfd|\mmotif h^g!f!d!a\enotes +\zbnotes\hpause&\tbut hfc|\Mmotif hgfca\enotes +\tnotes\doubler\ql M\sk\soupir&\tblt kif|\mmotif k^j!i!f!d\enotes +% +% mesure 73 +\bnotes\doubler\qsk\upz f\ql f\sk\soupir + &\qsk\tbutr jif|\qsk\bigna j\Mmotif jiifc\enotes +\tnotes\doubler\upz f\ql f\sk\soupir + &\tbutr jif|\zcharnote b{\it cresc.}\Mmotif jiifc\enotes +\zbnotes\hpause&\tblt jhf|\Mmotif jhhfc\enotes +\tnotes\doubler\upz f\ql f\sk\soupir&\tbutr jgf|\Mmotif jggfc\enotes +% +% mesure 74 +\def\Xmotif#1#2#3#4#5#6#7#8#9{{\advance\transpose by 8\relax +\advance\transpose by \interfacteur\ibbl0{#7}0}\sk\sk\sk\sk\sk\bigaccid +\qhlpz{#8#9}\varaccid\qhlpz{#7}\qhlpz{#5}\relax +|\qbupz{#1}\qbupz{#2#3}\qbupz{#1}\qbupz{#4#5}\qbupz{#6#7}\sk\sk\tbu0}% +%\check +\bnotes\doubler\upz f\ql f\sk\soupir&\ibu0i0\doubler + \zq{jh}\qhlpz f\tbu0\zq{jh}\qhlpz f\soupir\Toctfin0\relax + |\Mmotif jhhfc\enotes +\tnotes\sk\hpause&\zcharnote N{\register{I}}\zcharnote n{\llap{\it cresc. + }}\Xmotif j=i!h!f!c\enotes +\zbnotes\Pause&\Xmotif m!l!j!h!f\enotes +\tnotes&\Xmotif o^n!m!j!h\enotes +% +% mesure 75 +\bnotes&|\ibbl0j0\qbupz o\qbupz{^n}\qbupz o\qbupz m\qbupz j\enotes +\notes\sk\sk\pause&\qhlpz c\qhlpz f\tbu0\qhlpz h\enotes +\tnotes&\Xmotif m!l!j!h!f\enotes +\zbnotes\Pause&\Xmotif o!n!m!j!h\enotes +\tnotes&\Xmotif q=p!o!m!j\enotes +% +% mesure 76 +\ifnum\musicsize=16\relax + \elemskip=0.66\elemskip\advance\barsinline by -1\fi +\ifx\undefined\horizontalscore\else + \elemskip=0.66\elemskip\advance\barsinline by -1\fi +\barre\NOTes\pause&\pause|\zbv t\itenu1t\pause\sk\enotes +\tnotes\midtwotext{\fff}&\midtwotext{\fff}\enotes +\temps\NOTEs\wh F&\fl e\zw e\rw f\zw h\wh j|\zw m\zw o\wh q\sk\enotes +% +% mesure 77 +\barre\NOTEs\qsk\wh I&\qsk\fl e\zw e\rw f\zw h\wh j|\qsk + \zw m\zw o\tten1\zbv t\itenu1t\wh q\enotes +\temps\NOtes\wh I&\zw d\zw i\roff{\zq d\ql f}\zhp {=e}\hlp g\sk\sk +|\zw m\zw p\roff{\ql m\hlp n}\sk\enotes +% mesure 78 +\barre\ifnum\musicsize=16\NOTes\else\NOtes\fi + \tinynotesize\itenl2F\cu F&\tinynotesize + \zq c\zq f\cu h|\tinynotesize\tinynotesize\zq m\cl o\enotes +\NOTES\tten2\pointdurgue E\zbv F\zbv M&\relax + \zbv c\zbv f\zbv h\sk|\zbv m\zbv o\tten1\zbv t\pointdorgue t\enotes +\temps\temps\finmorceau +\rightline{\sl\aujourdhui}\vfil\eject +\varaccid + + diff --git a/macros/generic/musixtex/doc/examples/widor_16.tex b/macros/generic/musixtex/doc/examples/widor_16.tex new file mode 100644 index 0000000000..24f3ba04a4 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/widor_16.tex @@ -0,0 +1,20 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi + +\musicsize=16\relax +\vsize 275mm +\tracingstats=2\relax + +\barsinline=0\relax +\linesinpage=0\relax +\staffbotmarg\Interligne +\resetfacteurs +\computewidths +\othermention{\'edition compacte aide-m\'emoire} +% +\input widor +\bye + diff --git a/macros/generic/musixtex/doc/examples/widor_20.tex b/macros/generic/musixtex/doc/examples/widor_20.tex new file mode 100644 index 0000000000..9d318ff588 --- /dev/null +++ b/macros/generic/musixtex/doc/examples/widor_20.tex @@ -0,0 +1,18 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi + +\musicsize=20\relax +\hyphenation{re-gis-tra-tion} +\csname french\endcsname +\tracingstats=2\relax +\barsinline=0\relax +\linesinpage=0\relax +\resetfacteurs +\computewidths +% +\input widor +\bye + diff --git a/macros/generic/musixtex/doc/musixcrd/doc.pdf b/macros/generic/musixtex/doc/musixcrd/doc.pdf new file mode 100644 index 0000000000..51b187f487 --- /dev/null +++ b/macros/generic/musixtex/doc/musixcrd/doc.pdf @@ -0,0 +1,2564 @@ +%PDF-1.2 +7 0 obj +<< +/Type/Encoding +/Differences[0/Gamma/Delta/Theta/Lambda/Xi/Pi/Sigma/Upsilon/Phi/Psi/Omega/ff/fi/fl/ffi/ffl/dotlessi/dotlessj/grave/acute/caron/breve/macron/ring/cedilla/germandbls/ae/oe/oslash/AE/OE/Oslash/suppress/exclam/quotedblright/numbersign/dollar/percent/ampersand/quoteright/parenleft/parenright/asterisk/plus/comma/hyphen/period/slash/zero/one/two/three/four/five/six/seven/eight/nine/colon/semicolon/exclamdown/equal/questiondown/question/at/A/B/C/D/E/F/G/H/I/J/K/L/M/N/O/P/Q/R/S/T/U/V/W/X/Y/Z/bracketleft/quotedblleft/bracketright/circumflex/dotaccent/quoteleft/a/b/c/d/e/f/g/h/i/j/k/l/m/n/o/p/q/r/s/t/u/v/w/x/y/z/endash/emdash/hungarumlaut/tilde/dieresis/suppress +160/space/Gamma/Delta/Theta/Lambda/Xi/Pi/Sigma/Upsilon/Phi/Psi 173/Omega/ff/fi/fl/ffi/ffl/dotlessi/dotlessj/grave/acute/caron/breve/macron/ring/cedilla/germandbls/ae/oe/oslash/AE/OE/Oslash/suppress/dieresis] +>> +endobj +10 0 obj +<< +/Encoding 7 0 R +/Type/Font +/Subtype/Type1 +/Name/F1 +/FontDescriptor 9 0 R +/BaseFont/BPSKTG+CMBX12 +/FirstChar 33 +/LastChar 196 +/Widths[342.6 581 937.5 562.5 937.5 875 312.5 437.5 437.5 562.5 875 312.5 375 312.5 +562.5 562.5 562.5 562.5 562.5 562.5 562.5 562.5 562.5 562.5 562.5 312.5 312.5 342.6 +875 531.2 531.2 875 849.5 799.8 812.5 862.3 738.4 707.2 884.3 879.6 419 581 880.8 +675.9 1067.1 879.6 844.9 768.5 844.9 839.1 625 782.4 864.6 849.5 1162 849.5 849.5 +687.5 312.5 581 312.5 562.5 312.5 312.5 546.9 625 500 625 513.3 343.7 562.5 625 312.5 +343.7 593.7 312.5 937.5 625 562.5 625 593.7 459.5 443.8 437.5 625 593.7 812.5 593.7 +593.7 500 562.5 1125 562.5 562.5 562.5 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 +0 0 0 0 0 0 0 0 0 0 0 0 675.9 937.5 875 787 750 879.6 812.5 875 812.5 875 0 0 812.5 +656.2 625 625 937.5 937.5 312.5 343.7 562.5 562.5 562.5 562.5 562.5 849.5 500 574.1 +812.5 875 562.5 1018.5 1143.5 875 312.5 562.5] +>> +endobj +13 0 obj +<< +/Encoding 7 0 R +/Type/Font +/Subtype/Type1 +/Name/F2 +/FontDescriptor 12 0 R +/BaseFont/UPAGMA+CMR17 +/FirstChar 33 +/LastChar 196 +/Widths[249.6 458.6 772.1 458.6 772.1 719.8 249.6 354.1 354.1 458.6 719.8 249.6 301.9 +249.6 458.6 458.6 458.6 458.6 458.6 458.6 458.6 458.6 458.6 458.6 458.6 249.6 249.6 +249.6 719.8 432.5 432.5 719.8 693.3 654.3 667.6 706.6 628.2 602.1 726.3 693.3 327.6 +471.5 719.4 576 850 693.3 719.8 628.2 719.8 680.5 510.9 667.6 693.3 693.3 954.5 693.3 +693.3 563.1 249.6 458.6 249.6 458.6 249.6 249.6 458.6 510.9 406.4 510.9 406.4 275.8 +458.6 510.9 249.6 275.8 484.7 249.6 772.1 510.9 458.6 510.9 484.7 354.1 359.4 354.1 +510.9 484.7 667.6 484.7 484.7 406.4 458.6 917.2 458.6 458.6 458.6 0 0 0 0 0 0 0 0 +0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 576 772.1 719.8 641.1 615.3 693.3 +667.6 719.8 667.6 719.8 0 0 667.6 525.4 499.3 499.3 748.9 748.9 249.6 275.8 458.6 +458.6 458.6 458.6 458.6 693.3 406.4 458.6 667.6 719.8 458.6 837.2 941.7 719.8 249.6 +458.6] +>> +endobj +14 0 obj +<< +/Type/Encoding +/Differences[0/Gamma/Delta/Theta/Lambda/Xi/Pi/Sigma/Upsilon/Phi/Psi/Omega/alpha/beta/gamma/delta/epsilon1/zeta/eta/theta/iota/kappa/lambda/mu/nu/xi/pi/rho/sigma/tau/upsilon/phi/chi/psi/omega/epsilon/theta1/pi1/rho1/sigma1/phi1/arrowlefttophalf/arrowleftbothalf/arrowrighttophalf/arrowrightbothalf/arrowhookleft/arrowhookright/triangleright/triangleleft/zerooldstyle/oneoldstyle/twooldstyle/threeoldstyle/fouroldstyle/fiveoldstyle/sixoldstyle/sevenoldstyle/eightoldstyle/nineoldstyle/period/comma/less/slash/greater/star/partialdiff/A/B/C/D/E/F/G/H/I/J/K/L/M/N/O/P/Q/R/S/T/U/V/W/X/Y/Z/flat/natural/sharp/slurbelow/slurabove/lscript/a/b/c/d/e/f/g/h/i/j/k/l/m/n/o/p/q/r/s/t/u/v/w/x/y/z/dotlessi/dotlessj/weierstrass/vector/tie/psi +160/space/Gamma/Delta/Theta/Lambda/Xi/Pi/Sigma/Upsilon/Phi/Psi 173/Omega/alpha/beta/gamma/delta/epsilon1/zeta/eta/theta/iota/kappa/lambda/mu/nu/xi/pi/rho/sigma/tau/upsilon/phi/chi/psi/tie] +>> +endobj +17 0 obj +<< +/Encoding 14 0 R +/Type/Font +/Subtype/Type1 +/Name/F3 +/FontDescriptor 16 0 R +/BaseFont/PRUUJJ+CMMI12 +/FirstChar 33 +/LastChar 196 +/Widths[609.7 458.2 577.1 808.9 505 354.2 641.4 979.2 979.2 979.2 979.2 272 272 489.6 +489.6 489.6 489.6 489.6 489.6 489.6 489.6 489.6 489.6 489.6 489.6 272 272 761.6 489.6 +761.6 489.6 516.9 734 743.9 700.5 813 724.8 633.9 772.4 811.3 431.9 541.2 833 666.2 +947.3 784.1 748.3 631.1 775.5 745.3 602.2 573.9 665 570.8 924.4 812.6 568.1 670.2 +380.8 380.8 380.8 979.2 979.2 410.9 514 416.3 421.4 508.8 453.8 482.6 468.9 563.7 +334 405.1 509.3 291.7 856.5 584.5 470.7 491.4 434.1 441.3 461.2 353.6 557.3 473.4 +699.9 556.4 477.4 454.9 312.5 377.9 623.4 489.6 272 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 +0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 606.7 816 748.3 679.6 728.7 811.3 765.8 571.2 +652.8 598 0 0 757.6 622.8 552.8 507.9 433.7 395.4 427.7 483.1 456.3 346.1 563.7 571.2 +589.1 483.8 427.7 555.4 505 556.5 425.2 527.8 579.5 613.4 636.6 272] +>> +endobj +20 0 obj +<< +/Encoding 7 0 R +/Type/Font +/Subtype/Type1 +/Name/F4 +/FontDescriptor 19 0 R +/BaseFont/BHINDG+CMR12 +/FirstChar 33 +/LastChar 196 +/Widths[272 489.6 816 489.6 816 761.6 272 380.8 380.8 489.6 761.6 272 326.4 272 489.6 +489.6 489.6 489.6 489.6 489.6 489.6 489.6 489.6 489.6 489.6 272 272 272 761.6 462.4 +462.4 761.6 734 693.4 707.2 747.8 666.2 639 768.3 734 353.2 503 761.2 611.8 897.2 +734 761.6 666.2 761.6 720.6 544 707.2 734 734 1006 734 734 598.4 272 489.6 272 489.6 +272 272 489.6 544 435.2 544 435.2 299.2 489.6 544 272 299.2 516.8 272 816 544 489.6 +544 516.8 380.8 386.2 380.8 544 516.8 707.2 516.8 516.8 435.2 489.6 979.2 489.6 489.6 +489.6 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 611.8 816 +761.6 679.6 652.8 734 707.2 761.6 707.2 761.6 0 0 707.2 571.2 544 544 816 816 272 +299.2 489.6 489.6 489.6 489.6 489.6 734 435.2 489.6 707.2 761.6 489.6 883.8 992.6 +761.6 272 489.6] +>> +endobj +21 0 obj +<< +/Type/Encoding +/Differences[0/minus/periodcentered/multiply/asteriskmath/divide/diamondmath/plusminus/minusplus/circleplus/circleminus/circlemultiply/circledivide/circledot/circlecopyrt/openbullet/bullet/equivasymptotic/equivalence/reflexsubset/reflexsuperset/lessequal/greaterequal/precedesequal/followsequal/similar/approxequal/propersubset/propersuperset/lessmuch/greatermuch/precedes/follows/arrowleft/arrowright/arrowup/arrowdown/arrowboth/arrownortheast/arrowsoutheast/similarequal/arrowdblleft/arrowdblright/arrowdblup/arrowdbldown/arrowdblboth/arrownorthwest/arrowsouthwest/proportional/prime/infinity/element/owner/triangle/triangleinv/negationslash/mapsto/universal/existential/logicalnot/emptyset/Rfractur/Ifractur/latticetop/perpendicular/aleph/A/B/C/D/E/F/G/H/I/J/K/L/M/N/O/P/Q/R/S/T/U/V/W/X/Y/Z/union/intersection/unionmulti/logicaland/logicalor/turnstileleft/turnstileright/floorleft/floorright/ceilingleft/ceilingright/braceleft/braceright/angbracketleft/angbracketright/bar/bardbl/arrowbothv/arrowdblbothv/backslash/wreathproduct/radical/coproduct/nabla/integral/unionsq/intersectionsq/subsetsqequal/supersetsqequal/section/dagger/daggerdbl/paragraph/club/diamond/heart/spade/arrowleft +161/minus/periodcentered/multiply/asteriskmath/divide/diamondmath/plusminus/minusplus/circleplus/circleminus +173/circlemultiply/circledivide/circledot/circlecopyrt/openbullet/bullet/equivasymptotic/equivalence/reflexsubset/reflexsuperset/lessequal/greaterequal/precedesequal/followsequal/similar/approxequal/propersubset/propersuperset/lessmuch/greatermuch/precedes/follows/arrowleft/spade] +>> +endobj +24 0 obj +<< +/Encoding 21 0 R +/Type/Font +/Subtype/Type1 +/Name/F5 +/FontDescriptor 23 0 R +/BaseFont/PFITKK+CMSY8 +/FirstChar 33 +/LastChar 196 +/Widths[1062.5 531.3 531.3 1062.5 1062.5 1062.5 826.4 1062.5 1062.5 649.3 649.3 1062.5 +1062.5 1062.5 826.4 288.2 1062.5 708.3 708.3 944.5 944.5 0 0 590.3 590.3 708.3 531.3 +767.4 767.4 826.4 826.4 649.3 849.5 694.7 562.6 821.7 560.8 758.3 631 904.2 585.5 +720.1 807.4 730.7 1264.5 869.1 841.6 743.3 867.7 906.9 643.4 586.3 662.8 656.2 1054.6 +756.4 705.8 763.6 708.3 708.3 708.3 708.3 708.3 649.3 649.3 472.2 472.2 472.2 472.2 +531.3 531.3 413.2 413.2 295.1 531.3 531.3 649.3 531.3 295.1 885.4 795.8 885.4 443.6 +708.3 708.3 826.4 826.4 472.2 472.2 472.2 649.3 826.4 826.4 826.4 826.4 0 0 0 0 0 +0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 826.4 295.1 826.4 531.3 826.4 +531.3 826.4 826.4 826.4 826.4 0 0 826.4 826.4 826.4 1062.5 531.3 531.3 826.4 826.4 +826.4 826.4 826.4 826.4 826.4 826.4 826.4 826.4 826.4 826.4 1062.5 1062.5 826.4 826.4 +1062.5 826.4] +>> +endobj +27 0 obj +<< +/Encoding 7 0 R +/Type/Font +/Subtype/Type1 +/Name/F6 +/FontDescriptor 26 0 R +/BaseFont/KNCDYV+CMBX10 +/FirstChar 33 +/LastChar 196 +/Widths[350 602.8 958.3 575 958.3 894.4 319.4 447.2 447.2 575 894.4 319.4 383.3 319.4 +575 575 575 575 575 575 575 575 575 575 575 319.4 319.4 350 894.4 543.1 543.1 894.4 +869.4 818.1 830.6 881.9 755.6 723.6 904.2 900 436.1 594.4 901.4 691.7 1091.7 900 +863.9 786.1 863.9 862.5 638.9 800 884.7 869.4 1188.9 869.4 869.4 702.8 319.4 602.8 +319.4 575 319.4 319.4 559 638.9 511.1 638.9 527.1 351.4 575 638.9 319.4 351.4 606.9 +319.4 958.3 638.9 575 638.9 606.9 473.6 453.6 447.2 638.9 606.9 830.6 606.9 606.9 +511.1 575 1150 575 575 575 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 +0 0 0 0 0 0 691.7 958.3 894.4 805.6 766.7 900 830.6 894.4 830.6 894.4 0 0 830.6 670.8 +638.9 638.9 958.3 958.3 319.4 351.4 575 575 575 575 575 869.4 511.1 597.2 830.6 894.4 +575 1041.7 1169.4 894.4 319.4 575] +>> +endobj +30 0 obj +<< +/Encoding 7 0 R +/Type/Font +/Subtype/Type1 +/Name/F7 +/FontDescriptor 29 0 R +/BaseFont/LSMLBZ+CMR10 +/FirstChar 33 +/LastChar 196 +/Widths[277.8 500 833.3 500 833.3 777.8 277.8 388.9 388.9 500 777.8 277.8 333.3 277.8 +500 500 500 500 500 500 500 500 500 500 500 277.8 277.8 277.8 777.8 472.2 472.2 777.8 +750 708.3 722.2 763.9 680.6 652.8 784.7 750 361.1 513.9 777.8 625 916.7 750 777.8 +680.6 777.8 736.1 555.6 722.2 750 750 1027.8 750 750 611.1 277.8 500 277.8 500 277.8 +277.8 500 555.6 444.4 555.6 444.4 305.6 500 555.6 277.8 305.6 527.8 277.8 833.3 555.6 +500 555.6 527.8 391.7 394.4 388.9 555.6 527.8 722.2 527.8 527.8 444.4 500 1000 500 +500 500 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 625 833.3 +777.8 694.4 666.7 750 722.2 777.8 722.2 777.8 0 0 722.2 583.3 555.6 555.6 833.3 833.3 +277.8 305.6 500 500 500 500 500 750 444.4 500 722.2 777.8 500 902.8 1013.9 777.8 +277.8 500] +>> +endobj +33 0 obj +<< +/Encoding 21 0 R +/Type/Font +/Subtype/Type1 +/Name/F8 +/FontDescriptor 32 0 R +/BaseFont/NQSJMB+CMSY6 +/FirstChar 33 +/LastChar 196 +/Widths[1222.2 638.9 638.9 1222.2 1222.2 1222.2 963 1222.2 1222.2 768.5 768.5 1222.2 +1222.2 1222.2 963 365.7 1222.2 833.3 833.3 1092.6 1092.6 0 0 703.7 703.7 833.3 638.9 +898.1 898.1 963 963 768.5 989.9 813.3 678.4 961.2 671.3 879.9 746.7 1059.3 709.3 +846.3 938.8 854.5 1427.2 1005.7 973 878.4 1008.3 1061.4 762 711.3 774.4 785.2 1222.7 +883.7 823.9 884 833.3 833.3 833.3 833.3 833.3 768.5 768.5 574.1 574.1 574.1 574.1 +638.9 638.9 509.3 509.3 379.6 638.9 638.9 768.5 638.9 379.6 1000 924.1 1027.8 541.7 +833.3 833.3 963 963 574.1 574.1 574.1 768.5 963 963 963 963 0 0 0 0 0 0 0 0 0 0 0 +0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 963 379.6 963 638.9 963 638.9 963 963 +963 963 0 0 963 963 963 1222.2 638.9 638.9 963 963 963 963 963 963 963 963 963 963 +963 963 1222.2 1222.2 963 963 1222.2 963] +>> +endobj +36 0 obj +<< +/Encoding 7 0 R +/Type/Font +/Subtype/Type1 +/Name/F9 +/FontDescriptor 35 0 R +/BaseFont/SOKDDP+CMR8 +/FirstChar 33 +/LastChar 196 +/Widths[295.1 531.3 885.4 531.3 885.4 826.4 295.1 413.2 413.2 531.3 826.4 295.1 354.2 +295.1 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 295.1 295.1 +295.1 826.4 501.7 501.7 826.4 795.8 752.1 767.4 811.1 722.6 693.1 833.5 795.8 382.6 +545.5 825.4 663.6 972.9 795.8 826.4 722.6 826.4 781.6 590.3 767.4 795.8 795.8 1091 +795.8 795.8 649.3 295.1 531.3 295.1 531.3 295.1 295.1 531.3 590.3 472.2 590.3 472.2 +324.7 531.3 590.3 295.1 324.7 560.8 295.1 885.4 590.3 531.3 590.3 560.8 414.1 419.1 +413.2 590.3 560.8 767.4 560.8 560.8 472.2 531.3 1062.5 531.3 531.3 531.3 0 0 0 0 +0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 663.6 885.4 826.4 736.8 +708.3 795.8 767.4 826.4 767.4 826.4 0 0 767.4 619.8 590.3 590.3 885.4 885.4 295.1 +324.7 531.3 531.3 531.3 531.3 531.3 795.8 472.2 531.3 767.4 826.4 531.3 958.7 1076.8 +826.4 295.1 531.3] +>> +endobj +38 0 obj +<< +/Filter[/FlateDecode] +/Length 1213 +>> +stream +xÚÝXMsÛ6½÷WðHΔ> ²§¶nÜ´S'm­v2Óô@S”‰ %zH*²3ùñÝÅ‚”l¹õ¥žÄ¾ˆv‹}û°\ âŒóè2ò£ï/NE$,“"Z¬"É3VQ*¸aÆF‹þŠÏ¶ƒ»>é—Éß‹Ÿ_œÊ½n*g™‰R)X!½î§$U\Ä‹Dšøæ*IáQõ8ºÍ%Jd|Òt0“=¿Y£Ú…×êÚFwnlè ý¾] ×Hñ‚Yp¤-é¥ÍY®£ièí'?–Š\1]К„—ü™Ø<®ûÁuZ`œbQ‘-ããfJýž¤`ô ²ØySo¡÷ºÀ¬ÅÑ´B2-g¥»S(&§,­>³,³°-§utˆ…õ°™Å¯êÍÆ]ÒT&²¬°8“õÙÒL)oõNj}ä-d2 Ò2K˜½î˜úþÔküE_øBW6–_“KÉy˜ ˆ>ôœ|˜85Ó€ÓJJÄcMl²€ÊЄ,’´:þc(/kL‹G?;[€·Bƒ+ +­Ø .°g“€ÉX^'©†ÿ,I çŸÿ¡‹â‘=ˆœCN<_ømlä„M½. WÁ¶Ê”ýbày4@Ô]¶¥<ûâ$‰r?­¯ÚzHZŽ¾,H£3ëù'gþýâÜ‘JÇgeÕw³Èž1¾ú˜pr&ܯH¶J,–ùÂègM·QQ•é[¹šÀÁºú qÈ<R²â~¿­á+œKüŠ¹ªl—›Î«®wa4ã$·¢®A+õ¹â yÍæ`dæu7Ö->D¡âïªÊ-ë) +šGÿü±í¥Bl¬ým[¶î4º§$µ…~:„ÌïR‡ o,äÛØÔ”Æ]Óµ5…_a. cì—_q|ÄÚݳm;º«6Ä4YÌ|YT¥àÔjì)–•®_—጑[ûL»¾=ÿÖåPc­¨Ë9Ùc·vçÇàEþG‡CeNÍÎISn.ÃÑû R_Cƒ'",qò)‘éžžYÍ-L…#®© ¬Â Ë|ö\[‹z˜Sš8µH +8© "^âƒ+8¹ st6ˆ•Ä)ÂAOˆù¤w‡~t$ÌÉË¢q€¶Ô´K¾d½O TiÌîp¨ »ÞxÐôÆ Îãºjzólõ"4ò7öà&UºiTyü;ÜÌ'aK·¨¼êz{ávpUЮº¾Ø1±ÞlGt~ ˜Ç#6ѺÆçªóÂjëIfö¢plÊ‘†iëÁÐvðGsšnÛ.é½)Ã)>ƒÞ¦›,;zÒª+TiÂìAr ¹‰®Ú²B´Ž:!ZT<~ 4Ê´ŒÏa> ¬ê6A¶ÆSí\ÛÒà…7h@4Ë Ð8Ê Æò½¿’@ Š<$¨ìËjô}ª”Ó³¿Ü®ë[ÙÏu”“e=T½»˜c…bªÚ­o½oºPõá¡4¿\DœéhYɬˆÒL*¼[Gø/ô<ÐFçþr- +r$;Þ¿(”ã÷÷4Å|•£é&jRéýP­3küÝÏ·«¾¾iËk¶<ÚNÂŒ›(Õ˦ÝGkþêiDÉ +endstream +endobj +40 0 obj +<< +/F1 10 0 R +/F2 13 0 R +/F3 17 0 R +/F4 20 0 R +/F5 24 0 R +/F6 27 0 R +/F7 30 0 R +/F8 33 0 R +/F9 36 0 R +>> +endobj +6 0 obj +<< +/ProcSet[/PDF/Text/ImageC] +/Font 40 0 R +>> +endobj +45 0 obj +<< +/Encoding 7 0 R +/Type/Font +/Subtype/Type1 +/Name/F10 +/FontDescriptor 44 0 R +/BaseFont/LSVUNH+CMR7 +/FirstChar 33 +/LastChar 196 +/Widths[323.4 569.4 938.5 569.4 938.5 877 323.4 446.4 446.4 569.4 877 323.4 384.9 +323.4 569.4 569.4 569.4 569.4 569.4 569.4 569.4 569.4 569.4 569.4 569.4 323.4 323.4 +323.4 877 538.7 538.7 877 843.3 798.6 815.5 860.1 767.9 737.1 883.9 843.3 412.7 583.3 +874 706.4 1027.8 843.3 877 767.9 877 829.4 631 815.5 843.3 843.3 1150.8 843.3 843.3 +692.5 323.4 569.4 323.4 569.4 323.4 323.4 569.4 631 507.9 631 507.9 354.2 569.4 631 +323.4 354.2 600.2 323.4 938.5 631 569.4 631 600.2 446.4 452.6 446.4 631 600.2 815.5 +600.2 600.2 507.9 569.4 1138.9 569.4 569.4 569.4 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 +0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 706.4 938.5 877 781.8 754 843.3 815.5 877 815.5 +877 0 0 815.5 677.6 646.8 646.8 970.2 970.2 323.4 354.2 569.4 569.4 569.4 569.4 569.4 +843.3 507.9 569.4 815.5 877 569.4 1013.9 1136.9 877 323.4 569.4] +>> +endobj +46 0 obj +<< +/Type/Encoding +/Differences[0/Gamma/Delta/Theta/Lambda/Xi/Pi/Sigma/Upsilon/Phi/Psi/Omega/arrowup/arrowdown/quotesingle/exclamdown/questiondown/dotlessi/dotlessj/grave/acute/caron/breve/macron/ring/cedilla/germandbls/ae/oe/oslash/AE/OE/Oslash/visiblespace/exclam/quotedbl/numbersign/dollar/percent/ampersand/quoteright/parenleft/parenright/asterisk/plus/comma/hyphen/period/slash/zero/one/two/three/four/five/six/seven/eight/nine/colon/semicolon/less/equal/greater/question/at/A/B/C/D/E/F/G/H/I/J/K/L/M/N/O/P/Q/R/S/T/U/V/W/X/Y/Z/bracketleft/backslash/bracketright/asciicircum/underscore/quoteleft/a/b/c/d/e/f/g/h/i/j/k/l/m/n/o/p/q/r/s/t/u/v/w/x/y/z/braceleft/bar/braceright/asciitilde/dieresis/visiblespace +160/space/Gamma/Delta/Theta/Lambda/Xi/Pi/Sigma/Upsilon/Phi/Psi 173/Omega/arrowup/arrowdown/quotesingle/exclamdown/questiondown/dotlessi/dotlessj/grave/acute/caron/breve/macron/ring/cedilla/germandbls/ae/oe/oslash/AE/OE/Oslash/visiblespace/dieresis] +>> +endobj +49 0 obj +<< +/Encoding 46 0 R +/Type/Font +/Subtype/Type1 +/Name/F11 +/FontDescriptor 48 0 R +/BaseFont/GYVIDV+CMTT10 +/FirstChar 33 +/LastChar 196 +/Widths[525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 +525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 +525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 +525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 +525 525 525 525 525 525 525 525 525 525 525 525 525 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 +0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 525 525 525 525 525 525 525 525 525 525 0 0 525 +525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 +525 525] +>> +endobj +52 0 obj +<< +/Encoding 21 0 R +/Type/Font +/Subtype/Type1 +/Name/F12 +/FontDescriptor 51 0 R +/BaseFont/FOPSBQ+CMSY10 +/FirstChar 33 +/LastChar 196 +/Widths[1000 500 500 1000 1000 1000 777.8 1000 1000 611.1 611.1 1000 1000 1000 777.8 +275 1000 666.7 666.7 888.9 888.9 0 0 555.6 555.6 666.7 500 722.2 722.2 777.8 777.8 +611.1 798.5 656.8 526.5 771.4 527.8 718.7 594.9 844.5 544.5 677.8 762 689.7 1200.9 +820.5 796.1 695.6 816.7 847.5 605.6 544.6 625.8 612.8 987.8 713.3 668.3 724.7 666.7 +666.7 666.7 666.7 666.7 611.1 611.1 444.4 444.4 444.4 444.4 500 500 388.9 388.9 277.8 +500 500 611.1 500 277.8 833.3 750 833.3 416.7 666.7 666.7 777.8 777.8 444.4 444.4 +444.4 611.1 777.8 777.8 777.8 777.8 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 +0 0 0 0 0 0 0 0 0 0 777.8 277.8 777.8 500 777.8 500 777.8 777.8 777.8 777.8 0 0 777.8 +777.8 777.8 1000 500 500 777.8 777.8 777.8 777.8 777.8 777.8 777.8 777.8 777.8 777.8 +777.8 777.8 1000 1000 777.8 777.8 1000 777.8] +>> +endobj +53 0 obj +<< +/Type/Encoding +/Differences[0/Gamma/Delta/Theta/Lambda/Xi/Pi/Sigma/Upsilon/Phi/Psi/Omega/ff/fi/fl/ffi/ffl/dotlessi/dotlessj/grave/acute/caron/breve/macron/ring/cedilla/germandbls/ae/oe/oslash/AE/OE/Oslash/suppress/exclam/quotedblright/numbersign/sterling/percent/ampersand/quoteright/parenleft/parenright/asterisk/plus/comma/hyphen/period/slash/zero/one/two/three/four/five/six/seven/eight/nine/colon/semicolon/exclamdown/equal/questiondown/question/at/A/B/C/D/E/F/G/H/I/J/K/L/M/N/O/P/Q/R/S/T/U/V/W/X/Y/Z/bracketleft/quotedblleft/bracketright/circumflex/dotaccent/quoteleft/a/b/c/d/e/f/g/h/i/j/k/l/m/n/o/p/q/r/s/t/u/v/w/x/y/z/endash/emdash/hungarumlaut/tilde/dieresis/suppress +160/space/Gamma/Delta/Theta/Lambda/Xi/Pi/Sigma/Upsilon/Phi/Psi 173/Omega/ff/fi/fl/ffi/ffl/dotlessi/dotlessj/grave/acute/caron/breve/macron/ring/cedilla/germandbls/ae/oe/oslash/AE/OE/Oslash/suppress/dieresis] +>> +endobj +56 0 obj +<< +/Encoding 53 0 R +/Type/Font +/Subtype/Type1 +/Name/F13 +/FontDescriptor 55 0 R +/BaseFont/TPJNYV+CMTI10 +/FirstChar 33 +/LastChar 196 +/Widths[306.7 514.4 817.8 769.1 817.8 766.7 306.7 408.9 408.9 511.1 766.7 306.7 357.8 +306.7 511.1 511.1 511.1 511.1 511.1 511.1 511.1 511.1 511.1 511.1 511.1 306.7 306.7 +306.7 766.7 511.1 511.1 766.7 743.3 703.9 715.6 755 678.3 652.8 773.6 743.3 385.6 +525 768.9 627.2 896.7 743.3 766.7 678.3 766.7 729.4 562.2 715.6 743.3 743.3 998.9 +743.3 743.3 613.3 306.7 514.4 306.7 511.1 306.7 306.7 511.1 460 460 511.1 460 306.7 +460 511.1 306.7 306.7 460 255.6 817.8 562.2 511.1 511.1 460 421.7 408.9 332.2 536.7 +460 664.4 463.9 485.6 408.9 511.1 1022.2 511.1 511.1 511.1 0 0 0 0 0 0 0 0 0 0 0 +0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 627.2 817.8 766.7 692.2 664.4 743.3 715.6 +766.7 715.6 766.7 0 0 715.6 613.3 562.2 587.8 881.7 894.4 306.7 332.2 511.1 511.1 +511.1 511.1 511.1 831.3 460 536.7 715.6 715.6 511.1 882.8 985 766.7 255.6 511.1] +>> +endobj +59 0 obj +<< +/Encoding 46 0 R +/Type/Font +/Subtype/Type1 +/Name/F14 +/FontDescriptor 58 0 R +/BaseFont/QTLAYP+CMTT9 +/FirstChar 33 +/LastChar 196 +/Widths[525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 +525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 +525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 +525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 +525 525 525 525 525 525 525 525 525 525 525 525 525 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 +0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 525 525 525 525 525 525 525 525 525 525 0 0 525 +525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 +525 525] +>> +endobj +60 0 obj +<< +/Type/Encoding +/Differences[0/x0/x1/x2/x3/x4/x5/x6/x7/x8/x9/xa/xb/xc/xd/xe/xf/x10/x11/x12/x13/x14/x15/x16/x17/x18/x19/x1a/x1b/x1c/x1d/x1e/x1f/x20/x21/x22/x23/x24/x25/x26/x27/x28/x29/x2a/x2b/x2c/x2d/x2e/x2f/x30/x31/x32/x33/x34/x35/x36/x37/x38/x39/x3a/x3b/x3c/x3d/x3e/x3f/x40/x41/x42/x43/x44/x45/x46/x47/x48/x49/x4a/x4b/x4c/x4d/x4e/x4f/x50/x51/x52/x53/x54/x55/x56/x57/x58/x59/x5a/x5b/x5c/x5d/x5e/x5f/x60/x61/x62/x63/x64/x65/x66/x67/x68/x69/x6a/x6b/x6c/x6d/x6e/x6f/x70/x71/x72/x73/x74/x75/x76/x77/x78/x79/x7a/x7b/x7c/x7d/x7e/x7f/x80/x81/x82/x83/x84/x85/x86/x87/x88/x89/x8a/x8b/x8c/x8d/x8e/x8f/x90/x91/x92/x93/x94/x95/x96/x97/x98/x99/x9a/x9b/x9c/x9d/x9e/x9f/xa0/xa1/xa2/xa3/xa4/xa5/xa6/xa7/xa8/xa9/xaa/xab/xac/xad/xae/xaf/xb0/xb1/xb2/xb3/xb4/xb5/xb6/xb7/xb8/xb9/xba/xbb/xbc/xbd/xbe/xbf/xc0/xc1/xc2/xc3/xc4/xc5/xc6/xc7/xc8/xc9/xca/xcb/xcc/xcd/xce/xcf/xd0/xd1/xd2/xd3/xd4/xd5/xd6/xd7/xd8/xd9/xda/xdb/xdc/xdd/xde/xdf/xe0/xe1/xe2/xe3/xe4/xe5/xe6/xe7/xe8/xe9/xea/xeb/xec/xed/xee/xef/xf0/xf1/xf2/xf3/xf4/xf5/xf6/xf7/xf8/xf9/xfa/xfb/xfc/xfd/xfe/xff] +>> +endobj +64 0 obj +<< +/Encoding 7 0 R +/Type/Font +/Subtype/Type1 +/Name/F16 +/FontDescriptor 63 0 R +/BaseFont/PJJMFX+CMR9 +/FirstChar 33 +/LastChar 196 +/Widths[285.5 513.9 856.5 513.9 856.5 799.4 285.5 399.7 399.7 513.9 799.4 285.5 342.6 +285.5 513.9 513.9 513.9 513.9 513.9 513.9 513.9 513.9 513.9 513.9 513.9 285.5 285.5 +285.5 799.4 485.3 485.3 799.4 770.7 727.9 742.3 785 699.4 670.8 806.5 770.7 371 528.1 +799.2 642.3 942 770.7 799.4 699.4 799.4 756.5 571 742.3 770.7 770.7 1056.2 770.7 +770.7 628.1 285.5 513.9 285.5 513.9 285.5 285.5 513.9 571 456.8 571 457.2 314 513.9 +571 285.5 314 542.4 285.5 856.5 571 513.9 571 542.4 402 405.4 399.7 571 542.4 742.3 +542.4 542.4 456.8 513.9 1027.8 513.9 513.9 513.9 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 +0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 642.3 856.5 799.4 713.6 685.2 770.7 742.3 799.4 +742.3 799.4 0 0 742.3 599.5 571 571 856.5 856.5 285.5 314 513.9 513.9 513.9 513.9 +513.9 770.7 456.8 513.9 742.3 799.4 513.9 927.8 1042 799.4 285.5 513.9] +>> +endobj +69 0 obj +<< +/Encoding 7 0 R +/Type/Font +/Subtype/Type1 +/Name/F19 +/FontDescriptor 68 0 R +/BaseFont/WOXTYC+CMR6 +/FirstChar 33 +/LastChar 196 +/Widths[351.8 611.1 1000 611.1 1000 935.2 351.8 481.5 481.5 611.1 935.2 351.8 416.7 +351.8 611.1 611.1 611.1 611.1 611.1 611.1 611.1 611.1 611.1 611.1 611.1 351.8 351.8 +351.8 935.2 578.7 578.7 935.2 896.3 850.9 870.4 915.7 818.5 786.1 941.7 896.3 442.6 +624.1 928.7 753.7 1090.7 896.3 935.2 818.5 935.2 883.3 675.9 870.4 896.3 896.3 1220.4 +896.3 896.3 740.7 351.8 611.1 351.8 611.1 351.8 351.8 611.1 675.9 546.3 675.9 546.3 +384.3 611.1 675.9 351.8 384.3 643.5 351.8 1000 675.9 611.1 675.9 643.5 481.5 488 +481.5 675.9 643.5 870.4 643.5 643.5 546.3 611.1 1222.2 611.1 611.1 611.1 0 0 0 0 +0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 753.7 1000 935.2 831.5 +805.5 896.3 870.4 935.2 870.4 935.2 0 0 870.4 736.1 703.7 703.7 1055.5 1055.5 351.8 +384.3 611.1 611.1 611.1 611.1 611.1 896.3 546.3 611.1 870.4 935.2 611.1 1077.8 1207.4 +935.2 351.8 611.1] +>> +endobj +72 0 obj +<< +/Encoding 46 0 R +/Type/Font +/Subtype/Type1 +/Name/F20 +/FontDescriptor 71 0 R +/BaseFont/OESDYT+CMTT8 +/FirstChar 33 +/LastChar 196 +/Widths[531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 +531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 +531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 +531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 +531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 +531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 +531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 0 0 0 0 0 +0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 531.3 531.3 531.3 531.3 531.3 +531.3 531.3 531.3 531.3 531.3 0 0 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 +531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 +531.3 531.3] +>> +endobj +73 0 obj +<< +/Filter[/FlateDecode] +/Length 2442 +>> +stream +xÚÍ]oã¸ñ½¿Bo'£#~J\ {»IТ¹+pyX .pŠ%Ûº³¥Ô’wo{¾3$%Ñ–’ØÙ‹Ñ›Žæ›3C‘ALâ8Xæï6øþþê& 4Ñ*¸_iB” "ÅI"‚ûÿ +ï×õ~µž±4lg“"l×…4_«KÂ6ûÍ>×Ë.pz]ïr|äa^4‹]ùØ–uåæëý&·ïYSn¾Úñü¥¡£‘mÚbWä=e‡Ó¬Í»ÿ¾ÿ{QA´€?jT‘‘@‹z Dx¬ÂF_ÖYëžÚìaãf¾¬zÖØ#8ê}û¸wØËz·íÞ\d•ô"âC–g-ŠhhÔö¿¬òòs™ï³2¶òI#_UyCfQËðf–òp¿Ö»Y$Xl…ÀAU·E•m‹Æ>Þ‚ÑN;ûÐy4ÒÔM‘ÿ ‚¾Ž–?[V+ ÍìßvÆT¸oÊ–Å¢Ëú¥l× ç¾79_·°ÒÔ›Æ! qωÍëÊœŸSÃËótᆎ›rôDv¦"å½nÇYLxâ'°mQ¹„‹~-ÝÚê£L\Øܸ-« ³ÏÈVàO™¼‘±†ÀJÕVÌ̳cÕ Y?oýõ=Ô| RF*.5¡*Ø ,‘ò° ~‚êPIRŒLEIbW·º¹ \½¸¸ز$Eò_A!öÙß^ÀTÀDb÷ xÜÇC”yˆ=à“ +aYiPys)¬,` +Sa-ö1 `ŒÉb Á»Z]êûÔ à£§wˆàCtz’_áµÛ-m¦‚ƒ©Íc¬à 6hk +€P­qQLªÍ]/aQ¦=É\$žë;À¨¹Í³Åª+”ÐK04;:!£JIÌ9¶á©ê‡lWí·Å®éwq× Ïç°!ÛµÅo°[Y´þ¼Ëó~l‹û¦H2~¸Kf0 Ë|¾Þ[XÑÏ~Ü&v0L.çó¢šÏA†)æ?üxí__]¿¿êgoÔÕûïõ$ùiÙãˆ^'W·=‡•‡üêýòxúä0E¼¨rßl~_…m +4‹Dê¡má,ŵ7n[zÄpŒéí‚ô¸4†!þ2!±Ûs +Æ£L„?}­f<6_Ž—j˜`šy±m-¶í×ÑûÊÓ£nuèFaÑ»©wïþ +½»ÖáÏßHD<Á +;¢®Ý|VŽ¼\•ã®:Ù˜Ÿ#Çh ïîÐâg6!c&;ùËñ‹ÞÜK\ÔñôñÍ9²?’cúÇÎsüâŹÓ×Zµã(/ÎQ]œc2Á‘½i¬¦_ú,Žã©Iù'æ0,Î3IÃb7" ¾OC‰Œj/“z§û›ø[rèËÍWÇ‘ý(ÇýÚ Œ^ë²oÜ~„¢böɧ9äs±k˺$ÛDͺ\Ž™H³Ï>©Â¼Ú/'Ç…sŽù(5¦šÔ³Ê¶ý–’ð“-¶®wåëª}Ò^J …½äsöJO³õíÅŸ·—:Û^ ìxÄéK¾n‹È›5E„ c‹%ÃçÖ—–~$ãø‰&¦3ú‡‹†çx}qŽ7/~·/~ï/Îñû3Ë-¬Çøô잙̾(óóÕø‹»}qÿ†½Csqã-/Î1) Ûd¡Þ´—Ï—çñŒ¨döÛÈ z2/ sR÷F-YzFݪ¡êwÕ&>µÚ¼5é šÏ ^·@ñCÅÓ¦SkÏÜh˜GÿÙg›OG'zÅ Mÿ¸¼½xqÊ/^œÖÏ=wçøgyùl§.þ­$¹x´FzÊ®òm}©Ï¬",$ÿ¶D3}Пhüü¶ÊóªÊK{£Ó³hrNöÿ›x߯;œê »_ÄŸUYu²&ª6ÖDbù¿ñйŸb:W/­ìá$Ã"(p4‡ŸT˜2ëý¹ƒ:5AœO±Cð¾dÎg"†ç”8ÿ·%^€K‡‹wy±Ìö›Ö^‹ë®âÄr_-ðºUc§²{a1c:\gÕ +¯¡áŒ%…—ê23÷ëLj{ +îÚ£!±é®êá…6:‚öB"Ø ms·]ð8ï Y†ÃoA’ }r´«¼kMbü|iÌ+ˆðçœÁh渘âA§·Ýò-É5êçï;žV6„u‚p‰wåêª #ž‘ÀSÍHakæ}ÿÒO÷ks +â•LÙ+§/šíV{siJ›KS€ó/Peîë Ú˜¸nŠÊ¾ü€75Ãb‘¹-¤líÿ¦ÈòÆÍ}NøÏì_wx +ÍÜå;|µj [´cswY‘wîÈ9îõÂ+vx:ßûÞþ,ï—w8`ÁÈ ©ý_Ú¿•è¦pkN;aнðà0V£Å™ÂðŽƒÆß?mþÓÿåõTÿ +endstream +endobj +74 0 obj +<< +/F7 30 0 R +/F10 45 0 R +/F11 49 0 R +/F12 52 0 R +/F13 56 0 R +/F14 59 0 R +/F15 61 0 R +/F2 13 0 R +/F16 64 0 R +/F9 36 0 R +/F17 65 0 R +/F18 66 0 R +/F1 10 0 R +/F19 69 0 R +/F20 72 0 R +>> +endobj +42 0 obj +<< +/ProcSet[/PDF/Text/ImageC] +/Font 74 0 R +>> +endobj +77 0 obj +<< +/Filter[/FlateDecode] +/Length 1496 +>> +stream +xÚÍXKoã6¾÷Wè¶2qEJ¢¤=ô]h/MQM03+K^=²Í.úß;CRc9‰¼Ùz1Erøqf8óqh/$aèÝxºùÑûæâõ”y9ɹw±ñRFRê<"iì]|÷—¿]ý}ñ3ˆD£HD²Ô õäz[7«„ú…špXL’AJ™ÙtÚ„0;u~þÕl)ÍãvþÉÝïdÓ©5î/ʠݪM7ÃJ@ 6ªDQt’R˜`z_WÝ£ˆœ¹†yå9á)´TË<§vUw2¨ÄNΰcN"zŠ¶£ÿƒ·½(Õ%KRÙ¥jçz§9Iò½ãd±Ñ;y^ïkÜIâϪÝm 9s/%„ƧXò¿q +‹8ÉSlOÿãè1(}æø4*\Ù…tÊ_’ûŸ®K¦ x5?yæË—)®Oý›øØᧄòiBŒAL¬¬Üí»û9'YòбԳ‰´èကQ”’,ÓB”°d‹ýßäNT«(ô¼Úpù˜‘(ÿ ôwpŒ4Âì7“_·}Ûídµb™ß­§~½Áº[i>îV,õõ¦¢4"k¦»‡&óëVuª®Ì5µ Úɽ=ƒAû,E§ ¬AèjkCìeVM ×ˆÐ!¦./×MQÈèKÐKÝl»C³ò?RÓúG ˜]†ŒIp\?Î!OT²0³ïT·å@‘h±"YF²Am² +â˜ù®2æ×½Ùr'Ðð{Ó1žÕÕ§ÛªÖ¨2hm؉12×:ÔŒ| uß`ùíVÊŽX+BOÓšŽ ¤78| @gç„'£•°ýÜÔ4üwl ÝX‚v?¾§ß´ïOI‡.F&ºBLb@£C7íVŒû`‹Ú—²5Së³Ó†ýùv²”»öÚ*§$äã)Ï|ÂòQ´S²ç"t>¯U!Ñ1sVŒI/Ê粬ÑòwèÔ`¤Xk`íQ¶ÖQ<ÇàŒ!^D³?3£—Œ‡¢;3Œ[Ôýu)wÞ±#fsJÒdq(,½ü<È…Nò0‡ÚÄð žu˜ih3ø­›ÍX׈ªXK» ¯‡´ -÷éÕ8ØïÐ× ÉBüN;ëÓ'Ö§ ÖçO¬Ï¬ò§ÂÇ9,‘G§`¢ÆÙù‰Î¶¨G¼û«&jÆ‘^V <²•'|´÷öÖúLj ÿส +¹7t\é›ëâ•SS¼ºwªÅ¬{/lm +C2ÌÍK»omÚG¹ÒZ›ºþ52³)„Ñyð AúË‹uÝ—…¹Líía:b¿/•,ȱWÀBòúøWùåÃï-z„QëùW¯_á0ùým3fÔ¥ìj;‰’–Ç…³G-<š=j?²pžž¢*>Å›zÉü1u‚nÙ8yð©-Ý噽P¥Ãm|btèÒF¯‡µ—^³uß¡ñ f$^J/ù/Áž?ðñ•oâ_½ÂrBîE#4 àø¨tkúº ÃvßH¡…¸/m!‡—(Ë㱺À¹º² ®Eƒõ 8ÑÄ,ÌéòD“L’ῘŽÿ]ÿ{XÿŽî߉tzH> +endobj +76 0 obj +<< +/ProcSet[/PDF/Text/ImageC] +/Font 78 0 R +>> +endobj +81 0 obj +<< +/Filter[/FlateDecode] +/Length 1843 +>> +stream +xÚÍYYoã6~ï¯, 1+¥ÚE»E‹.°@ýV÷A±èDX[2$mùïáPmÙ9Ðt·y1E‡Ã™ùæ`‚ˆEQpØŸ_ƒ÷‹ï?ð€+&U°XZ0̓y"™†ïŸÿ +ÅlιPáoÛÝÆlM5“QØå]YW³¿¿Û½œe1,å´q·ó²ífs©ãðc¾jê–öé cYâ¶ñ”ÉÔnû0KeX7³¹âIØ]èp—7mY]ÑG½>X]Í„¯ë¦ ù´«¦ÜYíz[oå–°ã¼q“•1…)h|{]7bµÊ‹¢F©­¨ÜŠ ¢¶%ªn&eØv•Çõn6ih«¥–9=ñ½ k– Ëe¹\5ÅùngªÂQŠ2Ö,æ@„×nU« ëÔ-võgSµó|ÂA&,‰Q9‘8h·¸\võd7Y’=u¾Þ?ÿòØù?8_©[ 11Hp¨‰ÑGpKá+ÿ§jY‡Ç´&5KÄ[km”E3ž ¦*ÇOßZeúƒÞ±¢ a™¶êäpu‰?,#ôʉʽ›-—…YûZ?ãègâáÝ”µÝ7çQo5áÌAîÄó¦ÏmôÃriîvyUäëÎ4gü‘Äá‚x]ìDi‰õÀí¼jœsÞŽKãäΟ…ïÚŸÀo¢ìgy^9ø³çíÞìQ—;x†ƒ¯Þ<Í l}«(c2q~ºÍ?›¼Û˜Ð1(apsçÇ›‡º~tI æ6(~¼ówÄ“öæ¡jmª…DOÓ§y$ÓR I íÎIàæ{.Kø{wRòö6ß!ô–á?îš1Å÷…??Ž†«‘µ–Ý|ä·'DóàD¸\ Ô}U€Œì-›cê$Õš‰å|*ƒj3Á¨2Å´>Æpœ8 t¾„„Y칓›á¼ÉûãêGépwçô³ªÓÇƪ 'œÌ½é/é¹Ý–› [k³úÒá+~•k÷ÛM£g•ãc”Ò‘œ¦…[(™… [Ü>qûØ…¿]¿ä®ûW:Ý…'f’œqý’:íY3©ÓµZÔŸ0JÕÉ:J%½²>SÔA Êif1ÍiZ3)·“ñ(¥uÌün(þ¨b½¶®iµÄ(ôp{†Cƒ,cE/ ØowóA_âWöSC¤cIz´­H!œ“íýøkÆ”ñ¾ft Pàü¨VüEÄáHÛzÜþbÑdGèôHCϲ0Ñ7Óî%tËO©{”%m ßr@…Á‰¼}R¬Gϼ-¤¯¶÷ÌÁ¢ÁîyK2~Ä/MP<®ŸÂÁ¦®®¬‚ðÃ…™¶-Ñ*vŠÀ,„ß!~4WN[RÊøM\ ~ic8†Ò7Äo¸’ö†Ñ”"_)‘”6@ÙŠ©0tAFîÂø!BjGhc;üÅ@ôiKgXüû£<øÊ?©t!Tc˜H\àÐØL"=$×_êðª¼qÝï¡ò²˜É7'”?Wqâ’H´Â …ÿRÈ7“С3¬G&ˆBk %öB ´¤Š®ùâα٠T‘WSèJHøš¿ü [ðyŽã zÌ~q23vö9—Ðmqw[¶†‘k…ñw½[šŽ¯ÐPù}÷ ½ä± +endstream +endobj +82 0 obj +<< +/F1 10 0 R +/F7 30 0 R +/F11 49 0 R +/F12 52 0 R +/F13 56 0 R +/F14 59 0 R +/F10 45 0 R +>> +endobj +80 0 obj +<< +/ProcSet[/PDF/Text/ImageC] +/Font 82 0 R +>> +endobj +85 0 obj +<< +/Filter[/FlateDecode] +/Length 1475 +>> +stream +xÚ½XÛnã6}ïW(0Œµµ*R÷Û‹v ôµy« +,cÓ‰I4$:‰aøß;¼Z–dK]]—Í™Îåx®ç9OŽ|üæ|~øá òœÈMcçaëÄØ‘³Š|7œ‡_þ\ ¼üëáw œÄM#!ƒ<7ÂŽ'—³¬¢où6ËòíºÞü¼#uCKÂ×Ït3_®z ^ïérâp‘oÕSJ©¡–Õg;V +D<¨0Ä7dÍöÏ2kɆîø³°#Œ½â´®H¡€kú”70q9TÈœ¶5áˆ5ºm2CY¶eõ ç½pöB«FgH=AV Øz½¯iµÖ²LG0ç´l.§8y,´Ô O‰gÔóCNøÖƒË(~Ò–iûÁ=²/øå¾VŒÛÕ¼ÚU…ÐŽm‰[†õÍRíèôK]»Q2¼ÝÖÎfhnbÑBü^×…=?§½=ŠT¿ IÃö5´=~ÛF,t¦\üÖÛŒù}5øó)&‡ÂÚN9Ñ—ê€6ù“m ›ýzM›æ&¢v( Òà‰Þχ±R3¨¦Oº±nf¸¿è>ÿ¿iSoÊY;©^´çWè†HŠ|Y&þB´Á>ôî¤ÏxAßI¹m®G°S»Ýr…“kô &\ ¾-1H«—å4À/W3‚B +@-öZ¾"»©2DIçkí¶†â/.OÊJ“ø¾ðÝ²Ä +<.C´`ò§è)C±ëã³²¼•XƤ¥ Œ:hŒµ[V¬äýdå{J!³™[BxÞòê d}ñT“²$õ}Ïq·‰\_÷Édõ®9ƒR½vÿ Èæy‹¯Z:Ç“íÐUºØ¬}èG®gÈþw÷EX3Ønl¼«þwÄmº¯lÙM¿ÔÔ8@º˜žDmLç×HÌÀysìFP°‰<,ì‡.¨5…ó‡óùÁÁ'ÀaÖw#)+HW¦Z\êÄ‘¢‰U@úAê´•ZôD¢G"}Êóÿ‘‹ÛrBÂ-Áó„•3Sp +U"ñ” ¢Q š²f4þ²¥ ^È;ÍÇûå*!¹Ä‘”KÎræÓ€%»¡ÎjÑME(ÉaqlU\`´4DFð‚³K×ÁÛï ‰w$D‰ëE­½Ô*òGA +uv!„œ pûfôÈXq?'HÂЇŠ“÷UëÇ[®šm膠AP£¯âÍý5-å²I?ú'}Ř›Fê]_yhõdôÚ+ô_¶Qc/²¦^|ª1×&¿m@Ø5àpñ?Ý4²:ÊD¹-ÔP¥êãéâÃLM_©ý´¤Â¦Æwww7 cõõûJòB /(×ßÖñv3tTZ²Ü9–zÜû^¦,S«÷í2øwºÏàt¬¯F¯8ãÅŠ“ÁÞÁµß^¾‹…¾hlIŠ ³KÓ’díDWR3( +µ¤' ƒÎåB> +endobj +84 0 obj +<< +/ProcSet[/PDF/Text/ImageC] +/Font 86 0 R +>> +endobj +89 0 obj +<< +/Filter[/FlateDecode] +/Length 1362 +>> +stream +xÚ­YË’«6Ýç+ØÜ*¼@½a‘ªÌ;É"›¸²Éd©²Á=bÙÈ€aÛϼÈÀ!D‚îçç2K«SÙ>?§uöÓ«¶úåÊf`&ÁB†‰“áÝ Ã¦ŸÎò­±Yž›¼þ87¿Ï"ÎÜìgù±Ý}ﳸóOlçߎ*©É¶Íë¨)“C> Õ°23ß?†¯ÉþÇppÂýylÄlð<‹»\€ ™bC\b-À†N±¡.±‰`æØ0‡Øðp6|Š wˆ Ç °Sl„KlÈläé†.À&šb¹dŠ-À&žb»Äf -ÆÁÀEÿøjL¦ù¸( _Bé4êÂg EfÓ|˜K¾–Ðd>͇;ÄG,¡ÊbšpˆXB—å4-K(s4ÍÇE ÅÚOóéá¹Èèé(~}‰‚ˆ­4~«Ú¼*‚KŒ›4-²¼+10Ø•*‘6ðû»ê$ªó›“=cˆEÖ­_ÊUÀ8ñU”×Ф~[™g²ßW+"ý73¢­“²9®ùUS´EÕÍÜšá¥! Í7˜–›îS“[³;ÛH‹:ÝÛ¶™LügÂå¶Ý™ÛªÖî†h`ë8ŶÎuÞ(¯ ]K” ƒŒÔ\Ÿ5 ÀÇF¹¯X€ûú½M6 +Ôd÷¡À‚!*ûCºþ>e«²5ŽšÄˆu‹!­¬ñ¢„¼0n¼£Lú‡äxì™mëêpµªJÓy ©™ƒ€¯Ê6UñV+¬1MȘ~j” FŸŠr4ºK|„„ÀÓ&õë +wûÖDX jQG^‰ÊÍKѨ½qãˆÂ’¼òvì*çH`;¬°Ž©Å“ ]d +%Í‹W»¾¶÷B-ŒÓ¾E×áƱD!þ?Mà +aÒn +æT3k«_ÌߌÐ?L¿YÉ­yµ›š=ƒF—h«ôÌPV>·bî–ÝÇðežZ +WŒ›Áû Ú +0—Ü¿™ã—tż½Àä#ÌÛ9~F®˜w˜áónŽŸ±+æý&aÞÏÀ”¡+æÃ&a>̈­Ä®˜˜ƒë¼²ÊCÿqŽ£Äôé}ëXÉ:±gñ•Vã¬uM+É̪.ë$™õÎŒ€Ë€«Î¢¼}>Q‡¦ú^ÞvEº"ÂßZ^a^bVµ7 ©ï¦ _ɨ9Š®TôPeŸZ‰½«À© ws 5Ý1b‚Ò)½9žØ€Äà¸Æ;‹F$¶#/îúN¤îè?K#"†'€¤N«Eñø¾|Ÿ³ ™+D÷ çœ-Æ]7jµ'ÙkR¦ùð¬Ô‹~ó~¾à‡¡ßì’ú8ÇIáÊc;ÉcPi˜m¸Ý'íÒ9Ù$ÌF”U§MwZ›¥È9:Ó¬‚!-xYCu]Ž"óGÔöŠ)¸4u‡àQ¿—ihþÚ€ÎæýuÈFí.ìW¦îE«Z¦ÓŽ›­¹É«’ô >k,.©Ÿ—*€‡ªTâ¥ëkg¨,Yr4ÂH„g¬.Wæ†XCíý¥œ((})×-- 0¡Pø +Ï^@õÈÊ<ËsT`žf +ß{…“Váµ0U– ¤( Ù;…þü°þá_4í„Ð +endstream +endobj +90 0 obj +<< +/F1 10 0 R +/F6 27 0 R +/F10 45 0 R +/F14 59 0 R +/F7 30 0 R +/F11 49 0 R +>> +endobj +88 0 obj +<< +/ProcSet[/PDF/Text/ImageC] +/Font 90 0 R +>> +endobj +93 0 obj +<< +/Filter[/FlateDecode] +/Length 1730 +>> +stream +xÚ­YYÛ6~ï¯p° 1#º‚¢GšíK‹Àou´½*K®$gûßKrH‰²´–çI™ù†sJ ¹îâa¡oׯ?‹Eþb½]x±ò) +Øbýîo§à<å)Z®ŽœõŽ/WÄw}|8dżl«r£$«’\nñ"§ÜÂ܆xÁ¶ÙÁKS³(^Ä{^ÃëcÖìÊcã$ÉR^,‰ï4q.wx¡“éõAŠ¥UÊÔœÝeª¨$.é†1D1°tf×|®'µ6­\¯ :]íh]±³­G5kI-Êî^ÊdXÄ4©FP ËA¯ç‘sBWå1×Ë÷ÐôÈŒž4\/r9¨âBwGemV +ê˜Ó{ˆÅ¬è‘ ¦}“±Ñµ—ñœÖµrL¥œ<‡Q+|Iâ<9 +ÿåé+1ÁÂN®@Ë%w)àjƇÆÌ•+«áXÿE¯ë=@ù¼i_¢«8ÓþJï¶`(ÛQÝ‘^S@[¥Ð“(hHwƒrI÷[VƒAƒ+çºWLªŽFnlÕó÷±ê{þÕôÊŽî¹'P7@,ø>9èiP84ïqÂÕ¨­³‹ÜæÓÆÇ«ò\¯X7ee5Šv¡!êŠêá¸×¤ê‘®M88Æдén’O…Y #‰ÖàCi +Øž‚u–Âвõ‹ˆ‡E?i•]…x_¦cˆ›W8Á+N?ÇEÂ-Ê€åþ«š‚ÀXûÙl*žÇ_´a™EŒ^Á\}ˆclµV‹ú:÷⢴ú~¢šéÂéˆ(E Û +Àî°J…MÝǽ…ÿ§³oKvk£JK ëç‹Ü=Í}XÊ2‚B:¡&ô¿ + ë ÑCI&øÌ@É J¨v-ÄÏd«dMÉn $zŠe|®Ü”% öÇd7¼é2À‡qÌÇÈïjnå9@ðý§O~zó,שžü ð\¡xÐ.‰ ½Í^ÎL˜Ö£‹,,£1X ¥3âëÑ•¾þcÿ+­í겿›åéš7v¿ÙÓg9ºVÆW:ú⨟« óÝ“ovók¼Ó+½üÚw³îx–cö|\1½ìâ†÷­.®>NL{¸Ñ²½‡_â0b.Án$ +½´ÙöËð#íf#,æžÛµ”õÙ¶-pæx|tQm`æ'"˜¢¨át!åŒÉ±<+œL­)ŸòçY‚©‡UßE¿£þï¨Æøýú‡ÿRÄá0 +endstream +endobj +94 0 obj +<< +/F7 30 0 R +/F14 59 0 R +/F11 49 0 R +/F10 45 0 R +/F6 27 0 R +/F12 52 0 R +/F13 56 0 R +>> +endobj +92 0 obj +<< +/ProcSet[/PDF/Text/ImageC] +/Font 94 0 R +>> +endobj +97 0 obj +<< +/Filter[/FlateDecode] +/Length 1696 +>> +stream +xÚ¥X[oÛ6~߯0ÑYI]¬mÒ:`h€=Ì{`":Ö"Kª(5 ÿ÷CR7Kqdô‰"yxnüÎ…²\Çu­K Ÿ­·¿~"®8qhÝn­ rBÏZ ‡ÛëlBÝÕ¿·‘gEN cŽG,Wío6ÛôÊPôlÖšdM\uDñ!oð‰ØþL›Í½Ìù^ÀX%¿çE _y³¿•^ùÖ¤y Ôy¢éŽW«µO}[ŠZà‘³ +ùF!:Qˆzç­‚ý‘IlÂxŽ&G½Z±ÙôF"A‚ÛUÄìbµfAdó,+V4°Ÿô4I7ÔD%ò íc[ä;^í‹<½×sžð²N‹\Â4tíz×ÚM:‘$ŽÒ[…p9Ñ/¢¡†vÏï«B‹I¥˪XO ÉúK%Ç÷Á¤½…ïi"`Ϙý´z0v‡Sjx“Õzïnµ¦‘-v ¾§ESéu¥Œu¡ÇDb`—æÎ ðcMX{„zg/q³ENÍ:8¬›[#ÏzBÏÈÖ'èÁ½EIì°nžY_Uœõ~ Ôsh„hD BØ–¼’ ö˜7 c'ˆÌ=h õÜ;-"¥ì]7%HÞ“áyB{º~Þ¢¶Ô"¡C ªƒyhN¢™¨íÇkã5 æÄTå0 ÷ôÕšð°ñ•ï;‚ë›%ç xÜ|ú4eÂe )™¢ñ^aÒ|~?£sÜøEfX ÊßR#¨ñaS±ï0oxíz¡½¦nãÐapM„¼{þ(x‰º•bï3˜7ÂN þªƒFz·©w³áWs'Óí³Úû²~!“âÐçìú¥4‡Cþ˜W#vþ¬" +&ƒXTØHk´ mÆëßz™8åÝÀåà„š_½ê$Kó²©?“‘*³«LÞêæü Ù§w7@ñ ¶{¯·×7[À¯üü~û^~8Nnƒ—–©ß3£CÙ`î»…SJƒ'$ôüžÌB‹§ KR!ÅÜ´f£ˆN–à[Aúöbû㮨0sGžýWÃ3¬W¡¨äiÆG¿F‹Æ’ù½*wßW˜×+½Ä1y»ö]UðDV<¸ÛÅV/M+#œ”52{É„ÔómQijè +j̨ŠÅ=µèÛPmETQ&B¦¹^Le®l%¤ +2¡‡â¹¹Ä’ì¬ÖHû¤,V»fd’?¢òB/£e¸š(.²®8Öt½ÄóÄœH÷efN7’ߥYZ#‹Í‚ç- ]4 +kD«ã{ôYd×FÀ°€Bm×¥µ+ÇJ´ª©©¼o¤l×·M…è~B_ò*‘ÎÔ;_›Rû§¨rDlE­¾]üFÔ&z«7Ž /«IåN/°v½¿ò@ríÇ4O¤ÞWŒèèB¥˜Ø²Ø ½ùÐ +Q†>åC‚‰HÌbf7%ŽžqFìC›áÏÛ¦ w*¡? Mè4×ã]ÅU?ó¨ ^#"Pÿï(#4{Ýｯðœêe`lÚ¦‡ ¼#µÝžÉͪ;2éË zO?åž<­OCTS¬ßÂ.¦± iÛ™¨I%$€LAœ„8Õ‡È?1²1«ë˜IÃÎØbV']+Ü6VßEÊCòµ¬*3cò‹ã‘Mü¤U4-¥ ƒ.< ¥ˆdQßè/í[Õ3/ +}dô¨Î=K:¦YM(×µ³â S(>~úôúë¥}ÿ„‹5e/âúTPzNRkR´HÄ–Eüphoò/{‡áÙÀ¼Ätaú³À …·õZÐ{Ì–/:áðgœCžâwÙ¬1tŠd‚ÕÉÛ/v¼ÈP),*I…Ôa'‰À–c¾ÅéàY„Gp/ˤÞë4mã >y ¹¼¬Rèú^°ø8ÓÔ€dôŠÆ7ƒÊÌaž¹—`þÐ~Ÿ‘K˜'¢¬wz<ËÙ ÑK8ïM Žyb&rtlj5ú÷ÐÖE‰í/ˆ}šÕ"SÙ% +}™Sèž—iÍ*}™W‰ÿWTá"'½õÏ%”A¾Um¼Vpð£õß þËx¯põå/òÌù¬:öÄ»±É‹¬ ~ØÊ`jd°È´ðÓÌEý÷Â;¦6åq‘¼è‡M §¦& œçæ_Û2dÅ?`xx¹áÞEY*™“Ÿ¤û±ÜÖú¬‡ö’óý‹2ÚnN‘Ýkšìx¶×©¯9$`êÉGc'Òu.2ÌŸþRék +endstream +endobj +98 0 obj +<< +/F10 45 0 R +/F14 59 0 R +/F7 30 0 R +/F11 49 0 R +/F2 13 0 R +/F15 61 0 R +/F6 27 0 R +>> +endobj +96 0 obj +<< +/ProcSet[/PDF/Text/ImageC] +/Font 98 0 R +>> +endobj +102 0 obj +<< +/Filter[/FlateDecode] +/Length 1376 +>> +stream +xÚµXmo£FþÞ_tŠŠ•°awa'U§öZU:©R-õC©Tbð‚’\jå¿wfgy±ÚøÒ~HØ—Ùyö™™µå2×µ>[úó£õayû‘»–bQ`-×– +YàYŽ’øY~ÿ»Í=±øcù3yVÈ"…BÜc~d¹z>Ž³/MR¥ÉºË¶qœfë8^µU²Éà»M¿ûë!)#¤ª”†¯Ž/|Û‰ŒÚÛ!½w5Ž—'Áw„‘4 ¨7êas—m»ç&›ö×eÒE/qÜÕfIÙ½œÜ€o6à½ýõ1ûëyìýÿˆ}›'Ûæ5úÖKpÏz²BÁTèœ3é[KðˆyÞ0PZ¿jW ¬ÈìDy$‹ÈWm“lÛ¢ú¼¯\óý‰v+&Åžöa¡Þ†b¾Á¡ÏQÁ(‡ +¸˜Žƒä‡¥+ ƒR0Ò‰ÙƦ +˜„š‰D2éf˜ ™«%džo&?]ߘi1Xyôó±PÿH(²s²>óA? #-u; `èA@Fp œAh΂Àâ,’ZDéÌUÀ³ˆŽ4xLqdJ®åý‹‚A Š¯û‡ûäÓ¤Þ?&®L¢íÉx`¢e“ÜgIWf„‹ÖïN£ÍºP†¾ôŽïú˜Ÿ-ªæ¡Û½ã/Wz%D‚>ï!\ƈ+ª¢»zM}Y× ‰iŒ‰Þ8^×ÛQ­†àûÅzX¼IºUž¥q¼Íà´‡gÄÍ–Êú†ÍÍ~ñ‚V8ááÁÏÇàå÷Í? +ÔfA +endstream +endobj +103 0 obj +<< +/F10 45 0 R +/F14 59 0 R +/F7 30 0 R +/F16 64 0 R +/F12 52 0 R +/F9 36 0 R +/F21 101 0 R +/F6 27 0 R +/F11 49 0 R +>> +endobj +100 0 obj +<< +/ProcSet[/PDF/Text/ImageC] +/Font 103 0 R +>> +endobj +106 0 obj +<< +/Filter[/FlateDecode] +/Length 1484 +>> +stream +xÚXK¤6¾çW ­ViÛÁ6øqX)Ê$)Òž2·%ÜÓVh½3£Ñü÷”<º™4l-ü(¾z¸üUÑAŒâ8x ìãà×ûŸ¿à8`Hòà~0xì5ûß¾…˜ÇÑß÷‚P$™"IÛÍ,;ª>ËŠ¶ü¥;äíé³?ä]gçý«þÞÝáØYt¼ ½lÎGu­c¶zCSê5‘[š ä)o;U7½š4\Îò¢øf‡­ÊËh—’44nd„צkf웶Ê{eÙa¯x‘nÔªºT­®×u% ]8A©ôêÞÜ. ¤ß4ï20)ØŠDQ +.§”†_ÏÇ^ŸŽ*ÚQAÃ"¢8<4mÙ9>¢Ä€#àþ0„#B–‘/ÞÁâîE«¼h›h—Ä<ÔyŠðÜ©Òz»#ý¹˜•ªi•ß;¨ÚšÚ/áÖzí`æYäµCzˆv £Üaž"J7ÚÏ0g‚‡3‹÷gs’„‹PïÍSBâ¸gÑ´­êN01¦–æˆý>$–5Æîïì«Öa<´sÆM­‡Ëøa§sï†k8õ¬»BfOÊ.v/uó>^úΠ—٠+¿RuµðÜJZÏÝìs¸«Ë\H܆I3Hš³¢‘æøÑòà8F˜Á“"1\þôæMȲRí/õ¿Î'oïЋ{ÿ⺱%êù”×e¾ïU;hìê¼R—š?`]º×̓{|«{c¦¾nsIl"Ml z¹ Ë u y›eÀ…—ÁYçyq³^éý¨ÈìA•WqzÝ×™5øýŠl<‚ ƃA2ã Äãìüek0ŸÑcŠ¤¸BΧÊ\ø‰})ø«»ÔDGRÎT%˜!J.´6 cY,ApœÃÝ™ËLf‚ÓÂ(iì'®ÆÆ îR¹"pçƒe*pÁÂ(‚å¯ú v9 …Ë׊ùõë_—¯Ã9ï¾/gêJ]•ã û †»Õ»‡I“ :‹°_â1Ë ÉM½ØQhª°ÒÝÕò»ê¹ûúé®â %æ4(Ô?(¤Õ4'°½<œQnZ¸Œ¹TÌv Ë$„÷9$)•‘±Ã4…2¬k7‚ª +YØ·/nêë–v«f- áþšsÅÇHgû%Ëâ°Ò¿Ó"`Ac9d4ú&2 ¥ˆ /sð»tÜò6 ¸)QŠÃrw„z·ÀI0Š‡z®¦PyoÈhÅ(‰ðUƒb|šUe35ÍÛÂÛYY%p sw—e2F”Ï«©c­æÜ›ò~e³‰èÀZѵg'݃hâ–\³Ù›6Êó +s¼òN]e Üg[U$›ÊÎì’ýuV‡,¿¿~ÀosG®¨Ø÷§8ðnÏTºSL’ðK$Ièœ[ãÿêI#è_M¿ÈâÆöTOnjãb¦f€ÃfÎHÊT«†ô6RûÆͺ«·¡ÃÒM} 0Êö†Í_à»ÅÉÚÆöý½im/–çÂô6;á;3Ãñ¼‘Ôµîuùœ;UæôŒ*w¨KUf}è›ÊfÈ{•!ÞQJ\>‰0KWQš^}³Ô  4å‹´q 3oÆÝÚ­L°ÛÚ‘ܪýÍá*ýxèÛêsQµb½¡HT÷Zi±ÞA°m¨ú®ê^©Ú™‹ù:2߆¼oÎí 8Y„ØÜ?©ãwåaɺ½rl <æ@媩2ÞÝ +`l‰ª¾Vþó^ÆñªoÓö oêÂø–²Á5²éó‘׿œÔçE­»só/Šñr ûcÞ­·¹îP³zβÃCó Kÿ¨¶ÞÅ(©ª²¬:wº€¼¨ûòö¶nA²Ù÷Ðÿ°ƒÞ²cˆuºÙû/Ôd‚˜™0Sšlqžý óÛT§[üå›rËüå5Ë­‰H®Ë.N¡“7Ÿ2Ò4cVEìÝŸþêrM +endstream +endobj +107 0 obj +<< +/F10 45 0 R +/F14 59 0 R +/F6 27 0 R +/F7 30 0 R +/F11 49 0 R +/F2 13 0 R +/F16 64 0 R +/F12 52 0 R +/F13 56 0 R +/F1 10 0 R +>> +endobj +105 0 obj +<< +/ProcSet[/PDF/Text/ImageC] +/Font 107 0 R +>> +endobj +110 0 obj +<< +/Filter[/FlateDecode] +/Length 1474 +>> +stream +xÚ•XKoÛF¾÷Wð2­÷ÉGE6@·‡úVö@K+‹I9 ý÷Î>H.Eš¤¹³³óÍkg†ò0ÂØ{òôã«÷ÛÃí{>Šïáàù! +¸·õ™z<|ùwC¢ð濇?‰{!Š|ÅD¹‡õfïå!ŽwÕþ×Ǥ®YÒ¼Æq•¤µDB¾Äññ±|J~®Ó]¾4Rôr±{Ô-HܬÅkÌh5澚‡å¬—®BÖ8îcúÔ¢t°šmÙÚu%ç¸OsëH™>›´ù«´Ú}°¥†#~jÚ¬Ô«M îH•ß®H ²®ò¼©Îr|ɸÎŽDdA¬€À‹ì¦:ëSxp™Þðp”7[†ùæPVyҤœZŠMy0äÆìCäoh°9–Õ¾6imèû²°iÑ1Z‘˜„>¤³]káíZÉÀG›òdW•èfËoU›SRÕöµ’Û‘¶ŒEG«ÁBåSÒF­>g ˜F9ß$•4/uSVr¯Þ•ê©£6e–•Ê9ßµóIk]ÿ2öB@QÀŠÁ¯(y­–/ -ã« +ðuÔ’mÔ©O#""®’Ýn”4‚€ø®á +†9q6K­¼ù’îe¡¶¡Œ¡ fÈت¿MY`Ęcà(Vƒã ûŠ „1a rà,ðC¦`ÄõBge¨¬DãÈÔ §öQBgï sÑ»$L^?Ž›CƒÛ=ÛjáÈÖµú˜ XA‡ËëoéÉV0³ùl7Ó¢à+àãr÷^Æï¼k[ˆTu|Õn^&ŒœÉb,ŽŸßPÚÕê=n®œ¢ 8!Êp ´·QA‘ eæù4!Ë° d… ²ÒË ‚™Ÿš*¦m û¹-Þ8|W[7q|HçõiÝͺé²ÊA/øº(uâeÐÛMj>«95óâ­Ž”¬ %=“¢)ÛvêŒ5jŒà›û‹ÙÈÊËJ»èB:vÁjKÝ b«Rž²Yã^{ùÊÛuã I–•ße…#¹ýÊ"Ì·® sªí¤ûƹN—n3äh¯¹ÌtfR^ñý@ƒ5sÒT5†:ϬŒp¡ÎwCmWç?_×ý5UŸF 8FdÑ@>dR‹ô~ð0âÞw/¤È‡öÄCø†ô½Üƒ«ôvyÿè? ú6 ŽE,T àrãk£­ž¢ihU;ÙœÀY:Þ)j%`ÄàÀØ­‰9z>%€P‡±'\qB+DR\@£¦¡²+Ê‚–0Å S¤?àÔ„ Npå.§!Lq‚:àÔ„ N"\F½òÁAMg‘bl ½=ú_áÕ¡j¡BõÕfŠJÆu¦DH„žÐ+`Ðegµée …YQ¢åÂ'A· sæÎ +õ!IB“~Cmúå£ó°´#Y6D8¸>{?>‹•qf÷‹sÖ¦=E°ò‘ š!)†u»ùU¶ŠÑ@y+T^Þ@#6í`ÁëN軆Í'Üðp7nv=JC|¸Œ-ášÓÞXáS¥^«,¡S´¯Q ¦ç­9ò™­ O>šá»>Ÿ“æ\ÉW|鈹„ΫþþPÏC•ì8¿´yÑ×Õ£“Êþ…âî »_7IÕÈ—$4Sçÿú»‘5”'óÉ~—º»ÿô%ÌÚÌÙ¼Á0,ab¬)Yì]·°©âC¯ƒ˜u5Ågt¬‰šÒ1v„kNëxÅÈ„ãxK˜¨•îˆb"UIô¿œÄjùÓÿaõ´x +endstream +endobj +111 0 obj +<< +/F10 45 0 R +/F14 59 0 R +/F7 30 0 R +/F11 49 0 R +/F15 61 0 R +/F1 10 0 R +/F2 13 0 R +/F16 64 0 R +>> +endobj +109 0 obj +<< +/ProcSet[/PDF/Text/ImageC] +/Font 111 0 R +>> +endobj +116 0 obj +<< +/Encoding 14 0 R +/Type/Font +/Subtype/Type1 +/Name/F22 +/FontDescriptor 115 0 R +/BaseFont/WRKFEL+CMMI10 +/FirstChar 33 +/LastChar 196 +/Widths[622.5 466.3 591.4 828.1 517 362.8 654.2 1000 1000 1000 1000 277.8 277.8 500 +500 500 500 500 500 500 500 500 500 500 500 277.8 277.8 777.8 500 777.8 500 530.9 +750 758.5 714.7 827.9 738.2 643.1 786.2 831.3 439.6 554.5 849.3 680.6 970.1 803.5 +762.8 642 790.6 759.3 613.2 584.4 682.8 583.3 944.4 828.5 580.6 682.6 388.9 388.9 +388.9 1000 1000 416.7 528.6 429.2 432.8 520.5 465.6 489.6 477 576.2 344.5 411.8 520.6 +298.4 878 600.2 484.7 503.1 446.4 451.2 468.7 361.1 572.5 484.7 715.9 571.5 490.3 +465 322.5 384 636.5 500 277.8 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 +0 0 0 0 0 0 0 615.3 833.3 762.8 694.4 742.4 831.3 779.9 583.3 666.7 612.2 0 0 772.4 +639.7 565.6 517.7 444.4 405.9 437.5 496.5 469.4 353.9 576.2 583.3 602.5 494 437.5 +570 517 571.4 437.2 540.3 595.8 625.7 651.4 277.8] +>> +endobj +119 0 obj +<< +/Encoding 14 0 R +/Type/Font +/Subtype/Type1 +/Name/F23 +/FontDescriptor 118 0 R +/BaseFont/CWGOWE+CMMI7 +/FirstChar 33 +/LastChar 196 +/Widths[719.7 539.7 689.9 950 592.7 439.2 751.4 1138.9 1138.9 1138.9 1138.9 339.3 +339.3 585.3 585.3 585.3 585.3 585.3 585.3 585.3 585.3 585.3 585.3 585.3 585.3 339.3 +339.3 892.9 585.3 892.9 585.3 610.1 859.1 863.2 819.4 934.1 838.7 724.5 889.4 935.6 +506.3 632 959.9 783.7 1089.4 904.9 868.9 727.3 899.7 860.6 701.5 674.8 778.2 674.6 +1074.4 936.9 671.5 778.4 462.3 462.3 462.3 1138.9 1138.9 478.2 619.7 502.4 510.5 +594.7 542 557.1 557.3 668.8 404.2 472.7 607.3 361.3 1013.7 706.2 563.9 588.9 523.6 +530.4 539.2 431.6 675.4 571.4 826.4 647.8 579.4 545.8 398.6 442 730.1 585.3 339.3 +0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 693.8 954.4 868.9 +797.6 844.5 935.6 886.3 677.6 769.8 716.9 0 0 880 742.7 647.8 600.1 519.2 476.1 519.8 +588.6 544.1 422.8 668.8 677.6 694.6 572.8 519.8 668 592.7 662 526.8 632.9 686.9 713.8 +756 339.3] +>> +endobj +122 0 obj +<< +/Encoding 21 0 R +/Type/Font +/Subtype/Type1 +/Name/F24 +/FontDescriptor 121 0 R +/BaseFont/DNPOCX+CMSY7 +/FirstChar 33 +/LastChar 196 +/Widths[1138.9 585.3 585.3 1138.9 1138.9 1138.9 892.9 1138.9 1138.9 708.3 708.3 1138.9 +1138.9 1138.9 892.9 329.4 1138.9 769.8 769.8 1015.9 1015.9 0 0 646.8 646.8 769.8 +585.3 831.4 831.4 892.9 892.9 708.3 917.6 753.4 620.2 889.5 616.1 818.4 688.5 978.6 +646.5 782.1 871.7 791.7 1342.7 935.6 905.8 809.2 935.9 981 702.2 647.8 717.8 719.9 +1135.1 818.9 764.4 823.1 769.8 769.8 769.8 769.8 769.8 708.3 708.3 523.8 523.8 523.8 +523.8 585.3 585.3 462.3 462.3 339.3 585.3 585.3 708.3 585.3 339.3 938.5 859.1 954.4 +493.6 769.8 769.8 892.9 892.9 523.8 523.8 523.8 708.3 892.9 892.9 892.9 892.9 0 0 +0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 892.9 339.3 892.9 585.3 +892.9 585.3 892.9 892.9 892.9 892.9 0 0 892.9 892.9 892.9 1138.9 585.3 585.3 892.9 +892.9 892.9 892.9 892.9 892.9 892.9 892.9 892.9 892.9 892.9 892.9 1138.9 1138.9 892.9 +892.9 1138.9 892.9] +>> +endobj +123 0 obj +<< +/Filter[/FlateDecode] +/Length 1330 +>> +stream +xÚÍWßÜ4~篈TUd%âÆvb'Hˆ¥P¤BÜ‹Dºë½„曤w×ÓýïÌxœÄ»{…Š'ö%öøóøóÌç±7ˆY7ýü|{ýâµr–«àúdš©4ˆ”d: ®_ý^—fI)Ãnûi¤öajwcÕµÔó€­$gð¡;6Å8š=uw¡Ã²;îçËÍ|utNêbgØæ÷ëŸ^¼æI9>‘B*ˆ-—ívwÜ¿tDŠå‘iÆ40ç)ˉ¹ñ…;ž°4_¼íÍ\6ÓPÝýlý>ãÛmù¶»ƒÏ‡]Y, ÅT#ß›r|tM”Š4»íÖÔ¦ÞUýÃ3CÃð¿ †­ñ˜å©£Èÿ…bmF×_]ðuóqšLh•˜)DRÌ›ˆs‘„ßMÃØ5Շ¦ÎÎ[‘à,vÆ›Ã&yNùĆÛ>¤*ŽÃªéa»¦Å¤ŽäŒ@|³Ð Ôm;‡¦j4žC´µÆX1àp×Ì£Uïl#Pv¡Â[ìdh$5íÁM sÎçˆ. +\Cç-+ œù¾ê&+:ÞVuMÊE„ unª÷4-[¢K P˜4Ë2 +,ãsh‘NÕÞÀ|:Ð0w£iÐ@Ž”nž1I~~ùò<\1=«þÇÉÜcŒ1R|C»1ãr’h`¸oNûéjr,Äê¶"2çú•E5$¥rÍ„ +$SÜ®.¤ ÔSçCŸs×LƒÈ—É_Ÿo=⊳$/XHoß<Ðbì• LøHHý@ +ˆÌO^f«Yit 4¦¾'à‘^vìx] ãÐÌSÐ$™n7³c¢zTÊÈf˼‚'H²—¤ÌŒÅ™/νيT·ÕZ:«µºó5Ž’ÅÉIåûk*êó@¥1ªˆPcñ¶66”Á÷×Pß“à6à±f©Õ¦w4H€\ uð«½<‰ˆÒÌ!YÆ?M(â…²ÇõVb ä\Šbë´Ýr@®’D\xÈÕ° íf-qNçâƒáЊ©Äm–v¡0´MÁ §Xz²KµÔl¸£NOG¹gîƒÁhžÛ|$;¹`:óƒ@†™°?Á ‘„ãÃ…SGS¼3Å—ÅhŽÏ—ªÛ)§WjèŠî´—Eß›vï:»¢¯Æ¢ï{C÷ÚÕãv‹wNýãs²6ÅŸÝQûK¤':òÓväàUs¥©õü2˜U©R¦ü4K3ýTšäj8CÎñEdæÇ×æø®ÕI ôE€ÏÑýTgïLUg'9‘,‰_W8à¸_8P( OÿCõ–Läÿ\½%D^!‚dÃ¥½¼#û£qup~žÅFjW´'w÷ü®œÚýl‡j|Oq‡ç½{ÁüGù99xX^¢Ô(‹ú@#ûª©Z3”fÏÎ(r–@ÅND‚Q€Z *áéb µBÇŒK´êù/Ïk[lŸÑ‹£Yvž£uIe—Ì19gHXž?!ú¹äym“¹½h“T`õók›'9[Û°H‘^”ÓK6’KŒÕåvüÅG"¦2–¦þFÉðTýJÆ‘T¸ü¬4”O’4Vø4n<G^ÆhA®†3äL‘'r†™¸>=šËÒYÚ >[áÔ'2ñú‡ìÐiGƒZ…B£>ªþ0–„2w}]íª‘†¬®ÿXÁ¾ÿXÁ~׺ÕvÝTïÝsCú¯ Sa)öÿ€¹ŠkAº|’t‡³šåN>·èmÁþÏ’KH3\¸|}ö7$Ö‡B +endstream +endobj +124 0 obj +<< +/F7 30 0 R +/F14 59 0 R +/F10 45 0 R +/F1 10 0 R +/F6 27 0 R +/F22 116 0 R +/F23 119 0 R +/F11 49 0 R +/F2 13 0 R +/F16 64 0 R +/F24 122 0 R +/F12 52 0 R +/F9 36 0 R +>> +endobj +113 0 obj +<< +/ProcSet[/PDF/Text/ImageC] +/Font 124 0 R +>> +endobj +127 0 obj +<< +/Filter[/FlateDecode] +/Length 881 +>> +stream +xÚµUKÛ6¾÷Wð²€|#_R.I‹4}\Š ¾Õ=(½bÉ®-cùïáP²Öö½äDÍðã¼ç“(dQˆG_ð0âI(¨¤)Eî´´Ft´•Õ$ïÄŸâ§å«÷^T²rb¹` +úÊ“J‹å»¿²wÝv‘k­³×‹¿—¿¿z0µ’•Ã9”YÇU'+Oå%x¡¥Sæ“34lcFÝptº·t)~^¦ÜtQÉ.¹夆yn—8ʹ”7ÉZú9ŽÞ+¸à&yÂQ­ ¦¤bn‹kD^–TS®‡ïD™j¤@¢ä¤Mùçv‚`ôR ‹ñ¾{žâØ>UX©Ô,ǤƒRæâЉbŸ:®ëª«?…zØ…aÇ‡è¢ ñI4a³Z­ÍÛÎõn{ò/_ׇCè›$ôçîc8_a‘[°”Ü×ÕjØóíùðõõÛz·á¯¦íÚ¾=mC3÷`ŸE¹¶/¹f#q"éãá¶XÔWU:êG7SÀ6O°‹®¦&–¾ôR•óÒ³âvw”R·#œKpŠ9_䦪²ý‘VÈd]½Ÿ}!²¶'a8îqs|Öœ×AuÏûÖa­Ûþ‘…Íh‹Ã¤xÖ}Ã7ÛúÄšaÏçÓ±ÂkŒÀ`ÍÒàÝŽp@ã¨N2§‡J/‹ˆ²ÒúD~ô}‡*éÕŒü ”à¾%(ÜÕYNcÏfI=Ÿ€’ö³›)ôØÝçã2!/ +=Ÿƒ;¼¦”F}Wbg¤µóLYñ b¢«ÿË áó¬ÞàýH§¾îÂ…,lŽ¨¾aõÃlÍ%ÛÛM™KðÙùtM.7¤r'Η¨Ã^SGœÝo‡6Nšù_BEͼˆ yQ\!Ç&ÒÁ¬II15 ©#†ºhrgÁ±k ‹\)0Ùz¡ Üòþ‘Àä„ž4ÉÇMKH¹—Ró/éCZÒO9é]ÚŸ_÷DBOÌHÍž™ä7Þî5]þˆWFê!ÇD]o®çl:W¨€hÿÇ{Þ‘gÙû=Y´.q—õÌ]x®ØÎÀßÛ6]r¬=?ƒ8 ‘SwÉRV`}ßí¾çWOí°å»š§s;ÔwÉ:2kW3-Ê»ö q<ÊH~©;p¢a…ÏuwØ…˜n2Q§uãD*Æë‡ÿlPY +endstream +endobj +128 0 obj +<< +/F7 30 0 R +/F22 116 0 R +/F10 45 0 R +/F24 122 0 R +/F2 13 0 R +/F16 64 0 R +/F14 59 0 R +/F1 10 0 R +/F6 27 0 R +>> +endobj +126 0 obj +<< +/ProcSet[/PDF/Text/ImageC] +/Font 128 0 R +>> +endobj +133 0 obj +<< +/Encoding 7 0 R +/Type/Font +/Subtype/Type1 +/Name/F25 +/FontDescriptor 132 0 R +/BaseFont/NYLKRJ+CMSSBX10 +/FirstChar 33 +/LastChar 196 +/Widths[366.7 558.3 916.7 550 1029.1 830.6 305.6 427.8 427.8 550 855.6 305.6 366.7 +305.6 550 550 550 550 550 550 550 550 550 550 550 305.6 305.6 366.7 855.6 519.4 519.4 +733.3 733.3 733.3 702.8 794.4 641.7 611.1 733.3 794.4 330.6 519.4 763.9 580.6 977.8 +794.4 794.4 702.8 794.4 702.8 611.1 733.3 763.9 733.3 1038.9 733.3 733.3 672.2 343.1 +558.3 343.1 550 305.6 305.6 525 561.1 488.9 561.1 511.1 336.1 550 561.1 255.6 286.1 +530.6 255.6 866.7 561.1 550 561.1 561.1 372.2 421.7 404.2 561.1 500 744.4 500 500 +476.4 550 1100 550 550 550 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 +0 0 0 0 0 0 580.6 916.7 855.6 672.2 733.3 794.4 794.4 855.6 794.4 855.6 0 0 794.4 +641.7 586.1 586.1 891.7 891.7 255.6 286.1 550 550 550 550 550 733.3 488.9 565.3 794.4 +855.6 550 947.2 1069.5 855.6 255.6 550] +>> +endobj +134 0 obj +<< +/Filter[/FlateDecode] +/Length 972 +>> +stream +xÚ•WK£8¾ï¯ða[J4‹¡¥UïŒ4ÒÌ6§]ö@ˆ3A $²“V+ÿ}ÊÀ€»“>A•¿z}eùØ÷Ñw¤ŸáÁÐDüóya€9C%¢4ÆqØÉúý±¾ÿ!¥]ï Ž¬‡˜hýøï"[Òh±O«ïbé]ìÕ’†‹¶Yþ·þ‚þ\›@4p  q@í@CB‘Lh…# +¸^pdã¤=¡®—'8PBA1•uB1Á4èdøà6NÉsñÁA`Â…d„T +’PÌb©cäÊ C…4Š¡Ù/ÂŽQݱQ²eŸekî?Q>´•ã¸3À£ê]„c‚ k+¥‹”n…WÈëuµ#;\„Dp«õffà |UNcÙ²I aã„Lò +%û²^#A½¡»\¾Â<Ôpé-ñ‰?q¸ØÖ®ì-b‘ ]ðhS`wˆ ô&ë6·Qôy2àOó@(ÕcɲÊ4)Ó'‘¶…h[Qß©¤}Ù7e¢[±K’¬Þþ‡¬mÚçBl^î …Œh,7X ÑàJüÂCV6ÍæL|§kˆjЇV´ÏGñ02Ùði:ÒfW¤íK’ÔiÞzgûÍá ŠòÔäçlŸÖ±¹¼]•t³=œ6EçÌö=–nðÔ@Ìc—ôÁ™äÄ_Ï©ó7ò?/os»I›æ½ÜJWVN*ååz\gÉ7GžZ[Ú+„w²lGCõrm(×eÚÂÛ|(wX“©¬ÃpÐìó” +Q6OùÑÔ¥ÿ7‹yË=i¼Mš™ßfÃÔ[mh„4ËÜUÈõâàÜî*#àÜig%D&dîõttzÍwg½Ûê/í³¤¡«}ÉÂÂM––ðËgÝ +ínyóOcZÎ*MßÝ»—ñ¿Ÿ:è¤`oÞ~È5I^Ù[­g8Wáânü ðöÈèwåÃt—º<ë_C»å¤:lÒÚ L' iÓº…ó_§$ðí/¤W…Çè·»¯‘`ëœôÇË—­1¾ÿµõ÷Æ0壋AŒiäºtÈáj0Aö—@2n_J´Âqý.¸Ò%fýå'†XÙƒ +endstream +endobj +135 0 obj +<< +/F7 30 0 R +/F15 61 0 R +/F25 133 0 R +/F14 59 0 R +>> +endobj +130 0 obj +<< +/ProcSet[/PDF/Text/ImageC] +/Font 135 0 R +>> +endobj +138 0 obj +<< +/Filter[/FlateDecode] +/Length 480 +>> +stream +xÚmS¹rÜ0 íó,©B²HêØm3nܨKR0+î.g$r‡¢lïß ¨ØŽ]ÂÃñ𱺪kvbéy`߇›ûží«}dž#ëeÕ Vvªê6Üþä?¼+äŽÇ`ÿ¬Ñz·¥ÚÕüè’Ûù|!{þl݉0cãÙ$Xp°È8¬!‡q«@_KÄç:rûÿGóK¶½³Øœ<þH¯3/Åïá‘Õ¬"ñ¾Þ¤¨×Áñ‚ Ìtð³©0áæ^0ÑTªÁ!YÉj¯RrS@%Ùð¡ØKî!»æ£§”7‰ CŠj'SÆhv ׇ¸ê‰lÐd23NÛñ¨3ñNq‹Ìº–;)0=MWrúKQ‚ÐÆDƒÿ€ìÏÚH_€âÖÓºË) +Âg«j7¾×¥MD)©ÎjhÜé•ir'Æ…€Ñ.—I§5až«¢lTß\XÎ~F²ß†§Uc!GÐlÇqÊ4°^—ë…Ììl‰}‚ZŸ¦ÀSx5ÐIömšŒŽ{pwX½ÏE ë×_m#Ûb‰$7I ¬“ÅÍ`íÜ´Ý¡û1ò×+QGSòÝicZ9ȹ.´b…;±ùŠ?è”Η‰Î~ÒVÈíêE›»áÛ_†Í +endstream +endobj +139 0 obj +<< +/F7 30 0 R +/F1 10 0 R +>> +endobj +137 0 obj +<< +/ProcSet[/PDF/Text/ImageC] +/Font 139 0 R +>> +endobj +9 0 obj +<< +/Type/FontDescriptor +/CapHeight 850 +/Ascent 850 +/Descent -200 +/FontBBox[-53 -251 1139 750] +/FontName/BPSKTG+CMBX12 +/ItalicAngle 0 +/StemV 109 +/FontFile 8 0 R +/Flags 4 +>> +endobj +8 0 obj +<< +/Filter[/FlateDecode] +/Length1 716 +/Length2 5910 +/Length3 533 +/Length 6457 +>> +stream +xÚí”UT‹–†q Á“àoÜÁà Ý@CC# A‚»»»CðHp‚{€ÐA‚» „`arΕYsï¼Ìš·YSõR{ï¿þýÕ_µŠ•Q[G‚°†*#œ‘<@^ 8@ACÞ(òò°²*¸AÁHÂYŒ„Š€  çaàEÄ…Ä……X +o7˜=À®Àñ§J çuƒÙ€`¤=Ôé·‰ ÐCØÀ Ho^@èþy‹;@êuó„Bx €@fƒXCí`Î|B©:Û"¢kC<\þ1ò„º¹ÿæ°ÿæäü¦„ œáÞÔ–€Oñ{ô7Ëÿë¿¡úWse8\ìô§ý_AýÛìƒ{ÿ]prñ@BÝÔÍù_¥FпÁÉ#àÿ¶F †ÃläœíàPÿßZ0we˜¢ CÚØlÁpwè_}¨3ä_~ÇöŸ¼¶žšþs®¿¿Ò¿MµÁ0g¤¾·Ë?}ÿ”ÿUÿ³þÌ `ÊÏËÏü-ü}þãÊü_¶)9Û 0g;€ì »AþÙøw*yy„—/° €G@AQa~¿ÿ*4p†¹z@UÂüüü¢" ¿º6nnPgä_ŸÁï'þGm ûêµ!ÈÉ¥„¡[rÓq]Z}ïA1µM|Ñ&è,;ÎþQøäÓð7B86ïœCD˜£ö÷y¢›CíØŒŸì 2‘þ‰=?,ú¼½©k–žpÚŽu˜n\Š×ÆíòL“7›`ðuŸ@c[-Mßq +ûZ`/ŸC +‘.]gŒT-·¨!ÿ®H W×Èü»­èív4q”Ò+µd®<Ë 8Γ +ògÞ ä~NÁ‚a¿ .dy >7©8î&’N_v×™10öïâgõÔ\¶Ž>^g—0™¡‰¡¬e™ÏÌ .Ú”Ö—ÜÚìOÈßa˜”ŽÞçÿ™ˆNcƒg;iee¿°Ïœ~xIóî+@ ûN +Ö…z³H#¹ý×HÒw6•ñ‚•û•&} Œ»R\‚Iq„d.*LÏ%’ÓÒ^…ÚNæWö¹ì½ALv Nï]îsEN¶Ä÷Ø“€›Ò)“Oé®ßû‡¿GaÝD߯OÙò=K1*©ÄDóV i‘„–îj5Ø–}åãP-øã(rÜŽ†AP<+õ,A0Aθ÷$G$n¶UAÙ JŽlÑj-|•ÍäŸcŒ(àËa_gr¯´à^æâÇDz·8¾/MéãÕMø2qÇÚg ) ~>¾5°Ë[+ÉF— !óo4úé¤EfÖÙƒÒ/¨Rm}bÁ«%¿È•xóõè÷¯v´~i~–mâÁŽÃ0jæ¹+ß½OÒvI8øò–¨Üa%¥*šÚ-`¼œë R!¬ +çÛ|f\œgú*Ï:ÄšªL&U,r@v¿ÕO›Î‚Düå´ç¬pŸVöbhS?Í¥iÑël̶Ä`PbÂ.å¸ûºw½úH +±0Yç²wa<èâ®Ò¸ ZÁ) ù®¤EU›Êx®` ;l(R’XSc³øUi¬ÿ±c §ýgã²í%\ˆ@¾–ß­ ¹®Sá·Ë}"ÔWøôœÂùº Ó?JΔðz7;8lYw¦tÞóqÑJéóLŽuHüT”Ø$û;†Í´nЖ½p ‡¦ÚÚÇ—Óœf±/¥›*N½Ãªeżä4=)¯cÞ çi[¯{Ø>Š{¾câQH–…,œ4ú#š´]Ájq4Ù<¥¥g´¢H×ÍÜ,ël§6žG(Š‰ÀMï­Õ@2©) +5U{ßóxGAë6—I«g§–Ö(Hl>^¼[û ~¼á÷´ ÷¸45ý‘êµ}ì:E±X£žH6${Uçê¯&ú>•_uçf{jŒÜ~)á4¨gR¥srk½~Ÿzœï‰'ƒ+‡u5§4»O …ggé°»¹c+_jäØîo‚Þ)²J)€¸còï%s=p ó“ƒÖ#ö¿juœ“NU M÷³×> Sù<_´„Wè1Iï`¡±o¾w¨³™ñZd‰Krà‹A$LwØ¢Ûøk¶®Ry™t£žóGJx!a>clgd³—7½P¥)ºÏ™hóL¼ kHØ“+(÷VA­¼b¶y­|ä ¯Ê²\u†"þZ¾™ý)½z $÷þÃó<]þø—èô˲ªªüh•`CH\‚ÀHÇz×G[NÜgÀ½ÙJãu¡~o±fnœ_ñ¯U_ÙbXßFú½^…¶J‡a¦úàß4l԰˼£5)»4Ã%&zBwBˆU¼µ”ÐXßÉöq–ÁÉõbŒÍõí=¶ó‡_z×-O/<òûõqÑÅs‹+iYÊ4m6 Ú:@™x±òñòØÓ×Õ•”àûë#j¿j›mì+>‡Ë7Õ1júÑy…òÍš Þ(‘b¸Q˜Ró¿Ô„,°À¸\Wƒ&,i2ÑòèÞú¦º‘Ùà.«X<³2ˆÖkQo*ÌáÁ@V<Û‰{É)=çeΦg¨Ó¡ÿjó×Zg*Ö¡ÙthÅÏ€Õmwü_hÓ]$“]-G@UJĶ˜ãz)ÚÐ8™¤êŸú„ŠœcÕ<âÀ¤]êö=ÎêJ÷²LucÞ²wT1æ$ÎrÝ&ž_/ç+Fç¸,ŒR‡R’²½&è}ƒý“"à +G¤ôÓE2vd¿`œ6u]÷ j”ya Ùò*y8'ççÓ“)hƒ"‚rÍrÓ„Ô¤±­÷Ûò¹ƒÑÚþ«M¸m<+È·5b ‰~™UŠäbS Ó ®ó)'VÚ‡s±rMlyÁØA"ˆ혥8,RU-‹ÁOŸòvõ àû§dù%uÆ´;ÊHS‡ÔÊÌ°ZRä‰ yŒV|+­Œm.* “•§ëªÊÜGs qíÙí>ü^¾oÆmÒ™é6—0_¥P /™¼Âÿ&D¹òäÀ-¼¼\˜Â¹îƒwóò |hðöªê…ÂäC½ñ-ï!Ê€¹²¥Ápö, ?Eíýë»›µîpÂôÝ—Ú¯WÔ¡GŸ!‹È¦§³^ÔPé9LÖÌÕTk†µŒûT¬;HÚ-§Ð,å¾T¶;§:¤dºbX;¬Ù4–Z“O;ÑP,­Sð/ªCÒFgëß”|Ýé$@‚°².º_B e4³t¼ž6ݬžiì ¼â„1Ïû7¤‹¯5x|üˆKĬ3~ž…µ`cã ËΞÎBµˆ^ïŠ?®÷¾ÐÍm“ÁBRÍZ.ÇS~ÞR'7´K¬õú”¿•ÇZ\g1ÀejÅØ2.Ñq”¬Ú3Ë“‡ò‚©”«k¬ã©ƒ6tG¸ýœ–GX—º¬“”¢eâzªk&ÊÜÖ6¾ð)ö‘´~áZŸŒ B%.FØprÖ‚ÜöP —HRi° ydqREJ#üñ‰v§S†´L8¨Q*gàôÙhõ’=”e‰1‰ìšTâÊ}4W Q½î"¹ov,ÇסŽß…À»¼è +Œ@ûOXQ'ê$S¤ ¬+4Žáä2a(+^¼ôÀw€¤ò‘Ñ“Þ®´ GEnJ_Ã8j‹Ìeieî–å½XûT ÖŽª³£§S3R÷ÖÑ+[bC[›äÖ¡Ëtüc \åàX½°óUYÆU¬|Mt¨ +×g%–é@±ûÂÕ†’ÂáÝçmô/m^ñì£Æ’[KœIúL«æØÚtO(xZƒu©3Zcâ­e3vg¾®ÇB$¿Îõ ·nV°X™&ìÝô7=oœÜ»¶ƒâ{3 +È—pfÛB.¥ágî™äÚó{÷{ôõsØm&f¦ ¿ 5ÍÓБ%Õ×ÏKŠY`q)æ˞+íº§3ã†áä¤Ì“ $#âŸX~Õ5Ó_ù.ŸBTè2F§_Çã*r+o±A“èNª¿Fžì;nËk5èóš‚‘²Ë¤>“ÝFmfŸÑÞ¼:žœ,ìI«c«}©B-mTF©î›,jÓ£&Wn-B>`S)†– ò@²Di–põ¨Ñ¨ôºr’Œdmࢶ1M>#ñÐì‘š«üc­7ÈŸvâáñû"Ÿt ?XšX Ý>?úñâƒjÚQ)šY‰Ö›iišòï'€€¦zq-5ZÇ  +ø³«g¿¦=Ÿ‘À&OQºæ‹6’رœ¤¸$B +W¨PÔa»Ó† ™®&Ô`Lú”Q|[ܯ2b^méüǃ8‘ÌÐUr¦J +ñ>7×#Zæ ›’Uôý‚ +Ü•ŒÀ¢ðÔ'¢ +3heËMÞOEBËSðúË·º|_%ß1B’ ¨¬H±øRJ¦\FØÝô6ž<껬PÀYüN2“ÊÜ6Õ›#mÜÍ1oÒZÙ¬k3P]è?Ûm1É ­X•Áo|‘c)Ai]7ðûñ'MIàÛÛÜ£Ä{ÚÔo ªÅ-Š6 òÙ?K°'ØþÜ© ©˜åÑR)ÅÝõÙ”†îJ‡ÈÅiAÄ9ß C«¸×i½â0òô¨¹}ºÙ0µÜPldôÕŠYØkËbFŤ뜧$ +yÍVã¬X‹®±;þμÞb†\jŸ¥B$ÓëJý-‡UÒîî^2¯zmGÊ–eÁoÈmFº9匦ƾ+>£ØœíiNgÓ6°<ªVN/&︵Œ½Ù+_ô‡[Ùózÿ}gÄ[{W œ±‡‘ñS¨›•FL2¯—+ËùAH€ýBw å·àÂxâ+Ÿ¶’Õë(ŽágŠœI¹ÀÙ@n1{c² +n> k~Ô¹ŒÃ2M¼ÕDø“(^&ºéÃ6Ò„øÑFÄ"&•ë+l8gÀ\²ÙÄY3Ì(²/h˜Þ›ùr>cgõBúkˆ;½V,?Þ|L2™\@D¶ªµ—²«J;V¹B”Æ­3ž*«Yt¢á¾êêº0î¢aV?'KÐz@1TK’äÊ ÄíùI*©½ˆ¹†áæ¹èÖ}Ù¡XÛ.ÉâÏ )ó ìjþ½H½öÞ+=MºxÃQÌ‘£X‰n©0ÍAi¨4NìÉ`%G)¯Í*óúÛÀpA­Ó< ËžnóúJ(õ#¯|é]–è?5ãsÚõ·Ž— +tèxê]~xuå€÷Q°E‚‹"6lÒCýaÿe)~Fq®ˆW¼BQ|Â?¶má%Ulj^…ß²«½];š|aœ2Vpc_¾y¹¶À–ÈmEu’Ž€¼hm>•wâi‹äÃðR~KêÎïóÉ¿CÊëµkep&ÔGì5œˆOtu…+ð=¨Ecí…#Ùó±F ®Œeo»)ÁV”m5™oÞ$½ó+s?u{?ØÈnVÌ›M­ÑÔW°Û[2¦so”ÐtBhÔgñé”N3yC¨ï"÷„<­ºÒV{®™ŽÆ5©vi¶·#‡•6ly±¡$*p‹Zrë•gŽâÃqrøTÌŸT‹½V¶³¸4žª æB I®ŠÑÀ0õËp-NÕ7l«€å+ ã Ý&öso…uÏ–^Âç§gi)ækúØë…ý‰…PZl‡Ñ›vÖ|p¨›ŸŸ3àŒù8yF¹uYËÌT­bÀP×ÍÝö vv× N ’íPd`2±ˆTâÖeæpµßœÇâ_)PçöÔáŒSUäÓŽI›åz0ëýú2¤/»„ù'-ÊŒqºÍ¢ú)këܵ¤íBÅbNãwàKÚ c|9l™OÙ«³9Sð&Øž¿×Hfá ÓŒÀ€o®¨p Á2%si¦õ3êÙýÑ6äÊPMœ ‚AÆà575ï»r;œ÷zÍš³W°ÎOqÊÔÎÊ,îì+Ó»©¯B°9O½v›¾IQ’ÍÕå¤-«¿Ö£Q$m ‡ñÞk¾uqë‹ *§&,âa¬ˆ1äl¹Ï^f)î¤8 Ä*ºc+PãV´Áâ|"ñnøÛÍÒÛqy¥Ñpý’å´}àfGZ~\Ë4F,êÑ¢VÃ]©Y3 ÆcoWg³Äók{¼ÎÌC±VýB⎊ï\u}ʳJ—ÉÁ8=S³éøjÁ¸­D@ˆz¼GGn'À®^_‹*jå³ó"Ãݨ’…zÇ,ê׶‘61"Ǧqóߨ]™Â=WÕÚ²½¿^?Û`A65Æ$ ➊ò_3Yûì Ýø¬º> +endobj +11 0 obj +<< +/Filter[/FlateDecode] +/Length1 714 +/Length2 6179 +/Length3 533 +/Length 6734 +>> +stream +xÚí’UT\[·­q·àÁ‚Kp×…)¨ +)¬pw‚CáîÁÝÝBp`Á-8Ù{ßÿÜvÿs_N;o·Ý5_Öè£Ï>¿9Öb¢×Öå’;YB`p.>n>1€œ†Ÿ0€›‡‰I΂C`ò 8D À'*Êq·ðóø„Ä^‰ˆñ àà0䜜½]¡6¶p«Û_.a€Œ#Äj‚4@p[ˆãŸ+@×É + +{s2¿¶¸t nW˜‡†ZÁ–( ‡ç/&˜µ@øìîü¯–ÄÕí€õ'à%Ø æà C¬qx4þœùÃòßÆú¿Pý{¸¢»ƒƒ&Èñ¯ø¿æô_Ú G¨ƒ÷ÿ289:»Ã!® '0ÄöïVÈ?l0ÔÝñß»*pÔJfãðþ#AÝ¡^°6ne °9¸AþÖ!0ð¿Cü™Ûß<@m% Ž>é?Mm×óvþÏØ¿Ü×|ÿ»þ3W¨À„—›——ïñÏúכ鿦³rCa6]8¹‚ÿSø¯P²²N^¾\¯^¸øy¢‚aQÿÿÓ„A]Ü!*òA^^^aQÁ¿U+wWW þ÷_ðç¾ÿª­¡¦xA¬p22É Èæœ/8®,.» Z'µq: +S¯sȧ†Oqй¿ØE†Ûk_.áÿ:Ô~ŸrËJ'U !ß}mÖçíý¼b•œÝz¬ÝäÛ•Xeì× I£1 +O×OÈûÏæ&õ9‚¾fè„kçà¸sçÙ=UÓýÂP@çWp…1GçÈRýλïmHbV +žj óë ؤؘ„Ò»†ŸÄß1äUø#ðBš 8× l¿­ß›)vôñ„âjîYhíNôÙ/`ºõ§û5´ù›ýÔˆ¥1¿Q’ù²ÌCb¬j†ÝÌÉÓïh}iÎáÇ׸`¥áiš§5˜äJ™a4qD CqÒþ×øýjž·‚AÏq1#5Uû(Ђgù·´åùuGØcÐßHªÊè•">^³Ï¡zhš’—•Ö¡¶. +¨Qɪ¼r?OÌèIðq²¤gây— ŠÛåÖcêŽÄõÚ ‡zº3¶sÇòIÃ{Fè4éd”ç¾ ÎpQdí¦à.˜¢•¥#R®¥8ý;ˆ³zÅ o±Pœ õÈMÛ»Aß.ŸWc§°Eç•Zâ~l”²×Nˆ’s½º©U1õLdÉ8e -t “k8ˆèw4QŒE;Æü„+w4Ö—I Úü!‚,Èñ¨­ßæ&q¥ð<*á«9·ˆ‰·Ï+¯ŠO’_´CÎÏl9¶2ñNìN+sƒfI±ºÕý?7­T=bÿÀ.Áß(r$ú„ÿÚvTwÇ•îŠ)\JÝK‹“S,‡8]àëÒz{•´ðN÷ýêvj¶`²š:æ^°oÉã{²ÓîÃsæ©kŒ&6½ÓK®§÷ôªárkG&‘Lù_CkyÜ®aŽ‰ñèÁ÷3•áàÚÙŒ{…Bp ½+IàÏ›E´Í/[gn~É.™£Yjˆ‡á£´–ˆ\ãWJÉ[‹€©r³ƒÇ¯çÞ1â+ú«Ì·M§H‡SŒ4ÉiºÛcÈ]®]Hœ˜Vo’ò¢“ºëxl^Ì>¢ +ÀM±ÁöM(¾z¨ZÂöT2é ÷PÉ>pˆCËøp©x?å´Dh}’í§e|½ñ¸îgM{u¹ª4T#ä-yÍ¿@®sˆ‘÷(0ל\xóVèÜ'÷N­jÆðå+ÑÝR5‚«"©’ä㈲µÚ[”Oÿ®¸õ¾Ê`pÂâ±Éª4µÑHÿÈ8”0_pµ‹Ì¬’ ñs}H¹{e°Èýl7ç)†.1 UËçR£GºÓó› + CÖªhy—IÚL…ÙUcèG4¢eº‰¢åRf1Í 6ž2îÁÝqãËy+IÍ®Ëpš91ÚÿjëÛYËÚf܇âZmŒ~|­­/ŠÕݾ[h«2Êþ‚BžÝdmézXƒy“oCQè%ÿ«ºÄÓU6&N¿óSS¹ï8þÜo´vÚéìÆß¼áA‹¿¤ ú?±éã &ï5.®‹Kh¸Hö&9Ò>M&aÍÂåU{ggLˆKñ +vIgÿÓÏß +>çPV¤Ý‚©Ô4ÙØÄã‹÷“¤£ÔDØSŒÂ/Ñ´¥»ô‡ðC\®!ÆÝÝh­|äAª}0# £Þ˜ðÛ{NáG¬¦+ÑÄë0”&_“ÒÈÍ6[IÖ} Tyr_j2ôÅ”óØDY›ìñ ²à•–ºh`ÍcHIÆ7&šü%ÐáˆÄW^ˆ++E(Y¨¡a ¼Sâi^ù8|,TvYk@K”ë6æ'¿ ¬ˆ>'šÕ½åY á4·¼‚ãúIoêG¡9K›ÃŽ‹×s/.] +é†MÔ7jÚ™ß8„Òýüyàcf§™ 2xî(º!'ünh±À8,Ö„Ðt×Õ#ßÿãüêÐû‘‹Zb½­Žnax‹:.'‰°à†‡4…ÅTÏÀ#*û|ú¾?É`YÛÛ™9üW=öËúcñÎe LÐWŸ²×ŽÁ +¬ƒªÌ~,A7ºuÏ]T‡Á/PÂ!…ÚA0ٺǺbÙdÞÉÇVtòÃöûô»ZZ³TBÂÉ+/¹×§wÉÀ{yrGñä’ÌwY(X]ÏrCµRüââãzâº[A¦×r(Z£ÀÈ‚Ûµú;s+ŠA={ ñcÂ+sPÛ™¡í¬Ù‡B¤€oùúÞko³ æ•°ç`‰²èó7¾g²Åë§ < ã ¡M^‰öí¢ű‘‰{À}… Çkqã¾»Ua\Öêó’ Š³¾š<75ÿEÖ»$Çéztü&þÄg +œˆz°Ètæ銾Sâ··Ç%úÇœèù‹Ú4ÌÜñK8‚ü²w¯Ð=8õË0‚º¦9äw%ó±bâTʯÞ`Òsˆ -ôK“ùn= ¦nZo:Ï!È.¢¿ó˜UÒäA@°©Kí6¢¥šÉ¸)fÆæì`‘rYbBHC—öçè Îå>¿+xÖ/·JÂQ#^iDr›ÔôcÝŽ"é·¾ŸÚoŸEy‹ÛÃg.$†½Ú˜iÖŠAD÷WY$"D¶Ý¢¸œ8n¾~¸u#—Á/îûª‡ÚšJ—€!yà–’üõð]íZ‡1ZM ºì\¥l¿ÀÌÅ Ç ì÷Ô™Ôâó!£Ù{/œ×.ióè8½'Ñó«ó¸é±³v.wÒ—Wá榬y≴¶‘ç±äÕ/S‡ÎÞíl9Õd -Ï$WÞT3ædµ¨¢:{nâb,‡m¦‚wÈ{îÈü(…¢Ç.|ó67ôÑý×Ü/8¬Ÿñ™{?Ü\ź©±\,KÆäÌÐÐî5×,‚Jhñõv*LÖ°´8M$·„ŠÉ0é- J\µGeI‹ÜaÜoÑRÉCÐ1ÿŠ¨«{ˆ™Ë{V¥:ùt˜˜l nE§ÄîN«h°B’°‹¤Ÿ Ô¶ûÅZMªqkÊlÜÄ÷•ocÌ}]j_+„̲*yX`>ŒÄ¶’à|]MÉ‘ý‰ñä@5¦f²·ò¨¶Ü¿_ľì@G¿tþ"6ö¨.{‘§wª{PeÖlæ&Ñ7£uÁL'©9µ9Þ¤"y’i–fxLf\VxX%³ÿX»â¡mº¾C§;(­öáþ~™6§?u!«P”ô¬­™°GN´¹,§·vت3ÿåÀugõ¶/n-ÜfèÈŠ¢œù¶eÈnP”0=~$0®ªbÇeãsÊÅ«Iu, ½Oï~ +(Ï&qÇf,ßxÉîJÄ +ÛC3uãë”:GWÅok¹J¿¿- ŒyYFmWxÝèÖïÜmOÓÄÞñÄIЩ$àØšž”ü‰l;N„¹‡Î1‘ìÓ¹CóýI:Ktl~ÓµGÞ¨ócnHRÂÁaŸa(zFébü~‡LÍ>•4. 8,¤:4V‘uYžȹý]á-©Klðþ+}£!>vVˆ ”ôb”HûÝ÷¶‡^-|õ¬àx3ôî¤6l‹C©‚LTôN…Žº¨ß\àYûX?‘0IÍ©‰1”³¥I»ZHÎéz7/qP’Jx¤ƒÕ9ÆK¨ù%¼€ÕåeýUú÷ÜÕ<~œ–ÂÉ–LúCÊäøÅ„ûóôÇoí X'$гé7³³h’åªÂññ—óèõ}¥.Gaå·×¯¶RGp»Ma¬¨Û<®E‹Þöåeé7¬CF_/ŸÏ¦û‡°²D³´HP׳ب}~üv§YUVÈAK1ËÊ^sž½1—¾R6بáü~x|—‹øÀ±j<ÿã¯NÉÑêƒ%‚úBê„(,˜Ò›ÞÞ» ïnÊžüQ«‘{|Õ¸xO£Øœ¾h¹’áaèñS ]ÆDƒ\‹Øg«D,¿‹F†G§—^\¬<ž¡¹+ÞD=ùÆÀIÁ±aûCKúõe/²× å<½÷ÞVüÕb cÑ©zÕ˜ÏKà³ "jš°rPDk÷믧֬#·wV‰e/wÅG}Ü1åõŒ‡øã|t\Av¼ #ì.BFI6á7¬œ‘dÊí?NwLÓ°ù *¡«6 YHp*:©ˆ£øŒ­4ûäŠLU+¦>!jG¢Ž'I%®Ÿ.öк–iÃkÎ1{^>4s¨o§9Ldòäk’Š0ÎßR  P¹EŸ[ÌàE)-®g­7b¬FÔ‰¢î%B,6fí«¿h­ø4mùD~ß1ç5«N„Cw)ÄnïÍÆpv³2ü⥀ F[jwòi/Ür[`ˈjÏò¼ ÈâD»éÃ˾<’_Ó˜h*㎧f·Ï an²c[2YAYOeZ9|I–ºè¿åïö*2—ç2¡äm:±Ý"ïö‚Œ¡õHK?ÑË÷%‹;ªü$Ç›¢š´˜AqYÁ9C"t +´ Ï‘‘ uŠm¦aÄEð}¼£<,á\7Õ‚–FP +@;²F£Y`Ÿ´#™¸‹b]/ï6>²ÂÕÇÄK-D –õ¦×xÃ{XíÉßjä}èý0ºÝ(пp½Õë2¬¤+YØE.ÚÏA5C§´.ºY8-„úÎ=p§žN¤i.LÖ›§ê™¯rÅ3ÊwÏ9Iñ¹@X´6Ú_§¬•Øþ„‰7˜Tø°‹@ûBgƒôMwßíüö®ÿøì:À˜«/[û³n­{"rJD‡XXÕµ`»ò/ýÂß–ŽÇoÚkðŸÍab‚­o©ú™·<¢`8ûf“lÝ éhKàÞq—°?Z]•P(G_•Òoù§-ãiQÙŒ¤ `*‰äõ›žc3a,žÑ€™¼dŠSiêmXýv«^¾÷¤~lÒÙ%qÑûøûw=YÈÑdÖ:¸Q{ý 9ƒ²÷<½–é᧣V_?i’Ÿw…w‡Ûl‹ê1šœ¶€Ì£lœü}ǃHÌPã`iÌ&@É 7Í‚¼#ï¥tQŒôœTö(g±¤ßÝÌDý7¥GERÄ•³ßß ÈÑvÑæÁ76a†ÛQÓlG«}Cò<+Óï·y÷êo—Ñ6™§b 5ï“ÑL€¥ãøZÖ‰µ©Dw…_Õ´SÆ¥4ÔáDþ´K1ȪEɹµÑ ³×z:ߪ +5 ÏõÆï¤Î)Ó©þdÔ“~Ùƒƒm¥S“Kë/]fý`7€Øœ·s_¡epËk}Zú±Ù¦oÁðhîØ>»_:™=eþ¢ðpñº ß÷ÙýûAÖ‚p<ãœt9u>ANvüp»½wg¹DèÜþÌ+hNŸó&ëkt”e2u"Uõ½£—jù@Njò¥›ÀÆVê.µ-‚ÅÅÙ÷×ò¨_#®„³ùæ­•zx³=¤‘"•‘r–†êæ«š?·‘0Ö}ÏՓɨݺ5à³8Ï »Å>ù¬Ì…SD²¥Ó`Z9»>‰_gn xqNÿõî²~/rq¶{(—X½&«·`tg]¥Ï%iQçŒ\^VXeÿcŠµ¤YOŒQeé]üÚ |Oè¿!ïnm§B(]òâ¹%ðÄCŽ‡…"göbIÔe¶çÆ-òxzû+¯*ôüOA–1 ”ùž¼vätu6·”çƒÈjƒý-QV¦„÷¹J¸t4SÖ%©Æ¼ŒÔÝ7„aϦ¥Ä×°‰Ñ6Óq4’„Äã)4™¢Ñlds|z¢E¿åø£MÉ +WÌÓ¼¼­› QĪ[¼›{k—‚Þ)%|”ø¶Cu ®+’+å{7v¢æì:©þ0û½HØ“¦ó㩦JKŠâä ­–,;/“ôp\§UÍn)/vÎœjä%ë¦ïý‘K`Sóç²0™‹7˜ %ìè0“T.u3É‘xÚ}Óe:<h&V;ÎÂ:™Ý‹¼eW³h%„]à/W½(x€ŠY¼nøólZ«ø¶jt7.T4R°¹–H© 2ÏÙ–àú£hë\ Ü|Dòy`t&JaæHÙ˜ÁÜñlgZlº—¸äS ‡þöoB:'Žfmn<¦H’ÔØŽåqÜØm==ü #ËЮ¯Í«hÁ8ÏÙ`k¶åÑ;³Û OZÐg6Fö#ÙH·ŸwÑ—t6ÞÀÎ 3VÌvF–txÿKt°áΫ3‚ƒ¼>߃7”Ì~S«ÙªºÕ7ÛBgyêto¹ÏC¹Z=º?îÁ +ÁYÂ_…ÿ8-0jôGp`Ñ'M,Ø%ì/R‘z¹sçÝÆÐã0W»ãþºfÖõ?býzy’x¨²Í?oj$å+oŠ4âÒ"à-§ïr1b~o±àšýØ+‰àg¬baBËNkaúieïJÀóœqE“;¥¢JaÇûÓ”¹¯­E¶]òFÇ~åÍQêùü|`•¨~Þ¼û+º¬n:_~+ÓJ[£ëï5^œòלH@÷ôu¢YÅ>UkñºÐ9xʨŸ==+ŠOw,îøÏAqí?Gó)[Zl~zì³Ð|(^(ìón.ODúÜi Wm‡ØKÞÐGy²²¿m§ãÀÿ¼”jsǶ¢QP¼ú½\6pân}{68Æ üfPÑú’À9§µÑ ò‡¦£:ýIî žMPÙ£@CÅE³Û®xe†yàŒ^§vkÙ>ÀcÃÊWaJ¾`…ƒ•ÌeÁêΧHâOÉÑàw¯ßíðRß„Ú7N•Ôr_èÎ*[I#ÖøBD)#»Ôý‘î³ÄìFUÓ‘TmåÕhHïz‘ÇËÒí Lø´¤Bí¿f¡³ °ì9™æ¯=tY³ß»ÉNn{rüÒÎÍš¬ÑƤ fÜ'é_[_ÈZªáÎs[Jü¥ˆ^Ò!öUtg·ÄÇí×|F›â¹±”nÃD(fUÑ©*¹Ãc¸¯L^ÊË{]&{@íòÙOgz¥ðƒ·ä'9n›?&ŒòL$HIMŒ±éYkÜѵ|Jl?eÚ“I´¢w0)%G^ +ÓîÞµB(ÙÌükåðÙ ·R– ¡~ã¥o +ž"÷$ºüŸD“?°A©ð:2¸]!UD¦>ËëV‹²±À&”øê`Id-mè€wÔe¿ôGWÂ-ÎÕ5@Jüi¶+F™gö«è¤ ÎŽ.À©ŠoÞû†\›DÕ²XCê/çè6½·hê“F–¨ò©³Á¥žÛÚ£m…\ã뿯d‡]5÷·gº/ȤæÖÅòà[D9þ¸(ï—Ü«î~&ˆ©Uù‹§¾—táœJt~Ê™N +@s'w?ÝGy}Ÿüm-7L¢Qiϯ M0?…M › +çþ°#0è'íûÌ3ïqÅ_5Vꃎö)uõº—Í 2œó9À'r‚F‹ý½øÒýú³ô/W¨ K ÊCéŠÏžó‘HåA¨!O‡–³ó–e<,5ÞÿáƒóÿþŸ°r€€\áNŽ W{œÿ‹NH +endstream +endobj +16 0 obj +<< +/Type/FontDescriptor +/CapHeight 850 +/Ascent 850 +/Descent -200 +/FontBBox[-30 -250 1026 750] +/FontName/PRUUJJ+CMMI12 +/ItalicAngle -14.04 +/StemV 65 +/FontFile 15 0 R +/Flags 68 +>> +endobj +15 0 obj +<< +/Filter[/FlateDecode] +/Length1 727 +/Length2 3394 +/Length3 533 +/Length 3952 +>> +stream +xÚí’y<”mÛdz &Kö$²³XfÆ}×XÆÚBÆÌ`ÌbŒÁ "d«%¢B$E²e¥,¡”${²TD ¯»û¹ßçóÜÏóÏûyÿ{?ïuýs¿ãwýÎïyœ—‚¬ƒš!ÞÏ“`æGe¨ÁÀ0ȶ„©ƒöÖP(PAÁ˜NÀ2ˆ~T,ƒ€Á´µá «@2H‚"QZ”–¨2ö£…ЉÞ> ²±Ê.ÈB qX*eø({!8,äà‡#!`ÈLaþø$„!èA<„Á@x"Žò$x©@ÈX–T/?âOHû«D ìq”“ª€ö8ñ~TrOðBlüöö#ìÑüÁþ×ßÃÍÉd,åøßÃú·>–B$‡üÃáG¡2tÚO Sÿnu!ü ‡&à‰”¿w-X2gHõ&@j0M0TóO`FdðvDÎä…%~ë*þï${óûͱÃ89YYÿÇíþٵé Çý§ýw ûg½7%:‘ :C¡°=ãÞû×Êío»™Rq~x"ÕäÀÀRñX:þ¿…§22òc†©i@AjêZP ª!´ áÿjt¢ý –& -(¡„ÿVqt:Êøý?ìø¯Ú‹¸7$IÀ#5C.>Ð6†~ óó[À¤éîÑü‡ƒ¶òÁÂÔ¬Ü,FkÒê59&MiÍ„ö.FQÎ71>wq@¹°Ä7 OX¿jQÎ6GÃívDÙ°UûV;X¯ý‹Ø»jVØ1d²Ü+lÖÊœOÓíž*êô½1¥n1ùX¤ÍúzZÔîˆñ×>¾äG‰¡•lg‚Ñü¥Ûݳ‚—ÍÄD}«•šG„¬ó˜e'˜œ¢itÙ$h൳“’¡_±Ð_ýSWQ¾”ʱ­‡:fs” 0ö+Êñ•ÄCék +#ƒÕ³?zñs +„ÒžˆfDF„uñÖlRò/É]5â½?Í]|¿Ó£‚Û3»Ôªéè +ûž s'R@P[ÛKH/ÕZTádšW™<£LC¸ž§äíš< `,Ö1÷haµ^2òŠ&QlíÆMîçö§Ÿ\ô¢ÎŸÀM9U~¡¥•àEnJ(_ ßÍ“Šh°ŽC:54C¸ëÅ<¾Gï{DÙQR<)Ëxg–ŧ՘WÌxúÎ)ÂO¡¸ t'ŸnVöÜùÜiØÎa]XN‹æü +ƒižÚbm]æÈ´ªúª†Ïè5ˆ{gõËïQj´{kæ¨7u‰?»ZÃÓP’• *‚s>ýè±­t¦È]ðMnôäñg ùß $z G¼é«eÿ;0éQ‰:ËÀ’˜æÁŸfª´Šq¯£^(é_*ôRßN5,aç¶m÷˜@kr‚OÑäFk‚§øó•›‚…¨ÍK¯[kK|VÁ¾¥û‹)B‹G5[ÖTyùÂgAwÕmâÖð¢\üñûlmîÀóìÄ_Ö:ßÂé‡]Un{e>r>sð]>§b!½b Óƒ{ð£Î n³Á´±÷±ƒw{àX³p|ý˜96ÂqÉŒë²Véî8=È3§¸ÿX kC¡zZÝ÷õ»\¼–žjýróègnK®ÂÓ2‡}¸#ž«6OóFp?€’¤¿..Ëð¾[êàpò*¨0KXí/*kpvÍ ½{p¿:óëÓº®ãˆ;® ãq‘¨Ù3GË弄ëQÔÕ3H®'Hý5GÂ=£ùêþƇp½O=gÎÎëx'²É_‡—.Š’nž¬—²¸hÿ@rŸbÊñ‘¯Ì±ªªÁ%›SA+\/fwþ '{gÕåžÀG1ñÜ6 @ÞOãø›Ñ6‘’òn„—l.‡5…¸oqµNË—Ä>>U«‰T;°ñêòð÷EÒ|6Ú–µXÙ °þît*ñÐz·C|^¤ZŒºæi—%Up†%X×Hl`íN–`âàûÖqŸ6 .•!}±(/J?—d?·+dÎ׺­¯SáÄG~ì)T%í~ý6”•ñæ®(¯éì¨Lž[÷p!ùf9Y³Â«f]«Öé]¶®† ‹¤©7°î’ŸfîÓÚ,>¾õ˜Ö•¦åÝ#¥ëmZ3k¸pÝ"kU‡IòíêP÷e©xœ\Þy°0ñµ'w(SGˆÓ¸¡Î=ÁD+4µñíEtÉ:B qD¢9÷µ·›!xsî„ +û³ÝsW…•gm%1ê‹w{=S +˜x7fálJŽ<9ïnl‚'n«/«óËO¥’ŒåøiÙ„|™°‘)Ê“6;ÈÓ"— q|뵞taÁ¾BÅJ!ImÆ^0…çs šÉ3¸‡>.¿ä‹(zÑýRöcʽº~åævWU­¾»³oyÓ5Iî­æçÕøÏ\÷н¬y”vç³ûÈë”Î’¯Ÿ:)PððâÛQ¡ñ秃{vÒžß÷2*yIÕ\ZñßöX;¢ÇmÃÈ8Þ4ãÊA­O³QôÍF´$6cªsO_?ÃçfM©m‡î?XÞÀ3Ôë¯#2øͦ×WÒË긱ö¨ãa°ÈöÇQ-›˜¼Ýo×φ$.ÁX hÎT¼ÿGµ³Ò>> bøÂ圮²„ëù7°è 1»ú•ö4̾X¯t¨•` +†××°Œòßæ<¨Qñ9tôðV™ +½ÑŽÒ ~Ô$'[¢d_~=ývˆñV¹CÍ5[BeBIÌF虎¾ìhÃ;‘”´Æ-þŠ›ŒôM+º½éè6ÊY±Ô\Ï“€s¾æ}¹úÂëqeygïO,ºªç°ôÎ:^2õ¾~q‡£ê])Nå Àø•[jì2Bpãã½BÏDpŠW ¡½Pn6©¾Èç9ÙÙR± usŽ äºþž©aPž³”XPžžïÀ¡ˆf›"ðãT ¼Þ*Ò~cóå嬴7Ýјg¾|š+4”±Îj¤Õ+ñgÛþ<\É)®ë„ø¶Þq å¡–ÊÉÑ:¦ •h/(­ÆCV,Mˆÿ .¦eø%‹;±ë‡‘žOuë t¯Åßþ…xmú=ê$P¡Í2öÛr™Oíhã•™ +ÌõmØyšÜ7ÙŸ„ÁLdm’RfýËVI𧾟‰‡x¾{¯´Ð9² €Ö‹I'6›+:’²µG…j'Ï™úG¨0~|jùÅs«t4>³pbn.çÚõÑ9,¿/¹»ûì%uGGuY5_ô>\úŽÚWµ´2*§(ó­døðÙ+äªüÀO®k¶ãÓàEÃIËÍî7x†‰š‡nZ-rÝŠ53ÌàMO·B÷!ñl*o`4lû-M¹Ì£MSè‹jÊåÕ{uížfúg®ñF,Þ8|6ü +X«”¿GìÿÆ…¨œ49xd5´îÒËãn õãÖ9=mÏdÏí¦œW8­€sSq–õD f؇οw.ÕíwÚÒ“-¯EŸ¸Ÿ7÷µàöéòuR¯÷–lÉ;‰ƒ‘Èäcì_Y¬Và9ÏDà-–ϵ&ùÌ(6ŽçzÝÐ`͇ÓÇBÔ5Š|ÀÒ/œ y23@²å”—,§gÞ:ÓÀÒ‹A["ò¡GHãz•N›Ê+¾œãïõ7[ åð­Q—] +1¸Çq)a¶Ú4k +B”ÕÓa·TuŽXN2Í?ð(b Ðx߯æû¹™?ç€Pj¨!`ÌAÅ^òy-»çsL¢a™^Ê<0fz!%BêL&ýðwi™’;ªî¶?QqôWâ|©ÏH8*úÙNàBî?Ç +©ŒÌƒ.!œe‘fáV?-–ÛÙ^I‡‘"‚0‚’Dèꇡ.qÖçTÆòƒ‰7ZNÎÌIñ—jDõ(H·¶ºVHö©þ’;ÑS<Ú´‰·\b) ëøæð5¥Ymm`dKÔø*Šä•sÞlvµ*þ¢#MMdç—Fó ^r¹sã›,õ2×·è×Ý–…»ÑñÊþoiÍ‚¾ÎMÚ˵´‚,þ÷Âäk±댿¯²žþ†LúgBxëx¨’§Ø£îKŸ¾¢­ÑÏq¡÷A*3V,û·ÕÐÈ1îÉ<]Ïè6y2®ªL_X!©·JÚìræÍ.äkÅ;P@¾ae[“‰j–š|ÌY¯ùÞê5ßC¥®nž ö÷GnÝÂN>~)'ù©>iFT¦ƒ´EÔ8! 4*&q©¢W\Û¬³ì÷ˆ…¹å‘ùGlXÅ·Ÿ¸Å£\RÒQæç‚ÉRCÇXÏæÖ¾Ÿ-v,[ä…Ba¡™ ÖF­ çH|}=.õóNÔ¦ÿãç o°‚°c*I¬n$ h«ÑP›ò|ÊãÛ¼ô±’¹0““ÓOé†U?¥ëzgTGnYÎs˜Hcˆ|Òcîû®­cløg!Ÿ:Z¾K³àò–zirçÝî] ¢LÚžù<Ï̹?,Eíì¼.dÚ ?0:yn9ï€Ï~ñ´)nÙXnà†Ñ<êvPøIG`\2×`TWzöãóÇŸ—Ípo‡VÝ-XXcéó‘ÓåºóâM3ÓDZ?›_߈©o»9âwÉ ý_>Àÿø?€#°t†K'ÿöÒ¿B +endstream +endobj +19 0 obj +<< +/Type/FontDescriptor +/CapHeight 850 +/Ascent 850 +/Descent -200 +/FontBBox[-34 -251 988 750] +/FontName/BHINDG+CMR12 +/ItalicAngle 0 +/StemV 65 +/FontFile 18 0 R +/Flags 4 +>> +endobj +18 0 obj +<< +/Filter[/FlateDecode] +/Length1 714 +/Length2 4169 +/Length3 533 +/Length 4719 +>> +stream +xÚí’g8œk»†µƒˆ^ŒÞBô6jFb53ƒa Æ(£EïBôh™(! ¢=ˆ>‰¨Q"Ñ{Hø²ÖÚß·½¾ýgûß>öûüyï뾞ë9Ÿû}ù¹MÅ4`ŽpmFLR\R 64‘”JŠKøùÁh¸áÒtÀÀ•€’ŠŠ’@ g ”PRNIZAIBà‚=<±h„³ (þÃ%Ôp‡£PÐÐãwÿu@M= 8+j ‘@“?¶xMàÞp´/&HJa(èwF ·ÿ`ÒC9yåÿ’a>žÿlùÂÑÞ¿¹€B¿9…¿)a($ƒ;nyü> þ›åŒõßPý=\Û‰4rpÿ#þ9ý[ÛÁÄþ‡ÁÃÝÓG =`p4êïV ø_l†pÂÇýï]=ŒÕ@9#á@‰¿$„·6Â3F` .@'¤7üOŽ‚ýâ÷ÜþD¸}GWÏHSGô¯OúWÓؘa=ÿû‡ûÏZò?ëßãA#ü6â’¿¿×?ßlÿv˜ +êC œ¦Ì û—ðïPwîxøŠIËŤd%Š + +@yY‰àÿê»BxùÀõ4²òŠ2ªP4ŽÂüùü¾ï?k'ÄïéÀáþp( 7 Al‹Côèáa×$ÅëÑ)c@{ÉV¶ì1ŽùÝÀ.òŠø´kL”›ñá ÍÙwãĬS!.µØšCPJ×±]ËŽŸgqn³ùr¤T™´&6ÆÐ`Mr»sžØboS'Š“ ´»B»°Ãa<;öú¸ÙÏ'ûC:>ÂðÖ¢ƒ3u_ãWZ‰” “Z~©¢ùöǯÈQ0ÌšûJŠ!Ø=\:êâþºØýGãõº.–µÅ ¸ñ‡_ŠqkººÊ w¶_ƒúJ™AxÏÒ"›Ø0o=ùƒ°pLZ¢ÛV%] }ó$e dÑ +¡1jꛫÿ +2¼²lW¢ëQ¬r-ëj PáþìHͳ”¥P (È7€ÝrK²k†*Q×T?ƒ dYD¼™~i!úØâûº/»9“œò0…¹ªS×]yáÊõ“Ú´ÿqÌeSI0ybï㫨y±bd>EŒ +/€™9µ^D«Õ¶\¿5£¸ðÐÅÚª¼øÙÛ3_*EòTdÈd°ˆ°?SŸù4¿=.ù©C“bÈæîïO„ŸÓ´i°½>ü†7ð²Â§˜û˜]‡r{•˜OŠÈ,æEV^Å/Ÿ¡âÐCº—) îJâ!y),>‚G(RFÍ(]l¿ÙŠ‡‡ÐbWã{´ØÝj²ó b8§©y?&ÝýYÿû›¤_N÷i:ø]7/ÐJg{íè„è®Æâá¶"óSªˆ ëád»…«["®”ø{©”ˆ¿ œÄà/é'jJ,_†,´åج^¦ÂÚî.´mì2åÔ¯ù¸gþô2l48˜S›Hýq¶5˜ç6êÒí®#ÂSÑÒ#”Ô;{Ïm}›ºÍžðÁq‰s¶Î‡x}„(µöÜ.(ït{Èï8ð+\ Ÿ•ã]åëÍPÐL¸ù=¯Ú¾cümKøi–´tðA5&/ÔÁf†£÷|×Ø4öÈ 2x€zDd"ºLò“¯ÙÈd,4©R¦ƒÿ–5¤[¨ÅxäcöšZqërrñûòËô?·ùsÄõ”«|Û× +5ï|¬§œ¡³œSñ—qïê†Ûud-EoéI!Å Œð.,m‡Ó_Ì·%®Ív°âèÒ‚@¸LK{š ¤ÚÔ†I {ÿ1˜,ÞÅÚ¦*ô)˦|sLŒ‡®j³Žï>´YY=ZMB¼SÅÏ-$bõâ<Ú„õZ®OÑP©]"CÇÛš‡á õ;Û:ÃÈ1¯miÈê³´]É¿)œh)û„°Šâ½CÙèGÕš;ç I·«[ý]Õ\/…H5îJH†x­Nmå·¸áÖX}z&‹´•ãL²ÿ¼ +P‰£_&€Î× "ºXÇ5%¦fj-jéRûYlæÒ°±¥ãˆ¥­fŽ ¨F¬TÙE§“鉹3âwZMD“fÞ°Z ‹Z1“,óñÖ–ÑÌHÊë̳Ãð;}uŠÜ Ð’™µð3al)~ùùüºš¶PõmwY«>$:ö{à¦^›Ý’baܪo‚L~ Ð>=õšªæK®ÊφêÞu²ÀËÒ©¸ôI•MýÛŠ’Á— %ž¤<¶À*Wiö¤IRtVk«j)U¥4U"ýÜ›Wć Ú¬1Ø“jý•ÀúUæÜà6¼}~‰²ðµ‚0=X"ªîDÓ(ü--d†0ðdC÷ÖÄ E1³ñ)Æ©¤ÙpÕƒ0/Ã8ÎáËYÆFê-‡rp¯À-t­ž¢óÒòBËáÈ-/2ŽÐ*Æ-s‚Å?‡þí +¯OC\Kl/¬%1¡RÏn ù‰ØUd©—Ùpp'àÓ`у ;^Áÿ‚¾éA ?ÝÖZZpÜk®ZâJ+ßs¶æËüŸãÚ²gÂûZHÁNHn<»¼IìÜÖHKZMD1X´0š{¯ [Œ¯6lWe«pi-‘ý+”wyfXcÌ•5úÖ·“ô<Šƒú§W4©¢ïQ:]cÂd%¨,æV'¶æ×ØŠyf—ªèºzäÐ{ïú&W_]…d[ã‡?‰Ýš¶ªÛ]C¿ï²šwÑ|(!)“܉ù ŸažSã¼Jñ|cÃôTMñþ›ëµÓçœ\ëßêq³V\¦}V€Xi&ÍØòü>>Ô¸é“g˜þ#uZ¢™œœŒh€D‡‘r~Xshƒú¢Y\íEnDÓ‚óO!N‰¦t ®TyAê` šIW`7¥á|2rmª<£j/.72NŸ±Ÿ~_¿#ßmâþ°*¢ròÇ”Õã<³âÀ£‡ý1ÉN ö,ßžÚ"E‘Â*ý¶£pdƒFòGmQ'>\l'ç@’ÑM^iËMpáñ8è„ùsºÉ¨3~Îk•$Ô‡ù2Ë湊rßTª+áð­Ãsi–ê”iÁå²:öµF‹R\Fè2gêé™_Þü›=«zžïôw2‘cÆ•ù¥„k +¯˜Ùrm KXûæÀ9©A¹…«LïÎ¥Ñe£uÇ?a‹ðÑT¯{*–-ØÎöi¯l@šÓ£º¿Ôe)¢U\Û »*›®@þA"¯ÿ€†>ÒV"^hØeÑM"$èWhEÞ<‰–¤°ÔãlþÆŸI¢03u8LœÓGðrôtì÷éÜ•æ.žâØØï)8¾!$?ÍSÁ5C¯Á?š)gVÛ¬"Épî Æ*v+þÛƒº-Ä*:ó¼*+š‰ST·ãƒ È‹?ÔßZLÈ (uqÄÞƒâßÈÉN£'ÉE>æMµ%BÈݯDi±VÞ•5áØGîsn1Yý ’<¢.·5~kr­’©ÀžAzË “ö¶Ê¤š‚'ZÎÌ ‰âòpÊ„z ¡§C;ÛÈš{K໨!{ÈS-\ß~¶él˜2õxêü+¢ÝèMžÍâ´T¦ƒ˜|õŒ\>÷ÝÈ'?ß5ŒsïÙ?N ÍãZ +ö}šYðÝÚ€¤Pw*1Ƴu¤ +_rrm}GA7fl”3ã5É´oÑ .¤!}[\–¹…Œ—)­Ø(טyüùHY‰VÒ/Û•+M–L—z³Y)—z°¶ÌQpáµccŸŒ"„03<êW^iUè-Ó X¹®ëÿðJ¥ %éîNû€þ …J³’ôÝÍéFJê.UkOAbHCe°v¡£ÖhÈJçËÇŠe&=Å*¥$…¥1I5úÙ‹¿N‡ŸÃŽkô¬éuÆóuç_½÷ïY%¨ìc_=í7Áué~µI",Ç=óÁÖüúÞý¿x ¹ÄŒÕÞòݽ2ca’²†‡¨PÔðõ¨ru˜¾_È·Ê™ 6åbÌÓê,¤àrŸ7ÜOþÑ –Å}‹¿'w~¬»‰bL{)dOêV•SÍŸ{YlÇ Öu¬8©A<°(”íù.&6›f“K ÈõÎyá1aC¾†bh­óq +|ôΟÎéjÆ8Zpwü’¶ø +sÇ»Þ!YGBÂ:ZÀ<Ýžðì¶ÂÅÊ«RpÓ˯ân¹Rᬚ›z*‰— E[£nöÚ¥Ý^¥>¡QÕúÂ?¤ŠœT:ŸÈ + xÜAÜwœ:¦4iUß ³¤ Ú¦¬8$áªó, ¥ÚYßZ?"|¤®É²,=S¥£ +ÿ¶j¢)¥ˆœÓì::cnÚ¼Ù™÷b’ʯ)k¥Egß=ddéÑ>®óªÕ]ÆÞ‹éó[¦Gç±&e<úøå{ïq¦ƒ]ò'Jïßµ:?ÿ$c.Ö¦HD)“ŽëfI.*¥%•ç}Xû®’ÈZ¼×PÔÀãÞýIgK_€•›J£ÄF³¤ÄNâ´>{«¸Îç× Ô;“;€ÂpŠSAg›ëo8ui"ê“¥qœO ôâ*w¹B—õã ÜÁ;“ß”¹®82h—æ 7jrˆÚ°aHF=æ‘>ÍcÒjBO1_è+QóœRIîþ/8ü4ãyüU_Ä ¦¯BZ߉8èÜd»+ÆÊìUvgµÉ“šŠtI([.çkyO-Ðï!`M½º(;Uðæv EƒpB]nÓž“÷ý® #‰U°†gãÀþ¾ 'yäeôÆ&iLußá-ê7–ÿ ä“ì-Çæ ,¥ûõ€ì=PéRqfÂdo®É®°k/õÛ(Ã_*cëÇÃ+WHI…½&Øåޣ㴣ø™Jì ¸4„”îí*GŽR¿ëô±ÂMµ,!^€õ2Ð4¸Äqlû•UÁ=¾þu?JÆÛr+ü×t–-}Œö¢ûk#µˆÀoPÎvó}Ðö0 +ŠÝ‹æÖaŠ+žQ-aÑ瞦OxI@ݯbC=ëj/o–hÍœš‘é4d(ßn#â¦šÜ ¸\ÔŽÐ\ü^Þð4NäÉ©´qè׃Xí¬FdSrqg¦M£l^ìdï-,ɳn¹v:¸°m~]’ËÞuJî’Eó~AU]ê­Š<ùëå\£/fLÝÁbäžE¼;0Öß2·7Ÿû†II»’Á'õît4Øì÷ hj¼· 8ÏÖg#4ZkwdjðØלŒž¿Ló\`T¿ Sã|‘®›ñÄ°ú†å–¼œ³hÄ–úîtš^œÛ×UQÄà|ºx“·ÜáÀImã²­œö`Öé„Q¢\Òa¢Ú»Ñ£WuúSÓ–›úßšÀ&#Î\XhÄ™ãò' ¯›4ãûxyKn>­[òf~sß‚¡ãkÊüÖ¬®ïÀ§ÂèŒÇåUF‹! 䎇^³øAðç¨%¸éôôö ÎY'!E/èÞø6†ÀOÃM~ Bd¿!ó¡ÕsX’UN™™Ô<Ïl; œE¿XjMK:Í7•Ù¿¶Z6ª¦9gy—úÝ<å!åñŽôø¹©¦hÄ{/bú悵\ÜàNÊ=‚5|U*õ¸i“Q[Îä‰Fÿкuù·EÕ;ˆæpŒN’=šÄ~F]ÂÀv#ñP'z>‘g å=*¶e‹É¹Ì³I?0ŸÓKÁó|ñÛqH.oì,^YäÍ$JsÒ×6óÎäY 扊º>èäï¬jrìó%1ì4G +7œ7þ´óÚ7áôÄ^é¯J zQM!Ã∰£=P‚颧–Ä— {[Mg£n;»ñîÛœ I„­1‰AEê¬báÿËðÿÿ' H¸ãáî€vþ¯Õi +endstream +endobj +23 0 obj +<< +/Type/FontDescriptor +/CapHeight 850 +/Ascent 850 +/Descent -200 +/FontBBox[-30 -955 1185 779] +/FontName/PFITKK+CMSY8 +/ItalicAngle -14.035 +/StemV 89 +/FontFile 22 0 R +/Flags 68 +>> +endobj +22 0 obj +<< +/Filter[/FlateDecode] +/Length1 721 +/Length2 731 +/Length3 533 +/Length 1248 +>> +stream +xÚSU ÖuLÉOJuËÏ+Ñ5Ô3´Rpö Ž´P0Ô3àRUu.JM,ÉÌÏsI,IµR0´´4Tp,MW04U00·22²24àâRUpÎ/¨,ÊLÏ(QÐpÖ©2WpÌM-ÊLNÌSðM,ÉHÍ’œ˜£œŸœ™ZR©§ à˜“£ÒR¬”ZœZT–š¢ÇÅeh¨’™\¢”šž™Ç¥r“g^Z¾‚9D8¥´&U–ZT t—‚К +@W¦äçåT*¤¤¦qéûåmKº…dgaqºán¥99~‰¹ ãAá„!˜›™S UŸ[PZ’Z¤à›Ÿ’Z”‡®4<â6ßÔ”ÌÒ\tYÏ’ÄœÌdǼôœT]C=cSˆDf±[fEjJ@fIr†BZbNq*X<5/Ý)ÀÐ;D?ÀÍ3ÄÛ[±É€Ä̼’Ê‚T„j0ßÁRQf…B´ž!P!ÂX±h–¹æ%ç§dæ¥+—$æ¥$¥À0åä”_Q­kl  kijª`hhaª`nnY‹ª04/³°4ÕÓEÁÔÀÀÀÂÐ,š\ZT”šWN @Ãøi™À@JM­HMæš=G4“1^GVûk—W•Âw8wsÃ,õ¨M†’~ç›&±6åûM=wÎç…3ÏÜ“¿izan£5gα6÷ý•w.ãÝ"?³l±QòIŽ;ïÏîõiazË°8¯¤=Ù—cþ•¨/‹»Â–8êXs¯ÿõº°úýù¿«Zö»G¥Kl8n.èzAmjQY0«Á¢ßïøÉáXñuuäCé´°œ¥»œ6N”Š­—þìÌ÷æeÇö•Öçxª– »\éz;gÒ‰Ì^ïš™'jìUD6Ï1ÿyé)ßÓOŸžfª-Ÿ·²â£µ|k°«¤ìõ˲ýM‡›ØTEL¹}ÇSGC)Ãäýé¡‹³ŽžqæãZÆ2MΤ£ë~Ž¼eÈéCž}J±Sm¾fD‰)»})‰Ò*h¿z}­GîÃ\cÞ©=J—^¼÷ø͘'»·—|åHŠ›ÖõNý­Û3ëó[Wy”þñÑÚàÌ™wŇO}yÎ;ãÙ[}'ÝÝžû+¦56O”‹4]ùïÚÔêv¿í™À!°ËùžÏì-\¢+lŸ½,Ûîi·ÖéÇ®E¿Ÿm>ß?ûÃË]q«¥±Ýïìtóç†Ì Ì~ Ò:/O16ËÊÓŸ_Ùôó¼Í$ڢ›.Â-ÁJ2=û¹¥W4¿˜|/Éúásß«<ì‡ W¯_vyRl‰ŠÙ©ß/ükeŸ^yëQØë—Ý·¼øÜ_ò ýoàîõ)ºr(B•s†èöå|Z++6*>*qíŒ>tdEaÿÖ/×Û (\£ ’sR‹Jòs‹²¹¸Ã?¸þ +endstream +endobj +26 0 obj +<< +/Type/FontDescriptor +/CapHeight 850 +/Ascent 850 +/Descent -200 +/FontBBox[-301 -250 1164 946] +/FontName/KNCDYV+CMBX10 +/ItalicAngle 0 +/StemV 114 +/FontFile 25 0 R +/Flags 4 +>> +endobj +25 0 obj +<< +/Filter[/FlateDecode] +/Length1 721 +/Length2 9761 +/Length3 533 +/Length 10318 +>> +stream +xÚí–UTѶ¦àî. ÎÆÝÝ]ƒnظ³qw îî ¸»w÷A‚[Î9çÞÛ£Ïí—ýÖ£«êaÍ9ÿúçW³Öâ¥TÓd·peœ!,ì¬ìIe =v €”@¦¥•t›Alœ¥Ì `;??@ ú»øûps y‘i’NÎÞ®6VÖ½$Ã?T¼q°«¹™#@Ù b vøkbnfÐt2·C¼Yq{{€Æ?^qh€ÝÀ®` Vddvv€…9[Ù8"³ýKÞÑÒ Àû¯´…»ó–<À®n¹ôÿ$eüå´pr´÷X€-‘ÙTœþöÿ¥ù?ûßpý»¹Œ»½½Š™Ã?ìÿ9¬ÿV7s°±÷þ…“ƒ³;ì +Pv²»:þ»Tü/8 'ûÿÖFbfoc.îheÿ•²q“±ñ[¨Ù@Ì­–fönàæÁŽÿŽðwpÿ`ST‘”Ò×aúßú¯ªš™#DËÛù¿|ÿ!ÿgÌþ?ã¿ãqµñ|þ/û_áßû?WFÿÖMÚÑÜÉÂÆÑ +  1s´0sµø¯Ä§’pòòeáükÄÂÁýwŸ±ópø¹xüÿW¥¶£‹;X^ +À yyøþ™5wwu;Bþ¹þ~òÆ–6{Í‘ƒ4Õ•éÏè×ðø&Utô!ó/eQÁ!BÚ¼oöÂkq‡­i»~uïFD×›ìýh_¸±›LŽoªÿ¼ÿTàc Éø?ï/ôK~­k<)ÌçRELå‹«îf5ƒë%EÅ€Õ6ݪÓ/š/dÀÖþ¨çO¡ ‰ÌæPQi jQ¥ÁS[#oKX¸)ûf®ž.A:Þ×<)å°>±Š·žõ¦â¥d÷À—þaU•ÒÝÚ ^†YGXýì§ÓìPBɳZŠß}…{®ª¾µôµ*×S>hJ÷gP½Éï^OQ»áë²tꫬխGã”ì-§íf&JNÞån +—;RdÀ•YŠ¹~ä0Õ9ÔöÒ ží¿Š„q)Z‚+¾Dú +(ÑîZ·Íri«ÚêáxÌ-•W#Á”ìœG\Éâˆ"‰1ìË žŽ’¾þ̘¶0.DCf²PûÑÿ4¡ œš§ˆì=ÉÉÐ(¶=}G¯•,æ$<ó%H)b›ˆ\—šÍ‰"tÛx»#Z"ÎDŽ³"d:Äh3V¬OT*úæZ!_›‚0<¡ý+h;ÖÆáσ½%?Ìr@tA°ÝGz¬àêšûO'[&ßÙàìG6ý:Ý,+š¢¹~ÛIº g•¿d=`Ü„1Rf£Ë¯‘Nù/µ>¬«£Ä`!Ußö/ytuáWíFß(d™i²¶xJ{¤OíèòýªbáçBøÓ€×>È9›ë–ұ¼á §ü£q„JåH\`¢YðX`£{½¹¨àÁyúItmŸ­Ö?ÐÚ:j]þù¹~#Ìõ¨ùæ)©ÀÌU@ 6ÂÀO‚#Ø”ü"ñFƒj°Œ‚‹—ÿ +æT×@öày ËÒQ K!A_Í,n‚dƒá ñ{v…Ãäg+ny$z–b]ÔaøI¢¼v˜&ﾬÀÐI-ÍÀޥƒ>šánÁb¨r$ˆbÿN’ l|º0nVV‡¶…\&æmüYrv8…í s©0°y£}½nmYê#®•Q·ú{h<«ìéñ¤ÔÕ¯áÚOö§(ß>ÜÍG;=q¤WšsðcÁÛ'~})§1/ÚuÆâB—_d+اjän|¸¾ÍÜ¡°eϳž_ŽèW<Æ$'M3ˆ?5Z>Hb…ÚÏ­®5H6&ÿ ¸zKáÂãD¨4‘Õ‡ˆ ~Khë‡ÈòjP•:²n’¼J’ ¡äJYÿ–Mà)D…>(¹ÌÛßa®r¯¸CÚÀÃ9pßÈäšk +&aAL V û·‹Ì÷7™ïÔ:me!øçEî䢖Ϋµ‘ì,¸±ÌÀßP;ßUU7jÕ–‡¸CðÎÁ³»[ÆIáˆwF[—ãùJ½gÀžt÷uõÜýz¿ÞÝvo¿1˜á¢!@üŽ‰]%öŠË³÷!Õ‰6@ˆ9{È«Ýs©WÏŒìO7î»f_Œ<0Eeˆ±9jÖÿ,ñä÷DÂ~ñùîí¦gA|hËÐNž6š9JR]å•ÞkÑa:"[QÁNëkÊÓËCaLvÞȳuÿB| çŸå(å¦ÍIL‡ÈD‚~¿08¡ÈNßzmÞ;”$5c§[â‚×~òñãðŠ?žóûÚA!{Ý: ‚.ñ€5)rij„zpåôýcœÙ,œýˆôöü) +ט¸‹Õ~¨ÖÊ¿2®[êÔ/šW„®½¿Rû­©GýzÓUIwN»å|ÿ̈Ñ3M[%T-¦ƒÎS“C_¡A¤OtPºW"ÎßvÕ/ß:ßH–üxÎqÍ$w‰¹`îñ^sR6<—MÞqEÓ>#Gre¬¦ÒI 1¥h`™¶J½6æ@ÌýÎê+L]Õ¼¾EÎë"›¬ï“uU;nÑR2øL×a‘ꀗÔqG/\Ð^=žÝÉæ……  ¦¼?@”ÓD:Ä3ò¢)Ò¸Ë9˜J°àê\ ,åÜ9©Z~~PÿõÞM·Va÷¬0p>xb—U_*Þ'pÇ +,ïô³ÅÕ‡„$+Lƒ vè+<íÚL™\Á*Ç8ÙŽj‘! Ac%V7L’<Ø ™Gø…s@ÕÙcÚaóÿþ–ä6M»Ê2ZoCÔlÿsë«ð“õúÒ ž\è.=`)pßI;ùž€XBn86ð°h–ãŃU\t"ËÌ߀fä'¬‹è…«zÙg(~m_³«ÎuQ…ôl}ßÓÀ§s§”f0‰éœO³”åµ]8Àuþ#Tî¨c1ÿÌ#xc7{ÿŽê•v/ò§…Þ +š@çp!-´¨‘bƒBÖu1)>™ý‡¾ìÞ7XAÒ~ÓË÷ĸ¢,)|^DŽä§Ði8C5ßÚ$®]XñZ/Ÿƒ'Tt¸<0©2Š“¿NçM¹öš)Ñbo.$¨‚Sº“vS¨y±D +a Êë¥Ï)ïy·†Â<’Èðš^èîeâÛMó{ŠßŸ~NG¾ˆùÉ¿"h,WZ_Šäs«ßß°Ó)²~Z•«hclM®E{ð½qh§€“»¿-¯ñ·Õ|QH¾¬,?˜äJ7ÄA“mÖßßv»ú¦†!Ûeõã yçþmm¤êÂuŠèO)š³^Åe Çêdw ´¦‚}Op´ jÑ|}]$´^¯Ð©]ûhQ7™Ĉˆ½d »ÃÅOòäñ%ȬÑpÞ‰6\¸¸‘E-ÞÇÆTª± zâ.¶]ͼ„cd¾NhwÜ)d*uKŽ¬à-ÊdêõzOKÞ<Ó QçÑx}ýÀv-°IW¥-Æ~K«'-÷ET]|½˜4ÃQdŽh€ÊØna¿.ˆ;‡Drbím[@„h¿²š`Îá ¿ƒewÛŸ,~%©ƒìöe3Yªé†AAkªŠÒa×W£Oó Ø +)Ž8Ÿ‰¡+áõd+p†øYÏ»¡QÖ¸Âr» G&ËI*òoÛOµš_]¬üœkçûügžðx ’¡N´A|ç¨ÊSšê[«K=OôD5xû¥{-‰Oœ°¸šx¥RŽj˜#ªDŽÐäªE@q.Ÿ›žøóøwIËIìÔÚknÑgÐQØÄãz®‡âù{#çôU——ÔUYPKn-ºFVg¨XL‡Ýj¹œˆïmX2É3Ûs±…Ø_=KT1iÐ>Ú£i§Â—Ë®·Zâ·°¼I´½XÔ"nasÀdßø[{Ê2¯Áu£ßt܇0ã«¥ÐHŽ¹ —6ÑÁšÈ‘ëèYh9W ËÂNV¤["Q49ñÅ™èWÞ.Ñ*]ŽÇ†9wê xAþànðª"KÊËÉÁª£—¬uAVËàꃅ¤¢0$ù}ÿ;A …G¹áë ¾¿Ž|³SP ++ 03þÁÔù‾qÊSˆé-R—×Ç}8Iê +I!ÏÛ!c …m@Ϋo}Ì]D%—¼Zÿ5ÆÍŸ¸GÈʘÔ–Z"”=ÒÎas‘Zé½`ç ‡“ Na}è刳‹}Fè¦tI1Š[¾ya‚UŽ!ÛDº˜Í=„yØKd×÷Hzó¡mË¡8ykÇ**þ’eT Ññöa~woáߎ>(òÙšsÏ‘Ùø•‘”µï®„ÍŸæ<Ä*„Ö§{fÍ™\­•)Ådµ&´A•üxÿÙÒƒP?”[ ¬kdu Qª³%.ßü¡Á{t®ô2^‹>›+yº÷l”n¸H¯p•õžZIï’ ºÙ‚Uù¡Ö÷m²ã­§¾=öCY³W[-I1gDj’¸ûP.“kR°UfVpØ[d‹Ì»öq`ÂÝÇ=¹5Þ&q•²¡ÍçönÌ5ûVãGÂqÖqª(šº|_2éü”õcÁ—<¶c†ÌF». £Gtl¶ŽSìSÊ{,Ü/[Ü&ö0ÏVÎÌÞ^wȼ‰Ø3k÷‘ÞkL2Žq—œ'Ñ¥œ½F æO:»·… Õz©µz-¥„¤#èµê¢è‹Ã*]'±­“TäØæ^’âãqn̬х ˆÀP‰c)ÝIÑKñÙCk‚É“m=GŽú€ÏÞif•@wÄÆ“ É^´2¼â< +ï³4þu\¶åseVð¸?ZÎvëúqdœ4^Â+ëÉüÅ7?uþ@ó²<~d ÇÎSÄL½{X6qõ'@Âõ­bøÆ$òïmÔȘëªf%”ö¤°žÂ˜VjêfŒ _²næ}ÐõÂ}ã0ëU]~ƶDûNqÿÉ©Ÿ.çÝüÅ¡²—÷ùA…õgèÉ¥)EôD 㛺)SjÎw$éb…H£BH:÷Б¼¼# Je,GÌ!·¸ ª %#Ö;ñ_Øâ Øæ#Ë绊‹è¤‡q?Ãuâ8 «N²Nªªm‰˜Ó§±Ð"€z˜|FÈß·¬/@¥—ûÂv ÕQŒÁy$Z7TìË0a$´™Ÿ§b§@Ka/Ê÷®°†T†4¨x÷yÆ$2¡þ/éÑe„v¯wF\27O&¸Ë pyOŸŽ¥ïR湂æ¤"’à÷º¡H¡Î‚XEeDÒ(Áu*0_’çÏ/›Aª²7/¥,ú “Â6ÃPÚ¤–ë\3¬TzûÜûÅoŠ{“'¾Ž ?hVRiDM4×ý#ÝA4¼#gL|äî±ëbÛo±Ü"ïRõ5&ujš<ö`‰Vëg¶˜o·Ô3Ì3ûïp5d’÷v™ýêf—£jlÌÕ„Œ!ß-Hnd°vßt8,  a¨£§2 F&[ZôäÐ BØ+ÿÍQ"bS¾D”SBÛ³ª +z‘DWÞ5<ÅåŒÎÞ&F868]ŒT‰»É#}Ò›Sâí\o58E9Hȇ–á÷l©6¢ÁápË!¢/TL¡yS½îéËç|‘Sñî\V«# ?ºhy|‹ýÁ?cùð\•Ô­…ÜÇ\ûvºÙ˜¶dÑÂÍWC²÷|Ê ®¬æú²]Ü»dh‰ý‹K¤üÈiÙ2ìÕí<ýˆâ¾AÞ¥“G—ø6¬S±å›'#ÁµáMÌÂ[\¥¬ìÞ”,!—ÿE©1ˆ"” ·!ÄÁ/7~½N‘àÒ $`3‚'ˆQ˜ÔU8´.Ö<…À[Åî¢Å„†ä<9›‚''Ç™!ë…IùIðEQŽ­o³°ì\%ê’öÛ$"’hASk!kRUÝ ÏéSû¡,QK`iñÛüTÝTÑá±I1æ™í-ÒTUøM†Ft]&å[kŠ‡6ZÑVßÀ"V¤§P¸8Þ Á"*Z%÷ÂiTú\Þܳр(o{>FE©@yÞ,XÙO`+ff³C%"¼±_G"´CÀ®–^µï„*K4¼Gɇâ* <—q& SìŽÜ¡üð·]vV¼”±õ+˜ö¦<çò¾êCªî>ܱÍQ¼8‘(ï˜ÜdÚ|‡/íspÄ×ìZÝ”ÒB…³¶Z*¨+ÀBüµ¶©£ø…J €]NLCwr¢ÖB¿ó=Åþ‚æ󎡯 ˆµø2m°40?_lB㬷J}¡Ü»vv3-¯IÞ-/²Ç·êÊz¯Þ4NôQ˜1S’φÎÖÌjÞ^zþ˜§$6·©ɵ/:™'Ö"uMÎq=xãK¾¿&ù¿Ä/–…({µ/bŒè`SÕÁm[Ø—ÑLvË6ÀÇ -á ÞÉ5´Tåm† l?þÈ.3PÜòWßóúE´þl9¬‡½m‚lõ{¨R"3C§½¶’ªeßnfˆôú¦‹éçbO¸¼b-âÈš0³bs1ý m¬ó%Åb=üßÒýë!k1$¨- ³Pðð.Æuìi‡·Ø½!uWî¡C5œó³ ƒÐ“sÁ­ks—â’~Øl·<3ö¾e„|ÖÆ{iðÑSƒJ‰tÛiÅO^Q†¡­ºw™*SÍDøœ§Ñ7*Ã@Û´Zx |ä7Ït|(‡W¡uE°ã€)¬„ýB\#£ÿÈó"kó0å£ÿo¼î_ãtàv&¯hW!Êq³ <]蔆 üz‡Sò£m•y³—N_…Ò‚ê/‹~~d±+¥o¼„ÌÚv-G•£ÚFŽøMôõö7ÁB`½µð±“Š‹€[WËkŒu3â°B5ù^c)£Ûi!ô5ÂeǺ7ƒ>Š/s>wÅŠt +Òt”»PLä… !-WÜÄþš‹¢Š:€¢ÂX$’{š”%Ù<+:2,òsb½ª•qYI ¥º…´tÍ>$ÄŒåØ°|3g&–PFuFuÝIןÈjKäOxQ¤d™71• jô <=‚d­5§«e·ÇOLœÃµÙ &ç•å²‹šâ÷Wÿy°ùí;•‡ËÍÈøÞí¡n¿£=Pئíqíf3¬ýÇ’ ¬-ne­ì–§Rùdûxª‹¶ù§q´sS·¾üÅ1à,ï1¦H*Ñø¤Î/Ô‘Dä Däj7}E©›®¡ƒ¿£N°-x‰óéå(gï´C‰0W™È#ï[rqÏè½bˆ§’'Í’_›/§!á¯P9óód£Óù¦ùÂè{ilÙÑßk5gðs¬VeN¡è\#Aìûñ5éƒNð¸³ö"Cp.×Ù”ÀTiÌ…üí¦ )½;4ÙˆÓË»4CÙÊZé6…o°‰Ý¥‘à `rnÀ½“Ûϳ¸ÖE†H’Oêp85ØQ‹¹Y3"µi÷{‡ ~Úý˜œGñ²çð0z‘UÍîP\Å÷øÞnzj“ÏuøU˜X&!Æ#CÓ[a@³µxsKêmk9NÃ!ì¾Àg…Á(û!ŒsZyL„ʈìMŠ%gÊ“¬ïi¤ö'cý›}aXçBƒý§WßèácýdF 7…1F7ò¬·Âvá—¯d;a7íX%|ž_ „b°õ}.í“/`—ýüܤDçRðm=Ž¯1ê 904ÿÀh{­ +Ý-·Ÿ÷33ô« úJÉ”÷'c¾ŠåªÑ×b`^­ KcdL¹ñãÒ¨»Ä*¶¶ÏH¦º°Â<§–ªç©f¢¯XC”‹™†³ÁåÃ\ú¥º}Ø@ËgÚ!ñ¶â»B¡hÀ?› G}îlqnÁ%KÞó<´áKì‰ +Ïp8=?q§Ð¤Eï>N8¹d—ý!#üötÑ¿I¤] šõF!4™îR´T¬=‘µëhàŠm. ^~ÑÚåóWQPŸÓ™ßë’·a-ãm¨ô¼4°9ÖîývçywôÌ@ëp]vÖZxÒ®ö˜²«.BÙ«ÂJH¶Ž­…bl” ’ÉI’HÏ¥lâÛq$x¬Wš y K¦2„@›œhõ?z†”f¢Û±ËŒA³ç|DAÒ/ôã[£­ÊÏ5)¨<J Ñ/Àg&)&©Øû¼:(eDæík¾Uæ7Ôtµ<\æü~‰¬ \ùÄ.w)!Qt½§Þ(åCTg‡RªWüiÿõDyX× ÖT;•Ó­jf”¥Øq£Q±pÙ)Ÿ¨”Šò3a ‹©æcn¢EYâŒA£ï9m­FͬãÓéÏöò¸w-ߥ‘µ•×™­~? ¥x.UOD¼=÷˜‹ñuø¤ðÑÏò3»m^Rw?/3¸6y¼° ÚÊ %Ó"â†óã“”‹Hëi.*ôÎ3ë^‘#YãÊ_%~ Ï è%¸ 9%\˜8¯Ü¡P +ú#Ì·ÐÓˆDžPnáTÒþâxZ™¸·é ‡ÚÞô¦Ç“m^›ë—φúZ<Æ&k™õÆ^øØqÊà÷²I×ò"Â*„zÔüQ†‘ðØ÷¤Þþùq¿õÃËí- ´!Z'ŒèØH<„¹ßE8µ@ÕHÀØ{ž uŠ15—¡ê£"ÄŽa‘Ñ"»pIQþ¦}[ٲߘRV kÞôãÇ}ƒ%jÍnÞÅâTôBÁîVe¦õéOíÍ¡‘Þ)PdÎ2‘}·~»sx¾tO½7*¬&9ÇåÜßI{?)ùø¯˜¡ÞÈÓPÉSŒŸá<â8l=6ú)c]!/Eòõ}“9¡Óæ3 x™²R–Y5q:5³‡©LöSg®9øêO‡ËMóŸ$jøCJ4ô:_Bʃî1Aª˜¯ðµ5¢LËŽÔÙÚËXô3e®'Mæ+2ŠŽ¹‰° wݵWwäp}™ØäÇÍÑ,*êâ¤Û>AWm”X²éû}S%€éK]?ÿÜ™ÿص‡ñ$ÎÇUx Íl¿U8‘ ¬˜4o@„ó°tN³y“}³&ÊýuyÜ4æ¡”ZE½•@EÌAM¸Oô3>D-B°}{Ïá¾S0³¤ÂC •wß%ÔI%“…g†ƒ}hN-Mz§ ãøu$ô)‹«¢c¶gÏ©[uÛ ™Õ’§}"lH°Dù(˜~>£±ç3·Å¾_’±úw½nð<#‚B{k L «°ñQ2V…)a~ÁÛè:+öËÊÃï#X¿jçrã³r°ÎŒmû©ÇYóì.|‰yÒ²Ÿî"cBüδ•ÈÕÅÐÝ­,'ªÂ`‹=²0ër™ü‘ÈY©»S²º-J9ûí{ô"M-½ bfª"·š²³H³ê¢\™|^¥¡vÑ-ˆÀ¨Þ‘ñ~ÕnØÌ×~S.†V«ÞJÌFgQn°~'ÎÓuBÈjZÄuºØÊp3ÿ3¹C’RGj1dò}ìpw‘!:RcìeY°ò6H+úGF„9¨ªÀ_+Œ‚ã)úVB͉FYÓ ²rõkI÷DZ3:öÈC^¹¤”P”<¥2é¹¥K¶4åƲ‚ÏB\¦C«DNÖ÷ üj¨ô'jK—Äc¤…¥EiHÑšI®hÏ,'›ižSû›ˆC¿š,ÔAw¸Ž®;?Ž>¢MR@ß,2(ðÁÁ‚êNœ[3ZZ¾T]tfô•ÿày‡("•hmŸ8¦´bÏùñ2IÄëã0âPÖâ@znríÕ–ïHL73…ßîÓÏ+ö¢ŸrKÑËKøz]ÇÁºKr!™ÎÍ:UK‚Q_šú%jü¸'Ö¨*гg%ö#2A¦Äv{~_gh•² ¹sVjÊæi¾¶&Ð L="Âœì9jÉD}œì-·¬ +ÈR|ä«à{Ú´ÉŽJÂCfßô‡¼S©ê‹ üÔw8 wêÙq*¸€Æí=ÝÏÌ3ü> »åOwd_”Ãðå´4`ýû+쾿¯mA?—É©Z¦þ oZt‡ï¶«þé,Þ/†°Èi{\{ÄÛD®…•Aïz¨:Ìâ+Ž9ÕaC„Ä@mËÙù¾bÕCËÓ·:Уõ*cÓªI 0‚Þy%ûL“Ñû(HhŠ±ï½±þð¥rçÜ,H°OŒPJì+¡ ¾-ÅP.J8–ÿj'ïÛ,ÜsÍ™ÊLÕ†ÉìÀ¿â§Ã¼|ˆ£9>S1öãú­`Í)?a©ó´Bm–@%„ùƒµá" Ìæ­&Öèéš KѹQÝcÕîæWÏm3Ñum™V„®‚ѸNCýª=47Ö†å0tTöÇ2™˜ý´i—øÛÞ<ÙîL_ëåõu7¿‚jkíϱ–£y»á_$Þ®7¿Qt{ª^Ä(0žvšÞq¢´Ê)E„帄d~tGêäRêJÛI¬ÕZsP’œþQQËêDýÕ?Ý00tÿµªHhQ—Æ®á˶˥ѓ‡¿òL”çÈM‹•D®Ü +þ×Êö ‹½™Ê„ššþî'D'9]Õ‚?D'E%B]ÖÙn´ !Àñ9óÀã0hÒd‚%º÷TÙ3jÁ |úã÷IõB,ìù@ê®uû­´„è˜Ý*X3nLß-M/›,õ €¸ tåZlm…lYºMÓ'¤t‘¶C8Ö¾åûÎÓ»rü[!ªø€cëtUfvØG9¶ -hÁbòÁ«ÁÒE¢}Ù•ÀE©ø=:÷¼ºÛ´L¿áÏoÃRû ®*œ÷%ŠfèÚ8¯QŸÎ ZÙÓTS?aPO¥} ¶àʇߨ/L˜ÊÙÚŒ ûˆô3cÊó„è _q§ð›iîÝ8ØÉ|½‰O1’:ÌØ!Ú +O"› Wml‡ïdñaîxÁIwC/5=Z{Írƒ³ã3{L‡@ktÍ­vöùÞVœ"ê£ßBEÕ»¼bÎVgna ß6Üšg€=¤FœŸN5î#WÂÖ _Ú€nUWŸzµå=ŹUN€ÜC4j0Þ({ïEâú8ßXâçP»ý#€HøÁú&l´ú9_õ<é@‘ì)â¹'ú€Œ%œ£ƒq¦¹>xn°™†|ê4b•'*Ùkî”Æ Åg›L!Êw‚#ðÅÒ­õz‚/#‘ôýaËïªß²µ?Y$ò¿Y·~I¶|ÐÃê£Úg“›ÃÊ HqKö’ŸM<ñMUdðÍ2EÖp.¤ƒ(æW÷5|xb’I +Nõ¼gŒù':¡WôB÷BÅÙÐÖ>þ_?žêð&Ðá4@j3ÓÓ>’ꊚZ¨B&,fŒ ï“*½zç&šÛPE¡Ø§y¥ÓóNvÎyFlç ò†ázÇh$‹Fd¥¤~§_d<“¹(_yX—o%ÅŠ‚4 iªl‡˜¯Ç|´ ¨mófÃC?}¹!ã‘O;Ý›.é&Ϫ—u—-j]3%•ƒfuoÑ¥ZAÕgöv󗆌âk¢W²:hú«fîª OµÜá345áȱPÀm0nOƒu=˜~•íþñÄ—)¼>û­œIFù@sÁ"öÂ-®%™ÄËö÷t™‹,tn8ã²Î˜¾e·Ð.ã÷&–°Ye#a(í&ó…Å?C'qø¡c½lÚA¤R½ÞÓpîìQó}ãC±Âõ1_ºl_>2ÑX< 1ﱪŘõ ŒvóK,{oG%z#|ú'êcHÉ`<ÝÎD– ž÷VÃè¾dÎS›=Ër—»æR-sÌy·=ãí¥ Þì:+lŽ›³á¯-u]v¤“5þ9ƒ”´pþó¤ÌÊÚ*]’çuð‘Ç"õ•'ÐÝ¢¬c΃…ëóíÎI–ÇÄž;ýù«$ÍéüUç®ä¾Í+Á÷ 툙VI6CàJ|íN;ÕðTÒ>­ 'h„‡²ªH'Çq>þÀ ÷ ,C—TÅØGµ"-,R/Òoµ‰³ðˆaùJõ’-²BV¦_‘’Øû^Ö6|#LRçlœãýÞ^@îS6:è|,¢Ç‘W‘ñ˜‰—½iÓÉk…r$ïrg\ifîíȃˆp^ÉVbÎU±™ Jrýbƒ`QY43…í®Çöa2ýùá\¢ƒ”ôªEîõÊjèp`[P¿ˆžì”àœpù5e*ü<„Ø‚ßf.8n¾'«µYÉGJÏ÷‹³J—F+gcþ+õǺdã5ecIàÿå…üÿ þŸ00·›¹BœÌ\í‘ÿ´¡¤ +endstream +endobj +29 0 obj +<< +/Type/FontDescriptor +/CapHeight 850 +/Ascent 850 +/Descent -200 +/FontBBox[-251 -250 1009 969] +/FontName/LSMLBZ+CMR10 +/ItalicAngle 0 +/StemV 69 +/FontFile 28 0 R +/Flags 4 +>> +endobj +28 0 obj +<< +/Filter[/FlateDecode] +/Length1 720 +/Length2 13882 +/Length3 533 +/Length 14438 +>> +stream +xÚíµc.ÝÖ®Y¶mÛ¶mÛzʶ]«lÛö*Û®U¶«VÙ6λ÷îïtôwúωó¯£332æãÎ{^9æÌHrb%Uza3€„ƒ½+=33‘¨¼ +33“ 9¹¨3ÀØÕÊÁ^ÌØÀCÄÌÍÍB$0ùgðÏÅÃÎÆÃÎCN$êàèåleaéJD%Jý/'‘°ÀÙÊÔØžHÞØÕ`÷‰©±-‘ªƒ©ÀÕ‹ˆHØÖ–Hå_¸©\Îî3ff"3+SW"€…•= 㿨¤í͈8ÿ“6ssü¯’;ÀÙå."ª“RýÃiæ`oëEd0‡aTpøg>À?4ÿÛ`ÿ/\ÿÝ\ÂÍÖVÁØî_öÿêÕÿR6¶³²õú¿vŽn®g"y3€³ý—jþÃ&0³r³ûïUiWc[+Sa{ [ÓRV.Vž3%+WSK"sc[À¿ó{³ÿñOçþÀ(§*/'¢CûŸeýOQÉØÊÞUÍËñÚþKýï˜ùÿŽÿi³•'‘.Ó?ýeþGøÏù_#ýÿ6™¸½©ƒ™•½‘ª«±½™±³ÙÿLü¯P""ž>ô,ìÌDÿÜþÙgLLÜDÜÜ~ÿO¥º½•“@ZŒˆ‰‰‰“›õßYS7gg€½ë¿wÂ?oü_±¹Õ?ý<¦0ªÊòT—TL†ÕTÁ‹ŸåAÁ|êœß¶üqGíéû¾ ”Oc‚›-60¾äŸì(-†§5?Ó2\ôÁ™Óñ‹~|çÒ=“I¡Þ·°B +/Èl ë™lŸ¹° +FDȳ탂©ñ|:Œ½¯Z~„š®á9, +ÊŸ¿©"ÚÉЕV…:–ÊëM•3DHB&ZÿˆÙmN­£ofÿD„*xÊÙ¼pe€®‹Ã»Y»@ˆûú› ,X=@ô°˜ï|òøEÅ2êÞ~Ûm ͹$î*ÖÊamdÑÆ[ÑR߃ðø"˜ïÄ­é¡Ý½J[°(—ŸÊ¬3 ^ËÍtÇÑ3ø´8‰€r'¿õÇ0ëtîÄv˸0„î‹,ö¡k&" ü‰*öÏ2° P±zJð¬.î•.ÄŽ…5Ñ !oŠë“Ë3¸J·ÖPZÏ FVËÎ)”S˜Ðt$I-ÎJ¾I~ÆÊl?‡hH8=>äØ«|'Ñ´dªæDÔnÍÙ~ý‘¯yÏQë].®(m¤þNë5¥íhíNlE×ÂÉÐo±!ž4º¶šLšÕƒ +¾Ç¬¥N8gÞG··;­¶–*Gõ)r{Hü.:Ø Ö¨]y› ä,ñ_²y‹2àCï‘™ZŽÆûñ#X«n¨Ñli)„QNõIV½jÛ8ªÿJ,±KŽß+d5•¿%½»¶c¦9Çn +UaVWÕ Û¢è\$€A R»/d ŸÁ‰ ™÷ñ4™”¨]'ïϨ #% æåºÃX‡ +É®ïð\#&ጄ¿AjÒ†¨•aœûGÓ–üe $fy1jÆI€³ŠkZp‰>‡©÷®K+Õº6®[Ñ¥ŠìòÉ „û¹Ö-Ìš@œAõÙßþ¼í.µ€UãM+Ç §˜Òéép°‡{™¬bNö­@ÇFÇ£ƒ{%pò…Hlåq?û­J=CAÞ†<åó–KzIÛruÓ>PÜLRkìÃ_²”ö%6M\øm€.ŒÁÓ´¯-¼Â矈ï!!)ê1“üŠö  ó±¼ùí¡ù <Ñ»ÃÊ4Ãßþ“^0ó]ã²ÎŒD3CE# a:áðÆÎÁi>,Ø‘HÍã€8ŠS¯‚O“V0N9hþ—èÌXBn謻“kSÿø¥UAþn7âØUú¥Åšç¹üÆød)É×h2ý q;Î+gµF‹ä’W’03¼yRbül”V–çŠiT­o³}¸ë¥Ë|($ uBV&˜õÛý:£Ã›b +þ—Vî ÝIÂò±v‡*kŒKè”å¦ +Œe_l& (j†‡5Còì×q•TEžÝÎÃû~aƒgoz8ˆ£ºuÚ³NÌ]­Ä‡Jr$ °ZÝ(¢š¿ô;—ñ“¬Dq(z³}¯ò0cõyx)kÞ ­%¤4V¬K?—ùMV]eÚ{RµÔGT(üE§å™Ü ßÀsZ4"Ÿ¼bÿÈäÜK1ËÉ›:•÷,Y˜jŽ€Ñ›zý°n&„çêÀfi̸‡Ý˜"¿jôK@øóFL{O”)_k‡¤“´ì%w_¥bC,:†[ZÔ’þœAºÎä2a£‘]ó¦_ +ÒCžÛ³xUyšMñÐàY£î3&:@Côuó +Ê´Ã,Rѵ߫a&Ô})bD­wþgYvîÀÐ&wí}˜PœwÚÓcÿ¸¦ž³3¹÷jÅ ýaù:– Ö÷¬Qq¶~ŒØb‹ŠòÑXKØþ·bôª±}×w²§SÙ´½2ªa¼T^–zÁ«QTf1Cí!9!åϯËù‰¶UT¦ûK\»äÕÍÄ4å=A¦ŠàûÝÍEÈ;eUšUS°2¾ÂRÈOëGHfŠ^`Ê5+×fŠÇÈ“R>ì__`Q«fjK´ûÖFFH(Ü\]¦á€aûˆ—×mfRÎ^¨%.çÏ›׶ߗÐÑ¢¦-ëJâd^Ú»5Õ÷hÚë"½êQèŒYy®æ,AÙ)NâŒÂ´‰ »û©£,í°¨P¼¬ÕŽ¡Ó³ãñ­IBžc*FÈñ¦úY¬‹¸.Fä~¼Ü¡á/f¶‘â]9·Ë 5óá'ðÐ4· ý²>7)Î ·SË øUûáE¼h‚uöšI—ý©lá¤.˜0Ágª!…ø$žDÖë‰:{jËÜeÅÖG +Ž5_ý á{OŒð¥\C1ï0½ô’X¬ûý%__Ö³ZÿU;"&NæÞ²p}w!‰ëEkˆ1-õJ*(9MŒ¨Ž°ò?0‰'BÇ{SÉKtÔÞO&)Z¤†¸1©OÝbôMò¥ °ÈgæF3yzóY¡Uj´Hã¾¾`à SÝd™J‹åCª+‰«>ÌãBã<$pŸ®9å(·M| \ݸMŽÒS¤íÔë&¾¤Î¿~çGuÇ&&Ó/7.6@eoøœ±÷Ò- ˆÁ™Œt½Wrïôeæå[ ËuAºVþ:f3ýexÓQ¯æ&>ëaºa––aêÑ~3©—·Kr‰:_å Å'³ýÍm¢*ïsDe`Mä§ZQityÖCY?ÕSÄKŸá^±6;M™°L¼ç>¾Œ¦ åÄiK¬”zŽ>ýéìFˆ¶ÕÆ€Œ•|ËÑ}5wÿz~ëBÑ—>äìª}ùŠ‚—VbÀß8Ê/ cWút"ÍuƒW‚›ˆH^ÁHéúwòì.!·—ø:H€²]N´)ÿ@²}?•Ë,žÌŽEU³H‚C7›uËòÏê¡|æš­9 ñ“ÓŽAHê··¯Xk&6¸<ÏDNד¹Î‰ò'n ¢‹¸ìXJ£(ƒ-VWûÔ ›>³çø¾ E_€”Žï¢Ý!wÛGõ–9Ë…×ç䞸@XSïÚÐ’ MÑFÜ:SÂYû™ÙpâPÝ¡®6ƒB##ur‡ãÜü7~¡3ÝEn”ÎM€ŒHÝ°ÌV^"pj£'?œ$¿y½¨T^Ƶy¨;L#WB½9 ¾ +xõa­®P»«“·Kc~ؤHÆf,çú‚­{Ä%haƒÑÌ_&bWà$`vÒí‚!Õm?˜ðv÷2[ÅíÁ)å%‘?¡'Ž{‹ÖXt¬zH‘RÕ¡Âz›A|äéDã‘SSÔ°×€4y>ƒ*ªšáüÔ‚„xŸ·ŒûO.4xSyÚºÞù>ðÁ<É[ý¡·«Üpˆ.” …wÛ] ‘ä±Ì-%£Yèo'i°|¦™€’öUŸÒ™±lÔÄ·™ _(Y3“ãå%/z|؇¤u₶œiº6§`¡f§¥þ†öY1)X˜\݇z¯Èa‹›ö½ÇÊô¸„7 ˆ¶s`÷4^·¿ t©L÷.†Fbü’;—¦Y½­SêKÁˆ>”ÒYÏÃÏ!0rvÀ!†\g9ãÖ‚ì¾ £6¿Uˆ/Ò˜ÚQ¹ XwžÖÛ»WM©@’ÚËÒy<Ó;NÕ¸ÏUÔri}¾ @£žAv߈ù[\*ògŒ|nÕ;ˆ7‹ >KJbL·f£¨P¾W²Ù´jÜ‘û•w¥;ײóy±~}ðèò"B˜Óª¡uS¢MË6#Äà#h'ò–í±¾‘lrç;fÊ)£¬"~´¨G’_W=rý”'¯?Gö¦ÿÎÄÉiQò½\1®!õ—68 ÄnÜÙ§ò ‡:ìµeÝ$ýóA‹hÜ€ùÅëUŒ™¨OéKQˆ‡øËP‹””àsÝTTª.ŒxOuŽ]´Ký‰l÷ãml¶sy/ti×-ùý5’ %×*݃þ:í-ZÙÉèXÃÞ±yB$Ê¿w S£“w%IþcbwC‚Eö«~RÞ}fýL$qÂùNÙÇråiêa´`äΞ˜¼j°TÃö»G¢ÍzÄ mÚ ‹ñäüV6c…yvn¶¡¬4°ýµA~ øK…µÏ¶BûO›bãC„ÔŸü o´ùÒ ã~Ž;rük×([?Ö0>ìÅþç§PßÆ°É>^-2„&nÃΦÌÒÓ4Æá.5Bò4Öþ–?]NÜ–LÐOö; + §’W‚7'ŽpÐw&èÇÎJ4oˆ‘¹GÐà/²À‚KdyšúÐÛŠ/%ïn!«a9 8+…Ë‹ÃââŠÀÑ°Äè1Î*2“!ÌpЧÊ4åg¢ÁßëËù‚Ÿµ“ÂØ5\³,%!cåᨙPPóóeI±WnÑ"IÝ@i¤ÌxÎKÎÏBÚ ˆƒ[¯¶/Q•é%‹K ·\à$áƒlJçx22ôD7O›ý£þ0dÝ.CÐÂ)Íbè"‡­Œñãp¥°Ì“è3ef-#wï§O/Î`–­²½j.oi»j©&Z‰„ŠyŠY˜]‚–@¶ÄŸ®%œ„uLâýæ`˜í!ÐÙœ§þUO ëáZ/=:³f¢¸ŠiàÛü±ˆ«amo}á:ƒý8µ4ŽœçðÓù7ld1dqÇHø$9‹è†?º¡š^ât¡A›¿&û¨G‚ûBÌ”zpl-7„ùºÆ#¸5ÙîŽbPõ餅›ò|‚œœ  L +Pž£ö-6ÖΦ=h=âfî-•¿a¡ó ëå†;<+ÇNÈØ„§+ªTfE×ôL›æÒ¥$Î,PšQ’¤Ó’ÝÌâaÁ¡Ž ÎŽ5-Q4Iâ‹¡7dÅjÂ6ÆÃÿ¦­Ó(Z^°> «B¨¾j_UìOÉûŸïRŠìÏ·ìècçwŽ…屬ø(”EC$4ÛlóÑíCNð(O쪛“·ñu#fEPû`ÕûÏ»C^åAêM%V¾}‰ºÆ»”Ûðζ¦ g® °”BN?±™ ·ú¡å'¬‚5``Õ?>Ï:×€1õ;Sz*»Ú…ç™Ð9ÑL¢c yKÖ3þäûÌ»èÙN’h3«YèÈÉó[ÔIPu +JXHtTÍÅ(­—­[qst{þ>AÑÃ7XÎÉ‚$e Ôôú.wwrŒX/ÐìõûÍ'%¬ƒiSèë9+´yœ–WB®Q%ò“¥˜ô¬ŸÙ‰‰ò@œ()’F$º5Í´Oö,NïRÖâ–Ü픣r½lp΄AJÐc] ù¾³DVn§ò>(Rï®,Ä™"²x'^˜"oµJ8s¢ŽRð‘Òú‘#¡[$IÑJ! ï¼o¸°Üzòt—-IƒÝ ÙÊ yõ{ñ»–"ç;öé¥ï°~o!Ä?cdyÎO`¦â0ŒËæ2–ùfKú†™O"c%&ëBÚÁ­m¸"ö¥G@óžý»¡V‘>E}XÔËÛ›²tÚÃEš‹?²xqbúy¼‚ÙfJÅé6~“—µöúÁ.žª÷Üî¶NûÓ£õ²¼fƒÜ óÌÒiÍH­¤"• UŒ#2ã@™Â¬ðÉ¢QŠ$Ëùð/(;L½ÕAªþ7¶^bCÌÅÏ×ò¤êj6ÕbÚDÁöóÂsç•acíL3bÙ]+3¯{£¹"äS¤²:^G¿öcJ1÷ŒªH‚G2%á‚ñÁÒ€x[鎾¨×„(DÉK|\QÈÏÕ)”"su’õ˜¸ÈŽ@jÖÅ}Têá«z4N 5l–*vO VeV>͵¡ê€*ÅÅøºÒk‚\DFrºÜî‡â‡JsêXôth]8X ‡!Þý$“ uGz•.¼R%ÿÏnï2ñL`ð¹†Ôu&‰ûÚÌøUˆü4ÎmÛ»£Ñ'HN^äH«Gxw]ø£¨[T˜þ_:*Z͆gAÝœ¸2™Å|sVÞ?E £÷‘Pe86_ ¦ öÆüÍ_Ç…BŸïFÞVºF0]o¿S‚P¾˜/m’Eëæg›ëÀ±ëÊØà–æ½Æ4]‡Dº–ÖW¿ Xç$$ÓìòP|ô›ŽÎ«ˆ\L÷dïW_Z›ehA¨¡úx1K{ÞÇ?'¦÷Ù>6Š€û~Ù òÅÉf¡ ا "r+ný2ÐT¦Ž;ãê_£YÚ8:÷•†æó•Ê¬-æX¨¤` ‰ñ_íb€æs°Ä½Õ6aGdÙiÎÎ'1Ù±qB £ÚnÈÖå(bòо†vÂæêÝJ_¾yòñb +AiA´U‹{ŽOA)(þ±4j¿1ò÷}¸qÂ?oXÉïè¼WÇ®1‰æÌ`'¬Ò]H2#$x †ÀF?Ÿ¨uvΖútí2ñ|¤(7é’{}V‘þ0öMXË“ ÅTNõq¤Èœ|JBKùÔ´UL ïS¤ú)’…UçE +Ù_N«gEÌÈË¥ö1¬R©q§dl ÙdÛ wÕäôœ™¼ÛKn¨qŸ²-ý=6€ÿ„ìœtvÁvЊ ´EÁªÄø–I™ù]Ò$'2¼/¼Y\¡©ÊÀØžÀ*:t&4È@Bå\7ån{¡yÔ@-J#1é¯X‡Z¤q†Ä¸Ÿ~ßgg™êÛ‘3dÒfS‰Î\Âö‚ªjõ©ß­™CQ—QdAØÅf\9à-k˸ª‚ï©Å#çCCjb»4XÜ-ใmwϹ—Ñæú_‚På/¶pu|¥¤»µ9ƒ›ülZLªN·C¨ªïi&2ÿvøÛBø±ÀêÁ«þ”¿ƒFŠÜ!AB²¥¸ÚCi{dÕ^é't>%Øo5šlE:ŒÑòÂÔbBaî?°Íc©§¤´ö·ŸŠæàæWJä +»À2acðÆþ€)Eukg×4¸œIϘŽ(˜#È'—Jm,úpŒ¼HŸ{‘XˆJ”‹ŽÆã !¼ËŠ-Ç{׺N¯Ù8_M©¸XhBÒ/éÖ¹”ÊÓ¤šS7Üt§q8áÔÑ5è8~å“ÖqÇ*ãcœ®å$¼<;Ï+å¥Ö\J±ÌY· —ܯÛçZÊ¢M$ڔŮKó,³Ý&¾¨w4ÿ4F>vÁ±íÛ}ÿÄæƜՂ€{µ–.¹»ÆäØÔFv\Ü.o0¬ç¥Ê”ÍÈ0eör«³Ðd\¡ZgâAÞ\½M†“nç&,Ÿýk¬úÉüÂGJÖq>Ù€œìåì¹Ñ¤-ÕIsSbúó¶;½W0SEtÕB|zk´ëqÿøãªÉÖ5@MMˆ+”ð¤VCl–jžÊ§U—ù¾dmF«ô;_z"A8fàתøO7ªm1’5Hn’ã è­½ƒþ[eë}ÄTcè +çoè +†¼0‚¨¤Á,OJçù¦÷ °›ö~DŒ>å–…R›Í“³|¤wÄõxwmXiÌcC}:>»¨ÜàÕWú³ÝT® +(uD/KsˆhqXª¹mNs‰Mæ}`BLŽøjP|/ðSgCl.˜v#2 8ÚÜxC¢Ø )”ÞÌ–®IêR£{£Oƒ¸?Eñ¨1ˆ2Xœyâ ßç-s¼#>jþOœÄÌ,·|TVØa~ª‹*X2öQI]³ÇÀJÇÚ•hô:Û'v/ÙUé.1¥=­`È>æ€úq’?QÌ…ÅËsÀc”¹I_–²}º}}É­b! Isz æÙšŠÒ´X„³†öxæj½UC·âãK\(w&ü'UŸ§þ:\ƒ=„ÍÊ¡IÁ¦U?Db=“z]šQö Ž³’º[›—ZƒÑx×RÐüâØ~`š‹!KŸ~(¶ÉXA>äðßÀ|!±1^06shaÔ¹KAQù‰/Ðy<‰Gð×+~o®‘àlNçÉÛ‘ Õ'e̼$á Ž”&ǤÇÒR!딊i랤ýÕ¨pá`¿OtjÕ<ȃ6ÁFŠw¾»#ñ¤o$0ñL,2 $,wý“ühYÙ¶’ g8h°? ܵ7 ĪäfË‹ùš{L «IžÂŠ;÷®ÀÄ (ïhþT´°Î§Êƒ„¥ê®âe¬D((¥Ú…8àTxoçÔ¸kzBŽª…äÂýÙÚœ¾ÁÅ–š(³†oÂЮ,FM÷3¯N2kU°À ­Å=\Ð`6¸ªQ1ß:)ÏEÞ]a4l«Æܶ[’¢xu5e½¿é8#ݶÎþìŽ3› èÚÎÏb;ÌØö7:•ø6 ]}kØâo|Ãá…7L‹­³ôº†¡µ?×¹Ö ìn ñ]OÑÈÙA¿µ´—[(KãKÕýÝ}|­\õéPÚ¼SÚVfùqžŠr¯s<Ъ,Ú§¢„_Õ‡@ØbÇAÖÎ9™ž-™ïe¾ÅÀ§z¸Ù~¿þìMçHhQjgñn3ò·ÎÖ…©£4LÆ¿hûvø¢¢5º9hÕ/,[åŽÅž0ÙåüÍßý Ò”©‡}ΡÍúÙôyOÍXõhÃ8Ï;çFIa†XÛ&·¬}Ò&R„§Eÿvç‰â>aûpâ­Ã€Ê·X–°-H‚t&4LƒÍj èENÿ‘*j k¾ Ô­èÆB-±ßwWqb­ö„+0‰9øÔ¶&Å& Q•;‰ñ¦ÚåHÞ>>E(ž2ÀzϤ–š™=ÎBƒ@>¦7V^Pÿhå4]¡A'¬nêì´hæ $ÆæãéqѲ E÷qSc”º ¥ç9"ïoRÆ)­ãii<¼Z›Kõ×ʲÁ/7¯“<+Ï”„÷r³÷§ÐÐtœzmÝ +Ö•Ž‹ååî× ”ÌQy,¾înažÒN0*—GòsB(g¢l"ÍÄéÆ= H("I@§òÝÍÅ‘Jf›‘y«Åã +éÙ±Ÿ›Ë‚{#Ó{Ð>~Ã…Ëáœ:3r©[.èn†8 GeJyø6.ˆ1;VôâÑÍ ã]n‚š…!`ÛëOû#¼'–®²2°|êŸxÁŽQ˜Ûêór|ÖAÀ‰Žg쬂¤ïi29d|stÉTGÙYÆû”³¨±4 ¦×ºŒF!ÞÑnEóêá6Uà#£;Þßøžî,Xá~»/r‘AÍNÒ%¢8¯ºüªZ÷R䟚܂黒̠©OZŽ¸ê²ÊB?ZQ÷ý˜K˜ÙwíµÅ®XÚ>®ø…Úv‚S'l¸ ++9RJà¾Ój±ÌÉѸ´œ:ïéð9ÆOÊUIG¤ç«§þ÷E>·|¼œ¬xk{¡í ûw=ù©áùy,NgP®Ç+‡¤Š£²öÓPÈÇçH”àŒß·Ä[R­ˆ_4ká©t.3ï·ðô±¹^—9+üƆE3Åšº`ieÚÔʽ(·ŽÎ¡ÉXðNôüŸÞÈ«ÏÍ¿’l0]¹&6žÎ™ˆ˜4™ëae”æ-D>|š'™_Ùª¸’[AF]“‹q-vü +8(3ãäãj >¹!4íróøô^tÝ¥Hý¼€<Ÿ~VØöÖp`Í2FŠ $9*3Ä4ØÃËQT\Ez2­„µÀr@Äé™[¨§JV›cljÑåå^/§}Œ^wÎ¥+ô¢¬0Ç£Åe¹øäÂLšÎÜ䥉Ì)-š<2À‰âÔ–ž9o/é6]ÒJ Jï–ÑbŽ‘»^ªæn9½š>õDaós$”Dv-²Põœîœ®ÀW~d=7:VLû7—•A.P‚S}WS!zyO—*‘ø€Ä„UV™¬“ÙÛªáDȱ\/s‰éæÌ}H §¡…óíÕápóy…¯R¾gvIv_Þ6.V7ß_´V¡]¸ºmž”àfķܘ°Àn©Ñ(þµß,œmÖ€úXÒduR¿-Ô™†nÊ¡"sÅæ±f¶·"ã>>§õ'VöqzÇÍFÝæYùj!î‡6LÈÐr Ï4ïwZþ³%È!£¾HÈä¥=1p~½ëݪá} ë¹Qy¨¾‹‚¶Ä3m]üå—ÈD |¦úçgôj ßì—@jˆ Æh¹ÍMÆ-»:ÙÍÿž½šwÅ1ádU}Ñ;»”º8B¶c=C%wàÑ9¬õƒ1Ì…’üqjÝÃ-ooa[!™pÕ2ÄM‡½ÔoMoŠæ¬— +¸%¥åò»xâ€ܲY +À+û™Êƒy2”3ûvìødiòX«ÚO²­~9Îòú®¤^Hã{ïÊé›ýœDv2¥v˜Ð8{ŠÇ~²ÑÅ;RÃtÒ7¢ nBO|L\¸©³?„MšòhßLB|Ú1m“•îíý)ci[’7\³wÝàD\k”9Ÿ’ Äöb^0ÈÑi2È64ÃT°q’q—Á•ezëôcÌööž¬"àuÞ1°ïìW2çrrÂáƇÂÁÔslx#†;l¦÷ í’o|¡ºrÉšŒª”Ïüø|¯Í­>|ùª'fwg»¥¬òDÑ_èêŽ=w[e3à§#V,ÞÇñ)T3óøÜ´J7ê6Hn¤Î>%Κ„q‘3nBg$  £YYxòO›ä°¿÷HYs”œA±EÙË„TϦàÐkQWá Ŧ_Gf°Ùm\šÐ|“u»kúÒû¶ú…hWŽ’ÚŸ®ýp JXZÀ|!†öý¾7?é4áÉ¿u@–@<ú’$JPòΈû2Á’S,ò’»«©"îŸÒïcâ‘Mçž{”¬%P^GI)Ð&ß +ô/_”ûÛì* »K £yô~q‹óH8n㓇f™ü`ÓgÊù•ÍRãüòç¬héT$_—ÏFÅJpâÉ;h!Ûr*Ô±`Î_²ræj€0!3<Ñ/k°ÕÇ á¡Jö€D­—ÔT?¶(?I@{¨£d2x)Æ´Éëž«¬ã¢* Œ×eTY a?O†ÊåÜÛ„Þº~©Ñ¤*1,¯«]‡gÝk'B…Bb>°LH›æ©µ—>‰7¡¥ÖÍ  ò×9Ô²•Égà '¬þºû¸}^ø)]*/p4dRã’hT+ì:-¤¯‘Šéºê)pUi N1W(#%T*˜+=ß µóiLU ¿Míùâ1^ÿÕ®Wº1ovW6&ßÃxêÎݨU~—·ç¡âf +A‡“…L{'9,¸v¡Ù» ¸[ŸãaÅ–‘uØ|dâ'æùo;Ÿ¡Æ^úU˜ºDã ôcüéTÇE’a†hl2\‡ÑvS¢ °‹ìsŽ )#.¸ÙÞÅ……¥:‰ÉfèýK“1#Ìr©Z¦šaTw"¬÷òý8‹ 7š ÷¿»Åf¹,¦Wä»c?9[¢ˆcKVòÁäø!à5£’œT:-Iúiiš´*9 ªñ÷|œâXä47!9[)§r£ÏÜšPó‹çn3˜ãÇãÎQÑåÚ°ÍÇG ÃJêÏ‘OɈ,Ô±Áò‹Ï ë^–ki•ÒÌôÏ+öŒÞŒ½eĆëUðn^r°Ø¼õgÁ¹"WÚ2[ra/“¤•îG.Œì©L>9'>Æë¾¢ÄTÜÏåJ®1ø]Å-°êôây8P‘@OsËcm#Ò†Z$ (],(Áçû€tzË š%-ø}Ár!²É.ædÓGõ¿áøÊuheA¥c8*D£RÄÇZ§ S_z2_5üX·.cyÐj[R"x†c+;˜d2b­­m|j|ÙZ:ÒÆssÑš«½çäªûfºÖ5x¼üªoêëT¶ÙT¿%SˆäŠäñJ;Õˆ><€&`¯hSZv!}ß *51ÁßÄ -ªyx^•7œ0”j(>cRÖF9Úeç—¸ åcysÛX¥\^¢ »PÍeYŸ=;>ØV姠/eˆûö..>Á=º¹ÏZ­&>' +Å…+{}žºÂ] ;¼¿¯’Fjš‹âjDªßÓËQrí9ˆ`ØQöG°›Ÿ¹ˆªg'vìoÑèÍž0½Mïî·Jˆ* +R轫Ȉ2ڲ˅&Ý#-Iý‹{=]TH«!T§š…>îÐw!áÞ|?£^bv¹ä}Å#ÈZ1[ÿ$iÜãJT¯Qdò®\wà.­}É«!ëYMÙ Ã…·ã[‡ô+ÐRÜäߪNjÍÿd-ÜZ±k²Ãð4DÖ²ÑqLoʵ:ü‰¯=ûˆr¡#~¥/èç<{É´ç}ÿf(+O`Ò +¿´@™¦ÝÍPC ‰.Sb !„@Ա͖ۖ*øûÛ‰Ù‰ëvÒòÀv/nZwÞT€èãtx ôþ„® T`µ]Î ¢}eênÝðÙqgÑYD»GѶ® ¢u™d¸XIfÒ9ùm˜mÑüQºDõ±ˆí+øžInpø²ÃËq€çÙE‘aÁÚûhG»5—07Ø®Æ~Ù #HËñ0E”G )ííÔ’”C5ËÔ¼´ÛC#YW³Ù/WÍò­·Ü¦´õJá·¡[¤"Êòt¡¬£N§¯5m[ÙaèÎI«4è€ U·K›_Y¨] ýNëæ=GDXáÄ<(x¬ÁÛÕ°®¬ =2yq˜®ËΙ±µ;)fÚ—;‰O° -¶¬c¦Šx„WÈwƒÂùœl®ù se"ÁÄ4JßWâH‘EØ\êáÅ|¡È©âé³Ñò"½GØ¥IM•eîeXúâQ€7°Šƒ<€+×°4¨ê-hk]ô$WÍœöf‘p|êWé´üºè„D)GsÛé„Þ,ŸÌº†ªq á±±V²ÃÎ4hWârr/Ð7‚Ü4cZìÁк¿s‰: bJê˜M1Î^„S­pü ´CÛ6vx¯IÏ0BÙâie_-xÈØ×:K™OY:Ê…9¹;µêÁeÜÛÜ°~>^ŽMæp¼ã|Ù©Kyþ +W߃>úŸPNñS«Æšª:v+öVlõùöá!ÚŸ¾±[ï`@}uVÿ|Ä `ZÃÕ.ov°L\pp¯Åò×ÐÞÿ"a“Ø‚úˆEaI$À˘&m)¸•#´Ð·j-¾_’FÉÜ¢ÊKmc0ABZ8-™°ªî÷?w»ç6…š!JT3€÷Óñ• ß ÿ¥i”"9Ý+o9–¼R¥îY‰,ÓÈ€áÓlV9W€~=rš˜05ßÝò¥Êth“Ñ(¿)M×",x¨ À¥0|í\9ÍWÅ>°½?eÝuc¡ +iòÁs½¤X¦:Þh¼ÜZpbYúö?r*}t˜÷;¯+V|˜¶²s:ÄÑrît›RH¬¹º{·ÃOä×ÈC$õÚÚ"·Œåv7"Ž„ü‰ ßÉ€qµ ÈZÀñÂÑ·Ià«ïSncП[ÚgïôŒPND¼ƒÅK“Í2˜ü\3µ¦/Ã=:TZ>Õ°În!½GA·+F›Ayþ¨'íÕÿ|Œ§^5˜·‚¬¿ÌêféIÏ%o˜ŠÇú!ïÉÜátÇ„±íG;ô¿¢¸P6}²ÿ.;“…¢Ã´XH%_/€+Ò½ÙC]9·Â²;×ú°ðJœ_³N&…æ6•AÓXç=arƒßaìZU7n_gÃBI‡Rö–é³e÷ÄXñ£==„k¼X#—K#“êì– +5›¦·/,­iYQª|÷¯Ðc ý+—óš,=›WN[s˜Î;æ¨îµ÷óäDá×”C䮾µcÑ]2pTõ²Š#ö©*kEÖ%’¯Vò—žž˜•ñWz£p­Sb¸© †©ä·?éú°,“}Y9xŸKmúº‡ðOâw+Važ²3ë—‚¦ûcö¸ÛØÚPѺ9‘ºÍ}gð Tv´“§Ë9O{&ü²8ƒØŒÖ®;Aôwèé éåGzŒ£íR¦ÇÇ{?”!©0d,%Ô"Û¹Õû.¤U(¯0"€ÎŽõOªw¦’Û@ݧO9zÛ•šoÄBÓ{" n]û¶ÂeÒ’¶—©kBµæâÏÔmËÜaŒûfbWÌj†û!k!ôn[:QUäšï[žñÛ³›f›ÜºƒLšçš],šgœ­#¾J|¬5ð +ZЮbÕŸÈ»^¬“y<4WïèìmG$Œ×eéì÷qòI=!s;/ •BêvÊco|PCèXƒ'ê|/çyAô’_K!Áä,–”Ê°×ó;ÂuS<ç1†k>‰º™T=»t¾5&DH˜IïaÖʉ‡ð{í2oð§s¦ +×¢õþÊ‘WkôŒ³?¸ß5ÑÖðf + 숭I˜‰J꾪áÃdâÈ´ù0ø'Š4¯óƒž:3ÒmHKh’®ÒÁM1Ç1)Öí'ÓùÅ£†‚LÜÀ­Ô¶ÕF•Ld@Û¿d̲ô*°ã¸ùk³íÄñ$l7[äÀLXs y¯çÁúœó‡tƤZd|µ*KZ³ÞèÒ‰4ÅäçQÅkÏU™·ÆkEå &G©óxð£€Ù˜l–ü¦¤Ûç3•‹reš§SŽi¸ÜŸÊ*M^4îbœ+3ÙA؈ʦKæÜ×t8ð‡G;¼Á³.B* ƒ"Ñ”ÿ#º¢…V'F@X3|r<žþlª ú1=¤ÒâÄ‚¹?Wïí±ÍT¿lrMVIÖ÷g½ñ’*e“÷uÐã*µ*9?¼D~®œGx¬YX2Ó3U}¸ö¯Å†nœæh;vÙž§‹šG"jÃé(ðkÿ÷ÜŸCjé^¼ÖL•á‘ÒR\(Ü÷ Y²€U •\–‘ –‰ÌgK¨"õÍ!Ȳ,1e¿vý>C[)_asºÈ2X)½}¾e~Ü)Â~ž5Ñ`[õôž{:—Læ¯É&}ëóC¼Ø5[xÏEˆÅ‡J絤mŠlmkÑ<öy~’t}ž¬‰2ðáÓ”’do:Jp50Yu&·]ºé‡QØÑJ|ÒV)U…}1þ©0u–žÕL—ZÁÞˆÃâ`‚ïxGpÁâM:챕ª¶¸9庅(2^#ÝâX—ÃAZî}ø —Omÿ­RWS²inþRÁÐäh |™1¦Ü£ó•NAø5ÎÀ…Ëç ½ˆé½híÍ0UÊ? Œ‘­g­±;®Þ˜Xè„ç?ˆIëåçEì9†ËÉd.¯<$åByà 9¤Râí=G¤õ9æ-™ÎHùر›?ÕM5ზ ky?MI'Ÿ¿Ý@½*>v + ”Ï¡ì9žpŸ¾¾i'¬‰'3­"9x; ¿ß/õ¹& ¤þqÖ{…nU=õ¹ØA}í²ÊÒH:øS\¹¤—v¦'Üg7Ò8ejW5m4m“?­±t¸p$ðm1@Ngùqò— ø±­Úð~a~hµÕz6|ø§ _Œâ@¨Ô³äDiåWÁÔ¡1Pí·JaçswGpo£Ê£ÓN„Ä~7Z„Ñ@‰ÆÙ!Ü£If%F^;ý¨{3–‘ÊîËc`æfþÀÇ_N'é)qÅFקàØg}w켊×IxëN}E ;è4Wl•OX ‡]© ›¼×)CcHôóçÍÞž~©÷â-÷g½e +Ʀ)¿X죵ð +—z×&t*nLœAþÁe€6Å®›ëø5ĺí)Khp¢’¿r›FöÿKMc»æ_.E¥¶©š¢7g£S~ úú$ÄDq²2è;—øé<ÓÏáÙ¿@‘º±£šù‹m™¬1úú +rqçX‘\¬–ÔEZíA‚d÷U™‹c>:ñŽ¤\;)çü@ä²8Œ +·e‹ ²QÊ5í ËÖž>?Ê=õö÷$¨>söð/Yµš‡ãœX¬ÌÎŽÜ{—XËÐ@!½=§×ä]ž5f?®æM\Že€¡´n}ý0ØzÙC›Ù"¢`ImhFÉ]°—©AŒï²µï¨@Çût¶È:É9Yã E¬™‘=Œ7÷"‘Ú…ôt;·vÔ%É@bÑ(-Y¨ªQ­¨þ’Ù zΞAðy0—å’ƒ>÷/ª1]¡ yÐÀ',tÎA{•õ¸‹8|ãåÔxÉ‚eõ8ðQE–³û9#é—àoqZ‹-×$Âc@”p…èÛWoØËûW0“fúÄyet´@‚™SÛGP…š½ÃCï–èú†AöË· oÉv̘u¡ÛÖ¯å< ™*Ý€ ×…Ì™Ä?óÜ_‚Ú•çUÉ+>o1eáÎ2ÖQĪ%*º6E§´¥ ãB7BØþÌ!¯%1è8ØЯ"ŸÁÔA:\d .âKþJfÜ®™ÿ®ˆÓ=saÐ ;ZìÄ"°Bü9ÑØöÅåûä(‹®>ŠWÚ¿”~‹päDÀBÑZ\é›3¦š°pŠÈƒ1¿´ '“é¿„œ¾Œ +»¹Ä¥?3_Î⿶F¿Hßr#–ö™þ˜ÿßàÿ¦¶cgW;cg˜ÿÿ-F£ +endstream +endobj +32 0 obj +<< +/Type/FontDescriptor +/CapHeight 850 +/Ascent 850 +/Descent -200 +/FontBBox[-4 -948 1329 786] +/FontName/NQSJMB+CMSY6 +/ItalicAngle -14.035 +/StemV 93 +/FontFile 31 0 R +/Flags 68 +>> +endobj +31 0 obj +<< +/Filter[/FlateDecode] +/Length1 720 +/Length2 751 +/Length3 533 +/Length 1267 +>> +stream +xÚSU ÖuLÉOJuËÏ+Ñ5Ô3´Rpö Ž4S0Ô3àRUu.JM,ÉÌÏsI,IµR0´´4Tp,MW04U00·22´26áâRUpÎ/¨,ÊLÏ(QÐpÖ©2WpÌM-ÊLNÌSðM,ÉHÍ’œ˜£œŸœ™ZR©§ à˜“£ÒR¬”ZœZT–š¢ÇÅeh¨’™\¢”šž™Ç¥r“g^Z¾‚9D8¥´&U–ZT t—‚К +@W¦äçåT*¤¤¦qéûåmKº…dgaqºán¥99~‰¹ ãAá„!˜›™S UŸ[PZ’Z¤à›Ÿ’Z”‡®4<â6ßÔ”ÌÒ\tYÏ’ÄœÌdǼôœT]C=cSˆDf±[fEjJ@fIr†BZbNq*X<5/Ý)ÀÐ;Dß/0ØË×I±É€Ä̼’Ê‚T„j0ßÁRQf…B´ž!P!ÂX±h–¹æ%ç§dæ¥+—$æ¥$¥À0åä”_Q­k¢ kib¡`hld©`naV‹ª.4/³°4ÕÓEÁÔÀÀÀÂÐ ,š\ZT”šWN @ÿÂøi™À0JM­HMæš=G4“1^GVûk—W•Âw8wsÃ,õ¨M†’~ç›&±6åûM=wÎç…3ÏÜ“¿izan£5gα6÷ý•w.ãÝ"?³l±QòIŽ;ïÏîõiazË°8¯¤=Ù—cþ•¨/‹»Â–8êXs¯ÿõº°úýù¿«Zö»G¥Kl8n.èzAmjQY0«Á¢ßïøÉáXñuuäCé,‰éóU»{ò.ŸY¿GqÍ…“'ì^™KÝQx`±åúŽ5,V)ij:”9‰1ëßUz¦8wÅÇlSBA¾¯«O±Û}½,F@+®õ¯Ç³ Igšß…s•—DÖExìÀý\wƒ`¼ÍFÝí<š‹4 +ÎÞ_û®0^àãŸõ +òmBÖ?=¥Üj¹ÿÑÖi‚yÍ_Íå?ö/e°muVÊùë ús +sêæI+".Õ³÷ZíùÿdaÈóž²Ikÿ4V“òAZ¥¢ÿ‡Ql¢Hœ®—Çü›m¿Ë-žm + Ò)?¥>})ËÊsneËëvfÊ;5åîÓI:“óû&±ÓœV¸æ‹×jÎÖÐ_ËJ¿Mw±ÿv¦¹éÐR‡§jͯÔhýPÜá¯)Û[¶Ú'M:gÞ_›í·Öîê7óÓ1Š[¹GðgIôý –‰Ë',åŠÒË*ÅÅ7+ˆëy}Ûõ¬ºÛi+šŠxÜ­8?WŠ)yýZ/ÇÙÁ ãÖ‰†MÑ*lLÌ9žµ¿ò@×:ý¯¤o‰øþä¨8#xÊüÆdÎIm_÷Ä9u'‡~ÝÙÙ8ïÁÎMó8Œ¹X1Ô_ù&·j“oÆ´ ®æ–'vH7sµò8é’û6þ™Ù¶ §[ßz±z7²…,QSJþ>]ñÏ£ìo‹žO> +endobj +34 0 obj +<< +/Filter[/FlateDecode] +/Length1 712 +/Length2 6263 +/Length3 533 +/Length 6815 +>> +stream +xÚí’UT\[·­ Á'Há…{€Â!8'EáU…® ÁÝ-Á \ƒ{°àÜ‚$HГ½÷ýÏm÷?÷å´óvÛ]ëeÑûìó[cNfz-]nY+„%TGróñð‰äÔuD|<@ff9(i‡€Ëƒ‘PqŸ˜@ÖÍÀð ‹ ˆ‰ qp˜r'/;[$€MŽý/—@u±ƒ€áu0Ò +û;t;(Ò‹utèüµÄ u…º¸C­xppøøVv$ÀjcÇáý InˆüÓ¶rsú—äuqýÃ`ûÃÉøCi…€;z¬ Ö8¼ˆ?»Aÿ°ü·±þ/Tÿ®èæ訆ýÿgLÿEÃì½þ—Ž€9¹!¡.u„ÔþïVè?hêP+;7Ø¿«*H°£DnãÿiÙ¹*ÚyB­´ì[€5ØÑúw +·úwˆ?cûWWSM^^‹óïýGÓÛÁ‘z^Nÿ™ú—ùïšï׆ãbç 0ò|ŒÞ}™ýÛ^ +pÂÊnÐE‚áV`«ÿlüW&áéÃ- àæús€"@€ˆÐïÿ4êÃíœÝ *ò! ("öÄÍÅ +Gþ} þüï¿jk»?ÓB=¡œÌ¤v¨o¸h8/,~uÎ04Ìjá´¥ ]æ œà:bðÌÙ‡;hýšÇ¿9ЊJ½f£“«öW—ˆë¼4ïñò¢*["ã°n5Ù¸/Þáž ®7Fãí8†F5½1©åÌò1Ç X>³ÊA:µŸöÑS6ÜÎôû·/X•s¶Î×nEl· ˆCf<Ô8?¾¹¬Â„ÊYSxUñûÁÞ ?èŸËpëLÕ)ÛÖÔç|ãyñk£ gGYYRbÌlË·G<Å·Ì©(ß$¬^Ž”’±ÓÔ[Ž=41Êá¨\Â¥Ò 7+øãk´Ô°dÏ…½wMKÚ˜^G N5]c¿A~ô2ö’Ô. +¢'2^{®oœYæ +ËäÀÈ·46Co V%<ØÈ¡Ôdms,~b…ÎÎnÜm?Ä»2ëjѨ÷ÌëlÄp±+Ô³¦çÐ?!å.ÌFÉËRº.Ö·s£Ú{°ÝŇCFæFˆE©v4”UÌûot0Äæ"¢‡%ßYº)fÚ¢„Ú+øûÑšìÚôW+·CrDeâ,È)sž”ãÉ4Øå0J” × qsñ³¿îâ6¡B©9ãæhHÇ+_áÎUS!¿Ò6·j•JéðÐ1¼ó«Ð 6|Y>T Ä‹(˜3WÚ¦Y3}b`fÿîFqáì.àõ,©…ñ Ï´/2Ô\eT¨ yE¥k)Xg}g ‰9™éFb Aíá$:áïD=Ó€ryi5ô½Å€~”¡ÍÁ,š¬ªæ;±öŒ’ÕÞ|–škZ–µ‹†ò;ˆDâϺ/׆•ÞZ¯è£5ÄÀ»öÁ„ü˜cÔ”/Ðä˜Ôø÷E¿°åÐZVIŒ)Ùów R~ɹá–H$9/õ@—‰µ&g²Ì14ÌÔÜïkIutß$a ©nÍÞÄç¦`Ö-Û0+‘ìé5ˆ™„>˜yšÊŽí‘:ºâFòì1îÑ×”Ìïà—3að?í‰0û½:£p›.aIY\³ R¹ %~N‡Uô¦).Dõ%ź†ÿÕd\$wA]¼«cªUÒ¼¯]q„ô y"ó-[ßTq–CI,`…š‘{ó;Á·€¢8•¤/ƒßÓxm7‹LØ,‚?êTÚDý᪕vúŽ¡ö)c1M¹ßEÑéªlůÓlìË}&ϳá»×ù G&V'hbpˆ¡­R?°Ž=›úõy&%]C¢ˆwÙ¡|ó0³Á L #ÝþR¥™HëëZ=ùÏÛ¢›Ò-©ÅÚ!K;t D-hœI¬akIÛ‘>ôÂ/ü)”´Ì’žú]žÇUšc—D¦ËéÁàµ>ß • ëæýò\ê<»Ö؈ò#”˜JîÈIi‚/ïжªP'Gås#[ë·°–ìî˜ñ¸° nÑ4ï÷ügC +˜£µ£X¼rXñÕ=wYa&ìBŽ>qMkôÞY +¢¬[²Ð(êÌ„=(l’Iìi)ȦÔ³åä #¦Òé>Ý’­p|P;ß +–îîmrDýÚ' ° ˆRÙ0+„›!1’Æ(qê\Ï…+m._8×/÷I¡‡gŒÕ¯ 4&ð;_0Üì¨NÆíí'…êHój¦× – ˆüñ£À»éú/Æ™^šcqðõuœÕöáÆ´l.OÆž¯–À3 Ãvc®T¤#$ù÷†¾l³y3e»X?e;ÙIr¬wW•ï/½ ð=ÝM1K¯¥³þ>B4øsï½û¸HKï7¿Y\«>E«p&}=ëà.ÿ<úá83Î0AÜ;ëw0B¢¹ìÁ[ãC&½øû‡·#Å\?O·ñ´É‡*žÖ''G-ðØG7 šë=þ$mØcÞCQ¡R“¸©5,ž —R\…ÜñÙ<_‡¶ +&Ž×¿ùðˆHüð #ð@<1mÁ +¹ÈûB—ŒÛâ©È/t•:úÎ)SdÝ´±¢'íjÆšÒ5ꃈhå:®Ó[C%Vä! +`-Þ1ܤ¡hò98L­—¹:©˜¬\T¹ §ŽË"‘’~¾µ*¶8dyvø;ÊF§ æm´?ž¸ÅMŠPΊͽmŸƒî‰(M‚ºCïwd6F{F=9;yfÞ4l[çT¨Š§;KbúrËÜ‘w3ÿõÌS•ñ­á÷Es¥g½Ç'{'){r¿oøÙ2+îMsŠ³i÷$Qj!ƒ§½ß±À‰& ¾àê_< ë=©ë|6!ÂÛ?u¿ÄÉëbôÖö”ocìLÅîÎ …ÃKÖ`!,:¾¦ÚïãÂlè }_;û Å©Ä›dœž„÷®2D$öØ\‰¡µ™Oؘù?µ3áÙ¹_Õô­ýÃljtâLÂ;§&üØ6cüò=ͱJÉÙ*‹dß™ïî‰SîÍ¥ÅÝzLã›!é¼U¦G¶˜S ¯\³Èàh•ñÃp†c¤.x¶À“dTÔãœ@½q‰(^Y´eg³Š?7Á”i äòE5„ÏÐ䤎‚cq`9^»ý9n‰ÚÜ …nwØi®©Ž +,ß!ôsU K‚ïÞ«`RîÑ—ü‹IsÔšý0¸M’ù=œ×LèöLvi=u_bq…}|—©9=›ç4¿ôðs$‡$Ñsiö.Büm!¶—Èz²ÎëùU¨”ê>á~;ÁŒ>úºÚ“!£¼Gãñ¨ ÄlÑ­rÞ€°_Í~ȶÍ𚘳\Z]\jä ‚ì¼&)[ÅÄ4þlÓŸÆ°ª§ 4<Ûé;N) Oö¦Ng[ öÈ;\Ž}ò-¾Økâ dßÇ•óéIƬV+U4ª´pPë|„T&BÇQ€ª9~R•&Ç)hb‚ËcœÉï»V>òŽ¥ïš½?y±ŸW´~êz1.|ùäÑ´y"ؼ™šõŽ¶6ÞÔå;Ç-ü28?ÖéãžÖBÆia‡" Ël÷pQ Ezþ+äë]f4åO1 ;͌ѧòõü+¤¸úB`—ˆ;®ØBêbÛ§Ÿp6¯¢O¨Îʶ‹X¼·.Ké|¼ð$°›Xkœ /–³"AÙ;“„Ó—nŠI¤©Å½äÒžH‘° 3´6™c~¯`1¬K]³=²IX£„ºls1xµÿÛ /§ä+ø4­*¯,pþî'ç\ËÙ«ðEjèDzßrQá•[M5ŠDgíªÑÓk¥µ\Ú)=š£•°…Uˆt/OqªÄS ÅËÏâ&dΩ2Q%+Vf0¢¹´Kú‰=êõ™Í¨>e‚ÉÜvì#âÉ@o A…§dGª (ákð2#Ó£ùÙOªb +žwkjwáˆ]v¹Üxþz‰@ §.O’Äe¾€¨ÉsÅ!žØ´Dtl¤Šûñx÷Љa|nµBÉcÄH €”‡iÉÇç–X`ÒÖpü-«Ä›’™«?0fZ¶‘mñYÖÏšÅ(l6÷Õ~©);ÝÐÙ8>Ç4x8þq2ü]Éj¸ò›rgæfÐUí`¸‹æÇ$9£´T(>ÐM¨£1,£H.â-¡3:©Ó¼ø#\ÃEëŽeÎßO|SäYÏXMÿd•áíÃë§X¬ÒwvaÆvYg° +~™µnPý9døÀ¨jDó*:„3 EEY¼‘{îjaXì<ÐÐþ†Œ«’O4ŠÙó½N¬5€¸á¬[­n@ÞM¦Åˆ£i˜Í¡å*é8ÝTI¶ã"ýÑ#R `aëÅ™@gbl¯E´ûã{f!‘øçR4meç¨+”×òåEoÖ Ý™Íh­ñvì_—!„I÷9i`ê÷øýË36ûŒtz¡a€>Rùê9õñ5ÞžÃ7e·ö7‚©7Ó|Åw<6Æó~/Þ>†ùl­½XOÈ-¥ât°TüÙ•%Ž²K¸”ù$üÓÈDáó2r+±JqÍu)ˆ®[sÔhú[[ÕÞefã2ph¥äÊpúÏrYCƒSôÊ{7LX¸H'4E/6ÀÃs7 ¦)ÃϹñâ¥Z3«ëA¯ü}­±v™mãÂö8è—E Q¸Xâ…5¤¼ÚœóI™9ÿËnËA¡7³Ï¾Ç"œx¤=Ôšpol‡µ ‘‡ëƲ1˜‘‘ FáÂToïEsÃ= ¹‡¼öÒK] µ©â¼>.\2ïfJ¯Zž©œï¦yr/ºšiïRý˜»P Xv“ãå궥’K œ Ë?ú:ú·ç´O~KÆX®üõ˜F»Iž‰uÅÂ|LÝ‹¤³•æÁ$bNÆ}ÆMp@ð£€cö~›jYY³ [âÒØO{Ù?"H´ôK²g…O›cçÇûÐÔ»Þ(;ñÔ?)‰ÌÔÒtœoß…œÙhMnⱟ “½èýeÁ!= øœë>U‹ì×6~œœÈÈ*c0r²Äâºûòaš“;êhe’p!à#ýMÓqÔqºFGm)é¶$9g»Z¸Áà7~–‰sÏ}«‚Y¦R”Êž˜™ì¥õEr¦>ë\Bs´v“ýimÐðj=»5íE°ØœMƒgÞKéíã¼Y2WOÂe +Kn¨èÙwøä(uÙ¥ÞéM¶¨+Á¤üHkëæ +Þ~ìOèçý¦w%À¯ØéD1¢Gø³í›”|Y‡Ê +ÚF­äGö¤VÈ¢Iç´”s.†Ëv‡æ`Ü0w£@•Ò‚(€Í!ÙåC4®‘ûKZñiÉ®ïwôëÇlú4ÿ“Úo |‚X„Lqæ쪖_ÍÈnÊä—ô˜úÆCÛzJ¿†VYíÌ%ËÇ,¥¬ö@Sžé¬œTÿýïÂ\;ŽãV› £u¦L,µTW@4Ïü¶À¸g”-)°ùíkÕk…1†cvô¡Šáv´w>5¾o Î´†¤¦6š¾uI²YÒxçO°?4äó¹xf}n)ÃT©ôi9ú°ê]pTÞ],žcb\ÚHnvð¹Àßâ»çŽÛl¡W c.Š‹â³†PhÎıZX.#c£VñïïªÕg<@x|šº–¬auSÂSbÅùAÝÆ€p֧̌þþö_ÛYÝ,Õª^‰× 1¨N¥;KÎW\OË}>=¡¥Ë²_ž)|Ø@-Ž'YlŽW × ôÁG¡Ix~ÂW_L½!š¼Ac‚ÛNpi᮹ÄHa‘í€UÖŸü®–Îi`.©t«[¸æ +9Ã%ܽ2óÚ»ã=˜|øsQ+ÚF˜ùËz”L¤nÆS¾™ÓÀW{ƒ¿ÍÆ¿K.NWê¾JE”¸nHnùÄÎQßuÈ£<¾¼0£DnUñÑêþÀV;£hl½"©C“`÷Ai“ ¤à rqß`0æ#]DyÚ€D’Ü— +ú˜ÜÐܾim²ØѧWÇ0¦SÅÞꌄ]¯'|é驺¡ wˆÅl[בܸ…Pcn´c1†]«¨ÎÇù·Ì1§­êŠ·fb'O˜Ü)¶.þBÕYÌP÷É2µÏþ¥Òf[è%KWý|)¼Hö!‹qe•;¬»/ÕXPg»»^åoX´W U’AôËEÓ®ÉU8‹2â!¬&çôÕ™Rö½$2°ìÅßðvgó‘Æ•ÙW¡c³èä‚Ñ¡¾¶yß5^♹…ºøÔnÊÓ†b¨5yjŽqXfÜçVj’ß`cò7 'úêd=>”ÎÓÓìhGÏ£ò>xÐøä%Ø ŠAƒØð;‹l“`û(J±Bdð!¦Ñ ²ežÓ‹ÃDO@ÍÆŒXIy…2yÑZLê®66y_ï^eyžX5¦qvÛO«% N“Ûǥߔû·nóT÷j+a•CûC$Ú±¬Õ H`üjÌÕ) +wzXøH›ØÿuÝ gàfφ¬ÌŒY}ÑeGËŽÕîh"b´)h]¾ä<À÷ëÔìðÓû¡h^“EïSAÏ-Çù~½óXâp.Àfþc–‰%>aä;FÊnþA2!Àò|q¼" +ž²M”¢øúÊJ!½Bãy÷N;sd*=7}~J1FZÁçˆ`Qq‰0æðÃs•kT}ß%GnÄP×¹¥ ¥\‰XëÕéqôˆ„Ò|U«5Rb;r'NO·úÀz õ…xÿ$Þ#‰ßÆ#ej¤º £ëiØ”.šÍ*O'¸W¦ôýËëve4ÉC掼‘†o–cdÀóÄx›3Tj„«2{;ÏjŒ°EŸ}¬Kù6$±Ø²ˆT½ºªT–çW"°áŠ tó“þ`Ûöšî‹CABµ”sÁÌ÷ø)PÙùA'm#*L NÞOn ŸÙ–G»½¶zÝ0mR"Ê£¥©Ôês—Œ´¸ISOWžzþWRäŽÁ`.‘ 9úNÕhʨQ™&rõæœ.eIÿ‹éŠ¬ïMIt(ýž€ùÖf¦çeöúÞÈÝ×DŽÕäxCg8΃;ÊÉï<&cIik«“–rE¦ž/pe«:-Ö?ÁçÑ*c½¯ÿ´ÎJs­G„oy±ÑI+¥j- ÆÒO7¨Ž«Yâ}_`>Én´µ¢|Mé--¦µ—–¡@rŠE³õ7Íîô£ÂDúÂäÍÝÐ8lPýw +Ò¬‹_™±f¨›h™7oüt˜dÒ°0ðÜÖM¶œ}ytÁ¨§ |+êNß÷îï:xt®ûp,öCs#{úÛT†l¬òæ†åö@PúÜ3·´éÉp™†‰‰pÁ£šokÜ/Å“Ð8I>5,Yµ9æðY]ÎÚ¿±¡T+ÕÇÕÊFî*‘8:ÑEj÷5¤›¸ 8²œZÜ6ƒÝIDŽr?ŽK’óñb×ÝS¿“Å߹ኊ^[Ef?S{«f¯úÖÖׯ{‹)ü’äH]o8ÉxúRß…z¨±¹«q¸¡ºÈJtm0@m j¼Dèš»êÄ Ö +xXú¬ ‚ |Eªõ™Tk]{½©m®Ë"=…˜Ëw}Æ´ªê\|%禨_Ö€‚ß„ÛN„‰Ø£/^2"Q’±É¿V°üæ4™‹œîùõ´ïu^•*‚^øí1u¤ à¸áty‚Œ/}1b™%6#î¬W‡ 2¾«@ë›X¯NGÛ¯4ì>â!°Mïõ5ækíÍÓ臛WHˆÁçKûs6ôÑWŹՙTFøúž—e¯ô…Té.:KÊ–þüYI)C—ì[èjE=Øæ:x0^ݵ}âYÚd]Fh/NÆJ 67Õ ´'ÿM¾´fÙR+w ¨dz†û‹ò¥ŸVI;šzŽŠ•ÀüGXø¥úØ·!rvxz¡¨ªSb—ý'1MBIÅM&Q±œ6æ<›;5z_éWA([nv®§Ÿ£Ò>ĵUcnb(£ýñ£Ç¨^ä>’ŠIšvÄ•U-yü0g>éB7™à"1Aèd±_BÉßÁ}ùD×0¥øÕ1‹©’ï¸ø›;cÍL3r¿]¿‡1’/Ÿ¡4çàsÓÝXÒƒQW–G¼íy²‰ßwKb“S²š¢"§ÚKGÛm¡ÆSÂÌéÙI­n{ž ‘¼@Ï<™ë“h +.#±½C^1Í¿ÓýÒ“ST¾ßäÚ{ö+㵯&gmS[Qñ~5î °ìÄQ1D!GåXˆxrtÂÛÚGÄŒÔyGfÁ Å þœÿðÿDÄ +vA"``œÿœIuT +endstream +endobj +44 0 obj +<< +/Type/FontDescriptor +/CapHeight 850 +/Ascent 850 +/Descent -200 +/FontBBox[-27 -250 1122 750] +/FontName/LSVUNH+CMR7 +/ItalicAngle 0 +/StemV 79 +/FontFile 43 0 R +/Flags 4 +>> +endobj +43 0 obj +<< +/Filter[/FlateDecode] +/Length1 712 +/Length2 2716 +/Length3 533 +/Length 3253 +>> +stream +xÚí’yî9ÿœ÷ûõ:¯Ïó¼Ï[JÜÒ¦‹%y€†$"†„#5=sk5 G@¤¤ôÈ š‚#õÑP@jh Ý@/@  U5•54•ˆ Gò£’q^Þ@VïÄO— KÉ8 š˜£)Þ á ƒÆ6$ ¤Pá ‹ÇÖ?_ ¬Á|ÄÂ!$Àâ0ÀôÂ!Š?‘Lˆž$@íwè÷·t$p²œ'€J,‰ˆ§XТhA:8 <`ùcý7T†âñhÂÏøƒ1ý›Š&àðÔÿÐI¿@ +HÌIXLüÓjþF3±¸@Ÿª Çat‰^x@üná qÁ ÖGÁxžh|ø«±BŒí‚âY»óÆò¿~èoÍ#Rl©~ÿJýiþU#ÿ³> 8!àòÀxpÿýäòÇYD ‹#z64‹&cÿÕøw&Š| ¦¤À”T©¤¨© Âþ«ñ<çšè*BMã7%&L‰”_Kpð½מ¸ƒé€`0ˆäßàÃÑ»)ˆÊ¯¹o„Ú?4/樬ò÷?_fÆûÄÇúZ~DZýÙòZö¦ìñ3 ÂÍO¥¶®»¶S©Â•ãürž½Oœ¦×4«’æ`¯xê/0(>]¯5º9Õʪ\r=Ìõ~[Hñkùö—¸PÃÎ`Wx˶ò‚|K÷»ÚWfšè41ƒAféò7ÝÖ«™ˆ/õ°x©ÕJ·ÿªœõNDß k;“áû@¾žx}Z:âh”Jguk)S¶¨=Iþaë9+`õcäeÛ[-X’$Î.«š­ç‹„œÚc÷©Ï¿œ]*#mÃÿ9Æ:±F*–-½‚óýAß_wm ˸ÈâÒè&'¤¿Ò8Þ‘AË¡6‡\Ï0ihû–"Ïrº«CÍél¨fÝ Qt/Àߡο3¼þ℘¬{í2l&—ob•îèv*Þ˜Åäj=Û+„·ÁÐ?Ð+K) õ”›ÒUg‰Ë]&Ó•WKq©œk‚ëb¥Ò‡–oãí%F¯?$$g¹§çM6Ufˆ|Ìð‡_ìu/rÞö¶ïwª÷¡yòÂèÉC"î=oÇê®hŽNv)\dw¡îMª¿ïó‘>"é¦ø­Ô«3R/†±mkÚÔr=ÜvªÉ´9YGõë1Ž7)sò¦U•Zº] +ç™iÂåSYnÆÞR&3ÓÄÔµá¬sÇ&}c<àJö\w¿µœlö}ÔE¢œPó5TÉs[œ{pNv¹ý’Õ¹3¦qlâ9{ +u^–rëžÚQcFÄŠ_¹ÈQp6¯|ì-Ñö@­²ÍAøLË;釶ha/½zgWw[vG’òyK£ŽoØD(—Nº{ìò±ÑÑƇbQ·Œo³a3†èdf½©¥Ž µE}ÖKÝ^J§™ÎH¥½u¦¬òƒ8ÜÍ–}X aÛx,roò˜Ï‚*[|RRÙ¢ðS¾éi.^-›ŠÇ#¦ÞfÎ;/u…›ñÞ_ZàUtžb*¡µòÇwsyõܬ"|< }á³8rW´ |AË~#Seîv…cÕÅ€+ëÐ!n•ïqév‰¤](æäp™À©çA#„k%rí²ß±¢w—NñÇqA)“¹â|ñ³²ê*w#GKï)þñ ÏÞwh ‘6£“ó7tDË{ýù8Œ[§Å™;Öø“(=:Ê1¢ÄÓö +ævQ¬1Môd¾ó…O;©&¯’zg ÂxÿHßw"l0J&aN{$-Ngë‡÷ºbÏØ͆ÛyœëQUÊHéLúKÉ 6÷¢G·_v/ÊlÚãÿjýÔë¡úÊWd<ë”2áêÄ„PÚÞ Åµî]õóøŒßøGA¸ßæžk®Rõ™î†ÇFæc,l§²Õ& ý[ý¡_/oª9[¼—Î-åY¿c¡(::¬U%771;8´G ­÷¶vunóP.áC¡§ùºö ç4EÉ{± +ævhh3Ìpa9ÐUËn ó–SÎDßqäKée+X÷“%îÂZ¸à”‡º­?Œ;È2Oš·ËÆ»`îsXŸËv™kxËx.²Ÿå[Ågu ÖÒóiÒ‰®Gƒa‹~3t¬Wg„Ew¤{cëé½Ô÷Ê’U [ 9ý»,š•ð˜®L`æêÙì[ã Œ¡(b43´õŽecœ0âyAþ?àÿD¢ÉMö…@þ À|* +endstream +endobj +48 0 obj +<< +/Type/FontDescriptor +/CapHeight 850 +/Ascent 850 +/Descent -200 +/FontBBox[-4 -235 731 800] +/FontName/GYVIDV+CMTT10 +/ItalicAngle 0 +/StemV 69 +/FontFile 47 0 R +/Flags 4 +>> +endobj +47 0 obj +<< +/Filter[/FlateDecode] +/Length1 719 +/Length2 8938 +/Length3 533 +/Length 9493 +>> +stream +xÚí—UTñ¶æ‚»7îN°‚'8Á­ Ú@ãîînÁÝÁ`Aƒ» î:9çÜ{g͹ó2kÞfMU=ÔÞû«ïÿ«¯ê¡ŠŽê“«„™ DÆêÄÊÉÆ)+©«sr9Ù88$ÑèèÀ0ˆ±“¥TÊØ "ääJØÀ\|@N!®¿lgï³übáÿ¡âJØB`–¦ÆP ’±“Äö¯‰©± PÍÎÔâäÎJØØUÿq‰#Pâ¹@ÌØÐÐ89f–¦N@ÈK(û?°ä æv@þµÍœíÿsä9þå‚þIÊüËifµqšAÌÑØ•íþ®ùKó ö¿áúwsgecÛØÿ3¬ÿ67¶µ´qÿ…­½³T²3ƒÀ ÿ.Õ‚ü N bfélûïS9'cKS èã_-KGK7ˆÙ'K'S  ÌòÏ6jöï “û'û‡ÏšrRšÌÿñ\ÿ5ýdl uRw·ÿ/ÛÈÿYsþÏúo>0K7 .Ç߀9ÿ +ÿîÿy¦ÿo«ICMíÌ,¡_€jNÆP3c˜Ù5þ;•¤¤›'+•‹›ÈÏÍ ààðþ_ePKgˆœ—ƒƒC€›ëŸ]Sg uúç{ð÷~ÿ³6·üâ1EóSSQƒ–ˆ8ˆ +èA3O%aþ"ü/6ï—bv¿¥nzÕ2\‰-7Y£yÑ=ñâ5þ¾¬||ó•` H‹ñ9”[êø‘äq¦‰.®|‹ËS{¹˜Îó”…®lÄmü¦Ù+–+¢ÃÞ‰u§íM©åú•KYå©Öò‘–ðÓ/ñw­q³—%5¦*i’Ô?zšÇ¥l—G —3_”Ý­oÒ‹ÒèTÎVðŽÈ2,šïUŽOËÇߤr³0r(¤Ð9³ØQøK‡dãaÆ£ÓK…yúpÔiº”Ññ÷f •böÁT”)ˆ§£<¾ õñ3Àˆ’½y—öԭ›¤¼³€¢Ü37¦âQ}¬+Zྠ+ÿîHZñ¸BhZJ$ÌK›!Æ«é¸ ¨y$=y7Pl›í\ÛÐD¼/èõ4¥ …(4“‹ßåµJ½Ùo0Õ>#ú@Wªë.Ùdc%¦Ì½•×þýÜ£ÊqŸÖ0*ÞšÙ¶pœ°»]‡›†WÙ·û[Á»°…7¯d¬ûTAÌ[ÚÕ0þü?Œ}Fµ_Nxæ~ßD·Ð+%Z]ý¯f™=ñ‹ªˆ(Å2V= ÞÇÉrn“»¥e~‹” ñ¦eCzá-ÂnZ}ÔðGB±F ŠÇ‚ð‡€¢!)g©àý)Ëï#‘w°ŸîP’,p ^2wä†U3 +zVb'W—³\i!9\þD%º<·¨t¹¿ŽÙÃÍÞFñôÈКÎç]yõ·0åý™ g¦Ë«°}΢…ü3öe¸°:HÐGcrGùå1 —åZÉïö| û>~Ø­ëBûê•1EküØ+Á¯æZýÓ>Yô¥¼ÜÓ‹KçšÆuv?‘Ï +^‰·ä…5!o7H¹^Î3_Ø3=–-çctì•Þ¾×]P嬳L¼1xäÏ-¥9Sg¢Ïu\!Û)åñÍâ°(ë-0DbÖùeGÜ›+²¤eæ…ŠÀ%É5ƒ‚—”NpG¬ÚÙ±–YnœÊç+ßÞ›¿öù„É®ýAâ…4Üt|뽸qãºKÌà’b+úˆÿ §dú)?DAÒ#ž¾¬× +@Šú¢ödú CìYÍ&Cúë€ º¶ t[ú|ñ»ø WLÒÏþˆoBG „m®#iámãÒYL‡äðn»¥&õÓñ,œ²­â LM±È$þÕ=l¼U6#]Ìœ+¼yUŽ6}U Ÿ†s—hŸ±¼UÃ૶3ѧd£5w±A„Ä„Ø‹V=é_“Ãm&‚]œ¡[j6çHãP¹OÅ„%®¬E‰Ý …ÎØ[|íW_™fç€oÝ<œZi#gÝ»4ÐXC±»¹ß{ŠËÌóÉçŸÚ›Eñ—©ÝÛUÏÓCGÔŽúâ:»ÇZúHú9•r ê Š~2¥c>G{t]ŸsÅÔ‘E§€A„F£‰TXy‡5<U“”iªŽ–Ñ&µ$öÎÂÜ©fŸñÝðb»ý¢…Ð/Ls†Z¿m7§Þ¡µ_ÒqXÒø qLx\=±ƒñ)\k¯…MÌyÌ|ÉAT@Ñk>ÖoÑí±l²E¹³ëúÐÈ„M—ÇšxÈØsg›™¦ß¿K’”4ÝíaÏy/AY(%gü®ÌMøXÂýÊä–0eFh3Ë¢=öíÄüVQ5ÇÉZšLU)‘¢{&QYªûÓhŽ”zû?Ño­Æ†¸5,ó| +“w”¹€³·ÛR/¹T†t®#,V?}Ùeœr±w˜(wËHlDH5›x_)æŠÔ”V»ÉÕçúŸãpž4Ö™øóp;f°Œ(f^èL•ì¿‚²UåÍ×ûD–Ì0a–Ù£YX¿å½=˼¨ó¬-!-s¿ÜÑ8xÞŠú¥©9e +à ã?éQm-b€ÛôYŽ½…SY¹Êß&2;cÚ ó:>¶¦²}Aø1ð³i_oƒê>)q‚±:®=wÔ)²¶Ðûaoø§3¢ð³cx|oî7ôÍÀ_Åw9GýULdX‡aAG¡þ>Ô½ÔÄÍ?W›$@ÊDâp “|gZËZîi¸ªtÏý©µNüI7áM|˜-œÍNÓö¥êC=ŸS–(¬›;ÝÂè²_qÍ}†ƒ~AÛë>£¢â²>gÃ¥ûÞCôýôN’»©ä„žNëNÉù#Àß+Uzynås£õï oÊÎU{÷¬~VxÙ Š­;¢»¤ª¹#,²óUˆ;¥ÝæÄÌ;‚5—ÏxNŸçµÒj¡S\•Ø$d[¸&Ê©w¨6hÔ{õD(nqYpe$è`½¨Ð)€¨x“õGBgVˆnÒ@Äåì··¨ù‡|‰•zHµÎv¯\'sܬ§êß»à°X˜Ú|@Äêýüª~'$¹°¾+–‚çÑðy¹¥ýO +ê8n,-l*ôû¬ÃT“H³ C¢µ5Z¨Êt‰æ<×éåê?Ë!ìKšØ°5îÛ¸ÕWY¥ð³bU¸ 9õxºw8GÏ-¢ëè ø¥ç°jO‘ùÜÛ{ƽNäFÓG~_‘̬Cïå[P ,‘ +iý%úÓx:¬y_¼ú§6VßΣù÷œú † ‚ÓÒ:V¯ðõì57wtÌÈ8z¿ƒJÒ ÊÌÆxi­K“Ï‹Ç-â9ìÞâVløhµOZâ‚-ÆCù `Ôl ¡²¹”i-–Ê%³3Û vqð¬Zæu˜û’]{rv¾Dü¾õ½Èzùº[Ÿõæ.ŤcÐ{¤ÄÌK¤ *38Ÿ’Êq`¨0Ôþº"¢RqÕ¥÷…ØŠX‹ÔøÍ9ÉÜ#VNÖ£ +ÍçòOB· $‹D}¾ŒO»ZLN¼ºdˆÚ¬„ A“„lné©YEXJÇÚQtÍÊ!‡¼/6³¿È¸çßj¶ýóëü"Á7×*ôÁ®ó^ÁÒ­”š·biWÌl.óxr5Ý/„;<]q(¡Ät5œDQnW7¨¢Eüs†QoSmµœôZ»‘>me)vî´ÒÏ5$ód„ +3^£±ªÝ®’ÆeÖ£Sõ,_Ü#ЈõvÂm†„¿Ì™†ùõWŠ)*@cxÉ•4¼ ÊÈ.Þ“Vmàn0×Î8ɽ‰•<å?Ö!öã8­Æ´3ý–“m[ <þ͈UÓF¢.’Ä«ÔÑ‹1¡‚[³›‡òNY"Ox|‡)x=ÙÚ7ž~Mj œÓ&¨Gl~†Êé~üqƒ¡Ÿ”¬ŽK¯;³Îœnâ\$^²Ârãß±f2Œkh¤V9°qÛm¹ÂËïUŒñ~¸¼]óè€BÑï൧í&ûý+O÷ΪêN‚ +uQ½l¡5SÌ}Žnh"åÀ½Ó¹Ö[2Œíþð!VÄ⮇aé`Ð`«OCsnu„^ÐÜt“étKˆTäð;•ú|ê´žmßò•‹Ô©Ü>}sýsÞ°ÄÓ‡_•ˆ‚Ÿ–Òúd6¬8Z|yãÇ5N+‘‰$,‹ +ŠMZ‡å å³ mi`ïMS‹Þèî”&;-ùüHÝ,ú X[âËâ`²†þ¦/’E²ºò±,+$óÑ»‡B©o]øÕ”¨ã€Æ/e錬oáìVýA˜žË´Z—Ì.Ù•¹Õ&q~ÿ½Ü)7-2Pí´æªí9Aé9@8¸²Æ;ºô»ç=[Ä’­ìø"†çøó¯5 ¯`ν2Žåó’RN¹NŒä׎™wCç2¢5;Ot#ÿ°ƒHÜPåën_êÀ«K䊎³!„U©øËå`ÜŽ±ôI6ü=p {tOná|¨«v”sçAðg—>¸b*Y6IŒ·¦Á‚HÜÔáü–‚tf_¨ÍQ ùN<”Q mâhL¤×äEVXilb˜Æ9Ÿ†—"ÖŠÝÝõé׶9~k¿ê¾„H/à±´àJÖ§78¾†yŽÍá¹å–^Qì~ô‡: õ´ô?<Š\.úgHáq¤I×Ô}U JÞMOÙ§ ÄðøƒvÑ3´G$C¿¤œLlq¾‘´£Œ‰;0¥i S'ßL¿@g裆}ÚàÈOjД¿)I!ðaÙ}òìaÒÌU'Xôêh"ŧw—bA:Ýû^rï0dÃp7°K½=Ñž¨IúªœC {2ñŒº”:! sQfnŸ„Z»={7/“v# ð˜!»¤‰¡œÙv(VN´…N"Og!_myÔš…Èè ;k‡ïÖFË-Åqä>Ч›'ðS´ì¹|¥ EÌ‘7ÀR*EÏ ê«7–ƒ`]\½Ê‡ã§!ÆþTyÞI“EæÙ%p¡õS¡xü5—mňˆÄ…ºDK)>š—OšòÃ~µw7¼ùãª;Ðå[Ù»¾ñ=>5Fú‹ÊÆ(ñDNDñÆ„MoŒÏ,6|iÌgU1Þ³o8X‚ø•sFÍ Iögâg¿±¨ðv¸'™«4È|{Ó6vz„+ò]µ +3ÐB#•öl7Å»­W›ùÑ6¢t¤] œ~± µ˜ ö{ão\13#ŒrªLþ@åuŽƒðË|:LŒÓjRŸ¸ƒ¡ÇîtZ÷¢­4ö}ƒô…žó×WnCxìey•]øËï9›ÏÔ‘j€À| TØTþýñ3gÂyÀ ïð`×[xÚÜ€¢>닽*GlÝ”¯ðJ>,”$ðât½m…Ñu-z~±¼ëG`±¤üæC¼»uAü‹SÑÀe?ÎnTx"DG½Û Àñ]ÿ¥ÚD¡}†€ß®Sw›ë:2a¾‡|”¢KÇŸ Z¯îì=ùP™À<ÌÍYt§çŒMïԕי̻ù!·jSŠú=î‚”~8ͼÌ}Á@OŒè©½Q³|«Ðœmõ‡2Ð’Nì‡7‹0ƒY%2xŠFC›[W§ ëøIž:Û‡®®¬ß½ò +O~øEŒ¤ã?Î ƒú•AÌSC¿¤ò›¥²Eí\ÉD>‚½(–ƒÁ„g,•„É­<ë'ruº„ñ +Çöƒ˜S¦È­ïÆúÝŽ‡2Ñݨùb!ÄS^£O)(å´ÇÛzhá½sþa’ +ëë‹‘J[ +A÷Á·/¹ +àòe¡µ$qq,Çq}õ<â‘^Ó'´½Óg™nÚÉ?qᤕ!½­ìööž4‹¢÷àŸ ;»­þe£Ÿ/ø]ÙÌšÊÉ܈,eý<"Š³[pìÅ«×w²ø³ö”Áà#Üæ¡=ƒŠðüG¾9û2å +/nXÐr»lÁ°á礲³)8~ ïfñ¨z^‰Áu>³#SXÓ.÷-R#;F[£AH!˜ä«™]ã'XÔgxÏ=Ð8 BJú¥´n„þQ½›Ïþ­8™óíàƒM|à&Ù|uw6·+‰ž HùÝR ~8nX°? üãAC¡°,TŒ4õFX…÷$"¥ýq›h[_˲á¥Uj¾~X¥Ø¿†•ëb_O‚¢ Aêoé¼Ú ó‰7p3¨/öAí펎ØdM"9Þï·yªå|:ÉtPQ"sVü Ù¯¢Œ¿³§zf¬À½OÅ;»xÓÞ£uù.¿’"Ë÷%Šx›¹°peuF…»6`ÚçñÍQbmXžç ™ny ggx0ôF`º@²aãTdµnN:£ü·H™ ì&„‰“€v'=—oO¢|³VµçÛòEæ#?ÚŽ¡g-¿±§­—þ*2t#â&±HRÒ°’œ ¦yŠÕïâBÕÕaØ×üùIÅsÁV¯=)á[ &FSdŒÄRÜ{ã~Ì ‚ HQ²ªâ`A¾^Ô¹·R’@¾ËÊ¥RñǦføW~y`þ2]ùÊe\®QêR2²=0fÖöP¼X„¿¥’6¨ª3’Ï×hI ¿L³ +Ôªé¬2“òSêøD‹o¿a%ŸCÉ«~ãÊãO}={ÑpóRáiÉö +¼PIà†ÚÿòÛ9ø}TŸ“4:àVà¸Ñns»!4¦A9Ë­Ï|¤š>,%Á9u¶iYÑFÃNòÀ¨moËB0/ ‰öT¯?9†ÃìÕ^ñÀ–N>%¿89¯OXÕ¶I<­0ßo©2ãÍ1IˆFOØÚ¿³è(º•e}Ô{tÆ Õ} R;çQÆ÷g±ó<—ˆj ß ×Ÿ±ãéT°ÇÖ ?OhVé/T:>>¿ ›Ó¨æ[°®îw7ÓÖ"Š—;=áê )гC%â›Ú£ü=f¢Ò(Ÿ9ÏéCLk+m?&C·ý\@ëuŸ©›%ý÷ߙԞ ¯·«-¢CÓ åâÀÐ¥‰{L›rÝFÑ©½4V£¢dVø#.~Á| z@Ͼcij´\Ëçêùð¢ÛÁw‘)NE ëm³½<¸‘óZ‘¤Ô(„Àˆô–Ik ‚Ã?;™%#ˆÒ³â .µ?ÊmÛô/¥š]C7é¬ •í1~LSШùÕ­îYxùÞR•TÆtGºÜj»­ÏH€uMK˜áwwí{«'I®Þ¤îXÄt¨èÆÎçVa]ÀH œnZø1ªJfuó)«Ï’àŒwß ãp +<(ƒmÅÞ4|— 7Ä:Ð"ÿ•å4 ì›¨œ¢[r7ühe?¬|OÔÍ[b™½ú>\ô4üc칦’ C®‘ŒÍñ•3ˆ¡y·ñ$k˜èÀPÙU½³Ö|ºâ6˜€´KƒŽ‹ü6CñÑLo2å÷{áÐ›ç‹ GåÑôÖ—o +]·³°àlP_;ÖÒ{ñ¿÷ÓwÈT´1ÇWu¿ãAñ :.ðkZ"¯5~ Ë$£™ ‰CÚ,—2,>òlušM˜½¼Àîû>ÿ"N*UŒ2C$ªî¸Ê§Ò¬“>¡Û¸|І>&ÒŽø*:à²ê/ª7!¬:^ß+ñ˜xÒ— ÷teïï£aJø!ü´*Ðñ¶ýªuþ9_°|ËÝVäþ,ÿü``\A÷:`I#+ì¦aî2mþØ!ïcïªx"H1#º1Að’Ý+D÷“G ’¯ZÛZô5,êçõ±ƒOD®W‰PX_ÆPÀ7¹{ðY¨ˆ]˜ñR*N…v8ðk‰œq‹ïÊèîçOXQ¸ŽÐ‹’ø+JjÙìˆË¡DlcZ$W­„‚¼v•1,>?t™‹cQßQñÝÂøåa&œ`âYæ£ö¸ÑésbÔmEˆsÝë7F`S»‡AÆM) |Ì1þ»¾bþFŠ¸ˆBZ-0P&•mR3ú½¾\­a.µ“N²GOØNÚEÎaóD».G\ü×S4r YíΉ*V0=»Ñr›øãöƧëb&ˆ sd=ŽÇäÚ:J»«öä$å‚}æÃçlÜÜo,–ˆ5Q-?¶gá?§À9æøãÎ8åˉ%€`‚O.ªÂü¼Vk]ùqãÕmãŸè^Ë |ä Å|Ìd\qì¬ûSÕ´ú ¥}äh +‚Š– oüÊfŒåëÄ©VÜTÕ ?ÈGÂK'{#ÅkëÛÒ>£u §ð–ºË2Bd®IdtjÇi_k‚÷½—ÏÛ«ô¼r[T]’flÆ¢ yóÚ~p¡Å%O?=TøFÌkºJ#¼f$ãgß¡Ðøa»W»,(òÔþl‹Ò€”_W[Á¢@B^в™HíS²ŠZßÜÈ&ѧéc/Ü°äOBin¦±>½?H‡žOE²¢V~ È—µ!€\$NÛr«›ÕÒÉ”ûrÊ-Ø/Fv—¯þ\[†çˆóüÁJ¨1@Ÿ—RìßU‰òã×L2ܧ§@¯-ãåÉ*%ãíºÇþ é‰ñÌ™ëu/’c÷Sµ +wÖûWÚr—‹`–Ð ¨ÙZŸ^µ¹ÀB—Š¯G9Ú"¬ÔƒÜ'ÈýQ@ü÷±›Ú‹Fžyposó5öÑcÞ¸t!‚Žï&n ’@Ñ…oJ'X÷ +ŠFxÛC2žASë.½—RQrŠ«Ýt®ô¶*D—*Øßg'¹ÈÁàȉnîù–ƺäßU ç/½3¼Àš½|çUÑ?£¶HõFC\ÑŽ’ËßPìP‘½/,‹~'m ¹u¼¡žˆ/³âý–tåwÉÞ˜s^{³ö Î:x´PÝ]8™¶j¿ÖþðÏù™h€]E4 Œß^. ò;NªÀ±’‰EÍ€‹þÁKè͹ñõ|ˉs ‚¸üõRÅ^ú5ÐÙ³‘™.’9üå…i0Z¤ŒhW_袋c›.×iÐãl/ªsߌ³ü5´µ{4rÚ==àáÄ›u©éÆÙæípojÝÿÚStP_³hÐ`\H’üfHj³ùctŸÿ›º«{×!Íïyáæ†hê-òNßw¯OøÄö£EdÁv‰´Dƒlª-æƒkÀÊ{ƒ+µ¾W†{úÌiÄ¡ÝÁ‚–rÄ[Ýw¬à‰ƒÍ&î>⹿™ Ÿ ÈmuEN\­²¹á[´"Ýï–F[6¦N§“ÛZãòöuêú’‚ЙµÙ†R=Qv”µ@d™ö&5Òõ7Ï(¢¡éÑébÚ<‘X5di:Š°ß…<üLê“œ®ÍŸ{¬ð¸Ñ7S(¼€ìÏç_22»F ¯æ‹©-Ö#"b*{§ç&w¸mˆ„aåþ€˜†˜‹ëðÂQAW9èÀ=µXåQJÚìÕ–d¸Tí.*ꢯ y°¡¹æûkí7FCä±%™gË%_YpU«0Ÿ h&ž¹‚¥£ T*~lÊ’Uÿ¦ûp3¼,”°`o@}ý;O7fU¾ö‘?ê‹X’KŠO`£B*Ï5ØD­º°1*r†):þd¨\Þ(ô¹·)6‰’Ê<ý l3OûªV—twwpx·…&”š›³='‹g>vçª]ôØuë@bøëºÎCí6¹ê|ŸÉEêmmøX¨¨ÖâÁë!Š+Dð8ó`ûúÈ«›À`Z.DDi¥žvÕoÙäõöJŒ}µ¬xñÀU6M¹`ùvTúªú†3Î?¤tð>uo…þQÚ´ŸágŠ\¬ÿªRÇÜu&Å +âBèG¥'y@D_ý€F ¦~‹_»ó2<ÎIʄÈ +a~â}ê‚^Ïn º]FôËÆÒ7×´E×^£”“U+ç⎠+M™l Öâý¡¯~õ²b§Kéèa¥]îQLpˆ¿“ø@É_ÿšhIù\´2Õ–:]Á‚¡à±hç–nc7éɨ-8`aŠ îªR0¾Ã§t8‡7Ǭ8Ý1 9ê•Op[N/*üdsM"I­º!±ä.%MïK¸‘.¾#®Ýã úVÖˆZÑv Ï*¯ãº‰>ÌßðÕÕabSµò*ÞŒŠÏR}õá¥(õü×9ºdóŠå +YÍqäé‚ïêcûªýrzKGÝ¥Ó;¿[òå†4W‹šNÄSÏ“€gjãcœö¿¬Mé¤^GÓ¿Ga s3h”k"äëîSË,9¾PyO¯/Ô¢œçx¼¸˜ ïÖøàgýò§Ó©ÈO)“æîY…ÜËŸë¿Ð#9£;†&On€ÑcÒ˜Ó Ž¨Z­ CÏ4žþdÜ2ýè)üÃMu[qØ0q)!n×|0ùB  +E XG™íÒS˜ˆPµRë÷å›™9èà@q÷òN#¸ø»8E’X‰x?ô”¬H2]L­£h·;Ô˾jÛçBöÕ°¦B¯±ìÒU=ÆUŸÞb6!~Ã8Øü}ɨˆŠhÆ5ªÅ’¶Pwô*¿`ÅÙØâ==¢Õà«r|¯ÓZ:j„îQ|Ò¤=6†&!QÖI~iÂs&ªZ„€€íô¾$‘î{‘@“4Ê7^&1¯¹„•ú(^“Í¿yä¸PE 4â2î{¶·eæ¹eo ß-|vžyABDÔßÖÖ‰?`]¹Ë›„'mŸÕÄÍŒ„#C½˜)Rôå¯mleSâJßȀƄ¯þŒ]EðÏx“ÿyh=°Ö”â #ü}VHð¡¢PÚô–b¼’Û[Y"ï¥à+sÒ?•puó£©n.[Ô;y.3à‡,n/„Á¯ß“·õ ⓶ÂD¿óséÿýb³ê‡‡ïOgV* i-Âí—™t8±•rvæÖwç¾e¦iËD«˜ãMå3æpÊolf\À˜ñ-3vÏ$©ÓÇëÝ1„Dÿ„Ãñ‡é+´ŠôÅoœS%(AÙ.Ù˜hX‚E~Ã}74ÜcUÉ8<ÔG9ú¨bˆª¦‚˜)®s­›#Ü…»jÙG5'Áá€l©Pvx_ÑݵsHÏŽ ~•ð¼ÅÏâ1I7Á›anòÝð¡ÒÌçÙfÐÞÀDüiáËä¢NkQ¨×»/¢ù¡ÃH"§‚Ÿ: ’äíf¦èñzôû±ÁŽìNß¼ä¨eØËœmózn©M¦1¿w0Õ—Tàtîõ&ù•;î®…y ÉìW)/Qc9Se +ÏÓ?'Üï-¬Íštº¹QkØ+Oùº#FŽEæÚâB÷nDp=©>..ªÿZŽ[æ‚Ó­©ãçˆ$dëÖ9äÆ#Ï<ÌŠf¤­±Ê>ÒþîŠ9Q¨½¸k½wÓi_;'þ¤â±£}x çú D`©šRÕЯŒÌ@Ã+÷0g—à ›pµºœžBð~ÏWd*ýÄ÷`ÕèÕ ž–®tËnÁ¶÷q»67,MÙ& 駠âh¼nÕ‹ÐäÚãÿrCûÿÿO˜Ú@ŒaNv¶Æ0k4´ÿ#ܪZ +endstream +endobj +51 0 obj +<< +/Type/FontDescriptor +/CapHeight 850 +/Ascent 850 +/Descent -200 +/FontBBox[-29 -960 1116 775] +/FontName/FOPSBQ+CMSY10 +/ItalicAngle -14.035 +/StemV 85 +/FontFile 50 0 R +/Flags 68 +>> +endobj +50 0 obj +<< +/Filter[/FlateDecode] +/Length1 724 +/Length2 953 +/Length3 533 +/Length 1480 +>> +stream +xÚí’{8TiÇ¥UR¶›jËI¹„s0¦$ã¶rŒ]sŽé0sŽÎœÑ Û#åšØgC¹$Ê]Òå)KR4…äÒÍƶ¥6vÛR‘¢hµƒÚžÕþ³Ïþ·ÏžóÏùý¾ßó}?ïï}uWxð¨¶0„8âIi °sãméH£Stuí"Q³‡H„ €,ØJÈèL¶)Í`R(º€&#PÁ60°[=îb¶"„@ù¸Aä6D¤áCB€‡óQ„”ÑÀV(¼Æ^ˆ!˜F¡€ £|B(F1‡rÆ‚q€9Ù†%a¥p„+¸çj@A ã˜PÀH0ÅÄW¬†(Xþ1ÖßPM w”…îh<~bPŸéÊ>8pQ˜„DÀ ‡›jõE&áÜ•ˆ¦ªÎ$$Dù¶˜@ˆTÐœF7cL +¨Ø•"°Jò·ÁPŒLô žŠ¢ßˆ‰#׃Çñ4úp´“ª„b¤·, èŸì5ø©VŒ‰@¥@F§ƒ +£âýøµyÊj‡QLðHƒ!þ³ñ9‡ƒK#©¦,€Ê²P\5´˜LÆο7`èv âl0ètúÓIJ¾„ Œœ¸Š¬ƒQÅ”DŠð)Ù‡ Ó¶/3zøª®CÇ÷\S[×É,}ÿÓàb÷öÝ©^*»q÷ƒ›ÛÚŒ$d¶Ü×îb\ω¶œ%l¨²ê殬.š}F;3¼ÜÌ”Uõ§­µ®1ÊÏ”ò12žï¦š{ÛÿUþ^Ÿ[cKµ#O·Gößψ ¼èä/Ð:Ùhå«ép]/ç©ÐŽ¾hh +󒦦×léI7‹WkÖÖdw2=:Vq:»„Ë#úÖ÷L ×ghoÓj?,/cùœ,[.]_ÑðîAr…zø9”µç|«÷™uýÖ/ïŸÓj’}”=˜øK÷{÷1ù}•ô…¡=‹Â¬zU™Qº4^=Ûs&{Z•x°ˆÕ¦4裓 ïÈ‹NµyaY¥a”ó¾xxƒàÔˆ›8{‡I²ÀÝGbÞp¥f â€S1Äp™ß…}+DµÝÑ-”¸ÊNp_Ñ·?ï°ô¾ã‹÷4ûG¼UÚRØâ~WVw,8…ÛçåølO]BktJ ÷©Ëº¾¤›K_š’•®v3Z5­báò%â¾’Ä[y+=gQ±·â4ÚNŽó@¦«übäæÆ·Çu  +bcr¡…¯ì¢õØ,Íi˜C >QnYµšíÍx~ªçüëåû»© päµ}3äö ‹uÔB—¦{75—÷ :uZ;¹™®awv¨S7(Kös°µŒ+ß°¶¯-a^£(±6ð‚”:¾ @¤ôùPþøOð…D¸"B)”?‰d) +endstream +endobj +55 0 obj +<< +/Type/FontDescriptor +/CapHeight 850 +/Ascent 850 +/Descent -200 +/FontBBox[-163 -250 1146 969] +/FontName/TPJNYV+CMTI10 +/ItalicAngle -14.04 +/StemV 68 +/FontFile 54 0 R +/Flags 68 +>> +endobj +54 0 obj +<< +/Filter[/FlateDecode] +/Length1 728 +/Length2 6777 +/Length3 533 +/Length 7340 +>> +stream +xÚí“eT\Ͷ®¡qw‚Ó¸·à®Á]ƒt7ÐH7Ò8 $@Hp‡ Á,¸»[Ðàî!X°“ýí½Ïç;çÏ÷ßw­õ£æ;ß5ë©YU, :úÜr`¸-DCpóóð‹4 Ôøù€ü<||òØ,, +îS´A@Äübb@eˆíŸÁŸO\XDœ_›¨wõu‡Ú; €ì +ÿp‰å\ îP ¨iƒp€¸ü)²qêÃAP—”svêýã Äâîó`cóóÁPh ±‡Â°yÿ¥³ƒEÿ)ƒ=]ÿò‚¸{üá²ÿEÊüà †Ãœ}`ˆ6¯üÏ|?4ÿÇ`ÿ ×ß‹+{:;kÙ¸ü£ü_Íúy¨³ï¿pWOĨ CÜa·Cþ § C=]þžUCØ8CAr0{g›_ˆ‡OèŸ:ÔCêë@  ³ä/ÿäOÿþâà5ÐQ×25âú×îþ3«c…! |]!@¾ÿ²ÿóÿWü§KîP 9ߟ6óÿ1þyÿ=²üÛlJ0 …Ùõ60°;ø?…ÿI%/÷ñçær ÿ9nüB"@1±Àÿî4„AÝ>¾/þRAžîîâ¯ñgÉÿŽí ºø@@ØÁúºšìGì‹ä|äVe¬ì¡ÓOS(¬ü !à }éºýÍ’èÈÇT_Š¢È8¬W*sk1çš©Ò“3%CtÜ% á·Š<ßÈ/ëÑSÊ×7%~YOklY‘óG¦ £ž¿{ñVãW9Ù‹CJU¢)íÍ6ÿƒÂüUþGÓ¹…1e"'ÛLÿüÛ1éáü_¶Ÿr½‡¨ÙC 9ƺ5˜[‚ÖZÞYê{¹¼+´¯Èlúå¿Càë¢$3I¶6å˜À2èb^\s½ YãÊCF2MÀ„ ô=KÁH"Ϧ4._“y«»Šß3¯‹é¢ÐYöbr*aõ$ŽYMÓRíÚ¤št­ÊÝ’>!%øZ?0v^¢±ÜïIóÂ^÷×9çç.wëŽtÖýÈAT$i ¦À–ž’­=‹i–Ùé¡K ÄófÙ +¼T `á9c‘ŒíóßP;†·cš˜ÀS WÇÖu!Õr¤³3¯RÚØ>y “ie„æ®R,†¿ª£ŽO£½Äá ³¥˜axM¿EJqƒ»ÙVr ¨öv¢;š=ÒÖáš/s_ȸ±µ2ÌïÚsgù7B ÛO+Zßµ†0²€»É®r9ï×$†. 5íÈ’¯~f?ÃD4cÁK zô‹ÅâS¡[ðÿ1I‡ ‘Ø$rœo8>ítñâ¾0 ˆÝ|}Ëண2ˬUÒþÞËËûA”,9²Ì”@ø›ò'ÅÄbÌ÷еó;ÕŽšÐã¯ÏhZuÑ! PÄRt`)¯¶Âr“4„Ô%bJ„$÷k\–MâRβû~è0M/þ ^è"µhõ¾lPT~±M\,Ì>×øÂ’¢ƒ¦Û{ âù[º€û¸…Ó(ÛÑè€ÇûÒ‡+‰Z@8ó^ÿ4IBÐhÌlž}ƒY3ƒTïßòKÞ¥sçÔDG}º²A'svÍQÉF¤¬Ùe Vx`0ßN¸g^$-% S5\‚ä|ji$Ð¥JßB=ϨõVïGs€Rr¾è¶ŽY§–ѽµô‘ëhm4FB óî®Ï†rRÇZvØå;#ÔK«—§OÓ>^m¶Œ$€ÐLÙ?@ûK]Z£¾=k’Y©•¼ /€»B?Í<.¡Ê•˜$òÛPÖ•¸¸û|õ˜¡æâÈ5ÐÞà*;û¬ Œõø¶óé^*8¤ÑN8´1)‘+ ÀhÛSŠi™÷ÔBü47ãZ»u9íè¾Gパr^Fôý“sjëÀkG_¤Ûà$àCEKÊSšqLpšÀ’†£#»a[á éG²Æ÷­û²ËÞaœqK)Â"e!]^ê•LÅgX_cçg©v‹ô‘Æ×b„} ÃT9ï–n^V ¤]ýbrs뚎+µÇØXüyÆR2‹KÉi‹Ôﶚí{:Ž²ÿ¿nÇ1o:·Š^Ö'+{€E^ýԤвvµA^+°ß^a$'~*Þ“ <Þ;MÕõ×ÑÿÑ1 ÷ +ËéÕ!¶qnMu®™‘—†½(µÓ).7Íò\QÕ ÙìÕËLeËþš«!†ߎVÅòTç ?àa[ž¿.¦Ž%´ß”IwâaƸ Ö½F hX¯·SJuéô€»ú“E®©ÇÌ„¼-LSºóÖã¥Òüù ìû •‡ðr[PJhšò- Tl'çɽ$h“^6šÛ4ÿÐù=©´m ì í!=fL°’“üíqËA;Ñrôщ€ìžã·¿Nnû&zN„BΔ’²^…” ä°±Ä->ÅÕž6³áxs¹¿:g¾3Í¿œˆÝ½ÂÞ被‘³—…ʾ’B±Êˆóý‰íÂ`ƒï$+J/¬³à؉Nw¹\ßÎ 3¢( uUxþã QX‚„¡3Àø7© +ÎM^É^™ÕŒ#d}bᲫ–9JM®ø=€ª\ê|²ìCCªµí«e/¿B®‰AÕÿ‘"÷©:|F}/gb¬ÁÁŸf0ÅŠi7œ’)™©?•—:M]ë‘IWU¹KÃqbÞKG,W·‚´û‰§}k“~3ÁòŽëÒ©f†¸9·EQˆúÖó­E¹Ö}¥ye…~g¶„L\í6†d,É; +–z§Q“ßÓkL +´žXWž z% 4–]w +™Õ+µ=zÖỦå2mZ[ôÌyö¯èíÁÔ¯VGãäû«ó™+yfèè7pc1RV…fãª×ö÷ ‡TY÷åym¬´JÆÛ—§í·S4o tö1•LåSZšþ‘ù¾“Üžç1û{ê$=W f³ç.Ø“[eêzg­Çg1³vÊû:‘vxáwñÏ^dÌÓKá1‹eS‰îïTõîÏÂYž%t•”c2žâ‡°g=v2³ýšHK«ãäçLÚƒ#¸‹]ÒAZ‰M£EX—x¤&\F -K|ÝrŒz8Ji¼÷“Û Ìù D&©kØÍ«ÔÉCí±Áé^ß…&«ÌF?›¶°vöª¶5¾¥7ÀÉ`dP€„a¥Šâv„¥)UÏ&ÄáéÂ`‚å²BëªU1M„_wBtï§Â¥]ŽX5Z5´¸!³:üÓ³'Ÿ©^¼/rK0^u+–Šw•Œ8Jõ6Ú·1[éýõH¦*aÐ{ÑêÔ"(ºq‚|^ßéoÃú³þÅ ¬ïÚ¤ÆTëÖBUÒ,Óâ¹ÂpÃ|LQJÃs©âög¾¶AÁ=Õ£v<›©4—ó*/Í£‘åIÃLkQ<”˜¡ÑÀˆ^¥ÀŠ¬ï‡U/¥17}ؼýn›¾GåªyéÍ» +”ד±;Œ,®bVã½hÌM¿ÎËZÿ$j‡æ]¡§¤Ù¹ì,îö»˜A:²8•uŸE=ŒümË£¾]ìRç¿›«(;þnE*ˆs/¶‚<1B©â•‚bkÉ©º§\•'pyË3‡Tˆ­#žªÒx¹ˆÇ9Á}¡meý•˜sˆž€Ý›´Âƒ™ÒzǺ(Jº >Êb’H­~ÝQÉúQ™îHÜüA¬Î§Fi—ª8ééÐ/J(sc´ôü挭ù¬ÃP {È´Öùç@–lݽ#ßç”ù¶˜U݇nXLŸªÐZˆ+b5U˜Í”ÔKGÏPÿÖ’ŽíÌfèAÅÙý%ˆ@Ñ?Ñ&ùM<¯—´´áL^l=Ã[)&]]Óéc#¡A³<ÊyÅ&îøíDIT#dT£sGMAá!¯'"šK®4ÞÀˆ"âO98•Ö ‘™0ãìJbo_r2n]vý9¯š8“—¤&%AƦm_\•‚¥! iR6zægÊݬòEJB˜ˆ¢¶edòúÂÔÛ´Æo%-ŸT'§Þiøô2ÐôÍÑ[Q%©ÌÓèV°'ÒEëqý°% F Þ I)P[˜-è:Á-kpÛÚó8ÑkÌ®•'<-œÎŽ=‘ŸdPb…„lDOÉ/—Bw ÛGCnCw¡ç" _­I{øÆ6výi…©†šìÈ$ßàüÊ“±ÅKF”­;ÕÆÞ>axŠ_-ïCóÖŠg(ÛKu…›ŸŸ)á9[L5ѽ©•æhpÊÇ;×iŸQ|Êø-€Í\hÂœªè1ÏsâIš-Î"‚/oüç"%:˜LgM½œ¡/"­úÔz~I+:pÔXŽžlÁ^?7£*6Úϧ__m²ä{!(ÂØg>~ÌBS 9ºÿA0'¶ æJÊ®¬ƒ›§Ò•_2¬C­BïžÃ°ç×GR"íà?gÉÚ7ÇÁ?s¦?~½!’ñû‹ž½û÷%Šl‘㆛³œ¦ ‡ùqE)±ZHÏœïž0Aë+ݳò]—ÞNË£†×·Ý³wµŠ,é3u1îA™Ì¸ã¦ûÚ®‡Ü^½*o’TU_Ël)sº:¤\¶Ø}$£B'Ë|î~ÊQ§jæURlf²É0—…çU6ÑwgN|ýQgø}ýÖÎÕíìýŽÇY‰œzOi5½+r^”9ê¼æ¥œ³Ò%õ‡Ìj…c_8:4Z«lthU³ÚÆqÿ:ß< +š‹>K³ŒJÄ¢k5ìuÙ½¸÷þˆàs#ºÂ\$¡l8” |,’5Ôïþ!ªk8¨¬¸°ùRà+ߢ1‰Q<£X|ûÊq ö¯¾£xú‹íÕ- À{+«hñP0A1 +ƒý÷jÊ÷bJ9¼ ß'ǧã4‰Ï¦n¼´]€›J$wX½ìÙ+/xÞ¢eÏ÷”2³2Ïu™ 7±Ë rŠ!5ƒnMóæΧdÌ¿fË|§S‡WGΰ9`(Óþ-¦Ÿ%Zß›Šã±d“ã^ÌLé]¶ ¶©S0-©ƒâ¦˜ü~uHÜ•$—Þ¡éÚ“'ViQ ¯suQפO.úÒ÷…Œ +ý²RÖoe«ªgxJ­ýÑ>Kmcª—ÜÁ:à>\Íóaqà0zfOŒà"Öd§²!VÃÓO»ãUÝÙå•'aûÓ§ùá ŸuøŠMaë—YÅÒ!¢—3ëÜѧ‡«€À'ßû­Æéï‘W‘rÔ’rÀjÌ[$nÁƒ +–sg5˜‚äÈןb¯n)MÈ0üuë#$4#&—#×-íQÅtVR×ñ•‡È,TO7õ'ó]i8~¿âý*Áñ|E‘èy !ªš¿¦%áÑïSD¾g‘Ÿîöê"¡“Põ×'D)e»ÆžPLŠè §éíÃ~À43X4˹aÀKÒëñ˜>?n …:ƒâõºba5ò°ÑP„†!9Œ“ƒõ÷ªD]—èÉTwÎ|…ý'DðööA<¿ihñZ(/þí£^ @ñŠ’ðˆTTÕAfÒToŽ'ºýýqúé,B}@:ɉgÉy§~ª4Ë›ICî~ôôõò%O˜æ +‡•jk“ª8¢d뤛ç&g™ôø£vööÛÀš%P¿‰úGÒ3­\HòN™×Ÿß‹’yK^a>jPàŽ®·¿žç ~Ç6ÎëZŒ ÆŸ*Œ xàÜ(\F¦ãàâáÒ½ø$ba±â}@G³ž;À­pGKXÝjvtÌi-‹=‚]]Ž;é&‰>GIÑ8i'g(÷¯áv ¦ q;Ða±žáÛ~¿*XìV>6\î¬djêxS›4EÞÛèw5ÊÒA©ÝƒÁ÷àzîP`‘yÁ.˜ÓNŠ}‰kâç×ÉÈ]`Q"î~ñh@Ëèo9ø•y¨_Ÿ‚ +yõnli{F²}v‚K{ Y,eèÕ—Ž%…äWg¡]þÎòî¡àÓÄÇš÷(žŠ€•¬€!ÿŠ~ʺΧÝtGkõò€¬>öL̶êÞ®ñûÛ×@ÇÌ<“Aî¼I>¶ð½¡ =ìñ¹{³,àûÂœV))!“|›d„w™ø£ì+æÖÜÄÌáCO‹Å¿­X¥;"DËÚwÈ5ëKcb~ðtp¶„‰(V vBuÐ]…6I ¤N%©@=R¿Æb¡šªxz÷åápÏ¤Þ 2ùûw÷6÷wxÅÒe«ÊW^¶Õ5]†ÃLl¥!´c´ wÓ’ŠBà‰¶ð“š$š†#Ç)6¢ÉeÊû ñRµÃƒbÎ<í&AÈÍ>D¼gYúƒÖ,—"{Ö8:‹×´_.ŠÍÕ?C””–_ÿÀ7çúòÙV™>l½¨PE‚lˆ‡ezL8‰0ôy^ÌQsí·á‡Þaå¥ïcÏh&<Ü-‹ŒÙ'‹m[Që÷<¶â³IÎf*Ï=~IjG±Œ]óVØÙ%YÜóº§ø@=l©°eGUWÔ0\DvOáeµ™}n.Óþ]ýÐB^¢•(2¼¨áÝ;`œO #ÎѺþsxèâüOìÇO g:àÓÍ4²'Ľo3giÖ¥PÝfÁ˜x«:ñÙëéÆþ$Ì*Øl3ùí°õh©±¢ŽK΃1G LŠüÝ-CmBIégè‰z´\Ð °‡ÑÜÊ7h¾.·¬„µYy’xŽöòASÞ 8íJ ç…è‚ô}]Ô ûöÓ˲ƒ¥ã$ +Õl1Ù„;²ƒqëûRé$BQ#9Wñæ\r­FÐÏ<ºVG#/•û‹&ÿCÖáC3ÚBÎú´îcCÝÏ"4ö»«é–Éøli$aNa]3Ó,Ƈdå<2·õÕ˜Ô ©ž²oL‰_¶ö/t&˜•cøx+i¦µV§èØâáyòÃXåtT ž÷ÒIËIºJ9=ÝñÝÁ0wF`z+ô¬ŒÁ7nïÀ‹ž•—èy,)ŒÑÚUáB&ÒYÙ×.h#ßð>Æ'L»Ÿ}Òë^ô, iJUû&õ|Õ¹ñs³¸¦;ÕËŠX“êñ;Æ+mxáƒôàYFêí…TšŒ;€bàâf•ªîõ.Ã/x²­]Ãyég@—/‹ÿ}|ÖZ͹>Ï®ú¶XÏY'0ÿ#²+pqt׬é‡Kö«x` Ùi-y ŒcnÿF,+`;âÒÛf„¼äµtõ|óÀ7RyþM±÷⋲O‚­ØÍ_„Êä‡ÐÍÇ=žhÝößG«—ãs"Žýe¹¥BÏ1ìüÎ<ò>Tm¶¾}ßz›Ê¬z+ðß.–L¿:©ÃÃm¯Ê£™"˜”d|”·ÿ0±…D2ÒRÑã ¾gˆN¿ú¾¨N«àQ`ê–miÒÀoŠÑƒq›¬Ûd­œlcêyÍ“„[Á½¦j5È8¦Ž&¬6²VªêŒÕrb®ß‹6¼¹»°éÁµ­á4DîÝÚè3ÆSÒnUVŒ%ÖKJ/ØA ÿZþr]Èð± +“ +•<îešÐ7ßžhuÃ3+ê²-²RQ8‡UTËËØ7œ![ÞyQ´£en=—z(º-Îe¹ÈºQ2â²r«?¤/(ÖX;ŽÉª:&Ó·' á[È›ˆ¬T£èwLøôùü>ˆ}¬œ®3 ­‹\³Îa á4¦¥UìˆÉÝî*'§s;à*h1tñçPú®”Rha]Ú‘èJU¾gN™·Ì‰¶E%c¦Êõzé,$™pqoZI×–¬O¥§«Ó¤ *A7 y»›ehWtcâH?ÒäU^ºuÝqoš)‡ Ê#$ŽNÈÿžå2Í¿zµ—7~ò9˜N†j££/NƳô¤,¿ ­:ºN©;ç£E¿žôf2»bœ‘"Híï³^hsú¯ÂËðÈ)æBëƺ·ö^OÄ{ê93«¦pì hÕgÅ!þÜÐG¦ßçJR¹Þ’0êÏêtk`¹¥?›A·6¼Xûµm”Ý_Xy*wô† §6d¸búì0á°Y$¢½º¤Þ1+àk3•Ä¡TídÀòvߥå4„ëÝϘ®b²D'i½=GFXaþûUdÁ—暴Eg/™vúgݵ í½iL#eº3à¯"hµS1ãíxÈÊz?¼ÏmWDVXàlïbÏÀc}<;ú  YN÷2ÖÂ{ñÚ`µŸ›¸MœˆbÝêŶ^"l¹ŽDÚÌÒ‡ÊåÀt UêëHÏ÷ˆC¯l‘Å¡K~Üo4Ý¡Æ‘ãÝ7Ú­Û^‡*dKÊtD”—Büéç0ÍI]$(û«­î6ÆX‹¹5ìÛ0¿±‚·äܯ!El²Œ¡´»Ý…}”Q}Øñ´)ëlÄ(íõ> =YÏF±^Ü‚ùþ/ìÿ_àÿ‰ gˆ;îbãî„ýÛ'† +endstream +endobj +58 0 obj +<< +/Type/FontDescriptor +/CapHeight 850 +/Ascent 850 +/Descent -200 +/FontBBox[-6 -233 542 698] +/FontName/QTLAYP+CMTT9 +/ItalicAngle 0 +/StemV 74 +/FontFile 57 0 R +/Flags 4 +>> +endobj +57 0 obj +<< +/Filter[/FlateDecode] +/Length1 712 +/Length2 11182 +/Length3 533 +/Length 11738 +>> +stream +xÚí¶UPeÍÖ®‰»Ká°ÐÂÝÝÝ +‡,Ü +ww+¬pwwwww¨ +_hÁùö¿û?½Oßœ8wó&Çï|ó™cfD&5¹ª“˜…£PÚÑÁ‰™ ¡¤©É`cfE¢¦–pšº$MÝ€ü6>>6€˜»€ÀÆÍÏÉÍÏΉ„D ptòvYY»h%èþ¥âˆÙ]@æ¦%S7k ý?&æ¦v GsÐÍ›³³¨ÿëW€:Ðèâ´`FBbcX€ÌÝf@+Ë¿˜ä,<ÿN[¸;ýwÉèâú€öN:À?”ŽvÞ  %‹²ã?«ÿaùßÆú¡úOsiw;;eSûÙÿ«OÿKÙÔdçý íÜÝ€.%G  ‹ÃJu€ÿfSZ€Üíÿ³*çfj2s°²Xÿ¹Jƒ¼€ª 7sk€›‹;ð¿Ò@‹ÿdø§mÿEÀ¢¦©(¦§Êðï?ú)ÈÁMÓÛéºþKý_1ÛÿÿÓà+3++Û?žÿžþÇbRæŽ +€†›©ƒ…©‹ÅÿLü¯PââŽ^¾LÜ&v';€›×ÿÿ)Ór9»å$\¬¬¬¼ÿf2wwq:¸ý×øçsÿ;¶ýÓ Ð hŽ”“‹ ‚4f$ax4yè_¡ÐéœYUEê)¹Êä|™¿A¶ƒe^³‰³U}XG}½PÍx¦%‰lPHì y{Vo¡·œêþvøÈ_wÆ´€Ý¢ÅÒ÷Ûaü­‰¡€Ë×}ç΢ÀÍ©÷v„œ õme, wâZŸ¡wb½é8ú¤ ‚ß|EÊS!™á‡1¸ÎaVÂBß»žÛß>˜#ìCë^”IëûR³¬í10-3òÉþ)X[ÿ{SððêÞ¹vë½”ú¤ì ‚ÎN¨ìë Îð†HÅyÂ’mVãÚšöRKìkLèœ3¯/eE«^dû«¹—Cfìµ….uûiô±ßwäçZ§ÿ&¸Ž¸Pâqî›äZIüÁ„Dz#sûÉÁe,ë˜ôÏÆ œ0\¸ôÚÓzch)´PÛôd©²‚)¿ê3r"ãôKÐNÓqºˆœrùБℋØá`Êø +¸Á2°\CW±+Y…ÀLAU~V »fhxuìv/+[i~šöZ¢í 3—u=\rÃ÷PkøêQ®Õ¿CÛÿvÔºëzbŽ6Íú¶*ä SÖ¾£²ïêQ\›€ו:*:„”Öd(;W·zq´z¶‹…[!,j*#Zæ'iëÍ•ª-)o¨Õ™öâ?³ÒÎ&/P_@Ð'µ 2]ª†ú:îJuu¢›Ãw² îÍŠ8¥paEP¬4Od*s$a»ÕŒ;+D÷³aoŒaCüyŠÃ£ù€ñS£,eƒ‹Óî‚þ“v&{Ôù’“š‘`—W;+»Î ¯R5ló§Ñ¶ÆßÁ±uáÁÝͪ†öœ¬ã)õ`Üܾf}ZÇ8ÛûªÝí©í‹:PjÃw¢}Œ”N™»7°ºI- rK·`WO[w×U.;%wÑÝñ‹f¡¬÷Ò†Ç!dhôvX›ùæ9d@1aVæ` àI¡5šw’ÔÍ­zB~ú„½Ê¾Ë÷™#úDý|ºÏàE·ãÝþNÄìëA€Xy“O&‚4’Y¿´\a@=‚¤N¹Š_ÊùàüÄÓENª³Úî7·RÆ ×Ó\Y»~_öêiW rùA¦ÑÐ szÜp¦q.8oÑz© ÌûcÊvjv´ç€/„l…Y ×L#ž#©N¸tw$RÂ)\ ®Ô.T»ï™„ëHŸ0$ˆ3yÒGWîuøhM| +äæ¡Ó˜æ…í×Ù¾ÕdÙº˜›¹·©t ï³oΪçE P}ûÅw·¿¨„,#GB"ãÃdð€ö,mç57SN‡Õ‰gª@b³ýêWD¢yí Œ&°o§ãRÀˇÜë¶÷Þ1y‰5 eMép; þΡ–QzŠfÅ–ŸÍV¹§%d£_ÁEŸO ü !p”˜];EHGV‘ÌÿžUCa^7ƒxÃÝîòÑŽŽž î$DOþ `œ\_—R.èî4¹ÙÓ–3aâk;–V°ϱLÙØvÖJ3‚—E%δJvSx€V’Ê‚xmz*‚pÚl¥§|¾_¶²`Mü†ÅÚ»Yü^d·__ì­çNógÍ zF“¶6ÜÒ"Š~ʻ٫5!WrÑâóˆýå×ÎÀ®ï“^)Ú§ŸžA+:KtÎîÔÖwŠÍ­%͆fÙ¸°|þ÷†­AUœ]«°Â‘›užœl ƒ:¼‘N‹°Þ¥¦lÆï¥ô/qG*’+·_)#2½¦–*-fÀ›à¸óÏ›º>f¾œ-ªk!³ˆê’Þr::sSSúe¹ã›ÜŽ/>_085#~„A*³à¸Aªá¯'Ö D$–bÚSÒ;­{¯×ñäO°“Ô䨔>/5Sê/n9»Ö‘s3%' Zžª¨Õ|΃š_–žËß}=E Pv9„Èÿ¼Üd‡L<‡ޥΜ(ŒÂ»×žJ^ù&˜îåÎéûö­æ” +®¨è³qoIBÍîü@ê‰izýD5’Ó£ï øz#Êd—{Ä­”ÿ ¶]Xv¼<þæìÜìužÓü^l¤’ìlÍ—B‹Ag ®bÜç/ÙÒ¥X‘ÑE¹îyMà¤=!WÐqbcd×-˜~[8ÖNy‰9Q†E9(d•U‘ø˜oº=Â1`}*ˆš®°ÄƒøJc£¯¼YǸ+&=ìÁ<ÖóØl…åé(ÈÖ<\Av=¯½>’n°osªgÙï›gÏ…ç†éÿÄN“ým÷}0«Í1ŠÀï¼~“×…N®:ŸvØñ›øÖ6ù¸'&2d)V_Êlcq‰¦=%Þ¨\U³£˜ ø­“11Î_ ÄøjÓ06žæ[Ç-H¦W0i™£¡lìXX Ó¶JÐœ† _É@`lí×™ùµ¾È©X—Y/KÑÓ^`üKüy«¦®dîå@rœ#Á×F&p( *ÓÄÃEæ/£öömv”<±ð?· ¶%$ ÁTÖ%ÃW‹Œ§)G×X “ü{ßƆsÚ…lcp…Ô¼ÒOþv-2Äö'B&Öñ£©ÖŸ@yc¡.È\ô¹Û"fË\—wd|ÙY]Þê'²öB.¼%Ò‰ Ø×é(˜O-þ ¨^šYæ‘à¾ÍBtÀ Ò²-ÒÎò{„GžÀ¿âÏ#–à3vÕÀȵ_n4^W¹?ŠÝ!Ó¡¾Ý(Â}-n3%à8eò™€£©Ô¸köÑ3Ëû ¢JµnßÁ¥Cرu}…V­²!” î(ÿ\_r{íWl×…j”ÙÕnqõî"rÔþHíùCõ$͇ÑÉ Cç8IÃGfÃt«,:èTŒ×äNßÔ¤–4êÑVg¶”@V åüBTº{ŽT\„~@N\ÒÈ\;b·xÖ‰Õ¼äažÝ?ÝÆbhÛØAç; Ä©lí¾D” DÙìÀ¸ÀG'&¢ÞwŸÖ’Õ–»À¶Dô§út\Q^wçöÛÿªÜú³°çAd‘Ȧ\þ‚Z¬Ì +¶x„Â…m­ß[©2™µ/,Ç$BžËxüæ{cªWå>Ø•ucñ’Sj;ø)Ð};²3iü(Šˆ$“B&b@üªÉ{Ç÷ÞÆ–>XŒA*hÂ[©Ò‹Ù´+}Rª­ôÆZÕ¿Zus¶gmüX 4²šÛ¸Õ%æFŸôOÕçNÞÿŒìm¾1V.(A;§™Y÷KK’F!îu|·D/–l0/”÷%Éaôƒÿ1{`ýív Ü¥U¤å²J1†€o)7Ní*;«ïÊb‚Iü!ºGšU ó÷¼[ò1È7Ö×Ë8 &>ª¶© Ÿ‡{QY—¬6&) ¥ãeïEXúy îá ÷œç4èUù5ÂhþfKÄXŠÇ%…_æCóaLê¶Ø"‘ø—·ïÞ_ݾ!\äçIHmTMDÚpvH°¥WRwW•,ÅJªz³'²Ïw +ÿ”ÍXï.I©Â ±Ó âÎi±,üæOä^Ö§jÁDƒÕ¤ìÎg?Z€÷oÝèó›òü‡Ö—6 +E=\ÍXÔ8¥…þvAÕËþ£tÙi +k‘¸@—üz¾ga€ƒ]1Õ‰TR ;DVÆu£ž«½pïV1“p«lRm€¬(Ö¸:!­räYöZì¡3¨šI*]qÔñ/æÛ]Ár1ûÇ–q¿¡)øª›2fÙ–²ÔUVüð©ƒuÐUNÏ–ä ”$:1¤ê_.:ˆåŸË(ý–Ðãô*¹£õH%bÀað†äýšb]¹›¿MlvÕ½ýôÙ•º¢‘]þ ø.ÝñèÃ’Âl……ˆ¥ìÒIø9H£yÞ@‚—˜r8[­ŠÒ)Á0ÊüµÚ°¿´éÕHfF¿ü0‘®, Ô‡¸YÖzäf#üÅS8„xIÑT®åkV¢ì`Ž`ˆ{‡ÛØÉÃùÛc »aÿþƒv© ûæ(ÕàD‘ƒt8¸8óXvÏVœúvØ[¶¦Qª¦L˜æ¸ÒOÚ˜ˆ8f¸DÚŠïÒµàš~„˜XܼV9T+öÇÁf´Sl ye'-<0û܇K‹¾²0ðL¹YJ¦Òì×-¡xQ-iÒ7W”¬.Fv^u™¨Ž¡®åõdÄÙÄ•â +3ƽ7K°/µ&æ\D¬žµ‰®A¸°TfSÚ“ÄÅ<9“$f2¬PáC2N§ž^õŸøFÊ×ph­« ¡ q‚ËÊh\K^ûQ´+†šf춠² ®½i²ðéxW duÓ—ß¹K™–‘eøÐGø-‘g¡ÈÒ&}pÛÛO#˳ÓËë1U2‡ÒEáÄIŽöl´’L¦á…ÊAù×wdmvM?ËøÔƒÂ(–˜ûØ€r–ªÚÿì1*1oš]ù¥xÊ ‚¾ô}ì$YÃZ‰©ÄÊ&¶ÿ@í]Ï…VzÁ¸ãQ¡†¢°7$Åx‘“ä£æÛkúÊGECÑxƒ¦é÷¹¢:Äd_TY‰ÚÃé +·"%•Kœk|ðǯۗÖùjÐafhA—HÅhàßR²ÅŸü +8Q ž/¶EW3KÅ›"©lÛr Ї¯^¢”Q&#ó¢g•0O&?¦²·¸_NdÉ'2eõÇRN;:dwýƯ~GBW±5M‘{•…ÅØÏ^>ŒÈ©tž›ï '¢¡”1è[t§,rÞG±dÏÝñXq9ï©&rZû’]L x6ŽÅüæ¼(™„춇&$í†úsºÝ_RF†õ8æ2$[ ÌÂmï§Ê‰â ƘF?"{=G} 0À’žÏ¥+ƒd$ïo`ê"¤ Ç¡ åz´FÕÓC÷y½“Þum“Ä\‡Ç©Ë@°ŸX{ri<¬-YF]O›ÍØ<5W=w6:ߟa²ñš‡sÐÓ…^ÌeúNò2s»¢[ð݇ÚáÌ8ö¼â-2±"=(+x[ZNÒr¥QPYEGKF?•‚ìµ2¢«N¤ü#u#ÆäXÔÇwmÊ|“ÕýžyV}Š#{¬ãŽ=¹‚¦ÓöZtõÜ-þ =­€V÷>dµa\yõÎ{¥`:\!~;;pók‰%S(xò'©‘Ìâï§S’ÓûÒ²`„Ï>ˆ‰£fT¿Þ&ˆÖvZPñwÇÆ,,¦B¼èÞ™ÑËq)Ä‘ø™¬Å-ì½”Ée ßü”Ö\éÇ .)Q6|¨Ñhº%•`ÕX›– ýò!´¾Ëî]ù(‘Ÿ3êTf£_ÒÕˆÌG%š†Ó¥ÿКLýe-·Òáß[ýÒ™Âj²ÉïÈ93ü´Êýö»CºïØ&ÂDåa+š·Õ•GÝŒn€™yêú˹Kœƒ] ö+SÉAt·³ Ü4²?§¦°+¢Çá„‚öJ­ã á(xöšôòšX$|S¾»ÏRÍò¼'»o)ºkeçì’ºVU›Œ:JÃL÷ bBÉÀ½ûyÇ׈¥mTæÖk3òÑoÐåÁ:DóD¥1žO»ø¾] “Eq‘ãæio| ‚‘ Ò>âJ4}ïÿª?:§\æIÀÆÎÁ€ˆ¿<‚ÿ¸`ÿiê”Ѫp^;ªÄ…ïÑÖY³ÝÎ#y¬¥!i ÇPÚþ]<ðÄ öŽ9µ®îP²g¡‡"é6¿æx[Ÿ#GÐóœKþX±uwæ1¾&M v¶Ì-…A!± N‹jÙ”(ì0Y€™:Z}PçTªÐG82R2žº&ÞöâuFO¡^˜½¸!ö´!Ie+Ñò-Ÿ›aoÁƒVi)Ä´å¯í tÍùh÷³:ø¯§L¸Cö\вb:¼¢røFÓ»—9{8•ƒ^–™«;Å æ=Âa Ôf•=…¶Ü•²‚»:+œÝ5¹Sš|ù¾'iRšÚw"'Ì5OCê’ïL{P®•A˜-7©WÕîàpi«zÿû¾"÷zAãë( +]ÂSØ®òÁGƒ[eþßy•Áí†ÈšÜ¢ÝÞº?Æù všD“Õ²¸Æâ$ÐCìezòAêñ—¨–Yê‰Ïš6†½gãaŸ–¦·å¬5ŸQ°Ì˜þ??Lô§};^¢&áH©0‹­Eoê]ïœË…ÁèT\j×þíš~¨š =z˜bkg½®T“®ˆûTZ>“äaŒµHb–˜ kŒ3˜ÆÝ]4l¾`…‰à®8,nö†Ø—@Óˆ›YÅNòŸWëËSDqn,œþ¡92XûLp‰á®˜þ~£î™; iÇJ…E« +I©‰&ºÊäyšGp`µ¨c÷ CïñaÏ)J±œÍ,ƒS¢Å®®z ÕI÷±Šý]Ç°¹^éÍ1ÓE­‰rd÷€$¿P.‹¼]ÕD‚ý%éÝ*b6ØQ"ëUŽ´¥ë!ÉÔhž°¼9ݾі%ú£[SÚ/½j¸íôÑçffœ³î°i¶«}ì òù,+õò¶É®öë»j–ÚÙ&5s_½ýø~L—NÐnGóZqƒ]óÕñþii2•¼¾O®Ný4ßl_ýŒ2Õƒ úæç÷]—X+ƒ?ª˜ »—•†,üdB —¿uó15Îo°™ËÖ,¼ûˆŠoo‡õ±³q»ŽWë´ J‡gV䣡K¾¤—5t°û®;V“œÁýñL¬ÕAnÉA #ÞVÒXˆ…O$~Fþ™IÒIº6Ä™™­b£5ˆïeásÞdª±dš¨s é Ó²¢ÅØÓmÙ8¾Ö/Š!Ÿ©" ìK[n\°¯rú%«çÕˆÆt Œµâû• "· óaÑD§Bt4®¨dåîó¨f½ZA{MdO®üyüP#ƒÈíñÅ/%£õ«P2¡µ"U¨~VäFÊ¢ãN…yû6vÐ i ßžößì™”ß÷=lÂœ+ýc3é-Š›ý‘dÃeX þC¿vñŸß ¤BHï=£ÄmTŸ\2#J±-)ß]Æò>¡ê’~ÃŒ÷\)s?}‰¶4Oåö¼ƒlftüÝ)©vª}K]fíÜÀç²ÉqÝÍ~)ø˜z¦Ç©Š‹9/úñëjMÈõŸèi +|'ÛnÒ'¡zVH¦–*÷°BL’»g¸B)E4¨ïߣ dæ+ëû‘¨h¨ÆåÀÉ‚Ò*'cYÅ®SLÆwï°ˆd}dÿÇùRäð‹ˆjT§’–lŒl§Kõx]ƒ6vQÏaòbWY q2ÕA—OôPœG¨)·r02€yÍDG•³û¯›5gé¬Ðb¾âmìѾ sÞÿÕWê@'ë춃Z¯¶Õ ªR·Ë£ýQ¹eFsz&~îb¦ôð@Z5Âõ[¹…)‰á-dSDñaô~@ú#AÇyk®¬Êi:e䡇#-wm¢ÇB6RðüåzjŠQ·™Bsá¯ò×jp;µ7SûÅõ9èpíÀ¾n } äù‰4µ5DŸîTF+‡"s}J0ÒhhÄhÉÇ›†ru}<—y©KËÎÕ¯Ž/n6ì;t<–ã ¢vzîÓmYMÁ©f‘Ý4eû-WR[ ÄD`ç öH-}ÊBW¢Ÿ:ïÆëU®ÇÄ›X,ï;MÎz‹˜ÉtK2|LË éZNŒGÓõ®ÇeQpëÍ»³á÷%Nrr…Ý1À™Ž]ÃáŒ>wR3#{ ³—>†żü*ˆN?!1¿Êt{†kÉ]ý¥tà"£‚97üü#Ͳ&ÊÆüÒv­>‘-iTaø‘ÃR½|,‚bšTˆðyv_ö{jqel‘D¬‚¡OØuB}¢,Âÿ–cÀ­¸Û‡ãª‡£|—´RkdM³O¯jÄô_Í9¤-êê¦íûÊ;¨v×æ%†ÐSÕ}–äSu{?+È @Aþèè)K®Ô‰}' +ÝëRÖ0ªvBKvíqmª»Ñy„Øœ&'bì=06•D£ï!‚±^l‡†UK¨o>Å@ÏKÝ4QöÝw§quU—$4Ã…¦Ðøw«UÜ3´IÅ •ð:J_¨ng8y­°´#uØrSs?J1{¨˜Š"¾¿YÁÀ‘ôÏ}¥q‰±R#_¡Nì: à[¬PÑÔ¥²¯fàK£PAÃÆ5·y:«¿Hü+ïÜÇ\C!4íÚhUò çª:^M*+›…,8ÜVDÎˆí¼£ºô¡Q³ N¯hš¾êCýåâÜ·KiRiâ¿3÷Ó¸ù~‰"ÕUeU±ªÛMç‰ä.f¯ƒÒL$Õ² îÕøÄë,ë+ÞoL#\G[¦¾ÉfV_02¶ÍÇÎ^T~ ²jjËî^Ƙ:=í²ñ¸0Åš}¾ »jT«qJãç¿=œ¼+Âó”X(Ø‘ úÚ¬þø B@²6 ñ¸ŒÓ Ø•{±yn½±k/þ½úêáL«µ,J¼ÂƒC“ +­ÿnÀèñ'ßÚ•ìăL9”]+y)‹-èåm8®¡µœô‰Qj +•ÂTë~ÃY÷Û)ç+–ô +£(j m¹*ûrh‡‰!sçZx¬ƒDèà }Ž+^Z4hàù‘rWvÒj¬æ}\ôätLdo·'mëáë·#uÞT¢Œ=]¼b}³³a@-g˽â´yúR²útŠ«Žw€n\„ájXq©B—¥éàE}a«¢„ÖË“ÝúÆj ç†ÿhÑM v‹ìʇÝæmî„QÇM‰¶›`RX:;+u®Ý¹©Ç;¨yáÞk¿›72¯|D³°ãùòªÜïîÏ=‰BÃE¾ÔÀý9Q>§¾Dç†Àé ûÄØXAk!}ø ´ƒÃ™Õ×cýþ°éä‚£»¸ïåî+qßöžQè¼ð)CÏÏ‹pæÌëÆôé ÁSô91õx¦¥‰Ù‹§àO “&¯ûlüËÀ éÖìùŠûz¾°4A º¯nfÖEÎ*ùôý†^ŠI¸ŠŒ>_iþT¥†Ñì$ÇNTM™ÌL™þ(÷ùÙ-2Iù k•ß3JÏÃqšÔíl†BkžVI`0΃ñØõ7Ò&vÃÅÎïOø-i·ïcÍù’¦¬ +œPðq]ÝÔúàE^oÇy= ³™¼U—ýÅ~hƧþà>Û´ærçl„-jݦ»X”Òõ¶eåÇoÂqÂÛ[Óê+O>3ª“³0ó`HVrz3ýК‡†n/&ÈÌW©OÉìó lcˆ1FªFíÚˆØë”™[ͧ£ ¾?)‚%¿‚¡„ó +õïïk°3‹¥€¼Ù7öS«Ù²@¦‹G:φn þOßÄ=j\v;ßú=K;ÛÕ~ïÌ?ûÖ>Yu2x6‚ÿ†A (†–¬Z"®}N4Y¯K×ó6–8z{aÚ<¸f@.*2vëÿúÖyèPû%¸MÆú·˜&y–V·è`øÉë½ì ölVÝû\&sg~ù:šóMfÙnص1©áQ³1tðqÉ¢Ffxš‚Œ×¿Kæuæ·ùù3á>¢FPC?Üx^u•4QÆÏíägJ ýž=%ÄÅ«uÞ·äÛa¯7î<¸YR¾»…m„¿Xú"ÙÓªÐñºÚ.ºº¦bá(×›H¸ž³Æ”<$ÖuÍmñšU"g&Ûö¡FU câãaªDusÿ.kYöà’ÿêl‰B<®Ûh}‚îeÙ¦¢Î‡”õîV Wlá,KÝXn •aFÊhÓ£Tëù³é² çÎlh™…‘4ßkÔ%ƒÁÿ_éUu¸è¶dÝg«†QõwÖç–tæLß}-þNÌ[«XaÌf‡h†°·ÒïÃù4÷»è—Æ\v%©´ïã¨Æ`YÛxÞ‡-¿êÉ ²’=éÇk¼ÅEH¯ SF\Z©¾®¡Í@}­Q°I‘h²•Œò#»'貌‚jÇ|7^ÒŸ“´Wc¨ºA±ð&M¡Û¼çéOÖ¯?µ§EšŒX½µ0âc`8JÊF£`@‰C’èòìÒÿÆ«É!ÂuP•ó‚–>æƒ+H „–§§GÔëD<ÎÙˆ/ANœp#æ$’x‚',n?:JÖjMÝ»©ƒOƒ~­Èê±gÉøn(=®7âä’{ÔBóÉÛèf«ìÎô²ME ð0ü1@å½*ºÎ_ õUT ^^u‰Ì¬¨*Y3¾òv˜·øž¡öeûêAºr­Ó¡ß§Z£0ª“x³4Y0qÇ£À3cJÖóLJ.=p0¸EÇÚ)°ö!¤èÍcÖõŒíú¡œC:¾$ P$à†³ÙPðÙ—› +Ëáœæö ènQ“·OéX¤ÏX„ðñXˆ#yvæam ê€HŠöøFo­O-:—*‡FÓ§¯Ü÷"ypˆ¤ìgFdA?û¤è1Í +ø|œ(˜“+¾aKâZÉÌù¿¤²»‡ãÛƒÐ:lÙí‹ÅÅ2è¬iõ]𶽌@¦|6®žH29Ûæü*áO?Xõ;##¼Á÷#ª‰ô:y1 4ƒe?YùVeEbŸç"{Èõ¹NÞü¡üó^” ÌФå“ëMcB•(úË*’9|1qxÙ3Úü;L8O§VýLHn[ݳ® $‰W)"eS«.Woè8@ˆgÅ"ð8‹ö­†Üˆš?ú(Ú’ J”§Jv6´èÛuqcæ…J“˜šð‚Þíºî‡Dºª6H)^ñ..öÃöTBmúî­©€ Ä|[÷=ú[ü^¤àÌpzÎY¬R—tÐѬ_b•IZqxà·Å«Y½ÅýòMz3¦,ÁOC…´ `êFݲÝ3-ñxÿFHçY%±©f*Î6?6̳¬º@ÉØú¶äU‰Úr·•z²BEDdœ=Çói¼;Ì’æÛDZyH¤wf>D^çüþèýSíê–­O«iÉ‹K“^döŸ=[63º¹×Xh¬b‘öÃ4Ø€mÄÈôí’Ó¼½ +åØÜ:åif Yâ¯ÍíMlªäz—AŠ_ÏùRêæžœÆÁ#åQI¾ ôÏ1š¾¾±Ì³º+Ó|ý¡O¿_júP hë„ÂKÎ o4-|œ3W3_(Y|]ÃvW^zN›"„¼zMBM”ײV`tjÓ2ü…ìºbÐ"0e­ËGC~soÿÇ‘M˜ÅÖ˜ÚÔ‡‡K$Õ›–d碵G‰¬í*}DåI dÿ®AYļÅ‚ýÊöñÌ6M”ùñ]´ady G‘ÃìñTÊÀ‰+Ê&â~d°Ä7Ô¬8îƒñ_WKŸÙ} +;Ix #ÙÆ‹²Üö¯tÄ7þI‰ãŸªú¼L•|Úå¿ÓÚmk‡ŠŸù&„àë5p‚•SŠøœÏ@ÖBm\»RôùÝ2ï¼ÒÚ‘HËB¿N'Š>„x™‰°ªÛS =oðß+ ]¯ž¬úeöŒPÔ°ݱŒkþ[}|*ï F6(ó¬¸×"›‘r“IŽ*D‰5Œ8”¡Ó4ínoµƒÐ ¨¾\Áצ—צR„ÛDü4¾ZŽVùüBÍïBxê`ñG|„ÈȺttYo³Z„gæ"fcñ&%BZImX3@o -Óèl²F¹_ÐĽû¥À¤èÛÅÕ©G¼Å´ ºz²ýIEËKöÈlmïÏív6w$f:ñö +"³>‰œ4€9Ùr¨„øì`gGåÆéVµG-ŽÒd¸IJñ\–H®i›Ò<“eAm¾s•›®ˆœp¬¤X¢³ß—߇ÑJ!þÊC3[2SÕbJ’„M¸@ÒAv”üâbKÙb™|aÞ¼C«¼Ùò(,"šFX·ØE- =¼ô+ý4Y—¡)TÉkoÔƒº™ÍÒŽ|Ê¥¤\ï䣊Ê6ˆÇŸ\ß6˜Õ<áY!(óÖR|뎰ïÞª¥È¶Û¤Û²b€3à +WÈ¡ÊòLSŠë,èÄZЩ öîÀßõ¯ÅVcòó±¥_åö¼yxÆ´’[Ð[¡ÏK|çð€â7Ÿú*|ór-Òÿi w«˜™øó¬t!½:oö•l­¡ÄætþKŠ]wÙ²êzOèóíÊk['Cª÷´´jⸯC’&‹zص3*znÄ4k7{’‚0Pä ÁEr0$ÑHnø®à–]†ÊoŽdqÖ¿NsÈ‘ö\©t +««Ù#«A­!µÿ#÷òl;y°Èኔ+T¢PÛf!ü,@pe[Jî_R©üËk¬ça½âéó'YÀ!‰UÌØ+“ˆŒ‚ÉÖ™43 aª^ Êð|_db©D91œB™ŒMÚ=ÓeBòû]Ö9NKr<Çí÷–Ç@Ö¾ÈÙò^ñßï¡I‰Ê,q–t¹ø_M¸cBÞ²ðO“)’ÌmÒ¯Ç7®¿, ° 4ÓùלÀË*v“[ì¸??ëtÛ²´.;é•úÝ›ã-ž¸liÖ±.„`8©–YÿÒÿoðÿ s; ©‹›£½©‹-Òÿ;±"¶ +endstream +endobj +63 0 obj +<< +/Type/FontDescriptor +/CapHeight 850 +/Ascent 850 +/Descent -200 +/FontBBox[-39 -250 1036 750] +/FontName/PJJMFX+CMR9 +/ItalicAngle 0 +/StemV 74 +/FontFile 62 0 R +/Flags 4 +>> +endobj +62 0 obj +<< +/Filter[/FlateDecode] +/Length1 712 +/Length2 2589 +/Length3 533 +/Length 3133 +>> +stream +xÚí’y<”}¿Ç‘%#Ù—¸é"²…1 fÆÖàÆdŒj,cÌ\Ì0 cÈr+”$"bʮЊ„Bv-¶BJ!”lwÉ6–G”uŸû9¯Ósþ9¯óßyëúçú~>ßëó{ÿ¾¿Ÿº +«‹"3}A;&ƒ­k g€¬\€¢®n͉l*“aCdƒHÀ0P¡þ +# H8Q¬™A,ª?… hZkýè2PtE%€‘MéÛ!$" À2IT¡( pýñKà +†€¬0¬d*‰ ø‚þTDÿ’=à ˜ü%“Cƒþ¶Â@VÈ6 ¹Í©lS’™ Z@ý úÎÌíÕÀm–ÿ1ÖCõk¸](æL¤ÿˆßÓ¿¹D:•ñ>“ÊY€“ ²¿¶ÿBsÉÔPú¯®=›H£’P @ÿ’¨!vÔpŒ¡²IÀH ê ƒü+ÄöØ~"ècœìŽéü<п< ‘Ê`»Eý+õGóÏÚà?ëíá°¨á€T +5ØnÜ~ÿþòúe-[‰I¦2ü,›È Yä ÿÎdeÅ Ò5Dº0øö‚&phômÄ1¨Á¡ ½ ‡B¡&ØO•Êb öÏK°½ß¿k?êöt@0$Arre¨¼„J:«>+-ªG>4–Ì]¯Êöv,ŠÐôÞ$ÄbVE7f1É—×5÷Zœ»wÒÉìbËš÷£ˆ…ÒYm¿î«È² 3º/¤îãùô›çÁä:‚G•N!<Ê[@l”K.d5-=QÙó`s ýdÓ¹¯ÓÔ9X5y~ªžI°=ᘮ“GX«dôX“ñRò0©hzœaünÙRwêe5šâ1 +Ì + Ì´IaÈã7ä…GV¼øæ¯Fúqß[ÖS›AC²8Av¥o÷¥tîÀ³0tŽìÄÆyŸŒ—<¦ŒgsרÜOu/²³Ú¿ ¾¸¥4¼mä ¸ÇfÂJ_q!v)·Í#`ëüšiƒÞŽòbÝÝдþ˜ÝnÑgzrË(Ôû·ë›¯ì¢D\¹Ô¯æš9>ox›?éäPRqLOWÚòìúBüV6"ì"gþI†(öK…ªÌ ƒÍé¨kÞ/<{D1.J†ð¸‹Y‡š›€ehÚ³n‰ÞWd¯ë¢œ]"—–*z£ÄqÖ-5b‰w½ö;ÒøÈi»Ò%ÛL>¾Ï!š*Ó¼½:Ï?˜˜[{»ï9ÖJl?Nå°.ûŠ÷E†Ó×7;Ñ^•Ÿu¿…«W^/9t"î^cZåÕ5í0”:º Û2ŠRrØÙ²ÜÖ&O*«Á۩ĘwŸi«ßçá+&ž©|ÿ˜tRS¢!U”Ÿ–¿Û΋¯j3{«®u4 ßXOOê㜽½Ãrs×½t'g! +¶îÇ,S„'®Šø¸ú«è"ÁÙVÞì”ÏÙBˆB¾ˆÃ +¼ãO90Y|‡X9ŒËþÖÑqÂQÔMðÑ™«/‚(#mG=ÝõGð*a>9eÙÔ½­¬Õ‹¿B±íUúðÔwÞÆH ª†>úͼé÷ús½µ‹·ÎŠßŒð¾Å>ŸÞaÛ€Q徬x}<ÙáƒÄDî€Á.ñ­¼/Ÿ~Ûê*ÙzÿURÐ"Í¥âVc +RóšCeÚç›Ak“sí“ÍmDÆ ]JpÏxr$.{*5„¦¹KX<Àª$Cž^ª:x: +'ô‘^#}Ö*ÜhÕà‘-×ðΤ ²+ôüiãæêÑs ‹qÉO‡T!㺖fÁñFZû%–¶f$¯WLÎ^øž_¼|n"/ “ÒµóÁ·F˜J‹¸Ê+\6‚nõ»ôCÙLÞ&õ… •ýÀÍæ|ú9–œÐÅâ4ÎÆÁð(^fÀ?çy®©R¢ëÒy6Bz&ʺñÑ/7g!†G»üTZ5"æî€^#å’È–4‹:ÖShÛ ÇZÉ©o™ü|~õ„"âáô©Cª r*x4ô•@†{µèíl™ª$nV¿èA#߬ýwË™P§ô£p-þë&™—Ïnò˜µÏçÉÑq¤nf/WfÙù»Û=ß>¥󬞀7•­&ŸLo«žT7ê_-L|§Äçéü'ô +ÇHy ÑcgÆ¥\gÓ§ü‚û>;%B8Ø çº(¼qÒ‚X@mžH,ç:ÞE(úáFôÙwmoÎ ­Uêc£M5²m´^›|¸¥õ\2B°tìÚ”àô¿ºß÷xûÍÓù§Š”]¢ac|£û‰h,ï®ÐžûB¤}_¨s²×ª/¡4y½`…HÓÌÎÔªâËKQSXZ¨TA÷ÁL$ÝÛ¥M*ûxãM1Þ&é–¬gS IåÝN[2i†Y{ê7~…=6ùO|ß‹8.Ä.Ý\#ˆÖI¼_àÍàywRwëí þÍÃCñÊéÆ7`!)¥¯m^½H—¾(vп+†Ð=EÚéànyUêIãOÛû^Cãt¾°’ê<#~…ÒèIrjguíñkÅ&]4ûØ? f?]~Ú›zâÕt`ê™þ8^¹½cC[×ü‚‡Tæõ»kîìq;Åw^YV½ÿD…ÛÛt™@ËJ¬ ²³jÊÛ[Ä£5ôɶÅæð%ò‹/â½uzÉ +ž{q£’9åèýæ26±í/q’q™ši xŒgKhX­l¥qWŽÄfAÜúªØÁæî-t…euþØÞc–#~OÌ>z?…¾–ÂhŒh»Ž«ä¤Æ ”]ð& +àË&šÁœÖƒJ­úÉ­ÕŠ/ Z®„E¹ß®ž±l7—®wU0Ù]¶×'KYaÎ2w†éçqc*Y~nTíeø$¤!çšrÀ³ ß-Z´p•ƒê—ž¿_Ø µ’Ð 0ì$ꔡEÏs‚—ß:~cÊ;~M‹PvÒŽ±ôŒP¤™§§WÊn+hèÞý2ÆÊŸ{{@ÞŽÒþÀ4Ý¥ÔxÐyýaÎ÷ãÜ´‡¥wwQ±µf£h;¯Õ¼9­@îJœô|w ¥Ó¶£à^‘³S®¢…yZUle˜ìU Š[¿YÁ"ùG™1¡ÊÖ}ÕšŸYPiO°¨¢Ü­%L9WÖ7?Ãc16¼&¿;ÀðXÃØ}>'µÈ‰å+‡5âhpF{öa©.@,?)ŽÒÈËÓ¸.5¨›+]"5­­Z­–j3jÔ=õ0'+“î?úU¶9¸¹Ç·RWKhòòЧã//ŠNCÊ?> )£ìåçå'/¼Ô!ÌD ¸>Jñº@–žªDÝÙš˜…Í=Á­%?ÿ(ñŠ“òýꌶt@mîé躘 nA=Œ=tìÅq9u÷“,£ÁŒ;wJ ?¢ + &Wûö‚á8Ù?æk’×_F*fÝë–°0YÔèõwOhgÊN‰;¿´¡ˆy(¤ª8–ÁÕ‘ ¹1ølÜNxÒ SZÚ¾»°t0–±êjª§„«Í=¤_®­&îƒÞ<î †òõ1ÍÑ%„ÞSu=ê‡ *¿§ höq<—ÏÕTßñBi?/×¾R¾Åû€Mz³»¨­Žã2lš†~*¥¬ôP1ÞŒú† +~´i¦ždÚJ‘ØLN¸¥sXàR»_¢ŸšKízœ}“Cà:[ªùºÄÓµ[z³´ƒ¿èDâQ»I c3å“»Á¦Ï0øÇN•Ë…E7ÍÂGàdÓÒ YÒó6&ƒG> +endobj +67 0 obj +<< +/Filter[/FlateDecode] +/Length1 712 +/Length2 1484 +/Length3 533 +/Length 2016 +>> +stream +xÚí’}«œ­rZ9§WÂ3ènN•h’i%ÁƒóàÐ{Â`úL1Œ$ùÈ0ëg²"=µ.ªˆÃàWó¼‘Äp=èÐðZœÐày$ÿá’™øÈ7­OôùÈv}wZÀù”ƒAi.Ðñ@ÃáÎƾÃüS£{;t“„WÆ:o÷k6F÷ R¶¿Õ28˜>3œÚßPPÃXˆý»}µÛãŽéo²‹iKö>Â._»Ï<á¹k3i +ÓM4¬3U‹h˜AÝÁžF ¼YÛ>ùÖêW˜ÔïŽ)iýôÚĘ÷ÞÚW±yüC¥@ŽÛê^½ xœ@Káf¥Œ¡\ë×Å1E·Vh©eåÓ¼naWº-kuV}º6?ØyÛ.ÞÅ «ºúyëiAëÙÓ…¢ëŠ=»r¾Y¡[Ѿ†n_/‚›š_©‡7ú´±òÁͲffQr\ß;•Aèê.½Aµûg +m]÷kÛóöÁ·Þ7†3äÔûÏ»ÖMi¼ÕûèàG×5ž˜ˆ›åNX[6ÜÏÅY¾EÑÕ‘GÕµøìw¼tJŽjŽ«49¦‚]RÝoh\”dé=´ËE}2-=LC;koŠZKÏÐp}C©ý9GÉ]2c¦£Æð•´Ñøà@–÷±ÃÇë0˜:϶Ez¹±fߌþeJ}‘§Ÿ¢" ,ZšÇüò1íxÎk'Á¯ZÃøÇlUy¨FiJ>5CÕÊè5ö‹Cì %zLûŽWFjGi‡™šnÎKöP |^CE%JùZW¤ù‹/æŒ$f9\È.Ãs¤&ȺFªG']Þ'9²é^™ˆiSeÐu4Iïyâ(¨%B|/‘ü?–KúÌc˪k+µM.{ŸpØ¡ v`A×ÍõNCÛmC'¼~gSúKUñ½ÕÌÅÙÄU/eó‹\à•2í¶Ô•DíÒà"Ìû©âþüA©¬ŒSù¶ÚÔšˆ‰åLÔ¤ó4o]þȵ–@iFDÜ”ôpȤ´åÔ4S“]˜¬½_^r²/êÓ7ì÷ŠÍ‘m' ˆ«ÕÀD|èúèÕZ™yzËO´gy1+Õêâ~Z§¯þl÷XfJ¸3…É芟¦K<~—¨œvnJ±¸mœ¦vþ·Š«½ÜØ_Ö@y´G;dÔG!ìcùœÅUónw1Ü À>ö€¼+Ê®îÄ3÷_ƒƒ?´l:jG:fáxs(MÛaM¨P§—u'qÿ»è€cµô¦ãÛ CY½'ˆÿå…þÀÿD› ±ŸÇBBÑè?©®3Æ +endstream +endobj +71 0 obj +<< +/Type/FontDescriptor +/CapHeight 850 +/Ascent 850 +/Descent -200 +/FontBBox[-5 -232 545 699] +/FontName/OESDYT+CMTT8 +/ItalicAngle 0 +/StemV 76 +/FontFile 70 0 R +/Flags 4 +>> +endobj +70 0 obj +<< +/Filter[/FlateDecode] +/Length1 712 +/Length2 3060 +/Length3 533 +/Length 3598 +>> +stream +xÚí’y<ÔÝÛÇQ¶A)QF²e›±}ß·²›Œfùb03Œ1ˆ¬7~ˆ$²Ëž-ûVv² ¡)[ŠÜÈ‘‘üt÷Ü¿çõô{þy^ÏÏë9çŸs]×ç|Îû\ç XZIja(@Ÿ€'IB¥ Ê`3kk%0T +Ò!H–€×E’e0ƒ‚µ|]Á20TAYNA" u^D¬« ,ª#öS¥ÖÂD,‰›!InîØô[ÐX€ kyz‚¯ÿÜâ¾øD2€‘ P0‹&Q€+’þÉd„w!€¥1¾^—ÈÑç˜ ,zÌ)>¦Äðž` à’6'Ÿ³ü±þªßÍõ}==Í‘¸Ÿö?ûôoe$ëðÎË—Áf @Äÿ.µ~±™¬/î÷ª é‰Eká]=0äW +ë£õ0–XÚ L"ú¥<æw†ã¶ýE m¡g¥ë`-þëE-‘X<É:Àë_®?ÕÅÐÿŒ»CÄúƒá)z,<ž¯œ~;L&`°xW° ‰Ç ‰˜%þJ[›à()–”‘•ËËɃ`°ÛÿUfƒÇzûFº`y¢$û‹íK$xÒ_àøºÇ.ØãÞ€?€efÅÒ:K\ÿzs§sü²ÝÓá KP[ÑZšün.÷èÀ&‹'½Ô÷èHËI6êªåÔo¢üÿ¨ 6SIìÜEô\¨˜æ¾ê2Ô +ÿðUùqü’äKÎG:éŽuàÎgxx®| ‚ž}æ &—äÕ¾Õ+ÀÓx0ÞÜþSá(ÞN™¬[ˆ]l¡QFëù™$‰g;ïV3àGt0Žœçªe8oãÂe#ØlkJÚ„¼ª7ôX”oW6Rß¡8'8yšã¥›!W;õÙ(+ã `F0xq5.¹]ªã­ÚŠ®ñ<úcí%ZÑåÊݵlö=æ~©óáN¶¬g%Àü_=¡ÅŠ`)T ‘6ô‘¬‚åzUØÛk>©Ösg¾`È`ºU%º-4±È åÓÞ(~Ñs¤ý¾ftÏ°ë»QCÚÊÌûîPÉñ{½&¡Ò‡W†n‘abvœãæè® +}"¥÷œv%˜k3°¹ÖIpC§”mDQ²C2Ri’ºlš¼fÕCG6Ç5ÌvÜ+>wsËtö‘?| ¬¡Í‡å¹®¾ºåqÇ4\Z"±ÉaúÄpÛŸ[r_¯ n¨a”±K¢Ófñî'Ië¼lþµ“RŸyk*é»­qC‡}²ùé|n1ºÍ÷&bº±e—ëW’¨ÏîÆ?ó•snúÖ0S­Œ/µ¯W³”Öîä_„)÷ù³áUÃ|Z6^¨§Qhæàá'»3s{÷ªCÕJwCÄÇV»‚ôÊK’}¿L<5Ѫg?|Ë¿ööV•âÎæùUÆ&.+&ÖA­Í±Ý©ÉáAµ;\Õ›jEP©kɶa‹ :š£¹õÏd¾È,.oq^^ò }Ø3hÏLköù[¸Òã~yšW4“ôF=–fÙÀÒìȳÛ$¸b/Cmjµl5¤a_Y]c[áõú¹|ÔÞG¦ÅY“ÁÖ):PÉJzØ'̧E¢=xL¹Rn·Wï.äà÷1yPG[£Šf^¯qÚHß57DŽÔv¦Ãÿºêž¬-L¢¥óØ”R‹¼ø"^) šªjÅÐZié^°µ3;H ÝVÜ÷ûRƒÒÿ ™~ÿúª¼Œ¿^9ø Ý'Y‰sÄç“Áò.ò…µî «’<Ÿ +~—pâ ØÛsèNfF—ËÎ@·Ž@î€GÏéÒÓå!ß:r €ÙR2úá8üÝó*:Ýyxà@¸åB zž)cîÇ…m7Z¾úb§'*rS/e/>llè’èr”¨út?ñ[™Ý9\:½d>»•ÎIˆlÏ@¦g3š¹D©;|JPŽ×ä“C”Çkwõ¿‡fÅŒ£P¥&±™ÚQAöcÔö@¯ŠrA,¦o +ÃOó`†øS®¦PÝ+OZÅ„Ü`E*çZ½‰cÒ1f¶¯ƒýü²¸©ëú弇˜œ!¶Ó²‘"™ÑDŽÌl2ŽžMà¦IÇ™–‹ sáeÅéöÈ°Ö" +æÒij?«›ÂS›ôW#a÷—?~ Îïçøä)´U¼K¸2ç^ÉÈ¢ó}ñQhä%âÍL÷Sqd{½NBÇõrw÷œ×²cÒ§+{#]=ÄÞy˜z˜Þ1×ÌIËÍèŸxÉÁ¾—$p +É^¸Ù!®g16(¢ˆ»¿ÆF}Q#ivO³ð¸Õ?¢[×öÉáÒFãÔ¤‰üóHòUUPÇõ¶A­û\aj–qù³jB'ÃYYÂ̬_wìçéÖ#ÏÍcئ¤(ËB +}Ï\Óæf¨°Ä †û“7Î_ËÓõ6?zÑTó¥À…NW„Nýé‰}îö¥Sƒ^ øGXÞ÷ÄOÎÖ‚nqâñjqÃg¢*v²©_†Îô^¨ðÑ°ô_; öÕ¡—ñ7ûÍ—×Û´ÒikU­GuÌ+zNîT£jÕ²4úé©Õi» 3éú; q|~äcåSક\È ˜xÂG¨åQʳnTcæÇé$¨qê*£N5wëFN4£ä€ÐÖ¾IÊIV:žµo$ªâ¡ûü‹ áa® ì(ÛKQÈr¸ÀŠ­ˆ¢ÛLk3#eZV^ÑÙ¶ùkô´BtÀDŸqgD†ÂnîÙd_¹8"çÊÈK›zÓ€g¿o²^ßÖPѲ|¯° !7×úàe 9õ9+h¡ÅLÁd!"+z]r6c‘¬•÷(?l¥7‡ +æ¹æ©¿{4dL/‘±~¤vj ; j¶Ð•T»ŒÑ]9;Q¬J®‹| úðüwCÞ¾êíôd¡u–hgã<_.&=,Á‚y5Îë%Õse`›§ÃF»`Áfìð´±=ôSM=SJëÇD}´mFªkâ,»{çôk¾Í0MËâìçûÜJ7•WýFµa9æ'X|¨‘}e™û?è¡K‰Ug_îÈFY=xˆ^9zŸÇ\P؃óÐ7vÖ{]ù†½8•"h\Ö¯eÏû'kÝöÑÇr.ñü*®ºãçÈuöU¶íë•D¡€÷¶^q“²·œ_}ú6 ÀE;<ÂWÒj­L +þæ¨%—ÖÌWõ¢¿Íñ—¢›š¥(/,?}ÆÖÜß~‚lçÝŠKHÝk‰8’d€œ Lîz\Â7©Õ¨tM5æ§9…h÷ž“(CâX¾óDž0´]>Æûí ÓŒ™ÿǘûuúýqšjËŠTÏEœ“!Ù¸ÕëZWDëa¬í’Hï×pÆ1¹JÈáQÌeŽ|é1Ÿ´å³bþ…¢wôhÕ‘ÊE!“âÞT¼üí!Ì¡o»åÚ|ËñÍ;%Ö‰ÛG9¥›‘I3cºïjÑûŠKDî€f0Ïó?n˜0¿`Fœ„â-e·~,Ö{z¢q£“‡ÈνÄÕ¾åÍSÏ»:Øo%mÒéÿcí‹ñ¢-I0¥ Ð|fÞFó&ß Eß÷š@u‡í!äô˜/nFR²ôhoß~~h»±âŠm+æ‡]2¥É»Íf".çåHÖ,Gß½ÄU½Ç5Ê©4Rt–~×S¾ê^ žQÜïáÖ=(\ÙÝ·ÕoÂ’ ?ˆÂ„ºù§#‚¿ÚÛ‹_·£Ë|tKÊ·bÏ‹8:oÞ•û#3ÌÎ'ò¿ ÿ7ø?a€öD‡$z€@ÿ•¿M± +endstream +endobj +115 0 obj +<< +/Type/FontDescriptor +/CapHeight 850 +/Ascent 850 +/Descent -200 +/FontBBox[-32 -250 1048 750] +/FontName/WRKFEL+CMMI10 +/ItalicAngle -14.04 +/StemV 72 +/FontFile 114 0 R +/Flags 68 +>> +endobj +114 0 obj +<< +/Filter[/FlateDecode] +/Length1 727 +/Length2 1499 +/Length3 533 +/Length 2042 +>> +stream +xÚí’iTY†£b ­€€,£%@…„„‘ÍÈÒ,0ˆ¸„¤H +“ +&d‘–%*@"KCõ ²(¢ ØìÇ…A'è„FAAÅÆV–‰ØvŸ±çÏœù7gªþÜïýÞûÞ§¾ºæké87¶ ¤ `GÄ©€‡ŸŸ7‘¨ÖÚÜÜC2H{2 +í1°% +ÕŽDµ£ Ñ怇 :Nq¸°Îcý'pãƒBˆÅ„?&Âùª“Ð,DâðàÆãAŸ¶ˆ€ P +c@6&6ÄB€Áh›OXÞp¤ |–Ùâè/­P(RqëH×*N¶æÅl0mã/Pªhþc°Ãõu8MÌãù3ùŸâ†õ§>“ñâ~søÑb~6(„¿¶2ÀÏp~ ó¿îz#LÄrƒ9<ÀÉxù³‰hP,È„ˆdòDà‚Âì¯ITó[à°aùÒ6kõÛßýÜ dB0 „?ì 5ñZ5%! ì à ¢Ê¨z¿¬v~uÚf˜%`C0 #L˜Í²þLåî.ˆMÀ‘lœ­ê¶ÈÅŽø¯ÆÚ'½=;‚…ä`· ²ÄB!# ÷AõÅ_êHH5$ŒYè$r\J¥£{/a:‹Áxÿ"Ü•Š1ùx +¯ëçËó‘«—-Dzf±Ñ–žÑÝ k{í‡ö :•Ñh0Eðjmœ©§‚(‰z°Ûlå|¯OÇÇ. ¼KÇ[ýîÚÆ„ƒúÇÌÌü7ÃÜæâÛ5žðPY¿å½N}ì!ÿ÷ïeÉó<Æ»´UKOÇ_Rß±ßï"æÜl'é—å†4}úʨZËæûté¾'cÏoŒE­”aJ¦ïJ[f7÷é®xåZÔ“—í GÇÑ||‰Z¡ä _wGÇ´¹‰ìð_%îÔ à\ùØ/´õ9Nw2êåö*Mu/‰å×ubü q2n¼»♹;ùTÄöGÊÇ&:Eôç•KË4~ÀPqá +SnL—|׉ùú .Ódµê,í¥G¨Û>$¬¾Øà¾Ç£ZûæΖ~X×ØT3)^–P¼nukòÜõd³—“<ŸTÉ‘çøU°ÚjWù¢75´‚ºZT§¢/çJsàn¦tÅÄßÍ 2Gzß½^±|imAÉ·Ùz…‘òkº €6øÕ_Å-’j °(×7·*¥û8^œd93îl>ª®6~`xü›¹ )VuµKõ¾ù‚¤>³öŠ¦~éÚ“†Ð7ôkw±59ã5ñM§œÚOOàS|ê‡ö-1Ü‹á_â|¬Ï9‡˜‡âÆŸö‡&sË¥îÍ !Ö^ÓwB›Ö’~þ)¬õ”ë»M”öwSééÖàWÖDŒlOá¼u‘»° -X²°Ž:°týÙàáÈÓõmš(ù.äRâv ëýŅ׮Ȣ/6EÈÓÒkÌëÝSîÑÏ`J4ü•C$KcÛÊ ÃnS–•Ûb—Îݱ¦ªÎÞ–²P ØP3fkâTCŨKy0Qv»yË£+Á‹ï´jû«DÆG-›á½O3 Ò/L럛±½m/BZ‹{3ÐÏL}’^ßpCjSö”ò¨Qé1öi¬1ÚÀqEæõ½RÔKeLD}ãüÆ9we1ù §íÞ¢þÌôÌbî œ¶Ñh¤äð˜ÞÓa¨fK.O¥Üo£´½mz^†bè8uæm WÃÓö4£l÷ cE#Vìr«Ñj™·¹Ú ùÈ0Þ¤Ó7}?o*¢ ûHו¾é‚%Äžì°í !ÕÑYó:Ja 4[}`·¶ÑÉñò2hR·èGÏ´¹¦ø FI}Æ›÷í“,/&¼\údÍ”âD¬x× ÏÊü{&×/,¿ “óÞ\)°+HòÃÊ#|Ô¨ìÄ&z6cÍpÜ»³R¶`""~Ûó¨ËFÎYÒôžàÊVC> +endobj +117 0 obj +<< +/Filter[/FlateDecode] +/Length1 722 +/Length2 1296 +/Length3 533 +/Length 1831 +>> +stream +xÚí’{8TûÇi#f§›R¶Z&cÆ–±ÆÝ„í–Kr9 FnµšYÌÊÌZšC¥dï-»ÐM®¹UR)w»p:õÚIh#…"šˆ™ì9ƒÓÙϱÏ?ç9ÿ笵þø½ß÷»¾¿Ïz× ïG3qbb{a7 å›PÈ*àâííi È— ˆ#\¸0ÄG0ÔâÃT€bkkl°3s´¦ZšËŽ¸`Ñ".Éâ$£—5àĹBoˆÏ‚9òÄhù"28±ÙÀÎ…WxÀN˜s…0“ŒÃQ(að½p$‚âL¨<Ñ °^’™‚èÏ-!ÌåɹÒ"© çdb([0ᜩ&ß–ÓüÇ`ÿ†ky¸›€Íö8 ñ ³úCâ lÑ? 'ZÀ‡¹€7Æ„¹èr+^b󆙈€³¼ëɇØà dÀ Å‚ Z,éÏ ‰…™~ŸÁ" 6^Ôa”¹œD>¾ESº»/}›ñÒ¿]júAÊ÷EÃø»{±¦ü^ËgÄEb ‚¹Q~^…-ÛlÊÀ˜ ÐøÊ„¸Ì +„rvÆbãAÀÄÌ(k +`m üW[ŠìÀž®€%hcmnc¶¨2\.ŒòÏ‚üs?׈|B0 3p‡-D‰Wm»Á—H‰ººE~Týk¡´¬éfæfòïÖ?œ¢ãc£‰S®ÑI†[¬Võ÷ö[ÑiTzýÚÐãvý§:*¬”¤èï4ßb]Ö½½EÚ¾‚ìÐ2¡ÝQ]Ÿ m“†eŠß°ó[«\ÑÁË¿;k|gã3=}úˆ¬Çe²}UZyJQ\¥bHŒw…úµùÇæÃkÖwÓ¦ií«&6>ïѤyÄ–ÙÇ*i^£ØxeØ3KE©˜Z:*ûKˆÿ±¡æ²¼œ—ºªxU³{__iòX[³µA5n°V¿½ÚKÿzø· ƒ½å¡‘Á·_+k¼,iá×Ó+eCú—~ïŸ×i>B¸ýs°Z\™•^·÷¦µ‚MͼQÍÕq‡,ô|l E ÷ùªBƒ»{®©M1¤ØÕ¤&z$Ù˜´ª¶7}Šús«¦â}+/¾ rÓmÆÖ ÙTø(ãÃmî•DûԣϛŽ ¶$^Ü! oDòF^è€DSéäTû‘ öê:‘˜™y– ÞYþ$GÖ:ãyYyhŽÅçnOQ« +ÜWçÖ+ŽLŒÍ:¦yÚ'ʸ9W6ªZ¼‹Ãì<T¬ +×KozÝ"åœn­2ÊËXS—a6·‰C«níó­;þ¬ÚiÂ`ßkJX­ƒ Ü ú©Î­±”k¹}:œxQügÒòá¦=ÅED.nP¢– 'Ðà;ýµ@zóýƒk%_Üü!°®?®Y<×\då•l|ö1‘Íõn†Fî=ëTY—XE·(Û »òÌžò€]å–ÍöQÉ¿'õ­6‘ V$c'‡ð] +åeŽ£C ,¥ôß.—ÎNÇnpÑŽôÜu쮑ùÞþÆ/ÃÒ/n.©Ë{éÅçKòó''g +™áQèúÜä—ª%ý›Ò’m…Ù®U§ŒuŒ÷™HSkÃT…–µ+ÄÁ…VBˆ…¿æxæPP‡çG<ä"~š<«ñBseBh}WgÛ{ÜS±ac{Îݶiq°©âOç;™›¥ó~íÆôl0d…<$uüºymKC%K[ê`‘Sò=X6Î+ k2Bsý:ÌCÜÔú”ÎtWÞl–¯MÀ,ÉöÍQ!àOC‰zZ½Q,Ñm_l³O” ¿ÌîaÝ°Ê“æ»E +Jø˜þ˜4yÖNwGÉ'x&ÛUËG£³½í©4|]ÝÅvú¼wÌ_Îé†Ýñ0 dmš}ÁEß)”xœ7È:ïwùzLÜõзõxÛj/Iy÷o›7žÝØt²º¡R’»CBª¬äM¾å4‹ÊÅù¶„ë•ÐÔ bÍÚðMøÀn¿ÚÎ'Óès/:ÁŠ2ž9Þ¦rö½cýì`Õ‰j¨¢v[MaÓî·G'º»¨ 6¤×7¦¿¹!8üîÄH”–;ÚS09¤ESxsëÇ9Ì!ÉÈ7/Åbš6å×ñI¸¿êj¤!·5{ŠU=qéÂp7Nv |4ÞÐSºsZ_¢h¯Îã×IiN«=yÌô1óUü‰åèîöU? ÆTkŸ«8¯èj‡¶(~yߨu*² :ãkH|W2 Øo«Úþ—îÿÿ 6 qùâFápoòÜp +endstream +endobj +121 0 obj +<< +/Type/FontDescriptor +/CapHeight 850 +/Ascent 850 +/Descent -200 +/FontBBox[-15 -951 1252 782] +/FontName/DNPOCX+CMSY7 +/ItalicAngle -14.035 +/StemV 93 +/FontFile 120 0 R +/Flags 68 +>> +endobj +120 0 obj +<< +/Filter[/FlateDecode] +/Length1 721 +/Length2 599 +/Length3 533 +/Length 1109 +>> +stream +xÚSU ÖuLÉOJuËÏ+Ñ5Ô3´Rpö Ž4W0Ô3àRUu.JM,ÉÌÏsI,IµR0´´4Tp,MW04U00·22´25ââRUpÎ/¨,ÊLÏ(QÐpÖ©2WpÌM-ÊLNÌSðM,ÉHÍ’œ˜£œŸœ™ZR©§ à˜“£ÒR¬”ZœZT–š¢ÇÅeh¨’™\¢”šž™Ç¥r“g^Z¾‚9D8¥´&U–ZT t—‚К +@W¦äçåT*¤¤¦qéûåmKº…dgaqºán¥99~‰¹ ãAá„!˜›™S UŸ[PZ’Z¤à›Ÿ’Z”‡®4<â6ßÔ”ÌÒ\tYÏ’ÄœÌdǼôœT]C=cSˆDf±[fEjJ@fIr†BZbNq*X<5/Ý)ÀÐ;DßÅ/Àß9B±É€Ä̼’Ê‚T„j0ßÁRQf…B´ž!P!ÂX±h–¹æ%ç§dæ¥+—$æ¥$¥À0åä”_Q­ LCº–¦† +†F¦F +æFµ¨ +Có2 KS=]L , ÍÁ¢É¥EE©y%àÄô0ŒŸ– ¤ÔÔŠÔd®ÙsD3ãudµ¿&|9pU)|׉s77ÌRÚd(éw¾irkS¾ßôØsçŽkë|^Ø1óÌ=ù›¦æ6ZsæÛasß_yç2Þ-ò3ËÖ%Ÿä¸óþì^Ÿ¦· ‹óJÚ“}9æ_‰ú²¸+l‰£Ž5÷ú_¯ «?Ü›ÿ»ª%a¿{TºÄ†ã6á‚®Ô¦•³,úýþ؉ïv³3kï0–™2<²ñç[±èRéZîleÎz¦_ 6òn?×üã ªq–ܸs)_»Ç´3ËÄÿÙ©F&´d–<•±s§Á’ØXþÃÙ¦:&ΫóË'oîÕ©ßy„sueë«qóû³›3t\ü•[¯$r«Sã ÷4c¯KE·Þž+º´rSVïÅŠ'_¿a¾2öuïK½+vpÏx7çn—MøÚÚ¼í+ô_-{Ä÷~¹^)ßoÏø‚Ý‹TIè½1ÿ¸ðè>…éì¢Læ·–íg¾2£)½üÝëD^ÿc]Q,'å$ó'ÐÖýZñ㛾 ñ±lÿ¥>˜¦³uy”×ä›;ŠMwÖ¸®±hlõÕ4Í9Ÿ"KŸ]9hÑéÖ\8ùŽï?Lj#®ÑìoY×~8ûq¦Ü¾o—{ž jVf4HæO¸c™_sÚÉ&z·‚Þíò²«îÛ½;¶|]ž}û’¤ï—xNezžesáCÚÌ÷&ê¦[Ö­»fôS!áñEëâSùÂ:×ç¦Z­KŠ¿¨÷ò8sJ€€hïO¥Ýá‡O›ÊþÿÖv÷»2+ìÃóRZþ‡Þ–ñ(y¹»ÉnYâÚÒ‡¾3 +ÿ=mù^unë‹)[úT£¾ÿÑÏòZb¢Ÿöeö®Q†…É9©‰E%ù¹‰EÙ\\^ +wì +endstream +endobj +132 0 obj +<< +/Type/FontDescriptor +/CapHeight 850 +/Ascent 850 +/Descent -200 +/FontBBox[-71 -250 1099 780] +/FontName/NYLKRJ+CMSSBX10 +/ItalicAngle 0 +/StemV 136 +/FontFile 131 0 R +/Flags 4 +>> +endobj +131 0 obj +<< +/Filter[/FlateDecode] +/Length1 722 +/Length2 1555 +/Length3 533 +/Length 2087 +>> +stream +xÚí’iX“WÇA6 ) ""ðj Èš1!Š $C4Ô a'$/ÈFT‚eÇYSEDÅR¬²:E+µDm°<ŠÈR%²ÈâNÔê<£óežù6ϼ÷Ë{ÎùßÿùÝs/býnª‹ù<‘Ú½ P¨T<Ðö(A‚ ›ÏsgˆÀ­‡Cnñ‘€ƒ²ŽÙê¸y+ + _ dGF‰€M«w*,àÆ…l&ƒP¢(«4a28•Ïdƒ¢{pãpïw[âo0îYö °ØLF²yä;,O^À~H³âK{@aœ’ ؤä´””,>“°ÀÒ‹¯ì*Yþc¬Cõ¹91žÃñbpßÙÿ5ª/ .›“ð—†ÏÄ‹@!@á³@!ïs) ü€‡çs¾hä)bpØL7^$PRì8"[ ²v³EÌ( ‚Á‰ßçAësåàÞ ½üwíô&Û|ºÖõÝ 6Oä“ øäünÃûýÏX9"![ ¢ìQ(´R¨\ÿ‚?ëçÁcòYl^$@1x,†õ)ñ%Ïï·Ã¢;‡-Êg„Âá¬*ñ_…¾:l×Ì%5µSd–óÖC‰õOlæ]‘7X̨<»}%è ‡Œyî°jôê c§ÕZ²19q63{& t~Ê<î®Óš»ÙÙ||¦ÕéÚ×1ía7­Z£O;³î-^²&ÚеçÖKC‹NÌÐÜÙœ‹_gêÈFõ¢÷¾ýgiŸ5”3ƵӮŒö´ï¨=G—ã HÇx¯–»³‡‹Z» ßÔnõk,qµFØêý:9(ÔÅI°²¸Ê .O¿ÙÃù˜gL +?ñbŽ—ví¦m/Êé +\Ÿ§!%‰'Íš+òd”f§t5&Ÿ¶&VsáÎ +‹c‰‘^w¿éˆ{hMX’:‚‡JŠû¡Äã?bÁÇc¯ð“Ë{XU’]Ûª&&úƒ&UÈá¶í* a%÷+úÁ£Ò*LyTÆŒm^qƒ`rų£ª›ârÑòrh”nj¥=5ä‚ÿ…Ù ü"û¦ ÿAß­æ£-S÷Y±Zoô­6Õi[wîàÆZc×Ù:}‰@Nò¬¾ræßuRöóIïÐŒ”`P?ó"j¤†w{âÈ”Z¡vKZ_’æ ­o]“mW‡6²¶å…4’Æ%©ik Ës…ðž•Wê¶åÖüªö†Si¹ô¹ÈÔI Ýï”3ÿçw«±3Ã>’‹‹ÕXتåŸ%Õã×û +–ìMÆzOÏZ¼æ ÌêÈ“»µ½¤SI½–ç§9A>tdï} ÇxoáÓd¡çjwd½9S8rʸM%`Ò#`Cˈ€âWáð÷¬Ò3è€C¯‘­‘ã]ƒáÎ2MX´oîŽßŸ¦'ýä{tdœïµsУ(Ö™»~å!¯Ð;M£µžH’< ^ k碵åaé1î™NK÷b»°£Ç7»j÷Gó´Øø82#è¥ÜûtFw¤ÉoçMÂå·'›>ëi¼iÐ9-ÊÓu·eí%àü’#iV›Ê\ävÖö.±;/JW§¶¬õ¦þm@íͽ¦¶â~ÉÁàÓß{È GÛu»]ËçN5Ù”¿:bò¤ð‡3Ü!¶lzÞaú‹U®õtU(—‚L"2g'Çž¸ÉªI„={*5-I÷œüör=zâÔOž¢W+ímL@¥á–¬bàj…&‡¤mm¨`ªº¼‰3„TDhX»¸Ú6T§¹tÍUE†Qû6´Ö_-Ò]ÕfWæÎj´§ÑCÈ~8æõäEEA¤ÉmH¶¡õáqQE~åIy«é¥:ô-’õ#Ha)H„¾Úq†@~‹ñ‰\žµ< Ÿ]nõ¼Ñ +QÔtªj¾½ÈZ`®Ô’îÛ<I*.õ§ Æê¥jîÊCЗ›ùŽÆÿP%t$ïúõ_~ÿüO09 C(âsÂäáí6£ +endstream +endobj +140 0 obj +<< +/Filter[/FlateDecode] +/Length 282 +>> +stream +xÚ]нNÃ@ pW"Ý’¼Aý½Üå«tŠT@"x`D +æ#¯T‰×oà1CTcç6ÿt–cåogC§eÓZWâÆW¶)±r[ëôekë->z|ÁÊWÖoQƱlk»ÛýûäáÙì{SÜcSšâëÚý-¾½¾?™bw‰^ÞñÙ_!3‡Œ‰y‚•r8 +°&ž…”˜„„xVÄAÒ €á,å82˜òä&€ŽgG²ŠÏ9A¦ŒÒcÎGéÉÞSY/„. ZÏD–Á92å™B‘1Ü,Ì0|éD$}ê í­è[{ ýj¤”Æ£ÄÌHsIÌIéHÓ&ÒKDzNÐëèy‚ü7™ëÞþN4Ëö +endstream +endobj +141 0 obj +<< +/Filter[/FlateDecode] +/Length 257 +>> +stream +xÚÝÏOJÃ@ðo¨2çBÞœLþšB!PÌBЕP—.ÝÒ£å^!7°Ë.†Žï¥Å… à,~0ð¾™ïÎYçh¢*mîè<»(m]QÞÖÕT4•-KzÊè•ò¼±MEVÌ> +stream +xÚ½ÑAjÂ@€á\f#=ïL2±¡+!Vh»êl—.”º6KWæ^%GÉ LVZ§ï!oªuãÊ„÷ /0ðC¬1ÚøãÑ>¥Ú¦'F?°ý¾¶>#˜ñ'zÓ8Öé¿“©Êr~@bTø +QŒGþßóÅ— +³ñ"ÜOkþι×^±%Êû°'jB QrHCÈZ sÄ{¢çO@ô‡#‰b†tZ¤K,‰¢ËH + +ˆÁmá^pxÃáG^qøÊ×ûðú"¼ã×.9\úð‡¾Þ‡÷Êûý·á®Øà¨Q®ÞÑ]§É +endstream +endobj +143 0 obj +<< +/Filter[/FlateDecode] +/Length 215 +>> +stream +xÚÅαnÂ@ `£ˆN^Ùâàrw$ä²B+5L<@Û±$&£ñ¼oÐŽW“Ò¥<Ãgɲ­ßÞÆZ²×âsc+¸¡7…%WSæäCel wGKrenFÉ:åÞ™¢üwòö©ÇµÎä+½RiuVOi½Ú|èl<›“þ·­Ÿé+F> +|¤}Ã=@N@1\maAEèwã>ÁÖîý͠ߺ@[<#w¿ã i›¹§"?aä$ |%º·_RÑýRëù¥ ÄK +endstream +endobj +144 0 obj +<< +/Filter[/FlateDecode] +/Length 982 +>> +stream +xÚÕ×½ŽÛFð%XÐP³­;ò¬“tŠîXÀI€\ ©ü¶K ’.«PéW¢á"¯Á /@w[,ÈìÌ»R¤Ï"WœîwwZÍ~Ììð~·ÛîvÛïÛãmñìôÕŽ^íÝÿíía{¸-^ï‹Ÿ‹Óá´½=þ Åþîþ°=æïzõvóâasó²Ø›ï‹ÃקÍÍÃů¿üöfsóâÇoŠ½·ðáÛ¢—¯O=|Õˆª(îNåv +Ñ"•­ FT*]š"ЦPç¬G‘Öe :k ÌÀr—ǘPv:¢ïuœ‡¦ZûÙ\2@åqÐÿ‰—a´UÊUôkHÖÐþ‘~9Æ ê²Ï¡K¿nv‚ Ю¢AÔz "ù9:„ 93‡E´á$z4ñXNòQ +¨püÓá e¦°si‹h iÓQA¢§ +ðNAq˜ ‚,»æy²ŠõraÒkÌó rLúŠÄÙ`hÔ«qª)RŒ&ŲåÐ,¢ÅКYh£™,¡Y†t«p3<1Ú“B{º ÚsÄï9ÄáCs–0BM‘†"êãÌÜ :€6´Ë–À»»Þ]@,ɼÕi@ /¼3nõOá9СÊ)ü0A«†  r†P‚R`x²­4(ƒ6i(NºÍè•Ñ!•÷Ó5¡bäráòÏ~8B'ÈzÊw' “ËÈ46AFöcW~D²A‡”)+t­î ŸGÅ°òg +©J,¿1gd´´ÒÎðš1øž%¤Ôw*•1J‚™ƒî ~šŠªkßE$ŒÖCÓýÐñ¢%–áï‡+¸½À_²VP2ÞÝ+ä3\fðªpáš|¼F«yšZΘJZ Y`'ð!¾ïû¿(¶ÄI×ÁH Ž ëöïZƒŒîëOPù¿ÐÒJW9¢à[¨¾AH«Õ–ÔOñr\£ö§Hª„-ùÞ“$'$ý°*´&¶ì¸×ǹşjô§ü©Ö´\si}zg®…<¶3•”Ù„1Ü4 ÷|(í~#z·J;-j¸h:INz¹xƒ4CΆ4Ö|…ýh«¦1ô×}÷o ±Åÿßàò¤õ»„<¢æõ¿Œk«¤Fp²—q?’€VjðÙ¨Ç0ÔíÿF 1êe$áPX^ƒá¸X^á!GšgFJ™qKÎ9A*y0¨ÄçÇWÂ3A-}“@¯NÍpï÷ êIŽ(|š«±ãjgý<·Öãm¾{Øüôž< +endstream +endobj +145 0 obj +<< +/x8 140 0 R +/x32 141 0 R +/x34 142 0 R +/x5a 143 0 R +/x47 144 0 R +>> +endobj +61 0 obj +<< +/Type/Font +/Name/F15 +/Subtype/Type3 +/FirstChar 0 +/LastChar 251 +/Widths[0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 +0 0 0 0 0 0 0 0 0 0 0 0 0 300 510 300 300 300 0 0 500 150 150 375 375 0 0 0 0 0 0 +0 300 0 800 700 800 700 800 700 800 0 0 0 0 500 500 1000 0 0 0 0 0 225 371.25 225 +225 225 0 0 0 800 0 0 0 0 800 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 800 500 0 0 0 0 +100 200 400 800 1600 3200 100 200 400 800 1600 3200 100 200 400 800 1600 3200 100 +200 400 800 1600 3200 100 200 400 800 1600 3200 100 200 400 800 1600 3200 100 200 +400 800 1600 3200 100 200 400 800 1600 3200 100 200 400 800 1600 3200 100 200 400 +800 1600 3200 0 0 0 0 100 200 400 800 1600 3200 100 200 400 800 1600 3200 100 200 +400 800 1600 3200 100 200 400 800 1600 3200 100 200 400 800 1600 3200 100 200 400 +800 1600 3200 100 200 400 800 1600 3200 100 200 400 800 1600 3200 100 200 400 800 +1600 3200 100 200 400 800 1600 3200] +/FontBBox[-320 -1175 3520 1587.5] +/FontMatrix[0.001 0 0 0.001 0 0] +/Encoding 60 0 R +/CharProcs 145 0 R +>> +endobj +146 0 obj +<< +/Filter[/FlateDecode] +/Length 332 +>> +stream +xÚ}ÒAJÄ0à”. +ÙÔ40Mm§é¬ +£‚]ºòêÒ…¢»<À\©àÂkæ]%1¯1Bé „ïAB ïçÙ†æa”1’ç´(ÉyE󒔜ÓMN8» eNž2òJÊ¢ Œ¦ÏÝn_ð®Áéá§7¤Úà´¹%ïoÏ8ÝÝ]’L÷¦m®ˆÒ%þ¶±]ÓP¯©OÖÔÅk:‹V$«ÐÓTV{_b¬¤¯Q¢Öè¤|ª­:OߪK¬zOÕÇVƒ§D‘#©ÕJ¸š´£VM®„2Ò—\ tÒº:‚j«ÎÑ7(õH—£ƒ0ÿY0È!ÁÀÇ¥ä¬4‡e©iV‚ MK‰Y™KŒÚ_©¥ŽFµU§õå*êS™¨ +ÅBVðÅp.äB¿„ šóü#|ÝàûòEËA +endstream +endobj +147 0 obj +<< +/Filter[/FlateDecode] +/Length 248 +>> +stream +xÚÒ=nÂ0àT H^Úð.PÇ)ÄqV +*ÁÄ(c¥‚`S¯×Hoà1C”‡ixÔ¸¢ØËçŸ÷,ÛOöO{ ¸ ¥ð¬xW‚ŒÌ¼™$<îÂ{ ˆ¥âI +Ât©bž^Ì>X?cáÔ¬±pê……Ù¬–ë9 ûãWˆÌ¸fšÖÒ.0xD¬È;ˆX/±¿Ô7ãËö 5¡" Ì ú`÷œEÙ<6ó_§ßx‹Ü<ÃÓ?P»¿QùQ:ÐôqaKÈ Á •ÁOAjƒ¦D*Úk`ÃŒMÅÞ4¥ +endstream +endobj +148 0 obj +<< +/Filter[/FlateDecode] +/Length 364 +>> +stream +xÚÍÓ¿JÄ0ð'‚Ø//`šžýc §‚|utPt¶ƒp>Vî5º¹vÌúó—¦IÉq‚£íÐO ù%M¾É“‚‹˜ .K v¼L¹(XV$|™ÙÏCÌžY–$\äLà›Ç?Iý÷OtUÑèŽå9®ØiF£êš½¾¼=ÒhusÎbl›fuÁŸ:ø–IÀF«!¤4" Â¥fsP]ð5¨]`«×ªßqø™–€þÕÏtñ}”šk}¢ôPì¬j5(]K¡šR«CérFdÔ‚Q¦0¨@ªIÀk‘Û•ši}µ¡Ñz§šI‹mmdý'¬K+ò4­jX©"øü*<­™ýóvn…'3îPçvÒW`ÕíÐx2žÆ³ôÔp9?~J¦ä˜4u.a­K]ë’ظt~ØÄÂÞb,ÓØd«#›ö®ÔRرî+Ù›ºÛƒÃ¥ ¸nÓËŠÞþ¯²Í +endstream +endobj +149 0 obj +<< +/Filter[/FlateDecode] +/Length 270 +>> +stream +xÚ]ËAJ…PàÀp'¾x6Ðõú¼æs$¼ +rÔè- 5qmIwâîÐhzÎà¿t~øà‡ÿØ"×¥%£¡Üè´¤ëc^êÌMOú˜Qa­¶9½¦ôIÙÍI›m¼%5&ÓEþïçå]k•\ÈZ•> +endobj +65 0 obj +<< +/Type/Font +/Name/F17 +/Subtype/Type3 +/FirstChar 0 +/LastChar 127 +/Widths[595.64 795.78 742.47 662.03 635.86 715.34 689.16 742.47 689.16 742.47 689.16 +552.08 525.43 525.43 788.14 788.14 262.71 289.37 475.94 475.94 475.94 475.94 475.94 +715.34 422.63 475.94 689.16 742.47 475.94 862.17 968.78 742.47 262.71 262.71 475.94 +795.78 475.94 795.78 742.47 262.71 369.33 369.33 475.94 742.47 262.71 316.02 262.71 +475.94 475.94 475.94 475.94 475.94 475.94 475.94 475.94 475.94 475.94 475.94 262.71 +262.71 262.71 742.47 449.29 449.29 742.47 715.34 675.6 689.16 728.9 648.94 622.29 +749.01 715.34 342.19 489.03 741.99 595.64 875.26 715.34 742.47 648.94 742.47 702.25 +529.25 689.16 715.34 715.34 981.87 715.34 715.34 582.55 262.71 475.94 262.71 475.94 +262.71 262.71 475.94 529.25 422.63 529.25 422.63 289.37 475.94 529.25 262.71 289.37 +502.59 262.71 795.78 529.25 475.94 529.25 502.59 369.33 374.66 369.33 529.25 502.59 +689.16 502.59 502.59 422.63 475.94 951.88 475.94 475.94 475.94] +/FontBBox[-98.2 -450 1080.2 850] +/FontMatrix[0.001 0 0 0.001 0 0] +/Encoding 60 0 R +/CharProcs 150 0 R +>> +endobj +151 0 obj +<< +/Filter[/FlateDecode] +/Length 229 +>> +stream +xÚÍÎAJÃPà )…tÙEèÌ|yÉËãE(Õ‚YíÊØ.»PtWLnâUz{—.Ç©ºàâø™f¼sÖ9ú*¡¶ÑÑY½­Õ±µ¡!ßz{îiSÑ=Õu°mC:N!DëÚ_+w;³èLyKÞ™òšbcÊ¶¦\¬.©Òü»+zá…ÿÁpÁ3Èx + Oö0‡g(RÆ™F¹B9ÂßN½“a¬ +(ðæj Œï ã[Êx̨·zFž¥ÂE&> +endobj +66 0 obj +<< +/Type/Font +/Name/F18 +/Subtype/Type3 +/FirstChar 0 +/LastChar 251 +/Widths[0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 +0 0 0 0 0 0 0 0 0 0 0 0 0 300 510 300 300 300 0 0 500 150 150 375 375 0 0 0 0 0 0 +0 300 0 800 700 800 700 800 700 800 0 0 0 0 500 500 1000 0 0 0 0 0 225 371.25 225 +225 225 0 0 0 800 0 0 0 0 800 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 800 500 0 0 0 0 +125 250 500 1000 2000 4000 125 250 500 1000 2000 4000 125 250 500 1000 2000 4000 +125 250 500 1000 2000 4000 125 250 500 1000 2000 4000 125 250 500 1000 2000 4000 +125 250 500 1000 2000 4000 125 250 500 1000 2000 4000 125 250 500 1000 2000 4000 +125 250 500 1000 2000 4000 0 0 0 0 125 250 500 1000 2000 4000 125 250 500 1000 2000 +4000 125 250 500 1000 2000 4000 125 250 500 1000 2000 4000 125 250 500 1000 2000 +4000 125 250 500 1000 2000 4000 125 250 500 1000 2000 4000 125 250 500 1000 2000 +4000 125 250 500 1000 2000 4000 125 250 500 1000 2000 4000] +/FontBBox[-400 -1175 4400 1587.5] +/FontMatrix[0.001 0 0 0.001 0 0] +/Encoding 60 0 R +/CharProcs 152 0 R +>> +endobj +153 0 obj +<< +/Filter[/FlateDecode] +/Length 175 +>> +stream +xÚ¥‹1 +Â0…+„,=BŸ0MÒ´MA T3:¹ÔÑAѹÞÌå?Boƒ‚«ðñx¼— Á…À; +ÃÄTV%×Ê(ž äÆpYá(qR9×5ÂE©y).‡3kËö5ËÖІenƒÛõ~bY³]@ÿ¨[âéÉþI1EÅ}j:ÀÑ +ÀöÖ>ÈŽhÓ,!“’èhâiì)ñ”zê<±•c»Ÿnmx +endstream +endobj +154 0 obj +<< +/Filter[/FlateDecode] +/Length 190 +>> +stream +xÚ…Ž= +Â@F?K [Áb.àf³1š€•?` +A+ –‚Š‚EŽ–£äSfq1ºm2<¾aÞ0RR)ú¶^0ȾO:¥)µŒ"ÚútüŒ^‹4Ô±Ôñ¯±Ù‹q"¼5i%¼9 ´ð’O—ðÆË ù¯\ÅdJåƒKë05äƦÆÂ0LŠ` CU—ZŒÃrÃrçßÍœXÀd0pn¤Nl¿Ï0ºŒ››–¯µŸ”Ž{Éb–ˆÕ¥ +endstream +endobj +155 0 obj +<< +/x32 153 0 R +/x34 154 0 R +>> +endobj +101 0 obj +<< +/Type/Font +/Name/F21 +/Subtype/Type3 +/FirstChar 0 +/LastChar 251 +/Widths[0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 +0 0 0 0 0 0 0 0 0 0 0 0 0 300 510 300 300 300 0 0 500 150 150 375 375 0 0 0 0 0 0 +0 300 0 800 700 800 700 800 700 800 0 0 0 0 500 500 1000 0 0 0 0 0 225 371.25 225 +225 225 0 0 0 800 0 0 0 0 800 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 800 500 0 0 0 0 +195.31 390.62 781.25 1562.5 3125 6250 195.31 390.62 781.25 1562.5 3125 6250 195.31 +390.62 781.25 1562.5 3125 6250 195.31 390.62 781.25 1562.5 3125 6250 195.31 390.62 +781.25 1562.5 3125 6250 195.31 390.62 781.25 1562.5 3125 6250 195.31 390.62 781.25 +1562.5 3125 6250 195.31 390.62 781.25 1562.5 3125 6250 195.31 390.62 781.25 1562.5 +3125 6250 195.31 390.62 781.25 1562.5 3125 6250 0 0 0 0 195.31 390.62 781.25 1562.5 +3125 6250 195.31 390.62 781.25 1562.5 3125 6250 195.31 390.62 781.25 1562.5 3125 +6250 195.31 390.62 781.25 1562.5 3125 6250 195.31 390.62 781.25 1562.5 3125 6250 +195.31 390.62 781.25 1562.5 3125 6250 195.31 390.62 781.25 1562.5 3125 6250 195.31 +390.62 781.25 1562.5 3125 6250 195.31 390.62 781.25 1562.5 3125 6250 195.31 390.62 +781.25 1562.5 3125 6250] +/FontBBox[-625 -1175 6875 1587.5] +/FontMatrix[0.001 0 0 0.001 0 0] +/Encoding 60 0 R +/CharProcs 155 0 R +>> +endobj +1 0 obj +<< +/Creator( TeX output 2004.11.02:1414) +/Producer(dvipdfm 0.13.2c, Copyright \251 1998, by Mark A. Wicks) +/CreationDate(D:20041102141424+01'00') +>> +endobj +5 0 obj +<< +/Type/Page +/Resources 6 0 R +/Contents[37 0 R 4 0 R 38 0 R 39 0 R] +/Parent 156 0 R +>> +endobj +41 0 obj +<< +/Type/Page +/Resources 42 0 R +/Contents[37 0 R 4 0 R 73 0 R 39 0 R] +/Parent 156 0 R +>> +endobj +75 0 obj +<< +/Type/Page +/Resources 76 0 R +/Contents[37 0 R 4 0 R 77 0 R 39 0 R] +/Parent 156 0 R +>> +endobj +156 0 obj +<< +/Type/Pages +/Count 3 +/Kids[5 0 R 41 0 R 75 0 R] +/Parent 3 0 R +>> +endobj +79 0 obj +<< +/Type/Page +/Resources 80 0 R +/Contents[37 0 R 4 0 R 81 0 R 39 0 R] +/Parent 157 0 R +>> +endobj +83 0 obj +<< +/Type/Page +/Resources 84 0 R +/Contents[37 0 R 4 0 R 85 0 R 39 0 R] +/Parent 157 0 R +>> +endobj +87 0 obj +<< +/Type/Page +/Resources 88 0 R +/Contents[37 0 R 4 0 R 89 0 R 39 0 R] +/Parent 157 0 R +>> +endobj +91 0 obj +<< +/Type/Page +/Resources 92 0 R +/Contents[37 0 R 4 0 R 93 0 R 39 0 R] +/Parent 157 0 R +>> +endobj +157 0 obj +<< +/Type/Pages +/Count 4 +/Kids[79 0 R 83 0 R 87 0 R 91 0 R] +/Parent 3 0 R +>> +endobj +95 0 obj +<< +/Type/Page +/Resources 96 0 R +/Contents[37 0 R 4 0 R 97 0 R 39 0 R] +/Parent 158 0 R +>> +endobj +99 0 obj +<< +/Type/Page +/Resources 100 0 R +/Contents[37 0 R 4 0 R 102 0 R 39 0 R] +/Parent 158 0 R +>> +endobj +104 0 obj +<< +/Type/Page +/Resources 105 0 R +/Contents[37 0 R 4 0 R 106 0 R 39 0 R] +/Parent 158 0 R +>> +endobj +108 0 obj +<< +/Type/Page +/Resources 109 0 R +/Contents[37 0 R 4 0 R 110 0 R 39 0 R] +/Parent 158 0 R +>> +endobj +158 0 obj +<< +/Type/Pages +/Count 4 +/Kids[95 0 R 99 0 R 104 0 R 108 0 R] +/Parent 3 0 R +>> +endobj +112 0 obj +<< +/Type/Page +/Resources 113 0 R +/Contents[37 0 R 4 0 R 123 0 R 39 0 R] +/Parent 159 0 R +>> +endobj +125 0 obj +<< +/Type/Page +/Resources 126 0 R +/Contents[37 0 R 4 0 R 127 0 R 39 0 R] +/Parent 159 0 R +>> +endobj +129 0 obj +<< +/Type/Page +/Resources 130 0 R +/Contents[37 0 R 4 0 R 134 0 R 39 0 R] +/Parent 159 0 R +>> +endobj +136 0 obj +<< +/Type/Page +/Resources 137 0 R +/Contents[37 0 R 4 0 R 138 0 R 39 0 R] +/Parent 159 0 R +>> +endobj +159 0 obj +<< +/Type/Pages +/Count 4 +/Kids[112 0 R 125 0 R 129 0 R 136 0 R] +/Parent 3 0 R +>> +endobj +3 0 obj +<< +/Type/Pages +/Count 15 +/Kids[156 0 R 157 0 R 158 0 R 159 0 R] +/MediaBox[0 0 595 842] +>> +endobj +37 0 obj +<< +/Length 1 +>> +stream + +endstream +endobj +39 0 obj +<< +/Length 1 +>> +stream + +endstream +endobj +4 0 obj +<< +/Length 33 +>> +stream +1.00028 0 0 1.00028 72 769.82 cm +endstream +endobj +160 0 obj +<< +>> +endobj +161 0 obj +null +endobj +162 0 obj +<< +>> +endobj +2 0 obj +<< +/Type/Catalog +/Pages 3 0 R +/Outlines 160 0 R +/Threads 161 0 R +/Names 162 0 R +>> +endobj +xref +0 163 +0000000000 65535 f +0000172228 00000 n +0000174710 00000 n +0000174355 00000 n +0000174560 00000 n +0000172392 00000 n +0000013516 00000 n +0000000009 00000 n +0000051550 00000 n +0000051363 00000 n +0000000913 00000 n +0000058306 00000 n +0000058120 00000 n +0000001858 00000 n +0000002852 00000 n +0000065348 00000 n +0000065154 00000 n +0000003806 00000 n +0000069600 00000 n +0000069414 00000 n +0000004776 00000 n +0000005693 00000 n +0000074627 00000 n +0000074433 00000 n +0000007309 00000 n +0000076178 00000 n +0000075988 00000 n +0000008316 00000 n +0000086799 00000 n +0000086611 00000 n +0000009252 00000 n +0000101546 00000 n +0000101353 00000 n +0000010169 00000 n +0000103112 00000 n +0000102926 00000 n +0000011108 00000 n +0000174460 00000 n +0000012108 00000 n +0000174510 00000 n +0000013395 00000 n +0000172495 00000 n +0000026596 00000 n +0000110227 00000 n +0000110041 00000 n +0000013577 00000 n +0000014542 00000 n +0000113780 00000 n +0000113594 00000 n +0000015519 00000 n +0000123582 00000 n +0000123387 00000 n +0000016264 00000 n +0000017216 00000 n +0000125370 00000 n +0000125175 00000 n +0000018123 00000 n +0000133009 00000 n +0000132824 00000 n +0000019105 00000 n +0000019849 00000 n +0000165256 00000 n +0000145049 00000 n +0000144863 00000 n +0000020910 00000 n +0000167886 00000 n +0000169315 00000 n +0000148482 00000 n +0000148296 00000 n +0000021879 00000 n +0000150797 00000 n +0000150612 00000 n +0000022880 00000 n +0000023882 00000 n +0000026398 00000 n +0000172600 00000 n +0000028343 00000 n +0000026658 00000 n +0000028228 00000 n +0000172790 00000 n +0000030426 00000 n +0000028405 00000 n +0000030322 00000 n +0000172895 00000 n +0000032130 00000 n +0000030488 00000 n +0000032037 00000 n +0000173000 00000 n +0000033719 00000 n +0000032192 00000 n +0000033628 00000 n +0000173105 00000 n +0000035689 00000 n +0000033781 00000 n +0000035585 00000 n +0000173303 00000 n +0000037624 00000 n +0000035751 00000 n +0000037521 00000 n +0000173408 00000 n +0000039266 00000 n +0000170942 00000 n +0000037686 00000 n +0000039137 00000 n +0000173515 00000 n +0000041028 00000 n +0000039330 00000 n +0000040889 00000 n +0000173623 00000 n +0000042757 00000 n +0000041092 00000 n +0000042641 00000 n +0000173826 00000 n +0000047361 00000 n +0000154705 00000 n +0000154509 00000 n +0000042821 00000 n +0000157055 00000 n +0000156862 00000 n +0000043770 00000 n +0000159197 00000 n +0000159001 00000 n +0000044767 00000 n +0000045779 00000 n +0000047184 00000 n +0000173934 00000 n +0000048509 00000 n +0000047425 00000 n +0000048380 00000 n +0000174042 00000 n +0000050636 00000 n +0000160613 00000 n +0000160420 00000 n +0000048573 00000 n +0000049519 00000 n +0000050565 00000 n +0000174150 00000 n +0000051299 00000 n +0000050700 00000 n +0000051254 00000 n +0000162815 00000 n +0000163171 00000 n +0000163502 00000 n +0000163824 00000 n +0000164113 00000 n +0000165169 00000 n +0000166301 00000 n +0000166707 00000 n +0000167029 00000 n +0000167467 00000 n +0000167811 00000 n +0000168976 00000 n +0000169279 00000 n +0000170380 00000 n +0000170629 00000 n +0000170893 00000 n +0000172705 00000 n +0000173210 00000 n +0000173731 00000 n +0000174258 00000 n +0000174642 00000 n +0000174665 00000 n +0000174687 00000 n +trailer +<< +/Size 163 +/Root 2 0 R +/Info 1 0 R +>> +startxref +174808 +%%EOF diff --git a/macros/generic/musixtex/doc/musixdoc.pdf b/macros/generic/musixtex/doc/musixdoc.pdf new file mode 100644 index 0000000000..c01420e9c0 Binary files /dev/null and b/macros/generic/musixtex/doc/musixdoc.pdf differ diff --git a/macros/generic/musixtex/doc/musixdoc/accidentals.tex b/macros/generic/musixtex/doc/musixdoc/accidentals.tex new file mode 100644 index 0000000000..de374139be --- /dev/null +++ b/macros/generic/musixtex/doc/musixdoc/accidentals.tex @@ -0,0 +1,77 @@ +\chapter{Accidentals} +\vspace*{-4ex} +\enlargethispage*{2ex} +Accidentals can be introduced in two ways. + The first way, using explicit macros, consists for +example in coding \keyindex{fl}\pitchp~to put a \ital{flat} at the +pitch $p$, presumably right before a note at the same pitch. This is a +non-spacing command and will automatically place the accidental an +appropriate distance to the left of the anticipated note head. +Naturals, sharps, double flats and double sharps are coded \keyindex{na}\pitchp, +\keyindex{sh}\pitchp, \keyindex{dfl}\pitchp~and \keyindex{dsh}\pitchp~respectively. +Thinner accidentals are available using the definitions enabled by extension library \keyindex{musixthacc} +described in Section~\ref{musixthacc}. + +The alternate macros \keyindex{lfl}, \keyindex{lna}, \keyindex{lsh}, +\keyindex{ldfl} and \keyindex{ldsh} +place the same accidentals, but shifted one note head width +to the left. These can be used if a note head has been shifted to the left, or +to avoid collision with other accidentals +in a chord. If you want to shift an accidental by some other amount for +more precise positioning, you could use \keyindex{loffset} with the normal +accidental macro as the second parameter. + + The second way of coding accidentals is to modify the parameter of a +note command. Just put the symbol +\verb|^| for a sharp, \verb|_| for a flat, \verb|=|~for a natural, +\verb|>| for a double sharp, or \verb|<| for a double +flat, right before the letter or number representing the pitch. +For example, \verb|\qb{^g}| yields a +$G\sharp$. This may be used effectively in collective coding, e.g. +\verb|\qu{ac^d}|. + + There are two sizes of accidentals. By default they will be large unless there +is not enough space between notes, in which case they will be made small. Either +size can be forced locally by coding \keyindex{bigfl}, \keyindex{bigsh}, etc., or +\keyindex{smallfl}, \keyindex{smallsh}, etc. If you want all accidentals to +be large, then declare \keyindex{bigaccid} near the top of the input file. For +exclusively small ones use \keyindex{smallaccid}; \keyindex{varaccid} will restore +variable sizes. + + For editorial purposes, small accidentals can be placed \ital{above} note +heads. This is done using \keyindex{uppersh}\pitchp, \keyindex{upperna}\pitchp, or +\keyindex{upperfl}\pitchp: + +\begin{music}\nostartrule +\startextract +\NOtes\uppersh l\qa l\en +\NOtes\upperna m\qa m\en +\NOtes\upperfl l\qa l\en +\zendextract +\end{music} + +\vspace*{-2ex} +It also possible to introduce \ital{\ixem{cautionary accidental}s}, +i.e.,~small accidentals enclosed in parentheses. This is done by preceding +the name of the accidental keyword with ``\verb|c|''\label{cautionary}. +Available cautionary accidentals are \keyindex{csh}, \keyindex{cfl}, +\keyindex{cna}, +\keyindex{cdfl} and \keyindex{cdsh}, which give + +\begin{music}\nostartrule +\startextract +\NOtes\csh g\qa g\en +\NOtes\cfl h\qa h\en +\NOtes\cna i\qa i\en +\NOtes\cdfl j\qa j\en +\NOtes\cdsh k\qa k\en +\zendextract +\end{music} + +\vspace*{-2ex} +\noindent The distance between notes and accidentals is controlled by +\keyindex{accshift}\verb|=|\ital{any \TeX\ dimension}, where +positive values shift to the left and negative to right, with a +default of~\verb|0pt|. +For ``big'' cautionary accidentals, use, for example, +\verb|{|\keyindex{largenotesize}\verb|\csh|\pitchp\verb|}| or see Section~\ref{brapar}. diff --git a/macros/generic/musixtex/doc/musixdoc/barlines.tex b/macros/generic/musixtex/doc/musixdoc/barlines.tex new file mode 100644 index 0000000000..6d39c30985 --- /dev/null +++ b/macros/generic/musixtex/doc/musixdoc/barlines.tex @@ -0,0 +1,316 @@ +\chapter{Bar Lines} + \section{Single, double, and invisible bar lines}\label{doublebars} +The usual macro to typeset a single bar line is \keyindex{bar}. +There is a possibility of +confusion with a command in \TeX's math mode that has exactly the same name. +However, there will generally be no problem, because inside +\verb|\startpiece...\endpiece|, +\verb|\bar| will take the musical meaning, while outside, it will have the +mathematical one. +If for some reason you need the math \verb|\bar| inside, you can use +\verb|\endcatcodesmusic...\bar...\catcodesmusic|. + +To typeset a double bar line with two thin rules, use \keyindex{doublebar}. You could +also issue \keyindex{setdoublebar} to cause the next \verb|\bar| (or +\keyindex{stoppiece}, \keyindex{alaligne}, or \keyindex{alapage}) to be replaced +by a double bar. +There is no specific command to print a thin-thick double bar line, but +\keyindex{setdoubleBAR} will cause one in the same cases where +\verb|\setdoublebar| would cause a thin-thin double bar line. +To typeset a double-bar line in the middle of a bar, use \keyindex{zdoublebar}; +use \keyindex{zzdoublebar} to force the mid-bar double-bar line to the end +of a system. + +To make the next bar line invisible, use \keyindex{setemptybar} before +\verb|\bar|. + +You can suppress the beginning vertical rule with saying \keyindex{nostartrule} +and restore the default with \keyindex{startrule} after that. Note that +it is conventional practice to omit beginning rules for single-staff music. + +\section{Simple discontinuous bar lines} +Normally, bars (as well as double bars, final bars and repeat bars) are +drawn continuously from the bottom of the lowest staff of the +lowest instrument to the top of the highest staff of the uppermost +instrument. However, if desired, they can be made discontinuous between +instruments by saying \keyindex{sepbarrules}. An example of this is given in +%avrb +%{\tt ANGESCAO} (or {\tt ANGESCAM}) example; it has also been used in the +%avre +\texttt{avemaria.tex} in Section~\ref{avemaria}\label{avemaria2}. + +Continuous bar lines can be restored with \keyindex{stdbarrules}. In +the extension library are some more types of bar rules, mainly for very old +music, see Section~\ref{otherbars}. + +% DAS. Andre, are there some other kinds of bars in an addon? + +\section{Elementary asynchronous bar lines} + + Situations may arise where the bar lines in different instruments are not +aligned with one another. To set this up, first say \verb|\sepbarrules|. +Then use a combination of the following five commands: + +\begin{itemize}\setlength{\itemsep}{0ex} +\item\keyindex{hidebarrule}\onen~hides the bar rule for instrument $n$, until +this is changed by \verb|\showbarrule|\onen. +\item\keyindex{showbarrule}\onen~stops hiding the bar rule for instrument $n$, +until this is changed by \verb|\hidebarrule|\onen. +\item\keyindex{Hidebarrule}\onen~hides the bar rule for instrument $n$, only +for the next bar. +\item\keyindex{Showbarrule}\onen~shows the bar rule for instrument +$n$ once only, +and then resets it. +% +% DAS ??? +% and then resets it to \verb|hidebarrule|. +% +\item\keyindex{showallbarrules} resets all defined instruments to +\verb|\showbarrule|\onen. This command is automatically inserted with double +bars, final bars and repeats. +\end{itemize} + +Thus, this example + +\begin{music} +\instrumentnumber3 +\setmeter3{{\meterfrac{3}{4}}} +\setmeter2{{\meterfrac{2}{4}}} +\setmeter1{{\meterfrac{3}{8}}} +\nobarnumbers +\sepbarrules + +\startextract +\NOtes\pt f\qa f&\qa f&\qa f\en +\hidebarrule2\hidebarrule3\bar +\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en +\showbarrule2\bar +\NOtes\pt f\qa f&\qa f&\qa f\en +\hidebarrule2\showbarrule3\bar +\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en +\showbarrule2\hidebarrule3\bar +\NOtes\pt f\qa f&\qa f&\qa f\en +\hidebarrule2\bar +\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en +\setdoublebar +\bar\hidebarrule3 +\NOtes\pt f\qa f&\qa f&\qa f\en +\Hidebarrule2\bar +\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en +\bar +\NOtes\pt f\qa f&\qa f&\qa f\en +\message{Showbarrule3 coming}% +\Hidebarrule2\Showbarrule3\bar +\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en +\bar +\NOtes\pt f\qa f&\qa f&\qa f\en +\Hidebarrule2\bar +\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en +\setrightrepeat +\endextract +\end{music} + +\noindent was obtained with the following coding: +\begin{quote}\begin{verbatim} +\instrumentnumber3 +\setmeter3{{\meterfrac{3}{4}}} +\setmeter2{{\meterfrac{2}{4}}} +\setmeter1{{\meterfrac{3}{8}}} +\nobarnumbers +\sepbarrules + +\startextract +\NOtes\pt f\qa f&\qa f&\qa f\en +\hidebarrule2\hidebarrule3\bar +\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en +\showbarrule2\bar +\NOtes\pt f\qa f&\qa f&\qa f\en +\hidebarrule2\showbarrule3\bar +\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en +\showbarrule2\hidebarrule3\bar +\NOtes\pt f\qa f&\qa f&\qa f\en +\hidebarrule2\bar +\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en +\setdoublebar +\bar\hidebarrule3 +\NOtes\pt f\qa f&\qa f&\qa f\en +\Hidebarrule2\bar +\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en +\bar +\NOtes\pt f\qa f&\qa f&\qa f\en +\message{Showbarrule3 coming}% +\Hidebarrule2\Showbarrule3\bar +\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en +\bar +\NOtes\pt f\qa f&\qa f&\qa f\en +\Hidebarrule2\bar +\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en +\setrightrepeat +\zendextract +\end{verbatim}\end{quote} + +\section{Dotted, dashed, asynchronous and discontinuous bar lines}\label{musixdbr} + +The extension +package \href{http://icking-music-archive.org/software/musixtex/add-ons/musixdbr.tex} +{\underline{\ttxem{musixdbr.tex}}} by Rainer {\sc Dunker} provides commands for +dashed, dotted, and arbitrarily discontinuous bar lines. It supports +individual bar line settings for each instrument, multi-staff instruments, +different sizes of staves, and even different numbers of lines per staff, + +To use the package, you must \verb|\input musixdbr| after \verb|musixtex|, and +execute the macro \keyindex{indivbarrules} which activates individual bar line +processing. Then the following commands are available: + +\begin{itemize}\setlength{\itemsep}{0ex} + +\item \keyindex{sepbarrule}\onen~separates bar lines of instrument $n$ from those of instrument $n-1$ + +\item \keyindex{condashbarrule}\onen~connects bar lines of instrument $n$ to those of instrument $n-1$ + with a dashed line + +\item \keyindex{condotbarrule}\onen~connects bar lines of instrument $n$ to those of instrument $n-1$ + with a dotted line + +\item \keyindex{conbarrule}\onen~connects bar lines of instrument $n$ to those of instrument $n-1$ + +\item \keyindex{hidebarrule}\onen~hides bar lines of instrument $n$ + +\item \keyindex{showdashbarrule}\onen~dashes bar lines of instrument $n$ + +\item \keyindex{showdotbarrule}\onen~dots bar lines of instrument $n$ + +\item \keyindex{showbarrule}\onen~shows bar lines of instrument $n$ + +\item \keyindex{sepmultibarrule}\onen~separates bar lines within multistaff instrument $n$ + +\item \keyindex{condashmultibarrule}\onen~dashes bar lines between staves of multistaff instrument $n$ + +\item \keyindex{condotmultibarrule}\onen~dots bar lines between staves of multistaff instrument $n$ + +\item \keyindex{conmultibarrule}\onen~ shows bar lines between staves of multistaff instrument $n$ + +\item \keyindex{allbarrules}[\ital{any of the above commands, without numerical parameter}] sets bar +line style for all instruments together. + +\end{itemize} + +Dashing and dotting style may be changed by redefining the macros +\verb|\barlinedash| or \verb|\barlinedots| respectively (see original definitions in \verb|musixdbr.tex|). + +Here is an example of the use of these macros: + +\begin{music} +\input musixdbr + +\instrumentnumber4 \setstaffs23 \setstaffs32 \setlines14\setsize2\tinyvalue +\indivbarrules +\parindent0pt\startextract +%\startpiece +%\scale{2} + % normal barlines + \bar + % separate instrument 2 from 1 + \sepbarrule2 + \notes\en\bar + % barlines on staves + \allbarrules\sepbarrule + \allbarrules\sepmultibarrule + \allbarrules\showbarrule + \NOTes\en\bar + % barlines between staves + \allbarrules\conbarrule + \allbarrules\conmultibarrule + \allbarrules\hidebarrule + \NOTes\en\bar + % dashed barlines on staves + \allbarrules\sepbarrule + \allbarrules\sepmultibarrule + \allbarrules\showdashbarrule + \NOTes\en\bar + % dashed barlines between staves + \allbarrules\condashbarrule + \allbarrules\condashmultibarrule + \allbarrules\hidebarrule + \NOTes\en\bar + % dotted barlines on staves + \allbarrules\sepbarrule + \allbarrules\sepmultibarrule + \allbarrules\showdotbarrule + \NOTes\en\bar + % dotted barlines between staves + \allbarrules\condotbarrule + \allbarrules\condotmultibarrule + \allbarrules\hidebarrule + \NOTes\en\bar + % a wild mixture of all + \showdotbarrule1\hidebarrule2\showdashbarrule3\showbarrule4% + \condashbarrule2\conbarrule3\condotbarrule4% + \condashmultibarrule2\sepmultibarrule3% + \NOTes\en\bar + % conventional ending + \allbarrules\showbarrule + \allbarrules\conbarrule + \allbarrules\conmultibarrule + \NOTes\en\setdoubleBAR\endextract +\end{music} + +This is the code: + +\begin{quote}\begin{verbatim} +\input musixdbr +\instrumentnumber4\setstaffs23\setstaffs32\setlines14\setsize2\tinyvalue +\indivbarrules\parindent0pt\startextract + % normal barlines + \bar + % separate instrument 2 from 1 + \sepbarrule2 + \notes\en\bar + % barlines on staves + \allbarrules\sepbarrule + \allbarrules\sepmultibarrule + \allbarrules\showbarrule + \NOTes\en\bar + % barlines between staves + \allbarrules\conbarrule + \allbarrules\conmultibarrule + \allbarrules\hidebarrule + \NOTes\en\bar + % dashed barlines on staves + \allbarrules\sepbarrule + \allbarrules\sepmultibarrule + \allbarrules\showdashbarrule + \NOTes\en\bar + % dashed barlines between staves + \allbarrules\condashbarrule + \allbarrules\condashmultibarrule + \allbarrules\hidebarrule + \NOTes\en\bar + % dotted barlines on staves + \allbarrules\sepbarrule + \allbarrules\sepmultibarrule + \allbarrules\showdotbarrule + \NOTes\en\bar + % dotted barlines between staves + \allbarrules\condotbarrule + \allbarrules\condotmultibarrule + \allbarrules\hidebarrule + \NOTes\en\bar + % a wild mixture of all + \showdotbarrule1\hidebarrule2\showdashbarrule3\showbarrule4% + \condashbarrule2\conbarrule3\condotbarrule4% + \condashmultibarrule2\sepmultibarrule3% + \NOTes\en\bar + % conventional ending + \allbarrules\showbarrule + \allbarrules\conbarrule + \allbarrules\conmultibarrule + \NOTes\en\setdoubleBAR\zendextract +\end{verbatim}\end{quote} + +\section{Ledger Lines} + +Ledger lines are the short horizontal lines above or below the staff for high or low notes. +As of version 1.36, these have been thickened. To restore the thickness used in +previous versions, add \verb|\def\hlthick{0.2pt}| to the preamble after inputting +\verb|musixtex.tex|. diff --git a/macros/generic/musixtex/doc/musixdoc/barnumbering.tex b/macros/generic/musixtex/doc/musixdoc/barnumbering.tex new file mode 100644 index 0000000000..9ad9d5c79c --- /dev/null +++ b/macros/generic/musixtex/doc/musixdoc/barnumbering.tex @@ -0,0 +1,127 @@ +\chapter{Bar Numbering} +The current bar number is stored in a count register call \keyindex{barno}. +When \verb|\startpiece| is encountered, \verb|\barno| is set equal to +another count register called \verb|\startbarno|, whose default value is one. +Therefore, if you want the first bar to have a number $n$ different from~$1$, you +may either say \verb|\startbarno=|$n$ before \verb|\startpiece|, or say +\verb|\barno=|$n$ afterwards, but before the first bar line. You may also alter the bar +number at any time, either by explicitly resetting \verb|\barno|, or by +incrementing it with a command like \verb|\advance\barno-1|. + +\musixtex\ supports two distinct modes for printing bar numbers. In \ital{periodic} +bar numbering, the bar number is +placed above the top staff with a user-selectable frequency. In +\ital{system} bar numbering, the +number will appear at the beginning of each system. + +\section{Periodic bar numbering} +In a normal piece, periodic bar number printing is turned on by default, with a frequency +of one. In an extract, the default is to not print bar numbers. +To turn off bar numbering say \keyindex{nobarnumbers}. To reinstate periodic +bar numbering, or to initiate it in an extract, say \keyindex{barnumbers}. +To change to a +different frequency $n$, say \verb|\def|\keyindex{freqbarno}\verb|{|$n$\verb|}|. + +The appearance and positioning of the bar number is controlled by the +token \keyindex{writethebarno}, which by default is defined as\\ +\verb|\def\writethebarno{\fontbarno\the\barno\kernm\qn@width}| +where the font is defined as \verb|\def\fontbarno{\it}|. You can change +either of these as desired, for example + + \medskip +\begin{music}\barnumbers +\parindent0pt\startpiece +\Notes\Dqbu gh\Dqbl jh\en +\notes\Dqbbu fg\Dqbbl hk\en\bar +\Notes\Tqbu ghi\Tqbl mmj\en +\def\fontbarno{\bf}% +\notes\Tqbbu fgj\Tqbbl njh\en\bar +\Notes\Qqbu ghjh\Qqbl jifh\en\bar +\notes\Qqbbu fgge\Qqbbl jhgi\en\endpiece +\end{music} +\noindent which was coded as +\begin{quote}\begin{verbatim}\barnumbers +\Notes\Dqbu gh\Dqbl jh\en +\notes\Dqbbu fg\Dqbbl hk\en\bar +\Notes\Tqbu ghi\Tqbl mmj\en +\def\fontbarno{\bf}% +\notes\Tqbbu fgj\Tqbbl njh\en\bar +\Notes\Qqbu ghjh\Qqbl jifh\en\bar +\notes\Qqbbu fgge\Qqbbl jhgi\en +\end{verbatim}\end{quote} + +\section{System bar numbering} +To have a bar number printed just above the beginning of each system, use +\keyindex{systemnumbers}. The distance above the staff is controlled +by \verb|\raisebarno|, which by default is \verb|4\internote| (to fit +above a treble clef). This can be redefined with the command +\begin{quote} +\verb|\def|\keyindex{raisebarno}\verb|{|\ital{any \TeX~dimension}\verb|}| +\end{quote} +Similarly, the horizontal position is defined by \keyindex{shiftbarno} +which by default is \verb|0pt|. + +The number normally is enclosed in a +box. If you don't like that, you may redefine the macro \verb|\writebarno| +which by default is defined as +\begin{quote} +\verb|\def|\keyindex{writebarno}\verb|{\boxit{\eightbf\the\barno\barnoadd}}| +\end{quote} +This uses the utility \musixtex\ macro \keyindex{boxit} which will enclose +any text string in a box. + +Here are some possible alternate formats for system bar numbers: + +\medskip +\begin{music}\nostartrule +\def\fontbarno{\it}% +\let\extractline\hbox +\startbarno=36 +\hbox to \hsize{% +\hss + \raise20pt\hbox{(a) }% + \systemnumbers\startextract + \Notes\wh g\en + \zendextract +\hss + \def\writebarno{\tenrm\the\barno\barnoadd}% + \def\raisebarno{2\internote}% + \def\shiftbarno{2.5\Interligne}% + \raise20pt\hbox{(b) }% + \systemnumbers\startextract + \Notes\wh g\en + \zendextract +\hss + \def\writebarno{\llap{\tenbf\the\barno\barnoadd}}% + \def\raisebarno{2\internote}% + \def\shiftbarno{1.3\Interligne}% + \raise20pt\hbox{(c) }% + \systemnumbers\startextract + \Notes\wh g\en + \zendextract +\hss} +\end{music} +\noindent These were coded as +\begin{itemize}\setlength{\itemsep}{0ex} + \item[(a)] (default) + \item[(b)] + \begin{verbatim} +\def\writebarno{\tenrm\the\barno\barnoadd}% +\def\raisebarno{2\internote}% +\def\shiftbarno{2.5\Interligne}% + \end{verbatim} + \item[(c)] + \begin{verbatim} +\def\writebarno{\llap{\tenbf\the\barno\barnoadd}}% +\def\raisebarno{2\internote}% +\def\shiftbarno{1.3\Interligne}% + \end{verbatim} +\end{itemize} + +If the previous line does not stop with a bar rule, then the next +printed system bar number will immediately be followed by the contents +of the token \keyindex{writezbarno}, whose +default setting is the lower case character `\verb|a|'. You might want to +change this to `\verb|+|', in which case you should say +\verb|\def\writezbarno{+}|. + diff --git a/macros/generic/musixtex/doc/musixdoc/beams.tex b/macros/generic/musixtex/doc/musixdoc/beams.tex new file mode 100644 index 0000000000..dbf57e2eb4 --- /dev/null +++ b/macros/generic/musixtex/doc/musixdoc/beams.tex @@ -0,0 +1,627 @@ +\chapter{Beams} +\section{Starting a beam} + +Each beam must be declared with a macro issued before the first spacing +note under the beam is coded. Two distinct kinds of macros are provided +for this. The first kind initiates a ``fixed-slope'' beam, with an arbitrary +slope and starting height chosen by the user, while the second kind, a +``semi-automatic'' beam, +\ital{computes}~the slope and, in addition, adjusts the starting height in some +cases. + +\def\nps{{\tt\char123}$n${\tt\char125}\pitchp{\tt\char123}$s${\tt\char125}} + +The basic form of the macros for starting fixed-slope beams is exemplified +by the one for a single upper beam, \keyindex{ibu}\nps. Here +$n$ is the reference number of the beam, $p$ the starting ``pitch'', and +$s$ the slope. + +The reference number is assigned by the user. +It is needed because more than one beam may be open at +a time, and it tells \musixtex\ to which beam subsequent beamed notes and +other beam specification commands are assigned. +By default, the reference number must be in the range [$0,5$], +but the range for 8th to 128th beams will be expanded to [$0,8$] or [$0,11$] +if \verb|musixadd| or \verb|musixmad| respectively has been \verb|\input|. + +Alternatively, you can specify the number of $8$th to $64$th beams +directly\footnote{$8$th to $64$th beams are so basic that the maximum +number of these beams is related to the maximum number of instruments +by this command. +Using $m>12$ may require e-\TeX.} +with \keyindex{setmaxinstruments}\verb|{|$m$\verb|}| +within the range $7|, + \verb|<|, \verb&|&, \verb|&|, \verb|!|, \verb|*|, \verb|.|, and \verb|:|\ .\\ +The symbols are given their special meanings by executing the macro +\keyindex{catcodesmusic}, and are restored to their plain \TeX\ meanings with +\keyindex{endcatcodesmusic}. When setting either a self-contained score or +a musical extract, you normally need not worry +about this at all, because \verb|\startpiece| or \verb|\startextract| executes +\verb|\catcodesmusic| and \verb|\endpiece| or \verb|\endextract| executes +\verb|\endcatcodesmusic|. But there are some special situations where you +might need to use these catcode-modifying macros explicitly. One is if you +were to define a personalized macro outside +\verb|\startpiece ... \endpiece|, but which incorporated any of the +symbols with their \musixtex\ meanings. Another would be if you wished to have +access to facilities enabled by alternate style files such as +{\tt\ixem{french.sty}} which change \keyindex{catcode}s themselves. In +such cases, provided you have input \verb|musixtex.tex|, you can always +invoke \keyindex{catcodesmusic} to set the \keyindex{catcode}s at their +\musixtex\ values, and \keyindex{endcatcodesmusic} to restore them to their +prior values. diff --git a/macros/generic/musixtex/doc/musixdoc/examples.tex b/macros/generic/musixtex/doc/musixdoc/examples.tex new file mode 100644 index 0000000000..6ca863122c --- /dev/null +++ b/macros/generic/musixtex/doc/musixdoc/examples.tex @@ -0,0 +1,125 @@ +\chapter{\musixtex\ Examples} + +The file \verb|musixdoc.tex|, the source for this manual, contains many useful +examples. In the manual, many examples are accompanied by a display of the code +that produced them, while for a few only an image of the extract is included and you'll +have to look in the \verb|musixdoc| source files to see the coding. + +Other useful examples cannot be embedded in the source, either because they are +meant to be in \TeX, not \LaTeX, or because they are simply too large. For +these the source files also are provided separately. + +When compiling or viewing any of the examples, you should keep in mind that +most DVI previewers and laser printers have +their origin one inch below and one inch to the right of the upper right corner +of the paper, while the musical examples have their upper left +corner just one centimeter to the right and below the top left corner of the page. +Therefore, special parameters may have to be given to the DVI transcription +programs unless special \keyindex{hoffset} and \keyindex{voffset} \TeX\ +commands have been included within the \TeX\ source. + +\section{Small examples} + +\begin{itemize}\setlength{\itemsep}{0ex} + +\item{\tt ossiaexa.tex}~: This is a stand-alone example of the use of ossia, +provided by Olivier Vogel (Section~\ref{ossia} on page \pageref{ossia}). + +\item{\tt 8bitchar.tex}~: Using 8bit characters. + +\end{itemize} + +\section{Full examples} +The small examples above and the longer ones mentioned below are included in +the documentation folder of the \musixtex\ package. +Some of them require +\verb|musixcpt.tex| which makes examples created in +Music\TeX\ compatible with \musixtex. Here we mention a few of +special interest. + +\subsection{Examples mentioned in the manual} + +\begin{itemize}\setlength{\itemsep}{0ex} + \item{\tt avemaria.tex}~: the ``M\'editation'' (alias ``Ave Maria'') by +Charles {\sc Gounod} for organ and violin or voice.\index{Gounod, C.@{\sc Gounod, C.}} +To run this five-page example you'll also need \texttt{avemariax.tex}. +It demonstrates the use of separated bar rules (Section~\ref{avemaria2}) +and the use of staves of different sizes (Section~\ref{avemaria}). +Also, an additional instrument is created for lyrics. This was a common +practice before the \texttt{musixlyr} package was created by Rainer Dunker. + + \item{\tt glorias.tex}~: a local melody for the French version of +\ital{Gloria in excelsis Deo}, a three-page piece demonstrating the use of the hardlyrics +commands (Section~\ref{glorias}). {\tt gloriab.tex} is the same piece, but with organ accompaniment. + +\end{itemize} + +\subsection{Other examples, provided by the authors of \musixtex } + +\begin{itemize}\setlength{\itemsep}{0ex} + + \item{\tt traeumer.tex}~: the famous ``Tr\"aumerei'' by +Robert {\sc Schumann}\index{Schumann, R.@{\sc Schumann, R.}} for piano, in genuine +\musixtex\ but with some +additions to perform ascending bitmapped \itxem{crescendos}. +There are also S-shaped slurs between 2 staves. + + \item{\tt parnasum.tex}~: the first page of ``Doctor gradus ad +Parnassum'' by Claude {\sc Debussy}\index{Debussy, +C.@{\sc Debussy, C.}} for piano. +It contains a rather complex example of a new command \verb+\Special+ +to create staff-jumping doubly beamed notes. +\end{itemize} + +\subsection{Additional documentation} + +\begin{itemize}\setlength{\itemsep}{0ex} + + \item{\tt sottieng}~: Notation mistakes, provided by Jean-Pierre Coulon. + +\end{itemize} + +\section{Compiling \texttt{musixdoc.ltx}} + +This manual is an excellent example of a primarily text document with embedded +musical excerpts. For this reason, it is a \LaTeX\ document and must be compiled +with \verb|latex| rather than \verb|etex|. Those wishing to combine text and +musical excerpts should carefully study how it is done here. + +Before compiling or recompiling \verb|musixdoc.ltx|, you should remove all the auxiliary +files {\tt musixdoc.[mx1\|\allowbreak mx2\|\allowbreak aux\|\allowbreak toc\|\allowbreak ind\|\allowbreak idx\|\allowbreak ilg\|\allowbreak out]} +if they are present. Then the following command sequence will produce \verb|musixdoc.ps|: +\begin{quote}\begin{verbatim} +latex musixdoc +musixflx musixdoc +latex musixdoc +makeindex musixdoc +latex musixdoc +latex musixdoc +dvips -e0 musixdoc +\end{verbatim}\end{quote} +The initial three steps \verb|latex|\allowbreak$\to$\allowbreak\verb|musixflx|\allowbreak$\to$\allowbreak\verb|latex| build up the basic appearance of the document including musical examples. +The \verb|makeindex| step produces the database for the index. +After that, \verb|latex| must be run at least twice to complete cross referencing. +Finally, \verb|dvips| converts the \verb|.dvi| file into \verb|.ps|; +the \texttt{-e0} option prevents \texttt{dvips} from making pixel adjustments +intended for letters in words. +To produce \verb|musixdoc.pdf|, use \verb|ps2pdf| or the Distiller component of Adobe Acrobat, or open \verb|musixdoc.ps| in \texttt{GSview}, go to +{\tt File\|Convert}, select \verb|pdfwrite| at 600 dpi resolution, and click +\verb|OK|. + +Alternatively, if you have the \verb|musixtex| script, just run +\verb|musixtex -x musixdoc| +(where +the \verb|-x| option is only needed to create a new index database). + +%If you use an older version of \LaTeX\ which doesn't automatically +%invoke $\varepsilon$\hbox{-}\nobreak\TeX, you will encounter the +%error ``{\tt !~No room for new \string\count}''. +%This is because \verb|musixdoc.tex| invokes \verb|musixtex.tex|, which together with \LaTeX\ +%requires more storage registers than available in \TeX. +%You may be able get around this by using the command +%\verb|elatex| instead of \verb|latex|; +%however, it is strongly recommended to upgrade your \TeX\ system to a more recent +%version in which \verb|latex| automatically invokes $\varepsilon$\hbox{-}\nobreak\TeX. + diff --git a/macros/generic/musixtex/doc/musixdoc/extensions.tex b/macros/generic/musixtex/doc/musixdoc/extensions.tex new file mode 100644 index 0000000000..c11c389efa --- /dev/null +++ b/macros/generic/musixtex/doc/musixdoc/extensions.tex @@ -0,0 +1,2510 @@ +\chapter{Extension Library} +All of the following files are invoked by saying \keyindex{input} \ital{filename}. +In some cases, +\verb\musixtex\ must be input \emph{before} the extension, +but most of them are fully compatible with \verb\musixtex.tex\ in that they do not redefine +any existing macros and just provide additional functionality. +In future +versions of \musixtex\ we may very well incorporate many of them directly into +\verb|musixtex.tex|, but for now we leave them separate. + + \section{musixadd}\ixtt{musixadd.tex} +Increases the number of instruments, slurs and beams from six to nine. + + \section{musixadf} +\input musixadf +This file and the associated fonts (by Hiroaki \textsc{Morimoto}) +define some additional and alternative musical accents, as follows. +\begin{description} +\item[small swells, larger sforzatos:] +\ \\\begin{music} +\nostartrule +\startextract +\NOTes + \ccharnote{-8}{\Bslash ulsw}\ulsw l\ql l% + \ccharnote{13}{\Bslash llsw}\llsw f\qu f% +\en\bar +\NOtes + \ccharnote{-8}{\Bslash uSfz}\uSfz l\ql l% + \ccharnote{13}{\Bslash lSfz}\lSfz f\qu f\qsk% +\en +\endextract +\end{music} +\item[breaths:] +\ \\ +\begin{music} +\nostartrule +\startextract +\NOTes + \zcharnote{-8}{\Bslash cuBreath}\cuBreath \qu f% + \zcharnote{13}{\Bslash clBreath}\clBreath \qu f% +\en\bar +\NOtes + \ccharnote{-8}{\Bslash zuBreath}\zuBreath \qu f% + \ccharnote{13}{\Bslash zlBreath}\zlBreath \qu f% +\en +\endextract +\end{music} +\item[coda with serifs, upright segno:] +\ \\ +\begin{music} +\nostartrule +\startextract +\NOTes + \sk + \ccharnote{-4}{\Bslash scoda}\scoda n\sk\sk% + \ccharnote{-4}{\Bslash upsegno}\upsegno n\sk% +\en +\endextract +\end{music} +\end{description} +The following commands will replace the default specified accents by the new ones +defined in \texttt{musixadf.tex}: + \verb|\replacesforzato|, + \verb|\replacecoda|, + \verb|\replacesegno|. + + \section{musixbm} +This file does nothing; it is retained only for compatibility with +\musixtex{} version 1.10 or earlier. +Since version 1.11, \verb|musixtex.tex| itself contains all the functions +of the older \texttt{musixbm}, namely +commands for 128th notes, either with flags or with beams: +\keyindex{ibbbbbu}, +\keyindex{ibbbbbl}, +\keyindex{nbbbbbu}, +\keyindex{nbbbbbl}, +\keyindex{tbbbbbu}, +\keyindex{tbbbbbl}, +\keyindex{Ibbbbbu}, +\keyindex{Ibbbbbl}, +\keyindex{cccccu}, +\keyindex{cccccl}, +\keyindex{ccccca}, +\keyindex{zcccccu} and +\keyindex{zcccccl}. + + + \section{musixbbm}\label{musixbbm} + Provides $256$th notes, but only for use within beams, via the commands +\keyindex{ibbbbbbu}, +\keyindex{ibbbbbbl}, +\keyindex{nbbbbbbu}, +\keyindex{nbbbbbbl}, +\keyindex{tbbbbbbu}, +\keyindex{tbbbbbbl}, +\keyindex{Ibbbbbbu} and +\keyindex{Ibbbbbbl}. + +By default \texttt{musixbbm} provides six $256$th beams with +reference number $0$ to $5$. +You can specify a larger maximum number +directly with \keyindex{setmaxcclvibeams}\verb|{|$m$\verb|}| within the +range\footnote{This may require e-\TeX.} $7\leq m\leq 100$. + +\section{musixcho}\label{song} + Enables certain macros intended for choral music\footnote{Remember +that we now recommend using \texttt{musixlyr} for any except the +simplest lyrics. The extension \texttt{musixcho} is only for those +diehards who choose to ignore this advice}. Provides the following commands: +\keyindex{biglbrace}, \keyindex{bigrbrace}, \keyindex{braceheight}, +\keyindex{Dtx} and \keyindex{Drtx} for two-line text, \keyindex{Ttx} and +\keyindex{Trtx} for three-line text, \keyindex{Qtx} and \keyindex{Qrtx} for +four-line text. To eliminate zigzagging lyrics lines, all multiple line texts +are automatically vertically justified with the macro \keyindex{ChroirStrut}, +defined as \verb|\vphantom{\^Wgjpqy}|. + +The macros \keyindex{tx}\verb|{|$text$\verb|}|, +\keyindex{rtx}\verb|{|$text$\verb|}| cause song text to be left-justified +on the insertion point rather then centered. + \keyindex{hf}\verb|{|$m$\verb|}| sets a text +continuation rule of length $m$ \verb|\noteskip|. + +Consult the source file {\tt musixdoc.tex} to see the coding of the following +example: + +\begin{music} +\ninerm +\parindent9mm +\braceheight5.4\Interligne\relax +%\rightline{Arr.: H.~W.~Eichholz} +\instrumentnumber2 +\generalsignature{-2} +\generalmeter{\meterfrac22} +\setclef1\bass +\relativeaccid +\setinterinstrument1{11\Interligne} +\songtop2 +\songbottom1 +\setname2{\vbox{\hsize\parindent\centerline{Sop}\centerline{Alt}}} +\setname1{\vbox{\hsize\parindent\centerline{Ten}\centerline{Bass}}} +\sepbarrules\nobarnumbers +\beforeruleskip-2pt +\startpiece +%% bar 1 +\znotes&\rlap{\kernm2em\Qrtx 1.|2.|3.|4.*}\en +\NOTes\sslur ILd1\sslur bNu1\zhl I\hu b% + &\Qtx\ixhf{Oh}|No|No|There'll*\issluru0f\sslur dad1\zhup f\hl d\en +\Notes\zhl L\hu N&\Qtx ~|more|more|~be*\hl{^c}\en +\NOtes&\tsslur0g\qu g\en +%%% bar 2 +\bar +\NOtes\zql I\qu b&\Qrtx\thf freedom,|weepin',|moanin',|singin',*\zqu i\ql d\en +\NOTesp\lpt I\zhl I\hup b&\zhup i\hlp d\en +%%% bar 3 +\bar +\nspace +\NOTes\sslur JMd1\sslur bau1\zhl J\hu b% + &\Qtx\ixhf{oh}|no|no|there'll*\issluru0j\sslur edd1\zhup j\hl{^e}\en +\Notes\zhl M\hu a&\Qtx~|more|more|~be*\hl{=e}\en +\NOtes&\tsslur0k\qu k\en +%%% bar 4 +\bar +\NOtes\zql I\qu b&\Qrtx\thf freedom,|weepin',|moanin',|singin',*\zqu j\ql d\en +\NOTesp\lpt I\zhl I\hup b&\zhup i\hlp d\en +%%% bar 5 +\bar +\NOTesp\sslur IJd1\sslur bau1\lpt I\zhl I\hup b% + &\Qtx\ixhf{oh}|no|no|~there'll*\isslurd0f\issluru1j\zhup k\hlp f\en +\NOtes\zql J\qu a&\Qtx~|more|more|~be*\tsslur1f\zqu f\roff{\tsslur0e\ql e}\en +%%% bar 6 +\bar +\NOtes\zql K\qu b&\Qrtx\thf freedom,|weepin',|moanin',|singin',*\zqu i\ql f\en +\NOtes\zql J\qu b&\zqu i\ql e\en +\NOtes\zql I\qu b&\rlap{\kernm1\Internote\bigrbrace}\rtx~~~~over*\zqu i\ql d\en +\NOtes\zql G\qu b&\zqu k\ql f\en +%%% bar 7 +\bar +\nspace +\NOTes\zhl J\hu b\caesura&\tx ~me,*\zhu j\hl{^e}\caesura\en +\Notes\zcl J\cu b&\rtx ~over*\zcu j\cl e\en +\NOtesp\zqlp J\qup b&\zqup k\lpt e\ql e\en +\endpiece +\end{music} + +\section{musixcpt} + +Empowers \musixtex\ to run files created under +Musi\textbf{c}TeX, the predecessor of \musixtex, such as some of the examples +provided by Daniel {\sc Taupin}. It is not needed for any files created +under \musixtex, and is included mainly for historical completeness. + +\section{musixdat} +Enables the command \keyindex{today}, which sets the current date in one of +several possible languages. The language is selected by an optional + preparatory command \verb|\date...|. +The default is \keyindex{dateUSenglish}, but this can changed, either at the +end of \ttxem{musixdat.tex} for a permanant change, or right before issuing +\verb|\today|. Available choices and sample results are summarized below: +\smallskip +\begin{quote}\begin{tabular}{ll}\hline +\verb|\dateUSenglish|&\dateUSenglish\today\\ +\verb|\dateaustrian|&\dateaustrian\today\\ +\verb|\dateenglish|&\dateenglish\today\\ +\verb|\datefrench|&\datefrench\today\\ +\verb|\dategerman|&\dategerman\today\\\hline +\end{tabular}\end{quote} + +\section{musixdbr} +Enables dashed and dotted bar lines (see Section~\ref{musixdbr}). + +\section{musixdia}\label{diam} +Enables notes with diamond-shaped heads as follows: +\begin{itemize}\setlength{\itemsep}{0ex} + \item Solid note heads (\raise.5ex\hbox to .6em{\musixchar37}) are obtained +using the macros + \keyindex{yqu}, \keyindex{yqup}, +\keyindex{yqupp}, \keyindex{yql}, \keyindex{yqlp}, \keyindex{yqlpp}, +\keyindex{yzq}, \keyindex{yzqp}, \keyindex{yzqpp}, \keyindex{yqb}, +\keyindex{ycu}, \keyindex{yccu}, \keyindex{ycccu}, \keyindex{yccccu}, +\keyindex{ycl}, \keyindex{yccl}, \keyindex{ycccl}, \keyindex{yccccl}, +\keyindex{ycup}, \keyindex{ycupp}, \keyindex{yclp}, \keyindex{yclpp}. +(Think of d{\it y}\kern.5pt amond). A solid diamond with no stem is obtained +with \keyindex{ynq} (spacing) or \keyindex{yznq} (non-spacing). + \item Open note heads (\raise.5ex\hbox to .6em{\musixchar38}) are obtained +using the macros +\keyindex{dqu}, \keyindex{dqup}, +\keyindex{dqupp}, \keyindex{dql}, \keyindex{dqlp}, \keyindex{dqlpp}, +\keyindex{dzq}, \keyindex{dzqp}, \keyindex{dzqpp}, \keyindex{dqb}, +\keyindex{dcu}, \keyindex{dccu}, \keyindex{dcccu}, \keyindex{dccccu}, +\keyindex{dcl}, \keyindex{dccl}, \keyindex{dcccl}, \keyindex{dccccl}, +\keyindex{dcup}, \keyindex{dcupp}, \keyindex{dclp}, \keyindex{dclpp}. +(Think of {\it d}\kern.5pt iamond). +An open diamond with no stem is obtained +with \keyindex{dnq} (spacing) or \keyindex{dznq} (non-spacing). + \end{itemize} + +One use of these note heads is for a string part with \itxem{harmonic notes}. +%(see \ref{othernotes}) +% DAS removed description which was misplaced in the samll=notes section 2.18 4/30/06 +For example, + +\begin{music} +\parindent0pt +\generalsignature{-2} +\generalmeter\allabreve +\startextract +\NOTes\dzq o\zh d\hu h\en +\Notes\ibu0k0\zq g\yqb0k\qb0j\zq e\yqb0i\tbu0\qb0j\en +\bar +\NOTes\dzq g\hu k\en +\NOTes\hpause\en +\bar +\NOTes\dzq o\zh d\hl h\en +\Notes\ibl0e0\zq g\yqb0k\qb0j\zq e\yqb0i\tbl0\qb0j\en +\bar +\NOTes\dzq g\hu k\en +\NOTes\hpause\en +\endextract +\end{music} +\noindent was coded as follows: +\begin{quote}\begin{verbatim} +\generalsignature{-2} +\generalmeter\allabreve +\startextract +\NOTes\dzq o\zh d\hu h\en +\Notes\ibu0k0\zq g\yqb0k\qb0j\zq e\yqb0i\tbu0\qb0j\en +\bar +\NOTes\dzq g\hu k\en +\NOTes\hpause\en +\bar +\NOTes\dzq o\zh d\hl h\en +\Notes\ibl0e0\zq g\yqb0k\qb0j\zq e\yqb0i\tbl0\qb0j\en +\bar +\NOTes\dzq g\hu k\en +\NOTes\hpause\en +\endextract +\end{verbatim}\end{quote} + +Another use is for percussion parts. In fact the file \verb|musixdia.tex| +is automatically loaded if you input {\tt musixper.tex} (see Section~\ref{perc}). + +\section{musixec}\label{ecfonts} + This package will replace the \texttt{OT1}-encoded Computer Modern fonts +by \texttt{T1}-encoded EC versions. +Use as follows: +\begin{quote}\begin{verbatim} +\input musixtex +\input musixec +[\input musixsty] +... +\end{verbatim}\end{quote} +For example, + +\begin{music} +\input musixec +é è â ç ü ñ\\ +\end{music} + \noindent may be coded as +\begin{quote} +\begin{verbatim} +\input musixec +é è â ç ü ñ\\ +\end{verbatim} +\end{quote} + + + \section{musixeng} + This package is provided for music typesetters who are allergic to the default +rest names, which are +taken from French, German or Italian. It does not provide new features, only +new command names: +\medskip + \begin{quote}\begin{tabular}{ll}\hline +\ital{original}&\ital{alternate}\\\hline +\keyindex{PAUSe}&\keyindex{Qwr}\\ +\keyindex{PAuse}&\keyindex{Dwr}\\ +\keyindex{liftpause}&\keyindex{liftwr}\\ +\keyindex{pausep}&\keyindex{wrp}\\ +\keyindex{pause}&\keyindex{wr}\\ +\keyindex{lifthpause}&\keyindex{lifthr}\\ +\keyindex{hpausep}&\keyindex{hrp}\\ +\keyindex{hpause}&\keyindex{hr}\\ +\keyindex{qp}&\keyindex{qr}\\ +\keyindex{ds}&\keyindex{er}\\ +\keyindex{qs}&\keyindex{eer}\\ +\keyindex{hs}&\keyindex{eeer}\\ +\keyindex{qqs}&\keyindex{eeeer}\\\hline +\end{tabular}\end{quote} + +\section{musixext} + +This file does nothing; it is retained only for compatibility with +\musixtex{} version 1.17 or earlier. +Since version 1.18, \verb|musixtex.tex| itself contains all the functions +of the older \texttt{musixext}, namely +definitions of +\begin{itemize} +\item +\keyindex{raggedstoppiece}~, which inhibits right-justification of the last +line of a score. +\item +\keyindex{slide}\itbrace{p}\itbrace{x}\itbrace{s}~, which provides a glissando +starting at pitch {\it p} and extending for {\it x} \verb|\internote|s with +slope {\it s} (ranging from $-8$ to $8$). +\end{itemize} + + \section{musixf{}l{}l} + \input musixfll + Enables modification of \ixem{ledger lines}. Ledger lines normally exceed the +width of a note head by $25$ percent in each direction. If the space between +notes is insufficient, the ledger lines of +consecutive notes may meet, creating visual ambiguities. Therefore, +\musixtex{} shortens the +ledger lines if notes are set so close together that the ledger lines may +meet. But because \musixtex{} does not know whether consecutive notes need +ledger lines, this automatic shortening may be superfluous. The extension +file \ttxem{musixfll.tex} allows this feature to be switched off and on. +Upon inputting \verb|musixfll.tex|, the automatic shortening of ledger lines +is switched off. From then on, it may be switched on again using +\keyindex{autoledgerlines} and switched off again using +\keyindex{longledgerlines}. Both macros have global effect. + + The following example shows that narrowly set scales look better with +\keyindex{autoledgerlines} (the default behavior), whereas single notes +requiring ledger lines look better with \keyindex{longledgerlines}. + +\medskip +\begin{music} +\nostartrule +\startextract +\notes\multnoteskip{0.7}\Uptext{autoledgerlines}\autoledgerlines + \ibbbu0b0\qb0{cba`gfg'a}\tbu0\qb0b% + \ibbbl0{''b}0\qb0{abcdedc}\tbl0\qb0b% + \ibbbu0{``b}0\qb0{dad}\tbu0\qb0a% + \ibbbl0{''b}0\qb0{`g'c`g}\tbl0\qb0{'c}\en +\endextract +\medskip +\startextract +\notes\multnoteskip{0.7}\Uptext{longledgerlines}\longledgerlines + \ibbbu0b0\qb0{cba`gfg'a}\tbu0\qb0b% + \ibbbl0{''b}0\qb0{abcdedc}\tbl0\qb0b% + \ibbbu0{``b}0\qb0{dad}\tbu0\qb0a% + \ibbbl0{''b}0\qb0{`g'c`g}\tbl0\qb0{'c}\en +\endextract +\autoledgerlines +\end{music} + + \section{musixftab}\label{frenchtab}\index{tablature}\index{musixftab@{\tt musixftab.tex}} +This extension replaces the default (Helvetica) numerals of the tablature commands +of Section~\ref{tablature} with the traditional script letters of French tablature. +These glyphs are generated in \keyindex{tabfnt} by arguments \texttt{0}--\texttt{9} +or by (capital) Latin letters \texttt{A}--\texttt{R} (excluding \texttt{J}). +\clearpage + +The example of Section~\ref{tablature} with \texttt{musixftab.tex} is as follows: +\medskip + +\begin{music} +\input musixftab +\input musixps +%\tabstylespacetrue +\largemusicsize +\def\psslurhgt{0.5} +\instrumentnumber{1} +\generalmeter{\meterfrac34} +\generalsignature{-1} +\setlines16\setclefsymbol1\tabclef\setsize1{1.2}\setsign10 +\nobarnumbers +\parindent=2ex +\setname1{\tabstringfnt\baselineskip=1.2\internote% +\vbox{\hbox{F}\hbox{D}\hbox{A}\hbox{F}\hbox{D}\hbox{A}}} +\nostartrule +\startextract +\scale{0.6} +\NOtes\tzqu\qa{*}\en +\NOtesp\zltab50\zltab40\tzqup\ltab30\en +\Notes\tzcu\ltab30\en +\bar% +\NOtes\zltab50\zltab42\zltab31\tzqu\ltab22\en +\NOtesp\zltab64\zltab35\zltab30\tzqup\ltab22\en +\Notes\tzcu\ltab22\en +\bar% +\NOtes\zltab50\zltab30\zltab20\tzqu\ltab10\en +\NOtes\zltab61\zltab40\tzqup\ltab20\en +\Notes\tzcu\ltab33\en +\bar% +\NOtes\zltab70\zltab55\tzqu\ltab45\en +\NOtes\zltab60\zltab53\ltab44\en +\notesp\zltab64\tzccu\ltab42\ilsluru03\ltab53\ltab52\tlslur03\ltab53\en +\bar% +\notesp\ztab{10}0\tzccu\ltab42\ilsluru03\ltab52\ltab53\tlslur03\ltab50\en +\NOtesp\zltab50\zltab40\tzqup\ltab30\en +\Notes\tzcu\ltab30\en +\bar% +\zendextract +\end{music} +\medskip + + \section{musixgre}\label{gregnotes}\index{gregorian chant} + +% \section{Gregorian chant: staffs and clefs} +Gregorian chant is often coded using four line staffs +(see +%sections \ref{gregorian} and +Section~\ref{stafflinenumber}) and using special notes called +\itxem{neumes} (which are described later in this section). It also requires +special clefs. One way to substitute them for the modern ones is for example +with commands like + +\keyindex{setaltoclefsymbol}\verb|3\gregorianCclef| + +\noindent or + +\keyindex{setbassclefsymbol}\verb|3\gregorianFclef| , + +\noindent which will cause instrument number~$3$ to display the selected gregorian +clef. The standard clefs can be restored for every instrument with +\keyindex{resetclefsymbols}. Note that when using this method you must +specify whether to substitute for the bass or alto clef +symbol (there is no treble clef in gregorian +chant). The reason is that \musixtex\ selects and +raises the F and C clefs differently, according to the arguments of the +\keyindex{setclef} command. Therefore, if one had substituted any F clef +symbol while saying \verb|\setclef1{1000}|, then an F clef would duly appear +on the staff, but it would be set at the position of an alto clef, thus +seriously misleading the musician. + +Another method of clef substitution employs \keyindex{setclefsymbol} (see +Section~ \ref{treblelowoct}), which substitutes the clef given by +the second argument \ital{for all clef symbols} of the instrument given by the first, +regardless of the actual musical meaning of the new clef symbol. This method is +generally appropriate only if you want to change the clef symbol(s) of +an instrument for the whole of the score. + + As an example, the same gregorian scale has been written with a gregorian C +clef on all four lines of the staff: + + \begin{music}\nostartrule + \parindent 19mm + \instrumentnumber{4} + \setname1{1st line} \setname2{2nd line} + \setname3{3rd line} \setname4{4th line} + \setlines1{4}\setlines2{4}\setlines3{4}\setlines4{4} + \sepbarrules + \generalmeter{\empty} + \setclef1{1000} \setclef2{2000} \setclef3{3000} \setclef4{4000} + \setaltoclefsymbol1\gregorianCclef + \setaltoclefsymbol2\gregorianCclef + \setaltoclefsymbol3\gregorianCclef + \setaltoclefsymbol4\gregorianCclef +\startextract +\Notes\squ{abcdefghi}&\squ{abcdefghi}&\squ{abcdefghi}&\squ{abcdefghi}&\en +\zendextract +\end{music} + + The coding was: + \begin{verbatim} + \instrumentnumber{4} + \setname1{1st line} \setname2{2nd line} + \setname3{3rd line} \setname4{4th line} + \setlines1{4}\setlines2{4}\setlines3{4}\setlines4{4} + \sepbarrules + \generalmeter{\empty} + \setclef1{1000} \setclef2{2000} \setclef3{3000} \setclef4{4000} + \setaltoclefsymbol1\gregorianCclef + \setaltoclefsymbol2\gregorianCclef + \setaltoclefsymbol3\gregorianCclef + \setaltoclefsymbol4\gregorianCclef +\startextract +\Notes\squ{abcdefghi}&\squ{abcdefghi}&\squ{abcdefghi}&\squ{abcdefghi}&\en +\zendextract + \end{verbatim} + +All of the special gregorian symbols available in \musixtex\ are described +in the following subsections. + +\subsection{Clefs} + +\begin{itemize}\setlength{\itemsep}{0ex} + \item Gregorian C clef: \raise 2.5pt\hbox to 1cm{\gregorianCclef\hfil}~= + \keyindex{gregorianCclef}, normally activated for instrument $n$ with the +command + \keyindex{setaltoclefsymbol}\itbrace{n}\keyindex{gregorianCclef} +\item Gregorian F clef: \raise 2.5pt\hbox to 1cm{\gregorianFclef\hfil}~= +\keyindex{gregorianFclef}, normally activated with the command +\keyindex{setbassclefsymbol}\itbrace{n}\keyindex{gregorianFclef} + \end{itemize} + + \subsection{Elementary symbols} + + + \begin{itemize}\setlength{\itemsep}{0ex} + + \item Diamond shaped \itxem{punctum} (This has a different shape compared to the +percussion diamond): \raise 2.5pt\hbox{\xgregchar1}~ = +\keyindex{diapunc}\pitchp\ . + \item Square \itxem{punctum}: \raise 2.5pt\hbox{\xgregchar5}~ = +\keyindex{squ}\pitchp\ or \keyindex{punctum}\pitchp\ . + \item Left stemmed \itxem{virga} (not in the 1905 gregorian standard): \raise +2.5pt\hbox{\xgregchar6}~ = \keyindex{lsqu}\pitchp\ . + \item Right stemmed \itxem{virga}: \raise 2.5pt\hbox{\xgregchar7}~ = +\keyindex{rsqu}\pitchp\ or \keyindex{virga}\pitchp\ . + \item \ital{Apostropha}\index{apostropha}: \raise 2.5pt\hbox{\xgregchar3}~ = +\keyindex{apostropha}\pitchp\ . + \item \ital{Oriscus}\index{oriscus}: \raise 2.5pt\hbox{\xgregchar10}~ = +\keyindex{oriscus}\pitchp\ . + + \item \ital{Quilisma}\index{quilisma}: \raise 2.5pt\hbox{\xgregchar125}~ = +\keyindex{quilisma}\pitchp\ . + \item \ital{Punctum auctum} (up)\index{punctum auctum}: \raise +2.5pt\hbox{\xgregchar9}~ = +\keyindex{punctumauctup}\pitchp\ . + \item \ital{Punctum auctum} (down)\index{punctum auctum}: \raise +2.5pt\hbox{\xgregchar8}~ = +\keyindex{punctumauctdown}\pitchp\ . + \item Diamond shaped \ital{punctum auctum} (down)\index{punctum auctum}: +\raise 2.5pt\hbox{\xgregchar2}~ = \keyindex{diapunctumauctdown}\pitchp\ . + \item \ital{Punctum deminutum}\index{punctum deminutum}: \raise +2.5pt\hbox{\xgregchar4}~ = \keyindex{punctumdeminutum}\pitchp\ . + \item \ital{Apostropha aucta}\index{apostropha aucta}: \raise +2.5pt\hbox{\xgregchar11}~ = \keyindex{apostropha aucta}\pitchp\ . + +\end{itemize} + All non-\ital{liquescens} symbols have non-spacing variants, namely +\keyindex{zdiapunc}, \keyindex{zsqu}, \keyindex{zlsqu}, \keyindex{zrsqu}, +\keyindex{zapostropha} and \keyindex{zoriscus}. + +\subsection{Plain complex neumes} +Other \itxem{neumes} can be obtained by combining two or more of these +symbols. Since \itxem{neumes} have a special note head width, an additional +shifting macro is provided, namely \keyindex{groff}. It is similar to +\verb|\roff|, but the offset is smaller. For use with comples neumes, another +shifting macro is provided, namely \keyindex{dgroff}, which causes an +offset twice the offset of \verb|\groff|. + + Since most of these symbols depend on relative pitches of their components, +we cannot provide all possible compact combinations as single symbols. The ones +that are available in \verb|musixgre| are described below. In the following, +$p_1$, $p_2$, $p_3$, and $p_4$ represent pitches specified as usual. Please refer to +the source file \verb|musixtex.tex| if you wish to see the coding of those +examples for which it is not quoted here. + +\def\twop{\itbrace{p_1}\itbrace{p_2}} +\def\threep{\twop\itbrace{p_3}} +\def\fourp{\threep\itbrace{p_4}} + +\begin{description}\setlength{\itemsep}{0ex} + \item[\keyindex{bivirga}\twop], for example: + + \begin{music}\nostartrule + \elemskip 10pt + \setsize1{\Largevalue} + \instrumentnumber 1 + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \bivirga ab\en + \notes \bivirga cc\en + \zendextract + \end{music} + + This example was coded as: + \begin{quote}\begin{verbatim} + \instrumentnumber 1 + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \bivirga ab\en + \notes \bivirga cc\en + \zendextract + \end{verbatim}\end{quote} + + \item[\keyindex{trivirga}\threep], for example: + + \begin{music}\nostartrule + \elemskip 10pt + \setsize1{\Largevalue} + \instrumentnumber 1 + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \Notes \trivirga abc\en + \Notes \trivirga cca\en + \zendextract + \end{music} + + \item[\keyindex{bistropha}\twop], for example: + + \begin{music}\nostartrule + \elemskip 10pt + \setsize1{\Largevalue} + \instrumentnumber 1 + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \bistropha ab\en + \notes \bistropha cc\en + \zendextract + \end{music} + + \item[\keyindex{tristropha}\threep], for example: + + \begin{music}\nostartrule + \elemskip 10pt + \setsize1{\Largevalue} + \instrumentnumber 1 + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \Notes \tristropha abc\en + \Notes \tristropha cca\en + \zendextract + \end{music} + + \item[\keyindex{clivis}\twop], for example: + + \begin{music}\nostartrule + \elemskip 10pt + \setsize1{\Largevalue} + \instrumentnumber 1 + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \clivis ba\en + \notes \clivis ca\en + \zendextract + \end{music} + + \item[\keyindex{lclivis}\twop], for example: + + \begin{music}\nostartrule + \setsize1{\Largevalue} + \elemskip 10pt + \instrumentnumber 1 + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \lclivis ba\en + \notes \lclivis ca\en + \zendextract + \end{music} + + \item[\keyindex{podatus}\twop], for example: + + \begin{music}\nostartrule + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \podatus ab\en + \notes \podatus ac\en + \notes \podatus cf\en + \zendextract + \end{music} + + \item[\keyindex{podatusinitiodebilis}\twop], for example: + + \begin{music}\nostartrule + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \podatusinitiodebilis ab\en + \notes \podatusinitiodebilis ac\en + \notes \podatusinitiodebilis cf\en + \zendextract + \end{music} + + \item[\keyindex{lpodatus}\twop], for example: + + \begin{music}\nostartrule + \elemskip 10pt + \setsize1{\Largevalue} + \instrumentnumber 1 + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \lpodatus ab\en + \notes \lpodatus ce\en + \zendextract + \end{music} + + \item[\keyindex{pesquassus}\twop], for example: + + \begin{music}\nostartrule + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \pesquassus ab\en + \notes \pesquassus ae\en + \zendextract + \end{music} + + \item[\keyindex{quilismapes}\twop], for example: + + \begin{music}\nostartrule + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \quilismapes ab\en + \notes \quilismapes ae\en + \zendextract + \end{music} + + \item[\keyindex{torculus}\threep], for example: + + \begin{music}\nostartrule + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \torculus aba\en + \notes \torculus cfd\en + \notes \torculus afc\en + \zendextract + \end{music} + + \item[\keyindex{torculusinitiodebilis}\threep], for example: + + \begin{music}\nostartrule + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \torculusinitiodebilis aba\en + \notes \torculusinitiodebilis cfd\en + \notes \torculusinitiodebilis afc\en + \zendextract + \end{music} + + \item[\keyindex{Porrectus}\threep], for example: + + \begin{music}\nostartrule + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \Porrectus bab\en + \notes \Porrectus bac\en + \notes \Porrectus bNd\en + \notes \Porrectus bMe\en + \notes \Porrectus bLe\en + \zendextract + \end{music} +\noindent coded: + \begin{quote}\begin{verbatim} + \notes \Porrectus bab\en + \notes \Porrectus bac\en + \notes \Porrectus bNd\en + \notes \Porrectus bMe\en + \notes \Porrectus bLe\en + \end{verbatim}\end{quote} + + \verb|\Porrectus| exists in four different shapes, depending on the +difference between first and second argument. The constraint is that + $$ p_1-4 \leq p_2 \leq p_1-1 $$ otherwise a diagnostic occurs. Note also that +\keyindex{bporrectus} provides the first curved part of the \verb|porrectus| +command, if you should need it. It has two arguments, the starting pitch and the lower +pitch. + + \item[\keyindex{Porrectusflexus}\fourp], for example: + + \begin{music}\nostartrule + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \Porrectusflexus bacN\en + \notes \Porrectusflexus bNdb\en + \notes \Porrectusflexus bMeb\en + \notes \Porrectusflexus bLea\en + \zendextract + \end{music} +\noindent coded: + \begin{quote}\begin{verbatim} + \notes \Porrectusflexus bacN\en + \notes \Porrectusflexus bNdb\en + \notes \Porrectusflexus bMeb\en + \notes \Porrectusflexus bLea\en + \end{verbatim}\end{quote} + + + \item[\keyindex{climacus}\threep], for example: + + \begin{music}\nostartrule + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \Notes \climacus cbN\en + \Notes \climacus cba\en + \Notes \climacus dbN\en + \zendextract + \end{music} + + \item[\keyindex{climacusresupinus}\fourp], for example: + + \begin{music}\nostartrule + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \Notes \climacusresupinus cbNa\en + \Notes \climacusresupinus cbab\en + \Notes \climacusresupinus dbNb\en + \zendextract + \end{music} + + \item[\keyindex{lclimacus}\threep], for example: + + \begin{music}\nostartrule + \elemskip 10pt + \setsize1{\Largevalue} +\instrumentnumber 1 + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \lclimacus cbN\en + \notes \lclimacus cfd\en + \notes \lclimacus afc\en + \zendextract + \end{music} + + \item[\keyindex{scandicus}\threep], for example: + + \begin{music}\nostartrule + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \scandicus abe\en + \notes \scandicus ceg\en + \zendextract + \end{music} + + \item[\keyindex{salicus}\threep], for example: + + \begin{music}\nostartrule + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \Notes \salicus abe\en + \Notes \salicus ceg\en + \zendextract + \end{music} + + \item[\keyindex{salicusflexus}\fourp], for example: + + \begin{music}\nostartrule + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \Notes \salicusflexus abec\en + \Notes \salicusflexus cegd\en + \zendextract + \end{music} + + \item[\keyindex{trigonus}\threep], +%DAS ???????????? +%for example\footnote{The second example is in principle irrelevant, +%but it shows the possibilities, in case of.}: +for example: + + \begin{music}\nostartrule + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \Notes \trigonus aaN\en + \Notes \trigonus cef\en + \zendextract + \end{music} + +\end{description} + +\subsection{Liquescens complex neumes}\index{liquescens neumes} +\begin{description}\setlength{\itemsep}{0ex} + \item[\keyindex{clivisauctup}\twop], for example: + + \begin{music}\nostartrule + \elemskip 10pt + \setsize1{\Largevalue} + \instrumentnumber 1 + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \clivisauctup ba\en + \notes \clivisauctup ca\en + \zendextract + \end{music} + \item[\keyindex{clivisauctdown}\twop], for example: + + \begin{music}\nostartrule + \elemskip 10pt + \setsize1{\Largevalue} + \instrumentnumber 1 + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \clivisauctdown ba\en + \notes \clivisauctdown ca\en + \zendextract + \end{music} + \item[\keyindex{podatusauctup}\twop], for example: + + \begin{music}\nostartrule + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \podatusauctup ab\en + \notes \podatusauctup ac\en + \notes \podatusauctup cf\en + \zendextract + \end{music} + \item[\keyindex{podatusauctdown}\twop], for example: + + \begin{music}\nostartrule + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \podatusauctdown ab\en + \notes \podatusauctdown ac\en + \notes \podatusauctdown cf\en + \zendextract + \end{music} + + \item[\keyindex{pesquassusauctdown}\twop], for example: + + \begin{music}\nostartrule + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \pesquassusauctdown ab\en + \notes \pesquassusauctdown ae\en + \zendextract + \end{music} + + \item[\keyindex{quilismapesauctdown}\twop], for example: + + \begin{music}\nostartrule + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \quilismapesauctdown ab\en + \notes \quilismapesauctdown ae\en + \zendextract + \end{music} + + \item[\keyindex{torculusauctdown}\threep], for example: + + \begin{music}\nostartrule + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \torculusauctdown aba\en + \notes \torculusauctdown cfd\en + \notes \torculusauctdown afc\en + \zendextract + \end{music} + + \item[\keyindex{Porrectusauctdown}\threep], for example: + + \begin{music}\nostartrule + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \Porrectusauctdown bac\en + \notes \Porrectusauctdown bNd\en + \notes \Porrectusauctdown bMe\en + \notes \Porrectusauctdown bLe\en + \zendextract + \end{music} + + \item[\keyindex{climacusauctdown}\threep], for example: + + \begin{music}\nostartrule + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \Notes \climacusauctdown cbN\en + \Notes \climacusauctdown caM\en + \Notes \climacusauctdown aNM\en + \zendextract + \end{music} + + \item[\keyindex{scandicusauctdown}\threep], for example: + + \begin{music}\nostartrule + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \scandicusauctdown abe\en + \notes \scandicusauctdown ceg\en + \zendextract + \end{music} + + \item[\keyindex{salicusauctdown}\threep], for example: + + \begin{music}\nostartrule + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \Notes \salicusauctdown abe\en + \Notes \salicusauctdown ceg\en + \zendextract + \end{music} + + \item[\keyindex{clivisdeminut}\twop], for example: + + \begin{music}\nostartrule + \elemskip 10pt + \setsize1{\Largevalue} + \instrumentnumber 1 + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \clivisdeminut ba\en + \notes \clivisdeminut ca\en + \zendextract + \end{music} + + \item[\keyindex{podatusdeminut}\twop], for example: + + \begin{music}\nostartrule + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \podatusdeminut ab\en + \notes \podatusdeminut ac\en + \notes \podatusdeminut cf\en + \zendextract + \end{music} + + \item[\keyindex{torculusdeminut}\threep], for example: + + \begin{music}\nostartrule + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \torculusdeminut aba\en + \notes \torculusdeminut cfd\en + \notes \torculusdeminut afc\en + \zendextract + \end{music} + + \item[\keyindex{torculusdebilis}\threep], for example: + + \begin{music}\nostartrule + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \torculusdebilis aba\en + \notes \torculusdebilis cfd\en + \notes \torculusdebilis afc\en + \zendextract + \end{music} + + \item[\keyindex{Porrectusdeminut}\threep], for example: + + \begin{music}\nostartrule + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \Porrectusdeminut bac\en + \notes \Porrectusdeminut bNd\en + \notes \Porrectusdeminut bMe\en + \notes \Porrectusdeminut bLe\en + \zendextract + \end{music} + + \item[\keyindex{climacusdeminut}\threep], for example: + + \begin{music}\nostartrule + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \Notes \climacusdeminut cbN\en + \Notes \climacusdeminut caM\en + \Notes \climacusdeminut aML\en + \zendextract + \end{music} + + \item[\keyindex{scandicusdeminut}\threep], for example: + + \begin{music}\nostartrule + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \scandicusdeminut abe\en + \notes \scandicusdeminut ceg\en + \zendextract + \end{music} +\end{description} + +\section{musixgui}\ixtt{musixgui.tex} Provides macros for +typesetting modern style \itxem{guitar chords}. For example: + +\begin{music} +\hsize130mm +\tenrm +\parindent0pt +\generalmeter{\meterfrac34} +\generalsignature1 +\startbarno0 +\def\txh{-6.5} +\def\tx#1*{\zchar\txh{\lrlap{\kern3\Internote#1}}} +\def\rtx#1*{\zchar\txh{\kern-3\Internote#1}} +\stafftopmarg10\Interligne +\raiseguitar{20} +\nostartrule +\startpiece +\addspace{.5\afterruleskip}% +\NOtes\tx We*\qa d\en +\bar +\NOtes\guitar G{}o-----\gbarre3\gdot25\gdot35\gdot44\tx wish*\qa g\en +\Notes\tx you*\ca g\en +\Notes\tx a*\ca h\en +\Notes\zchar\txh{merry}\ca g\en +\Notes\ca f\en +\bar +\NOtes\guitar C5o-----\gbarre4\gdot26\gdot36\gdot45\rtx christmas,*\qa e\en +\NOtes\qa e\en +\NOtes\guitar {e/H}5o-----\gbarre3\gdot35\gdot45\gdot54\tx we*\qa e\en +\bar +\NOtes\guitar {A$\!^7$}5o-----\gbarre1\gdot23\gdot42\tx wish*\qa h\en +\Notes\tx you*\ca h\en +\Notes\tx a*\ca i\en +\Notes\zchar\txh{merry}\ca h\en +\Notes\ca g\en +\bar +\NOtes\guitar D{}xxo---\gdot42\gdot53\gdot62\rtx christmas,*\qa f\en +\NOtes\qa d\en +\zbar +\NOtes\guitar{D/c}{}xo----\gdot23\gdot42\gdot53\gdot62\tx we*\qa d\en +\bar +\NOtes\guitar{B$^7$}{}xo----\gdot22\gdot31\gdot42\gdot62\tx wish*\qa i\en +\Notes\tx you*\ca i\en +\Notes\tx a*\ca j\en +\Notes\tx ~mer-*\ca i\en +\Notes\tx ry*\ca h\en +\bar +\NOtes\guitar e{}xxo---\gdot32\tx ~christ-*\qa g\en +\NOtes\tx mas*\qa e\en +\Notes\guitar {G/d}{}xxo---\gdot63\tx and*\ca d\en +\Notes\tx a*\ca d\en +\bar +\NOtes\guitar{C$^6$}{}xo----\gdot23\gdot32\gdot42\gdot51\tx ~~hap~-*\qa e\en +\NOtes\tx py*\qa h\en +\NOtes\guitar{D$^7$}{}xo---x\gdot25\gdot34\gdot45\gdot45\gdot53\tx new*\qa f\en +\bar +\NOTes\guitar G{}o-----\gbarre3\gdot25\gdot35\gdot44\tx ~year.*\ha g\en +\setdoublebar\endpiece +\end{music} + +\medskip +The macro \keyindex{guitar} sets the grid, chord name, barre type, +and on-off indicators for the strings. For example, the first +chord in above example was coded as + +\verb|\guitar G{}o-----\gbarre3\gdot25\gdot35\gdot44| + +\noindent where the first argument is the text to be placed above the grid, the +second is empty (relative barre), and the next six characters indicate if the string +is played or not with either \verb|x|, \verb|o| or \verb|-|. The dots are set with +\keyindex{gdot}~$sb$ where the $s$ is the string and $b$ is the barre. The +rule is set with \keyindex{gbarre}~$b$ where $b$ indicates the position of the barre. + +The whole symbol may be vertically shifted with +\keyindex{raiseguitar}\onen, where $n$ is a number +in units of \keyindex{internote}. When using guitar chords, it might be +useful to reserve additional +space above the chord by advancing \keyindex{stafftopmarg} to +something like \verb|stafftopmarg=10\Interligne|. + +For frequently used chords, it might be useful to define your own +macros, e.g. + +\verb|\def\Dmajor{\guitar D{}x-----\gdot42\gdot53\gdot62}%| + +\section{musixhv}\label{helvetica} + + +Replaces the default Computer Modern text fonts by Helvetica (sans serif) fonts; +see Section~\ref{UserFonts}. +Use as follows: +\begin{quote}\begin{verbatim} +\input musixtex +\input musixhv +... +\end{verbatim}\end{quote} + +The usual ``small'' type commands are supported: +\begin{quote} +\begin{tabular}{lr} +\keyindex{tinytype} & 7pt \\ +\keyindex{smalltype} & 8pt \\ +\keyindex{Smalltype} & 9pt \\ +\keyindex{normtype}& 10pt \\ +\keyindex{medtype} & 12pt \\ +\end{tabular} +\end{quote} +For all of these, the following variants are supported: +\begin{quote} +\begin{tabular}{ll} +\verb|\rm| & ``Roman'' (sans serif) \\ +\verb|\bf| & bold \\ +\verb|\it| & ``italic'' (actually oblique) \\ +\verb|\bi| & ``bold-italic'' (actually bold-oblique) \\ +\verb|\sc| & small capitals\\ +\end{tabular} +\end{quote} +The ``big'' type commands are as follows: +\begin{quote} +\begin{tabular}{lr} +\keyindex{bigtype} & 14pt\\ +\keyindex{Bigtype} & 17pt\\ +\keyindex{BIgtype}& 20pt\\ +\keyindex{BIGtype} & 25pt\\ +\end{tabular} +\end{quote} +The default variant for all of these is small-caps; +however, \keyindex{font} commands are defined +for all the usual variants at all of these sizes. +To letter-space a title, use the \verb|\so| +command in the \verb\soul\ package. + + +The following bold-oblique fonts for dynamic marks are defined: +\begin{quote}\begin{tabular}{lr} +\keyindex{ppfftwelve} & 8pt \\ +\keyindex{ppffsixteen} & 10pt\\ +\keyindex{ppfftwenty} & 12pt \\ +\keyindex{ppfftwentyfour} & 14pt \\ +\keyindex{ppfftwentynine} & 17pt \\ +\end{tabular}\end{quote} + + \section{musixjt}\label{JazzText}\index{musixjt@{\tt musixjt.tex}} + + Jazz scores often use a ``handwriting'' font \texttt{JazzText} originally designed by +Richard Sigler and now bundled with Finale. This font is +widely available and is said to be ``free for personal use'' but this +is not sufficiently ``free'' for packaging into TeXLive. A similar +font \texttt{MuseJazzText} is bundled with MuseScore and because it is OFL-licensed, +it can be distributed with \musixtex. +This font will be used for all textual elements of your \musixtex\ score if you input \texttt{musixjt.tex} +after \texttt{musixtex.tex}. Here is an example: + +\smallskip +\begin{music} +\input musixjt +\begin{center} +\Bigtype Q\,U\,O\,D\,L\,I\,B\,E\,T\\[1ex] +\medtype Variation 30 of the Goldberg Variations for Clavier +\end{center} +\def\pstiehgt{0.5} +\def\psslurhgt{0.5} +\smallmusicsize +\bigaccid +\parindent=10pt +\def\raisebarno{7\internote}% +\nobarnumbers +\relativeaccid +\geometricskipscale +\instrumentnumber4 +\setclef1\bass\setbassclefsymbol1\bassoct +\setclef4\treble\settrebleclefsymbol4\trebleoct +\generalsignature{+1} +\generalmeter\meterC +\setname1{B} +\setname2{T} +\setname3{A} +\setname4{S} +\songtop4 +\songbottom1 +\startbarno=0 +\nobarnumbers +\startextract +\scale{0.76} +\znotes&&&\ccn{16}{\rm\kern-1ex Arranged for Recorders}\en +\Notes\ds&\cu d&\ds&\ds\en +\bar%1 +\Notes\hl N&\ibu1g2\qb1{ghi}\tqh1j&&\hpause\en +\Notes\hl M&\ibl1k{-2}\qb1k&&\en +\notes&\nbbl1\qb1 j\tqb1i&&\qp\en +\Notes&\ibu1h0\qb1h&&\ds\en +\notes&\nbbu1\qb1g\tqh1h&&\cu d\en +\def\atnextbar{\znotes&&\centerpause&\en}% +\bar%2 +\Notes\hl L&\ibu1i{-2}\qb1i\tqh1h&\ql n&\ibu3g2\qb3{gh}\en +\Notes&\itied1g\qu g&\ql n&\qb3i\tqh3j\en +\Notes\ql{.K}&\ttie1\qu g&\ql o&\ibl3k{-2}\qb3k\en +\notes&&&\nbbl3\qb3j\tqb3i\en +\Notes&\ibu1f0\shake{n}\qb1f&\cl o&\cu h\en +\notes\cu J&\nbbu1\qb1e\tqh1f&\ds&\ds\en +\bar%3 +\Notes\hu I&\qu g&\ibl2n{-1}\qb2{no}&\ql k\en +\Notes&\ds\cl k&\qb2{n}\tqb2{=m}&\ql k\en +\Notes\hu J&\ibu1j{-2}\qb1{ji}&\ibl2j{0}\qb2{lk}&\ql l\en +\Notes&\qb1h\tqh1g&\qb2j\tqb2p&\ql l\en +\bar%4 +\Notes\hl K&\itied1f\shake{n}\qu f&\ibl2o{-1}\qb2{on}&\ibl3k{-1}\qb3{kl}\en +\notes&\ttie1\ibbu1e{-2}\qb1f\tbbu1\qb1e&\qb2o&\qb3k\en +%\vnotes1.5\elemskip&\nbbbu1\qb1e\tbbu1\qb1f&&\en +\Notes&\itied1d\tqh1d&\tqb2m&\tqb3j\en +\Notes\qu G&\ttie1\qu d&\ibl2n{-2}\qb2n\tqb2m&\ibu3h{-1}\shake{p}\qb3i\tqh3h\en +\Notes\ds&\qp&\ibl2n{-5}\qb2n&\qu g\en +\notes\ibbl0b{-1}\qb0b\tqb0a&&\tqb2k&\en +\znotes&&&\lcn{16}{\rm J.S. Bach (1685-1750)}\en +\zendextract +\end{music} + +\clearpage + + \section{musixlit}\label{litu}\label{otherbars} + Provides a notation style intermediate between gregorian and baroque, for +example + +\makeatletter +\catcodesmusic +%\def\vnotes#1\elemskip{\noteskip#1\@l@mskip \multnoteskip\scal@noteskip +% \not@s} + +%\def\not@s{\def|{\nextstaff}\def&{\nextinstrument}\normaltranspose\transpose +% \check@nopen\notes@open\@ne +% \kern\n@skip\advance\x@skip\n@skip \locx@skip\x@skip +% \n@skip\noteskip \noinstrum@nt\z@ \begininstrument} + +%\def\en{\@ndstaff\notes@open\z@ +% \ifx\@ne\V@sw \widthtyp@\z@\t@rmskip \let\V@sw\empty \fi} + +\def\double#1{\roffset{1.2}{\advancefalse#1}#1} +\makeatother + + % Don't know if this example correct ??? But looks nice... +\begin{music} +\ninerm +\parindent0pt +\instrumentnumber{2} +\interstaff{11} +\generalsignature2 +\setclefsymbol2\oldGclef +\setstaffs1{2} +\setclef1\bass +\setinterinstrument1{-\Interligne} +\startpiece +\shortbarrules +\addspace\afterruleskip +\hardlyrics{Il nous a sign\'es de son + }\notes\zw d\wh K|\zw f\wh h&\rtx\thelyrics*\Hpause h1\en +\qspace\qspace +\NOTes\zhl N\hu d|\zhl g\hu i&\tx sang*\double{\cnql i}\en +\bar +\hardlyrics{Et nous avons \'e- + }\notes\zw d\wh K|\zw f\wh h&\rtx\thelyrics~-*\Hpause h1\en +\qspace\qspace +\NOTes\zhl M\hu c|\zhl f\hu h&\rtx t\'e*\double{\cnql i}\en +\NOtes\zql L\qu e|\zql b\qu g&\tx ~pro-*\cnqu g\en +\NOtes\zql b\qu d|\zql d\qu f&\tx ~t\'e-*\cnqu f\en +\NOTes\zhl a\hu c|\zhl e\hu h&\tx g\'es.*\double{\cnqu h}\en +\bar +\NOtes\zql M\qu d|\zql d\qu h&\tx ~~Al~-*\cnqu h\en +\NOtes\zql K\qu a|\zql f\qu k&\tx ~~le~-*\cnql k\en +\NOTes\zhl H\hu a|\zhl e\hu j&\tx ~~lu~-*\double{\cnql j}\en +\bar +\NOTEs\zhl K\hu a|\zhl f\hu k&\tx ~~ia !*\cnhl k\en +\sepbarrules +\endpiece + +\startpiece +\interbarrules +\addspace\afterruleskip +\hardlyrics{Il nous a sign\'es de son + }\notes\zw d\wh K|\zw f\wh h&\rtx \thelyrics*\Hlonga h1\en +\qspace\qspace +\NOTes\zhl N\hu d|\zhl g\hu i&\tx sang*\chl i\en +\bar +\hardlyrics{Et nous avons \'e + }\notes\zw d\wh K|\zw f\wh h&\rtx \thelyrics~-*\Hlonga h1\en +\qspace\qspace +\NOTes\zhl M\hu c|\zhl f\hu h&\rtx t\'e*\chl i\en +\NOtes\zql L\qu e|\zql b\qu g&\tx ~pro-*\cqu g\en +\NOtes\zql b\qu d|\zql d\qu f&\tx ~t\'e-*\cqu f\en +\NOTes\zhl a\hu c|\zhl e\hu h&\tx g\'es.*\chu h\en +\bar +\NOtes\zql M\qu d|\zql d\qu h&\tx ~~Al~-*\cqu h\en +\NOtes\zql K\qu a|\zql f\qu k&\tx ~~le~-*\cql k\en +\NOTes\zhl H\hu a|\zhl e\hu j&\tx ~~lu~-*\chl j\en +\bar +\NOTEs\zbreve K\breve a|\zbreve f\breve k&\tx ~~ia !*\zbreve k\en +\sepbarrules +\endpiece +\end{music} +\endcatcodesmusic + + This package provides: + \begin{itemize}\setlength{\itemsep}{0ex} + \item\keyindex{oldGclef} which replaces the ordinary G clef with an old one, +using (for instrument 2 as an example): + \verb|\settrebleclefsymbol2\oldGclef| + + \item\keyindex{cqu} $p$ provides a square-headed quarter note with stem up at +pitch $p$. + + \item\keyindex{cql} $p$ provides a square-headed quarter note with stem down at +pitch $p$. + + \item\keyindex{chu} $p$ provides a square-headed half note with stem up at +pitch $p$. + + \item\keyindex{chl} $p$ provides a square-headed half note with stem down at +pitch $p$. + + \item\keyindex{cqb} $n$ $p$ provides a square-headed beam note for beam $n$ at pitch $p$. + + \item\keyindex{zcqb} $n$ $p$ provides a non-spacing square-headed beam note for beam $n$ at pitch $p$. + + \item\keyindex{cnqu} $p$ and \keyindex{cnql} $p$ provide a stemless square +headed +quarter note at pitch $p$. + + \item\keyindex{cnhu} $p$ and \keyindex{cnhl} $p$ provide a stemless square +headed half note at pitch $p$. + +%\item\keyindex{Hpause} $p$ $n$ provides an arbitrary length pause at pitch +%$p$ and of length $n$ \keyindex{noteskip}. However, in the first of the above +%example, this feature has been used to denote an arbitrary length note rather +%than a rest! + + \item\keyindex{Hlonga} $p$ $n$ provides an arbitrary length note at pitch +$p$ and of length $n$ \keyindex{noteskip}. +This feature has been used to denote an arbitrary length note in the second of +the above examples; +in the first example, \keyindex{Hpause} +was used to denote an arbitrary length note rather +than a rest. + + \item\keyindex{shortbarrules} has been used to provide bar rules shorter than +the staff vertical width. + + \item\keyindex{interbarrules} has been used to provide bars between the +staffs, rather that over them. This is an arbitrary question of taste\ldots + \end{itemize} + + \section{musixlyr} \ixtt{musixlyr.tex} + Enables the recommended method for adding lyrics to a score (see Section~\ref{musixlyr}). + + \section{musixmad} \ixtt{musixmad.tex} Increases the number of +instruments, slurs and beams up to twelve. When using this extension, it is +not necessary to explicitly input \verb|musixadd.tex|. +If you need greater numbers of these elements, see Sections~\ref{musixmad_setmaxgroups}, +\ref{musixmad_setmaxinstruments_ccxviiibeams}, +\ref{musixmad_setmaxoctlines}, +\ref{musixmad_setmaxslurs} and +\ref{musixmad_setmaxtrills}. + + \section{musixmkm} \ixtt{musixmkm.tex} + The following special accidentals used in Turkish classical music (makam\index{makam}) +are supported: +\smallskip +\begin{music} +\input musixmkm +\normalmusicsize +\startextract +\Notes\shtanini i\en +\Notes\shbuyukmucenneb i\en +\Notes\shkucuk i\en +\Notes\shbakiye i\en +\Notes\shkoma i\en +\Notes\flkoma i\en +\Notes\flbakiye i\en +\Notes\flkucuk i\en +\Notes\flbuyukmucenneb i\en +\Notes\fltanini i\en +\endextract% +\end{music}% +These are generated by, respectively, +\begin{list}{}{} +\item{} +\begin{tabular}{l} +\keyindex{shtanini} $p$\\ +\keyindex{shbuyukmucenneb} $p$\\ +\keyindex{shkucuk} $p$\\ +\keyindex{shbakiye} $p$\\ +\keyindex{shkoma} $p$\\ +\keyindex{flkoma} $p$\\ +\keyindex{flbakiye} $p$\\ +\keyindex{flkucuk} $p$\\ +\keyindex{flbuyukmucenneb} $p$\\ +\keyindex{fltanini} $p$\\ +\end{tabular} +\end{list} + + \section{musixmtab}\index{tablature}\index{musixmtab@{\tt musixmtab.tex}}\label{mtab} + +Modern instrumentalists of string instruments (guitar, banjo, mandolin, etc.) +use a hybrid form of tablature in which notes have (downward) stems and beams attached.% +\footnote{It seems this ``modern'' form of tablature was introduced by Pete Seeger in his 5-string banjo +instruction book, first published in 1948.} +The \verb\musixmtab\\index{musixmtab} package combines traditional Gelten-style tablature notation +already in \musixtex\ with the stems and beams of standard music notation. +It is assumed that there is at most one beam (beam number $0$) and that all stems are downward. + +In the following commands, +\{$s$\} is a string number (counting from the top) and \{$n$\} is a numerical note (i.e., fret number). + +\begin{center} +\begin{tabular}{ll} +\keyindex{uh}\{$s$\}\{$n$\} & a half note (boxed, to differentiate from a quarter note)\\ +\keyindex{zuh}\{$s$\}\{$n$\} & a non-spacing stemless half note\\ +\keyindex{uq}\{$s$\}\{$n$\} & a quarter note (with a centered stem)\\ +\keyindex{uc}\{$s$\}\{$n$\} & an eighth note (with a flag)\\ +\keyindex{ucc}\{$s$\}\{$n$\} & a sixteenth note (with a double flag)\\ +\keyindex{zu}\{$s$\}\{$n$\} & a non-spacing stemless quarter, eighth or sixteenth note\\ +\keyindex{uib}\{$s$\}\{$l$\} & initiate a single beam; $s$ is the starting string and $l$ is the slope\\ +\keyindex{uibb}\{$s$\}\{$l$\} & initiate a double beam; $s$ is the starting string and $l$ is the slope\\ +\keyindex{ub}\{$s$\}\{$n$\} & a beamed note\\ +\keyindex{unbb} & increase the beam multiplicity to 2\\ +\keyindex{utbb} & decrease the beam mutiplicity to 1 after the following note\\ +\keyindex{utb} & terminate the beam after the following note\\ +\keyindex{utq}\{$s$\}\{$n$\} & terminate the beam after this note\\ + +\end{tabular} +\end{center} +Conventional \musixtex\ commands such as \verb|pt| and \verb|arpeggio| may be used but arguments must reference \musixtex\ note +designations rather than string numbers. + +Here is an example, {\it Cripple Creek}, for 5-string banjo in standard G tuning, clawhammer style: + +\begin{music} +\parindent=2ex +\input musixmtab +\setclefsymbol1\tabclef\setsize1{\largevalue}\setsign10 +\setname1{\tabstringfnt\baselineskip=1.2\internote% +\vbox{\hbox{D}\hbox{B}\hbox{G}\hbox{D}\hbox{\ g}}} +\generalmeter{\meterfrac24} +\startbarno1 +\nobarnumbers +\nostartrule +\startpiece\addspace\afterruleskip +\notes\uibb40\ub12\lcn{10}{\it SL}\ub15\zu15\zu20\ub30\utq50\en +\notes\uibb40\ub10\ccn{10}{\it T}\ub20\ub10\utq50\en +\bar%2 +\Notes\uib24\ub21\utq12\en +\Notes\uib40\ub10\en +\notes\unbb\zu10\zu20\ub30\utq50\en +\bar%3 +\notes\uibb40\ub12\lcn{10}{\it SL}\ub15\zu15\zu20\ub30\utq50\en +\notes\uibb40\ub10\ccn{10}{\it T}\ub20\ub10\utq50\en +\bar%4 +\notes\uibb2{-2}\ub21\utbb\ccn9{\it P}\ub20\en +\Notes\utq32\en +\Notes\uib40\ub30\en +\notes\unbb\zu10\zu20\ub30\utq50\en +\setrightrepeat +\alaligne +\zleftrepeat +\notes\uibb40\ub32\lcn{9}{\it SL}\ub34\zu10\zu20\ub34\utq50\en +\notes\uibb3{-1}\ub32\utbb\ccn9{\it P}\ub30\utq42\en +\bar +\notes\uibb40\ub32\lcn9{\it SL}\ub34\zu10\zu20\ub34\utq50\en +\Notes\uib40\ub40\en +\notes\unbb\zu10\zu20\ub30\utq50\en +\bar +\notes\uibb40\ub32\lcn9{\it SL}\ub34\zu10\zu20\ub34\utq50\en +\notes\uibb4{-1}\ub32\ccn9{\it P}\ub30\ub42\ccn9{\it P}\utq40\en +\bar +\notes\uibb40\ub40\ccn9{\it H}\ub42\zu10\zu20\ub30\utq50\en +\Notes\uib40\ub30\en +\Notes\unbb\zu10\zu20\ub30\utq50\en +\zrightrepeat +\qspace +\NOtes\arpeggio05\zuh10\zuh20\zuh30\zuh40\uh50\en +\Endpiece + +\end{music} + + + \section{musixper}\label{perc} + +Provides special symbols intended for percussion parts. Included are a +\ital{drum clef}---comprising two vertical parallel lines---and notes with +various specially shaped heads. The note symbols that are available are as +follows: + + \begin{itemize}\setlength{\itemsep}{0ex} + \item The \raise.5ex\hbox{\musixchar113}~{}~symbol which is obtained using the +\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceded by a +``\verb|dc|'' (think of {\it d}iagonal {\it c}ross). +Available are +\keyindex{dcqu}, +\keyindex{dcql}, +\keyindex{dcqb}, +\keyindex{dczq}, +\keyindex{dccu}, +\keyindex{dcccu}, +\keyindex{dccl} and +\keyindex{dcccl}. + + \item The \raise.5ex\hbox{\musixchar112}~{}~symbol which is obtained using the +\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceded by a +``\verb|dh|'' +(think of {\it d}iagonal cross {\it h}alf open). +Available are +\keyindex{dhqu}, +\keyindex{dhql}, +\keyindex{dhqb}, +\keyindex{dhzq}, +\keyindex{dhcu}, +\keyindex{dhccu}, +\keyindex{dhcl} and +\keyindex{dhccl}. + + \item The \raise.5ex\hbox{\musixchar111}~{}~symbol which is obtained using the +\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceded by a +``\verb|do|'' +(think of {\it d}iagonal cross {\it o}pen). +Available are +\keyindex{doqu}, +\keyindex{doql}, +\keyindex{doqb}, +\keyindex{dozq}, +\keyindex{docu}, +\keyindex{doccu}, +\keyindex{docl} and +\keyindex{doccl}. + + \item The \raise.5ex\hbox{\musixchar114}~{}~symbol which is obtained using the +\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceeded by +``\verb|x|'' (e.g.\ for spoken text of songs). +Available are +\keyindex{xqu}, +\keyindex{xql}, +\keyindex{xqb}, +\keyindex{xzq}, +\keyindex{xcu}, +\keyindex{xccu}, +\keyindex{xcl} and +\keyindex{xccl}. + + \item The \raise.5ex\hbox{\musixchar115}~{}~symbol which is obtained using the +\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceeded by +``\verb|ox|'' . +Available are +\keyindex{oxqu}, +\keyindex{oxql}, +\keyindex{oxqb}, +\keyindex{oxzq}, +\keyindex{oxcu}, +\keyindex{oxccu}, +\keyindex{oxcl} and +\keyindex{oxccl}. + + \item The \raise.5ex\hbox{\musixchar118}~{}~symbol which is obtained using the +\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceeded by +``\verb|ro|'' (think of {\it r}h{\it o}mbus). +Available are +\keyindex{roqu}, +\keyindex{roql}, +\keyindex{roqb}, +\keyindex{rozq}, +\keyindex{rocu}, +\keyindex{roccu}, +\keyindex{rocl} and +\keyindex{roccl}. + + \item The \raise.5ex\hbox{\musixchar116}~{}~symbol which is obtained using the +\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceeded by +``\verb|tg|'' (think of {\it t}rian{\it g}le). +Available are +\keyindex{tgqu}, +\keyindex{tgql}, +\keyindex{tgqb}, +\keyindex{tgzq}, +\keyindex{tgcu}, +\keyindex{tgccu}, +\keyindex{tgcl} and +\keyindex{tgccl}. + + \item The \raise.5ex\hbox to 1em{\musixchar117\hfil}~{}~symbol which is obtained +using the +\verb|\qu|, \verb|\qb|, \verb|\cu|, etc.~macros preceeded by +``\verb|k|'' . +Available are +\keyindex{kqu}, +\keyindex{kql}, +\keyindex{kqb}, +\keyindex{kzq}, +\keyindex{kcu}, +\keyindex{kccu}, +\keyindex{kcl} and +\keyindex{kccl}. + \end{itemize} + +The diamond shaped noteheads described in Section~\ref{diam} are also +available, because \verb|musixper.tex| inputs \verb|musixdia.tex|. + +If any of the foregoing notes need to be dotted, you must use the explicit +dotting macros \verb|\pt|, \verb|\ppt|, or \verb|\pppt| as described in +Section~\ref{dots}. + +Since the usage of these note symbols is +not standardized, it would be wise to include in the score a explanation +of which symbol corresponds to which specific percussion instrument. + +A special \itxem{drum clef}---comprising two heavy vertical bars---can +be made to replace the normal clef for the $n$-th intrument by saying +\keyindex{setclefsymbol}\onen\keyindex{drumclef} . +To cause this to appear at the right vertical position, the instrument should +previously have been assigned a treble clef (or not explicitly assigned any +clef, thereby giving it a treble clef by default). + +Percussion music might be written on a staff with either one or five lines. +If there are several different percussions instruments it may be useful to +use a five-line staff with a drum clef, and differentiate the instruments +by the type of the note heads and the apparent +pitch of the note on the staff. Here is an example of the +latter\footnote{provided by Agusti {\sc Mart\'in Domingo}}: + +\medskip +\begin{music} +\generalmeter{\meterfrac44} +\setclefsymbol1\drumclef +\parindent0pt\startpiece +\leftrepeat +\Notes\zql f\rlap\qp\ibu0m0\xqb0{nn}\en +\Notes\kzq d\zql f\zq j\xqb0n\tbu0\xqb0n\en +\Notes\zql f\rlap\qp\ibu0m0\xqb0{nn}\en +\Notes\kzq d\zql f\zq j\xqb0n\tbu0\xqb0n\en +\bar +\Notes\zql f\rlap\qp\ibu0m0\kqb0{nn}\en +\Notes\xzq d\zql f\zq j\kqb0n\tbu0\kqb0n\en +\Notes\zql f\rlap\qp\ibu0m0\kqb0{nn}\en +\Notes\xzq d\zql f\zq j\kqb0n\tbu0\kqb0n\en +\bar +\Notes\zql f\rlap\qp\ibu0m0\oxqb0{nn}\en +\Notes\oxzq d\zql f\zq j\kqb0n\tbu0\oxqb0n\en +\Notes\zql f\rlap\qp\ibu0m0\oxqb0{nn}\en +\Notes\oxzq d\zql f\zq j\kqb0n\tbu0\oxqb0n\en +\setrightrepeat\endpiece +\end{music} +\noindent Its coding is + \begin{quote}\begin{verbatim} +\begin{music} +\instrumentnumber{1} +\generalmeter{\meterfrac44} +\setclefsymbol1\drumclef +\parindent0pt\startpiece +\leftrepeat +\Notes\zql f\rlap\qp\ibu0m0\xqb0{nn}\en +\Notes\kzq d\zql f\zq j\xqb0n\tbu0\xqb0n\en +\Notes\zql f\rlap\qp\ibu0m0\xqb0{nn}\en +\Notes\kzq d\zql f\zq j\xqb0n\tbu0\xqb0n\en +\bar +\Notes\zql f\rlap\qp\ibu0m0\kqb0{nn}\en +\Notes\xzq d\zql f\zq j\kqb0n\tbu0\kqb0n\en +\Notes\zql f\rlap\qp\ibu0m0\kqb0{nn}\en +\Notes\xzq d\zql f\zq j\kqb0n\tbu0\kqb0n\en +\bar +\Notes\zql f\rlap\qp\ibu0m0\oxqb0{nn}\en +\Notes\oxzq d\zql f\zq j\kqb0n\tbu0\oxqb0n\en +\Notes\zql f\rlap\qp\ibu0m0\oxqb0{nn}\en +\Notes\oxzq d\zql f\zq j\kqb0n\tbu0\oxqb0n\en +\setrightrepeat\endpiece +\end{music} + \end{verbatim}\end{quote} + +Here is an example of a single-line percussion staff using +diamond-shaped note heads: + +\begin{music} +\parindent 19mm +\instrumentnumber{3} +\setname1{keyboard} \setname2{drum} \setname3{monks} +\setlines2{1} +\setlines3{4} +\setinterinstrument1{-2\Interligne}% less vertical space above +\setinterinstrument2{-2\Interligne}% and below the percussion +\sepbarrules +\setsign1{-1} % one flat at keyboard +\generalmeter{\meterfrac24} +\setmeter3\empty +\setclef3\alto +\setclef1\bass +\setstaffs12 % 2 staffs at keyboard +\setclefsymbol3\gregorianCclef % gregorian C clef at instrument 3 +\setclefsymbol2\drumclef % cancel G clef at instrument 2 +\startextract +\Notes\hu F|\zh c\hu h&\dnq4&\squ{acd}\en\bar +\NOtes\qu I|\zq N\qu d&\qp&\diapunc f\en +\NOtes\qu J|\zq a\qu e&\ynq4&\diapunc e\en\bar +\notes\hu G|\zh b\hu d&\dnq4&\zsqu d\rsqu g\squ{hgh}\en +\endextract +\end{music} +\noindent which is coded as follows: + +\begin{verbatim} +\parindent 19mm +\instrumentnumber{3} +\setname1{keyboard} \setname2{drum} \setname3{monks} +\setlines2{1} +\setlines3{4} +\setinterinstrument1{-2\Interligne}% less vertical space above +\setinterinstrument2{-2\Interligne}% and below the percussion +\sepbarrules +\setsign1{-1} % one flat at keyboard +\generalmeter{\meterfrac24} +\setmeter3{\empty} +\setclef3{\alto} +\setclef1{\bass} +\setstaffs1{2} % 2 staffs at keyboard +\setclefsymbol3{\gregorianCclef} % gregorian C clef at instrument 3 +\setclefsymbol2{\drumclef} % cancel G clef at instrument 2 +\startextract +\end{verbatim} + +% (DAS) Sorry, guys, I couldn't figure out how to get the |'s to work in this +% verbatim. +% +\vskip-11pt +\def\Vert{{\tt\char'174}} +\noindent\verb|\Notes\hu F|\Vert\verb|\zh c\hu h&\dnq4&\squ{acd}\en\bar|\\ +\verb|\NOtes\qu I|\Vert\verb|\zq N\qu d&\qp&\diapunc f\en|\\ +\verb|\NOtes\qu J|\Vert\verb|\zq a\qu e&\ynq4&\diapunc f\en\bar|\\ +\verb|\notes\hu G|\Vert\verb|\zh b\hu d&\dnq4&\zsqu d\rsqu g\squ{hgh}\en|\\ +\verb|\endextract| + + \section{musixplt}\index{musixplt@{\tt musixplt.tex}}\label{palatino} +Replaces the default Computer Modern text fonts by Palatino fonts; +see Section~\ref{UserFonts}. +Use as follows: +\begin{quote}\begin{verbatim} +\input musixtex +\input musixplt +... +\end{verbatim}\end{quote} +You may need to install additional packages: \texttt{psnfss}, \texttt{palatino} and \texttt{fpl}. + +The usual ``small'' type commands are supported: +\begin{quote} +\begin{tabular}{lr} +\keyindex{tinytype} & 7pt \\ +\keyindex{smalltype} & 8pt \\ +\keyindex{Smalltype} & 9pt \\ +\keyindex{normtype}& 10pt \\ +\keyindex{medtype} & 12pt \\ +\end{tabular} +\end{quote} +For all of these, the following variants are supported: +\begin{quote} +\begin{tabular}{ll} +\verb|\rm| & Roman \\ +\verb|\bf| & bold \\ +\verb|\it| & italic \\ +\verb|\bi| & bold italic \\ +\verb|\sc| & small capitals (and old-style figures)\\ +\end{tabular} +\end{quote} +The ``big'' type commands are as follows: +\begin{quote} +\begin{tabular}{lr} +\keyindex{bigtype} & 14pt\\ +\keyindex{Bigtype} & 17pt\\ +\keyindex{BIgtype}& 20pt\\ +\keyindex{BIGtype} & 25pt\\ +\end{tabular} +\end{quote} +The default variant for the ``small'' types is Roman and for +the ``big'' ones, small-caps; +however, \keyindex{font} commands are defined +for all the usual variants at all of these sizes. +To letter-space a title, use the \verb|\so| +command in the \verb\soul\ package. + + +The following bold-italic fonts for dynamic marks are defined: +\begin{quote}\begin{tabular}{lr} +\keyindex{ppfftwelve} & 8pt \\ +\keyindex{ppffsixteen} & 10pt\\ +\keyindex{ppfftwenty} & 12pt \\ +\keyindex{ppfftwentyfour} & 14pt \\ +\keyindex{ppfftwentynine} & 17pt \\ +\end{tabular}\end{quote} + + \section{musixpoi} + Adds definitions of less common singly and doubly dotted notes. +Available are +\keyindex{ccup}, +\keyindex{zccup}, +\keyindex{cclp}, +\keyindex{zcclp}, +\keyindex{ccupp}, +\keyindex{zccupp}, +\keyindex{cclpp}, +\keyindex{zcclpp}, +\keyindex{cccup}, +\keyindex{zcccup}, +\keyindex{ccclp}, +\keyindex{zccclp}, +\keyindex{cccupp}, +\keyindex{zcccupp}, +\keyindex{ccclpp}, +\keyindex{zccclpp}, +\keyindex{ccccup}, +\keyindex{zccccup}, +\keyindex{cccclp}, +\keyindex{zcccclp}, +\keyindex{ccccupp}, +\keyindex{zccccupp}, +\keyindex{cccclpp} and +\keyindex{zcccclpp}. + + \section{musixppff}\label{musixppff}\index{musixppff@{\tt musixppff.tex}} + +This replaces the default definitions used for dynamic marks to use a ``mini-font'' +\verb\xppff10\ designed by Hiroaki \textsc{Morimoto}. It is used as follows: + +\begin{quote}\begin{verbatim} +\input musixtex +\input musixppff +... +\end{verbatim}\end{quote} +\noindent The new dynamic marks are as follows: +\font\xppff=xppff10 +\begin{quote} +\xppff +pppp\ ppp\ pp\ p\ mp\ mf\ f\ fp\ sf\ ff\ fff\ ffff\ sfz\ sfzp +\end{quote} +Note that the \verb|xppff10| font has defined glyphs only for the following five characters: f, m, p, s and~z; +use \keyindex{ppff} etc.\@ +for other bold-italic text in music. + + \section{musixps}\label{musixps}\index{musixps@{\tt musixps.tex}} + Activates type K Postscript slurs, ties, and hairpins; see Chapter~\ref{PostscriptSlurs}. +Use as follows: +\begin{quote}\begin{verbatim} +\input musixtex +\input musixps +... +\end{verbatim}\end{quote} + + \section{musixstr}\label{musixstr}\index{musixstr@{\tt musixstr.tex}} + Provides bowing and other symbols for \itxem{string instruments}\footnote{provided +by Werner {\sc Icking}}. The symbol can be posted at the desired position using + \verb|\zcharnote|\pitchp\verb|{|$command$\verb|}|. The available symbols and +their meanings are as follows: + +{\input musixstr +\begin{quote}\begin{description}\setlength{\itemsep}{0ex} + + \item[\hbox to 1em{\AB}~: \keyindex{AB} or \keyindex{downbow}] down-bow + + \item[\hbox to 1em{\AUF}~: \keyindex{AUF} or \keyindex{upbow}] up-bow + + \item[\hbox to 1em{\SP}~: \keyindex{SP}] at the top of bow + + \item[\hbox to 1em{\FR}~: \keyindex{FR}] at the nut of bow + + \item[\GB\ or \Gb~: \keyindex{GB} or \keyindex{Gb}] whole bow + + \item[\UH\ or \Uh~: \keyindex{UH} or \keyindex{Uh}] lower half of bow + + \item[\OH\ or \Oh~: \keyindex{OH} or \keyindex{Oh}] upper half of bow + + \item[\MI\ or \Mi~: \keyindex{MI} or \keyindex{Mi}] middle of bow + + \item[\UD\ or \Ud~: \keyindex{UD} or \keyindex{Ud}] lower third of bow + + \item[\OD\ or \Od~: \keyindex{OD} or \keyindex{Od}] upper third of bow + + \item[\Pizz~: \keyindex{Pizz}] left hand pizzicato or trill + + \end{description}\end{quote} + } + + + %\check + \section{musixsty}\index{musixsty@{\tt musixsty.tex}}\label{musixsty} + + Provides certain text-handling facilities for titles, footnotes, and other +items not related to lyrics. It should not be used with \LaTeX. It includes + \begin{itemize}\setlength{\itemsep}{0ex} + \item definitions of \keyindex{hsize}, \keyindex{vsize}, +\keyindex{hoffset}, \keyindex{voffset} suitable for A$4$ paper; those using +other sizes may wish to modify it once and for all; + \item a \keyindex{rectoverso}\verb|{|\emph{dimension}\verb|}| command to set up even/odd-page + asymmetric margins; + \item a set of text size commands: + + \begin{description}\setlength{\itemsep}{0ex} + \item[\keyindex{eightpoint}] which sets the usual \keyindex{rm}, +\keyindex{bf}, \keyindex{sl}, \keyindex{it} commands to $8$ point font size; + \item[\keyindex{tenpoint}] which sets the usual \keyindex{rm}, +\keyindex{bf}, \keyindex{sl}, \keyindex{it} commands to $10$ point font size; + \item[\keyindex{twlpoint}] (or \keyindex{twelvepoint}) to get $12$ point font size; + \item[\keyindex{frtpoint}] to get $14.4$ point font size; + \item[\keyindex{svtpoint}] to get $17.28$ point font size; + \item[\keyindex{twtypoint}] to get $20.74$ point font size; + \item[\keyindex{twfvpoint}] to get $24.88$ point font size; + \end{description} + \item commands for creating title-page headings: + \begin{itemize}\setlength{\itemsep}{0ex} \item \keyindex{author} or +\keyindex{fullauthor} to be put at the right of the first page, below the +title of the piece; the calling sequence is, for example + + \verb| \author{Daniel TAUPIN\\organiste \`a Gif-sur-Yvette}| + + \noindent where the \verb|\\| causes the author's name to be displayed on +two lines; + + \item \keyindex{shortauthor} to be put at the bottom of each page; + \item \keyindex{fulltitle} which is the main title of the piece; + \item \keyindex{subtitle} is displayed below the main title of the piece; + \item \keyindex{shorttitle} or \keyindex{title} + which is the title repeated at the bottom of each page; + \item \keyindex{othermention} which is displayed on the left of the page, +vertically aligned with author's name. It may contain \verb|\\| to display it on +several lines; + \item \keyindex{headline} which displays the argument at the top of the title page (use + \verb|\hss| after or before the argument text or both to left-align or + right-align or center the text); + \item \keyindex{maketitle} which displays all the previous stuff; + \end{itemize} + + \item commands for making \itxem{footnotes}: + \begin{itemize}\setlength{\itemsep}{0ex} + \item The normal Plain-\TeX\ \keyindex{footnote} command, which has two +arguments---not just one as in \LaTeX\protect\index{LATEX@\LaTeX}---namely +the label of the footnote, which can be any sequence of characters, and +the text of the footnote. This command does not work inside +boxes, so it cannot be issued within music; + + \item The \keyindex{Footnote} command, which counts the footnotes and uses a +number as the label of the footnote (equivalent to \LaTeX's \verb|\footnote| +command). The same restriction as with \verb|\footnote| applies concerning +its use within the music coding; + + \item The \keyindex{vfootnote} command, taken from the Plain-\TeX, which +places a footnote at the bottom of the current page, but does not put +the footnote label at the place the command is entered in the main text. This +also may not be used within music, but if a footnote is needed whose reference +lies inside the music, it can be entered in two steps: + \begin{enumerate} + \item manually insert the reference inside the music, using e.g., \verb|zcharnote|; + \item post the footnote itself with \verb|\vfootnote| outside the music, +either before \keyindex{startpiece} or between \keyindex{stoppiece} and +\keyindex{contpiece} or equivalent commands. + \end{enumerate} + + \end{itemize} + + \end{itemize} + + \section{musixthacc}\index{musixthacc@{\tt musixthacc.tex}}\label{musixthacc} +Provides ``thin'' accidentals +\keyindex{thna}~$p$, \keyindex{thsh}~$p$, \keyindex{thfl}~$p$, \keyindex{thdsh}~$p$ +and \keyindex{thdfl}~$p$: +\smallskip +\begin{music} +\input musixthacc +\normalmusicsize +\startextract +\Notes\thna i\en +\Notes\thsh i\en +\Notes\thfl i\en +\Notes\thdsh i\en +\Notes\thdfl i\en +\endextract% +\end{music}% +Any necessary adjustment of horizontal position and spacing is up to +the user and \keyindex{relativeaccid} adjustment is not effective. + + \section{musixtmr}\index{musixtmr@{\tt musixtmr.tex}}\label{times} + Replaces the default Computer Modern text fonts by Times fonts; + see Section~\ref{UserFonts}. +Use as follows: +\begin{quote}\begin{verbatim} +\input musixtex +\input musixtmr +... +\end{verbatim}\end{quote} + +The usual ``small'' type commands are supported: +\begin{quote} +\begin{tabular}{lr} +\keyindex{tinytype} & $7$pt \\ +\keyindex{smalltype} & $8$pt \\ +\keyindex{Smalltype} & $9$pt \\ +\keyindex{normtype}& $10$pt \\ +\keyindex{medtype} & $12$pt \\ +\end{tabular} +\end{quote} +For all of these, the following variants are supported: +\begin{quote} +\begin{tabular}{ll} +\verb|\rm| & Roman \\ +\verb|\bf| & bold \\ +\verb|\it| & italic \\ +\verb|\bi| & bold italic \\ +\verb|\sc| & small capitals \\ +\end{tabular} +\end{quote} +The ``big'' type commands are as follows: +\begin{quote} +\begin{tabular}{lr} +\keyindex{bigtype} & $14$pt\\ +\keyindex{Bigtype} & $17$pt\\ +\keyindex{BIgtype}& $20$pt\\ +\keyindex{BIGtype} & $25$pt\\ +\end{tabular} +\end{quote} +The default variant for all of them is Roman; +however, \keyindex{font} commands are defined +for all the usual variants at all of these sizes. +To letter-space a title, use the \verb|\so| +command in the \verb\soul\ package. + + +The following bold-italic fonts for dynamic marks are defined: +\begin{quote}\begin{tabular}{lr} +\keyindex{ppfftwelve} & 8pt \\ +\keyindex{ppffsixteen} & 10pt\\ +\keyindex{ppfftwenty} & 12pt \\ +\keyindex{ppfftwentyfour} & 14pt \\ +\keyindex{ppfftwentynine} & 17pt \\ +\end{tabular}\end{quote} + +\section{musixtnt}\label{musixtnt} +This package (tnt = Transform Notes) provides a macro \keyindex{TransformNotes} which makes +possible several ``transformations'' of the effect of notes commands such as \keyindex{notes}. +The \verb\musixtnt\ package is distributed separately from \verb\musixtex\. + +In general the effect of \verb|\TransformNotes{|\textit{input}\verb|}{|\textit{output}\verb|}| +is that subsequent notes commands in the source will expect their arguments +to match the \textit{input} pattern but +the notes will be typeset according to the \textit{output} pattern. + +For example, +\begin{verbatim} + \TransformNotes{#2}{#2} +\end{verbatim} +would be appropriate for a four-instrument score (arguments \verb|#2|, \verb|#3|, \verb|#4|, and \verb|#5|, separated by three +\verb\&\s, but the third instrument (\verb|#4|) will be discarded. + +The instrument/staff numbers in the first argument must start at $2$ and increase +consecutively, using \verb|&| (or \| for multi-staff instruments) as a separator. +The reason that the segment identifiers start at $2$ is that the first argument for \keyindex{vnotes} +is a spacing parameter. + +It is +essential that every \verb|\znotes|, \verb|\notes|, \verb|\Notes|, \verb|\NOtes|, etc.\@ command in +the score match the pattern of the first argument to \keyindex{TransformNotes} exactly; for example, +too few (or too many) +note segments will result in unintentionally discarded material and possibly compilation failure. +Similarly, it is not possible to use \keyindex{nextinstrument}, \keyindex{nextstaff}, \keyindex{selectinstrument} or \keyindex{selectstaff}, or to hide the \verb|&| (or \|) tokens inside +a user-defined macro. +An auxiliary program \verb|msxlint| distributed in the \verb\musixtnt\ package can be used to detect such incompatibilities. + +\keyindex{TransformNotes} may be used anywhere between \keyindex{startpiece} +and the command that ends the piece. + +\subsection{Extracting single-instrument parts from multi-instrument scores}\index{extracting parts} + +To extract +a single-instrument part from a (copy of a) multi-instrument \musixtex\ score: +\begin{itemize} +\item Set \verb|\nbinstrument| to 1; for example, with command \verb|\instrumentnumber1|. +\item Use \keyindex{TransformNotes} to discard all but one of the note segments in notes +commands. +For example, the following line placed after +\verb|\startpiece| (but before any note commands) would be appropriate for a +four-instrument score and will result in a single-instrument part for the second of +these: +\begin{verbatim} + \TransformNotes{#2}{#3}% +\end{verbatim} +\end{itemize} +Caveats: +\begin{itemize} +\item +Some additional revisions to the source for the part might be necessary: +\begin{itemize} +\item adjusting \verb|\setname|, \verb|\setclef|, \verb|\setsign|, +\verb|\setmeter| and \verb|\setstaffs| commands, as necessary; see +Section~\ref{CodingRules} for coding techniques that will make this easier. + +\item ensuring that tempo and roadmap markings (\textbf{D.C.}, \textbf{Fine}, etc.) are in + the appropriate instrument segment; +\end{itemize} +\item +When the extracted part score is compiled and viewed, it may be seen +that horizontal-spacing commands designed for \emph{multiple} instruments can produce bad +spacing when used for a \emph{single} instrument. Bad spacing can be corrected manually but +this is very tedious; an auxiliary program called \verb\autosp\ +can be used to automate this process; see Section~\ref{autosp}. +\end{itemize} + +\subsection{Other applications} + +The \keyindex{TransformNotes} macro may be used for other purposes. Here are some examples: +\begin{list}{}{}\item + \verb|\TransformNotes{#2}{#2&\transpose+7#3}%| +\end{list} +will begin transposing\index{transpose@{\Bslash transpose}} just the second instrument (argument \verb|#3|). +\begin{list}{}{}\item + \verb|\TransformNotes{#2|\|\verb|#3}{#2|\|\verb|#3&\tinynotesize#4}%| +\end{list} +will begin typesetting the notes of the second instrument (\verb|#4|) in tiny size. +\begin{list}{}{}\item + \verb|\TransformNotes{#2}{#3}%| +\end{list} +will switch the order of the two instruments. +\begin{list}{}{}\item + \verb|\TransformNotes{#2}{#2}%| +\end{list} +will restore normal two-instrument processing. + + +The \texttt{musixtnt} implementation of \keyindex{TransformNotes} is not compatible with the +\texttt{musixlyr} extension +package for lyrics described in Section~\ref{musixlyr}. For extracting or omitting parts +in scores with lyrics, one may either use the +\texttt{autosp}\index{autosp@{\tt autosp}} preprocessor discussed in Section~\ref{autosp}, which provides +an alternative implementation of \keyindex{TransformNotes}, +or the techniques described in Chapter~\ref{parts}. + + \section{musixtri}\index{musixtri@{\tt musixtri.tex}} +Provides triply dotted note symbols. +Available are: +\keyindex{lpppt}, +\keyindex{whppp}, +\keyindex{zwppp}, +\keyindex{huppp}, +\keyindex{hlppp}, +\keyindex{zhppp}, +\keyindex{zhuppp}, +\keyindex{zhlppp}, +\keyindex{quppp}, +\keyindex{qlppp}, +\keyindex{zquppp}, +\keyindex{zqlppp}, +\keyindex{zqppp}, +\keyindex{cuppp}, +\keyindex{zcuppp}, +\keyindex{clppp}, +\keyindex{zclppp}, +\keyindex{qbppp} and +\keyindex{zqbppp}. + + \section{musixvbm}\ixtt{musixvbm.tex} +\label{musixvbm} +By default, \texttt{musixtex} produces beams using special fonts. Unfortunately, long beams may have +unsightly minor discontinuities (gaps or bumps). The \texttt{musixvbm} add-on +by Hiroaki \textsc{Morimoto} produces smooth vectorized beams; simply input +\texttt{musixvbm} in the preamble of your score (after inputting \texttt{musixtex}). +For example, compare + +\medskip +\begin{music} +\let\extractline\hbox +\vectorizedbeamfalse % disable vectorized beams +\nostartrule +\setclef1{\bass} +\hbox to \hsize{% +\hss +\startextract +\nnotes\ibbl0G1\qb0{GJKLMLMLMLMLMLMK}\tqb0L\en +\zendextract +\hss +\raise20pt\hbox{ and } +\hss +\vectorizedbeamtrue % re-enable vectorized beams +\startextract +\nnotes\ibbl0G1\qb0{GJKLMLMLMLMLMLMK}\tqb0L\en +\zendextract +\hss} +\end{music} +\medskip +\noindent +with various magnifications. The output on the left shows a font-based beam; the one +on the right +shows the same beam with +\texttt{musixvbm} activated. +All the other beams in this report are vectorized. + + +The only known disadvantage with use of \texttt{musixvbm} is that many \texttt{dvi} viewers +(including \texttt{xdvi} and \texttt{yap}) do not support the ``\texttt{tpic} specials'' +that implement vectorized beams in \texttt{dvi} output, so that no beams are shown\footnote{% +The \texttt{dviout} program for Windows supports \texttt{tpic} specials; +it is available from CTAN and in the Win32 distribution of TeXLive.}; +however, Postscript and PDF +output generated using \texttt{dvips} and \texttt{ps2pdf} (or using +\texttt{dvipdfm}, +or by processing the score using \texttt{pdfetex}) should be satisfactory. + +If Postscript hairpins +(as described in Section~\ref{PostscriptSlurs}) are not being used, +the \texttt{musixvbm} add-on also vectorizes crescendos and +decrescendos. + +\section{tuplet} + +This file does nothing; it is provided for compatibility with +\musixtex{} version 1.20 or earlier and legacy scores. +Since version 1.21, \verb|musixtex.tex| itself contains all the functions +of the older \texttt{tuplet.tex}, namely +definitions of +\keyindex{tuplettxt}, +\keyindex{uptuplet} and +\keyindex{downtuplet}. +See Section~\ref{tuplet}. diff --git a/macros/generic/musixtex/doc/musixdoc/extracting.tex b/macros/generic/musixtex/doc/musixdoc/extracting.tex new file mode 100644 index 0000000000..2039733fd0 --- /dev/null +++ b/macros/generic/musixtex/doc/musixdoc/extracting.tex @@ -0,0 +1,101 @@ +\chapter{Extracting Parts from a Multi-Instrument Score}\label{parts} +From the typesetting viewpoint, the major characteristic of orchestral and +chamber music is that the scores not only have several instruments, but +variants of the same basic score are needed in which one of the instruments is +highlighted while some others are typeset in smaller notes or are +omitted. +Of course, it must be possible to permute the highlighted instruments and +the small-type instruments or +omitted instruments, depending on the instrument to which the +version of the score is dedicated. + +The following is the most general approach to part extraction when +using \musixtex\ without \textbf{PMX} or \textbf{M-Tx} pre-processors. A +simpler approach which will work for most purposes is described in Section~\ref{musixtnt}. + +\section{Coding rules}\label{CodingRules} + To make a ``selectable'' orchestral score you must prepare the master score +(i.e., the score with all instruments typed) as follows: + + \begin{enumerate} + \item Avoid referring to instrument numbers with roman +numerals. For example use \verb|\setclefs|~$n$ instead of +\verb|\cleftoksiii=| . + \item Introduce symbolic names for the instruments; for example, define: + \begin{verbatim} + \def\Piano{1}% + \def\Flute{2}% + \def\Oboe{3}% + \def\Soprano{4}% + \end{verbatim} +and code, for example + \smallskip + + \verb|\setstaffs\Piano2| rather than \verb|\setstaffs12|. + + \item If, initially, the Piano is the instrument number 1, replace all +\verb|\notes|, \verb|\Notes|, \verb|\NOtes|, etc., with +\verb|\notes\selectinstrument\Piano|, \verb|\Notes\selectinstrument\Piano|, +\verb|\NOtes\selectinstrument\Piano|, etc. + + \item Instead of using \verb|&| or \verb|\nextinstrument| to move to +instrument $n+1$, use \verb|\selectinstrument\Flute| and similar instead. + \end{enumerate} +For example, +\begin{verbatim} + \Notes\selectinstrument\Piano ... | ... + \selectinstrument\Flute ... + \selectinstrument\Oboe ... + \selectinstrument\Soprano ... \en +\end{verbatim} +With this coding, difficult things such as putting the Flute above the Oboe +are done easily: just say \verb|\def\Flute{3}| and \verb|\def\Oboe{2}|. + + \section{Selecting, hiding or putting instruments in the background} + + To put, for example, the Flute and the Oboe in the background, i.e., typesetting +them in small notes, state at the beginning: + \begin{quote} + \verb|\setsize\Flute\tinyvalue\setsize\Oboe\tinyvalue| + \end{quote} +where the value \keyindex{tinyvalue} for \keyindex{setsize} corresponds to notes and staffs +of size \keyindex{tinynotesize}. + If, instead of putting an instrument in the background, one wants to omit it, +this is done by: + \begin{quote} + \verb|\setstaffs\Flute{0}\setstaffs\Oboe{0}| + \end{quote} +since nothing is typeset for +instruments having \emph{zero} staffs (not to be confused with one-line staffs such +as percussions). + + \section{Recommendations} + \begin{itemize} + \item When hiding instruments, reduce +\keyindex{instrumentnumber} by the number of hidden instruments; otherwise +bars and leading braces will enclose the position of these dummy arguments, +which would be ugly. + + \item Exchange the actual instrument numbers so that hidden instruments have +numbers \emph{greater} than the value of \verb|\instrumentnumber|. + Hidden instruments with numbers +less than \verb|\instrumentnumber| will cause an excess of vertical +space at their phantom positions; this is not +recommended. + + \item In hidden instruments, rests no longer behave like \verb|\hbox{...}| and +\verb|raise|-ing them will result in an error. + + \item In hidden instruments, explicit \verb|\hbox|es will remain as empty +boxes, thus causing abnormal vertical spacings between instruments. Therefore, +anything suspect should be made conditional with: + +\begin{quote} +\keyindex{ifactiveinstrument}\ \textit{code to be omitted if instrument is hidden}\ \verb|\fi| +\end{quote} +Most \musixtex{} commands become properly hidden if requested. But +problematic +parts of code can nonetheless be protected with \verb|\ifactiveinstrument|. + + \end{itemize} + diff --git a/macros/generic/musixtex/doc/musixdoc/fonts.tex b/macros/generic/musixtex/doc/musixdoc/fonts.tex new file mode 100644 index 0000000000..2326b86c95 --- /dev/null +++ b/macros/generic/musixtex/doc/musixdoc/fonts.tex @@ -0,0 +1,231 @@ +\chapter{Font Selection and Text Placement} + +\section{Predefined text fonts} +While any font with support for \TeX\ can be used by \musixtex, certain styles and +sizes can be selected using shortcut commands. +For ordinary text, the shortcuts cover fonts of nine different +sizes and six styles. The sizes in points are $7$, $8$, $9$, $10$, $12$, $14$, $17$, $20$, and $25$; +the styles are from the standard Computer Modern family: Roman, bold, italic, bold italic +and small capitals. +The size selection macros from smallest to biggest are +\keyindex{tinytype}, +\keyindex{smalltype}, +\keyindex{Smalltype}, +\keyindex{normtype}, \keyindex{medtype}, \keyindex{bigtype}, +\keyindex{Bigtype}, +\keyindex{BIgtype} and \keyindex{BIGtype}. +The style may be selected or changed using \keyindex{rm} (Roman), \keyindex{bf} +(bold), \keyindex{it} (italic), \keyindex{bi} (bold italic) or +\keyindex{sc} (small-capitals). If no style is explicitly selected, Roman style +will be used for the sizes \verb|\medtype| or smaller; for the larger sizes, +bold style is the default. Thus, for example, +eight point italic is selected with \verb|\smalltype\it|, while +twelve point Roman is selected using \verb|\medtype\rm| or simply +\verb|\medtype|. To change between styles while maintaining the same size, +code \verb|\rm|, \verb|\it|, \verb|\bf|, \verb|\bi| or \verb|\sc|, as in Plain \TeX. +When \musixtex\ is started, the default font for ordinary text is +ten point Roman, equivalent to \verb|\normtype\rm|. + +Another group of fonts, in bold extended italic style, is predefined in point sizes +$8$, $10$, $12$, $14$, and $17$ for dynamic markings. The appropriate font for the current +staff size may be selected simply by using \keyindex{ppff} as a +font specification. Macros \keyindex{tinydyn}, \keyindex{smalldyn}, \keyindex{normdyn}, or \keyindex{meddyn} may be +used to redefine \verb|\ppff| to represent one of the smallest four. + + +A selection of predefined fonts is summarized in Table~\ref{predefinedfonts}. The second column gives an +explicit control sequence that can alternatively be used locally as a font specification. +\font\ctinytype=cmr7 +\font\ctinytypebf=cmbx7 +\font\ctinytypeit=cmti7 +\font\csmalltype=cmr8 +\font\csmalltypebf=cmbx8 +\font\csmalltypeit=cmti8 +\font\cSmalltype=cmr9 +\font\cSmalltypebf=cmbx9 +\font\cSmalltypeit=cmti9 +\font\cnormtype=cmr10 +\font\cnormtypebf=cmbx10 +\font\cnormtypeit=cmti10 +\font\cnormtypebi=cmbxti10 +\font\cnormtypesc=cmcsc10 +\font\cmedtype=cmr12 +\font\cmedtypebf=cmbx12 +\font\cmedtypeit=cmti12 +\font\cmedtypebi=cmbxti10 scaled \magstep1 +\font\cmedtypesc=cmcsc10 scaled \magstep1 +\font\cbigtype=cmbx12 scaled \magstep1 +\font\cBigtype=cmbx12 scaled \magstep2 +\font\cBIgtype=cmbx12 scaled \magstep3 +\font\cBIGtype=cmbx12 scaled \magstep4 +\font\cppfftwelve=cmbxti10 at 8pt +\font\cppffsixteen=cmbxti10 +\font\cppfftwenty=cmbxti10 scaled \magstep1 +\font\cppfftwentyfour=cmbxti10 scaled \magstep2 +\font\cppfftwentynine=cmbxti10 scaled \magstep3 +\font\cbigtype=cmbx12 scaled \magstep1 +\font\cBigtype=cmbx12 scaled \magstep2 +\font\cBIgtype=cmbx12 scaled \magstep3 +\font\cBIGfont=cmbx12 scaled \magstep4 +\begin{table} +\begin{center} +\renewcommand{\arraystretch}{1.15} + \begin{tabular}{lll} + \hline + Size and style & Font specification & Example \\ + \hline + \verb|\tinytype| & \verb|\sevenrm| & {\ctinytype tiny Roman} \\ + \verb|\tinytype\bf| & \verb|\sevenbf| & {\ctinytypebf tiny bold} \\ + \verb|\tinytype\it| & \verb|\sevenit| & {\ctinytypeit tiny italic} \\ + \verb|\smalltype| & \verb|\eightrm| & {\csmalltype small Roman} \\ + \verb|\smalltype\bf| & \verb|\eightbf| & {\csmalltypebf small bold} \\ + \verb|\smalltype\it| & \verb|\eightit| & {\csmalltypeit small italic} \\ + \verb|\Smalltype| & \verb|\ninerm| & {\cSmalltype Small Roman} \\ + \verb|\Smalltype\bf| & \verb|\ninebf| & {\cSmalltypebf Small bold} \\ + \verb|\Smalltype\it| & \verb|\nineit| & {\cSmalltypeit Small italic} \\ + \verb|\normtype| & \verb|\tenrm| & {\cnormtype normal Roman} \\ + \verb|\normtype\bf| & \verb|\tenbf| & {\cnormtypebf normal bold} \\ + \verb|\normtype\it| & \verb|\tenit| & {\cnormtypeit normal italic}\\ + \verb|\normtype\bi| & \verb|\tenbi| & {\cnormtypebi normal bold italic}\\ + \verb|\normtype\sc| & \verb|\tensc| & {\cnormtypesc normal small capitals}\\ + \verb|\medtype| & \verb|\twelverm| & {\cmedtype medium Roman} \\ + \verb|\medtype\bf| & \verb|\twelvebf| & {\cmedtypebf medium bold} \\ + \verb|\medtype\it| & \verb|\twelveit| & {\cmedtypeit medium italic}\\ + \verb|\medtype\bi| & \verb|\twelvebi| & {\cmedtypebi medium bold italic}\\ + \verb|\medtype\sc| & \verb|\twelvesc| & {\cmedtypesc medium small capitals}\\ + \verb|\bigtype| & \verb|\frtbf| & {\cbigtype big bold} \\[.4ex] + \verb|\Bigtype| & \verb|\svtbf| & {\cBigtype Big bold} \\[.4ex] + \verb|\BIgtype| & \verb|\twtybf| & {\cBIgtype BIg bold} \\[.4ex] + \verb|\BIGtype| & \verb|\twfvbf| & {\cBIGtype BIG bold} \\ + ~ & \verb|\ppfftwelve| & {\cppfftwelve pp ff diminuendo}\\ + ~ & \verb|\ppffsixteen| & {\cppffsixteen pp ff diminuendo}\\ + ~ & \verb|\ppfftwenty| & {\cppfftwenty pp ff diminuendo}\\ + ~ & \verb|\ppfftwentyfour| & {\cppfftwentyfour pp ff diminuendo}\\[.4ex] + ~ & \verb|\ppfftwentynine| & {\cppfftwentynine pp ff diminuendo}\\[.4ex] + \hline + \end{tabular} +\end{center} +\caption{Various predefined fonts} +\label{predefinedfonts} +\end{table} + +\section{User-defined text fonts} + +Since \musixtex\ is a superset of \TeX, you are free to use the standard \TeX\ +machinery for defining and using any special font you desire. You must first +of course ensure that (a)~all the necessary font files (e.g., \verb|bla10.tfm|, +\verb|bla10.pfb|, or equivalents) are installed in the right places in your system, (b)~all +configuration files (e.g., \verb|config.ps| or equivalent) have been updated, and +(c)~the \TeX\ file-name database has been updated, as required by your \TeX\ system. Then you can use the font just as +in any \TeX\ document, e.g., by coding \verb|\font blafont=bla10| and then +\verb|\zchar{10}{\blafont Text in user-defined font}|. + +You might also wish to replace once and for all the typefaces invoked by the +commands described in the previous section. Again, before doing this, you must +follow steps (a-c) of the previous paragraph for all fonts in question. +\label{UserFonts} +You can use bitmapped fonts, which are converted to +Postscript by e.g.,~\verb|dvips|, but you also may replace them +by native Postscript fonts. + +The extension library +\verb|musixtmr.tex|\footnote{by Hiroaki {\sc Morimoto}} +replaces the default Computer Modern text fonts by +the Times series of fonts; see Section~\ref{times}. +Other extension libraries, \verb|musixplt.tex| and \verb|musixhv.tex|, replace the default text fonts by +Palatino and Helvetica fonts, respectively; see Sections~\ref{palatino} and \ref{helvetica}. +\font\tnormtype=ptmr7t +\font\tnormtypebf=ptmb7t +\font\tnormtypeit=ptmri7t +\font\tbigtype=ptmr7t scaled \magstep2 +\font\tBigtype=ptmr7t scaled \magstep3 +\font\pnormtype=pplr8r +\font\pnormtypebf=pplb8r +\font\pnormtypeit=pplri8r +\font\pbigtype=pplrc8r at 14pt +\font\pBigtype=pplrc8r at 17pt +\font\hnormtype=phvr8r at 10pt +\font\hnormtypebf=phvb8r at 10pt +\font\hnormtypeit=phvro8r at 10pt +\font\hbigtype=phvr8r at 14pt +\font\hBigtype=phvr8r at 17pt +Here is a comparison of some Times, +Palatino and Helvetica fonts: +\begin{center} + \begin{tabular}{lll} + \hline + {\tnormtype normal Times Roman} & {\pnormtype normal Palatino Roman} &{\hnormtype normal Helvetica Roman} \\ + {\tnormtypebf normal Times bold} & {\pnormtypebf normal Palatino bold}& {\hnormtypebf normal Helvetica bold} \\ + {\tnormtypeit normal Times italic} & {\pnormtypeit normal Palatino italic } & {\hnormtypeit normal Helvetica italic }\\[.4ex] + {\tbigtype Times big} & {\pbigtype Palatino big } & {\hbigtype Helvetica big } \\[.4ex] + {\tBigtype Times Big } & {\pBigtype Palatino Big } & {\hBigtype Helvetica Big } \\ + \hline + \end{tabular} +\end{center} + +For users who prefer to stick with the default Computer Modern +family but want to use the T$1$-encoded EC variants, the extension library +\verb|musixec.tex| is available; see Section~\ref{ecfonts}\@. + +\section{Text placement}\label{textplacement} +Special macros are provided to allow precise placement of any \TeX\ text, vertically +relative to the staff, and horizontally relative to any note in +the staff. + +The macros in the first group will vertically position the text with the +baseline at any specified pitch or staff line. They must be used +inside \verb|\notes...\en|. They will not insert any additional +horizontal space. They have the forms +\keyindex{zcharnote}\pitchp\verb|{|\ital{text}\verb|}|, \keyindex{lcharnote}\pitchp\verb|{|\ital{text}\verb|}|, +and \keyindex{ccharnote}\pitchp\verb|{|\ital{text}\verb|}|, +where \ital{p} is the pitch. With the first one, text will spill to the right +from the current insertion point, with the second it will spill to the left, and with the +third it will be centered horizontally. +The following abbreviations are available: +\begin{quote} +\begin{tabular}{lcl} +\keyindex{zcn}& for&\verb|\zcharnote| \\ +\keyindex{lcn}& for&\verb|\lcharnote| \\ +\keyindex{ccn}& for&\verb|\ccharnote| \\ +\end{tabular} +\end{quote} + +There are similar macros \keyindex{zchar}\pitchp\verb|{|\ital{text}\verb|}|, +\keyindex{lchar}\pitchp\verb|{|\ital{text}\verb|}|, and \keyindex{cchar}\pitchp\verb|{|\ital{text}\verb|}|, +which differ from the previous three in that the pitch \ital{must} be given with +a number (representing the number of staff positions up from the lowest line), +and that the number need not be an integer. + +To vertically position any text midway between two consecutive staves, use +\keyindex{zmidstaff}\verb|{|{\it text}\verb|}|, \keyindex{lmidstaff}\verb|{|{\it text}\verb|}|, +or \keyindex{cmidstaff}\verb|{|{\it text}\verb|}| at the appropriate point in the lower staff. + +The macros \keyindex{uptext}\verb|{|\ital{text}\verb|}| and +\keyindex{Uptext}\verb|{|\ital{text}\verb|}| +are simply shorthands for +\verb|\zchar{10}{|\ital{text}\verb|}| and +\verb|\zchar{14}{|\ital{text}\verb|}|, +respectively. + +The text items handled by all of the above macros can include any appropriate +string of \TeX\ +control sequences, including font definitions, \verb|\hbox|'es, etc. + +Material posted with any of the macros described in this section will not +create any additional horizontal or vertical space within the current system, +and will overwrite anything in the current system that gets in the way. It is +the typesetter's responsibility to ensure there is adequate white space +within the current system to accommodate any text placed with +these macros. On the other hand, if text is placed far above or below a +system, \musixtex\ will usually insert additional vertical space if needed. + +\section{Rehearsal marks} + +Rehearsal marks are usually +boxed or circled uppercase letters or digits. They can be defined using the macros +\keyindex{boxit}\verb|{|\ital{text}\verb|}| or +\keyindex{circleit}\verb|{|\ital{text}\verb|}|. For boxed text, +the margin between the text and box is controlled by the dimension +register \keyindex{boxitsep}, which can be reset to any \TeX\ dimension if the +default value of \verb|3pt| is unsatisfactory. To place the mark, use \verb|\Uptext| or +any of the other macros defined in the previous section. diff --git a/macros/generic/musixtex/doc/musixdoc/frontmatter.tex b/macros/generic/musixtex/doc/musixdoc/frontmatter.tex new file mode 100644 index 0000000000..e62408b2ac --- /dev/null +++ b/macros/generic/musixtex/doc/musixdoc/frontmatter.tex @@ -0,0 +1,143 @@ +\title{\Huge\bfseries\musixtex\\[\bigskipamount] +\LARGE\bfseries Using \TeX{} to write polyphonic\\or +instrumental music\\\Large\itshape Version 1.37} +\author{} + + +%\author{\Large\rm Daniel \sc Taupin\\\large\sl +% Laboratoire de Physique des Solides\\\normalsize\sl +% (associ\'e au CNRS)\\\normalsize\sl +% b\^atiment 510, Centre Universitaire, F-91405 ORSAY Cedex\\\medskip +% \\\Large\rm Ross \sc Mitchell\\\large\sl +% CSIRO Division of Atmospheric Research,\\\normalsize\sl +% Private Bag No.1, Mordialloc, Victoria 3195,\\ Australia \\\medskip +% \\\Large\rm Andreas \sc Egler\\\large\sl +% (Ruhr--Uni--Bochum)\\ Ursulastr. 32\\ D-44793 Bochum} +\date{Revised \today} +\maketitle +\vfill +\thispagestyle{empty} +\begin{flushright}\it +If you are not familiar with \TeX{} at all, I would recommend\\ +to find another software package to do musical typesetting.\\ +Setting up \TeX{} and \musixtex\ on your machine and mastering it is\\ +an awesome job which gobbles up a lot of your time and disk space.\\[\medskipamount] +But, once you master it\ldots\\[\smallskipamount] +Hans {\sc Kuykens} (ca.~1995) + +\vspace*{4ex} +In my humble opinion, that whole statement is obsolete.\\[\smallskipamount] +Christof\/ {\sc Biebricher} (2006) +\end{flushright} + +\clearpage + +\pagenumbering{roman}\setcounter{page}{2} + + +\vspace*{20ex} +\begin{quote} +\musixtex{} may be freely copied, duplicated and used in conformance to +the GNU General Public License (Version 2, 1991, see included file {\tt +copying})\footnote{Thanks to the Free Software Foundation for advice. See +\href{http://www.gnu.org}{\underline{\tt http://www.gnu.org}}}. + +You may take it or parts of it to include in other packages, but no packages +called \musixtex{} without specific suffix may be distributed under the name +\musixtex{} if different from the original distribution (except obvious bug +corrections). + + Adaptations for specific implementations (e.g., fonts) should be provided as +separate additional \TeX\ or \LaTeX\ files which override original definitions. + \end{quote} + +\clearpage + +\chapter*{Preface} +\addcontentsline{toc}{chapter}{Preface} +\musixtex\ was developed by Daniel Taupin, Ross Mitchell and Andreas +Egler, +building +on earlier work by Andrea Steinbach and Angelika Schofer. +Unfortunately, Daniel Taupin, the main developer, died all too early in a 2003 +climbing accident. The \musixtex\ community was shocked by this tragic and unexpected +event. You may read tributes to Daniel Taupin that are archived at the +\href{http://icking-music-archive.org}{\underline{Werner Icking Music Archive}} (WIMA\index{WIMA}). + +Since then, the only significant update to \musixtex\ has been in version 1.15 (April 2011) which +takes advantage of the greater capacity of the e\TeX\ version of \TeX. +This manual +is the definitive reference to all features of +\musixtex\ version~1.36. + +Novice users need not start here. +Most +music typesetting tasks can be accomplished entirely by using the \textbf{PMX} +(for instrumental music) or \mbox{\textbf{M-Tx}} (for vocal music) +preprocessors to generate the \musixtex\ input file, relieving the user of +learning any of the commands or syntax of \musixtex\ itself. It is only +for out-of-the-ordinary constructions that one must learn these details in order +to insert the necessary \musixtex\ commands into the preprocessor's input file +as so-called inline \TeX. + +Advanced users might +want to use \verb|autosp|, another preprocessor. It simplifies +the production of \musixtex\ scores by automating the choice of +note-spacing commands; see Section~\ref{autosp}. + +It is possible to create inputs for \musixtex, \textbf{PMX}, \mbox{\textbf{M-Tx}} or +\texttt{autosp} using any text editor, such as \verb|notepad| or \verb|vi| or +\verb|emacs|. Currently there is no graphical user interface for +generating input files, other than \TeX-oriented integrated +graphical development environments such as \TeX Works. + +The \href{http://icking-music-archive.org/software/indexmt6.html} +{\underline{Werner Icking Music Archive}} contains excellent and detailed +instructions for installing \TeX, \musixtex{} and the strongly recommended +preprocessors \textbf{PMX} +and \mbox{\textbf{M-Tx}} on +\href{http://icking-music-archive.org/software/htdocs/Getting_Started_Four_Scenar.html#SECTION00022000000000000000} +{\underline{Linux/\unix}}, +\href{http://icking-music-archive.org/software/htdocs/Getting_Started_Four_Scenar.html#SECTION00021000000000000000} +{\underline{Windows}} and +\href{http://icking-music-archive.org/software/htdocs/Getting_Started_Four_Scenar.html#SECTION00023000000000000000} +{\underline{Mac OS}}. +See +\href{http://icking-music-archive.org/software/htdocs/Introduction.html#SECTION00012000000000000000} +{\underline{this}} +page at WIMA for documentation of +\textbf{PMX} and \mbox{\textbf{M-Tx}}. + +\begin{flushright} +Oliver Vogel\\ Don Simons\\ Andre van Ryckeghem\\ Cornelius Noack\\ +Hiroaki Morimoto\\ +Bob Tennent\\ \today +\end{flushright} + +\clearpage + +\makeatletter +\renewcommand\tableofcontents{% + \if@twocolumn + \@restonecoltrue\onecolumn + \else + \@restonecolfalse + \fi + \chapter*{\contentsname + \@mkboth{% + \contentsname}{\contentsname}}% + \addcontentsline{toc}{chapter}{Contents} % added by RDT + \@starttoc{toc}% + \if@restonecol\twocolumn\fi + } +\makeatother + + +%\begin{small} +\tableofcontents +%\end{small} + +\clearpage +\setcounter{page}{1} +\pagenumbering{arabic} +\renewcommand{\thepage}{\arabic{page}} diff --git a/macros/generic/musixtex/doc/musixdoc/index.tex b/macros/generic/musixtex/doc/musixdoc/index.tex new file mode 100644 index 0000000000..c56508b6d8 --- /dev/null +++ b/macros/generic/musixtex/doc/musixdoc/index.tex @@ -0,0 +1,10 @@ +\makeatletter +\renewenvironment{theindex} + {\pagestyle{plain}\parindent\z@ + \parskip\z@ \@plus .3\p@\relax + \let\item\@idxitem} + {\thispagestyle{plain}} +\makeatother +\begin{multicols}{3}[\chapter*{Index}\addcontentsline{toc}{chapter}{Index}] + \printindex +\end{multicols} diff --git a/macros/generic/musixtex/doc/musixdoc/introduction.tex b/macros/generic/musixtex/doc/musixdoc/introduction.tex new file mode 100644 index 0000000000..cb6d87fb0f --- /dev/null +++ b/macros/generic/musixtex/doc/musixdoc/introduction.tex @@ -0,0 +1,822 @@ +\chapter{Introduction to \musixtex} + +This chapter is not a tutorial on the use of \musixtex, but instead serves as +an overview of some of its capabilities, quirks, and history. + +\musixtex\ is a set of macros and fonts which enables music typesetting +within the \TeX\ system. It requires as a prerequisite a working +installation of \TeX. +\musixtex\ might be regarded as the digital equivalent of a box of type. It +contains symbols for staves, notes, chords, beams, slurs and ornaments, +ready to be arranged to form a sheet of music. But it must be told how to position +those symbols on the page. This could be done by the typesetter +himself, if he or she elects to proceed by entering \musixtex\ commands manually +into an input file. However most users will find it far less taxing to let +such decisions be made largely by the preprocessor +\href{http://icking-music-archive.org/software/indexmt6.html#pmx} +{\underline{\textbf{PMX}}}, which in addition uses a much simpler input +language than \musixtex. + +Lyrics can also be handled by \musixtex. There is a set of primitive +commands for this which are described later. But there is also a far +more adaptable set of macros contained in the extension file +\verb|musixlyr.tex|, and there is the preprocessor +\href{http://icking-music-archive.org/software/indexmt6.html#mtx} +{\underline{\mbox{\textbf{M-Tx}}}}\ which provides easy, transparent access to +these macros. + +Most users of \TeX\ are familiar with \LaTeX, a set of \TeX\ macros +which eases document layout. In fact many may only use \LaTeX. +Until recently, \LaTeX\ and \musixtex\ coexisted only grudgingly, owing +primarily to the limited availabily of storage registers. But with modern +versions of \TeX\ and with the use of e\LaTeX, only a modest increase in +complexity is incurred with the addition of musical excerpts to a \LaTeX\ +document. Still, fortunately, for typesetting a musical score there is +rarely if ever any advantage to using \LaTeX. Only if one wanted to create a +text document with embedded musical examples would there be much use for it. +Even in that case there is a perfectly fine way to avoid using \musixtex\ +directly in the document file, namely, by using \musixtex\ to create +\verb|pdf| or \verb|eps| files for +each of the examples, and then embedding references to those in the file for +the larger document. But for anyone who still wants to use both together, there is +no better example than this manual, as generated with the files +\verb|musixdoc.tex| and \verb|musixdoc.sty|. A few further details about such +nonstandard applications are given in Section~\ref{excerpts}. + +\section{Primary features of \musixtex} + \subsection{Music typesetting is two-dimensional} Written music is not +usually a linear sequence of symbols like a literary text. Rather, +except for unaccompanied single-note instruments like clarinets, +trumpets and human voices, it has the form of a two-dimensional matrix. + Thus, a logical way of coding music consists +in horizontally accumulating a set of \ital{vertical combs} with +\ital{horizontal teeth} as depicted in Table~\ref{readtable}. +%\def\hboxit#1{\boxit{\rlap{#1}\hphantom{note sequence three}}} + \begin{table} + \begin{center} + \small + \renewcommand{\arraystretch}{1.4} + \setlength{\arrayrulewidth}{1.5pt} + \setlength{\tabcolsep}{2ex} + \begin{tabular}{|ll|ll|}\fbox{note sequence one} + &\fbox{note seq.\ four} + &\fbox{note seq.\ seven} + &\fbox{note seq.\ ten}\\\fbox{note sequence two} + &\fbox{note seq.\ five} + &\fbox{note seq.\ eight} + &\fbox{note seq.\ eleven}\\\fbox{note sequence three} + &\fbox{note seq.\ six} + &\fbox{note seq.\ nine} + &\fbox{note seq.\ twelve}\\ + \end{tabular} + \end{center} + \caption{A logical way of coding music}\label{readtable} + \end{table} +Accordingly, in \musixtex\ the fundamental macro used to represent +one of those vertical combs (or one of the columns in Table~\ref{readtable}) +is of the form +\begin{center} +\verb|\notes ... & ... & ... \en|\footnote{The command +\keyindex{en} is an abbreviation for the command \keyindex{enotes}, which may also be used.} +\end{center}\index{"&@{\tt\char'046}} +\noindent where the character \verb|&| is used to separate the notes to be +typeset on respective staves of the various instruments, starting from the +bottom. + +In the case of an instrument whose score has to be written with +several staves, they are separated by the +character \|\index{\tt\char'174@{\tt\char'174}}. + +Thus, a score written for a keyboard instrument and +a single-line instrument (e.g., piano and violin) +will be coded as follows: +\begin{center} +\verb=\notes ... | ... & ...\en= +\end{center} +\noindent for each column of simultaneous \ital{groups of notes}. +Each of those groups, represented by a single box in Table~\ref{readtable}\ +and by a sequence of three dots in the the two example macros above, may contain +not only chord notes to be played simultaneously, but short sequences of +consecutive +notes or chords. As we'll soon see, this implies the need for two fundamentally different +kinds of basic macros in \musixtex: those whose tokens are automatically followed +by some amount of space (called \ital{spacing} macros), and those that are not. +The former type, for example, +would be used to produce the notes and rests in a single-line score; +the latter would be used, for example, for chord notes and ornaments. + +\subsection{Horizontal spacing} +Deciding upon the proper horizontal spacing of notes is a very complicated matter +that we will not address in any detail here. Obviously short-duration notes +should be closer together than longer ones. Almost as obviously, the spacing +cannot be linearly proportional to the duration; otherwise for example a whole +note would occupy 32 times as much horizontal space as a thirty-second note. And +in polyphonic scores the spacing in one staff is often influenced by the notes +in another. This is a decision that the typesetter or preprocessor +must make. Once the decision is made, \musixtex\ can provide the desired spacing. +The main mechanism is through a set of macros described in +Section~\ref{newspacings}. At this point we shall only mention that to control +spacing, one of those +macros will be selected to replace the symbol \verb|\notes| in the two examples +above, and it will imply that whenever a spacing macro in encountered within +a group of notes, a +certain specific amount of horizontal space will be inserted. + + \subsection{Music tokens} +The tokens provided by \musixtex\ include +\begin{itemize}\setlength{\itemsep}{0ex} + \item note symbols without stems; + \item note symbols with stems, and flags for eighth notes and +shorter; + \item beam beginnings and endings; + \item beginnings and endings of ties and slurs; + \item accidentals; + \item ornaments: arpeggios, trills, mordents, turns, staccatos, +pizzicatos, fermatas, etc.; + \item bar lines; + \item meters, key signatures, clefs. +\end{itemize} +For example, \verb|\wh a| produces a whole note at nominal frequency 222.5~Hz, +\verb|\wh h| produces one an octave higher, \verb|\qu c| +produces an up-stemmed quarter note C (250~Hz), and \verb|\cl J| produces a down-stemmed C +eighth note an octave lower. + + To generate chords with solid note heads, the non-spacing macro \keyindex{zq} +can be used. It produces a solid note head at the specified pitch, +the vertical position of which +is memorized and recalled whenever the next stemmed note (possibly with a flag) is +coded. The stem length is automatically adjusted to link all simultaneous notes. Thus, the +\mbox{C-major} chord + +\begin{music}\nostartrule +\startextract\NOtes\zq{ceg}\qu j\en\zendextract +\end{music} + \noindent is coded \verb|\zq c\zq e\zq g\qu j| or more concisely, +\verb|\zq{ceg}\qu j|; the \verb|u| in the spacing note macro +\verb|\qu| is what generates the upstem. + + \subsection{Beams} +Each beam \index{beams} is generated by a pair of macros. The first defines +the beginning horizontal position (implicitly the current position), altitude, +direction (upper or lower), multiplicity (number of lateral bars), slope and +reference number. This latter feature is needed so independent beams +can overlap. The second macro of the pair specifies the termination +location (again implicitly) and the reference number. + + \subsection{Setting anything on the score} +A general macro (\keyindex{zcharnote}) provides a means of +putting any sequence of symbols (possibly contained in an \verb|\hbox{...}|) at any +pitch of any staff of any instrument. This allows any symbol defined in a font +(letters, math symbols, etc.) to be placed in the score at a position keyed +to the music both in time (horizontally) and pitch (vertically) on the staff, +\section{A simple example} + Before going into more detail, we give below an example of the two first +bars of the sonata in \mbox{C-major} KV545 by {\sc Mozart}\index{Mozart, W.A.@{\sc +Mozart, W.A.}}: + +\begin{music} +\parindent11mm +\setname1{Piano} +\setstaffs12 +\generalmeter{\meterfrac44} +\startextract +\Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\hl j\en +\Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\ql l\sk\ql n\en +\bar +\Notes\ibu0f0\qb0{dgf}|\qlp i\en +\notes\tbu0\qb0g|\ibbl1j3\qb1j\tbl1\qb1k\en +\Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\hl j\en +\zendextract +\end{music} + The coding is as follows: +\begin{quote}\begin{verbatim} +\begin{music} + \parindent10mm + \instrumentnumber{1} % a single instrument + \setname1{Piano} % whose name is Piano + \setstaffs1{2} % with two staffs + \generalmeter{\meterfrac44} % 4/4 meter chosen + \startextract % starting real score + \Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\hl j\en + \Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\ql l\sk\ql n\en + \bar + \Notes\ibu0f0\qb0{dgf}|\qlp i\en + \notes\tbu0\qb0g|\ibbl1j3\qb1j\tbl1\qb1k\en + \Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\hl j\en + \zendextract % terminate excerpt +\end{music} + \end{verbatim}\end{quote} +\begin{itemize}\setlength{\itemsep}{0ex} + \item \verb|\ibu0f0| begins an upper beam, aligned on the +\ital{f}, reference number 0, slope 0 + \item \verb|\tbu0| terminates this beam before writing +the second \ital{g} by means of \verb|\qb0g| + \item \verb|\qb..| indicates a note belonging to a beam. + \item \verb|\sk| sets a space between the two quarters in the right +hand, so that the second one is aligned with the third eighth in the left hand. + \item\verb|\qlp| is a dotted quarter note. + \item\verb|\ibbl1j3| begins a double beam, aligned on the \ital{C} +(\verb|j| at this pitch) with slope 15\%. +\end{itemize} + +\section{The three pass system}\label{threepass} +\subsection{Introduction} +\TeX's line-breaking procedure implicitly assumes +that a normal line of text will contain many words, so that inter-word +glue need not stretch or shrink too much to justify the line. +One might at first consider extending this to music, treating each bar like a +word with no stretchable internal space. But typically this would lead to unsightly +gaps before each bar rule, simply because the number of bars per line +is normally many fewer than the number of words in a line of text. +\musixtex\ needs a more sophisticated horizontal spacing algorithm +than is used in \TeX. + +To understand how \musixtex\ solves this problem, we have to +recognize two different kinds of horizontal space, \ital{hard}\ and +\ital{scalable}. Hard space is fixed and always represents the same +physical distance. +Examples of hard space are the widths of bar rules, clefs, +and key signatures. Scalable space can be stretched as needed. It +is what is normally used for the space after notes or rests. At the +outset it is only defined in a relative sense. In other words, +scalable spaces are defined as multiples of \verb|\elemskip|, an +initially undefined basic spacing unit. For example, in \textbf{PMX}\ +all sixteenth notes +are typically assigned a scalable width of \verb|1.41\elemskip|. +One main job of \musixtex\ is to compute the physical value of +\verb|\elemskip|, often expressed in points (72nds of an inch). +The correct value is that which makes all the scalable space on +a line just fill up what's not occupied by hard space. Obviously +it may vary from line to line. + +To this end a three pass system was developed. To start the +first pass on the file \verb|jobname.tex|, you would enter\footnote{ +In many cases it will suffice to run {\tt tex}, but with \musixtex~1.15, +it is possible to create a file requiring the enhanced capacity of +{\tt etex}. Since {\tt etex} can handle any file {\tt tex} can, it's best +always to use {\tt etex}.} +\verb|etex jobname|. +Information about each bar is written to +an external file named \verb|jobname.mx1|. +This file begins with a header containing parameters +such as line width and paragraph indentation. Then the hard and +scalable space is listed for each bar. +\index{scalable width}\index{hard width} + +The second pass, which is started with \verb|musixflx jobname|, +determines optimal values of the basic spacing unit \verb|\elemskip| +for each line, so as to properly fill each line, and to spread +the piece nicely over an integral number of full lines. This routine was originally written +in \textsc{fortran} rather than \TeX, the main reason +being the lack of an array handling capability in \TeX; the current version +of \verb|musixflx| is a \textsc{lua} script, which may be executed without +compilation in any standard \TeX\ system. + +\verb|musixflx| reads in the file \verb|jobname.mx1|, and writes its +output to \verb|jobname.mx2|. The latter file contains a single entry for +each line of music in the reformatted output. The key piece of information +is the revised value of \keyindex{elemskip} for each line. + +Next, the file is \TeX-ed again, by entering \verb|etex jobname|. On this third pass, +the \verb|jobname.mx2| file is read in, and the information +is used to physically define the final score and embed the +page descriptions into a \verb|dvi|\ file. + +You may wonder how the same command can +cause something different to happen the second time it is issued. The explanation +is that \musixtex\ checks for the presence of \verb|jobname.mx2|. If it's +not present, the first pass is executed; if it is, the third pass. Obviously if +you've made some corrections that affect any horizontal spacing, you must remember +to delete the old \verb|jobname.mx2| and then rerun all three passes, or +build or use a script that does so. + +\subsection{An example} + +Here's an example. Here, no value for \verb|\elemskip| is explicitly specified, +so \musixtex\ assigns a single, default value. After the first pass you might get +the following output: + +\begin{music} +\hsize=100mm +\generalmeter{\meterfrac24}% +\parindent 0pt +\setsign1{-3} +\nostartrule +\startpiece\bigaccid +\NOtes\qu{ce}\en +\bar +\NOtes\qu{gh}\en +\bar +\NOtes\qu{=b}\en +\Notes\ds\cu g\en +\bar +\NOtes\qu{^f=f}\en +\raggedstoppiece\contpiece% this is cheated, the problem was to get +% pass 1 and pass 3 at the same time +\NOtes\qu{=e}\itied0e\qu{_e}\en +\bar +\Notes\ttie0\Qqbu ed{_d}c\en +\bar +\Notes\ibu0b{-2}\qb0{=b}\en +\notes\nbbu0\qb0{=a}\tqh0N\en +\Notes\Dqbu cf\en +\raggedstoppiece\contpiece +\NOtes\uptext{\it tr}\qu e\uptext{\it tr}\qu d\en +\bar +\NOtes\qu c\qp\en +\setdoubleBAR\raggedstoppiece +\end{music} + +\noindent Note that the space after every quarter note is the same, and +that lines are not justified. +After running \verb|musixflx| and \TeX-ing the second time you'll +get: + +\begin{music} +\hsize=100mm +\generalmeter{\meterfrac24}% +\parindent 0pt +\generalsignature{-3} +\nostartrule +\startpiece\bigaccid +\NOtes\qu{ce}\en +\bar +\NOtes\qu{gh}\en +\bar +\NOtes\qu{=b}\en +\Notes\ds\cu g\en +\bar +\NOtes\qu{^f=f}\en +\bar +\NOtes\qu{=e}\itied0e\qu{_e}\en +\bar +\Notes\ttie0\Qqbu ed{_d}c\en +\bar +\Notes\ibu0b{-2}\qb0{=b}\en +\notes\nbbu0\qb0{=a}\tqh0N\en +\Notes\Dqbu cf\en +\bar +\NOtes\uptext{\it tr}\qu e\uptext{\it tr}\qu d\en +\bar +\NOtes\qu c\qp\en +\Endpiece +\end{music} + +\noindent Now \musixtex\ has determined a number of lines +(which is different from the original number), the lines are justified, +and if you look carefully you +can see that the space after quarters in the first line +is smaller than in the second. This example was coded as: +\begin{verbatim} +\hsize=100mm +\generalmeter{\meterfrac24}% +\parindent 0pt +\generalsignature{-3} +\nostartrule +\startpiece\bigaccid +\NOtes\qu{ce}\en\bar +\NOtes\qu{gh}\en\bar +\NOtes\qu{=b}\en +\Notes\ds\cu g\en\bar +\NOtes\qu{^f=f}\en\bar +\NOtes\qu{=e}\itied0e\qu{_e}\en\bar +\Notes\ttie0\Qqbu ed{_d}c\en\bar +\Notes\ibu0b{-2}\qb0{=b}\en +\notes\nbbu0\qb0{=a}\tqh0N\en +\Notes\Dqbu cf\en\bar +\NOtes\uptext{\it tr}\qu e\uptext{\it tr}\qu d\en\bar +\NOtes\qu c\qp\en\Endpiece +\end{verbatim} + +\subsection{Adjusting the layout} + +One benefit of the 3-pass system is the quick and easy +alteration to the layout which can be achieved +by changing only one parameter, namely \keyindex{mulooseness}. This value +acts analogously to \TeX's \verb|\looseness| command. For non-\TeX-perts: if you +state \verb|\looseness=-1| somewhere inside any paragraph, then +\TeX\ will try to make the paragraph one line shorter than it normally would. +With \verb|\mulooseness|, \musixtex\ does the same, but for \ital{systems} +and \ital{sections} rather than lines and paragraphs. A system is just a group of +staves treated as a unit, and in this discussion is analogous to a line of text. +What is a \ital{section}? It's any chunk of coding not containing a +forced system break, System breaks can be forced with +\keyindex{stoppiece}, \keyindex{endpiece}, \keyindex{zstoppiece}, +\keyindex{Stoppiece}, \keyindex{Endpiece}, \keyindex{alaligne} +\keyindex{zalaligne}, \keyindex{alapage} or \keyindex{zalapage}. If none +of these is present, the section comprises the whole piece. +Somewhere\footnote{Advisably, at the beginning or +at the end of the section, for the sake of clarity.} +before the end of the section, you can change the value of +\keyindex{mulooseness} to something different from the default of $0$, and +\musixtex\ will typeset that section with a different number of systems. + +To give an easy example, changing the last line in the previous example to: +\begin{verbatim} +\NOtes\qu c\qp\en\mulooseness=1\Endpiece +\end{verbatim} +yields: + +\begin{music} +\hsize=100mm +\generalmeter{\meterfrac24}% +\parindent 0pt +\generalsignature{-3} +\nostartrule +\startpiece\bigaccid +\NOtes\qu{ce}\en +\bar +\NOtes\qu{gh}\en +\bar +\NOtes\qu{=b}\en +\Notes\ds\cu g\en +\bar +\NOtes\qu{^f=f}\en +\bar +\NOtes\qu{=e}\itied0e\qu{_e}\en +\bar +\Notes\ttie0\Qqbu ed{_d}c\en +\bar +\Notes\ibu0b{-2}\qb0{=b}\en +\notes\nbbu0\qb0{=a}\tqh0N\en +\Notes\Dqbu cf\en +\bar +\NOtes\uptext{\it tr}\qu e\uptext{\it tr}\qu d\en +\bar +\NOtes\qu c\qp\en +\mulooseness1\Endpiece +\end{music} + +\noindent On the other hand, +\begin{verbatim} +\NOtes\qu c\qp\en\mulooseness=-1\Endpiece +\end{verbatim} +yields + +\begin{music} +\hsize=100mm +\generalmeter{\meterfrac24}% +\parindent 0pt +\generalsignature{-3} +\nostartrule +\startpiece\bigaccid +\NOtes\qu{ce}\en +\bar +\NOtes\qu{gh}\en +\bar +\NOtes\qu{=b}\en +\Notes\ds\cu g\en +\bar +\NOtes\qu{^f=f}\en +\bar +\NOtes\qu{=e}\itied0e\qu{_e}\en +\bar +\Notes\ttie0\Qqbu ed{_d}c\en +\bar +\Notes\ibu0b{-2}\qb0{=b}\en +\notes\nbbu0\qb0{=a}\tqh0N\en +\Notes\Dqbu cf\en +\bar +\NOtes\uptext{\it tr}\qu e\uptext{\it tr}\qu d\en +\bar +\NOtes\qu c\qp\en +\mulooseness-1\Endpiece +\end{music} + +\noindent which is tighter than you would ever want, but serves to further +demonstrate the use of \keyindex{mulooseness}. + +If you want to build up a \musixtex\ input file +manually (which in fact very few users will ever need to do, considering the +availability of \textbf{PMX}), here is a roadmap for one way to proceed: +\begin{enumerate} + \item Enter the data one \verb|\notes| group at a time, taking care to select the +relative horizontal spacing for each group (via the macros discussed in Section~\ref{newspacings}) +so as to maintain a consistent relationship between scalable space and note durations. +This will be discussed in a great deal more detail in Chapter~\ref{preparing}. + \item \TeX~$\Longrightarrow$ {\tt musixflx} $\Longrightarrow$ \TeX. + \item Look at the output and decide if you want to have more or fewer +systems, e.g.,~to fill the page or to get an even number of +pages.\index{musixflx@{\tt musixflx}} + \item If you want to change the number of systems in a section, adjust +\keyindex{mulooseness} accordingly. Keep in mind that each section cannot have fewer +systems than bars. +\item Delete \verb|jobname.mx2| and repeat the process\\ +\TeX~$\Longrightarrow$ \verb|musixflx| $\Longrightarrow$ \TeX. + +\end{enumerate} + +There is an alternate way to proceed if you know at the outset +how many systems +you want in a section. You can specify it directly by assigning a +positive number to \keyindex{linegoal} somewhere within the +section (\verb|\linegoal| requires +version 0.83 or later of \verb|musixflx|). +\keyindex{mulooseness} must be zero +for \keyindex{linegoal} to work. Both are automatically reset to +zero after processing the end of a section e.g., as defined by +\keyindex{stoppiece}. + +Finally, for large scores (more than 4 pages or so), having +only one section and an overall value of \verb|\mulooseness| becomes +impractical since one wants not only to have nicely spaced systems, but also +completely filled pages without empty top and +bottom margins on the last page. It is then wise to force the total number of +pages and possibly the line breaks in each page, which can be done using +\keyindex{alapage} and/or \keyindex{alaligne}\footnote{This is the technique +always used by \textbf{PMX} in constructing a \musixtex\ input file.}. +%avrb +%, or more automatically by +%means of the \keyindex{autolines} command borrowed from \musictex\ and +%implemented in the additional {\ttxem{musixcpt.tex}} file +%avre + +There is another advantage to \musixtex's way of using scalable space and +the three pass system. In +\TeX nical terms it eliminates the need for \ital{glue}, and enables +every horizontal position in a line to be computed. This in turn enables certain +variable length symbols such as slurs to be specified by macros entered at +their beginning and ending points, rather than having to estimate the +length of the symbol and enter it at the starting point. + + \subsection{Using \texttt{musixflx}} + +On most systems, \verb|musixflx| can be invoked by typing the name of the program +and the name of the file to be acted upon; i.e., +\begin{quote} +\verb|musixflx jobname.mx1| +\end{quote} +Optionally, you can add a letter to indicate one of the debug modes, which are: +\begin{quote} +\verb|d | for debug information to screen\\ +\verb|f | for debug information to file \verb|jobname.mxl|\\ +\verb|s | to get the computed lines immediately on screen +\end{quote} +To allow for ease of use with scripts, \verb|musixflx| can be fed +with either \verb|jobname.mx1|, \verb|jobname.tex| or only +\verb|jobname|, any one of which will open \verb|jobname.mx1|. + + \subsection{Unrecorded spaces: the novice's bugaboo} + +Because of the way \musixtex\ accounts for hard and scalable space and avoids +using glue, it is absolutely essential that every horizontal space be +properly entered into the input file. The most common error in this regard +is including a blank space in the midst \ital{or at the end} of an input line. +Such a blank space, or for that matter any stray character not entered with +an appropriate \musixtex\ macro, will not be properly +recognized and recorded by \musixtex, but it will still be treated like +ordinary text by \TeX. The symptoms of such a transgression will be an +{\bf Overfull hbox} warning during the third pass, and the appearance of +either excessive blank horizontal space or thick black vertical lines in +the page image. + +\medskip +\centerline{\fbox{Considerable discipline is needed to avoid this problem!}} +\smallskip + +The best technique for avoiding such unpleasantness is to avoid entering +any nonessential blanks within input lines, and to end every +input line with either \verb|%|\index{%@{\tt\char37}} or +\keyindex{relax}, unless it already ends with a control sequence +ending in a letter. + +There are other ways to enter unrecorded space which should be +avoided. Between \verb|\startpiece| and \verb|\stoppiece| or +\verb|\endpiece|, never use \verb|\hskip| or \verb|\kern| except +within \ital{zero}-boxes like \verb|\rlap|, \verb|\llap|, +\verb|\zcharnote|, \verb|\uptext|, etc., and never assign hard +values to scalable dimensions like \verb|\noteskip|, +\verb|\elemskip|, \verb|\afterruleskip| and \verb|\beforeruleskip|\footnote{Note that {\Bslash hardspace} does not fall in this +category; it is specifically designed to enter hard space in a way +that \musixtex\ can properly record it}. + +Here is a checklist of tips related to spacing issues. Because the +foregoing several paragraphs are so important, some of their content +is repeated in the list. + +\begin{enumerate} + \item +Between \verb|\startpiece| and \verb|\stoppiece| or \verb|\endpiece|, +end every input line with a either \verb|%| or a command with no arguments +(including \verb|\relax| and \verb|\en|). + \item \verb|\off| must only be used with scalable values, e.g., +\verb|\noteskip|, \verb|\elemskip|, \verb|\afterruleskip|, and + \verb|\beforeruleskip|. + \item Remember that \verb|\qqsk|, \verb|\qsk| and \verb|\hqsk| are scalable, i.e., \verb|\qsk| + doesn't necessarily mean exactly one note head width (it depends on \verb|\elemskip|). + \item Lyrics and any other non-\musixtex\ text must be put in zero-width boxes +such as + \verb|\zcharnote|, \verb|\zchar|, \verb|\rlap|, \verb|\lrlap|, \verb|\llap|, +\verb|\uptext|, or \verb|\zsong|. Additional specific capabilities for entering +lyrics are provided by + \verb|\hardlyrics|, \verb|\hsong|, and---most significantly---the +text-placement macros defined in \verb|musixlyr.tex| (see Chapter~\ref{lyrics}, +p.~\pageref{lyrics}). + \item +Between \verb|\startpiece| and \verb|\stoppiece| or \verb|\endpiece|, +don't assign hard values to \verb|\noteskip|, \verb|\beforeruleskip|, +or \verb|\afterruleskip|. +\end{enumerate} + + +\section{Further highlights} + %\check + \subsection{Key signatures} +\begin{sloppypar} +A single key signature can be assigned~to~all~instruments,~for~example~by +\keyindex{generalsignature}\verb|{-2}| +which sets two flats on each staff. \keyindex{generalsignature} +can be overridden for selected instruments, for example by +\keyindex{setsign}\verb|2{1}| which puts one sharp on each staff +of instrument number 2. Of course, the current signature as well +as meters and clefs may change at any time.\end{sloppypar} +\subsection{Transposition} +With some extra attention, a score can be input in such a way that it is +fairly easily transposed. There is an internal register +called \keyindex{transpose}, the default value of which is zero, but which may be +set to any reasonable positive or negative value. It defines a number of pitch +steps (lines or spaces on a staff) by which all pitched symbols with be offset, provided +they have been entered with letter values to represent their pitch. +However, +it will neither change the local accidentals nor the key signature. + +For +example, suppose a piece were originally input in F major, and it contained a +B natural, and you wanted to transpose it to G. If you simply set +\verb|\transpose| to 1 with no other special considerations, then +the key signature would not change, and +the B~natural would appear as a C~natural, whereas it should be a C~sharp. +So first you must explicitly change the key signature. Then, to +solve the problem with accidentals, you should declare +\verb|\relativeaccid|, which will cause the actual appearance of any +accidental to depend on the pitch of +the accidental as well as the current key signature. But the use of this +facility requires the typesetter to have entered the original set of accidentals +according to a nonstandard convention wherein an accidental does not +specifically refer to the black or white keys on a piano, but to the +amount by which the pitch is altered up or down from what it would naturally +have been, taking the key signature into account.\index{relative accidentals} This +is discussed in more detail in Section~\ref{transposeaccids}. Now, finally, you +can enter \verb|\transpose=1| with more or less the desired effect. + +More or less, because there is also an issue with stem +and beam directions. Normally a typesetter would want full control over them, +and would exercise that control by entering them with macros that explicitly +assign the direction. Naturally the assigned directions would persist +even after changing \verb|\transpose|. With respect to stems of unbeamed notes, +this matter can also be addressed at +the input level, by using special macros for notes that leave the +decision about stem directions up to \musixtex. These macros do the right +thing in the face of transposition. They are discussed in +Chapter~\ref{autostemdirections}. Unfortunately there is no corresponding +such facility for beams, so the typesetter will have to edit the transposed +score to adjust beam directions as required\footnote{\textbf{PMX} +will automatically adjust both stem and beam directions when transposing, which +is yet another reason to use it. However +if a piece is to be transposed, the typesetter must still explicitly activate relative accidentals +and enter accidentals according to the relative-accidental convention.}. + + %\check + \subsection{Extracting parts from a score} +It is possible to extract separate scores for +each individual instrument of a multi-instrument score. +If you use \textbf{PMX}, it is very easy; +see the documentation for \textbf{PMX}. +If you use \musixtex\ without a preprocessor, +see Chapter~\ref{parts}. + +%After assigning symbolic numbers to instruments, +%there are macros (see \ref{instrum-inhibit}) that permit +% \begin{itemize}\setlength{\itemsep}{0ex} +% \item choosing which instrument the following source code is attached to, +% \item choosing which staff of an instrument the following source code is +%attached to, +% \item hiding one or several instruments by zeroing out their staff sizes and staff +%numbers. +% \end{itemize} + + %\check + \subsection{Staff and note sizes} + Although the standard staff size is 20pt, \musixtex\ allows scores with +sizes of 16, 24, or 29pt. Furthermore, any instrument may be assigned its own special staff +size (usually smaller than the overall staff size), and there are special macros +(e.g., \verb|\smallnotesize|, \verb|\tinynotesize|) that cause notes, beams, and +accidentals all to take a different size. + +\subsection{Add-in macro libraries} +During the early stages of \musixtex's development, common versions of \TeX\ itself were +very limited in capacity, especially in terms of the numbers of registers that could +be defined for use in macros. For this historical reason, many important enhancements +to \musixtex\ are available only via add-in libraries. The user can thus pick and choose +which to include for any particular compilation. Most of these are included in +a \musixtex\ distribution, and their uses are discussed in this manual. The +libraries have names like \verb|blabla.tex|, and are activated by including a line +like \verb|\input blabla|\ within the the input file. The most common such files +are \ttxem{musixadd.tex} and \ttxem{musixmad.tex} which respectively increase the +number of instruments from the default 6 to 9 or 12 as well as increasing available numbers +of other features; \verb|musixps.tex| which enables Type~K Postscript slurs; and +\verb|musixlyr.tex| which greatly eases typesetting lyrics. In fact the latter two, +while now included in \musixtex\ distributions, are not documented in this manual but +in separate files, namely \verb|musixps.tex| itself and +\verb|mxlyrdoc.pdf| respectively. + + +\section{Installing and Using \musixtex}\label{using} + +As stated in the preface, +the \href{http://icking-music-archive.org/software/indexmt6.html} +{\underline{Werner Icking Music Archive}}\ (WIMA) contains excellent and detailed +instructions for installing \TeX, \musixtex{} and the strongly recommended +preprocessors \textbf{PMX} +(for instrumental music) and \mbox{\textbf{M-Tx}} (for vocal music) under +\href{http://icking-music-archive.org/software/htdocs/Getting_Started_Four_Scenar.html#SECTION00022000000000000000} +{\underline{Linux/\unix}}, +\href{http://icking-music-archive.org/software/htdocs/Getting_Started_Four_Scenar.html#SECTION00021000000000000000} +{\underline{Windows}} and +\href{http://icking-music-archive.org/software/htdocs/Getting_Started_Four_Scenar.html#SECTION00023000000000000000} +{\underline{Mac OS}}. + +As stated in Section~\ref{threepass}, to compile a \musixtex-formatted score, you must run +in sequence \verb|etex|, \verb|musixflx|, +and \verb|etex| again. This will produce a \verb|.dvi| file. From this point +forward, this file can be processed like the device-independent output file +for any \TeX\ document. The most common approach and the only one to +be discussed here is to next generate a Postscript file. This is accomplished +by running \verb|dvips|, which is included in every \TeX\ system; to prevent +inappropriate adjustments that \verb|dvips| makes by default, it is recommended to +add the option \verb|-e0|. To view the +Postscript, most users run {\tt GSview} or {\tt gv}, a front-end to {\tt ghostscript}, which must +be separately downloaded and installed. Finally, you may produce a PDF file +using \verb|ps2pdf| or GSview, and view that with any PDF viewer, such as +the Adobe Reader or {\tt GSview}. + +You also can view the \verb|.dvi| file directly using a DVI viewer such as Yap or \verb|xdvi|, +but, if you are using type K Postscript slurs or vectorized beams, some DVI viewers will not display them. + +Rather than executing all the foregoing programs separately, most users will +find it more convenient to use the \verb|musixtex| script that comes in most +distributions of \musixtex. For example, \verb|musixtex jobname| +will by default run the three passes described in Section~\ref{threepass}, +convert the result to PDF and delete intermediate files. +There are many options available to +change the behavior; run + +\verb|musixtex -h| + +\noindent to get a summary. + + +\section{Where to get help using \musixtex} + +The home base for all matters related to \musixtex\ is the +Werner Icking Music Archive, at +\href{http://icking-music-archive.org}{\underline{http://icking-music-archive.org}}. +There is a +\href{http://tug.org/mailman/listinfo/tex-music}{\underline{mailing list}}, +hosted by TUG, the \TeX\ Users Group, where you will always find +someone willing to answer questions and help solve problems. + + \section{A very brief history of \musixtex} +The idea of using \TeX\ to typeset music appears to have originated +around 1987 with the master's thesis of Andrea +{\sc Steinbach} and Angelika {\sc Schofer}\footnote{Steinbach A. \& Schofer +A., \ital{Automatisierter Notensatz mit \TeX}, master's thesis, +Rheinische Friedrich-Wilhelms Universit\"at, +Bonn, Germany, 1987}. They called their package +\mutex\index{mutex@\protect\mutex}. It was limited to a single staff. +It introduced two key concepts: (1) using +a large number of font characters to construct beams and slurs, and (2) using +\TeX\ glue to help control horizontal spacing and justification. + +The next major step came around 1991 when Daniel {\sc Taupin} created \musictex. +Its major enhancement was to allow multiple staves. But this came at a +price: some flexibility was lost in controlling horizontal spacing and +a great deal of trial and error became necessary to avoid excessive or +insufficient gaps before and after bar lines. + +\musictex\ was a single-pass system. To remedy its shortcomings it became clear +that a multi-pass system would be required. Around 1997 Dr.~Taupin along with Ross {\sc Mitchell} +and Andreas {\sc Egler} created the first version of \musixtex. At last a fully +automatic procedure was coded so as to provide pleasing horizontal spacing in +multi-staff scores. + +Significant enhancements to \musixtex, which have already been mentioned, have been provided +by Stanislav {\sc Kneifl} (Type~K Postscript slurs) and +Rainer {\sc Dunker} (Lyrics handling via \verb|musixlyr.tex|). + +Since Dr.~Taupin passed away in 2003, \musixtex\ has been maintained by a +varying cast including Olivier {\sc Vogel}, Hiroaki {\sc Morimoto}, +Bob {\sc Tennent}, Andre {\sc Van Ryckeghem}, +Cornelius {\sc Noack}, and Don {\sc Simons}. + +No discussion of the history of \musixtex\ would be complete without mentioning +the contributions of Werner {\sc Icking}. From the early days of \mutex\ until +his untimely death in 2001, he served this line of software as its most prominent +proponent, beta tester, web site and mailing list editor, consultant, +problem solver, and inspiration for +many third-party enhancements including \textbf{PMX}. In fact he founded the +mailing list and the archive that now is named in his honor. The web site is +currently edited by Christian {\sc Mondrup}, the software page by Bob {\sc Tennent}, +and the mailing list by Maurizio {\sc Codogno}. + + diff --git a/macros/generic/musixtex/doc/musixdoc/layout.tex b/macros/generic/musixtex/doc/musixdoc/layout.tex new file mode 100644 index 0000000000..a22a88255c --- /dev/null +++ b/macros/generic/musixtex/doc/musixdoc/layout.tex @@ -0,0 +1,185 @@ +\chapter{Managing the Layout of your Score} +\section{Line and page breaking}\label{linebreak} +If every bar ends with \verb|\bar| and no other line- or page-breaking commands +are used, then the external program \verb|musixflx| will decide where to insert +line and page breaks. Line breaks will only come at bar lines. The total +number of lines will depend on the initial value of \verb|\elemskip|, which by +default is \verb|6pt| in \verb|\normalmusicsize|. + +You can force a line or page break by replacing \keyindex{bar} with +\keyindex{alaligne} or \keyindex{alapage} respectively. On the other hand, +to forbid line-breaking at a particular bar, replace \verb|\bar| +with \keyindex{xbar}. To force a line or page break where there is +no bar line, use \keyindex{zalaligne} or \keyindex{zalapage}. To mark any +mid-bar location as an optional line-breaking point, use \keyindex{zbar}; +to force the mid-bar bar line to the end of a system, use \keyindex{zzbar}. + +The heavy final double bar of a piece is one of the consequences of +\keyindex{Endpiece} or \keyindex{Stoppiece}. If you just want to terminate +the text with a simple bar, say \keyindex{stoppiece} or \keyindex{endpiece}. +To terminate it with no bar line at all, code \keyindex{zstoppiece}. +If you want to suppress right-justification of the last line of a score, +use \keyindex{raggedstoppiece}; the bar line can be suppressed by +using \keyindex{zendpiece} (or \keyindex{setemptybar}). + +Once you have stopped the score by any of these means, you may want to restart +it, and there are several ways to do so. If you don't need to change the key +signature, meter, or clef, +you can use \keyindex{contpiece} for no indentation, or \keyindex{Contpiece} +to indent by \keyindex{parindent}. If you do want to change some score +attribute that takes up space, for example +with \keyindex{generalsignature} after \verb|\stoppiece|, then to restart you +must use \keyindex{startpiece}. However, if you don't want \verb|\barno| reset +to 1, you must save its new starting value to \verb|\startbarno|. You may also +wish to modify instrument names or \verb|\parindent| before restarting. + +Recall that thin-thin or thin-thick double bars or blank bar lines can be +inserted without stopping by using the commands described in Section~\ref{doublebars}. +Those commands can also be used before \verb|\stoppiece|, +\verb|\alaligne|, or \verb|\alapage| + +\section{Page layout} +Blank space above and below each staff is controlled by the dimension +registers \keyindex{stafftopmarg} and \keyindex{staffbotmarg}. For more +info see Chapter~\ref{LayoutParameters}. + +The macro \keyindex{raggedbottom} will remove all vertical glue and +compact everything toward the top of page. +In contrast, the macro \keyindex{normalbottom} will restore default +behavior, in which vertical space between the systems is distributed +so that the first staff +on the page is all the way at the top and the last staff all the way at +the bottom. +The macro \keyindex{musicparskip} will allow the existing space between +systems to increase by up to \verb|5\Interligne|. + +The following values of page-layout parameters will allow as much material +as possible +on a page, provided the printer supports these dimensions which +imply approximately half-inch margins: + +\begin{center} +\begin{tabular}{|l|l|}\hline +\multicolumn{1}{|c|}{A$4$}&\multicolumn{1}{|c|}{letter}\\\hline +\verb+\hsize=190mm+&\verb+\hsize=7.5in+\\\hline +\verb+\vsize=270mm+&\verb+\vsize=10in+\\\hline +\end{tabular} +\end{center} +\zkeyindex{parindent}\zkeyindex{hoffset}\zkeyindex{voffset} +\zkeyindex{hsize}\zkeyindex{vsize} +You may have to be more conservative if you have headlines or footlines +or want +even/odd-page asymmetry, such as with the \keyindex{rectoverso} +command in \verb|musixsty.tex| (Section~\ref{musixsty}). +If a score is going to be ``published'' at a public repository (such as +\mbox{\textsc{imslp}}), you may want to allow for \emph{either} +A$4$ \emph{or} letter paper, for example by setting the \verb|\hsize| to~190~mm +and the \verb|\vsize| to~10~in. + +To generate a score in ``landscape''\index{landscape mode} mode, adjust the +text-size parameters above accordingly (e.g., \verb+\hsize=10in+ and \verb+\vsize=7.5in+) +and add a suitable \verb\papersize\ ``special'' to the \TeX\ output, as in +\verb+\special{papersize=11in,8.5in}+. + + +For \emph{any} values of +\verb|\hsize| and \verb|\vsize|, +material will normally be centered on the page by using +command sequences such as the following, which simply split the difference between the page size and the text size, +and then subtract one inch because of \TeX\ conventions: +\begin{enumerate} +\item[For A$4$ paper, portrait mode (210~mm $\times$ 297~mm):]\quad\\[-2ex] +\begin{verbatim} +\hoffset=210mm\advance\hoffset-\hsize\divide\hoffset2 +\advance\hoffset-1.0in +\voffset=297mm\advance\voffset-\vsize\divide\voffset2 +\advance\voffset-1.0in +\end{verbatim} +\item[For letter-size paper, portrait mode (8.5~in $\times$ 11~in):] \quad\\[-2ex] +\begin{verbatim} +\hoffset=8.5in\advance\hoffset-\hsize\divide\hoffset2 +\advance\hoffset-1.0in +\voffset=11in\advance\voffset-\vsize\divide\voffset2 +\advance\voffset-1.0in +\end{verbatim} +\end{enumerate} + +To determine the maximal dimensions that \emph{your} printer is capable of, +process the standard file \verb|testpage.tex| with \LaTeX\ and +print the result. The ``rulers'' on four sides will indicate +how much of the one-inch ``margin'' material outside the frame can actually be printed. +Your \verb|\hsize| and \verb|\vsize| parameters can be increased, or, if necessary, decreased +accordingly. If your score is going to be printed by a publisher or a colleague, you can send +\verb|testpage.pdf| to them to determine what margins are necessary for their +printer. + +However, if the margins on the \verb|testpage| output are \emph{not} +symmetric, +the printer is mis-aligned. +If this can't be corrected, the margin offsets will +have to be adjusted. Ideally, this should be done in the \TeX\ configuration +so all \TeX\ output will be corrected, but offsets can be adjusted +for just \verb|musixtex| output using +\verb|\advance\hoffset ...| and/or +\verb|\advance\voffset ...| +after the ``normal'' settings given above. + + + + +\section{Page numbering, headers and footers}\index{page +number}\index{footnote} + +There are no special page numbering facilities in \musixtex; you must rely on +macros from plain \TeX. There is a count register in \TeX\ called +\verb|\pageno|. It is always initialized to $1$ and incremented by one +at every page break. By saying \keyindex{pageno}\verb|=|$n$, it can be reset to any +value at any time, and will continue to be incremented from the new value. + +By default, \TeX\ will place a page number on +every page, centered at the bottom. Unfortunately, this is not the preferred +location according to any standard practice. To suppress this default +behavior, say \keyindex{nopagenumbers}. + +One way to initiate page numbering in a more acceptable location is to take +advantage of the facts that (a) \TeX\ prints the contents of the control sequences +\keyindex{headline} and \keyindex{footline} at the top and bottom +respectively of every page, and (b) the value of \verb|\pageno| can be printed by +saying \keyindex{folio}. Therefore, for example, the following sequence of +commands, issued anywhere before the end of the first page, will cause page +numbers and any desired text to be printed at the top of every page, +alternating between placement of the number at the left and right margins, and +alternating between the two different text strings (the capitalized text in +the example): + +\begin{quote}\begin{verbatim} +\nopagenumbers +\headline={\ifodd\pageno\rightheadline\else\leftheadline\fi}% +\def\rightheadline{\tenrm\hfil RIGHT RUNNING HEAD\hfil\folio}% +\def\leftheadline{\tenrm\folio\hfil LEFT RUNNING HEAD\hfil}% +\voffset=2\baselineskip +\end{verbatim}\end{quote} + +\section{Controlling the total number of systems and pages}\index{page/line layout} + +Once all the notes are entered into a \musixtex\ score, it would be convenient +if there were a simple sequence of commands to +cause a specified number of systems to be uniformly distributed over a +specified number of pages. Unfortunately that's not directly +possible\footnote{It \textit{is} possible in \textbf{PMX}.}. +Rather, some trial and error will usually be required to achieve the desired final +layout. To this end, some combination of the following strategies may be used: + + \begin{enumerate}\setlength{\itemsep}{0ex} + \item Assign a value to the count register \keyindex{linegoal} representing +the total number of systems. The count register \keyindex{mulooseness} must be $0$ if using +\verb|\linegoal|. + \item Explicitly force line and page breaking as desired, using +the macros \verb|\alaligne|, \verb|\alapage|, \verb|\zalaligne| +or \verb|\zalapage|. + \item Adjust both \keyindex{mulooseness} and the initial value of +\keyindex{elemskip}: increasing \verb|\mulooseness| from its default of 0 will +increase the total number of systems, while changing the initial value of +\verb|\elemskip| (use \verb|\showthe\elemskip| to find its default value) may change the +total number of systems accordingly. + \end{enumerate} diff --git a/macros/generic/musixtex/doc/musixdoc/lyrics.tex b/macros/generic/musixtex/doc/musixdoc/lyrics.tex new file mode 100644 index 0000000000..41d52fa221 --- /dev/null +++ b/macros/generic/musixtex/doc/musixdoc/lyrics.tex @@ -0,0 +1,407 @@ +\chapter{Lyrics}\index{lyrics}\label{lyrics} +\musixtex{} itself doesn't manage lyrics very well. You should use +\verb+musixlyr+ instead, a \musixtex\ extension package for lyrics handling by Rainer Dunker. +The \TeX~source and +\href{http://icking-music-archive.org/software/musixtex/add-ons/mxlyrdoc.pdf} +{\underline{documentation}}~are included in the \musixtex~distribution. + +But first we recall briefly the older methods, which may still be useful when +only a small number of words are involved. + +\section{Native lyrics method: placing single words} +\subsection{Native \musixtex\ commands for lyrics} + \begin{enumerate}\setlength{\itemsep}{0ex} + \item An obvious solution is to use the commands +\keyindex{zcharnote} (expanded to the right), +\keyindex{lcharnote} (expanded to the left), +\keyindex{ccharnote} (centered), to post the text at any position (computed in +\verb|\internote|s) with respect to the lower line of the current staff. +The pitch should be usually negative, to have the text below the staff. + +Example:\quad +\raisebox{0ex}[4ex][3ex]{\musicintextnoclefn{\notes\sk\zcharnote{N}{Word}\wh g\sk\en}} +\quad is coded by \quad +\verb|\zcharnote{N}{Word}\wh g|~. + +\item The vertical position can also be given with a number in the commands +\keyindex{zchar} (expanded to the right), +\keyindex{lchar} (expanded to the left), +\keyindex{cchar} (centered). The number is internally multiplied by \verb|\internote|~. + +Example:\quad +\raisebox{0ex}[4ex][3ex]{\musicintextnoclefn{\notes\sk\cchar{-4}{Word}\wh g\sk\en}} +\quad is coded by \quad +\verb|\cchar{-5}{Word}\wh g|~. + +\item Of easier use are the commands \keyindex{zsong} (right of the note), +\keyindex{lsong} (left) and \keyindex{csong} (centered) which post the lyrics +at the lower staff line \ital{minus} the previous +\keyindex{interinstrument}~$n$ or the \keyindex{staffbotmarg} quantity. These +commands only have one argument, namely the lyrics text: +%\begin{center} +\keyindex{zsong}\verb|{|\ital{text}\verb|}|\quad +\keyindex{lsong}\verb|{|\ital{text}\verb|}|\quad +\keyindex{csong}\verb|{|\ital{text}\verb|}| +%\end{center} + Depending on the values of the inter-instrument spacings and margins, the +resulting vertical position might be inappropriate. Then it can be changed for +any specific $n$-th instrument until further change using +\begin{quote} +\keyindex{setsongraise}~$n$\verb|{|\ital{any \TeX-dimension}\verb|}| +\end{quote} +As an example, the following French song\\ + \begin{music} + \generalsignature{1} + \startextract + \geometricskipscale + \NOtes\zsong{Au }\qu g\en + \NOtes\zsong{clair }\qu g\en + \NOtes\zsong{de }\qu g\en + \NOtes\zsong{la }\qu h\en + \bar + \NOTes\zsong{lu- }\hu i\en + \NOTes\zsong{ne, }\hu h\en + \bar + \NOtes\zsong{mon }\qu g\en + \NOtes\zsong{a- }\qu i\en + \NOtes\zsong{mi }\qu h\en + \NOtes\zsong{Pier- }\qu h\en + \bar + \NOTes\zsong{rot, }\wh g\sk\en + \endextract + \end{music} + +\noindent was coded as: +\begin{quote}\begin{verbatim} + \generalsignature{1} + \startextract + \geometricskipscale + \NOtes\zsong{Au }\qu g\zsong{clair }\qu g\en + \NOtes\zsong{de }\qu g\zsong{la }\qu h\en\bar + \NOTes\zsong{lu- }\hu i\zsong{ne, }\hu h\en\bar + \NOtes\zsong{mon }\qu g\zsong{a- }\qu i\en + \NOtes\zsong{mi }\qu h\zsong{Pier- }\qu h\en\bar + \NOTes\zsong{rot, }\wh g\sk\en + \zendextract +\end{verbatim}\end{quote} +\end{enumerate} + +\subsection{Adapting note spacing for lyrics} + +The command \keyindex{hardlyrics}\verb|{longword}| provides a spacing that is equal to the length +of the text argument \verb|{longword}|. In the same time the argument \verb|{longword}| +is saved in \keyindex{thelyrics} + +As an example \quad +\raisebox{0ex}[5ex][4ex]% +{\musicintextnoclefn{\staffbotmarg2\Interligne% +\hardlyrics{clair}\notes\hsong{\thelyrics}\wh g\en\notes\wh{gg}\en}} +\quad is coded by: +\begin{tabular}{l} +\verb|\hardlyrics{clair}%|\\ +\verb|\notes\hsong{\thelyrics}\wh g\en|\\ +\verb|\notes\wh{gg}\en|\\ +\end{tabular} + +All notes with long lyrics need such a treatment. The commands only carry out on +\verb|\notes| (not on \verb|\Notes|, \verb|\NOtes|...). + +If you want to go back to the normal placing on an easy way, you simply can replace +'\verb|\hardlyrics|' by '\verb|\softlyrics|'. + + A complete score is given in example {\tt glorias.tex}\label{glorias} and in +{\tt gloriab.tex}, the latter exhibiting not only the song tune but also the +organ accompaniment. + +Alternate versions of \verb|\hsong| are \keyindex{dhsong} which has a fixed +length of \verb|2\noteskip| and \keyindex{thsong} whose fixed length is +\verb|3\noteskip|. These are useful when the text is set below (or above) a +collective coding of two or three notes. + +\section{Musixlyr}\label{musixlyr} + +Lyrics are best handled by the \texttt{musixlyr}\index{musixlyr} package by Rainer Dunker. +The package can be used by inserting a line in your source code: +\begin{quote}\begin{verbatim} +\input musixtex +\input musixlyr +... +\end{verbatim}\end{quote} + +The manual, the input file and a few examples are in \musixtex\ distributions, or they +may be downloaded +\href{http://icking-music-archive.org/software/musixtex/add-ons/musixlyr21c.zip} +{\underline{for Windows}} or \href{http://icking-music-archive.org/software/musixtex/add-ons/musixlyr21c.tgz} +{\underline{for \unix}}. Look at the manual for a detailed description. Here is an overview +of the commands and an example of use.\pagebreak + +\def\keyexample#1{\keyindex{#1}} + +\noindent\begin{small}\begin{tabbing} +\verb|\NOtes|\keyexample{assignlyricshere}\verb|{alto}\qa c\en|\quad\= assigning without staff number\kill +Example\> Explanation +\end{tabbing} +\vspace{-1ex} +\hrule +\vspace{-2ex} +\begin{tabbing} +\verb|\NOtes|\keyexample{assignlyricshere}\verb|{alto}\qa c\en|\quad\= assigning without staff number\kill +\keyexample{setlyrics}\verb|{sopr}{the ly_-ric words_}|\> defining the lyrics text\\ +\keyexample{copylyrics}\verb|{sopr}{alto}|\> alto has same lyrics as soprano\\ +\keyexample{appendlyrics}\verb|{alto}{more words}|\> alto lyrics is longer\\ +\keyexample{assignlyrics}\verb|2{sopr,alto}|\>soprano and alto lyrics at staff $2$\\ +\keyexample{assignlyricsmulti}\verb|{1}{2}{alto}|\>assign alto lyrics to staff $2$ of instrument $1$\\ +\verb|\NOtes|\keyexample{assignlyricshere}\verb|{alto}\qa c\en|\>assigning without staff number\\ +\keyexample{auxlyr}\verb|\assignlyrics{2}{sopr}|\> assign soprano above staff $2$\\[.8ex] +\keyexample{lyrrule}\verb|\qu c|...\keyexample{lyrruleend}\verb|\qu c|\>make a melisma by hand\\ +\keyexample{beginmel}\verb|\qu c|...\keyexample{endmel}\verb|\qu c|\>melisma, same as word extension underline\\[.8ex] +\keyexample{lyr}\verb|\qu c|\>force a syllable from lyrics text at this note or rest\\ +\keyexample{lyric}\verb|{word}\qu c|\>insert syllable 'word' at this note\\ +\verb|\loffset{2}{|\keyexample{lyric*}\verb|{1.}}\qu c|\>combine \verb|1.| with regular syllable\\ +\keyexample{lyrich}\verb|{syl}\qu c|\>same as \verb|\lyric|, but with hyphenation\\ +\keyexample{lyrich*}\verb|{}\qu c|\>same as \verb|\lyric*|, but with hyphenation\\ +\keyexample{lyricsoff}...\keyexample{lyricson}\>stop lyrics, then start again\\ +\keyexample{nolyr}\verb|\qu c|\>no syllable at this note\\[.8ex] +\keyexample{llabel}\verb|{labelname}name|\>labelling a ``go to'' target in text\\ +\keyexample{golyr}\verb|{labelname}\qu c|\>perform a jump, in music code\\[.8ex] +\keyexample{lyrpt}\verb|,\qu c|\>add a comma to the syllable under this note\\ +\keyexample{lyrnop}\verb|\qu c|\>remove last character in syllable\\ +\keyexample{lclyr}\verb|\qu c|\>make first character lower case\\ +\keyexample{llyr}\verb|\qu c|\>left justified syllable\\ +\keyexample{leftlyrtrue}\verb|\qu c|...\keyexample{leftlyrfalse}\verb|\qu c|\>start and stop left justification as the default\\ +\keyexample{lyroffset}\verb|{-4}\qu c|\>shift syllable $1$ notehead to the left\\[.8ex] +\keyexample{minlyrspace}\verb|{3pt}\qu c|\>define minimum space between the words\\ +\keyexample{forcelyrhyphenstrue}\verb|\qu c|\>always use a hyphen from now on\\ +\keyexample{forcelyrhyphensfalse}\verb|\qu c|\>remove hyphen and make one word if necessary \\ +\keyexample{showlyrshifttrue}\verb|\qu c|\>show the lyric shift\\[.8ex] +\keyexample{lyrraise}\verb|{1}{a 2\Interligne}|\>raise lyrics below staff $1$ by \verb|2\Interligne|\\ +\keyexample{lyrraisemulti}\verb|{1}{2}{a 2\Interligne}|\>raise alto lyrics above staff $2$ of instrument $1$\\ +\keyexample{lyrraisehere}\verb|{b 2\Interligne}\qu c|\>raise lyrics below this staff by \verb|2\Interligne|\\[.8ex] +\keyexample{minlyrrulelength}\verb|{2mm}|\>melismas shorter than $2$mm are not shown \\ +\keyexample{minmulthyphens}\verb|{15mm}|\>distance between hyphens in 'hyphen melisma'\\ +\verb|\def|\keyexample{lyrhyphenchar}\verb|{-}|\>chose a hyphen character\\ +\verb|\setlyrics{|\keyexample{lyrlayout}\verb|{\it}..}|\>apply italics to all lyrics lines\\ +\keyexample{verses}\verb|{,\beginmel}\qu c|\>initiate melisma at second verse\\[.8ex] +\verb|\small|\keyexample{setlyrstrut}\>adapt the vertical distance between lyrics lines\\ +\keyexample{lyrstrutbox}\verb|{10pt}|\> (re)define the distance between the lyrics lines\\[.8ex] +\keyexample{lyrmodealter}\verb|2|\>attach lyrics of staff $2$ to the upper voice\\ +\keyexample{lyrmodealtermulti}\verb|{1}{2}|\>attach lyrics of instr.\ $1$ staff $2$ to the upper voice\\ +\keyexample{lyrmodealterhere}\verb|\qu c|\>attach lyrics of this staff to the upper voice\\ +\keyexample{lyrmodenormal}\verb|2|\>restore the default behaviour\\ +\keyexample{lyrmodenormalmulti}\verb|{1}{2}|\>restore the default behaviour at staff $2$ of instr.\ $1$\\ +\keyexample{lyrmodenormalhere}\verb|\qu c|\>restore the default behaviour of this staff\\[.8ex] +\keyexample{lyrlink}\>linking two words with a '$_{_\smile}$'\\ +\keyexample{lowlyrlink}\>same as \verb|\lyrlink| but a little bit lower\\[.8ex] +\keyexample{resetlyrics}\>set word pointer to the first word in all lyrics lines\\[.8ex] +\keyexample{enableauxlyrics}\>don't use this anymore\\ +\keyexample{setsongraise}\verb|{1}{2\Interligne}|\>same as \verb|{\lyrraise}{1}{b 2\Interligne}|\\ +\keyexample{auxsetsongraise}\verb|{1}{2\Interligne}|\>same as \verb|{\lyrraisemulti}{1}{b 2\Interligne}|\\ +\keyexample{oldlyrlinestart}\>don't let the lyrics extend to the left margin\\ +\end{tabbing}\end{small} + +As a further illustration of the use of the commands, have a look at the following +example\footnote{The example is taken from the \texttt{musixlyr} manual.}: + +\medskip\medskip +%\oneversespace +\begin{music} +\input musixlyr + \resetlyrics \small +\lyrmodealter0 + \setlyrics{soprano}{bring her die Gans,} \auxlyr{\assignlyrics1{soprano}} + \copylyrics{soprano}{alto} \assignlyrics1{alto} + + \generalsignature{-2} + \advance\stafftopmarg1\Interligne + \advance\staffbotmarg2\Interligne + + \startextract\addspace\afterruleskip + \NOtes\zqu g\ql e\en + \bar + \Notes\zqu i\beginmel\ibslurd0f\ibl0f{-1}\qb0{fe}\en + \Notes\auxlyr\beginmel\ibsluru1i\zqup i\qb0d\en + \Notes\tqb0e\en + \Notes\endmel\tbslurd0e\ql c\en + \notes\ibbu0h{-1}\qb0h\tqh0g\en + \NOtes\auxlyr\endmel\tbsluru1h\zqu h\ql c\en + \bar + \NOTEs\auxlyr\lyr\zwh i% The lyrics of the whole notes + \lyr\wh b\en % must be given manually. + \endextract + \lyrmodenormal0 +\end{music} +\medskip + +%\oneversespace + +which was coded as: +\begin{quote} +\begin{verbatim} +% define lyrics above the staff +\setlyrics{soprano}{bring her die Gans,} +% lyric beneath the staff are the same +\copylyrics{soprano}{alto} +% assign alto lyrics below staff 1 on the notes with stem down +\assignlyrics1{alto} +% assign soprano lyrics above staff 1 on the notes with stem up +\auxlyr{\assignlyrics1{soprano}} +% attach both lyrics to the upper voice +\lyrmodealter0 +\generalsignature{-2} +% make place for the lyrics +\advance\stafftopmarg1\Interligne\advance\staffbotmarg2\Interligne +\startextract\addspace\afterruleskip +\NOtes\zqu g\ql e\en\bar +% start melisma in lower lyrics +\Notes\zqu i\beginmel\ibslurd0f\ibl0f{-1}\qb0{fe}\en +% start melisma in upper lyrics +\Notes\auxlyr\beginmel\ibsluru1i\zqup i\qb0d\tqb0e\en +% end melisma in lower lyrics +\Notes\endmel\tbslurd0e\ql c\en +\notes\ibbu0h{-1}\qb0h\tqh0g\en +% start melisma in upper lyrics +\NOtes\auxlyr\endmel\tbsluru1h\zqu h\ql c\en\bar +% The lyrics of the whole notes (without stem) must be given manually. +\NOTEs\auxlyr\lyr\zwh i\lyr\wh b\en +\endextract +\lyrmodenormal0 +\end{verbatim}\end{quote} + + \section{Getting enough vertical space for lyrics} + Since songs are +usually equivalent to a one-staff instrument (possibly with several voices) +the recommended solution consists in adjusting the distance between +instruments using either \keyindex{interinstrument}\verb|=|\ital{any +\TeX-dimension} to give more place below all instruments or using +\keyindex{setinterinstrument} to make more space above. Note that {\Bslash +setinterinstrument} defines spacing above and not below an instrument. Since +lyrics are usually set below the staff, the first argument of a +\verb|\setinterinstrument| should be the song instrument number \ital{minus +one}. + + In the case of a single staff tune, or if the song instrument is the lowest +one, then additional place can be provided using \keyindex{staffbotmarg}. + +\section{Fine tuning the placement of the lyrics} + When not using \verb|\hardlyrics|, on short notes, sometimes + the lyrics are shifted away from the notes or they collide with other words. + This are a few approaches to get around this: +\begin{enumerate}\setlength{\itemsep}{0ex} +\item Making more music lines for the notes to go further apart. This could be done with +\verb|\mulooseness|. +\item Stretch a bar with short notes in it by i.e.,~replacing \verb|\notes| by \verb|\NOTes|. +\item Insert space between the notes by using \verb|\sk|, \verb|\hsk|, \verb|\qsk|, \verb|\qqsk|, ... +\item Stretch a bar with short notes in it by using the command \keyindex{scale}: +\begin{verbatim} +\scale{1.6}\notes..\en\scale{1}% +\end{verbatim} +This method can be used in \textbf{PMX} but only with care, because it changes horizontal spacing +in a way that \textbf{PMX} will not be aware of. It will not move bars to the next line, but +will shorten the other bars on the line. + +As an example, the lyrics of this music line are better placed by using \verb|\scale| in +the first bar and moving to the left the word 'mon'. Note that the hyphen is removed +when there is no place for it: + + \begin{music} + \input musixlyr + \resetlyrics + \setlyrics{v1}{Au clair de la lu-ne, mon a-mi Pier-rot,}% + \assignlyrics1{}\assignlyrics1{v1}% + \staffbotmarg2\Interligne\generalsignature{1}% + \startextract + \geometricskipscale + \notes\qu{gggh}\en\bar + \Notes\hu{ih}\en\bar + \notes\qu{gihh}\en\bar + \Notes\wh g\en + \endextract +% \end{music} +%%%%% combined for saving registers %%%%% +% \begin{music}\nostartrule +% \input musixlyr + \resetlyrics + \setlyrics{v1}{Au clair de la lu-ne, \kernm1exmon a-mi Pier-rot,}% + \assignlyrics1{}\assignlyrics1{v1}% + \staffbotmarg2\Interligne\generalsignature{1}% + \startextract \geometricskipscale + \scale{1.4}\notes\qu{gggh}\en\bar\scale{1}% + \Notes\hu{ih}\en\bar + \notes\qu{gihh}\en\bar + \Notes\wh g\en + \endextract + \end{music} + +\medskip +The code of the second music line is (\verb|\assignlyrics1{}| is only needed because +lyrics are assigned before this in this manual): +\begin{quote}\begin{verbatim} + \begin{music} + \input musixlyr + \resetlyrics + \setlyrics{v1}{Au clair de la lu-ne, \kernm1exmon a-mi Pier-rot,}% + \assignlyrics1{}\assignlyrics1{v1}% + \staffbotmarg2\Interligne\generalsignature{1}% + \startextract \geometricskipscale + \scale{1.4}\notes\qu{gggh}\en\bar\scale{1}% + \Notes\hu{ih}\en\bar + \notes\qu{gihh}\en\bar + \Notes\wh g\en + \endextract + \end{music} +\end{verbatim}\end{quote} + +\item Moving a word in any direction + +\begin{small} +\noindent\begin{tabular}{ll} +\multicolumn{2}{l}{\Bslash setlyrics\{alto\}\{\Bslash kernm3ex1.$\sim\sim$firstsyllable...\}}\\ +& left-move verse number\\ +\verb|\setlyrics{alto}{...\kern1exword...}| &right-move a single word\\ +\verb|\setlyrics{alto}{...\lower2pt\hbox{word}...}|& lower a single word\\ +\verb|\setlyrics{alto}{...\raise2pt\hbox{word}...}|& raise a single word\\ +\multicolumn{2}{l}{\Bslash def\Bslash strut\{\Bslash vbox to 2\Bslash Interligne\{\}\}% +\Bslash setlyrics\{alto\}\{\Bslash lyrlayout\{\Bslash strut\}...\}} \\ +& control distance between verses\\ +\verb|\lyrlayout{\vphantom{Mp(\lowlyrlink}|& minimum distance between verses\\ +\multicolumn{2}{l}{\Bslash setbox\Bslash lyrstrutbox=\Bslash hbox\{\Bslash vphantom\{yM\Bslash lyrlink\}\}}\\ +& redefine default lyrstrut +\end{tabular} +\end{small} + +\item Placing of accents can be made easier as shows this example: +\begin{center} +\begin{minipage}{50mm} +\begin{music}\nostartrule +\input musixlyr +\catcode`\ä\active \defä{\"a} +\catcode`\ö\active \defö{\"o} +\catcode`\å\active \letå\aa +\setlyrics1{å ä ö} +\assignlyrics1{}\assignlyrics11 +\startextract + \setsongraise1{1ex}\NOtes\qa{ggg}\en +\zendextract +\end{music} +\end{minipage}% +\begin{minipage}{80mm} +\verb|\catcode`\|\"a\verb|\active \def|\"a\verb|{\"a}|\\ +\verb|\catcode`\|\"o\verb|\active \def|\"o\verb|{\"o}|\\ +\verb|\catcode`\|\aa\verb|\active \let|\aa\verb|\aa|\\ +\verb|\setlyrics1{|\aa\ \"a\ \"o\verb|} \assignlyrics1{}|\\ +\verb|\assignlyrics11|\\ +\verb|\startextract|\\ +\verb|\NOtes\qa{ggg}\en|\\ +\verb|\zendextract|\\ +\end{minipage} +\end{center} +\item Using an 8-bit encoded characterset.\label{8bit} +If you use default (Computer Modern) fonts, you will want to switch to +the EC variants +by putting +%\verb+\input plainenc\relax\inputencoding{cp850}+ % doesn't work! +\verb+\input musixec+ +after \verb+\input musixtex+ in your source file. + +\end{enumerate} + diff --git a/macros/generic/musixtex/doc/musixdoc/miscellaneous.tex b/macros/generic/musixtex/doc/musixdoc/miscellaneous.tex new file mode 100644 index 0000000000..6b1cbf4fe5 --- /dev/null +++ b/macros/generic/musixtex/doc/musixdoc/miscellaneous.tex @@ -0,0 +1,1097 @@ +\chapter{Miscellaneous Other Notations} +%avre + \section{Metronomic indications} +%Metronomic indication deserves a special macro. The mention: +% +%\medskip +%\centerline{\def\nbinstruments{0}\metron{\hup}{60}} +% +%\smallskip\noindent +%is coded by \keyindex{metron}\verb|{\hup}{60}| (normally embedded in +%\keyindex{Uptext} which is in turn embedded within \verb|\notes...\en|). +% +% On the other hand, music writers sometimes want to specify that the duration +%of a previous note is equal to a distinct furthernote. Thus +% +% \smallskip +%\centerline{\def\nbinstruments{0}\metronequiv{\qup}{\qu}} +% +%\smallskip\noindent +%is coded by \keyindex{metronequiv}\verb|{\qup}{\qu}|. + +By way of example, the notations +\begin{quote} +\def\nbinstruments{0} +\metron{\qu}{60} +\quad and\quad +\def\nbinstruments{0}\metronequiv{\qup}{\qu} +\end{quote} +are +respectively coded as +\keyindex{metron}\verb|{\qu}{60}| and \keyindex{metronequiv}\verb|{\qup}{\qu}|, +which are normally placed using \keyindex{Uptext}. +Also, you can set a smaller metronomic indication like +\begin{quote} + \def\nbinstruments{0}\metron{\smallnotesize\lqu}{ca.~72} +\quad or \quad +\def\nbinstruments{0}\metron{\tinynotesize\lqu}{ca.~72} +\end{quote} +by writing +\begin{quote} +\verb|\metron{\smallnotesize\lqu}{ca.~72}| +\end{quote} +or +\begin{quote} +\verb|\metron{\tinynotesize\lqu}{ca.~72}| +\end{quote} + + \section{Accents} + +You may use\footnote{Note from the editor: the reason the names of some of +these macros don't seem to suggest the terms used in the +descriptions is that apparently Daniel Taupin had in mind other terms, +such as \emph{pizzicato}.} +\begin{itemize}\setlength{\itemsep}{0ex} + \item \keyindex{upz}\pitchp~(upper \itxem{staccato}) to put a dot above a note +head at pitch $p$, + \item \keyindex{lpz}\pitchp~(lower \ital{staccato}) to put a dot below a note +head at pitch $p$, + \item \keyindex{usf}\pitchp~(upper \itxem{sforzando}) to put a $>$ accent above +a note head at pitch $p$, + \item \keyindex{lsf}\pitchp~(lower \itxem{sforzando}) to put a $>$ accent below +a note head at pitch $p$, + \item \keyindex{ust}\pitchp~(upper \itxem{tenuto}) to put a +hyphen above a note head at pitch $p$, + \item \keyindex{lst}\pitchp~(lower \ital{tenuto}) to put a +hyphen below a note head at pitch $p$, + \item \keyindex{uppz}\pitchp~(upper \itxem{staccatissimo}) to put a solid vertical +wedge above a note head at pitch $p$, + \item \keyindex{lppz}\pitchp~(lower \ital{staccatissimo}) to put an inverted +solid vertical wedge below a note head at pitch $p$, + \item \keyindex{usfz}\pitchp~(upper \itxem{forzato}) to put a +``dunce cap'' above a note head at pitch $p$, + \item \keyindex{lsfz}\pitchp~(lower \ital{forzato}) to put an inverted +``dunce cap'' below a note head at pitch $p$, + \item \keyindex{upzst}\pitchp~(upper \itxem{mezzo-staccato/portato}) to put a +dot and a hyphen above a note head at pitch $p$, + \item \keyindex{lpzst}\pitchp~(lower \ital{mezzo-staccato/portato}) to put a +dot and a hyphen below a note head at pitch $p$, + \item \keyindex{flageolett}\pitchp~to put a +small circle above a note head at pitch $p$. +\end{itemize} +These marks are horizontally centered relative to solid note heads. +To +compensate for the fact that whole notes are wider, you may use +\begin{quote} +\keyindex{wholeshift}\verb|{|\ital{Any nonspacing macro}\verb|}| +\end{quote} +to center accents +(and other items) above or below a whole note. For example, +\keyindex{Fermataup}\pitchp~(described in Section~{\ref{ornaments}}) is +\emph{defined} as \keyindex{wholeshift}\verb|{|\keyindex{fermataup}\pitchp\verb|}|. + +There are also variants of the most common accents\footnote{Thanks to Klaus +{\sc Bechert}'s corrections.} which will be automatically positioned +above or below a beam. They are spelled like the corresponding normal +accent, but preceded with the letter \verb|b|, and their argument, instead of +the pitch, is the beam reference number . Thus + +\medskip +\begin{music}\nostartrule +\startextract +\Notes\ibu0f3\busfz0\qb0f\bupz0\qb0g\bust0\qb0h% + \buppz0\qb0i\busf0\qb0j\butext0\tqh0k\en +\Notes\Ibl0lg5\blsfz0\qb0l\blpz0\qb0k\blst0\qb0j% + \blppz0\qb0i\blsf0\qb0h\bltext0\tqb0g\en +\zendextract +\end{music} +\noindent was coded as +\begin{quote}\begin{verbatim} \startextract +\Notes\ibu0f3\busfz0\qb0f\bupz0\qb0g\bust0\qb0h% + \buppz0\qb0i\busf0\qb0j\butext0\tqh0k\en +\Notes\Ibl0lg5\blsfz0\qb0l\blpz0\qb0k\blst0\qb0j% + \blppz0\qb0i\blsf0\qb0h\bltext0\tqb0g\en +\zendextract +\end{verbatim}\end{quote} +\zkeyindex{busfz} +\zkeyindex{bupz} +\zkeyindex{bust} +\zkeyindex{buppz} +\zkeyindex{busf} +\zkeyindex{butext} +\zkeyindex{blsfz} +\zkeyindex{blpz} +\zkeyindex{blst} +\zkeyindex{blppz} +\zkeyindex{blsf} +\zkeyindex{bltext} + +The macros \verb|\bltext| and \verb|\butext| are detailed in the next section, +where the mystery of why they produce the number~$3$ is resolved. + + +\section{Numbers and brackets for xtuplets}\label{tuplet} + +The following table lists all the special macros that place a number indicating +an xtuplet. Some also place a bracket above or below the notes, and are +intended for use with unbeamed notes. +In the table, $p$ is a pitch, $k$ is a number, $n$ is a beam number, +$w$ is a bracket width in \verb|\internote|s, and $s$ is the bracket slope as +a multiple of $1.125$~degrees. The macro \verb|\txt| contains a default number +which will be placed by the first and third through sixth macros, +and is initially defined as \verb|\def\txt{3}|. +The macro +\verb|\tuplettxt| serves the same role for the last two macros. +The font used is defined by +\verb|\txtfont| and is, by default, \verb|\eightit| (in normal music size) but may be re-defined. +\zkeyindex{txtfont} + +The first four commands in the table +are normally used with beamed xtuplets. As indicated in the +last column, the last four produce a sloping bracket and may be used with +unbeamed xtuplets. + + +\begin{center} + \begin{tabular}{lclcc} + \hline + ~ & Number & ~ & Needs & ~ \\ + Macro and arguments & printed & Where invoked & Bracket \\ + \hline + \verb|\triolet|\pitchp & \verb|\txt| & before beam & none \\ + \verb|\xtuplet|\itbrace{k}\pitchp & $k$ & before beam & none \\ + \verb|\butext|\itbrace{n} & \verb|\txt| & before note at number & none \\ + \verb|\bltext|\itbrace{n} & \verb|\txt| & before note at number & none \\ + \verb|\uptrio|\pitchp\itbrace{w}\itbrace{s} & \verb|\txt| & before first note & solid \\ + \verb|\downtrio|\pitchp\itbrace{w}\itbrace{s} & \verb|\txt| & before first note & solid \\ + \verb|\uptuplet|\pitchp\itbrace{w}\itbrace{s} & \verb|\tuplettxt| & before first note & with gap \\ + \verb|\downtuplet|\pitchp\itbrace{w}\itbrace{s} & \verb|\tuplettxt| & before first note & with gap \\ + \hline + \end{tabular} +\end{center} +\medskip + +Here are some examples of the first six macros in the table:\\ +\vskip-3pt +\begin{music} +\parindent0mm +\generalmeter{\meterfrac24} +\nostartrule +\startpiece +\addspace\afterruleskip +\notesp\xtuplet6n\isluru0l\ibl0l0\qb0{lllll}\tslur0l\tqb0l\en\bar +\notesp\triolet n\isluru0l\Ibl0ln2\qb0{lm}\tslur0n\tqb0n\en +\notesp\ibslurd0k\Ibl0km2\qb0k\bltext0\qb0l\tdbslur0m\tqb0m\en\bar +\Notesp\triolet o\isluru0l\ql{lm}\tslur0n\ql n\en\bar +\Notesp\uptrio o16\ql l\en\notesp\cl n\en +%avrb +\Notesp\downtrio O16\qu e\en\notesp\cu g\en +%avre +\endpiece +\end{music} +whose coding is +\begin{quote}\begin{verbatim} +\notesp\xtuplet6n\isluru0l\ibl0l0\qb0{lllll}\tslur0l\tqb0l\en\bar +\notesp\triolet n\isluru0l\Ibl0ln2\qb0{lm}\tslur0n\tqb0n\en +\notesp\ibslurd0k\Ibl0km2\qb0k\bltext0\qb0l\tdbslur0m\tqb0m\en\bar +\Notesp\triolet o\isluru0l\ql{lm}\tslur0n\ql n\en\bar +\Notesp\uptrio o16\ql l\en\notesp\cl n\en +\Notesp\downtrio O16\qu e\en\notesp\cu g\en +\end{verbatim}\end{quote} +\zkeyindex{xtuplet}\zkeyindex{triolet} + +\medskip +Next are examples using \keyindex{uptuplet} and \keyindex{downtuplet}. +A re-definition of \verb|\tuplettxt| inside a notes group only applies +inside that group and leaves the default definition intact. +To get the +number properly centered in the gap, you must include some extra space after +the number in the definition of \verb|\tuplettxt|. As you can see in +the last bar, if the span becomes too small, the macros still won't provide +enough room for the number in the gap; in this case it would be better to +use the macros without gaps. + +% Examples: +% +% Draw a triplet bracket over the notes, starting at pitch "p", +% 1.25\noteskip wide, with a slope up of 3-3/8 degrees: +% +% \uptuplet p{1.25}3 +% +% Draw a sextuplet bracket under the notes, starting at pitch "a", +% 2.5\noteskip wide, with a slope down of 4-1/2 degrees: +% +% \def\tuplettxt{\smallppff 6\/\/} +% \downtuplet{a}{2.5}{-4} + +\begin{music} +%\input tuplet +\parindent0mm +\generalmeter{\meterfrac24} +%\startpiece +\nostartrule +\startextract +\addspace\afterruleskip +\notesp\triolet o\Ibl0ln2\qb0{lm}\tqb0n\en +\notesp\Ibl0km2\qb0k\bltext0\qb0l\tqb0m\en\bar +\notesp\def\tuplettxt{5\/\/}\uptuplet o{4.1}2\cl{jklmn}\en\bar +\Notesp\uptuplet o16\ql l\en\notesp\cl n\en +\Notesp\downtuplet O16\qu e\en\notesp\cu g\en\bar +\notesp\uptuplet o16\ccl l\en\notesp\cccl n\en +\notesp\downtuplet O16\ccu e\en\notesp\cccu g\en +%\endpiece +\endextract +\end{music} + +\noindent with coding + +\begin{quote}\begin{verbatim} +\parindent0mm +\generalmeter{\meterfrac24} +\startextract +\addspace\afterruleskip +\notesp\triolet o\Ibl0ln2\qb0{lm}\tqb0n\en +\notesp\Ibl0km2\qb0k\bltext0\qb0l\tqb0m\en\bar +\notesp\def\tuplettxt{5\/\/}\uptuplet o{4.1}2\cl{jklmn}\en\bar +\Notesp\uptuplet o16\ql l\en\notesp\cl n\en +\Notesp\downtuplet O16\qu e\en\notesp\cu g\en\bar +\notesp\uptuplet o16\ccl l\en\notesp\cccl n\en +\notesp\downtuplet O16\ccu e\en\notesp\cccu g\en +\end{verbatim}\end{quote} + +A modern notation uses a \emph{ratio} such as $5$:$6$ to specify the intended duration +of an x-tuplet. This is supported in \musixtex\ by the command +\keyindex{xxtuplet}, as in + +\begin{music} +\nostartrule +\startextract\addspace\afterruleskip +\notes\xxtuplet5:6o\ibl0j3\qb0{jklm}\tql0n\en +\endextract +\end{music} + +\noindent with coding \verb|\xxtuplet5:6o\ibl0j3\qb0{jklm}\tql0n|. For the +other x-tuplet commands (apart from \verb|\triolet|, which is defined in terms of \verb|\xtuplet|), +it is possible to define \verb|\txt| or +\verb|\tupletxt| as a ratio, as in +\begin{quote}\begin{verbatim} +\def\txt{5:6} +\end{verbatim}\end{quote} + + \section{Ornaments} +\label{ornaments} + + + \subsection{Simple ornaments}\index{ornaments} + +The argument $p$ in the following macros for ordinary ornaments is the +pitch at which the ornament itself appears. They are all nonspacing macros. +You may use +\begin{itemize}\setlength{\itemsep}{0ex} + \item \keyindex{mordent}\pitchp\ for \hbox to .75em{\mordent 0\hss} + \item \keyindex{Mordent}\pitchp\ for \hbox to 1.5em{\kern 0.6em\Mordent 0\hss} + \item \keyindex{shake}\pitchp\ for \hbox to .75em{\shake 0\hss} + \item \keyindex{Shake}\pitchp\ for \hbox to 1.5em{\kern 0.6em\Shake 0\hss} + \item \keyindex{Shakel}\pitchp\ for \hbox to 1.5em{\kern 0.6em\Shakel 0\hss} + \item \keyindex{Shakesw}\pitchp\ for \hbox to 1.5em{\kern 0.6em\Shakesw 0\hss} + \item \keyindex{Shakene}\pitchp\ for \hbox to 1.5em{\kern 0.6em\Shakene 0\hss} + \item \keyindex{Shakenw}\pitchp\ for \hbox to 1.5em{\kern 0.6em\Shakenw 0\hss} + \item \keyindex{turn}\pitchp\ for \hbox to 1.5em{\kern 0.6em\turn 0\hss} + \item \keyindex{backturn}\pitchp\ for \hbox to 1.5em{\kern 0.6em\backturn 0\hss} + \item \keyindex{tr}\pitchp\ for \hbox to 1.5em{\kern 0.6em\tr 0\hss} + \item \keyindex{trt}\pitchp\ for \hbox to 1.5em{\kern 0.6em\trt 0\hss}\quad (J. S.~Bach's \textit{trillo und mordant}) + \item \keyindex{xtr}\pitchp\ for \hbox to 1.5em{\kern 0.5em\xtr 0\hss} + \item \keyindex{ptr}\pitchp\ for \hbox to 1.5em{\kern 0.5em\ptr 0\hss} + \end{itemize} +To +compensate for the fact that whole notes are wider, you may use +\begin{quote} +\keyindex{wholeshift}\verb|{|\mbox{\ital{Any nonspacing macro}}\verb|}| +\end{quote} +to center any of these ornaments +above (or below) a whole note. + + +In the following macros for fermatas, the argument $p$ is the pitch of the +notehead on which the fermata rests, assuming no additional vertical +adjustments are needed for stems or intervening staff lines. They are all +nonspacing macros. You may use +\begin{itemize}\setlength{\itemsep}{0ex} + \item \keyindex{fermataup}\pitchp\ for +\raisebox{0ex}[0ex][0ex]{\notesintext{\notes\fermataup1\en}}, +\end{itemize} +\begin{itemize}\setlength{\itemsep}{3ex} + \item \keyindex{fermatadown}\pitchp\ for +\raisebox{0ex}[0ex][0ex]{\notesintext{\notes\fermatadown2\en}}, + \item \keyindex{Fermataup}\pitchp\ for +\raisebox{-1ex}[-1ex][0ex]{\musicintextnoclef{\notes\Fermataup 7\zwh{'c}\en}}~, +centered over a whole note, + \item \keyindex{Fermatadown}\pitchp\ for +\raisebox{-1ex}[0ex][0ex]{\musicintextnoclef{\notes\Fermatadown1\zwh{'c}\en}}~, +centered under a whole note. + \end{itemize} +\bigskip + +A \itxem{breath} mark +\raisebox{-5ex}[0ex][0ex]{\notesintext{\notes\zbreath\en}} +can be put just above the staff with \keyindex{zbreath}. This is a nonspacing +macro. On the other hand, \keyindex{cbreath} will cause a space of one +\verb|\noteskip| and place the comma midway through the space. + +The \keyindex{caesura} command inserts a slash \verb|0.5\noteskip| before +the place it is entered, while adding no space: + +\begin{music}\nostartrule +\startextract +\NOTes\zhu j\hl{^e}\caesura\en +\Notes\zcu j\cl e\en +\zendextract +\end{music} + + + \subsection{Arpeggios}\index{arpeggios} +\ital{Arpeggios} (i.e.~~~\arpeggio{-2}3) can be coded with the macro +\keyindex{arpeggio}\pitchp\itbrace{m} +where $p$ is the pitch of +the base of the arpeggio symbol and $m$ is its height in units of +\verb|\interligne|, the distance from one staff line to the next. It should be +issued before the affected chord. It is +automatically positioned to the left of the chord, but inserts no spacing. +Its variant \keyindex{larpeggio} sets the arpeggio symbol roughly +one note head width to the left of the default position, and is intended to +avoid collision with single accidentals on chord notes. + + \subsection{Arbitrary length trills}\index{arbitrary length trills} + There are two styles of arbitrary length trills\index{trills}, each with two +variants. +For a trill with preassigned length, use \keyindex{trille}\pitchp\itbrace{l} +for \hbox to 1cm{\noteskip1cm\trille11\hss} or +\keyindex{Trille}\pitchp\itbrace{l} for~~\hbox to +2cm{\noteskip1cm\Trille12\hss}, where $p$ is the pitch and $l$ the length in +current \verb|\noteskips|. + +To let \musixtex\ compute the length of the trill, or if it extends across a +system break, you can use \keyindex{Itrille}$n$\pitchp\ to start a plain +trill, where $n$ is a trill reference number between 0 and 5; then +\keyindex{Ttrille}$n$ to terminate it. To get the {\it tr} at the +beginning, use \keyindex{ITrille}$n$\pitchp\ to start the trill and +\verb|\Ttrille|$n$ to close it. + +\begin{sloppypar} +As with other elements, you can specify the maximum number +directly with \keyindex{setmaxtrills}\verb|{|$m$\verb|}|, where $70$ is the number of \itxem{sharps} in the +signature and $s<0$ the number of \itxem{flats}\footnote{We once saw a +score in G-minor where the signature consisted of two flats (B and E) plus +one sharp (F). This is not directly supported by \musixtex.}. To override +the common key signature for instrument $n$, use +\keyindex{setsign}\verb|{|$n$\verb|}{|$s$\verb|}|. Note that differing +key signatures cannot be assigned to different staves of the same instrument. + +\subsection{Meters}\index{meters} + +A common \itxem{meter} for all staves can be specified by + \keyindex{generalmeter}\verb|{|$m$\verb|}|,\label{generalmeter} +where $m$ describes the appearance of the meter indication, and can take several +different forms. If the meter is a \ital{fraction} (e.g.,~$3/4$) the command is + \verb|\generalmeter{|\keyindex{meterfrac}\verb|{3}{4}}|. +Other possible tokens~$m$ are \keyindex{meterC}, +\keyindex{allabreve}, \keyindex{reverseC}, \keyindex{reverseallabreve}, \keyindex{meterN} and +\keyindex{meterplus}. +To insert extra space before the meter is +written, use \keyindex{meterskip}$d$ where $d$ is any hard \TeX\ +%dimension\footnote{{\Bslash\tt meterskip} is not a macro but a +dimension\footnote{{\tt\Bslash meterskip} is not a macro but a +dimension register. Whatever follows it +must be a \TeX\ dimension and {\it it must not be enclosed in braces}.}. +The assignment must occur outside \verb|\startpiece...\endpiece| and will be +reset to zero after first meter is posted. + +These are illustrated in the following example: + + %\check +\begin{music} +\generalmeter\meterC +\nostartrule +\parindent0pt\startpiece +\NOtes\qa{cegj}\en +\generalmeter\allabreve\changecontext +\NOTes\ha{ce}\en +\generalmeter\reverseC\changecontext +\NOTEs\zbreve g\en +\generalmeter\reverseallabreve\changecontext +\NOTEs\zwq g\en +\generalmeter{\meterfrac{3\meterplus2\meterplus3}8}\changecontext +\notesp\Tqbu ceg\Dqbl jg\Tqbu gec\en +\generalmeter{\meterN3}\meterskip4pt\changecontext +\Notes\qa{ceg}\en\setemptybar +\endpiece +\end{music} +\noindent which was coded as: +\begin{quote}\begin{verbatim} +\generalmeter\meterC +\nostartrule +\parindent0pt\startpiece +\NOtes\qa{cegj}\en +\generalmeter\allabreve\changecontext +\NOTes\ha{ce}\en +\generalmeter\reverseC\changecontext +\NOTEs\zbreve g\en +\generalmeter\reverseallabreve\changecontext +\NOTEs\zwq g\en +\generalmeter{\meterfrac{3\meterplus2\meterplus3}8}\changecontext +\notesp\Tqbu ceg\Dqbl jg\Tqbu gec\en +\generalmeter{\meterN3}\meterskip4pt\changecontext +\Notes\qa{ceg}\en\setemptybar +\endpiece +\end{verbatim}\end{quote} + +To override the common meter for any staff, use +\keyindex{setmeter}\verb|{|$n$\verb|}{{|$m_1$\verb|}{|$m_2$\verb|}{|$m_3$\verb|}{|$m_4$\verb|}}|.\linebreak +This works just like \verb|\setclef|. For example, +\verb|setmeter3{{\meterfrac{12}8}\allabreve}| +sets the meter to 12/8 for the first staff of the third instrument, and +\ital{alla breve} for the second staff. + + +\subsection{Instrument names}\index{instrument names} + +To set an \itxem{instrument name}, use +\keyindex{setname}\verb|{|$n$\verb|}{|\ital{name of the instrument}\verb|}|. +This will place the name in the space to the left of the +first staff or group of staves for instrument $n$. To specify the amount of space +available, use \verb|\parindent|$d$ where $d$ is any hard \TeX\ dimension. +For multi-line instrument names, use \TeX\ commands as in the following: +\begin{verbatim} + \setname1{\vbox{% + \hbox to\parindent{\hss Bass\hss}% + \hbox to\parindent{\hss Recorder\hss}}} +\end{verbatim} + + \section{Groupings of instruments}\label{curlybrackets} +By default, all staves in a system will be joined +at the left by a thin, vertical rule. In addition, if an instrument has more than +one staff, they will be joined by a big, curly brace. Now we introduce a way +to delineate groups of instruments or choirs with a square brace containing two parallel +vertical rules, the left one thick and the right one thin. This is commonly used +to group together the voices in a choir. + +If there is only one choir, this can be done with + \begin{quote} +\keyindex{songtop}\onen\\ +\keyindex{songbottom}\verb|{|$m$\verb|}| +\end{quote} +\noindent where $m$ and $n$ are the instrument numbers of the first +and last voices. An example is shown in Section~\ref{song}. + +If there is more than one choir to be set off with +square braces, each one can be specified with + \begin{quote} +\keyindex{grouptop}\verb|{|$g$\verb|}{|$n$\verb|}|\\ +\keyindex{groupbottom}\verb|{|$g$\verb|}{|$m$\verb|}| +\end{quote} +\noindent where $m$ and $n$ are the instrument numbers of the first +and last voices of group number~$g$. \musixtex{} allows up to three +groups, numbered from $1$ to $3$. The command \verb|\songtop| is equivalent +to \verb|\grouptop 1|; \verb|\songbottom| is equivalent to +\verb|\groupbottom 1|. + +With \ttxem{musixadd.tex} or \ttxem{musixmad.tex}, the allowable number of +groups is increased to four. +Alternatively, you can specify the allowable number of groups to $m$ by +\keyindex{setmaxgroups}\verb|{|$m$\verb|}|% +\footnote{Using $m>4$ may require e-\TeX.}. +\label{musixmad_setmaxgroups} + +If any of the instruments grouped this way has more than one staff, the +heavy curly brace will be shifted to the left of the square brace. + +Previously defined square braces can be removed by declaring +\verb|\songtop| less than \verb|\songbottom|. The same applies to +\verb|\grouptop| and \verb|\groupbottom| for the same group number. + + An alternate command allows you to specify all choirs at once: +\begin{quote} + \keyindex{akkoladen}\verb|{{|{\it lower\_1\/}\verb|}{|{\it upper\_1\/}% + \verb|}{|{\it lower\_2\/}\verb|}{|{\it upper\_2\/}\verb|}{|% + {\it lower\_3\/}\verb|}{|{\it upper\_3\/}\verb|}}| +\end{quote} +\noindent where {\it lower\_n\/} and {\it upper\_n\/} are instrument +numbers that denote the span of bracket number $n$. For +setting fewer than three brackets, just omit all unneeded +\verb|{|{\it lower\_n\/}\verb|}{|{\it upper\_n\/}\verb|}|~pairs. + +For example, + \verb|\instrumentnumber{5}\akkoladen{{1}{2}{3}{5}}| +\noindent yields the first example below, with five single-staff instruments +divided into two groups. +The second example has two instruments, the first (lower) with two staves and the +second with three. Each instrument is set off by default with a curly bracket. + +If for some reason you want more than one \ital{instrument}\ grouped +within a curly +bracket, then you can use the +command + + \keyindex{curlybrackets}\verb|{{|{\it lower\_1\/}\verb|}{|{\it upper\_1\/}% + \verb|}{|{\it lower\_2\/}\verb|}{|{\it upper\_2\/}\verb|}...| + +\noindent to be used as illustrated in the third example below.\\ +\begin{small} +\begin{minipage}[t]{29ex} +\begin{music} + % just to avoid wasting space ... + \sepbarrules + \smallmusicsize + \instrumentnumber{5} \akkoladen{{1}{2}{3}{5}} + \startextract\notes\en\bar\notes\en\zendextract +\end{music} +\begin{quote}is coded as: +\begin{verbatim} + \sepbarrules + \smallmusicsize + \instrumentnumber{5} + \akkoladen{{1}{2}{3}{5}} + \startextract + \notes\en\bar\notes\en + \zendextract +\end{verbatim}\end{quote} +\end{minipage} +\begin{minipage}[t]{27ex} +\begin{music} + \sepbarrules + \smallmusicsize + \instrumentnumber2 \setstaffs12\setstaffs23 + \startextract \notes\en\bar\notes\en\zendextract +\end{music} +\begin{quote}is coded as: +\begin{verbatim} + \sepbarrules + \smallmusicsize + \instrumentnumber2 + \setstaffs12 + \setstaffs23 + \startextract + \notes\en\bar\notes\en + \zendextract +\end{verbatim}\end{quote} +\end{minipage} +\begin{minipage}[t]{27ex} +\begin{music} + \sepbarrules + \smallmusicsize + \instrumentnumber5 %\setstaffs12\setstaffs23 + \curlybrackets{1235} + \startextract \notes\en\bar\notes\en\zendextract +\end{music} +\begin{quote}is coded as: +\begin{verbatim} + \sepbarrules + \instrumentnumber5 + \smallmusicsize + \curlybrackets{1235} + \startextract + \notes\en\bar\notes\en + \zendextract +\end{verbatim}\end{quote} +\end{minipage} +\end{small} + + + + diff --git a/macros/generic/musixtex/doc/musixdoc/slurstiesTypeK.tex b/macros/generic/musixtex/doc/musixdoc/slurstiesTypeK.tex new file mode 100644 index 0000000000..c387eb2b68 --- /dev/null +++ b/macros/generic/musixtex/doc/musixdoc/slurstiesTypeK.tex @@ -0,0 +1,382 @@ + \chapter{Postscript Slurs, Ties and Hairpins}\label{PostscriptSlurs} + +\input musixps + + +All of the aforementioned limitations of font-based slurs can be circumvented +by using type~K Postscript slurs\footnote{``K'' stands for Stanislav Kneifl, +the developer of the type~K Postscript slur package.}. As well as slurs, the package includes +ties and crescendos. +Its use is very similar to font-based slurs, and in fact identical if only +the elementary slur and tie initiation and termination macros are used. + +In order to use type~K Postscript slurs, ties and hairpins, you must first place \texttt{musixps.tex} +anywhere \TeX\ can find it. You must also place \texttt{psslurs.pro} +somewhere that \texttt{dvips} can find it. + +The \index{mxsk font}\texttt{mxsk} font is required for ``half ties,'' which +are special symbols that are used by default for the second portion of a tie +that crosses a line break. If you like +this treatment you must install the font in your \TeX\ system. However, perfectly +acceptable line-breaking ties will appear if you invoke \keyindex{nohalfties}, +and then you will not have to install this font. + +Once the software mentioned in the prior two paragraphs is installed and the +\TeX\ filename database is refreshed, the type~K package can be +invoked by including the command \verb|\input musixps| +near the beginning of your source file (but after loading \verb\musixtex.tex\). +The resulting dvi file should then be converted into Postscript using \textbf{dvips}. +If desired, a PDF file can then be generated with \textbf{ps2pdf}, \textbf{ghostscript}, +or \textbf{Adobe Acrobat} (see Section~\ref{using} for more information on this). + +Two minor inconveniences with type~K Postscript slurs are that (1) they won't appear +in many dvi previewers, and (2) they won't appear in PDF files generated with +\textbf{pdftex} or \textbf{dvipdfm}. The former limitation can be circumvented by using a Postscript +viewer such as \textbf{GSview}. The latter simply requires that you create an intermediate +Postscript file with \textbf{dvips}, then make the PDF with any of the software +mentioned above. + + +\section{Initiating and terminating type K Postscript slurs} + +Basic usage of type K slurs is the same as for font-based slurs. To initiate one, +use for example \verb|\isluru0g| to start an upper slur with ID 0 above a virtual note +at pitch level {\tt g}. To terminate one, use a command like +\verb|\tslur0i| which terminates the slur with ID 0 on a +virtual note at pitch level {\tt i}. +Both types of commands are non-spacing and must precede the first or last +note under the slur. + +Termination macros are not restricted to being used +with their initiation counterpart. For example, a slur +beginning as a ``beam'' slur may be terminated as a +normal slur, or \emph{vice versa}. These would be achieved by using macro pairs +\verb|\ibslur...\tslur...| or \verb|\islur...\tbslur...|, respectively. +Unlike font-based slurs, adjusting the vertical positioning of the slur termination should not be necessary. + +You can shift the starting or ending point slightly to the left +or right by substituting one of the commands \keyindex{ilsluru}, +\keyindex{ilslurd}, \keyindex{irsluru}, +\keyindex{irslurd}, \keyindex{trslur} or \keyindex{tlslur}. +For shifts farther to the left, use +\keyindex{iLsluru}, +\keyindex{iLslurd} +or \keyindex{tLslur}; +for shifts farther to the right, use +\keyindex{iRsluru}, +\keyindex{iRslurd} +or \keyindex{tRslur}. + + +You can control the shape of type~K slurs with variants of +the termination command. To make the slur a bit flatter than default use +\keyindex{tfslur}0f; a bit higher, \keyindex{thslur}0f; higher still, +\keyindex{tHslur}0f; or +even higher, \keyindex{tHHslur}0f. These commands have an effect like +\keyindex{midslur} does for font-based slurs. + +All combinations of the shifting and curvature variants are allowed, +e.g.\ \verb|\trHHslur|. + + +The following examples demonstrate how much better the type K slurs perform +in the extreme situations of the prior two typeset examples. The coding is +exactly the same as above except that \verb|\input musixps| has been added: +\begin{quote}\begin{verbatim} +\begin{music}\nostartrule +\input musixps +\startextract\NOTes\multnoteskip3\isluru0c\ql c\tslur0s\ql s\en +.... +\end{verbatim}\end{quote} + +\begin{music}\nostartrule +\instrumentnumber{1} +\generalmeter{\meterfrac34} +\startextract\NOTes\multnoteskip3\isluru0c\ql c\tslur0j\ql j\en + \bar\NOTes\multnoteskip3\isluru0c\ql c\tslur0n\ql n\en\zendextract +\startextract\NOTes\multnoteskip3\isluru0c\ql c\tslur0s\ql s\en + \bar\NOTes\multnoteskip3\isluru0c\ql c\tslur0z\ql z\en\zendextract + +\startextract +\NOTes\isluru0c\ql c\en\notes\tslur0j\ql j\en\bar +\NOTes\isluru0c\ql c\en\notes\tslur0n\ql n\en +\NOTes\isluru0c\ql c\en\notes\tslur0s\ql s\en\bar +\NOTes\isluru0c\ql c\en\notes\tslur0z\ql z\en +\zendextract +\end{music} + + + + +For maximal control over type K slurs, you can use one of the commands +\keyindex{iSlur}~$npvh$ and +\keyindex{tSlur}~$npvhca$, where the characters in +$npvhca$ respectively stand for ID number, height, vertical offset, horizontal offset, +curvature, and angularity. +All offsets are in \verb|internote|, and the slur direction is determined +by the sign of the vertical offset. See the comments in \verb|musixps.tex| +for precise definitions of the other parameters. Examples of permissible forms for +these commands are +\verb|iSlur0c11| and \verb|tSlur0{!d}11{.2}0|. + +The next example shows how you can use \verb|iSlur| in difficult +circumstances: + + +\begin{music}\nostartrule +\nobarnumbers +\generalsignature1% +\generalmeter{\meterfrac{2}{4}}% +\nostartrule +\startextract +\NOtes\zchar{-8}{\Bslash irslur...\Bslash tlslur}\irslurd0{'b}\zhl b\sk\zq{!e}\qu{'c}\en\bar +\NOtes\zh{'d}\zhu{`f}\off{7.2pt}\tlslur0{'b}\ql b\ql b\en\bar +% +\NOtes\zchar{-8}{\Bslash irslur...\Bslash tlfslur}\irslurd0{'b}\zhl b\sk\zq{!e}\qu{'c}\en\bar +\NOtes\zh{'d}\zhu{`f}\off{7.2pt}\tlfslur0{'b}\ql b\ql b\en\bar +% +\NOtes\zchar{-8}{\Bslash iSlur...\Bslash tSlur}\iSlur0{'b}{-.5}3\zhl b\sk\zq{!e}\qu{'c}\en\bar +\NOtes\zh{'d}\zhu{`f}\off{7.2pt}\tSlur0{'b}{.5}{-1}{.3}0\ql b\ql b\en +\zendextract +\end{music} +\noindent with this coding: + +\begin{quote}\begin{verbatim} +\NOtes\irslurd0{'b}\zhl b\sk\zq{!e}\qu{'c}\en\bar +\NOtes\zh{'d}\zhu{`f}\off{7.2pt}\tlslur0{'b}\ql b\ql b\en\bar +% +\NOtes\irslurd0{'b}\zhl b\sk\zq{!e}\qu{'c}\en\bar +\NOtes\zh{'d}\zhu{`f}\off{7.2pt}\tlfslur0{'b}\ql b\ql b\en\bar +% +\NOtes\iSlur0{'b}{-.5}3\zhl b\sk\zq{!e}\qu{'c}\en\bar +\NOtes\zh{'d}\zhu{`f}\off{7.2pt}\tSlur0{'b}{.5}{-1}{.3}0\ql b\ql b\en +\end{verbatim}\end{quote} + + +The ID number for a slur, tie or crescendo should +normally range from $0$ to $9$. If it is bigger +than nine but less than $15$, +the object can cross a line break but not a page break. If bigger than +14 but less than $2^{31}$, it can't be broken at all, + nor can a slur termination be positioned at a beam with + e.g., \verb|\tbsluru{17684}{16}|; however \verb|\ibsluru{152867}{16}| is okay. + +It's also okay to have opened simultaneously a slur, tie and crescendo all +with the same ID, or a slur, tie and decrescendo, but not a crescendo and +decrescendo. + +\def\emen{{\tt\char123}$n${\tt\char125\char123}$m${\tt\char125}} + +` +\section{Type~K Postscript beam slurs} +Type~K beam slurs are defined differently than the font-based ones: +They require as parameters both a slur ID number $n$ and a beam ID number $m$, +but that's all. The commands are +\keyindex{iBsluru}\emen, \keyindex{iBslurd}\emen, and +\keyindex{tBslur}\emen. +They must be placed \ital{after} the beam initiation or termination command. +Type~K slurs may start on one beam and end on another. +For example, + +\begin{quote}\begin{verbatim} +\Notes\ibu0i0\iBsluru00\qb0{eh}\tbu0\qb0i\ibu0j0\qb0{jl}\tbu0% + \slurtext{6}\tBslur00\qb0e\en +\end{verbatim}\end{quote} + +\noindent produces +%\begin{center} +%\includegraphics[scale=1]{./mxdexamples/psbeamslur.eps} +%\end{center} + +\begin{music}\nostartrule\startextract +\Notes\ibu0g2\iBsluru00\qb0{eh}\tbu0\qb0i\ibu0j0\qb0{jl}\tbu0% + \slurtext{6}\tBslur00\qb0e\en +\zendextract +\end{music} + +This example also illustrates the use of the macro +\keyindex{slurtext}. It has just one parameter---some text to be +printed---and it centers it just above or below the midpoint of +the next slur that is closed. +This works only for non-breaking slurs; if the slur is broken, +the text +disappears\footnote{If you insist on viewing files with a dvi viewer that +doesn't display +type~K slurs, you may also find that +figures placed with \keyindex{slurtext} will appear at the end of the +slur rather than the middle.}. +%The placing of the slur text is done with a very dirty Postscript +%hack, so I am not really sure that everything you want to typeset +%will be placed at the correct position (if you are interested, see +%the end of psslurs.pro for details). If you find something that won't +%work, let me know. + +% DAS: why do we need this ??? +%\paragraph{General coding for Postscript slurs and ties of type K.} +%This can be done by: +%\begin{quote}\begin{verbatim} +%\i[h.shift]slur[u|d]{slur ID}{note height} +%\t[h.shift][slur height]slur{slur ID}{note height} +%\iBslur[u|d]{slur ID}{beam ID} +%\tB[slur.height]slur{slur ID}{beam ID} +%\end{verbatim}\end{quote} +%\noindent where h.shift can be 'l', 'r' or nothing +%and slur.height can be 'f', nothing, 'h', 'H' or 'HH' +% +%Example: \keyindex{tlfslur} means 'terminate left flat slur'. +% +% +%There are also simple slurs with same invocation and parameters as the +%original ones. + +\section{Type~K Postscript ties} +All of the foregoing Type~K slur commands +except the shape-changing ones +have counterparts for ties. Simply +replace ``\verb|slur|'' with ``\verb|tie|'', and for terminations omit +the pitch parameter. Type~K ties not only are positioned differently by +default, but they also have different shapes than slurs. If you want to change +the shape of a tie, redefine \verb|\pstiehgt| from its default of $0.7$. + +\section{Dotted type K slurs and ties.}%please check the capital D(otted) +A slur or tie can be made dotted simply by entering \keyindex{dotted} anywhere before +the beginning of the slur or tie. Only the first slur or tie following this +command will be affected. On the other hand, if you enter \keyindex{Dotted}, then \emph{all} +slurs and ties from this point forward will be dotted until you say +\keyindex{Solid}. Furthermore, inside \verb|\Dotted...\Solid| you can make any individual +slur or tie solid saying \verb|\solid| before its beginning. + +\section{Avoiding collisions with staff lines.} +In Postscript it is possible to do computations that would be very hard +to implement directly in TeX. Type~K slurs can use this facility to check whether +the curve of a slur or tie is anywhere nearly tangent to any staff line, and if +so, to adjust +the altitude of the curve to avoid the collision. By default this feature is turned +on. +You can disable it either +globally (\keyindex{Nosluradjust}, \keyindex{Notieadjust}) or locally +(\keyindex{nosluradjust}, \keyindex{notieadjust}), and you can also turn it +back on globally (\keyindex{Sluradjust}, +\keyindex{Tieadjust}) or locally (\keyindex{sluradjust}, \keyindex{tieadjust}). +Here ``locally'' +means that the command will only affect the next slur or tie to be opened. + +\section{Type K Postscript hairpins}\label{kcresc} + +There are two different types. The first type is normally initiated with either +\keyindex{icresc}\onen~or \keyindex{idecresc}\onen, and terminated with +\keyindex{tcresc}\onen, where $n$ is a hairpin index, +which is virtually unlimited but certain restrictions apply if it exceeds $14$. +The altitude is set by the value of \keyindex{setcrescheight}, which by default +is $-5$ and which must be expressed numerically. Note that +\keyindex{tcresc}~is the same as \keyindex{tdecresc}. + +You can shift the starting or ending point horizontally by replacing the +foregoing macros with +\keyindex{ilcresc}, \keyindex{ildecresc}, +\keyindex{ircresc}, \keyindex{irdecresc}, +\keyindex{tlcresc}, \keyindex{tldecresc}, +\keyindex{trcresc}, \keyindex{trdecresc}, +for example to make space for an alphabetic dynamic mark. + +The second form of Postscript hairpin macros allows individual and arbitrary +specification of the altitude and horizontal offset. The syntax is +\keyindex{Icresc}\itbrace{n}\itbrace{h}\itbrace{s}, where $h$ is the +altitude---which must be numerical---and $s$ is the horizontal offset +in \verb|\internote|. Similar syntax obtains for \keyindex{Idecresc}\ +and \keyindex{Tcresc}. + +These hairpins may span several lines. If one of them spans three systems +then the height of the middle section can be adjusted with +\keyindex{liftcresc}\itbrace{n}\itbrace{h}. The height of the first and last +parts of a broken crescendo will be defined by the height parameter in +\keyindex{Icresc}~or \keyindex{Tcresc}. + +There are numerous other nuances and shorthand macros that are described +in the comments in \verb|musixps.tex|. + +As an example of a Postscript hairpin, + +\begin{music}\nostartrule +\generalmeter{\meterfrac{12}8} +\startextract +\Notes\ccharnote{-8}{\ppp}\Icresc0{-7}6\ca{bdegh'bde}\en +\Notes\Tcresc0{-4}{-2}\zcharnote{-5}{\fff}\ca{'f}\en +\zendextract +\end{music} + +\noindent was coded as +\begin{quote}\begin{verbatim} +\input musixps +\generalmeter{\meterfrac{12}8} +\startextract +\Notes\ccharnote{-8}{\ppp}\Icresc0{-7}6\ca{bdegh'bde}\en +\Notes\Tcresc0{-4}{-2}\zcharnote{-5}{\fff}\ca{'f}\en +\zendextract +\end{verbatim}\end{quote} + + +\section{Line-breaking slurs, ties and hairpins} +Tyle K slurs, ties and crescendos going across line breaks are handled +automatically. In fact they can go over more lines than two (this is +true also for ties, though it would be somewhat strange). + +There is a switch \verb|\ifslopebrkslurs| that controls the default +height of the end point +of the first segment of all broken slurs. By default the height will be +the same as the beginning. To have it raised by \verb|3\internote|, simply +issue the command \keyindex{slopebrkslurstrue}. To revert to the default, +use \keyindex{slopebrkslursfalse}. + +To locally override the default height of the end of the first segment, +use the command \keyindex{breakslur}\enpee, +which sets the height for slur number $n$ to pitch $p$, just like with +font-based slurs. + +You can raise or lower the starting point of the second segment of a broken slur +with the command \keyindex{liftslur}\verb|{|$n$\verb|}{|$h$\verb|}|, with +parameters slur ID and relative offset in +\verb|\internote|s measured from the slur beginning. Its effect is +the same as \keyindex{Liftslur} for font-based slurs, except it is not +necessary to code +it within \verb|\atnextstaff{}|, just anywhere inside the slur. + +As already mentioned, anything with $\mathrm{ID}<10$ is broken fully automatically, but +you should be careful about slurs, ties and crescendos with $10\le\mathrm{ID}<15$. +These cannot cross page breaks, although they can cross line breaks. + +If the second segment of a broken tie is less than 15pt long, then by +default it will have a special shape which begins horizontally. These shapes are +called \ital{half ties} and are contained in the font \index{mxsk font}\verb|mxsk|. +Of course if they are to be used, the font files must be integrated into the +\TeX\ installation. Their use can be turned off with \keyindex{nohalfties} +and back on with \keyindex{halfties}. + +%\paragraph{Backwards compatibility.} +%There are several ``aliases'' which allow to use the old, bitmapped slur +%commands for PS slurs without any change. There are however a few differences: +%the \keyindex{invertslur} is not implemented yet and +%the \keyindex{curve} and \keyindex{midslur} macros have no effect. + +%\paragraph{Memory requirements.} +\enlargethispage*{4ex} +\section{A few final technical details} +Each \verb|\i...| and \verb|\t...| +produces a \verb|\special| command, which must be stored in TeX's main memory. +Therefore, if too many slurs occur in one page, some memory problems could +occur. The only solution is to use font-based slurs. +%The only solutions are to use Big\TeX\ +%BigTex? it is apparently the mascot for the Texas State Fair + +Type~K slurs need the Postscript header file +\index{psslurs.pro}\texttt{psslurs.pro} to be included in the +output Postscript file. This is made to happen by the \TeX\ command +\verb|\special{header=psslurs.pro}|, which is automatically +included when you \verb|\input musixps|. So normally this is not +of concern. However if you wish to extract a subset of pages from +the master \verb|dvi| file using \index{dvidvi}\texttt{dvidvi}, then +you have three options: (1)~include the first page in the subset, +(2)~manually issue the +\verb|\special| command in the \TeX\ source for the first page of the subset, or +(3)~use the option \texttt{-h psslurs.pro} when you run \texttt{dvips}. + diff --git a/macros/generic/musixtex/doc/musixdoc/slurstiesfont.tex b/macros/generic/musixtex/doc/musixdoc/slurstiesfont.tex new file mode 100644 index 0000000000..8674dc02e9 --- /dev/null +++ b/macros/generic/musixtex/doc/musixdoc/slurstiesfont.tex @@ -0,0 +1,598 @@ +\chapter{Font-based Slurs, Ties and Hairpins} +Two fundamentally different implementations of slurs, ties, and hairpins are +available. First, there are the +original \ital{font-based} versions. These are constructed with traditional +\TeX\ font characters that were created with \MF\ and stored in \TeX\ font files. +Second, it is now possible +to generate these shapes directly with Postscript, dispensing altogether with +the font characters\footnote{Please do not be confused by the availability of +Postscript versions of the font-based slur fonts (along with all other \musixtex\ fonts). +Once installed in a \TeX\ system, +their function and use are 100\% transparently identical with bitmapped versions +of the slur fonts. On the other +hand, Postscript slurs are functionally distinct from font-based slurs, and only + share some of the same syntax.}. We shall first describe the font-based versions, +then Type~K Postscript slurs, which are one of two available Postscript slur +options\footnote{An +alternate approach to Postscript slurs, called {\it Type~M} after its developer +Hiroaki {\sc Morimoto}, is available from the +\href{http://icking-music-archive.org/software/indexmt6.html} +{\underline{Icking Music Archive}}.}. If you plan to use Type~K Postscript slurs, +you may skip directly to Chapter~\ref{PostscriptSlurs}. + +Font-based slurs and ties provided by \musixtex\ can be divided into two categories: +\label{simpleslur} +\begin{itemize}\setlength{\itemsep}{0ex} + \item Those where the complete slur symbol is composed of a single + character from one of the slur fonts, and + \item those where the slur symbol is composed of three distinct + characters, to form the beginning, middle and end of the slur. +\end{itemize} +The former are called \ital{simple slurs} and the latter, +\ital{compound slurs}. In many cases the distinction between the two is +invisible to the user, in that many of the macros described below will +automatically select between the two types. However, there are other macros +that allow simple slurs to be forced. + +The next few sections describe the usual method of slur coding, where the +choice between simple or compound slurs is made automatically. +In this case, slurs are initiated and terminated by separate macros, +similar to beams. + + \section{Font-based slur initiation} +A slur must be initiated \ital{before} +the spacing note on which the slur begins, and terminated \ital{before} the +note on which it ends. + +The basic slur initiation macro is +\keyindex{isluru}\enpee, which initiates an upper slur, with reference +number $n$, beginning on a note at pitch $p$. The starting point of the slur is +centered above a virtual quarter note head at pitch~$p$\footnote{The slur will start in the same place regardless of whether there is +{\it actually} a note at pitch $p$.}. +Similarly, \keyindex{islurd}\enpee\ initiates a lower slur. +These slurs are terminated by coding +\keyindex{tslur}\enpee\ where $n$ is the reference number and $p$ is the +termination pitch. + +As with beams, the reference number $n$ by default can take values from $0$ to $5$, or +up to $8$ or $11$ respectively if \ttxem{musixadd.tex} or \ttxem{musixmad.tex} is included. +You can also specify the maximum number +directly with \keyindex{setmaxslurs}\verb|{|$m$\verb|}| where +$7\hu{>f}% + \zchar{12}{\bs hl}\loff{\zchar{-4}{\bs cdsh}}\cdsh l\hl l% + \zchar{12}{\bs qu}\zchar{-4}\^\qu{^f}% + \zchar{12}{\bs ql}\loff{\zchar{-4}{\bs csh}}\csh l\ql l% + \zchar{12}{\bs cu}\zchar{-4}=\cu{=f}% + \zchar{12}{\bs cl}\loff{\zchar{-4}{\bs cna}}\cna l\cl l% + \zchar{12}{\bs ccu}\zchar{-4}\_\ccu{_f}% + \zchar{12}{\bs ccl}\loff{\zchar{-4}{\bs cfl}}\cfl l\ccl l% + \zchar{12}{\bs cccu}\zchar{-4}<\cccu{9$, +but it can also be a letter. +{\Bslash Ioctfindown}~$np$ starts a lower octave transposition line at pitch $p$ +(usually $p<-1$). Both extend until terminated with {\Bslash Toctfin}. The +difference between {\Bslash Ioctfinup}~$n$ and {\Bslash Ioctfindown}~$n$ is +the relative position of the figure ``8'' with respect to the dashed line, and +the sense of the terminating hook As shorthand, \keyindex{ioctfinup} is equivalent to +\verb|\Ioctfinup 0| and \keyindex{ioctfindown} is equivalent to +\verb|\Ioctfindown 0|. + +For example, + +\medskip + \begin{music}\nostartrule +\instrumentnumber{1} +\setstaffs12 +\setclef1{6000} +% +\startextract +\notes\wh{CDEFGH}|\wh{cde}\Ioctfinup 1p\wh{fgh}\en +\bar +\notes\Ioctfindown 2A\wh{IJKLMN}|\wh{ijklmn}\en +\bar +\Notes\wh{NMLKJI}|\wh{nmlkji}\Toctfin1\en +\bar +\Notes\wh{HGFED}\Toctfin2\wh C|\wh{hgfedc}\en +\zendextract +\end{music} +\noindent is coded as +\begin{quote}\begin{verbatim} +\begin{music}\nostartrule +\instrumentnumber{1} +\setstaffs12 +\setclef1{6000} +% +\startextract +\notes\wh{CDEFGH}|\wh{cde}\Ioctfinup 1p\wh{fgh}\en +\bar +\notes\Ioctfindown 2A\wh{IJKLMN}|\wh{ijklmn}\en +\bar +\Notes\wh{NMLKJI}|\wh{nmlkji}\Toctfin1\en +\bar +\Notes\wh{HGFED}\Toctfin2\wh C|\wh{hgfedc}\en +\zendextract +\end{music} +\end{verbatim}\end{quote} + %\check + + The elevation of octaviation lines may be changed in midstream using +\keyindex{Liftoctline}~$n$$p$, where $n$ is the reference number of the + octave line, and $p$ a (possibly negative) number of +\keyindex{internote}s (staff pitch positions) by which elevation of the dashed line should be changed. +This may be useful when octaviation lines extend over several systems and the +elevation needs to be changed in systems after the one where it was initiated. + diff --git a/macros/generic/musixtex/doc/musixdoc/writingnotes.tex b/macros/generic/musixtex/doc/musixdoc/writingnotes.tex new file mode 100644 index 0000000000..bc8b3cd4d7 --- /dev/null +++ b/macros/generic/musixtex/doc/musixdoc/writingnotes.tex @@ -0,0 +1,294 @@ + \chapter{Writing Notes}\label{autostemdirections} +There are two major kinds of note macros, those that include a space (of +length \keyindex{noteskip}) after +the printed symbol, and those that don't cause any space. A single-line melody would be +written using the first type. All notes of a chord except the last would +use the second. + +Another distinction concerns stemmed notes. Some macros explicitly set the +stem direction with either ``\verb|u|'' or ``\verb|l|'' contained in the name of +the macro. On the other hand, an ``\verb|a|'' in the macro's name usually signifies +\ital{automatic} stem direction selection. In this case notes below the middle +staff line will get up stems, otherwise down. + +Note pitches can be specified either by letters or numbers. If no transposition +or octaviation is in effect, letters ranging +from \verb|a| to \verb|z| represent notes starting with the A below +middle C. Upper case letters from \verb|A| to \verb|N| represent pitches +two octaves lower than their lower case counterparts. Any letter can be used in +any clef, but some users may +prefer to use the lower case letters in treble clef, and the upper case ones +in bass clef. + +Alternatively, a one- or two-digit, positive or negative integer can always be used. +The number represents +the vertical position on the staff, with \verb|0| for the lowest line and +\verb|1| for the space right above, \ital{regardless of the clef}. +Unlike with letters, the +associated pitch will depend on the clef, and notes entered this way are +immune to transposition and octaviation. + +Notes lower than \verb|A| and higher than \verb|z| can be entered, with +either numbers as just described, or with octaviation as will be explained in +Chapter~\ref{octaviation}. + + \section{Normal (unbeamed) spacing notes}\label{NormalNotes} +In the following, \verb|{|$p$\verb|}| signifies a pitch specification as +described above. However it +is understood that if the pitch is a single character, the brackets are +not necessary, provided that if it is a letter, a space separates the +macro from the letter. + + +\begin{quote}\begin{description}\setlength{\itemsep}{0ex} + \item[\keyindex{breve}{\tt\char123}$p${\tt\char125} :]breve (\hbox to 8pt{\zbreve1\hss}) . + \item[\keyindex{longa}{\tt\char123}$p${\tt\char125} :]longa (\hbox to8pt{\zlonga1\hss}) . + \item[\keyindex{longaa}{\tt\char123}$p${\tt\char125} :]longa with automatic stem direction\footnote{Editor's note: Evidently there is no explicit up-stemmed longa} . + \item[\keyindex{maxima}{\tt\char123}$p${\tt\char125} :]maxima (\hbox to16pt{\zmaxima1\hss}) . + \item[\keyindex{wq}{\tt\char123}$p${\tt\char125} :]arbitrary duration note (\hbox to8pt{\zwq1\hss}) +(also used as alternate representation of a \ital{breve}). + \item[\keyindex{wqq}{\tt\char123}$p${\tt\char125} :]long arbitrary duration note +(\hbox to8pt{\zwqq1\hss}) (also used as alternate +representation of a \ital{longa}). + \item[\keyindex{wh}{\tt\char123}$p${\tt\char125} :]whole note. + \item[\keyindex{hu}{\tt\char123}$p${\tt\char125} :]half note with stem up. + \item[\keyindex{hl}{\tt\char123}$p${\tt\char125} :]half note with stem down. + \item[\keyindex{ha}{\tt\char123}$p${\tt\char125} :]half note with automatic stem direction + \item[\keyindex{qu}{\tt\char123}$p${\tt\char125} :]quarter note with stem up. + \item[\keyindex{ql}{\tt\char123}$p${\tt\char125} :]quarter note with stem down. + \item[\keyindex{qa}{\tt\char123}$p${\tt\char125} :]quarter note with automatic stem direction. + \item[\keyindex{cu}{\tt\char123}$p${\tt\char125} :]eighth note\footnote{The ``{\tt c}'' +within this macro name stands for the equivalent British term ``crotchet''} with stem up. + \item[\keyindex{cl}{\tt\char123}$p${\tt\char125} :]eighth note with stem down. + \item[\keyindex{ca}{\tt\char123}$p${\tt\char125} :]eighth note with automatic stem direction. + \item[\keyindex{ccu}{\tt\char123}$p${\tt\char125} :]sixteenth note with stem up. + \item[\keyindex{ccl}{\tt\char123}$p${\tt\char125} :]sixteenth note with stem down. + \item[\keyindex{cca}{\tt\char123}$p${\tt\char125} :]sixteenth note with automatic stem direction. + \item[\keyindex{cccu}{\tt\char123}$p${\tt\char125} :]$32$nd note with stem up. + \item[\keyindex{cccl}{\tt\char123}$p${\tt\char125} :]$32$nd note with stem down. + \item[\keyindex{ccca}{\tt\char123}$p${\tt\char125} :]$32$nd note with automatic stem direction. + \item[\keyindex{ccccu}{\tt\char123}$p${\tt\char125} :]$64$th note with stem up. + \item[\keyindex{ccccl}{\tt\char123}$p${\tt\char125} :]$64$th note with stem down. + \item[\keyindex{cccca}{\tt\char123}$p${\tt\char125} :]$64$th note with automatic stem direction. + \item[\keyindex{cccccu}{\tt\char123}$p${\tt\char125} :]$128$th note with stem up. + \item[\keyindex{cccccl}{\tt\char123}$p${\tt\char125} :]$128$th note with stem down. + \item[\keyindex{ccccca}{\tt\char123}$p${\tt\char125} :]$128$th note with automatic stem direction. +\end{description}\end{quote} + As an example, the sequence + + %\check +\begin{music}\nostartrule +\startextract +\Notes\cu c\cl j\en\bar +\Notes\ccu c\ccl j\en\bar +\Notes\cccu c\cccl j\en\bar +\Notes\ccccu c\ccccl j\en\bar +\Notes\cccccu c\cccccl j\en +\zendextract +\end{music} + \noindent was coded as +\begin{quote}\begin{verbatim} +\Notes\cu c\cl j\en\bar +\Notes\ccu c\ccl j\en\bar +\Notes\cccu c\cccl j\en\bar +\Notes\ccccu c\ccccl j\en\bar +\Notes\cccccu c\cccccl j\en +\end{verbatim}\end{quote} + + + +For \keyindex{breve} there is a possibility of +confusion with a command in \TeX's math mode that has exactly the same name. +However, there will generally be no problem, because inside +\verb|\startpiece...\endpiece|, +\verb|\breve| will take the musical meaning, while outside, it will have the +mathematical one. +If for some reason you need the math \verb|\breve| inside, you can use +\verb|\endcatcodesmusic...\breve...\catcodesmusic|. + + \section{Non-spacing note heads} +These macros are used to create chords. Any number of them can be entered +in sequence, followed by a spacing note. All of the note heads will be +joined to the spacing note and the stem length will automatically be adjusted +as needed. + +\begin{quote}\begin{description}\setlength{\itemsep}{0ex} + \item[\keyindex{zq}{\tt\char123}$p${\tt\char125} :]quarter (or shorter) note head. + \item[\keyindex{zh}{\tt\char123}$p${\tt\char125} :]half note head. +\end{description}\end{quote} +%das ??? +% \begin{remark} Notes of duration longer than whole notes are +%always non-spacing. This saves one useless definition, since these notes are +%always longer than other simultaneous ones. If needed they can be followed by +%\keyindex{sk} to force spacing. +%\end{remark} + + \section{Shifted non-spacing note heads} +These symbols are used mainly +in chords containing an interval of a \ital{second}. They provide note +heads shifted either to the left or right of the default position by +the width of one note head. + +\begin{quote}\begin{description}\setlength{\itemsep}{0ex} +\item[\keyindex{rw}{\tt\char123}$p${\tt\char125} :]whole note head shifted right. +\item[\keyindex{lw}{\tt\char123}$p${\tt\char125} :]whole note head shifted left. +\item[\keyindex{rh}{\tt\char123}$p${\tt\char125} :]half note head shifted right\footnote{Some may not +have realized that half and whole note heads have different shapes}. +\item[\keyindex{lh}{\tt\char123}$p${\tt\char125} :]half note head shifted left. +\item[\keyindex{rq}{\tt\char123}$p${\tt\char125} :]quarter note head shifted right. +\item[\keyindex{lq}{\tt\char123}$p${\tt\char125} :]quarter note head shifted left. +\end{description}\end{quote} + + \section{Non-spacing notes} +These macros provide normal notes, with stems if applicable, but without any +following space. +\begin{quote}\begin{description}\setlength{\itemsep}{0ex} + \item[\keyindex{zhu}\pitchp~:]half note with stem up but no spacing. It acts like +\verb|\hu| for chord building, i.e., it will join together any immediately +preceding non-spacing note heads. + \item[\keyindex{zhl}\pitchp~:]half note with stem down but no spacing. It acts like +\keyindex{hl} for chord building. + \item[\keyindex{zqu}\pitchp~:]quarter note with stem up but no spacing. It acts like +\verb|\qu| for chord building. + \item[\keyindex{zql}\pitchp~:]quarter note with stem down but no spacing. It acts +like \verb|\ql| for chord building. + \item[\keyindex{zcu}\pitchp, \keyindex{zccu}, \keyindex{zcccu}, + \keyindex{zccccu}, \keyindex{zcccccu} +:]eighth, ..., note with stem up but no spacing. They act like +\verb|\cu| for chord building. + \item[\keyindex{zcl}\pitchp, \keyindex{zccl}, \keyindex{zcccl}, + \keyindex{zccccl}, \keyindex{zcccccl} +:]eighth, ..., note with stem down but no spacing. They act +like \verb|\cl| for chord building. + \item[\keyindex{rhu}\pitchp, \keyindex{rhl}, \keyindex{rqu}, \keyindex{rql}, + \keyindex{rcu}, \keyindex{rcl} :] \verb|\rhu| acts like \verb|\zhu|, + but the note is shifted one note width to the right; others analogous. + \item[\keyindex{lhu}\pitchp, \keyindex{lhl}, \keyindex{lqu}, \keyindex{lql}, + \keyindex{lcu}, \keyindex{lcl} :]same + as above, but the note is shifted one note width to the left. + \item[\keyindex{zw}\pitchp~:]whole note with no following space. + \item[\keyindex{zwq}\pitchp~:]arbitrary duration note + (\hbox to8pt{\zwq1\hss}) with no following space. + \item[\keyindex{zbreve}\pitchp~:]breve + (\hbox to8pt{\zbreve1\hss}) with no following space. + \item[\keyindex{zlonga}\pitchp~:]longa + (\hbox to8pt{\zlonga1\hss}) with no following space. + \item[\keyindex{zmaxima}\pitchp~:]maxima + (\hbox to16pt{\zmaxima1\hss}) with no following space. +\end{description}\end{quote} + %\check + +\section{Spacing note heads} + +Although not needed in normal music scores, these may be useful in +very special cases. + +\begin{quote}\begin{description}\setlength{\itemsep}{0ex} +\item[\keyindex{nh}{\tt\char123}$p${\tt\char125} :]spacing half note head. +\item[\keyindex{nq}{\tt\char123}$p${\tt\char125} :]spacing quarter note head. +\end{description}\end{quote} + +\noindent As an example, the sequence + +\begin{music}\nostartrule + \startextract +\notes\nq c\nq j\en\barre +\Notes\nh c\nh j\en\barre +\notes\nq {cdef}\en +\zendextract +\end{music} + +\noindent was coded as + +\begin{quote}\begin{verbatim} +\notes\nq c\nq j\en\barre +\Notes\nh c\nh j\en\barre +\notes\nq {cdef}\en +\end{verbatim}\end{quote} + +Non spacing variants are also provided, namely +\keyindex{znh} and \keyindex{znq}. +% DAS: why??? + + \section{Dotted notes}\label{dots} + +By appending one or two \verb|p|'s (for ``pointed'') to the name, many of the +macros just introduced provide one or two dots after the notehead: +\keyindex{whp}, \keyindex{whpp}, +\keyindex{zwp}, \keyindex{zwpp}, +\keyindex{hup}, \keyindex{hupp}, +\keyindex{hlp}, \keyindex{hlpp}, +\keyindex{hap}, \keyindex{happ}, +\keyindex{zhp}, \keyindex{zhpp}, +\keyindex{qup}, \keyindex{qupp}, +\keyindex{qlp}, \keyindex{qlpp}, +\keyindex{qap}, \keyindex{qapp}, +\keyindex{zqp}, \keyindex{zqpp}, +\keyindex{cup}, \keyindex{cupp}, +\keyindex{clp}, \keyindex{clpp}, +\keyindex{qbp} and \keyindex{qbpp}, all followed by a pitch argument. +The ones that start with ``\verb|z|'' are used in chords. +The dot(s) will be raised if the note is on a line. + +A more explicit way uses one of the macros +\keyindex{pt}{\tt\char123}$p${\tt\char125}, +\keyindex{ppt}{\tt\char123}$p${\tt\char125}, or +\keyindex{pppt}{\tt\char123}$p${\tt\char125} right +before any note macro to place one to three dots after the normal note +head at pitch $p$. Again they will be raised if on a line. In fact this is the only +way to get a triple-dotted note. +For example a +quarter note with one dot could be coded \verb|\pt h\qu h|, with two dots +as \keyindex{ppt}\verb| h\qu h| and with three as +\keyindex{pppt}\verb| h\qu h|. +As a matter of style, if two voices share one staff, the dots in +the lower voice should be \emph{lowered} if the note is on a line. For +this you can use \keyindex{lpt}, +\keyindex{lppt} and \keyindex{lpppt}. + +Yet another method for posting a dot is to insert a \ital{period} before +the letter representing the pitch. Thus \verb|\qu{.a}| is equivalent to +either \verb|\pt a\qu a| or \verb|\qup a| . This may be useful when +using \ital{collective coding}, which will be discussed in the next +section. + +Non-spacing dotted notes can be produced using +\keyindex{zhup}, \keyindex{zhlp}, \keyindex{zqup}, \keyindex{zqlp}, +\keyindex{zcup}, \keyindex{zclp}, \keyindex{zqbp}, followed by a pitch, +and similarly with two \verb|p|'s for +double-dotted notes. +The following provide dotted chord notes shifted left or right: +\keyindex{lhp}, +\keyindex{rhp}, +\keyindex{lqp}, +\keyindex{rqp}, +and similarly with two \verb|p|'s for +double-dotted notes. + + +\section{Sequences of equally spaced notes; collective coding} +\label{CollectiveCoding} + +It isn't necessary to write a separate macro +sequence \verb|\notes...\en| for every individual column of notes. +Rather, a single such macro can contain all the notes in all staves +over an extended horizontal range, as long as all spacings are equal or +multiples of a unique value of \keyindex{noteskip}. +The notes in each staff could be entered one after another as normal +spacing notes as already described in Section~\ref{NormalNotes}. Then +each spacing note will cause the insertion point to advance horizontally by the +operative value of \verb|\noteskip| defined by the choice of +\verb|\notes|, \verb|\Notes|, \verb|\NOtes|, etc. Of course in such sequences +non-spacing chord notes can be entered right before their associated +spacing note. If you need to skip forward by one \verb|\noteskip|, for +example after a quarter note when there are two eighth notes in +another staff, you can use \keyindex{sk}. + +If there are only spacing notes in such a sequence, a further +simplification is available, called \ital{collective coding}. For instance +\verb|\qu{cdefghij}| writes the C major scale in quarters with +up stems. Similarly \verb|\cl{abcdef^gh}| writes the +\ital{A-minor} scale in non-beamed eighths. (Here ``\verb|^|'' represents +a sharp). If necessary a void can be inserted in a collective coding sequence +by using~\verb|*|\index{*}. Not all note-generating macros can be +used to perform collective coding, but most of them can. diff --git a/macros/generic/musixtex/doc/musixftab/frenchtab-samples.pdf b/macros/generic/musixtex/doc/musixftab/frenchtab-samples.pdf new file mode 100644 index 0000000000..a035265ce6 Binary files /dev/null and b/macros/generic/musixtex/doc/musixftab/frenchtab-samples.pdf differ diff --git a/macros/generic/musixtex/doc/musixftab/frenchtab-samples.tex b/macros/generic/musixtex/doc/musixftab/frenchtab-samples.tex new file mode 100644 index 0000000000..8ee4f077ce --- /dev/null +++ b/macros/generic/musixtex/doc/musixftab/frenchtab-samples.tex @@ -0,0 +1,9 @@ +\font\tabfnt=frenchtab at 11pt + +{\tabfnt 0 1 2 3 4 5 6 7 8 9} + +{\tabfnt A B C D E F G H I K L M N O P Q R} + +{\tabfnt V W X Y Z} + +\end diff --git a/macros/generic/musixtex/doc/musixlyr/README.musixlyr b/macros/generic/musixtex/doc/musixlyr/README.musixlyr new file mode 100644 index 0000000000..bbf9abd9be --- /dev/null +++ b/macros/generic/musixtex/doc/musixlyr/README.musixlyr @@ -0,0 +1,74 @@ + + musixlyr -- a MusiXTeX Extension Package for Lyrics Handling + Version 2.1c + + (C) Rainer Dunker 1996-2003 + + +musixlyr is a set of TeX macros to be used with Taupin MusiXTeX +(version T.52 or later) for typesetting vocal music. Its purpose is +to compensate two drawbacks of MusiXTeX's lyrics handling: + + o Typesetting lyrics with the ``native'' MusiXTeX commands \zcharnote, + \zsong etc. tends to be quite inefficient, particularly if the + lyrics have to be changed or corrected. The idea underlying + musixlyr is to separate lyrics coding from music coding and let TeX + weave them together with as little manual interference as + possible. As a result you can enter and edit lyrics (nearly) as + easily as normal text. + + o MusiXTeX has no built-in mechanism for centering hyphens between + syllables and for handling hyphenation at long melismas. This is + implemented in musixlyr following the example of engraved music. + + +New in version 2.1: + + o \appendlyrics: Appends additional lyrics to existing lyrics line + without discarding the remainder of the current lyrics + + o A couple of bugs fixed + + +New in version 2.0: + + o Support for lyrics on multi-staff instruments + + o Melisma declaration as part of the lyrics definition, + i.e. within \setlyrics + + o Improved scheme for vertical lyrics positioning + + o Using PMX: Automatic detection of upper/lower voice context in + a two-voice staff; explicitly addressing lyrics commands to + auxiliary lyrics with \auxlyr is no longer required + + o Context-dependent lyrics settings that do not need to be + adressed to absolute instrument/staff numbers, making lyrics + assignment robust against PMX part extraction + + o No more TeX register allocations per verse + (i.e. musixlyr uses only a small, fixed number of registers) + + o Facility for posting "extra" lyrics anywhere on a staff, + even where no notes are present at all + + o Slightly more robust processing of undefined verses + + +See the included file mxlyrdoc.dvi about how to make use of musixlyr. +This DVI file has been created using MusiXTeX T.103. If you have +another version installed, the music examples of the manual may be +corrupted due to font incompatibilities. Nevertheless, the rest of +the manual will remain readable so that you will be able to install +musixlyr and recompile the mxlyrdoc.tex file in order to get +everything right. + +All kinds of comments, suggestions, and bug reports are welcome! + +Author: Rainer Dunker + Wachtelweg 31 + 85591 Vaterstetten + Germany + + E-mail: rainer.dunker@web.de diff --git a/macros/generic/musixtex/doc/musixlyr/examples/nonmoriar.pdf b/macros/generic/musixtex/doc/musixlyr/examples/nonmoriar.pdf new file mode 100644 index 0000000000..d23648bb6a Binary files /dev/null and b/macros/generic/musixtex/doc/musixlyr/examples/nonmoriar.pdf differ diff --git a/macros/generic/musixtex/doc/musixlyr/examples/nonmoriar.tex b/macros/generic/musixtex/doc/musixlyr/examples/nonmoriar.tex new file mode 100644 index 0000000000..4f0c45a12f --- /dev/null +++ b/macros/generic/musixtex/doc/musixlyr/examples/nonmoriar.tex @@ -0,0 +1,23 @@ +\input musixtex +\input musixlyr + +\generalmeter\allabreve +\generalsignature2 +\nobarnumbers +\scale{0.9} +\setlyrics{latin} {Non mo-ri-ar sed} +\setlyrics{german}{Ich wer-de nicht ster-ben, son-dern} +\assignlyrics1{latin,german} +\setsongraise1{-1.5mm} +\startextract + \znotes\verses{,\lyrlayout{\it}}\en + \NOTEs\wh{'a}\en\bar + \NOTes\verses{\beginmel}\ha{'b}\verses{\endmel}\ha a\en\bar + \NOtesp\beginmel\qup{'a}\en + \Notes\ca{'b}\en + \NOtes\verses{,\endmel}\qa{'c}\verses{,\beginmel}\itieu0d\qa d\en\bar + \NOtes\ttie0\qa{'d}\endmel\qa c\en + \NOtes\verses{\beginmel}\ha{'d}\en\bar + \NOTes\verses{\endmel}\ha{'ee}\en +\endextract +\bye diff --git a/macros/generic/musixtex/doc/musixlyr/mxlyrdoc.pdf b/macros/generic/musixtex/doc/musixlyr/mxlyrdoc.pdf new file mode 100644 index 0000000000..be0b5bbf89 Binary files /dev/null and b/macros/generic/musixtex/doc/musixlyr/mxlyrdoc.pdf differ diff --git a/macros/generic/musixtex/doc/musixlyr/mxlyrdoc.tex b/macros/generic/musixtex/doc/musixlyr/mxlyrdoc.tex new file mode 100644 index 0000000000..e5b897cc88 --- /dev/null +++ b/macros/generic/musixtex/doc/musixlyr/mxlyrdoc.tex @@ -0,0 +1,1876 @@ +%% +%% mxlyrdoc.tex: Manual for the MusiXTeX lyrics package musixlyr +%% +%% Copyright (C) 1996-2003 Rainer Dunker +%% +%% This document is free software; you can redistribute it and/or modify +%% it under the terms of the GNU General Public License as published by +%% the Free Software Foundation; either version 2 of the License, or +%% any later version. +%% +%% This document is distributed in the hope that it will be useful, +%% but WITHOUT ANY WARRANTY; without even the implied warranty of +%% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the +%% GNU General Public License for more details. +%% +%% You should have received a copy of the GNU General Public License +%% along with this document; if not, write to the Free Software +%% Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA. +%% +%% Author: +%% Rainer Dunker +%% Wachtelweg 31 +%% 85591 Vaterstetten +%% Germany +%% +%% E-mail: rainer.dunker@web.de +%% +\documentclass[twoside]{article} +\usepackage{musixtex,multicol,makeidx} + +\input musixlyr + +\textwidth210mm \advance\textwidth-2in % These format settings +\textheight297mm \advance\textheight-2in % can be freely changed! +\advance\textheight-\headheight \advance\textheight-\headsep +\footskip0pt \topmargin0pt \evensidemargin0pt \oddsidemargin0pt + +\pagestyle{headings} +\parskip0.5ex plus 0.25ex minus 0.25ex +\parindent0pt +\sloppy + +\nobarnumbers +\smallmusicsize + +% +% command index +% +\makeatletter +\renewenvironment{theindex} + {\let\item\@idxitem + \begin{multicols}{2} + \parskip0pt} + {\end{multicols}} +\def\printcmd#1{{\tt\char92 #1}} +\def\ci#1{\printcmd{#1}\bci{#1}} +\def\bci#1{\index{#1@\printcmd{#1}}} % "blind" command index entry +\makeindex + +\let\myqnwidth\qn@width +\makeatother + +\def\musixlyr{{\tt musixlyr}} +\def\PMX{{\bf PMX}} +\def\var#1{\hbox{$\langle$#1$\rangle$}} +\def\oneversespace{\par\vspace*{2mm}} +\def\twoversesspace{\par\vspace*{7mm}} + + + + +\begin{document} + + +\title{\musixlyr\ --- a \musixtex\ Extension Package for Lyrics Handling + (Version 2.1c)} +\author{\copyright\ Rainer Dunker 1996--2003\\ + {\tt rainer.dunker@web.de}} +\maketitle +\thispagestyle{empty} + + +{\small\sl (The page layout of this document is tailored to A4 paper + format, but the text width and height can be freely changed in order + to meet other paper sizes; no part of the layout relies on a + particlular size.)\/} + +{\parskip0pt\tableofcontents} + + + +\section{Introduction} + + +\subsection{Basic concepts} + +\musixlyr\ is a set of \TeX\ macros to be used with Taupin \musixtex\ +(version T.52 or later) for typesetting vocal music. Its purpose is +to compensate two drawbacks of \musixtex's lyrics handling: +\begin{itemize} + \item Typesetting lyrics with the ``native'' \musixtex\ commands + \verb|\zcharnote|, \verb|\zsong| etc.\ tends to be quite + inefficient, particularly if the lyrics have to be changed or + corrected. The idea underlying \musixlyr\ is to separate lyrics + coding from music coding and let \TeX\ weave them together with as + little manual interference as possible. As a result you can enter + and edit lyrics (nearly) as easily as normal text. + \item \musixtex\ has no built-in mechanism for centering hyphens between + syllables and for handling hyphenation at long melismas. This is + implemented in \musixlyr\ following the example of engraved music. +\end{itemize} + + + +\subsection{New since version~2.0} + +\musixlyr~2.0 provides the following major enhancements: +\begin{itemize} + \item Support for lyrics on multi-staff instruments + $\longrightarrow$~section~\ref{multi-staff-instruments} + % + \item Melisma declaration as part of the lyrics definition, + i.\,e.~within \ci{setlyrics} + $\longrightarrow$~section~\ref{melismas} + % + \item Improved scheme for vertical lyrics positioning + $\longrightarrow$~section~\ref{vertical-positioning} + % + \item Facility for posting lyrics anywhere on a staff, even where no + notes are present at all + $\longrightarrow$~section~\ref{lyric*-verse-numbers} +\end{itemize} + +These new features are especially interesting when \musixlyr\ is used in +conjunction with \PMX: +\begin{itemize} + \item Automatic detection of upper/lower voice context in + a two-voice staff; explicitly addressing lyrics commands to + auxiliary lyrics with \ci{auxlyr} is no longer required + $\longrightarrow$~section~\ref{auxlyr-attachment} + % + \item Context-dependent lyrics settings that do not need to be + adressed to absolute instrument/staff numbers, making lyrics + assignment robust against part extraction + $\longrightarrow$~section~\ref{assignment-by-context} +\end{itemize} + +Finally, a few improvements have been made that do not bear explicit +new features but work rather behind the scenes: +\begin{itemize} + \item No more \TeX\ register allocations for each verse name newly + defined by \ci{setlyrics} or \ci{copylyrics}; the use + of those registers has been replaced by macros. + % + \item Due to the abandoned per-verse register allocations, the + \ci{enableauxlyrics} command is obsolete. It is retained for the + sake of backward compatibility, but it has no effect. + % + \item Slightly more robust processing of undefined verses. An error + is raised immediately when an undefined verse is assigned to a + staff/instrument, and the undefined verse name is implicitly + defined as having empty lyrics. This avoids obscure errors in later + stages of \TeX\ processing. +\end{itemize} + +The current version~2.1c is mainly a bugfix version of~2.0, with a few +functional additions: +\begin{itemize} + \item Possibility to add additional lyrics to an existing lyrics + definition without discarding the remainder of the current lyrics + line contents; useful if lyrics are defined in several portions + spread over the score (see~\ref{appendlyrics}). + \item The \musixlyr\ version is identified by the predefined macro + \verb|\musixlyrversion|, enabling other \TeX\ code to check for + version compatibility (according to a suggestion by Dirk Laurie). +\end{itemize} + +Suggestions for other useful things are welcome. + + + +\subsection{Backward incompatibility issues} + +The following properties make \musixlyr\ versions~2.$x$ incompatible +to earlier versions: +\begin{itemize} + \item + It is no longer possible to represent ``empty syllables'' by + empty \TeX\ environments `\verb|{}|' within \ci{setlyrics}; see + also section~\ref{empty-syllable}. + % + \item + Within \ci{setlyrics}, the underscore character has got a + special meaning and thus can no longer be used as usual; see + section~\ref{melismas-by-underscores}. + % + \item + By default, auxiliary lyrics are now placed vertically {\em + above\/} (no longer below) the staff they are assigned to; see + section~\ref{auxlyr-vertical-position-default}. +\end{itemize} + + +The following bugfix of \musixlyr~2.1b also implies a slight backward +incompatibility: +\begin{itemize} + \item + At the beginning of a music line (system), lyrics have often been + right-shifted because \musixlyr\ has assumed MusiXTeX's horizontal + ``zero'' position as the left boundary for lyrics positioning. Now, + lyrics are allowed to extend into the left margin as far as + required for centered placement under/above the note. + + Although this is a more ``natural'' behaviour, it may lead to + collisions between lyrics and other stuff (like dynamic marks) that + have not occurred using older \musixlyr\ versions. In such a case, + there are two ways to solve the problem: + % + \begin{itemize} + \item Restore the former \musixlyr\ behaviour globally by saying + \begin{quote} + \ci{oldlyrlinestart} + \end{quote} + near the top of your score source. + % + \item Right-shift the colliding lyrics where necessary using + \ci{lyroffset} (see~\ref{lyroffset}). + \end{itemize} + \end{itemize} + + + +\subsection{Restrictions} + +\begin{itemize} + \item \musixlyr\ does not influence the \musixtex/{\tt musixflx} + spacing algorithm in order to make the notes spacing dependent on + the space requirements of the lyrics. See section~\ref{horizpos} + about how spacing problems are handled. + % + \item \musixlyr\ seems to work correctly in my preferred working + environment, but I cannot exclude problems in situations I have + not undergone (especially concerning the use of \musixtex\ + preprocessors, the \musixtex\ extension library, and past or + future \musixtex\ releases). Thus it is important that you point out + encountered bugs and incompatibilities to me; there is little + chance that I notice them on my own. + + Please do also bother me if you find this manual --- or parts of + it --- incomprehensible or incomplete. +\end{itemize} + + + +\section{Installation} + +Put the {\tt musixlyr.tex} file into a directory that is included in +your \verb|TEXINPUTS| search path --- that's all. (Refer to your local \TeX\ +documentation for details on this.) + + + +\section{Usage} + +Before using \musixlyr\ macros, state +\begin{quote}\verb|\input musixlyr|\end{quote} +near the beginning of your source file but {\bf after} the +\verb|\input musixtex| (\LaTeX: \verb|\usepackage{musixtex}|) +command. + + + +\subsection{Entering lyrics} + + +\subsubsection{Lyrics as lines of words} + +As opposed to the ``vertical'' music construction of +\musixtex, \musixlyr\ treats lyrics ``horizontally'' as {\em lyrics +lines.\/} Each separate ``thread'' of words is a separate lyrics +line; thus, in the following example\footnote{Excerpt from +``Tourdion'' by {\sc Pierre Attaignant} ({\sl ars +musica\/} vol.\,4, M\"oseler Verlag Wolfenb\"uttel/Z\"urich)}, + +\begin{music} + \setlyrics{soprano} + {Quand je bois du vin clai-ret, a-mi tout} + \setlyrics{alto}{Le bon vin nous} + \setlyrics{tenor}{Bu-vons bien, bu-vons mes a-mis,} + \copylyrics{tenor}{bass} + \assignlyrics4{soprano} + \assignlyrics3{alto} + \assignlyrics2{tenor} + \assignlyrics1{bass} + \setsongraise3{-1.5mm} + \small + \instrumentnumber4 + \generalsignature2 + \generalmeter{\meterfrac32} + \setclef1\bass + \songtop4 + \songbottom1 + \sepbarrules + \startextract + \NOtes\wh{`e}\sk\sk\sk\ha e&% + \wh g\sk\sk\sk\ha e&% + \wh b\sk\sk\sk\ha b&% + \qa{efg'a!gf}\en\bar + \NOTesp\wh{`e}&\wh{'b}&\wh e&\hup e\en + \NOtes\sk\ha{`e}&\sk\ha{'b}&\sk\ha e&\qa{fg'a}\en + % force hyphens of incomplete words: + \def\atnextbar{\znotes\lyric{}&\lyric{}\en}% + \endextract +\end{music} +\oneversespace + +there are four lyrics lines notwithstanding that two of them consist +of the same words. + +Note that the number of lyrics lines does not depend on the number +of staves: Any number of lyrics lines (including none) can be attached +to each staff (more about multiple lyrics lines per staff in +section~\ref{multilyrlines}). + + +\subsubsection{Setting up a lyrics line} + +A lyrics line is set up using the command +\begin{quote} + \ci{setlyrics}\verb|{|\var{name}\verb|}{|\var{words}\/\verb|}| +\end{quote} +where \var{name} is a name\footnote{This name must not contain +backslashes or commas. Most other characters do not cause problems; +however, it is safer to use only letters and digits.} for the lyrics +line (e.\,g.\ the name of the voice singing these lyrics) and +\var{words} is the complete text where multi-syllable words must be +given {\bf hyphenated.} For example, the soprano lyrics of the above +example are set as follows: +\begin{quote} + \bci{setlyrics} + \begin{verbatim} +\setlyrics{soprano}{Quand je bois du vin clai-ret, a-mi tout}\end{verbatim} +\end{quote} + +Important notes on using \ci{setlyrics}: +\begin{itemize} + \item + Within the lyrics definition, spaces and hyphens are used to + split the whole text into words or syllables. If you want a space + or hyphen appear {\em within\/} a word/syllable, use the command + \verb|\space| or \ci{lyrhyphenchar}, respectively, instead. + \item + \label{empty-syllable}% + If you want the lyrics attachment to skip over a note, + i.\,e.~a certain note shall not receive a syllable, you may + achieve this by inserting an empty syllable in the \var{words} + text. However, neither a ``really empty'' syllable (i.\,e.~two + consecutive separating spaces) nor an empty environment \verb|{}| + will work, but you may use either \verb|{\empty}| or + \verb|\empty{}| for this. + + Normally, the \ci{nolyr} command (discussed later in this + manual) should be used for this purpose, but an empty syllable may + be more handy if it occurs in only one of multiple assigned + verses; see also sections~\ref{melismas-by-underscores} + and~\ref{multilyrlines}. + \item + Note that, since lyrics lines are cut into pieces which are + processed separately, you cannot apply things like temporary font + changes in the usual manner (i.\,e.~using \TeX\ + environments). See section~\ref{layoutpar} about how to accomplish + layout changes. + \item + Applying \ci{setlyrics} to an already defined \var{name} + redefines the lyrics line. This may be useful at very long pieces + because setting up and applying lyrics in smaller portions + (e.\,g.\ movement by movement) saves both time and memory. + \item + It is possible to specify melismas --- that shall occur later when + a verse is attached to the music --- already within + \ci{setlyrics}; see section~\ref{melismas-by-underscores} for + details. + +\end{itemize} + +There are two variants of the \verb|\setlyrics| command available: +\begin{itemize} + \item + If several voices have the same lyrics, you do not have to copy + and paste the lyrics for each further voice; just say + \begin{quote}\ci{copylyrics}\verb|{|\var{from name}% + \verb|}{|\var{to name}\verb|}|\end{quote} + to set up a lyrics line named \var{to name} with the same contents + as \var{from name}. + \item + Applying \ci{setlyrics} to an already defined \var{name} + has the effect of discarding all previous contents of \var{name}, + even if part of the lyrics is still pending for being + processed. If you want to {\em append\/} further lyrics to an already + existing lyrics line instead --- without interrupting the + processing of the current lyrics contents ---, use the command + \label{appendlyrics} + \begin{quote} + \ci{appendlyrics}\verb|{|\var{name}\verb|}{|\var{words}\/\verb|}| + \end{quote} + instead of \verb|\setlyrics|. + % A warning about performance loss due to \appendlyrics's material + % accumulation may be added here; it should occur only if \golyr + % jumps to or near to the lyrics beginning are performed. +\end{itemize} + + +\subsubsection{Assigning lyrics lines to staves} + +{\bf Note:} During the following discussion, the term {\em staff\/} is +used wherever \musixtex\ would precisely use the term {\em +instrument\/} instead, assuming that lyrics are posted to single-staff +instruments only. However, everything also applies to the assignment +of lyrics to staves of multi-staff instruments; see +section~\ref{multi-staff-instruments} about how to use lyrics in a +multi-staff instrument context. + +To assign a lyrics line to a staff, say +\begin{quote}\ci{assignlyrics}\verb|{|\var i% + \verb|}{|\var{name}\verb|}|\end{quote} +where \var i is the instrument number (counted as usual from bottom to +top) and \var{name} the name of the lyrics line. + +The resulting assignment can be redefined everywhere. This is useful +if the arrangement of voices on staves changes within the score; when +a voice is continued on a different staff at the next system, use +\ci{assignlyrics} (preferrably enclosed in \verb|\atnextline{...}|) to +make the respective lyrics line follow this change without +interrupting the flow of words. + +If a lyrics line is assigned to instrument \var i and you want it to be +continued on a different instrument while assigning no other lyrics line +to instrument \var i, you must explicitly cancel the former assignment by +saying \ci{assignlyrics}\verb|{|\var i\verb|}{}|. + +{\bf Caution:} Never assign a lyrics line to more than one +staff simultaneously; if the same lyrics are needed at +several staves in parallel, use \ci{copylyrics} (see above). + +As a summary of this section, here is the complete ``lyrics +definition section'' of the above example: +\begin{quote} + \bci{setlyrics} + \bci{copylyrics} + \bci{assignlyrics} + \begin{verbatim} +\setlyrics {soprano}{Quand je bois du vin clai-ret, a-mi tout} +\setlyrics {alto} {Le bon vin nous} +\setlyrics {tenor} {Bu-vons bien, bu} +\copylyrics{tenor} {bass} +\assignlyrics4{soprano} +\assignlyrics3{alto} +\assignlyrics2{tenor} +\assignlyrics1{bass}\end{verbatim} +\end{quote} + +See also section~\ref{assignment-by-context} about an alternative way +to assign lyrics to staves. + + + +\subsection{Managing the attachment of lyrics to notes} +\label{manipulation} + + +\subsubsection{Automatic lyrics attachment} +\label{auto-attachment} + +By default, the syllables of a lyrics line are consecutively attached to +all {\em spacing\/} notes of the assigned staff. Chords thus receive only +one syllable since they usually contain exactly one spacing note. +However, this may be different if you are using auxiliary lyrics; +see section~\ref{auxlyrics} for details. + +``Spacing'' in this context means: generated by one of the commands +\verb|\qu|, \verb|\hu|, \verb|\wh|, etc.\ and not by \verb|\zqu|, +\verb|\zhu|, \verb|\zq|, etc. Spacing or not does {\em not\/} depend on +whether the note-generating command is enclosed in \verb|\znotes| or +any other \verb|\notes| command. So if any note seems to have been +left out by the attachment automatism, first make sure that this +note is generated using a command not beginning with \verb|\z|. + +If the number of words of a lyrics line gets exhausted before all +notes of the respective staff are processed, ``???'' is posted at all +remaining notes. + + +\subsubsection{Addressing manipulations to lyrics} + +In the ``ideal'' case, the attachment automatism perfectly distributes the +lyrics over the music. In practice, however, situations in which the +automatism must be ``helped'' manually are frequent. Such +manipulations must be posted within the music code. Here are the +basic rules: +\begin{enumerate} + \item All lyrics manipulations must be stated inside + \verb|\notes...\enotes|. + (Exception: melisma specifications within \verb|\setlyrics|, see + section~\ref{melismas-by-underscores}). + \item Lyrics manipulations solely refer to the lyrics line(s) + attached to the current staff (``current'' with respect to the + enclosing `\verb|&|' characters). + \item Similar to many other \musixtex\ commands (e.\,g.\ for beams + and slurs), lyrics manipulations must be issued before the + corresponding note commands. +\end{enumerate} +Examples in the following sections will illustrate the application. + + +\subsubsection{Melismas} +\label{melismas} + +Regarding lyrics and music separately, melismas are no property of +either one; instead, they characterize the relation between both and +play a role only where music and lyrics occur together. Using +\musixlyr, however, lyrics coding and music coding are basically +unrelated, but melismas do have to be specified somewhere. You have to +decide yourself whether you regard melismas as an attribute rather of +the lyrics or rather of the music (this may vary according to the type +of score you are preparing, or may even differ within a score); +\musixlyr\ provides two corresponding styles of melisma specification +which are discussed in the following paragraphs. + +\begin{description} + \item[Melismas as a music property.] + Within the music code, a melisma is initiated and terminated by the + command pair + \begin{quote} + \hspace*{\fill}\ci{beginmel}\hfill\ci{endmel}\hspace*{\fill} + \end{quote} + issued before the first and last note, respectively, of the melisma. + This left-justifies the current word/syllable, suspends lyrics until + after the melisma, and sets up a ``word extension + underline''\footnote{I am not sure whether this is the appropriate + term; it is taken from the {\sl Finale\/} reference manual.} unless + the current word is continued afterwards and thus has to be + hyphenated. For example, + + \begin{music} + \resetlyrics + \instrumentnumber1 + \small\scale{0.6} + \setlyrics{melismatic}{a me-lis-ma} + \assignlyrics1{melismatic} + \startextract + \NOtes\beginmel\qa{def}\endmel\qa e\en\bar + \NOtes\beginmel\qa{def}\endmel\qa g\en\bar + \NOtes\beginmel\qa{'a!gf}\endmel\qa e\en\bar + \NOtes\beginmel\qa{defe}\en\bar + \NOTEs\endmel\wh d\en + \endextract + \end{music} + \oneversespace + + has been coded as: + \begin{quote} + \bci{beginmel} + \bci{endmel} + \begin{verbatim} +... +\NOtes\beginmel\qa{def}\endmel\qa e\en\bar +\NOtes\beginmel\qa{def}\endmel\qa g\en\bar +\NOtes\beginmel\qa{'a!gf}\endmel\qa e\en\bar +\NOtes\beginmel\qa{defe}\en\bar +\NOTEs\endmel\wh d\en +...\end{verbatim} + \end{quote} + If a system break occurs within the melisma, hyphenation or underline + is continued at the next system, thus automatic line breaking is + applicable. + + \item[Melismas as a lyrics property.] + \label{melismas-by-underscores} + To specify a melisma within a lyrics definition (i.\,e.~within + \ci{setlyrics} or \ci{appendlyrics}), simply append an underscore + character to a syllable to make it span over an additional note, + two underscores to span over two additional notes, and so + on. Alternatively, you may append to a syllable a single underscore + followed by a number which denotes the number of {\em additional\/} + melisma notes: \verb|abc_| is equivalent to \verb|abc_1|, + \verb|abc__| to \verb|abc_2|, and so on. + + No matter which of the two underscore appendix styles you use: If a + melismatic syllable is hyphenated to the following one, the melisma + denotation must {\bf precede} the hyphen --- for example: + \verb|abc__-def| ({\bf not:} \verb|abc-__def|). + + All melisma properties mentioned above (lyrics suspension, left + justification of syllable, word extension underline, system break + support) also apply to melismas specified this way. For reference, + here is the lyrics definition section of the example above, this time + utilizing the underscore melisma technique (note that, in this case, + all \ci{beginmel} and \ci{endmel} commands must be omitted in the + music section): + + \begin{quote} + \ci{setlyrics}\verb|{melismatic}{a___ me_3-lis___-ma_4}| + \end{quote} + + \item[Comparing both points of view.] + The music-oriented melisma view (using \ci{beginmel}/\ci{endmel}) is + advantageous for music with a rather loose binding to certain lyrics, + e.\,g.~folk songs that are to be printed with various verse compilations + or in different languages. You may then enter each verse without + taking care of melismas because they are coded just once as part of + the music. + + On the other hand, the lyrics-focused melisma style (using + underscores) is best suited to pieces with a fixed lyrics-to-music + binding; it is easier to type and to read, but less flexible as + regards combining the same lyrics with different music. It is + especially advantageous for multiple verses (see + section~\ref{multilyrlines}) with different syllables-to-notes + distribution (see verse~3 of the ``Drunken sailor'' example in + section~\ref{versenumbers}); it is much easier to code each verse's + melismas individually than tracking all melismas in parallel using + the \ci{verses} command (see again section~\ref{multilyrlines}). + + \item[Note.] + You may use both styles within the same score but you should avoid + activating both melisma types simultaneously at the same lyrics line; + the result of such an occurrence is undefined. +\end{description} + + +\subsubsection{Turning automatic lyrics attachment on/off} + +If the attachment automatism is unsuitable for some +situation --- e.\,g.\ at complex polyphonic voicings or wherever you +want to place all syllables manually --- you can turn it off using +\begin{quote}\ci{lyricsoff}\end{quote} +after the last note that shall get a syllable. (If your piece begins +with a lyrics-less section, state \ci{lyricsoff} before the first +note of a staff.) To re-enable automatic lyrics attachment, use +\begin{quote}\ci{lyricson}\end{quote} +before the first note that shall get a syllable. + +If automatic lyrics attachment shall skip over certain single notes +only, the \ci{nolyr} command is more suitable (see +section~\ref{nolyr-command}). + + +\subsubsection{Lyrics repetition and skipping} + +As in the following example of a polyphonic piece, + +\begin{music} + \resetlyrics + \instrumentnumber2 + \setclef1\bass + \songtop2 + \songbottom1 + \small + \setlyrics{amen1} + {\llabel{amenlabel}A-men!} \assignlyrics1{amen1} + \copylyrics{amen1}{amen2} \assignlyrics2{amen2} + \startextract + \NOtes% lower staff: + \itenu0K\beginmel\wh K\sk\sk\sk + \midslur2\tten0\endmel\hlp K&% + % upper staff: + \qa f\lyrnop\lyrpt,\qa g% + \golyr{amenlabel}\lclyr\qa h\lyrnop\lyrpt,\qa{_i}% + \golyr{amenlabel}\lclyr\beginmel\islurd1h\qa{hg}% + \tslur1f\endmel\qa f\en + \NOTEs\wh N&\wh g\en + \endextract +\end{music} +\oneversespace + +it often happens that some lyrics phrases are repeated by some but +not all voices, or that each voice has its individual arrangement of +lyrics repetitions. Nevertheless, you do not have to enter +these repetitions directly within \ci{setlyrics}; instead, you +enter the lyrics as if they were performed in an unbroken +sequence. Repetitions and skips are then handled using a ``go to'' +technique involving the following steps: +\begin{description} + \item[Labelling ``go to'' targets.] A syllable which has to be jumped at + must be preceded (without spaces in between) by + \begin{quote}\ci{llabel}\verb|{|\var{label name}\verb|}|\end{quote} + within \ci{setlyrics}. + \item[Performing jumps.] Within the music code, say + \begin{quote}\ci{golyr}\verb|{|\var{label name}\verb|}|\end{quote} + before the note at which the jump has to be performed. + + {\bf Caution:} If you try to jump to an undefined lyrics label, no + meaningful error message is produced. However, if \TeX\ reports an + error at a \ci{golyr} command, you should check conformity of + defined and used labels. +\end{description} +The following actions must be taken in special cases: +\begin{description} + \item[Adding punctuation marks.] Usually a comma or period is + appended to the word preceding a jump; this is done by the command + \begin{quote}\ci{lyrpt}\var{punctuation char}\end{quote} + where \var{punctuation char} can be any single punctuation + character. + \item[Removing punctuation marks.] Before adding a punctuation mark + to a word as said above, an already existing punctuation mark + should be removed by the command: + \begin{quote}\ci{lyrnop}\end{quote} + \item[Lower case letters.] Words at jump targets often begin with a + capital letter which should appear lower case after a jump; + this can be forced by the command: + \begin{quote}\ci{lclyr}\end{quote} +\end{description} +Here is a code excerpt from the above example, summarizing the use of +all mentioned commands: +\begin{quote}\small + \bci{llabel} + \bci{copylyrics} + \bci{setlyrics} + \bci{lyrnop} + \bci{lyrpt} + \bci{golyr} + \bci{lclyr} + \bci{beginmel} + \bci{endmel} + \begin{verbatim} +\setlyrics{amen1} + {\llabel{amenlabel}A-men!} \assignlyrics1{amen1} +\copylyrics{amen1}{amen2} \assignlyrics2{amen2} +\startextract + \NOtes% lower staff: + \itenu0K\beginmel\wh K\sk\sk\sk + \midslur2\tten0\endmel\hlp K&% + % upper staff: + \qa f\lyrnop\lyrpt,\qa g% + \golyr{amenlabel}\lclyr\qa h\lyrnop\lyrpt,\qa{_i}% + \golyr{amenlabel}\lclyr\beginmel\islurd1h\qa{hg}% + \tslur1f\endmel\qa f\en + \NOTEs\wh N&\wh g\en +\endextract\end{verbatim} +\end{quote} +Note that the ``go to'' technique is recommendable mainly if different +voices perform different repetitions or skips on the same lyrics; if +all voices perform the same sequence of repetitions, however, it is +easier to hard-code them within \ci{setlyrics}. + + +\subsubsection{Miscellaneous} +\label{miscmanip} + +\begin{description} + \item[Excluding single notes.] + \label{nolyr-command}% + In the following situation, + + \begin{music} + \resetlyrics + \instrumentnumber1 + \setlyrics1{ca-den-za} + \assignlyrics11 + \startextract + \NOtes\zqlp{'c}\qu e\en + \Notes\qu{'d}\nolyr\cl b\en + \bar + \NOTes\zhl{'c}\hu c\en + \endextract + \end{music} + \oneversespace + + the eighth note must be excluded from receiving a syllable. This + can be accomplished saying + \begin{quote}\ci{nolyr}\end{quote} + before the command generating this note. + \item[Manual lyrics posting.] When automatic lyrics attaching is + switched off, a word or syllable can be placed manually saying + \begin{quote}\ci{lyr}\end{quote} + before the command generating the note that shall get this + word/syllable. + + This command also works independently from a following note command; + you can issue it before a rest, a \verb|\sk| or even alone for + itself in order to place a word/syllable wherever you want (no + matter whether the attachment automatism is on or off). + + Manipulations to the posted word/syllable have to be placed {\em + before\/} the \ci{lyr} command. + \item[Left justification.] Say + \begin{quote}\ci{llyr}\end{quote} + in order to have the next word/syllable left-justified to the + notehead instead of centered. + + If you prefer to have left justification as the default, say + \begin{quote}\ci{leftlyrtrue}\end{quote} + before your piece begins (\ci{leftlyrfalse} to restore centered + lyrics). + \item[Word extension underlines.] The melisma commands (see + \ref{melismas}) automatically manage word extension underlines; + however, they can be set manually: Say + \begin{quote}\ci{lyrrule}\end{quote} + before the respective note command to initiate an underline {\em + after\/} the word, and + \begin{quote}\ci{lyrruleend}\end{quote} + before the note where the underline shall be terminated. + + Note that no underline will be drawn if the word is continued + afterwards so that the underline would interfere with the + hyphenation. + \item[Horizontal offset.]\label{lyroffset}% + To shift a word/syllable out of its default + horizontal position, say + \begin{quote}\ci{lyroffset}\verb|{|\var n\verb|}|\end{quote} + which --- similar to \verb|\roffset| --- moves the next word/syllable + \var n quarter note head widths to the right (left if \var n + is negative). + + Note that the effect of \ci{lyroffset} may be overridden by + automatic lyrics shifting. If you want to gain complete manual + control over the positioning, you have to disable the shifting + automatism; see section \ref{horizpos} for details. + \item[Extra lyrics.] If, as in the following + example\footnote{Excerpt from ``In the town where I was born'' + ({\sl Eine kleine Melodie,\/} Strube, M\"unchen 1989)}, + + \begin{music} + \resetlyrics + \instrumentnumber2 + \generalsignature1 + \setclef1\bass + \songtop2 + \songbottom1 + \interinstrument=6mm + \setsongraise2{-0.5mm} + \scale{1.5} + \forcelyrhyphenstrue + \small + \setlyrics{lower}{yel-low sub-ma-rine,} \assignlyrics1{lower} + \copylyrics{lower}{upper} \assignlyrics2{upper} + \startextract + \Notes\ibl0N0\zqbp0N\ibu1N0\qbp1b&% + \ibl2f0\zqbp2d\ibu3g0\qbp3g\en + \notes\tbbl0\tbl0\zqb0N\tbbu1\tbu1\qb1b&% + \tbbl2\tbl2\zqb2d\tbbu3\tbu3\qb3g\en + \Notes\ibl0M0\zqbp0M\ibu1N0\qbp1b&% + \ibl2f0\zqbp2d\ibu3g0\qbp3g\en + \notes\tbbl0\tbl0\zqb0M\tbbu1\tbu1\qb1b&% + \tbbl2\tbl2\zqb2d\tbbu3\tbu3\qb3g\en + \Notes\ibl0L{-1}\zqbp0L\hu b&\zhl d\hu g\en + \notes\tbbl0\tbl0\lyric{ya,}\qb0K\en + \Notes\ibl0L1\lyric{ya,}\qbp0L\en + \notes\tbbl0\tbl0\lyric{ya,}\qb0M\en + \endextract + \end{music} + \oneversespace + + a voice has ``extra'' lyrics (such as ``hmm'', ``ah'', ``ya'', etc.) + in addition to the ``main'' lyrics, you need not enter them within + \ci{setlyrics} (which would inhibit using \ci{copylyrics}); + instead, you can enter them directly within the music code using + the command + \begin{quote}\ci{lyric}\verb|{|\var{extra syllable}\verb|}|\end{quote} + before the note where they shall appear. (Note that the effect is + different from using \verb|\csong| which would not apply automatic + hyphenation, horizontal positioning control, and \musixlyr's + vertical positioning scheme.) Automatic lyrics attaching --- if + active --- is suspended at that note. All manipulations can be + applied; they must be given before the \ci{lyric} command. + + If you want the syllable linked to the following one by a hyphen, + use \ci{lyrich} instead of \ci{lyric}. + + It may sometimes be necessary to post lyrics where no note is + present at all, i.\,e.~in the empty space between notes. This is, + however, possible with \verb|\lyric|, but is is unsuitable because + automatic lyrics attachment shall {\em not\/} be suspended at the + next note. In this case one of the commands \ci{lyric*} or --- for + hyphenated syllables --- \ci{lyrich*} should rather be used; they + have no effect on the ``regular'' flow of lyrics. + \label{lyric*-verse-numbers}% + One application for this are vertically aligned verse numbers. For + example, + + \begin{quote} + \bci{lyric*} + \bci{verses} + \begin{verbatim} +\setlyrics1{Spring time} +\setlyrics2{Au-tumn} +\assignlyrics1{1,2} +... +\znotes\loffset{2.2}{\verses{\lyric*{1.},\lyric*{2.}}}\en +\hardspace{4mm}% +\NOTes\hu{ee}\en +...\end{verbatim} + \end{quote} + + yields: + + \begin{music} + \resetlyrics + \setlyrics1{Spring time} + \setlyrics2{Au-tumn} + \assignlyrics1{1,2} + \lyrraise1{b -1.5mm} + \scale{1.2} + \startextract + \znotes\loffset{2.2}{\verses{\lyric*{1.},\lyric*{2.}}}\en + \hardspace{4mm}% + \NOTes\hu{ee}\en + \endextract + \twoversesspace + \end{music} + + (See section~\ref{multilyrlines} about attaching multiple verses + to a single staff, a feature that has not been introduced so far.) + + You may even obtain verse numbers that are repeated at the + beginning of each system by enclosing the \verb|\znotes...| command + for setting the numbers in \verb|\def\everystaff{...}|. + + Another possible application --- combined with empty syllables --- + is coping with unusual lyrics situations at voltas; for example, + + \begin{music} + \twoversesspace + \setlyrics1{first pass} + \setlyrics2{se-cond pass} + \assignlyrics1{1,2} + \resetlyrics + \scale{2} + \startextract + \NOTEs\wh g\en + \Setvolta1\def\atnextbar{\znotes\verses{,\lyric{}}\en}\bar + \NOTEs\wh g\en + \znotes\verses{,\lyrich*{}}\en \Setvolta2\setendvoltabox\rightrepeat + \NOTEs\verses\lyricsoff\pause\en\bar + \NOTEs\ha{gg}\en\setendvolta + \endextract + \twoversesspace + \end{music} + + is accomplished by: + + \begin{quote} + \bci{verses} + \bci{lyric} + \bci{lyrich*} + \begin{verbatim} +\setlyrics1{first pass} +\setlyrics2{se-cond pass} +\assignlyrics1{1,2} +\startextract + \NOTEs\wh g\en + \Setvolta1\def\atnextbar{\znotes\verses{,\lyric{}}\en}\bar + \NOTEs\wh g\en + \znotes\verses{,\lyrich*{}}\en + \Setvolta2\setendvoltabox\rightrepeat + \NOTEs\verses\lyricsoff\pause\en\bar + \NOTEs\ha{gg}\en\setendvolta +\endextract\end{verbatim} + \end{quote} + + The trick used here is to inject empty syllables into the second + verse at the barlines around the first volta; they serve as anchors + for the hyphenation suspended under this volta. + + Note that the \ci{lyric}, \ci{lyric*}, \ci{lyrich}, and + \ci{lyrich*} commands cannot be used at staves without assigned + lyrics lines. +\end{description} + + + +\subsection{Horizontal positioning} +\label{horizpos} + +\musixlyr\ takes care of blank space between words. If a word --- at +its default position --- would come too close to or overlap the +previous word, it is shifted right in order to ensure a minimum of +blank space. This minimal interword space can be set by +\begin{quote}\ci{minlyrspace}\verb|=|\var{any \TeX\ dimension}\end{quote} +and is initially set to~3\,pt. + +%The situation is different if two syllables belong to the same +%word. Such syllables are allowed to close up; only overlapping is +%inhibited by shifting. If the space between such syllables is +%narrower than a hyphen, the hyphen is omitted unless you force +%hyphens in every spatial situation saying +%\begin{quote}\verb|\forcelyrhyphenstrue|\end{quote} +%(to restore the default behaviour: \verb|\forcelyrhyphensfalse|). In +%this case, enough room is made for the hyphen by shifting the right +%syllable if necessary. + +\leavevmode\label{nicerhyphens}% +The situation is different if two syllables belong to the same +word. Such syllables are allowed to close up; only overlapping is +inhibited by shifting. If the ``natural'' space between such syllables is +narrower than a hyphen, the hyphen is omitted and the two syllables +close up completely (eventually by left-shifting the second syllable +to prevent a small gap). You may though force +hyphens in every spatial situation saying +\begin{quote}\ci{forcelyrhyphenstrue}\end{quote} +(to restore the default behaviour: \ci{forcelyrhyphensfalse}). In +this case, enough room is made for the hyphen by right-shifting the +second syllable if necessary. + +If the note spacing is quite narrow, lyrics shifting may get +accumulated within a system. In order to prevent shifting words too +far out of their original position, a wider note spacing should be +considered. The command +\begin{quote}\ci{showlyrshifttrue}\end{quote} +marks each lyric shift with a black rectangle of the respective +width, thus making it easy to detect questionable positionings. + +If you prefer to completely disable lyrics shifting, set +\ci{minlyrspace} to a large negative value (e.\,g.~$-10$\,cm). + + + +\subsection{Vertical positioning} +\label{vertical-positioning} + +By default, \musixlyr\ places lyrics vertically centered between the +two adjacent staves. Lyrics below the lowest or above the topmost +staff of a system are centered around the system's bottom or top +margin line.% +\footnote{This is not necessarily the most reasonable way, but it is + compatible to \musixtex's \printcmd{csong} behaviour.} + +In most scores, you will have to deviate from this standard and +manually adjust the lyrics' vertical position. This can be done per +staff with the command +\begin{quote} + \ci{lyrraise}\verb|{|\var n\verb|}|\verb|{|\var{pos}\var{raise}\verb|}| +\end{quote} +which applies the following setting to the lyrics attached to staff +number~\var n: \var{pos} is one of the letters \verb|a| +and~\verb|b|. \verb|a| sets the lyrics above the staff, \verb|b| below +the staff. \var{raise} is a dimension value by which the lyrics are +lifted above (or lowered under, if it is negative) the default +position as mentioned above. \ci{lyrraise}\verb|{|\var n\verb|}{b0pt}| +is the initial setting for all staves. + +It is possible to apply changes to the vertical position at any place +within the score, but in most cases it is most reasonable to do so +within \verb|\atnextline{...}| which ensures consistent, even spacing +within each system. + +For the sake of backward compatibility, applying \musixtex's command +\ci{setsongraise}\verb|{|\var n\verb|}{|\var{raise}\verb|}| +implicitly performs a +\ci{lyrraise}\verb|{|\var n\verb|}|\verb|{b|\var{raise}\verb|}|, +but not vice versa --- i.\,e.~\ci{lyrraise} has no effect on lyrics +set with \musixtex's lyrics commands \verb|\csong|, +\verb|\zsong|,~etc. Likewise, the obsolete \musixlyr\ command +\ci{auxsetsongraise} implies \verb|\auxlyr{\lyrraise...{b...}}|, but +not vice versa (see section~\ref{auxlyrics} to learn about the meaning +of \verb|\auxlyr|). + + + +\subsection{Setting lyrics layout parameters} +\label{layoutpar} + + +\subsubsection{Available parameters} + +\begin{description} + \item[Font:] There is no special font command; the current font is + used for lyrics. It can be changed using the usual \TeX/\LaTeX\ + commands. + \item[Minimum length of word extension underlines:] A word extension + underline is omitted if it would become too short. The minimum + length can be set by + \begin{quote}\ci{minlyrrulelength}\verb|=|\var{any \TeX\ dimension} + \end{quote} + and is initially set to~2\,mm. If you prefer to completely inhibit + the underlines, set this parameter to an unsurpassably high value + (e.\,g.~the width of your paper). + \item[Minimum inter-syllable distance for multiple hyphens:] If the + space between two hyphenated syllables (or between one of the + syllables and the respective system margin) is wider than this + distance, it is filled with a line of hyphens instead of a single + hyphen. The minimum distance to be filled with more than one + hyphen can be set by + \begin{quote}\ci{minmulthyphens}\verb|=|\var{any \TeX\ dimension}\end{quote} + and is initially set to~15\,mm. If you prefer to completely inhibit + filling with multiple hyphens, set this parameter to an + unsurpassably high value. + \item[Hyphen character:] This can be redefined by: + \begin{quote}\verb|\def|\ci{lyrhyphenchar}\verb|{|\dots\verb|}|\end{quote} +\end{description} +Further layout parameters discussed elsewhere are: vertical +positioning (section \ref{vertical-positioning}), word justification +(section \ref{miscmanip}), minimum interword distance, and forcing +hyphens (section \ref{horizpos}). + +{\bf Note:} In order to change the mentioned parameters globally, the +respective commands must be issued {\em outside\/} +\verb|\notes...\enotes|. + +\subsubsection{Individual settings per staff} +\label{indivlayout} + +All layout parameters can be set either globally (applying to all +lyrics lines) or individually, i.\,e.\ valid for a single specified staff. +An individual change is accomplished by enclosing the proper command +in +\begin{quote}\ci{lyrlayout}\verb|{|\dots\verb|}|\end{quote} +and issuing this within \verb|\notes...\enotes| in the section of the +referred-to staff. For example, +\begin{quote} + \verb|\notes...&|\ci{lyrlayout}\verb|{\it\leftlyrtrue}...&...\en| +\end{quote} +applies italic font and left justification to the lyrics line(s) +assigned to the second staff. + +Applying \ci{lyrlayout} to the same staff again overrides +{\em all\/} previous individual settings for this staff; +pay attention to this if you have made several individual settings and +want to reset some but retain others. Saying \ci{lyrlayout}\verb|{}| +restores the global settings for a staff. + +The \ci{lyrlayout} command can also be used within +\ci{setlyrics}; this is useful if an individual setting +(especially a font change) should apply to a particular +portion of lyrics rather than to a portion of music. For example, +\begin{quote} + \ci{setlyrics}\verb|{x}{An |\ci{lyrlayout}% + \verb|{\it}em-pha-sized\lyrlayout{} phrase}| +\end{quote} +causes the word ``emphasized'' to appear italic wherever it is posted +within the music. (Be sure to attach \ci{lyrlayout} commands to +the corresponding lyrics portions {\em without\/} blank spaces in +between.) + +{\bf As an exception,} the {\bf vertical positioning of lyrics} cannot be +changed within \ci{lyrlayout}; instead, it is handled staff-wise +using the special commands discussed in +section~\ref{vertical-positioning}. + + + +\subsection{Multiple verses per staff} +\label{multilyrlines} + +An arbitrary number of verses can be assigned to a staff +straightforwardly by saying +\begin{quote}\ci{assignlyrics}\verb|{|\var n\verb|}{|% + \var{names}\verb|}|\end{quote} +where \var{names} is a {\bf comma-separated list} of the desired +lyrics line names, listed from top to bottom. In the following +example\footnote{Excerpt from: ``Non moriar sed vivam'', motet by +{\sc Martin Luther}}, + +\begin{music} + \resetlyrics + \generalmeter\allabreve + \generalsignature2 + \scale{0.9} + \setlyrics{latin} {Non mo-ri-ar sed} + \setlyrics{german}{Ich wer-de nicht ster-ben, son-dern} + \assignlyrics1{latin,german} + \small + \setsongraise1{-1.5mm} + \startextract + \znotes\verses{,\lyrlayout{\footnotesize\it}}\en + \NOTEs\wh{'a}\en\bar + \NOTes\verses{\beginmel}\ha{'b}\verses{\endmel}\ha a\en\bar + \NOtesp\beginmel\qup{'a}\en + \Notes\ca{'b}\en + \NOtes\verses{,\endmel}\qa{'c}\verses{,\beginmel}\itieu0d\qa d\en\bar + \NOtes\ttie0\qa{'d}\endmel\qa c\en + \NOtes\verses{\beginmel}\ha{'d}\en\bar + \NOTes\verses{\endmel}\ha{'ee}\en + \endextract +\end{music} +\twoversesspace + +the lyrics lines have been set up as follows: +\begin{quote} + \bci{assignlyrics} + \begin{verbatim} +\setlyrics{latin} {Non mo-ri-ar sed} +\setlyrics{german}{Ich wer-de nicht ster-ben, son-dern} +\assignlyrics1{latin,german}\end{verbatim} +\end{quote} + + +\subsubsection{Handling verses individually} + +If you code lyrics attachment manipulations the way +described in section~\ref{manipulation}, these manipulations apply +{\em to all lyrics lines\/} of the referred staff {\em +simultaneously.\/} In order to address each lyrics line separately, +use the command +\begin{quote} + \ci{verses}\verb|{|\var{man1}\verb|,|\var{man2}\verb|,|\dots\verb|}| +\end{quote} +where \var{man1} is a sequence of commands to manipulate the upper +lyrics line, \var{man2} to manipulate the second lyrics line from +above, and so on. These command sequences may be empty. Delimiting +commas after the last non-empty list entry can be omitted. For example, +\begin{quote} + \ci{verses}\verb|{,,\beginmel,\golyr{abc}}| +\end{quote} +leaves the upper two lyrics lines unaltered, initiates a melisma at +the third, performs a jump to label {\tt abc} at the fourth, and +leaves all further ones (whatever their number may be) unaltered. As +another example, the font change for the german lyrics of the above +excerpt is accomplished by +\begin{quote} + \verb|\znotes|\ci{verses}\verb|{,\lyrlayout{\footnotesize\it}}\en| +\end{quote} +before the first note is coded. + + +\subsubsection{Vertical positioning} +\label{multiple-vert-pos} + +A block of multiple lyrics lines is vertically centered around the position +which a single lyrics line would have taken; thus you can do things +like + +{\small\setlyrstrut + \resetlyrics + \setlyrics{Winter1}{Win-ter a-de\rlap{,} a-ber dein Schei-den macht\rlap{,}} + \setlyrics{Winter2}{schei-den tut weh\rlap,} + \assignlyrics1{Winter1,Winter2} + \generalmeter{\meterfrac34} + \generalsignature2 + \setsongraise1{-2mm} + \startextract + \NOtes\qa{ffe}\en\bar + \NOTesp\hup d\en\rightrepeat + \assignlyrics1{Winter1}% + \NOtes\qa{fgh}\en\bar + \NOtes\qa h\en + \Notes\beginmel\Ibu0gf1\qb0g\endmel\tqh0f\en + \NOtes\qa g\en + \endextract} +\twoversesspace + +without having to adjust the vertical position within the +piece. (See the source of this manual for the coding of this +example.) + +\leavevmode\label{lyrstrut}% +The vertical distance between the baselines of multiple verses is +appropriate for the default 10~points font size of plain \TeX. +However, the size-switching commands \verb|\smalltype|, +\verb|\medtype|~etc.\ do not implicitly adjust the vertical distance +to the chosen font size. Since the vertical distance of lyrics is +controlled by the concept of a {\em lyrics strut\/}\footnote{In +analogy to \TeX's {\tt\char92 strut}; see {\sl The \TeX book\/} by +{\sc D.~E.~Knuth.}}, you should perform this adjustment explicitly with +the command +\begin{quote}\ci{setlyrstrut}\end{quote} +directly after each ``global'' font size change (i.\,e.~after each size +change not issued within \verb|\lyrlayout{...}|; +see~\ref{indivlayout}) unless you do not want the spacing to be +adjusted. (\TeX perts only: If you like to define your own vertical +spacing, you may redefine the \ci{lyrstrutbox} yourself.) + + + +\subsection{Auxiliary lyrics} +\label{auxlyrics} + +If you have typeset two voices of a polyphonic arrangement within one +staff, you normally want to give each voice its own lyrics lines. +Usually, the two voices are distinguished by means of the notes' stem +direction; the lyrics of the up-stemmed voice are typeset above, +those of the down-stemmed voice below the staff. \musixlyr\ +provides the facility to maintain such two lyrics ``streams'' per +staff; one of them --- which is handled exactly as described so +far --- will be called {\em main lyrics,\/} the second one {\em +auxiliary lyrics.\/} + + +\subsubsection{Addressing auxiliary lyrics} + +Only two rules are to be obeyed for directing commands to auxiliary lyrics: +\begin{enumerate} + \item Enclose everything concerning auxiliary lyrics in: + \begin{quote}\ci{auxlyr}\verb|{...}|\end{quote} + For example, assign lyrics line~{\tt verse1} to staff~2 as + auxiliary lyrics by: + \begin{quote}\ci{auxlyr}\verb|{\assignlyrics{2}{verse1}}|\end{quote} + For example, begin a melisma at the next note of the ``auxiliary'' voice by: + \begin{quote}\ci{auxlyr}\verb|{\beginmel}|\end{quote} + (For \TeX perts: If the argument of \ci{auxlyr} consists of + only one token, the braces can be omitted, so that + \verb|\auxlyr\beginmel| does the same.) + \item There are exactly two exceptions to the first rule. The first + one are the \ci{setlyrics}, \ci{appendlyrics}, and \ci{copylyrics} + commands which need not be enclosed in \ci{auxlyr}\verb|{...}|; + their function is independent of the later use of the defined + lyrics lines as either main or auxiliary lyrics. + + The second exception concerns lyrics commands issued as type-1 + \TeX\ strings in a \PMX\ source; see below for details. +\end{enumerate} + +\label{auxlyr-vertical-position-default}% +Auxiliary lyrics are lifted above the staff by default, i.\,e.~they have +the same vertical position as main lyrics belonging to the staff above +the current staff. If this causes collisions with the main lyrics of +the upper staff, you have to shift the lyrics away from each other +using the vertical spacing commands discussed in +section~\ref{vertical-positioning}. + + +\subsubsection{Automatic attachment of auxiliary lyrics} +\label{auxlyr-attachment} + +While it is easy to attach only one lyrics ``stream'' to a single +voice within a system automatically, the attachment of both main and +auxiliary lyrics involves the task of determining which note belongs +to which voice. Unfortunately, \musixtex\ does not explicitly state a +note's membership of a particular voice; therefore, a heuristic +method has to be used to gather this information. However, +the situation is completely different if you prepare your scores with +the \PMX% +\footnote{If you don't know what \PMX\ is, have a look at: + {\tt http://icking-music-archive.sunsite.dk/musixtex/software/pmx/}} +preprocessor. The following paragraphs explain managing the lyrics +attachment automatism for both cases --- \PMX\ and +non-\PMX\ --- separately. + + +\paragraph{Using \PMX.} +\label{pmx-autodetection} + +(This paragraph requires some \PMX\ knowledge.) For \PMX-prepared +scores (which \musixlyr\ detects automagically\footnote{% + This automatic \PMX\ detection may cause problems for processing + \PMX\ scores prepared with the \PMX-unaware \musixlyr\ + version~1.0. See section~\ref{no-pmx-autodetection} about how to + solve this backward-incompatibility issue. +}), the distinction +between the two voices of a staff works fully automatic. This applies +to both the automatic lyrics attachment as well as explicit lyrics +manipulations --- i.\,e.,~you do not have to use \ci{auxlyr}\verb|{...}| for +manipulating auxiliary lyrics. (This only applies to manipulations +that appear in a voice's context, i.\,e.~within a type-1 \TeX\ string.) +For reference, see the following example\footnote{Excerpt from +``Waldesnacht, du wunderk\"uhle'' by {\sc Johannes Brahms} ({\sl Eine +kleine Melodie,\/} Strube, M\"unchen 1989)}, + +\oneversespace +\begin{music} + \resetlyrics\small + \setlyrics{soprano}{all der ir-ren Qua-len los.} + \auxlyr{\assignlyrics1{soprano}} + \copylyrics{soprano}{alto} + \assignlyrics1{alto} + + \auxlyr{\lyrraise1{a -3\internote}} + \staffbotmarg5.5\Interligne + \stafftopmarg5\Interligne + \generalsignature2 + \lyrmodealter0 + + \startextract\addspace\afterruleskip + \scale{1.2}% + \NOtes\zhu{=j}\lower6\internote\qp\lifthpause{-3}\sk\qu h\en + \bar + \NOtes\auxlyr\beginmel\roffset{.8}{\isluru2j}\zhup f\lower8\internote\qp\en + \NOTes\hl{^d}\en + \NOTes\zql e\itieu0e\qu e\en + \bar + \NOtes\beginmel\islurd1c\zql c\ttie0\tslur2h\auxlyr\endmel\qu e% + \roff{\endmel\tsslur1d\zhl d}\qu{=d}% + \auxlyr\beginmel\itieu0d\hu d% + \ql d\en + \bar + \NOTes\zhl d\ttie0\auxlyr\endmel\hu d% + \zhl a\hu c\en + \bar + \NOTes\zhl a\fermataup l\hu d\hpause\en + \setdoubleBAR\endextract +\end{music} +\oneversespace + +which can be obtained by the following \PMX\ code (processed with +\PMX\ version~2.3): +\begin{quote} +\bci{auxlyr} +\begin{verbatim} +--- +\input musixtex % These commands are necessary +\input pmx % because pmx.tex MUST be \input +\input musixlyr % before musixlyr.tex! + +\setlyrics{soprano} % \setlyrics and \copylyrics + {all der ir-ren Qua-len los.} % need not be enclosed in +\copylyrics{soprano}{alto} % \auxlyr{...}. + +\assignlyrics1{alto} +\auxlyr{\assignlyrics1{soprano} + \lyrraise1{a 3\Interligne}} + +\let\BM\beginmel % For brevity within the subsequent +\let\EM\endmel % music coding recommended. +--- +1 1 4 4 0 0 3 2 0 5 20 0 + +t +./ + +% 1st and 2nd bar: +r4-6 r2-6 | r4-8 d24s e4 // +c25n a4 | \BM\ f2d s+4 \isu0e{.8}\ e4 / +% 3rd bar: +\BM\ c s \EM\ d2r s d4 // +\ts0e0\EM\ e s+3 dn \BM\ d2 s / +% 4th bar: + d2 a // % Note that \BM and \EM +\EM\ d s c / % apply either to main +% 5th bar: % or to auxiliary lyrics, +a r+0 // % depending on which voice +d of rb / % they appear in.\end{verbatim} +\end{quote} + +By default, main lyrics are attached to the lower voice (whose +lines end with \verb|//| in the \PMX\ source), auxiliary lyrics to the +upper voice; due to \PMX\ internals, this ensures that if only one +voice is present, main lyrics are attached to it. However, situations +exist in which it is desirable to have main lyrics attached to the +upper voice, e.\,g.~when you have only main lyrics and want to +synchronize them with the soprano voice instead of the alto voice +(both of them set on the same staff). In this case, you can toggle the +attachment of lyrics to voices with the command +\begin{quote}\ci{lyrmodealter}\verb|{|\var n\verb|}|\end{quote} for +staff number \var n; the command +\begin{quote}\ci{lyrmodenormal}\verb|{|\var n\verb|}|\end{quote} +restores the default behaviour. If $\hbox{\var n}=0$ then the change +affects all staves. + + +\paragraph{Using ``plain'' \musixtex\ without \PMX.} + +In this context, there are two basically different modes for lyrics +attachment: +\begin{enumerate} + \item In {\em normal mode\/} (which is active by default) only main + lyrics are provided automatically as described in + section~\ref{auto-attachment}. All auxiliary lyrics must be issued + manually by saying \ci{auxlyr}\ci{lyr} before the respective note. + This mode is useful when you do not have auxiliary lyrics at all + or when auxiliary lyrics occur only occasionally within the piece. + \item In {\em alternative mode\/}, both main and auxiliary lyrics + are provided automatically. The two voices of a staff are + distinguished by means of their notes' stem direction; the lower + voice gets main lyrics, the upper one auxiliary lyrics. This + implies that the automatism fails at stemless + notes\footnote{Ancient notes, namely breve, longa, and maxima, are + also treated as stemless notes by \musixtex's internals.}, thus you + have to provide lyrics manually by saying \ci{lyr} or + \ci{auxlyr}\ci{lyr}, respectively, before such notes. This mode is + meant for staves which continuously contain two polyphonic voices + with separate lyrics. +\end{enumerate} + +The appropriate mode can be chosen staff-wise: The command +\begin{quote}\ci{lyrmodealter}\verb|{|\var n\verb|}|\end{quote} +enables alternative mode for staff number \var n; the command +\begin{quote}\ci{lyrmodenormal}\verb|{|\var n\verb|}|\end{quote} +restores normal mode. As stated above, $\hbox{\var n}=0$ performs the +choice affecting all staves. + +For illustration, have a look at the following +example\footnote{Excerpt from ``Audite nova'' by {\sc Orlando di +Lasso} ({\sl ars musica\/} vol.\,4, M\"oseler Verlag +Wolfenb\"uttel/Z\"urich)}: + +\oneversespace +\begin{music} + \resetlyrics \small + \lyrmodealter0 + \setlyrics{soprano}{bring her die Gans,} \auxlyr{\assignlyrics1{soprano}} + \copylyrics{soprano}{alto} \assignlyrics1{alto} + + \generalsignature{-2} + \advance\stafftopmarg3\Interligne + \advance\staffbotmarg2\Interligne + + \startextract\addspace\afterruleskip + \NOtes\zqu g\ql e\en + \bar + \Notes\zqu i\beginmel\ibslurd0f\ibl0f{-1}\qb0f\en + \Notes\qb0e\en + \Notes\auxlyr\beginmel\ibsluru1i\zqup i\qb0d\en + \Notes\tqb0e\en + \Notes\endmel\tbslurd0e\ql c\en + \notes\ibbu0h{-1}\qb0h\en + \notes\tqh0g\en + \NOtes\auxlyr\endmel\tbsluru1h\zqu h\ql c\en + \bar + \NOTEs\auxlyr\lyr\zwh i% The lyrics of the whole notes + \lyr\wh b\en % must be given manually. + \endextract + \lyrmodenormal0 +\end{music} +\oneversespace + +The lyrics were defined as follows: +\begin{quote} + \bci{auxlyr} + \bci{assignlyrics} + \begin{verbatim} +\setlyrics{soprano}{bring her die Gans,} +\copylyrics{soprano}{alto} + +\assignlyrics1{alto} +\auxlyr{\assignlyrics1{soprano}} + +\lyrmodealter0 % provide main + aux. lyrics automatically\end{verbatim} +\end{quote} + +This is the complete notes section: +\begin{quote} + \bci{auxlyr} + \begin{verbatim} +\NOtes\zqu g\ql e\en +\bar +\Notes\zqu i\beginmel\ibslurd0f\ibl0f{-1}\qb0f\en +\Notes\qb0e\en +\Notes\auxlyr\beginmel\ibsluru1i\zqup i\qb0d\en +\Notes\tqb0e\en +\Notes\endmel\tbslurd0e\ql c\en +\notes\ibbu0h{-1}\qb0h\en +\notes\tqh0g\en +\NOtes\auxlyr\endmel\tbsluru1h\zqu h\ql c\en +\bar +\NOTEs\auxlyr\lyr\zwh i% The lyrics of the whole notes + \lyr\wh b\en % must be given manually.\end{verbatim} +\end{quote} + +Note that, as opposed to using \PMX, there is no special provision +for attaching main lyrics to the upper voice. If you desire a single +lyrics ``thread'' synchronized with the upper voice, please use +auxiliary lyrics instead and position them below the staff (see +section~\ref{vertical-positioning}). +Alternatively, you may use main lyrics in normal lyrics mode and code +the lower voice completely non-spacing (in the sense explained +in~\ref{auto-attachment}), the upper voice completely spacing; this +should not be too complicated for mainly homophonic pieces. + + + +\subsection{Lyrics at multi-staff instruments} +\label{multi-staff-instruments} + +So far in this manual, the term {\em staff\/} has always been used for +what \musixtex\ precisely calls an {\em instrument\/}. This section, +however, correctly adopts the \musixtex\ terminology. + +Lyrics can be assigned to staves of a multi-staff instrument. To do +so, use +\begin{quote} + \ci{assignlyricsmulti}\verb|{|\var i\verb|}{|\var s\verb|}{...}| +\end{quote} +instead of \verb|\assignlyrics...|; here, \var s~addresses the desired +staff number (counted from bottom to top) of instrument~\var i. + +Nevertheless, +\ci{assignlyrics}\verb|{|\var i\verb|}{...}| +can be used as well if instrument~\var i has multiple staves; in this +case, it is equivalent to +\verb|\assignlyricsmulti{|\var i\verb|}{1}{...}|, +i.\,e.~it affects only the first staff (and not all staves, as may be +presumed). + +In the same spirit, the following ``multi'' commands replace the +standard ones within a multi-staff instrument context: +\begin{quote} + \ci{lyrraisemulti}\\ + \ci{lyrmodenormalmulti}\\ + \ci{lyrmodealtermulti} +\end{quote} + +All other \musixlyr\ commands or features can be used the same way as +within a single-staff instrument context. + +Using lyrics at multi-staff instruments can be useful, for example, +for typesetting songs with piano accompaniment:% +\footnote{Example taken from songbook {\sl Am Brunnen vor dem Tore\/}, +Delphin Verlag M\"unchen/Z\"urich 1981} + +\begin{music} + \resetlyrics + \setlyrics{verse}{Gu-ter Mond, du gehst_ so_ stil_-le} + \assignlyricsmulti11{} + \assignlyricsmulti12{verse} + \lyrraisemulti12{b 2\internote} + \setstaffs12 + \generalsignature{-1} + \generalmeter\meterC + \setclef1\bass + \interstaff{13} + \scale{1.3} + \startextract + \Notes\qp|\ibl0j{-2}\qb0j\tqb0i\en + \bar\hardspace{1.7\myqnwidth}% + \NOtes\isluru1d\lq c\zq M\ql d|\qa h\en + \NOtes\zq c\zq M\ql e|\qa h\en + \Notes\lq c\zq M\ql d|\islurd0h\ibu0h2\qb0h\tslur0i\tqh0i\en + \Notes\tslur1e\zq c\zq M\ql e|\isluru0j\ibl0j2\qb0j\tslur0k\tqb0k\en + \bar\hardspace\myqnwidth + \Notes\isluru1d\lq c\zq M\ql d|\isluru0j\ibl0j{-2}\qb0j\tslur0i\tqb0i\en + \NOtes\zq c\zq M\ql e|\qa g\en + \NOtes\lq c\zq M\ql d|\qp\en + \znotes\midslur2\tsslur1d\en + \zendextract +\end{music} + +The lyrics of this example are defined as follows: +\begin{quote} + \bci{assignlyricsmulti} + \bci{lyrraisemulti} + \begin{verbatim} +\setlyrics{verse}{Gu-ter Mond, du gehst_ so_ stil_-le} +\assignlyricsmulti{1}{2}{verse} +\lyrraisemulti {1}{2}{b \internote}\end{verbatim} +\end{quote} + + + +\subsection{Managing lyrics assignment according to current context} +\label{assignment-by-context} + +Managing the properties of lyrics lines assignment to instruments by +absolute instrument numbers --- as it is done with the +\ci{assignlyrics}, \ci{lyrraise}, and \ci{lyrmodealter} +commands --- may cause difficulties whenever the score's number and +order of instruments shall be rearranged; in this case instrument +numbers change, thus the instrument number parameters of the +mentioned lyrics-related commands have to be adjusted. + +This is especially unpleasant where such a rearrangement is done +automatically, e.\,g.~by \PMX's part extraction facility {\em +scor2prt\/}; this is intended to work without any manual editing +of the generated part files. + +To address this issue, \musixlyr\ provides {\em context-dependent\/} +variants of the commands mentioned above. For example: Instead of +\verb|\assignlyrics{2}{soprano}|, you may say something like: +\begin{quote} + \verb|\notes...&|\ci{assignlyricshere}\verb|{soprano}...\en| +\end{quote} +\ci{assignlyricshere}\verb|{|\var{name(s)}\verb|}| assigns the given verse +\var{name(s)} to the instrument/staff whose context it occurs in within the +\verb|\notes...\en| construct; no absolute instrument/staff number needs to +be specified. + +For example, the following two code fragments are equivalent: + +\begin{quote} + \footnotesize + \hfill + \def\arraystretch{1}% + \begin{tabular}{l@{\qquad}|@{\qquad}l} + \begin{tabular}[t]{@{}l@{}} + \ci{assignlyrics}\verb| {1} {acct}%|\\ + \ci{assignlyricsmulti}\verb|{2}{2}{verse}%|\\ + \verb.\NOtes\qa c&\qa e|\qa g\en. + \end{tabular} + & + \begin{tabular}[t]{@{}l@{}} + \verb|\NOtes|\ci{assignlyricshere}\verb|{acct}\qa c%|\\ + \verb| &\qa e%|\\ + \verb. |.\ci{assignlyricshere}\verb|{verse}\qa g\en| + \end{tabular} + \end{tabular} + \hfill\strut +\end{quote} + +Using \PMX, the context-dependent commands must be given as type-1 +inline \TeX\ strings. Here is the same example, coded as \PMX input: + +\begin{quote} + \footnotesize + \hfill + \def\arraystretch{1}% + \begin{tabular}{l@{\qquad}|@{\qquad}l} + \begin{tabular}[t]{@{}l@{}} + \ci{assignlyrics}\verb| {1} {acct}\|\\ + \ci{assignlyricsmulti}\verb|{2}{2}{verse}\|\\ + \verb|c44 /|\\ + \verb|e44 /|\\ + \verb|g44 /|\\ + \end{tabular} + & + \begin{tabular}[t]{@{}l@{}} + \hphantom{\tt .NOtes.assignlyricshere.acct..qa cg.en}\\ + \\ + \ci{assignlyricshere}\verb|{acct}\ c44 /|\\ + \verb| e44 /|\\ + \ci{assignlyricshere}\verb|{verse}\ g44 /|\\ + \end{tabular} + \end{tabular} + \hfill\strut +\end{quote} + +The first one (left) results in wrong lyrics assignments in {\em +scor2prt\/} output; the second one (right) is robust against part +extraction. + +This is the complete set of ``here'' commands that can be applied the +same way: +\begin{quote} + \ci{assignlyricshere}\\ + \ci{lyrraisehere}\\ + \ci{lyrmodenormalhere}\\ + \ci{lyrmodealterhere} +\end{quote} + +All other \musixlyr\ commands are context-driven anyway, i.\,e.~using +the mentioned ``here'' commands you can completely omit any absolute +instrument/staff number assignment. + + + +\subsection{Miscellaneous} + +\subsubsection{Avoiding problems after {\tt\char92 + endpiece...\char92 startpiece}} + +Sometimes, after having suspended the music with \verb|\endpiece| and +restarted it with \verb|\startpiece| (or the respective +\verb|\...extract| commands), the lyrics lines are totally misaligned +because the internal lyrics positioning parameters are not reset +properly. Saying +\begin{quote}\ci{resetlyrics}\end{quote} +before the beginning of the new music section should solve this +problem. + + +\subsubsection{Improved centering of words with punctuation marks} + +Centered words with an attached punctuation mark often seem a bit +left-shifted since the punctuation mark also counts for the +centering. To have a word centered solely with respect to its +letters, enclose the punctuation mark in \verb|\rlap{...}| as it is +done in the example of section~\ref{multiple-vert-pos}. Unfortunately, +this circumvents the lyrics shifting automatism, and is incompatible +with the use of \ci{lyrnop}. + + +\subsubsection{Verse numbers} +\label{versenumbers} + +There is no special command for this topic. See the following example: + +\begin{music} + \resetlyrics + \generalmeter{\meterfrac24} + \scale{1.8} + \setlyrics{sailor1} + {\llap{1.} What shall we do with a drun-ken sail-or\rlap{?}} + \setlyrics{sailor2} + {\llap{2.} Take him and shake him and try to\lyrlink a-wake him,} + \setlyrics{sailor3}{\llap{3.} Give him a dose of_ salt and wa-ter,} + \setlyrics{sailor4}{\llap{4.} Give him a dash with a bo-som's rub-ber,} + \assignlyrics1{sailor1,sailor2,sailor3,sailor4} + \small\setlyrstrut + \setsongraise1{-6mm} + \startextract + \znotes\llyr\lyroffset{-2}% make the numbers stand off to the left + \lyr% post the numbers + \en + \Notes\ibu0h0\qb0h\en + \notes\nbbu0\qb0h\tqh0h\en + \Notes\ibu0h0\qb0h\en + \notes\nbbu0\qb0h\tqh0h\en\bar + \Notes\Dqbu hd\Dqbu fh\en + \endextract +\end{music} +\oneversespace +\twoversesspace + +To see how this is accomplished, look for the example's coding within +{\tt mxlyrdoc.tex}. + +Section~\ref{lyric*-verse-numbers} explains an alternative method for +setting vertically aligned verse numbers. + + +\subsubsection{``Lyrics slurs''} + +If two consecutive syllables of a lyrics line share the same note (as +in the second verse of the above example), you may want to link them +together with a small slur under them \mbox{like\lyrlink this.} To do +this, use the command \ci{lyrlink} instead of the respective blank +space within the \verb|\setlyrics| definition. + +If any of the adjacent characters extend under their \TeX\ baseline +(like `g', `j', `p', etc.), use \ci{lowlyrlink} which lowers the +slur accordingly (e.\,g.: \mbox{sing\lowlyrlink gladly}). + + +\subsubsection{Restoring the \PMX-unaware behaviour of \musixlyr~1.0} +\label{no-pmx-autodetection} + +As stated in section~\ref{pmx-autodetection}, \musixlyr\ distinguishes +between main and auxiliary lyrics context in a special way when it +detects that the score has been set up using \PMX. However, this +automatic \PMX\ detection may cause problems for processing \PMX\ +scores prepared with the \PMX-unaware \musixlyr\ version~1.0. To solve +this, you can force the old \musixlyr\ behaviour by an explicit macro +redefinition as follows: + +Within {\tt musixlyr.tex}, find the code fragment +\begin{quote}\begin{verbatim} +\ifx\nextvoice\undefined + \def\decide@lyrmode{% + \call@lyrmode + ... + \fi\fi\fi\fi\fi\fi\fi} +\else\end{verbatim}\end{quote} +(which is about 25 lines long). Copy it, exluding the first and the +last line, to your score source and surround it by the +\verb|\makeatletter...\makeatother| command pair. This +should then look like this: +\begin{quote}\begin{verbatim} +\makeatletter + \def\decide@lyrmode{% + \call@lyrmode + ... + \fi\fi\fi\fi\fi\fi\fi} +\makeatother\end{verbatim}\end{quote} + +To restore the \PMX-aware \musixlyr\ behaviour of version~1.1 and +newer, copy the {\em second\/} \verb|\decide@lyrmode| definition +from {\tt musixlyr.tex} to the desired place in your score and +surround it with \verb|\makeatletter...\makeatother|. + +To do these redefinitions within a \PMX\ input file, it is probably +always best to wrap them in macro definitions within the \PMX\ file +preamble. This way, you can switch between the ``old'' and ``new'' +\musixlyr\ behaviour by simply calling these macros in \PMX's +inline-\TeX\ style. + +\pagebreak[4] +\section{Command index} +\printindex + + + +\section{Software license} + +\musixlyr\ (including this manual) is free software; you can +redistribute it and/or modify it under the terms of the GNU General +Public License as published by the Free Software Foundation; either +version~2 of the License, or any later version. + +\musixlyr\ is distributed in the hope that it will be useful, +but WITHOUT ANY WARRANTY; without even the implied warranty of +MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the +GNU General Public License for more details. + +You should have received a copy of the GNU General Public License +along with \musixlyr; if not, write to the Free Software +Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA. + +\medskip +Author: +\begin{tabular}[t]{l} + Rainer Dunker\\ + Wachtelweg 31\\ + 85\,591 Vaterstetten\\[0.5ex] + Germany\\[1ex] + E-mail: \tt rainer.dunker@web.de +\end{tabular} + +\end{document} diff --git a/macros/generic/musixtex/doc/musixtex-install.pdf b/macros/generic/musixtex/doc/musixtex-install.pdf new file mode 100644 index 0000000000..763ba6964a Binary files /dev/null and b/macros/generic/musixtex/doc/musixtex-install.pdf differ diff --git a/macros/generic/musixtex/doc/musixtex-install.tex b/macros/generic/musixtex/doc/musixtex-install.tex new file mode 100644 index 0000000000..b3e78f4328 --- /dev/null +++ b/macros/generic/musixtex/doc/musixtex-install.tex @@ -0,0 +1,158 @@ +\documentclass[11pt]{article} +\usepackage[textwidth=6.5in,textheight=8.5in]{geometry} +\usepackage[osf]{mathpazo} +\usepackage{textcomp} +\PassOptionsToPackage{urlcolor=black,colorlinks}{hyperref} +\RequirePackage{hyperref} +\usepackage{xcolor} +\newcommand{\myurl}[1]{\textcolor{blue}{\underline{\textcolor{black}{\url{#1}}}}} +\newcommand{\musixflxVersion}{0.83.3} +\begin{document} +\title{Installation of MusiXTeX} +\author{Bob Tennent\\ +\small\url{rdt@cs.queensu.ca}} +\date{\today} +\maketitle +\thispagestyle{empty} + +\section{Introduction} +Before trying to install from CTAN, check whether your TeX distribution +provides packages for MusiXTeX; this will be easier than doing it yourself. +But if your TeX distribution +doesn't have MusiXTeX (or doesn't have the most recent version), this distribution +of MusiXTeX is very easy to install, though +you may need to read the material on +installation of (La)TeX files in the +TeX FAQ\footnote{% +\myurl{http://www.tex.ac.uk/cgi-bin/texfaq2html}}, +particularly +the pages on +which tree to use\footnote{% +\myurl{http://www.tex.ac.uk/cgi-bin/texfaq2html?label=what-TDS}} +and installing files\footnote{% +\myurl{http://www.tex.ac.uk/cgi-bin/texfaq2html?label=inst-wlcf}}. + +\section{Installing \texttt{musixtex.tds.zip}} + +In this distribution of MusiXTeX, most of the files to be installed +(including macros, scripts, and documentation) are in a zipped TEXMF hierarchy +\begin{list}{}{}\item +\myurl{http://mirror.ctan.org/install/macros/musixtex.tds.zip} +\end{list} +at CTAN. Simply download and unzip this archive in the root folder/directory of whichever TEXMF tree +you decide is most appropriate, likely a ``local'' or ``personal'' one. +This should work with any TDS\footnote{% +\myurl{http://www.tex.ac.uk/cgi-bin/texfaq2html?label=tds}} +compliant TeX distribution, including MikTeX, TeXlive and teTeX. + +After unzipping the archive, update the filename database as necessary, +for example, by executing \verb\texhash ~/texmf\ or +clicking the button labelled ``Refresh FNDB" in the MikTeX settings program. + +MusiXTeX requires a large set of specialized fonts. If necessary, install the +\texttt{musixtex-fonts} package. + +You should now be able to process files that use the MusiXTeX macros using +\verb\etex\ or \verb\pdfetex\; +documentation for MusiXTeX is installed under \verb\.../doc/generic/musixtex...\ +in the TEXMF tree. But the music will be ``squeezed'' to the left; to produce +proper spacing, go on. + +\section{Installing \texttt{musixflx}} + +The next step in the installation is to install +the one crucial file that can't be installed in a TEXMF tree: a \texttt{musixflx} executable, which calls +the script that implements +the second pass of the three-pass MusiXTeX typesetting system described in Section~1.3 of the +MusiXTeX manual (\verb\musixdoc.pdf\). In this MusiXTeX package, the +calculations are done by a Lua script +\begin{list}{}{} +\item \verb|.../scripts/musixtex/musixflx.lua| +\end{list} +On a Unix-like system (with \texttt{luatex} installed), you can put a +symbolic link to \texttt{musixflx.lua} in any directory on the executable PATH as follows: +\begin{list}{}{} +\item \verb\ln -s musixflx\ +\end{list} +On Windows, you can \emph{either} +copy the batch file +\begin{list}{}{} +\item \verb|Windows\musixflx.bat| +\end{list} +to a folder +on the executable PATH \emph{or} add the folder +\verb|Windows| to the executable PATH +as follows: +in ``My Computer'' +click on +\begin{center} +View System Information\quad$\rightarrow$\quad Advanced\quad$\rightarrow$\quad Environment Variables +\end{center} +scroll +down to ``path'', select it, click edit, and add the path to \verb|Windows| after a semi-colon. +Documentation for \verb\musixflx\ is in the \verb\doc/generic/musixtex/scripts\ directory. + +\section{Installing \texttt{musixtex}} + +The Lua script \verb\.../scripts/musixtex/musixtex.lua\ +is simply a convenient wrapper that, by default, +runs the following processes in order (and then deletes intermediate files): +\begin{itemize}\topsep=0pt\itemsep=0pt +\item pre-processors \verb|prepmx|, \verb|pmxab| or \verb|autosp|, +as necessary +\item \verb\etex\ (1st pass) +\item \verb\musixflx\ (2nd pass) +\item \verb\etex\ (3rd pass) +\item \verb\dvips\ (to convert \verb\dvi\ output to Postscript) +\item \verb\ps2pdf\ (to convert \verb\ps\ output to Portable Document Format) +\end{itemize}% +To install, follow the instructions given in the preceding section; i.e., +on Unix-like systems, +install a symbolic link \verb\musixtex\; on Windows, +ensure that the corresponding batch file +is in a folder on the executable PATH. Documentation is in the +\verb\doc/generic/musixtex/scripts\ directory. + +If the \verb\musixps.tex\ package is not used to produce slurs, it is possible to use \verb\pdfetex\ +rather than \verb\etex\, in which case a PDF file will be produced directly, +without the use of \verb\dvips\ and \verb\ps2pdf\; use the \verb\-p\ option in the call to \verb\musixtex\. +The \verb\-d\ option will replace \verb\dvips\ and \verb\ps2pdf\ by \verb\dvipdfm\; again, +this option is usable only if Postscript slurs are \emph{not} used. Use the \verb\-s\ option +to stop processing after the third pass; i.e., at the \verb\dvi\ file. +Use the \verb\-l\ option for \verb\LaTeX\ processing and the \verb\-f\ option to restore the defaults for subsequent files. + +The cross-platform TeXWorks editing environment can +be configured +to use the relevant \verb\musixtex\ script as a typesetting process as follows: +\begin{center} +Edit\quad$\rightarrow$\quad Preferences\quad$\rightarrow$\quad Typesetting +\end{center} +then click on + to add a new processing tool as follows: +\begin{description}\itemsep=0pt +\item[Name:] \verb\musixtex\ +\item[Program:] \verb\musixtex\ +\item[Arguments:] \verb\$basename\ +\end{description} +If necessary, add the path to the directory/folder containing the \verb\musixtex\ +script to the list of Paths for TeX and related programs. + +\section{Discussion} +Many users, especially beginners, will find it easier to use the PMX and +M-Tx pre-processors, which accept a simpler input language than MusiXTeX +itself. +Advanced users may want to use the \texttt{autosp} pre-processor +which simplifies the creation of \texttt{musixtex} scores by automating +the choice of note-spacing commands. +These pre-processor packages may be found at CTAN under \verb\support\. + +Additional documentation, additional +add-on packages, and many examples of MusiXTeX typesetting may be found +at the Werner Icking Music Archive\footnote{% +\myurl{http://icking-music-archive.org}}. +Support for users of MusiXTeX and related software may be obtained via +the MusiXTeX mail list\footnote{% +\myurl{http://tug.org/mailman/listinfo/tex-music}}. +MusiXTeX may be freely copied, modified and used in conformance to the +GNU General Public License (Version~2 or, at your option, any later version; see included file \verb\gpl.txt\). + +\end{document} diff --git a/macros/generic/musixtex/doc/notationMistakes/coulhack.tex b/macros/generic/musixtex/doc/notationMistakes/coulhack.tex new file mode 100644 index 0000000000..1f797876cd --- /dev/null +++ b/macros/generic/musixtex/doc/notationMistakes/coulhack.tex @@ -0,0 +1,70 @@ +% thicker ledger lines +\def\myhlthick{1.5\lthick} +\makeatletter +\def\h@linei{% + \y@ii\n@v\internote + \y@iii\y@ii + \advance\y@ii\myhlthick + \advance\y@iii-\myhlthick + \y@vi\noteskip % noteskip +%-\ifnum\y@vi=\z@ \y@vi\maxdimen\fi % (or maxdimen if noteskip = 0) + \advance\y@vi-\y@v % - notewidth + \y@vi0.7\y@vi % this may be eaten =: additional length + \y@iv\h@lf\qn@width\ifnum\y@vi>\y@iv \y@vi\y@iv\fi % not more than 0.5 qn@width + \y@iv0.2\qn@width \ifnum\y@vi<\y@iv \y@vi\y@iv\fi % not less than 0.2 qn@width + \y@iv\y@v % notewidth + \advance\y@iv\y@vi % + additional length =: total length + \kernm\h@lf\y@vi % center the ledger line +%-\message{noteskip = \the\noteskip, length = \the\y@iv, notewidth = \the\y@v}% + \vrule\@height\y@ii\@depth-\y@iii\@width\y@iv + \kernm\y@iv\kern\h@lf\y@vi} + +% same adapted from MUSIXFLL.TEX + +\ifx\undefined\longledgerlines \else \endinput \fi + +\immediate\write10{MusiXFormerLedgerLines T.74\space<06 April 1997>}% + +%\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 + +\let\h@lineick\h@linei +\def\h@lineidt{% + \y@ii\n@v\internote + \y@iii\y@ii + \advance\y@ii\myhlthick + \advance\y@iii-\myhlthick + \y@iv\y@v + \advance\y@iv\h@lf\qn@width + \kernm.25\qn@width + \vrule\@height\y@ii\@depth-\y@iii\@width\y@iv + \kernm\y@iv\kern.25\qn@width} +\def\longledgerlines{\global\let\h@linei\h@lineidt} +\def\autoledgerlines{\global\let\h@linei\h@lineick} +\longledgerlines +%\catcode`\@=\catcodeat + +% space between signatures and first note at each system: + +\def\contpiece{\noindent \piece@conta \writ@staffs \piece@beginc +% \Writ@meters \wbarno@x \hardspace{10pt}\addspace\afterruleskip + \Writ@meters \wbarno@x \hardspace{.3\elemskip}\addspace\afterruleskip} +% ^^^^^^^^^^^^^^^^^^^^^^^ + +% missing pixels at some beam ends: +\def\beamst@m{% queue de note vers une poutre + \getcurpos \advance\y@v-\b@x + \y@ii\b@p\y@v \divide\y@ii\tw@nty \advance\y@ii\b@z + \ifdim\y@ii>\st@top % la poutre est au-dessus + \stem@skip\qd@skip \comp@slope\stem@skip \advance\y@ii\s@lope + \advance\y@ii .25\interbeam% hack + \ifnum\b@n>\z@ \advance\y@ii\b@n\interbeam \advance\y@ii-\interbeam \fi + \st@top\y@ii % a mettre a jour avec la pente ulterieurement + \else + \advance\y@ii-.25\interbeam% hack + \stem@skip\z@ + \ifdim\y@ii<\st@bot + \ifnum\b@n<\z@ \advance\y@ii\b@n\interbeam \advance\y@ii\interbeam \fi + \st@bot\y@ii \fi \fi + \C@stem} + +\makeatother diff --git a/macros/generic/musixtex/doc/notationMistakes/sottieng.pdf b/macros/generic/musixtex/doc/notationMistakes/sottieng.pdf new file mode 100644 index 0000000000..ab29004645 Binary files /dev/null and b/macros/generic/musixtex/doc/notationMistakes/sottieng.pdf differ diff --git a/macros/generic/musixtex/doc/notationMistakes/sottieng.tex b/macros/generic/musixtex/doc/notationMistakes/sottieng.tex new file mode 100644 index 0000000000..1ce95adb9a --- /dev/null +++ b/macros/generic/musixtex/doc/notationMistakes/sottieng.tex @@ -0,0 +1,1075 @@ +\documentclass[12pt,twoside]{article} +\usepackage{a4} +\usepackage{musixtex} +\usepackage[english]{babel} +\usepackage{randtext} +\input coulhack +\raggedbottom +\setlength{\textwidth}{18cm} \setlength{\textheight}{26cm} +\setlength{\oddsidemargin}{0pt}\setlength{\evensidemargin}{0pt} +\setlength{\parindent}{0cm}\setlength{\parskip}{.5cm} +\setlength{\marginparwidth}{1in} \setlength{\marginparsep}{0pt} +\setlength{\hoffset}{-1cm} +\setlength{\voffset}{-2.5cm} +%\setlength{\headsep}{2cm} +\setlength{\itemsep}{0cm} + +\newcommand{\milieu}[1]{\begin{center}{#1}\end{center}} +\newcommand{\pruneau}{$\bullet$~} +\newcommand{\subsec}{\vspace{-1cm}\subsection{~}\vspace{-.5cm}} +% \today should work the same in theory +\def\mytoday{\ifcase\month\or + January\or February\or March\or April\or May\or June\or + July\or August\or September\or October\or November\or December\fi + \space\number\day, \number\year} + +\def\notess{\vnotes2.4\elemskip} +\def\notesss{\vnotes1.7\elemskip} +\def\notesm{\vnotes1.5\elemskip} +\def\appog{\multnoteskip\tinyvalue\tinynotesize} +\newcommand{\zcn}[2]{\zcharnote{#1}{#2}} +\newcommand{\lcn}[2]{\lcharnote{#1}{#2}} +\newcommand{\ccn}[2]{\ccharnote{#1}{#2}} +\newcommand{\nxst}{\nextstaff} +\def\hhqsk{\off{.7\elemskip}} + +\newcommand{\twoextr}[2] +%{\begin{music}\let\extractline\hbox +{\let\extractline\hbox +\hbox to \hsize{ +\hfill +\startextract #1 +\zendextract\hfill +\startextract #2 +\zendextract +\hfill} + +%\let\extractline\centerline\end{music}} +\let\extractline\centerline} + +\accshift=0mm +\geometricskipscale +\nostartrule +\nobarmessages\nobarnumbers +\let\extractline\centerline + +\begin{document} +\milieu{\ppfftwentynine Repository of music-notation mistakes} +\milieu{\medtype or} +\milieu{\ppfftwentyfour Essay on the true art of music engraving} +\milieu{\Huge Jean-Pierre Coulon} +%\centerline{\tt +%\kern3.5em{obs-nice}\kern-4.5em{@}\kern-3.5em{coulon}\kern4.5em{.fr}} + +\centerline{\tt \randomize{coulon@obs-nice.fr}} + + +\milieu{\mytoday} +%\milieu{\today} + +\milieu{\large intended for:} +\begin{itemize} +\item users of music-typesetting software packages, +\item developers of such packages, +\item traditional music-engravers, +\item sheet-music collectors, +\item those keen on problems of \textit{semantics}, \textit{semiology}, +\textit{philology} , etc. +\end{itemize} + +{\footnotesize NB: These examples are certainly musically worthless: +do not read them with your instrument :-)\\ +To limit myself to the essential, and lacking sufficient expertise, +I do not deal with any of these neighboring, exciting topics: + +\pruneau music theory, harmony, composition, etc.\\ +\pruneau comparative test of various typesetting packages,\\ +\pruneau how to interpret the quoted symbols according to epochs,\\ +\pruneau copyright issues,\\ +\pruneau percussion notation, and plucked-string instrument tablatures,\\ +\pruneau very-early-music notation, and avant-garde music +notation.\\ +\textit{ I apologize to readers of some countries for having adhered +to the U.S. terminology} + +} + + +\section{General issues} +\subsec +When simultaneous notes are present on the same staff, two notations +are posssible: chord notation, or multiple-voice, a.k.a. \textit{polyphonic} +notation. + +\twoextr +{\NOtes\qu c\zq c\qu e\en +\Notes\ibu0e2\zq c\qb0e\zq d\tqh0f\en} +{\NOtes\zql c\qp\zql c\qu e\en +\Notes\ibl0c2\ibu1e2\zqb0c\qb1e\tbl0\zqb0d\tqh1f\en} + +Of course, if parts have distinct rythms, the polyphonic notation is +required. + +\eject\milieu{\ppfftwenty from here:} +{\ppfftwentyfour This side: incorrect. \hfill This side: correct. } + +\subsec +Do your best to place \textit{page-turns} at places +acceptable for the musician, otherwise he will either +require a ``page-turner'', or labor to arrange +chunks of photocopies. Since modern musical scores are smaller +than before, this demands more efforts from the music engraver. + +{\footnotesize The actual print size, i.e. omitting margins, +of most scores from former epochs, almost matched the usual format +of most of modern scores including the margins. + +} + +An easy solution consists in using a small engraving size. +It is better to use a bigger size, at the price of more effort +to manage the spacing rationally. +These two excerpts require the same horizontal space, but that on the +right is easier to read: + +\bigaccid +\begin{music}\let\extractline\hbox +\hbox to \hsize{ +\hfill +\smallmusicsize +\setclef1{\treble} +\startextract% +\notess\ibbu0c1\qb0c\qb0{^c}\qb0d\tqh0{^d}\en +\notess\ibbu0f{-1}\qb0{g}\qb0{_g}\qb0f\tqh0e\en +\bar% +\notess\ibbu0c0\qb0{^cc}\qb0{=c}\tqh0c\en +\zendextract\hfill +\normalmusicsize +\startextract% +\notesss\ibbu0c1\qb0c\hqsk\qb0{^c}\qb0d\hqsk\tqh0{^d}\en +\notesss\ibbu0f{-1}\qb0{g}\hqsk\qb0{_g}\qb0f\tqh0e\en +\bar% +\notesss\ibbu0c0\qb0{^cc}\hqsk\qb0{=c}\tqh0c\en +\zendextract +\hfill} +\let\extractline\centerline\end{music} + +Moreover, you also have to vary the distances between the staves +of systems, to avoid wasting some vertical space +(see my edition of Dussek's piano Sonata op.35-3). + + + + +\subsec +Choose horizontal spacings that increase according to note durations, +but not proportional to these durations. Personally I am happy with a +spacing ratio +of \hbox{$\sqrt{2}\approx 1.414$} to represent a duration-ratio of 2, +but this is not an absolute rule, especially if thirty-second or +sixty-fourth notes are present, because this would bring them +too close to each other. +Do not change the spacing of a specific duration within a line without +a good reason. + +\nostartrule +\setclef1\treble +\hsize82.1mm +\startpiece +\NOTEs\hu c\sk\en +\NOTEs\qu c\en +\NOtes\cu c\en +\notes\ibbu0c0\qb0c\en +\notes\qb0{cc}\tqh0c\en +\setemptybar +\endpiece + +\hsize18cm + +\setclef1\treble +\twoextr +{\notes\hu c\en +\NOtes\qu c\en +\NOTes\cu c\en +\notes\ibbu0c0\qb0c\en +\Notes\qb0{cc}\tqh0c\en} +{\NOTes\hu c\en +\NOtes\qu c\en +\Notes\cu c\en +\notes\ibbu0c0\qb0{cc}\en +\notes\qb0c\tqh0c\en} + +{\footnotesize If a system has several staves, the part +with the \textbf{shortest} durations governs the overall spacing. +Lyrics, if any, may demand still wider spacings. + +} + +\subsec +Here is a good reason to modify tight note spacing: avoiding clashes: + +\twoextr +{\notesss\ccu c\ibbl0k2\qb0{jklm}\tqb0{^n}\en} +{\notesss\ccu c\hqsk\ibbl0k2\qb0{jklm}\hqsk\tqb0{^n}\en}k + +\subsec +If no other simultaneous part prevents it, note stems should also be +taken into account for the spacing: + +\largemusicsize +\twoextr +{\notes\ibbu0d0\qb0{ded}\tqh0e\ibbl0k0\qb0{jkj}\tqb0k\en} +{\notes\ibbu0d0\qb0{ded}\tqh0e\hqsk\ibbl0k0\qb0{jkj}\tqb0k\en} + + +\subsec +Never displace the vertical alignment to accommodate accidentals: + +\setstaffs1{2}\setclef1\bass\startrule\bigaccid +\twoextr{ +\notesm\ibbu0I2\qb0{IJK}\tqh0L\nxst\ibbu0d2\qb0{de}\hhqsk\qb0{^f}\tqh0g\en +\bar% +\NOtes\ql M\nxst\hhqsk\qu{^h}\en} +{\notesm\ibbu0I2\qb0{IJ}\hhqsk\qb0K\tqh0L\nxst\ibbu0d2\qb0{de}\hhqsk\qb0{^f}\tqh0g\en +\bar% +\NOtes\hqsk\ql M\nxst\hqsk\qu{^h}\en} + +\nostartrule + + + +\subsec +Write an interval of a \textit{second} in a chord with the lower note +\textbf{left}. On the other hand, in polyphonic writing, +it should be put \textbf{right}. + +\largemusicsize\setstaffs1{1}\setclef1{\treble} +\twoextr +{\NOtes\rq b\zq{ce}\qu g\en +\NOtes\rq b\zq{^ce}\qu g\en +\NOtes\rq c\rq e\rq g\qu b\en +\doublebar% +\NOtes\zql b\roffset{.9}{\qu c}\en +\notes\ibbu0c0\loff{\ibl1b{-1}\zqb1b}\qb0{cd}\en +\notes\tbl1\zqb1a\qb0c\tqh0d\en} +{\NOtes\rq c\zq{be}\qu g\en +\NOtes\sh c\rq c\zq{be}\qu g\en +\NOtes\rq c\zq{be}\qu g\en +\doublebar% +\NOtes\zqu c\roffset{.9}{\ql b}\en +\notes\ibbu0c0\roff{\ibl1b{-1}\zqb1b}\qb0c\hqsk\qb0d\en +\notes\tbl1\zqb1a\qb0c\tqh0d\en} + +{\footnotesize +I omit cases of voice crossing. +Do not be perturbed by an accidental associated with the +upper note. Do not perturb notes aside this second. + +} + + +\subsec +In polyphonic writing, notes should be shifted just enough to +distinguish them, anyway less than the spacing for a second: + +\Largemusicsize\generalmeter{\empty}\setstaffs1{1}\setclef1\treble +\twoextr +{\NOtes\zql c\roff{\zqu e}\qu g\en +\NOtes\zql c\zqu e\qu g\en +\NOtes\zql c\roffset{.2}{\zqu f}\qu g\en +\NOtes\zqlp c\roff{\zqup f}\qup h\en} +{\NOtes\zql c\loffset{.2}{\zqu g}\qu e\en +\NOtes\zql c\loffset{.2}{\zqu g}\qu e\en +\NOtes\zql c\roff{\zqu f}\qu g\en +\NOtes\loffset{.2}{\zqu h}\pt c\pt f\pt h\zql c\qu f\en} + +{\footnotesize Note the case of dotted notes: the augmentation dots +must be aligned vertically.} + +\subsec +Sometimes augmentations dots must be placed so as to avoid any +ambiguity: + +\twoextr +{\NOtes\ibu0h0\roffset{.9}{\zql g\pt h}\qb0h\en +\notes\tbbu0\tqh0h\en +\NOtes\zqlp g\qu i\en +\Notes\qu j\cl f\en +\Notes\zql e\qu k\en} +{\Notesp\loffset{.3}{\ibu0h0\zqb0h}% +\loffset{.5}{\raise.15\Interligne\hbox{\pt h}}\roffset{.8}{\zql g}\sk\en +%\NOtes\ibu0h0\loffset{.2}{\pt h}\roffset{1.4}{\zql g}\qb0h\en +\notes\tbbu0\tqh0h\en +\NOtes\pt f\zql g\qu i\en +\Notes\qu j\cl f\en +\Notes\zql e\qu k\en} + + + + +\subsec +In a two-part polyphonic notation, upper-part note stems should be +upwards, even if the other part has a rest: + +\normalmusicsize\setclef1{\bass} +\twoextr +{\NOTesp\zw H\hup a\en +\Notes\qu N\hroff{\liftpause{-2}}\ql{MKLM}\en} +{\NOTesp\zw H\hup a\en +\Notes\qu N\liftpause{-2}\qu{MKLM}\en} + +{\footnotesize(same for the lower part.)} + + +\subsec +Some linkings of notes or rests may be correct +according to music theory, +but impede sight reading: + +\normalmusicsize +\generalmeter{\meterfrac44}\setclef1\treble +\twoextr +{\notes\cu c\en +\bar% +\notes\cu d\en +\Notes\qp\en +\notes\ibu0f2\qb0{efgh}\tqh0i\en +\bar +\znotes\en} +%\notes\cl j\en} +{\notes\cu c\en +\bar% +\notes\cu d\ds\ds\cu e\en +\notes\ibu0g2\qb0{fgh}\tqh0i\en +\bar +\znotes\en} + +In other words, rests should not act as syncopated notes. In a ternary +beat, separate a rest that affects the second and third time values. +Beams do not demand so much care. + +{\footnotesize Some will argue that in early music, flag/beam notation +expresses some degree of articulation. But the rule above almost always +coincides with some \textit{reasonable} articulation. + +} + + +\section{Beaming} +\subsec +Beams should have an appropriate slope. In the past, one would avoid +too weak a slope, because the printing ink would maliciously attempt +to fill the tiny angle between these beams and the staff lines. +For a scale or an arpeggio, this slope cannot be steeper than that +formed by the notes, nor horizontal. A compromise must be found. +Here is an example, with its solution, by two distinguished publishers: + +\generalmeter{\empty} +\setstaffs1{1}\setclef1{\treble} +\twoextr{ +\notes\ibbu0a6\qb0{cdefg}\tqh0h\en +\notes\ibbu0g0\qb0{cdefg}\tqh0h\en} +{\notes\zcn q{\smalltype Peters end 19$^{th}$C.}\ibbu0a4\qb0{cdefg}\tqh0h\en +\notes\zcn q{\smalltype Henle end 20$^{th}$C.}\ibbu0e1\qb0{cdefg}\tqh0h\en +\notes\zcn q{recommended}\ibbu0d2\qb0{cdefg}\tqh0h\en} + +\footnotesize{If you want to imitate some French publishers :} + +\startextract% +\notes\ibu0d2\ibbu1d2\qb1c\qb0{defg}\tbu0\tqh1h\en +\notesss\ibu0i0\ibbbu1i0\qb1j\qb0{eg}\tbu0\tqh1j\en +\zendextract + +\subsec +Beam placement should be adapted to the context. This placement varies +depending on whether this group of notes is isolated or in a series: + +\startextract +\NOTes\hu c\hu d\en +\bar +\NOtes\qu f\en +\notes\ibbu0f4\qb0{ceg}\tqh0j\en +\NOtes\qu{cd}\en +\bar% +\NOtes\qp\en +\NOTes\hu f\en +\zendextract + +\twoextr +{\notes\ibbu0f4\qb0{ceg}\tqh0j\en +\notes\ibbu0f4\qb0{ceg}\tqh0j\en +\notes\ibbu0f4\qb0{ceg}\tqh0j\en +\notes\ibbu0f4\qb0{ceg}\tqh0j\en} +{\notes\ibbu0h1\qb0{ceg}\tqh0j\en +\notes\ibbu0h1\qb0{ceg}\tqh0j\en +\notes\ibbu0h1\qb0{ceg}\tqh0j\en +\notes\ibbu0h1\qb0{ceg}\tqh0j\en} + +\subsec +Avoid Z-like beams, as found in former editions: + +\normalmusicsize +\setclef1\bass +\twoextr +{\Notes\ibu0E{-4}\qb0G\zq{Nc}\qb0e\en +\Notes\zq{Nc}\qb0e\zq{Nc}\tqb0e\en} +{\Notes\ibl0H2\qb0G\en +\Notes\zq{Nc}\qb0e\zq{Nc}\qb0e\zq{Nc}\tqb0e\en +\doublebar% +\Notes\cu G\en +\Notes\ibl0a0\zq{Nc}\qb0e\zq{Nc}\qb0e\zq{Nc}\tqb0e\en} + + +\subsec +Beams should never cross ledger lines: + +\setclef1{\treble} +\twoextr +{\notes\ibbl0q3\qb0{qrstuvw}\tqb0x\en} +{\notes\ibbl0o1\qb0{qrstuvw}\tqb0x\en} + +\subsec +Do not affect beam placement to place rests at their usual height. +Rather move the rests: + +\twoextr +{\Notes\ibl0k1\qb0n\ds\tqb0o\en +\Notes\ibl0l0\qb0o\ds\tqb0o\en} +{\Notes\ibl0n1\qb0n\raise2\Interligne\ds\tqb0o\en +\Notes\ibl0o0\qb0o\raise2\Interligne\ds\tqb0o\en} + + +\section{Ties and slurs} +\subsec +When \textbf{slurred} notes are intended, the slur takes off and lands +above or below the \textbf{centers} of note heads. But for \textbf{tied} +notes, +the same sign takes off and lands vertically aligned with the boundary +of the note head, and not higher than this head. +One breaks from the first rule to +avoid colliding the note stems. + + +\largemusicsize +\twoextr +{\NOtes\isslurd0c\isluru1c\qu c\tsslur1 d\qu d\tsslur0e\qu e\islurd0f\qu f\en +\bar% +\NOtesp\tslur0f\roff{\itied0f}\qup f\en +\NOtes\ttie0\qu f\en} +{\NOtes\islurd0c\hroff{\isluru1c}\qu c\tslur1d\qu d\tslur0e\qu e\itied0f\qu f\en +\bar% +\NOtesp\ttie0\itied0f\qup f\en +\NOtes\ttie0\qu f\en} + +{\footnotesize Note that the tie becomes ``quieter''.} + + +\subsec +Meanwhile avoid ``acrobatics'' to strictly abide these rules: + +\largemusicsize +\twoextr +{\NOtes\islurd0c\qu c\tsslur0j\ql j\en +\NOtes\isluru0j\ql j\ql o\midslur5\tslur0k\ql k\en} +{\NOtes\isslurd0c\qu c\tsslur0j\ql j\en +\NOtes\isluru0l\ql j\ql o\tslur0m\ql k\en} + + +\subsec +During some epochs a single tie was supposed to refer to \textbf{all} +notes of a particular chord. Particular cases have become so frequent, +that it is better to note all ties explicitly. + +\largemusicsize +\twoextr +{\NOtes\itieu0g\zq{ce}\qu g\en +\bar% +\NOtes\ttie0\zq{ce}\qu g\en} +{\NOtes\itied0c\itenl1e\itieu2g\zq{ce}\qu g\en +\bar% +\NOtes\ttie0\tten1\ttie2\zq{ce}\qu g\en} + +\subsec +Associations of ties and slurs with dots and ornaments: + +\twoextr +{\NOtes\isluru0j\upz k\ql j\tslur0k\upz l\ql k\en +\NOtes\isluru0n\ql n\shake o\tslur0o\ql m\en} +{\NOtes\isluru0l\upz j\ql j\tslur0m\upz k\ql k\en +\NOtes\isluru0n\ql n\shake q\tslur0m\ql m\en} + +\newpage +\subsec +Associations of ties and slurs: + +\twoextr +{\NOtes\itied0d\qu d\en +\bar +\NOtes\ttie0\islurd1d\qu d\tslur1c\qu c\en +\NOtes\islurd1e\qu e\tslur1f\itied0f\qu f\en +\bar +\NOtes\ttie0\qu f\en} +{\NOtes\islurd1d\itied0d\qu d\en +\bar +\NOtes\ttie0\qu d\tslur1c\qu c\en +\NOtes\islurd1e\qu e\itied0f\qu f\en +\bar +\NOtes\tslur1f\ttie0\qu f\en} + +{\footnotesize Bowed-instruments players will find this obvious.} + + + +\subsec +The dotted slur is the best way to emphasize an \textit{editorial slur}: + +\setclef1{\treble} +\twoextr +{\NOtes\islurd0c\qu c\tslur0d\qu d\en +\NOtes\zcn a{\smalltype\bf (}\islurd0d\qu e% +\zcn b{\smalltype\bf ~)}\tslur0e\qu f\en +\NOtes\islurd0g\zqu g\hsk\zcn c{\bf /}\hsk\tslur0h\qu h\en} +{\NOtes\islurd0c\qu c\tslur0d\qu d\en +\NOtes\dotted\islurd0e\qu e\tslur0f\qu f\en +\NOtes\dotted\islurd0g\qu g\tslur0h\qu h\en} + + +\section{Accidentals} +\subsec +When a note with an accidental expands over several measure, +do not repeat the accidental on the next measures, except if there is +a line-break or a page-break: + +\twoextr +{\NOTEs\itied0b\itieu1j\zwh{^c}\wh{_i}\en +\bar% +\NOTes\ttie0\ttie1\zwh{^c}\hu{_i}\hu i\en} +{\NOTEs\itied0c\itieu1i\zwh{^c}\wh{_i}\en +\bar% +\NOTes\ttie0\ttie1\zwh c\hu i\hu{_i}\en} + +\subsec + +When an accidental affects \textit{small notes}, and is desired +to also affect subsequent notes, it must be repeated. + +\twoextr +{\notes\appog\ibbu0c2\qb0{^c}\tqh0d\en +\NOTes\wh c\en} +{\notes\appog\ibbu0c2\qb0{^c}\tqh0d\en +\NOTes\qsk\wh{^c}\en} + +\subsec +When a note with a single sharp comes after the same note with a +double sharp, you no longer put a natural sign before the single +sharp, unless you want to mimic 19th engraving style. Same for flats: + +\twoextr +{\NOtes\qu{>c}\lna c\qu{^c}\qu{c}\qu{^c}\qu{c}\lna c\qu{^c}\qu{c}\qu{^c}\qu{>, soit de faire de laborieux montages +de morceaux de photocopies. Compte tenu du fait que les partitions +des temps modernes sont plus petites qu'autrefois, ceci impose un +effort suppl\'ementaire de la part du graveur. + +{\footnotesize La zone effectivement imprim\'ee, c'est-\`a-dire sans tenir +compte des marges, de la plupart des +partitions anciennes, correspondait presque au +format habituel des partitions de notre temps, marges comprises. + +} + +Un solution de facilit\'e consiste \`a utiliser une petite taille de gravure. +Il vaut mieux utiliser une gravure de taille sup\'erieure, au prix +d'un effort plus important pour g\'erer les espacements rationnellement. +Ces deux extraits prennent le m\^eme espace horizontal, mais celui de +droite est plus lisible : + +\bigaccid +\begin{music}\let\extractline\hbox +\hbox to \hsize{ +\hfill +\smallmusicsize +\setclef1\treble +\startextract% +\notess\ibbu0c1\qb0c\qb0{^c}\qb0d\tqh0{^d}\en +\notess\ibbu0f{-1}\qb0{g}\qb0{_g}\qb0f\tqh0e\en +\bar% +\notess\ibbu0c0\qb0{^cc}\qb0{=c}\tqh0c\en +\zendextract\hfill +\normalmusicsize +\startextract% +\notesss\ibbu0c1\qb0c\hqsk\qb0{^c}\qb0d\hqsk\tqh0{^d}\en +\notesss\ibbu0f{-1}\qb0{g}\hqsk\qb0{_g}\qb0f\tqh0e\en +\bar% +\notesss\ibbu0c0\qb0{^cc}\hqsk\qb0{=c}\tqh0c\en +\zendextract +\hfill} +\let\extractline\centerline\end{music} + +De plus, il faut parfois varier \'egalement la distance entre les +port\'ees d'un m\^eme syst\`eme, afin de ne pas gaspiller d'espace vertical +(voir mon \'edition de la Sonate op.35-3 de Dussek). + +\subsec +Choisir des espacements horizontaux croissants en fonction des valeurs +de notes, mais cependant pas proportionnels \`a ces valeurs. Personnellement, +je suis satisfait avec le rapport \hbox{$\sqrt{2}\approx 1.414$} +correspondant aux valeurs de notes de rapport 2, mais ce n'est pas une +r\`egle absolue, surtout s'il y a des triples ou quadruples croches, qui +peuvent alors \^etre trop serr\'ees. +Ne pas changer d'espacement au cours d'une ligne sans +raison valable. + +\nostartrule +\setclef1\treble +\hsize82.1mm +\startpiece +\NOTEs\hu c\sk\en +\NOTEs\qu c\en +\NOtes\cu c\en +\notes\ibbu0c0\qb0c\en +\notes\qb0{cc}\tqh0c\en +\setemptybar +\endpiece + +\hsize18cm +\twoextr +{\notes\hu c\en +\NOtes\qu c\en +\NOTes\cu c\en +\notes\ibbu0c0\qb0c\en +\Notes\qb0{cc}\tqh0c\en} +{\NOTes\hu c\en +\NOtes\qu c\en +\Notes\cu c\en +\notes\ibbu0c0\qb0{cc}\en +\notes\qb0c\tqh0c\en} + +{\footnotesize S'il y a plusieurs port\'ees par syst\`eme, c'est la +partie comportant les notes les plus \textbf{br\`eves} +qui impose l'espacement de l'ensemble. S'il y a des paroles, elles +peuvent imposer un espacement encore plus grand. + +} + +\subsec +Voici une raison valable de changer d'espacement pour les notes +serr\'ees : \'eviter les collisions : + +\twoextr +{\notesss\ccu c\ibbl0k2\qb0{jklm}\tqb0{^n}\en} +{\notesss\ccu c\hqsk\ibbl0k2\qb0j\qb0{klm}\hqsk\tqb0{^n}\en} + +\newpage + +\subsec +Si aucune autre partie simultan\'ee ne l'interdit, il faut aussi +tenir compte des queues de notes pour les espacements : + +\largemusicsize +\twoextr +{\notes\ibbu0d0\qb0{ded}\tqh0e\ibbl0k0\qb0{jkj}\tqb0k\en} +{\notes\ibbu0d0\qb0{ded}\tqh0e\hqsk\ibbl0k0\qb0{jkj}\tqb0k\en} + +\subsec +Ne jamais compromettre l'aplomb entre parties sous pr\'etexte de loger +les alt\'erations : + +\setstaffs1{2}\setclef1\bass\startrule\bigaccid +\twoextr{ +\notesm\ibbu0I2\qb0{IJK}\tqh0L\nxst\ibbu0d2\qb0{de}\hhqsk\qb0{^f}\tqh0g\en +\bar% +\NOtes\ql M\nxst\hhqsk\qu{^h}\en} +{\notesm\ibbu0I2\qb0{IJ}\hhqsk\qb0K\tqh0L\nxst\ibbu0d2\qb0{de}\hhqsk\qb0{^f}\tqh0g\en +\bar% +\NOtes\hqsk\ql M\nxst\hqsk\qu{^h}\en} +\nostartrule + + +\subsec +Pour noter un intervalle de seconde dans un accord, on met la note +inf\'erieure \`a gauche. Par contre, dans une \'ecriture polyphonique, +elle se met \`a droite. + +\largemusicsize\setstaffs1{1}\setclef1\treble +\twoextr +{\NOtes\rq b\zq{ce}\qu g\en +\NOtes\rq b\zq{^ce}\qu g\en +\NOtes\rq c\rq e\rq g\qu b\en +\doublebar% +\NOtes\zql b\roffset{.9}{\qu c}\en +\notes\ibbu0c0\loff{\ibl1b{-1}\zqb1b}\qb0{cd}\en +\notes\tbl1\zqb1a\qb0c\tqh0d\en} +{\NOtes\rq c\zq{be}\qu g\en +\NOtes\sh c\rq c\zq{be}\qu g\en +\NOtes\rq c\zq{be}\qu g\en +\doublebar% +\NOtes\zqu c\roffset{.9}{\ql b}\en +\notes\ibbu0c0\roff{\ibl1b{-1}\zqb1b}\qb0c\hqsk\qb0d\en +\notes\tbl1\zqb1a\qb0c\tqh0d\en} + +{\footnotesize +Je fais l'impasse sur les cas de \textit{croisements de voix}. +Ne pas se laisser influencer par une alt\'eration concernant +la note sup\'erieure. +Ne pas perturber les notes \'etrang\`eres +\`a cette seconde. + +} + +\subsec +Pour les \'ecritures polyphoniques, on d\'ecale les notes juste ce qu'il +faut pour pouvoir les distinguer, en tout cas moins que pour un intervalle +de seconde : + +\Largemusicsize\generalmeter{\empty}\setstaffs1{1}\setclef1\treble +\twoextr +{\NOtes\zql c\roff{\zqu e}\qu g\en +\NOtes\zql c\zqu e\qu g\en +\NOtes\zql c\roffset{.2}{\zqu f}\qu g\en +\NOtes\zqlp c\roff{\zqup f}\qup h\en} +{\NOtes\zql c\loffset{.2}{\zqu g}\qu e\en +\NOtes\zql c\loffset{.2}{\zqu g}\qu e\en +\NOtes\zql c\roff{\zqu f}\qu g\en +\NOtes\loffset{.2}{\zqu h}\pt c\pt f\pt h\zql c\qu f\en} + +{\footnotesize Noter le cas des notes point\'ees.} + +\subsec +Il faut parfois adapter la place du point pour \'eviter les ambigu\"it\'es : + +\twoextr +{\NOtes\ibu0h0\roffset{.9}{\zql g\pt h}\qb0h\en +\notes\tbbu0\tqh0h\en +\NOtes\zqlp g\qu i\en +\Notes\qu j\cl f\en +\Notes\zql e\qu k\en} +{\Notesp\loffset{.3}{\ibu0h0\zqb0h}% +\loffset{.5}{\raise.15\Interligne\hbox{\pt h}}\roffset{.8}{\zql g}\sk\en +%\NOtes\ibu0h0\loffset{.2}{\pt h}\roffset{1.4}{\zql g}\qb0h\en +\notes\tbbu0\tqh0h\en +\NOtes\pt f\zql g\qu i\en +\Notes\qu j\cl f\en +\Notes\zql e\qu k\en} + + +\newpage + +\subsec +Dans une notation polyphonique \`a deux parties, on met les queues +des notes de la partie sup\'erieure vers le haut, m\^eme si l'autre partie +comporte un silence : + +\normalmusicsize\setclef1{\bass} +\twoextr +{\NOTesp\zw H\hup a\en +\Notes\qu N\hroff{\liftpause{-2}}\ql{MKLM}\en} +{\NOTesp\zw H\hup a\en +\Notes\qu N\liftpause{-2}\qu{MKLM}\en} + +{\footnotesize(et inversement pour la partie du bas.)} + + +\subsec +Certains regroupements de notes ou de silences peuvent \^etre +\textit{solf\'egiquement corrects}, mais rendent le d\'echiffrage difficile : + +\normalmusicsize\setclef1\treble +\generalmeter{\meterfrac44} +\twoextr +{\notes\cu c\en +\bar% +\notes\cu d\en +\Notes\qp\en +\notes\ibu0f2\qb0{efgh}\tqh0i\en +\bar +\znotes\en} +%\notes\cl j\en} +{\notes\cu c\en +\bar% +\notes\cu d\ds\ds\cu e\en +\notes\ibu0g2\qb0{fgh}\tqh0i\en +\bar +\znotes\en} + + +Autrement dit, ne pas faire jouer le r\^ole de syncopes \`a des silences. +Dans une mesure ternaire, s\'eparer un silence qui concerne les deuxi\`eme +et troisi\`eme unit\'es de valeur. +Pour les barres des croches, on peut \^etre un peu plus souple. + +{\footnotesize Certains objecteront qu'en musique ancienne, la notation +des croches en crochets ou en barre exprime un degr\'e d'articulation +souhait\'e. Mais la r\`egle ci-dessus recoupe presque toujours une +articulation << raisonnable >>. + +} + + +\section{Croches en barres} +\subsec +Il faut donner aux << barres >> ou << ligatures >> +des croches une pente appropri\'ee. Autrefois, +on \'evitait de trop faibles pentes, parce que l'encre d'imprimerie +avait une f\^acheuse tendance \`a combler un angle trop petit entre ces +barres et les lignes de la port\'ee. Pour une gamme ou un arp\`ege, cette +pente ne peut pas \^etre sup\'erieure \`a celle form\'ee par les notes, ni +horizontale. Il faut t\^acher de trouver un compromis. Voici un exemple, +avec sa r\'eponse, par deux illustres \'editeurs : + +\generalmeter{\empty} +\setstaffs1{1}\setclef1\treble +\twoextr{ +\notes\ibbu0a6\qb0{cdefg}\tqh0h\en +\notes\ibbu0g0\qb0{cdefg}\tqh0h\en} +{\notes\zcn q{Peters \smalltype fin XIX$^e$}\ibbu0a4\qb0{cdefg}\tqh0h\en +\notes\zcn q{Henle \smalltype fin XX$^e$}\ibbu0e1\qb0{cdefg}\tqh0h\en +\notes\zcn q{conseill\'e}\ibbu0d2\qb0{cdefg}\tqh0h\en} + +\footnotesize{Si vous voulez imiter certains \'editeurs fran\c{c}ais :} + +\startextract% +\notes\ibu0d2\ibbu1d2\qb1c\qb0{defg}\tbu0\tqh1h\en +\notesss\ibu0i0\ibbbu1i0\qb1j\qb0{eg}\tbu0\tqh1j\en +\zendextract + +\newpage + +\subsec +Le placement des barres doit \^etre adapt\'e au contexte. Ce +placement est diff\'erent selon qu'on a un groupe de croches isol\'ees ou +un passage de croches semblables : + +\startextract +\NOTes\hu c\hu d\en +\bar +\NOtes\qu f\en +\notes\ibbu0f4\qb0{ceg}\tqh0j\en +\NOtes\qu{cd}\en +\bar% +\NOtes\qp\en +\NOTes\hu f\en +\zendextract + +\twoextr +{\notes\ibbu0f4\qb0{ceg}\tqh0j\en +\notes\ibbu0f4\qb0{ceg}\tqh0j\en +\notes\ibbu0f4\qb0{ceg}\tqh0j\en +\notes\ibbu0f4\qb0{ceg}\tqh0j\en} +{\notes\ibbu0h1\qb0{ceg}\tqh0j\en +\notes\ibbu0h1\qb0{ceg}\tqh0j\en +\notes\ibbu0h1\qb0{ceg}\tqh0j\en +\notes\ibbu0h1\qb0{ceg}\tqh0j\en} + + + + +\subsec +\'Eviter les barres de croches en forme de Z, qu'on trouve dans les +\'editions d'autrefois : + +\normalmusicsize +\setclef1\bass +\twoextr +{\Notes\ibu0E{-4}\qb0G\zq{Nc}\qb0e\en +\Notes\zq{Nc}\qb0e\zq{Nc}\tqb0e\en} +{\Notes\ibl0H2\qb0G\en +\Notes\zq{Nc}\qb0e\zq{Nc}\qb0e\zq{Nc}\tqb0e\en +\doublebar% +\Notes\cu G\en +\Notes\ibl0a0\zq{Nc}\qb0e\zq{Nc}\qb0e\zq{Nc}\tqb0e\en} + + +\subsec +On ne fait jamais interf\'erer les barres de croches avec les lignes +suppl\'ementaires : + +\setclef1\treble +\twoextr +{\notes\ibbl0q3\qb0{qrstuvw}\tqb0x\en} +{\notes\ibbl0o1\qb0{qrstuvw}\tqb0x\en} + +\subsec +Ne pas affecter le placement des barres pour placer les silences +\`a leur hauteur normale. Au contraire, d\'eplacer les silences : + +\twoextr +{\Notes\ibl0k1\qb0n\ds\tqb0o\en +\Notes\ibl0l0\qb0o\ds\tqb0o\en} +{\Notes\ibl0n1\qb0n\raise2\Interligne\ds\tqb0o\en +\Notes\ibl0o0\qb0o\raise2\Interligne\ds\tqb0o\en} + + + +\section{Tenues et liaisons} +\subsec +Quand on veut exprimer des notes \textbf{li\'ees}, le signe de liaison +d\'emarre et atterrit au dessus du \textbf{centre} des notes. Par contre, +pour exprimer des notes \textbf{tenues}, ce m\^eme signe d\'emarre et +atterrit \`a la verticale de la limite de la t\^ete de la note, et pas +plus haut que celle-ci. On d\'eroge +\`a la premi\`ere r\`egle pour \'eviter des collisions avec les queues des +notes : + + +\largemusicsize +\twoextr +{\NOtes\isslurd0c\isluru1c\qu c\tsslur1 d\qu d\tsslur0e\qu e\islurd0f\qu f\en +\bar% +\NOtesp\tslur0f\roff{\itied0f}\qup f\en +\NOtes\ttie0\qu f\en} +{\NOtes\islurd0c\hroff{\isluru1c}\qu c\tslur1d\qu d\tslur0e\qu e\itied0f\qu f\en +\bar% +\NOtesp\ttie0\itied0f\qup f\en +\NOtes\ttie0\qu f\en} +{\footnotesize A noter que la tenue en devient plus discr\`ete.} + +\subsec +Ne pas faire quand m\^eme trop d' << acrobaties >> pour suivre ces r\`egles +\`a la lettre : + +\twoextr +{\NOtes\islurd0c\qu c\tsslur0j\ql j\en +\NOtes\isluru0j\ql j\ql o\midslur5\tslur0k\ql k\en} +{\NOtes\isslurd0c\qu c\tsslur0j\ql j\en +\NOtes\isluru0l\ql j\ql o\tslur0m\ql k\en} + + +\subsec +A certaines \'epoques, on estimait qu'une seule tenue concernait +\textbf{toutes} les notes d'un m\^eme accord. Les cas particuliers sont +devenus si nombreux, qu'il vaut mieux noter explicitement toutes +les tenues : + +\largemusicsize +\twoextr +{\NOtes\itieu0g\zq{ce}\qu g\en +\bar% +\NOtes\ttie0\zq{ce}\qu g\en} +{\NOtes\itied0c\itenl1e\itieu2g\zq{ce}\qu g\en +\bar% +\NOtes\ttie0\tten1\ttie2\zq{ce}\qu g\en} + +\subsec +Cohabitation de liaisons et tenues avec des notes piqu\'ees et des +ornements : + +\twoextr +{\NOtes\isluru0j\upz k\ql j\tslur0k\upz l\ql k\en +\NOtes\isluru0n\ql n\shake o\tslur0o\ql m\en} +{\NOtes\isluru0l\upz j\ql j\tslur0m\upz k\ql k\en +\NOtes\isluru0n\ql n\shake q\tslur0m\ql m\en} + +\subsec +Cohabitation entre liaisons et tenues : + +\twoextr +{\NOtes\itied0d\qu d\en +\bar +\NOtes\ttie0\islurd1d\qu d\tslur1c\qu c\en +\NOtes\islurd1e\qu e\tslur1f\itied0f\qu f\en +\bar +\NOtes\ttie0\qu f\en} +{\NOtes\islurd1d\itied0d\qu d\en +\bar +\NOtes\ttie0\qu d\tslur1c\qu c\en +\NOtes\islurd1e\qu e\itied0f\qu f\en +\bar +\NOtes\tslur1f\ttie0\qu f\en} + +{\footnotesize Les instrumentistes \`a archet trouveront ceci \'evident.} + +\subsec +Lorsqu'on veut ajouter une liaison en temps qu'\'editeur, le pointill\'e +est la meilleure mani\`ere de signaler cette intervention : + +\setclef1\treble +\twoextr +{\NOtes\islurd0c\qu c\tslur0d\qu d\en +\NOtes\zcn a{\smalltype\bf (}\islurd0d\qu e% +\zcn b{\smalltype\bf ~)}\tslur0e\qu f\en +\NOtes\islurd0g\zqu g\hsk\zcn c{\bf /}\hsk\tslur0h\qu h\en} +{\NOtes\islurd0c\qu c\tslur0d\qu d\en +\NOtes\dotted\islurd0e\qu e\tslur0f\qu f\en +\NOtes\dotted\islurd0g\qu g\tslur0h\qu h\en} + + + +\section{Alt\'erations} +\subsec +Quand une note tenue alt\'er\'ee s'\'etend sur plusieurs mesures, on +ne r\'ep\`ete pas les alt\'erations aux mesures suivantes, sauf en cas de +saut de ligne ou de page. + +\twoextr +{\NOTEs\itied0b\itieu1j\zwh{^c}\wh{_i}\en +\bar% +\NOTes\ttie0\ttie1\zwh{^c}\hu{_i}\hu i\en} +{\NOTEs\itied0c\itieu1i\zwh{^c}\wh{_i}\en +\bar% +\NOTes\ttie0\ttie1\zwh c\hu i\hu{_i}\en} + + +\subsec +Quand une alt\'eration concerne de \textit{petites notes}, et qu'on +estime qu'elle doit s'appliquer aux notes normales qui suivent, il +faut r\'ep\'eter cette alt\'eration. + +\twoextr +{\notes\appog\ibbu0c2\qb0{^c}\tqh0d\en +\NOTes\wh c\en} +{\notes\appog\ibbu0c2\qb0{^c}\tqh0d\en +\NOTes\qsk\wh{^c}\en} + +\newpage + +\subsec +Quand une note affect\'ee d'un simple di\`ese succ\`ede \`a la m\^eme note +affect\'ee d'un double di\`ese dans la m\^eme mesure, on ne met plus de b\'ecarre +avant le simple di\`ese, +\`a moins de vouloir imiter le style de gravure du 19$^e$ si\`ecle. De m\^eme pour les +b\'emols : + +\twoextr +{\NOtes\qu{>c}\lna c\qu{^c}\qu{c}\qu{^c}\qu{> \textbf(c). +\end{itemize} + +On met une alt\'eration \'editoriale quand on estime que la source +avec laquelle on travaille est erron\'ee. On la note par une alt\'eration +de petite taille, plac\'ee au dessus de la note si la place le permet, +sinon au dessous. Si la note +est au milieu d'un accord, on la place \`a gauche de la note. + +{\footnotesize Le chiffrage de la \textit{basse continue} fait aussi +usage de petites alt\'erations au dessus des notes. Mais en g\'en\'eral, la +confusion est peu vraisemblable. + +} + +On met une alt\'eration de pr\'ecaution quand les r\`egles du solf\`ege voudraient +qu'elle s'applique, mais on craint qu'elle n'\'echappe au musicien, comme +par exemple, \`a la fin d'une mesure tr\`es riche en notes. Elle se note +entre parenth\`eses. + +Une alt\'eration << cadeau de la maison >> est une alt\'eration superflue +au regard du solf\`ege, et qui confirme l'effet de la barre de +mesure sur les alt\'erations pr\'ec\'edentes. L'habitude est de la noter +normalement : + +\twoextr +{\NOtes\qu{^c}\qu d\cfl e\qu e\qu{^c}\en +\bar% +\NOtes\cna c\qu c\en} +{\NOtes\qu{^c}\qu d\ccn q{(e)}\upperfl L\qu e\ccn q{(p)}\csh c\qu c\en +\bar% +\NOtes\ccn q{(c)}\qu{=c}\en} + + +{\footnotesize Pour certaines \oe uvres contemporaines complexes, il +est pr\'ef\'erable de noter \textbf{toutes} les alt\'erations.} + +\subsec Autrefois, pour certains copistes, il allait de soi que quand la +premi\`ere note d'une mesure est la m\^eme que celle alt\'er\'ee de la +mesure pr\'ec\'edente, l'alt\'eration continue \`a s'appliquer : + +\setstaffs12\setclef1{\bass\treble} +\startrule +\interstaff{11} + +\startextract +\NOtesp\zhl K\hu a|\zh{^f}\zhl d\qup j\en +\notesp|\triolet r\ibbu3i{-1}\qb3j\en +\notes|\qb3{_i}\tqh3h\en +\NOtesp\pt F\zql G\qu N|\zqp g\zqlp d\qup i\en +\notes\ibbl0H1\triolet C\zcu N\qb0G|\zq g\zcl d\cu i\en +\notesp\qb0H\en +\notes\tqb0{_I}\en +\bar +\NOtes\zhl J\qu N|\pt b\zql c\loffset{.25}{\zql e}\qu i\en +\Notes\qu M|\zhl f\ibu3h{-1}\qbp3h\en +\notes|\cl c\en +\notes|\tbbu3\tqh3g\en +\NOtes\zhl C\qu N|\pt b\zql c\qu g\en +\zendextract + +La correction est donc \'evidente, et ne justifie donc pas une alt\'eration +\'editoriale : + +\smallmusicsize +\twoextr +{\NOtesp\zhl K\hu a\nextstaff\zh{^f}\zhl d\qup j\en +\notesp\nextstaff\triolet r\ibbu3i{-1}\qb3j\en +\notes\nextstaff\qb3{_i}\tqh3h\en +\NOtesp\pt F\zql G\qu N\nextstaff\zqp g\zqlp d\qup i\en +\notes\ibbl0H1\triolet C\zcu N\qb0G\nextstaff\zq g\zcl d\cu i\en +\notesp\qb0H\en +\notes\tqb0{_I}\en +\bar% +\NOtes\zhl J\qu N\nextstaff\pt b\zql c\loffset{.25}{\zql e}\upperfl n\qu i\en +\Notes\qu M\nextstaff\zhl f\ibu3h{-1}\qbp3h\en +\notes\nextstaff\cl c\en +\notes\nextstaff\tbbu3\tqh3g\en +\NOtes\zhl C\qu N\nextstaff\pt b\zql c\qu g\en} +{\NOtesp\zhl K\hu a\nextstaff\zh{^f}\zhl d\qup j\en +\notesp\nextstaff\triolet r\ibbu3i{-1}\qb3j\en +\notes\nextstaff\qb3{_i}\tqh3h\en +\NOtesp\pt F\zql G\qu N\nextstaff\zqp g\zqlp d\qup i\en +\notes\ibbl0H1\triolet C\zcu N\qb0G\nextstaff\zq g\zcl d\cu i\en +\notesp\qb0H\en +\notes\tqb0{_I}\en +\bar% +\nspace% +\NOtes\zhl J\qu N\nextstaff\pt b\zql c\loffset{.25}{\zql e}\qu{_i}\en +\Notes\qu M\nextstaff\zhl f\ibu3h{-1}\qbp3h\en +\notes\nextstaff\cl c\en +\notes\nextstaff\tbbu3\tqh3g\en +\NOtes\zhl C\qu N\nextstaff\pt b\zql c\qu g\en} + +{\footnotesize (\`a plus forte raison une alt\`eration de +pr\'ecaution. Vos comp\'etances de musicologue sont d\'ej\`a +reconnues \`a ce stade !)} + +\subsec +Dans une \'edition ancienne, certaines alt\'erations peuvent sembler superflues +selon nos r\`egles modernes, comme le \textit{do} di\`ese \`a la fin de +cette mesure : + +\nostartrule +\setstaffs11 +\largemusicsize +\setclef1{\bass} +\startextract +\bar% +\NOtes\zw N\zq b\qu d\lsh a\zq a\qu{^c}\en +\NOtes\zq b\qu d\zq{^c}\qu e\en +\bar% +\zendextract + + Le raisonnement suivant est donc \`a proscrire : +<<\textit{si cette alt\'eration est pr\'esente, c'est qu'il +y a une bonne raison, mais il se trouve que cette alt\'eration est erron\'ee. +En effet, si le compositeur avait voulu un} do \textit{di\`ese +\`a la fin de la mesure, il n'aurait rien mis. +Je me charge donc de faire la correction qui s'impose.}>> + + +\twoextr{ +\bar% +\NOtes\zw N\zq b\qu d\lsh a\zq a\qu{^c}\en +\NOtes\zq b\qu d\zq{=c}\qu e\en +\bar% +} +{\bar% +\NOtes\zw N\zq b\qu d\lsh a\zq a\qu{^c}\en +\NOtes\zq b\qu d\zq c\qu e\en +\bar% +} + +{\footnotesize Si ces noires en tierces avaient \'et\'e not\'ees de mani\`ere +polyphonique, tout s'expliquerait. Je pourrais citer d'autres malentendus +semblables, \`a propos du cas des alt\'erations \`a l'octave, +que nous avons vu plus haut. + +} + + +\section{Num\'eros de mesures} + +\subsec +On ne note jamais les silences initiaux communs \`a toutes les +parties, surtout s'il y a une reprise partant de la premi\`ere note : + +\normalmusicsize\nostartrule\setclef1\treble +\generalmeter{\meterfrac34} + +\twoextr +{\NOtes\hpause\en +\Notes\qu c\en +\bar% +\Notes\qu{def}\en +\bar% +\Notes\qu{hi}\en +\rightrepeat +\Notes\ql j\en +\bar +\Notes\ql k\en} +{\Notes\qu c\en +\bar% +\Notes\qu{def}\en +\bar% +\Notes\qu{hi}\en +\rightrepeat +\Notes\ql j\en +\bar +\Notes\ql k\en} + + +\subsec +On n'indique jamais le num\'ero de la toute premi\`ere mesure +d'un morceau. Si cette premi\`ere mesure est en \textit{lev\'ee}, le +num\'ero de cette mesure est \textbf{z\'ero}. + +\normalmusicsize\nostartrule\setclef1\treble +\generalmeter{\meterfrac34} + +\twoextr +{\Notes\loffset{8}{\zcharnote o{\eightbf 1}}\qu c\en +\bar% +\Notes\loffset{2}{\zcharnote o{\eightbf 2}}\qu{def}\en +\bar% +\Notes\loffset{2}{\zcharnote o{\eightbf 3}}\qu{hi}\ql j\en} +{\Notes\qu c\en +\bar% +\Notes\loffset{2}{\zcharnote o{\eightbf 1}}\qu{def}\en +\bar% +\Notes\loffset{2}{\zcharnote o{\eightbf 2}}\qu{hi}\ql j\en} + +{\footnotesize En pratique, des num\'eros pour la premi\`ere mesure +de chaque syst\`eme sont suffisants. + +} + +\subsec +Quand il y a une double barre de reprise au cours d'une mesure, cette double barre +ne compte pas pour la num\'erotation des mesures. + +\twoextr +{\Notes\qu{cde}\en +\bar% +\Notes\loffset{2}{\zcharnote o{\eightbf 2}}\qu{de}\en +\leftrightrepeat% +\Notes\qu f\en +\bar% +\Notes\loffset{2}{\zcharnote o{\eightbf 4}}\qu{hi}\ql j\en +\bar} +{\Notes\qu{cde}\en +\bar% +\Notes\loffset{2}{\zcharnote o{\eightbf 2}}\qu{de}\en +\leftrightrepeat% +\Notes\qu f\en +\bar% +\Notes\loffset{2}{\zcharnote o{\eightbf 3}}\qu{hi}\ql j\en +\bar} + + +\subsec +Quand il y a des mesures \textit{premi\`ere fois-deuxi\`eme fois}, seuls les +num\'eros de mesure de la \textit{premi\`ere fois} comptent. Si n\'ecessaire, +on distingue les mesures de m\^emes num\'eros par les indices \textit{a} +et \textit{b}. + +\generalmeter{\null}\setclef1\treble\normalmusicsize +\twoextr{ +\Notes\loffset{5}{\zcharnote o{\eightbf 30}}\hu c\en\bar +\Notes\loffset{2}{\zcharnote o{\eightbf 31}}\hu d\en +\Setvolta1\bar +\Notes\hu e\en +\bar +\Notes\loffset{2}{\zcharnote o{\eightbf 33}}\hu f\en +\setvolta2\endvoltabox\rightrepeat +\Notes\hu g\en +\bar% +\Notes\loffset{2}{\zcharnote o{\eightbf 35}}\hu h\en +\bar% +\Notes\hu i\en +\bar% +\Notes\loffset{2}{\zcharnote o{\eightbf 37}}\hl j\en} +{\Notes\loffset{5}{\zcharnote o{\eightbf 30}}\hu c\en +\bar +\Notes\loffset{2}{\zcharnote o{\eightbf 31}}\hu d\en +\Setvolta1\bar% +\Notes\hu e\en +\bar% +\Notes\loffset{2}{\zcharnote o{\eightbf 33a}}\hu f\en +\setvolta2\endvoltabox\rightrepeat +\Notes\hu g\en +\bar% +\Notes\loffset{2}{\zcharnote o{\eightbf 33b}}\hu h\en +\bar% +\Notes\hu i\en +\bar% +\Notes\loffset{2}{\zcharnote o{\eightbf 35}}\hl j\en} + + +{\footnotesize En effet, de nombreux mouvements rapides, comportent +des barres de reprise au cours d'une mesure (comme l'Allegretto de la +sonate \textit{Clair de lune}). On aurait aussi bien pu noter cette +reprise sous la forme \textit{premi\`ere fois-deuxi\`eme fois} pour +cette mesure. Il faut donc +que ces deux formulations conduisent \`a la m\^eme num\'erotation des +mesures. + +} + +\section{Questions diverses} + +\subsec +Quand on note la partie d'un instrument n'exigeant qu'une port\'ee, on ne +met pas de barres verticales en d\'ebut de port\'ees, contrairement \`a +une partition de << conducteur >>. + +\setclef1\alto +\startrule\largemusicsize +\begin{music}\let\extractline\hbox +\hbox to \hsize{ +\hfill +\startextract +\NOtes\qu{abc}\en +\zendextract\hfill\nostartrule +\startextract +\NOtes\qu{abc}\en +\zendextract +\hfill} + +\let\extractline\centerline\end{music} + + +\subsec +Autrefois, certaines notes piqu\'ees \'etaient not\'ees avec un petit triangle +au lieu du point moderne. Si dans une \oe uvre, ces \textbf{deux} notations +se pr\'esentent, elles repr\'esentent \'egalement deux degr\'es dans le caract\`ere +piqu\'e. Il faut donc respecter la notation originale. Si par contre, seuls +les petits triangles existent, il faut les restituer par de simples +points : + +\largemusicsize\setstaffs1{1}\setclef1\treble\nostartrule +\twoextr{ +\Notes\ibu0d1\lppz c\qb0c\lppz d\qb0d\lppz e\qb0e\lppz f\tqh0f\en} +{\Notes\ibu0d1\lpz c\qb0c\lpz d\qb0d\lpz e\qb0e\lpz f\tqh0f\en} + +\subsec +De tels signes se placent toujours \`a la verticale des t\^etes de notes, +et non pas \`a la verticale des hampes, m\^eme si la polyphonie exige +un placement cot\'e hampes : + +\twoextr +{\NOtes\zhl c\hroff{\upz l}\qu e\hroff{\uppz k}\qu f\en +\Notes\zql b\ibu0g0\hroff{\upz m}\qb0g\hroff{\upz m}\tqh0g\en} +{\NOtes\zhl c\upz l\qu e\uppz k\qu f\en +\Notes\zql b\ibu0g0\upz m\qb0g\upz m\tqh0g\en} + + +\subsec +Les appoggiatures, ou \textit{petites notes}, se notent \textbf{apr\`es} +la barre de mesure. Ceci quelle que soit leur interpr\'etation rythmique +suppos\'ee : + +\twoextr +{\NOtes\qu N\en +\notes\multnoteskip\tinyvalue\tinynotesize\ibbu0e4\qb0c\tqh0e\en +\bar +\NOtes\hu g\en} +{\NOtes\qu N\en +\bar +\notes\multnoteskip\tinyvalue\tinynotesize\ibbu0e4\qb0c\tqh0e\en +\NOtes\hu g\en} + +\subsec +On \'ecrit l'indication g\'en\'erale de mouvement en caract\`eres normaux, +et les indications interm\'ediaires en italique : + +\setclef1\treble +\twoextr +{\NOtes\zcn o{\medtype\it allegro}\qu{de}\zcn N{Cres}\qu{fg}\en} +{\NOtes\zcn o{\medtype Allegro}\qu{de}\zcn N{\medtype\it cresc.}\qu{fg}\en} + +{\footnotesize Notez aussi l'usage de majuscules, et le point d'abbr\'eviation.} + + +\subsec +Autrefois on indiquait \textbf{loco} (du latin : \textit{au lieu} + pour attirer l'attention sur +la fin d'un signe d'octaviation (\textit{8}\raisebox{2mm}{- - - - -}). +Maintenant que ces octaviations sont +devenues habituelles, ce \textbf{loco} est bien inutile. + +\section{Quelques conseils moraux, quand vous gravez une partition} + +\subsec +Quand vous faites un certain choix dans une mani\`ere de noter, +conservez-le d'un bout \`a l'autre du morceau, au lieu d'alterner +\`a votre guise avec une autre mani\`ere, m\^eme si cette premi\`ere +mani\`ere est contestable d'apr\`es ce que nous avons vu. + +\subsec +En typographie musicale, +les erreurs de hauteur d'une tierce sont beaucoup plus fr\'equentes +que les erreurs d'une seconde, pour des raisons \'evidentes de +perception visuelle. Soyez donc compr\'ehensif envers les auteurs de votre +source. + +\subsec +Que faire, quand vous pensez en avoir termin\'e avec votre \'edition, +apr\`es tous ces conseils ? +Bien s–r, vous vous pr\'ecipitez sur votre instrument, et vous jouez +le morceau avec cette \'edition. + +Mais comme ce morceau vous est familier, vous risquez fort, +emport\'e par votre enthousiasme, +de laisser \'echapper un certain nombre d'erreurs. +Abandonnez donc l'instrument, +posez votre \'edition et sa source sur une table, et prenez un crayon. +Comparez-les mesure par mesure, et s'il y a plusieurs port\'ees, une +seule port\'ee \`a la fois. Terminez par les indications diverses (tempo, +interpr\'etation, p\'edale pour le piano, etc.) qui sont communes \`a +ces plusieurs port\'ees. + +Ceci n'est pas encore suffisant. En effet, un bon musicien, tel que vous, +poss\`ede la capacit\'e de corriger certaines erreurs (notamment d'alt\'erations) +en jouant, sans s'en rendre compte. Le test pr\'ec\'edent ne mettra donc +pas ces erreurs \`a jour, les deux versions comportant la m\^eme erreur. + +Si votre logiciel est apte \`a traduire votre morceau au format MIDI, +le fichier produit pourra vous aider. Sinon, il faudra soumettre votre +\'edition \`a un musicien moins exp\'eriment\'e que vous, qui n'aurait pas encore +pris ces habitudes de corrections spontan\'ees. + +\subsec +\textbf{N'oubliez jamais ceci : faire une \'edition correcte est aussi +difficile que jouer correctement un instrument.} +\end{document} + diff --git a/macros/generic/musixtex/doc/psslurs/README.psslurs b/macros/generic/musixtex/doc/psslurs/README.psslurs new file mode 100644 index 0000000000..adf4569bd1 --- /dev/null +++ b/macros/generic/musixtex/doc/psslurs/README.psslurs @@ -0,0 +1,42 @@ +This package adds the PostScript slurs, ties and crescendos into +MusiXTeX. It is possible to use it in almost the same way as the +original bitmapped slur simply saying "\input musixps" at the beginning +of your source file. The resulting dvi file should be then converted +into PostScript by dvips (and then to PDF using ps2pdf, ghostscript or +Adobe Distiller, if necessary). + +Please note that the slurs won't appear in any other dvi previewer, nor when +you use pdftex to produce the PDF file directly. + +The mxsk font is used for "half ties" - short breaked ties at the +beginning of the line. If you use \nohalfties, you do not need to +install this font. The musixps.tex should be placed anywhere TeX can +find it, prefferably into the musixtex directory. Do not include it into +your TeX format file! The psslurs.pro should be placed somewhere dvips +can find it. + +musixps.tex is free software; you can redistribute it and/or modify it +under the terms of the GNU General Public License as published by the +Free Software Foundation; either version 2 of the License, or (at your +option) any later version. + +Stanislav Kneifl, +stanislav.kneifl@hieronymus.cz + + +HISTORY +~~~~~~~ + + 2010-11-05 + + Relicensed to the GPL by Bob Tennent as instructed by an e-mail + from the author. + +0.92 (12.5.2002) + added: \nosluradjust, \sluradjust, \notieadjust, \tieadjust + added: \slopebrkslurtrue, \slopebrkslurfalse + fixed: shaded slurs now do not break up to separate curves + at high resolutions + +0.91 (10.1.2002) + First public release, adopted from OpusTeX version. diff --git a/macros/generic/musixtex/doc/psslurs/slurs.pdf b/macros/generic/musixtex/doc/psslurs/slurs.pdf new file mode 100644 index 0000000000..d2bc50629f Binary files /dev/null and b/macros/generic/musixtex/doc/psslurs/slurs.pdf differ diff --git a/macros/generic/musixtex/doc/psslurs/slurs.tex b/macros/generic/musixtex/doc/psslurs/slurs.tex new file mode 100644 index 0000000000..037233fc7e --- /dev/null +++ b/macros/generic/musixtex/doc/psslurs/slurs.tex @@ -0,0 +1,77 @@ +\input musixtex +\input musixps + +\Nosluradjust +\Notieadjust + +\startmuflex + +\startpiece +\NOtes\qu{cdef}\isluru0k\qu{ghij}\en\bar +\NOtes\idecresc0\qu{cdefghij}\en +\alaligne +\NOtes\qu{cdefghij}\tcresc0\en\bar +\NOtes\tslur0h\qu{cdefghij}\en +\endpiece + +\startextract +\NOtes\islurd0g\qu g\tslur0{'c}\qu c\en +\Notes\isluru0{'e}\ibl0e{-2}\qb0{edc}\tslur0b\tqb0b\en +\bar +\NOtes\islurd0{'a}\qu a\tslur0{`f}\qu f\en +\NOTes\hu g\en +\endextract + +\startextract +\NOTes\isluru0g\hl g\tslur0h\hl h\en +\NOTes\islurd0c\issluru1g\zh{ce}\hu g\tslur0d\tsslur1h\zh{df}\hu h\en +\NOTes\ibsluru0g\islurd1g\hu g\tubslur0h\hu h\en +\NOTes\itieu0k\hl k\ttie0\tdbslur1k\hl k\en +\endextract + +\startextract +\NOTes\itenl0c\itenl1e\itenu2g\itenu3j\zh{ceg}\hu j\enotes +\bar +\NOTes\tten0\tten1\tten2\tten3\zh{ceg}\hu j\enotes +\endextract + +\generalmeter{\meterfrac34} +\startextract\NOTes\multnoteskip3\isluru0c\ql c\tslur0j\ql j\enotes + \bar\NOTes\multnoteskip3\isluru0c\ql c\tslur0n\ql n\enotes\endextract + +\startextract\NOTes\multnoteskip3\isluru0c\ql c\tslur0s\ql s\enotes + \bar\NOTes\multnoteskip3\isluru0c\ql c\tslur0z\ql z\enotes\endextract + +\instrumentnumber{1} +\generalmeter{\meterfrac34} +\startextract\NOTes\isluru0c\ql c\enotes\notes\tslur0j\ql j\enotes + \bar\NOTes\isluru0c\ql c\enotes\notes\tslur0n\ql n\enotes + \NOTes\isluru0c\ql c\enotes\notes\tslur0s\ql s\enotes + \bar\NOTes\isluru0c\ql c\enotes\notes\tslur0z\ql z\enotes + \endextract + +\startextract +\NOtes\dotted\islurd0g\qu g\tslur0{'c}\qu c\en +\Notes\dotted\isluru0{'e}\ibl0e{-2}\qb0{edc}\tslur0b\tqb0b\en\bar +\NOtes\dotted\slur hmd1\qu{hm}\en +\NOTes\hu g\en +\endextract + +\startextract +\NOtes\slur ced1\qu{ce}\en +\NOtes\slur dfd1\qu{df}\en +\NOtes\slur egd1\qu{eg}\en +\NOtes\slur{'e}cu1\ql{ec}\en +\NOtes\slur{'d}bu1\ql{db}\en +\NOtes\slur{'c}au1\ql{ca}\en +\endextract + +\startextract +\NOtes\ibu0g1\iBsluru00\qb0g\en +\NOtes\tBslur00\tbu0\qb0h\en +\NOtes\ibl0k1\iBslurd00\qb0k\en +\NOtes\tBslur00\tbl0\qb0l\en +\endextract + +\endmuflex +\end diff --git a/macros/generic/musixtex/doc/reference/musixre1.pdf b/macros/generic/musixtex/doc/reference/musixre1.pdf new file mode 100644 index 0000000000..551dda083c Binary files /dev/null and b/macros/generic/musixtex/doc/reference/musixre1.pdf differ diff --git a/macros/generic/musixtex/doc/scripts/musixflx.1 b/macros/generic/musixtex/doc/scripts/musixflx.1 new file mode 100644 index 0000000000..4ef7c35870 --- /dev/null +++ b/macros/generic/musixtex/doc/scripts/musixflx.1 @@ -0,0 +1,46 @@ +.\" This manpage is licensed under the GNU Public License +.TH MUSIXFLX 1 2018-06-15 "musixflx-0.83.3lua7" "" + +.SH NAME +musixflx \- process mx1 files (the second pass of 3-pass MusiXTeX typesetting) + +.SH SYNOPSIS +[ texlua ] +.B musixflx[.lua] +.I jobname +[ .mx1 | .tex ] +[ +.I debugmode +] + +where +.I debugmode +can be +.br + d output debugging information to the screen +.br + m output line numbers to the screen +.br + f output debugging information to jobname.mxl (not mx1) +.br + s output computed lines to the screen + +.SH DESCRIPTION +Musixflx processes mx1 files (the second pass of 3-pass MusiXTeX typesetting) + +To allow for ease of use with a batch file, \fB musixflx.lua\fR +can be fed with either \fI jobname.mx1\fP, \fI jobname.tex\fP, +or just \fI jobname\fP, any of which open \fI jobname.mx1\fP +and create \fI jobname.mx2\fP. + +.SH SEE ALSO +.BR musixtex (1) +.br +musixdoc.pdf + +.SH AUTHOR +This manual page was written by Andreas Tille + for the Debian GNU/Linux system (but may be used +by others). Corrections to the synopsis were pointed out by Peter +Breitenlohner and implemented by Bob Tennent +. diff --git a/macros/generic/musixtex/doc/scripts/musixflx.pdf b/macros/generic/musixtex/doc/scripts/musixflx.pdf new file mode 100644 index 0000000000..0d6b152bc7 Binary files /dev/null and b/macros/generic/musixtex/doc/scripts/musixflx.pdf differ diff --git a/macros/generic/musixtex/doc/scripts/musixtex.1 b/macros/generic/musixtex/doc/scripts/musixtex.1 new file mode 100644 index 0000000000..59b6c8874e --- /dev/null +++ b/macros/generic/musixtex/doc/scripts/musixtex.1 @@ -0,0 +1,204 @@ +.\" This manpage is licensed under the GNU Public License +.TH MUSIXTEX 1 2020-05-21 "musixtex version 0.23" "" + +.SH NAME +musixtex \- processes MusiXTeX files, using pre-processors prepmx, xml2pmx, pmxab and autosp +as necessary, and then deletes intermediate and log files (unless +.B -i +is used) +.SH SYNOPSIS +[ texlua ] +.B musixtex[.lua] +{ +.I option +| +.I jobname +[ .xml | .mtx | .pmx | .aspc | .tex | .ltx ] } ... +.SH DESCRIPTION +.TP +If a jobname argument has a .tex extension, the default effect is to process the file using +.TP 12 +.BR etex (1) +(first pass) +.TP +.BR musixflx (1) +(second pass) +.TP +.BR etex (1) +(third pass) +.TP +.BR dvips (1) +(dvi to Postscript) +.TP +.BR ps2pdf (1) +(Postscript to Portable Document Format) +.TP +normally followed by removal of intermediate and log files. A log musixtex.log is generated, even if other log files are removed. +.P +If a jobname argument has a .pmx extension, the file is first preprocessed using +.BR pmxab (1) +and the resulting .tex file is processed as above. +.P +If a jobname argument has a .xml extension, the file is first preprocessed using +.BR xml2pmx (1) +and the resulting .pmx file is processed as above. +.P +If a jobname argument has a .mtx extension, the file is first preprocessed using +.BR prepmx (1) +and the resulting .pmx file is processed as above. +.P +If a jobname argument has a .ltx extension, the file is processed using +.BR latex (1) +(or +.BR pdflatex (1)) +in place of +.BR etex . +.P +If a jobname argument has a .aspc extension, the file is first preprocessed using +.BR autosp (1) +and the resulting .tex or .ltx file is processed as above. +.P +If a jobname argument has none of these extensions, the script will look for a file +.IR jobname .xml +or +.IR jobname .mtx +or +.IR jobname .pmx +or +.IR jobname .aspc +or +.IR jobname .tex +or +.IR jobname .ltx , +in that order, and process it as above. +.SH OPTIONS +.TP 10 +.B -v, -version, --version +output program name and version number, and quit +.TP +.B -h, -help, --help +output usage summary and quit +.TP +.B -l +assume LaTeX source; +implied if the file has .ltx extension +.TP +.B -p +change the TeX processor to +.BR pdfetex (1) +or +.BR pdflatex (1) +(and doesn't run a dvi processor) +.TP +.B -c +preprocess pmx file using +.BR pmxchords (1) +.TP +.B -d +don't generate a .ps file and change the dvi processor to +.BR dvipdfm (1) +.TP +.B -D dvix +use +.B dvix +as the dvi processor; e.g., -D "dvipdfm -m 0.9". +Use -d +.I before +-D to suppress .ps generation. +.TP +.B -P ps2pdf +use +.B ps2pdf +as the Postscript processor; e.g., -P "ps2pdf -sPAPERSIZE=a4" +.TP +.B -F fmt +use +.B fmt +as the TeX processor; e.g., -F "luatex --output-format=dvi" +.TP +.B -m +stop processing at the pmx file +.TP +.B -M mtxx +use +.B mtxx +as the mtx preprocessor; e.g., -M "prepmx -i". +.TP +.B -X pmxx +use +.B pmxx +as the pmx preprocessor; e.g., -X "./pmxab", +.TP +.B -A aspcx +use +.B aspcx +as the aspc preprocessor; e.g., -A "autosp -l". +.TP +.B -L xmlx +use +.B xmlx +as the xml preprocessor; e.g., -L "./XML2PMX". +.TP +.B -t +stop processing at the tex/mid files +.TP +.B -s +stop processing at the dvi file +.TP +.B -g +stop processing at the ps file +.TP +.B -i +retain intermediate and log files +.TP +.B -1 +one-pass [pdf][la]tex processing; i.e., without calling +.B musixflx +.TP +.B -x +call +.BR makeindex (1) +to update index database +.TP +.B -f +restore default processing +.TP +.B -q +quiet mode (only musixtex's own messages); other messages are diverted to a temporary file. +If an error occurs at the TeX stage, processing halts immediately and the tail of the log file is sent to stderr. +Version information is copied from the temporary file to the log file. + +.TP 0 +Options affect processing of all succeeding MusiXTeX files unless changed by another option. Option flags cannot be combined; e.g., use \fB -l -x \fP rather than \fB -lx\fP. + +Note that four TeX engines are available via the -l and -p options: +.TP + etex default + latex -l + pdfetex -p + pdflatex -l -p +.TP 0 +If the -F option is used, options -l and -p need to be set if the engine name does not contain "latex" and "pdf" respectively. For example, the above four engines can be replaced by: + -F "luatex --output-format=dvi" + -F "lualatex --output-format=dvi" + -F "luatex" -p + -F "lualatex" -p + +.SH SEE ALSO +.BR autosp (1), +.BR etex (1), +.BR latex (1), +.BR pdfetex (1), +.BR pdflatex (1), +.BR makeindex (1), +.BR musixflx (1), +.BR dvipdfm (1), +.BR dvips (1), +.BR pmxab (1), +.BR pmxchords (1), +.BR prepmx (1), +.BR ps2pdf (1), +.BR xml2pmx (1) +and musixdoc.pdf. +.SH AUTHOR +This manual page was written by Bob Tennent . diff --git a/macros/generic/musixtex/doc/scripts/musixtex.pdf b/macros/generic/musixtex/doc/scripts/musixtex.pdf new file mode 100644 index 0000000000..8df9e182dc Binary files /dev/null and b/macros/generic/musixtex/doc/scripts/musixtex.pdf differ diff --git a/macros/generic/musixtex/dvips/psslurs.pro b/macros/generic/musixtex/dvips/psslurs.pro new file mode 100644 index 0000000000..b18ba9bd3a --- /dev/null +++ b/macros/generic/musixtex/dvips/psslurs.pro @@ -0,0 +1,282 @@ +% This file can be used instead of psslurs.pro, it is only commented +% and indented. +% +% VERSION: 1.01 +% +% WARNING! This is a heavy magic! If you want something more understandable, +% you will have to write it yourself (if it is possible in a stack-oriented +% language that PostScript is). There are some constants you can +% change and see what happens, but I think the slurs should be almost +% always satisfiable. When not, let me know at: +% stanislav@kneifl.net +% Also any bug reports and comments are welcomed. +% +% Stanislav Kneifl. + +/slur@Dict 200 dict def + +% this dictionary is for \setslurtext, overriding some dvips's definitions +/temp@xx@dict 4 dict def temp@xx@dict begin + /a { moveto ax1 ay1 rmoveto } def + /V {gsave newpath transform round exch round exch itransform + exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg + rlineto rulex neg 0 rlineto fill grestore} def +end + +TeXDict begin +% get dimen from TeX's string ("125pt" -> 125 PS points) +/psxGD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def +% get dimen adjusted to Resolution +/psxGDAR { dup length 2 sub 0 exch getinterval cvr 4 psxAR mul 1.045 mul} def +% Adjust to Resolution +/psxAR { Resolution mul 300 div } def +% the distances in dvips's PostScript are resolution dependant! +end + +slur@Dict begin +/CP /currentpoint load def +/ED { exch def } bind def +/psxAR { Resolution mul 300 div } def % stands for Adjust to Resolution, +/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def +/y { 3 2 roll ax1 ay1 rmoveto show moveto } def +/M { mul } def +/A { add } def +/SB { sub } def +/P { pop } def +/DP { dup } def +/R { roll } def + +/drawseg { 0 0 moveto + ax1 ay1 + ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add + ax1 ax2 add 2 div ay1 ay2 add 2 div curveto + ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add + ax2 ay2 + x2 0 curveto } def + +/DS { + psxAR /maxe ED + /ifadjust ED + /ifdash ED + psxAR /m ED % max height of the slur + /e ED % "angularity" of the slur; 0.1 = very angular, + % 0.3 = very round + /aa exch neg def % what to multiply the height with + % AFTER the max height checking + /y2 ED % y coordinate of the end of the slur + /x2 ED % x coordinate of the end of the slur + /y1 ED % y coordinate of the beginning of the slur + /x1 ED % x coordinate of the beginning of the slur + /yr2 ED + /yr1 ED + /internote ED + /x2 x2 x1 sub def % x2=x2-x1 + /y2 y2 y1 sub def % y2=y2-y1 + /sx y2 x2 div def + /b x2 300 mul Resolution div abs sqrt psxAR 2 mul def % b=2*sqrt(x2) + b 3 psxAR lt {/b 3 psxAR def} if % b=max(b,3) + b m gt {/b m def} if % b=min(b,m) + /aa b aa mul def % aa=aa*b + /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur + /aa aa s cos div def % aa=aa/cos(s) height of the slur + /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) + % is the length of the slur + e x2 mul maxe gt { /e maxe x2 div def } if + /beta e x2 mul aa neg atan def + beta 90 gt {/beta 180 beta sub def} if + /ax1 e x2 mul def % control points + /ay1 aa def + /ax2 1 e sub x2 mul def + /ay2 aa def + +% check if the starting and endin vector stay in desired quadrants +% => beta < abs(s) + beta s abs lt { + /b aa abs s abs 2 add sin mul s abs 2 add cos div def + s aa mul 0 lt { + s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ +% (values to play with) + /ax2 x2 b sub def + } + { + /ax1 b def + s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if +% ^^^^ ^^^ ^^^ + } ifelse + } if + +% align the slur to the staff lines + + gsave + x1 y1 translate + s rotate +% [1 0 sx 1 0 0] concat + drawseg + gsave + initmatrix + flattenpath + pathbbox + exch pop + sub + /slh ED % in slh we have the height of the whole slur + pop + grestore + + /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def + /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def +% check if the slur gets too close to staff line + /shift 0 def + slh 4.45 lt slh -0.5 gt and { + /slh slh dup truncate sub def + slh 0 lt { /slh 1 slh add def } if + aa 0 gt { /slh 1 slh sub def } if + + % slh now contains the position ot the slur top/bottom in the space + % between the nearest staff lines (from <0,1>), regardless direction + + % slur is too low: + slh 0.45 lt { /shift 0.45 slh sub def } if + % slur is too high, but we can be shift it down: + slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if + % slur is too high, must be shifted up: + slh 0.85 ge { /shift 1.45 slh sub def } if + } if + + aa 0 gt { /shift shift neg def } if + + ifadjust 0 eq { + /shift 0 def + } if + + +% and finally draw it... + + grestore + gsave + /linew internote 0.06 mul psxAR def + linew 4 mul setlinewidth + 1 setlinecap + 0 setlinejoin + ifdash 1 eq + { [internote 8 mul psxAR internote 5 mul psxAR] 0 setdash } if + x1 y1 shift neg 2 mul internote mul 4 psxAR mul add translate + s rotate +% [1 sx 0 1 0 0] concat + +% uncomment this to see the control points +% 5 psxAR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke +% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth + + drawseg + 1 VS + drawseg + -2 VS + drawseg + x2 20 psxAR gt { + 3 VS + drawseg + } if + x2 50 psxAR gt { + -4 VS + drawseg + } if + x2 80 psxAR gt { + 5 VS + drawseg + } if + stroke + + grestore + + % now some \slurtext code... + + /x1 ax1 ax2 add 2 div def % middle of the slur + /y1 ay1 ay2 add 2 div def + x1 s cos mul y1 s sin mul add neg + y1 s cos mul x1 s sin mul sub + aa 0 lt {1} {0} ifelse + end + + % this is a hack to place the slurtext in the middle of the slur. + % From unknown reasons simple 'ax1 ay1 translate' did not work, + % so we have to overlay some definitions with our own, namely + % 'a', which is originally 'moveto' and 'V' for drawing rules. + % maybe there are some other operations that should be redefined, + % but for almost all cases this will be sufficient. If you find + % anything that won't be typeset at the correct position, let me know... + + temp@xx@dict begin + /dir exch def + /ay1 exch def + /ax1 exch def +} def + +% crescendos +/DC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 2.5 psxAR ceiling setlinewidth % line thickness: this results + 1 setlinecap % to exactly 2.5 pixels in 300 dpi + 1 setlinejoin + x2 y2 10 psxAR add moveto % the 10's specify wideness of the + x1 y1 lineto % open end of the crescendo, + x2 y2 10 psxAR sub lineto % similarly the 11's below + stroke + grestore +} def + +% half crescendos +/DHC { + /y2 ED + /x2 ED + /y1 ED + /x1 ED + gsave + 2.5 psxAR ceiling setlinewidth + 1 setlinecap + 1 setlinejoin + x2 y2 11 psxAR add moveto + x1 y1 4 psxAR add lineto stroke + x1 y1 4 psxAR sub moveto + x2 y2 11 psxAR sub lineto + stroke + grestore +} def + +% differenced line + +/DLN { + gsave + psxGDAR ceiling setlinewidth + psxGDAR exch psxGDAR neg rlineto + stroke + grestore +} def + +% sloped line + +/DSLN { + gsave + psxGDAR ceiling setlinewidth + psxGDAR exch 1.125 mul neg rotate 0 rlineto + stroke + grestore +} def + +% free line (init & terminate) + +/DFLN { + gsave + psxGDAR ceiling setlinewidth + CP moveto + lineto + stroke + grestore +} def + +end + diff --git a/macros/generic/musixtex/latex/musixcpt.sty b/macros/generic/musixtex/latex/musixcpt.sty new file mode 100644 index 0000000000..54c2ca8dd6 --- /dev/null +++ b/macros/generic/musixtex/latex/musixcpt.sty @@ -0,0 +1,3 @@ +\input musixcpt +\endinput + diff --git a/macros/generic/musixtex/latex/musixcrd.sty b/macros/generic/musixtex/latex/musixcrd.sty new file mode 100644 index 0000000000..b185b3ca60 --- /dev/null +++ b/macros/generic/musixtex/latex/musixcrd.sty @@ -0,0 +1,11 @@ +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +%% musixcrd - typsetting chord symbols with %% +%% musixtex %% +%% musixcrd stylefile for documentation generation %% +%% $Id$ %% +%% copyright 2004 , Robert Hennig %% +%% this code is licensed in terms of the %% +%% GNU Public License %% +%% %% +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +\input musixcrd.dtx \ No newline at end of file diff --git a/macros/generic/musixtex/latex/musixfll.sty b/macros/generic/musixtex/latex/musixfll.sty new file mode 100644 index 0000000000..08569182b4 --- /dev/null +++ b/macros/generic/musixtex/latex/musixfll.sty @@ -0,0 +1,2 @@ +\input musixfll.tex +\endinput diff --git a/macros/generic/musixtex/latex/musixltx.tex b/macros/generic/musixtex/latex/musixltx.tex new file mode 100644 index 0000000000..54b0af9865 --- /dev/null +++ b/macros/generic/musixtex/latex/musixltx.tex @@ -0,0 +1,33 @@ +% +% This file is part of MusiXTeX +% +% MusiXTeX is free software; you can redistribute it and/or modify +% it under the terms of the GNU General Public License as published by +% the Free Software Foundation; either version 2, or (at your option) +% any later version. +% +% MusiXTeX is distributed in the hope that it will be useful, +% but WITHOUT ANY WARRANTY; without even the implied warranty of +% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the +% GNU General Public License for more details. +% +% You should have received a copy of the GNU General Public License +% along with MusiXTeX; see the file COPYING. If not, write to +% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, +% Boston, MA 02111-1307, USA. +% +\ifx\undefined\music \else \endinput \fi + +\immediate\write16{MusiXLaTeX T.125\space<8 April 2017>}% + +\newenvironment{music}{\@afterindenttrue\parskip0pt\catcodesmusic + \resetlayout}{}% + +\ifx\musix@begindocument\undefined + \let\musix@begindocument\document + \def\document{\musix@begindocument + \ifstartmuflex@done\else\startmuflex\fi\ignorespaces}% + % 1.25: added \ignorespaces RDT +\fi + +\endinput diff --git a/macros/generic/musixtex/latex/musixtex.sty b/macros/generic/musixtex/latex/musixtex.sty new file mode 100644 index 0000000000..c8127f51d0 --- /dev/null +++ b/macros/generic/musixtex/latex/musixtex.sty @@ -0,0 +1,3 @@ +\input musixtex +\input musixltx +\endinput diff --git a/macros/generic/musixtex/scripts/musixflx.bat b/macros/generic/musixtex/scripts/musixflx.bat new file mode 100644 index 0000000000..684441ebb3 --- /dev/null +++ b/macros/generic/musixtex/scripts/musixflx.bat @@ -0,0 +1,6 @@ +:: wrapper script to call musixflx.lua +:: Usage: musixflx basename[.mx1 | .tex] [debug mode] +:: Suggested by Tomasz Luczak (Tomek) t34www@googlemail.com + +@for /f "delims=" %%I in ('kpsewhich --format=texmfscripts %~n0.lua') do texlua "%%I" %* +:end diff --git a/macros/generic/musixtex/scripts/musixflx.lua b/macros/generic/musixtex/scripts/musixflx.lua new file mode 100644 index 0000000000..0a267f4815 --- /dev/null +++ b/macros/generic/musixtex/scripts/musixflx.lua @@ -0,0 +1,1071 @@ +#!/usr/bin/env texlua + +-- The MUSIXFLXVERSION below is the one checked against. + +MUSIXFLXVERSION = "0.83" +VERSION = "0.83.3.lua7" + +--[[ + +Line breaking program for MusiXTeX. + + (c) Copyright Ross Mitchell 1992-1997 ross.mitchell@csiro.au + (c) Copyright J. Hunsberger 1997 jhunsberger@i2k.co + (c) Copyright 2009, 2010 Peter Breitenlohner + (c) Copyright 2011 Nikhil Helferty 6nh14@queensu.ca + (c) Copyright 2011 Bob Tennent rdt@cs.queensu.ca + +This program is free software; you can redistribute it and/or modify it +under the terms of the GNU General Public License as published by the +Free Software Foundation; either version 2 of the License, or (at your +option) any later version. + +This program is distributed in the hope that it will be useful, +but WITHOUT ANY WARRANTY; without even the implied warranty of +MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU General +Public License for more details. + +You should have received a copy of the GNU General Public License along +with this program; if not, write to the Free Software Foundation, Inc., +51 Franklin Street, Fifth Floor, Boston, MA 02110-1301, USA. + +--]] + +--[[ + +Conversion to Lua by Nikhil Helferty, 2011. +Minor corrections by Bob Tennent rdt@cs.queensu.ca. + +NH: Comments marked NH (such as this one) are comments new to the Lua +version. Most have to do with explaining any additions or changes made +necessary due to differences between Lua and C. Comments not so marked +are retained from C version. + +Almost all comments from the C version have been put in this version as +well. Note that Lua variables are dynamically typed, and Lua has only +one data structure called "tables" which, though more flexible than +arrays, are essentially just used as arrays here. + +--]] + +--[[ + + ChangeLog: + + lua7 2011/04/21 RDT + Decode option argument for debugging. + Revert to accepting .mx1 or .tex filenames. + Rationalize file-name variables. + + lua6 2011/04/18 RDT + Revert to stand-alone use. + + lua5 2011/04/13 RDT + Allow .mx1 file to have a version number only. + + lua4 2011/04/12 RDT + Adaptation to being called from musixtex.tex + + lua3 2011/04/11 RDT + Replaced body of eightfivefloat by string.format("%8.5f", ... ) + + lua2 2011/04/11 RDT + Change PRINT to print for dbug output. + + lua1 2011/04/08 RDT + Strip off pt for L line. + +--]] + +-- max sizes +-- NH: these aren't needed for array sizes in Lua (tables grow dynamically) +-- but I am keeping the checks in case the maximums are necessary for +-- TeX processing + +MAX_SIGNS = 128; MAX_SECTIONS = 128; MAX_BARS = 2048 + +function GETLINE() + linebuf = infile:read() + return linebuf +end + +-- NH: declare tables + +-- NH: the following tables were all arrays of type int in C +-- the following tables were size MAX_BARS in C (2048) +zbar = {}; lr_repeat = {}; raggedline = {} +l_repeat = {}; barno = {} + +-- NH: the following tables were size MAX_SECTIONS in C (128) +autolines = {}; bars = {}; mulooseness = {} + +-- NH: the following was of size MAX_SIGNS in C (128) +signchange = {} + +-- NH: the following were counters declared for xbar sign change detection +-- xbar of size MAX_BARS, linegoal MAX_SECTIONS +-- xbar_count, xbar_flag, softspace_count were integers declared here +-- as they aren't tables they'll be declared upon use +xbar = {}; linegoal = {} + +-- NH: the following tables were all arrays of type double in C +-- the following were size MAX_BARS +hardbarlength = {}; softbarlength = {} +width_leftrightrepeat = {}; width_leftrepeat = {} + +-- NH: the following were size MAX_SECTIONS +eff_hardlength = {}; eff_softlength = {} + +-- NH: the following were size MAX_SIGNS +oldsignskip = {}; signskip = {}; futuresignskip = {} + + +-- NH: (no need to add last \n as print does this) +function error_exit (error_number) + -- NH: the following if/elseif/else construction mirrors case structure + + if error_number == 0 then + print("\nFile error.") + elseif error_number == 1 then + print("\nUsage: [texlua] musixflx.lua basename[.tex | .mx1] [ d | m | f | s ]") + elseif error_number == 2 then + print("\nThis shouldn't happen ! Too few bars or \\mulooseness too large ?") + elseif error_number == 3 then + print("\nThis shouldn't happen ! Too few bars in section !") + elseif error_number == 4 then + print("\nMissing endmark ! Forgotten \\stop[end]piece ?") + elseif error_number == 5 then + print("\nDivision by zero ! Ask a wizard !") + elseif error_number == 6 then + print("\nVersion mis-match:") + print("MusiXTeX version " .. linebuf) + print("musixflx expected version " .. MUSIXFLXVERSION) + elseif error_number == 7 then + print("\nFile not found: " .. infilename) + elseif error_number == 8 then + print("\nCorrupted " .. infilename) + elseif error_number == 9 then + print("\nToo many sections, maximum number of sections: " .. MAX_SECTIONS) + elseif error_number == 10 then + print("\nError in " .. infilename .. " at line " .. currentline) + elseif error_number == 11 then + print("\nToo many bars, maximum number of bars: " .. MAX_BARS) + else + print("!!! Can't go on !!!") + end + os.exit(3) + +end +-- end error_exit + +-- NH: there is really no analogue to the strrchr function in C, which is frequently used +-- to locate the location of a last occurrence of a string +-- so I coded a similar function for Lua +-- takes two strings (str and pat), and returns everything after the last occurence of pat +-- in str - if no occurrences of pat, then returns nil +function strrchr(str, pat) + notfound = true + currentIndex = 0 + lastIndex = 0 + while notfound do + currentIndex = string.find(str, pat, lastIndex+1, true) + if (not currentIndex) then -- NH: returned nil - no occurence past lastIndex + notfound = false + else -- NH: got a hit for an occurence - store this value as lastIndex + lastIndex = currentIndex + end + end + if lastIndex == 0 then return nil end -- NH: no occurence found + return string.sub(str, lastIndex+1) +end + + +-- NH: start "main chunk" + +io.write(string.format("Musixflx-%s", VERSION)) + +-- initialize variables +junk = -9999 +dbug = false +dbug_lines = false +dbug_logfile = false +showresult = false +detectraggedline = false +currentline = 1 +samechapter = true +line_number = 0 +chapterno = 1 + +lthick = .4 + +if dbug then + print("\n ... decoding command line") +end + +filename = arg[1] +if not filename then + error_exit(1) +end + +extension = string.sub(filename, -4, -1) +if extension == ".tex" or extension == ".mx1" then + basename = string.sub(filename, 1, -5) +else + basename = filename +end + +--[[ + +debugging options: + d output debugging information to the screen + m output line numbers to the screen + f output debugging information to file basename.mxl (not mx1) + s output computed lines to the screen + + --]] + +if (#arg == 2) then + if (arg[2] == "d") then + dbug = true + elseif (arg[2] == "m") then + dbug_lines = true + elseif (arg[2] == "f") then + dbug = true + dbug_logfile = true + dbug_lines = true + elseif (arg[2] == "s") then + showresult = true + else + error_exit(1) + end +end + +infilename = basename .. ".mx1" + +-- open the .mx1 file containing bar length information + +if dbug then + print(" ... opening " .. infilename .. " for input") +-- NH: io.open analagous to fopen C function +-- will return nil value if not successful +-- nil is taken as false in if statements +end +infile = io.open(infilename, "r") +if (not infile) then + error_exit(7) +end +io.write(string.format(" (%s", infilename)) +if showresult then + print("") +end + +currentline = currentline + 1 +if GETLINE() and (linebuf ~= MUSIXFLXVERSION) then + error_exit(6) +end + + +-- Open the output file +outfilename = basename .. ".mx2" +if dbug then + print(" ... opening " .. outfilename .. " for output") +end +outfile = io.open(outfilename, "w") +if (not outfile) then + print("\nCan't create: " .. outfilename) + os.exit(3) +end + +-- Open the logfile +if dbug_logfile then + logfilename = basename .. ".mxl" + print(" ... open " .. logfilename .. " for debugging") + logfile = io.open(logfilename, "w") + if (not logfile) then + print("\nCan't create: " .. logfilename) + os.exit(3) + end + logfile:write("Version ", VERSION, "\n") +end + +-- skip startindicator + +if GETLINE() and (linebuf ~= "S") then + error_exit(8) +end + +--[[ +do...while loop for + moretimes call of \startpiece + >>>>>>>>>>>>>>>>>>>>>>>>>>> + + Do while equivalent is repeat...until + --]] + + GETLINE() + + repeat + +-- reset all arrays + +if dbug then print("\n------- Chapter " .. chapterno .. " -------\n"); end +if dbug_logfile then logfile:write("\n------- Chapter ", chapterno, " -------\n\n"); end +-- NH: copying C method of loops but this means will be initializing the max spaces every time +-- ... not taking advantage of dynamic sizes of tables in Lua +-- however necessary to initialize since the starting values are used in operations +-- note upper bounds for these loops are the max-1, as for syntax in lua will include the upper (<= instead of <) + +for i = 0, MAX_SIGNS-1 do + signchange[i] = junk + oldsignskip[i] = 0 + futuresignskip[i] = 0 -- jh-1 + signskip[i] = 0 +end + +for i = 0, MAX_BARS-1 do + hardbarlength[i] = 0 + softbarlength[i] = 0 + width_leftrightrepeat[i] = 0 + lr_repeat[i] = false + width_leftrepeat[i] = 0 + xbar[i] = 0 -- jh-1 + l_repeat[i] = false + zbar[i] = false + raggedline[i] = false + barno[i] = 0 +end + +for i = 0, MAX_SECTIONS-1 do + eff_hardlength[i] = 0 + eff_softlength[i] = 0 + bars[i] = 0 + autolines[i] = false + linegoal[i] = 0 + mulooseness[i] = 0 +end + +--[[ + + Read and decode header items: + + 1. Linewidth; + 2. Parindent; + 3. Beforeruleskip; + 4. Afterruleskip; + 5. Elemskip; + 6. Clefskip; + 7. Signskip; + --]] + + -- NH: for those curious why it is necessary to take a substring of the line, it is to strip the "pt" off of the string + -- to make them valid strings for coercion to numbers later on (something that the atof does automatically) + -- RDT: linebuf tests are to avoid taking a substring of an empty string +if linebuf then linewidth = string.sub(linebuf, 1, -3); currentline=currentline+1 end +GETLINE(); if linebuf then parindent = string.sub(linebuf, 1, -3); currentline=currentline+1 end +GETLINE(); if linebuf then beforerule = string.sub(linebuf, 1, -3); currentline=currentline+1 end +GETLINE(); if linebuf then afterrule = string.sub(linebuf, 1, -3); currentline=currentline+1 end +GETLINE(); if linebuf then elemskip = string.sub(linebuf, 1, -3); currentline=currentline+1 end +GETLINE(); if linebuf then clefskip = string.sub(linebuf, 1, -3); currentline=currentline+1 end +GETLINE(); if linebuf then signskip[0] = string.sub(linebuf, 1, -3); currentline=currentline+1 end + +futuresignskip[0] = signskip[0] -- Initialize for xbar signs, jh-1 + +--[[ + Read the records specifying contributions to bar length. + Lengths are of two types: + (a) Hard or unscaleable, eg barlines, clef or meter changes (typ=0). + (b) Soft or scaleable, eg noteboxes which scale with \elemskip (typ=1). + Note that \afterruleskip and \beforerulskip are considered soft. + --]] + +jbar = junk +i = 0 +sign = 0 +xbar_count = 0 -- Used to detect presence of xbars jh-1 +xbar_flag = false -- True allows check for xbar jh-1 +hardsign = 0 -- Accumulator for hard skip from sign change jh-1 +softspace_count = 0 -- Watch for softspace after bars are posted jh-1 + +all_section = 0 + +if dbug then + print(" ... reading") +end + +while (samechapter and GETLINE()) do + + currentline = currentline + 1 + local firstChar = string.sub(linebuf, 1, 1) + + -- NH: use if/elseif/else to mirror switch/case statements + +--[[ +'\startpiece' + stop reading, + compute, + write + and start again + --]] + + if (firstChar == "S") then + samechapter = false + +--[[ + End of section. Action: + Right justify the material ending at the previous bar. + Read the number following the *, which is the 'looseness' + parameter of the section just ended. + Reset the bar test integer to JUNK in case the bar number + was reset between sections. + --]] + + elseif (firstChar == "*") then + local firstSpace = string.find(linebuf, " ") + local secondSpace = string.find(linebuf, " ", firstSpace+1) + if not secondSpace then -- NH: possibility that there is no second number in line + mulooseness[all_section] = string.sub(linebuf, firstSpace+1) + else + mulooseness[all_section] = string.sub(linebuf, firstSpace+1, secondSpace-1) + end + -- NH: above firstSpace/secondSpace mathematics were to mimic function of atol use in original C function + linegoal[all_section] = 0 -- jh-2 + WS-1 + if secondSpace then + linegoal[all_section] = string.sub(linebuf, secondSpace+1) -- NH: this my interpretation of an sscanf line signed jh-2 + WS-1 in C + end + linegoal[all_section] = linegoal[all_section] + 0 -- NH: this is a fairly silly trick to force coercion for valid comparison to numbers, could also use tonumber function + mulooseness[all_section] = mulooseness[all_section] + 0 + if ((mulooseness[all_section] ~= 0) and (linegoal[all_section] > 0)) then + print("\\linegoal{" .. linegoal[all_section] .. "} ignored because \\mulooseness not equal to zero") + print(" for section " .. all_section+1 .. " in chapter " .. chapterno) + linegoal[all_section] = 0 -- Reset to ignore it. jh-2 + WS-1 + end + all_section = all_section + 1 + if all_section > (MAX_SECTIONS - 1) then + error_exit(9) + end + jbar=junk + +--[[ + Right justify the material ending at the previous bar. + Set flag. + Reset the bar test integer to JUNK in case the bar number + was reset between sections. + ]] + + + elseif (firstChar == "a") then + autolines[all_section] = true + all_section = all_section + 1 + if (all_section > (MAX_SECTIONS - 1)) then + error_exit(9) + end + jbar=junk + +--[[ + found a raggedline, let's set a flag + I think, I'll hardly get a Nobel-Award for coding this + What a pity! :-( + but perhaps a Pulitzer-Award for my comments. :-) +--]] + + elseif (firstChar == "r") then + raggedline[i+1] = true + + + -- found \zbar, set flag and store barno + elseif (firstChar == "z") then + zbar[i] = true + barno[i] = strrchr(linebuf, " ") + xbar_count = xbar_count + 1 -- Help detect xbars, track zbar offsets. jh-1 + hardsign = 0 -- reset any sign change skip accumulated. jh-1 + softspace_count = 0 -- Reset for next bar. jh-1 + + +--[[ + found a leftrightrepeat + set a flag and store the different widths + ]] + + elseif (firstChar == "l") then + -- NH: there are some commented out printf lines in C code in this case + -- I'm assuming they were used at one point for debugging purposes and + -- am not translating them, but if should be reinstated they exist at lines + -- 380-387 in C program + lr_repeat[i] = true + local firstSpace = string.find(linebuf, " ") + local secondSpace = string.find(linebuf, " ", firstSpace + 1) + width_leftrightrepeat[i] = string.sub(linebuf, firstSpace+1, secondSpace-3) -- NH: secondspace-3 as secondspace-1 will include the "pt" + width_leftrepeat[i] = string.sub(linebuf, secondSpace+1, -3) -- NH: again, -3 to chop off the "pt" + + +--[[ + found a leftrepeat + set a flag and store width + ]] + + elseif (firstChar == "L") then + l_repeat[i] = true + local firstSpace = string.find(linebuf, " ") + width_leftrepeat[i] = string.sub(linebuf, firstSpace+1, -3) -- RDT: again, -3 to chop off the "pt" + + + -- store barno + elseif (firstChar == "b") then + barno[i] = strrchr(linebuf, " ") + xbar_count = xbar_count+1 -- Track possible xbars. jh-1 + xbar_flag = true -- Allow check of next line to detect xbar. jh-1 + hardsign = 0 -- Reset accumulated hard sign skip. jh-1 + softspace_count = 0 -- Reset for next bar. jh-1 + +--[[ + enabling the use of 'hard' offsets + advance current hardwith + reduce current softwidth +--]] + + elseif (firstChar == "h") then + x = string.sub(strrchr(linebuf, " "), 1, -3) -- -3 is to chop off "pt" in string to allow x to be valid for arithmetic + softbarlength[i] = softbarlength[i] - x + hardbarlength[i] = hardbarlength[i] + x + eff_softlength[all_section] = eff_softlength[all_section] - x + eff_hardlength[all_section] = eff_hardlength[all_section] + x + + +--[[ + This record began with 's' and specifies a key signature change + store the signskip, s.b. + ]] + + elseif (firstChar == "s") then -- Changes to detect xbar and signchange interaction, jh-1 + + local firstSpace = string.find(linebuf, " ") + local secondSpace = string.find(linebuf, " ", firstSpace+1) + if not secondSpace then + tempholdskip = string.sub(linebuf, firstSpace+1, -3) + else + tempholdskip = string.sub(linebuf, firstSpace+1, secondSpace-3) + end + -- NH: all of above to mimic atof statement + -- wasn't sure if statements with s would have a second space and more info + -- so accounted for either possibility + + -- We might be in the middle of an xbar setup, and we only want to increment + -- the sign pointer if this is the first sign change. jh-1 + if (not (signchange[sign] == i)) then -- first time for this bar set jh-1 + sign = sign + 1 + signchange[sign] = i + signskip[sign] = tempholdskip + oldsignskip[sign] = hardsign -- Capture accumulated hard space. jh-1 + xbar[i] = xbar[i] + 1 -- Increment to detect xbars with sign changes. jh-1 + --[[ + Housekeeping is done... Now, one more condition to check. If there + has been any soft space since the bar was declared, then musixtex + will NOT publish a sign change notice at the end of the line for + this sign change when there is a line break in this bar. + In that case, signal that this should be treated as an xbar, which + will effectively suppress the transfer of hardspace for the sign + change notice. jh-1 + --]] + if softspace_count > 0 then xbar[i] = 2 end-- Suppress space move jh-1 + end + -- Always update the futuresignskip value in case this is the last + futuresignskip[sign] = tempholdskip + + -- comment, do nothing + elseif (firstChar == "%") then + + -- This is an 'ordinary' line, listing a contribution to the barlength. + else + if (not (tonumber(firstChar))) then + error_exit(10) + end + local firstSpace = string.find(linebuf, " ") + local secondSpace = string.find(linebuf, " ", firstSpace + 1) + bar = string.sub(linebuf, 1, firstSpace-1) + typ = string.sub(linebuf, firstSpace+1, secondSpace-1) + x = string.sub(linebuf, secondSpace+1, -3) -- the -3 is to strip the "pt" off of the x + if (typ ~= "0") then eff_softlength[all_section] = eff_softlength[all_section] + x + else eff_hardlength[all_section] = eff_hardlength[all_section] + x + end + +--[[ + Increment bar number if the bar number + read from the file has changed. + Accumulate current bar length. + --]] + bar = bar + 0 -- NH: forcing coercion to number type from string + if tonumber(bar) > jbar then + i = i + 1 + bars[all_section] = bars[all_section] + 1 + if i > MAX_BARS then + error_exit(11) + end + end + + -- At this point, can check if this is an xbar...Only check once. jh-1 + if xbar_flag then + if ((xbar_count - bar - 1) == 0) then -- find an xbar. jh-1 + xbar_count = xbar_count-1 -- adjust offset to stay on track + + --[[ + To handle the special conditions caused by possible xbars and + sign changes, the xbar logic state has to be examined and changed + only if this is the first xbar, and not for subsequent ones. jh-1 + --]] + if (xbar[i] == 0) then -- then this is the first xbar in the setup + -- or there has already been a sign change + xbar[i] = 1 -- jh-1 + end + end + end + + xbar_flag = false -- Reset to prevent checks until next bar. jh-1 + + if (typ ~= "0") then + softbarlength[i] = softbarlength[i] + x + -- Count softspace entries to help in sign/linebreak decisions jh-1 + softspace_count = softspace_count+1 + hardsign = 0 -- Safety - just be sure in case line break jh-1 + else -- jh-1 + hardbarlength[i] = hardbarlength[i] + x + hardsign = hardsign + x -- accumulate hardspace, there may be a sign change + end + + jbar = bar + + end -- end if statements + +end -- end while loop + +--[[ +Decrement the number of sections if the final section is void. + This will be the usual case where the input file ends with + an end of section record. + If this record has been omitted, stop going on to avoid + 'You can't use \raise....'. + ]] + +if dbug then + print(" ... compute") +end + +if (bars[all_section] == 0) then + all_section = all_section - 1 +else + error_exit(4) +end + +-- Summarize sectioning information + +if dbug then + print("\nNumber of sections : " .. (all_section+1) .."\n") + + for section = 0, all_section do + if (autolines[section]) then + print("---- autoline section ----") + end + print("Section : " .. (section+1)) + print("Number of bars in section : " .. bars[section]) + print("Length(hard) of section " .. (section+1) .. " : " .. eff_hardlength[section]) + print("Length(soft) of section " .. (section+1) .. " : " .. eff_softlength[section]) + if (linegoal[section] ~= 0) then -- linegoal applies, signed jh-2 in C + print("Section line goal was determined by \\linegoal value...") + print("Line Goal for section : " .. linegoal[section]) + else -- mulooseness applies, signed jh-2 in C + print("Looseness of section : " .. mulooseness[section]) + end + + io.read() -- NH: mimics getchar() + end -- end for + +end -- end if + +if dbug_logfile then + logfile:write("\nNumber of sections : ", all_section+1, "\n\n") + + for section = 0, all_section do + if (autolines[section]) then + logfile:write("---- autoline section ----\n") + end + logfile:write("Section : ", section+1, "\n") + logfile:write("Number of bars in section : ", bars[section], "\n") + logfile:write("Length(hard) of section ", section+1, " : ", eff_hardlength[section], "\n") + logfile:write("Length(soft) of section ", section+1, " : ", eff_softlength[section], "\n") + if (linegoal[section] ~= 0) then -- line goal applies. signed jh-2 in C + logfile:write("Section line goal was determined by \\linegoal value...\n") + logfile:write("Line goal for section : ", linegoal[section], "\n") + else -- mulooseness applies, signed jh-2 in C + logfile:write("Looseness of section : ", mulooseness[section], "\n") + end + end +end + +--[[ +C Comments: +Loop over the sections defined in the input file. + Each section must be right justified. + LAST is the absolute number of the last bar + in the current section. +--]] + +sign = 0 +mark = 0 +lastbarnumber = 0 + + +for section = 0, all_section do + line_in_section = 1 + lastbarnumber = lastbarnumber + bars[section] + + -- Find number of lines to work towards + lines = math.floor(((eff_hardlength[section] + eff_softlength[section] + parindent)/ + (linewidth-(clefskip+signskip[sign]))) + .5) -- need to use floor function as lua has no "integer" type, just numbers + if (lines == 0) then lines = 1 end -- safety + + natural_lines = lines -- Keep this for debug report. Signed jh-2 in C + lines = lines + mulooseness[section] + if ((mulooseness[section] ~= 0) and (linegoal[section] > 0)) then -- signed jh-2 in C + print("Unexpected line goal reset occured for section " .. section+1) + linegoal[section] = 0 -- Zero it, Safety, should not happen, signed jh-2 in C + end + if (linegoal[section] > 0) then lines = linegoal[section] end -- Signed jh-2 in C + if lines < 1 then + lines = 1 + print("Don't stress \\mulooseness too much !!!") + end + +--[[ +C comments: + autolinesflag set in current section ? + iftrue force number of lines to 1 + --]] + + if (autolines[section]) then lines = 1 end + + if dbug then + print("Section number : " .. section+1) + print("Last bar in this section : " .. lastbarnumber) + print("Number of bars : " .. bars[section]) + print("Natural number of lines : " .. natural_lines) -- signed jh-2 in C + print("Chosen number of lines : " .. lines .. "\n") + end + + if dbug_logfile then + logfile:write("Section number : ", section+1, "\n") + logfile:write("Last bar in this section : ", lastbarnumber, "\n") + logfile:write("Number of bars : ", bars[section], "\n") + logfile:write("Natural number of lines : ", natural_lines, "\n") -- signed jh-2 in C + logfile:write("Chosen number of lines : ", lines, "\n\n") + end + + if (bars[section]<1) then error_exit(3) end + +--[[ +C comments: + fill_length is the length of 'bar' material (ie excluding + signature space) required to fill the remainder + of the piece. This value will not be exact if there are + sign changes within the section. However, + fill_length is used only to keep track of the mean scale factor + for the remainder of the piece, as opposed to individual lines. + + Loop over lines, working out number of bars + and revised \elemskip for each line. + added correct computing of fill_length + --]] + + + for j = 1, lines do + line_number = line_number + 1 + fill_length = (lines-j+1) * (linewidth - (clefskip + signskip[sign])) + + +--[[ +C comments: + Work out mean element skip over remaining bars + in the current section. + EFFWID is the effective line width once + key signature have been written. + Set parindent to zero after it has been used for the + first line of the first section. + --]] + + if (eff_softlength[section] == 0) then error_exit(5) end + spc_factor = (fill_length - eff_hardlength[section])/eff_softlength[section] + if ((xbar[mark+1] > 1) and (mark>0)) then + -- The bar is an bar+xbar with a sign change. Signed jh-1 in C + eff_linewidth = linewidth - (clefskip+signskip[sign-1]) - parindent + else -- This is a normal bar. Signed jh-1 in C + eff_linewidth = linewidth - (clefskip+signskip[sign]) - parindent + end -- Signed jh-1 in C + + signskip[sign] = futuresignskip[sign] -- Supports xbar signs. Signed jh-1 in C + + parindent = 0 + + -- Fill the current line by adding bars until overflow. + + i = mark + firstbarno = barno[mark+1] + hardlength = 0 + softlength = 0 + x = 0 + lastbar = 0 + detect_end = false + + while (x < eff_linewidth) do + if detect_end then break end + i = i + 1 + -- Check for raggedline + + if raggedline[i] then detectraggedline = true end + + -- Check for key signature change at this bar. + + if (i == signchange[sign+1]) then sign = sign + 1 end + + lastbar = hardbarlength[i] + spc_factor*softbarlength[i] + x = x + lastbar + + -- Enforce termination at last bar and last line + + if (i==lastbarnumber) then detect_end = true + elseif (line_in_section == lines) then + detect_end = false + x = 0 + end + + hardlength = hardlength + hardbarlength[i] + softlength = softlength + softbarlength[i] + + end + +--[[ +C comments: + If the overhang is less than half the barlength, + include the latest bar in the line, + and shrink the line accordingly. +--]] + + if ((x-eff_linewidth) < (lastbar/2)) then + barsinline = i - mark + mark = i + lastbarno = barno[mark] + +--[[ +C comments: + last bar in line a zbar? + if true -> add to the first bar in next line + the amount of afterruleskip +--]] + + if zbar[mark] then + softbarlength[i+1] = softbarlength[i+1] + afterrule + eff_softlength[section] = eff_softlength[section] + afterrule + end + +--[[ +C comments: + last bar in line a leftrightrepeat? + if true -> reduce hardwidth of current line + advance the hardwidth of next bar + advance the softwidth of next bar +--]] + + if lr_repeat[mark] then + -- NH: there are some commented lines of code out here (printf statements) that I have not preserved + -- if they should be reinstated then they are located at lines 744-746 of the original program + hardlength = hardlength - (width_leftrightrepeat[i] - width_leftrepeat[i]) + eff_hardlength[section] = eff_hardlength[section] + (width_leftrightrepeat[i] - width_leftrepeat[i]) + hardbarlength[i+1] = hardbarlength[i+1] + width_leftrepeat[i] + softbarlength[i+1] = softbarlength[i+1] + (afterrule/2) + eff_softlength[section] = eff_softlength[section] + (afterrule/2) + end + +--[[ +C comments: + last bar in line a leftrepeat? + if true -> reduce hardwidth of current line + advance the hardwidth of next bar + advance the softwidth of next bar +--]] + + if l_repeat[mark] then + hardlength = hardlength - (width_leftrepeat[i] - lthick) + hardbarlength[i+1] = hardbarlength[i+1] + width_leftrepeat[i] + softbarlength[i+1] = softbarlength[i+1] + (afterrule/2) + eff_softlength[section] = eff_softlength[section] + (afterrule/2) + end + + if (signchange[sign+1] == mark+1) then -- signed s.b. in C + sign = sign + 1 +--[[ +C comments: + Because the bar is staying here in the line, we look ahead + to see if the upcoming bar is a sign change, and adjust space + to account for the complimentary sign change notice that will + be posted at the end of this line. However, if the upcoming + sign change bar is really a bar+xbar set, where the sign change + is buried in the xbar, then we don't do the move because the + change notice really won't be posted in this line. + + Signed jh-1 in C. + +--]] + if (xbar[mark+1] < 2) then -- okay to do the move. signed jh-1 in C + hardlength = hardlength + oldsignskip[sign] + hardbarlength[mark+1] = hardbarlength[mark+1] - oldsignskip[sign] + end + end + + -- Exclude the latest bar, and stretch the line. + + else + barsinline=i-1-mark + if (barsinline < 1) then error_exit(2) end + mark = i - 1 + lastbarno = barno[mark] + hardlength = hardlength - hardbarlength[i] + softlength = softlength - softbarlength[i] + + if zbar[mark] then softbarlength[i] = softbarlength[i] + afterrule end + + if lr_repeat[mark] then + hardlength = hardlength - (width_leftrightrepeat[i-1]-width_leftrepeat[i-1]) + eff_hardlength[section] = eff_hardlength[section] + (width_leftrightrepeat[i-1] - width_leftrepeat[i-1]) + hardbarlength[i] = hardbarlength[i] + width_leftrepeat[i-1] + softbarlength[i] = softbarlength[i] + (afterrule/2) + eff_softlength[section] = eff_softlength[section] + (afterrule/2) + end + + if l_repeat[mark] then + hardlength = hardlength - (width_leftrepeat[i-1] - lthick) + hardbarlength[i] = hardbarlength[i] + width_leftrepeat[i-1] + softbarlength[i] = softbarlength[i] + (afterrule/2) + eff_softlength[section] = eff_softlength[section] + (afterrule/2) + end + +--[[ +C comments: + Error (o/u-hbox) occurs only when signature change start in next line + -> look for signature change in next line + if true then advance the hardwidth of current line + reduce next hard barlength by signature change +--]] + + if (signchange[sign] == (mark+1)) then +--[[ +C comments: +However, if the next bar is a bar+xbar set where the +sign change comes from the xbar, then don't do this +move, because the extra skip is not really there! + +Signed jh-1 in C. +--]] + if(xbar[mark+1] < 2) then -- alright, do the move. signed jh-1 in C + hardlength = hardlength + oldsignskip[sign] + hardbarlength[mark+1] = hardbarlength[mark+1] - oldsignskip[sign] + end + + end + + end + +--[[ +C comments: + Define a flex factor for this line as the ratio + of soft part of the specified line width, + to soft width in the approximate line. + --]] + + if (softlength == 0) then error_exit(5) end + flexit = (eff_linewidth - hardlength) / softlength + if detectraggedline then + flexit = 1 + detectraggedline = false + end + cor_elemskip = elemskip * flexit + cor_afterrule = afterrule * flexit + cor_beforerule = beforerule * flexit + + if dbug then + print("Line number : " .. line_number) + print("Fill length : " .. fill_length) + print("Effective length : " .. eff_softlength[section] + eff_hardlength[section]) + print("Mean space factor : " .. spc_factor) + print("Bars in line : " .. barsinline) + print("Effective linewidth : " .. eff_linewidth) + print("Uncorrected hard length : " .. hardlength) + print("Uncorrected soft length : " .. softlength) + print("fLex factor (soft) : " .. flexit) + print("Corrected elemskip : " .. cor_elemskip) + print("Corrected afterrule : " .. cor_afterrule) + print("Corrected beforerule : " .. cor_beforerule) + + io.read() -- NH: mimics getchar() + end + + if dbug_logfile then + logfile:write("Line number : ", line_number, "\n") + logfile:write("Fill length : ", fill_length, "\n") + logfile:write("Effective length : ", eff_softlength[section] + eff_hardlength[section], "\n") + logfile:write("Mean space factor : ", spc_factor, "\n") + logfile:write("Bars in line : ", barsinline, "\n") + logfile:write("Effective linewidth : ", eff_linewidth, "\n") + logfile:write("Uncorrected hard length : ", hardlength, "\n") + logfile:write("Uncorrected soft length : ", softlength, "\n") + logfile:write("Flex factor (soft) : ", flexit, "\n") + logfile:write("Corrected elemskip : ", cor_elemskip, "\n") + logfile:write("Corrected afterrule : ", cor_afterrule, "\n") + logfile:write("Corrected beforerule : ", cor_beforerule, "\n\n") + end + + eff_hardlength[section] = eff_hardlength[section] - hardlength + eff_softlength[section] = eff_softlength[section] - softlength + fill_length = fill_length - eff_linewidth + + -- Write a record to the output file + + outfile:write( + string.format("\\lineset{%3d}{%2d}{%8.5fpt}{%8.5fpt}{%8.5fpt}%% %d - %d\n", + line_number, barsinline, cor_elemskip, cor_afterrule, + cor_beforerule, + firstbarno, lastbarno)) + + + + if showresult then + print( + string.format("\\lineset{%3d}{%2d}{%8.5fpt}{%8.5fpt}{%8.5fpt}%% %d - %d", + line_number, barsinline, cor_elemskip, cor_afterrule, + cor_beforerule, + firstbarno, lastbarno)) + end + + if dbug_lines then print(" ... writing line : " .. line_number) end + line_in_section = line_in_section + 1 -- NH: need to do this in loop, lua syntax doesn't allow for it in for loop spec + end -- end lines for +end -- end sections for + +if dbug_lines then print("") end + + +samechapter = true +chapterno = chapterno + 1 +until (not GETLINE()) -- end repeat loop + +-- closing files +infile:close() +io.write(")") +if dbug_logfile then + logfile:close() + if (not logfile) then error_exit(0) end +end +outfile:close() +if (not outfile) then error_exit(0) end + +if dbug then + print(" ... that's all, bye") +end +print("") +-- NH: end main chunk and program! diff --git a/macros/generic/musixtex/scripts/musixtex.bat b/macros/generic/musixtex/scripts/musixtex.bat new file mode 100644 index 0000000000..249ae595c4 --- /dev/null +++ b/macros/generic/musixtex/scripts/musixtex.bat @@ -0,0 +1,6 @@ +:: wrapper script to call musixtex.lua +:: Usage: musixtex [options] basename[.tex|.ltx|.mtx|.pmx|.aspc] +:: Suggested by Tomasz Luczak (Tomek) t34www@googlemail.com + +@for /f "delims=" %%I in ('kpsewhich --format=texmfscripts %~n0.lua') do texlua "%%I" %* +:end diff --git a/macros/generic/musixtex/scripts/musixtex.lua b/macros/generic/musixtex/scripts/musixtex.lua new file mode 100755 index 0000000000..b568bb8903 --- /dev/null +++ b/macros/generic/musixtex/scripts/musixtex.lua @@ -0,0 +1,648 @@ +#!/usr/bin/env texlua + +VERSION = "0.23b" + +--[[ + musixtex.lua: processes MusiXTeX files using xml2pmx and/or prepmx and/or pmxab + and/or autosp as pre-processors (and deletes intermediate files) + + (c) Copyright 2011-2021 Bob Tennent rdt@cs.queensu.ca + and Dirk Laurie dirk.laurie@gmail.com + + This program is free software; you can redistribute it and/or modify it + under the terms of the GNU General Public License as published by the + Free Software Foundation; either version 2 of the License, or (at your + option) any later version. + + This program is distributed in the hope that it will be useful, + but WITHOUT ANY WARRANTY; without even the implied warranty of + MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU General + Public License for more details. + + You should have received a copy of the GNU General Public License along + with this program; if not, write to the Free Software Foundation, Inc., + 51 Franklin Street, Fifth Floor, Boston, MA 02110-1301, USA. + +--]] + +--[[ + + ChangeLog: + + version 0.23b 2020-05-27 RDT + improve the -h output + + version 0.23a 2020-08-14 RDT + pmxprep files now deleted by xml2pmx + + version 0.23 2020-05-21 RDT + added support for xml2pmx pre-preprocessing + + version 0.22 2020-03-20 RDT + add -X option + add -version, --version, -help, --help options + + version 0.21 2018-07-27 RDT + add -P option. + + version 0.20 2018-06-11 RDT + remove .mx1 file before tex processing + + version 0.19 2017-12-10 RDT + Allow non-standard extensions. + Add -M and -A options. + + version 0.18 2017-06-13 RDT + Allow autosp to generate .ltx files + + version 0.17a 2017-01-08 RDT + Added -D option. + Avoid writing or concatenating a nil value. + + version 0.16e 2016-03-02 DL + missing version information (caused by batchmode in 0.16c) fixed + + version 0.16d 2016-03-02 RDT + filename argument in autosp failure message fixed + + version 0.16c 2016-02-24 RDT + -interaction batchmode for -q + report_error reports only the first error + + version 0.16b 2016-02-20 DL + Improved help message as suggested by Bob Tennent. + + version 0.16a 2015-12-30 DL + Corrects bug in -g option reported by Christian Mondrup. + + version 0.16 2015-12-24 DL + Versions read from tempfile and written to musixtex.log. + + version 0.15 2015-12-03 DL + Option -q added, which redirects most screen output into + a temporary file. If an error occurs at the TeX stage, processing + halts immediately and the tail of the log file is sent to stderr. + + version 0.14 2015-12-01 DL + Writes `musixtex.log` and deletes other logfiles (except with -i) + Hierarchy of extensions emphasized in usage() and consistently + used elsewhere. + Unknown option-like arguments reported and ignored, not treated + as filenames + Warnings and error messages generated by musixtex.lua start with + respctively `!` and `!!`. + + version 0.13 2015-11-30 RDT + Process .mtx and .pmx files (suggested by Dirk Laurie) + exit_code is now an error count + Use pmxab exit code to distinguish between errors and warnings + + version 0.12 2015-11-28 RDT + Process .ltx files, with -l implied + + version 0.11 2015-07-16 RDT + Automatic autosp preprocessing. + + version 0.10 2015-04-23 RDT + Add -a option to preprocess using autosp + + version 0.9 2015-02-13 RDT + Add an additional latex pass to resolve cross-references. + Add -e0 option to dvips as given in musixdoc.tex + Add -x option to call makeindex + + version 0.8 2014-05-18 RDT + Add -g option + + version 0.7 2013-12-11 RDT + Add -F fmt option + + version 0.6 2012-09-14 RDT + Add -1 (one-pass [pdf][la]tex processing) option. + + version 0.5 2011-11-28 RDT + Add -i (retain intermediate files) option. + + version 0.4 2011-04-30 RDT + Allow multiple filenames (and options). + Add -f (default) and -l (latex) options. + + version 0.3 2011-04-25 RDT + Add -d (dvipdfm) and -s (stop at dvi) options. + + version 0.2 2011-04-21 RDT + Allow basename.tex as filename. + Add -p option for pdfetex processing. + Add standard -v -h options. +--]] +local orig_print = print + +function usage() + orig_print +[[ +Usage: [texlua] musixtex.lua { option | basename[ .xml | .mtx | .pmx | .aspc | .tex | .ltx] } ... + When no extension is given, extensions are tried in the above order + until a source file is found. Preprocessing goes + .xml - .pmx - .tex + .mtx - .pmx - .tex + .pmx - .tex + .aspc - .tex + with the entry point determined by the filename extension. + The normal route after preprocessing goes .tex - .dvi - .ps - .pdf, + but shorter routes are also available; see the options. + The default 3-pass processing route for .tex files is + etex - musixflx - etex. + .ltx files, possibly after autosp preprocessing, are treated as latex + source and processed by latex (or pdflatex) rather than etex. +Options: -v, --version version + -h, --help help + -l latex source; implied by .ltx extension + -p direct tex-pdf (pdftex etc) + -F fmt use fmt as the TeX processor + -d tex-dvi-pdf (using dvipdfm if -D not used) + -D dvixx use dvixx as the dvi processor + -P ps2pdfxx use ps2pdfxx as the Postscript processor + -c preprocess pmx file using pmxchords + -m stop at pmx + -M prepmxx use prepmxx as the mtx preprocessor + -A autospx use autospx as the aspc preprocessor + -X pmxabx use pmxabx as the pmx preprocessor + -L xmlx use xmlx as the xml preprocessor + -t stop at tex/mid + -s stop at dvi + -g stop at ps + -i retain intermediate and log files + -q quiet mode (redirect screen logs, write summary on musixtex.log) + -1 one-pass [pdf][la]tex processing + -x run makeindex + -f restore default processing +Four TeX engines are available via the -l and -p options. + etex default + latex -l + pdfetex -p + pdflatex -l -p +If the -F option is used, options -l and -p need to be set if the engine +name does not contain "latex" and "pdf" respectively. For example, the +above four engines can be replaced by: + -F "luatex --output-format=dvi" + -F "lualatex --output-format=dvi" + -F "luatex" -p + -F "lualatex" -p +]] +end + +function whoami () + print("This is musixtex.lua version ".. VERSION .. ".") +end + +function exists (filename, nolog) + local f = io.open(filename, "r") + if f then + f:close() + if not nolog then musixlog:write("Processing " .. filename,'\n' ) end + return true + else + return false + end +end + +-- System commands for the various programs are mostly +-- set to nil if the step is to be omitted, which can be +-- tested by a simple "if" statement. +-- Exceptions: +-- 'tex' is the command for processing a TeX file, but it is important +-- to know whether the user has explicitly specified an option that +-- affects this choice, in which case the automatic selection of the +-- command is restricted or disabled. +-- force_engine "use the command provided" +-- override records when 'l' and/or 'p' options are in effect +-- 'dvi' is the command for processing a DVI file, but there are two +-- reasons for not needing it and it is important for the automatic +-- selection of a TeX engine to know which is in effect. This is +-- possible by exploiting the the fact that Lua has two false values. +-- dvi == nil "do not produce a DVI file" (but maybe PDF) +-- dvi == false "do not process the DVI file" (but stop after TeX) + +local dvips = "dvips -e0" +-- option -e0 suppresses dvips "feature" of adjusting location to align +-- characters in words of text + +function defaults() + xml2pmx = "xml2pmx" + prepmx = "prepmx" + pmx = "pmxab" + autosp = "autosp" + tex = "etex" + musixflx = "musixflx" + dvi = dvips + ps2pdf = "ps2pdf" + cleanup = true -- clean up intermediate and log files + index = false + latex = false + force_engine = false -- indicates whether -F is specified + override = "" + passes = 2 + quiet = "" -- set by "-q" +end + +------------------------------------------------------------------------ + +if #arg == 0 then + whoami() + usage() + os.exit(0) +end + +-- Logging on `musixtex.log` everything that is printed, all os calls, +-- and warnings from other log files. + +musixlog = io.open("musixtex.log","w") +if not musixlog then + print"!! Can't open files for writing in current directory, aborting" + os.exit(1) +end + +------------------------------------------------------------------------ + +print = function(...) + orig_print(...) + musixlog:write(...,"\n") -- only the first argument gets written! +end + +local orig_remove = os.remove +remove = function(filename) + if exists(filename,"nolog") then + musixlog:write(" removing ",filename,"\n") + return orig_remove(filename) + end +end + +local orig_execute = os.execute +execute = function(command) + musixlog:write(" ",command,"\n") + return orig_execute(command .. quiet) +end + +function report_warnings(filename,pattern) + local log = io.open(filename) + if not log then + print("! No file "..filename) + return + end + for line in log:lines() do + if line:match(pattern) then + musixlog:write("! "..line,"\n") + end + end +end + +function report_error(filename) + local log = io.open(filename) + if not log then + print("! No file "..filename) + return + end + local trigger = false + for line in log:lines() do + if trigger and line:match"^!" then + -- report just the first error + break + end + trigger = trigger or line:match"^!" + if trigger then + io.stderr:write("! "..line,"\n") + end + end +end + +function process_option(this_arg) + if this_arg == "-v" or this_arg == "-version" or this_arg == "--version" then + os.exit(0) + elseif this_arg == "-h" or this_arg == "-help" or this_arg == "--help" then + usage() + os.exit(0) + elseif this_arg == "-l" then + latex = true + override = override .. 'l' + elseif this_arg == "-p" then + dvi = nil + override = override .. 'p' + elseif this_arg == "-d" then + dvi = "dvipdfm"; ps2pdf = nil + elseif this_arg == "-D" then + narg = narg+1 + dvi = arg[narg] + elseif this_arg == "-c" then + pmx = "pmxchords" + elseif this_arg == "-F" then + narg = narg+1 + tex = arg[narg] + force_engine = true + elseif this_arg == "-s" then + dvi = false; ps2pdf = nil; protect.dvi = true + elseif this_arg == "-g" then + dvi = dvips; ps2pdf = nil; protect.ps = true + elseif this_arg == "-i" then + cleanup = false + elseif this_arg == "-x" then + index = true + elseif this_arg == "-1" then + passes = 1 + elseif this_arg == "-f" then + defaults() + elseif this_arg == "-t" then + tex, dvi, ps2pdf = nil,nil,nil + protect.tex = true + elseif this_arg == "-m" then + pmx, tex, dvi, ps2pdf = nil,nil,nil,nil + protect.pmx = true + elseif this_arg == "-M" then + narg = narg+1 + prepmx = arg[narg] + elseif this_arg == "-A" then + narg = narg+1 + autosp = arg[narg] + elseif this_arg == "-L" then + narg = narg+1 + xml2pmx = arg[narg] + elseif this_arg == "-q" then + if not tempname then + tempname = tempname or os.tmpname() + print("Redirecting screen output to "..tempname) + end + if dvi == dvips then dvi = dvi .. " -q" end + quiet = " >> " .. tempname + elseif this_arg == "-P" then + narg = narg+1 + ps2pdf = arg[narg] + elseif this_arg == "-X" then + narg = narg+1 + pmx = arg[narg] + else + print("! Unknown option "..this_arg.." ignored") + end +end + +function find_file(this_arg) + basename, extension = this_arg:match"(.*)%.(.*)" + extensions = {["xml"] = true, ["mtx"] = true, ["pmx"] = true, ["aspc"] = true, ["tex"] = true, ["ltx"] = true} + if extensions[extension] then + return basename, extension + end + basename, extension = this_arg, null + for ext in ("xml,mtx,pmx,aspc,tex,ltx"):gmatch"[^,]+" do + if exists (basename .. "." .. ext) then + extension = ext + break + end + end + if extension == null then + print("!! No file " .. basename .. ".[xml|mtx|pmx|aspc|tex|ltx]") + exit_code = exit_code+1 + return + end + return basename, extension +end + +function preprocess(basename,extension) + if not (basename and extension) then return end + if extension == "xml" then + if execute(xml2pmx .. " " .. basename .. ".xml" .. " " .. basename .. ".pmx" ) == 0 then + extension = "pmx" + else + print ("!! xml2pmx preprocessing of " .. basename .. ".xml fails.") + return + end + elseif extension == "mtx" then + if execute(prepmx .. " " .. basename ) == 0 then + extension = "pmx" + else + print ("!! prepmx preprocessing of " .. basename .. ".mtx fails.") + return + end + end + if extension == "pmx" then + local OK = true + if pmx then + local code = execute(pmx .. " " .. basename) + local pmxaerr = io.open("pmxaerr.dat", "r") + if (not pmxaerr) then + OK = false + print("!! No pmx log file.") + else + extension = "tex" + local linebuf = pmxaerr:read() + local err = tonumber(linebuf) + if (code == 0) then + if err ~=0 then + print ("! pmx produced a warning on line "..err.. + " of "..basename..".pmx") + end + else + OK = false + print ("!! pmx processing of " .. basename .. ".pmx fails.") + end + pmxaerr:close() + end + end + if not OK then + exit_code = exit_code+1 + return + end + end + if extension == "aspc" then + if execute (autosp .. " " .. basename .. ".aspc" ) == 0 then + if exists ( basename .. ".ltx") + then extension = "ltx" + else extension = "tex" + end + else + print ("!! autosp preprocessing of " .. basename .. ".aspc fails.") + exit_code = exit_code+1 + return + end + end + return extension +end + +function tex_process(tex,basename,extension) + if not (extension == "tex" or extension == "ltx") or not tex then return end + remove(basename .. ".mx1") + remove(basename .. ".mx2") + local filename = basename .. "." ..extension +-- .ltx extension re-selects engine only for the current file, and only +-- if default processing is plain TeX + local latex = latex + if extension == "ltx" then + if not force_engine and not latex then + if dvi then tex = "latex" else tex = "pdflatex" end + end + latex = true + end + if quiet ~= "" then + tex = tex .. " -interaction batchmode" + end + local OK = (execute(tex .. " " .. filename) == 0) + if passes ~= 1 then + OK = OK and (execute(musixflx .. " " .. basename) == 0) + and (execute(tex .. " " .. filename) == 0) + if latex and index then + OK = OK and (execute("makeindex -q " .. basename) == 0) + and (execute(tex .. " " .. filename) == 0) + if exists (basename .. ".toc","nolog") then + -- an extra line for the index will have been added + OK = OK and (execute(tex .. " " .. filename) == 0) + -- there is a tiny possibility that the extra line for the index + -- has changed the pagination. If you feel this should not be + -- ignored, here are the possibilities: + -- a. Do an extra TeX pass regardless. + -- b. Provide a user option -4 to force the extra pass. + -- c. Compare aux files to find out. + end + end + end + if (quiet ~= "") and not OK then + report_error(basename..".log") + end + if OK and latex then + report_warnings(basename..".log","LaTeX.*Warning") + end + if dvi then OK = OK and (execute(dvi .. " " .. basename) == 0) end + if dvi and ps2pdf then + OK = OK and (execute(ps2pdf .. " " .. basename .. ".ps") == 0) + if OK then + print(basename .. ".pdf generated by " .. ps2pdf .. ".") + end + end + if not OK then + print("!! Processing of " .. filename .. " fails.\n") + exit_code = exit_code+1 + end +end + +---- Report version information on musixtex.log + +-- File names and message signatures to be looked for in a TeX log file. +logtargets = { +mtxtex = {"mtx%.tex","mtxTeX"}, +mtxlatex = {"mtxlatex%.sty","mtxLaTeX"}, +pmxtex = {"pmx%.tex","PMX"}, +musixtex = {"musixtex%.tex","MusiXTeX"}, +musixltx = {"musixltx%.tex","MusiXLaTeX"}, +musixlyr = {"musixlyr%.tex","MusiXLYR"} +} + +-- Signatures of messages displayed on standard output by programs +capturetargets = { +MTx = "This is (M%-Tx.->)", +PMX = "This is (PMX[^\n]+)", +pdftex = "This is (pdfTeX[^\n]+)", +musixflx = "Musixflx%S+", +autosp = "This is autosp.*$", +index = "autosp,MTx,PMX,musixflx,pdftex" +} + +function report_texfiles(logname) + local log = logname and io.open(logname) + if not log then return end + local lines = + {"--- TeX files actually included according to "..logname.." ---"} + log = log:read"*a" +-- The following pattern matches filenames input by TeX, even if +-- interrupted by a line break. It may include the first word of +-- an \immediate\write10 message emitted by the file. + for pos,filename in log:gmatch"%(()(%.?[/]%a[%-/%.%w\n]+)" do + local hit + repeat + local oldfilename = filename + filename = oldfilename:match"[^\n]+" -- up to next line break + hit = io.open(filename) -- success if the file exists + if hit then break end + filename = oldfilename:gsub("\n","",1) -- remove line break + until filename==oldfilename + if hit then + for target,sig in pairs(logtargets) do + if filename:match(sig[1]) then + local i,j = log:find(sig[2].."[^\n]+",pos) + if j then lines[#lines+1] = filename.."\n "..log:sub(i,j) end + end + end + end + end + return table.concat(lines,'\n').."\n" +end + +function report_versions(tempname) + if not tempname then return end -- only available with -q + local logs = io.open(tempname) + if not logs then + musixlog:write ("No version information: could not open "..tempname) + return + end + local versions = {} + musixlog:write("--- Programs actually executed according to "..tempname.." ---\n") + for line in logs:lines() do + for target in capturetargets.index:gmatch"[^,]+" do + if not versions[target] then + local found = line:match(capturetargets[target]) + if found then + versions[target] = found + musixlog:write(found,"\n") + end + end + end + end + logs:close() + return +end + +------------------------------------------------------------------------ + +whoami() + +defaults() + +exit_code = 0 +narg = 1 +protect = {} -- extensions not to be deleted, even if cleanup requested + +repeat + this_arg = arg[narg] + if this_arg:match"^%-" then process_option(this_arg) + else + basename, extension = find_file(this_arg) -- nil,nil if not found + if tex then -- tex output enabled, now select engine + if tex:match"pdf" then dvi = nil end + if not dvi then ps2pdf = nil end + -- .ltx extension will be taken into account later, in `process` + -- deduce tex/latex from current engine name if -l is not specified + if not override:match"l" then latex = tex:match"latex" end + if not force_engine then -- select appropriate default engine + if latex then + if dvi==nil then tex = "pdflatex" else tex = "latex" end + else + if dvi==nil then tex = "pdfetex" else tex = "etex" end + end + end + end + extension = preprocess(basename, extension) + tex_process(tex,basename,extension) + if basename and io.open(basename..".log") then -- to be printed later + versions = report_texfiles(basename..".log") + end + if basename and cleanup then + remove("pmxaerr.dat") + for ext in ("mx1,mx2,dvi,ps,idx,log,ilg,pml"):gmatch"[^,]+" do + if not protect[ext] then remove(basename.."."..ext) + end + end + end + protect = {} + end + narg = narg+1 +until narg > #arg + +if versions then musixlog:write(versions) end +report_versions(tempname) +musixlog:close() +os.exit( exit_code ) diff --git a/macros/generic/musixtex/source/doc.tex b/macros/generic/musixtex/source/doc.tex new file mode 100644 index 0000000000..b919dcbc4d --- /dev/null +++ b/macros/generic/musixtex/source/doc.tex @@ -0,0 +1,24 @@ +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +%% musixcrd - typsetting chord symbols with %% +%% musixtex %% +%% doc.tex documentation generation %% +%% $Id$ %% +%% copyright 2004 , Robert Hennig %% +%% this code is licensed in terms of the %% +%% GNU Public License %% +%% %% +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +\documentclass{ltxdoc} +\usepackage{musixtex,musixcrd,syntax,sverb} +\EnableCrossrefs +\PageIndex +\CodelineIndex +\setlength\hfuzz{15pt} +\begin{document} + \DocInput{musixcrd.dtx} +\end{document} + +%%% Local Variables: +%%% mode: plain-tex +%%% TeX-master: t +%%% End: diff --git a/macros/generic/musixtex/source/makefile b/macros/generic/musixtex/source/makefile new file mode 100644 index 0000000000..68202db902 --- /dev/null +++ b/macros/generic/musixtex/source/makefile @@ -0,0 +1,45 @@ +#%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +#%% musixcrd - typsetting chord symbols with %% +#%% musixtex %% +#%% makefile %% +#%% $Id$ %% +#%% copyright 2004 , Robert Hennig %% +#%% this code is licensed in terms of the %% +#%% GNU Public License %% +#%% %% +#%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% + +SOURCES = readme musixcrd.dtx makefile musixcrd.sty doc.tex strip.tex +TARGETS = readme musixcrd.tex doc.pdf + +doc: doc.dvi + +strip: musixcrd.tex + +srcdist: musixcrdsrc.tgz + +dist: musixcrd.tgz + +all: strip doc srcdist dist + +musixcrd.tex: strip.tex musixcrd.dtx + tex strip.tex + +doc.toc: doc.tex musixcrd.dtx + latex doc.tex + latex doc.tex + +doc.dvi: doc.tex musixcrd.dtx doc.toc + latex doc.tex + +doc.ps: doc.dvi + dvips -o doc.ps doc.dvi + +doc.pdf: doc.dvi + dvipdfm -o doc.pdf doc.dvi + +musixcrdsrc.tgz: $(SOURCES) + tar czvf musixcrdsrc.tgz $(SOURCES) + +musixcrd.tgz: makefile $(TARGETS) + tar czvf musixcrd.tgz $(TARGETS) \ No newline at end of file diff --git a/macros/generic/musixtex/source/musixcrd.dtx b/macros/generic/musixtex/source/musixcrd.dtx new file mode 100644 index 0000000000..3caf93ff06 --- /dev/null +++ b/macros/generic/musixtex/source/musixcrd.dtx @@ -0,0 +1,811 @@ +%\iffalse +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +%% musixcrd - typsetting chord symbols with %% +%% musixtex %% +%% main source file contains code, doc, and examples %% +%% $Id$ %% +%% copyright 2004 , Robert Hennig %% +%% this code is licensed in terms of the %% +%% GNU Public License %% +%% %% +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +%\fi +\ifx\makeatletter\undefined\def\makeatletter{\catcode`\@=11\relax}\fi +\ifx\makeatother\undefined\def\makeatother{\catcode`\@=12\relax}\fi + +\makeatletter% ^^A allows to use @ as ordinary letter +% +% \def\backslash{\tt\char'134} +% \def\musixtex{MusiX\TeX} +% \def\musixcrd{MusixCrd} +% \def\crdexample#1{{\tt\backslash c #1 }$\rightarrow$ \c #1 \medskip} +% \def\pmx{PMX} +% \title{ +% {\bf \musixcrd} \\ +% --- Typesetting Chord Symbols with \musixtex --- \\ +% Version 1.1 \\ +% {\large $Revision$}} +% +% \author{Robert Hennig\thanks{robert.hennig@freylax.de}} +% \maketitle +% \tableofcontents +% +% \section{Usage} +% This package was written to ease the typesetting of chord symbols +% for music scores. +% One point of focus was that the user should have not to much to type +% if placing the cord. So one macro will be used which takes characters +% as argument which describe the chord to type. \par +% Thought the syntax of the chord description could easily be altered they +% should become somewhat stable whereas the output format can be adapted to +% individual needs. +% Further the notenames can be transposed, so transposing a music piece +% with chord symbols can be done easily. \par +% The package can be used with \musixtex\ and \pmx\ +% -- which also gave the idea for the usage of an short chord--description +% `language'. +% \footnote{If the default output functions are changed the package could +% also be used with \TeX{} and \LaTeX{} alone.} +% \par +% +% \DescribeMacro{\c} +% The main macro which the package defines is +% \verb*|\c |\synt{chord-list}\verb*| |. The argument is an space +% terminated \synt{chord-list} +% \footnote{This form of argument was choosen because it leads to a +% short notation inside \pmx\ e.g.: \\ +% {\tt \backslash c AfM \backslash\ e8 f g4 \backslash c Gm7 \backslash\ b4 g} +% }. +% \begin{demo}[w]{\musixtex} +% \nobarnumbers +% \startextract +% \NOtes\c CM7 \hu e\c Dm7 \hu f\en\bar +% \NOTEs\c Ch/E \hu g\c F6/A \hu h\en\bar +% \NOtes\c 0-1E7/G \hl i\c Fd/Af \hl j\en +% \endextract +% \end{demo} +% +% \subsection{Syntax} +% \begin{grammar} +% ::= `' +% +% ::= `0' | `1' | `2' | `3' | `4' | `5' | `6' | `7' | `8' | `9' +% +% ::= | `-' +% +% ::= | +% +% ::= | +% +% ::= `C' | `D' | `E' | `F' | `G' | `A' | `B' +% +% ::= `s' | `f' | `ds' | `df' +% +% ::= | +% | +% +% ::= +% `m' | `d' | `h' | `M' | `4' | `+5' | `-5' | `6' | `7' | `-9' | `+9' +% +% ::= +% | +% +% ::= | `/' +% +% ::= \\ +% \\ +% +% +% ::= `,' | | +% \end{grammar} +% +% +% \subsection{Semantics} +% \paragraph{\synt{vertical-shift}} +% \DescribeMacro{\crddefaultheight} +% Adjustment of the vertical chord position in internotes, +% relative to the default value defined with +% \verb*|\crddefaultheight|. You may change this default within +% your sheet. +% \begin{macrocode} +\def\crddefaultheight{10} +% \end{macrocode} +% \paragraph{\synt{horizontal-shift}} +% Horizontal adjustment in multiples of \verb*|\elemskip|. +% +% \paragraph{\synt{accidental}} +% Allowed accidentals are: sharp, flat, double-sharp, double-flat. +% +% \paragraph{\synt{note-name}} +% \DescribeMacro{\crdtranspose} +% The given note names are transposed by the number of quint steps +% given in \verb*|\crdtranspose|. You may change this value within +% your sheet. +% \begin{macrocode} +\def\crdtranspose{0} +% \end{macrocode} +% \paragraph{\synt{chord-qualifier}} +% Currently known qualifiers are: +% \begin{description} +% \item[m] minor +% \item[d] diminished +% \item[h] half-diminished +% \item[M] major +% \item[4] suspended fourth +% \item[+5] augmented fifth +% \item[-5] diminished fifth +% \item[6] 6th +% \item[7] 7th +% \item[9] 9th +% \item[-9] diminished 9th +% \item[+9] augmented 9th +% \end{description} +% Note that the syntax is independent of the visualization +% of the qualifier so different chord styles could be applied. +% +% \paragraph{\synt{begin-bass-note}} +% Use the `/' symbol to skip the \synt{note-name} and +% \synt{chord-qualifier-list} to allow the notation of +% bass-notes without chord-notes. +% +% \paragraph{\synt{chord-list}} +% With `,' separated chords are spread evenly +% within one bar. Use this notation if the horizontal positions +% of the chords do not line up with the notes. +% +% +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +% \section{Implementation} +% \subsection{Input Guard} +% To prevent repeated defenition of the main macros +% we end the inclusion of this file if we already now +% about our macros. +% \begin{macrocode} +\ifx\crd@parser\undefined\else\makeatother\endinput\fi% +% \end{macrocode} +% \subsection{List Macros} +% For the parsing of the chord description some macros are needed which +% can do simple string operations. \medskip \\ +% \DescribeMacro{\crd@append} +% \syntax{"\\crd@append""\\to"}\\ +% Append \synt{tokens-a} to \synt{tokens-b}. +% \begin{macrocode} +\def\crd@append#1\to#2{% + \toks0=\expandafter{#1}\toks2=\expandafter{#2}% + \edef#2{\the\toks2 \the\toks0}} +% \end{macrocode} +% \DescribeMacro{\crd@prepend} +% \syntax{"\\crd@prepend""\\by"}\\ +% Prepend \synt{tokens-a} by \synt{tokens-b}. +% \begin{macrocode} +\def\crd@prepend#1\by#2{% + \toks0=\expandafter{#1}\toks2=\expandafter{#2}% + \edef#1{\the\toks2 \the\toks0}} +% \end{macrocode} +% \DescribeMacro{\crd@movetoken} +% \syntax{"\\crd@movetoken""\\to"}\\ +% Move the first token of \synt{tokens-a} to the front of +% \synt{tokens-b}. +% \begin{macrocode} +\def\crd@movetoken#1\to#2{% + \ifx#1\empty\else\expandafter\crd@moveoff#1\crd@moveoff#1#2\fi}% +\def\crd@moveoff#1#2\crd@moveoff#3#4{\def#3{#2}\crd@prepend#4\by#1} +% \end{macrocode} +% \begin{demo}[w]{test} +% \makeatletter +% \def\l{oo} (\l) % +% \crd@append{ns}\to\l append:(\l) % +% \crd@prepend\l\by{sp} prepend:(\l)\\% +% \def\swap#1#2{(#1,#2) % +% \ifx#1\empty\else\crd@movetoken#1\to#2\swap#1#2\fi} +% \def\r{} movetoken:\\ \swap\l\r +% \makeatother +% \end{demo} +% +% \subsection{Parsing} +% To describe the syntatic items which exists for a distinct semantic +% a \synt{syntax-table} is used. +% For each item exists a coresponding macro which will be executed +% if it name matches. The name of the item consists of the +% \synt{syntax-table} name and the \emph{reverse} syntax of this item. \par +% +% \DescribeMacro{\crd@parse} +% The \syntax{"\\crd@parse""\\for"} macro is used +% to test if the first part of \synt{tokens} has matches for the longest +% possible item described in \synt{syntax-table}. +% If an item matched its macro will be expanded and +% and the tokens of the item are cut of from the given \synt{tokens}. +% \DescribeMacro{\crd@parsematched} +% The conditional \verb|\crd@parsematched| is true if an item matched and +% false otherwise. +% +% \begin{macrocode} +\newif\ifcrd@parsematched% true if parse matched +\newcount\crd@parsedepth% internal register + +\def\crd@parse#1\for#2{% parse tokens #1 for occurence of items of table #2 + \crd@parsedepth=1 % default if not defined + \expandafter\ifx\csname#2depth\endcsname\relax\else% + \crd@parsedepth=\csname#2depth\endcsname% + \fi% + \def\stack{}%\def\crd@parseresult{} + \crd@parsematchedfalse% initialisation + \crd@parser#1\for#2% call the recursive part +} +\def\crd@parser#1\for#2{% recursive part of parser + \ifx#1\empty\else% is list filled ? + \ifnum\crd@parsedepth>0 % and do we have to read more chars into stack + \advance\crd@parsedepth by-1 % + \crd@movetoken#1\to\stack% + \crd@parser#1\for#2% recursive call + \ifcrd@parsematched\else% if still not matched + \expandafter\ifx\csname#2\stack\endcsname\relax% does item match + \crd@movetoken\stack\to#1% no match, put char back to source + \else% match + \csname#2\stack\endcsname% + \crd@parsematchedtrue% signal success + \fi% + \fi% + \fi% + \fi% +} +% \end{macrocode} +% For an example suppose that we want to express the +% semantic \synt{bool} by the following grammar: +% \begin{grammar} +% ::= `y' | `n' | `yes' | `no' +% \end{grammar} +% +% \begin{demo}[w]{bool} +% \def\bool{bool} % syntax-table with name `bool' +% \def\booldepth{3} % max length of text to looking for is 3 +% \def\booly{true} +% \def\booln{false} +% \def\boolsey{true*} % reverse syntax !!! +% \def\boolon{false*} % reverse syntax !!! +% \makeatletter +% \def\p#1{ (#1) \crd@parse#1\for\bool : (#1)\\} +% \makeatother +% \def\l{nonyyestest} \p\l\p\l\p\l\p\l\p\l +% \end{demo} +% +% +% \subsection{Chord parsing} +% \subsubsection{Vertical and Horizontal shifting} +% \begin{macrocode} +\newcount\crd@vshift% +\newcount\crd@hshift% +\def\crd@number{crd@number}% +\def\crd@numberdepth{2}% +\expandafter\def\csname\crd@number0\endcsname{\crd@numberval=0 }% +\expandafter\def\csname\crd@number1\endcsname{\crd@numberval=1 }% +\expandafter\def\csname\crd@number2\endcsname{\crd@numberval=2 }% +\expandafter\def\csname\crd@number3\endcsname{\crd@numberval=3 }% +\expandafter\def\csname\crd@number4\endcsname{\crd@numberval=4 }% +\expandafter\def\csname\crd@number5\endcsname{\crd@numberval=5 }% +\expandafter\def\csname\crd@number6\endcsname{\crd@numberval=6 }% +\expandafter\def\csname\crd@number7\endcsname{\crd@numberval=7 }% +\expandafter\def\csname\crd@number8\endcsname{\crd@numberval=8 }% +\expandafter\def\csname\crd@number9\endcsname{\crd@numberval=9 }% +\expandafter\def\csname\crd@number1-\endcsname{\crd@numberval=-1 }% +\expandafter\def\csname\crd@number2-\endcsname{\crd@numberval=-2 }% +\expandafter\def\csname\crd@number3-\endcsname{\crd@numberval=-3 }% +\expandafter\def\csname\crd@number4-\endcsname{\crd@numberval=-4 }% +\expandafter\def\csname\crd@number5-\endcsname{\crd@numberval=-5 }% +\expandafter\def\csname\crd@number6-\endcsname{\crd@numberval=-6 }% +\expandafter\def\csname\crd@number7-\endcsname{\crd@numberval=-7 }% +\expandafter\def\csname\crd@number8-\endcsname{\crd@numberval=-8 }% +\expandafter\def\csname\crd@number9-\endcsname{\crd@numberval=-9 }% + +\def\crd@bracketinit{% + \def\crd@bracketopen{}% + \def\crd@bracketclose{}% +} +\def\crd@bracket{crd@bracket}% +\def\crd@bracketdepth{1}% +\expandafter\def\csname\crd@bracket(\endcsname{% + \crd@append(\to\crd@bracketopen}% +\expandafter\def\csname\crd@bracket)\endcsname{% + \crd@append)\to\crd@bracketclose}% + +% \end{macrocode} +% \subsubsection{Notes and Accidentals} +% \paragraph{Syntax} +% In order to allow transposition of notes we use the circle of fifth +% for representing notes. +% \DescribeMacro{\crd@quintval} +% The syntax table \verb|\crd@quintval| contains the mapping from note +% names to the note position in the circle of fifth. \\ +% \DescribeMacro{\crd@quint} +% The count register \verb|\crd@quint| is used to receive the result. +% \begin{macrocode} +\newcount\crd@quint% register used to represent notes in the circle of +\def\crd@quintval{crd@quintval}% +\def\crd@quintvalA{\crd@quint=3 }% A +\def\crd@quintvalB{\crd@quint=5 }% B +\def\crd@quintvalC{\crd@quint=0 }% C +\def\crd@quintvalD{\crd@quint=2 }% D +\def\crd@quintvalE{\crd@quint=4 }% E +\def\crd@quintvalF{\crd@quint=-1 }% F +\def\crd@quintvalG{\crd@quint=1 }% G +% \end{macrocode} +% \DescribeMacro{\crd@quintmod} +% The modification of the note position in the circle of fifth +% which is caused by the accidentals is coded in the +% \verb|\crd@quintmod| syntax table. +% \begin{macrocode} +\def\crd@quintmod{crd@quintmod} +\def\crd@quintmoddepth{2} +\def\crd@quintmods{\advance\crd@quint by7 }% sharp +\def\crd@quintmodf{\advance\crd@quint by-7 }% flat +\def\crd@quintmodsd{\advance\crd@quint by14 }% double sharp +\def\crd@quintmodfd{\advance\crd@quint by-14 }% double flat +% \end{macrocode} +% \paragraph{Notenames and accidental symbols} +% After transpositon and enharmonic adaption an reverse mapping +% from the circle of fifth to notenames and accidentals is needed. +% \DescribeMacro{\crd@note} +% The mapping from circle of fifth to notenames without accidentals +% is specified in the \verb|\crd@note| table. +% \DescribeMacro{\crd@notelow}\DescribeMacro{\crd@notehigh} +% In addition we need to now where the notes without accidentals +% start and end which is defined in \verb|\crd@notelow| and +% \verb|crd@notehigh|. +% \begin{macrocode} +\def\crd@note{crd@note} +\expandafter\def\csname\crd@note3\endcsname{A} +\expandafter\def\csname\crd@note5\endcsname{B} +\expandafter\def\csname\crd@note0\endcsname{C} +\expandafter\def\csname\crd@note2\endcsname{D} +\expandafter\def\csname\crd@note4\endcsname{E} +\expandafter\def\csname\crd@note-1\endcsname{F} +\expandafter\def\csname\crd@note1\endcsname{G} +\def\crd@notelow{-1} % lowest quint without accidental +\def\crd@notehigh{5} % highest quint without accidental +% \end{macrocode} +% +% \DescribeMacro{\crd@sharp}\DescribeMacro{\crd@flat} +% \DescribeMacro{\crd@doublesharp}\DescribeMacro{\crd@doubleflat} +% The following macros define the representation of the +% (default) accidentals. +% \begin{macrocode} +\def\crd@sharp{\sharp} +\def\crd@flat{\flat} +\def\crd@doublesharp{\sharp\sharp} +\def\crd@doubleflat{\flat\flat} +% \end{macrocode} +% \paragraph{Parsing} +% \DescribeMacro{\crd@input} +% The following functions read their input from \verb|\crd@input|.\\ +% \DescribeMacro{\crd@parsenote} +% The \syntax{"\\crd@parsenote"} +% macro parses the input \verb|\crd@input| and if note and +% accidental could be detected the transposed note position +% in the circle of fifth will be calculated, transposed and +% adapted using the \verb|\crd@enharmonic| macro. +% Then the position in the circle of fifth is calculated back +% to the \synt{note} and \synt{accidental} representation which +% is stored in the arguments. +% \begin{macrocode} +\def\crd@parsenote#1#2{% parse input results: #1 + \def#1{}\def#2{}% + \crd@parse\crd@input\for\crd@quintval% + \ifcrd@parsematched% we got an valid note + \crd@parse\crd@input\for\crd@quintmod% + \advance\crd@quint by\crdtranspose \relax% transposition, space is needed! + \crd@enharmonic% + \ifnum\crd@quint>\crd@notehigh % sharps ? + \advance\crd@quint by-7 % + \ifnum\crd@quint>\crd@notehigh % double sharp ? + \advance\crd@quint by-7 % + \ifnum\crd@quint>\crd@notehigh % too much sharps ! + \relax ERROR:too much sharps% + \else\edef#2{\crd@doublesharp}\fi% + \else\edef#2{\crd@sharp}\fi% + \fi% + \ifnum\crd@quint<\crd@notelow % flats ? + \advance\crd@quint by7 % + \ifnum\crd@quint<\crd@notelow % double flat ? + \advance\crd@quint by7 % + \ifnum\crd@quint<\crd@notelow % too much flats ! + \relax ERROR:too much flats% + \else\edef#2{\crd@doubleflat}\fi% + \else\edef#2{\crd@flat}\fi% + \fi% + \expandafter\ifx\csname\crd@note\number\crd@quint\endcsname\relax% + ERROR:notename for (\number\crd@quint) is not defined. + \fi% + \edef#1{\csname\crd@note\number\crd@quint\endcsname}% set note + \fi% +} +% \end{macrocode} +% +% +% \DescribeMacro{\crd@enharmonic} +% To allow different enharmonic adaptions the \verb|\crd@enharmonic| +% macro is provided which default behaviour is to do nothing. +% \begin{macrocode} +\def\crd@enharmonic{}% +% \end{macrocode} +% +% \begin{demo}[w]{noteparsing} +% \makeatletter +% \def\parsenoter{\crd@parsenote\n\a% +% \ifx\n\empty\else{\crd@notetype\n\a}\parsenoter\fi}% +% \def\parsenotes#1{% +% \let\crd@flat=\crd@noteflat% +% \let\crd@sharp=\crd@notesharp% +% \def\crd@input{#1}\parsenoter} +% \makeatother +% +% \parsenotes{CDfDEfEFFsGAfAsB} +% \end{demo} +% +% +% \subsubsection{Chord Qualifiers} +% To cover a broad range of different styles for setting chord qualifiers +% the design is open for extensions. For the sake of demonstration and +% simple usability an default implementation is provided and discussed +% furtherwards. \\ +% Suppose we want to distinguish 3 different kinds of qualifiers, +% some go down, some go up and alterations are put in brackets. +% \DescribeMacro{\crd@qualinit} +% We choose to use 3 lists (macros) to hold the parsing results. +% For initialisation of these lists the \verb|\crd@qualinit| macro +% has to be implemented. +% \begin{macrocode} +\def\crd@qualinit{% + \def\crd@lo{}% lower extensions + \def\crd@up{}% upper extensioins + \def\crd@alt{}% alterations +} +% \end{macrocode} +% \DescribeMacro{\crd@qual} +% Now the syntax table \verb|\crd@qual| has to be defined which fills +% the lists appropriatly. +% \begin{macrocode} +\def\crd@qual{crd@qual}% +\def\crd@qualdepth{2} +\def\crd@qualm{\crd@append{\crd@smalltype m}\to\crd@lo}% minor +\def\crd@qualM{\crd@append{\crd@capitaltype M}\to\crd@up}% major7 +\expandafter\def\csname\crd@qual4\endcsname% 4 +{\crd@append{\crd@numbertype4}\to\crd@lo} +\expandafter\def\csname\crd@qual5+\endcsname% aug. 5 +{\crd@append{\crd@numbertype\crd@numbersharp5}\to\crd@alt} +\expandafter\def\csname\crd@qual5-\endcsname% dim. 5 +{\crd@append{\crd@numbertype\crd@numberflat5}\to\crd@alt} +\expandafter\def\csname\crd@qual6\endcsname% 6 +{\crd@append{\crd@numbertype6}\to\crd@up} +\expandafter\def\csname\crd@qual7\endcsname% dominant 7 +{\crd@append{\crd@numbertype7}\to\crd@up} +\def\crd@quald{\crd@append{\crd@dim}\to\crd@up}% diminished +\def\crd@qualh{\crd@append{\crd@hdim}\to\crd@up}% half diminished +\expandafter\def\csname\crd@qual9-\endcsname% -9 +{\crd@append{\crd@numbertype\crd@numberflat9}\to\crd@alt} +\expandafter\def\csname\crd@qual9+\endcsname% +9 +{\crd@append{\crd@numbertype\crd@numbersharp9}\to\crd@alt} +% \end{macrocode} +% +% \begin{demo}[w]{qualparsing} +% \makeatletter +% \def\parsequal#1{\def\crd@input{#1}% +% \crd@qualinit% +% \loop\crd@parse\crd@input\for\crd@qual% +% \ifcrd@parsematched\repeat% +% (\crd@lo,\crd@up,\crd@alt)% +% }% +% \makeatother +% +% \parsequal{mMdh4+5-567-9+9} +% \end{demo} +% +% \subsubsection{Parsing the whole chord} +% We are now ready to parse the whole chord, consisting +% of chordnote, qualifiers and bassnote. However +% if one likes to set only a bassnote one needs to tell +% that there is no chord note to set. For this purpose +% the \DescribeMacro{\crd@skipcrdnote} \verb|\crd@skipcrdnote| +% syntax table defines the `/' item which does this skip. +% \begin{macrocode} +\def\crd@skipcrdnote{crd@skipcrdnote} +\expandafter\def\csname\crd@skipcrdnote/\endcsname{} +% \end{macrocode} +% \DescribeMacro{\crd@parsecrd} +% +% \begin{macrocode} +\def\crd@parsecrd{% + \crd@vshift=0 % + \let\crd@numberval=\crd@vshift% + \crd@parse\crd@input\for\crd@number% + \crd@hshift=0 % + \let\crd@numberval=\crd@hshift% + \crd@parse\crd@input\for\crd@number% + \crd@bracketinit% + \crd@parse\crd@input\for\crd@bracket% + \def\crd@crdnote{}% chord note + \def\crd@crdacc{}% chord note accidental + \def\crd@bassnote{}% bass note + \def\crd@bassacc{}% bass note accidental + \crd@qualinit% initialize qualifiers + \let\crd@flat=\crd@noteflat% + \let\crd@doubleflat=\crd@notedoubleflat% + \let\crd@sharp=\crd@notesharp% + \let\crd@doublesharp=\crd@notedoublesharp% + \crd@parsenote\crd@crdnote\crd@crdacc% read chord note + \loop\crd@parse\crd@input\for\crd@qual% read qualifiers + \ifcrd@parsematched\repeat% + \crd@parse\crd@input\for\crd@skipcrdnote% skip eventually + \let\crd@flat=\crd@bassflat% + \let\crd@doubleflat=\crd@bassdoubleflat% + \let\crd@sharp=\crd@basssharp% + \let\crd@doublesharp=\crd@bassdoublesharp% + \crd@parsenote\crd@bassnote\crd@bassacc% read bass note + \crd@parse\crd@input\for\crd@bracket% + \crd@formatcrd\hfil% call rendering +} +% \end{macrocode} +% \subsubsection{ Multiple chords} +% \DescribeMacro{\crd@parsecrds} +% The \verb|\crd@parsecrds| macro is used to read more then one +% chord. This can be usefull if no corresponding note over which +% one can put the note exist. +% \DescribeMacro{\crd@crddelim} +% The syntax table \verb|\crd@crddelim| is used. +% \begin{macrocode} +\def\crd@crddelim{crd@crddelim}% +\expandafter\def\csname\crd@crddelim,\endcsname{}% +\def\crd@parsecrds{% + \crd@parsecrd% + \crd@parse\crd@input\for\crd@crddelim% + \ifcrd@parsematched\crd@parsecrds\fi% +} +% \end{macrocode} +% \begin{demo}[w]{multiple chords} +% \c (Cm),2CM,Cm7 +% \end{demo} +% \DescribeMacro{\c} +% The main entry point for the user is the +% \verb*|\c |\synt{chord-list}\verb*| | macro which calls the +% \verb|\crd@output| routine with the formatted chords. +% \begin{macrocode} +\def\crd#1 {\def\crd@input{#1}\crd@output\crd@parsecrds} +\let\cedilla=\c +\let\c=\crd +% \end{macrocode} +% +% \subsection{Formatting} +% To allow the use of different fonts the +% notion of fontstyles is introduced. +% The initialisation of fontstyles is done in different macros. +% \DescribeMacro{\crd@fontstylea} +% \begin{macrocode} +\def\crd@fontstylea{% + \font\crd@eightrm=cmr8 + \font\crd@eightit=cmmi8 + \font\crd@seventeenrm=cmr17 + \font\crd@fourteenrm=cmr14 + \font\crd@twelverm=cmr12 + \font\crd@ninerm=cmr9 + \font\crd@smallninerm=cmr9 scaled 900 + \font\crd@bigninerm=cmr9 scaled 1100 + \let\crd@notetype=\crd@seventeenrm + \def\crd@noteflat{\raise0.6ex\hbox{\kern-0.085em\musictwenty2}} + \def\crd@notedoubleflat{\raise0.6ex\hbox{\kern-0.085em\musictwenty3}} + \def\crd@notesharp{\raise0.8ex\hbox{\musictwenty4}} + \def\crd@notedoublesharp{\raise0.8ex\hbox{\musictwenty5}} + \let\crd@basstype=\crd@fourteenrm + \def\crd@bassflat{\raise.5ex\hbox{\musicsixteen2}} + \def\crd@bassdoubleflat{\raise0.6ex\hbox{\kern-0.085em\musicsixteen3}} + \def\crd@basssharp{\raise1ex\hbox{\musicsixteen4}} + \def\crd@bassdoublesharp{\raise0.8ex\hbox{\musicsixteen5}} + \let\crd@numbertype=\crd@ninerm + \def\crd@numberflat{\raise.5ex\hbox{\musiceleven2}} + \def\crd@numbersharp{\raise1ex\hbox{\musiceleven4}} + \def\crd@numberminus{\crd@ninerm-} + \def\crd@numberplus{\crd@ninerm+} + \let\crd@capitaltype=\crd@smallninerm % capitals + \let\crd@smalltype=\crd@bigninerm % small + \def\crd@hdim{\crd@eightit$\circ$\kern-4.4pt\raise.9pt\hbox{\crd@eightrm/}} + \def\crd@dim{\crd@eightit$\circ$} +} +% \end{macrocode} +% The formating of the chords is done in the +% \DescribeMacro{\crd@formatcrd} +% \verb|\crd@formatcrd| macro. The parse results are +% stored in the following macros: +% \verb|\crd@crdnote| -- chord note, +% \verb|\crd@crdacc| -- chord note accidental, +% \verb|\crd@bassnote| -- bass note and +% \verb|\crd@bassacc| -- bass note accidental. +% +% +%\iffalse % dont include this, just experimental code +%<*gobble> +\def\mymatrix#1{\null\,\vcenter{\normalbaselines\m@th + \ialign{\hfil$##$\hfil&&\quad\hfil$##$\hfil\crcr + \mathstrut\crcr\noalign{\kern-\baselineskip} + #1\crcr\mathstrut\crcr\noalign{\kern-\baselineskip}}}\,} +\def\crd@formatcrdb{% + ${\rm \crd@crdnote}\crd@crdacc% + ^{\crd@up}_{\raise0pt\hbox{{\rm \crd@lo}}} + \ifx\crd@alt\empty\else\left(\mymatrix\crd@alt\right)\fi% + \ifx\crd@bassnote\empty\else% do we have an bass note set ? + /{\rm \crd@bassnote}\crd@bassacc% + \fi$% +} +% +%\fi +% \begin{macrocode} +\def\crd@formatcrda{% + \hbox{\kern\crd@hshift\elemskip\raise\crd@vshift\internote\hbox{% + {\crd@notetype\crd@bracketopen}% + {\crd@notetype\crd@crdnote\crd@crdacc}% + \vbox{% + \hbox{% + \crd@up% + \ifx\crd@alt\empty\else\crd@numbertype(\crd@alt\crd@numbertype)\fi% + }% + \nointerlineskip\vskip1pt% + \hbox{\vphantom{\crd@capitaltype M}\crd@lo}}% + \ifx\crd@bassnote\empty\else% + {\crd@basstype/% + \lower0.5ex\hbox{\kern-0.17em \crd@bassnote\crd@bassacc}}% + \fi%\ + {\crd@notetype\crd@bracketclose}% + }} +} +% \end{macrocode} +% \begin{macrocode} +\let\crd@formatcrd=\crd@formatcrda +\crd@fontstylea +% \end{macrocode} +% +% \begin{demo}[w]{formatting} +% \generalsignature{0}\generalmeter{\meterfrac44} +% \nobarnumbers +% \startextract +% \NOtes\c Cm,CM,Dm7 \hu f\en\bar +% \endextract +% \end{demo} +% +% +% \DescribeMacro{\crd@output} +% The output function puts the formatted chords on their place. +% +% \begin{macrocode} +\def\crd@musixOutput#1{\hbox{\zchar{\crddefaultheight}{\hbox to\elemskip{#1\hss}}}} +\let\crd@output=\crd@musixOutput +% \end{macrocode} +% +% +\makeatother +% +% \section{Customization} +% If the default implementation does not suite the needs +% some tips of how to change the default behaviour will be +% given. +% \subsection{Changing the extensions} +% \begin{description} +% \item[Q:] How do I get the symbol $Dm^{M7}$ ? +% \item[A:] The M has to be put to the upper extensions list, so we +% have to change the definition in the \verb|\crd@qual| table: +% \def\crddefaultheight{0} +% \begin{demo}[w]{$Dm^{M7}$} +% \makeatletter% +% \def\crd@qualM{\crd@append{\crd@capitaltype M}\to\crd@up}% major7 +% \makeatother% +% \c DmM7 % +% \end{demo} +% \item[Q:] How do I get the symbol $Dm^{7-5}$ ? +% \item[A:] +% \begin{itemize} +% \renewcommand{\labelitemi}{-} +% \item +% The predefined symbol can be found by using `h' -- for +% half dimineshed. +% \begin{demo}[w]{h} +% \c Dh % +% \end{demo} +% \item +% to ge the diminished fifth explicit to the upper extensions one could +% either change the definition of the `h' to: +% \begin{demo}[w]{Dmh : $Dm^{7-5}$} +% \makeatletter% +% \def\crd@qualh% +% {\crd@append{\crd@numbertype 7-5}\to\crd@up}% half diminished +% \makeatother% +% \c Dmh % +% \end{demo} +% \item +% or may introduce an mapping for the -5 and has to write: D7-5 +% \begin{demo}[w]{Dm7-5 : $Dm^{7-5}$} +% \makeatletter% +% \expandafter\def\csname\crd@qual5-\endcsname% dimin. 5 +% {\crd@append{\crd@numberminus\crd@numbertype5}\to\crd@up}% +% \makeatother% +% \c Dm7-5 % +% \end{demo} +% \end{itemize} +% \end{description} +% +% \subsection{change fonts} +% \begin{description} +% \item[Q:] How do I change the font? +% \item[A:] One has to create his own fontstyle definition +% with a suitable formatting like for example: +% \begin{demo}[w]{change fonts} +% \makeatletter% +% \def\crd@fontstyleb{% +% \font\crd@newfont=cmssbx10% +% \let\crd@notetype=\crd@newfont% +% \def\crd@noteflat{\raise2pt\hbox{\musixchar90}}% +% \def\crd@notedoubleflat{\crd@noteflat\crd@noteflat}% +% \def\crd@notesharp{\raise3.5pt\hbox{\musixchar92}}% +% \def\crd@notedoublesharp{\crd@notesharp\crd@notesharp}% +% \let\crd@basstype=\crd@newfont% +% \def\crd@bassflat{\crd@noteflat}% +% \def\crd@bassdoubleflat{\crd@notedoubleflat}% +% \def\crd@basssharp{\crd@notesharp}% +% \def\crd@bassdoublesharp{\crd@notedoublesharp}% +% \let\crd@numbertype=\crd@newfont% +% \def\crd@numberflat{\crd@noteflat}% +% \def\crd@numbersharp{\crd@notesharp}% +% \def\crd@numberminus{\crd@newfont-}% +% \def\crd@numberplus{\crd@newfont+}% +% \let\crd@capitaltype=\crd@newfont % capitals in extension +% \let\crd@smalltype=\crd@newfont % small letters in extension +% \def\crd@hdim% +% {\crd@newfont$\circ$\kern-4.4pt\raise.9pt\hbox{\crd@newfont/}}% +% \def\crd@dim{\crd@newfont$\circ$}% +% }% +% \def\crd@formatcrdb{% +% \hbox{\kern\crd@hshift\elemskip\raise\crd@vshift\internote\hbox{% +% {\crd@notetype\crd@crdnote\crd@crdacc}% +% \crd@lo% +% \raise4pt% +% \hbox{% +% \crd@up% +% \ifx\crd@alt\empty\else\crd@numbertype(\crd@alt\crd@numbertype)\fi% +% }% +% \ifx\crd@bassnote\empty\else% +% {\crd@basstype/\crd@bassnote\crd@bassacc}% +% \fi%\ +% }} +% } +% \crd@fontstyleb% +% \let\crd@formatcrd=\crd@formatcrdb +% \makeatother% +% \nobarnumbers% +% \startextract\NOtes\c D7,AfM7 \hu f\en\bar\endextract% +% \end{demo} +% \end{description} +% Contributions for improving either the current fontstyle +% or the definition of new ones are welcome. +% +% \section{Todo} +% +% The actual implementation is not really open for changing +% the input format and the way the chords are displayed. +% One should implement an middle layer which is fixed and +% offer various implementations either for the input format +% and the output format which are written using this layer. +% +% \section{Change Log} +% +% \begin{description} +% \item[Version 1.0] (2.11.2004) \par Initial version. +% \item[Version 1.1] (1.7.2005) \par +% Added input guard and resetting of parameters +% if file is included more than once. +% \end{description} +% +% \Finale \PrintIndex +% +%\iffalse +%<*gobble> +%%% Local Variables: +%%% mode: plain-tex +%%% TeX-master: t +%%% End: +% +%\fi \ No newline at end of file diff --git a/macros/generic/musixtex/source/readme b/macros/generic/musixtex/source/readme new file mode 100644 index 0000000000..d1baf7ea57 --- /dev/null +++ b/macros/generic/musixtex/source/readme @@ -0,0 +1,54 @@ +#%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +#%% musixcrd - typsetting chord symbols with %% +#%% musixtex %% +#%% readme %% +#%% $Id$ %% +#%% copyright 2004 , Robert Hennig %% +#%% this code is licensed in terms of the %% +#%% GNU Public License %% +#%% %% +#%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% + +Chord setting for musixtex or pmx. + +There exist two distributions, the sources and the compiled on. +The sources are only necessary for development. Normal usage +requires only the compiled version. + + +compiled distribution +--------------------- + The archive musixcrd.tgz contains the following files: + + o readme this file + o musixcrd.tex tex macros + o doc.pdf documentation + + Put the musixcrd.tex file or an link to it into your + musixtex/pmx working directory. For pmx use the lines + + --- + \input musixtex % These commands are necessary + \input pmx % because pmx.tex MUST be \input + \input musixcrd + --- + + as preamble in your pmx source file to include musixcrd.tex. + Look at doc.ps for further instructions of how to use musixcrd. + + +source distribution +------------------- + The archive musixcrdsrc.tgz contains the following files: + + o readme this file + o musixcrd.dtx tex macros and documentation + o makefile makefile + o musixcrd.sty latex stylefile is a link to musixcrd.dtx + o doc.tex latex macros for documentation generation + using musixcrd.dtx + o strip.tex tex file for strip documentation from musixcrd.dtx + + Extract the file into an directory. Use make with the arguments + doc, strip, srcdist and dist to generate the targets. + diff --git a/macros/generic/musixtex/source/strip.tex b/macros/generic/musixtex/source/strip.tex new file mode 100644 index 0000000000..21ff28fafb --- /dev/null +++ b/macros/generic/musixtex/source/strip.tex @@ -0,0 +1,20 @@ +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +%% musixcrd - typsetting chord symbols with %% +%% musixtex %% +%% docstrip batchfile %% +%% $Id$ %% +%% copyright 2004 , Robert Hennig %% +%% this code is licensed in terms of the %% +%% GNU Public License %% +%% %% +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +\def\batchfile{strip.tex} +\input docstrip +\askforoverwritefalse +\generate{\file{musixcrd.tex}{\from{musixcrd.dtx}{}}} +\endbatchfile + +%%% Local Variables: +%%% mode: plain-tex +%%% TeX-master: t +%%% End: diff --git a/macros/generic/musixtex/tex/musixadd.tex b/macros/generic/musixtex/tex/musixadd.tex new file mode 100644 index 0000000000..9e3b716071 --- /dev/null +++ b/macros/generic/musixtex/tex/musixadd.tex @@ -0,0 +1,30 @@ +% +% This file is part of MusiXTeX +% +% MusiXTeX is free software; you can redistribute it and/or modify +% it under the terms of the GNU General Public License as published by +% the Free Software Foundation; either version 2, or (at your option) +% any later version. +% +% MusiXTeX is distributed in the hope that it will be useful, +% but WITHOUT ANY WARRANTY; without even the implied warranty of +% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the +% GNU General Public License for more details. +% +% You should have received a copy of the GNU General Public License +% along with MusiXTeX; see the file COPYING. If not, write to +% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, +% Boston, MA 02111-1307, USA. +% +% +% musixadd.tex : allocate registers for additional instruments +% +\immediate\write16{MusiXADDitional instruments T.115 <19 Nov 2010>}% +% +% +% setup the maximum element numbers +\setmaxinstruments{9}% +\setmaxgroups{4}% +\setmaxslurs\maxinstruments +% +\endinput diff --git a/macros/generic/musixtex/tex/musixadf.tex b/macros/generic/musixtex/tex/musixadf.tex new file mode 100644 index 0000000000..33c93ddca8 --- /dev/null +++ b/macros/generic/musixtex/tex/musixadf.tex @@ -0,0 +1,138 @@ +% +% musixadf.tex - some additional accents for MusiXTeX +% +%% Author: +%% Hiroaki MORIMOTO +%% Tokyo, Japan +%% URL: http://homepage1.nifty.com/kuuku/pub/musixtex/index-e.html +% +\immediate\write16{MusiXTeX Additional Accents <2015-02-15> )}% +% +\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 +% +\font\musixadfeleven=xadf11 +\font\musixadfthirteen=xadf13 +\font\musixadfsixteen=xadf16 +\font\musixadftwenty=xadf20 +\font\musixadftwentyfour=xadf24 +\font\musixadftwentynine=xadf29 +% +\let\comput@fonts@org=\comput@fonts\relax +\def\comput@fonts{% + \comput@fonts@org + \ifnum\musicsize=\sixt@@n + \let\musixadfLargefont\musixadftwentyfour + \let\musixadflargefont\musixadftwenty + \let\musixadfnorfont\musixadfsixteen + \let\musixadfsmallfont\musixadfthirteen + \let\musixadftinyfont\musixadfeleven + \else\ifnum\musicsize=\@xxiv + \let\musixadfLargefont\musixadftwentynine + \let\musixadflargefont\musixadftwentynine + \let\musixadfnorfont\musixadftwentyfour + \let\musixadfsmallfont\musixadftwenty + \let\musixadftinyfont\musixadfsixteen + \else\ifnum\musicsize=\@xxix + \let\musixadfLargefont\musixadftwentynine + \let\musixadflargefont\musixadftwentynine + \let\musixadfnorfont\musixadftwentynine + \let\musixadfsmallfont\musixadftwentyfour + \let\musixadftinyfont\musixadftwenty + \else + \musicsize\tw@nty + \let\musixadfLargefont\musixadftwentynine + \let\musixadflargefont\musixadftwentyfour + \let\musixadfnorfont\musixadftwenty + \let\musixadfsmallfont\musixadfsixteen + \let\musixadftinyfont\musixadfthirteen + \fi\fi\fi +}% +% +\let\set@Largenotesize@org=\set@Largenotesize\relax +\let\set@largenotesize@org=\set@largenotesize\relax +\let\set@normalnotesize@org=\set@normalnotesize\relax +\let\set@smallnotesize@org=\set@smallnotesize\relax +\let\set@tinynotesize@org=\set@tinynotesize\relax +% +\def\set@Largenotesize{% + \set@Largenotesize@org\let\musixadfont\musixadfLargefont}% +\def\set@largenotesize{% + \set@largenotesize@org\let\musixadfont\musixadflargefont}% +\def\set@normalnotesize{% + \set@normalnotesize@org\let\musixadfont\musixadfnorfont}% +\def\set@smallnotesize{% + \set@smallnotesize@org\let\musixadfont\musixadfsmallfont}% +\def\set@tinynotesize{% + \set@tinynotesize@org\let\musixadfont\musixadftinyfont}% +% +\def\musixadfchar{\musixadfont\char}% +% +\def\uacc@Char@adf#1{\check@staff + \inhgetn@i#1\relax \relax + \ifnum\n@i<\@ight \ifodd\n@i \else\advance\n@i\@ne \fi \fi + \zchar\n@i\C@ChaR@adf + \fi}% +% +\def\lacc@Char@adf#1{\check@staff + \inhgetn@i#1\relax \relax + \ifnum\n@i>\@ne \ifodd\n@i \else\advance\n@i\m@ne \fi \fi + \zchar\n@i\C@ChaR@adf + \fi}% +\def\C@ChaR@adf{\musixadfont\char\n@iv}% +% +\def\@Char@adf#1{\zcharnote{#1}\C@ChaR@adf}% +% +% coda sign with serif +% +% ___ +% | +% /~|~\ +% |-+--+--+-| +% \_|_/ +% | +% ~~~ +% +%\def\scoda{\musixadfchar85\relax}% +\def\adfC@coda#1{\llap{\@Char@adf{#1}\kern\afterruleskip}}% +\def\scoda{\n@iv85\adfC@coda}% +\def\replacecoda{\let\coda=\scoda}% +% +% +% +% upright segno +% +%\def\upsegno{\musixadfchar86\relax}% +\def\upsegno{\n@iv86\@Char@adf}% +\def\replacesegno{\let\segno=\upsegno}% +% +% +% little swell ...something like <> +% +% lower +\def\llsw{\n@iv31\lacc@Char@adf} +% upper +\def\ulsw{\n@iv30\uacc@Char@adf}% +% +% +% a little larger sforzato +% +\def\uSfz{\n@iv\tw@nty \uacc@Char@adf} +\def\lSfz{\n@iv21\lacc@Char@adf} +\def\dSfz{\lSfz} +\def\replacesforzato{% + \let\usfz=\uSfz\relax + \let\lsfz=\lSfz\relax +}% +% +% +% v-breath +% +\def\zuBreath{\check@staff\raise\@ight\internote\rlap{\n@iv33\C@ChaR@adf}\fi}% +\def\cuBreath{\check@staff\adv@box{\raise\@ight\internote + \hbox\@to\noteskip{\hss\n@iv33\C@ChaR@adf\hss}}\fi}% +\def\zlBreath{\check@staff\raise0\internote\rlap{\n@iv34\C@ChaR@adf}\fi}% +\def\clBreath{\check@staff\adv@box{\raise0\internote + \hbox\@to\noteskip{\hss\n@iv34\C@ChaR@adf\hss}}\fi}% +% +\catcode`\@=\catcodeat +\endinput diff --git a/macros/generic/musixtex/tex/musixbar.tex b/macros/generic/musixtex/tex/musixbar.tex new file mode 100644 index 0000000000..5e748aae6d --- /dev/null +++ b/macros/generic/musixtex/tex/musixbar.tex @@ -0,0 +1,148 @@ +%%%%%%%%%% Hiding/printing bar lines individually %%%%%%%%%%%%%%%%%%%%%%%%%%% +% +% Here comes a bunch of rather general macros which enable printing or +% hiding barlines for each staff and inter-staff space individually: +% +% Mthimkhulu Molekwa + +\ifx\indivbarrules\undefined\else\endinput\fi + +\immediate\write16{MusiXBAR printing or hiding seperate bar lines 1.01\space<23 Februar 2000>}% + +\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 + +%\makeatletter + +\newdimen\barline@depth + +\def\rul@indiv#1{% + \n@loop + \Comp@High + \expandafter\ifx\csname s@b\romannumeral\noinstrum@nt\endcsname\relax + \multiply\barline@depth -1\relax + \advance\barline@depth\altitude + \else + \barline@depth=0pt\relax + \fi + {\expandafter\ifx\csname h@bl\romannumeral\noinstrum@nt\endcsname 1% + \y@v=0pt\relax + \fi + \raise\altitude\rlap{\vrule\@depth\barline@depth\@width#1\@height\y@v}}% + \barline@depth\altitude + \advance\barline@depth\y@v + \repeat + \addspace#1} + +\def\rul@indiv@#1{\n@loop{\prul@indiv@#1}\repeat\addspace#1} + +\def\prul@indiv@#1{% + \y@v\interportee \C@Inter\advance\y@v-\stem@skip + \expandafter\ifx\csname s@b\romannumeral\noinstrum@nt\endcsname\relax + \multiply\barline@depth -1\relax + \advance\barline@depth\altitude + \else + \barline@depth=0pt\relax + \fi + {\expandafter\ifx\csname h@bl\romannumeral\noinstrum@nt\endcsname 1% + \y@v=0pt\relax + \fi + \p@loop + \raise\altportee\rlap{% + \vrule\@depth\barline@depth\@width#1\@height\y@v}% + \count@portee + \repeat}% + \barline@depth\altitude + \advance\barline@depth\y@v} + +%== Required to use the following macros +\def\indivbarrules{% + \let\writ@rule\rul@indiv + \sepbarrule 1} + +\def\Indivbarrules{% + \let\writ@rule\rul@indiv@ + \sepbarrule 1} + +%== separates bar line of specified instrument from one of previous instrument +\def\sepbarrule#1{\expandafter\let\csname s@b\romannumeral#1\endcsname 1} + +%== connects bar line of specified instrument to one of previous instrument +\def\conbarrule#1{% + \if 1#1\else\expandafter\let\csname s@b\romannumeral#1\endcsname\relax\fi} + +%== hides bar line for specified instrument +\def\hidebarrule#1{\expandafter\let\csname h@bl\romannumeral#1\endcsname 1} + +%== shows bar line for specified instrument +\def\showbarrule#1{\expandafter\let\csname h@bl\romannumeral#1\endcsname\relax} + +%== separates barlines in multistaff instruments +\def\rul@sep@#1{\n@loop{\prul@sep#1}\repeat\addspace#1} + +\def\prul@sep#1{% + \y@v\interportee \C@Inter\advance\y@v-\stem@skip + \p@loop + \hbox{\raise\altportee\rlap{% + \vrule\@depth\hlthick\@width#1\@height\y@v}}% + \count@portee\repeat} + +\def\Sepbarrules{\let\writ@rule\rul@sep@ } + +%-\makeatother + +\catcode`\@=\catcodeat +\endinput + +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% + +% Here comes an example of how to use these macros + +%%%%% Pre-amble +\input musixtex +\input musixbar + +\instrumentnumber3 +\setmeter3{{\meterfrac{3}{4}}} +\setmeter2{{\meterfrac{2}{4}}} +\setmeter1{{\meterfrac{3}{8}}} +\nobarnumbers +\indivbarrules +\sepbarrule2 +\sepbarrule3 + +%%%%% Spacing +\beforeruleskip=0.5\afterruleskip +\interinstrument=4\Interligne + +%%%%% Macros +\let\ni\nextinstrument + +%%%%% Music +\linegoal2 +\startpiece\addspace\afterruleskip +\NOtes\pt f\qa f\ni\qa f\ni\qa f\en +\hidebarrule2\hidebarrule3\bar +\NOtes\multnoteskip{.333}\Tqbu fff\ni\qa f\ni\qa f\en +\showbarrule2\bar +\NOtes\pt f\qa f\ni\qa f\ni\qa f\en +\hidebarrule2\showbarrule3\bar +\NOtes\multnoteskip{.333}\Tqbu fff\ni\qa f\ni\qa f\en +\showbarrule2\hidebarrule3\bar +\NOtes\pt f\qa f\ni\qa f\ni\qa f\en +\hidebarrule2\bar +\NOtes\multnoteskip{.333}\Tqbu fff\ni\qa f\ni\qa f\en +\showbarrule2\showbarrule3\bar +\NOtes\pt f\qa f\ni\qa f\ni\qa f\en +\hidebarrule2\hidebarrule3\bar +\NOtes\multnoteskip{.333}\Tqbu fff\ni\qa f\ni\qa f\en +\showbarrule2\bar +\NOtes\pt f\qa f\ni\qa f\ni\qa f\en +\hidebarrule2\showbarrule3\bar +\NOtes\multnoteskip{.333}\Tqbu fff\ni\qa f\ni\qa f\en +\showbarrule2\hidebarrule3\bar +\NOtes\pt f\qa f\ni\qa f\ni\qa f\en +\hidebarrule2\bar +\NOtes\multnoteskip{.333}\Tqbu fff\ni\qa f\ni\qa f\en +\showbarrule2\showbarrule3\stoppiece +\bye + diff --git a/macros/generic/musixtex/tex/musixbbm.tex b/macros/generic/musixtex/tex/musixbbm.tex new file mode 100644 index 0000000000..c3c2333002 --- /dev/null +++ b/macros/generic/musixtex/tex/musixbbm.tex @@ -0,0 +1,69 @@ +% +% This file is part of MusiXTeX +% +% MusiXTeX is free software; you can redistribute it and/or modify +% it under the terms of the GNU General Public License as published by +% the Free Software Foundation; either version 2, or (at your option) +% any later version. +% +% MusiXTeX is distributed in the hope that it will be useful, +% but WITHOUT ANY WARRANTY; without even the implied warranty of +% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the +% GNU General Public License for more details. +% +% You should have received a copy of the GNU General Public License +% along with MusiXTeX; see the file COPYING. If not, write to +% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, +% Boston, MA 02111-1307, USA. +% +% +% musixbbm.tex : allocate registers and define macros for 256th beam +% +\immediate\write16{MusiXBBeaM T.115 <19 Nov 2010>}% +% +\ifx\undefined\ibbbbbbu \else \endinput \fi +% +% setup the maximum element numbers +\setmaxcclvibeams{6}% +% +% +% definitions for 256th beams +\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 +% +\def\s@l@ctg{\edef\g@x{\csname g@x\romannumeral\n@i\endcsname}% + \edef\g@z{\csname g@z\romannumeral\n@i\endcsname}\s@l@ctf} + +\def\ibbbbbbu#1{\s@l@ctbeam#1\relax \s@l@ctg \i@bbbbbbu} +\def\ibbbbbbl#1{\s@l@ctbeam#1\relax \s@l@ctg \i@bbbbbbl} + +\def\i@bbbbbbu#1#2{% + \ifnum\b@n=\z@ \i@bbbbbu{#1}{#2}\C@ba\b@z\@ne \C@ba\c@z\@ne + \C@ba\d@z\@ne \C@ba\e@z\@ne \C@ba\f@z\@ne \fi \n@bbbbbbu} +\def\i@bbbbbbl#1#2{% + \ifnum\b@n=\z@ \i@bbbbbl{#1}{#2}\C@ba\b@z\m@ne \C@ba\c@z\m@ne + \C@ba\d@z\m@ne \C@ba\e@z\m@ne \C@ba\f@z\m@ne \fi \n@bbbbbbl} + +\def\nbbbbbbu#1{\s@l@ctbeam#1\relax \s@l@ctg \Dec@b\@ne\n@bbu + \Dec@b\tw@\n@bbbu \Dec@b\thr@@\n@bbbbu \Dec@b\f@ur\n@bbbbbu + \Dec@b\fiv@\n@bbbbbbu} +\def\nbbbbbbl#1{\s@l@ctbeam#1\relax \s@l@ctg \Dec@b\@ne\n@bbl + \Dec@b\tw@\n@bbbl \Dec@b\thr@@\n@bbbbl \Dec@b\f@ur\n@bbbbbl + \Dec@b\fiv@\n@bbbbbbl} + +\def\n@bbbbbbu{\C@nb\g@z\g@x\fiv@\qd@skip} +\def\n@bbbbbbl{\C@nb\g@z\g@x\fiv@\z@} + +\def\tbbbbbbu#1{\s@l@ctbeam#1\relax \s@l@ctg \t@bbbbbbu} +\def\tbbbbbbl#1{\s@l@ctbeam#1\relax \s@l@ctg \t@bbbbbbl} + +\def\t@bbbbbu{\n@v\fiv@ \C@b\t@bbbbbbu\n@bbbbbu\y@i\f@z \beam@pos\f@x \t@xbu} +\def\t@bbbbbl{\n@v\fiv@ \C@b\t@bbbbbbl\n@bbbbbl\y@i\f@z \beam@pos\f@x \t@xbl} + +\def\t@bbbbbbu{\n@v\si@ \C@b\empty\n@bbbbbu\y@i\g@z \beam@pos\g@x \t@xbu} +\def\t@bbbbbbl{\n@v\si@ \C@b\empty\n@bbbbbl\y@i\g@z \beam@pos\g@x \t@xbl} + +\def\Ibbbbbbu#1{\s@l@ctbeam#1\relax \s@l@ctg \I@bu\i@bbbbbbu} +\def\Ibbbbbbl#1{\s@l@ctbeam#1\relax \s@l@ctg \I@bl\i@bbbbbbl} + +\catcode`\@=\catcodeat +\endinput diff --git a/macros/generic/musixtex/tex/musixblx.tex b/macros/generic/musixtex/tex/musixblx.tex new file mode 100644 index 0000000000..d40de4cb68 --- /dev/null +++ b/macros/generic/musixtex/tex/musixblx.tex @@ -0,0 +1,44 @@ +% +% This file is part of MusiXTeX +% +% MusiXTeX is free software; you can redistribute it and/or modify +% it under the terms of the GNU General Public License as published by +% the Free Software Foundation; either version 2, or (at your option) +% any later version. +% +% MusiXTeX is distributed in the hope that it will be useful, +% but WITHOUT ANY WARRANTY; without even the implied warranty of +% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the +% GNU General Public License for more details. +% +% You should have received a copy of the GNU General Public License +% along with MusiXTeX; see the file COPYING. If not, write to +% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, +% Boston, MA 02111-1307, USA. +% +% (Nicolas Brouard) + +\immediate\write16{MusiXBigLateX 0.36\space<1 March 1995>}% + +\ifx\undefined\largevaugment \else \endinput \fi + +\newenvironment{music}{\catcodesmusic\parskip0pt\resetlayout}{}% + +\newdimen\largevaugment \newdimen\largehaugment + +\newenvironment{largemusic}{\vfill\eject\catcodesmusic\parskip0pt + \resetlayout + \edef\theoldtextwidth{\the\textwidth}% + \edef\theoldtextheight{\the\textheight}% + \def\Fullwidth{185mm}\def\Fullheight{260mm}% + \largevaugment\Fullheight \advance\largevaugment-\theoldtextheight + \largehaugment\Fullwidth \advance\largehaugment-\theoldtextwidth + \divide\largevaugment2 \divide\largehaugment2 + \advance\voffset\largevaugment \advance\hoffset-\largehaugment + \xdef\thelargehoffset{\the\hoffset}% + \hsize\Fullwidth \textwidth\Fullwidth + + \bgroup\textwidth\Fullwidth\hsize\Fullwidth\vsize\Fullheight}% + {\egroup\advance\voffset.5\largevaugment + \clearpage\advance\voffset-.5\largevaugment} +\endinput diff --git a/macros/generic/musixtex/tex/musixbm.tex b/macros/generic/musixtex/tex/musixbm.tex new file mode 100644 index 0000000000..29147d8707 --- /dev/null +++ b/macros/generic/musixtex/tex/musixbm.tex @@ -0,0 +1,25 @@ +% +% This file is part of MusiXTeX +% +% MusiXTeX is free software; you can redistribute it and/or modify +% it under the terms of the GNU General Public License as published by +% the Free Software Foundation; either version 2, or (at your option) +% any later version. +% +% MusiXTeX is distributed in the hope that it will be useful, +% but WITHOUT ANY WARRANTY; without even the implied warranty of +% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the +% GNU General Public License for more details. +% +% You should have received a copy of the GNU General Public License +% along with MusiXTeX; see the file COPYING. If not, write to +% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, +% Boston, MA 02111-1307, USA. +% +% +\immediate\write16{MusiXEXTra \space<7 June 2015>}% +% +% +% (nothing to do. - T.118 or later provide \slide and \raggedstoppiece by default.) +% +\endinput diff --git a/macros/generic/musixtex/tex/musixcho.tex b/macros/generic/musixtex/tex/musixcho.tex new file mode 100644 index 0000000000..55b5e482eb --- /dev/null +++ b/macros/generic/musixtex/tex/musixcho.tex @@ -0,0 +1,68 @@ +% +% This file is part of MusiXTeX +% +% MusiXTeX is free software; you can redistribute it and/or modify +% it under the terms of the GNU General Public License as published by +% the Free Software Foundation; either version 2, or (at your option) +% any later version. +% +% MusiXTeX is distributed in the hope that it will be useful, +% but WITHOUT ANY WARRANTY; without even the implied warranty of +% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the +% GNU General Public License for more details. +% +% You should have received a copy of the GNU General Public License +% along with MusiXTeX; see the file COPYING. If not, write to +% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, +% Boston, MA 02111-1307, USA. +% +\immediate\write16{MusiXCHOir T.89\space<24 March 1998>}% + +\ifx\undefined\braceheight \else \endinput \fi + +\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 +\catcodesmusic + +% big parentheses for e.g. multiline text + +\newskip\braceheight \braceheight=4\Interligne\relax +\def\ChoirStrut{\vphantom{\^Wgjpqy}} + +\def\biglbrace{\let\@Ti\llap \let\@Tii\{\relax \C@br} +\def\bigrbrace{\let\@Ti\rlap \let\@Tii\}\relax \C@br} +\def\C@br{\C@tx{\@Ti{$\left\@Tii\vbox\@to\braceheight{}\right.\n@space$}\vss}} + +% multiline text + +\def\@kti{\kern\thr@@\Internote\strut} +\def\@kmi{\kernm\Internote\strut} + +\def\Dtx#1|#2*{\C@tx{\lrlap{\@kti#1\ChoirStrut}\lrlap{\@kti#2\ChoirStrut}\vss}} +\def\Drtx#1|#2*{\C@tx{\rlap{\@kmi#1\ChoirStrut}\rlap{\@kmi#2\ChoirStrut}\vss}} + +\def\Ttx#1|#2|#3*{\C@tx{\lrlap{\@kti#1\ChoirStrut}\lrlap{\@kti#2\ChoirStrut}\lrlap{\@kti#3\ChoirStrut}\vss}} +\def\Trtx#1|#2|#3*{\C@tx{\rlap{\@kmi#1\ChoirStrut}\rlap{\@kmi#2\ChoirStrut}\rlap{\@kmi#3\ChoirStrut}\vss}} + +\def\Qtx#1|#2|#3|#4*{\C@tx{\lrlap{\@kti#1\ChoirStrut}\lrlap{\@kti#2\ChoirStrut}% + \lrlap{\@kti#3\ChoirStrut}\lrlap{\@kti#4\ChoirStrut}\vss}} +\def\Qrtx#1|#2|#3|#4*{\C@tx{\rlap{\@kmi#1\ChoirStrut}\rlap{\@kmi#2\ChoirStrut}\rlap{\@kmi#3\ChoirStrut}% + \rlap{\@kmi#4\ChoirStrut}\vss}} + +\def\tx#1*{\C@tx{\lrlap{\@kti#1\ChoirStrut}\vss}} +\def\rtx#1*{\C@tx{\rlap{\@kmi#1\ChoirStrut}\vss}} + +% longation rule + +\newskip\@ihf +\def\thf{\getcurpos\advance\y@v-\@ihf \advance\y@v-\tw@\Interligne + \llap{\vrule\@width\y@v\@height\lthick\kern\Interligne}}% + +\def\ixhf#1{\setbox\ch@box\hbox{#1}\getcurpos \advance\y@v\h@lf\wd\ch@box + \advance\y@v\Interligne \global\@ihf\y@v \box\ch@box} + +\def\ihf#1{\setbox\ch@box\hbox{#1}\getcurpos \advance\y@v\wd\ch@box + \global\@ihf\y@v \box\ch@box} + +\endcatcodesmusic +\catcode`\@=\catcodeat +\endinput diff --git a/macros/generic/musixtex/tex/musixcpt.tex b/macros/generic/musixtex/tex/musixcpt.tex new file mode 100644 index 0000000000..90d9066465 --- /dev/null +++ b/macros/generic/musixtex/tex/musixcpt.tex @@ -0,0 +1,826 @@ +% +% This file is part of MusiXTeX +% +% MusiXTeX is free software; you can redistribute it and/or modify +% it under the terms of the GNU General Public License as published by +% the Free Software Foundation; either version 2, or (at your option) +% any later version. +% +% MusiXTeX is distributed in the hope that it will be useful, +% but WITHOUT ANY WARRANTY; without even the implied warranty of +% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the +% GNU General Public License for more details. +% +% You should have received a copy of the GNU General Public License +% along with MusiXTeX; see the file COPYING. If not, write to +% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, +% Boston, MA 02111-1307, USA. +% +%%% for those who want compatibility, input it !after! musixtex and all +%%% other \input files, means: at very last + +\ifx\undefined\DIMin \else \endinput \fi + +\immediate\write16{MusiXComPaTible T.109\space<8 May 2018>}% + +\ifx\undefined\mxversion \errmessage{MusiXcpt input before MusiXTeX !}\fi + +\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 +\catcodesmusic + +\voffset=-15.4mm +\parindent=10mm + +\def\z@suspend@autoflag{\ifx\auto@flag\empty + \fil@autolines\fi \let\auto@flag\empty} + + +\let\fil@autolines\empty +\let\auto@flag\empty + +\def\updatecontext{% + \T@bil \writ@newclefs\wbarno@x\Writ@newsigns + \Writ@meters\addspace\afterruleskip + \else\fil@autolines\let\auto@flag\@ne + \writ@newclefs\Writ@newsigns\z@suspend\@NewPage\fi} + +\def\changecontext{\n@wbar\updatecontext} +\def\zchangecontext{\advance\n@skip\beforeruleskip \widthtyp@\@ne \t@rmskip + \zn@wbar\updatecontext} + +\def\@breakpassInoauto{\def\T@bil{\getcurpos \ifdim\y@v<\h@lf\line@width}} +\def\ori@passIzbarre{\zn@wbar\fil@{z \the\barno}} + +\def\ori@passIendsection{\fil@{*\space\the\mulooseness}\mulooseness\z@} + +\def\@breakpassIauto{\advance\barsinlin@\@ne \ifnum\barsinlin@<\maxbarsinline}% + +\def\@xbarrepassIauto{\T@bil \else\advance\barsinlin@\m@ne \fi\@bar} +\let\@xbarrepassIIauto\barre + +\def\@zbarpassIauto{\T@bil \zn@wbar\else\zstoppiec@\@NewPage\fi} + +%!!! Attention: If you use \autolines, take care for the number of lines. +% If they exceed 127, trouble will be ahead. (adjust MAX_SECTIONS in +% musixflx.c or insert a \suspmorceau..\debutmorceau) !!! + +\def\autolines#1#2#3{% #1 nombre d'elemskip par mesure, +% #2 nombre de mesures par ligne, +% #3 nb lignes par page + \ifstartmuflex@done\else\startmuflex\fi + \global\maxbarsinline=#2\relax + \global\maxlinesinpage=#3\relax + \let\count@lines\count@lines@auto + \ifx\ragg@d\empty % ---> pass 1 + \message{/autolines pass I }% + \let\xbar=\@xbarrepassIauto + \let\zbar=\@zbarpassIauto + \let\@nds@ction=\empty + \def\fil@autolines{\fil@{a}}% + \let\barsinline=\barsinlin@ + \let\T@bil=\@breakpassIauto + \else %---> pass 2 + \message{/autolines pass II }% + \let\xbar=\@xbarrepassIIauto + \let\@nds@ction=\empty + \fi} + +\def\noautolines{\let\fil@autolines\empty + \ifstartmuflex@done\else\startmuflex\fi + \let\xbar\ori@xbarre % original X handling + \let\count@lines\count@lines@empty + \ifx\ragg@d\empty %---> pass 1 + \message{/noautolines pass I }% + \let\zbar\ori@zbarre % original X handling + \let\barsinline=\barsinline@ori + \let\T@bil\ori@T@bil + \let\@nds@ction=\ori@passIendsection + \else + \message{/noautolines pass II }% + \let\@nds@ction=\empty + \fi} + % + +\def\count@lines@auto{\global\advance\linesinpage\@ne + \ifnum\linesinpage<\maxlinesinpage + \else \eject \global\linesinpage\z@ \fi} +\def\count@lines@empty{\global\advance\linesinpage\@ne} +\let\count@lines\count@lines@empty + +\def\@NewPage{\count@lines \contpiece} +\def\@LeftRp{\stoppiec@\@NewPage\addspace{\h@lf\afterruleskip}% + \kernm\afterruleskip\l@eftrepeat\kern\afterruleskip} + +\def\T@bil{\advance\barsinlin@\@ne \ifnum\barsinlin@<\maxbarsinlin@} +\def\ori@T@bil{\advance\barsinlin@\@ne \ifnum\barsinlin@<\maxbarsinlin@} + +\def\barre{\T@bil \@bar\else\stoppiec@\@NewPage\fi} + +\def\xbar{\@bar\global\advance\barsinpi@c@\m@ne } +\def\ori@xbarre{\@bar\global\advance\barsinpi@c@\m@ne } + +\def\zbar{\T@bil \zn@wbar\else\zstoppiece\@NewPage\fi} +\def\ori@zbarre{\T@bil \zn@wbar\else\zstoppiece\@NewPage\fi} + +\def\alaligne{\stoppiece\@NewPage} +\def\Suspmorceau{\Stoppiece\count@lines} +\def\suspmorceau{\stoppiece\count@lines} +\def\zalaligne{\zstoppiece\@NewPage} +\def\leftrepeat{\leftrepeat@II} +\def\leftrepeat@II{\T@bil \setleftrepeat\@bar\else\@LeftRp\fi} +\def\leftrightrepeat{\leftrightrepeat@II} +\def\leftrightrepeat@II{\T@bil \setleftrightrepeat\@bar + \else\setrightrepeat\@LeftRp\fi} + +\def\finrightrepeat{\setrightrepeat\stoppiec@} + + +\let\nbporteesi\n@pi +\let\nbporteesii\n@pii +\let\nbporteesiii\n@piii +\let\nbporteesiv\n@piv +\let\nbporteesv\n@pv +\let\nbporteesvi\n@pvi +\def\nbporteesvii{\n@pvii}% +\def\nbporteesviii{\n@pviii}% +\def\nbporteesix{\n@pvix}% + +\def\nbstaffsi{\n@pi}% +\def\nbstaffsii{\n@pii}% +\def\nbstaffsiii{\n@piii}% +\def\nbstaffsiv{\n@piv}% +\def\nbstaffsv{\n@pv}% +\def\nbstaffsvi{\n@pvi}% +\def\nbstaffsvii{\n@pvii}% +\def\nbstaffsviii{\n@pviii}% +\def\nbstaffsix{\n@pvix}% + +\def\resetlayout{\nullthick\f@ur\Interligne \let\interfacteur\nin@ + \stafftopmarg\thr@@\Interligne \staffbotmarg\thr@@\Interligne + \let\stafflinesnbi\fiv@ \let\stafflinesnbii\fiv@ \let\stafflinesnbiii\fiv@ + \let\stafflinesnbiv\fiv@ \let\stafflinesnbv\fiv@ \let\stafflinesnbvi\fiv@ + \let\clefdesoli\trebleclef \let\clefdesolii\trebleclef + \let\clefdesoliii\trebleclef \let\clefdesoliv\trebleclef + \let\clefdesolv\trebleclef \let\clefdesolvi\trebleclef + \let\clefduti\altoclef \let\clefdutii\altoclef + \let\clefdutiii\altoclef \let\clefdutiv\altoclef + \let\clefdutv\altoclef \let\clefdutvi\altoclef + \let\clefdefai\bassclef \let\clefdefaii\bassclef + \let\clefdefaiii\bassclef \let\clefdefaiv\bassclef + \let\clefdefav\bassclef \let\clefdefavi\bassclef + \elemskip\f@ur\Internote} + +% These definition depends on the assumption, that \elemskip is equal 10pt + +\def\hqsk{\off{.3\@l@mskip}} +\def\qsk{\hqsk\hqsk} + +% ============================ +% will change + +\chardef\@li=51 +\chardef\@liii=53 +\newif\ifcautionacc + +\def\@acc#1{\check@staff + \inhgetn@i#1\relax\@BigAcc + \fi} +\def\@BigAcc{\pl@base\raise\y@i\llap{\musixchar\n@v\kern\accshift}} + +\def\bigfl{\n@v\@l \@acc} +\def\bigdfl{\n@v\@li \@acc} +\def\bigsh{\n@v\@lii \@acc} +\def\bigdsh{\n@v\@liii \@acc} +\def\bigna{\n@v\@liv \@acc} + +\def\@smallacc#1{\check@staff + \inhgetn@i#1\relax\n@iv\fiv@ \@SmallACC + \fi} +\def\@SmallACC{\check@staff + \pl@base\raise\y@i\llap{\@SmallAcc\kern\accshift}\fi} +\def\@SmallAcc{\check@staff + \ifcautionacc\C@ChaR \fi \musixchar\n@v + \ifcautionacc\kern.3\qn@width \fi + \fi\global\cautionaccfalse} + +\def\smallna{\n@v94\@smallacc} +\def\smallfl{\n@v90\@smallacc} +\def\smallsh{\n@v92\@smallacc} +\def\smalldsh{\n@v93\@smallacc} +\def\smalldfl#1{\check@staff + \n@v91\inhgetn@i#1\relax\n@iv\si@ \@SmallACC + \fi} + +\def\csh{\cautionacctrue\smallsh} +\def\cdsh{\cautionacctrue\smalldsh} +\def\cna{\cautionacctrue\smallna} +\def\cfl{\cautionacctrue\smallfl} +\def\cdfl{\cautionacctrue\smalldfl} + +\def\@UpperAcc#1{\inhgetn@i#1\relax\@UpAcc} +\def\@UpAcc{\advance\n@i\thr@@ \zchar\n@i{\kern\qu@rt\qn@width\@SmallAcc}} + +\def\upperna{\n@v94\@UpperAcc} +\def\upperfl{\n@v90\@UpperAcc} +\def\uppersh{\n@v92\@UpperAcc} + +% analysis of accidentals within collective note coding + +\def\absoluteaccidentals{% + \let\Xna\na \let\Xsh\sh \let\Xfl\fl \let\Xdsh\dsh \let\Xdfl\dfl} +\absoluteaccidentals + +\def\Na#1{\small@test\bigNa{#1}\else\smallNa{#1}\fi} +\def\Fl#1{\small@test\bigFl{#1}\else\smallFl{#1}\fi} +\def\Sh#1{\small@test\bigSh{#1}\else\smallSh{#1}\fi} +\def\dFl#1{\small@test\bigdFl{#1}\else\smalldFl{#1}\fi} +\def\dSh#1{\small@test\bigdSh{#1}\else\smalldSh{#1}\fi} + +\def\cNa{\cautionacctrue\smallNa} +\def\cFl{\cautionacctrue\smallFl} +\def\cSh{\cautionacctrue\smallSh} +\def\cdFl{\cautionacctrue\smalldFl} +\def\cdSh{\cautionacctrue\smalldSh} + +\def\lNa#1{\shiftaccwidth{\Na{#1}}} +\def\lFl#1{\shiftaccwidth{\Fl{#1}}} +\def\lSh#1{\shiftaccwidth{\Sh{#1}}} +\def\ldFl#1{\shiftaccwidth{\dFl{#1}}} +\def\ldSh#1{\shiftaccwidth{\dSh{#1}}} +\def\shiftaccwidth{\loffset\smallvalue} + +\def\sign@diff#1\relax{\getn@i#1\relax\n@iii\n@i + \advance\n@iii-\ut@ref \advance\n@iii-\ut@ref + \loop\ifnum\n@iii>\si@ \advance\n@iii-\s@v@n \repeat + \loop\ifnum\n@iii<\z@ \advance\n@iii\s@v@n \repeat + \ifcase\n@iii + \n@ii\si@ % mi + \or\n@ii\@ne % fa + \or\n@ii\thr@@ % sol + \or\n@ii\fiv@ % la + \or\n@ii\s@v@n % si + \or\n@ii\tw@ % do + \or\n@ii\f@ur % re + \fi +% \n@ii positive signature limit, \n@ii-8 negative signature limit + \advance\n@ii-\a@s \advance\n@ii\si@ \divide\n@ii\s@v@n \n@iv\fiv@} + +\def\C@aacc{\check@staff + \advance\n@v\n@vi \@Ti + \fi } + +\def\@Flat#1{\sign@diff#1\relax + \ifcase\n@ii \n@v\@liv \or\n@v\@l \or\n@v\@li \fi \C@aacc} + +\def\set@bigaccid{\n@vi\z@ \let\@Ti\@BigAcc} +\def\set@smallaccid{\n@vi\@xl \let\@Ti\@SmallACC} +\def\set@UpAcc{\n@vi\@xl \let\@Ti\@UpAcc} + +\def\bigFl{\set@bigaccid\@Flat} +\def\smallFl{\set@smallaccid\@Flat} +\def\upperFl{\set@UpAcc\@Flat} + +\def\@Natural#1{\sign@diff#1\relax + \ifcase\n@ii \n@v\@lii \or\n@v\@liv \or\n@v\@l \fi \C@aacc} + +\def\bigNa{\set@bigaccid\@Natural} +\def\smallNa{\set@smallaccid\@Natural} +\def\upperNa{\set@UpAcc\@Natural} + +\def\@Sharp#1{\sign@diff#1\relax + \ifcase\n@ii \n@v\@liii \or\n@v\@lii \or\n@v\@liv \fi \C@aacc} + +\def\bigSh{\set@bigaccid\@Sharp} +\def\smallSh{\set@smallaccid\@Sharp} +\def\upperSh{\set@UpAcc\@Sharp} + +\def\@nod{Can't double } + +\def\@dSharp#1{\sign@diff#1\relax + \ifcase\n@ii \message{\@nod sharpen !\noexpand\dSh #1}% + \or\n@v\@liii \C@aacc\or\n@v\@lii \C@aacc \fi} + +\def\bigdSh{\set@bigaccid\@dSharp} +\def\smalldSh{\set@smallaccid\@dSharp} +%\def\upperdSh{\set@UpAcc\@dSharp} + +\def\@dFlat#1{\sign@diff#1\relax + \ifcase\n@ii \n@v\@l \C@aacc\or\n@v\@li \C@aacc + \or\message{\@nod flatten !\noexpand\dFl #1}\fi} + +\def\bigdFl{\set@bigaccid\@dFlat} +\def\smalldFl{\n@vi\@xl \n@iv\si@ \let\@Ti\@SmallACC \@dFlat} +%\def\upperdFl{\set@UpAcc\@dFlat} + +\def\relativeaccidentals{% + \let\Xna\Na \let\Xsh\Sh \let\Xfl\Fl \let\Xdsh\dSh \let\Xdfl\dFl} + +%\def\writ@names{\n@loop +% \setbox\n@otebox\llap{\vbox{\hbox\@to\parindent{% +% \hss\csname instrument\romannumeral\noinstrum@nt\endcsname\hss}}~~}% +% \altportee\altitude \Comp@High\advance\y@v-\ht\n@otebox +% \advance\altportee\h@lf\y@v \raise\altportee\box\n@otebox \repeat} +%\let\Writ@names\writ@names + +%\let\instrumenti\empty \let\instrumentii\empty \let\instrumentiii\empty +%\let\instrumentiv\empty \let\instrumentv\empty \let\instrumentvi\empty + +% ============================ + +\def\dimin{\decrescendo{4\qn@width}} +\def\Dimin{\decrescendo{8\qn@width}} +\def\DImin{\decrescendo{12\qn@width}} +\def\DIMin{\decrescendo{16\qn@width}} +\def\DIMIn{\decrescendo{24\qn@width}} +\def\DIMIN{\decrescendo{36\qn@width}} +\def\cresc{\crescendo{4\qn@width}} +\def\Cresc{\crescendo{8\qn@width}} +\def\CResc{\crescendo{12\qn@width}} +\def\CREsc{\crescendo{16\qn@width}} +\def\CRESc{\crescendo{24\qn@width}} +\def\CRESC{\crescendo{36\qn@width}} + +\let\interligne\Interligne +\def\debutmorceau{\ifstartmuflex@done\else\startmuflex\fi +\startpiece +\let\debutmorceau\startpiece} +\let\finmorceau\Stoppiece +\let\zfinmorceau\zstoppiece +\let\finpartition\stoppiece +\let\debutextrait\startextract +\let\finextrait\endextract +\let\zfinextrait\zendextract +\let\reprmorceau\contpiece +\let\lreprmorceau\contpiece +\def\preprmorceau{\eject \global\linesinpage\z@ \contpiece} +\def\resetsignatures{\generalsignature0\savesignature} +\def\alapage{\stoppiece\eject \global\linesinpage\z@ \contpiece} +\def\zalapage{\zstoppiece\eject \global\linesinpage\z@ \contpiece} +\def\pchangecontext{\n@wbar\writ@newclefs\writ@newsigns + \z@suspend \eject \global\linesinpage\z@ \contpiece} +\def\lchangecontext{\n@wbar\writ@newclefs\writ@newsigns + \z@suspend \count@lines \contpiece} +\let\xbeambarre\bar +\def\xbarre{\xbar} +\def\zbarre{\zbar} +\let\temps\empty +\let\zglue\empty +\let\zglu\empty +\let\doublebarre\doublebar + +\def\leftrightrepeatsymbol{\C@rep\l@eftrightrepeat} +\def\leftrepeatsymbol{\C@rep\l@eftrepeat} +\def\rightrepeatsymbol{\C@rep\r@ightrepeat} +\def\C@rep#1{\advance\n@skip\beforeruleskip \widthtyp@\@ne \t@rmskip + #1\widthtyp@\z@ \t@rmskip\addspace\afterruleskip} + +%\let\suspmorceau\stoppiece +%\let\Suspmorceau\Stoppiece +\let\computewidths\empty +\let\computespecifics\empty +\let\zsuspmorceau\zstoppiece +\let\signaturegenerale\generalsignature +\let\pointdorgue\fermataup +\let\pointdurgue\fermatadown +\let\zbv\zbreve +\let\zsb\zmaxima +\let\ha\hu +\let\resetfacteurs\resetlayout +\let\savesignature\empty +\let\savemeter\empty +\let\savemeters\empty +\let\saveclefs\empty +%%%%%%%%%%%%%%%%%%%%%%%%%% +\let\ITenu\istieu +\let\ITenl\istied +%%%%%%%%%%%%%%%%%% +\let\ilegu\isluru +\let\ilegl\islurd +\let\Ilegu\isluru +\let\Ilegl\islurd +%\let\tleg\tslur +%\def\Tleg#1{\roff{\ttie#1}} +\let\Invertslur\invertslur +\let\qh\qb +\let\qhp\qbp +\let\qhpp\qbpp +\let\zqh\zqb +\let\zqhp\zqbp +\let\zqhpp\zqbpp +\let\hh\hb +\let\soupir\qp +\let\dsoupir\ds +\let\demisoupir\ds +\let\qsoupir\qs +\let\quartsoupir\qs +\let\hsoupir\hs +\let\huitsoupir\hs +\let\seizsoupir\qqs +\let\Pince\Shake +\let\pince\shake +\let\Lpince\Shakel +\let\Pincesw\Shakesw +\let\Pincene\Shakene +\let\Pincenw\Shakenw +\let\mordant\mordent +\let\nblines\z@ +\let\wd@skip\wn@width +\let\musicnfont\musixfont + +\let\clefdesolsymbol\trebleclef +\let\clefdefasymbol\altoclef +\let\clefdutsymbol\bassclef +\let\gclefdut\gregorianCclef +\let\drumclefsymbol\drumclef +\let\smallclefdesol\smalltrebleclef +\let\smallclefdefa\smallaltoclef +\let\smallclefdut\smallbassclef + +\let\cmbxmicro\sevenbf +\let\cmbxtiny\eightbf +\let\cmbxsmall\tenbf +\let\cmbx\twelvebf +\let\cmbxbig\bigfont +\let\moyen\bigfont +\let\gros\Bigfont +\let\enorme\BIGfont + +\def\setprimavolta{\setvolta1} +\def\setsecondavolta{\setvolta2} + +\def\advancebottom#1{} +\newif\ifraggedlines +\newcount\linesinpage +\newcount\barsinline@ori +\let\barsinline\barsinline@ori +\newcount\maxbarsinline +\newcount\maxlinesinpage \maxlinesinpage\maxdimen +\newskip\zglueskip +\newskip\tempsskip + +%%% definitions for holding up compatibility, not supported in musixtex + +\let\endinstrument\@ndstaff +\def\huslur#1#2{\errmessage{No more need for \noexpand\huslur!}} +\def\hdslur#1#2{\errmessage{No more need for \noexpand\hdslur!}} +\def\liftslur#1#2{\errmessage{\noexpand\liftslur is not supported in MusiXTeX}} + +\def\expause#1{\charnote{#1}{\musicnorfont\char 11\hss}} +\def\zexpause#1{\zcharnote{#1}{\musicnorfont\char 11\hss}} +\def\exhpause#1{\charnote{#1}{\musicnorfont\char 10\hss}} +\def\zexhpause#1{\zcharnote{#1}{\musicnorfont\char 10\hss}} + +\def\vdlthick{\vrule depth \hlthick} +\let\resettens\empty +\let\resetstem\resetst@m +\let\setstem\setst@m +\let\resetlegs\empty +\let\savepenalties\empty +\let\currenthyphenpenalty\empty +\let\setnohyphenpenalty\empty +\let\sethyphenpenalty\empty +\let\setnormalhyphen\empty +\let\glueaftersymbol\empty +\def\zgluearule{\addspace\afterruleskip}% +\let\gluearule\zgluearule +\let\ygluearule\zgluearule +\let\Writesignatures\writ@signs +\let\changecontexte\changecontext +\let\Changecontexte\Changecontext +\let\Changeclefs\changeclefs +\let\Changeclef\Changeclefs +\def\shortstems{\stemlength4}% +\def\normalstems{\stemlength{4.66}}% +\normalstems + +\def\phpause{\hbox to \noteskip{\vrule width + 1.2\qn@width height \internote\hss}}% +%\def\pause{\hbox{\raise 5\internote\phpause}}% +%\def\hpause{\hbox{\raise 4\internote\phpause}}% +\let\zha\zhu +\def\minternote{-\internote}% +\def\ffff{{\ppff {f}\kern -0.1ex{f}\kern -0.1ex{f}\kern -0.1ex{f}}} +\def\testseq{}% + +\def\rtenl#1#2{\roff{\islurd{#1}{#2}}} +\def\rtenu#1#2{\roff{\isluru{#1}{#2}}} + +\def\diamg{\ynq} +\def\diamw{\dnq} + +\def\zdiamg{\yznq} +\def\zdiamw{\dznq} + +\def\carrg{\squ} +\def\zcarrg{\zsqu} +\def\carpg{\lsqu} +\def\zcarpg{\zlsqu} +\def\carqg{\rsqu} +\def\zcarqg{\zrsqu} + +\def\yu{\yqu} +\def\yup{\yqup} +\def\yupp{\yqupp} +\def\yuppp{\yquppp} +\def\yl{\yql} +\def\ylp{\yqlp} +\def\ylpp{\yqlpp} +\def\ylppp{\yqlppp} + +\def\yh{\yqb} +\def\yb{\yqb} + +\def\zy{\yzq} +\def\zyp{\yzqp} +\def\zypp{\yzqpp} +\def\zyppp{\yzqppp} + +\def\du{\dqu} +\def\dup{\dqup} +\def\dupp{\dqupp} +\def\duppp{\dquppp} + +\def\dl{\dql} +\def\dlp{\dqlp} +\def\dlpp{\dqlpp} +\def\dlppp{\dqlppp} + +\def\dh{\dqb} +\def\db{\dqb} + +\def\zd{\dzq} +\def\zdp{\dzqp} +\def\zdpp{\dzqpp} +\def\zdppp{\dzqppp} + +\def\xu{\xqu} +\def\xup{\x@symbol\@qup} +\def\xupp{\x@symbol\@qupp} +\def\xl{\xql} +\def\xlp{\x@symbol\@qlp} +\def\xlpp{\x@symbol\@qlpp} + +\let\xb\xqb +\let\xh\xqb + +\def\zx{\xzq} +\def\zxp{\x@symbol\@zqp} +\def\zxpp{\x@symbol\@zqpp} + +\def\xcccu{\x@symbol\@cccu} +\def\xccccu{\x@symbol\@ccccu} +\def\xcccl{\x@symbol\@cccl} +\def\xccccl{\x@symbol\@ccccl} + +\def\xclp{\x@symbol\@clp} +\def\xcup{\x@symbol\@cup} +\def\xclpp{\x@symbol\@clpp} +\def\xcupp{\x@symbol\@cupp} + +\def\oxu{\oxqu} +\def\oxup{\ox@symbol\@qup} +\def\oxupp{\ox@symbol\@qupp} +\def\oxl{\oxql} +\def\oxlp{\ox@symbol\@qlp} +\def\oxlpp{\ox@symbol\@qlpp} + +\def\oxb\oxqb +\let\oxh\oxqb + +\def\ozx{\oxzq} +\def\ozxp{\ox@symbol\@zqp} +\def\ozxpp{\ox@symbol\@zqpp} + +\def\oxcccu{\ox@symbol\@cccu} +\def\oxccccu{\ox@symbol\@ccccu} +\def\oxcccl{\ox@symbol\@cccl} +\def\oxccccl{\ox@symbol\@ccccl} + +\def\oxclp{\ox@symbol\@clp} +\def\oxcup{\ox@symbol\@cup} +\def\oxclpp{\ox@symbol\@clpp} +\def\oxcupp{\ox@symbol\@cupp} + +\def\ku{\kqu} +\def\kup{\k@symbol\@qup} +\def\kupp{\k@symbol\@qupp} +\def\kl{\kql} +\def\klp{\k@symbol\@qlp} +\def\klpp{\k@symbol\@qlpp} + +\let\kb\kqb +\let\kh\kqb + +\def\zk{\kzq} +\def\zkp{\k@symbol\@zqp} +\def\zkpp{\k@symbol\@zqpp} + +\def\kcccu{\k@symbol\@cccu} +\def\kccccu{\k@symbol\@ccccu} +\def\kcccl{\k@symbol\@cccl} +\def\kccccl{\k@symbol\@ccccl} + +\def\kclp{\k@symbol\@clp} +\def\kcup{\k@symbol\@cup} +\def\kclpp{\k@symbol\@clpp} +\def\kcupp{\k@symbol\@cupp} + +%%% text, lyrics + +\def\midtwotext{\let\@Ti\hss \let\@Tii\hss \C@midcpt} +\def\rmidtwotext{\let\@Ti\empty \let\@Tii\hss \C@midcpt} +\def\zmidtwotext{\zmidstaff} +\def\lmidtwotext{\let\@Ti\hss \let\@Tii\empty \C@midcpt} + +\def\C@midcpt#1{\check@staff + \y@v\interportee \advance\y@v\f@ur\Interligne \divide\y@v\tw@ + \raise\y@v\uplap{\hbox\@to\noteskip{\@Ti\strut#1\@Tii}\vss}% + \advance\locx@skip\noteskip + \fi} + +% for what ? + +\def\sforz#1{{\advance\transpose by -2\usf{#1}}} +\def\pz#1{{\advance\transpose by -2\upz{#1}}} +\def\ppz{\uppz} +\def\st#1{{\advance\transpose by -2\ust{#1}}} + +% octlines + +\def\barfill{\leaders\hbox{ --}\hfill}% +\def\octnvrule{\vrule width \z@ height 3\p@ depth 3\p@}% +\def\octvrule{\vrule width \lthick height 3\p@ depth 3\p@}% +\def\octsup#1#2{\zcharnote{#1}{\hbox to #2\noteskip +{\llap{\rm 8}\barfill\octnvrule}}}% +\def\Octsup#1#2{\zcharnote{#1}{\hbox to #2{\rm 8\barfill\octnvrule}}}% + %\check + %\def\octfin#1#2{\zcharnote{#1}{\hbox to #2\noteskip{\llap{\rm 8}\barfill + %--\octvrule}}}% + \let\octfin\octfinup +\def\Octfin#1#2{\zcharnote{#1}{\hbox to #2{\rm 8\barfill +--\octvrule}}}% +\def\octline#1{\zcharnote{#1}{\hbox to \line@width{\llap{\rm 8}\barfill +\octnvrule\hskip 12\Internote}}}% +\def\Octline#1{\zcharnote{#1}{\hbox to \line@width{\rm 8\barfill +\octnvrule\hskip 8\Internote}}}% + %\check + +\def\octlineup{\n@v\@xxiii\C@ol} +\def\octlinedown{\n@v\@xxv \C@ol} +\def\C@ol#1{\zcharnote{#1}{\getcurpos\y@eol\advance\y@-\y@v + \hbox\@to\y@{\octnumber\mxsps\xleaders\hbox{\char\n@v}\hfill}}} + +% now different meaning !!! + +\def\trilleC#1{\hbox to #1{\leaders\hbox{\musixchar69}\hfill}}% +\let\trille\trilleC +\def\TrilleC#1{\hbox to #1{\it tr\leaders\hbox{\musixchar69}\hfill}}% +\let\Trille\TrilleC + +\def\ntrille#1#2{\zcharnote{#1}{\trille{#2\elemskip}}}% +\def\nTrille#1#2{\zcharnote{#1}{\Trille{#2\elemskip}}}% +\def\xtrille#1#2{\zcharnote{#1}{\trille{#2}}}% +\def\xTrille#1#2{\zcharnote{#1}{\Trille{#2}}}% + +% finding which class of fonts is normally used (cmxxx, dmxxx, dcxxx,...) + +\def\@wsa#1#2+{#1} +\def\@wsb#1#2#3+{#2} +\rm +\edef\fonthdg{\expandafter\@wsa\fontname\the\font+} +\edef\fonthdge{\expandafter\@wsb\fontname\the\font+} + +% new coda is centered above a barrule + +\def\coda{\n@iv85\@Char} + +% special wish + +\let\octline\octlineup + +% old spacings + +\def\normal{\elemskip=4\Internote \def\scalenoteskip{1.00}% + \def\notes{\vnotes1.0\elemskip}% double croches + \def\notesp{\vnotes1.18\elemskip}% double croches + \def\Notes{\vnotes1.4\elemskip}% croches + \def\Notesp{\vnotes1.66\elemskip}% croches + \def\NOtes{\vnotes2.0\elemskip}% croches pointees + \def\NOtesp{\vnotes2.36\elemskip}% croches pointees + \def\NOTes{\vnotes2.8\elemskip}% noires + \def\NOTesp{\vnotes3.32\elemskip}% noires + \def\NOTEs{\vnotes4.0\elemskip}% + \def\NOTEsp{\vnotes4.72\elemskip}% + \def\NOTES{\vnotes5.6\elemskip}} + +% \large could cause trouble, if user changes \scalenoteskip on his own, +% but this is *HIS* problem + +\ifx\large\undefined \def\large{\normal\def\scalenoteskip{1.2}}\fi + +\def\etroit{\normal + \def\Notes{\vnotes1.3\elemskip}% + \def\NOtes{\vnotes1.8\elemskip}% + \def\NOTes{\vnotes2.6\elemskip}% + \def\NOTEs{\vnotes3.6\elemskip}% + \def\NOTES{\vnotes5.2\elemskip}} + +% correct the shifting of arpeggio to musictex's appearance, +% a little bit tricky, but works + +\let\arpeggio@X\arpeggio +\def\arpeggio#1#2{\roffset{.2}{\arpeggio@X{#1}{#2}}} +\def\larpeggio#1#2{\loffset{.6}{\arpeggio@X{#1}{#2}}} % .6=\smallvalue - 0.2 + +% correct (nearly) the distance between note and accidental + +\accshift=-.1\qn@width + +% 'translate' old metertoks (works only if they are used as +% \metertoksi={...}, not for \metertoksi{...} + +\def\metertoksi#1#2{\if =#1\else\C@warn \fi + \let\Writ@meters\writ@meters \m@ti={#2}} +\def\metertoksii#1#2{\if =#1\else\C@warn \fi + \let\Writ@meters\writ@meters \m@tii={#2}} +\def\metertoksiii#1#2{\if =#1\else\C@warn \fi + \let\Writ@meters\writ@meters \m@tiii={#2}} +\def\metertoksiv#1#2{\if =#1\else\C@warn \fi + \let\Writ@meters\writ@meters \m@tiv={#2}} +\def\metertoksv#1#2{\if =#1\else\C@warn \fi + \let\Writ@meters\writ@meters \m@tv={#2}} +\def\metertoksvi#1#2{\if =#1\else\C@warn \fi + \let\Writ@meters\writ@meters \m@tvi={#2}} + +\def\C@warn{\errmessage{You MUST use '=' behind \noexpand\metertoks}\end} + +\let\signi\a@si +\let\signii\a@sii +\let\signiii\a@siii +\let\signiv\a@siv +\let\signv\a@sv +\let\signvi\a@svi + +\let\cleftoksi\a@ci +\let\cleftoksii\a@cii +\let\cleftoksiii\a@ciii +\let\cleftoksiv\a@civ +\let\cleftoksv\a@cv +\let\cleftoksvi\a@cvi + +% to be used to make heavy bars at staff left + +\newskip\nullthick +\let\lowersonginstrum\maxdimen +\let\uppersonginstrum\z@ +\newdimen\Interportee % distance between staffs of the same instrument (excl) + +\def\xgetn@i#1\relax{\n@viii\z@ \n@i\maxdimen % par defaut + \edef\t@ruc{\f@tok #1\relax\af@tok}% + \edef\s@uite{\s@tok #1\empty\af@tok}% +%% pas lettre + \ifcat a\t@ruc \n@i\expandafter`\t@ruc\relax +%% ramener au E (position zero en clef de sol, ut@ref=0) + \ifnum\n@i>96\advance\n@i-101% + \else\advance\n@i-\@lxxxiii % ramener au S= E + 14 + \fi + \advance\n@i\ut@ref \advance\n@i\ut@ref \advance\n@i\transpose + \edef\ss@uite{\noexpand\n@fon{\s@uite}}% +%% cas active character dont chiffre + \else + \let\ss@uite\empty + \let\alt@suite\empty + \ifcat 1\t@ruc + \if =\t@ruc \let\@TI\Xna \C@GET \fi + \if *\t@ruc \sk \C@Get \fi + \if .\t@ruc \let\@TI\pt \C@GET \fi + \if >\t@ruc \let\@TI\Xdsh \C@GET \fi + \if <\t@ruc \let\@TI\Xdfl \C@GET \fi + \if !\t@ruc \transpose\normaltranspose \C@Get \fi + \if '\t@ruc \advance\transpose\s@v@n \C@Get \fi + \if `\t@ruc \advance\transpose-\s@v@n \C@Get \fi + \ifnum\n@viii<\maxdimen \n@i#1\fi + \else + \if ^\t@ruc \let\@TI\Xsh \C@GET \fi + \if _\t@ruc \let\@TI\Xfl \C@GET \fi + \fi\alt@suite + \fi} + +% MusicTeX's settings + +\afterruleskip=10pt % plus glue +\beforeruleskip=2pt % plus glue +\nostemcut + +\let\nbinstruments\maxinstruments +\normalnotesize +\normal % to get \notes correctly defined +\resetlayout +\let\nbinstruments\@ne + +\def\breath{\errmessage{\noexpand\breath\space not implemented in MusiXTeX, + use \noexpand\zbreath\space or \noexpand\cbreath!}} + +\endcatcodesmusic +\catcode`\@=\catcodeat +\endinput diff --git a/macros/generic/musixtex/tex/musixcrd.tex b/macros/generic/musixtex/tex/musixcrd.tex new file mode 100644 index 0000000000..2701d104ee --- /dev/null +++ b/macros/generic/musixtex/tex/musixcrd.tex @@ -0,0 +1,272 @@ +%% +%% This is file `musixcrd.tex', +%% generated with the docstrip utility. +%% +%% The original source files were: +%% +%% musixcrd.dtx +%% +%% IMPORTANT NOTICE: +%% +%% For the copyright see the source file. +%% +%% Any modified versions of this file must be renamed +%% with new filenames distinct from musixcrd.tex. +%% +%% For distribution of the original source see the terms +%% for copying and modification in the file musixcrd.dtx. +%% +%% This generated file may be distributed as long as the +%% original source files, as listed above, are part of the +%% same distribution. (The sources need not necessarily be +%% in the same archive or directory.) +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +%% musixcrd - typsetting chord symbols with %% +%% musixtex %% +%% main source file contains code, doc, and examples %% +%% $Id: musixcrd.dtx,v 1.7 2004/11/02 13:13:41 hennig Exp $ %% +%% copyright 2004 , Robert Hennig %% +%% this code is licensed in terms of the %% +%% GNU Public License %% +%% %% +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +\ifx\makeatletter\undefined\def\makeatletter{\catcode`\@=11\relax}\fi +\ifx\makeatother\undefined\def\makeatother{\catcode`\@=12\relax}\fi + +\makeatletter% ^^A allows to use @ as ordinary letter +\def\crddefaultheight{10} +\def\crdtranspose{0} +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +\def\crd@append#1\to#2{% + \toks0=\expandafter{#1}\toks2=\expandafter{#2}% + \edef#2{\the\toks2 \the\toks0}} +\def\crd@prepend#1\by#2{% + \toks0=\expandafter{#1}\toks2=\expandafter{#2}% + \edef#1{\the\toks2 \the\toks0}} +\def\crd@movetoken#1\to#2{% + \ifx#1\empty\else\expandafter\crd@moveoff#1\crd@moveoff#1#2\fi}% +\def\crd@moveoff#1#2\crd@moveoff#3#4{\def#3{#2}\crd@prepend#4\by#1} +\newif\ifcrd@parsematched% true if parse matched +\newcount\crd@parsedepth% internal register + +\def\crd@parse#1\for#2{% parse tokens #1 for occurence of items of table #2 + \crd@parsedepth=1 % default if not defined + \expandafter\ifx\csname#2depth\endcsname\relax\else% + \crd@parsedepth=\csname#2depth\endcsname% + \fi% + \def\stack{}%\def\crd@parseresult{} + \crd@parsematchedfalse% initialisation + \crd@parser#1\for#2% call the recursive part +} +\def\crd@parser#1\for#2{% recursive part of parser + \ifx#1\empty\else% is list filled ? + \ifnum\crd@parsedepth>0 % and do we have to read more chars into stack + \advance\crd@parsedepth by-1 % + \crd@movetoken#1\to\stack% + \crd@parser#1\for#2% recursive call + \ifcrd@parsematched\else% if still not matched + \expandafter\ifx\csname#2\stack\endcsname\relax% does item match + \crd@movetoken\stack\to#1% no match, put char back to source + \else% match + \csname#2\stack\endcsname% + \crd@parsematchedtrue% signal success + \fi% + \fi% + \fi% + \fi% +} +\newcount\crd@vshift% +\newcount\crd@hshift% +\def\crd@number{crd@number}% +\def\crd@numberdepth{2}% +\expandafter\def\csname\crd@number0\endcsname{\crd@numberval=0 }% +\expandafter\def\csname\crd@number1\endcsname{\crd@numberval=1 }% +\expandafter\def\csname\crd@number2\endcsname{\crd@numberval=2 }% +\expandafter\def\csname\crd@number3\endcsname{\crd@numberval=3 }% +\expandafter\def\csname\crd@number4\endcsname{\crd@numberval=4 }% +\expandafter\def\csname\crd@number5\endcsname{\crd@numberval=5 }% +\expandafter\def\csname\crd@number6\endcsname{\crd@numberval=6 }% +\expandafter\def\csname\crd@number7\endcsname{\crd@numberval=7 }% +\expandafter\def\csname\crd@number8\endcsname{\crd@numberval=8 }% +\expandafter\def\csname\crd@number9\endcsname{\crd@numberval=9 }% +\expandafter\def\csname\crd@number1-\endcsname{\crd@numberval=-1 }% +\expandafter\def\csname\crd@number2-\endcsname{\crd@numberval=-2 }% +\expandafter\def\csname\crd@number3-\endcsname{\crd@numberval=-3 }% +\expandafter\def\csname\crd@number4-\endcsname{\crd@numberval=-4 }% +\expandafter\def\csname\crd@number5-\endcsname{\crd@numberval=-5 }% +\expandafter\def\csname\crd@number6-\endcsname{\crd@numberval=-6 }% +\expandafter\def\csname\crd@number7-\endcsname{\crd@numberval=-7 }% +\expandafter\def\csname\crd@number8-\endcsname{\crd@numberval=-8 }% +\expandafter\def\csname\crd@number9-\endcsname{\crd@numberval=-9 }% +\newcount\crd@quint% register used to represent notes in the circle of +\def\crd@quintval{crd@quintval}% +\def\crd@quintvalA{\crd@quint=3 }% A +\def\crd@quintvalB{\crd@quint=5 }% B +\def\crd@quintvalC{\crd@quint=0 }% C +\def\crd@quintvalD{\crd@quint=2 }% D +\def\crd@quintvalE{\crd@quint=4 }% E +\def\crd@quintvalF{\crd@quint=-1 }% F +\def\crd@quintvalG{\crd@quint=1 }% G +\def\crd@quintmod{crd@quintmod} +\def\crd@quintmoddepth{2} +\def\crd@quintmods{\advance\crd@quint by7 }% sharp +\def\crd@quintmodf{\advance\crd@quint by-7 }% flat +\def\crd@quintmodsd{\advance\crd@quint by14 }% double sharp +\def\crd@quintmodfd{\advance\crd@quint by-14 }% double flat +\def\crd@note{crd@note} +\expandafter\def\csname\crd@note3\endcsname{A} +\expandafter\def\csname\crd@note5\endcsname{B} +\expandafter\def\csname\crd@note0\endcsname{C} +\expandafter\def\csname\crd@note2\endcsname{D} +\expandafter\def\csname\crd@note4\endcsname{E} +\expandafter\def\csname\crd@note-1\endcsname{F} +\expandafter\def\csname\crd@note1\endcsname{G} +\def\crd@notelow{-1} % lowest quint without accidental +\def\crd@notehigh{5} % highest quint without accidental +\def\crd@sharp{\sharp} +\def\crd@flat{\flat} +\def\crd@doublesharp{\sharp\sharp} +\def\crd@doubleflat{\flat\flat} +\def\crd@parsenote#1#2{% parse input results: #1 + \def#1{}\def#2{}% + \crd@parse\crd@input\for\crd@quintval% + \ifcrd@parsematched% we got an valid note + \crd@parse\crd@input\for\crd@quintmod% + \advance\crd@quint by\crdtranspose \relax% transposition, space is needed! + \crd@enharmonic% + \ifnum\crd@quint>\crd@notehigh % sharps ? + \advance\crd@quint by-7 % + \ifnum\crd@quint>\crd@notehigh % double sharp ? + \advance\crd@quint by-7 % + \ifnum\crd@quint>\crd@notehigh % too much sharps ! + \relax ERROR:too much sharps% + \else\edef#2{\crd@doublesharp}\fi% + \else\edef#2{\crd@sharp}\fi% + \fi% + \ifnum\crd@quint<\crd@notelow % flats ? + \advance\crd@quint by7 % + \ifnum\crd@quint<\crd@notelow % double flat ? + \advance\crd@quint by7 % + \ifnum\crd@quint<\crd@notelow % too much flats ! + \relax ERROR:too much flats% + \else\edef#2{\crd@doubleflat}\fi% + \else\edef#2{\crd@flat}\fi% + \fi% + \expandafter\ifx\csname\crd@note\number\crd@quint\endcsname\relax% + ERROR:notename for (\number\crd@quint) is not defined. + \fi% + \edef#1{\csname\crd@note\number\crd@quint\endcsname}% set note + \fi% +} +\def\crd@enharmonic{}% +\def\crd@qualinit{% + \def\crd@lo{}% lower extensions + \def\crd@up{}% upper extensioins + \def\crd@alt{}% alterations +} +\def\crd@qual{crd@qual}% +\def\crd@qualdepth{2} +\def\crd@qualm{\crd@append{\crd@smalltype m}\to\crd@lo}% minor +\def\crd@qualM{\crd@append{\crd@capitaltype M}\to\crd@lo}% major7 +\expandafter\def\csname\crd@qual5+\endcsname% aug. 5 +{\crd@append{+}\to\crd@lo} +\expandafter\def\csname\crd@qual6\endcsname% 6 +{\crd@append{\crd@numbertype6}\to\crd@up} +\expandafter\def\csname\crd@qual7\endcsname% dominant 7 +{\crd@append{\crd@numbertype7}\to\crd@up} +\def\crd@quald{\crd@append{\crd@dim}\to\crd@up}% diminished +\def\crd@qualh{\crd@append{\crd@hdim}\to\crd@up}% half diminished +\expandafter\def\csname\crd@qual9-\endcsname% -9 +{\crd@append{\crd@numbertype\crd@numberflat9}\to\crd@alt} +\expandafter\def\csname\crd@qual9+\endcsname% +9 +{\crd@append{\crd@numbertype\crd@numbersharp9}\to\crd@alt} +\def\crd@skipcrdnote{crd@skipcrdnote} +\expandafter\def\csname\crd@skipcrdnote/\endcsname{} +\def\crd@parsecrd{% + \crd@vshift=0 % + \let\crd@numberval=\crd@vshift% + \crd@parse\crd@input\for\crd@number% + \crd@hshift=0 % + \let\crd@numberval=\crd@hshift% + \crd@parse\crd@input\for\crd@number% + \def\crd@crdnote{}% chord note + \def\crd@crdacc{}% chord note accidental + \def\crd@bassnote{}% bass note + \def\crd@bassacc{}% bass note accidental + \crd@qualinit% initialize qualifiers + \let\crd@flat=\crd@noteflat% + \let\crd@doubleflat=\crd@notedoubleflat% + \let\crd@sharp=\crd@notesharp% + \let\crd@doublesharp=\crd@notedoublesharp% + \crd@parsenote\crd@crdnote\crd@crdacc% read chord note + \loop\crd@parse\crd@input\for\crd@qual% read qualifiers + \ifcrd@parsematched\repeat% + \crd@parse\crd@input\for\crd@skipcrdnote% skip eventually + \let\crd@flat=\crd@bassflat% + \let\crd@doubleflat=\crd@bassdoubleflat% + \let\crd@sharp=\crd@basssharp% + \let\crd@doublesharp=\crd@bassdoublesharp% + \crd@parsenote\crd@bassnote\crd@bassacc% read bass note + \crd@formatcrd\hfil% call rendering +} +\def\crd@crddelim{crd@crddelim}% +\expandafter\def\csname\crd@crddelim,\endcsname{}% +\def\crd@parsecrds{% + \crd@parsecrd% + \crd@parse\crd@input\for\crd@crddelim% + \ifcrd@parsematched\crd@parsecrds\fi% +} +\def\c#1 {\def\crd@input{#1}\crd@output\crd@parsecrds} +\def\crd@fontstylea{% + \font\crd@eightrm=cmr8 + \font\crd@eightit=cmmi8 + \font\crd@seventeenrm=cmr17 + \font\crd@fourteenrm=cmr14 + \font\crd@twelverm=cmr12 + \font\crd@ninerm=cmr9 + \font\crd@smallninerm=cmr9 scaled 900 + \font\crd@bigninerm=cmr9 scaled 1100 + \let\crd@notetype=\crd@seventeenrm + \def\crd@noteflat{\raise0.6ex\hbox{\kern-0.085em\musictwenty2}} + \def\crd@notedoubleflat{\raise0.6ex\hbox{\kern-0.085em\musictwenty3}} + \def\crd@notesharp{\raise0.8ex\hbox{\musictwenty4}} + \def\crd@notedoublesharp{\raise0.8ex\hbox{\musictwenty5}} + \let\crd@basstype=\crd@fourteenrm + \def\crd@bassflat{\raise.5ex\hbox{\musicsixteen2}} + \def\crd@bassdoubleflat{\raise0.6ex\hbox{\kern-0.085em\musicsixteen3}} + \def\crd@basssharp{\raise1ex\hbox{\musicsixteen4}} + \def\crd@bassdoublesharp{\raise0.8ex\hbox{\musicsixteen5}} + \let\crd@numbertype=\crd@ninerm + \def\crd@numberflat{\raise.5ex\hbox{\musiceleven2}} + \def\crd@numbersharp{\raise1ex\hbox{\musiceleven4}} + \def\crd@numberminus{\crd@ninerm-} + \def\crd@numberplus{\crd@ninerm+} + \let\crd@capitaltype=\crd@smallninerm % capitals + \let\crd@smalltype=\crd@bigninerm % small + \def\crd@hdim{\crd@eightit$\circ$\kern-4.4pt\raise.9pt\hbox{\crd@eightrm/}} + \def\crd@dim{\crd@eightit$\circ$} +} +\def\crd@formatcrda{% + \hbox{\kern\crd@hshift\elemskip\raise\crd@vshift\internote\hbox{% + {\crd@notetype\crd@crdnote\crd@crdacc}% + \vbox{% + \hbox{% + \crd@up% + \ifx\crd@alt\empty\else\crd@numbertype(\crd@alt\crd@numbertype)\fi% + }% + \nointerlineskip\vskip1pt% + \hbox{\vphantom{\crd@capitaltype M}\crd@lo}}% + \ifx\crd@bassnote\empty\else% + {\crd@basstype/% + \lower0.5ex\hbox{\kern-0.17em \crd@bassnote\crd@bassacc}}% + \fi%\ + }} +} +\let\crd@formatcrd=\crd@formatcrda +\crd@fontstylea +\def\crd@musixOutput#1{\hbox{\zchar{\crddefaultheight}{\hbox to\elemskip{#1\hss}}}} +\let\crd@output=\crd@musixOutput +\makeatother +\endinput +%% +%% End of file `musixcrd.tex'. diff --git a/macros/generic/musixtex/tex/musixdat.tex b/macros/generic/musixtex/tex/musixdat.tex new file mode 100644 index 0000000000..16541a6e5c --- /dev/null +++ b/macros/generic/musixtex/tex/musixdat.tex @@ -0,0 +1,59 @@ +% +% This file is part of MusiXTeX +% +% MusiXTeX is free software; you can redistribute it and/or modify +% it under the terms of the GNU General Public License as published by +% the Free Software Foundation; either version 2, or (at your option) +% any later version. +% +% MusiXTeX is distributed in the hope that it will be useful, +% but WITHOUT ANY WARRANTY; without even the implied warranty of +% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the +% GNU General Public License for more details. +% +% You should have received a copy of the GNU General Public License +% along with MusiXTeX; see the file COPYING. If not, write to +% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, +% Boston, MA 02111-1307, USA. +% +\immediate\write16{MusiXDATes 0.36\space<1 March 1995>}% + +\ifx\undefined\dategerman \else \endinput \fi + +\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 + +%% This is 'stolen' from GERMAN.TEX or GERMAN.STY, Vers. 2.4a, 12 Apr 1991 + +% Dates +% ----- + +\def\month@german{\ifcase\month \or + Januar\or Februar\or M\"arz\or April\or Mai\or Juni\or + Juli\or August\or September\or Oktober\or November\or Dezember\fi} +\def\dategerman{\def\today{\number\day.~\month@german + \space\number\year}} +\def\dateaustrian{\def\today{\number\day.~\ifnum 1=\month + J\"anner\else \month@german\fi \space\number\year}} +\def\month@english{\ifcase\month \or + January\or February\or March\or April\or May\or June\or + July\or August\or September\or October\or November\or December\fi} +\def\dateUSenglish{\def\today{\month@english + \space\number\day, \number\year}} +\def\dateenglish{\def\today{\number\day \ifcase\day \or + st\or nd\or rd\or th\or th\or th\or th\or th\or th\or th\or % 1..10 + th\or th\or th\or th\or th\or th\or th\or th\or th\or th\or % 11..20 + st\or nd\or rd\or th\or th\or th\or th\or th\or th\or th\or % 21..30 + st\fi + ~\month@english \space\number\year}} +\def\datefrench{\def\today{\number\day \ifnum1=\day \/$^{\rm er}$\fi + \space\ifcase\month \or + janvier\or f\'evrier\or mars\or avril\or mai\or juin\or + juillet\or ao\^ut\or septembre\or octobre\or novembre\or d\'ecembre\fi + \space\number\year}} + +\def\aujourdhui{\datefrench\today} + +\dateUSenglish% or whatever you prefer + +\catcode`\@=\catcodeat +\endinput diff --git a/macros/generic/musixtex/tex/musixdbr.tex b/macros/generic/musixtex/tex/musixdbr.tex new file mode 100644 index 0000000000..2ad82ca662 --- /dev/null +++ b/macros/generic/musixtex/tex/musixdbr.tex @@ -0,0 +1,250 @@ +\ifx\indivbarrules\undefined\else\endinput\fi + +\immediate\write10{MusiXDashed and Dotted BaRlines 1.0\space<23 February 2002>}% +% by Rainer Dunker +% Ideas and code based on musixbar.tex +% by Mthimkhulu Molekwa + +\makeatletter + +\newdimen\barline@depth + +\def\barlinedash#1{\vskip.5\Internote + \hrule\@width#1\@height\Internote + \vskip.5\Internote} +\def\barlinedots#1{\vskip.5\Internote + \hbox to #1{\hss\tenrm.\hss} + \vskip.5\Internote} + +\def\rul@indiv#1{% + \n@loop + \Comp@High + \multiply\barline@depth -1\relax + \advance\barline@depth\altitude + \expandafter\ifx\csname s@b\romannumeral\noinstrum@nt\endcsname\relax + % normal barline below instrument + \raise\altitude\rlap{\vrule\@depth\barline@depth\@width#1\@height0pt }% + \else + \expandafter\ifx\csname s@b\romannumeral\noinstrum@nt\endcsname 2% + % dashed barline below instrument + \raise\altitude\hbox{% + \lower\barline@depth\rlap{% + \vbox to \barline@depth{% + \xleaders\vbox{\barlinedash{#1}}\vfill}}}% + \else + \expandafter\ifx\csname s@b\romannumeral\noinstrum@nt\endcsname 3% + % dotted barline below instrument + \raise\altitude\hbox{% + \lower\barline@depth\rlap{% + \vbox to \barline@depth{% + \xleaders\vbox{\barlinedots{#1}}\vfill}}}% + \fi + \fi + \fi + \ifnum\st@ffs>1 % multi-staff instrument + \multi@instrum@bars{#1}% + \else % single-staff instrument + \expandafter\ifx\csname h@bl\romannumeral\noinstrum@nt\endcsname\relax + % normal barline through instrument + \raise\altitude\rlap{\vrule\@depth0pt \@width#1\@height\y@v}% + \else + \expandafter\ifx\csname h@bl\romannumeral\noinstrum@nt\endcsname 2% + % dashed barline through instrument + \raise\altitude\rlap{% + \vbox to \y@v{% + \cleaders\vbox to 2\internote{\vss + \hrule\@width#1\@height\internote + \vss}% + \vfill}}% + \else + \expandafter\ifx\csname h@bl\romannumeral\noinstrum@nt\endcsname 3% + % dotted barline through instrument + \raise\altitude\rlap{% + \vbox to \y@v{% + \cleaders\vbox to 2\internote{\vss + \hbox to #1{\hss\tenrm.\hss}% + \vss}% + \vfill}}% + \fi + \fi + \fi + \fi + \barline@depth\altitude + \advance\barline@depth\y@v + \repeat + \addspace#1} + +\def\multi@instrum@bars#1{% + \begingroup + % retrieve staff height + \count@=\nblines \advance\count@ -1 \multiply\count@ 2 + \dimen@=\count@\internote + \p@loop + % barline within staff + \expandafter\ifx\csname h@bl\romannumeral\noinstrum@nt\endcsname\relax + % normal barline through staff + \raise\altportee\rlap{\vrule\@depth0pt \@width#1\@height\dimen@}% + \else + \expandafter\ifx\csname h@bl\romannumeral\noinstrum@nt\endcsname 2% + % dashed barline through staff + \raise\altportee\rlap{% + \vbox to \dimen@{% + \cleaders\vbox to 2\internote{\vss + \hrule\@width#1\@height\internote + \vss}% + \vfill}}% + \else + \expandafter\ifx\csname h@bl\romannumeral\noinstrum@nt\endcsname 3% + % dotted barline through staff + \raise\altportee\rlap{% + \vbox to \dimen@{% + \cleaders\vbox to 2\internote{\vss + \hbox to #1{\hss\tenrm.\hss}% + \vss}% + \vfill}}% + \fi + \fi + \fi + \count@portee + % barline above staff + \ifnum\noport@@<\st@ffs % not for topmost staff + \barline@depth\interportee + \advance\barline@depth -\dimen@ + \raise\altportee\hbox{\raise\dimen@\rlap{% + \expandafter\ifx\csname s@mb\romannumeral\noinstrum@nt\endcsname + \relax + % normal barline + \vrule\@height\barline@depth\@width#1\relax + \else + \expandafter\ifx\csname s@mb\romannumeral\noinstrum@nt\endcsname 2% + % dashed barline + \vbox to \barline@depth{% + \xleaders\vbox{\barlinedash{#1}}\vfill}% + \else + \expandafter\ifx\csname s@mb\romannumeral\noinstrum@nt\endcsname + 3% dotted barline + \vbox to \barline@depth{% + \xleaders\vbox{\barlinedots{#1}}\vfill}% + \fi + \fi + \fi}}% + \fi + \repeat + \endgroup} + + +% Activate individual barline processing +\def\indivbarrules{% + \let\writ@rule\rul@indiv + \sepbarrule 1} + +%== separates bar line of specified instrument from one of previous instrument +\def\sepbarrule#1{\expandafter\let\csname s@b\romannumeral#1\endcsname 1} + +%== connects bar line of specified instrument to one of previous instrument +% with dashed line +\def\condashbarrule#1{% + \ifnum#1>1 \expandafter\let\csname s@b\romannumeral#1\endcsname 2\fi} + +%== connects bar line of specified instrument to one of previous instrument +% with dotted line +\def\condotbarrule#1{% + \ifnum#1>1 \expandafter\let\csname s@b\romannumeral#1\endcsname 3\fi} + +%== connects bar line of specified instrument to one of previous instrument +\def\conbarrule#1{% + \ifnum#1>1 \expandafter\let\csname s@b\romannumeral#1\endcsname\relax\fi} + +%== hides bar line for specified instrument +\def\hidebarrule#1{\expandafter\let\csname h@bl\romannumeral#1\endcsname 1} + +%== dashes bar line for specified instrument +\def\showdashbarrule#1{\expandafter\let\csname h@bl\romannumeral#1\endcsname 2} + +%== dots bar line for specified instrument +\def\showdotbarrule#1{\expandafter\let\csname h@bl\romannumeral#1\endcsname 3} + +%== shows bar line for specified instrument +\def\showbarrule#1{\expandafter\let\csname h@bl\romannumeral#1\endcsname\relax} + +%== separates bar line within multistaff instrument +\def\sepmultibarrule#1{\expandafter\let\csname s@mb\romannumeral#1\endcsname 1} + +%== dashes bar line between staves of multistaff instrument +\def\condashmultibarrule#1{% + \expandafter\let\csname s@mb\romannumeral#1\endcsname 2} + +%== dots bar line between staves of multistaff instrument +\def\condotmultibarrule#1{% + \expandafter\let\csname s@mb\romannumeral#1\endcsname 3} + +%== shows bar line between staves of multistaff instrument +\def\conmultibarrule#1{% + \expandafter\let\csname s@mb\romannumeral#1\endcsname\relax} + +% set barlines for all instruments together +\def\allbarrules#1{\n@loop#1\noinstrum@nt\repeat} + + +\makeatother +\endinput + +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% + +% Here comes an example of how to use these macros + +\input musixtex +\input musixdbr + +\instrumentnumber4 +\setstaffs23 +\setstaffs32 +\setlines14 +\setsize2\tinyvalue + +\indivbarrules + +\startpiece + % normal barlines + \bar + % barlines on staves + \allbarrules\sepbarrule + \allbarrules\sepmultibarrule + \allbarrules\showbarrule + \bar + % barlines between staves + \allbarrules\conbarrule + \allbarrules\conmultibarrule + \allbarrules\hidebarrule + \bar + % dashed barlines on staves + \allbarrules\sepbarrule + \allbarrules\sepmultibarrule + \allbarrules\showdashbarrule + \bar + % dashed barlines between staves + \allbarrules\condashbarrule + \allbarrules\condashmultibarrule + \allbarrules\hidebarrule + \bar + % dotted barlines on staves + \allbarrules\sepbarrule + \allbarrules\sepmultibarrule + \allbarrules\showdotbarrule + \bar + % dotted barlines between staves + \allbarrules\condotbarrule + \allbarrules\condotmultibarrule + \allbarrules\hidebarrule + \bar + % a wild mixture of all + \showdotbarrule1\hidebarrule2\showdashbarrule3\showbarrule4% + \condashbarrule2\conbarrule3\condotbarrule4% + \condashmultibarrule2\sepmultibarrule3% + \bar + % conventional ending + \allbarrules\showbarrule + \allbarrules\conbarrule + \allbarrules\conmultibarrule +\Endpiece +\bye diff --git a/macros/generic/musixtex/tex/musixdia.tex b/macros/generic/musixtex/tex/musixdia.tex new file mode 100644 index 0000000000..05839eea01 --- /dev/null +++ b/macros/generic/musixtex/tex/musixdia.tex @@ -0,0 +1,110 @@ +% +% This file is part of MusiXTeX +% +% MusiXTeX is free software; you can redistribute it and/or modify +% it under the terms of the GNU General Public License as published by +% the Free Software Foundation; either version 2, or (at your option) +% any later version. +% +% MusiXTeX is distributed in the hope that it will be useful, +% but WITHOUT ANY WARRANTY; without even the implied warranty of +% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the +% GNU General Public License for more details. +% +% You should have received a copy of the GNU General Public License +% along with MusiXTeX; see the file COPYING. If not, write to +% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, +% Boston, MA 02111-1307, USA. +% + +\immediate\write16{MusiXDIAmond T.40\space<12 September 1995>}% + +\ifx\undefined\dqu \else \endinput \fi + +\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 + +%%% notes with a unfilled diamond head, for gregorian and flagolet notes ... + +\def\d@symbol{\def\q@u{\musixfont\&}} + +\def\dnq{\d@symbol\@nq} +\def\dznq{\advancefalse\dnq} + +\def\dqu{\d@symbol\@qu} +\def\dqup{\d@symbol\@qup} +\def\dqupp{\d@symbol\@qupp} +%\def\dquppp{\d@symbol\@quppp} + +\def\dql{\d@symbol\@ql} +\def\dqlp{\d@symbol\@qlp} +\def\dqlpp{\d@symbol\@qlpp} +%\def\dqlppp{\d@symbol\@qlppp} + +\def\dqb{\d@symbol\@qb} + +\def\dzq{\d@symbol\@zq} +\def\dzqp{\d@symbol\@zqp} +\def\dzqpp{\d@symbol\@zqpp} +%\def\dzqppp{\d@symbol\@zqppp} + +\def\dcu{\d@symbol\@cu} +\def\dccu{\d@symbol\@ccu} +\def\dcccu{\d@symbol\@cccu} +\def\dccccu{\d@symbol\@ccccu} +\def\dcl{\d@symbol\@cl} +\def\dccl{\d@symbol\@ccl} +\def\dcccl{\d@symbol\@cccl} +\def\dccccl{\d@symbol\@ccccl} + +\def\dcup{\d@symbol\@cup} +\def\dcupp{\d@symbol\@cupp} +%\def\dcuppp{\d@symbol\@cuppp} + +\def\dclp{\d@symbol\@clp} +\def\dclpp{\d@symbol\@clpp} +%\def\dclppp{\d@symbol\@clppp} + +%%% notes with a filled diamond head, for gregorian notes ... + +\def\y@symbol{\def\q@u{\musixfont\%}} + +\def\ynq{\y@symbol\@nq} +\def\yznq{\advancefalse\ynq} +\def\zynq{\advancefalse\ynq} + +\def\yqu{\y@symbol\@qu} +\def\yqup{\y@symbol\@qup} +\def\yqupp{\y@symbol\@qupp} +%\def\yquppp{\y@symbol\@quppp} + +\def\yql{\y@symbol\@ql} +\def\yqlp{\y@symbol\@qlp} +\def\yqlpp{\y@symbol\@qlpp} +%\def\yqlppp{\y@symbol\@qlppp} + +\def\yqb{\y@symbol\@qb} + +\def\yzq{\y@symbol\@zq} +\def\yzqp{\y@symbol\@zqp} +\def\yzqpp{\y@symbol\@zqpp} +%\def\yzqppp{\y@symbol\@zqppp} + +\def\ycu{\y@symbol\@cu} +\def\yccu{\y@symbol\@ccu} +\def\ycccu{\y@symbol\@cccu} +\def\yccccu{\y@symbol\@ccccu} +\def\ycl{\y@symbol\@cl} +\def\yccl{\y@symbol\@ccl} +\def\ycccl{\y@symbol\@cccl} +\def\yccccl{\y@symbol\@ccccl} + +\def\ycup{\y@symbol\@cup} +\def\ycupp{\y@symbol\@cupp} +%\def\ycuppp{\y@symbol\@cuppp} + +\def\yclp{\y@symbol\@clp} +\def\yclpp{\y@symbol\@clpp} +%\def\yclppp{\y@symbol\@clppp} + +\catcode`\@=\catcodeat +\endinput diff --git a/macros/generic/musixtex/tex/musixec.tex b/macros/generic/musixtex/tex/musixec.tex new file mode 100644 index 0000000000..e213f30fb1 --- /dev/null +++ b/macros/generic/musixtex/tex/musixec.tex @@ -0,0 +1,169 @@ +% musixec.tex : EC font definitions for MusiXTeX +% +% usage: +% +% \input musixtex +% \input musixec +% ... +% +% MusiXec.tex is free software; you can redistribute it and/or modify +% it under the terms of the GNU General Public License as published by +% the Free Software Foundation; either version 2, or (at your option) +% any later version. +% +% MusiXppl.tex is distributed in the hope that it will be useful, +% but WITHOUT ANY WARRANTY; without even the implied warranty of +% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the +% GNU General Public License for more details. +% +% You should have received a copy of the GNU General Public License +% along with MusiXTeX; see the file COPYING. If not, write to +% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, +% Boston, MA 02111-1307, USA. +% +% Copyright 2015-2017 Bob Tennent rdt@cs.queensu.ca +% +\ifx\undefined\startpiece\errmessage{Input musixtex.tex before musixec.tex}\fi +\immediate\write16{MusiXec\space<2017/02/10>} +% + +\longECfontnamestrue +\def\fontid{ec} + +% 7pt +\font\sevenrm=ecrm0700 +\font\sevenbf=ecbx0700 +\font\sevenit=ecti0800 at 7pt +\font\sevenbi=ecbi0700 +\font\sevensc=ecsc0700 +% +% 8pt +\font\eightrm=ecrm0800 +\font\eightbf=ecbx0800 +\font\eightit=ecti0800 +\font\eightbi=ecbi0800 +\font\eightsc=ecsc0800 +% +% 9pt +\font\ninerm=ecrm0900 +\font\ninebf=ecbx0900 +\font\nineit=ecti0900 +\font\ninebi=ecbi0900 +\font\ninesc=ecsc0900 +% +% 10pt +\font\tenrm=ecrm1000 +\font\tenbf=ecbx1000 +\font\tenit=ecti1000 +\font\tenbi=ecbi1000 +\font\tensc=ecsc1000 +% +% 11pt +\font\elevenrm=ecrm1095 +\font\elevenbf=ecbx1095 +\font\elevenit=ecti1095 +\font\elevenbi=ecbi1095 +\font\elevensc=ecsc1095 +% +% 12pt +\font\twelverm=ecrm1200 +\font\twelvebf=ecbx1200 +\font\twelveit=ecti1200 +\font\twelvebi=ecbi1200 +\font\twelvesc=ecsc1200 +% +% 14pt +\font\frtrm=ecrm1440 +\font\frtbf=ecbx1440 +\font\frtit=ecti1440 +\font\frtbi=ecbi1440 +\font\frtsc=ecsc1440 +% +% 17pt +\font\svtrm=ecrm1728 +\font\svtbf=ecbx1728 +\font\svtit=ecti1728 +\font\svtbi=ecbi1728 +\font\svtsc=ecsc1728 +% +% 20pt +\font\twtyrm=ecrm2074 +\font\twtybf=ecbx2074 +\font\twtyit=ecti2074 +\font\twtybi=ecbi2074 +\font\twtysc=ecsc2074 +% +% 25pt +\font\twfvrm=ecrm2488 +\font\twfvbf=ecbx2488 +\font\twfvit=ecti2488 +\font\twfvbi=ecbi2488 +\font\twfvsc=ecsc2488 +% +% +% +\font\ppfftwelve=ecbi0800 +\font\ppffsixteen=ecbi1000 +\font\ppfftwenty=ecbi1200 +\font\ppfftwentyfour=ecbi1440 +\font\ppfftwentynine=ecbi1728 +% +% +% tt fonts needed by musixsty +% +\font\eighttt=ectt0800 +\font\ninett=ectt0900 +\font\tentt=ectt1000 +\font\twelvett=ectt1200 +\font\frttt=ectt1440 +\font\svttt=ectt1728 +\font\twtytt=ectt2074 +\font\twfvtt=ectt2488 +% +% sl fonts needed by musixsty +% +\font\eightsl=ecsl0800 +\font\ninesl=ecsl0900 +\font\tensl=ecsl1000 +\font\twelvesl=ecsl1200 +\font\frtsl=ecsl1440 +\font\svtsl=ecsl1728 +\font\twtysl=ecsl2074 +\font\twfvsl=ecsl2488 + +% +% Redefine accented characters for 8-bit font +% + +\ifx\documentclass\undefined +\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 +\def\ProvidesFile#1[#2]{} +\def\DeclareFontEncoding#1#2#3{} +\def\DeclareTextAccent#1#2#3{% +\def#1##1{% +\expandafter\ifx\csname T1\string#1-\string##1\endcsname\relax +{\accent#1 ##1}% +\else +\csname T1\string#1-\string##1\expandafter\endcsname +\fi}} +\def\DeclareTextCommand#1#2{\xdtcmd}%not today +\def\xdtcmd#1#{\xxdtcmd}%not today +\def\xxdtcmd#1{}%not today +\def\DeclareTextCompositeCommand#1#2#3#4{}%not today +\def\DeclareTextSymbol#1#2#3{% +\def#1{\char#3\relax}} +\def\DeclareTextComposite#1#2#3#4{% +\expandafter\def\csname T1\string#1-\string#3\endcsname{\char#4\relax}} + +\input t1enc.def + +% \c requires special treatment +\def\c#1{\leavevmode\ifx c#1\char231 \else\setbox\z@\hbox{#1}\ifdim\ht\z@=1ex\accent11 #1% + \else{\ooalign{\unhbox\z@\crcr + \hidewidth\char11\hidewidth}}\fi\fi} +\catcode`\@=\catcodeat +\fi + + +\normtype +\endinput diff --git a/macros/generic/musixtex/tex/musixeng.tex b/macros/generic/musixtex/tex/musixeng.tex new file mode 100644 index 0000000000..e9e3d0d8b9 --- /dev/null +++ b/macros/generic/musixtex/tex/musixeng.tex @@ -0,0 +1,42 @@ +% +% This file is part of MusiXTeX +% +% MusiXTeX is free software; you can redistribute it and/or modify +% it under the terms of the GNU General Public License as published by +% the Free Software Foundation; either version 2, or (at your option) +% any later version. +% +% MusiXTeX is distributed in the hope that it will be useful, +% but WITHOUT ANY WARRANTY; without even the implied warranty of +% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the +% GNU General Public License for more details. +% +% You should have received a copy of the GNU General Public License +% along with MusiXTeX; see the file COPYING. If not, write to +% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, +% Boston, MA 02111-1307, USA. +% + +% suggested by Ross Mitchell + +\immediate\write16{MusiX ENGlish rests T.404\space<08 May 2018>}% + +\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 + +\let\Qwr\PAUSe +\let\Dwr\PAuse +\let\liftwr\liftpause +\let\wrp\pausep +\let\wr@\pause +\let\lifthr\lifthpause +\let\hrp\hpausep +\let\hr\hpause +\let\qr\qp +\let\er\ds % \ds\oup no longer available +\let\eer\qs +\let\eeer\hs +\let\eeeer\qqs +\def\wr{\pause} + +\catcode`\@=\catcodeat +\endinput diff --git a/macros/generic/musixtex/tex/musixesf.tex b/macros/generic/musixtex/tex/musixesf.tex new file mode 100644 index 0000000000..0fa6fd0829 --- /dev/null +++ b/macros/generic/musixtex/tex/musixesf.tex @@ -0,0 +1,79 @@ +%% +%% musixesf.tex : efont-serif series fonts definition for MusiXTeX +%% +%% usage: +%% \input musixtex +%% \input musixesf +%% ... +%% +%% This file is public domain. +%% +%% Author: +%% Hiroaki MORIMOTO +%% Tokyo, Japan +%% URL(en): http://homepage1.nifty.com/kuuku/pub/musixtex/index-e.html +%% (jp): http://homepage1.nifty.com/kuuku/pub/musixtex/index.html +%% +%% reference: musixtex.tex (T.99) 268-508 +%% MusiXTeX: (c) Daniel Taupin, et al. +%% +%% efont-serif: +%% (c) /efont/ +%% The Electronic Font Open Laboratory +%% http://openlab.ring.gr.jp/efont/dist/serif/efont-serif-tex-20010312-p3.tar.gz +%% http://openlab.ring.gr.jp/efont/serif/index.html.en +%% http://openlab.ring.gr.jp/efont/index.html.en +%% +%% History: see trailer. +% +\immediate\write16{MusiXTeX efont-serif\space<2009/10/15>} +% +% 8pt roman, bold, and italic +\font\eightrm=esfr7t at 8pt +\font\eightbf=esfb7t at 8pt +\font\eightit=esfri7t at 8pt +% +% 9pt +\font\ninerm=esfr7t at 9pt +\font\ninebf=esfb7t at 9pt +\font\nineit=esfri7t at 9pt +% +% 10pt +\font\tenrm=esfr7t +\font\tenbf=esfb7t +\font\tenit=esfri7t +% +% 12pt +\font\twelverm=esfr7t scaled \magstep 1 +\font\twelvebf=esfb7t scaled \magstep 1 +\font\twelveit=esfri7t scaled \magstep 1 +% +% Large fonts for titles +% (If you prefer efont-serif-bold, use esfb7t instead of esfr7t) +\font\bigfont=esfr7t scaled \magstep2 % 14pt +\font\Bigfont=esfr7t scaled \magstep3 % 17pt +\font\BIgfont=esfr7t scaled \magstep4 % 20pt +\font\BIGfont=esfr7t scaled \magstep5 % 25pt +% +% PMX changes font assignment in pmx.tex +% \BIGfont=\fontid bx10 scaled\magstep4 +% \Bigfont=\fontid bx10 scaled\magstep2 +\ifx\pmxversion\undefined\relax\else + \font\Bigfont=esfr7t scaled \magstep2 % 14pt + \font\BIGfont=esfr7t scaled \magstep4 % 20pt +\fi +% +\normtype +\endinput +%% +%% History +%% +%% 2006/05/13 +%% first publish +%% 2007/06/11 +%% no functional change. (email protection, real address change, URL change) +%% 2008/08/01 +%% Font assignment change on PMX. +%% 2009/10/15 +%% small update for MusiXTeX T.114 final release. +%% diff --git a/macros/generic/musixtex/tex/musixevo.tex b/macros/generic/musixtex/tex/musixevo.tex new file mode 100644 index 0000000000..dd6c1e5ffc --- /dev/null +++ b/macros/generic/musixtex/tex/musixevo.tex @@ -0,0 +1,19 @@ +\immediate\write16{MusiXEVenOdd T.53\space<1 April 1996>}% + +% enables + +\makeatletter +\def\outmorceau{\shipout\hbox{\null\ifodd\pageno\kern 2.5mm + \else\kern -2.5mm + \fi + \vbox{\vbox to \vsize{\vss\pagecontents\vss}\line{% +\ifodd\pageno\sl \titremorceau\ (\s@hortauthor) +\ifcopyright\rm$\copyright$\fi\hss \number\pageno +\else\rm\number\pageno\hss\sl \titremorceau\ (\s@hortauthor) +\ifcopyright\rm$\copyright$\fi\fi}}}% + \global\advance\count0 by 1\relax + \ifnum\outputpenalty>-20000 \else\dosupereject\fi}% + +\output{\outmorceau} +\makeatother +\endinput diff --git a/macros/generic/musixtex/tex/musixext.tex b/macros/generic/musixtex/tex/musixext.tex new file mode 100644 index 0000000000..d6ac3b9c4b --- /dev/null +++ b/macros/generic/musixtex/tex/musixext.tex @@ -0,0 +1,26 @@ +% +% This file is part of MusiXTeX +% +% MusiXTeX is free software; you can redistribute it and/or modify +% it under the terms of the GNU General Public License as published by +% the Free Software Foundation; either version 2, or (at your option) +% any later version. +% +% MusiXTeX is distributed in the hope that it will be useful, +% but WITHOUT ANY WARRANTY; without even the implied warranty of +% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the +% GNU General Public License for more details. +% +% You should have received a copy of the GNU General Public License +% along with MusiXTeX; see the file COPYING. If not, write to +% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, +% Boston, MA 02111-1307, USA. +% +% +% musixext.tex +% +\immediate\write16{MusiXext T.118 <2015-07-25>}% +% +% (nothing to do. - T.118 or later provides \slide and \raggedstoppiece +% +\endinput diff --git a/macros/generic/musixtex/tex/musixfll.tex b/macros/generic/musixtex/tex/musixfll.tex new file mode 100644 index 0000000000..7cb9e44fae --- /dev/null +++ b/macros/generic/musixtex/tex/musixfll.tex @@ -0,0 +1,44 @@ +% +% This file is part of MusiXTeX +% +% MusiXTeX is free software; you can redistribute it and/or modify +% it under the terms of the GNU General Public License as published by +% the Free Software Foundation; either version 2, or (at your option) +% any later version. +% +% MusiXTeX is distributed in the hope that it will be useful, +% but WITHOUT ANY WARRANTY; without even the implied warranty of +% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the +% GNU General Public License for more details. +% +% You should have received a copy of the GNU General Public License +% along with MusiXTeX; see the file COPYING. If not, write to +% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, +% Boston, MA 02111-1307, USA. +% + +\ifx\undefined\longledgerlines \else \endinput \fi + +\immediate\write16{MusiXFormerLedgerLines T.74\space<06 April 1997>}% + +\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 + +\let\h@lineick\h@linei +\def\h@lineidt{% + \y@ii\n@v\internote + \y@iii\y@ii + \advance\y@ii\hlthick + \advance\y@iii-\hlthick + \y@iv\y@v + \advance\y@iv\h@lf\qn@width + \kernm.25\qn@width + \vrule\@height\y@ii\@depth-\y@iii\@width\y@iv + \kernm\y@iv\kern.25\qn@width} +\def\longledgerlines{\global\let\h@linei\h@lineidt} +\def\autoledgerlines{\global\let\h@linei\h@lineick} +\longledgerlines + +\catcode`\@=\catcodeat + +\endinput + diff --git a/macros/generic/musixtex/tex/musixftab.tex b/macros/generic/musixtex/tex/musixftab.tex new file mode 100644 index 0000000000..82e679ad9f --- /dev/null +++ b/macros/generic/musixtex/tex/musixftab.tex @@ -0,0 +1,148 @@ + +% musixftab.tex : french tablature definitions for MusiXTeX +% +% usage: +% +% \input musixtex +% \input musixftab +% ... +% +% musixftab.tex is free software; you can redistribute it and/or modify +% it under the terms of the GNU General Public License as published by +% the Free Software Foundation; either version 2, or (at your option) +% any later version. +% +% musixftab.tex is distributed in the hope that it will be useful, +% but WITHOUT ANY WARRANTY; without even the implied warranty of +% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the +% GNU General Public License for more details. +% +% You should have received a copy of the GNU General Public License +% along with MusiXTeX; see the file COPYING. If not, write to +% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, +% Boston, MA 02111-1307, USA. +% +% Copyright 2021 Bob Tennent rdt@cs.queensu.ca +% +\immediate\write16{musixftab\space<2017/02/10>} +\ifx\undefined\startpiece\errmessage{Input musixtex.tex before musixftab.tex}\fi + +\font\tabfntthirteen=frenchtab at 4pt +\font\tabfntsixteen=frenchtab at 5pt +\font\tabfnttwenty=frenchtab at 6pt +\font\tabfnttwentyfour=frenchtab at 7pt +\font\tabfnttwentynine=frenchtab at 9pt + +\makeatletter + +% need to raise note boxes 0.25ex for frenchtab.pfb + +\def\tabbox#1#2{% + \setbox0=\hbox{\tabfnt #2}% + \stringraise\nblines + \advance\stringraise by -#1 + \multiply\stringraise by 2 + \advancefalse\def\q@u{}\loffset{0.45}{\@nq{\the\stringraise}}% + \iftabstylespace\else\advance\stringraise-1\fi + \special{ps: 1 setgray}% + \ccharnote{\the\stringraise}{\vrule height \ht0 width \wd0 depth \dp0}% + \special{ps: 0 setgray}% + \ccharnote{\the\stringraise}{\raise 0.25ex\box0}% +} +% \ltabbox does the same as \tabbox, except that it produces +% left-outlined symbols +\def\ltabbox#1#2{\setbox0=\hbox{\tabfnt #2}% + \stringraise\nblines + \advance\stringraise by -#1 + \multiply\stringraise by 2 + \advancefalse\def\q@u{}\loffset{0.2}{\@nq{\the\stringraise}}% + \iftabstylespace\else\advance\stringraise-1\fi + \special{ps: 1 setgray}% + \zcharnote{\the\stringraise}{\vrule height \ht0 width \wd0 depth \dp0}% + \special{ps: 0 setgray}% + \zcharnote{\the\stringraise}{\raise 0.25ex\box0}% +} +% \rtabbox does the same as \tabbox, except that it produces +% right-outlined symbols +\def\rtabbox#1#2{\setbox0=\hbox{\tabfnt #2}% + \stringraise\nblines + \advance\stringraise by -#1 + \multiply\stringraise by 2 + \advancefalse\def\q@u{}\loffset{0.75}{\@nq{\the\stringraise}}% + \iftabstylespace\else\advance\stringraise-1\fi + \special{ps: 1 setgray}% + \lcharnote{\the\stringraise}{\vrule height \ht0 width \wd0 depth \dp0}% + \special{ps: 0 setgray}% + \lcharnote{\the\stringraise}{\raise 0.25ex\box0}% +} + +\makeatother + + +\def\tab#1#2{% +\stringnum=#1 +\ifnum\stringnum>\nblines +\nslashes=\stringnum +\advance\nslashes by -\nblines +\iftabstylespace\advance\nslashes by -1\fi +\def\numslashes{\the\nslashes} +\ifcase\numslashes\tabbox{#1}{#2}\or\zcn{-3}{\tabfnt V0}\or\zcn{-3}{\tabfnt W0}\or\zcn{-3}{\tabfnt X0}\or\zcn{-3}{\tabstringfnt\bf 4}\or\zcn{-3}{\tabstringfnt\bf 5}\or\zcn{-3}{\tabstringfnt\bf 6}\or\zcn{-3}{\tabstringfnt\bf 7}\fi% +\else\tabbox{#1}{#2}\fi\sk} + +% left spilling \tab +\def\ltab#1#2{% +\stringnum=#1 +\ifnum\stringnum>\nblines +\nslashes=\stringnum +\advance\nslashes by -\nblines +\iftabstylespace\advance\nslashes by -1\fi +\def\numslashes{\the\nslashes} +\ifcase\numslashes\ltabbox{#1}{#2}\or\zcn{-3}{\tabfnt V0}\or\zcn{-3}{\tabfnt W0}\or\zcn{-3}{\tabfnt X0}\or\zcn{-3}{\tabstringfnt\bf 4}\or\zcn{-3}{\tabstringfnt\bf 5}\or\zcn{-3}{\tabstringfnt\bf 6}\or\zcn{-3}{\tabstringfnt\bf 7}\fi% +\else\ltabbox{#1}{#2}\fi\sk} + +% right spilling \tab +\def\rtab#1#2{% +\stringnum=#1 +\ifnum\stringnum>\nblines +\nslashes=\stringnum +\advance\nslashes by -\nblines +\iftabstylespace\advance\nslashes by -1\fi +\def\numslashes{\the\nslashes} +\ifcase\numslashes\rtabbox{#1}{#2}\or\zcn{-3}{\tabfnt V0}\or\zcn{-3}{\tabfnt W0}\or\zcn{-3}{\tabfnt X0}\or\zcn{-3}{\tabstringfnt\bf 4}\or\zcn{-3}{\tabstringfnt\bf 5}\or\zcn{-3}{\tabstringfnt\bf 6}\or\zcn{-3}{\tabstringfnt\bf 7}\fi% +\else\rtabbox{#1}{#2}\fi\sk} + +% \chord-tab symbol. Same as \tab, but no \sk is given, so multiple +% symbols can be placed above one another +\def\ztab#1#2{% +\stringnum=#1 +\ifnum\stringnum>\nblines +\nslashes=\stringnum +\advance\nslashes by -\nblines +\iftabstylespace\advance\nslashes by -1\fi +\def\numslashes{\the\nslashes} +\ifcase\numslashes\tabbox{#1}{#2}\or\zcn{-3}{\tabfnt V0}\or\zcn{-3}{\tabfnt W0}\or\zcn{-3}{\tabfnt X0}\or\zcn{-3}{\tabstringfnt\bf 4}\or\zcn{-3}{\tabstringfnt\bf 5}\or\zcn{-3}{\tabstringfnt\bf 6}\or\zcn{-3}{\tabstringfnt\bf 7}\fi% +\else\tabbox{#1}{#2}\fi} + +% left spilling \ztab +\def\zltab#1#2{% +\stringnum=#1 +\ifnum\stringnum>\nblines +\nslashes=\stringnum +\advance\nslashes by -\nblines +\iftabstylespace\advance\nslashes by -1\fi +\def\numslashes{\the\nslashes} +\ifcase\numslashes\ltabbox{#1}{#2}\or\zcn{-3}{\tabfnt V0}\or\zcn{-3}{\tabfnt W0}\or\zcn{-3}{\tabfnt X0}\or\zcn{-3}{\tabstringfnt\bf 4}\or\zcn{-3}{\tabstringfnt\bf 5}\or\zcn{-3}{\tabstringfnt\bf 6}\or\zcn{-3}{\tabstringfnt\bf 7}\fi% +\else\ltabbox{#1}{#2}\fi} + +% right spilling \ztab +\def\zrtab#1#2{% +\stringnum=#1 +\ifnum\stringnum>\nblines +\nslashes=\stringnum +\advance\nslashes by -\nblines +\iftabstylespace\advance\nslashes by -1\fi +\def\numslashes{\the\nslashes} +\ifcase\numslashes\rtabbox{#1}{#2}\or\zcn{-3}{\tabfnt V0}\or\zcn{-3}{\tabfnt W0}\or\zcn{-3}{\tabfnt X0}\or\zcn{-3}{\tabstringfnt\bf 4}\or\zcn{-3}{\tabstringfnt\bf 5}\or\zcn{-3}{\tabstringfnt\bf 6}\or\zcn{-3}{\tabstringfnt\bf 7}\fi% +\else\rtabbox{#1}{#2}\fi} + +\endinput diff --git a/macros/generic/musixtex/tex/musixgre.tex b/macros/generic/musixtex/tex/musixgre.tex new file mode 100644 index 0000000000..a7272fb30c --- /dev/null +++ b/macros/generic/musixtex/tex/musixgre.tex @@ -0,0 +1,351 @@ +% +% This file is part of MusiXTeX +% +% MusiXTeX is free software; you can redistribute it and/or modify +% it under the terms of the GNU General Public License as published by +% the Free Software Foundation; either version 2, or (at your option) +% any later version. +% +% MusiXTeX is distributed in the hope that it will be useful, +% but WITHOUT ANY WARRANTY; without even the implied warranty of +% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the +% GNU General Public License for more details. +% +% You should have received a copy of the GNU General Public License +% along with MusiXTeX; see the file COPYING. If not, write to +% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, +% Boston, MA 02111-1307, USA. +% +\immediate\write16{MusiXGREgorian T.67\space<3 January 1997>}% + +\ifx\undefined\gregorianCclef \else \endinput \fi + +\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 +\catcodesmusic + +\font\xgregeleven=xgreg11 +\font\xgregthirteen=xgreg13 +\font\xgregsixteen=xgreg16 +\font\xgregtwenty=xgreg20 +\font\xgregtwentyfour=xgreg24 +\font\xgregtwentynine=xgreg29 + +\let\xgregnorfont\xgregtwenty + +\def\xgregkeyfont{% + \ifdim\internote<\p@seven6\Internote \xgregtinyfont + \else + \ifdim\internote<.95\Internote \xgregsmallfont + \else + \ifdim\internote<1.19\Internote \xgregnorfont + \else + \ifdim\internote<1.43\Internote \xgreglargefont + \else + \xgregLargefont + \fi + \fi + \fi + \fi} + +\def\xgregchar{\xgregfont\char} +\def\xgregkeychar{\xgregkeyfont\char} + + +% \[z]carrg=\[z]squ, \[z]carpg=\[z]lsqu, \[z]carqg=\[z]rsqu + +\def\gregorianCclef{\xgregkeychar98} +\def\gregorianFclef{\xgregkeychar122} + +\def\squ#1{\getn@i#1\relax\let\n@fon\squ \def\n@sym{\xgregchar5}\g@diamg} +\def\r@small@squ#1{\getn@i#1\relax\let\n@fon\r@small@squ + \def\n@sym{\xgregchar0\llap{\xgregchar12\xgregchar18}}\g@diamg} +\def\punctumauctup#1{\getn@i#1\relax\let\n@fon\squ + \def\n@sym{\xgregchar9}\g@diamg} +\def\punctumauctdown#1{\getn@i#1\relax\let\n@fon\squ + \def\n@sym{\xgregchar8}\g@diamg} +\def\punctumdeminutum#1{\getn@i#1\relax\let\n@fon\squ + \def\n@sym{\xgregchar4}\g@diamg} +\def\shavedsqu#1{\getn@i#1\relax\let\n@fon\squ + \def\n@sym{\xgregchar17}\g@diamg} +\let\punctum\squ +\def\diapunc#1{\getn@i#1\relax\let\n@fon\squ + \def\n@sym{\xgregchar1}\g@diamg} +\def\diapuncauctdown#1{\getn@i#1\relax\let\n@fon\squ + \def\n@sym{\xgregchar2}\g@diamg} +\def\apostropha#1{\getn@i#1\relax\let\n@fon\squ + \def\n@sym{\xgregchar3}\g@diamg} +\def\apostrophaaucta#1{\getn@i#1\relax\let\n@fon\squ + \def\n@sym{\xgregchar11}\g@diamg} +\def\oriscus#1{\getn@i#1\relax\let\n@fon\squ + \def\n@sym{\xgregchar10}\g@diamg} +\def\usqu#1{\getn@i#1\relax\let\n@fon\squ + \def\n@sym{\xgregchar13}\g@diamg} +\def\lsqu#1{\getn@i#1\relax\let\n@fon\lsqu + \def\n@sym{\xgregchar6}\g@diamg} +\def\rsqu#1{\getn@i#1\relax\let\n@fon\rsqu + \def\n@sym{\xgregchar7}\g@diamg} +\let\virga\rsqu +\def\quilisma#1{\getn@i#1\relax\let\n@fon\quilisma + \def\n@sym{\xgregchar125}\g@diamg} +\def\shavedquilisma#1{\getn@i#1\relax\let\n@fon\shavedquilisma + \def\n@sym{\xgregchar126}\g@diamg} + + + +\def\zsqu{\advancefalse\squ} +\let\zpunctum\zsqu +\def\zusqu{\advancefalse\usqu} +\def\zlsqu{\advancefalse\lsqu} +\def\zrsqu{\advancefalse\rsqu} +\let\zvirga\zrsqu +\def\zoriscus{\advancefalse\oriscus} +\def\zdiapunc{\advancefalse\diapunc} +\def\zapostropha{\advancefalse\apostropha} +\def\zquilisma{\advancefalse\quilisma} +\def\zshavedquilisma{\advancefalse\shavedquilisma} + +\def\g@diamg{\y@v.71\qn@width \let\st@m\resetst@m \writ@note} + +\def\groff{\roffset{.71}} +\def\dgroff{\roffset{1.42}} + +\def\getthen@one@two#1#2{\getn@i{#1}\relax\edef\then@one{\the\n@i}% + \getn@i{#2}\relax\edef\then@two{\the\n@i}% + \n@ii=\then@one\relax + \advance\n@i -\n@ii\relax + \edef\the@two@minus@one{\the\n@i}% + \n@i=-\n@i + \edef\the@one@minus@two{\the\n@i}% +}% +\def\getthen@one@three#1#2#3{\getthen@one@two{#1}{#2}\relax + \getn@i{#3}\relax\edef\then@three{\the\n@i}% + \n@ii=\then@two\relax + \advance\n@i -\n@ii\relax + \edef\the@three@minus@two{\the\n@i}% + \n@i=-\n@i + \edef\the@two@minus@three{\the\n@i}% +}% + +\def\bivirga#1#2{\zrsqu{#1}\roff{\rsqu{#2}}} + +\def\trivirga#1#2#3{\zrsqu{#1}\roff{\zrsqu{#2}}\roffset2{\rsqu{#3}}} + +\def\bistropha#1#2{\zsqu{#1}\roff{\squ{#2}}} + +\def\tristropha#1#2#3{\zsqu{#1}\roff{\zsqu{#2}}\roffset2{\squ{#3}}} + +\def\trigonus#1#2#3{\zdiapunc{#1}\groff{\zdiapunc{#2}}\dgroff{\diapunc{#3}}} + +\def\clivis#1#2{\getthen@one@two{#1}{#2}\relax +\zlsqu{#1}{\xgregchar0}\zcharnote{#2}{\vrule\@depth\z@ \@height \the@one@minus@two\internote}\squ{#2}} + +\def\clivisdeminut#1#2{\getthen@one@two{#1}{#2}\relax +\zlsqu{#1}\zcharnote{#2}{\xgregchar0\vrule\@depth\z@ \@height +\the@one@minus@two\internote}\r@small@squ{#2}} + +\def\clivisauctup#1#2{\getthen@one@two{#1}{#2}\relax +\zlsqu{#1}{\xgregchar0}\zcharnote{#2}{\vrule\@depth\z@ \@height \the@one@minus@two\internote}\punctumauctup{#2}} + +\def\clivisauctdown#1#2{\getthen@one@two{#1}{#2}\relax +\zlsqu{#1}{\xgregchar0}\zcharnote{#2}{\vrule\@depth\z@ \@height \the@one@minus@two\internote}\punctumauctdown{#2}} + +\def\lclivis#1#2{\zsqu{#1}\groff{\lsqu{#2}}} + +\def\podatus#1#2{\getthen@one@two{#1}{#2}\relax + \zcharnote{#1}{\ifnum\the@two@minus@one<2\relax + \xgregchar16% + \else + \xgregchar15% + \fi + \vrule\@depth\z@ \@height\the@two@minus@one\internote}% +\ifnum\the@two@minus@one<2\relax + \shavedsqu{#2}% + \else + \squ{#2}% + \fi +} + +\def\podatusdeminut#1#2{\getthen@one@two{#1}{#2}\relax + \zcharnote{#1}{\ifnum\the@two@minus@one<2\relax + \xgregchar16% + \else + \xgregchar15% + \fi + \vrule\@depth\z@ \@height\the@two@minus@one\internote}% + \r@small@squ{#2}% +} + +\def\lpodatus#1#2{\zusqu{#1}\groff{\rsqu{#2}}} + +\def\podatusinitiodebilis#1#2{\getthen@one@two{#1}{#2}\relax + \zcharnote{#1}{\xgregchar12\xgregchar18% + \vrule\@depth\z@ \@height\the@two@minus@one\internote}% + {\xgregchar18}\squ{#2}% +} + +\def\podatusauctup#1#2{\getthen@one@two{#1}{#2}\relax + \zcharnote{#1}{\xgregchar5\xgregchar0% + \vrule\@depth\z@ \@height\the@two@minus@one\internote}% + {\xgregchar0}\punctumauctup{#2}% +} + +\def\podatusauctdown#1#2{\getthen@one@two{#1}{#2}\relax + \zcharnote{#1}{\xgregchar5\xgregchar0% + \vrule\@depth\z@ \@height\the@two@minus@one\internote}% + {\xgregchar0}\punctumauctdown{#2}% +} + +\def\scandicus#1#2#3{\getthen@one@three{#1}{#2}{#3}\relax + \advancefalse\podatus{#1}{#2}{\xgregchar0}% +% \zcharnote{#2}{\vrule\@depth\z@ \@height\the@three@minus@two\internote}% + \rsqu{#3}} + +\def\scandicusdeminut#1#2#3{\getthen@one@two{#1}{#2}% + \zsqu{#1}{\xgregchar0}% +% \zcharnote{#1}{\vrule\@depth\z@ \@height\the@two@minus@one\internote}% + \podatusdeminut{#2}{#3}} + +\def\scandicusauctdown#1#2#3{\getthen@one@three{#1}{#2}{#3}\relax + \zsqu{#1}{\xgregchar0}% + \zcharnote{#1}{\vrule\@depth\z@ \@height\the@two@minus@one\internote}% + \zsqu{#2}{\xgregchar0}% + \zcharnote{#2}{\vrule\@depth\z@ \@height\the@three@minus@two\internote}% + \punctumauctdown{#3}} + +\def\torculus#1#2#3{\getthen@one@three{#1}{#2}{#3}\zsqu{#1}{\xgregchar0}% + \zcharnote{#1}{\vrule\@depth\z@ \@height\the@two@minus@one\internote}% + \zsqu{#2}{\xgregchar0}% + \zcharnote{#3}{\vrule\@depth\z@ \@height\the@two@minus@three\internote}% + \squ{#3}} + +\def\torculusdeminut#1#2#3{\getthen@one@three{#1}{#2}{#3}\zsqu{#1}{\xgregchar0}% + \zcharnote{#1}{\vrule\@depth\z@ \@height\the@two@minus@one\internote}% + \zsqu{#2}% + \zcharnote{#3}{\xgregchar0\vrule\@depth\z@ \@height\the@two@minus@three\internote}% + \r@small@squ{#3}} + +\def\torculusauctdown#1#2#3{\getthen@one@three{#1}{#2}{#3}\zsqu{#1}{\xgregchar0}% + \zcharnote{#1}{\vrule\@depth\z@ \@height\the@two@minus@one\internote}% + \zsqu{#2}{\xgregchar0}% + \zcharnote{#3}{\vrule\@depth\z@ \@height\the@two@minus@three\internote}% + \punctumauctdown{#3}} + +\def\torculusinitiodebilis#1#2#3{\getthen@one@three{#1}{#2}{#3}% + \zcharnote{#1}{\xgregchar12\xgregchar18\vrule\@depth\z@ \@height\the@two@minus@one\internote}% + {\xgregchar18}\zsqu{#2}{\xgregchar0}% + \zcharnote{#3}{\vrule\@depth\z@ \@height\the@two@minus@three\internote}% + \squ{#3}} + +\def\torculusdebilis#1#2#3{\getthen@one@three{#1}{#2}{#3}% + \zcharnote{#1}{\xgregchar12\xgregchar18\vrule\@depth\z@ \@height\the@two@minus@one\internote}% + {\xgregchar18}\zsqu{#2}% + \zcharnote{#3}{\xgregchar0\vrule\@depth\z@ \@height\the@two@minus@three\internote}% + \r@small@squ{#3}} + +\def\climacus#1#2#3{\zrsqu{#1}\groff{\zdiapunc{#2}{\xgregchar0}\diapunc{#3}}} + +\def\climacusresupinus#1#2#3#4{\zrsqu{#1}\groff{\zdiapunc{#2}{\xgregchar0}\zdiapunc{#3}{\xgregchar0}\squ{#4}}} + +\def\climacusdeminut#1#2#3{\zrsqu{#1}\groff{\zdiapunc{#2}{\xgregchar0}\punctumdeminutum{#3}}} + +\def\climacusauctdown#1#2#3{\zrsqu{#1}\groff{\zdiapunc{#2}{\xgregchar0}\diapuncauctdown{#3}}} + +\def\lclimacus#1#2#3{\zlsqu{#1}\groff{\zdiapunc{#2}{\xgregchar0}\diapunc{#3}}} + +\def\pesquassus#1#2{\getthen@one@two{#1}{#2}\relax + \zoriscus{#1}{\xgregchar0}\zcharnote{#1}{\vrule\@depth\z@ \@height \the@two@minus@one\internote}\rsqu{#2}} + +\def\pesquassusauctdown#1#2{\getthen@one@two{#1}{#2}\relax + \zoriscus{#1}{\xgregchar0}\zcharnote{#1}{\vrule\@depth\z@ \@height \the@two@minus@one\internote}\punctumauctdown{#2}} + +\def\quilismapes#1#2{\getthen@one@two{#1}{#2}\relax + \ifnum\the@two@minus@one<2\relax + \zshavedquilisma{#1}% \message{ zshavedqui OK}% + \else + \zquilisma{#1}% \message{ zquilisma OK}% + \fi %\message{zqui OK}% + \zcharnote{#1}{\xgregchar0\vrule\@depth\z@ \@height \the@two@minus@one\internote}% + \ifnum\the@two@minus@one<2\relax + \shavedsqu{#2}% + \else + \squ{#2}% + \fi +} +\def\quilismapesauctdown#1#2{\getthen@one@two{#1}{#2}\relax + \zquilisma{#1}% \message{ zquilisma OK}% + \zcharnote{#1}{\xgregchar0\vrule\@depth\z@ \@height \the@two@minus@one\internote}% + {\xgregchar0}\punctumauctdown{#2}% +} + + %\check +\def\hporrectus#1{\errmessage{\noexpand\hporrectus\space does not exist +anymore, use \bporrectus with two args}} + +\def\porrectus#1#2{\errmessage{\noexpand\porrectus does not exist anymore, use + \noexpand\Porrectus}} + +\def\porrectusflexus#1#2{\errmessage{\noexpand\porrectusflexus does not exist anymore, use + \noexpand\Porrectusflexus}} + + %\check +\def\bporrectus#1#2{\getthen@one@two{#1}{#2}\relax + \ifnum\the@one@minus@two=1\relax + \def\n@sym{\xgregchar121}\relax + \else\ifnum\the@one@minus@two=2\relax + \def\n@sym{\xgregchar120}\relax + \else\ifnum\the@one@minus@two=3\relax + \def\n@sym{\xgregchar119}\relax + \else\ifnum\the@one@minus@two=4\relax + \def\n@sym{\xgregchar118}\relax + \else\errmessage{Porrectus 2nd arg must be 1st minus 1 to 4}\relax + \fi + \fi + \fi + \fi + \getn@i#1\relax\let\n@fon\squ \g@diamg +} + +%\check + +\def\Porrectusflexus#1#2#3#4{% + \advancefalse\bporrectus{#1}{#2}{\xgregchar0\xgregchar0\xgregchar0}% + \getthen@one@three{#2}{#3}{#4}% + \zcharnote{#2}{\vrule \@height\the@two@minus@one\internote\@depth\z@}% + \zsqu{#3}% + {\xgregchar0}\zcharnote{#4}{\vrule\@depth\z@ \@height \the@two@minus@three\internote}\squ{#4}} + +%\check + +\def\Porrectus#1#2#3{\getthen@one@three{#1}{#2}{#3}\relax + \advancefalse\bporrectus{#1}{#2}{\xgregchar0\xgregchar0}% + \zcharnote{#2}{\xgregchar0\vrule\@height\the@three@minus@two\internote\@depth\z@}% + \ifnum\the@three@minus@two<2\relax + \shavedsqu{#3}% + \else + \squ{#3}% + \fi +} + +\def\Porrectusdeminut#1#2#3{\getthen@one@three{#1}{#2}{#3}\relax + \advancefalse\bporrectus{#1}{#2}{\xgregchar0\xgregchar0}% + \zcharnote{#2}{\xgregchar0\vrule\@height\the@three@minus@two\internote\@depth\z@}\r@small@squ{#3}% +} + +\def\Porrectusauctdown#1#2#3{\getthen@one@three{#1}{#2}{#3}\relax + \advancefalse\bporrectus{#1}{#2}{\xgregchar0\xgregchar0\xgregchar0}% + \zcharnote{#2}{\vrule\@height\the@three@minus@two\internote\@depth\z@}\punctumauctdown{#3}% +} + +\def\salicus#1#2#3{\zsqu{#1}\groff{\pesquassus{#2}{#3}}} +%\check + +\def\salicusflexus#1#2#3#4{\zsqu{#1}{\xgregchar0}\torculus{#2}{#3}{#4}} + +\def\salicusauctdown#1#2#3{\zsqu{#1}\groff{\pesquassusauctdown{#2}{#3}}} +%\check + +\let\xgregfont\xgregnorfont + +\endcatcodesmusic +\catcode`\@=\catcodeat +\endinput diff --git a/macros/generic/musixtex/tex/musixgui.tex b/macros/generic/musixtex/tex/musixgui.tex new file mode 100644 index 0000000000..103360b269 --- /dev/null +++ b/macros/generic/musixtex/tex/musixgui.tex @@ -0,0 +1,41 @@ +% +% This file is part of MusiXTeX +% +% MusiXTeX is free software; you can redistribute it and/or modify +% it under the terms of the GNU General Public License as published by +% the Free Software Foundation; either version 2, or (at your option) +% any later version. +% +% MusiXTeX is distributed in the hope that it will be useful, +% but WITHOUT ANY WARRANTY; without even the implied warranty of +% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the +% GNU General Public License for more details. +% +% You should have received a copy of the GNU General Public License +% along with MusiXTeX; see the file COPYING. If not, write to +% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, +% Boston, MA 02111-1307, USA. +% +\immediate\write16{MusiXGUItar 0.36\space<1 March 1995>}% + +\ifx\undefined\guitar \else \endinput \fi + +\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 + +\newskip\guitar@dim \guitar@dim=-.6\qn@width\relax + +% to raise the chords (steps of internote) +\def\raiseguitar#1{\edef\r@gu{#1}} +\let\r@gu\z@ + +\def\d@c#1{\if x#1\tw@nty \else\if o#1\char19\else\char28\fi\fi} +\def\guitar#1#2#3#4#5#6#7#8{\zchar\r@gu{\raise\Interligne\lrlap{#1}% + \mxsps\lrlap\sixt@@n\lrlap{\d@c#3\d@c#4\d@c#5\d@c#6\d@c#7\d@c#8}% + \lower\Internote\lrlap{\eightbf#2\kern\s@v@n\guitar@dim}}} +\def\gbarre#1{\zchar\r@gu{\n@v#1\advance\n@v\m@ne + \raise\n@v\guitar@dim\lrlap{\mxsps\char18}}} +\def\gdot#1#2{\zchar\r@gu{\n@v#2\advance\n@v\m@ne\kern\si@\guitar@dim + \kernm#1\guitar@dim\raise\n@v\guitar@dim\rlap{\mxsps\char17}}} + +\catcode`\@=\catcodeat +\endinput diff --git a/macros/generic/musixtex/tex/musixhor.tex b/macros/generic/musixtex/tex/musixhor.tex new file mode 100644 index 0000000000..fbc73393e1 --- /dev/null +++ b/macros/generic/musixtex/tex/musixhor.tex @@ -0,0 +1,41 @@ +% +% This file is part of MusiXTeX +% +% MusiXTeX is free software; you can redistribute it and/or modify +% it under the terms of the GNU General Public License as published by +% the Free Software Foundation; either version 2, or (at your option) +% any later version. +% +% MusiXTeX is distributed in the hope that it will be useful, +% but WITHOUT ANY WARRANTY; without even the implied warranty of +% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the +% GNU General Public License for more details. +% +% You should have received a copy of the GNU General Public License +% along with MusiXTeX; see the file COPYING. If not, write to +% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, +% Boston, MA 02111-1307, USA. +% + +\ifx\undefined\Tenpoint + \input musixsty.tex +\fi + +\immediate\write16{MusiXtextSTYle-horizontal T.98\space<21 October 1999>}% + +\vsize=185mm +\hsize=275mm +\hoffset=297mm +\advance\hoffset -\hsize +\divide\hoffset 2\relax +\advance\hoffset -2.54cm +\voffset -3mm +\tenpoint +\def\horizontalscore{\relax} +%%%%%%%%%%%%%%%%%%%%%%%%% local adjust to be tuned %%%%%%%%%%%%%%%%%%%%%%%%%% +\advance\voffset -5mm +\hoffset=-1.54cm +%%%%%%%%%%%%%%%%%%%%%%%%% local adjust to be tuned %%%%%%%%%%%%%%%%%%%%%%%%%% + +\endinput + diff --git a/macros/generic/musixtex/tex/musixhou.tex b/macros/generic/musixtex/tex/musixhou.tex new file mode 100644 index 0000000000..d0eb65d23b --- /dev/null +++ b/macros/generic/musixtex/tex/musixhou.tex @@ -0,0 +1,58 @@ +% +% This file is part of MusiXTeX +% +% MusiXTeX is free software; you can redistribute it and/or modify +% it under the terms of the GNU General Public License as published by +% the Free Software Foundation; either version 2, or (at your option) +% any later version. +% +% MusiXTeX is distributed in the hope that it will be useful, +% but WITHOUT ANY WARRANTY; without even the implied warranty of +% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the +% GNU General Public License for more details. +% +% You should have received a copy of the GNU General Public License +% along with MusiXTeX; see the file COPYING. If not, write to +% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, +% Boston, MA 02111-1307, USA. +% + +\immediate\write16{MusiXHOUsestyles T.64\space<8 October 1996>}% + +\ifx\undefined\Metron \else \endinput \fi + +\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 + +% match the mid of lower chars (only for \tenrm) + +\def\writ@names{\n@loop + \setbox\toks@box\llap{\vbox{\hbox\@to\parindent{% + \hss\csname instrument\romannumeral\noinstrum@nt\endcsname + \hss}\kern\h@lf ex}~~}% + \altportee\altitude \Comp@High\advance\y@v-\ht\toks@box + \advance\altportee\h@lf\y@v \writ@box \repeat} + +% smaller metron + +\def\Metron#1{{\tinynotesize\stemlength\thr@@\eightrm (\zqu 0~~~= #1)}} + +%%% dynamics +\iflongDCfontnames + \font\frtnbxit=\fontid bi1440 +\else\iflongECfontnames + \font\frtnbxit=\fontid bi1440 + \else + \font\frtnbxit=\fontid bxti10 scaled \magstep2 + \fi +\fi +\def\f{\frtnbxit f} +\def\ff{\f\f@kern f} +\def\fff{\ff\f@kern f} +\def\mf{\twelveit m\p@kern\f@kern\f} +\def\mp@{\twelveit m\p@kern\p} +\def\p{\frtnbxit p} +\def\pp{\p\p@kern p} +\def\ppp{\pp\p@kern p} + +\catcode`\@=\catcodeat +\endinput diff --git a/macros/generic/musixtex/tex/musixhv.tex b/macros/generic/musixtex/tex/musixhv.tex new file mode 100644 index 0000000000..9c24763330 --- /dev/null +++ b/macros/generic/musixtex/tex/musixhv.tex @@ -0,0 +1,180 @@ +% musixhv.tex : Helvetica font definitions for MusiXTeX +% +% usage: +% +% \input musixtex +% \input musixhv +% ... +% +% MusiXhv.tex is free software; you can redistribute it and/or modify +% it under the terms of the GNU General Public License as published by +% the Free Software Foundation; either version 2, or (at your option) +% any later version. +% +% MusiXhv.tex is distributed in the hope that it will be useful, +% but WITHOUT ANY WARRANTY; without even the implied warranty of +% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the +% GNU General Public License for more details. +% +% You should have received a copy of the GNU General Public License +% along with MusiXTeX; see the file COPYING. If not, write to +% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, +% Boston, MA 02111-1307, USA. +% +% Copyright 2015-2017 Bob Tennent rdt@cs.queensu.ca +% +\immediate\write16{MusiXhv\space<2017/02/10>} +\ifx\undefined\startpiece\errmessage{Input musixtex.tex before musixhv.tex}\fi +% +% 7pt "Roman" (sans serif), bold, "italic" (oblique), "bold-italic" (bold-oblique), and small-cap +\font\sevenrm=phvr8t at 7pt +\font\sevenbf=phvb8t at 7pt +\font\sevenit=phvro8t at 7pt +\font\sevenbi=phvbo8t at 7pt +\font\sevensc=phvrc8t at 7pt +% +% 8pt +\font\eightrm=phvr8t at 8pt +\font\eightbf=phvb8t at 8pt +\font\eightbi=phvbo8t at 8pt +\font\eightsc=phvrc8t at 8pt +\font\eightit=phvro8t at 8pt +% +% 9pt +\font\ninerm=phvr8t at 9pt +\font\ninebf=phvb8t at 9pt +\font\nineit=phvro8t at 9pt +\font\ninebi=phvbo8t at 9pt +\font\ninesc=phvrc8t at 9pt +% +% 10pt +\font\tenrm=phvr8t at 10pt +\font\tenbf=phvb8t at 10pt +\font\tenit=phvro8t at 10pt +\font\tenbi=phvbo8t at 10pt +\font\tensc=phvrc8t at 10pt +% +% 11pt +\font\elevenrm=phvr8t at 11pt +\font\elevenbf=phvb8t at 11pt +\font\elevenit=phvro8t at 11pt +\font\elevenbi=phvbo8t at 11pt +\font\elevensc=phvrc8t at 11pt +% +% 12pt +\font\twelverm=phvr8t scaled \magstep1 +\font\twelvebf=phvb8t scaled \magstep1 +\font\twelveit=phvro8t scaled \magstep1 +\font\twelvebi=phvbo8t scaled \magstep1 +\font\twelvesc=phvrc8t scaled \magstep1 +% +% 14pt +\font\frtrm=phvr8t scaled \magstep2 +\font\frtbf=phvb8t scaled \magstep2 +\font\frtit=phvro8t scaled \magstep2 +\font\frtbi=phvbo8t scaled \magstep2 +\font\frtsc=phvrc8t scaled \magstep2 +% +% 17pt +\font\svtrm=phvr8t scaled \magstep3 +\font\svtbf=phvb8t scaled \magstep3 +\font\svtit=phvro8t scaled \magstep3 +\font\svtbi=phvbo8t scaled \magstep3 +\font\svtsc=phvrc8t scaled \magstep3 +% +% 20pt +\font\twtyrm=phvr8t scaled \magstep4 +\font\twtybf=phvb8t scaled \magstep4 +\font\twtyit=phvro8t scaled \magstep4 +\font\twtybi=phvbo8t scaled \magstep4 +\font\twtysc=phvrc8t scaled \magstep4 +% +% 25pt +\font\twfvrm=phvr8t scaled \magstep5 +\font\twfvbf=phvb8t scaled \magstep5 +\font\twfvit=phvro8t scaled \magstep5 +\font\twfvbi=phvbo8t scaled \magstep5 +\font\twfvsc=phvrc8t scaled \magstep5 +% +% large fonts for titles +% (If you prefer bold, use \bf) +% +\def\bigtype{\bigfont\rm} +\def\Bigtype{\Bigfont\rm} +\def\BIgtype{\BIgfont\rm} +\def\BIGtype{\BIGfont\rm} +% +% +\font\ppfftwelve=phvbo8t at 8pt +\font\ppffsixteen=phvbo8t at 10pt +\font\ppfftwenty=phvbo8t at 12pt +\font\ppfftwentyfour=phvbo8t at 14pt +\font\ppfftwentynine=phvbo8t at 17pt +% +\def\f{{\ppff f}} +\def\ff{{\ppff ff}} +\def\fp{{\ppff fp}} +\def\fff{{\ppff fff}} +\def\ffff{{\ppff ffff}} +\def\mf{{\ppff mf}} +\def\p{{\ppff p}} +\def\pp{{\ppff pp}} +\def\ppp{{\ppff ppp}} +\def\pppp{{\ppff pppp}} + +% sl fonts needed by musixsty +% +\font\eightsl=phvro8t at 8pt +\font\ninesl=phvro8t at 9pt +\font\tensl=phvro8t at 10pt +\font\twelvesl=phvro8t scaled \magstep1 +\font\frtsl=phvro8t scaled \magstep2 +\font\svtsl=phvro8t scaled \magstep3 +\font\twtysl=phvro8t scaled \magstep4 +\font\twfvsl=phvro8t scaled \magstep5 +% +% +\edef\catcodeat{\the\catcode`\@} +\catcode`\@=11 +% +\def\sF{{\ppff s\p@kern f}} +\def\sfz{{\ppff s\p@kern f\f@kern z}} +\def\sfzp{{\ppff s\p@kern f\f@kern z\p@kern p}} + +\def\mp@{{\ppff mp}} +\let\mezzopiano\mp@ +\catcode`\@=\catcodeat + +% +% Redefine accented characters for etex, suggested by David Carlisle: +% +\ifx\documentclass\undefined +\catcode`\@=11 +\def\ProvidesFile#1[#2]{} +\def\DeclareFontEncoding#1#2#3{} +\def\DeclareTextAccent#1#2#3{% +\def#1##1{% +\expandafter\ifx\csname T1\string#1-\string##1\endcsname\relax +{\accent#1 ##1}% +\else +\csname T1\string#1-\string##1\expandafter\endcsname +\fi}} +\def\DeclareTextCommand#1#2{\xdtcmd}%not today +\def\xdtcmd#1#{\xxdtcmd}%not today +\def\xxdtcmd#1{}%not today +\def\DeclareTextCompositeCommand#1#2#3#4{}%not today +\def\DeclareTextSymbol#1#2#3{% +\def#1{\char#3\relax}} +\def\DeclareTextComposite#1#2#3#4{% +\expandafter\def\csname T1\string#1-\string#3\endcsname{\char#4\relax}} + +\input t1enc.def + +\def\c#1{\leavevmode\ifx c#1\char231 \else\setbox\z@\hbox{#1}\ifdim\ht\z@=1ex\accent11 #1% + \else{\ooalign{\unhbox\z@\crcr + \hidewidth\char11\hidewidth}}\fi\fi} +\catcode`\@=\catcodeat +\fi + +\normtype +\endinput diff --git a/macros/generic/musixtex/tex/musixinv.tex b/macros/generic/musixtex/tex/musixinv.tex new file mode 100644 index 0000000000..4a8d6ae864 --- /dev/null +++ b/macros/generic/musixtex/tex/musixinv.tex @@ -0,0 +1,2 @@ +% still a dummy +\endinput diff --git a/macros/generic/musixtex/tex/musixlit.tex b/macros/generic/musixtex/tex/musixlit.tex new file mode 100644 index 0000000000..f55fb8f826 --- /dev/null +++ b/macros/generic/musixtex/tex/musixlit.tex @@ -0,0 +1,87 @@ +% +% This file is part of MusiXTeX +% +% MusiXTeX is free software; you can redistribute it and/or modify +% it under the terms of the GNU General Public License as published by +% the Free Software Foundation; either version 2, or (at your option) +% any later version. +% +% MusiXTeX is distributed in the hope that it will be useful, +% but WITHOUT ANY WARRANTY; without even the implied warranty of +% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the +% GNU General Public License for more details. +% +% You should have received a copy of the GNU General Public License +% along with MusiXTeX; see the file COPYING. If not, write to +% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, +% Boston, MA 02111-1307, USA. +% + +\immediate\write16{MusiXLITurgical 0.38\space<17 Dec 2016>}% + +\ifx\undefined\oldGclef \else \endinput \fi + +\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 + +\def\oldGclef{\keychar103} + +\def\cqu{\def\q@u{\musixchar99}\@qu} +\def\cql{\def\q@u{\musixfont\@c}\@ql} +\def\chu{\def\q@u{\musixchar101}\@qu} +\def\chl{\def\q@u{\musixchar102}\@ql} + +\def\cnqu{\def\q@u{\musixchar99}\@nq} +\def\cnql{\def\q@u{\musixfont\@c}\@nq} +\def\cnhu{\def\q@u{\musixchar101}\@nq} +\def\cnhl{\def\q@u{\musixchar102}\@nq} +\def\cqb{\def\q@u{\musixchar99}\@qb} % RDT 2016-12-17 +\def\zcqb{\advancefalse\cqb} % RDT 2016-12-17 + + +% Moved to musixtex.tex. RDT 2015-12-23 +%\def\Hpause#1#2{\zcharnote{#1}{\def\s@r{% +% \vrule\@width.6\p@\@height1\h@lf\internote\@depth1\h@lf\internote}% +% \s@r +% \vrule\@width#2\noteskip\@height\h@lf\internote\@depth\h@lf\internote +% \s@r}} + +\def\Hlonga#1#2{\zcharnote{#1}{\def\s@r{% + \vrule\@width.6\p@\@height1\h@lf\internote\@depth1\h@lf\internote}% + \s@r + \raise\h@lf\internote\rlap{\vrule\@width#2\noteskip + \@height 0.3pt\@depth 0.3pt}% + \raise-\h@lf\internote\hbox{\vrule\@width#2\noteskip + \@height 0.3pt\@depth 0.3pt}% + \s@r}} + +% separated short vrules over every staff (fits only for 1,2,3,5 Lines) + +\def\rul@SEP#1{\n@loop\short@rule\repeat\addspace#1} +\def\short@rule{{\p@loop\y@\altportee\advance\y@\tw@\internote\raise\y@% + \rlap{\vrule\@width\lthick\@height\f@ur\internote}\count@portee\repeat}} +\def\shortbarrules{\let\writ@rule\rul@SEP } + +% separated short vrules between every staff (fits only for 1,2,3,5 Lines) + +\def\rul@int#1{\n@loop\inter@rule\repeat\addspace#1} +\def\inter@rule{{% + \y@iv\altitude \y@v\y@iv + \ifnum\st@ffs>\@ne \@ri \Comp@High\advance\y@v\altitude + \else \ifnum\st@ffs>\z@ \advance\y@v\@ight\internote \fi\fi + \advance\noinstrum@nt\@ne \s@l@ctinstr + \ifnum\st@ffs=\z@ \advance\noinstrum@nt\@ne\s@l@ctinstr \fi + \ifnum\nbinstruments<\noinstrum@nt + \y@iii\y@iv \y@ii\y@iii \advance\y@ii-\y@v \Put@inter@rule + \else + \y@iii\altitude \y@ii\y@iii \advance\y@ii-\y@v \Put@inter@rule + \fi}} +\def\@ri{\n@ii\st@ffs \advance\st@ffs\m@ne + \C@Inter \y@ii\stem@skip + \p@loop \y@iii\altportee \advance\y@iii\interportee + \Put@inter@rule \advance\noport@@\@ne \repeat + \st@ffs\n@ii} +\def\Put@inter@rule{\raise\y@iii\rlap{\vrule\@width\lthick\@depth\y@ii}} +\def\interbarrules{\let\writ@rule\rul@int } + +\catcode`\@=\catcodeat +\endinput diff --git a/macros/generic/musixtex/tex/musixlyr.tex b/macros/generic/musixtex/tex/musixlyr.tex new file mode 100644 index 0000000000..fc9aaaf9b1 --- /dev/null +++ b/macros/generic/musixtex/tex/musixlyr.tex @@ -0,0 +1,1162 @@ +%% +%% musixlyr.tex: Convenient lyrics handling for MusiXTeX T.52 or later +%% +%% Copyright (C) 1996-2003 Rainer Dunker +%% +%% This program is free software; you can redistribute it and/or modify +%% it under the terms of the GNU General Public License as published by +%% the Free Software Foundation; either version 2 of the License, or +%% any later version. +%% +%% This program is distributed in the hope that it will be useful, +%% but WITHOUT ANY WARRANTY; without even the implied warranty of +%% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the +%% GNU General Public License for more details. +%% +%% You should have received a copy of the GNU General Public License +%% along with this program; if not, write to the Free Software +%% Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA. +%% +%% Author: +%% Rainer Dunker +%% Wachtelweg 31 +%% 85591 Vaterstetten +%% Germany +%% +%% E-mail: rainer.dunker@web.de +%% +\ifx\undefined\lyr\else\endinput\fi +\immediate\write16{MusiXLYRics 2.1c\space} +\def\musixlyrversion{2.12} + +\makeatletter + +%%%%%%%%%% +% +% register allocation +% +%%%%%%%%%% +\newtoks\alle@texte + +% internal parameters for setting text +\let\evtl@klein\empty +\let\evtl@komma\empty +\let\evtl@punktweg\empty +\let\evtl@offset\empty +\let\evtl@next@lyr\empty +\newif\if@strich +\newif\iflyr@processing +\newif\if@pmx@nextvoice +\newif\if@lyrmode +\newif\if@hyphen +\newif\ifaux@active +\newif\if@single@token +\newdimen\lyr@shift +\newbox\lyr@box +\newbox\lyr@hyphen@box +\newbox\lyr@linkbox +\newbox\lyr@linkdepthbox +\def\ma@sw{lyr@m} % "main/aux switch" + +% helpers for shuffling data around +\newtoks\@rohtext +\newtoks\@textvar + +\let\text@name\empty + +% public parameters +\newif\ifleftlyr +\newif\ifforcelyrhyphens +\newif\ifshowlyrshift +\newdimen\minlyrrulelength \minlyrrulelength=2mm +\newdimen\minmulthyphens \minmulthyphens=1.5cm +\newdimen\minlyrspace \minlyrspace=3pt +\def\lyrhyphenchar{-} +\newbox\lyrstrutbox +\def\lyrlinestartpos{-10cm } +\def\oldlyrlinestart{\def\lyrlinestartpos{0pt }} % to restore 2.1 behaviour + +\def\lyrlog#1{\immediate\write16{#1}} % just for debugging convenience + +% for testing token lists for emptyness with \ifx +\def\emp@tst{\empty@test@errmsg} +\def\empty@test@errmsg{% + \errmessage{This shouldn't happen; you have found a musixlyr bug}} + +%%%%%%%%%% +% +% lyrics definition +% +%%%%%%%%%% +% set up text completely +\def\setlyrics#1#2{% iterative variant + % Parameter: + % #1 - lyrics line name + % #2 - text + \@rohtext={#2 -}% + \@textvar={}% + %\lyrlog{setlyrics{#1}, raw text: \the\@rohtext}% + \loop + \expandafter\ifx\expandafter\emp@tst\the\@rohtext\emp@tst % no more text + \let\@weiter n\else \let\@weiter j% + \fi + \ifx\@weiter j% + \expandafter\split@lyr@by@hyphens\the\@rohtext\@end + \repeat + \expandafter\xdef\csname dertext@#1\endcsname{\the\@textvar}% + \expandafter\xdef\csname nochtext@#1\endcsname{\the\@textvar}% + %\lyrlog{setlyrics{#1}: \the\@textvar}% + \initialize@verse{#1}} + +\def\appendlyrics#1#2{% iterative variant + % Parameter: + % #1 - lyrics line name + % #2 - text + % test whether lyrics line name already defined + \expandafter\ifx\csname stp@#1\endcsname\relax + % if not: set it up newly + \setlyrics{#1}{#2}% + \else + % if yes: preprocess new material, then append it to existing stuff + \@rohtext={#2 -}% + \@textvar={}% + %\lyrlog{appendlyrics{#1}, raw text: \the\@rohtext}% + \loop + \expandafter\ifx\expandafter\emp@tst\the\@rohtext\emp@tst % no more text + \let\@weiter n\else \let\@weiter j% + \fi + \ifx\@weiter j% + \expandafter\split@lyr@by@hyphens\the\@rohtext\@end + \repeat + % + % properly append new material to \dertext@#1 + \toks@=\expandafter\expandafter\expandafter{\csname dertext@#1\endcsname}% + \expandafter\test@final@hyphen@i\the\toks@\@end + \expandafter\xdef\csname dertext@#1\endcsname{\the\toks@\the\@textvar}% + % + % properly append new material to \nochtext@#1 + \toks@=\expandafter\expandafter\expandafter{\csname nochtext@#1\endcsname}% + \expandafter\ifx\expandafter\emp@tst\the\toks@\emp@tst + % pending text empty - don't call \test@final@hyphen + \else + \expandafter\test@final@hyphen@i\the\toks@\@end + \fi + \expandafter\xdef\csname nochtext@#1\endcsname{\the\toks@\the\@textvar}% + %\lyrlog{appendlyrics{#1}: \the\@textvar}% + \fi} + +% separate hyphens from syllables +\def\split@lyr@by@hyphens#1-#2\@end{% + % #1: text before first hyphen + % #2: text after first hyphen; may be empty + \ifx\emp@tst#2\emp@tst % -> no hyphen present + \@textvar=\expandafter{\the\@textvar#1}% + \else % -> hyphen present + \@textvar=\expandafter{\the\@textvar#1 @}% + \fi + \@rohtext={#2}% + %\lyrlog{splitlyrics 1: \the\@textvar}% + %\lyrlog{splitlyrics 2: \the\@rohtext}% + } + +% helper macros for \appendlyrics, handling the case that pre-existing +% lyrics material ends with an open hyphen +\def\test@final@hyphen@i#1 \@end{% + % truncate trailing space, then proceed with detecting a trailing @ + \test@final@hyphen@ii#1@@\@end} +\def\test@final@hyphen@ii#1@@#2\@end{% + \ifx\emp@tst#2\emp@tst + % no trailing, open hyphen + %\lyrlog{No trailing hyphen: #1}% + \else + % reset \toks@ so that trailing @ is not longer followed by a space + \toks@={#1@}% + %\lyrlog{Trailing hyphen: #1}% + \fi} + +% copy whole text under different name +\def\copylyrics#1#2{% + % #1 - existing text name + % #2 - new text name + % text still undefined? + \expandafter\ifx\csname dertext@#1\endcsname\relax + \errmessage{Trying to copy undefined verse "#1" to "#2"}% + \setlyrics{#2}{UNDEFINED}% + \else + \expandafter\let\expandafter\text@copy\csname dertext@#1\endcsname + \global\expandafter\let\csname dertext@#2\endcsname\text@copy + \global\expandafter\let\csname nochtext@#2\endcsname\text@copy + \initialize@verse{#2}% + \fi} + +% at 1st definition of a text name +\def\initialize@verse#1{% + % test whether lyrics line name already defined + \expandafter\ifx\csname stp@#1\endcsname\relax + \expandafter\xdef\csname stp@#1\endcsname{\lyrlinestartpos}% tracks horizontal progress + \global\expandafter\let\csname cont@#1\endcsname\relax% context stuff + \expandafter\gdef\csname zwr@#1\endcsname{0}% flag for hyphen/rule status + % for layout definitions + \global\expandafter\let\csname llay@#1\endcsname\relax + % switch on auto-text + {\def\text@name{#1}\lyricson}% + % insert in list of all defined text names + \global\alle@texte=\expandafter{\the\alle@texte#1,}% + \fi} + +% just for more elegance ... +\def\if@multistaff{\ifnum\st@ffs>1 } + +\def\set@texte#1#2{% + % assign assigned lyrics lines to \@texte + % or \empty in case they are empty + % #1: instrument number + % #2: staff number of instrument + \expandafter\let\expandafter\@texte\csname\ma@sw#1-#2\endcsname + \ifx\@texte\relax\let\@texte\empty\fi} + +\def\set@texte@current#1{% + % apply \set@texte to current context + % using PMX, automatically switch to aux lyrics where required + \switch@pmx@aux{% + % get the verses + \ifnum\st@ffs>1 % multi-staff instrument + \set@texte{\the\noinstrum@nt}{\the\noport@@}% + \else + \set@texte{\the\noinstrum@nt}{1}% + \fi + % perform given action + #1}} + +\def\loop@texte#1\@repeat{% + % assumption: \@texte is already set properly, may be empty + % #1: action to be executed + \ifx\@texte\empty\else + \expandafter\loop@texte@step\@texte\@end{#1}% + \fi} + +\def\loop@texte@step#1,#2\@end#3{% + % assumption: text list is not empty, #1 contains list head + % #1: text list head + % #2: text list tail + % #3: action to be executed + % + % perform action on first text + \def\text@name{#1}% + #3\relax + % + % prepare iteration + \ifx\emp@tst#2\emp@tst % list tail empty + \let\@iterate \empty % stop looping + \let\text@name\empty % reset working environment + \else + \def\@iterate{\loop@texte@step#2\@end{#3}}% + \fi + \@iterate} + +% assign text name to staff +\def\assignlyrics#1{% for single-staff instruments + % #1: instrument number + \assignlyricsmulti{#1}1} + +\def\assignlyricshere#1{% assign lyrics to current instrument/staff context + % #1: comma-separated list of text names + \switch@pmx@aux{% + \ifnum\st@ffs>1 % multi-staff instrument + \assignlyricsmulti{\the\noinstrum@nt}{\the\noport@@}{#1}% + \else + \assignlyrics{\the\noinstrum@nt}{#1}% + \fi}} + +\def\assignlyricsmulti#1#2#3{% + % #1: instrument number + % #2: staff number of instrument + % #3: comma-separated list of text names + % gather farthest right current position + % of currently assigned lyrics lines + \y@v=\lyrlinestartpos + \set@texte{#1}{#2}% + \loop@texte + % starting position greater than retrieved so far? + \ifdim\csname stp@\text@name\endcsname > \y@v + \y@v=\csname stp@\text@name\endcsname % advance maximum + \fi + \@repeat + % + % new text names list non-empty -> append comma + \ifx\emp@tst#3\emp@tst + \expandafter\global\expandafter\let\csname\ma@sw#1-#2\endcsname\relax + \else + \expandafter\gdef\csname\ma@sw#1-#2\endcsname{#3,}% + \fi + % set parameters according to newly assigned lyrics lines + \set@texte{#1}{#2}% + \loop@texte + % check for existence + \expandafter\ifx\csname stp@\text@name\endcsname\relax + \errmessage{Trying to assign undefined verse "\text@name"}% + \expandafter\setlyrics\expandafter{\text@name}{EMPTY}% + \fi + \reset@params + \@repeat} + + +\def\reset@params{% + \expandafter\xdef\csname stp@\text@name\endcsname{\the\y@v}% + \expandafter\gdef\csname zwr@\text@name\endcsname{0}} + + +% +% reset horizontal positioning parameters of all lyrics lines +% +\def\resetlyrics{% + \edef\@texte{\the\alle@texte}% + \y@v=\lyrlinestartpos + \loop@texte \reset@params \@repeat} + + +%%%%%%%%%% +% +% process lyrics verse-wise +% +%%%%%%%%%% +% same action for all assigned verses +\def\forall@verses#1{% + % #1: action to be executed + \ifx\text@name\empty + % perform action for all assigned verses + \set@texte@current{% + \ifx\@texte\empty\else + \vplace@lyrics{\loop@texte \hbox{\lyr@strut #1}\@repeat}% + \fi}% + \else + % text name already selected -> perform action for this one only + #1% + \fi} + + +% specify separate actions per verse +\def\verses#1{% + % #1: comma-separated list of actions (from top to bottom) + \set@texte@current{% + \def\@param{#1}% running variable for per-text actions + \vplace@lyrics{% + \loop@texte \expandafter\one@verse\@param,\@end \@repeat}}} + +\def\one@verse#1,#2\@end{% + % #1: action list head = action for current verse + % #2: action list tail = actions for remaining verses + \def\@param{#2}% + % perfrom action + \hbox{\lyr@strut #1}} + + +%%%%%%%%%% +% +% line spacing for multiple verses +% +%%%%%%%%%% +\def\lyr@strut{\copy\lyrstrutbox} +\def\setlyrstrut{% set up strut according to currently active font + \setbox0=\hbox{()}% + \setbox\lyrstrutbox=\hbox{\vrule height 1.1\ht0 depth 1.1\dp0 width\z@}} +\setlyrstrut % initialize + + +%%%%%%%%%% +% +% retrieve text by syllable +% +%%%%%%%%%% +\def\next@lyr{% + \expandafter\let\expandafter\@nochtext\csname nochtext@\text@name\endcsname + %\show\@nochtext + \ifx\@nochtext\empty + % no more text + \@hyphenfalse\@lyric{???}% + \else + \@textvar=\expandafter{\@nochtext}% + \expandafter\next@syllable\the\@textvar\relax\relax + \fi} + +\def\next@syllable#1 #2#3\relax{% + % #1 - first syllable + % #2 - either hyphenation symbol @ + % or \relax (if text ends after #2) + % or 1st char/group of rest text + % #3 - rest text, may be empty + \parse@melisma{#2}{#3}#1_\@end} + +\def\test@single@token#1#2\@end{% + % #2 is empty if argument consists of a single token + \ifx\emp@tst#2\emp@tst + \@single@tokentrue + \else + \@single@tokenfalse + \fi} + +\def\parse@melisma#1#2#3_#4\@end{% parse trailing underscores + % #1: either hyphenation indicator @ + % or \relax (if text ends after #1), + % or 1st char/group of rest text + % #2: rest text, may be empty + % #3: current syllable; may be empty if melisma pending + % #4: trailing underscores, if any, or + % melisma notes number followed by single underscore, or + % empty if no melisma + % + % evaluate hyphenation sign + \ifx @#1% + \@hyphentrue + \@textvar={#2}% may be empty + \else + \@hyphenfalse + % decide rest text (#1 was no hyphen sign) + \ifx\relax#1% current syllable is final syllable + \@textvar={}% + \else + \test@single@token#1\@end % #1 may have been grouped + \if@single@token + \@textvar={#1#2}% + \else + \@textvar={{#1}#2}% + \fi + \fi + \fi + % + % melisma pending? + \ifx\emp@tst#4\emp@tst % no melisma + \let\melisma@spec\empty + \@lyric{\evtl@klein{\evtl@punktweg{#3}}\evtl@komma}% + \else % melisma + \ifx\emp@tst#3\emp@tst % syllable empty, d.i. in mid-melisma + \parse@melisma@tail#4\@end + \ifx\melisma@spec\empty % final melisma note + \lyrruleend + \fi + \else % syllable non-empty, d.i. at melisma start + \leftlyrtrue\@strichtrue + \parse@melisma@start#4\@end + \@lyric{\evtl@klein{\evtl@punktweg{#3}}\evtl@komma}% + \fi % at melisma start + \fi % in melisma + % + % set remaining text + \expandafter\xdef + \csname nochtext@\text@name\endcsname{\melisma@spec\the\@textvar}} + +\def\parse@melisma@start#1_\@end{% + % Cut trailing underscore and attach it at argument head. + % For underscore sequences, the effect is void. + % For numbers, it converts "num_" to "_num". + % Moreover, append a single space. + \def\melisma@spec{_#1 }} + +\def\parse@melisma@tail#1_\@end{% + % #1: either trailing underscores minus one + % or melisma notes number + % or empty + \ifx\emp@tst#1\emp@tst % no more underscores + \let\melisma@spec\empty + \else + \parse@melisma@tail@ii#1\@end + \fi} + +\def\parse@melisma@tail@ii#1#2\@end{% helper for deciding melisma spec type + % #1#2: either trailing underscores minus one + % or melisma notes number + \if#1_% % underscore sequence given + \def\melisma@spec{#1#2 }% + \else % number given + \ifnum#1#2>1 % more melisma notes pending + \count@=#1#2 + \advance\count@\m@ne + \edef\melisma@spec{_\the\count@\space}% + \else % no more melisma notes + \let\melisma@spec\empty + \fi + \fi} + +\def\@lyric#1{% + % #1: Text + \evtl@offset + % Alles Folgende ist Argument fuer obiges \evtl@offset: + {\csname llay@\text@name\endcsname% Layoutkontext abrufen + \lyr@processingtrue + \setbox\lyr@box=\hbox{#1}% + \setbox\lyr@hyphen@box=\hbox{\lyrhyphenchar}% + % Zwischenraum zu voriger Silbe ermitteln: + \get@lyrspace + \ifleftlyr\else + % Silbe zentriert -> Zwischenraum entspr. kleiner: + \advance\y@v -0.5\wd\lyr@box + \advance\y@v 0.5\qn@width % halbe Notenkopfbreite dazu + \fi + % Bindestrich von voriger Silbe anhaengig? + \expandafter\ifnum\csname zwr@\text@name\endcsname=2 + % Minimalzwischenraum entsprechend aendern: + \ifforcelyrhyphens + % Min. Zw.-R. mindestens so breit wie Bindestrich: + \ifdim\minlyrspace < \wd\lyr@hyphen@box + \minlyrspace=\wd\lyr@hyphen@box + \fi + \else + \minlyrspace=0pt % % kein Zwischenraum noetig + \fi + \fi + \ifdim\y@v < \minlyrspace % Zwischenraum zu klein? + \lyr@shift=\minlyrspace % Silbe um Differenz nach rechts verschieben + \advance\lyr@shift -\y@v + \y@v=\minlyrspace % Zwischenraumbreite = geg. Minimum + \else + \expandafter\ifnum\csname zwr@\text@name\endcsname=2 % Bindestrich anhaengig? + \ifforcelyrhyphens\else % Bindestrich nicht erzwungen? + \ifdim\y@v < \wd\lyr@hyphen@box % Zwischenraum zu schmal? + \advance\lyr@shift -\y@v % => Zw.raum ganz wegnehmen + % Dank an Sebastian Clauss fuer diese Verbesserung + \fi + \fi + \fi + \fi + \rlap{% + \hskip\lyr@shift + {\ifleftlyr + \aftergroup\rlap % linksbuendig + \else + \aftergroup\qlrlap % zentriert + \fi}% + % Alles Folgende ist Argument fuer obiges \qlrlap bzw. \rlap: + {% Ist von voriger Silbe noch ein Bindestrich anhaengig? + \expandafter\ifnum\csname zwr@\text@name\endcsname=2 + % limit hyphens at line beginning to zero position + \ifdim\csname stp@\text@name\endcsname < \z@ + \advance\y@v \csname stp@\text@name\endcsname \fi + % Bindestrich nur setzen, wenn Platz genug vorhanden: + \ifdim\y@v < \wd\lyr@hyphen@box\else + \print@hyphen + \fi + \fi + \ifshowlyrshift + % Mit Rechteck Wortverschiebung zeigen: + \llap{\vrule width \lyr@shift height \ht\strutbox}% + \fi + \unhcopy\lyr@box % Wort setzen + % Startposition des nachfolgenden Zwischenraums festhalten: + \getcurpos + \advance\y@v by \lyr@shift + \ifleftlyr + \advance\y@v \wd\lyr@box + \else + \advance\y@v 0.5\wd\lyr@box + \advance\y@v 0.5\qn@width % halbe Notenkopfbreite dazu + \fi + \expandafter\xdef\csname stp@\text@name\endcsname{\the\y@v}% Startposition setzen + \if@hyphen % Bindestrich gefordert? + \expandafter\gdef\csname zwr@\text@name\endcsname{2}% + \else + \if@strich % Verlaengerungs-Strich gefordert? + \expandafter\gdef\csname zwr@\text@name\endcsname{1}% + \else % nichts gefordert + \expandafter\gdef\csname zwr@\text@name\endcsname{0}% + \fi + \fi}}}} + +\def\print@hyphen{% + \llap{\hbox to \y@v{% + % Zwischenraum mit "Strich-Kette" ausfuellen: + \loop + \hfil\lyrhyphenchar\hss% rechter Raum darf am Systemende negativ werden + \advance\y@v by -\minmulthyphens + \ifdim\y@v > 0pt% + \repeat}}} + +\def\get@lyrspace{% + \getcurpos + \advance\y@v by -\csname stp@\text@name\endcsname + \relax} + +% set lyrpos to zero if less than that +\def\limit@lyrpos{% + \ifdim\csname stp@\text@name\endcsname < \z@ + \expandafter\xdef\csname stp@\text@name\endcsname{\the\z@}\fi} + +% Verlaengerungs-Striche abschliessen: +\def\lyrruleend{\forall@verses\lyrrule@end} + +\def\lyrrule@end{% + \expandafter\ifcase\csname zwr@\text@name\endcsname + % 0 -> kommt nicht vor + \or + % 1 -> Strich anhaengig: + \roff{% Zum rechten Notenkopf-Rand + \limit@lyrpos\get@lyrspace \print@lyr@rule + % Zwischenraum-Startposition festhalten, wenn Wort nicht nach + % rechts darueber hinausragt: + \getcurpos + \ifdim\csname stp@\text@name\endcsname < \y@v + \expandafter\xdef\csname stp@\text@name\endcsname{\the\y@v}% + \fi}% + % Einstellung zuruecksetzen: + \expandafter\gdef\csname zwr@\text@name\endcsname{0}% + \or + % 2 -> Bindestrich anhaengig -> nichts tun + \or + % 3 -> fortgesetzter Bindestrich anhaengig + % -> Einstellung fuer Bindestrich-Einfuegen an nächster Note setzen + \expandafter\gdef\csname zwr@\text@name\endcsname{2}% + \fi} + +\def\print@lyr@rule{% + % Kleiner Zwischenraum zur vorherigen Silbe: + \advance\y@v -2pt + \ifdim \y@v > \minlyrrulelength + \llap{\vrule\@width\y@v\@height\lthick\@depth0pt}% + \fi} + + +%%%%%%%%%% +% +% Textstellen per Label anspringen +% +%%%%%%%%%% +\def\llabel#1{}% Damit Kennzeichnung bei der Ausgabe ohne Effekt bleibt + +\def\golyr#1{\forall@verses{\@golyr{#1}}} + +\def\@golyr#1{{% + \expandafter\let\expandafter\@nochtext\csname dertext@\text@name\endcsname + \def\query@label{#1}% + \loop + \expandafter\find@llabel\@nochtext\ende + \ifx\query@label\cur@label\let\@weiter n\else \let\@weiter j\fi + \if\@weiter j\repeat + \expandafter\global\expandafter\let + \csname nochtext@\text@name\endcsname\@nochtext}} + +\def\find@llabel#1\llabel#2#3\ende{% + % #1 - Text vor erstem \llabel + % #2 - naechstfolgender \llabel-Name + % #3 - Resttext + \def\cur@label{#2}% + \def\@nochtext{#3}} + + +%%%%%%%%%% +% +% Offene Silbentrennungen und -verlaengerungen am Systemende abschliessen +% +%%%%%%%%%% +\let\@orig@z@suspend\z@suspend +\def\z@suspend{% + \znotes\sysend@lyrics\empty\en + \znotes\sysend@lyrics\auxlyr\en + \@orig@z@suspend} + +\def\sysend@verse{% + % Flag auswerten: + \ifnum\csname zwr@\text@name\endcsname = 1 % Verlaengerungs-Strich anhaengig + % Platz zum rechten Systemrand, damit Strich nicht in Taktstrich ragt + \loffset{0.3}{\limit@lyrpos\get@lyrspace\print@lyr@rule}% + \else\ifnum\csname zwr@\text@name\endcsname > 1 % Bindestrich anhaengig: + \csname llay@\text@name\endcsname% Layoutkontext abrufen + \limit@lyrpos\get@lyrspace\print@hyphen + % als forgesetzten Bindestrich fortfuehren + \expandafter\gdef\csname zwr@\text@name\endcsname{3}% + \fi\fi + % Startposition fuer naechstes System zuruecksetzen: + \expandafter\xdef\csname stp@\text@name\endcsname{\lyrlinestartpos}} + +\def\sysend@lyrics#1{% + % #1: \auxlyr or \empty + #1{\let\switch@pmx@aux\empty \forall@verses\sysend@verse}% + \if@multistaff + % loop over staves of instrument + \ifnum \noport@@ < \st@ffs + \def\@next{\nextstaff\sysend@lyrics#1}% + \else % staves of instrument finished; continue with next instrument + \sysend@lyrics@instrum@loop#1% + \fi + \else % single-staff instrument + \sysend@lyrics@instrum@loop#1% + \fi + % iterate + \@next} + +\def\sysend@lyrics@instrum@loop#1{% + % prepare instruments loop + \ifnum \noinstrum@nt < \nbinstruments + \def\@next{\nextinstrument\sysend@lyrics#1}% + \else % \noinstrum@nt >= \nbinstruments + \let\@next\empty + \fi} + + +%%%%%%%%%% +% +% Zeilenspezifisches Layout festlegen +% +%%%%%%%%%% +\def\lyrlayout#1{% + \forall@verses{% + \expandafter\gdef\csname llay@\text@name\endcsname{#1}% + % Wenn gerade Text verarbeitet wird, Kontext sofort abrufen: + \iflyr@processing #1\fi}} + +% +% Kontextbehandlung fuer Textnamen: +% +% Aktion zu Kontext hinzufuegen: +\def\add@context#1{% + \toks@=\expandafter\expandafter\expandafter + {\csname cont@\text@name\endcsname #1}% + \expandafter\xdef\csname cont@\text@name\endcsname{\the\toks@}} + +% Kontext abrufen: +\def\@context{% + \expandafter\let\expandafter\der@kontext\csname cont@\text@name\endcsname + \clear@context + \der@kontext} + +% Kontext loeschen: +\def\clear@context{% + \global\expandafter\let\csname cont@\text@name\endcsname\empty} + + +%%%%%%%%%% +% +% Zusaetzliche Textzeilen oberhalb der Notenzeile (auxiliary lyrics) +% +%%%%%%%%%% +\let\enableauxlyrics\empty % just for backward compatibility + +% Befehle auf auxlyrics beziehen: +\def\auxlyr#1{{% + \def\ma@sw{lyr@a}% + \aux@activetrue + #1}} + + +%%%%%%%%%% +% +% vertical lyrics positioning +% +%%%%%%%%%% +\def\lyrraise#1{% + % #1: instrument number + \lyrraisemulti{#1}1} + +\def\lyrraisehere#1{% + % #1: position/offset + \switch@pmx@aux{% + \ifnum\st@ffs>1 % multi-staff instrument + \lyrraisemulti{\the\noinstrum@nt}{\the\noport@@}{#1}% + \else + \lyrraise{\the\noinstrum@nt}{#1}% + \fi}} + +\def\lyrraisemulti#1#2#3{% + % #1: instrument number + % #2: staff of instrument + % #3: position/offset + \toks@=\expandafter{\csname l@raise#1-#2\endcsname}% + \expandafter\ifx\the\toks@\relax + % raise parameter still unset + \expandafter\lyrraise@init\the\toks@ + \fi + % now set raise parameter + \expandafter\expandafter\expandafter + \lyr@raise@multii\the\toks@\@end{#1}{#2}{#3}% + %\lyrlog{raise #1-#2: \expandafter\empty\the\toks@}% +} + +\def\lyr@raise@multii#1@#2\@end#3#4#5{% + % #1: current main position/offset + % #2: current aux position/offset + % #3: instrument number + % #4: staff of instrument + % #5: new position/offset + \expandafter\xdef\csname l@raise#3-#4\endcsname{% + \ifaux@active #1@#5\else #5@#2\fi}} + +% be backward compatible +\let\setsongraise@orig\setsongraise +\def\setsongraise#1#2{\setsongraise@orig{#1}{#2}\lyrraise{#1}{b#2}} +\def\auxsetsongraise#1#2{\auxlyr{\lyrraise{#1}{b#2}}} + + +\def\lyrraise@init#1{% + % #1: control sequence to be set to default value + \gdef#1{b0pt@a0pt}} + + +% vertically place lyrics columns +% replaces MusiXTeX's \C@tx +\def\vplace@lyrics#1{% + % find out applicable positioning settings + \edef\placelyr@staff{\ifnum\st@ffs>1 \the\noport@@ \else 1\fi}% + \toks@=\expandafter + {\csname l@raise\the\noinstrum@nt-\placelyr@staff\endcsname}% + % eventually initialize lyrraise setting first + \expandafter\ifx\the\toks@\relax % lyrraise still unset + \expandafter\lyrraise@init\the\toks@ + \fi + \expandafter\expandafter\expandafter\vplace@lyricsii\the\toks@\@end{#1}} + +\def\vplace@lyricsii#1#2@#3#4\@end#5{% + % #1: main lyrics positioning switch (a/b) + % #2: main lyrics raise value + % #3: aux lyrics positioning switch (a/b) + % #4: aux lyrics raise value + % #5: lyrics material to be issued + % + % decice main/aux context + % + \ifaux@active \let\lyr@ab#3\toks@={#4}% + \else \let\lyr@ab#1\toks@={#2}% + \fi + % + % decide placement situation: above/below/in-mid of system or instrument + % + \if\lyr@ab a% above staff + \ifnum\placelyr@staff<\st@ffs % non-highest staff of multiple staves + \vplaceLyricsAboveMultistaff{#5}% + \else % single or highest staff of instrument + \ifnum\noinstrum@nt<\nbinstruments % lyrics go above instrument + \vplaceLyricsAboveInstrument{#5}% + \else % lyrics go into top margin + \vplaceLyricsTopMargin{#5}% + \fi + \fi + \else % below staff + \ifnum\placelyr@staff>1 % non-lowest staff of multiple staves + \vplaceLyricsBelowMultistaff{#5}% + \else % single or lowest staff of instrument + \ifnum\noinstrum@nt>1 % lyrics go below instrument + \vplaceLyricsBelowInstrument{#5}% + \else % lyrics go into bottom margin + \vplaceLyricsBottomMargin{#5}% + \fi + \fi + \fi} + +% +% user-supersedable placement calculations +% +\def\vplaceLyricsBelowMultistaff#1{% + % #1: lyrics material + % reduced \C@Tx algorithm + \y@iv=\the\toks@\relax + \C@Inter % compute \stem@skip (?) + \advance\y@iv -0.5\stem@skip + \raise\y@iv\vbox\@to\z@{\vss\offinterlineskip#1\vss}} + +\def\vplaceLyricsAboveMultistaff#1{% + % #1: lyrics material + % reduced \C@Tx algorithm + \y@iv=\the\toks@\relax + \C@Inter % compute \stem@skip (?) + \advance\y@iv -0.5\stem@skip + % add height difference to base line of upper staff + \advance\y@iv \interportee + \raise\y@iv\vbox\@to\z@{\vss\offinterlineskip#1\vss}} + +\def\vplaceLyricsBottomMargin#1{% + % #1: lyrics material + % based on \C@tx + \y@iv=\the\toks@\relax + \advance\y@iv -\staffbotmarg + \raise\y@iv\vbox\@to\z@{\vss\offinterlineskip#1\vss}} + +\def\vplaceLyricsTopMargin#1{% + % #1: lyrics material + % based on \C@tx, "mirrored" bottom margin situation + \begingroup % seems to be necessary to make \Comp@High local; + % problem occurred with helper lines for low/high notes + \y@iv=\the\toks@\relax + \advance\y@iv \stafftopmarg + \Comp@High \advance\y@iv\y@v % \y@v = total height of instrument + \advance\y@iv \altitude % for multi-staff: + \advance\y@iv-\altportee % reduce by base height of current staff + \raise\y@iv\vbox\@to\z@{\vss\offinterlineskip#1\vss}% + \endgroup} + +\def\vplaceLyricsBelowInstrument#1{% + % #1: lyrics material + % assumption: \noinstrum@nt > 1 + % based on \C@tx + \y@iv=\the\toks@\relax + \multiply\y@iv 2 % balance division by 2 below + \advance\noinstrum@nt\m@ne + \advance\y@iv -\csname interinstrument\romannumeral\noinstrum@nt\endcsname + \C@Inter % compute \stem@skip (?) + \advance\y@iv -\stem@skip + \divide\y@iv\tw@ + \advance\noinstrum@nt\@ne + \raise\y@iv\vbox\@to\z@{\vss\offinterlineskip#1\vss}} + +\def\vplaceLyricsAboveInstrument#1{% + % #1: lyrics material + % assumption: \noinstrum@nt < \nbinstruments + % analogous to \C@tx, but refers to upper instrument instead + \y@iv=\the\toks@\relax + \multiply\y@iv 2 % balance division by 2 below + \advance\y@iv -\csname interinstrument\romannumeral\noinstrum@nt\endcsname + \C@Inter % compute \stem@skip (?) + \advance\y@iv -\stem@skip + \divide\y@iv\tw@ + % add height difference to base line of upper instrument + \begingroup + \advance\y@iv-\altportee \advance\noinstrum@nt\@ne \s@l@ctinstr + \advance\y@iv \altitude + \raise\y@iv\vbox\@to\z@{\vss\offinterlineskip#1\vss}% + \endgroup} + + +%\def\C@tx{% +% \ifnum\noinstrum@nt=\@ne +% \y@iv\staffbotmarg +% \else +% \advance\noinstrum@nt\m@ne +% \y@iv\csname interinstrument\romannumeral\noinstrum@nt\endcsname +% \C@Inter % compute \stem@skip +% \advance\y@iv\stem@skip +% \divide\y@iv\tw@ +% \advance\noinstrum@nt\@ne +% \fi +% \advance\y@iv-\csname T@R\romannumeral\noinstrum@nt\endcsname +% \lower\y@iv\uplap} +%\def\uplap#1{\vbox\@to\z@{\vss#1}} + + +%%%%%%%%%% +% +% Textsatz-Automatik +% +%%%%%%%%%% +% Text automatisch unter alle "spacing"-Noten eines Systems: +\let\orig@writ@note\writ@note +\def\writ@note{% + \ifnum\n@i<\@c % Bedingung fuer's Notenschreiben in \writ@note (warum?) +% \ifx\st@m\beamst@m +% \uptext{\csname s@bl\balken@nr\endcsname}% +% \else + \decide@lyrmode + \main@aux@or@not{\forall@verses{\@context\evtl@next@lyr}}% +% \fi + \fi + \orig@writ@note} + +\def\lyrmode@no {\def\main@aux@or@not##1{}} +\def\lyrmode@main{\def\main@aux@or@not##1{##1}} +\def\lyrmode@aux {\let\main@aux@or@not\auxlyr} +\let\pmx@auxmode\lyrmode@aux + +% Feststellen, ob Haupt- oder Nebentext oder gar nichts gesetzt werden soll: +\ifx\nextvoice\undefined % ohne PMX + \def\decide@lyrmode{% + \call@lyrmode + \if@lyrmode \decide@stem@direction % Notenhals-Automatik + \else % manuell, nur "spacing"-Noten + \ifadvance \lyrmode@main + \else \lyrmode@no + \fi + \fi} + \def\decide@stem@direction{% + \ifx\st@m\upst@m \lyrmode@aux \else + \ifx\st@m\up@flag \lyrmode@aux \else + \ifx\st@m\downst@m \lyrmode@main\else + \ifx\st@m\down@flag\lyrmode@main\else + \ifx\st@m\setst@m \lyrmode@no \else % kein Hals + \ifx\st@m\resetst@m\lyrmode@no \else + \ifx\st@m\beamst@m + \expandafter\ifx\csname s@bl\balken@nr\endcsname o\lyrmode@aux + \else\lyrmode@main + \fi + \else\errmessage{invalid \string\st@m\space setting}% + \fi\fi\fi\fi\fi\fi\fi} +\else % mit PMX + \def\decide@lyrmode{% + \ifadvance % nur "spacing"-Noten + \call@lyrmode + \if@pmx@nextvoice % Oberstimme + \if@lyrmode\lyrmode@main \else\pmx@auxmode \fi + \else % Unterstimme + \if@lyrmode\pmx@auxmode \else\lyrmode@main \fi + \fi + \else + \lyrmode@no % non-spacing Note + \fi} + \let\orig@nextvoice\nextvoice % \nextvoice erweitern + \def\nextvoice{\orig@nextvoice\@pmx@nextvoicetrue} +\fi + +\def\call@lyrmode{% activate lyrmode setting of current staff/instrument + \ifnum\st@ffs>1 % multi-staff instrument + \csname zlm@\the\noinstrum@nt-\the\noport@@\endcsname + \else % single-staff instrument + \csname zlm@\the\noinstrum@nt-1\endcsname + \fi} + +\def\switch@pmx@aux#1{% + % using PMX, automatically activate auxlyr context for #1 after \nextvoice + \ifx\nextvoice\undefined % not using PMX + #1% + \else % using PMX + \call@lyrmode + \if@pmx@nextvoice % upper PMX voice + \if@lyrmode\lyrmode@main \else\pmx@auxmode \fi + \else % lower PMX voice + \if@lyrmode\pmx@auxmode \else\lyrmode@main \fi + \fi + \main@aux@or@not{#1}% + \fi} + + + +% lyrmode umschalten: +\def\switch@lyrmode#1#2#3{% + % #1: instrument number + % #2: staff-of-instrument number + % #3: lyrmode setting + \ifnum#1=0 % % alle Zeilen einbeziehen + \switch@lyrmode@all@instrum#3% + \else % nur 1 Zeile + \global\expandafter\let\csname zlm@#1-#2\endcsname=#3% + \fi} + +% loop over all possible instruments +\def\switch@lyrmode@all@instrum#1{% + \m@loop \switch@lyrmode@all@staves#1\repeat} + +% loop over 4 possible staves of instrument +\def\switch@lyrmode@all@staves#1{% + \begingroup + \count@=0 + \loop + \advance\count@ 1 + \switch@lyrmode{\the\noinstrum@nt}{\the\count@}#1% + \ifnum\count@<4 \repeat + \endgroup} +% ... nicht wahnsinnig effizient, zugegeben ... + + +\def\lyrmodenormal#1{\lyrmodenormalmulti{#1}1} +\def\lyrmodealter #1{\lyrmodealtermulti {#1}1} + +\def\lyrmodenormalmulti#1#2{\switch@lyrmode{#1}{#2}\@lyrmodefalse} +\def\lyrmodealtermulti #1#2{\switch@lyrmode{#1}{#2}\@lyrmodetrue } + +\def\lyrmodenormalhere{\lyrmode@here\@lyrmodefalse} +\def\lyrmodealterhere {\lyrmode@here\@lyrmodetrue } + +\def\lyrmode@here#1{% apply lyrmode to current instrument/staff context + % #1: lyrmode switch + \if@multistaff + \switch@lyrmode{\the\noinstrum@nt}{\the\noport@@}#1% + \else + \switch@lyrmode{\the\noinstrum@nt}1#1% + \fi} + +\lyrmodenormal0 % auf "normal" initialisieren + +% fuer Halsrichtungs-Automatik: Balkenlage in \s@bl vermerken +\def\balk@nlage#1{\global\expandafter\let + \csname s@bl\balken@nr\endcsname #1\relax} +\let\orig@i@bu\i@bu \def\i@bu{\balk@nlage o\orig@i@bu}% ben +\let\orig@i@bl\i@bl \def\i@bl{\balk@nlage u\orig@i@bl}% nten + +\let\orig@s@l@ctbeam\s@l@ctbeam +\def\s@l@ctbeam#1\relax{\orig@s@l@ctbeam#1\relax \xdef\balken@nr{\number\n@i}} + + +% Auto-Text ein- und ausschalten (innerhalb \notes...\enotes): +\def\lyricson{\forall@verses{\add@context\verse@on@context}} +\def\verse@on@context{% + \let\evtl@next@lyr\next@lyr + \add@context\verse@on@context} + +\def\lyricsoff{\forall@verses\clear@context} + +\def\lyric {\let\evtl@hyph\@hyphenfalse\futurelet\ast@risk\lyric@i} +\def\lyrich{\let\evtl@hyph\@hyphentrue \futurelet\ast@risk\lyric@i} + +\def\lyric@i{% + \ifx\ast@risk*% + \let\evtl@nolyr\relax \let\@next\lyric@ii + \else + \let\evtl@nolyr\nolyr \def\@next{\nolyr\lyric@ii*}% + \fi + \@next} + +% Silben abseits vom Haupttext ausgeben: +\def\lyric@ii*#1{\forall@verses{\@context\evtl@hyph\@lyric{#1}}\evtl@nolyr} + +% Manipulationen einzelner Haupttext-Silben: +\def\forall@context#1{\forall@verses{\add@context{#1}}} + +% 1 Silbe ausgeben: +\def\lyr{\forall@verses{\@context\next@lyr}} + +% Linksbuendig: +\def\llyr{\forall@context{\leftlyrtrue}} + +% Verlaengerungs-Strich: +\def\lyrrule{\forall@context{\@strichtrue}} + +% Horizontale Verschiebung (analog \roffset): +\def\lyroffset#1{\forall@context{\def\evtl@offset{\roffset{#1}}}} + +% Kein automatischer Text: +\def\nolyr{\forall@context{\let\evtl@next@lyr\empty}} + +% Kleinbuchstaben: +\def\lclyr{\forall@context{\let\evtl@klein\@klein}} +\def\@klein#1{\lowercase\expandafter{#1}} + +% Satzzeichen anhaengen: +\def\lyrpt#1{\forall@context{\def\evtl@komma{#1}}} + +% Punkt vom Ende abschneiden: +\def\lyrnop{\forall@context{\let\evtl@punktweg\@punktweg}} +\def\@punktweg#1{{\punktweg@rek#1\ende}} +\def\punktweg@rek#1#2\ende{% + \def\par@ii{#2}% + \ifx\par@ii\empty\else + \aftergroup#1% + \expandafter\punktweg@rek\par@ii\ende + \fi} + +% Melisma beginnen und abschliessen: +\def\beginmel{\forall@verses{\llyr\lyrrule\add@context\lyricsoff}} +\def\endmel{\forall@verses{\lyrruleend\add@context\lyricson}} + +% +% Bindebogen unter zwei Silben derselben Note: +% +\def\lyrlink {\lyr@link0} +\def\lowlyrlink{\lyr@link1} + +\def\lyr@link#1{% + % Bogen erstellen: + \setbox\lyr@linkbox=\hbox{$\smile$}% + % In Box der Breite eines Wortzwischenraums einsetzen: + \setbox\lyr@linkbox=\hbox to\the\fontdimen2\the\font{% + \hss + % Unter die Grundlinie druecken: + \lower\ht\lyr@linkbox\hbox{% + % Zusaetzlicher vertikaler Abstand zur Wortunterseite: + \lower1pt\hbox{% + \if#10\relax + \hbox{$\smile$}% + \else + % Buchstabe mit Unterlaenge -> auch darunter druecken: + \setbox\lyr@linkdepthbox=\hbox{y}% + \lower\dp\lyr@linkdepthbox\hbox{$\smile$}% + \fi}}% + \hss}% + % Keine zusaetzliche Tiefe fuer Bogen anrechnen: + \dp\lyr@linkbox=0pt + % Bogen setzen: + \box\lyr@linkbox} + +\makeatother diff --git a/macros/generic/musixtex/tex/musixmad.tex b/macros/generic/musixtex/tex/musixmad.tex new file mode 100644 index 0000000000..6d29d3cd84 --- /dev/null +++ b/macros/generic/musixtex/tex/musixmad.tex @@ -0,0 +1,30 @@ +% +% This file is part of MusiXTeX +% +% MusiXTeX is free software; you can redistribute it and/or modify +% it under the terms of the GNU General Public License as published by +% the Free Software Foundation; either version 2, or (at your option) +% any later version. +% +% MusiXTeX is distributed in the hope that it will be useful, +% but WITHOUT ANY WARRANTY; without even the implied warranty of +% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the +% GNU General Public License for more details. +% +% You should have received a copy of the GNU General Public License +% along with MusiXTeX; see the file COPYING. If not, write to +% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, +% Boston, MA 02111-1307, USA. +% +% +% musixmad.tex : allocate registers for more additional instruments +% +\immediate\write16{MusiXMore ADditional instruments T.115 <19 Nov 2010>}% +% +% +% setup the maximum element numbers +\setmaxinstruments{12}% +\setmaxgroups{4}% +\setmaxslurs\maxinstruments +% +\endinput diff --git a/macros/generic/musixtex/tex/musixmkm.tex b/macros/generic/musixtex/tex/musixmkm.tex new file mode 100644 index 0000000000..1aca900845 --- /dev/null +++ b/macros/generic/musixtex/tex/musixmkm.tex @@ -0,0 +1,54 @@ +% +% This file is part of MusiXTeX +% +% MusiXTeX is free software; you can redistribute it and/or modify +% it under the terms of the GNU General Public License as published by +% the Free Software Foundation; either version 2, or (at your option) +% any later version. +% +% MusiXTeX is distributed in the hope that it will be useful, +% but WITHOUT ANY WARRANTY; without even the implied warranty of +% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the +% GNU General Public License for more details. +% +% You should have received a copy of the GNU General Public License +% along with MusiXTeX; see the file COPYING. If not, write to +% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, +% Boston, MA 02111-1307, USA. +% +\immediate\write16{MusiXMaKaM v.001\space<2022-12-25>}% + +\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 +\catcodesmusic + + +\font\fetaeleven=feta20 scaled \magstephalf +\font\fetathirteen=feta20 scaled \magstep1 +\font\fetasixteen=feta20 scaled \magstep2 +\font\fetatwenty=feta20 scaled \magstep3 +\font\fetatwentyfour=feta20 scaled \magstep4 +\font\fetatwentynine=feta20 scaled \magstep5 + +\let\fetanorfont\fetatwenty +\def\fetachar{\fetafont\char} + + +\def\writ@ka{\pl@base\raise\y@i\llap{\fetachar\n@v\kern\accshift}} +\def\set@ka{\let\@Ti=\writ@ka} + +\def\shtanini#1{\set@ka \n@v30 \check@staff \inhgetn@i#1\relax\expandafter\@Ti\fi} +\def\shbuyukmucenneb#1{\set@ka \n@v26 \check@staff \inhgetn@i#1\relax\expandafter\@Ti\fi} +\def\shkucuk#1{\set@ka \n@v27 \check@staff \inhgetn@i#1\relax\expandafter\@Ti\fi} +\def\shbakiye#1{\set@ka \n@v20 \check@staff \inhgetn@i#1\relax\expandafter\@Ti\fi} +\def\shkoma#1{\set@ka \n@v25 \check@staff \inhgetn@i#1\relax\expandafter\@Ti\fi} +\def\flkoma#1{\set@ka \n@v45 \check@staff \inhgetn@i#1\relax\expandafter\@Ti\fi} +\def\flbakiye#1{\set@ka \n@v42 \check@staff \inhgetn@i#1\relax\expandafter\@Ti\fi} +\def\flkucuk#1{\set@ka \n@v37 \check@staff \inhgetn@i#1\relax\expandafter\@Ti\fi} +\def\flbuyukmucenneb#1{\set@ka \n@v43 \check@staff \inhgetn@i#1\relax\expandafter\@Ti\fi} +\def\fltanini#1{\set@ka \n@v47 \check@staff \inhgetn@i#1\relax\expandafter\@Ti\fi} + +\let\fetafont\fetanorfont + +\endcatcodesmusic +\catcode`\@=\catcodeat +\endinput diff --git a/macros/generic/musixtex/tex/musixmtab.tex b/macros/generic/musixtex/tex/musixmtab.tex new file mode 100644 index 0000000000..087395a2a9 --- /dev/null +++ b/macros/generic/musixtex/tex/musixmtab.tex @@ -0,0 +1,166 @@ +% musixmtab.tex : modern tablature definitions for MusiXTeX +% +% usage: +% +% \input musixtex +% \input musixmtab +% ... +% +% musixmtab.tex is free software; you can redistribute it and/or modify +% it under the terms of the GNU General Public License as published by +% the Free Software Foundation; either version 2, or (at your option) +% any later version. +% +% musixmtab.tex is distributed in the hope that it will be useful, +% but WITHOUT ANY WARRANTY; without even the implied warranty of +% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the +% GNU General Public License for more details. +% +% You should have received a copy of the GNU General Public License +% along with MusiXTeX; see the file COPYING. If not, write to +% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, +% Boston, MA 02111-1307, USA. +% +% Copyright 2023 Bob Tennent rdtennent@gmail.com +% + +\immediate\write16{musixmtab\space<2023/07/21>} +\ifx\undefined\startpiece\errmessage{Input musixtex.tex before musixmtab.tex}\fi + +\makeatletter + + +% Assumption: there is at most one beam and it is a lower beam + +% like \downst@m but with quarter skip; used in \uq +\def\midst@m{\stem@skip\qd@skip + \divide\stem@skip by 4 + \advance\st@bot-\stemfactor\interbeam + \advance\st@bot-\altportee + \ifx\st@mcut\empty + \ifdim\st@bot<-\thr@@\internote + \cutst@l\thr@@\cutst@l\f@ur\cutst@l\fiv@ + \cutst@l\si@\cutst@l\s@v@n\cutst@l\@ight \fi \fi + \minst@bot\advance\st@bot\altportee + \C@stem} + + +% a half note (boxed) +% argument 1 is the string number +% argument 2 is the note number +\def\uh#1#2{% + \boxitsep=1pt% + \setbox0=\hbox{\raise-0.25\internote\hbox{\boxit{\tabsmallfnt #2}}}% + \stringraise\nblines% + \advance\stringraise by -#1% + \multiply\stringraise by 2% + \advance\stringraise-1% + \advancefalse\def\q@u{}\loffset{0.2}{\@nq{\the\stringraise}}% + \special{ps: 1 setgray}% + \zchar{\the\stringraise}{\vrule height \ht0 width \wd0 depth \dp0}% + \special{ps: 0 setgray}% + \zchar{\the\stringraise}{\box0}% + \n@i\stringraise% + \def\q@u{}\let\st@m\downst@m\let\n@sym\q@u% + \y@v\qn@width\writ@note% +} + +% a non-spacing stemless half note +% argument 1 is the string number +% argument 2 is the note number +\def\zuh#1#2{% + \boxitsep=1pt% + \setbox0=\hbox{\raise-0.25\internote\hbox{\boxit{\tabsmallfnt #2}}}% + \stringraise\nblines% + \advance\stringraise by -#1% + \multiply\stringraise by 2% + \advance\stringraise-1% + \advancefalse\def\q@u{}\loffset{0.2}{\@nq{\the\stringraise}}% + \special{ps: 1 setgray}% + \zchar{\the\stringraise}{\vrule height \ht0 width \wd0 depth \dp0}% + \special{ps: 0 setgray}% + \zchar{\the\stringraise}{\box0}% +} + +% a quarter note (with a centered stem) +% argument 1 is the string number +% argument 2 is the note number +\def\uq#1#2{% + \zltab{#1}{#2}% + \stringraise\nblines% + \advance\stringraise by -#1% + \multiply\stringraise by 2% + \advance\stringraise-1% + \n@i\stringraise% + \def\q@u{}\let\st@m\midst@m\let\n@sym\q@u% + \y@v\qn@width\writ@note% +} + +% an eighth note (with a flag) +% argument 1 is the string number +% argument 2 is the note number +\def\uc#1#2{% + \zltab{#1}{#2}% + \stringraise\nblines% + \advance\stringraise by -#1% + \multiply\stringraise by 2% + \n@i\stringraise% + \def\q@u{}\n@vii\@xlv\let\st@m\down@flag% + \let\n@sym\q@u\y@v\qn@width\writ@note% +} + +% a non-spacing stemless quarter or eighth note +% argument 1 is the string number +% argument 2 is the note number +\def\zu#1#2{\zltab{#1}{#2}}% + +% initiate a beam +% argument 1 is a string number +% argument 2 is the slope +\def\uib#1#2{% + \stringraise\nblines% + \advance\stringraise by -#1% + \multiply\stringraise by 2% + \ibl0{\the\stringraise}{#2}% +} + +% initiate a double beam +% argument 1 is a string number +% argument 2 is the slope +\def\uibb#1#2{% + \stringraise\nblines% + \advance\stringraise by -#1% + \multiply\stringraise by 2% + \ibbl0{\the\stringraise}{#2}% +} + +% a beam note +% argument 1 is the string number +% argument 2 is the note number +\def\ub#1#2{% + \zltab{#1}{#2}% + \s@l@ctbeam{0}\relax% + \stringraise\nblines% + \advance\stringraise by -#1% + \multiply\stringraise by 2% + \n@i\stringraise% + \def\q@u{}\let\st@m\beamst@m% + \let\n@fon\g@q\let\n@sym\q@u\y@v\qn@width\writ@note% +} + +% increase the beam multiplicity to 2 +\def\unbb{\nbbl0} + +% decrease the beam multiplicity to one after the following note +\def\utbb{\tbbl0} + +% terminate the beam after the following note +\def\utb{\tbl0} + +% terminate the beam at this note +% argument 1 is the string number +% argument 2 is the note number +\def\utq#1#2{\utb\ub{#1}{#2}} + +\makeatother +\endinput diff --git a/macros/generic/musixtex/tex/musixper.tex b/macros/generic/musixtex/tex/musixper.tex new file mode 100644 index 0000000000..47ad54e644 --- /dev/null +++ b/macros/generic/musixtex/tex/musixper.tex @@ -0,0 +1,195 @@ +% +% This file is part of MusiXTeX +% +% MusiXTeX is free software; you can redistribute it and/or modify +% it under the terms of the GNU General Public License as published by +% the Free Software Foundation; either version 2, or (at your option) +% any later version. +% +% MusiXTeX is distributed in the hope that it will be useful, +% but WITHOUT ANY WARRANTY; without even the implied warranty of +% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the +% GNU General Public License for more details. +% +% You should have received a copy of the GNU General Public License +% along with MusiXTeX; see the file COPYING. If not, write to +% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, +% Boston, MA 02111-1307, USA. +% +\ifx\undefined\drumclef \else \endinput \fi + +\immediate\write16{MusiXPERcussion T.60\space<27 September 2010>}% + +\ifx\undefined\dqb + \input musixdia +\fi + +\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 + +% if you need pointed percussion notes, say '\p[p][p]t n\xqu n' or '\xqu{.n}' +% if you need them more often define them by your one + +\def\drumclef{\raise2\internote\hbox{\keychar77}} + +%%% notes with a circled diagonal cross head, for closed hihat ... + +\def\dc@symbol{\def\q@u{\musixchar113}} + +\def\dcqu{\dc@symbol\@qu} +\def\dcql{\dc@symbol\@ql} + +\def\dcqb{\dc@symbol\@qb} + +\def\dczq{\dc@symbol\@zq} + +\def\dccu{\dc@symbol\@cu} +\def\dcccu{\dc@symbol\@ccu} +%\def\dccccu{\dc@symbol\@cccu} +%\def\dcccccu{\dc@symbol\@ccccu} +\def\dccl{\dc@symbol\@cl} +\def\dcccl{\dc@symbol\@ccl} +%\def\dccccl{\dc@symbol\@cccl} +%\def\dcccccl{\dc@symbol\@ccccl} + +%%% notes with a diagonal cross half circle head, for half open hihat ... + +\def\dh@symbol{\def\q@u{\musixchar112}} + +\def\dhqu{\dh@symbol\@qu} +\def\dhql{\dh@symbol\@ql} + +\def\dhqb{\dh@symbol\@qb} + +\def\dhzq{\dh@symbol\@zq} + +\def\dhcu{\dh@symbol\@cu} +\def\dhccu{\dh@symbol\@ccu} +%\def\dhcccu{\dh@symbol\@cccu} +%\def\dhccccu{\dh@symbol\@ccccu} +\def\dhcl{\dh@symbol\@cl} +\def\dhccl{\dh@symbol\@ccl} +%\def\dhcccl{\dh@symbol\@cccl} +%\def\dhccccl{\dh@symbol\@ccccl} + +%%% notes with a diagonal cross head, for open hihat ... + +\def\do@symbol{\def\q@u{\musixchar111}} + +\def\doqu{\do@symbol\@qu} +\def\doql{\do@symbol\@ql} + +\def\doqb{\do@symbol\@qb} + +\def\dozq{\do@symbol\@zq} + +\def\docu{\do@symbol\@cu} +\def\doccu{\do@symbol\@ccu} +%\def\docccu{\do@symbol\@cccu} +%\def\doccccu{\do@symbol\@ccccu} +\def\docl{\do@symbol\@cl} +\def\doccl{\do@symbol\@ccl} +%\def\docccl{\do@symbol\@cccl} +%\def\doccccl{\do@symbol\@ccccl} + +%%% notes with a doublesharp-head + +\def\x@symbol{\def\q@u{\musixchar114}} + +\def\xqu{\x@symbol\@qu} +\def\xql{\x@symbol\@ql} + +\def\xqb{\x@symbol\@qb} + +\def\xzq{\x@symbol\@zq} + +\def\xcu{\x@symbol\@cu} +\def\xccu{\x@symbol\@ccu} +%\def\xcccu{\x@symbol\@cccu} +%\def\xccccu{\x@symbol\@ccccu} +\def\xcl{\x@symbol\@cl} +\def\xccl{\x@symbol\@ccl} +%\def\xcccl{\x@symbol\@cccl} +%\def\xccccl{\x@symbol\@ccccl} + +%%% notes with a circled doublesharp-head + +\def\ox@symbol{\def\q@u{\musixfont\@cxv}} + +\def\oxqu{\ox@symbol\@qu} +\def\oxql{\ox@symbol\@ql} + +\def\oxqb{\ox@symbol\@qb} + +\def\oxzq{\ox@symbol\@zq} + +\def\oxcu{\ox@symbol\@cu} +\def\oxccu{\ox@symbol\@ccu} +%\def\oxcccu{\ox@symbol\@cccu} +%\def\oxccccu{\ox@symbol\@ccccu} +\def\oxcl{\ox@symbol\@cl} +\def\oxccl{\ox@symbol\@ccl} +%\def\oxcccl{\ox@symbol\@cccl} +%\def\oxccccl{\ox@symbol\@ccccl} + +%%% notes with a RhOmbus head, for shaker ... + +\def\r@symbol{\def\q@u{\musixchar118}} + +\def\roqu{\r@symbol\@qu} +\def\roql{\r@symbol\@ql} + +\def\roqb{\r@symbol\@qb} + +\def\rozq{\r@symbol\@zq} + +\def\rocu{\r@symbol\@cu} +\def\roccu{\r@symbol\@ccu} +%\def\rocccu{\r@symbol\@cccu} +%\def\roccccu{\r@symbol\@ccccu} +\def\rocl{\r@symbol\@cl} +\def\roccl{\r@symbol\@ccl} +%\def\rocccl{\r@symbol\@cccl} +%\def\roccccl{\r@symbol\@ccccl} + +%%% notes with a TrianGle head, for rattle ... + +\def\t@symbol{\def\q@u{\musixchar116}} + +\def\tgqu{\t@symbol\@qu} +\def\tgql{\t@symbol\@ql} + +\def\tgqb{\t@symbol\@qb} + +\def\tgzq{\t@symbol\@zq} + +\def\tgcu{\t@symbol\@cu} +\def\tgccu{\t@symbol\@ccu} +%\def\tgcccu{\t@symbol\@cccu} +%\def\tgccccu{\t@symbol\@ccccu} +\def\tgcl{\t@symbol\@cl} +\def\tgccl{\t@symbol\@ccl} +%\def\tgcccl{\t@symbol\@cccl} +%\def\tgccccl{\t@symbol\@ccccl} + +%%% notes with a + head, for bongos ... + +\def\k@symbol{\def\q@u{\musixchar117}} + +\def\kqu{\k@symbol\@qu} +\def\kql{\k@symbol\@ql} + +\def\kqb{\k@symbol\@qb} + +\def\kzq{\k@symbol\@zq} + +\def\kcu{\k@symbol\@cu} +\def\kccu{\k@symbol\@ccu} +%\def\kcccu{\k@symbol\@cccu} +%\def\kccccu{\k@symbol\@ccccu} +\def\kcl{\k@symbol\@cl} +\def\kccl{\k@symbol\@ccl} +%\def\kcccl{\k@symbol\@cccl} +%\def\kccccl{\k@symbol\@ccccl} + +\catcode`\@=\catcodeat +\endinput diff --git a/macros/generic/musixtex/tex/musixplt.tex b/macros/generic/musixtex/tex/musixplt.tex new file mode 100644 index 0000000000..3e0b36aae1 --- /dev/null +++ b/macros/generic/musixtex/tex/musixplt.tex @@ -0,0 +1,184 @@ +% musixplt.tex : Palatino font definitions for MusiXTeX +% +% usage: +% +% \input musixtex +% \input musixplt +% ... +% +% MusiXplt.tex is free software; you can redistribute it and/or modify +% it under the terms of the GNU General Public License as published by +% the Free Software Foundation; either version 2, or (at your option) +% any later version. +% +% MusiXplt.tex is distributed in the hope that it will be useful, +% but WITHOUT ANY WARRANTY; without even the implied warranty of +% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the +% GNU General Public License for more details. +% +% You should have received a copy of the GNU General Public License +% along with MusiXTeX; see the file COPYING. If not, write to +% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, +% Boston, MA 02111-1307, USA. +% +% Copyright 2015-2017 Bob Tennent rdt@cs.queensu.ca +% +\immediate\write16{MusiXplt\space<2017/02/10>} +\ifx\undefined\startpiece\errmessage{Input musixtex.tex before musixplt.tex}\fi +% +% 7pt roman, bold, italic, bold italic, slanted and small-cap +\font\sevenrm=pplr8t at 7pt +\font\sevenbf=pplb8t at 7pt +\font\sevenit=pplri8t at 7pt +\font\sevenbi=pplbi8t at 7pt +\font\sevensc=pplrc9d at 7pt +% +% 8pt roman, bold, italic, bold italic, slanted and small-cap +\font\eightrm=pplr8t at 8pt +\font\eightbf=pplb8t at 8pt +\font\eightit=pplri8t at 8pt +\font\eightbi=pplbi8t at 8pt +\font\eightsc=pplrc9d at 8pt +% +% 9pt +\font\ninerm=pplr8t at 9pt +\font\ninebf=pplb8t at 9pt +\font\nineit=pplri8t at 9pt +\font\ninebi=pplbi8t at 9pt +\font\ninesc=pplrc9d at 9pt +% +% 10pt +\font\tenrm=pplr8t at 10pt +\font\tenbf=pplb8t at 10pt +\font\tenit=pplri8t at 10pt +\font\tenbi=pplbi8t at 10pt +\font\tensc=pplrc9d at 10pt +% +% 11pt +\font\elevenrm=pplr8t scaled \magstephalf +\font\elevenbf=pplb8t scaled \magstephalf +\font\elevenit=pplri8t scaled \magstephalf +\font\elevenbi=pplbi8t scaled \magstephalf +\font\elevensc=pplrc9d scaled \magstephalf +% +% 12pt +\font\twelverm=pplr8t scaled \magstep1 +\font\twelvebf=pplb8t scaled \magstep1 +\font\twelveit=pplri8t scaled \magstep1 +\font\twelvebi=pplbi8t scaled \magstep1 +\font\twelvesc=pplrc9d scaled \magstep1 +% +% 14pt +\font\frtrm=pplr8t scaled \magstep2 +\font\frtbf=pplb8t scaled \magstep2 +\font\frtit=pplri8t scaled \magstep2 +\font\frtbi=pplbi8t scaled \magstep2 +\font\frtsc=pplrc9d scaled \magstep2 +% +% 17pt +\font\svtrm=pplr8t scaled \magstep3 +\font\svtbf=pplb8t scaled \magstep3 +\font\svtit=pplri8t scaled \magstep3 +\font\svtbi=pplbi8t scaled \magstep3 +\font\svtsc=pplrc9d scaled \magstep3 +% +% 20pt +\font\twtyrm=pplr8t scaled \magstep4 +\font\twtybf=pplb8t scaled \magstep4 +\font\twtyit=pplri8t scaled \magstep4 +\font\twtybi=pplbi8t scaled \magstep4 +\font\twtysc=pplrc9d scaled \magstep4 +% +% 25pt +\font\twfvrm=pplr8t scaled \magstep5 +\font\twfvbf=pplb8t scaled \magstep5 +\font\twfvit=pplri8t scaled \magstep5 +\font\twfvbi=pplbi8t scaled \magstep5 +\font\twfvsc=pplrc9d scaled \magstep5 +% +% +% large fonts for titles +% (If you prefer bold, use \bf) +% (If you prefer roman, use \rm) +% +\def\bigtype{\bigfont\sc} +\def\Bigtype{\Bigfont\sc} +\def\BIgtype{\BIgfont\sc} +\def\BIGtype{\BIGfont\sc} +% +\font\ppfftwelve=pplbi8t at 8pt +\font\ppffsixteen=pplbi8t at 10pt +\font\ppfftwenty=pplbi8t at 12pt +\font\ppfftwentyfour=pplbi8t at 14pt +\font\ppfftwentynine=pplbi8t at 17pt +% +\def\f{{\ppff f}} +\def\ff{{\ppff ff}} +\def\fp{{\ppff fp}} +\def\fff{{\ppff fff}} +\def\ffff{{\ppff ffff}} +\def\mf{{\ppff mf}} +\def\p{{\ppff p}} +\def\pp{{\ppff pp}} +\def\ppp{{\ppff ppp}} +\def\pppp{{\ppff pppp}} +% +% +% sl fonts needed by musixsty +% +\font\eightsl=pplro8t at 8pt +\font\ninesl=pplro8t at 9pt +\font\tensl=pplro8t at 10pt +\font\twelvesl=pplro8t scaled \magstep1 +\font\frtsl=pplro8t scaled \magstep2 +\font\svtsl=pplro8t scaled \magstep3 +\font\twtysl=pplro8t scaled \magstep4 +\font\twfvsl=pplro8t scaled \magstep5 +% +% +\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 +% +\def\sF{{\ppff s\p@kern f}} +\def\sfz{{\ppff s\p@kern f\f@kern z}} +\def\sfzp{{\ppff s\p@kern f\f@kern z\p@kern p}} + +\def\mp@{{\ppff mp}} +\let\mezzopiano\mp@ + +\catcode`\@=\catcodeat + +% +% Redefine accented characters for 8-bit font, suggested by David Carlisle: +% + +\ifx\documentclass\undefined +\catcode`\@=11 +\def\ProvidesFile#1[#2]{} +\def\DeclareFontEncoding#1#2#3{} +\def\DeclareTextAccent#1#2#3{% +\def#1##1{% +\expandafter\ifx\csname T1\string#1-\string##1\endcsname\relax +{\accent#1 ##1}% +\else +\csname T1\string#1-\string##1\expandafter\endcsname +\fi}} +\def\DeclareTextCommand#1#2{\xdtcmd}%not today +\def\xdtcmd#1#{\xxdtcmd}%not today +\def\xxdtcmd#1{}%not today +\def\DeclareTextCompositeCommand#1#2#3#4{}%not today +\def\DeclareTextSymbol#1#2#3{% +\def#1{\char#3\relax}} +\def\DeclareTextComposite#1#2#3#4{% +\expandafter\def\csname T1\string#1-\string#3\endcsname{\char#4\relax}} + +\input t1enc.def + +% \c needs special treatment +\def\c#1{\leavevmode\ifx c#1\char231 \else\setbox\z@\hbox{#1}\ifdim\ht\z@=1ex\accent11 #1% + \else{\ooalign{\unhbox\z@\crcr + \hidewidth\char11\hidewidth}}\fi\fi} +\catcode`\@=\catcodeat +\fi + +\normtype +\endinput diff --git a/macros/generic/musixtex/tex/musixpoi.tex b/macros/generic/musixtex/tex/musixpoi.tex new file mode 100644 index 0000000000..dcf33f4f95 --- /dev/null +++ b/macros/generic/musixtex/tex/musixpoi.tex @@ -0,0 +1,67 @@ +% +% This file is part of MusiXTeX +% +% MusiXTeX is free software; you can redistribute it and/or modify +% it under the terms of the GNU General Public License as published by +% the Free Software Foundation; either version 2, or (at your option) +% any later version. +% +% MusiXTeX is distributed in the hope that it will be useful, +% but WITHOUT ANY WARRANTY; without even the implied warranty of +% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the +% GNU General Public License for more details. +% +% You should have received a copy of the GNU General Public License +% along with MusiXTeX; see the file COPYING. If not, write to +% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, +% Boston, MA 02111-1307, USA. +% + +%\immediate\write16{MusiXPOInted shorties 0.36\space<1 March 1995>} +\immediate\write16{MusiXPOInted shorties T.114\space<16 June 2008>} + +%\ifx\undefined\ccup \else \endinput \fi % conflicts since musixtex.tex T.111 defines \ccup +\ifx\undefined\zcccclpp \else \endinput \fi + +\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 + +%\def\@ccup{\n@vii\@xli \let\st@m\up@flag \g@qp}% moved into musixtex.tex since T.111 +\def\@cccup{\n@vii42\let\st@m\up@flag \g@qp} +\def\@ccccup{\n@vii43\let\st@m\up@flag \g@qp} +%\def\@cclp{\n@vii46\let\st@m\down@flag \g@qp}% moved into musixtex.tex at T.114 +\def\@ccclp{\n@vii47\let\st@m\down@flag \g@qp} +\def\@cccclp{\n@vii48\let\st@m\down@flag \g@qp} +\def\@ccupp{\n@vii\@xli \let\st@m\up@flag \g@qpp} +\def\@cccupp{\n@vii42\let\st@m\up@flag \g@qpp} +\def\@ccccupp{\n@vii43\let\st@m\up@flag \g@qpp} +\def\@cclpp{\n@vii46\let\st@m\down@flag \g@qpp} +\def\@ccclpp{\n@vii47\let\st@m\down@flag \g@qpp} +\def\@cccclpp{\n@vii48\let\st@m\down@flag \g@qpp} +%\def\ccup{\q@symbol\@ccup}% moved into musixtex.tex since T.111 +%\def\zccup{\advancefalse\ccup}% moved into musixtex.tex at T.114 +%\def\cclp{\q@symbol\@cclp}% moved into musixtex.tex since T.111 +%\def\zcclp{\advancefalse\cclp}% moved into musixtex.tex at T.114 +\def\ccupp{\q@symbol\@ccupp} +\def\zccupp{\advancefalse\ccupp} +\def\cclpp{\q@symbol\@cclpp} +\def\zcclpp{\advancefalse\cclpp} +\def\cccup{\q@symbol\@cccup} +\def\zcccup{\advancefalse\cccup} +\def\ccclp{\q@symbol\@ccclp} +\def\zccclp{\advancefalse\ccclp} +\def\cccupp{\q@symbol\@cccupp} +\def\zcccupp{\advancefalse\cccupp} +\def\ccclpp{\q@symbol\@ccclpp} +\def\zccclpp{\advancefalse\ccclpp} +\def\ccccup{\q@symbol\@ccccup} +\def\zccccup{\advancefalse\ccccup} +\def\cccclp{\q@symbol\@cccclp} +\def\zcccclp{\advancefalse\cccclp} +\def\ccccupp{\q@symbol\@ccccupp} +\def\zccccupp{\advancefalse\ccccupp} +\def\cccclpp{\q@symbol\@cccclpp} +\def\zcccclpp{\advancefalse\cccclpp} + +\catcode`\@=\catcodeat +\endinput + diff --git a/macros/generic/musixtex/tex/musixppff.tex b/macros/generic/musixtex/tex/musixppff.tex new file mode 100644 index 0000000000..6d06e70b42 --- /dev/null +++ b/macros/generic/musixtex/tex/musixppff.tex @@ -0,0 +1,169 @@ +%% musippff.tex This is an extension library for Musix\Tex which +%% replaces the macros used for dynamic marks to use a mini-font xppff10 +%% +%% Author: +%% Hiroaki MORIMOTO +%% Tokyo, Japan +%% URL: http://homepage1.nifty.com/kuuku/pub/musixtex/index-e.html +%% +%% usage: +%% \input musixtex +%% \input musixppff +%% ... +%% +%% +\immediate\write16{MusiXppff \noexpand\ppff font replacement <2017/02/10>}% +\ifx\undefined\startpiece\errmessage{Input musixtex.tex before musixppff.tex}\fi + +\font\xppfftwelve=xppff10 at 8pt +\font\xppffsixteen=xppff10 +\font\xppfftwenty=xppff10 scaled \magstep1 +\font\xppfftwentyfour=xppff10 scaled \magstep2 +\font\xppfftwentynine=xppff10 scaled \magstep3 +\font\tinyxppff=xppff10 at 8pt +\font\smallxppff=xppff10 +\font\normxppff=xppff10 scaled \magstep1 +\font\medxppff=xppff10 scaled \magstep2 + +\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 + +\def\xppff{% +\ifdim\internote<\p@seven6\Internote \tinyxppff +\else\ifdim\internote<.95\Internote \smallxppff +\else\ifdim\internote<1.19\Internote \normxppff +\else\medxppff\fi\fi\fi} + + +\def\f{{\xppff f}}% +\def\ff{{\xppff ff}}% +\def\fp{{\xppff fp}}% +\def\sF{{\xppff sf}}% +\def\fff{{\xppff fff}}% +\def\ffff{{\xppff ffff}}% +\def\mf{{\xppff mf}}% +\def\p{{\xppff p}}% +\def\pp{{\xppff pp}}% +\def\ppp{{\xppff ppp}}% +\def\pppp{{\xppff pppp}}% +\def\sfz{{\xppff sfz}}% +\def\sfzp{{\xppff sfzp}}% +\def\mp@{{\xppff mp}}% +\let\mezzopiano\mp@ + +% +\def\tinydyn{\let\ppff\tinyppff\let\xppff\tinyxppff}% +\def\smalldyn{\let\ppff\smallppff\let\xppff\smallxppff}% +\def\normdyn{\let\ppff\normppff\let\xppff\normxppff}% +\def\meddyn{\let\ppff\medppff\let\xppff\medxppff}% + +\def\comput@fonts{% + \ifnum\musicsize=\sixt@@n + \let\musicLargefont\musictwentyfour + \let\musiclargefont\musictwenty + \let\musicnorfont\musicsixteen + \let\musicsmallfont\musicthirteen + \let\musictinyfont\musiceleven + \let\xgregLargefont\xgregtwentyfour + \let\xgreglargefont\xgregtwenty + \let\xgregnorfont\xgregsixteen + \let\xgregsmallfont\xgregthirteen + \let\xgregtinyfont\xgregeleven + \let\slurd\slurdsixteen \let\sluru\slurusixteen + \let\hslurd\hslurdsixteen \let\hsluru\hslurusixteen + \let\meternorfont\tenbf \let\metersmallfont\eightbf % version 1.16 RDT + \let\meterbigfont\twelvebf \let\meterlargefont\frtbf + \let\meterLargefont\svtbf + \let\tinyppff\ppfftwelve % version 1.17 RDT + \let\smallppff\ppfftwelve + \let\normppff\ppffsixteen + \let\medppff\ppfftwenty + \let\tinyxppff\xppfftwelve % version 1.17 RDT + \let\smallxppff\xppfftwelve + \let\normxppff\xppffsixteen + \let\medxppff\xppfftwenty + \else\ifnum\musicsize=\@xxiv + \let\musicLargefont\musictwentynine + \let\musiclargefont\musictwentynine + \let\musicnorfont\musictwentyfour + \let\musicsmallfont\musictwenty + \let\musictinyfont\musicsixteen + \let\xgregLargefont\xgregtwentynine + \let\xgreglargefont\xgregtwentynine + \let\xgregnorfont\xgregtwentyfour + \let\xgregsmallfont\xgregtwenty + \let\xgregtinyfont\xgregsixteen + \let\sluru\slurutwenty \let\slurd\slurdtwenty + \let\hsluru\hslurutwenty \let\hslurd\hslurdtwenty + \let\meternorfont\frtbf \let\metersmallfont\twelvebf % version 1.18 RDT + \let\meterbigfont\svtbf \let\meterlargefont\twtybf + \let\meterlargefont\twfvbf + \let\tinyppff\ppffsixteen + \let\smallppff\ppfftwenty + \let\normppff\ppfftwentyfour + \let\medppff\ppfftwentynine + \let\tinyxppff\xppffsixteen + \let\smallxppff\xppfftwenty + \let\normxppff\xppfftwentyfour + \let\medxppff\xppfftwentynine + \else\ifnum\musicsize=\@xxix + \let\musicLargefont\musictwentynine + \let\musiclargefont\musictwentynine + \let\musicnorfont\musictwentynine + \let\musicsmallfont\musictwentyfour + \let\musictinyfont\musictwenty + \let\xgregLargefont\xgregtwentynine + \let\xgreglargefont\xgregtwentynine + \let\xgregnorfont\xgregtwentynine + \let\xgregsmallfont\xgregtwentyfour + \let\xgregtinyfont\xgregtwenty + \let\sluru\slurutwenty \let\slurd\slurdtwenty + \let\hsluru\hslurutwenty \let\hslurd\hslurdtwenty + \let\slurud\slurutwentyd \let\slurdd\slurdtwentyd % +ickd + \let\hslurud\hslurutwentyd \let\hslurdd\hslurdtwentyd %+ickd + \let\meternorfont\svtbf \let\metersmallfont\frtbf % version 1.18 RDT + \let\meterbigfont\twtybf \let\meterlargefont\twfvbf + \let\meterLargefont\twfvbf + \let\tinyppff\ppfftwenty + \let\smallppff\ppfftwentyfour + \let\normppff\ppfftwentynine + \let\medppff\ppfftwentynine + \let\tinyxppff\xppfftwenty + \let\smallxppff\xppfftwentyfour + \let\normxppff\xppfftwentynine + \let\medxppff\xppfftwentynine +\else + \ifnum\musicsize=\tw@nty + \else\ifnum\musicsize=\z@ + \else\errmessage{\noexpand\musicsize=\the\musicsize\space not supported, + set to default of 20}% + \fi + \fi\musicsize\tw@nty + \let\musicLargefont\musictwentynine + \let\musiclargefont\musictwentyfour + \let\musicnorfont\musictwenty + \let\musicsmallfont\musicsixteen + \let\musictinyfont\musicthirteen + \let\xgreglargefont\xgregtwentyfour + \let\xgregLargefont\xgregtwentynine + \let\xgregnorfont\xgregtwenty + \let\xgregsmallfont\xgregsixteen + \let\xgregtinyfont\xgregthirteen + \let\sluru\slurutwenty \let\slurd\slurdtwenty + \let\hsluru\hslurutwenty \let\hslurd\hslurdtwenty + \let\meternorfont\twelvebf \let\metersmallfont\tenbf % version 1.18 RDT + \let\meterbigfont\frtbf \let\meterlargefont\svtbf + \let\meterLargefont\twtybf + \let\tinyppff\ppfftwelve + \let\smallppff\ppffsixteen + \let\normppff\ppfftwenty + \let\medppff\ppfftwentyfour + \let\tinyxppff\xppfftwelve + \let\smallxppff\xppffsixteen + \let\normxppff\xppfftwenty + \let\medxppff\xppfftwentyfour +\fi\fi\fi}% + +\catcode`\@=\catcodeat + +\endinput + diff --git a/macros/generic/musixtex/tex/musixps.tex b/macros/generic/musixtex/tex/musixps.tex new file mode 100644 index 0000000000..7bff890330 --- /dev/null +++ b/macros/generic/musixtex/tex/musixps.tex @@ -0,0 +1,976 @@ +%% PostScript slurs, ties and crescendos +% Coded by Stanislav Kneifl +% RDT added \psRslurskip \iRslur \tRslur \psRtieskip \tRtie \psLtieskip \tLtie 2019/06/17 +% RDT added \iRtieu \iRtied 2020/09/07 +% RDT modified /DC to produce thicker hairpins 2022/12/29 + +\ifx\undefined\startpiece\errmessage{Input musixtex.tex before musixps.tex}\fi +\ifx\undefined\liftcresc\else\endinput\fi + +\immediate\write16{MusiXPS PostScript slurs, ties and crescendos 0.94 (07.09.2020)}% + +\catcode`\@=11 + + +%%%% remove the next line if you include this file into a format (see endnotes!). + +\special{header=psslurs.pro}% + +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% + +\font\mxsk=mxsk + +% you can change these values if you want... +% Offsets are in \internotes measured vertically from the center and +% horizontally from the left edge of the notehead. +% see the doc at the end for (short) explanation + +\def\psslurraise{1.6} % vertical offset of the slur beginnings/endings +\def\psbslurraise{2} % vert. offset for slurs on beams + +\def\psLslurskip{-0.2} % horiz. offset of slurs shifted more to the left +\def\psRslurskip{4} % horiz. offset of slurs shifted more to the right +\def\pslslurskip{0.4} % horiz. offset of slurs shifted to the left +\def\psislurskip{1.4} % horiz. offset of the slur beginnings +\def\pstslurskip{1.2} % horiz. offset of the slur endings +\def\psrslurskip{2.8} % horiz. offset of slurs shifted to the right + +\def\psfslurhgt{0.7} % height coeficient of the 'f'lat slurs +\def\psslurhgt{1} % height coeficient of normal slurs +\def\pshslurhgt{1.6} % height coeficient of 'h'igh slurs +\def\psHslurhgt{2.2} % height coeficient of 'H'igh slurs +\def\psHHslurhgt{2.8} % height coeficient of 'HH'igh slurs +\def\psslurmaxhgt{40} % maximal height of the slur + % (before multiplication by \...slurhgt !!) + +\def\psslurangul{0.17} % angularity of normal, flat and high slurs +\def\psHslurangul{0.15} % angularity of High slurs +\def\psHHslurangul{0.13} % angularity of HHigh slurs + +\def\pstieraise{1.3} % vertical offset of the ties +\def\psitieskip{2.6} % horiz. offset of the tie beginnings +\def\psttieskip{0.3} % horiz. offset of the tie endings +\def\psltieskip{-0.2} % horiz. offset of ties shifted to the left +\def\psrtieskip{3} % horiz. offset of ties shifted to the right +\def\psLtieskip{-0.4} % horiz. offset of ties shifted more to the left +\def\psRtieskip{4} % horiz. offset of ties shifted more to the right + +\def\pstiehgt{0.7} % height coeficient of the ties +\def\pstiemaxhgt{30} % maximal height if the ties +\def\pstieflathgt{20} % maximal height if the ties between staff lines +\def\pstieangul{0.14} % angularity of the ties + +%%%% + +\def\d@nh{-5} % default altitude of the crescendos in \internote +\def\setcrescheight{\def@it\d@nh} + +\def\sl@space{-3pt} % neg. space before continued slurs, ties and crescs. +\def\h@tielim{15pt} % limit for drawing half continued ties + +\def\nohalfties{\def\h@tielim{\z@}} +\def\halfties{\def\h@tielim{15pt}} +\newif\ifslopebrkslurs +\slopebrkslursfalse + +\def\dotted{\def\d@sh{1}} % the '1' is important! +\def\solid{\def\d@sh{0}} +\def\Dotted{\def\D@sh{1}} +\def\Solid{\def\D@sh{0}} +\Solid\solid + +\def\nosluradjust{\gdef\s@adj{0}} +\def\sluradjust{\gdef\s@adj{1}} +\def\Nosluradjust{\gdef\S@adj{0}\gdef\s@adj{0}} +\def\Sluradjust{\gdef\S@adj{1}\gdef\s@adj{1}} +\Sluradjust + +\def\notieadjust{\gdef\t@adj{0}} +\def\tieadjust{\gdef\t@adj{1}} +\def\Notieadjust{\gdef\T@adj{0}\gdef\t@adj{0}} +\def\Tieadjust{\gdef\T@adj{1}\gdef\t@adj{1}} +\Notieadjust + +\newif\ifdangermessages\dangermessagestrue + +\def\@clr#1{\let#1\empty} +\def\def@it#1#2{\def#1{#2}} +\def\slurtext{\def@it\s@tx} +\let\s@tx\empty +\def\lr@lap#1{\rlap{\hss#1}} + +% how many slurs will be stored into the TeX's registers? +% => how many slurs can go across the page break? +% determines also the needed amount of the following registers. +\let\max@slurs\t@n + +\let\slur@alt=\s@xi \let\slur@hgt=\s@Yv \let\slur@lift=\s@yi +\let\slur@alti=\s@xii \let\slur@hgti=\s@Yvi \let\slur@lifti=\s@yii +\let\slur@altii=\s@xiii \newdimen\slur@hgtii \let\slur@liftii=\s@yiii +\let\slur@altiii=\s@xiv \newdimen\slur@hgtiii \let\slur@liftiii=\s@yiv +\let\slur@altiv=\s@xv \newdimen\slur@hgtiv \let\slur@liftiv=\s@yv +\let\slur@altv=\s@Y \newdimen\slur@hgtv \let\slur@liftv=\s@yvi +\let\slur@altvi=\s@Yi \newdimen\slur@hgtvi \let\slur@liftvi=\s@Ni +\let\slur@altvii=\s@Yii \newdimen\slur@hgtvii \let\slur@liftvii=\s@Nii +\let\slur@altviii=\s@Yiii \newdimen\slur@hgtviii \let\slur@liftviii=\s@Niii +\let\slur@altix=\s@Yiv \newdimen\slur@hgtix \let\slur@liftix=\s@Niv + +% in the 'lift' register is coded the altitude of the ending point of the slur +% at the end of a line (y1) and the relative alt. of the starting point at the +% beginning of a line (y2): y1=(reg div 65536)-16384, y2=(reg mod 65536)-16384 + +\newdimen\tie@alt \newdimen\tie@hgt +\newdimen\tie@alti \newdimen\tie@hgti +\newdimen\tie@altii \newdimen\tie@hgtii +\newdimen\tie@altiii \newdimen\tie@hgtiii +\newdimen\tie@altiv \newdimen\tie@hgtiv +\newdimen\tie@altv \newdimen\tie@hgtv +\newdimen\tie@altvi \newdimen\tie@hgtvi +\newdimen\tie@altvii \newdimen\tie@hgtvii +\newdimen\tie@altviii \newdimen\tie@hgtviii +\newdimen\tie@altix \newdimen\tie@hgtix + +\newdimen\cresc@alt +\newdimen\cresc@alti +\newdimen\cresc@altii +\newdimen\cresc@altiii +\newdimen\cresc@altiv +\newdimen\cresc@altv +\newdimen\cresc@altvi +\newdimen\cresc@altvii +\newdimen\cresc@altviii +\newdimen\cresc@altix + +\newcount\pss@rega \pss@rega=\z@ % PS slurs +\newcount\pss@regb \pss@regb=\z@ +\newcount\pst@rega \pss@rega=\z@ % PS ties +\newcount\pst@regb \pss@regb=\z@ +\newcount\psc@rega \pss@rega=\z@ % PS [de]crescendos +\newcount\psc@regb \pss@regb=\z@ + +\newif\if@up +\newif\if@dash + +% information in these registers is binary coded: +% a: lower bit is set ( 2^2i ): there is a pending slur number i +% upper bit is set ( 2^(2i+1) ): slur number i already went across line break +% b: lower bit is set: slur/tie is dotted +% upper bit is set: slur/tie is lower / decrescendo + +% everything else is stored in PostScript variables. If you run out +% of the PostScript dictionary used for slurs, you can increase its size +% by changing the number 200 in the first line of psslurs.pro to anything +% reasonable. (The number says how many tokens can be defined.) + +%%%%%%% + +% input is i for 2^i and register to extract the bits from +% in reg. n@i will be only the bits 2^2i and 2^(2i+1) +% in n@vi will be these bits shifted to 2^0 and 2^1, +% n@ii will be set to 2^2i +\def\get@bits#1#2{\n@i=#1\relax\n@ii\@ne + \loop\ifnum\n@i>\z@\multiply\n@ii\f@ur\advance\n@i\m@ne\repeat + \n@i=\n@ii\multiply\n@i\f@ur\n@iii #2\relax + \divide\n@iii\n@i\multiply\n@iii\n@i\n@i=#2\relax + \advance\n@i-\n@iii\divide\n@i\n@ii\n@vi\n@i\multiply\n@i\n@ii\relax} + +\def\s@l@slur#1{\xdef\th@salt{\csname slur@alt\romannumeral#1\endcsname}% + \xdef\th@shgt{\csname slur@hgt\romannumeral#1\endcsname}% + \xdef\th@slift{\csname slur@lift\romannumeral#1\endcsname}} + +\def\s@l@tie#1{\xdef\th@salt{\csname tie@alt\romannumeral#1\endcsname}% + \xdef\th@shgt{\csname tie@hgt\romannumeral#1\endcsname}} + +\def\s@l@cresc#1{\xdef\th@salt{\csname cresc@alt\romannumeral#1\endcsname}} + +\def\gt@pssb#1#2{\s@l@ctbeam#1\relax\getcurpos\advance\y@v#2\relax % \y@v = hpos + \advance\y@v-\b@x + \y@ii\b@p\y@v \divide\y@ii\tw@nty \advance\y@ii\b@z + \advance\y@ii-\altportee\n@ii=\internote \divide\n@ii6553 + \n@i=\y@ii\divide\n@i\n@ii\divide\n@i6554\relax} + +\def\t@bslur#1#2#3#4{\n@vii\n@i\ifnum#3<\fiv@t@@n\get@bits{#3}\pss@regb\n@i\n@vii + \ifnum\n@vi>\@ne\gt@pssb{#4}\z@\T@slur{#3}{\psbslurraise}{0}{#1}{#2}% + \else\gt@pssb{#4}{\tw@\qn@width}\T@slur{#3}{\psbslurraise}{2.4}{#1}{#2}\fi + \else\gt@pssb{#4}\z@\T@slur{#3}{1.7}{0}{#1}{#2}\fi} + + +%%%%%% slurs %%%%%%%%%%%%%%%%%%% + +% ID, pitch, voffset, hoffset +% all offsets are in \internote, the slur direction is determined +% by the sign of the vertical offset. + +\def\iSlur#1#2{\inhgetn@i#2\relax\I@slur{#1}} + +% ID, voffset, hoffset; \n@i = pitch +\def\I@slur#1#2#3{\y@i=\n@i\internote + \ifdim#2\internote<\z@\@upfalse\else\@uptrue\fi + \advance\y@i#2\internote\raise\y@i\rlap{\hskip #3\internote + \special{ps: slur@Dict begin CP /S#1y1 ED /S#1x1 ED + /S#1hgt (\the\y@i) psxGD N /S#1brk S#1hgt (\the\internote) psxGD + \ifslopebrkslurs 3 \else 1 \fi\if@up 1 \else -1 \fi M M A N /S#1lift 0 N + /S#1alt (\the\altportee) psxGDAR N /S#1dir \if@up1\else-1\fi\space N + /S#1dash \d@sh\space N /S#1adj \s@adj\space N end}}% + \ifnum#1>\fourt@@n + \ifnum#1=99\relax\else + \ifdangermessages\message{Danger! Slur with ID >14.}\fi\fi + \else\n@iv\n@i\get@bits{#1}\pss@rega + \ifcase\n@i\else\message{Slur #1 was re-opened.}% + \advance\pss@rega-\n@i\fi % clear the bits + \global\advance\pss@rega\n@ii % and set the lower bit + \get@bits{#1}\pss@regb\global\advance\pss@regb-\n@i % clear the bits + \ifnum\d@sh=1\relax\global\advance\pss@regb\n@ii\fi + \if@up\else\multiply\n@ii\tw@\global\advance\pss@regb\n@ii\fi + \ifnum#1<\max@slurs\s@l@slur{#1}% + \global\th@salt\altportee\global\th@shgt\y@i\th@slift\n@iv + \if@up\advance\th@slift\fiv@\else\advance\th@slift-\fiv@\fi + \advance\th@slift 16384\relax\multiply\th@slift65536\relax + \global\advance\th@slift16384\relax + \fi\fi\gdef\d@sh{\D@sh}\gdef\s@adj{\S@adj}} + +% ID, height, voffset, hoffset, curvature, angularity +\def\tSlur#1#2{\inhgetn@i#2\relax\T@slur{#1}} + +\def\T@slur#1#2#3#4#5{\n@vii\n@i\n@ii\@ne + \ifnum#1<\fiv@t@@n + \get@bits{#1}\pss@rega + \global\advance\pss@rega-\n@i + \ifcase\n@i\message{Not opened slur #1 was closed.}\n@ii\z@ + \else + \ifnum\n@vi>\@ne % the slur was breaked + \get@bits{#1}\pss@regb % it's not necessary to clear this register + \ifnum\n@vi>\@ne\@upfalse\else\@uptrue\fi + \ifodd\n@vi\@dashtrue\else\@dashfalse\fi + \y@ii=\lin@pos\advance\y@ii\locx@skip\advance\y@ii#3\internote + \advance\y@ii\sl@space + \y@i=\n@vii\internote\advance\y@i\if@up\else-\fi#2\internote + \ifnum#1<\max@slurs + \s@l@slur{#1}\n@ii\th@slift\divide\n@ii65536\relax + \multiply\n@ii65536\relax\n@iii\th@slift\advance\n@iii-\n@ii + \advance\n@iii-16384\y@iii=\n@iii\internote\advance\y@iii\th@shgt + \raise\y@i\rlap{\hskip #3\internote\special{ps: slur@Dict begin + CP S (\the\y@ii) psxGDAR SB /S#1x1 ED + (\the\y@i) psxGD (\the\y@iii) psxGD SB 4 psxAR M A /S#1y1 ED + (\the\internote) psxGD (\the\th@shgt) psxGD (\the\y@i) psxGD + S#1x1 S#1y1 CP #4 \if@up\else neg \fi #5 30 + \if@dash1\else0\fi\space \s@adj\space 90 DS end}}% + \else + \raise\y@i\rlap{\hskip #3\internote\special{ps: slur@Dict begin + CP S (\the\y@ii) psxGDAR SB /S#1x1 ED + S#1hgt S#1lift (\the\internote) psxGD M A 4 psxAR M + (\the\y@i) psxGDAR SB SB /S#1y1 ED + (\the\internote) psxGD S#1hgt (\the\y@i) psxGD + S#1x1 S#1y1 CP #4 \if@up\else neg \fi #5 30 + S#1dash \s@adj\space 90 DS end}}% + \fi\n@ii\z@ + \fi + \fi + \fi + \ifcase\n@ii\else\y@ii=#2\internote\setbox\z@=\hbox{\s@tx}% + \y@i=\n@vii\internote\raise\y@i\rlap{\hskip #3\internote + \special{ps: slur@Dict begin (\the\internote) psxGD S#1hgt (\the\y@i) psxGD + #2 (\the\internote) psxGD M S#1dir M A + S#1x1 S#1y1 CP (\the\y@ii) psxGDAR S#1dir M SB + #4 S#1dir M #5 \psslurmaxhgt\space S#1dash S#1adj 90 DS + /ay1 ay1 (\the\ht\z@) psxGDAR -10 psxAR add dir mul add def}% + \lr@lap{\box\z@}\special{ps: end}}% + \fi\@clr\s@tx} + +\def\liftslur#1#2{\special{ps: slur@Dict begin /S#1lift #2 N end}% + \ifnum#1<\t@n\s@l@slur{#1}\divide\th@slift65536\relax + \multiply\th@slift65536 \advance\th@slift16384\relax + \advance\th@slift#2\relax\fi} + +\def\breakslur#1#2{\inhgetn@i#2\relax\y@i=\n@i\internote\special + {ps: slur@Dict begin /S#1brk (\the\y@i) psxGD N end}% + \ifnum#1<\t@n\s@l@slur{#1}\n@ii\th@slift\divide\n@ii65536\relax + \multiply\n@ii65536 \advance\th@slift-\n@ii\advance\n@i16384\relax + \multiply\n@i65536 \global\advance\th@slift\n@i\fi} + +%%%%% [de]crescendos %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% + +% ID, height, hoffset + +\def\Icresc{\i@cresc0} +\def\Idecresc{\i@cresc2} + +\def\i@cresc#1#2#3#4{\y@i=#3\internote\raise\y@i\rlap + {\hskip#4\internote\advance\y@i\altportee\special{ps: slur@Dict begin + CP /C#2y1 ED /C#2x1 ED /C#2alt (\the\y@i) psxGD N + /C#2dir #1 N end}}% + \ifnum#2>\fourt@@n + \ifdangermessages\message{Danger! [De]crescendo with ID >14.}\fi + \else\get@bits{#2}\psc@rega + \ifcase\n@i\else\message{[De]crescendo #2 was re-opened.}% + \advance\psc@rega-\n@i\fi + \global\advance\psc@rega\n@ii + \get@bits{#2}\psc@regb\advance\psc@regb-\n@i + \multiply\n@ii#1\relax + \global\advance\psc@regb\n@ii\relax + \ifnum#2<\max@slurs\s@l@cresc{#2}% + \advance\y@i\altportee\global\th@salt\y@i\fi\fi} + +\def\Tcresc#1#2#3{\n@ii\@ne\n@i=#1\relax + \ifnum\n@i<\fiv@t@@n + \get@bits{#1}\psc@rega\global\advance\psc@rega-\n@i + \ifcase\n@i\message{Not opened crescendo #1 was closed.}\n@ii\z@ + \else + \ifnum\n@vi>\@ne % the crescendo was breaked + \get@bits{#1}\psc@regb % it's not necessary to clear this register + \y@ii=\lin@pos\advance\y@ii\locx@skip\advance\y@ii#3\internote + \advance\y@ii\sl@space + \zchar{#2}{\hskip #3\internote\special{ps: slur@Dict begin + CP S (\the\y@ii) psxGDAR SB S CP 4 \the\n@vi\space R + \the\n@vi\space 0 eq { DHC } { DC } ifelse end}}% + \global\n@ii\z@\fi + \fi\fi + \ifcase\n@ii\else\zchar{#2}{\hskip#3\internote\special{ps: slur@Dict begin + C#1x1 C#1y1 CP 4 C#1dir R DC end}}\fi} + +\def\liftcresc#1#2{\y@i=#2\internote\ifnum#1<\max@slurs\s@l@cresc{#1}% + \global\advance\th@salt\y@i\else\special{ps: slur@Dict begin + /C#1alt (\the\y@i) psxGDAR C#1alt A N end}\fi} + + +%%%% ties %%%%%%%%%%%%%%%%%%%%%% + +\def\iTieu{\i@tie{1}} +\def\iTied{\i@tie{-1}} + +% 1/-1, ID, height, hoffset +\def\i@tie#1#2#3#4{\inhgetn@i#3\relax\y@i=\pstieraise\internote + \multiply\y@i#1\relax\advance\y@i\n@i\internote\raise\y@i\rlap + {\hskip #4\internote\special{ps: slur@Dict begin + /S#1alt (\the\altportee) psxGDAR N + CP /T#2y1 ED /T#2x1 ED /T#2hgt (\the\y@i) psxGD N + /T#2dir #1 N /T#2dash \d@sh\space N + /T#2adj \t@adj\space N end}}% + \ifnum #2>\fourt@@n + \ifnum#2=99\relax\else + \ifdangermessages\message{Danger! Tie with ID >14.}\fi\fi + \else\get@bits{#2}\pst@rega + \ifcase\n@i\else\message{Tie #2 was re-opened.}% + \global\advance\pst@rega-\n@i\fi + \global\advance\pst@rega\n@ii + \get@bits{#2}\pst@regb\global\advance\pst@regb-\n@i % clear the bits + \ifnum\d@sh=1\relax\global\advance\pst@regb\n@ii\fi + \ifnum#1=1\relax\else\multiply\n@ii\tw@\global\advance\pst@regb\n@ii\fi + \ifnum#2<\max@slurs\s@l@tie{#2}% + \global\th@salt\altportee\global\th@shgt\y@i\fi + \fi\gdef\d@sh{\D@sh}\gdef\t@adj{\T@adj}} + +% ID, hoffset +\def\tTie#1#2{\n@ii\@ne + \ifnum#1<\fiv@t@@n + \get@bits{#1}\pst@rega + \global\advance\pst@rega-\n@i + \ifcase\n@i\message{Not opened tie #1 was closed.}\n@ii\z@ + \else + \ifnum\n@vi>\@ne % the tie was breaked + \get@bits{#1}\pst@regb % it's not necessary to clear this register + \ifnum\n@vi>\@ne\@upfalse\else\@uptrue\fi + \ifodd\n@vi\@dashtrue\else\@dashfalse\fi + \y@ii=\lin@pos\advance\y@ii\locx@skip\advance\y@ii#2\internote + \advance\y@ii\sl@space + \ifnum#1<\max@slurs\s@l@tie{#1}% + \ifdim\y@ii<\h@tielim + \raise\th@shgt\rlap{\hskip-0.3\internote + \ifdim\internote>.9\Internote\n@i=\z@\else + \ifdim\internote<.7\Internote \n@i=\@cxxviii + \else\n@i=64\fi\fi\if@up\else\advance\n@i\@ne\fi + \mxsk\char\n@i}% + \else + \rlap{\hskip #2\internote\special{ps: slur@Dict begin + (\the\internote) psxGD (\the\th@shgt) psxGD DP + CP S (\the\y@ii) psxGDAR SB S (\the\th@shgt) + psxGDAR SB DP CP P S \if@up \pstiehgt\space + \else -\pstiehgt\space \fi \pstieangul\space \pstiemaxhgt\space + \if@dash 1 \else 0 \fi \t@adj\space 40 DS end}}% + \fi + \else + \rlap{\hskip #2\internote\special{ps: slur@Dict begin + (\the\internote) psxGD T#1hgt psxGD DP + CP S (\the\y@ii) psxGDAR SB S T#1hgt psxGDAR SB DP CP P S + \if@up -\pstiehgt\space \else \pstiehgt\space \fi + \pstieangul\space \pstiemaxhgt\space \if@dash 1 \else 0 \fi + \t@adj\space 40 DS end}}% + \fi + \global\n@ii=\z@ + \fi + \fi + \fi + \ifcase\n@ii\else + \rlap{\hskip#2\internote + \special{ps: slur@Dict begin (\the\internote) psxGD T#1hgt DP + T#1x1 T#1y1 CP P T#1y1 + \pstiehgt\space T#1dir M \pstieangul\space \pstiemaxhgt\space T#1dash T#1adj 40 DS end}}% + \fi} + + +%%%%%%% simple slurs %%%%%%%%%%%%%%%%% + +% #1 start pitch #2 final pitch #3 sense(u,d) #4 length[noteskip] + +% \s@Y = vert. offset, \y@ii = horiz. offset at the end, \y@iii add to length +% \y@v = length + +\def\C@sl#1#2#3#4{\inhgetn@i#1\relax \n@ii\n@i\inhgetn@i#2\relax + \if d#3 \s@vy-\s@vy \ifx\@ne\nxt \y@ii\z@\fi \fi + \y@v#4\noteskip\advance\y@v\y@iii\advance\y@ii-\y@iii + \rlap{\hskip\y@ii\y@i=\n@ii\internote\advance\y@i\s@vy + \y@ii=\n@i\internote\advance\y@ii\s@vy\setbox\z@=\hbox{\s@tx}% + \ifx\s@tx\empty\def\tx@sp{1}\else\ifdim\y@v<\tw@nty\internote\def\tx@sp{1.5}% + \else\ifdim\y@v<\@l\internote\def\tx@sp{1.2}\else\def\tx@sp{1}\fi\fi\fi + \special{ps: slur@Dict begin (\the\internote) psxGD + (\the\y@i) psxGD (\the\y@ii) psxGD CP (\the\y@i) psxGDAR swub + CP exch (\the\y@v) psxGDAR add exch (\the\y@ii) psxGDAR sub + \if d#3 -1 \else 1 \fi \tx@sp\space mul \psslurangul\space + \psslurmaxhgt\space \d@sh\space \s@adj\space 90 DS + /ax1 ax1 (\the\y@v) psxGDAR add def /ay1 ay1 (\the\y@ii) psxGDAR sub + (\the\ht\z@) psxGDAR dir mul add def}\lr@lap{\unhbox\z@}\special{ps: end}}% + \@clr\s@tx\gdef\d@sh{\D@sh}\gdef\s@adj{\S@adj}} + + +%%%%%%% breaking the line %%%%%%%%%%%%%%%%% + +\def\br@slur{\divide\n@v\tw@ + \ifodd\n@v % the slur was breaked again + \y@i=\lin@pos\advance\y@i\x@skip\advance\y@i-\tw@\p@ + \advance\y@i\sl@space + \ifnum\n@iv<\max@slurs\s@l@slur\n@iv\n@i\th@slift\divide\n@i65536% + \n@ii\n@i\advance\n@ii-16384\y@iii=\n@ii\internote + \multiply\n@i65536 \n@ii\th@slift\advance\n@ii-\n@i + \advance\n@ii-16384\y@ii=\n@ii\internote\advance\y@ii\th@shgt + \ifnum\n@vi>\@ne\@upfalse\else\@uptrue\fi + \raise\th@salt\rlap{\hskip -2pt\special + {ps: slur@Dict begin /in (\the\internote) psxGD N + in (\the\y@ii) psxGD (\the\y@iii) psxGD CP S (\the\y@i) psxGD + 4 psxAR M SB S (\the\y@ii) psxGDAR SB + CP (\the\y@iii) psxGDAR SB \if@up1\else-1\fi\space + 0.13 30 \ifodd\n@vi 1 \else 0 \fi \s@adj\space 90 DS end}}% + \else + \rlap{\hskip -2pt\special{ps: slur@Dict begin + /in (\the\internote) psxGD N in S\the\n@iv hgt + S\the\n@iv lift in M A S\the\n@iv brk + CP S (\the\y@i) psxGDAR SB in 10 psxAR M A S + S\the\n@iv hgt S\the\n@iv lift in M A 4 psxAR M SB + S\the\n@iv alt 4 psxAR M SB CP S\the\n@iv brk + S\the\n@iv alt A 4 psxAR M SB S\the\n@iv dir + 0.13 30 S\the\n@iv dash S\the\n@iv adj 90 DS end}}% + \fi + \else % the slur was breaked the first time + \rlap{\hskip-2pt\special{ps: slur@Dict begin (\the\internote) psxGD + S\the\n@iv hgt S\the\n@iv brk S\the\n@iv x1 S\the\n@iv y1 CP P + S\the\n@iv y1 S\the\n@iv hgt S\the\n@iv brk SB 4 psxAR M A + S\the\n@iv dir 0.17 \psslurmaxhgt\space S\the\n@iv dash S\the\n@iv adj 90 DS end}}% + \get@bits\n@iv\pss@rega + \multiply\n@ii\tw@\global\advance\pss@rega\n@ii\fi} + + +\def\br@cresc{\divide\n@v\tw@ + \ifodd\n@v % the crescendo was breaked again + \y@i=\lin@pos\advance\y@i\x@skip\advance\y@i-\tw@\p@ + \advance\y@i\sl@space + \ifnum\n@iv<\max@slurs\s@l@cresc\n@iv + \rlap{\hskip-2pt\divide\n@vi\tw@\special{ps: slur@Dict begin CP S + (\the\y@i) psxGDAR SB S (\the\th@salt) psxGDAR SB DP CP P S + 4 \ifodd\n@vi 2 \else 0 \fi R DHC end}}% + \else + \rlap{\hskip-2pt\divide\n@vi\tw@\special{ps: slur@Dict begin CP S + (\the\y@i) psxGDAR SB (\the\internote) psxGD 10 psxAR M A S + C\the\n@iv alt psxGDAR SB DP CP P S + 4 C\the\n@iv dir R DHC end}}\fi + \else % the crescendo was breaked the first time + \rlap{\hskip-2pt\special{ps: slur@Dict begin + C\the\n@iv x1 C\the\n@iv y1 DP CP P S + 4 C\the\n@iv dir R C\the\n@iv dir 0 eq + { DC } { DHC } ifelse end}}% + \get@bits\n@iv\psc@rega + \multiply\n@ii\tw@\global\advance\psc@rega\n@ii\fi} + + +\def\br@tie{\divide\n@v\tw@ + \ifodd\n@v % the tie was breaked again + \y@i=\lin@pos\advance\y@i\x@skip\advance\y@i-\tw@\p@ + \advance\y@i\sl@space + \ifnum\n@iv<\max@slurs\s@l@tie\n@iv + \ifnum\n@vi>\@ne\@upfalse\else\@uptrue\fi + \y@ii\th@salt\advance\y@ii\th@shgt + \raise\y@ii\rlap{\hskip-2pt\special{ps: slur@Dict begin + (\the\internote) psxGD (\the\th@shgt) psxGD DP CP S (\the\y@i) psxGDAR SB S + CP \if@up \pstiehgt\space \else -\pstiehgt\space \fi \pstieangul\space + \pstiemaxhgt\space \ifodd\n@vi 1 \else 0 \fi \t@adj\space 40 DS end}}% + \else + \rlap{\hskip-2pt\special{ps: slur@Dict begin + (\the\internote) psxGD T\the\n@iv hgt DP CP S (\the\y@i) + psxGDAR SB (\the\internote) psxGD 10 psxAR M A S + T\the\n@iv alt T\the\n@iv hgt A 4 psxAR M SB DP + CP P S \pstiehgt\space T\the\n@iv dir M + \pstieangul\space \pstiemaxhgt\space T\the\n@iv dash T\the\n@iv adj 40 DS end}}\fi + \else % the tie was breaked the first time + \rlap{\hskip-2pt\special{ps: slur@Dict begin + (\the\internote) psxGD T\the\n@iv hgt DP + T\the\n@iv x1 T\the\n@iv y1 DP CP P S + \pstiehgt\space T\the\n@iv dir M \pstieangul\space \pstiemaxhgt\space + T\the\n@iv dash 40 T\the\n@iv adj DS end}}% + \get@bits\n@iv\pst@rega + \multiply\n@ii\tw@\global\advance\pst@rega\n@ii\fi} + +\let\mxps@oldsuspend=\z@suspend + +\def\z@suspend{% +% cut PostScript slurs + {\n@iv\z@\n@v\pss@rega\n@vi\pss@regb + \loop\ifnum\n@v>\z@ + \ifodd\n@v{\br@slur}\fi\divide\n@v\f@ur + \advance\n@iv\@ne\divide\n@vi\f@ur + \repeat}% +% cut PostScript [de]crescendos + {\n@iv=\z@\n@v=\psc@rega\n@vi\psc@regb + \loop\ifnum\n@v>\z@ + \ifodd\n@v{\br@cresc}\fi\divide\n@v\f@ur + \advance\n@iv\@ne\divide\n@vi\f@ur + \repeat}% +% cut PostScript ties + {\n@iv=\z@\n@v=\pst@rega\n@vi\pst@regb + \loop\ifnum\n@v>\z@ + \ifodd\n@v{\br@tie}\fi\divide\n@v\f@ur + \advance\n@iv\@ne\divide\n@vi\f@ur + \repeat}% + \special{ps: slur@Dict begin /pss@rega \the\pss@rega\space N + /psc@rega \the\psc@rega\space N /pst@rega \the\pst@rega\space N end }% +% do all other mxtex stuff + \mxps@oldsuspend} + +% checking for lost slurs + +\def\checkslurs{ + \ifcase\pss@rega\else\message{Warning! Opened slur(s) at checkpoint!}\fi + \ifcase\psc@rega\else\message{Warning! Opened crescendo(s) at checkpoint!}\fi + \ifcase\pst@rega\else\message{Warning! Opened tie(s) at checkpoint!}\fi} + + +%%%%%% common abbreviations %%%%%%%%%%%%%%%%%%%% + +\def\isluru#1#2{\iSlur{#1}{#2}{\psslurraise}{\psislurskip}} +\def\islurd#1#2{\iSlur{#1}{#2}{-\psslurraise}{\psislurskip}} +\def\irsluru#1#2{\iSlur{#1}{#2}{\psslurraise}{\psrslurskip}} +\def\irslurd#1#2{\iSlur{#1}{#2}{-\psslurraise}{\psrslurskip}} +\def\ilsluru#1#2{\iSlur{#1}{#2}{\psslurraise}{\pslslurskip}} +\def\ilslurd#1#2{\iSlur{#1}{#2}{-\psslurraise}{\pslslurskip}} +\def\iLsluru#1#2{\iSlur{#1}{#2}{\psslurraise}{\psLslurskip}} +\def\iLsluru#1#2{\iSlur{#1}{#2}{\psslurraise}{\psLslurskip}} +\def\iRslurd#1#2{\iSlur{#1}{#2}{-\psslurraise}{\psRslurskip}} +\def\iRslurd#1#2{\iSlur{#1}{#2}{-\psslurraise}{\psRslurskip}} + +\def\tfslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\pstslurskip}{\psfslurhgt}{\psslurangul}} +\def\tslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\pstslurskip}{\psslurhgt}{\psslurangul}} +\def\thslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\pstslurskip}{\pshslurhgt}{\psslurangul}} +\def\tHslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\pstslurskip}{\psHslurhgt}{\psHslurangul}} +\def\tHHslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\pstslurskip}{\psHHslurhgt}{\psHHslurangul}} + +\def\trfslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\psrslurskip}{\psfslurhgt}{\psslurangul}} +\def\trslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\psrslurskip}{\psslurhgt}{\psslurangul}} +\def\trhslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\psrslurskip}{\pshslurhgt}{\psslurangul}} +\def\trHslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\psrslurskip}{\psHslurhgt}{\psHslurangul}} +\def\trHHslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\psrslurskip}{\psHHslurhgt}{\psHHslurangul}} + +\def\tlfslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\pslslurskip}{\psfslurhgt}{\psslurangul}} +\def\tlslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\pslslurskip}{\psslurhgt}{\psslurangul}} +\def\tlhslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\pslslurskip}{\pshslurhgt}{\psslurangul}} +\def\tlHslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\pslslurskip}{\psHslurhgt}{\psHslurangul}} +\def\tlHHslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\pslslurskip}{\psHHslurhgt}{\psHHslurangul}} + +\def\tLfslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\psLslurskip}{\psfslurhgt}{\psslurangul}} +\def\tLslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\psLslurskip}{\psslurhgt}{\psslurangul}} +\def\tRslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\psRslurskip}{\psslurhgt}{\psslurangul}} +\def\tLhslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\psLslurskip}{\pshslurhgt}{\psslurangul}} +\def\tLHslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\psLslurskip}{\psHslurhgt}{\psHslurangul}} +\def\tLHHslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\psLslurskip}{\psHHslurhgt}{\psHHslurangul}} + +% slur ID, beam ID +\def\iBsluru#1#2{\gt@pssb{#2}{\tw@\qn@width}\I@slur{#1}{\psbslurraise}{2.4}} +\def\iBslurd#1#2{\gt@pssb{#2}\z@\I@slur{#1}{-\psbslurraise}0} +\def\tBfslur{\t@bslur\psfslurhgt\psslurangul} +\def\tBslur{\t@bslur\psslurhgt\psslurangul} +\def\tBhslur{\t@bslur\pshslurhgt\psslurangul} +\def\tBHslur{\t@bslur\psHslurhgt\psHslurangul} +\def\tBhHslur{\t@bslur\psHHslurhgt\psHHslurangul} + + +\def\itieu#1#2{\iTieu{#1}{#2}{\psitieskip}} +\def\itied#1#2{\iTied{#1}{#2}{\psitieskip}} +\def\iltieu#1#2{\iTieu{#1}{#2}{\pslslurskip}} +\def\iltied#1#2{\iTied{#1}{#2}{\pslslurskip}} +\def\irtieu#1#2{\iTieu{#1}{#2}{\psrslurskip}} +\def\irtied#1#2{\iTied{#1}{#2}{\psrslurskip}} +\def\iRtieu#1#2{\iTieu{#1}{#2}{\psRslurskip}} +\def\iRtied#1#2{\iTied{#1}{#2}{\psRslurskip}} +\def\ttie#1{\tTie{#1}{\psttieskip}} +\def\tltie#1{\tTie{#1}{\psltieskip}} +\def\trtie#1{\tTie{#1}{\psrtieskip}} +\def\tLtie#1{\tTie{#1}{\psLtieskip}} +\def\tRtie#1{\tTie{#1}{\psRtieskip}} + +\def\icresc#1{\Icresc{#1}{\d@nh}{0}} +\def\idecresc#1{\Idecresc{#1}{\d@nh}{0}} +\def\tcresc#1{\Tcresc{#1}{\d@nh}{2}} +\let\tdecresc\tcresc + +\def\ilcresc#1{\Icresc{#1}{\d@nh}{-4}} +\def\ildecresc#1{\Idecresc{#1}{\d@nh}{-4}} +\def\tlcresc#1{\Tcresc{#1}{\d@nh}{-2}} +\let\tldecresc\tlcresc + +\def\ircresc#1{\Icresc{#1}{\d@nh}{4}} +\def\irdecresc#1{\Idecresc{#1}{\d@nh}{4}} +\def\trcresc#1{\Tcresc{#1}{\d@nh}{-6}} +\let\trdecresc\trcresc + +% for compatibility with old MusiXTeX slurs ... +\let\Tslur\tslur +\let\Ttie\ttie +\let\issluru\irsluru +\let\isslurd\irslurd +\let\tsslur\tLslur +\def\ibsluru#1#2{\iSlur{#1}{#2}8{\psrslurskip}} +\def\ibslurd#1#2{\iSlur{#1}{#2}{-8}{\psrslurskip}} +\def\tubslur#1#2{\tSlur{#1}{#2}8{\psrslurskip}{\psslurhgt}{\psslurangul}} +\def\tdbslur#1#2{\tSlur{#1}{#2}8{\pslslurskip}{\psslurhgt}{\psslurangul}} +\let\tbsluru=\tubslur +\let\tbslurd=\tdbslur +\let\istieu\irtieu +\let\istied\irtied +\let\itenu\irtieu +\let\itenl\irtied +\let\tstie\tltie +\let\tten\tltie +\let\Itenu\istieu +\let\Itenl\istied +\let\Liftslur\liftslur +% p1 p2 sense len +\def\slur#1#2#3#4{\csname islur#3\endcsname{99}{#1}% + \rlap{\hskip#4\noteskip\tslur{99}{#2}}} +\def\tie#1#2#3{\csname itie#2\endcsname{99}{#1}% + \rlap{\hskip#3\noteskip\ttie{99}}} + +\catcode`\@=\catcodeat + +\endinput + +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% + + +USAGE: +~~~~~~ +Basic usage is: + +\isluru0g - starts upper slur with ID 0 above the note 'g' +\tslur0i - terminates slur with ID 0. It will end above or below + the note 'i' with respect to the slur direction + +You can shift the starting or ending point slightly to the left +or right using \ilsluru, \ilslurd, \irsluru, \irslurd, \trslur and \tlslur. + +And finally you can make the slur a bit more flat than default +( \tfslur0f ), higher ( \thslur0f ), more higher ( \tHslur0f ) or +even more higher ( \tHHslur0f ). All combinations with shifting are +allowed (see the abbreviations above). These commands act like +\midslur for standard slurs. + +If this is not sufficient, you can use the \iSlur and \tSlur and adjust the +parameter as you want (see comments above their definitions) or even change +the default parameters. + +NOTE 1: The identification parameter should be a number greater + or equal to 0 and lower than 10. You can use even higher + numbers, but slurs, ties and crescendos with ID >10 + can not go over page break but can go across line break. + Slurs, ties and crescendos with ID >14 can't be breaked at all + (these slurs also can not be exactly positioned at a beam, so + don't use for example \tbslur{16}0; \ibslur{16}0 is safe). + If you know that a line break can not occur inside the slur + (probably inside a bar) you can happily use numbers + up to 2^31-1, which is also the maximal number of + simultaneously opened slurs :-). Such slurs will be also + a bit faster... + +NOTE 2: You can start a slur, tie and crescendo with the same ID, + the ID's are independent. This is not true for crescendos + and decrescendos. That means you can say \isluru0f\icresc0, + but not \icresc0\idecresc0, in which case you'll get a warning + message and the first crescendo will be forgotten. + +There are also macros for slurs begining or ending at a beam: + +\iBsluru{slur ID}{beam ID} +\iBslurd{slur ID}{beam ID} +\tBslur{slur ID}{beam ID} + +They are NOT THE SAME as for the original slurs, but a bit smarter... + +for example: + +\Notes\ibu0i0\iBsluru00\qb0{eh}\tbu0\qb0i\ibu0j0\qb0{jl}\tbu0% + \setslurtext{6}\tBslur00\qb0e\en + +The \slurtext works for PostScript slurs exactly the same way as +for the bitmapped ones. When you say '\slurtext3', a number '3' will +be typeset in the middle of the next closed slur. +The position of the reference point of the box with text will be +exactly in the middle horizontally and adjusted according to the +height of the box in case of upper slur. + +This works only for non-breaked slurs, if the slur is breaked, +the text disappears. + +The placing of the slur text is done with a very dirty PostScript +hack, so I am not really sure that everything you want to typeset +will be placed at the correct position (if you are interested, see +the end of psslurs.pro for details). If you find something that won't +work, let me know. + +There is also an unpleasant side-effect: when you look at the +DVI-file with some standard (non-PostScript) driver, the figure will +be placed at the end of the slur instead of the middle. From obvious +reasons this can't be fixed --- TeX can't know where the middle is, +as the slur shape is defined by a PostScript program. + + +General coding is very simple: + +\i[h.shift]slur[u|d]{slur ID}{note height} +\t[h.shift][slur height]slur{slur ID}{note height} + +\iBslur[u|d]{slur ID}{beam ID} +\tB[slur height]slur{slur ID}{beam ID} + +where h. shift can be 'l', 'r' or nothing +and slur height can be 'f', nothing, 'h', 'H' or 'HH' + +Mnemonics: \tlfslur means 'terminate left flat slur'. + + +There are also simple slurs with same invocation and parameters as the +original ones. + + +Similarly the ties: +~~~~~~~~~~~~~~~~~~~ +\itieu0e +\ttie0 + +\i[h.shift]tie[u|d]{ID}{note height} +\t[h.shift]tie{ID} + + +And crescendos: +~~~~~~~~~~~~~~~ +\icresc0 +\tcresc0 draws a crescendo at a default position (defined with + \setcrescheight) + +NOTE 1: \tcresc is the same as \tdecresc. + +NOTE 2: The coding of crescendos is incompatible with original crescendos. + The difference (as you notices) is in defining the type + (crescendo/decrescendo) at the beginning instead of the end. + This can't be fixed, because the TeX must know this at the end + of the line when the crescendo is breaked. + + +You can shift the starting and ending point horizontally with + +\ilcresc \ildecresc +\ircresc \irdecresc +\tlcresc \tldecresc +\trcresc \trdecresc + +to get some space for \mf, \ff etc. + + +Furthermore, you can say: + +\Icresc0{-6}0 +\Tcresc0{-8}2 + +and you will get crescendo with ending point lower than the begining +one. (The '0' and '2' at the end is horizontal offset in \internote +from the current point.) Due to some implemenational reasons, you must +use numbered height when specifying the altitude of the crescendos. + + + +Dotted slurs and ties +~~~~~~~~~~~~~~~~~~~~~ +The slurs and ties can be dotted, when you say \dotted anywhere before +the begining of the slur or tie. The first slur or tie following this +command will then be drawed with dotted line. + +[dangerous bend] When you say \Dotted, then ALL slurs and ties + from this point will be dotted until you say +\Solid. Furthermore, inside the \Dotted...\Solid you can make single slur or +tie solid saying \solid before its begining. + +NOTE: These macros are taken into account only at the begining + of the slur or tie. + + +Collisions of slurs/ties and staff lines +~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ +In PostScript it is possible to do some computations, which are very hard +to implement in TeX. One of neat features of the PS slurs and ties is a +check, whether the curve passes close the staff line and if so, adjustment +of the altitude of the curve to avoid collision ("black triangles" or narrow +white space). You can turn this feature on globally (\Sluradjust, +\Tieadjust) or locally (\sluradjust, \tieadjust), or disable it either +globally (\Nosluradjust, \Notieadjust) or locally (\nosluradjust, +\notieadjust). Default is \Sluradjust and \Notieadjust. "Locally" +means before the next opening command of the slur or tie. + + +Line breaking: +~~~~~~~~~~~~~~ +The slurs, ties and crescendos going across the line breaks are handled +automatically. Of course they can go over more lines than two (this is +true also for ties, though it would be somewhat strange). + +There is the classic \breakslur implemented, which sets the height of the +ending point slur at the end of a line to given number of \internotes. + +There is also a switch, \ifslopebrkslurs, indicating whether the ending point +of the first segment of the breaked slur (at the end of the line) should +be automatically raised by 3 \internote. You can turn this feature on by +the \slopebrkslurstrue and off by \slopebrkslursfalse commands, default +is false. + +You can raise or lower the starting point of the slur at the begining of +the next line with the command \liftslur with ID and the relative offset in +\internotes measured from the slur beginning height. Its usage and behavior +is the same as of the original \liftslur, only it is not necessary to code +it in \atnextstaff{}, just anywhere inside the slur. + +Similar is \liftcresc, but it works only for the middle part of crescendos +broken into three parts. The height of the last part of a broken crescendo +is defined with the height parameter of \Tcresc. + +As said before, anything with ID <10 is breaked fully automatically, but +you should be careful about the slurs, ties and crescendos with 10 <= ID < 15. +These can not go acress PAGE break, otherwise you'll get a PostScript error +like 's11hgt undefined'. Of course the LINE breaking works for them +automatically too. + +When a tie is continuead after breaking at the very beginning of a line, +only a half of the tie is drawn (the 'very beginning' means that the tie +would be less than 15pt long). To forbid this feature, say \nohalfties +(default is \halfties). A font called mxsk is necessary for \halfties. + + +Backwards compatibility +~~~~~~~~~~~~~~~~~~~~~~~ + +There are several "aliases" which allow to use the old, bitmapped slur +commands for PS slurs without any change. There are however a few differences: +- the \invertslur is not implemented yet +- the \curve and \midslur macros have no effect + + + + +Memory requrements +~~~~~~~~~~~~~~~~~~ + +I have tried to make the macros as small and fast as possible. The problem +about them is not in their size, but in their output. Each \i... and \t... +produces a \special command, which must be stored into the TeX's main memory. +Therefore, if too many slur occurs in one page, some memory troubles could +occur. In that case either use BigTeX (but I suppose you already do), or +use the bitmapped slurs. + + + +About the PS header: +~~~~~~~~~~~~~~~~~~~~ +The slurs need the PS header file psslurs.pro to be included into the +output PostScript file. You have to say this to dvips with command + +\special{header=psslurs.pro} + +placed anywhere inside the piece. As default, this is done when \inputting +the MusiXpss, but if you include the MusiXpss.tex into a format, the first +page of your document will be always empty. If you want the macros included +in your format file, comment the line 13 of this file and don't forget +to copy it into your source file. + +Warning to dvidvi users: If you select a set of pages from your document, +don't forget to include the page in which the \special command was used +(default is first page). Otherwise the dvips won't find this command and +won't include the header file, putting the PostScript device into a serious +problems. You can also use the "-h psslurs.pro" option to tell dvips to add +the header file manually. + + +About the slur shape: +~~~~~~~~~~~~~~~~~~~~~ +The shape is defined via trapezium: + + c + <----> b + <-----------------------------------------> + _ _ _________________________________ _ _ + | /^1 _____/ ^2 ^3 ^4\_____ 5^\ | ^ + / __/ \___ \ | + | /_/ \ \_\ | | + // this is the 'slur' \\ | a + |/ \\| | + |_________________________________________| v + 0 6 + +Points 0 and 6 are the starting and ending points. When the slope is not +zero, the trapezium is simply rotated, NOT slanted. + +'a' is computed as sqrt(b)*2, bounded with <3,\psslurmaxhgt> and multiplied +by the given height coeficient (see \tSlur and \t..slur, defaults to 1) +The units are not equal to anything common, the values were found +after a lot of testing. + +'c' is computed as angularity*b. Default angularity is 0.17, reasonable +values should lie in <0.1, 0.3>. + +Then the shape is corrected when the slur is so steep that its extreme +in horizontal direction lies inside the slur and shifted up or down +if it's top would be too close to nearest staff line (!!!!!!!!). + +The slur then consists of two bezier curves: +from 0 to 3 with control points 1 and 2 and +from 3 to 6 with control points 4 and 5. + +The shading is made according to its length and current \internote. + + + +If you are interested, see a slightly commented PS code in psslurs.pro. + +Bug reports and complainments are welcomed at: + + Stanislav Kneifl, + + standa@hiero.cz + + + +HISTORY +~~~~~~~ + +0.93 (17.2.2015) + changed definitions of AR, GDAR and GD to avoid collisions in certain PS files + +0.92 (12.5.2002) + added: \nosluradjust, \sluradjust, \notieadjust, \tieadjust + added: \slopebrkslurtrue, \slopebrkslurfalse + fixed: shaded slurs now do not break up to separate curves + at high resolutions + +0.91 (10.1.2002) + First public release, adopted from OpusTeX version. diff --git a/macros/generic/musixtex/tex/musixref.tex b/macros/generic/musixtex/tex/musixref.tex new file mode 100644 index 0000000000..dd7c9b92d8 --- /dev/null +++ b/macros/generic/musixtex/tex/musixref.tex @@ -0,0 +1,305 @@ +% +% This file is part of MusiXTeX +% +% MusiXTeX is free software; you can redistribute it and/or modify +% it under the terms of the GNU General Public License as published by +% the Free Software Foundation; either version 2, or (at your option) +% any later version. +% +% MusiXTeX is distributed in the hope that it will be useful, +% but WITHOUT ANY WARRANTY; without even the implied warranty of +% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the +% GNU General Public License for more details. +% +% You should have received a copy of the GNU General Public License +% along with MusiXTeX; see the file COPYING. If not, write to +% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, +% Boston, MA 02111-1307, USA. +% + +%format musix + +% version compatible with T103 12 Aug. 2001 D. Taupin + +%II 59.9 + +\input musixtex +%\input musixcpt +\input musixhou +\input musixper +\input musixlit +\input musixgre +\input musixext + +\parindent 0mm +\nopagenumbers\nobarnumbers + +\ifx\MusiXTeX\indefined\def\MusiXTeX{MusiX\TeX}\fi +%\centerline{\cmbxbig\MusiXTeX---Reference}\medskip +\centerline{\Bigfont\MusiXTeX---Reference}\medskip +\centerline{\bigfont Pitches}\medskip +\tt +\def\bs{\char92} +\setclef1{6000} +\afterruleskip2pt +\startmuflex\startpiece +% +% Pitches +% +\addspace\afterruleskip +\notes\wh{`ABCDEFG!ABCDEFGHIJKLMNabcde}\off{-26\noteskip}% + \zchar{14}{\llap`A}\sk + \zchar{14}{\llap`B}\sk + \zchar{14}{\llap`C}\sk + \zchar{14}{\llap`D}\sk + \zchar{14}{\llap`E}\sk + \zchar{14}{\llap`F}\sk + \zchar{14}{\llap`G}\sk + \zchar{14}A\sk + \zchar{14}B\sk + \zchar{14}C\sk + \zchar{14}D\sk + \zchar{14}E\sk + \zchar{14}F\sk + \zchar{14}G\sk + \zchar{-5}{\llap'A}\zchar{14}H\sk + \zchar{-5}{\llap'B}\zchar{14}I\sk + \zchar{-5}{\llap'C}\zchar{14}J\sk + \zchar{-5}{\llap'D}\zchar{14}K\sk + \zchar{-5}{\llap'E}\zchar{14}L\sk + \zchar{-5}{\llap'F}\zchar{14}M\sk + \zchar{-5}{\llap'G}\zchar{14}N\sk + \zchar{14}a\sk + \zchar{14}b\sk + \zchar{14}c\sk + \zchar{14}d\sk + \zchar{14}e\sk\en +\stoppiece\vskip-3\Interligne\setclef1{0000}\contpiece +\notes\wh{abcdefghijklmnopqrstuvwxyz}\off{-26\noteskip}% + \zchar{-8}a\sk + \zchar{-8}b\sk + \zchar{-8}c\sk + \zchar{-8}d\sk + \zchar{-8}e\sk + \zchar{-8}f\sk + \zchar{-8}g\sk + \zchar{-8}h\zchar{-4}{\llap'a}\sk + \zchar{-8}i\zchar{-4}{\llap'b}\sk + \zchar{-8}j\zchar{-4}{\llap'c}\sk + \zchar{-8}k\zchar{-4}{\llap'd}\sk + \zchar{-8}l\zchar{-4}{\llap'e}\sk + \zchar{-8}m\zchar{-4}{\llap'f}\sk + \zchar{-8}n\zchar{-4}{\llap'g}\sk + \zchar{-8}o\zchar{-4}{\llap{'\kern-2pt'}a}\sk + \zchar{-8}p\zchar{-4}{\llap{'\kern-2pt'}b}\sk + \zchar{-8}q\zchar{-4}{\llap{'\kern-2pt'}c}\sk + \zchar{-8}r\zchar{-4}{\llap{'\kern-2pt'}d}\sk + \zchar{-8}s\zchar{-4}{\llap{'\kern-2pt'}e}\sk + \zchar{-8}t\zchar{-4}{\llap{'\kern-2pt'}f}\sk + \zchar{-8}u\zchar{-4}{\llap{'\kern-2pt'}g}\sk + \zchar{-8}v\zchar{-4}{\llap{'\kern-2pt'\kern-2pt'}a}\sk + \zchar{-8}w\zchar{-4}{\llap{'\kern-2pt'\kern-2pt'}b}\sk + \zchar{-8}x\zchar{-4}{\llap{'\kern-2pt'\kern-2pt'}c}\sk + \zchar{-8}y\zchar{-4}{\llap{'\kern-2pt'\kern-2pt'}d}\sk + \zchar{-8}z\zchar{-4}{\llap{'\kern-2pt'\kern-2pt'}e}\sk\en +\stoppiece +\medskip\centerline{\bigfont Notes, Accidentals, Accents, Clefs and Rests} +\medskip +% +% Notes& Accidentals +% +\contpiece +\Notes + \zchar{-4}{Accidentals:}% + \zchar9{\bs zmaxima}\zmaxima i\sk + \zchar{12}{\bs zlonga}\zlonga i\sk + \zchar9{\bs zbreve}\zbreve i\sk + \zchar{12}{\bs zwq}\zwq i\sk + \zchar{12}{\bs wh}\wh i% + \zchar{12}{\bs hu}\zchar{-4}>\hu{>f}% + \zchar{12}{\bs hl}\loff{\zchar{-4}{\bs cdsh}}\cdsh l\hl l% + \zchar{12}{\bs qu}\zchar{-4}\^\qu{^f}% + \zchar{12}{\bs ql}\loff{\zchar{-4}{\bs csh}}\csh l\ql l% + \zchar{12}{\bs cu}\zchar{-4}=\cu{=f}% + \zchar{12}{\bs cl}\loff{\zchar{-4}{\bs cna}}\cna l\cl l% + \zchar{12}{\bs ccu}\zchar{-4}\_\ccu{_f}% + \zchar{12}{\bs ccl}\loff{\zchar{-4}{\bs cfl}}\cfl l\ccl l% + \zchar{12}{\bs cccu}\zchar{-4}<\cccu{0 \def\bslstr##1{$\backslash$##1} \else\def\bslstr##1{} \fi +$$\vbox{ +\halign{ ## \quad & ## & ## \hfill & ## \hfill & ## \hfill & ## \hfill \cr +\ifnum #1=1 & & Explication des signes & Explanation of the signs & Zeichenerkl\"arung & Jelek magyar\'azata \cr \fi +\ifnum #1=0 & & {\bf Explication des signes} & {\bf Explanation of the signs} & {\bf Zeichenerkl\"arung} & {\bf Jelek magyar\'azata} \cr \fi +\cr + \AB & \bslstr{AB} & Tirez l'archet & down-bow & Abstrich & Lefel\'e \cr +\ifnum #1>0 \downbow & \bslstr{downbow} & Tirez l'archet & down-bow & Abstrich & Lefel\'e \cr \fi + \AUF & \bslstr{AUF} & Poussez l'archet & up-bow & Aufstrich & F\"olfel\'e \cr +\ifnum #1>0 \upbow & \bslstr{upbow} & Poussez l'archet & up-bow & Aufstrich & F\"olfel\'e \cr \fi +\cr + \SP & \bslstr{SP} & A la pointe & at the top & An der Spitze & Cs\'ucsn\'al \cr + \FR & \bslstr{FR} & Au talon & at the nut & Am Frosch & K\'ap\'an\'al \cr +\cr + \GB & \bslstr{GB} & Tout l'archet & whole bow & Ganzer Bogen & Eg\'esz von\'oval \cr +\ifnum #1>0 \Gb & \bslstr{Gb} & Tout l'archet & whole bow & Ganzer Bogen & Eg\'esz von\'oval \cr \fi + \UH & \bslstr{UH} & La moiti\'e inf\'erieure ... & lower half & Untere H\"alfte & A von\'o als\'o fele \cr +\ifnum #1>0 \Uh & \bslstr{Uh} & La moiti\'e inf\'erieure ... & lower half & Untere H\"alfte & A von\'o als\'o fele \cr \fi + \OH & \bslstr{OH} & La moiti\'e sup\'erieure ... & upper half & Obere H\"alfte & A von\'o fels\H{o} fele \cr +\ifnum #1>0 \Oh & \bslstr{Oh} & La moiti\'e sup\'erieure ... & upper half & Obere H\"alfte & A von\'o fels\H{o} fele \cr \fi + \MI & \bslstr{MI} & Au milieu ... & middle & In der Mitte & K\"oz\'epen \cr +\ifnum #1>0 \Mi & \bslstr{Mi} & Au milieu ... & middle & In der Mitte & K\"oz\'epen \cr \fi + \UD & \bslstr{UD} & Le premier tiers ... & lower third & Unteres Drittel & A von\'o als\'o harmada \cr +\ifnum #1>0 \Ud & \bslstr{Ud} & Le premier tiers ... & lower third & Unteres Drittel & A von\'o als\'o harmada \cr \fi + \OD & \bslstr{OD} & Le troisi\`eme tiers ... & upper third & Oberes Drittel & A von\'o fels\H{o} harmada \cr +\ifnum #1>0 \Od & \bslstr{Od} & Le troisi\`eme tiers ... & upper third & Oberes Drittel & A von\'o fels\H{o} harmada \cr \fi + & & \hfill ... de l'archet \cr +\cr + \Pizz & \bslstr{Pizz} & Pincez avec la main & left hand pizzicato & Pizzicato der linken & piccikat\'o bal k\'ezzel \cr + & & gauche & & Hand \cr + \Tr & \bslstr{Tr} & (ou trille) & (or trille) & (oder Triller) & (vagy trilla) \cr +}}$$} + diff --git a/macros/generic/musixtex/tex/musixstf.tex b/macros/generic/musixtex/tex/musixstf.tex new file mode 100644 index 0000000000..a73cf021ff --- /dev/null +++ b/macros/generic/musixtex/tex/musixstf.tex @@ -0,0 +1,28 @@ +% musixstr.ref + +\input musixstr +\input musixste + +\parindent0pt\nopagenumbers + +\def\T#1{\zcharnote g{#1}\qa d} +\def\Sk#1{\off{0.#1\noteskip}} + +\centerline{\bigfont MusiXSTRings}\smallskip + +\nostartrule\def\nbinstruments{1}\generalsignature{0} +\startmuflex\startpiece\transpose=7% +\NOtes\Sk5% + \T{\downbow}\T{\AB}\T{\upbow}\T{\AUF}% + \T{\SP}\T{\FR}\T{\GB}\T{\Gb}\T{\UH}\T{\Uh}\T{\OH}% + \T{\Oh}\T{\MI}\T{\Mi}\T{\UD}\T{\Ud}\T{\OD}\T{\Od}% + \T{\Pizz}\T{\Tr}\en +\stoppiece\endmuflex + +\bigskip{\bf$\backslash$explainstr1}\smallskip\explainstr1 +\bigskip{\bf$\backslash$explainstr0}\smallskip\explainstr0 + +\vfill\eject + +\bye + diff --git a/macros/generic/musixtex/tex/musixstr.tex b/macros/generic/musixtex/tex/musixstr.tex new file mode 100644 index 0000000000..ac23af18f4 --- /dev/null +++ b/macros/generic/musixtex/tex/musixstr.tex @@ -0,0 +1,47 @@ +% +% This file is part of MusiXTeX +% +% MusiXTeX is free software; you can redistribute it and/or modify +% it under the terms of the GNU General Public License as published by +% the Free Software Foundation; either version 2, or (at your option) +% any later version. +% +% MusiXTeX is distributed in the hope that it will be useful, +% but WITHOUT ANY WARRANTY; without even the implied warranty of +% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the +% GNU General Public License for more details. +% +% You should have received a copy of the GNU General Public License +% along with MusiXTeX; see the file COPYING. If not, write to +% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, +% Boston, MA 02111-1307, USA. +% +\immediate\write16{MUsiXSTRingaccents T.57\space<6 September 1996>}% + +% accents for strings by Werner Icking (Werner.Icking@gmd.de) + +\let\AB\downbow +\let\AUF\upbow +\def\SP{$\mathrel\triangleleft\joinrel\mid$} +\def\FR{$\mapstochar\mathrel=\joinrel\mid$} +\def\GB{$\longleftrightarrow$} +\def\Gb{$\leftrightarrow$} +\def\UH{$\longleftarrow$} +\def\Uh{$\leftarrow$} +\def\OH{$\longrightarrow$} +\def\Oh{$\rightarrow$} +\def\MI{$\mapstochar\relbar\joinrel\relbar\joinrel\mapstochar$} +\def\Mi{$\mapstochar\relbar\joinrel\mapstochar$} +\def\UD{$\longleftarrow\joinrel\mapstochar$} +\def\Ud{$\leftarrow\joinrel\mapstochar$} +\def\OD{$\mapstochar\longrightarrow$} +\def\Od{$\mapstochar\rightarrow$} + + + + +\def\Pizz{\kern-.3pt{\sevenrm+}} +\let\Tr\Pizz + +\endinput + diff --git a/macros/generic/musixtex/tex/musixsty.tex b/macros/generic/musixtex/tex/musixsty.tex new file mode 100644 index 0000000000..794a7ce336 --- /dev/null +++ b/macros/generic/musixtex/tex/musixsty.tex @@ -0,0 +1,388 @@ +% +% This file is part of MusiXTeX +% +% MusiXTeX is free software; you can redistribute it and/or modify +% it under the terms of the GNU General Public License as published by +% the Free Software Foundation; either version 2, or (at your option) +% any later version. +% +% MusiXTeX is distributed in the hope that it will be useful, +% but WITHOUT ANY WARRANTY; without even the implied warranty of +% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the +% GNU General Public License for more details. +% +% You should have received a copy of the GNU General Public License +% along with MusiXTeX; see the file COPYING. If not, write to +% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, +% Boston, MA 02111-1307, USA. +% +\ifx\undefined\Tenpoint \else \endinput\fi + +\immediate\write16{MusiXtextSTYle T.123\space<04 March 2016>}% + +% modified by RDT to be independent of Computer Modern (other than Math fonts) +% RDT: added \headline{..} in \maketitle + +\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 +\edef\catcode@gt{\the\catcode`\>}\catcode`\>=12 +\edef\catcode@lt{\the\catcode`\<}\catcode`\<=12 + +% non musical procedures used in typesetting the non-musical +% texts together with musictex + +% eight point math fonts + +\font\eighti=cmmi8 \skewchar\eighti='177 +\font\eightsy=cmsy8 \skewchar\eightsy='60 +% +% nine point math fonts +% +\font\ninei=cmmi9 \skewchar\ninei='177 +\font\ninesy=cmsy9 \skewchar\ninesy='60 +% +% eleven point math fonts (RDT: not used?) +% +\font\eleveni=cmmi10 scaled \magstephalf \skewchar\eleveni='177 +\font\elevensy=cmsy10 scaled \magstephalf \skewchar\elevensy='60 +% +% twelve point math fonts +% +\font\twelvei=cmmi12 \skewchar\twelvei='177 +\font\twelvesy=cmsy10 scaled \magstep1 \skewchar\twelvesy='60 +% +% fourteen point math fonts +% +\font\frti=cmmi12 scaled \magstep1 \skewchar\frti='177 +\font\frtsy=cmsy10 scaled \magstep2 \skewchar\frtsy='60 +% +% seventeen point math fonts +% +\font\svti=cmmi12 scaled \magstep2 \skewchar\svti='177 +\font\svtsy=cmsy10 scaled \magstep3 \skewchar\svtsy='60 +% +% twenty point math fonts +% +\font\twtyi=cmmi12 scaled \magstep3 \skewchar\twtyi='177 +\font\twtysy=cmsy10 scaled \magstep4\skewchar\twtysy='60 +% +% twenty five point math fonts +% +\font\twfvi=cmmi12 scaled \magstep4 \skewchar\twfvi='177 +\font\twfvsy=cmsy10 scaled \magstep5 \skewchar\twfvsy='60 +% +% +% SEVERAL DIFFERENT POINT SIZES +% +\def\Twfvpoint{\normalbaselineskip=30pt + \def\rm{\fam0\twfvrm}% + \def\it{\fam\itfam\twfvit}% + \def\sl{\fam\slfam\twfvsl}% + \def\bf{\fam\bffam\twfvbf}% + \def\smc{\twfvrm}% + \def\mit{\fam 1}% + \def\cal{\fam 2}% + \textfont0=\twfvrm \scriptfont0=\twtyrm \scriptscriptfont0=\svtrm + \textfont1=\twfvi \scriptfont1=\twtyi \scriptscriptfont1=\svti + \textfont2=\twfvsy \scriptfont2=\twtysy \scriptscriptfont2=\svtsy + \textfont3=\tenex \scriptfont3=\tenex \scriptscriptfont3=\tenex + \textfont\itfam=\twfvit \scriptfont\itfam=\twtyit + \textfont\slfam=\twfvsl \scriptfont\slfam=\twtysl + \textfont\bffam=\twfvbf \scriptfont\bffam=\twtybf + \scriptscriptfont\bffam=\twtybf + \setbox\strutbox=\hbox{\vrule height 22pt depth 8pt width 0pt}% + \def\tt{\twfvtt}\normalbaselines\rm +} +\def\twfvpoint{\Twfvpoint} +% +\def\Twtypoint{\normalbaselineskip=25pt + \def\rm{\fam0\twtyrm}% + \def\it{\fam\itfam\twtyit}% + \def\sl{\fam\slfam\twtysl}% + \def\bf{\fam\bffam\twtybf}% + \def\smc{\twtyrm}% + \def\mit{\fam 1}% + \def\cal{\fam 2}% + \textfont0=\twtyrm \scriptfont0=\svtrm \scriptscriptfont0=\frtrm + \textfont1=\twtyi \scriptfont1=\svti \scriptscriptfont1=\frti + \textfont2=\twtysy \scriptfont2=\svtsy \scriptscriptfont2=\frtsy + \textfont3=\tenex \scriptfont3=\tenex \scriptscriptfont3=\tenex + \textfont\itfam=\twtyit \scriptfont\itfam=\svtit + \textfont\slfam=\twtysl \scriptfont\slfam=\svtsl + \textfont\bffam=\twtybf \scriptfont\bffam=\svtbf + \scriptscriptfont\bffam=\svtbf + \setbox\strutbox=\hbox{\vrule height 18pt depth 7pt width 0pt}% + \def\tt{\twtytt}\normalbaselines\rm} +\def\twtypoint{\Twtypoint} +% +\def\Svtpoint{\normalbaselineskip=21pt + \def\rm{\fam0\svtrm}% + \def\it{\fam\itfam\svtit}% + \def\sl{\fam\slfam\svtsl}% + \def\bf{\fam\bffam\svtbf}% + \def\smc{\svtrm}% + \def\mit{\fam 1}% + \def\cal{\fam 2}% + \textfont0=\svtrm \scriptfont0=\frtrm \scriptscriptfont0=\twelverm + \textfont1=\svti \scriptfont1=\frti \scriptscriptfont1=\twelvei + \textfont2=\svtsy \scriptfont2=\frtsy \scriptscriptfont2=\twelvesy + \textfont3=\tenex \scriptfont3=\tenex \scriptscriptfont3=\tenex + \textfont\itfam=\svtit \scriptfont\itfam=\frtit + \textfont\slfam=\svtsl \scriptfont\slfam=\frtsl + \textfont\bffam=\svtbf \scriptfont\bffam=\frtbf + \scriptscriptfont\bffam=\frtbf + \setbox\strutbox=\hbox{\vrule height 14.5pt depth 6.5pt width 0pt}% + \def\tt{\svttt}\normalbaselines\rm} +\def\svtpoint{\Svtpoint} +% +\def\Frtpoint{\normalbaselineskip=17pt + \def\rm{\fam0\frtrm}% + \def\it{\fam\itfam\frtit}% + \def\sl{\fam\slfam\frtsl}% + \def\bf{\fam\bffam\frtbf}% + \def\smc{\frtrm}% + \def\mit{\fam 1}% + \def\cal{\fam 2}% + \textfont0=\frtrm \scriptfont0=\twelverm \scriptscriptfont0=\eightrm + \textfont1=\frti \scriptfont1=\twelvei \scriptscriptfont1=\eighti + \textfont2=\frtsy \scriptfont2=\twelvesy \scriptscriptfont2=\eightsy + \textfont3=\tenex \scriptfont3=\tenex \scriptscriptfont3=\tenex + \textfont\itfam=\frtit \scriptfont\itfam=\twelveit + \textfont\slfam=\frtsl \scriptfont\slfam=\twelvesl + \textfont\bffam=\frtbf \scriptfont\bffam=\twelvebf + \scriptscriptfont\bffam=\twelvebf + \setbox\strutbox=\hbox{\vrule height 12pt depth 5pt width 0pt}% + \def\tt{\frttt}\normalbaselines\rm} +\def\frtpoint{\Frtpoint} +% +\def\Twlpoint{\normalbaselineskip=14pt + \def\rm{\fam0\twelverm}% + \def\it{\fam\itfam\twelveit}% + \def\sl{\fam\slfam\twelvesl}% + \def\bf{\fam\bffam\twelvebf}% + \def\smc{\twelverm}% + \def\mit{\fam 1}% + \def\cal{\fam 2}% + \textfont0=\twelverm \scriptfont0=\tenrm \scriptscriptfont0=\eightrm + \textfont1=\twelvei \scriptfont1=\teni \scriptscriptfont1=\eighti + \textfont2=\twelvesy \scriptfont2=\tensy \scriptscriptfont2=\eightsy + \textfont3=\tenex \scriptfont3=\tenex \scriptscriptfont3=\tenex + \textfont\itfam=\twelveit \scriptfont\itfam=\tenit + \textfont\slfam=\twelvesl \scriptfont\slfam=\tensl + \textfont\bffam=\twelvebf \scriptfont\bffam=\tenbf + \scriptscriptfont\bffam=\tenbf + \setbox\strutbox=\hbox{\vrule height 10pt depth 4pt width 0pt}% + \def\tt{\twelvett}\normalbaselines\rm} +\def\twlpoint{\Twlpoint} +\def\twelvepoint{\Twlpoint} +% +\def\Tenpoint{\normalbaselineskip\tw@lv@\p@ + \def\rm{\fam\z@\tenrm}% + \def\it{\fam\itfam\tenit}% + \def\sl{\fam\slfam\tensl}% + \def\bf{\fam\bffam\tenbf}% + \let\smc\tenrm + \def\mit{\fam\@ne}% + \def\cal{\fam\tw@}% + \textfont0\tenrm \scriptfont0\eightrm \scriptscriptfont0\eightrm + \textfont1\teni \scriptfont1\eighti \scriptscriptfont1\eighti + \textfont2\tensy \scriptfont2\eightsy \scriptscriptfont2\eightsy + \textfont3\tenex \scriptfont3\tenex \scriptscriptfont3\tenex + \textfont\itfam\tenit \scriptfont\itfam=\eightit + \textfont\slfam\tensl \scriptfont\slfam=\eightsl + \textfont\bffam\tenbf \scriptfont\bffam\eightbf + \scriptscriptfont\bffam\eightbf + \setbox\strutbox\hbox{\vrule\@height8\h@lf\p@\@depth3\h@lf\p@\@width\z@}% + \let\tt\tentt \normalbaselines\rm} +\let\tenpoint\Tenpoint + +\def\Eightpoint{\normalbaselineskip\t@n\p@ + \def\rm{\fam\z@\eightrm}% + \def\it{\fam\itfam\eightit}% + \def\sl{\fam\slfam\eightsl}% + \def\bf{\fam\bffam\eightbf}% + \def\tt{\eighttt} + \def\mit{\fam\@ne}% + \def\cal{\fam\tw@}% + \textfont0\eightrm \scriptfont0\eightrm \scriptscriptfont0\eightrm + \textfont1\eighti \scriptfont1\eighti \scriptscriptfont1\eighti + \textfont2\eightsy \scriptfont2\eightsy \scriptscriptfont2\eightsy + \textfont3\tenex \scriptfont3\tenex \scriptscriptfont3\tenex + \textfont\itfam\eightit + \textfont\slfam\eightsl + \textfont\bffam\eightbf \scriptfont\bffam\eightbf + \scriptscriptfont\bffam\eightbf + \setbox\strutbox\hbox{\vrule\@height\s@v@n\p@\@depth\thr@@\p@\@width\z@}% + \normalbaselines\rm} +\def\eightpoint{\Eightpoint} +% +\def\Ninepoint{\normalbaselineskip=10pt + \def\rm{\fam0\ninerm}% + \def\it{\fam\itfam\nineit}% + \def\sl{\fam\slfam\ninesl}% + \def\bf{\fam\bffam\ninebf}% + \def\mit{\fam 1}% + \def\cal{\fam 2}% + \textfont0=\ninerm \scriptfont0=\ninerm \scriptscriptfont0=\ninerm + \textfont1=\ninei \scriptfont1=\ninei \scriptscriptfont1=\ninei + \textfont2=\ninesy \scriptfont2=\ninesy \scriptscriptfont2=\ninesy + \textfont3=\tenex \scriptfont3=\tenex \scriptscriptfont3=\tenex + \textfont\itfam=\nineit \scriptfont\itfam=\nineit + \textfont\slfam=\ninesl \scriptfont\slfam=\ninesl + \textfont\bffam=\ninebf \scriptfont\bffam=\ninebf + \scriptscriptfont\bffam=\ninebf + \setbox\strutbox=\hbox{\vrule height 7pt depth 3pt width 0pt}% + \def\tt{\ninettt}\normalbaselines\rm} +\def\ninepoint{\Ninepoint} + +% GENERAL FOOTNOTES + +\newcount\footmarkcount + +\def\resetfootnote{\global\footmarkcount\z@ } +\def\footmarknumber{\raise\smallvalue ex\hbox{% + \eightpoint\rm\the\footmarkcount}} + +\def\Footnote#1{\global\advance\footmarkcount\@ne + \footnote{\footmarknumber}{#1}} + +% \TeX book footnote +% En cas de panique: couper en deux (une seule note autorisee) + +\def\markfootnote{{\advance\footmarkcount\@ne \footmarknumber}} + +\def\realfootnote#1{\global\advance\footmarkcount\@ne + \vfootnote{{\footmarknumber}#1}} + +% to enable inserting different \hsize (two columns case) +\let\footnotehsize\empty + +\def\vfootnote#1{\insert\footins\bgroup\parskip\z@\eightpoint + \interlinepenalty\interfootnotelinepenalty + \splittopskip\ht\strutbox \advance\splittopskip\p@ + \splitmaxdepth\dp\strutbox \floatingpenalty20000 + \leftskip\z@ \rightskip\z@ + \spaceskip\z@ \xspaceskip\z@ + \eightpoint\footnotehsize\noindent{#1}\footstrut\futurelet\next\fo@t} + +\def\footnoterule{\vskip-\thr@@\p@\hrule\@width2truein \vskip 2.6\p@} + +\def\aujourdhui{\space\number\day\space% + \ifcase\month\or janvier\or f\'evrier\or mars\or avril\or mai\or juin\or + juillet\or ao\^ut\or septembre\or octobre\or novembre\or d\'ecembre\fi + \space\number\year} +\def\today{\space% + \ifcase\month\or January\or February\or March\or April\or May\or June\or + July\or August\or September\or October\or November\or December\fi + \space\number\day,\space\number\year} +\def\cenboxit#1{\centerline{\boxit{#1}}} +\def\Item{\medskip\item} + +\newdimen\theslant +\def\fup#1{\raise 0.8ex\hbox{\theslant=\fontdimen1\the\font\kernm.03em\kern \theslant\the\scriptfont\fam #1}} + +\def\umero{\fup{o}} +\def\ieme{\fup{e}} +\def\ier{\fup{er}} +\let\titremorceau\empty +\def\title#1{\def\titremorceau{#1}} +\def\shorttitle{\title} +\def\subtitle#1{\def\subt@itremorceau{#1}} +\let\headt@itremorceau\undefined +\def\headtitle#1{\def\headt@itremorceau{#1}} +\def\fulltitle{\headtitle} +\let\othert@itremorceau\empty +\def\othermention#1{\def\othert@itremorceau{#1}} + +\let\headl@ne\undefined +\def\headline#1{\def\headl@ne{#1}} + +\let\s@hortauthor\empty +\def\shortauthor#1{\def\s@hortauthor{(#1)}} + +\def\fullauthor#1{\def\f@ullauthor{#1}} +\def\author{\fullauthor} + +\newif\ifcopyright + +\def\outmorceau{\shipout\vbox{\vbox to \vsize{\vss\pagecontents\vss}\line{% +\ifodd\pageno\sl \titremorceau\ \s@hortauthor +\ifcopyright\rm$\copyright$\fi\hss \number\pageno +\else\rm\number\pageno\hss\sl \titremorceau\ \s@hortauthor +\ifcopyright\rm$\copyright$\fi\fi}}% + \global\advance\count0 by 1\relax + \ifnum\outputpenalty>-20000 \else\dosupereject\fi}% + +\output{\outmorceau} + +\def\maketitle{% +\ifx\headl@ne\undefined\else\line{\headl@ne}\bigskip\fi% for version 123 RDT +\centerline{\BIGfont \ifx\headt@itremorceau\undefined + \titremorceau\else\headt@itremorceau\fi} +\medskip +\ifx\subt@itremorceau\undefined\else + \centerline{\sl \subt@itremorceau} +\medskip +\fi + + +\hbox to \hsize{\vtop{\def\\{\hss\egroup\hbox to 0.5\hsize\bgroup\relax}\relax + \hbox to 0.5\hsize + \bgroup\othert@itremorceau\hss + \egroup + }\hss + \vtop{\def\\{\egroup\hbox to 0.5\hsize\bgroup\relax\hss}\relax + \hbox to 0.5\hsize + \bgroup\hss\f@ullauthor + \egroup + }} +\bigskip +} + + +\def\rectoverso#1{% +\def\outmorceau{\shipout\hbox{\null\ifodd\pageno\kern #1\relax + \else\kern -#1\relax + \fi + \vbox{\vbox to \vsize{\vss\pagecontents\vss}\line{% +\ifodd\pageno\sl \titremorceau\ \s@hortauthor +\ifcopyright\rm$\copyright$\fi\hss \number\pageno +\else\rm\number\pageno\hss\sl \titremorceau\ \s@hortauthor +\ifcopyright\rm$\copyright$\fi\fi}}}% + \global\advance\count0 by 1\relax + \ifnum\outputpenalty>-20000 \else\dosupereject\fi}% + +\output{\outmorceau}} + + + +\catcode`\>=\catcode@gt +\catcode`\<=\catcode@lt +\catcode`\@=\catcodeat + +%%% A4 (210mm x 297mm): +\hsize=190mm %%% adjust to increase/decrease printer margins +\vsize=270mm %%% adjust to increase/decrease printer margins +\hoffset=210mm\advance\hoffset-\hsize\divide\hoffset2 +\advance\hoffset-1.0in % TeX convention +\voffset=297mm\advance\voffset-\vsize\divide\voffset2 +\advance\voffset-1.0in % TeX convention + +%%% letter-size (8.5in x 11.0in): +%\hsize=7.5in %%% adjust to increase/decrease printer margins +%\vsize=10.0in %%% adjust to increase/decrease printer margins +%\hoffset=8.5in\advance\hoffset-\hsize\divide\hoffset2 +%\advance\hoffset-1.0in % TeX convention +%\voffset=11.0in\advance\voffset-\vsize\divide\voffset2 +%\advance\voffset-1.0in % TeX convention + +%%% To determine the *minimal* margins supported by your +%%% printer and check for printer mis-alignment, process +%%% testpage.tex with LaTeX and print the result. + +\tenpoint + +%%%%%%% adjust here for a non-centering printer %%%%%%%% +%\advance\hoffset 0mm +%\advance\voffset 0mm + +\endinput diff --git a/macros/generic/musixtex/tex/musixtex.tex b/macros/generic/musixtex/tex/musixtex.tex new file mode 100644 index 0000000000..a46abeec61 --- /dev/null +++ b/macros/generic/musixtex/tex/musixtex.tex @@ -0,0 +1,5970 @@ +% +% This file is part of MusiXTeX +% +% MusiXTeX is free software; you can redistribute it and/or modify +% it under the terms of the GNU General Public License as published by +% the Free Software Foundation; either version 2, or (at your option) +% any later version. +% +% MusiXTeX is distributed in the hope that it will be useful, +% but WITHOUT ANY WARRANTY; without even the implied warranty of +% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the +% GNU General Public License for more details. +% +% You should have received a copy of the GNU General Public License +% along with MusiXTeX; see the file COPYING. If not, write to +% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, +% Boston, MA 02111-1307, USA. +% +% +\ifx\undefined\startpiece \else \endinput \fi +\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 + +\ifx\makeatletter\undefined\def\makeatletter{\catcode`\@=11\relax}\fi +\ifx\makeatother\undefined\def\makeatother{\catcode`\@=12\relax}\fi + +\def\mufl@x{0.83}% +\def\mxmajorvernumber{1} +\def\mxminorvernumber{37} +\def\mxvernumber{\mxmajorvernumber\mxminorvernumber}% make it possible to compare with \ifnum +\def\mxversuffix{}% +\edef\mxversion{\mxmajorvernumber.\mxminorvernumber\mxversuffix} +\def\mxdate{2023-10-07} + +\immediate\write16{MusiXTeX(c) \mxversion\space<\mxdate>}% +\everyjob{\immediate\write16{MusiXTeX(c) \mxversion\space<\mxdate>}}% + +% version 1.37 +% +% added small ss fonts +% +% version 1.36 +% +% Support for Turkish classical music accidentalsi; see musixmkm.tex. +% Re-define \hlthick to produce thicker ledger lines. +% Provide thinner accidentals; see musixthacc.tex. +% Thicker Postscript hairpins. + +% version 1.35 +% +% This release includes a handwriting font from MuseScore and an extension +% library musixjt.tex to support it. + +% version 1.34 +% +% redefine \tabfnt... commands to allow re-definition in musixftab.tex +% decrement the number of slashes if tabstylespace is true +% + +% version 1.33a +% +% improved implementations of the tablature commands: +% + 4-7 slashes are replaced by numbers 4-7 +% + notehead-less stems are replaced by tiny notes (without ledger lines) + +% version 1.33 +% +% \tabfnt etc. now uses (Helvetica) bold +% replace ledger lines by slashes (/) for tablature notes below the staff +% new commands \tzqu, \tzcup, etc. for stems without noteheads, for use in tablature + +% version 1.32 + +% commented out spurious \let\doublebar\doublebar@II +% forbid line-breaking at \zdoublebar + +% version 1.31 +% +% defined \zzdoublebar, \zzbar, \zendpiece + +% version 1.30 +% +% defined \zdoublebar for use within a bar +% defined \hbp and \hbpp + +% version 1.29 +% +% defined \tabfnt, \tabcleffnt, \tabstringfnt, \tab etc. to support tablature + +% version 1.28 +% +% defined +% \z[left|right|leftright]repeat, for use *within* a bar +% \zz...repeat, to force to the end of a system +% corrected definition of \C@Inter for \nblines < 4 + +% version 1.27 +% +% introduced \meterN +% eliminated \ds@oup +% introduced \nqqb \nqqh \nqqqb \nqqqh abbreviations and +% synonyms \nqql \nqqu \nqqql \nqqqu +% introduced \hap, \happ analogous to \qap, \qapp +% introduced \hbsk analogous to \hsk +% introduced \bqsk, \bhsk, \btsk analogous to \qsk, \hqsk, \tqsk +% introduced \xxtuplet + +% version 1.26 +% +% deleted spurious definition in \resetlayout and +% spurious space in definition of \interfacteur... + +% version 1.25 +% +% included a "dummy" tuplet.tex in the distribution +% added \ignorespaces in musixltx.tex +% defined \qap, \qapp, \tqsk + +% version 1.24 +% +% preserve changes to \transpose in an hboxed tremolo command +% test that musixtex.tex has already been loaded in some extensions: +% musixps, musixec, musixhv, musixplt, musixtmr, musixppff +% changed from \it to \ppff in several places +% support new command \setinterstaff{n}{m} +% define \largenotesize, \Largenotesize +% correct typos \twtybf[g] \svtbf[g] + +% version 1.23 +% +% added \xtr and \ptr ornaments +% adjusted spacing of \tr +% corrected definition of \C@Inter for \nblines > 6 + +% version 1.22 +% +% bi and sc font definitions added; sl and tt definitions for musixsty moved +% explicit font choices for \txtfont replaced by generic commands \smalltype\it etc. +% \pdlud \halfwidthbigwedge and \raise-height font-dependent +% \cbreath and \zbreath use \BIGtype rather than \BIGfont + + +% version 1.21 +% +% RDT adjusted the offsets and/or vertical positions for some tremolos +% RDT moved \lastbarpos\lin@pos after calls to \Writ@meters +% to correct \centerbar positioning +% RDT copied the definition of \Hpause from musixlit.tex +% RDT introduced \Changeclefs, \cHpause and \centerHpause +% RDT replaced \smalltype\it by \txtfont in octave clef commands +% RDT moved definitions of \txtfont into \comput@fonts +% RDT added support for piano-pedal bracket notation + +% version 1.20 +% +% RDT re-defined tremolo commands to allow for numerical pitches; +% use of \raise and \hbox suggested by Jean-Pierre Colon + +% version 1.19: +% +% RDT corrected typos in the definition of \comput@fonts +% affecting ppff fonts for \Largemusicsize +% RDT introduced definitions for tremolo commands \trml, \trmu, etc. +% RDT turned off lyrics for \metron and \metronequiv notes + +% version 1.18: +% +% RDT added definitions of \raggedstoppiece and \slide from musixext.tex +% RDT increased the length of beam stems (adapted from J.-P. Coulon) + +% version 1.17: +% +% RDT re-defined \txtfont for non-normal staff sizes +% RDT defined \tinyppff and \ppfftwelve, and re-defined \ppff to be staffsize dependent +% RDT introduced \tqqb \tqqh \tqqqb \tqqqh abbreviations +% and synonyms \tqql \tqqu \tqqql \tqqqu +% RDT introduced ornaments \tr, \trt +% RDT re-defined \triolet to be consistent with musixdoc (prints \txt, not nec. 3) +% RDT introduced \cpause etc. and corrected definitions of \centerpause etc. +% RDT introduced double-dotted rests \qppp, \dspp, \qspp, etc. + +% version 1.16: +% +% RDT corrected the definitions of \nnotes and \nnnotes + +% HM corrected the definitions for cautionary small accidentals + +% RDT added \check@staff ... \fi to \@qa h, \@mca, \hs, \qqs +% so that \qa, \ca, \ha, etc. can be "hidden" using \setstaffs{n}{0} + +% RDT incorporated tuplet.tex (approved by George Sicherman) +% and introduced \txtfont to allow changing size or style + +% RDT introduced +% \qqsk, a one-quarter notehead skip +% \tqu and \tql, synonyms for \tqh and \tqb +% \ztqu and \ztql, synonyms for \ztqh and \ztqb +% \hpp, \qpp, \dsp, \qsp, \hsp, \qqsp for pointed rests +% \nnotes, \nnnotes: 1.6 and 1.28 \elemskip spacing +% \zcn, \ccn, \lcn, synomyms for \zcharnote etc. + +% RDT incorporated curly.tex (approved by Mthimkhulu Molekwa) + +% RDT modernized the treatment of text fonts +% meterfonts must be bf, even if titling fonts are rm or sc +% added dynamic-mark macros \sfz \sfzp + +% version 1.15: +% +% moved out: +% - 1/128th beams -> musixbm +% - triple pointed notes -> musixtri + +% and shrinked the memory consumption + +%++ickd 19Sep1997: with help of William P. Houser introduced dotted slurs. +% Changes marked with +ickd for added single lines, -ickd for replaced +%++ickd single lines, ++ickd...++ickd for added blocks + +%++simick 04Dec2000: Don Simons and Werner Icking made some improvements +% to volta-processing and centerbar processing the changes are +% marked with +simick for added single lines, -simick for +%++simick replaced lines and ++simick...++simick for added blocks + +% Hiroaki, May2010, T.115: change register allocation codes into new ones +% which enables >12 elements. Search the string "version 1.15" for details. +% + +% TeXperts may want to change the next + +% PARAMETER DIFFERENT THAN PLAIN + +\showboxdepth=0 +\showboxbreadth=0 + +\ifx\undefined\documentstyle % -> []plain.tex + \parindent0pt + \hoffset-15.4mm + \voffset-10mm + \hsize190mm + \vsize260mm +\fi + +%%% from LaTeX +% The following definitions save token space. E.g., using \@height +% instead of height saves 5 tokens at the cost in time of one macro +% expansion. + +\def\@height{height} +\def\@depth{depth} +\def\@width{width} + +%%% also removed 'by', '=' + +\def\@to{to} +\def\p@ne{.1} +\def\qu@rt{.25} +\def\h@lf{.5} +\def\p@seven{.7} + +%%%from plain +% To make the macros more efficient in time and space, +% several constant values are declared here as control sequences +% If they were changed, anything could happen; so they are private symbols + +%\chardef\active=13 +%\chardef\&=`\& -> 38 +%\chardef\#=`\# -> 35 +%\chardef\$=`\$ -> 36 +% Nomenclature: '@' means most times 'e' or seperator, sometimes 'o','a' + +\chardef\f@ur=4 +\chardef\fiv@=5 +\chardef\si@=6 +\chardef\s@v@n=7 +\chardef\@ight=8 +\chardef\nin@=9 +\chardef\t@n=10 +\chardef\@l@v@n=11 +\chardef\tw@lv@=12 +\chardef\fourt@@n=14 +\chardef\fiv@t@@n=15 +\chardef\tw@nty=20 +\chardef\@xxiii=23 +\chardef\@xxv=25 +\chardef\@xxiv=24 +\chardef\@xxvi=26 +\chardef\@xxvii=27 +\chardef\@xxix=29 +\chardef\@xxxii=32 +\chardef\@xl=40 +\chardef\@xli=41 +\chardef\@xlv=45 +\chardef\@l=50 +\chardef\@lii=52 +\chardef\@liv=54 +\chardef\@lxxxiii=83 +\chardef\@c=100 +\chardef\@cxv=115 +\chardef\@cxxviii=128 + +\newif\ifcatcodesmusic + +\def\catcodesmusic{\ifcatcodesmusic\relax + \else + \edef\catcode@gt{\the\catcode`\>}\catcode`\>\tw@lv@ + \edef\catcode@lt{\the\catcode`\<}\catcode`\<\tw@lv@ + \edef\catcode@vert{\the\catcode`\|}\catcode`\|\active + \edef\catcode@and{\the\catcode`\&}\catcode`\&\active + \edef\catcode@excl{\the\catcode`\!}\catcode`\!\tw@lv@ + \edef\catcode@star{\the\catcode`\*}\catcode`\*\tw@lv@ + \edef\catcode@pt{\the\catcode`\.}\catcode`\.\tw@lv@ + \edef\catcode@sc{\the\catcode`\:}\catcode`\:\tw@lv@ + \let\@@bar\bar + \def\bar{\barre}% + \fi\catcodesmusictrue} + +\catcodesmusic + +% MusicTeX + MuFlex -> MusiXTeX +\def\musixtex{MusiX\TeX} + +\def\kernm{\kern-} + +%...\let\@wloG=\wlog +%...\def\wlog#1{} + +%%% account registers + +% \let\maxinstruments\si@ % [version 1.15] here disabled to avoid conflict + +% temporary registers + +\newcount\n@i +\newcount\n@ii +\newcount\n@iii +\newcount\n@iv +\newcount\n@v +\newcount\n@vi +\newcount\n@vii +\newcount\n@viii +\newcount\count@ + +\newbox\toks@box +\newbox\w@rkbox +\newbox\n@otebox + +\newdimen\y@ +\newdimen\y@i +\newdimen\y@ii +\newdimen\y@iii +\newdimen\y@iv +\newdimen\y@v + +% [version 1.15] moved out to the new register allocation code -- start from here -- +% altitude +% \newskip\k@ii +% InterNote +% \newdimen\i@ni +\def\i@n{\z@} % safety in case of.... +% positions x et z de debut des poutres +% \newdimen\b@xi \newdimen\b@zi +% \newdimen\c@xi \newskip\c@zi +% \newdimen\d@xi \newskip\d@zi +% \newdimen\e@xi \newskip\e@zi +% \newdimen\f@xi \newskip\f@zi +% pentes des poutres ( entier de -9 a +9 ) +% multiplicite des poutres ( de -5 a +5 . 0= inactive ) +% \newcount\b@pi \newcount\b@ni +% Number of Portees +% \newcount\n@pi \n@pi\@ne +% Actual Signs Old Signs +% \newcount\a@si \newcount\o@si +% ActualCleftoks +% \newtoks\a@ci \a@ci={{\z@}{\z@}{\z@}{\z@}} +% OldCleftoks +% \newtoks\o@ci +% MeterToks +% \newtoks\m@ti +% Altitude of choir groups +% \newskip\g@bi +% Height of choir groups +% \newskip\g@hi + +% [version 1.15] moved out to the new register allocation code -- until here -- +% \let\maxgroups\thr@@ % maximum three groups of instruments or choirs [version 1.15] moved to later, using \setmaxgroups +\newcount\group@no + +%%% [version 1.15] new register allocation code -- start from here -- +% +% register allocation for use inside \loop...\if...\repeat +% (only for plain, but no harm even in case of LaTeX) +\edef\noexpand@newcount{\noexpand\newcount}% +\edef\noexpand@newdimen{\noexpand\newdimen}% +\edef\noexpand@newskip{\noexpand\newskip}% +%\edef\noexpand@newmuskip{\noexpand\newmuskip}% not used +%\edef\noexpand@newbox{\noexpand\newbox}% not used +\edef\noexpand@newtoks{\noexpand\newtoks}% +%\edef\noexpand@newmarks{\noexpand\newmarks}% not used +% +% a shortcut for register allocation routines +\def\roman@c@{\romannumeral\count@}% +% +% some registers (i@n, b@x, b@z, c@x, d@x, e@x, s@x, s@Y) +% should be allocated by \newdimen (for id 0...5) and \newskip (for id 6...11) +% because T.114 and earlier did so and for the compatibility to Stanislav +% Kneifl's musixps.tex 0.92a. +% And again \newdimen (for id>11), because both \dimen and \skip are +% applicable but \dimen uses less memory in case of >255 on e-TeX. +\def\noexpand@newdimsk{% + \ifnum\count@<7 \let\@@newdimsk=\noexpand@newdimen + \else\ifnum\count@<13 \let\@@newdimsk=\noexpand@newskip + \else\let\@@newdimsk=\noexpand@newdimen + \fi\fi \@@newdimsk}% +% +% and some other registers (c@z, d@z, e@z, f@z, g@z) +% should be allocated by \newskip (for id 0...11) and \newdimen (for id>11) +% for the same reason of above. +\def\noexpand@newskdim{% + \ifnum\count@<13 \let\@@newskdim=\noexpand@newskip + \else \let\@@newskdim=\noexpand@newdimen + \fi \@@newskdim}% +% +% registers for instrument +\newdimen\interinstrument % moved from "distance between instruments" to here +\def\setmaxinstruments#1{% + \ifnum#1>\@oldmaxinstruments + \chardef\maxinstruments=#1\relax + \ifnum#1>\@c + \errmessage{The maximum reference number of elements is limited to \the\@c} + \chardef\maxinstruments=\@c + \fi + \count@\@oldmaxinstruments\loop + \advance\count@ by\@ne + % + \expandafter \let \csname interinstrument\roman@c@\endcsname \interinstrument + \expandafter\def\csname interfacteur\roman@c@\endcsname{\interfacteur}% RDT 1.26 + % + % altitude + \expandafter \noexpand@newskip \csname k@i\roman@c@\endcsname + % + % InterNote + \expandafter \noexpand@newdimsk \csname i@n\roman@c@\endcsname + % + % beam horizontal positions: x=start, z=end, 8th-64th beams + \expandafter \noexpand@newdimsk \csname b@x\roman@c@\endcsname + \expandafter \noexpand@newdimsk \csname b@z\roman@c@\endcsname + \expandafter \noexpand@newdimsk \csname c@x\roman@c@\endcsname + \expandafter \noexpand@newskdim \csname c@z\roman@c@\endcsname + \expandafter \noexpand@newdimsk \csname d@x\roman@c@\endcsname + \expandafter \noexpand@newskdim \csname d@z\roman@c@\endcsname + \expandafter \noexpand@newdimsk \csname e@x\roman@c@\endcsname + \expandafter \noexpand@newskdim \csname e@z\roman@c@\endcsname + % + % pentes des poutres ( entier de -9 a +9 ) (slopes of the beams) + % multiplicite des poutres ( de -5 a +5 . 0= inactive ) (multiplicity of the beams) + \expandafter \noexpand@newcount \csname b@p\roman@c@\endcsname + \expandafter \noexpand@newcount \csname b@n\roman@c@\endcsname + % + % Number of Portees + \expandafter \noexpand@newcount \csname n@p\roman@c@\endcsname + \csname n@p\roman@c@\endcsname\@ne + % + % Actual Signs + \expandafter \noexpand@newcount \csname a@s\roman@c@\endcsname + % + % Old Signs + \expandafter \noexpand@newcount \csname o@s\roman@c@\endcsname + % + % ActualCleftoks + \expandafter \noexpand@newtoks \csname a@c\roman@c@\endcsname + \csname a@c\roman@c@\endcsname={{\z@}{\z@}{\z@}{\z@}}% + % + % OldCleftoks + \expandafter \noexpand@newtoks \csname o@c\roman@c@\endcsname + % + % MeterToks + \expandafter \noexpand@newtoks \csname m@t\roman@c@\endcsname + % + % staffsize + \expandafter \let \csname staffspacing\roman@c@\endcsname \@ne + % + % text, lyrics, free positioning of chars + \expandafter \let \csname T@R\roman@c@\endcsname \z@ + % + % preset clef symbols + \expandafter \let \csname treblec@s\roman@c@\endcsname \z@ + \expandafter \let \csname altoc@s\roman@c@\endcsname \z@ + \expandafter \let \csname bassc@s\roman@c@\endcsname \z@ + % + % preset default staff lines as 5 + \expandafter \let \csname n@l\roman@c@\endcsname \fiv@ + % + \ifnum\count@<\maxinstruments\repeat + \expandafter\message\expandafter{maxinstruments=\the\maxinstruments}% + \chardef\@oldmaxinstruments=\maxinstruments\relax% + \normalnotesize\resetlayout + \fi +}% +% +% registers for 128th beam +\def\setmaxcxxviiibeams#1{% + \ifnum#1>\maxinstruments + \errmessage{The number of 128th beam must not exceed maxinstruments}% + \else + \ifnum#1>\@oldmaxcxxviiibeams + \chardef\maxcxxviiibeams=#1\relax + \ifnum#1>\@c + \errmessage{The maximum reference number of elements is limited to \the\@c} + \chardef\maxcxxviiibeams=\@c + \fi + \count@\@oldmaxcxxviiibeams \loop + \advance\count@ by\@ne + \expandafter \noexpand@newdimen \csname f@x\roman@c@\endcsname + \expandafter \noexpand@newskdim \csname f@z\roman@c@\endcsname + \ifnum\count@<\maxcxxviiibeams\repeat + \expandafter\message\expandafter{max128beams=\the\maxcxxviiibeams}% + \chardef\@oldmaxcxxviiibeams=\maxcxxviiibeams\relax% + \fi + \fi +}% +% +% registers for 256th beam +\def\setmaxcclvibeams#1{% + \ifnum#1>\maxcxxviiibeams + \errmessage{The number of 256th beam must not exceed the number of 128th beam}% + \else + \ifnum#1>\@oldmaxcclvibeams + \chardef\maxcclvibeams=#1\relax + \ifnum#1>\@c + \errmessage{The maximum reference number of elements is limited to \the\@c} + \chardef\maxcclvibeams=\@c + \fi + \count@\@oldmaxcclvibeams \loop + \advance\count@ by\@ne + \expandafter \noexpand@newdimen \csname g@x\roman@c@\endcsname + \expandafter \noexpand@newskdim \csname g@z\roman@c@\endcsname + \ifnum\count@<\maxcclvibeams\repeat + \expandafter\message\expandafter{max256beams=\the\maxcclvibeams}% + \chardef\@oldmaxcclvibeams=\maxcclvibeams\relax% + \fi + \fi +}% +% +% registers for choir group +\def\setmaxgroups#1{% + \ifnum#1>\@oldmaxgroups + \chardef\maxgroups=#1\relax + \ifnum#1>\@c + \errmessage{The maximum reference number of elements is limited to \the\@c} + \chardef\maxgroups=\@c + \fi + \count@\@oldmaxgroups \loop + \advance\count@ by\@ne + % Altitude + \expandafter \noexpand@newskip \csname g@b\roman@c@\endcsname + % Height + \expandafter \noexpand@newskip \csname g@h\roman@c@\endcsname + % + \expandafter \let \csname lowersonginstrum\roman@c@\endcsname \maxdimen + \expandafter \let \csname uppersonginstrum\roman@c@\endcsname \z@ + \ifnum\count@<\maxgroups\repeat + \expandafter\message\expandafter{maxgroups=\the\maxgroups}% + \chardef\@oldmaxgroups=\maxgroups\relax% + \fi +}% +% +% registers for slur +\def\setmaxslurs#1{% + \ifnum#1>\@oldmaxslurs + \chardef\maxslurs=#1\relax + \ifnum#1>\@c + \errmessage{The maximum reference number of elements is limited to \the\@c} + \chardef\maxslurs=\@c + \fi + \count@\@oldmaxslurs \loop + \advance\count@ by\@ne + % + % horizontal start position of slur + \expandafter \noexpand@newdimsk \csname s@x\roman@c@\endcsname + % + % sense u,d and x (flag) for pending slurs + \expandafter \noexpand@newtoks \csname s@s\roman@c@\endcsname + \csname s@s\roman@c@\endcsname={x}% + % + % vertical offset of slur + \expandafter \noexpand@newdimsk \csname s@Y\roman@c@\endcsname + % + % altportee of slur + \expandafter \noexpand@newskip \csname s@a\roman@c@\endcsname + % + % vertical start position of slur [steps of internote] + \expandafter \noexpand@newcount \csname s@y\roman@c@\endcsname + % + % instrument number of that slur (to retrieve internote) + \expandafter \noexpand@newcount \csname s@N\roman@c@\endcsname + % + % vertical end position of slur [steps of internote], used from + % \breakslur. the value \maxdimen is used to decide, if + % \breakslur is used or not (flag) + \expandafter \noexpand@newcount \csname s@z\roman@c@\endcsname + \csname s@z\roman@c@\endcsname\maxdimen + % + %++ickd: dotted indicator for pending slurs + \expandafter \noexpand@newtoks \csname s@d\roman@c@\endcsname + % + \ifnum\count@<\maxslurs\repeat + \expandafter\message\expandafter{maxslurs=\the\maxslurs}% + \chardef\@oldmaxslurs=\maxslurs\relax% + \fi +}% +% +% registers for trill (MusiXTeX-type trill only. Legacy \trillC and +% \TrillC are out of the scope.) +\def\setmaxtrills#1{% + \ifnum#1>\@oldmaxtrills + \chardef\maxtrills=#1\relax + \ifnum#1>\@c + \errmessage{The maximum reference number of elements is limited to \the\@c} + \chardef\maxtrills=\@c + \fi + \count@\@oldmaxtrills \loop + \advance\count@ by\@ne + % starting horizontal pos + \expandafter \noexpand@newskip \csname tr@x\roman@c@\endcsname + \csname tr@x\roman@c@\endcsname\maxdimen\relax + % heading of trill + \expandafter \noexpand@newtoks \csname tr@sw\roman@c@\endcsname + % height of trill + \expandafter \noexpand@newskip \csname tr@y\roman@c@\endcsname + \ifnum\count@<\maxtrills\repeat + \expandafter\message\expandafter{maxtrills=\the\maxtrills}% + \chardef\@oldmaxtrills=\maxtrills\relax% + \fi +}% +% +% registers for octave line +\def\setmaxoctlines#1{% + \ifnum#1>\@oldmaxoctlines + \chardef\maxoctlines=#1\relax + \ifnum#1>\@c + \errmessage{The maximum reference number of elements is limited to \the\@c} + \chardef\maxoctlines=\@c + \fi + \count@\@oldmaxoctlines \loop + \advance\count@ by\@ne + % starting horizontal pos + \expandafter \noexpand@newskip \csname o@x\roman@c@\endcsname + \csname o@x\roman@c@\endcsname\maxdimen\relax + % height of octline + \expandafter \noexpand@newskip \csname o@y\roman@c@\endcsname + % sense of octline + \expandafter \noexpand@newtoks \csname o@sw\roman@c@\endcsname + \ifnum\count@<\maxoctlines\repeat + \expandafter\message\expandafter{maxoctlines=\the\maxoctlines}% + \chardef\@oldmaxoctlines=\maxoctlines\relax% + \fi +}% +% +\chardef\@oldmaxinstruments=\z@ +\chardef\@oldmaxcxxviiibeams=\z@ +\chardef\@oldmaxcclvibeams=\z@ +\chardef\@oldmaxgroups=\z@ +\chardef\@oldmaxslurs=\z@ +\chardef\@oldmaxtrills=\z@ +\chardef\@oldmaxoctlines=\z@ +% +% actual setup (=register allocation) of the maximum element numbers +% should be done after fonts definition. +% +%%% [version 1.15] new register allocation code -- until here -- + + +%%% fonts + +\newif\iflongDCfontnames +\newif\iflongECfontnames +\longDCfontnamesfalse % obsolete +\longECfontnamesfalse % to use EC fonts, \input musixec +\def\fontid{cm} % deprecated but used in pmx.tex + +%% +% Small bold sans serif fonts % version 1.33 RDT +%% + +\font\threedc=phvb8t at 3pt +\font\fourdc=phvb8t at 4pt +\font\fivedc=phvb8t at 5pt +\font\sixdc=phvb8t at 6pt + +%% +% small ss fonts % version 1.37 RDT +%% +\font\fourss=phvr8t at 4pt +\font\fivess=phvr8t at 5pt +\font\sixss=phvr8t at 6pt + +%% +% Seven point fonts +%% + +\font\sevenrm=cmr7 +\font\sevenbf=cmbx7 +\font\sevenit=cmti7 +\font\sevenbi=cmbxti10 at 7pt % version 1.22 RDT +\font\sevensc=cmcsc10 at 7pt +\font\sevenss=phvr8t at 7pt % version 1.29 RDT +\font\sevendc=phvb8t at 7pt + + +%% +% Eight point fonts +%% + +\font\eightrm=cmr8 +\font\eightbf=cmbx8 +\font\eightit=cmti8 +\font\eightbi=cmbxti10 at 8pt % version 1.22 RDT +\font\eightsc=cmcsc10 at 8pt +\font\eightss=phvr8t at 8pt % version 1.29 RDT +\font\eightdc=phvb8t at 8pt + +%% +% Nine point fonts +%% + +\font\ninerm=cmr9 +\font\ninebf=cmbx9 +\font\nineit=cmti9 +\font\ninebi=cmbxti10 at 9pt % version 1.22 RDT +\font\ninesc=cmcsc10 at 9pt +\font\niness=phvr8t at 9pt % version 1.29 RDT +\font\ninedc=phvb8t at 9pt + +%% +% Ten point fonts +%% + +\font\tenrm=cmr10 +\font\tenbf=cmbx10 +\font\tenit=cmti10 +\font\tenbi=cmbxti10 % version 1.22 RDT +\font\tensc=cmcsc10 +\font\tenss=phvr8t % version 1.29 RDT +\font\tendc=phvb8t + +%% +% Eleven point fonts +%% +\font\elevenrm=cmr9 scaled \magstephalf +\font\elevenbf=cmbx9 scaled \magstephalf +\font\elevenit=cmti9 scaled \magstephalf +\font\elevenbi=cmbxti10 at 11pt % version 1.22 RDT +\font\elevensc=cmcsc10 at 11pt +\font\elevenss=phvr8t at 11pt % version 1.29 RDT +\font\elevendc=phvb8t at 11pt + +%% +% Twelve point fonts +%% +\font\twelverm=cmr12 +\font\twelvebf=cmbx12 +\font\twelveit=cmti12 +\font\twelvebi=cmbxti10 scaled \magstep1 % version 1.22 RDT +\font\twelvesc=cmcsc10 scaled \magstep1 +\font\twelvess=phvr8t scaled \magstep1 % version 1.29 RDT +\font\twelvedc=phvb8t scaled \magstep1 + +% 14pt fonts +\font\frtrm=cmr12 scaled \magstep1 +\font\frtbf=cmbx12 scaled \magstep1 +\font\frtit=cmti12 scaled \magstep1 +\font\frtsc=cmcsc10 scaled \magstep2 +\font\frtbi=cmbxti10 scaled \magstep2 % version 1.22 RDT +\font\frtss=phvr8t scaled \magstep2 % version 1.29 RDT +\font\frtdc=phvb8t scaled \magstep2 +% +% 17pt +\font\svtrm=cmr12 scaled \magstep2 +\font\svtbf=cmbx12 scaled \magstep2 +\font\svtit=cmti12 scaled \magstep2 +\font\svtsc=cmcsc10 scaled \magstep3 +\font\svtbi=cmbxti10 scaled \magstep3 +\font\svtdc=phvb8t scaled \magstep3 +% +% 20pt +\font\twtyrm=cmr12 scaled \magstep3 +\font\twtybf=cmbx12 scaled \magstep3 +\font\twtyit=cmti12 scaled \magstep3 +\font\twtysc=cmcsc10 scaled \magstep4 +\font\twtybi=cmbxti10 scaled \magstep4 % version 1.22 RDT +\font\twtydc=phvb8t scaled \magstep4 +% +% 25pt +\font\twfvrm=cmr12 scaled \magstep4 +\font\twfvbf=cmbx12 scaled \magstep4 +\font\twfvit=cmti12 scaled \magstep4 +\font\twfvsc=cmcsc10 scaled \magstep5 +\font\twfvbi=cmbxti10 scaled \magstep5 % version 1.22 RDT +% +%% +%% +% Define five font families +%% +\def\tinytype{% + \let\rm\sevenrm + \let\bf\sevenbf + \let\it\sevenit + \let\bi\sevenbi + \let\sc\sevensc + \rm} +\def\smalltype{% + \let\rm\eightrm + \let\bf\eightbf + \let\it\eightit + \let\bi\eightbi + \let\sc\eightsc + \rm} +\def\Smalltype{% + \let\rm\ninerm + \let\bf\ninebf + \let\it\nineit + \let\bi\ninebi + \let\sc\ninesc + \rm} +\def\normtype{% + \let\rm\tenrm + \let\bf\tenbf + \let\it\tenit + \let\bi\tenbi + \let\sc\tensc + \rm} +\def\medtype{% + \let\rm\twelverm + \let\bf\twelvebf + \let\it\twelveit + \let\bi\twelvebi + \let\sc\twelvesc + \rm} +% +% four font families at big/Big/BIg/BIG sizes +% default is \bf here and in musixec, but \sc in musixplt, \rm in musixtmr +% +\def\bigfont{% + \let\rm\frtrm + \let\bf\frtbf + \let\it\frtit + \let\sc\frtsc + \let\bi\frtbi + \bf} +\def\Bigfont{% + \let\rm\svtrm + \let\bf\svtbf + \let\it\svtit + \let\sc\svtsc + \let\bi\svtbi + \bf} +\def\BIgfont{% + \let\rm\twtyrm + \let\bf\twtybf + \let\it\twtyit + \let\sc\twtysc + \let\bi\twtybi + \bf} +\def\BIGfont{% + \let\rm\twfvrm + \let\bf\twfvbf + \let\it\twfvit + \let\sc\twfvsc + \let\bi\twfvbi + \bf} +%% +% large fonts for titles +% (If you prefer Roman, use \rm) +% (If you prefer small-caps, use \sc) +% +\def\bigtype{\bigfont\bf} % default for "big" fonts is \bf +\def\Bigtype{\Bigfont\bf} +\def\BIgtype{\BIgfont\bf} +\def\BIGtype{\BIGfont\bf} +% +% +% Bold italic fonts for dynamic markings. +%% + +\font\ppfftwelve=cmbxti10 at 8pt % version 1.17 RDT +\font\ppffsixteen=cmbxti10 +\font\ppfftwenty=cmbxti10 scaled \magstep1 +\font\ppfftwentyfour=cmbxti10 scaled \magstep2 +\font\ppfftwentynine=cmbxti10 scaled \magstep3 + +\def\ppff{\ifdim\internote<\p@seven6\Internote\tinyppff% version 1.17 RDT +\else\ifdim\internote<.95\Internote\smallppff% +\else\ifdim\internote<1.19\Internote\normppff% +\else\medppff\fi\fi\fi}% + + +\def\tinydyn{\let\ppff\ppfftwelve} % version 1.18 RDT +\def\smalldyn{\let\ppff\ppffsixteen} +\def\normdyn{\let\ppff\ppfftwenty} +\def\meddyn{\let\ppff\ppfftwentyfour} + +\font\tabfntthirteen=phvb8t at 5pt % version 1.37 RDT +\font\tabfntsixteen=phvb8t at 6pt +\font\tabfnttwenty=phvb8t at 7pt +\font\tabfnttwentyfour=phvb8t at 9pt +\font\tabfnttwentynine=phvb8t at 11pt + +\font\musiceleven=musix11 +\font\musicthirteen=musix13 +\font\musicsixteen=musix16 +\font\musictwenty=musix20 +\font\musictwentyfour=musix24 +\font\musictwentynine=musix29 + + +% +% tt fonts needed by musixsty % version 1.22 RDT +% +\font\eighttt=cmtt8 +\font\ninett=cmtt9 +\font\tentt=cmtt10 +\font\twelvett=cmtt12 +\font\frttt=cmtt12 scaled \magstep1 +\font\svttt=cmtt12 scaled \magstep2 +\font\twtytt=cmtt12 scaled \magstep3 +\font\twfvtt=cmtt12 scaled \magstep4 +% +% +% sl fonts needed by musixsty % version 1.22 RDT +% +\font\eightsl=cmsl8 +\font\ninesl=cmsl9 +\font\tensl=cmsl10 +\font\twelvesl=cmsl12 +\font\frtsl=cmsl12 scaled \magstep1 +\font\svtsl=cmsl12 scaled \magstep2 +\font\twtysl=cmsl12 scaled \magstep3 +\font\twfvsl=cmsl12 scaled \magstep4 + +% piano brackets, slides, guitar chords, lines, (de)crescendi, circles + +\font\mxsps=musixspx + + +%%% +% +% Slur macro package for MusicTeX +% +% Ross Mitchell, February 20 1993 +% +%%% +%% +% Load the font set +% +% Nomenclature: slur[p][size] +% [p] : sign of slur gradient; u=positive, d=negative, z=zero +%% + +\font\slurz=xslz20 +\font\slurzd=xslz20d %+ickd + +\font\slurueleven=xslu11 % slur up eleven points +\font\sluruthirteen=xslu13 +\font\slurusixteen=xslu16 +\font\slurutwenty=xslu20 +\font\slurutwentyfour=xslu24 +\font\slurutwentynine=xslu29 + +\font\slurdeleven=xsld11 % slur down eleven points +\font\slurdthirteen=xsld13 +\font\slurdsixteen=xsld16 +\font\slurdtwenty=xsld20 +\font\slurdtwentyfour=xsld24 +\font\slurdtwentynine=xsld29 + +%++ickd same for dotted slurs +\font\sluruelevend=xslu11d % slur up eleven points +\font\sluruthirteend=xslu13d +\font\slurusixteend=xslu16d +\font\slurutwentyd=xslu20d +\font\slurutwentyfourd=xslu24d +\font\slurutwentynined=xslu29d + +\font\slurdelevend=xsld11d % slur down eleven points +\font\slurdthirteend=xsld13d +\font\slurdsixteend=xsld16d +\font\slurdtwentyd=xsld20d +\font\slurdtwentyfourd=xsld24d +\font\slurdtwentynined=xsld29d +%++ickd + +%!these fonts can't be used with highres printers (>~800dpi) +% for these printers comes a interface to PS using DVIPS (PS-Tricks) +% and \special{}-commands next time (patience is a virtue ...) + +\font\xtie=xslhz20 +\font\xtied=xslhz20d %+ickd + +\font\hslurdeleven=xslhd11 % slur half down eleven points +\font\hslurdthirteen=xslhd13 +\font\hslurdsixteen=xslhd16 % slur half down sixteen points +\font\hslurdtwenty=xslhd20 +\font\hslurdtwentyfour=xslhd24 +\font\hslurdtwentynine=xslhd29 + +\font\hslurueleven=xslhu11 +\font\hsluruthirteen=xslhu13 +\font\hslurusixteen=xslhu16 +\font\hslurutwenty=xslhu20 +\font\hslurutwentyfour=xslhu24 +\font\hslurutwentynine=xslhu29 + +%++ickd same for dotted slurs +\font\hslurdelevend=xslhd11d % slur half down eleven points +\font\hslurdthirteend=xslhd13d +\font\hslurdsixteend=xslhd16d % slur half down sixteen points +\font\hslurdtwentyd=xslhd20d +\font\hslurdtwentyfourd=xslhd24d +\font\hslurdtwentynined=xslhd29d + +\font\hsluruelevend=xslhu11d +\font\hsluruthirteend=xslhu13d +\font\hslurusixteend=xslhu16d +\font\hslurutwentyd=xslhu20d +\font\hslurutwentyfourd=xslhu24d +\font\hslurutwentynined=xslhu29d +%++ickd + +% number of pending slurs + +\newcount\N@s + +% [version 1.15] moved out to the new register allocation code (except for \s@Y) +% horizontal start position of slur +% \newdimen\s@xi +% sense u,d and x (flag) for pending slurs +% \newtoks\s@si \s@si={x} +% vertical offset of slur +\newdimen\s@Y % this register is for common use +% \newdimen\s@Yi +% altportee of slur +% \newskip\s@ai +% vertical start position of slur [steps of internote] +% \newcount\s@yi +% instrument number of that slur (to retrieve internote) +% \newcount\s@Ni +% vertical end position of slur [steps of internote], used from \breakslur +% the value \maxdimen is used to decide, if \breakslur is used or not (flag) +% \newcount\s@zi \s@zi\maxdimen +%++ickd: dotted indicator for pending slurs +% \newtoks\s@di % moved out to the new register allocation code +%++ickd + +\def\roman@n@i{\romannumeral\n@i\endcsname} + +% +% [version 1.15] make slurs independent from \maxinstruments +\def\test@slurnum{% + \ifnum\n@i<\z@ \n@i\@c \fi + \ifnum\n@i<\maxslurs \else + \count@\maxslurs \advance\count@\m@ne + \errmessage{Wrong slur reference number \the\n@i! (valid: 0 to \the\count@)}% [version 1.15] + \n@i\z@% [version 1.15] + \fi + \advance\n@i\@ne}% +% +\def\s@l@ctslur#1\relax{% + \n@i#1\relax\test@slurnum% [version 1.15] make it independent from beams + \edef\s@a{\csname s@a\roman@n@i}% dimen (altportee) + \edef\s@x{\csname s@x\roman@n@i}% dimen (hor start pos) + \edef\s@y{\csname s@y\roman@n@i}% count (startnote [internote]) + \edef\s@N{\csname s@N\roman@n@i}% count (instrument number) + \edef\s@z{\csname s@z\roman@n@i}% count (endnote [internote]) + \edef\s@Y{\csname s@Y\roman@n@i}% dimen (voffset) + \edef\s@d{\csname s@d\roman@n@i}% token (dotted) +ickd + \edef\s@s{\csname s@s\roman@n@i}}% token (sense) + +% get current position (returns the dimen in \y@v) +% (\lin@pos starts behind signatures!) + +\newdimen\lin@pos +\def\getcurpos{\y@v\lin@pos \advance\y@v\locx@skip} + +% \n@i vertical offset of first note (number); temporary +% \n@ii vertical offset of second note (number); temporary +% \n@iii meet note +% \n@iv first note +% \n@v temp. character +% \n@vi last note +% \n@vii right halfslur length +% \n@viii don't touch +% \y@ complete length of slur - allowed overlap (4pt), temp. length +% \y@i abs. height of slur +% \y@ii complete length of slur +% \y@iii old maxslurwidth +% \y@iv don't touch +% \y@v don't touch + +% \@sense{u,d} +% +% if \curve (\midslur) is used +% \@meet{} +% \l@length{} +% \r@length{} + +% #1 start pitch #2 end pitch #3 length #4 right hoffset + +\newcount \meet@minus@n@iv +\def\writ@slur#1#2#3#4{\check@staff % modified: sld... into slurd... 12.04.95 ick + \let\slz\slurz% inserted + \let\slzd\slurzd% inserted for dotted slurs +ickd + \ifx\s@N\undefined \relax % \let\internote\Internote + \else + \edef\internote{\csname i@n\romannumeral\s@N\endcsname}% + \fi +% \immediate\write16{\noexpand\writ@slur internote:\the\internote}% + \n@iv#1% + \n@vi#2% +%% +% Get note vertical offsets +% \n@iv= vertical offset of first note(n@i temp); +% \n@vi= vertical offset of second note(n@ii temp); +% \y@i = reference height of first note (pt); +% +% Define adequate fonts for this slur, according to the value of \internote +% + \ifdim\internote>3.5pt + \let\sld\slurdtwentynine \let\slu\slurutwentynine + \let\hslurd\hslurdtwentynine \let\hsluru\hslurutwentynine + \let\sldd\slurdtwentynined \let\slud\slurutwentynined % +ickd + \let\hslurdd\hslurdtwentynined \let\hslurud\hslurutwentynined %+ickd + \def\@stepwidth{3.6pt}% + \else \ifdim\internote>2.9pt + \let\sld\slurdtwentyfour \let\slu\slurutwentyfour + \let\hslurd\hslurdtwentyfour \let\hsluru\hslurutwentyfour + \let\sldd\slurdtwentyfourd \let\slud\slurutwentyfourd % +ickd + \let\hslurdd\hslurdtwentyfourd \let\hslurud\hslurutwentyfourd %+ickd + \def\@stepwidth{3.0pt}% + \else \ifdim\internote>2.3pt + \let\sld\slurdtwenty \let\slu\slurutwenty + \let\hslurd\hslurdtwenty \let\hsluru\hslurutwenty + \let\sldd\slurdtwentyd \let\slud\slurutwentyd % +ickd + \let\hslurdd\hslurdtwentyd \let\hslurud\hslurutwentyd %+ickd + \def\@stepwidth{2.5pt}% + \else \ifdim\internote>1.8pt + \let\sld\slurdsixteen \let\slu\slurusixteen + \let\hslurd\hslurdsixteen \let\hsluru\hslurusixteen + \let\sldd\slurdsixteend \let\slud\slurusixteend % +ickd + \let\hslurdd\hslurdsixteend \let\hslurud\hslurusixteend %+ickd + \def\@stepwidth{2pt}% + \else \ifdim\internote>1.4pt + \let\sld\slurdthirteen \let\slu\sluruthirteen + \let\hslurd\hslurdthirteen \let\hsluru\hsluruthirteen + \let\sldd\slurdthirteend \let\slud\sluruthirteend % +ickd + \let\hslurdd\hslurdthirteend \let\hslurud\hsluruthirteend %+ickd + \def\@stepwidth{1.6pt}% + \else + \let\sld\slurdeleven \let\slu\slurueleven + \let\hslurd\hslurdeleven \let\hsluru\hslurueleven + \let\sldd\slurdelevend \let\slud\sluruelevend % +ickd + \let\hslurdd\hslurdelevend \let\hslurud\hsluruelevend %+ickd + \def\@stepwidth{1.28pt}% + \fi\fi\fi\fi\fi +% +% End choice of font +% + \n@i\n@iv \pl@base % \y@i = initial height + \n@ii\n@vi +% +% Select appropriate font +% Set \n@i to the vertical difference index +% setup \n@iii(meetnote) +% + \ifnum\n@ii=\n@i % Slope is zero + \n@iii\n@i + \if u\@sense \advance\n@iii\thr@@ \else \advance\n@iii-\thr@@ \fi + \def\@slope{z}\n@i\z@ + \else + \ifnum\n@ii<\n@i % Slope is negative + \C@csl\n@i\n@ii\def\@slope{d}% % compute @meet height for slurs + \else % Slope is positive + \C@csl\n@ii\n@i\def\@slope{u}\n@i\n@ii % compute @meet height for slurs + \fi + \fi +%% +% Select the required font and load the width parameters +% +% Font specific parameters +% \y@iii is the horizontal width of the longest slur in the fonts +% This parameter is loaded from the tfm \fontdimen parameter 5 +% respectively +%% + \y@iii\fontdimen\fiv@\csname sl\@slope\endcsname + \y@ii#3% +% +% \n@i contains slope (difference between start and end note) +% +% force longslurs if (!!! no check, be careful !!!) +% long slurs are at least 20[16] pt long) !!! Perhaps will change again !!! +% - difference between first note and last note > 8 +% - if \curve or \midslur is def'd +% - if \invertslur is used +% + \ifnum\n@i>\@ight \y@iii\z@ \fi % RMslurs limit 8 steps + \ifx\@meet\empty \else\y@iii\z@ \fi + \ifx\@invert\@ne \y@iii\z@ \fi + \ifdim\y@ii>\y@iii % start of longslurs +% +% setup meet height of slur +% + \ifx\empty\@meet +% \immediate\write16{\noexpand\@meet was empty.}% + \else + \n@iii\n@iv + \advance\n@iii\@meet + \fi + \edef\@meet{\the\n@iii}% +% \immediate\write16{\noexpand\@meet = \@meet.}% +% +% allow a little bit overlap (2*2pt) for nicer outlook (as longer as nicer) +% clip to extremities +% compute the max length in fontunits (\count@) +% + \y@\y@ii \advance\y@\f@ur\p@ \n@v\y@ + \sp@pt\t@n % 10pt steps + \advance\n@v-\f@ur % first brace is 20pt wide (perhaps 10pt is better ??) + \min@n@v\z@ + \max@n@v\fourt@@n % largest braces are 2*((90pt-20pt)/10pt) + \count@\n@v % max length +% +% compute the length of the starting and ending halfslurs +% in case, that curve is not def'd +% + \ifx\empty\l@length + \divide\n@v\tw@ % 2 halfslurs + \n@vii\n@v + \n@ii\n@v + \def@lr +% +% first try to reach nicer long slurs without using \curve +% + \if z\@slope % leave ties untouched + \else + \ifnum\count@>\z@ % only for long slurs + \multiply\n@v\tw@ + \if\@slope\@sense % uu,dd advance l@length ud,du advance r@length + \s@adjust\n@vii\n@ii + \else + \s@adjust\n@ii\n@vii + \fi + \def@lr + \fi + \fi +% +% adjust \curve parameters, if neccesary +% + \else + \n@vii\l@length + \n@ii\r@length + \loop + \count@\n@vii + \advance\count@\n@ii + \ifnum\count@>\n@v + \advance\n@vii\m@ne \ifnum\n@vii<\z@ \n@vii\z@ \fi + \advance\n@ii\m@ne \ifnum\n@ii<\z@ \n@ii\z@ \fi + \repeat + \def@lr + \fi +% +% clip to extremity heights (max slur height= 16\internote) +% + \C@csm\n@iv + \C@csm\n@vi +% +% change sense and offset behind linebreak and reset flag +% + \ifx\@invert\@ne \ifdim\s@x=\z@ + \@invsl \let\@invert\empty \s@Y-\s@Y + \fi \fi +% +% compute final height and put the box +% +% \immediate\write16{ before @meet:\noexpand\y@i=\the\y@i}% +% \message{ was \noexpand\n@iv\the\n@iv}% +% \message{ was \noexpand\n@vi\the\n@vi}% +% + \meet@minus@n@iv=\@meet + \advance\meet@minus@n@iv-\n@iv +% \immediate\write16{\noexpand\meet@minus@n@iv=\the\meet@minus@n@iv}% +% \y@i\@meet\internote % \y@i final height +% change from DT for staffspacing not standard + \y@i \@stepwidth % part proportional to slur font size + \multiply \y@i \meet@minus@n@iv + \advance\y@i \n@iv\internote % was done by \pl@base... +% + \C@sof % add the voffsets + \llap{\raise\y@i\hbox\@to\y@ii{% +% +% compute the beginning and ending halfslur chars +% n@i firstslur +% n@ii lastslur +% n@v character +% + \C@cc\n@iv\n@i\n@ii + \C@cc\n@vi +% + \n@v\l@length + \multiply\n@v\sixt@@n % 16 different heigths + \advance\n@v\n@i % offset to length + \advance\n@v\@cxxviii % offset to starthalfslur + \@boX \box\ch@box\hss% put starthalfslur + \n@v\r@length + \multiply\n@v\sixt@@n + \advance\n@v\n@ii +% +% put ending halfslur in box +% + \ifx\@invert\@ne \@invsl \fi + \@boX +% +% put the middle extension (could be replaced by []rule) +% + \ifdim\y@ii>\p@ne\p@ + \n@v\y@ii + \sp@pt\f@ur % 4pt steps + \ifx\@invert\@ne + \divide\n@v\tw@ + \if u\@sense \advance\n@v\@cxxviii \fi + \mid@box\hss\hss% don't ask me why + \if u\@sense \advance\n@v-\@cxxviii \else \advance\n@v\@cxxviii \fi + \mid@box% + \else + \if d\@sense \advance\n@v\@cxxviii \fi + \mid@box \fi \fi +% +% place the end of slur and kern right horizontal offset +% + \hss\box\ch@box}\kern#4}% +% +% reset slurcurve +% + \global\let\@meet\empty + \let\l@length\empty + \let\@invert\empty +% +%>>>>>> start of RM slurs +% Set \n@v to the width index in the slur font table +% + \else + \ifdim\y@ii<\@ight\p@ \y@ii\@ight\p@ \fi % Clip to extremities + \y@\y@ii + \advance\y@-\si@\p@ + \n@v\y@ + \sp@pt\f@ur +% +% Find decimal character count into font table +% (a) Zero height slurs: charnum= width index +% (b) Others: charnum= 16*(height index - 1) + width index +% Place the character count in \n@v +% + \if z\@slope + \if d\@sense \advance\n@v\@liv \fi % \@liv(=54) offset to slurchars + \else + \advance\n@i\m@ne % height index - 1 + \multiply\n@i\sixt@@n % 16*(height index - 1) + \advance\n@v\n@i % 16*(height index - 1) + width index + \if d\@sense \advance\n@v\@cxxviii \fi + \fi +% +% Place the slur character +% + \C@sof + \ifnum\n@v>255 % to avoid diags in case of... + \n@v=255\relax + \fi + \ifnum\n@v<0 % to avoid diags in case of... + \n@v=0\relax + \fi +% + \llap{\raise\y@i\hbox\@to\y@ii{% +%-ickd \hss\csname sl\@slope\endcsname\char\n@v\hss}\kern#4}% + \hss\csname sl\@slope\@dotted\endcsname\char\n@v\hss}\kern#4}% + \fi +\fi} % end writ@slur + + +\def\sp@pt#1{\divide\n@v65536\divide\n@v#1} +\def\max@n@v#1{\ifnum\n@v>#1\n@v#1\fi} +\def\min@n@v#1{\ifnum\n@v<#1\n@v#1\fi} + +%-ickd \def\mid@box{\hbox{\xtie\char\n@v}} +\def\mid@box{% + \ifnum\n@v>255 % to avoid diags in case of... + \n@v=255\relax + \fi + \ifnum\n@v<0 % to avoid diags in case of... + \n@v=0\relax + \fi +% + \hbox{\csname xtie\@dotted\endcsname\char\n@v}} +%-ickd \def\@boX{\setbox\ch@box\hbox{\csname hslur\@sense\endcsname\char\n@v}% +\def\@boX{% + \ifnum\n@v>255 % to avoid diags in case of... + \n@v=255\relax + \fi + \ifnum\n@v<0 % to avoid diags in case of... + \n@v=0\relax + \fi +% + \setbox\ch@box\hbox{\csname hslur\@sense\@dotted\endcsname\char\n@v}% + \advance\y@ii-\wd\ch@box} + +\def\def@lr{\edef\l@length{\the\n@vii}\edef\r@length{\the\n@ii}} + +\def\s@adjust#1#2{% + \ifnum\n@v<\count@ \advance#1\@ne \fi + \ifnum\n@v>\z@ \advance#1\@ne \advance#2\m@ne + \ifnum#1>\s@v@n #1\s@v@n \fi \fi} + +\def\C@csl#1#2{% compute meet height for slurs + \if u\@sense \n@iii#1\advance\n@iii\tw@ + \else \n@iii#2\advance\n@iii-\tw@ \fi + \ifx\@invert\@ne + \n@iii#1\advance\n@iii-#2\divide\n@iii\tw@ \advance\n@iii#2\fi + \advance#1-#2} + +\def\C@cc#1{% slur = abs(meet-note) - 1 + \n@ii\@meet + \advance\n@ii-#1% + \ifnum\n@ii<\z@ \n@ii-\n@ii \fi + \advance\n@ii\m@ne + } +% \ifnum\n@ii<\z@\immediate\write16{Warning: \noexpand\C@cc->\noexpand\n@ii=\the\n@ii}\fi +% \n@ii\z@} % modeif DT 20-12-97 + +\def\C@csm#1{% clip to extremity heights (max slur height= 16\internote) + \n@i\n@iii + \advance\n@i-#1% + \ifnum\n@i>\sixt@@n + \ifnum\n@iii>#1% + #1\n@iii \advance#1-\sixt@@n + \else + #1\n@iii \advance#1\sixt@@n + \fi + \fi} + +\def\C@sof{\advance\y@i\s@Y % abs. voffset + \ifx\@Ti\@ne \advance\y@i\s@a \let\@Ti\empty \fi}% call from cutslur + +% manual influation on the curve for long slurs +% must be coded in front of \tslur +% #1 final height [number, steps of internote, relativ to beginning! note] +% #2 (length)slope left #3 (length)slope right + +\def\curve#1#2#3{\getcurpos % ignore \curve behind a linebreak + \ifdim\y@v>\@xxxii\p@ \xdef\@meet{#1}\edef\l@length{#2}\edef\r@length{#3}\relax + \else +% \message{\noexpand\curve #1#2#3 not expanded}% + \fi} + +% raise (or lower) only the mid of slur +% #1 final height [number, steps of internote, relativ to beginning! note] +%! #1 can still be changed to work relativ from default height ??? + +\def\midslur#1{\getcurpos + \ifdim\y@v>\@xxxii\p@ \xdef\@meet{#1}\relax + \else +% \message{\noexpand\midslur #1 not expanded}% + \fi} + +\let\@meet\empty +\let\l@length\empty +\let\r@length\empty + +% Liftslur #1 refnumber #2 lift[steps of internote] + +\def\Liftslur#1#2{\n@i#1\advance\n@i\@ne \advance\csname s@y\roman@n@i#2} + +% breakslur #1 refnumber #2 endheight during linebreak[steps of internote] + +\def\breakslur#1#2{\inhgetn@i#2\relax\n@ii\n@i + \n@i#1\advance\n@i\@ne \global\csname s@z\roman@n@i\n@ii} + +% invertslur #1 refnumber + +\def\@invsl{\if u\the\s@s \s@s{d}\else \s@s{u}\fi} + +\def\invertslur#1{\s@l@ctslur#1\relax + \if u\the\s@s \global\s@s{D}% change sense and set flag for invertslur + \else \global\s@s{U}\fi} + +% initiate slur #1 reference number #2 start note + +\def\isluru{\i@slur\h@lf{1\p@seven\internote}u}% 'normal' +\def\issluru{\i@slur{1\p@ne}{\p@seven\internote}u}% shorter for accords +% for beam(ib[l]u) or stem, doesn't work with \stemcut (yet?) +\def\ibsluru{\y@i\stemfactor\interbeam + \advance\y@i\h@lf\internote \i@slur1\y@i u} +\def\islurd{\i@slur\h@lf{-1\p@seven\internote}d} +\def\isslurd{\i@slur{1\p@ne}{-\p@seven\internote}d} +\def\ibslurd{\y@i\stemfactor\interbeam + \advance\y@i\h@lf\internote \y@i-\y@i \i@slur0\y@i d} + +% initiate slur at half note width but NO vertical offset (for linkings) + +\def\ihsluru{\i@slur\h@lf\z@ u}% +\def\ihslurd{\i@slur\h@lf\z@ d}% + +\let\itieu\issluru +\let\itied\isslurd +\def\istieu{\i@slur{1\p@ne}{\qu@rt\internote}u}% shorter for accords +\def\istied{\i@slur{1\p@ne}{-\qu@rt\internote}d}% +\let\itenu\istieu +\let\itenl\istied +\let\Itenu\istieu +\let\Itenl\istied + +\def\dotted{\let\dott@d\@ne}\let\dott@d\empty %+ickd + +\def\@mis{missing } + +% #1 hoffset #2 voffset #3 sense (u,d) #4 reference number #5 start note + +\def\i@slur#1#2#3#4#5{% + \check@staff + \global\advance\N@s\@ne % update slurcounter + \s@l@ctslur#4\relax +% test for already invoked \islur + \if x\the\s@s \else\errmessage{\@mis\noexpand\tslur#4}\fi + \global\s@Y#2% store voffset (abs. dim. to rel. height) + \global\s@s{#3}% store sense (u,d) + \ifx\dott@d\empty \global\s@d{}\else\global\s@d{d}\fi %+ickd + \let\dott@d\empty % set dotted indicator +ickd + \global\s@N\noinstrum@nt % store instrument number + \inhgetn@i#5\relax + \global\s@y\n@i % start vpos (steps of internote) + \global\s@a\altportee % store altportee of current slur + \getcurpos + \advance\y@v#1\qn@width + \global\s@x\y@v + \fi}% start hpos (current pos including hoffset) + +% terminate slur #1 reference number #2 end note +% the various types only influence the horizontal offset, if you want to +% terminate a \ibslur with a \tslur it becomes a little bit tricky +%% +%% RDT: the "trick", whatever it is, doesn't seem to be working !!!!! +%% e.g. \Notes\ibsluru1g\qa g\ha l\sk\zq g\zq i\tslur1k\qu k\en + +\def\tslur{\t@slur\h@lf} +\def\tsslur{\t@slur{-\p@ne}} +\def\tubslur{\t@slur1} +\def\tdbslur{\t@slur0} +\def\tbsluru{\t@slur1} +\def\tbslurd{\t@slur0} + +% \def\ttie#1{\let\T@i\@c \t@slur{-\p@ne}#1\@ne} +% \def\tleg#1{\let\T@i\@c \tslur #1\@ne} +% #1 should be braced... by David Alsop on January 11, 2009 +\def\ttie#1{\let\T@i\@c \t@slur{-\p@ne}{#1}\@ne} +\def\tleg#1{\let\T@i\@c \tslur{#1}\@ne} +\let\tten\ttie +\let\Tten\ttie +\let\Tleg\tleg + +% y@i linewidth +% y@iv right hoffset +% y@v endpos, complete length + +% #1 hoffset #2 reference number #3 end note + +\def\t@slur#1#2#3{% + \check@staff + \s@l@ctslur#2\relax + \y@iv#1\qn@width + \def\@sense{\the\s@s}% + \edef\@dotted{\the\s@d}%+ickd +% test for missing \islur + \if x\@sense \errmessage{\@mis\noexpand\islur#2}\fi +% test for \invertslur + \if D\@sense \s@s{u}% + \let\@invert\@ne + \fi + \if U\@sense \s@s{d}% + \let\@invert\@ne + \fi +% compute length + \getcurpos + \advance\y@v\y@iv +% eoline + \y@eol\advance\y@-\beforeruleskip +% clip slur at eoline + \ifdim\y@v>\y@ \y@v\y@ \advance\y@v\beforeruleskip \y@iv\beforeruleskip \fi + \advance\y@v-\s@x + \ifx\T@i\@c \n@i\s@y \else \inhgetn@i#3\relax \fi + \writ@slur\s@y\n@i\y@v{-\y@iv}% +% reset sense of slur + \global\s@s{x}\let\T@i\empty + \global\advance\N@s\m@ne + \fi}% update slur counter + + % this command is made to terminate the slur #1 exactly on the note pitch #2 +\def\Tslurbreak#1#2{\s@l@ctslur#1\relax + \def\@sense{\the\s@s}% + {\if d\@sense \advance\transpose 2\raise0.2\Interligne\hbox{\tslur{#1}{#2}}\relax + \else \advance\transpose -2\raise-0.2\Interligne\hbox{\tslur{#1}{#2}}\relax + \fi + }% +\global\let\@meet\empty +\let\l@length\empty +\let\r@length\empty +\let\@invert\empty +} + +\def\Islurubreak#1#2{{\advance\transpose -1\isluru{#1}{#2}}} +\def\Islurdbreak#1#2{{\advance\transpose 1\islurd{#1}{#2}}} + +\def\TslurbreakNextBar#1#2{\off{\beforeruleskip}\hloff{\Tslurbreak{#1}{#2}}\off{-\beforeruleskip}} +\def\IslurubreakPrevBar#1#2{\off{-\afterruleskip}\hloff{\Islurubreak{#1}{#2}}\off{\afterruleskip}} +\def\IslurdbreakPrevBar#1#2{\off{-\afterruleskip}\hloff{\Islurdbreak{#1}{#2}}\off{\afterruleskip}} + +\def\y@eol{\y@\line@width \advance\y@-\sign@skip + \advance\y@-\clef@skip \advance\y@-\s@indent} + +% hold up the RM-slur calling, because faster coding, +% if the slurs are inside a bar (and you use one kind of \notes) +% and ... there is no limitation in the number of slurs +% if you want to call a short slur, extending to the left use \slur[][][]0 + +% #1 start pitch #2 final pitch #3 sense(u,d) #4 length[noteskip] + +\def\C@slur#1#2#3#4{\check@staff + \inhgetn@i#1\relax \n@ii\n@i + \inhgetn@i#2\relax \relax + \ifx\dott@d\empty \gdef\@dotted{}\else\gdef\@dotted{d}\fi %+ickd + \let\dott@d\empty % set dotted indicator +ickd + \def\@sense{#3}% + \if d\@sense \s@Y-\s@Y \fi + \y@v#4\noteskip + \y@iv\y@v + \advance\y@iv\y@ii + \advance\y@v\y@iii + \kern\y@iv + \writ@slur\n@ii\n@i\y@v\z@ + \kernm\y@iv + \fi} + +\def\sslur{% + \let\s@N\undefined % do not store instrument number + \s@Y\p@seven\internote + \y@iii-1.2\qn@width % offset to length 1.1behind+.1before + \y@ii-\p@ne\qn@width + \C@slur} +\def\slur{% + \let\s@N\undefined % do not store instrument number + \s@Y1\p@seven\internote + \y@iii\z@ + \y@ii\h@lf\qn@width + \C@slur} +\def\stie#1{\sslur{#1}{#1}} +\def\tie#1{\slur{#1}{#1}} + +%%% setup fontsizes + +\newdimen\interbeam % distance entre poutres +\newdimen\b@amthick % half beamthickness +\newdimen\Interligne% de la base d'une ligne a l'autre +\newdimen\Internote % la moitie de \Interligne + +\let\internote\Internote +\def\musixchar{\musixfont\char} +\def\keychar{\musickeyfont\char} + +\let\musicnorfont\musictwenty + +\def\set@Largenotesize{\let\musixfont\musicLargefont + \let\xgregfont\xgregLargefont + \let\fetafont\fetaLargefont % RDT 1.36 + \b@amthick.3456\Interligne \interbeam1.08\Interligne } + +\def\set@largenotesize{\let\musixfont\musiclargefont + \let\xgregfont\xgreglargefont + \let\fetafont\fetalargefont % RDT 1.36 + \b@amthick.288\Interligne \interbeam.9\Interligne } + +\def\set@normalnotesize{\let\musixfont\musicnorfont + \let\xgregfont\xgregnorfont + \let\fetafont\fetanorfont % RDT 1.36 + \b@amthick.24\Interligne \interbeam\p@seven5\Interligne } + +\def\set@smallnotesize{\let\musixfont\musicsmallfont + \let\xgregfont\xgregsmallfont + \let\fetafont\fetasmallfont % RDT 1.36 + \b@amthick\p@ne92\Interligne \interbeam.6\Interligne } + +\def\set@tinynotesize{\let\musixfont\musictinyfont + \let\xgregfont\xgregtinyfont + \let\fetafont\fetatinyfont % RDT 1.36 + \b@amthick\p@ne536\Interligne \interbeam.48\Interligne } + +\def\normalnotesize{\set@normalnotesize\comput@specifics + \let\curr@ntsiz@\normalnotesize} +\def\smallnotesize{\set@smallnotesize\comput@specifics + \let\curr@ntsiz@\smallnotesize} +\def\tinynotesize{\set@tinynotesize\comput@specifics + \let\curr@ntsiz@\tinynotesize} +\def\largenotesize{\set@largenotesize\comput@specifics % v.124 RDT + \let\curr@ntsiz@\largenotesize} +\def\Largenotesize{\set@Largenotesize\comput@specifics % v.124 RDT + \let\curr@ntsiz@\Largenotesize} + +\def\musickeyfont{% + \ifdim\internote<\p@seven6\Internote \musictinyfont + \else + \ifdim\internote<.95\Internote \musicsmallfont + \else + \ifdim\internote<1.19\Internote \musicnorfont + \else + \ifdim\internote<1.43\Internote \musiclargefont + \else + \musicLargefont + \fi + \fi + \fi + \fi} + +\def\meterfont{% + \ifdim\internote<\p@seven6\Internote \metersmallfont + \else + \ifdim\internote<.95\Internote \meternorfont + \else + \ifdim\internote<1.19\Internote \meterbigfont + \else + \ifdim\internote<1.43\Internote \meterlargefont + \else \meterLargefont + \fi + \fi + \fi + \fi} + +\def\tabcleffnt{% 1.29 RDT + \ifdim\internote<.95\Internote \tabsmallcleffnt + \else + \ifdim\internote<1.19\Internote \tabnorcleffnt + \else + \ifdim\internote<1.43\Internote \tablargecleffnt + \else \tabLargecleffnt + \fi + \fi + \fi} + +\def\tabfnt{% 1.29 RDT + \ifdim\internote<.95\Internote \tabsmallfnt + \else + \ifdim\internote<1.19\Internote \tabnorfnt + \else + \ifdim\internote<1.43\Internote \tablargefnt + \else \tabLargefnt + \fi + \fi + \fi} + +\newbox\ch@box +\newcount\musicsize +\newdimen\qd@skip +\newdimen\qn@width +\newdimen\wn@width + +\newskip\txt@ff +\newskip\s@indent % store parindent +\newskip\big@spc + +\newdimen\lthick \lthick=.4pt +% \def\hlthick{\h@lf\lthick} +\def\hlthick{0.4pt} % 1.36 RDT + +%%% + +\def\normalmusicsize{\musicsize\tw@nty \comput@specifics + \afterruleskip\@ight\p@ \elemskip\fontdimen\si@\musicnorfont \clef@skip\z@} +\def\smallmusicsize{\musicsize\sixt@@n \comput@specifics + \afterruleskip\si@\p@ \elemskip\fontdimen\si@\musicnorfont \clef@skip\z@} +\def\largemusicsize{\musicsize\@xxiv \comput@specifics + \afterruleskip\t@n\p@ \elemskip\fontdimen\si@\musicnorfont \clef@skip\z@} +\def\Largemusicsize{\musicsize\@xxix \comput@specifics + \afterruleskip\t@n\p@ \elemskip\fontdimen\si@\musicnorfont \clef@skip\z@} + +\def\comput@fonts{% + \ifnum\musicsize=\sixt@@n + \let\musicLargefont\musictwentyfour + \let\musiclargefont\musictwenty + \let\musicnorfont\musicsixteen + \let\musicsmallfont\musicthirteen + \let\musictinyfont\musiceleven + \let\xgregLargefont\xgregtwentyfour + \let\xgreglargefont\xgregtwenty + \let\xgregnorfont\xgregsixteen + \let\xgregsmallfont\xgregthirteen + \let\xgregtinyfont\xgregeleven + \let\fetaLargefont\fetatwentyfour % 1.36 RDT + \let\fetalargefont\fetatwenty + \let\fetanorfont\fetasixteen + \let\fetasmallfont\fetathirteen + \let\fetatinyfont\fetaeleven + \let\slurd\slurdsixteen \let\sluru\slurusixteen + \let\hslurd\hslurdsixteen \let\hsluru\hslurusixteen + \let\meternorfont\tenbf \let\metersmallfont\eightbf % version 1.16 RDT + \let\meterbigfont\twelvebf \let\meterlargefont\frtbf + \let\meterLargefont\svtbf + \let\tinyppff\ppfftwelve % version 1.17 RDT + \let\smallppff\ppfftwelve + \let\normppff\ppffsixteen + \let\medppff\ppfftwenty + \def\txtfont{\ifdim\internote<.95\Internote \tinytype\it % version 1.22 RDT + \else\ifdim\internote<1.19\Internote \smalltype\it + \else\ifdim\internote<1.43\Internote \Smalltype\it + \else\normtype\it\fi\fi\fi}% + \let\tabnorfnt\tabfntsixteen \let\tablargefnt\tabfnttwenty % 1.34 RDT + \let\tabLargefnt\tabfnttwentyfour \let\tabsmallfnt\tabfntthirteen + \let\tabnorcleffnt\eightdc \let\tablargecleffnt\tendc + \let\tabLargecleffnt\twelvedc \let\tabsmallcleffnt\sixdc + \def\tabstringfnt{\ifdim\internote<.95\Internote \fourss % 1.29 RDT + \else\ifdim\internote<1.19\Internote \fivess + \else\ifdim\internote<1.43\Internote \sevenss + \else\eightss\fi\fi\fi}% + \else\ifnum\musicsize=\@xxiv + \let\musicLargefont\musictwentynine + \let\musiclargefont\musictwentynine + \let\musicnorfont\musictwentyfour + \let\musicsmallfont\musictwenty + \let\musictinyfont\musicsixteen + \let\xgregLargefont\xgregtwentynine + \let\xgreglargefont\xgregtwentynine + \let\xgregnorfont\xgregtwentyfour + \let\xgregsmallfont\xgregtwenty + \let\xgregtinyfont\xgregsixteen + \let\fetaLargefont\fetatwentynine % 1.36 RDT + \let\fetalargefont\fetatwentynine + \let\fetanorfont\fetatwentyfour + \let\fetasmallfont\fetatwenty + \let\fetatinyfont\fetasixteen + \let\sluru\slurutwenty \let\slurd\slurdtwenty + \let\hsluru\hslurutwenty \let\hslurd\hslurdtwenty + \let\meternorfont\frtbf \let\metersmallfont\twelvebf % version 1.18 RDT + \let\meterbigfont\svtbf \let\meterlargefont\twtybf + \let\meterlargefont\twfvbf + \let\tinyppff\ppffsixteen + \let\smallppff\ppfftwenty + \let\normppff\ppfftwentyfour + \let\medppff\ppfftwentynine + \def\txtfont{\ifdim\internote<.95\Internote \smalltype\it % version 1.22 RDT + \else\ifdim\internote<1.19\Internote \Smalltype\it + \else\ifdim\internote<1.43\Internote \normtype\it + \else\medtype\it\fi\fi\fi}% + \let\tabnorfnt\tabfnttwentyfour \let\tablargefnt\tabfnttwentynine % 1.34 RDT + \let\tabLargefnt\tabfnttwentynine \let\tabsmallfnt\tabfnttwenty + \let\tabnorcleffnt\twelvedc \let\tablargecleffnt\frtdc + \let\tabLargecleffnt\svtdc \let\tabsmallcleffnt\tendc + \def\tabstringfnt{\ifdim\internote<.95\Internote \sixss % 1.29 RDT + \else\ifdim\internote<1.19\Internote \sevenss + \else\ifdim\internote<1.43\Internote \eightss + \else\twelvess\fi\fi\fi}% + \else\ifnum\musicsize=\@xxix + \let\musicLargefont\musictwentynine + \let\musiclargefont\musictwentynine + \let\musicnorfont\musictwentynine + \let\musicsmallfont\musictwentyfour + \let\musictinyfont\musictwenty + \let\xgregLargefont\xgregtwentynine + \let\xgreglargefont\xgregtwentynine + \let\xgregnorfont\xgregtwentynine + \let\xgregsmallfont\xgregtwentyfour + \let\xgregtinyfont\xgregtwenty + \let\fetaLargefont\fetatwentynine % 1.36 RDT + \let\fetalargefont\fetatwentynine + \let\fetanorfont\fetatwentynine + \let\fetasmallfont\fetatwentyfour + \let\fetatinyfont\fetatwenty + \let\sluru\slurutwenty \let\slurd\slurdtwenty + \let\hsluru\hslurutwenty \let\hslurd\hslurdtwenty + \let\slurud\slurutwentyd \let\slurdd\slurdtwentyd % +ickd + \let\hslurud\hslurutwentyd \let\hslurdd\hslurdtwentyd %+ickd + \let\meternorfont\svtbf \let\metersmallfont\frtbf % version 1.18 RDT + \let\meterbigfont\twtybf \let\meterlargefont\twfvbf % version 1.24 typos corrected + \let\meterLargefont\twfvbf + \let\tinyppff\ppfftwenty + \let\smallppff\ppfftwentyfour + \let\normppff\ppfftwentynine + \let\medppff\ppfftwentynine + \def\txtfont{\ifdim\internote<.95\Internote \normtype\it % version 1.22 RDT + \else\ifdim\internote<1.19\Internote \medtype\it + \else\ifdim\internote<1.43\Internote \bigfont\it + \else\Bigfont\it\fi\fi\fi}% + \let\tabnorfnt\tabfnttwentynine \let\tablargefnt\tabfnttwentynine % 1.34 RDT + \let\tabLargefnt\tabfnttwentynine \let\tabsmallfnt\tabfnttwentyfour + \let\tabnorcleffnt\frtdc \let\tablargecleffnt\svtdc + \let\tabLargecleffnt\twtydc \let\tabsmallcleffnt\twelvedc + \def\tabstringfnt{\ifdim\internote<.95\Internote \eightss % 1.29 RDT + \else\ifdim\internote<1.19\Internote \niness + \else\ifdim\internote<1.43\Internote \twelvess + \else\frtss\fi\fi\fi}% +\else + \ifnum\musicsize=\tw@nty + \else\ifnum\musicsize=\z@ + \else\errmessage{\noexpand\musicsize=\the\musicsize\space not supported, + set to default of 20}% + \fi + \fi\musicsize\tw@nty + \let\musicLargefont\musictwentynine + \let\musiclargefont\musictwentyfour + \let\musicnorfont\musictwenty + \let\musicsmallfont\musicsixteen + \let\musictinyfont\musicthirteen + \let\xgreglargefont\xgregtwentyfour + \let\xgregLargefont\xgregtwentynine + \let\xgregnorfont\xgregtwenty + \let\xgregsmallfont\xgregsixteen + \let\xgregtinyfont\xgregthirteen + \let\fetalargefont\fetatwentyfour % 1.36 RDT + \let\fetaLargefont\fetatwentynine + \let\fetanorfont\fetatwenty + \let\fetasmallfont\fetasixteen + \let\fetatinyfont\fetathirteen + \let\sluru\slurutwenty \let\slurd\slurdtwenty + \let\hsluru\hslurutwenty \let\hslurd\hslurdtwenty + \let\meternorfont\twelvebf \let\metersmallfont\tenbf % version 1.18 RDT + \let\meterbigfont\frtbf \let\meterlargefont\svtbf + \let\meterLargefont\twtybf + \let\tinyppff\ppfftwelve + \let\smallppff\ppffsixteen + \let\normppff\ppfftwenty + \let\medppff\ppfftwentyfour + \def\txtfont{\ifdim\internote<.95\Internote \smalltype\it + \else\ifdim\internote<1.19\Internote \Smalltype\it + \else\ifdim\internote<1.43\Internote \normtype\it + \else\medtype\it\fi\fi\fi}% + \let\tabnorfnt\tabfnttwenty \let\tablargefnt\tabfnttwentyfour % 1.34 RDT + \let\tabLargefnt\tabfntwentynine \let\tabsmallfnt\tabfntsixteen + \let\tabnorcleffnt\tendc \let\tablargecleffnt\twelvedc + \let\tabLargecleffnt\frtdc \let\tabsmallcleffnt\eightdc + \def\tabstringfnt{\ifdim\internote<.95\Internote \fivess % 1.29 RDT + \else\ifdim\internote<1.19\Internote \sevenss % 1.37 RDT + \else\ifdim\internote<1.43\Internote \eightss + \else\niness\fi\fi\fi}% +\fi\fi\fi}% + +\def\comput@specifics{\comput@fonts\comput@sizes} + +\def\comput@sizes{% + \Interligne\fontdimen\fiv@\musicnorfont + \Internote\h@lf\Interligne \big@spc.6\Interligne + \qn@width\fontdimen\si@\musixfont + \wn@width1\qu@rt\qn@width + \txt@ff\h@lf\qn@width + \qd@skip\qn@width\advance\qd@skip-\hlthick} + +%\newdimen\afterruleskip +\newskip\afterruleskip +\newdimen\staffbotmarg % marge au-dessous des portees +\newdimen\stafftopmarg % au-dessus des portees +\newdimen\line@width + +\def\normalvalue{1} +\def\largevalue{1.2} +\def\Largevalue{1.44} +\def\smallvalue{.8} +\def\tinyvalue{.64} + +\def\instrumentnumber#1{\n@v#1\relax + \min@n@v\@ne + \max@n@v\maxinstruments + \edef\nbinstruments{\the\n@v}} + +% staffsize + +\def\setsize#1#2{\n@v#1\relax % select instrument + \expandafter\edef\csname staffspacing\romannumeral\n@v\endcsname{#2}} + +% [version 1.15] moved out to the new register allocation code +% \let\staffspacingi\@ne + +% number of staffs + +\def\setstaffs#1#2{\n@v#1\relax \csname n@p\romannumeral\n@v\endcsname#2} + +% staff lines + +\def\setlines#1#2{\n@v#1\relax % select instrument + \expandafter\def\csname n@l\romannumeral\n@v\endcsname{#2}} + +\newdimen\interportee % distance between staffs of the same instrument (incl) +\newcount\noport@@ +\newcount\noinstrum@nt +\newdimen\altportee + +\def\interstaff#1{\def\interfacteur{#1}} + +\def\s@l@ctinstr{% + \ifnum\noinstrum@nt>\maxinstruments % [version 1.15] -- from here -- + \errmessage{Wrong instrument reference number \the\noinstrum@nt, maxinstruments=\the\maxinstruments} + \fi % [version 1.15] -- until here -- + \edef\altitude{\csname k@i\romannumeral\noinstrum@nt\endcsname}% + \edef\st@ffs{\csname n@p\romannumeral\noinstrum@nt\endcsname}% + \edef\nblines{\csname n@l\romannumeral\noinstrum@nt\endcsname}% + \edef\internote{\csname i@n\romannumeral\noinstrum@nt\endcsname}% + \edef\int@rf{\csname interfacteur\romannumeral\noinstrum@nt\endcsname}% RDT 1.24 + \interportee\int@rf\internote \interportee\tw@\interportee}% RDT 1.26 + +\def\C@Inter{% RDT: corrected to work if \nblines > 6 (version 1.23) + % RDT: corrected for \nblines < 4 (version 1.28) + \stem@skip\interportee + \ifnum\nblines<\f@ur + \advance\stem@skip-\@ight\internote + \else + \advance\stem@skip-\nblines\internote + \advance\stem@skip-\nblines\internote + \advance\stem@skip\tw@\internote + \fi} + +%%% loop over instruments and staffs + +\def\count@portee{\advance\noport@@\@ne} + +\def\n@loop{\noinstrum@nt\z@ \loop\ifnum\noinstrum@nt<\nbinstruments + \advance\noinstrum@nt\@ne \s@l@ctinstr} + +\def\m@loop{\noinstrum@nt\z@ \loop\ifnum\noinstrum@nt<\maxinstruments + \advance\noinstrum@nt\@ne} + +\def\p@loop{\noport@@\z@ \loop\ifnum\noport@@<\st@ffs + \altportee\altitude \advance\altportee\noport@@\interportee} + +\def\Comp@High{\y@v\st@ffs\interportee \C@Inter\advance\y@v-\stem@skip} + +% to be used to make heavy bars at staff left +% modified according to Werner Icking + + +\def\groupbottom#1#2{\group@no#1\relax + \advance\group@no\m@ne\test@grnum % testgr@num advances group@no by 1... + \expandafter\def\csname lowersonginstrum\romannumeral\group@no\endcsname{#2}} + +\def\grouptop#1#2{\group@no#1\relax + \advance\group@no\m@ne\test@grnum % testgr@num advances group@no by 1... + \expandafter\def\csname uppersonginstrum\romannumeral\group@no\endcsname{#2}} + +\def\songbottom{\groupbottom1} +\def\songtop{\grouptop1} + +% [version 1.15] moved out to the new register allocation code +% \let\lowersonginstrumi\maxdimen +% \let\uppersonginstrumi\z@ + +\def\g@loop{\group@no\z@ \loop\ifnum\group@no<\maxgroups + \s@l@ctgroup} +\def\s@l@ctgroup{% + \relax\test@grnum + \edef\g@b{\csname g@b\romannumeral\group@no\endcsname}% dimen (group bottom) + \edef\g@h{\csname g@h\romannumeral\group@no\endcsname}% dimen (group top) + \edef\lowersonginstrum{\csname lowersonginstrum\romannumeral\group@no\endcsname}% dimen (group top) + \edef\uppersonginstrum{\csname uppersonginstrum\romannumeral\group@no\endcsname}% dimen (group top) + }% +\def\test@grnum{% + \ifnum\group@no<\z@ \group@no\@c \fi + \ifnum\group@no<\maxgroups \else + \count@\maxgroups \advance\count@\m@ne + \errmessage{Wrong group reference number \the\group@no! (valid: 0 to \the\count@)}% [version 1.15] + \group@no\z@% [version 1.15] + \fi + \advance\group@no\@ne} + +% \nobarmessages prevents bar messages + +\def\nobarmessages{\let\no@b\@ne} +\let\no@b\empty + +% \nolinemessages prevents line messages in phase three +\def\nolinemessages{\let\no@l\@ne} +\let\no@l\empty + +% \nobarnumbers prevents bar numbering (Ian Collier) +% \barnumbers restores bar numbering + +\def\nobarnumbers{\let\lin@bar\empty \let\freqbarno\maxdimen} +\def\barnumbers{\let\freqbarno\normalvalue} +\barnumbers + +% show barnumbers only at the beginning system + +\def\raisebarno{\f@ur\internote} +\let\shiftbarno\z@ + +\def\writebarno{\boxit{\eightbf\the\barno\barnoadd}} +\def\systemnumbers{\nobarnumbers\let\lin@bar\@ne} + +% add 'a' behind the systembarnumber, if the previous line ended without +% a bar rule + +\let\z@sw\empty +\def\writezbarno{a} +\def\barnoadd{\ifx\z@sw\@ne \writezbarno \fi} + +% suppress the beginning vertical rule for single-staff scores + +\def\startrule{\let\b@rule\empty} +\def\nostartrule{\let\b@rule\z@} +\startrule + +%%% distance between instruments (added to \interportee) + +% [version 1.15] moved out to the above of the new register allocation code +% \newdimen\interinstrument +% [version 1.15] moved out to the new register allocation code +% \let\interinstrumenti\interinstrument + +\def\setinterinstrument#1#2{\n@v#1\relax % select instrument + \expandafter\def\csname interinstrument\romannumeral\n@v\endcsname{#2}}% + +\def\setinterstaff#1#2{\n@v#1\relax % select instrument RDT 1.24 + \expandafter\def\csname interfacteur\romannumeral\n@v\endcsname{#2}}% + +%%% portees + +\newdimen\systemheight +\newdimen\altplancher + +% New version by Werner Icking + +\def\writ@staffs{% + \y@\staffbotmarg \global\altplancher\staffbotmarg + \rlap{\n@loop\w@st\repeat +% beginning vertical rule + \systemheight\y@ + \advance\systemheight-\altplancher + \C@Inter \global\advance\systemheight-\stem@skip + \ifx\empty\b@rule \raise\altplancher\rlap{% + \vrule\@depth\hlthick\@height\systemheight\@width\lthick}\fi +% 'Akkoladenklammer' don't know the english word + \g@loop + \ifnum\uppersonginstrum<\lowersonginstrum + \else + \noinstrum@nt\uppersonginstrum\s@l@ctinstr\C@Inter + \global\advance\g@h-\stem@skip \global\advance\g@h-\g@b + \global\advance\g@h\Interligne \global\advance\g@b-\Internote + \raise\g@b\llap{\uplap{\offinterlineskip + \set@normalnotesize\hbox{\musixfont\fourt@@n}\hbox{\vrule\@height\g@h + \@width\internote}\hbox{\musixfont\fiv@t@@n}}\kern\internote}% + \fi + \repeat +% systembarnumbers + \ifx\lin@bar\@ne \y@\altplancher \advance\y@\systemheight + \advance\y@\raisebarno \raise\y@\rlap{\kern\shiftbarno\writebarno}\fi +% strut + \advance\stafftopmarg\staffbotmarg + \raise\stafftopmarg\hbox{\vrule\@height\systemheight\@width\z@}}} + +\def\uplap#1{\vbox\@to\z@{\vss#1}} + +% new version of \w@st by Werner Icking + +\newskip\instrum@in@group +\def\w@st{% + \global\noport@@\z@ \global\altitude\y@ + \global\instrum@in@group=\z@ + {\g@loop + \ifnum\noinstrum@nt=\lowersonginstrum + \global\g@b\altitude + \fi + \ifnum\uppersonginstrum>\lowersonginstrum\relax + \ifnum\noinstrum@nt<\lowersonginstrum\relax + \else + \ifnum\noinstrum@nt>\uppersonginstrum\relax + \else +% \message{\the\noinstrum@nt\space in-group!}% + \global\instrum@in@group=2\internote + \fi + \fi + \fi + \repeat}% +% nullportee + \ifnum\st@ffs=\z@ + \advance\y@\f@ur\Interligne + \else +% multportee + \ifnum\st@ffs>\@ne \Comp@High\n@v\y@v \sp@pt\tw@ + \advance\n@v\@cxxviii \divide\y@v\tw@ +%==== the parenthesis should be shifted to the left if within +%==== songbottom -- songtop + \advance\y@v\y@ + \raise\y@v\hbox{\kern -\instrum@in@group\mxsps\char\n@v\kern\instrum@in@group}% + \fi +% normal staff + {\loop \staff@lines\ifnum\noport@@<\st@ffs \repeat}% + \fi % fin du \else pour 0 portees=chant + {\g@loop + \ifnum\noinstrum@nt=\uppersonginstrum \global\g@h\y@ \fi + \repeat}% + \ifnum\noinstrum@nt<\nbinstruments + \advance\y@\csname interinstrument\romannumeral\noinstrum@nt\endcsname \fi} + +\def\staff@lines{\raise\y@\rlap{\uplap{% + \ifcase\nblines + \or \Lin@\zLin@\zLin@ + \or \Lin@\zLin@\Lin@\zLin@ + \or \Lin@\zLin@\Lin@\zLin@\Lin@ + \or \Lin@\Lin@\Lin@\Lin@ + \or \Lin@\Lin@\Lin@\Lin@\Lin@ + \or \Lin@\Lin@\Lin@\Lin@\Lin@\Lin@ + \or \Lin@\Lin@\Lin@\Lin@\Lin@\Lin@\Lin@ + \or \Lin@\Lin@\Lin@\Lin@\Lin@\Lin@\Lin@\Lin@ + \or \Lin@\Lin@\Lin@\Lin@\Lin@\Lin@\Lin@\Lin@\Lin@ + \fi\kernm\hlthick}}% + \global\advance\y@\interportee \count@portee} + +\def\zLin@{\kern\tw@\internote} +\def\Lin@{\zLin@\kernm\lthick\hrule\@width\line@width} + +\newskip\boxitsep \boxitsep\thr@@\p@\relax + +\def\boxit#1{\vbox{\hrule\hbox{\vrule\kern\boxitsep\vbox{% + \kern\boxitsep\hbox{#1}\kern\boxitsep}\kern\boxitsep\vrule}\hrule}} +\def\circleit#1{\setbox\ch@box\hbox{#1}\y@v\ht\ch@box + \y@v1.41\ht\ch@box % => sqrt(2) + \n@v\y@v \sp@pt\tw@ \advance\n@v69\rlap{#1}% + \raise\h@lf\ht\ch@box\rlap{\kern\h@lf\wd\ch@box\mxsps\char\n@v}} + +\def\thinrul@{\writ@rule\lthick} +\def\thickrul@{\writ@rule\big@spc} + +%%% start normal score + +%% +% Define a counter to keep track of total number of bars in piece +% which are terminated by a barline. This is not necessarily +% the same as \barno, in view of (eg) a bar containing +% multiple bars rest. +%% +% !!! \barsinpi@c@ now used for \zbar and \xbar too, if you use them +% the value of \barsinpi@c@ says nothing !!! +% + +\newcount\barsinpi@c@ +\newcount\barno +\newcount\startbarno \startbarno\@ne +\newdimen\sign@skip +\newdimen\maxsign@skip + + +\def\piece@begina{\catcodesmusic \barno\startbarno \@l@mskip\elemskip + \barsinlin@\z@ \let\z@sw\empty \frenchspacing +% \let\barrul@\thinrul@ \comp@internote} %-simick + \b@rrul@\comp@internote} %+simick + +\def\comp@internote{\comput@specifics + \n@loop + \internote\csname staffspacing\romannumeral\noinstrum@nt\endcsname\Internote + \repeat + \line@width\hsize} + +\def\piece@beginb{\advance\line@width-\parindent \s@indent\parindent + \writ@staffs \writ@names \advance\line@width\parindent} + +\def\piece@beginc{% +% write clefs + \n@loop{\writ@clefi}\repeat \kern\clef@skip +% everystaff stuff + \everyst@ff +% write signatures + \sign@skip\z@ \n@loop{\s@l@ctsigns \let\@Ti\writ@sign \C@wsi}\repeat + \kern\sign@skip \m@loop \s@l@ctsigns \o@s\a@s \s@l@ctclefs \o@c\a@c \repeat + \let\Writ@newsigns\empty \hskip\z@ plus\p@ minus\p@ \lastbarpos\z@} + +\let\fil@begin\empty +\let\Writ@meters\empty + +\def\startpiece{\ifstartmuflex@done\relax + \else\startmuflex + \immediate\write16{\noexpand\startmuflex launched by + \noexpand\startpiece }% + \fi + \barsinpi@c@\z@ \piece@begina \leavevmode \piece@beginb + \piece@beginc \fil@begin \Writ@meters\lastbarpos\lin@pos %%% 1.21: added \lastbarpos setting + \let\volta@set\empty % tells the kind of volta setting at next bar + \let\volta@cut\empty % flag to tell that a volta has been cut at line end + \let\volta@type\empty % the current volta setting (same defs as \volta@set) + \let\endvolta@set\empty % tells the kind of volta closing at next bar + \let\pdl@cut\empty % flag to signal a pedal rule has been cut at the end of a line % 1.21 RDT +} + +\let\everystaff\empty +\def\everyst@ff{\everystaff}% --> MuFlex Pass II + +%%% continue score + +\let\atnextline\empty + +\def\piece@conta{\catcodesmusic \atnextline \let\atnextline\empty + \comp@internote \leavevmode \barsinlin@\z@ } + +\def\contpiece{\noindent \piece@conta \writ@staffs \piece@beginc + \Writ@meters\wbarno@x\lastbarpos\lin@pos\addspace\afterruleskip %%% 1.21: added \lastbarpos setting +} + +% like contpiece but with indentation (parindent) and instrument names +% it's for changing the number of instrument in one piece + +\let\fil@indent\empty +\def\Contpiece{\piece@conta \piece@beginb \fil@indent \piece@beginc + \Writ@meters\lastbarpos\lin@pos} %%% 1.21: added \lastbarpos setting + + +%%% end score + +\let\ragg@d\empty +\let\z@suspend@autoflag\empty % used in musixcpt only + +\def\z@suspend{% + \z@suspend@autoflag % used in musixcpt only +% cut pedal rule 1.21 RDT + \ifdim\pdl@pos=\z@\else% + \noport@@\z@ + \znotes\selectinstrument{\pdl@instr}\selectstaff{\pdl@staff}\pdlc@\en% + \global\def\pdl@cut{\@one}% + \fi +% cutvolta + \write@volta@hrule + \ifx\volta@type\tw@\let\volta@set\tw@ \let\volta@type\empty + \let\volta@cut\tw@\fi % restart volta at next line if continuous + \ifx\volta@type\thr@@\let\volta@set\thr@@ \let\volta@type\empty + \let\volta@cut\thr@@ \fi % restart volta at next line if continuous +% cutoctline + \o@loop + \ifdim\o@x<\maxdimen \let\T@ii\n@ii \C@TO \o@x\z@ \fi + \repeat +% cut trill + \tr@loop + \ifdim\tr@x<\maxdimen \let\T@ii\n@ii \C@TR \tr@x\z@ \fi + \repeat +% cutslur + \ifnum\N@s>\z@% % any pending slurs ? + \n@viii\maxslurs % test all possible slur numbers [version 1.15] (Hiroaki) + \advance\n@viii\m@ne + \loop\ifnum\n@viii>\m@ne + \s@l@ctslur\n@viii\relax + \edef\@sense{\the\s@s}% + \if x\@sense% % sense flag + \else% % found slur + \edef\@dotted{\the\s@d}% +ickd + \y@v\lin@pos % get current position + \advance\y@v-\s@x % slurlength = currentpos - startpos + \let\@Ti\@ne % set flag for \writ@slur (\staffbotmarg) + \ifnum\s@z=\maxdimen \s@z\s@y \fi % flag (\breakslur not used -> tie) + \writ@slur\s@y\s@z\y@v\p@% avoid touching the bar rule + \s@x\z@% reset startpos for next line + \s@z\maxdimen% reset breakslur + \fi + \advance\n@viii\m@ne \repeat + \fi\s@indent\z@ +% + \ragg@d\par\lin@pos\z@ \endcatcodesmusic} + +\def\stoppiec@{\check@nopen\n@wbar\z@suspend} +%\def\stoppiece{\stoppiec@\@nds@ction} %-simick +\def\stoppiece{\T@bil\fi\stoppiec@\@nds@ction} %+simick +\let\endpiece\stoppiece + +\def\zstoppiec@{\check@nopen\zn@wbar\z@suspend} +%\def\zstoppiece{\zstoppiec@\@nds@ction} %-simick +\def\zstoppiece{\T@bil\fi\zstoppiec@\@nds@ction}%+simick +% if you need a line which appears ragged +\def\raggedstoppiece{\ifx\ragg@d\empty \fil@{r}\fi % version 1.18 RDT (from musixext) + \check@nopen\n@wbar\hfill\z@suspend\@nds@ction} +\def\zendpiece{\setemptybar\raggedstoppiece} % RDT version 1.31 + +\def\Stoppiece{\setdoubleBAR\stoppiece} +\let\Endpiece\Stoppiece + +%%% short excerpts + +\def\startextract{\lastbarno\z@ \barno\startbarno + \piece@begina\setbox\w@rkbox\hbox{\writ@staffs}% to compute heights + \setbox\w@rkbox\hbox\bgroup% !! all changes are local !! + \line@width\maxdimen + \maxbarsinlin@\maxdimen %+simick + \let\T@bil\iftrue \let\everyst@ff\everystaff \let\fil@spc\empty + \let\fil@termskip\empty \let\fil@signs\empty \let\fil@barno\empty + \let\leftrepeat\leftrepeat@II \let\leftrightrepeat\leftrightrepeat@II +% \let\doublebar\doublebar@II % commented out by RDT version 1.32 + \piece@beginc\Writ@meters\lastbarpos\lin@pos\let\pdl@cut\empty\addspace\afterruleskip} + %%% 1.21: added \lastbarpos and \pdl@cut settings + +% enable left and right extracts (e.g. for footnotes) + +\let\extractline\centerline + +\def\endextract{\let\z@suspend\write@volta@hrule + \stoppiec@\egroup\line@width\wd\w@rkbox + \extractline{\writ@names\writ@staffs\unhbox\w@rkbox}% + \endcatcodesmusic} +\def\zendextract{\let\stoppiec@\zstoppiec@ \endextract} + +%% +% Redefine \t@rmskip to include a macro for writing a record to a file, +% and define the macro +%% + +\newdimen\x@skip +\newdimen\n@skip + +\let\fil@termskip\empty +\def\t@rmskip{\kern\n@skip\advance\x@skip\n@skip + \advance\lin@pos\x@skip + % case of \hardnotes + \ifnum\V@sw>0\relax + \y@v\n@skip \fil@spc + \fi + % end case \hardnotes + \fil@termskip\global\n@skip\z@ \global\x@skip\z@ \let\V@sw\z@} + +%% +% Define the amount of space before each barline, +%% + +%\newdimen\beforeruleskip +\newskip\beforeruleskip + +%% +% We must distinguish between scalable ('soft'=1) material in the bar +% (eg noteboxes) and absolute ('hard'=0) widths such as those from +% barlines and clef symbols +% Hence introduce a switch defining this attribute +%% + +\newcount\widthtyp@ \widthtyp@\@ne + +%%% bar numbers + +\newcount\lastbarno + +\def\writethebarno{\fontbarno\the\barno\kernm\qn@width} +\def\fontbarno{\it} + +\def\wbarno@x{%%%% version 1.21: RDT moved \lastbarpos\lin@pos after calls to \Writ@meters + \ifx\volta@set\empty + \n@iii\barno \divide\n@iii\freqbarno\relax + \ifnum\n@iii=\lastbarno + \else \y@\altplancher \advance\y@\systemheight \advance\y@\tw@\internote + \raise\y@\llap{\writethebarno}\fi + \else + \ifx\volta@cut\empty + \else % volta was cut, there is nothing colliding with bar number. + \n@iii\barno \divide\n@iii\freqbarno\relax + \ifnum\n@iii=\lastbarno + \else \y@\altplancher \advance\y@\systemheight \advance\y@\tw@\internote + \raise\y@\llap{\writethebarno}\fi + \fi + \write@volta + \fi + \ifx\pdl@cut\empty % 1.21 RDT + \else% pedal rule was cut at the end of the previous line + \global\pdl@pos\lin@pos\let\pdl@cut\empty % reset \ped@pos + \fi + \b@rrul@ %+simick + \n@iii\barno \divide\n@iii\freqbarno\relax \lastbarno\n@iii } + +%%% pass selective scoring + +\newskip\cut@v % contains width of bar rule +\newskip\init@volta@pos % start position of volta +\newskip\volta@startcor %+simick volta start correction in case of leftrepeats +\newskip\volta@endcor %+simick volta end correction in case of rightrepeats + +\def\raisevolta{\f@ur\internote} + +\newbox\writ@volta@box + +\def\voltadot{.}% +\def\write@volta{% writes the requested |n. and moves the things for further use + \ifx\volta@type\empty\else\errmessage{/setvolta collision!}\fi + \y@\altplancher \advance\y@\systemheight + \advance\y@\raisevolta +% \setbox\writ@volta@box\rlap{\vrule % \musixfont\sixt@@n %-simick +% \rm\ \vphantom{\^{\volta@text}\strut gq}\volta@text\voltadot}% %-simick + \setbox\writ@volta@box\rlap{\vrule\rm\strut\ \volta@text\voltadot}% %+simick + \xdef\thevolta@boxheight{\the\ht\writ@volta@box}% + \xdef\thevolta@boxdepth{\the\dp\writ@volta@box}% + \ifx\volta@cut\empty \else\setbox\writ@volta@box\null + \fi % if continuation, make writ@volta@box null +% \raise\y@\llap{\box\writ@volta@box}% %-simick + \kernm\volta@startcor\raise\y@\llap{\box\writ@volta@box}\kern\volta@startcor %+simick + \let\volta@type\volta@set + \let\volta@set\empty + \let\volta@cut\empty +% \init@volta@pos\lin@pos\relax %-simick + \init@volta@pos\lin@pos \advance\init@volta@pos-\volta@startcor %+simick +}% + +\def\write@volta@hrule{% write the hrule of volta bar at its end + \ifx\volta@type\empty + \else + \y@v\lin@pos \advance\y@v-\init@volta@pos +% \global\advance\cut@v\lthick \advance\y@v-\cut@v %-simick +% \global\advance\cut@v\lthick %-simick + \ifnum\barsinlin@=\maxbarsinlin@ %+simick + \y@i\z@ %+simick + \else %+simick + \y@i\cut@v \advance\y@i-\volta@endcor %+simick + \fi %+simick + \advance\y@v-\y@i %+simick + \y@\altplancher \advance\y@\systemheight + \advance\y@\raisevolta + \raise\y@\llap{% + \raise\thevolta@boxheight +% \hbox{\vrule\@height\z@\@depth\lthick\@width\y@v}}% %-simick + \hbox{\vrule\@height\z@\@depth\lthick\@width\y@v}\kern\y@i}% %+simick +% check whether termination has been required + \ifx\endvolta@set\thr@@ \let\volta@type\thr@@\fi % \endvoltabox forces type \thr@@ + \ifx\endvolta@set\empty \else \write@volta@endbox\fi + % now set volta@type \@ne to \empty + \ifx\volta@type\@ne \let\volta@type\empty\fi + \fi +}% + +\def\write@volta@endbox{% write the hrule of volta bar at its end + \ifx\volta@type\empty + \else +% \y@v\lin@pos \advance\y@v-\init@volta@pos %-simick +% \global\advance\cut@v\lthick \advance\y@v-\cut@v %-simick +% \global\advance\cut@v\lthick %-simick + \y@\altplancher \advance\y@\systemheight + \advance\y@\raisevolta + \ifx\volta@type\thr@@ +% \raise\y@\llap{\raise\thevolta@boxheight\hbox{\true@endvoltabox}}% %-simick + \raise\y@\llap{\raise\thevolta@boxheight\hbox{\true@endvoltabox}\kern\y@i}%+simick + \fi +% now force volta@type to \empty + \let\volta@type\empty + \let\endvolta@set\empty + \let\volta@cut\empty + \fi +}% + +%\check + +\let\writ@volta\empty % provisional for testing % + +\let\volta@set\empty % tells the kind of volta setting at next bar + % \@ne = single \setvolta, \tw@ = \Setvolta + % \thr@@ = setvoltabox + +\let\volta@type\empty % the current volta setting (same defs as \volta@set) +\let\volta@cut\empty + +\let\endvolta@set\empty % tells the kind of volta closingg at next bar + % \@ne = not used, \tw@ = terminate \Setvolta[box] + % \thr@@ = terminate \Setvolta[box] with an ending hook + +\def\setvolta{\let\volta@set\@ne \gen@setvolta} +\def\Setvolta{\let\volta@set\tw@ \gen@setvolta} +\def\setvoltabox{\let\volta@set\thr@@ \gen@setvolta} + +\def\gen@setvolta#1{\def\volta@text{#1}} + +\def\setendvolta{% + \ifx\volta@type\empty\volta@err + \else\let\endvolta@set\tw@ + \fi} + +\def\setendvoltabox{% + \ifx\volta@type\empty\volta@err + \else\let\endvolta@set\thr@@ + \fi} + +\let\endvolta\setendvolta +\let\endvoltabox\setendvoltabox + +\def\true@endvoltabox{\raise-\thevolta@boxheight + \llap{\vrule\@height\thevolta@boxheight \@depth\thevolta@boxdepth}} + +\def\volta@err{\immediate\write16{% + type=\ifx\volta@type\empty 0\else \number\volta@type\fi, + set=\ifx\volta@set\empty 0\else \number\volta@set\fi}% +\errmessage{\noexpand\endvolta, %\noexpand\contvolta, +\noexpand\endvoltabox\space does not match opening \noexpand\S[s]volta...}} + + +%%% line breaking stuff + +\let\@nds@ction\empty + +\newcount\barsinlin@ +\newcount\maxbarsinlin@ + +%\def\@LeftRp{\stoppiec@\contpiece\addspace{\h@lf\afterruleskip}% %-simick +% \kernm\afterruleskip\l@eftrepeat\kern\afterruleskip} %-simick +\def\@LeftRp{\stoppiec@\l@@ftrepeat\advance\volta@startcor-\afterruleskip %+simick + \contpiece\addspace{\h@lf\afterruleskip}% %+simick + \kernm\afterruleskip\l@eftrepeat\kern\afterruleskip %+simick + \advance\lastbarpos\afterruleskip \b@rrul@} %+simick + +\def\@LeftRpCont{\stoppiec@\l@@ftrepeat\advance\volta@startcor-\afterruleskip % RDT 1.28 + \let\z@sw\@ne % turn on continuation bar number + \contpiece\addspace{\h@lf\afterruleskip}% + \kernm\afterruleskip\l@eftrepeat\kern\afterruleskip% + \advance\lastbarpos\afterruleskip \b@rrul@} + +\def\T@bil{\advance\barsinlin@\@ne \ifnum\barsinlin@<\maxbarsinlin@} + +\def\barre{\T@bil \@bar\else\stoppiec@\contpiece \fi} +\def\xbar{\@bar\advance\barsinpi@c@\m@ne} +\def\zbar{\T@bil \zn@wbar\else\zstoppiec@\contpiece \fi} +\def\alaligne{\stoppiece\contpiece} +\def\zalaligne{\zstoppiece\contpiece} + +% ...@II means used in the *second* tex pass + +\def\leftrepeat@II{% +\T@bil + \setleftrepeat\@bar +\else + \@LeftRp % +\fi} + +\def\zleftrepeat@II{% % RDT 1.28 +\advance\barno\m@ne% +\T@bil + \setleftrepeat\@bar% +\else + \@LeftRpCont% % RDT 1.28 +\fi} + + +\let\leftrepeat\leftrepeat@II +\let\zleftrepeat\zleftrepeat@II % RDT 1.28 + +\def\zzleftrepeat{% % RDT 1.28 +\advance\barno\m@ne% +\stoppiece% +\let\z@sw\@ne% +\contpiece% +\advance\barno\m@ne% +\leftrepeat% +} + +\def\leftrightrepeat@II{% +\T@bil + \setleftrightrepeat\@bar +\else + \setrightrepeat\@LeftRp +\fi} + +\def\zzrightrepeat{% % RDT 1.28 + \advance\barno\m@ne% + \setrightrepeat\stoppiece + \let\z@sw\@ne + \contpiece +} + +\def\zrightrepeat{% % RDT 1.28 +\advance\barno\m@ne +\setrightrepeat +\T@bil + \@bar +\else + \stoppiec@ + \let\z@sw\@ne + \contpiece +\fi} + +\def\zzleftrightrepeat{% % RDT 1.28 +\advance\barno\m@ne% +\setrightrepeat% +\stoppiece% +\let\z@sw\@ne% +\contpiece% +\advance\barno\m@ne% +\leftrepeat% % RDT revised 1.30 +} + +\def\zleftrightrepeat@II{% % RDT 1.28 +\advance\barno\m@ne +\T@bil + \setleftrightrepeat\@bar +\else + \stoppiec@ + \let\z@sw\@ne + \contpiece +\fi} + +\let\leftrightrepeat\leftrightrepeat@II +\let\zleftrightrepeat\zleftrightrepeat@II % RDT 1.28 + + +\def\zdoublebar{\advance\barno\m@ne\setdoublebar\xbar} % RDT revised 1.32 + +\def\zzdoublebar{% % RDT 1.31 +\advance\barno\m@ne% +\setdoublebar% +\stoppiece% +\let\z@sw\@ne% +\contpiece% +} + +\def\zzbar{% % RDT 1.31 +\advance\barno\m@ne% +\stoppiece% +\let\z@sw\@ne% +\contpiece% +} + +\def\alapage{\stoppiece\eject\contpiece} +\def\zalapage{\zstoppiece\eject\contpiece} + +% minuscule: une seule barre +% majuscule: double barre + +\let\Writ@newsigns\empty + +\def\updat@context{\writ@newclefs + \T@bil \wbarno@x\Writ@newsigns\Writ@meters\addspace\afterruleskip +%%% 1.21: added \lastbarno setting + \else\Writ@newsigns\z@suspend\contpiece \fi} + + + + + + +\def\changecontext{\showallbarrules\n@wbar\updat@context} +\def\Changecontext{\showallbarrules\setdoublebar\changecontext} +\def\zchangecontext{\advance\n@skip\beforeruleskip \widthtyp@\@ne \t@rmskip + \zn@wbar\updat@context} + +\def\pchangecontext{\showallbarrules\n@wbar + \writ@newclefs\Writ@newsigns\z@suspend\eject\contpiece} +\def\pChangecontext{\setdoublebar\pchangecontext} + +%%% bars, repeatbars, ... + +%% +% Change ... to add skip \beforeruleskip to the preceeding notebox, +% and to set the 'soft' switch for the output record +%% +%% +% Redefine \n@wbar to write the bar line thickness to file, +% then reset \n@skip and \x@skip +%% + +\newskip\lastbarpos +\let\fil@barno\empty +\let\atnextbar\empty + +\def\n@wbar{% + \t@rmskip % essai DT + \advance\n@skip\beforeruleskip \widthtyp@\@ne \t@rmskip +% \ifdim\cut@v>\z@ \else\ifx\barrul@\thinrul@ \else\global\cut@v.9\Interligne \fi\fi %-simick +% \barrul@\widthtyp@\z@ \fil@termskip\let\barrul@\thinrul@ %-simick + \barrul@\widthtyp@\z@ \fil@termskip %+simick + \advance\barsinpi@c@\@ne \fil@barno + \ifx\no@b\empty \message{bar \the\barno}\fi + \advance\barno\@ne \advance\lin@pos\x@skip \atnextbar \let\atnextbar\empty + \write@volta@hrule %+simick +% \global\cut@v\z@ % <===================================== inserted %-simick + \global\n@skip\z@ \global\x@skip\z@ \let\z@sw\empty +% \write@volta@hrule %-simick +}% + +\def\@bar{\n@wbar\wbarno@x\lastbarpos\lin@pos\addspace\afterruleskip} + +\def\zn@wbar{\t@rmskip\advance\barsinpi@c@\@ne \let\z@sw\@ne} + +\def\small@spc{\addspace{\h@lf\big@spc}} + +\def\b@rrul@{\let\barrul@\thinrul@ %+simick + \global\cut@v\lthick \global\volta@endcor-\thr@@\lthick \global\volta@startcor\z@} %+simick +\def\r@ightrepeat{% + \hbox{\writ@colons\addspace\big@spc\thinrul@\small@spc\thickrul@}} +\def\r@@ghtrepeat{% %+simick + \global\cut@v\big@spc \global\advance\cut@v\lthick \global\advance\cut@v\h@lf\big@spc %+simick + \global\volta@endcor\cut@v \global\advance\cut@v\big@spc \global\volta@startcor\z@} %+simick +\def\l@eftrepeat{% + \hbox{\thickrul@\small@spc\thinrul@\addspace\big@spc\writ@colons}} +\def\l@@ftrepeat{% %+simick + \global\cut@v\big@spc \global\advance\cut@v\h@lf\big@spc \global\advance\cut@v\lthick %+simick + \global\advance\cut@v\big@spc \global\volta@endcor\z@ \global\volta@startcor\big@spc %+simick + \global\advance\volta@startcor\lthick \global\advance\volta@startcor\h@lf\big@spc} %+simick +\def\l@eftrightrepeat{\hbox{\writ@colons\addspace\big@spc\thickrul@ + \small@spc\thickrul@\addspace\big@spc\writ@colons}} +\def\l@@ftrightrepeat{% %+simick + \global\cut@v\big@spc \global\advance\cut@v\big@spc \global\volta@endcor\cut@v %+simick + \global\advance\cut@v\h@lf\big@spc %+simick + \global\volta@startcor\big@spc \global\advance\volta@startcor\big@spc %+simick + \global\advance\cut@v\volta@endcor \global\advance\volta@startcor-\lthick} %+simick + +\def\doublebar{\showallbarrules\setdoublebar\barre}% double barre de mesure +%\def\setdoubleBAR{\showallbarrules\def\barrul@{\thinrul@\small@spc\thickrul@}} %-simick +\def\setdoubleBAR{\showallbarrules\def\barrul@{\thinrul@\small@spc\thickrul@}% %+simick + \global\cut@v\lthick \global\advance\cut@v\h@lf\big@spc \global\volta@endcor\cut@v %+simick + \global\advance\cut@v\big@spc \global\volta@startcor\z@} %+simick +%\def\setemptybar{\def\barrul@{\relax}} %-simick +\def\setemptybar{\def\barrul@{\relax}% %+simick + \global\cut@v\z@ \global\volta@endcor-\f@ur\lthick \global\volta@startcor\z@} %+simick +\def\setdoublebar{\showallbarrules\global\cut@v.4\Interligne + \global\advance\cut@v\tw@\lthick \global\volta@endcor\z@ \global\volta@startcor\z@ %+simick + \def\barrul@{\thinrul@\addspace{.4\Interligne}\thinrul@}} + +\def\rightrepeat{\setrightrepeat\barre} + +%\def\setrightrepeat{\showallbarrules\let\barrul@\r@ightrepeat} %-simick +\def\setrightrepeat{\showallbarrules\let\barrul@\r@ightrepeat \r@@ghtrepeat} %+simick +%\def\setleftrepeat{\showallbarrules\let\barrul@\l@eftrepeat} %-simick +\def\setleftrepeat{\showallbarrules\let\barrul@\l@eftrepeat \l@@ftrepeat} %+simick +%\def\setleftrightrepeat{\showallbarrules\let\barrul@\l@eftrightrepeat} %-simick +\def\setleftrightrepeat{\showallbarrules\let\barrul@\l@eftrightrepeat \l@@ftrightrepeat}%+simick + +% write colons on all staffs (a part of [left][right]repeat symbols + +%\def\writ@colons{\n@loop{\w@coli}\repeat} + + + +\def\writ@colons{\n@loop{\w@coli}\repeat} +\def\w@coli{\p@loop + {\ifnum\nblines=6\tabc@lsix% + \else\ifnum\nblines=4\tabc@lfour% + \else\raise\altportee\hbox{\raise4\internote\hbox{\keychar55}}\fi\fi}\count@portee\repeat} + +%%%% 1.29 RDT +\def\tabc@lsix{\raise\altportee\hbox{% + %\raise7\internote\rlap{\kernm1.2\internote\hbox{\keychar24}}% uncomment if wanted + \raise5\internote\rlap{\kernm1.2\internote\hbox{\keychar24}}% + \raise3\internote\rlap{\kernm1.2\internote\hbox{\keychar24}}% comment out if unwanted + \raise1\internote\rlap{\kernm1.2\internote\hbox{\keychar24}}% + %\raise-1\internote\rlap{\kernm1.2\internote\hbox{\keychar24}}% uncomment if wanted +}} + +%%%% 1.29 RDT +\def\tabc@lfour{\raise\altportee\hbox{% + \raise3\internote\rlap{\kernm1.2\internote\hbox{\keychar24}}% + \raise1\internote\rlap{\kernm1.2\internote\hbox{\keychar24}}% comment out if unwanted + \raise-1\internote\rlap{\kernm1.2\internote\hbox{\keychar24}}% +}} +%%% seperated and full barlines + +%\def\rul@full#1{\raise\altplancher\rlap{\vrule\@depth\hlthick +% \@height\systemheight\@width#1}\addspace#1} + +\def\rul@full#1{\hbox{\raise\altplancher\rlap{\vrule\@depth\hlthick + \@height\systemheight\@width#1}}\addspace#1} + +\def\rul@sep#1{\noport@@\z@\n@loop + \edef\rul@hidden{\csname h@bl\romannumeral\noinstrum@nt\endcsname}% + \Comp@High\hbox{\raise\altitude\rlap{% +% \message{(tw@=\meaning\tw@\space thr@@=\meaning\thr@@\space \number\noinstrum@nt->}\expandafter\show\rul@hidden + \expandafter + \ifx\rul@hidden\relax % if \relax = never hidden + \vrule\@depth\hlthick\@width#1\@height\y@v + \else + \expandafter + \ifx\rul@hidden\thr@@ % if \thr@@ = not hidden one time, + \vrule\@depth\hlthick\@width#1\@height\y@v + \global\expandafter\let\rul@hidden\tw@ % reset to perm. hidden + \else + \expandafter + \ifx\rul@hidden\tw@ % if \tw@ = always hidden + \relax + \else + \expandafter + \ifx\rul@hidden\@ne % if \@ne = hidden only one time + \global\expandafter\let\rul@hidden\relax + \fi + \fi + \fi + \fi}}\repeat\addspace#1} + +%== hides (only) next bar line for specified instrument +\def\Hidebarrule#1{\global\expandafter\let\csname h@bl\romannumeral#1\endcsname\@ne} + +%== hides all next bar lines for specified instrument +\def\hidebarrule#1{\global\expandafter\let\csname h@bl\romannumeral#1\endcsname\tw@} + +%== force showing all bar lines for specified instrument +\def\showbarrule#1{\global\expandafter\let\csname h@bl\romannumeral#1\endcsname\relax} + +%== force showing all bar lines for all instruments +\def\showallbarrules{% + %\ifx\writ@rule\rul@sep\relax + \n@loop + \global\expandafter\let\csname h@bl\romannumeral\noinstrum@nt\endcsname\relax + \repeat + %\fi +} + +%== force showing (only) next bar line for specified instrument +\def\Showbarrule#1{\global\expandafter\let\csname h@bl\romannumeral#1\endcsname\thr@@} + +% standard vrules over all instruments +\def\stdbarrules{\let\writ@rule\rul@full } + +% separated vrules par instrum +\def\sepbarrules{\let\writ@rule\rul@sep } +\stdbarrules + +%%% signs + +\def\s@l@ctsigns{\edef\a@s{\csname a@s\romannumeral\noinstrum@nt\endcsname}% + \edef\o@s{\csname o@s\romannumeral\noinstrum@nt\endcsname}}% + +\def\setsign#1#2{\noinstrum@nt#1\relax + \let\Writ@newsigns\writ@newsigns % only write them, when they are touched + \s@l@ctsigns % select instrument + \a@s#2\relax % +} + +\def\generalsignature#1{\let\Writ@newsigns\writ@newsigns + \m@loop \s@l@ctsigns \a@s#1\repeat} + +% Inhibits writing erasing naturals at next change of context +\def\ignorenats{\m@loop \s@l@ctsigns \o@s\z@ \repeat} + +\def\changesignature{\t@rmskip\Writ@newsigns} + +\def\writ@sign{\ifnum\a@s=\z@ \else + \n@v\@lii + \ifnum\a@s>\z@ \C@sig\t@n + \C@sh\@ne\s@v@n + \C@sh\tw@\@l@v@n + \C@sh\thr@@\@ight + \C@sh\f@ur\fiv@ + \C@sh\fiv@\nin@ + \C@sh\si@\si@\fi + \n@v\@l + \ifnum\a@s<\z@ \C@sig\si@ + \C@fl\@ne\nin@ + \C@fl\tw@\fiv@ + \C@fl\thr@@\@ight + \C@fl\f@ur\f@ur + \C@fl\fiv@\s@v@n + \C@fl\si@\thr@@\fi + \fi} + +\def\C@sh#1#2{\ifnum\a@s>#1\C@sig#2\fi} +\def\C@fl#1#2{\ifnum\a@s<-#1\C@sig#2\fi} + +%% +% Augment \writ@newsigns so that +% (1) the space taken by the mid-line sign change is written to the file; +% (2) the new value of \sign@skip is written to the file +% Note that this is not necessarily the same value +% as the mid-line value, which includes cancellation naturals when +% the key signature changes from N flats to M sharps (or vice-versa) +%% + +\let\fil@signs\empty + +\def\writ@newsigns{\sign@skip\z@ + \n@loop{\s@l@ctsigns \let\@Ti\writ@newsign \C@wsi}\repeat + \n@skip\sign@skip \widthtyp@\z@ \t@rmskip + \m@loop \s@l@ctsigns \o@s\a@s \repeat + \let\Writ@newsigns\empty \fil@signs } + +\def\upd@width#1{\ifdim#1<\wd\toks@box \global#1\wd\toks@box \fi} +\def\writ@box{\leavevmode\raise\altportee\rlap{\box\toks@box}} + +\newcount\ut@ref + +\def\get@refs#1#2#3#4{% #1-#4: cle correspondante 0=sol, 5-6=fa, 1-4=ut + \ifcase\noport@@ \ut@ref\z@ \or \ut@ref#1\or \ut@ref#2\or + \ut@ref#3\or \ut@ref#4\fi + \relax \ifnum \ut@ref=9\relax \ut@ref-1\relax\fi + \global\ut@ref\ut@ref } + + %\def\writ@newsign{\ifnum\a@s=\z@ \else\kern.4\Internote \fi + % \ifnum\o@s<\z@ \w@flats\w@sharps\else\w@sharps\w@flats \fi} + +\def\writ@newsign{\ifnum\a@s=\z@ \else\kern.4\Internote \fi + \ifnum\o@s<\z@ \w@cancelflats\w@flats\w@sharps + \else\w@cancelsharps\w@sharps\w@flats \fi} + +\def\w@flats{\W@Fl\z@\si@ \W@Fl\@ne\nin@ \W@Fl\tw@\fiv@ \W@Fl\thr@@\@ight + \W@Fl\f@ur\f@ur \W@Fl\fiv@\s@v@n \W@Fl\si@\thr@@} + +\def\w@cancelflats{\W@canFl\z@\si@ \W@canFl\@ne\nin@ \W@canFl\tw@\fiv@ + \W@canFl\thr@@\@ight \W@canFl\f@ur\f@ur \W@canFl\fiv@\s@v@n \W@canFl\si@\thr@@} + + %\def\W@Fl#1#2{% + % \ifnum\a@s<-#1\n@v\@l \C@sig#2\else \ifnum\o@s<-#1\n@v\@liv \C@sig#2\fi \fi} + +\def\W@Fl#1#2{% + \ifnum\a@s<-#1\n@v\@l \C@sig#2\else \ifnum\o@s<-#1\relax\fi \fi} + +\def\W@canFl#1#2{% + \ifnum\a@s<-#1\relax\else \ifnum\o@s<-#1\n@v\@liv \C@sig#2\fi \fi} + +\def\w@sharps{\W@Sh\z@\t@n \W@Sh\@ne\s@v@n \W@Sh\tw@\@l@v@n + \W@Sh\thr@@\@ight \W@Sh\f@ur\fiv@ \W@Sh\fiv@\nin@ \W@Sh\si@\si@} + +\def\w@cancelsharps{\W@canSh\z@\t@n \W@canSh\@ne\s@v@n \W@canSh\tw@\@l@v@n + \W@canSh\thr@@\@ight \W@canSh\f@ur\fiv@ \W@canSh\fiv@\nin@ \W@canSh\si@\si@} + + %\def\W@Sh#1#2{% + % \ifnum\a@s>#1\n@v\@lii \C@sig#2\else\ifnum\o@s>#1\n@v\@liv \C@sig#2\fi \fi} + +\def\W@Sh#1#2{% + \ifnum\a@s>#1\n@v\@lii \C@sig#2\else\ifnum\o@s>#1\relax\fi \fi} + +\def\W@canSh#1#2{% + \ifnum\a@s>#1\relax\else\ifnum\o@s>#1\n@v\@liv \C@sig#2\fi \fi} + +\def\C@wsi{\s@l@ctclefs \p@loop \count@portee \expandafter\get@refs\the\a@c + \setbox\toks@box\hbox{\kern.4\Internote \@Ti \kern.4\Internote}% + \upd@width\sign@skip \writ@box \repeat} + + %\def\C@sig#1{\n@iii#1% + % \ifnum\ut@ref>\z@ + % \advance\n@iii\ut@ref \advance\n@iii\ut@ref + % \ifnum\ut@ref=\si@ \advance\n@iii-\s@v@n \fi + % \ifnum\ut@ref>\thr@@ \advance\n@iii-\s@v@n \fi + % \ifnum\n@iii>\@l@v@n \advance\n@iii-\s@v@n \fi + %\fi + %\advance\n@iii-\tw@ \raise\n@iii\internote + %\hbox\@to\tw@\internote{\hss\keychar\n@v\hss}} + +\def\C@sig#1{\n@iii#1% Correction by W. Icking + \advance\n@iii\ut@ref \advance\n@iii\ut@ref + \ifnum\ut@ref=\si@ \advance\n@iii-\fourt@@n% + \else \ifnum\ut@ref>\z@ \advance\n@iii-\s@v@n \fi\fi + \ifnum\n@iii<\@ne \global\advance\n@iii\s@v@n \fi + \ifnum\n@iii<\@ne \global\advance\n@iii\s@v@n \fi + \ifnum\n@iii>\@l@v@n \advance\n@iii-\s@v@n \fi + \ifnum\n@iii>\@l@v@n \advance\n@iii-\s@v@n \fi + \advance\n@iii-\tw@ \raise\n@iii\internote + \hbox\@to\tw@\internote{\hss\keychar\n@v\hss}} + +%%% meterindicators + +\def\s@l@ctm@t{\edef\m@t{\csname m@t\romannumeral\noinstrum@nt\endcsname}} + +\def\setmeter#1#2{\noinstrum@nt#1\relax % select instrument + \let\Writ@meters\writ@meters % only write them, when they are touched + \s@l@ctm@t \m@t{#2\empty\empty\empty}} + +\def\generalmeter#1{\let\Writ@meters\writ@meters + \m@loop \s@l@ctm@t \m@t{{#1}{#1}{#1}{#1}}\repeat} + +%% +% Redefine \writ@meters to set the 'hard' switch for +% \t@rmskip, indicating that this length is unscaleable +%% + +% \meterskip influence the space before !first! writemeters +\newskip\meterskip + +\def\writ@meters{\addspace\meterskip \meterskip\z@ \global\n@skip\z@ + \n@loop{\writ@meteri}\repeat + \ifdim\n@skip>\z@ \advance\n@skip\big@spc + \widthtyp@\z@ \t@rmskip \fi \let\Writ@meters\empty} + +\def\writ@meteri{\s@l@ctm@t \p@loop \setbox\toks@box + \hbox{\expandafter\writ@meterp\the\m@t{}{}{}{}}\upd@width\n@skip + \writ@box \count@portee\repeat} + +\def\writ@meterp#1#2#3#4{% + \ifcase\noport@@\hbox{#1}\or \hbox{#2}\or \hbox{#3}\or \hbox{#4}\fi} + +\def\meterfrac#1#2{% + \ifnum\nblines=6% + \setbox\toks@box\vbox{\hbox{~\meterfont#1}% + \hbox{~\meterfont #2}}\raise\internote% + \vbox\@to\@ight\internote{\offinterlineskip% + \vss\hbox\@to\wd\toks@box{\hss\meterfont#1\hss}\vskip1.5\internote% + \vss\hbox\@to\wd\toks@box{\hss\meterfont#2\hss}\vss}% + \else\ifnum\nblines=4% + \setbox\toks@box\vbox{\hbox{\ \meterfont#1}% + \hbox{\ \meterfont #2}}\raise-1\internote\vbox\@to\@ight\internote{\offinterlineskip + \vss\hbox\@to\wd\toks@box{\hss\meterfont#1\hss}\vss + \vss\hbox\@to\wd\toks@box{\hss\meterfont#2\hss}\vss} + \else + \setbox\toks@box\vbox{\hbox{\ \meterfont#1}% + \hbox{\ \meterfont #2}}\vbox\@to\@ight\internote{\offinterlineskip + \vss\hbox\@to\wd\toks@box{\hss\meterfont#1\hss}\vss + \vss\hbox\@to\wd\toks@box{\hss\meterfont#2\hss}\vss} + \fi\fi +} +\def\allabreve{% -> 2/2 + \ifnum\nblines=6\raise5\internote\hbox{\keychar82}% + \else\ifnum\nblines=4\raise3\internote\hbox{\keychar82}% + \else\raise4\internote\hbox{\keychar82}\fi\fi} +\def\reverseallabreve{% + \ifnum\nblines=6\raise5\internote\hbox{\keychar123}% + \else\ifnum\nblines=4\raise3\internote\hbox{\keychar123} + \else\raise4\internote\hbox{\keychar123}\fi\fi} +\def\meterC{% -> 4/4 + \ifnum\nblines=6\raise5\internote\hbox{\musickeyfont\@lxxxiii}% + \else\ifnum\nblines=4\raise3\internote\hbox{\musickeyfont\@lxxxiii}% + \else\raise4\internote\hbox{\musickeyfont\@lxxxiii}\fi\fi} +\def\reverseC{% -> 4/2 + \ifnum\nblines=6\raise5\internote\hbox{\keychar84}% + \else\ifnum\nblines=4\raise3\internote\hbox{\keychar84}% + \else\raise4\internote\hbox{\keychar84}\fi\fi} +\def\meterN#1{% + \ifnum\nblines=6\raise3\internote\hbox{\meterfont#1}% + \else\ifnum\nblines=4\raise1\internote\hbox{\meterfont#1}% + \else\raise2\internote\hbox{\meterfont#1}\fi\fi} +\def\meterplus{{\keychar57}} + +%%% clefs + +\def\s@l@ctclefs{\edef\a@c{\csname a@c\romannumeral\noinstrum@nt\endcsname}% + \edef\o@c{\csname o@c\romannumeral\noinstrum@nt\endcsname}} + +% why simple, when it can be done complicated ? + +\newtoks\t@c +\def\@fourtoks#1#2#3#4#5+{#1#2#3#4} + +\def\setclef#1#2{\noinstrum@nt#1\relax + \ifnum#1<1\errmessage{Instrument number not positive}\fi + \s@l@ctclefs \t@c{#2000}% + \a@c\expandafter\expandafter\expandafter{\expandafter\@fourtoks\the\t@c+}} + \let\setclefs\setclef + +\let\bass\si@ +\let\alto\thr@@ +\let\treble\z@ + +\def\setclefsymbol#1#2{\n@v#1\relax % select instrument + \expandafter\def\csname bassc@s\romannumeral\n@v\endcsname{#2}% + \expandafter\def\csname altoc@s\romannumeral\n@v\endcsname{#2}% + \expandafter\def\csname treblec@s\romannumeral\n@v\endcsname{#2}% +}% + +\def\setbassclefsymbol#1#2{\n@v#1\relax % select instrument + \expandafter\def\csname bassc@s\romannumeral\n@v\endcsname{#2}% +}% + +\def\setaltoclefsymbol#1#2{\n@v#1\relax % select instrument + \expandafter\def\csname altoc@s\romannumeral\n@v\endcsname{#2}% +}% + +\def\settrebleclefsymbol#1#2{\n@v#1\relax % select instrument + \expandafter\def\csname treblec@s\romannumeral\n@v\endcsname{#2}% +}% + +\def\trebleclef{\keychar71} +\def\bassclef{\keychar73} +\def\altoclef{\keychar75} + +\def\smalltrebleclef{\keychar72} +\def\smallbassclef{\keychar74} +\def\smallaltoclef{\keychar76} + +%% version 1.21: replaced \smalltype\it by \txtfont (size-dependent) +%% and adjusted the kerns RDT +%% + +\def\trebleoct{\trebleclef\raise 9\internote\hbox\@to\z@{\txtfont{\kern -3.6\internote 8}\hss}} +\def\bassoct{\bassclef\raise 2\internote\hbox\@to\z@{\txtfont{\kern -4.6\internote 8}\hss}} +\def\treblelowoct{\trebleclef\raise -7.5\internote\hbox\@to\z@{\txtfont{\kern -4.6\internote 8}\hss}} +\def\basslowoct{\bassclef\raise -6\internote\hbox\@to\z@{\txtfont{\kern -5.0\internote 8}\hss}} + +% [version 1.15] reqest from Hermann Hinsch +\def\smalltrebleoct{\smalltrebleclef\raise 7.2\internote\hbox\@to\z@{\txtfont{\kern -3.6\internote 8}\hss}} +\def\smalltreblelowoct{\smalltrebleclef\raise-6.8\internote\hbox\@to\z@{\txtfont{\kern -4.2\internote 8}\hss}} +\def\smallbassoct{\smallbassclef\raise 2\internote\hbox\@to\z@{\txtfont{\kern -4.0\internote 8}\hss}} +\def\smallbasslowoct{\smallbassclef\raise-6.5\internote\hbox\@to\z@{\txtfont{\kern -4.4\internote 8}\hss}} +% [version 1.15] reqest from Hermann Hinsch: end + + +\newskip\clef@skip + +\def\changeclefs{\t@rmskip\writ@newclefs} +\def\zchangeclefs{\t@rmskip\zwrit@newclefs} + +%%% version 1.21: new command to call and reset \atnextbar before outputting new clefs RDT +\def\Changeclefs{\t@rmskip\atnextbar\let\atnextbar\empty\writ@newclefs} + +% since the characters are shifted by default(Metafont) they looked +% a little bit strange when you mix several staffstaffsizes (flushleft) +% I've introduced a hack(kern kernm), that they are (nearly) centered +% (aehmm, really not the best way, because now they look strange +% if you use music footnotes) + +\def\writ@clefi{\s@l@ctclefs + \p@loop + \setbox\toks@box\hbox{\expandafter\writ@clefp\the\a@c}% + \upd@width\clef@skip\raise\altportee\rlap{% + \ifdim\internote<\Internote \kern\thr@@\Internote\kernm\thr@@\internote \fi + \box\toks@box}\count@portee\repeat} + +\def\writ@clefp#1#2#3#4{% + \ifcase\noport@@\singl@clef#1% + \or \singl@clef#2\or \singl@clef#3\or \singl@clef#4\fi} + +\def\singl@clef#1{\n@iii#1\relax + \ifcase\n@iii + \C@Clef\@ne\trebleclef@var\or + \C@Clef\z@\altoclef@var\or + \C@Clef\@ne\altoclef@var\or + \C@Clef\tw@\altoclef@var\or + \C@Clef\thr@@\altoclef@var\or + \C@Clef\tw@\bassclef@var\or + \C@Clef\thr@@\bassclef@var\or + \C@Clef\f@ur\bassclef@var\or % 7 = subbass + \or + \C@Clef\z@\trebleclef@var % 9 = french violin-clef + \fi +} + +\def\C@Clef#1#2{\n@iii#1\relax\multiply\n@iii\tw@ + \raise\n@iii\internote\hbox{#2}} + +\def\bassclef@var{\expandafter + \ifx\csname bassc@s\romannumeral\noinstrum@nt\endcsname\z@ + \bassclef\else \csname bassc@s\romannumeral\noinstrum@nt\endcsname \fi} +\def\trebleclef@var{\expandafter + \ifx\csname treblec@s\romannumeral\noinstrum@nt\endcsname\z@ + \trebleclef\else \csname treblec@s\romannumeral\noinstrum@nt\endcsname \fi} +\def\altoclef@var{\expandafter + \ifx\csname altoc@s\romannumeral\noinstrum@nt\endcsname\z@ + \altoclef\else \csname altoc@s\romannumeral\noinstrum@nt\endcsname \fi} + +\def\smallbassclef@var{\expandafter + \ifx\csname bassc@s\romannumeral\noinstrum@nt\endcsname\z@ + \smallbassclef\else \csname bassc@s\romannumeral\noinstrum@nt\endcsname \fi} +\def\smalltrebleclef@var{\expandafter + \ifx\csname treblec@s\romannumeral\noinstrum@nt\endcsname\z@ + \smalltrebleclef\else \csname treblec@s\romannumeral\noinstrum@nt\endcsname \fi} +\def\smallaltoclef@var{\expandafter + \ifx\csname altoc@s\romannumeral\noinstrum@nt\endcsname\z@ + \smallaltoclef\else \csname altoc@s\romannumeral\noinstrum@nt\endcsname \fi} + + +%% +% Redefine \writ@newclefs similarly +% +% Note that \clef@skip does not change for the different clef +% symbols (always 3.2\Interligne for normal sized clefs) +% Hence there is no need to communicate clef changes to the +% formatting program +%% + +\def\writ@newclefs{\clef@skip\z@ \n@loop{\writ@newclefi}\repeat + \n@skip\clef@skip \widthtyp@\z@ \t@rmskip + \m@loop \s@l@ctclefs \o@c\a@c \repeat} + +% the same as \writ@newclefs, but no spacing + +\def\zwrit@newclefs{\clef@skip\z@ + \setbox\writ@volta@box \hbox{\n@loop{\writ@newclefi}\repeat}% + \kern -\clef@skip \box\writ@volta@box + \kern \clef@skip + \clef@skip\z@ % test + \n@skip\clef@skip + \widthtyp@\z@ + \t@rmskip + \m@loop \s@l@ctclefs \o@c\a@c \repeat} + +% Thanks to Helmut Kopka for helping me out +\def\writ@newclefi{\s@l@ctclefs\p@loop + \setbox\toks@box\hbox{\expandafter\expandafter\expandafter\writ@newclefp + \the\expandafter\a@c\the\o@c}% + \upd@width\clef@skip \writ@box \count@portee\repeat} + +\def\writ@newclefp#1#2#3#4#5#6#7#8{% + \ifcase\noport@@\newsingl@clef#1#5\or \newsingl@clef#2#6\or + \newsingl@clef#3#7\or \newsingl@clef#4#8\fi} + +\def\newsingl@clef#1#2{\n@iii#1\relax \n@ii#2\relax + \ifnum\n@ii=\n@iii + \else + \ifcase\n@iii + \C@Clef\@ne\smalltrebleclef@var\or + \C@Clef\z@\smallaltoclef@var\or + \C@Clef\@ne\smallaltoclef@var\or + \C@Clef\tw@\smallaltoclef@var\or + \C@Clef\thr@@\smallaltoclef@var\or + \C@Clef\tw@\smallbassclef@var \or + \C@Clef\thr@@\smallbassclef@var\or + \C@Clef\f@ur\smallbassclef@var\or % 7 = subbass + \or + \C@Clef\z@\smalltrebleclef@var % 9 = french violin-clef + \fi + \fi} + +%%% instrumentnames + +%\let\Writ@names\empty + +\def\setname#1#2{\n@v#1\relax % select instrument +% \let\Writ@names\writ@names + \expandafter\def\csname instrument\romannumeral\n@v\endcsname{#2}}% [version 1.15] changed from \edef to \def (Hiroaki) + +\def\writ@names{\n@loop + \setbox\toks@box\null\relax + \ifnum\st@ffs>0\relax + \setbox\toks@box\llap{\vbox{\hbox\@to\parindent{% + \hss\csname instrument\romannumeral\noinstrum@nt\endcsname\hss}}\ \ }% + \fi + \altportee\altitude \Comp@High \advance\y@v-\ht\toks@box + \advance\altportee\h@lf\y@v + \writ@box + \repeat} + +%%% + +% les notes proprement dites + +\newdimen\noteskip +\newcount\transpose +\newcount\normaltranspose +\newdimen\locx@skip +\newdimen\elemskip +\newdimen\@l@mskip + +\def\check@staff{% + \ifnum\noport@@>\st@ffs\relax + \ifx\Post@Elims\undefined\else + \immediate\write16{check@staff\space inst=\the\noinstrum@nt\space + staff=\the\noport@@\space st@ffs=\the\st@ffs\space Elim.}\relax + \fi + \ifnum\st@ffs>0\relax + \errmessage{Staff number (\the\noport@@) out of specified range (\the\st@ffs)!}\fi + \else\relax} +%\def\check@staff{\iftrue\relax} + +\let\ifactiveinstrument\check@staff + +\def\nextstaff{\@ndstaff\beginstaff} +\def\nextinstrument{\@ndstaff\begininstrument} +\def\prevstaff{\@ndstaff\advance\noport@@-2\relax\beginstaff} +\def\selectstaff#1{\@ndstaff\noport@@#1\relax + \advance\noport@@ -1\relax\beginstaff} +\def\selectinstrument#1{\@ndstaff\noinstrum@nt#1\relax + \advance\noinstrum@nt -1\relax\begininstrument} + +\def\begininstrument{\advance\noinstrum@nt\@ne \s@l@ctinstr + \ifdim\internote<\p@seven6\Internote \set@tinynotesize \comput@sizes + \else + \ifdim\internote<.95\Internote \set@smallnotesize \comput@sizes + \else + \ifdim\internote<1.19\Internote \set@normalnotesize \comput@sizes + \else + \ifdim\internote<1.43\Internote \set@largenotesize \comput@sizes + \else + \set@Largenotesize \comput@sizes + \fi + \fi + \fi + \fi + \noport@@\z@ \beginstaff} + +\def\beginstaff{\leavevmode + \altportee\altitude \advance\altportee\noport@@\interportee + \count@portee \s@l@ctclefs \expandafter\get@refs\the\a@c + \setbox\n@otebox\hbox\bgroup + \let\rq\rq@ \let\lq\lq@ \let\mp\mp@ % \let\ds\ds@oup RDT 1.27 + \locx@skip\x@skip} + +\def\@ndstaff{\egroup % this where \transpose gets reset + \ifdim\n@skip<\wd\n@otebox \n@skip\wd\n@otebox \fi + \raise\altportee\rlap{\unhbox\n@otebox}} + +%%% shifting + +\def\offs@t#1{\off{-\s@o@}#1\off\s@o@} +\def\loffset#1{\edef\s@o@{#1\qn@width}\offs@t} +\def\roffset#1{\edef\s@o@{-#1\qn@width}\offs@t} +\def\roff{\roffset\@ne} +\def\loff{\loffset\@ne} +\def\hroff{\roffset\h@lf} +\def\hloff{\loffset\h@lf} + +%%% decode collective coding + +% les symboles de notes ou assimiles + +\newcount\inh@alt +\def\getn@i{\inh@alt\z@ \xgetn@i} +\def\inhgetn@i{\inh@alt\@ne \xgetn@i} + +\def\f@tok#1#2\af@tok{#1} +\def\s@tok#1#2\af@tok{#2} + +% \n@viii used as flag: \n@viii=\maxdimen -> argument is no number + +\def\C@Get{\n@viii\maxdimen \edef\alt@suite{\noexpand\getn@i\s@uite\relax}} +\def\C@GET{\n@viii\maxdimen \edef\alt@suite{% + \ifnum\inh@alt=\z@ \noexpand\@TI{\s@uite}\fi \noexpand\getn@i\s@uite\relax}} + +\def\xgetn@i#1\relax{\n@viii\z@ \n@i\maxdimen % par defaut +%% \edef\t@ruc{\f@tok #1\relax\af@tok}% + \edef\t@ruc{\expandafter\f@tok #1\relax\af@tok}% + \edef\s@uite{\s@tok #1\empty\af@tok}% +%% pas lettre + \ifcat a\t@ruc \n@i\expandafter`\t@ruc\relax +%% ramener au E (position zero en clef de sol, ut@ref=0) + \ifnum\n@i>96\advance\n@i-101% + \else\advance\n@i-\@lxxxiii % ramener au S= E + 14 + \fi + \advance\n@i\ut@ref \advance\n@i\ut@ref \advance\n@i\transpose + \edef\ss@uite{\noexpand\n@fon{\s@uite}}% +%% cas active character dont chiffre + \else + \let\ss@uite\empty + \let\alt@suite\empty + \ifcat 1\t@ruc + \if =\t@ruc \let\@TI\na \C@GET \fi + \if *\t@ruc \sk \C@Get \fi + \if .\t@ruc \let\@TI\pt \C@GET \fi + \if >\t@ruc \let\@TI\dsh \C@GET \fi + \if <\t@ruc \let\@TI\dfl \C@GET \fi + \if !\t@ruc \transpose\normaltranspose \C@Get \fi + \if '\t@ruc \advance\transpose\s@v@n \C@Get \fi + \if `\t@ruc \advance\transpose-\s@v@n \C@Get \fi + \ifnum\n@viii<\maxdimen \n@i#1\fi + \else + \if ^\t@ruc \let\@TI\sh \C@GET \fi + \if _\t@ruc \let\@TI\fl \C@GET \fi + \fi\alt@suite + \fi} + +%%% setting stems and flags + +\newdimen\st@bot % note stem bottom +\newdimen\st@top % note stem top +\newdimen\stem@skip + +\def\stdstemfalse{\let\stdst@m\@ne} + +\def\setst@m{% + \advance\y@i\altportee + \ifdim\st@bot>\y@i \global\st@bot\y@i \fi + \ifdim\st@top<\y@i \global\st@top\y@i \fi + \advance\y@i-\altportee} + +\def\resetst@m{% + \global\st@bot\maxdimen \global\st@top-\maxdimen \let\stdst@m\empty} +\resetst@m + +\def\minst@bot{\ifdim\st@bot>\f@ur\internote + \ifx\stdst@m\empty \st@bot\f@ur\internote \fi \fi} + +\def\maxst@top{\ifdim\st@top<\f@ur\internote + \ifx\stdst@m\empty \st@top\f@ur\internote \fi \fi} + +\def\stem@rule{% + \vrule\@height\st@top\@depth-\st@bot\@width\lthick\kernm\lthick} + +\def\comp@stem{\advance\st@bot-\altportee \advance\st@top-\altportee} + +\def\C@stem{\ifdim\st@top>\st@bot + \comp@stem\kern\stem@skip\stem@rule + \kernm\stem@skip + \fi\resetst@m} + +\def\stemlength#1{\def\stemfactor{#1}} +\def\DefaultStemlength{4.66} +\stemlength{\DefaultStemlength} + +% cut stems in extrem positions for multiple voices in one staff + +\def\stemcut{\let\st@mcut\empty} +\def\nostemcut{\let\st@mcut\@ne} +\stemcut + +\def\Box@Flag{\setbox\ch@box\hbox{\musixfont\char\n@vii}\y@v\ht\ch@box } + +\def\down@flag{\Box@Flag\advance\st@bot-\y@v + \advance\st@bot-\stemfactor\interbeam + \advance\st@bot\DefaultStemlength\interbeam + \ifdim\st@top>\st@bot \comp@stem\minst@bot + \stem@rule\raise\st@bot\box\ch@box \fi\resetst@m} + +\def\up@flag{\Box@Flag\advance\st@top\y@v + \advance\st@top\stemfactor\interbeam + \advance\st@top-\DefaultStemlength\interbeam + \ifdim\st@top>\st@bot \comp@stem\maxst@top + \kern\qd@skip\stem@rule\advance\st@top-\y@v \raise\st@top\box\ch@box% + \kernm\qd@skip \fi\resetst@m} + +\def\cutst@l#1{% + \ifdim\st@bot<-#1\internote \advance\st@bot\qu@rt\interbeam \fi} + +\def\downst@m{\stem@skip\z@ + \advance\st@bot-\stemfactor\interbeam + \advance\st@bot-\altportee + \ifx\st@mcut\empty + \ifdim\st@bot<-\thr@@\internote + \cutst@l\thr@@\cutst@l\f@ur\cutst@l\fiv@ + \cutst@l\si@\cutst@l\s@v@n\cutst@l\@ight \fi \fi + \minst@bot\advance\st@bot\altportee + \C@stem} + +\def\cutst@u#1{% + \ifdim\st@top>#1\internote \advance\st@top-\qu@rt\interbeam \fi} + +\def\upst@m{\stem@skip\qd@skip + \advance\st@top\stemfactor\interbeam + \advance\st@top-\altportee + \ifx\st@mcut\empty + \ifdim\st@top>\@l@v@n\internote + \cutst@u\@l@v@n\cutst@u\tw@lv@\cutst@u\active + \cutst@u\fourt@@n\cutst@u\fiv@t@@n\cutst@u\sixt@@n \fi \fi + \maxst@top\advance\st@top\altportee + \C@stem} + +\newdimen\s@lope + +\def\comp@slope#1{\s@lope\b@p#1\divide\s@lope\tw@nty} + +\def\beamst@m{% queue de note vers une poutre + \getcurpos \advance\y@v-\b@x + \y@ii\b@p\y@v \divide\y@ii\tw@nty \advance\y@ii\b@z + \ifdim\y@ii>\st@top % la poutre est au-dessus + \stem@skip\qd@skip \comp@slope\stem@skip \advance\y@ii\s@lope + \advance\y@ii .285\interbeam% version 1.18 RDT + \ifnum\b@n>\z@ \advance\y@ii\b@n\interbeam \advance\y@ii-\interbeam \fi + \st@top\y@ii % a mettre a jour avec la pente ulterieurement + \else + \advance\y@ii-.285\interbeam% version 1.18 RDT + \stem@skip\z@ + \ifdim\y@ii<\st@bot + \ifnum\b@n<\z@ \advance\y@ii\b@n\interbeam \advance\y@ii\interbeam \fi + \st@bot\y@ii \fi \fi + \C@stem} + +%%% writing notes inclusive lines (subsidiary lines ?) (german: Hilfslinien) + +\newif\ifadvance\advancetrue + +% Modification by Werner Icking +% ledger lines exceed the note by: y@vi := 0.35 (noteskip - notewidth) +% and: 0.5 qn@width > y@vi > 0.2 qn@width +\newdimen\y@vi +\def\h@linei{% + \y@ii\n@v\internote + \y@iii\y@ii + \advance\y@ii\hlthick + \advance\y@iii-\hlthick + \y@vi\noteskip % noteskip +%-\ifnum\y@vi=\z@ \y@vi\maxdimen\fi % (or maxdimen if noteskip = 0) + \advance\y@vi-\y@v % - notewidth + \y@vi0.7\y@vi % this may be eaten =: additional length + \y@iv\h@lf\qn@width\ifnum\y@vi>\y@iv \y@vi\y@iv\fi % not more than 0.5 qn@width + \y@iv0.2\qn@width \ifnum\y@vi<\y@iv \y@vi\y@iv\fi % not less than 0.2 qn@width + \y@iv\y@v % notewidth + \advance\y@iv\y@vi % + additional length =: total length + \kernm\h@lf\y@vi % center the ledger line +%-\message{noteskip = \the\noteskip, length = \the\y@iv, notewidth = \the\y@v}% + \vrule\@height\y@ii\@depth-\y@iii\@width\y@iv + \kernm\y@iv\kern\h@lf\y@vi} + +% end Werner Icking's modification of ledger lines. +% old behaviour can be restored with musixfll.tex (or musixfll.sty) + +\def\writ@note{% + \ifnum\n@i<\@c +% help lines \n@i (position) + \ifnum\nblines>\thr@@ % no help lines for percussion instruments + \n@v\z@ + \ifnum\n@i<\m@ne % waste memory, but saves time + \loop \advance\n@v\m@ne \ifnum\n@i<\n@v + \advance\n@v\m@ne \h@linei + \repeat + \else + \n@v\nblines \advance\n@v\m@ne \multiply\n@v\tw@ + \ifnum\n@i>\n@v + \loop \advance\n@v\@ne \ifnum\n@i>\n@v + \advance\n@v\@ne \h@linei + \repeat + \fi + \fi + \fi +% + \pl@base\setst@m\st@m + \ifadvance \raise\y@i\adv@box\n@sym \else \raise\y@i\hbox{\n@sym}\fi + \ss@uite \advancetrue + \fi} + +\def\adv@box#1{\hbox\@to\noteskip{#1\hss}\advance\locx@skip\noteskip} + +%%% breve, longa, maxima, arbitrary notes, non spacing + +\def\zmaxima{\def\w@h{\musixchar36}\y@v\tw@\wn@width \advancefalse \g@w} +\def\zlonga{\def\w@h{\musixchar39}\y@v\wn@width \advancefalse \g@w} +\def\zbreve{\def\w@h{\musixfont\@xxxii}\y@v\wn@width \advancefalse \g@w} +\def\zwq{\def\w@h{\musixchar56}\y@v\wn@width \advancefalse \g@w} +\def\zwqq{\def\w@h{\musixchar127}\y@v\wn@width \advancefalse \g@w} + +\def\g@w#1{\let\st@m\resetst@m + \check@staff + \getn@i#1\relax\let\n@fon\g@w \let\n@sym\w@h \writ@note + \fi} + +\def\maxima{\def\w@h{\musixchar36}\y@v\tw@\wn@width \g@w} +\def\longa{\def\w@h{\musixchar39}\y@v\wn@width \g@w} +\def\breve{\def\w@h{\musixfont\@xxxii}\y@v\wn@width \g@w} +\def\wq{\def\w@h{\musixchar56}\y@v\wn@width \g@w} +\def\wqq{\def\w@h{\musixchar127}\y@v\wn@width \g@w} + +%%% alternate longa (with up stem) by Ingo Struck +%%% struck@student.uni-siegen.de + +\def\lngdnst@m{\stem@skip1.25\qd@skip + \advance\st@bot-\stemfactor\interbeam + \advance\st@bot-\altportee + \ifx\st@mcut\empty + \ifdim\st@bot<-\thr@@\internote + \cutst@l\thr@@\cutst@l\f@ur\cutst@l\fiv@ + \cutst@l\si@\cutst@l\s@v@n\cutst@l\@ight \fi \fi + \minst@bot\advance\st@bot\altportee + \C@stem} + +\def\lngupst@m{\stem@skip1.25\qd@skip + \advance\st@top\stemfactor\interbeam + \advance\st@top-\altportee + \ifx\st@mcut\empty + \ifdim\st@top>\@l@v@n\internote + \cutst@u\@l@v@n\cutst@u\tw@lv@\cutst@u\active + \cutst@u\fourt@@n\cutst@u\fiv@t@@n\cutst@u\sixt@@n \fi \fi + \maxst@top\advance\st@top\altportee + \C@stem} + +\def\@longa#1{\getn@i#1\relax + \ifnum\n@i>\thr@@ + \let\st@m\lngdnst@m + \else + \let\st@m\lngupst@m + \fi + \let\n@fon\@longa \let\n@sym\q@u \y@v\qn@width \writ@note} + +\def\l@ngasymbol{\def\q@u{\musixfont\@xxxii}} + +\def\longaa{\l@ngasymbol\@longa} + +%%% whole notes + +\def\C@Point#1#2{\ifodd\n@i \else#2\internote \fi\hbox{\musixchar#1}} + +\def\wh{\def\w@h{\musixfont\nin@}\y@v\wn@width \g@w} +\def\whp{\def\w@h{\musixfont\nin@\roffset\qu@rt{\C@Point\z@\raise}}% + \y@v\wn@width \g@w} +\def\whpp{\def\w@h{\musixfont\nin@\roffset\qu@rt{\C@Point\@ne\raise}}% + \y@v\wn@width \g@w} + +%%% whole noteheads, no advance + +\def\zw{\advancefalse\wh} +\def\zwp{\advancefalse\whp} +\def\zwpp{\advancefalse\whpp} +\let\zwh\zw + +\def\lw#1{\kernm\wn@width\zw{#1}\kern\wn@width} +\def\rw#1{\kern\wn@width\zw{#1}\kernm\wn@width} +\def\lwp#1{\kernm\wn@width\zwp{#1}\kern\wn@width} +\def\rwp#1{\kern\wn@width\zwp{#1}\kernm\wn@width} +\def\lwpp#1{\kernm\wn@width\zwpp{#1}\kern\wn@width} +\def\rwpp#1{\kern\wn@width\zwpp{#1}\kernm\wn@width} + +%%% common routines for noteheads with the same width as a quarter note + +\def\@qa#1{\getn@i#1\relax + \ifnum\n@i>\thr@@ + \let\st@m\downst@m + \else + \let\st@m\upst@m + \fi + \check@staff % version 1.16 + \let\n@fon\@qa \let\n@sym\q@u \y@v\qn@width \writ@note + \fi} + +\def\@qu{\let\st@m\upst@m \g@q} +\def\@ql{\let\st@m\downst@m \g@q} +\def\@zq{\let\st@m\setst@m \advancefalse\g@q} +\def\@nq{\let\st@m\resetst@m \g@q} + +\def\g@q#1{\check@staff + \getn@i#1\relax\let\n@fon\g@q \let\n@sym\q@u + \y@v\qn@width \writ@note\fi} + +\def\@qup{\let\st@m\upst@m \g@qp} +\def\@qlp{\let\st@m\downst@m \g@qp} +\def\@zqp{\let\st@m\setst@m \advancefalse\g@qp} +\def\@nqp{\let\st@m\resetst@m \g@qp} + +\def\q@up{\q@u\C@Point\z@\raise} +\def\g@qp#1{\check@staff + \getn@i#1\relax\let\n@fon\g@qp \let\n@sym\q@up + \y@v\qn@width \writ@note\fi} + +\def\@qupp{\let\st@m\upst@m \g@qpp} +\def\@qlpp{\let\st@m\downst@m \g@qpp} +\def\@zqpp{\let\st@m\setst@m \advancefalse\g@qpp} +\def\@nqpp{\let\st@m\resetst@m \g@qpp} + +\def\q@upp{\q@u\C@Point\@ne\raise} +\def\g@qpp#1{\check@staff + \getn@i#1\relax\let\n@fon\g@qpp \let\n@sym\q@upp + \y@v\qn@width \writ@note\fi} + +\def\@lqu#1{\kernm\qn@width\advancefalse\@qu{#1}\kern\qn@width} +\def\@rqu#1{\kern\qn@width\advancefalse\@qu{#1}\kernm\qn@width} + +\def\@lql#1{\kernm\qn@width\advancefalse\@ql{#1}\kern\qn@width} +\def\@rql#1{\kern\qn@width\advancefalse\@ql{#1}\kernm\qn@width} + +\def\@lq#1{\kernm\qn@width\@zq{#1}\kern\qn@width} +\def\@rq#1{\kern\qn@width\@zq{#1}\kernm\qn@width} + +\def\@qb#1{\s@l@ctbeam#1\relax \let\st@m\beamst@m \g@q} +\def\@tqb#1{\s@l@ctbeam#1\relax \C@tb\t@bbl\lthick \let\st@m\beamst@m \g@q} +\def\@tqh#1{\s@l@ctbeam#1\relax \C@tb\t@bbu\qn@width \let\st@m\beamst@m \g@q} +\def\@qbp#1{\s@l@ctbeam#1\relax \let\st@m\beamst@m \g@qp} +\def\@qbpp#1{\s@l@ctbeam#1\relax \let\st@m\beamst@m \g@qpp} + +\def\@ca{\n@iv\@xlv \@mca} +\def\@cca{\n@iv46 \@mca} +\def\@ccca{\n@iv47 \@mca} +\def\@cccca{\n@iv48 \@mca} +\def\@ccccca{\n@iv49 \@mca} + +\def\@mca#1{\getn@i#1\relax \n@vii\n@iv + \ifnum\n@i>\thr@@ + \let\st@m\down@flag + \else + \let\st@m\up@flag \advance\n@vii -\fiv@\relax + \fi + \check@staff % version 1.16 + \let\n@fon\@mca \let\n@sym\q@u \y@v\qn@width \writ@note + \fi} + +\def\@cu{\n@vii\@xl \let\st@m\up@flag \g@q} +\def\@ccu{\n@vii\@xli \let\st@m\up@flag \g@q} +\def\@cccu{\n@vii42\let\st@m\up@flag \g@q} +\def\@ccccu{\n@vii43\let\st@m\up@flag \g@q} +\def\@cccccu{\n@vii44\let\st@m\up@flag \g@q} + +\def\@cl{\n@vii\@xlv \let\st@m\down@flag \g@q} +\def\@ccl{\n@vii46\let\st@m\down@flag \g@q} +\def\@cccl{\n@vii47\let\st@m\down@flag \g@q} +\def\@ccccl{\n@vii48\let\st@m\down@flag \g@q} +\def\@cccccl{\n@vii49\let\st@m\down@flag \g@q} + +\def\@cup{\n@vii\@xl \let\st@m\up@flag \g@qp} +\def\@ccup{\n@vii\@xli \let\st@m\up@flag \g@qp} +\def\@clp{\n@vii\@xlv \let\st@m\down@flag \g@qp} +\def\@cclp{\n@vii46\let\st@m\down@flag \g@qp} + + +\def\@cupp{\n@vii\@xl \let\st@m\up@flag \g@qpp} +\def\@clpp{\n@vii\@xlv \let\st@m\down@flag \g@qpp} + +%%% half notes + +\def\h@symbol{\def\q@u{\musixfont\@ight}} + +\def\ha{\h@symbol\@qa} +\def\hap#1{\pt{#1}\ha{#1}} % 1.27 RDT +\def\happ#1{\ppt{#1}\ha{#1}} % 1.27 RDT +\def\hu{\h@symbol\@qu} +\def\hup{\h@symbol\@qup} +\def\hupp{\h@symbol\@qupp} + +\def\hl{\h@symbol\@ql} +\def\hlp{\h@symbol\@qlp} +\def\hlpp{\h@symbol\@qlpp} + +\def\hb{\h@symbol\@qb} +\def\hbp{\h@symbol\@qbp} +\def\hbpp{\h@symbol\@qbpp} + +\def\zh{\h@symbol\@zq} +\def\zhp{\h@symbol\@zqp} +\def\zhpp{\h@symbol\@zqpp} + +\def\lh{\h@symbol\@lq} +\def\rh{\h@symbol\@rq} + +\def\zhu{\advancefalse\hu} +\def\zhup{\advancefalse\hup} +\def\zhupp{\advancefalse\hupp} + +\def\lhu{\h@symbol\@lqu} +\def\rhu{\h@symbol\@rqu} + +\def\zhl{\advancefalse\hl} +\def\zhlp{\advancefalse\hlp} +\def\zhlpp{\advancefalse\hlpp} + +\def\lhl{\h@symbol\@lql} +\def\rhl{\h@symbol\@rql} + +\def\lhp#1{\loff{\zhp{#1}}} +\def\rhp#1{\roff{\zhp{#1}}} +\def\lhpp#1{\loff{\zhpp{#1}}} +\def\rhpp#1{\roff{\zhpp{#1}}} + +%%% quarter notes, stem up + +\def\q@symbol{\def\q@u{\musixfont\s@v@n}} + +\def\qa{\q@symbol\@qa} + +\def\qap#1{\pt{#1}\qa{#1}} % 1.25 RDT +\def\qapp#1{\ppt{#1}\qa{#1}} % 1.25 RDT + +\def\qu{\q@symbol\@qu} +\def\qup{\q@symbol\@qup} +\def\qupp{\q@symbol\@qupp} + +%%% quarter notes, stem down + +\def\ql{\q@symbol\@ql} +\def\qlp{\q@symbol\@qlp} +\def\qlpp{\q@symbol\@qlpp} + +%%% quarter notes, stem up, no advance + +\def\zqu{\advancefalse\qu} +\def\zqup{\advancefalse\qup} +\def\zqupp{\advancefalse\qupp} + +\def\lqu{\q@symbol\@lqu} +\def\rqu{\q@symbol\@rqu} + +%%% quarter notes, stem down, no advance + +\def\zql{\advancefalse\ql} +\def\zqlp{\advancefalse\qlp} +\def\zqlpp{\advancefalse\qlpp} + +\def\lql{\q@symbol\@lql} +\def\rql{\q@symbol\@rql} + +%%% quarter noteheads, no advance + +\def\zq{\q@symbol\@zq} +\def\zqp{\q@symbol\@zqp} +\def\zqpp{\q@symbol\@zqpp} + +\def\lqp#1{\loff{\zqp{#1}}}% +\def\lqpp#1{\loff{\zqpp{#1}}}% +\def\rqp#1{\roff{\zqp{#1}}}% +\def\rqpp#1{\roff{\zqpp{#1}}}% + +\def\lq@{\q@symbol\@lq} +\def\rq@{\q@symbol\@rq} + +% +% note heads without stems +\def\nh{\h@symbol\@nq} +\def\nq{\q@symbol\@nq} +\def\znh{\advancefalse\nh} +\def\znq{\advancefalse\nq} + +%%% 8th, 16th, 32th, 64th, (128th) notes + +\def\ca{\q@symbol\@ca} +\def\cca{\q@symbol\@cca} +\def\ccca{\q@symbol\@ccca} +\def\cccca{\q@symbol\@cccca} +\def\ccccca{\q@symbol\@ccccca} + +\def\cu{\q@symbol\@cu} +\def\ccu{\q@symbol\@ccu} +\def\cccu{\q@symbol\@cccu} +\def\ccccu{\q@symbol\@ccccu} +\def\cccccu{\q@symbol\@cccccu} + +\def\cup{\q@symbol\@cup} +\def\ccup{\q@symbol\@ccup} +\def\cupp{\q@symbol\@cupp} + +\def\zcu{\advancefalse\cu} +\def\zccu{\advancefalse\ccu} +\def\zcccu{\advancefalse\cccu} +\def\zccccu{\advancefalse\ccccu} +\def\zcccccu{\advancefalse\cccccu} + +\def\lcu#1{\kernm\qn@width\zcu{#1}\kern\qn@width} +\def\rcu#1{\kern\qn@width\zcu{#1}\kernm\qn@width} + +\def\zcup{\advancefalse\cup} +\def\zccup{\advancefalse\ccup} +\def\zcupp{\advancefalse\cupp} + +\def\cl{\q@symbol\@cl} +\def\ccl{\q@symbol\@ccl} +\def\cccl{\q@symbol\@cccl} +\def\ccccl{\q@symbol\@ccccl} +\def\cccccl{\q@symbol\@cccccl} + +\def\clp{\q@symbol\@clp} +\def\cclp{\q@symbol\@cclp} +\def\clpp{\q@symbol\@clpp} + +\def\zcl{\advancefalse\cl} +\def\zccl{\advancefalse\ccl} +\def\zcccl{\advancefalse\cccl} +\def\zccccl{\advancefalse\ccccl} +\def\zcccccl{\advancefalse\cccccl} + +\def\zclp{\advancefalse\clp} +\def\zcclp{\advancefalse\cclp} +\def\zclpp{\advancefalse\clpp} + +\def\lcl#1{\kernm\qn@width\zcl{#1}\kern\qn@width} +\def\rcl#1{\kern\qn@width\zcl{#1}\kernm\qn@width} + +%%% beam notes + +\def\qb{\q@symbol\@qb} +\def\qbp{\q@symbol\@qbp} +\def\qbpp{\q@symbol\@qbpp} + +\def\zqb{\advancefalse\qb} +\def\zqbp{\advancefalse\qbp} +\def\zqbpp{\advancefalse\qbpp} + +\def\tqh{\q@symbol\@tqh} +\def\tqu{\q@symbol\@tqh} % version 1.16 RDT +\def\tqb{\q@symbol\@tqb} +\def\tql{\q@symbol\@tqb} % version 1.16 RDT + +\def\tqqh#1#2{\tbbu{#1}\tqh{#1}{#2}} % version 1.17 RDT +\def\tqqu{\tqqh} % version 1.17 RDT +\def\tqqb#1#2{\tbbl{#1}\tqb{#1}{#2}} % version 1.17 RDT +\def\tqql{\tqqb} % version 1.17 RDT +\def\tqqqh#1#2{\tbbbu{#1}\tqqh{#1}{#2}} % version 1.17 RDT +\def\tqqqu{\tqqqh} % version 1.17 RDT +\def\tqqqb#1#2{\tbbbl{#1}\tqqb{#1}{#2}} % version 1.17 RDT +\def\tqqql{\tqqqb} % version 1.17 RDT + +\def\nqqh#1#2{\tbbu{#1}\qb{#1}{#2}} % version 1.27 RDT +\def\nqqb#1#2{\tbbl{#1}\qb{#1}{#2}} % version 1.27 RDT +\def\nqqqh#1#2{\tbbbu{#1}\qb{#1}{#2}} % version 1.27 RDT +\def\nqqqb#1#2{\tbbbl{#1}\qb{#1}{#2}} % version 1.27 RDT +\def\nqqu{\nqqh} % version 1.27 RDT +\def\nqql{\nqqb} % version 1.27 RDT +\def\nqqqu{\nqqqh} % version 1.27 RDT +\def\nqqql{\nqqqb} % version 1.27 RDT + +\def\ztqh{\advancefalse\q@symbol\@tqh} +\def\ztqu{\advancefalse\q@symbol\@tqh} % version 1.16 RDT +\def\ztqb{\advancefalse\q@symbol\@tqb} +\def\ztql{\advancefalse\q@symbol\@tqb} % version 1.16 RDT + +%%% grace notes + +\def\grcu{\q@symbol\@grcu} +\def\grcl{\q@symbol\@grcl} + +\def\@grcu{\n@vii\tw@lv@ \let\st@m\up@flag \g@q} +\def\@grcl{\n@vii\active \let\st@m\down@flag \g@q} + +%%% starting beams + +% \ibu{0<=numero<10}{altitude~note}{pente de -9 a +9} +% \ibl{0<=numero<10}{altitude~note}{pente de -9 a +9} + +% \b@p slope (-9) - (9) +% \b@n number of pending beamlines (-4) - (4) + +\def\test@beamnum{% [version 1.15] new macro to make it independent from slur + \ifnum\n@i<\z@ \n@i\@c \fi + \ifnum\n@i<\maxinstruments \else + \count@\maxinstruments \advance\count@\m@ne + \errmessage{Wrong beam reference number \the\n@i! (valid: 0 to \the\count@)} + \n@i\z@ + \fi + \advance\n@i\@ne}% + +\def\s@l@ctbeam#1\relax{% + \n@i#1\relax\test@beamnum % [version 1.15] make it independent from slur + \edef\b@x{\csname b@x\romannumeral\n@i\endcsname}% + \edef\b@z{\csname b@z\romannumeral\n@i\endcsname}% + \edef\b@n{\csname b@n\romannumeral\n@i\endcsname}% + \edef\b@p{\csname b@p\romannumeral\n@i\endcsname}} + +\def\s@l@ctc{\edef\c@x{\csname c@x\romannumeral\n@i\endcsname}% + \edef\c@z{\csname c@z\romannumeral\n@i\endcsname}} + +\def\s@l@ctd{\edef\d@x{\csname d@x\romannumeral\n@i\endcsname}% + \edef\d@z{\csname d@z\romannumeral\n@i\endcsname}\s@l@ctc} + +\def\s@l@cte{\edef\e@x{\csname e@x\romannumeral\n@i\endcsname}% + \edef\e@z{\csname e@z\romannumeral\n@i\endcsname}\s@l@ctd} + +\def\s@l@ctf{\edef\f@x{\csname f@x\romannumeral\n@i\endcsname}% + \edef\f@z{\csname f@z\romannumeral\n@i\endcsname}\s@l@cte} + +\def\s@l@ctg{\edef\g@x{\csname g@x\romannumeral\n@i\endcsname}% + \edef\g@z{\csname g@z\romannumeral\n@i\endcsname}\s@l@ctf} + +\def\ibu#1{\s@l@ctbeam#1\relax \i@bu} +\def\ibbu#1{\s@l@ctbeam#1\relax \s@l@ctc \i@bbu} +\def\ibbbu#1{\s@l@ctbeam#1\relax \s@l@ctd \i@bbbu} +\def\ibbbbu#1{\s@l@ctbeam#1\relax \s@l@cte \i@bbbbu} +\def\ibbbbbu#1{\s@l@ctbeam#1\relax \s@l@ctf \i@bbbbbu} + +\def\ibl#1{\s@l@ctbeam#1\relax \i@bl} +\def\ibbl#1{\s@l@ctbeam#1\relax \s@l@ctc \i@bbl} +\def\ibbbl#1{\s@l@ctbeam#1\relax \s@l@ctd \i@bbbl} +\def\ibbbbl#1{\s@l@ctbeam#1\relax \s@l@cte \i@bbbbl} +\def\ibbbbbl#1{\s@l@ctbeam#1\relax \s@l@ctf \i@bbbbbl} + +\def\i@bu#1#2{%\check@staff + \ifnum\b@n=\z@ \else \C@tb\t@bbu\qn@width \fi \global\b@n\m@ne + \inhgetn@i#1\relax \n@v#2 \C@ib+\global\advance\b@x\qd@skip} + +\def\i@bl#1#2{%\check@staff + \ifnum\b@n=\z@ \else \C@tb\t@bbl\lthick \fi \global\b@n\@ne + \inhgetn@i#1\relax \n@v#2 \C@ib-} + +\def\C@ib#1{\max@n@v\nin@\min@n@v{-\nin@}\global\b@p\n@v % clip slope number + \getcurpos \global\b@x\y@v \b@z#14.333\interbeam \advance\b@z\altportee + \pl@base \global\advance\b@z\y@i} + +\def\C@ba#1#2{\global\advance#1#2\interbeam} + +\def\i@bbu#1#2{\ifnum\b@n=\z@ \i@bu{#1}{#2}\C@ba\b@z\@ne \fi\n@bbu} +\def\i@bbl#1#2{\ifnum\b@n=\z@ \i@bl{#1}{#2}\C@ba\b@z\m@ne \fi\n@bbl} + +\def\i@bbbu#1#2{\ifnum\b@n=\z@ + \i@bbu{#1}{#2}\C@ba\b@z\@ne \C@ba\c@z\@ne \fi\n@bbbu} +\def\i@bbbl#1#2{\ifnum\b@n=\z@ + \i@bbl{#1}{#2}\C@ba\b@z\m@ne \C@ba\c@z\m@ne \fi\n@bbbl} + +\def\i@bbbbu#1#2{\ifnum\b@n=\z@ + \i@bbbu{#1}{#2}\C@ba\b@z\@ne \C@ba\c@z\@ne \C@ba\d@z\@ne \fi\n@bbbbu} +\def\i@bbbbl#1#2{\ifnum\b@n=\z@ + \i@bbbl{#1}{#2}\C@ba\b@z\m@ne \C@ba\c@z\m@ne \C@ba\d@z\m@ne \fi\n@bbbbl} + +\def\i@bbbbbu#1#2{\ifnum\b@n=\z@ + \i@bbbbu{#1}{#2}\C@ba\b@z\@ne \C@ba\c@z\@ne \C@ba\d@z\@ne \C@ba\e@z\@ne \fi\n@bbbbbu} +\def\i@bbbbbl#1#2{\ifnum\b@n=\z@ + \i@bbbbl{#1}{#2}\C@ba\b@z\m@ne \C@ba\c@z\m@ne \C@ba\d@z\m@ne \C@ba\e@z\m@ne \fi\n@bbbbbl} + +%%% changing beams + +\def\Dec@b#1#2{\ifnum\b@n=#1#2\fi\ifnum\b@n=-#1#2\fi} + +%!\def\nbbu#1{\s@l@ctbeam#1\relax \s@l@ctc \ifnum\b@n>-\tw@ \ifnum\b@n<\tw@ \n@bbu \fi \fi } +%!\def\nbbl#1{\s@l@ctbeam#1\relax \s@l@ctc \ifnum\b@n>-\tw@ \ifnum\b@n<\tw@ \n@bbl \fi \fi } + +\def\nbbu#1{\s@l@ctbeam#1\relax \s@l@ctc \n@bbu} +\def\nbbl#1{\s@l@ctbeam#1\relax \s@l@ctc \n@bbl} + +\def\nbbbu#1{\s@l@ctbeam#1\relax \s@l@ctd \Dec@b\@ne\n@bbu \Dec@b\tw@\n@bbbu} +\def\nbbbl#1{\s@l@ctbeam#1\relax \s@l@ctd \Dec@b\@ne\n@bbl \Dec@b\tw@\n@bbbl} + +\def\nbbbbu#1{\s@l@ctbeam#1\relax \s@l@cte + \Dec@b\@ne\n@bbu \Dec@b\tw@\n@bbbu \Dec@b\thr@@\n@bbbbu} +\def\nbbbbl#1{\s@l@ctbeam#1\relax \s@l@cte + \Dec@b\@ne\n@bbl \Dec@b\tw@\n@bbbl \Dec@b\thr@@\n@bbbbl} + +\def\nbbbbbu#1{\s@l@ctbeam#1\relax \s@l@ctf + \Dec@b\@ne\n@bbu \Dec@b\tw@\n@bbbu \Dec@b\thr@@\n@bbbbu \Dec@b\f@ur\n@bbbbbu} +\def\nbbbbbl#1{\s@l@ctbeam#1\relax \s@l@ctf + \Dec@b\@ne\n@bbl \Dec@b\tw@\n@bbbl \Dec@b\thr@@\n@bbbbl \Dec@b\f@ur\n@bbbbbl} + +\def\n@bbu{\C@nb\c@z\c@x\@ne\qd@skip} +\def\n@bbl{\C@nb\c@z\c@x\@ne\z@} +\def\n@bbbu{\C@nb\d@z\d@x\tw@\qd@skip} +\def\n@bbbl{\C@nb\d@z\d@x\tw@\z@} +\def\n@bbbbu{\C@nb\e@z\e@x\thr@@\qd@skip} +\def\n@bbbbl{\C@nb\e@z\e@x\thr@@\z@} +\def\n@bbbbbu{\C@nb\f@z\f@x\f@ur\qd@skip} +\def\n@bbbbbl{\C@nb\f@z\f@x\f@ur\z@} + +\def\C@nb#1#2#3#4{% + \global#1\b@z + \ifnum\b@n<\z@ \global\advance\b@n\m@ne \global\advance#1-#3\interbeam \fi + \ifnum\b@n>\z@ \global\advance\b@n\@ne \C@ba#1#3\fi + {\advance\locx@skip#4\getcurpos \global#2\y@v + \advance\y@v-\b@x \comp@slope\y@v \global\advance#1\s@lope}} + +%%% beam termination + +\def\b@adjust{\ifdim\y@ii>\tw@\y@ \advance\y@\y@ \advance\n@vi\@ne \fi} + +\def\@beam{% \y@ii : longueur, \b@p : pente, \y@i : altitude + \ifnum\b@p=\z@ +% slope zero + \y@iii\y@i\y@iv\y@i + \advance\y@iii-\b@amthick \advance\y@iv\b@amthick + \vrule\@height\y@iv\@depth-\y@iii\@width\y@ii + \else\n@vi\z@ +% slope offset + \ifnum\b@p>\z@ \n@vi\b@p \multiply\n@vi\si@ \advance\n@vi-\si@ \fi + \ifnum\b@p<\z@ \n@vi-\b@p \multiply\n@vi\si@ \advance\n@vi58\fi +% find longest possible character to avoid patchwork + \y@\tw@\p@ + \b@adjust \b@adjust \b@adjust \b@adjust \b@adjust + \advance\n@vi\@cxxviii + \chardef\b@alk\n@vi\musixfont +% +% \curwidth=0pt \curheight=\y@i \curxpos=\completewidth +% \loop\ifdim\curwidth<\completewidth +% \advance\curxpos by -\beamwidth +% \ifdim\curxpos<0pt +% \comp@slope\curxpos +% \advance\curheight by \s@lope \kern\curxpos \fi +% \raise\curheight\hbox{\b@alk}% +% \advance\curwidth by \beamwidth +% \comp@slope\beamwidth +% \advance\curheight by \s@lope +% \repeat \fi +% + \y@iv\z@ \y@iii\y@i \y@v\y@ii + \loop\ifdim\y@iv<\y@ii + \advance\y@v-\y@ + \ifdim\y@v<\z@ \comp@slope\y@v \advance\y@iii\s@lope \kern\y@v \fi + \raise\y@iii\hbox{\b@alk}% + \advance\y@iv\y@ \comp@slope\y@ \advance\y@iii\s@lope + \repeat \fi} + +\def\s@l@ctcde{\s@l@ctc \s@l@ctd \s@l@cte \s@l@ctf } + +\def\tbu#1{\s@l@ctbeam#1\relax \C@tb\t@bbu\qn@width } +\def\tbbu#1{\s@l@ctbeam#1\relax \s@l@ctcde \t@bbu} +\def\tbbbu#1{\s@l@ctbeam#1\relax \s@l@ctcde \t@bbbu} +\def\tbbbbu#1{\s@l@ctbeam#1\relax \s@l@ctcde \t@bbbbu} +\def\tbbbbbu#1{\s@l@ctbeam#1\relax \s@l@ctcde \t@bbbbbu} + +\def\tbl#1{\s@l@ctbeam#1\relax \C@tb\t@bbl\lthick } +\def\tbbl#1{\s@l@ctbeam#1\relax \s@l@ctcde \t@bbl} +\def\tbbbl#1{\s@l@ctbeam#1\relax \s@l@ctcde \t@bbbl} +\def\tbbbbl#1{\s@l@ctbeam#1\relax \s@l@ctcde \t@bbbbl} +\def\tbbbbbl#1{\s@l@ctbeam#1\relax \s@l@ctcde \t@bbbbbl} + +\def\beam@pos#1{\getcurpos\y@ii\y@v\advance\y@ii-#1} + +\def\C@tb#1#2{% + \n@ii\b@n \ifnum\n@ii<\z@ \n@ii-\n@ii \fi + \ifcase\n@ii \or \or \s@l@ctc \or \s@l@ctd \or \s@l@cte \or \s@l@ctf \or \s@l@ctg\fi + \ifnum\b@n<\m@ne #1\fi + \ifnum\b@n>\@ne #1\fi + \y@i\b@z \advance\y@i-\altportee \beam@pos\b@x + \advance\y@ii#2\relax + \check@staff + \llap{\@beam\kernm#2}\relax + \fi\global\b@n\z@} + +\def\t@bbu{\n@v\tw@ \C@b\t@bbbu\n@bbu\y@i\c@z \beam@pos\c@x \t@xbu} +\def\t@bbl{\n@v\tw@ \C@b\t@bbbl\n@bbl\y@i\c@z \beam@pos\c@x \t@xbl} + +\def\t@bbbu{\n@v\thr@@ \C@b\t@bbbbu\n@bbbu\y@i\d@z \beam@pos\d@x \t@xbu} +\def\t@bbbl{\n@v\thr@@ \C@b\t@bbbbl\n@bbbl\y@i\d@z \beam@pos\d@x \t@xbl} + +\def\t@bbbbu{\n@v\f@ur \C@b\t@bbbbbu\n@bbbbu\y@i\e@z \beam@pos\e@x \t@xbu} +\def\t@bbbbl{\n@v\f@ur \C@b\t@bbbbbl\n@bbbbl\y@i\e@z \beam@pos\e@x \t@xbl} + +\def\t@bbbbbu{\n@v\fiv@ \C@b\empty\n@bbbbbu\y@i\f@z \beam@pos\f@x \t@xbu} +\def\t@bbbbbl{\n@v\fiv@ \C@b\empty\n@bbbbbl\y@i\f@z \beam@pos\f@x \t@xbl} + +\def\C@b#1#2{% + \n@ii\b@n \ifnum\n@ii<\z@ \n@ii-\n@ii \fi + \ifnum\n@ii>\n@v #1\fi + \loop + \advance\n@v\m@ne + \ifnum\n@ii=\n@v {\advance\locx@skip-\qn@width#2}\fi + \ifnum\n@v>\@ne \repeat} + +\def\t@xbu{\C@txb\qn@width\interbeam\b@amthick\qd@skip>} +\def\t@xbl{\C@txb\lthick\b@amthick\interbeam\hlthick<} + +\def\C@txb#1#2#3#4#5{\advance\y@i-\altportee + \advance\y@ii#1\relax + \check@staff + \llap{\@beam\kernm#1}% + \ifnum\b@n#5\z@ \comp@slope\y@ii \advance\y@i\s@lope + \raise\y@i\rlap{\kern#4\vrule\@height#3\@depth#2\@width\lthick}\relax + \fi + \fi + \ifnum\b@n<\z@ \global\advance\b@n\@ne \fi + \ifnum\b@n>\z@ \global\advance\b@n\m@ne \fi} + +%%% semiautomatic beams + +% adjustable beam slopes +% #1: beam number +% #2: starting pitch +% #3: ending pitch, +% #4: extension (number of \noteskip's) + +\def\Ibu#1{\s@l@ctbeam#1\relax\I@bu\i@bu} +\def\Ibl#1{\s@l@ctbeam#1\relax\I@bl\i@bl} +\def\Ibbu#1{\s@l@ctbeam#1\relax \s@l@ctc \I@bu\i@bbu} +\def\Ibbl#1{\s@l@ctbeam#1\relax \s@l@ctc \I@bl\i@bbl} +\def\Ibbbu#1{\s@l@ctbeam#1\relax \s@l@ctd \I@bu\i@bbbu} +\def\Ibbbl#1{\s@l@ctbeam#1\relax \s@l@ctd \I@bl\i@bbbl} +\def\Ibbbbu#1{\s@l@ctbeam#1\relax \s@l@cte \I@bu\i@bbbbu} +\def\Ibbbbl#1{\s@l@ctbeam#1\relax \s@l@cte \I@bl\i@bbbbl} +\def\Ibbbbbu#1{\s@l@ctbeam#1\relax \s@l@cte \I@bu\i@bbbbbu} +\def\Ibbbbbl#1{\s@l@ctbeam#1\relax \s@l@cte \I@bl\i@bbbbbl} + +% compute altitude difference of tried beam in \y@iv +% and compare with notes altitude difference + +\def\@@chk{\y@iv.05\y@v \multiply\y@iv\n@viii} + +\def\I@buuchk{\@@chk + \ifdim\y@iv>\n@ii\internote \advance\n@viii\m@ne \I@buuchk \fi + \ifnum\n@viii>\nin@ \advance\n@i\@ne \advance\n@ii\m@ne \I@buuchk \fi} + +\def\I@bldchk{\@@chk + \ifdim\y@iv<\n@ii\internote \advance\n@viii\@ne \I@bldchk \fi + \ifnum\n@viii<-\nin@ \advance\n@i\m@ne \advance\n@ii\@ne \I@bldchk \fi} + +\def\I@budchk{\@@chk + \ifdim\y@iv<\n@ii\internote \advance\n@viii\@ne \I@budchk \fi} + +\def\I@bluchk{\@@chk + \ifdim\y@iv>\n@ii\internote \advance\n@viii\m@ne \I@bluchk \fi} + +\def\I@bu{\let\@Ti\I@buuchk \let\@Tii\I@budchk \C@Ib} +\def\I@bl{\let\@Ti\I@bluchk \let\@Tii\I@bldchk \C@Ib} + +\def\C@Ib#1#2#3#4{{\n@v#4\relax \min@n@v\@ne + \inhgetn@i#3\relax\n@ii\n@i + \inhgetn@i#2\relax\advance\n@ii-\n@i + \y@v\noteskip \multiply\y@v\n@v + \ifnum\n@ii=\z@ #1{#2}0% + \else + \ifnum\n@ii>\z@ \n@viii\t@n \@Ti\else\n@viii-\t@n \@Tii \fi + \edef\I@boper{\noexpand#1{\the\n@i}{\the\n@viii}\relax}\I@boper + \fi}} + +% sets of double notes with computed slopes + +\def\B@h{\let\B@ii\tqh} +\def\B@b{\let\B@ii\tqb} + +\def\Dqbu{\let\B@i\Ibu \B@h\C@Dq} +\def\Dqbl{\let\B@i\Ibl \B@b\C@Dq} +\def\Dqbbu{\let\B@i\Ibbu \B@h\C@Dq} +\def\Dqbbl{\let\B@i\Ibbl \B@b\C@Dq} + +\def\C@Dq#1#2{\B@i0{#1}{#2}1\qb0{#1}\B@ii0{#2}} + +% sets of triple notes with computed slopes + +\def\Tqbu{\let\B@i\Ibu \B@h\C@Tq} +\def\Tqbl{\let\B@i\Ibl \B@b\C@Tq} +\def\Tqbbu{\let\B@i\Ibbu \B@h\C@Tq} +\def\Tqbbl{\let\B@i\Ibbl \B@b\C@Tq} + +\def\C@Tq#1#2#3{\B@i0{#1}{#3}2\qb0{#1#2}\B@ii0{#3}} + +% sets of quadruple notes with computed slopes + +\def\Qqbu{\let\B@i\Ibu \B@h\C@Qq} +\def\Qqbl{\let\B@i\Ibl \B@b\C@Qq} +\def\Qqbbu{\let\B@i\Ibbu \B@h\C@Qq} +\def\Qqbbl{\let\B@i\Ibbl \B@b\C@Qq} + +\def\C@Qq#1#2#3#4{\B@i0{#1}{#4}3\qb0{#1#2#3}\B@ii0{#4}} + +%%% duration points + +\def\pt{\g@pt\@ne\z@} +\def\ppt{\g@pt\@ne\@ne} +\def\pppt{\g@pt\@ne\tw@} + +\def\lpt{\g@pt\m@ne\z@} +\def\lppt{\g@pt\m@ne\@ne} +\def\lpppt{\g@pt\m@ne\tw@} + + +% Shifted, pointed chord notes +% +\def\lhp#1{\loff{\zhp{#1}}} +\def\rhp#1{\roff{\zhp{#1}}} +\def\lqp#1{\loff{\zqp{#1}}} +\def\rqp#1{\roff{\zqp{#1}}} +\def\rhpp#1{\roff{\zhpp{#1}}} +\def\lhpp#1{\loff{\zhpp{#1}}} +\def\rqpp#1{\roff{\zqpp{#1}}} +\def\lqpp#1{\loff{\zqpp{#1}}} + +\def\g@pt#1#2#3{\check@staff + \inhgetn@i#3\relax \relax % two \relax since the first one + \ifnum\n@i<\@c % in swallowed by \inhgetn@i + \ifodd\n@i \else\advance\n@i#1\fi + \pl@base \raise\y@i\hbox{\musixchar#2}\fi\fi} + +%%% rests + +\def\wholeshift#1{\roffset{\p@ne25}{#1}} + +\def\centerbar#1{\y@ii\lin@pos \advance\y@ii-\lastbarpos \advance\y@ii\cut@v + \kern-\h@lf\y@ii\lrlap{#1}\kern\h@lf\y@ii}% + + +\def\cpause{\hbox{\ccn{6}{\musixchar61}}} +\def\chpause{\hbox{\ccn{4}{\musixchar60}}} +\def\cPAuse{\hbox{\ccn{0}{\musixchar58}}} +\def\cPAUSe{\hbox{\ccn{0}{\musixchar59}}} + +\def\cHpause#1{% 1.21 RDT +\y@ii\lin@pos \advance\y@ii-\lastbarpos% +\def\v@rtpart{\hbox{\vrule width.6pt height1.5\internote depth1.5\internote}}% +\def\h@rizpart{\hbox{\vrule width0.35\y@ii height.5\internote depth.5\internote}}% +\raise4\internote\hbox{\v@rtpart\h@rizpart\ccn5{\meterfont{#1}}\h@rizpart\v@rtpart}}% + +\def\centerpause{\centerbar{\cpause}} +\def\centerhpause{\centerbar{\chpause}} +\def\centerPAuse{\centerbar{\cPAuse}} +\def\centerPAUSe{\centerbar{\cPAUSe}} +\def\centerHpause#1{\centerbar{\cHpause{#1}}} + +\def\C@ps#1#2#3{\n@viii#3\multiply\n@viii\tw@ + \advance\n@viii#2\raise\n@viii\internote \hbox{\musixchar#1}} +\def\C@pspt#1#2#3{\n@viii#3\multiply\n@viii\tw@ + \advance\n@viii#2\raise\n@viii\internote \hbox{\musixchar#1\relax + \ifnum #1=\t@n\relax \raise 0.7\internote\hbox{\kern 0.2\qn@width\musixchar0}% + \else \raise -0.7\internote\hbox{\kern 0.2\qn@width\musixchar0}% + \fi}% + } + +\def\PAUSe{\adv@box{\musixchar59}} +\def\PAuse{\adv@box{\musixchar58}} + +\def\pause{\check@staff + \adv@box{\raise\si@\internote\hbox{\musixchar61}}\fi} +\def\pausep{\wholeshift{\pt5}\pause} +\def\liftpause{\C@ps\@l@v@n\si@} +\def\liftpausep{\C@pspt\@l@v@n\si@} + +\def\hpause{\check@staff + \adv@box{\raise\f@ur\internote\hbox{\musixchar60}}\fi} +\let\hp\hpause +\def\hpausep{\wholeshift{\pt5}\hpause} +\let\hpp\hpausep +\def\lifthpause{\C@ps\t@n\f@ur} +\def\lifthpausep{\C@pspt\t@n\f@ur} + +\newdimen\lift@rest +\def\adv@restbox#1{\hbox{\lift@rest 5\internote + \advance\lift@rest -2.5\fontdimen\fiv@\musixfont + \raise\lift@rest\hbox\@to\noteskip{#1\hss}}\advance\locx@skip\noteskip} + +\def\qp{\adv@restbox{\check@staff\musixchar62\fi}} +\let\soupir\qp + +%\def\ds@oup{\adv@restbox{\check@staff\musixchar63\fi}} % why? RDT 1.27 +\def\ds{\adv@restbox{\check@staff\musixchar63\fi}} +\def\qs{\adv@restbox{\check@staff\musixchar64\fi}} +\def\hs{\adv@restbox{\check@staff\musixchar65\fi}} +\def\qqs{\adv@restbox{\check@staff\musixchar66\fi}} + +% pointed rests version 1.16 RDT +\def\qpp{\adv@restbox{\check@staff\pt5\musixchar62\fi}} +\def\dsp{\adv@restbox{\check@staff\pt5\musixchar63\fi}} +\def\qsp{\adv@restbox{\check@staff\pt5\musixchar64\fi}} +\def\hsp{\adv@restbox{\check@staff\pt5\musixchar65\fi}} +\def\qqsp{\adv@restbox{\check@staff\pt5\musixchar66\fi}} + +% double-dotted rests version 1.17 RDT + +\def\pausepp{\wholeshift{\ppt5}\pause} +\def\hpausepp{\wholeshift{\ppt5}\hpause} +\let\hppp\hpausepp +\def\qppp{\adv@restbox{\check@staff\ppt5\musixchar62\fi}} +\def\dspp{\adv@restbox{\check@staff\ppt5\musixchar63\fi}} +\def\qspp{\adv@restbox{\check@staff\ppt5\musixchar64\fi}} +\def\hspp{\adv@restbox{\check@staff\ppt5\musixchar65\fi}} +\def\qqspp{\adv@restbox{\check@staff\ppt5\musixchar66\fi}} + +% copied from musixlit.tex: version 1.21 RDT + +\def\Hpause#1#2{\zcharnote{#1}{\def\s@r{% +\vrule\@width.6\p@\@height1\h@lf\internote\@depth1\h@lf\internote}\s@r% +\vrule\@width#2\noteskip\@height\h@lf\internote\@depth\h@lf\internote\s@r}} + +%%% accidentals + +\newskip\accshift + +\def\bigaccid{\let\small@test\iftrue} +\def\smallaccid{\let\small@test\iffalse} +\def\varaccid{\def\small@test{\ifdim\noteskip>1\p@seven\qn@width}} + +\varaccid % accidents de taille variable + +\def\na#1{\small@test\bigna{#1}\else\smallna{#1}\fi} +\def\fl#1{\small@test\bigfl{#1}\else\smallfl{#1}\fi} +\def\sh#1{\small@test\bigsh{#1}\else\smallsh{#1}\fi} +\def\dfl#1{\small@test\bigdfl{#1}\else\smalldfl{#1}\fi} +\def\dsh#1{\small@test\bigdsh{#1}\else\smalldsh{#1}\fi} + +% n@vi char pos of cautionpar (normal=5, doubleflat=6) +% n@v offset to char pos (flat=0, dflat=1, sharp=2, dsharp=3, natural=4) +% n@vi offset to char pos (big=0, small=60) +% n@vii =maxdimen -> cautionacctrue + +\def\writ@ba{\pl@base\raise\y@i\llap{\musixchar\n@v\kern\accshift}} +\def\set@ba{\let\@Ti\writ@ba \n@vi\z@} + +\def\bigna{\set@ba \let\@Tii\@Na \n@v\f@ur \C@acc} +\def\bigfl{\set@ba \let\@Tii\@Fl \n@v\z@ \C@acc} +\def\bigsh{\set@ba \let\@Tii\@Sh \n@v\tw@ \C@acc} +\def\bigdfl{\set@ba \let\@Tii\@dFl \n@v\@ne \C@acc} +\def\bigdsh{\set@ba \let\@Tii\@dSh \n@v\thr@@ \C@acc} + +\def\@sa{\ifnum\n@vii=\maxdimen \C@ChaR \musixchar\n@v \kern.3\qn@width + \else \musixchar\n@v \fi \n@vii\z@} + +\def\smallna{\set@sa \let\@Tii\@Na \n@v\f@ur \C@acc} +\def\smallfl{\set@sa \let\@Tii\@Fl \n@v\z@ \C@acc} +\def\smallsh{\set@sa \let\@Tii\@Sh \n@v\tw@ \C@acc} +\def\smalldfl{\set@sa \n@iv\si@ \let\@Tii\@dFl \n@v\@ne \C@acc} +\def\smalldsh{\set@sa \let\@Tii\@dSh \n@v\thr@@ \C@acc} + +\def\cna{\set@ca \let\@Tii\@Na \n@v\f@ur \C@acc} % version 1.16 HM +\def\cfl{\set@ca \let\@Tii\@Fl \n@v\z@ \C@acc} +\def\csh{\set@ca \let\@Tii\@Sh \n@v\tw@ \C@acc} +\def\cdfl{\set@ca \n@iv\si@ \let\@Tii\@dFl \n@v\@ne \C@acc} +\def\cdsh{\set@ca \let\@Tii\@dSh \n@v\thr@@ \C@acc} +% +\def\writ@sa{\pl@base\raise\y@i\llap{\musixchar\n@v\kern\accshift}} +\def\set@sa{\let\@Ti\writ@sa \n@iv\fiv@ \n@vi\@xl } +\def\writ@ca{\pl@base\raise\y@i\llap{\C@ChaR \musixchar\n@v\kern.3\qn@width\kern\accshift}} +\def\set@ca{\let\@Ti\writ@ca \n@iv\fiv@ \n@vi\@xl } + +\def\writ@ua{\advance\n@i\thr@@ \zchar\n@i{\kern\qu@rt\qn@width\@sa}} +\def\set@upper{\let\@Ti\writ@ua \n@iv\fiv@ \n@vi\@xl } + +\def\upperna{\set@upper \let\@Tii\@Na \n@v\f@ur \C@acc} +\def\upperfl{\set@upper \let\@Tii\@Fl \n@v\z@ \C@acc} +\def\uppersh{\set@upper \let\@Tii\@Sh \n@v\tw@ \C@acc} + +\def\@Na{\ifcase\n@ii \n@v\tw@ \or \n@v\f@ur \or \n@v\z@ \fi} +\def\@Fl{\ifcase\n@ii \n@v\f@ur \or \n@v\z@ \or \n@v\@ne \fi} +\def\@Sh{\ifcase\n@ii \n@v\thr@@ \or \n@v\tw@ \or \n@v\f@ur \fi} +\def\@dFl{\ifcase\n@ii \n@v\z@ \or \n@v\@ne \or + \message{\@nod flatten \noexpand\dfl \t@ruc}\let\@Ti\empty \fi} +\def\@dSh{\ifcase\n@ii + \message{\@nod sharpen \noexpand\dsh \t@ruc}\let\@Ti\empty + \or \n@v\thr@@ \or \n@v\tw@ \fi} + +\def\C@acc#1{% + \check@staff + \inhgetn@i#1\relax + \ifx\rel@sw\@ne + \s@l@ctsigns \n@iii\n@i + \advance\n@iii-\ut@ref \advance\n@iii-\ut@ref + \loop\ifnum\n@iii>\si@ \advance\n@iii-\s@v@n \repeat + \loop\ifnum\n@iii<\z@ \advance\n@iii\s@v@n \repeat + \ifcase\n@iii + \n@ii\si@ % mi + \or\n@ii\@ne % fa + \or\n@ii\thr@@ % sol + \or\n@ii\fiv@ % la + \or\n@ii\s@v@n % si + \or\n@ii\tw@ % do + \or\n@ii\f@ur % re + \fi +% \n@ii positive signature limit, \n@ii-8 negative signature limit + \advance\n@ii-\a@s \advance\n@ii\si@ \divide\n@ii\s@v@n + \@Tii + \fi \advance\n@v\@l \advance\n@v\n@vi \expandafter\@Ti % [version 1.15] (Hiroaki) + \fi} + +\def\@nod{Can't double } + +\def\relativeaccid{\let\rel@sw\@ne } +\def\absoluteaccid{\let\rel@sw\empty } +\absoluteaccid + +\def\lna#1{\loffset\smallvalue{\na{#1}}} +\def\lfl#1{\loffset\smallvalue{\fl{#1}}} +\def\lsh#1{\loffset\smallvalue{\sh{#1}}} +\def\ldfl#1{\loffset\smallvalue{\dfl{#1}}} +\def\ldsh#1{\loffset\smallvalue{\dsh{#1}}} + +%%% arpeggio + +\def\arpeggio#1#2{\zcharnote{#1}{% + \uplap{\leaders\hbox{\musixchar70}\vskip#2\Interligne}}} +\def\larpeggio#1#2{\loffset\smallvalue{\arpeggio{#1}{#2}}} + +%%% ornaments, special signs + +\def\@Char#1{\zcharnote{#1}\C@ChaR} + +\def\backturn{\n@iv67\@Char} +\def\turn{\n@iv68\@Char} +\def\duevolte{{\keychar78}} +\def\caesura{\llap{\musixchar79\kern\h@lf\noteskip}} +\def\coda{\n@iv85\C@coda} +\def\Coda{\n@iv105\C@coda} +\def\C@coda#1{\llap{\@Char{#1}\kern\afterruleskip}} +\def\segno{\n@iv86\@Char} +\def\Segno{{\keychar110}} +\def\shake{\n@iv87\@Char} +\def\Shake{\n@iv88\@Char} +\def\Shakel{\n@iv106\@Char} +\def\Shakenw{\n@iv107\@Char} +\def\Shakesw{\n@iv108\@Char} +\def\Shakene{\n@iv109\@Char} +\def\mordent{\n@iv89\@Char} +\def\Mordent{\n@iv119\@Char} +\def\doublethumb{\n@iv121\@Char} +\def\trt#1{\loffset{0.65}{\shake{#1}}\roffset{0.65}{\mordent{#1}}} + + +\def\tr#1{\loffset{0.15}{\zcn{#1}{\ppff tr}}} % \loffset added version 1.23 RDT +\def\xtr#1{\raise1.25\internote\hbox{\n@iv111\zcn{#1}\C@ChaR}} % added version 1.23 RDT +\def\ptr#1{\raise1.25\internote\hbox{\n@iv117\zcn{#1}\C@ChaR}} % added version 1.23 RDT +%\def\Xtr#1{\wholeshift{\xtr{#1}}} % unnecessary? + +%%% accents + +\def\upbow{{\musixfont\@xxiii}} +\def\downbow{{\musixchar22}} + +\def\flageolett{\n@iv120\uacc@Char} +\def\usfz{\n@iv\tw@nty \uacc@Char} +\def\lsfz{\n@iv21\lacc@Char} +\def\dsfz{\lsfz} +\def\upz{\n@iv\@xxiv \uacc@Char} +\def\lpz{\n@iv\@xxv \lacc@Char} +\def\dpz{\lpz} +\def\ust{\n@iv\@xxvi \uacc@Char} +\def\lst{\n@iv\@xxvii \lacc@Char} +\def\dst{\lst} +\def\uppz{\n@iv28\uacc@Char} +\def\lppz{\n@iv\@xxix \lacc@Char} +\def\dppz{\lppz} +\def\usf{\n@iv30\uacc@Char} +\def\lsf{\n@iv31\lacc@Char} +\def\dsf{\lsf} +\def\upzst{\n@iv18\uacc@Char} +\def\lpzst{\n@iv19\lacc@Char} +\def\dpzst{\lpzst} + +\def\uacc@Char#1{\check@staff + \inhgetn@i#1\relax \relax + \ifnum\n@i<\@ight \ifodd\n@i \else\advance\n@i\@ne \fi \fi + \zchar\n@i\C@ChaR + \fi} + +\def\lacc@Char#1{\check@staff + \inhgetn@i#1\relax \relax + \ifnum\n@i>\@ne \ifodd\n@i \else\advance\n@i\m@ne \fi \fi + \zchar\n@i\C@ChaR + \fi} + +\def\C@ChaR{\musixfont\char\n@iv} + + %%% accents on beams (correction proposed by Klaus Bechert) + +\def\acc@ubalk{\acc@balk>\@ne} +\def\acc@lbalk{\acc@balk<\m@ne} +\def\acc@balk#1#2#3{\s@l@ctbeam#3\relax \getcurpos \advance\y@v\txt@ff + \advance\y@v-\b@x \y@ii\b@p\y@v \divide\y@ii\tw@nty \advance\y@ii\b@z + \ifnum\b@n#1#2\relax \advance\y@ii\b@n\interbeam + \advance\y@ii-#2\interbeam \fi + \advance\y@ii-\altportee \raise\y@ii\rlap\balk@accent} +\let\balk@accent\C@ChaR + +%\def\bflageolett{\n@iv120\acc@ubalk} +\def\busfz{\n@iv\tw@nty \acc@ubalk} +\def\blsfz{\n@iv21\acc@lbalk} +%\def\bdownbow{\n@iv22\acc@ubalk} +%\def\bupbow{\n@iv\@xxiii \acc@lbalk} +\def\bupz{\n@iv\@xxiv \acc@ubalk} +\def\blpz{\n@iv\@xxv \acc@lbalk} +\def\bust{\n@iv\@xxvi \acc@ubalk} +\def\blst{\n@iv\@xxvii \acc@lbalk} +\def\buppz{\n@iv28\acc@ubalk} +\def\blppz{\n@iv\@xxix \acc@lbalk} +\def\busf{\n@iv30\acc@ubalk} +\def\blsf{\n@iv31\acc@lbalk} +%\def\bupzst{\n@iv18\acc@ubalk} +%\def\blpzst{\n@iv19\acc@lbalk} + +% The next macros puts triplets (and others def'd with \txt) on beams + +\def\butext#1{\txt@ff\qn@width + \def\balk@accent{\uplap{\lrlap{\kern\tw@\txt@ff\txtfont\txt}\kern\internote}}% + \acc@ubalk{#1}\txt@ff\h@lf\qn@width \let\balk@accent\C@ChaR} + +\def\bltext#1{\txt@ff\z@ + \def\balk@accent{\vbox\@to\z@{\kern\internote\txtfont\lrlap\txt\vss}}% + \acc@lbalk{#1}\txt@ff\h@lf\qn@width \let\balk@accent\C@ChaR} + +%%% end of accents on beams (correction proposed by Klaus Bechert) + +%%% crescendo, decrescendo + +% These macros puts variable size (de)crescendo marks. +% \(de)crescendo{#1} #1=length (any TeX dimension, max 192pt(\simeq 68mm)) + +\def\C@cresc#1{\y@iv#1\n@v\y@iv + \sp@pt\@ne \advance\n@v\thr@@ % sp->pt round up + \divide\n@v\si@ % the next is 6pt(notehead) wider + \max@n@v\@xxxii + \min@n@v\@ne % clip to extremities + \advance\n@v\n@ii % first character position (-1) + \mxsps\char\n@v} + +\def\crescendo{\n@ii\@lxxxiii \C@cresc} +\def\decrescendo{\n@ii\@cxv \C@cresc} + +\newskip\@icresc +\def\icresc{\getcurpos\global\@icresc\y@v } +\def\tcresc{\n@ii\@lxxxiii \C@cre} +\def\tdecresc{\n@ii\@cxv \C@cre} +\def\C@cre{\getcurpos\advance\y@v-\@icresc \kernm\y@v\C@cresc\y@v\kern\y@v} + +%%% pedal signs + +\def\raiseped{-5} + +\def\sPed{\musixchar34} +\def\sPED{% +\zchar\raiseped\sPed% +\getcurpos\advance\y@v1.6ex\global\pdl@pos\y@v% +\xdef\pdl@instr{\the\noinstrum@nt}\xdef\pdl@staff{\the\noport@@}% save current instrument and staff +} + +\def\Ped{\musixchar35} +\def\PED{% +\zchar\raiseped\Ped% +\getcurpos\advance\y@v2.8ex\global\pdl@pos\y@v% +\xdef\pdl@instr{\the\noinstrum@nt}\xdef\pdl@staff{\the\noport@@}% save current instrument and staff +} +\def\Dep{\musixchar33} +\def\DEP{% +\zchar\raiseped\Dep% +\global\pdl@pos\z@% +} +\def\sDep{\musixchar104} +\def\sDEP{% +\zchar\raiseped\sDep% +\global\pdl@pos\z@% +} + +%%% pedal brackets version 1.21 RDT +%% +%% \pdld pedal down +%% \pdlu pedal up +%% \pdlud pedal up and immediately down + +\newdimen\pdl@pos % cursor position for pedal down +\global\pdl@pos\z@ + +\def\pdld{\hbox{\hroff{% +\raise\raiseped\internote\hbox{\vrule height2ex depth0.5pt width0.5pt}% +\getcurpos\global\pdl@pos\y@v% +% save current instrument and staff +\xdef\pdl@instr{\the\noinstrum@nt}\xdef\pdl@staff{\the\noport@@}% +}}}% + +\def\pdlu{\hbox{\hroff{\getcurpos\advance\y@v-\pdl@pos%% compute length of horizontal rule +\kern-\y@v% +\raise\raiseped\internote\hbox{% +\vrule height-0.5pt depth1pt width\y@v% +\vrule height2ex depth0.5pt width0.5pt %% pedal up +}}}% +\global\pdl@pos\z@}% + +\newbox\bigwedgebox % 1.22 RDT +\def\pdlud{\hbox{\hroff{\getcurpos\advance\y@v-\pdl@pos%% compute length of horizontal rule +\kern-\y@v% +\thinmuskip=2mu% +\setbox\bigwedgebox=\hbox{$\!\bigwedge\!$}% +\def\halfwidthbigwedge{0.5\wd\bigwedgebox}% +\advance\y@v-\halfwidthbigwedge% +\raise\raiseped\internote% +\hbox{% +\vrule height-0.5pt depth1pt width\y@v% draw horizontal rule +\kern\halfwidthbigwedge% +\raise0.33ex\lrlap{$\bigwedge$}% pedal up and down +}% +\getcurpos\advance\y@v\halfwidthbigwedge\global\pdl@pos\y@v% +}}}% + +%% cut pedal rule at line end +%% +% compute length of horizontal rule +\def\pdlc@{\getcurpos\advance\y@v-\pdl@pos% +\kern-\y@v\raise\raiseped\internote\hbox{% +\vrule height-0.5pt depth1pt width\y@v %% draw horizontal rule +}}% + +%%% fermata + +\def\fermataup{\n@iv80\@Char} +\def\fermatadown{\n@iv81\@Char} +% center on whole note +\def\Fermataup#1{\wholeshift{\fermataup{#1}}} +\def\Fermatadown#1{\wholeshift{\fermatadown{#1}}} + +%%% trills + +\def\trilleX{\let\T@i\empty \C@trille} +\let\trille\trilleX +\def\TrilleX{\def\T@i{\ppff tr }\C@trille} % 1.24 changed from \it RDT +\let\Trille\TrilleX +\def\C@trille#1#2{\zcharnote{#1}{\y@v#2\noteskip \trill@}} + +\let\maxtrilles\si@ +% \maxtrilles and \@itrille[i] are only for obsolete Legacy \trillC +% and \TrillC; not related with new register allocation code. Leave +% it as-is. [version 1.15] + +\newskip\@itrillei +\newskip\@itrilleii +\newskip\@itrilleiii +\newskip\@itrilleiv +\newskip\@itrillev +\newskip\@itrillevi + + %\def\s@l@cttrille#1\relax{% + % \n@i#1\relax \ifnum\n@i<\z@ \n@i\@c \fi + % \ifnum\n@i<\maxtrilles \else + % \n@i\z@ \errmessage{Wrong trill number!}\fi + % \advance\n@i\@ne + % \edef\@itrille{\csname @itrille\roman@n@i}% dimen (altportee) + % }% select trill + + +\def\itrille{\itrill@old{0}} +\def\ttrille{\ttrill@old{0}} +\def\tTrille{\tTrill@old{0}} + +\def\itrill@old#1{\s@l@cttrill#1\relax + \ifdim\tr@x < \maxdimen\errmessage{\@mis \noexpand\Ttrille \number #1}\fi + \getcurpos\global\tr@y\y@v} +\def\ttrill@old#1{\s@l@cttrill#1\relax + \message{\noexpand\tr@x=\the\tr@x, No. #1}% + \ifdim\tr@x < \maxdimen\else\errmessage{\@mis \noexpand\Itrille \number #1}\fi + \let\T@i\empty \C@tri} +\def\tTrill@old#1{\s@l@cttrill#1\relax + \message{\noexpand\tr@x=\the\tr@x, No. #1}% + \ifdim\tr@x < \maxdimen\else\errmessage{\@mis \noexpand\Itrille \number #1}\fi + \def\T@i{\ppff tr }\C@tri} % 1.24 changed from \it RDT + +\def\C@tri#1{\getcurpos\advance\y@v-\tr@y \kernm\y@v + \zcharnote{#1}\trill@\kern\y@v\let\T@i\empty\let\@itrille\undefined} +\def\trill@{\hbox\@to\y@v{\T@i\leaders\hbox{\musixchar69}\hfill}} + +%%%%%% + +% \let\maxtrills\si@ % here disabled to avoid conflict with new register allocation code +% [version 1.15] moved out to the new register allocation code +% \newskip\tr@xi \tr@xi\maxdimen\relax % starting horizontal pos +% \newtoks\tr@swi % heading of trill +% \newskip\tr@yi % height of trill + +\newcount\tr@number + +\def\tr@loop{\tr@number\z@ \loop\ifnum\tr@number<\maxtrills + \s@l@cttrill\tr@number\relax + \advance\tr@number\@ne } + +\def\s@l@cttrill#1\relax{% + \n@i#1\relax \ifnum\n@i<\z@ \n@i\@c \fi + \ifnum\n@i<\maxtrills \else + \count@\maxtrills \advance\count@\m@ne + \errmessage{Wrong trill reference number \the\n@i! (valid: 0 to \the\count@)}% [version 1.15] + \n@i\z@ % [version 1.15] + \fi + \advance\n@i\@ne + \xdef\tr@x{\csname tr@x\roman@n@i}% + \xdef\tr@y{\csname tr@y\roman@n@i}% + \xdef\tr@sw{\csname tr@sw\roman@n@i}% + }% select octiaviation line + +%\newskip\tr@x \tr@x\maxdimen\relax % starting horizontal pos +%\newskip\tr@y % height of trill + +\def\Itrille#1{\s@l@cttrill#1\relax + \ifdim\tr@x < \maxdimen\errmessage{\@mis \noexpand\Ttrille \number #1}\fi + \global\tr@sw={\relax}% + \C@T} +\def\ITrille#1{\s@l@cttrill#1\relax + \ifdim\tr@x < \maxdimen\errmessage{\@mis \noexpand\Ttrille \number #1}\fi + \global\tr@sw={{\ppff tr }}% 1.24 changed from \it RDT + \C@T} + +\def\C@T#1{% + \getcurpos\global\tr@x\y@v % store horizontal pos + \inhgetn@i#1\relax\pl@base\advance\y@i\altportee % get absolute height + \global\tr@y\y@i } + +\def\Ttrille#1{\s@l@cttrill#1\relax + \ifdim\tr@x < \maxdimen\else\errmessage{\@mis \noexpand\Itrille \number #1}\fi + \advance\tr@y-\altportee \let\T@ii\char \C@TR \global\tr@x\maxdimen } + \let\TTrille\Ttrille + +\def\C@TR{% + \ifx\T@ii\n@ii \y@v\lin@pos \else \getcurpos \fi + \advance\y@v-\tr@x \kernm\y@v \raise\tr@y\hbox\@to\y@v{% +% \the\tr@sw\xleaders\hbox{\musixchar69}\hfill\T@ii\n@ii}}% +% Correction by Julian Gilbey + \the\tr@sw\xleaders\hbox{\musixchar69}\hfill}}% + +%%% tremolos version 1.19 RDT +%%% based on code by Werner Icking and Andre van Ryckeghem +%%% version 1.20 RDT re-defined using \raise, suggested by JPC +%%% version 1.21 +%%% RDT changed beam numbers to 5, suggested by JPC +%%% RDT adjusted the vertical positions for 16th and 32nd tremolos +%%% version 1.24 +%%% RDT use new counter \tr@nspose to preserve changes to \transpose in an \hbox + +\newcount\tr@nspose % used to restore value of \transpose after closing an \hbox +\def\trml#1{\raise2\internote\hbox{\loffset{0.5}{\ibl5{#1}9}\roffset{0.5}{\tbl5}\global\tr@nspose\transpose}\transpose\tr@nspose}% +\def\trmu#1{\raise-3\internote\hbox{\loffset{0.5}{\ibu5{#1}9}\roffset{0.5}{\tbu5}\global\tr@nspose\transpose}\transpose\tr@nspose}% +\def\trrml#1{\raise3\internote\hbox{\loffset{0.5}{\ibbl5{#1}9}\roffset{0.5}{\tbl5}\global\tr@nspose\transpose}\transpose\tr@nspose}% +\def\trrmu#1{\raise-4\internote\hbox{\loffset{0.5}{\ibbu5{#1}9}\roffset{0.5}{\tbu5}\global\tr@nspose\transpose}\transpose\tr@nspose}% +\def\trrrml#1{\raise3\internote\hbox{\loffset{0.5}{\ibbbl5{#1}9}\roffset{0.5}{\tbl5}\global\tr@nspose\transpose}\transpose\tr@nspose}% +\def\trrrmu#1{\raise-4\internote\hbox{\loffset{0.5}{\ibbbu5{#1}9}\roffset{0.5}{\tbu5}\global\tr@nspose\transpose}\transpose\tr@nspose}% + +% whole notes are wider than quarter/half notes: +% version 1.21 RDT adjusted the offsets and vertical positions + +\def\Trml#1{\raise3\internote\hbox{\ibl5{#1}9\roffset{1.25}{\tbl5}\global\tr@nspose\transpose}\transpose\tr@nspose}% +\def\Trmu#1{\raise-4\internote\hbox{\loffset{1.1}{\ibu5{#1}9}\roffset{0.15}{\tbu5}\global\tr@nspose\transpose}\transpose\tr@nspose}% +\def\Trrml#1{\raise3\internote\hbox{\ibbl5{#1}9\roffset{1.25}{\tbl5}\global\tr@nspose\transpose}\transpose\tr@nspose}% +\def\Trrmu#1{\raise-4\internote\hbox{\loffset{1.1}{\ibbu5{#1}9}\roffset{0.15}{\tbu5}\global\tr@nspose\transpose}\transpose\tr@nspose}% +\def\Trrrml#1{\raise3\internote\hbox{\ibbbl5{#1}9\roffset{1.25}{\tbl5}\global\tr@nspose\transpose}\transpose\tr@nspose}% +\def\Trrrmu#1{\raise-4\internote\hbox{\loffset{1.1}{\ibbbu5{#1}9}\roffset{0.15}{\tbu5}\global\tr@nspose\transpose}\transpose\tr@nspose}% + +%%% octave lines + +\def\octnumberup{\octnumberdefault\vrule width 0pt height2ex} +\def\octnumberdefault{\smallppff8} % version 1.17 RDT +\def\octnumberdown{\octnumberdefault$^a$\txtfont\kern 0.3em bassa\vrule width 0pt depth \Internote} + +\def\octfinup{\check@staff + \n@v\@xxiii\n@ii\@xxiv\global\o@swz={\@ne}\fi + \C@of} +\def\octfindown{\check@staff + \n@v\@xxv \n@ii\@xxvi\global\o@swz={\z@}\fi + \C@of} +\def\C@of#1#2{\check@staff + \y@v#2\noteskip\zcharnote{#1}{\hbox\@to\y@v{% + \xdef\o@sw{\csname o@swz\endcsname}\relax + \octnumber\mxsps\xleaders\hbox{\char\n@v}\hfill\char\n@ii}}% + \fi} + +%%%%%% +% selecting \octnumber??? according to \o@sw +\def\octnumber{% \show\o@sw + \setbox\w@rkbox\hbox{% + \ifnum \@ne=\the\o@sw\relax \octnumberup + \else \octnumberdown + \fi}% + \ifdim \wd\w@rkbox>\y@v\setbox\w@rkbox\hbox{\octnumberdefault}\fi + \box\w@rkbox +} + + +%%%%%% + +% \let\maxoctlines\si@ % here disabled to avoid conflict with new register allocation code, except for \o@swz +% [version 1.15] moved out to the new register allocation code +% \newskip\o@xi \o@xi\maxdimen\relax % starting horizontal pos +% \newskip\o@yi % height of octline +\newtoks\o@swz % sense of octline for \octfin[up][down] without number +% \newtoks\o@swz % sense of octline for \octfin[up][down] without number + +\newcount\o@number + +\def\o@loop{\o@number\z@ \loop\ifnum\o@number<\maxoctlines + \s@l@ctoctline\o@number\relax + \advance\o@number\@ne } + +\def\s@l@ctoctline#1\relax{% + \n@i#1\relax \ifnum\n@i<\z@ \n@i\@c \fi + \ifnum\n@i<\maxoctlines \else + \count@\maxoctlines \advance\count@\m@ne + \errmessage{Wrong octaviation line reference number \the\n@i! (valid: 0 to \the\count@)}% [version 1.15] + \n@i\z@% [version 1.15] + \fi + \advance\n@i\@ne + \xdef\o@x{\csname o@x\roman@n@i}% + \xdef\o@y{\csname o@y\roman@n@i}% + \xdef\o@sw{\csname o@sw\roman@n@i}% + }% select octiaviation line + +%\newskip\o@x \o@x\maxdimen\relax % starting horizontal pos +%\newskip\o@y % height of octline + +\def\ioctfinup{\Ioctfinup0} +\def\ioctfindown{\Ioctfindown0} +\def\Ioctfinup#1{\check@staff + \s@l@ctoctline#1\relax + \ifdim\o@x < \maxdimen\errmessage{\@mis \noexpand\Toctfin \number #1}\fi + \global\o@sw={\@ne}\fi + \C@O} +\def\Ioctfindown#1{\check@staff + \s@l@ctoctline#1\relax + \ifdim\o@x < \maxdimen\errmessage{\@mis \noexpand\Toctfin \number #1}\fi + \global\o@sw={\z@}\fi + \C@O} + +\def\C@O#1{\check@staff + \getcurpos\global\o@x\y@v % store horizontal pos + \inhgetn@i#1\relax\pl@base\advance\y@i\altportee % get absolute height + \global\o@y\y@i + \fi} % clise check@staff in Ioctfinup/down + +\def\toctfin{\Toctfin0} +\def\Toctfin#1{\check@staff + \s@l@ctoctline#1\relax + \advance\o@y-\altportee \let\T@ii\char \C@TO \global\o@x\maxdimen + \fi} + +\def\C@TO{\check@staff + \ifnum \@ne=\the\o@sw + \n@v\@xxiii \n@ii\@xxiv \else \n@v\@xxv \n@ii\@xxvi \fi + \ifx\T@ii\n@ii \y@v\lin@pos \else \getcurpos \fi + \advance\y@v-\o@x \kernm\y@v \raise\o@y\hbox\@to\y@v{% + \octnumber\mxsps\xleaders\hbox{\char\n@v}\hfill\T@ii\n@ii}\relax + \fi}% + +% Liftoctline #1 refnumber #2 lift[steps of internote] + +\def\Liftoctline#1#2{\n@i#1\advance\n@i\@ne + \advance\csname o@y\roman@n@i#2\internote} + +%%% some specials + +% \def\metron#1#2{{\stemlength\f@ur\noteskip\t@n\p@ #1 1\ = #2}} +% version 1.19 RDT: +\let\lyricson\relax +\let\lyricsoff\relax +\def\metron#1#2{{\lyricsoff\stemlength\f@ur\noteskip\t@n\p@ #1 1\ = #2\lyricson}} +\def\metronequiv#1#2{{\lyricsoff\stemlength\f@ur\noteskip\t@n\p@ #1 1\ = #2 1\lyricson}} + + +\def\txt{3} +\def\xtuplet#1#2{\n@iv#1\advance\n@iv\m@ne {\sign@skip=\n@iv\noteskip + \sign@skip=0.5\sign@skip \xdef\half@sign@skip{\the\sign@skip}}% + \zcharnote{#2}{\kern\h@lf\qn@width\kern \half@sign@skip\lrlap{\txtfont#1\/\/}}} +\def\triolet{\xtuplet\txt} % version 1.17 RDT +\def\xxtuplet#1:#2#3{\n@iv#1\advance\n@iv\m@ne {\sign@skip=\n@iv\noteskip + \sign@skip=0.5\sign@skip \xdef\half@sign@skip{\the\sign@skip}}% + \zcharnote{#3}{\kern\h@lf\qn@width\kern \half@sign@skip\lrlap{\txtfont{#1:#2\/\/}}}} + +% +% Following definitions based on tuplet.tex - conventional tuplet brackets for MusiXTeX. +% Col. G. L. Sicherman. Last revised 2003-05-17. +% +% Added to musixtex.tex version 1.16 by RDT. +% +% Standard MusiXTeX uses \uptrio and \downtrio to print tuplet brackets. +% We define \uptuplet and \downtuplet, with the same arguments: +% +% #1 : starting pitch +% #2 : width of bracket, in (\noteskip)s +% #3 : slope of bracket, in multiples of 1-1/8 degrees +% +% The user defines the text to appear in the opening as \tuplettxt. +% This is to avoid conflicting with the \txt in standard MusiXTeX. +% +% Examples: +% +% Draw a triplet bracket over the notes, starting at pitch "p", +% 1.25\noteskip wide, with a slope up of 3-3/8 degrees: +% +% \uptuplet p{1.25}3 +% +% Draw a sextuplet bracket under the notes, starting at pitch "a", +% 2.5\noteskip wide, with a slope down of 4-1/2 degrees: +% +% \def\tuplettxt{6\/\/} +% \downtuplet{a}{2.5}{-4} +% +% Send comments, complaints, and bouquets to the Colonel at +% . +% + +% Standard MusiXTeX prints a small "3" (or other number) within +% the bracket. Here we print the "3" in an opening in the bracket, +% so we need not use a small font. +% +% The double italic correction compensates for centering the number +% on the bracket line. + +\def\tuplettxt{3\/\/} + +%%% The rest is adapted from standard MusixTeX. + +\newdimen\y@vii % x of right end of left part of bracket. +\newdimen\y@viii % x of left end of right part of bracket. +\newdimen\y@ix +\newbox\tuptxtb@x + +% v@rline #1=height[dimen] #2=length[dimen] #3=slope (1\eqiv 1.125degree) +% (comments and ideas from Ian Collier) (from -20 upto 20 ) +% This macro is used by some of the others which follow, +% using it directly it must be set in zero box + +\def\v@rline#1#2#3{\n@v#3\y@i#2% + \setbox\tuptxtb@x\hbox{\hskip1pt\txtfont\tuplettxt\hskip1pt}% + \y@vii=\h@lf\y@i\advance\y@vii-\h@lf\wd\tuptxtb@x% + \n@ii-\tw@nty \min@n@v\n@ii + \max@n@v\tw@nty \n@iii\n@v + \ifnum\n@v<\z@ \n@v-\n@v \advance\n@v\tw@nty \fi % offset to lower linechars + \advance\n@v\@xxix + \setbox\ch@box\hbox{\mxsps\char\n@v}% + \ifdim\y@vii<\wd\ch@box \y@vii\wd\ch@box\fi% At least one whole segment! + \y@viii=\y@i\advance\y@viii-\y@vii% + \y@iv\wd\ch@box \y@ii\qu@rt\p@ \y@ii\n@iii\y@ii \y@iii\z@ + \raise#1\internote\hbox{\mxsps\char\n@iv +% +% Build bracket with slanted line segments of width 10pt. +% Left part of bracket: +% + \loop\ifdim\y@iv<\y@vii\raise\y@iii\copy\ch@box + \advance\y@iv\wd\ch@box \advance\y@iii\y@ii \repeat +% +% last element +% +% \finalheight=2.5\completewidth +% \finalheight=\n@iii\finalheight +% \divide\finalheight by 100 +% \advance\overlapwidth by -\completewidth +% \stepheight=-2.5\overlapwidth +% \stepheight=\n@iii\stepheight +% \divide\stepheight by 100 +% \advance\curheight by \stepheight +% \kern -\overlapwidth \raise\curheight \box\ch@box +% + \y@ix=\y@vii\advance\y@ix-\y@iv\hbox to\y@ix{\hss}% + \y@ix\y@vii\advance\y@ix-\wd\ch@box% + \y@iii\n@iii\y@ix\y@iii2\h@lf\y@iii\divide\y@iii\@c\raise\y@iii\copy\ch@box% +% +% Text: +% + \y@v2\h@lf\y@i \y@v\n@iii\y@v \divide\y@v\@c% + \y@ix=-\y@vii \advance\y@ix\h@lf\y@i \advance\y@ix-\h@lf\wd\tuptxtb@x% + \hbox to\y@ix{\hss}% + \y@iii\h@lf\y@v \raise\y@iii\vbox to\z@{% + \vss{\copy\tuptxtb@x}\vss} + \y@ix=\y@viii \advance\y@ix-\h@lf\y@i \advance\y@ix-\h@lf\wd\tuptxtb@x + \hbox to\y@ix{\hss}% To start of right part. No-op unless bracket is short. +% +% Right part of bracket: +% + \y@iii2\h@lf\y@viii \y@iii\n@iii\y@iii \divide\y@iii\@c% + \y@iv=\y@viii \advance\y@iv\wd\ch@box% + \loop\ifdim\y@iv<\y@i\raise\y@iii\copy\ch@box% + \advance\y@iv\wd\ch@box \advance\y@iii\y@ii \repeat +% +% Finish off the right part: +% + \y@iii\y@i\advance\y@iii-\wd\ch@box\y@iii2\h@lf\y@iii\y@iii\n@iii\y@iii% + \y@ix=\y@i\advance\y@ix-\y@iv\hbox to\y@ix{\hss}% + \divide\y@iii\@c% + \raise\y@iii\copy\ch@box% +% + \raise\y@v\hbox{\mxsps\char\n@iv}}} +% +% y@i =complete length +% y@ii =height of linechar +% y@iii =current height +% y@iv =current width +% y@v =height of ending line +% y@vii =width of left segment of bracket +% y@viii=y@vii + width of opening +% y@ix =adjustment register +% +% n@iii=slope +% n@iv =(number of char for hooks) +% n@v =slope (number of linechar) + +\def\X@bkt#1#2#3{\y@v#2\noteskip \advance\y@v\wn@width + \inhgetn@i#1\relax \rlap{\kernm\p@ne\qn@width\v@rline\n@i\y@v{#3}}} + +\def\uptuplet{\n@iv22\X@bkt} +\def\downtuplet{\n@iv21\X@bkt} + +%\check + +\def\zbreath{\check@staff\raise\si@\internote\rlap{\BIGtype'}\fi} +\def\cbreath{\check@staff\adv@box{\raise\si@\internote + \hbox\@to\noteskip{\hss\BIGtype'\hss}}\fi} + +% The following macros can be used to surround a note by parentheses +% \l[r]par p produces a left[right] parenthesis at pitch p (Ian Collier) + +\def\lpar{\n@iv\thr@@ \@Char} +\def\rpar{\n@iv\f@ur \@Char} + +% \bracket pn draws a square bracket [ to bracket an interval +% of an n-th whose lowest note is p (Ian Collier) + +\def\bracket#1#2{\y@iv#2\internote \advance\y@iv\tw@\internote + \inhgetn@i#1\relax\pl@base \advance\y@i-1\h@lf\internote + \raise\y@i\llap{\uplap{\offinterlineskip\hbox{\mxsps\@xxvii}% + \hbox{\vrule\@height\y@iv}\hbox{\mxsps\@xxvii}}}} + +%%% dynamics + +\def\f@kern{\kernm\p@ne ex} +\def\p@kern{\kernm\p@ne5ex} + +\def\f{{\ppff f}} +\def\ff{{\ppff f\f@kern f}} +\def\fp{{\ppff f\f@kern p}} +\def\sF{{\ppff s\ppff \p@kern f}} % changed \it to \ppff 1.24 RDT +\def\fff{{\ppff f\f@kern f\f@kern f}} +\def\ffff{{\ppff f\f@kern f\f@kern f\f@kern f}} +\def\mf{{\ppff m\p@kern\f@kern f}} +\def\mp@{{\ppff m\p@kern p}} +\let\mezzopiano\mp@ +\def\p{{\ppff p}} +\def\pp{{\ppff p\p@kern p}} +\def\ppp{{\ppff p\p@kern p\p@kern p}} +\def\pppp{{\ppff p\p@kern p\p@kern p\p@kern p}} +\def\sfz{{\ppff s\p@kern f\f@kern z}} % version 1.16 +\def\sfzp{{\ppff s\p@kern f\f@kern z\p@kern p}} % version 1.16 + +%%% spacings + +% if you want to reduce the space behind e.g. \changecontext, use +% \addspace{dim} ! Only scaleable values are allowed ! + +\def\addspace#1{\kern#1\global\advance\x@skip#1} + +% \hardspace inserts (reduces) outside of \notes..\en unscaleable space + +\let\fil@spc\empty +\def\hardspace#1{\check@nopen\t@rmskip\y@v#1\addspace\y@v\fil@spc} + +\def\off#1{\advance\locx@skip#1\kern#1} +\def\sk{\off\noteskip} +\def\hsk{\off{\h@lf\noteskip}} +\def\bsk{\off{-\noteskip}} +\def\hbsk{\off{-\h@lf\noteskip}} % version 1.27 RDT + +%% +% Redefine \qsk to be scaleable softwidth rather than a fixed kern +% Otherwise, over/underfull boxes will occur on rescaled (pass 2) material +%% + +\def\qqsk{\off{\qu@rt\@l@mskip}} % version 1.16 RDT +\def\hqsk{\off{\h@lf\@l@mskip}} +\def\tqsk{\off{\p@seven\@l@mskip}} % version 1.25 RDT +\def\qsk{\off\@l@mskip} +\def\bhsk{\off{-\h@lf\@l@mskip}} % version 1.27 RDT +\def\btsk{\off{-\p@seven\@l@mskip}} % version 1.27 RDT +\def\bqsk{\off-\@l@mskip} % version 1.27 RDT + +\def\nspace{\hardspace{\h@lf\qn@width}} +\def\qspace{\hardspace\qn@width} + +%%% notes spacing + +\def\arithmeticskipscale{% + \def\znotes{\vnotes0\elemskip} + \def\notes{\vnotes2\elemskip}% 16th + \def\notesp{\vnotes2\h@lf\elemskip}% 16th point=8 trio + \def\Notes{\vnotes3\elemskip}% 8th + \def\Notesp{\vnotes3\h@lf\elemskip}% 8th point=4 trio + \def\NOtes{\vnotes4\elemskip}% 4th + \def\NOtesp{\vnotes4\h@lf\elemskip}% 4th point + \def\NOTes{\vnotes5\elemskip}% 2th + \def\NOTesp{\vnotes5\h@lf\elemskip}% 2th point + \def\NOTEs{\vnotes6\elemskip}% 1th + \def\NOTEsp{\undefined}% + \def\NOTES{\undefined}% +}% + +\def\geometricskipscale{% + \def\znotes{\vnotes0\elemskip} + \def\notes{\vnotes2\elemskip}% 16th + \def\notesp{\vnotes2.38\elemskip}% 16th point=8 trio + \def\Notes{\vnotes2.83\elemskip}% 8th + \def\Notesp{\vnotes3.36\elemskip}% 8th point=4 trio + \def\NOtes{\vnotes4\elemskip}% 4th + \def\NOtesp{\vnotes4.76\elemskip}% 4th point + \def\NOTes{\vnotes5.66\elemskip}% 2th + \def\NOTesp{\vnotes6.72\elemskip}% 2th point + \def\NOTEs{\vnotes8\elemskip}% 1th + \def\NOTEsp{\vnotes9.52\elemskip}% 1th + \def\NOTES{\vnotes11.32\elemskip}% 1th +}% + +\def\nnotes{\vnotes1.6\elemskip} % version 1.16 RDT (corrected 2015-03-31) +\def\nnnotes{\vnotes1.28\elemskip} % version 1.16 RDT (corrected 2015-03-31) + +\arithmeticskipscale + +\def\scale#1{\def\scalenoteskip{#1}} +\let\scalenoteskip\normalvalue + +\def\multnoteskip#1{\noteskip#1\noteskip} + +\def\vnotes#1\elemskip{\noteskip#1\@l@mskip \@vnotes} + +\let\V@sw\z@ +%\def\varnotes#1{\t@rmskip \let\V@sw\@ne +% \setbox\ch@box\hbox{#1}\noteskip\wd\ch@box \@vnotes} + +\def\hardnotes#1\notes{\t@rmskip \let\V@sw\@ne + \noteskip#1\relax \@vnotes} + +\let\thelyrics\empty +%\def\hardlyrics#1\notes{\t@rmskip \let\V@sw\@ne \def\thelyrics{\hbox{#1}}% +% \setbox\ch@box\thelyrics \noteskip\wd\ch@box \@vnotes} +\def\softlyrics#1{\def\thelyrics{\hbox{#1}}}% +\def\hardlyrics#1\notes{\t@rmskip \let\V@sw\@ne + \let\save@noteskip\noteskip + \def\noteskip{\z@\relax\errmessage{You cannot use \noexpand\noteskip + in \noexpand\hardlyrics's 1st argument!}}% + \def\thelyrics{\hbox{#1}}% + \setbox\ch@box\thelyrics \let\noteskip\save@noteskip + \noteskip\wd\ch@box \@vnotes} + + +\def\@vnotes{\multnoteskip\scalenoteskip + \def|{\nextstaff}\def&{\nextinstrument}\normaltranspose\transpose + \check@nopen\notes@open\@ne + \kern\n@skip\advance\x@skip\n@skip \locx@skip\x@skip + \n@skip\noteskip \noinstrum@nt\z@ \begininstrument} + +\def\en{\@ndstaff\notes@open\z@ + \ifnum\V@sw>0\t@rmskip + \fi + \let\thelyrics\empty} +\let\enotes\en + +\newcount\notes@open + +\def\check@nopen{% + \ifnum\notes@open>\z@ \en\errmessage{\@mis\noexpand\enotes ->}\fi} + +%%% text, lyrics, free positioning of chars + +\def\pl@base{\y@i\n@i\internote} +\def\lrlap#1{\rlap{\hss#1}} +\def\hard@box#1{\rlap{\hbox\@to\noteskip{#1\hfil}}} +\def\dhard@box#1{\rlap{\hbox\@to\tw@\noteskip{#1\hfil}}} +\def\thard@box#1{\rlap{\hbox\@to\thr@@\noteskip{#1\hfil}}} + +\def\zcharnote{\let\@Ti\rlap \C@ch} +\def\lcharnote{\let\@Ti\llap \C@ch} +\def\ccharnote{\let\@Ti\lrlap \C@ch} +\def\hcharnote{\let\@Ti\hard@box \C@ch} +\def\charnote#1#2{\zcharnote{#1}{#2}\sk} + +\def\zcn{\zcharnote} % version 1.16 +\def\ccn{\ccharnote} +\def\lcn{\lcharnote} + +\def\C@ch#1#2{\check@staff\inhgetn@i#1\relax\pl@base\raise\y@i\@Ti{#2}\fi} + +\def\zmidstaff{\let\@Ti\rlap \C@mid} +\def\lmidstaff{\let\@Ti\llap \C@mid} +\def\cmidstaff{\let\@Ti\lrlap \C@mid} + +\def\C@mid#1{\check@staff\y@v\interportee \advance\y@v\f@ur\Interligne \divide\y@v\tw@ + \raise\y@v\uplap{\@Ti{\strut#1}\vss}\fi} + +\def\zchar#1#2{\check@staff\raise#1\internote\rlap{#2}\fi} +\def\lchar#1#2{\check@staff\raise#1\internote\llap{#2}\fi} +\def\cchar#1#2{\check@staff\raise#1\internote\lrlap{#2}\fi} +\def\hchar#1#2{\check@staff\raise#1\internote\hard@box{#2}\fi} + +\def\uptext#1{\check@staff\zchar\t@n{#1}\fi} +\def\Uptext#1{\check@staff\zchar\fourt@@n{#1}\fi} + +\def\setsongraise#1#2{\n@v#1\relax % select instrument + \expandafter\def\csname T@R\romannumeral\n@v\endcsname{#2}} + +% [version 1.15] moved out to the new register allocation code +% \let\T@Ri\z@ + +\def\qlrlap#1{\rlap{\hbox to \qn@width{\hss#1\hss}}} +\def\zsong{\let\@Ti\rlap \C@t} +\def\lsong{\let\@Ti\llap \C@t} +\def\csong{\let\@Ti\qlrlap \C@t} +\def\hsong{\let\@Ti\hard@box \C@t} +\def\dhsong{\let\@Ti\dhard@box \C@t} +\def\thsong{\let\@Ti\thard@box \C@t} + +\def\C@t#1{\C@tx{\@Ti{\strut#1}\vss}} + +\def\C@tx{% + \ifnum\noinstrum@nt=\@ne \y@iv\staffbotmarg \else + \advance\noinstrum@nt\m@ne + \y@iv\csname interinstrument\romannumeral\noinstrum@nt\endcsname + \C@Inter \advance\y@iv\stem@skip \divide\y@iv\tw@ + \advance\noinstrum@nt\@ne \fi + \advance\y@iv-\csname T@R\romannumeral\noinstrum@nt\endcsname +%% \advance\noinstrum@nt\@ne \fi + \lower\y@iv\uplap} + +%%% slope lines and brackets + +% varline #1=height[dimen] #2=length[dimen] #3=slope (1\eqiv 1.125degree) +% (comments and ideas from Ian Collier) (from -20 upto 20 ) +% This macro is used by some of the others which follow, +% using it directly it must be set in zero box + +\def\varline#1#2#3{\n@v#3\y@i#2% + \n@ii-\tw@nty \min@n@v\n@ii + \max@n@v\tw@nty \n@iii\n@v + \ifnum\n@v<\z@ \n@v-\n@v \advance\n@v\tw@nty \fi % offset to lower linechars + \advance\n@v\@xxix + \setbox\ch@box\hbox{\mxsps\char\n@v}% + \y@iv\wd\ch@box \y@ii\qu@rt\p@ \y@ii\n@iii\y@ii \y@iii\z@ + \raise#1\internote\hbox{\ifx\@hook\@ne \mxsps\char\n@iv \fi +% main loop + \loop\ifdim\y@iv<\y@i + \raise\y@iii\copy\ch@box\advance\y@iv\wd\ch@box \advance\y@iii\y@ii \repeat +% last element +% +% \finalheight=2.5\completewidth +% \finalheight=\n@iii\finalheight +% \divide\finalheight by 100 +% \advance\overlapwidth by -\completewidth +% \stepheight=-2.5\overlapwidth +% \stepheight=\n@iii\stepheight +% \divide\stepheight by 100 +% \advance\curheight by \stepheight +% \kern -\overlapwidth \raise\curheight \box\ch@box +% + \y@v2\h@lf\y@i \y@v\n@iii\y@v \divide\y@v\@c \advance\y@iv-\y@i + \y@ii-2\h@lf\y@iv \y@ii\n@iii\y@ii \divide\y@ii\@c \advance\y@iii\y@ii + \kernm\y@iv\raise\y@iii\box\ch@box% + \ifx\@hook\@ne \raise\y@v\hbox{\mxsps\char\n@iv}\fi +% text in the middle + \ifx\@text\@ne \ifnum\n@vi=\@ne \y@iii\p@ \else\y@iii-\p@ \fi + \advance\y@iii\h@lf\y@v \kernm\h@lf\y@i\raise\y@iii\vbox\@to\z@{% + \ifnum\n@vi=\@ne \vss \fi\lrlap{\txtfont\txt}\ifnum\n@vi=\@ne \else\vss \fi}\fi}% + \let\@hook\empty \let\@text\empty} +% +% y@i =complete length +% y@ii =height of linechar +% y@iii=current height +% y@iv =current width +% y@v =height of ending line +% +% n@iii=slope +% n@iv =(number of char for hooks) +% n@v =slope (number of linechar) +% n@vi =1 -> text above +% @hook=\@ne -> draws hookrules at begin and end of line +% @text=\@ne -> puts text at the middle of the line (def'd with \txt) + +% \ov[un]bkt{p}{n}{s} draws a bracket over the music starting at the +% current position at pitch p, width n\noteskip and slope s, causing no space +% #1=height (note), #2=length (noteskips) #3=slope (1\eqiv 1.125[degree]) + +\def\ovbkt{\n@iv22\C@bkt} +\def\unbkt{\n@iv21\C@bkt} + +\def\C@bkt#1#2#3{\y@v#2\noteskip \advance\y@v\wn@width \let\@hook\@ne + \inhgetn@i#1\relax \rlap{\kernm\p@ne\qn@width\varline\n@i\y@v{#3}}} + +% \up[down]trio{p}{n}{s} same as above, +% draws \txt (default \eightit 3) above[below] in the middle +% #1=height (note), #2=length (noteskips) #3=slope (1\eqiv 1.125[degree]) + +\def\uptrio{\n@vi\z@ \let\@text\@ne \ovbkt} +\def\downtrio{\n@vi\@ne \let\@text\@ne \unbkt} + +% +% slide #1=height #2=number of elements #3=slope(-8 to 8 [step 10degree]) +% +\def\slide#1#2#3{\n@ii#3\relax\inhgetn@i#1\relax% + \ifnum\n@ii>\m@ne \advance\n@ii\m@ne\let\@Ti\raise + \else \n@ii-\n@ii \advance\n@ii\s@v@n\let\@Ti\lower \fi + \setbox\toks@box\hbox{\mxsps\char\n@ii}\n@iii\z@ + \raise\n@i\internote\rlap{\hbox{\loop\ifnum\n@iii<#2% + \@Ti\n@iii\ht\toks@box\copy\toks@box\advance\n@iii\@ne\repeat}}} + +%%% standard settings +% [115] make them compatible to >12 instruments +\def\resetlayout{\def\interfacteur{9}% + \stafftopmarg\thr@@\Interligne \staffbotmarg\thr@@\Interligne + \count@\z@ \loop + \advance\count@ by\@ne + \expandafter \let\csname n@l\roman@c@\endcsname \fiv@ +% \expandafter\def\csname interfacteur\roman@c@\endcsname{\interfacteur} % RDT deleted 1.26 + \ifnum\count@<\maxinstruments\repeat + \resetclefsymbols} + +\def\resetclefsymbols{% + \count@\z@ \loop + \advance\count@ by\@ne + \expandafter \let\csname treblec@s\roman@c@\endcsname \z@ + \expandafter \let\csname altoc@s\roman@c@\endcsname \z@ + \expandafter \let\csname bassc@s\roman@c@\endcsname \z@ + \ifnum\count@<\maxinstruments\repeat +} + +% [version 1.15] setup the default maximum element numbers to the same values of T.114 +\setmaxinstruments\si@ +\setmaxcxxviiibeams\si@ % 128th beam +\setmaxcclvibeams\z@ % 256th beam +\setmaxgroups\thr@@ % groups of inst's or choirs +\setmaxslurs\maxinstruments +\setmaxtrills\maxinstruments +\setmaxoctlines\maxinstruments +% + +% [version 1.15] new register allocation code requires some changes +%\resetlayout % no need +%\let\nbinstruments\maxinstruments % no need +%\normalnotesize % already executed in \setmaxinstruments +\normalmusicsize +\normalnotesize % important: execute it again after the first execute of \normalmusicsize --- to initialize \metron stem length. but why? +%\resetlayout % no need +\def\nbinstruments{1} +\noinstrum@nt1\s@l@ctinstr\internote\Internote +\def\tabstringfnt{\ifdim\internote<.95\Internote \fivess % 1.29 RDT +\else\ifdim\internote<1.19\Internote \sevenss % 1.37 RDT +\else\ifdim\internote<1.43\Internote \eightss +\else\niness\fi\fi\fi}% + +%%% +% +% This is muflex.tex version 1.00 , January 1993 +% +% Macro library for MusicTeX `flexiline' operations: MuFlex. +% The idea is to set up a two pass system. +% On the first pass, information about each bar is written to the file +% jobname.mx1. +% After the first pass, an external (non TeX) routine is run to +% determine optimal values of the elemental spacing (\elemskip) +% for each line, so as to properly fill each line, and to lead to +% the piece filling an integral number of lines. +% The relevant parameters are written onto the file +% jobname.mx2. +% On the second pass, the .mx2 file is read in, and the information +% used as described above. +% +% Ross Mitchell, January 1993. +% +%%% + +\newwrite\outmux +\def\fil@{\immediate\write\outmux} + +%% +% \mulooseness is the MuFlex analog of TeX's \looseness parameter: +% the increment to the natural number of lines in the section just +% ended. +%% + +\newcount\mulooseness +% Alternative \linegoal +\newcount\linegoal + +%% +% Invoke \startmuflex before \startpiece to find out the pass number +% and generally get things going. +%% +% !!! If you want (have) to override the .mx1, delete the .mx2 before !!! +% !! You have to change the mx1, if you change the spacing inbetween !! + +\newif\ifstartmuflex@done +\def\startmuflex{% + \ifstartmuflex@done + \immediate\write16{Warning: \noexpand\startmuflex\space + already done, ignored.}% + \else + \startmuflex@donetrue +% \global\let\ifstartmuflex@done\iftrue + \openin\inmux\jobname.mx2\relax + \ifeof\inmux + \immediate\openout\outmux\jobname.mx1\relax + \fil@{\mufl@x}% + \pass@I + \else + \message{(\jobname.mx2)}\pass@II + \fi + \fi} + +\let\endmuflex\empty + +\newbox\l@eftrightbox + +\def\leftrightrepeat@I{% + % \setbox\toks@box\l@eftrightrepeat\y@v\wd\toks@box + % \setbox\toks@box\l@eftrepeat\y@iv\wd\toks@box + % \advance\y@v\y@iv \global\advance\x@skip-\y@v + % + \setleftrightrepeat\@bar + \edef\thex@skip{\the\x@skip}% + \setbox\l@eftrightbox\l@eftrightrepeat + \edef\they@v{\the\wd\l@eftrightbox}% + \setbox\l@eftrightbox\l@eftrepeat + \edef\they@iv{\the\wd\l@eftrightbox}% + \global\x@skip\thex@skip + \fil@{l \they@v\space\they@iv}} + +\def\leftrepeat@I{% +% \setbox\toks@box\l@eftrepeat\y@iv\wd\toks@box +% \global\advance\x@skip-\y@iv + \setleftrepeat\@bar + \edef\thex@skip{\the\x@skip}% + \setbox\l@eftrightbox\l@eftrepeat + \edef\they@iv{\the\wd\l@eftrightbox}% + \global\x@skip\thex@skip + \fil@{L \they@iv}} + +% \akkoladen from: "Rainer Dunker" + + +\def\akkoladen#1{% + \def\akk@count{0}% avoid occupying yet another count register + \ifx\empty#1\else\@akkoladen#1\@nd\fi + % deactivate all remaining \grouptop...bottom items + \loop + \ifnum\akk@count<\maxgroups + \incr@akk@count + \expandafter\groupbottom\expandafter{\akk@count}\maxdimen + \expandafter\grouptop\expandafter{\akk@count}\z@ + \repeat} +\def\@akkoladen#1#2#3\@nd{% + \incr@akk@count + \expandafter\groupbottom\expandafter{\akk@count}{#1}% + \expandafter\grouptop\expandafter{\akk@count}{#2}% + \ifx\empty#3\else\@akkoladen#3\@nd\fi} +\def\incr@akk@count{% + \count@\akk@count\relax \advance\count@\@ne \edef\akk@count{\the\count@}} + + +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +% This is MusiXTex code for multiple left curly brackets % +% % +% submitted by Mthimkhulu Molekwa % +% to the mutex list on 19 May 1999 % +% % +% % +% usage: % +% \curlybrackets{ % +% % +% ... % +% % +% } % +% % +% % +% % +% This version corrected 07/23/2007 by Rainer Dunker to make it % +% insensitive to changes in \interstaff by PMX % +% % +% Added to musixtex.tex version 1.16 by RDT % +% % +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% + + + +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +% Macros for Tablature. They put numbers on or above the staff lines. % +% Based on tabdefs.tex by R.J. Gelten % +% % +% 1.33 RDT % +% replace ledger lines by slashes (/) for string numbers > number of staff lines % +% % +% 1.33a RDT % +% replace 4-7 slashes by numbers 4-7 % +% decrement number of slashes if tabstylespace is true % +% % +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% + +\newcount\stringraise +\newif\iftabstylespace\tabstylespacefalse + +% \tabbox ensures a white background for the tab number in the ps-file +% so the stafflines don't overwrite the number. Symbols are centered. +\def\tabbox#1#2{% + \setbox0=\hbox{\tabfnt #2}% + \stringraise\nblines + \advance\stringraise by -#1 + \multiply\stringraise by 2 + \advancefalse\def\q@u{}\loffset{0.45}{\@nq{\the\stringraise}}% + \iftabstylespace\else\advance\stringraise-1\fi + \special{ps: 1 setgray}% + \ccharnote{\the\stringraise}{\vrule height \ht0 width \wd0 depth \dp0}% + \special{ps: 0 setgray}% + \ccharnote{\the\stringraise}{\box0}% +} +% \ltabbox does the same as \tabbox, except that it produces +% left-outlined symbols +\def\ltabbox#1#2{\setbox0=\hbox{\tabfnt #2}% + \stringraise\nblines + \advance\stringraise by -#1 + \multiply\stringraise by 2 + \advancefalse\def\q@u{}\loffset{0.2}{\@nq{\the\stringraise}}% + \iftabstylespace\else\advance\stringraise-1\fi + \special{ps: 1 setgray}% + \zcharnote{\the\stringraise}{\vrule height \ht0 width \wd0 depth \dp0}% + \special{ps: 0 setgray}% + \zcharnote{\the\stringraise}{\box0}% +} +% \rtabbox does the same as \tabbox, except that it produces +% right-outlined symbols +\def\rtabbox#1#2{\setbox0=\hbox{\tabfnt #2}% + \stringraise\nblines + \advance\stringraise by -#1 + \multiply\stringraise by 2 + \advancefalse\def\q@u{}\loffset{0.75}{\@nq{\the\stringraise}}% + \iftabstylespace\else\advance\stringraise-1\fi + \special{ps: 1 setgray}% + \lcharnote{\the\stringraise}{\vrule height \ht0 width \wd0 depth \dp0}% + \special{ps: 0 setgray}% + \lcharnote{\the\stringraise}{\box0}% +} + +\newcount\stringnum +\newcount\nslashes + +% \tab takes two arguments. +% #1 is the string number +% #2 is the symbol to be put on the string +% the symbols are horizontally centered and a \sk is put behind it, +% to jump to the position of the next symbol. +% if the string number > \nblines, ledger lines are replaced by slashes (/) +\def\tab#1#2{% +\stringnum=#1 +\ifnum\stringnum>\nblines +\nslashes=\stringnum +\advance\nslashes by -\nblines +\iftabstylespace\advance\nslashes by -1\fi +\def\numslashes{\the\nslashes} +\ifcase\numslashes\tabbox{#1}{#2}\or\zcn{-3}{\tabfnt/#2}\or\zcn{-3}{\tabfnt//#2}\or\zcn{-3}{\tabfnt///#2}\or\zcn{-3}{\tabfnt 4}\or\zcn{-3}{\tabfnt 5}\or\zcn{-3}{\tabfnt 6}\or\zcn{-3}{\tabfnt 7}\fi% +\else\tabbox{#1}{#2}\fi\sk} + +% left spilling \tab +\def\ltab#1#2{% +\stringnum=#1 +\ifnum\stringnum>\nblines +\nslashes=\stringnum +\advance\nslashes by -\nblines +\iftabstylespace\advance\nslashes by -1\fi +\def\numslashes{\the\nslashes} +\ifcase\numslashes\ltabbox{#1}{#2}\or\zcn{-3}{\tabfnt/#2}\or\zcn{-3}{\tabfnt//#2}\or\zcn{-3}{\tabfnt///#2}\or\zcn{-3}{\tabfnt 4}\or\zcn{-3}{\tabfnt 5}\or\zcn{-3}{\tabfnt 6}\or\zcn{-3}{\tabfnt 7}\fi% +\else\ltabbox{#1}{#2}\fi\sk} + +% right spilling \tab +\def\rtab#1#2{% +\stringnum=#1 +\ifnum\stringnum>\nblines +\nslashes=\stringnum +\advance\nslashes by -\nblines +\iftabstylespace\advance\nslashes by -1\fi +\def\numslashes{\the\nslashes} +\ifcase\numslashes\rtabbox{#1}{#2}\or\zcn{-3}{\tabfnt/#2}\or\zcn{-3}{\tabfnt//#2}\or\zcn{-3}{\tabfnt///#2}\or\zcn{-3}{\tabfnt 4}\or\zcn{-3}{\tabfnt 5}\or\zcn{-3}{\tabfnt 6}\or\zcn{-3}{\tabfnt 7}\fi% +\else\rtabbox{#1}{#2}\fi\sk} + +% \chord-tab symbol. Same as \tab, but no \sk is given, so multiple +% symbols can be placed above one another +\def\ztab#1#2{% +\stringnum=#1 +\ifnum\stringnum>\nblines +\nslashes=\stringnum +\advance\nslashes by -\nblines +\iftabstylespace\advance\nslashes by -1\fi +\def\numslashes{\the\nslashes} +\ifcase\numslashes\tabbox{#1}{#2}\or\zcn{-3}{\tabfnt/#2}\or\zcn{-3}{\tabfnt//#2}\or\zcn{-3}{\tabfnt///#2}\or\zcn{-3}{\tabfnt 4}\or\zcn{-3}{\tabfnt 5}\or\zcn{-3}{\tabfnt 6}\or\zcn{-3}{\tabfnt 7}\fi% +\else\tabbox{#1}{#2}\fi} + +% left spilling \ztab +\def\zltab#1#2{% +\stringnum=#1 +\ifnum\stringnum>\nblines +\nslashes=\stringnum +\advance\nslashes by -\nblines +\iftabstylespace\advance\nslashes by -1\fi +\def\numslashes{\the\nslashes} +\ifcase\numslashes\ltabbox{#1}{#2}\or\zcn{-3}{\tabfnt/#2}\or\zcn{-3}{\tabfnt//#2}\or\zcn{-3}{\tabfnt///#2}\or\zcn{-3}{\tabfnt 4}\or\zcn{-3}{\tabfnt 5}\or\zcn{-3}{\tabfnt 6}\or\zcn{-3}{\tabfnt 7}\fi% +\else\ltabbox{#1}{#2}\fi} + +% right spilling \ztab +\def\zrtab#1#2{% +\stringnum=#1 +\ifnum\stringnum>\nblines +\nslashes=\stringnum +\advance\nslashes by -\nblines +\iftabstylespace\advance\nslashes by -1\fi +\def\numslashes{\the\nslashes} +\ifcase\numslashes\rtabbox{#1}{#2}\or\zcn{-3}{\tabfnt/#2}\or\zcn{-3}{\tabfnt//#2}\or\zcn{-3}{\tabfnt///#2}\or\zcn{-3}{\tabfnt 4}\or\zcn{-3}{\tabfnt 5}\or\zcn{-3}{\tabfnt 6}\or\zcn{-3}{\tabfnt 7}\fi% +\else\rtabbox{#1}{#2}\fi} + +% + +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +% define a new clefsymbol \tabclef for tablature % +% 1.29 RDT +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% + +\def\tabclef{% + \setbox0=\hbox{\tabcleffnt T} + \setbox1=\vbox{\baselineskip=0.5\baselineskip + \hbox to 2\wd0{{\tabcleffnt T}\hfil} + \hbox to 2\wd0{{\tabcleffnt A}\hfil} + \hbox to 2\wd0{{\tabcleffnt B}\hfil} + } + \ifnum\nblines=6\lower1.5\internote\box1 + \else\ifnum\nblines=4\lower3.5\internote\box1\else\lower2.5\internote\box1\fi\fi} + +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +% tiny duration notes placed above tablature staff % +% 1.33a RDT % +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% + +\newcount\tiny@hgt % = 2 * \nblines + 1 + +% need to suppress ledger lines and prevent raising dots in dotted notes + +\def\settiny@hgt{\tiny@hgt=\nblines\multiply\tiny@hgt by 2\advance\tiny@hgt by1} + +\def\tzwh{% +\settiny@hgt +\tinynotesize\advancefalse\def\w@h{\musixfont\nin@}\y@v\wn@width +\check@staff\getn@i{\the\tiny@hgt}\relax\let\n@fon\g@w \let\n@sym\w@h +\pl@base\setst@m\resetst@m\raise\y@i\hbox{\n@sym}\advancetrue\fi} + +\def\tzwhp{% +\settiny@hgt +\tinynotesize\advancefalse\def\w@h{\musixfont\nin@}\y@v\wn@width +\check@staff\getn@i{\the\tiny@hgt}\relax\let\n@fon\g@w \let\n@sym\w@h +\pl@base\setst@m\resetst@m\raise\y@i\hbox{\n@sym\musixchar\z@}\advancetrue\fi} + +\def\tzhu{% +\settiny@hgt +\tinynotesize\advancefalse +\check@staff\getn@i{\the\tiny@hgt}\relax\y@v\qn@width +\pl@base\setst@m\upst@m\raise\y@i\hbox{\musixfont\@ight}\advancetrue\fi} + +\def\tzhup{% +\settiny@hgt +\tinynotesize\advancefalse +\check@staff\getn@i{\the\tiny@hgt}\relax\y@v\qn@width +\pl@base\setst@m\upst@m\raise\y@i\hbox{\musixfont{\@ight}\musixchar\z@}\advancetrue\fi} + +\def\tzqu{% +\settiny@hgt +\tinynotesize\advancefalse +\check@staff\getn@i{\the\tiny@hgt}\relax\y@v\qn@width +\pl@base\setst@m\upst@m\raise\y@i\hbox{\musixfont\s@v@n}\advancetrue\fi} + +\def\tzqup{% +\settiny@hgt +\tinynotesize\advancefalse +\check@staff\getn@i{\the\tiny@hgt}\relax\y@v\qn@width +\pl@base\setst@m\upst@m\raise\y@i\hbox{\musixfont{\s@v@n}\musixchar\z@}\advancetrue\fi} + +\def\tzcu{% +\settiny@hgt +\tinynotesize\advancefalse\q@symbol\n@vii\@xl +\check@staff\getn@i{\the\tiny@hgt}\relax\let\n@fon\g@q \let\n@sym\q@u\y@v\qn@width +\pl@base\setst@m\up@flag\raise\y@i\hbox{\n@sym}\advancetrue\fi} + +\def\tzcup{% +\settiny@hgt +\tinynotesize\advancefalse\q@symbol\n@vii\@xl +\check@staff\getn@i{\the\tiny@hgt}\relax\let\n@fon\g@qp \let\n@sym\q@up\y@v\qn@width +\pl@base\setst@m\up@flag\raise\y@i\hbox{\n@sym}\advancetrue\fi} + +\def\tzccu{% +\settiny@hgt +\tinynotesize\advancefalse\q@symbol\n@vii\@xli +\check@staff\getn@i{\the\tiny@hgt}\relax\let\n@fon\g@q \let\n@sym\q@u\y@v\qn@width +\pl@base\setst@m\up@flag\raise\y@i\hbox{\n@sym}\advancetrue\fi} + +\def\tzccup{% +\settiny@hgt +\tinynotesize\advancefalse\q@symbol\n@vii\@xli +\check@staff\getn@i{\the\tiny@hgt}\relax\let\n@fon\g@qp \let\n@sym\q@up\y@v\qn@width +\pl@base\setst@m\up@flag\raise\y@i\hbox{\n@sym}\advancetrue\fi} + +\def\tzcccu{% +\settiny@hgt +\tinynotesize\advancefalse\q@symbol\n@vii42 +\check@staff\getn@i{\the\tiny@hgt}\relax\let\n@fon\g@q \let\n@sym\q@u\y@v\qn@width +\pl@base\setst@m\up@flag\raise\y@i\hbox{\n@sym}\advancetrue\fi} + +\def\tzcccup{% +\settiny@hgt +\tinynotesize\advancefalse\q@symbol\n@vii42 +\check@staff\getn@i{\the\tiny@hgt}\relax\let\n@fon\g@qp \let\n@sym\q@up\y@v\qn@width +\pl@base\setst@m\up@flag\raise\y@i\hbox{\n@sym}\advancetrue\fi} + + +%%%%%%%% end of tablature support %%%%%%%%%%%% + +\let\origin@lwrit@staffs\writ@staffs +\def\writ@staffs{% + \origin@lwrit@staffs + \ifx\br@cks\empty\else\expandafter\@bracks\br@cks\ende\fi} + +\let\br@cks\empty +\def\curlybrackets#1{\def\br@cks{#1}} + +\def\@bracks#1#2#3\ende{% + \ifnum #1<#2 %=========================== inserted by D.S.(?) + \noinstrum@nt=#1\s@l@ctinstr\b@zi\altitude + \noinstrum@nt=#2\s@l@ctinstr\b@zii\altitude + \advance\b@zii-\b@zi + \C@Inter + \advance\b@zii\nblines\internote + \advance\b@zii\nblines\internote + \advance\b@zii-2\internote + \n@v\b@zii \sp@pt\tw@ \advance\n@v\@cxxviii + \divide\b@zii\tw@ + \advance\b@zi\b@zii + \raise\b@zi\rlap{\mxsps\char\n@v\kern\instrum@in@group}% + \fi %==================================== inserted by D.S.(?) + \ifx\empty#3\else\@bracks#3\ende\fi} + + +%% +% Define \pass@I to perform the following functions: +% +% (a) set line and page breaking for the first pass by setting +% rigid values for \elemskip (#1), +% \maxbarsinlin@ (#2) +% +% (b) Redefine \t@rmskip so that it writes to the .mx1 file; +% +% (c) Redefine part of \debutmorceau to open the output (.mx1) file +% and write the following parameters to the .mx1 file: +% \line@width +% \parindent +% \beforeruleskip +% \afterruleskip +% \elemskip +% \clef@skip +% \sign@skip; +% +% (d) redefine various other macros so that length measures will be +% written to the .mx1 file +%% + +\def\pass@I{\def\@nds@ction{\fil@{*\space\the\mulooseness\space\the\linegoal}% + \mulooseness\z@\relax \linegoal\z@}% + +%\def\pass@I{\def\@nds@ction{\fil@{*\space\the\mulooseness}\mulooseness\z@}% +%% +% Redefine \t@rmskip to include a macro for writing a record to a file, +% and define the macro +%% + \def\fil@termskip{% + \fil@{\the\barsinpi@c@\space\the\widthtyp@\space\the\x@skip}% + \widthtyp@\@ne}% +%% +% Redefine part of debutmorceau to write header information to file +%% + \def\fil@begin{% + \fil@{S}% Startindicator + \fil@{\the\line@width}% + \fil@{\the\parindent}% + \fil@{\the\beforeruleskip}% + \fil@{\the\afterruleskip}% + \fil@{\the\@l@mskip}% + \fil@{\the\clef@skip}% + \fil@{\the\sign@skip}}% +% +% -> \writ@newsigns +% + \def\fil@signs{% + \maxsign@skip\z@ + \n@loop \s@l@ctsigns + \sign@skip\tw@\Internote + \sign@skip\a@s\sign@skip + \ifdim\sign@skip<\z@ \sign@skip-\sign@skip \fi + \global\advance\sign@skip\smallvalue\Internote + \ifdim\maxsign@skip<\sign@skip \global\maxsign@skip\sign@skip + \fi + \repeat + \global\sign@skip\maxsign@skip + \fil@{s\space\the\sign@skip}}% +% +% -> \Contpiece +% + \def\fil@indent{\fil@{\the\barsinpi@c@\space0 \the\parindent}}% +% +% when a line is stopped with a zbar, to the next bar is added the amount +% of afterruleskip +% -> no line break during Pass 1 and indicate musixflx a zbar +% + \def\zbar{\zn@wbar\fil@{z \the\barno}}% +% +% \leftrightrepeat behaves different in mid of line and end of line +% -> no line break during Pass 1, get the widths and +% indicate musixflx a leftrightrepeat +% + \let\leftrightrepeat\leftrightrepeat@I + \let\zleftrightrepeat\leftrightrepeat@I % RDT 1.28 +% +% s.a. +% + \let\leftrepeat\leftrepeat@I + \let\zleftrepeat\leftrepeat@I % RDT 1.28 +% +% -> \hardspace +% + \def\fil@spc{\fil@{h \the\y@v}}% +% +% makes the .mx2 more transparent +% + \def\fil@barno{\fil@{b \the\barno}}% +% +% break line if value of \lin@pos (exclusive parindent, signs and clefs) +% is larger than 0.5\hsize +% + \def\T@bil{\getcurpos \ifdim\y@v<\h@lf\line@width}% +% +% close the file +% + \def\endmuflex{\immediate\closeout\outmux}}% + +%% +% Macros to set up the second pass +%% + +\newread\inmux + +%% +% Main macro: \pass@II +% Function: %%%(a) Open the .mx2 file +% %%%(b) Set the number of lines per page to #1 +% (c) Set the \everystaff macro to read and decode line +% parameter settings +% %%%(d) Define end of bar, end of line and repeat macros +% %%% according to \autolines +%% + +\def\pass@II{\def\ragg@d{\hfilneg\ }% +% \def\everyst@ff{\everystaff\read\inmux\@to\inline \inline}} % ancient + \def\everyst@ff{\read\inmux\@to\inline \inline\relax \everystaff}} + +%% +% \inline expands to \lineset#1#2#3#4#5, so define the latter +%% + +\def\lineset#1#2#3#4#5{\ifx\no@l\empty \message{<#1>}\fi + \maxbarsinlin@#2% + \@l@mskip#3% + \elemskip\@l@mskip + \afterruleskip#4% + \beforeruleskip#5} + +\def\musicparskip{\parskip\z@ plus\fiv@\Interligne minus\Interligne} + +\def\endcatcodesmusic{% + \catcode`\&\catcode@and + \catcode`\|\catcode@vert + \catcode`\>\catcode@gt + \catcode`\<\catcode@lt + \catcode`\!\catcode@excl + \catcode`\*\catcode@star + \catcode`\:\catcode@sc + \catcode`\.\catcode@pt + \let\bar\@@bar + \catcodesmusicfalse} + +\endcatcodesmusic + +%...\let\wlog=\@wloG + +\catcode`\@=\catcodeat +\endinput + diff --git a/macros/generic/musixtex/tex/musixthacc.tex b/macros/generic/musixtex/tex/musixthacc.tex new file mode 100644 index 0000000000..b20ed567cb --- /dev/null +++ b/macros/generic/musixtex/tex/musixthacc.tex @@ -0,0 +1,49 @@ +% +% This file is part of MusiXTeX +% +% MusiXTeX is free software; you can redistribute it and/or modify +% it under the terms of the GNU General Public License as published by +% the Free Software Foundation; either version 2, or (at your option) +% any later version. +% +% MusiXTeX is distributed in the hope that it will be useful, +% but WITHOUT ANY WARRANTY; without even the implied warranty of +% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the +% GNU General Public License for more details. +% +% You should have received a copy of the GNU General Public License +% along with MusiXTeX; see the file COPYING. If not, write to +% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, +% Boston, MA 02111-1307, USA. +% +\immediate\write16{MusiXTHinACCidentals v.001\space<2022-12-29>}% + +\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 +\catcodesmusic + + +\font\fetaeleven=feta20 scaled \magstephalf +\font\fetathirteen=feta20 scaled \magstep1 +\font\fetasixteen=feta20 scaled \magstep2 +\font\fetatwenty=feta20 scaled \magstep3 +\font\fetatwentyfour=feta20 scaled \magstep4 +\font\fetatwentynine=feta20 scaled \magstep5 + +\let\fetanorfont\fetatwenty +\def\fetachar{\fetafont\char} + + +\def\writ@ka{\pl@base\raise\y@i\llap{\fetachar\n@v\kern\accshift}} +\def\set@ka{\let\@Ti=\writ@ka} + +\def\thdsh#1{\set@ka \n@v30 \check@staff \inhgetn@i#1\relax\expandafter\@Ti\fi} +\def\thsh#1{\set@ka \n@v20 \check@staff \inhgetn@i#1\relax\expandafter\@Ti\fi} +\def\thna#1{\set@ka \n@v32 \check@staff \inhgetn@i#1\relax\expandafter\@Ti\fi} +\def\thfl#1{\set@ka \n@v37 \check@staff \inhgetn@i#1\relax\expandafter\@Ti\fi} +\def\thdfl#1{\set@ka \n@v47 \check@staff \inhgetn@i#1\relax\expandafter\@Ti\fi} + +\let\fetafont\fetanorfont + +\endcatcodesmusic +\catcode`\@=\catcodeat +\endinput diff --git a/macros/generic/musixtex/tex/musixtmr.tex b/macros/generic/musixtex/tex/musixtmr.tex new file mode 100644 index 0000000000..16f48a67e3 --- /dev/null +++ b/macros/generic/musixtex/tex/musixtmr.tex @@ -0,0 +1,201 @@ +%% +%% musixtmr.tex : Times-series fonts definition for MusiXTeX +%% +%% usage: +%% \input musixtex +%% \input musixtmr +%% ... +%% +%% This file is public domain. +%% +%% Author: +%% Hiroaki MORIMOTO +%% Tokyo, Japan +%% URL(en): http://homepage1.nifty.com/kuuku/pub/musixtex/index-e.html +%% (jp): http://homepage1.nifty.com/kuuku/pub/musixtex/index.html +%% Extensions: Bob Tennent (rdt@cs.queensu.ca) 2016-02-22 +%% +%% reference: musixtex.tex (0.99) 268-508 +%% MusiXTeX: (c) Daniel Taupin, et al. +%% +%% History: see trailer. +% +\immediate\write16{MusiXTimesFonts\space<2017/02/10>} +\ifx\undefined\startpiece\errmessage{Input musixtex.tex before musixtmr.tex}\fi +% +% 7pt roman, bold, italic, bold italic, slanted and small-cap +\font\sevenrm=ptmr8t at 7pt +\font\sevenbf=ptmb8t at 7pt +\font\sevenit=ptmri8t at 7pt +\font\sevenbi=ptmbi8t at 7pt +\font\sevensc=ptmrc8t at 7pt % artificial small-caps +% +% 8pt roman, bold, italic, bold italic, slanted and small-cap +\font\eightrm=ptmr8t at 8pt +\font\eightbf=ptmb8t at 8pt +\font\eightit=ptmri8t at 8pt +\font\eightbi=ptmbi8t at 8pt +\font\eightsc=ptmrc8t at 8pt % artificial small-caps +% +% 9pt +\font\ninerm=ptmr8t at 9pt +\font\ninebf=ptmb8t at 9pt +\font\nineit=ptmri8t at 9pt +\font\ninebi=ptmbi8t at 9pt +\font\ninesc=ptmrc8t at 9pt +% +% 10pt +\font\tenrm=ptmr8t at 10pt +\font\tenbf=ptmb8t at 10pt +\font\tenit=ptmri8t at 10pt +\font\tenbi=ptmbi8t at 10pt +\font\tensc=ptmrc8t at 10pt +% +% +% 11pt +\font\elevenrm=ptmr8t scaled \magstephalf +\font\elevenbf=ptmb8t scaled \magstephalf +\font\elevenit=ptmri8t scaled \magstephalf +\font\elevenbi=ptmbi8t scaled \magstephalf +\font\elevensc=ptmrc8t scaled \magstephalf +% +% 12pt +\font\twelverm=ptmr8t scaled \magstep 1 +\font\twelvebf=ptmb8t scaled \magstep 1 +\font\twelveit=ptmri8t scaled \magstep 1 +\font\twelvebi=ptmbi8t scaled \magstep 1 +\font\twelvesc=ptmrc8t scaled \magstep 1 +% +% 14pt +\font\frtrm=ptmr8t scaled \magstep2 +\font\frtbf=ptmb8t scaled \magstep2 +\font\frtit=ptmri8t scaled \magstep2 +\font\frtbi=ptmbi8t scaled \magstep2 +\font\frtsc=ptmrc8t scaled \magstep2 +% +% 17pt +\font\svtrm=ptmr8t scaled \magstep3 +\font\svtbf=ptmb8t scaled \magstep3 +\font\svtit=ptmri8t scaled \magstep3 +\font\svtbi=ptmbi8t scaled \magstep3 +\font\svtsc=ptmrc8t scaled \magstep3 +% +% 20pt +\font\twtyrm=ptmr8t scaled \magstep4 +\font\twtybf=ptmb8t scaled \magstep4 +\font\twtyit=ptmri8t scaled \magstep4 +\font\twtybi=ptmbi8t scaled \magstep4 +\font\twtysc=ptmrc8t scaled \magstep4 +% +% 25pt +\font\twfvrm=ptmr8t scaled \magstep5 +\font\twfvbf=ptmb8t scaled \magstep5 +\font\twfvit=ptmri8t scaled \magstep5 +\font\twfvbi=ptmbi8t scaled \magstep5 +\font\twfvsc=ptmrc8t scaled \magstep5 +% +% large fonts for titles +% (If you prefer Times-bold, use \bf) +% (If you prefer small-caps, use \sc) +% +\def\bigtype{\bigfont\rm} +\def\Bigtype{\Bigfont\rm} +\def\BIgtype{\BIgfont\rm} +\def\BIGtype{\BIGfont\rm} +% +% +\font\ppfftwelve=ptmbi8t at 8pt +\font\ppffsixteen=ptmbi8t at 10pt +\font\ppfftwenty=ptmbi8t scaled \magstep 1 +\font\ppfftwentyfour=ptmbi8t scaled \magstep2 +\font\ppfftwentynine=ptmbi8t scaled \magstep3 +% +% +\def\f{{\ppff f}} +\def\ff{{\ppff ff}} +\def\fp{{\ppff fp}} +\def\fff{{\ppff fff}} +\def\ffff{{\ppff ffff}} +\def\mf{{\ppff mf}} +\def\p{{\ppff p}} +\def\pp{{\ppff pp}} +\def\ppp{{\ppff ppp}} +\def\pppp{{\ppff pppp}} + + +% +% sl fonts needed by musixsty +% +\font\eightsl=ptmro8t at 8pt +\font\ninesl=ptmro8t at 9pt +\font\tensl=ptmro8t at 10pt +\font\twelvesl=ptmro8t scaled \magstep1 +\font\frtsl=ptmro8t scaled \magstep2 +\font\svtsl=ptmro8t scaled \magstep3 +\font\twtysl=ptmro8t scaled \magstep4 +\font\twfvsl=ptmro8t scaled \magstep5 +% +% + +\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 +% +\def\sF{{\ppff s\p@kern f}} +\def\sfz{{\ppff s\p@kern f\f@kern z}} +\def\sfzp{{\ppff s\p@kern f\f@kern z\p@kern p}} + +\def\mp@{{\ppff mp}} +\let\mezzopiano\mp@ + +% +% Redefine accented characters for 8-bit font, suggested by David Carlisle: +% +\ifx\documentclass\undefined +\def\ProvidesFile#1[#2]{} +\def\DeclareFontEncoding#1#2#3{} +\def\DeclareTextAccent#1#2#3{% +\def#1##1{% +\expandafter\ifx\csname T1\string#1-\string##1\endcsname\relax +{\accent#1 ##1}% +\else +\csname T1\string#1-\string##1\expandafter\endcsname +\fi}} +\def\DeclareTextCommand#1#2{\xdtcmd}%not today +\def\xdtcmd#1#{\xxdtcmd}%not today +\def\xxdtcmd#1{}%not today +\def\DeclareTextCompositeCommand#1#2#3#4{}%not today +\def\DeclareTextSymbol#1#2#3{% +\def#1{\char#3\relax}} +\def\DeclareTextComposite#1#2#3#4{% +\expandafter\def\csname T1\string#1-\string#3\endcsname{\char#4\relax}} +\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 + +\input t1enc.def + +% \c needs special treatment +\def\c#1{\leavevmode\ifx c#1\char231 \else\setbox\z@\hbox{#1}\ifdim\ht\z@=1ex\accent11 #1% + \else{\ooalign{\unhbox\z@\crcr + \hidewidth\char11\hidewidth}}\fi\fi} +\catcode`\@=\catcodeat +\fi + +\normtype +\endinput +%% +%% History +%% +%% 2001/08/21 +%% first publish +%% 2004/12/24 +%% no functional change. (email & real address change) +%% 2007/06/11 +%% no functional change. (email protection, real address change, URL change) +%% 2008/08/01 +%% Font assignment change on PMX. +%% 2009/10/15 +%% small update for MusiXTeX 1.14 final release. +%% 2015/02/06 +%% 8-bit encoding and extensions, similar to musixplt.tex +%% 2015-07-25 +%% change to ptmr8t fonts and use t1enc.def to re-defined accented characters +%% 2016-07-11 RDT +%% \catcode`\@=11 before inputting t1enc.def diff --git a/macros/generic/musixtex/tex/musixtri.tex b/macros/generic/musixtex/tex/musixtri.tex new file mode 100644 index 0000000000..52375e170d --- /dev/null +++ b/macros/generic/musixtex/tex/musixtri.tex @@ -0,0 +1,64 @@ +% +% This file is part of MusiXTeX +% +% MusiXTeX is free software; you can redistribute it and/or modify +% it under the terms of the GNU General Public License as published by +% the Free Software Foundation; either version 2, or (at your option) +% any later version. +% +% MusiXTeX is distributed in the hope that it will be useful, +% but WITHOUT ANY WARRANTY; without even the implied warranty of +% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the +% GNU General Public License for more details. +% +% You should have received a copy of the GNU General Public License +% along with MusiXTeX; see the file COPYING. If not, write to +% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, +% Boston, MA 02111-1307, USA. +% + +\immediate\write16{MusiXTRIplepoint 1.05\space<30 April 2002>} + +\ifx\undefined\hlppp \else \endinput \fi + +\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 + +\def\lppt{\g@pt\m@ne\tw@} + +\def\whppp{\def\w@h{\musixfont\nin@\roffset\qu@rt{\C@Point\tw@\raise}}% + \y@v\wn@width \g@w} +\def\zwppp{\advancefalse\whppp} + +\def\@quppp{\let\st@m\upst@m \g@qppp} +\def\@qlppp{\let\st@m\downst@m \g@qppp} +\def\@zqppp{\let\st@m\setst@m \advancefalse\g@qppp} +\def\@nqppp{\let\st@m\resetst@m \g@qppp} + +\def\q@uppp{\q@u\C@Point\tw@\raise} +\def\g@qppp#1{\getn@i#1\relax \let\n@fon\g@qppp \let\n@sym\q@uppp + \y@v\qn@width \writ@note} + +\def\@qbppp#1{\s@l@ctbeam#1\relax \let\st@m\beamst@m \g@qppp} + +\def\@cuppp{\n@vii\@xl \let\st@m\up@flag \g@qppp} +\def\@clppp{\n@vii45\let\st@m\down@flag \g@qppp} + +\def\huppp{\h@symbol\@quppp} +\def\hlppp{\h@symbol\@qlppp} +\def\zhppp{\h@symbol\@zqppp} +\def\zhuppp{\advancefalse\huppp} +\def\zhlppp{\advancefalse\hlppp} +\def\quppp{\q@symbol\@quppp} +\def\qlppp{\q@symbol\@qlppp} +\def\zquppp{\advancefalse\quppp} +\def\zqlppp{\advancefalse\qlppp} +\def\zqppp{\q@symbol\@zqppp} +\def\cuppp{\q@symbol\@cuppp} +\def\zcuppp{\advancefalse\cuppp} +\def\clppp{\q@symbol\@clppp} +\def\zclppp{\advancefalse\clppp} +\def\qbppp{\q@symbol\@qbppp} +\def\zqbppp{\advancefalse\qbppp} + +\catcode`\@=\catcodeat +\endinput diff --git a/macros/generic/musixtex/tex/musixvbm.tex b/macros/generic/musixtex/tex/musixvbm.tex new file mode 100644 index 0000000000..9a2898c935 --- /dev/null +++ b/macros/generic/musixtex/tex/musixvbm.tex @@ -0,0 +1,212 @@ +%% +%% musixvbm.tex - MusiXTeX Extension, Vectorized Beams (& crescendos) +%% by tpic specials / pdfTeX raw literal +%% +%% Copyright (C) 2000-2007 Hiroaki MORIMOTO (Kuuku) +%% 2021-05-17: RDT added comments on the tpic \specials +%% +%% This program is free software; you can redistribute it and/or +%% modify it under the terms of the GNU General Public License +%% as published by the Free Software Foundation; either version 2 +%% of the License, or any later version. +%% +%% This program is distributed in the hope that it will be useful, +%% but WITHOUT ANY WARRANTY; without even the implied warranty of +%% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the +%% GNU General Public License for more details. +%% +%% You should have received a copy of the GNU General Public License +%% along with this program; if not, write to the Free Software +%% Foundation, Inc., 59 Temple Place - Suite 330, Boston, MA 02111-1307, USA. +%% +%% \def\domain{nifty.com} +%% Author: +%% Hiroaki MORIMOTO +%% Tokyo, Japan +%% URL: http://kuuku.no.coocan.jp/pub/musixtex/index-e.html +%% +%% based on musixtex.tex T.104, line 3255-3290. +%% MusiXTeX : (C) Daniel Taupin et al. +%% +%% January 1, 2007 version 1.20-beta6 +%% This is a successor of `musixtpb.tex' ver.1.10. +%% +\ifx\ifvectorizedbeam\undefined\else\endinput\fi +\immediate\write16{MusiXTeX Extension, Vectorized Beams and crescendos <2007/01/01>}% +% +\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 +% +% Allocation of registers +% No register is required except for scratch (\dimen@, \count@) +% +% Modes definition (default: true) +\newif\ifvectorizedbeam \vectorizedbeamtrue +% +% Operation mode automatic selection (v1.20) +% +\let\@beammodesel\relax% +\ifx\pdftexversion\undefined\else% + \ifnum\pdfoutput>0\relax + \immediate\write16{musixvbm: uses pdfTeX raw literal}% + \edef\@beammodesel{pdftex}% + \fi +\fi +\ifx\@beammodesel\relax + \immediate\write16{musixvbm: uses tpic specials}% + \edef\@beammodesel{tpic}% +\fi +% +% Overriding beam termination code (v1.20) +% +\let\@beam@font=\@beam\relax +\def\@beam{% + \ifvectorizedbeam + \csname @beam@\@beammodesel\endcsname + \else + \@beam@font + \fi +}% +% +% Main routine for tpic-version beam +% \y@ii : length, \b@p : slope, \y@i : altitude +% +\def\@beam@tpic{% + % X of end + \@dimentomil{\y@ii}{\@Xend}% + % Y of start + \y@iii\y@i + \advance\y@iii -\b@amthick + \@dimentomil{-\y@iii}{\@Ystart@l}% + \advance\y@iii \tw@\b@amthick + \@dimentomil{-\y@iii}{\@Ystart@u}% + % Y of end + \y@iv\y@i + \dimen@=\b@p\y@ii \divide\dimen@ \tw@nty% \tw@nty=20 def'd in musixtex.tex + \advance\y@iv \dimen@ + \advance\y@iv -\b@amthick + \@dimentomil{-\y@iv}{\@Yend@l}% + \advance\y@iv \tw@\b@amthick + \@dimentomil{-\y@iv}{\@Yend@u}% +% \special{pn 1}% + \special{sh 1}% RDT: set beam shading to black + \@addbeampath{0}{\@Ystart@l}% RDT: add points to define the beam perimeter + \@addbeampath{\@Xend}{\@Yend@l}% + \@addbeampath{\@Xend}{\@Yend@u}% + \@addbeampath{0}{\@Ystart@u}% + \@addbeampath{0}{\@Ystart@l}% RDT: close the perimeter + \special{ip}% RDT: draw the beam (without the outline) + \kern\y@ii +}% +% +% +% Subroutines for tpic-version beam +% +\def\@dimentomil#1#2{{% + % 1m-in = 0.07227pt, 1pt = 13.837m-in + % \count@=\count255 \dimen@=\dimen0 def'd in plain + \dimen@=#1\relax\dimen@=13.837\dimen@\relax + \count@\dimen@ + \ifnum\count@>0 + \advance\count@ by 32768 + \else + \advance\count@ by -32768 + \fi + \divide\count@ by 65536 + \xdef#2{\the\count@}}}% +% +\def\@addbeampath#1#2{\special{pa #1 #2}}% +% +% +% Main routine for pdfTeX +% +\def\@beam@pdftex{% + % X of end + \edef\@Xend{\strip@pt\y@ii}% + % Y of start + \y@iii\y@i + \advance\y@iii -\b@amthick + \edef\@Ystart@l{\strip@pt\y@iii}% + \advance\y@iii \tw@\b@amthick + \edef\@Ystart@u{\strip@pt\y@iii}% + % Y of end + \y@iv\y@i + \dimen@=\b@p\y@ii \divide\dimen@ \tw@nty% \tw@nty=20 def'd in musixtex.tex + \advance\y@iv \dimen@ + \advance\y@iv -\b@amthick + \edef\@Yend@l{\strip@pt\y@iv}% + \advance\y@iv \tw@\b@amthick + \edef\@Yend@u{\strip@pt\y@iv}% + \pdfliteral{q 0 g 0 \@Ystart@l\space m \@Xend\space\@Yend@l\space l \@Xend\space\@Yend@u\space l 0 \@Ystart@u\space l 0 \@Ystart@l\space l f Q}% + \kern\y@ii +}% +% +% Subroutines for pdfTeX +% (taken from latex.ltx 2003/12/01) +\begingroup + \catcode`P=12 + \catcode`T=12 + \lowercase{% + \def\x{\def\rem@pt##1.##2PT{##1\ifnum##2>\z@.##2\fi}}}% + \expandafter\endgroup\x +\def\strip@pt{\expandafter\rem@pt\the}% +% +% +% vectorized version of crescendo, decrescendo (under construction) +% +\let\C@cresc@font=\C@cresc\relax +% +% for tpic-version crescendo +% #1=length (any TeX dimension, no limit)) +\def\C@cresc@tpic#1{% + \y@iv#1\relax +% \rlap{\vrule width\y@iv height1pt}% + \@dimentomil{\y@iv}{\@Xend}% + \dimen@=2.5pt \advance\dimen@ by.00125\y@iv\relax% see musixspx.mf + \@dimentomil{\dimen@}{\@Yend@l}% + \special{pn 6}% 0.4pt=5.5348mil see musixspx.mf + \ifnum\n@ii=\@cxv% decrescendo see musixtex.tex T.112 line 3870 + \@addbeampath{0}{\@Yend@l}% + \@addbeampath{\@Xend}{0}% + \special{fp}% + \@addbeampath{0}{-\@Yend@l}% + \@addbeampath{\@Xend}{0}% + \special{fp}% + \else + \@addbeampath{\@Xend}{\@Yend@l}% + \@addbeampath{0}{0}% + \special{fp}% + \@addbeampath{\@Xend}{-\@Yend@l}% + \@addbeampath{0}{0}% + \special{fp}% + \fi +% \C@cresc@font#1% +}% +% +% for pdfTeX-version crescendo +% #1=length (any TeX dimension, no limit)) +\def\C@cresc@pdftex#1{% + \y@iv#1\relax +% \rlap{\vrule width\y@iv height1pt}% + \edef\@Xend{\strip@pt\y@iv}% + \dimen@=2.5pt \advance\dimen@ by.00125\y@iv\relax% see musixspx.mf + \edef\@Yend@l{\strip@pt\dimen@}% + \ifnum\n@ii=\@cxv% decrescendo see musixtex.tex T.112 line 3870 + \pdfliteral{.4 w q 0 g 0 \@Yend@l\space m \@Xend\space 0 l S Q q 0 g 0 -\@Yend@l\space m \@Xend\space 0 l S Q}% + \else + \pdfliteral{.4 w q 0 g \@Xend\space \@Yend@l\space m 0 0 l S Q q 0 g \@Xend\space -\@Yend@l\space m 0 0 l S Q}% + \fi +% \C@cresc@font#1% +}% +% +% Overriding crescendo (v1.20) +% +\def\C@cresc#1{% + \ifvectorizedbeam + \csname C@cresc@\@beammodesel\endcsname#1 + \else + \C@cresc@font#1 + \fi +}% +% +\catcode`\@=\catcodeat +\endinput diff --git a/macros/generic/musixtex/tex/tuplet.tex b/macros/generic/musixtex/tex/tuplet.tex new file mode 100644 index 0000000000..8ea0dfc030 --- /dev/null +++ b/macros/generic/musixtex/tex/tuplet.tex @@ -0,0 +1,27 @@ +% +% This file is part of MusiXTeX +% +% MusiXTeX is free software; you can redistribute it and/or modify +% it under the terms of the GNU General Public License as published by +% the Free Software Foundation; either version 2, or (at your option) +% any later version. +% +% MusiXTeX is distributed in the hope that it will be useful, +% but WITHOUT ANY WARRANTY; without even the implied warranty of +% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the +% GNU General Public License for more details. +% +% You should have received a copy of the GNU General Public License +% along with MusiXTeX; see the file COPYING. If not, write to +% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, +% Boston, MA 02111-1307, USA. +% +% +% tuplet.tex +% +\immediate\write16{tuplet.tex <2017-03-16>}% +% +% (nothing to do. - T.116 or later provide the definitions +% by Col. Sicherman formerly in tuplet.tex) +% +\endinput diff --git a/macros/generic/musixtnt/README b/macros/generic/musixtnt/README new file mode 100644 index 0000000000..78adcc1c8a --- /dev/null +++ b/macros/generic/musixtnt/README @@ -0,0 +1,49 @@ +This archive contains a MusiXTeX extension library +musixtnt.tex and C source code, binaries for Windows (32 +bit and 64 bit) and MacOSX, and documentation for a program +msxlint. + +musixtnt.tex provides a macro \TransformNotes that +enables transformations of the effect of notes +commands such as \notes. In general, the effect of +\TransformNotes{input}{output} is that notes commands in +the source will expect their arguments to match the input +pattern, but the notes will be typeset according to the +output pattern. An example is extracting single-instrument +parts from a multi-instrument score. + +msxlint detects incorrectly formatted notes lines in a +MusiXTeX source file. This should be used before using +\TransformNotes. + +To install: + +Create texmf/tex/generic/musixtnt in a local or personal +texmf tree and move musixtnt.tex into it. + +Create texmf/doc/generic/musixtnt and move there the files +in the doc directory. + +Update the file-name database as required by your TeX +installation. + +If your platform is UNIX-like, process the +musixtnt-.tar.gz file as usual (tar zxvf ..., +./configure, make, make install). + +If your platform is Windows, move the executable msxlint.exe +from either the 32bit or the 64bit folder to a folder on the +executable PATH. + +If your platform is Mac OS-X, install the executable from +the macosx directory. + +musixtnt.tex, utils.c and msxlint.c are licensed under the +GPL version 2 or (at your option) any later version. + +Please report bugs and experience (good or bad) using these +programs to me. + +Bob Tennent +rdt(at)cs(dot)queensu(dot)ca +2016-01-30 diff --git a/macros/generic/musixtnt/doc/TransformNotes.3 b/macros/generic/musixtnt/doc/TransformNotes.3 new file mode 100644 index 0000000000..752aa02985 --- /dev/null +++ b/macros/generic/musixtnt/doc/TransformNotes.3 @@ -0,0 +1,98 @@ +.TH TransformNotes 3 2016-01-30 "" "" + +.SH NAME +TransformNotes \- macro to transform notes command arguments in MusiXTeX + +.SH SYNOPSIS +.nf + + \\input musixtnt + + \\TransformNotes{input}{output}% + +.fi + +.SH USAGE + +musixtnt.tex is an extension library for MusiXTeX. It is available +at CTAN and at WIMA in the software archive. + +\\TransformNotes makes possible transformations of the effect of notes commands such as +\\notes. In general, the effect of \\TransformNotes{input}{output} +is that notes commands in the source will expect their arguments to match the input pattern, +but the notes will be typeset according to the output pattern. + +For example, \\TransformNotes{#2}{#2}% +would be appropriate for a four-instrument score (arguments #2, #3, #4, and #5, separated by three +&s), but the notes for the usual third argument (#4) will be discarded in the typeset output. + +The instrument/staff numbers in the first argument must start at 2 and increase +consecutively, using & (or | for multi-staff instruments) as a separator. +The reason that the segment identifiers start at 2 is that argument #1 for the +basic \\vnotes macro +is a spacing parameter. +It is +essential that every \\znotes, \\notes, \\Notes, \\NOtes, etc. command in +the score match the pattern of the first argument to \\TransformNotes exactly; too few (or too many) +note segments will result in unintentionally discarded material and possibly compilation failure. +An auxiliary program +.BR msxlint (1) +can be used to detect such inconsistencies. +Notes commands are assumed to be terminated by \\en, not \\enotes. + +\\TransformNotes may be used anywhere between \\startpiece +and the command that ends the piece. + +To extract +a single-instrument part from a (copy of a) multi-instrument musixtex score: +set \\nbinstrument to 1 (for example, with command \\instrumentnumber1), +and use \\TransformNotes to discard all but one of the note segments in notes +commands. +For example, the following line placed after +\\startpiece (but before any note commands) would be appropriate for a +four-instrument score and will result in a single-instrument part for the second of +these: \\TransformNotes{#2}{#3}% . + +Some additional revisions to the source for the part might be necessary: + + + adjusting \\setname1, \\setclef1, \\setsign1, +\\setmeter1 and \\setstaffs1 commands, as necessary; + + + ensuring that tempo and roadmap markings (D.C., Fine, etc.) are in +the appropriate instrument segment; + +When the extracted part score is compiled and viewed, it may be seen +that horizontal-spacing commands designed for multiple instruments can produce bad +spacing when used for a single instrument. Bad spacing can be corrected manually but +this is very tedious; an auxiliary program called +.BR autosp (1) +automates this process; it is available at WIMA +in the software archive. + +The \\TransformNotes macro may be used for other purposes. Here are some examples: + +\\TransformNotes{#2}{#2&\\transpose+7#3}% +will transpose just the second instrument (argument #3). + +\\TransformNotes{#2|#3}{#2|#3&\\tinynotesize#4}% +will begin typesetting the notes of the second instrument (#4) in tiny size. + +\\TransformNotes{#2}{#3}% +will switch the order of the two instruments. + +\\TransformNotes{#2}{#2}% +will restore normal two-instrument processing. + +.SH LIMITATIONS +The \\TransformNotes macro is currently incompatible with the musixlyr extension +package for lyrics. + +.SH SEE ALSO +.BR msxlint (1), +.BR autosp (1) +.PP +musixdoc.pdf + +.SH AUTHOR +This manual page was written by Bob Tennent . + diff --git a/macros/generic/musixtnt/doc/TransformNotes.pdf b/macros/generic/musixtnt/doc/TransformNotes.pdf new file mode 100644 index 0000000000..2cd529e031 Binary files /dev/null and b/macros/generic/musixtnt/doc/TransformNotes.pdf differ diff --git a/macros/generic/musixtnt/doc/msxlint.1 b/macros/generic/musixtnt/doc/msxlint.1 new file mode 100644 index 0000000000..d0a3f695ae --- /dev/null +++ b/macros/generic/musixtnt/doc/msxlint.1 @@ -0,0 +1,36 @@ +.\" This manpage is licensed under the GNU Public License +.TH MSXLINT 1 2015-02-05 "" "" + +.SH NAME +msxlint \- detects incorrectly formatted notes lines in a MusiXTeX source file. + +.SH SYNOPSIS +.B msxlint +.RB [ \-v\ |\ \-\-version\ |\ \-h\ |\ \-\-help ] + +.B msxlint +.RB [ \-d\ | \ \-\-debug ]... +.RI [ infile [ \fB.tex\fP ]...] + +If no +.IR infiles +are specifed, standard input is used. + +.SH USAGE + +The format that notes commands are expected to match is +determined by \\instrumentnumber and \\setstaffs commands, or +uses of the \\TransformNotes macro defined in musixtnt.tex (see musixdoc.pdf), or re-definitions of the \\vnotes macro. +Output consists of messages about format errors, +with listings of the ill-formatted lines. + +.SH LIMITATIONS +User-defined macros are not processed or expanded. Notes commands (\\notes, \\Notes, etc.) +can have line breaks, but other commands must fit on one line. +.SH SEE ALSO +.BR fixmsxpart (1) +.PP +musixdoc.pdf + +.SH AUTHOR +This program and manual page were written by Bob Tennent . diff --git a/macros/generic/musixtnt/doc/msxlint.pdf b/macros/generic/musixtnt/doc/msxlint.pdf new file mode 100644 index 0000000000..a0a3ecd26a Binary files /dev/null and b/macros/generic/musixtnt/doc/msxlint.pdf differ diff --git a/macros/generic/musixtnt/macosx/msxlint b/macros/generic/musixtnt/macosx/msxlint new file mode 100755 index 0000000000..3adb0ec571 Binary files /dev/null and b/macros/generic/musixtnt/macosx/msxlint differ diff --git a/macros/generic/musixtnt/tex/musixtnt.tex b/macros/generic/musixtnt/tex/musixtnt.tex new file mode 100644 index 0000000000..421168907a --- /dev/null +++ b/macros/generic/musixtnt/tex/musixtnt.tex @@ -0,0 +1,30 @@ +% +% MusiXtnt.tex is free software; you can redistribute it and/or modify +% it under the terms of the GNU General Public License as published by +% the Free Software Foundation; either version 2, or (at your option) +% any later version. +% +% MusiXtnt.tex is distributed in the hope that it will be useful, +% but WITHOUT ANY WARRANTY; without even the implied warranty of +% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the +% GNU General Public License for more details. +% +% You should have received a copy of the GNU General Public License +% along with MusiXtnt; see the file COPYING. If not, write to +% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, +% Boston, MA 02111-1307, USA. +% +% Copyright 2015 Bob Tennent rdt@cs.queensu.ca +% +\immediate\write16{MusiXtnt\space<18 February 2015>}% + +\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 + +\ifx\setlyrics\undefined% +\gdef\TransformNotes#1#2{\def\vnotes##1\elemskip#1\en{\noteskip##1\@l@mskip\@vnotes#2\en}}% +\else\errmessage{Musixtnt is incompatible with musixlyr}% +\fi + +\catcode`\@=\catcodeat +% +\endinput diff --git a/macros/hptex/dochc.tex b/macros/hptex/dochc.tex deleted file mode 100644 index 1b287b14e5..0000000000 --- a/macros/hptex/dochc.tex +++ /dev/null @@ -1,827 +0,0 @@ -% FILE DOCHC -% -% *** Source for hardcopy of Documentation for HP TeX Macros *** -% Copyright 1984 Hewlett-Packard Co. -% -\catcode`@=11 -\def\itemlist#1{\medskip\resetsubitems\itemset@\@ne\@ne{#1}} -\def\itempar{\smallskip\itemset@\@ne\@ne\empty} \catcode`@=12 -\def\spacechar{\hskip1pt\lower3pt\vbox{ \hbox to 5pt - {\vrule height4pt width.009in \hfill - \vrule height4pt width.009in} \hrule depth.009in - height0pt}\hskip2pt} -\def\langle{$\mathchar"4268$} -\def\rangle{$\mathchar"5269$} -\def\evenheading{\vbox{\hbox to \hsize{\eightrm Page \folio\hfil\HPTEX} - \nointerlineskip\vskip2pt - \hbox{\vrule width \hsize height .4pt}}} -\def\oddheading{\vbox{\hbox to \hsize{\eightrm Documentation\hfil Page \folio} - \nointerlineskip\vskip2pt - \hbox{\vrule width \hsize height .4pt}}} - -\def\noheading{\hfil} -\headline{\ifnum\pageno=1\noheading - \else\ifodd\pageno\oddheading\else\evenheading\fi\fi} -\def\NOTE#1:{\itemlist{\hbox to .7in{NOTE\hfil#1}:}} -\def\\{$\backslash$} -\parindent.825in -\parskip5pt -\nopagenumbers -\inset=.825in -\def\section#1{\relax} - -\null -\vskip.75in -\centerline{\twelvebf DOCUMENTATION FOR \HPTEX\ MACROS}\footnote{}{\hskip-.76in - \eightrm\copyright 1984 Hewlett-Packard Co.} -\smallskip -\centerline{version A.00.00, Feb. 14, 1984.} -\vskip1in -\NOTE 1: PLAIN is read in as a separate file. - -\NOTE 2: ``@'' temporarily becomes a letter so that \HPTEX\ can use the - internal control sequences of PLAIN, and to avoid conflict between - the internal control sequences of \HPTEX\ and user names. - -\NOTE 3: This defines leaders used in the table of contents macros. - -\section{FONTS} - -\NOTE 4: \HPTEX\ has fonts available in sizes from 5 points to 24 points. The - fonts loaded in Plain are listed as comments to make it easier to - verify the fonts available. - -\NOTE 5: In case a font is used in a write or message. - -\NOTE 6: \\fontdef\#1\#2 defines the control sequence for the font, but the - font is not loaded until the first time the control sequence is - actually used. The first parameter is the control sequence to be - defined; the second is the external font name. - -\section{MACROS TO SET FSTYLE} - -\NOTE 7: These macros set the family and the background style. Then, using - \\setfont, they set the current font. - -\section{MACROS TO SET FSIZE} - -\NOTE 8: These macros set the background font size, and then use \\setfont to - set the current font. \\baselineskip and \\strutbox are set to - values appropriate to the font size. The fonts in families 0, 1, - and 2 are changed to appropriate sizes. The fonts that are not - already loaded, are not loaded unless they are needed by an entry - into either math mode or display mode. - -\section{MACROS TO SET CURRENT FONT USING FSTYLE AND FSIZE} - -\NOTE 9: \\tryfont\#1 sets \\nofont@ to true if the control sequence determine - by the current background font size and style (\#1) has not yet been - defined. If the control sequence does exist, \\nofont@ is set to - false, and the control sequence is invoked. - -\NOTE 10: \\setfont uses \\tryfont to set the current font based on the - background font size and style. If there is no control sequence - defined for that font, then \\tryfont is used again to check for a - font with the background size and in roman style. If there is - still no control sequence defined for that font, the size ten and - style roman is tried. This will always succeed in \HPTEX. - - \itempar\\{f}fam will be a third factor in determining the current - font when other font families become available. - - -\section{DEFAULTS} - -\NOTE 11: The default values in \HPTEX\ are family0 and font \\tenrm, with a - background style of roman, a background size of ten points, and a - superscript/subscript size of seven points. - -\section{LINE MACROS} - -\NOTE 12: These line setting macros take \\leftskip and \\rightskip into - account. - -\section{MORE MACROS} - -\NOTE 13: This replaces Knuth's definition of \\narrower. \\narrow@ is used in - the note and warning macros. - -\NOTE 14: \\need is followed by a dimension x. It uses \\need@ to determine - if x space remains on the page, and if not, causes an eject to - the next page. - - \itempar\\need@ depends on \\okbreak which merely encourages a page - break at that point. Its effect is dependent on its nearness to - the bottom of the page, and whether the text following the \\need - fits completely on the page or not. - -\NOTE 15: \\for provides a for-loop. Parameter \#1 (\\fcount@) contains the - variable name; \#2 is the initial value of the variable; \#3 - (\\fexit@) is the terminating value; \#4 (\\floop@) contains the - instructions to be done in the loop. The loop will not execute - unless the initial value (\#2) is less than or equal to the - terminating value (\#3). \\next@ is set to \\fnext@. - -\NOTE 16: \\fnext@ provides the looping capability for \\for. It executes - \\floop@ and then checks to see if \\fcount@ has reached the - terminating value. If it hasn't, then \\fcount@ is incremented. If - the terminating value has been reached, \\next@ is set to \\relax. - \\next@ is then entered and depending on its current meaning, either - the loop is repeated via \\fnext@, or \\relax ends the looping. - - -\NOTE 17: \\uline\#1 makes a \\vbox containing \#1 with a horizontal rule .23em - under its baseline, and then creates an \\hbox containing the vbox - lowered by the amount necessary to place the baseline of \#1 in line - with the baseline of the current line of text. - -\section{START AND FINISH GROUP STRUCTURE} - -\NOTE 18: \\start\#1 and \\finish\#1 define local nestable blocks. In the - event of any error, the error message is delayed until corrections - are complete. - -\NOTE 19: \\start\#1 uses \\{if}invalid@ to determine if \#1 is a valid - blockname. If it is, a block (group) is begun and \\blockname@ - stores \#1 as the name of the current block. The control sequence - \\BEGIN\#1 is invoked and \\Error is called to print out any error - messages. - -\NOTE 20: \\finish\#1 calls \\{if}invalid@ to determine if \#1 is a valid - blockname. If it is valid, \\matchup@ is called to close block \#1. - \\Error is called to print out any error messages. - -\NOTE 21: \\{if}invalid@\#1 tests to see if the control sequence \\BEGIN\#1 - has been defined. If it has not been defined, it is ignored - and \\errset is called to store an error message. - -\NOTE 22: \\matchup@\#1 closes blocks as follows: if a \\finish is used when no - block currently exists, it is ignored. if a finish does not match - the current blockname, blocks are closed until either a match is - found or all blocks are closed. The parameter is the parameter to - \\finish. - -\NOTE 23: \\done closes the current block. - -\section{GENERAL ERROR HANDLING} - -\NOTE 24: These macros are used for general purpose error handling. - \\errfalse clears the error status. \\errset assumes an argument of - an error message; any use of \\errset sets the error status and - produces an error message when \\Error is encountered. - -\section{DATE AND TIME MACROS} - -\NOTE 25: \\mon sets the current month with the current font. - -\NOTE 26: \\date sets the current date: \langle month\rangle - \langle day\rangle, - \langle year\rangle. - -\NOTE 27: \\hour sets the current time of day in 12 hour format: - \langle hour\rangle:\langle minutes\rangle \langle AM or PM\rangle. - -\section{INDENTSTYLE} - -\NOTE 28: The switch \\{if}indent acts as a flag to indicate when \\indentstyle - is being used. This is used in \\indentstyle, \\noindentstyle, and - \\indentspace. - -\NOTE 29: \\indentstyle sets \\parindent to \\indentsize. If \\indentstyle is - already in effect, \\parskip is not changed. If \\indentstyle is - not already in effect, \\parskip is decreased by 5 points. - -\NOTE 30: \\noindentstyle sets \\parindent to zero points. If \\indentstyle is - in effect, \\parskip is increased by 5 points, otherwise it is not - changed. - -\NOTE 31: \\indentspace will update \\parindent only if \\indentstyle is in - effect. - -\section{RAGGED MARGIN} - -\NOTE 32: \\fixmargin@ preserves the original \\rightskip. - -\NOTE 33: \\justify undoes the effects of \\raggedright by returning to the - original \\rightskip, and resetting the interword and intersentence - space to the default values. - -\NOTE 34: \\raggedright saves the original \\rightskip with \\fixmargin@, adds - some stretch to \\rightskip, and if \\tt is not in effect, fixes the - interword and intersentence spaces. - -\NOTE 35: \\tt@ is used in \\raggedright in the \\ifx comparison. It is - necessary if the comparison is to succeed. - -\section{ITEM AND SUBITEM} - -\NOTE 36: \\itemset@ takes three parameters: \#1 specifies the left - indentation (in multiples of \\inset), \#2 should be the sum of the - left and right indentation (in multiples of \\inset), and \#3 is - the tag to be hung to the left of the item. The line size is in - \\dimen@. \\parshape is used to build the paragraph. The tag (\#3) - is hung to the left of the paragraph. - -\NOTE 37: \\itemlist\#1 is syntactically the same as \\item, however - \\itemlist preserves \\leftskip and \\right\-skip, and both the - left and right margins are indented by the value of \\inset. The - parameter contains the tag for the item. Each time \\itemlist is - used, the subitem tag is reset, and the item tag is incremented if - appropriate. - -\NOTE 38: \\subitem\#1 is syntactically the same as \\itemitem, however left an - rightskip are preserved, and both the left and right margins are - indented by twice the value of \\inset. The parameter contains the - tag for the subitem. Each time \\subitem is used, the subitem tag - is incremented, if appropriate. - -\NOTE 39: \\itempar creates a paragraph identical to that created by \\itemlist - except it will have an empty tag. It can be used for the second - paragraph of an item. - -\NOTE 40: \\subitempar creates a paragraph like that created by \\subitem, but - with an empty tag. - - -\section{ITEM TAG AND SUBITEM TAG MACROS} - -\NOTE 41: The definition of a tag must do three things: - - \inset1in\itempar (1) define a control sequence - \\reset[sub]items which will be used to restart tag allocation - between lists; - - \itempar (2) restart tag allocation; - - \itempar (3) define a control sequence \\[sub]itemtag to - produce a tag. - \inset.825in - - \itempar\\icount@ (\\scount@) holds the value used to determine - the current item (subitem) tag for numbered and lettered tags. - - \itempar\\idigit@ (\\sdigit@) is used with lettered tags to keep - track of how many times the item [subitem] tags have gone through - the alphabet without being reset. - -\NOTE 42: \\itemn@\#1 is used in the allocation of numbered tags. The - parameter is either \\icount@ or \\scount@. - -\NOTE 43: \\itemr@\#1 is used in the allocation of lower case Roman tags. The - parameter is either \\icount@ or \\scount@. - -\NOTE 44: \\itemR@\#1 is used in the allocation of upper case Roman tags. - The parameter is either \\icount@ or \\scount@. - -\NOTE 45: \\iteml@\#1\#2 is used in the allocation of lettered tags. If the - end of the alphabet is reached, it begins again with ``aa'' or - ``AA''. The first parameter is either \\icount@ or \\scount@. The - second parameter is either \\idigit@ or \\sdigit@. - -\NOTE 46: \\item@\#1,\#2,\#3 takes three parameters: \#1 is the initial value o - \\icount@ (item counter), \#2 is the value of \\idigit@ which is - used to print out the appropriate number of letters when using - letters as tags, and \#3 is the definition of the \\itemtag. It - defines \\resetitems to be the initialization of \\icount@ and - \\idigit@. - -\NOTE 47: \\itm does not take a parameter. It uses the current \\itemtag - as the parameter to \\itemlist. If the \\itemtag is numbers or - letters, a period is appended to the tag. - -\NOTE 48: \\subitem@ is similar to \\item@. - -\NOTE 49: \\sitm is the subitem macro equivalent to \\itm for item. - -\NOTE 50: The defaults are \\numbereditems and \\letteredsubitems. The - execution of these macros defines \\itemtag, \\subitemtag, - \\resetitems, and \\resetsubitems. - -\section{NOTE AND WARNING MACROS} - -\NOTE 51: \\BEGINnote defines the blockname ``note'' and sets the indentation - at twice the left and right skip amounts. - -\NOTE 52: \\BEGINwarning defines the blockname ``warning,'' sets the indentatio - to twice the left and rightskip amounts, and places a horizontal - rule above the text. \\ENDwarning places a horizontal rule below - the text. - -\NOTE 53: \\marginrule\#1 defines an \\hrule limited by \\leftskip and - \\rightskip. Its only parameter specifies the height of the rule. - -\section{VERBATIM MODE} - -\NOTE 54: In verbatim mode, all characters except (\\), ($\{$) and ($\}$) - are treated - verbatim. Characters that cannot be extracted from the current font - are taken from the math font and given a fixed space equal to the - space of the current font. - - -\section{LUMPLINE AND LUMPSPACE MACROS} - -\NOTE 55: These macros make the verbatim mode use less memory. Multiple lines - and spaces are lumped together to make one large glob of glue - rather than many small globs. - - \itempar The carriage return is made into an active character, and - given the meaning of \\lumpline@. \\lumpline@ accumulates - sequential carriage returns into one lump of vertical glue in - \\skip@. - - \itempar ``\\{\spacechar}'' is made into an active character, and - given the meaning of \\lumpspace@. \\lumpspace@ accumulates - sequential spaces into one lump of horizontal glue in \\skip@. - -\goodbreak -\section{PAGE CONTROL MACROS} - -\NOTE 56: \\newpage first balances multi-column format which transfers the - contents of \\box 255 to \\contrb@, so it always looks like the - page is empty immediately afterwards. The box \\contrb@ is checked - to see if the page is really empty. - - \itempar If \\newpage occurs at the bottom of a full page, the - \\null\\vfill remains in recent contributions and causes an extra - page to be ejected. The workaround is to insert an \\eject in the - document just before the \\newpage (or the macro containing the - \\newpage). - - \itempar The same problem occurs with \\evenpage and \\oddpage, and - the same workaround is effective. - -\section{HEADING AND FOOTING MACROS} - -\NOTE 57: Headlines and footlines are constructed as follows: - - \inset1in - \itempar (1) under normal conditions the centered heading or - footing is centered, but in the event that one (or more) of the - headings or footings are too wide, space is distributed if possible - so there is no overlap. The macro triplehead@ does this. - - \itempar (2) inside and outside headings and footings have priority - over left and right headings and footings. \\buildline takes care - of this. - \inset.825in - - \itempar Notice that if the tokens in an \\hbox have width 0pt, it - is assumed they are empty. - - \itempar The macros and token registers associated with headings - and footings should be used near forced page breaks or at the - begining of the document. TeX scans ahead when building a page, so - the use of these macros could affect the previous page. - -\NOTE 58: \\buildline decides which tokens will be on the left and right of - the headline or footline that is being constructed. \\lft and \\rght - hold the numbers of the boxes containing the tokens to be placed on - the left and right sides of the line. They are initialized to the - boxes for \\leftheading and \\rightheading. If the box containing the - \\insideheading (\\box3) is not empty, then for an odd page \\lft is - set to 3, and for an even page \\rght is set to 3. - - \itempar If the box containing the \\outsideheading (\\box4) is not - empty, then for an odd page \\rght is set to 4, and for an even - page \\lft is set to 4. - - \itempar \\triplehead is called to actually construct the line. - -\NOTE 59: \\triplehead\#1\#2\#3 requires three parameters. \#1 is the number of - the box that is to go to the left, \#2 is the box number for the - center, and \#3 is the box number for the right. \\skip@ is the glue - to go between the left and center boxes, and \\skip@ii is the glue - to go between the center and right boxes. - - \itempar If the width of the left box is greater than the width of - the right box, \\skip@ii is increased by the difference, otherwise, - \\skip@ is increased by the difference. - - \itempar The line is then built by stringing together the boxes and - glue. - -\NOTE 60: \\loadbox\#1\#2 takes two parameters: \#1 is the box number, \#2 is t - token list to be put in the box. - -\NOTE 61: \\headline checks to see if headings are turned on or off. If on, - it loads the appropriate boxes with the various heading token - lists and calls \\buildline. If off, it adds horizontal glue, and - if \\suspendheading is in effect, updates the \\headcount. - -\NOTE 62: \\footline is similar to \\headline. - -\section{BOX MACROS} - -\NOTE 63: \\boxit\#1 takes as its parameter the text to be placed in the box, - and can be used when a real box is wanted, e.g., - \\setbox0\\boxit$\{${$\ldots$}$\}$. - \\boxit uses \\halign to center the lines of text, separated by \\cr, - within the box. - - \itempar The value of \\boxline determines the thickness of the - rule around the box. The value of \\boxspace determines the amount - of space between the rule and the text. - -\NOTE 64: \\centerbox\#1 takes as its parameter the text to be boxed, and then - uses \\centerline to center the box resulting from \\boxit\#1. The box - is separated from surrounding text by \\abovedisplayskip and - \\belowdisplayskip. - -\NOTE 65: \\textbox\#1 takes as its parameter the text to be boxed. It places - the boxed text in the current line (or begins a new paragraph if - encountered in vertical mode) with the baseline of the enclosed - text lined up with the baseline of the line. - -\section{HP2680A and HP2688A COPY CONTROL MACROS} - -\NOTE 66: These commands control the number of copies per page. Owing to the - synchronization problems associated with TeX, these should only be - used near forced page ejects or at the begining of a document. - - \itempar \\globalspecial writes the parameter to the postamble of - the PIF file. - - \itempar \\copycnt contains the number of the register that the PIF - server will look in to find the number of copies desired. - - \itempar \\oldcopy contains the number of copies desired. The - default is two, so if \\copieson is invoked before the user has - used \\copies\langle n\rangle, two copies will be generated. - -\section{HP2680A and HP2688A LOGICAL PAGE CONTROL (LPC) MACROS} - -\NOTE 67: \\lpcount@ holds the number of the register to be interpreted - by the PIF driver for explicit logical page control. - - \itempar\\nextlp@ holds the page control number to be put into - \\count\\lpcount@. - - \itempar These macros avoid the synchronization problems of TeX by - interjecting a page eject at an appropriate time. At the beginning - of the document and after each \\shipout, the ``empty@'' flag is set - to true. - - \itempar If an LPC macro occurs when the ``empty@'' flag is true, \\ne - is updated, its value is put into \\count\\lpcount@, and the flag - is set to false. - - \itempar If an LPC macro occurs when the ``empty@'' flag is false, \\n - is updated, but the value in the register \\count\\lpcount@ is not - changed. After the next shipout, \\count\\lpcount@ is updated by - the output routine. - - \itempar The codes for \\lpreset and \\lpexit will, if left alone, onl - for one page. - -\section{TABLE MACROS} - -\NOTE 68: The table macros are complex. It is recommended that anyone - wanting to understand how they work examine the LOG file of - a table made with \\tracingmacros=1 and \\tracingcommands=2. - - \itempar The table macros use unallocated dimension and token - registers to store the column specifications. New dimensions or - tokens should not be allocated between the \\tableformat and the - last \\tablerow or \\tablebar in a table. If any are allocated the - result will be a very strange looking table and a TeX error. If - too many columns, dimensions, tokens or inserts are allocated, an - error message is given and the registers are used anyway. - - \itempar A row is processed in sections. \\parseline@ takes - sections of the parameter to \\tableformat or \\tablerow. Each - section is delimited by a ``\~{}''. \\parsecol@ takes sub-sections - of the section where each sub-section is delimited by a ``$|$''. - After a sub-section is processed, the next sub-section is fetched - until the end of a section is reached. The next section is then - fetched and processed until the end of the original parameter to - \\tableformat or \\tablerow is reached. - - \itempar \\span is temporarily redefined during the execution of - either a \\tablerow or \\tablebar macro to allow spanning of - multiple columns. - - \itempar The standard table specifications are \\leftline, - \\rightline, \\centerline and (for internal columns) \\paragraph. - You can also make your own. There are only two rules: - - \inset1in - \itempar(1) your macro will have one parameter (the text) - - \itempar(2) your macro will yield a box of width \\hsize. - \inset.825in - -\NOTE 69: \\uptoks@ increments \\cntA@, used as a pointer to a token register - to hold column alignment specifications, and \\cntB@, used as a - pointer to a dimension register used to hold column width specifi\-% - cations. If too many token registers are used, an error message is - printed, and processing continues. - -\NOTE 70: \\bump@ increments \\cntC@, which contains the number of columns - processed in the current \\tablerow or \\tablebar. If the total number - of columns specified in the \\tableformat has not yet been processed, - then \\cntC@ is incremented, and \\uptoks@ is called to increment the - pointers to the registers that hold the column specifications. - -\NOTE 71: \\tableformat\#1 has as its parameter the description of the table - format. The alignment for the entire table is given first, - followed by the formats for each column. A column format consists - of its alignment followed by its width. A ``$|$'' separates the - table format from the column formats, and each column format from - the next. - - \itempar \\tableformat first calls \\tablelet with the three - parameters \\just@, \\just@, and \\relax. - - \itempar Next, \\parse@ (which has been assigned the meaning of - \\parseline@) is called and sent one parameter, which is delimited - by ``\lower4pt\hbox{\~{}}''. This effectively sends the contents - of the parameter of \\tableformat up to the first - \lower4pt\hbox{\~{}} to \\parse@ (\\parseline@). The \\done@ is - an undefined control sequence used to mark the end of the - specifications in the \\tableformat. - -\NOTE 72: \\tablerow\#1 is similar to \\tableformat. Its parameter is a list - of the contents for each column of the row. Each column must start - and terminate with either a ``$|$'' for a visible bar, or a - ``\lower4pt\hbox{\~{}}'' for an invisible bar. - - \itempar The parameters sent to \\tablelet are: \\bbar@, \\wbar@, - and \\endrow@. - -\NOTE 73: \\tablebar\#1 sets horizontal rules across the table. It resets - \\topstrut, \\botstrut, and \\table\-space, and then passes its - parameter to \\tablerow. Its parameter is a list of column - contents, with each column indicated as for \\tablerow. A - column can be empty, contain a \\vrule, or contain \\tbar. - -\NOTE 74: \\tablelet requires three parameters. The first is assigned to the - control sequence \\b@, the second to \\w@, and the third to \\f@. - \\CntA@, \\CntB@, and \\CntC@ are initialized. \\parse@ is assigned - the meaning of \\parseline@. If currently in horizontal mode, - vertical mode is entered; if in vertical mode, interline glue is - inhibited. - -\NOTE 75: \\just@\#1 is never invoked directly. The control sequences \\b@ - and \\w@ are \\let to be \\just@ in \\tablelet when \\tablelet is - called from \\tableformat. \\just@ is invoked by \\parsecol@ the - first time \\parsecol@ is entered. The parameter to \\just@ is the - alignment specification for the table. - - \itempar \\just@ assigns the control sequences \\b@ and \\w@ the - meaning of \\tform@, and initializes \\maxcol@ to 0. The control - sequence \\tablejust@ is assigned the table alignment - specification (\#1). - -\NOTE 76: \\tform@\#1 passes its parameter, which is the set of specifications - for a column, on to \\tform@@ with a \lower 4pt\hbox{\~{}} - deliminating the parameter. - -\NOTE 77: \\tform@@\#1\#2\lower 4pt\hbox{\~{}} updates the pointers to the - registers to be used for storing column specifications, puts the - column alignment (\#1) into the current token register, and the - column width (\#2) into the current dimension register. Then - \\maxcol@ is incremented to count the column just completed. - -\NOTE 78: \\bbar@\#1 begins a row that starts with a visible vrule. The - parameter is empty. - -\NOTE 79: \\wbar@\#1 begins a row that starts with an invisible vrule. The - parameter is empty. - -\NOTE 80: \\beginrow@\#1 reassigns \\b@ and \\w@ the meanings of \\vbar@ and - \\ibar@ respectively. The parameter is empty. - - \itempar Box 0, an \\hbox that will contain the row, is begun with - a \\bgroup, and the assignments that should hold within the box are - made. - -\NOTE 81: \\endrow@ finishes Box 0 and aligns the resulting box according to - \\tablejust@. - -\NOTE 82: \\vbar@\#1 adds a column entry that terminates with a visible \\vrule - The parameter contains the column entry. - -\NOTE 83: \\ibar@\#1 adds a column entry that terminates with an invisible - rule. The parameter contains the column entry. - -\NOTE 84: \\cs@\#1 determines if a column entry (\#1) spans multiple columns, - and invokes \\span@ with the appropriate parameters. - -\NOTE 85: \\parseline@\#1\lower 4pt\hbox{\~{}} is called by \\tableformat and - \\tablerow (and indirectly by \\tablebar). Its parameter is the - part (section) of the parameter to the calling macro terminated by - the first occurrence of ``\lower 4pt\hbox{\~{}}'' . If the - parameter is \\done@, then processing is complete, and \\parse@ is - assigned the current meaning of \\f@, which is \\relax if - \\parseline@ was called from \\tableformat, or \\endrow@ if - \\parseline@ was called from \\tablerow. - - \itempar If processing is not done, \\p@ss is assigned the meaning - of \\parsecol@, and then \\p@ss is invoked and its parameter is - that part (sub-section) of the parameter to \\parseline@ up to the - first occurrence of ``$|$''. \\done@ is an end of processing - indicator. \\parse@ is invoked and, depending on its current - assigned meaning, either terminates processing of this - \\tableformat or \\tablerow parameter, or takes the next section of - the parameter of the \\tableformat or \\tablerow terminated by - \lower 4pt\hbox{\~{}} as its parameter. - -\NOTE 86: \\parsecol@\#1 is called by \\parseline@ and has as its parameter tha - part (sub-section) of the parameter to \\parseline@ up to the next - occurrence of $|$. It defines the macro \\parsemode@: if we are on - the last column, then the currently assigned value of \\w@ - (\\tform@ or \\ibar@, depending on whether a \\tableformat or a - \\tablerow is being processed) is invoked, and \\p@ss becomes - \\lastp@ss; if we are not on the last column, then \\b@ (which is - either \\tform@ or \\vbar@) is invoked; in either case, \\p@ss is - called again and will either terminate processing or get the next - section to be processed. - - -\NOTE 87: \\span@\#1\#2 sets a box spanning the required number of columns and - containing the text in the parameter. \\hsize and \\z@ are set to - the width and alignment specifications respectively of the first - column spanned. The pointers are then incremented once for each - column spanned, and the width of each column plus the width of a - vertical bar is added to the \\hsize for each column spanned. The - first parameter is the integer following \\span, and the second is - the remainder of the column contents. - -\section{SECTION AND HEADING MACROS} - -\NOTE 88: These macros are used for head or section level control. - - \itempar\\basehead is the zero pointer value for the four pointers - to the head counters. The head counters count the number of - current headings at each heading level. - - \itempar\\headlevel keeps track of the level of the current - heading. - - \itempar To add a fifth level, do the following: - - \inset1in - \itempar(1) Change the ``\\advance\\count10 by~4'' command to - ``\\advance\\count10 by~5''. This allocates the counters for the - level number. - - \itempar(2) Change ``\\ifnum\\hdlevel$<$4 '' to - ``\\ifnum\\hdlevel$<$5'' in the \\sethead@ macro. - - \itempar(3) Allocate a new token register, \\fifthlevelhead, and - define a corresponding \\headE@:\hfil\break - \\def\\headE@$\{$\\head5\\the\\fifthlevelhead$\}$. - - \itempar(4) Modify the \\level macro so that it includes - \\headE@. - - \itempar(5) Load \\fifthlevelhead with some appropriate tokens. - \inset.825in - -\NOTE 89: \\setlevelno\#1 has one parameter: the levelnumber to be established. - This can be up to 4 numbers, separated by periods. The level number - and the pointer to the head counters are initialized. - - \itempar``.-1.'' is appended to the parameter to act as an end of - parameter signal. - -\NOTE 90: \\sethead@\#1. has as its parameter one of the num\-bers in the - parameter to \\setlevelno. The first num\-ber it receives is put into - the head counter for the first level. The second number goes into - the head counter for the second level, etc. Processing is - completed when -1 is received as a parameter, or when 4 levels have - been done. - -\NOTE 91: \\head\#1 is called indirectly by \\level via \\headA@, or \\headB@, - etc. It oversees adjusting the \\levelno according to the level of - the new heading. Its parameter is the level of the new - heading. - - \itempar If the new heading is on a level inferior to the current - heading, \\uplevel@ is called, otherwise \\headlevel is set to the - level of the new heading and that head counter for that level is - incremented. - - \itempar\\head@ is called to update \\levelno. - -\NOTE 92: \\uplevel@\#1 does what is necessary to add a level that has a - higher - number than the current level. \#1 is the level of the new heading. - -\NOTE 93: \\head@ defines \\levelno. - -\NOTE 94: These allocate token registers for each level description, and - define a corresponding \\headA@ (or \\headB@ etc.) that calls \\head - with the appropriate parameter, and accesses the tokens for that - headlevel. - -\NOTE 95: \\level\#1\#2 takes two parameters: \#1 is the level of the heading, - and \#2 becomes the definition of \\title. A case statement is - used to invoke the appropriate choice of \\headA@, \\headB@, etc. - -\section{CONTENTS FILE MACROS} - -\NOTE 96: ``\\content@'' can now be written with \\write - -\NOTE 97: \\ctswrite\#1 writes its parameter into a file along with the current - page number. If the file does not already exist, one is created. - When the file is read at a later time, @ will not be a character. - \\{\_} is redefined so that it can be read from the contents file. - \\content@ is defined with @ no longer a character so that it can be - read from the contents file. - - -\NOTE 98: \\contents adds the table of contents if a contents file was - created. - -\section{FOOTNOTES AND INSERTIONS} - -\NOTE 99: The \\vfootnote\#1 of PLAIN has been modified to accommodate - multi-column format by the insertion of \\realhsize to restore the - original \\hsize and by adding ``1\\baselineskip'' to remove any - glue from \\baselineskip. - -\NOTE 100: \\note generates footnotes with sequential numbers. - -\NOTE 101: \\midinsert has been changed from the definition in PLAIN by - the insertion of \\p@gefalse. - -\NOTE 102: \\@ins has been changed from the definition in PLAIN by adding a - return to the normal \\hsize and \\vsize. - -\NOTE 103: The \\endinsert of PLAIN has been modified. The ``room left on page'' - calculation has been expanded to handle multi-column format: if - there is room, the columns are balanced and the insertion is - appended. The penalty (first item in the \\insert) is set to -100 if - the insertion cannot fit on the current page, this keeps the page - from stretching if the insertion can't fit on the page. - -\section{COLUMN MACROS} - -\NOTE 104: The column macros and output routines are interrelated. Every time - the number of columns changes, a false output routine is invoked. - This routine takes the current page (and splits it up if necessary) - and appends it to the contrib box. The \\hsize is then reduced (or - restored) and the \\vsize is multiplied (or restored). Then, to - every insert which was not void during the false output routine a - null insert is made. This restores the page goal (in case there are - no bona fide insertions, one insertion is always made, it is called - \\hacker@). A new page total is then calculated from the height of - the contrib box. The two macros employed to do this work are - \\balance@ and \\newtotal@. Under no circumstances should the one be - used without the other. - -\NOTE 105: \\balance invokes the false output routine which has the effect of - balancing the columns if in multi-column mode. The page goal is - then updated by \\newtotal@. - -\NOTE 106: \\balance@ invokes the false output routine by setting \\ifreal@ to - false, and forcing an eject. - -\NOTE 107: \\newtotal@ restores the page total. - -\NOTE 108: \\multicol@\#1 is called by the \\BEGIN command for multi-column - format. It takes as its only parameter the number of columns - requested. It provides error checking and ignores the command - if already in multi-column mode. If the command is legal, then - the current page is balanced, and the \\hsize and \\vsize are - adjusted. The insertion registers are modified, the page total - is adjusted, and stretch is added to \\baselineskip. - -\section{OUTPUT ROUTINES} - -\NOTE 109: The output routines are complex. It is recommended that anyone - wanting to understand how they work examine the LOG file of a - file with \\tracingmacros=1 and \\tracingcommands=2. - - \itempar There are two types of output routines: \\realoutput@ - produces a \\shipout and \\fakeoutput@ does not. - - \itempar The \\toks registers associated with each insert are now - reserved (as were \\dimen, \\skip and \\count). Any tokens in these - registers will be destroyed when the \\output routine is active. - -\NOTE 110: \\realoutput puts the current page into \\out@. If currently in - one-column mode, it goes in directly, otherwise the current page - is first split into columns. Box 255 is then set to \\contrb@ with - \\old@ appended to it. The glue for insertions, \\hsize, \\vsize, - \\leftskip, and \\rightskip are returned to normal for the - \\shipout. After the \\shipout, the flags and counters for the - logical page macros are updated. - - -\NOTE 111: \\fakeoutput takes the current page, balances it if necessary, and - puts it into \\out@. \\out@ is then appended to \\contrb@. - - \itempar If any column must be shorter due to balancing, it ought - to be the rightmost. The \\vsplit primitive, however, will usually - make the rightmost column longer. To avoid this problem, columns - are split a little more than 1/2 or 1/3 down. Experimentation shows - that adding 1.16667 baselines to the total height for 2 columns, - and adding 2 baselines to the total height for 3 columns affords - the greatest probability of an aesthetic break. - -\NOTE 112: The ``@'' is no longer a letter. - -\bye diff --git a/macros/hptex/hpmanual.tex b/macros/hptex/hpmanual.tex deleted file mode 100644 index b776529494..0000000000 --- a/macros/hptex/hpmanual.tex +++ /dev/null @@ -1,1240 +0,0 @@ -% THIS IS FILENAME MANUAL -% -% ***This is the Users' Guide to the HP TeX Macro package *** -% -% Copyright 1984 Hewlett-Packard Co. -% -\let\indx=\relax -\def\evenheading{\vbox{\hbox to \hsize{\eightrm Page \folio\hfil\HPTEX} - \nointerlineskip\vskip2pt - \hbox{\vrule width \hsize height .4pt}}} -\def\oddheading{\vbox{\hbox to \hsize{\eightrm Macros \hfil Page \folio} - \nointerlineskip\vskip2pt - \hbox{\vrule width \hsize height .4pt}}} -\def\noheading{\hfil} -\headline{\ifnum\pageno=1\noheading - \else\ifodd\pageno\oddheading - \else\evenheading\fi\fi} -\centerfooting{} - -\tolerance=1000 -\noindentstyle -\font\hplogo=hplogo -\font\csc=amcsc10 \def\headno{\levelno} \def\emspace{\enspace} -\def\lb{$\langle$} \def\rb{$\rangle$} -\def\bs{{\tt \char92}\relax} -\font\bo=amb10 -\font\tenbo=amb10 -\def\+{{\tt \char92}\relax} \def\_{\kern.06em\vbox{\hrule width.5em}} -\def\[{$\{$} \def\]{$\}$} \def\tbw{{\bf - TO BE WRITTEN -}} -\def\ent{\textbox{\tt ENTER}} \def\sec{{\bf -SECTION NUMBER HERE-}} -\def\degrees{$^\circ$} -\def\gt{$>$} -\def\spacechar{\hskip1pt\lower3pt\vbox{ - \hbox to 5pt{\vrule height4pt width.009in - \hfill - \vrule height4pt width.009in} - \hrule depth.009in height0pt}\hskip2pt} - -\firstlevelhead{\need.75in\null\bigskip\leftline{\fourteenbf\levelno\enspace% - \title}% - \medskip\ctswrite{\hskip15pt\tenrm\title}} -\secondlevelhead{\need.6in\medskip\leftline{\twelvebf\levelno\enspace\title}% - \ctswrite{\hskip30pt\tenrm\title}} -\thirdlevelhead{\need.5in\medskip\leftline{\twelvebf\levelno\enspace\title}% - \ctswrite{\hskip45pt\ninerm\title}} - -\def\bs{{\tt \char92}\relax} -\def\+{{\tt \char92}\relax} - -\def\tspec{\lb{\sa table spec.}\rb} -\def\colspec{\lb{\sa column spec.}\rb} -\def\col{\lb{\sa column list}\rb} - - -\def\cmd#1{\need 0.5in\bigskip {\tentt\bs #1}\lbreak} -%\def\mcmd#1{\need 0.5in\bigskip {{\tentt\bs #1}}\lbreak} -%\def\\#1{\lbreak\indent{{\tentt\bs #1}}} -\def\lb{$\langle$} -\def\rb{$\rangle$} -\def\[{$\{$} -\def\]{$\}$} -\def\blk{\lb{\sa blockname}\rb} -\def\hor{\lb{\sa horizontal list}\rb} -\def\int{\lb{\sa integer}\rb} -\def\dim{\lb{\sa dimension}\rb} -\def\ver{\lb{\sa vertical list}\rb} -\def\vol{\lb{\sa Volume Name}\rb} - -\null -\vskip1in -\centerline{\eighteenbf THE HP \TeX\ MACROS}\footnote{}{\eightrm\copyright - 1984 Hewlett-Packard Co.} - -\vskip.5in -\centerline{HEWLETT-PACKARD CO.} -\vskip1.47in - -\level1{Introduction} -This set of macros was written as part of \HPTEX, Hewlett-Packard's software -package designed to facilitate the use of \TeX\ on the HP Series 200 Desktop -Computers. The \HPTEX\ program can be run on either an SRM based, or a -stand-alone (LIF) system, and requires 1.25 Mbytes main memory and a minimum -of 15 Mbytes mass storage. It uses an HP 2688A Laser Printer. - -The HP2688A is a page printer which uses scanned electrophotography technology -to print computer output on single sheet paper. The 300 dots per inch -resolution, high contrast and speed, plus sophisticated character printing, -allow a high degree of application flexibility. Unique features include -90\degrees\ rotation of page print, multiple pages of data output per printed -sheet, and a graphics option. The print rate is approximately 12 pages per -minute. - -The \HPTEX\ macro package is designed to supplement \TeX\ by providing macros -for formating documents and for controlling the HP2688A. The user of \HPTEX\ -can use any of the \TeX\ commands as well as the \HPTEX\ macro commands. - -While the formating macros include macros for headings and footings, -paragraph style, lists, lines, boxes, paragraph headings, multiple columns, -tables, and table of contents, they are not meant to be a complete system. -They are intended to enable the user to get -started, and to provide useful macros that can be modified and used as -examples by the user for the creation -of a customized macro package. - -A second release of \HPTEX\ is planned that will include graphics capability. - -\vfil -On \indx{syntax} -lines, when curly braces ``\[$\ldots$\]'' are shown, they are required in the -source file, text between -angle brackets ``\lb$\ldots$\rb'' identifies a parameter variable, -and the character ``\spacechar '' represents a required space. -\vfil\eject - -\level1{ Document Formatting Macros} -The following HP \TeX\ commands control the basic style and formatting -of a document: - -\level2{Page Layout} -The HP \TeX\ defaults for \indx{page layout} are the same as they are in -the \TeX\ program. That is, -all margins are set to approximately -one inch from the edges. (Plain \TeX\ sets {\tt \+vsize=8.9in} and -{\tt \+hsize=6.5in}.) \indx{Headings and footings} are printed {\bo outside} -those margins. - -The following macros affect the running head and the footing of -each page. The heading and footing lists are expanded during the -output routine so the \TeX\ commands \indx{{\tentt\bs firstmark}}, -\indx{{\tentt\bs topmark}} and -\indx{{\tentt\bs botmark}} are compatible here. - -\need.5in\bigskip\relax{{\tentt \+centerheading}}\[\hor\]\lbreak - \relax{{\tentt \+leftheading}}\[\hor\]\lbreak - \relax{{\tentt \+rightheading}}\[\hor\]\lbreak - \relax{{\tentt \+outsideheading}}\[\hor\]\lbreak - \relax{{\tentt \+insideheading}}\[\hor\]\lbreak -These macros accept text which is to be placed at the top of every page. -The first three macros place the argument in the center, left, or right -of the page respectively. -{\tt\bs outsideheading} and {\tt\bs insideheading}, -if specified, override the left and right headings. On odd pages, the -inside heading will appear on the left, outside on the right. Even -pages are the opposite. (This feature is helpful when the output is -to be used as two-sided copy.) - - -\need.5in\bigskip\relax{{\tentt \+centerfooting}}\[\hor\]\lbreak - \relax{{\tentt \+leftfooting}}\[\hor\]\lbreak - \relax{{\tentt \+rightfooting}}\[\hor\]\lbreak - \relax{{\tentt \+outsidefooting}}\[\hor\]\lbreak - \relax{{\tentt \+insidefooting}}\[\hor\]\lbreak -These are like the above commands, only they are for footings at the bottom -of each page. For example, if page numbers -are desired in the left side of the bottom of each page, type: -{\tt\bs leftfooting\[\indx{\bs folio\]}} - -{\tt\bs outsidefooting} and {\tt\bs insidefooting} will -produce similar results as {\tt\bs outsideheading} and -{\tt\bs insideheading} (see above). The default in HP \TeX\ is -{\tt \+centerfooting\[\+folio\]}. This produces page numbers at -the center of the bottom of each page. - -\need.5in\bigskip\relax{{\tentt \+noheading}}\lbreak - \relax{{\tentt \+nofooting}}\lbreak -These macros turn off headings or footings for the current and all -successive pages until the {\tt\bs resumefooting} or -{\tt\bs resumeheading} command is used. - -\need.5in\bigskip\relax{{\tentt \+suspendheading}}\int\lbreak - \relax{{\tentt \+suspendfooting}}\int\lbreak -These macros suspend headings or footings for the specified number of -pages or until the use of a {\tt\bs resumeheading} or {\tt\bs resumefooting}. - -\need.5in\bigskip\relax{{\tentt \+resumeheading}}\lbreak - \relax{{\tentt \+resumefooting}}\lbreak -These macros undo the effects of the {\tt\bs suspendheading}, -{\tt\bs noheading}, {\tt\bs suspendfooting} and -{\tt\bs nofooting} macros above. - -\break -\level2{Paging} - -\cmd{\indx{newpage}} -This macro forces a \indx{page eject} if not on a new page.\note{\tenpoint -If {\tt \+newpage, \+oddpage}, or {\tt \+evenpage} -occur at the bottom of a full page, they will cause an extra page -eject. If this happens, insert an {\tt \+eject} just before the -page command.} - -\cmd{\indx{oddpage}} -This macro causes a page eject, and if the current page is an odd-numbered -page, leaves an extra blank page so that the following text is -guaranteed to begin on an odd-numbered page. - -\cmd{\indx{evenpage}} -This macro is similar to oddpage, but the following text will appear on -an even rather than an odd numbered page. - -The {\bo plain} \TeX\ command, {\tt\+pageno} will set the current page number -to the specified page number. (See ``Some Useful \TeX\ Commands'' in -Chapter~2 of this manual.) - -\level2{Paragraph Style} -As \TeX\ accepts text from the input file, the text is formatted into -paragraphs. The following commands can be used to control the shape -of the paragraphs. - - -\cmd{\indx{inset}=\dim} -Specifies a general amount of indentation to be used with itemized -lists, notes, warnings and indent blocks. Default is 0.5 - inch. - -\need.5in\bigskip\relax{{\tentt \+start\[indent\]}}\lbreak - \relax{{\tentt \+finish\[indent\]}}\lbreak -These commands are used to indent the left margin by the inset -dimension. The right margin is unaffected by this block. - -\cmd{\indx{indentspace}=\dim} -This command assigns the indentation value for the first line of all succeeding -paragraphs when {\tt\bs indentstyle} is in effect. The default is -20 points. - -\cmd{\indx{indentstyle}} -This causes the first line of each paragraph to be indented -(the amount of the indentation is assigned by the {\tt\bs indentspace} -command). This is the default paragraph style. - -\cmd{\indx{noindentstyle}} -This causes the paragraphs to be formatted with no indentation. -The nominal \indx{spacing} between paragraphs is 5 points greater without -indentation than when {\tt\bs indentstyle} is being used. -\start{note} -\centerline{-- NOTE --} -Spacing between paragraphs can be user specified by using the {\tt -\bs parskip} command. -\finish{note} - -\level2{Itemized and Bulleted Lists} -The following macros are aids in producing lists. The various list commands -cause indentation at various levels and use various tokens (numbers, letters, -dots, dashes, $etc.$) to the left of the -first line of the listed item to set off the list entry. - -\need.5in\bigskip\relax{{\tentt \+numbereditems}}\lbreak - \relax{{\tentt \+lettereditems}}\lbreak - \relax{{\tentt \+Lettereditems}}\lbreak - \relax{{\tentt \+romanitems}}\lbreak - \relax{{\tentt \+Romanitems}}\lbreak - \relax{{\tentt \+squareditems}}\lbreak - \relax{{\tentt \+dotteditems}}\lbreak - \relax{{\tentt \+dasheditems}}\lbreak -These macros initialize the tag allocation macro {\tt\bs itemtag}. -Default is {\tt\bs numbereditems}. - -\need.5in\bigskip\indx{{\tentt \+numberedsubitems}}\lbreak - \relax{{\tentt \+letteredsubitems}}\lbreak - \relax{{\tentt \+Letteredsubitems}}\lbreak - \relax{{\tentt \+romansubitems}}\lbreak - \relax{{\tentt \+Romansubitems}}\lbreak - \relax{{\tentt \+squaredsubitems}}\lbreak - \relax{{\tentt \+dottedsubitems}}\lbreak - \relax{{\tentt \+dashedsubitems}}\lbreak -These macros initialize the tag allocation macro {\tt\bs subitemtag}. -Default is\lbreak {\tt\bs letteredsubitems}. - -\cmd{\indx{itemtag}} -This macro causes a number, letter, roman numeral, square, dot or dash -to be printed as the item specifier -depending upon what initialization has taken place (see above). - -\cmd{\indx{subitemtag}} -Similar to {\tt\bs itemtag} but pertains to subitems. - -\cmd{\indx{square}} -This macro prints a .4em-by-.4em square ( \square\ ). This macro can be used at -any time a horizontal list is being built (such as the middle of a -paragraph), -but it is particularly useful as the argument for the {\tt\bs itemlist} macro. -(This command produces the same symbol as \TeX 's {\tt \+bull} command.) -\cmd{\indx{dott}} -This macro prints a solid round dot ( \dott\ ). (Same as {\bo plain} \TeX 's -{\tt \$\+bullet\$}.) - -\cmd{\indx{emdash}} -Sets a horizontal rule one ``\indx{em}'' long ( \emdash\ ). - -\cmd{\indx{itemlist}\[\hor\]} -This macro introduces an item of a list by indenting both left and right -margins by the \dim\ specified in the last {\tt\bs inset} command. -The \hor\ is inserted within braces to specify the token -which is to set off the text. If the token has already been -specified (using {\tt \bs dotteditems, \bs Romanitems}, $etc.$), -or the default {\tt \bs numbereditems} is acceptable, -then the command {\tt \bs itemtag} can be inserted here. -The text of the item follows. (The text -does {\bo not\/} need to be enclosed within braces.) -Indentation continues only for the duration -of one paragraph (if more than one paragraph is desired in an -item, {\tt\bs itempar} should be used). -The use of {\tt\bs itemlist} resets the subitem tag. - -\cmd{\indx{subitem}\[\hor\]} -This macro is similar to {\tt\bs itemlist}, but the indentations are twice as -large as for {\tt\bs itemlist}. This can be used to indicate a - second level of list. (See {\tt \bs itemlist} for contents of - the \hor . - -\need.5in\bigskip\relax{{\tentt \+itempar}}\lbreak - \relax{{\tentt \+subitempar}}\lbreak -These macros are used to start new paragraphs within an item or -subitem respectively. - -\cmd{\indx{enditems}} -This commands properly ends an itemized list by resetting the item counter -and appending {\tt\bs bigskip} \indx{glue}. - -\cmd{\indx{itm}} -Similar to {\tt\bs itemlist\[\bs itemtag\]} except that a -period is appended to the tag if it is a letter, number -or roman numeral. With this command, the item tag must be -specified ahead of time using the command -{\tt \bs dotteditems, \bs lettereditems}, $etc.$, unless the -default ({\tt \bs numbereditems}) is acceptable. Again, -{\tt\bs itm} will {\bo not} accept any \hor\ -as an item tag specifier. - -\cmd{\indx{sitm}} -Similar to {\tt\bs itm} but pertains to subitems. Like -{\tt\bs itm}, {\tt\bs sitm} will {\bo not} -accept any \hor\ as a subitem tag specifier. The subitem tag must -be specified beforehand, unless the default -({\tt \bs letteredsubitems}) is acceptable. -%\need3in -\start{note} -\centerline{-- NOTE --} -If you enter a local \indx{block structure} prior to setting an itemized list, -and want to exit that structure immediately after your last item, then -you must first be sure that you are in {\bo \indx{vertical mode}}. -Otherwise, the last item may not be indented properly. - -Three ways to accomplish this are by using {\tt\bs enditems, -\bs vskip}, or {\tt\bs par}. \finish{note} - -\level2{Line Specifier Macros} -The content of individual lines can be controlled, and they can be -centered or justified using the following -commands. - -\cmd{\indx{centerline}\[\hor\]} -This takes the text within the brackets and centers it between the -margins. The line does not count as a paragraph, so the normal -interparagraph space is not inserted above the line. If this command -follows a paragraph, it is -usually appropriate to precede it with a {\tt\bs vskip}. This command -has been redefined from {\bo plain} \TeX\ in that it uses the -HP macro {\tt \+lline} (described below), so {\tt \+leftskip} -and {\tt \+rightskip} values are taken into account. - -\cmd{\indx{lline}\[\hor\]} -This is very similar to the plain \TeX\ {\tt\+line} command -in that it creates a horizontal box that is the width of the current -{\tt\+hsize}, except that {\tt\+lline} takes into account -the values of {\tt\+leftskip} and {\tt\+rightskip} -if they have been specified. In other words {\tt\+lline} -stays within the current margins. The \hor \ is the contents of -the horizontal box. - - -\cmd{\indx{leftline}\[\hor\]} -This left justifies the contents of the \hor . The comments about vertical -spacing above apply here, also. This command has also been redefined -to use {\tt \+lline} (see {\tt \+centerline}, above). - -\cmd{\indx{rightline}\[\hor\]} -This right justifies the contents of the \hor . The comments about vertical -spacing above apply here, also. This command has also been redefined -to use {\tt \+lline} (see {\tt \+centerline}, above). - -\cmd{\indx{raggedright}} -The {\tt\bs raggedright} macro causes paragraphs to be formatted -in such a way that they are not necessarily justified -on the right margin. This command has also been redefined from -{\bo plain} \TeX\ in that {\tt \+rightskip} values are preserved. - -\cmd{\indx{justify}} -This macro has the opposite effect of the {\tt\bs raggedright} macro -and causes the text to be right justified -({\tt\bs justify} is the default in HP \TeX ). - -\level2{Boxes} - -\cmd{\indx{boxline}=\dim} -This macro assigns the width of the lines used for {\indx{boxes}. The default -boxline dimension is 0.01332 inch. - -\cmd{\indx{boxspace}=\dim} -This macro assigns the width of the space between a boxed item and -the line of the box. The default width in HP \TeX\ is 5 points.\super{4} - -\cmd{\indx{boxit}\[\hor\]} -This macro encloses the argument in a box. If encountered -while making a line of text, the box's bottom line will -be along the baseline of the text. The \hor\ may contain multiple -lines separated by {\tt\bs cr} to be centered within the box. Note -that each line is then treated as a {\bo group}, so font changes, -$etc.$~on one line will not affect the next line. - When using this command, the \hor\ will be -raised somewhat above the line, \boxit{like this.} -If you desire that the text not be raised above the baseline, -use the {\tt\bs textbox} command (described below). - -\cmd{\indx{textbox}\[\hor\]} -This command causes a box to be placed around the \hor , -{\bo without} altering the text, \textbox{like this.} A -textbox cannot be broken from one line of text to another. - -\cmd{\indx{centerbox}\[\hor\]} -This macro centers a box horizontally on the page -and inserts space above and below. -Multiple lines can be specified using {\tt\bs cr} (see -{\tt \bs boxit} description). A {\tt \+centerbox} within a - {\tt \+centerbox} will not work, but {\tt \+boxit} inside - {\tt \+centerbox} will. - %\need1.25in -\level2{Notes and Warnings} -Two other text structures available with the HP \TeX\ macro package are notes -and warnings. - -\need.5in\bigskip\relax{{\tentt \+start\[note\]}}\lbreak - \relax{{\tentt \+finish\[note\]}}\lbreak -A note is inset twice the {\tt\bs inset} dimension on both margins and -set apart from the rest of the text by extra vertical space. -If a note would otherwise start less than half an inch from the -bottom of a page, a page eject is performed prior to the note. -{\tt\bs finish\[note\]} signifies the end of the note. - -\need.5in\bigskip\relax{{\tentt \+start\[warning\]}}\lbreak - \relax{{\tentt \+finish\[warning\]}}\lbreak -A warning is similar to a note, except that is also set apart by horizontal -rules above and below the text. {\tt\bs finish\[warning\]} -signifies the end of the warning text. - -\level2{Verbatim Mode} -Verbatim mode will cause text to be printed ``as is,'' -without any justification. Special characters in this mode -are the backslash (\bs ) and the curly brackets (\[), (\]). -Most other characters can be used and will be printed \indx{verbatim}. - -Verbatim mode is intended for use with simple text which does -{\bo not} contain a large number of control sequences. -The reason for this restriction is that there are many -characters (such as a space, a \indx{tilde}, $etc.$) -which take on different meanings in verbatim mode. Some of these may be -imbedded within a control sequence and can cause -problems when they are expanded. - -You will usually want to select a ``non-proportionally spaced'' -font (like ``tt'') for use in verbatim mode. The -reason for this is that ``proportional fonts'' (like ``rm'') -will cause the printed output to be aligned differently -than what appears on the CRT during source file typing. Other -non-proportional fonts available with the HP 2688A Laser Printer - are Courier, Gothic, Pica, Script, Prestige and Line Printer. - -\start{note} -\centerline{-- NOTE --} -Although verbatim mode using \indx{non-proportional fonts} will -{\bo usually} produce output -that exactly matches what you see on the CRT, there is -at least one exception to this. Long sequences of characters - may be spaced -slightly differently than a string -of blank spaces of identical length . This is -a result of the rounding anomalies that occur when \TeX 's -{\bo ideal} character sizes are converted to the printer's -{\bo actual} sizes. -\finish{note} -\cmd{\indx{start\[verbatim\]}} -This macro causes the following text to be printed ``verbatim'' -without any justification. - -\cmd{\indx{finish\[verbatim\]}} -This macro ends the verbatim mode described above. - -%\need1.25in -\level2{Paragraph Levels} -These macros can be used to create \indx{paragraph headings} -of four different levels. -The \hor, and page number can be written -to the file \lb{\sa jobname}\rb\lower.3em\hbox{*} -to be used for a table of contents (the asterisk ``\lower.3em\hbox{*}'' -signifies the {\tt contents} file). - -The command {\tt\+ctswrite\hor} will automatically open a file and write the -\hor\ and the page number to the file. The {\tt\+contents} command -then uses the \lb{\sa jobname}\rb\lower.3em\hbox{*} file to -create the \indx{table of contents} (refer to the {\tt\+contents} command -description in this section). - -\cmd{\indx{level}\lb\sa integer between 1 and 4\rb\[\hor\]} -This is the command used to print a paragraph heading. Whatever -format is specified using the commands listed below ({\tt \+firstlevelhead, -\+secondlevelhead}, $etc.$) will be used. For example, the command used to set -the paragraph heading of this section looked like this: - -\centerline{\tt \+level3\[Paragraph Levels\]} - -The {\tt \+level} command will automatically update the {\tt\bs levelno} -to print the paragraph head. - -\need.5in\bigskip\relax{{\tentt \+firstlevelhead}}\[\hor\]\lbreak -\relax{{\tentt \+secondlevelhead}}\[\hor\]\lbreak -\relax{{\tentt \+thirdlevelhead}}\[\hor\]\lbreak -\relax{{\tentt \+fourthlevelhead}}\[\hor\]\lbreak -These commands specify the tokens that are inserted to format -each of the various head levels. They should be used when the -default conditions of HP \TeX , as described below, - are not satisfactory. A control sequence {\tt \bs title} -is defined to be the \hor\ from the corresponding {\tt \bs level} -command. For example, the command: -\start{verbatim}\tt{\hfuzz=31pt - \+secondlevelhead\[\+need.75in\+bigskip\+leftline\[\+fourteenbf% - \+levelno\+enspace\+title\]\+medskip% - \+ctswrite\[\+hskip15pt\+tenrm\+title\]\]} - \finish{verbatim} -\vskip3pt\noindent - would cause all second level paragraph heads to be printed on -a new page if less than .75 inch remains on the current page. -The title will be left justified in fourteen point boldface -type. The level number is followed by an ``enspace.'' - ``Bigskip'' \indx{glue} is inserted before the title with a ``medskip'' -after. The \indx{{\tentt\+ctswrite}} command specifies how the -level heading will be written in the table of contents, as -described below. - -Whenever you define a {\tt \bs firstlevelhead, \bs secondlevelhead}, $etc.$, -command to specify the formatting of paragraph headings, you must also -specify how it will be written in the table of contents (if -you plan to create one). The command for doing this is -{\tt \bs ctswrite}. For example, the fourth level head was -redefined from the HP \TeX\ defaults in this document, and the -contents writing command was used as follows:\lbreak -\centerline{\tt \bs ctswrite\[\bs hskip45pt\bs ninerm\bs title\]} -This causes all fourth level headings in the table of contents -to be inset 45~points and be written in nine--point roman type. - -The default HP \TeX\ paragraph level headings -are formatted as follows: {\tt \bs level1} begins on a new page, -prints the title in 14 point bold face type and down 1.5 inches -from the top of the page. {\tt \bs level2} - requires that at least .75 inch remain on the -page. If so, the title is printed with some vertical space above it, -otherwise, it is set on the top of the next page. In any case, it is printed -in 12 point boldface type. {\tt \bs level3} and -{\tt \bs level4} are similar, but -require less space to remain on the page and print the title in 10 -point bold face and 10 point roman respectively. - -The ``levelhead'' macros are {\bo local} to -their \indx{block structure}. This provides a simple means -to return to the HP \TeX\ default levelhead -style. All you would need to do is enclose the command -and any text you want affected within braces. After the -closing brace, \TeX\ will return to the default format. Note -that this should only be attempted for {\bo shorter} blocks. -Creating large blocks of several pages in length can cause -\TeX\ to run out of memory. - - -\start{note}\centerline{-- NOTE --} -If you need to change the font style or size within a level -heading, you must specify the {\bo entire} font name, -(for example: {\tt \bs tentt}$\ldots$ not {\tt \bs tt}). -\finish{note} -\cmd{\indx{levelno}} -This macro can be used whenever the author desires the number -of the heading to appear in the document. The number of the -various levels of headings appear, separated by periods. -For example, typing {\tt Section \bs levelno} might result -in: Section 1.2.7.1 if this was the first fourth-level heading -of the seventh third-level section of the second$\ldots$ $etc.$ -Levels lower than the last modified level do not appear in -{\tt\bs levelno}. - -\def\delim{.} -\cmd{\indx{setlevelno}\[\int\delim\int$\ldots$\int\]} -This macro can be used for presetting the one through -four heading numbers. If you use -this command before a {\tt\+level} command, then the -counter will increment to the next number when the -{\tt\+level} command is encountered. Therefore, you -should preset to one number below the desired level. - You cannot preset the level 2 counter without - specifying the level 1, or the level 3 without level 1 and 2 - and so on. (For example, you cannot specify {\tt\+setlevelno\[1.~.~.4\]}, - you must specify {\tt \[1.\int .\int .4\]}.) - -\cmd{\indx{contents}} -This macro forces a page eject and produces a \indx{table of contents} -on the following pages as dictated by the previous heading macros. -No vertical \indx{glue} is inserted, so you may want to use a {\tt \bs vfil} -command immediately before {\tt \bs contents}. - -\need.5in\bigskip\relax{{\tentt \+topofcontents}}\[\ver\]\lbreak - \relax{{\tentt \+botofcontents}}\[\ver\]\lbreak -These macros specify a list to be placed above and below the table of -contents. The \ver\ may include logos, rules, $etc.$ The table of contents -is quite rigid, so a {\tt\bs vfill} is appropriate in at least one \ver. -Defaults in HP \TeX\ will format the table of contents as they appear in the -beginning of this manual (with the exception of the headings). -\start{note}\need1in -\centerline{-- NOTE --} -{\tt\+topofcontents} and {\tt\+botofcontents} must -{\bo both} be specified {\bo before} the -{\tt\+contents} command is used. (That is, you cannot -specify {\tt\+botofcontents} after {\tt\+contents}, -even though this seems logical.) -\finish{note} -\level2{Multiple Columns} - -The following macros control the number of columns on the page. -Multiple column and single column text can be mixed on a page by -using the following commands. - -\cmd{\indx{columnspace}=\dim} -This command specifies the amount of space between columns on a page. -This dimension should be assigned before entering multicolumn mode and -should remain unchanged for the duration thereof. The default -column space in HP \TeX\ is 0.5 inch. - -\need.5in\bigskip\relax{{\tentt \+start\[twocolumns\]}}\lbreak - \relax{{\tentt \+start\[threecolumns\]}}\lbreak - \relax{{\tentt \+finish\[twocolumns\]}}\lbreak - \relax{{\tentt \+finish\[threecolumns\]}}\lbreak -These four commands cause the text to be formatted into multiple columns. -If a {\tt\bs balance}, - {\tt\bs newpage}, {\tt\bs evenpage} or {\tt\bs oddpage} macro is -encountered while in multicolumn mode, the columns are balanced -on the page prior to the page eject. Exit from multicolumn mode -causes the columns to be balanced as well. Unbalanced columns may -be obtained by using {\tt\bs vfill} {\tt\bs eject} while in multicolumn mode. -Balancing forces the top lines of each column to be lined up. The -bottom lines are lined up as well unless {\tt\bs raggedbottom} has been -specified. Discardable items (such as glue, penalties, $etc.$) -immediately following these commands will be ignored. (To prevent -this, you may use {\tt\+null} immediately -after {\tt\+finish\[$n$columns\]}.) - -\cmd{\indx{balance}} -This command causes the columns to become balanced. Discardable -items (such as \indx{glue}, penalties, $etc.$) immediately following these -commands will be ignored. (To prevent -this, you may use {\tt\+null} immediately -after {\tt\+finish\[$n$columns\]}.) - - -\start{note} -\centerline{-- NOTE --} -When using multiple columns, you may find it helpful to use the -plain \TeX\ commands {\tt\+tolerance} and -{\tt\+hbadness} (to increase the stretch and -shrinkability of interword \indx{glue} and decrease complaints -regarding ``underfull hboxes''). See {\tenit The -\TeX book} for more information. -\finish{note} - -\level2{Tables} -The following macros are useful for setting \indx{tables}. These -macros are different from the plain \TeX\ {\tt\bs halign} and -{\tt\bs valign} commands in that -they format one row at a time. The table can be justified as a whole -either left, right or centered. As long as the number of columns -in each entry remains constant, the entire table appears justified. -(Interesting figures, such as pyramids, hopscotch boards, $etc.$ can -be produced by changing the format and the number of -columns in each entry.) -Each column of the table has its own user specified width. -Between each column -is a vertical line (which can be easily made invisible). -This vertical rule takes no space from any column so the rule -width may be varied without altering the column dimensions. -An entry may also be designed to span two or three columns. -Horizontal bars are -treated exactly the same as data entries. The macro \indx{{\tentt\bs tbar}} -can be used to produce such a bar. - -\cmd{\indx{tableline}=\dim} -This parameter specifies the dimension of bars and rules in -all subsequent entries. This parameter should remain unchanged -throughout the entire table. Default value is 0.01332 inch.\super{7} -\start{note} -\centerline{-- NOTE --} -There may be some occasion when printing a table that you -get the error message,\lbreak -~~~~``{\tt Printer error: \lbreak -~~~~**Could not process all the data, data lost.}''\lbreak -The printer uses a variety of different length line segments to -``build'' a line. If the {\tt tableline} specification you have -chosen requires too many individual segments to make up the exact -specification, it may cause this error. -There are a few remedies available, as follows: - ----If you are using the default magnification (1.0), then -try using the default {\tt tableline} dimension (just leave out -the {\tt\+tableline} command. - ----If you are using a file magnification value other than 1.0, then alter -your {\tt\+tableline} specification so that its value, when converted -to dots (multiply length in inches $\times\ 300$), is a power of 2 ($i.e.$ 1, 2, -8, 16, 32 or a multiple of any of these except 1). -\finish{note} - -\cmd{\indx{tablespace}=\dim} -This parameter specifies the minimum amount of space to be placed -between the vertical rules and data entries in the table. Default in -HP \TeX\ is 5 points. - -\cmd{\indx{tableformat}\[\tspec|\colspec\dim|$\ldots$|\colspec\dim\]} -This command specifies the table format. Note that a \indx{vertical bar} -(\indx{{\tentt |}}) is required as a separator -between specifications, but not at the beginning or end of the -list (different than {\tt \+tablerow} or {\tt \+tablebar}). - -\tspec\ can be any of {\tt\bs leftline}, {\tt\bs rightline}, - or {\tt\bs centerline}. \colspec\ can be any of -{\tt\bs leftline}, {\tt\bs rightline}, {\tt\bs centerline} or -{\tt\bs paragraph}. Other options are -allowed if you make them yourself; for example, if you type: -\par\vskip3pt -\centerline{\tt\bs def\bs mything\#1\[\bs line\[\bs hskip 1in \#1\bs hss\]\]} -\par\vskip3pt -\noindent then {\tt\bs mything} would be a valid \tspec\ option that -would print the table 1 inch from the left margin. -The \colspec\ is always a single token ({\tt\bs leftline}, {\tt\bs rightline}, -{\tt\bs centerline} or {\tt\bs paragraph}), and is -followed by a dimension. The token specifies the standard -justification of the column ({\tt\bs paragraph} must be used if the -column is to contain paragraphs), and the dimension specifies the -absolute width of the column. Again, if you are not satisfied with the -selection you can make your own---the rules are that the macro consume -one token (containing the text) and produce a box of width {\tt\bs hsize}. -%\need2in -\start{note} -\centerline{-- NOTE --} -If the {\tt\bs paragraph} column specification is used, {\tt \+parskip} -must be 0 points (this is the default). Otherwise, the paragraph entry -will be raised or lowered by the current {\tt \+parskip} amount and the -table will be out of alignment. If you are using {\tt\+noindentstyle} -and have not reset {\tt\+parskip}, then inserting an {\tt\+indentstyle} -command just prior to the table will return to the proper (0 points) parskip. -\finish{note} - -\need.5in\bigskip -\relax{{\tentt \+tablerow}}\[{\tt |}\col{\tt |}\col$\ldots${\tt |} - \col{\tt |}\]\lbreak -\relax{{\tentt \+tablebar}}\[{\tt |}\col{\tt |}\col$\ldots${\tt |} - \col{\tt |}\]\lbreak -These commands are used to build tables. {\tt\bs tablerow} should -be used if the \col\ contains text, while {\tt\bs tablebar} should -be used for bars or other non-text entries. Horizontal bars are -obtained by using either {\tt\bs vrule height} \dim , {\tt width} \dim\ - or {\tt\bs tbar} -as a \col\ ({\tt\bs tbar} uses {\tt\bs tableline} as the rule height). -The following syntax holds true for both macros:\dotteditems - -\itm A \indx{vertical bar} (\indx{{\tentt |}}) or a \indx{tilde} (\~{}) must be -beginning and end of each column, including the first and last entry -(differs from {\tt \+tableformat} syntax). -\itm The \indx{vertical bar}s ({\tt |}) may be replaced by tildes (\~{}) -if a visible vertical bar in that position is not desired. - -\itm If the first thing in a \col\ happens to be the control sequence -\indx{{\tentt \bs span}}\[\int\]{\tt \bs tbar}, then the number -of columns specified -as \int\ are spanned by the entry (in this case a horizontal bar). The -natural justification for the spanned entry will be that of the -leftmost column spanned. (Note that {\tt span}\[\int\] is -{\bo not} followed by a blank space as this can cause difficulties.) -%\need1.25in -\start{note} -\centerline{-- NOTE --} -While building tables, if a {\tt\+tablebar} or {\tt\+tablerow} -runs more than one line of text (on the CRT), it is good practice -to use the percent -sign (\indx{{\tentt \%}}) at the end of each line. This will tell \TeX\ to -ignore anything else on that line and prevent -possible problems with extra spaces being -misinterpreted by \TeX . -\finish{note} -\level2{Fonts} -Only a few fonts are preloaded in HP \TeX. These macros allow you -to access a variety of font families, styles, and sizes. - -\cmd{\indx{fontdef}\bs\lb{\sa command}\rb=\[\lb{\sa library}\rb,% - \lb{\sa font name}\rb\]} -This command equates a command of your choice with a -font (as used in the library). You can use \lb{\sa library}\rb -(optional) to -specify other than the default font library. -This command differs from \TeX's {\tt\+font} command in that the -font won't actually be loaded until -the first request (if any). - -\need.5in\bigskip\relax{{\tentt \+fivepoint}}\lbreak - \relax{{\tentt \+sixpoint}}\lbreak - \relax{{\tentt \+sevenpoint}}\lbreak - \relax{{\tentt \+eightpoint}}\lbreak - \relax{{\tentt \+ninepoint}}\lbreak - \relax{{\tentt \+tenpoint}}\lbreak - \relax{{\tentt \+tenpoint}}\lbreak - \relax{{\tentt \+fourteenpoint}}\lbreak - \relax{{\tentt \+eighteenpoint}}\lbreak - \relax{{\tentt \+twentyfourpoint}}\lbreak -These commands select the font point size from five to twentyfour. (In -{\bo Math Mode}, these commands only apply to the default -font within a font family. If you are using a current family -other than {\tt\+fam0}, you must make the appropriate -font assignments -(see Appendix A, ``Changing Fonts in HP \TeX ''). - -%\mcmd{{cm}}\lbreak - %tr\lbreak - %gv} -%These commands select Computer Modern, times roman -%and geneva font families respectively. -\need.5in\bigskip\relax{{\tentt \+rm}}\lbreak - \relax{{\tentt \+it}}\lbreak - \relax{{\tentt \+bf}}\lbreak - \relax{{\tentt \+sl}}\lbreak - \relax{{\tentt \+sa}}\lbreak - \relax{{\tentt \+tt}}\lbreak -These commands select \indx{roman} style, \indx{italic}, \indx{bold face}, -\indx{slanted}, -\indx{sans serif}, and \indx{typewriter} style. - -If the selected font is undefined, the font style is changed -to roman. If that new font is still undefined, the size is -changed to ten points. Computer Modern ten point -roman will always be defined in HP \TeX. - -\level2{Miscellaneous Macros} - -%\cmd{\indx{indx\[\hor\]} -%This command sets the \hor. The \hor\ along with the current page -%number are then written to the file {\job.inx} for use as an index. -% -\cmd{\indx{note}\[\hor\]} -This macro puts a footnote at the bottom of the current page -and inserts a superscript footnote number at the location -of the command and the footnote. -Footnote numbers are allocated starting with~1 and can be -reset by the use of {\tt\bs resetnotes}. The \hor\ is the footnote -text. - - -\cmd{\indx{need}\dim} -The result of this macro is that if the page breaking algorithm -of \TeX\ determines that the current position would optimally -fall within \dim\ of the bottom of the page, the page is broken -leaving some empty space at the bottom. -\need1in -\start{note} -\centerline{-- NOTE --} -Since the {\tt \bs need} command uses a negative penalty -to {\bo encourage} (not {\bo force}) \TeX\ to break -the page, it will -not always have the effect you might anticipate. This is especially -true if the command is encountered near -the top of the current page and the remaining text will not -adequately fill the current page. -\finish{note} -\cmd{\indx{super}\[\hor\]} -The argument is printed as a superscript. - -\cmd{\indx{sub}\[\hor\]} -The argument is printed as a subscript. - -\cmd{\indx{lbreak}} -This macro forces a line break within a paragraph. It inserts ``hfil'' -\indx{glue} before the break, so the line will {\bo not} be right -justified. If you want right justification, use plain \TeX 's -{\tt \bs break} command. - -\cmd{\indx{uline}\[\hor\]} -This macro causes the argument to be underlined. - -\cmd{\indx{mon}} -This command prints the current month name. For -example, if the current month were August, {\tt\bs mon} would -print the letters ``August'' in the current font. - -\cmd{\indx{date}} -This command prints the current date in the format Month Date, Year. -For example, if today's date were 12 December 1984, {\tt\bs date} -would print the characters ``December 12, 1984'' in the current font. - -\cmd{\indx{hour}} -This command prints the current time of day (for example -- 4:07 PM) - -\level2{Block Structure} -Certain local document styles are considered to belong to a ``block.'' -(\indx{Block structure}, as used here, simply refers to a portion of a -file that has some common formatting instructions applied -to it.)\note{\tenpoint The concept of {\tenbo \indx{grouping}}, explained -in this manual and in {\it The \TeX book}, is basically the -same as the ``\indx{block structure}'' referred to here.} - -The current block is defined to be the most recently opened -block. Pending blocks are blocks that have been opened but -not closed. The HP \TeX\ macros {\tt\+start} and {\tt\+finish} -are used to open and close blocks. - -Valid \blk s pre-loaded in HP \TeX\ include {\tt indent, note, - warning, ver\-ba\-tim, twocol\-umns} and {\tt threecolumns}, - all of which have been described in this chapter. - User defined blocks may be implemented by defining a control - sequence, {\tt\bs BEGIN\blk} and, optionally, another - control sequence, {\tt\bs END\blk}. - -\cmd{\indx{start}\[\blk\]} -This command determines if a control sequence {\tt\+BEGIN\blk} has -been defined. If one exists, a new block is opened and the control -sequence is invoked. Otherwise, an \indx{error message} is issued and the -command is ignored. - -\cmd{\indx{finish}\[\blk\]} -This command is used to close the current block and invoke the -control sequence {\tt\+END\blk} if one has been defined. If \blk\ matches -the current block name, the current block is closed. If not, an -appropriate error message is issued and corresponding corrective -action is taken. If \blk\ is not valid or there are no pending -blocks, the command is ignored. If \blk\ is valid but does not -match the current block -name, {\tt\bs done} commands are inserted until either \blk\ matches -the current block name or until all pending blocks are closed. - -\cmd{\indx{done}} -This command closes the current block without -any error checking and invokes the control sequence {\tt\+END\blk} if -one has been defined. A \TeX\ error message will be issued if -there are no pending blocks. - -Following is an sample usage of the {\tt\+BEGIN} and {\tt\+END} -commands in creating user-defined blocks: - -\def\BEGINexample{\bigskip\centerline{- EXAMPLE -} - \medskip\leftskip.75in\rightskip.75in} -\def\ENDexample{\medskip} -\start{example} -This example was created by defining the following block:\medskip -\centerline{\tt \+def\+BEGINexample\[\+bigskip\+centerline\[- EXAMPLE -\]} -\centerline{\tt ~~~~~~\+medskip\+leftskip.75in\+rightskip.75in\]~~~~~~} -\medskip -The block was opened using the command: {\tt\+start\[example\]}. The -optional control sequence {\tt\+END\blk} was also used, as follows:\medskip -\centerline{\tt \+def\+ENDexample\[\+medskip\]}\medskip -The {\tt\+medskip} vertical glue will be inserted after the block is -closed using the command: {\tt\+finish\[example\]}. -\finish{example} - - -\level1{\indx{HP 2688A} Control Macros} - -These macros are for controlling certain features of the 2688A Laser -Printer: - -\level2{Page Copy Control} - -\cmd{\indx{copies}\int} -This macro assigns the number of copies per page starting with the current -page. The copies are uncollated; in other words, if {\tt\bs copies5} -occurred on page 3, the output will have five copies of page 3, -then five copies of page 4, $etc.$ The control of the number of copies -is accomplished through one of \TeX's counters. Default is counter -number~1. Possible integers and their effect are shown below: -\itm 1 to 32,767 will produce the specified number of copies. -\itm Greater than 32,767 will produce 32,767 copies. -\itm 0 will produce 1 copy. -\itm Less than 0 (negative number) no copies (can be used -to suppress certain sections of a document, $etc.$) -\enditems -The counter -can be changed using the following macro. - -\cmd{\indx{selectcopycounter}\lb {\sa integer from 0 to 9}\rb} -This is used for changing which counter is used for controlling -the number of \indx{copies} per page (default is 1). This command generally -should not be used except by people who are writing their own -macros. - -\need.5in\bigskip\relax{{\tentt \+copieson}}\lbreak - \relax{{\tentt \+copiesoff}}\lbreak -If the multiple copies feature is being used in a document, these -macros can be used to alternate between one copy per page and the -number of copies assigned by the {\tt\bs copies} macro. The difference between -{\tt\bs copiesoff} and {\tt\bs copies1}~is that when the former is followed -with {\tt\bs copieson}, the original number of copies is restored, whereas -when the latter is followed with {\tt\bs copieson}, there is, -of course, no effect. - -\level2{Logical Page Control} - -The Print Server features a concept called ``\indx{logical paging}'' -which is controlled using the following set of macros. A -logical page is a rectangular addressing space on the sheet of paper -(referred to as the ``\indx{physical page}''). Logical pages have an -orientation (\indx{portrait}, \indx{landscape}, \indx{reverse portrait} -or \indx{reverse lanscape}) and a position on the physical page. -Through the operator -interface of PS2688A, you may define a list of logical pages that -may be written to on any sheet of paper. -These logical page specifications may also be stored in a PS2688A -input file to avoid typing in the specifications for each job. -Using these macros, you -can address the logical pages with either of two methods: -either by explicitly specifying a logical page for each page of -\TeX\ output, or by specifying an ordered list of logical pages -and letting the system cycle through the list. - -\cmd{\indx{lpdef}\[\lb\sa logical page definition\rb\]} -This command defines a logical page size and orientation. The -\lb{\sa logical page definition}\rb -consists of the logical page -number, followed by the {\bo left}, -then the {\bo top} dimensions (distance from the - edges of the physical page), and the -\indx{logical page orientation} (portrait, landscape, rev--portrait or -rev--landscape). Orientation may be abbreviated {\tt P,L,RP,}and -{\tt RL,} respectively, and either upper or lower case -characters will work. The edges of the page that -would normally be the top and left as viewed from that -logical page's orientation are -always considered top and left in this context. - An example usage follows:\medskip -\centerline{\tt \bs lpdef \[1, 1.5in, 3in, L\]}\medskip -This would cause logical page number 1~to be printed -in {\bo landscape} orientation, with the left edge of the -print (as viewed from landscape orientation) beginning 1.5~inches -from the edge of the physical page. The ``top'' (left-hand -edge along the paper path) will begin 3~inches from the -edge. - -The default values for logical pages in HP \TeX\ are: LEFT=1in, -TOP=1in. - - - - -\start{note} -\centerline{-- NOTE --} -The dimension specified as distance from the top edge does not -take into account the space needed for headings. If running headings -are to be used, the logical page definition should allow extra -room for them when specifying ``top'' dimension. (Footings -are also printed ``in the margin,'' so when specifying -{\tt vsize} be sure to leave room for them.) -\finish{note} - -\cmd{\indx{lplist}\[\lb\sa logical page list\rb\]} -This command specifies the logical page list to be used whenever -logical pages are being used implicitly. Only one such -specification is allowed within a document, if more than one exist, -all but the last are ignored. This command initializes -implied logical paging. - - The \lb {\sa logical page list}\rb ~is a list -of integer numbers from 1~to 32~which have been defined -using the {\tt \bs lpdef} command. Positive number entries will -cause a physical page eject prior to initiating the logical -page entry. Negative numbers require no such physical -page eject. Each entry number should be separated from -the next by a comma. - -%\need3in -\medskip The remaining commands control explicit logical paging. If any of -these commands occur within a page, a page eject is issued and the -next page to be printed will be dependant upon the particular -command. If any of these commands occur on the top of a page, the -prescribed action will be delayed until the next page break -(be it natural or forced by a {\tt\bs newpage}, {\tt\bs eject}, $etc.$). -For example, suppose the first page of every chapter in a -document uses logical page 5, then {\tt\bs ppageto5} {\tt\bs lpresume} -would eject the current page (assuming it is not empty), issue -a physical page eject and begin printing on page 5. Later, -when the page is full, \TeX\ breaks the page and resumes printing -according to the logical page list. - -\cmd{\indx{lpageto}\lb {\sa integer between 1 and 32}\rb} -This command causes the next page to be printed on the specified -logical page. No physical page eject is implied. - -\cmd{\indx{ppageto}\lb {\sa integer between 1 and 32}\rb } -This command is similar to {\tt\bs lpageto} but implies a physical -page eject prior to printing on the specified logical page. - -\cmd{\indx{lpresume}} -This command is used after a {\tt\+ppageto} or {\tt\+lpageto} -command to resume -printing on the current page of the logical page list. - -\cmd{\indx{lpreset}} -This command resets the logical page list and prints on the first -page in the list. - -\cmd{\indx{lpexit}} -This command exits the current loop in the logical page list and -prints on the next page in the list. - -\cmd{\indx{selectlpcounter}\int} -This is used for changing which counter is used for specifying the -logical page (default is 2). This macro generally should not be used -except by people who are writing their own macros. -\vfill\eject - -% THIS BEGINS THE SAMPLE PAGE*** - -\def\oddheading{\vbox{\hbox to \hsize{\eightrm A Sample Document - \hfil Page \folio} - \nointerlineskip\vskip2pt - \hbox{\vrule width \hsize height .4pt}}} -\centerfooting{\eightbf THIS DOCUMENT WAS CREATED USING \HPTEX} -\firstlevelhead{\leftline{\fourteenbf\levelno\enspace% - \title}% - \medskip\ctswrite{\hskip15pt\tenrm\title}} -\numbereditems -\level1{Formatting a \indx{Sample Document}} -In this section we will format a simple document -utilizing many of the HP \TeX\ macros. -For this example, we will accept all the HP \TeX\ default values for the -various commands. -\vskip.5in -\centerline{\twelvebf A Sample Document} - -Isn't that nice? If we wanted to, we could have easily set that off to the -right like this:\lbreak -\rightline{\twelvebf A Sample Document} - -Now, how about \textbox{a textbox?} Those are -always fun. Or, if we really want to set something off, we could -ask \TeX\ to: -\centerbox{put it inside\cr - a nice little\cr - centered box,} -or, maybe just \boxit{``boxit'' -- like this.} - -But say you're really serious about getting someone's attention. - -\start{warning} -\centerline{\bf LOOK!} -\centerline{You can use the ``Warning'' command, like we did here.} -\finish{warning} - -Now, let's use the extraordinary capabilities of \TeX\ to -generate a mathematical formula: -$$\hat{n}_2(s)={1\over \alpha_2}\biggl[ \biggl({\partial C_2\over - \partial x} \biggr)_{x=0}+{k_1 \hat{n}_1\over D_1} \biggr]$$ -Next, we'll create a table to show the dimensional units available in \TeX : -\medskip -\tableformat{\centerline|\centerline 1in|\leftline 1.2in|\centerline 1in|% - \centerline .05in|\centerline 1in|\leftline 1.2in|\centerline 1in} -\tablebar{|\span7\tbar|} -\tablerow{|\TeX\ UNIT|DESCRIPTION|PER INCH||\TeX\ UNIT|DESCRIPTION|PER INCH|} -\tablebar{|\span7\tbar|} -\tablerow{|{\tt in}|inch|1||{\tt mm}|millimeter|25.4|} -\tablerow{|{\tt cm}|centimeter|2.54||{\tt dd}|Didot point|67.54|} -\tablerow{|{\tt pt}|printer's point|72.27||{\tt bp}|big point|72|} -\tablerow{|{\tt pc}|pica|6.02|| | | |} -\tablebar{|\span7\tbar|} -\medskip -Itemized lists are very useful: -\itm For listing things. -\itm For making a series of points. -\sitm You can even use subitems. -\enditems -Now, look at the next page to see exactly how this sample -document was formatted. -\vfil\eject - - -\nofooting -\centerline{\bf Here's the source file for ``\indx{Sample Document}''} -\medskip -\start{verbatim}{\tentt\inset=.6in\start{indent} -\+noindentstyle -\+centerfooting\[\+eightbf THIS DOCUMENT WAS CREATED USING \+HPTEX\] -\+null\+bigskip -\+centerline\[\+twelvebf A Sample Document\] - -Isn't that nice? If we wanted to, we could have easily set that off to the -rightlike this:\+lbreak -\+rightline\[\+twelvebf A Sample Document\] - -Now, how about \+textbox\[a textbox?\] Those are always -fun. Or, if we really want to set something off, we could ask \+TeX\+ to: -\+centerbox\[put it inside\+cr - a nice little\+cr - centered box,\] -or, maybe just \+boxit\[``boxit'' -- like this.\] - -But say you're really serious about getting someone's attention. - -\+start\[warning\] -\+centerline\[\+bf LOOK!\] -\+centerline\[You can use the ``Warning'' command, like we did here.\] -\+finish\[warning\] - -Now, let's use the extraordinary capabilities of \+TeX\+ to -generate a mathematical formula: -$$\+hat\[n\]_2(s)=\[1\+over \+alpha_2\] \+biggl[ \+biggl(\[\+partial C_2\+over - \+partial x\] \+biggr)_\[x=0\] +\[k_1 \+hat\[n\]_1\+over D_1\] \+biggr]$$ -Next, we'll create a table to show the dimensional units available in \+TeX : -\+medskip -\+tableformat\[\+centerline|\+centerline 1in|\+leftline 1.2in|% - \+centerline 1in|\+centerline .05in|% - \+centerline 1in|\+leftline 1.2in|\+centerline 1in\] -\+tablebar\[|\+span7\+tbar|\] -\+tablerow\[|\+TeX\+ UNIT|DESCRIPTION|PER INCH||\+TeX\+ UNIT|DESCRIPTION|PER INC -\+tablebar\[|\+span7\+tbar|\] -\+tablerow\[|\[\+tentt in\]|inch|1||\[\+tentt mm\]|millimeter|25.4|\] -\+tablerow\[|\[\+tentt cm\]|centimeter|2.54||\[\+tentt dd\]|Didot point|67.54|\] -\+tablerow\[|\[\+tentt pt\]|printer's point|72.27||\[\+tenttbp\]|big point|72|\] -\+tablerow\[|\[\+tentt pc\]|pica|6.02|| | | |\] -\+tablebar\[|\+span7\+tbar|\] -\+medskip -Itemized lists are very useful: -\+itm For listing things. -\+itm For making a series of points. -\+sitm You can even use subitems. -\+enditems -Now, look at the next page to see exactly how this sample document was -formatted. -\+vfil\+eject -\finish{indent} -} -\finish{verbatim} - -\bye - diff --git a/macros/hptex/hptex.doc b/macros/hptex/hptex.doc deleted file mode 100644 index 4611efaa45..0000000000 --- a/macros/hptex/hptex.doc +++ /dev/null @@ -1,751 +0,0 @@ -This is the documentation for HP TeX, version A.00.00, Feb. 14, 1984. - Copyright 1984 Hewlett-Packard Co. - -NOTE 1: Plain is read in as a separate file. - -NOTE 2: "@" temporarily becomes a letter so that HP TeX can use the - internal control sequences of PLAIN, and to avoid conflict between - the internal control sequences of HP TeX and user names. - -NOTE 3: This defines leaders used in the table of contents macros. - -<> - -NOTE 4: HP TeX has fonts available in sizes from 5 points to 24 points. The - fonts loaded in Plain are listed as comments to make it easier to - verify the fonts available. - -NOTE 5: In case a font is used in a write or message. - -NOTE 6: \fontdef#1#2 defines the control sequence for the font, but the - font is not loaded until the first time the control sequence is - actually used. The first parameter is the control sequence to be - defined; the second is the external font name. - -<> - -NOTE 7: These macros set the family and the background style. Then using - \setfont they set the current font. - -<> - -NOTE 8: These macros set the background font size, and then use \setfont to - set the current font. \baselineskip and \strutbox are set to - values appropriate to the font size. The fonts in families 0, 1, - and 2 are changed to appropriate sizes. The fonts that are not - already loaded, are not loaded unless they are needed by an entry - into either math mode or display mode. - -<> - -NOTE 9: \tryfont#1 sets \nofont@ to true if the control sequence determined - by the current background font size and style (#1) has not yet been - defined. If the control sequence does exist, \nofont@ is set to - false, and the control sequence is invoked. - -NOTE 10: \setfont uses \tryfont to set the current font based on the - background font size and style. If there is no control sequence - defined for that font, then \tryfont is used again to check for a - font with the background size and in roman style. If there is - still no control sequence defined for that font, the size ten and - style roman is tried. This will always succeed in HP TeX. - - \ffam will be a third factor in determining the current font when - other font families become available. - -<> - -NOTE 11: The default values in HP TeX are family0 and font \tenrm with a - background style of roman, a background size of ten points, and a - superscript/subscript size of seven points. - -<> - -NOTE 12: These line setting macros take \leftskip and \rightskip into - account. - -<> - -NOTE 13: This replaces Knuth's definition of \narrower. \narrow@ is used in - the note and warning macros. - -NOTE 14: \need is followed by a dimension x. It uses \need@ to determine - if x space remains on the page, and if not, causes an eject to - the next page. - - \need@ depends on \okbreak which merely encourages a page break - at that point. Its effect is dependent on its nearness to the - bottom of the page, and whether the text following the \need - fits completely on the page or not. - -NOTE 15: \for provides a for-loop. Parameter #1 (\fcount@) contains the - variable name; #2 is the initial value of the variable; #3 - (\fexit@) is the terminating value; #4 (\floop@) contains the - instructions to be done in the loop. The loop will not execute - unless the initial value (#2) is less than or equal to the - terminating value (#3). \next@ is set to \fnext@. - -NOTE 16: \fnext@ provides the looping capability for \for. It executes - \floop@ and then checks to see if \fcount@ has reached the - terminating value. If it hasn't, then \fcount@ is incremented. If - the terminating value has been reached, \next@ is set to \relax. - \next@ is then entered and depending on its current meaning, either - the loop is repeated via \fnext@, or \relax ends the looping. - - -NOTE 17: \uline#1 makes an \vbox containing #1 with a horizontal rule .23em - under its baseline, and then creates an \hbox containing the vbox - lowered by the amount necessary to place the baseline of #1 in line - with the baseline of the current line of text. - -<> - -NOTE 18: \start#1 and \finish#1 define local nestable blocks. In the - event of any error, the error message is delayed until corrections - are complete. - -NOTE 19: \start#1 uses \ifinvalid@ to determine if #1 is a valid - blockname. If it is, a block (group) is begun and \blockname@ - stores #1 as the current block. The control sequence \BEGIN#1 is - invoked and \Error is called to print out any error messages. - -NOTE 20: \finish#1 calls \ifinvalid@ to determine if #1 is a valid - blockname. If it is valid, \matchup@ is called to close block #1. - \Error is called to print out any error messages. - -NOTE 21: \ifinvalid@#1 tests to see if the control sequence \BEGIN#1 - has been defined. If it has not been defined, it is ignored - and \errset is called to store an error message. - -NOTE 22: \matchup@#1 closes blocks as follows: if a \finish is used when no - block currently exists, it is ignored. if a finish does not match - the current blockname, blocks are closed until either a match is - found or all blocks are closed. The parameter is the parameter to - \finish. - -NOTE 23: \done closes the current block. - -<> - -NOTE 24: These macros are used for general purpose error handling. - \errfalse clears the error status. \errset assumes an argument of - an error message; any use of \errset sets the error status and - produces an error message when \Error is encountered. - -<> - -NOTE 25: \mon sets the current month with the current font. - -NOTE 26: \date sets the current date: , . - -NOTE 27: \hour sets the current time of day in 12 hour format: - : . - -<> - -NOTE 28: The switch \ifindent acts as a flag to indicate when \indentstyle - is being used. This is used in \indentstyle, \noindentstyle, and - \indentspace. - -NOTE 29: \indentstyle sets \parindent to \indentsize. If \indentstyle is - already in effect, \parskip is not changed. If \indentstyle is - not already in effect, \parskip is decreased by 5 points. - -NOTE 30: \noindentstyle sets \parindent to zero points. If \indentstyle is - in effect, \parskip is increased by 5 points, otherwise it is not - changed. - -NOTE 31: \indentspace will update \parindent only if \indentstyle is in - effect. - -< - -NOTE 32: \fixmargin@ preserves the original \rightskip. - -NOTE 33: \justify undoes the effects of \raggedright by returning to the - original \rightskip, and resetting the interword and intersentence - space to the default values. - -NOTE 34: \raggedright saves the original \rightskip with \fixmargin@, adds - some stretch to \rightskip, and if \tt is not in effect, fixes the - interword and intersentence spaces. - -NOTE 35: \tt@ is used in \raggedright in the \ifx comparison. It is - necessary if the comparison is to succeed. - -<> - -NOTE 36: \itemset@ takes three parameters: #1 specifies the left indentation - (in multiples of \inset), #2 should be the sum of the left and - right indentation (in multiples of \inset) , and #3 is the tag to be - hung to the left of the item. The line size is in \dimen@. \parshape - is used to build the paragraph. The tag (#3) is hung to the left of - the paragraph. - -NOTE 37: \itemlist#1 is syntactically the same as \item, however \itemlist - preserves \leftskip and \rightskip, and both the left and - right margins are indented by the value of \inset. The parameter - contains the tag for the item. Each time \itemlist is used, - the subitem tag is reset, and the item tag is incremented if - appropriate. - -NOTE 38: \subitem#1 is syntactically the same as \itemitem, however left and - rightskip are preserved, and both the left and right margins are - indented by twice the value of \inset. The parameter contains the - tag for the subitem. Each time \subitem is used, the subitem tag - is incremented, if appropriate. - -NOTE 39: \itempar creates a paragraph identical to that created by \itemlist - except it will have an empty tag. It can be used for the second - paragraph of an item. - -NOTE 40: \subitempar creates a paragraph like that created by \subitem, but - with an empty tag. - - -<> - -NOTE 41: The definition of a tag must do three things: - 1. define a control sequence \reset[sub]items which will be - used to restart tag allocation between lists; - 2. restart tag allocation; - 3. define a control sequence \[sub]itemtag to produce a tag. - - \icount@ (\scount@) holds the value used to determine the current - item (subitem) tag for numbered and lettered tags. - - \idigit@ (\sdigit@) is used with lettered tags to keep track of how - many times the item (subitem) tags have gone through the alphabet - without being reset. - -NOTE 42: \itemn@#1 is used in the allocation of numbered tags. The parameter - is either \icount@ or \scount@. - -NOTE 43: \itemr@#1 is used in the allocation of lower case Roman tags. The - parameter is either \icount@ or \scount@. - -NOTE 44: \itemR@#1 is used in the allocation of upper case Roman tags. - The parameter is either \icount@ or \scount@. - -NOTE 45: \iteml@#1#2 is used in the allocation of lettered tags. If the - end of the alphabet is reached, it begins again with "aa" or - "AA". The first parameter is either \icount@ or \scount@. The - second parameter is either \idigit@ or \sdigit@. - -NOTE 46: \item@#1,#2,#3 takes three parameters: #1 is the initial value of - \icount@ (item counter), #2 is the value of \idigit@ which is - used to print out the appropriate number of letters when using - letters as tags, and #3 is the definition of the \itemtag. It - defines \resetitems to be the initialization of \icount@ and - \idigit@. - -NOTE 47: \itm does not take a parameter. It uses the current \itemtag - as the parameter to \itemlist. If the \itemtag is numbers or - letters, a period is appended to the tag. - -NOTE 48: \subitem@ is similar to \item@. - -NOTE 49: \sitm is the subitem macro equivalent to \itm for item. - -NOTE 50: The defaults are \numbereditems and \letteredsubitems.The - execution of these macros defines \itemtag, \subitemtag, - \resetitems, and \resetsubitems. - -<> - -NOTE 51: \BEGINnote defines the blockname "note" and sets the indentation - at twice the left and right skip amounts. - -NOTE 52: \BEGINwarning defines the blockname "warning," sets the indentation - to twice the left and rightskip amounts, and places a horizontal - rule above the text. \ENDwarning places a horizontal rule below - the text. - -NOTE 53: \marginrule#1 defines an \hrule limited by \leftskip and - \rightskip. Its only parameter specifies the height of the rule. - -<> - -NOTE 54: In verbatim mode, all characters except (\), ({) and (}) are treated - verbatim. Characters that cannot be extracted from the current font - are taken from the math font and given a fixed space equal to the - space of the current font. - - -<> - -NOTE 55: These macros make the verbatim mode use less memory. Multiple lines - and spaces are lumped together to make one large glob of glue - rather than many small globs. - - The carriage return is made into an active character, and given - the meaning of \lumpline@. \lumpline@ accumulates sequential - carriage returns into one lump of vertical glue in \skip@. - - '\ ' is made into an active character, and given the meaning of - \lumpspace@. \lumpspace@ accumulates sequential spaces into - one lump of horizontal glue in \skip@. - -<> - -NOTE 56: \newpage first balances multi-column format which transfers the - contents of \box 255 to \contrib@, so it always looks like the - page is empty immediately afterwards. The box \contrb@ is checked - to see if the page is really empty. - - If \newpage occurs at the bottom of a full page, the \null\vfill - remains in recent contributions and causes an extra page to be - ejected. The workaround is to insert an \eject in the document - just before the \newpage (or the macro containing the \newpage). - - The same problem occurs with \evenpage and \oddpage, and - the same workaround is effective. - -<> - -NOTE 57: Headlines and footlines are constructed as follows: - - (1) under normal conditions the centered heading or footing is - centered, but in the event that one (or more) of the headings or - footings are too wide, space is distributed if possible so there is - no overlap. The macro triplehead@ does this. - - (2) inside and outside headings and footings have priority over - left and right headings and footings. \buildline takes care of - this. - - Notice that if the tokens in an \hbox have width 0pt, it is - assumed they are empty. - - The macros and token registers associated with headings and - footings should be used near forced page breaks or at the begining - of the document. TeX scans ahead when building a page, so the use - of these macros could affect the previous page. - -NOTE 58: \buildline decides which tokens will be on the left and right of - the headline or footline that is being constructed. \lft and \rght - hold the numbers of the boxes containing the tokens to be placed on - the left and right sides of the line. They are initialized to the - boxes for \leftheading and \rightheading. If the box containing the - \insideheading (\box3) is not empty, then for an odd page \lft is - set to 3, and for an even page \rght is set to 3. - - If the box containing the \outsideheading (\box4) is not empty, - then for an odd page \rght is set to 4, and for an even page \lft - is set to 4. - - \triplehead is called to actually construct the line. - -NOTE 59: \triplehead#1#2#3 requires three parameters. #1 is the number of - the box that is to go to the left, #2 is the box number for the - center, and #3 is the box number for the right. \skip@ is the glue - to go between the left and center boxes, and \skip@ii is the glue - to go between the center and right boxes. - - If the width of the left box is greater than the width of the right - box, \skip@ii is increased by the difference, otherwise, \skip@ is - increased by the difference. - - The line is then built by stringing together the boxes and glue. - -NOTE 60: \loadbox#1#2 takes two parameters: #1 is the box number, #2 is the - token list to be put in the box. - -NOTE 61: \headline checks to see if headings are turned on or off. If on, - it loads the appropriate boxes with the various heading token - lists and calls \buildline. If off, it adds horizontal glue, and - if \suspendheading is in effect, updates the \headcount. - -NOTE 62: \footline is similar to \headline. - -<> - -NOTE 63: \boxit#1 takes as its parameter the text to be placed in the box, - and can be used when a real box is wanted, e.g., \setbox0\boxit{...}. - \boxit uses \halign to center the lines of text, separated by \cr, - within the box. - - The value of \boxline determines the thickness of the rule around - the box. The value of \boxspace determines the amount of space - between the rule and the text. - -NOTE 64: \centerbox#1 takes as its parameter the text to be boxed, and then - uses \centerline to center the box resulting from \boxit#1. The box - is separated from surrounding text by \abovedisplayskip and - \belowdisplayskip. - -NOTE 65: \textbox#1 takes as its parameter the text to be boxed. It places - the boxed text in the current line (or begins a new paragraph if - encountered in vertical mode) with the baseline of the enclosed - text lined up with the baseline of the line. - -<> - -NOTE 66: These commands control the number of copies per page. Owing to the - synchronization problems associated with TeX, these should only be - used near forced page ejects or at the begining of a document. - - \globalspecial writes the parameter to the postamble of the - PIF file. - - \copycnt contains the number of the register that the PIF server - will look in to find the number of copies desired. - - \oldcopy contains the number of copies desired. The default is - two, so if \copieson is invoked before the user has used \copies, - two copies will be generated. - -<> - -NOTE 67: \lpcount@ holds the number of the register to be interpreted - by the PIF driver for explicit logical page control. - - \nextlp@ holds the page control number to be put into - \count\lpcount@. - - These macros avoid the synchronization problems of TeX by - interjecting a page eject at an appropriate time. At the beginning - of the document and after each \shipout, the "empty@" flag is set - to true. - - If an LPC macro occurs when the "empty@" flag is true, \nextlp@ - is updated, its value is put into \count\lpcount@, and the flag - is set to false. - - If an LPC macro occurs when the "empty@" flag is false, \nextlp@ - is updated, but the value in \count\lpcount@ is not changed. After - the next shipout, \count\lpcount@ is updated by the output routine. - - The codes for \lpreset and \lpexit will, if left alone, only endure - for one page. - -<> - -NOTE 68: The table macros are complex. It is recommended that anyone - wanting to understand how they work examine the LOG file of - a small table created with \tracingmacros=1 and \tracingcommands=2. - - The table macros use unallocated dimension and token registers to - store the column specifications. New dimensions or tokens should - not be allocated between the \tableformat and the last \tablerow or - \tablebar in a table. If any are allocated the result will be a - very strange looking table and a TeX error. If too many columns, - dimensions, tokens or inserts are allocated, an error message is - given and the registers are used anyway. - - A row is processed in sections. \parseline@ takes sections of the - parameter to \tableformat or \tablerow. Each section is delimited - by a ~. \parsecol@ takes sub-sections of the section where each sub- - section is delimited by a |. After a sub-section is processed, the - next sub-section is fetched until the end of a section is reached. - The next section is then fetched and processed until the end of the - original parameter to \tableformat or \tablerow is reached. - - \span is temporarily redefined during the execution of either a - \tablerow or \tablebar macro to allow spanning of multiple columns. - - The standard table specifications are \leftline, \rightline, - \centerline and (for internal columns) \paragraph. You can also - make your own. There are only two rules: - (1) your macro will have one parameter (the text) - (2) your macro will yield a box of width \hsize. - - -NOTE 69: \uptoks@ increments \cntA@, used as a pointer to a token register - to hold column alignment specifications, and \cntB@, used as a - pointer to a dimension register used to hold column width specifi- - cations. If too many token registers are used, an error message is - printed, and processing continues. - -NOTE 70: \bump@ increments \cntC@, which contains the number of columns - processed in the current \tablerow or \tablebar. If the total number - of columns specified in the \tableformat has not yet been processed, - then \cntC@ is incremented, and \uptoks@ is called to increment the - pointers to the registers that hold the column specifications. - - NOTE 71: \tableformat#1 has as its parameter the description of the - table format. The alignment for the entire table is given first, - followed by the formats for each column. A column format consists - of its alignment followed by its width. A | separates the table - format from the column formats, and each column format from the - next. - - \tableformat first calls \tablelet with the three parameters - \just@, \just@, and \relax. - - Next, \parse@ (which has been assigned the meaning of \parseline@) - is called and sent one parameter, which is delimited by ~. This - effectively sends the contents of the parameter of \tableformat up - to the first ~ to \parse@ (\parseline@). The \done@ is an undefined - control sequence used to mark the end of the specifications in the - \tableformat. - -NOTE 72: \tablerow#1 is similar to \tableformat. Its parameter is a list of - the contents for each column of the row. Each column must start - and terminate with either a | for a visible bar, or a ~ for an - invisible bar. - - The parameters sent to \tablelet are: \bbar@, \wbar@, and \endrow@. - -NOTE 73: \tablebar#1 sets horizontal rules across the table. It resets - \topstrut, \botstrut, and \tablespace, and then passes its - parameter to \tablerow. Its parameter is a list of column - contents, with each column indicated as for \tablerow. A - column can be empty, contain a \vrule, or contain \tbar. - -NOTE 74: \tablelet requires three parameters. The first is assigned to the - control sequence \b@, the second to \w@, and the third to \f@. - \CntA@, \CntB@, and \CntC@ are initialized. \parse@ is assigned - the meaning of \parseline@. If currently in horizontal mode, - vertical mode is entered; if in vertical mode, interline glue is - inhibited. - -NOTE 75: \just@#1 is never invoked directly. The control sequences \b@ - and \w@ are \let to be \just@ in \tablelet when \tablelet is - called from \tableformat. \just@ is invoked by \parsecol@ the - first time \parsecol@ is entered. The parameter to \just@ is the - alignment specification for the table. - - \just@ assigns the control sequences \b@ and \w@ the meaning of - \tform@, and initializes \maxcol@ to 0. The control sequence - \tablejust@ is assigned the table alignment specification (#1). - -NOTE 76: \tform@#1 passes its parameter, which is the set of specifications - for a column, on to \tform@@ with a ~ deliminating the parameter. - -NOTE 77: \tform@@#1#2~ updates the pointers to the registers to be used - for storing column specifications, puts the column alignment (#1) - into the current token register, and the column width (#2) into the - current dimension register. Then \maxcol@ is incremented to count - the column just completed. - -NOTE 78: \bbar@#1 begins a row that starts with a visible vrule. The - parameter is empty. - -NOTE 79: \wbar@#1 begins a row that starts with an invisible vrule. The - parameter is empty. - -NOTE 80: \beginrow@#1 reassigns \b@ and \w@ the meanings of \vbar@ and - \ibar@ respectively. The parameter is empty. - - Box0, an \hbox that will contain the row, is begun with a \bgroup, - and the assignments that should hold within the box are made. - -NOTE 81: \endrow@ finishes Box 0 and aligns the resulting box according to - \tablejust@. - -NOTE 82: \vbar@#1 adds a column entry that terminates with a visible \vrule. - The parameter contains the column entry. - -NOTE 83: \ibar@#1 adds a column entry that terminates with an invisible - \rule. The parameter contains the column entry. - -NOTE 84: \cs@#1 determines if a column entry (#1) spans multiple columns, - and invokes \span@ with the appropriate parameters. - -NOTE 85: \parseline@#1~ is called by \tableformat and \tablerow (and - indirectly by \tablebar). Its parameter is the part (section) of - the parameter to the calling macro terminated by the first - occurrence of ~ . If the parameter is \done@, then processing is - complete, and \parse@ is assigned the current meaning of \f@, which - is \relax if \parseline@ was called from \tableformat, or \endrow@ - if \parseline@ was called from \tablerow. - - If processing is not done, \p@ss is assigned the meaning of - \parsecol@, and then \p@ss is invoked and its parameter is - that part (sub-section) of the parameter to \parseline@ up to the - first occurrence of |. \done@ is an end of processing indicator. - \parse@ is invoked and, depending on its current assigned meaning, - either terminates processing of this \tableformat or \tablerow - parameter, or takes the next section of the parameter of the - \tableformat or \tablerow terminated by ~ as its parameter. - -NOTE 86: \parsecol@#1 is called by \parseline@ and has as its parameter that - part (sub-section) of the parameter to \parseline@ up to the next - occurrence of |. It defines the macro \parsemode@: if we are on - the last column, then the currently assigned value of \w@ (\tform@ - or \ibar@, depending on whether a \tableformat or a \tablerow is - being processed) is invoked, and \p@ss becomes \lastp@ss; if we are - not on the last column, then \b@ (which is either \tform@ or - \vbar@) is invoked; in either case, \p@ss is called again and will - either terminate processing or get the next section to be - processed. - - -NOTE 87: \span@#1#2 sets a box spanning the required number of columns and - containing the text in the parameter. \hsize and \z@ are set to - the width and alignment specifications respectively of the first - column spanned. The pointers are then incremented once for each - column spanned, and the width of each column plus the width of a - vertical bar is added to the \hsize for each column spanned. The - first parameter is the integer following \span, and the second is - the remainder of the column contents. - -<
> - -NOTE 88: These macros are used for head or section level control. - - \basehead is the zero pointer value for the four pointers - to the head counters. The head counters count the number of - current headings at each heading level. - - \headlevel keeps track of the level of the current heading. - - To add a fifth level, do the following: - (1) Change the "\advance\count10by4" command to - "\advance\count10by5". This allocates - the counters for the level number. - - (2) Change "\ifnum\hdlevel<4 " to "\ifnum\hdlevel<5 - in the \sethead@ macro. - - (3) Allocate a new token register, \fifthlevelhead, and - define a corresponding \headE@ - (e.g., \def\headE@{\head5\the\fifthlevelhead}). - - (4) Modify the \level macro so that it includes \headE@. - - (5) Load \fifthlevelhead with some appropriate tokens. - -NOTE 89: \setlevelno#1 has one parameter: the levelnumber to be established. - This can be up to 4 numbers, separated by periods. The level number - and the pointer to the head counters are initialized. - - .-1. is appended to the parameter to act as an end of parameter - signal. - -NOTE 90: \sethead@#1. has as its parameter one of the numbers in the - parameter to \setlevelno. The first number it receives is put into - the head counter for the first level. The second number goes into - the head counter for the second level, etc. Processing is - completed when -1 is received as a parameter, or when 4 levels have - been done. - -NOTE 91: \head#1 is called indirectly by \level via \headA@, or \headB@, - etc. It oversees adjusting the \levelno according to the level of - the new heading. Its parameter is the level of the new - heading. - - If the new heading is on a level inferior to the current heading, - \uplevel@ is called, otherwise \headlevel is set to the level of - the new heading and that head counter for that level is incremented. - - \head@ is called to update \levelno. - -NOTE 92: \uplevel@#1 does what is necessary to add a level that has a higher - number than the current level. #1 is the level of the new heading. - -NOTE 93: \head@ defines \levelno. - -NOTE 94: These allocate token registers for each level description, and - define a corresponding \headA@ (or \headB@ etc.) that calls \head - with the appropriate parameter, and accesses the tokens for that - headlevel. - -NOTE 95: \level#1#2 takes two parameters: #1 is the level of the heading, - and #2 becomes the definition of \title. A case statement is - used to invoke the appropriate choice of \headA@, \headB@, etc. - -<> - -NOTE 96: "\content@" can now be written with \write - -NOTE 97: \ctswrite#1 writes its parameter into a file along with the current - page number. If the file does not already exist, one is created. - When the file is read at a later time, @ will not be a character. - \_ is redefined so that it can be read from the contents file. - \content@ is defined with @ no longer a character so that it can be - read from the contents file. - - -NOTE 98: \contents adds the table of contents if a contents file was - created. - -<> - -NOTE 99: The \vfootnote#1 of PLAIN has been modified to accommodate - multi-column format by the insertion of \realhsize to restore the - original \hsize and by adding 1\baselineskip to remove any glue - from \baselineskip. - -NOTE 100: \note generates footnotes with sequential numbers. - -NOTE 101: \midinsert has been changed from the definition in PLAIN by - the insertion of \p@gefalse. - -NOTE 102: \@ins has been changed from the definition in PLAIN by adding a - return to the normal \hsize and \vsize. - -NOTE 103: The \endinsert of PLAIN has been modified. The "room left on page" - calculation has been expanded to handle multi-column format: if - there is room, the columns are balanced and the insertion is - appended. The penalty (first item in the \insert) is set to -100 if - the insertion cannot fit on the current page, this keeps the page - from stretching if the insertion can't fit on the page. - -<> - -NOTE 104: The column macros and output routines are interrelated. Every time - the number of columns changes, a false output routine is invoked. - This routine takes the current page (and splits it up if necessary) - and appends it to the contrib box. The \hsize is then reduced (or - restored) and the \vsize is multiplied (or restored). Then, to - every insert which was not void during the false output routine a - null insert is made. This restores the page goal (in case there are - no bona fide insertions, one insertion is always made, it is called - \hacker@). A new page total is then calculated from the height of - the contrib box. The two macros employed to do this work are - \balance@ and \newtotal@. Under no circumstances should the one be - used without the other. - -NOTE 105: \balance invokes the false output routine which has the effect of - balancing the columns if in multi-column mode. The page goal is - then updated by \newtotal@. - -NOTE 106: \balance@ invokes the false output routine by setting \ifreal@ to - false, and forcing an eject. - -NOTE 107: \newtotal@ restores the page total. - -NOTE 108: \multicol@#1 is called by the \BEGIN command for multi-column - format. It takes as its only parameter the number of columns - requested. It provides error checking and ignores the command - if already in multi-column mode. If the command is legal, then - the current page is balanced, and the \hsize and \vsize are - adjusted. The insertion registers are modified, the page total - is adjusted, and stretch is added to \baselineskip. - -<> - -NOTE 109: The output routines are complex. It is recommended that anyone - wanting to understand how they work examine the LOG file of a - short file with \tracingmacros=1 and \tracingcommands=2. - - There are two types of output routines: \realoutput@ produces a - \shipout and \fakeoutput@ does not. - - The \toks registers associated with each insert are now reserved - (as were \dimen, \skip and \count). Any tokens in these registers - will be destroyed when the \output routine is active. - -NOTE 110: \realoutput puts the current page into \out@. If currently in one- - column mode, it goes in directly, otherwise the current page is - first split into columns. Box 255 is then set to \contrb@ with - \old@ appended to it. The glue for insertions, \hsize, \vsize, - \leftskip, and \rightskip are returned to normal for the \shipout. - After the \shipout, the flags and counters are updated for the - logical page macros. - - -NOTE 111: \fakeoutput takes the current page, balances it if necessary, and - puts it into \out@. \out@ is then appended to \contrb@. - - If any column must be shorter due to balancing, it ought to be the - rightmost. The \vsplit primitive, however, will usually make the - rightmost column longer. To avoid this problem, columns are split a - little more than 1/2 or 1/3 down. Experimentation shows that adding - 1.16667 baselines to the total height for 2 columns, and adding 2 - baselines to the total height for 3 columns affords the greatest - probability of an aesthetic break. - -NOTE 112: The "@" is no longer a letter. diff --git a/macros/hptex/hptex.tex b/macros/hptex/hptex.tex deleted file mode 100644 index 3a3c21f6db..0000000000 --- a/macros/hptex/hptex.tex +++ /dev/null @@ -1,836 +0,0 @@ -% This is the HP TeX text format version A.00.00 as of Feb. 14, 1984. -% It is compatible with the plain TeX format that's described in The TeXbook. -% -% Copyright 1984 Hewlett-Packard Co. -% -% NOTE 1, NOTE 2, etc. refer to notes in the file HPTEX.DOC -% - -\input PLAIN.TEXT % NOTE 1 - -\message{Preloading the HP TeX codes,} - -% SPECIAL CATCODES -% -\catcode`@=11 % NOTE 2 - -% HPTEX -% -\def\HPTEX{HP\nobreak\ \TeX} -\let\HpTeX=\HPTEX -\def\fmtname{HP TeX}\def\fmtversion{A.00.00} - -% LEADERS -% -\def\dotfil{\tenrm\leaders\hbox to8\p@{\hss.\hss}\hss} % NOTE 3 - -% CONSTANT VALUES -% -\chardef\zer@=0 -\chardef\f@ur=4 -\skipdef\skip@ii=2 -\maxdepth=2pt - -\message{fonts,} - -% FONTS % NOTE 4 -% -\let\fontcheck=1 % NOTE 5 -\def\fontdef#1=#2 {\def#1{\font@{#1}{#2}}} % NOTE 6 -\def\font@#1#2{{\let\fontcheck=0\ifx0\fontcheck\egroup\global\font#1=#2#1% - \else}\string#1 \fi}%--The space after \string#1 is necessary. - -% ROMAN TEXT -% -\fontdef\twentyfourrm={amr10 scaled \magstep5} -\fontdef\eighteenrm={amr10 scaled \magstep3} -\fontdef\fourteenrm={amr10 scaled \magstep2} -\font\twelverm=amr10 scaled \magstep1 -%\font\tenrm=amr10 -\font\ninerm=amr9 -\font\eightrm=amr8 -%\font\sevenrm=amr7 -\font\sixrm=amr6 -%\font\fiverm=amr5 - -% MATH ITALIC -% -\fontdef\twentyfouri={ammi10 scaled \magstep5} -\fontdef\eighteeni={ammi10 scaled \magstep3} -\fontdef\fourteeni={ammi10 scaled \magstep2} -\fontdef\twelvei={ammi10 scaled \magstep1} -%\font\teni=ammi10 -\fontdef\ninei={ammi9} -\fontdef\eighti={ammi8} -%\font\seveni=ammi7 -\fontdef\sixi={ammi6} -%\font\fivei=ammi5 - -% MATH SYMBOLS -% -\fontdef\twentyfoursy={amsy10 scaled \magstep5} -\fontdef\eighteensy={amsy10 scaled \magstep3} -\fontdef\fourteensy={amsy10 scaled \magstep2} -\fontdef\twelvesy={amsy10 scaled \magstep1} -%\font\tensy=amsy10 -\fontdef\ninesy={amsy9} -\fontdef\eightsy={amsy8} -%\font\sevensy=amsy7 -\fontdef\sixsy={amsy6} -%\font\fivesy=amsy5 - -% BOLD MATH SYMBOLS -% -\fontdef\tenbfsy={ambsy10} - -% MATH EXTENSION -% -%\font\tenex=amex10 - -% SANS SERIF -% -\fontdef\fourteenss={amss10 scaled \magstep2} -\fontdef\twelvess={amss10 scaled \magstep1} -\font\tenss=amss10 -\font\eightss=amssq8 - -% SANS SERIF ITALIC -% -\font\tenitss=amssi10 -\font\eightitss=amssqi8 - -% BOLDFACE EXTENDED -% -\fontdef\twentyfourbf={ambx10 scaled \magstep5} -\fontdef\eighteenbf={ambx10 scaled \magstep3} -\fontdef\fourteenbf={ambx10 scaled \magstep2} -\font\twelvebf=ambx10 scaled \magstep1 -%\font\tenbf=ambx10 -\font\ninebf=ambx9 -\font\eightbf=ambx8 -%\font\sevenbf=ambx7 -\font\sixbf=ambx6 -%\font\fivebf=ambx5 - -% TYPEWRITER -% -\fontdef\twentyfourtt={amtt10 scaled \magstep5} -\fontdef\eighteentt={amtt10 scaled \magstep3} -\fontdef\fourteentt={amtt10 scaled \magstep2} -\fontdef\twelvett={amtt10 scaled \magstep1} -%\font\tentt=amtt10 -\font\ninett=amtt9 -\font\eighttt=amtt8 - -% SLANTED TYPEWRITER -% -\font\tensltt=amsltt10 - -% SLANTED ROMAN -% -\fontdef\twentyfoursl={amsl10 scaled \magstep5} -\fontdef\eighteensl={amsl10 scaled \magstep3} -\fontdef\fourteensl={amsl10 scaled \magstep2} -\fontdef\twelvesl={amsl10 scaled \magstep1} -%\font\tensl=amsl10 -\font\ninesl=amsl9 -\font\eightsl=amsl8 - -% TEXT ITALIC -% -\fontdef\twentyfourit={amti10 scaled \magstep5} -\fontdef\eighteenit={amti10 scaled \magstep3} -\fontdef\fourteenit={amti10 scaled \magstep2} -\fontdef\twelveit={amti10 scaled \magstep1} -%\font\tenit=amti10 -\font\nineit=amti9 -\font\eightit=amti8 -\fontdef\sevenit={amti7} - -% UNSLANTED TEXT ITALIC -% -\font\tenuit=amu10 - - -% CAPS AND SMALL CAPS -% -\font\tencsc=amcsc10 - -% SANS SERIF BOLD EXTENDED -% -\font\tenbfss=amssbx10 - - -% BOLD EXTENDED SLANTED -% -\font\tenslbf=ambxsl10 - - -% DUNHILL STYLE -% -\font\tendh=amdunh10 - -% FOR TITLES -% -\font\titlefont=amr7 scaled \magstep4 - - -% BIG FONT -% -\font\bigfont=amssbx10 scaled \magstep2 - - -\message{macros,} - -% MACROS TO SET FSTYLE % NOTE 7 -% -\def\rm{\fam\z@\def\fstyle{rm}\setfont} -\def\it{\fam\itfam\def\fstyle{it}\setfont} -\def\bf{\fam\bffam\def\fstyle{bf}\setfont\ifmmode{\tenbfsy}% - \textfont2=\tenbfsy\fi} -\def\sl{\fam\slfam\def\fstyle{sl}\setfont} -\def\sa{\def\fstyle{ss}\setfont} -\def\tt{\fam\ttfam\def\fstyle{tt}\setfont} - -\newfam\ssfam - -% MACROS TO SET FSIZE % NOTE 8 -% -\def\fivepoint{\def\fsize{five}\setfont\let\sfont=\fivepoint% - \baselineskip7pt% - \setbox\strutbox=\hbox{\vrule height4.5pt depth1.5pt width0pt}% - \textfont0=\fiverm \scriptfont0=\fiverm% - \scriptscriptfont0=\fiverm% - \textfont1=\fivei \scriptfont1=\fivei% - \scriptscriptfont1=\fivei% - \textfont2=\fivesy \scriptfont2=\fivesy% - \scriptscriptfont2=\fivesy} - -\def\sixpoint{\def\fsize{six}\setfont\let\sfont=\fivepoint% - \baselineskip8pt% - \setbox\strutbox=\hbox{\vrule height5pt depth2pt width0pt}% - \textfont0=\sixrm \scriptfont0=\fiverm% - \scriptscriptfont0=\fiverm% - \scriptfont1=\fivei \scriptscriptfont1=\fivei% - \scriptfont2=\fivesy \scriptscriptfont2=\fivesy% - \def\changes{{\sixi\sixsy}% - \textfont1=\sixi \textfont2=\sixsy}% - \ifmmode\changes\else\everymath{\changes}% - \everydisplay{\changes}\fi} - -\def\sevenpoint{\def\fsize{seven}\setfont\let\sfont=\fivepoint% - \baselineskip9pt% - \setbox\strutbox=\hbox{\vrule height6pt depth2pt width0pt}% - \textfont0=\sevenrm \scriptfont0=\sixrm% - \scriptscriptfont0=\fiverm% - \textfont1=\seveni \scriptscriptfont1=\fivei% - \textfont2=\sevensy \scriptscriptfont2=\fivesy% - \def\changes{{\sixi\sixsy}% - \scriptfont1=\sixi% - \scriptfont2=\sixsy}% - \ifmmode\changes\else\everymath{\changes}% - \everydisplay{\changes}\fi} - -\def\eightpoint{\def\fsize{eight}\setfont\let\sfont=\sixpoint% - \baselineskip9pt% - \setbox\strutbox=\hbox{\vrule height7pt depth2pt width0pt}% - \textfont0=\eightrm \scriptfont0=\sixrm% - \scriptscriptfont0=\fiverm% - \scriptscriptfont1=\fivei% - \scriptscriptfont2=\fivesy% - \def\changes{{\eighti\sixi\eightsy\sixsy}% - \textfont1=\eighti \scriptfont1=\sixi% - \textfont2=\eightsy \scriptfont2=\sixsy}% - \ifmmode\changes\else\everymath{\changes}% - \everydisplay{\changes}\fi} - -\def\ninepoint{\def\fsize{nine}\setfont\let\sfont=\sixpoint% - \baselineskip11pt% - \setbox\strutbox=\hbox{\vrule height8pt depth3pt width0pt}% - \textfont0=\ninerm \scriptfont0=\sevenrm% - \scriptscriptfont0\fiverm% - \scriptfont1=\seveni \scriptscriptfont1\fivei% - \scriptfont2=\sevensy \scriptscriptfont2\fivesy% - \def\changes{{\ninei\ninesy}% - \textfont1=\ninei% - \textfont2=\ninesy}% - \ifmmode\changes\else\everymath{\changes}% - \everydisplay{\changes}\fi} - -\def\tenpoint{\def\fsize{ten}\setfont\let\sfont=\sevenpoint% - \baselineskip12pt% - \setbox\strutbox=\hbox{\vrule height8.5pt depth3.5pt width0pt}% - \textfont0=\tenrm \scriptfont0=\sevenrm% - \scriptscriptfont0\fiverm% - \textfont1=\teni \scriptfont1=\seveni% - \scriptscriptfont1\fivei% - \textfont2=\tensy \scriptfont2=\sevensy% - \scriptscriptfont2\fivesy} - -\def\twelvepoint{\def\fsize{twelve}\setfont\let\sfont=\eightpoint% - \baselineskip14pt% - \setbox\strutbox=\hbox{\vrule height10pt depth4pt width0pt}% - \textfont0=\twelverm \scriptfont0=\ninerm% - \scriptscriptfont0=\sevenrm% - \scriptscriptfont1=\seveni% - \scriptscriptfont2=\sevensy% - \def\changes{{\twelvei\ninei\twelvesy\ninesy}% - \textfont1=\twelvei \scriptfont1=\ninei% - \textfont2=\twelvesy \scriptfont2=\ninesy}% - \ifmmode\changes\else\everymath{\changes}% - \everydisplay{\changes}\fi} -\def\fourteenpoint{\def\fsize{fourteen}\setfont\let\sfont=\tenpoint% - \baselineskip16pt% - \setbox\strutbox=\hbox{\vrule height12pt depth4pt width0pt}% - \scriptfont0=\tenrm \scriptscriptfont0=\sevenrm% - \scriptfont1=\teni \scriptscriptfont1=\seveni% - \scriptfont2=\tensy \scriptscriptfont2=\sevensy% - \def\changes{{\fourteeni\fourteenrm\fourteensy}% - \textfont0=\fourteenrm% - \textfont1=\fourteeni% - \textfont2=\fourteensy}% - \ifmmode\changes\else\everymath{\changes}\everydisplay{\changes}\fi} - -\def\eighteenpoint{\def\fsize{eighteen}\setfont\let\sfont=\tenpoint% - \baselineskip18pt% - \setbox\strutbox=\hbox{\vrule height15pt depth3pt width0pt}% - \scriptfont0=\twelverm \scriptscriptfont0=\tenrm% - \scriptscriptfont1=\teni% - \scriptscriptfont2=\tensy% - \def\changes{{\eighteenrm\eighteeni\twelvei\eighteensy\twelvesy}% - \textfont0=\eighteenrm% - \textfont1=\eighteeni \scriptfont1=\twelvei% - \textfont2=\eighteensy \scriptfont2=\twelvesy}% - \ifmmode\changes\else\everymath{\changes}% - \everydisplay{\changes}\fi} -\def\twentyfourpoint{\def\fsize{twentyfour}\setfont\let\sfont=\tenpoint% - \baselineskip24pt% - \setbox\strutbox=\hbox{\vrule height21.5pt depth2.5pt width0pt}% - \def\changes{{\twentyfourrm\eighteenrm\fourteenrm\twentyfouri% - \eighteeni\fourteeni\twentyfoursy\eighteensy\fourteensy}% - \textfont0=\twentyfourrm \scriptfont0=\eighteenrm % - \scriptscriptfont0=\fourteenrm% - \textfont1=\twentyfouri \scriptfont1=\eighteeni% - \scriptscriptfont1=\fourteeni% - \textfont2=\twentyfoursy \scriptfont2=\eighteensy% - \scriptscriptfont2=\fourteensy}% - \ifmmode\changes\else\everymath{\changes}\everydisplay{\changes}\fi} - -% MACROS TO SET CURRENT FONT USING FSTYLE AND FSIZE -% -\newif\ifnofont@ -\def\tryfont#1{\expandafter\ifx\csname#1\endcsname\relax\nofont@true % NOTE 9 - \else\nofont@false\csname#1\endcsname\fi} -\def\setfont{\tryfont{\ffam\fsize\fstyle}% % NOTE 10 - \ifnofont@\tryfont{\ffam\fsize rm}% - \ifnofont@\tryfont{\ffam tenrm}% - \ifnofont@\tenrm\fi\fi\expandafter - \fonterr\csname\ffam\fsize\fstyle\endcsname{\the\font}\fi} -\def\fonterr#1#2{\immediate\write\m@ne{! font #1is undefined, - I'm using #2instead.}\xdef#1{#2}} - -% DEFAULTS % NOTE 11 -% -\fam\z@\tenrm\def\ffam{}\def\fstyle{rm}\def\fsize{ten}\let\sfont=\sevenpoint - -% LINE MACROS % NOTE 12 -% -\def\lline#1{\hbox to\hsize{\hskip\leftskip#1\hskip\rightskip}} -\def\leftline#1{\lline{#1\hss}} -\def\rightline#1{\lline{\hss#1}} -\def\centerline#1{\lline{\hss#1\hss}} - -% MORE MACROS -% -\def\narrow#1{\advance\leftskip#1\advance\rightskip#1} -\def\narrower{\narrow\parindent} % NOTE 13 -\def\narrow@{\narrow\inset} -\def\inc#1{\advance#1\@ne} -\def\dec#1{\advance#1\m@ne} -\def\ignore#1{\relax} -\def\okbreak{\par\penalty-200} -\def\need{\afterassignment\need@\dimen@} % NOTE 14 -\def\need@{\vskip\dimen@ minus\dimen@\okbreak\vskip-\dimen@ minus-\dimen@} -\def\for#1=#2to#3do#4{#1=#2\ifnum#2>#3\else\let\next@=\fnext@ % NOTE 15 - \def\fcount@{#1}\def\fexit@{#3}\def\floop@{#4}\next@\fi} -\def\fnext@{\floop@\ifnum\fcount@<\fexit@\inc\fcount@ % NOTE 16 - \else\let\next@=\relax\fi\next@} -\def\super#1{\/\raise.4em\hbox{\sfont#1}\thinspace} -\def\sub#1{\lower.25em\hbox{\sfont#1}\thinspace} -\def\lbreak{\hfill\break} -\def\uline#1{\setbox0=\hbox{#1}\dimen@=-\dp0\advance\dimen@ .23em % NOTE 17 - \ifvmode\indent\fi\hbox to \wd0{\lower.27em - \vbox{\box0\vskip\dimen@\hrule height.04em}}} - -% START AND FINISH GROUP STRUCTURE % NOTE 18 -% -\def\start#1{\errfalse\ifinvalid@{#1}\else\begingroup % NOTE 19 - \def\blockname@{#1}\csname BEGIN#1\endcsname\fi\Error} -\def\finish#1{\errfalse\ifinvalid@{#1}\else\matchup@{#1}\fi\Error} % NOTE 20 -\def\ifinvalid@#1{\expandafter\ifx\csname BEGIN#1\endcsname\relax % NOTE 21 - \errset{I don't understand {#1}, it may be misspelled}} -\def\matchup@#1{\def\test@{#1}% % NOTE 22 - \expandafter\ifx\csname blockname@\endcsname\relax - \errset{Extra \string\finish{\test@} ignored}% - \else\ifx\test@\blockname@\done - \else\errset{Missing \string\finish{\blockname@} inserted}% - \done\matchup@{#1}\fi\fi} -\def\done{\csname END\blockname@\endcsname\endgroup} % NOTE 23 - -% GENERAL ERROR HANDLING % NOTE 24 -% -\def\errfalse{\global\let\iferr=\iffalse} -\def\errtrue{\global\let\iferr=\iftrue} -\def\errset#1{\iferr\immediate\write0{! \error}\else\errtrue\fi\xdef\error{#1}} -\def\Error{\iferr\errmessage{\error}\fi} - -% DATE AND TIME MACROS -% -\newcount\cntA@\newcount\cntB@\newcount\cntC@ -\def\mon{\ifcase\month\relax\or January\or February\or March\or % NOTE 25 - April\or May\or June\or July\or August\or September\or October\or - November\or December\fi} -\def\date{\mon\nobreak\ \number\day, \number\year} % NOTE 26 -\def\hour{{\cntA@=\time \cntB@=\cntA@ % NOTE 27 - \divide\cntA@60 \cntC@=\cntA@ \multiply\cntC@60 - \advance\cntB@-\cntC@\ifnum\cntA@>11 - \advance\cntA@-12 \def\time@{PM}\else\def\time@{AM}\fi - \ifnum\cntA@=0 \cntA@=12 \fi\number\cntA@ - :\ifnum\cntB@<10 0\fi\number\cntB@\nobreak\ \time@}} - -% INDENTSTYLE -% -\newdimen\indentsize\indentsize=20pt -\newif\ifindent\indenttrue % NOTE 28 -\def\indentstyle{\parindent\indentsize % NOTE 29 - \ifindent\else\indenttrue\advance\parskip-5\p@\fi} -\def\noindentstyle{\parindent\z@ % NOTE 30 - \ifindent\indentfalse\advance\parskip5\p@\fi} -\def\indentspace{\afterassignment\indent@\indentsize} % NOTE 31 -\def\indent@{\ifindent\parindent\indentsize\fi} -\newdimen\inset -\inset.5in -\def\BEGINindent{\advance\leftskip \inset} -\let\ENDindent=\par - -% RAGGED MARGIN AND JUSTIFIED MARGIN MACROS -% -\def\fixmargin@{\dimen@=\rightskip\rightskip=\dimen@} % NOTE 32 -\def\justify{\fixmargin@\spaceskip\z@\xspaceskip\z@} % NOTE 33 -\def\raggedright{\fixmargin@\advance\rightskip\z@ plus2em % NOTE 34 - \ifx\fstyle\tt@\else\spaceskip.3333em\xspaceskip.5em\fi} -\def\tt@{tt} % NOTE 35 - -% ITEM AND SUBITEM MACROS -% -\newcount\icount@\newcount\scount@ -\newcount\idigit@\newcount\sdigit@ -\def\itemset@#1#2#3{\dimen@=\hsize \advance\dimen@-#2\inset % NOTE 36 - \parshape=\@ne#1\inset\dimen@\noindent - \hbox to\z@{\hss#3\enspace}\ignorespaces} -\def\itemlist#1{\medskip\resetsubitems\itemset@\@ne\tw@{#1}} % NOTE 37 -\def\subitem#1{\smallskip\itemset@\tw@\f@ur{#1}} % NOTE 38 -\def\itempar{\smallskip\itemset@\@ne\tw@\empty} % NOTE 39 -\def\subitempar{\subitem\empty} % NOTE 40 -\def\enditems{\bigskip\resetitems} - -% ITEMTAG AND SUBITEMTAG MACROS % NOTE 41 -% -\def\square{\hbox{\hskip.5pt\vrule height.4em width.4em depth 0em}} -\def\dott{$\bullet$} -\def\emdash{---} -\def\itemn@#1{\number#1\global\inc#1} % NOTE 42 -\def\itemr@#1{\romannumeral#1\global\inc#1} % NOTE 43 -\def\itemR@#1{\uppercase\expandafter{\romannumeral#1}\global\inc#1} % NOTE 44 -\def\iteml@#1#2{{\loop\char#1\ifnum#2>\@ne\dec#2\repeat}\global\inc#1%% NOTE 45 - \ifnum#1>122 \global#1=97 \global\inc#2\fi \ifnum#1=91 \global#1=65 - \global\inc#2\fi} - \def\item@ #1,#2,#3{\def\itemtag{#3}% % NOTE 46 - \def\resetitems{\global\icount@=#1\global\idigit@=#2}\resetitems} -\outer\def\numbereditems{\item@ 1,0,{\itemn@\icount@}} -\outer\def\lettereditems{\item@ 97,1,{\iteml@\icount@\idigit@}} -\outer\def\Lettereditems{\item@ 65,1,{\iteml@\icount@\idigit@}} -\outer\def\romanitems{\item@ 1,0,{\itemr@\icount@}} -\outer\def\Romanitems{\item@ 1,0,{\itemR@\icount@}} -\outer\def\squareditems{\let\itemtag=\square\let\resetitems=\relax} -\outer\def\dotteditems{\let\itemtag=\dott\let\resetitems=\relax} -\outer\def\dasheditems{\let\itemtag=\emdash\let\resetitems=\relax} -\def\itm{\itemlist{\tenrm\itemtag\ifx\relax\resetitems\else.\fi}} % NOTE 47 - -\def\subitem@ #1,#2,#3{\def\subitemtag{#3}% % NOTE 48 - \def\resetsubitems{\global\scount@=#1\global\sdigit@=#2}\resetsubitems} -\outer\def\numberedsubitems{\subitem@ 1,0,{\itemn@\scount@}} -\outer\def\letteredsubitems{\subitem@ 97,1,{\iteml@\scount@\sdigit@}} -\outer\def\Letteredsubitems{\subitem@ 65,1,{\iteml@\scount@\sdigit@}} -\outer\def\romansubitems{\subitem@ 1,0,{\itemr@\scount@}} -\outer\def\Romansubitems{\subitem@ 1,0,{\itemR@\scount@}} -\outer\def\squaredsubitems{\let\subitemtag=\square\let\resetsubitems=\relax} -\outer\def\dottedsubitems{\let\subitemtag=\dott\let\resetsubitems=\relax} -\outer\def\dashedsubitems{\let\subitemtag=\emdash\let\resetsubitems=\relax} -\def\sitm{\subitem{\tenrm\subitemtag\ifx\relax\resetsubitems\else.\fi}} - % NOTE 49 -\numbereditems\letteredsubitems % NOTE 50 - -% NOTE AND WARNING MACROS -% -\def\BEGINnote{\bigskip\narrow@\narrow@\nobreak} % NOTE 51 -\let\ENDnote=\bigskip -\def\BEGINwarning{\bigskip\nobreak\narrow@\narrow@\marginrule.02667in % NOTE 52 - \nobreak\medskip\nobreak} -\def\ENDwarning{\nobreak\medskip\nobreak\marginrule.02667in \bigskip} -\def\marginrule#1 {\nointerlineskip\vbox to#1{\vss % NOTE 53 - \lline{\leaders\hrule height#1\hss}}} - - -% VERBATIM MODE % NOTE 54 -% -\newskip\blanksize@ -\bgroup\catcode`\*=3 \catcode`\$=13 \catcode`\#=13 - \catcode`\^=13 \catcode`\_=13 \catcode`\|=13 \catcode`\~=13 -\gdef\BEGINverbatim{\parskip=0pt plus1pt - \catcode`\$=13 \def${\indent\hbox to \the\fontdimen\tw@\the\font - {\hss\$\hss}} - \catcode`\&=12 - \catcode`\#=13 \def#{\indent\hbox to \the\fontdimen\tw@\the\font - {\hss*\#*\hss}} - \catcode`\^=13 \def^{\indent\hbox to \the\fontdimen\tw@\the\font - {\hss*\mathchar"327D*\hss}} - \catcode`\_=13 \def_{\indent\hbox to \the\fontdimen\tw@\the\font - {\hss\_\hss}} - \catcode`\%=12 - \catcode`\|=13 \def|{\indent\hbox to \the\fontdimen\tw@\the\font - {\hss*\mathchar"326A*\hss}} - \catcode`\~=13 \def~{\indent\hbox to \the\fontdimen\tw@\the\font - {\hss*\mathchar"3218*\hss}} - \parindent\z@\lumplines\lumpspaces} -\egroup - -% LUMPLINE AND LUMPSPACE MACROS % NOTE 55 -% -{\catcode`\^^M=13 \gdef\lumplines{\catcode`\^^M=13 \let^^M=\lumpline@}} -\def\lumpline@{\par\skip@=\z@\let\munch@=\lumpB@\futurelet\lump@\lumpA@} -\def\lumpA@{\ifx\lumpline@\lump@\advance\skip@\baselineskip - \else\let\munch@=\relax\vskip\skip@\fi\munch@} -\def\lumpB@#1{\futurelet\lump@\lumpA@} -{\catcode`\ =13 \gdef\lumpspaces{\catcode`\ =13\relax\let =\lumpspace@}} -\def\lumpspace@{\blanksize@=\the\fontdimen\tw@\the\font - \skip@=\z@\let\munch@=\lumpb@\futurelet\lump@\lumpa@} -\def\lumpa@{\advance\skip@\blanksize@\ifx\lumpspace@\lump@ - \else\let\munch@=\relax\hskip\skip@\fi\munch@} -\def\lumpb@#1{\futurelet\lump@\lumpa@} -\let\munch@=\relax - -% PAGE CONTROL MACROS % NOTE 56 -% -\def\newpage{\balance\ifold@\null\vfill\eject\fi} -\def\evenpage{\newpage\ifodd\pageno\null\vfill\eject\fi} -\def\oddpage{\newpage\ifodd\pageno\else\null\vfill\eject\fi} - -% HEADING AND FOOTING MACROS % NOTE 57 -% -\newtoks\leftheading \newtoks\leftfooting -\newtoks\rightheading \newtoks\rightfooting -\newtoks\centerheading \newtoks\centerfooting -\newtoks\insideheading \newtoks\insidefooting -\newtoks\outsideheading \newtoks\outsidefooting -\newtoks\headline \newtoks\footline -\def\buildline{\let\lft=\zer@\let\rght=\@ne % NOTE 58 - \ifdim\wd3=\z@\else\ifodd\pageno\let\lft=\thr@@\else\let\rght=\thr@@\fi\fi - \ifdim\wd4=\z@\else\ifodd\pageno\let\rght=\f@ur\else\let\lft=\f@ur\fi\fi - \triplehead\lft\tw@\rght} -\def\triplehead#1#2#3{\skip@=1em\skip@ii=1em % NOTE 59 - \dimen@=\wd#1\advance\dimen@-\wd#3% - \ifdim\dimen@>\z@\advance\skip@ii\dimen@ minus\dimen@ - \else\advance\skip@-\dimen@ minus-\dimen@\fi - {\box#1\hskip\skip@\hfil\box#2\hfil\hskip\skip@ii\box#3}} -\def\loadbox#1#2{\setbox#1=\hbox{\the#2}} % NOTE 60 -\newcount\headcount\newcount\footcount -\def\suspendheading#1{\global\headcount=#1} -\def\suspendfooting#1{\global\footcount=#1} -\def\noheading{\suspendheading\m@ne} -\def\nofooting{\suspendfooting\m@ne} -\def\resumeheading{\suspendheading\zer@} -\def\resumefooting{\suspendfooting\zer@} -\headline{\ifnum\headcount=\z@\loadbox\tw@\centerheading % NOTE 61 - \loadbox\zer@\leftheading\loadbox\@ne\rightheading - \loadbox\thr@@\insideheading\loadbox\f@ur\outsideheading\buildline - \else\hfil\ifnum\headcount>\z@\global\dec\headcount\fi\fi} -\footline{\ifnum\footcount=\z@\loadbox\tw@\centerfooting % NOTE 62 - \loadbox\zer@\leftfooting\loadbox\@ne\rightfooting - \loadbox\thr@@\insidefooting\loadbox\f@ur\outsidefooting\buildline - \else\hfil\ifnum\footcount>\z@\global\dec\footcount\fi\fi} -\resumeheading -\resumefooting -% footline is normally a centered page number in font \tenrm -\centerfooting{\tenrm\folio} - -% BOX MACROS -% -\newdimen\boxline -\newdimen\boxspace -\boxline .01332in -\boxspace 5pt -\newdimen\depthbox@ -\def\boxit#1{\hbox{\vrule width\boxline % NOTE 63 - \vbox{\hrule height\boxline\kern\boxspace - \hbox{\kern\boxspace - \vbox{\halign{\hfil##\hfil\cr\strut#1\strut\cr}}% - \kern\boxspace}% - \kern\boxspace\hrule height\boxline}% - \vrule width\boxline}} -\def\centerbox#1{\vskip\abovedisplayskip % NOTE 64 - \centerline{\boxit{#1}}% - \vskip\belowdisplayskip} -\def\textbox#1{\depthbox@=\dp\strutbox\advance\depthbox@ by .4\p@ % NOTE 65 - \ifvmode\indent\fi\setbox\z@\hbox{\vrule - \vbox{\hrule\hbox{\kern\p@#1\strut\kern\p@}\hrule}% - \vrule}\lower\depthbox@\box\z@} - -% HP2680A and HP2688A COPY CONTROL MACROS % NOTE 66 -% -\newcount\oldcopy\newcount\copycnt -\def\copy@{\globalspecial{HP2688A,HP2680A COPIES \number\copycnt}} -\def\selectcopycount{\afterassignment\copy@\copycnt} -\def\copieson{\global\count\copycnt=\oldcopy\copy@} -\def\copiesoff{\global\count\copycnt=1 \copy@} -\def\copies{\afterassignment\copieson\global\oldcopy} -\copycnt=1 -\oldcopy=2 - -% HP2680A and HP2688A LOGICAL PAGE CONTROL (LPC) MACROS % NOTE 67 -% -\def\lplist#1{\globalspecial{HP2688A,HP2680A ILP #1}} -\def\lpdef#1{\globalspecial{HP2688A,HP2680A LP #1}} -\newif\ifempty@\empty@true -\newcount\lpcount@\newcount\nextlp@ -\def\selectlpcounter#1{\lpcount@#1 \setlpcount@{\the\lpcount@}} -\def\setlpcount@#1{\globalspecial{HP2688A,HP2680A ELP #1}} -\def\lpageto{\eject\afterassignment\lpeject@\nextlp@} -\def\ppageto{\eject\afterassignment\lpage@\nextlp@} -\def\lpeject@{\nextlp@=-\nextlp@\lpage@} -\def\lpresume{\eject\nextlp@=\z@\lpage@} -\def\lpreset{\eject\nextlp@=33 \lpage@ \nextlp@=\z@} -\def\lpexit{\eject\nextlp@=34 \lpage@ \nextlp@=\z@} -\def\lpage@{\ifempty@\count\lpcount@=\nextlp@\global\empty@false\fi} -\everyjob{\message{Using HP TeX Version \fmtversion}\selectlpcounter2 {}} - -% TABLE MACROS % NOTE 68 -% -\newcount\maxcol@ -\newbox\topstrutbox \def\topstrut{\unhcopy\topstrutbox} -\setbox\topstrutbox=\hbox{\vrule height11pt depth0pt width0pt} -\newbox\botstrutbox \def\botstrut{\unhcopy\botstrutbox} -\setbox\botstrutbox=\hbox{\vrule height0pt depth4pt width0pt} -\newdimen\tableline \tableline.01332in -\newskip\tablespace \tablespace5pt -\def\paragraph#1{\vbox{\hrule height\z@ width\hsize depth\z@#1}} -\def\tbar{\ifvmode\hrule\else\vrule width\hsize depth\z@\fi height\tableline} -\def\uptoks@{\inc\cntA@\inc\cntB@ % NOTE 69 - \ifnum\cntA@<\count19 \ifnum\cntB@<\count19 \else\err@\fi\else\err@\fi} -\def\err@{\errmessage{Columns too wide for tabular format}} -\def\bump@{\ifnum\cntC@<\maxcol@\inc\cntC@\uptoks@\fi} % NOTE 70 -\def\tableformat#1{\tablelet\just@\just@\relax\parse@#1~\done@~} % NOTE 71 -\def\tablerow#1{\tablelet\bbar@\wbar@\endrow@\parse@#1~\done@~} % NOTE 72 -\def\tablebar#1{{\let\topstrut\relax\let\botstrut\relax\tablespace\z@%% NOTE 73 - \tablerow{#1}}} -\def\tablelet#1#2#3{\let\b@#1\let\w@#2\let\f@#3\cntA@\count15 \cntB@\count11% - \cntC@\z@\let\parse@=\parseline@\ifhmode\par\else\nointerlineskip\fi} - % NOTE 74 -\def\just@#1{\let\b@\tform@\let\w@\tform@\maxcol@\z@\let\tablejust@#1} - % NOTE 75 - -\def\tform@#1{\tform@@#1~} % NOTE 76 -\def\tform@@#1#2~{\uptoks@\toks\cntA@{#1}\dimen\cntB@#2\inc\maxcol@} % NOTE 77 -\def\bbar@#1{\beginrow@{#1}\vrule width\tableline\vrule width\z@#1} % NOTE 78 -\def\wbar@#1{\beginrow@{#1}\kern\tableline\vrule width\z@#1} % NOTE 79 -\def\beginrow@#1{\let\b@\vbar@\let\w@\ibar@\setbox\z@=\hbox\bgroup% % NOTE 80 - \parindent\z@\leftskip\tablespace\rightskip\tablespace\let\span=\span@} -\def\endrow@{\kern-\dimen\cntB@\egroup\tablejust@{\unhbox\z@}} % NOTE 81 -\def\vbar@#1{\futurelet\lookahead@\cs@#1~\vrule width\tableline} % NOTE 82 -\def\ibar@#1{\futurelet\lookahead@\cs@#1~\kern\tableline} % NOTE 83 -\def\cs@#1~{\ifx\span@\lookahead@#1~\else\span@\@ne#1~\fi\lower\ht\z@\box\z@} - % NOTE 84 -\def\parseline@#1~{\ifx\done@#1\let\parse@\f@\else\let\p@ss\parsecol@% - \p@ss#1|\done@|\fi\parse@} % NOTE 85 -\def\parsecol@#1|{\def\parsemode@{\ifx\done@\lookahead@\w@{#1}% % NOTE 86 - \let\p@ss\lastp@ss\else\b@{#1}\fi\p@ss}% - \futurelet\lookahead@\parsemode@} -\def\lastp@ss#1|{} -\def\span@#1#2~{\bump@\hsize\dimen\cntB@\edef\x@{\the\toks\cntA@}% % NOTE 87 - \for\count@=2to#1do% - {\bump@\advance\hsize\dimen\cntB@\advance\hsize\tableline}% - \setbox\z@=\x@{\topstrut#2\botstrut}} - -% SECTION AND HEADING MACROS % NOTE 88 -% -\newcount\basehead\basehead=\count10 -\advance\count10by4 % This allocates 4 counters for head counters -\newcount\hdlevel -\def\setlevelno#1{\hdlevel=0 \cntA@=\basehead\sethead@0#1.-1.\head@} % NOTE 89 -\def\sethead@#1.{\ifnum-1=#1 \let\next@=\relax\else\let\next@=\sethead@ - % NOTE 90 - \ifnum\hdlevel<4 \inc\hdlevel\inc\cntA@\count\cntA@=#1\fi\fi\next@} -\def\head#1{\ifnum#1>\hdlevel\uplevel@{#1}\else % NOTE 91 - \hdlevel=#1\cntA@=#1\advance\cntA@\basehead\fi - \inc{\count\cntA@}\head@} -\def\uplevel@#1{\inc\hdlevel\cntA@=\hdlevel % NOTE 92 - \advance\cntA@\basehead\count\cntA@=0 - \ifnum\hdlevel=#1 \else\uplevel@{#1}\fi} -\def\head@{{\inc\basehead\xdef\levelno{\the\count\basehead} % NOTE 93 - \for\cntB@=\tw@ to\hdlevel do{\inc\basehead - \xdef\levelno{\levelno.\the\count\basehead}}}} -\setlevelno{0} - -\newtoks\firstlevelhead \def\headA@{\head\@ne\the\firstlevelhead} % NOTE 94 -\newtoks\secondlevelhead \def\headB@{\head\tw@\the\secondlevelhead} -\newtoks\thirdlevelhead \def\headC@{\head\thr@@\the\thirdlevelhead} -\newtoks\fourthlevelhead \def\headD@{\head\f@ur\the\fourthlevelhead} - -\def\level#1#2{\def\title{#2}% % NOTE 95 - \ifcase#1\relax\or\headA@\or\headB@\or\headC@\or\headD@\fi} -\firstlevelhead{\vfill\eject\vbox to1.5in{}\centerline{\fourteenbf\title}% - \vskip1.0in\ctswrite{\vrule height20pt width0pt\tenbf\title}} -\secondlevelhead{\need.75in\bigskip\leftline{\twelvebf\levelno\enspace\title}% - \medskip\ctswrite{\hskip15pt\tenrm\title}} -\thirdlevelhead{\need.6in\medskip\leftline{\tenbf\levelno\enspace\title}% - \ctswrite{\hskip30pt\tenrm\title}} -\fourthlevelhead{\need.5in\leftline{\tenrm\levelno\enspace\title}% - \ctswrite{\hskip45pt\tenrm\title}} - -% CONTENTS FILE MACROS -% -\newwrite\cnts@ -\newif\ifnocts@\nocts@true -\newtoks\topofcontents -\newtoks\botofcontents -\let\content@=\let% % NOTE 96 -\def\ctswrite#1{\ifnocts@\openout\cnts@=\jobname*[*]. \nocts@false\fi% NOTE 97 - {\def\_{\kern.06em \vbox{\hrule width.3em}}\let\the=0 - \edef\a@{\write\cnts@{\content@{#1}{\the\pageno}}}\a@}} -{\catcode`\@=12 \gdef\content@ #1#2{\need.5in\lline{#1\dotfil#2}}} -\def\contents{\ifnocts@\else\closeout\cnts@\null\supereject % NOTE 98 - \begingroup\pageno\m@ne\null\the\topofcontents\input\jobname*. - \the\botofcontents\eject\endgroup\nocts@true\fi} -\topofcontents{\noheading\vskip1in plus1fil - \centerline{\fourteenbf Table of Contents}\vskip1in plus1fil} -\botofcontents{\vfil} - -% FOOTNOTES AND INSERTIONS -% -\def\vfootnote#1{\insert\footins\bgroup % NOTE 99 - \interlinepenalty\interfootnotelinepenalty - \splittopskip\ht\strutbox % top baseline for broken footnotes - \splitmaxdepth\dp\strutbox \floatingpenalty\@MM - \realhsize\leftskip\z@skip \rightskip\z@skip - \baselineskip1\baselineskip - \textindent{#1}\footstrut\futurelet\next\fo@t} - -\newcount\notenumber -\def\resetnotes{\global\notenumber=0 } -\def\note{\global\inc\notenumber\footnote{$^{\the\notenumber}$}} % NOTE 100 -\def\midinsert{\@midtrue\p@gefalse\@ins} % NOTE 101 -\def\@ins{\par\begingroup\setbox\z@\vbox\bgroup\realhsize\divide\vsize\nocol@} - % NOTE 102 -\def\endinsert{\egroup\count@-100 % finish the \vbox % NOTE 103 - \ifp@ge\else\dimen@\ht\z@\advance\dimen@\dp\z@ - \advance\dimen@12\p@\multiply\dimen@-\nocol@ - \advance\dimen@-\pagetotal\advance\dimen@\pagegoal - \ifdim\dimen@<\z@\@midfalse\else\count@100 \fi\fi - \if@mid \balance@ - \global\setbox\contrb@\vbox{\unvbox\contrb@\bigskip\box\z@}\newtotal@ - \else\insert\topins{\penalty\count@ % floating insertion - \splittopskip\z@skip\splitmaxdepth\maxdimen\floatingpenalty\z@ - \ifp@ge \divide\vsize\nocol@ \dimen@\dp\z@ - \vbox to\vsize{\unvbox\z@\kern-\dimen@}% depth is zero - \else \box\z@\nobreak\bigskip\fi}\fi\endgroup} - -% COLUMN MACROS % NOTE 104 -% -\def\BEGINtwocolumns{\multicol@\tw@} -\def\BEGINthreecolumns{\multicol@\thr@@} -\def\ENDtwocolumns{\balance@\goal@\divide\endgroup\newtotal@\begingroup} -\let\ENDthreecolumns=\ENDtwocolumns -\def\balance{\balance@\newtotal@} % NOTE 105 -\def\balance@{\par{\let\ifreal@=\iffalse\eject}} % NOTE 106 -\def\newtotal@{{\each@{\the\toks\count@} % NOTE 107 - \ifold@\insert\hacker@{}\prevtotal@\pagetotal-\dimen@\fi}} -\def\multicol@#1{\ifnum\nocol@>\@ne\errset{You can't have columns % NOTE 108 - within columns. \string\start{\blockname@} ignored}\endgroup - \else\balance@\nocol@=#1\goal@\multiply\advance\hsize\columnspace - \divide\hsize#1\advance\hsize-\columnspace - \multiply\vsize#1\brokenpenalty\z@ - \each@{\multiply\count\count@\nocol@\multiply\skip\count@\nocol@}% - \newtotal@\global\dimen@=\baselineskip\baselineskip\dimen@ plus\dimen@\fi} - -\message{output routines} - -% OUTPUT ROUTINES % NOTE 109 -% -\newbox\contrb@ \newbox\out@ -\newdimen\columnspace -\columnspace=.5in -\let\ifreal@=\iftrue -\newcount\nocol@ \nocol@=1 -\newinsert\hacker@ -\def\ifold@{\ifvoid\contrb@\else} -\def\ifcol@{\ifnum\nocol@=\@ne\setbox\out@=\box\@cclv \else} -\def\setboxA@{\inc\cntA@\setbox\cntA@} -\def\boxA@{\inc\cntA@\box\cntA@} -\def\each@#1{\for\count@=\count19 to254 do{#1}} -\def\unglue@#1{\setbox#1=\vbox{\unvbox#1}} -\def\realhsize{\advance\hsize\columnspace\multiply\hsize\nocol@ - \advance\hsize-\columnspace} -\output{\hpoutput} - -\def\hpoutput{\splittopskip=\topskip - \setbox\hacker@=\box\voidb@x - \ifvoid\contrb@\dimen@=\ht\@cclv - \else\prevtotal@\advance\dimen@\ht\@cclv\fi - \ifreal@\realoutput@\else\fakeoutput@\fi - \each@{\global\toks\count@\ifvoid\count@{}\else{\insert\count@{}}\fi}} - -\def\realoutput@{\ifcol@\splitcol@\split@\setheight@\setout@ % NOTE 110 - \unvbox\@cclv \penalty\outputpenalty\fi - \setbox\@cclv=\pagestuff@{}\each@{\divide\skip\count@\nocol@}% - \realhsize\divide\vsize\nocol@\leftskip\z@\rightskip\z@ - \plainoutput\global\empty@true - \global\count\lpcount@=\nextlp@\ifnum\nextlp@>32 \global\nextlp@\z@\fi} - -\def\fakeoutput@{\unglue@{\@cclv}\global\let\ifreal@=\iftrue % NOTE 111 - \ifcol@\dimen@=\baselineskip - \dimen@=\ifnum\nocol@>2 2\dimen@ \else 1.1667\dimen@ \fi - \advance\dimen@\ht\@cclv\splitcol@{\box\@cclv}\setmax@\setout@\fi - \dimen@=\dp\out@\global\setbox\contrb@=\pagestuff@{\vskip-\dimen@}} - -\def\makeheadline{\vbox to\z@{\vskip-22.5\p@ - \lline{\vbox to8.5\p@{}\the\headline}\vss}\nointerlineskip} -\def\makefootline{\baselineskip24\p@\lline{\the\footline}} - -\def\pagecontents{\ifvoid\topins\else\unvbox\topins\fi - \unvbox\@cclv % open up \box255 - \ifvoid\footins\else % footnote info is present - \vskip\skip\footins - \footnoterule - \unvbox\footins\fi - \ifr@ggedbottom\vfil\fi} - -\def\splitcol@#1{\divide\dimen@\nocol@\cntA@=\count14 - \for\count@=\tw@ to\nocol@ do{\setboxA@=\split@}\setboxA@=#1} -\def\split@{\ifvoid\@cclv\vbox{\lline\hfil\vfil}\else\vsplit\@cclv to\dimen@\fi} -\def\setheight@{\ifold@\setmax@\fi} -\def\pagestuff@#1{\vbox{\ifold@\unvbox\contrb@\medskip\fi\unvbox\out@#1}} -\def\setout@{\cntA@=\count14 \setbox\out@=\vbox{\hbox - {\for\count@=\tw@ to\nocol@ do{\boxA@\hskip\columnspace}\boxA@}}} -\def\setmax@{\dimen@=\z@ \cntA@=\count14 - \for\count@=\@ne to\nocol@ do{\inc\cntA@\unglue@{\cntA@}% - \ifdim\ht\cntA@>\dimen@ \dimen@=\ht\cntA@\fi}% - \for\count@=\@ne to\nocol@ do{\setbox\cntA@ - =\vbox to\dimen@{\unvbox\cntA@\ifr@ggedbottom\vss\fi}\dec\cntA@}} -\def\prevtotal@{\dimen@=\medskipamount - \advance\dimen@\ht\contrb@\multiply\dimen@-\nocol@} -\def\goal@#1{\ifdim\pagegoal=\maxdimen\else - \dimen@=\pagegoal#1\dimen@\nocol@\pagegoal\dimen@\fi} - - -\catcode`@=12 % NOTE 112 - diff --git a/macros/hptex/macroshc.tex b/macros/hptex/macroshc.tex deleted file mode 100644 index 706a8c3439..0000000000 --- a/macros/hptex/macroshc.tex +++ /dev/null @@ -1,897 +0,0 @@ -% THIS IS FILE MACROSHC -% -% *** Source file for hard copy of HP TEX Macro Package *** -% Copyright 1984 Hewlett-Packard Co. -% -%\lpdef{1,1in,1.34in,P} -%\vsize52pc -%\hsize39pc -\def\evenheading{\vbox{\hbox to \hsize{\eightrm Page \folio\hfil\HPTEX} - \nointerlineskip\vskip2pt - \hbox{\vrule width \hsize height .4pt}}} -\def\oddheading{\vbox{\hbox to \hsize{\eightrm The \HPTEX\ - Macros\hfil Page \folio} - \nointerlineskip\vskip2pt - \hbox{\vrule width \hsize height .4pt}}} -\def\noheading{\hfil} -\headline{\ifnum\pageno=1\noheading - \else\ifodd\pageno\oddheading - \else\evenheading\fi\fi} -\centerfooting{} - -\def\\{\char '134} -\def\lftbr{\char '173} -\def\rtbr{\char '175} - -\null -\vskip.5in -\centerline{\twelvebf THE \HPTEX\ MACROS}\footnote{}{\eightrm\copyright 1984 - Hewlett-Packard Co.} -\vskip1in - -\start{verbatim} -\tentt - -\% This is the HP TeX text format version A.00.00 as of Feb. 14, 1984. -\% It is compatible with the plain TeX format that's described in The TeXbook. -\% -\% NOTE 1, NOTE 2, etc. refer to notes in the file HPTEXDOC -\% - -\\input PLAIN.TEXT \% NOTE 1 - -\\message{\lftbr}Preloading the HP TeX codes,{\rtbr} - -\% SPECIAL CATCODES -\% -\\catcode`@=11 \% NOTE 2 - -\% HPTEX -\% -\\def\\HPTEX{\lftbr}HP\\nobreak\\ \\TeX{\rtbr} -\\let\\HpTeX=\\HPTEX -\\def\\fmtname{\lftbr}HP TeX{\rtbr}\\def\\fmtversion{\lftbr}A.00.00{\rtbr} - -\% LEADERS -\% -\\def\\dotfil{\lftbr}\\tenrm\\leaders\\hbox to8\\p@{\lftbr}\\hss.\\hss{\rtbr}\\h - -\% CONSTANT VALUES -\% -\\chardef\\zer@=0 -\\chardef\\f@ur=4 -\\skipdef\\skip@ii=2 -\\maxdepth=2pt - -\\message{\lftbr}fonts,{\rtbr} - -\% FONTS \% NOTE 4 -\% -\\let\\fontcheck=1 \% NOTE -\\def\\fontdef#1=#2 {\lftbr}\\def#1{\lftbr}\\font@{\lftbr}#1{\rtbr}{\lftbr}#2{\r -\\def\\font@#1#2{\lftbr}{\lftbr}\\let\\fontcheck=0\\ifx0\\fontcheck\\egroup\\glo - \\else{\rtbr}\\string#1 \\fi{\rtbr}\%--The space after \\string#1 is necessa - -\% ROMAN TEXT -\% -\\fontdef\\twentyfourrm={\lftbr}amr10 scaled \\magstep5{\rtbr} -\\fontdef\\eighteenrm={\lftbr}amr10 scaled \\magstep3{\rtbr} -\\fontdef\\fourteenrm={\lftbr}amr10 scaled \\magstep2{\rtbr} -\\font\\twelverm=amr10 scaled \\magstep1 -\%\\font\\tenrm=amr10 -\\font\\ninerm=amr9 -\\font\\eightrm=amr8 -\%\\font\\sevenrm=amr7 -\\font\\sixrm=amr6 -\%\\font\\fiverm=amr5 - -\% MATH ITALIC -\% -\\fontdef\\twentyfouri={\lftbr}ammi10 scaled \\magstep5{\rtbr} -\\fontdef\\eighteeni={\lftbr}ammi10 scaled \\magstep3{\rtbr} -\\fontdef\\fourteeni={\lftbr}ammi10 scaled \\magstep2{\rtbr} -\\fontdef\\twelvei={\lftbr}ammi10 scaled \\magstep1{\rtbr} -\%\\font\\teni=ammi10 -\\fontdef\\ninei={\lftbr}ammi9{\rtbr} -\\fontdef\\eighti={\lftbr}ammi8{\rtbr} -\%\\font\\seveni=ammi7 -\\fontdef\\sixi={\lftbr}ammi6{\rtbr} -\%\\font\\fivei=ammi5 - -\% MATH SYMBOLS -\% -\\fontdef\\twentyfoursy={\lftbr}amsy10 scaled \\magstep5{\rtbr} -\\fontdef\\eighteensy={\lftbr}amsy10 scaled \\magstep3{\rtbr} -\\fontdef\\fourteensy={\lftbr}amsy10 scaled \\magstep2{\rtbr} -\\fontdef\\twelvesy={\lftbr}amsy10 scaled \\magstep1{\rtbr} -\%\\font\\tensy=amsy10 -\\fontdef\\ninesy={\lftbr}amsy9{\rtbr} -\\fontdef\\eightsy={\lftbr}amsy8{\rtbr} -\%\\font\\sevensy=amsy7 -\\fontdef\\sixsy={\lftbr}amsy6{\rtbr} -\%\\font\\fivesy=amsy5 - -\% BOLD MATH SYMBOLS -\% -\\fontdef\\tenbfsy={\lftbr}ambsy10{\rtbr} - -\% MATH EXTENSION -\% -\%\\font\\tenex=amex10 - -\% SANS SERIF -\% -\\fontdef\\fourteenss={\lftbr}amss10 scaled \\magstep2{\rtbr} -\\fontdef\\twelvess={\lftbr}amss10 scaled \\magstep1{\rtbr} -\\font\\tenss=amss10 -\\font\\eightss=amssq8 - -\% SANS SERIF ITALIC -\% -\\font\\tenitss=amssi10 -\\font\\eightitss=amssqi8 - -\% BOLDFACE EXTENDED -\% -\\fontdef\\twentyfourbf={\lftbr}ambx10 scaled \\magstep5{\rtbr} -\\fontdef\\eighteenbf={\lftbr}ambx10 scaled \\magstep3{\rtbr} -\\fontdef\\fourteenbf={\lftbr}ambx10 scaled \\magstep2{\rtbr} -\\font\\twelvebf=ambx10 scaled \\magstep1 -\%\\font\\tenbf=ambx10 -\\font\\ninebf=ambx9 -\\font\\eightbf=ambx8 -\%\\font\\sevenbf=ambx7 -\\font\\sixbf=ambx6 -\%\\font\\fivebf=ambx5 - -\% TYPEWRITER -\% -\\fontdef\\twentyfourtt={\lftbr}amtt10 scaled \\magstep5{\rtbr} -\\fontdef\\eighteentt={\lftbr}amtt10 scaled \\magstep3{\rtbr} -\\fontdef\\fourteentt={\lftbr}amtt10 scaled \\magstep2{\rtbr} -\\fontdef\\twelvett={\lftbr}amtt10 scaled \\magstep1{\rtbr} -\%\\font\\tentt=amtt10 -\\font\\ninett=amtt9 -\\font\\eighttt=amtt8 - -\% SLANTED TYPEWRITER -\% -\\font\\tensltt=amsltt10 - -\% SLANTED ROMAN -\% -\\fontdef\\twentyfoursl={\lftbr}amsl10 scaled \\magstep5{\rtbr} -\\fontdef\\eighteensl={\lftbr}amsl10 scaled \\magstep3{\rtbr} -\\fontdef\\fourteensl={\lftbr}amsl10 scaled \\magstep2{\rtbr} -\\fontdef\\twelvesl={\lftbr}amsl10 scaled \\magstep1{\rtbr} -\%\\font\\tensl=amsl10 -\\font\\ninesl=amsl9 -\\font\\eightsl=amsl8 - -\% TEXT ITALIC -\% -\\fontdef\\twentyfourit={\lftbr}amti10 scaled \\magstep5{\rtbr} -\\fontdef\\eighteenit={\lftbr}amti10 scaled \\magstep3{\rtbr} -\\fontdef\\fourteenit={\lftbr}amti10 scaled \\magstep2{\rtbr} -\\fontdef\\twelveit={\lftbr}amti10 scaled \\magstep1{\rtbr} -\%\\font\\tenit=amti10 -\\font\\nineit=amti9 -\\font\\eightit=amti8 -\\fontdef\\sevenit={\lftbr}amti7{\rtbr} - -\% UNSLANTED TEXT ITALIC -\% -\\font\\tenuit=amu10 - -\% CAPS AND SMALL CAPS -\% -\\font\\tencsc=amcsc10 - -\% SANS SERIF BOLD EXTENDED -\% -\\font\\tenbfss=amssbx10 - -\% BOLD EXTENDED SLANTED -\% -\\font\\tenslbf=ambxsl10 - -\% DUNHILL STYLE -\% -\\font\\tendh=amdunh10 - -\% FOR TITLES -\% -\\font\\titlefont=amr7 scaled \\magstep4 - -\% BIG FONT -\% -\\font\\bigfont=amssbx10 scaled \\magstep2 - -\\message{\lftbr}macros,{\rtbr} - -\% MACROS TO SET FSTYLE \% NOTE 7 -\% -\\def\\rm{\lftbr}\\fam\\z@\\def\\fstyle{\lftbr}rm{\rtbr}\\setfont{\rtbr} -\\def\\it{\lftbr}\\fam\\itfam\\def\\fstyle{\lftbr}it{\rtbr}\\setfont{\rtbr} -\\def\\bf{\lftbr}\\fam\\bffam\\def\\fstyle{\lftbr}bf{\rtbr}\\setfont\\ifmmode{\l - \\textfont2=\\tenbfsy\\fi{\rtbr} -\\def\\sl{\lftbr}\\fam\\slfam\\def\\fstyle{\lftbr}sl{\rtbr}\\setfont{\rtbr} -\\def\\sa{\lftbr}\\def\\fstyle{\lftbr}ss{\rtbr}\\setfont{\rtbr} -\\def\\tt{\lftbr}\\fam\\ttfam\\def\\fstyle{\lftbr}tt{\rtbr}\\setfont{\rtbr} - -\\newfam\\ssfam - -\vfil\goodbreak -\% MACROS TO SET FSIZE \% NOTE 8 -\% -\\def\\fivepoint{\lftbr}\\def\\fsize{\lftbr}five{\rtbr}\\setfont\\let\\sfont=\\f - \\baselineskip7pt\% - \\setbox\\strutbox=\\hbox{\lftbr}\\vrule height4.5pt depth1.5pt w - \\textfont0=\\fiverm \\scriptfont0=\\fiverm\% - \\scriptscriptfont0=\\fiverm\% - \\textfont1=\\fivei \\scriptfont1=\\fivei\% - \\scriptscriptfont1=\\fivei\% - \\textfont2=\\fivesy \\scriptfont2=\\fivesy\% - \\scriptscriptfont2=\\fivesy{\rtbr} -\vfil\goodbreak - -\\def\\sixpoint{\lftbr}\\def\\fsize{\lftbr}six{\rtbr}\\setfont\\let\\sfont=\\fiv - \\baselineskip8pt\% - \\setbox\\strutbox=\\hbox{\lftbr}\\vrule height5pt depth2pt width - \\textfont0=\\sixrm \\scriptfont0=\\fiverm\% - \\scriptscriptfont0=\\fiverm\% - \\scriptfont1=\\fivei \\scriptscriptfont1=\\fivei\% - \\scriptfont2=\\fivesy \\scriptscriptfont2=\\fivesy\% - \\def\\changes{\lftbr}{\lftbr}\\sixi\\sixsy{\rtbr}\% - \\textfont1=\\sixi \\textfont2=\\sixsy{\rtbr}\% - \\ifmmode\\changes\\else\\everymath{\lftbr}\\changes - \\everydisplay{\lftbr}\\changes{\rtbr}\\fi{ -\vfil\goodbreak - -\\def\\sevenpoint{\lftbr}\\def\\fsize{\lftbr}seven{\rtbr}\\setfont\\let\\sfont=\ - \\baselineskip9pt\% - \\setbox\\strutbox=\\hbox{\lftbr}\\vrule height6pt depth2pt wi - \\textfont0=\\sevenrm \\scriptfont0=\\sixrm\% - \\scriptscriptfont0=\\fiverm\% - \\textfont1=\\seveni \\scriptscriptfont1=\\fivei\% - \\textfont2=\\sevensy \\scriptscriptfont2=\\fivesy\% - \\def\\changes{\lftbr}{\lftbr}\\sixi\\sixsy{\rtbr}\% - \\scriptfont1=\\sixi\% - \\scriptfont2=\\sixsy{\rtbr}\% - \\ifmmode\\changes\\else\\everymath{\lftbr}\\changes{\rtbr}\% - \\everydisplay{\lftbr}\\changes{\ -\vfil\goodbreak - -\\def\\eightpoint{\lftbr}\\def\\fsize{\lftbr}eight{\rtbr}\\setfont\\let\\sfont=\ - \\baselineskip9pt\% - \\setbox\\strutbox=\\hbox{\lftbr}\\vrule height7pt depth2pt wi - \\textfont0=\\eightrm \\scriptfont0=\\sixrm\% - \\scriptscriptfont0=\\fiverm\% - \\scriptscriptfont1=\\fivei\% - \\scriptscriptfont2=\\fivesy\% - \\def\\changes{\lftbr}{\lftbr}\\eighti\\sixi\\eightsy\\sixsy{\ - \\textfont1=\\eighti \\scriptfont1=\\sixi\% - \\textfont2=\\eightsy \\scriptfont2=\\sixsy{\rtbr}\% - \\ifmmode\\changes\\else\\everymath{\lftbr}\\changes{\rtbr}\% - \\everydisplay{\lftbr}\\changes{\rtbr}\\fi{\r -\vfil\goodbreak - -\\def\\ninepoint{\lftbr}\\def\\fsize{\lftbr}nine{\rtbr}\\setfont\\let\\sfont=\\s - \\baselineskip11pt\% - \\setbox\\strutbox=\\hbox{\lftbr}\\vrule height8pt depth3pt wi - \\textfont0=\\ninerm \\scriptfont0=\\sevenrm\% - \\scriptscriptfont0\\fiverm\% - \\scriptfont1=\\seveni \\scriptscriptfont1\\fivei\% - \\scriptfont2=\\sevensy \\scriptscriptfont2\\fivesy\% - \\def\\changes{\lftbr}{\lftbr}\\ninei\\ninesy{\rtbr}\% - \\textfont1=\\ninei\% - \\textfont2=\\ninesy{\rtbr}\% - \\ifmmode\\changes\\else\\everymath{\lftbr}\\changes{\ - \\everydisplay{\lftbr}\\changes{\rtbr}\\fi{\ -\vfil\goodbreak - -\\def\\tenpoint{\lftbr}\\def\\fsize{\lftbr}ten{\rtbr}\\setfont\\let\\sfont=\\sev - \\baselineskip12pt\% - \\setbox\\strutbox=\\hbox{\lftbr}\\vrule height8.5pt depth3.5pt - \\textfont0=\\tenrm \\scriptfont0=\\sevenrm\% - \\scriptscriptfont0\\fiverm\% - \\textfont1=\\teni \\scriptfont1=\\seveni\% - \\scriptscriptfont1\\fivei\% - \\textfont2=\\tensy \\scriptfont2=\\sevensy\% - \\scriptscriptfont2\\fivesy{\rtbr} -\vfil\goodbreak - -\\def\\twelvepoint{\lftbr}\\def\\fsize{\lftbr}twelve{\rtbr}\\setfont\\let\\sfont - \\baselineskip14pt\% - \\setbox\\strutbox=\\hbox{\lftbr}\\vrule height10pt depth4pt w - \\textfont0=\\twelverm \\scriptfont0=\\ninerm\% - \\scriptscriptfont0=\\sevenrm\% - \\scriptscriptfont1=\\seveni\% - \\scriptscriptfont2=\\sevensy\% - \\def\\changes{\lftbr}{\lftbr}\\twelvei\\ninei\\twelvesy\\nine - \\textfont1=\\twelvei \\scriptfont1=\\ninei\% - \\textfont2=\\twelvesy \\scriptfont2=\\ninesy{\rtbr}\ - \\ifmmode\\changes\\else\\everymath{\lftbr}\\changes{\rtbr}\% - \\everydisplay{\lftbr}\\changes{\rtbr}\\fi{ -\vfil\goodbreak - -\\def\\fourteenpoint{\lftbr}\\def\\fsize{\lftbr}fourteen{\rtbr}\\setfont\\let\\s - \\baselineskip16pt\% - \\setbox\\strutbox=\\hbox{\lftbr}\\vrule height12pt depth4pt width0pt{\rtbr - \\scriptfont0=\\tenrm \\scriptscriptfont0=\\sevenrm\% - \\scriptfont1=\\teni \\scriptscriptfont1=\\seveni\% - \\scriptfont2=\\tensy \\scriptscriptfont2=\\sevensy\% - \\def\\changes{\lftbr}{\lftbr}\\fourteeni\\fourteenrm\\fourteensy{\rtbr}\% - \\textfont0=\\fourteenrm\% - \\textfont1=\\fourteeni\% - \\textfont2=\\fourteensy{\rtbr}\% - \\ifmmode\\changes\\else\\everymath{\lftbr}\\changes{\rtbr}\\everydisplay{\ -\vfil\goodbreak - -\\def\\eighteenpoint{\lftbr}\\def\\fsize{\lftbr}eighteen{\rtbr}\\setfont\\let\\s - \\baselineskip18pt\% - \\setbox\\strutbox=\\hbox{\lftbr}\\vrule height15pt depth3pt width0pt{\rtb - \\scriptfont0=\\twelverm \\scriptscriptfont0=\\tenrm\% - \\scriptscriptfont1=\\teni\% - \\scriptscriptfont2=\\tensy\% - \\def\\changes{\lftbr}{\lftbr}\\eighteenrm\\eighteeni\\twelvei\\eighteensy - \\textfont0=\\eighteenrm\% - \\textfont1=\\eighteeni \\scriptfont1=\\twelvei\% - \\textfont2=\\eighteensy \\scriptfont2=\\twelvesy{\rtbr}\% - \\ifmmode\\changes\\else\\everymath{\lftbr}\\changes{\rtbr}\% - \\everydisplay{\lftbr}\\changes{\rtbr}\\fi{\rtbr} -\vfil\goodbreak - -\\def\\twentyfourpoint{\lftbr}\\def\\fsize{\lftbr}twentyfour{\rtbr}\\setfont\\le - \\baselineskip24pt\% - \\setbox\\strutbox=\\hbox{\lftbr}\\vrule height21.5pt depth2.5pt width0pt{ - \\def\\changes{\lftbr}{\lftbr}\\twentyfourrm\\eighteenrm\\fourteenrm\\twen - \\eighteeni\\fourteeni\\twentyfoursy\\eighteensy\\fourteensy - \\textfont0=\\twentyfourrm \\scriptfont0=\\eighteenrm \% - \\scriptscriptfont0=\\fourteenrm\% - \\textfont1=\\twentyfouri \\scriptfont1=\\eighteeni\% - \\scriptscriptfont1=\\fourteeni\% - \\textfont2=\\twentyfoursy \\scriptfont2=\\eighteensy\% - \\scriptscriptfont2=\\fourteensy{\rtbr}\% - \\ifmmode\\changes\\else\\everymath{\lftbr}\\changes{\rtbr}\\everydisplay - -\vfil\goodbreak -\% MACROS TO SET CURRENT FONT USING FSTYLE AND FSIZE -\% -\\newif\\ifnofont@ -\\def\\tryfont#1{\lftbr}\\expandafter\\ifx\\csname#1\\endcsname\\relax\\nofont@t - \\else\\nofont@false\\csname#1\\endcsname\\fi{\rtbr} -\\def\\setfont{\lftbr}\\tryfont{\lftbr}\\ffam\\fsize\\fstyle{\rtbr}\% - \\ifnofont@\\tryfont{\lftbr}\\ffam\\fsize rm{\rtbr}\% - \\ifnofont@\\tryfont{\lftbr}\\ffam tenrm{\rtbr}\% - \\ifnofont@\\tenrm\\fi\\fi\\expandafter - \\fonterr\\csname\\ffam\\fsize\\fstyle\\endcsname{\lftbr}\\the\\font{\rtbr}\ -\\def\\fonterr#1#2{\lftbr}\\immediate\\write\\m@ne{\lftbr}! font #1is undefined, - I'm using #2instead.{\rtbr}\\xdef#1{\lftbr}#2{\rtbr}{\rtbr} - -\% DEFAULTS \% NOTE 1 -\% -\\fam\\z@\\tenrm\\def\\ffam{\lftbr}{\rtbr}\\def\\fstyle{\lftbr}rm{\rtbr}\\def\\f - -\% LINE MACROS \% NOTE 1 -\% -\\def\\lline#1{\lftbr}\\hbox to\\hsize{\lftbr}\\hskip\\leftskip#1\\hskip\\rights -\\def\\leftline#1{\lftbr}\\lline{\lftbr}#1\\hss{\rtbr}{\rtbr} -\\def\\rightline#1{\lftbr}\\lline{\lftbr}\\hss#1{\rtbr}{\rtbr} -\\def\\centerline#1{\lftbr}\\lline{\lftbr}\\hss#1\\hss{\rtbr}{\rtbr} - -\% MORE MACROS -\% -\\def\\narrow#1{\lftbr}\\advance\\leftskip#1\\advance\\rightskip#1{\rtbr} -\\def\\narrower{\lftbr}\\narrow\\parindent{\rtbr} -\\def\\narrow@{\lftbr}\\narrow\\inset{\rtbr} -\\def\\inc#1{\lftbr}\\advance#1\\@ne{\rtbr} -\\def\\dec#1{\lftbr}\\advance#1\\m@ne{\rtbr} -\\def\\ignore#1{\lftbr}\\relax{\rtbr} -\\def\\okbreak{\lftbr}\\par\\penalty-200{\rtbr} -\\def\\need{\lftbr}\\afterassignment\\need@\\dimen@{\rtbr} -\\def\\need@{\lftbr}\\vskip\\dimen@ minus\\dimen@\\okbreak\\vskip-\\dimen@ minus -\goodbreak -\\def\\for#1=#2to#3do#4{\lftbr}#1=#2\\ifnum#2>#3\\else\\let\\next@=\\fnext@ - \\def\\fcount@{\lftbr}#1{\rtbr}\\def\\fexit@{\lftbr}#3{\rtbr}\\def\\floop@{\ -\goodbreak -\\def\\fnext@{\lftbr}\\floop@\\ifnum\\fcount@<\\fexit@\\inc\\fcount@ - \\else\\let\\next@=\\relax\\fi\\next@{\rtbr} -\goodbreak -\\def\\super#1{\lftbr}\\/\\raise.4em\\hbox{\lftbr}\\sfont#1{\rtbr}\\thinspace{\r -\\def\\sub#1{\lftbr}\\lower.25em\\hbox{\lftbr}\\sfont#1{\rtbr}\\thinspace{\rtbr} -\\def\\lbreak{\lftbr}\\hfill\\break{\rtbr} -\goodbreak -\\def\\uline#1{\lftbr}\\setbox0=\\hbox{\lftbr}#1{\rtbr}\\dimen@=-\\dp0\\advance\ - \\ifvmode\\indent\\fi\\hbox to \\wd0{\lftbr}\\lower.27em - \\vbox{\lftbr}\\box0\\vskip\\dimen@\\hrule height.04em{\rtbr}{\rtbr}{\rtbr} -\goodbreak - -\% START AND FINISH GROUP STRUCTURE \% NOTE 1 -\% -\\def\\start#1{\lftbr}\\errfalse\\ifinvalid@{\lftbr}#1{\rtbr}\\else\\begingroup - \\def\\blockname@{\lftbr}#1{\rtbr}\\csname BEGIN#1\\endcsname\\fi\\Error{\rt -\\def\\finish#1{\lftbr}\\errfalse\\ifinvalid@{\lftbr}#1{\rtbr}\\else\\matchup@{\ -\\def\\ifinvalid@#1{\lftbr}\\expandafter\\ifx\\csname BEGIN#1\\endcsname\\relax - \\errset{\lftbr}I don't understand {\lftbr}#1{\rtbr}, it may be misspelled{\ -\\def\\matchup@#1{\lftbr}\\def\\test@{\lftbr}#1{\rtbr}\% - \\expandafter\\ifx\\csname blockname@\\endcsname\\relax - \\errset{\lftbr}Extra \\string\\finish{\lftbr}\\test@{\rtbr} ignored - \\else\\ifx\\test@\\blockname@\\done - \\else\\errset{\lftbr}Missing \\string\\finish{\lftbr}\\blockname@{\rtbr} in - \\done\\matchup@{\lftbr}#1{\rtbr}\\fi\\fi{\rtbr} -\\def\\done{\lftbr}\\csname END\\blockname@\\endcsname\\endgroup{\rtbr} - -\% GENERAL ERROR HANDLING \% NOTE 2 -\% -\\def\\errfalse{\lftbr}\\global\\let\\iferr=\\iffalse{\rtbr} -\\def\\errtrue{\lftbr}\\global\\let\\iferr=\\iftrue{\rtbr} -\\def\\errset#1{\lftbr}\\iferr\\immediate\\write0{\lftbr}! \\error{\rtbr}\\else\ -\\def\\Error{\lftbr}\\iferr\\errmessage{\lftbr}\\error{\rtbr}\\fi{\rtbr} - -\% DATE AND TIME MACROS -\% -\\newcount\\cntA@\\newcount\\cntB@\\newcount\\cntC@ -\\def\\mon{\lftbr}\\ifcase\\month\\relax\\or January\\or February\\or March\\or - April\\or May\\or June\\or July\\or August\\or September\\or October\\or - November\\or December\\fi{\rtbr} -\\def\\date{\lftbr}\\mon\\nobreak\\ \\number\\day, \\number\\year{\rtbr} -\goodbreak -\\def\\hour{\lftbr}{\lftbr}\\cntA@=\\time \\cntB@=\\cntA@ - \\divide\\cntA@60 \\cntC@=\\cntA@ \\multiply\\cntC@60 - \\advance\\cntB@-\\cntC@\\ifnum\\cntA@>11 - \\advance\\cntA@-12 \\def\\time@{\lftbr}PM{\rtbr}\\else\\def\\time@{\lftbr}A - \\ifnum\\cntA@=0 \\cntA@=12 \\fi\\number\\cntA@ - :\\ifnum\\cntB@<10 0\\fi\\number\\cntB@\\nobreak\\ \\time@{\rtbr}{\rtbr} - -\% INDENTSTYLE -\% -\\newdimen\\indentsize\\indentsize=20pt -\\newif\\ifindent\\indenttrue \% NOTE -\\def\\indentstyle{\lftbr}\\parindent\\indentsize - \\ifindent\\else\\indenttrue\\advance\\parskip-5\\p@\\fi{\rtbr} -\\def\\noindentstyle{\lftbr}\\parindent\\z@ - \\ifindent\\indentfalse\\advance\\parskip5\\p@\\fi{\rtbr} -\\def\\indentspace{\lftbr}\\afterassignment\\indent@\\indentsize{\rtbr} -\\def\\indent@{\lftbr}\\ifindent\\parindent\\indentsize\\fi{\rtbr} -\\newdimen\\inset -\\inset.5in -\\def\\BEGINindent{\lftbr}\\advance\\leftskip \\inset{\rtbr} -\\let\\ENDindent=\\par - -\% RAGGED MARGIN AND JUSTIFIED MARGIN MACROS -\% -\\def\\fixmargin@{\lftbr}\\dimen@=\\rightskip\\rightskip=\\dimen@{\rtbr} -\\def\\justify{\lftbr}\\fixmargin@\\spaceskip\\z@\\xspaceskip\\z@{\rtbr} -\\def\\raggedright{\lftbr}\\fixmargin@\\advance\\rightskip\\z@ plus2em - \\ifx\\fstyle\\tt@\\else\\spaceskip.3333em\\xspaceskip.5em\\fi{\rtbr} -\\def\\tt@{\lftbr}tt{\rtbr} - -\% ITEM AND SUBITEM MACROS -\% -\\newcount\\icount@\\newcount\\scount@ -\\newcount\\idigit@\\newcount\\sdigit@ -\\def\\itemset@#1#2#3{\lftbr}\\dimen@=\\hsize \\advance\\dimen@-#2\\inset - \\parshape=\\@ne#1\\inset\\dimen@\\noindent - \\hbox to\\z@{\lftbr}\\hss#3\\enspace{\rtbr}\\ignorespaces{\rtbr} -\\def\\itemlist#1{\lftbr}\\medskip\\resetsubitems\\itemset@\\@ne\\tw@{\lftbr}#1{ -\\def\\subitem#1{\lftbr}\\smallskip\\itemset@\\tw@\\f@ur{\lftbr}#1{\rtbr}{\rtbr} -\\def\\itempar{\lftbr}\\smallskip\\itemset@\\@ne\\tw@\\empty{\rtbr} -\\def\\subitempar{\lftbr}\\subitem\\empty{\rtbr} -\\def\\enditems{\lftbr}\\bigskip\\resetitems{\rtbr} - -\% ITEMTAG AND SUBITEMTAG MACROS \% NOTE 41 -\% -\\def\\square{\lftbr}\\hbox{\lftbr}\\hskip.5pt\\vrule height.4em width.4em depth -\\def\\dott{\lftbr}$\\bullet${\rtbr} -\\def\\emdash{\lftbr}---{\rtbr} -\\def\\itemn@#1{\lftbr}\\number#1\\global\\inc#1{\rtbr} -\\def\\itemr@#1{\lftbr}\\romannumeral#1\\global\\inc#1{\rtbr} -\\def\\itemR@#1{\lftbr}\\uppercase\\expandafter{\lftbr}\\romannumeral#1{\rtbr}\\ -\goodbreak -\\def\\iteml@#1#2{\lftbr}{\lftbr}\\loop\\char#1\\ifnum#2>\\@ne\\dec#2\\repeat{\r - \\ifnum#1>122 \\global#1=97 \\global\\inc#2\\fi \\ifnum#1=91 \\global#1=65 - \\global\\inc#2\\fi{\rtbr} - \\def\\item@ #1,#2,#3{\lftbr}\\def\\itemtag{\lftbr}#3{\rtbr}\% - \\def\\resetitems{\lftbr}\\global\\icount@=#1\\global\\idigit@=#2{\rtbr}\\res -\\outer\\def\\numbereditems{\lftbr}\\item@ 1,0,{\lftbr}\\itemn@\\icount@{\rtbr}{ -\\outer\\def\\lettereditems{\lftbr}\\item@ 97,1,{\lftbr}\\iteml@\\icount@\\idigi -\\outer\\def\\Lettereditems{\lftbr}\\item@ 65,1,{\lftbr}\\iteml@\\icount@\\idigi -\\outer\\def\\romanitems{\lftbr}\\item@ 1,0,{\lftbr}\\itemr@\\icount@{\rtbr}{\rt -\\outer\\def\\Romanitems{\lftbr}\\item@ 1,0,{\lftbr}\\itemR@\\icount@{\rtbr}{\rt -\\outer\\def\\squareditems{\lftbr}\\let\\itemtag=\\square\\let\\resetitems=\\rel -\\outer\\def\\dotteditems{\lftbr}\\let\\itemtag=\\dott\\let\\resetitems=\\relax{ -\\outer\\def\\dasheditems{\lftbr}\\let\\itemtag=\\emdash\\let\\resetitems=\\rela -\\def\\itm{\lftbr}\\itemlist{\lftbr}\\tenrm\\itemtag\\ifx\\relax\\resetitems\\el - -\\def\\subitem@ #1,#2,#3{\lftbr}\\def\\subitemtag{\lftbr}#3{\rtbr}\% - \\def\\resetsubitems{\lftbr}\\global\\scount@=#1\\global\\sdigit@=#2{\rtbr}\ -\\outer\\def\\numberedsubitems{\lftbr}\\subitem@ 1,0,{\lftbr}\\itemn@\\scount@{\ -\\outer\\def\\letteredsubitems{\lftbr}\\subitem@ 97,1,{\lftbr}\\iteml@\\scount@\ -\\outer\\def\\Letteredsubitems{\lftbr}\\subitem@ 65,1,{\lftbr}\\iteml@\\scount@\ -\\outer\\def\\romansubitems{\lftbr}\\subitem@ 1,0,{\lftbr}\\itemr@\\scount@{\rtb -\\outer\\def\\Romansubitems{\lftbr}\\subitem@ 1,0,{\lftbr}\\itemR@\\scount@{\rtb -\\outer\\def\\squaredsubitems{\lftbr}\\let\\subitemtag=\\square\\let\\resetsubit -\\outer\\def\\dottedsubitems{\lftbr}\\let\\subitemtag=\\dott\\let\\resetsubitems -\\outer\\def\\dashedsubitems{\lftbr}\\let\\subitemtag=\\emdash\\let\\resetsubite -\\def\\sitm{\lftbr}\\subitem{\lftbr}\\tenrm\\subitemtag\\ifx\\relax\\resetsubite - \% NOTE 49 -\\numbereditems\\letteredsubitems \% NOTE - -\% NOTE AND WARNING MACROS -\% -\\def\\BEGINnote{\lftbr}\\bigskip\\narrow@\\narrow@\\nobreak{\rtbr} -\\let\\ENDnote=\\bigskip -\\def\\BEGINwarning{\lftbr}\\bigskip\\nobreak\\narrow@\\narrow@\\marginrule.0266 - \\nobreak\\medskip\\nobreak{\rtbr} -\\def\\ENDwarning{\lftbr}\\nobreak\\medskip\\nobreak\\marginrule.02667in \\bigsk -\\def\\marginrule#1 {\lftbr}\\nointerlineskip\\vbox to#1{\lftbr}\\vss - \\lline{\lftbr}\\leaders\\hrule height#1\\hss{\rtbr}{\rtbr}{\rtbr} - - -\% VERBATIM MODE \% NOTE 5 -\% -\\newskip\\blanksize@ -\\bgroup\\catcode`\\*=3 \\catcode`\\$=13 \\catcode`\\#=13 - \\catcode`\\^=13 \\catcode`\\_=13 \\catcode`\\|=13 \\catcode`\\~=13 -\goodbreak -\\gdef\\BEGINverbatim{\lftbr}\\parskip=0pt plus1pt - \\catcode`\\$=13 \\def${\lftbr}\\indent\\hbox to \\the\\fontdimen\\tw@\\the\ - {\lftbr}\\hss\\$\\hss{\rtbr}{\rtbr} - \\catcode`\\&=12 - \\catcode`\\#=13 \\def#{\lftbr}\\indent\\hbox to \\the\\fontdimen\\tw@\\the\ - {\lftbr}\\hss*\\#*\\hss{\rtbr}{\rtbr} - \\catcode`\\^=13 \\def^{\lftbr}\\indent\\hbox to \\the\\fontdimen\\tw@\\the\ - {\lftbr}\\hss*\\mathchar"327D*\\hss{\rtbr}{\rtbr} - \\catcode`\\_=13 \\def_{\lftbr}\\indent\\hbox to \\the\\fontdimen\\tw@\\the\ - {\lftbr}\\hss\\_\\hss{\rtbr}{\rtbr} - \\catcode`\\\%=12 - \\catcode`\\|=13 \\def|{\lftbr}\\indent\\hbox to \\the\\fontdimen\\tw@\\the\ - {\lftbr}\\hss*\\mathchar"326A*\\hss{\rtbr}{\rtbr} - \\catcode`\\~=13 \\def~{\lftbr}\\indent\\hbox to \\the\\fontdimen\\tw@\\the\ - {\lftbr}\\hss*\\mathchar"3218*\\hss{\rtbr}{\rtbr} - \\parindent\\z@\\lumplines\\lumpspaces{\rtbr} -\\egroup - -\% LUMPLINE AND LUMPSPACE MACROS \% NOTE 5 -\% -{\lftbr}\\catcode`\\^^M=13 \\gdef\\lumplines{\lftbr}\\catcode`\\^^M=13 \\let^^M= -\\def\\lumpline@{\lftbr}\\par\\skip@=\\z@\\let\\munch@=\\lumpB@\\futurelet\\lump -\\def\\lumpA@{\lftbr}\\ifx\\lumpline@\\lump@\\advance\\skip@\\baselineskip - \\else\\let\\munch@=\\relax\\vskip\\skip@\\fi\\munch@{\rtbr} -\\def\\lumpB@#1{\lftbr}\\futurelet\\lump@\\lumpA@{\rtbr} -{\lftbr}\\catcode`\\ =13 \\gdef\\lumpspaces{\lftbr}\\catcode`\\ =13\\relax\\let -\goodbreak -\\def\\lumpspace@{\lftbr}\\blanksize@=\\the\\fontdimen\\tw@\\the\\font - \\skip@=\\z@\\let\\munch@=\\lumpb@\\futurelet\\lump@\\lumpa@{\rtbr} -\goodbreak -\\def\\lumpa@{\lftbr}\\advance\\skip@\\blanksize@\\ifx\\lumpspace@\\lump@ - \\else\\let\\munch@=\\relax\\hskip\\skip@\\fi\\munch@{\rtbr} -\\def\\lumpb@#1{\lftbr}\\futurelet\\lump@\\lumpa@{\rtbr} -\\let\\munch@=\\relax - -\% PAGE CONTROL MACROS \% NOTE 5 -\% -\\def\\newpage{\lftbr}\\balance\\ifold@\\null\\vfill\\eject\\fi{\rtbr} -\\def\\evenpage{\lftbr}\\newpage\\ifodd\\pageno\\null\\vfill\\eject\\fi{\rtbr} -\\def\\oddpage{\lftbr}\\newpage\\ifodd\\pageno\\else\\null\\vfill\\eject\\fi{\rt - -\% HEADING AND FOOTING MACROS \% NOTE 57 -\% -\\newtoks\\leftheading \\newtoks\\leftfooting -\\newtoks\\rightheading \\newtoks\\rightfooting -\\newtoks\\centerheading \\newtoks\\centerfooting -\\newtoks\\insideheading \\newtoks\\insidefooting -\\newtoks\\outsideheading \\newtoks\\outsidefooting -\\newtoks\\headline \\newtoks\\footline -\goodbreak -\\def\\buildline{\lftbr}\\let\\lft=\\zer@\\let\\rght=\\@ne - \\ifdim\\wd3=\\z@\\else\\ifodd\\pageno\\let\\lft=\\thr@@\\else\\let\\rght=\\ - \\ifdim\\wd4=\\z@\\else\\ifodd\\pageno\\let\\rght=\\f@ur\\else\\let\\lft=\\f - \\triplehead\\lft\\tw@\\rght{\rtbr} -\goodbreak -\\def\\triplehead#1#2#3{\lftbr}\\skip@=1em\\skip@ii=1em - \\dimen@=\\wd#1\\advance\\dimen@-\\wd#3\% - \\ifdim\\dimen@>\\z@\\advance\\skip@ii\\dimen@ minus\\dimen@ - \\else\\advance\\skip@-\\dimen@ minus-\\dimen@\\fi - {\lftbr}\\box#1\\hskip\\skip@\\hfil\\box#2\\hfil\\hskip\\skip@ii\\box#3{\rtb -\goodbreak -\\def\\loadbox#1#2{\lftbr}\\setbox#1=\\hbox{\lftbr}\\the#2{\rtbr}{\rtbr} -\\newcount\\headcount\\newcount\\footcount -\\def\\suspendheading#1{\lftbr}\\global\\headcount=#1{\rtbr} -\\def\\suspendfooting#1{\lftbr}\\global\\footcount=#1{\rtbr} -\\def\\noheading{\lftbr}\\suspendheading\\m@ne{\rtbr} -\\def\\nofooting{\lftbr}\\suspendfooting\\m@ne{\rtbr} -\\def\\resumeheading{\lftbr}\\suspendheading\\zer@{\rtbr} -\\def\\resumefooting{\lftbr}\\suspendfooting\\zer@{\rtbr} -\goodbreak -\\headline{\lftbr}\\ifnum\\headcount=\\z@\\loadbox\\tw@\\centerheading - \\loadbox\\zer@\\leftheading\\loadbox\\@ne\\rightheading - \\loadbox\\thr@@\\insideheading\\loadbox\\f@ur\\outsideheading\\buildlin - \\else\\hfil\\ifnum\\headcount>\\z@\\global\\dec\\headcount\\fi\\fi{\rtbr} -\goodbreak -\\footline{\lftbr}\\ifnum\\footcount=\\z@\\loadbox\\tw@\\centerfooting - \\loadbox\\zer@\\leftfooting\\loadbox\\@ne\\rightfooting - \\loadbox\\thr@@\\insidefooting\\loadbox\\f@ur\\outsidefooting\\buildlin - \\else\\hfil\\ifnum\\footcount>\\z@\\global\\dec\\footcount\\fi\\fi{\rtbr} -\goodbreak -\\resumeheading -\\resumefooting -\% footline is normally a centered page number in font \\tenrm -\\centerfooting{\lftbr}\\tenrm\\folio{\rtbr} - -\% BOX MACROS -\% -\\newdimen\\boxline -\\newdimen\\boxspace -\\boxline .01332in -\\boxspace 5pt -\\newdimen\\depthbox@ -\\def\\boxit#1{\lftbr}\\hbox{\lftbr}\\vrule width\\boxline - \\vbox{\lftbr}\\hrule height\\boxline\\kern\\boxspace - \\hbox{\lftbr}\\kern\\boxspace - \\vbox{\lftbr}\\halign{\lftbr}\\hfil##\\hfil\\cr\\st - \\kern\\boxspace{\rtbr}\% - \\kern\\boxspace\\hrule height\\boxline{\rtbr}\% - \\vrule width\\boxline{\rtbr}{\rtbr} -\\def\\centerbox#1{\lftbr}\\vskip\\abovedisplayskip - \\centerline{\lftbr}\\boxit{\lftbr}#1{\rtbr}{\rtbr}\% - \\vskip\\belowdisplayskip{\rtbr} -\\def\\textbox#1{\lftbr}\\depthbox@=\\dp\\strutbox\\advance\\depthbox@ by .4\\p@ - \\ifvmode\\indent\\fi\\setbox\\z@\\hbox{\lftbr}\\vrule - \\vbox{\lftbr}\\hrule\\hbox{\lftbr}\\kern\\p@#1\\strut\\kern\\p@{\rtbr}\ - \\vrule{\rtbr}\\lower\\depthbox@\\box\\z@{\rtbr} - -\% HP2680A and HP2688A COPY CONTROL MACROS \% NOTE 66 -\% -\\newcount\\oldcopy\\newcount\\copycnt -\\def\\copy@{\lftbr}\\globalspecial{\lftbr}HP2688A,HP2680A COPIES \\number\\copy -\\def\\selectcopycount{\lftbr}\\afterassignment\\copy@\\copycnt{\rtbr} -\\def\\copieson{\lftbr}\\global\\count\\copycnt=\\oldcopy\\copy@{\rtbr} -\\def\\copiesoff{\lftbr}\\global\\count\\copycnt=1 \\copy@{\rtbr} -\\def\\copies{\lftbr}\\afterassignment\\copieson\\global\\oldcopy{\rtbr} -\\copycnt=1 -\\oldcopy=2 - -\% HP2680A and HP2688A LOGICAL PAGE CONTROL (LPC) MACROS \% NOTE 6 -\% -\\def\\lplist#1{\lftbr}\\globalspecial{\lftbr}HP2688A,HP2680A ILP #1{\rtbr}{\rtb -\\def\\lpdef#1{\lftbr}\\globalspecial{\lftbr}HP2688A,HP2680A LP #1{\rtbr}{\rtbr} -\\newif\\ifempty@\\empty@true -\\newcount\\lpcount@\\newcount\\nextlp@ -\\def\\selectlpcounter#1{\lftbr}\\lpcount@#1 \\setlpcount@{\lftbr}\\the\\lpcount -\\def\\setlpcount@#1{\lftbr}\\globalspecial{\lftbr}HP2688A,HP2680A ELP #1{\rtbr} -\\def\\lpageto{\lftbr}\\eject\\afterassignment\\lpeject@\\nextlp@{\rtbr} -\\def\\ppageto{\lftbr}\\eject\\afterassignment\\lpage@\\nextlp@{\rtbr} -\\def\\lpeject@{\lftbr}\\nextlp@=-\\nextlp@\\lpage@{\rtbr} -\\def\\lpresume{\lftbr}\\eject\\nextlp@=\\z@\\lpage@{\rtbr} -\\def\\lpreset{\lftbr}\\eject\\nextlp@=33 \\lpage@ \\nextlp@=\\z@{\rtbr} -\\def\\lpexit{\lftbr}\\eject\\nextlp@=34 \\lpage@ \\nextlp@=\\z@{\rtbr} -\\def\\lpage@{\lftbr}\\ifempty@\\count\\lpcount@=\\nextlp@\\global\\empty@false\ -\\everyjob{\lftbr}\\message{\lftbr}Using HP TeX Version \\fmtversion{\rtbr}\\se - -\% TABLE MACROS \% NOTE 6 -\% -\\newcount\\maxcol@ -\\newbox\\topstrutbox \\def\\topstrut{\lftbr}\\unhcopy\\topstrutbox{\rtbr} -\\setbox\\topstrutbox=\\hbox{\lftbr}\\vrule height11pt depth0pt width0pt{\rtbr} -\\newbox\\botstrutbox \\def\\botstrut{\lftbr}\\unhcopy\\botstrutbox{\rtbr} -\\setbox\\botstrutbox=\\hbox{\lftbr}\\vrule height0pt depth4pt width0pt{\rtbr} -\\newdimen\\tableline \\tableline.01332in -\\newskip\\tablespace \\tablespace5pt -\\def\\paragraph#1{\lftbr}\\vbox{\lftbr}\\hrule height\\z@ width\\hsize depth\\z -\\def\\tbar{\lftbr}\\ifvmode\\hrule\\else\\vrule width\\hsize depth\\z@\\fi heig -\\def\\uptoks@{\lftbr}\\inc\\cntA@\\inc\\cntB@ - \\ifnum\\cntA@<\\count19 \\ifnum\\cntB@<\\count19 \\else\\err@\\fi\\else\\er -\\def\\err@{\lftbr}\\errmessage{\lftbr}Columns too wide for tabular format{\rtbr -\\def\\bump@{\lftbr}\\ifnum\\cntC@<\\maxcol@\\inc\\cntC@\\uptoks@\\fi{\rtbr} -\\def\\tableformat#1{\lftbr}\\tablelet\\just@\\just@\\relax\\parse@#1~\\done@~{\ -\\def\\tablerow#1{\lftbr}\\tablelet\\bbar@\\wbar@\\endrow@\\parse@#1~\\done@~{\r -\\def\\tablebar#1{\lftbr}{\lftbr}\\let\\topstrut\\relax\\let\\botstrut\\relax\\t - \\tablerow{\lftbr}#1{\rtbr}{\rtbr}{\rtbr} -\\def\\tablelet#1#2#3{\lftbr}\\let\\b@#1\\let\\w@#2\\let\\f@#3\\cntA@\\count15 \ - \\cntC@\\z@\\let\\parse@=\\parseline@\\ifhmode\\par\\else\\nointerlineskip\\ - \% NOTE 74 -\\def\\just@#1{\lftbr}\\let\\b@\\tform@\\let\\w@\\tform@\\maxcol@\\z@\\let\\tabl - \% NOTE 75 -\\def\\tform@#1{\lftbr}\\tform@@#1~{\rtbr} -\\def\\tform@@#1#2~{\lftbr}\\uptoks@\\toks\\cntA@{\lftbr}#1{\rtbr}\\dimen\\cntB@ -\\def\\bbar@#1{\lftbr}\\beginrow@{\lftbr}#1{\rtbr}\\vrule width\\tableline\\vrul -\\def\\wbar@#1{\lftbr}\\beginrow@{\lftbr}#1{\rtbr}\\kern\\tableline\\vrule width -\\def\\beginrow@#1{\lftbr}\\let\\b@\\vbar@\\let\\w@\\ibar@\\setbox\\z@=\\hbox\\b - \\parindent\\z@\\leftskip\\tablespace\\rightskip\\tablespace\\let\\span=\\sp -\\def\\endrow@{\lftbr}\\kern-\\dimen\\cntB@\\egroup\\tablejust@{\lftbr}\\unhbox\ -\\def\\vbar@#1{\lftbr}\\futurelet\\lookahead@\\cs@#1~\\vrule width\\tableline{\r -\\def\\ibar@#1{\lftbr}\\futurelet\\lookahead@\\cs@#1~\\kern\\tableline{\rtbr} -\\def\\cs@#1~{\lftbr}\\ifx\\span@\\lookahead@#1~\\else\\span@\\@ne#1~\\fi\\lower - \% NOTE 84 -\\def\\parseline@#1~{\lftbr}\\ifx\\done@#1\\let\\parse@\\f@\\else\\let\\p@ss\\pa - \\p@ss#1|\\done@|\\fi\\parse@{\rtbr} -\\def\\parsecol@#1|{\lftbr}\\def\\parsemode@{\lftbr}\\ifx\\done@\\lookahead@\\w@ - \\let\\p@ss\\lastp@ss\\else\\b@{\lftbr}#1{\rtbr}\\fi\\p@ss{\rtbr}\% - \\futurelet\\lookahead@\\parsemode@{\rtbr} -\\def\\lastp@ss#1|{\lftbr}{\rtbr} -\\def\\span@#1#2~{\lftbr}\\bump@\\hsize\\dimen\\cntB@\\edef\\x@{\lftbr}\\the\\to - \\for\\count@=2to#1do\% - {\lftbr}\\bump@\\advance\\hsize\\dimen\\cntB@\\advance\\hsize\\tableline - \\setbox\\z@=\\x@{\lftbr}\\topstrut#2\\botstrut{\rtbr}{\rtbr} - -\% SECTION AND HEADING MACROS \% NOTE 8 -\% -\\newcount\\basehead\\basehead=\\count10 -\\advance\\count10by4 \% This allocates 4 counters for head counters -\\newcount\\hdlevel -\\def\\setlevelno#1{\lftbr}\\hdlevel=0 \\cntA@=\\basehead\\sethead@0#1.-1.\\head -\\def\\sethead@#1.{\lftbr}\\ifnum-1=#1 \\let\\next@=\\relax\\else\\let\\next@=\\ - \% NOTE 90 - \\ifnum\\hdlevel<4 \\inc\\hdlevel\\inc\\cntA@\\count\\cntA@=#1\\fi\\fi\\next -\goodbreak -\\def\\head#1{\lftbr}\\ifnum#1>\\hdlevel\\uplevel@{\lftbr}#1{\rtbr}\\else - \\hdlevel=#1\\cntA@=#1\\advance\\cntA@\\basehead\\fi - \\inc{\lftbr}\\count\\cntA@{\rtbr}\\head@{\rtbr} -\goodbreak -\\def\\uplevel@#1{\lftbr}\\inc\\hdlevel\\cntA@=\\hdlevel - \\advance\\cntA@\\basehead\\count\\cntA@=0 - \\ifnum\\hdlevel=#1 \\else\\uplevel@{\lftbr}#1{\rtbr}\\fi{\rtbr} -\goodbreak -\\def\\head@{\lftbr}{\lftbr}\\inc\\basehead\\xdef\\levelno{\lftbr}\\the\\count\\ - \\for\\cntB@=\\tw@ to\\hdlevel do{\lftbr}\\inc\\basehead - \\xdef\\levelno{\lftbr}\\levelno.\\the\\count\\basehead{\rtbr}{\rtbr}{\r -\goodbreak -\\setlevelno{\lftbr}0{\rtbr} -\\newtoks\\firstlevelhead \\def\\headA@{\lftbr}\\head\\@ne\\the\\firstlevelhea -\\newtoks\\secondlevelhead \\def\\headB@{\lftbr}\\head\\tw@\\the\\secondlevelhe -\\newtoks\\thirdlevelhead \\def\\headC@{\lftbr}\\head\\thr@@\\the\\thirdlevelh -\\newtoks\\fourthlevelhead \\def\\headD@{\lftbr}\\head\\f@ur\\the\\fourthlevelh -\\def\\level#1#2{\lftbr}\\def\\title{\lftbr}#2{\rtbr}\% - \\ifcase#1\\relax\\or\\headA@\\or\\headB@\\or\\headC@\\or\\headD@\\fi{\rtbr} -\\firstlevelhead{\lftbr}\\vfill\\eject\\vbox to1.5in{\lftbr}{\rtbr}\\centerline{ - \\vskip1.0in\\ctswrite{\lftbr}\\vrule height20pt width0pt\\tenbf\\title{\rtb -\\secondlevelhead{\lftbr}\\need.75in\\bigskip\\leftline{\lftbr}\\twelvebf\\level - \\medskip\\ctswrite{\lftbr}\\hskip15pt\\tenrm\\title{\rtbr}{\rtbr} -\\thirdlevelhead{\lftbr}\\need.6in\\medskip\\leftline{\lftbr}\\tenbf\\levelno\\e - \\ctswrite{\lftbr}\\hskip30pt\\tenrm\\title{\rtbr}{\rtbr} -\\fourthlevelhead{\lftbr}\\need.5in\\leftline{\lftbr}\\tenrm\\levelno\\enspace\\ - \\ctswrite{\lftbr}\\hskip45pt\\tenrm\\title{\rtbr}{\rtbr} - -\% CONTENTS FILE MACROS -\% -\\newwrite\\cnts@ -\\newif\\ifnocts@\\nocts@true -\\newtoks\\topofcontents -\\newtoks\\botofcontents -\\let\\content@=\\let\% \% NOTE -\\def\\ctswrite#1{\lftbr}\\ifnocts@\\openout\\cnts@=\\jobname*[*]. \\nocts@false - {\lftbr}\\def\\_{\lftbr}\\kern.06em \\vbox{\lftbr}\\hrule width.3em{\rtbr}{\ - \\edef\\a@{\lftbr}\\write\\cnts@{\lftbr}\\content@{\lftbr}#1{\rtbr}{\lftbr}\ -{\lftbr}\\catcode`\\@=12 \\gdef\\content@ #1#2{\lftbr}\\need.5in\\lline{\lftbr}# -\\def\\contents{\lftbr}\\ifnocts@\\else\\closeout\\cnts@\\null\\supereject - \\begingroup\\pageno\\m@ne\\null\\the\\topofcontents\\input\\jobname*. - \\the\\botofcontents\\eject\\endgroup\\nocts@true\\fi{\rtbr} -\\topofcontents{\lftbr}\\noheading\\vskip1in plus1fil - \\centerline{\lftbr}\\fourteenbf Table of Contents{\rtbr}\\vskip1in plus1fil -\\botofcontents{\lftbr}\\vfil{\rtbr} - -\% FOOTNOTES AND INSERTIONS -\% -\\def\\vfootnote#1{\lftbr}\\insert\\footins\\bgroup - \\interlinepenalty\\interfootnotelinepenalty - \\splittopskip\\ht\\strutbox \% top baseline for broken footnotes - \\splitmaxdepth\\dp\\strutbox \\floatingpenalty\\@MM - \\realhsize\\leftskip\\z@skip \\rightskip\\z@skip - \\baselineskip1\\baselineskip - \\textindent{\lftbr}#1{\rtbr}\\footstrut\\futurelet\\next\\fo@t{\rtbr} -\\newcount\\notenumber -\\def\\resetnotes{\lftbr}\\global\\notenumber=0 {\rtbr} -\\def\\note{\lftbr}\\global\\inc\\notenumber\\footnote{\lftbr}$^{\lftbr}\\the\\n -\\def\\midinsert{\lftbr}\\@midtrue\\p@gefalse\\@ins{\rtbr} -\\def\\@ins{\lftbr}\\par\\begingroup\\setbox\\z@\\vbox\\bgroup\\realhsize\\divid - \% NOTE 102 -\goodbreak -\\def\\endinsert{\lftbr}\\egroup\\count@-100 \% finish the \\vbox - \\ifp@ge\\else\\dimen@\\ht\\z@\\advance\\dimen@\\dp\\z@ - \\advance\\dimen@12\\p@\\multiply\\dimen@-\\nocol@ - \\advance\\dimen@-\\pagetotal\\advance\\dimen@\\pagegoal - \\ifdim\\dimen@<\\z@\\@midfalse\\else\\count@100 \\fi\\fi - \goodbreak - \\if@mid \\balance@ - \\global\\setbox\\contrb@\\vbox{\lftbr}\\unvbox\\contrb@\\bigskip\\box\\z@ - \\else\\insert\\topins{\lftbr}\\penalty\\count@ \% floating insertion - \\splittopskip\\z@skip\\splitmaxdepth\\maxdimen\\floatingpenalty\\z@ - \\ifp@ge \\divide\\vsize\\nocol@ \\dimen@\\dp\\z@ - \\vbox to\\vsize{\lftbr}\\unvbox\\z@\\kern-\\dimen@{\rtbr}\% depth is zero - \\else \\box\\z@\\nobreak\\bigskip\\fi{\rtbr}\\fi\\endgroup{\rtbr} -\goodbreak - -\% COLUMN MACROS \% NOTE 104 -\% -\\def\\BEGINtwocolumns{\lftbr}\\multicol@\\tw@{\rtbr} -\\def\\BEGINthreecolumns{\lftbr}\\multicol@\\thr@@{\rtbr} -\\def\\ENDtwocolumns{\lftbr}\\balance@\\goal@\\divide\\endgroup\\newtotal@\\begi -\\let\\ENDthreecolumns=\\ENDtwocolumns -\\def\\balance{\lftbr}\\balance@\\newtotal@{\rtbr} -\\def\\balance@{\lftbr}\\par{\lftbr}\\let\\ifreal@=\\iffalse\\eject{\rtbr}{\rtbr -\\def\\newtotal@{\lftbr}{\lftbr}\\each@{\lftbr}\\the\\toks\\count@{\rtbr} - \\ifold@\\insert\\hacker@{\lftbr}{\rtbr}\\prevtotal@\\pagetotal-\\dimen@\\fi -\\def\\multicol@#1{\lftbr}\\ifnum\\nocol@>\\@ne\\errset{\lftbr}You can't have co - within columns. \\string\\start{\lftbr}\\blockname@{\rtbr} ignored{\rtbr - \\else\\balance@\\nocol@=#1\\goal@\\multiply\\advance\\hsize\\columnspace - \\divide\\hsize#1\\advance\\hsize-\\columnspace - \\multiply\\vsize#1\\brokenpenalty\\z@ - \\each@{\lftbr}\\multiply\\count\\count@\\nocol@\\multiply\\skip\\count@\\no - \\newtotal@\\global\\dimen@=\\baselineskip\\baselineskip\\dimen@ plus\\dimen - -\\message{\lftbr}output routines{\rtbr} - -\% OUTPUT ROUTINES \% NOTE 10 -\% -\\newbox\\contrb@ \\newbox\\out@ -\\newdimen\\columnspace -\\columnspace=.5in -\\let\\ifreal@=\\iftrue -\\newcount\\nocol@ \\nocol@=1 -\\newinsert\\hacker@ -\\def\\ifold@{\lftbr}\\ifvoid\\contrb@\\else{\rtbr} -\\def\\ifcol@{\lftbr}\\ifnum\\nocol@=\\@ne\\setbox\\out@=\\box\\@cclv \\else{\rt -\\def\\setboxA@{\lftbr}\\inc\\cntA@\\setbox\\cntA@{\rtbr} -\\def\\boxA@{\lftbr}\\inc\\cntA@\\box\\cntA@{\rtbr} -\\def\\each@#1{\lftbr}\\for\\count@=\\count19 to254 do{\lftbr}#1{\rtbr}{\rtbr} -\\def\\unglue@#1{\lftbr}\\setbox#1=\\vbox{\lftbr}\\unvbox#1{\rtbr}{\rtbr} -\\def\\realhsize{\lftbr}\\advance\\hsize\\columnspace\\multiply\\hsize\\nocol@ - \\advance\\hsize-\\columnspace{\rtbr} -\\output{\lftbr}\\hpoutput{\rtbr} - -\goodbreak -\\def\\hpoutput{\lftbr}\\splittopskip=\\topskip - \\setbox\\hacker@=\\box\\voidb@x - \\ifvoid\\contrb@\\dimen@=\\ht\\@cclv - \\else\\prevtotal@\\advance\\dimen@\\ht\\@cclv\\fi - \\ifreal@\\realoutput@\\else\\fakeoutput@\\fi - \\each@{\lftbr}\\global\\toks\\count@\\ifvoid\\count@{\lftbr}{\rtbr}\\else{\ - -\\def\\realoutput@{\lftbr}\\ifcol@\\splitcol@\\split@\\setheight@\\setout@ - \\unvbox\\@cclv \\penalty\\outputpenalty\\fi - \\setbox\\@cclv=\\pagestuff@{\lftbr}{\rtbr}\\each@{\lftbr}\\divide\\skip\\co - \\realhsize\\divide\\vsize\\nocol@\\leftskip\\z@\\rightskip\\z@ - \\plainoutput\\global\\empty@true - \\global\\count\\lpcount@=\\nextlp@\\ifnum\\nextlp@>32 \\global\\nextlp@\\z@ - -\\def\\fakeoutput@{\lftbr}\\unglue@{\lftbr}\\@cclv{\rtbr}\\global\\let\\ifreal@= - \\ifcol@\\dimen@=\\baselineskip - \\dimen@=\\ifnum\\nocol@>2 2\\dimen@ \\else 1.1667\\dimen@ \\fi - \\advance\\dimen@\\ht\\@cclv\\splitcol@{\lftbr}\\box\\@cclv{\rtbr}\\set - \\dimen@=\\dp\\out@\\global\\setbox\\contrb@=\\pagestuff@{\lftbr}\\vskip-\\ - -\\def\\makeheadline{\lftbr}\\vbox to\\z@{\lftbr}\\vskip-22.5\\p@ - \\lline{\lftbr}\\vbox to8.5\\p@{\lftbr}{\rtbr}\\the\\headline{\rtbr}\\vss{\rtb -\\def\\makefootline{\lftbr}\\baselineskip24\\p@\\lline{\lftbr}\\the\\footline{\r - -\\def\\pagecontents{\lftbr}\\ifvoid\\topins\\else\\unvbox\\topins\\fi - \\unvbox\\@cclv \% open up \\box255 - \\ifvoid\\footins\\else \% footnote info is present - \\vskip\\skip\\footins - \\footnoterule - \\unvbox\\footins\\fi - \\ifr@ggedbottom\\vfil\\fi{\rtbr} - -\\def\\splitcol@#1{\lftbr}\\divide\\dimen@\\nocol@\\cntA@=\\count14 - \\for\\count@=\\tw@ to\\nocol@ do{\lftbr}\\setboxA@=\\split@{\rtbr}\\setboxA -\\def\\split@{\lftbr}\\ifvoid\\@cclv\\vbox{\lftbr}\\lline\\hfil\\vfil{\rtbr}\\el -\\def\\setheight@{\lftbr}\\ifold@\\setmax@\\fi{\rtbr} -\\def\\pagestuff@#1{\lftbr}\\vbox{\lftbr}\\ifold@\\unvbox\\contrb@\\medskip\\fi\ -\\def\\setout@{\lftbr}\\cntA@=\\count14 \\setbox\\out@=\\vbox{\lftbr}\\hbox - {\lftbr}\\for\\count@=\\tw@ to\\nocol@ do{\lftbr}\\boxA@\\hskip\\columnspace -\\def\\setmax@{\lftbr}\\dimen@=\\z@ \\cntA@=\\count14 - \\for\\count@=\\@ne to\\nocol@ do{\lftbr}\\inc\\cntA@\\unglue@{\lftbr}\\cntA - \\ifdim\\ht\\cntA@>\\dimen@ \\dimen@=\\ht\\cntA@\\fi{\rtbr}\% - \\for\\count@=\\@ne to\\nocol@ do{\lftbr}\\setbox\\cntA@ - =\\vbox to\\dimen@{\lftbr}\\unvbox\\cntA@\\ifr@ggedbottom\\vss\\fi{\rtbr -\\def\\prevtotal@{\lftbr}\\dimen@=\\medskipamount - \\advance\\dimen@\\ht\\contrb@\\multiply\\dimen@-\\nocol@{\rtbr} -\\def\\goal@#1{\lftbr}\\ifdim\\pagegoal=\\maxdimen\\else - \\dimen@=\\pagegoal#1\\dimen@\\nocol@\\pagegoal\\dimen@\\fi{\rtbr} - - -\\catcode`@=12 \% NOTE 112 -\finish{verbatim} -\bye diff --git a/macros/latex/contrib/easybook/easybook.dtx b/macros/latex/contrib/easybook/easybook.dtx index 3c026512da..7709a5ac28 100644 --- a/macros/latex/contrib/easybook/easybook.dtx +++ b/macros/latex/contrib/easybook/easybook.dtx @@ -15,7 +15,7 @@ %<*class> \NeedsTeXFormat{LaTeX2e}[2020/10/01] \RequirePackage{l3keys2e} -\ProvidesExplClass{easybook}{2024/01/28}{2024O} +\ProvidesExplClass{easybook}{2024/01/28}{2024P} {Easily typesetting Chinese theses or books} \bool_set_false:N \l__eb_compile_draft_bool @@ -237,6 +237,7 @@ tocdepth = \bool_if:NTF \l__eb_class_mode_book_bool { 1 } { 2 }, part = { + pagestyle = empty, format = \color{ctex@frame}\sffamily\Huge, nameformat = { }, titleformat = { }, @@ -249,6 +250,7 @@ }, chapter = { + pagestyle = empty, format = { \color{ctex@frame}\sffamily\LARGE @@ -302,7 +304,7 @@ %<*package> \NeedsTeXFormat{LaTeX2e}[2020/10/01] \RequirePackage{l3keys2e,etoolbox} -\ProvidesExplPackage{easybase}{2024/01/28}{2024O} +\ProvidesExplPackage{easybase}{2024/01/28}{2024P} {Easily typesetting Chinese theses or books} \cs_generate_variant:Nn \dim_set:Nn { NV } @@ -699,7 +701,6 @@ \bool_if:NF \l__eb_class_mode_book_bool { \eb@level@markright{subsection}{#1} } } -\cs_gset_eq:NN \ps@plain \ps@empty \fancyhf{} \ifbool{@twoside} { @@ -1056,7 +1057,7 @@ { It~is~not~recommended~that~you~use~the \\ hang,~symbol,~perpage,~marginal~or~flushmargin \\ - options~of~the~'footmisc'~package. + options~of~'footmisc'~package. } \cs_set_protected:Npn \footref #1 @@ -1594,7 +1595,13 @@ { \eb@ctexsetii{#1}{#3} } } \cs_new_protected:Npn \UseTocStyle #1#2#3 - { \addtocontents{#3}{\@nameuse{eb@toc@style@set@#1@#2}} } + { + \tl_if_exist:cTF { eb@toc@style@set@#1@#2 } + { \addtocontents{#3}{\@nameuse{eb@toc@style@set@#1@#2}} } + { \msg_warning:nnnn { easybase } { undefined-toc-style } {#2} {#1} } + } +\msg_new:nnn { easybase } { undefined-toc-style } + { The~contents~style~'#1'~of~'#2'~is~not~defined. } \ctex_set:n { part = @@ -1800,13 +1807,14 @@ \tl_gset:Nn \dbltopfraction { 0.9 } \tl_gset:Nn \dblfloatpagefraction { 0.9 } } -\dim_zero_new:N \mathindent \skip_set:Nn \textfloatsep { 12pt plus 4pt minus 3pt } \skip_set:Nn \dbltextfloatsep { 12pt plus 4pt minus 3pt } \skip_set:Nn \multicolsep { 12pt plus 4pt minus 3pt } \setcounter{topnumber}{4} \setcounter{bottomnumber}{4} \setcounter{totalnumber}{8} +\tl_set:Nn \fontsubfuzz { 0.5pt } +\dim_zero_new:N \mathindent \allowdisplaybreaks[4] \everymath{\displaystyle} \DeclareGraphicsExtensions{.pdf,.png,.jpg,.eps,.tif} @@ -2325,7 +2333,7 @@ } % %<*tcolorbox> -\ProvidesExplFile{eb-tcolorbox.cfg}{2024/01/28}{2024O} +\ProvidesExplFile{eb-tcolorbox.cfg}{2024/01/28}{2024P} {Customization of tcolorbox for easybook} \cs_set_protected:Npn \addtotcbstyle #1#2 diff --git a/macros/latex/contrib/easybook/easybook.pdf b/macros/latex/contrib/easybook/easybook.pdf index 83550fbf2d..31ec25b999 100644 Binary files a/macros/latex/contrib/easybook/easybook.pdf and b/macros/latex/contrib/easybook/easybook.pdf differ diff --git a/macros/latex/contrib/easybook/easybook.tex b/macros/latex/contrib/easybook/easybook.tex index 07ac291c6f..a4b14fd44f 100644 --- a/macros/latex/contrib/easybook/easybook.tex +++ b/macros/latex/contrib/easybook/easybook.tex @@ -23,7 +23,7 @@ name = easybook, color-scheme = blue, title = EASYBOOK使用手册, - version = v2024O, + version = v2024P, date = 2024/01/28, authors = 瞿毅, info = 简便地排版中文学ä½è®ºæ–‡æˆ–书ç±, @@ -1350,7 +1350,7 @@ \shortversion{v = 1.638,date = 2022/03/04,changes = 增加目录æ¡ç›®æ ·å¼é€‰é¡¹æ³¨å†Œå‘½ä»¤ \cs{RegisterTocName}。} \shortversion{v = 1.644,date = 2022/03/10,changes = 增加浮动环境目录声明命令 \cs{DeclareFloatList} é…åˆ \pkg*{caption} å®åŒ…。} \shortversion{v = 1.682,date = 2022/05/01,changes = 将迷你页判断命令 \cs{notminipage} 改为被ä¿æŠ¤å‘½ä»¤å…¼å®¹ \pkg*{circledtext} å®åŒ…。} - \begin{version}[v = 2024O,date = 2024/01/28,simple] + \begin{version}[v = 2024P,date = 2024/01/28,simple] \item 核对ä¾èµ–å®åŒ…的更新改动，优化使用手册的内容细节。 \item ä¿®å¤å›¾è¡¨ç­‰æµ®åŠ¨çŽ¯å¢ƒé¢˜æ³¨ç›®å½•ä¸­æ¡ç›®æ ‡ç­¾ç¼–å·çš„计数器值显示错误问题。 \item ä¿®å¤é™„录命令 \cs{appendix} çš„å¯é€‰å‚数设置英文目录中æ¡ç›®å字和编å·å¤±æ•ˆçš„问题。 diff --git a/macros/latex/contrib/llncs/README.md b/macros/latex/contrib/llncs/README.md index fdebde330f..6725e4cb19 100644 --- a/macros/latex/contrib/llncs/README.md +++ b/macros/latex/contrib/llncs/README.md @@ -1,8 +1,8 @@ # llncs -_2023/11/02 v2.23_ +_2024/01/29 v2.24_ -Copyright (c) 1996-2023 Springer +Copyright (c) 1996-2024 Springer Email: [lncs@springer.com](mailto:lncs@springer.com) @@ -36,5 +36,5 @@ file. ## License -This work may be distributed and/or modified under the conditions of the CC -BY license, version 4.0 or later. +This work may be distributed and/or modified under the conditions of the +CC BY license, version 4.0 or later. diff --git a/macros/latex/contrib/llncs/history.txt b/macros/latex/contrib/llncs/history.txt index 16515982db..c58f6f446b 100644 --- a/macros/latex/contrib/llncs/history.txt +++ b/macros/latex/contrib/llncs/history.txt @@ -2,154 +2,156 @@ Version history for the LLNCS LaTeX2e class date filename version action/reason/acknowledgements ---------------------------------------------------------------------------- - 29.5.96 letter.txt beta naming problems (subject index file) - thanks to Dr. Martin Held, Salzburg, AT +29.01.24 llncs.cls 2.24 bugfixes for options envcountsame and envcountsect - subjindx.ind renamed to subjidx.ind as required - by llncs.dem +02.11.23 llncs.cls 2.23 \ackname changed from "Acknowledgements" (BE) to + "Acknowledgments" (AE). + \discintname introduced for the new, mandatory + section "Disclosure of Interests". + New "credits" environment introduced to provide + small run-in headings for "Acknowledgments" and + the "Disclosure of Interests". - history.txt introducing this file +05.09.22 llncs.cls 2.22 robust redefinition of \vec (bold italics), bug + reported by Alexander Malkis, TUM - 30.5.96 llncs.cls incompatibility with new article.cls of - 1995/12/20 v1.3q Standard LaTeX document class, - \if@openbib is no longer defined, - reported by Ralf Heckmann and Graham Gough - solution by David Carlisle +12.01.22 llncs.cls 2.21 fixed German and French \maketitle, bug reported by + Alexander Malkis, Technical University of Munich; + use detokenized argument in the definition of \doi + to allow underscores in DOIs - 10.6.96 llncs.cls problems with fragile commands in \author field - reported by Michael Gschwind, TU Wien +10.03.18 llncs.cls 2.20 adjusted \doi according to CrossRef requirements; + TOC: removed affiliation numbers - 25.7.96 llncs.cls revision a corrects: - wrong size of text area, floats not \small, - some LaTeX generated texts - reported by Michael Sperber, Uni Tuebingen + splncs04.bst added doi field; + bold journal numbers - 16.4.97 all files 2.1 leaving beta state, - raising version counter to 2.1 + samplepaper.tex new sample paper - 8.6.97 llncs.cls 2.1a revision a corrects: - unbreakable citation lists, reported by - Sergio Antoy of Portland State University + llncsdoc.pdf new LaTeX class documentation -11.12.97 llncs.cls 2.2 "general" headings centered; two new elements - for the article header: \email and \homedir; - complete revision of special environments: - \newtheorem replaced with \spnewtheorem, - introduced the theopargself environment; - two column parts made with multicol package; - add ons to work with the hyperref package +04.09.17 llncs.cls 2.19 introduced \orcidID command -07.01.98 llncs.cls 2.2 changed \email to simply switch to \tt +27.09.13 llncs.cls 2.18 fixed "ngerman" incompatibility; solution provided + by Bastian Pfleging, University of Stuttgart -25.03.98 llncs.cls 2.3 new class option "oribibl" to suppress - changes to the thebibliograpy environment - and retain pure LaTeX codes - useful - for most BibTeX applications +15.04.10 llncs.cls 2.17 fixed missing switch "openright" used by \backmatter; + flaw reported by Tobias Pape, University of Potsdam -16.04.98 llncs.cls 2.3 if option "oribibl" is given, extend the - thebibliograpy hook with "\small", suggested - by Clemens Ballarin, University of Cambridge +15.04.10 llncs.cls 2.16 fixed hyperref warning for informatory TOC entries; + introduced \keywords command - finally; + blank removed from \keywordname, flaw reported + by Armin B. Wagner, IGW TU Vienna -20.11.98 llncs.cls 2.4 pagestyle "titlepage" - useful for - compilation of whole LNCS volumes +30.03.10 llncs.cls 2.15 fixed broken hyperref interoperability; + patch provided by Sven Koehler, + Hamburg University of Technology -12.01.99 llncs.cls 2.5 counters of orthogonal numbered special - environments are reset each new contribution +15.06.09 splncs03.bst new BibTeX style compliant with the current + requirements, provided by Maurizio "Titto" + Patrignani of Universita' Roma Tre -27.04.99 llncs.cls 2.6 new command \thisbottomragged for the - actual page; indention of the footnote - made variable with \fnindent (default 1em); - new command \url that copys its argument +11.12.07 llncs.doc note on online visibility of given e-mail address - 2.03.00 llncs.cls 2.7 \figurename and \tablename made compatible - to babel, suggested by Jo Hereth, TU Darmstadt; - definition of \url moved \AtBeginDocument - (allows for url package of Donald Arseneau), - suggested by Manfred Hauswirth, TU of Vienna; - \large for part entries in the TOC +16.10.06 llncs.dem removed affiliations from \tocauthor demo -16.04.00 llncs.cls 2.8 new option "orivec" to preserve the original - vector definition, read "arrow" accent +14.06.06 splncs_srt.bst a sorting BibTeX style for LNCS, feature + provided by Tobias Heindel, FMI Uni-Stuttgart -17.01.01 llncs.cls 2.9 hardwired texts made polyglot, - available languages: english (default), - french, german - all are "babel-proof" +07.03.06 splncs.bst fix for BibTeX entries without year; patch + provided by Jerry James, Utah State University -20.06.01 splncs.bst public release of a BibTeX style for LNCS, - nobly provided by Jason Noble +17.08.04 llncs.cls 2.14 TOC: authors indented, smart \and handling + for the TOC suggested by Thomas Gabel + University of Osnabrueck -14.08.01 llncs.cls 2.10 TOC: authors flushleft, - entries without hyphenation; suggested - by Wiro Niessen, Imaging Center - Utrecht +28.01.02 llncs.cls 2.13 fixed the fix (programmer needs vacation) +28.01.02 llncs.cls 2.12 fixed footnote fix; error reported by + Chris Mesterharm, CS Dept. Rutgers - NJ 23.01.02 llncs.cls 2.11 fixed footnote number confusion with \thanks, numbered institutes, and normal footnote entries; error reported by Saverio Cittadini, Istituto Tecnico Industriale "Tito Sarrocchi" - Siena -28.01.02 llncs.cls 2.12 fixed footnote fix; error reported by - Chris Mesterharm, CS Dept. Rutgers - NJ +14.08.01 llncs.cls 2.10 TOC: authors flushleft, + entries without hyphenation; suggested + by Wiro Niessen, Imaging Center - Utrecht -28.01.02 llncs.cls 2.13 fixed the fix (programmer needs vacation) +20.06.01 splncs.bst public release of a BibTeX style for LNCS, + nobly provided by Jason Noble -17.08.04 llncs.cls 2.14 TOC: authors indented, smart \and handling - for the TOC suggested by Thomas Gabel - University of Osnabrueck +17.01.01 llncs.cls 2.9 hardwired texts made polyglot, + available languages: english (default), + french, german - all are "babel-proof" -07.03.06 splncs.bst fix for BibTeX entries without year; patch - provided by Jerry James, Utah State University -14.06.06 splncs_srt.bst a sorting BibTeX style for LNCS, feature - provided by Tobias Heindel, FMI Uni-Stuttgart +16.04.00 llncs.cls 2.8 new option "orivec" to preserve the original + vector definition, read "arrow" accent -16.10.06 llncs.dem 2.3 removed affiliations from \tocauthor demo +02.03.00 llncs.cls 2.7 \figurename and \tablename made compatible + to babel, suggested by Jo Hereth, TU Darmstadt; + definition of \url moved \AtBeginDocument + (allows for url package of Donald Arseneau), + suggested by Manfred Hauswirth, TU of Vienna; + \large for part entries in the TOC -11.12.07 llncs.doc note on online visibility of given e-mail address +27.04.99 llncs.cls 2.6 new command \thisbottomragged for the + actual page; indention of the footnote + made variable with \fnindent (default 1em); + new command \url that copys its argument -15.06.09 splncs03.bst new BibTeX style compliant with the current - requirements, provided by Maurizio "Titto" - Patrignani of Universita' Roma Tre +12.01.99 llncs.cls 2.5 counters of orthogonal numbered special + environments are reset each new contribution -30.03.10 llncs.cls 2.15 fixed broken hyperref interoperability; - patch provided by Sven Koehler, - Hamburg University of Technology +20.11.98 llncs.cls 2.4 pagestyle "titlepage" - useful for + compilation of whole LNCS volumes -15.04.10 llncs.cls 2.16 fixed hyperref warning for informatory TOC entries; - introduced \keywords command - finally; - blank removed from \keywordname, flaw reported - by Armin B. Wagner, IGW TU Vienna +16.04.98 llncs.cls 2.3 if option "oribibl" is given, extend the + thebibliograpy hook with "\small", suggested + by Clemens Ballarin, University of Cambridge -15.04.10 llncs.cls 2.17 fixed missing switch "openright" used by \backmatter; - flaw reported by Tobias Pape, University of Potsdam +25.03.98 llncs.cls 2.3 new class option "oribibl" to suppress + changes to the thebibliograpy environment + and retain pure LaTeX codes - useful + for most BibTeX applications -27.09.13 llncs.cls 2.18 fixed "ngerman" incompatibility; solution provided - by Bastian Pfleging, University of Stuttgart +07.01.98 llncs.cls 2.2 changed \email to simply switch to \tt -04.09.17 llncs.cls 2.19 introduced \orcidID command +11.12.97 llncs.cls 2.2 "general" headings centered; two new elements + for the article header: \email and \homedir; + complete revision of special environments: + \newtheorem replaced with \spnewtheorem, + introduced the theopargself environment; + two column parts made with multicol package; + add ons to work with the hyperref package -10.03.18 llncs.cls 2.20 adjusted \doi according to CrossRef requirements; - TOC: removed affiliation numbers +08.06.97 llncs.cls 2.1a revision a corrects: + unbreakable citation lists, reported by + Sergio Antoy of Portland State University - splncs04.bst added doi field; - bold journal numbers +16.04.97 all files 2.1 leaving beta state, + raising version counter to 2.1 - samplepaper.tex new sample paper +25.07.96 llncs.cls revision a corrects: + wrong size of text area, floats not \small, + some LaTeX generated texts + reported by Michael Sperber, Uni Tuebingen - llncsdoc.pdf new LaTeX class documentation +10.06.96 llncs.cls problems with fragile commands in \author field + reported by Michael Gschwind, TU Wien -12.01.22 llncs.cls 2.21 fixed German and French \maketitle, bug reported by - Alexander Malkis, Technical University of Munich; - use detokenized argument in the definition of \doi - to allow underscores in DOIs +30.05.96 llncs.cls incompatibility with new article.cls of + 1995/12/20 v1.3q Standard LaTeX document class, + \if@openbib is no longer defined, + reported by Ralf Heckmann and Graham Gough + solution by David Carlisle -05.09.22 llncs.cls 2.22 robust redefinition of \vec (bold italics), bug - reported by Alexander Malkis, TUM +29.05.96 letter.txt beta naming problems (subject index file) + thanks to Dr. Martin Held, Salzburg, AT -02.11.23 llncs.cls 2.23 \ackname changed from "Acknowledgements" (BE) to - "Acknowledgments" (AE). - \discintname introduced for the new, mandatory - section "Disclosure of Interests". - New "credits" environment introduced to provide - small run-in headings for "Acknowledgments" and - the "Disclosure of Interests". + subjindx.ind renamed to subjidx.ind as required + by llncs.dem + + history.txt introducing this file diff --git a/macros/latex/contrib/llncs/llncs.cls b/macros/latex/contrib/llncs/llncs.cls index 8fc32f36d8..ea17bb35f5 100644 --- a/macros/latex/contrib/llncs/llncs.cls +++ b/macros/latex/contrib/llncs/llncs.cls @@ -1,4 +1,4 @@ -% LLNCS DOCUMENT CLASS -- version 2.23 (02-Nov-2023) +% LLNCS DOCUMENT CLASS -- version 2.24 (29-Jan-2024) % Springer Verlag LaTeX2e support for Lecture Notes in Computer Science % %% @@ -19,7 +19,7 @@ %% Right brace \} Tilde \~} %% \NeedsTeXFormat{LaTeX2e}[1995/12/01] -\ProvidesClass{llncs}[2023/11/02 v2.23 +\ProvidesClass{llncs}[2024/01/29 v2.24 ^^J LaTeX document class for Lecture Notes in Computer Science] % Options \let\if@envcntreset\iffalse @@ -1055,17 +1055,25 @@ to0pt{\kern0.55\wd0\vrule height0.45\ht0\hss}\box0}}}} % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -\def\@thmcountersep{} -\def\@thmcounterend{.} +\edef\@thmcountersep{} +\edef\@thmcounterend{.} \def\spnewtheorem{\@ifstar{\@sthm}{\@Sthm}} % definition of \spnewtheorem with number -\def\@spnthm#1#2{% - \@ifnextchar[{\@spxnthm{#1}{#2}}{\@spynthm{#1}{#2}}} +\def\@spnthm#1#2{\@ifnextchar[{\@spxnthm{#1}{#2}}{\@spynthm{#1}{#2}}} \def\@Sthm#1{\@ifnextchar[{\@spothm{#1}}{\@spnthm{#1}}} +% theorem-like environment with standard counter +\def\@spynthm#1#2#3#4{\expandafter\@ifdefinable\csname #1\endcsname + {\@definecounter{#1}% + \expandafter\xdef\csname the#1\endcsname{\@thmcounter{#1}}% + \expandafter\xdef\csname #1name\endcsname{#2}% + \global\@namedef{#1}{\@spthm{#1}{\csname #1name\endcsname}{#3}{#4}}% + \global\@namedef{end#1}{\@endtheorem}}} + +% theorem-like environment with section-wise counter (envcountsect) \def\@spxnthm#1#2[#3]#4#5{\expandafter\@ifdefinable\csname #1\endcsname {\@definecounter{#1}\@addtoreset{#1}{#3}% \expandafter\xdef\csname the#1\endcsname{\expandafter\noexpand @@ -1074,21 +1082,22 @@ to0pt{\kern0.55\wd0\vrule height0.45\ht0\hss}\box0}}}} \global\@namedef{#1}{\@spthm{#1}{\csname #1name\endcsname}{#4}{#5}}% \global\@namedef{end#1}{\@endtheorem}}} -\def\@spynthm#1#2#3#4{\expandafter\@ifdefinable\csname #1\endcsname - {\@definecounter{#1}% - \expandafter\xdef\csname the#1\endcsname{\@thmcounter{#1}}% - \expandafter\xdef\csname #1name\endcsname{#2}% - \global\@namedef{#1}{\@spthm{#1}{\csname #1name\endcsname}{#3}{#4}}% - \global\@namedef{end#1}{\@endtheorem}}} - +% theorem-like environment with shared counter (envcountsame) \def\@spothm#1[#2]#3#4#5{% \@ifundefined{c@#2}{\@latexerr{No theorem environment `#2' defined}\@eha}% {\expandafter\@ifdefinable\csname #1\endcsname {\newaliascnt{#1}{#2}% \expandafter\xdef\csname #1name\endcsname{#3}% + \if@envcntsect + % the following line, introduced in v2.24, fixes incorrect hypertexnames + % when envcountsect is used in combination with envcountsame + \@addtoreset{#1}{section} + \fi \global\@namedef{#1}{\@spthm{#1}{\csname #1name\endcsname}{#4}{#5}}% \global\@namedef{end#1}{\@endtheorem}}}} + + \def\@spthm#1#2#3#4{\topsep 7\p@ \@plus2\p@ \@minus4\p@ \refstepcounter{#1}% \@ifnextchar[{\@spythm{#1}{#2}{#3}{#4}}{\@spxthm{#1}{#2}{#3}{#4}}} @@ -1140,7 +1149,7 @@ to0pt{\kern0.55\wd0\vrule height0.45\ht0\hss}\box0}}}} \fi \fi -%definition of divers theorem environments +%definition of various theorem environments \spnewtheorem*{claim}{Claim}{\itshape}{\rmfamily} \spnewtheorem*{proof}{Proof}{\itshape}{\rmfamily} \if@envcntsame % alle Umgebungen wie Theorem. diff --git a/macros/latex/contrib/llncs/llncsdoc.pdf b/macros/latex/contrib/llncs/llncsdoc.pdf index aae9c4d7a7..58f260083a 100644 Binary files a/macros/latex/contrib/llncs/llncsdoc.pdf and b/macros/latex/contrib/llncs/llncsdoc.pdf differ diff --git a/macros/latex/contrib/llncs/llncsdoc.tex b/macros/latex/contrib/llncs/llncsdoc.tex index 1f3e80c4c7..0c3784e74c 100644 --- a/macros/latex/contrib/llncs/llncsdoc.tex +++ b/macros/latex/contrib/llncs/llncsdoc.tex @@ -1,6 +1,6 @@ % This is LLNCSDOC.TEX the documentation file of % the LaTeX2e class from Springer-Verlag -% for Lecture Notes in Computer Science, version 2.23 +% for Lecture Notes in Computer Science, version 2.24 \documentclass{llncs} \usepackage{llncsdoc} \usepackage{graphicx} @@ -13,7 +13,7 @@ \title{Instructions for Using Springer's \texttt{llncs} Class for Computer Science Proceedings Papers} % -\subtitle{\texttt{llncs}, Version 2.23, Nov 02, 2023} +\subtitle{\texttt{llncs}, Version 2.24, Jan 29, 2024} % \author{} \institute{} @@ -341,21 +341,21 @@ environment, please use the syntax \section{Credits and Acknowledgments} \label{credits} \DescribeEnv{credits} -Credits and acknowledgments should be placed at the end of the paper, -just before the references. Please use the \verb|credits| environment -to make sure that both text and run-in headings are printed in small -font size. +Credits and acknowledgments should be placed at the end of the paper, +just before the references. Please use the \verb|credits| environment +to make sure that both text and run-in headings are printed in small +font size. \DescribeMacro{\ackname}\DescribeMacro{\discintname} There are two possible \verb|\subsubsection| headings to provide such -statements: ``Acknowledgments'' and ``Disclosure of Interests''. -The \verb|\ackname| and \verb|\discintname| macros are used to generate -the correct run-in titles. - -General acknowledgments can be provided in the (optional) paragraph -``Acknowledgments'', which is followed by the (mandatory) paragraph -``Disclosure of Interests'', where any competing interests of the authors -are to be declared. +statements: ``Acknowledgments'' and ``Disclosure of Interests''. +The \verb|\ackname| and \verb|\discintname| macros are used to generate +the correct run-in titles. + +General acknowledgments can be provided in the (optional) paragraph +``Acknowledgments'', which is followed by the (mandatory) paragraph +``Disclosure of Interests'', where any competing interests of the authors +are to be declared. % diff --git a/macros/latex/contrib/mhchem/README b/macros/latex/contrib/mhchem/README index 13bc8f80da..06fff5db86 100644 --- a/macros/latex/contrib/mhchem/README +++ b/macros/latex/contrib/mhchem/README @@ -1,8 +1,8 @@ -The mhchem Bundle 2021-12-31 +The mhchem Bundle 2024-01-29 containing -- mhchem v4.09 -- hpstatement v2.0.0 +- mhchem v4.10 +- hpstatement v2.1.0 - rsphrase v3.11 The mhchem package provides commands for typesetting @@ -17,7 +17,7 @@ Risk and Safety (R and S) Phrases that are used to label chemicals. -Copyright 2004-2021 Martin Hensel +Copyright 2004-2024 Martin Hensel This work may be distributed and/or modified under the conditions of the LaTeX Project Public License version 1.3c diff --git a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-bg.inc.sty b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-bg.inc.sty index 117ae625d2..c0dce04842 100644 --- a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-bg.inc.sty +++ b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-bg.inc.sty @@ -1,6 +1,6 @@ %% hpstatement-bg.inc.sty -%% 2021-12-31 -%% Copyright 2019-2021 Martin Hensel +%% 2024-01-29 +%% Copyright 2019-2024 Martin Hensel % %% This file is part of the mhchem bundle for LaTeX % @@ -10,8 +10,8 @@ % provided you acknowledge the source and indicate any changes you have made. % The data is not necessarily comprehensive, complete, accurate or up to date. % The acknowledgement is not needed when using statements of the data set for labelling products, of course, as this is the intended usage. -% (c) European Union, https://eur-lex.europa.eu, 1998-2021, CC BY 4.0 -% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2021, CC BY 4.0 +% (c) European Union, https://eur-lex.europa.eu, 1998-2023, CC BY 4.0 +% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2024, CC BY 4.0 % % \ExplSyntaxOn @@ -344,8 +344,24 @@ \__mhchem_hp_s:nnn{20211001}{Внимание! При Ð¿ÑƒÐ»Ð²ÐµÑ€Ð¸Ð·Ð°Ñ†Ð¸Ñ Ð¼Ð¾Ð³Ð°Ñ‚ да Ñе образуват опаÑни реÑпирабилни капки. Ðе вдишвайте пулверизираната ÑÑ‚Ñ€ÑƒÑ Ð¸Ð»Ð¸ мъгла.}{}}}% \tl_gset:cn{g__mhchem_hp_bg_EUH212-0_tl}{{EUH212}{% \__mhchem_hp_s:nnn{20211001}{Внимание! При употреба може да Ñе образува опаÑен реÑпирабилен прах. Ðе вдишвайте праха.}{}}}% +\tl_gset:cn{g__mhchem_hp_bg_EUH380-0_tl}{{EUH380}{% + \__mhchem_hp_s:nnn{20230420}{Може да причини нарушение на функциите на ендокринната ÑиÑтема при хора}{}}}% +\tl_gset:cn{g__mhchem_hp_bg_EUH381-0_tl}{{EUH381}{% + \__mhchem_hp_s:nnn{20230420}{ВероÑтно причинÑва нарушение на функциите на ендокринната ÑиÑтема при хора}{}}}% \tl_gset:cn{g__mhchem_hp_bg_EUH401-0_tl}{{EUH401}{% \__mhchem_hp_s:nnn{20081216}{За да Ñе избегнат риÑкове за човешкото здраве и околната Ñреда, Ñпазвайте инÑтрукциите за употреба.}{}}}% +\tl_gset:cn{g__mhchem_hp_bg_EUH430-0_tl}{{EUH430}{% + \__mhchem_hp_s:nnn{20230420}{Може да причини нарушение на функциите на ендокринната ÑиÑтема в околната Ñреда}{}}}% +\tl_gset:cn{g__mhchem_hp_bg_EUH431-0_tl}{{EUH431}{% + \__mhchem_hp_s:nnn{20230420}{ВероÑтно причинÑва нарушение на функциите на ендокринната ÑиÑтема в околната Ñреда}{}}}% +\tl_gset:cn{g__mhchem_hp_bg_EUH440-0_tl}{{EUH440}{% + \__mhchem_hp_s:nnn{20230420}{Ðатрупва Ñе в околната Ñреда и в живите организми, включително в Ñ‡Ð¾Ð²ÐµÑˆÐºÐ¸Ñ Ð¾Ñ€Ð³Ð°Ð½Ð¸Ð·ÑŠÐ¼}{}}}% +\tl_gset:cn{g__mhchem_hp_bg_EUH441-0_tl}{{EUH441}{% + \__mhchem_hp_s:nnn{20230420}{Ðатрупва Ñе в значителни количеÑтва в околната Ñреда и в живите организми, включително в Ñ‡Ð¾Ð²ÐµÑˆÐºÐ¸Ñ Ð¾Ñ€Ð³Ð°Ð½Ð¸Ð·ÑŠÐ¼}{}}}% +\tl_gset:cn{g__mhchem_hp_bg_EUH450-0_tl}{{EUH450}{% + \__mhchem_hp_s:nnn{20230420}{Може да причини дълготрайно и дифузно замърÑÑване на водните реÑурÑи}{}}}% +\tl_gset:cn{g__mhchem_hp_bg_EUH451-0_tl}{{EUH451}{% + \__mhchem_hp_s:nnn{20230420}{Може да причини оÑобено дълготрайно и дифузно замърÑÑване на водните реÑурÑи}{}}}% \tl_gset:cn{g__mhchem_hp_bg_P101-0_tl}{{P101}{% \__mhchem_hp_s:nnn{20081216}{При необходимоÑÑ‚ от медицинÑка помощ, ноÑете опаковката или етикета на продукта.}{}}}% \tl_gset:cn{g__mhchem_hp_bg_P102-0_tl}{{P102}{% @@ -1000,4 +1016,4 @@ \__mhchem_hp_s:nnn{20180301}{При пожар: евакуирайте зоната. ГаÑете пожара от разÑтоÑние поради опаÑноÑÑ‚ от екÑплозиÑ. [Използвайте\noexpand\textellipsis{}, за да загаÑите].}{}}}% % \group_end: -\ExplSyntaxOff \ No newline at end of file +\ExplSyntaxOff diff --git a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-cs.inc.sty b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-cs.inc.sty index 599a84e9e3..f82436ec84 100644 --- a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-cs.inc.sty +++ b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-cs.inc.sty @@ -1,6 +1,6 @@ %% hpstatement-cs.inc.sty -%% 2021-12-31 -%% Copyright 2019-2021 Martin Hensel +%% 2024-01-29 +%% Copyright 2019-2024 Martin Hensel % %% This file is part of the mhchem bundle for LaTeX % @@ -10,8 +10,8 @@ % provided you acknowledge the source and indicate any changes you have made. % The data is not necessarily comprehensive, complete, accurate or up to date. % The acknowledgement is not needed when using statements of the data set for labelling products, of course, as this is the intended usage. -% (c) European Union, https://eur-lex.europa.eu, 1998-2021, CC BY 4.0 -% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2021, CC BY 4.0 +% (c) European Union, https://eur-lex.europa.eu, 1998-2023, CC BY 4.0 +% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2024, CC BY 4.0 % % \ExplSyntaxOn @@ -357,8 +357,24 @@ \__mhchem_hp_s:nnn{20211001}{Pozor! PÅ™i postÅ™iku se mohou vytvářet nebezpeÄn\'e respirabilní kapiÄky. Nevdechujte aerosoly nebo mlhu.}{}}}% \tl_gset:cn{g__mhchem_hp_cs_EUH212-0_tl}{{EUH212}{% \__mhchem_hp_s:nnn{20211001}{Pozor! PÅ™i použití se může vytvářet nebezpeÄný respirabilní prach. Nevdechujte prach.}{}}}% +\tl_gset:cn{g__mhchem_hp_cs_EUH380-0_tl}{{EUH380}{% + \__mhchem_hp_s:nnn{20230420}{Může způsobit naruÅ¡ení Äinnosti endokrinního syst\'emu u lidí.}{}}}% +\tl_gset:cn{g__mhchem_hp_cs_EUH381-0_tl}{{EUH381}{% + \__mhchem_hp_s:nnn{20230420}{PodezÅ™ení, že vyvolává naruÅ¡ení Äinnosti endokrinního syst\'emu u lidí.}{}}}% \tl_gset:cn{g__mhchem_hp_cs_EUH401-0_tl}{{EUH401}{% \__mhchem_hp_s:nnn{20081216}{Dodržujte pokyny pro používání, abyste se vyvarovali rizik pro lidsk\'e zdraví a životní prostÅ™edí.}{}}}% +\tl_gset:cn{g__mhchem_hp_cs_EUH430-0_tl}{{EUH430}{% + \__mhchem_hp_s:nnn{20230420}{Může způsobit naruÅ¡ení Äinnosti endokrinního syst\'emu v životním prostÅ™edí.}{}}}% +\tl_gset:cn{g__mhchem_hp_cs_EUH431-0_tl}{{EUH431}{% + \__mhchem_hp_s:nnn{20230420}{PodezÅ™ení, že vyvolává naruÅ¡ení Äinnosti endokrinního syst\'emu v životním prostÅ™edí.}{}}}% +\tl_gset:cn{g__mhchem_hp_cs_EUH440-0_tl}{{EUH440}{% + \__mhchem_hp_s:nnn{20230420}{Hromadí se v životním prostÅ™edí a živých organismech vÄetnÄ› ÄlovÄ›ka}{}}}% +\tl_gset:cn{g__mhchem_hp_cs_EUH441-0_tl}{{EUH441}{% + \__mhchem_hp_s:nnn{20230420}{SilnÄ› se hromadí v životním prostÅ™edí a živých organismech vÄetnÄ› ÄlovÄ›ka}{}}}% +\tl_gset:cn{g__mhchem_hp_cs_EUH450-0_tl}{{EUH450}{% + \__mhchem_hp_s:nnn{20230420}{Může způsobit dlouhodob\'e a difúzní zneÄiÅ¡tÄ›ní vodních zdrojů}{}}}% +\tl_gset:cn{g__mhchem_hp_cs_EUH451-0_tl}{{EUH451}{% + \__mhchem_hp_s:nnn{20230420}{Může způsobit velmi dlouhodob\'e a difúzní zneÄiÅ¡tÄ›ní vodních zdrojů}{}}}% \tl_gset:cn{g__mhchem_hp_cs_P101-0_tl}{{P101}{% \__mhchem_hp_s:nnn{20081216}{Je-li nutná l\'ekaÅ™ská pomoc, mÄ›jte po ruce obal nebo Å¡títek výrobku.}{}}}% \tl_gset:cn{g__mhchem_hp_cs_P102-0_tl}{{P102}{% @@ -1033,4 +1049,4 @@ \__mhchem_hp_s:nnn{20180301}{V případÄ› požáru: VykliÄte prostor. Kvůli nebezpeÄí výbuchu haste z dostateÄn\'e vzdálenosti. [K uhaÅ¡ení použijte \noexpand\textellipsis{}].}{}}}% % \group_end: -\ExplSyntaxOff \ No newline at end of file +\ExplSyntaxOff diff --git a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-da.inc.sty b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-da.inc.sty index 2209452751..76f2871bdc 100644 --- a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-da.inc.sty +++ b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-da.inc.sty @@ -1,6 +1,6 @@ %% hpstatement-da.inc.sty -%% 2021-12-31 -%% Copyright 2019-2021 Martin Hensel +%% 2024-01-29 +%% Copyright 2019-2024 Martin Hensel % %% This file is part of the mhchem bundle for LaTeX % @@ -10,8 +10,8 @@ % provided you acknowledge the source and indicate any changes you have made. % The data is not necessarily comprehensive, complete, accurate or up to date. % The acknowledgement is not needed when using statements of the data set for labelling products, of course, as this is the intended usage. -% (c) European Union, https://eur-lex.europa.eu, 1998-2021, CC BY 4.0 -% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2021, CC BY 4.0 +% (c) European Union, https://eur-lex.europa.eu, 1998-2023, CC BY 4.0 +% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2024, CC BY 4.0 % % \ExplSyntaxOn @@ -347,8 +347,24 @@ \__mhchem_hp_s:nnn{20211001}{Advarsel! Der kan danne sig farlige respirable drÃ¥ber, nÃ¥r der sprayes. UndgÃ¥ indÃ¥nding af spray eller tÃ¥ge.}{}}}% \tl_gset:cn{g__mhchem_hp_da_EUH212-0_tl}{{EUH212}{% \__mhchem_hp_s:nnn{20211001}{Advarsel! Der kan danne sig farligt respirabelt støv ved anvendelsen. UndgÃ¥ indÃ¥nding af støv.}{}}}% +\tl_gset:cn{g__mhchem_hp_da_EUH380-0_tl}{{EUH380}{% + \__mhchem_hp_s:nnn{20230420}{Kan forÃ¥rsage hormonforstyrrelse hos mennesker}{}}}% +\tl_gset:cn{g__mhchem_hp_da_EUH381-0_tl}{{EUH381}{% + \__mhchem_hp_s:nnn{20230420}{Mistænkt for at forÃ¥rsage hormonforstyrrelse hos mennesker}{}}}% \tl_gset:cn{g__mhchem_hp_da_EUH401-0_tl}{{EUH401}{% \__mhchem_hp_s:nnn{20081216}{Brugsanvisningen skal følges for ikke at bringe menneskers sundhed og miljøet i fare.}{}}}% +\tl_gset:cn{g__mhchem_hp_da_EUH430-0_tl}{{EUH430}{% + \__mhchem_hp_s:nnn{20230420}{Kan forÃ¥rsage hormonforstyrrelse hos miljøet}{}}}% +\tl_gset:cn{g__mhchem_hp_da_EUH431-0_tl}{{EUH431}{% + \__mhchem_hp_s:nnn{20230420}{Mistænkt for at forÃ¥rsage hormonforstyrrelse hos miljøet}{}}}% +\tl_gset:cn{g__mhchem_hp_da_EUH440-0_tl}{{EUH440}{% + \__mhchem_hp_s:nnn{20230420}{Ophobes i miljøet og levende organismer, herunder i mennesker}{}}}% +\tl_gset:cn{g__mhchem_hp_da_EUH441-0_tl}{{EUH441}{% + \__mhchem_hp_s:nnn{20230420}{Ophobes i høj grad i miljøet og levende organismer, herunder i mennesker}{}}}% +\tl_gset:cn{g__mhchem_hp_da_EUH450-0_tl}{{EUH450}{% + \__mhchem_hp_s:nnn{20230420}{Kan forÃ¥rsage langvarig og diffus forurening af vandressourcer}{}}}% +\tl_gset:cn{g__mhchem_hp_da_EUH451-0_tl}{{EUH451}{% + \__mhchem_hp_s:nnn{20230420}{Kan forÃ¥rsage meget langvarig og diffus forurening af vandressourcer}{}}}% \tl_gset:cn{g__mhchem_hp_da_P101-0_tl}{{P101}{% \__mhchem_hp_s:nnn{20081216}{Hvis der er brug for lægehjælp, medbring da beholderen eller etiketten.}{}}}% \tl_gset:cn{g__mhchem_hp_da_P102-0_tl}{{P102}{% @@ -1002,4 +1018,4 @@ \__mhchem_hp_s:nnn{20180301}{Ved brand: Evakuer omrÃ¥det. Bekæmp branden pÃ¥ afstand pÃ¥ grund af eksplosionsfare. [Anvend \noexpand\textellipsis{} til brandslukning].}{}}}% % \group_end: -\ExplSyntaxOff \ No newline at end of file +\ExplSyntaxOff diff --git a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-de.inc.sty b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-de.inc.sty index 40063e911f..26781ef179 100644 --- a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-de.inc.sty +++ b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-de.inc.sty @@ -1,6 +1,6 @@ %% hpstatement-de.inc.sty -%% 2021-12-31 -%% Copyright 2019-2021 Martin Hensel +%% 2024-01-29 +%% Copyright 2019-2024 Martin Hensel % %% This file is part of the mhchem bundle for LaTeX % @@ -10,8 +10,8 @@ % provided you acknowledge the source and indicate any changes you have made. % The data is not necessarily comprehensive, complete, accurate or up to date. % The acknowledgement is not needed when using statements of the data set for labelling products, of course, as this is the intended usage. -% (c) European Union, https://eur-lex.europa.eu, 1998-2021, CC BY 4.0 -% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2021, CC BY 4.0 +% (c) European Union, https://eur-lex.europa.eu, 1998-2023, CC BY 4.0 +% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2024, CC BY 4.0 % % \ExplSyntaxOn @@ -371,8 +371,24 @@ \__mhchem_hp_s:nnn{20211001}{Achtung! Beim Spr\"uhen k\"onnen gef\"ahrliche lungeng\"angige Tr\"opfchen entstehen. Aerosol oder Nebel nicht einatmen.}{}}}% \tl_gset:cn{g__mhchem_hp_de_EUH212-0_tl}{{EUH212}{% \__mhchem_hp_s:nnn{20211001}{Achtung! Bei der Verwendung kann gef\"ahrlicher lungeng\"angiger Staub entstehen. Staub nicht einatmen.}{}}}% +\tl_gset:cn{g__mhchem_hp_de_EUH380-0_tl}{{EUH380}{% + \__mhchem_hp_s:nnn{20230420}{Kann beim Menschen endokrine St\"orungen verursachen}{}}}% +\tl_gset:cn{g__mhchem_hp_de_EUH381-0_tl}{{EUH381}{% + \__mhchem_hp_s:nnn{20230420}{Steht in dem Verdacht, beim Menschen endokrine St\"orungen zu verursachen}{}}}% \tl_gset:cn{g__mhchem_hp_de_EUH401-0_tl}{{EUH401}{% \__mhchem_hp_s:nnn{20081216}{Zur Vermeidung von Risiken f\"ur Mensch und Umwelt die Gebrauchsanleitung einhalten.}{}}}% +\tl_gset:cn{g__mhchem_hp_de_EUH430-0_tl}{{EUH430}{% + \__mhchem_hp_s:nnn{20230420}{Kann endokrine St\"orungen in der Umwelt verursachen}{}}}% +\tl_gset:cn{g__mhchem_hp_de_EUH431-0_tl}{{EUH431}{% + \__mhchem_hp_s:nnn{20230420}{Steht in dem Verdacht, endokrine St\"orungen in der Umwelt zu verursachen}{}}}% +\tl_gset:cn{g__mhchem_hp_de_EUH440-0_tl}{{EUH440}{% + \__mhchem_hp_s:nnn{20230420}{Anreicherung in der Umwelt und in lebenden Organismen einschlie\ss{}lich Menschen}{}}}% +\tl_gset:cn{g__mhchem_hp_de_EUH441-0_tl}{{EUH441}{% + \__mhchem_hp_s:nnn{20230420}{Starke Anreicherung in der Umwelt und in lebenden Organismen einschlie\ss{}lich Menschen}{}}}% +\tl_gset:cn{g__mhchem_hp_de_EUH450-0_tl}{{EUH450}{% + \__mhchem_hp_s:nnn{20230420}{Kann lang anhaltende und diffuse Verschmutzung von Wasserressourcen verursachen}{}}}% +\tl_gset:cn{g__mhchem_hp_de_EUH451-0_tl}{{EUH451}{% + \__mhchem_hp_s:nnn{20230420}{Kann sehr lang anhaltende und diffuse Verschmutzung von Wasserressourcen verursachen}{}}}% \tl_gset:cn{g__mhchem_hp_de_P101-0_tl}{{P101}{% \__mhchem_hp_s:nnn{20081216}{Ist \"arztlicher Rat erforderlich, Verpackung oder Kennzeichnungsetikett bereithalten.}{}}}% \tl_gset:cn{g__mhchem_hp_de_P102-0_tl}{{P102}{% @@ -1210,4 +1226,4 @@ \__mhchem_hp_s:nnn{20110419}{Informationen zur Wiederverwendung/\hskip\z@skip{}Wiederverwertung beim Hersteller/\hskip\z@skip{}Lieferanten erfragen}{}}}}% % \group_end: -\ExplSyntaxOff \ No newline at end of file +\ExplSyntaxOff diff --git a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-el.inc.sty b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-el.inc.sty index e53d559ca3..5635c9275f 100644 --- a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-el.inc.sty +++ b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-el.inc.sty @@ -1,6 +1,6 @@ %% hpstatement-el.inc.sty -%% 2021-12-31 -%% Copyright 2019-2021 Martin Hensel +%% 2024-01-29 +%% Copyright 2019-2024 Martin Hensel % %% This file is part of the mhchem bundle for LaTeX % @@ -10,8 +10,8 @@ % provided you acknowledge the source and indicate any changes you have made. % The data is not necessarily comprehensive, complete, accurate or up to date. % The acknowledgement is not needed when using statements of the data set for labelling products, of course, as this is the intended usage. -% (c) European Union, https://eur-lex.europa.eu, 1998-2021, CC BY 4.0 -% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2021, CC BY 4.0 +% (c) European Union, https://eur-lex.europa.eu, 1998-2023, CC BY 4.0 +% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2024, CC BY 4.0 % % \ExplSyntaxOn @@ -344,8 +344,24 @@ \__mhchem_hp_s:nnn{20211001}{ΠÏοσοχή! Κατά τον ψεκασμό μποÏοÏν να σχηματιστοÏν επικίνδυνα εισπνεÏσιμα σταγονίδια. Μην αναπνέετε το εκνέφωμα ή τα σταγονίδια.}{}}}% \tl_gset:cn{g__mhchem_hp_el_EUH212-0_tl}{{EUH212}{% \__mhchem_hp_s:nnn{20211001}{ΠÏοσοχή! Κατά τη χÏήση μποÏεί να σχηματιστεί επικίνδυνη εισπνεÏσιμη σκόνη. Μην αναπνέετε τη σκόνη.}{}}}% +\tl_gset:cn{g__mhchem_hp_el_EUH380-0_tl}{{EUH380}{% + \__mhchem_hp_s:nnn{20230420}{ΜποÏεί να Ï€Ïοκαλέσει ενδοκÏινική διαταÏαχή στον άνθÏωπο}{}}}% +\tl_gset:cn{g__mhchem_hp_el_EUH381-0_tl}{{EUH381}{% + \__mhchem_hp_s:nnn{20230420}{Ύποπτο για Ï€Ïόκληση ενδοκÏινικής διαταÏαχής στον άνθÏωπο}{}}}% \tl_gset:cn{g__mhchem_hp_el_EUH401-0_tl}{{EUH401}{% \__mhchem_hp_s:nnn{20081216}{Για να αποφÏγετε τους κινδÏνους για την ανθÏώπινη υγεία και το πεÏιβάλλον, ακολουθήστε τις οδηγίες χÏήσης.}{}}}% +\tl_gset:cn{g__mhchem_hp_el_EUH430-0_tl}{{EUH430}{% + \__mhchem_hp_s:nnn{20230420}{ΜποÏεί να Ï€Ïοκαλέσει ενδοκÏινική διαταÏαχή στο πεÏιβάλλον}{}}}% +\tl_gset:cn{g__mhchem_hp_el_EUH431-0_tl}{{EUH431}{% + \__mhchem_hp_s:nnn{20230420}{Ύποπτο για Ï€Ïόκληση ενδοκÏινικής διαταÏαχής στο πεÏιβάλλον}{}}}% +\tl_gset:cn{g__mhchem_hp_el_EUH440-0_tl}{{EUH440}{% + \__mhchem_hp_s:nnn{20230420}{ΣυσσωÏεÏεται στο πεÏιβάλλον και σε ζωντανοÏÏ‚ οÏγανισμοÏÏ‚, συμπεÏιλαμβανομένου του ανθÏώπου}{}}}% +\tl_gset:cn{g__mhchem_hp_el_EUH441-0_tl}{{EUH441}{% + \__mhchem_hp_s:nnn{20230420}{ΣυσσωÏεÏεται έντονα στο πεÏιβάλλον και σε ζωντανοÏÏ‚ οÏγανισμοÏÏ‚, συμπεÏιλαμβανομένου του ανθÏώπου}{}}}% +\tl_gset:cn{g__mhchem_hp_el_EUH450-0_tl}{{EUH450}{% + \__mhchem_hp_s:nnn{20230420}{ΜποÏεί να Ï€Ïοκαλέσει μακÏοχÏόνια και διάχυτη μόλυνση υδάτινων πόÏων}{}}}% +\tl_gset:cn{g__mhchem_hp_el_EUH451-0_tl}{{EUH451}{% + \__mhchem_hp_s:nnn{20230420}{ΜποÏεί να Ï€Ïοκαλέσει Ï€Î¿Î»Ï Î¼Î±ÎºÏοχÏόνια και διάχυτη μόλυνση υδάτινων πόÏων}{}}}% \tl_gset:cn{g__mhchem_hp_el_P101-0_tl}{{P101}{% \__mhchem_hp_s:nnn{20081216}{Εάν ζητήσετε ιατÏική συμβουλή, να έχετε μαζί σας τον πεÏιέκτη του Ï€Ïοϊόντος ή την ετικέτα.}{}}}% \tl_gset:cn{g__mhchem_hp_el_P102-0_tl}{{P102}{% @@ -1002,4 +1018,4 @@ \__mhchem_hp_s:nnn{20180301}{Σε πεÏίπτωση πυÏκαγιάς: Εκκενώστε την πεÏιοχή. ΠÏοσπαθήστε να σβήσετε την πυÏκαγιά από απόσταση, επειδή υπάÏχει κίνδυνος έκÏηξης [ΧÏησιμοποιήστε \noexpand\textellipsis{} για την κατάσβεση].}{}}}% % \group_end: -\ExplSyntaxOff \ No newline at end of file +\ExplSyntaxOff diff --git a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-en.inc.sty b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-en.inc.sty index 13fb5b1c6a..3e7878831d 100644 --- a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-en.inc.sty +++ b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-en.inc.sty @@ -1,6 +1,6 @@ %% hpstatement-en.inc.sty -%% 2021-12-31 -%% Copyright 2019-2021 Martin Hensel +%% 2024-01-29 +%% Copyright 2019-2024 Martin Hensel % %% This file is part of the mhchem bundle for LaTeX % @@ -10,8 +10,8 @@ % provided you acknowledge the source and indicate any changes you have made. % The data is not necessarily comprehensive, complete, accurate or up to date. % The acknowledgement is not needed when using statements of the data set for labelling products, of course, as this is the intended usage. -% (c) European Union, https://eur-lex.europa.eu, 1998-2021, CC BY 4.0 -% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2021, CC BY 4.0 +% (c) European Union, https://eur-lex.europa.eu, 1998-2023, CC BY 4.0 +% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2024, CC BY 4.0 % % \ExplSyntaxOn @@ -369,8 +369,24 @@ \__mhchem_hp_s:nnn{20211001}{Warning! Hazardous respirable droplets may be formed when sprayed. Do not breathe spray or mist.}{}}}% \tl_gset:cn{g__mhchem_hp_en_EUH212-0_tl}{{EUH212}{% \__mhchem_hp_s:nnn{20211001}{Warning! Hazardous respirable dust may be formed when used. Do not breathe dust.}{}}}% +\tl_gset:cn{g__mhchem_hp_en_EUH380-0_tl}{{EUH380}{% + \__mhchem_hp_s:nnn{20230420}{May cause endocrine disruption in humans}{}}}% +\tl_gset:cn{g__mhchem_hp_en_EUH381-0_tl}{{EUH381}{% + \__mhchem_hp_s:nnn{20230420}{Suspected of causing endocrine disruption in humans}{}}}% \tl_gset:cn{g__mhchem_hp_en_EUH401-0_tl}{{EUH401}{% \__mhchem_hp_s:nnn{20081216}{To avoid risks to human health and the environment, comply with the instructions for use.}{}}}% +\tl_gset:cn{g__mhchem_hp_en_EUH430-0_tl}{{EUH430}{% + \__mhchem_hp_s:nnn{20230420}{May cause endocrine disruption in the environment}{}}}% +\tl_gset:cn{g__mhchem_hp_en_EUH431-0_tl}{{EUH431}{% + \__mhchem_hp_s:nnn{20230420}{Suspected of causing endocrine disruption in the environment}{}}}% +\tl_gset:cn{g__mhchem_hp_en_EUH440-0_tl}{{EUH440}{% + \__mhchem_hp_s:nnn{20230420}{Accumulates in the environment and living organisms including in humans}{}}}% +\tl_gset:cn{g__mhchem_hp_en_EUH441-0_tl}{{EUH441}{% + \__mhchem_hp_s:nnn{20230420}{Strongly accumulates in the environment and living organisms including in humans}{}}}% +\tl_gset:cn{g__mhchem_hp_en_EUH450-0_tl}{{EUH450}{% + \__mhchem_hp_s:nnn{20230420}{Can cause long-lasting and diffuse contamination of water resources}{}}}% +\tl_gset:cn{g__mhchem_hp_en_EUH451-0_tl}{{EUH451}{% + \__mhchem_hp_s:nnn{20230420}{Can cause very long-lasting and diffuse contamination of water resources}{}}}% \tl_gset:cn{g__mhchem_hp_en_P101-0_tl}{{P101}{% \__mhchem_hp_s:nnn{20081216}{If medical advice is needed, have product container or label at hand.}{}}}% \tl_gset:cn{g__mhchem_hp_en_P102-0_tl}{{P102}{% @@ -1173,4 +1189,4 @@ \__mhchem_hp_s:nnn{20110419}{Refer to manufacturer/\hskip\z@skip{}supplier for information on recovery/\hskip\z@skip{}recycling}{}}}}% % \group_end: -\ExplSyntaxOff \ No newline at end of file +\ExplSyntaxOff diff --git a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-es.inc.sty b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-es.inc.sty index f844dd241b..11480e3d62 100644 --- a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-es.inc.sty +++ b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-es.inc.sty @@ -1,6 +1,6 @@ %% hpstatement-es.inc.sty -%% 2021-12-31 -%% Copyright 2019-2021 Martin Hensel +%% 2024-01-29 +%% Copyright 2019-2024 Martin Hensel % %% This file is part of the mhchem bundle for LaTeX % @@ -10,8 +10,8 @@ % provided you acknowledge the source and indicate any changes you have made. % The data is not necessarily comprehensive, complete, accurate or up to date. % The acknowledgement is not needed when using statements of the data set for labelling products, of course, as this is the intended usage. -% (c) European Union, https://eur-lex.europa.eu, 1998-2021, CC BY 4.0 -% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2021, CC BY 4.0 +% (c) European Union, https://eur-lex.europa.eu, 1998-2023, CC BY 4.0 +% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2024, CC BY 4.0 % % \ExplSyntaxOn @@ -179,8 +179,7 @@ \tl_gset:cn{g__mhchem_hp_es_H360Df-0_tl}{{H360Df}{% \__mhchem_hp_s:nnn{20081216}{Puede dañar al feto. Se sospecha que perjudica a la fertilidad.}{}}}% \tl_gset:cn{g__mhchem_hp_es_H361-0_tl}{{H361}{% - \__mhchem_hp_s:nnn{20170101}{Se sospecha que puede perjudicar la fertilidad o dañar el feto - \noexpand\textless{}indíquese el efecto específico si se conoce\noexpand\textgreater{} \noexpand\textless{}indíquese la vía de exposición si se ha demostrado concluyentemente que el peligro no se produce por ninguna otra vía\noexpand\textgreater{}.}{% + \__mhchem_hp_s:nnn{20170101}{Se sospecha que puede perjudicar la fertilidad o dañar el feto \noexpand\textless{}indíquese el efecto específico si se conoce\noexpand\textgreater{} \noexpand\textless{}indíquese la vía de exposición si se ha demostrado concluyentemente que el peligro no se produce por ninguna otra vía\noexpand\textgreater{}.}{% \__mhchem_hp_s:nnn{20081216}{Se sospecha que perjudica la fertilidad o daña al feto \noexpand\textless{}indíquese el efecto específico si se conoce\noexpand\textgreater{} \noexpand\textless{}indíquese la vía de exposición si se ha demostrado concluyentemente que el peligro no se produce por ninguna otra vía\noexpand\textgreater{}.}{}}}}% \tl_gset:cn{g__mhchem_hp_es_H361.0-0_tl}{{H361}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% @@ -348,8 +347,24 @@ \__mhchem_hp_s:nnn{20211001}{¡Atención! Al rociar pueden formarse gotas respirables peligrosas. No respirar el aerosol.}{}}}% \tl_gset:cn{g__mhchem_hp_es_EUH212-0_tl}{{EUH212}{% \__mhchem_hp_s:nnn{20211001}{¡Atención! Al utilizarse, puede formarse polvo respirable peligroso. No respirar el polvo.}{}}}% +\tl_gset:cn{g__mhchem_hp_es_EUH380-0_tl}{{EUH380}{% + \__mhchem_hp_s:nnn{20230420}{Puede provocar alteración endocrina en los seres humanos}{}}}% +\tl_gset:cn{g__mhchem_hp_es_EUH381-0_tl}{{EUH381}{% + \__mhchem_hp_s:nnn{20230420}{Se sospecha que provoca alteración endocrina en los seres humanos}{}}}% \tl_gset:cn{g__mhchem_hp_es_EUH401-0_tl}{{EUH401}{% \__mhchem_hp_s:nnn{20081216}{A fin de evitar riesgos para las personas y el medio ambiente, siga las instrucciones de uso.}{}}}% +\tl_gset:cn{g__mhchem_hp_es_EUH430-0_tl}{{EUH430}{% + \__mhchem_hp_s:nnn{20230420}{Puede provocar alteración endocrina en el medio ambiente}{}}}% +\tl_gset:cn{g__mhchem_hp_es_EUH431-0_tl}{{EUH431}{% + \__mhchem_hp_s:nnn{20230420}{Se sospecha que provoca alteración endocrina en el medio ambiente}{}}}% +\tl_gset:cn{g__mhchem_hp_es_EUH440-0_tl}{{EUH440}{% + \__mhchem_hp_s:nnn{20230420}{Se acumula en el medio ambiente y en los organismos vivos, incluidos los humanos}{}}}% +\tl_gset:cn{g__mhchem_hp_es_EUH441-0_tl}{{EUH441}{% + \__mhchem_hp_s:nnn{20230420}{Acumulación elevada en el medio ambiente y en los organismos vivos, incluidos los humanos}{}}}% +\tl_gset:cn{g__mhchem_hp_es_EUH450-0_tl}{{EUH450}{% + \__mhchem_hp_s:nnn{20230420}{Puede ser causa de una contaminación difusa y duradera de los recursos hídricos}{}}}% +\tl_gset:cn{g__mhchem_hp_es_EUH451-0_tl}{{EUH451}{% + \__mhchem_hp_s:nnn{20230420}{Puede ser causa de una contaminación difusa y muy duradera de los recursos hídricos}{}}}% \tl_gset:cn{g__mhchem_hp_es_P101-0_tl}{{P101}{% \__mhchem_hp_s:nnn{20081216}{Si se necesita consejo m\'edico, tener a mano el envase o la etiqueta.}{}}}% \tl_gset:cn{g__mhchem_hp_es_P102-0_tl}{{P102}{% @@ -1009,4 +1024,4 @@ \__mhchem_hp_s:nnn{20180301}{En caso de incendio: Evacuar la zona. Combatir el incendio a distancia, debido al riesgo de explosión. [Utilizar \noexpand\textellipsis{} en la extinción].}{}}}% % \group_end: -\ExplSyntaxOff \ No newline at end of file +\ExplSyntaxOff diff --git a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-et.inc.sty b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-et.inc.sty index 52b61963ac..6804ae520f 100644 --- a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-et.inc.sty +++ b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-et.inc.sty @@ -1,6 +1,6 @@ %% hpstatement-et.inc.sty -%% 2021-12-31 -%% Copyright 2019-2021 Martin Hensel +%% 2024-01-29 +%% Copyright 2019-2024 Martin Hensel % %% This file is part of the mhchem bundle for LaTeX % @@ -10,8 +10,8 @@ % provided you acknowledge the source and indicate any changes you have made. % The data is not necessarily comprehensive, complete, accurate or up to date. % The acknowledgement is not needed when using statements of the data set for labelling products, of course, as this is the intended usage. -% (c) European Union, https://eur-lex.europa.eu, 1998-2021, CC BY 4.0 -% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2021, CC BY 4.0 +% (c) European Union, https://eur-lex.europa.eu, 1998-2023, CC BY 4.0 +% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2024, CC BY 4.0 % % \ExplSyntaxOn @@ -348,8 +348,24 @@ \__mhchem_hp_s:nnn{20211001}{Hoiatus! Pihustamisel võivad tekkida ohtlikud sissehingatavad piisad. Pihustatud ainet või udu mitte sisse hingata.}{}}}% \tl_gset:cn{g__mhchem_hp_et_EUH212-0_tl}{{EUH212}{% \__mhchem_hp_s:nnn{20211001}{Hoiatus! Kasutamisel võib tekkida ohtlik sissehingatav tolm. Tolmu mitte sisse hingata.}{}}}% +\tl_gset:cn{g__mhchem_hp_et_EUH380-0_tl}{{EUH380}{% + \__mhchem_hp_s:nnn{20230420}{Võib põhjustada inimesel endokriinseid h\"aireid}{}}}% +\tl_gset:cn{g__mhchem_hp_et_EUH381-0_tl}{{EUH381}{% + \__mhchem_hp_s:nnn{20230420}{Arvatavasti põhjustab inimesel endokriinseid h\"aireid}{}}}% \tl_gset:cn{g__mhchem_hp_et_EUH401-0_tl}{{EUH401}{% \__mhchem_hp_s:nnn{20081216}{Inimeste tervise ja keskkonna ohustamise v\"altimiseks j\"argida kasutusjuhendit.}{}}}% +\tl_gset:cn{g__mhchem_hp_et_EUH430-0_tl}{{EUH430}{% + \__mhchem_hp_s:nnn{20230420}{võib põhjustada endokriinseid h\"aireid keskkonnas}{}}}% +\tl_gset:cn{g__mhchem_hp_et_EUH431-0_tl}{{EUH431}{% + \__mhchem_hp_s:nnn{20230420}{Arvatavasti põhjustab endokriinseid h\"aireid keskkonnas}{}}}% +\tl_gset:cn{g__mhchem_hp_et_EUH440-0_tl}{{EUH440}{% + \__mhchem_hp_s:nnn{20230420}{Akumuleerub keskkonnas ja elusorganismides, sealhulgas inimestes}{}}}% +\tl_gset:cn{g__mhchem_hp_et_EUH441-0_tl}{{EUH441}{% + \__mhchem_hp_s:nnn{20230420}{Akumuleerub rohkelt keskkonnas ja elusorganismides, sealhulgas inimestes}{}}}% +\tl_gset:cn{g__mhchem_hp_et_EUH450-0_tl}{{EUH450}{% + \__mhchem_hp_s:nnn{20230420}{Võib põhjustada veevarude pikaajalist ja hajusat saastumist}{}}}% +\tl_gset:cn{g__mhchem_hp_et_EUH451-0_tl}{{EUH451}{% + \__mhchem_hp_s:nnn{20230420}{Võib põhjustada veevarude v\"aga pikaajalist ja hajusat saastumist}{}}}% \tl_gset:cn{g__mhchem_hp_et_P101-0_tl}{{P101}{% \__mhchem_hp_s:nnn{20081216}{Arsti poole p\"o\"ordudes võtta kaasa toote pakend või etikett.}{}}}% \tl_gset:cn{g__mhchem_hp_et_P102-0_tl}{{P102}{% @@ -1003,4 +1019,4 @@ \__mhchem_hp_s:nnn{20180301}{Tulekahju korral: ala evakueerida. Plahvatusohu tõttu teha kustutust\"oid eemalt. [Kustutamiseks kasutada \noexpand\textellipsis{}.].}{}}}% % \group_end: -\ExplSyntaxOff \ No newline at end of file +\ExplSyntaxOff diff --git a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-fi.inc.sty b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-fi.inc.sty index 1a0a7959a1..52db749722 100644 --- a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-fi.inc.sty +++ b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-fi.inc.sty @@ -1,6 +1,6 @@ %% hpstatement-fi.inc.sty -%% 2021-12-31 -%% Copyright 2019-2021 Martin Hensel +%% 2024-01-29 +%% Copyright 2019-2024 Martin Hensel % %% This file is part of the mhchem bundle for LaTeX % @@ -10,8 +10,8 @@ % provided you acknowledge the source and indicate any changes you have made. % The data is not necessarily comprehensive, complete, accurate or up to date. % The acknowledgement is not needed when using statements of the data set for labelling products, of course, as this is the intended usage. -% (c) European Union, https://eur-lex.europa.eu, 1998-2021, CC BY 4.0 -% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2021, CC BY 4.0 +% (c) European Union, https://eur-lex.europa.eu, 1998-2023, CC BY 4.0 +% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2024, CC BY 4.0 % % \ExplSyntaxOn @@ -347,8 +347,24 @@ \__mhchem_hp_s:nnn{20211001}{Varoitus! Vaarallisia keuhkorakkuloihin kulkeutuvia pisaroita saattaa muodostua suihkutuksen yhteydess\"a. \"Al\"a hengit\"a suihketta tai sumua.}{}}}% \tl_gset:cn{g__mhchem_hp_fi_EUH212-0_tl}{{EUH212}{% \__mhchem_hp_s:nnn{20211001}{Varoitus! Vaarallista keuhkorakkuloihin kulkeutuvaa p\"oly\"a saattaa muodostua k\"ayt\"on yhteydess\"a. \"Al\"a hengit\"a p\"oly\"a.}{}}}% +\tl_gset:cn{g__mhchem_hp_fi_EUH380-0_tl}{{EUH380}{% + \__mhchem_hp_s:nnn{20230420}{Saattaa aiheuttaa hormonitoiminnan h\"airi\"oit\"a ihmisiss\"a}{}}}% +\tl_gset:cn{g__mhchem_hp_fi_EUH381-0_tl}{{EUH381}{% + \__mhchem_hp_s:nnn{20230420}{Ep\"aill\"a\"an aiheuttavan hormonitoiminnan h\"airi\"oit\"a ihmisiss\"a}{}}}% \tl_gset:cn{g__mhchem_hp_fi_EUH401-0_tl}{{EUH401}{% \__mhchem_hp_s:nnn{20081216}{Noudata k\"aytt\"oohjeita ihmisen terveydelle ja ymp\"arist\"olle aiheutuvien vaarojen v\"altt\"amiseksi.}{}}}% +\tl_gset:cn{g__mhchem_hp_fi_EUH430-0_tl}{{EUH430}{% + \__mhchem_hp_s:nnn{20230420}{Saattaa aiheuttaa hormonitoiminnan h\"airi\"oit\"a ymp\"arist\"oss\"a}{}}}% +\tl_gset:cn{g__mhchem_hp_fi_EUH431-0_tl}{{EUH431}{% + \__mhchem_hp_s:nnn{20230420}{Ep\"aill\"a\"an aiheuttavan hormonitoiminnan h\"airi\"oit\"a ymp\"arist\"oss\"a}{}}}% +\tl_gset:cn{g__mhchem_hp_fi_EUH440-0_tl}{{EUH440}{% + \__mhchem_hp_s:nnn{20230420}{Kertyy ymp\"arist\"o\"on ja el\"aviin eli\"oihin, my\"os ihmisiin}{}}}% +\tl_gset:cn{g__mhchem_hp_fi_EUH441-0_tl}{{EUH441}{% + \__mhchem_hp_s:nnn{20230420}{Kertyy voimakkaasti ymp\"arist\"o\"on ja el\"aviin eli\"oihin, my\"os ihmisiin}{}}}% +\tl_gset:cn{g__mhchem_hp_fi_EUH450-0_tl}{{EUH450}{% + \__mhchem_hp_s:nnn{20230420}{Voi aiheuttaa vesivarojen pitk\"akestoista hajakuormitusta}{}}}% +\tl_gset:cn{g__mhchem_hp_fi_EUH451-0_tl}{{EUH451}{% + \__mhchem_hp_s:nnn{20230420}{Voi aiheuttaa vesivarojen eritt\"ain pitk\"akestoista hajakuormitusta}{}}}% \tl_gset:cn{g__mhchem_hp_fi_P101-0_tl}{{P101}{% \__mhchem_hp_s:nnn{20081216}{Jos tarvitaan l\"a\"akinn\"allist\"a apua, n\"ayt\"a pakkaus tai varoitusetiketti.}{}}}% \tl_gset:cn{g__mhchem_hp_fi_P102-0_tl}{{P102}{% @@ -1001,4 +1017,4 @@ \__mhchem_hp_s:nnn{20180301}{Tulipalon sattuessa: Evakuoi alue. Sammuta palo et\"a\"alt\"a r\"aj\"ahdysvaaran takia. [K\"ayt\"a palon sammuttamiseen \noexpand\textellipsis{}].}{}}}% % \group_end: -\ExplSyntaxOff \ No newline at end of file +\ExplSyntaxOff diff --git a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-fr.inc.sty b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-fr.inc.sty index 376f3f76d8..5389155d9f 100644 --- a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-fr.inc.sty +++ b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-fr.inc.sty @@ -1,6 +1,6 @@ %% hpstatement-fr.inc.sty -%% 2021-12-31 -%% Copyright 2019-2021 Martin Hensel +%% 2024-01-29 +%% Copyright 2019-2024 Martin Hensel % %% This file is part of the mhchem bundle for LaTeX % @@ -10,8 +10,8 @@ % provided you acknowledge the source and indicate any changes you have made. % The data is not necessarily comprehensive, complete, accurate or up to date. % The acknowledgement is not needed when using statements of the data set for labelling products, of course, as this is the intended usage. -% (c) European Union, https://eur-lex.europa.eu, 1998-2021, CC BY 4.0 -% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2021, CC BY 4.0 +% (c) European Union, https://eur-lex.europa.eu, 1998-2023, CC BY 4.0 +% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2024, CC BY 4.0 % % \ExplSyntaxOn @@ -371,8 +371,24 @@ \__mhchem_hp_s:nnn{20211001}{Attention! Des gouttelettes respirables dangereuses peuvent se former lors de la pulv\'erisation. Ne pas respirer les a\'erosols ni les brouillards.}{}}}% \tl_gset:cn{g__mhchem_hp_fr_EUH212-0_tl}{{EUH212}{% \__mhchem_hp_s:nnn{20211001}{Attention! Une poussi\`ere respirable dangereuse peut se former lors de l'utilisation. Ne pas respirer cette poussi\`ere.}{}}}% +\tl_gset:cn{g__mhchem_hp_fr_EUH380-0_tl}{{EUH380}{% + \__mhchem_hp_s:nnn{20230420}{Peut provoquer une perturbation endocrinienne chez l'\^etre humain}{}}}% +\tl_gset:cn{g__mhchem_hp_fr_EUH381-0_tl}{{EUH381}{% + \__mhchem_hp_s:nnn{20230420}{Susceptible de provoquer une perturbation endocrinienne chez l'\^etre humain}{}}}% \tl_gset:cn{g__mhchem_hp_fr_EUH401-0_tl}{{EUH401}{% \__mhchem_hp_s:nnn{20081216}{Respectez les instructions d'utilisation pour \'eviter les risques pour la sant\'e humaine et l'environnement.}{}}}% +\tl_gset:cn{g__mhchem_hp_fr_EUH430-0_tl}{{EUH430}{% + \__mhchem_hp_s:nnn{20230420}{Peut provoquer une perturbation endocrinienne dans l'environnement}{}}}% +\tl_gset:cn{g__mhchem_hp_fr_EUH431-0_tl}{{EUH431}{% + \__mhchem_hp_s:nnn{20230420}{Susceptible de provoquer une perturbation endocrinienne dans l'environnement}{}}}% +\tl_gset:cn{g__mhchem_hp_fr_EUH440-0_tl}{{EUH440}{% + \__mhchem_hp_s:nnn{20230420}{S'accumule dans l'environnement et dans les organismes vivants, y compris chez l'\^etre humain}{}}}% +\tl_gset:cn{g__mhchem_hp_fr_EUH441-0_tl}{{EUH441}{% + \__mhchem_hp_s:nnn{20230420}{S'accumule fortement dans l'environnement et dans les organismes vivants, y compris chez l'\^etre humain}{}}}% +\tl_gset:cn{g__mhchem_hp_fr_EUH450-0_tl}{{EUH450}{% + \__mhchem_hp_s:nnn{20230420}{Peut provoquer une contamination diffuse \`a long terme des ressources en eau}{}}}% +\tl_gset:cn{g__mhchem_hp_fr_EUH451-0_tl}{{EUH451}{% + \__mhchem_hp_s:nnn{20230420}{Peut provoquer une contamination diffuse \`a tr\`es long terme des ressources en eau}{}}}% \tl_gset:cn{g__mhchem_hp_fr_P101-0_tl}{{P101}{% \__mhchem_hp_s:nnn{20081216}{En cas de consultation d'un m\'edecin, garder \`a disposition le r\'ecipient ou l'\'etiquette.}{}}}% \tl_gset:cn{g__mhchem_hp_fr_P102-0_tl}{{P102}{% @@ -1180,4 +1196,4 @@ \__mhchem_hp_s:nnn{20110419}{Se reporter au fabricant/\hskip\z@skip{}fournisseur pour des informations concernant la r\'ecup\'eration/\hskip\z@skip{}le recyclage}{}}}}% % \group_end: -\ExplSyntaxOff \ No newline at end of file +\ExplSyntaxOff diff --git a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-ga.inc.sty b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-ga.inc.sty index 7d0dac131b..68f2df96ca 100644 --- a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-ga.inc.sty +++ b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-ga.inc.sty @@ -1,6 +1,6 @@ %% hpstatement-ga.inc.sty -%% 2021-12-31 -%% Copyright 2019-2021 Martin Hensel +%% 2024-01-29 +%% Copyright 2019-2024 Martin Hensel % %% This file is part of the mhchem bundle for LaTeX % @@ -10,8 +10,8 @@ % provided you acknowledge the source and indicate any changes you have made. % The data is not necessarily comprehensive, complete, accurate or up to date. % The acknowledgement is not needed when using statements of the data set for labelling products, of course, as this is the intended usage. -% (c) European Union, https://eur-lex.europa.eu, 1998-2021, CC BY 4.0 -% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2021, CC BY 4.0 +% (c) European Union, https://eur-lex.europa.eu, 1998-2023, CC BY 4.0 +% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2024, CC BY 4.0 % % \ExplSyntaxOn @@ -20,113 +20,113 @@ \char_set_catcode_letter:n {`\@}% % \tl_gset:cn{g__mhchem_hp_ga_H200-0_tl}{{H200}{% - \__mhchem_hp_s:nnn{20081216}{Pl\'eascáin \'eagobhsaí.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H201-0_tl}{{H201}{% - \__mhchem_hp_s:nnn{20081216}{Pl\'eascach; guais mhórphl\'easctha.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H202-0_tl}{{H202}{% - \__mhchem_hp_s:nnn{20081216}{Pl\'eascach, guais throm teilgin.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H203-0_tl}{{H203}{% - \__mhchem_hp_s:nnn{20081216}{Pl\'eascach; guais dóiteáin, phl\'easctha nó teilgin.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H204-0_tl}{{H204}{% - \__mhchem_hp_s:nnn{20081216}{Guais dóiteáin nó teilgin.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H205-0_tl}{{H205}{% - \__mhchem_hp_s:nnn{20081216}{D'fh\'eadfadh s\'e go mbeadh mórphl\'eascadh i dtine.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H206-0_tl}{{H206}{% - \__mhchem_hp_s:nnn{20201017}{Guais dóiteáin, phl\'easctha nó teilgin; baol m\'eadaithe pl\'easctha má laghdaítear an dí-íogróir.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H207-0_tl}{{H207}{% - \__mhchem_hp_s:nnn{20201017}{Guais dóiteáin nó teilgin; baol m\'eadaithe pl\'easctha má laghdaítear an dí-íogróir.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H208-0_tl}{{H208}{% - \__mhchem_hp_s:nnn{20201017}{Guais dóiteáin; baol m\'eadaithe pl\'easctha má laghdaítear an dí-íogróir.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H220-0_tl}{{H220}{% - \__mhchem_hp_s:nnn{20081216}{Gás fíor-inadhainte.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H221-0_tl}{{H221}{% - \__mhchem_hp_s:nnn{20081216}{Gás inadhainte.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H222-0_tl}{{H222}{% - \__mhchem_hp_s:nnn{20081216}{Aerasól fíor-inadhainte.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H223-0_tl}{{H223}{% - \__mhchem_hp_s:nnn{20081216}{Aerasól inadhainte.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H224-0_tl}{{H224}{% - \__mhchem_hp_s:nnn{20081216}{Leacht fíor-inadhainte agus gal fhíor-inadhainte.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H225-0_tl}{{H225}{% - \__mhchem_hp_s:nnn{20081216}{Leacht an-inadhainte agus gal an-inadhainte.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H226-0_tl}{{H226}{% - \__mhchem_hp_s:nnn{20081216}{Leacht inadhainte agus gal inadhainte.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H228-0_tl}{{H228}{% - \__mhchem_hp_s:nnn{20081216}{Solad inadhainte.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H229-0_tl}{{H229}{% - \__mhchem_hp_s:nnn{20150601}{Coimeádán brúchóirithe: D'fh\'eadfadh s\'e pl\'eascadh, má th\'eitear \'e.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H230-0_tl}{{H230}{% - \__mhchem_hp_s:nnn{20150601}{D'fh\'eadfadh s\'e imoibriú go pl\'eascach fiú mura bhfuil aer ann.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H231-0_tl}{{H231}{% - \__mhchem_hp_s:nnn{20150601}{D'fh\'eadfadh s\'e imoibriú go pl\'eascach fiú mura bhfuil aer ann ag brú ardaithe agus/\hskip\z@skip{}nó ag teocht ardaithe.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H232-0_tl}{{H232}{% - \__mhchem_hp_s:nnn{20201017}{D'fh\'eadfadh an ní uathadhaint i gcás nochtadh don aer.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H240-0_tl}{{H240}{% - \__mhchem_hp_s:nnn{20081216}{D'fh\'eadfadh t\'eamh a bheith ina chúis le pl\'eascadh.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H241-0_tl}{{H241}{% - \__mhchem_hp_s:nnn{20081216}{D'fh\'eadfadh t\'eamh a bheith ina chúis le dóiteán nó le pl\'eascadh.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H242-0_tl}{{H242}{% - \__mhchem_hp_s:nnn{20081216}{D'fh\'eadfadh t\'eamh a bheith ina chúis le dóiteán.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H250-0_tl}{{H250}{% - \__mhchem_hp_s:nnn{20081216}{T\'eann trí thine go spontáineach má nochtar don aer.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H251-0_tl}{{H251}{% - \__mhchem_hp_s:nnn{20081216}{F\'eint\'eamh: d'fh\'eadfadh s\'e dul trí thine.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H252-0_tl}{{H252}{% - \__mhchem_hp_s:nnn{20081216}{F\'eint\'eamh ina mhórchainníochtaí; d'fh\'eadfadh s\'e dul trí thine.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H260-0_tl}{{H260}{% - \__mhchem_hp_s:nnn{20081216}{I dteagmháil le huisce scaoiltear gáis inadhainte a d'fh\'eadfadh uathadhaint.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H261-0_tl}{{H261}{% - \__mhchem_hp_s:nnn{20081216}{I dteagmháil le huisce scaoiltear gáis inadhainte.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H270-0_tl}{{H270}{% - \__mhchem_hp_s:nnn{20081216}{D'fh\'eadfadh s\'e a bheith ina chúis le tine nó cur le tine; ocsaídeoir.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H271-0_tl}{{H271}{% - \__mhchem_hp_s:nnn{20081216}{D'fh\'eadfadh s\'e a bheith ina chúis le tine nó le pl\'eascadh; an-ocsaídeoir.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H272-0_tl}{{H272}{% - \__mhchem_hp_s:nnn{20081216}{D'fh\'eadfadh s\'e cur le tine; ocsaídeoir.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H280-0_tl}{{H280}{% - \__mhchem_hp_s:nnn{20081216}{Gás istigh ann, faoi bhrú; d'fh\'eadfadh s\'e pl\'eascadh, má th\'eitear.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H281-0_tl}{{H281}{% - \__mhchem_hp_s:nnn{20081216}{Gás cuisnithe istigh ann; d'fh\'eadfadh s\'e a bheith ina chúis le dónna crióigineacha nó le díobháil chrióigineach.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H290-0_tl}{{H290}{% - \__mhchem_hp_s:nnn{20081216}{D'fh\'eadfadh s\'e a bheith creimneach do mhiotail.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H300-0_tl}{{H300}{% - \__mhchem_hp_s:nnn{20081216}{Marfach má shlogtar.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H301-0_tl}{{H301}{% - \__mhchem_hp_s:nnn{20081216}{Tocsaineach má shlogtar.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H302-0_tl}{{H302}{% - \__mhchem_hp_s:nnn{20081216}{Díobhálach má shlogtar.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H304-0_tl}{{H304}{% - \__mhchem_hp_s:nnn{20081216}{D'fh\'eadfadh s\'e a bheith marfach má shlogtar \'e agus má th\'eann s\'e isteach sna haerbhealaí.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H310-0_tl}{{H310}{% - \__mhchem_hp_s:nnn{20081216}{Marfach i dteagmháil leis an gcraiceann.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H311-0_tl}{{H311}{% - \__mhchem_hp_s:nnn{20081216}{Tocsaineach i dteagmháil leis an gcraiceann.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H312-0_tl}{{H312}{% - \__mhchem_hp_s:nnn{20081216}{Díobhálach i dteagmháil leis an gcraiceann.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H314-0_tl}{{H314}{% - \__mhchem_hp_s:nnn{20081216}{Ina chúis le dónna tromchúiseacha craicinn agus le damáiste don tsúil.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H315-0_tl}{{H315}{% - \__mhchem_hp_s:nnn{20081216}{Ina chúis le greannú craicinn.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H317-0_tl}{{H317}{% - \__mhchem_hp_s:nnn{20081216}{D'fh\'eadfadh s\'e a bheith ina chúis le frithghníomh aill\'eirgeach craicinn.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H318-0_tl}{{H318}{% - \__mhchem_hp_s:nnn{20081216}{Ina chúis le damáiste tromchúiseach don tsúil.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H319-0_tl}{{H319}{% - \__mhchem_hp_s:nnn{20081216}{Ina chúis le greannú tromchúiseach don tsúil.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H330-0_tl}{{H330}{% - \__mhchem_hp_s:nnn{20081216}{Marfach má ionanálaítear.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H331-0_tl}{{H331}{% - \__mhchem_hp_s:nnn{20081216}{Tocsaineach má ionanálaítear.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H332-0_tl}{{H332}{% - \__mhchem_hp_s:nnn{20081216}{Díobhálach má ionanálaítear.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H334-0_tl}{{H334}{% - \__mhchem_hp_s:nnn{20081216}{D'fh\'eadfadh s\'e a bheith ina chúis le siomptóim aill\'eirge nó asma nó le deacrachtaí análaithe má ionanálaítear \'e.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H335-0_tl}{{H335}{% - \__mhchem_hp_s:nnn{20081216}{D'fh\'eadfadh s\'e a bheith ina chúis le greannú riospráide.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H336-0_tl}{{H336}{% - \__mhchem_hp_s:nnn{20081216}{D'fh\'eadfadh s\'e a bheith ina chúis le codlatacht nó le meadhrán.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H340-0_tl}{{H340}{% - \__mhchem_hp_s:nnn{20081216}{D'fh\'eadfadh s\'e a bheith ina chúis le h\'ealanga g\'einiteacha \noexpand\textless{}tabhair an bealach nochta má tá s\'e cruthaithe go cinntitheach nach bealach nochta ar bith eile is cúis leis an nguais\noexpand\textgreater{}.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H340.0-0_tl}{{H340}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H340-1empty_tl}{{H340}{% @@ -134,7 +134,7 @@ \tl_gset:cn{g__mhchem_hp_ga_H340-1_tl}{{H340}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H341-0_tl}{{H341}{% - \__mhchem_hp_s:nnn{20081216}{Ceaptar go bhf\'eadfadh s\'e a bheith ina chúis le h\'ealanga g\'einiteacha \noexpand\textless{}tabhair an bealach nochta má tá s\'e cruthaithe go cinntitheach nach bealach nochta ar bith eile is cúis leis an nguais\noexpand\textgreater{}.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H341.0-0_tl}{{H341}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H341-1empty_tl}{{H341}{% @@ -142,7 +142,7 @@ \tl_gset:cn{g__mhchem_hp_ga_H341-1_tl}{{H341}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H350-0_tl}{{H350}{% - \__mhchem_hp_s:nnn{20081216}{D'fh\'eadfadh s\'e a bheith ina chúis le hailse \noexpand\textless{}tabhair an bealach nochta má tá s\'e cruthaithe go cinntitheach nach bealach nochta ar bith eile is cúis leis an nguais\noexpand\textgreater{}.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H350.0-0_tl}{{H350}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H350-1empty_tl}{{H350}{% @@ -150,10 +150,9 @@ \tl_gset:cn{g__mhchem_hp_ga_H350-1_tl}{{H350}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H350i-0_tl}{{H350i}{% - \__mhchem_hp_s:nnn{20101201}{}{% - \__mhchem_hp_s:nnn{20081216}{D'fh\'eadfadh s\'e a bheith ina chúis le hailse trí ionanálú.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H351-0_tl}{{H351}{% - \__mhchem_hp_s:nnn{20081216}{Ceaptar go bhf\'eadfadh s\'e a bheith ina chúis le hailse \noexpand\textless{}tabhair an bealach nochta má tá s\'e cruthaithe go cinntitheach nach bealach nochta ar bith eile is cúis leis an nguais\noexpand\textgreater{}.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H351.0-0_tl}{{H351}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H351-1empty_tl}{{H351}{% @@ -161,7 +160,7 @@ \tl_gset:cn{g__mhchem_hp_ga_H351-1_tl}{{H351}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H360-0_tl}{{H360}{% - \__mhchem_hp_s:nnn{20081216}{D'fh\'eadfadh s\'e damáiste a dh\'eanamh do thorthúlacht nó don leanbh sa bhroinn \noexpand\textless{}tabhair an tsain\'eifeacht más eol \noexpand\textgreater{} \noexpand\textless{}tabhair an bealach nochta má tá s\'e cruthaithe go cinntitheach nach bealach nochta ar bith eile is cúis leis an nguais\noexpand\textgreater{}.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H360.0-0_tl}{{H360}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H360-1empty_tl}{{H360}{% @@ -169,22 +168,17 @@ \tl_gset:cn{g__mhchem_hp_ga_H360-1_tl}{{H360}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H360F-0_tl}{{H360F}{% - \__mhchem_hp_s:nnn{20101201}{}{% - \__mhchem_hp_s:nnn{20081216}{D'fh\'eadfadh s\'e damáiste a dh\'eanamh do thorthúlacht.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H360D-0_tl}{{H360D}{% - \__mhchem_hp_s:nnn{20101201}{}{% - \__mhchem_hp_s:nnn{20081216}{D'fh\'eadfadh s\'e damáiste a dh\'eanamh don leanbh sa bhroinn.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H360FD-0_tl}{{H360FD}{% - \__mhchem_hp_s:nnn{20101201}{}{% - \__mhchem_hp_s:nnn{20081216}{D'fh\'eadfadh s\'e damáiste a dh\'eanamh do thorthúlacht. D'fh\'eadfadh s\'e damáiste a dh\'eanamh don leanbh sa bhroinn.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H360Fd-0_tl}{{H360Fd}{% - \__mhchem_hp_s:nnn{20101201}{}{% - \__mhchem_hp_s:nnn{20081216}{D'fh\'eadfadh s\'e damáiste a dh\'eanamh do thorthúlacht. Meastar go bhf\'eadfadh s\'e damáiste a dh\'eanamh don leanbh sa bhroinn.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H360Df-0_tl}{{H360Df}{% - \__mhchem_hp_s:nnn{20101201}{}{% - \__mhchem_hp_s:nnn{20081216}{D'fh\'eadfadh s\'e damáiste a dh\'eanamh don leanbh sa bhroinn. Meastar go bhf\'eadfadh s\'e damáiste a dh\'eanamh do thorthúlacht.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H361-0_tl}{{H361}{% - \__mhchem_hp_s:nnn{20081216}{Ceaptar go bhf\'eadfadh s\'e damáiste a dh\'eanamh do thorthúlacht nó don leanbh sa bhroinn \noexpand\textless{}tabhair an tsain\'eifeacht más eol \noexpand\textgreater{} \noexpand\textless{}tabhair an bealach nochta má tá s\'e cruthaithe go cinntitheach nach bealach nochta ar bith eile is cúis leis an nguais\noexpand\textgreater{}.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H361.0-0_tl}{{H361}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H361-1empty_tl}{{H361}{% @@ -192,18 +186,15 @@ \tl_gset:cn{g__mhchem_hp_ga_H361-1_tl}{{H361}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H361f-0_tl}{{H361f}{% - \__mhchem_hp_s:nnn{20101201}{}{% - \__mhchem_hp_s:nnn{20081216}{Meastar go bhf\'eadfadh s\'e damáiste a dh\'eanamh do thorthúlacht.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H361d-0_tl}{{H361d}{% - \__mhchem_hp_s:nnn{20101201}{}{% - \__mhchem_hp_s:nnn{20081216}{Meastar go bhf\'eadfadh s\'e damáiste a dh\'eanamh don leanbh sa bhroinn.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H361fd-0_tl}{{H361fd}{% - \__mhchem_hp_s:nnn{20101201}{}{% - \__mhchem_hp_s:nnn{20081216}{Meastar go bhf\'eadfadh s\'e damáiste a dh\'eanamh do thorthúlacht. Meastar go bhf\'eadfadh s\'e damáiste a dh\'eanamh don leanbh sa bhroinn.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H362-0_tl}{{H362}{% - \__mhchem_hp_s:nnn{20081216}{D'fh\'eadfadh s\'e díobháil a dh\'eanamh do leanaí diúil.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H370-0_tl}{{H370}{% - \__mhchem_hp_s:nnn{20081216}{D\'eanann s\'e damáiste d'orgáin \noexpand\textless{}nó tabhair na horgáin go l\'eir a bhuailtear, más eol\noexpand\textgreater{} \noexpand\textless{}tabhair an bealach nochta má tá s\'e cruthaithe go cinntitheach nach bealach nochta ar bith eile is cúis leis an nguais\noexpand\textgreater{}.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H370.0-0_tl}{{H370}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H370.1-0_tl}{{H370}{% @@ -215,7 +206,7 @@ \tl_gset:cn{g__mhchem_hp_ga_H370-2_tl}{{H370}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H371-0_tl}{{H371}{% - \__mhchem_hp_s:nnn{20081216}{D'fh\'eadfadh damáiste a dh\'eanamh d'orgáin \noexpand\textless{}nó tabhair na horgáin go l\'eir a bhuailtear, más eol\noexpand\textgreater{} \noexpand\textless{}tabhair an bealach nochta má tá s\'e cruthaithe go cinntitheach nach bealach nochta ar bith eile is cúis leis an nguais\noexpand\textgreater{}.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H371.0-0_tl}{{H371}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H371.1-0_tl}{{H371}{% @@ -227,7 +218,7 @@ \tl_gset:cn{g__mhchem_hp_ga_H371-2_tl}{{H371}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H372-0_tl}{{H372}{% - \__mhchem_hp_s:nnn{20081216}{D\'eanann damáiste d'orgáin \noexpand\textless{}nó tabhair na horgáin go l\'eir a bhuailtear, más eol\noexpand\textgreater{} trí nochtadh fada nó ilnochtadh \noexpand\textless{}tabhair an bealach nochta má tá s\'e cruthaithe go cinntitheach nach bealach nochta ar bith eile is cúis leis an nguais\noexpand\textgreater{}.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H372.0-0_tl}{{H372}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H372.1-0_tl}{{H372}{% @@ -239,7 +230,7 @@ \tl_gset:cn{g__mhchem_hp_ga_H372-2_tl}{{H372}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H373-0_tl}{{H373}{% - \__mhchem_hp_s:nnn{20081216}{D'fh\'eadfadh s\'e damáiste a dh\'eanamh d'orgáin \noexpand\textless{}nó tabhair na horgáin go l\'eir a bhuailtear, más eol\noexpand\textgreater{} trí nochtadh fada nó ilnochtadh \noexpand\textless{}tabhair an bealach nochta má tá s\'e cruthaithe go cinntitheach nach bealach nochta ar bith eile is cúis leis an nguais\noexpand\textgreater{}.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H373.0-0_tl}{{H373}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H373.1-0_tl}{{H373}{% @@ -251,51 +242,49 @@ \tl_gset:cn{g__mhchem_hp_ga_H373-2_tl}{{H373}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H300+H310-0_tl}{{H300\,+\,\hskip\z@skip{}H310}{% - \__mhchem_hp_s:nnn{20110419}{Ãbhar marfach \'e seo má shlogtar \'e nó má theagmhaíonn leis an gcraiceann}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H300+H310+H330-0_tl}{{H300\,+\,\hskip\z@skip{}H310\,+\,\hskip\z@skip{}H330}{% - \__mhchem_hp_s:nnn{20110419}{Ãbhar marfach \'e seo má shlogtar, má theagmhaíonn leis an gcraiceann nó má ionanálaítear \'e}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H300+H330-0_tl}{{H300\,+\,\hskip\z@skip{}H330}{% - \__mhchem_hp_s:nnn{20110419}{Ãbhar marfach \'e seo má shlogtar nó má ionanálaítear \'e}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H301+H311-0_tl}{{H301\,+\,\hskip\z@skip{}H311}{% - \__mhchem_hp_s:nnn{20110419}{Ãbhar tocsaineach má shlogtar \'e nó má theagmhaíonn leis an gcraiceann}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H301+H311+H331-0_tl}{{H301\,+\,\hskip\z@skip{}H311\,+\,\hskip\z@skip{}H331}{% - \__mhchem_hp_s:nnn{20110419}{Ãbhar tocsaineach má shlogtar, má theagmhaíonn leis an gcraiceann nó má ionanálaítear \'e}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H301+H331-0_tl}{{H301\,+\,\hskip\z@skip{}H331}{% - \__mhchem_hp_s:nnn{20110419}{Ãbhar tocsaineach má shlogtar nó má ionanálaítear \'e}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H302+H312-0_tl}{{H302\,+\,\hskip\z@skip{}H312}{% - \__mhchem_hp_s:nnn{20110419}{Ãbhar dochrach má shlogtar \'e nó má theagmhaíonn leis an gcraiceann}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H302+H312+H332-0_tl}{{H302\,+\,\hskip\z@skip{}H312\,+\,\hskip\z@skip{}H332}{% - \__mhchem_hp_s:nnn{20110419}{Ãbhar dochrach má shlogtar, má theagmhaíonn leis an gcraiceann nó má ionanálaítear \'e}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H302+H332-0_tl}{{H302\,+\,\hskip\z@skip{}H332}{% - \__mhchem_hp_s:nnn{20110419}{Ãbhar dochrach má shlogtar nó má ionanálaítear \'e}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H310+H330-0_tl}{{H310\,+\,\hskip\z@skip{}H330}{% - \__mhchem_hp_s:nnn{20110419}{Ãbhar marfach \'e seo má theagmhaíonn leis an gcraiceann nó má ionanálaítear \'e}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H311+H331-0_tl}{{H311\,+\,\hskip\z@skip{}H331}{% - \__mhchem_hp_s:nnn{20110419}{Ãbhar tocsaineach má theagmhaíonn leis an gcraiceann nó má ionanálaítear \'e}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H312+H332-0_tl}{{H312\,+\,\hskip\z@skip{}H332}{% - \__mhchem_hp_s:nnn{20110419}{Ãbhar dochrach má theagmhaíonn leis an gcraiceann nó má ionanálaítear \'e}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H400-0_tl}{{H400}{% - \__mhchem_hp_s:nnn{20081216}{An-tocsaineach don saol uisceach.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H410-0_tl}{{H410}{% - \__mhchem_hp_s:nnn{20081216}{An-tocsaineach don saol uisceach, le h\'eifeachtaí fadtr\'eimhseacha.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H411-0_tl}{{H411}{% - \__mhchem_hp_s:nnn{20081216}{Tocsaineach don saol uisceach, le h\'eifeachtaí fadtr\'eimhseacha.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H412-0_tl}{{H412}{% - \__mhchem_hp_s:nnn{20081216}{Díobhálach don saol uisceach, le h\'eifeachtaí fadtr\'eimhseacha.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H413-0_tl}{{H413}{% - \__mhchem_hp_s:nnn{20081216}{D'fh\'eadfadh s\'e a bheith ina chúis le h\'eifeachtaí fadtr\'eimhseacha díobhálacha ar an saol uisceach.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_H420-0_tl}{{H420}{% - \__mhchem_hp_s:nnn{20110419}{D\'eanann an t-ábhar seo díobháil don tsláinte phoiblí agus don chomhshaol trí ózón san atmaisf\'ear uachtarach a scriosadh}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_EUH001-0_tl}{{EUH001}{% - \__mhchem_hp_s:nnn{20201017}{}{% - \__mhchem_hp_s:nnn{20081216}{Pl\'eascach agus \'e tirim.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_EUH006-0_tl}{{EUH006}{% - \__mhchem_hp_s:nnn{20150601}{}{% - \__mhchem_hp_s:nnn{20081216}{Pl\'eascach i dteagmháil le haer nó gan \'e.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_EUH014-0_tl}{{EUH014}{% - \__mhchem_hp_s:nnn{20081216}{Imoibríonn go foirtil le huisce.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_EUH018-0_tl}{{EUH018}{% - \__mhchem_hp_s:nnn{20081216}{Agus \'e á úsáid d'fh\'eadfaí meascán inadhainte/\hskip\z@skip{}pl\'eascach gaile-aeir a chruthú.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_EUH018.0-0_tl}{{EUH018}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_EUH018.1-0_tl}{{EUH018}{% @@ -303,78 +292,91 @@ \tl_gset:cn{g__mhchem_hp_ga_EUH018.2-0_tl}{{EUH018}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_EUH019-0_tl}{{EUH019}{% - \__mhchem_hp_s:nnn{20081216}{D'fh\'eadfadh s\'e sárocsaídí pl\'eascacha a chruthú.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_EUH029-0_tl}{{EUH029}{% - \__mhchem_hp_s:nnn{20081216}{I dteagmháil le huisce scaoiltear gás tocsaineach.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_EUH031-0_tl}{{EUH031}{% - \__mhchem_hp_s:nnn{20081216}{I dteagmháil le haig\'eid scaoiltear gás tocsaineach.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_EUH032-0_tl}{{EUH032}{% - \__mhchem_hp_s:nnn{20081216}{I dteagmháil le haig\'eid scaoiltear gás an-tocsaineach.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_EUH044-0_tl}{{EUH044}{% - \__mhchem_hp_s:nnn{20081216}{Baol pl\'easctha arna th\'eamh i limist\'ear iata.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_EUH059-0_tl}{{EUH059}{% - \__mhchem_hp_s:nnn{20110419}{}{% - \__mhchem_hp_s:nnn{20081216}{Guaiseach don chiseal ózóin.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_EUH066-0_tl}{{EUH066}{% - \__mhchem_hp_s:nnn{20081216}{D'fh\'eadfadh tirimeacht chraicinn nó scoilteadh craicinn a bheith mar thoradh ar ilnochtadh.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_EUH070-0_tl}{{EUH070}{% - \__mhchem_hp_s:nnn{20081216}{Tocsaineach trí theagmháil leis an tsúil.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_EUH071-0_tl}{{EUH071}{% - \__mhchem_hp_s:nnn{20081216}{Creimneach don chonair riospráide.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_EUH201-0_tl}{{EUH201}{% - \__mhchem_hp_s:nnn{20081216}{Luaidhe ann. Níor chóir a úsáid ar dhromchlaí a d'fh\'eadfadh a bheith á gcogaint nó á sú ag leanaí.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_EUH201A-0_tl}{{EUH201A}{% - \__mhchem_hp_s:nnn{20081216}{Rabhadh! Luaidhe ann.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_EUH202-0_tl}{{EUH202}{% - \__mhchem_hp_s:nnn{20081216}{Cianaicrioláit. Contúirt. Nascann craiceann agus súile laistigh de shoicindí. Coimeád as aimsiú leanaí.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_EUH203-0_tl}{{EUH203}{% - \__mhchem_hp_s:nnn{20081216}{Cróimiam (VI) ann. D'fh\'eadfadh s\'e a bheith ina chúis le frithghníomh aill\'eirgeach.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_EUH204-0_tl}{{EUH204}{% - \__mhchem_hp_s:nnn{20081216}{Isicianaítí ann. D'fh\'eadfadh s\'e a bheith ina chúis le frithghníomh aill\'eirgeach.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_EUH205-0_tl}{{EUH205}{% - \__mhchem_hp_s:nnn{20081216}{Comhábhair eapocsacha ann. D'fh\'eadfadh s\'e a bheith ina chúis le frithghníomh aill\'eirgeach.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_EUH206-0_tl}{{EUH206}{% - \__mhchem_hp_s:nnn{20081216}{Rabhadh! Ná húsáid in \'eineacht le táirgí eile. D'fh\'eadfadh s\'e go scaoilfí gáis chontúirteacha (clóirín).}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_EUH207-0_tl}{{EUH207}{% - \__mhchem_hp_s:nnn{20081216}{Rabhadh! Caidmiam ann. Cruthaítear múch chontúirteach le linn a úsáide. F\'each an fhaisn\'eis atá curtha ar fáil ag an monaróir. Cloígh leis na treoracha sábháilteachta.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_EUH208-0_tl}{{EUH208}{% - \__mhchem_hp_s:nnn{20081216}{\noexpand\textless{}Ainm na substainte íograithe\noexpand\textgreater{} ann. D'fh\'eadfadh s\'e a bheith ina chúis le frithghníomh aill\'eirgeach.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_EUH208.0-0_tl}{{EUH208}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_EUH208-1_tl}{{EUH208}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_EUH209-0_tl}{{EUH209}{% - \__mhchem_hp_s:nnn{20081216}{D'fh\'eadfadh s\'e \'eirí an-inadhainte agus \'e á úsáid.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_EUH209A-0_tl}{{EUH209A}{% - \__mhchem_hp_s:nnn{20081216}{D'fh\'eadfadh s\'e \'eirí inadhainte agus \'e á úsáid.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_EUH210-0_tl}{{EUH210}{% - \__mhchem_hp_s:nnn{20081216}{Bileog sonraí sábháilteachta ar fáil arna iarraidh sin.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_EUH211-0_tl}{{EUH211}{% - \__mhchem_hp_s:nnn{20211001}{Aire! D'fh\'eadfaí braoiníní guaiseacha inanálaithe a chruthú nuair a spraeáiltear an táirge seo. Ná hanálaigh sprae ná ceo.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_EUH212-0_tl}{{EUH212}{% - \__mhchem_hp_s:nnn{20211001}{Aire! D'fh\'eadfaí deannach guaiseach inanálaithe a chruthú nuair a úsáidtear an táirge seo. Ná hanálaigh deannach.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% +\tl_gset:cn{g__mhchem_hp_ga_EUH380-0_tl}{{EUH380}{% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% +\tl_gset:cn{g__mhchem_hp_ga_EUH381-0_tl}{{EUH381}{% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_EUH401-0_tl}{{EUH401}{% - \__mhchem_hp_s:nnn{20081216}{Chun priacail do shláinte an duine agus don chomhshaol a sheachaint, cloígh leis na treoracha maidir le húsáid.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% +\tl_gset:cn{g__mhchem_hp_ga_EUH430-0_tl}{{EUH430}{% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% +\tl_gset:cn{g__mhchem_hp_ga_EUH431-0_tl}{{EUH431}{% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% +\tl_gset:cn{g__mhchem_hp_ga_EUH440-0_tl}{{EUH440}{% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% +\tl_gset:cn{g__mhchem_hp_ga_EUH441-0_tl}{{EUH441}{% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% +\tl_gset:cn{g__mhchem_hp_ga_EUH450-0_tl}{{EUH450}{% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% +\tl_gset:cn{g__mhchem_hp_ga_EUH451-0_tl}{{EUH451}{% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P101-0_tl}{{P101}{% - \__mhchem_hp_s:nnn{20081216}{Más gá comhairle liachta, bíodh coimeádán nó lip\'ead an táirge ina aice láimhe.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P102-0_tl}{{P102}{% - \__mhchem_hp_s:nnn{20081216}{Coimeád as aimsiú leanaí.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P103-0_tl}{{P103}{% - \__mhchem_hp_s:nnn{20081216}{L\'eigh an lip\'ead roimh úsáid.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P201-0_tl}{{P201}{% - \__mhchem_hp_s:nnn{20081216}{Faigh treoracha speisialta roimh úsáid.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P202-0_tl}{{P202}{% - \__mhchem_hp_s:nnn{20081216}{Ná láimhsigh go dtí go l\'eifear agus go dtuigfear gach ráiteas r\'eamhchúraim sábháilteachta.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P210-0_tl}{{P210}{% - \__mhchem_hp_s:nnn{20150601}{Coimeád ó theas, dromchlaí te, splancacha, lasair gan chosaint agus foinsí eile adhainte. Ná caitear tobac.}{% - \__mhchem_hp_s:nnn{20081216}{Coimeád ó theas/\hskip\z@skip{}splancacha/\hskip\z@skip{}lasair gan chosaint/\hskip\z@skip{}dromchlaí te. -- Ná caitear tobac.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P211-0_tl}{{P211}{% - \__mhchem_hp_s:nnn{20081216}{Ná spraeáil ar lasair gan chosaint ná ar fhoinse eile adhainte.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P212-0_tl}{{P212}{% - \__mhchem_hp_s:nnn{20201017}{Seachain an t\'eamh i limist\'ear iata nó i gcás laghdú ar an dí-íogróir.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P220-0_tl}{{P220}{% - \__mhchem_hp_s:nnn{20180301}{Coimeád glan ar \'eadaí agus ar ábhair indóite eile.}{% - \__mhchem_hp_s:nnn{20081216}{Coimeád/\hskip\z@skip{}Stóráil glan ar \'eadaí/\hskip\z@skip{}\noexpand\textellipsis{}/\hskip\z@skip{}ábhair indóite.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P220.0-0_tl}{{P220}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P220.1.1-0_tl}{{P220}{% @@ -390,8 +392,7 @@ \tl_gset:cn{g__mhchem_hp_ga_P220.2-1_tl}{{P220}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P221-0_tl}{{P221}{% - \__mhchem_hp_s:nnn{20180301}{}{% - \__mhchem_hp_s:nnn{20081216}{D\'ean gach r\'eamhchúram chun meascadh le hábhair indóite a sheachaint\noexpand\textellipsis{}}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P221.0-0_tl}{{P221}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P221.1-0_tl}{{P221}{% @@ -399,19 +400,17 @@ \tl_gset:cn{g__mhchem_hp_ga_P221-1_tl}{{P221}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P222-0_tl}{{P222}{% - \__mhchem_hp_s:nnn{20081216}{Ná ceadaigh teagmháil le haer.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P223-0_tl}{{P223}{% - \__mhchem_hp_s:nnn{20150601}{Ná bíodh aon teagmháil le huisce.}{% - \__mhchem_hp_s:nnn{20081216}{Ná ceadaigh teagmháil de shaghas ar bith le huisce, mar gheall ar imoibriú foirtil agus splancthine a d'fh\'eadfadh a bheith ann.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P230-0_tl}{{P230}{% - \__mhchem_hp_s:nnn{20081216}{Coimeád fliuchta le\noexpand\textellipsis{}}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P230.0-0_tl}{{P230}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P230-1_tl}{{P230}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P231-0_tl}{{P231}{% - \__mhchem_hp_s:nnn{20180301}{Láimhsigh agus stóráil an t-ábhar faoi thriathghás/\hskip\z@skip{}\noexpand\textellipsis{}}{% - \__mhchem_hp_s:nnn{20081216}{Láimhsigh faoi thriathghás.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P231.0-0_tl}{{P231}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P231.1-0_tl}{{P231}{% @@ -419,19 +418,17 @@ \tl_gset:cn{g__mhchem_hp_ga_P231-1_tl}{{P231}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P232-0_tl}{{P232}{% - \__mhchem_hp_s:nnn{20081216}{Cosain ar thaise.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P233-0_tl}{{P233}{% - \__mhchem_hp_s:nnn{20081216}{Coimeád an coimeádán dúnta go docht.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P234-0_tl}{{P234}{% - \__mhchem_hp_s:nnn{20180301}{Coimeád sa phacáistiú bunaidh amháin.}{% - \__mhchem_hp_s:nnn{20081216}{Coimeád sa choimeádán bunaidh amháin.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P235-0_tl}{{P235}{% - \__mhchem_hp_s:nnn{20081216}{Coimeád fionnuar \'e}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P240-0_tl}{{P240}{% - \__mhchem_hp_s:nnn{20081216}{Nasc an coimeádán agus an trealamh glactha leis an talamh.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P241-0_tl}{{P241}{% - \__mhchem_hp_s:nnn{20180301}{Bain úsáid as trealamh pl\'eascdhíonach [leictreach/\hskip\z@skip{} aerála/\hskip\z@skip{}soilsiúcháin/\hskip\z@skip{}\noexpand\textellipsis{}].}{% - \__mhchem_hp_s:nnn{20081216}{Bain úsáid as trealamh pl\'eascdhíonach leictreach/\hskip\z@skip{}aerála/\hskip\z@skip{}soilsiúcháin/\hskip\z@skip{}\noexpand\textellipsis{}}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P241.0-0_tl}{{P241}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P241.1-0_tl}{{P241}{% @@ -443,17 +440,13 @@ \tl_gset:cn{g__mhchem_hp_ga_P241-1_tl}{{P241}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P242-0_tl}{{P242}{% - \__mhchem_hp_s:nnn{20180301}{Bain úsáid as uirlisí neamhspr\'eachta.}{% - \__mhchem_hp_s:nnn{20081216}{Bain úsáid as uirlisí neamhspr\'eachta amháin.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P243-0_tl}{{P243}{% - \__mhchem_hp_s:nnn{20180301}{D\'ean bearta in aghaidh díluchtú statach.}{% - \__mhchem_hp_s:nnn{20081216}{D\'ean bearta r\'eamhchúraim in aghaidh díluchtú statach.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P244-0_tl}{{P244}{% - \__mhchem_hp_s:nnn{20150601}{Coinnigh comhlaí agus feistis saor ó ola agus ó ghr\'eisc.}{% - \__mhchem_hp_s:nnn{20081216}{Coimeád comhlaí brúlaghdaithe saor ó ghr\'eisc agus ó ola.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P250-0_tl}{{P250}{% - \__mhchem_hp_s:nnn{20180301}{Ná nocht do mheilt/\hskip\z@skip{}do thurraing/\hskip\z@skip{}do fhrithchuimilt/\hskip\z@skip{}\noexpand\textellipsis{} .}{% - \__mhchem_hp_s:nnn{20081216}{Ná nocht do mheilt/\hskip\z@skip{}do thurraing/\hskip\z@skip{}\noexpand\textellipsis{}/\hskip\z@skip{}do fhrithchuimilt.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P250.0-0_tl}{{P250}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P250.1-0_tl}{{P250}{% @@ -465,10 +458,9 @@ \tl_gset:cn{g__mhchem_hp_ga_P250-1_tl}{{P250}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P251-0_tl}{{P251}{% - \__mhchem_hp_s:nnn{20150601}{Ná toll agus ná dóigh, fiú tar \'eis úsáide.}{% - \__mhchem_hp_s:nnn{20081216}{Coimeádán brúchóirithe: Ná toll agus ná dóigh, fiú tar \'eis úsáide.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P260-0_tl}{{P260}{% - \__mhchem_hp_s:nnn{20081216}{Ná hanálaigh deannach/\hskip\z@skip{}múch/\hskip\z@skip{}gás/\hskip\z@skip{}ceo/\hskip\z@skip{}gala/\hskip\z@skip{}sprae.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P260.0-0_tl}{{P260}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P260.1-0_tl}{{P260}{% @@ -484,7 +476,7 @@ \tl_gset:cn{g__mhchem_hp_ga_P260.6-0_tl}{{P260}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P261-0_tl}{{P261}{% - \__mhchem_hp_s:nnn{20081216}{Seachain deannach/\hskip\z@skip{}múch/\hskip\z@skip{}gás/\hskip\z@skip{}ceo/\hskip\z@skip{}gala/\hskip\z@skip{}sprae a análú.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P261.0-0_tl}{{P261}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P261.1-0_tl}{{P261}{% @@ -500,26 +492,25 @@ \tl_gset:cn{g__mhchem_hp_ga_P261.6-0_tl}{{P261}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P262-0_tl}{{P262}{% - \__mhchem_hp_s:nnn{20081216}{Ná lig sna súile, ar an gcraiceann, ná ar \'eadaí.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P263-0_tl}{{P263}{% - \__mhchem_hp_s:nnn{20180301}{Seachain teagmháil le linn toirchis agus fad agus atá an chíoch á tabhairt.}{% - \__mhchem_hp_s:nnn{20081216}{Seachain teagmháil le linn toirchis/\hskip\z@skip{}agus an chíoch á tabhairt.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P264-0_tl}{{P264}{% - \__mhchem_hp_s:nnn{20081216}{Nigh \noexpand\textellipsis{} go lánchúramach tar \'eis láimhsithe.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P264.0-0_tl}{{P264}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P264-1_tl}{{P264}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P270-0_tl}{{P270}{% - \__mhchem_hp_s:nnn{20081216}{Ná hith, ná hól agus ná caitear tobac agus an táirge seo á úsáid.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P271-0_tl}{{P271}{% - \__mhchem_hp_s:nnn{20081216}{Úsáid amuigh faoin aer nó i limist\'ear dea-aerálaithe amháin.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P272-0_tl}{{P272}{% - \__mhchem_hp_s:nnn{20081216}{Níor chóir \'eadaí \'eillithe oibre a ligean amach as an láthair oibre.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P273-0_tl}{{P273}{% - \__mhchem_hp_s:nnn{20081216}{Ná scaoiltear amach sa chomhshaol.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P280-0_tl}{{P280}{% - \__mhchem_hp_s:nnn{20081216}{Caith lámhainní cosanta/\hskip\z@skip{}\'eadaí cosanta/\hskip\z@skip{}cosaint súile/\hskip\z@skip{}cosaint aghaidhe.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P280.0-0_tl}{{P280}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P280.1-0_tl}{{P280}{% @@ -531,11 +522,9 @@ \tl_gset:cn{g__mhchem_hp_ga_P280.4-0_tl}{{P280}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P281-0_tl}{{P281}{% - \__mhchem_hp_s:nnn{20150601}{}{% - \__mhchem_hp_s:nnn{20081216}{Bain úsáid as an trealamh cosanta pearsanta faoi mar a \'eilítear.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P282-0_tl}{{P282}{% - \__mhchem_hp_s:nnn{20180301}{Caith lámhainní inslithe fuachta agus aghaidhsciath nó cosaint súile.}{% - \__mhchem_hp_s:nnn{20081216}{Caith lámhainní inslithe fuachta/\hskip\z@skip{}aghaidhsciath/\hskip\z@skip{}cosaint súile.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P282.0-0_tl}{{P282}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P282.1-0_tl}{{P282}{% @@ -545,17 +534,13 @@ \tl_gset:cn{g__mhchem_hp_ga_P282.3-0_tl}{{P282}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P283-0_tl}{{P283}{% - \__mhchem_hp_s:nnn{20180301}{Caith \'eadaí dódhíonacha nó lasairmhoillitheacha.}{% - \__mhchem_hp_s:nnn{20081216}{Caith \'eadaí dódhíonacha/\hskip\z@skip{}lasairdhíonacha nó dómhoillitheacha/\hskip\z@skip{}lasairmhoillitheacha.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P284-0_tl}{{P284}{% - \__mhchem_hp_s:nnn{20150601}{[Mura leor an aeráil] caith cosaint riospráide.}{% - \__mhchem_hp_s:nnn{20081216}{Caith cosaint riospráide.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P285-0_tl}{{P285}{% - \__mhchem_hp_s:nnn{20150601}{}{% - \__mhchem_hp_s:nnn{20081216}{I gcás aerála uireasaigh caith cosaint riospráide.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P231+P232-0_tl}{{P231\,+\,\hskip\z@skip{}P232}{% - \__mhchem_hp_s:nnn{20180301}{Láimhsigh agus stóráil an t-ábhar faoi thriathghás/\hskip\z@skip{}\noexpand\textellipsis{}. Cosain ó thaise.}{% - \__mhchem_hp_s:nnn{20081216}{Láimhsigh faoi thriathghás. Cosain ó thaise.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P231+P232.0-0_tl}{{P231\,+\,\hskip\z@skip{}P232}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P231+P232.1-0_tl}{{P231\,+\,\hskip\z@skip{}P232}{% @@ -563,31 +548,27 @@ \tl_gset:cn{g__mhchem_hp_ga_P231+P232-1_tl}{{P231\,+\,\hskip\z@skip{}P232}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P235+P410-0_tl}{{P235\,+\,\hskip\z@skip{}P410}{% - \__mhchem_hp_s:nnn{20180301}{}{% - \__mhchem_hp_s:nnn{20081216}{Coimeád fionnuar. Cosain ó sholas na gr\'eine.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P301-0_tl}{{P301}{% - \__mhchem_hp_s:nnn{20081216}{Mà SHLOGTAR:}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P302-0_tl}{{P302}{% - \__mhchem_hp_s:nnn{20081216}{I gCÃS TEAGMHÃLA LEIS AN gCRAICEANN:}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P303-0_tl}{{P303}{% - \__mhchem_hp_s:nnn{20081216}{I gCÃS TEAGMHÃLA LEIS AN gCRAICEANN (nó le gruaig):}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P304-0_tl}{{P304}{% - \__mhchem_hp_s:nnn{20081216}{Mà IONANÃLAÃTEAR:}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P305-0_tl}{{P305}{% - \__mhchem_hp_s:nnn{20081216}{I gCÃS TEAGMHÃLA LEIS NA SÚILE:}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P306-0_tl}{{P306}{% - \__mhchem_hp_s:nnn{20081216}{I gCÃS TEAGMHÃLA LE h\'EADAÃ:}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P307-0_tl}{{P307}{% - \__mhchem_hp_s:nnn{20150601}{}{% - \__mhchem_hp_s:nnn{20081216}{I gCÃS nochta:}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P308-0_tl}{{P308}{% - \__mhchem_hp_s:nnn{20081216}{I gCÃS nochta nó má mheastar a bheith nochtaithe:}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P309-0_tl}{{P309}{% - \__mhchem_hp_s:nnn{20150601}{}{% - \__mhchem_hp_s:nnn{20081216}{I gCÃS nochta nó má bhraitear tinn:}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P310-0_tl}{{P310}{% - \__mhchem_hp_s:nnn{20150601}{Cuir glao láithreach ar IONAD NIMHE/\hskip\z@skip{}ar dhoctúir/\hskip\z@skip{}\noexpand\textellipsis{}}{% - \__mhchem_hp_s:nnn{20081216}{Cuir glao láithreach ar IONAD NIMHE nó ar dhoctúir/\hskip\z@skip{}lia.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P310.0-0_tl}{{P310}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P310.1-0_tl}{{P310}{% @@ -597,8 +578,7 @@ \tl_gset:cn{g__mhchem_hp_ga_P310-1_tl}{{P310}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P311-0_tl}{{P311}{% - \__mhchem_hp_s:nnn{20150601}{Cuir glao ar IONAD NIMHE/\hskip\z@skip{}ar dhoctúir/\hskip\z@skip{}\noexpand\textellipsis{}}{% - \__mhchem_hp_s:nnn{20081216}{Cuir glao ar IONAD NIMHE nó ar dhoctúir/\hskip\z@skip{}lia.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P311.0-0_tl}{{P311}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P311.1-0_tl}{{P311}{% @@ -608,9 +588,7 @@ \tl_gset:cn{g__mhchem_hp_ga_P311-1_tl}{{P311}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P312-0_tl}{{P312}{% - \__mhchem_hp_s:nnn{20180301}{Cuir glao ar IONAD NIMHE/\hskip\z@skip{}dochtúir/\hskip\z@skip{}\noexpand\textellipsis{} má bhraitheann tú tinn.}{% - \__mhchem_hp_s:nnn{20150601}{Cuir glao ar IONAD NIMHE/\hskip\z@skip{}ar dhoctúir/\hskip\z@skip{}\noexpand\textellipsis{}mura mbraitheann tú go maith.}{% - \__mhchem_hp_s:nnn{20081216}{Cuir glao ar IONAD NIMHE nó ar dhoctúir/\hskip\z@skip{}lia má bhraitheann tú tinn.}{}}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P312.0-0_tl}{{P312}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P312.1-0_tl}{{P312}{% @@ -620,13 +598,13 @@ \tl_gset:cn{g__mhchem_hp_ga_P312-1_tl}{{P312}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P313-0_tl}{{P313}{% - \__mhchem_hp_s:nnn{20081216}{Faigh comhairle/\hskip\z@skip{}cúram liachta.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P314-0_tl}{{P314}{% - \__mhchem_hp_s:nnn{20081216}{Faigh comhairle/\hskip\z@skip{}cúram liachta má bhraitheann tú tinn.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P315-0_tl}{{P315}{% - \__mhchem_hp_s:nnn{20081216}{Faigh comhairle/\hskip\z@skip{}cúram liachta láithreach.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P320-0_tl}{{P320}{% - \__mhchem_hp_s:nnn{20081216}{Tá s\'e práinneach go bhfaightear cóir leighis ar leith (f\'each \noexpand\textellipsis{} ar an lip\'ead seo).}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P320.0-0_tl}{{P320}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P320-1_tl}{{P320}{% @@ -634,7 +612,7 @@ \tl_gset:cn{g__mhchem_hp_ga_P320.nolabel-1_tl}{{P320.nolabel}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P321-0_tl}{{P321}{% - \__mhchem_hp_s:nnn{20081216}{Cóir liachta ar leith (f\'each \noexpand\textellipsis{} ar an lip\'ead seo).}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P321.0-0_tl}{{P321}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P321-1_tl}{{P321}{% @@ -642,8 +620,7 @@ \tl_gset:cn{g__mhchem_hp_ga_P321.nolabel-1_tl}{{P321.nolabel}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P322-0_tl}{{P322}{% - \__mhchem_hp_s:nnn{20150601}{}{% - \__mhchem_hp_s:nnn{20081216}{Bearta ar leith (f\'each \noexpand\textellipsis{} ar an lip\'ead seo).}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P322.0-0_tl}{{P322}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P322-1_tl}{{P322}{% @@ -651,16 +628,15 @@ \tl_gset:cn{g__mhchem_hp_ga_P322.nolabel-1_tl}{{P322.nolabel}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P330-0_tl}{{P330}{% - \__mhchem_hp_s:nnn{20081216}{Sruthlaítear an b\'eal.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P331-0_tl}{{P331}{% - \__mhchem_hp_s:nnn{20081216}{Nà spreagtar urlacan.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P332-0_tl}{{P332}{% - \__mhchem_hp_s:nnn{20081216}{I gcás greannú craicinn:}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P333-0_tl}{{P333}{% - \__mhchem_hp_s:nnn{20081216}{I gcás greannú nó grís craicinn:}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P334-0_tl}{{P334}{% - \__mhchem_hp_s:nnn{20180301}{Tum in uisce fionnuar [nó cuir br\'eid fliuch air].}{% - \__mhchem_hp_s:nnn{20081216}{Tum in uisce fionnuar/\hskip\z@skip{}cuir br\'eid fliuch air.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P334.0-0_tl}{{P334}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P334.1-0_tl}{{P334}{% @@ -668,29 +644,25 @@ \tl_gset:cn{g__mhchem_hp_ga_P334.2-0_tl}{{P334}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P335-0_tl}{{P335}{% - \__mhchem_hp_s:nnn{20081216}{Glan cáithníní scaoilte den chraiceann.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P336-0_tl}{{P336}{% - \__mhchem_hp_s:nnn{20081216}{Leáigh codanna sioctha le huisce alabhog. Ná cuimil an r\'eimse lena mbaineann.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P337-0_tl}{{P337}{% - \__mhchem_hp_s:nnn{20081216}{Má mhaireann an greannú súile:}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P338-0_tl}{{P338}{% - \__mhchem_hp_s:nnn{20081216}{Tóg amach na tadhall-lionsaí, más ann dóibh agus más furasta \'e sin a dh\'eanamh. Lean den sruthlú.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P340-0_tl}{{P340}{% - \__mhchem_hp_s:nnn{20150601}{Tabhair an duine amach faoin aer úr agus coinnigh \'e i riocht ina bhf\'eadfadh s\'e anáil a tharraingt go r\'eidh.}{% - \__mhchem_hp_s:nnn{20081216}{Tabhair amach faoin aer an duine agus coimeád socair \'e, i riocht ina bhf\'eadfaidh s\'e anáil a tharraingt go r\'eidh.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P341-0_tl}{{P341}{% - \__mhchem_hp_s:nnn{20150601}{}{% - \__mhchem_hp_s:nnn{20081216}{Más deacair don duine análú, tabhair amach faoin aer \'e agus coimeád socair \'e, i riocht ina bhf\'eadfaidh s\'e anáil a tharraingt go r\'eidh.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P342-0_tl}{{P342}{% - \__mhchem_hp_s:nnn{20081216}{I gcás siomptóm riospráide:}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P350-0_tl}{{P350}{% - \__mhchem_hp_s:nnn{20150601}{}{% - \__mhchem_hp_s:nnn{20081216}{Nigh go bog le neart gallúnaí agus uisce.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P351-0_tl}{{P351}{% - \__mhchem_hp_s:nnn{20081216}{Sruthlaítear go faichilleach le huisce ar feadh roinnt nóim\'ead.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P352-0_tl}{{P352}{% - \__mhchem_hp_s:nnn{20150601}{Nigh le neart uisce/\hskip\z@skip{}\noexpand\textellipsis{}}{% - \__mhchem_hp_s:nnn{20081216}{Nigh le neart gallúnaí agus uisce.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P352.0-0_tl}{{P352}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P352.1-0_tl}{{P352}{% @@ -698,8 +670,7 @@ \tl_gset:cn{g__mhchem_hp_ga_P352-1_tl}{{P352}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P353-0_tl}{{P353}{% - \__mhchem_hp_s:nnn{20180301}{Sruthlaítear an craiceann le huisce [nó glac cithfholcadh].}{% - \__mhchem_hp_s:nnn{20081216}{Sruthlaítear an craiceann le huisce/\hskip\z@skip{}glac cithfholcadh.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P353.0-0_tl}{{P353}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P353.1-0_tl}{{P353}{% @@ -707,52 +678,47 @@ \tl_gset:cn{g__mhchem_hp_ga_P353.2-0_tl}{{P353}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P360-0_tl}{{P360}{% - \__mhchem_hp_s:nnn{20081216}{Sruthlaítear \'eadaí \'eillithe agus an craiceann láithreach le neart uisce sula mbaineann an duine na h\'eadaí de.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P361-0_tl}{{P361}{% - \__mhchem_hp_s:nnn{20081216}{Bain díot láithreach na h\'eadaí \'eillithe go l\'eir.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P362-0_tl}{{P362}{% - \__mhchem_hp_s:nnn{20150601}{Bain díot aon \'eadaí \'eillithe.}{% - \__mhchem_hp_s:nnn{20081216}{Bain díot láithreach na h\'eadaí \'eillithe go l\'eir agus nigh iad sula nd\'eanfar iad a athúsáid.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P363-0_tl}{{P363}{% - \__mhchem_hp_s:nnn{20081216}{Nigh \'eadaí \'eillithe sula nd\'eanfar iad a athúsáid.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P364-0_tl}{{P364}{% - \__mhchem_hp_s:nnn{20150601}{Agus nigh iad sula nd\'eanfar iad a athúsáid.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P370-0_tl}{{P370}{% - \__mhchem_hp_s:nnn{20081216}{I gcás dóiteáin:}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P371-0_tl}{{P371}{% - \__mhchem_hp_s:nnn{20081216}{I gcás mórdhóiteáin agus má tá cainníochtaí móra i gceist:}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P372-0_tl}{{P372}{% - \__mhchem_hp_s:nnn{20180301}{Baol pl\'easctha.}{% - \__mhchem_hp_s:nnn{20081216}{Baol pl\'easctha i gcás dóiteáin.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P373-0_tl}{{P373}{% - \__mhchem_hp_s:nnn{20081216}{Nà D\'EAN an dóiteán a chomhrac má shroicheann s\'e pl\'eascáin.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P374-0_tl}{{P374}{% - \__mhchem_hp_s:nnn{20180301}{}{% - \__mhchem_hp_s:nnn{20081216}{D\'ean na gnáth-r\'eamhchúraimí chun an dóiteán a chomhrac gan a bheith níos gaire dó ná mar atá r\'easúnta.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P375-0_tl}{{P375}{% - \__mhchem_hp_s:nnn{20081216}{T\'eigh i gcianghleic leis an dóiteán mar gheall ar an mbaol pl\'easctha.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P376-0_tl}{{P376}{% - \__mhchem_hp_s:nnn{20081216}{Cuir stop leis an sceitheadh má tá s\'e sábháilte \'e sin a dh\'eanamh.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P377-0_tl}{{P377}{% - \__mhchem_hp_s:nnn{20081216}{Tine gháis ag sceitheadh: Ná múch, mura i ndán agus gur f\'eidir stop a chur leis an sceitheadh go sábháilte.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P378-0_tl}{{P378}{% - \__mhchem_hp_s:nnn{20081216}{Úsáid \noexpand\textellipsis{} le haghaidh múchta.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P378.0-0_tl}{{P378}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P378-1_tl}{{P378}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P380-0_tl}{{P380}{% - \__mhchem_hp_s:nnn{20081216}{Aslonnaigh gach duine as an limist\'ear.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P381-0_tl}{{P381}{% - \__mhchem_hp_s:nnn{20180301}{I gcás sceite, díothaigh gach foinse adhainte.}{% - \__mhchem_hp_s:nnn{20081216}{Díothaigh gach foinse adhainte, má tá s\'e sábháilte \'e sin a dh\'eanamh.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P390-0_tl}{{P390}{% - \__mhchem_hp_s:nnn{20081216}{Ionsúigh doirteadh chun damáiste d'ábhar a chosc.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P391-0_tl}{{P391}{% - \__mhchem_hp_s:nnn{20081216}{Bailigh doirteadh.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P301+P310-0_tl}{{P301\,+\,\hskip\z@skip{}P310}{% - \__mhchem_hp_s:nnn{20150601}{Mà SHLOGTAR: Cuir glao láithreach ar IONAD NIMHE/\hskip\z@skip{}ar dhoctúir/\hskip\z@skip{}\noexpand\textellipsis{}}{% - \__mhchem_hp_s:nnn{20081216}{Mà SHLOGTAR: Cuir glao láithreach ar IONAD NIMHE nó ar dhoctúir/\hskip\z@skip{}lia.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P301+P310.0-0_tl}{{P301\,+\,\hskip\z@skip{}P310}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P301+P310.1-0_tl}{{P301\,+\,\hskip\z@skip{}P310}{% @@ -762,9 +728,7 @@ \tl_gset:cn{g__mhchem_hp_ga_P301+P310-1_tl}{{P301\,+\,\hskip\z@skip{}P310}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P301+P312-0_tl}{{P301\,+\,\hskip\z@skip{}P312}{% - \__mhchem_hp_s:nnn{20180301}{Mà SHLOGTAR: Cuir glao ar IONAD NIMHE/\hskip\z@skip{}dochtúir/\hskip\z@skip{}\noexpand\textellipsis{} má bhraitheann tú tinn.}{% - \__mhchem_hp_s:nnn{20150601}{Mà SHLOGTAR: Cuir glao ar IONAD NIMHE/\hskip\z@skip{}ar dhoctúir/\hskip\z@skip{}\noexpand\textellipsis{} mura mbraitheann tú go maith.}{% - \__mhchem_hp_s:nnn{20081216}{Mà SHLOGTAR: Cuir glao ar IONAD NIMHE nó ar dhoctúir/\hskip\z@skip{}lia má bhraitheann tú tinn.}{}}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P301+P312.0-0_tl}{{P301\,+\,\hskip\z@skip{}P312}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P301+P312.1-0_tl}{{P301\,+\,\hskip\z@skip{}P312}{% @@ -774,11 +738,9 @@ \tl_gset:cn{g__mhchem_hp_ga_P301+P312-1_tl}{{P301\,+\,\hskip\z@skip{}P312}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P301+P330+P331-0_tl}{{P301\,+\,\hskip\z@skip{}P330\,+\,\hskip\z@skip{}P331}{% - \__mhchem_hp_s:nnn{20180301}{Mà SHLOGTAR: Sruthlaítear an b\'eal. Nà spreagtar urlacan.}{% - \__mhchem_hp_s:nnn{20081216}{Mà SHLOGTAR: sruthlaítear an b\'eal. Nà d\'ean urlacan a spreagadh.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P302+P334-0_tl}{{P302\,+\,\hskip\z@skip{}P334}{% - \__mhchem_hp_s:nnn{20180301}{I gCÃS TEAGMHÃLA LEIS AN gCRAICEANN: Tum in uisce fionnuar nó cuir br\'eid fliuch air.}{% - \__mhchem_hp_s:nnn{20081216}{I gCÃS TEAGMHÃLA LEIS AN gCRAICEANN: Tum in uisce fionnuar/\hskip\z@skip{}cuir br\'eid fliuch air.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P302+P334.0-0_tl}{{P302\,+\,\hskip\z@skip{}P334}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P302+P334.1-0_tl}{{P302\,+\,\hskip\z@skip{}P334}{% @@ -786,7 +748,7 @@ \tl_gset:cn{g__mhchem_hp_ga_P302+P334.2-0_tl}{{P302\,+\,\hskip\z@skip{}P334}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P302+P335+P334-0_tl}{{P302\,+\,\hskip\z@skip{}P335\,+\,\hskip\z@skip{}P334}{% - \__mhchem_hp_s:nnn{20180301}{I gCÃS TEAGMHÃLA LEIS AN gCRAICEANN: Glan cáithníní scaoilte den chraiceann. Tum in uisce fionnuar [nó cuir br\'eid fliuch air].}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P302+P335+P334.0-0_tl}{{P302\,+\,\hskip\z@skip{}P335\,+\,\hskip\z@skip{}P334}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P302+P335+P334.1-0_tl}{{P302\,+\,\hskip\z@skip{}P335\,+\,\hskip\z@skip{}P334}{% @@ -794,11 +756,9 @@ \tl_gset:cn{g__mhchem_hp_ga_P302+P335+P334.2-0_tl}{{P302\,+\,\hskip\z@skip{}P335\,+\,\hskip\z@skip{}P334}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P302+P350-0_tl}{{P302\,+\,\hskip\z@skip{}P350}{% - \__mhchem_hp_s:nnn{20150601}{}{% - \__mhchem_hp_s:nnn{20081216}{I gCÃS TEAGMHÃLA LEIS AN gCRAICEANN: Nigh go bog le neart gallúnaí agus uisce.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P302+P352-0_tl}{{P302\,+\,\hskip\z@skip{}P352}{% - \__mhchem_hp_s:nnn{20150601}{I gCÃS TEAGMHÃLA LEIS AN gCRAICEANN: Nigh le neart gallúnaí agus uisce \'e.}{% - \__mhchem_hp_s:nnn{20081216}{I gCÃS TEAGMHÃLA LEIS AN gCRAICEANN: Nigh le neart gallúnaí agus uisce.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P302+P352.0-0_tl}{{P302\,+\,\hskip\z@skip{}P352}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P302+P352.1-0_tl}{{P302\,+\,\hskip\z@skip{}P352}{% @@ -806,9 +766,7 @@ \tl_gset:cn{g__mhchem_hp_ga_P302+P352-1_tl}{{P302\,+\,\hskip\z@skip{}P352}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P303+P361+P353-0_tl}{{P303\,+\,\hskip\z@skip{}P361\,+\,\hskip\z@skip{}P353}{% - \__mhchem_hp_s:nnn{20180301}{I gCÃS TEAGMHÃLA LEIS AN gCRAICEANN (nó le gruaig): Bain díot láithreach na h\'eadaí \'eillithe go l\'eir. Sruthlaítear an craiceann le huisce [nó glac cithfholcadh].}{% - \__mhchem_hp_s:nnn{20150601}{I gCÃS TEAGMHÃLA LEIS AN gCRAICEANN (nó le gruaig): Bain díot láithreach na h\'eadaí \'eillithe go l\'eir. Sruthlaigh an craiceann le huisce/\hskip\z@skip{}glac cithfholcadh.}{% - \__mhchem_hp_s:nnn{20081216}{I gCÃS TEAGMHÃLA LEIS AN gCRAICEANN(nó le gruaig): Bain díot láithreach na h\'eadaí \'eillithe go l\'eir. Sruthlaítear an craiceann le huisce/\hskip\z@skip{}glac cithfholcadh.}{}}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P303+P361+P353.0-0_tl}{{P303\,+\,\hskip\z@skip{}P361\,+\,\hskip\z@skip{}P353}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P303+P361+P353.1-0_tl}{{P303\,+\,\hskip\z@skip{}P361\,+\,\hskip\z@skip{}P353}{% @@ -816,21 +774,17 @@ \tl_gset:cn{g__mhchem_hp_ga_P303+P361+P353.2-0_tl}{{P303\,+\,\hskip\z@skip{}P361\,+\,\hskip\z@skip{}P353}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P304+P340-0_tl}{{P304\,+\,\hskip\z@skip{}P340}{% - \__mhchem_hp_s:nnn{20150601}{Mà IONANÃILTEAR: Tabhair an duine amach faoin aer úr agus coinnigh \'e compordach.}{% - \__mhchem_hp_s:nnn{20081216}{Mà IONÃLAÃTEAR, tabhair amach faoin aer an duine agus coimeád socair \'e, i riocht ina bhf\'eadfaidh s\'e anáil a tharraingt go r\'eidh.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P304+P341-0_tl}{{P304\,+\,\hskip\z@skip{}P341}{% - \__mhchem_hp_s:nnn{20150601}{}{% - \__mhchem_hp_s:nnn{20081216}{Mà TH\'EANN AN TÃIRGE SEO LE hANÃIL DUINE, tabhair amach faoin aer an duine agus coimeád socair \'e, i riocht ina bhf\'eadfaidh s\'e anáil a tharraingt go r\'eidh.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P305+P351+P338-0_tl}{{P305\,+\,\hskip\z@skip{}P351\,+\,\hskip\z@skip{}P338}{% - \__mhchem_hp_s:nnn{20180301}{I gCÃS TEAGMHÃLA LEIS NA SÚILE: Sruthlaítear go cúramach le huisce ar feadh roinnt nóim\'ead. Tóg amach na tadhall-lionsaí, más ann dóibh agus más furasta \'e sin a dh\'eanamh. Lean den sruthlú.}{% - \__mhchem_hp_s:nnn{20081216}{I gCÃS TEAGMHÃLA LEIS NA SÚILE: Sruthlaigh go cúramach le huisce ar feadh roinnt nóim\'ead. Tóg amach na tadhall-lionsaí, más ann dóibh agus más furasta. Lean den sruthlú.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P306+P360-0_tl}{{P306\,+\,\hskip\z@skip{}P360}{% - \__mhchem_hp_s:nnn{20081216}{I gCÃS TEAGMHÃLA LE h\'EADAÃ: sruthlaítear \'eadaí \'eillithe agus an craiceann láithreach le neart uisce sula nd\'eantar na h\'eadaí a bhaint den duine.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P307+P311-0_tl}{{P307\,+\,\hskip\z@skip{}P311}{% - \__mhchem_hp_s:nnn{20150601}{}{% - \__mhchem_hp_s:nnn{20081216}{I gCÃS nochta: Cuir glao ar IONAD NIMHE nó ar dhoctúir/\hskip\z@skip{}lia.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P308+P311-0_tl}{{P308\,+\,\hskip\z@skip{}P311}{% - \__mhchem_hp_s:nnn{20150601}{I gCÃS nochta nó má mheastar a bheith nochtaithe: Cuir glao ar IONAD NIMHE/\hskip\z@skip{}ar dhoctúir/\hskip\z@skip{}\noexpand\textellipsis{}}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P308+P311.0-0_tl}{{P308\,+\,\hskip\z@skip{}P311}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P308+P311.1-0_tl}{{P308\,+\,\hskip\z@skip{}P311}{% @@ -840,17 +794,15 @@ \tl_gset:cn{g__mhchem_hp_ga_P308+P311-1_tl}{{P308\,+\,\hskip\z@skip{}P311}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P308+P313-0_tl}{{P308\,+\,\hskip\z@skip{}P313}{% - \__mhchem_hp_s:nnn{20081216}{I gC\`AS nochta nó má mheastar a bheith nochtaithe: Faigh comhairle/\hskip\z@skip{}cúram liachta.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P309+P311-0_tl}{{P309\,+\,\hskip\z@skip{}P311}{% - \__mhchem_hp_s:nnn{20150601}{}{% - \__mhchem_hp_s:nnn{20081216}{I gC\`AS nochta nó má bhraitear tinn: Cuir glao ar IONAD NIMHE nó ar dhoctúir/\hskip\z@skip{}lia.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P332+P313-0_tl}{{P332\,+\,\hskip\z@skip{}P313}{% - \__mhchem_hp_s:nnn{20081216}{I gcás greannú craicinn: Faigh comhairle/\hskip\z@skip{}cúram liachta.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P333+P313-0_tl}{{P333\,+\,\hskip\z@skip{}P313}{% - \__mhchem_hp_s:nnn{20081216}{Má tharlaíonn greannú nó gríos craicinn: Faigh comhairle/\hskip\z@skip{}cúram liachta.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P335+P334-0_tl}{{P335\,+\,\hskip\z@skip{}P334}{% - \__mhchem_hp_s:nnn{20180301}{}{% - \__mhchem_hp_s:nnn{20081216}{Scuab cáithníní scaoilte den chraiceann. Tum in uisce fionnuar/\hskip\z@skip{}cuir br\'eid fliuch air.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P335+P334.0-0_tl}{{P335\,+\,\hskip\z@skip{}P334}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P335+P334.1-0_tl}{{P335\,+\,\hskip\z@skip{}P334}{% @@ -858,12 +810,11 @@ \tl_gset:cn{g__mhchem_hp_ga_P335+P334.2-0_tl}{{P335\,+\,\hskip\z@skip{}P334}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P336+P315-0_tl}{{P336\,+\,\hskip\z@skip{}P315}{% - \__mhchem_hp_s:nnn{20180301}{Leáigh codanna sioctha le huisce alabhog. Ná cuimil an r\'eimse lena mbaineann. Faigh comhairle/\hskip\z@skip{}cúram liachta láithreach.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P337+P313-0_tl}{{P337\,+\,\hskip\z@skip{}P313}{% - \__mhchem_hp_s:nnn{20081216}{Má mhaireann an greannú súile: Faigh comhairle/\hskip\z@skip{}cúram liachta.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P342+P311-0_tl}{{P342\,+\,\hskip\z@skip{}P311}{% - \__mhchem_hp_s:nnn{20150601}{I gCÃS siomtóm riospráide: Cuir glao ar IONAD NIMHE/\hskip\z@skip{}ar dhoctúir/\hskip\z@skip{}\noexpand\textellipsis{}}{% - \__mhchem_hp_s:nnn{20081216}{I gcás siomptóm riospráide: Cuir glao ar IONAD NIMHE nó ar dhoctúir/\hskip\z@skip{}lia.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P342+P311.0-0_tl}{{P342\,+\,\hskip\z@skip{}P311}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P342+P311.1-0_tl}{{P342\,+\,\hskip\z@skip{}P311}{% @@ -873,24 +824,23 @@ \tl_gset:cn{g__mhchem_hp_ga_P342+P311-1_tl}{{P342\,+\,\hskip\z@skip{}P311}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P361+P364-0_tl}{{P361\,+\,\hskip\z@skip{}P364}{% - \__mhchem_hp_s:nnn{20150601}{Bain díot láithreach na h\'eadaí \'eillithe go l\'eir agus nigh iad roimh iad a athúsáid.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P362+P364-0_tl}{{P362\,+\,\hskip\z@skip{}P364}{% - \__mhchem_hp_s:nnn{20150601}{Bain díot aon \'eadaí \'eillithe agus nigh iad roimh iad a athúsáid.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P370+P372+P380+P373-0_tl}{{P370\,+\,\hskip\z@skip{}P372\,+\,\hskip\z@skip{}P380\,+\,\hskip\z@skip{}P373}{% - \__mhchem_hp_s:nnn{20180301}{I gcás dóiteáin: Baol pl\'easctha. Aslonnaigh gach duine as an limist\'ear. Nà D\'EAN an dóiteán a chomhrac má shroicheann s\'e pl\'eascáin.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P370+P376-0_tl}{{P370\,+\,\hskip\z@skip{}P376}{% - \__mhchem_hp_s:nnn{20081216}{I gcás dóiteáin: Cuir stop leis an sceitheadh má tá s\'e sábháilte \'e sin a dh\'eanamh.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P370+P378-0_tl}{{P370\,+\,\hskip\z@skip{}P378}{% - \__mhchem_hp_s:nnn{20081216}{I gcás dóiteáin: Úsáid \noexpand\textellipsis{} le haghaidh múchta.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P370+P378.0-0_tl}{{P370\,+\,\hskip\z@skip{}P378}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P370+P378-1_tl}{{P370\,+\,\hskip\z@skip{}P378}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P370+P380-0_tl}{{P370\,+\,\hskip\z@skip{}P380}{% - \__mhchem_hp_s:nnn{20180301}{}{% - \__mhchem_hp_s:nnn{20081216}{I gcás dóiteáin: Aslonnaigh gach duine as an limist\'ear.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P370+P380+P375-0_tl}{{P370\,+\,\hskip\z@skip{}P380\,+\,\hskip\z@skip{}P375}{% - \__mhchem_hp_s:nnn{20081216}{I gcás dóiteáin: Aslonnaigh gach duine as an limist\'ear. T\'eigh i gcianghleic leis an dóiteán mar gheall ar an mbaol pl\'easctha.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P370+P380+P375+P378-0_tl}{{P370\,+\,\hskip\z@skip{}P380\,+\,\hskip\z@skip{}P375\,+\,\hskip\z@skip{}P378}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P370+P380+P375+P378.0-0_tl}{{P370\,+\,\hskip\z@skip{}P380\,+\,\hskip\z@skip{}P375\,+\,\hskip\z@skip{}P378}{% @@ -898,25 +848,23 @@ \tl_gset:cn{g__mhchem_hp_ga_P370+P380+P375+P378-1_tl}{{P370\,+\,\hskip\z@skip{}P380\,+\,\hskip\z@skip{}P375\,+\,\hskip\z@skip{}P378}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P371+P380+P375-0_tl}{{P371\,+\,\hskip\z@skip{}P380\,+\,\hskip\z@skip{}P375}{% - \__mhchem_hp_s:nnn{20081216}{I gcás mórdhóiteáin agus mórchainníochtaí: Aslonnaigh gach duine as an limist\'ear. T\'eigh i gcianghleic leis an dóiteán mar gheall ar an mbaol pl\'easctha.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P401-0_tl}{{P401}{% - \__mhchem_hp_s:nnn{20180301}{Stóráil i gcomhr\'eir le\noexpand\textellipsis{} .}{% - \__mhchem_hp_s:nnn{20081216}{Stóráil \noexpand\textellipsis{}}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P401.0-0_tl}{{P401}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P401-1_tl}{{P401}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P402-0_tl}{{P402}{% - \__mhchem_hp_s:nnn{20081216}{Stóráil in áit thirim.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P403-0_tl}{{P403}{% - \__mhchem_hp_s:nnn{20081216}{Stóráil in áit dhea-aeráilte.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P404-0_tl}{{P404}{% - \__mhchem_hp_s:nnn{20081216}{Stóráil i gcoimeádán iata.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P405-0_tl}{{P405}{% - \__mhchem_hp_s:nnn{20081216}{Stóráil faoi ghlas.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P406-0_tl}{{P406}{% - \__mhchem_hp_s:nnn{20180301}{Stóráil i gcoimeádán/\hskip\z@skip{} \noexpand\textellipsis{} frithchreimneach le líneáil fhrithchreimneach laistigh.}{% - \__mhchem_hp_s:nnn{20081216}{Stóráil i gcoimeádán \noexpand\textellipsis{} frithchreimneach/\hskip\z@skip{}\noexpand\textellipsis{} le líneáil frithchreimneach laistigh.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P406.0-0_tl}{{P406}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P406.1-0_tl}{{P406}{% @@ -924,13 +872,11 @@ \tl_gset:cn{g__mhchem_hp_ga_P406-1_tl}{{P406}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P407-0_tl}{{P407}{% - \__mhchem_hp_s:nnn{20180301}{Coimeád bearna aeir idir cruacha nó idir paill\'eid.}{% - \__mhchem_hp_s:nnn{20081216}{Coimeád bearna aeir idir chruacha/\hskip\z@skip{}phaill\'eid.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P410-0_tl}{{P410}{% - \__mhchem_hp_s:nnn{20081216}{Cosain ó sholas na gr\'eine.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P411-0_tl}{{P411}{% - \__mhchem_hp_s:nnn{20101201}{Stóráil ag teocht nach airde ná \noexpand\textellipsis{}\,\noexpand\textdegree{}C/\hskip\z@skip{}\noexpand\textellipsis{}\,\noexpand\textdegree{}F.}{% - \__mhchem_hp_s:nnn{20081216}{Stóráil ag teocht nach airde ná \noexpand\textellipsis{}\,\noexpand\textdegree{}C/\hskip\z@skip{}\noexpand\textellipsis{}\,\noexpand\textdegree{}F.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P411.0-0_tl}{{P411}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P411.1-1_tl}{{P411}{% @@ -938,8 +884,7 @@ \tl_gset:cn{g__mhchem_hp_ga_P411.2-1_tl}{{P411}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P412-0_tl}{{P412}{% - \__mhchem_hp_s:nnn{20101201}{Ná nocht do theocht níos airde ná 50\,\noexpand\textdegree{}C/\hskip\z@skip{}122\,\noexpand\textdegree{}F.}{% - \__mhchem_hp_s:nnn{20081216}{Ná nocht do theocht níos airde ná 50\,\noexpand\textdegree{}C/\hskip\z@skip{}122\,\noexpand\textdegree{}F.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P412.0-0_tl}{{P412}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P412.1-0_tl}{{P412}{% @@ -947,8 +892,7 @@ \tl_gset:cn{g__mhchem_hp_ga_P412.2-0_tl}{{P412}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P413-0_tl}{{P413}{% - \__mhchem_hp_s:nnn{20101201}{Stóráil bulcmhaiseanna os cionn \noexpand\textellipsis{}\,kg/\hskip\z@skip{}\noexpand\textellipsis{} lb ag teocht nach airde ná \noexpand\textellipsis{}\,\noexpand\textdegree{}C/\hskip\z@skip{}\noexpand\textellipsis{}\,\noexpand\textdegree{}F.}{% - \__mhchem_hp_s:nnn{20081216}{Stóráil bulcmhaiseanna os cionn \noexpand\textellipsis{}\,kg/\hskip\z@skip{}\noexpand\textellipsis{} lb ag teocht nach airde ná \noexpand\textellipsis{}\,\noexpand\textdegree{}C/\hskip\z@skip{}\noexpand\textellipsis{}\,\noexpand\textdegree{}F.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P413.0-0_tl}{{P413}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P413.1-2_tl}{{P413}{% @@ -956,26 +900,23 @@ \tl_gset:cn{g__mhchem_hp_ga_P413.2-2_tl}{{P413}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P420-0_tl}{{P420}{% - \__mhchem_hp_s:nnn{20180301}{Stóráil as f\'ein.}{% - \__mhchem_hp_s:nnn{20081216}{Stóráil glan ar ábhair eile.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P422-0_tl}{{P422}{% - \__mhchem_hp_s:nnn{20180301}{}{% - \__mhchem_hp_s:nnn{20081216}{Stóráil an t-ábhar faoi \noexpand\textellipsis{}}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P422.0-0_tl}{{P422}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P422-1_tl}{{P422}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P402+P404-0_tl}{{P402\,+\,\hskip\z@skip{}P404}{% - \__mhchem_hp_s:nnn{20081216}{Stóráil in áit thirim. Stóráil i gcoimeádán iata.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P403+P233-0_tl}{{P403\,+\,\hskip\z@skip{}P233}{% - \__mhchem_hp_s:nnn{20081216}{Stóráil in áit dhea-aeráilte. Coimeád an coimeádán dúnta go docht.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P403+P235-0_tl}{{P403\,+\,\hskip\z@skip{}P235}{% - \__mhchem_hp_s:nnn{20081216}{Stóráil in áit dhea-aeráilte. Coimeád fionnuar.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P410+P403-0_tl}{{P410\,+\,\hskip\z@skip{}P403}{% - \__mhchem_hp_s:nnn{20081216}{Cosain ó sholas na gr\'eine. Stóráil in áit dhea-aeráilte.}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P410+P412-0_tl}{{P410\,+\,\hskip\z@skip{}P412}{% - \__mhchem_hp_s:nnn{20101201}{Cosain ó sholas na gr\'eine. Ná nocht do theocht níos airde ná 50\,\noexpand\textdegree{}C/\hskip\z@skip{}122\,\noexpand\textdegree{}F.}{% - \__mhchem_hp_s:nnn{20081216}{Cosain ó sholas na gr\'eine. Ná nocht do theocht níos airde ná 50\,\noexpand\textdegree{}C/\hskip\z@skip{}122\,\noexpand\textdegree{}F.}{}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P410+P412.0-0_tl}{{P410\,+\,\hskip\z@skip{}P412}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P410+P412.1-0_tl}{{P410\,+\,\hskip\z@skip{}P412}{% @@ -983,9 +924,7 @@ \tl_gset:cn{g__mhchem_hp_ga_P410+P412.2-0_tl}{{P410\,+\,\hskip\z@skip{}P412}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P411+P235-0_tl}{{P411\,+\,\hskip\z@skip{}P235}{% - \__mhchem_hp_s:nnn{20180301}{}{% - \__mhchem_hp_s:nnn{20101201}{Stóráil ag teocht nach airde ná \noexpand\textellipsis{}\,\noexpand\textdegree{}C/\hskip\z@skip{}\noexpand\textellipsis{}\,\noexpand\textdegree{}F. Coimeád fionnuar.}{% - \__mhchem_hp_s:nnn{20081216}{Stóráil ag teocht nach airde ná \noexpand\textellipsis{}\,\noexpand\textdegree{}C/\hskip\z@skip{}\noexpand\textellipsis{}\,\noexpand\textdegree{}F. Coimeád fionnuar.}{}}}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P411+P235.0-0_tl}{{P411\,+\,\hskip\z@skip{}P235}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P411+P235.1-1_tl}{{P411\,+\,\hskip\z@skip{}P235}{% @@ -993,7 +932,7 @@ \tl_gset:cn{g__mhchem_hp_ga_P411+P235.2-1_tl}{{P411\,+\,\hskip\z@skip{}P235}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P501-0_tl}{{P501}{% - \__mhchem_hp_s:nnn{20081216}{Diúscair an t-ábhar/\hskip\z@skip{}an coimeádán i \noexpand\textellipsis{}}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P501.0-0_tl}{{P501}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P501.0-1_tl}{{P501}{% @@ -1003,10 +942,7 @@ \tl_gset:cn{g__mhchem_hp_ga_P501.2-1_tl}{{P501}{% \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% \tl_gset:cn{g__mhchem_hp_ga_P502-0_tl}{{P502}{% - \__mhchem_hp_s:nnn{20180301}{T\'eigh i dteagmháil leis an monaróir nó leis an soláthróir chun faisn\'eis a fháil faoi aisghabháil nó athchúrsáil.}{% - \__mhchem_hp_s:nnn{20110419}{F\'each an fhaisn\'eis ón monaróir/\hskip\z@skip{}soláthróir maidir le haisghabháil/\hskip\z@skip{}athchúrsáil}{}}}}% -\tl_gset:cn{g__mhchem_hp_ga_P370+P380+P375[+P378]-0_tl}{{P370\,+\,\hskip\z@skip{}P380\,+\,\hskip\z@skip{}P375[\,+\,\hskip\z@skip{}P378]}{% - \__mhchem_hp_s:nnn{20180301}{I gcás dóiteáin: Aslonnaigh gach duine as an limist\'ear. T\'eigh i gcianghleic leis an dóiteán mar gheall ar an mbaol pl\'easctha. [Úsáid \noexpand\textellipsis{} le haghaidh múchta].}{}}}% + \__mhchem_hp_s:nnn{00000000}{\msg_error:nnn{hpstatement}{undefined-enhancement}}{}}}% % \group_end: -\ExplSyntaxOff \ No newline at end of file +\ExplSyntaxOff diff --git a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-hr.inc.sty b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-hr.inc.sty index 2ad8dc84bf..791ade58c3 100644 --- a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-hr.inc.sty +++ b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-hr.inc.sty @@ -1,6 +1,6 @@ %% hpstatement-hr.inc.sty -%% 2021-12-31 -%% Copyright 2019-2021 Martin Hensel +%% 2024-01-29 +%% Copyright 2019-2024 Martin Hensel % %% This file is part of the mhchem bundle for LaTeX % @@ -10,8 +10,8 @@ % provided you acknowledge the source and indicate any changes you have made. % The data is not necessarily comprehensive, complete, accurate or up to date. % The acknowledgement is not needed when using statements of the data set for labelling products, of course, as this is the intended usage. -% (c) European Union, https://eur-lex.europa.eu, 1998-2021, CC BY 4.0 -% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2021, CC BY 4.0 +% (c) European Union, https://eur-lex.europa.eu, 1998-2023, CC BY 4.0 +% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2024, CC BY 4.0 % % \ExplSyntaxOn @@ -363,8 +363,24 @@ \__mhchem_hp_s:nnn{20211001}{Upozorenje! Pri prskanju mogu nastati opasne respirabilne kapljice. Ne udisati aerosol ni maglicu.}{}}}% \tl_gset:cn{g__mhchem_hp_hr_EUH212-0_tl}{{EUH212}{% \__mhchem_hp_s:nnn{20211001}{Upozorenje! Pri prskanju može nastati opasna respirabilna praÅ¡ina. Ne udisati praÅ¡inu.}{}}}% +\tl_gset:cn{g__mhchem_hp_hr_EUH380-0_tl}{{EUH380}{% + \__mhchem_hp_s:nnn{20230420}{Može uzrokovati endokrinu disrupciju u ljudi}{}}}% +\tl_gset:cn{g__mhchem_hp_hr_EUH381-0_tl}{{EUH381}{% + \__mhchem_hp_s:nnn{20230420}{Sumnja se da uzrokuje endokrinu disrupciju u ljudi}{}}}% \tl_gset:cn{g__mhchem_hp_hr_EUH401-0_tl}{{EUH401}{% \__mhchem_hp_s:nnn{20131201}{Da bi se izbjegli rizici za zdravlje ljudi i okoliÅ¡, treba se pridržavati uputa za uporabu.}{}}}% +\tl_gset:cn{g__mhchem_hp_hr_EUH430-0_tl}{{EUH430}{% + \__mhchem_hp_s:nnn{20230420}{Može uzrokovati endokrinu disrupciju u okoliÅ¡u}{}}}% +\tl_gset:cn{g__mhchem_hp_hr_EUH431-0_tl}{{EUH431}{% + \__mhchem_hp_s:nnn{20230420}{Sumnja se da uzrokuje endokrinu disrupciju u okoliÅ¡u}{}}}% +\tl_gset:cn{g__mhchem_hp_hr_EUH440-0_tl}{{EUH440}{% + \__mhchem_hp_s:nnn{20230420}{Nakuplja se u okoliÅ¡u i živim organizmima, ukljuÄujući ljude}{}}}% +\tl_gset:cn{g__mhchem_hp_hr_EUH441-0_tl}{{EUH441}{% + \__mhchem_hp_s:nnn{20230420}{U velikoj se mjeri nakuplja u okoliÅ¡u i živim organizmima, ukljuÄujući ljude}{}}}% +\tl_gset:cn{g__mhchem_hp_hr_EUH450-0_tl}{{EUH450}{% + \__mhchem_hp_s:nnn{20230420}{Može uzrokovati dugotrajno i rasprÅ¡eno oneÄišćenje vodnih resursa}{}}}% +\tl_gset:cn{g__mhchem_hp_hr_EUH451-0_tl}{{EUH451}{% + \__mhchem_hp_s:nnn{20230420}{Može uzrokovati vrlo dugotrajno i rasprÅ¡eno oneÄišćenje vodnih resursa}{}}}% \tl_gset:cn{g__mhchem_hp_hr_P101-0_tl}{{P101}{% \__mhchem_hp_s:nnn{20131201}{Ako je potrebna lijeÄniÄka pomoć pokazati spremnik ili naljepnicu.}{}}}% \tl_gset:cn{g__mhchem_hp_hr_P102-0_tl}{{P102}{% @@ -1017,4 +1033,4 @@ \__mhchem_hp_s:nnn{20180301}{U sluÄaju požara: evakuirati podruÄje. Gasiti s veće udaljenosti zbog opasnosti od eksplozije. [Za gaÅ¡enje rabiti\noexpand\textellipsis{}].}{}}}% % \group_end: -\ExplSyntaxOff \ No newline at end of file +\ExplSyntaxOff diff --git a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-hu.inc.sty b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-hu.inc.sty index 66326637ac..1a23b7720c 100644 --- a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-hu.inc.sty +++ b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-hu.inc.sty @@ -1,6 +1,6 @@ %% hpstatement-hu.inc.sty -%% 2021-12-31 -%% Copyright 2019-2021 Martin Hensel +%% 2024-01-29 +%% Copyright 2019-2024 Martin Hensel % %% This file is part of the mhchem bundle for LaTeX % @@ -10,8 +10,8 @@ % provided you acknowledge the source and indicate any changes you have made. % The data is not necessarily comprehensive, complete, accurate or up to date. % The acknowledgement is not needed when using statements of the data set for labelling products, of course, as this is the intended usage. -% (c) European Union, https://eur-lex.europa.eu, 1998-2021, CC BY 4.0 -% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2021, CC BY 4.0 +% (c) European Union, https://eur-lex.europa.eu, 1998-2023, CC BY 4.0 +% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2024, CC BY 4.0 % % \ExplSyntaxOn @@ -344,8 +344,24 @@ \__mhchem_hp_s:nnn{20211001}{Figyelem! Permetez\'es k\"ozben vesz\'elyes, bel\'elegezhetÅ‘ cseppek k\'epzÅ‘dhetnek. A permetet vagy a k\"od\"ot nem szabad bel\'elegezni.}{}}}% \tl_gset:cn{g__mhchem_hp_hu_EUH212-0_tl}{{EUH212}{% \__mhchem_hp_s:nnn{20211001}{Figyelem! Használatkor vesz\'elyes, bel\'elegezhetÅ‘ por k\'epzÅ‘dhet. A port nem szabad bel\'elegezni.}{}}}% +\tl_gset:cn{g__mhchem_hp_hu_EUH380-0_tl}{{EUH380}{% + \__mhchem_hp_s:nnn{20230420}{Endokrin károsító hatású lehet az emberekn\'el}{}}}% +\tl_gset:cn{g__mhchem_hp_hu_EUH381-0_tl}{{EUH381}{% + \__mhchem_hp_s:nnn{20230420}{Felt\'etelezhetÅ‘en endokrin zavart okozhat az emberekn\'el}{}}}% \tl_gset:cn{g__mhchem_hp_hu_EUH401-0_tl}{{EUH401}{% \__mhchem_hp_s:nnn{20081216}{Az emberi eg\'eszs\'eg \'es a k\"ornyezet vesz\'elyeztet\'es\'enek elker\"ul\'ese \'erdek\'eben be kell tartani a használati utasítás előírásait.}{}}}% +\tl_gset:cn{g__mhchem_hp_hu_EUH430-0_tl}{{EUH430}{% + \__mhchem_hp_s:nnn{20230420}{Endokrin károsító hatású lehet a k\"ornyezetben}{}}}% +\tl_gset:cn{g__mhchem_hp_hu_EUH431-0_tl}{{EUH431}{% + \__mhchem_hp_s:nnn{20230420}{Felt\'etelezhetÅ‘en endokrin zavart okozhat a k\"ornyezetben}{}}}% +\tl_gset:cn{g__mhchem_hp_hu_EUH440-0_tl}{{EUH440}{% + \__mhchem_hp_s:nnn{20230420}{Felhalmozódik a k\"ornyezetben \'es az \'elÅ‘ szervezetekben, bele\'ertve az embereket is}{}}}% +\tl_gset:cn{g__mhchem_hp_hu_EUH441-0_tl}{{EUH441}{% + \__mhchem_hp_s:nnn{20230420}{Nagym\'ert\'ekben felhalmozódik a k\"ornyezetben \'es az \'elÅ‘ szervezetekben, bele\'ertve az embereket is}{}}}% +\tl_gset:cn{g__mhchem_hp_hu_EUH450-0_tl}{{EUH450}{% + \__mhchem_hp_s:nnn{20230420}{Tartós, diffúz szennyez\'est okozhat a vízk\'eszletekben}{}}}% +\tl_gset:cn{g__mhchem_hp_hu_EUH451-0_tl}{{EUH451}{% + \__mhchem_hp_s:nnn{20230420}{Rendkív\"ul tartós, diffúz szennyez\'est okozhat a vízk\'eszletekben}{}}}% \tl_gset:cn{g__mhchem_hp_hu_P101-0_tl}{{P101}{% \__mhchem_hp_s:nnn{20081216}{Orvosi tanácsadás eset\'en tartsa k\'ezn\'el a term\'ek ed\'eny\'et vagy címk\'ej\'et.}{}}}% \tl_gset:cn{g__mhchem_hp_hu_P102-0_tl}{{P102}{% @@ -1000,4 +1016,4 @@ \__mhchem_hp_s:nnn{20180301}{Tűz eset\'en: A ter\"uletet ki kell \"uríteni. A tűz oltását robbanásvesz\'ely miatt távolból kell v\'egezni. [Az oltáshoz \noexpand\textellipsis{} használandó].}{}}}% % \group_end: -\ExplSyntaxOff \ No newline at end of file +\ExplSyntaxOff diff --git a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-it.inc.sty b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-it.inc.sty index 717d584a08..bb9f4ff6fe 100644 --- a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-it.inc.sty +++ b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-it.inc.sty @@ -1,6 +1,6 @@ %% hpstatement-it.inc.sty -%% 2021-12-31 -%% Copyright 2019-2021 Martin Hensel +%% 2024-01-29 +%% Copyright 2019-2024 Martin Hensel % %% This file is part of the mhchem bundle for LaTeX % @@ -10,8 +10,8 @@ % provided you acknowledge the source and indicate any changes you have made. % The data is not necessarily comprehensive, complete, accurate or up to date. % The acknowledgement is not needed when using statements of the data set for labelling products, of course, as this is the intended usage. -% (c) European Union, https://eur-lex.europa.eu, 1998-2021, CC BY 4.0 -% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2021, CC BY 4.0 +% (c) European Union, https://eur-lex.europa.eu, 1998-2023, CC BY 4.0 +% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2024, CC BY 4.0 % % \ExplSyntaxOn @@ -344,8 +344,24 @@ \__mhchem_hp_s:nnn{20211001}{Attenzione! In caso di vaporizzazione possono formarsi goccioline respirabili pericolose. Non respirare i vapori o le nebbie.}{}}}% \tl_gset:cn{g__mhchem_hp_it_EUH212-0_tl}{{EUH212}{% \__mhchem_hp_s:nnn{20211001}{Attenzione! In caso di utilizzo possono formarsi polveri respirabili pericolose. Non respirare le polveri.}{}}}% +\tl_gset:cn{g__mhchem_hp_it_EUH380-0_tl}{{EUH380}{% + \__mhchem_hp_s:nnn{20230420}{Può interferire con il sistema endocrino negli esseri umani}{}}}% +\tl_gset:cn{g__mhchem_hp_it_EUH381-0_tl}{{EUH381}{% + \__mhchem_hp_s:nnn{20230420}{Sospettato di interferire con il sistema endocrino negli esseri umani}{}}}% \tl_gset:cn{g__mhchem_hp_it_EUH401-0_tl}{{EUH401}{% \__mhchem_hp_s:nnn{20081216}{Per evitare rischi per la salute umana e per l'ambiente, seguire le istruzioni per l'uso.}{}}}% +\tl_gset:cn{g__mhchem_hp_it_EUH430-0_tl}{{EUH430}{% + \__mhchem_hp_s:nnn{20230420}{Può interferire con il sistema endocrino nell'ambiente}{}}}% +\tl_gset:cn{g__mhchem_hp_it_EUH431-0_tl}{{EUH431}{% + \__mhchem_hp_s:nnn{20230420}{Sospettato di interferire con il sistema endocrino nell'ambiente}{}}}% +\tl_gset:cn{g__mhchem_hp_it_EUH440-0_tl}{{EUH440}{% + \__mhchem_hp_s:nnn{20230420}{Si accumula nell'ambiente e negli organismi viventi, compresi gli esseri umani}{}}}% +\tl_gset:cn{g__mhchem_hp_it_EUH441-0_tl}{{EUH441}{% + \__mhchem_hp_s:nnn{20230420}{Si accumula notevolmente nell'ambiente e negli organismi viventi, compresi gli esseri umani}{}}}% +\tl_gset:cn{g__mhchem_hp_it_EUH450-0_tl}{{EUH450}{% + \__mhchem_hp_s:nnn{20230420}{Può provocare la contaminazione duratura e diffusa delle risorse idriche}{}}}% +\tl_gset:cn{g__mhchem_hp_it_EUH451-0_tl}{{EUH451}{% + \__mhchem_hp_s:nnn{20230420}{Può provocare la contaminazione molto duratura e diffusa delle risorse idriche}{}}}% \tl_gset:cn{g__mhchem_hp_it_P101-0_tl}{{P101}{% \__mhchem_hp_s:nnn{20081216}{In caso di consultazione di un medico, tenere a disposizione il contenitore o l'etichetta del prodotto.}{}}}% \tl_gset:cn{g__mhchem_hp_it_P102-0_tl}{{P102}{% @@ -1000,4 +1016,4 @@ \__mhchem_hp_s:nnn{20180301}{In caso di incendio: evacuare la zona. Rischio di esplosione. Utilizzare i mezzi estinguenti a grande distanza. [Estinguere con\noexpand\textellipsis{}].}{}}}% % \group_end: -\ExplSyntaxOff \ No newline at end of file +\ExplSyntaxOff diff --git a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-lt.inc.sty b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-lt.inc.sty index 34717f2514..6bdbb3e592 100644 --- a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-lt.inc.sty +++ b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-lt.inc.sty @@ -1,6 +1,6 @@ %% hpstatement-lt.inc.sty -%% 2021-12-31 -%% Copyright 2019-2021 Martin Hensel +%% 2024-01-29 +%% Copyright 2019-2024 Martin Hensel % %% This file is part of the mhchem bundle for LaTeX % @@ -10,8 +10,8 @@ % provided you acknowledge the source and indicate any changes you have made. % The data is not necessarily comprehensive, complete, accurate or up to date. % The acknowledgement is not needed when using statements of the data set for labelling products, of course, as this is the intended usage. -% (c) European Union, https://eur-lex.europa.eu, 1998-2021, CC BY 4.0 -% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2021, CC BY 4.0 +% (c) European Union, https://eur-lex.europa.eu, 1998-2023, CC BY 4.0 +% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2024, CC BY 4.0 % % \ExplSyntaxOn @@ -347,8 +347,24 @@ \__mhchem_hp_s:nnn{20211001}{Atsargiai! PurÅ¡kiant gali susidaryti pavojingų įkvepiamų laÅ¡elių. NeįkvÄ—pti rÅ«ko ar aerozolio.}{}}}% \tl_gset:cn{g__mhchem_hp_lt_EUH212-0_tl}{{EUH212}{% \__mhchem_hp_s:nnn{20211001}{Atsargiai! Naudojant gali susidaryti pavojingų įkvepiamų dulkių. NeįkvÄ—pti dulkių.}{}}}% +\tl_gset:cn{g__mhchem_hp_lt_EUH380-0_tl}{{EUH380}{% + \__mhchem_hp_s:nnn{20230420}{Gali ardyti žmonių endokrininÄ™ sistemÄ…}{}}}% +\tl_gset:cn{g__mhchem_hp_lt_EUH381-0_tl}{{EUH381}{% + \__mhchem_hp_s:nnn{20230420}{Ä®tariama, kad ardo žmonių endokrininÄ™ sistemÄ…}{}}}% \tl_gset:cn{g__mhchem_hp_lt_EUH401-0_tl}{{EUH401}{% \__mhchem_hp_s:nnn{20081216}{Siekiant iÅ¡vengti žmonių sveikatai ir aplinkai keliamos rizikos, bÅ«tina vykdyti naudojimo instrukcijos nurodymus.}{}}}% +\tl_gset:cn{g__mhchem_hp_lt_EUH430-0_tl}{{EUH430}{% + \__mhchem_hp_s:nnn{20230420}{BÅ«dama aplinkoje gali ardyti endokrininÄ™ sistemÄ…}{}}}% +\tl_gset:cn{g__mhchem_hp_lt_EUH431-0_tl}{{EUH431}{% + \__mhchem_hp_s:nnn{20230420}{Ä®tariama, kad bÅ«dama aplinkoje ardo endokrininÄ™ sistemÄ…}{}}}% +\tl_gset:cn{g__mhchem_hp_lt_EUH440-0_tl}{{EUH440}{% + \__mhchem_hp_s:nnn{20230420}{Kaupiasi aplinkoje ir gyvuose organizmuose, įskaitant žmones}{}}}% +\tl_gset:cn{g__mhchem_hp_lt_EUH441-0_tl}{{EUH441}{% + \__mhchem_hp_s:nnn{20230420}{Gausiai kaupiasi aplinkoje ir gyvuose organizmuose, įskaitant žmones}{}}}% +\tl_gset:cn{g__mhchem_hp_lt_EUH450-0_tl}{{EUH450}{% + \__mhchem_hp_s:nnn{20230420}{Gali sukelti ilgalaikÄ™ ir pasklidÄ…jÄ… vandens iÅ¡teklių tarÅ¡Ä…}{}}}% +\tl_gset:cn{g__mhchem_hp_lt_EUH451-0_tl}{{EUH451}{% + \__mhchem_hp_s:nnn{20230420}{Gali sukelti labai ilgalaikÄ™ ir pasklidÄ…jÄ… vandens iÅ¡teklių tarÅ¡Ä…}{}}}% \tl_gset:cn{g__mhchem_hp_lt_P101-0_tl}{{P101}{% \__mhchem_hp_s:nnn{20081216}{Jei reikalinga gydytojo konsultacija, su savimi turÄ—kite produkto talpyklÄ… ar jo etiketÄ™.}{}}}% \tl_gset:cn{g__mhchem_hp_lt_P102-0_tl}{{P102}{% @@ -1004,4 +1020,4 @@ \__mhchem_hp_s:nnn{20180301}{Gaisro atveju: evakuoti zonÄ…. GaisrÄ… gesinti iÅ¡ toli dÄ—l sprogimo pavojaus. [Gesinimui naudoti \noexpand\textellipsis{}].}{}}}% % \group_end: -\ExplSyntaxOff \ No newline at end of file +\ExplSyntaxOff diff --git a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-lv.inc.sty b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-lv.inc.sty index 28dd62da6c..88332c8feb 100644 --- a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-lv.inc.sty +++ b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-lv.inc.sty @@ -1,6 +1,6 @@ %% hpstatement-lv.inc.sty -%% 2021-12-31 -%% Copyright 2019-2021 Martin Hensel +%% 2024-01-29 +%% Copyright 2019-2024 Martin Hensel % %% This file is part of the mhchem bundle for LaTeX % @@ -10,8 +10,8 @@ % provided you acknowledge the source and indicate any changes you have made. % The data is not necessarily comprehensive, complete, accurate or up to date. % The acknowledgement is not needed when using statements of the data set for labelling products, of course, as this is the intended usage. -% (c) European Union, https://eur-lex.europa.eu, 1998-2021, CC BY 4.0 -% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2021, CC BY 4.0 +% (c) European Union, https://eur-lex.europa.eu, 1998-2023, CC BY 4.0 +% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2024, CC BY 4.0 % % \ExplSyntaxOn @@ -344,8 +344,24 @@ \__mhchem_hp_s:nnn{20211001}{UzmanÄ«bu! Izsmidzinot var veidoties bÄ«stami ieelpojami pilieni. Ne smidzinÄjumu, ne miglu neieelpot.}{}}}% \tl_gset:cn{g__mhchem_hp_lv_EUH212-0_tl}{{EUH212}{% \__mhchem_hp_s:nnn{20211001}{UzmanÄ«bu! Izmantojot var veidoties bÄ«stami ieelpojami putekļi. Putekļus neieelpot.}{}}}% +\tl_gset:cn{g__mhchem_hp_lv_EUH380-0_tl}{{EUH380}{% + \__mhchem_hp_s:nnn{20230420}{Var izraisÄ«t endokrÄ«nu disrupciju cilvÄ“ka organismÄ}{}}}% +\tl_gset:cn{g__mhchem_hp_lv_EUH381-0_tl}{{EUH381}{% + \__mhchem_hp_s:nnn{20230420}{DomÄjams, ka var izraisÄ«t endokrÄ«nu disrupciju cilvÄ“ka organismÄ}{}}}% \tl_gset:cn{g__mhchem_hp_lv_EUH401-0_tl}{{EUH401}{% \__mhchem_hp_s:nnn{20081216}{Lai izvairÄ«tos no riska cilvÄ“ku veselÄ«bai un videi, ievÄ“rojiet lietoÅ¡anas pamÄcÄ«bu.}{}}}% +\tl_gset:cn{g__mhchem_hp_lv_EUH430-0_tl}{{EUH430}{% + \__mhchem_hp_s:nnn{20230420}{Var izraisÄ«t endokrÄ«nu disrupciju vidÄ“}{}}}% +\tl_gset:cn{g__mhchem_hp_lv_EUH431-0_tl}{{EUH431}{% + \__mhchem_hp_s:nnn{20230420}{DomÄjams, ka var izraisÄ«t endokrÄ«nu disrupciju vidÄ“}{}}}% +\tl_gset:cn{g__mhchem_hp_lv_EUH440-0_tl}{{EUH440}{% + \__mhchem_hp_s:nnn{20230420}{UzkrÄjas vidÄ“ un dzÄ«vos organismos, tai skaitÄ cilvÄ“ka organismÄ}{}}}% +\tl_gset:cn{g__mhchem_hp_lv_EUH441-0_tl}{{EUH441}{% + \__mhchem_hp_s:nnn{20230420}{Izteikti uzkrÄjas vidÄ“ un dzÄ«vos organismos, tai skaitÄ cilvÄ“ka organismÄ}{}}}% +\tl_gset:cn{g__mhchem_hp_lv_EUH450-0_tl}{{EUH450}{% + \__mhchem_hp_s:nnn{20230420}{Var izraisÄ«t ilgstoÅ¡u un difÅ«zu Å«dens resursu kontaminÄciju}{}}}% +\tl_gset:cn{g__mhchem_hp_lv_EUH451-0_tl}{{EUH451}{% + \__mhchem_hp_s:nnn{20230420}{Var izraisÄ«t ļoti ilgstoÅ¡u un difÅ«zu Å«dens resursu kontaminÄciju}{}}}% \tl_gset:cn{g__mhchem_hp_lv_P101-0_tl}{{P101}{% \__mhchem_hp_s:nnn{20081216}{MedicÄ«niska padoma nepiecieÅ¡amÄ«bas gadÄ«jumÄ attiecÄ«gÄ informÄcija ir norÄdÄ«ta uz iepakojuma vai etiÄ·etes.}{}}}% \tl_gset:cn{g__mhchem_hp_lv_P102-0_tl}{{P102}{% @@ -1001,4 +1017,4 @@ \__mhchem_hp_s:nnn{20180301}{UgunsgrÄ“ka gadÄ«jumÄ: EvakuÄ“t zonu. DzÄ“st uguni no attÄluma eksplozijas riska dēļ. [DzÄ“Å¡anai lietot \noexpand\textellipsis{}].}{}}}% % \group_end: -\ExplSyntaxOff \ No newline at end of file +\ExplSyntaxOff diff --git a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-mt.inc.sty b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-mt.inc.sty index c7ef7e9ac0..c275c8674b 100644 --- a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-mt.inc.sty +++ b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-mt.inc.sty @@ -1,6 +1,6 @@ %% hpstatement-mt.inc.sty -%% 2021-12-31 -%% Copyright 2019-2021 Martin Hensel +%% 2024-01-29 +%% Copyright 2019-2024 Martin Hensel % %% This file is part of the mhchem bundle for LaTeX % @@ -10,8 +10,8 @@ % provided you acknowledge the source and indicate any changes you have made. % The data is not necessarily comprehensive, complete, accurate or up to date. % The acknowledgement is not needed when using statements of the data set for labelling products, of course, as this is the intended usage. -% (c) European Union, https://eur-lex.europa.eu, 1998-2021, CC BY 4.0 -% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2021, CC BY 4.0 +% (c) European Union, https://eur-lex.europa.eu, 1998-2023, CC BY 4.0 +% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2024, CC BY 4.0 % % \ExplSyntaxOn @@ -346,8 +346,24 @@ \__mhchem_hp_s:nnn{20211001}{Twissija! Jista' jifforma qtar perikoluż li jinÄ¡ibed man-nifs meta tisprejja minn dan. TiÄ¡bidx l-isprej jew l-irxiex man-nifs.}{}}}% \tl_gset:cn{g__mhchem_hp_mt_EUH212-0_tl}{{EUH212}{% \__mhchem_hp_s:nnn{20211001}{Twissija! Meta jintuża dan, jista' jifforma trab perikoluż li jinÄ¡ibed man-nifs. TiÄ¡bidx it-trab man-nifs.}{}}}% +\tl_gset:cn{g__mhchem_hp_mt_EUH380-0_tl}{{EUH380}{% + \__mhchem_hp_s:nnn{20230420}{Jistgħu jikkawżaw tfixkil fis-sistema endokrinali fil-bnedmin}{}}}% +\tl_gset:cn{g__mhchem_hp_mt_EUH381-0_tl}{{EUH381}{% + \__mhchem_hp_s:nnn{20230420}{Suspettati li jikkawżaw tfixkil fis-sistema endokrinali fil-bnedmin}{}}}% \tl_gset:cn{g__mhchem_hp_mt_EUH401-0_tl}{{EUH401}{% \__mhchem_hp_s:nnn{20081216}{Biex jiÄ¡u evitati r-riskji għal saħħet il-bniedem u għall-ambjent, ħares l-istruzzjonijiet dwar l-użu.}{}}}% +\tl_gset:cn{g__mhchem_hp_mt_EUH430-0_tl}{{EUH430}{% + \__mhchem_hp_s:nnn{20230420}{Jistgħu jikkawżaw tfixkil fis-sistema endokrinali fl-ambjent}{}}}% +\tl_gset:cn{g__mhchem_hp_mt_EUH431-0_tl}{{EUH431}{% + \__mhchem_hp_s:nnn{20230420}{Suspettati li jikkawżaw tfixkil fis-sistema endokrinali fl-ambjent}{}}}% +\tl_gset:cn{g__mhchem_hp_mt_EUH440-0_tl}{{EUH440}{% + \__mhchem_hp_s:nnn{20230420}{Jakkumulaw fl-ambjent u fl-organiżmi ħajjin inkluż fil-bnedmin}{}}}% +\tl_gset:cn{g__mhchem_hp_mt_EUH441-0_tl}{{EUH441}{% + \__mhchem_hp_s:nnn{20230420}{Jakkumulaw ħafna fl-ambjent u fl-organiżmi ħajjin inkluż fil-bnedmin}{}}}% +\tl_gset:cn{g__mhchem_hp_mt_EUH450-0_tl}{{EUH450}{% + \__mhchem_hp_s:nnn{20230420}{Jistgħu jikkawżaw kontaminazzjoni dejjiema u diffuża tar-riżorsi tal-ilma}{}}}% +\tl_gset:cn{g__mhchem_hp_mt_EUH451-0_tl}{{EUH451}{% + \__mhchem_hp_s:nnn{20230420}{Jistgħu jikkawżaw kontaminazzjoni dejjiema u diffuża ħafna tar-riżorsi tal-ilma}{}}}% \tl_gset:cn{g__mhchem_hp_mt_P101-0_tl}{{P101}{% \__mhchem_hp_s:nnn{20081216}{Jekk ikun meħtieÄ¡ parir mediku, ara li jkollok il-kontenitur jew it-tikketta tal-prodott fil-qrib.}{}}}% \tl_gset:cn{g__mhchem_hp_mt_P102-0_tl}{{P102}{% @@ -1006,4 +1022,4 @@ \__mhchem_hp_s:nnn{20180301}{F'każ ta' nar: Evakwa ż-żona. Itfi n-nar mill-bogħod minħabba r-riskju ta' splużjoni. [Uża \noexpand\textellipsis{} biex titfi].}{}}}% % \group_end: -\ExplSyntaxOff \ No newline at end of file +\ExplSyntaxOff diff --git a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-nl.inc.sty b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-nl.inc.sty index bc8e9ca9bf..5b93fb494c 100644 --- a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-nl.inc.sty +++ b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-nl.inc.sty @@ -1,6 +1,6 @@ %% hpstatement-nl.inc.sty -%% 2021-12-31 -%% Copyright 2019-2021 Martin Hensel +%% 2024-01-29 +%% Copyright 2019-2024 Martin Hensel % %% This file is part of the mhchem bundle for LaTeX % @@ -10,8 +10,8 @@ % provided you acknowledge the source and indicate any changes you have made. % The data is not necessarily comprehensive, complete, accurate or up to date. % The acknowledgement is not needed when using statements of the data set for labelling products, of course, as this is the intended usage. -% (c) European Union, https://eur-lex.europa.eu, 1998-2021, CC BY 4.0 -% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2021, CC BY 4.0 +% (c) European Union, https://eur-lex.europa.eu, 1998-2023, CC BY 4.0 +% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2024, CC BY 4.0 % % \ExplSyntaxOn @@ -345,8 +345,24 @@ \__mhchem_hp_s:nnn{20211001}{Let op! Bij verneveling kunnen gevaarlijke inhaleerbare druppels worden gevormd. Spuitnevel niet inademen.}{}}}% \tl_gset:cn{g__mhchem_hp_nl_EUH212-0_tl}{{EUH212}{% \__mhchem_hp_s:nnn{20211001}{Let op! Bij gebruik kunnen gevaarlijke inhaleerbare stofdeeltjes worden gevormd. Stof niet inademen.}{}}}% +\tl_gset:cn{g__mhchem_hp_nl_EUH380-0_tl}{{EUH380}{% + \__mhchem_hp_s:nnn{20230420}{Kan hormoonontregeling bij de mens veroorzaken}{}}}% +\tl_gset:cn{g__mhchem_hp_nl_EUH381-0_tl}{{EUH381}{% + \__mhchem_hp_s:nnn{20230420}{Wordt ervan verdacht hormoonontregeling bij de mens te veroorzaken}{}}}% \tl_gset:cn{g__mhchem_hp_nl_EUH401-0_tl}{{EUH401}{% \__mhchem_hp_s:nnn{20081216}{Volg de gebruiksaanwijzing om gevaar voor de menselijke gezondheid en het milieu te voorkomen.}{}}}% +\tl_gset:cn{g__mhchem_hp_nl_EUH430-0_tl}{{EUH430}{% + \__mhchem_hp_s:nnn{20230420}{Kan hormoonontregeling in het milieu veroorzaken}{}}}% +\tl_gset:cn{g__mhchem_hp_nl_EUH431-0_tl}{{EUH431}{% + \__mhchem_hp_s:nnn{20230420}{Wordt ervan verdacht hormoonontregeling in het milieu te veroorzaken}{}}}% +\tl_gset:cn{g__mhchem_hp_nl_EUH440-0_tl}{{EUH440}{% + \__mhchem_hp_s:nnn{20230420}{Accumulatie in het milieu en levende organismen, met inbegrip van mensen}{}}}% +\tl_gset:cn{g__mhchem_hp_nl_EUH441-0_tl}{{EUH441}{% + \__mhchem_hp_s:nnn{20230420}{Sterke accumulatie in het milieu en levende organismen, met inbegrip van mensen}{}}}% +\tl_gset:cn{g__mhchem_hp_nl_EUH450-0_tl}{{EUH450}{% + \__mhchem_hp_s:nnn{20230420}{Kan langdurige en diffuse verontreiniging van watervoorraden veroorzaken}{}}}% +\tl_gset:cn{g__mhchem_hp_nl_EUH451-0_tl}{{EUH451}{% + \__mhchem_hp_s:nnn{20230420}{Kan zeer langdurige en diffuse verontreiniging van watervoorraden veroorzaken}{}}}% \tl_gset:cn{g__mhchem_hp_nl_P101-0_tl}{{P101}{% \__mhchem_hp_s:nnn{20101201}{Bij het inwinnen van medisch advies, de verpakking of het etiket ter beschikking houden.}{% \__mhchem_hp_s:nnn{20081216}{Bij het inwinnen van medisch advies, de verpakking of het etiket ter beschikking houden.}{}}}}% @@ -997,4 +1013,4 @@ \__mhchem_hp_s:nnn{20180301}{In geval van brand: evacueren. Op afstand blussen in verband met ontploffingsgevaar. [Blussen met \noexpand\textellipsis{}].}{}}}% % \group_end: -\ExplSyntaxOff \ No newline at end of file +\ExplSyntaxOff diff --git a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-pl.inc.sty b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-pl.inc.sty index c2d5c416d3..187fc49307 100644 --- a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-pl.inc.sty +++ b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-pl.inc.sty @@ -1,6 +1,6 @@ %% hpstatement-pl.inc.sty -%% 2021-12-31 -%% Copyright 2019-2021 Martin Hensel +%% 2024-01-29 +%% Copyright 2019-2024 Martin Hensel % %% This file is part of the mhchem bundle for LaTeX % @@ -10,8 +10,8 @@ % provided you acknowledge the source and indicate any changes you have made. % The data is not necessarily comprehensive, complete, accurate or up to date. % The acknowledgement is not needed when using statements of the data set for labelling products, of course, as this is the intended usage. -% (c) European Union, https://eur-lex.europa.eu, 1998-2021, CC BY 4.0 -% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2021, CC BY 4.0 +% (c) European Union, https://eur-lex.europa.eu, 1998-2023, CC BY 4.0 +% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2024, CC BY 4.0 % % \ExplSyntaxOn @@ -346,8 +346,24 @@ \__mhchem_hp_s:nnn{20211001}{Uwaga! W przypadku rozpylania mogÄ… siÄ™ tworzyć niebezpieczne respirabilne kropelki. Nie wdychać rozpylonej cieczy lub mgÅ‚y.}{}}}% \tl_gset:cn{g__mhchem_hp_pl_EUH212-0_tl}{{EUH212}{% \__mhchem_hp_s:nnn{20211001}{Uwaga! W przypadku stosowania może siÄ™ tworzyć niebezpieczny pyÅ‚ respirabilny. Nie wdychać pyÅ‚u.}{}}}% +\tl_gset:cn{g__mhchem_hp_pl_EUH380-0_tl}{{EUH380}{% + \__mhchem_hp_s:nnn{20230420}{Może powodować zaburzenia funkcjonowania ukÅ‚adu hormonalnego u ludzi}{}}}% +\tl_gset:cn{g__mhchem_hp_pl_EUH381-0_tl}{{EUH381}{% + \__mhchem_hp_s:nnn{20230420}{Podejrzewa siÄ™, że powoduje zaburzenia funkcjonowania ukÅ‚adu hormonalnego u ludzi}{}}}% \tl_gset:cn{g__mhchem_hp_pl_EUH401-0_tl}{{EUH401}{% \__mhchem_hp_s:nnn{20081216}{W celu unikniÄ™cia zagrożeÅ„ dla zdrowia ludzi i Å›rodowiska, należy postÄ™pować zgodnie z instrukcjÄ… użycia.}{}}}% +\tl_gset:cn{g__mhchem_hp_pl_EUH430-0_tl}{{EUH430}{% + \__mhchem_hp_s:nnn{20230420}{Może powodować zaburzenia funkcjonowania ukÅ‚adu hormonalnego w Å›rodowisku}{}}}% +\tl_gset:cn{g__mhchem_hp_pl_EUH431-0_tl}{{EUH431}{% + \__mhchem_hp_s:nnn{20230420}{Podejrzewa siÄ™, że powoduje zaburzenia funkcjonowania ukÅ‚adu hormonalnego w Å›rodowisku}{}}}% +\tl_gset:cn{g__mhchem_hp_pl_EUH440-0_tl}{{EUH440}{% + \__mhchem_hp_s:nnn{20230420}{Akumuluje siÄ™ w Å›rodowisku i organizmach żywych, w tym u ludzi}{}}}% +\tl_gset:cn{g__mhchem_hp_pl_EUH441-0_tl}{{EUH441}{% + \__mhchem_hp_s:nnn{20230420}{W znacznym stopniu akumuluje siÄ™ w Å›rodowisku i organizmach żywych, w tym u ludzi}{}}}% +\tl_gset:cn{g__mhchem_hp_pl_EUH450-0_tl}{{EUH450}{% + \__mhchem_hp_s:nnn{20230420}{Może powodować dÅ‚ugotrwaÅ‚e i rozproszone zanieczyszczenie zasobów wodnych}{}}}% +\tl_gset:cn{g__mhchem_hp_pl_EUH451-0_tl}{{EUH451}{% + \__mhchem_hp_s:nnn{20230420}{Może powodować bardzo dÅ‚ugotrwaÅ‚e i rozproszone zanieczyszczenie zasobów wodnych}{}}}% \tl_gset:cn{g__mhchem_hp_pl_P101-0_tl}{{P101}{% \__mhchem_hp_s:nnn{20081216}{W razie koniecznoÅ›ci zasiÄ™gniÄ™cia porady lekarza należy pokazać pojemnik lub etykietÄ™.}{}}}% \tl_gset:cn{g__mhchem_hp_pl_P102-0_tl}{{P102}{% @@ -1005,4 +1021,4 @@ \__mhchem_hp_s:nnn{20180301}{W przypadku pożaru: Ewakuować teren. Z powodu ryzyka wybuchu gasić pożar z odlegÅ‚oÅ›ci. [Użyć \noexpand\textellipsis{} do gaszenia].}{}}}% % \group_end: -\ExplSyntaxOff \ No newline at end of file +\ExplSyntaxOff diff --git a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-pt.inc.sty b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-pt.inc.sty index f32b086dde..2c4fd64aa0 100644 --- a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-pt.inc.sty +++ b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-pt.inc.sty @@ -1,6 +1,6 @@ %% hpstatement-pt.inc.sty -%% 2021-12-31 -%% Copyright 2019-2021 Martin Hensel +%% 2024-01-29 +%% Copyright 2019-2024 Martin Hensel % %% This file is part of the mhchem bundle for LaTeX % @@ -10,8 +10,8 @@ % provided you acknowledge the source and indicate any changes you have made. % The data is not necessarily comprehensive, complete, accurate or up to date. % The acknowledgement is not needed when using statements of the data set for labelling products, of course, as this is the intended usage. -% (c) European Union, https://eur-lex.europa.eu, 1998-2021, CC BY 4.0 -% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2021, CC BY 4.0 +% (c) European Union, https://eur-lex.europa.eu, 1998-2023, CC BY 4.0 +% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2024, CC BY 4.0 % % \ExplSyntaxOn @@ -344,8 +344,24 @@ \__mhchem_hp_s:nnn{20211001}{Aten\c{c}ão! Podem formar-se gotículas inaláveis perigosas ao pulverizar. Não respirar a pulveriza\c{c}ão ou n\'evoas.}{}}}% \tl_gset:cn{g__mhchem_hp_pt_EUH212-0_tl}{{EUH212}{% \__mhchem_hp_s:nnn{20211001}{Aten\c{c}ão! Podem formar-se poeiras inaláveis perigosas ao pulverizar. Não respirar as poeiras.}{}}}% +\tl_gset:cn{g__mhchem_hp_pt_EUH380-0_tl}{{EUH380}{% + \__mhchem_hp_s:nnn{20230420}{Pode causar desregula\c{c}ão endócrina nos seres humanos}{}}}% +\tl_gset:cn{g__mhchem_hp_pt_EUH381-0_tl}{{EUH381}{% + \__mhchem_hp_s:nnn{20230420}{Suspeito de causar desregula\c{c}ão endócrina nos seres humanos}{}}}% \tl_gset:cn{g__mhchem_hp_pt_EUH401-0_tl}{{EUH401}{% \__mhchem_hp_s:nnn{20081216}{Para evitar riscos para a saúde humana e para o ambiente, respeitar as instru\c{c}ões de utiliza\c{c}ão.}{}}}% +\tl_gset:cn{g__mhchem_hp_pt_EUH430-0_tl}{{EUH430}{% + \__mhchem_hp_s:nnn{20230420}{Pode causar desregula\c{c}ão endócrina no ambiente}{}}}% +\tl_gset:cn{g__mhchem_hp_pt_EUH431-0_tl}{{EUH431}{% + \__mhchem_hp_s:nnn{20230420}{Suspeito de causar desregula\c{c}ão endócrina no ambiente}{}}}% +\tl_gset:cn{g__mhchem_hp_pt_EUH440-0_tl}{{EUH440}{% + \__mhchem_hp_s:nnn{20230420}{Acumula-se no ambiente e nos organismos vivos, inclusive no ser humano}{}}}% +\tl_gset:cn{g__mhchem_hp_pt_EUH441-0_tl}{{EUH441}{% + \__mhchem_hp_s:nnn{20230420}{Acumula-se fortemente no ambiente e nos organismos vivos, inclusive no ser humano}{}}}% +\tl_gset:cn{g__mhchem_hp_pt_EUH450-0_tl}{{EUH450}{% + \__mhchem_hp_s:nnn{20230420}{Pode causar uma contamina\c{c}ão prolongada e difusa dos recursos hídricos}{}}}% +\tl_gset:cn{g__mhchem_hp_pt_EUH451-0_tl}{{EUH451}{% + \__mhchem_hp_s:nnn{20230420}{Pode causar uma contamina\c{c}ão muito prolongada e difusa dos recursos hídricos}{}}}% \tl_gset:cn{g__mhchem_hp_pt_P101-0_tl}{{P101}{% \__mhchem_hp_s:nnn{20081216}{Se for necessário consultar um m\'edico, mostre-lhe a embalagem ou o rótulo.}{}}}% \tl_gset:cn{g__mhchem_hp_pt_P102-0_tl}{{P102}{% @@ -1004,4 +1020,4 @@ \__mhchem_hp_s:nnn{20180301}{Em caso de inc\^endio: Evacuar a zona. Combater o inc\^endio \`a dist\^ancia, devido ao risco de explosão. [Para extinguir utilizar\noexpand\textellipsis{}].}{}}}% % \group_end: -\ExplSyntaxOff \ No newline at end of file +\ExplSyntaxOff diff --git a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-ro.inc.sty b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-ro.inc.sty index 43af9d0fb3..faac59578d 100644 --- a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-ro.inc.sty +++ b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-ro.inc.sty @@ -1,6 +1,6 @@ %% hpstatement-ro.inc.sty -%% 2021-12-31 -%% Copyright 2019-2021 Martin Hensel +%% 2024-01-29 +%% Copyright 2019-2024 Martin Hensel % %% This file is part of the mhchem bundle for LaTeX % @@ -10,8 +10,8 @@ % provided you acknowledge the source and indicate any changes you have made. % The data is not necessarily comprehensive, complete, accurate or up to date. % The acknowledgement is not needed when using statements of the data set for labelling products, of course, as this is the intended usage. -% (c) European Union, https://eur-lex.europa.eu, 1998-2021, CC BY 4.0 -% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2021, CC BY 4.0 +% (c) European Union, https://eur-lex.europa.eu, 1998-2023, CC BY 4.0 +% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2024, CC BY 4.0 % % \ExplSyntaxOn @@ -389,9 +389,25 @@ \__mhchem_hp_s:nnn{20211001}{Avertizare! Se pot forma picături respirabile periculoase la pulverizare. Nu respiraÈ›i prin pulverizare sau ceață.}{}}}% \tl_gset:cn{g__mhchem_hp_ro_EUH212-0_tl}{{EUH212}{% \__mhchem_hp_s:nnn{20211001}{Avertizare! Se poate forma pulbere respirabilă periculoasă \^in timpul utilizării. Nu inspiraÈ›i pulberea.}{}}}% +\tl_gset:cn{g__mhchem_hp_ro_EUH380-0_tl}{{EUH380}{% + \__mhchem_hp_s:nnn{20230420}{Poate cauza dereglări endocrine la oameni}{}}}% +\tl_gset:cn{g__mhchem_hp_ro_EUH381-0_tl}{{EUH381}{% + \__mhchem_hp_s:nnn{20230420}{Suspectată că ar cauza dereglări endocrine la oameni}{}}}% \tl_gset:cn{g__mhchem_hp_ro_EUH401-0_tl}{{EUH401}{% \__mhchem_hp_s:nnn{20101201}{Pentru a evita riscurile pentru sănătatea umană È™i mediu, a se respecta instrucÈ›iunile de utilizare.}{% \__mhchem_hp_s:nnn{20081216}{Pentru a evita riscurile pentru sănătatea umană ÅŸi mediu, a se respecta instrucÅ£iunile de utilizare.}{}}}}% +\tl_gset:cn{g__mhchem_hp_ro_EUH430-0_tl}{{EUH430}{% + \__mhchem_hp_s:nnn{20230420}{Poate cauza perturbări endocrine la nivelul mediului}{}}}% +\tl_gset:cn{g__mhchem_hp_ro_EUH431-0_tl}{{EUH431}{% + \__mhchem_hp_s:nnn{20230420}{Suspectată că ar cauza perturbări endocrine la nivelul mediului}{}}}% +\tl_gset:cn{g__mhchem_hp_ro_EUH440-0_tl}{{EUH440}{% + \__mhchem_hp_s:nnn{20230420}{Se acumulează \^in mediu È™i \^in organismele vii, inclusiv la oameni}{}}}% +\tl_gset:cn{g__mhchem_hp_ro_EUH441-0_tl}{{EUH441}{% + \__mhchem_hp_s:nnn{20230420}{Se acumulează puternic \^in mediu È™i \^in organismele vii, inclusiv la oameni}{}}}% +\tl_gset:cn{g__mhchem_hp_ro_EUH450-0_tl}{{EUH450}{% + \__mhchem_hp_s:nnn{20230420}{Poate cauza contaminarea difuză È™i de lungă durată a resurselor de apă}{}}}% +\tl_gset:cn{g__mhchem_hp_ro_EUH451-0_tl}{{EUH451}{% + \__mhchem_hp_s:nnn{20230420}{Poate cauza contaminarea difuză È™i de foarte lungă durată a resurselor de apă}{}}}% \tl_gset:cn{g__mhchem_hp_ro_P101-0_tl}{{P101}{% \__mhchem_hp_s:nnn{20081216}{Dacă este necesară consultarea medicului, È›ineÈ›i la \^indem\^ană recipientul sau eticheta produsului.}{}}}% \tl_gset:cn{g__mhchem_hp_ro_P102-0_tl}{{P102}{% @@ -1144,4 +1160,4 @@ \__mhchem_hp_s:nnn{20180301}{\^In caz de incendiu: EvacuaÈ›i zona. StingeÈ›i incendiul de la distanță din cauza pericolului de explozie. [UtilizaÈ›i \noexpand\textellipsis{} pentru stingere].}{}}}% % \group_end: -\ExplSyntaxOff \ No newline at end of file +\ExplSyntaxOff diff --git a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-sk.inc.sty b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-sk.inc.sty index 7eb2277f2d..da2445aad5 100644 --- a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-sk.inc.sty +++ b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-sk.inc.sty @@ -1,6 +1,6 @@ %% hpstatement-sk.inc.sty -%% 2021-12-31 -%% Copyright 2019-2021 Martin Hensel +%% 2024-01-29 +%% Copyright 2019-2024 Martin Hensel % %% This file is part of the mhchem bundle for LaTeX % @@ -10,8 +10,8 @@ % provided you acknowledge the source and indicate any changes you have made. % The data is not necessarily comprehensive, complete, accurate or up to date. % The acknowledgement is not needed when using statements of the data set for labelling products, of course, as this is the intended usage. -% (c) European Union, https://eur-lex.europa.eu, 1998-2021, CC BY 4.0 -% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2021, CC BY 4.0 +% (c) European Union, https://eur-lex.europa.eu, 1998-2023, CC BY 4.0 +% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2024, CC BY 4.0 % % \ExplSyntaxOn @@ -346,8 +346,24 @@ \__mhchem_hp_s:nnn{20211001}{Pozor! Pri rozpraÅ¡ovaní sa m\^ožu vytváraÅ¥ nebezpeÄn\'e respirabiln\'e kvap\^oÄky. Nevdychujte aerosóly ani hmlu.}{}}}% \tl_gset:cn{g__mhchem_hp_sk_EUH212-0_tl}{{EUH212}{% \__mhchem_hp_s:nnn{20211001}{Pozor! Pri použití sa m\^ože vytváraÅ¥ nebezpeÄný respirabilný prach. Nevdychujte prach.}{}}}% +\tl_gset:cn{g__mhchem_hp_sk_EUH380-0_tl}{{EUH380}{% + \__mhchem_hp_s:nnn{20230420}{M\^ože sp\^osobiÅ¥ endokrinnú disrupciu u ľudí}{}}}% +\tl_gset:cn{g__mhchem_hp_sk_EUH381-0_tl}{{EUH381}{% + \__mhchem_hp_s:nnn{20230420}{Podozrenie, že sp\^osobuje endokrinnú disrupciu u ľudí}{}}}% \tl_gset:cn{g__mhchem_hp_sk_EUH401-0_tl}{{EUH401}{% \__mhchem_hp_s:nnn{20081216}{Dodržiavajte návod na používanie, aby ste zabránili vzniku rizík pre zdravie ľudí a životn\'e prostredie.}{}}}% +\tl_gset:cn{g__mhchem_hp_sk_EUH430-0_tl}{{EUH430}{% + \__mhchem_hp_s:nnn{20230420}{M\^ože sp\^osobiÅ¥ endokrinnú disrupciu v životnom prostredí}{}}}% +\tl_gset:cn{g__mhchem_hp_sk_EUH431-0_tl}{{EUH431}{% + \__mhchem_hp_s:nnn{20230420}{Podozrenie, že sp\^osobuje endokrinnú disrupciu v životnom prostredí}{}}}% +\tl_gset:cn{g__mhchem_hp_sk_EUH440-0_tl}{{EUH440}{% + \__mhchem_hp_s:nnn{20230420}{Akumuluje sa v životnom prostredí a živých organizmoch vrátane ľudí}{}}}% +\tl_gset:cn{g__mhchem_hp_sk_EUH441-0_tl}{{EUH441}{% + \__mhchem_hp_s:nnn{20230420}{Výrazne sa akumuluje v životnom prostredí a živých organizmoch vrátane ľudí}{}}}% +\tl_gset:cn{g__mhchem_hp_sk_EUH450-0_tl}{{EUH450}{% + \__mhchem_hp_s:nnn{20230420}{M\^ože sp\^osobiÅ¥ dlhotrvajúcu a difúznu kontamináciu vodných zdrojov}{}}}% +\tl_gset:cn{g__mhchem_hp_sk_EUH451-0_tl}{{EUH451}{% + \__mhchem_hp_s:nnn{20230420}{M\^ože sp\^osobiÅ¥ veľmi dlhotrvajúcu a difúznu kontamináciu vodných zdrojov}{}}}% \tl_gset:cn{g__mhchem_hp_sk_P101-0_tl}{{P101}{% \__mhchem_hp_s:nnn{20101201}{Ak je potrebná lekárska pomoc, majte k dispozícii obal alebo etiketu výrobku.}{% \__mhchem_hp_s:nnn{20081216}{Ak je potrebná lekárska pomoc, majte k dispozícii obal alebo etiketu výrobku.}{}}}}% @@ -1013,4 +1029,4 @@ \__mhchem_hp_s:nnn{20180301}{V prípade požiaru: Priestory evakuujte. Z d\^ovodu nebezpeÄenstva výbuchu požiar haste z diaľky. [Na hasenie použite\noexpand\textellipsis{}].}{}}}% % \group_end: -\ExplSyntaxOff \ No newline at end of file +\ExplSyntaxOff diff --git a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-sl.inc.sty b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-sl.inc.sty index 8a840971a9..f9863b2f1f 100644 --- a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-sl.inc.sty +++ b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-sl.inc.sty @@ -1,6 +1,6 @@ %% hpstatement-sl.inc.sty -%% 2021-12-31 -%% Copyright 2019-2021 Martin Hensel +%% 2024-01-29 +%% Copyright 2019-2024 Martin Hensel % %% This file is part of the mhchem bundle for LaTeX % @@ -10,8 +10,8 @@ % provided you acknowledge the source and indicate any changes you have made. % The data is not necessarily comprehensive, complete, accurate or up to date. % The acknowledgement is not needed when using statements of the data set for labelling products, of course, as this is the intended usage. -% (c) European Union, https://eur-lex.europa.eu, 1998-2021, CC BY 4.0 -% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2021, CC BY 4.0 +% (c) European Union, https://eur-lex.europa.eu, 1998-2023, CC BY 4.0 +% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2024, CC BY 4.0 % % \ExplSyntaxOn @@ -346,8 +346,24 @@ \__mhchem_hp_s:nnn{20211001}{Pozor! Pri razprÅ¡evanju lahko nastanejo nevarne vdihljive kapljice. Ne vdihavajte razprÅ¡ila ali meglic.}{}}}% \tl_gset:cn{g__mhchem_hp_sl_EUH212-0_tl}{{EUH212}{% \__mhchem_hp_s:nnn{20211001}{Pozor! Pri uporabi lahko nastane nevaren vdihljiv prah. Prahu ne vdihavajte.}{}}}% +\tl_gset:cn{g__mhchem_hp_sl_EUH380-0_tl}{{EUH380}{% + \__mhchem_hp_s:nnn{20230420}{Lahko povzroÄi endokrine motnje pri ljudeh.}{}}}% +\tl_gset:cn{g__mhchem_hp_sl_EUH381-0_tl}{{EUH381}{% + \__mhchem_hp_s:nnn{20230420}{Domnevno povzroÄa endokrine motnje pri ljudeh.}{}}}% \tl_gset:cn{g__mhchem_hp_sl_EUH401-0_tl}{{EUH401}{% \__mhchem_hp_s:nnn{20081216}{Da bi se izognili tveganjem za ljudi in okolje, ravnajte v skladu z navodili za uporabo.}{}}}% +\tl_gset:cn{g__mhchem_hp_sl_EUH430-0_tl}{{EUH430}{% + \__mhchem_hp_s:nnn{20230420}{Lahko povzroÄi endokrine motnje v okolju.}{}}}% +\tl_gset:cn{g__mhchem_hp_sl_EUH431-0_tl}{{EUH431}{% + \__mhchem_hp_s:nnn{20230420}{Domnevno povzroÄa endokrine motnje v okolju.}{}}}% +\tl_gset:cn{g__mhchem_hp_sl_EUH440-0_tl}{{EUH440}{% + \__mhchem_hp_s:nnn{20230420}{Se kopiÄi v okolju in živih organizmih, tudi v ljudeh.}{}}}% +\tl_gset:cn{g__mhchem_hp_sl_EUH441-0_tl}{{EUH441}{% + \__mhchem_hp_s:nnn{20230420}{Se moÄno kopiÄi v okolju in živih organizmih, tudi v ljudeh.}{}}}% +\tl_gset:cn{g__mhchem_hp_sl_EUH450-0_tl}{{EUH450}{% + \__mhchem_hp_s:nnn{20230420}{Lahko povzroÄi dolgotrajno in razprÅ¡eno kontaminacijo vodnih virov.}{}}}% +\tl_gset:cn{g__mhchem_hp_sl_EUH451-0_tl}{{EUH451}{% + \__mhchem_hp_s:nnn{20230420}{Lahko povzroÄi zelo dolgotrajno in razprÅ¡eno kontaminacijo vodnih virov.}{}}}% \tl_gset:cn{g__mhchem_hp_sl_P101-0_tl}{{P101}{% \__mhchem_hp_s:nnn{20081216}{ÄŒe je potreben zdravniÅ¡ki nasvet, mora biti na voljo posoda ali etiketa proizvoda.}{}}}% \tl_gset:cn{g__mhchem_hp_sl_P102-0_tl}{{P102}{% @@ -1006,4 +1022,4 @@ \__mhchem_hp_s:nnn{20180301}{Ob požaru: Izprazniti obmoÄje. Gasiti z veÄje razdalje zaradi nevarnosti eksplozije. [Za gaÅ¡enje uporabiti \noexpand\textellipsis{}].}{}}}% % \group_end: -\ExplSyntaxOff \ No newline at end of file +\ExplSyntaxOff diff --git a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-sv.inc.sty b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-sv.inc.sty index 641530a6dd..85c9545abf 100644 --- a/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-sv.inc.sty +++ b/macros/latex/contrib/mhchem/hpstatement.inc/hpstatement-sv.inc.sty @@ -1,6 +1,6 @@ %% hpstatement-sv.inc.sty -%% 2021-12-31 -%% Copyright 2019-2021 Martin Hensel +%% 2024-01-29 +%% Copyright 2019-2024 Martin Hensel % %% This file is part of the mhchem bundle for LaTeX % @@ -10,8 +10,8 @@ % provided you acknowledge the source and indicate any changes you have made. % The data is not necessarily comprehensive, complete, accurate or up to date. % The acknowledgement is not needed when using statements of the data set for labelling products, of course, as this is the intended usage. -% (c) European Union, https://eur-lex.europa.eu, 1998-2021, CC BY 4.0 -% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2021, CC BY 4.0 +% (c) European Union, https://eur-lex.europa.eu, 1998-2023, CC BY 4.0 +% (c) hpstatements contributors, https://github.com/mhchem/hpstatements/contributors, 2019-2024, CC BY 4.0 % % \ExplSyntaxOn @@ -344,9 +344,25 @@ \__mhchem_hp_s:nnn{20211001}{Varning! Farliga respirabla droppar kan bildas vid sprejning. Inandas inte sprej eller dimma.}{}}}% \tl_gset:cn{g__mhchem_hp_sv_EUH212-0_tl}{{EUH212}{% \__mhchem_hp_s:nnn{20211001}{Varning! Farligt respirabelt damm kan bildas vid anv\"andning. Inandas inte damm.}{}}}% +\tl_gset:cn{g__mhchem_hp_sv_EUH380-0_tl}{{EUH380}{% + \__mhchem_hp_s:nnn{20230420}{Kan orsaka hormonst\"orningar hos m\"anniskor}{}}}% +\tl_gset:cn{g__mhchem_hp_sv_EUH381-0_tl}{{EUH381}{% + \__mhchem_hp_s:nnn{20230420}{Misst\"anks orsaka hormonst\"orningar hos m\"anniskor}{}}}% \tl_gset:cn{g__mhchem_hp_sv_EUH401-0_tl}{{EUH401}{% \__mhchem_hp_s:nnn{20101201}{F\"or att undvika risker f\"or m\"anniskors h\"alsa och f\"or milj\"on, f\"olj bruksanvisningen.}{% \__mhchem_hp_s:nnn{20081216}{F\"or att undvika risker f\"or m\"anniskors h\"alsa och f\"or milj\"on, f\"olj bruksanvisningen.}{}}}}% +\tl_gset:cn{g__mhchem_hp_sv_EUH430-0_tl}{{EUH430}{% + \__mhchem_hp_s:nnn{20230420}{Kan orsaka hormonst\"orningar i milj\"on}{}}}% +\tl_gset:cn{g__mhchem_hp_sv_EUH431-0_tl}{{EUH431}{% + \__mhchem_hp_s:nnn{20230420}{Misst\"anks orsaka hormonst\"orningar i milj\"on}{}}}% +\tl_gset:cn{g__mhchem_hp_sv_EUH440-0_tl}{{EUH440}{% + \__mhchem_hp_s:nnn{20230420}{Ackumuleras i milj\"on och i levande organismer, inbegripet m\"anniskor.}{}}}% +\tl_gset:cn{g__mhchem_hp_sv_EUH441-0_tl}{{EUH441}{% + \__mhchem_hp_s:nnn{20230420}{Ackumuleras kraftigt i milj\"on och i levande organismer, inbegripet m\"anniskor.}{}}}% +\tl_gset:cn{g__mhchem_hp_sv_EUH450-0_tl}{{EUH450}{% + \__mhchem_hp_s:nnn{20230420}{LÃ¥nglivat \"amne som kan f\"ororena vattenk\"allor}{}}}% +\tl_gset:cn{g__mhchem_hp_sv_EUH451-0_tl}{{EUH451}{% + \__mhchem_hp_s:nnn{20230420}{Mycket lÃ¥nglivat \"amne som kan f\"ororena vattenk\"allor}{}}}% \tl_gset:cn{g__mhchem_hp_sv_P101-0_tl}{{P101}{% \__mhchem_hp_s:nnn{20081216}{Ha f\"orpackningen eller etiketten till hands om du mÃ¥ste s\"oka l\"akarvÃ¥rd.}{}}}% \tl_gset:cn{g__mhchem_hp_sv_P102-0_tl}{{P102}{% @@ -1000,4 +1016,4 @@ \__mhchem_hp_s:nnn{20180301}{Vid brand: Utrym omrÃ¥det. Bek\"ampa branden pÃ¥ avstÃ¥nd pÃ¥ grund av explosionsrisken. [Sl\"ack med \noexpand\textellipsis{}].}{}}}% % \group_end: -\ExplSyntaxOff \ No newline at end of file +\ExplSyntaxOff diff --git a/macros/latex/contrib/mhchem/hpstatement.sty b/macros/latex/contrib/mhchem/hpstatement.sty index d56df0c8a9..3cf0c010a7 100644 --- a/macros/latex/contrib/mhchem/hpstatement.sty +++ b/macros/latex/contrib/mhchem/hpstatement.sty @@ -1,6 +1,6 @@ %% hpstatement.sty -%% 2021-12-31 -%% Copyright 2004-2021 Martin Hensel +%% 2024-01-29 +%% Copyright 2004-2024 Martin Hensel % % This work may be distributed and/or modified under the % conditions of the LaTeX Project Public License version 1.3c @@ -34,8 +34,8 @@ \RequirePackage{iflang} \ProvidesExplPackage {hpstatement} - {2021/12/31} - {2.00} + {2024/01/29} + {2.1.0} {H and P statements (mhchem bundle)} \cs_generate_variant:Nn \tl_if_eq:nnT { V } diff --git a/macros/latex/contrib/mhchem/manifest.txt b/macros/latex/contrib/mhchem/manifest.txt index 944db37a7f..e84cf64353 100644 --- a/macros/latex/contrib/mhchem/manifest.txt +++ b/macros/latex/contrib/mhchem/manifest.txt @@ -1,7 +1,6 @@ This work consists of the files mhchem.sty (Copyright Martin Hensel) - mhchem.4ht (Copyright Martin Hensel) hpstatement/ |- hpstatement.sty (Copyright Martin Hensel) |- hpstatement-de.inc.sty (Copyright Martin Hensel, except the contained statements) diff --git a/macros/latex/contrib/mhchem/mhchem.4ht b/macros/latex/contrib/mhchem/mhchem.4ht deleted file mode 100644 index 8962f885c5..0000000000 --- a/macros/latex/contrib/mhchem/mhchem.4ht +++ /dev/null @@ -1,206 +0,0 @@ -%% mhchem.4ht -%% 2021-12-31 -%% Copyright 2015-2021 Martin Hensel -% -%% This file is part of the mhchem bundle for LaTeX -% -% This work may be distributed and/or modified under the -% conditions of the LaTeX Project Public License version 1.3c -% which is included as lppl-1-3c.txt. -% -% This work has the LPPL maintenance status "maintained". -% The Current Maintainer of this work is Martin Hensel. -% -% ( In order to fight spam, the maintainer's contact ) -% ( information is "encrypted" with ROT13. ) -% ( If you do not know ROT13 yet and have no tool for ) -% ( decryption, simply do an Internet search for "ROT13". ) -% -% ,---[ ROT 13 ]--- -% | Gur Pheerag Znvagnvare bs guvf jbex vf Znegva Urafry -% | jub pna or pbagnpgrq ivn -% | zupurz@ZnegvaUrafry.qr -% | be ivn znvy -% | Znegva Urafry -% | Cbfgfge. 20 -% | 09232 Unegznaafqbes -% | Treznal -% `---------- -% -% This work consists of all files listed in manifest.txt. -% -% -\ExplSyntaxOn - -\Css - { - .mhchem ~ .mhchem-cf { white-space: nowrap; } - .mhchem ~ .mhchem-isotope { font-size: 0.65em; line-height: 1; display: inline-block; vertical-align: sub; text-align: right; } - .mhchem ~ .mhchem-supsub { font-size: 0.65em; line-height: 1; display: inline-block; vertical-align: sub; } - .mhchem ~ .mhchem-sup { font-size: 0.65em; line-height: 1; display: inline-block; vertical-align: 68\%; } - .mhchem ~ .mhchem-sub { font-size: 0.65em; line-height: 1; display: inline-block; vertical-align: sub; } - .mhchem ~ .mhchem-rlap { display: inline-block; width: 0; } - .mhchem ~ .mhchem-bond-half-top { vertical-align: 60\%; } - .mhchem ~ .mhchem-bond-half-middle { vertical-align: 35\%; } - .mhchem ~ .mhchem-bond-top { vertical-align: 20\%; } - .mhchem ~ .mhchem-bond-bottom { vertical-align: -20\%; } - .mhchem ~ .mhchem-arrow { display: inline-flex; flex-direction: column; vertical-align: middle; } - .mhchem ~ .mhchem-arrow > span { line-height: 80\%; text-align: center; } - .mhchem ~ .mhchem-arrow > .mhchem-above { min-height: 1em; font-size: 60\%; } - .mhchem ~ .mhchem-arrow > .mhchem-below { min-height: 1em; font-size: 60\%; } - .mhchem ~ .mhchem-arrow > span.mhchem-arrow-normal { line-height: 40\%; } - .mhchem ~ .mhchem-arrow > span.mhchem-arrow-larger { line-height: 25\%; font-size: 150\%; } - .mhchem ~ .mhchem-arrow > span.mhchem-arrow-complement { line-height: 25\%; } - } -\cs_set_protected:Npn \__mhchem_output_begin_ce: { \HCode { } } -\cs_set_protected:Npn \__mhchem_output_end_ce: { \HCode { } } -\cs_set_protected:Npn \__mhchem_output_begin_cf: { \HCode { } } -\cs_set_protected:Npn \__mhchem_output_end_cf: { \HCode { } } -\cs_set_protected:Npn \__mhchem_output_coreFive:nnnnnnn #1#2#3#4#5#6#7 - { - \bool_if:nT - { \tl_if_empty_p:n {#7} && ! \tl_if_empty_p:n {#5} } - { \bool_set_true:N \l__mhchem_option_superscriptsStacked_bool } - - \tl_if_empty:nF {#1#2} - { - \HCode { } - \__mhchem_output_withFont:n { #1 } - \HCode { &\#xfeff; } - \__mhchem_output_withFont:n { #2 } - \HCode { } - } - \__mhchem_output_withFont:n { #3 } - \bool_if:NTF \l__mhchem_option_superscriptsStacked_bool - { - \tl_if_empty:nTF {#4#5#7} - { - \tl_if_empty:nF {#6} - { - \HCode { } - \__mhchem_output_withFont:n { #6 } - \HCode { } - } - } - { - \tl_if_empty:nTF {#6} - { - \HCode { } - \__mhchem_output_withFont:n { #4#5#7 } - \HCode { } - } - { - \HCode { } - \__mhchem_output_withFont:n { #4#5#7 } - \HCode { &\#xfeff; } - \__mhchem_output_withFont:n { #6 } - \HCode { } - } - } - } - { - \tl_if_empty:nF {#4} - { - \HCode { } - \__mhchem_output_withFont:n { #4 } - \HCode { } - } - \tl_if_empty:nF {#6} - { - \HCode { } - \__mhchem_output_withFont:n { #6 } - \HCode { } - } - \tl_if_empty:nF {#5#7} - { - \HCode { } - \__mhchem_output_withFont:n { #5#7 } - \HCode { } - } - } - } - -\cs_set_protected:Npn \__mhchem_output_withFont:n #1 %. output #1 as math or text - { - \bool_if:NTF \l__mhchem_output_isMathMode_bool - { \mathrm {#1} } - { \text {#1} } - } -\cs_set_protected:Npn \__mhchem_output_skipAfterAmount: { \HCode { ~ } } % space for copy & paste -\cs_set_protected:Npn \__mhchem_output_skipBeforeStateOfAggregation: {} -\cs_set_protected:Npn \__mhchem_output_minus: { \HCode { − } } -\cs_set_protected:Npn \__mhchem_output_operatorPlus: - { \HCode { ~ } + \HCode { ~ } } -\cs_set_protected:Npn \__mhchem_output_operatorMinus: - { \HCode { ~ − ~ } } -\cs_set_protected:Npn \__mhchem_output_operatorEquals: - { \HCode { ~ } = \HCode { ~ } } -\cs_set_protected:Npn \__mhchem_output_operatorPlusMinus: - { \HCode { ~ ± ~ } } -\cs_set_protected:Npn \__mhchem_output_electronDot: { \HCode { • } } -\cs_set_protected:Npn \__mhchem_output_additionCompound: { \HCode { · } } -\cs_set_protected:Npn \__mhchem_output_excited: { \HCode { &\#x2731; } } -\cs_set_protected:Npn \__mhchem_output_commaDecimal: { , } -\cs_set_protected:Npn \__mhchem_output_commaEnumeration: { , \HCode {   } } -\cs_set_protected:Npn \__mhchem_output_commaEnumerationSmall: { , \HCode {   } } - -\cs_set_protected:Npn \__mhchem_output_bond_single: { \HCode { − } } -\cs_set_protected:Npn \__mhchem_output_bond_double: { \HCode { = } } -\cs_set_protected:Npn \__mhchem_output_bond_triple: { \HCode { ≡ } } -\cs_set_protected:Npn \__mhchem_output_bond_half: % todo: improve - { \HCode { &\#xfe4d; } } -\cs_set_protected:Npn \__mhchem_output_bond_oneAndHalf: % todo: improve - { \HCode { −&\#xfe4d; } } -\cs_set_protected:Npn \__mhchem_output_bond_twoAndHalf: % todo: improve - { \HCode { =&\#xfe4d; } } -\cs_set_protected:Npn \__mhchem_output_bond_twoAndHalff: % todo: improve - { \HCode { −−&\#xfe4d; } } -\cs_set_protected:Npn \__mhchem_output_bond_dotdotdot: { \HCode { ··· } } -\cs_set_protected:Npn \__mhchem_output_bond_dotdotdotdot: { \HCode { ···· } } -\cs_set_protected:Npn \__mhchem_output_bond_rightArrow: { \HCode { &\#xffeb; } } -\cs_set_protected:Npn \__mhchem_output_bond_leftArrow: { \HCode { &\#xffe9; } } - -\cs_set_protected:Npn \__mhchem_arrow_deploy:nnnnn #1#2#3#4#5 - { - \HCode { } - \tl_if_empty:nF {#3#5} - { - \HCode { } - \str_case:nnF {#2} - { - { } { \ce { #3 } } - { M } { \ensuremath { #3 } } - { T } { \text { #3 } } - { C } { \ce { #3 } } - } - { \msg_error:nnn { mhchem } { unexpected-arrow-type } {#2} } - \HCode { } - } - \str_case:nnF {#1} - { - { yields } { \HCode { &\#x2192; } } - { yieldsLeft } { \HCode { &\#x2190; } } - { yieldsLeftRight } { \HCode { &\#x21c4; } } % todo: improve - { mesomerism } { \HCode { &\#x2194; } } % todo: improve - { equilibrium } { \HCode { &\#x21cc; } } % todo: improve - { equilibriumRight } { \HCode { &\#x21c0;&\#x21bd; } } % todo: improve - { equilibriumLeft } { \HCode { &\#x21c0;&\#x21bd; } } % todo: improve - } - { \msg_error:nnn { mhchem } { unexpected-arrow-type } {#1} } - \tl_if_empty:nF {#3#5} - { - \HCode { } - \str_case:nnF {#2} - { - { } { \ce { #5 } } - { M } { \ensuremath { #5 } } - { T } { \text { #5 } } - { C } { \ce { #5 } } - } - { \msg_error:nnn { mhchem } { unexpected-arrow-type } {#2} } - \HCode { } - } - \HCode { } - } - -\ExplSyntaxOff diff --git a/macros/latex/contrib/mhchem/mhchem.pdf b/macros/latex/contrib/mhchem/mhchem.pdf index 425ac5a27d..a171dd4c7b 100644 Binary files a/macros/latex/contrib/mhchem/mhchem.pdf and b/macros/latex/contrib/mhchem/mhchem.pdf differ diff --git a/macros/latex/contrib/mhchem/mhchem.sty b/macros/latex/contrib/mhchem/mhchem.sty index 24f04a0261..2e8cafa884 100644 --- a/macros/latex/contrib/mhchem/mhchem.sty +++ b/macros/latex/contrib/mhchem/mhchem.sty @@ -1,6 +1,6 @@ %% mhchem.sty -%% 2021-12-31 -%% Copyright 2004-2021 Martin Hensel +%% 2024-01-29 +%% Copyright 2004-2024 Martin Hensel % %% This file is part of the mhchem bundle for LaTeX % @@ -30,7 +30,7 @@ % This work consists of all files listed in manifest.txt. % % -\ProvidesPackage{mhchem}[2021/12/31 v4.09 for typesetting chemical formulae] +\ProvidesPackage{mhchem}[2024/01/29 v4.10 for typesetting chemical formulae] \RequirePackage{expl3} \RequirePackage{l3keys2e} \RequirePackage{calc}[1998/07/07] diff --git a/macros/latex/contrib/mhchem/mhchem.tex b/macros/latex/contrib/mhchem/mhchem.tex index e2a75e4a63..ee93ad0062 100644 --- a/macros/latex/contrib/mhchem/mhchem.tex +++ b/macros/latex/contrib/mhchem/mhchem.tex @@ -1,6 +1,6 @@ %% mhchem.tex -%% 2021-12-31 -%% Copyright 2004-2021 Martin Hensel +%% 2024-01-29 +%% Copyright 2004-2024 Martin Hensel % %% This file is part of the mhchem bundle for LaTeX % @@ -70,8 +70,8 @@ The mhchem Bundle\\[0.3em] \Large\textmd{% Documentation for the \LaTeX{} Packages\\ - mhchem v4.09,\\% check - hpstatement v2.0.0 and\\ + mhchem v4.10,\\% check + hpstatement v2.1.0 and\\ rsphrase v3.11}% } \author{% @@ -79,7 +79,7 @@ mhchem\makebox[0pt][l]{\textcolor{white}{NOSPAM}}@MartinHensel\makebox[1pt][l]{\textcolor{white}{.}}.de% } \date{% - 2021-12-31% check + 2024-01-29% check } \maketitle @@ -911,6 +911,11 @@ Check all complex subscripts and superscripts (more than just number or a charge \section{Most Recent Changes}% check +\minisec{2024-01-29 mhchem v4.10} +\begin{compactitem} +\item Remove TeX4ht support, because the author of TeX4ht added it to his package +\end{compactitem} + \minisec{2021-12-31 mhchem v4.09} \begin{compactitem} \item Bring back lost TeX4ht support @@ -1095,8 +1100,8 @@ Creative Commons Attribution 4.0 International licence This means that you can re-use the content provided you acknowledge the source and indicate any changes you have made. The data is not necessarily comprehensive, complete, accurate or up to date. The acknowledgement is not needed when using statements of the data set for labelling products, of course, as this is the intended usage. -© European Union, \url{https://eur-lex.europa.eu}, 1998-2021, CC BY 4.0, -© hpstatements contributors, \url{https://github.com/mhchem/hpstatements/contributors}, 2019-2021, CC BY 4.0 +© European Union, \url{https://eur-lex.europa.eu}, 1998-2023, CC BY 4.0, +© hpstatements contributors, \url{https://github.com/mhchem/hpstatements/contributors}, 2019-2024, CC BY 4.0 Sources for the R and S phrases were documents downloaded from \url{http://europa.eu.int}, previously to be found under @@ -1109,6 +1114,11 @@ which in turn were linked from \section{Most Recent Changes}% check +\minisec{2024-01-29 hpstatement v2.1.0} +\begin{compactitem} + \item Using most-recent statements from the EU +\end{compactitem} + \minisec{2021-12-31 hpstatement v2.0.0} \begin{compactitem} \item Using most-recent statements from the EU @@ -1151,7 +1161,7 @@ Swedish, and would like to help offering the statements in those languages, please contact the author. It's not much work to do. -The statements are available in all the versions published by the European Union. Oldest version: 2008-12-16. Newest version: 2021-10-01.% check +The statements are available in all the versions published by the European Union. Oldest version: 2008-12-16. Newest version: 2023-12-01.% check \medskip @@ -1303,7 +1313,15 @@ The statements are available in all the versions published by the European Union \hpmanual{EUH210}{F}{{EUH210}} \hpmanual{EUH211}{F}{{EUH211}} \hpmanual{EUH212}{F}{{EUH212}} +\hpmanual{EUH380}{F}{{EUH380}} +\hpmanual{EUH381}{F}{{EUH381}} \hpmanual{EUH401}{F}{{EUH401}} +\hpmanual{EUH430}{F}{{EUH430}} +\hpmanual{EUH431}{F}{{EUH431}} +\hpmanual{EUH440}{F}{{EUH440}} +\hpmanual{EUH441}{F}{{EUH441}} +\hpmanual{EUH450}{F}{{EUH450}} +\hpmanual{EUH451}{F}{{EUH451}} \hpmanual{P101}{F}{{P101}} \hpmanual{P102}{F}{{P102}} \hpmanual{P103}{F}{{P103}} diff --git a/macros/latex/contrib/proflycee/doc/ProfLycee-doc.pdf b/macros/latex/contrib/proflycee/doc/ProfLycee-doc.pdf index e71db25c57..9d43499449 100644 Binary files a/macros/latex/contrib/proflycee/doc/ProfLycee-doc.pdf and b/macros/latex/contrib/proflycee/doc/ProfLycee-doc.pdf differ diff --git a/macros/latex/contrib/proflycee/doc/ProfLycee-doc.tex b/macros/latex/contrib/proflycee/doc/ProfLycee-doc.tex index 1fd55dfcec..fcc8a0b680 100644 --- a/macros/latex/contrib/proflycee/doc/ProfLycee-doc.tex +++ b/macros/latex/contrib/proflycee/doc/ProfLycee-doc.tex @@ -5,8 +5,8 @@ % arara: lualatex: {shell: yes, synctex: no, interaction: batchmode} if found('log', '(undefined references|Please rerun|Rerun to get)') \documentclass[a4paper,french,11pt]{article} -\def\PLversion{3.01f} -\def\PLdate{21 janvier 2024} +\def\PLversion{3.01g} +\def\PLdate{27 janvier 2024} \usepackage{amsfonts} \usepackage{ProfLycee} \useproflyclib{piton,minted,pythontex,ecritures} @@ -257,6 +257,20 @@ \newpage +\phantom{t}\par\vfill\par +\begin{PART} + \begin{center} + \Huge\MakeUppercase{Projets, en test} + \end{center} +\end{PART} +\par\vfill\par\phantom{t} + +\newpage + +\input{ProfLycee-doc-projets.tex} + +\newpage + \phantom{t}\par\vfill\par \begin{PART} \begin{center} diff --git a/macros/latex/contrib/proflycee/tex/ProfLycee.sty b/macros/latex/contrib/proflycee/tex/ProfLycee.sty index 3aea0ee332..f7b6a4477b 100644 --- a/macros/latex/contrib/proflycee/tex/ProfLycee.sty +++ b/macros/latex/contrib/proflycee/tex/ProfLycee.sty @@ -3,7 +3,8 @@ % or later, see http://www.latex-project.org/lppl.txtf \NeedsTeXFormat{LaTeX2e} -\ProvidesPackage{ProfLycee}[2024/01/21 3.01f Aide pour l'utilisation de LaTeX en lycee] +\ProvidesPackage{ProfLycee}[2024/01/27 3.01g Aide pour l'utilisation de LaTeX en lycee] +% 3.01g Ajout de commandes internes, en phase de test (et non documentées à 100%...) % 3.01f PseudoCode avec piton (avec langage=minimal de FP ^^) + Suppression Terminal (doublon avec sim-os-menus) % 3.01e Mise ne conformité avec pyluatex/piton % 3.01d Ajout des commentaires en gris italique (via #) pour le pseudocode diff --git a/macros/latex/contrib/proflycee/tex/proflycee-tools-analyse.tex b/macros/latex/contrib/proflycee/tex/proflycee-tools-analyse.tex index d0bd049bd4..2fb8b930c0 100644 --- a/macros/latex/contrib/proflycee/tex/proflycee-tools-analyse.tex +++ b/macros/latex/contrib/proflycee/tex/proflycee-tools-analyse.tex @@ -126,8 +126,56 @@ {%sinon := expo 'croissante' \draw[thick,#2] ({-0.5*#3},{-0.325*#4}) to[out=1,in=-105] ({0.5*#3},{0.5*#4}); } - \draw[#2] ({0},{0}) node[inner sep=0pt,above=0pt,font=\scriptsize] {\textcircled{$+$}}; - + \draw[#2] ({0},{0}) node[inner sep=0pt,above=0pt,font=\scriptsize] {\textcircled{$+$}};. +} + +\NewDocumentCommand\schematdsexposol{ s m m m o }{%pour les expos avec solution (interne) + % * = étoilée -> a négatif + % #2 = couleur + % #3 = largeur + % #4 = hauteur + % #5 = racine + \IfBooleanTF{#1}%si étoile := expo 'décroissante' + {% + \draw[thick,#2] ({-0.35*#3},{0.5*#4}) to[out=-75,in=179] ($({0.5*#3},{-0.325*#4})+(2mm,0)$) ; + \filldraw[#2] ({-0.1925*#3},0) circle[radius=2pt] ; + \draw[#2] ({0.5*#3},{-0.1625*#4}) node[inner sep=0pt,left=2pt,font=\scriptsize] {\textcircled{$-$}} ; + \draw[#2] ({-0.5*#3},{0.25*#4}) node[inner sep=0pt,right=1pt,font=\scriptsize] {\textcircled{$+$}} ; + \draw[#2] ({-0.1925*#3},0) node[inner sep=0pt,below left=1pt,font=\scriptsize] {$\strut#5$} ; + } + {%sinon := expo 'croissante' + \draw[thick,#2] ({-0.5*#3},{-0.325*#4}) to[out=1,in=-105] ({0.35*#3},{0.5*#4}); + \filldraw[#2] ({0.1925*#3},0) circle[radius=2pt] ; + \draw[#2] ({0.5*#3},{0.25*#4}) node[inner sep=0pt,left=1pt,font=\scriptsize] {\textcircled{$+$}} ; + \draw[#2] ({-0.5*#3},{-0.1625*#4}) node[inner sep=0pt,right=2pt,font=\scriptsize] {\textcircled{$-$}} ; + \draw[#2] ({0.1925*#3},0) node[inner sep=0pt,above left=1pt,font=\scriptsize] {$\strut#5$} ; + } +} + +\NewDocumentCommand\schematdslnsol{ s m m m o }{%pour les ln avec solution (interne) + % * = étoilée -> a négatif + % #2 = couleur + % #3 = largeur + % #4 = hauteur + % #5 = racine + \IfBooleanTF{#1}%si étoile := ln 'décroissante' + {% + %\draw[thick,#2] ({-0.35*#3},{0.5*#4}) to[out=75,in=179] ($({0.5*#3},{0.325*#4})+(2mm,0)$) ; + %\filldraw[#2] ({-0.1925*#3},0) circle[radius=2pt] ; + %\draw[#2] ({-0.5*#3},{-0.25*#4}) node[inner sep=0pt,right=1pt,font=\scriptsize] {\textcircled{$-$}} ; + %\draw[#2] ({0.5*#3},{0.5*0.325*#4}) node[inner sep=0pt,left=1pt,font=\scriptsize] {\textcircled{$+$}} ; + %\draw[thick,#2] ({-0.35*#3},{0.5*#4}) to[out=-75,in=179] ($({0.5*#3},{-0.325*#4})+(2mm,0)$) ; + %\filldraw[#2] ({-0.1925*#3},0) circle[radius=2pt] ; + %\draw[#2] ({0.5*#3},{-0.1625*#4}) node[inner sep=0pt,left=2pt,font=\scriptsize] {\textcircled{$-$}} ; + %\draw[#2] ({-0.5*#3},{0.25*#4}) node[inner sep=0pt,right=1pt,font=\scriptsize] {\textcircled{$+$}} ; + } + {%sinon := ln 'croissante' + \draw[thick,#2] ({-0.35*#3},{-0.5*#4}) to[out=75,in=-175] ($({0.5*#3},{0.45*#4})+(2mm,0)$) ; + \filldraw[#2] ({-0.1975*#3},0) circle[radius=2pt] ; + \draw[#2] ({-0.5*#3},{-0.25*#4}) node[inner sep=0pt,right=1pt,font=\scriptsize] {\textcircled{$-$}} ; + \draw[#2] ({0.5*#3},{0.5*0.425*#4}) node[inner sep=0pt,left=1pt,font=\scriptsize] {\textcircled{$+$}} ; + \draw[#2] ({-0.1925*#3},0) node[inner sep=0pt,above left=1pt,font=\scriptsize] {$\strut#5$} ; + } } \NewDocumentCommand\schematdsparab{ m m m m m o }{%pour les paraboles (interne) @@ -205,6 +253,10 @@ \IfEq{\tdsparam}{pa-d-}{\def\xcode{-10}\def\xcodehautaxe{0}}{} \IfEq{\tdsparam}{expo+}{\def\xcode{20}\def\xcodehautaxe{-0.35}}{} \IfEq{\tdsparam}{expo-}{\def\xcode{-20}\def\xcodehautaxe{-0.35}}{} + \IfEq{\tdsparam}{exposol+}{\def\xcode{30}\def\xcodehautaxe{0}}{} + \IfEq{\tdsparam}{exposol-}{\def\xcode{-30}\def\xcodehautaxe{0}}{} + \IfEq{\tdsparam}{lnsol+}{\def\xcode{40}\def\xcodehautaxe{0}}{} + %\IfEq{\tdsparam}{lnsol-}{\def\xcode{-40}\def\xcodehautaxe{0}}{} %si commande étoilée := commande autonome \IfBooleanTF{#1}% {\begin{tikzpicture}[#3,>=latex]}{}% @@ -256,6 +308,22 @@ \ifnum\xcode=-20 \schematdsexpo*{\tdscouleur}{\tdslarg}{\tdshaut} \fi + %expo avec solution (croissante) code = 30 + \ifnum\xcode=30 + \schematdsexposol{\tdscouleur}{\tdslarg}{\tdshaut}[\tdsracine] + \fi + %expo avec solution (décroissante) code = -30 + \ifnum\xcode=-30 + \schematdsexposol*{\tdscouleur}{\tdslarg}{\tdshaut}[\tdsracine] + \fi + %ln avec solution (croissante) code = 40 + \ifnum\xcode=40 + \schematdslnsol{\tdscouleur}{\tdslarg}{\tdshaut}[\tdsracine] + \fi + %ln avec solution (décroissante) code = -40 + %\ifnum\xcode=-40 + % \schematdslnsol*{\tdscouleur}{\tdslarg}{\tdshaut}[\tdsracine] + %\fi \IfBooleanTF{#1}% {\end{tikzpicture}}{}% } diff --git a/macros/latex/contrib/proflycee/tex/proflycee-tools-arithm.tex b/macros/latex/contrib/proflycee/tex/proflycee-tools-arithm.tex index 9b2d9eb653..01cb4722c4 100644 --- a/macros/latex/contrib/proflycee/tex/proflycee-tools-arithm.tex +++ b/macros/latex/contrib/proflycee/tex/proflycee-tools-arithm.tex @@ -933,4 +933,310 @@ \IfBooleanT{#1}{~avec $0 \leqslant \num{\xintiiRem{#3}{#4}} < \xintifboolexpr{#4 < 0}{\lvert\num{#4}\rvert}{\num{#4}}$}% } +%====ADDITIONS POSÉES ? +\newlength{\colspecbinadd} +\setlength{\colspecbinadd}{2pt} + +\NewDocumentCommand\PosRetenue{ O{red} m }{% + %\tmptextcircled[#1]{#2}% + \textcolor{#1}{\scalebox{\addbinposescret}[\addbinposescret]{#2}}% +} + +\defKV[AddBinaire]{% + CouleurRetenue=\def\addbinposecol{#1},% + Espacement=\setlength{\colspecbinadd}{#1},% + Police=\def\addbinposefont{#1},% + EchelleRetenue=\def\addbinposescret{#1},% + Base=\def\addbinposebase{#1} +} + +\setKVdefault[AddBinaire]{% + CouleurRetenue=red,% + Espacement=2pt,% + Police=\normalsize\normalfont,% + EchelleRetenue=0.4,% + Base=dec,% + Egal=true +} + +\NewDocumentCommand\PoseAddition{ O{} m m }{% + \restoreKV[AddBinaire]% + \setKV[AddBinaire]{#1}% + %le résultat + \IfStrEq{\addbinposebase}{dec}% + {\xdef\tmpresultat{\xinteval{#2+#3}}}% + {}% + \IfStrEq{\addbinposebase}{bin}% + {\xdef\tmpresultat{\xintDecToBin{\xinteval{\xintBinToDec{#2}+\xintBinToDec{#3}}}}}% + {}% + \IfStrEq{\addbinposebase}{hex}% + {\xdef\tmpresultat{\xintDecToHex{\xinteval{\xintHexToDec{#2}+\xintHexToDec{#3}}}}}% + {}% + %\xdef\tmpresultat{\xintDecToBin{\xinteval{\xintBinToDec{#2}+\xintBinToDec{#3}}}}% + %les calculs + \StrLen{#2}[\longueurA]\StrLen{#3}[\longueurB]\StrLen{\tmpresultat}[\longueurC]% + \xdef\longueurMax{\xinteval{max(\longueurA,\longueurB,\longueurC)}}%\longueurMax + %le tableau + \xintifboolexpr{\longueurB > \longueurA}% + {% + \xdef\ArgLigneHaut{#3}\xdef\ArgLigneBas{#2}% + \xdef\addposeehaut{#3}\xdef\addposeebas{#2}% + }% + {% + \xdef\ArgLigneHaut{#2}\xdef\ArgLigneBas{#3}% + \xdef\addposeehaut{#2}\xdef\addposeebas{#3}% + }% + %création de la ligne du haut + \StrLen{\ArgLigneHaut}[\LgHaut]% + \StrChar{\ArgLigneHaut}{\LgHaut}[\LigneBinAdd]% + \foreach \i in {1,...,\inteval{\LgHaut-1}}% + {% + \xdef\tmpcoeff{\xinteval{\LgHaut-\i}}% + \StrChar{\ArgLigneHaut}{\tmpcoeff}[\TmpHaut]% + \xdef\LigneBinAdd{\TmpHaut & \LigneBinAdd}% + }% + \xintifboolexpr{\longueurMax > \LgHaut}% + {% + \foreach \i in {1,...,\inteval{\longueurMax-\LgHaut}}% + {\xdef\LigneBinAdd{& \LigneBinAdd}}% + }% + {}% + %création de la ligne du bas + \StrLen{\ArgLigneBas}[\LgBas]% + \StrChar{\ArgLigneBas}{\LgBas}[\LigneBinAddB]% + \foreach \i in {1,...,\inteval{\LgBas-1}}% + {% + \xdef\tmpcoeff{\xinteval{\LgBas-\i}}% + \StrChar{\ArgLigneBas}{\tmpcoeff}[\TmpBas]% + \xdef\LigneBinAddB{\TmpBas & \LigneBinAddB}% + }% + \xintifboolexpr{\longueurMax > \LgBas}% + {% + \foreach \i in {1,...,\inteval{\longueurMax-\LgBas}}% + {\xdef\LigneBinAddB{& \LigneBinAddB}}% + }% + {}% + %création de la ligne du résultat + \StrLen{\tmpresultat}[\LgRes]% + \StrChar{\tmpresultat}{\LgRes}[\LigneBinRes]% + \foreach \i in {1,...,\inteval{\LgRes-1}}% + {% + \xdef\tmpcoeff{\xinteval{\LgRes-\i}}% + \StrChar{\tmpresultat}{\tmpcoeff}[\TmpRes]% + \xdef\LigneBinRes{\TmpRes & \LigneBinRes}% + }% + %création des retenues... + \xdef\ArgBasZeros{\ArgLigneBas}% + \xintifboolexpr{\LgHaut > \LgBas}% + {% + \foreach \i in {1,...,\inteval{\LgHaut-\LgBas}}% + {\xdef\ArgBasZeros{0\ArgBasZeros}}% + }% + {}% + %\ArgBasZeros\par + \xdef\listeretenues{0}% + \xdef\longueurmax{\xinteval{max(\longueurA,\longueurB)}}%\longueurMax + \foreach \i in {1,...,\longueurmax}% + {% + \readlist*\lstretenues{\listeretenues}% + \xdef\tmpcoeff{\xinteval{\longueurmax-\i+1}}% + \itemtomacro\lstretenues[-\i]{\TmPNbR}% + \StrChar{\ArgLigneHaut}{\tmpcoeff}[\TmPNbH]% + \StrChar{\ArgBasZeros}{\tmpcoeff}[\TmPNbB]% + %cas de la base + \IfStrEq{\addbinposebase}{dec}% + {\xdef\tmpresultat{\xinteval{\TmPNbR+\TmPNbH+\TmPNbB}}}% + {}% + \IfStrEq{\addbinposebase}{bin}% + {\xdef\tmpresultat{\xintDecToBin{\xinteval{\xintBinToDec{\TmPNbR}+\xintBinToDec{\TmPNbH}+\xintBinToDec{\TmPNbB}}}}}% + {}% + \IfStrEq{\addbinposebase}{hex}% + {\xdef\tmpresultat{\xintDecToHex{\xinteval{\xintHexToDec{\TmPNbR}+\xintHexToDec{\TmPNbH}+\xintHexToDec{\TmPNbB}}}}}% + {}% + %suite + %\xdef\tmpresultat{\xintDecToBin{\xinteval{\xintBinToDec{\TmPNbR}+\xintBinToDec{\TmPNbH}+\xintBinToDec{\TmPNbB}}}}% + \StrLen{\tmpresultat}[\LgRetenue]% + \xintifboolexpr{\LgRetenue == 1}%si on met une retenue... + {% + \xdef\listeretenues{0,\listeretenues}% + }% + {% + \StrGobbleRight{\tmpresultat}{1}[\tmpretenue]% + \xdef\listeretenues{\tmpretenue,\listeretenues}% + }% + }% + %On compte le nombre de zéros dans la ligne des retenues + \StrCount{\listeretenues}{0}[\nbretenues]%\listeretenues\par\nbretenues\par% + \readlist*\lstretenues{\listeretenues}% + %\showitems*{\lstretenues}\par + \xdef\LigneBinAddRet{\xintifboolexpr{\lstretenues[-1] == 0}{}{\PosRetenue[\addbinposecol]{\lstretenues[-1]}}}% + \foreach \i in {2,...,\longueurMax}% + {% + \xdef\LigneBinAddRet{\xintifboolexpr{\lstretenues[-\i] == 0}{}{\PosRetenue[\addbinposecol]{\lstretenues[-\i]}} & \LigneBinAddRet}% + }% + %et on passe au tableau + \xdef\longueurcasesope{\xinteval{\longueurMax-1}}% + \xdef\longueurtotale{\xinteval{\longueurMax+1}}% + \setlength{\tabcolsep}{\colspecbinadd}% + %\begin{tabular}{@{\hskip0.5\colspecbinadd}c@{\hskip0.5\colspecbinadd}*{\longueurcasesope}{c@{\hskip\colspecbinadd}}c@{\hskip0.5\colspecbinadd}} + \begin{NiceTabular}{c*{\longueurMax}{c}} + \xintifboolexpr{\nbretenues > \longueurmax}{}{\RowStyle[cell-space-limits=1pt]{\addbinposefont} & \LigneBinAddRet \\} + \RowStyle[nb-rows=*,cell-space-limits=2pt]{\addbinposefont} + &\LigneBinAdd \\ + +&\LigneBinAddB \\ + \hline + \ifboolKV[AddBinaire]{Egal}{=}{}&\LigneBinRes \\ + \end{NiceTabular} + %\end{tabular}% +} + +\ifluatex + +\RequirePackage{lualinalg} + +\defKV[addbinlua]{% + CouleurRetenue=\def\addbinluacol{#1},% + Espacement=\def\addbinluaspace{#1},% + Police=\def\addbinluafonte{#1},% + Base=\def\addbinluabase{#1},% + EchelleRetenue=\def\addbinluascret{#1} +} + +\setKVdefault[addbinlua]{% + CouleurRetenue=red,% + Espacement=2pt,% + Police=\normalsize\normalfont,% + Egal=true,% + Base=dec,% + EchelleRetenue=0.4 +} + +\NewDocumentCommand\SommeElementsMatriceBin{ m m m m O{\poseretenue} }{% + %1=matrice + %2=colonne + %3=ligne début + %4=ligne arrivée + \xdef\tmpsomme{0}% + \foreach \lig in {#3,...,#4}{% + \xdef\tmpsomme{\xinteval{\tmpsomme+\xintBinToDec{\matrixGetElement{#1}{\lig}{#2}}}}%calcul intermédiaire en binaire + }% + \xdef#5{\xintDecToBin{\tmpsomme}}% +} + +\NewDocumentCommand\SommeElementsMatriceDec{ m m m m O{\poseretenue} }{% + %1=matrice + %2=colonne + %3=ligne début + %4=ligne arrivée + \xdef\tmpsomme{0}% + \foreach \lig in {#3,...,#4}{% + \xdef\tmpsomme{\xinteval{\tmpsomme+\matrixGetElement{#1}{\lig}{#2}}}%calcul intermédiaire en binaire + }% + \xdef#5{\tmpsomme}% +} + +\NewDocumentCommand\PoseAdditionLua{ O{} m }{% + \restoreKV[addbinlua]% + \setKV[addbinlua]{#1}% + \setsepchar{+}% + \readlist*\addbinlstoper{#2}% + \xdef\nboperandes{\addbinlstoperlen}% + \xdef\nboperandesmat{\xinteval{\addbinlstoperlen+1}}% + %le résultat du calcul en binaire + \xdef\tmpres{0}% + \foreach \i in {1,...,\addbinlstoperlen}{% + \itemtomacro\addbinlstoper[\i]{\tmpinteroper}% + \IfStrEq{\addbinluabase}{dec}% + {\xdef\tmpres{\xinteval{\tmpres+\tmpinteroper}}}% + {}% + \IfStrEq{\addbinluabase}{bin}% + {\xdef\tmpres{\xinteval{\tmpres+\xintBinToDec{\tmpinteroper}}}}% + {}% + %\xdef\tmpres{\xinteval{\tmpres+\xintBinToDec{\tmpinteroper}}}% + }% + \IfStrEq{\addbinluabase}{dec}% + {\xdef\tmpresultat{\tmpres}}% + {}% + \IfStrEq{\addbinluabase}{bin}% + {\xdef\tmpresultat{\xintDecToBin{\tmpres}}}% + {}% + %\xdef\tmpresultat{\xintDecToBin{\tmpres}}%\tmpresultat% + \StrLen{\tmpresultat}[\nbtotalchiffresres]%\nbtotalchiffresres% + \xdef\nblignesmatriceintertmp{\xinteval{1+\nboperandes}}% + \xdef\nblignesmatricetmp{\xinteval{2+\nboperandes}}% + \matrixNew{MATINTER}{\nblignesmatricetmp,\nbtotalchiffresres,'zero'}% + %création des lignes intermédiaires + \foreach \nblig [count=\xi] in {2,...,\nblignesmatriceintertmp}{% + \itemtomacro\addbinlstoper[\xi]{\tmpinteroper}%on extrait l'opérande + \StrLen{\tmpinteroper}[\nbchiiffres]%on extrait son nb de chiffres + \xdef\tmpoffset{\xinteval{\nbtotalchiffresres-\nbchiiffres+1}}%on calcule la position du 1er chiffre + \foreach \poschar [count=\xii] in {\tmpoffset,...,\nbtotalchiffresres}{% + \StrChar{\tmpinteroper}{\xii}[\tmpcoeffaddbin]% + \matrixSetElement{MATINTER}{\nblig}{\poschar}{\tmpcoeffaddbin}% + }% + }% + %création de la ligne résultat + \foreach \j in {1,...,\nbtotalchiffresres}{% + \StrChar{\tmpresultat}{\j}[\tmpcoeffaddbin]% + \matrixSetElement{MATINTER}{\nblignesmatricetmp}{\j}{\tmpcoeffaddbin}% + }% + %gestion des retenues, de la droite vers la gauche + \foreach \nbcol in {\nbtotalchiffresres,...,2}{% + \IfStrEq{\addbinluabase}{dec}% + {\SommeElementsMatriceDec{MATINTER}{\nbcol}{1}{\nboperandesmat}[\poseretenue]}% + {}% + \IfStrEq{\addbinluabase}{bin}% + {\SommeElementsMatriceBin{MATINTER}{\nbcol}{1}{\nboperandesmat}[\poseretenue]}% + {}% + %\SommeElementsMatriceBin{MATINTER}{\nbcol}{1}{\nboperandesmat}[\poseretenue]% + \xdef\nbcolmun{\xinteval{\nbcol-1}}% + \StrLen{\poseretenue}[\nbchiffresretenue]% + \xintifboolexpr{\nbchiffresretenue > 1}% + {\StrGobbleRight{\poseretenue}{1}[\RETENUE]}% + {\xdef\RETENUE{\poseretenue}}% + \matrixSetElement{MATINTER}{1}{\nbcolmun}{\RETENUE}% + }% + %ligne des retenues pour savoir si il y en a ! + \matrixSubmatrix{MATINTERRETENUE}{MATINTER}{1}{1}{1}{\nbtotalchiffresres}% + %création de la ligne des retenues + \xdef\LigneBinAddRet{}% + \foreach \i in {1,...,\nbtotalchiffresres}{% + \xintifboolexpr{\matrixGetElement{MATINTER}{1}{\i} == 0}% + {\xdef\LigneBinAddRet{\LigneBinAddRet &}}% + {\xdef\LigneBinAddRet{\LigneBinAddRet & \textcolor{\addbinluacol}{\scalebox{\addbinluascret}[\addbinluascret]{\matrixGetElement{MATINTER}{1}{\i}}}}}% + }% + %création des lignes intermédiaires + \xdef\LignesOperande{}% + \foreach \i in {1,...,\nboperandes}{% + \xdef\xxi{\xinteval{\i+1}}% + \itemtomacro\addbinlstoper[\i]{\tmpinteroper}%on extrait l'opérande + \StrLen{\tmpinteroper}[\nbchiiffres]%on extrait son nb de chiffres + \xdef\tmpoffset{\xinteval{\nbtotalchiffresres-\nbchiiffres}}%on calcule le nombre de cases vides + \xintifboolexpr{\i == 1}{}{\xdef\LignesOperande{\LignesOperande + }}% + \xintifboolexpr{\tmpoffset == 0}% + {}% + { + \foreach \k in {1,...,\tmpoffset}{% + \xdef\LignesOperande{\LignesOperande &}% + }% + }% + \foreach \j in {\inteval{\tmpoffset+1},...,\nbtotalchiffresres}{% + \xdef\LignesOperande{\LignesOperande & \matrixGetElement{MATINTER}{\xxi}{\j}}% + }% + \xdef\LignesOperande{\LignesOperande \\}% + }% + %et le tableau !! + \setlength{\tabcolsep}{\addbinluaspace}% + \begin{NiceTabular}{c*{\nbtotalchiffresres}{c}} + \xintifboolexpr{\matrixNormOne{MATINTERRETENUE} == 0}{}{\RowStyle[cell-space-limits=1pt]{\addbinluafonte} \LigneBinAddRet \\} + \RowStyle[nb-rows=*,cell-space-limits=2pt]{\addbinluafonte} + \LignesOperande + \hline + \ifboolKV[addbinlua]{Egal}{=}{} \xintFor* ##1 in {\xintSeq{1}{\nbtotalchiffresres}}\do{& \matrixGetElement{MATINTER}{\nblignesmatricetmp}{##1}} \\ + \end{NiceTabular}% + %\(\matrixPrint{MATINTER}\) +} + +\fi + \endinput \ No newline at end of file diff --git a/macros/latex/contrib/proflycee/tex/proflycee-tools-complexes.tex b/macros/latex/contrib/proflycee/tex/proflycee-tools-complexes.tex index fedb4bfcfc..d8379269b3 100644 --- a/macros/latex/contrib/proflycee/tex/proflycee-tools-complexes.tex +++ b/macros/latex/contrib/proflycee/tex/proflycee-tools-complexes.tex @@ -27,12 +27,12 @@ \xintifboolexpr{\xinttmpreCalc == 0 'and' \xinttmpimCalc == 0}{0}{}% \xintifboolexpr{\xinttmpreCalc == 0 'and' \xinttmpimCalc == 1}{\i}{}% \xintifboolexpr{\xinttmpreCalc == 0 'and' \xinttmpimCalc == -1}{-\i}{}% - \xintifboolexpr{\xinttmpreCalc == 0 'and' abs(\xinttmpimCalc) != 1 'and' \xinttmpimCalc != 0}{\ConversionFraction[#1]{\tmpimCalc}\i}{}% - \xintifboolexpr{\xinttmpreCalc != 0 'and' \xinttmpimCalc < 0 'and' \xinttmpimCalc != -1}{\ConversionFraction[#1]{\tmpreCalc}-\ConversionFraction[#1]{-(\tmpimCalc)}\i}{}% - \xintifboolexpr{\xinttmpreCalc != 0 'and' \xinttmpimCalc == -1}{\ConversionFraction[#1]{\tmpreCalc}-\i}{}% - \xintifboolexpr{\xinttmpreCalc != 0 'and' \xinttmpimCalc == 1}{\ConversionFraction[#1]{\tmpreCalc}+\i}{}% - \xintifboolexpr{\xinttmpreCalc != 0 'and' \xinttmpimCalc > 0 'and' \xinttmpimCalc != 1}{\ConversionFraction[#1]{\tmpreCalc}+\ConversionFraction[#1]{\tmpimCalc}\i}{}% - \xintifboolexpr{\xinttmpreCalc != 0 'and' \xinttmpimCalc == 0}{\ConversionFraction[#1]{\tmpreCalc}}{}% + \xintifboolexpr{\xinttmpreCalc == 0 'and' abs(\xinttmpimCalc) != 1 'and' \xinttmpimCalc != 0}{\ConversionFraction[#1]{\xinttmpimCalc}\i}{}% + \xintifboolexpr{\xinttmpreCalc != 0 'and' \xinttmpimCalc < 0 'and' \xinttmpimCalc != -1}{\ConversionFraction[#1]{\xinttmpreCalc}-\ConversionFraction[#1]{-(\xinttmpimCalc)}\i}{}% + \xintifboolexpr{\xinttmpreCalc != 0 'and' \xinttmpimCalc == -1}{\ConversionFraction[#1]{\xinttmpreCalc}-\i}{}% + \xintifboolexpr{\xinttmpreCalc != 0 'and' \xinttmpimCalc == 1}{\ConversionFraction[#1]{\xinttmpreCalc}+\i}{}% + \xintifboolexpr{\xinttmpreCalc != 0 'and' \xinttmpimCalc > 0 'and' \xinttmpimCalc != 1}{\ConversionFraction[#1]{\xinttmpreCalc}+\ConversionFraction[#1]{\xinttmpimCalc}\i}{}% + \xintifboolexpr{\xinttmpreCalc != 0 'and' \xinttmpimCalc == 0}{\ConversionFraction[#1]{\xinttmpreCalc}}{}% }% } @@ -619,4 +619,143 @@ }% } +\NewDocumentCommand\ExtractParamExprRac{ m O{\tmpCoeffA} O{\tmpCoeffB} O{\tmpCoeffC} O{\tmpCoeffD} }{% + \StrCount{#1}{sqrt}[\tmpnbrac]% + \xintifboolexpr{\tmpnbrac == 2}% + {% + \StrBetween{#1}{sqrt(}{)}[#3]% + \StrBetween[2,2]{#1}{sqrt(}{)}[#5]% + \StrBefore{#1}{sqrt}[#2]% + \StrBetween[1,2]{#1}{)}{sqrt}[#4]% + \StrDel{#2}{*}[#2]% + \IfEq{#2}{}{\xdef#2{1}}{}% + \IfEq{#2}{-}{\xdef#2{-1}}{}% + \StrDel{#4}{*}[#4]% + \StrDel{#4}{+}[#4]% + \IfEq{#4}{}{\xdef#4{1}}{}% + \IfEq{#4}{-}{\xdef#4{-1}}{}% + }% + {}% + \xintifboolexpr{\tmpnbrac == 0}% + {% + \xdef#2{#1}% + \xdef#3{1}% + \xdef#4{0}% + \xdef#5{1}% + }% + {}% + \xintifboolexpr{\tmpnbrac == 1}% + {% + \xdef#5{1}% + \StrBetween{#1}{sqrt(}{)}[#3]% + \StrBefore{#1}{sqrt}[#2]% + \StrDel{#2}{*}[#2]% + \IfEq{#2}{}{\xdef#2{1}}{}% + \IfEq{#2}{-}{\xdef#2{-1}}{}% + \StrBehind{#1}{)}[#4]% + \StrDel{#4}{+}[#4]% + \IfEq{#4}{}{\xdef#4{0}}{}% + }% + {}% +} + +\NewDocumentCommand\SimplCarreExprRacine{ O{} m }{% + \ExtractParamExprRac{#2}% + %si le produit des racines est un entier ? + \xintifboolexpr{isint(sqrt(\tmpCoeffB*\tmpCoeffD)) == 1}% + {% + \ensuremath{% + \ConversionFraction[#1]{(\tmpCoeffA)*(\tmpCoeffA)*(\tmpCoeffB)+(\tmpCoeffC)*(\tmpCoeffC)*(\tmpCoeffD)+2*(\tmpCoeffA)*(\tmpCoeffC)*sqrt(\tmpCoeffB*\tmpCoeffD)}% + }% + }% + {% + \xintifboolexpr{\tmpCoeffA > 0 'and' \tmpCoeffC > 0}% + {% + \ensuremath{% + \ConversionFraction[#1]{(\tmpCoeffA)*(\tmpCoeffA)*(\tmpCoeffB)+(\tmpCoeffC)*(\tmpCoeffC)*(\tmpCoeffD)}+% + \IfEq{#1}{d}{\displaystyle}{}\SimplificationRacine{4*(\tmpCoeffA)*(\tmpCoeffA)*(\tmpCoeffC)*(\tmpCoeffC)*(\tmpCoeffB)*(\tmpCoeffD)}% + }% + }% + {}% + \xintifboolexpr{\tmpCoeffA > 0 'and' \tmpCoeffC < 0}% + {% + \ensuremath{% + \ConversionFraction[#1]{(\tmpCoeffA)*(\tmpCoeffA)*(\tmpCoeffB)+(\tmpCoeffC)*(\tmpCoeffC)*(\tmpCoeffD)}-% + \IfEq{#1}{d}{\displaystyle}{}\SimplificationRacine{4*(\tmpCoeffA)*(\tmpCoeffA)*(\tmpCoeffC)*(\tmpCoeffC)*(\tmpCoeffB)*(\tmpCoeffD)}% + }% + }% + {}% + \xintifboolexpr{\tmpCoeffA < 0 'and' \tmpCoeffC > 0}% + {% + \ensuremath{% + \ConversionFraction[#1]{(\tmpCoeffA)*(\tmpCoeffA)*(\tmpCoeffB)+(\tmpCoeffC)*(\tmpCoeffC)*(\tmpCoeffD)}-% + \IfEq{#1}{d}{\displaystyle}{}\SimplificationRacine{4*(\tmpCoeffA)*(\tmpCoeffA)*(\tmpCoeffC)*(\tmpCoeffC)*(\tmpCoeffB)*(\tmpCoeffD)}% + }% + }% + {}% + \xintifboolexpr{\tmpCoeffA < 0 'and' \tmpCoeffC < 0}% + {% + \ensuremath{% + \ConversionFraction[#1]{(\tmpCoeffA)*(\tmpCoeffA)*(\tmpCoeffB)+(\tmpCoeffC)*(\tmpCoeffC)*(\tmpCoeffD)}+% + \IfEq{#1}{d}{\displaystyle}{}\SimplificationRacine{4*(\tmpCoeffA)*(\tmpCoeffA)*(\tmpCoeffC)*(\tmpCoeffC)*(\tmpCoeffB)*(\tmpCoeffD)}% + }% + }% + {}% + \xintifboolexpr{\tmpCoeffC == 0 'and' abs(\tmpCoeffA) != 1}% + {% + \ensuremath{% + \ConversionFraction[#1]{(\tmpCoeffA)*(\tmpCoeffA)}% + \IfEq{#1}{d}{\displaystyle}{}\xintifboolexpr{\tmpCoeffB != 1}{\SimplificationRacine{(\tmpCoeffB)*(\tmpCoeffB)}}{}% + }% + }% + {}% + \xintifboolexpr{\tmpCoeffC == 0 'and' abs(\tmpCoeffA) == 1}% + {% + \ensuremath{% + \IfEq{#1}{d}{\displaystyle}{}\SimplificationRacine{(\tmpCoeffB)*(\tmpCoeffB)}% + }% + }% + {}% + }% +} + +\NewDocumentCommand\CalcModuleCplx{ O{} m m }{% + \ExtractParamExprRac{#2}[\Crea][\Creb][\Crec][\Cred]% + \ExtractParamExprRac{#3}[\Cima][\Cimb][\Cimc][\Cimd]% + \xdef\TmpCoeffsDebut{(\Crea)*(\Crea)*(\Creb)+(\Crec)*(\Crec)*(\Cred)+(\Cima)*(\Cima)*(\Cimb)+(\Cimc)*(\Cimc)*(\Cimd)}% + \xdef\TmpCoeffsRacineA{4*(\Crea)*(\Crea)*(\Crec)*(\Crec)*(\Creb)*(\Cred)}% + \xdef\TmpCoeffsRacineB{4*(\Cima)*(\Cima)*(\Cimc)*(\Cimc)*(\Cimb)*(\Cimd)}% + %\xinteval{\TmpCoeffsDebut}/\xinteval{\TmpCoeffsRacineA}/\xinteval{\TmpCoeffsRacineB}/\xinteval{(\Crea)*(\Crec)}/\xinteval{(\Cima)*(\Cimc)}= + \xintifboolexpr{\TmpCoeffsRacineA == 0 'and' \TmpCoeffsRacineB == 0}% + {% + \ensuremath{\IfEq{#1}{d}{\displaystyle}{}\SimplificationRacine{\TmpCoeffsDebut}}% + }% + {}% + \xintifboolexpr{\TmpCoeffsRacineA == 0 'and' \TmpCoeffsRacineB != 0}% + {% + \ensuremath{\IfEq{#1}{d}{\displaystyle}{}\sqrt{\SimplificationRacine{(\TmpCoeffsDebut)*(\TmpCoeffsDebut)}\xintifboolexpr{(\Cima)*(\Cimc) < 0}{-}{+}\SimplificationRacine{\TmpCoeffsRacineB}}}% + }% + {}% + \xintifboolexpr{\TmpCoeffsRacineA != 0 'and' \TmpCoeffsRacineB == 0}% + {% + \ensuremath{\IfEq{#1}{d}{\displaystyle}{}\sqrt{\SimplificationRacine{(\TmpCoeffsDebut)*(\TmpCoeffsDebut)}\xintifboolexpr{(\Crea)*(\Crec) < 0}{-}{+}\SimplificationRacine{\TmpCoeffsRacineA}}}% + }% + {}% + \xintifboolexpr{\TmpCoeffsRacineA != 0 'and' \TmpCoeffsRacineB != 0 'and' (\Crea)*(\Crec) < 0 'and' (\Cima)*(\Cimc) > 0 'and' \TmpCoeffsRacineA == \TmpCoeffsRacineB}% + {% + \ensuremath{\IfEq{#1}{d}{\displaystyle}{}\SimplificationRacine{\TmpCoeffsDebut}}% + }% + {}% + \xintifboolexpr{\TmpCoeffsRacineA != 0 'and' \TmpCoeffsRacineB != 0 'and' (\Crea)*(\Crec) > 0 'and' (\Cima)*(\Cimc) < 0 'and' \TmpCoeffsRacineA == \TmpCoeffsRacineB}% + {% + \ensuremath{\IfEq{#1}{d}{\displaystyle}{}\SimplificationRacine{\TmpCoeffsDebut}}% + }% + {}% + \xintifboolexpr{\TmpCoeffsRacineA != \TmpCoeffsRacineB}% + {% + \ensuremath{\IfEq{#1}{d}{\displaystyle}{}\sqrt{\SimplificationRacine{(\TmpCoeffsDebut)*(\TmpCoeffsDebut)}\xintifboolexpr{(\Crea)*(\Crec) < 0}{-}{+}\SimplificationRacine{\TmpCoeffsRacineA}\xintifboolexpr{(\Cima)*(\Cimc) < 0}{-}{+}\SimplificationRacine{\TmpCoeffsRacineB}}}% + }% + {}% +} + \endinput \ No newline at end of file diff --git a/macros/mathematica/CHANGES b/macros/mathematica/CHANGES deleted file mode 100644 index 89b0249bdc..0000000000 --- a/macros/mathematica/CHANGES +++ /dev/null @@ -1,65 +0,0 @@ -Record of changes to the tex-mathematica tools -============================================== - -See file README for information about these tools. - -Dan Dill dan@chem.bu.edu [128.197.30.18] - - - -Version 1.1 -> 1.2, 2/27/1991 ------------------------------ - - Texinfo documentation is now available, and the command C-c h now runs Info -on it. The source is tex-mma.texinfo, the Info file is tex-mma.info, and the -TeX formatted compressed PostScript is tex-mma.ps.Z. - - The name of the LaTeX description/example source has been changed to -tex-mma-j.tex and tex-mma-j.bib, the the TeX formatted compressed PostScript -is tex-mma-j.ps.Z. The name of the TeX example source has been changed to -tex-mma-tex.tex. - - Several changes have been made at the request of The Mathematica Journal, -which will publish the material contained in tex-mma-j.tex. The changes -replace user-visible occurances of mma with mathematica: - - 1. M-x tex-mma becomes M-x tex-mathematica - 2. \begin{mma} becomes \begin{mathematica} - 3. \end{mma} becomes \end{mathematica} - 4. \input mma10pt becomes \input mathematica10pt - 5. \input mma12pt becomes \input mathematica12pt - 6. \documentstyle[mma,... becomes \documentstyle[mathematica,...] - -Related to this, the file mmacommon.tex has been changed to mathematica.tex. -I hope these changes do not cause too much inconvenience. - - An error encountered when using LaTeX later than 2 May 90 has been -corrected. I had been using an older LaTeX. See comment in mathematica.sty -if you are using an older LaTeX, as the default works only with LaTeX 2 May 90 -or later. - - - -3/5-6/1991 ----------- - Startup commands plain-tex-mathematica and latex-mathematica added, to -explicitly select mode. - - Add commands C-c a and C-u C-c a to evaluate *all* cells of a document. - - -3/10/1991 ---------- - Add \mathematicafile{<...>} to print verbatim contents of file <...>. - - -Version 1.2 -> 1.3 4/22/1991 ---------------------------- - Don't start Mathematica until needed. - Bind tex-mma-recenter to C-c l. - Adapt/add code for generic TeX/Mathematica interface. - Renamed many functions. - Add tex-mma-assemble-package (C-c m) to assemble packages from cells. - Add shell command tex-mma-assemble-package to assemble packages in Emacs - batch mode. - Add tex-mma-assemble-cell (C-u C-c m) to assemble a single cell. diff --git a/macros/mathematica/README b/macros/mathematica/README deleted file mode 100644 index 9b783e7ff6..0000000000 --- a/macros/mathematica/README +++ /dev/null @@ -1,222 +0,0 @@ -TeX/Mathematica is a set of tools that provide facilities of -Mathematica Notebooks in a UNIX environment, under GNU Emacs. They -permit interaction between a text and a Mathematica buffer and, if -desired, the use of TeX/LaTeX to annotate Mathematica-based -explorations and programs. Inclusion of Mathematica-generated -graphics in TeX/LaTeX documents printed using PostScript is -supported. The tools also support the automatic generation of -Mathematica packages from Mathematica documents. - -With these tools one can interactively develop and refine teaching and -research documents. The interactive nature of the tools encourages -Mathematica-based exploration as a natural part of the writing -process. - - -Getting TeX/Mathematica -*********************** - -The TeX/Mathematica tools are available from Internet host -`chem.bu.edu' [128.197.30.18] by anonymous `ftp' in directory -`/pub/tex-mathematica'. The author can be reached at Internet address -`dan@chem.bu.edu'. - -The `ftp' directory contains four files - - * `README', which duplicates the information - in this node. - - * `CHANGES', which describes changes that have been made. - - * `tex-mma-j.ps.Z', the compressed PostScript documentation/example. - - * `tex-mma.tar.Z', the TeX/Mathematica distribution kit (includes the - first three files). - - -LaTeX description of TeX/Mathematica -==================================== - -The PostScript document `tex-mma-j.ps.Z' is derived from the LaTeX -description of TeX/Mathematica. Transfer the document from the -`ftp' directory in binary (image) mode and then print it with - - zcat tex-mma-j.ps.Z | lpr - -The source for this document is the LaTeX file `tex-mma-j.tex' and -the BibTeX file `tex-mma-j.bib'. You can use `tex-mma-j.tex' -as a LaTeX example of a TeX/Mathematica document. - - -Files in the distribution kit -============================= - -The file `tex-mma.tar.Z' contains the TeX/Mathematica -tools. These consist of the following: - -Documentation things: - - - * `tex-mma.texinfo', Texinfo documentation of TeX/Mathematica - - * `tex-mma.ps.Z', compressed Texinfo document - formatted with TeX into PostScript - - * `tex-mma.info', Info file - (this file) - for on-line Emacs documentation - - * `tex-mma-j.tex', LaTeX description/example of TeX/Mathematica - - * `tex-mma-j.bib', BibTeX file for `tex-mma-j.tex' - - * `tex-mma-j.ps.Z', compressed LaTeX documentation formatted in - PostScript - - * `sin3x.ps', Mathematica-generated figure included in - `tex-mma-j.tex' - - * `tex-mma-tex.tex', TeX example of TeX/Mathematica - - * `texinfo.tex', TeX macros used to format `tex-mma.texinfo' - - -GNU Emacs things: - - * `tex-mma.el', the `tex-mathematica' package - - * `math.el', David Jacobson's Mathematica mode package (*Note math::) - - * `unix-tex-mma.el', example implementation of cell-type `unix' - - -TeX/LaTeX things: - - * `mathematica10pt.tex', TeX 10 point TeX/Mathematica interface - - * `mathematica12pt.tex', TeX 12 point TeX/Mathematica interface - - * `mathematica.sty', LaTeX generic TeX/Mathematica interface - - * `mathematica.tex', macros for formatting TeX/Mathematica - documents, used by the preceding files - - -Shell scripts and Mathematica commands for processing graphics, and -shell script and template file for Mathematica package assembly: - - * `PSTeX.m', generates `psfig'-adapted graphics to a file, without - PostScript prolog - - * `addBBox', shell script called by `PSTeX' - - * `PSTeXpro.m', generates `psfig'-adapted graphics to a file, with - PostScript prolog - - * `addBBoxpro', shell script called by `PSTeXpro' - - * `addBBoxpro.awk', `awk' script called by `addBBoxpro' - - * `PSFile.m', generates full-page graphics to a file, with PostScript - prolog - - * `tex-mma-assemble-package', shell script for Mathematica package - assembly - - * `tex-mma-assemble-package.tmplt', Emacs Lisp template used by - `tex-mma-assemble-package' - - -This is from Cameron Smith (*Note addBBox::): - - * `mma.pro.1.2', Mathematica Version 1.2 PostScript prolog. Note - that a different prolog will be needed for Mathematica Version 2.0. - This will be available from the author (*Note Getting tex-math::). - -These are from Trevor Darrell's `psfig/tex' distribution (*Note psfig::): - - * `psfig.pro', `psfig' PostScript prolog. - - * `psfig.sty', `psfig' for LaTeX. - - * `psfig.tex', `psfig' for TeX. - - -Installation procedure -====================== - - 1. Transfer `tex-mma.tar.Z' in binary (image) mode into an empty - directory, and extract its contents, with (for example) - - zcat tex-mma.tar.Z | tar xvf - - - 2. Install the Info on-line documentation file `tex-mma.info' where - your Emacs looks for Info file. If desired, add a pointer to it to your - Info directory file so that it will appear in the Info top-level menu. - The source for `tex-mma.info' is `tex-mma.texinfo'. The file - `tex-mma.ps.Z' is the compressed TeX formatted version, made - using the `texinfo.tex' included in the distribution (see the - beginning of `tex-mma.texinfo' for directions). The formatted - version can be printed with - - zcat tex-mma.ps.Z | lpr - - It contains complete details of the TeX/Mathematica tools. - - 3. Edit `tex-mma.el' to - - * set `tex-mma-process-string' to the command - you use to start Mathematica (default is `math'); - - * set `tex-mma-info-file' to point to where you put the file - `tex-mma.info' - - 4. Run `M-x byte-compile' on `tex-mma.el' and store the resulting - `tex-mma.elc' wherever your GNU Emacs looks for files. - - 5. Add the following to the GNU Emacs initialization file - - (autoload 'tex-mathematica "tex-mma" - "Major-mode for interaction with Mathematica from TeX." t) - (autoload 'plain-tex-mathematica "tex-mma" - "Major-mode for interaction with Mathematica from TeX." t) - (autoload 'latex-mathematica "tex-mma" - "Major-mode for interaction with Mathematica from TeX." t) - - 6. If you do not have David Jacobson's Mathematica mode package - `math.el', install it following the instructions in `math.el'. - If you do have `math.el', make sure your version is at least as - current as the one here, which contains changes necessary for use with - `tex-mma.el'. Make sure you place the file `math.el' (or, - better, the byte-compiled file `math.elc') where your Emacs looks - for libraries, so that `tex-mma.elc' will be able to load it if it - is not already loaded. - - 7. Edit `mathematica.tex' (at the end) to specify where the PostScript - prolog files `psfig.pro' and `mma.pro.1.2' will be, and put the - prolog files there. - - 8. If you are using a LaTeX *earlier* than 2 May 90, edit - `mathematica.sty' according to the comments there. - - 9. Put `mathematica.tex', `mathematica.sty', `mathematica12pt.tex', - `mathematica10pt.tex', `psfig.sty', and `psfig.tex' where your - TeX looks for macro files. - - 10. Put `PSTeX.m', `PSTeXpro.m' and `PSFile.m' where your - Mathematica looks for packages. - - 11. Edit `addBBoxpro' to specify which `awk' you use (default is GNU - awk, `gawk'). - - 12. Edit `tex-mma-assemble-package' to set the variables `bindir', `tmpdir' - and `tmpdirsed' for your system, as described in the comments there - and then place `tex-mma-assemble-package.tmplt' in `bindir'. - - 13. Put `addBBox', `addBBoxpro', `addBBoxpro.awk' and - `tex-mma-assemble-package' on your system's binary search path, make sure - they have execute status, and then execute `rehash'. - - -You should be ready to go: Startup emacs, run `M-x tex-mathematica' -and have fun. diff --git a/macros/mathematica/tex-mma-j.ps.gz b/macros/mathematica/tex-mma-j.ps.gz deleted file mode 100644 index fc01316989..0000000000 Binary files a/macros/mathematica/tex-mma-j.ps.gz and /dev/null differ diff --git a/macros/mathematica/tex-mma.tar_z b/macros/mathematica/tex-mma.tar_z deleted file mode 100644 index b383cc805b..0000000000 Binary files a/macros/mathematica/tex-mma.tar_z and /dev/null differ diff --git a/macros/musixtex/README b/macros/musixtex/README deleted file mode 100644 index 001f12edda..0000000000 --- a/macros/musixtex/README +++ /dev/null @@ -1,90 +0,0 @@ -This is MusiXTeX, version 1.37 (2023-10-07). -MusiXTeX is a TeX-based system for typesetting music. - -The main author was Daniel Taupin, who died in a climbing -accident in 2003; other authors credited in the MusiXTeX -manual are Andreas Egler and Ross Mitchell. MusiXTeX is now -being maintained by - -Don Simons dsimons(at)roadrunner(dot)com -Hiroaki Morimoto CQX05646(at)nifty(dot)com -Bob Tennent rdt(at)cs(dot)queensu(dot)ca - -The package includes - - + Postscript slur support, due to Stanislav Kneifl - - + musixlyr support for lyrics, due to Rainer Dunker - - + musixcrd support for chord symbols, due to Robert Hennig - - + support for music text in Palatino, Helvetica, Times - and EC fonts - - + several other extension packages - - + a script musixflx.lua for the 2nd-pass processing - - + a script musixtex.lua that uses pre-processors prepmx, - pmxab or autosp, as necessary, and automates the 3-pass - etex -> musixflx -> [pdf]etex process, possibly - followed by calls to dvips and ps2pdf (or dvipdfm) to - convert the output to Portable Document Format (PDF) - - + wrapper scripts musixflx.bat and musixtex.bat for use on Windows - -MusiXTeX fonts, including both the original metafont sources -and Type 1 versions by Takanori Uchiyama, and specialized -fonts frenchtab and MuseJazzText have been moved to a -separate musixtex-fonts package, which must be installed -before using the MusiXTeX macros. - -musixtex-install.{pdf,tex} is a more-detailed version of the -following instructions: - -To install (on TDS-compliant TeX systems): - - + unzip mirror.ctan.org/install/macros/musixtex.tds.zip at the root of a - texmf tree and, if necessary, update the filename database; - e.g., texhash texmf. - - + on Windows: move the scripts in Windows to a folder - on the executable PATH (or add that folder to the PATH) - - + on any Unix-like system: install symbolic links musixflx - and musixtex in a directory on the executable PATH to - scripts/musixtex/musixflx.lua and scripts/musixtex/musixtex.lua, - respectively. - -Documentation for MusiXTeX and friends is installed under - -doc/generic/musixtex - -Documentation for the musixflx and musixtex scripts are in - -doc/generic/musixtex/scripts - -Many users, especially beginners, will find it easier to -use the PMX and M-Tx pre-processors, which accept a simpler -input language than MusiXTeX itself. Another pre-processor, -autosp, simplifies input to MusiXTeX by automatically -generating note-spacing commands. These pre-processor -packages may be found at CTAN under support. Additional -documentation, additional add-on packages, and many examples -of MusiXTeX typesetting may be found at the Werner Icking -Music Archive at - -http://icking-music-archive.org/ - -Support for users of MusiXTeX and related software may be -obtained via the MusiXTeX mail list at - -http://tug.org/mailman/listinfo/tex-music - -MusiXTeX may be freely copied, duplicated and used in -conformance to the GNU General Public License (Version 2, -1991, see included file gpl.txt) or (at your option) any -later version. - -This distribution is maintained by Bob Tennent -rdtennent(at)gmail(dot)com. diff --git a/macros/musixtex/doc/ChangeLog-114.txt b/macros/musixtex/doc/ChangeLog-114.txt deleted file mode 100644 index 3e77097208..0000000000 --- a/macros/musixtex/doc/ChangeLog-114.txt +++ /dev/null @@ -1,98 +0,0 @@ -<<< Changelog of MusiXTeX since T.113 >>> - -------------------------------------------------------------------------- -Version T.114 [official release: 26 Dec 2009] -(1) \cclp, \zccup, \zcclp are moved from musixpoi.tex to musixtex.tex. -[14 June 2008, Hiroaki. T114-beta1] - -(2) musixpoi.tex does not work since T.111. -[14 June 2008, Hiroaki. T114-beta1] - -(3) musixmad.tex is inessential for typesetting musixdoc.tex, thus excluded from musixdoc.sty (see the next item) -[14 June 2008, Hiroaki. T114-beta1] - -(4) the stem length of \metron (at T.113 manual section 2.17.3: Metronomic indications) is too short when musixadd.tex/musixmad.tex is excluded. -[14 June 2008, Hiroaki. T114-beta1] - -(5) spacing problem when you change the music size. (\clef@skip\z@) -[16 June 2008, known bug pointed out by Daniel Taupin on 3 June 2003 before his accident. T114-beta2] - -(6) in \ttie and \tleg definition, #1 isn't braced in the expansion which causes a problem at ID>9. - * \def\ttie#1{\let\T@i\@c \t@slur{-\p@ne}{#1}\@ne} - * \def\tleg#1{\let\T@i\@c \tslur{#1}\@ne} -[1 Feb 2009, reported by David Allsopp. T114-beta4] - -(7) Create readme1st.txt -[16 Oct 2009, Don Simons and Andre Van Ryckeghem. T114 official] - -(8) Create changelog.txt (this file) -[16 Oct 2009, Hiroaki Morimoto. T114 official] - -(9) Updated musixdoc.pdf and its source code. -[16 Oct 2009, Don Simons and Andre Van Ryckeghem. T114 official] - -(10) Included the repository of music-notation mistakes, contributed by Jean-Pierre Coulon. -[16 Oct 2009, T114 official] - -(11) Create an install manual for MiKTeX on Win32: mxinsuse.{pdf|tex}. -[16 Oct 2009, Andre Van Ryckeghem and Don Simons. T114 official] - -(12) Create install batchfiles for MiKTeX on Win32. -[16 Oct 2009, Don Simons and Andre Van Ryckeghem. T114 official] - -(13) Create some MS-Win/DOS batch files for easy use: musixtex.bat, mudvi.bat, mudviall.bat, lapsview.bat, lapdfview.bat. -[16 Oct 2009, Don Simons and Andre Van Ryckeghem. T114 official] - -(14) utility: add flip.exe, flip.txt to musixtexadd folder instead of former utod.exe and dtou.exe (they don't work in XP). Run flip.exe on musixtex.bat. -[16 Oct 2009, Don Simons and Andre Van Ryckeghem. T114 official] - -(15) Changing directory structure. Add-in tex files are located in musixtexadd directory. - * musixlyr (by Rainer Dunker) - * musixps (by Stanislav Kneifl) -[16 Oct 2009, Don Simons and Andre Van Ryckeghem. T114 official] - -(16) Added some well-known add-ins to musixtexadd directory. - * curly.tex (by Mthimkhulu Molekwa,19 May 1999) - * musixdbr.tex (by Rainer Dunker, 23 February 2002) - * musixtmr.tex & musixesf.tex (by Hiroaki Morimoto, updated 2009-10-15) - * tuplet.tex. (by Col. G. L. Sicherman. 2003-05-17)... under GNU GPL -[16 Oct 2009, Don Simons, Andre Van Ryckeghem. T114 official] - -------------------------------------------------------------------------- -Version T.113 [19-Apr-2006] -no funtional change from 30 July 2005; just a maintenance of archive file and recompiling musicdoc. - -------------------------------------------------------------------------- -Version T.113 [28 June 2005, (rev.1)17 July 2005, (rev.2)30 July 2005] -(1) Include the contents of following packages. - * PostScript Type1 fonts. (by Uchiyama)... under LPPL. - * musixlyr ver.2.1c. (by Rainer Dunker)... under GNU GPL v.2. - * musixps ver.0.92a. (by Stanislav Kneifl)... under a unique license; see the file. -Note that some of these package have different license than GNU GPL v.2. - -(2) \Ioctfin[up | down] do not work when \sepbarrules is assigned. -musixtex.tex line 2259, \def\rul@sep#1 - -(3) Correction of a bug in the definition of choir bracket (l.1688-1698) - -(4) Added following macros. - * \lwp - * \rwp - * \lwpp - * \rwpp - * \lhp - * \rhp - * \lhpp - * \rhpp - -(5) bug: \catcode`\@=11 at external level in case using musixmad.tex without prior specifying of musixadd.tex. -[30 July 2005, T113-rev.2] - -(6) bug: \immediate\write10{...} in many files are corrected into \immediate\write16{...}. -[30 July 2005, T113-rev.2] - -------------------------------------------------------------------------- -Version T.112 [dated on 3 Jan. 2003, published on 9 Jan. 2003] -The final milestone by Daniel Taupin himself. - -------------------------------------------------------------------------- diff --git a/macros/musixtex/doc/ChangeLog-115.txt b/macros/musixtex/doc/ChangeLog-115.txt deleted file mode 100644 index be49e54b04..0000000000 --- a/macros/musixtex/doc/ChangeLog-115.txt +++ /dev/null @@ -1,270 +0,0 @@ -Changes from MusiXTeX 114 to 115: - -replace the changed tex files to T.115. Includes musixbbm.tex, version from Hiroaki's beta3, dtd 11/19/210 - -replace musixper.tex to the fixed one, posted by David Fritzsche on 19 Oct. (version number may be T.60a, is this ok?) Used file emailed to DAS by J-P Coulon, 1/26/11, - -MusiXTeX T.115 -Hiroaki MORIMOTO - -<<>> -(1) all-new registers allocation routines, ready for - 12>> -(1) In case of use with M-Tx, users can change the font format of -instrument names dinamically by redefining \mtxInstrfont in filename.mod. -(for example, writing \def\mtxInstrfont{\relax} in foo.mod.) - - -<<>> -(1) If you load musixper.tex and musixdia.tex is not yet loaded then -the catcode of @ will not be reset correctly, because musixdia will -overwrite the definition of \catcodeat. (reported by David Fritzsche) - -(2) Other internal macros. - - -------------------------------------------------------------------------------- -<<>> - -<<>> -\maxinstruments - Separate from the number of slurs. - It is defined with \chardef and now a kind of internal values. - Read-accecible anywhere; but it should not be set directly by a user. - See below for the number of other items. - -\mxversion - The expanded string of version string elements. - See also \mxvernumber and \mxversuffix. - -\setname - Using \def instead of \edef. This allows users to change the font - format of instrument names dynamically by redefining \mtxInstrfont - in filename.mod in case of use with M-Tx. - -\resetlayout -\resetclefsymbols - Let them compatible to >12 instruments. - - -<<>> -\mxvernumber - Major version number of the MusiXTeX kernel. (make it possible to use - \ifnum) - -\mxversuffix - Suffix of the version. "-beta1", etc. Optional; it must be empty - in case of completed version. - -\setmaxinstruments#1 -\setmaxcxxviiibeams#1 -\setmaxcclvibeams#1 -\setmaxgroups#1 -\setmaxslurs#1 -\setmaxtrills#1 -\setmaxoctlines#1 - set the available numbers of the elements to #1 and allocate - corresponding registers required. - -\maxcxxviiibeams -\maxcclvibeams -\maxgroups -\maxslurs -\maxtrilles -\maxtrills -\maxoctlines - They are now dynamically defined by \chardef and now a kind of internal - values. - Read-accecible anywhere; but they should not be set directly by a user. - - -\smalltrebleoct -\smalltreclelowoct -\smallbassoct -\smallbasslowoct - Reqested by Hermann Hinsch. (beta4) - - -<<>> -\test@num@slur -\test@num@beam -\s@l@ctslur -\s@l@ctbeam - Let them be independent from each other. - -\z@suspend - The change in cutslur section; to make the number of slurs independent - from the number of instruments. - Note: some other extension packages which overrides this macro will - confuse the internal status of linen-breaking font-based slurs. - - -<<>> -\noexpand@newcount -\noexpand@newdimen -\noexpand@newskip -\noexpand@newtoks - \new... for usage inside the loop, for plain TeX. - -\roman@c@ - A shortcut. - -\@oldmaxinstruments -\@oldmaxcxxviiibeams -\@oldmaxcclvibeams -\@oldmaxgroups -\@oldmaxslurs -\@oldmaxtrills -\@oldmaxoctlines - Individual element numbers in previous allocation; set by \chardef. - - -------------------------------------------------------------------------------- -<<>> -Completely the same of ver T.114-T.103. It goes on original TeX. -\input musixtex -\input musixmad -... -\input musixlyr -\input musixps <- this is optional -... - -Note that you can use musixps.tex (by Stanislav Kneifl) at your option, -without any problem. You can get the benefit of the increase of voices, -beams, groups, octave lines, trills. - - -<<>> -(a) without using musixadd/musixmad (recommended) ----- -\input musixtex -\setmaxinstruments{12} -\setmaxgroups{4} -\setmaxslurs{12} -... ----- -This example is equivalent to musixmad.tex. - - -(b) with musixadd/musixmad ----- -\input musixtex -\input musixmad -\setmaxgroups{6} -\setmaxslurs{24} -... ----- -From this version T.115, the maximum number of slurs becomes independent -of the maximum number of instruments. - - -(c) with musixps.tex by S. Kneifl, efficient usage for TeX's main memory ----- -\input musixtex -\setmaxinstruments{12} -\setmaxgroups{4} -\input musixlyr -\input musixps -... ----- -Note that there is no need to write \setmaxslurs{12}, because musixps.tex -0.92a requires pre-allocated registers for font-based slur ID 0-5 -(internally i-vi) only. - - -------------------------------------------------------------------------------- -<<>> - -[beta1: 2010/05/05] private test version, not published. -Drastic change from T.114. - _readme_T115-beta1.txt : this file - musixtex.tex : T.115 kernel - musixadd.tex : changed version for T.115 - musixmad.tex : changed version for T.115 - musixbm.tex : changed version for T.115 - musixbbm.tex : changed version for T.115 - musixper.tex : changed version for T.115 - - -[beta2: 2010/06/24] -musixtex.tex -Additions: -* error message for n>maxinstruments to \s@l@ctinstr, to avoid - the strange error message invoked at \startpiece. -* error message for n>100 to \setmax...{n}. -Fixes: -* \C@acc: adding \expandafter before \@Ti. - \@Ti (dynamically let to other instances) can't take any arguments - since T.109 due to \check@staff. - This is not a bug, however, it is more appropriate to close - \check@staff-\fi conditional clause before encountering \@Ti. - This fix make it compatible with T.107 and T.108, and MusixExp (need to - modify), without any harm. -Others: - Some old codes are deleted. - -_readme_T115-beta2.txt -Others: -* Typo corrections. - - -[beta3: 2010/06/27] -musixbbm.tex -Fixes: -* musixbbm does not work. - - -[beta4: 2011/01/01] -musixper.tex -Fixes: -* If you load musixper.tex and musixdia.tex is not yet loaded then - the catcode of @ will not be reset correctly, because musixdia will - overwrite the definition of \catcodeat. (reported by David Fritzsche) -musixtex.tex -Additions: - \smalltrebleoct, \smalltreblelowoct, \smallbassoct, \smallbasslowoct - (requested by Hermann Hinsch) - -------------------------------------------------------------------------------- -[End of File] diff --git a/macros/musixtex/doc/ChangeLog-116.txt b/macros/musixtex/doc/ChangeLog-116.txt deleted file mode 100644 index e57225c986..0000000000 --- a/macros/musixtex/doc/ChangeLog-116.txt +++ /dev/null @@ -1,35 +0,0 @@ -Changes from MusiXTeX 115 to 116: - - (2015-04-21) RDT corrected the definitions of \nnotes and \nnnotes - - HM corrected the definitions for cautionary small accidentals - - RDT added \check@staff ... \fi to \@qa h, \@mca, \hs, \qqs - so that \qa, \ca, \ha, etc. can be "hidden" using \setstaffs{n}{0} - - RDT incorporated tuplet.tex (approved by George Sicherman) - and introduced \txtfont to allow changing size or style - - RDT introduced - \qqsk, a one-quarter notehead skip - \tqu and \tql, synonyms for \tqh and \tqb - \ztqu and \ztql, synonyms for \ztqh and \ztqb - \hpp, \qpp, \dsp, \qsp, \hsp, \qqsp for pointed rests - \nnotes, \nnnotes: abbreviations with \multnoteskip\smallvalue - and \multnoteskip\tinyvalue spacing - - RDT incorporated curly.tex (approved by Mthimkhulu Molekwa) - - RDT modernized the treatment of text fonts - meterfonts must be bf, even if titling fonts are rm or sc - added dynamic-mark macros \sfz \sfzp - - Added to the extension library: musixppff.tex (HM), musixadf (HM), - musixplt (RDT), musixec (RDT), musixhv (RDT) - - RDT extended musixtmr - - Stanislav Kneifl fixed a bug in musixps. - - - diff --git a/macros/musixtex/doc/ChangeLog-117.txt b/macros/musixtex/doc/ChangeLog-117.txt deleted file mode 100644 index 08bb03d9b6..0000000000 --- a/macros/musixtex/doc/ChangeLog-117.txt +++ /dev/null @@ -1,12 +0,0 @@ -Changes from MusiXTeX 116 to 117: - -2015-05-25 - re-defined \txtfont for non-normal staff sizes - defined \tinyppff and \ppfftwelve, and re-defined \ppff to be staffsize dependent - introduced abbreviations \tqqb \tqqh \tqqqb \tqqqh - and synonyms \tqql \tqqu \tqqql \tqqqu - introduced ornaments \tr, \trt - re-defined \triolet to be consistent with musixdoc (prints \txt, not nec. 3) - introduced \cpause etc. and corrected definitions of \centerpause etc. - introduced double-dotted rests \qppp, \dspp, \qspp, etc. - diff --git a/macros/musixtex/doc/ChangeLog-118.txt b/macros/musixtex/doc/ChangeLog-118.txt deleted file mode 100644 index cb5fbde19a..0000000000 --- a/macros/musixtex/doc/ChangeLog-118.txt +++ /dev/null @@ -1,11 +0,0 @@ -Changes from MusiXTeX 117 to 118: - -2015-07-25 - - moved definitions of \raggedstoppiece and \slide - from musixtext.tex to musixtex.tex. - \xppff musicsize-dependent as well as staffsize-dependent - revised musixtmr.tex, musixplt.tex and musixhv.tex to allow - traditional accented characters for etex - increased the length of beam stems - diff --git a/macros/musixtex/doc/ChangeLog-119.txt b/macros/musixtex/doc/ChangeLog-119.txt deleted file mode 100644 index 11871f1847..0000000000 --- a/macros/musixtex/doc/ChangeLog-119.txt +++ /dev/null @@ -1,7 +0,0 @@ -Changes from MusiXTeX 118 to 119: - -2015-11-29 - - definitions for tremolo commands \trml, \trmu, etc. - corrected typos in the definition of \comput@fonts affecting ppff fonts for - \Largemusicsize diff --git a/macros/musixtex/doc/ChangeLog-120.txt b/macros/musixtex/doc/ChangeLog-120.txt deleted file mode 100644 index 5b9b796d15..0000000000 --- a/macros/musixtex/doc/ChangeLog-120.txt +++ /dev/null @@ -1,6 +0,0 @@ -Changes from MusiXTeX 119 to 120: - -2015-12-13 - - re-defined tremolo commands \trml, \trmu, etc. to allow for numerical - pitches diff --git a/macros/musixtex/doc/ChangeLog-121.txt b/macros/musixtex/doc/ChangeLog-121.txt deleted file mode 100644 index 2a2464441b..0000000000 --- a/macros/musixtex/doc/ChangeLog-121.txt +++ /dev/null @@ -1,16 +0,0 @@ -Changes from MusiXTeX 120 to 121: - - + adjusted the offsets and/or vertical positions for some tremolos - - + moved \lastbarpos\lin@pos after calls to \Writ@meters - to correct \centerbar positioning - - + copied the definition of \Hpause from musixlit.tex - - + introduced \Changeclefs, \cHpause and \centerHpause - - + replaced \smalltype\it by \txtfont in octave clef commands - - + moved definitions of \txtfont into \comput@fonts - - + added support for piano-pedal bracket notation diff --git a/macros/musixtex/doc/ChangeLog-122.txt b/macros/musixtex/doc/ChangeLog-122.txt deleted file mode 100644 index 87a76a65d3..0000000000 --- a/macros/musixtex/doc/ChangeLog-122.txt +++ /dev/null @@ -1,8 +0,0 @@ - -Changes from MusiXTeX 121 to 122: - - + bi and sc font definitions added; sl and tt definitions for musixsty moved - + explicit font choices for \txtfont replaced by generic commands - \smalltype\it etc. - + \pdlud \halfwidthbigwedge and \raise height font-dependent - + \zbreath and \cbreath use BIGtype rather than BIGfont diff --git a/macros/musixtex/doc/ChangeLog-123.txt b/macros/musixtex/doc/ChangeLog-123.txt deleted file mode 100644 index 4ffcfed2e9..0000000000 --- a/macros/musixtex/doc/ChangeLog-123.txt +++ /dev/null @@ -1,6 +0,0 @@ - -Changes from MusiXTeX 122 to 123: - - + added \xtr and \ptr ornaments - + adjusted spacing of \tr - + corrected definition of \C@Inter for \nblines > 6 diff --git a/macros/musixtex/doc/ChangeLog-124.txt b/macros/musixtex/doc/ChangeLog-124.txt deleted file mode 100644 index 0a2beb1b4e..0000000000 --- a/macros/musixtex/doc/ChangeLog-124.txt +++ /dev/null @@ -1,10 +0,0 @@ - -Changes from MusiXTeX 123 to 124: - - + preserve changes to \transpose in an hboxed tremolo command - + test that musixtex.tex has already been loaded in some extensions: - + musixps, musixec, musixhv, musixplt, musixtmr, musixppff - + changed from \it to \ppff in several places - + support new command \setinterstaff{n}{m} - + define \largenotesize, \Largenotesize - + corrected typos \twtybf[g] \svtbf[g] diff --git a/macros/musixtex/doc/ChangeLog-125.txt b/macros/musixtex/doc/ChangeLog-125.txt deleted file mode 100644 index 9e392be79a..0000000000 --- a/macros/musixtex/doc/ChangeLog-125.txt +++ /dev/null @@ -1,6 +0,0 @@ - -Changes from MusiXTeX 124 to 125: - -* included a "dummy" tuplet.tex in the distribution -* added \ignorespaces in musixltx.tex -* defined \qap, \qapp, \tqsk diff --git a/macros/musixtex/doc/ChangeLog-126.txt b/macros/musixtex/doc/ChangeLog-126.txt deleted file mode 100644 index 1c16206882..0000000000 --- a/macros/musixtex/doc/ChangeLog-126.txt +++ /dev/null @@ -1,5 +0,0 @@ - -Changes from MusiXTeX 125 to 126: - -* Corrected minor bugs in the implementation of - \setinterstaff that were causing Overfull hboxes. diff --git a/macros/musixtex/doc/ChangeLog-127.txt b/macros/musixtex/doc/ChangeLog-127.txt deleted file mode 100644 index 399d5a2eed..0000000000 --- a/macros/musixtex/doc/ChangeLog-127.txt +++ /dev/null @@ -1,15 +0,0 @@ - -Changes from MusiXTeX 126 to 127: - -* introduced \meterN, \xxtuplet - -* introduced \nqqb \nqqh \nqqqb \nqqqh abbreviations and - synonyms \nqql \nqqu \nqqql \nqqqu - -* introduced \hap, \happ analogous to \qap, \qapp - -* introduced \hbsk analogous to \hsk - -* introduced \bqsk, \bhsk, \btsk analogous to \qsk, \hqsk, \tqsk - -* eliminated \ds@oup diff --git a/macros/musixtex/doc/ChangeLog-128.txt b/macros/musixtex/doc/ChangeLog-128.txt deleted file mode 100644 index 39c5fa708e..0000000000 --- a/macros/musixtex/doc/ChangeLog-128.txt +++ /dev/null @@ -1,7 +0,0 @@ - -Changes from MusiXTeX 127 to 128: - - * introduced \z[left|right|leftright]repeat, for use *within* a bar - and \zz...repeat, to force to the end of a system - - * corrected definition of \C@Inter for \nblines < 4 diff --git a/macros/musixtex/doc/ChangeLog-129.txt b/macros/musixtex/doc/ChangeLog-129.txt deleted file mode 100644 index 780d4cef33..0000000000 --- a/macros/musixtex/doc/ChangeLog-129.txt +++ /dev/null @@ -1,6 +0,0 @@ - -Changes from MusiXTeX 128 to 129: - - * introduced support for tablature notation: \tabfnt, - \tabcleffnt, \tabstringfnt, \tabstylespace, \tab, \ztab, - etc. diff --git a/macros/musixtex/doc/ChangeLog-130.txt b/macros/musixtex/doc/ChangeLog-130.txt deleted file mode 100644 index 69dae51de7..0000000000 --- a/macros/musixtex/doc/ChangeLog-130.txt +++ /dev/null @@ -1,5 +0,0 @@ - -Changes from MusiXTeX 129 to 130: - - * defined \zdoublebar for use within a bar - * defined \hbp and \hbpp diff --git a/macros/musixtex/doc/ChangeLog-131.txt b/macros/musixtex/doc/ChangeLog-131.txt deleted file mode 100644 index 93fac608e5..0000000000 --- a/macros/musixtex/doc/ChangeLog-131.txt +++ /dev/null @@ -1,4 +0,0 @@ - -Changes from MusiXTeX 130 to 131: - - * defined \zzdoublebar, \zzbar, \zendpiece diff --git a/macros/musixtex/doc/ChangeLog-132.txt b/macros/musixtex/doc/ChangeLog-132.txt deleted file mode 100644 index 2d288c95bc..0000000000 --- a/macros/musixtex/doc/ChangeLog-132.txt +++ /dev/null @@ -1,6 +0,0 @@ - -Changes from MusiXTeX 131 to 132: - - * commented out spurious \let\doublebar\doublebar@II - * forbid line-breaking at \zdoublebar - * new add-on musixvbm.tex to support vectorized beams diff --git a/macros/musixtex/doc/ChangeLog-133.txt b/macros/musixtex/doc/ChangeLog-133.txt deleted file mode 100644 index 226ded73bf..0000000000 --- a/macros/musixtex/doc/ChangeLog-133.txt +++ /dev/null @@ -1,8 +0,0 @@ - -Changes from MusiXTeX 132 to 133a: - - * \tabfnt etc. now uses (Helvetica) bold for tablature notes - * replace ledger lines by slashes (/) or numbers for tablature notes below the staff - * new commands \tzqu, \tzcup, etc. for tiny notes to indicate duration, for use in - tablature - diff --git a/macros/musixtex/doc/ChangeLog-134.txt b/macros/musixtex/doc/ChangeLog-134.txt deleted file mode 100644 index fb19280be0..0000000000 --- a/macros/musixtex/doc/ChangeLog-134.txt +++ /dev/null @@ -1,9 +0,0 @@ - -Changes from MusiXTeX 133 to 134: - - * new extension library musixftab.tex to support traditional French - tablature using script letters instead of numerals - - * \tabfnt ... commands re-defined to allow re-definition in - musixftab.tex - diff --git a/macros/musixtex/doc/ChangeLog-135.txt b/macros/musixtex/doc/ChangeLog-135.txt deleted file mode 100644 index ae00d0c07b..0000000000 --- a/macros/musixtex/doc/ChangeLog-135.txt +++ /dev/null @@ -1,8 +0,0 @@ - -Changes from MusiXTeX 134 to 135: - - * new extension library musixjt.tex to support using the handwriting - font MuseJazzText for all textual elements of a MusiXTeX score. - - * Aug. 30, 2021: moved frenchtab and MuseJazzText fonts and - associated support files to the musixtex-fonts package diff --git a/macros/musixtex/doc/ChangeLog-136.txt b/macros/musixtex/doc/ChangeLog-136.txt deleted file mode 100644 index 06ac3fee83..0000000000 --- a/macros/musixtex/doc/ChangeLog-136.txt +++ /dev/null @@ -1,7 +0,0 @@ - -Changes from MusiXTeX 135 to 136: - - * Support for Turkish classical music accidentalsi; see musixmkm.tex. - * Re-define \hlthick to produce thicker ledger lines. - * Provide thinner accidentals; see musixthacc.tex. - * Thicker Postscript hairpins. diff --git a/macros/musixtex/doc/ChangeLog-137.txt b/macros/musixtex/doc/ChangeLog-137.txt deleted file mode 100644 index 2f62d7a0e9..0000000000 --- a/macros/musixtex/doc/ChangeLog-137.txt +++ /dev/null @@ -1,5 +0,0 @@ - -Changes from MusiXTeX 136 to 137: - - * added small ss fonts - * added extension library musixmtab.tex supporting "modern" tablature diff --git a/macros/musixtex/doc/ChangeLog-musixdoc.txt b/macros/musixtex/doc/ChangeLog-musixdoc.txt deleted file mode 100644 index aea36ae40c..0000000000 --- a/macros/musixtex/doc/ChangeLog-musixdoc.txt +++ /dev/null @@ -1,30 +0,0 @@ -2016-11-12 RDT - - Expanded treatment of big cautionary accidentals - -2016-06-06 RDT - - Revised the material on page layout. - -2015-02-20 RDT - - Clean up title page and preface(s). - Three-pass system material revised. - Link to WIMA for installation instructions. - Extracting-parts material (DT) restored from T114. - Chapter 3 (Acquiring, Installing, and Using MusiXTeX) deleted. - musixdoc.sty revamped to allow use of Times or Palatino fonts. - musixdoc.tex broken up into separate chapter files for use with includeonly. - Many corrections and improvements, too numerous to list. - -2011-04 - - Musixdoc: Update links to CTAN in 3.1. - - Musixdoc: Set link for musixtex.zip once we decide if it should be 1.15 - - Musixdoc: Edit 128th beam stuff. - - Musixdoc: Add smalltreblelowoct etc. - - Musixdoc: Explain where musixflx source and binaries are. diff --git a/macros/musixtex/doc/examples/adagio.tex b/macros/musixtex/doc/examples/adagio.tex deleted file mode 100644 index 1d63294cf2..0000000000 --- a/macros/musixtex/doc/examples/adagio.tex +++ /dev/null @@ -1,446 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi -\title{Adagio} -\subtitle{(pour orgue)} -\headtitle{I. Adagio} -\csname titremorceautoc\endcsname -\shortauthor{D. Taupin} -\fullauthor{Daniel TAUPIN\\organiste \`{a} Gif-sur-Yvette} -\othermention{Compos\'{e} en 1989} -% -% - -\maketitle -\parindent 18mm -% -% calcul de \elemskip en fonction de la largeur de page pour eviter les glues -% -\def\znotes{\vnotes 0\elemskip}% - - -\tracingstats=1\relax -% -\nbporteesii=2\relax -\def\nbinstruments{2} -\global\cleftoksii={{6}{0}{0}{0}}% -\global\cleftoksi={{6}{0}{0}{0}}% -% -\signaturegenerale{-1}\relax % un bemol a la clef -\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% -\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% -%\check -\def\instrumenti{16', 8'} - \def\instrumentii{\vbox{\hsize=\parindent\centerline{cornet}\vskip \interportee -\vskip -10pt\centerline{fl\^ute 8'}}}% -%\check -%\elemskip=10pt\relax -%\normal -\def\gluemaxskip{7pt}% -% -% formes frequentes -% deux croches hautes -\def\dqb#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% -\def\dqh#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qu0{#3}}% -\def\doubler{\multiply\noteskip by 2\relax}% -% -\noautolines -\quatretemps -% -\debutmorceau -\hyphenpenalty -50\relax -\global\cleftoksii={{0}{0}{0}{0}}% -\changeclefs\zglu -\notes&|\uptext{\raise 1.5\Interligne\hbox{\kern -14mm\moyen Adagio \bf \metron{\qu}{60}}}\enotes -% mesure 1 -\zglu\notes\itenl1K\wh K&\zq f\zqu h\itenl2d\wh d|\ibbu0h0\qh0h\tbbu0\qh0g\enotes -\Notes&|\tbu0\itenu0h\qh0h\enotes -\NOTes&\zq f\qu h|\tten0\hu h\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\NOTes&\zq f\qu h|\qu i\enotes -% mesure 2 -\barre\NOTes\tten1\hu K&\zq e\zqu g\qsk\tten2\wh d|\hu g\enotes -\temps\NOTes&\zq e\qu g\enotes -\temps\NOTes\soupir&\zq e\qu g|\soupir\enotes -\temps\Notes\qu K&\zq e\qu g|\ibu0h3\qh0g\enotes -\notes&|\nbbu0\qh0h\enotes -\notes&|\tbu0\qh0i\enotes -% mesure 3 -\barre\Notes\wh{^J}&\rlap{\wh{^c}}\zq e\qu g|\ibu0i{-3}\qh0i\tbu0\qh0h\enotes -\temps\Notes &\zq e\qu g|\ibu0h{-3}\qh0h\tbu0\qh0g\enotes -\temps\Notes &\zq e\qu g|\ibu0g{-3}\qh0g\tbu0\qh0f\enotes -\temps\Notes &\zq e\qu h|\ibu0f{-3}\qh0f\tbu0\qh0e\enotes -% mesure 4 -%\etroit -\barre\NOTes\hup K&\zw d\zq f\zqu h|\qup f\enotes -\temps\Notes&\zq f\qu h|\sk\cu e\enotes -\temps\NOTes&\zq f\qu h|\qup d\enotes -\temps\Notes\soupir&\zq f\qu h|\sk\demisoupir\enotes -% mesure 5 -\barre\notes\wh K&\itenl1d\zq f\zqu h\wh d|\ibbu0h0\qh0h\tbbu0\qh0g\enotes -\Notes&|\tbu0\itenl0h\qh0h\enotes -\NOTes&\zq f\qu h|\tten0\hu h\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\NOTes&\zq f\qu h|\qu j\enotes -% mesure 6 -\barre\nspace\NOTes\wh{=I}&\tten1\lsh g\zw d\zq f\rq g\qu{=i}|\itenl2i\hu{=i}\enotes -\temps\NOTes&\zq f\rq g\qu i\enotes -\temps\Notes&\zq f\rq g\qu i|\tten2\ibl0i3\qb0i\enotes -\notes&|\nbbl0\qb0j\tbl0\qb0k\enotes -\temps\NOTes&\zq{eg}\qu i|\qu{^g}\enotes -% mesure 7 -\barre\NOTes\wh{^J}&\itenl1c\zq e\zqu h\wh{^c}|\itenl0h\hu h\enotes -\temps\NOTes&\zq e\qu h|\enotes -\temps\Notes&\zq e\qu h|\tten0\ibu0h{-3}\qh0h\tbu0\qh0{=g}\enotes -\temps\Notes&\zq e\qu h|\ibu0h{-4}\qh0h\tbu0\qh0f\enotes -% mesure 8 -\barre\NOTes\wh H&\tten1\zq e\zqu g\wh{^c}|\itenl0g\hu g\enotes -\temps\NOTes&\zq e\qu g|\enotes -\temps\Notes&\zq e\qu g|\tten0\ibu0g{-3}\qh0g\tbu0\qh0f\enotes -\temps\Notes&\zq e\qu g|\ibu0g{-4}\qh0g\tbu0\qh0e\enotes -% mesure 9 -\barre\NOTes\hup K&\rlap{\wh a}\zq d\qu f|\qup f\enotes -\temps\Notes&\zq d\qu f|\sk\cu e\enotes -\temps\NOTes&\zq d\qu f|\qup d\enotes -\temps\Notes\soupir&\zq d\qu f|\sk\demisoupir\enotes -% mesure 10 -\barre\notes\wh K&\rlap{\wh d}\zq f\qu h|\ibbu0h0\qh0h\tbbu0\qh0g\enotes -\Notes&|\tbu0\itenl0h\qh0h\enotes -\NOTes&\zq f\qu h|\tten0\hu h\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\NOTes&\zq f\qu h|\qu i\enotes -%\check -% mesure 11 -\barre\NOTes \wh J&\zw c\zq{^f}\qu h|\hu j\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\NOTes&\zq f\qu h|\soupir\enotes -\temps\Notes&\zq f\qu h|\ibl0i3\qb0j\enotes -\notes &|\nbbl0\qb0k\tbl0\qb0{_l}\enotes -%\check -% mesure 12 -\barre\Notes\wh K&\itenl0d\zq{^f}\zqu h\wh d|\ibl0l{-3}\qb0{_l}\tbl0\qb0k\enotes -\temps\Notes &\zq f\qu h|\ibl0k{-3}\qb0k\tbl0\qb0j\enotes -\temps\Notes &\zq f\qu h|\ibl0j{-3}\qb0j\tbl0\qb0i\enotes -\temps\Notes&\zq f\qu h|\ibl0i{-3}\qb0i\tbl0\qb0h\enotes -%\check -% mesure 13 -\barre\NOTes\wh N&\tten0\zw d\zq g\qu i|\qlp i\enotes -\temps\Notes&\zq g\qu i|\sk\cu h\enotes -\temps\NOTes&\zq g\qu i|\qup g\enotes -\temps\Notes&\zq g\qu i|\sk\ds \enotes -%\check -% mesure 14 -\barre\nspace\NOTes\wh L&\lna e\zw{^c}\zq e\qu h|\rlap{\hl{^j}}\zcharnote - n{\Trille{2\noteskip}}\relax -\zcharnote q{\ \ (*)}\enotes -\footnote{}{(*) Trilles commenc\'es sur la note et finissant sans -terminaison sur la note suivante.}\relax - \temps\NOTes&\zq e\qu h\enotes -\temps\NOTes&\zq e\qu h|\ql j\enotes -\temps\Notes&\zq e\qu h|\ibl0i3\qb0{=i}\tbl0\qb0j\enotes -%\check -% mesure 15 -\barre\NOTes\wh K&\rlap{\wh d}\zq f\qu h|\rlap{\hl k}\zcharnote n{\Trille{2\noteskip}}\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\NOTes&\zq f\qu h|\ql k\enotes -\temps\Notes&\zq f\qu h|\ibl0j3\qb0{^j}\tbl0\qb0k\enotes -%\check -% mesure 16 -\barre\NOTes\wh{^J}&\rlap{\wh e}\zq g\qu i|\rlap{\hl l}\zcharnote n{\Trille{2\noteskip}}\enotes -\temps\NOTes&\zq g\qu i\enotes -\temps\Notes&\zq g\qu i|\ibl0l0\qb0l\enotes -\notes&|\nbbl0\qb0m\tbl0\qb0l\enotes -\temps\Notes&\zq g\qu i|\ibl0k3\qb0k\tbl0\qb0l\enotes -%\check -% mesure 17 -\barre\NOTes\wh K&\zw d\zq f\qu h|\hlp m\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\NOTes&\zq f\qu h|\soupir\enotes -%\check -% mesure 18 -\barre\NOTes\wh J&\zw{=c}\zq{^f}\qu h|\rlap{\hl{^m}}% -\zcharnote p{\Trille{2\noteskip}}\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\NOTes&\zq f\qu h|\ql m\enotes -\temps\Notes&\zq f\qu h|\ibl0l3\qb0l\tbl0\qb0m\enotes -%\check -% mesure 19 -\barre\NOTes\wh I&\rlap{\wh d}\zq g\qu i|\rlap{\hl n}\zcharnote p{\Trille{2\noteskip}}\enotes -\temps\NOTes&\zq g\qu i\enotes -\temps\NOTes&\zq g\qu i|\ql n\enotes -\temps\Notes&\zq g\qu i|\ibl0m3\qb0{^m}\tbl0\qb0n\enotes -%\check -% mesure 20 -\barre\NOTes\wh H&\rlap{\wh c}\zq{^f}\qu h|\rlap{\hl o}\zcharnote q{\Trille{2\noteskip}}\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\Notes&\zq f\qu h|\ibl0o0\qb0o\enotes -\notes&|\nbbl0\qb0p\tbl0\qb0o\enotes -\temps\Notes&\zq f\qu h|\ibl0n3\qb0n\tbl0\qb0o\enotes -%\check -% mesure 21 -\barre\NOTes\wh G&\zw d\zq g\qu i|\qlp p\enotes -\temps\Notes&\zq g\qu i|\sk\cl o\enotes -\temps\Notes&\zq g\qu i|\ibl0n{-3}\qb0n\tbl0\qb0m\enotes -\temps\Notes&\zq g\qu i|\ibl0l{-3}\qb0l\tbl0\qb0k\enotes -%\check -% mesure 22 -\barre\Notes\hup H&\zw{^c}\zq e\qu g|\ibl0j{-4}\qb0{^j}\tbl0\qb0h\enotes -\temps\Notes&\zq e\qu g|\ibl0i3\qb0{=i}\tbl0\qb0 j\enotes -\temps\Notes&\zq e\qu g|\ibl0k3\qb0k\tbl0\qb0l\enotes -\temps\Notes\qu G&\zq e\qu g|\ibl0m3\qb0m\tbl0\qb0n\enotes -%\check -% mesure 23 -\barre\NOTes\hu F&\zw d\zq f\qu h|\qlp o\enotes -\temps\Notes&\zq f\qu h|\sk\cl k\enotes -\temps\Notes\qu G&\zq b\qu g|\ibl0n{-3}\qb0n\tbl0\qb0m\enotes -\temps\NOTes\itenl0H\qu H&\zq a\qu f|\ql m\enotes -%\check -% mesure 24 -\barre\NOTes\tten0\wh H&\zw a\zq{^c}\qu e|\zcharnote o{\Trille{3\noteskip}}\wh l\enotes -\temps\NOTes&\zq c\qu e|\enotes -\temps\NOTes&\zq c\qu e|\enotes -\temps\Notes&\zq {ce}\qu g|\ibl0l{-3}\qb0l\tbl0\qb0k\enotes -%\check -% mesure 25 -\barre\NOTes\hup K&\zw d\zq f\qu h|\hlp k\enotes -\temps\NOTes&\zq f\qu h|\enotes -\temps\NOTes&\zq f\qu h|\enotes -\temps\NOtes\soupir&\zq f\qu h|\soupir\enotes -% mesure 26 -\barre\notes\hup K&\rlap{\hlp d}\zq f\qu h|\ibbl0k0\qb0k\tbbl0\qb0{=j}\enotes -\Notes&|\tbl0\itenl0k\qb0k\enotes -\NOTes&\zq f\qu h|\tten0\hl k\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\NOtes\qu J&\rlap{\ql c}\zq{_e}\qu h|\ql{_l}\enotes -% mesure 27 -\barre\NOtes\wh{=I}&\rlap{\zw d}\rq g\qu f|\hl m\enotes -\temps\NOtes&\rq g\qu f\enotes -\temps\NOtes&\rq g\qu f|\soupir\enotes -\temps\Notes&\rq g\qu f|\ibl0m3\qb0m\enotes -\notes&|\nbbl0\qb0n\tbl0\qb0{_o}\enotes -% mesure 28 -\barre\nspace\Notes\wh G&\rlap{\wh{=b}}\zq d\qu f|\ibl0o{-3}\qb0{_o}\tbl0\qb0n\enotes -\temps\Notes &\zq d\qu f|\ibl0n{-3}\qb0n\tbl0\qb0m\enotes -\temps\Notes &\zq d\qu f|\ibl0m{-3}\qb0m\tbl0\qb0{_l}\enotes -\temps\Notes &\zq d\zq f\qu{=i}|\ibl0l{-3}\qb0l\tbl0\qb0k\enotes -% mesure 29 -\barre\NOTes\wh J&\zw c\zq{_e}\qu g|\qlp{_l}\enotes -\temps\Notes&\zq e\qu g|\sk\cl k\enotes -\temps\NOTes&\zq e\qu g|\qlp j\enotes -\temps\Notes&\zq e\qu g|\sk\ds \enotes -%\check -% mesure 30 -\barre\NOTes\wh H&\zw c\zq{^f}\qu h|\itenu0o\hl o\enotes -\temps\NOTes&\zq f\qu h&\enotes -\temps\Notes&\zq f\qu h|\tten0\ibl0o3\qb0o\enotes -\notes&|\nbbl0\qb0p\tbl0\qb0q\enotes -\NOTes&\zq f\qu h|\ql{^m}\enotes -% mesure 31 -\barre\NOTes\wh I&\zw b\zq d\qu g|\itenu0n\hl n\enotes -\temps\NOTes&\zq d\qu g|\enotes -\temps\Notes&\zq d\qu g|\tten0\ibl0n{-3}\qb0n\tbl0\qb0{=m}\enotes -\Notes&\zq d\qu g|\ibl0n{-4}\qb0n\tbl0\qb0{_l}\enotes -%\check -% mesure 32 -\barre\NOTes\wh{=I}&\zw d\zq f\qu{=i}|\itenu0m\hl m\enotes -\temps\NOTes&\zq f\qu i|\enotes -\temps\Notes&\zq f\qu i|\tten0\ibl0m{-3}\qb0m\tbl0\qb0{_l}\enotes -\temps\Notes&\zq f\qu{_h}|\ibl0m{-4}\qb0m\tbl0\qb0k\enotes -%\check -% mesure 33 -\barre\NOTes\wh J&\zw c\zq{_e}\qu g|\fl l\qlp l\enotes -\temps\Notes&\zq e\qu g|\sk\cl k\enotes -\temps\NOTes&\zq e\qu g|\qlp j\enotes -\temps\Notes&\zq e\qu g|\sk\ds \enotes -%\check -% mesure 34 -\barre\nspace -\NOTes\wh K&\zw d\lsh f\zq f\qu{=h}|\itenu0k\hl k\enotes -\temps\NOTes&\zq f\qu h|\enotes -\temps\Notes&\zq f\qu h|\tten0\dqb3k{_l}\enotes -\temps\Notes&\zq f\qu h|\dqb{-3}kj\enotes -% mesure 35 -\barre -\Notes\wh J&\zw c\sh f\zq f\qu h|\dqb3k{=l}\enotes -\temps\Notes&\zq f\qu h|\dqb3{^m}n\enotes -\temps\Notes&\zq f\qu h|\dqb3op\enotes -\temps\Notes&\zq f\qu h|\dqb{-4}qo\enotes -% mesure 36 -\barre% -\Notes\wh I&\zw b\zq d\qu g|\dqb{-3}rq\enotes -\temps\Notes&\zq d\qu g|\dqb{-3}po\enotes -\temps\Notes&\zq d\qu g|\dqb{-3}nm\enotes -\temps\Notes&\zq d\qu g|\dqb{-4}nl\enotes -% mesure 37 -\barre -\Notes\wh H&\zw c\zq{^f}\qu h|\sh m\dqb{-3}ml\enotes -\temps\Notes&\zq f\qu h|\dqb3mn\enotes -\temps\Notes&\zq f\qu h|\dqb3op\enotes -\temps\Notes&\zq f\qu h|\dqb{-4}qo\enotes -% mesure 38 -\barre -\Notes\wh G&\itenl0d\zw d\zq g\qu i|\dqb{-3}po\enotes -\temps\Notes&\zq g\qu i|\dqb{-3}n{=m}\enotes -\temps\Notes&\zq g\qu i|\fl l\dqb{-3}lk\enotes -\temps\Notes&\zq g\qu i|\dqb{-3}ji\enotes -% mesure 39 -%\check -\barre -\NOTes\wh F&\tten0\zw d\na i\zq f\qu i|\rlap{\hl{=i}}\zcharnote n{\Trille{2\noteskip}}\enotes -\temps\NOTes&\zq f\qu i|\enotes -\temps\Notes&\zq f\qu i|\ibl0i0\qb0i\enotes -\notes&|\nbbl0\qb0j\tbl0\qb0i\enotes -\temps\Notes&\zq f\qu i|\dqb3hi\enotes -%\check -% mesure 40 -\barre\NOTes\wh E&\zw c\zq e\qu g|\zcharnote o{\Trille{2\noteskip}}\hl j\enotes -\temps\NOTes&\zq e\qu g|\enotes -\temps\Notes&\zq e\qu g|\ibl0j0\qb0j\enotes -\notes&|\nbbl0\qb0k\tbl0\qb0j\enotes -\temps\Notes&\zq e\qu g|\dqb3{=i}j\enotes -% mesure 41 -\barre\NOTes\wh H&\zw{^c}\zq e\qu g|\zcharnote o{\Trille{2\noteskip}}\hl{^j}\enotes -\temps\NOTes&\zq e\qu g|\enotes -\temps\Notes&\rlap{\midtwotext{\it rit.}}\zq e\qu g|\ibl0j0\qb0j\enotes -\notes&|\nbbl0\qb0k\tbl0\qb0j\enotes -\temps\Notes&\zq e\qu g|\dqb3{=i}j\enotes -% mesure 42 -\barre\NOTes\hup D&\rlap{\midtwotext{\it a tempo}}\zw d\zq{^f}\qu h|\hlp k\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\NOTes\soupir&\zq f\qu h|\soupir\enotes -%\check -% mesure 43 -\barre\notes\wh K&\rlap{\wh d}\zq{=f}\qu h|\ibbu0h0\qh0h\tbbu0\qh0g\enotes -\Notes&|\tbu0\itenl0h\qh0h\enotes -\NOTes&\zq f\qu h|\tten0\hu h\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\NOTes&\zq f\qu h|\qu i\enotes -%\check -% mesure 44 -\barre\NOTes\wh G&\zw b\zq d\qu g|\hu g\enotes -\temps\NOTes&\zq d\qu g\enotes -\temps\NOTes&\zq d\qu g|\soupir\enotes -\temps\Notes&\zq d\qu g|\ibu0h3\qh0g\enotes -\notes&|\nbbu0\qh0h\tbu0\qh0i\enotes -% mesure 45 -\barre\Notes\wh J&\rlap{\rhl b}\zq c\qu e|\ibu0i{-3}\qh0i\tbu0\qh0h\enotes -\temps\Notes &\zq c\qu e|\ibu0h{-3}\qh0h\tbu0\qh0g\enotes -\temps\Notes &\rlap{\hl c}\zq e\qu i|\ibu0g{-3}\qh0g\tbu0\qh0f\enotes -\temps\Notes &\zq e\qu i|\ibu0f{-3}\qh0f\tbu0\qh0e\enotes -%\check -% mesure 46 -\barre \NOTes\wh F&\zw a\zq c\qu f|\qup f\enotes -\temps\Notes&\zq c\qu f|\sk\cu g\enotes -\temps\NOTes&\zq c\qu f|\qup h\enotes -\temps\Notes&\zq c\qu f|\sk\ds\enotes -% mesure 47 -%\check -\large -\barre\notes\hl K&\rlap{\hl d}\zq g\qu i|\ibbu0i0\qh0{iji}\tbu0\qh0h\enotes -\temps\notes&\zq g\qu i|\ibbu0i0\qh0{igh}\tbu0\qh0{=i}\enotes -\temps\notes\hl L&\rlap{\hl{^c}}\zq e\qu g|\ibbl0j3\qb0{^jkl}\tbl0\qb0m\enotes -\temps\notes&\zq e\qu g|\ibbl0n3\qb0{no=p}\tbl0\qb0{^q}\enotes -% mesure 48 -%\check -\barre\notes\hl M&\rlap{\hl a}\zq d\qu f|\ibbl0r{-3}\qb0{r=q_p}\tbl0\qb0o\enotes -\temps\notes&\zq d\qu f|\ibbl0n{-3}\qb0{nml}\tbl0\qb0 k\enotes -\temps\notes\hl G&\rlap{\hl b}\zq e\qu g|\ibbl0n{-3}\qb0{nml}\tbl0\qb0k\enotes -\temps\notes&\zq e\qu g|\ibbl0j{-3}\qb0{^j=ih}\tbl0\qb0g\enotes -% mesure 49 -%\check -\barre\notes\hu H&\rlap{\hl a}\zq d\qu f|\ibbl0f3\qb0{fhk}\tbl0\qb0h\enotes -\temps\notes&\zq d\qu f|\ibbl0k3\qb0{mko}\tbl0\qb0m\enotes -\temps\notes\hu I&\rlap{\hl b}\zq d\qu g|\ibbl0g3\qb0{g_il}\tbl0\qb0i\enotes -\temps\notes&\zq d\qu g|\ibbl0l3\qb0{nl_p}\tbl0\qb0n\enotes -% mesure 50 -%\check -\barre\notes\hu H&\rlap{\hl d}\zq f\qu h|\ibbl0h3\qb0{hkm}\tbl0\qb0k\enotes -\temps\notes&\zq f\qu h|\ibbl0m3\qb0{omr}\tbl0\qb0o\enotes -\temps\notes\hu G&\rlap{\hl d}\zq g\qu i|\ibbl0i3\qb0{ikn}\tbl0\qb0k\enotes -\temps\notes&\zq g\qu i|\ibbl0m3\qb0{pnr}\tbl0\qb0 p\enotes -% mesure 51 -%\check -\normal -\barre\NOTes\hup F&\rlap{\hlp d}\zq f\qu h|\qlp o\enotes -\temps\Notes&\zq f\qu h|\sk\cl n\enotes -\temps\notes&\zq f\qu h|\ibl0m{-3}\qb0m\zcharnote o{\sl 3}\qb0l\tbl0\qb0k\enotes -\temps\Notes\qu G&\rlap{\ql b}\zq e\qu g|\ibl0n{-3}\qb0n\tbl0\qb0m\enotes -% mesure 52 -%\check -\barre\NOTes\wh H&\itenl0a\zw a\zq d\qu f|\ql m\enotes -\temps\NOTes&\zq{^c}\qu e|\zcharnote n{\Trille{2\noteskip}}\hl l\enotes -\temps\NOTes&\zq c\qu e|\enotes -\temps\NOtes&\zq c\qu e|\ibl0l{-3}\pt l\qb0l\enotes -\notes&|\tbbl0\tbl0\qb0k\enotes -% mesure 53 -%\check -\barre\NOTes\hup D&\tten0\zw a\zq d\qu f|\hlp k\enotes -\temps\NOTes&\zq d\qu f|\enotes -\temps\NOTes&\zq d\qu f|\enotes -\temps\NOTes\soupir&\zq d\qu f|\soupir\enotes -% mesure 54 -%\cleftoksii={{3}{0}{0}{0}}\changeclefs -\barre\notes\itenu1K\wh K&\itenl2d\zw d\zq f\qu h|\ibbu0h0\qh0h\tbbu0\qh0g\enotes -\Notes&|\tbu0\itenl0h\qh0h\enotes -\NOTes&\zq f\qu h|\tten0\hu h\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\NOTes&\zq f\qu h|\qu i\enotes -% mesure 55 -\barre\NOTes\tten1\hu K&\zq e\zqu g\qsk\tten2\wh d|\hu g\enotes -\temps\NOTes&\zq e\qu g\enotes -\temps\NOTes\soupir&\zq e\qu g|\soupir\enotes -\temps\Notes\qu K&\zq e\qu g|\ibu0h3\qh0g\enotes -\notes&|\nbbu0\qh0h\enotes -\notes&|\tbu0\qh0i\enotes -% mesure 56 -\barre\Notes\wh{^J}&\rlap{\wh{^c}}\zq e\qu g|\ibu0i{-3}\qh0i\tbu0\qh0h\enotes -\temps\Notes &\zq e\qu g|\ibu0h{-3}\qh0h\tbu0\qh0g\enotes -\temps\Notes &\zq e\qu g|\ibu0g{-3}\qh0g\tbu0\qh0{^f}\enotes -\temps\Notes &\zq e\qu h|\ibu0f{-3}\qh0f\tbu0\qh0e\enotes -% mesure 57 -\barre\NOTes\wh K&\rlap{\wh d}\zq{^f}\qu h|\qup {^f}\enotes -\temps\Notes&\zq f\qu h|\sk\cu g\enotes -\temps\NOTes&\zq f\qu h|\qup h\enotes -\temps\Notes&\zq f\qu h|\sk\ds \enotes -% mesure 58 -\barre\NOTes\qu J&\zq{=c}\rq d\qu g|\qu d\enotes -\temps\NOTes\hup I&\rlap{\hlp b}\zq d\qu g|\itenl0g\qu g\enotes -\temps\notes&\zq d\qu g|\tten0\ibbu0g{-3}\qh0{g=fe}\tbu0\qh0d\enotes -\temps\notes&\zq d\qu g|\ibbu0g{-3}\qh0{gfe}\tbu0\qh0d\enotes -% mesure 59 -%\check -\barre\notes\wh H&\doubler\itenl0a\zw a\zq{^c}\qu e|\ibbu0c0\qh0{^c=bc}\tbu0\qh0a\enotes -\temps\notes&\zq c\qu e|\ibbu0b3\qh0{bcd}\tbu0\qh0e\enotes -\temps\NOTes&\zq d\qu f|\qu f\enotes -\temps\Notes&\zq d\qu f|\ibu0f{-3}\qh0f\tbu0\qh0e\enotes -% mesure 60 -%\check -\barre\NOTes\wh H&\tten0\zw a\zq{^c}\qu e|\zcharnote n{\Trille{3\noteskip}}\hup e\enotes -\temps\NOTes&\zq c\qu e\rlap{\midtwotext{\sl rall.\ \ \ }}\enotes -\temps\NOTes&\zq c\qu e|\enotes -\temps\Notes&\zq c\qu e|\ibu0e{-3}\qh0e\tbu0\qh0d\enotes -% mesure 61 -%\check -\cleftoksii={{6}{0}{0}{0}}% -\zchangeclefs -\barre -\elemskip=1.1\elemskip -\NOTes\itenl1D\wh D&\itenu2d\zw d\zq M\ql a|\itenl0d\zw d\enotes -\temps\NOTes&\zq M\ql a|\enotes -\temps\NOTes&\zq N\ql b|\enotes -\temps\NOTes&\zq L\ql N|\enotes -% mesure 62 -\barre\nspace -\NOTEs\tten1\pointdorgue a\hu D&\tten2\zh{Ma}\pointdorgue d\hl d|\tten0\pointdorgue o\hu d\enotes -\temps\NOTEs\hpause&\hpause|\hpause\enotes -\mulooseness -2\relax -\finmorceau -\bigskip -\rightline{\it \aujourdhui} -\vfil -\eject -\bye diff --git a/macros/musixtex/doc/examples/albinoni.tex b/macros/musixtex/doc/examples/albinoni.tex deleted file mode 100644 index 9b30fd3bb7..0000000000 --- a/macros/musixtex/doc/examples/albinoni.tex +++ /dev/null @@ -1,614 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi - \input musixadd - \title{Adagio (Albinoni)} -\csname titremorceautoc\endcsname -\fulltitle{Adagio per archi ed organo} -\title{Adagio per archi ed organo} - \author{Tomaso Albinoni\\Transcription orgue et clarinette Daniel -Taupin} - \shortauthor{Albinoni} - \subtitle{\relax} - \othermention{G.O. (I): Montre 8'+4'\\Positif (II): 8'+4'+quinte - \\R\'ecit (III): fl\^utes -8'+4'\\P\'edale : 16'\\Tirasse positif, claviers accoupl‚s.\\Gif : -2-4/9-11-13/19-22/33-37/46-47-48-49-54} - \maketitle - - -\parindent 13mm -\musicsize=20 -\normal -\relativeaccidentals -\bigaccid -\def\nbinstruments{4} -\def\instrumenti{P\'edale} -\def\instrumentii{Positif} -\def\instrumentiii{Positif} -\def\instrumentiv{Clarinette} -\def\staffspacingiv{0.64} -\generalmeter{\meterfrac34}% -\cleftoksi{6000} -\cleftoksii{6000} -\cleftoksiii{0000} -\cleftoksiv{0000} -\generalsignature{-2} - % - \def\pto#1#2#3{\Ibbbu0{#1}{#3}2\qh0{#1}\tbbu0\qh0{#2}\tbu0\itenu0{#3}\multnoteskip{1.42}\qhp0{#3}}% - \def\ptb#1#2#3{\Ibbbl0{#1}{#3}2\qb0{#1}\tbbl0\qb0{#2}\tbl0\itenu0{#3}\multnoteskip{1.42}\qbp0{#3}}% - \def\qpqu#1#2{\Ibu0{#1}{#2}2\qhp0{#1}\sk\tbbu0\tqh0{#2}} - \def\qpql#1#2{\Ibl0{#1}{#2}2\qbp0{#1}\sk\tbbl0\tqb0{#2}} - \def\Qpqu#1#2{\Ibu1{#1}{#2}2\qhp1{#1}\sk\tbbu1\tqh1{#2}} - \def\Qpql#1#2{\Ibl1{#1}{#2}2\qbp1{#1}\sk\tbbl1\tqb1{#2}} - \def\Qpqlt#1#2#3{\Ibl1{#1}{#2}2\qbp1{#1}\sk\tbbl1\tslur3{#3}\tqb1{#2}} - % - \def\grnotes{\vnotes0.7\elemskip}% 16th - \def\ggrnotes{\vnotes0.5\elemskip}% 16th - % - \def\qqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}} - \def\qqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}} - \def\qqqb#1#2#3{{\advance\transpose -13\relax\triolet #2}\Ibl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}} - \def\qqqh#1#2#3{{\advance\transpose 8\relax\triolet #1}\Ibu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}} - % -\debutmorceau -\NOtes\sk\pause&\lpz G\qu G\upz N\ql N\lpz G\qu G - &\roff{\itenl1b\itenl2d\itenu3g}\zhp b\zhp d\hlp g&\Uptext{\bf\kern -5mm(\metron{\qu}60)}\sk\pause\enotes - \barre %2 -\NOtes\sk\pause&\zcharnote {-7}{\it il basso staccato}\lpz F\qu F\upz M\ql -M\lpz F\qu F&\tten1\tten2\tten3\zhp b\zhp d\hlp g&\sk\pause\enotes - \barre %3 -\notes&\qu E&\roff{\itenl1b\itenl2e}\zhp b\zhlp e\pto ghi&\enotes -\NOtes\pause&\ql L&\tten0\qup i&\pause\enotes -\Notes&\qu E&\sk\cu g\enotes - \barre %4 -\NOtes&\qu D\ql K\qu D&\tten1\tten2\zhp b\zhlp e\hup g&\sk\pause\enotes - \barre %5 -\notes&\qu C&\roff{\zhp e\zhlp h}\pto hij\enotes -\NOtes\pause&\qu J\qu C&\tten0\hu j&\pause\enotes - \barre %6 -\notes&\qu {^C}&\zhp {^e}\zhlp g\pto ihi\enotes -\NOtes\pause&\qu {^J}\qu C&\tten0\hu i&\pause\enotes - \barre %7 -\notes&\qu D&\lh d\itenl1d\zhl d\pto hgh\enotes -\NOtes\pause&\ql K&\tten0\itenu0h\qu h&\pause\enotes -\Notes&\qu D&\tten1\lq{=c}\zql d\tten0\triolet p\Ibu0hf2\qh0{hg}\tqh0{^f}\enotes - \barre %8 -\NOtes\sk\pause&\qu G\ql N\qu G&\zhp b\zhlp d\hup g&\sk\pause\enotes - \setclef2\treble \changeclefs - \barre %9 - \NOtes\lpz G\qu G\upz N\ql N&\zcharnote n{{\bf III} -- fl–tes}\zhp b\hup d&\zcharnote n{{\bf II} -- quinte}\ppt5\soupir&\isluru3m\ql k\Ibl1ji1\qbp 1j\enotes - \notes&&\ccu N&\tbbl1\tqb1i\enotes - \notes\lpz G\qu G&&\Ibu0ab1\qhp0a\sk\tbbu0\tqh0b&\Ibl1hg2\qbp1h\sk\tbbl1\tslur3m\tqb1g\enotes - %\check - \barre %10 - \notes\qu H&\hup c&\qpqu cd&\isluru3m\hu g\enotes - \notes\ql a&&\qpqu ed\enotes - \notes\qu H&&\qpqu ec&\tslur3l\qu{^f}\enotes - \barre %11 - \NOtes\qu H&\qup c&\qup{^f}&\isluru3l\ql l\enotes - \notes\ql a&\sk\dsoupir&\sk\sk\ccu a&\Qpql kj\enotes - \notes\qu H&\soupir&\qpqu bc&\Qpqlt ihk\enotes - \barre %12 - \notes\qu I&\hlp d&\qpqu d{^e}&\isluru3l\hl h\enotes - \notes\ql b&&\qpqu {^f}d\enotes - \NOtes\qu I&&\qu g&\tslur3k\qu g\enotes - \barre %13 - \NOtes\qu I&\zhp d\zhlp g\hu k&\hu g&\isluru3o\ql n\enotes - \Notes\ql b&&&\Ibl1mn2\qb1m\tqb1n\enotes - \Notes\qu I&&\qu d&\triolet o\Ibl0lk2\qb0{lm}\tqb0k\enotes - \barre %14 - \NOtes\qu J&\zh e\hu g&\qu d&\tslur3n\hlp l\enotes - \Notes\ql c&&\Ibu0cd1\qh0c\tqh0d\enotes - \Notes\qu J&\soupir&\triolet M\Ibu0ba2\qh0{bc}\tqh0a\enotes - \barre %15 - \NOtes\qu H&\zh c\hu j&\hu f&\isluru3n\ql m\enotes - \Notes\ql a&&&\Ibl0lm1\qb0l\tqb0m\enotes - \Notes\qu H&\zq c\qu f&\qu c&\triolet n\Ibl0kj2\qb0{kl}\tqb0j\enotes - \barre %16 - \NOtes\qu I&\zh d\hu f&\qu c&\tslur3l\hlp k\enotes - \Notes\ql b&&\qqh bc\enotes - \Notes\qu I&\soupir&\qqqh abN\enotes - \barre %17 - \NOtes\qu G&\zh b\hu i&\hu e&\isluru3m\ql l\enotes - \Notes\ql N&&&\qqb kl\enotes - \Notes\qu G&\zq b\qu e&\qu b&\qqqb jki\enotes - \barre %18 - \NOtes\qu H&\zhp c\hup e&\qu b&\tslur3k\hl j\enotes - \Notes\ql a&&\qqh ab\enotes - \Notes\qu H&&\qqqh cba&\isluru3k\ql j\enotes - \barre %19 - \NOtes\qu I&\hu d&\zq a\qu d&\hl k\enotes - \Notes\ql b&&\Ibl1NM1\Ibu0gf1\zqb1N\qh0g\tbl1\zqb1{^M}\tqh0{^f}\enotes - \Notes\qu J&\qu e&\Ibl1Na1\Ibu0gh1\zqb1N\zql e\qh0g\tbl1\zqb1a\tqh0h&\ql l\enotes - \barre %20 - \NOTEs\pointdurgue F\hu K&\hu d&\pointdorgue n\zh {bdg}\hu i&\pointdorgue - m\tslur3l\hl k\enotes - \Notes\soupir&\soupir&\uptext{\kern -5mm\it a tempo}\soupir&\Uptext{\kern -5mm\it a tempo}\ds\cl n\enotes - \barre %21 - \Notes\sk\sk\sk\pause&\sk\sk\sk\pause&\sk\sk\sk\pause&\qqb op\qqb on\qqb {^m}n\enotes - \barre %22 - \NOTes\qu{^I}\ql{^b}&&\zh{df}\hu{_h}&\hlp{=m}\enotes - \notes\qu I&&\ibbbu0g0\zq d\qh0f\tbbu0\zq e\qh0g\zq f\qh0h\sk\nbbbu0\zq -e\qh0g\zq d\tqh0f\enotes - \barre %23 - \NOtes\qu J&&\zhp c\zhlp e\raise 2\Interligne\soupir&\isluru3m\qlp l\enotes - \Notes\ql c&&\hu g&\sk\cl j\enotes - \notes\qu J&&&\qpql ln\enotes - \barre %24 - \NOtes\qu {=I}&&\zhp N\zhlp d\raise 2\Interligne\soupir&\tslur3l\qlp k\enotes - \Notes\ql {=b}&&\hu g&\sk\isluru3l\cl i\enotes - \notes\qu I&&&\qpql kn\enotes - \barre %25 - \NOtes\qu {_H}\ql{_a}&&\zh {_a}\zhl c&\tslur3l\hl j\enotes - \notes\qu H&\zcharnote a{(III -- fl–tes)}\qu e&\ibbbu0j0\zq {_h}\qh0j\tbbu0\zq i\qh0k\zq j\qh0l\sk\nbbbu0\zq -i\qh0k\zq h\tqh0j&\isluru4k\ql j\enotes - \barre %26 - \NOtes\qu K\ql d&\hup d&\zh g\zhu i&\hlp i\enotes - \notes\qu K&&\ibbbu0i0\zq g\qh0i\tbbu0\zq {=h}\qh0j\zq i\qh0k\sk\nbbbu0\zq -h\qh0j\zq g\tqh0i\enotes - \barre %27 - \NOtes\qu K\ql d&\hup c&\zh {^f}\zhu h&\hlp h\enotes - \notes\qu K&&\ibbbu0h0\zq f\qh0h\tbbu0\zq g\qh0i\zq h\qh0j\sk\nbbbu0\zq -g\qh0i\zq f\tqh0h\enotes - \barre %28 - \NOtes\qu G\ql N\qu G&\itenl1b\hup b&\itenl2d\itenu3g\zhp d\hup g&\tslur4l\hup g\enotes - %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - \barno 1\relax - \barre %2 -\NOtes\zcharnote {-7}{\it il basso staccato}\lpz F\qu F\upz M\ql -M\lpz F\qu F&\tten1\hup b&\tten2\tten3\zhp d\hup g&\sk\pause\enotes - \barre %3 -\notes\qu E&&\roff{\itenl1b\itenl2e}\zhp b\zhlp e\pto ghi&\enotes -\NOtes\ql L&&\tten0\qup i&\pause\enotes -\Notes\qu E&&\sk\cu g\enotes - \barre %4 -\NOtes\qu D\ql K\qu D&&\tten1\tten2\zhp b\zhlp e\hup g\enotes - \barre %5 -\notes\qu C&&\roff{\zhp e\zhlp h}\pto hij\enotes -\NOtes\qu J\qu C&&\tten0\hu j&\pause\enotes - \barre %6 -\notes\qu {^C}&&\zhp {^e}\zhlp g\pto ihi\enotes -\NOtes\qu {^J}\qu C&&\tten0\hu i&\pause\enotes - \barre %7 -\notes\qu D&&\lh d\itenl1d\zhl d\pto hgh\enotes -\NOtes\ql K&&\tten0\itenu0h\qu h&\pause\enotes -\Notes\qu D&&\tten1\lq{=c}\zql d\tten0\triolet p\Ibu0hf2\qh0{hg}\tqh0{^f}\enotes - \barre %8 -\NOtes\qu G\ql N\qu G&&\zhp b\zhlp d\hup g\enotes - \barre %9 - \NOtes\lpz G\qu G\upz N\ql N&\zhp b\hup d\zcharnote a{(III -- -fl–tes)}&\ppt5\soupir\zcharnote n{(II -- quinte)}&\isluru3m\ql -k\Ibl1ji1\qbp 1j\enotes - \notes&&\ccu N&\tbbl1\tqb1i\enotes - \notes\lpz G\qu G&&\Ibu0ab1\qhp0a\sk\tbbu0\tqh0b&\Ibl1hg2\qbp1h\sk\tbbl1\tslur3m\tqb1g\enotes - %\check - \barre %10 - \notes\qu H&\hup c&\qpqu cd&\isluru3m\hu g\enotes - \notes\ql a&&\qpqu ed\enotes - \notes\qu H&&\qpqu ec&\tslur3l\qu{^f}\enotes - \barre %11 - \NOtes\qu H&\qup c&\qup{^f}&\isluru3l\ql l\enotes - \notes\ql a&\sk\dsoupir&\sk\sk\ccu a&\Qpql kj\enotes - \notes\qu H&\soupir&\qpqu bc&\Qpqlt ihk\enotes - \barre %12 - \notes\qu I&\hlp d&\qpqu d{^e}&\isluru3l\hl h\enotes - \notes\ql b&&\qpqu {^f}d\enotes - \NOtes\qu I&&\qu g&\tslur3k\qu g\enotes - \barre %13 - \NOtes\qu I&\zhp d\zhlp g\hu k&\hu g&\isluru3o\ql n\enotes - \Notes\ql b&&&\Ibl1mn2\qb1m\tqb1n\enotes - \Notes\qu I&&\qu d&\triolet o\Ibl0lk2\qb0{lm}\tqb0k\enotes - \barre %14 - \NOtes\qu J&\zh e\hu g&\qu d&\tslur3n\hlp l\enotes - \Notes\ql c&&\Ibu0cd1\qh0c\tqh0d\enotes - \Notes\qu J&\soupir&\triolet M\Ibu0ba2\qh0{bc}\tqh0a\enotes - \barre %15 - \NOtes\qu H&\zh c\hu j&\hu f&\isluru3n\ql m\enotes - \Notes\ql a&&&\Ibl0lm1\qb0l\tqb0m\enotes - \Notes\qu H&\zq c\qu f&\qu c&\triolet n\Ibl0kj2\qb0{kl}\tqb0j\enotes - \barre %16 - \NOtes\qu I&\zh d\hu f&\qu c&\tslur3l\hlp k\enotes - \Notes\ql b&&\qqh bc\enotes - \Notes\qu I&\soupir&\qqqh abN\enotes - \barre %17 - \NOtes\qu G&\zh b\hu i&\hu e&\isluru3m\ql l\enotes - \Notes\ql N&&&\qqb kl\enotes - \Notes\qu G&\zq b\qu e&\qu b&\qqqb jki\enotes - \barre %18 - \NOtes\qu H&\zhp c\hup e&\qu b&\tslur3k\hl j\enotes - \Notes\ql a&&\qqh ab\enotes - \Notes\qu H&&\qqqh cba&\isluru3k\ql j\enotes - \barre %19 - \NOtes\qu I&\hu d&\zq a\qu d&\hl k\enotes - \Notes\ql b&&\Ibl1NM1\Ibu0gf1\zqb1N\qh0g\tbl1\zqb1{^M}\tqh0{^f}\enotes - \Notes\qu J&\qu e&\Ibl1Na1\Ibu0gh1\zqb1N\zql e\qh0g\tbl1\zqb1a\tqh0h&\ql l\enotes - \barre %20 - \NOTEs\pointdurgue F\hu K&\hu d&\pointdorgue n\zh {bdg}\hu i&\pointdorgue - m\tslur3l\hl k\enotes - \Notes\soupir&\soupir&\uptext{\kern -5mm\it a tempo}\soupir&\Uptext{\it a tempo}\ds\cl n\enotes - \barre %21 - \Notes\sk\sk\sk\pause&\sk\sk\sk\pause&\sk\sk\sk\pause&\qqb op\qqb on\qqb {^m}n\enotes - \barre %22 - \NOTes\qu{^I}\ql{^b}&&\zh{df}\hu{_h}&\hlp{=m}\enotes - \notes\qu I&&\ibbbu0g0\zq d\qh0f\tbbu0\zq e\qh0g\zq f\qh0h\sk\nbbbu0\zq -e\qh0g\zq d\tqh0f\enotes - \barre %23 - \NOtes\qu J&&\zhp c\zhlp e\raise 2\Interligne\soupir&\isluru3m\qlp l\enotes - \Notes\ql c&&\hu g&\sk\cl j\enotes - \notes\qu J&&&\qpql ln\enotes - \barre %24 - \NOtes\qu {=I}&&\zhp N\zhlp d\raise 2\Interligne\soupir&\tslur3l\qlp k\enotes - \Notes\ql {=b}&&\hu g&\sk\isluru3l\cl i\enotes - \notes\qu I&&&\qpql kn\enotes - \barre %25 - \NOtes\qu {_H}\ql{_a}&&\zh {_a}\zhl c&\tslur3l\hl j\enotes - \notes\qu H&\zcharnote a{(III -- -fl–tes)}\qu e&\ibbbu0j0\zq {_h}\qh0j\tbbu0\zq i\qh0k\zq j\qh0l\sk\nbbbu0\zq -i\qh0k\zq h\tqh0j&\isluru3k\ql j\enotes - \barre %26 - \NOtes\qu K\ql d&\hup d&\zh g\zhu i&\hlp i\enotes - \notes\qu K&&\ibbbu0i0\zq g\qh0i\tbbu0\zq {=h}\qh0j\zq i\qh0k\sk\nbbbu0\zq -h\qh0j\zq g\tqh0i\enotes - \barre %27 - \NOtes\qu K\ql d&\hup c&\zh {^f}\zhu h&\hlp h\enotes - \notes\qu K&&\ibbbu0h0\zq f\qh0h\tbbu0\zq g\qh0i\zq h\qh0j\sk\nbbbu0\zq -g\qh0i\zq f\tqh0h\enotes - \barno 29\relax - \barre %30 - \znotes&&&\tslur3l\enotes - \NOTEs\itenl0G\hup G&\itenl1b\itenu2f\zhp{=f}\hup{^b}&\itenl3b\itenu4g\itenl5d\zhp{^b}\zhp d\hup g&\itenu6g\hup g\enotes - \barre %31 - \znotes\tten0&\tten1\tten2&\tten3\tten4\tten5&\tten6\enotes - \NOTes\itenl0G\hup G&\zq f\qu{^b}&\itenl1b\itenl2d\itenu3g\zhp{^b}\zhp d\hup g&\qu g\enotes - \zalapage - \def\qqqq#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% - \def\qqqqh{\qqqq}% - \def\qqqqb#1#2#3#4{\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% - \notes&&\zcharnote n{\kern -4mm{\bf III} -- fl–tes}&\ds\cu g\qqqq{_h}g{^f}g\enotes - \barre %32 - \znotes&&\tten1\tten2\tten3\zcharnote r{\kern -2mm -\it reprendre au III}\zcharnote n{\kern -2mm -\it l'accord du II accoupl‚}\enotes - \notes\tten0\itenl0G\hup G&&\itenl1d\itenl2b\itenu3g\zhp d\zhp -g\hup{^b}&\qqqq{=f}ede\qqqq fede\qqqq dc{^b}c\enotes - \barre %33 - \NOTes\tten0\hu G&&\tten1\tten2\tten3\zh d\zh g\hu{^b}&\hu d\enotes - \cleftoksii{6000}\zchangeclefs - \notes\pt5\ds\ccu G&\uptext{\bf II}\pt5\ds\ccl M&\uptext{\bf II}\pt5\ds\zq {^b}\zq d\ccu g&\soupir\enotes - \barre %34 - \NOtes\itenl0G\hup G&\ql L&\itenl1c\itenl2e\itenu3g\zhp c\zhp e\hup g&\soupir\enotes - \Notes&&\uptext{{\bf III} - fl–tes}&\ds\cu g\enotes - \notes&\hpause&&\qqqq{_h}g{^f}g\enotes - \barre %35 - \notes\tten0\itenl0G\hup G&&\tten1\tten2\tten3\itenl1c\itenl2e\zhp{ce}\hup -g&\qqqq{=f}ede\qqqq fede\qqqq edc{^b}\enotes - \barre %36 - \NOTes\pointdorgue b\tten0\itenl0G\hup G&&\pointdorgue m\tten1\tten2\itenl1c\itenl2e\zhp c\hup -e&\pointdorgue m\qu c\enotes - \Notes&&&\ds\cu N\qqh ce\enotes - \barre %37 - \notes\tten0\itenl0G\hup G&&\tten1\tten2\itenl1c\itenl2e\zhp c\hup e&\qqqq -gecN\qqqq cegj\qqqq ljge\enotes - \barre %38 - \notes\tten0\itenl0G\hup G&&\tten1\tten2\itenl1c\itenl2e\zhp c\hup e&\qqqq -gjln\qqqq qnlj\qqqq lnqs\enotes - \barre %39 - \NOTes\tten0\hu G&&\tten1\tten2\zh c\hu e&\pointdurgue c\qlp {!'n}\enotes - \notes\pt5\ds\ccu G&\uptext{\kern -5mm\bf I -- \ppff ff}\pt5\ds\ccl N&\uptext{\kern -5mm\bf I -- -\ppff ff}\pt5\ds\zq c\ccu e&\soupir\enotes - \barre %40 - \NOtes\itenl0G\hup G&\ql N&\itenl1b\roff{\itenl2c}\itenu3e\zhp b\roff{\zhp c}\hup {^e}&\soupir\enotes - \Notes&\soupir&\uptext{{\bf III} - fl–tes}&\ds\cl j\enotes - \notes&&&\qqqq{_k}j{^i}j\enotes - \barre %41 - \notes\tten0\itenl0G\hup G&&\tten1\tten2\tten3\itenl1b\roff{\itenl2c}\itenu3e\zhp b\roff{\zhp c}\hup {^e}% - &\qqqq {=i}{_h}gh\qqqq ihgh\qqqq gf{^e}f\enotes - \barre %42 - \NOTes\tten0\hu G&&\tten1\tten2\tten3\zh b\rh c\hu {^e}&\hu g\enotes - \notes\pt5\ds\ccu G&\uptext{\bf II}\pt5\ds\ccl N&\uptext{\bf II}\pt5\ds\zq -b\rq c\ccu {^e}&\soupir\enotes - \barre %43 - \NOtes\itenl0F\hup F&\ql M&\itenl1a\itenl2c\itenu3f\zhp {_a}\zhp c\hup f&\soupir\enotes - \Notes&&\uptext{{\bf III} - fl–tes}&\ds\cu j\enotes - \notes&\hpause&&\qqqq{_k}j{^i}j\enotes - \barre %44 - \notes\tten0\itenl0F\hup F&&\tten1\tten2\tten3\itenl1a\itenl2c\zhp{_a}\zhp c\hup -f&\qqqq{=i}{_h}gh\qqqq ihgh\qqqq hgf{^e}\enotes - \barre %45 - \NOTes\pointdorgue b\tten0\itenl0F\hup F&&\pointdorgue m\tten1\tten2\itenl1a\itenl2c\zhp {_a}\hup -c&\pointdorgue m\qu f\enotes - \Notes&&&\ds\cu {_a}\qqh cf\enotes - \barre %46 - \notes\tten0\itenl0F\hup F&&\tten1\tten2\itenl1a\itenl2c\zhp {_a}\hup c&\qqqq -{_h}fc{_a}\qqqq cfhj\qqqq mjhf\enotes - \barre %47 - \notes\tten0\itenl0F\hup F&&\tten1\tten2\itenl1a\itenl2c\zhp {_a}\hup c&\qqqq -{_h}jm{_o}\qqqq qomj\qqqq moqt\enotes - \barre %48 - \NOTes\tten0\hu F&&\tten1\tten2\zh {_a}\hu c&\pointdurgue e\qlp {!'_o}\enotes - \notes\pt5\ds\ccu F&\uptext{\kern -5mm\bf I -- \ppff ff}\pt5\ds\ccl -M&\uptext{\kern -5mm\bf I -- -\ppff ff}\pt5\ds\zq {ac}\ccu f&\soupir\enotes - \barre %49 - \NOtes\itenl0D\hup D&\qu K&\itenl1a\itenl2c\itenu3f\zhp {=a}\zhp c\hup {^f}&\soupir\enotes - \Notes&\soupir&\uptext{{\bf III} - fl–tes}&\ds\cl j\enotes - \Notes&&&\qqb kl\enotes - \barre %50 - \notes\tten0\hup D&&\tten1\tten2\tten3\zhp a\zhp c\hup {^f}% - &\qqqq lk{=m}l\qqqq lkkj\qqqq j{^i}ij\enotes - \barre %51 - \notes\lpz G\qu G&&\zhp N\zhp{^b}\itenu1f\hup{=f}&\ptb {^i}jk\enotes - \NOtes\upz N\ql N&&&\tten0\qlp k\enotes - \Notes\lpz N\qu G&&\tten1\qqh fe&\sk\cl j\enotes - \barre %52 - \NOtes\lpz J\qu J\upz c\ql c\upz J\qu J&&\itenl1N\itenl2c\itenu3e\zhp N\zhp -c\hup e&\hlp j\enotes - \barre %53 - \NOtes\qu{=I}\ql{=b}\qu I&\sk\uptext{\bf II}&\tten1\tten2\tten3\zhp N\zhp -c\hup e\uptext{\bf II}&\sk\pause\enotes - \barre %54 -\notes\qu {_H}&&\itenl1e\itenl2h\zhp e\zhlp {_h}\pto jkl&\enotes -\NOtes\ql {_a}&&\tten0\qup l&\pause\enotes -\Notes\qu H&&\sk\cu j\enotes - \barre %55 -\NOtes\qu G\ql N\qu G&&\tten1\tten2\zhp e\zhlp {_h}\hup j\enotes - \barre %56 -\notes\qu F&&\roff{\zhp {_h}\zhlp k}\pto klm\enotes -\NOtes\qu M\qu F&&\tten0\hu m&\pause\enotes - \barre %57 -\notes\qu {^F}&&\zhp {=h}\zhlp j\pto lkl\enotes -\NOtes\qu {^M}\qu F&\hpause\ql c&\tten0\hu l&\pause\enotes - \barre %58 -\notes\qu G&\hl c&\zhlp g\pto kjk\enotes -\NOtes\ql N&&\tten0\itenu0k\qu k&\pause\enotes -\Notes\qu G&\uptrio e2{10}\ql{^b}\sk\cl{=f}&\tten0\triolet t\Ibu0ki2\qh0{kj}\tqh0{^i}\enotes - \barre %59 -\NOtes\qu J\ql c\qu J&\hlp e\uptext{ \bf I -- \ff}&\zhlp g\hup j\uptext{ \bf I -- \ff}&\sk\pause\enotes - \barre %60 - \NOTes\qu C&&\zq g\zq j\ql l&\isluru3m\ql n\enotes - \Notes\qu J&\sk\sk\ccl N&\pt5\ds\sk\ccu c&\qpql ml\enotes - \Notes\qu C&\qpql {^b}c&\qpqu de&\qpql kj\enotes - \barre %61 - \Notes\qu D&\hl c&\qpqu fg&\hl k\enotes - \Notes\qu K&&\qpqu {_h}g\enotes - \Notes\qu D&\ql{^b}&\rlap{\sk\sk\itenl0f}\qpqu hf&\tslur3j\ql{^i}\enotes - \barre %62 - \NOTes\qu D&&\tten0\Sh i\lFl h\rq i\zq h\qu f&\isluru3p\ql {_o}\enotes - \Notes\qu K&\sk\sk\ccl {^b}&\pt5\ds\sk\ccu d&\qpql nm\enotes - \Notes\qu D&\qpql cd&\qpqu ef&\qpql lk\enotes - \barre %63 - \Notes\qu E&\hl d&\qpqu g{=h}&\hl k\enotes - \Notes\qu L&&\rlap{\sk\sk\itenl1g}\qpqu {^i}g\enotes - \Notes\qu E&\ql c&\tten1\zq g\qu j&\tslur3j\ql j\enotes - \barre %64 - \NOTes\qu E&\ql c&\zq g\qu j&\ust q\ql q\enotes - \Notes\ql L&\zhl N\Ibu1dc1\qh1d\itenu0c\tqh1c&\qqh{=i}j&\qqb{=p}q\enotes - \Notes\qu E&\tten0\itenu0c\qu c&\Fl h\rlap{\sk\sk\itenl2g}\qqqh hig&\isluru3p\Fl o\qqqb opn\enotes - \barre %65 - \NOTes\qu F&\tten0\hup c&\roff{\tten2\zql g}\hup{_h}&\tslur3p\hlp{_o}\enotes - \Notes\ql M&\qqb fg&\enotes - \Notes\qu F&\qqqb efd\enotes - \barre %66 - \NOTes\qu D&\ql b&\zq f\qu i&\ust p\ql p\enotes - \Notes\ql K&\zhl M\Ibu1cb1\qh1c\itenu0b\tqh1b&\qqh{_h}i&\qqb{_o}p\enotes - \Notes\qu D&\tten0\itenu0b\qu b&\rlap{\sk\sk\itenl2f}\qqqh ghf&\isluru3o\qqqb {n}om\enotes - \barre %67 - \NOTes\qu E&\tten0\hup b&\roff{\tten2\zql f}\hup g&\tslur3o\hlp n\enotes - \Notes\ql L&\qqb ef\enotes - \Notes\qu E&\qqqb dec\enotes - \barre %68 - \NOtes\qu C&\lh e\itenu1f\hlp f&\qu{=h}&\itenu3m\hlp m\enotes - \Notes\qu J&&\sk\cu h\enotes - \Notes\qu C&&\qpqu ij\enotes - \barre %69 - \NOtes\qu D&\zhp b\tten1\zhlp f&\hup i&\tten3\ql m\enotes - \Notes\qu K&&\uptext{\bf II}&\ds\isluru3n\cl m\enotes - \Notes\qu D&&&\qpql ki\enotes - \barre %70 - \NOtes\qu E&\hlp b&\zh e\hu g&\tslur3j\ql i\enotes - \Notes\qu L&&&\ds\isluru3j\cl {=h}\enotes - \Notes\qu E&&\qqh ge&\qpql ij\enotes - \barre %71 - \NOtes\qu D&\ql b&\qu f&\tslur3k\qlp i\enotes - \Notes\qu K&\soupir&\ds\cu f&\sk\ds\enotes - \Notes\qu D&\ql M&\qpqu db&\soupir\enotes - \barre %72 - \NOtes\qu E&\hl N&\qup b\enotes - \Notes\qu L&&\ds\cu a&\pause\enotes - \Notes\qu E&\ql N&\qpqu bc\enotes - \barre %73 - \NOtes\pointdorgue a\hup D&\hlp M\uptext{\bf III}&\pointdorgue l\hup -b\uptext{\bf III}&\sk\pointdorgue l\pause\sk\enotes - \barre %74 - \NOtes\hup D&\hlp M&\zq b\qu f&\itenu3p\ql p\enotes - \notes&&\zhl f\qu k&\tten3\qqqqb ponm\enotes - \notes&&\qu i&\qqqqb lkji\enotes - \barre %75 - \Notes\hup E&\hlp L&\zql e\zh g\hu j&\cu g\itenu3n\qlp n\enotes - \NOtes&&\zhl c&\enotes - \notes&&\zq b\qu g&\tten3\qqqb nlj\enotes - \barre %76 - \NOtes\lpz F\qu F\upz M\ql M\lpz F\qu F&\hl b\sk\ql{_a}&\zhp c\hup f&\hl i\sk\ql{_h}\enotes - \barre %77 - \NOtes\lpz D\qu D&\ql f&\hu i&\itenu3m\hl m\enotes - \NOtes\upz K\ql K&\hl b&&\enotes - \notes\lpz D\qu D&\ql {_a}&\qu f&\tten3\qqqb mki\enotes - \barre %78 - \NOtes\qu E&\roff{\zql a}\Fl a\zhp e\hlp b&\uptext{{\bf II} -- quinte}\soupir&\qu{_h}\enotes - \Notes\ql L&\hl N&\ds\cu e&\hu g\enotes - \notes\qu E&&\qpqu bN\enotes - \barre %79 - \NOtes\qu D&\hl M&\hup{^b}&\qu f\enotes - \Notes\qu K&&&\ds\cu {^b}\enotes - \notes\qu D&\ql M&&\qpqu cd\enotes - \barre %80 - \NOtes\qu E&\zhp N\hlp c&\soupir&\hup c\enotes - \Notes\ql L&&\ds\cl q\enotes - \notes\qu E&\zqp N\qlp c&\qpqu nl\enotes -% \def\grace{\catcodesmusic\grnotes&&&\grcu}% - \def\grace{\catcodesmusic\hardnotes 1.5\Interligne\notes&&&\grcu}% - \barre %81 - \grace{_a}\enotes - \NOtes\qu F&\hlp {_a}&\qup j&\hup f\enotes - \Notes\ql M&&\ds\cu {^i}\enotes - \notes\qu F&&\qpqu jk\enotes - \barre %82 - \grace{N}\enotes - \NOtes\qu E&\hlp N&\hlp j&\qup e\enotes - \Notes\ql L&&&\sk\cl j\enotes - \notes\qu E&&&\qpqu ge\enotes - \barre %83 - \NOtes\qu F&\itenu2c\zhp c\hlp {_a}&&\qup c\enotes - \Notes\ql M&&&\sk\cu {^b}\enotes - \notes\qu F&&&\qpqu cd\enotes - \barre %84 - \NOTes\qup E&\tten2\zqp c\qlp g&&\qup c\enotes - \Notes\soupir\sk\cu -E&&\ibl0c0\ibu1j0\zqb0c\qh1j\zqb0{^b}\qh1{^i}\tbl0\tbu1\zqb0c\zq g\qh1j&\ds\soupir\enotes - \barre %85 - \NOtes\qu F\ql M&&\zhl {_d}\zh {_h}\hu {_k}\enotes - \notes\qu F&&\ibbbl0f0\ibbbu1k0\zqb0d\qh1k\tbbl0\tbbu1\zqb0e\qh1l\zqb0f\qh1m\sk - \nbbbl0\nbbbu1\zqb0e\qh1l\tbl0\tbu1\zqb0d\qh1k&\pause\enotes - %\check - \barre %86 - \NOtes\pointdorgue a\hu G&&\pointdorgue m\zhl c\zh e\zh g\hu -j&\sk\pointdorgue l\hpause\enotes - \Notes\soupir&&\ds\zcl c\cu j&\ds\cl q\enotes - \barre %87 - \Notes\sk\sk\pause&&\ibl0d0\ibu1j0\rlap{\qb0{=dedc^b}\tqb0c}\qh1{=klkj^i}\tqh1j&\ibl0p0\qb0{=rsrq^p}\tqb0q\enotes - \barre %88 - \NOtes\qu{^E}\ql{^L}&&\zhl{=b}\zh{_d}\zh g\hu{=i}&\hl{=p}\enotes - \notesp\qu E&&\ibbbl0i0\zq g\qb0i\tbbl0\zq {_h}\qb0j\zq i\qb0{_k}\sk\nbbbl0\zq -h\qb0j\zq g\tqb0i&\advance\transpose 7\ibbbl0i0\qh0i\tbbl0\qh0j\qh0{_k}\sk\nbbbl0\qh0j\tqb0i\enotes - \barre %89 - \NOtes\qu F&&\zqp f\qup{_h}&\qlp{_o}\enotes - \Notes\ql M&\sk\cl {_a}&\sk\cu f&\sk\cl m\enotes - \notes\qu F&\ql c&\qpqu hj&\qpql oq\enotes - \barre %90 - \NOtes\qu {=E}&\qlp c&\qup g&\qlp n\enotes - \Notes\ql {=L}&\sk\cl N&\sk\cu e&\sk\cl l\enotes - \notes\qu E&\ql c&\qpqu gj&\qpql nq\enotes - \barre %91 - \NOtes\qu{_D}\ql{_K}&\hl{_d}&\hu f&\hl m\enotes - \notes\qu D&&\ibbbu0j0\zq {f}\zql{_h}\qh0{_k}\tbbu0\qh0l\qh0m\sk\nbbbu0\qh0l\tqh0k&\ibbbl0n0\qb0m\tbbl0\qb0n\qb0{_o}\sk\nbbbl0\qb0n\tqb0m\enotes - \barre %92 - \NOtes\qu{G}\ql{N}&&\zh {e}\zhl{g}\hu j&\hl l\enotes - \notesp\qu G&&\ibbbu0i0\zq {e}\zql{g}\qh0{j}\tbbu0&\ibbbu1m0\qh1l\tbbu1\enotes - \notes&&\qh0{=k}\qh0l\sk\nbbbu0\qh0k\tqh0j&\qh1m\qh1n\sk\nbbbu1\qh1m\tqh1l\enotes - \barre %93 - \NOtes\qu{G}\ql{N}&&\zh {d}\zhl{f}\hu {^i}&\hl k\enotes - \notes\qu G&&\ibbbu0h0\zq {d}\zql{f}\qh0i\tbbu0\qh0{j}\qh0k\sk\nbbbu0\qh0j\tqh0i&\ibbbu0l0\qh0k\tbbu0\qh0l\qh0m\sk\nbbbu0\qh0l\tqh0k\enotes - \barre %94 - \NOtes\qu{_H}\ql{_a}\qu{_H}&\zhp e\hlp c&\hup j&\itenu3j\hlp j\enotes - \barre %95 - \notes\qu G&\ptb cde&\hup j&\tten3\hlp j\enotes - \NOtes\ql N&\tten0\hl e\enotes - \NOtes\qu G\enotes - \barre %96 - \def\alldsp{\notes\pt5\ds&\pt5\ds&\pt5\ds&\pt5\ds\enotes}% - \grace e\enotes - \notesp\pointdurgue E\hu -{^F}&\Ibbl3ce2\roff{\tbbl3}\qb3c\sk\itenu0e\tbl3\qbp3e\sk&\zq{=h}\Ibbbu0jl2\qh0j\tbbu0\zq{^i}\qh0 -k\itenu1j\zqp j\itenu2l\tbu0\qhp0l\sk&\pointdorgue l\hl j\enotes - \NOTes\pointdorgue c\qu {^M}&\tten0\pointdorgue e\zq L\lSh M\lq M\zq a\ql -e&\pointdorgue s\tten1\tten2\zq j\qu l\enotes - \advance\mulooseness -1\relax - \zalapage - \alldsp\grace{j}\enotes - \notes\ccu {^F}&\ccl c\zmidtwotext{\llap{\bf I -- \ff\space\space}}&\zq e\ccu h&\ccl l\Uptext{\llap{\ppff -Solenne }}\enotes - \barre %97 - \grace j\enotes - \NOtes\hup G&\zql c&\zhp d\hup g&\ql k\enotes - \grace{^i}\enotes - \NOTes&\hl{^b}&&\hl k\enotes - \barre %98 - \grace k\enotes - \NOTes\hu{^I}&\hl{_a}&\zh d\hu f&\hl m\enotes - \alldsp\grace{k}\enotes - \notes\cu I&\ccl d&\zq f\ccu{_h}&\ccl m\enotes - \barre %99 - \grace k\enotes - \NOtes\hup J&\ql d&\zhp e\hup g&\ql l\enotes - \grace j\enotes - \NOTes&\hl c&&\hl l\enotes - \barre %100 - \grace{^l}\enotes - \NOTes\hu{^J}&\hl{=b}&\zh{^e}\hu g&\hl n\enotes - \alldsp\grace{l}\enotes - \notes\ccu J&\zq {^e}\ccl g&\ccu i&\ccl n\enotes - \barre %101 - \grace{^l}\enotes - \NOtes\hup K&\zq {^e}\ql g&\hup h&\ql n\enotes - \grace k\enotes - \NOTes&\zh f\hl d&&\hl m\enotes - \barre %102 - \grace{i}\enotes - \NOTes\hu G&\zh{b}\hl{=e}&\hu i&\hl {=l}\enotes - \alldsp\grace i\enotes - \notes\ccu G&\zq{b}\ccl{e}&\ccu i&\ccl l\enotes - \barre %103 - \grace i\enotes - \NOtes\hup H&\zq b\ql e&\hu i&\ql l\enotes - \notes&&&\enotes - \NOtes&\lSh c\zh{c}\hl{^e}&&\ql {^j}\enotes - \grace h\enotes - \Notes&&\qu h&\ibl0j0\qb0j\enotes - \grace g\enotes - \Notes&&&\tqb0j\enotes - \barre %104 - \grace f\enotes - \NOTEs\pointdurgue F\hup I&\pointdorgue d\hl d&\pointdorgue l\hup f&\pointdorgue m\hlp k\enotes - \barre %105 - \ggrnotes&&&\tinynotesize\Ibbu0ej1\qh0e\tqh0j\enotes - \NOTes\hu{^F}&\hl{=e}&\zh{hj}\hu l&\hl o\enotes - \notes\pt5\ds&\soupir&\pt5\ds&\pt5\ds\enotes - \grace j\enotes - \notes\ccu F&&\zq{hj}\ccu l&\ccl o\enotes - \barre %106 - \grace j\enotes - \NOtes\hup G&\soupir\soupir\ql b&\roff{\zql h}\zhp i\hup k\hlp g&\ql o\hl n\enotes - \barre %107 - \grnotes&&&\tinynotesize\Ibbu0dh1\qh0d\tqh0{_h}\enotes - \NOTes\hu{^I}&\hl{^b}&\zh{f_h}\hu k&\hl m\enotes - \notes\pt5\ds&\soupir&\pt5\ds&\pt5\ds\enotes - \grace h\enotes - \notes\ccu I&&\zq{fh}\ccu k&\ccl m\enotes - \barre %108 - \grace g\enotes - \NOtes\hup J&\soupir\soupir\ql c&\roff{\zhlp g}\zq f\qu k\zh e\hu j&\ql m\hl l\enotes - \barre %109 - \grace{g}\enotes - \NOTes\hu{^J}&\hl{^c}&\zh{^eg}\hu i&\hl i\enotes - \notes\pt5\ds&\soupir&\pt5\ds&\pt5\ds\enotes - \grace {=e}\enotes - \notes\ccu {^C}&&\ccl g&\ccl i\enotes - \barre %110 - \ggrnotes&&&\tinynotesize\Ibbu0Nd1\qh0N\tqh0{d}\enotes - \NOtes\qu D\qu K\qu D&&\zhp {bd}\hup g&\hlp i\enotes - \barre %111 - \notes\qu{=C}&&\pt L\zh N\roff{\zhp a}\hup e&\ptb hij\enotes - \NOtes\qu{=J}\qu C&&&\tten0\hl j\enotes - \barre %112 - \notes\qu{^C}&&\zhp b\zhp N\hup {^e}&\ptb ihi\enotes - \NOtes\qu{^J}\qu C&&&\tten0\hl i\enotes - \barre %113 - \notes\qu D&\hl N&\zh a\hup d&\pto hgh\enotes - \NOtes\qu K&&&\tten0\itenu0h\ql h\enotes - \Notes\qu D&\zql K\triolet d\ibu0L0\qh0{^MN}\tqh0M&\triolet l\Ibu0ca2\qh0c\qh0b\tqh0a&\tten0\qqqh hg{^f}\enotes - \barre %114 - \NOTes\itenl0G\hup G&\itenl1K\hlp K&\itenl2N\itenl3b\zhp N\hup b&\qup g\enotes - \notes&&&\cu N\islurd5c\qqqq bdgi\enotes - \barre %115 - \notes\tten0\hup G&\tten1\hlp K&\tten2\tten3\itenl2N\itenl3b\zhp N\hup -b&\rlap{\sk\sk\sk\tslur5c}\qqqqh gdbd\islurd5f\qqqqh gikn\tslur5n\rlap{\sk\isluru5n}\qqqqb pnpr\enotes - \barre %116 - \NOtes\pointdorgue a\hup G&\sk\pause&\pointdorgue l\tten2\tten3\zhp b\zhp d\hup -g&\pointdurgue e\tslur5u\hlp u\enotes -\mulooseness 1\relax -\finmorceau -\bigskip\rightline{\sl\aujourdhui} -\bye diff --git a/macros/musixtex/doc/examples/angescam.tex b/macros/musixtex/doc/examples/angescam.tex deleted file mode 100644 index f2b915632f..0000000000 --- a/macros/musixtex/doc/examples/angescam.tex +++ /dev/null @@ -1,19 +0,0 @@ -\advance\staffbotmarg by 7\Interligne -% -% option pas d'accompagnement -\newcount\orgue -\orgue=0\relax -% -\def\Transpose{0}% -\def\Signature{1}\relax % un dieze a la clef -\input angescax -\signaturegenerale{0}\savesignature\barsinline=0\relax\linesinpage=0\relax -\def\Transpose{-1}\relax -\def\Signature{-1}\relax % un bemol a la clef -\input angescax -\signaturegenerale{0}\savesignature\barsinline=0\relax\linesinpage=0\relax -\def\Transpose{-2}\relax -\def\Signature{-3}\relax % un bemol a la clef -\input angescax -\bye - diff --git a/macros/musixtex/doc/examples/angescao.tex b/macros/musixtex/doc/examples/angescao.tex deleted file mode 100644 index e2a7b34bce..0000000000 --- a/macros/musixtex/doc/examples/angescao.tex +++ /dev/null @@ -1,24 +0,0 @@ -\input musixtex -\input musixcpt -\input musixsty - -\advance\staffbotmarg by 4\Interligne -% -% option accompagnement -\newcount\orgue -\orgue=1\relax -% -\interinstrument=41pt -\def\Transpose{0}% -\def\Signature{1}\relax % un dieze a la clef -\input angescax -\signaturegenerale{0}\savesignature\barsinline=0\relax\linesinpage=0\relax -\def\Transpose{-1}\relax -\def\Signature{-1}\relax % un bemol a la clef -\input angescax -\signaturegenerale{0}\savesignature\barsinline=0\relax\linesinpage=0\relax -\def\Transpose{-2}\relax -\def\Signature{-3}\relax % un bemol a la clef -\input angescax -\bye - diff --git a/macros/musixtex/doc/examples/angescax.tex b/macros/musixtex/doc/examples/angescax.tex deleted file mode 100644 index 6dcab817c7..0000000000 --- a/macros/musixtex/doc/examples/angescax.tex +++ /dev/null @@ -1,366 +0,0 @@ -\tenpoint -% -\catcodesmusic -\ifnum\orgue=1\relax - \def\org#1\\{#1&}\relax -% \def\cadrage{\vrule width 0pt height 40mm}\relax - \def\cadrage{\vrule width 0pt height 1mm}\relax -\else - \def\org#1\\{}\relax - \def\cadrage{\vrule width 0pt height 10mm}\relax -\fi -% -\title{Les anges dans nos campagnes} -\subtitle{No\"el du XIII\umero\ si\`ecle} -\fullauthor{Harmonisation - Fran\c cois-Auguste GEVAERT\\1828 -- 1908\ifnum\orgue>0\\ - Partition d'orgue Daniel TAUPIN\fi} -\shortauthor{F.-A. Gevaert, D. Taupin} -\maketitle -% -\parindent 12mm -\sepbarrules -% deux croches hautes -\def\dql#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% -\def\dqu#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% -\def\dqh{\dqu}\def\dqb{\dql}% -% -% quatre croches -\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbH#1#2#3#4#5#6{\ibu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax -\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax -\def\qqbL#1#2#3#4#5#6{\ibl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax -%\check -%\bigskip -% -% soufflets crescendo et decrescendo -% -\def\soufflcr#1{\zcharnote{#1}{\kern -1cm\Cresc}}% -\def\Soufflcr#1{\zcharnote{#1}{\kern -1cm\CREsc}}% -% -\def\souffldim#1{\zcharnote{#1}{\kern -1cm\Dimin}}% -\def\Souffldim#1{\zcharnote{#1}{\kern -1cm\DIMin}}% -% -%\check -\ifnum\orgue=0\relax - \def\nbinstruments{4}\global\nbporteesi=1\relax - \global\nbporteesii=1\relax - \global\nbporteesiii=1\relax - \global\nbporteesiv=1\relax - \global\cleftoksi={{6}{0}{0}{0}}\relax - \global\cleftoksii={{0}{0}{0}{0}}\relax - \global\cleftoksiii={{0}{0}{0}{0}}\relax - \global\cleftoksiv={{0}{0}{0}{0}}\relax - \def\instrumenti{Basses}\relax - \def\instrumentii{T\'enors}\relax - \def\instrumentiii{Altos}\relax - \def\instrumentiv{Sopran.}\relax - \interinstrument=30pt - \songbottom{1} % to be used to make heavy bars at staff left - \songtop{4} % to be used to make heavy bars at staff left -\else - \interinstrument=25pt - \def\interinstrumenti{0pt} - \def\nbinstruments{6}\global\nbporteesi=1\relax - \global\nbporteesii=2\relax - \global\nbporteesiii=1\relax - \global\nbporteesiv=1\relax - \global\nbporteesv=1\relax - \global\nbporteesvi=1\relax - \global\cleftoksi={{6}{0}{0}{0}}\relax - \global\cleftoksii={{0}{0}{0}{0}}\relax - \global\cleftoksiii={{6}{0}{0}{0}}\relax - \global\cleftoksiv={{0}{0}{0}{0}}\relax - \global\cleftoksv={{0}{0}{0}{0}}\relax - \global\cleftoksvi={{0}{0}{0}{0}}\relax - \def\instrumenti{P\'edale}\relax - \def\instrumentii{Manuel}\relax - \def\instrumentiii{Basses}\relax - \def\instrumentiv{T\'enors}\relax - \def\instrumentv{Altos}\relax - \def\instrumentvi{Sopran.}\relax - \def\staffspacingiii{0.7}\relax - \def\staffspacingiv{0.7}\relax - \def\staffspacingv{0.7}\relax - \def\staffspacingvi{0.7}\relax - \songbottom{3} % to be used to make heavy bars at staff left - \songtop{6} % to be used to make heavy bars at staff left -\fi -%\check -% -\signaturegenerale{\Signature}% -\relativeaccidentals -\generalmeter{\meterfrac{4}{4}} -%\check -\def\interfacteur{9}% -%\check -\def\respire{\notes\org&\\&&&\zbreath\enotes}% -% -%\check -\catcode`\@=13 -%\ifx\ninerm\undefined\font\ninerm=\fontid r9\fi - -\def@#1|#2|#3*{\zcharnote{-11}{\vbox to 0pt{\ninerm - \vss\lineskiplimit=0pt -\baselineskip 9.5pt\parindent 0pt\parskip 0pt\rlap{\vphantom{\'EQ}#3} -\rlap{\vphantom{\'EQ}#2}\rlap{\vphantom{\'EQ}#1}\relax -\vss}}}% -% -\barsinline=0\relax -\linesinpage=0\relax -\debutmorceau\def\dmtp{}\def\dmtph{}\def\!{\kern -4pt}% -\ifnum\orgue=0\relax - \autolines {8}42\relax -\else - \autolines {8}42\relax - \advance\linesinpage 1\relax -\fi -\transpose=\Transpose -\znotes\org&\zmidtwotext{\moyen III}\\&&&\Uptext{\moyen Allegretto}\enotes -% -\dmtp\def\txt{@\!Ber-|\!\!Cher-|\!Les*}\Notes\org&\qu g|\ql i\\\relax - &\txt\ql n&\txt\qu g&\txt\ql i\enotes -\dmtp\def\txt{@gers,|\!chons|an-*}\Notes\org&\qu f|\ql i\\&\txt\ql m\relax - &\txt\qu g&\txt\ql i\enotes -\dmtph\def\txt{@quit-|tous|ges*}\Notes\org\pause&\qu e|\ql i\\\pause - &\txt\ql l&\txt\qu g&\txt\ql i\enotes -\dmtp\def\txt{@tez|l'heu-|dans*}\notes\org&\qu d|\dql3ik\\&\txt\ql k\relax - &\txt\dqu3gi&\txt\dql3ik\enotes -% -%\check -% mesure 2 -\barre\def\txt{@vos|reux|nos*}\Notes\org&\qu e|\qlp k\\&\txt\qlp k\relax - &\txt\qu i&\txt\qlp k\enotes -\dmtp\def\txt{@re-|vil-|cam-*}\notes\org&\qu f|\sk\cl j\\\hpause - &\sk\txt\cl k\qsk&\txt\qu f&\sk\txt\cl j\qsk\enotes -\dmtph\def\txt{@trai-|la-|pa-*}\notes\org\pause&\qu g|\ql i\\\qp - &\txt\dql{-3}kj&\txt\dqu{-4}ge&\txt\ql i\enotes -\dmtp\def\txt{@tes|ge|gnes*}\Notes\org&\qu d|\ql g\\@U--|Qui--|Ont--*\itenu0N\ql N\relax - &\txt\ql i&\txt\qu d&\txt\ql g\enotes -% -%\check -% mesure 3 -\barre\def\txt{@U-|Qui|Ont*}\Notes\org&\qu g|\ql i\\\tten0\ql N\relax - &\txt\ql k&\txt\qu g&\txt\ql i\enotes -\dmtp\def\txt{@nis-|l'a|en-*}\notes\org&\qu f|\rlap{\dql{-2}ih}\\\txt\cl M\relax - &\txt\cl k&\txt\cu g&\txt\cl i\enotes -\dmtp\def\txt{@sez-|vu|ton-*}\notes\org&|\\\txt\cl M\relax - &\txt\cl k&\txt\cu g&\txt\cl h\enotes -\dmtph\def\txt{@vous|na\^\i-|n\'e*}\notes\org\pause&\qu e|\ql i\\\txt\ql L\relax - &\txt\qu g&\txt\dqu{-2}gf&\txt\ql i\enotes -\dmtp\def\txt{@\`a--|tre--|l'hym--*}\notes\org&\dqu2ef|\dql3ik\\\txt\dql2LM\relax - &\txt\dqu2gh&\txt\dqu{-2}ed&\txt\dql3ik\enotes -% -%\check -% mesure 4 -\barre\def\txt{@leurs|sous|ne*}\Notes\org&\qu f|\qlp k\\\txt\ql M\relax - &\txt\ql h&\txt\qu d&\txt\qlp k\enotes -\dmtp\def\txt{@con-|ses|des*}\notes\org&\qu d|\sk\cl j\\\txt\ql K\sk - &\txt\dql5hk&\txt\qu f&\sk\rlap{\!\txt}\cl j\enotes -\dmtph\def\txt{@\!certs,|\!toits;|\!Cieux,*}\notes\org\pause - &\qu b|\zqu i\dql{-6}gd\\\txt\ql N\relax - &\txt\ql k&\txt\qu g&\txt\ql i\qsk\enotes -\dmtp\def\txt{@Et|Of-|Et*}\notes\org&\soupir|\rlap{\dql2ef}\soupir\\\soupir\relax - &\txt\cl l&\soupir&\soupir\enotes -\dmtp\def\txta{@que|\!frons|l'\'e*}\notes\org&|\\\relax - &\txta\cl m&&\enotes -% -%\check -% mesure 5 -\def\txtb{@vos-|lui|cho*}% -\ifnum\orgue=0\relax - \barre -\else - \global\cleftoksii={{6}{0}{0}{0}}\changeclefs\alapage% barre -\fi -\Notes\org&\ql N|\zql g\qu i\\&\txtb\ql n&\txt\qu g&\txt\ql i\enotes -\dmtp\Notes\org&\ql M|\zql g\qu i\\&\txta\ql m&\txta\qu g&\txta\ql i\enotes -\dmtph\Notes\org\pause&\ql L|\zql g\qu i\\\pause - &\txtb\ql l&\txtb\qu g&\txtb\ql i\enotes -\dmtp\def\txt{@ten-|le|de*}\notes\org&\ql K|\rlap{\dql3gi}\dqu3ik\\\relax - &\txt\ql k&\txt\dqu3gi&\txt\dql3ik\cadrage\enotes -% -%\check -% mesure 6 -\barre -\def\txt{@dres|\!\!tendre|nos*}\Notes\org&\hl K|\zql i\qup k\\&\txt\qlp k\relax - &\txt\qu i&\txt\qlp k\enotes -\dmtp\def\txt{@mu-|hom-|mon-*}\notes\org&|\ql f\cu j\\\hpause - &\sk\txt\cl k\qsk&\txt\qu f&\sk\txt\cl j\qsk\enotes -\dmtph\def\txt{@set-|ma-|ta-*}\notes\org\pause - &\dql{-3}KJ|\zqu i\dql{-4}ge\\\soupir - &\txt\dql{-3}kj&\txt\dqu{-4}ge&\txt\ql i\enotes -\def\txta{@Fas-|Et|Re-*}\relax -\dmtp\def\txt{@tes|ge|gnes*}\Notes\org&\ql I|\zql d\qu g\\\txta\ql N\relax - &\txt\ql i&\txt\qu d&\txt\ql g\enotes -% -%\check -% mesure 7 -\def\txtb{@\!sent|de|dit*}% -\barre - \Notes\org&\ql N|\zql d\qu i\\\txtb\ql N&\txta\qu i\relax - &\txta\qu d&\txta\ql i\enotes -\dmtp\def\txt{@re-|nos|ce*}\notes\org&\ql M|\rlap{\dqu{-2}ih}\qlp{^d}\\\txt\ql M\relax - &\txtb\cu h&\txtb\cu{^d}&\txtb\cl i\enotes -\dmtp\notes\org&|\\\relax - &\txt\cu h&\txt\cu d&\txt\cl h\enotes -\dmtph\def\txt{@ten-|c\oe urs|chant*}\notes\org\pause - &\dql{-2}ML|\qu i\cl e\\\relax - \txt\dql{-2}ML&\txt\dqu{-2}hg&\txt\dqu2de&\txt\ql i\enotes -\dmtp\def\txt{@tir--|et--|m\'e--*}\notes - \org&\dql{-6}LI|\rlap{\dql{-2}gf}\dqu3ik\\\txt\dql{-6}LI\relax - &\txt\dqu4gi&\txt\dqu{-2}gf&\txt\dql3ik\enotes -% -%\check -% mesure 8 -\barre\def\txt{@dans|de|lo-*}\Notes\org&\ql J|\zql e\qup k\\\txt\ql J\relax - &\txt\ql i&\txt\qu e&\txt\qlp k\enotes -\dmtp\def\txt{@les|nos|di-*}\notes\org&\ql K|\ql f\cu j\\\txt\ql K\sk - &\txt\qu h&\txt\qu f&\sk\txt\cl j\enotes -\dmtph\def\txt{@airs:|voix.|eux.*}\Notes\org\pause&\ql N|\zql{=d}\qu i\\\txt\ql N\relax - &\txt\ql i&\txt\qu{=d}&\txt\ql i\enotes -\temps\Notes\org&\soupir|\soupir\\\soupir\relax - &\soupir&\soupir&\soupir\enotes -\ifnum\orgue=0\relax -\else - \global\cleftoksii={{0}{0}{0}{0}}\changeclefs -\fi -\suspmorceau -%\eject -\catcodesmusic -% -%\check -\def@#1|#2|#3*{\zcharnote{-5}{\vbox to 0pt{\vss\lineskiplimit=0pt -\baselineskip 10pt\parindent 0pt\parskip 0pt\rlap{\vphantom{\'EQ}#3} -\rlap{\vphantom{\'EQ}#2}\rlap{\vphantom{\'EQ}#1}\relax -\vss}}} -\ifnum\orgue=0\relax - \autolines {8}43\relax -\linesinpage=0\relax -\barsinline=0\relax - \interinstrument=6pt -\else - \interinstrument=5pt - \def\interinstrumenti{0pt} -\fi -% -% -% mesure 9 -\def\xx{@|---|*}% -\reprmorceau\def\Glo{@|Glo -|*}\Notes\org&\zcharnote{-5}{\moyen II}\hpause - |\uptext{\moyen I}\hl k\\&&\sk\hpause&\Glo\hl k\enotes -\temps\notes\org\pause&\hu g\relax - |\qqbl{-2}lkji\\\pause&\pause - &\Glo\hu g&\xx\qqbl{-2}lkji\cadrage\enotes -% -% mesure 10 -\barre\notes\org&\qqbh{-2}hgfe|\hl j\\&&\xx\qqbh{-2}hgfe&\xx\hl j\enotes -\temps\notes\org\pause&\hu f|\qqbl{-2}kjih\\\pause&\pause&\xx\hu f&\xx\qqbl{-2}kjih\enotes -% -% mesure 11 -\barre\notes\org&\qqbh{-2}gfed|\hl i\\&&\xx\qqbh{-2}gfed&\xx\hl i\enotes -\temps\def\Ri{@|ri-|*}\notes\org\pause&\hu e|\qqbl{-2}jihg\\\pause&\pause - &\xx\qup e\sk\sk\Ri\cu e&\xx\qqbl{-2}jihg\enotes -% -% mesure 12 -%\check -\barre\def\txta{@|a|*}\def\Txta{@|a--|*}% -\notes\org&\qqbh{-1}fede|\qup h\sk\sk\cu h\\&\soupir\sk\Glo\hl k\relax - &\Txta\qqbh{-1}fede&\xx\qup h\sk\sk\Ri\cu h\enotes -\temps\notes\org\pause&\qu f\sk\soupir|\rlap{\ql d\sk\ql c}\qqbH0gfghf\\\pause - &\xx\sk\sk\Ri\cl j\txta\cl j\relax - &\xx\qqbH0gfghf&\txta\qu d\sk\soupir\enotes -\ifnum\orgue=0\relax -\else - \global\cleftoksii={{6}{0}{0}{0}}\changeclefs -\fi -% -% mesure 13 -\barre\def\In{@|in|*}\NOtes\org&\qu K|\zq{bd}\upz g\ql g\\&\In\ql i\relax - &\xx\qu d&\In\lpz g\qu g\enotes -\dmtp\def\Ex{@|ex-|*}\notes\org&\zql J\qu M|\zq{cf}\upz h\ql h\\&\Ex\dql{-4}jh\relax - &\In\cu e\Ex\cu f&\Ex\lpz h\qu h\enotes -\temps\def\txt{@|cel-|*}\notes\org\pause&\zql I\qu N|\zq{eg}\upz i\ql i\\\pause\relax - &\txt\dql{-2}lk&\txt\qu g&\txt\upz i\ql i\enotes -\dmtp\def\txt{@|sis|*}\Notes\org&\zql J\qu L|\zq{eh}\upz j\ql j\\&\txt\ql j&\txt\itenl0h\qu h\relax - &\txt\upz j\ql j\enotes -% -% mesure 14 -\barre\def\De{@|De-|*}\Notes\org&\hu K|\zw d\zh g\hu i\\\relax - &\De\ql k&\tten0\qu h&\De\hl i\enotes -\dmtp\Notes\org&|\\&@|o!|*\ql k&\De\hu g&\xx\enotes -\temps\notes\org\pause&\zcharnote{-6}{\moyen I}\qqbl{-2}MLKJ|\zh f\hu h\\\pause&\Glo\qqbl{-2}kjih\relax - &\sk\sk@|o!|*\qu f&@|o!|*\hl h\cadrage\enotes -% -% mesure 15 -\barre\notes\org\ql N\sk\ql M&\hu I|\zw g\zh i\hu k\\\sk\hpause - &\xx\hlp i&\Glo\qqbh{-2}ihgf&\Glo\hl k\enotes -\temps\notes\org\hl L&\hl N|\qqbh{-2}lkji\\\Glo\hl N&\xx\sk\sk\dql{-2}lk\relax - &\xx\itenl0e\hu e&\xx\qqbl{-2}lkji\enotes -%\check -% mesure 16 -% -\barre\notes\org\ql M\sk\ql L&\qqbl{-2}aNML|\zh e\zh h\hu j\relax - \\\xx\qqbl{-2}aNML&\xx\dql{-2}ji\hl h\relax - &\xx\tten0\qu e\sk\dqu{-2}hg&\xx\qu j\enotes -\temps\notes\org\hl K&\hl K|\zh f\zhl h\rlap{\qqbh{-2}kjih}\relax - \\\xx\hl M&\sk\sk&\xx\dqh{-2}fe\relax - &\xx\rlap{\qqbl{-2}kjih}\enotes -\dmtp\notes\org&|\\&\xx\dql{-2}kj&\itenl0d\qu d&\enotes -% -% mesure 17 -\barre -%\autolines 753 -\notes\org\ql L\sk\ql K&\qqbl{-2}NMLK|\zw e\zw g\hu i\relax - \\\xx\qqbl{-2}NMLK&\dqh{-2}ih\xx\hu g\relax - &\tten0\qu d\zbreath\sk\dqh{-2}gf&\xx\hl i\enotes -\temps\notes\org\hl J&\hl J|\rlap{\qqbh{-2}jihg}\relax - \\\xx\hl L&\sk\sk&\xx\dqh{-2}ed\relax - &\xx\rlap{\qqbh{-2}jihg}\enotes -\dmtp\notes\org&|\\&\dql{-2}ji&\itenl0c\qu c&\cadrage\enotes -% -% mesure 18 -\barre\notes\org\bigaccid\hu{^J}&\qqbl{-1}MLKL\relax - |\bigaccid\Sh c\zhl c\zqp f\qup h\relax - \sk\sk\zq f\cu h\\\xx\qqbl{-1}MLKL&\xx\dqh{-2}hg\Ri\dqh2fg\relax - &\tten0\dqh0c{^c}\Ri\dqh{-2}dc\relax - &\xx\qup h\sk\sk\Ri\cu h\enotes -\def\txt{@|a--|*}% -\temps\notes\org\hu K&\qqbl0MNaM|\zhu d\hl d\\\xx -\qqbl0MNaM&\qqbH0ihi{=j}h\relax - &\txt\qqbH0edefe&\txt\qu d\sk\soupir\enotes -% -%mesure 19 -\barre\def\Ex{@|ex-|*}\relax -\notes\org\qu I\sk\qu H&\ql N\sk\ql M|\zq b\zq d\upz g\ql g\sk\bigaccid -\zq{=c}\zq f\upz h\ql h\relax - \\\xx\qqbl{-1}bcba&\In\upz k\ql k\sk\Ex\upz j\ql j\relax - &\In\lpz d\qu d\sk\Ex\lpz f\qu f\relax - &\In\lpz g\qu g\sk\Ex\lpz h\qu h\enotes -\temps\def\Cel{@|cel-|*}\NOtes\org\qu I&\ql N|\zq d\zq g\upz i\ql i\relax - \\\Ri\ql N&\Cel\upz k\ql k\relax - &\Cel\lpz g\qu g&\Cel\upz i\ql i\enotes -\dmtp\def\Sis{@|sis|*}\Notes\org\qu{=J}\relax - &\qu L|\zq e\zq h\upz j\ql j\relax - \\@|a|*\qu J&\Sis\upz l\ql l\relax - &\Sis\itenl0h\qu h&\Sis\upz j\ql j\enotes -% mesure 20 -\barre\Notes\org\hu K&\qu K|\zh d\zhl i\qsk\qu h\relax - \\\De\ql K&\De\itenu1k\hl k&\tten0\qu h&\De\hl i\enotes -\temps\notes\org&\dqb5Nb|\qu g\\\dqb5Nb&&\De\qu g&\enotes -\temps\notes\org\hu D&\qqbL{-2}bdcbc|\zh f\hu h\sk\itenl2d\ql d\sk\relax - \\\xx\hl d&\tten1\xx\qqbl{-1}kjij&\xx\hu f&\xx\hl h\sk\enotes -% mesure 21 -\xbarre\def\txt{@|o!|*}\NOTes\org\pointdorgue a\hu G\relax - &\pointdorgue b\zh N\hl b|\tten2\pointdorgue n\zh d\hu g\relax - \\\txt\pointdorgue a\hl N\relax - &\txt\pointdorgue l\hl i&\txt\pointdorgue l\hu d\relax - &\txt\pointdorgue m\hu g\enotes -\temps\Notes\org&|\\\hpause&\hpause&\hpause&\hpause\enotes -% -\finmorceau -\medskip\rightline{\it le \aujourdhui} -\absoluteaccidentals -\eject - -\endinput diff --git a/macros/musixtex/doc/examples/avemaria.tex b/macros/musixtex/doc/examples/avemaria.tex deleted file mode 100644 index 67348d0423..0000000000 --- a/macros/musixtex/doc/examples/avemaria.tex +++ /dev/null @@ -1,18 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi -\tracingstats=2\relax -\hsize=185mm -\vsize=270mm -\hoffset -1.70cm -\voffset -1.54cm -\barsinline=0\relax -\linesinpage=0\relax -\resetfacteurs -\computewidths -\sepbarrules -% -\input avemarix -\bye diff --git a/macros/musixtex/doc/examples/avemarid.tex b/macros/musixtex/doc/examples/avemarid.tex deleted file mode 100644 index e190c1201f..0000000000 --- a/macros/musixtex/doc/examples/avemarid.tex +++ /dev/null @@ -1,1016 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi - \title{Ave Maria (Gounod)} -\csname titremorceautoc\endcsname -\fulltitle{M\'editation -- Ave Maria} -\title{M\'editation -- Ave Maria} - \author{Charles Gounod \& J.-S. Bach\\Transcription Orgue solo Daniel -Taupin\\\& Markus Veittes} - \shortauthor{C. Gounod, J.-S. Bach, D. Taupin} - \subtitle{\relax} - \othermention{G.O.: fl\^ute 8' [+4']\\R\'ecit : fl\^utes 8'+4' [+nasard ou -chalumeau {\it ad lib.}]\\Positif : quinte\\P\'edale : 16', acc. -G.O.\\Gif : 2/9-11-12/20-23/33-37-45/50-52-54} -\maketitle - -\staffbotmarg\Interligne -% -\parindent 13mm -\musicsize=20 -\normal -\relativeaccidentals -\generalsignature{2} -\transpose=1 -\def\oct{\advance\transpose by 7\relax} -\def\nbinstruments{3} -\def\instrumenti{P\'edale} -\def\instrumentii{G.O.} -%\def\interinstrumenti{-2\Interligne} -%\def\interinstrumentii{-2\Interligne} -\def\instrumentiii{Positif} -\nbporteesi=1\relax -\nbporteesii=1\relax -\nbporteesiii=1\relax - -\generalmeter{\meterC}% -\cleftoksi{{6}{0}{0}{0}} -\cleftoksii{{0}{0}{0}{0}} -\cleftoksiii{{0}{0}{0}{0}} -%\raggedlinestrue % uncomment for ragged right lines - - -\debutmorceau -\def\OrgNotes#1\enotes{\Notes#1&\relax#5\enotes}% -\autolines{25}{3}{5}% - %\check -%Takt 1 -\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&\enotes -\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes -\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes -\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause&&\pause&\enotes -\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&\enotes -\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&\enotes -\barre - %\check -%Takt 2 -\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes -\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes -\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause&&\pause&\enotes -\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes -\barre - %\check -%Takt 3 -\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes -\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes -\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause&&\pause&\enotes -\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes -\barre - %\check -%Takt 4 -\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&\enotes -\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes -\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes -\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause&&\pause&&&&\enotes -\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&\enotes -\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&\enotes -\barre - %\check -%Takt 5 -\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\wh l&A\rlap{---}&\wh e&&&&\enotes -\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&&\enotes -\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&&&&\enotes -\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&\enotes -\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes -\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&&&&\enotes -\barre - %\check -%Takt 6 -\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\wh m&ve&\hupp f&&&&\enotes -\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes -\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&&&&\enotes -\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2m\qb2h&&&&\enotes -\OrgNotes&\qb2k\tqb2m&&Ma-&\cu f&&&&\enotes -\barre - %\check -%Takt 7 -\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hlp n&ri\rlap{---}&\hup g&&&&\enotes -\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes -\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes -\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&\ql k&\rlap{---}&\qu d&&&&\enotes -\barre - %\check -%Takt 8 -\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hlp l&a,&\hup e&&&&\enotes -\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes -\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes -\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&\enotes -\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes -\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&\qp&&\qp&&&&\enotes -\barre - %\check -%Takt 9 -\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\oct - \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h&&&&\enotes -\OrgNotes&\ibbl0j3\qb0h\tqb0l&&&&\enotes -\OrgNotes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o&&&&\enotes -\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\oct - \tten5\ibl4c0\qb4h&&\tten4\cu h&&&&\enotes -\OrgNotes&\ibbl0j3\qb0h\tqb0l&\oct\qb4a&\rlap{---}&\Ibu5ac4\qh5a&&&&\enotes -\OrgNotes&\ibbl1k0\qb1o\qb1h&\oct\qb4b&ti-&\qh5b&&&&\enotes -\OrgNotes&\qb1l\tqb1o&\oct\tqb4c&a&\tqh5c&&&&\enotes -\barre - %\check -%Takt 10 -\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct - \qlp d&ple\rlap{---}&\qup d&&&&\enotes -\OrgNotes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h&&&&\enotes -\OrgNotes&\ibbu2i0\qh2k\qh2f&&&&\enotes -\OrgNotes&\qh2h\tqh2k&\oct \cl e&&\cu e&&&&\enotes -\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct - \ql d&na,&\qu d&&&&\enotes -\OrgNotes&\ibbu1g3\qh1f\tqh1h&&&&\enotes -\OrgNotes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\qp&&\qp&&&&\enotes -\barre - %\check -%Takt 11 -\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct - \itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g&&&&\enotes -\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&&&&\enotes -\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct - \tten5\ibl4b0\qb4g&&\tten4\cu g&&&&\enotes -\OrgNotes&\ibbl1j3\qb1g\tqb1k&\oct - \qb4N&\rlap{---}&\Ibu5Nb4\qh5N&&&&\enotes -\OrgNotes&\ibbl2k0\qb2n\qb2g&\oct - \qb4a&mi-&\qh5a&&&&\enotes -\OrgNotes&\qb2k\tqb2n&\oct - \tqb4b&nus&\tqh5b&&&&\enotes -\def\atnextline{\autolines{25}35}\relax -\barre - %\check -%Takt 12 -\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\oct - \qlp c&te\rlap{---}&\qup c&&&&\enotes -\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2e&&&&\enotes -\OrgNotes&\qh2g\tqh2j&\oct - \cl d&&\cu d&&&&\enotes -\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\oct - \ql c&cum,&\qu c&&&&\enotes -\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&\qp&&\qp&&&&\enotes -% -\def\atnextline{\autolines{25}35}\relax -\barre - %\check -%Takt 13 -\OrgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\oct - \itenu5j\hl j&be\rlap{---}&\itenu4j\hu j&&&&\enotes -\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&&&\enotes -\temps\OrgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\oct - \tten5\ibl4c0\qb4j&&\tten4\cu j&&&&\enotes -\OrgNotes&\ibbu1f3\qh1e\tqh1g&\oct - \qb4c&\rlap{---}&\Ibu5ce4\qh5c&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2e&\oct - \qb4d&ne\rlap{---}&\qh5d&&&&\enotes -\OrgNotes&\qh2g\tqh2j&\oct - \tqb4e&&\tqh5e&&&&\enotes -\barre - %\check -%Takt 14 -\OrgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\oct\bigaccid - \qlp{^f}&\rlap{dic---}&\bigaccid\qup {^f}&&&&\enotes -\OrgNotes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2d&&&&\enotes -\OrgNotes&\qh2f\tqh2j&\oct - \cl e&&\cu e&&&&\enotes -\temps\OrgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\oct - \ql d&\rlap{---}&\qu d&&&&\enotes -\OrgNotes&\ibbu1f3\qh1d\tqh1f&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&\oct - \ql a&ta&\qu a&&&&\enotes -\barre - %\check -%Takt 15 -\def\atnextline{\staffbotmarg3\Interligne}% -\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\oct - \hl b&tu&\hu b&&&&\enotes -\OrgNotes&\ibbu1f3\qh1d\tqh1g&&&&\enotes -\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&&&\enotes -\temps\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\qp&&\qp&&&&\enotes -\OrgNotes&\ibbu1f3\qh1d\tqh1g&&&&\enotes -\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&\oct - \ql d&in&\qu d&&&&\enotes -\barre - %\check -%Takt 16 -\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&\oct - \itenu5e\hl e&mu\rlap{---}&\itenl4e\hu e&&&&\enotes -\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes -\OrgNotes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j&&&&\enotes -\temps\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\oct - \tten5\ibl5e1\qb5e&&\tten4\cu e&&&&\enotes -\OrgNotes&\ibbu1f3\qh1e\tqh1g&\oct - \qb5e&li\rlap{---}&\Ibu4eg4\qh4e&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2e&\oct - \qb5f&&\qh4f&&&&\enotes -\OrgNotes&\qh2g\tqh2j&\oct - \tqb5g&&\tqh4g&&&&\enotes -\barre - %\check -%Takt 17 -\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct - \hl h&e\rlap{---}&\ppt h\qu h&&&&\enotes -\OrgNotes&\ibbu1g3\qh1d\tqh1h&&&&\enotes -\OrgNotes&\ibbu2i0\qh2k\qh2d\qh2h&&&&\enotes -\OrgNotes&\tqh2k&&ri-&\ccu a&&&&\enotes -\temps\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct - \ql a&bus&\qu a&&&&\enotes -\OrgNotes&\ibbu1g3\qh1d\tqh1h&&&&\enotes -\OrgNotes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&\qp&&\qp&&&&\enotes -\barre - %\check -%Takt 18 -\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\oct - \itenu5d\hl d&et\rlap{---}&\itenl4d\hu d&&&&\enotes -\OrgNotes&\ibbu1f3\qh1d\tqh1f&&&&\enotes -\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i&&&&\enotes -\temps\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct - \tten5\ibl4d1\qb4d&&\tten4\cu d&&&&\enotes -\OrgNotes&\ibbu1f3\qh1d\tqh1f&\oct - \qb4d&be\rlap{---}&\Ibu5df4\qh5d&&&&\enotes -\OrgNotes&\ibbu2i0\qh2i\qh2d&\oct - \qb4e&&\qh5e&&&&\enotes -\OrgNotes&\qh2f\tqh2i&\oct - \tqb4f&ne-&\tqh5f&&&&\enotes -\barre - %\check -%Takt 19 -\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\oct - \hl g&\rlap{dic---}&\hu g&&&&\enotes -\OrgNotes&\ibbu1f3\qh1c\tqh1g&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&&&&\enotes -\temps\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\oct - \qu N&tus&\qu N&&&&\enotes -\OrgNotes&\ibbu1f3\qh1c\tqh1g&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qp&&\qp&&&&\enotes -\barre - %\check -%Takt 20 -\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\oct - \itenu5c\hl c&fruc\rlap{---}&\itenl4c\hu c&&&&\enotes -\OrgNotes&\ibbu1c3\qh1a\tqh1c&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&\enotes -\temps\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\oct - \tten5\ibl4c1\qb4c&&\tten4\cu c&&&&\enotes -\OrgNotes&\ibbu1c3\qh1a\tqh1c&\oct - \qb4c&tus&\Ibu5ce4\qh5c&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct - \qb4d&&\qh5d&&&&\enotes -\OrgNotes&\qh2c\tqh2f&\oct - \tqb4e&&\tqh5e&&&&\enotes -\barre - %\check -%Takt 21 -\OrgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\oct - \itenu5f\hl f&vent\rlap{---}&\itenl4f\hu f&&&&\enotes -\OrgNotes&\ibbu1c3\qh1a\tqh1c&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&\enotes -\temps\OrgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\oct - \tten5\ibl4f1\qb4f&&\tten4\cu f&&&&\enotes -\OrgNotes&\ibbu1c3\qh1a\tqh1c&\oct - \qb4f&ris&\Ibu5fh4\qh5f&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct - \qb4g&&\qh5g&&&&\enotes -\OrgNotes&\qh2c\tqh2f&\oct - \tqb4h&&\tqh5h&&&&\enotes -\barre - %\check -%Takt 22 -\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \qlp i&tu--&\qlp i&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N&&&&\enotes -\OrgNotes&\qh2b\tqh2f&\oct - \cl h&i,&\cl h&&&&\enotes -\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \ql g&\rlap{Je---}&\qu g&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct - \ql d&&\qu d&&&&\enotes -\barre - %\check -%Takt 23 -\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct - \hlp e&sus.&\hup e&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&\enotes -\temps\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct - &&&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct - &&&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct - \pt a\ds\sk\sk\cl e&&\qp&&&&\enotes -\barre - %\check -%Takt 24 -\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\oct - \hl g&\rlap{Sanc---}&\hu g&&&&\enotes -\OrgNotes&\bigaccid\ibbu1b3\qh1{_b}\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e&&&&\enotes -\temps\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\oct - \ql e&ta&\qu e&&&&\enotes -\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c&\oct - \pt a\ds&&\pt h\ds&&&&\enotes -\OrgNotes&\tqh2e&\oct - \ccl e&\rlap{\kern -\Interligne Ma-}&\ccu e&&&&\enotes -\barre - %\check -%Takt 25 -\OrgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct - \hl h&ri\rlap{---}&\hu h&&&&\enotes -\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&&&\enotes -\temps\OrgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct - \ql a&a,&\qu a&&&&\enotes -\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&\oct - \qp&&\qp&&&&\enotes -\barre - %\check -%Takt 26 -\OrgNotes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\oct - \hl h&\rlap{sanc---}&\hu h&&&&\enotes -\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes -\OrgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e&&&&\enotes -\temps\OrgNotes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\oct - \ql c&ta&\qu c&&&&\enotes -\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c&\oct\qsk - \pt a\ds&&\qsk\pt h\ds&&&&\enotes -\OrgNotes&\tqh2e&\oct - \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h&&&&\enotes -\barre - %\check -%Takt 27 -\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {_L}&\ds&\oct - \hl j&ri\rlap{---}&\hl j&&&&\enotes -\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes -\OrgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e&&&&\enotes -\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct - \bigaccid\ql{_e}&a,&\bigaccid\qu{_e}&&&&\enotes -\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c&\oct - \pt a\ds&&\pt j\ds&&&&\enotes -\OrgNotes&\tqh2e&\oct - \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j&&&&\enotes -\barre - %\check -%Takt 28 -\OrgNotes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct - \hl j&ri\rlap{---}&\hl j&&&&\enotes -\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&&&\enotes -\temps\OrgNotes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct - \ql d&a!&\qu d&&&&\enotes -\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&\oct - \pt a\ds\sk\sk\ccl d&&\qp&&&&\enotes -\barre - %\check -%Takt 29 -\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct - \itenu5d\hl d&O\rlap{---}&\itenl4d\hu d&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes -\OrgNotes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d&&&&\enotes -\temps\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct - \tten5\ibl4d{-1}\qb4d&&\tten4\cu d&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1b&\oct - \qb4d&ra&\Ibu5db4\qh5d&&&&\enotes -\OrgNotes&\ibbu2d0\qh2d\qh2N&\oct - \qb4c&&\qh5c&&&&\enotes -\OrgNotes&\qh2b\tqh2d&\oct - \tqb4b&pro&\tqh5 b&&&&\enotes -\barre - %\check -%Takt 30 -\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct - \qlp g&no\rlap{---}&\qup g&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2N&&&&\enotes -\OrgNotes&\qh2c\tqh2e&\oct - \cl e&&\cu e&&&&\enotes -\temps\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct - \ql c&bis,&\qu c&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct - \qp&&\qp&&&&\enotes -\barre - %\check -%Takt 31 -\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \itenu5f\hl f&no\rlap{---}&\itenl4f\hu f&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&\enotes -\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \tten5\ibl4f{-1}\qb4f&&\tten4\cu f&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct - \qb4f&bis&\Ibu5fd4\qh5f&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct - \qb4e&pec-&\qh5e&&&&\enotes -\OrgNotes&\qh2c\tqh2f&\oct - \tqb4d&ca-&\tqh5d&&&&\enotes -\barre - %\check -%Takt 32 -\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \qlp k&to\rlap{---}&\qlp k&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N&&&&\enotes -\OrgNotes&\qh2b\tqh2f&\oct - \cl i&ri-&\cl i&&&&\enotes -\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \ql g&bus,&\qu g&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct - \qp&&\qp&&&&\enotes -\barre - %\check -%Takt 33 -\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\oct - \itenu5h\hl h&nunc&\itenl4h\hu h&&&&\enotes -\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes -\OrgNotes&\bigaccid\qsk\ibbu2e0\qh2{^f}\qh2a\qh2c\tqh2f&&&&\enotes -\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct - \tten5\ibl4h1\qb4h&&\tten4\cu h&&&&\enotes -\OrgNotes&\ibbu1b3\qh1a\tqh1c&\oct - \qb4h&et\rlap{---}&\Ibu5hj4\qh5h&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct - \qb4i&&\qh5i&&&&\enotes -\OrgNotes&\qh2c\tqh2f&\oct - \tqb4j&in&\tqh5j&&&&\enotes -\barre - %\check -%Takt 34 -\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {=L}&\ds&\oct - \itenu5l\hl l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes -\OrgNotes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g&&&&\enotes -\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct - \tten5\ibl4j{-4}\qb4l&&\tten4\cl l&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct - \qb4j&--&\Ibu5je4\qh5j&&&&\enotes -\OrgNotes&\ibbu2e0\qh2g\qh2N&\oct - \qb4g&ra,&\qh5g&&&&\enotes -\OrgNotes&\qh2c\tqh2g&\oct - \tqb4e&in&\tqh5e&&&&\enotes -\barre - %\check -%Takt 35 -\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \itenu5d\hl d&ho\rlap{---}&\itenl4d\hu d&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&\enotes -\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \tten5\ibl4d3\qb4d&&\tten4\ibu5g3\qh5d&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct - \qb4h&&\tqh5h&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct - \qb4i&ra&\ibu5i{-1}\qh5i&&&&\enotes -\OrgNotes&\qh2c\tqh2f&\oct - \tqb4h&&\tqh5h&&&&\enotes -\barre - %\check -%Takt 36 -\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \ibl4h{-3}\usf h\qb4h&\rlap{mor---}&\ibu5j2\qh5g&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1b&\oct - \usf g\qb4g&&\tqh5k&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct - \usf f\qb4f&tis&\ibu5i{-2}\qh5i&&&&\enotes -\OrgNotes&\qh2b\tqh2f&\oct - \usf d\tqb4d&&\tqh5g&&&&\enotes -\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\relax - \lsf i\ibu4i{-3}\qh4i&nos-&\ibu5f{-2}\qh5f&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1b&\relax - \lsf h\qh4h&&\tqh5d&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N&\relax - \lsf f\qh4f&tr\ae.&\ibu5b{-2}\qh5b&&&&\enotes -\OrgNotes&\qh2b\tqh2f&\relax - \lsf d\tqh4d&&\tqh5N&&&&\enotes -\barre - %\check -%Takt 37 -\OrgNotes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds&\relax - \hup c&A\rlap{---}&\itenl4c\hu c&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&\enotes -\temps\OrgNotes\zhl J\raise2\Interligne\hbox{\qs}\qupp L&\ds&&\rlap{men.}&\tten4\qu c&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&\uptext{R\'ecit (doux)}&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\qp&&\qp&&&&\enotes -\barre - %\check -%Takt 38 -\def\orgNotes#1\enotes{\Notes#1&\relax#4\enotes}% -\def\orgNOTes#1\enotes{\NOTes#1&\relax#4\enotes}% -\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&&\wh l&A\rlap{---}&&&&&\enotes -\orgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&\enotes -\orgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&\raise -2\Interligne\hpause&&&&&\enotes -\temps\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&&\hl g&&&&&&\enotes -\orgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes -\orgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&&&&\enotes -\barre - %\check -%Takt 39 -\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\wh m&ve&&&&&&&\enotes -\orgNotes&\ibbl1j3\qb1h\tqb1k&&&&&&&&\enotes -\orgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&\raise -2\Interligne\hpause&&&&&\enotes -\temps\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp d&\ds&&\hl h&&&&&&&&&\enotes -\orgNotes&\ibbl1j3\qb1h\tqb1k&&&&&&&\enotes -\orgNotes&\ibbl2k0\qb2m\qb2h&&&&&&&\enotes -\orgNotes&\qb2k\tqb2m&&&\rlap{\kern -\Interligne Ma-}&\cu f&&&&&&\enotes -\barre - %\check -%Takt 40 -\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\itenu3g\wh g&\zhl i\hup n&&&&&&&\enotes -\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&\enotes -\orgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&&&\enotes -\temps\orgNotes\zhl b\raise 5.5\Interligne\qs\qupp d&\ds&&\hl f&&&&&&\enotes -\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&\enotes -\orgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&\qu k&&&&&&\enotes -\barre - %\check -%Takt 41 -\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\tten3\zw e\wh - g&\zhlp g\hup l&&&&&&&&&\enotes -\orgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&&&\enotes -\orgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&&&&&\enotes -\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&&&&&\enotes -\orgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&&&&&\enotes -\orgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&\qp&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 42 -\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hu h&\relax - {\roffset{0.3}{\zhu j}}\oct - \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h&&&&&&&&\enotes -\orgNotes&\ibbl0j3\qb0h\tqb0l&&&&&&&&\enotes -\orgNotes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o&&&&&&&&\enotes -\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp -e&\ds&&{\roffset {0.3}{\zhu l}}\oct - \tten5\ibl4a0\qb4h&&\tten4\ibu5g{-3}\qh5h&&&&&&&&\enotes -\orgNotes&\ibbl0j3\qb0h\tqb0l&&\oct\qb4a&\rlap{---}&\tqh5a&&&&&&&&\enotes -\orgNotes&\ibbl1k0\qb1o\qb1h&&\oct\qb4b&ti-&\cu b&&&&&&&&\enotes -\orgNotes&\qb1l\tqb1o&&\oct\tqb4c&a&\cu c&&&&&&&&\enotes -\barre - %\check -%Takt 43 -\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\bigaccid\zw{^f}&\itenu5o{\zhu o}\oct - \qlp d&ple\rlap{---}&\Ilegu4k\qup d&&&&&&&&\enotes -\orgNotes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2k\qh2f&&&&&&&&\enotes -\orgNotes&\qh2h\tqh2k&&\oct \cl e&&\tleg4\cu e&&&&&&&&\enotes -\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\tten5{\ibu3m{-2}\zqh3o}\oct - \ql d&na,&\qu d&&&&&&&&\enotes -\orgNotes&\ibbu1g3\qh1f\tqh1h&&{\qh3h}&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&&\raise -2\Interligne\rlap{\qp}{\qh3i\sk\tqh3j}&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 44 -\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\zw g&\relax - \rlap{\roffset{0.3}{\qupp k}}\oct - \normalnotesize\itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g&&&&&&&&\enotes -\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&&&\enotes -\orgNotes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&&\sk\sk\sk\ccu l&&&&&&&\enotes -\temps\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\roffset {0.5}{\zhu k}\oct - \normalnotesize\tten5\ibl4N0\qb4g&&\tten4\ibu5f{-3}\qh5g&&&&&&&&\enotes -\orgNotes&\ibbl1j3\qb1g\tqb1k&&\oct - \qb4N&\rlap{---}&\tqh5N&&&&&&&&\enotes -\orgNotes&\ibbl2k0\qb2n\qb2g&&\oct - \qb4a&mi-&\cu a&&&&&&&&\enotes -\orgNotes&\qb2k\tqb2n&&\oct - \tqb4b&nus&\cu b&&&&&&&&\enotes -\def\atnextline{\autolines{25}35}\relax -\barre - %\check -%Takt 45 -\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\itenl4e\zw e&{\itenu3n\zhu n}\oct - \qlp c&te\rlap{---}&\Ilegu2j\qup c&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2e&&&&&&&&\enotes -\orgNotes&\qh2g\tqh2j&&\oct - \cl d&&\tleg2\cu d&&&&&&&&\enotes -\temps\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&&{\tten3\ibu3l{-3}\zqh3n}\oct - \ql c&cum,&\qu c&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1e\tqh1g&&\qh3g&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&\raise -2.5\Interligne\rlap{\qp}\qh3h\sk\tqh3i&\qp&\qp&&&&&&&&\enotes -% -\barre - %\check -%Takt 46 -\orgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\tten4\zw e&\relax - {\roffset{0.3}{\zhl j}}\oct - \itenu5j\hu j&be\rlap{---}&\itenu4j\hu j&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&&&&&&&\enotes -\temps\orgNotes\zhl a\raise 5\Interligne\qs\qupp c&\ds&&{\zql h}\oct - \tten5\cu j&&\tten4\cl j&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1e\tqh1g&&\oct - \Ibu4ce4\qh4c&\rlap{---}&\Ibl5ce4\qh5c&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2e&&{\zql g}\oct - \qh4d&ne\rlap{---}&\ibu5e1\qh5d&&&&&&&&\enotes -\orgNotes&\qh2g\tqh2j&&\oct - \tqh4e&&\tqh5e&&&&&&&&\enotes -\barre - %\check -%Takt 47 -\orgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds - &&\bigaccid\zhlp h\oct - \qup{^f}&\rlap{dic---}&\bigaccid\Ilegu4l\qup {^f}&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2d&&&&&&&&\enotes -\orgNotes&\qh2f\tqh2j&&\oct - \cu e&&\tleg4\cu e&&&&&&&&\enotes -\temps\orgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&&\oct - \qu d&\rlap{---}&\qu d&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1d\tqh1f&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&&\oct - \zql a\qu a&ta&\qu a&&&&&&&&\enotes -\barre - %\check -%Takt 48 -\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\relax - {\zw g}\oct \hu b&tu&\hu b&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1d\tqh1g&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&&&&&&&\enotes -\temps\orgNotes\zhl N\raise 4.2\Interligne\qs\qupp b&\ds&&\relax - \raise\Interligne\qp&&\qp&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1d\tqh1g&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&\oct - \qu d&in&\qu d&&&&&&&&\enotes -\barre - %\check -%Takt 49 -\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&&{\zw{^j}}\oct - \itenu5e\hu e&mu\rlap{---}&\itenl4e\hu e&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes -\orgNotes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j&&&&&&&&\enotes -\temps\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\oct - \tten5\cu e&&\tten4\cu e&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1e\tqh1g&&\oct - \Ibu5eg4\qh5e&li\rlap{---}&\Ibu4eg4\qh4e&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2e&&\oct - \qh5f&&\qh4f&&&&&&&&\enotes -\orgNotes&\qh2g\tqh2j&&\oct - \tqh5g&&\tqh4g&&&&&&&&\enotes -\barre - %\check -%Takt 50 -\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\itenu3o\hu o&\relax - \rlap{\hlp k}\oct \itenu4h\hu h&e\rlap{---}&\ppt h\qu h&&&&&&&&\enotes -\orgNotes&\ibbu1g3\qh1d\tqh1h&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2k\qh2d\qh2h&&&&&&&&\enotes -\orgNotes&\tqh2k&&&ri-&\ccu a&&&&&&&&\enotes -\temps\orgNotes\zhl M\raise 3.8\Interligne\qs\qupp a&\ds&\tten3&\tten4\relax - \oct \cu h&bus&\qu a&&&&&&&&\enotes -\orgNotes&\ibbu1g3\qh1d\tqh1h&&{\Ibu3hj4\qh3h}&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&&\qh3i\sk\tqh3j&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 51 -\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\bigaccid - \hu r&\bigaccid\zw {=i}\oct\itenu5d\hu d&et\rlap{---}&\itenl4d\hu d&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1d\tqh1f&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i&&&&&&&&\enotes -\temps\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\hu k&\oct - \tten5\cu d&&\tten4\cu d&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1d\tqh1f&&\oct - \Ibu4df4\qh4d&be\rlap{---}&\ibu5e1\qh5d&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2i\qh2d&&\oct - \qh4e&&\tqh5e&&&&&&&&\enotes -\orgNotes&\qh2f\tqh2i&&\oct - \tqh4f&ne-&\cu f&&&&&&&&\enotes -\barre - %\check -%Takt 52 -\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\itenu3n\hu -n&{\zhlp j}\oct - \itenu4g\hu g&\rlap{dic---}&\hu g&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1c\tqh1g&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&&&&&&&&\enotes -\temps\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\tten3\ibl3n{3}\qb3n&\oct - \tten4\cu g&tus&\qu N&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1c\tqh1g&\qb3n&\Ibu4gi4\qh4g&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qb3o\sk\tqb3p&\qh4h\sk\tqh4i&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 53 -\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\zw h\hu -q&{\zw h}\oct - \itenu5c\hu c&fruc\rlap{---}&\itenl4c\hu c&&&&&&&&\enotes -\orgNotes&\ibbu1c3\qh1a\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&&&&&\enotes -\temps\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\itenu3j\hu j&\oct - \tten5\cu c&&\tten4\cu c&&&&&&&&\enotes -\orgNotes&\ibbu1c3\qh1a\tqh1c&&\oct - \Ibu4ce4\qh4c&tus&\ibu5d1\qh5c&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct - \qh4d&&\qh5d&&&&&&&&\enotes -\orgNotes&\qh2c\tqh2f&&\oct - \tqh4e&&\tqh5e&&&&&&&&\enotes -\barre - %\check -%Takt 54 -\orgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\tten3\zw c\hu j&\relax - {\zw j}\oct - \itenu5f\hu f&vent\rlap{---}&\itenl4f\hu f&&&&&&&&\enotes -\orgNotes&\ibbu1c3\qh1a\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&&&&&\enotes -\temps\orgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&&\oct - \tten5\cu f&&\tten4\cu f&&&&&&&&\enotes -\orgNotes&\ibbu1c3\qh1a\tqh1c&\hu h&\oct - \Ibu4fh4\qh4f&ris&\ibu5g1\qh5f&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct - \qh4g&&\qh5g&&&&&&&&\enotes -\orgNotes&\qh2c\tqh2f&&\oct - \tqh4h&&\tqh5h&&&&&&&&\enotes -\barre - %\check -%Takt 55 -\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\hu -g&{\zqlp n}\oct - \qup i&tu--&\Ilegu4k\qlp i&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N&&&&&&&&\enotes -\orgNotes&\qh2b\tqh2f&&\oct - \cu h&i,&\tleg4\cl h&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 1.6\Interligne\qs\qupp K&\ds&&\relax - \rlap{\roff{\hl m}}\oct \qu g&\rlap{Je---}&\Ilegu5l\qu g&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct - \qu d&&\tleg5\qu d&&&&&&&&\enotes -\barre - %\check -%Takt 56 -\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&&{\zhlp j}\oct - \hup e&sus.&\hup e&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&&&&&\enotes -\temps\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\hu g&\oct - &&&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct - &&&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct - \pt a\ds\sk\sk\ccl e&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 57 -\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\zw e\relax - &{\bigfl i\zhlp i}\oct \hu g&&&&&&&\enotes -\orgNotes&\ibbu1b3\bigaccid\qh1{_b}\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e&&&&&&&&\enotes -\temps\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\hu l&\oct - \qu e&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct - \pt a\ds&&&&&&&&&\enotes -\orgNotes&\tqh2e&&\oct - \ccl e&&&&&&\enotes -\barre - %\check -%Takt 58 -\orgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zhl c\itenl3e\itenu4h\zh e\hu -h&\itenu2j\zh j\hl o&ri\rlap{---}&\hu h&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&&&&&&&\enotes -\temps\orgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\tten3\tten4\zh e\zhl h\hu -j&\tten2\zq j\ql h&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&\oct - \qp&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 59 -\orgNotes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\bigaccid - \zw h\hu{_l}&{\bigfl l\zh l}\oct - \hl h&\rlap{sanc---}&\hu h&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes -\orgNotes&\qsk\bigaccid\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e&&&&&&&&\enotes -\temps\orgNotes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\hu -o&{\zq h}\oct - \ql c&ta&\qu c&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c&&\oct - \pt a\ds&&\pt h\ds&&&&&&&&\enotes -\orgNotes&\tqh2e&&\oct - \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h&&&&&&&&\enotes -\barre - %\check -%Takt 60 -\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\zw g\zw j\hu -n&\itenl2j\zh j\oct \hl j&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes -\orgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 1.6\Interligne\qs\qupp L&\ds&\bigaccid\hu{_l}&\bigaccid - \tten2\zq j\ql{_l}&&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct - \pt a\ds&&\pt j\ds&&&&&&&&\enotes -\orgNotes&\tqh2e&&\oct - \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j&&&&&&&&\enotes -\barre - %\check -%Takt 61 -\orgNotes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu -k&{\zhp l}\oct - \hl j&ri\rlap{---}&\hl j&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&&&&&&&\enotes -\temps\orgNotes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\hu j&\oct - \ql d&a!&\qu d&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&\oct - \pt a\ds\sk\sk\ccl d&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 62 -\orgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu -i&{\zhl f}\oct - \itenu5d\hu d&O\rlap{---}&\itenl4d\hu d&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 2\Interligne\qs\qupp M&\ds&&{\zql i}\oct - \tten5\cu d&&\tten4\cu d&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&\oct - \Ibu4db4\qh4d&ra&\ibu5d{-1}\qh5d&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2d\qh2N&&{\itenl4g\zql g}\oct - \qh4c&&\tqh5c&&&&&&&&\enotes -\orgNotes&\qh2b\tqh2d&&\oct - \tqh4b&pro&\cu b&&&&&&&&\enotes -\barre - %\check -%Takt 63 -\orgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\zw e\hu -g&{\tten4\zhlp g}\oct - \qup g&no\rlap{---}&\Ilegu4l\qup g&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2N&&&&&&&&\enotes -\orgNotes&\qh2c\tqh2e&&\oct - \cu e&&\tleg4\cu e&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 2\Interligne\qs\qupp L&\ds&\itenu3j\zhl g\hu j&\oct - \qu c&bis,&\qu c&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct - \raise\Interligne\qp&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 64 -\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\itenl3f\zw -f&{\zhl j}\oct - \itenu5f\hu f&no\rlap{---}&\itenl4f\hu f&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl c&{\zhl h}\oct - \tten5\cu f&&\tten4\cu f&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct - \Ibu4fd4\qh4f&bis&\cu f&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct - \qh4e&pec-&\cu e&&&&&&&&\enotes -\orgNotes&\qh2c\tqh2f&&\oct - \tqh4d&ca-&\cu d&&&&&&&&\enotes -\barre - %\check -%Takt 65 -\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\zw f\zhl d\hu -i&{\zh m}\oct - \qlp k&\raise\Interligne\hbox{to---}&\Ilegu4k\qlp k&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N&&&&&&&&\enotes -\orgNotes&\qh2b\tqh2f&&\oct - \cl i&ri-&\tleg4\cl i&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl b\hu -k&{\zq i}\oct - \ql g&bus,&\qu g&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct - \qp&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 66 -\def\atnextline{\autolines{25}25}\relax -\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid - \qupp {_L}&\ds&\bigaccid\zhl{^f}&{\bigaccid\zw j\zhl{_l}}\oct - \itenu5h\hu h&nunc&\itenl4h\hu h&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes -\orgNotes&\qsk\ibbu2e0\bigaccid\qh2{^f}\qh2a\qh2c\tqh2f&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\zhl h&{\bigaccid\zhl{^m}}\oct - \tten5\cu h&&\tten4\cu h&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1a\tqh1c&&\oct - \Ibl4hj4\qb4h&et\rlap{---}&\ibu5i1\qh5h&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct - \qb4i&&\tqh5i&&&&&&&&\enotes -\orgNotes&\qh2c\tqh2f&&\oct - \tqb4j&in&\cl j&&&&&&&&\enotes -\barre - %\check -%Takt 67 -\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {=L}&\ds&\zw g\zh j&{\zhl n}\oct - \itenu5l\hu l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\hu{=l}&{\zql{=l}}\oct - \tten5\cu l&&\tten4\ibu5j{-2}\qh5l&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct - \Ibu4je4\qh4j&---&\tqh5j&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2g\qh2N&&{\zql j}\oct - \qh4g&ra,&\cu g&&&&&&&&\enotes -\orgNotes&\qh2c\tqh2g&&\oct - \tqh4e&in&\cu e&&&&&&&&\enotes -\barre - %\check -%Takt 68 -\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw f\hu -k&{\zhl f}\oct - \itenu5d\hu d&&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu -h&{\zhl h}\oct - \tten5\cu d&&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct - \Ibu4hh4\qh4h&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct - \qh4i&&&&&&&&&\enotes -\orgNotes&\qh2c\tqh2f&&\oct - \tqh4h&&&&&&&&\enotes -\alaligne - %\check -%Takt 69 -\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\zw d\rh f\zhu -g&\zhl i\oct \Ibu4fc6\qh4h&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&\oct \qh4g&&&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct - \qh4f&tis&\ibu5i{-2}\qh5i&&&&&&&&\enotes -\orgNotes&\qh2b\tqh2f&&\oct - \tqh4d&&&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu N&\relax - {\zhl d}\ibu4i{-3}\qh4i&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&\relax - \qh4h&&\tqh5d&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N&&\relax - \qh4f&&&&&&&\enotes -\orgNotes&\qh2b\tqh2f&&\relax - \tqh4d&&&&&&\enotes -\barre -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - %\check -%Takt 70 -\orgNotes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds - &\bigaccid\zw{_b}\roff{\itenu3c\zw c}&\roff{\itenu4c\zw c}\bigaccid\wh{_b}\relax - &&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\bigaccid\qsk\tqh1{_b}&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e&&&&&&&&\enotes -\temps\orgNotes\zhu C\raise\Interligne\qs\qupp J&\ds&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e&&&&&&&&\enotes -\def\atnextline{\autolines{20}35}\relax -%\cleftoksii{6000}\changeclefs -\alaligne - %\check -%Takt 71 -\orgNotes\raise\Interligne\rlap{\qs}\wh C\itenl2J\qupp J&\ds&\tten3\zw a\wh -c&\tten4\zw a\wh c&&&&&&&&&\enotes -\orgNotes&\oct\ibbu1a3\qh1M\tqh1a&&&&&&&&\enotes -\orgNotes&\oct\ibbu2e0\qh2c\qh2f\qh2c\tqh2a&&&&&&&&\enotes -\temps\orgNotes\tten2\hu J&\oct\ibbu2b0\qh2c\qh2a\qh2M\tqh2a&&&&&&&&\enotes -\orgNotes&\oct\ibbu3M0\qh3M\qh3K\qh3M\tqh3K&&&&&&&&\enotes -%\cleftoksii{0000}\changeclefs -\barre - %\check -%Takt 72 -\orgNotes\zw C\qs\itenl3I\qupp I&\ds&&\bigaccid\wh{=b}&&&&&&&&&\enotes -\orgNotes&\ibbl1h3\qb1g\tqb1i&&&&&&&&\enotes -\orgNotes&\ibbl2j{-2}\qb2k\qb2m\qb2k\tqb2i&&&&&&&&\enotes -\temps\orgNotes\tten3\hu I&\ibbl2h0\qb2k\qb2i\qb2g\tqb2i&&&&&&&&&&\enotes -\orgNotes&\ibbu3e0\qh3d\qh3f\pince n\qh3e\tqh3d&&&&&&&&\enotes -\barre - %\check -%Takt 73 -\orgNOTes\pointdurgue C\zwh C\wh J&\zwh e\zwh g\pointdorgue j\wh j\relax - &&\pointdorgue f\wh c&&&&&&&&\enotes -\finmorceau -\bye - diff --git a/macros/musixtex/doc/examples/avemaril.tex b/macros/musixtex/doc/examples/avemaril.tex deleted file mode 100644 index ac2d11f3e4..0000000000 --- a/macros/musixtex/doc/examples/avemaril.tex +++ /dev/null @@ -1,20 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi -\tracingstats=2\relax -\hsize=185mm -\vsize=270mm -\hoffset -1.70cm -\voffset -1.54cm -\barsinline=0\relax -\linesinpage=0\relax -\resetfacteurs -\computewidths -\musicsize 29 -% -\input avemarix -\bye - - diff --git a/macros/musixtex/doc/examples/avemario.tex b/macros/musixtex/doc/examples/avemario.tex deleted file mode 100644 index 747452c4a4..0000000000 --- a/macros/musixtex/doc/examples/avemario.tex +++ /dev/null @@ -1,1014 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi - \title{Ave Maria (Gounod)} -\csname titremorceautoc\endcsname -\fulltitle{M\'editation -- Ave Maria} -\title{M\'editation -- Ave Maria} - \author{Charles Gounod \& J.-S. Bach\\Transcription Orgue solo Daniel -Taupin\\\& Markus Veittes} - \shortauthor{C. Gounod, J.-S. Bach, D. Taupin} - \subtitle{\relax} - \othermention{G.O.: fl\^ute 8' [+4']\\R\'ecit : fl\^utes 8'+4' [+nasard ou -chalumeau {\it ad lib.}]\\Positif : quinte\\P\'edale : 16', acc. -G.O.\\Gif : 2/9-11-12/20-23/33-37-45/50-52-54} -\maketitle - -\staffbotmarg\Interligne -% -\parindent 13mm -\musicsize=20 -\normal -\relativeaccidentals -\def\oct{\advance\transpose by 7\relax} -\def\nbinstruments{3} -\def\instrumenti{P\'edale} -\def\instrumentii{G.O.} -%\def\interinstrumenti{-2\Interligne} -%\def\interinstrumentii{-2\Interligne} -\def\instrumentiii{Positif} -\nbporteesi=1\relax -\nbporteesii=1\relax -\nbporteesiii=1\relax - -\generalmeter{\meterC}% -\cleftoksi{{6}{0}{0}{0}} -\cleftoksii{{0}{0}{0}{0}} -\cleftoksiii{{0}{0}{0}{0}} -%\raggedlinestrue % uncomment for ragged right lines - - -\debutmorceau -\def\OrgNotes#1\enotes{\Notes#1&\relax#5\enotes}% -\autolines{25}{3}{5}% - %\check -%Takt 1 -\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&\enotes -\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes -\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes -\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause&&\pause&\enotes -\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&\enotes -\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&\enotes -\barre - %\check -%Takt 2 -\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes -\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes -\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause&&\pause&\enotes -\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes -\barre - %\check -%Takt 3 -\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes -\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes -\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause&&\pause&\enotes -\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes -\barre - %\check -%Takt 4 -\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&\enotes -\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes -\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes -\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause&&\pause&&&&\enotes -\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&\enotes -\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&\enotes -\barre - %\check -%Takt 5 -\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\wh l&A\rlap{---}&\wh e&&&&\enotes -\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&&\enotes -\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&&&&\enotes -\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&\enotes -\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes -\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&&&&\enotes -\barre - %\check -%Takt 6 -\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\wh m&ve&\hupp f&&&&\enotes -\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes -\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&&&&\enotes -\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2m\qb2h&&&&\enotes -\OrgNotes&\qb2k\tqb2m&&Ma-&\cu f&&&&\enotes -\barre - %\check -%Takt 7 -\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hlp n&ri\rlap{---}&\hup g&&&&\enotes -\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes -\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes -\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&\ql k&\rlap{---}&\qu d&&&&\enotes -\barre - %\check -%Takt 8 -\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hlp l&a,&\hup e&&&&\enotes -\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes -\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes -\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&\enotes -\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes -\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&\qp&&\qp&&&&\enotes -\barre - %\check -%Takt 9 -\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\oct - \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h&&&&\enotes -\OrgNotes&\ibbl0j3\qb0h\tqb0l&&&&\enotes -\OrgNotes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o&&&&\enotes -\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\oct - \tten5\ibl4c0\qb4h&&\tten4\cu h&&&&\enotes -\OrgNotes&\ibbl0j3\qb0h\tqb0l&\oct\qb4a&\rlap{---}&\Ibu5ac4\qh5a&&&&\enotes -\OrgNotes&\ibbl1k0\qb1o\qb1h&\oct\qb4b&ti-&\qh5b&&&&\enotes -\OrgNotes&\qb1l\tqb1o&\oct\tqb4c&a&\tqh5c&&&&\enotes -\barre - %\check -%Takt 10 -\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct - \qlp d&ple\rlap{---}&\qup d&&&&\enotes -\OrgNotes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h&&&&\enotes -\OrgNotes&\ibbu2i0\qh2k\qh2f&&&&\enotes -\OrgNotes&\qh2h\tqh2k&\oct \cl e&&\cu e&&&&\enotes -\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct - \ql d&na,&\qu d&&&&\enotes -\OrgNotes&\ibbu1g3\qh1f\tqh1h&&&&\enotes -\OrgNotes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\qp&&\qp&&&&\enotes -\barre - %\check -%Takt 11 -\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct - \itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g&&&&\enotes -\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&&&&\enotes -\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct - \tten5\ibl4b0\qb4g&&\tten4\cu g&&&&\enotes -\OrgNotes&\ibbl1j3\qb1g\tqb1k&\oct - \qb4N&\rlap{---}&\Ibu5Nb4\qh5N&&&&\enotes -\OrgNotes&\ibbl2k0\qb2n\qb2g&\oct - \qb4a&mi-&\qh5a&&&&\enotes -\OrgNotes&\qb2k\tqb2n&\oct - \tqb4b&nus&\tqh5b&&&&\enotes -\def\atnextline{\autolines{25}35}\relax -\barre - %\check -%Takt 12 -\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\oct - \qlp c&te\rlap{---}&\qup c&&&&\enotes -\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2e&&&&\enotes -\OrgNotes&\qh2g\tqh2j&\oct - \cl d&&\cu d&&&&\enotes -\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\oct - \ql c&cum,&\qu c&&&&\enotes -\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&\qp&&\qp&&&&\enotes -% -\def\atnextline{\autolines{25}35}\relax -\barre - %\check -%Takt 13 -\OrgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\oct - \itenu5j\hl j&be\rlap{---}&\itenu4j\hu j&&&&\enotes -\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&&&\enotes -\temps\OrgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\oct - \tten5\ibl4c0\qb4j&&\tten4\cu j&&&&\enotes -\OrgNotes&\ibbu1f3\qh1e\tqh1g&\oct - \qb4c&\rlap{---}&\Ibu5ce4\qh5c&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2e&\oct - \qb4d&ne\rlap{---}&\qh5d&&&&\enotes -\OrgNotes&\qh2g\tqh2j&\oct - \tqb4e&&\tqh5e&&&&\enotes -\barre - %\check -%Takt 14 -\OrgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\oct\bigaccid - \qlp{^f}&\rlap{dic---}&\bigaccid\qup {^f}&&&&\enotes -\OrgNotes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2d&&&&\enotes -\OrgNotes&\qh2f\tqh2j&\oct - \cl e&&\cu e&&&&\enotes -\temps\OrgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\oct - \ql d&\rlap{---}&\qu d&&&&\enotes -\OrgNotes&\ibbu1f3\qh1d\tqh1f&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&\oct - \ql a&ta&\qu a&&&&\enotes -\barre - %\check -%Takt 15 -\def\atnextline{\staffbotmarg3\Interligne}% -\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\oct - \hl b&tu&\hu b&&&&\enotes -\OrgNotes&\ibbu1f3\qh1d\tqh1g&&&&\enotes -\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&&&\enotes -\temps\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\qp&&\qp&&&&\enotes -\OrgNotes&\ibbu1f3\qh1d\tqh1g&&&&\enotes -\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&\oct - \ql d&in&\qu d&&&&\enotes -\barre - %\check -%Takt 16 -\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&\oct - \itenu5e\hl e&mu\rlap{---}&\itenl4e\hu e&&&&\enotes -\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes -\OrgNotes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j&&&&\enotes -\temps\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\oct - \tten5\ibl5e1\qb5e&&\tten4\cu e&&&&\enotes -\OrgNotes&\ibbu1f3\qh1e\tqh1g&\oct - \qb5e&li\rlap{---}&\Ibu4eg4\qh4e&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2e&\oct - \qb5f&&\qh4f&&&&\enotes -\OrgNotes&\qh2g\tqh2j&\oct - \tqb5g&&\tqh4g&&&&\enotes -\barre - %\check -%Takt 17 -\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct - \hl h&e\rlap{---}&\ppt h\qu h&&&&\enotes -\OrgNotes&\ibbu1g3\qh1d\tqh1h&&&&\enotes -\OrgNotes&\ibbu2i0\qh2k\qh2d\qh2h&&&&\enotes -\OrgNotes&\tqh2k&&ri-&\ccu a&&&&\enotes -\temps\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct - \ql a&bus&\qu a&&&&\enotes -\OrgNotes&\ibbu1g3\qh1d\tqh1h&&&&\enotes -\OrgNotes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&\qp&&\qp&&&&\enotes -\barre - %\check -%Takt 18 -\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\oct - \itenu5d\hl d&et\rlap{---}&\itenl4d\hu d&&&&\enotes -\OrgNotes&\ibbu1f3\qh1d\tqh1f&&&&\enotes -\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i&&&&\enotes -\temps\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct - \tten5\ibl4d1\qb4d&&\tten4\cu d&&&&\enotes -\OrgNotes&\ibbu1f3\qh1d\tqh1f&\oct - \qb4d&be\rlap{---}&\Ibu5df4\qh5d&&&&\enotes -\OrgNotes&\ibbu2i0\qh2i\qh2d&\oct - \qb4e&&\qh5e&&&&\enotes -\OrgNotes&\qh2f\tqh2i&\oct - \tqb4f&ne-&\tqh5f&&&&\enotes -\barre - %\check -%Takt 19 -\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\oct - \hl g&\rlap{dic---}&\hu g&&&&\enotes -\OrgNotes&\ibbu1f3\qh1c\tqh1g&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&&&&\enotes -\temps\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\oct - \qu N&tus&\qu N&&&&\enotes -\OrgNotes&\ibbu1f3\qh1c\tqh1g&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qp&&\qp&&&&\enotes -\barre - %\check -%Takt 20 -\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\oct - \itenu5c\hl c&fruc\rlap{---}&\itenl4c\hu c&&&&\enotes -\OrgNotes&\ibbu1c3\qh1a\tqh1c&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&\enotes -\temps\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\oct - \tten5\ibl4c1\qb4c&&\tten4\cu c&&&&\enotes -\OrgNotes&\ibbu1c3\qh1a\tqh1c&\oct - \qb4c&tus&\Ibu5ce4\qh5c&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct - \qb4d&&\qh5d&&&&\enotes -\OrgNotes&\qh2c\tqh2f&\oct - \tqb4e&&\tqh5e&&&&\enotes -\barre - %\check -%Takt 21 -\OrgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\oct - \itenu5f\hl f&vent\rlap{---}&\itenl4f\hu f&&&&\enotes -\OrgNotes&\ibbu1c3\qh1a\tqh1c&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&\enotes -\temps\OrgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\oct - \tten5\ibl4f1\qb4f&&\tten4\cu f&&&&\enotes -\OrgNotes&\ibbu1c3\qh1a\tqh1c&\oct - \qb4f&ris&\Ibu5fh4\qh5f&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct - \qb4g&&\qh5g&&&&\enotes -\OrgNotes&\qh2c\tqh2f&\oct - \tqb4h&&\tqh5h&&&&\enotes -\barre - %\check -%Takt 22 -\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \qlp i&tu--&\qlp i&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N&&&&\enotes -\OrgNotes&\qh2b\tqh2f&\oct - \cl h&i,&\cl h&&&&\enotes -\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \ql g&\rlap{Je---}&\qu g&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct - \ql d&&\qu d&&&&\enotes -\barre - %\check -%Takt 23 -\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct - \hlp e&sus.&\hup e&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&\enotes -\temps\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct - &&&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct - &&&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct - \pt a\ds\sk\sk\cl e&&\qp&&&&\enotes -\barre - %\check -%Takt 24 -\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\oct - \hl g&\rlap{Sanc---}&\hu g&&&&\enotes -\OrgNotes&\bigaccid\ibbu1b3\qh1{_b}\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e&&&&\enotes -\temps\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\oct - \ql e&ta&\qu e&&&&\enotes -\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c&\oct - \pt a\ds&&\pt h\ds&&&&\enotes -\OrgNotes&\tqh2e&\oct - \ccl e&\rlap{\kern -\Interligne Ma-}&\ccu e&&&&\enotes -\barre - %\check -%Takt 25 -\OrgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct - \hl h&ri\rlap{---}&\hu h&&&&\enotes -\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&&&\enotes -\temps\OrgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct - \ql a&a,&\qu a&&&&\enotes -\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&\oct - \qp&&\qp&&&&\enotes -\barre - %\check -%Takt 26 -\OrgNotes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\oct - \hl h&\rlap{sanc---}&\hu h&&&&\enotes -\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes -\OrgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e&&&&\enotes -\temps\OrgNotes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\oct - \ql c&ta&\qu c&&&&\enotes -\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c&\oct\qsk - \pt a\ds&&\qsk\pt h\ds&&&&\enotes -\OrgNotes&\tqh2e&\oct - \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h&&&&\enotes -\barre - %\check -%Takt 27 -\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {_L}&\ds&\oct - \hl j&ri\rlap{---}&\hl j&&&&\enotes -\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes -\OrgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e&&&&\enotes -\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct - \bigaccid\ql{_e}&a,&\bigaccid\qu{_e}&&&&\enotes -\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c&\oct - \pt a\ds&&\pt j\ds&&&&\enotes -\OrgNotes&\tqh2e&\oct - \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j&&&&\enotes -\barre - %\check -%Takt 28 -\OrgNotes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct - \hl j&ri\rlap{---}&\hl j&&&&\enotes -\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&&&\enotes -\temps\OrgNotes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct - \ql d&a!&\qu d&&&&\enotes -\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&\oct - \pt a\ds\sk\sk\ccl d&&\qp&&&&\enotes -\barre - %\check -%Takt 29 -\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct - \itenu5d\hl d&O\rlap{---}&\itenl4d\hu d&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes -\OrgNotes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d&&&&\enotes -\temps\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct - \tten5\ibl4d{-1}\qb4d&&\tten4\cu d&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1b&\oct - \qb4d&ra&\Ibu5db4\qh5d&&&&\enotes -\OrgNotes&\ibbu2d0\qh2d\qh2N&\oct - \qb4c&&\qh5c&&&&\enotes -\OrgNotes&\qh2b\tqh2d&\oct - \tqb4b&pro&\tqh5 b&&&&\enotes -\barre - %\check -%Takt 30 -\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct - \qlp g&no\rlap{---}&\qup g&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2N&&&&\enotes -\OrgNotes&\qh2c\tqh2e&\oct - \cl e&&\cu e&&&&\enotes -\temps\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct - \ql c&bis,&\qu c&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct - \qp&&\qp&&&&\enotes -\barre - %\check -%Takt 31 -\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \itenu5f\hl f&no\rlap{---}&\itenl4f\hu f&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&\enotes -\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \tten5\ibl4f{-1}\qb4f&&\tten4\cu f&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct - \qb4f&bis&\Ibu5fd4\qh5f&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct - \qb4e&pec-&\qh5e&&&&\enotes -\OrgNotes&\qh2c\tqh2f&\oct - \tqb4d&ca-&\tqh5d&&&&\enotes -\barre - %\check -%Takt 32 -\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \qlp k&to\rlap{---}&\qlp k&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N&&&&\enotes -\OrgNotes&\qh2b\tqh2f&\oct - \cl i&ri-&\cl i&&&&\enotes -\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \ql g&bus,&\qu g&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct - \qp&&\qp&&&&\enotes -\barre - %\check -%Takt 33 -\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\oct - \itenu5h\hl h&nunc&\itenl4h\hu h&&&&\enotes -\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes -\OrgNotes&\bigaccid\qsk\ibbu2e0\qh2{^f}\qh2a\qh2c\tqh2f&&&&\enotes -\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct - \tten5\ibl4h1\qb4h&&\tten4\cu h&&&&\enotes -\OrgNotes&\ibbu1b3\qh1a\tqh1c&\oct - \qb4h&et\rlap{---}&\Ibu5hj4\qh5h&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct - \qb4i&&\qh5i&&&&\enotes -\OrgNotes&\qh2c\tqh2f&\oct - \tqb4j&in&\tqh5j&&&&\enotes -\barre - %\check -%Takt 34 -\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {=L}&\ds&\oct - \itenu5l\hl l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes -\OrgNotes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g&&&&\enotes -\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct - \tten5\ibl4j{-4}\qb4l&&\tten4\cl l&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct - \qb4j&--&\Ibu5je4\qh5j&&&&\enotes -\OrgNotes&\ibbu2e0\qh2g\qh2N&\oct - \qb4g&ra,&\qh5g&&&&\enotes -\OrgNotes&\qh2c\tqh2g&\oct - \tqb4e&in&\tqh5e&&&&\enotes -\barre - %\check -%Takt 35 -\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \itenu5d\hl d&ho\rlap{---}&\itenl4d\hu d&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&\enotes -\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \tten5\ibl4d3\qb4d&&\tten4\ibu5g3\qh5d&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct - \qb4h&&\tqh5h&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct - \qb4i&ra&\ibu5i{-1}\qh5i&&&&\enotes -\OrgNotes&\qh2c\tqh2f&\oct - \tqb4h&&\tqh5h&&&&\enotes -\barre - %\check -%Takt 36 -\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \ibl4h{-3}\usf h\qb4h&\rlap{mor---}&\ibu5j2\qh5g&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1b&\oct - \usf g\qb4g&&\tqh5k&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct - \usf f\qb4f&tis&\ibu5i{-2}\qh5i&&&&\enotes -\OrgNotes&\qh2b\tqh2f&\oct - \usf d\tqb4d&&\tqh5g&&&&\enotes -\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\relax - \lsf i\ibu4i{-3}\qh4i&nos-&\ibu5f{-2}\qh5f&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1b&\relax - \lsf h\qh4h&&\tqh5d&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N&\relax - \lsf f\qh4f&tr\ae.&\ibu5b{-2}\qh5b&&&&\enotes -\OrgNotes&\qh2b\tqh2f&\relax - \lsf d\tqh4d&&\tqh5N&&&&\enotes -\barre - %\check -%Takt 37 -\OrgNotes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds&\relax - \hup c&A\rlap{---}&\itenl4c\hu c&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&\enotes -\temps\OrgNotes\zhl J\raise2\Interligne\hbox{\qs}\qupp L&\ds&&\rlap{men.}&\tten4\qu c&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&\uptext{R\'ecit (doux)}&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\qp&&\qp&&&&\enotes -\barre - %\check -%Takt 38 -\def\orgNotes#1\enotes{\Notes#1&\relax#4\enotes}% -\def\orgNOTes#1\enotes{\NOTes#1&\relax#4\enotes}% -\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&&\wh l&A\rlap{---}&&&&&\enotes -\orgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&\enotes -\orgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&\raise -2\Interligne\hpause&&&&&\enotes -\temps\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&&\hl g&&&&&&\enotes -\orgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes -\orgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&&&&\enotes -\barre - %\check -%Takt 39 -\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\wh m&ve&&&&&&&\enotes -\orgNotes&\ibbl1j3\qb1h\tqb1k&&&&&&&&\enotes -\orgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&\raise -2\Interligne\hpause&&&&&\enotes -\temps\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp d&\ds&&\hl h&&&&&&&&&\enotes -\orgNotes&\ibbl1j3\qb1h\tqb1k&&&&&&&\enotes -\orgNotes&\ibbl2k0\qb2m\qb2h&&&&&&&\enotes -\orgNotes&\qb2k\tqb2m&&&\rlap{\kern -\Interligne Ma-}&\cu f&&&&&&\enotes -\barre - %\check -%Takt 40 -\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\itenu3g\wh g&\zhl i\hup n&&&&&&&\enotes -\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&\enotes -\orgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&&&\enotes -\temps\orgNotes\zhl b\raise 5.5\Interligne\qs\qupp d&\ds&&\hl f&&&&&&\enotes -\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&\enotes -\orgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&\qu k&&&&&&\enotes -\barre - %\check -%Takt 41 -\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\tten3\zw e\wh - g&\zhlp g\hup l&&&&&&&&&\enotes -\orgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&&&\enotes -\orgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&&&&&\enotes -\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&&&&&\enotes -\orgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&&&&&\enotes -\orgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&\qp&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 42 -\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hu h&\relax - {\roffset{0.3}{\zhu j}}\oct - \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h&&&&&&&&\enotes -\orgNotes&\ibbl0j3\qb0h\tqb0l&&&&&&&&\enotes -\orgNotes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o&&&&&&&&\enotes -\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp -e&\ds&&{\roffset {0.3}{\zhu l}}\oct - \tten5\ibl4a0\qb4h&&\tten4\ibu5g{-3}\qh5h&&&&&&&&\enotes -\orgNotes&\ibbl0j3\qb0h\tqb0l&&\oct\qb4a&\rlap{---}&\tqh5a&&&&&&&&\enotes -\orgNotes&\ibbl1k0\qb1o\qb1h&&\oct\qb4b&ti-&\cu b&&&&&&&&\enotes -\orgNotes&\qb1l\tqb1o&&\oct\tqb4c&a&\cu c&&&&&&&&\enotes -\barre - %\check -%Takt 43 -\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\bigaccid\zw{^f}&\itenu5o{\zhu o}\oct - \qlp d&ple\rlap{---}&\Ilegu4k\qup d&&&&&&&&\enotes -\orgNotes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2k\qh2f&&&&&&&&\enotes -\orgNotes&\qh2h\tqh2k&&\oct \cl e&&\tleg4\cu e&&&&&&&&\enotes -\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\tten5{\ibu3m{-2}\zqh3o}\oct - \ql d&na,&\qu d&&&&&&&&\enotes -\orgNotes&\ibbu1g3\qh1f\tqh1h&&{\qh3h}&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&&\raise -2\Interligne\rlap{\qp}{\qh3i\sk\tqh3j}&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 44 -\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\zw g&\relax - \rlap{\roffset{0.3}{\qupp k}}\oct - \normalnotesize\itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g&&&&&&&&\enotes -\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&&&\enotes -\orgNotes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&&\sk\sk\sk\ccu l&&&&&&&\enotes -\temps\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\roffset {0.5}{\zhu k}\oct - \normalnotesize\tten5\ibl4N0\qb4g&&\tten4\ibu5f{-3}\qh5g&&&&&&&&\enotes -\orgNotes&\ibbl1j3\qb1g\tqb1k&&\oct - \qb4N&\rlap{---}&\tqh5N&&&&&&&&\enotes -\orgNotes&\ibbl2k0\qb2n\qb2g&&\oct - \qb4a&mi-&\cu a&&&&&&&&\enotes -\orgNotes&\qb2k\tqb2n&&\oct - \tqb4b&nus&\cu b&&&&&&&&\enotes -\def\atnextline{\autolines{25}35}\relax -\barre - %\check -%Takt 45 -\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\itenl4e\zw e&{\itenu3n\zhu n}\oct - \qlp c&te\rlap{---}&\Ilegu2j\qup c&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2e&&&&&&&&\enotes -\orgNotes&\qh2g\tqh2j&&\oct - \cl d&&\tleg2\cu d&&&&&&&&\enotes -\temps\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&&{\tten3\ibu3l{-3}\zqh3n}\oct - \ql c&cum,&\qu c&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1e\tqh1g&&\qh3g&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&\raise -2.5\Interligne\rlap{\qp}\qh3h\sk\tqh3i&\qp&\qp&&&&&&&&\enotes -% -\barre - %\check -%Takt 46 -\orgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\tten4\zw e&\relax - {\roffset{0.3}{\zhl j}}\oct - \itenu5j\hu j&be\rlap{---}&\itenu4j\hu j&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&&&&&&&\enotes -\temps\orgNotes\zhl a\raise 5\Interligne\qs\qupp c&\ds&&{\zql h}\oct - \tten5\cu j&&\tten4\cl j&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1e\tqh1g&&\oct - \Ibu4ce4\qh4c&\rlap{---}&\Ibl5ce4\qh5c&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2e&&{\zql g}\oct - \qh4d&ne\rlap{---}&\ibu5e1\qh5d&&&&&&&&\enotes -\orgNotes&\qh2g\tqh2j&&\oct - \tqh4e&&\tqh5e&&&&&&&&\enotes -\barre - %\check -%Takt 47 -\orgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds - &&\bigaccid\zhlp h\oct - \qup{^f}&\rlap{dic---}&\bigaccid\Ilegu4l\qup {^f}&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2d&&&&&&&&\enotes -\orgNotes&\qh2f\tqh2j&&\oct - \cu e&&\tleg4\cu e&&&&&&&&\enotes -\temps\orgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&&\oct - \qu d&\rlap{---}&\qu d&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1d\tqh1f&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&&\oct - \zql a\qu a&ta&\qu a&&&&&&&&\enotes -\barre - %\check -%Takt 48 -\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\relax - {\zw g}\oct \hu b&tu&\hu b&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1d\tqh1g&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&&&&&&&\enotes -\temps\orgNotes\zhl N\raise 4.2\Interligne\qs\qupp b&\ds&&\relax - \raise\Interligne\qp&&\qp&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1d\tqh1g&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&\oct - \qu d&in&\qu d&&&&&&&&\enotes -\barre - %\check -%Takt 49 -\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&&{\zw{^j}}\oct - \itenu5e\hu e&mu\rlap{---}&\itenl4e\hu e&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes -\orgNotes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j&&&&&&&&\enotes -\temps\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\oct - \tten5\cu e&&\tten4\cu e&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1e\tqh1g&&\oct - \Ibu5eg4\qh5e&li\rlap{---}&\Ibu4eg4\qh4e&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2e&&\oct - \qh5f&&\qh4f&&&&&&&&\enotes -\orgNotes&\qh2g\tqh2j&&\oct - \tqh5g&&\tqh4g&&&&&&&&\enotes -\barre - %\check -%Takt 50 -\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\itenu3o\hu o&\relax - \rlap{\hlp k}\oct \itenu4h\hu h&e\rlap{---}&\ppt h\qu h&&&&&&&&\enotes -\orgNotes&\ibbu1g3\qh1d\tqh1h&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2k\qh2d\qh2h&&&&&&&&\enotes -\orgNotes&\tqh2k&&&ri-&\ccu a&&&&&&&&\enotes -\temps\orgNotes\zhl M\raise 3.8\Interligne\qs\qupp a&\ds&\tten3&\tten4\relax - \oct \cu h&bus&\qu a&&&&&&&&\enotes -\orgNotes&\ibbu1g3\qh1d\tqh1h&&{\Ibu3hj4\qh3h}&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&&\qh3i\sk\tqh3j&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 51 -\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\bigaccid - \hu r&\bigaccid\zw {=i}\oct\itenu5d\hu d&et\rlap{---}&\itenl4d\hu d&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1d\tqh1f&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i&&&&&&&&\enotes -\temps\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\hu k&\oct - \tten5\cu d&&\tten4\cu d&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1d\tqh1f&&\oct - \Ibu4df4\qh4d&be\rlap{---}&\ibu5e1\qh5d&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2i\qh2d&&\oct - \qh4e&&\tqh5e&&&&&&&&\enotes -\orgNotes&\qh2f\tqh2i&&\oct - \tqh4f&ne-&\cu f&&&&&&&&\enotes -\barre - %\check -%Takt 52 -\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\itenu3n\hu -n&{\zhlp j}\oct - \itenu4g\hu g&\rlap{dic---}&\hu g&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1c\tqh1g&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&&&&&&&&\enotes -\temps\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\tten3\ibl3n{3}\qb3n&\oct - \tten4\cu g&tus&\qu N&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1c\tqh1g&\qb3n&\Ibu4gi4\qh4g&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qb3o\sk\tqb3p&\qh4h\sk\tqh4i&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 53 -\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\zw h\hu -q&{\zw h}\oct - \itenu5c\hu c&fruc\rlap{---}&\itenl4c\hu c&&&&&&&&\enotes -\orgNotes&\ibbu1c3\qh1a\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&&&&&\enotes -\temps\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\itenu3j\hu j&\oct - \tten5\cu c&&\tten4\cu c&&&&&&&&\enotes -\orgNotes&\ibbu1c3\qh1a\tqh1c&&\oct - \Ibu4ce4\qh4c&tus&\ibu5d1\qh5c&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct - \qh4d&&\qh5d&&&&&&&&\enotes -\orgNotes&\qh2c\tqh2f&&\oct - \tqh4e&&\tqh5e&&&&&&&&\enotes -\barre - %\check -%Takt 54 -\orgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\tten3\zw c\hu j&\relax - {\zw j}\oct - \itenu5f\hu f&vent\rlap{---}&\itenl4f\hu f&&&&&&&&\enotes -\orgNotes&\ibbu1c3\qh1a\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&&&&&\enotes -\temps\orgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&&\oct - \tten5\cu f&&\tten4\cu f&&&&&&&&\enotes -\orgNotes&\ibbu1c3\qh1a\tqh1c&\hu h&\oct - \Ibu4fh4\qh4f&ris&\ibu5g1\qh5f&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct - \qh4g&&\qh5g&&&&&&&&\enotes -\orgNotes&\qh2c\tqh2f&&\oct - \tqh4h&&\tqh5h&&&&&&&&\enotes -\barre - %\check -%Takt 55 -\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\hu -g&{\zqlp n}\oct - \qup i&tu--&\Ilegu4k\qlp i&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N&&&&&&&&\enotes -\orgNotes&\qh2b\tqh2f&&\oct - \cu h&i,&\tleg4\cl h&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 1.6\Interligne\qs\qupp K&\ds&&\relax - \rlap{\roff{\hl m}}\oct \qu g&\rlap{Je---}&\Ilegu5l\qu g&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct - \qu d&&\tleg5\qu d&&&&&&&&\enotes -\barre - %\check -%Takt 56 -\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&&{\zhlp j}\oct - \hup e&sus.&\hup e&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&&&&&\enotes -\temps\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\hu g&\oct - &&&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct - &&&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct - \pt a\ds\sk\sk\ccl e&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 57 -\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\zw e\relax - &{\bigfl i\zhlp i}\oct \hu g&&&&&&&\enotes -\orgNotes&\ibbu1b3\bigaccid\qh1{_b}\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e&&&&&&&&\enotes -\temps\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\hu l&\oct - \qu e&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct - \pt a\ds&&&&&&&&&\enotes -\orgNotes&\tqh2e&&\oct - \ccl e&&&&&&\enotes -\barre - %\check -%Takt 58 -\orgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zhl c\itenl3e\itenu4h\zh e\hu -h&\itenu2j\zh j\hl o&ri\rlap{---}&\hu h&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&&&&&&&\enotes -\temps\orgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\tten3\tten4\zh e\zhl h\hu -j&\tten2\zq j\ql h&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&\oct - \qp&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 59 -\orgNotes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\bigaccid - \zw h\hu{_l}&{\bigfl l\zh l}\oct - \hl h&\rlap{sanc---}&\hu h&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes -\orgNotes&\qsk\bigaccid\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e&&&&&&&&\enotes -\temps\orgNotes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\hu -o&{\zq h}\oct - \ql c&ta&\qu c&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c&&\oct - \pt a\ds&&\pt h\ds&&&&&&&&\enotes -\orgNotes&\tqh2e&&\oct - \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h&&&&&&&&\enotes -\barre - %\check -%Takt 60 -\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\zw g\zw j\hu -n&\itenl2j\zh j\oct \hl j&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes -\orgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 1.6\Interligne\qs\qupp L&\ds&\bigaccid\hu{_l}&\bigaccid - \tten2\zq j\ql{_l}&&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct - \pt a\ds&&\pt j\ds&&&&&&&&\enotes -\orgNotes&\tqh2e&&\oct - \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j&&&&&&&&\enotes -\barre - %\check -%Takt 61 -\orgNotes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu -k&{\zhp l}\oct - \hl j&ri\rlap{---}&\hl j&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&&&&&&&\enotes -\temps\orgNotes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\hu j&\oct - \ql d&a!&\qu d&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&\oct - \pt a\ds\sk\sk\ccl d&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 62 -\orgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu -i&{\zhl f}\oct - \itenu5d\hu d&O\rlap{---}&\itenl4d\hu d&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 2\Interligne\qs\qupp M&\ds&&{\zql i}\oct - \tten5\cu d&&\tten4\cu d&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&\oct - \Ibu4db4\qh4d&ra&\ibu5d{-1}\qh5d&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2d\qh2N&&{\itenl4g\zql g}\oct - \qh4c&&\tqh5c&&&&&&&&\enotes -\orgNotes&\qh2b\tqh2d&&\oct - \tqh4b&pro&\cu b&&&&&&&&\enotes -\barre - %\check -%Takt 63 -\orgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\zw e\hu -g&{\tten4\zhlp g}\oct - \qup g&no\rlap{---}&\Ilegu4l\qup g&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2N&&&&&&&&\enotes -\orgNotes&\qh2c\tqh2e&&\oct - \cu e&&\tleg4\cu e&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 2\Interligne\qs\qupp L&\ds&\itenu3j\zhl g\hu j&\oct - \qu c&bis,&\qu c&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct - \raise\Interligne\qp&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 64 -\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\itenl3f\zw -f&{\zhl j}\oct - \itenu5f\hu f&no\rlap{---}&\itenl4f\hu f&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl c&{\zhl h}\oct - \tten5\cu f&&\tten4\cu f&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct - \Ibu4fd4\qh4f&bis&\cu f&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct - \qh4e&pec-&\cu e&&&&&&&&\enotes -\orgNotes&\qh2c\tqh2f&&\oct - \tqh4d&ca-&\cu d&&&&&&&&\enotes -\barre - %\check -%Takt 65 -\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\zw f\zhl d\hu -i&{\zh m}\oct - \qlp k&\raise\Interligne\hbox{to---}&\Ilegu4k\qlp k&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N&&&&&&&&\enotes -\orgNotes&\qh2b\tqh2f&&\oct - \cl i&ri-&\tleg4\cl i&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl b\hu -k&{\zq i}\oct - \ql g&bus,&\qu g&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct - \qp&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 66 -\def\atnextline{\autolines{25}25}\relax -\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid - \qupp {_L}&\ds&\bigaccid\zhl{^f}&{\bigaccid\zw j\zhl{_l}}\oct - \itenu5h\hu h&nunc&\itenl4h\hu h&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes -\orgNotes&\qsk\ibbu2e0\bigaccid\qh2{^f}\qh2a\qh2c\tqh2f&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\zhl h&{\bigaccid\zhl{^m}}\oct - \tten5\cu h&&\tten4\cu h&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1a\tqh1c&&\oct - \Ibl4hj4\qb4h&et\rlap{---}&\ibu5i1\qh5h&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct - \qb4i&&\tqh5i&&&&&&&&\enotes -\orgNotes&\qh2c\tqh2f&&\oct - \tqb4j&in&\cl j&&&&&&&&\enotes -\barre - %\check -%Takt 67 -\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {=L}&\ds&\zw g\zh j&{\zhl n}\oct - \itenu5l\hu l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\hu{=l}&{\zql{=l}}\oct - \tten5\cu l&&\tten4\ibu5j{-2}\qh5l&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct - \Ibu4je4\qh4j&---&\tqh5j&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2g\qh2N&&{\zql j}\oct - \qh4g&ra,&\cu g&&&&&&&&\enotes -\orgNotes&\qh2c\tqh2g&&\oct - \tqh4e&in&\cu e&&&&&&&&\enotes -\barre - %\check -%Takt 68 -\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw f\hu -k&{\zhl f}\oct - \itenu5d\hu d&&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu -h&{\zhl h}\oct - \tten5\cu d&&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct - \Ibu4hh4\qh4h&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct - \qh4i&&&&&&&&&\enotes -\orgNotes&\qh2c\tqh2f&&\oct - \tqh4h&&&&&&&&\enotes -\alaligne - %\check -%Takt 69 -\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\zw d\rh f\zhu -g&\zhl i\oct \Ibu4fc6\qh4h&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&\oct \qh4g&&&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct - \qh4f&tis&\ibu5i{-2}\qh5i&&&&&&&&\enotes -\orgNotes&\qh2b\tqh2f&&\oct - \tqh4d&&&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu N&\relax - {\zhl d}\ibu4i{-3}\qh4i&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&\relax - \qh4h&&\tqh5d&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N&&\relax - \qh4f&&&&&&&\enotes -\orgNotes&\qh2b\tqh2f&&\relax - \tqh4d&&&&&&\enotes -\barre -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - %\check -%Takt 70 -\orgNotes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds - &\bigaccid\zw{_b}\roff{\itenu3c\zw c}&\roff{\itenu4c\zw c}\bigaccid\wh{_b}\relax - &&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\bigaccid\qsk\tqh1{_b}&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e&&&&&&&&\enotes -\temps\orgNotes\zhu C\raise\Interligne\qs\qupp J&\ds&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e&&&&&&&&\enotes -\def\atnextline{\autolines{20}35}\relax -%\cleftoksii{6000}\changeclefs -\alaligne - %\check -%Takt 71 -\orgNotes\raise\Interligne\rlap{\qs}\wh C\itenl2J\qupp J&\ds&\tten3\zw a\wh -c&\tten4\zw a\wh c&&&&&&&&&\enotes -\orgNotes&\oct\ibbu1a3\qh1M\tqh1a&&&&&&&&\enotes -\orgNotes&\oct\ibbu2e0\qh2c\qh2f\qh2c\tqh2a&&&&&&&&\enotes -\temps\orgNotes\tten2\hu J&\oct\ibbu2b0\qh2c\qh2a\qh2M\tqh2a&&&&&&&&\enotes -\orgNotes&\oct\ibbu3M0\qh3M\qh3K\qh3M\tqh3K&&&&&&&&\enotes -%\cleftoksii{0000}\changeclefs -\barre - %\check -%Takt 72 -\orgNotes\zw C\qs\itenl3I\qupp I&\ds&&\bigaccid\wh{=b}&&&&&&&&&\enotes -\orgNotes&\ibbl1h3\qb1g\tqb1i&&&&&&&&\enotes -\orgNotes&\ibbl2j{-2}\qb2k\qb2m\qb2k\tqb2i&&&&&&&&\enotes -\temps\orgNotes\tten3\hu I&\ibbl2h0\qb2k\qb2i\qb2g\tqb2i&&&&&&&&&&\enotes -\orgNotes&\ibbu3e0\qh3d\qh3f\pince n\qh3e\tqh3d&&&&&&&&\enotes -\barre - %\check -%Takt 73 -\orgNOTes\pointdurgue C\zwh C\wh J&\zwh e\zwh g\pointdorgue j\wh j\relax - &&\pointdorgue f\wh c&&&&&&&&\enotes -\finmorceau -\bye - diff --git a/macros/musixtex/doc/examples/avemarix.tex b/macros/musixtex/doc/examples/avemarix.tex deleted file mode 100644 index c6a57cca4b..0000000000 --- a/macros/musixtex/doc/examples/avemarix.tex +++ /dev/null @@ -1,951 +0,0 @@ -% \input musixtex -% \input musixcpt -% \input musixsty -\fulltitle{M\'editation -- Ave Maria} -\author{Charles Gounod \& J.-S. Bach\\Transcription Orgue+soliste Daniel - Taupin\\\& Markus Veittes} -\shortauthor{C. Gounod, J.-S. Bach, D. Taupin} - \title{Ave Maria} - \othermention{G.O.: fl\^ute 8' [+4']\\Positif : fl\^utes 8'+4' -[+2']\\P\'edale : 16', acc. positif} - \maketitle - -\parindent 13mm -\ifnum\musicsize=0\musicsize=20\fi -\normal -\relativeaccidentals -\def\oct{\advance\transpose by 7\relax} -\def\nbinstruments{4} -\def\instrumenti{Positif} -\def\staffspacingii{0.64} -\def\staffspacingiv{0.64} -\def\instrumentii{Violon} -%\def\interinstrumenti{-2\Interligne} -%\def\interinstrumentii{-2\Interligne} -\def\instrumentiv{Chant} -\nbporteesi=2\relax -\nbporteesiii=0\relax -%\font\gros=\fonthdg\fonthdge bx12 scaled \magstep3 - -\generalmeter{\meterC}% -\cleftoksi{{6}{0}{0}{0}} -\cleftoksii{{0}{0}{0}{0}} -\cleftoksiv{{0}{0}{0}{0}} -%\raggedlinestrue % uncomment for ragged right lines -\def\nbinstruments{1}% -\debutmorceau -\autolines{25}{3}{4}% -%Takt 1 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds\enotes -\Notes|\ibbl0j3\qb0g\tqb0j\enotes -\Notes|\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes -\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds\enotes -\Notes|\ibbl2j3\qb2g\tqb2j\enotes -\Notes|\ibbl3k0\qb3l\qb3g\qb3j\tqb3l\enotes -\barre -%Takt 2 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds\enotes -\Notes|\ibbl1j3\qb1h\tqb1k\enotes -\Notes|\ibbl2k0\qb2m\qb2h\qb2k\tqb2m\enotes -\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds\enotes -\Notes|\ibbl1j3\qb1h\tqb1k\enotes -\Notes|\ibbl2k0\qb2m\qb2h\qb2k\tqb2m\enotes -\barre -%Takt 3 -\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds\enotes -\Notes|\ibbl1j3\qb1g\tqb1k\enotes -\Notes|\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes -\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds\enotes -\Notes|\ibbl1j3\qb1g\tqb1k\enotes -\Notes|\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes -% -\suspmorceau -% -% -\def\nbinstruments{4}% -\debutmorceau -\barno=4\relax -%Takt 4 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds\enotes -\Notes|\ibbl0j3\qb0g\tqb0j\enotes -\Notes|\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes -\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&\pause&&\pause\enotes -\Notes|\ibbl2j3\qb2g\tqb2j\enotes -\Notes|\ibbl3k0\qb3l\qb3g\qb3j\tqb3l\enotes -\barre -%Takt 5 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&\wh l&A\rlap{---}&\wh e\enotes -\Notes|\ibbl0j3\qb0g\tqb0j&&&\enotes -\Notes|\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&\enotes -\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&&&\enotes -\Notes|\ibbl2j3\qb2g\tqb2j&&&\enotes -\Notes|\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&\enotes -\barre -%Takt 6 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&\wh m&ve&\hupp f\enotes -\Notes|\ibbl1j3\qb1h\tqb1k\enotes -\Notes|\ibbl2k0\qb2m\qb2h\qb2k\tqb2m\enotes -\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&&&\enotes -\Notes|\ibbl1j3\qb1h\tqb1k\enotes -\Notes|\ibbl2k0\qb2m\qb2h\enotes -\Notes|\qb2k\tqb2m&&Ma-&\cu f\enotes -\barre -%Takt 7 -\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&\hlp n&ri\rlap{---}&\hup g\enotes -\Notes|\ibbl1j3\qb1g\tqb1k\enotes -\Notes|\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes -\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds\enotes -\Notes|\ibbl1j3\qb1g\tqb1k\enotes -\Notes|\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&\ql k&\rlap{---}&\qu d\enotes -\barre -%Takt 8 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&\hlp l&a,&\hup e\enotes -\Notes|\ibbl0j3\qb0g\tqb0j\enotes -\Notes|\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes -\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&&&\enotes -\Notes|\ibbl2j3\qb2g\tqb2j&&&\enotes -\Notes|\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&\qp&&\qp\enotes -\barre -%Takt 9 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&\oct - \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h\enotes -\Notes|\ibbl0j3\qb0h\tqb0l\enotes -\Notes|\ibbl1k0\qb1o\qb1h\qb1l\tqb1o\enotes -\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&\oct - \tten5\ibl4c0\qb4h&&\tten4\ibu5g{-3}\qh5h\enotes -\Notes|\ibbl0j3\qb0h\tqb0l&\oct\qb4a&\rlap{---}&\tqh5a\enotes -\Notes|\ibbl1k0\qb1o\qb1h&\oct\qb4b&ti-&\cu b\enotes -\Notes|\qb1l\tqb1o&\oct\tqb4c&a&\cu c\enotes -\barre -%Takt 10 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&\oct - \qlp d&ple\rlap{---}&\Ilegu4k\pt d\qu d\enotes -\Notes|\ibbu1g3\bigaccid\qh1{^f}\tqh1h\enotes -\Notes|\ibbu2i0\qh2k\qh2f\enotes -\Notes|\qh2h\tqh2k&\oct \cl e&&\tleg4\cu e\enotes -\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&\oct - \ql d&na,&\qu d\enotes -\Notes|\ibbu1g3\qh1f\tqh1h\enotes -\Notes|\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\qp&&\qp\enotes -\barre -%Takt 11 -\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&\oct - \itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g\enotes -\Notes|\ibbl1j3\qb1g\tqb1k\enotes -\Notes|\ibbl2k0\qb2n\qb2g\qb2k\tqb2n\enotes -\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&\oct - \tten5\ibl4b0\qb4g&&\tten4\ibu5f{-3}\qh5g\enotes -\Notes|\ibbl1j3\qb1g\tqb1k&\oct - \qb4N&\rlap{---}&\tqh5N\enotes -\Notes|\ibbl2k0\qb2n\qb2g&\oct - \qb4a&mi-&\cu a\enotes -\Notes|\qb2k\tqb2n&\oct - \tqb4b&nus&\cu b\enotes -\def\atnextline{\autolines{25}34}\relax -\barre -%Takt 12 -\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c|\ds&\oct - \qlp c&te\rlap{---}&\Ilegu4j\pt c\qu c\enotes -\Notes|\ibbu1f3\qh1e\tqh1g\enotes -\Notes|\ibbu2i0\qh2j\qh2e\enotes -\Notes|\qh2g\tqh2j&\oct - \cl d&&\tleg4\cu d\enotes -\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c|\ds&\oct - \ql c&\rlap{cum,}&\qu c\enotes -\Notes|\ibbu1f3\qh1e\tqh1g\enotes -\Notes|\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&\qp&&\qp\enotes -% -\def\atnextline{\autolines{25}34}\relax -\barre -%Takt 13 -\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c|\ds&\oct - \itenu5j\hl j&be\rlap{---}&\itenu4j\hu j\enotes -\Notes|\ibbu1f3\qh1e\tqh1g\enotes -\Notes|\ibbu2i0\qh2j\qh2e\qh2g\tqh2j\enotes -\temps\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c|\ds&\oct - \tten5\ibl4c0\qb4j&&\tten4\ibu5h{-3}\qh5j\enotes -\Notes|\ibbu1f3\qh1e\tqh1g&\oct - \qb4c&\rlap{---}&\tqh5c\enotes -\Notes|\ibbu2i0\qh2j\qh2e&\oct - \qb4d&ne\rlap{---}&\ibu5e1\qh5d\enotes -\Notes|\qh2g\tqh2j&\oct - \tqb4e&&\tqh5e\enotes -\barre -%Takt 14 -\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a|\ds&\oct\bigaccid - \qlp{^f}&\rlap{dic---}&\bigaccid\Ilegu4l\pt f\qu {^f}\enotes -\Notes|\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}\enotes -\Notes|\ibbu2i0\qh2j\qh2d\enotes -\Notes|\qh2f\tqh2j&\oct - \cl e&&\tleg4\cu e\enotes -\temps\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a|\ds&\oct - \ql d&\rlap{---}&\qu d\enotes -\Notes|\ibbu1f3\qh1d\tqh1f\enotes -\Notes|\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&\oct - \ql a&ta&\qu a\enotes -\barre -%Takt 15 -\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b|\ds&\oct - \hl b&tu&\hu b\enotes -\Notes|\ibbu1f3\qh1d\tqh1g\enotes -\Notes|\ibbu2i0\qh2i\qh2d\qh2g\tqh2i\enotes -\temps\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b|\ds&\qp&&\qp\enotes -\Notes|\ibbu1f3\qh1d\tqh1g\enotes -\Notes|\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&\oct - \ql d&in&\qu d\enotes -\barre -%Takt 16 -\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}|\ds&\oct - \itenu5e\hl e&mu\rlap{---}&\itenl4e\hu e\enotes -\Notes|\ibbu1f3\qh1e\tqh1g\enotes -\Notes|\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j\enotes -\temps\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b|\ds&\oct - \tten5\ibl5e1\qb5e&&\tten4\cu e\enotes -\Notes|\ibbu1f3\qh1e\tqh1g&\oct - \qb5e&li\rlap{---}&\ibu4f1\qh4e\enotes -\Notes|\ibbu2i0\qh2j\qh2e&\oct - \qb5f&&\qh4f\enotes -\Notes|\qh2g\tqh2j&\oct - \tqb5g&&\tqh4g\enotes -\barre -%Takt 17 -\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a|\ds&\oct - \hl h&e\rlap{---}&\ppt h\qu h\enotes -\Notes|\ibbu1g3\qh1d\tqh1h\enotes -\Notes|\ibbu2i0\qh2k\qh2d\qh2h\enotes -\Notes|\tqh2k&&ri-&\ccu a\enotes -\temps\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a|\ds&\oct - \ql a&bus&\qu a\enotes -\Notes|\ibbu1g3\qh1d\tqh1h\enotes -\Notes|\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&\qp&&\qp\enotes -\barre -%Takt 18 -\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}|\ds&\oct - \itenu5d\hl d&et\rlap{---}&\itenl4d\hu d\enotes -\Notes|\ibbu1f3\qh1d\tqh1f\enotes -\Notes|\ibbu2i0\qh2i\qh2d\qh2f\tqh2i\enotes -\temps\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a|\ds&\oct - \tten5\ibl4d1\qb4d&&\tten4\cu d\enotes -\Notes|\ibbu1f3\qh1d\tqh1f&\oct - \qb4d&be\rlap{---}&\ibu5e1\qh5d\enotes -\Notes|\ibbu2i0\qh2i\qh2d&\oct - \qb4e&&\tqh5e\enotes -\Notes|\qh2f\tqh2i&\oct - \tqb4f&ne-&\cu f\enotes -\barre -%Takt 19 -\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N|\ds&\oct - \hl g&\rlap{dic---}&\hu g\enotes -\Notes|\ibbu1f3\qh1c\tqh1g\enotes -\Notes|\ibbu2i0\qh2j\qh2c\qh2g\tqh2j\enotes -\temps\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N|\ds&\oct - \qu N&tus&\qu N\enotes -\Notes|\ibbu1f3\qh1c\tqh1g\enotes -\Notes|\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qp&&\qp\enotes -\barre -%Takt 20 -\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M|\ds&\oct - \itenu5c\hl c&fruc\rlap{---}&\itenl4c\hu c\enotes -\Notes|\ibbu1c3\qh1a\tqh1c\enotes -\Notes|\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes -\temps\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M|\ds&\oct - \tten5\ibl4c1\qb4c&&\tten4\cu c\enotes -\Notes|\ibbu1c3\qh1a\tqh1c&\oct - \qb4c&tus&\ibu5d1\qh5c\enotes -\Notes|\ibbu2e0\qh2f\qh2a&\oct - \qb4d&&\qh5d\enotes -\Notes|\qh2c\tqh2f&\oct - \tqb4e&&\tqh5e\enotes -\barre -%Takt 21 -\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M|\ds&\oct - \itenu5f\hl f&vent\rlap{---}&\itenl4f\hu f\enotes -\Notes|\ibbu1c3\qh1a\tqh1c\enotes -\Notes|\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes -\temps\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M|\ds&\oct - \tten5\ibl4f1\qb4f&&\tten4\cu f\enotes -\Notes|\ibbu1c3\qh1a\tqh1c&\oct - \qb4f&ris&\ibu5g1\qh5f\enotes -\Notes|\ibbu2e0\qh2f\qh2a&\oct - \qb4g&&\qh5g\enotes -\Notes|\qh2c\tqh2f&\oct - \tqb4h&&\tqh5h\enotes -\barre -%Takt 22 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct - \qlp i&tu--&\Ilegu4k\pt i\ql i\enotes -\Notes|\ibbu1b3\qh1N\tqh1b\enotes -\Notes|\ibbu2e0\qh2f\qh2N\enotes -\Notes|\qh2b\tqh2f&\oct - \cl h&i,&\tleg4\cl h\enotes -\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct - \ql g&\rlap{Je---}&\Ilegu5l\qu g\enotes -\Notes|\ibbu1b3\qh1N\tqh1b\enotes -\Notes|\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct - \ql d&&\tleg5\qu d\enotes -\barre -%Takt 23 -\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L|\ds&\oct - \hlp e&sus.&\hup e\enotes -\Notes|\ibbu1b3\qh1N\tqh1c\enotes -\Notes|\ibbu2d0\qh2e\qh2N\qh2c\tqh2e\enotes -\temps\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L|\ds&\oct - &&\enotes -\Notes|\ibbu1b3\qh1N\tqh1c&\oct - &&\enotes -\Notes|\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct - \pt a\ds\sk\sk\cl e&&\qp\enotes -\barre -%Takt 24 -\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N|\ds&\oct - \hl g&\rlap{Sanc---}&\hu g\enotes -\Notes|\bigaccid\ibbu1b3\qh1{_b}\tqh1c\enotes -\Notes|\ibbu2d0\qh2e\qh2b\qh2c\tqh2e\enotes -\temps\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N|\ds&\oct - \ql e&ta&\qu e\enotes -\Notes|\ibbu1b3\qh1b\tqh1c\enotes -\Notes|\ibbu2d0\qh2e\qh2b\qh2c&\oct - \pt a\ds&&\pt h\ds\enotes -\Notes|\tqh2e&\oct - \ccl e&\rlap{\kern -\Interligne Ma-}&\ccu e\enotes -\barre -%Takt 25 -\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M|\ds&\oct - \hl h&ri\rlap{---}&\hu h\enotes -\Notes|\ibbu1b3\qh1a\tqh1c\enotes -\Notes|\ibbu2d0\qh2e\qh2a\qh2c\tqh2e\enotes -\temps\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M|\ds&\oct - \ql a&a,&\qu a\enotes -\Notes|\ibbu1b3\qh1a\tqh1c\enotes -\Notes|\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&\oct - \qp&&\qp\enotes -\barre -%Takt 26 -\Notes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J|\ds&\oct - \hl h&\rlap{sanc---}&\hu h\enotes -\Notes|\ibbu1b3\qh1a\tqh1c\enotes -\Notes|\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e\enotes -\temps\Notes\zhl F\raise\Interligne\hbox{\qs}\qupp J|\ds&\oct - \ql c&ta&\qu c\enotes -\Notes|\ibbu1b3\qh1a\tqh1c\enotes -\Notes|\ibbu2d0\qh2e\qh2a\qh2c&\oct\qsk - \pt a\ds&&\qsk\pt h\ds\enotes -\Notes|\tqh2e&\oct - \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h\enotes -\barre -%Takt 27 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {_L}|\ds&\oct - \hl j&ri\rlap{---}&\hl j\enotes -\Notes|\ibbu1b3\qh1b\tqh1c\enotes -\Notes|\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e\enotes -\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L|\ds&\oct - \bigaccid\ql{_e}&a,&\bigaccid\qu{_e}\enotes -\Notes|\ibbu1b3\qh1b\tqh1c\enotes -\Notes|\ibbu2d0\qh2e\qh2b\qh2c&\oct - \pt a\ds&&\pt j\ds\enotes -\Notes|\tqh2e&\oct - \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j\enotes -\barre -%Takt 28 -\Notes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M|\ds&\oct - \hl j&ri\rlap{---}&\hl j\enotes -\Notes|\ibbu1b3\qh1b\tqh1c\enotes -\Notes|\ibbu2d0\qh2d\qh2b\qh2c\tqh2d\enotes -\temps\Notes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M|\ds&\oct - \ql d&a!&\qu d\enotes -\Notes|\ibbu1b3\qh1b\tqh1c\enotes -\Notes|\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&\oct - \pt a\ds\sk\sk\ccl d&&\qp\enotes -\barre -%Takt 29 -\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M|\ds&\oct - \itenu5d\hl d&O\rlap{---}&\itenl4d\hu d\enotes -\Notes|\ibbu1b3\qh1N\tqh1b\enotes -\Notes|\ibbu2d0\qh2d\qh2N\qh2b\tqh2d\enotes -\temps\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M|\ds&\oct - \tten5\ibl4d{-1}\qb4d&&\tten4\cu d\enotes -\Notes|\ibbu1b3\qh1N\tqh1b&\oct - \qb4d&ra&\ibu5d{-1}\qh5d\enotes -\Notes|\ibbu2d0\qh2d\qh2N&\oct - \qb4c&&\tqh5c\enotes -\Notes|\qh2b\tqh2d&\oct - \tqb4b&pro&\cu b\enotes -\barre -%Takt 30 -\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L|\ds&\oct - \qlp g&no\rlap{---}&\Ilegu4l\pt g\qu g\enotes -\Notes|\ibbu1b3\qh1N\tqh1c\enotes -\Notes|\ibbu2d0\qh2e\qh2N\enotes -\Notes|\qh2c\tqh2e&\oct - \cl e&&\tleg4\cu e\enotes -\temps\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L|\ds&\oct - \ql c&bis,&\qu c\enotes -\Notes|\ibbu1b3\qh1N\tqh1c\enotes -\Notes|\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct - \qp&&\qp\enotes -\barre -%Takt 31 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct - \itenu5f\hl f&no\rlap{---}&\itenl4f\hu f\enotes -\Notes|\ibbu1b3\qh1N\tqh1c\enotes -\Notes|\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes -\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct - \tten5\ibl4f{-1}\qb4f&&\tten4\cu f\enotes -\Notes|\ibbu1b3\qh1N\tqh1c&\oct - \qb4f&bis&\cu f\enotes -\Notes|\ibbu2e0\qh2f\qh2N&\oct - \qb4e&pec-&\cu e\enotes -\Notes|\qh2c\tqh2f&\oct - \tqb4d&ca-&\cu d\enotes -\barre -%Takt 32 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct - \qlp k&to\rlap{---}&\Ilegu4k\pt k\ql k\enotes -\Notes|\ibbu1b3\qh1N\tqh1b\enotes -\Notes|\ibbu2e0\qh2f\qh2N\enotes -\Notes|\qh2b\tqh2f&\oct - \cl i&ri-&\tleg4\cl i\enotes -\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct - \ql g&bus,&\qu g\enotes -\Notes|\ibbu1b3\qh1N\tqh1b\enotes -\Notes|\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct - \qp&&\qp\enotes -\barre -%Takt 33 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}|\ds&\oct - \itenu5h\hl h&nunc&\itenl4h\hu h\enotes -\Notes|\ibbu1b3\qh1a\tqh1c\enotes -\Notes|\bigaccid\qsk\ibbu2e0\qh2{^f}\qh2a\qh2c\tqh2f\enotes -\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L|\ds&\oct - \tten5\ibl4h1\qb4h&&\tten4\cu h\enotes -\Notes|\ibbu1b3\qh1a\tqh1c&\oct - \qb4h&et\rlap{---}&\ibu5i1\qh5h\enotes -\Notes|\ibbu2e0\qh2f\qh2a&\oct - \qb4i&&\tqh5i\enotes -\Notes|\qh2c\tqh2f&\oct - \tqb4j&in&\cl j\enotes -\barre -%Takt 34 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {=L}|\ds&\oct - \itenu5l\hl l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l\enotes -\Notes|\ibbu1b3\qh1N\tqh1c\enotes -\Notes|\ibbu2e0\qh2g\qh2N\qh2c\tqh2g\enotes -\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L|\ds&\oct - \tten5\ibl4j{-4}\qb4l&&\tten4\ibu5j{-2}\qh5l\enotes -\Notes|\ibbu1b3\qh1N\tqh1c&\oct - \qb4j&--&\tqh5j\enotes -\Notes|\ibbu2e0\qh2g\qh2N&\oct - \qb4g&ra,&\cu g\enotes -\Notes|\qh2c\tqh2g&\oct - \tqb4e&in&\cu e\enotes -\barre -%Takt 35 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct - \itenu5d\hl d&ho\rlap{---}&\itenl4d\hu d\enotes -\Notes|\ibbu1b3\qh1N\tqh1c\enotes -\Notes|\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes -\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct - \tten5\ibl4d3\qb4d&&\tten4\ibu5g3\qh5d\enotes -\Notes|\ibbu1b3\qh1N\tqh1c&\oct - \qb4h&&\tqh5h\enotes -\Notes|\ibbu2e0\qh2f\qh2N&\oct - \qb4i&ra&\ibu5i{-1}\qh5i\enotes -\Notes|\qh2c\tqh2f&\oct - \tqb4h&&\tqh5h\enotes -\barre -%Takt 36 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct - \ibl4h{-3}\usf h\qb4h&\rlap{mor---}&\ibu5j2\qh5g\enotes -\Notes|\ibbu1b3\qh1N\tqh1b&\oct - \usf g\qb4g&&\tqh5k\enotes -\Notes|\ibbu2e0\qh2f\qh2N&\oct - \usf f\qb4f&tis&\ibu5i{-2}\qh5i\enotes -\Notes|\qh2b\tqh2f&\oct - \usf d\tqb4d&&\tqh5g\enotes -\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\relax - \lsf i\ibu4i{-3}\qh4i&nos-&\ibu5f{-2}\qh5f\enotes -\Notes|\ibbu1b3\qh1N\tqh1b&\relax - \lsf h\qh4h&&\tqh5d\enotes -\Notes|\ibbu2e0\qh2f\qh2N&\relax - \lsf f\qh4f&tr\ae.&\ibu5b{-2}\qh5b\enotes -\Notes|\qh2b\tqh2f&\relax - \lsf d\tqh4d&&\tqh5N\enotes -\suspmorceau -\eject -% -%Takt 37 -\def\instrumenti{P\'ed. 16'} -\def\instrumentii{Positif} -\def\instrumentiii{(Pos.)} -\def\instrumentiv{Violon} -\def\instrumentvi{Chant} -\def\nbinstruments{6} -\linesinpage=0\relax -\nbporteesi=1\relax -\nbporteesii=1\relax -\nbporteesiii=1\relax -\nbporteesiv=1\relax -\nbporteesv=0\relax -\nbporteesvi=1\relax -\cleftoksi={6000}\relax -\cleftoksii={6000}\relax -\cleftoksiii={0000}\relax -\cleftoksiv={0000}\relax -\cleftoksvi={0000}\relax -\def\interinstrumenti{0pt} -\def\interinstrumentii{0pt} -%\def\interinstrumentiv{-2\Interligne} -\def\staffspacingi{1}% -\def\staffspacingii{1}% -\def\staffspacingiii{1}% -\def\staffspacingiv{0.64}% -\def\staffspacingvi{0.64}% -\debutmorceau\barno=37\relax -\autolines{26}33\relax -\def\atnextline{\autolines{24}33}\relax -% -\Notes&\zhl C\raise\Interligne\hbox{\qs}\qupp J&\ds&\relax - \hup c&A\rlap{---}&\itenl4c\hu c\enotes -\Notes&&\ibbu1b3\qh1N\tqh1c&\enotes -\Notes&&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e\enotes -\temps\Notes\pause&\zhl J\raise2\Interligne\hbox{\qs}\qupp L&\ds&&\rlap{men.}&\tten4\qu c\enotes -\Notes&&\ibbu1b3\qh1N\tqh1c\enotes -\Notes&&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\qp&&\qp\enotes -\cleftoksii={0000}\changeclefs -\barre -%Takt 38 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\uptext{G.O.}&\wh l&A\rlap{---}&\wh e\enotes -\Notes&\ibbl0j3\qb0g\tqb0j&\hpause\enotes -\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&\enotes -\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hu e&&&\enotes -\Notes&\ibbl2j3\qb2g\tqb2j&&&\enotes -\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&\enotes -\barre -%Takt 39 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\wh m&ve&\hupp f\enotes -\Notes&\ibbl1j3\qb1h\tqb1k&\hpause\enotes -\Notes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&\enotes -\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hu h&&&\enotes -\Notes&\ibbl1j3\qb1h\tqb1k\enotes -\Notes&\ibbl2k0\qb2m\qb2h\enotes -\Notes&\qb2k\tqb2m&&&\rlap{\kern -\Interligne Ma-}&\cu f\enotes -\barre -%Takt 40 -\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\itenu3g\wh g&\hlp n&ri\rlap{---}&\hup g\enotes -\Notes&\ibbl1j3\qb1g\tqb1k\enotes -\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes -\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hl f\enotes -\Notes&\ibbl1j3\qb1g\tqb1k\enotes -\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&\ql k&\rlap{---}&\qu d\enotes -\barre -%Takt 41 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\tten3\zw e\wh g&\hlp l&a,&\hup e\enotes -\Notes&\ibbl0j3\qb0g\tqb0j\enotes -\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes -\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&\enotes -\Notes&\ibbl2j3\qb2g\tqb2j&&&\enotes -\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&\qp&&\qp\enotes -\barre -%Takt 42 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hu h&\oct - \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h\enotes -\Notes&\ibbl0j3\qb0h\tqb0l\enotes -\Notes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o\enotes -\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hu e&\oct - \tten5\ibl4a0\qb4h&&\tten4\ibu5g{-3}\qh5h\enotes -\Notes&\ibbl0j3\qb0h\tqb0l&&\oct\qb4a&\rlap{---}&\tqh5a\enotes -\Notes&\ibbl1k0\qb1o\qb1h&&\oct\qb4b&ti-&\cu b\enotes -\Notes&\qb1l\tqb1o&&\oct\tqb4c&a&\cu c\enotes -\barre -%Takt 43 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\bigaccid\zw{^f}\itenu5o\hu o&\oct - \qlp d&ple\rlap{---}&\Ilegu4k\pt d\qu d\enotes -\Notes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h\enotes -\Notes&\ibbu2i0\qh2k\qh2f\enotes -\Notes&\qh2h\tqh2k&&\oct \cl e&&\tleg4\cu e\enotes -\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\tten5\ibu3m{-2}\qh3o&\oct - \ql d&na,&\qu d\enotes -\Notes&\ibbu1g3\qh1f\tqh1h&\qh3h\enotes -\Notes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\qh3i\sk\tqh3j&\qp&&\qp\enotes -\barre -%Takt 44 -\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\zw g\qupp k&\oct - \itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g\enotes -\Notes&\ibbl1j3\qb1g\tqb1k\enotes -\Notes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&\sk\sk\sk\ccu l\enotes -\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hu k&\oct - \tten5\ibl4N0\qb4g&&\tten4\ibu5f{-3}\qh5g\enotes -\Notes&\ibbl1j3\qb1g\tqb1k&&\oct - \qb4N&\rlap{---}&\tqh5N\enotes -\Notes&\ibbl2k0\qb2n\qb2g&&\oct - \qb4a&mi-&\cu a\enotes -\Notes&\qb2k\tqb2n&&\oct - \tqb4b&nus&\cu b\enotes -\def\atnextline{\autolines{25}33}\relax -\barre -%Takt 45 -\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\itenl4e\zw e\itenu3n\hu n&\oct - \qlp c&te\rlap{---}&\Ilegu2j\pt c\qu c\enotes -\Notes&\ibbu1f3\qh1e\tqh1g\enotes -\Notes&\ibbu2i0\qh2j\qh2e\enotes -\Notes&\qh2g\tqh2j&&\oct - \cl d&&\tleg2\cu d\enotes -\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\tten3\ibu3l{-3}\qh3n&\oct - \ql c&\rlap{cum,}&\qu c\enotes -\Notes&\ibbu1f3\qh1e\tqh1g&\qh3g\enotes -\Notes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&\qh3h\sk\tqh3i&\qp&&\qp\enotes -% -\def\atnextline{\autolines{25}33}\relax -\barre -%Takt 46 -\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\tten4\zw e\hu j&\oct - \itenu5j\hl j&be\rlap{---}&\itenu4j\hu j\enotes -\Notes&\ibbu1f3\qh1e\tqh1g\enotes -\Notes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j\enotes -\temps\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\qu h&\oct - \tten5\ibl4c0\qb4j&&\tten4\ibu5h{-3}\qh5j\enotes -\Notes&\ibbu1f3\qh1e\tqh1g&&\oct - \qb4c&\rlap{---}&\tqh5c\enotes -\Notes&\ibbu2i0\qh2j\qh2e&\qu g&\oct - \qb4d&ne\rlap{---}&\ibu5e1\qh5d\enotes -\Notes&\qh2g\tqh2j&&\oct - \tqb4e&&\tqh5e\enotes -\barre -%Takt 47 -\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds - &\bigaccid\zw {^f}\zw c\roff{\itenl3d\zw d}&\oct\bigaccid - \qlp{^f}&\rlap{dic---}&\bigaccid\Ilegu4l\pt f\qu {^f}\enotes -\Notes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}\enotes -\Notes&\ibbu2i0\qh2j\qh2d\enotes -\Notes&\qh2f\tqh2j&&\oct - \cl e&&\tleg4\cu e\enotes -\temps\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&&\oct - \ql d&\rlap{---}&\qu d\enotes -\Notes&\ibbu1f3\qh1d\tqh1f\enotes -\Notes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&&\oct - \ql a&ta&\qu a\enotes -\barre -%Takt 48 -\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\tten3\zw d\wh g&\oct - \hl b&tu&\hu b\enotes -\Notes&\ibbu1f3\qh1d\tqh1g\enotes -\Notes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i\enotes -\temps\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\qp&&\qp\enotes -\Notes&\ibbu1f3\qh1d\tqh1g\enotes -\Notes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&\oct - \ql d&in&\qu d\enotes -\barre -%Takt 49 -\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&\bigsh c\wh{c}&\oct - \itenu5e\hl e&mu\rlap{---}&\itenl4e\hu e\enotes -\Notes&\ibbu1f3\qh1e\tqh1g\enotes -\Notes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j\enotes -\temps\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\oct - \tten5\ibl5e1\qb5e&&\tten4\cu e\enotes -\Notes&\ibbu1f3\qh1e\tqh1g&&\oct - \qb5e&li\rlap{---}&\ibu4f1\qh4e\enotes -\Notes&\ibbu2i0\qh2j\qh2e&&\oct - \qb5f&&\qh4f\enotes -\Notes&\qh2g\tqh2j&&\oct - \tqb5g&&\tqh4g\enotes -\barre -%Takt 50 -\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\zw k\itenu3o\hu o&\oct - \hl h&e\rlap{---}&\ppt h\qu h\enotes -\Notes&\ibbu1g3\qh1d\tqh1h\enotes -\Notes&\ibbu2i0\qh2k\qh2d\qh2h\enotes -\Notes&\tqh2k&&&ri-&\ccu a\enotes -\temps\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\tten3\ibl3m2\qb3o&\oct - \ql a&bus&\qu a\enotes -\Notes&\ibbu1g3\qh1d\tqh1h&\qb3o\enotes -\Notes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&\qb3p\sk\tqb3q&\qp&&\qp\enotes -\barre -%Takt 51 -\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\bigaccid - \zw {=i}\hu r&\oct\itenu5d\hl d&et\rlap{---}&\itenl4d\hu d\enotes -\Notes&\ibbu1f3\qh1d\tqh1f\enotes -\Notes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i\enotes -\temps\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\hu k&\oct - \tten5\ibl4d1\qb4d&&\tten4\cu d\enotes -\Notes&\ibbu1f3\qh1d\tqh1f&&\oct - \qb4d&be\rlap{---}&\ibu5e1\qh5d\enotes -\Notes&\ibbu2i0\qh2i\qh2d&&\oct - \qb4e&&\tqh5e\enotes -\Notes&\qh2f\tqh2i&&\oct - \tqb4f&ne-&\cu f\enotes -\barre -%Takt 52 -\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\zw j\itenu3n\hu n&\oct - \hl g&\rlap{dic---}&\hu g\enotes -\Notes&\ibbu1f3\qh1c\tqh1g\enotes -\Notes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j\enotes -\temps\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\tten3\ibl3n{3}\qb3n&\oct - \qu N&tus&\qu N\enotes -\Notes&\ibbu1f3\qh1c\tqh1g&\qb3n\enotes -\Notes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qb3o\sk\tqb3p&\qp&&\qp\enotes -\barre -%Takt 53 -\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\zw h\hu q&\oct - \itenu5c\hl c&fruc\rlap{---}&\itenl4c\hu c\enotes -\Notes&\ibbu1c3\qh1a\tqh1c\enotes -\Notes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes -\temps\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\itenu3j\hu j&\oct - \tten5\ibl4c1\qb4c&&\tten4\cu c\enotes -\Notes&\ibbu1c3\qh1a\tqh1c&&\oct - \qb4c&tus&\ibu5d1\qh5c\enotes -\Notes&\ibbu2e0\qh2f\qh2a&&\oct - \qb4d&&\qh5d\enotes -\Notes&\qh2c\tqh2f&&\oct - \tqb4e&&\tqh5e\enotes -\barre -%Takt 54 -\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\tten3\zw c\hu j&\oct - \itenu5f\hl f&vent\rlap{---}&\itenl4f\hu f\enotes -\Notes&\ibbu1c3\qh1a\tqh1c\enotes -\Notes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes -\temps\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&&\oct - \tten5\ibl4f1\qb4f&&\tten4\cu f\enotes -\Notes&\ibbu1c3\qh1a\tqh1c&\hu h&\oct - \qb4f&ris&\ibu5g1\qh5f\enotes -\Notes&\ibbu2e0\qh2f\qh2a&&\oct - \qb4g&&\qh5g\enotes -\Notes&\qh2c\tqh2f&&\oct - \tqb4h&&\tqh5h\enotes -\barre -%Takt 55 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\hu g&\oct - \qlp i&tu--&\Ilegu4k\pt i\ql i\enotes -\Notes&\ibbu1b3\qh1N\tqh1b\enotes -\Notes&\ibbu2e0\qh2f\qh2N\enotes -\Notes&\qh2b\tqh2f&&\oct - \cl h&i,&\tleg4\cl h\enotes -\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu f&\oct - \ql g&\rlap{Je---}&\Ilegu5l\qu g\enotes -\Notes&\ibbu1b3\qh1N\tqh1b\enotes -\Notes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct - \ql d&&\tleg5\qu d\enotes -\barre -%Takt 56 -\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\zw c\hu e&\oct - \hlp e&sus.&\hup e\enotes -\Notes&\ibbu1b3\qh1N\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e\enotes -\temps\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\hu g&\oct - &&\enotes -\Notes&\ibbu1b3\qh1N\tqh1c&&\oct - &&\enotes -\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct - \pt a\ds\sk\sk\cl e&&\qp\enotes -\barre -%Takt 57 -\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\zw e\bigfl i\relax - \roff{\zw i}\hu j&\oct \hl g&\rlap{Sanc---}&\hu g\enotes -\Notes&\ibbu1b3\bigaccid\qh1{_b}\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e\enotes -\temps\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\hu l&\oct - \ql e&ta&\qu e\enotes -\Notes&\ibbu1b3\qh1b\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct - \pt a\ds&&\pt h\ds\enotes -\Notes&\tqh2e&&\oct - \ccl e&\rlap{\kern -\Interligne Ma-}&\ccu e\enotes -\barre -%Takt 58 -\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zhl c\itenl3e\itenu4h\zh e\hu h&\oct - \hl h&ri\rlap{---}&\hu h\enotes -\Notes&\ibbu1b3\qh1a\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e\enotes -\temps\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\tten3\tten4\zh e\zhl h\hu j&\oct - \ql a&a,&\qu a\enotes -\Notes&\ibbu1b3\qh1a\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&\oct - \qp&&\qp\enotes -\barre -%Takt 59 -\Notes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\bigaccid - \zw h\hu{_l}&\oct - \hl h&\rlap{sanc---}&\hu h\enotes -\Notes&\ibbu1b3\qh1a\tqh1c\enotes -\Notes&\qsk\bigaccid\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e\enotes -\temps\Notes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\hu o&\oct - \ql c&ta&\qu c\enotes -\Notes&\ibbu1b3\qh1a\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2a\qh2c&&\oct - \pt a\ds&&\pt h\ds\enotes -\Notes&\tqh2e&&\oct - \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h\enotes -\barre -%Takt 60 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\zw g\zw j\hu n&\oct - \hl j&ri\rlap{---}&\hl j\enotes -\Notes&\ibbu1b3\qh1b\tqh1c\enotes -\Notes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e\enotes -\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\hu{_l}&\oct\bigaccid - \ql{_e}&a,&\bigaccid\qu{_e}\enotes -\Notes&\ibbu1b3\qh1b\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct - \pt a\ds&&\pt j\ds\enotes -\Notes&\tqh2e&&\oct - \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j\enotes -\barre -%Takt 61 -\Notes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu k&\oct - \hl j&ri\rlap{---}&\hl j\enotes -\Notes&\ibbu1b3\qh1b\tqh1c\enotes -\Notes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d\enotes -\temps\Notes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\hu j&\oct - \ql d&a!&\qu d\enotes -\Notes&\ibbu1b3\qh1b\tqh1c\enotes -\Notes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&\oct - \pt a\ds\sk\sk\ccl d&&\qp\enotes -\barre -%Takt 62 -\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu i&\oct - \itenu5d\hl d&O\rlap{---}&\itenl4d\hu d\enotes -\Notes&\ibbu1b3\qh1N\tqh1b\enotes -\Notes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d\enotes -\temps\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zhl b\itenu3g\hu g&\oct - \tten5\ibl4d{-1}\qb4d&&\tten4\cu d\enotes -\Notes&\ibbu1b3\qh1N\tqh1b&&\oct - \qb4d&ra&\ibu5d{-1}\qh5d\enotes -\Notes&\ibbu2d0\qh2d\qh2N&&\oct - \qb4c&&\tqh5c\enotes -\Notes&\qh2b\tqh2d&&\oct - \tqb4b&pro&\cu b\enotes -\barre -%Takt 63 -\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\tten3\zw e\hu g&\oct - \qlp g&no\rlap{---}&\Ilegu4l\pt g\qu g\enotes -\Notes&\ibbu1b3\qh1N\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2N\enotes -\Notes&\qh2c\tqh2e&&\oct - \cl e&&\tleg4\cu e\enotes -\temps\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\itenu3j\zhl g\hu j&\oct - \ql c&bis,&\qu c\enotes -\Notes&\ibbu1b3\qh1N\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct - \qp&&\qp\enotes -\barre -%Takt 64 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\itenl3f\zw f\hu j&\oct - \itenu5f\hl f&no\rlap{---}&\itenl4f\hu f\enotes -\Notes&\ibbu1b3\qh1N\tqh1c\enotes -\Notes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes -\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl c\hu h&\oct - \tten5\ibl4f{-1}\qb4f&&\tten4\cu f\enotes -\Notes&\ibbu1b3\qh1N\tqh1c&&\oct - \qb4f&bis&\cu f\enotes -\Notes&\ibbu2e0\qh2f\qh2N&&\oct - \qb4e&pec-&\cu e\enotes -\Notes&\qh2c\tqh2f&&\oct - \tqb4d&ca-&\cu d\enotes -\barre -%Takt 65 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\zw f\zhl d\hu i&\oct - \qlp k&\raise\Interligne\hbox{to---}&\Ilegu4k\pt k\ql k\enotes -\Notes&\ibbu1b3\qh1N\tqh1b\enotes -\Notes&\ibbu2e0\qh2f\qh2N\enotes -\Notes&\qh2b\tqh2f&&\oct - \cl i&ri-&\tleg4\cl i\enotes -\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl b\hu k&\oct - \ql g&bus,&\qu g\enotes -\Notes&\ibbu1b3\qh1N\tqh1b\enotes -\Notes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct - \qp&&\qp\enotes -\barre -%Takt 66 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid - \qupp {_L}&\ds&\bigaccid\zw j\zhl{^f}\hu{_l}&\oct - \itenu5h\hl h&nunc&\itenl4h\hu h\enotes -\Notes&\ibbu1b3\qh1a\tqh1c\enotes -\Notes&\qsk\ibbu2e0\bigaccid\qh2{^f}\qh2a\qh2c\tqh2f\enotes -\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\zhl h\hu{^m}&\oct - \tten5\ibl4h1\qb4h&&\tten4\cu h\enotes -\Notes&\ibbu1b3\qh1a\tqh1c&&\oct - \qb4h&et\rlap{---}&\ibu5i1\qh5h\enotes -\Notes&\ibbu2e0\qh2f\qh2a&&\oct - \qb4i&&\tqh5i\enotes -\Notes&\qh2c\tqh2f&&\oct - \tqb4j&in&\cl j\enotes -\barre -%Takt 67 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {=L}&\ds&\zw g\zh j\hu n&\oct - \itenu5l\hl l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l\enotes -\Notes&\ibbu1b3\qh1N\tqh1c\enotes -\Notes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g\enotes -\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\hu{=l}&\oct - \tten5\ibl4j{-3}\qb4l&&\tten4\ibu5j{-2}\qh5l\enotes -\Notes&\ibbu1b3\qh1N\tqh1c&&\oct - \qb4j&---&\tqh5j\enotes -\Notes&\ibbu2e0\qh2g\qh2N&&\oct - \qb4g&ra,&\cu g\enotes -\Notes&\qh2c\tqh2g&&\oct - \tqb4e&in&\cu e\enotes -\barre -%Takt 68 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw f\hu k&\oct - \itenu5d\hl d&ho\rlap{---}&\itenl4d\hu d\enotes -\Notes&\ibbu1b3\qh1N\tqh1c\enotes -\Notes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes -\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu h&\oct - \tten5\ibl4d3\qb4d&&\tten4\ibu5g3\qh5d\enotes -\Notes&\ibbu1b3\qh1N\tqh1c&&\oct - \qb4h&&\tqh5h\enotes -\Notes&\ibbu2e0\qh2f\qh2N&&\oct - \qb4i&ra&\ibu5i{-1}\qh5i\enotes -\Notes&\qh2c\tqh2f&&\oct - \tqb4h&&\tqh5h\enotes -\barre -%Takt 69 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\zw d\rh f\zhu g&\oct - \ibl4h{-3}\usf h\qb4h&\rlap{mor---}&\ibu5j2\qh5g\enotes -\Notes&\ibbu1b3\qh1N\tqh1b&&\oct - \usf g\qb4g&&\tqh5k\enotes -\Notes&\ibbu2e0\qh2f\qh2N&&\oct - \usf f\qb4f&tis&\ibu5i{-2}\qh5i\enotes -\Notes&\qh2b\tqh2f&&\oct - \usf d\tqb4d&&\tqh5g\enotes -\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu N&\relax - \lsf i\ibu4i{-3}\qh4i&\rlap{nos---}&\ibu5f{-2}\qh5f\enotes -\Notes&\ibbu1b3\qh1N\tqh1b&&\relax - \lsf h\qh4h&&\tqh5d\enotes -\Notes&\ibbu2e0\qh2f\qh2N&&\relax - \lsf f\qh4f&tr\ae.&\ibu5b{-2}\qh5b\enotes -\Notes&\qh2b\tqh2f&&\relax - \lsf d\tqh4d&&\tqh5N\enotes -\barre -\autolines{19}43\relax -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -%Takt 70 -\Notes\zhl C\raise\Interligne\hbox{\qs}\qupp J&\ds - &\bigaccid\zw{_b}\roff{\itenu3c\zw c}&\itenl4c\wh c - &A\rlap{---}&\wh c\enotes -\Notes&\ibbu1b3\qh1N\bigaccid\qsk\tqh1{_b}\enotes -\Notes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e\enotes -\temps\Notes\zhl C\raise\Interligne\hbox{\qs}\qupp J&\ds\enotes -\Notes&\ibbu1b3\qh1N\tqh1b\enotes -\Notes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e\enotes -\barre -%Takt 71 -\Notes\raise\Interligne\rlap{\qs}\wh C\itenl2J\qupp J&\ds&\tten3\zw a\wh c&\tten4\wh c - &\rlap{\kern -\interligne men!}&\hu c\enotes -\Notes&\ibbu1a3\qh1M\tqh1a\enotes -\Notes&\ibbu2e0\qh2c\qh2f\qh2c\tqh2a\enotes -\temps\Notes\tten2\hu J&\ibbu2b0\qh2c\qh2a\qh2M\tqh2a&&\oct - &&\hpause\enotes -\Notes\ibbu3M0\qh3M\qh3K\qh3M\tqh3K\enotes -\barre -%Takt 72 -\Notes\zw C\qs\itenl3I\qupp I&\ds&\bigaccid\zw{=b}\wh g&\itenl4N\wh N - &A\rlap{---}&\wh g\enotes -\Notes&\ibbl1h3\qb1g\tqb1i\enotes -\Notes&\ibbl2j{-2}\qb2k\qb2m\qb2k\tqb2i\enotes -\temps\Notes\tten3\hu I&\ibbl2h0\qb2k\qb2i\qb2g\tqb2i&&\enotes -\Notes&\ibbu3e0\qh3d\qh3f\pince n\qh3e\tqh3d\enotes -\barre -%Takt 73 -\NOTes\pointdurgue C\zwh C\wh J&\zwh e\zwh g\pointdorgue j\wh j\relax - &\zw N\zw c\wh e&\tten4\wh N&\rlap{\kern -\interligne men!}&\pointdorgue g\wh g\enotes -\finmorceau -\bye - diff --git a/macros/musixtex/doc/examples/avemaroo.tex b/macros/musixtex/doc/examples/avemaroo.tex deleted file mode 100644 index 520d5f0530..0000000000 --- a/macros/musixtex/doc/examples/avemaroo.tex +++ /dev/null @@ -1,858 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi - \input avemaria.reg - \title{Ave Maria (Gounod)} -\csname titremorceautoc\endcsname -\fulltitle{M\'editation -- Ave Maria} -\title{M\'editation -- Ave Maria} - \author{Charles Gounod \& J.-S. Bach\\Transcription Orgue solo Daniel -Taupin\\\& Markus Veittes} - \shortauthor{C. Gounod, J.-S. Bach, D. Taupin} - \subtitle{\relax} - \othermention{G.O.: fl\^ute 8' [+4']\\R\'ecit : fl\^utes 8'+4' [+nasard ou -chalumeau {\it ad lib.}]\\Positif : quinte\\P\'edale : 16', acc. -G.O.\\Gif : 2/9-11-12/20-23/33-37-45/50-52-54} -\maketitle - -\staffbotmarg\Interligne -% -\parindent 13mm -\musicsize=20 -\normal -\relativeaccidentals -\def\oct{\advance\transpose by 7\relax} -\def\nbinstruments{3} -\def\instrumenti{P\'edale} -\def\instrumentii{G.O.} -%\def\interinstrumenti{-2\Interligne} -%\def\interinstrumentii{-2\Interligne} -\def\instrumentiii{Positif} -\nbporteesi=1\relax -\nbporteesii=1\relax -\nbporteesiii=1\relax - -\generalmeter{\meterC}% -\cleftoksi{{6}{0}{0}{0}} -\cleftoksii{{0}{0}{0}{0}} -\cleftoksiii{{0}{0}{0}{0}} -%\raggedlinestrue % uncomment for ragged right lines - - -\debutmorceau -\def\OrgNotes#1\enotes{\Notes#1&\relax#5\enotes}% -\def\orgNotes#1\enotes{\Notes#1&\relax#4\enotes}% -\def\orgNOTes#1\enotes{\NOTes#1&\relax#4\enotes}% - %\check -%Takt 1 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds\enotes -\Notes&\ibbl0j3\qb0g\tqb0j\enotes -\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause\enotes -\Notes&\ibbl2j3\qb2g\tqb2j\enotes -\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l\enotes -\barre - %\check -%Takt 2 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds\enotes -\Notes&\ibbl1j3\qb1h\tqb1k\enotes -\Notes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m\enotes -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause\enotes -\Notes&\ibbl1j3\qb1h\tqb1k\enotes -\Notes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m\enotes -\barre - %\check -%Takt 3 -\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds\enotes -\Notes&\ibbl1j3\qb1g\tqb1k\enotes -\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes -\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause\enotes -\Notes&\ibbl1j3\qb1g\tqb1k\enotes -\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes -\barre - %\check -%Takt 4 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds\enotes -\Notes&\ibbl0j3\qb0g\tqb0j\enotes -\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause\enotes -\Notes&\ibbl2j3\qb2g\tqb2j\enotes -\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l\enotes -\barre - %\check -%Takt 5 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\wh e\enotes -\Notes&\ibbl0j3\qb0g\tqb0j\enotes -\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds\enotes -\Notes&\ibbl2j3\qb2g\tqb2j\enotes -\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l\enotes -\barre - %\check -%Takt 6 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hupp f\enotes -\Notes&\ibbl1j3\qb1h\tqb1k\enotes -\Notes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m\enotes -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds\enotes -\Notes&\ibbl1j3\qb1h\tqb1k\enotes -\Notes&\ibbl2k0\qb2m\qb2h\enotes -\Notes&\qb2k\tqb2m&\cu f\enotes -\barre - %\check -%Takt 7 -\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hup g\enotes -\Notes&\ibbl1j3\qb1g\tqb1k\enotes -\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes -\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds\enotes -\Notes&\ibbl1j3\qb1g\tqb1k\enotes -\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&\qu d\enotes -\barre - %\check -%Takt 8 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hup e\enotes -\Notes&\ibbl0j3\qb0g\tqb0j\enotes -\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds\enotes -\Notes&\ibbl2j3\qb2g\tqb2j\enotes -\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&\qp\enotes -\barre - %\check -%Takt 9 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\itenl4h\hu h\enotes -\Notes&\ibbl0j3\qb0h\tqb0l\enotes -\Notes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o\enotes -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\tten4\cu h\enotes -\Notes&\ibbl0j3\qb0h\tqb0l&\Ibu5ac4\qh5a\enotes -\Notes&\ibbl1k0\qb1o\qb1h&\qh5b\enotes -\Notes&\qb1l\tqb1o&\tqh5c\enotes -\barre - %\check -%Takt 10 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\qup d\enotes -\Notes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h\enotes -\Notes&\ibbu2i0\qh2k\qh2f\enotes -\Notes&\qh2h\tqh2k&\cu e\enotes -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\qu d\enotes -\Notes&\ibbu1g3\qh1f\tqh1h\enotes -\Notes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\qp\enotes -\barre - %\check -%Takt 11 -\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\itenu4g\hu g\enotes -\Notes&\ibbl1j3\qb1g\tqb1k\enotes -\Notes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n\enotes -\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\tten4\cu g\enotes -\Notes&\ibbl1j3\qb1g\tqb1k&\Ibu5Nb4\qh5N\enotes -\Notes&\ibbl2k0\qb2n\qb2g&\qh5a\enotes -\Notes&\qb2k\tqb2n&\tqh5b\enotes -\barre - %\check -%Takt 12 -\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\qup c\enotes -\Notes&\ibbu1f3\qh1e\tqh1g\enotes -\Notes&\ibbu2i0\qh2j\qh2e\enotes -\Notes&\qh2g\tqh2j&\cu d\enotes -\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\qu c\enotes -\Notes&\ibbu1f3\qh1e\tqh1g\enotes -\Notes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&\qp\enotes -% -\barre - %\check -%Takt 13 -\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\itenu4j\hu j\enotes -\Notes&\ibbu1f3\qh1e\tqh1g\enotes -\Notes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j\enotes -\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\tten4\cu j\enotes -\Notes&\ibbu1f3\qh1e\tqh1g&\Ibu5ce4\qh5c\enotes -\Notes&\ibbu2i0\qh2j\qh2e&\qh5d\enotes -\Notes&\qh2g\tqh2j&\tqh5e\enotes -\barre - %\check -%Takt 14 -\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\bigaccid\qup {^f}\enotes -\Notes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}\enotes -\Notes&\ibbu2i0\qh2j\qh2d\enotes -\Notes&\qh2f\tqh2j&\cu e\enotes -\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\qu d\enotes -\Notes&\ibbu1f3\qh1d\tqh1f\enotes -\Notes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&\qu a\enotes -\barre - %\check -%Takt 15 -\def\atnextline{\staffbotmarg3\Interligne}% -\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\hu b\enotes -\Notes&\ibbu1f3\qh1d\tqh1g\enotes -\Notes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i\enotes -\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\qp\enotes -\Notes&\ibbu1f3\qh1d\tqh1g\enotes -\Notes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&\qu d\enotes -\barre - %\check -%Takt 16 -\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&\itenl4e\hu e\enotes -\Notes&\ibbu1f3\qh1e\tqh1g\enotes -\Notes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j\enotes -\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\tten4\cu e\enotes -\Notes&\ibbu1f3\qh1e\tqh1g&\Ibu4eg4\qh4e\enotes -\Notes&\ibbu2i0\qh2j\qh2e&\qh4f\enotes -\Notes&\qh2g\tqh2j&\tqh4g\enotes -\barre - %\check -%Takt 17 -\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\ppt h\qu h\enotes -\Notes&\ibbu1g3\qh1d\tqh1h\enotes -\Notes&\ibbu2i0\qh2k\qh2d\qh2h\enotes -\Notes&\tqh2k&\ccu a\enotes -\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\qu a\enotes -\Notes&\ibbu1g3\qh1d\tqh1h\enotes -\Notes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&\qp\enotes -\barre - %\check -%Takt 18 -\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\itenl4d\hu d\enotes -\Notes&\ibbu1f3\qh1d\tqh1f\enotes -\Notes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i\enotes -\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\tten4\cu d\enotes -\Notes&\ibbu1f3\qh1d\tqh1f&\Ibu5df4\qh5d\enotes -\Notes&\ibbu2i0\qh2i\qh2d&\qh5e\enotes -\Notes&\qh2f\tqh2i&\tqh5f\enotes -\barre - %\check -%Takt 19 -\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\hu g\enotes -\Notes&\ibbu1f3\qh1c\tqh1g\enotes -\Notes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j\enotes -\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\qu N\enotes -\Notes&\ibbu1f3\qh1c\tqh1g\enotes -\Notes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qp\enotes -\barre - %\check -%Takt 20 -\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\itenl4c\hu c\enotes -\Notes&\ibbu1c3\qh1a\tqh1c\enotes -\Notes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes -\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\tten4\cu c\enotes -\Notes&\ibbu1c3\qh1a\tqh1c&\Ibu5ce4\qh5c\enotes -\Notes&\ibbu2e0\qh2f\qh2a&\qh5d\enotes -\Notes&\qh2c\tqh2f&\tqh5e\enotes -\barre - %\check -%Takt 21 -\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\itenl4f\hu f\enotes -\Notes&\ibbu1c3\qh1a\tqh1c\enotes -\Notes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes -\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\tten4\cu f\enotes -\Notes&\ibbu1c3\qh1a\tqh1c&\Ibu5fh4\qh5f\enotes -\Notes&\ibbu2e0\qh2f\qh2a&\qh5g\enotes -\Notes&\qh2c\tqh2f&\tqh5h\enotes -\barre - %\check -%Takt 22 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\qlp i\enotes -\Notes&\ibbu1b3\qh1N\tqh1b\enotes -\Notes&\ibbu2e0\qh2f\qh2N\enotes -\Notes&\qh2b\tqh2f&\cl h\enotes -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\qu g\enotes -\Notes&\ibbu1b3\qh1N\tqh1b\enotes -\Notes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\qu d\enotes -\barre - %\check -%Takt 23 -\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\hup e\enotes -\Notes&\ibbu1b3\qh1N\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e\enotes -\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds\enotes -\Notes&\ibbu1b3\qh1N\tqh1c&\enotes -\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\qp\enotes -\barre - %\check -%Takt 24 -\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\hu g\enotes -\Notes&\bigaccid\ibbu1b3\qh1{_b}\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e\enotes -\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\qu e\enotes -\Notes&\ibbu1b3\qh1b\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2b\qh2c&\pt h\ds\enotes -\Notes&\tqh2e&\ccu e\enotes -\barre - %\check -%Takt 25 -\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\hu h\enotes -\Notes&\ibbu1b3\qh1a\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e\enotes -\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\qu a\enotes -\Notes&\ibbu1b3\qh1a\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&\qp\enotes -\barre - %\check -%Takt 26 -\Notes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\hu h\enotes -\Notes&\ibbu1b3\qh1a\tqh1c\enotes -\Notes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e\enotes -\Notes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\qu c\enotes -\Notes&\ibbu1b3\qh1a\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2a\qh2c&\qsk\pt h\ds\enotes -\Notes&\tqh2e&\ccu h\enotes -\barre - %\check -%Takt 27 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {_L}&\ds&\hl j\enotes -\Notes&\ibbu1b3\qh1b\tqh1c\enotes -\Notes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e\enotes -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\qu{_e}\enotes -\Notes&\ibbu1b3\qh1b\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2b\qh2c&\pt j\ds\enotes -\Notes&\tqh2e&\ccl j\enotes -\barre - %\check -%Takt 28 -\Notes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\hl j\enotes -\Notes&\ibbu1b3\qh1b\tqh1c\enotes -\Notes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d\enotes -\Notes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\qu d\enotes -\Notes&\ibbu1b3\qh1b\tqh1c\enotes -\Notes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&\qp\enotes -\barre - %\check -%Takt 29 -\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\itenl4d\hu d\enotes -\Notes&\ibbu1b3\qh1N\tqh1b\enotes -\Notes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d\enotes -\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\tten4\cu d\enotes -\Notes&\ibbu1b3\qh1N\tqh1b&\Ibu5db4\qh5d\enotes -\Notes&\ibbu2d0\qh2d\qh2N&\qh5c\enotes -\Notes&\qh2b\tqh2d&\tqh5 b\enotes -\barre - %\check -%Takt 30 -\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\qup g\enotes -\Notes&\ibbu1b3\qh1N\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2N\enotes -\Notes&\qh2c\tqh2e&\cu e\enotes -\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\qu c\enotes -\Notes&\ibbu1b3\qh1N\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\qp\enotes -\barre - %\check -%Takt 31 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\itenl4f\hu f\enotes -\Notes&\ibbu1b3\qh1N\tqh1c\enotes -\Notes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten4\cu f\enotes -\Notes&\ibbu1b3\qh1N\tqh1c&\Ibu5fd4\qh5f\enotes -\Notes&\ibbu2e0\qh2f\qh2N&\qh5e\enotes -\Notes&\qh2c\tqh2f&\tqh5d\enotes -\barre - %\check -%Takt 32 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\qlp k\enotes -\Notes&\ibbu1b3\qh1N\tqh1b\enotes -\Notes&\ibbu2e0\qh2f\qh2N\enotes -\Notes&\qh2b\tqh2f&\cl i\enotes -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\qu g\enotes -\Notes&\ibbu1b3\qh1N\tqh1b\enotes -\Notes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\qp\enotes -\barre - %\check -%Takt 33 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\itenl4h\hu h\enotes -\Notes&\ibbu1b3\qh1a\tqh1c\enotes -\Notes&\bigaccid\qsk\ibbu2e0\qh2{^f}\qh2a\qh2c\tqh2f\enotes -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\tten4\cu h\enotes -\Notes&\ibbu1b3\qh1a\tqh1c&\Ibu5hj4\qh5h\enotes -\Notes&\ibbu2e0\qh2f\qh2a&\qh5i\enotes -\Notes&\qh2c\tqh2f&\tqh5j\enotes -\barre - %\check -%Takt 34 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {=L}&\ds&\itenu4l\hl l\enotes -\Notes&\ibbu1b3\qh1N\tqh1c\enotes -\Notes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g\enotes -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\tten4\cl l\enotes -\Notes&\ibbu1b3\qh1N\tqh1c&\Ibu5je4\qh5j\enotes -\Notes&\ibbu2e0\qh2g\qh2N&\qh5g\enotes -\Notes&\qh2c\tqh2g&\tqh5e\enotes -\barre - %\check -%Takt 35 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\itenl4d\hu d\enotes -\Notes&\ibbu1b3\qh1N\tqh1c\enotes -\Notes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten4\ibu5g3\qh5d\enotes -\Notes&\ibbu1b3\qh1N\tqh1c&\tqh5h\enotes -\Notes&\ibbu2e0\qh2f\qh2N&\ibu5i{-1}\qh5i\enotes -\Notes&\qh2c\tqh2f&\tqh5h\enotes -\barre - %\check -%Takt 36 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\ibu5j2\qh5g\enotes -\Notes&\ibbu1b3\qh1N\tqh1b&\tqh5k\enotes -\Notes&\ibbu2e0\qh2f\qh2N&\ibu5i{-2}\qh5i\enotes -\Notes&\qh2b\tqh2f&\tqh5g\enotes -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\ibu5f{-2}\qh5f\enotes -\Notes&\ibbu1b3\qh1N\tqh1b&\tqh5d\enotes -\Notes&\ibbu2e0\qh2f\qh2N&\ibu5b{-2}\qh5b\enotes -\Notes&\qh2b\tqh2f&\tqh5N\enotes -\barre - %\check -%Takt 37 -\Notes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds&\itenl4c\hu c\enotes -\Notes&\ibbu1b3\qh1N\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e\enotes -\Notes\zhl J\raise2\Interligne\hbox{\qs}\qupp L&\ds&\tten4\qu c\enotes -\Notes&\ibbu1b3\qh1N\tqh1c&\uptext{R\'ecit (doux)}\enotes -\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\qp\enotes -\barre - %\check -%Takt 38 -\Notes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&\wh l\enotes -\Notes&\ibbl0j3\qb0g\tqb0j\enotes -\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&\raise -2\Interligne\hpause\enotes -\Notes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&\hl g\enotes -\Notes&\ibbl2j3\qb2g\tqb2j\enotes -\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l\enotes -\barre - %\check -%Takt 39 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\wh m\enotes -\Notes&\ibbl1j3\qb1h\tqb1k\enotes -\Notes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&\raise -2\Interligne\hpause\enotes -\Notes\zhl c\raise 5.5\Interligne\qs\qupp d&\ds&\hl h\enotes -\Notes&\ibbl1j3\qb1h\tqb1k\enotes -\Notes&\ibbl2k0\qb2m\qb2h\enotes -\Notes&\qb2k\tqb2m\enotes -\barre - %\check -%Takt 40 -\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\zhl i\hup n\enotes -\Notes&\ibbl1j3\qb1g\tqb1k\enotes -\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes -\Notes\zhl b\raise 5.5\Interligne\qs\qupp d&\ds&\hl f\enotes -\Notes&\ibbl1j3\qb1g\tqb1k\enotes -\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&\qu k\enotes -\barre - %\check -%Takt 41 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\zhlp g\hup l\enotes -\Notes&\ibbl0j3\qb0g\tqb0j\enotes -\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds\enotes -\Notes&\ibbl2j3\qb2g\tqb2j\enotes -\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&\qp\enotes -\barre - %\check -%Takt 42 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\relax - {\roffset{0.3}{\zhu j}}\oct - \itenu5h\hl h\enotes -\Notes&\ibbl0j3\qb0h\tqb0l\enotes -\Notes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o\enotes -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp -e&\ds&{\roffset {0.3}{\zhu l}}\oct - \tten5\ibl4a0\qb4h\enotes -\Notes&\ibbl0j3\qb0h\tqb0l&\oct\qb4a\enotes -\Notes&\ibbl1k0\qb1o\qb1h&\oct\qb4b\enotes -\Notes&\qb1l\tqb1o&\oct\tqb4c\enotes -\barre - %\check -%Takt 43 -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\itenu5o{\zhu o}\oct - \qlp d\enotes -\Notes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h\enotes -\Notes&\ibbu2i0\qh2k\qh2f\enotes -\Notes&\qh2h\tqh2k&\oct \cl e\enotes -\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\tten5{\ibu3m{-2}\zqh3o}\oct - \ql d\enotes -\Notes&\ibbu1g3\qh1f\tqh1h&{\qh3h}\enotes -\Notes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\raise -2\Interligne\rlap{\qp}{\qh3i\sk\tqh3j}\enotes -\barre - %\check -%Takt 44 -\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\relax - \rlap{\roffset{0.3}{\qupp k}}\oct - \normalnotesize\itenu5g\hl g\enotes -\Notes&\ibbl1j3\qb1g\tqb1k\enotes -\Notes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&\sk\sk\sk\ccu l\enotes -\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\roffset {0.5}{\zhu k}\oct - \normalnotesize\tten5\ibl4N0\qb4g\enotes -\Notes&\ibbl1j3\qb1g\tqb1k&\oct \qb4N\enotes -\Notes&\ibbl2k0\qb2n\qb2g&\oct - \qb4a\enotes \Notes&\qb2k\tqb2n&\oct \tqb4b\enotes -\barre - %\check -%Takt 45 -\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&{\itenu3n\zhu n}\oct - \qlp c\enotes -\Notes&\ibbu1f3\qh1e\tqh1g\enotes -\Notes&\ibbu2i0\qh2j\qh2e\enotes -\Notes&\qh2g\tqh2j&\oct - \cl d\enotes -\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&{\tten3\ibu3l{-3}\zqh3n}\oct - \ql c\enotes -\Notes&\ibbu1f3\qh1e\tqh1g&\qh3g\enotes -\Notes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&\raise -2.5\Interligne\rlap{\qp}\qh3h\sk\tqh3i\enotes -% -\barre - %\check -%Takt 46 -\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\relax - {\roffset{0.3}{\zhl j}}\oct - \itenu5j\hu j\enotes -\Notes&\ibbu1f3\qh1e\tqh1g\enotes -\Notes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j\enotes -\Notes\zhl a\raise 5\Interligne\qs\qupp c&\ds&{\zql h}\oct - \tten5\cu j\enotes -\Notes&\ibbu1f3\qh1e\tqh1g&\oct - \Ibu4ce4\qh4c\enotes -\Notes&\ibbu2i0\qh2j\qh2e&{\zql g}\oct - \qh4d\enotes -\Notes&\qh2g\tqh2j&\oct - \tqh4e\enotes -\barre - %\check -%Takt 47 -\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds - &\bigaccid\zhlp h\oct - \qup{^f}\enotes -\Notes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}\enotes -\Notes&\ibbu2i0\qh2j\qh2d\enotes -\Notes&\qh2f\tqh2j&\oct \cu e\enotes -\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\oct - \qu d\enotes -\Notes&\ibbu1f3\qh1d\tqh1f\enotes -\Notes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&\oct - \zql a\qu a\enotes -\barre - %\check -%Takt 48 -\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\relax - {\zw g}\oct \hu b\enotes -\Notes&\ibbu1f3\qh1d\tqh1g\enotes -\Notes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i\enotes -\Notes\zhl N\raise 4.2\Interligne\qs\qupp b&\ds&\relax - \raise\Interligne\qp\enotes -\Notes&\ibbu1f3\qh1d\tqh1g\enotes -\Notes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&\oct - \qu d\enotes -\barre - %\check -%Takt 49 -\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&\zw{^j}\oct - \itenu5e\hu e\enotes -\Notes&\ibbu1f3\qh1e\tqh1g\enotes -\Notes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j\enotes -\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\oct - \tten5\cu e&\enotes -\Notes&\ibbu1f3\qh1e\tqh1g&\oct - \Ibu5eg4\qh5e\enotes -\Notes&\ibbu2i0\qh2j\qh2e&\oct - \qh5f\enotes -\Notes&\qh2g\tqh2j&\oct - \tqh5g\enotes -\barre - %\check -%Takt 50 -\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds& - \rlap{\hlp k}\oct \itenu4h\hu h\enotes -\Notes&\ibbu1g3\qh1d\tqh1h\enotes -\Notes&\ibbu2i0\qh2k\qh2d\qh2h\enotes -\Notes&\tqh2k\enotes -\Notes\zhl M\raise 3.8\Interligne\qs\qupp a&\ds&\tten4\relax - \oct \cu h\enotes -\Notes&\ibbu1g3\qh1d\tqh1h&{\Ibu3hj4\qh3h}\enotes -\Notes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&\qh3i\sk\tqh3j\enotes -\barre - %\check -%Takt 51 -\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\bigaccid\zw {=i}\oct\itenu5d\hu d\enotes -\Notes&\ibbu1f3\qh1d\tqh1f\enotes -\Notes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i\enotes -\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct - \tten5\cu d\enotes -\Notes&\ibbu1f3\qh1d\tqh1f&\oct - \Ibu4df4\qh4d\enotes -\Notes&\ibbu2i0\qh2i\qh2d&\oct - \qh4e\enotes -\Notes&\qh2f\tqh2i&\oct - \tqh4f\enotes -\barre - %\check -%Takt 52 -\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&{\zhlp j}\oct - \itenu4g\hu g\enotes -\Notes&\ibbu1f3\qh1c\tqh1g\enotes -\Notes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j\enotes -\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\oct - \tten4\cu g\enotes -\Notes&\ibbu1f3\qh1c\tqh1g&\Ibu4gi4\qh4g\enotes -\Notes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qh4h\sk\tqh4i\enotes -\barre - %\check -%Takt 53 -\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&{\zw h}\oct - \itenu5c\hu c\enotes -\Notes&\ibbu1c3\qh1a\tqh1c\enotes -\Notes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes -\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\oct - \tten5\cu c\enotes -\Notes&\ibbu1c3\qh1a\tqh1c&\oct - \Ibu4ce4\qh4c\enotes -\Notes&\ibbu2e0\qh2f\qh2a&\oct - \qh4d\enotes -\Notes&\qh2c\tqh2f&\oct - \tqh4e\enotes -\barre - %\check -%Takt 54 -\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\relax - {\zw j}\oct - \itenu5f\hu f\enotes -\Notes&\ibbu1c3\qh1a\tqh1c\enotes -\Notes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes -\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\oct - \tten5\cu f\enotes -\Notes&\ibbu1c3\qh1a\tqh1c&\oct - \Ibu4fh4\qh4f\enotes -\Notes&\ibbu2e0\qh2f\qh2a&\oct - \qh4g\enotes -\Notes&\qh2c\tqh2f&\oct - \tqh4h\enotes -\barre - %\check -%Takt 55 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&{\zqlp n}\oct - \qup i\enotes -\Notes&\ibbu1b3\qh1N\tqh1b\enotes -\Notes&\ibbu2e0\qh2f\qh2N\enotes -\Notes&\qh2b\tqh2f&\oct \cu h\enotes -\Notes\zhl G\raise 1.6\Interligne\qs\qupp K&\ds&\relax - \rlap{\roff{\hl m}}\oct \qu g\enotes -\Notes&\ibbu1b3\qh1N\tqh1b\enotes -\Notes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct - \qu d&\enotes -\barre - %\check -%Takt 56 -\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&{\zhlp j}\oct - \hup e\enotes -\Notes&\ibbu1b3\qh1N\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e\enotes -\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct - \enotes -\Notes&\ibbu1b3\qh1N\tqh1c&\oct - \enotes -\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct - \pt a\ds\sk\sk\ccl e\enotes -\barre - %\check -%Takt 57 -\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&{\bigfl i\zhlp i}\oct \hu g\enotes -\Notes&\ibbu1b3\bigaccid\qh1{_b}\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e\enotes -\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\oct \qu e\enotes -\Notes&\ibbu1b3\qh1b\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2b\qh2c&\oct \pt a\ds\enotes -\Notes&\tqh2e&\oct \ccl e\enotes -\barre - %\check -%Takt 58 -\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\itenu2j\zh j\hl o\enotes -\Notes&\ibbu1b3\qh1a\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e\enotes -\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\tten2\zq j\ql h\enotes -\Notes&\ibbu1b3\qh1a\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&\oct \qp\enotes -\barre - %\check - %Takt 59 - \Notes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp -J&\ds&{\bigfl l\zh l}\oct \hl h\enotes - \Notes&\ibbu1b3\qh1a\tqh1c\enotes - \Notes&\qsk\bigaccid\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e\enotes - \Notes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&{\zq h}\oct \ql c\enotes -\Notes&\ibbu1b3\qh1a\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2a\qh2c&\oct \pt a\ds\enotes -\Notes&\tqh2e&\oct \ccl h\enotes -\barre - %\check -%Takt 60 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\itenl2j\zh j\oct \hl j\enotes -\Notes&\ibbu1b3\qh1b\tqh1c\enotes -\Notes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e\enotes -\Notes\zhl G\raise 1.6\Interligne\qs\qupp L&\ds&\bigaccid - \tten2\zq j\ql{_l}\enotes -\Notes&\ibbu1b3\qh1b\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2b\qh2c&\oct - \pt a\ds\enotes -\Notes&\tqh2e&\oct - \ccl j\enotes -\barre - %\check -%Takt 61 -\Notes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&{\zhp l}\oct - \hl j\enotes -\Notes&\ibbu1b3\qh1b\tqh1c\enotes -\Notes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d\enotes -\Notes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct - \ql d\enotes -\Notes&\ibbu1b3\qh1b\tqh1c\enotes -\Notes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&\oct - \pt a\ds\sk\sk\ccl d\enotes -\barre - %\check -%Takt 62 -\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&{\zhl f}\oct - \itenu5d\hu d\enotes -\Notes&\ibbu1b3\qh1N\tqh1b\enotes -\Notes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d\enotes -\Notes\zhl G\raise 2\Interligne\qs\qupp M&\ds&{\zql i}\oct - \tten5\cu d\enotes -\Notes&\ibbu1b3\qh1N\tqh1b&\oct - \Ibu4db4\qh4d\enotes -\Notes&\ibbu2d0\qh2d\qh2N&{\itenl4g\zql g}\oct - \qh4c\enotes -\Notes&\qh2b\tqh2d&\oct - \tqh4b\enotes -\barre - %\check -%Takt 63 -\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&{\tten4\zhlp g}\oct - \qup g\enotes -\Notes&\ibbu1b3\qh1N\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2N\enotes -\Notes&\qh2c\tqh2e&\oct - \cu e\enotes -\Notes\zhl G\raise 2\Interligne\qs\qupp L&\ds&\oct - \qu c\enotes -\Notes&\ibbu1b3\qh1N\tqh1c\enotes -\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct - \raise\Interligne\qp\enotes -\barre - %\check -%Takt 64 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&{\zhl j}\oct - \itenu5f\hu f\enotes -\Notes&\ibbu1b3\qh1N\tqh1c\enotes -\Notes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&{\zhl h}\oct - \tten5\cu f\enotes -\Notes&\ibbu1b3\qh1N\tqh1c&\oct - \Ibu4fd4\qh4f\enotes -\Notes&\ibbu2e0\qh2f\qh2N&\oct - \qh4e\enotes -\Notes&\qh2c\tqh2f&\oct - \tqh4d\enotes -\barre - %\check -%Takt 65 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&{\zh m}\oct - \qlp k\enotes -\Notes&\ibbu1b3\qh1N\tqh1b\enotes -\Notes&\ibbu2e0\qh2f\qh2N\enotes -\Notes&\qh2b\tqh2f&\oct - \cl i\enotes -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zq i\oct - \ql g\enotes -\Notes&\ibbu1b3\qh1N\tqh1b\enotes -\Notes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\qp\enotes -\barre - %\check -%Takt 66 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid - \qupp {_L}&\ds&{\bigaccid\zw j\zhl{_l}}\oct - \itenu5h\hu h\enotes -\Notes&\ibbu1b3\qh1a\tqh1c\enotes -\Notes&\qsk\ibbu2e0\bigaccid\qh2{^f}\qh2a\qh2c\tqh2f\enotes -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&{\bigaccid\zhl{^m}}\oct - \tten5\cu h\enotes -\Notes&\ibbu1b3\qh1a\tqh1c&\oct - \Ibl4hj4\qb4h\enotes -\Notes&\ibbu2e0\qh2f\qh2a&\oct - \qb4i\enotes -\Notes&\qh2c\tqh2f&\oct - \tqb4j\enotes -\barre - %\check -%Takt 67 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {=L}&\ds -&{\zhl n}\oct \itenu5l\hu l\enotes -\Notes&\ibbu1b3\qh1N\tqh1c\enotes -\Notes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g\enotes -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&{\zql{=l}}\oct - \tten5\cu l\enotes -\Notes&\ibbu1b3\qh1N\tqh1c&\oct - \Ibu4je4\qh4j\enotes -\Notes&\ibbu2e0\qh2g\qh2N&{\zql j}\oct \qh4g\enotes -\Notes&\qh2c\tqh2g&\oct \tqh4e\enotes -\barre - %\check -%Takt 68 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&{\zhl f}\oct - \itenu5d\hu d\enotes -\Notes&\ibbu1b3\qh1N\tqh1c\enotes -\Notes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&{\zhl h}\oct - \tten5\cu d\enotes -\Notes&\ibbu1b3\qh1N\tqh1c&\oct - \Ibu4hh4\qh4h\enotes -\Notes&\ibbu2e0\qh2f\qh2N&\oct - \qh4i\enotes -\Notes&\qh2c\tqh2f&\oct - \tqh4h\enotes -\barre - %\check -%Takt 69 -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl i\oct \Ibu4fc6\qh4h\enotes -\Notes&\ibbu1b3\qh1N\tqh1b&\oct \qh4g\enotes -\Notes&\ibbu2e0\qh2f\qh2N&\oct - \qh4f\enotes -\Notes&\qh2b\tqh2f&\oct - \tqh4d\enotes -\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\relax - {\zhl d}\ibu4i{-3}\qh4i\enotes -\Notes&\ibbu1b3\qh1N\tqh1b&\relax - \qh4h\enotes -\Notes&\ibbu2e0\qh2f\qh2N&\relax - \qh4f\enotes -\Notes&\qh2b\tqh2f&\relax - \tqh4d\enotes -\barre -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - %\check -%Takt 70 -\Notes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds - &\bigaccid\zw{_b}\roff{\itenu3c\zw c}\enotes -\Notes&\ibbu1b3\qh1N\bigaccid\qsk\tqh1{_b}\enotes -\Notes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e\enotes -\Notes\zhu C\raise\Interligne\qs\qupp J&\ds\enotes -\Notes&\ibbu1b3\qh1N\tqh1b\enotes -\Notes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e\enotes -%\cleftoksii{6000}\changeclefs -\barre - %\check -%Takt 71 -\Notes\raise\Interligne\rlap{\qs}\wh C\itenl2J\qupp J&\ds&\tten3\zw a\wh c\enotes -\Notes&\oct\ibbu1a3\qh1M\tqh1a\enotes -\Notes&\oct\ibbu2e0\qh2c\qh2f\qh2c\tqh2a\enotes -\Notes\tten2\hu J&\oct\ibbu2b0\qh2c\qh2a\qh2M\tqh2a\enotes -\Notes&\oct\ibbu3M0\qh3M\qh3K\qh3M\tqh3K\enotes -%\cleftoksii{0000}\changeclefs -\barre - %\check -%Takt 72 -\Notes\zw C\qs\itenl3I\qupp I&\ds&\bigaccid\wh{=b}\enotes -\Notes&\ibbl1h3\qb1g\tqb1i\enotes -\Notes&\ibbl2j{-2}\qb2k\qb2m\qb2k\tqb2i\enotes -\Notes\tten3\hu I&\ibbl2h0\qb2k\qb2i\qb2g\tqb2i\enotes -\Notes&\ibbu3e0\qh3d\qh3f\pince n\qh3e\tqh3d\enotes -\barre - %\check -%Takt 73 -\NOTes\pointdurgue C\zwh C\wh J&\zwh e\zwh g\pointdorgue j\wh j\relax - &\pointdorgue f\wh c\enotes - \linegoal 19 -\finmorceau -\bye - diff --git a/macros/musixtex/doc/examples/aveverch.tex b/macros/musixtex/doc/examples/aveverch.tex deleted file mode 100644 index 3d29ea6f48..0000000000 --- a/macros/musixtex/doc/examples/aveverch.tex +++ /dev/null @@ -1,3 +0,0 @@ -\def\chorale{\relax} -\input aveverum -\endinput diff --git a/macros/musixtex/doc/examples/aveverdd.tex b/macros/musixtex/doc/examples/aveverdd.tex deleted file mode 100644 index 7480111e5f..0000000000 --- a/macros/musixtex/doc/examples/aveverdd.tex +++ /dev/null @@ -1,4 +0,0 @@ -\def\Signature{-5} -\def\Transpose{-1} -\input aveverum -\endinput diff --git a/macros/musixtex/doc/examples/aveveruc.tex b/macros/musixtex/doc/examples/aveveruc.tex deleted file mode 100644 index be83ce5730..0000000000 --- a/macros/musixtex/doc/examples/aveveruc.tex +++ /dev/null @@ -1,4 +0,0 @@ -\def\Signature{0} -\def\Transpose{-2} -\input aveverum -\endinput diff --git a/macros/musixtex/doc/examples/aveverud.tex b/macros/musixtex/doc/examples/aveverud.tex deleted file mode 100644 index 329d5ac4c8..0000000000 --- a/macros/musixtex/doc/examples/aveverud.tex +++ /dev/null @@ -1,4 +0,0 @@ -\def\Signature{2} -\def\Transpose{-1} -\input aveverum -\endinput diff --git a/macros/musixtex/doc/examples/aveverum.tex b/macros/musixtex/doc/examples/aveverum.tex deleted file mode 100644 index c5e732595e..0000000000 --- a/macros/musixtex/doc/examples/aveverum.tex +++ /dev/null @@ -1,297 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi - \title{Ave Verum} - \author{Charles Gounod} - \shortauthor{C. Gounod} - \subtitle{\relax} - \maketitle -\parindent 13mm -\musicsize=20 -\normal -\relativeaccidentals -\def\nbinstruments{1} -\def\instrumenti{Orgue} -\def\instrumentii{Basse} -\def\instrumentiii{T\'{e}nor} -\def\instrumentiv{\vbox{\hsize\parindent\centerline{Soprano}\centerline{Alto}}} -\nbporteesi=2\relax -\generalmeter{\allabreve} -\setinterinstrument1{10pt} -\setinterinstrument2{10pt} -\setinterinstrument3{10pt} -\cleftoksi{6000} -\cleftoksii{6000} -\cleftoksiii{6000} - -\ifx\Transpose\undefined - \def\Transpose{0} - \def\Signature{-3} -\fi -\generalsignature{\Signature} - -\ifx\chorale\undefined - \setsize1{\normalvalue} - \setsize2{\smallvalue} - \setsize3{\smallvalue} - \setsize4{\smallvalue} -\else - \setsize1{\smallvalue} - \setsize2{\normalvalue} - \setsize3{\normalvalue} - \setsize4{\normalvalue} -\fi -\ninepoint - -\def\Zsong{\zsong} - -\stemcut - -\transpose=\Transpose -\debutmorceau -\qspace -\NOtes\itenl1E\itenl2L\zw E\wh L|\hpause\enotes -\NOtes\hu N|\zh b\hu e\enotes -\barre % 2 -\NOtes\tten1\tten2\itenl1E\itenl2L\zw E\zwh L\hu a|\itenl0c\zwh c\hu f\enotes -\NOtes\hu N|\hu g\enotes -\barre %3 -\NOtes\tten1\tten2\zhl E\roff{\itenu1M}\rh M\hu L|\tten0\zhl c\hu h\enotes -\NOtes\zhl F\tten1\zh M\hu a|\zh d\hu j\enotes -\barre %4 -\NOtes\zhl G\zh N\hu b|\zwh e\hu i\enotes -\NOtes\zhl H\zh J\hu a|\hu e\enotes -\barre %5 -\NOtes\itenl2I\zwh I\hu b|\itenl1e\zh e\hu g\enotes -\NOtes\hu N|\tten1\itenu1e\zh b\hu e\enotes -\barre %6 -\NOtes\tten2\zwh I\hu M|\zwh a\zh c\tten1\hu e\enotes -\NOtes|\zh b\hu d\enotes -\barre %7 -\NOTes\zhlp E\hup L|\zhp N\zhp b\hup e\enotes -\Notes\soupir|\soupir\enotes -\suspmorceau -\def\nbinstruments{4}% -\debutmorceau %8 -\barno 8\relax -\qspace -\def\H#1#2#3#4#5{\NOtes\zhl{#1}\hu{#2}|\zhl{#3}\hu{#4}&\Zsong{#5}\hu{#1}&\Zsong{#5}\hl{#2}&\Zsong{#5}\zhl{#3}\hu{#4}\enotes}% -\def\Hh#1#2#3#4#5{\NOtes\hl{#1}|\zhl{#2}\zh{#3}\hu{#4}&\Zsong{#5}\hu{#1}&\Zsong{#5}\hl{#2}&\Zsong{#5}\zhl{#3}\hu{#4}\enotes}% -\def\Hqhq#1#2#3#4#5{\Notes\zhl{#1}\qu{#2}|\zhl{#3}\qu{#4}&\Zsong{#5}\hu{#1}&\Zsong{#5}\ql{#2}&\Zsong{#5}\zhl{#3}\qu{#4}\enotes}% -\def\Hhhq#1#2#3#4#5{\Notes\zhl{#1}\hu{#2}|\zhl{#3}\qu{#4}&\Zsong{#5}\hu{#1}&\Zsong{#5}\hl{#2}&\Zsong{#5}\zhl{#3}\qu{#4}\enotes}% -\H LNei{A--}% -\Hqhq I{ba}d{gf}{ve}% -\barre %9 -\H JNee{ve--}% -\NOtes \zhl I\hu N|\Fl d\zhu e\roff{\hl d}&\Zsong{rum }\hu I&\Zsong{rum }\hl -N&\Zsong{rum }\Fl d\zhu e\roff{\hl d}\enotes -\barre %10 -\H Hacj{Cor--}% -\Hqhq I{NM}{=d}{ih}{pus }% -\barre %11 -\Hh Lceh{na--}% -\Hh Lbeg{tum }% -\barre %12 -\H LNgi{de }% -\Hqhq K{^a^b}f{jk}{Ma--}% -\barre %13 -\H Jcel{ri--}% -\H Lcgg{a }% -\barre %14 -\Notes\zw M\wh{=a}|\zhl c\qu{fg}\zql f\qu h\zql e\qu j\relax - &\Zsong{Vir-}\hup M\sk\sk\Zsong{gi-}\qu M\relax - &\Zsong{Vir-}\hup{=a}\sk\sk\Zsong{gi-}\qu a\relax - &\Zsong{Vir-}\zhl c\qu{fg}\Zsong{gi-}\zql f\qu h\zql e\qu j\enotes -\barre %15 -\NOtes\zw I\wh a|\zw d\hu {ji}&\Zsong{ne.}\wh I&\Zsong{ne.}\wh a&\Zsong{ne.}\zw - d\hu {ji}\enotes -\barre %16 -\H LNei{Ve-}% -\Hqhq I{ba}d{gf}{re}% -\barre %17 -\H JNee{pas-}% -\NOtes \zhl I\hu N|\Fl d\zhu e\roff{\hl d}&\Zsong{sum }\hu I&\Zsong{sum }\hl -N&\Zsong{sum }\Fl d\zhu e\roff{\hl d}\enotes -\barre %18 -\H Hacj{im-}% -\Hqhq I{NM}{=d}{ih}{mo-}% -\barre %19 -\Hh Lceh{la-}% -\Hh Lbeg{tum }% -\barre %20 -\H Kbfi{In }% -\H Ibfk{cru-}% -\barre %21 -\Hhhq Lbe{g^f}{ce }% -\Hhhq JLe{g^h}{pro }% -\barre %22 -\NOtes\zw K\hu d|\zhl g\hu i&\Zsong{ho-}\hup K&\Zsong{ho-}\hl -d&\Zsong{ho-}\zhl g\hu i\enotes -\Notes\qup c|\lSh f\zqlp f\qup{^h}&&\Zsong{-}\qlp c&\Zsong{-}\lSh f\zqp f\qup{^h}\enotes -\notes\sk\cu c|\sk\lNa h\zq{=f}\cu h&\Zsong{mi-}\qu K&\sk\Zsong{mi-}\cl -c&\sk\Zsong{mi-}\lNa h\zcl{=f}\cu h\enotes -\barre %23 -\def\Hp#1#2#3#4#5{\NOTes\zhlp{#1}\hup{#2}|\zhlp{#3}\hup{#4}&\Zsong{#5}\hup{#1}&\Zsong{#5}\hlp{#2}&\Zsong{#5}\zhlp{#3}\hup{#4}\enotes}% -\def\Qhhq#1#2#3#4#5{\Notes\zhu{#2}\ql{#1}|\zhl{#3}\qu{#4}&\Zsong{#5}\qu{#1}&\Zsong{#5}\hl{#2}&\Zsong{#5}\zhl{#3}\qu{#4}\enotes}% -\Hp Nbgg{ne }% -\Notes\soupir|\soupir&\soupir&\soupir&\soupir\enotes -\barre %24 -\H Nbei{Cu-}% -\Qhhq {ML}be{=hg}{jus }% -\barre %25 -\NOtes\roff{\zhl a}\hu b|\zhl d\hu g&\Zsong{la-}\hu a&\Zsong{la-}\hl -b&\Zsong{la-}\zhl d\hu g\enotes -\NOtes\roff{\zhl a}\hu b|\zhl d\hu f&\Zsong{tus }\hu a&\Zsong{tus }\hl -b&\Zsong{tus }\zhl d\hu f\enotes -\barre %26 -\H Nbei{per-}% -\Qhhq {ML}be{hg}{fo-}% -\barre %27 -\NOtes\roff{\zhl a}\hu b|\zhl d\hu g&\Zsong{ra-}\hu a&\Zsong{ra-}\hl -b&\Zsong{ra-}\zhl d\hu g\enotes -\NOtes\roff{\zhl a}\hu b|\zhl d\hu f&\Zsong{tum }\hu a&\Zsong{tum }\hl -b&\Zsong{tum }\zhl d\hu f\enotes -\barre %28 -\H Nbee{flu-}% -\Hhhq Kbf{ih}{xit}% -\barre %29 -\def\Qqqq#1#2#3#4#5{\Notes\rlap{\qu{#2}}\ql{#1}|\rlap{\ql{#3}}\qu{#4}&\Zsong{#5}\qu{#1}&\Zsong{#5}\ql{#2}&\Zsong{#5}\rlap{\ql{#3}}\qu{#4}\enotes}% -\H Lbgg{un-}% -\Qqqq L{^b}gk{da }% -\Qqqq Lcgj{et }% -\barre %30 -\Notes\zhlp M\qu {dc=b}\zql M\qu c|\zhl f\qu{i^h}\zhl -e\qu{g=h}\relax - &\Zsong{san-}\hup M\sk\sk\Zsong{gui-}\qu M\relax - &\Zsong{san-}\ql{dc}\Zsong{gui-}\ql{=bc}\relax - &\Zsong{san-}\zhl f\qu{i^h}\Zsong{gui-}\zhl e\qu{g=h}\enotes -\barre %31 -\Hp Ibdi{ne, }% -\Notes\soupir|\soupir&\soupir&\soupir&\soupir\enotes -\barre %32 -\H LNei{Es-}% -\Hqhq I{ba}d{gf}{to }% -\barre %33 -\H JNee{no-}% -\NOtes \zhl N\hu b|\Fl d\zhu e\roff{\hl d}&\Zsong{bis }\hu N&\Zsong{bis }\hl -b&\Zsong{bis }\Fl d\zhu e\roff{\hl d}\enotes -\barre %34 -\def\Qqhh#1#2#3#4#5{\Notes\rlap{\qu{#2}}\ql{#1}|\zhl{#3}\hu{#4}&\Zsong{#5}\qu{#1}&\Zsong{#5}\ql{#2}&\Zsong{#5}\zhl{#3}\hu{#4}\enotes}% -\def\Qqqh#1#2#3#4#5{\Notes\rlap{\qu{#2}}\ql{#1}|\zhu{#4}\ql{#3}&\Zsong{#5}\qu{#1}&\Zsong{#5}\ql{#2}&\Zsong{#5}\zhu{#4}\ql{#3}\enotes}% -\Qqhh {aN}{cb}cj{pr\ae{}-}% -\Qqqh {ML}{aN}{=de}j{gus-}% -\barre %35 -\H Kafj{ta-}% -\H Kafi{tum }% -\barre %36 -\H LNei{Mor-}% -\Hh Jegj{tis }% -\barre %37 -\Hhhq Mcf{ih}{in }% -\Hqhq H{ba}c{gf}{ex-}% -\barre %38 -\NOtes\zhlp I\hu N|\zhlp b\hu e&\Zsong{a-}\hup -I&\Zsong{a-}\hl N&\Zsong{a-}\zhlp b\hu e\enotes -\Notes\hu a\ql I|\hu d\ql b&\sk\Zsong{mi-}\qup I&\Zsong{ni-}\hl -a&\Zsong{mi-}\hu d\ql b\enotes -\barre %39 -\NOtes\zhlp L\hup N|\zhlp b\hup e&\Zsong{ne }\hu L&\Zsong{ne -}\hlp N&\Zsong{ne }\zhlp b\hup e\enotes -\Notes\sk\soupir|\sk\soupir&\Zsong{O }\hu L&\sk\soupir&\sk\soupir\enotes -\barre %40 -\NOtes\zhl L\hu c|\zhl e\hu h&\Zsong{Je-}\hu L&\Zsong{O }\hl c&\Zsong{O }\zhl -e\hu h\enotes -\Notes\zhl L\qu{bb}|\zhl d\qu{hg}&\Zsong{su }\hu L&\Zsong{Je-}\ql b\Zsong{su -}\ql b&\Zsong{Je-}\zql d\qu h\Zsong{su }\zql d\qu g\enotes -\barre %41 -\def\qhhh#1#2#3#4#5{\Notes\zhu{#2}\ql{#1}|\zhl{#3}\qu{#4}&\Zsong{#5}\qu{#1}&\Zsong{#5}\hl{#2}&\Zsong{#5}\zhl{#3}\hu{#4}\enotes}% -\H Lacg{dul-}% -\Notes \zhu a\zhl{LL}|\zhl c\hu f&\Zsong{cis }\qu L\Zsong{O }\qu L&\Zsong{cis -}\hl a&\Zsong{cis }\zhl c\hu f\enotes -\barre %42 -\NOtes\zhl L\hu e|\zhl h\hu j&\Zsong{Je-}\hu L&\Zsong{O }\hl e&\Zsong{O }\zhl -h\hu j\enotes -\Notes\zhl L\qu{_dd}|\zhl g\qu{ji}&\Zsong{su }\hu L&\Zsong{Je-}\ql {_d}\Zsong{su -}\ql d&\Zsong{Je-}\zql g\qu j\Zsong{su }\zql g\qu i\enotes -\barre %43 -\H Lcfi{pi-}% -\H Lcfh{e }% -\barre %44 -\H b{=d}hm{Je-}% -\NOtes\zhu c\roff{\hl b}|\zhl h\hu l&\Zsong{su, }\hu b&\Zsong{su, }\hl -f&\Zsong{su, }\zhl h\hu l\enotes -\barre %45 -\H bfhk{Je-}% -\H begj{su }% -\barre %46 -\Hhhq Idf{ji}{fi-}% -\Qqqq Icej{li }% -\Qqqq Ibdh{Ma-}% -\barre %47 -\H Lbeh{ri-}% -\Qqqq Lbeg{\ae{} }% -\Qqqq bbeg{In }% -\barre %48 -\Qqqq aceg{no-}% -\Notes \zql a\qu c|\zqu f\roff{\ql e}&\Zsong{bis }\qu a&\Zsong{bis }\ql c&\Zsong{bis }\roff{\zql -e}\qu f\enotes -\Notes \roff{\zql a}\qu b|\zqu f\ql d&\Zsong{mi-}\qu a&\Zsong{mi-}\ql b&\Zsong{mi-}\roff{\zql -e}\qu f\enotes -\Notes \roff{\zql a}\qu b|\zqu j\ql d&\Zsong{se-}\qu a&\Zsong{se-}\ql b&\Zsong{se-}\zql -d\qu j\enotes -\barre %49 -\H Nbej{re-}% -\Qqqq Nbei{re }% -\Qqqq Nbei{O }% -\barre %50 -\Qqqq {Lb}{bd}{gh}{nm}{Je-}% -\Qqqq cegl{su }% -\Qqqq N{^b}fk{In }% -\barre %51 -\Qqqq acej{no-}% -\Qqqq {^L}{_d}gi{bis }% -\Qqqq Mcfh{mi-}% -\Qqqq Hacf{se-}% -\barre %52 -\def\Whhh#1#2#3#4#5{\NOtes\zwh{#1}\hu{#2}|\rlap{\hl{#3}}\hu{#4}&\Zsong{#5}\zwh{#1}&\Zsong{#5}\hl{#2}&\Zsong{#5}\rlap{\hl{#3}}\hu{#4}\enotes}% -\Whhh I{Na}{eb}{id}{re-}% -\barre %53 -\NOtes\zhl L\hup N|\zhlp b\hup e&\Zsong{re }\hu L&\Zsong{re }\hlp N&\Zsong{re }\zhlp b\hup e\enotes -\Notes\itenl1E\itenl2L\zh E\hl L\raise2\Interligne\soupir|\sk\soupir&\itenl3L\Zsong{A-}\hu L&\sk\soupir&\sk\soupir\enotes -\barre %54 -\NOtes\tten1\tten2\zwh c\zh E\hl L|\zw g\wh l&\Zsong{--}\tten3\hu L&\Zsong{A-}\wh -c&\Zsong{A-}\zw g\wh l\enotes -\Notes\itenl1E\itenl2L\zh E\hl L&\csong{men !}\itenl3L\hu L\enotes -\barre %55 -\NOtes\tten1\tten2\zh E\zhl L\hup b|\zhlp g\hup k&\tten3\Zsong{--}\hu L&\csong{men !}\hlp b&\csong{men !}\zhlp g\hup k\enotes -\Notes\itenl1E\itenl2L\zh E\hl L\raise2\Interligne\soupir|\sk\soupir&\itenl3L\Zsong{A-}\hu L&\sk\soupir&\sk\soupir\enotes -\barre %56 -\NOtes\tten1\tten2\zwh {^a}\zh E\hl L|\zw {^f}\wh j&\tten3\Zsong{--}\hu L&\Zsong{A-}\wh -{^a}&\Zsong{A-}\zw {^f}\wh j\enotes -\Notes\itenl1E\itenl2L\zh E\hl L&\csong{men !}\itenl3L\hu L\enotes -\barre %57 -\NOtes\tten1\tten2\zh E\zhl L\hu b|\zhlp g\hup i&\tten3\Zsong{--}\hu L&\csong{men !}\hlp b&\csong{men !}\zhlp g\hup i\enotes -\Notes\itenl1E\itenl2L\zh E\hl L\raise2\Interligne\soupir|\sk\soupir&\itenl3L\Zsong{A-}\hu L&\sk\soupir&\sk\soupir\enotes -\barre %58 -\NOtes\tten1\tten2\zwh c\zh E\hl L|\zw e\wh h&\tten3\Zsong{--}\hu L&\Zsong{A-}\wh -c&\Zsong{A-}\zw e\wh h\enotes -\Notes\itenl1E\itenl2L\zh E\hl L&\csong{men !}\itenl3L\hu L\enotes -\barre %59 -\NOtes\tten1\tten2\zhp E\zhlp L\hup b|\zhlp e\hup g&\tten3\hu L&\csong{men !}\hlp b&\csong{men !}\zhlp e\hup g\enotes -\Notes\sk\soupir|\sk\soupir&\sk\soupir&\sk\soupir&\sk\soupir\enotes -\barre %60 -\NOtes\zw I\rw b\wh a|\zw d\hu{gf}&\Zsong{A-}\wh I&\Zsong{A-}\rw b\wh -a&\Zsong{A-}\zw d\hu{gf}\enotes -\barre %61 -\NOtes\zw E\wh L|\pointdorgue l\zw{Nb}\wh e&\Zsong{men.}\zw E\wh L&\Zsong{men.}\zw N\wh -b&\pointdorgue l\Zsong{men.}\wh e\enotes -\ifnum\Signature<-3\relax -\mulooseness1\relax -\else -\mulooseness2\relax -\fi -\finmorceau -\bye - diff --git a/macros/musixtex/doc/examples/changecontext.tex b/macros/musixtex/doc/examples/changecontext.tex deleted file mode 100644 index 819a59131f..0000000000 --- a/macros/musixtex/doc/examples/changecontext.tex +++ /dev/null @@ -1,95 +0,0 @@ -\input musixtex -\instrumentnumber2\setstaffs22% -\hsize 100mm \vsize 230mm -\generalmeter{\meterfrac{4}{4}\meterfrac{2}{4}\meterfrac{1}{4}}% -\setclef1{\bass}\generalsignature2% -\startpiece -\notes\qu K&\qu d|\qu e\en -% -% Signatures -% if there is no bar line, the signatures are confusing -% it is not clear if they are for a single note or not -% bar 1 -%% Signature changing in a single instrument with 2 staves -\setsign21\changesignature -\notes\qu J&\qu d|\qu e\en -% Signature changing in a single instrument -%\setsign1{-1}\changesignature -%\notes\qu K&\qu d|\qu e\en -% Signature changing in a single staff without naturals -\setsign11\ignorenats\changesignature -\notes\qu M&\qu d|\qu e\en -% bar 2 -% New signatures after a bar line -\generalsignature{-2}\changecontext% -\notes\qu K&\qu d|\qu e\en% -\notes\qu K&\qu d|\qu e\en% -% New signatures after an invisible bar line -\generalsignature{1}\zchangecontext% -\notes\qu K&\qu d|\qu e\en% -% -% new music line caused by mulooseness -\mulooseness1 -% -% bar 3 -%\setsign2{-1}\changesignature\Changecontext% -\setsign2{-1}\ignorenats\Changecontext% -%\zalaligne% -\notes\qu K&\qu d|\qu e\en% -% bar 4 -\generalsignature{2}\ignorenats\Changecontext% -\notes\qu K&\qu d|\qu e\en% -% bar 5 OK : -\setsign1{-3}\setsign2{-3}\changecontext% -\notes\qu K&\qu d|\qu e\en% -% bar 6 -% Are all this options common (choose 1 line of 3)? -%\generalsignature{-3}\changecontext\alaligne% -%\generalsignature{-3}\changesignature\setdoublebar\alaligne% -\generalsignature{-3}\changesignature\Changecontext% -% -\notes\qu K&\qu d|\qu e\en% -% bar 7 -\generalsignature{2}\ignorenats\Changecontext% -\notes\qu K&\qu d|\qu e\en% -% -% Clefs -% in 1 staff and taking space -\setclef1\treble\changeclefs% -\notes\qu k&\cu{.d}\ccu{e}|\qu e\en% -% combined with signature change - space is already available -\setclef1\bass\zchangeclefs\setsign1{-2}\setsign2{-2}% -\ignorenats\changesignature% -\notes\qu K&\cu{de}|\qu e\en% -% clef change before barline -\setclef1\treble\zchangeclefs\bar% -\notes\qu k&\cu{de}|\qu e\en% -% clef change after barline -\setclef1\bass\bar\zchangeclefs% -\notes\qu K&\cu{de}|\qu e\en% -% bar 10 -% Meter -\setmeter1{{\meterfrac{2}{4}}}% -% How big the '2' must be? -\setmeter2{{\lower2pt\hbox{\meterfrac{\Bigtype 2}{}}}% -{\meterfrac{3}{4}}}\changecontext -\notes\qu K&\cu{de}|\qu e\en -% bar 11 -% Meter Clefs and Key Signatures -% all 3 clefs after bar if no changeclefs -\setmeter1{{\meterfrac{2}{8}}}% -\setmeter2{{\meterfrac{3}{6}}{\meterfrac{3}{8}}}% -\setsign2{-1}% -% How to force showing the bass clef? -\setclef1\bass\setclef2{23}% -\Changecontext -\notes\qu K&\cu{de}|\qu e\en -% bar 12 -% Meter Clefs Keys Signatures all 3 with clef before the bar -% probably not if signatures are involved -\setmeter1{{\meterfrac{2}{4}}}% -\setmeter2{{\meterfrac{3}{8}}{\meterfrac{3}{6}}}% -\setsign2{-1}% -\setclef1\treble\zchangeclefs\changecontext -\notes\qu k&\cu{de}|\qu e\en -\mulooseness1\Stoppiece\eject\bye diff --git a/macros/musixtex/doc/examples/chanson.tex b/macros/musixtex/doc/examples/chanson.tex deleted file mode 100644 index 1047b9f948..0000000000 --- a/macros/musixtex/doc/examples/chanson.tex +++ /dev/null @@ -1,318 +0,0 @@ -\ifx -\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi -\title{Chanson innocente} -\subtitle{(pour orgue)} -\fulltitle{XII. Chanson innocente} -\csname titremorceautoc\endcsname -\shortauthor{D. Taupin} -\fullauthor{Daniel TAUPIN\\organiste \`{a} Gif-sur-Yvette} -\othermention{Compos\'{e} en 1996-1999} -% -% - -\maketitle -\parindent 18mm - -\instrumentnumber{3} -\setname1{Fl\^{u}te 16, 8'} -\setname2{Fl\^{u}te 8'} -\setname3{Sesquialtera} -\generalmeter{\meterfrac68} - -%\def\ttriou#1#2#3{\def\txt{\eightit3}\Ibbu0{#1}{#3}2\qh0{#1}\butext0\qh0{#2}\tqh0{#3}} - -%\def\ttriol#1#2#3{\def\txt{\eightit3}\Ibbl0{#1}{#3}2\qb0{#1}\bltext0\qb0{#2}\tqb0{#3}} - -\def\sextol#1#2#3{\ibbl0{#1}0\qb0{#1}\qb0{#2}\qb0{#3}\qb0{#1}\qb0{#2}\tqb0{#3}} -\def\sextou#1#2#3{\ibbu0{#3}0\qb0{#1}\qb0{#2}\qb0{#3}\qb0{#1}\qb0{#2}\tqh0{#3}} - %\check -\def\Sextol#1#2#3#4#5#6{\Ibbl0{#1}{#4}3\qb0{#1}\qb0{#2}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}} -\def\Sextou#1#2#3#4#5#6{\Ibbu0{#3}{#6}3\qb0{#1}\qb0{#2}\qb0{#3}\qb0{#4}\qb0{#5}\tqh0{#6}} - %\check -\def\triou#1#2#3{\Ibu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}} - %\check -\def\triol#1#2#3{\Ibl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}} - %\check -\def\triopl#1#2#3{\Ibl0{#1}{#3}4\qbp0{#1}\sk\sk\tbbl0\qb0{#2}\tqb0{#3}\sk} -\def\triopu#1#2#3{\Ibu0{#1}{#3}4\qhp0{#1}\sk\sk\tbbu0\qh0{#2}\tqh0{#3}\sk} -\noautolines -\setname1{P\'{e}dale}\setname2{Fl\^{u}te}\setname3{Sesquialtera} -\generalsignature{1} -\setclef1{\bass}\setclef2{\treble}\setclef3{\treble} -\def\tripler{\noteskip=3\noteskip} -\def\doubler{\noteskip=2\noteskip} -\debutmorceau -\Notes\qup G&\sextou bdg&\Uptext{\moyen Andantino \bf \metron{\qup}{40}}\enotes -\Notes\qup H&\sextou ceg&\pause\enotes -\barre %2 -\Notes\qup K&\Sextou adfacf&\doubler\sk\pt5\soupir\enotes -\Notes\qup G&\Sextou Nbdbdg&\doubler\soupir\sk\ilegu0n\cu g\enotes -\barre %3 -\Notes\qup G&\sextou bdg&\doubler\qu i\sk\cu i\enotes -\Notes\qup H&\sextou acf&\doubler\triou jij\enotes -\barre %4 -\Notes\qup I&\sextou bdg&\doubler\qu k\sk\cu i\enotes -\Notes\qup L&\sextou beg&\doubler\cu g\tleg0\ds\ilegu0n\cu g\enotes -\barre %5 -\Notes\qup J&\sextou Nce&\doubler\ql l\sk\cl l\enotes -\Notes\qup H&\sextou acf&\doubler\triol jkl\enotes -\barre %6 -\Notes\qup I&\sextou bdg&\doubler\qlp k\enotes -\Notes\qlp L&\sextou beg&\doubler\cu i\tleg0\ds\ilegu0n\cu g\enotes -\barre %7 -\Notes\qup H&\sextou ace&\doubler\qu j\sk\cu j\enotes -\Notes\qlp K&\sextou Mad&\doubler\triou hij\enotes -\barre %8 -\Notes\qup I&\Sextou Ma{^d}Mad&\doubler\qu i\sk\cu h\enotes -\Notes\qlp L&\sextou Nbe&\doubler\cu g\tleg0\ds\ilegu0n\cu i\enotes -\barre %9 -\Notes\qlp J&\sextou ace&\doubler\qu h\sk\cu g\enotes -\Notes\qlp K&\Sextou adgadf&\doubler\qu g\sk\cu f\enotes -\barre %10 -\Notes\qup I&\sextou bdg&\qup g\tleg0\enotes -\Notes\qup H&\Sextou acgacd&\doubler\soupir\sk\ilegu0n\cu g\enotes -\barre %11 -\Notes\qup G&\Sextou Nbdbdg&\doubler\qu i\sk\cu i\enotes -\Notes\qup H&\sextou acf&\doubler\triou jij\enotes -\barre %12 -\Notes\qup I&\sextou bdg&\doubler\qu k\sk\cu i\enotes -\Notes\qup L&\sextou beg&\doubler\cu g\tleg0\ds\ilegu0n\cu g\enotes -\barre %13 -\Notes\qup J&\sextou ceg&\doubler\ql l\sk\cl l\enotes -\Notes\qup H&\sextou acf&\doubler\triol lmn\enotes -\barre %14 -\Notes\qup I&\sextou bdg&\doubler\qlp k\enotes -\Notes\qlp L&\sextou beg&\doubler\cu i\tleg0\ds\sk\ilegu0n\cu g\enotes -\barre %15 -\Notes\qup H&\sextou ace&\doubler\qu j\sk\cu j\enotes -\Notes\qup {^K}&\sextou acf&\doubler\triou hij\enotes -\barre %16 -\Notes\qlp L&\Sextou NbeNaf&\doubler\qu i\sk\cu h\enotes -\Notes\doubler\qup J&\sextou Nce&\doubler\cu g\tleg0\ds\ilegu0n\cu i\enotes -\barre %17 -\Notes\qup H&\sextou ace&\doubler\qu h\sk\cu g\enotes -\Notes\qlp K&\Sextou acdacf&\doubler\qu g\sk\cu f\enotes -\barre %18 -\Notes\qup G&\sextou bdg&\hu g\tleg0\enotes -\Notes\sk\sk\sk\soupir&\sextou dgi&\doubler\soupir\sk\ilegu0n\cl i\enotes -\barre %19 -\Notes\qup I&\sextou dgi&\doubler\ql k\sk\cl k\enotes -\Notes\qup K&\Sextou dfhcfh&\triopl mlm\enotes -\barre %20 -\Notes\qup L&\sextou egi&\triopl nml\enotes -\Notes\qup I&\sextou dgi&\doubler\ql k\sk\cl l\enotes -\barre %21 -\Notes\qup H&\sextou acf&\doubler\ql j\sk\cl k\enotes -\Notes\qup G&\Sextou bdgdgi&\doubler\qu i\sk\cu g\enotes -\barre %22 -\Notes\qup K&\sextou dfh&\doubler\qup h\tleg0\enotes -\Notes\qup D&\Sextou dfhcfh&\doubler\soupir\sk\ilegu0n\cu h\enotes -\barre %23 -\Notes\qup G&\sextou dgi&\doubler\qu i\sk\cu i\enotes -\Notes\qup H&\sextou fhj&\doubler\triou jij\enotes -\barre %24 -\Notes\qup I&\sextou dgi&\doubler\qu k\sk\cu i\enotes -\Notes\qup L&\sextou beg&\doubler\cu g\tleg0\ds\ilegu0n\cu i\enotes -\barre %25 -\Notes\qup J&\sextou ehj&\doubler\qu h\sk\cu g\enotes -\Notes\qup K&\Sextou cdhdfj&\doubler\qu g\sk\cu f\enotes -\barre %26 -\Notes\qup G&\sextou bdg&\qup g\tleg0\enotes -\Notes\sk\sk\pt 5\soupir&\sextou dgi&\doubler\soupir\sk\ilegu0n\cl i\enotes -\barre %27 -\Notes\qup G&\sextou dgi&\doubler\ql k\sk\cl k\enotes -\Notes\qup H&\sextou cfh&\doubler\triol mkm\enotes -\barre %28 -\Notes\qup I&\sextou dgi&\triopl nml\enotes -\Notes\qup G&\sextou dgi&\doubler\ql k\sk\cl l\enotes -\barre %29 -\Notes\qup H&\sextou acf&\doubler\ql j\sk\cl k\enotes -\Notes\qup G&\Sextou bdgdgi&\triopl iji\enotes -\generalmeter{\meterfrac 98}% -\changecontext %30 -\Notes\qup K&\sextou dfh&\doubler\cu h\tleg0\ds\ilegu0n\cu h\enotes -\Notes\qup G&\sextou dgi&\triopu iji\enotes -\Notes\qup D&\Sextou dghcfh&\triopu hih\enotes -\generalmeter{\meterfrac 68}% -\changecontext %31 -\Notes\hu G&\Sextou bdgNbd&\qup g\tleg0\enotes -\Notes\sk\sk\soupir&\sextou bdg&\doubler\soupir\sk\ilegu0n\cu g\enotes -\generalsignature{-2}% -\changecontext %32 -\Notes\qup G&\sextou bdg&\doubler\ql i\sk\cl i\enotes -\Notes\qup H&\Sextou ac{^f}acf&\triopl jij\enotes -\barre %33 -\Notes\qup I&\sextou bdg&\doubler\ql k\sk\cl i\enotes -\Notes\qup L&\sextou beg&\doubler\cu g\tleg0\ds\ilegu0n\cu g\enotes -\barre %34 -\Notes\qup J&\sextou Nce&\doubler\ql l\sk\cl l\enotes -\Notes\qup K&\Sextou d{^f}hcfh&\doubler\triol jkl\enotes -\barre %35 -\Notes\qup I&\Sextou bdgNbd&\doubler\qlp k\enotes -\Notes\qlp L&\sextou beg&\doubler\cu i\tleg0\ds\ilegu0n\cu g\enotes -\barre %36 -\Notes\qup H&\sextou ace&\doubler\qu j\sk\cu j\enotes -\Notes\qlp K&\sh M\sextou Mad&\doubler\triou hij\enotes -\barre %37 -\Notes\qup G&\Sextou bdgac{^f}&\doubler\qu i\sk\cu h\enotes -\Notes\qlp L&\sextou beg&\doubler\cu g\tleg0\ds\ilegu0n\cu i\enotes -\barre %38 -\Notes\qlp J&\sextou ace&\doubler\qu h\sk\cu g\enotes -\Notes\qlp K&\Sextou adgad{^f}&\doubler\qu g\sk\cu {^f}\enotes -\barre %39 -\Notes\hu G&\Sextou bdgNbd&\qup g\tleg0\enotes -\Notes\doubler\sk\soupir&\sextou bdg&\doubler\soupir\sk\ilegu0n\cl i\enotes -\barre %40 -\Notes\qup G&\sextou bdg&\doubler\ql k\sk\cl k\enotes -\Notes\qup H&\Sextou ac{^f}acf&\triopl{^m}{=l}m\enotes -\barre %41 -\Notes\qup I&\sextou bdg&\triopl n{=m}{_l}\enotes -\Notes\qup J&\sextou ceg&\doubler\ql k\sk\cl j\enotes -\barre %42 - %\check -\Notes\qup K&\sextou dgi&\triopl iji\enotes -\Notes\qup K&\Sextou d{^f}hdfh&\triopl hih\enotes -\barre %43 -\Notes\hu G&\Sextou dgibdg&\doubler\qup g\tleg0\enotes -\Notes\doubler\sk\soupir&\sextou dgi&\doubler\soupir\sk\ilegu0n\cl i\enotes -\barre %44 -\Notes\qup I&\sextou dfi&\doubler\ql k\sk\cl k\enotes -\Notes\qup K&\sextou fik&\triopl mlk\enotes -\Notes\doubler\ql{=M}\sk\cl{^M}&\sextou fhj&\doubler\ql j\sk\cl k\enotes -\barre %45 -\Notes\qlp N&\sextou dgi&\triopl iji\enotes -\Notes\qup K&\Sextou d{^f}hdfh&\doubler\cu h\tleg0\ds\ilegu0n\cu h\enotes -\barre %46 -\Notes\qlp N&\sextou dgi&\triopu iji\enotes -\Notes\qlp K&\Sextou d{^f}hdfj&\triopu hih\enotes -\barre %47 -\Notes\hu G&\Sextou bdgdgi&\qup g\tleg0\enotes -\Notes\doubler\sk\soupir&\Sextou dg{=i}dgi&\doubler\soupir\sk\ilegu0o\cl k\enotes -\generalsignature{1}% -\changecontext %48 -\Notes\qup G&\sextou dgi&\doubler\ql p\sk\cl p\enotes -\Notes\qlp K&\sextou dfh&\triopl opo\enotes -\barre %49 -\Notes\qlp L&\sextou beg&\triopl nml\enotes -\Notes\qup I&\sextou bdg&\doubler\ql k\sk\cl i\enotes -\barre %50 -\Notes\qup H&\Sextou cfhacf&\triopl jkj\enotes -\Notes\qup G&\Sextou bdgdgi&\triopu ihg\enotes -\barre %51 -\Notes\qup K&\sextou dfh&\qu h\tleg0\sk\ds\enotes -\Notes\qup I&\sh d\sextou dfi&\doubler\ilegu0n\qu i\sk\cu h\enotes -\barre %52 -\Notes\qlp L&\sextou beg&\doubler\qu g\sk\cu g\enotes -\Notes\qup H&\sextou acf&\triopu jih\enotes -\barre %53 -\Notes\qup I&\sextou beg&\doubler\qu i\sk\cu i\enotes -\Notes\qup I&\sextou bfh&\doubler\qu i\sk\cu i\enotes -\barre %54 -\Notes\hl L&\Sextou begNbe&\doubler\qup e\tleg0\enotes -\Notes\doubler\sk\soupir&\sextou beg&\doubler\soupir\sk\ilegu0n\cl i\enotes -\barre %55 -\Notes\qlp L&\sextou beg&\doubler\ql n\sk\cl n\enotes -\Notes\qup H&\sextou acf&\ibl0m0\pt m\qb0m\sk\sk\nbbl0\qb0{nm}\tqb0l\enotes -\barre %56 -\Notes\qup I&\Sextou b{^d}fadf&\doubler\cl{^k}\tleg0\ds\ilegu0n\cl i\enotes -\Notes\qlp L&\sextou beg&\doubler\ql l\sk\cl m\enotes -\barre %57 -\Notes\qup J&\Sextou cegceh&\doubler \ql n\sk\ql o\enotes -\Notes\qup I&\Sextou {^d}fidfi&\doubler\ql p\sk\cl m\enotes -\barre %58 -\Notes\qup L&\sextou egi&\Ibl0nl5\qb0n\sk\nbbl0\qb0{onm}\tqb0l\enotes -\Notes\qup I&\sh d\sextou dfi&\doubler\cl {^k}\tleg0\ds\ilegu0o\cl i\enotes -\barre %59 -\Notes\qlp L&\sextou beg&\doubler\ql l\sk\cl m\enotes -\Notes\qup J&\Sextou cegceh&\doubler \ql n\sk\cl o\enotes -\barre %60 -\Notes\qup G&\sextou dgi&\doubler\ql p\sk\cl n\enotes -\Notes\qup I&\sextou bdg&\Ibl0nl5\qbp0n\sk\sk\nbbl0\qb0{on}\tqb0m\enotes -\barre %61 -\Notes\qup J&\sextou ceg&\doubler\ql l\sk\cl j\enotes -\Notes\qlp N&\sextou dgi&\triopl iji\enotes -\barre %62 -\Notes\qup K&\sextou dfh&\triopu hih\enotes -\Notes\qup L&\sextou egi&\triopu gfe\enotes -\barre %63 -\Notes\qup H&\sextou acf&\doubler\qu f\sk\cu f\enotes -\Notes\qup I&\sextou beg&\triopu gfe\enotes -\Notes\qup I&\sextou bfh&\triopu fe{^d}\enotes -\barre %64 -\Notes\hu L&\Sextou begNbe&\qup e\tleg0\enotes -\Notes\doubler\sk\soupir&\Sextou begbdg&\doubler\soupir\sk\ilegu0n\cu g\enotes -\barre %65 -\Notes\qup G&\sextou dgi&\doubler\ql i\sk\cl i\enotes -\Notes\qup I&\sextou bdg&\triopl kji\enotes -\barre %66 -\Notes\doubler\qu K\sk\cu{^K}&\Sextou dfhdfi&\doubler\qu h\sk\cu i\enotes -\Notes\qup L&\sextou egi&\Ibu0ge5\qh0g\sk\nbbu0\qh0{hgf}\tqh0e\enotes -\Notes\qup I&\sh d\sextou dfi&\Ibu0fd5\qh0f\sk\nbbu0\qh0{gfe}\tqh0{^d}\enotes -\barre %67 -\Notes\hl L&\Sextou egibeg&\qup e\tleg0\enotes -\Notes\doubler\sk\soupir&\Sextou egidgi&\doubler\soupir\sk\ilegu0n\cu g\enotes -\barre %68 -\Notes\qup G&\sextou bdg&\doubler\qu i\sk\cu i\enotes -\Notes\qup H&\sextou acf&\doubler\triou jij\enotes -\barre %69 -\Notes\qup I&\sextou bdg&\doubler\qu k\sk\cu i\enotes -\Notes\qup L&\sextou beg&\doubler\cu g\tleg0\ds\ilegu0n\cu g\enotes -\barre %70 -\Notes\qup J&\sextou ceg&\doubler\ql l\sk\cl l\enotes -\Notes\qup H&\sextou cfh&\doubler\triol lmn\enotes -\barre %71 -\Notes\qup I&\sextou bdg&\doubler\qlp k\enotes -\Notes\qlp L&\sextou beg&\doubler\cu i\tleg0\ds\ilegu0n\cu i\enotes -\barre %72 -\Notes\qup H&\sextou ace&\doubler\qu j\sk\cu j\enotes -\Notes\qlp K&\sextou Mad&\doubler\triou lkj\enotes -\barre %73 -\Notes\qup I&\Sextou Ma{^d}Mad&\doubler\qu i\sk\cu h\enotes -\Notes\qlp L&\sextou Nbe&\doubler\cu g\tleg0\ds\ilegu0n\cu i\enotes -\barre %74 -\Notes\qlp J&\sextou ace&\doubler\qu h\sk\cu g\enotes -\Notes\qlp K&\Sextou adgadf&\doubler\qu g\sk\cu f\enotes -\barre %75 -\Notes\qup I&\sextou bdg&\qup g\tleg0\enotes -\Notes\qup H&\ibbu0f0\qh0{acged}\tqh0c&\doubler\soupir\sk\ilegu0n\cl i\enotes -\barre %76 -\Notes\qup I&\sextou bdg&\doubler\ql k\sk\cl k\enotes -\Notes\qup K&\Sextou dfhcfh&\triopl mlm\enotes -\barre %77 -\Notes\qup L&\sextou egi&\triopl nml\enotes -\Notes\qup I&\Sextou dgibeg&\doubler\ql k\sk\cl l\enotes -\barre %78 -\Notes\qup H&\sextou acf&\doubler\ql j\sk\cl k\enotes -\Notes\qup G&\Sextou bdgdgi&\doubler\qu i\sk\cu g\enotes -\barre %79 -\Notes\qup K&\sextou dfh&\doubler\cu h\tleg0\ds\ilegu0n\cu h\enotes -\Notes\qup G&\sextou dgi&\triopu iji\enotes -\Notes\qup D&\Sextou dghcfh&\triopu hih\enotes -\barre %80 -\Notes\hu G&\Sextou bdgdgi&\qup g\tleg0\enotes -\Notes\sk\sk\soupir&\Sextou gikikn&\uptext{\moyen Rall.}\doubler\soupir\sk\ilegu0o\cl n\enotes -\barre %81 -\Notes\qup G&\Ibbl0nk3\qb0{pnknk}\tqb0i&\advance\transpose 7\triopl iji\enotes -\Notes\qup D&\Ibbu0jg5\qh0{khfcf}\tqh0h&\advance\transpose 7\triopl hih\enotes -\barre %82 -\Notes\hup G&\Ibbu0je5\qh0{igdgd}\tqh0b&\hlp n\tleg0\enotes -\Notes&\Sextou Nbdbdf\enotes -\NOtes\pt 5\soupir&\qup g&\pt 5\soupir\enotes -%\linegoal 28 -\mulooseness -7 -\finmorceau - -\rightline{\sl\aujourdhui}\vfil\eject - -\ifx\toc\undefined - \let\finishpiece \end -\else - \let\finishpiece\relax -\fi -\finishpiece -\endinput - diff --git a/macros/musixtex/doc/examples/dissonan.tex b/macros/musixtex/doc/examples/dissonan.tex deleted file mode 100644 index 021607ab3f..0000000000 --- a/macros/musixtex/doc/examples/dissonan.tex +++ /dev/null @@ -1,947 +0,0 @@ -\title{Fantaisie aigre-douce} -\subtitle{(pour orgue)} -\shortauthor{D. Taupin} -\fullauthor{Daniel TAUPIN} -\othermention{Compos\'e en 1993} -\maketitle - -\tracingstats=2\relax -% -% formes fr‚quentes -% -%au moins deux croches basses et hautes -\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% -\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% -%au moins deux doubles croches basses et hautes -\def\dqbb#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% -\def\dqhh#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% -%au moins trois doubles croches basses et hautes -\def\tqbb#1#2#3{\Ibbl0{#1}{#3}2\qb0{#1#2}\tqb0{#3}}% -\def\Tqbb#1#2#3{\ibbl0{#2}0\qb0{#1#2}\tqb0{#3}}% -%au moins quatre croches basses et hautes -\def\qqb#1#2#3#4{\Ibl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% -\def\Qqb#1#2#3#4{\Ibl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}% -\def\qqB#1#2#3#4{\Ibl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}% -\def\qqh#1#2#3#4{\Ibu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% -\def\Qqh#1#2#3#4{\Ibu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}% -\def\qqH#1#2#3#4{\Ibu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}% -%au moins quatre doubles croches basses et hautes -\def\qqbb#1#2#3#4{\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% -\def\Qqbb#1#2#3#4{\Ibbl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}% -\def\qqBB#1#2#3#4{\Ibbl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}% -\def\qqhh#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% -\def\Qqhh#1#2#3#4{\Ibbu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}% -\def\qqHH#1#2#3#4{\Ibbu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}% -% -\def\qlppz#1{\uppz #1\ql #1} -\def\zlppz#1{\lppz #1\zq #1} -\def\quppz#1{\lppz #1\qu #1} -% -\nbporteesii=2\relax -\def\nbinstruments{2} -\global\cleftoksii={{6}{0}{0}{0}}% -\global\cleftoksi={{6}{0}{0}{0}}% -% -\signaturegenerale{0}\relax % ut majeur -\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% -%\check -\def\instrumenti{P\'edale}% -\def\instrumentii{G.O.}% -%\check -\medskip\noindent{\rm G.O.: Plein jeu, anches 8' et fonds 16' {\sl ad libitum.}}% -\par\noindent{\rm P\'ed.: fonds et anches 16', tirasse G.O.}% -\smallskip -% -\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}% -\def\doubler{\multiply\noteskip by 2\relax}% -\troistemps -\debutmorceau -\bigaccid -\notes&|\Uptext{\hbox{\kern -16mm\moyen Allegro - \bf(\metron{\hup}{50})}}\enotes -\advance\linesinpage by 1\relax -\ifx\mxversion\undefined\kern -\Interligne\fi -%\check -% mesure 1 -\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes -\temps\NOtes&\zq L\qlppz N|\zlppz c\qu e\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\qu e\enotes -%\check -% mesure 2 -\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes -\temps\NOtes&\zq L\qlppz N|\zlppz c\qu e\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\qu e\enotes -%\check -% mesure 3 -\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes -\temps\notes&\zq L\uppz a\ql{_a}|\lppz c\zql{_d}\dqh fe\enotes -\temps\NOtes\soupir&\zq L\qlppz a|\lppz c\zql d\qu f\enotes -%\check -% mesure 4 -\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes -\temps\notes&\zq L\uppz a\ql{_a}|\na d\roff{\lppz d\zql d}\dqh ef\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\qu e\enotes -%\check -% mesure 5 -\barre\NOtes\hu{_K}&\zq L\qlppz N|\lppz d\zq{_d}\qu f\enotes -\temps\NOtes&\zq L\qlppz N|\lppz d\rq e\qu{=d}\enotes -\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\lppz d\zq{_d}\qu f\enotes -%\check -% mesure 6 -\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\qu e\enotes -\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\na d\roff{\lppz d\zql d}\dqh ef\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\qu e\enotes -%\check -% mesure 7 -\barre\NOtes\hu{^J}&\zq K\qlppz N|\lppz c\zq{^c}\qu g\enotes -\temps\NOtes&\zq L\qlppz N|\lppz d\zq d\qu{^f}\enotes -\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\zlppz c\qu{=f}\enotes -%\check -% mesure 8 -\barre\NOtes\qu J&\zq L\qlppz N|\na c\zlppz c\qu e\enotes -\temps\notes\doubler\qu{K}&\zq L\uppz a\ql{_a}|\lppz c\zql c\dqh e{^d}\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\qu e\enotes -%\check -% mesure 9 -\barre\NOtes\hu{_L}&\zq L\qlppz N|\lppz b\zq {_e}\qu{b}\enotes -\temps\NOtes&\zq L\qlppz N|\zq a\lppz a\qu{^c}\enotes -\temps\NOtes\qu{K}&\zq M\uppz a\ql{_a}|\lppz b\zq b\qu d\enotes -%\check -% mesure 10 -\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu{=e}\enotes -\temps\NOtes&\zq L\qlppz N|\zlppz c\qu e\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\qu e\enotes -%\check -% mesure 11 -\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\qu e\enotes -\temps\NOtes\qu{_K}&\zq L\qlppz N|\zlppz c\qu e\enotes -\temps\NOtes\qu J&\zq L\qlppz N|\zlppz c\qu e\enotes -% mesure 12 -\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\NOtes&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -%\check -% mesure 13 -\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\NOtes&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -%\check -% mesure 14 -\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\notes\qu{_K}&\zq L\uppz a\ql{_a}|\lppz c\zq f\zql{_d}\dqh {_h}g\enotes -\temps\NOtes\soupir&\zq L\qlppz a|\lppz c\zq d\zql f\qu h\enotes -%\check -% mesure 15 -\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\relax - \na d\lppz d\zq f\zql d\roff{\dqh g{_h}}\enotes - \nspace -\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\zq e\qu g\enotes -%\check -% mesure 16 -\barre\NOtes\hu{^J}&\zq L\qlppz N|\lppz c\zq{^c}\zq f\qu{_h}\enotes -\temps\NOtes&\zq L\qlppz N|\lppz d\rq e\zq d\qu g\enotes -\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\lppz c\zq{=c}\zq f\qu h\enotes -%\check -% mesure 17 -\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\relax - \lfl e\lq e\lppz d\zql d\dqh g{=h}\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\na e\lppz c\zql c\zq e\qu g\enotes -%\check -% mesure 18 -\barre\NOtes\hu{^J}&\zq L\qlppz N|\lppz c\zq{^c}\zq e\zq g\qu{_i}\enotes -\temps\NOtes&\zq L\qlppz N|\lppz d\zq d\zq{^f}\qu h\enotes -\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\zlppz c\zql{_e}\qu{_h}\enotes -%\check -% mesure 19 -\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq{=e}\qu g\enotes -\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\lppz c\zq e\zql c\dqh g{^f}\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\zq e\qu g\enotes -%\check -% mesure 20 -\barre\NOtes\hu{^K}&\zq L\qlppz N|\lsh c\lppz b\rq c\zq{_b}\qu{^f}\enotes -\temps\NOtes&\zq L\qlppz N|\na b\lppz d\zq b\rq c\qu{=f}\enotes -\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\lppz b\zq b\qu{^f}\enotes -%\check -% mesure 21 -\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\NOtes&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -%\check -% mesure 22 -\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\NOtes\qu{_K}&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -%\check -% mesure 23 -\barre\NOtes\qu L&\zq {La}\qlppz c|\zlppz e\zq h\qu j\enotes -\temps\NOtes\qu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes -\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes -%\check -% mesure 24 -\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes -\temps\NOtes&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes -\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes -% mesure 25 -\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes -\temps\notes&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\dqh jk\enotes -\temps\NOtes\soupir&\zq {Ma}\qlppz c|\zlppz f\zql {h}\qu j\enotes -%\check -% mesure 26 -\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq {jg}\qu l\enotes -\temps\NOtes&\zq {L=a}\qlppz c|\lna h\sh f\zlppz f\zq {hj}\qu{_l}\enotes -\temps\NOtes\soupir&\lfl a\zq {^Ma}\qlppz c|\zlppz f\zq {_h}\qu k\enotes -% mesure 27 -\barre\NOtes\hu J&\zq {L=a}\qlppz c|\zlppz e\zq{=h}\qu j\enotes -\temps\notes&\zq {LN}\qlppz c|\zlppz e\zql {g}\dqh ji\enotes -\temps\NOtes\soupir&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\qu j\enotes -%\check -% mesure 28 -\barre\NOtes\hu J&\zq {L_a}\qlppz c|\zlppz e\rq f\qu{_h}\enotes -\temps\NOtes&\zq {LN}\uppz b\qlp{_b}|\zlppz e\zq g\qu{_i}\enotes -\temps\NOtes\soupir&\zq {_LN}\na b\qlppz b|\fl e\zlppz e\zq g\qu{=i}\enotes -%\check -% mesure 29 -\barre\NOtes\hu J&\zq {=LN}\qlppz c|\na e\zlppz e\zq g\qu j\enotes -\temps\notes&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\dqh jk\enotes -\temps\NOtes\soupir&\lsh M\zq {M=a}\qlppz c|\lsh f\zlppz f\zql {=h}\qu j\enotes -%\check -% mesure 30 -\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq {gj}\qu l\enotes -\temps\NOtes&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\NOtes\soupir&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -%\check -% mesure 31 -\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq {gj}\qu l\enotes -\temps\NOtes&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\NOtes\soupir&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -%\check -% mesure 32 -\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\notes&\zq {L_a}\uppz d\ql{_d}|\lppz f\zq{f_h}\zql{_k}\dqh ml\enotes -\temps\NOtes\soupir&\zq{La}\qlppz d|\lppz f\zq{fh}\zql k\qu m\enotes -%\check -% mesure 33 -\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\notes&\zq {L_a}\uppz d\ql{=d}|\zlppz e\zq{=h}\zql k\roff{\dqh lm}\enotes -\nspace -\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -%\check -% mesure 34 -\barre\NOtes\hu{^J}&\zq {LN}\sh c\qlppz c|\zlppz f\zq{h^j}\qu m\enotes -\temps\NOtes&\zq {LN}\qlppz d|\zlppz e\rq k\zq g\qu l\enotes -\temps\NOtes\soupir&\lfl a\zq {Ma}\na c\qlppz c|\zlppz f\zq{h=j}\qu m\enotes -%\check -% mesure 35 -\barre\NOtes\qu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\notes\doubler\qu{=K}&\zq {L_a}\ql d|\lppz e\zq{e_h}\zql k\roff{\dqh lm}\enotes -\nspace -\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -%\check -% mesure 36 -\barre\NOtes\hu{^J}&\zq {KN}\sh c\qlppz c|\lppz g\zq{g^j}\rq k\qu n\enotes -\temps\NOtes&\zq{LN}\qlppz d|\zq{^fj}\rq l\qu{^m}\enotes -\temps\NOtes\soupir&\zq {M_a}\qlppz c|\lfl h\na f\zlppz f\zq{hj}\qu{=m}\enotes -%\check -% mesure 37 -\barre\NOtes\qu J&\zq {LN}\na c\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\notes\doubler\qu{=K}&\lfl a\zq {La}\na d\qlppz d|\lppz e\zq{_h}\zql j\dqh l{^k}\enotes -\temps\NOtes\soupir&\zq {LN}\qlppz c|\lppz e\zq{egj}\qu l\enotes -%\check -% mesure 38 -\barre\NOtes\qsk\hu{^K}&\qsk\lfl b\na d\zq {LNb}\qlppz d|\qsk - \zlppz e\zq{g}\qu{=k}\enotes -\temps\NOtes&\sh c\zq {LN}\qlppz c|\zq e\lppz e\zq h\qu{^j}\enotes -\temps\NOtes\qu{=K}&\lq a\lfl a\zq {M}\qlppz b|\lppz d\zq {df_h}\qu k\enotes -%\check -% mesure 39 -\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\NOtes&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -%\check -% mesure 40 -\barre\NOtes\hu J&\zq {LN}\qlppz c|\Uptext{\it rit.}\zlppz e\zq{gj}\qu l\enotes -\temps\NOtes&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -%\check -% mesure 41 -\barre -\notes\zcharnote B{\it legato}\Ilegu0b\hl L&\zcharnote g{\it - a tempo}\Qqbb Nece|\Uptext{\it bien - sirupeux~!}\ibbu0i0\qh0{lgj}\tqh0g\enotes -\temps\notes&\Qqbb Nece|\ibbu0i0\qh0{lgj}\tqh0g\enotes -\temps\notes\ql L&\Qqbb Nece|\ibbu0i0\qh0{lgj}\tqh0g\enotes -%\check -% mesure 42 -\barre\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql K&\Qqbb Ndbd|\Qqhh kgig\enotes -\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 43 -\barre\notes\ql J&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql K&\Qqbb Ndbd|\Qqhh kgig\enotes -\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 44 -\barre\notes\qlp N&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\sk\tleg0\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\Ilegu0b\ql N&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 45 -\barre\notes\hlp a&\Qqbb Mcac|\Qqhh mhjh\enotes -\temps\notes&\Qqbb Mcac|\Qqhh mhjh\enotes -\temps\notes&\Qqbb Mcac|\Qqhh mhjh\enotes -%\check -% mesure 46 -\barre\notes\qlp N\tleg0&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\sk\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\Ilegu0c\ql N&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 47 -\barre\notes\hl c&\Qqbb afcf|\Qqhh mhjh\enotes -\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes -\temps\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 48 -\barre\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql M&\Qqbb afcf|\Qqhh mhjh\enotes -\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 49 -\barre\notes\hu K\tleg0&\Qqbb Ndbd|\Qqhh kgig\enotes -\temps\notes&\Qqbb Ndbd|\Qqhh kgig\enotes -\temps\notes\soupir&\Qqbb Ndbd|\Qqhh kgig\enotes -%\check -% mesure 50 -\barre\notes\Ilegu0c\hl L&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 51 -\barre\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql K&\Qqbb Ndbd|\Qqhh kgig\enotes -\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 52 -\barre\notes\ql J&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql K&\Qqbb Ndbd|\Qqhh kgig\enotes -\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 53 -\barre\notes\hl a&\Qqbb aece|\Qqhh lhjh\enotes -\temps\notes&\Qqbb aece|\Qqhh lhjh\enotes -\temps\notes\ql b&\Qqbb {^N}ebe|\Qqhh l{^g}ig\enotes -%\check -% mesure 54 -\barre\notes\qlp c\tleg0&\Qqbb aece|\Qqhh lhjh\enotes -\temps\notes\sk\sk\ds&\Qqbb aece|\Qqhh lhjh\enotes -\temps\notes\Ilegu0c\ql c&\Qqbb aece|\Qqhh lhjh\enotes -%\check -% mesure 55 -\barre\notes\hl b&\Qqbb Nebe|\Qqhh lgig\enotes -\temps\notes&\Qqbb Nebe|\Qqhh lgig\enotes -\temps\nspace\notes\ql a&\Qqbb aece|\bigsh m\Qqhh mhjh\enotes -%\check -% mesure 56 -\barre\notes\hl N&\Qqbb Nebe|\Qqhh lgig\enotes -\temps\notes&\Qqbb Nebe|\Qqhh lgig\enotes -\temps\notes\ql a&\Qqbb aece|\Qqhh lhjh\enotes -%\check -% mesure 57 -\barre\notes\hl N&\Qqbb Nebe|\Qqhh lgig\enotes -\temps\notes&\Qqbb Nebe|\Qqhh lgig\enotes -\temps\nspace\notes\ql {^M}&\varaccid\Qqbb a{^f}{^d}f|\sh m\varaccid\Qqhh mh{^k}h\enotes -%\check -% mesure 58 -\barre\notes\hl L\tleg0&\Qqbb Nebe|\Qqhh lgig\enotes -\temps\notes&\Qqbb Nebe|\Qqhh lgig\enotes -\temps\notes\soupir&\Qqbb Nebe|\Qqhh lgig\enotes -%\check -% mesure 59 -\barre\notes\Ilegu0b\hl N&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 60 -\barre\notes\hl M&\Qqbb afcf|\Qqhh mhjh\enotes -\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes -\temps\notes\ql L&\Qqbb Nece|\Qqhh njlj\enotes -%\check -% mesure 61 -\barre\notes\hlp K&\Qqbb Ndbd|\Qqhh niki\enotes -\temps\notes&\Qqbb Ndbd|\Qqhh niki\enotes -\temps\notes&\Qqbb Ndbd|\Qqhh niki\enotes -%\check -% mesure 62 -\barre\notes\hl J\tleg0&\Qqbb Nece|\Qqhh njlj\enotes -\temps\notes&\Qqbb Nece|\Qqhh njlj\enotes -\temps\notes\soupir&\Qqbb Nece|\Qqhh njlj\enotes -% mesure 63 -\barre\notes\Ilegu0b\hl L&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 64 -\barre\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql K&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 65 -\barre\notes\ql J&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql K&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 66 -\barre\notes\qlp N&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\sk\tleg0\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\Ilegu0c\ql N&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 67 -\barre\notes\hlp c&\Qqbb afcf|\Qqhh mhjh\enotes -\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes -\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes -%\check -% mesure 68 -\barre\notes\qlp N\tleg0&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\sk\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\Ilegu0c\ql N&\Qqbb Nece|\Qqhh lgjg\enotes -% mesure 69 -\barre\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql M&\Qqbb Ndbd|\Qqhh kgig\enotes -\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 70 -\barre\notes\hu K&\Qqbb Ndbd|\Qqhh kgig\enotes -\temps\notes&\Qqbb Ndbd|\Qqhh kgig\enotes -\temps\notes\qu K&\Qqbb Ndbd|\Qqhh kgig\enotes -%\check -% mesure 71 -\barre\notes\hu J\tleg0&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\soupir&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 72 -\barre\notes\lppz J\qu J&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\lppz J\qu J&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\lppz J\qu J&\Qqbb Nece|\soupir\enotes -%\check -% mesure 73 -\barre - \NOtes\hu J&\zq L\qlppz N|\uptext{\it aigre et nerveux}\zlppz c\qu e\enotes -\temps\NOtes&\zq L\qlppz N|\zlppz c\qu e\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\qu e\enotes -%\check -% mesure 74 -\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes -\temps\NOtes&\zq L\qlppz N|\zlppz c\qu e\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\qu e\enotes -%\check -% mesure 75 -\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes -\temps\notes&\zq L\uppz a\ql{_a}|\lppz c\zql{_d}\dqh fe\enotes -\temps\NOtes\soupir&\zq L\qlppz a|\lppz c\zql d\qu f\enotes -%\check -% mesure 76 -\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes -\temps\notes&\zq L\uppz a\ql{_a}|\na d\roff{\lppz d\zql d}\dqh ef\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\qu e\enotes -%\check -% mesure 77 -\barre\NOtes\hu{_K}&\zq L\qlppz N|\lppz c\zq{_d}\qu f\enotes -\temps\NOtes&\zq L\qlppz N|\lppz d\rq e\qu{=d}\enotes -\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\zlppz c\qu f\enotes -%\check -% mesure 78 -\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\qu e\enotes -\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\na d\roff{\lppz d\zql d}\dqh ef\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\qu e\enotes -%\check -% mesure 79 -\barre\NOtes\hu{_K}&\zq K\qlppz N|\lppz c\zq{_d}\qu g\enotes -\temps\NOtes&\zq L\qlppz N|\lppz d\zq{=d}\qu{^f}\enotes -\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\zlppz c\qu{=f}\enotes -%\check -% mesure 80 -\barre\NOtes\qu J&\zq L\qlppz N|\na c\zlppz c\qu e\enotes -\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\lppz c\zql c\dqh e{^d}\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\qu e\enotes -%\check -% mesure 81 -\barre\NOtes\hu{^K}&\zq L\qlppz N|\lppz b\zq {^d}\qu{b}\enotes -\temps\NOtes&\zq L\qlppz N|\zq a\lppz a\qu{^c}\enotes -\temps\NOtes\qu{=K}&\zq M\uppz a\ql{_a}|\lppz b\zq b\qu{=d}\enotes -%\check -% mesure 82 -\barre\NOtes\hu J&\zq L\qlppz N|\lppz c\zq{=c}\qu e\enotes -\temps\NOtes&\zq L\qlppz N|\zlppz c\qu e\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\qu e\enotes -%\check -% mesure 83 -\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\qu e\enotes -\temps\NOtes\qu{_K}&\zq L\qlppz N|\zlppz c\qu e\enotes -\temps\NOtes\qu J&\zq L\qlppz N|\zlppz c\qu e\enotes -% mesure 84 -\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\NOtes&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -%\check -% mesure 85 -\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\NOtes&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -%\check -% mesure 86 -\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\notes\qu{_K}&\zq L\uppz a\ql{_a}|\lppz c\zq f\zql{_d}\dqh {_h}g\enotes -\temps\NOtes\soupir&\zq L\qlppz a|\lppz c\zq d\zql f\qu h\enotes -%\check -% mesure 87 -\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\relax - \na d\lppz d\zq f\zql d\roff{\dqh g{_h}}\enotes - \nspace -\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\zq e\qu g\enotes -%\check -% mesure 88 -\barre\NOtes\hu{^J}&\zq L\qlppz N|\lppz c\zq{^c}\zq f\qu{_h}\enotes -\temps\NOtes&\zq L\qlppz N|\lppz d\rq e\zq d\qu g\enotes -\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\zlppz c\zq f\qu h\enotes -%\check -% mesure 89 -\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\notes\qu{K}&\zq L\uppz a\ql{_a}|\relax - \lfl e\lq e\lppz d\zql d\dqh g{=h}\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\na e\lppz c\zql c\zq e\qu g\enotes -%\check -% mesure 90 -\barre\NOtes\hu{^J}&\zq L\qlppz N|\lppz c\zq{^c}\zq e\zq g\qu{_i}\enotes -\temps\NOtes&\zq L\qlppz N|\lppz d\zq d\zq{^f}\qu h\enotes -\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\zlppz c\zql{_e}\qu{_h}\enotes -%\check -% mesure 91 -\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq{=e}\qu g\enotes -\temps\notes\qu{K}&\zq L\uppz a\ql{_a}|\lppz c\zq e\zql c\dqh g{^f}\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\zq e\qu g\enotes -%\check -% mesure 92 -\barre\NOtes\hu{^K}&\zq L\qlppz N|\lsh c\lppz b\rq c\zq{_b}\qu{^f}\enotes -\temps\NOtes&\zq L\qlppz N|\na b\lppz d\zq b\rq c\qu{=f}\enotes -\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\lppz b\zq b\qu{^f}\enotes -%\check -% mesure 93 -\barre\NOtes\hu J&\zq L\qlppz N|\lppz c\zq{=c}\zq e\qu g\enotes -\temps\NOtes&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -%\check -% mesure 94 -\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\NOtes\qu{_K}&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -\temps\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes -%\check -% mesure 95 -\barre\NOtes\qu L&\zq {La}\qlppz c|\zlppz e\zq h\qu j\enotes -\temps\NOtes\qu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes -\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes -%\check -% mesure 96 -\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes -\temps\NOtes&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes -\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes -% mesure 97 -\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes -\temps\notes&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\dqh jk\enotes -\temps\NOtes\soupir&\zq {Ma}\qlppz c|\zlppz f\zql {h}\qu j\enotes -%\check -% mesure 98 -\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq {jg}\qu l\enotes -\temps\NOtes&\zq {L=a}\qlppz c|\lna h\sh f\zlppz f\zq {hj}\qu{_l}\enotes -\temps\NOtes\soupir&\lfl a\zq {^Ma}\qlppz c|\zlppz f\zq {_h}\qu k\enotes -% mesure 99 -\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes -\temps\notes&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\dqh jk\enotes -\temps\NOtes\soupir&\zq {Ma}\qlppz c|\zlppz f\zql {h}\qu j\enotes -%\check -% mesure 100 -\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq {jg}\qu l\enotes -\temps\NOtes&\zq {L=a}\qlppz c|\lna h\sh f\zlppz f\zq {hj}\qu{_l}\enotes -\temps\NOtes\soupir&\lfl a\zq {^Ma}\qlppz c|\zlppz f\zq {_h}\qu k\enotes -% mesure 101 -\barre\NOtes\hu J&\zq {L=a}\qlppz c|\zlppz e\zq{=h}\qu j\enotes -\temps\notes&\zq {LN}\qlppz c|\zlppz e\zql {g}\dqh ji\enotes -\temps\NOtes\soupir&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\qu j\enotes -%\check -% mesure 102 -\barre\NOtes\hu J&\zq {L_a}\qlppz c|\zlppz e\rq f\qu{_h}\enotes -\temps\NOtes&\zq {LN}\uppz b\qlp{_b}|\zlppz e\zq g\qu{_i}\enotes -\temps\NOtes\soupir&\zq {_LN}\na b\qlppz b|\fl e\zlppz e\zq g\qu{=i}\enotes -%\check -% mesure 103 -\barre\NOtes\hu J&\zq {L=a}\qlppz c|\zlppz e\zq{=h}\qu j\enotes -\temps\notes&\zq {LN}\qlppz c|\zlppz e\zql {g}\dqh ji\enotes -\temps\NOtes\soupir&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\qu j\enotes -%\check -% mesure 104 -\barre\NOtes\hu J&\zq {L_a}\qlppz c|\zlppz e\rq f\qu{_h}\enotes -\temps\NOtes&\zq {LN}\uppz b\qlp{_b}|\zlppz e\zq g\qu{_i}\enotes -\temps\NOtes\soupir&\zq {_LN}\na b\qlppz b|\fl e\zlppz e\zq g\qu{=i}\enotes -%\check -% mesure 105 -\barre\NOtes\hu J&\zq {=LN}\qlppz c|\na e\zlppz e\zq g\qu j\enotes -\temps\notes&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\dqh jk\enotes -\temps\NOtes\soupir&\lsh M\zq {M=a}\qlppz c|\lsh f\zlppz f\zql {=h}\qu j\enotes -%\check -% mesure 106 -\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq {gj}\qu l\enotes -\temps\NOtes&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\NOtes\soupir&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -%\check -% mesure 107 -\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq {gj}\qu l\enotes -\temps\NOtes&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\NOtes\soupir&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -%\check -% mesure 108 -\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\notes&\zq {L_a}\uppz d\ql{_d}|\lppz f\zq{f_h}\zql{_k}\dqh ml\enotes -\temps\NOtes\soupir&\zq{La}\qlppz d|\lppz f\zq{fh}\zql k\qu m\enotes -%\check -% mesure 109 -\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\notes&\zq {L_a}\uppz d\ql{=d}|\zlppz e\zq{=h}\zql k\roff{\dqh lm}\enotes -\nspace -\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -%\check -% mesure 110 -\barre\NOtes\hu{^J}&\zq {LN}\sh c\qlppz c|\zlppz f\zq{h^j}\qu m\enotes -\temps\NOtes&\zq {LN}\qlppz d|\zlppz e\rq k\zq g\qu l\enotes -\temps\NOtes\soupir&\lfl a\zq {Ma}\na c\qlppz c|\lfl h\zlppz f\zq{h=j}\qu m\enotes - %\check -% mesure 111 -\barre\NOtes\hu K&\zq {^Ma}\qlppz d|\sh f\zlppz f\zq{hk}\qu{^m}\enotes -\temps\NOtes&\zq {^La}\sh c\qlppz c|\lsh j\sh e\zlppz e\zq{hj}\qu{^l}\enotes -\temps\NOtes\soupir&\zq {Ma}\qlppz d|\zlppz f\zq{hk}\qu{m}\enotes - %\check -% mesure 112 -\barre\NOtes\hu L&\zq {N=c}\qlppz e|\zlppz g\zq{j=l}\qu{n}\enotes -\temps\NOtes&\zq {^Ma}\qlppz d|\sh f\zlppz f\zq{hk}\qu{^m}\enotes -\temps\NOtes\soupir&\zq {Nc}\qlppz e|\zlppz g\zq{jl}\qu{n}\enotes - %\check -% mesure 113 -\barre\NOtes\hu K&\zq {^Ma}\qlppz d|\sh f\zlppz f\zq{hk}\qu{^m}\enotes -\temps\NOtes&\zq {^La}\sh c\qlppz c|\lsh j\sh e\zlppz e\zq{hj}\qu{^l}\enotes -\temps\NOtes\soupir&\zq {Ma}\qlppz d|\zlppz f\zq{hk}\qu{m}\enotes - %\check -% mesure 114 -\barre\NOtes\hu{_L}&\zq{Nc}\lppz e\ql{_e}|\zlppz g\zq{_lj}\qu{n}\enotes -\temps\NOtes&\zq{Nc}\qlppz{e}|\zlppz g\zq{lj}\qu{n}\enotes -\temps\NOtes\soupir&\zq{Nc}\qlppz{e}|\zlppz g\zq{lj}\qu{n}\enotes - %\check -% mesure 115 -\barre\NOtes\hu{K}&\zq{Nc}\fl e\qlppz{e}|\zlppz g\zq{_lj}\qu{n}\enotes -\temps\NOtes&\zq{Nc}\qlppz{e}|\zlppz g\zq{lj}\qu{n}\enotes -\temps\NOtes\soupir&\zq{Nc}\qlppz{e}|\zlppz g\zq{lj}\qu{n}\enotes - %\check -% mesure 116 -\barre\NOtes\hu{K}&\zq{Nb}\qlppz{d}|\zlppz g\zq{ik}\qu{n}\enotes -\temps\NOtes&\zq{Nb}\qlppz{d}|\zlppz g\zq{ik}\qu{n}\enotes -\temps\NOtes\soupir&\zq{Nb}\qlppz{d}|\zlppz g\zq{ik}\qu{n}\enotes -% mesure 117 -\barre -\notes\zcharnote B{\it legato}\Ilegu0b\hl L&\zcharnote g{\it - a tempo}\Qqbb Nece|\Uptext{\it bien - sirupeux~!}\ibbu0i0\qh0{lgj}\tqh0g\enotes -\temps\notes&\Qqbb Nece|\ibbu0i0\qh0{lgj}\tqh0g\enotes -\temps\notes\ql L&\Qqbb Nece|\ibbu0i0\qh0{lgj}\tqh0g\enotes -%\check -% mesure 118 -\barre\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql K&\Qqbb Ndbd|\Qqhh kgig\enotes -\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 119 -\barre\notes\ql J&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql K&\Qqbb Ndbd|\Qqhh kgig\enotes -\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 120 -\barre\notes\qlp N&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\sk\tleg0\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\Ilegu0b\ql N&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 121 -\barre\notes\bigfl a\hlp a&\bigaccid\Qqbb Mc{_a}c|\bigaccid\Qqhh m{_h}jh\enotes -\temps\notes&\Qqbb Mcac|\Qqhh mhjh\enotes -\temps\notes&\Qqbb Mcac|\Qqhh mhjh\enotes -%\check -% mesure 122 -\barre\notes\qlp N\tleg0&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\sk\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\Ilegu0c\ql N&\Qqbb Nece|\Qqhh lgjg\enotes -% mesure 123 -\barre\notes\hl c&\bigfl a\Qqbb afcf|\bigaccid\Qqhh m{_h}jh\enotes -\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes -\temps\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 124 -\barre\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql M&\Qqbb {=a}fcf|\Qqhh m{=h}jh\enotes -\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 125 -\barre\notes\hu K\tleg0&\Qqbb Ndbd|\Qqhh kgig\enotes -\temps\notes&\Qqbb Ndbd|\Qqhh kgig\enotes -\temps\notes\soupir&\Qqbb Ndbd|\Qqhh kgig\enotes -%\check -% mesure 126 -\barre\notes\Ilegu0b\hl L&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 127 -\barre\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql K&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 128 -\barre\notes\ql J&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql K&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 129 -\barre\notes\qlp N&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\sk\tleg0\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\Ilegu0c\ql N&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 130 -\barre\notes\hlp c&\Qqbb afcf|\Qqhh mhjh\enotes -\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes -\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes -%\check -% mesure 131 -\barre\notes\qlp b\tleg0&\Qqbb Nebe|\Qqhh lgig\enotes -\temps\notes\sk\sk\ds&\Qqbb Nebe|\Qqhh lgig\enotes -\temps\notes\Ilegu0c\ql c&\Qqbb aece|\Qqhh lhjh\enotes -% mesure 132 -\barre\notes\qlp b\tleg0&\Qqbb Nebe|\Qqhh lgig\enotes -\temps\notes\sk\sk\ds&\Qqbb Nebe|\Qqhh lgig\enotes -\temps\notes\Ilegu0c\ql c&\Qqbb aece|\Qqhh lhjh\enotes -%\check -% mesure 133 -\barre\notes\ql b&\Qqbb Nebe|\Qqhh lgig\enotes -\temps\notes\ql N&\Qqbb Nebe|\Qqhh lgig\enotes -\temps\notes\ql a&\Qqbb aece|\Qqhh lhjh\enotes -%\check -% mesure 134 -\barre\notes\ql b&\Qqbb Nebe|\Qqhh lgig\enotes -\temps\notes\ql a&\Qqbb aece|\Qqhh lhjh\enotes -\temps\nspace\notes\ql b&\varaccid\Qqbb a{^f}{^d}f|\varaccid\sh m\Qqhh mh{^k}h\enotes -%\check -% mesure 135 -\barre\notes\hl L\tleg0&\Qqbb Nebe|\Qqhh lgig\enotes -\temps\notes&\Qqbb Nebe|\Qqhh lgig\enotes -\temps\notes\soupir&\Qqbb Nebe|\Qqhh lgig\enotes -%\check -% mesure 136 -\barre\notes\Ilegu0b\hl N&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes&\Qqbb Nece|\Qqhh lgjg\enotes -\temps\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes -%\check -% mesure 137 -\barre\notes\ql N&\Qqbb Nebe|\Qqhh lgig\enotes -\temps\notes\ql M&\Qqbb afcf|\Qqhh mhjh\enotes -\temps\notes\ql L&\Qqbb Nece|\Qqhh njlj\enotes -%\check -% mesure 138 -\barre\notes\hl K&\Qqbb Ndbd|\Qqhh niki\enotes -\temps\notes&\Qqbb Ndbd|\Qqhh niki\enotes -\temps\notes\ql K&\Qqbb Ndbd|\Qqhh niki\enotes -%\check -% mesure 139 -\barre\notes\hl J\tleg0&\Qqbb Nece|\Qqhh njlj\enotes -\temps\notes&\Qqbb Nece|\Qqhh njlj\enotes -\temps\notes\soupir&\Qqbb Nece|\Qqhh njlj\enotes -%\check -% mesure 140 -\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq {gj}\qu l\enotes -\temps\NOtes&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\NOtes\soupir&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -%\check -% mesure 141 -\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\notes&\zq {L_a}\uppz d\ql{_d}|\lppz f\zq{f_h}\zql{_k}\dqh ml\enotes -\temps\NOtes\soupir&\zq{La}\qlppz d|\lppz f\zq{fh}\zql k\qu m\enotes -%\check -% mesure 142 -\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\notes&\zq {L_a}\uppz d\ql{=d}|\zlppz e\zq{=h}\zql k\roff{\dqh lm}\enotes -\nspace -\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -%\check -% mesure 143 -\barre\NOtes\hu{^J}&\zq {LN}\sh c\qlppz c|\zlppz f\zq{h^j}\qu m\enotes -\temps\NOtes&\zq {LN}\qlppz d|\zlppz e\rq k\zq g\qu l\enotes -\temps\NOtes\soupir&\lfl a\zq {Ma}\na c\qlppz c|\zlppz f\zq{h=j}\qu m\enotes -%\check -% mesure 144 -\barre\NOtes\qu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\notes\doubler\qu{=K}&\zq {L_a}\ql d|\lppz e\zq{e_h}\zql k\roff{\dqh lm}\enotes -\nspace -\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -%\check -% mesure 145 -\barre\NOtes\hu{^J}&\zq {KN}\sh c\qlppz c|\lppz g\zq{g^j}\rq k\qu n\enotes -\temps\NOtes&\zq{LN}\qlppz d|\zq{^fj}\rq l\qu{^m}\enotes -\temps\NOtes\soupir&\zq {M_a}\qlppz c|\lfl h\na f\zlppz f\zq{hj}\qu{=m}\enotes -%\check -% mesure 146 -\barre\NOtes\qu J&\zq {LN}\na c\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\notes\doubler\qu{=K}&\lfl a\zq {La}\na d\qlppz d|\lppz e\zq{_h}\zql j\dqh l{^k}\enotes -\temps\NOtes\soupir&\zq {LN}\qlppz c|\lppz e\zq{egj}\qu l\enotes -%\check -% mesure 147 -\barre\NOtes\qsk\hu{^K}&\qsk\lfl b\na d\zq {LNb}\qlppz d|\qsk - \zlppz e\zq{g}\qu{=k}\enotes -\temps\NOtes&\sh c\zq {LN}\qlppz c|\zq e\lppz e\zq h\qu{^j}\enotes -\temps\NOtes\qu{=K}&\lq a\lfl a\zq {M}\qlppz b|\lppz d\zq {df_h}\qu k\enotes -%\check -% mesure 148 -\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\NOtes&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -%\check -% mesure 149 -\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\NOtes&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes -%\check -% mesure 150 -\def\sQqbb{\smallnotesize\Qqbb}% -\def\sqqBB{\smallnotesize\qqBB}% -\def\sQqhh{\smallnotesize\Qqhh}% -\notes\hu J&\sQqbb Nece|\smallnotesize\roff{\normalnotesize\zhu l}\relax - \ibbl0i0\qb0{lgj}\tqb0g\enotes -\temps\notes&\sQqbb cece|\smallnotesize\ibbl0i0\qb0{jgj}\tqb0g\enotes -\temps\notes\qu J&\sQqbb Nece|\zqu l\smallnotesize\ibbl0i0\qb0{lgj}\tqb0g\enotes -%\check -% mesure 151 -\barre\notes\qu J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes -\temps\notes\qu G&\sQqbb Ndbd|\zqu k\sqqBB kgig\enotes -\temps\notes\qu J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes -%\check -% mesure 152 -\barre\notes\qu H&\sQqbb Nece|\zqu j\sqqBB jghg\enotes -\temps\notes\qu I&\sQqbb Ndbd|\zqu k\sqqBB kgig\enotes -\temps\notes\qu J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes -%\check -% mesure 153 -\barre\notes\qlp L&\sQqbb Nece|\zqup n\sqqBB njlj\enotes -\temps\notes\sk\sk\ds&\sQqbb cece|\rlap{\sk\sk\raise 3\Interligne\ds}\relax - \sqqBB ljlj\enotes -\temps\notes\ql L&\sQqbb Nece|\zqu n\sqqBB njlj\enotes -%\check -% mesure 154 -\barre\notes\hlp M&\sQqbb Mcac|\rlap{\smallnotesize\qsk\normalnotesize\hup o}\relax - \sqqBB ojmj\enotes -\temps\notes&\sQqbb acac|\sqqBB mjmj\enotes -\temps\notes&\sQqbb acac|\sqqBB mjmj\enotes -%\check -% mesure 155 -\barre\notes\qlp L&\sQqbb Nece|\zqup n\sqqBB njlj\enotes -\temps\notes\sk\sk\ds&\sQqbb cece|\rlap{\sk\sk\raise 3\Interligne\ds}\relax - \sqqBB ljlj\enotes -\temps\notes\ql L&\sQqbb Nece|\zqu n\sqqBB njlj\enotes -%\check -% mesure 156 -\barre\notes\hl M&\sQqbb afcf|\rlap{\smallnotesize\qsk - \normalnotesize\hu q}\sqqBB qmom\enotes -\temps\notes&\sQqbb afcf|\sqqBB omom\enotes -\temps\notes\itenu0L\ql L&\sQqbb Nece|\zqu n\sqqBB njlj\enotes -%\check -% mesure 157 -\barre\notes\tten0\ql L&\sQqbb Nece|\zqu n\sqqBB njlj\enotes -\temps\notes\ql K&\sQqbb afcf|\zqu m\sqqBB mhjh\enotes -\temps\notes\ql J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes -%\check -% mesure 158 -\barre\notes\hu G&\sQqbb Ndbd|\rlap{\smallnotesize\qsk\normalnotesize\hu k}\relax - \sqqBB kgig\enotes -\temps\notes&\sQqbb Ndbd|\sqqBB igig\enotes -\temps\notes\soupir&\sQqbb Ndbd|\raise 2\Interligne\rlap{\soupir}\sqqBB igig\enotes -%\check -% mesure 159 -\barre\notes\hu J&\sQqbb Nece|\rlap{\smallnotesize\qsk\normalnotesize\hu l}\relax - \sqqBB lgjg\enotes -\temps\notes&\sQqbb Nece|\sqqBB jgjg\enotes -\temps\notes\qu J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes -%\check -% mesure 160 -\barre\notes\qu J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes -\temps\notes\qu I&\sQqbb Ndbd|\zqu k\sqqBB kgig\enotes -\temps\notes\qu G&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes -%\check -% mesure 161 -\barre\notes\qu J&\sQqbb Nece|\zqu j\sqqBB jghg\enotes -\temps\notes\qu H&\sQqbb Nece|\zqu k\sqqBB kgig\enotes -\temps\notes\qu G&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes -%\check -% mesure 162 -\barre\notes\qup J&\sQqbb Nece|\zqup n\sqqBB njlj\enotes -\temps\notes\sk\sk\ds&\sQqbb Nece|\rlap{\sk\sk\raise 3\Interligne\ds}\relax - \sqqBB ljlj\enotes -\temps\notes\qu J&\sQqbb Nece|\zqu n\sqqBB njlj\enotes -%\check -% mesure 163 -\barre\notes\hlp M&\sQqbb afcf|\rlap{\smallnotesize\qsk\normalnotesize\hup q}\relax - \sqqBB qmom\enotes -\temps\notes&\sQqbb afcf|\sqqBB omom\enotes -\temps\notes&\sQqbb afcf|\sqqBB omom\enotes -%\check -% mesure 164 -\barre\notes\qlp L&\sQqbb Nece|\zqup n\sqqBB njlj\enotes -\temps\notes\sk\sk\ds&\sQqbb Nece|\rlap{\sk\sk\raise 3\Interligne\ds}\relax - \sqqBB ljlj\enotes -\temps\notes\ql L&\sQqbb Nece|\zqu n\sqqBB njlj\enotes -% mesure 165 -\barre\notes\ql L&\sQqbb Nece|\zqu n\sqqBB njlj\enotes -\temps\notes\ql K&\sQqbb afcf|\zqu m\sqqBB mhjh\enotes -\temps\notes\ql J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes -%\check -% mesure 166 -\barre\notes\hu G&\sQqbb Ndbd|\rlap{\smallnotesize\qsk\normalnotesize\hu k}\relax - \sqqBB kgig\enotes -\temps\notes&\sQqbb Ndbd|\sqqBB igig\enotes -\temps\notes\qu G&\sQqbb Ndbd|\zqu k\sqqBB kgig\enotes -%\check -% mesure 167 -\barre\notes\hu J&\sQqbb -LcNc|\normalnotesize\roff{\zhu j}\relax - \sqqBB jege\enotes -\temps\notes&\sQqbb LcNc|\sqqBB gege\enotes -\temps\notes\soupir&\sQqbb LcNc|\rlap{\raise 2\interligne\soupir}\relax - \sqqBB gege\enotes -% mesure 168 -\barre -\Notes\hu L&\zh c\hl g|\zh{jl}\hl n\enotes -\temps\Notes&\enotes -\temps\Notes\qu L&\zq c\qlppz g|\zq{jl}\qlppz n\enotes -% mesure 169 -\barre\Notes\qu L&\zq c\ql g|\zq{jl}\ql n\enotes -\temps\Notes\qu K&\zq b\ql f|\zq{ik}\ql m\enotes -\temps\Notes\qu J&\zq N\ql e|\zq{gj}\ql l\enotes -%\check -% mesure 170 -\barre\Notes\hu G&\zh N\hl d|\zh{gi}\hl k\enotes -\temps\Notes&\enotes -\temps\Notes\qu G&\zq N\ql d|\zq{gi}\ql k\enotes -%\check -% mesure 171 -\barre\NOtes\itenu0J\hup J&\itenl1N\itenu2c\zhp N\hlp c|\itenl3e\itenu4g\itenu5j\zhp e\zhp g\hlp j\enotes -%\check -% mesure 172 -\barre\Notes\tten0\zhlp J\hlp C&\tten1\tten2\zhp N\hlp c|\tten3\tten4\tten5\zhp e\zhp g\hlp j\enotes -%\mulooseness 1\relax -\mulooseness -4\relax -\finmorceau -\rightline{\sl\aujourdhui}\vfil\eject -\bye diff --git a/macros/musixtex/doc/examples/eightbitchar.tex b/macros/musixtex/doc/examples/eightbitchar.tex deleted file mode 100644 index 54969d68d0..0000000000 --- a/macros/musixtex/doc/examples/eightbitchar.tex +++ /dev/null @@ -1,12 +0,0 @@ - -\input plainenc\relax\inputencoding{cp1252} -\input musixtex -\input musixlyr -\hsize50mm -\setlyrics1{á ä ö}\assignlyrics11% -\startpiece\addspace{4pt}% -\znotes\zcharnote{12}{Poème naïf}\en% -\Notes\qa{ggg}\en% -\endpiece -\vfill\eject -\end diff --git a/macros/musixtex/doc/examples/fantaisc.tex b/macros/musixtex/doc/examples/fantaisc.tex deleted file mode 100644 index 7a965a7350..0000000000 --- a/macros/musixtex/doc/examples/fantaisc.tex +++ /dev/null @@ -1,4 +0,0 @@ -\def\ftranspose{-1} -\def\fsignature{-3} -\input fantaisi -\bye diff --git a/macros/musixtex/doc/examples/fantaisd.tex b/macros/musixtex/doc/examples/fantaisd.tex deleted file mode 100644 index 7bb931e091..0000000000 --- a/macros/musixtex/doc/examples/fantaisd.tex +++ /dev/null @@ -1,2 +0,0 @@ -\input fantaisi -\bye diff --git a/macros/musixtex/doc/examples/fantaisi.tex b/macros/musixtex/doc/examples/fantaisi.tex deleted file mode 100644 index 3d84d2b181..0000000000 --- a/macros/musixtex/doc/examples/fantaisi.tex +++ /dev/null @@ -1,1238 +0,0 @@ -\ifx\ftranspose\undefined\def\ftranspose{0}\fi -\ifx\fsignature\undefined\def\fsignature{-1}\fi - -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi - - -\fullauthor{Daniel TAUPIN} -\shortauthor{D. Taupin} -\shorttitle{Fantaisie en style romantique} -\title{Fantaisie en style romantique} -\transpose=\ftranspose\relax -\newif\iffiveoctaves -\ifnum\transpose=0\relax - \subtitle{(pour orgue \`a 5 octaves)} - \fiveoctavestrue - \else\ifnum\transpose=-1\relax - \subtitle{(pour orgue \`a 4 octaves et demi, do--sol)} - \fiveoctavesfalse - \else - \subtitle{(pour orgue)} - \fiveoctavesfalse - \fi -\fi - -\othermention{Compos\'e en 1992\\r\'evis\'e en 1995} -\maketitle - -\ifx\ftranspose\undefined\def\ftranspose{0}\fi -\ifx\fsignature\undefined\def\fsignature{-1}\fi - -\parindent 18mm -\tracingstats=2\relax -% -% formes fr\'equentes -% -%au moins deux croches basses et hautes -\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% -\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% -%au moins deux doubles croches basses et hautes -\def\dqbb#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% -\def\dqhh#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% -%au moins trois doubles croches basses et hautes -\def\tqbb#1#2#3{\Ibbl0{#1}{#3}2\qb0{#1#2}\tqb0{#3}}% -\def\Tqbb#1#2#3{\ibbl0{#2}0\qb0{#1#2}\tqb0{#3}}% -\def\sTqbb#1#2#3{{\smallnotesize\Tqbb{#1}{#2}{#3}}}% -%au moins quatre croches basses et hautes -\def\qqb#1#2#3#4{\Ibl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% -\def\Qqb#1#2#3#4{\Ibl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}% -\def\qqB#1#2#3#4{\Ibl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}% -\def\qqh#1#2#3#4{\Ibu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% -\def\Qqh#1#2#3#4{\Ibu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}% -\def\qqH#1#2#3#4{\Ibu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}% -%au moins quatre doubles croches basses et hautes -\def\qqbb#1#2#3#4{\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% -\def\sqqbb#1#2#3#4{{\smallnotesize\qqbb{#1}{#2}{#3}{#4}}}% -\def\Qqbb#1#2#3#4{\Ibbl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}% -\def\sQqbb#1#2#3#4{{\smallnotesize\Qqbb{#1}{#2}{#3}{#4}}}% -\def\qqBB#1#2#3#4{\Ibbl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}% -\def\sqqBB#1#2#3#4{{\smallnotesize\qqBB{#1}{#2}{#3}{#4}}}% -\def\qqhh#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% -\def\Qqhh#1#2#3#4{\Ibbu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}% -\def\qqHH#1#2#3#4{\Ibbu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}% -\def\sqqHH#1#2#3#4{{\smallnotesize\qqHH{#1}{#2}{#3}{#4}}}% -% -\nbporteesii=2\relax -\def\nbinstruments{2} -\global\cleftoksii={{6}{0}{0}{0}}% -\global\cleftoksi={{6}{0}{0}{0}}% -% -\signaturegenerale{\fsignature}\relax % r\'e mineur -\transpose=\ftranspose\relax -\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% -\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% -\def\deuxtemps{\generalmeter{\meterfrac{2}{4}}}% -\def\Quatretemps{\generalmeter{\meterfrac{4}{2}}}% -\def\Troistemps{\generalmeter{\meterfrac{3}{2}}}% -\def\Deuxtemps{\generalmeter{\meterfrac{2}{2}}}% -%\check -\def\instrumenti{P\'edale 16'}% -\def\instrumentii{G.O.}% -%\check -\medskip\noindent{\rm G.O.: Plein jeu, fonds 16' {\sl ad libitum.}}% -\par\noindent{\rm Pos.: Plein jeu, acc. G.O.}% -\par\noindent{\rm P\'ed.: fonds et anches 16', tirasses G.O. \& pos.}% -\smallskip -% -\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}% -\def\doubler{\multiply\noteskip by 2\relax}% -\quatretemps -\staffbotmarg=10pt -\debutmorceau -\relativeaccidentals -\bigaccid -\autolines{9}55\relax -\notes&|\Uptext{\hbox{\kern -16mm\moyen Allegro maestoso - \bf(\metron{\qu}{55})}}\enotes -\advance\linesinpage by 1\relax -%\check -% mesure 1 -\temps\notes\sk\soupir&\sk\soupir|\qqhh de{^c}d\enotes -%\check -% mesure 2 -%\check -\barre\NOTes\hu K&\zh M\hl a|\zh d\hu f\enotes -\temps\NOtes&|\soupir\enotes -\temps\notes\hpause&\hpause|\qqhh de{^c}d\enotes -%\check -% mesure 3 -%\check -\barre\NOTes\hu K&\zh M\hl a|\zh{df}\hu h\enotes -\temps\NOtes&|\soupir\enotes -\temps\notes\hpause&\hpause|\qqhh de{^c}d\enotes -%\check -% mesure 4 -%\check -\deuxtemps\changecontext -\Notes\dqh{^J}J&\zmidtwotext{\it rit.}\ibl1L0\zq{LN}\qb1b\zq{LN}\tqb1b\relax - |\ibu2i0\zq{eg}\qh2i\zq{eg}\tqh2i\enotes -\temps\Notes\dqh{J}J&\ibl1L0\zq{LN}\qb1b\zq{LN}\tqb1b\relax - |\ibu2i0\zq{eg}\qh2i\zq{eg}\tqh2i\enotes -%\check -% mesure 5 -%\check -\quatretemps\changecontext -\NOTes\pointdurgue G\hu K&\pointdorgue a\zh{M}\hl a\relax - |\pointdorgue l\zh{df}\hu h\enotes -\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 6 -%\check -\barre\NOTes\hu K&\zh{LN}\hl b|\zh{d}\lh e\hl g\enotes -\temps\NOtes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 7 -%\check -\barre\NOTes\hu K&\zh{M}\hl a|\zh{d}\hu f\enotes -\temps\NOtes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh HI{^G}H|\qqhh ab{^N}a\enotes -%\check -% mesure 8 -%\check -\deuxtemps\changecontext -\addspace{-0.5\afterruleskip}% -\Notes\dqh HH&\zcharnote c{\it rit.}\ibl0K0\zq{K}\qb0M\zq{K}\tqb0M\relax - |\ibu0f0\zq{ad}\qh0f\zq{ad}\tqh0f\enotes -\temps\Notes\dqh HH&\ibl0J0\zq{^J}\qb0L\zq{J}\tqb0L\relax - |\ibu0e0\zq{a^c}\qh0e\zq{ac}\tqh0e\enotes -%\check -% mesure 9 -%\check -\quatretemps\changecontext -\NOTes\pointdurgue D\hu D&\pointdorgue N\zh{HK}\hl M\relax - |\pointdorgue l\zh{a}\hu d\enotes -\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 10 -%\check -\barre\NOTes\hu K&\zh M\hl a|\zh d\hu f\enotes -\temps\NOtes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 11 -%\check -\barre\NOTes\hu K&\zh M\hl a|\zh{df}\hu h\enotes -\temps\NOtes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 12 -%\check -\deuxtemps\changecontext -\Notes\dqh{^J}J&\zmidtwotext{\it rit.}\ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax - |\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes -\temps\Notes\dqh{J}J&\ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax - |\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes -%\check -% mesure 13 -%\check -\quatretemps\changecontext -\NOTes\pointdurgue G\hu{=J}&\pointdorgue a\Sh M\zh{M}\hl a\relax - |\pointdorgue l\lsh f\zh{=cf}\hu h\enotes -\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh JK{^I}J|\qqhh cd{^b}c\enotes -%\check -% mesure 14 -%\check -\barre\NOTes\hu J&\zh{=M}\hl a|\zh{c=f}\hu h\enotes -\temps\NOtes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh {^I}JHI|\qqhh {^b}cab\enotes -%\check -% mesure 15 -%\check -\barre\NOTes\hu{^I}&\zh{K}\hl N|\zh{d}\hu g\enotes -\temps\NOtes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh {=I}JHI|\qqhh {=b}cab\enotes -%\check -% mesure 16 -%\check -\barre\NOTes\hu{=I}&\zh{L}\hl N|\zh{be}\hu g\enotes -\temps\NOtes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh HI{^G}H|\qqhh ab{^N}a\enotes -%\check -% mesure 17 -%\check -\deuxtemps\changecontext -\addspace{-0.5\afterruleskip}% -\Notes\dqh HH&\zcharnote c{\it rit.}\ibl0K0\zq{K}\qb0M\zq{K}\tqb0M\relax - |\ibu0f0\zq{ad}\qh0f\zq{ad}\tqh0f\enotes -\temps\Notes\dqh HH&\ibl0J0\zq{^J}\qb0L\zq{J}\tqb0L\relax - |\ibu0e0\zq{a^c}\qh0e\zq{ac}\tqh0e\enotes -%\check -% mesure 18 -%\check -\quatretemps\changecontext -\NOTes\pointdurgue D\hu D&\pointdorgue N\zh{HK}\hl M\relax - |\pointdorgue l\zh{a}\hu d\enotes -\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 19 -\advance\barsinline by 1\relax -\barre\notes\hup K&\bigSh M\Qqbb Mcac|\doubler\bigSh f\zh{f}\zhl h\qu{_l}\enotes -\temps\notes&\Qqbb Mcac|\doubler\qu k\enotes -\temps\notes&\Qqbb Mcac|\doubler\zh{f}\zhl h\qu k\enotes -\temps\notes\soupir&\Qqbb Mcac|\doubler\qu j\enotes -%\check -% mesure 20 -\barre\autolines{16}45\relax -\notes\hup G&\Qqbb KbNb|\doubler\zh{d}\zhl g\hu i\enotes -\temps\notes&\Qqbb KbNb\enotes -\temps\notes&\Qqbb KbNb|\doubler\dqh gh\enotes -\temps\notes\soupir&\Qqbb KbNb|\doubler\dqh{^f}g\enotes -%\check -% mesure 21 -\barre\notes\hup J&\Qqbb LcNc|\doubler\zh{e}\zhl g\qu k\enotes -\temps\notes&\Qqbb LcNc|\doubler\qu j\enotes -\temps\notes&\Qqbb LcNc|\doubler\zh{e}\zhl g\qu j\enotes -\temps\notes\soupir&\Qqbb LcNc|\doubler\qu i\enotes -%\check -% mesure 22 -\barre\notes\hup F&\Qqbb JaLa|\doubler\zh{cf}\hu h\enotes -\temps\notes&\Qqbb JaLa\enotes -\temps\notes&\Qqbb JaMa|\doubler\cNa f\dqh fg\enotes -\temps\notes\soupir&\Qqbb JaMa|\doubler\dqh ef\enotes -%\check -% mesure 23 -\barre\notes\hup I&\Qqbb KbMb|\doubler\zh{d}\zhl f\qu j\enotes -\temps\notes&\Qqbb KbMb|\doubler\qu i\enotes -\temps\notes&\Qqbb KbMb|\doubler\zh{d}\zhl f\qu i\enotes -\temps\notes\soupir&\Qqbb KbMb|\doubler\qu h\enotes -%\check -% mesure 24 -\barre\autolines{16}35\relax -\notes\hup H&\Qqbb LbNb|\doubler\zh{^ce}\hu g\enotes -\temps\notes&\Qqbb LbNb\enotes -\temps\notes&\bigaccid\Qqbb L{^c}Nc|\doubler\dqh ef\enotes -\temps\notes\soupir&\Qqbb LcNc|\doubler\dqh de\enotes -%\check -% mesure 25 -\barre\notes\hu G&\Qqbb LbNb|\doubler\zh{^c}\zhl e\qu i\enotes -\temps\notes&\Qqbb LbNb|\doubler\qu h\enotes -\temps\notes\hu H&\Qqbb LbNb|\doubler\zh{c}\zhl e\qu h\enotes -\temps\notes&\Qqbb LbNb|\doubler\qu g\enotes -%\check -% mesure 26 -\barre\notes\hu K&\Qqbb KaMa|\doubler\zhl{d}\qu f\enotes -\temps\notes&\Qqbb KaMa|\qqhh gfef\enotes -\nspace -\temps\notes\hu K&\bigaccid\Qqbb Ka{^M}a|\doubler\zhl{d}\qu{^f}\enotes -\temps\notes&\Qqbb KaMa|\qqhh gfef\enotes -%\check -% mesure 27 -\barre\notes\hu K&\Qqbb KbNb|\doubler\zhl{d}\qu g\enotes -\temps\notes&\Qqbb KbNb|\qqhh hg{^f}g\enotes -\temps\notes\hu K&\bigaccid\Qqbb Ka{^M}a|\doubler\zh d\zhl{f}\qu h\enotes -\temps\notes&\Qqbb KaMa|\qqhh ihgh\enotes -%\check -% mesure 28 -\barre\notes\hl K&\Qqbb KbNb|\doubler\zh d\zhl{g}\qu i\enotes -\temps\notes&\Qqbb KbNb|\qqhh hg{^f}g\enotes -\nspace -\temps\notes\hl L&\bigaccid\Qqbb L{^c}Nc|\doubler\zh e\zhl{g}\qu{^j}\enotes -\temps\notes&\Qqbb LcNc|\qqhh kj{^i}j\enotes -%\check -% mesure 29 -\barre\bigaccid -\notes\wh M&\Qqbb Mdad|\bigaccid\zh{=fh}\hu k\enotes -\temps\notes&\Qqbb Mdad|\enotes -\temps\notes&\Qqbb Mdad|\zh{f}\hu h\enotes -\temps\notes&\Qqbb Mdad|\enotes -% -% mesure 30 -\barre\autolines{10}55\relax -\notes\hu G&\Qqbb INKN|\doubler\zh{b}\zhl d\qu g\enotes -\temps\notes&\zmidtwotext{\it rit.}\Qqbb INKN|\qu f\enotes -\temps\notes\hu H&\Qqbb {^J}NLN|\doubler\zhl{a^c}\qu e\enotes -\temps\notes&\Qqbb {J}NLN|\qu d\enotes -%\check -% mesure 31 -%\check -\barre\NOTes\pointdurgue D\hu D&\pointdorgue N\zh{HK}\hl M\relax - |\pointdorgue l\zh{a}\hu d\enotes -\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes -\varaccid -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 32 -%\check -\barre\NOTes\hu K&\zh M\hl a|\zh d\hu f\enotes -\temps\Notes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 33 -%\check -\barre\NOTes\hu K&\zh M\hl a|\zh{df}\hu h\enotes -\temps\Notes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 34 -%\check -\deuxtemps\changecontext\autolines{9}55\relax -\addspace{-\afterruleskip}% -\Notes\qsk\cNa J\dqh{J}J&\qsk\zmidtwotext{\it rit.} - \ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax - |\qsk\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes -\temps\Notes\dqh{J}J&\ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax - |\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes -%\check -% mesure 35 -%\check -\quatretemps\changecontext -\NOTEs\cNa F\hu{F}&\zh{JL}\hl a|\zh{ce}\hu h\enotes -\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh JK{^I}J|\qqhh cd{^b}c\enotes -%\check -% mesure 36 -%\check -\barre\NOTes\hu H&\zh{J=M}\hl a|\zh{c=f}\hu h\enotes -\temps\NOtes&\soupir|\soupir\enotes -\bigaccid -\temps\notes\hpause&\qqhh {^I}JHI|\qqhh {^b}cab\enotes -%\check -% mesure 37 -%\check -\barre\NOTes\hu{=I}&\zh{L}\hl{N}|\zh{=be}\hu g\enotes -\temps\NOtes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh {=I}JHI|\qqhh bcab\enotes -%\check -% mesure 38 -%\check -\deuxtemps\changecontext -\Notes\dqh HH&\zcharnote c{\it rit.}\ibl0K0\zq{K}\qb0M\zq{K}\tqb0M\relax - |\ibu0f0\zq{ad}\qh0f\zq{ad}\tqh0f\enotes -\temps\Notes\dqh HH&\ibl0J0\zq{^J}\qb0L\zq J\tqb0L\relax - |\ibu0e0\zq{a^c}\qh0e\zq{ac}\tqh0e\enotes -%\check -% mesure 39 -\quatretemps\changecontext\stemcut -\notes\hu D&\Qqbb HMKM|\uptext{\it\kern -1em un -poco pi\`u vivo}\zqp a\qup d\enotes -\temps\notes&\Qqbb HMKM|\sk\sk\ds\enotes -\zalaligne\autolines{15}45\relax -%\check -\notes\sk\sk\hpause&\Qqbb KaMa|\Ilegu0r\ql o\enotes -\temps\notes&\Qqbb KaMa|\ql o\enotes -%\check -% mesure 40 -\def\atnextline{\autolines{17}35}\relax -\barre\notes\wh K&\Qqbb Mdad|\zhl h\qu o\enotes -\temps\notes&\Qqbb Mdad|\doubler\dqh nm\enotes -\temps\notes&\Qqbb Mdad|\zhl g\qu l\enotes -\temps\notes&\Qqbb Mdad|\qu k\enotes -%\check -% mesure 41 -\barre\notes\wh H&\bigaccid\Qqbb L{^c}Nc|\doubler\zhl h\hu{^j}\tleg0\enotes -\temps\notes&\Qqbb LcNc|\enotes -\temps\notes&\Qqbb LcNc|\Ilegu0r\zql h\qu h\enotes -\temps\notes&\Qqbb LcNc|\zqu h\qsk\zql g\enotes -%\check -% mesure 42 -\barre\notes\qu K&\Qqbb Mdad|\zql f\qu k\enotes -\temps\notes\bigSh J\qu J&\Qqbb L{^c}Nc|\zql i\qu l\enotes -\temps\notes\qu K&\Qqbb Mdad|\zql h\qu m\enotes -\temps\notes\qu I&\Qqbb KbNb|\zql i\qu n\enotes -%\check -% mesure 43 -\barre\notes\hu H&\Qqbb L{^c}Nc|\bigSh j\zqlp j\qup l\tleg0\enotes -\temps\notes&\Qqbb LcNc|\sk\sk\ds\enotes -\temps\notes\sk\sk\sk\hpause&\Qqbb KaMa|\zhl h\Ilegu0r\qu o\enotes -\temps\notes&\Qqbb KaMa|\qu o\enotes -%\check -% mesure 44 -\barre\notes\hu K&\Qqbb Mdad|\zhl h\qu o\enotes -\temps\notes&\Qqbb Mdad|\doubler\dqh nm\enotes -\temps\notes\hu K&\Qqbb Mdad|\zhl g\qu l\enotes -\temps\notes&\Qqbb Mdad|\qu k\enotes -%\check -% mesure 45 -\barre\notes\zwh G&\Qqbb KbNb|\zhlp i\hu p\enotes -\temps\notes&\Qqbb KbNb|\enotes -\temps\notes&\Qqbb KbNb|\qu n\enotes -\temps\notes&\Qqbb KbNb|\zqu p\raise -2\Interligne\soupir\enotes -%\check -% mesure 46 -\barre\notes\qu H&\Qqbb Mdad|\zql m\qu o\enotes -\temps\notes\qu I&\Qqbb KbNb|\zql l\qu n\enotes -\temps\notes\hu H&\Qqbb Mdad|\zql k\qu m\enotes -\temps\notes&\bigaccid\Qqbb L{^c}Nc|\bigSh j\zql j\qu l\enotes -%\check -% mesure 47 -\barre\notes\hup D&\Qqbb KaMa|\zqlp f\qup k\tleg0\enotes -\temps\notes&\Qqbb KaMa|\sk\sk\dsoupir\enotes -\temps\notes&\Qqbb KbNb|\Ilegu0r\ql r\enotes -\temps\notes\soupir&\Qqbb KbNb|\ql r\enotes -\def\atnextline{}% -%\check -% mesure 48 -\barre\notes\hu G&\Qqbb LcNc|\ql r\enotes -\temps\notes&\Qqbb LcNc|\doubler\dqb qp\enotes -\temps\notes\hu J&\Qqbb LcNc|\ql o\enotes -\temps\notes&\Qqbb LcNc|\ql n\enotes -%\check -% mesure 49 -\barre\notes\hu H&\Qqbb Mcac|\hl q\enotes -\temps\notes&\Qqbb Mcac\enotes -\temps\notes\hu F&\Qqbb Mcac|\zhl m\qu o\enotes -\temps\notes&\Qqbb Mcac|\qu o\enotes -%\check -% mesure 50 -\barre\notes\hu G&\Qqbb KbNb|\zhl n\qu p\enotes -\temps\notes&\Qqbb KbNb|\qu r\enotes -\temps\notes\hu J&\Qqbb LcNc|\zhl l\qu q\enotes -\temps\notes&\Qqbb LcNc|\qu p\enotes -%\check -%\check -% mesure 51 -\barre\def\atnextline{\autolines{14}45}\relax -\notes\hu F&\Qqbb Mcac|\zqlp m\qup o\tleg0\enotes -\temps\notes&\Qqbb Mcac|\sk\sk\ds\enotes -\temps\notes\hu I&\Qqbb KbMb|\Ilegu0s\zhl k\qu p\enotes -\temps\notes&\Qqbb KbNb|\qu p\enotes -%\check -% mesure 52 -\barre\notes\hu L&\Qqbb LbNb|\zhl n\qu p\enotes -\temps\notes&\Qqbb LbNb|\doubler\dqh qp\enotes -\temps\notes\bigSh J\hu J&\bigaccid\Qqbb L{^c}Nc|\zhl l\qu o\enotes -\temps\notes&\Qqbb LcNc|\qu n\enotes -%\check -% mesure 53 -\barre\notes\hup K&\Qqbb Mdad|\zhl m\hu r\enotes -\temps\notes&\Qqbb Mdad\enotes -\temps\notes&\Qqbb Mdad|\zhl h\qu m\enotes -\temps\notes\sk\soupir&\Qqbb Mdad|\qu m\enotes -%\check -% mesure 54 -\barre\notes\hu H&\bigaccid\Qqbb L{^c}Nc|\bigSh j\zql j\qu l\enotes -\temps\notes&\Qqbb Mdad|\zql k\qu m\enotes -\temps\notes\soupir&\Qqbb LcNc|\zhl l\qu n\enotes -\temps\notes\qu H&\Qqbb LcNc|\qu o\enotes -%\check -% mesure 55 -\barre\notes\hu D&\Qqbb Mdad|\wh k\tleg0\enotes -\temps\notes&\Qqbb Mdad|\raise -\Interligne\hpause\enotes -\temps\zalaligne -\notes\Ilegu0a\ql a&\sQqbb Mdad|\Uptext{\it \kern -1.5\Interligne - les petites notes}\uptext{\it\kern -1.5\Interligne au positif ad lib.}% - \qs\sTqbb fhf\enotes -\temps\notes\ql a&\sQqbb Mdad|\sQqbb hfhf\enotes -%\check -% mesure 56 -\barre\notes\ql a&\sQqbb Mdad|\smallnotesize\zhu k\raise -\Interligne\qs\Tqbb fhf\enotes -\temps\notes\doubler\dqb NM&\sQqbb Mdad|\sQqbb hfhf\enotes -\temps\notes\ql L&\sQqbb Mdad|\smallnotesize\zhu k\raise -\Interligne\qs\Tqbb fhf\enotes -\temps\notes\ql K&\sQqbb Mdad|\sQqbb hfhf\enotes -%\check -% mesure 57 -\barre\notes\tleg0\bigSh J\hu J&\smallnotesize\bigaccid\Qqbb L{^c}Nc|\smallnotesize\zw l\raise -\Interligne\qs - \bigaccid\Tqbb h{^j}h\enotes -\temps\notes&\sQqbb L{c}Nc|\sQqbb jhjh\enotes -\temps\notes\Ilegu0N\qu H&\sQqbb L{c}Nc|\sQqbb jhjh\enotes -\temps\notes\qu H&\sQqbb L{c}Nc|\sQqbb jgjg\enotes -%\check -% mesure 58 -\barre\def\atnextline{\autolines{17}35}\relax -\notes\ql K&\sQqbb Mdad|\smallnotesize\zw m\raise -\Interligne\qs - \Tqbb hkh\enotes -\temps\notes\ql L&\smallnotesize\bigaccid\Qqbb L{^c}Nc|\smallnotesize\bigSh j\Qqbb jhjh\enotes -\temps\notes\ql M&\sQqbb Mdad|\sQqbb khkh\enotes -\temps\notes\ql N&\sQqbb Ndbd|\sQqbb kiki\enotes -%\check -% mesure 59 -\barre\notes\hl L\tleg0&\smallnotesize\bigaccid\Qqbb L{^c}Nc|\smallnotesize\zw o\raise -\Interligne\qs - \bigSh j\Tqbb jlj\enotes -\temps\notes&\sQqbb L{c}Nc|\sQqbb ljlj\enotes -\temps\notes\Ilegu0a\ql a&\sQqbb L{c}Nc|\sQqbb ljlj\enotes -\temps\notes\ql a&\sQqbb L{c}Nc|\sQqbb ljlj\enotes -%\check -% mesure 60 -\barre\notes\ql a&\sQqbb Mdad|\smallnotesize\zw o\raise -\Interligne\qs\Tqbb lml\enotes -\temps\notes\doubler\dqb NM&\sQqbb Mdad|\sQqbb mlml\enotes -\temps\notes\ql L&\sQqbb Mdad|\sQqbb mlml\enotes -\temps\notes\ql K&\sQqbb Mdad|\sQqbb mlml\enotes -%\check -% mesure 61 -\barre\notes\hl b\tleg0&\sQqbb Ndbd|\smallnotesize\zw n\raise -\Interligne\qs\Tqbb iki\enotes -\temps\notes&\sQqbb Ndbd|\sQqbb kiki\enotes -\temps\notes\Ilegu0a\ql N&\sQqbb Ndbd|\sQqbb kiki\enotes -\temps\notes\ql b&\sQqbb Ndbd|\sQqbb kiki\enotes -%\check -% mesure 62 -\barre\notes\ql a&\sQqbb Mdad|\smallnotesize\zhup m\raise -\Interligne\qs\Tqbb hkh\enotes -\temps\notes\ql N&\smallnotesize\bigaccid\Qqbb L{^c}Nc|\smallnotesize\bigSh j\Qqbb jljl\enotes -\temps\notes\ql M&\sQqbb Mdad|\sQqbb hkhk\enotes -\temps\notes\ql L&\sQqbb LcNc|\smallnotesize\zqu l\Qqbb hjhj\enotes -%\check -% mesure 63 -\barre\notes\hl K\tleg0&\sQqbb Mdad|\smallnotesize\zwh k\raise -\Interligne\qs\Tqbb fhf\enotes -\temps\notes&\sQqbb Mdad|\sQqbb hfhf\enotes -\temps\notes\Ilegu0d\ql d&\sQqbb Mdad|\sQqbb hfhf\enotes -\temps\notes\ql d&\sQqbb Mdad|\sQqbb hfhf\enotes -%\check -% mesure 64 -\barre\notes\ql d&\sQqbb Mdbd|\smallnotesize\zhu k\raise -\Interligne\qs\Tqbb gig\enotes -\temps\notes\doubler\dqb cb&\sQqbb Mdbd|\sQqbb igig\enotes -\temps\notes\ql a&\sQqbb LcNc|\smallnotesize\zhu l\raise -\Interligne\qs\Tqbb gig\enotes -\temps\notes\ql N&\sQqbb LcNc|\sQqbb igig\enotes -%\check -% mesure 65 -\barre\notes\hl c\tleg0&\sQqbb Mcac|\smallnotesize\zw m\raise -\Interligne\qs\Tqbb hjh\enotes -\temps\notes&\sQqbb Mcac|\sQqbb jhjh\enotes -\temps\notes\Ilegu0b\ql a&\sQqbb Mcac|\sQqbb jhjh\enotes -\temps\notes\ql a&\sQqbb Mcac|\sQqbb jhjh\enotes -%\check -% mesure 66 -\barre\notes\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\Tqbb iki\enotes -\temps\notes\ql d&\sQqbb Mdbd|\sQqbb kiki\enotes -\temps\notes\ql c&\sQqbb LcNc|\smallnotesize\zhu l\raise -\Interligne\qs\Tqbb jgj\enotes -\temps\notes\ql b&\sQqbb LcNc|\sQqbb gjgj\enotes -%\check -% mesure 67 -\barre\notes\hl a\tleg0&\sQqbb Mcac|\smallnotesize\zhu m\raise -\Interligne\qs\Tqbb hjh\enotes -\temps\notes&\sQqbb Mcac|\sQqbb jhjh\enotes -\temps\notes\Ilegu0c\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\Tqbb iki\enotes -\temps\notes\ql b&\sQqbb Mdbd|\sQqbb kiki\enotes -%\check -% mesure 68 -\barre\notes\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\Tqbb iki\enotes -\temps\notes\doubler\dqb cb&\sQqbb Mdbd|\sQqbb kiki\enotes -\temps\notes\ql a&\sQqbb Mdbd|\smallnotesize\zhu l\raise -\Interligne\qs\Tqbb gig\enotes -\temps\notes\ql N&\sQqbb Mdbd|\sQqbb igig\enotes -%\check -% mesure 69 -\barre\notes\hl d\tleg0&\sQqbb Mdad|\smallnotesize\zwh k\raise -\Interligne\qs\Tqbb fhf\enotes -\temps\notes&\sQqbb Mdad|\sQqbb hfhf\enotes -\temps\notes\Ilegu0N\ql M&\sQqbb Mdad|\sQqbb hfhf\enotes -\temps\notes\ql M&\sQqbb Mdad|\sQqbb hfhf\enotes -%\check -% mesure 70 -\barre\notes\ql L&\bigaccid\sQqbb L{^c}ac|\smallnotesize\bigaccid - \zwh l\raise -\Interligne\qs\Tqbb h{^j}h\enotes -\temps\notes\ql M&\sQqbb L{c}ac|\sQqbb jhjh\enotes -\temps\notes\ql N&\sQqbb LcNc|\sQqbb jgjg\enotes -\temps\notes\ql a&\sQqbb LcNc|\sQqbb jgjg\enotes -%\check -% mesure 71 -\def\uppzql#1{\uppz #1\ql #1}% -\barre\notes\hu K\tleg0&\sk\hpause - |\smallnotesize\varaccid\Ibbl0hk3\qb0h\zq k\qb0m\zq{^j}\qb0l\zq{^i}\tqb0k\enotes -\temps\notes&\zq M\uppzql a\relax - |\smallnotesize\Ibbl0hk3\qb0h\zq k\qb0m\zq j\qb0l\zq i\tqb0k\enotes -\temps\notes\bigaccid\hu{^J}&\zq L\uppzql N\relax - |\smallnotesize\Ibbl0hl3\qb0h\zq l\qb0n\zq k\qb0m\zq{j}\tqb0l\enotes -\temps\notes&\zq L\uppzql N\relax - |\smallnotesize\Ibbl0hl3\qb0h\zq l\qb0n\zq k\qb0m\zq{j}\tqb0l\enotes -%\check -% mesure 72 -\barre\notes\hu K&\zq M\uppzql a\relax - |\smallnotesize\Ibbl0hm3\qb0h\zq m\qb0o\zq l\qb0n\zq k\tqb0m\enotes -\temps\notes&\zq M\uppzql a\relax -|\smallnotesize\Ibbl0hm3\qb0h\zq m\qb0o\zq l\qb0n\zq k\tqb0m\enotes -\temps\notes\hu I&\zq N\uppzql b\relax - |\smallnotesize\Ibbl0in3\qb0i\zq n\qb0p\zq m\qb0o\zq l\tqb0n\enotes -\temps\notes&\zq N\uppzql b\relax - |\smallnotesize\Ibbl0in3\qb0i\zq n\qb0p\zq m\qb0o\zq l\tqb0n\enotes -%\check -% mesure 73 -\barre\notes\qu H&\zq M\uppzql a\relax - |\smallnotesize\Ibbl0hm3\qb0h\zq m\qb0o\zq l\qb0n\zq k\tqb0m\enotes -\temps\notes\qu H&\zq L\uppzql N\relax - |\smallnotesize\Ibbl0hl3\qb0h\zq l\qb0n\zq k\qb0m\zq{j}\tqb0l\enotes -\temps\notes\qu H&\zq K\uppzql M\relax - |\smallnotesize\varaccid\Ibbl0hk3\qb0h\zq k\qb0m\zq{^j}\qb0l\zq{^i}\tqb0k\enotes -\temps\notes\qu H&\zq{^J}\uppzql L\relax - |\smallnotesize\Ibbl0hj3\qb0h\zq j\qb0l\zq i\qb0k\zq h\tqb0j\enotes -%\check -% mesure 74 -\barre\notes\Ilegl2H\qu K&\sQqbb Mdad|\smallnotesize\itenu1k\zwh k\raise -\Interligne\qs\Tqbb fhf\enotes -\temps\notes\doubler\dqh ML&\sQqbb Mdad|\sQqbb hfhf\enotes -\temps\notes\qu K&\sQqbb Mdad|\sQqbb hfhf\enotes -\temps\notes\doubler\bigSh J\dqh JK&\sQqbb Mdad|\sQqbb hfhf\enotes -%\check -% mesure 75 -\barre\notes\qu L&\sQqbb Mdad|\smallnotesize\tten1\zwh k\Qqbb hfhf\enotes -\temps\notes\qu M&\sQqbb Mdad|\sQqbb hfhf\enotes -\temps\notes\hu K\tleg2&\sQqbb Mdad|\sQqbb hfhf\enotes -\temps\notes&\sQqbb Mdad|\sQqbb hfhf\enotes -%\check -% mesure 76 -\barre\notes\Ilegu2a\ql M&\sQqbb afcf|\smallnotesize\itenu1m\zwh m\raise -\Interligne\qs\Tqbb hjh\enotes -\temps\notes\doubler\dqb aN&\sQqbb afcf|\sQqbb jhjh\enotes -\temps\notes\ql M&\sQqbb afcf|\sQqbb jhjh\enotes -\temps\notes\doubler\dqb LM&\sQqbb afcf|\sQqbb jhjh\enotes -%\check -% mesure 77 -\barre\notes\ql N&\sQqbb afcf|\smallnotesize\tten1\zwh m\raise -\Interligne\qs\Tqbb hjh\enotes -\temps\notes\ql a&\sQqbb afcf|\sQqbb jhjh\enotes -\temps\notes\hl M\tleg2&\sQqbb afcf|\sQqbb jhjh\enotes -\temps\notes&\sQqbb afcf|\sQqbb jhjh\enotes -\cleftoksii={0000}\changeclefs -%\check -% mesure 78 -\barre\notes\Ilegu2b\ql a&\sqqHH cheh|\smallnotesize\zwh o\raise -\Interligne\qs\Tqbb jlj\enotes -\temps\notes\doubler\dqb c{^b}&\sqqHH cheh|\sQqbb ljlj\enotes -\temps\notes\ql a&\sqqHH cheh|\sQqbb ljlj\enotes -\temps\notes\doubler\dqb {^N}a&\sqqHH cheh|\sQqbb ljlj\enotes -%\check -% mesure 79 -\barre\notes\bigaccid\ql {^b}&\sqqHH ei{^g}i\relax - |\smallnotesize\zhu p\raise -\Interligne\qs\Tqbb l{^n}l\enotes -\temps\notes\ql c&\sqqHH eigi|\sQqbb nlnl\enotes -\temps\notes\ql a\tleg2&\sqqHH ejhj\relax - |\smallnotesize\zhu q\raise -\Interligne\qs\Tqbb lol\enotes -\temps\notes\ql e&\sqqHH ejhj|\sQqbb olol\enotes -%\check -% mesure 80 -%\cleftoksii={6000}\changeclefs -\barre\notes\hlp f&\sqqHH dhfh|\smallnotesize\zwh o\raise -\Interligne\qs\Tqbb kmk\enotes -\temps\notes&\sqqHH dhfh|\sQqbb mkmk\enotes -\temps\notes&\sqqHH dhfh|\sQqbb mkmk\enotes -\temps\notes\doubler\dqb ed&\sqqHH dhfh|\sQqbb mkmk\enotes -%\check -% mesure 81 -\barre\notes\hl e&\sqqHH cheh|\smallnotesize\zwh o\raise -\Interligne\qs\Tqbb jlj\enotes -\temps\notes&\sqqHH cheh|\sQqbb ljlj\enotes -\temps\notes\soupir&\sqqHH cheh|\sQqbb ljlj\enotes -\temps\notes\ql a&\sqqHH cheh|\sQqbb ljlj\enotes -%\check -% mesure 82 -\barre\notes\hlp d&\sqqHH bfdf|\smallnotesize\zwh m\raise -\Interligne\qs\Tqbb iki\enotes -\temps\notes&\sqqHH bfdf|\sQqbb kiki\enotes -\temps\notes&\sqqHH bfdf|\sQqbb kiki\enotes -\temps\notes\doubler \dqb cb&\sqqHH bfdf|\sQqbb kiki\enotes -%\check -% mesure 83 -\barre\notes\hl c&\sqqHH afcf|\smallnotesize\zw m\raise -\Interligne\qs\Tqbb hjh\enotes -\temps\notes&\sqqHH afcf|\sQqbb jhjh\enotes -\temps\notes\soupir\zcharnote{-4}{\it non legato}&\sqqHH afcf|\sQqbb jhjh\enotes -\temps\notes\ql M&\sqqHH afcf|\sQqbb jhjh\enotes -% mesure 84 -\barre\notes\ql b&\sqqHH bgdg|\sqqBB niki\enotes -\temps\notes\ql a&\sqqHH bfdf|\sqqBB miki\enotes -\temps\notes\ql N&\sqqHH bede|\sqqBB liki\enotes -\temps\notes\ql M&\sqqHH bdbd|\sqqBB kiki\enotes -%\check -% mesure 85 -\barre\notes\ql b&\sqqHH bgdg|\sqqBB niki\enotes -\temps\notes\ql a&\sqqHH bfdf|\sqqBB miki\enotes -\temps\notes\ql N&\sqqHH bede|\sqqBB liki\enotes -\temps\notes\ql M&\sqqHH bdbd|\sqqBB kiki\enotes -%\check -% mesure 86 -\cleftoksii={6000}\changeclefs -\barre\notes\ql L&\sQqbb Ne{^c}e|\bigaccid\sqqBB o{^j}lj\enotes -\temps\notes\ql a&\sQqbb Ne{c}e|\sqqBB ojlj\enotes -\temps\notes\ql L&\sQqbb Ne{c}e|\sqqBB ojlj\enotes -\temps\notes\ql a&\sQqbb Ne{c}e|\sqqBB ojlj\enotes -%\check -% mesure 87 -\barre\notes\ql M&\sQqbb Mdad|\bigaccid\sqqBB okmk\enotes -\temps\notes\ql K&\sQqbb Mdad|\sqqBB okmk\enotes -\temps\notes\ql M&\sQqbb Mdad|\sqqBB okmk\enotes -\temps\notes\ql K&\sQqbb Mdad|\sqqBB okmk\enotes -%\check -% mesure 88 -\barre\notes\ql L&\sQqbb Ne{^c}e|\bigaccid\sqqBB o{^j}lj\enotes -\temps\notes\ql a&\sQqbb Nece|\sqqBB ojlj\enotes -\temps\notes\ql L&\sQqbb Nece|\sqqBB ojlj\enotes -\temps\notes\ql a&\sQqbb Nece|\sqqBB ojlj\enotes -%\check -% mesure 89 -\barre\notes\ql M&\sQqbb Ndbd|\bigaccid\sqqBB okmk\enotes -\temps\notes\ql a&\sQqbb Ndbd|\sqqBB okmk\enotes -\temps\notes\ql L&\bigaccid\sQqbb L{^c}Nc|\bigaccid\sqqBB o{^j}lj\enotes -\temps\notes\ql a&\sQqbb LcNc|\sqqBB ojlj\enotes -% -% mesure 90 -\def\octp{\advance\transpose by 7\relax}% -\barre\notes\hup K&\sQqbb Mdad|\sQqbb komo\enotes -\temps\notes&\sQqbb Mdad|\sQqbb komo\enotes -\cleftoksii={0000}\changeclefs -\temps\notes&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes -\temps\notes\soupir&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes -% -% mesure 91 -\barre\notes\wh K&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes -\advance\linesinpage by 1\relax -\temps\notes&\sqqHH dhfh|\octp\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax - \Ibbl1gf2\qb1{gkf}\tqb1k\enotes -\temps\notes&\sqqHH dhfh|\varaccid\octp\zq e\zqu l\qqbb e{^j}gj\enotes -\temps\notes&\sqqHH dhfh|\varaccid\octp\zq d\zqu k\qqbb dhfh\enotes -%\check -% mesure 92 -\barre\nspace\notes\wh H&\qsk\Sh c\sqqHH cgeg|\zh{^j}\zhu{^q}\qsk\qqbb jolo\enotes -\temps\notes&\sqqHH cgeg|\qqbb lolo\enotes -\temps\notes&\sqqHH cgeg|\zq h\zqu o\qqbb hljl\enotes -\temps\notes&\sqqHH cgeg|\zq h\zqu o\qqbb hljl\enotes -%\check -% mesure 93 -\barre\notes\qu K&\sqqHH dhfh|\zq k\zqu r\qqbb komo\enotes -\temps\notes\qu{^J}&\sqqHH{^c}heh|\zq l\zqu s\qqbb lono\enotes -\temps\notes\qu K&\sqqHH dhfh|\zq m\zqu t\qqbb mror\enotes -\temps\notes\qu I&\sqqHH digi|\zq n\zqu u\qqbb nrpr\enotes -%\check -% mesure 94 -\barre\notes\wh H&\roff{\sqqHH{^c}heh}|\zh l\zhu s\roff{\qqbb l{^q}oq}\enotes -\temps\notes&\sqqHH cheh|\qqbb oqoq\enotes -\temps\notes&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes -\temps\notes&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes -% -% mesure 95 -\barre\notes\wh K&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes -\temps\notes&\sqqHH dhfh|\octp\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax - \Ibbl1gf2\qb1{gkf}\tqb1k\enotes -\temps\notes&\sqqHH dhfh|\varaccid\octp\zq e\zqu l\qqbb e{^j}gj\enotes -\temps\notes&\sqqHH dhfh|\varaccid\octp\zq d\zqu k\qqbb dhfh\enotes -% -% mesure 96 -\barre\notes\wh G&\roff{\sqqHH digi}|\iffiveoctaves - \octp\zh i\zhu p\roff{\qqbb inkn}\relax - \else\octp\zh g\zhu n\roff{\qqbb gkik}\relax - \fi\enotes - \nspace -\temps\notes&\sqqHH digi|\iffiveoctaves - \octp\qqbb knkn\relax - \else\octp\qqbb gkik\relax - \fi\enotes -\temps\notes&\sqqHH digi|\iffiveoctaves - \octp\zq g\zqu n\qqbb gkik\relax - \else\octp\zq e\zqu l\qqbb eigi\relax - \fi\enotes -\temps\notes&\sqqHH eigi|\iffiveoctaves - \octp\zq i\zqu p\qqbb inln\relax - \else\octp\zq e\zqu l\qqbb eigi\relax - \fi\enotes -%\check -% mesure 97 -\barre\notes\wh H&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hmkm\enotes -\temps\notes&\sqqHH{^c}heh|\octp\zq g\zqu n\qqbb gl{^j}l\enotes -\temps\notes&\sqqHH dhfh|\octp\zq f\zqu m\qqbb fkhk\enotes -\temps\notes&\sqqHH cheh|\varaccid\octp\zq e\zqu l\qqbb e{^j}gj\enotes -%\check -% mesure 98 -\barre\notes\hu D&\qsk\sqqHH afdf|\zh k\zhu r\qsk\qqbb komo\enotes -\temps\notes&\sqqHH dfdf|\qqbb komo\enotes -\temps\notes\hu K&\sqqHH afdf|\zq k\zqu r\qqbb komo\enotes -\temps\notes&\sqqHH afdf|\zq k\zqu r\qqbb komo\enotes -%\check -% mesure 99 -\barre\notes\wh G&\sqqHH digi|\zq k\zqu r\qqbb kpnp\enotes -\temps\notes&\sqqHH bgdg|\rlap{\doubler\zq j\Ibu0qp1\qh0 q\zq i\tqh0p}\relax - \Ibbl1ji2\qb1{jni}\tqb1n\enotes -\temps\notes&\sqqHH bgdg|\zq h\zqu o\qqbb hkik\enotes -\temps\notes&\sqqHH bgdg|\zq g\zqu n\qqbb gkik\enotes -% -% mesure 100 -\barre\notes\wh H&\qsk\sqqHH afcf|\zh j\zhu q\qsk\qqbb jomo\enotes -\temps\notes&\sqqHH afcf|\qqbb momo\enotes -\temps\notes&\sqqHH afcf|\zq h\zqu o\qqbb hmjm\enotes -\temps\notes&\sqqHH afcf|\zq h\zqu o\qqbb hmjm\enotes -%\check -% mesure 101 -\cleftoksii={6000}\changeclefs -\barre\notes\hu G&\sQqbb Ndbd|\zq i\zqu p\qqbb inkn\enotes -\temps\notes&\sQqbb Ndbd|\zq k\zqu r\qqbb kpnp\enotes -\temps\notes\hu J&\sQqbb LcNc|\zq j\zqu q\qqbb jnln\enotes -\temps\notes&\sQqbb LcNc|\zq i\zqu p\qqbb inln\enotes -% -% mesure 102 -\advance\linesinpage by 1\relax -\barre\notes\hu F&\qsk\sQqbb Mcac|\zh h\zhu o\qsk\qqbb hmjm\enotes -\temps\notes&\sQqbb Mcac|\qqbb jmjm\enotes -\temps\notes\hu G&\sQqbb Ndbd|\zq i\zqu p\qqbb inkn\enotes -\temps\notes&\sQqbb Ndbd|\zq i\zqu p\qqbb inkn\enotes -%\check -% mesure 103 -\barre\notes\wh L&\sQqbb Ne{^c}e|\zq i\zqu p\qqbb inln\enotes -\temps\notes&\sQqbb Nece|\cNa j\rlap{\doubler\zq j\Ibu0qp1\qh0 q\zq i\tqh0p}\relax - \Ibbl1ji2\qb1{jni}\tqb1n\enotes -\cleftoksii={0000}\changeclefs -\temps\notes&\sqqHH af{=c}f|\zq h\zqu o\qqbb hmjm\enotes -\temps\notes&\sqqHH Nece|\zq g\zqu n\qqbb gljl\enotes -% -% mesure 104 -\barre\notes\wh K&\qsk\sqqHH afdf|\zh k\zhu r\qsk\qqbb komo\enotes -\temps\notes&\sqqHH afdf|\qqbb momo\enotes -\temps\notes&\sqqHH afdf|\octp\zq f\zqu m\qqbb fkhk\enotes -\temps\notes&\sqqHH afdf|\octp\zq f\zqu m\qqbb fkhk\enotes -% -% mesure 105 -\barre\notes\qu H&\sqqHH Ne{^c}e|\octp\zq e\zqu l\qqbb e{^j}hj\enotes -\temps\notes\qu I&\sqqHH afdf|\octp\zq f\zqu m\qqbb fkhk\enotes -\temps\notes\qu G&\sqqHH Nece|\octp\zq g\zqu n\qqbb gl{^j}l\enotes -\temps\notes\qu H&\sqqHH Nece|\octp\zq h\zqu o\qqbb hljl\enotes -%\check -% mesure 106 -\barre\notes\hup D&\qsk\sqqHH afdf|\octp\zh d\zhu k\qsk\Qqbb dhfh\enotes -\temps\notes&\sqqHH afdf|\octp\Qqbb fhfh\enotes -\temps\notes&\sqqHH afdf|\zq h\zqu o\qqbb hkmk\enotes -\temps\notes\soupir&\sqqHH afdf|\zq h\zqu o\qqbb hkmk\enotes -% -% mesure 107 -\barre\notes\wh K&\sqqHH Mdad|\zq h\zqu o\qqbb hkmk\enotes -\temps\notes&\sqqHH Mdad|\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax - \Ibbl1gf2\qb1{gkf}\tqb1k\enotes -\temps\notes&\sqqHH Mdad|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes -\temps\notes&\sqqHH Mdad|\varaccid\zq d\zqu k\qqbb dhfh\enotes -% -% mesure 108 -\barre\notes\wh G&\qsk\sqqHH Ndbd|\zh i\zhu p\qsk\qqbb inkn\enotes -\temps\notes&\sqqHH Ndbd|\qqbb knkn\enotes -\temps\notes&\sqqHH Ndbd|\zq g\zqu n\qqbb gkik\enotes -\temps\notes&\sqqHH Ndbd|\zq i\zqu p\qqbb inln\enotes -%\check -% mesure 109 -\barre\notes\wh H&\sqqHH afdf|\zq h\zqu o\qqbb hmkm\enotes -\temps\notes&\sqqHH ae{^c}e|\zq g\zqu n\qqbb gl{^j}l\enotes -\temps\notes&\sqqHH afdf|\zq f\zqu m\qqbb fkhk\enotes -\temps\notes&\sqqHH aece|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes -% mesure 110 -%\check -\xbarre\autolines{9}55\relax -\NOtes&\pointdorgue l\hpause - |\pointdorgue l\hpause\enotes -\zalapage\nostemcut -\temps\NOtes\pointdorgue a\pause - &\soupir|\soupir\enotes -\cleftoksii={6000}\changeclefs -\varaccid -\temps\notes&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 111 -%\check -\barre\NOtes\hu K&\zh M\hl a|\zh d\hu f\enotes -\temps\NOtes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 112 -%\check -\barre -\NOTes\hu K&\zh M\hl a|\zh{df}\hu h\enotes -\temps\NOtes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 113 -%\check -\deuxtemps\changecontext -\def\atnextline{\autolines{9}55\relax}\relax -\Notes\qsk\cNa J\dqh{J}J&\qsk\zmidtwotext{\it rit.} - \ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax - |\qsk\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes -\temps\Notes\dqh{J}J&\ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax - |\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes -%\check -% mesure 114 -%\check -\quatretemps\changecontext -\NOTEs\cNa F\hu{F}&\zh{JL}\hl a|\zh{ce}\hu h\enotes -\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh JK{^I}J|\qqhh cd{^b}c\enotes -%\check -% mesure 115 -%\check -\barre\NOTes\hu H&\zh{J=M}\hl a|\zh{c=f}\hu h\enotes -\temps\NOtes&\soupir|\soupir\enotes -\bigaccid -\temps\notes\hpause&\qqhh {^I}JHI|\qqhh {^b}cab\enotes -% mesure 116 -%\check -\barre\NOTes\hup{=I}&\zh{L}\hl{N}|\zh{=be}\hu g\enotes -\temps\NOtes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh {=I}JHI|\qqhh {=b}cab\enotes -% mesure 117 -%\check -\barre\NOTes\hup{I}&\zh{K}\hl{N}|\zh{bd}\hu g\enotes -\temps\NOtes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh HIGH|\qqhh abNa\enotes -% mesure 118 -\def\atnextline{\autolines{16}45\relax}\relax -%\check -\deuxtemps\changecontext -\Notes\dqh HH&\zcharnote c{\it rit.}\ibl0K0\zq{K}\qb0M\zq{K}\tqb0M\relax - |\ibu0f0\zq{ad}\qh0f\zq{ad}\tqh0f\enotes -\temps\Notes\dqh HH&\ibl0J0\zq{^J}\qb0L\zq{J}\tqb0L\relax - |\ibu0e0\zq{a^c}\qh0e\zq{ac}\tqh0e\enotes -%\check -% mesure 119 -%\check -\quatretemps\changecontext -\NOTes\pointdurgue D\hu D&\pointdorgue N\zh{HK}\hl M\relax - |\pointdorgue l\zh{a}\hu d\enotes -\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 120 -\advance\barsinline by 1\relax -\barre\notes\hup K&\bigSh M\Qqbb Mcac|\doubler - \bigSh f\zh{f}\zhl h\qu{_l}\enotes -\temps\notes&\Qqbb Mcac|\doubler\qu k\enotes -\temps\notes&\Qqbb Mcac|\doubler\zh{f}\zhl h\qu k\enotes -\temps\notes\soupir&\Qqbb Mcac|\doubler\qu j\enotes -%\check -% mesure 121 -\barre\notes\hup G&\Qqbb KbNb|\doubler\zh{d}\zhl g\hu i\enotes -\temps\notes&\Qqbb KbNb\enotes -\temps\notes&\Qqbb KbNb|\doubler\dqh gh\enotes -\temps\notes\soupir&\Qqbb KbNb|\doubler\dqh{^f}g\enotes -%\check -% mesure 122 -\barre\notes\hup J&\Qqbb LcNc|\doubler\zh{e}\zhl g\qu k\enotes -\temps\notes&\Qqbb LcNc|\doubler\qu j\enotes -\temps\notes&\Qqbb LcNc|\doubler\zh{e}\zhl g\qu j\enotes -\temps\notes\soupir&\Qqbb LcNc|\doubler\qu i\enotes -%\check -% mesure 123 -\barre\notes\hup F&\Qqbb JaLa|\doubler\zh{cf}\hu h\enotes -\temps\notes&\Qqbb JaLa\enotes -\temps\notes&\Qqbb JaMa|\doubler\cNa f\dqh fg\enotes -\temps\notes\soupir&\Qqbb JaMa|\doubler\dqh ef\enotes -%\check -% mesure 124 -\barre\notes\hup I&\Qqbb KbMb|\doubler\zh{d}\zhl f\qu j\enotes -\temps\notes&\Qqbb KbMb|\doubler\qu i\enotes -\temps\notes&\Qqbb KbMb|\doubler\zh{d}\zhl f\qu i\enotes -\temps\notes\soupir&\Qqbb KbMb|\doubler\qu h\enotes -%\check -% mesure 125 -\barre\autolines{16}35\relax -\notes\hup H&\Qqbb LbNb|\doubler\zh{^ce}\hu g\enotes -\temps\notes&\Qqbb LbNb\enotes -\temps\notes&\bigaccid\Qqbb L{^c}Nc|\doubler\dqh ef\enotes -\temps\notes\soupir&\Qqbb LcNc|\doubler\dqh de\enotes -%\check -% mesure 126 -\barre\notes\hu G&\Qqbb LbNb|\doubler\zh{^c}\zhl e\qu i\enotes -\temps\notes&\Qqbb LbNb|\doubler\qu h\enotes -\temps\notes\hu H&\Qqbb LbNb|\doubler\zh{c}\zhl e\qu h\enotes -\temps\notes&\Qqbb LbNb|\doubler\qu g\enotes -%\check -% mesure 127 -\barre\notes\hu K&\Qqbb KaMa|\doubler\zhl{d}\qu f\enotes -\temps\notes&\Qqbb KaMa|\qqhh gfef\enotes -\nspace -\temps\notes\hu K&\bigaccid\Qqbb Ka{^M}a|\doubler\zhl{d}\qu{^f}\enotes -\temps\notes&\Qqbb KaMa|\qqhh gfef\enotes -%\check -% mesure 128 -\barre\notes\hu K&\Qqbb KbNb|\doubler\zhl{d}\qu g\enotes -\temps\notes&\Qqbb KbNb|\qqhh hg{^f}g\enotes -\nspace -\temps\notes\hu K&\bigaccid\Qqbb Ka{^M}a|\doubler\zh d\zhl{f}\qu h\enotes -\temps\notes&\Qqbb KaMa|\qqhh ihgh\enotes -%\check -% mesure 129 -\barre\notes\hl K&\Qqbb KbNb|\doubler\zh d\zhl{g}\qu i\enotes -\temps\notes&\Qqbb KbNb|\qqhh hg{^f}g\enotes -\nspace -\temps\notes\hl L&\bigaccid\Qqbb L{^c}Nc|\doubler\zh e\zhl{g}\qu{^j}\enotes -\temps\notes&\Qqbb LcNc|\qqhh kj{^i}j\enotes -%\check -% mesure 130 -\barre\autolines{17}35\relax -\bigaccid -\notes\hl M&\Qqbb Mdad|\bigaccid\zh{=fh}\hu k\enotes -\temps\notes&\Qqbb Mdad|\enotes -\temps\notes\hu K&\Qqbb Mdad|\zh{f}\hu h\enotes -\temps\notes&\Qqbb Mdad|\enotes -% -% mesure 131 -\barre\notes\hu G&\Qqbb INKN|\doubler\zh{b}\zhl d\qu g\enotes -\temps\notes&\zmidtwotext{\it rit.}\Qqbb INKN|\qu f\enotes -\temps\notes\hu H&\Qqbb {^J}NLN|\doubler\zhl{a^c}\qu e\enotes -\temps\notes&\Qqbb {J}NLN|\qu d\enotes -% -% mesure 132 -\stemcut -\barre \notes\hu D&\Qqbb HMKM|\doubler\zh{a}\hu d\enotes -\temps\notes&\Qqbb HMKM|\enotes -\temps\notes\uptext{\it a tempo}\sk\hpause - &\sQqbb KaMa|\zq h\zqu o\qqbb hkmk\enotes -\temps\notes&\sQqbb KaMa|\zq h\zqu o\qqbb hkmk\enotes -%\check -% -% mesure 133 -\barre\notes\wh F&\sQqbb KaMa|\zq h\zqu o\qqbb hkmk\enotes -\temps\notes&\sQqbb KaMa|\normalnotesize\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax - \Ibbl1gf2\qb1{gkf}\tqb1k\enotes -\temps\notes&\sQqbb {^J}NLN|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes -\temps\notes&\sQqbb INKN|\varaccid\zq d\zqu k\qqbb digi\enotes -% -% mesure 134 -\def\octm{\advance\transpose by -7\relax}% -\barre\notes\hu H&\qsk\Sh J\sQqbb JNLN|\zh{^c}\zhu{^j}\qsk\qqbb cheh\enotes -\temps\notes&\sQqbb JNLN|\qqbb eheh\enotes -\temps\notes\hu G&\sQqbb JNLN|\zq a\zqu h\qqBB aece\enotes -\temps\notes&\sQqbb JNLN|\zq a\zqu h\qqBB aece\enotes -%\check -% mesure 135 -\barre\notes\qu F&\sQqbb HMKM|\octm\zq k\zqu r\qqbb komo\enotes -\temps\notes\qu G&\sQqbb{^J}aLa|\octm\zq l\zqu s\qqbb lono\enotes -\temps\notes\qu H&\sQqbb KaMa|\octm\zq m\zqu t\qqbb mror\enotes -\temps\notes\qu I&\sQqbb KbNb|\octm\zq n\zqu u\qqbb nrpr\enotes -%\check -% mesure 136 -\barre\notes\wh H&\qsk\octm\sQqbb{^c}heh|\octm\zh l\zhu s\qsk\qqbb l{^q}oq\enotes -\temps\notes&\octm\sQqbb cheh|\octm\qqbb oqoq\enotes -\temps\notes&\octm\sQqbb dhfh|\zq h\zqu o\qqbb hkmk\enotes -\temps\notes&\octm\sQqbb dhfh|\zq h\zqu o\qqbb hkmk\enotes -% -% mesure 137 -\barre\notes\wh K&\octm\sQqbb dhfh|\zq h\zqu o\qqbb hkmk\enotes -\temps\notes&\octm\sQqbb dhfh|\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax - \Ibbl1gf2\qb1{gkf}\tqb1k\enotes -\temps\notes&\octm\sQqbb dhfh|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes -\temps\notes&\octm\sQqbb dhfh|\varaccid\zq d\zqu k\qqbb dhfh\enotes -% -% mesure 138 -\barre\notes\wh G&\qsk\sQqbb KbNb|\zh i\zhu p\qsk\qqbb inkn\enotes -\temps\notes&\sQqbb KbNb|\qqbb knkn\enotes -\temps\notes&\octm\sQqbb bgdg|\zq g\zqu n\qqbb gkik\enotes -\temps\notes&\octm\sQqbb bgdg|\zq i\zqu p\qqbb inln\enotes -%\check -% mesure 139 -\barre\notes\wh H&\octm\sQqbb dhfh|\zq h\zqu o\qqbb hmkm\enotes -\temps\notes&\octm\sQqbb{^c}heh|\zq g\zqu o\qqbb gl{^j}l\enotes -\temps\notes&\octm\sQqbb afdf|\zq h\zqu o\qqbb hmkm\enotes -\temps\notes&\sQqbb JaLa|\zq g\zqu o\qqbb gljl\enotes -%\check -% mesure 140 -\barre\notes\hl K&\sQqbb Mdad|\zhu k\raise -\Interligne\qs\Tqbb fhf\enotes -\temps\notes&\sQqbb Mdad|\Qqbb hfhf\enotes -\temps\notes\Ilegu0d\ql d&\sQqbb KaMa|\uptext{\it positif}\sQqbb hfhf\enotes -\temps\notes\ql d&\sQqbb KaMa|\raise\Interligne\rlap{\hpause}\sQqbb hfhf\enotes -%\check -% mesure 141 -\barre\notes\ql d&\sQqbb KbNb|\smallnotesize\zhu k\raise -\Interligne\qs\sTqbb gig\enotes -\temps\notes\doubler\dqb cb&\sQqbb KbNb|\sQqbb igig\enotes -\temps\notes\ql a&\sQqbb LcNc|\smallnotesize\zhu l\raise -\Interligne\qs\sTqbb gig\enotes -\temps\notes\ql N&\sQqbb LcNc|\sQqbb igig\enotes -%\check -% mesure 142 -\barre\notes\hl c\tleg0&\sQqbb JaMa|\smallnotesize\zw m\raise -\Interligne\qs\sTqbb hjh\enotes -\temps\notes&\sQqbb JaMa|\sQqbb jhjh\enotes -\temps\notes\Ilegu0a\ql a&\sQqbb JaMa|\sQqbb jhjh\enotes -\temps\notes\ql a&\sQqbb JaMa|\sQqbb jhjh\enotes -%\check -% mesure 143 -\barre\notes\ql b&\sQqbb IMKM|\smallnotesize\zhu m\raise -\Interligne\qs\sTqbb iki\enotes -\temps\notes\ql d&\sQqbb IMKM|\sQqbb kiki\enotes -\temps\notes\ql c&\sQqbb JNLN|\smallnotesize\zhu l\raise -\Interligne\qs\sTqbb jgj\enotes -\temps\notes\ql b&\sQqbb JNLN|\sQqbb gjgj\enotes -%\check -% mesure 144 -\barre\notes\tleg0\hl a&\sQqbb Mcac|\smallnotesize\zhu m\raise -\Interligne\qs\sTqbb hjh\enotes -\temps\notes&\sQqbb Mcac|\sQqbb jhjh\enotes -\temps\notes\Ilegu0c\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\sTqbb iki\enotes -\temps\notes\ql b&\sQqbb Mdbd|\sQqbb kiki\enotes -%\check -% mesure 145 -\barre\notes\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\sTqbb iki\enotes -\temps\notes\doubler\dqb cb&\sQqbb Mdbd|\sQqbb kiki\enotes -\temps\notes\ql a&\sQqbb Mdbd|\smallnotesize\zhu l\raise -\Interligne\qs\sTqbb gig\enotes -\temps\notes\ql N&\sQqbb Mdbd|\sQqbb igig\enotes -%\check -% mesure 146 -\barre\notes\hl d\tleg0&\sQqbb Mdad|\smallnotesize\zwh k\raise -\Interligne\qs\sTqbb fhf\enotes -\temps\notes&\sQqbb Mdad|\sQqbb hfhf\enotes -\temps\notes\Ilegu0a\ql M&\sQqbb Mdad|\sQqbb hfhf\enotes -\temps\notes\ql M&\sQqbb Mdad|\sQqbb hfhf\enotes -%\check -% mesure 147 -\barre\notes\ql L&\bigaccid\sQqbb L{^c}ac|\smallnotesize\bigaccid - \zwh l\raise -\Interligne\qs\sTqbb h{^j}h\enotes -\temps\notes\ql M&\sQqbb L{c}ac|\sQqbb jhjh\enotes -\temps\notes\ql N&\sQqbb LcNc|\sQqbb jgjg\enotes -\temps\notes\ql a&\sQqbb LcNc|\sQqbb jgjg\enotes -%\check -% mesure 148 -\barre\autolines{8}65\relax -\NOTes\pointdurgue H\hu K\tleg0&\pointdurgue H\smallnotesize\zh{Ma}\hl d\relax - |\pointdorgue m\smallnotesize\zh{fh}\hu k\enotes -\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 149 -\barre\NOtes\hu K&\zh M\hl a|\zh d\hu f\enotes -\temps\Notes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 150 -%\check -\barre\NOtes\hu K&\zh M\hl a|\zh{df}\hu h\enotes -\temps\Notes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -% mesure 151 -%\check -\deuxtemps\changecontext -\Notes\dqh{^J}J&\zmidtwotext{\it rit.}\ibl1L0\zq{LN}\qb1b\zq{LN}\tqb1b\relax - |\ibu2i0\zq{eg}\qh2i\zq{eg}\tqh2i\enotes -\temps\Notes\dqh{J}J&\ibl1L0\zq{LN}\qb1b\zq{LN}\tqb1b\relax - |\ibu2i0\zq{eg}\qh2i\zq{eg}\tqh2i\enotes -%\advancebottom{-2\Interligne}% -%\check -% mesure 152 -\quatretemps\changecontext\varaccid -\NOTes\pointdurgue H\hu K&\pointdorgue a\zh{M}\hl a\relax - |\pointdorgue l\zh{df}\hu h\enotes -\temps\Notes&\soupir|\uptext{\it\kern -1em a tempo}\soupir\enotes -\temps\notes\hpause&\qqhh K{_L}{^J}K|\qqhh d{_e}{^c}d\enotes -% mesure 153 -\barre\NOtes\hu K&\zh{^Ma}\hl c|\zh{^fhj}\hl{_l}\enotes -\temps\Notes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh K{_L}{^J}K|\qqhh d{_e}{^c}d\enotes -% mesure 154 -\barre\NOtes\hu J&\zh{^Ma}\hl c|\zh{hj}\hl{^m}\enotes -\temps\Notes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh K{_L}{=J}K|\qqhh d{_e}{=c}d\enotes -% mesure 155 -\barre\NOtes\hu I&\zh{LN}\hl{^c}|\lSh j\zh{j=l}\hl n\enotes -\temps\Notes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh K{_L}{=J}K|\qqhh d{_e}{=c}d\enotes -% mesure 156 -\barre\NOtes\hu G&\zh{KN}\hl{b}|\zh{ik}\hl n\enotes -\temps\Notes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh HIGH|\qqhh abNa\enotes -%\check -% mesure 157 -\barre\NOtes\qu D&\zq{^Ma}\ql{d}|\zq{^fh}\ql k\enotes -\temps\NOtes\pointdorgue a\soupir&\pointdorgue a\soupir|\pointdorgue l\soupir\enotes -\temps\notes\hu H&\sQqbb Mdad|\zq h\zqu o\qqbb hkmk\enotes -\temps\notes&\sQqbb Mdad|\zq h\zqu o\qqbb hkmk\enotes -% -% mesure 158 -\barre\autolines{16}35\relax -\notes\wh H&\sQqbb KaMa|\zq h\zqu o\qqbb hkmk\enotes -\temps\notes&\sQqbb KaMa|\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax - \Ibbl1gf2\qb1{gkf}\tqb1k\enotes -\temps\notes&\sQqbb KaMa|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes -\temps\notes&\sQqbb KaMa|\varaccid\zq d\zqu k\qqbb dhfh\enotes -% -% mesure 159 -\staffbotmarg=2pt -\barre\notes\qu H&\sQqbb L{^c}ac|\zq h\zqu o\qqbb hl{^j}l\enotes -\temps\NOtes\pointdorgue a\soupir&\pointdorgue a\soupir|\pointdorgue l\soupir\enotes -\cleftoksii={0000}\changeclefs -\temps\notes\sk\hpause&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes -\temps\notes&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes -% -% mesure 160 -\barre\notes\wh K&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes -\temps\notes&\sqqHH dhfh|\octp\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax - \Ibbl1gf2\qb1{gkf}\tqb1k\enotes -\temps\notes&\sqqHH dhfh|\varaccid\octp\zq e\zqu l\qqbb e{^j}gj\enotes -\temps\notes&\sqqHH dhfh|\varaccid\octp\zq d\zqu k\qqbb dhfh\enotes -% -% mesure 161 -\barre\notes\wh G&\roff{\sqqHH digi}|\iffiveoctaves - \octp\zh i\zhu p\roff{\qqbb inkn}\relax - \else\octp\zh g\zhu n\roff{\qqbb gkik}\relax - \fi\enotes - \nspace -\temps\notes&\sqqHH digi|\iffiveoctaves - \octp\qqbb knkn\relax - \else\octp\qqbb gkik\relax - \fi\enotes -\temps\notes&\sqqHH digi|\iffiveoctaves - \octp\zq g\zqu n\qqbb gkik\relax - \else\octp\zq e\zqu l\qqbb eigi\relax - \fi\enotes -\temps\notes&\sqqHH eigi|\iffiveoctaves - \octp\zq i\zqu p\qqbb inln\relax - \else\octp\zq e\zqu l\qqbb eigi\relax - \fi\enotes -%\check -% mesure 162 -\barre\autolines{8}65\relax -\notes\wh H&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hmkm\enotes -\temps\notes&\sqqHH{^c}heh|\octp\zq g\zqu n\qqbb gl{^j}l\enotes -\temps\notes&\sqqHH dhfh|\octp\zq f\zqu m\qqbb fkhk\enotes -\temps\notes&\sqqHH aece|\varaccid\octp\zq e\zqu l\qqbb e{j}gj\enotes -%\check -% mesure 163 -\barre\NOtes\pointdorgue N\hpause - &\zmidtwotext{\ppff {f}{f}{f}}\pointdurgue f\hpause|\pointdorgue l\hpause\enotes -\temps\NOtes\lppz G\qu G&\lppz b\zq{bd}\qu g|\Uptext{\moyen Maestoso}\octp\uppz g\zq{bd}\ql g\enotes -\temps\NOtes\lppz G\qu I&\lppz d\zq{dg}\qu i|\octp\uppz i\zq{dg}\ql i\enotes -% mesure 164 -\barre -\NOtes\lppz H\qu H&\octp\lppz K\zq{KM}\qu a|\octp\uppz h\zq{df}\ql h\enotes -\temps\NOtes\lppz H\qu H&\octp\lppz I\zq{IK}\qu N|\octp - \uppz g\zq{bd}\ql g\enotes -\temps\NOtes\lppz H\qu H&\octp\lppz H\zq{HK}\qu M|\octp - \uppz f\zq{ad}\ql f\enotes -\temps\NOtes\lppz H\qu H&\octp\lppz H\zq{H^J}\qu L|\octp - \uppz e\zq{a^c}\ql e\enotes -% mesure 165 -\barre\NOtes\qu I&\zq{bd}\qu{h}|\zq{ik}\ql o\enotes -\temps\NOtes\pointdorgue a\soupir&\pointdorgue l\soupir|\pointdorgue l\soupir\enotes -\temps\NOtes\lppz G\qu G&\octp\uppz N\zq{IK}\ql N|\octp\uppz g\zq{bd}\ql g\enotes -\temps\notes\lppz G\qu I&\octp\uppz N\zq{IK}\ql N|\octp\uppz i\zq{bdg}\ql i\enotes -\cleftoksii={6000}\changeclefs -% mesure 166 -\barre\NOtes\lppz G\qu H&\octp\uppz M\zq{HK}\ql M|\octp\uppz h\zq{adf}\ql h\enotes -\temps\NOtes\lppz G\qu G&\octp\uppz K\zq{GI}\ql K|\octp\uppz g\zq{Nbd}\ql g\enotes -\temps\NOtes\lppz F\qu F&\octp\uppz K\zq{FH}\ql K|\octp\uppz f\zq{Mad}\ql f\enotes -\temps\NOtes\lppz E\qu E&\octp\uppz J\zq{EH}\ql{^J}|\octp\uppz e\zq{La^c}\ql e\enotes -% mesure 167 -\barre\NOTes\wh D&\octp\zw{DF}\wh{H}|\octp\zw{KMa}\wh d\enotes -\finmorceau -\staffbotmarg=0pt -\rightline{\sl\aujourdhui}\vfil\eject - -\end diff --git a/macros/musixtex/doc/examples/fantcmol.tex b/macros/musixtex/doc/examples/fantcmol.tex deleted file mode 100644 index fae4884314..0000000000 --- a/macros/musixtex/doc/examples/fantcmol.tex +++ /dev/null @@ -1,626 +0,0 @@ -\fullauthor{Daniel TAUPIN} -\shortauthor{D. Taupin} -\fulltitle{XI. Fantaisie et fugue en style baroque} -\shorttitle{Fantaisie et fugue en style baroque} -\csname titremorceautoc\endcsname -\shorttitle{Fantaisie en style baroque} -\subtitle{{\frtbf Fantaisie}} -\othermention{Compos\'e en 1995} -\maketitle - - % if transpose not defined outside assume 0 and three flats -\ifx\ftranspose\undefined\def\ftranspose{0}\fi -\ifx\fsignature\undefined\def\fsignature{-3}\fi - - -\parindent 18mm -\tracingstats=2\relax - % - % formes fr\'equentes - % - %au moins deux croches basses et hautes -\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% -\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% - %au moins deux doubles croches basses et hautes -\def\dqbb#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% -\def\dqhh#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% - %au moins trois doubles croches basses et hautes -\def\tqbb#1#2#3{\Ibbl0{#1}{#3}2\qb0{#1#2}\tqb0{#3}}% -\def\Tqbb#1#2#3{\ibbl0{#2}0\qb0{#1#2}\tqb0{#3}}% -\def\sTqbb#1#2#3{{\smallnotesize\Tqbb{#1}{#2}{#3}}}% - %au moins quatre croches basses et hautes -\def\qqb#1#2#3#4{\Ibl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% -\def\Qqb#1#2#3#4{\Ibl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}% -\def\qqB#1#2#3#4{\Ibl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}% -\def\qqh#1#2#3#4{\Ibu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% -\def\Qqh#1#2#3#4{\Ibu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}% -\def\qqH#1#2#3#4{\Ibu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}% - %au moins quatre doubles croches basses et hautes -\def\qqbb#1#2#3#4{\varaccid\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% -\def\sqqbb#1#2#3#4{\varaccid\smallnotesize\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% -\def\Qqbb#1#2#3#4{\varaccid\Ibbl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}% -\def\sQqbb#1#2#3#4{{\varaccid\smallnotesize\Qqbb{#1}{#2}{#3}{#4}}}% -\def\qqBB#1#2#3#4{\varaccid\Ibbl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}% -\def\sqqBB#1#2#3#4{{\varaccid\smallnotesize\qqBB{#1}{#2}{#3}{#4}}}% -\def\qqhh#1#2#3#4{\varaccid\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% -\def\sqqhh#1#2#3#4{\varaccid\smallnotesize\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% -\def\Qqhh#1#2#3#4{\varaccid\Ibbu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}% -\def\sQqhh#1#2#3#4{\varaccid\smallnotesize\Ibbu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}% -\def\qqHH#1#2#3#4{\varaccid\Ibbu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}% -\def\sqqHH#1#2#3#4{{\varaccid\smallnotesize\qqHH{#1}{#2}{#3}{#4}}}% - % -\nbporteesii=2\relax -\def\nbinstruments{2} -\global\cleftoksii={6000}% -\global\cleftoksi={6000}% -% -\noautolines - % -\generalsignature{\fsignature}\relax % r\'e mineur -\transpose=\ftranspose\relax - %\check -\def\instrumenti{P\'edale 16'}% -\def\instrumentii{G.O.}% - %\check -\medskip\noindent{\rm G.O.: Plein jeu, fonds 16' {\sl ad libitum.}}% -\par\noindent{\rm Pos.: Plein jeu, acc. G.O.}% -\par\noindent{\rm P\'ed.: fonds et anches 16', tirasses G.O. \& pos.}% -\smallskip - % -\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}% -\def\doubler{\multiply\noteskip by 2\relax}% -\generalmeter{\meterfrac 34} -\staffbotmarg=10pt -\stafftopmarg=0pt -\interstaff{10} -\debutmorceau -%\noautolines -\relativeaccidentals -\bigaccid -%\autolines{9}55\relax -\znotes&|\Uptext{\hbox{\kern -8mm\moyen Allegro - \bf(\metron{\qu}{55})}}\enotes - %\advance\linesinpage by 1\relax - %\check - % mesure 1 -\notes&\sqqhh JKLM|\sqqhh cdef\enotes -\temps\notes\sk\pause&\sqqhh NLKJ|\sqqhh gedc\enotes -\temps\notes&\sqqhh caNM|\sqqhh jhgf\enotes - %\check - % mesure 2 -\barre\notes&\sqqhh NaMa|\sqqhh ghfh\enotes -\temps\notes\sk\pause&\sqqhh NLKJ|\sqqhh gedc\enotes -\temps\notes&\sqqhh caNM|\sqqhh jhgf\enotes - %\check - % mesure 3 -\barre\notes&\sqqhh NaMN|\sqqhh ghfg\enotes -\temps\notes\sk\pause&\sqqhh LMKL|\sqqhh efde\enotes -\temps\notes&\sqqhh JLKJ|\sqqhh cedc\enotes - %\check - % mesure 4 -\barre\notes\hu G&\sqqbb N{^a}{^b}c|\itenu1i\itenl2g\zq{^id}\qu g\enotes -\temps\notes&\sqqbb dbaN|\tten1\tten2\itenl1g\zhl g\zq{k}\qu{^i}\enotes -\temps\notes\qu J&\sqqbb edec|\zq{l}\qu j\enotes - %\check - % mesure 5 -\barre\notes\hu G&\sqqbb{^b}cdb|\tten1\itenl1g\zhlp g\zh{^i}\hu k\enotes -\temps\notes&\sqqbb NabN|\enotes -\temps\notes\qu J&\sqqbb edec|\zq j\qu l\enotes - %\check - % mesure 6 -\barre\notes\qu I&\sqqbb decd|\tten1\zq{g=i}\qu k\enotes -\temps\notes\qu K&\sqqbb {=b}c{^a}b|\zq{hj}\qu{^m}\enotes -\temps\notes\qu G&\sqqbb N{^b}aN|\zq{^ik}\qu n\enotes - %\check - % mesure 7 -\barre\notes\hu J&\itenu1c\zh{Nc}\hl e|\sqqbb jklm\enotes -\temps\notes&|\sqqbb nlkj\enotes -\temps\notes\qu H&\tten1\itenu1c\zq{ac}\ql f|\sqqbb qonm\enotes - %\check - % mesure 8 -\barre\notes\hu J&\tten1\itenu1c\zh{Nc}\hl e|\sqqbb nomo\enotes -\temps\notes&|\sqqbb nlkj\enotes -\temps\notes\qu H&\tten1\zq{ac}\ql f|\sqqbb qonm\enotes - %\check - % mesure 9 -\barre\notes\qu G&\itenl1N\zh N\zhl{^b}\qu d|\sqqbb nomn\enotes -\temps\notes\qu{^I}&\qu f|\sqqhh lmkl\enotes -\temps\notes\qu J&\tten1\zq N\lfl b\zq{b}\ql{^e}|\sqqhh j{^l}kj\enotes - %\check - % mesure 10 -\barre\notes\hu F&\sqqbb MNab|\itenu1m\zh h\zhl j\hup m\enotes -\temps\notes&\sqqbb caNM\enotes -\temps\notes\qu I&\sqqbb f{_d}cb|\zq i\ql k\enotes - %\check - % mesure 11 -\barre\notes\hu F&\sqqbb c{_d}bd|\tten1\itenu1m\zh h\zhl j\hup m\enotes -\temps\notes&\sqqbb caNM\enotes -\temps\notes\qu I&\sqqbb fdcb|\zq i\ql k\enotes - %\check - % mesure 12 -\barre\notes\qu H&\sqqbb c{_d}bc|\tten 1\zq h\zq j\ql m\enotes -\temps\notes\qu J&\sqqbb abNa|\zq g\zq i\ql{^l}\enotes -\temps\notes\qu F&\sqqbb MNab|\zq h\zq j\ql m\enotes - %\check - % mesure 13 -\barre\notes\hu J&\zh N\zhl{^e}\roff{\qu c}|\sqqbb jk{^l}m\enotes -\temps\notes&\qu b|\sqqbb nlkj\enotes -\temps\notes\qu H&\zq{ac}\ql f|\sqqbb qonm\enotes - %\check - % mesure 14 -\barre\notes\hu J&\zh N\zhl{^e}\roff{\qu c}|\sqqbb nomo\enotes -\temps\notes&\qu b|\sqqbb n{^l}kj\enotes -\temps\notes\qu H&\zq{ac}\ql f|\sqqbb qonm\enotes - %\check - % mesure 15 -\barre\notes\qu G&\itenl1N\zql N\zq c\qu {=e}|\sqqbb nomn\enotes -\temps\notes\qu {^I}&\tten1\zq N\zq {^b}\qu f|\sqqbb {=l}mkl\enotes -\temps\notes\qu J&\zq {=b}\rq c\qu {^e}|\sqqbb jk{^l}j\enotes - %\check - % mesure 16 -\barre\notes\hu {^H}&\sqqbb MN{^a}b|\itenl1h\zhp{^hj}\hlp m\enotes -\temps\notes&\sqqbb cbca\enotes -\temps\notes\qu J&\sqqbb {=e}c{^a}N|\enotes - %\check - % mesure 17 -\barre\notes\hu K&\sqqbb {^M}N{^a}b|\tten1\itenl1h\itenu2m\zh{^hk}\hl{^m}\enotes -\temps\notes&\sqqbb cbca\enotes -\temps\notes\qu J&\sqqbb {^f}{=e}dc|\tten1\tten2\zq{hj}\ql m\enotes - %\check - % mesure 18 -\barre\notes\qu I&\sqqbb bcdb|\itenl1i\itenu2n\zq{ik}\ql n\enotes -\temps\notes\qu L&\sqqbb g{=e}dc|\tten1\tten2\zq{il}\ql n\enotes -\temps\notes\qu K&\sqqbb d{^e}{^f}d|\zq{^hj}\ql{^m}\enotes - %\check - % mesure 19 -\barre\notes\qu I&\sqqbb g{=e}dc|\zq{ik}\zqu n\enotes -\temps\notes\qu H&\sqqbb dcba|\zq{^hj}\zqu{^m}\enotes -\temps\notes\qu G&\sqqbb N{^a}{^b}N|\zq{^ik}\zqu{=m}\enotes - %\check - % mesure 20 -\barre\notes\hu{^H}&\itenl1c\itenu2e\lSh c\zq{^ac}\ql{^e}|\sqqbb {^j}k{^l}m\enotes -\temps\notes&\tten1\tten2\zq{ce}\ql g|\sqqbb nmnl\enotes -\temps\notes\qu K&\zq{^ad}\ql{=f}|\sqqbb mlk{=j}\enotes - %\check - % mesure 21 -\barre\notes\qu G&\itenl1N\itenu2f\zhlp N\zq{^b}\qu f|\sqqbb {^i}jkl\enotes -\temps\notes\qu {^I}&\tten2\zq{d}\qu f|\sqqbb mlmk\enotes -\temps\notes\qu J&\zq{=b}\qu {^e}|\sqqbb lkj{=i}\enotes - %\check - % mesure 22 -\barre\notes\hup{^H}&\tten1\lSh c\zql N\zhp{c}\hup{^e}|\sqqbb {^h}{^i}{^j}k\enotes -\temps\notes&\ql{^a}|\sqqbb {^l}k{^j}i\enotes -\temps\notes&\ql N|\sqqbb jhij\enotes - %\check - % mesure 23 -\generalsignature{2}\changecontext -\notes\itenl1K\hup K&\sqqbb MNaM|\itenl2k\zh {hm}\hu k\enotes -\temps\notes&\sqqbb KMNa|\enotes -\temps\notes&\sqqbb babN|\tten2\itenl2k\zq{ik}\ql n\enotes - %\check - % mesure 24 -\barre\notes\tten1\hup K&\sqqbb abad|\tten2\itenu2m\zh{hk}\hl m\enotes -\temps\notes&\sqqbb cbaN|\enotes -\temps\notes&\sqqbb MNaM|\tten2\itenu2m\zq{_j}\zql m\qu o\enotes - %\check - % mesure 25 -\barre\notes\hu I&\sqqbb KMNa|\tten2\zh i\zhl k\qu m\enotes -\temps\notes&\sqqbb babN|\qu n\enotes -\temps\notes\qu H&\sqqbb cabc|\zq j\zql l\qu o\enotes - %\check - % mesure 26 -\barre\notes\hu K&\itenu1d\zh{ad}\hl f|\sqqbb klmn\enotes -\temps\notes&|\sqqbb omlk|\enotes -\temps\notes\qu I&\tten1\itenu1d\zq{bd}\ql g|\sqqbb popn\enotes - %\check - % mesure 27 -\barre\notes\hu K&\tten1\zh{ad}\hl f|\sqqbb opon\enotes -\temps\notes&|\sqqbb monm|\enotes -\temps\notes\qu G&\zq{be}\ql g|\sqqbb nmlk\enotes - %\check - % mesure 28 -\barre\notes\hup H&\zhp a\zhlp c\hu e|\sqqbb jklm\enotes -\temps\notes&|\sqqbb nlon\enotes -\temps\notes&\qu g|\sqqbb {_m}lkj\enotes - %\check - % mesure 29 -\barre\notes\hu K&\sqqbb KL{_M}N|\itenu1k\zh {_fh}\hu k\enotes -\temps\notes&\sqqbb aNaM|\enotes -\temps\notes\qu G&\sqqbb {_b}aNb|\tten1\itenu1k\zq{g_i}\qu k\enotes - %\check - % mesure 30 -\barre\notes\hup K&\sqqbb a{_M}LK|\tten1\zq{_f}\zql h\hup k\enotes -\temps\notes&\sqqbb d{_b}aN|\zq g\ql{_i}\enotes -\temps\notes&\sqqbb aNMa|\zq f\ql h\enotes - %\check - % mesure 31 -\barre\notes\qu G&\sqqbb N{_M}LK|\zq g\zq{_i}\ql l\enotes -\temps\notes\qu H&\sqqbb JKLM|\itenu0j\zq h\zq j\ql {_m}\enotes -\temps\notes\qu F&\sqqbb {=M}{^N}{^a}M|\tten0\lSh h\zq{h}\zq j\ql {=m}\enotes - %\check - % mesure 32 -\barre\notes\itenl1I\hup I&\itenl2b\zh b\zh d\hl f|\sqqbb ijkl\enotes -\temps\notes&|\sqqbb mkji\enotes -\temps\notes&\tten2\itenl2b\zq b\zq e\ql g|\sqqbb pnml\enotes - %\check - % mesure 33 -\barre\notes\tten1\hu I&\tten2\zh b\zh d\itenu2f\hl f|\sqqbb mnml\enotes -\temps\notes&|\sqqbb km{^o}p\enotes -\temps\notes\qu F&\tten2\itenu2f\zq{^ac}\ql f|\sqqbb qpo{^n}\enotes - %\check - % mesure 34 -\barre\notes\hup I&\zh b\tten2\itenu2d\itenu3f\zh {^d}\hl f|\sqqbb ml{^k}j\enotes -\temps\notes&|\sqqbb klm{=o}\enotes -\temps\notes&\tten2\tten3\zq{df}\ql{=a}|\sqqbb {_q}omk\enotes - %\check - % mesure 35 -\barre\notes\hu E&\sqqbb LMNa|\zh{gi}\itenu1l\hl l\enotes -\temps\notes&\sqqbb bNML|\enotes -\temps\notes\qu H&\sqqbb e{_c}ba|\zq{h_j}\tten1\itenu1l\ql l\enotes - %\check - % mesure 36 -\barre\notes\hu E&\sqqbb b{_c}ac|\zh{gi}\tten1\itenu1l\hl l\enotes -\temps\notes&\sqqbb bNML|\enotes -\temps\notes\qu {_J}&\sqqbb ecba|\zq{h_j}\tten1\itenu1l\ql l\enotes - %\check - % mesure 37 -\barre\notes\hu I&\sqqbb b{_c}ab|\tten1\itenl1i\zq{g}\zql i\qu l\enotes -\temps\notes&\sqqbb NaMN|\loff{\tten1\zq g}\zql h\qu{^k}\enotes -\temps\notes\qu{^G}&\sqqbb L{^N}ML|\zq{^gi}\ql l\enotes - %\check - % mesure 38 -\barre\notes\hup H&\zh N\zh c\hl e|\sqqhh hijk\enotes -\temps\notes&|\sqqhh ljih\enotes -\temps\notes\qu{_F}&\itenl1a\zq a\zq d\ql {_f}|\sqqhh {_m}lmk\enotes - %\check - % mesure 39 -\barre\notes\hu J&\tten1\zhp c\zhlp a\hu e|\sqqhh lkji\enotes -\temps\notes&|\sqqhh jhjk\enotes -\temps\notes\qu H&\qu g|\sqqhh ljkl\enotes - %\check - % mesure 40 -\barre\notes\qu F&\itenu1f\zq {^a}\zq c\ql f|\sqqhh mlkj\enotes -\temps\notes\hu I&\tten1\zql b\zh{^d}\hu f|\sqqhh {^k}ikm\enotes -\temps\notes&\ql {=a}|\sqqhh ponm\enotes - %\check - % mesure 41 -\generalsignature{3}\relax -\changecontext\notes\hu J&\sqqbb {^L}M{N}L|\itenu0j\zh{^l}\zh g\hu j\enotes -\temps\notes&\sqqbb cbaN\enotes -\temps\notes\qu F&\sqqbb aMac|\tten0\itenu0m\zq m\zq h\qu j\enotes - %\check - % mesure 42 -\barre\notes\hu I&\sqqbb fedc|\tten0\zhp i\zhlp k\hu m\enotes -\temps\notes&\sqqbb decd\enotes -\temps\notes\qu K&\sqqbb bdcb|\qu n\enotes - %\check - % mesure 43 -\barre\notes\hu E&\zhp{N}\zhlp b\hu d|\sqqhh {g}hi{_j}\enotes -\temps\notes&|\sqqhh kihg\enotes -\temps\notes\qu G&\itenu1e\qu e|\sqqhh lkji\enotes - %\check - % mesure 44 -\barre\notes\hu H&\tten1\zhp c\zhup e\hl a|\sqqhh {=j}kji\enotes -\temps\notes&|\sqqhh jhjk\enotes -\temps\notes\qu{_G}&\ql {_N}|\sqqhh ljkl\enotes - %\check - % mesure 45 -\barre\notes\hu F&\advance\transpose -7\relax\sqqbb f{g}{^h}i|\zh{^h}\zhl - j\itenu1m\hup m\enotes -\temps\notes&\advance\transpose -7\relax\sqqbb jhgf\enotes -\temps\notes\qu I&\advance\transpose -7\relax\sqqbb kjki|\zq i\ql k\enotes - %\check - % mesure 46 -\barre\notes\hu F&\advance\transpose -7\relax\sqqbb jkik|\tten1\zh{^h}\zh j\hl m\enotes -\temps\notes&\advance\transpose -7\relax\sqqbb j{^h}{g}f\enotes -\temps\notes\qu{^H}&\advance\transpose -7\relax\sqqbb lklj|\zq j\zq l\ql{^o}\enotes - %\check - % mesure 47 -\barre\notes\qu I&\advance\transpose -7\relax\sqqbb kji{=h}|\itenl1i\itenl2k\zq -i\zq k\ql m\enotes -\temps\notes\qu K&\advance\transpose -7\relax\sqqbb -{g}hig|\tten1\tten2\itenu1n\zq i\zq k\ql n\enotes -\temps\notes\qu J&\advance\transpose -7\relax\sqqbb {^l}{^k}lj|\tten1\zq -j\zq{^l}\ql n\enotes - %\check - % mesure 48 -\barre\notes\hu H&\zh a\zhl c\itenu1f\hup f|\sqqbb mnop\enotes -\temps\notes&|\sqqbb qpqo\enotes -\temps\notes\qu I&\itenu2b\itenu0d\zq b\ql d|\sqqbb rqrp\enotes - %\check - % mesure 49 -\barre\notes\qu G&\tten0\tten1\tten2\zq b\zq d\ql f|\advance\transpose 7\sqqbb mkji\enotes -\temps\notes\qu J&\zq {c^e}\zql g|\advance\transpose 7\sqqbb jkik\enotes -\temps\notes\qu H&\zq{ac}\ql f|\advance\transpose 7\sqqbb jhgf\enotes - %\check - % mesure 50 -\barre\notes\qu G&\itenu1c\zql N\zh c\hu {^e}|\sqqhh nm{^l}{^k}\enotes -\temps\notes\qu J&\ql b|\sqqhh jihg\enotes -\temps\notes\qu H&\tten1\zq{a}\ql c|\sqqhh hfhj\enotes - % mesure 51 -\barre\notes\hup F&\sqqbb MNab|\zhp {hj}\itenu1m\hlp m\enotes -\temps\notes&\sqqbb c{^d}{^e}c\enotes -\temps\notes&\sqqbb f{=e}{=d}c\enotes - %\check - % mesure 52 -\barre\notes\hu I&\sqqbb dcdb|\tten1\zq i\zq k\ql m\enotes -\temps\notes&\sqqbb Nabc|\zq g\itenu1j\itenu2l\zq j\ql{^l}\enotes -\temps\notes\qu J&\sqqbb {^d}{^e}fg|\tten1\tten2\zq j\zq l\ql n\enotes - %\check - % mesure 53 -\barre\notes\hup H&|\zq h\itenu1j\itenu2m\zq j\zqu m\sqqbb f{^e}fc\enotes -\temps\notes&|\tten1\tten2\itenu2m\zq j\zqu m\sqqbb hghf\enotes -\temps\notes&|\tten2\zqu m\sqqbb jijh\enotes - % mesure 54 - %\check -\barre\notes\qu{^H}&|\itenl1f\zq f\zql c\sqqhh m{^l}mj\enotes -\temps\notes\qu I&|\tten1\zq b\zql f\sqqhh kjki\enotes -\temps\notes\qu G&|\zq N\zq b\zql{=e}\sqqhh {=l}kli\enotes - % mesure 55 - %\check -\barre\notes\qu H&\itenu1a\zq{ac}\ql e|\sqqhh jijh\enotes -\temps\notes\qu F&\tten1\itenu1d\zq{Ma}\ql d|\sqqhh kjkh\enotes -\temps\notes\qu G&\tten1\itenu1N\zq{Nb}\ql d|\sqqhh ihig\enotes - % mesure 56 - %\check -\barre\notes\qu{^E}&\tten1\zq{^L}\zql N\hu c|\sqqhh jijg\enotes -\temps\notes\qu F&\zh M\hl a|\sqqhh high\enotes -\temps\notes\qu D&\qu d|\sqqhh fhgf\enotes - % mesure 57 - %\check -\barre\notes\hup C&\zq{^L}\zql N\itenu1c\zhup c|\zqu j\ibbl0g0\qb0{j^e^d}\tqb0e\enotes -\temps\notes&\zq M\ql a|\zqu j\ibbl0h0\qb0{jfe}\tqb0f\enotes -\temps\notes&\zq N\ql b|\zqu j\ibbl0h0\qb0{jgf}\tqb0g\enotes - % mesure 58 - %\check -\barre\notes\qu D&\tten1\itenl1M\itenu2c\zq M\zq a\ql c|\zqu j\sqqBB jhgh\enotes -\temps\notes\qu F&\tten1\tten2\zq M\zq{^a}\ql c|\zqu m\sqqBB m{^h}gh\enotes -\temps\notes\qu G&\zq N\zq b\ql d|\zqu m\sqqBB mihi\enotes - % mesure 59 - %\check -\barre\notes\qu {^H}&\zq{^a}\zq c\itenu1f\ql f|\zqu m\sqqBB mjij\enotes -\temps\notes\qu I&\zh b\zh d\tten1\hl f|\zqu m\sqqBB mkjk\enotes -\temps\notes\qu {=H}&|\zqu i\sqqbb ijkm\enotes - % mesure 60 - %\check -\barre\notes\qu G&\zql N\zhp c\hup{^e}|\zqu n\sqqBB n{^l}kl\enotes -\temps\notes\hu I&\hl b|\zqu j\sqqbb jlkl\enotes -\temps\notes&|\zqu n\sqqBB nlkl\enotes - % mesure 61 - %\check -\barre\notes\hup H&\zhp {ac}\hlp f|\zqu j\sqqBB jm{^l}m\enotes -\temps\notes&|\zqu o\sqqbb omlm\enotes -\temps\notes&|\zqu j\sqqBB jmlm\enotes - % mesure 62 - %\check -\barre\notes\qu I&\itenu1g\zq b\zql d\hup g|\zqu p\sqqBB pnmn\enotes -\temps\notes\qu J&\zq{c}\ql {^e}|\zqu {^l}\sqqbb lnmn\enotes -\temps\notes\qu K&\zq{b}\ql d|\zqu p\sqqBB pnmn\enotes - % mesure 63 - %\check -\barre\notes\qu J&\tten1\itenu1c\zq{c^e}\ql g|\sqqbb {^l}nmn\enotes -\temps\notes\qu H&\tten1\zq{ac}\itenu1f\ql f|\sqqbb opno\enotes -\temps\notes\qu I&\tten1\zq{bd}\ql f|\sqqbb monm\enotes - % mesure 64 - %\check -\barre\notes\itenl3J\hup J&\sqqhh JK{^L}M|\itenu2q\zh{^ln}\hl q\enotes -\temps\notes&\sqqbb NabN\enotes -\temps\notes&\sqqbb abNa|\tten2\itenu1m\itenu2o\zq{mo}\ql q\enotes - % mesure 65 - %\check -\barre\notes\tten3\itenl3J\hup J&\sqqbb MaNM|\tten1\tten2\zq{jm}\ql o\enotes -\temps\notes&\sqqbb {^L}cbc|\itenu1q\zh{^ln}\hl q\enotes -\temps\notes&\sqqbb Lcbc\enotes - % mesure 66 - %\check -\barre\notes\tten3\itenl3J\hup J&\sqqbb Mcac|\tten1\itenu1q\zh m\zhl o\hup q\enotes -\temps\notes&\sqqbb Mcac\enotes -\temps\notes&\sqqbb Ncbc|\itenu4n\itenu2p\zq n\ql p\enotes - % mesure 67 - %\check -\barre\notes\tten3\hup J&\sqqbb Ncbc|\tten4\tten2\roff{\tten1\zhup q}\zq p\ql n\enotes -\temps\notes&\sqqbb af{^e}f|\itenu1m\zh m\hl o\enotes -\temps\notes&\sqqbb afef\enotes - % mesure 68 - %\check -\barre\notes\qu I&\sqqbb df{=e}d|\tten1\itenl1m\zhlp m\zq p\qu r\enotes -\temps\notes\hu J&\sqqbb cfac|\itenu2o\itenu3q\zh o\hu q\enotes -\temps\notes&\sqqbb MaNM\enotes - % mesure 69 - %\check -\barre\notes\qu H&\sqqbb JMac|\tten3\tten1\tten2\itenu1m\zq m\zq o\ql q\enotes -\temps\notes\qu I&\sqqbb dcba|\tten1\itenu1p\zq m\zq p\ql r\enotes -\temps\notes\qu L&\sqqbb NabN|\tten1\zq l\zq n\ql p\enotes - % mesure 70 - %\check -\barre\notes\hu H&\itenl1a\zh c\zhu e\hlp a|\sqqbb opqr\enotes -\temps\notes&|\sqqbb srsq\enotes -\temps\notes\qu K&\zq d\ql{_f}|\sqqbb {_t}str\enotes - % mesure 71 - %\check -\barre\notes\qu H&\tten1\zhl a\zq c\qu e|\sqqbb srqs\enotes -\temps\notes\qu I&\zq d\qu{_f}|\sqqbb r{_q}po\enotes -\temps\notes\qu E&\zq N\zq b\ql e|\sqqbb nopn\enotes - \generalsignature{0}\relax -% mesure 72 -\changecontext\notes\itenl2H\hup H&\sqqbb abcd|\itenl1o\zhlp o\zh q\hu s\enotes -\temps\notes&\sqqbb ecba\enotes -\temps\notes&\sqqbb hfed|\zq r\qu t\enotes - %\check - %mesure 73 -\barre\notes\tten2\itenl2H\hup H&\sqqbb efdf|\tten1\itenl1o\zhlp o\zh q\hu s\enotes -\temps\notes&\sqqbb ecba\enotes -\temps\notes&\sqqbb hfed|\zq r\qu t\enotes - %\check - %mesure 74 -\barre\notes\tten2\hu H&\sqqbb efde|\tten1\zh o\zh q\zhl s\enotes -\temps\notes&\sqqbb cdbc\enotes -\temps\notes\qu F&\sqqbb acba|\zq m\zq p\ql r\enotes - %\check - %mesure 75 -\barre\notes\hu E&\zh{^N}\zhl b\hup e|\sqqbb l{^m}{^n}o\enotes -\temps\notes&|\sqqbb pqrp\enotes -\temps\notes\qu H&\itenu1a\itenu2c\zq a\ql c|\sqqbb qrpq\enotes - %\check - %mesure 76 -\barre\notes\qu F&\tten1\tten2\zq M\zq a\ql c|\sqqbb oqpo\enotes -\temps\notes\hu E&\itenu1e\zq{^N}\zq b\ql e|\sqqbb {^n}opn\enotes -\temps\notes&\tten1\zq a\zq c\ql e|\sqqbb l{=m}{=n}l\enotes - %\check - %mesure 77 -\barre\notes\hup F&\itenl1M\itenu2d\zq M\zq a\ql d|\sqqbb mlkj\enotes -\temps\notes&\tten1\tten2\itenu1b\itenu2d\zq M\zq b\ql d|\sqqbb ijki\enotes -\temps\notes&\tten1\tten2\zq{Nb}\ql d|\sqqbb ghig\enotes - %\check - %mesure 78 -\barre\notes\hu J&\advance\transpose 7\sqqbb JKLM|\advance\transpose 7\sqqbb cdef\enotes -\temps\notes&\advance\transpose 7\sqqbb NLKJ|\advance\transpose 7\sqqbb gedc\enotes -\temps\notes\qu H&\advance\transpose 7\sqqbb aMLK|\advance\transpose 7\sqqbb jhgf\enotes - %\check - % mesure 79 -\barre\notes\hu J&\advance\transpose 7\sqqbb LMKM|\advance\transpose 7\sqqbb ghfh\enotes -\temps\notes&\advance\transpose 7\sqqbb LJIH|\advance\transpose 7\sqqbb gedc\enotes -\temps\notes\qu H&\advance\transpose 7\sqqbb aMLK|\advance\transpose 7\sqqbb jhgf\enotes - %\check - % mesure 80 -\barre\notes\qu J&\advance\transpose 7\sqqbb LMKL|\advance\transpose 7\sqqbb ghfg\enotes -\temps\notes\qu H&\advance\transpose 7\sqqbb JKIJ|\advance\transpose 7\sqqbb efde\enotes -\temps\notes\qu F&\advance\transpose 7\sqqbb HJIH|\advance\transpose 7\sqqbb cedc\enotes - %\check - % mesure 81 -\barre\notes\hu G&\sqqbb Nabc|\itenl1i\zhlp i\zq k\qu n\enotes -\temps\notes&\sqqbb dbaN|\zq k\qu m\enotes -\temps\notes\qu J&\sqqbb edec|\zq j\qu l\enotes - %\check - % mesure 82 -\barre\notes\hu G&\sqqbb bcdb|\tten1\itenl1g\zhlp g\zh{i}\hu k\enotes -\temps\notes&\sqqbb NabN|\enotes -\temps\notes\qu J&\sqqbb edec|\zq j\qu l\enotes - %\check - % mesure 83 -\barre\notes\qu I&\sqqbb decd|\tten1\itenu1k\zq{gi}\qu k\enotes -\temps\notes\qu K&\sqqbb bcab|\tten1\itenu1k\zq{hk}\qu m\enotes -\temps\notes\qu G&\rlap{\sk\sk\sk\itenu0N}\sqqbb NabN|\tten1\zq{ik}\qu n\enotes - %\check - % mesure 84 -\barre\notes\hu J&\itenu1c\tten0\zh{Nc}\hl e|\sqqbb jklm\enotes -\temps\notes&|\sqqbb nlkj\enotes -\temps\notes\qu H&\tten1\itenu1c\zq{ac}\ql f|\sqqbb qonm\enotes - %\check - % mesure 85 -\barre\notes\hu J&\tten1\itenu1c\zh{Nc}\hl e|\sqqbb nomo\enotes -\temps\notes&|\sqqbb nlkj\enotes -\temps\notes\qu H&\tten1\zq{ac}\ql f|\sqqbb qonm\enotes - %\check - % mesure 86 -\barre\notes\qu G&\itenl1N\zh N\zhl b\qu d|\sqqbb nomn\enotes -\temps\notes\qu I&\qu f|\sqqhh lmkl\enotes -\temps\notes\qu J&\tten1\zq N\zq{_b}\ql e|\sqqhh jlkj\enotes - %\check - % mesure 87 -\barre\notes\hu F&\sqqbb MNa{_b}|\itenu1m\zh h\zhl j\hup m\enotes -\temps\notes&\sqqbb caNM\enotes -\temps\notes\qu {_I}&\sqqbb fdcb|\zq{_i}\ql k\enotes - %\check - % mesure 88 -\barre\notes\hu F&\sqqbb cd{_b}d|\tten1\itenu1m\zh h\zhl j\hup m\enotes -\temps\notes&\sqqbb caNM\enotes -\temps\notes\qu {_I}&\sqqbb fdcb|\zq {_i}\ql k\enotes - %\check - % mesure 89 -\barre\notes\qu H&\sqqbb cdbc|\tten 1\zq h\zq j\ql m\enotes -\temps\notes\qu J&\sqqbb a{_b}Na|\zq g\zq{_i}\ql l\enotes -\temps\notes\qu F&\sqqbb MNab|\zq h\zq j\ql m\enotes - %\check - % mesure 90 -\barre\notes\hu J&\zh N\zhl e\roff{\qu c}|\sqqbb jklm\enotes -\temps\notes&\qu {_b}|\sqqbb nlkj\enotes -\temps\notes\qu H&\itenu1c\zq{ac}\ql f|\sqqbb qonm\enotes - %\check - % mesure 91 -\barre\notes\hu J&\zh N\zhl e\roff{\tten1\qu c}|\sqqbb nomo\enotes -\temps\notes&\qu {_b}|\sqqbb nlkj\enotes -\temps\notes\qu H&\itenu1c\zq{ac}\ql f|\sqqbb qonm\enotes - %\check - % mesure 92 -\barre\notes\qu G&\tten1\itenl1N\zql N\zq c\qu e|\sqqbb nomn\enotes -\temps\notes\qu I&\tten1\zq N\zq {=b}\qu f|\sqqbb lmkl\enotes -\temps\notes\qu J&\zq{_b}\rq c\qu e|\sqqbb jklj\enotes - %\check - % mesure 93 -\barre\notes\hu H&\sqqbb MNa{_b}|\itenl1h\zhp{hj}\hlp m\enotes -\temps\notes&\sqqbb cbca\enotes -\temps\notes\qu J&\sqqbb {_e}caN|\enotes - %\check - % mesure 94 -\barre\notes\hu K&\sqqbb {^M}Na{_b}|\tten1\itenl1h\itenu2m\zh{hk}\hl{^m}\enotes -\temps\notes&\sqqbb cbca\enotes -\temps\notes\qu J&\sqqbb {^f}{_e}dc|\tten1\tten2\zq{hj}\ql m\enotes - %\check - % mesure 95 -\barre\notes\qu {_I}&\sqqbb {_b}cdb|\itenl1i\itenu2n\zq{ik}\ql n\enotes -\temps\notes\qu {_L}&\sqqbb g{_e}dc|\tten1\tten2\zq{i_l}\ql n\enotes -\temps\notes\qu K&\sqqbb d{=e}{^f}d|\zq{hj}\ql{^m}\enotes - %\check - % mesure 96 -\barre\notes\qu {_I}&\sqqbb g{_e}dc|\zq{_ik}\zqu n\enotes -\temps\notes\qu H&\sqqbb dc{_b}a|\zq{hj}\zqu{^m}\enotes -\temps\notes\qu G&\rlap{\sk\sk\sk\itenl1N}\sqqbb Na{=b}N|\zq{=ik}\zqu{=m}\enotes - %\check - % mesure 97 - \barre\notes\hu J&\tten1\itenu1c\itenu2e\zhl N\zhp c\hup{_e}|\sqqbb jk{_l}m\enotes - \temps\notes&|\sqqbb nlkj\enotes - \temps\notes\qu{_H}&\ql {^M}|\sqqbb q{_o}n{^m}\enotes - %\check - % mesure 98 - \barre\notes\hu J&\tten1\tten2\itenu1c\itenu2e\zhl N\zhp c\hup{_e}|\sqqbb n{_o}{=m}o\enotes - \temps\notes&|\sqqbb n{_l}kj\enotes - \temps\notes\qu{_H}&\ql {=M}|\sqqbb qonm\enotes - %\check - % mesure 99 - \barre\notes\qu G&\tten1\tten2\zhl N\zq c\qu{_e}|\sqqbb n{_o}mo\enotes - \temps\notes\qu I&\zq b\qu d|\sqqbb nm{_l}k\enotes - \temps\notes\qu J&\zq c\qu {=e}|\sqqbb jk{=l}j\enotes - %\check - % mesure 100 - \barre -\znotes&|\Sh m\enotes - \nspace - \notes\hu K&\sqqbb acbc|\ust m\lh l\zh{h}\hl{m}\enotes - \temps\notes&\sqqbb acbc\enotes - \temps\notes\qu H&\sqqbb acbc|\uppz m\lq l\zq h\ql{m}\enotes - %\check - % mesure 101 - \barre\znotes&|\lFl l\Sh m\enotes - \nspace - \notes\hu {^F}&\sqqbb {^M}aNa|\ust q\lh l\zh{jm}\hl q\enotes - \temps\notes&\sqqbb MaNa\enotes - \temps\notes\qu J&\sqqbb MaNa|\uppz q\lq l\zq{jm}\ql q\enotes - %\check - % mesure 102 - \barre\notes\hu G&\sqqbb N{_e}ce|\uppz u\zq{nq_s}\ql u\enotes - \temps\notes&\sqqbb Nece|\uppz s\zq{_lnq}\ql s\enotes - \temps\notes\qu {_I}&\sqqbb Nd{_b}d|\uppz r\zq{kn_p}\ql r\enotes - %\check - % mesure 103 - \barre\nspace - \notes\hu H&\sqqbb ae{^c}e|\lSh j\zh{j=ln}\hl {^q}\enotes - \temps\notes&\sqqbb aece\enotes - \temps\notes\qu {^J}&\sqqbb aece|\uppz q\zq{jln}\ql q\enotes - %\check - % mesure 104 - \barre\notes\hu {_I}&\sqqbb {_b}fdf|\uppz r\zq{km_p}\ql r\enotes - \temps\notes&\sqqbb bfdf|\uppz t\zq{mpr}\ql t\enotes - \temps\notes\qu G&\sqqbb Nf{=b}f|\cNa i\uppz p\zq{ikn}\ql {=p}\enotes - %\check - % mesure 105 - \barre\nspace - \NOTEs\hu{_H}&\itenu1a\itenu3f\zh{_ac}\hl f|\itenu2q\zhl j\zh{m_o}\hu q\enotes - \temps\NOtes\qu F&\tten1\tten3\zq{ad}\ql f|\zql k\enotes - %\check - % mesure 106 - \barre\NOTEs\hup C&\zhp{Nce}\hlp g|\tten2\zhp{jln}\hlp q\enotes - \mulooseness -4\relax -\finmorceau -\rightline{\sl\aujourdhui}\vfil\eject -\endinput diff --git a/macros/musixtex/doc/examples/fantfuga.tex b/macros/musixtex/doc/examples/fantfuga.tex deleted file mode 100644 index d44cb7558e..0000000000 --- a/macros/musixtex/doc/examples/fantfuga.tex +++ /dev/null @@ -1,18 +0,0 @@ -\input musixtex -\input musixcpt -\input musixsty -% -\def\misazero{\def\nbinstruments{2}\nbporteesi=1\relax -\nbporteesii=2\relax -\barsinline=0\relax -\linesinpage=0\relax -\signaturegenerale{0}\savesignature -\resetfacteurs -\computewidths}% -% -\misazero -\input fantcmol.tex -\misazero -\input fugcmoll.tex -\bye - diff --git a/macros/musixtex/doc/examples/fugcmoll.tex b/macros/musixtex/doc/examples/fugcmoll.tex deleted file mode 100644 index 922cfac945..0000000000 --- a/macros/musixtex/doc/examples/fugcmoll.tex +++ /dev/null @@ -1,517 +0,0 @@ -\fullauthor{Daniel TAUPIN} -\shortauthor{D. Taupin} -\fulltitle{{\frtbf Fugue}} -\shorttitle{Fugue en style baroque} -\subtitle{} -\othermention{} -\maketitle - - % if transpose not defined outside assume 0 and three flats -\ifx\ftranspose\undefined\def\ftranspose{0}\fi -\ifx\fsignature\undefined\def\fsignature{-3}\fi - - % - % formes fr\'equentes - % - %au moins deux croches basses et hautes -\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% -\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% - %au moins deux doubles croches basses et hautes -\def\dqbb#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% -\def\dqhh#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% - %au moins trois doubles croches basses et hautes -\def\tqbb#1#2#3{\Ibbl0{#1}{#3}2\qb0{#1#2}\tqb0{#3}}% -\def\Tqbb#1#2#3{\ibbl0{#2}0\qb0{#1#2}\tqb0{#3}}% -\def\sTqbb#1#2#3{{\smallnotesize\Tqbb{#1}{#2}{#3}}}% - %au moins quatre croches basses et hautes -\def\qqb#1#2#3#4{\Ibl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% -\def\Qqb#1#2#3#4{\Ibl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}% -\def\qqB#1#2#3#4{\Ibl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}% -\def\qqh#1#2#3#4{\Ibu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% -\def\Qqh#1#2#3#4{\Ibu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}% -\def\qqH#1#2#3#4{\Ibu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}% - %au moins quatre doubles croches basses et hautes -\def\qqbb#1#2#3#4{\varaccid\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% -\def\Qqbb#1#2#3#4{\varaccid\Ibbl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}% -\def\sQqbb#1#2#3#4{{\varaccid\smallnotesize\Qqbb{#1}{#2}{#3}{#4}}}% -\def\qqBB#1#2#3#4{\varaccid\Ibbl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}% -\def\sqqBB#1#2#3#4{{\varaccid\smallnotesize\qqBB{#1}{#2}{#3}{#4}}}% -\def\qqhh#1#2#3#4{\varaccid\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% -\def\Qqhh#1#2#3#4{\varaccid\Ibbu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}% -\def\qqHH#1#2#3#4{\varaccid\Ibbu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}% -\def\sqqHH#1#2#3#4{{\varaccid\smallnotesize\qqHH{#1}{#2}{#3}{#4}}}% - % -\nbporteesii=2\relax -\def\nbinstruments{2} -\global\cleftoksii={6000}% -\global\cleftoksi={6000}% - % -\generalsignature{\fsignature}\relax % r\'e mineur -\transpose=\ftranspose\relax - %\check -\def\instrumenti{P\'edale 16'}% -\def\instrumentii{G.O.}% - %\check -\medskip\noindent{\rm G.O.: mixtures {\sl ad libitum.}}% -\par\noindent{\rm Pos.: mixtures, acc. G.O.}% -\par\noindent{\rm P\'ed.: fonds 16', tirasses G.O. \& pos.}% -\smallskip -\generalmeter{\meterfrac 32} -\staffbotmarg=10pt -\stafftopmarg=0pt -\interstaff{10} -\debutmorceau -\relativeaccidentals -\varaccid -\nspace - \Notes\wh G\sk\sk\hu C&\sk\pause\sk\soupir\ql c|\Uptext{\hbox{\kern --8mm\moyen Andante - \bf(\metron{\qu}{65})}}\sk\sk\pausep\enotes - %\check - % mesure 2 -\barre\Notes&\zhl L\qu N\hu e\hl M\enotes -\temps\notes\pause&\dqh dc\enotes -\temps\Notes&\zhl K\qu {^b}\enotes -\temps\notes&\dqh cd\enotes - %\check - % mesure 3 -\barre\Notes&\zhl L\qu N\hu c\enotes -\temps\Notes\sk\pause&\hl {^L}\qu b\zhl M\qu a\enotes -\temps\notes&\dqh Na\enotes - %\check - % mesure 4 -\barre\Notes\sk\sk\sk\pause&\zql {=L}\qu N\zql K\qu M\zql J\qu L\zql H\qu M\enotes % -\temps\Notes&\zhl G\qu N\enotes -\temps\notes&\dqh ML\enotes - %\check - % mesure 5 - \generalmeter{\meterfrac 22}% -\changecontext\Notes\sk\pause&\zhl{^I}\roff{\Pince c}\hu K\enotes -\temps\Notes&\zql J\qu J\soupir|\sk\qu g\enotes - %\check - % mesure 6 - \generalmeter{\meterfrac 32}% -\changecontext\Notes&\hl b\sk\hl{^M}|\roff{\zw d}\qu d\hu i\enotes -\temps\notes\pause&|\dqh hg\enotes -\temps\Notes&\hl K|\zhl c\qu{^f}\enotes -\temps\notes&|\dqh gh\enotes - %\check - % mesure 7 -\barre\Notes\sk\sk\sk\pause&\zhl I\hu b\sk\zhl{^I}\itenu1N\wh N\sk\ql J|\qu d\hu g\sk\qu f\qu e\enotes -\temps\notes&\dqb {=I}J|\dqh de\enotes - %\check - % mesure 8 -\barre\Notes\sk\sk\sk\pause&\tten1\zqu N\ql I\zqu {^M}\ql H\zqu N\ql G\zqu {^a}\ql L\zqu b\ql K|\qu {dcbcd}\enotes -\temps\notes&\rlap{\dqb LJ}\dqh aN|\dqh cb\enotes - %\check - % mesure 9 - \generalmeter{\meterfrac 22}% -\changecontext\Notes\sk\pause&\zhl K\hu{^M}|\roff{\Pince L}\hu a\enotes -\temps\Notes&\zql N\qu N\soupir|\qu N\qu g\enotes - %\check - % mesure 10 -\barre\Notes\sk\sk\pause&\hl L\sk\hl{^I}|\roff{\zhl c}\qu c\hu h\hl d\enotes -\temps\notes&|\dqh gf\enotes - %\check - % mesure 11 -\barre\Notes&\hl{=I}|\zhl c\qu{^e}\enotes -\temps\notes\sk\pause&|\dqh fg\enotes -\temps\Notes&\zhu M\hl H\sk|\qu c\qu j\enotes - %\check - % mesure 12 - \generalmeter{\meterfrac 32}% -\changecontext\Notes&\zhu N\hl I\sk\hl J|\qu f\hu{_k}\hl{^e}\enotes -\temps\notes\pause&|\dqh ji\enotes -\temps\Notes&\hl {_K}|\zhl f\qu h\enotes -\temps\notes&|\dqh ij\enotes - %\check - % mesure 13 -\barre\Notes&\hl J|\zhl{=b}\qu {^e}\enotes -\temps\notes&|\dqh fg\enotes -\temps\Notes\pause&\hl I|\zhl a\qu c\enotes -\temps\notes&|\dqh de\enotes -\temps\Notes&\itenu1M\zhu M\hl{^H}\sk|\qu f\qu m\enotes - %\check - % mesure 14 -\barre\Notes&\tten1\zhu M\hl G|\qu {^i}\hu o\enotes -\temps\Notes&\zw N\hl{^I}|\enotes -\temps\notes\pause&|\dqh nm\enotes -\temps\Notes&\hl {^H}|\qu l\enotes -\temps\notes&|\dqh kj\enotes - %\check - % mesure 15 -\barre\Notes\sk\sk\pause&\zqu a\ql K\zqu c\ql L\hl N|\qu m\qu l\zql g\hu k\ql f\enotes -\temps\Notes\soupir\qu J&\ql c\soupir|\zql e\qu j\soupir\enotes - %\check - % mesure 16 - \generalmeter{\meterfrac 22}% -\changecontext\Notes\qu G\hu L\sk&\sk\pause|\sk\pause\enotes -\temps\notes\dqh KL&|\enotes - %\check - % mesure 17 -\barre\Notes\qu M\qu K&|\sk\hpause\enotes -\temps\Notes\hu L&\pause|\soupir\qu h\enotes - %\check - % mesure 18 -\barre\Notes\hu K\sk\hu J&\sk\sk\pause|\qu f\hu j\enotes -\temps\notes&|\dqh{^i}j\enotes - %\check - % mesure 19 -\barre\Notes\hu {^I}\sk&\sk\hpause|\qu k\qu{^i}\enotes -\temps\Notes\hu J&\sk\qu N|\itenu1j\hu j\enotes - %\check - % mesure 20 -\barre\Notes\hu H&\qu L\hu c|\tten1\wh j\enotes -\temps\Notes\hu {_K}&\enotes -\temps\notes&\dqh{=b}c\enotes - %\check - % mesure 21 -\barre\Notes\hu I&\qu {_d}\qu b|\hu g\enotes -\temps\Notes\qu H\qu M&\itenu1c\hu c|\soupir\qu h\enotes - %\check - % mesure 22 -\barre\Notes\qu J\hl a&\tten1\wh c|\qu m\qu{^l}|\enotes -\temps\Notes\sk&|\qu m\enotes -\temps\notes\dqb Na&|\dqh lk\enotes - %\check - % mesure 23 -\barre\Notes\ql N&\ql b|\hu j\enotes -\temps\Notes\ql M&\ql a\enotes -\temps\Notes\ql {^L}&\ql N|\zhl i\hu{^l}\enotes -\temps\notes\dqb KJ&\dqb ab\enotes - %\check - % mesure 24 -\barre\Notes\ql M&\ql c|\zql h\qu m\enotes -\temps\Notes\ql J&\ql b|\zql i\qu {^l}\enotes -\temps\Notes\hu F&\ql a\soupir|\zql j\qu m\zql f\raise 2\Interligne\soupir\enotes - %\check - % mesure 25 -\barre\Notes\hu H&|\ql c\hl h\enotes -\temps\Notes\hu I&\pause|\sk\enotes -\temps\notes&|\dqb gh\enotes - %\check - % mesure 26 -\barre\Notes\hu {_K}&|\ql i\zql g\raise4\internote\hpause\enotes -\temps\Notes\hu J&\hpause|\hl h\qu j\enotes - %\check - % mesure 27 -\barre\Notes\hu H&\wh c|\qu m\hu {^l}\enotes -\temps\Notes\hu I&|\sk\enotes -\temps\notes&|\dqh kl\enotes - %\check - % mesure 28 -\barre\Notes\hu {^I}&\zhl a\hu d|\qu m\qu k\enotes -\temps\Notes\hu{=I}&\zhl N\itenu1c\hu c|\qu {^l}\enotes -\temps\notes&|\dqh kj\enotes - %\check - % mesure 29 -\barre\Notes\hu{H}&\tten1\zhl M\wh c|\qu m\enotes -\temps\notes&|\bigNa l\dqh l{_k}\enotes -\temps\notes\hu G&\hu{^e}|\dqh ji\enotes -\temps\notes&|\dqh hg\enotes - %\check - % mesure 30 - \generalmeter{\meterfrac 32}% -\changecontext\Notes\hu F&\zhl M\hu d|\qu h\enotes -\temps\notes&|\dqh gf\enotes -\temps\Notes\hu{^E}&\zhl N\hu c|\qu {j^e}\enotes -\temps\Notes\hu F&\zql M\hu a|\hu f\enotes -\temps\Notes&\qu M|\sk\enotes - %\check - % mesure 31 -\barre\Notes\hu K&\qu a\hu{^I}\enotes -\temps\Notes\hu G&\enotes -\temps\notes&\dqh JK|\pause\enotes -\temps\Notes\qu {LK}&\qu N\qu M\enotes - %\check - %mseure 32 -\barre\Notes\hu J&\qu L\enotes -\temps\notes&\dqh KL\enotes -\temps\notes\hu H&\dqh ML|\pause\enotes -\temps\notes&\dqh KJ\enotes -\temps\Notes\hu G&\qu N\soupir|\soupir\qu g\enotes - %\check - % mesure 33 -\barre\Notes\hu H&\hu M|\qu c\hu h\enotes -\temps\Notes\hu {^I}&\zhl K\hu{^b}\enotes -\temps\notes&|\dqh gf\enotes -\temps\Notes\hu J&\zhl L\hu c|\qu e\enotes -\temps\notes&|\dqh dc\enotes - %\check - % mesure 34 - \generalmeter{\meterfrac 22}% -\changecontext\notes\hu G&\zhl K\hu{^b}|\dqh gf\enotes -\temps\notes&|\dqh ed\enotes -\temps\Notes\hu J&\zql L\qu N\soupir|\qu c\qu j\enotes - %\check - % mesure 35 - \generalmeter{\meterfrac 32}% -\changecontext\Notes\hu {^H}&\zql M\hu c\ql {^a}|\qu l\hu{^f}\enotes -\temps\Notes\hu K&\zw{^M}\hu d|\enotes -\temps\notes&|\dqh kj\enotes -\temps\notes\hu{^F}&\hu c|\dqh kj\enotes -\temps\notes&|\dqh ih\enotes - %\check - % mesure 36 -\barre\Notes\hu G&\zhl b\hu d|\qu g\enotes -\temps\notes&|\dqh {^h}i\enotes -\temps\Notes\hu {^H}&\zhl L\itenu0c\hu c|\qu j\enotes -\temps\Notes&|\qu e\enotes -\temps\Notes\hu K&\zhl{^M}\tten0\qu c|\qu d\enotes -\temps\notes&\qu a|\dqh {^e}{^f}\enotes - %\check - % mesure 37 -\barre\Notes\hu G&\zql N\hu b\ql L|\hu g\enotes -\temps\notes\qu {^H}&\zql K\qu{^M}|\dqh ji\enotes -\temps\notes\qu K&\zql M\qu c|\dqh {^h}g\enotes -\temps\Notes\hu G&\zqu{^b}\ql N|\qu g\enotes -\temps\notes&\soupir|\dqh g{^h}\enotes - %\check - % mesure 38 - \generalmeter{\meterfrac 22}% -\changecontext\notes\hu K&\zhl{^b}\hu f|\dqh {^i}j\dqh kl\enotes -\temps\Notes\hu{^I}&\cNa a\zhl a\hu d|\qu m\enotes -\temps\notes&|\dqh fg\enotes - %\check - % mesure 39 -\barre\notes\hu G&\itenl1N\zhl N\qu f\sk\qu d|\dqh {^h}{^i}\dqh jk\enotes -\temps\Notes\itenl0J\hu J&\tten1\zql N\qu e|\itenu1l\ql l\enotes -\temps\notes&\dqh LK\enotes - %\check - % mesure 40 -\barre\notes\tten0\hu J&\dqh LM\dqh Na|\itenl0g\zhl g\tten1\hu l\enotes -\temps\Notes\hu F&\qu a|\tten0\itenl0g\zhl g\hu k\enotes -\temps\notes&\dqh NM\enotes - %\check - % mesure 41 - \generalmeter{\meterfrac 32}% -\changecontext\Notes\hu G&\qu L|\tten0\zhl g\hu j\enotes -\temps\notes&\dqh KJ\enotes -\temps\notes\hu{^I}&\dqh NM|\zhl f\hu{^i}\enotes -\temps\notes&\dqh LK\enotes -\temps\Notes\hu H&\qu {^J}|\zql g\qu{^j}\enotes -\temps\Notes&\soupir|\qu h\enotes - %\check - % mesure 42 -\barre\Notes\hl K&|\qu f\enotes -\temps\Notes\sk\hl{^L}&|\hu k\sk\enotes -\temps\notes&\pause|\dqh{^j}{^i}\enotes -\temps\Notes\hu{^H}&|\qu j\enotes -\temps\notes&|\dqh k{^l}\enotes - %\check - % mesure 43 -\barre\Notes\hu F&|\qu h\enotes -\temps\Notes\sk\hu I&|\hu k\sk\enotes -\temps\Notes&\pause|\qu j\enotes -\temps\Notes\hu J&|\qu {=i}\enotes -\temps\notes&|\dqh hi\enotes - %\check - % mesure 44 -\barre\Notes\qu{^J}&|\qu {^h}\enotes -\temps\Notes\cNa I\qu I&|\qu g\enotes -\temps\Notes\qu H&|\qu f\enotes -\temps\Notes\qu G&\pause|\qu g\enotes -\temps\Notes\qu F&|\qu {^h}\enotes -\temps\notes\qu G&|\dqh gf\enotes - %\check - % mesure 45 - \generalmeter{\meterfrac 22}% -\changecontext\Notes\hu {^H}&|\roff{\Pince l}\hu {^e}\enotes -\temps\Notes&\hpause|\sk\enotes -\temps\Notes\hu D&\soupir|\hu d\enotes -\temps\Notes&\ql{^a}|\sk\enotes - %\check - % mesure 46 - \generalmeter{\meterfrac 32}% -\changecontext\Notes\hu I&\ql M\hl d|\zhl{^h}\hu k\enotes -\temps\Notes\hu {^H}&|\zhl g\hu{^l}\enotes -\temps\notes&\dqb{^c}{^b}\enotes -\temps\Notes\hu{^J}&\ql c|\zhl l\hu n\enotes -\temps\notes&\dqb d{^e}\enotes - %\check - % mesure 47 - \barre\Notes\hu K&\ql f|\zhl h\hu m\enotes - \temps\notes&\dqb{^e}d\enotes - \temps\notes\hu{^H}&\ql e\sk\ql{^c}|\itenl0j\zhl{^j}\dqh {^o}n\dqh m{^l}\enotes - \temps\Notes\hu F&\ql {^a}\soupir|\roff{\tten0\zql j}\qu k\ql k\enotes - %\check - % mesure 48 - \barre\Notes\hu G&\qu K|\ql p\enotes - \temps\notes&\dqh{^L}M|\hl n\enotes - \temps\Notes\hu J&\qu L|\enotes - \temps\notes\sk\sk\hu I&\dqh KJ\hu{^L}|\dqb m{^l}\dqb qp\dqb {=o}n\enotes - %\check - % mesure 49 - \barre\Notes\hu H&\ql M|\ql o\enotes - \temps\notes&\dqb Na|\dqb nm\enotes - \temps\Notes\hu I\sk\hu J&\hl N\sk\ql{^L}|\ql {_r}\hl {^l}\sk\enotes - \temps\notes&\dqb Nb|\dqb mn\enotes - %\check - % mesure 50 - \barre\notes\hu H&\dqb aN\dqb M{=L}|\ql j\sk\ql m\enotes - \temps\notes\qu G\sk\qu J&\hl{^L}|\dqb po\dqb nm\enotes - \temps\Notes\hu F&\ql a\soupir|\ql m\qu m\enotes - %\check - % mesure 51 - \barre\Notes\hu H&\zhl a\itenu1f\hu f|\zhl h\qu j\enotes - \temps\Notes\sk&|\hu o\enotes - \temps\Notes\hu I&\tten1\itenl1b\zhl b\zhu f|\hl{_k}\enotes - \temps\notes\sk&|\dqh nm\enotes - \temps\Notes\hu J&\tten1\zhl b\hu{^e}|\zhl j\qu{^l}\enotes - \temps\notes\sk&|\dqh mn\enotes - %\check - % mesure 52 - \barre\Notes\hu H&\zhl a\itenu1f\hu f|\zhl h\qu j\enotes - \temps\Notes\sk&|\hu m\enotes - \temps\Notes\hu{^H}&\zhl{^a}\tten1\itenu1f\hu f|\hl j\enotes - \temps\Notes\sk&|\qu{=l}\enotes - \temps\Notes\hu I&\tten1\zhl b\hu f|\zhl i\qu{_k}\enotes - \temps\notes\sk&|\dqh jk\enotes - %\check - % mesure 53 - \barre\Notes\qu J&\zhl b\hu{^e}|\loff{\zqu j}\hl i\enotes - \temps\Notes\qu I&|\qu{^l}\enotes - \temps\Notes\qu H&\zql c\hu f|\zhl h\qu m\enotes - \temps\notes\qu I&\ql{_d}|\dqh {=l}{_k}\enotes - \temps\Notes\qu J&\zql c\hu{^e}|\zhl g\qu j\enotes - \temps\Notes\qu I&\ql N|\qu {^l}\enotes - %\check - % mesure 54 - \barre\Notes\hu H&\zhl a\itenu0f\hu f|\zhl j\qu m\enotes - \temps\Notes\sk&|\qu {=l}\enotes - \temps\Notes\hu G&\zhl{^b}\tten0\hu f|\zhl {^i}\qu{=k}\enotes - \temps\notes\sk&|\dqh jk\enotes - \temps\Notes\hu J&\zhl N\hu{=e}|\zhl g\qu l\enotes - \temps\notes\sk&|\dqh kj\enotes - %\check - % mesure 55 - \generalmeter{\meterfrac 22}% - \changecontext\notes\hu G&\zql{^b}\hu f|\zhl{^i}\dqh lk\enotes - \temps\notes\sk&\rlap{\sk\itenu1N}\dqb aN|\dqh j{^i}\enotes - \temps\Notes\qu J&\tten1\zql N\qu e|\zhl g\qu j\enotes - \temps\Notes\soupir&\itenu1c\zqu c\raise -\Interligne\soupir|\qu l\enotes - %\check - % mesure 56 - \generalmeter{\meterfrac 32}% -\changecontext\Notes\hu G\sk\hu H&\tten1\zhl L\qu c\hu e\hl M|\zhl g\qu j\hu n\hl h\enotes -\temps\notes&\dqh dc|\dqh ml\enotes -\temps\Notes\hu F&\zhl K\qu {^b}|\zhl h\qu k\enotes -\temps\notes&\dqh cd|\dqh lm\enotes - %\check - % mesure 57 -\barre\Notes\hu E&\zhl L\qu N\hu c|\itenl0j\zwh j\qu l\hu o\enotes -\temps\Notes\hu J\sk\hu H&\hl {^L}\qu b\zhl M\qu a|\sk\qu n\tten0\zhl j\qu m\enotes -\temps\notes&\rlap{\sk\itenu0c}\dqh bc|\dqh no\enotes - %\check - % mesure 58 -\barre\Notes\hu G\sk \qu J\qu H&\zql N\tten0\qu c\zql M\qu {^b}\zql L\qu N\zql a\qu -d|\zql l\qu n\zql k\qu m\zql j\qu l\zql h\qu m\enotes % -\temps\Notes\itenl2G\hu G&\zql N\qu e|\zql j\qu n\enotes -\temps\notes&\rlap{\dqb aN}\dqh dc|\rlap{\dqb hg}\dqh ml\enotes - %\check - % mesure 59 - \generalmeter{\meterfrac 22}% -\changecontext\Notes\tten2\hu G&\zql a\hu d\itenl1N\ql N|\zhl{^i}\roff{\Pince q}\hu k\enotes -\temps\Notes\qu J\qu J&\tten1\zql N\qu e\soupir|\zql g\qu j\soupir\enotes - %\check - % mesure 60 - \barre \temps\Notes\qu K&\zhl a\itenu1f\hu f|\zhl h\hu k\enotes - \temps\Notes\hu G\sk&\sk\itenl0N\zhl N\tten1\hu f|\sk\zhl {^i}\hu m\enotes - \temps\notes\dqh H{^I}&|\enotes - \temps\Notes\qu J&\tten0\zhl N\hu e|\zhl j\hu l\enotes - \temps\notes\dqh KL&|\enotes - %\check - % mesure 61 - \barre\Notes\ql M&\zhl a\hu f|\zhl k\hu m\enotes - \temps\notes\dqb Na&|\enotes - \temps\Notes\ql N&\zhl c\hu g|\zhl l\itenu1n\hu n\enotes - \temps\notes\dqb ML&|\enotes - \temps\Notes\ql K&\zhl {^b}\hu f|\zhl k\tten1\hu n\enotes - \temps\Notes\ql N&|\enotes - %\check - % mesure 62 - \setclef2{0000}\changeclefs - \barre\Notes\hl J&\zhl c\hu e|\zhl g\qu j\enotes - \temps\Notes\sk&|\hu l\enotes - \temps\Notes\hl L&\zhl e\hu g|\hl j\enotes - \temps\Notes\sk&|\qu n\enotes - \temps\Notes\hl M&\itenl0d\zhl d\hu h|\zql j\itenu1o\hu o\enotes - \temps\Notes\sk&|\ql k\enotes - %\check - % mesure 63 - \barre\Notes\hl N&\tten0\zhl d\hu f|\zhl{^i}\tten1\qu o\enotes - \temps\notes\sk&|\dqh nm\enotes - \temps\Notes\hl J&\zhl e\qu h|\zw j\hu l\enotes - \temps\Notes\sk&\qu g|\enotes - \temps\Notes\hl L&\zhl c\qu e|\hu m\enotes - \temps\Notes\sk&\itenu1h\qu h|\enotes - %\check - % mesure 64 - \barre\Notes\hl{^I}&\tten1\zhl d\qu h|\zhl k\hu n\enotes - \temps\notes\sk&\dqh gf|\enotes - \temps\Notes\hl J&\zhl c\qu e|\zhl l\hu o\enotes - \temps\Notes\sk&\hu j|\enotes - \temps\Notes\hl{^L}&\hl g|\zhl k\hu n\enotes - \temps\Notes\sk&\qu i|\enotes - %\check - % mesure 65 - \barre\Notes\hl M&\zql h\itenu1j\hu j|\itenl2l\zhl l\hu o\enotes - \temps\notes\sk&\dqb gf|\enotes - \temps\Notes\hl{=L}&\tten1\zql g\qu j|\tten2\zql l\hu q\enotes - \temps\Notes\sk&\itenl1f\ql f|\ql o\enotes - \temps\Notes\hl K&\roff{\tten1\zhl f}\qu g|\zql n\hu{^p}\enotes - \temps\Notes\sk&\qu h|\ql m\enotes - %\check - % mesure 66 - \barre\Notes\qu J&\zhl e\itenu1g\wh g|\zhl j\qu l\enotes - \temps\Notes\qu H&|\qu m\enotes - \temps\Notes\hu G&\hl d|\zhl{^i}\hu n\enotes - \temps\Notes\sk&|\enotes - \temps\Notes\hu C&\zql c\zq e\tten1\qu g|\soupir\enotes - \temps\Notes\sk&\soupir|\qu j\enotes - %\check - % mesure 67 - \barre\Notes\hu K&\zh{^b}\itenu1f\zhl f\bracket h{27}\hu h|\ql o\enotes - \temps\Notes\sk&|\hl {^i}\enotes - \temps\Notes\hu G&\tten1\zh a\itenl1d\zh d\hu f|\enotes - \temps\notes\sk&|\dqb jk\enotes - \temps\Notes\hu E&\roff{\itenu0c}\rh c\zh N\tten1\hu d|\ql g\enotes - \temps\notes\sk&|\dqb nm\enotes - %\check - % mesure 68 - \barre\Notes\hu G&\tten0\itenl1a\itenl2c\zh{ac}\hu e|\ql l\enotes - \temps\notes\sk&|\dqb mn\enotes - \temps\Notes\hu F&\tten1\tten2\zh{a}\zhl c\qu f|\ql o\enotes - \temps\notes\sk&\rlap{\sk\itenu2h}\dqh gh|\dqb nm\enotes - \temps\Notes\hu G&\tten2\zh{^b}\zhl f\qu h|\ql {^p}\enotes - \temps\notes\sk&\dqh gf|\dqb {^o}n\enotes - %\check - % mesure 69 - \barre\Notes\hu{^H}&\zh{ce}\hu g|\ql q\enotes - \temps\Notes\sk&|\ql n\enotes - \temps\notes\hu{=H}&\itenu1f\zh{^bf}\hu{=h}|\dqb ml\enotes - \temps\notes\sk&|\dqb kj\enotes - \temps\Notes\hu F&\tten1\zh{ad}\hu f|\ql o\enotes - \temps\notes\sk&|\dqb nm\enotes - %\check - \generalmeter{\meterfrac 22}% - % mesure 70 - \changecontext\notes\hu G&\itenu1c\itenu2e\zh{Nc}\hu e|\dqb lm\enotes - \temps\Notes\sk&|\hl n\enotes - \temps\Notes\hu J&\tten1\tten2\itenl0a\zh{ac}\hu e|\sk\enotes - \temps\notes\sk&|\dqb ml\enotes - %\check - % mesure 71 - \generalmeter{\meterfrac 32}% - \changecontext\Notes\qu G&\tten0\zh a\itenu2f\hu f|\ITrille 0p\zw{^i}\wh k\enotes - \temps\Notes\qu H&|\enotes - \temps\NOtes\wh G&\tten2\zw{^b}\wh f|\enotes - \temps\NOtes\sk&|\Ttrille 0\zhl j\hu j\enotes - %\check - % mesure 72 - \barre\NOTes\whp C&\zwp{Nc}\whp e|\whp j\enotes -\mulooseness 5\relax -\finmorceau -\rightline{\sl\aujourdhui}\vfil\eject -\endinput - diff --git a/macros/musixtex/doc/examples/fugue.tex b/macros/musixtex/doc/examples/fugue.tex deleted file mode 100644 index d6065f3651..0000000000 --- a/macros/musixtex/doc/examples/fugue.tex +++ /dev/null @@ -1,677 +0,0 @@ -\parindent 18mm -% -\centerline{\moyen FUGUE}\bigskip -\tracingstats=2\relax -% -\nbporteesii=2\relax -\def\nbinstruments{2} -\global\cleftoksii={{6}{0}{0}{0}}% -\global\cleftoksi={{6}{0}{0}{0}}% -% -\signaturegenerale{1}\relax % sol majeur -%\check -\def\instrumenti{P\'edale 16'}% -\def\instrumentii{G.O.}% -%\check -\def\gluemaxskip{7pt}% -\medskip\noindent{\rm G.O.: mixtures, fonds 8'}% -\par\noindent{\rm P\'ed.: fonds 16', tirasse G.O.}% -\smallskip -% -\generalmeter{\meterfrac 68}% -% -\debutmorceau -% calcul de \elemskip en fonction de la largeur de page pour eviter les glues -% -\autolines {12}45\relax -%\check -% -\hyphenpenalty -50\relax -\notes&|\Uptext{\hbox{\kern -16mm\moyen Giocoso \bf(\metron{\cu}{120})}}\enotes -\advance\linesinpage by 1\relax -% -% formes frequentes -\def\ptsoupir{\pt 5\soupir}% soupir pointe -% deux croches hautes -\def\dql#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% -\def\dqu#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% -\def\dqh{\dqu}\def\dqb{\dql}% -% -% formes frequentes -% trois croches hautes -\def\trql#1#2#3#4{\ibl0{#2}{#1}\qb0{#2#3}\tbl0\qb0{#4}}% -\def\trqL#1#2#3#4{\ibl0{#3}{#1}\qb0{#2#3}\tbl0\qb0{#4}}% -%\check -\def\trqu#1#2#3#4{\ibu0{#2}{#1}\qh0{#2#3}\tbu0\qh0{#4}}% -\def\trqU#1#2#3#4{\ibu0{#3}{#1}\qh0{#2#3}\tbu0\qh0{#4}}% -%\check -% -% formes frequentes -% trois croches hautes pizzicato -\def\pztql#1#2#3#4{\ibl0{#2}{#1}\blpz0\qb0{#2}\blpz0\qb0{#3}\blpz0\tbl0\qb0{#4}}% -\def\pztqL#1#2#3#4{\ibl0{#3}{#1}\blpz0\qb0{#2}\blpz0\qb0{#3}\blpz0\tbl0\qb0{#4}}% -% -\def\pztqu#1#2#3#4{\ibu0{#2}{#1}\bupz0\qh0{#2}\bupz0\qh0{#3}\bupz0\tbu0\qh0{#4}}% -\def\pztqU#1#2#3#4{\ibu0{#3}{#1}\bupz0\qh0{#2}\bupz0\qh0{#3}\bupz0\tbu0\qh0{#4}}% -% -\def\lpztqu#1#2#3#4{\ilegl0{#3}\ibu0{#2}{#1}\qh0{#2}\tleg0\bupz0\qh0{#3}\bupz0\tbu0\qh0{#4}}% -\def\lpztqL#1#2#3#4{\ilegu0{#2}\ibl0{#3}{#1}\qb0{#2}\tleg0\blpz0\qb0{#3}\blpz0\tbl0\qb0{#4}}% -\def\lpztql#1#2#3#4{\ilegu0{#3}\ibl0{#2}{#1}\qb0{#2}\tleg0\blpz0\qb0{#3}\blpz0\tbl0\qb0{#4}}% -% -\def\lPztqL#1#2#3#4{\ilegu0{#2}\ibl0{#3}{#1}\qb0{#2}\tleg0\upzqb{#3}\tbl0\upzqb{#4}}% -\def\lPztql#1#2#3#4{\ilegu0{#3}\ibl0{#2}{#1}\qb0{#2}\tleg0\upzqb{#3}\tbl0\upzqb{#4}}% -\def\lPztqU#1#2#3#4{\ilegl0{#2}\ibu0{#3}{#1}\qh0{#2}\tleg0\lpzqh{#3}\tbu0\lpzqh{#4}}% -% -\def\upzqb#1{\upz{#1}\qb0{#1}}% -\def\lpzqh#1{\lpz{#1}\qh0{#1}}% -% -\def\Pztql#1#2#3#4{\ibl0{#2}{#1}\upzqb{#2}\upzqb{#3}\tbl0\upzqb{#4}}% -\def\PztqL#1#2#3#4{\ibl0{#3}{#1}\upzqb{#2}\upzqb{#3}\tbl0\upzqb{#4}}% -\def\Pztqu#1#2#3#4{\ibu0{#2}{#1}\lpzqh{#2}\lpzqh{#3}\tbu0\lpzqh{#4}}% -\def\PztqU#1#2#3#4{\ibu0{#3}{#1}\lpzqh{#2}\lpzqh{#3}\tbu0\lpzqh{#4}}% -\def\Pztqh{\Pztqu}\def\Pztqb{\Pztql}% -% -% deux doubles croches hautes -\def\dqbbu#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% -\def\dqbbl#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% -\def\dqbbh{\dqbbu}\def\dqbbb{\dqbbl}% -% -% quatre doubles croches -\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbbH#1#2#3#4#5#6{\ibbu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax -\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}% -\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax -\def\qqbbL#1#2#3#4#5#6{\ibbl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax -%\check -% quatre croches -\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbH#1#2#3#4#5#6{\ibu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax -\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax -\def\qqbL#1#2#3#4#5#6{\ibl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax -%\check -% croche pointee et 3 doubles croches -\def\cpdddu#1#2#3#4{\ibu0{#1}{-2}\qhp0{#1}\sk\sk\nbbu0\qh0{#2}\qh0{#3}\tqh0{#4}}% -\def\cpdddl#1#2#3#4{\ibl0{#2}{-2}\qbp0{#1}\sk\sk\nbbl0\qb0{#2}\qb0{#3}\tqb0{#4}}% -%\check -% croche et 4 doubles croches -\def\cddddu#1#2#3#4#5#6{\ibu0{#2}{#1}\qh0{#2}\sk\nbbu0\qh0{#3#4#5}\tqh0{#6}}% -\def\cddddl#1#2#3#4#5#6{\ibl0{#2}{#1}\qb0{#2}\sk\nbbl0\qb0{#3#4#5}\tqb0{#6}}% -% -\def\doubler{\multiply\noteskip by 2\relax}% -% -% mesure 1 -\Notes&|\pztql0iki\enotes -\temps\notes\pause&\pause|\cpdddl lkji\enotes -%\check -% mesure 2 -\barre\Notes&|\pztqU0hjh\enotes -\temps\Notes\pause&\pause|\qu k\sk\dsoupir\enotes -%\check -% mesure 3 -\barre\Notes&|\pztqU0gig\enotes -\temps\Notes\pause&\pause|\pztqu0jhj\enotes -% -% mesure 4 -\barre\Notes&|\lpztqu0khk\enotes -\temps\notes\pause&\pause|\cddddu2ighij\enotes -%\check -% mesure 5 -\barre\autolines {10}55\relax -\Notes&\Pztql0bdb|\pztql0kmk\enotes -\temps\notes\pause&\doubler\ql L\sk\cu{^J}|\cpdddl nmlk\enotes -%\check -% mesure 6 -\barre\Notes&\sh a\Pztql0a{^c}a|\sh j\pztql0jlj\enotes -\temps\Notes\pause&\ql K\sk\cl M|\ql m\sk\dsoupir\enotes -%\check -% mesure 7 -\barre\Notes&\ql N\sk\cl b|\pztql0iki\enotes -\temps\Notes\pause&\ql c\sk\na a\cl a|\pztqL0l{=j}l\enotes -% mesure 8 -\barre\Notes&\ql M\sk\cl K|\pztqL0khk\enotes -\temps\notes\pause&\ql N\sk\dsoupir|\cddddu1gefgh\enotes -% mesure 9 -\barre\Notes&\pztql0LNL|\rlap{\qlp i}\qup n\enotes -\temps\notes\pause&\cpdddl aNML|\rlap{\qlp j}\qup l\enotes -%\check -% mesure 10 -\barre\Notes&\pztql0KMK|\rlap{\qlp h}\qup m\enotes -\temps\notes\pause&\cpdddl baNM|\rlap{\qlp g}\qup k\enotes -% mesure 11 -\barre\Notes&\pztql0LNL|\rlap{\qup l}\pztql2ghi\enotes -\temps\Notes\pause&\pztqu{-2}JIH|\itenu0m\rlap{\qup m}\pztql2hi{^j}\enotes -% mesure 12 -\barre\Notes\ptsoupir&\pztqu0I{^K}I|\tten0\sh k\rlap{\qlp k}\qup m\enotes -\temps\Notes\PztqU0EGE&\qu L\sk\dsoupir|\zql i\qu n\sk\dsoupir\enotes -%\check -\cleftoksii={{0}{0}{0}{0}}\changeclefs % -% mesure 13 -\barre\Notes\qu I\sk\dsoupir&\PztqU0{^d}fd|\pztql0i{^k}i\enotes -\temps\notes\doubler\pztqU0EGE&\doubler\pztqu0geg|\cpdddu l{=k}ji\enotes -%\check -% mesure 14 -\barre\Notes\qu J\sk\dsoupir&\PztqU0cec|\pztql0hjh\enotes -\temps\notes\doubler\pztqU0FHF&\doubler\PztqU0{^d}fd|\cpdddl ml{^k}j\enotes -%\check -\def\atnextline{\autolines{10}45}\relax -% mesure 15 -\barre\Notes\qup{^K}&\pztqU0fhf|\pztql0i{^k}i\enotes -\temps\Notes\qlp L&\pztqu0igi|\pztqL0nln\enotes -%\check -% mesure 16 -\barre\Notes\qup I&\qup{^d}|\rlap{\qup m}\pztql0i{^k}i\enotes -\temps\notes\qup J&\doubler\pztqU0ege|\bigaccid - \rlap{\qup n}\cpdddl l{=k}ji\enotes -%\check -% mesure 17 -\barre\notes\qup H&\cpdddu fe{=d}c|\doubler\rlap{\qup m}\pztql0hjh\enotes -\temps\Notes\qup I&\PztqU0bdb|\zql i\qu n\sk\dsoupir\enotes -%\check -% mesure 18 -\barre\notes\qup G&\cpdddu edcb|\doubler\zhup l\pztql0gig\enotes -\temps\Notes\qup H&\PztqU0aca|\pztqL0jhj\enotes -% -% mesure 19 -\barre\Notes\qup F&\Pztqu0dcd|\rlap{\qup m}\lpztqL0khk\enotes -\temps\notes\qup G&\qu b\sk\sk\sk\dsoupir|\rlap{\doubler - \qu n\sk\raise 2\Interligne\dsoupir}\cl i\sk\qqbbl2ghij\off{-\elemskip}\enotes -%\check -% mesure 20 -\cleftoksii={{6}{0}{0}{0}}\changeclefs % -\barre\Notes\qup I&\Pztql0bdb|\rlap{\qlp g}\pztqU0kmk\enotes -\temps\notes\qup E&\doubler\PztqL0ebe|\rlap{\qlp i}\cpdddu nmlk\enotes -%\check -% mesure 21 -\barre\notes\qup H&\bigsh c\cpdddl cbaN|\itenl0h\rlap{\qlp h}\doubler\sh j\pztqU0jlj\enotes -\temps\Notes\qup D&\pztql0MaM|\tten0\zql h\qu m\sk\dsoupir\enotes -%\check -\def\atnextline{\autolines{10}55}\relax -% mesure 22 -\barre\notes\qup G&\cpdddl baNM|\rlap{\hlp g}\doubler\pztqU0iki\enotes -\temps\Notes\qup C&\pztql0LNL|\pztqu0ljl\enotes -% mesure 23 -\barre\Notes\qup D&\pztql0MKM|\rlap{\qlp f}\pztqu0khk\enotes -\temps\notes\qup G&\ql b\sk\sk\sk\dsoupir|\rlap{\doubler - \ql d\sk\raise-2\Interligne\dsoupir}\cu i\sk\qqbbu2ghij\enotes -%\check -% mesure 24 -\cleftoksii={{6}{0}{0}{0}}\changeclefs % -\barre\Notes\qup I&\Pztql0bdb|\rlap{\qlp g}\pztqU0kmk\enotes -\temps\notes\qup E&\doubler\PztqL0ebe|\rlap{\qlp i}\cpdddu nmlk\enotes -%\check -% mesure 25 -\barre\notes\qup H&\cpdddl cbaN|\itenl0h\rlap{\qlp h}\doubler\pztqU0jlj\enotes -\temps\Notes\qup D&\pztql0MaM|\tten0\zql h\qu m\sk\dsoupir\enotes -%\check -% mesure 26 -\barre\notes\qup G&\cpdddl baN{=M}|\rlap{\hlp g}\doubler\pztqU0iki\enotes -\temps\Notes\qup C&\qlp L|\pztqu0ljl\enotes -% mesure 27 -\barre\Notes\qup {=F}&\qlp a|\rlap{\hlp{=f}}\pztqu0khk\enotes -\temps\Notes\qup G&\qlp N|\pztqu0igi\enotes -\signaturegenerale{0}% -% mesure 28 -\changecontext\Notes\pztql0JLJ&\ql N\sk\dsoupir|\zql c\qu j\sk\dsoupir\enotes -\transpose=1\relax % pour eviter de monter d'un cran ce qui ecrit en si bemol -\temps\notes\cpdddl MLKJ&\ptsoupir|\ptsoupir\enotes -% mesure 29 -\barre\Notes\pztql0IKI\enotes -\temps\notes\cpdddl NMLK&\pause|\pause\enotes -% mesure 30 -\barre\Notes\pztql0JLJ\enotes -\temps\Notes\lpztqL0aMa&\pause|\pause\enotes -% mesure 31 -\barre\Notes\lpztqL0bab\enotes -\temps\Notes\ql M\sk\dsoupir&\pause|\pause\enotes -% mesure 32 -\barre\Notes\qup I&\Pztql0bdb|\rlap{\kern -1pt\qlp i}\pztqU0dfd\enotes -\temps\notes\doubler\qup L&\doubler\pztqL0NLN|\zql e\cpdddu gfed\enotes -% mesure 33 -\barre\Notes\qup H&\pztql0aca|\rlap{\kern -1pt\qlp h}\PztqU0cec\enotes -\temps\notes\qup K&\doubler\pztql0MaM|\rlap{\qlp d}\cpdddu fedc\enotes -% mesure 34 -\barre\Notes\qup G&\pztql0NbN|\rlap{\kern -1pt\hlp g}\PztqU0bdb\enotes -\temps\notes\qup J&\cpdddl NMLK|\doubler\Pztqu0ece\enotes -% mesure 35 -\barre\Notes\qup H&\pztql1JML|\rlap{\kern -1pt\qlp h}\pztqu0fcf\enotes -\transpose=0\relax % retour a la normale -\temps\Notes\qu J&\zql L\qu N\sk\dsoupir|\rlap{\kern -1pt\qlp j}\Pztqu{-3}ecb\enotes -\signaturegenerale{-3}% -% mesure 36 -\changecontext\Notes\PztqU0CEC&|\qu c\sk\dsoupir\enotes -\temps\Notes\qu G\sk\dsoupir&\pause|\Pztqu0{=b}db\enotes -% mesure 37 -\barre\notes\doubler\PztqU0CEC&|\cpdddu gfed\enotes -\temps\Notes\qu H\sk\dsoupir&\pause|\Pztqu0cec\enotes -% mesure 38 -\barre\notes\doubler\PztqU0DFD&|\cpdddu hgfe\enotes -\temps\Notes\qu {=I}\sk\dsoupir&\pause|\Pztqu0dfd\enotes -% mesure 39 -\barre\notes\doubler\PztqU0G{=I}G&|\bigaccid\cpdddu {=i}{=h}gf\enotes -\temps\Notes\qu J\sk\dsoupir&\pause|\pztqU0ege\enotes -% mesure 40 -\barre\notes\qup E&\rlap{\qlp L}\cpdddu cbaN|\doubler\pztqu0jgj\enotes -\temps\Notes\qup F&\rlap{\qlp M}\pztqU0cac|\bigna h\pztqu0hfh\enotes -% mesure 41 -\barre\notes\qup I&\rlap{\qlp M}\cpdddu dcba|\doubler\pztqu0khk\enotes -\temps\Notes\qup L&\rlap{\qlp N}\pztqu0beb|\pztqu0igi\enotes -% mesure 42 -\barre\notes\qup J&\rlap{\qlp N}\cpdddu edcb|\doubler\pztqu0lil\enotes -\temps\Notes\qup H&\rlap{\qlp a}\qup c|\pztqu0jhj\enotes -% mesure 43 -\barre\notes\doubler\qup{=H}&\rlap{\bigna a\qlp a}\cpdddu fedc|\doubler\pztqu0mjm\enotes -\temps\Notes\qup I&\rlap{\qlp b}\itenu0d\qup d|\pztqu0kik\enotes -% mesure 44 -\barre\Notes\qup G&\tten0\rlap{\qlp{=b}}\qup d|\pztqL0nkn\enotes -\temps\Notes\qup J&\itenu0c\itenu1e\rlap{\zqp c\qlp N}\qup e|\pztql0ljl\enotes -% mesure 45 -\barre\Notes\qup{=H}&\tten0\tten1\itenu0a\rlap{\zqp c\qlp{=a}}\qup e|\na o\pztqL0olo\enotes -\temps\Notes\qup J&\tten0\itenu0d\rlap{\zqp a\qup{^M}}\qup d|\pztqu0{^m}km\enotes -% mesure 46 -\signaturegenerale{-2}% -\changecontext\Notes\qup G&\tten0\zqp {Nb}\qlp d|\pztql{-4}nkj\enotes -\temps\Notes\ptsoupir&\ptsoupir|\pztql2ijk\enotes -% mesure 47 -\barre\Notes\qup G&\Pztql0bdb|\qu g\sk\dsoupir\enotes -\temps\notes\qup J&\cpdddl edcb|\ptsoupir\enotes -% mesure 48 -\barre\Notes\qup F&\Pztql0aca|\enotes -\temps\notes\qup I&\cpdddl dcba|\pause\enotes -% mesure 49 -\barre\Notes\qup E&\Pztql0NbN|\enotes -\temps\Notes\qup H&\lPztqL0cac|\pause\enotes -% mesure 50 -\barre\Notes\sh F\qup F&\PztqL0dad\enotes -\temps\notes\qup G&\cl b\sk\qqbbl3Nabc|\pause\enotes -% mesure 51 -\barre\Notes\qup I&\PztqL0dbd|\pztql0iki\enotes -\temps\notes\qup J&\doubler\PztqL0geg|\cpdddl lkji\enotes -%\check -% mesure 52 -\barre\Notes\qup L&\Pztql0cec|\pztqU0hjh\enotes -\temps\Notes\qup K&\PztqL0{^f}df|\qu k\sk\dsoupir\enotes -%\check -% mesure 53 -\barre\Notes\qup E&\Pztql0bdb|\pztqU0gig\enotes -\temps\notes\qup H&\cpdddl edcb|\doubler\pztqu0jhj\enotes -% -% mesure 54 -\barre\Notes\qup{^F}&\lpztql0ada|\Pztqu0khk\enotes -\temps\notes\qup G&\itenl0N\rlap{\qlp N}\qup d|\cddddu2ighij\enotes -%\check -% mesure 55 -\barre\Notes\qup I&\tten0\rlap{\kern 1pt\qup N}\Pztql0bdb|\pztql0kmk\enotes -\temps\notes\qup G&\doubler\rlap{\kern 1pt\qup a}\Pztql0ege|\bigaccid - \cpdddl n{=m}lk\enotes -%\check -% mesure 56 -\barre\Notes\qup H&\sh M\rlap{\kern 1pt\hup M}\Pztql0aca|\pztql0jlj\enotes -\temps\Notes\qup K&\Pztql0d{^f}d|\ql{^m}\sk\dsoupir\enotes -%\check -% mesure 57 -\barre\Notes\qup G&\rlap{\kern 1pt\qup N}\PztqL0dbd|\pztql0iki\enotes -\temps\Notes\qup H&\rlap{\kern 1pt\qup L}\PztqL0cac|\pztqL0ljl\enotes -% mesure 58 -\barre\Notes\qup{^F}&\sh M\rlap{\kern 1pt\qup M}\Pztql0aca|\pztqL0khk\enotes -\temps\Notes\itenl0G\qup G&\rlap{\qup d}\Pztql0NbN|\qu g\sk\dsoupir\enotes -% mesure 59 -\barre\notes\tten0\qup G&\bigfl e\cpdddl edcb|\enotes -\temps\Notes\qup{=F}&\Pztql0aca|\pause\enotes -%\check -% mesure 60 -\barre\Notes\qu I\sk\dsoupir&\ql d\sk\dsoupir|\ptsoupir\enotes -\temps\Notes\qup E&\Pztql2Nab|\qup i\enotes -% mesure 61 -\barre\notes\qup H&\doubler\Pztql0cec|\cpdddl lkji\enotes -\temps\Notes\qup D&\Pztql2MNa|\qup h\enotes -% mesure 62 -\barre\Notes\qup G&\Pztql0bdb|\qup k\enotes -\temps\Notes\qup C&\pztql2LMN|\qup g\enotes -% mesure 63 -\barre\Notes\hup H&\Pztql0aca|\pztql0jlj\enotes -\temps\Notes&\pztqL0MLM|\pztqu0hfh\enotes -%\check -% mesure 64 -\barre\Notes\pztql0IKI&\ql b\sk\dsoupir|\ql i\sk\dsoupir\enotes -\temps\notes\cpdddl MLKJ&\ptsoupir|\ptsoupir\enotes -% mesure 65 -\barre\Notes\pztql0IKI\enotes -\temps\notes\cpdddl NMLK&\pause|\pause\enotes -% mesure 66 -\barre\Notes\pztql0JLJ\enotes -\temps\Notes\lpztqL0aMa&\pause|\pause\enotes -% mesure 67 -\barre\Notes\lpztqL0bab\enotes -\temps\Notes\ql M\sk\dsoupir&\pause|\pause\enotes -% mesure 68 -\barre\Notes\qup I&\Pztql0bdb|\pztqU0dfd\enotes -\temps\notes\doubler\qup L&\doubler\pztqL0NLN|\cpdddu gfed\enotes -% mesure 69 -\barre\Notes\qup H&\pztql0aca|\PztqU0cec\enotes -\temps\notes\qup K&\doubler\pztql0MaM|\cpdddu fedc\enotes -% mesure 70 -\barre\Notes\qup G&\pztql0NbN|\PztqU0bdb\enotes -\temps\notes\qup J&\cpdddl NMLK|\doubler\Pztqu0ece\enotes -% mesure 71 -\barre\Notes\qup H&\pztql1JML|\pztqu0fcf\enotes -\temps\Notes\qup I&\itenl0M\rlap{\qlp K}\qup M|\pztqu0dbd\enotes -% mesure 72 -\barre\Notes\qup{=I}&\tten0\pt a\rlap{\qu N}\qsk\qlp M|\pztqu0gdg\enotes -\temps\Notes\qup J&\itenl0L\rlap{\qlp L}\qup N|\pztqu0ece\enotes -% mesure 73 -\barre\Notes\qup H&\tten0\rlap{\qlp L}\hup a|\pztqu0heh\enotes -\temps\Notes\itenl0K\qup K&\itenl1M\qlp M|\pztqu0fdf\enotes -% mesure 74 -\barre\Notes\tten0\qup K&\tten1\rlap{\qlp M}\hup b|\pztqu0ifi\enotes -\temps\Notes\qlp L&\itenl0N\qlp N|\pztqu0geg\enotes -% mesure 75 -\barre\Notes\qup J&\tten0\rlap{\qlp N}\zhp c\hup e|\pztqu0jgj\enotes -\temps\Notes\qlp M&\itenu0a\qlp a|\pztqu0hfh\enotes -% mesure 76 -\barre\Notes\qup K&\tten0\itenu0d\zqp{^Ma}\qlp d|\pztqu0khk\enotes -\temps\Notes\qup G&\tten0\itenl0N\itenu1b\zqp{dN}\qlp b|\pztqu0igi\enotes -% mesure 77 -\barre\Notes\qup J&\tten0\tten1\zqp{N}\rlap{\qlp b}\hup e|\pztqu0lil\enotes -\temps\Notes\qup H&\itenl2a\itenu3c\zqp{a}\qlp c\relax -|\pztqu0jhj\enotes -% mesure 78 -\barre\Notes\qup K&\tten2\tten3\rlap{\kern 1pt\qup c}\zhp a\hlp{^f}|\pztqL0{^m}km\enotes -\temps\Notes\qup J&\qlp d|\pztqL0{m}km\enotes -% mesure 79 -\signaturegenerale{1}% -\changecontext\Notes\qup G&\zqp {Nb}\qlp d|\pztql{-4}nkj\enotes -\temps\Notes\ptsoupir&\ptsoupir|\lpztql2{=i}jk\enotes -% mesure 80 -\barre\Notes\qup G&\Pztql0bdb|\qup g\enotes -\temps\notes\qup J&\cpdddl edcb|\ptsoupir\enotes -% mesure 81 -\barre\Notes\qup F&\Pztql0aca|\enotes -\temps\notes\qup I&\cpdddl dcba|\pause\enotes -% mesure 82 -\barre\Notes\qup E&\Pztql0NbN|\enotes -\temps\Notes\qup H&\lPztqL0cac|\pause\enotes -% mesure 83 -\barre\Notes\qup F&\PztqL0dad\enotes -\temps\notes\qup G&\cl b\sk\qqbbl2Nabc|\pause\enotes -\cleftoksii={{0}{0}{0}{0}}\changeclefs -% mesure 84 -\barre\Notes\qup I&\PztqU0dfd|\pztql0iki\enotes -\temps\notes\qup E&\doubler\pztqu0geg|\cpdddl lkji\enotes -%\check -% mesure 85 -\barre\Notes\qup F&\PztqU0{^c}ec|\pztqU0{^h}{^j}h\enotes -\temps\Notes\qup I&\Pztqu0fdf|\qu k\sk\dsoupir\enotes -%\check -% mesure 86 -\barre\Notes\qup E&\PztqU0bdb|\pztqU0gig\enotes -\temps\notes\qup H&\cpdddu ed{=c}b|\doubler\pztqu0j{=h}{=j}\enotes -% -% mesure 87 -\barre\Notes\qup{=F}&\lPztqU0ada|\lpztqu0khk\enotes -\temps\Notes\qup G&\Pztqu0d{_b}d|\pztqu0{_i}gi\enotes -% mesure 88 -\barre\Notes\qup J&\PztqU0cec|\pztqL0l{_i}l\enotes -\cleftoksii={{6}{0}{0}{0}}\changeclefs -\temps\Notes\qup{=F}&\pztqL0a{_L}a|\pztqu0h{=f}h\enotes -%\check -\signaturegenerale{-2}% -% mesure 89 -\changecontext\Notes\qup I&\Pztql0bdb|\rlap{\kern -1pt\hlp i}\pztqU0dfd\enotes -\temps\notes\doubler\qup L&\doubler\pztqL0NLN|\cpdddu gfed\enotes -% mesure 90 -\barre\Notes\qup H&\pztql0aca|\rlap{\kern -1pt\hlp h}\PztqU0cec\enotes -\temps\notes\qup K&\doubler\pztql0MaM|\cpdddu fedc\enotes -% mesure 91 -\barre\Notes\qup G&\pztql0NbN|\rlap{\kern -1pt\hlp g}\PztqU0bdb\enotes -\temps\notes\qup J&\cpdddl NMLK|\doubler\Pztqu0ece\enotes -% mesure 92 -\barre\Notes\qup H&\pztql1JML|\rlap{\kern -1pt\qlp h}\pztqu0fcf\enotes -\temps\Notes\qup I&\ql K\sk\dsoupir|\zql d\qu i\sk\dsoupir\enotes -% mesure 93 -\barre\Notes&\Pztql0bdb\enotes -\temps\notes\pause&\bigaccid\cpdddl edcb|\pause\enotes -% mesure 94 -\barre\Notes&\fl a\Pztql0aca|\enotes -\temps\Notes\pause&\ql d\sk\dsoupir|\pause\enotes -% mesure 95 -\barre\Notes&\Pztql2N{_a}b\enotes -\temps\Notes\pause&\lpztqL{-2}cba|\pause\enotes -% mesure 96 -\barre\Notes&\Pztql0b{_a}b|\ptsoupir\enotes -\temps\Notes\pause&\qlp L|\Pztqu0ege|\enotes -% mesure 97 -\barre\notes&\qlp K|\bigaccid\cpdddu i{_h}gf\enotes -\temps\Notes\pause&\qlp J|\Pztqu0ege\enotes -\def\atnextline{\autolines{9}65}\relax -% mesure 98 -\barre\Notes&\qup{_H}|\ql j\sk\dsoupir\enotes -\temps\Notes\pause&\qlp I|\Pztqu0f{_h}f\enotes -% mesure 99 -\barre\Notes&\qup K|\lpztqL0kik\enotes -\temps\Notes\pause&\qup L|\Pztqu{-3}li{_h}\enotes -% mesure 100 -\def\atnextline{\autolines{10}55}\relax -\barre\Notes&\Pztql0N{=b}N|\qu g\sk\dsoupir\enotes -\temps\notes\pause&\cpdddl edcb|\ptsoupir\enotes -%\check -% mesure 101 -\barre\Notes&\cna a\Pztql0aca\enotes -\temps\Notes\pause&\qu K\sk\dsoupir|\pause\enotes -% mesure 102 -\barre\Notes&\lPztql2Nab\enotes -\temps\Notes\pause&\Pztql0cec|\pause\enotes -%\check -% mesure 103 -\barre\Notes&\lPztql2MNa\enotes -\temps\Notes\pause&\Pztql0bdb|\pause\enotes -% mesure 104 -\barre\Notes&\lPztql2LMN\enotes -\temps\Notes\pause&\Pztql0aca|\pause\enotes -% mesure 105 -\barre\Notes&\lPztql2K{=L}{^M}\enotes -\temps\Notes\pause&\Pztql0NbN|\pause\enotes -%\check -% mesure 106 -\barre -\Notes&\ql d\sk\dsoupir|\ptsoupir\enotes -\temps\Notes\pause&\Pztql0N{=b}N|\rlap{\qlp{=i}}\qup k\enotes -% mesure 107 -\barre\notes&\cpdddl edcb|\doubler\rlap{\qlp g}\pztqu0ljl\enotes -\temps\Notes\pause&\Pztql0aca|\rlap{\qlp f}\qup h\enotes -% mesure 108 -\barre\Notes&\qu K\sk\dsoupir|\rlap{\qlp{^f}}\pztqu0khk\enotes -\temps\Notes\pause&\lPztql2Nab|\itenl0g\rlap{\qlp g}\qup i\enotes -%\check -% mesure 109 -\barre\notes&\doubler\Pztql0cec|\tten0\rlap{\qlp g}\cpdddu lkji\enotes -\temps\Notes\pause&\lPztql2MNa|\itenl0f\rlap{\qlp {=f}}\qup h\enotes -% mesure 110 -\barre\Notes&\Pztql0bdb|\tten0\rlap{\qlp f}\qup k\enotes -\temps\Notes\pause&\lPztql2LMN|\itenl0e\rlap{\qlp e}\qup g\enotes -% mesure 111 -\barre\notes&\doubler\Pztql0aca|\tten0\rlap{\qlp e}\cpdddu jihg\enotes -\temps\Notes\pause&\lPztql2K{=L}{^M}|\rlap{\qlp d}\qup{^f}\enotes -%\check -% mesure 112 -\barre\Notes&\Pztql0NbN|\itenl1g\rlap{\hlp g}\qup i\enotes -\temps\Notes\pause&\lPztql2JK{_L}|\qup l\enotes -% mesure 113 -\barre\Notes&\Pztql0{=M}N{_a}|\rlap{\qsk\tten1\qlp g}\pt i\hu{_h}\enotes -\temps\Notes\pause&\lpztql2KLM|\zqp {=f}\qlp k\enotes -\def\atnextline{\autolines {13}45}\relax -% mesure 114 -\barre\Notes\ptsoupir&\pztqL0NMN|\rlap{\qlp g}\qup{=i}\enotes -\temps\Notes\PztqU0CEC&\qu J\sk\dsoupir|\ptsoupir\enotes -%\check -% mesure 115 -\barre\NOtes\qu G\sk\dsoupir&|\PztqU0cec\enotes -\temps\notes\doubler\Pztqu0CEC&\pause|\cpdddu gfed\enotes -% mesure 116 -\barre\NOtes\qu{_H}\sk\dsoupir&|\PztqU0cec\enotes -\temps\notes\doubler\PztqU0DFD&\pause|\bigfl h\cpdddu hgfe\enotes -% mesure 117 -\barre\NOtes\qu{=I}\sk\dsoupir&|\PztqU0dfd\enotes -\temps\notes\doubler\pztqU0GIG&\pause|\bigaccid\na i\cpdddu i{=h}gf\enotes -%\check -% mesure 118 -\barre\NOtes\qup J&\trql{-3}cN{^M}|\uptext - {\it legato}\rlap{\qlp e\itenl0g\ql g}\trqu6egj\enotes -\temps\NOtes\pointdorgue N\qu G\sk\dsoupir - &\pointdurgue H\ql N\sk\dsoupir|\tten0\zq d\zql g\pointdorgue o\qu{=i}\sk\dsoupir\enotes -\signaturegenerale{-3}% -% mesure 119 -\setdoublebar -\changecontext\NOtes\qup J&\rlap{\qup e}\trqL0cNc|\Uptext{\bf\kern -14mm+acc. III}\rlap{\zqp g\qlp j}\trqU0lnl\enotes -\temps\notes\qup F&\doubler - \rlap{\qlp L}\trqu0cac|\rlap{\zqp h\qlp j}\cpdddu onml\enotes -%\check -% mesure 120 -\barre\NOtes\qup I&\rlap{\qup d}\trqL0aMa|\rlap{\zqp f\qlp h}\trqU0kmk\enotes -\temps\notes\qup E&\doubler - \rlap{\qlp K}\trqu0bNb|\rlap{\zqp g\qlp i}\cpdddu nmlk\enotes -% mesure 121 -\barre\NOtes\qup H&\rlap{\qup c}\trqL0aLa|\rlap{\zqp e\qlp h}\trqU0jlj\enotes -\temps\NOtes\qup F&\rlap{\qlp M}\trqu0dad|\rlap{\zqp f\qlp h}\trqu0mkm\enotes -% mesure 122 -\barre\NOtes\qup G&\rlap{\qup {=b}}\trqL0NMN|\rlap{\zqp d\qlp f}\na i\trqU0igi\enotes -\temps\NOtes\qup E&\rlap{\qlp L}\trqu0cNc|\rlap{\zqp e\qlp g}\trqu0jlj\enotes -%\check -% mesure 123 -\barre\NOtes\qu G\sk\dsoupir&\zq{KN=b}\ql d\sk\dsoupir - |\zq{=ik}\ql n\sk\dsoupir\enotes -\temps\NOtes\qup J&\rlap{\qup e}\trqL0cNc|\rlap{\zqp g\qlp j}\trqU0lnl\enotes -% mesure 124 -\barre\notes\qup F&\doubler - \rlap{\qlp L}\trqu0cac|\rlap{\zqp h\qlp j}\cpdddu onml\enotes -\temps\NOtes\qup I&\rlap{\qup d}\trqL0aMa|\rlap{\zqp f\qlp h}\trqU0kmk\enotes -%\check -% mesure 125 -\def\atnextline{\autolines {12}45}\relax -\signaturegenerale{-2}\relax -\changecontext\notes\qup E&\doubler - \rlap{\qlp K}\trqu0bNb|\rlap{\zqp g\qlp i}\cpdddu nmlk\enotes -\temps\NOtes\qup H&\rlap{\qup c}\trqL0N{^M}N|\relax - \rlap{\zqp{^f}\qlp h}\trqU0jlj\enotes -% mesure 126 -\barre\NOtes\qup{^F}&\rlap{\qlp{^M}}\trqu0dad|\rlap{\zqp{^f}\qlp h}\trqu0{^m}km\enotes -\temps\NOtes\qup G&\rlap{\qup d}\trqL0bNb|\rlap{\zqp g\qlp i}\trqu{-5}nkj\enotes -% mesure 127 -\barre\NOtes\qup D&\itenl0K\rlap{\qlp K}\trqU{-2}cba|\rlap{\zqp d\qlp{^f}}\trqu2ijk\enotes -\temps\NOtes\qu G\sk\dsoupir&\tten0\zq{KN}\ql b\sk\dsoupir - |\qu g\sk\dsoupir\enotes -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% reprise prelude -%\check -% mesure 128 -\barre\def\atnextline{\autolines{12}35}\relax -\notes\qup G&\zqu N\qqbbl0N{dbd}Nb|\doubler\rlap{\trqL0igi}\trqu0kik\enotes -\temps\notes\qup J&\zqu L\qqbbl0L{cNc}LN|\doubler\rlap{\trqL0jej}\trqu0lgl\enotes -%\check -% mesure 129 -\barre -\notes\qup F&\zqu M\qqbbl0M{cac}Ma|\doubler\rlap{\trqL0hfh}\trqu0jhj\enotes -\temps\notes\qup I&\zqu K\qqbbl0K{bMb}KM|\doubler\rlap{\trqL0idi}\trqu0kfk\enotes -%\check -% mesure 130 -\barre\notes\qup E&\zqu L\qqbbl0L{bNb}LN|\doubler\rlap{\trqL0geg}\relax - \trqu0igi\enotes -\temps\notes\qup H&\zqu J\qqbbl0J{aLa}JL|\doubler\rlap{\trqL0hch}\trqu0jej\enotes -% mesure 131 -\barre\notes\qup D&\zqu K\qqbbl0K{a^Ma}KM|\doubler\rlap{\trqL0{^f}df}\relax - \trqu0hfh\enotes -\temps\notes\qup G&\zqu N\qqbbl0N{dad}bd|\doubler\rlap{\trqL0ghi}\trqu0ijk\enotes -%\check -% mesure 132 -\barre\notes\doubler\qup{=I}&\zqu N\qqbbl0N{d=bd}Nb|\doubler\rlap{\trqL0{=i}{=f}i}\trqu0nkn\enotes -\temps\notes\qup J&\zqu L\qqbbl0L{cNc}LN|\doubler\rlap{\trqL0geg}\trqu0ljl\enotes -%\check -% mesure 133 -\barre\notes\qup F&\zqu M\qqbbl0M{cac}Ma|\doubler\rlap{\qlp h}\trqu0mjm\enotes -\temps\notes\qup I&\zqu K\qqbbl0K{_bMb}KM|\doubler\rlap{\trql0fef}\trqu0kjk\enotes -%\check -% mesure 134 -\barre\notes\qup E&\zqu L\qqbbl0L{bNb}LN|\doubler\rlap{\trql0geg}\trqu0lgl\enotes -\temps\notes\qup H&\zqu J\qqbbl0J{aLa}JL|\doubler\rlap{\trqL0heh}\trqu0jhj\enotes -% mesure 135 -\barre\notes\qup D&\zqu K\qqbbl0K{a^Ma}KM|\doubler\rlap{\qlp {^f}}\trqu0khk\enotes -\temps\notes\qup G&\zqu N\qqbbl0N{dad}bd|\doubler\rlap{\trqL0gfg}\trqu{-2}ihg\enotes -%\check -% mesure 136 -\barre\notes\doubler\qu G\sk\dsoupir - &\zqu N\qqbbl0N{d=bd}Nb|\doubler\rlap{\trqL0{=i}{=f}i}\trqu0nkm\enotes -\temps\notes\doubler\qu J\sk\dsoupir - &\zqu L\qqbbl0L{cNc}LN|\doubler\rlap{\trqL0gfg}\trqu0lkl\enotes -%\check -% mesure 137 -\barre\notes\doubler\qu F\sk\dsoupir - &\zqu M\qqbbl0M{cac}Ma|\doubler\rlap{\qlp h}\trqu0mjl\enotes -\temps\notes\doubler\qu I\sk\dsoupir - &\zqu K\qqbbl0K{_bMb}KM|\doubler\rlap{\trql0fef}\trqu0kjk\enotes -%\check -% mesure 138 -\barre\notes\doubler\qu E\sk\dsoupir - &\zqu L\qqbbl0L{bNb}LN|\doubler\rlap{\qlp g}\trqu0lik\enotes -\temps\notes\doubler\qu H\sk\dsoupir - &\zqu J\qqbbl0J{aLa}JL|\doubler\rlap{\trqL0hgh}\trqu{-2}jih\enotes -% mesure 139 -\barre\Notes\qu K\sk\dsoupir&\zq{Nb}\ql K\sk\dsoupir|\zq{gi}\ql k\sk\dsoupir\enotes -\temps\Notes\qu G\sk\dsoupir&\zq{LN}\ql c\sk\dsoupir|\zq{gj}\ql l\sk\dsoupir\enotes -% mesure 140 -\barre% \advance\barsinline by -1\relax -\Notes\qu H\sk\dsoupir&\zq{La}\ql c\sk\dsoupir|\zq{eh}\ql j\sk\dsoupir\enotes -\temps\Notes\pointdurgue K\qup K&\pointdorgue d\zqp{^Ma}\qlp d|\pointdorgue l\zqp{^fh}\qlp k\enotes -\temps\Notes&\zmidtwotext{\ff}|\Uptext{\moyen Maestoso\ \bf(\metron{\cu}{90})}\enotes -%\check -% mesure 141 -\def\motif#1#2#3#4{\doubler{\advance\transpose by 2\relax - \ibl0{#1}0\advance\transpose by-3\relax - \ibu1{#4}0}\zq{#1}\rlap{\qb0{#2}}\buppz1\qh1{#3}\relax - \zq{#2}\rlap{\qb0{#3}}\buppz1\qh1{#4}\relax - \zq{#1}\rlap{\tqb0{#2}}\buppz1\tqh1{#3}}% -\setdoublebar\signaturegenerale{1}\changecontext -\notes\qup G&\qqbbl{-2}b{cba}NM|\motif dgik\enotes -\temps\notes\qup J&\qqbbl1LM{Nba}N|\relax - \rlap{\doubler\zq g\ql j\sk\zq e\cl g}\cpdddu lkji\enotes -% mesure 142 -\barre\notes\qup K&\qqbbl1MN{acb}a|\motif cfhj\enotes -\temps\notes\qup I&\qqbbl{-1}N{aba}NM|\relax - \rlap{\doubler\zq g\ql i\sk\zq d\cl g}\cpdddu kjih\enotes -% mesure 143 % -\barre\notes\qup L&\qqbbl1L{MNa}bN|\motif begi\enotes -\temps\notes\qup H&\qqbbl{-2}c{baN}ML|\relax - \rlap{\doubler\zq e\ql h\sk\zq c\cl e}\cpdddu jihg\enotes -% mesure 144 % -\barre\notes\qup I&\bigaccid\sh K\qqbbl1K{LMa}NM|\bigsh d\motif bdfh\enotes -\temps\notes\qup E&\qqbbl2L{MNa}bc|\relax - \doubler\zq{gi}\ql e\sk\dsoupir\enotes -% mesure 145 -\barre\notes\qup G&\qqbbl{-2}b{cba}NM|\motif dgik\enotes -\temps\notes\qup J&\qqbbl1LM{Nba}N|\relax - \rlap{\doubler\zq g\ql j\sk\zq e\cl g}\cpdddu lkji\enotes -% mesure 146 -\barre\notes\qup K&\qqbbl1MN{acb}a|\motif cfhj\enotes -\temps\notes\qup I&\qqbbl{-1}N{aba}NM|\relax - \rlap{\doubler\zq g\ql i\sk\zq d\cl g}\cpdddu kjih\enotes -% mesure 147 -\barre\notes\qup L&\qqbbl1L{MNa}bN|\motif begi\enotes -\temps\notes\qup H&\qqbbl{-2}c{baN}ML|\relax - \rlap{\doubler\zq e\ql h\sk\zq c\cl e}\cpdddu jihg\enotes -% mesure 148 % -\barre\notes\qup J&\qqbbl1K{LMN}aN|\motif adfh\enotes -\temps\notes\doubler\qup I&\qqbbl1M{LMa}bc|\relax - \rlap{\doubler\zq f\ql h\sk\zq d\cl f}\cpdddu kjih\enotes -% mesure 149 % -\barre\notes\qup L&\qqbbl1L{MNa}bN|\Uptext{\it rit.}\motif begi\enotes -\temps\notes\qup H&\qqbbl{-2}c{baN}ML|\relax - \rlap{\doubler\zq e\ql h\sk\zq c\cl e}\cpdddu jihg\enotes -% mesure 150 % -\barre\notes\qup K&\qqbbl1K{LMa}NM|\Uptext{\it rall. molto}\doubler - \itenl5c\rlap{\pt b\lh d\hlp c}\trqU0fhf\enotes -\temps\NOtes\itenl0G\qup G&\itenl1K\itenu3N\zqp {K}\qlp N|\relax -\itenu2d\rlap{\qsk\tten5\qlp c}\itenu4g\itenu5i\zq d\pt e\zqp g\qup i\enotes -% mesure 151 -\advance\barsinline by -1\relax - \barre\NOtes\tten0\hup G&\tten1\zhp {KN}\hlp -b|\tten2\tten3\tten4\tten5\zhp{dg}\hup i\enotes - \finmorceau -\rightline{\sl\aujourdhui}\vfil\eject -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% diff --git a/macros/musixtex/doc/examples/gloriab.tex b/macros/musixtex/doc/examples/gloriab.tex deleted file mode 100644 index 8813989fc3..0000000000 --- a/macros/musixtex/doc/examples/gloriab.tex +++ /dev/null @@ -1,314 +0,0 @@ -\input musixtex -\input musixcpt -\input musixsty -\ifx\qh\undefined\let\qh\qb\fi % -\ifx\qhp\undefined\let\qhp\qbp\fi % -\ifx\qhpp\undefined\let\qhpp\qbpp\fi % -\parindent 15mm - % -\title{Gloria} -\fullauthor{M\'elodie~: Guy BOUSSION\\Harmonisation~: Daniel TAUPIN} -\shortauthor{G. Boussion} -\maketitle - -\tracingstats=1\relax - % - -\def\nbinstruments{3} -\setsize3{\tinyvalue} -\setstaffs22\relax -\setclef2{6000}% -\setclef1{6000}% -\setclef3{0000}% - % -\generalsignature{-1}\relax % un bemol a la clef -\generalmeter{\meterfrac{2}{2}} - %\check -\def\instrumenti{P\'edale} -\def\instrumentii{\vbox{\hsize=\parindent\centerline{Orgue$^{\tenbf *}$}\centerline{(manuel)}}} -\def\instrumentiii{}\def\instrumentiv{Chant} - %\check -\elemskip=7pt\relax -\setinterinstrument2{3\Interligne} - % - \footnote{}{\noindent\bf{*} \rm Si, pour une raison ou une autre, il n'est -pas possible de jouer la partie basse au p\'edalier, celle-ci devra \^etre -jou\'ee \`a la main gauche sur un clavier manuel, de pr\'ef\'erence avec un -jeu de 16 pieds. Dans ce cas, on pourra sacrifier la partie manuelle en clef -de Fa. Les indications {\bf I} et {\bf II} indiquent des changements de plan -sonore (ou de clavier) dans le cas o\`u l'on alterne le chant par -l'assembl\'ee (I) et par une chorale (II). -}% - % - %\check -\geometricskipscale -\eightrm -\sepbarrules -\startpiece -\def\respire{\notes&&\cbreath\enotes}% -\znotes&\zmidstaff{\bf \kern -6pt I \ppff(mf)}&\uptext{\kern -9mm\raise 9pt\hbox{\bigfont - Majestueux, sans tra\^\i ner \rm(\metron{\hu}{50})}}\enotes -\hardlyrics{\kern-9pt Gloire }\notes\qp&\qp|\qu c&\hsong\thelyrics\cu c\enotes -\notes &| &\hsong{\`a }\cu c\enotes -\barre -\NOtes\hup F&\hup M|\zhp a\zhp c\hup f&\hsong{Dieu~}\hu f\enotes -\notes &|&\hsong{au~}\cu f\enotes -\hardlyrics{plus~}\notes &|&\hsong\thelyrics\cu f\enotes -\hardlyrics{haut~}\notes \qu J&\qu L|\zq{ce}\qu g&\hsong\thelyrics\cu g\enotes -\notes&&\zsong{des~}\cu g\enotes -\barre -\NOtes\hl M&\hl M|\zh{cf}\hu h&\hsong{cieux~}\qup h\enotes -\notes&&\hsong{et~}\cu h\enotes -\Notes\qu K&\hl b|\zq{df}\qu i&\hsong{paix~}\qu i\enotes -\notes\qu L&|\ibu0h{-3}\rlap{\zq c\ql e}\qh0h&\hsong{sur~}\cu h\enotes -\notes&|\tbu0\qh0g&\hsong{la~}\cu g\enotes -\barre -\Notes\hl M&\wh M|\zh{ac}\hu f&\hsong{ter-~}\qu f\enotes -\notes&&\hsong{re~}\cu f\enotes -\hardlyrics{aux~}\notes&&\hsong\thelyrics\cu f\enotes -\hardlyrics{hom-~}\notes\qu I&|\rlap{\zh b\hl d}\qu g&\hsong\thelyrics\qu g\enotes -\hardlyrics{mes~}\notes\qu G&|\ibu0h3\qh0h&\hsong\thelyrics\cu h\enotes -\notes &|\tbu0\qh0i&\zsong{qu'il~}\cu i\enotes -\barre -\Notes\qu J&\hl N|\rlap{\ql c}\zh e\hu g&\hsong{ai-~}\hu g\enotes -\Notes\qu C&|\ql b&\enotes -\Notes\hu F&\hl M|\zh a\zh c\hu f&\hsong{me. }\hu f\enotes - %\check -\respire\Notes&\cmidstaff{\kern -15pt\bf II \ppff(mf)}\enotes -\barre -\hardlyrics{Nous~}\notes\ql M&\ql a|\rlap{\hl c}\zq f\qu h&\hsong\thelyrics\qu h\enotes -\notes\qu J&\ql N|\zq e\qu g&\hsong{Te~}\cu g\enotes -\hardlyrics{lou-~}\notes&&\hsong\thelyrics\cu g\enotes -\NOtes\hl M&\hl a|\zh{cf}\hu h&\hsong{ons,~}\hu h\enotes - %\check -\barre -\hardlyrics{nous~}\notes\qu K&\ql M|\zq{df}\qu h&\hsong\thelyrics\cu h\enotes -\notes&&\hsong{Te~}\cu h\enotes -\notes\qu L&\ql N|\zq{eg}\qu j&\hsong{b\'e-~}\cu j\enotes -\hardlyrics{nis-~}\notes&&\hsong\thelyrics\cu j\enotes - %\check -\NOTes \hl M&\hl a|\zh{cf}\hu h&\hsong{sons,~}\hu h\enotes -\barre -\hardlyrics{nous~}\notes \qu M&\ql a|\zq{cf}\qu h&\hsong\thelyrics\qu h\enotes - %\check -\Notes\hup J&\hlp N|\rlap{\ql c}\zh e\hu g&\hsong{T'a-~}\hu g\enotes -\Notes&|\hl b&\enotes -\Notes&|\zq c\qu f&\hsong{do-~}\qu f\enotes -\barre -\NOtes \hu F&\hl M|\zh{ac}\hu f&\hsong{rons,~}\hu f\enotes - %\check -\znotes&\cmidstaff{\bf I}\enotes -\respire -\hardlyrics{nous~}\notes\ql M&\ql a|\rlap{\hl c}\istied0c\zq f\qu h&\hsong\thelyrics\cu h\enotes -\notes&&\hsong{Te~}\cu h\enotes - %\check -\hardlyrics{glo-~}\notes\ql J&\ql N|\zq e\qu g&\hsong\thelyrics\cu g\enotes -\notes&&\hsong{ri-~}\cu g\enotes -\barre -\NOTes\hl M&\hl a|\tten0\rlap{\hl c}\zh f\hu h&\hsong{fions,~}\hu h\enotes - %\chec -\hardlyrics{\kern -4pt nous~}\notes\qlp K&\qlp a|\rlap{\hl d}\zqp f\qup h&\hsong\thelyrics\cu h\enotes -\notes&&\hsong{Te~}\cu h\enotes -\hardlyrics{ren-~}\notes&&\hsong\thelyrics\cu h\enotes -\notes\cu I&\cl N|\zq g\cu i&\zsong{dons~}\cu i\enotes -\barre -\NOtes\qup J&\qlp L|\zqp c\zqp e\qup g&\hsong{gr\^a-~}\qu g\enotes -\notes&&\hsong{ces }\cu g\enotes -\hardlyrics{pour~}\notes\cu J&\cl L|\zq e\cu g&\hsong\thelyrics\cu g\enotes -\hardlyrics{Ton~}\notes\ibl0L0\qb0M&\ibl1M3\qb1M|\ibu2h3\zq f\qh2h&\hsong\thelyrics\cu h\enotes -\hardlyrics{im-~}\notes\qb0L&\qb1N|\zq g\qh2i&\hsong\thelyrics\cu i\enotes -\hardlyrics{men-~}\notes\qb0M&\qb1a|\zq h\qh2j&\hsong\thelyrics\cu j\enotes -\notes\tbl0\qb0K&\tbl1\qb1b|\tbu2\zq i\qh2k&\hsong{se~}\cu k\enotes - %\check -\barre -\Notes\qu L&\ql c|\rlap{\zh e\hl g}\qu j&\isluru1k\hsong{gloi-~}\ql j\enotes -\Notes\qu J&\ql L|\qu i&\hsong{--~}\ql i\enotes -\notes\ql M&\ql a|\zq f\qu h&\tslur1j\hsong{re~!~}\ql h\enotes -\rlap{\respire}\notes&\cmidstaff{\bf II}\enotes -\notes\ibl2M3\qb2M&\ibl0a3\qb0a|\ibu1h3\zq{cf}\qh1h&\hsong{\kern -4pt Sei-~}\cu h\enotes -\hardlyrics{gneur~}\notes\tbl2\qb2N&\tbl0\qb0b|\tbu1\zq{dg}\qh1i&\hsong\thelyrics\cu i\enotes -\barre -\hardlyrics{Dieu,~}\notes\ql a&\zql c\roff{\zhup c}|\zq{fh}\qu j&\hsong\thelyrics\qu j\enotes - %\check -\hardlyrics{Roi~}\notes\ibl2M{-3}\qb2M&\ibl0a{-3}\qb0a|\ibu1h{-3}\zq f\qh1h&\hsong\thelyrics\cu h\enotes -\notes\tbl2\qb2L&\tbl0\qb0N|\tbu1\zq e\qh1g&\hsong{du~}\cu g\enotes -\Notes\ql M&\ql a|\zq f\qu h&\hsong{Ciel,~}\qu h\enotes - %\check -\hardlyrics{Dieu~}\notes\ibl2K{-3}\qb2K&\ibl0a{-3}\qb0a|\ibu1h{-3}\zq{df}\qh1h&\hsong\thelyrics\cu h\enotes -\notes\tbl2\qb2J&\tbl0\qb0N|\tbu1\zq{ce}\qh1g&\hsong{le~}\cu g\enotes - %\check -\barre -\notes\ibl2I{-4}\qb2I&\ibl0M{-4}\qb0M|\ibu1h0\rlap{\ql c}\zq -f\qh1h&\hsong{\kern -4pt P\`e-~}\cu h\enotes -\notes\tbl2\qb2G&\tbl0\qb0K|\zq g\qh1i&\hsong{re~}\cu i\enotes -\hardlyrics{\kern -4pt tout-~}\notes\ql J&\ql L|\rlap{\ql e}\qh1g&\hsong\thelyrics\cu g\enotes -\hardlyrics{puis-~}\notes&|\tbu1\zq c\qh1h&\hsong\thelyrics\cu h\enotes -\NOtes\qup F&\hl M|\zqp c\zqp f\qup h&\hsong{sant~!~}\qup h\enotes -\notes&\cmidstaff{\bf I}\enotes -\respire -\hardlyrics{Sei-~}\notes\ds&|\cu h&\hsong\thelyrics\cu h\enotes - %\check -\barre -\hardlyrics{gneur,~}\notes \ql M&\ql a|\rlap{\hl c}\zq f\qu h&\hsong\thelyrics\qu h\enotes -\notes \qu J&\ql L|\zq e\qu g&\hsong{Fils~}\cu g\enotes -\notes&&\hsong{u-~}\cu g\enotes -\notes \qu K&\ql M|\zq {ad}\qu f&\hsong{ni-~}\cu f\enotes -\notes&&\hsong{que~}\cu f\enotes -\notes \qu J&\ql N|\zq{ce}\qu g&\hsong{J\'e-~}\cu g\enotes -\notes&&\hsong{sus~}\cu g\enotes - %\check -\barre -\NOtes \hl M&\hl a|\zh{cf}\hu h&\hsong{Christ,~}\hu h\enotes -\respire -\Notes \ql M&\ql a|\rlap{\hl c}\zq f\qu h&\hsong{Sei-~}\qu h\enotes -\Notes \qu J&\ql N|\zq e\qu g&\zsong{gneur~}\qu g\enotes - %\check -\barre -\NOtes \hl M&\hl a|\zh c\zh f\hu h&\hsong{Dieu,~}\hu h\enotes -\notes\soupir&\soupir|\ds&\ds\enotes -\notes&|\cu h&\hsong{a-~}\cu h\enotes -\hardlyrics{\kern -4pt gneau~}\notes \Ibu0KI1\qh0K&\ql a|\rlap{\zq d\ql f}\ibu1h3\qh1h&\hsong\thelyrics\cu h\enotes -\notes \tbu0\qh0I&|\tbu1\qh1i&\hsong{de~}\cu i\enotes -\barre -\NOtes \qup J&\qlp N|\zqp c\zqp e\qup g&\hsong{Dieu,~}\qup g\enotes -\notes \cu K&\cl a|\zq d\cu f&\hsong{le~}\cu f\enotes -\Notes \hu J&\ql N|\rlap{\zh c\hl e}\qu g&\hsong{Fils~}\qu g\enotes -\Notes&|\qu g&\hsong{du~}\qu g\enotes -\barre -\NOTes \hup F&\hlp a|\rlap{\zhp c\hlp f}\hu h&\isluru1n\hsong{P\`e-~}\hu h\enotes -\Notes&|\qu h&\tslur1m\hsong{re~}\qu h\enotes -\Notes\soupir &\rlap{\soupir}\cmidstaff{\kern -8pt \bf II \ppff(mp)\kern 17pt}|\soupir&\soupir\enotes -\barre -\Notes\qu K&\ql a|\zq d\qu f&\hsong{Toi~}\qu f\enotes -\notes\qu J&\ql N|\rlap{\hl c}\zq e\qu g&\hsong{qui~}\cu g\enotes -\notes&&\hsong{en-~}\cu g\enotes -\notes\ql M&\ql a|\zq f\qu h&\hsong{l\`e-~}\cu h\enotes -\notes&&\hsong{ves~}\cu h\enotes -\notes\ql K&\ql b|\zq d\zq f\qu i&\hsong{le~}\cl i\enotes -\notes&&\hsong{p\'e-~}\cl i\enotes -\barre -\notes\hup J&\ibl0M3\qb0M|\istied0c\rlap{\hl c}\ibu1h{-3}\zq f\qh1h&\hsong{ch\'e~}\cu h\enotes -\notes&\tbl0\qb0N|\tbu1\zq e\qh1g&\hsong{du~}\cu g\enotes -\hardlyrics{mon-~}\notes&\ql M|\zq f\qu h&\hsong\thelyrics\qu h\enotes -\Notes&\ql L|\tten0\zq{ce}\qu g&\hsong{de,~}\qu g\enotes -\Notes\soupir&\soupir|\soupir&\soupir\enotes -\barre -\NOtes\qup K&\qlp a|\zqp d\qup f&\hsong{prends~}\qup f\enotes -\notes\cu G&\cl N|\zq{bd}\cu g&\hsong{pi-~}\cu g\enotes -\NOtes\hu J&\hl N|\itenu0c\rlap{\hl c}\zq e\qup g&\hsong{ti\'e~}\qup g\enotes -\notes&|\zq b\cu f&\hsong{de~}\cu f\enotes -\barre -\NOTes\hup F&\hlp M|\tten0\zhp a\zhp c\hup f&\hsong{nous~!~}\hup f\enotes -\Notes\soupir&\zmidstaff{\bf\kern -20pt I \ppff(mp)}\soupir|\soupir&\soupir\enotes - %\check -\barre -\Notes\qu K&\ql a|\zq d\qu f&\hsong{Toi~}\qu f\enotes -\notes\qu J&\ql N|\rlap{\hl c}\zq e\qu g&\hsong{qui~}\cu g\enotes -\notes&&\hsong{en-~}\cu g\enotes -\notes\ql M&\ql a|\zq f\qu h&\hsong{l\`e-~}\cu h\enotes -\notes&&\hsong{ves~}\cu h\enotes -\notes\ql K&\ql b|\zq d\zq f\qu i&\hsong{le~}\cl i\enotes -\notes&&\hsong{p\'e-~}\cl i\enotes -\barre -\notes\hup J&\ibl0M3\qb0M|\istied0c\rlap{\hl c}\ibu1h{-3}\zq f\qh1h&\hsong{ch\'e~}\cu h\enotes -\notes&\tbl0\qb0N|\tbu1\zq e\qh1g&\hsong{du~}\cu g\enotes -\Notes&\ql M|\zq f\qu h&\hsong{mon-~}\qu h\enotes -\Notes&\ql L|\tten0\zq{ce}\qu g&\hsong{de,~}\qu g\enotes -\notes\soupir&\soupir|\ds&\ds\enotes -\notes&|\cu h&\hsong{en-~}\cu h\enotes -\barre -\hardlyrics{tends~}\notes\qu K&\ql a|\zq d\qu f&\hsong\thelyrics\cu f\enotes -\notes&&\hsong{no-~}\cu f\enotes -\notes\qu J&\ql N|\rlap{\hlp c}\zq e\qu g&\hsong{tre~}\cu g\enotes -\hardlyrics{pri-~}\notes&&\hsong\thelyrics\cu g\enotes -\Notes\ql M&\ql M|\zq f\qu h&\hsong{\`e-~}\qu h\enotes -\Notes\qu J&\ql L|\zq e\qu g&\hsong{re~! }\qu g\enotes -\rlap{\respire}\notes&\cmidstaff{\bf II}\enotes -\barre -\NOTEs \hu L&\istied0c\wh c|\zh{eg}\hu j&\hsong{Toi~}\hu j\enotes -\Notes \ql M&|\rlap{\hl f}\zq h\qu j&\hsong{qui~}\qu j\enotes -\notes \qu I&|\zq i\qu k&\hsong{es~}\cu k\enotes -\notes&&\hsong{as-~}\cu k\enotes -\barre -\Notes \qu H&\tten0\hl c|\zq f\zq h\qu j&\hsong{sis~}\ql j\enotes -\notes \ibu1G{-3}\qh1G&|\zq g\ibu0i{-3}\qh0i&\hsong{\`a~}\cl i\enotes -\notes \tbu1\qh1F&|\zq f\tbu0\qh0h&\hsong{la~}\cl h\enotes -\Notes \qu J&\ql L|\zq c\zq e\qu g&\hsong{droi-~}\qu g\enotes -\notes \ibl1K3\qb1K&\ibl2M3\qb2M|\zq d\ibu0f3\qh0f&\hsong{te~}\cu f\enotes -\notes \tbl1\qb1L&\tbl2\qb2N|\zq e\tbu0\qh0g&\hsong{du~}\cu g\enotes -\barre -\NOTes \hl M&\hl a|\rlap{\hlp c}\zh f\hu h&\isluru1n\hsong{P\`e-~}\hu h\enotes -\Notes \qu J&\ql N|\zq e\qu g&\tslur1m\hsong{re~}\qu g\enotes -\Notes\soupir&\soupir|\soupir&\soupir\enotes - %\check - %\check -\barre -\NOtes \hu K&\hl a|\rlap{\zh d\hl f}\qup h&\hsong{prends~}\qup h\enotes -\notes&|\cu h&\hsong{pi-~}\cu h\enotes -\NOtes \hu G&\hl N|\rlap{\zh b\hl d}\qup g&\hsong{ti\'e~}\qup g\enotes -\notes&|\cu h&\hsong{de~}\cu h\enotes - %\check -\barre -\NOTes \hu H&\hl a|\zh{^ce}\hu h&\hsong{nous~!~}\hu h\enotes -\notes&\zmidstaff{\kern -12pt\bf I \ppff(f)}|\soupir - &\Uptext{\bigfont plus anim\'e}\soupir\enotes -\notes\hpause&\hpause|\qu{=c}&\hsong{\kern -4pt Car~}\cu c\enotes -\notes&&\hsong{Toi~}\cu c\enotes - %\check -\barre -\Notes\qu K&\ql M|\zq{ad}\qu f&\hsong{seul~}\qu f\enotes -\Notes\qu J&\ql N|\zq{ce}\qu g&\hsong{es~}\qu g\enotes -\Notes\hu F&\hl M|\zqp c\zqp f\qup h&\zsong{saint~!~}\qup h\enotes -\notes&|\qs&\qs\enotes -\notes&|\zq{cf}\ccu h&\zsong{Toi~}\ccu h\enotes -\barre -\Notes\qu F&\ql M|\zq {cf}\qu h&\hsong{seul~}\qu h\enotes -\notes\Ibu0CF1\qhp0C&\ibl1L3\qbp1L|\zql c\Ibu2gh1\zqp e\qhp2g&\hsong{es~}\cup g\enotes -\hardlyrics{Sei-~}\notes\tbbu0\tbu0\qh0 F&\tbbl1\tbl1\qb1M|\zq {f}\tbbu2\tbu2\qh2h&\hsong\thelyrics\ccu h\enotes -\NOtes\qup F&\qlp M|\zqp c\zqp f\qup h&\hsong{gneur~!~}\qup h\enotes -\notes&\cmidstaff{\bf II \ppff(f)\kern 12pt}\enotes -\respire -\notes\ds&\cl M|\zq {cf}\cu h&\hsong{Toi~}\cu h\enotes - %\check -\barre -\notes\ibu0M0\qh0M&\ibl2a0\qb2a|\ibu1h0\rlap{\hl c}\zq f\qh1h&\hsong{\kern - -4pt seul~}\cu h\enotes -\notes\qh0J&\qb2N|\zq e\qh1g&\hsong{es~}\cu g\enotes -\notes\qh0M&\qb2a|\zq f\qh1h&\hsong{le~}\cu h\enotes -\hardlyrics{Tr\`es-~}\notes\tbu0\qh0N&\tbl2\qb2b|\zq g\tbu1\qh1i&\hsong\thelyrics\cu i\enotes -\hardlyrics{haut,~}\notes\ql a&\ql c|\zq {fh}\qu j&\hsong\thelyrics\ql j\enotes -\notes\ibl0a{-3}\qb0a&\ibl2c{-3}\qb2c|\zq {h}\ibl1j{-3}\qb1j&\hsong{J\'e-~}\cl j\enotes -\notes\tbl0\qb0N&\tbl2\qb2b|\zq g\tbl1\qb1i&\zsong{sus-~}\cl i\enotes - %\check -\barre -\NOtes\hl M&\hl a|\zhl f\zq h\qup j&\hsong{Christ,~}\qlp j\enotes -\notes&|\cu h&\hsong{a-}\cu h\enotes -\notes \qu K&\ql M|\zq{ad}\qu f&\hsong{vec~}\cu f\enotes -\notes&&\hsong{le~}\cu f\enotes -\hardlyrics{\kern -4pt Saint-~}\notes \qu J&\ql N|\zq{ce}\qu g&\hsong\thelyrics\cu g\enotes -\notes&&\hsong{Es-~}\cu g\enotes - %\check -\barre -\NOtes \hl M&\hl a|\zh{cf}\hu h&\hsong{prit~! }\hu h\enotes -\notes&\cmidstaff{\bf I}\enotes -\Notes\qu K&\ql M|\zq{ad}\qu f&\hsong{dans~}\qu f\enotes -\notes\qu J&\ql N|\zq{ce}\qu g&\hsong{la~}\qu g\enotes -\barre -\Notes\qup F&\qlp a|\rlap{\hl c}\zqp f\qu h&\hsong{gloi-~}\qu h\enotes -\notes&|&\hsong{re~}\cu h\enotes -\notes\cu C&\cl N|\zq e\cu g&\hsong{de~}\cu g\enotes -\Notes\qu F&\ql M|\zq{cf}\qu h&\hsong{Dieu~}\qu h\enotes -\Notes\qu I&\ql b|\zq{df}\qu i&\hsong{le~}\qu i\enotes -\barre -\Notes\qu J\qu C&\hl N|\rlap{\ql c}\zh e\hu g\ql b&\isluru1m\hsong{P\`e-~}\hu g\enotes -\NOtes\hu F&\hl M|\zh{ac}\hu f&\tslur1l\hsong{re. }\hu f\enotes -\rlap{\respire}\Notes&\cmidstaff{\kern -12pt\ppff $<$ ff}\enotes -\barre -\Notes\qu J\qu I\qu H\qu G&\wh L|\zw c\zw e\wh g&\islurd1e\zsong{A - - - - - }\wh g\enotes\barre -\NOtes\zhp F\hup M&\hlp a|\zhp c\zhp f\hup h&\tslur1f\hsong{men~!~}\hup h\enotes -\notes\soupir&\soupir|\soupir&\soupir\enotes -\mulooseness 2 -\Stoppiece -\medskip\rightline{\it le \aujourdhui} -\eject -\bye diff --git a/macros/musixtex/doc/examples/glorias.tex b/macros/musixtex/doc/examples/glorias.tex deleted file mode 100644 index 351730c676..0000000000 --- a/macros/musixtex/doc/examples/glorias.tex +++ /dev/null @@ -1,286 +0,0 @@ -\input musixtex -\input musixcpt -\input musixsty -% -\parindent 15mm -% -\title{Gloria} -\fullauthor{M\'elodie~: Guy BOUSSION} -\shortauthor{G. Boussion} -\maketitle -\tracingstats=1\relax -% -\bigskip -\def\nbinstruments{1} -\setstaffs11 -% -\generalsignature{-1}\relax % un bemol a la clef -\generalmeter{\meterfrac{2}{2}} -%\check -% -\geometricskipscale -\staffbotmarg=5\Interligne\stafftopmarg=1.5\Interligne -\startpiece -\setsongraise1{2\Interligne}% -\def\respire{\notes\cbreath\enotes}% -\znotes\uptext{\kern -9mm\raise 9pt\hbox{\bigfont - Majestueux, sans tra\^\i ner \rm(\metron{\hu}{50})}}\enotes -% -\hardlyrics {\kern-5pt Gloire }\notes\hsong{\thelyrics }\cu c\enotes -\notes\hsong{\`a }\cu c\enotes -\barre -\NOTes\hsong{Dieu~}\hu f\enotes -\notes\hsong{au}\cu f\enotes -\hardlyrics{plus~}\notes\hsong{\thelyrics }\cu f\enotes -\hardlyrics{haut~}\notes\hsong{\thelyrics }\cu g\enotes -\notes\hsong{des}\cu g\enotes -\barre -\NOtes\hsong{cieux~}\qup h\enotes -\notes\hsong{et~}\cu h\enotes -\hardlyrics{paix~}\notes\hsong{\thelyrics }\qu i\enotes -\hardlyrics{sur~}\notes\hsong{\thelyrics }\cu h\enotes -\notes\hsong{la~}\cu g\enotes -\barre -\Notes\hsong{ter-}\qu f\enotes -\notes\hsong{re~}\cu f\enotes -\hardlyrics{aux~}\notes\hsong{\thelyrics}\cu f\enotes -\hardlyrics{hom- }\notes\hsong{\thelyrics}\qu g\enotes -\hardlyrics{mes~}\notes\hsong{\thelyrics }\cu h\enotes -\hardlyrics{qu'il~}\notes\hsong{\thelyrics }\cu i\enotes -\barre -\Notes\hsong{ai-}\hu g\enotes -\Notes\hsong{}\enotes -\Notes\hsong{me.}\hu f\enotes -%\check -\respire\Notes\uptext{\bf II }\enotes -\barre -\hardlyrics{Nous~}\notes\hsong{\thelyrics}\qu h\enotes -\notes\hsong{Te~}\cu g\enotes -\notes\hsong{lou-}\cu g\enotes -\NOtes\hsong{ons,}\hu h\enotes -%\check -\barre -\hardlyrics{nous~}\notes\hsong{\thelyrics }\cu h\enotes -\notes\hsong{Te~}\cu h\enotes -\notes\hsong{b\'e-}\cu j\enotes -\notes\hsong{nis-}\cu j\enotes -%\check -\NOTes\hsong{sons,}\hu h\enotes -\barre -\Notes\hsong{nous~}\qu h\enotes -%\check -\Notes\hsong{t'a-}\hu g\enotes -\Notes\enotes -\Notes\hsong{do-}\qu f\enotes -\barre -\NOtes\hsong{rons,~}\hu f\enotes -%\check -\respire\notes\uptext{\bf I}\enotes -\hardlyrics{nous~}\notes\hsong{\thelyrics }\cu h\enotes -\notes\hsong{Te~}\cu h\enotes -%\check -\notes\hsong{glo-}\cu g\enotes -\notes\hsong{ri-}\cu g\enotes -\barre -\NOTEs\hsong{fions,~}\hu h\enotes -%\chec -\hardlyrics{\kern -4pt nous~}\notes\hsong\thelyrics\cu h\enotes -\notes\hsong{Te~}\cu h\enotes -\notes\hsong{ren-}\cu h\enotes -\notes\zsong{dons~}\cu i\enotes -\barre -\NOtes\hsong{gr\^a~-}\qu g\enotes -\notes\hsong{ces~}\cu g\enotes -\hardlyrics{pour~}\notes\hsong\thelyrics\cu g\enotes -\hardlyrics{Ton~}\notes\hsong\thelyrics\cu h\enotes -\notes\hsong{im-}\cu i\enotes -\hardlyrics{men-}\notes\hsong\thelyrics\cu j\enotes -\notes\zsong{se~}\cu k\enotes -%\check -\barre -\Notes\hsong{gloi-}\ql j\enotes -\Notes\hsong{-}\ql i\enotes -\Notes\hsong{re~!}\qu h\enotes -\respire\notes\uptext{\bf II}\enotes -\notes\hsong{Sei-}\cu h\enotes -\notes\zsong{gneur~}\thelyrics\cu i\enotes -\barre -\hardlyrics{Dieu,~}\notes\hsong\thelyrics\qu j\enotes -%\check -\notes\hsong{Roi~}\cu h\enotes -\notes\hsong{du~}\cu g\enotes -\Notes\hsong{Ciel,~}\qu h\enotes -%\check -\hardlyrics{Dieu~}\notes\hsong\thelyrics\cu h\enotes -\notes\zsong{le~}\cu g\enotes -%\check -\barre -\notes\hsong{P\`e-~}\itied1h\cu h\enotes -\notes\hsong{re~}\ttie1\cu i\enotes -\hardlyrics{tout-}\notes\hsong\thelyrics\cu g\enotes -\hardlyrics{puis-}\notes\hsong\thelyrics\cu h\enotes -\Notes\hsong{sant~!}\qup h\enotes -\respire\notes\uptext{\bf I}\enotes -\notes\zsong{Sei-}\cu h\enotes -%\check -\barre -\hardlyrics{gneur,~}\notes\hsong\thelyrics\qu h\enotes -\hardlyrics{Fils~}\notes\hsong\thelyrics\cu g\enotes -\notes\hsong{u-}\cu g\enotes -\notes\hsong{ni-}\cu f\enotes -\hardlyrics{que~}\notes\hsong\thelyrics\cu f\enotes -\notes\hsong{J\'e-}\cu g\enotes -\notes\zsong{sus~}\cu g\enotes -%\check -\barre -\NOtes\hsong{Christ,}\hu h\enotes -\respire -\Notes\hsong{Sei-}\qu h\enotes -\Notes\zsong{gneur}\qu g\enotes -%\check -\barre -\NOtes\hsong{Dieu,}\hu h\enotes -\notes\hsong{}\ds\enotes -\notes\hsong{a-}\cu h\enotes -\hardlyrics{\kern -4pt gneau~}\notes\hsong\thelyrics\cu h\enotes -\notes\zsong{de~}\cu i\enotes -\barre -\NOtes\hsong{Dieu,}\qup g\enotes -\notes\hsong{le~}\cu f\enotes -\Notes\hsong{Fils~}\qu g\enotes -\Notes\zsong{du~}\qu g\enotes -\barre -\NOTes\hsong{P\`e-}\hu h\enotes -\Notes\hsong{re~}\qu h\enotes -\Notes\hsong{}\rlap{\uptext{\bf II }}\soupir\enotes -\barre -\Notes\hsong{Toi~}\qu f\enotes -\notes\hsong{qui~}\cu g\enotes -\notes\hsong{en-}\cu g\enotes -\notes\hsong{l\`e-}\cu h\enotes -\notes\hsong{ves~}\cu h\enotes -\notes\hsong{le~}\cl i\enotes -\notes\zsong{p\'e-}\cl i\enotes -\barre -\notes\hsong{ch\'e~}\cu h\enotes -\notes\hsong{du~}\cu g\enotes -\Notes\hsong{mon-}\qu h\enotes -\NOtes\hsong{de,}\qu g\enotes -\Notes\hsong{}\soupir\enotes -\barre -\NOtes\hsong{prends~}\qup f\enotes -\notes\hsong{pi-}\cu g\enotes -\NOtes\hsong{ti\'e~}\qup g\enotes -\notes\zsong{de~}\cu f\enotes -\barre -\NOTes\hsong{nous~!}\hup f\uptext{\bf I}\enotes -\Notes\hsong{}\soupir\enotes -%\check -\barre -\Notes\hsong{Toi~}\qu f\enotes -\notes\hsong{qui~}\cu g\enotes -\notes\hsong{en-}\cu g\enotes -\notes\hsong{l\`e-}\cu h\enotes -\notes\hsong{ves~}\cu h\enotes -\notes\hsong{le~}\cl i\enotes -\notes\zsong{p\'e-}\cl i\enotes -\barre -\notes\hsong{ch\'e~}\cu h\enotes -\notes\hsong{du~}\cu g\enotes -\Notes\hsong{mon-}\qu h\enotes -\NOtes\hsong{de,}\qu g\enotes -\notes\hsong{}\ds\enotes -\notes\zsong{en-}\cu h\enotes -\barre -\hardlyrics{tends~}\notes\hsong\thelyrics\cu f\enotes -\notes\hsong{no-}\cu f\enotes -\notes\hsong{tre~}\cu g\enotes -\notes\hsong{pri-}\cu g\enotes -\Notes\hsong{\`e-}\qu h\enotes -\Notes\hsong{re~!}\qu g\enotes -\respire\notes\uptext{\bf II}\enotes -\barre -\NOTEs\hsong{Toi~}\hu j\enotes -\Notes\hsong{qui~}\qu j\enotes -\notes\hsong{es~}\cu k\enotes -\notes\zsong{as-}\cu k\enotes -\barre -\Notes\hsong{sis~}\ql j\enotes -\notes\hsong{ \`a~}\cl i\enotes -\notes\hsong{la~}\cl h\enotes -\Notes\hsong{droi-}\qu g\enotes -\notes\hsong{te~}\cu f\enotes -\notes\zsong{du~}\cu g\enotes -\barre -\NOTes\hsong{P\`e-}\hu h\enotes -\Notes\hsong{re~}\qu g\enotes -\Notes\hsong{}\soupir\enotes -%\check -%\check -\barre -\NOtes\hsong{prends~}\qup h\enotes -\notes\hsong{pi-}\cu h\enotes -\NOtes\hsong{ti\'e~}\qup g\enotes -\notes\zsong{de~}\cu h\enotes -%\check -\barre -\NOTes\hsong{nous~!}\hu h\uptext{\bf I }\enotes -\notes\rlap{\uptext{\raise 9pt\hbox{\bigfont\ - plus anim\'e\kern 5pt}}}\soupir\enotes -\hardlyrics{Car~}\notes\hsong\thelyrics\cu c\enotes -\notes\zsong{Toi~}\cu c\enotes -%\check -\barre -\Notes\hsong{seul~}\qu f\enotes -\Notes\hsong{es~}\qu g\enotes -\Notes\zsong{saint~!}\qup h\enotes -\notes\zsong{\sk Toi~}\qs\ccu h\enotes -\barre -\Notes\hsong{seul~}\qu h\enotes -\notes\hsong{es~}\cup g\enotes -\notes\hsong{Sei-}\ccu h\enotes -\NOtes\hsong{gneur~!}\qup h\enotes -\respire\notes\uptext{\bf II }\enotes -\notes\zsong{Toi~}\cu h\enotes -%\check -\barre -\notes\hsong{\kern -4pt seul~}\cu h\enotes -\notes\hsong{es~}\cu g\enotes -\notes\hsong{le~}\cu h\enotes -\hardlyrics{Tr\`es-}\notes\hsong\thelyrics\cu i\enotes -\Notes\hsong{haut,}\ql j\enotes -\notes\hsong{J\'e-}\cl j\enotes -\notes\zsong{sus-}\cl i\enotes -%\check -\barre -\NOtes\hsong{Christ,}\qlp j\enotes -\notes\hsong{a-}\cu h\enotes -\notes\hsong{vec~}\cu f\enotes -\notes\hsong{le~}\cu f\enotes -\hardlyrics{\kern -4pt Saint-}\notes\hsong\thelyrics\cu g\enotes -\notes\zsong{Es-}\cu g\enotes -%\check -\barre -\NOtes\hsong{prit~!}\hu h\enotes -\notes\uptext{\bf I}\enotes -\Notes\hsong{dans~}\qu f\enotes -\notes\zsong{la~}\qu g\enotes -\barre -\Notes\hsong{gloi-}\qu h\enotes -\notes\hsong{re~}\cu h\enotes -\notes\hsong{de~}\cu g\enotes -\Notes\hsong{Dieu~}\qu h\enotes -\Notes\zsong{le~}\qu i\enotes -\barre -\Notes\hsong{P\`e-}\hu g\enotes -\NOtes\zsong{re.}\hu f\enotes -\respire -\barre -\Notes\zsong{A - - - - - }\wh g\enotes -\barre -\NOtes\hsong{men~!}\hup h\enotes -\notes\hsong{}\soupir\enotes -\mulooseness 4% -\Stoppiece -\medskip\rightline{\it le \aujourdhui\ \ \ \ } -\bye diff --git a/macros/musixtex/doc/examples/gloriax.tex b/macros/musixtex/doc/examples/gloriax.tex deleted file mode 100644 index 509b8dea32..0000000000 --- a/macros/musixtex/doc/examples/gloriax.tex +++ /dev/null @@ -1,283 +0,0 @@ -\input musixtex -\input musixcpt -\input musixsty -\sepbarrules -\def\tempz{\temps}% -% -\vsize=28.2cm -\hsize=18.5cm -\parindent 15mm -% -\vbox{% -\centerline{\enorme Gloria} -\medskip -\rightline{\cmbx M\'elodie~: Guy BOUSSION} -}% -\tracingstats=1\relax -% -\bigskip -\def\nbinstruments{2} -\global\nbporteesi=0 -% -\signaturegenerale{-1}\relax % un bemol a la clef -\generalmeter{\meterfrac{2}{2}} -%\check -%\check - -% -\def\eightpoint{\Tenpoint}% -% -%\check -\catcode`\@=11 -\newdimen\lyricskip -\def\varskip#1{% - \setbox\ch@box\hbox{#1}\global\lyricskip\wd\ch@box} -\catcode`\@=12 - -\normal\elemskip=15pt -\def\gluemaxskip{6pt}% -\staffbotmarg=1.5\Interligne\stafftopmarg=1.5\Interligne -\debutmorceau -% -\def\respire{\notes&\cbreath\enotes}% -\temps\znotes&\uptext{\kern -9mm\raise 9pt\hbox{\moyen - Majestueux, sans tra\^\i ner \rm(\metron{\hu}{50})}}\enotes -% -\def\Varnotes#1\enotes{\vnotes0.05\elemskip &\enotes -% \varskip{#1}\vnotes0.05\elemskip\rlap{#1}&\rlap{#2}\enotes - \varskip{#1}\znotes\rlap{#1}&\rlap{#2}\enotes - \hardspace{\lyricskip}% - \vnotes0.05\elemskip &\enotes -}% -% -\def\VarNotes#1\enotes{\vnotes0.05\elemskip &\enotes - \varskip{#1}\vnotes1\elemskip\rlap{#1}&\rlap{#2}\enotes - \hardspace{\lyricskip}% - \vnotes0.05\elemskip &\enotes -}% -% -\def\VarNOtes#1\enotes{\vnotes0.05\elemskip &\enotes - \varskip{#1}\vnotes2\elemskip\rlap{#1}&\rlap{#2}\enotes - \hardspace{\lyricskip}% - \vnotes0.05\elemskip &\enotes -}% -\temps\Varnotes \kern-5pt Gloire &\cu c\enotes -\temps\Varnotes \`a &\cu c\enotes -\barre\NOTes Dieu~&\hu f\enotes -\tempz\Varnotes au&\cu f\enotes -\temps\Varnotes plus~&\cu f\enotes -\temps\Varnotes haut~&\cu g\enotes -\temps\Varnotes des &\cu g\enotes -\barre\VarNOtes cieux~&\qup h\enotes -\temps\Varnotes et~&\cu h\enotes -\tempz\VarNotes paix~&\qu i\enotes -\temps\Varnotes sur~&\cu h\enotes -\temps\Varnotes la~&\cu g\enotes -\barre\VarNotes ter-&\qu f\enotes -\temps\Varnotes re~&\cu f\enotes -\temps\Varnotes aux~&\cu f\enotes -\tempz\VarNotes hom~-&\qu g\enotes -\temps\Varnotes mes~&\cu h\enotes -\temps\Varnotes qu'il~&\cu i\enotes -\alaligne\VarNotes ai-&\hu g\enotes -\temps\VarNotes &\enotes -\tempz\VarNotes me.&\hu f\enotes -%\check -\temps\respire\VarNotes&\uptext{\bf II }\enotes -\barre\VarNotes Nous~&\qu h\enotes -\temps\Varnotes Te~&\cu g\enotes -\temps\Varnotes lou-&\cu g\enotes -\tempz\VarNOtes ons,&\hu h\enotes -%\check -\barre\Varnotes nous~&\cu h\enotes -\temps\Varnotes Te~&\cu h\enotes -\temps\Varnotes b\'e-&\cu j\enotes -\temps\Varnotes nis-&\cu j\enotes -%\check -\tempz\NOTes sons,&\hu h\enotes -\barre\VarNotes nous~&\qu h\enotes -%\check -\temps\VarNotes t'a-&\hu g\enotes -\tempz\VarNotes&\enotes -\temps\VarNotes do-&\qu f\enotes -\alaligne\VarNOtes rons,~&\hu f\enotes -%\check -\temps\respire\Varnotes&\uptext{\bf I}\enotes -\tempz\Varnotes nous~&\cu h\enotes -\temps\Varnotes Te~&\cu h\enotes -%\check -\temps\Varnotes glo-&\cu g\enotes -\temps\Varnotes ri-&\cu g\enotes -\barre\NOTEs fions,~&\hu h\enotes -%\chec -\tempz\Varnotes \kern -4pt nous~&\cu h\enotes -\temps\Varnotes Te~&\cu h\enotes -\temps\Varnotes ren-&\cu h\enotes -\temps\Varnotes dons~&\cu i\enotes -\barre\VarNOtes gr\^a~-&\qu g\enotes -\temps\Varnotes ces&\cu g\enotes -\temps\Varnotes pour&\cu g\enotes -\tempz\Varnotes Ton~&\cu h\enotes -\temps\Varnotes im-&\cu i\enotes -\temps\Varnotes men&\cu j\enotes -\temps\Varnotes se~&\cu k\enotes -%\check -\alaligne\VarNotes gloi-&\ql j\enotes -\temps\VarNotes -&\ql i\enotes -\temps\VarNotes re~!&\qu h\enotes -\temps\respire\Varnotes&\uptext{\bf II}\enotes -\temps\Varnotes Sei-&\cu h\enotes -\temps\Varnotes gneur~&\cu i\enotes -\barre\VarNotes Dieu,~&\qu j\enotes -%\check -\temps\Varnotes Roi~&\cu h\enotes -\temps\Varnotes du~&\cu g\enotes -\tempz\VarNotes Ciel,~&\qu h\enotes -%\check -\temps\Varnotes Dieu~&\cu h\enotes -\temps\Varnotes le~&\cu g\enotes -%\check -\barre\Varnotes P\`e-~&\cu h\enotes -\temps\Varnotes re~&\cu i\enotes -\temps\Varnotes tout-&\cu g\enotes -\temps\Varnotes puis-&\cu h\enotes -\tempz\VarNOtes sant~!&\qup h\enotes -\temps\respire\Varnotes&\uptext{\bf I}\enotes -\temps\Varnotes Sei-&\cu h\enotes -%\check -\barre\VarNotes gneur,~&\qu h\enotes -\temps\Varnotes Fils~&\cu g\enotes -\temps\Varnotes u-&\cu g\enotes -\tempz\Varnotes ni-&\cu f\enotes -\temps\Varnotes que-&\cu f\enotes -\temps\Varnotes J\'e-&\cu g\enotes -\temps\Varnotes sus~&\cu g\enotes -%\check -\barre\VarNOtes Christ,&\hu h\enotes -\temps\respire -\tempz\VarNotes Sei-&\qu h\enotes -\temps\VarNotes gneur&\qu g\enotes -%\check -\barre\VarNOtes Dieu,&\hu h\enotes -\tempz\notes &\ds\enotes -\temps\Varnotes a-&\cu h\enotes -\temps\Varnotes \kern -4pt gneau~&\cu h\enotes -\temps\Varnotes de~&\cu i\enotes -\alaligne -\temps\VarNOtes Dieu,&\qup g\enotes -\temps\Varnotes le~&\cu f\enotes -\tempz\VarNotes Fils~&\qu g\enotes -\temps\VarNotes du~&\qu g\enotes -\barre\NOTes P\`e-&\hu h\enotes -\tempz\VarNotes re~&\qu h\enotes -\temps\Notes &\rlap{\uptext{\bf II }}\soupir\enotes -\barre\VarNotes Toi~&\qu f\enotes -\temps\Varnotes qui~&\cu g\enotes -\temps\Varnotes en-&\cu g\enotes -\tempz\Varnotes l\`e-&\cu h\enotes -\temps\Varnotes ves~&\cu h\enotes -\temps\Varnotes le~&\cl i\enotes -\temps\Varnotes p\'e-&\cl i\enotes -\barre\Varnotes ch\'e~&\cu h\enotes -\temps\Varnotes du~&\cu g\enotes -\temps\VarNotes mon-&\qu h\enotes -\tempz\VarNOtes de,&\qu g\enotes -\temps\Notes &\soupir\enotes -\alaligne\VarNOtes prends~&\qup f\enotes -\temps\Varnotes pi-&\cu g\enotes -\tempz\VarNOtes ti\'e~&\qup g\enotes -\temps\Varnotes de~&\cu f\enotes -\barre\NOTes nous~!&\hup f\uptext{\bf I}\enotes -\temps\Notes &\soupir\enotes -%\check -\barre\VarNotes Toi~&\qu f\enotes -\temps\Varnotes qui~&\cu g\enotes -\temps\Varnotes en-&\cu g\enotes -\tempz\Varnotes l\`e-&\cu h\enotes -\temps\Varnotes ves~&\cu h\enotes -\temps\Varnotes le~&\cl i\enotes -\temps\Varnotes p\'e-&\cl i\enotes -\barre\Varnotes ch\'e~&\cu h\enotes -\temps\Varnotes du~&\cu g\enotes -\temps\VarNotes mon-&\qu h\enotes -\tempz\VarNOtes de,&\qu g\enotes -\temps\notes &\ds\enotes -\temps\Varnotes en-&\cu h\enotes -\barre\Varnotes tends~&\cu f\enotes -\temps\Varnotes no-&\cu f\enotes -\temps\Varnotes tre~&\cu g\enotes -\temps\Varnotes pri-&\cu g\enotes -\tempz\VarNotes \`e-&\qu h\enotes -\temps\VarNotes re~!&\qu g\enotes -\temps\respire\Varnotes&\uptext{\bf II}\enotes -\barre\NOTEs Toi~&\hu j\enotes -\tempz\VarNotes qui~&\qu j\enotes -\tempz\Varnotes es~&\cu k\enotes -\tempz\Varnotes as-&\cu k\enotes -\barre\VarNotes sis~&\ql j\enotes -\temps\Varnotes \`a~&\cl i\enotes -\temps\Varnotes la~&\cl h\enotes -\tempz\VarNotes droi-&\qu g\enotes -\tempz\Varnotes te~&\cu f\enotes -\temps\Varnotes du~&\cu g\enotes -\alaligne\NOTes P\`e-&\hu h\enotes -\tempz\VarNotes re~&\qu g\enotes -\temps\Notes &\soupir\enotes -%\check -%\check -\barre\VarNOtes prends~&\qup h\enotes -\temps\Varnotes pi-&\cu h\enotes -\tempz\VarNOtes ti\'e~&\qup g\enotes -\temps\Varnotes de~&\cu h\enotes -%\check -\barre\NOTes nous~!&\hu h\uptext{\bf I }\enotes -\tempz\notes&\rlap{\uptext{\raise 8pt\hbox{\moyen plus anim\'e\kern 5pt}}}\soupir\enotes -\temps\Varnotes Car~&\cu c\enotes -\temps\Varnotes Toi~&\cu c\enotes -%\check -\barre\VarNotes seul~&\qu f\enotes -\temps\VarNotes es~&\qu g\enotes -\tempz\VarNotes saint~!&\qup h\enotes -\temps\notes \sk&\qsoupir\enotes -\temps\Varnotes Toi~&\ccu h\enotes -\alaligne\VarNotes seul~&\qu h\enotes -\temps\Varnotes es~&\cup g\enotes -\temps\Varnotes Sei-&\ccu h\enotes -\tempz\VarNOtes gneur~!&\qup h\enotes -\temps\respire\Varnotes&\uptext{\bf II }\enotes -\temps\Varnotes Toi~&\cu h\enotes -%\check -\barre\Varnotes seul~&\cu h\enotes -\temps\Varnotes es~&\cu g\enotes -\temps\Varnotes le~&\cu h\enotes -\temps\Varnotes Tr\`es-&\cu i\enotes -\tempz\VarNotes haut,&\ql j\enotes -\temps\Varnotes J\'e-&\cl j\enotes -\temps\Varnotes sus-&\cl i\enotes -%\check -\barre\VarNOtes Christ,&\qlp j\enotes -\temps\Varnotes a-&\cu h\enotes -\tempz\Varnotes vec~&\cu f\enotes -\temps\Varnotes le~&\cu f\enotes -\temps\Varnotes \kern -4pt Saint-&\cu g\enotes -\temps\Varnotes Es-&\cu g\enotes -%\check -\barre\VarNOtes prit~!&\hu h\enotes -\tempz\Varnotes&\uptext{\bf I}\enotes -\temps\VarNotes dans~&\qu f\enotes -\temps\Varnotes la~&\qu g\enotes -\barre\VarNotes gloi-&\qu h\enotes -\temps\Varnotes re~&\cu h\enotes -\temps\Varnotes de~&\cu g\enotes -\tempz\VarNotes Dieu~&\qu h\enotes -\temps\VarNotes le~&\qu i\enotes -\barre\VarNotes P\`e-&\hu g\enotes -\tempz\VarNOtes re.&\hu f\enotes -\temps\respire -\barre\VarNotes A - - - - - &\wh g\enotes -\barre\VarNOtes men~!&\hup h\enotes -\tempz\notes &\soupir\enotes -%\mulooseness -2\relax -\finmorceau -\medskip\rightline{\it le \aujourdhui\ \ \ \ } -\bye diff --git a/macros/musixtex/doc/examples/gymnoman.tex b/macros/musixtex/doc/examples/gymnoman.tex deleted file mode 100644 index 07f1ac9966..0000000000 --- a/macros/musixtex/doc/examples/gymnoman.tex +++ /dev/null @@ -1,569 +0,0 @@ -% \input musixtex -% \input musixcpt -% \input musixsty -\title{Gymnomanie} -\shortauthor{D. Taupin} -\fullauthor{Daniel TAUPIN} -% -\othermention{Compos\'e en 1994} -\maketitle - -\parindent 12mm -\tracingstats=2\relax -% -\nbporteesi=2\relax -\def\nbinstruments{1}% -\global\cleftoksi={{6}{0}{0}{0}}% -% -\signaturegenerale{0}\relax % un bemol a la clef -\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% -\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% -\def\deuxtemps{\generalmeter{\meterfrac{2}{4}}}% -%\check -\def\instrumenti{Piano} -%\check -\troistemps -\def\fff{{f}\kern -1pt{f}\kern -1pt{f}}% -\def\ff{{f}\kern -1pt{f}}% -\def\gluemaxskip{6pt}% -% -% formes frequentes -% -%\check -% au moins deux croches basses et hautes -\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% -\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% -% -% trois doubles croches hautes -\def\tqbbl#1#2#3{\Ibbl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}}% -\def\tqbbu#1#2#3{\Ibbu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}}% -\def\tqbbh{\tqbbu}% -\def\tqbbb{\tqbbl}% -% quatre doubles croches -\def\qqbbh#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1}\qh0{#2}\qh0{#3}\tqh0{#4}}\relax -\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}% -\def\qqbbl#1#2#3#4{\Ibbl0{#1}{#2}3\qb0{#1}\qb0{#2}\qb0{#3}\tqb0{#4}}\relax -%\check -% octave basse en blanche -\def\bohl#1{\zh{!`#1}\hl{!#1}}% -\def\bohu#1{\zh{!`#1}\hu{!#1}}% -\def\sohl#1{\zh{!'#1}\hl{!#1}}% -\def\sohu#1{\zh{!'#1}\hu{!#1}}% -% octave basse en blanche pointee -\def\bohlp#1{\zhp{!`#1}\hlp{!#1}}% -\def\bohup#1{\zhp{!`#1}\hup{!#1}}% -\def\sohlp#1{\zhp{!'#1}\hlp{!#1}}% -\def\sohup#1{\zhp{!'#1}\hup{!#1}}% -% -\def\bozh#1{\zh{!`#1!#1}}% -\def\bozq#1{\zq{!`#1!#1}}% -\def\boql#1{\zq{!`#1}\ql{!#1}}% -\def\boqu#1{\zq{!`#1}\qu{!#1}}% -% octave sup. en croches u -\def\soqh#1{\zq{!'#1}\qh0{!#1}}% -\def\soqb#1{\zq{!'#1}\qb0{!#1}}% -\def\soqu#1{\zq{!'#1}\qu{!#1}}% -\def\soql#1{\zq{!'#1}\ql{!#1}}% -%\check -% -\def\interfacteur{11}% -\computewidths -\staffbotmarg=5\Interligne % -\def\lPED{\zcharnote{-5}{\hbox to 2.4\internote{\hss\Ped\kern -2pt}}}% -\def\PEDDEP{\PED\sk\sk\sk\DEP\pause}% -\def\PEDpDEP{\PED\sk\sk\sk\DEP\sk}% -\def\upsoupir#1{\raise#1\Interligne\rlap{\soupir}} -% -\debutmorceau -% call \autolines with musiCtex, not with musiXtex !!! -\ifx\mxversion\undefined\autolines {6}55\relax\fi -\advance\barsinline by 1\relax -\notes|\Uptext{\moyen\kern -20pt Lento \rm(\metron{\qu}{65})}\enotes -\vnotes 0.2\elemskip\uptext{\kern -5mm\ppff - p}|\zcharnote a{\kern -5mm\ppff mp}\enotes - % -\temps\NOtes \upsoupir2\bohlp K|\hu m\enotes -\temps\NOtes\zq{Ma}\qu d\enotes -\temps\NOtes\zq{Maf}\qu d|\qu m\enotes - % mesure 2 -\barre\NOtes \upsoupir2\bohlp{^J}|\upsoupir{-2}\hup l\enotes -\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes -\temps\NOtes\zq{LN}\qu{c}|\zq h\qu e\enotes - %\check - % mesure 3 -\barre\NOtes \upsoupir2\bohlp K|\hu m\enotes -\temps\NOtes\zq{Ma}\qu d\enotes -\temps\NOtes\zq{ad}|\zql f\qu m\enotes - % mesure 4 -\barre\NOtes \upsoupir2\bohlp{=J}|\upsoupir{-2}\hup n\enotes -\temps\NOtes\zq{LN}\qu{=c}|\qu e\enotes -\temps\NOtes\zq{LN}\qu{c}|\zq g\qu e\enotes - % mesure 5 -\barre\NOtes \upsoupir2\bohup F|\upsoupir{-2}\hu o\enotes -\temps\NOtes\zq{Ma}\qu c|\qu f\enotes -\temps\NOtes\zq{Mac}|\zql f\zq h\qu o\enotes - % mesure 6 -\barre\NOtes \upsoupir2\bohlp{H}|\qu q\enotes -\temps\NOtes\zq{Ma}\qu{c}|\qu o\enotes -\temps\NOtes\zq{Mad}|\zql f\qu m\enotes - % mesure 7 - %\check -\barre\NOtes \upsoupir2\bohlp J|\upsoupir{-2}\hu n\enotes -\temps\NOtes\zq L\qu N|\zq c\qu e\enotes -\temps\NOtes\zq L\qu N|\upsoupir3\zq {ce}\qu g\enotes - % mesure 8 -\barre\NOtes \upsoupir2\bohlp K|\hu o\enotes -\temps\NOtes\zq{Ma}\qu d\enotes -\temps\NOtes\zq{Maf}\qu d|\qu o\enotes - % mesure 9 -\barre\NOtes \upsoupir2\bohlp{H}|\upsoupir{-2}\hup n\enotes -\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes -\temps\NOtes\zq{L}\qu{c}|\zq g\qu e\enotes - % mesure 10 -\barre\NOtes \upsoupir2\bohlp{^J}|\upsoupir{-2}\hu o\enotes -\temps\NOtes\zq{a^c}\qu e|\qu g\enotes -\temps\NOtes\zq{ae}\qu g|\zql h\qu o\enotes - % mesure 11 -\barre\NOtes \upsoupir2\bohup{D}|\upsoupir{-2}\hup m\enotes -\temps\NOtes\zq{KMa}\qu{d}|\upsoupir{-2}\enotes -\temps\NOtes\zq{Ka}\qu{d}|\qu f\enotes - %\check - % mesure 12 -\barre\NOtes \upsoupir2\bohup F|\hu o\enotes -\temps\NOtes\zq{Mad}|\zql f\enotes -\temps\NOtes\zq{ad}|\zq f\zql h\qu o\enotes - %\check - % mesure 13 -\barre\NOtes \upsoupir2\bohlp{H}|\upsoupir{-2}\hup n\enotes -\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes -\temps\NOtes\zq{L}\qu{c}|\zq h\ql e\enotes - %\check - % mesure 14 -\barre\NOtes \upsoupir2\bohup{F}|\qu o\enotes -\temps\NOtes\zq{Mad}|\zql{f}\qu n\enotes -\temps\NOtes\zq{ad}|\zq f\zql{h}\qu m\enotes - %\check - % mesure 15 -\barre\NOtes \upsoupir2\bohup{C}|\hu n\enotes -\temps\NOtes\zq{LNc}\qu{e}|\enotes -\temps\NOtes\zq{Nce}|\upsoupir2\ql g\enotes - %\check - % mesure 16 -\barre\NOtes \upsoupir2\bohup D|\hu m\enotes -\temps\NOtes\zq{KMa}\qu d\enotes -\temps\NOtes\zq{Mad}\qu f|\qu m\enotes - %\check - % mesure 17 -\barre\NOtes \upsoupir2\bohlp G|\hup l\enotes -\temps\NOtes\zq{LN_b}\qu e\enotes -\temps\NOtes\zq{Nbe}\qu g|\enotes - %\check - % mesure 18 -\barre\NOtes \upsoupir2\bohup D|\zcharnote b{\CREsc}\hu {^m}\enotes -\temps\NOtes\zq{K^Ma}\qu d\enotes -\temps\NOtes\zq{Mad}\qu{^f}|\qu m\enotes - %\check - % mesure 19 -\barre\NOtes \upsoupir2\bohup E|\hu{^n}\enotes -\temps\NOtes\zq{L^Nb}\qu e\enotes -\temps\NOtes\zq{Nbe}|\zql{^g}\qu n\enotes - %\check - % mesure 20 -\barre\NOtes \upsoupir2\bohup{^F}|\hu{^o}\enotes -\temps\NOtes\lsh a\zq{^Ma^c}|\ql{^f}\enotes -\temps\NOtes\zq{ac}|\zq f\zql{^h}\qu o\enotes - %\check - % mesure 21 -\barre\NOtes \upsoupir2\bohlp{^G}|\hup{^p}\enotes -\temps\NOtes\lsh b\zq{^Nb^d}|\ql{^g}\enotes -\temps\NOtes\zq{^Mdb}|\zq g\zql{^i}\enotes - %\check - % mesure 22 -\barre\NOtes \upsoupir2\bohlp{=H}|\hup{^q}\enotes -\temps\NOtes\lna a\zq{a^c}|\zq e\ql{=h}\enotes -\temps\NOtes\zq{Lc}|\zq {eg}\ql{^j}\enotes - %\check - % mesure 23 -\barre\NOtes \upsoupir2\bohup{^F}|\qu{^q}\enotes -\temps\NOtes\zq{^Ma^c}|\zql{^f}\qu p\enotes -\temps\NOtes\zq{ac}|\zq f\zql{h}\qu o\enotes - %\check - % mesure 24 -\barre\NOtes \upsoupir2\bohup{^C}|\hup{^n}\enotes -\temps\NOtes\lsh N\zq{^LN^c}|\ql{^e}\enotes -\temps\NOtes\zq{Nb}|\zq e\ql {^g}\enotes - %\check - % mesure 25 -\barre\NOtes \upsoupir2\bohlp{K}|\hu{^m}\enotes -\temps\NOtes\zq{^Mad}|\ql{^f}\enotes -\temps\NOtes\zq{ad}|\zq f\zql {h}\qu m\enotes - %\check - % mesure 26 -\barre\NOtes \upsoupir2\bohlp{^J}|\hup{l}\enotes -\temps\NOtes\lsh N\zq{LN^c}|\ql{e}\enotes -\temps\NOtes\zq{Nc}|\zq e\ql {^g}\enotes - %\check - % mesure 27 -\barre\NOtes \upsoupir2\bohlp{K}\zmidtwotext{\DIMin}|\qu k\enotes -\temps\NOtes\zq{^Ma}\ql d|\qu l\enotes -\temps\NOtes\zq{ad}|\zql {^f}\qu{^m}\enotes - %\check - % mesure 28 -\xbarre\NOtes \upsoupir2\bohlp{^J}|\hu{^j}\enotes -\temps\NOtes\lsh N\zq{^LN^c}|\ql{^e}\enotes -\temps\NOtes\zq{Nb}|\zq e\zql {^g}\upsoupir2\enotes - %\check - % mesure 29 -\barre\NOtes \upsoupir2\bohup{^F}|\bohu{o}\enotes -\temps\NOtes\lna a\zq{^Ma}\ql{^c}|\enotes -\temps\NOtes\zq{Mac}\ql {^f}|\boqu o\enotes - %\check - % mesure 30 -\barre\NOtes \upsoupir2\bohlp{^J}|\bohup{^n}\enotes -\temps\NOtes\lsh N\zq{^LN^c}|\ql{^e}\enotes -\temps\NOtes\zq{Nb}|\zq e\ql {^g}\enotes - %\check - % mesure 31 -\barre\NOtes \upsoupir2\bohup{^F}|\bohu{o}\enotes -\temps\NOtes\lna a\zq{^Ma}\ql{^c}|\enotes -\temps\NOtes\zq{Mac}\qu {^f}|\boqu o\enotes - %\check - % mesure 32 -\barre\NOtes \upsoupir2\bohup{E}|\bohup{p}\enotes -\temps\NOtes\zq{L^Nb}|\ql{e}\enotes -\temps\NOtes\zq{Nb}|\zq d\ql {g}\enotes - %\check - % mesure 33 -\barre\NOtes \upsoupir2\bohlp{H}|\bohu{^q}\enotes -\temps\NOtes\zq{a^ce}|\ql{h}\enotes -\temps\NOtes\zq{Lc}\ql {e}|\boqu q\enotes - %\check - % mesure 34 -\barre\NOtes \upsoupir2\bohlp{^J}|\boqu{s}\enotes -\temps\NOtes\zq{a^c}|\zq{^f}\zql{h}\boqu{^q}\enotes -\temps\NOtes\zq{^Mac}|\zql f\boqu o\enotes - %\check - % mesure 35 -\barre\NOtes \upsoupir2\bohlp{^J}|\bohu{^n}\enotes -\temps\NOtes\lsh e\lsh N\zq{^LN^c}\ql{e}\enotes -\temps\NOtes\zq{LN}\lq b\zql c|\soupir\enotes - %\check - % mesure 36 -\barre\NOtes \upsoupir2\bohup{^F}|\bohu{o}\enotes -\temps\NOtes\lna a\zq{^Ma}\ql{^c}|\enotes -\temps\NOtes\zq{Mac}\ql {^f}|\boqu o\enotes - %\check - % mesure 37 -\barre\NOtes \upsoupir2\bohup{H}|\bohu{=n}\enotes -\temps\NOtes\lna a\zq{=La^c}|\ql{=e}|\enotes -\temps\NOtes\zq{ac}|\zql e\boqu n\enotes - %\check - % mesure 38 -\barre\NOtes \upsoupir3\bohup K|\boqu {^m}\enotes -\temps\NOtes\zq{K^Ma}\qu d|\boqu l\enotes -\temps\NOtes\zq{Ma}\qu{^f}|\boqu k\enotes - %\check - % mesure 39 -\barre\NOtes \upsoupir2\bohup{H}|\bohu{^j}\enotes -\temps\NOtes\zq{La^c}\ql{e}|\enotes -\temps\NOtes\zq{ace}|\zql h\upsoupir2\enotes - %\check - % mesure 40 -\barre\NOtes \upsoupir2\bohup{G}|\bohup{p}\enotes -\temps\NOtes\zq{KNb}\ql{d}|\enotes -\temps\NOtes\zq{Nbd}|\zql g\enotes - %\check - % mesure 41 -\barre\NOtes \upsoupir2\bohup{H}|\bohup{^q}\enotes -\temps\NOtes\zq{La^c}\ql{e}|\enotes -\temps\NOtes\zq{ace}|\ql h\enotes - %\check - % mesure 42 -\barre\NOtes \upsoupir2\bohup{I}|\boqu{^r}\enotes -\temps\NOtes\zq{^Mb^d}|\zql{^f}\boqu{^q}\enotes -\temps\NOtes\zq{bd}|\zq h\zql {f}\qsk\boqu p\enotes - %\check - % mesure 43 -\barre\NOtes \upsoupir2\bohup{E}|\bohup{s}\enotes -\temps\NOtes\zq{LN}\ql{c}|\enotes -\temps\NOtes\zq{Nc}\ql e\enotes - %\check - % mesure 44 -\barre\NOtes \upsoupir2\bohup{G}|\boqu{t}\enotes -\temps\NOtes\zq{KNb}\ql d|\boqu{s}\enotes -\temps\NOtes\zq{Nbd}\zql {f}|\boqu r\enotes - %\check - % mesure 45 -\barre\NOtes \upsoupir2\bohup{C}|\bohu{s}\enotes -\temps\NOtes\zq{LNc}|\ql{e}\enotes -\temps\NOtes\zq{Nc}|\zq e\zql g\boqu s\enotes - %\check - % mesure 46 -\barre\NOtes \upsoupir2\bohup{G}|\bohup{r}\enotes -\temps\NOtes\zq{Nb}\ql e|\enotes -\temps\NOtes\zq{Nb}\ql d|\enotes - %\check - % mesure 47 -\barre\NOtes \upsoupir2\bohup{H}|\boqu{q}\enotes -\temps\NOtes\zq{Lac}\zql{e}|\boqu p\enotes -\temps\NOtes\zq{Lac}\zql e|\boqu o\enotes - %\check - % mesure 48 -\barre\NOtes \qsk\upsoupir2\bohup{G}|\qsk\bohup{_p}\enotes -\temps\NOtes\zq{KN_b}\ql d|\enotes -\temps\NOtes\zq{Nbd}|\ql g|\enotes - %\check - % mesure 49 -\barre\NOtes \zmidtwotext{\it rit.}\upsoupir2\bohup{H}|\bohu{o}\enotes -\temps\NOtes\zq{La^c}\ql e|\enotes -\temps\NOtes\zq{ac}\ql e|\boqu n\enotes - %\check - % mesure 50 -\barre\NOtes \zmidtwotext{\it a tempo}\upsoupir2\bohlp K|\bohu m\enotes -\temps\NOtes\zq{Ma}\qu d\enotes -\temps\NOtes\zq{Maf}\qu d|\boqu m\enotes - % mesure 51 -\barre\NOtes \upsoupir2\bohlp{^J}|\bohup l\enotes -\temps\NOtes\zq{LN^c}\ql e\enotes -\temps\NOtes\zq{LNc}|\zq h\ql e\enotes - %\check - % mesure 52 -\barre\NOtes \upsoupir2\bohlp K|\bohu m\enotes -\temps\NOtes\zq{Ma}\qu d\enotes -\temps\NOtes\zq{M_b}\qu d|\boqu m\enotes - % mesure 53 -\barre\NOtes \upsoupir2\bohlp{=J}|\bohup n\enotes -\temps\NOtes\zq{LN=c}|\ql e\enotes -\temps\NOtes\zq{LNc}|\zq g\ql e\enotes - % mesure 54 -\barre\NOtes \upsoupir2\bohup F|\bohu o\enotes -\temps\NOtes\zq{Mac}|\zql f\enotes -\temps\NOtes\zq{Mac}|\zql f\boqu o\enotes - % mesure 55 -\barre\NOtes \upsoupir2\bohlp{H}|\boqu q\enotes -\temps\NOtes\zq{Ma}\qu{c}|\boqu o\enotes -\temps\NOtes\zq{Ma}\zql d|\boqu m\enotes - % mesure 56 - %\check -\barre\NOtes \upsoupir2\bohlp{^J}|\bohu n\enotes -\temps\NOtes\zq {LN}|\zq{^c}\ql e\enotes -\temps\NOtes\zq L\zq N|\upsoupir3\zq {ce}\ql g\enotes - % mesure 57 -\barre\NOtes \upsoupir2\bohlp K|\bohu o\enotes -\temps\NOtes\zq{Ma}\qu d\enotes -\temps\NOtes\zq{Maf}\qu d|\boqu o\enotes - % mesure 58 -\barre\NOtes \upsoupir2\bohlp{G}|\bohup n\enotes -\temps\NOtes\zq{KN_b}\qu{d}|\enotes -\temps\NOtes\zq{Nbd}|\ql g\enotes - % mesure 59 - %\check -\barre\NOtes \upsoupir2\bohlp{H}|\boqu o\enotes -\temps\NOtes\zq {KMa}\qu d|\boqu n\enotes -\temps\NOtes\zq {Ma}\zql d|\boqu m\enotes - % mesure 60 - %\check -\barre\NOtes \upsoupir2\bohlp{J}|\bohup {_l}\enotes -\temps\NOtes\zq {_LNc}\zql{_e}\enotes -\temps\NOtes\zq {Nce}|\ql g\enotes - % mesure 61 - %\check -\barre\NOtes \upsoupir2\bohlp{K}|\bohu k\enotes -\temps\NOtes\zq {K^Ma}\zql d|\enotes -\temps\NOtes\zq {Mad}\zql{^f}|\soupir\enotes - %\check - % mesure 62 -\barre\NOtes \qsk\upsoupir2\bohup{G}|\bohu{n}\enotes -\temps\NOtes\zq{KN_b}\ql d|\enotes -\temps\NOtes\zq{Nb}\ql d|\boqu n\enotes - % mesure 63 - %\check -\barre\NOtes \upsoupir2\bohlp{F}|\bohup {_o}\enotes -\temps\NOtes\lfl a\zq {=Mac}\zql{=f}|\enotes -\temps\NOtes\zq {acf}|\zql h\enotes - % mesure 64 - %\check -\barre\NOtes \upsoupir2\bohlp{J}|\boqu n\enotes -\temps\NOtes\zq {_LNc}\zql{_e}|\boqu m\enotes -\temps\NOtes\zq {Nc}\zql{g}|\boqu{_l}\enotes - % mesure 65 - %\check -\barre\NOtes \upsoupir2\bohlp{F}|\bohup {_k}\enotes -\temps\NOtes\lfl a\zq {Ma_d}\zql{f}|\enotes -\temps\NOtes\zq {adf}\zql{_h}|\enotes - % mesure 66 - %\check -\barre\NOtes \upsoupir2\bohlp{G}|\cna b\cna i\bohu {i}\enotes -\temps\NOtes\zq {Nb}\zql{=d}|\enotes -\temps\NOtes\zq {bd}\zql{f}|\soupir\enotes - % mesure 67 - %\check -\barre\NOtes \upsoupir2\bohlp{_H}|\zcharnote a{\ppff mf}\bohup {q}\enotes -\temps\NOtes\zq {_ac}|\zq{_e}\zql{_h}\enotes -\temps\NOtes|\zq {ceh}\ql{j}|\enotes - % mesure 68 - %\check -\barre\NOtes \upsoupir2\bohlp{J}|\boqu {_s}\enotes -\temps\NOtes\zq {_ac}|\zq{_e}\zql{_h}\boqu q\enotes -\temps\NOtes|\zq {ceh}\zql{j}\qsk\fl o\boqu {o}\enotes - % mesure 69 - %\check -\barre\NOtes \upsoupir3\bohlp{_L}|\bohup {n}\enotes -\temps\NOtes\zq {_LN_b}\zql{_e}\enotes -\temps\NOtes\zq {Nbe}|\ql{g}\enotes - % mesure 70 - %\check -\barre\NOtes \upsoupir2\bohlp{_H}|\boqu {q}\enotes -\temps\NOtes\zq {_ac}\zql{_e}|\zq{j_l}\boqu {_o}\enotes -\temps\NOtes\zq {ce}|\zql h\zq{lo}\boqu {q}\enotes - % mesure 71 - %\check -\barre\NOtes \qsk\upsoupir3\bohlp{_L}|\qsk\boqu {_p}\enotes -\temps\NOtes\zq {N_b}\zql{_e}|\zq{_i_l}\boqu {n}\enotes -\temps\NOtes\zq {be}|\zql g\zq{ln}\boqu {p}\enotes - % mesure 72 - %\check -\barre\NOtes \qsk\upsoupir3\bohlp{M}|\qsk\boqu {_o}\enotes -\temps\NOtes\zq {_ac}\zql{f}|\zq{_hj}\boqu {m}\enotes -\temps\NOtes\zq {c}\zql f|\zq{jm}\boqu {o}\enotes - % mesure 73 - %\check -\barre\NOtes \qsk\upsoupir3\bohlp{_L}|\qsk\bohup {_p}\enotes -\temps\NOtes\zq {_LN_b}\zql{_e}|\enotes -\temps\NOtes\zq {Nbe}|\zql g\enotes - % mesure 74 - %\check -\barre\NOtes \upsoupir2\bohlp{_H}|\boqu {q}\enotes -\temps\NOtes\zq {_ac}\zql{_e}|\zq{j_l}\boqu {_o}\enotes -\temps\NOtes\zq {ce}|\zql h\zq{lo}\boqu {q}\enotes - % mesure 75 - %\check -\barre\NOtes \qsk\upsoupir3\bohlp{_L}|\qsk\boqu {_p}\enotes -\temps\NOtes\zq {N_b}\zql{_e}|\zq{_i_l}\boqu {n}\enotes -\temps\NOtes\zq {be}|\zql g\zq{ln}\boqu {p}\enotes - % mesure 76 - %\check -\barre\NOtes \qsk\upsoupir3\bohlp{M}|\qsk\boqu {_o}\enotes -\temps\NOtes\zq {_ac}\zql{f}|\zq{_hj}\boqu {m}\enotes -\temps\NOtes\zq {c}\zql f|\zq{jm}\boqu {o}\enotes - % mesure 77 - %\check -\barre\NOtes \upsoupir3\bohlp{J}|\bohup {n}\enotes -\temps\NOtes\zq {=LNc}\zql{=e}|\enotes -\temps\NOtes\zq {Nce}|\zql g\enotes - % mesure 78 - %\check -\barre\NOtes \upsoupir3\bohlp{_K}|\bohu {m}\enotes -\temps\NOtes\zq {M_a_d}\ql{f}|\enotes -\temps\NOtes\zq {KMa}\ql d|\boqu m\enotes - % mesure 79 - %\check -\barre\NOtes \upsoupir3\bohlp{J}|\qsk\bohup {_l}\enotes -\temps\NOtes\zq {_LNc}\ql{_e}|\enotes -\temps\NOtes\zq {Nce}|\ql g\enotes - % mesure 80 - %\check -\barre\NOtes \qsk\upsoupir3\bohlp{_K}|\qsk\zq{f_h}\boqu {_k}\enotes -\temps\NOtes\fl N\fl d\zq {KN_b}\ql{d}|\zq{_g_i}\boqu{_l}\enotes -\temps\NOtes\zq {KM_a}\ql d|\zq{hk}\boqu m\enotes - % mesure 81 - %\check -\barre\NOtes \qsk\upsoupir2\bohlp{J}|\qsk\lna g\zh{=eg}\bohu {j}\enotes -\temps\NOtes\lna L\zq {L=N}\ql{c}|\enotes -\temps\NOtes\zq {Nc}\ql{=e}|\soupir\enotes - %\check - % mesure 82 -\barre\NOtes \upsoupir2\zmidtwotext{\DIMin}\bohup{G}|\bohu{n}\enotes -\temps\NOtes\zq{KN_b}\ql d|\enotes -\temps\NOtes\zq{Nb}\ql d|\boqu n\enotes - %\check - % mesure 83 -\barre\NOtes \upsoupir3\bohlp K|\bohup m\enotes -\temps\NOtes\zq{Ma}\qu d\enotes -\temps\NOtes\zq{Maf}\qu d|\enotes - %\check - % mesure 84 -\barre\NOtes \upsoupir2\bohlp J|\zq{gj}\boqu{_l}\enotes -\temps\NOtes\zq{_LN}\ql c|\boqu{k}\enotes -\temps\NOtes\zq{LN}\qu {_e}|\boqu j\enotes - % mesure 85 - %\check -\barre\NOtes \upsoupir2\bohlp{K}|\bohu k\enotes -\temps\NOtes\zq {K^Ma}\zql d|\enotes -\temps\NOtes\zq {Mad}\zql{^f}|\soupir\enotes - % mesure 86 -\barre\NOtes\uptext{\kern -\Interligne\ppff - p} \upsoupir2\bohlp K|\zcharnote a{\kern -\Interligne\ppff mp}\cna m\hu m\enotes -\temps\NOtes\zq{=Ma}\qu d\enotes -\temps\NOtes\zq{Maf}\qu d|\qu m\enotes - % mesure 87 -\barre\NOtes \upsoupir2\bohlp{^J}|\upsoupir{-2}\hup l\enotes -\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes -\temps\NOtes\zq{LN}\qu{c}|\zq h\qu e\enotes - %\check - % mesure 88 -\barre\NOtes \upsoupir2\bohlp K|\hu m\enotes -\temps\NOtes\zq{Ma}\qu d\enotes -\temps\NOtes\zq{ad}|\zql f\qu m\enotes - % mesure 89 -\barre\NOtes \upsoupir2\bohlp{=J}|\upsoupir{-2}\hup n\enotes -\temps\NOtes\zq{LN}\qu{=c}|\qu e\enotes -\temps\NOtes\zq{LN}\qu{c}|\zq g\qu e\enotes - % mesure 90 -\barre\NOtes \upsoupir2\bohup F|\upsoupir{-2}\hu o\enotes -\temps\NOtes\zq{Ma}\qu c|\qu f\enotes -\temps\NOtes\zq{Mac}|\zql f\zq h\qu o\enotes - % mesure 91 -\barre\NOtes \upsoupir2\bohlp{H}|\qu q\enotes -\temps\NOtes\zq{Ma}\qu{c}|\qu o\enotes -\temps\NOtes\zq{Mad}|\zql f\qu m\enotes - % mesure 92 - %\check -\barre\NOtes \upsoupir2\bohlp J|\upsoupir{-2}\hu n\enotes -\temps\NOtes\zq L\qu N|\zq c\qu e\enotes -\temps\NOtes\zq L\qu N|\upsoupir3\zq {ce}\qu g\enotes - % mesure 93 -\ifx\mxversion\undefined\def\atnextline{\autolines665}\fi % only with musiCtex -\barre\NOtes\upsoupir2\zmidtwotext{\it diminuendo}\bohlp K|\hu m\enotes -\temps\NOtes\zq{Ma}\qu d\enotes -\temps\NOtes\zq{Maf}\qu d|\qu m\enotes - % mesure 94 -\barre\NOtes \upsoupir2\bohlp{H}|\upsoupir{-2}\hup l\enotes -\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes -\temps\NOtes\zq{LN}\qu{c}|\zq h\qu e\enotes - %\check - % mesure 95 -\barre\NOtes \upsoupir2\bohlp K|\hu m\enotes -\temps\NOtes\zq{Ma}\qu d\enotes -\temps\NOtes\zq{ad}|\zql f\qu m\enotes - % mesure 96 -\barre\NOtes \upsoupir2\bohlp{G}|\upsoupir{-2}\hup n\enotes -\temps\NOtes\zq{KN}\qu{_b}|\zq d\qu g\enotes -\temps\NOtes\zq{N}\qu{b}|\zq d\zq g\qu{_i}\enotes - % mesure 97 -\barre\NOtes \upsoupir2\bohup F|\upsoupir{-2}\hu o\enotes -\temps\NOtes\zq{Ma}\qu c|\qu f\enotes -\temps\NOtes\zq{Mac}|\zql f\zq h\qu o\enotes - % mesure 98 -\barre\NOtes \upsoupir2\bohlp{H}|\qu q\enotes -\temps\NOtes\zq{Ma}\qu{c}|\qu o\enotes -\temps\NOtes\zq{Mad}|\zql f\qu m\enotes - % mesure 99 -\barre\NOtes \upsoupir2\bohlp{H}|\hup l\enotes -\temps\NOtes\zq{Lae}\qu{^c}\enotes -\temps\NOtes\zq{ace}|\ql g\enotes - % mesure 100 -\barre\NOtes \pointdurgue{!`D}\upsoupir2\bohup{D}\zmidtwotext{\it rall.}\relax - |\pointdorgue n\hup k\enotes -\temps\NOtes\zq{Mad}|\ql f\enotes -\temps\NOtes\pointdorgue d\zq{Ma}\ql d\enotes -\mulooseness 1\relax -\finmorceau - \rightline{\sl \aujourdhui}\eject -\bye - - - - - - diff --git a/macros/musixtex/doc/examples/ilestne.tex b/macros/musixtex/doc/examples/ilestne.tex deleted file mode 100644 index dd9ce0b018..0000000000 --- a/macros/musixtex/doc/examples/ilestne.tex +++ /dev/null @@ -1,22 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi -\resetfacteurs\advance\staffbotmarg by 2\Interligne -\barsinline=0\relax\linesinpage=0\relax -\def\Transpose{0}\relax -\def\Signature{1}\relax % un dieze a la clef -\input ilestnex -\resetfacteurs\advance\staffbotmarg by 2\Interligne -\barsinline=0\relax\linesinpage=0\relax -\def\Transpose{-1}\relax -\def\Signature{-1}\relax % un bemol a la clef -\input ilestnex -\resetfacteurs\advance\staffbotmarg by 2\Interligne -\barsinline=0\relax\linesinpage=0\relax -\def\Transpose{-2}\relax -\def\Signature{-3}\relax % un bemol a la clef -\input ilestnex -\bye - diff --git a/macros/musixtex/doc/examples/ilestnex.tex b/macros/musixtex/doc/examples/ilestnex.tex deleted file mode 100644 index c264edb937..0000000000 --- a/macros/musixtex/doc/examples/ilestnex.tex +++ /dev/null @@ -1,202 +0,0 @@ -\fulltitle{Il est n\'e, le divin enfant} -\title{Il est n\'e, le divin enfant} -\author{traditionnel\\Harmonisation Pierre Darmon} -\shortauthor{traditionnel} -\maketitle - -\tracingstats=1\relax -\relativeaccidentals -\sepbarrules -% -\bigskip -% au moins deux croches basses et hautes -\def\dql#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% -\def\dqu#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% -\def\dqh{\dqu}\def\dqb{\dql}% -% -% -% soufflets crescendo et decrescendo -% -\def\soufflcr#1{\zcharnote{#1}{\kern -1cm\cresc}}% -\def\Soufflcr#1{\zcharnote{#1}{\kern -1cm\CResc}}% -% -\def\souffldim#1{\zcharnote{#1}{\kern -1cm\dimin}}% -\def\Souffldim#1{\zcharnote{#1}{\kern -1cm\DImin}}% -% -%\check -\def\nbinstruments{2}\resetsignatures -\barsinline=0\relax\linesinpage=0\relax -\global\nbporteesi=1\relax -\global\nbporteesii=1\relax -\global\cleftoksi={{6}{0}{0}{0}}% -\global\cleftoksii={{0}{0}{0}{0}}% -\songbottom{1} % to be used to make heavy bars at staff left -\songtop{2} % to be used to make heavy bars at staff left -% -\ifx\Signature\undefined\def\Signature{1}\fi -\ifx\Transpose\undefined\def\Transpose{0}\fi -% -\signaturegenerale{\Signature}% -\generalmeter{\meterfrac{4}{4}} -%\check -\def\interfacteur{12}% -\def\instrumenti{\vbox{\hsize=\parindent -\centerline{T\'enors}\centerline{basses}}}% -\def\instrumentii{\vbox{\hsize=\parindent -\centerline{Sopran.}\centerline{Altos}}}% -%\check -\def\respire{\notes&\cbreath\enotes}% -% -\def\eightpoint{\Tenpoint}% -%\check -\catcodesmusic - -\def\txt#1|#2|#3&{{\vbox to 0pt{\Smalltype\baselineskip 9pt -\vss\hrule width 9pt height 0pt -\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote - #3\kern\internote}\smallskip -\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote - #2\kern\internote}\smallskip -\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote - #1\kern\internote}\kern -12pt}}}% - % -\def\interfacteur{16}% -% -\debutmorceau -\autolines 784\relax -\transpose=\Transpose -\notes&\Uptext{\raise 2\Interligne\hbox{\moyen Lent}}\enotes - % -% -\Notes\zql N\qu b&\hsong{\txt |Il |&}\qu d\enotes -\temps\Notes\zql N\qu b&\hsong{\txt |est|&}\qu g\enotes -% -%\check -\barre\Notes\zql N\qu b&\hsong{\txt |n\'e|&}\qu g\enotes -\notes\rlap{\dqb NK}\dqu db&\zsong{\txt |le di-|&}\thelyrics\dqu ig\enotes -% -%\check -\barre\Notes\zql I\qu N&\hsong{\txt |vin|&}\qu d\enotes -\temps\notes\zqu b\dql KM&\hsong{\txt |en-|&}\qu g\enotes -% -%\check -\barre\hardlyrics{\txt |fant !|&}\notes\zql N\qu b&\hsong\thelyrics\qu g\enotes -\temps\Notes\soupir&\soupir\enotes -% -%\check -\barre\Notes\zql N\qu b&\hsong{\txt |Jou-|&}\qu g\enotes -\temps\notes\rlap{\dqb NM}\dqu bc&\zsong{\txt |ez haut-|&}\dqu gh\enotes -% -%\check -\barre\hardlyrics{\txt |bois, |&}\notes\zql L\qu d&\hsong\thelyrics\ql i\enotes -\temps\notes\rlap{\dqb NL}\dqu ed&\zsong{\txt |r\'eson-|&}\dql ji\enotes -% -%\check -\barre\Notes\zql M\qu c&\hsong{\txt |nez|&}\qu h\enotes -\temps\Notes\zql L\qu b&\hsong{\txt |mu-|&}\qu g\enotes -% -%\check -\barre\Notes\zql K\qu c&\hsong{\txt |set-|&}\qu h\enotes -\temps\notes\zcl M\cu c&\zsong{\txt |tes |&}\cu d\enotes -\temps\notes\ds&\ds\enotes -% -%\check -\barre\notes\zql N\qu b&\hsong{\txt |Il |&}\zql d\dqu nm\enotes -\temps\notes\zql N\qu b&\zsong{\txt |est |&}\zql g\dqu lk\enotes -% -%\check -\barre\notes\zql N\qu b&\hsong{\txt |n\'e |&}\zql g\dqu lk\enotes -\temps\notes\rlap{\dqb NK}\dqu db&\zsong{\txt |le di-|&}% - \Ibl0 ig1\zqb0 i\loff{\Ibu1ji1\qh1j}\tbl0\zqb0g\tqh1i\enotes -% -%\check -\barre\notes\zql I\qu N&\hsong{\txt |vin|&}\zql d\dqu ji\enotes -\temps\notes\zqu b\dql KM&\hsong{\txt |en-|&}\zql g\qsk\dqu hg\enotes -% -%\check -\barre\hardlyrics{\txt |fant !|&}\notes\zql N\qu b&\hsong\thelyrics\zql g\qu k\enotes -\temps\Notes\soupir&\soupir\enotes -% -%\check -\barre\hardlyrics{\txt |Chan-|&}\notes\zql N\qu b&\hsong\thelyrics\zql g\qu k\enotes -\temps\notes\zql M\dqu ca&\zsong{\txt |tons|&}\zql h\qu k\enotes -% -%\check -\barre\hardlyrics{\txt |tous |&}\notes\zql L\qu N&\hsong\thelyrics\zql i\qu l\enotes -\temps\notes\rlap{\dqb LJ}\qu a&\zsong{\txt |son a-|&}\zqu l\dql ji\enotes -% -%\check -\barre\Notes\zql K\qu d&\hsong{\txt |v\`e-|&}\zql h\qu m\enotes -\temps\Notes\zql K\qu c&\hsong{\txt |ne-|&}\zql k\qu m\enotes -% -%\check -\barre\NOTes\zhl N\hu b&\hsong{\txt |ment|&}\zhl g\zh k\hu n\enotes -\setdoublebar -% -%\check -\barre\Notes\itenu0N\tten0\itenu0N\hl N&\hsong{\txt |De-|&}\zql g\qu i\enotes -\temps\Notes&\hsong{\txt |puis|&}\zql h\qu j\enotes -% -%\check -\barre\Notes\tten0\itenu0N\hl N&\hsong{\txt |plus|&}\zql i\qu k\enotes -\temps\notes&\zsong{\txt |de qua-|&}\rlap{\dqb hg}\dqu ji\enotes -% -%\check -\barre\Notes\tten0\itenu0N\hl N&\hsong{\txt |tre|&}\zql h\qu j\enotes -\temps\Notes&\hsong{\txt |mille|&}\zql j\qu l\enotes -% -%\check -\barre\NOtes\tten0\itenu0N\hl N&\hsong{\txt |ans|&}\zhl i\hu k\enotes -% -%\check -\barre\Notes\tten0\itenu0N\hl N&\hsong{\txt |Nous|&}\zql g\qu i\enotes -\temps\Notes&\hsong{\txt |le|&}\zql h\qu j\enotes -% -%\check -\barre\Notes\tten0\itenu0N\hl N&\hsong{\txt |pro-|&}\zql i\qu k\enotes -\temps\notes&\zsong{\txt |mettaient|&}\rlap{\dqb ji}\dqu lk\enotes -% -%\check -\barre\Notes\tten0\itenu0N\hl N&\hsong{\txt |les|&}\zql h\qu j\enotes -\temps\Notes&\hsong{\txt |pro-|&}\zql g\qu i\enotes -% -%\check -\barre\Notes\tten0\qlp N&\hsong{\txt |ph\`e-|&}\zql g\qu i\enotes -\temps\notes&\hsong{\txt |tes|&}\zcl f\cu h\enotes -\temps\notes\ds&\ds\enotes -% -%\check -\barre\Notes\ql N&\hsong{\txt |De-|&}\zql g\qu i\enotes -\temps\Notes\ql M&\hsong{\txt |puis|&}\zql h\qu j\enotes -% -%\check -\barre\Notes\ql L&\hsong{\txt |plus|&}\zql i\qu k\enotes -\temps\notes\dqb MN&\zsong{\txt |de qua-|&}\rlap{\dqb hg}\dqu ji\enotes -% -%\check -\barre\Notes\ql K&\hsong{\txt |tre|&}\zql h\qu j\enotes -\temps\Notes\ql N&\hsong{\txt |mille|&}\zql j\qu l\enotes -% -%\check -\barre\NOtes\hl N&\hsong{\txt |ans|&}\zhl i\hu k\enotes -% -%\check -\barre\Notes\ql N&\hsong{\txt |Nous|&}\zql g\qu i\enotes -\temps\Notes\ql M&\hsong{\txt |at-|&}\zql h\qu j\enotes -% -%\check -\barre\Notes\ql L&\hsong{\txt |ten-|&}\zql i\qu k\enotes -\temps\notes\dqb aL&\zsong{\txt |dions cet|&}\rlap{\dqb ji}\dqu lk\enotes -% -%\check -\barre\Notes\ql M&\hsong{\txt |heu-|&}\zql h\qu j\enotes -\temps\notes\dql LI&\zsong{\txt |reux|&}\zql g\qu i\enotes -% -%\check -\barre\NOtes\hl K&\hsong{\txt |temps.|&}\zhl f\hu h\enotes -% -\finmorceau -\medskip\rightline{\it le \aujourdhui} -\absoluteaccidentals -\vfil\eject - diff --git a/macros/musixtex/doc/examples/ilfaitda.tex b/macros/musixtex/doc/examples/ilfaitda.tex deleted file mode 100644 index 25a596e928..0000000000 --- a/macros/musixtex/doc/examples/ilfaitda.tex +++ /dev/null @@ -1,18 +0,0 @@ - -\resetfacteurs\advance\staffbotmarg by 2\Interligne -\barsinline=0\relax\linesinpage=0\relax -\def\Transpose{0}% -\def\Signature{0}\relax % -\input ilfaitdx -\resetfacteurs\advance\staffbotmarg by 2\Interligne -\barsinline=0\relax\linesinpage=0\relax -\def\Transpose{-1}\relax -\def\Signature{-2}\relax % deux diezes a la clef -\input ilfaitdx -\resetfacteurs\advance\staffbotmarg by 2\Interligne -\barsinline=0\relax\linesinpage=0\relax -\def\Transpose{-2}\relax -\def\Signature{+3}\relax % un bemol a la clef -\input ilfaitdx -\bye - diff --git a/macros/musixtex/doc/examples/ilfaitdx.tex b/macros/musixtex/doc/examples/ilfaitdx.tex deleted file mode 100644 index 009d000f54..0000000000 --- a/macros/musixtex/doc/examples/ilfaitdx.tex +++ /dev/null @@ -1,171 +0,0 @@ -\fulltitle{Il fait danser les mondes} -\shorttitle{Il fait danser les mondes} - \fullauthor{Jean-S‚bastien Bach\\Transposition -Daniel Taupin\\paroles Jacques Tournier} - \shortauthor{J.-S. Bach} - \maketitle - % -\tracingstats=1\relax -\relativeaccidentals -\sepbarrules - % -\parindent 15mm - % soufflets crescendo et decrescendo - % -\def\soufflcr#1{\zcharnote{#1}{\kern -0.5cm\cresc}}% -\def\Soufflcr#1{\zcharnote{#1}{\kern -0.5cm\CResc}}% - % -\def\souffldim#1{\zcharnote{#1}{\kern -0.5cm\dimin}}% -\def\Souffldim#1{\zcharnote{#1}{\kern -0.5cm\DImin}}% - % - %au moins deux croches basses et hautes -\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% -\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% - % - %\check -\def\nbinstruments{2}\resetsignatures -\global\nbporteesi=1\relax -\global\nbporteesii=1\relax -\global\cleftoksi={{6}{0}{0}{0}}% -\global\cleftoksii={{0}{0}{0}{0}}% -\def\lowersonginstrum{1} % to be used to make heavy bars at staff left -\def\uppersonginstrum{2} % to be used to make heavy bars at staff left - % -\signaturegenerale{\Signature}% -\generalmeter{\meterC} - %\check -\def\interfacteur{20}% -\def\instrumenti{\vbox{\hsize=\parindent -\centerline{T\'enors}\centerline{basses}}}% -\def\instrumentii{\vbox{\hsize=\parindent -\centerline{Sopran.}\centerline{Altos}}}% - %\check - % -\def\eightpoint{\Tenpoint}% - %\check -\catcode`\@=13 -\catcodesmusic - % -\def\respire{\notes&\cbreath\enotes}% - % -\def\txt#1|#2|#3&{{\vbox to 0pt{\Smalltype\baselineskip 9pt -\vss\hrule width 9pt height 0pt -\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote - #3\kern\internote}\smallskip -\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote - #2\kern\internote}\smallskip -\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote - #1\kern\internote}\kern -12pt}}}% - % -\elemskip 20pt\relax -\debutmorceau - %\autolines 754\relax - \transpose=\Transpose - \qspace - % - \NOtes\zql J\qu L&\hsong{\txt Chaque|Il|Il&}\zql N\qu c\enotes - \barre %1 -\hardlyrics{\txt homme |est|fait&}\notes\zql L\qu N&\hsong\thelyrics\zql c\qu g\enotes - \Notes\zql J\qu c&\hsong{\txt est |en |dan-&}\zql e\qu g\enotes - \Notes\zql M\qu c&\hsong{\txt son |cha-|ser &}\zql f\qu h\enotes - \Notes\zql{^G}\qu b&\hsong{\txt re-|que |les &}\zql e\qu i\enotes - % - %\check - \barre %2 - \NOtes\zhl H\hu a&\hsong{\txt fu- |pier-|mon-&}\zhl e\hu j\enotes - \Notes\zql H\qu a&\hsong{\txt ge |re |des &}\zql e\qu j\enotes - \Notes\zql a\qu c&\hsong{\txt Il |En |Les &}\zql h\qu l\enotes - % - %\check - \barre %3 - \Notes\zql M\qu a&\hsong{\txt se |cha-|as-&}\zql h\qu k\enotes - \Notes\zql K\qu a&\hsong{\txt re-|que |tres &}\zql f\qu j\enotes - \Notes\zql N\qu N&\hsong{\txt pose |c\oe ur |les &}\zql e\qu j\enotes - \Notes\zql G\qu N&\hsong{\txt en |vi-|sau-&}\zql d\qu i\enotes - % - %\check - \barre %4 - \NOTes\zhlp J\hup N&\hsong{\txt lui, |vant |sons &}\zhlp e\hup j\enotes - \Notes\zql J\qu L&\hsong{\txt Mais |Au |Il &}\zql N\qu c\enotes - % - %\check - \barre %5 - \Notes\zql L\qu N&\hsong{\txt y |cen-|pŠ-&}\zql c\qu g\enotes - \Notes\zql J\qu c&\hsong{\txt p‚-|tre |se &}\zql e\qu g\enotes - \hardlyrics{\txt nŠtre |de |juge &}\notes\zql M\qu c&\hsong\thelyrics\zql f\qu h\enotes - \Notes\zql{^G}\qu b&\hsong{\txt en |la |et &}\zql e\qu i\enotes - % - %\check - \barre %6 - \NOtes\zhl H\hu a&\hsong{\txt Ju- |ter-|son-&}\zhl e\hu j\enotes - \Notes\zql H\qu a&\hsong{\txt ge |re |de &}\zql e\qu j\enotes - \Notes\zql a\qu c&\hsong{\txt L'‚- |Au |Ren-&}\zql h\qu l\enotes - % - %\check - \barre %7 - \hardlyrics{\txt prouve |fond |ver-&}\notes\zql M\qu a&\hsong\thelyrics\zql h\qu k\enotes - \Notes\zql K\qu a&\hsong{\txt et |des |se &}\zql f\qu j\enotes - \Notes\zql N\qu N&\hsong{\txt le |o-|les &}\zql e\qu j\enotes - \Notes\zql G\qu N&\hsong{\txt con-|c‚-|pri-&}\zql d\qu i\enotes - % - %\check - \barre %8 - \NOTes\zhlp J\hup N&\hsong{\txt duit. |ans. |sons. &}\zhlp e\hup j\enotes - \notes\zql J\qu L&\zsong{\txt L'a |Il |Il &}\rlap{\dqb ef}\dqh jk\enotes - % - %\check - \barre %9 - \notes\zqu c\dqb cb&\zsong{\txt fait |fait |per-&}\zql g\qu l\enotes - \notes\zqu c\dqb aN&\zsong{\txt … |ger-|ce &}\zql h\qu l\enotes - \Notes\zql {^M}\qu d&\hsong{\txt son |mer |l'im-&}\zql h\qu k\enotes - \Notes\zql K\qu d&\hsong{\txt i-|les |pos-&}\zql {^f}\qu j\enotes - % - %\check - \barre %10 - \notes\zhl N\dqh dc&\zsong{\txt ma-|grai-|tu-&}\rlap{\dqb g{^f}}\dqh ih\enotes - \Notes\qu d&\hsong{\txt -- |--|-- &}\zql g\qu i\enotes - \Notes\zql G\qu b&\hsong{\txt ge |nes, |re &}\zql d\qu g\enotes - \Notes\zql {=M}\qu d&\hsong{\txt D'a-|Di-|A-&}\zql g\qu i\enotes - % - %\check - \barre %11 - \Notes\zql L\qu c&\hsong{\txt mour |ri-|bais-&}\zql g\qu j\enotes - \Notes\zql K\qu d&\hsong{\txt et |ge |se &}\zql f\qu i\enotes - \Notes\zql J\qu e&\hsong{\txt de |les |les &}\zql e\qu h\enotes - \notes\zql K\dqh dc&\hsong{\txt bon-|ruis-|plus &}\zql{^f}\qu h\enotes - % - %\check - \barre %12 - \NOTes\zhlp G\hup b&\hsong{\txt heur |seaux |forts &}\zhlp d\hup g\enotes - \Notes\zql I\qu N&\hsong{\txt Et |Fait |D‚-&}\zql d\qu g\enotes - % - %\check - \barre %13 - \notes\zql J\qu N&\hsong{\txt l'at-|jail-|mas-&}\rlap{\dqb cd}\dqh ef\enotes - \Notes\zql {_I}\qu c&\hsong{\txt tend |lir |que &}\zql e\qu g\enotes - \notes\zqu c\dqb H{=I}&\hsong{\txt au |les |le &}\zql f\qu h\enotes - \notes\zql {^J}\qu {_b}&\hsong{\txt ri-|fon-|par-&}\zql e\qu g\enotes - % - %\check - \barre %14 - \Notes\zhl K\hu a&\hsong{\txt va-|tai-|ju-&}\islurd1e\isluru2g\zql e\qu g\enotes - \Notes&\hsong{\txt --|--|--&}\tslur1d\tslur2f\zql d\qu f\enotes - \Notes\zql H\qu a&\hsong{\txt ge |nes, |re &}\zql c\qu e\enotes - \Notes\zql {_I}\qu L&\hsong{\txt Dont |Et |Et &}\zql c\qu g\enotes - % - %\check - \barre %15 - \Notes\zql H\qu M&\hsong{\txt il |chan-|com-&}\zql c\qu f\enotes - \hardlyrics{\txt est |ter |mande &}\notes\zql G\qu N&\hsong\thelyrics\zql c\qu e\enotes - \Notes\cNa F\zql F\qu a&\hsong{\txt le |les |… &}\roff{\zql c}\qu d\enotes - \notes\zql G\dqh NM&\zsong{\txt Sei-|oi-|la &}\zql b\qu d\enotes - % - %\check - \barre %16 - \NOTes\zhlp J\hup L&\hsong{\txt gneur.|seaux.|mort.&}\zhlp N\hup c\enotes - \finmorceau -\medskip\rightline{\it le \aujourdhui} -\absoluteaccidentals -\vfil\eject - -\endinput diff --git a/macros/musixtex/doc/examples/kinder.tex b/macros/musixtex/doc/examples/kinder.tex deleted file mode 100644 index d5869d25ab..0000000000 --- a/macros/musixtex/doc/examples/kinder.tex +++ /dev/null @@ -1,125 +0,0 @@ -\input musixtex -\input musixplt -\input soul.sty % comment out this line and the next line if soul.sty not available -\sodef{\so}{}{0.15em}{0.5em}{0.5em} -\smallmusicsize -\geometricskipscale -\input musixps -\nohalfties -\def\pstiehgt{0.5} -\def\psslurhgt{1} -\def\qqsk{\off{0.25\elemskip}} -\input musixsty -\setclef1\bass\setbassclefsymbol1\bassoct -\setclef4\treble\settrebleclefsymbol4\trebleoct -\setname1{Bass Recorder} -\setname2{Tenor Recorder} -\setname3{Treble Recorder} -\setname4{Descant Recorder} -\advance\parindent by 18ex -\fulltitle{\BIgfont\so{Von fremden Ländern und Menschen}} -\subtitle{From {\rm Kinderszenen} (Scenes from Childhood), Opus~15 No.1} -\othermention{Arranged for Recorders by R. D. Tennent} -\author{Robert Schumann {\sc (1810--1856)}} -\hsize=7.275in -\vsize=9.5in -\hoffset=8.5in\advance\hoffset-\hsize\divide\hoffset2\advance\hoffset-1.0in -\voffset=11in\advance\voffset-\vsize\divide\voffset2\advance\voffset-1.0in -\def\outmorceau{\shipout\vbox{\vbox to \vsize{\vss\pagecontents\vss}\line{% -\hss\rm \copyright\ R.D. Tennent {\sc 2014}.\quad Licensed under a Creative Commons Attribution--Share Alike license.\hss}}} -\maketitle -\generalsignature{1} -\relativeaccid -\instrumentnumber4 -\songbottom{1}\songtop{4} -\setmeter1{{\meterfrac24}} -\setmeter2{{\meterfrac24}} -\setmeter3{{\meterfrac68}} -\setmeter4{{\meterfrac24}} -\stafftopmarg=7.0\Interligne% -\staffbotmarg=7.0\Interligne% -\setinterinstrument1{2.5\internote} -\startbarno=1 -\nobarnumbers -\def\raisebarno{8\internote}% -\def\shiftbarno{-1.0\Interligne}% -\startpiece\addspace\afterruleskip% -\systemnumbers -\znotes\zcharnote{e}{\ppff \kern-3ex mezzo staccato}&&&\en -\notes\qa N&\qa i&\ds\ibl1k5\qb1{k}\tqb1n&\isluru1k\qa i\en -\notes\qa{^J}&\qa{_i}&\ds\ibl1l5\qb1{l}\tqb1n&\qa n\en -\bar%2 -\notes\qa K&\qa h&\ds\ibl1k5\qb1{k}\tqb1m&\ibl2m{-2}\qb2{.m}\sk\hroff{\tbbl2\tqb2l}\en -\notes\qa M&\qa j&\ds\ibl1k5\qb1{k}\tqb1o&\tslur1l\qa k\en -\bar%3 -\notes\qa N&\qa i&\ds\ibl1k5\qb1{k}\tqb1n&\isluru1k\qa i\en -\notes\qa{^J}&\qa{_i}&\ds\ibl1l5\qb1{l}\tqb1n&\qa n\en -\bar%4 -\notes\qa K&\qa h&\ds\ibl1k5\qb1{k}\tqb1m&\ibl2m{-2}\qb2{.m}\sk\hroff{\tbbl2\tqb2l}\en -\notes\qa M&\qa j&\ds\ibl1k5\qb1{k}\tqb1o&\tslur1l\qa k\en -\bar%5 -\notes\qa N&\qa i&\ds\ibl1k5\qb1{k}\tqb1n&\isluru1k\qa i\en -\notes\qa{I}&\itied1g\qa g&\ds\ibl1k5\qb1{k}\tqb1n&\qa n\sk\sk\en -\bar%6 -\notes\qa J&\ttie1\qa g&\ds\ibl1l5\qb1{l}\tqb1n&\ibl2l{-2}\qb2{.l}\sk\hroff{\tbbl2\tqb2k}\en -\notes\qa L&\qa g&\ds\ibl1j{5}\qb1{j}\tqb1n&\qa j\sk\sk\tfslur1o\en -\bar%7 -\notes\qa K&\qa g&\ds\ibl1j{5}\qb1{j}\tqb1n&\isluru1o\qa h\en -\notes\qa{K}&\qa f&\ds\ibl1j5\qb1{j}\tqb1m&\qa k\en -\bar%8 -\notes\qa G&\qa d&\ds\ibl1i5\qb1{i}\tqb1n&\tfslur1k\ha i\en -\notes\qp&\qa g&\ds\ibl1i5\qb1{i}\tqb1n&\en -\setmeter3{{\meterfrac24}}% -\setmeter2{{\meterfrac68}}% -\setleftrightrepeat%9 -\changecontext% -\notes\zcharnote{A}{\ppff tenuto}\qa L&\ds\ibl1i5\qb1{i}\tqb1l&\qa n&\isluru1j\qa i\en -\notes\qa H&\ds\ibl1h5\qb1{h}\tqb1l&\qa o&\qa j\en -\bar%10 -\notes\ibu0K{-2}\qb0{.K}\sk\hroff{\tbbu0\tqh0J}&\ds\ibl1h{5}\qb1{h}\tqb1k&\qa m&\qa h\en -\notes\qa I&\ds\ibl1g5\qb1{g}\tqb1k&\qa n&\tslur1j\qa i\en -\bar%11 -\notes\qa J&\ds\ibu1h5\qb1{g}\tqh1j&\qa l&\isluru1n\qa g\en -\notes\off{6pt}{\smallnotesize\zqu M}\qu F&\ds\ibu1h5\qb1{f}\tqh1j&\qa l&\qa h\sk\sk\en -\bar%12 -\notes\ibu0I{-2}\qb0{.I}\sk\hroff{\tbbu0\tqh0H}&\ds\ibu1g5\qb1{f}\tqh1{i}&\qa{^k}&\qa f\en -\notes\qa G&\ds\ibu1g5\qb1{g}\tqh1i&\qa{=k}&\tfslur1n\qa g\en -\setmeter3{{\meterfrac24}}% -\setmeter4{{\meterfrac68}}% -\changecontext%13 -\znotes&&&\zcharnote{s}{\ppff ritardando}\en -\notes\qa J&\qa c&\ds\ibu1h5\qb1{g}\tqh1j&\isluru1m\qa e\en -\notes\qa J&\qa d&\ds\ibu1i5\qb1{h}\tqh1k&\qa f\en -\bar%14 -\notes\ibu0I{-2}\qb0{.I}\sk\hroff{\tbbu0\tqh0H}&\fermataup l\ha d&\ds\ibl1g5\qb1{g}\tqb1k&\ibu2g1\qb2{.g}\sk\hroff{\tbbu2\tqh2h}\hqsk\en -\notes\fermataup N\qa G&&\ds\ibl1h{5}\qb1{h}\fermataup l\tqb1k&\ibl2i1\fermataup l\qb2{.i}\sk\tfslur1n\qqsk\roff{\tbbl2\tqb2j}\hqsk\en -\bar%15 -\znotes&&&\zcharnote{t}{\kern-2ex\ppff a tempo}\en -\notes\zcharnote{e}{\ppff \kern-3.0ex mezzo staccato}\qa N&\qa i&\ds\ibl1k5\qb1{k}\tqb1n&\isluru1m\qa k\en -\notes\qa{^J}&\qa{_i}&\ds\ibl1l5\qb1{l}\tqb1n&\qa n\en -\bar%16 -\notes\qa K&\qa h&\ds\ibl1k5\qb1{k}\tqb1m&\ibl2m{-2}\qb2{.m}\sk\hroff{\tbbl2\tqb2l}\en -\notes\qa M&\qa j&\ds\ibl1k5\qb1{k}\tqb1o&\tslur1l\qa k\en -\bar%17 -\notes\qa N&\qa i&\ds\ibl1k5\qb1{k}\tqb1n&\isluru1k\qa i\en -\notes\qa{^J}&\qa{_i}&\ds\ibl1l5\qb1{l}\tqb1n&\qa n\en -\bar%18 -\notes\qa K&\qa h&\ds\ibl1k5\qb1{k}\tqb1m&\ibl2m{-2}\qb2{.m}\sk\hroff{\tbbl2\tqb2l}\en -\notes\qa M&\qa j&\ds\ibl1k5\qb1{k}\tqb1o&\tslur1l\qa k\en -\bar%19 -\notes\qa N&\qa i&\ds\ibl1k5\qb1{k}\tqb1n&\isluru1k\qa i\en -\notes\qa{I}&\itied1g\qa g&\ds\ibl1k5\qb1{k}\tqb1n&\qa n\sk\sk\en -\bar%20 -\notes\qa J&\ttie1\qa g&\ds\ibl1l5\qb1{l}\tqb1n&\ibl2l{-2}\qb2{.l}\sk\hroff{\tbbl2\tqb2k}\en -\notes\qa L&\qa g&\ds\ibl1j{5}\qb1{j}\tqb1n&\qa j\en -\bar%21 -\notes\qa K&\qa g&\ds\ibl1j{5}\qb1{j}\tqb1n&\qa h\en -\notes\qa{K}&\qa f&\ds\ibl1j5\qb1{j}\tqb1m&\qa k\en -\bar%22 -\notes\ha G&\ha d&\ds\ibl1i5\qb1{i}\tqb1n&\thslur1k\ha i\en -\notes&&\ds\ibl1i5\qb1{i}\tqb1n&\en -\mulooseness0% -\setrightrepeat% -\endpiece -\eject -\end diff --git a/macros/musixtex/doc/examples/kv315.tex b/macros/musixtex/doc/examples/kv315.tex deleted file mode 100644 index 390d5d0030..0000000000 --- a/macros/musixtex/doc/examples/kv315.tex +++ /dev/null @@ -1,827 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi -\title{Andante KV 315}\subtitle{pour fl\^ute et orchestre} -\author{W. A. Mozart\\transcription pour fl\^ute, hautbois et orgue\\D. Taupin} -\shortauthor{W. A. Mozart / D. Taupin} -\maketitle - -\parindent 2cm -\generalsignature{0} -\instrumentnumber{3} - %\setname1{P\'edale 16'} -\setname1{Orgue} -\setname2{\vbox{\hbox{Haubois}\hbox{Violon}}} -\setname3{Fl\^ute} -\setstaffs12 -\setclef1{6000} -\ifx\orgue\undefined\else\setsize2{0.64}\setsize3{0.64}\fi -\ifx\oboe\undefined\else\setsize1{0.64}\setsize3{0.64}\fi -\ifx\flute\undefined\else\setsize2{0.64}\setsize1{0.64}\fi -\generalmeter{\meterfrac 24} -\def\dble{\multnoteskip 2} - -\debutmorceau -\zbarre -\NOTes\zq J\ql N\zq G\ql N|\zq c\qu e\zq d\qu f&\ql j\ql i&\multnoteskip{0.7}\sk\pause\enotes -% -\barre %2 -\NOtes - \ibl0K0\upz a\zq N\qb0J\upz b\zq N\qb0 b\relax - |\Ibu1eg2\lpz c\zq c\qh1e\qh1g\relax - &\Ibl2jl2\qb2j\zcharnote n{\it tr}\multnoteskip{0.6}\qb2k\relax - {\multnoteskip{0.4}\tinynotesize\Ibbu3jk1\qh3j\tqh3k}\relax - &\soupir\enotes -\NOtes - \zq J\upz c\tqb0c|\tqh1g\relax - &\tqb2l&\ds\enotes -\notes\ds|\ds&\ds&\Ibbl0lm2\zcharnote n{\it tr}\qbp0l\sk\tbbbl0\tqb0m\enotes -% -\barre %3 -\notes\dble\zhu N\cl J\raise -\Interligne\ds\cl G\raise -\Interligne\ds - |\ibbu0e0\qh0c\zq c\qh0e\zq e\qh0g\zq e\tqh0c\zq e\ibbu0e0\qh0g\zq -c\qh0e\zq d\qh0f\zq b\tqh0d\relax - & \dble\dble\sk\pause - &\Ibbl0nl1\qb0n\tqb0l\dble\isluru0j\ql j\sk\tslur0k\cl k\enotes -% -\barre %4 -\notes\dble\zq C\cu J\ds\zq C\cu J\ds\relax - |\qs\ibbu0d0\zq b\qh0{^d}\zq c\qh0e\zq b\tqh0d\relax - \Ibbu0df3\zq c\qh0e\zq c\qh0e\zq {=d}\qh0f\zq e\tqh0g\relax - &\dble\dble\sk\pause - &\Ibl0kl2\qb0{^k}\sk\tqb0l\sk\qs\Ibbl0ln2\qb0{lm}\tqb0n\enotes -% -\barre %5 -\notes\dble\zq C\cu J\ds\cu J\ds - |\qs\ibbu0g0\zq f\qh0h\zq c\qh0f\zq f\tqh0h\Ibbu0ig3\zq h\qh0j\zq -h\qh0j\sk\zq g\qh0i\zq f\tqh0h\relax - &\dble\dble\sk\pause - &\ibbl0o0\qb0o\tbbl0\qb0m\itenu0q\tqb0q\sk - \ibbl0o0\tten0\qbp0q\relax - {\multnoteskip{0.66}\sk\nbbbl0\qb0r\tqb0q}\relax - \Ibbl0po1\qb0p\tqb0o\enotes -% -\barre %6 -\notes\dble\zq C\cu J\ds\cu J\ds - |\qs\Ibbu0fd2\zq f\qh0h\zq e\qh0g\zq{^d}\tqh0{^f}\relax - \ibbu0i0\zq e\qh0g\zq g\qh0j\zq c\qh0e\zq e\tqh0g\relax - &\dble\dble\sk\pause - &\dble\Ibl0on1\zcharnote q{\it tr}\qb0o\tqb0n\ds - \multnoteskip{0.33}\zcharnote p{\it tr}\ibbl0n0\qbp0n\sk\tbbbl0\tqb0n\enotes -% -\barre %7 -\notes\dble\zq H\ql a\sk\zq{_H}\ql{_a}\relax - |\qs\Ibbu0fj2\zq c\qh0f\zq f\qh0h\zq h\tqh0j\ds\Ibbu0fj2\zq c\qh0f\zq -f\qh0{_h}\zq h\tqh0j\relax - &\dble\dble\sk\pause - &\Ibbl0qo1\qb0q\tqb0o\dble\ql m\sk\cl m\enotes -% -\barre %8 -\Notes\zq G\ql N|\qs\Ibbu0di2\zq b\qh0d&\relax - &\multnoteskip{0.5}\Ibbbl1nk3\qb1{nml}\tqb1k\enotes -\notes|\zq d\qh0f\zq f\tqh0i&\sk\pause - &\ql k\sk\enotes -\notes\dble\Ibu0MJ1\zq G\qh0N\zq C\tqh0J\relax - |\qs\ibbu0i0\zq f\qh0i\zq e\qh0j\zq e\tqh0g\relax - &&\sk\sk\multnoteskip{0.7}\Ibbl0lj2\qbp0l\sk\tbbbl0\tqb0j\enotes -% -\barre %9 -\notes\dble\zq F\qu M\sk\zql G\ibu0L0\qh0N\tqh0N\relax - |\dble\zqp d\qup f\sk\sk\zq b\cu d\relax - &\dble\dble\sk\pause - &\ibbl0i0\isluru0i\qb0i\tslur0h\qb0h\isluru0m\qb0m\tslur0k\tqb0k\relax - \ibbl0j0\isluru0j\qb0j\tslur0i\qb0i\isluru0n\qb0n\tslur0m\tqb0m\enotes -% -\barre %10 -\notes\dble\zhu N\ql J\sk\Ibl0JI1\qb0J\tqb0I\relax - |\qs\Ibbu0bd2\qh0b\qh0c\tqh0{=d}\Ibbu0eg3\qh0{^de=d}\tqh0g\relax - &\qs\Ibbu0ef2\qh0{^de}\tqh0f\Ibbu0fi3\qh0{^fgh}\tqh0i\relax - &\dble\Ibl0kl1\qb0{^k}\tqb0l\ds - \zcharnote p{\it tr}\multnoteskip{0.4}\ibbl0n0\qbp0n\sk\tbbbl0\tqb0n\enotes -% -\barre %11 -\notes\dble\zq H\ql a\sk\zq{_H}\ql{_a}\relax - |\qs\Ibbu0fj2\zq f\qh0c\zq f\qh0h\zq h\tqh0j\relax - \qs\Ibbu0fj2\zq c\qh0f\zq f\qh0{_h}\zq h\tqh0j\relax - &\dble\ql j\sk\ds\cl j\relax - &{\multnoteskip{0.667}\triolet q\Ibbl0qm2\qb0{qo}\tqb0m}\relax - \dble\ql m\sk\cl m\enotes -% -\barre %12 -\notes\dble\Ibu0LK1\lpz G\zq G\qh0N\lpz F\zq F\tqh0M\ds - |\dble\lpz d\zq d\Ibu0gd1\qh0g\lpz b\zq b\tqh0d\ds - &\dble\Ibu0ig2\lpz i\qh0i\lpz g\tqh0g\ds - &\ibbl0k0\qb0m\tbbl0\qb0p\tqb0p\sk\ds\enotes -\notes\cl L|\cu c&\cu g&\Ibbbl0qo3\qb0{qp_p}\tqb0o\enotes -% -\barre %13 -\notes\ql M|\dble\dble\Ibu0cd1\qh0c\tqh0d\relax - &\dble\dble\Ibu0fh1\qh0f\tqh0h\relax - &\ibbbl0n0\qb0{^no=p}\tqb0o\Ibbbl0nk3\qb0{=nml}\tqb0k\enotes -\Notes\dble\ibl0N0\qb0N\tqb0N\relax - |\ds\Ibbu0gd2\zq e\qh0g\zq c\qh0e\zq b\tqh0d\relax - &\sk\sk\soupir - &\ibbl0j0\roff{\tbbl0}\qh0{jl}\sk - \multnoteskip{0.6}\nbbbl0\qb0m\tqb0k\enotes -% -\barre %14 -\notes\zql J\Ibbu0JI2\qh0M\tbbu0\qh0L\tqh0L\sk\dble\zq{_L}\ql N\relax - |\qs\Ibbu0cg2\zq c\qh0N\zq c\qh0e\zq e\tqh0g\qs - \Ibbu0ej2\zq c\qh0{_e}\zq e\qh0g\zq g\tqh0j\relax - &\dble\dble\sk\pause - &\zcharnote n{\it tr}\Ibbl0kj2\qb0k\tbbl0\qb0 j\tqb0j\sk\ds\sk - \multnoteskip{0.67}\Ibbl0jn2\qbp0j\sk\tbbbl0\tqb0n\enotes -% -\barre %15 -\notes\zh D\hu K|\dble\ibl1h0\qb1h\qb1{^f}\relax - &\dble\ds\isluru0m\ql k\relax - &\Ibbl0nm2\qb0n\tbbl0\qb0{^m}\itenu3m\tqb0m\enotes -\notes|\multnoteskip{0.75}\dble\dble\qb1g\itenu1h\tqb1h\relax - &\multnoteskip{0.75}\dble\dble\sk\tslur0l\itenu2j\cl j\relax - &\multnoteskip{0.75}\tten3\ibbbl0m0\qb0{mln}\tqb0m\Ibbbl0ol3\qb0{onm}\tqb0l\enotes -% -\barre %16 -\notes\zh D\hu K|\dble\zcl{^f}\tten1\cu h\Ibl0po1\zq o\qb0q\zq -n\tqb0p\itenl1g\cu g\relax - &\tten2\dble\cu j\ds\ds\itenu2i\cu i\relax - &\uppersh p\zcharnote n{\it tr}\Ibbl0nk2\qb0l\tbbl0\qb0k\itenu3k\tqb0k\sk - \tten3\ibbl0k0\qb0k\tqb0p\multnoteskip{0.8}\Ibbbl0ol2\qb0{on^m}\tqb0l\enotes -% -\barre %17 -\notes\zh D\hu K|\dble\zcl e\tten1\cu g\Ibl0on1\zq n\qb0p\zq -{^m}\tqb0o\zq d\cu {^f}\relax - &\tten2\dble\cu i\ds\ds\cu h\relax - &\ibbl0k0\qb0k\tbbl0\qb0j\itenu3q\tqb0q\sk - \tten3\Ibbl0qj2\qb0{qo^m}\tqb0j\enotes -% -\barre %18 -\notes\dble\zq G\qu N\sk\ds\zq d\cl b\relax - |\zq d\cu g\sk\sk\sk\ds\ibbu0f0\qh0d\qh0g\tqh0{=f}\relax - &\dble\qu i\sk\soupir\relax - &\Ibbl0ip3\qb0{ikn}\tqb0p\itenu4r\ql r\enotes -% -\barre %19 -\notes\dble\ibl0c0\qb0{ccc}\tqb0c\relax - |\zhl e\ibbu0j0\roff{\tbbu0}\qh0g\qh0l\sk\qh0k\sk\qh0j\sk\tbbu0\tqh0i\relax - &\dble\ibu0g0\qh0{g^gh}\tqh0{=g}\relax - &\tten4\Ibbl0rn7\roff{\tbbl0}\qb0r\qb0q\sk\qb0p\sk\qb0o\sk\tbbl0\tqb0n\enotes -% -\barre %20 -\NOtes\dble\ibl0d0\qb0d\tqb0d\multnoteskip{0.7}\cl d\ds - |\dble\ibu0h0\qh0h\tqh0h\multnoteskip{0.7}\cu h\ds - &\dble\ibu0f0\qh0{^f}\tqh0f\multnoteskip{0.7}\cu f\ds - &{\multnoteskip{0.5}\Ibbbl0nk3\qb0{n^ml}\tqb0k\Ibbbl0jk3\qb0{^jkl}\tqb0k}\relax - \cl k\ds\enotes -% -\barre %21 -\Notes\zq G\cu N\ds\zq K\cu D|\zq b\cu d\ds\zq c\rq d\cu{^f}\ds - &\cu g\ds\cu h\ds&\sk\sk\pause\enotes -% -\barre %22 -\Notes\Ibl0HJ2\upz N\zq N\qb0G\upz a\zq a\qb0H|\ibu1g1\zq d\qh1g\zq d\qh1{^f}\relax - &\Ibl2ik2\upz i\qb2i\upz j\zq j\qb2j&\soupir\enotes -\notes\upz b\zq I\tqb0b\sk\ds - |\zq d\tqh1g\sk\ds - &\tqb2k\sk\ds - &\qs\Ibbl2kp2\qb2{kn}\tqb2p\enotes -% -\barre %23 -\NOtes\zhu d\islurd0a\ql a\tslur0N\ql N|\isluru0j\ql j\tslur0i\ql i\relax - &\isluru0m\ql{^m}\tslur0n\ql n&\itenu5r\hl r\enotes -% -\barre %24 -\NOtes\upz d\zq d\lq c\Ibl0Ma2\qb0{^M}\upz d\zq d\zq b\qb0N\upz f\zq{^f}\tqb0a\relax - |\ibl0k0\qb0{kk}\tqb0k\relax - &\Ibl0oq2\qb0o\zcharnote r{\it tr}\relax - \rlap{\multnoteskip{0.25}\sk\sk\tinynotesize\Ibbu1op1\qh1o\tqh1p}\relax - \qb0p\tqb0q\relax - &\tten5\itenu5r\ql r\sk - \tten5\multnoteskip{0.6}\ibbl0r0\qb0r\relax - \nbbbl0\multnoteskip{0.6}\qb0s\tqb0r\enotes -\notes\ds|\ds&\ds&\multnoteskip{0.72}\Ibbbl0ro3\qb0{rqp}\tqb0o\enotes -% -\barre %25 -\Notes\ql N|\qs\ibbu1i0\zq b\qh1g\relax - &&\multnoteskip{0.5}\ibbbl0n0\qb0{nop}\tqb0o\enotes -\notes\dble\sk\ql b|\zq i\qh1k\zq g\tqh1i\ibbu0g0\zq d\qh0g\zq d\qh0g\zq d\qh0g\zq d\tqh0g\relax - &\sk\pause - &\dble\isluru0n\ql n\sk\tslur0m\cl{^m}\enotes -% -\barre %26 -\Notes\ql c|\qs\ibbu1g0\zq e\qh1g\relax - &&\multnoteskip{0.5}\ibbbl0l0\qb0{l^mn}\tqb0m\enotes -\notes\dble\sk\ql N|\qh1e\zq g\tqh1e\ibbu0i0\zq j\qh0g\zq j\qh0g\zq i\qh0g\zq i\tqh0g\relax - &\sk\pause - &\dble\isluru0l\ql l\sk\tslur0k\cl{k}\enotes -% -\barre %27 -\notes\ql a|\ds\ibbu0g0\zq e\qh0g\zq e\qh0g\zq e\tqh0g\relax - &\sk\sk\sk\pause - &\ibl0j0\zcharnote m{\it tr}\qbp0j\sk\sk\nbbbl0\multnoteskip{0.7}\qb0i\tqb0j\enotes -\notes\ql K|\ibbu0h0\zq{^f}\qh0h\zq f\qh0h\zq f\qh0h\zq f\tqh0h\relax - &&\Ibl0kj2\isluru0k\qb0k\sk\tslur0j\tqb0j\enotes -% -\barre %28 -\NOtes\ds\Ibl1LJ3\zqu b\qb1L|\ds\zqu g\Ibl2ge3\qb2g\relax - &&\Ibu3hi1\islurd3h\qh3{^h}\tslur3i\tqh3i\enotes -\notes\dble\dble\qb1K\zcu c\tqb1J|\dble\dble\qb2{^f}\zcu g\tqb2e\relax - &\pause - &\hs\Ibbbu0gi2\qh0{g=h}\tqh0i\Ibbbl0jm3\qb0{jkl}\tqb0{^m}\enotes -% -\barre %29 -\Notes\cu I|\zqup g\raise -6\Internote\qs\ibbl1f0\zq b\qb1d\relax - &\soupir&\multnoteskip{0.5}\ibbbl0n0\qb0{nop}\tqb0o\enotes -\notes\dble\ds\cu I\ds|\zq d\qb1b\zq d\tqb1b\Ibbl0ef3\zq b\qb0d\zq b\qb0d\zq d\qb0{=f}\zq d\tqb0f\relax - &\dble\sk\ds\cu{^g}\relax - &\itenu0n\cl n\sk\tten0\ibbl0o0\qb0{nrq}\tqb0p\enotes -% -\barre %30 -\notes\ibu1J0\qh1J\sk\qh1J|\Ibbu0fe2\zq d\qh0f\zq c\tbbu0\qh0e\zq c\tqh0e\relax - &\Ibbu0ih2\qh0i\tbbu0\qh0h\tqh0h\relax - &\Ibbl0no1\qb0{^n}\tqb0o\qs\ccl s\enotes -\Notes\dble\qh1J\tqh1J|\dble\Ibu0hj1\zq e\qh0h\zq h\tqh0j\relax - &\dble\Ibu0jl1\qh0j\tqh0l\relax - &\multnoteskip{0.5}\qs\sk\Ibbbl0rq1\qb0r\tqb0q\qs\sk\Ibbbl0po1\qb0p\tqb0o\enotes -% -\barre %31 -\Notes\zq K\ql d|\qs\ibbu1i0\zq g\qh1i\relax - &\ds - &\multnoteskip{0.71}\ibbl3n0\qbp3p\sk\tbbbl3\tbbl3\qb3n\enotes -\Notes\dble\sk\zq K\ql d|\qh1i\tqh1i\Ibbu0ig3\qh0i\zq e\qh0{^h}\lna h\zq{^f}\qh0h\tqh0g\relax - &\ibbu0k0\qh0k\tqh0k\Ibbu0ki3\qh0{k^j=j}\tqh0i\relax - &\itenu1r\tqb3r\sk\tten1\Ibbl0rp3\qb0{r^q=q}\tqb0p\enotes -% -\barre %32 -\Notes\zcl K\roff{\zq d\itenu1d}\itenl0c\qu c\sk\raise -2\Internote\ds - |\qs\ibbu0g0\qh0{gg}\tqh0g\relax - &\itenl2h\qu h\relax - &\zhl o\xTrille q{8\noteskip}\enotes -\notes\dble\zcl K\ibbu0b0\roff{\zq d\tten1}\tten0\qh0c\rq d\qh0c\rq d\relax - \raise -2\Internote\rlap{\ds}\qh0c\rq d\tqh0c\relax - |\Ibbbu0fg3\qh0{^fgh}\tqh0g\ibbbu0i0\qh0{hij}\tqh0h\relax - &\tten2\Ibbbu0hi3\qh0{hij}\tqh0i\Ibbbu0jm3\qh0{jkl}\tqh0{^m}\relax - &\sk\sk\sk\sk\sk\sk\sk\multnoteskip{0.7}\tinynotesize\Ibbbu0lm1\qh0n\tqh0o\enotes -% -\barre %33 -\notes\zql N\zql G\ibbu1a0\qh1b\zcharnote C{(p\'ed.)}\sk\qh1d\relax - |\Ibbbu0gh3\qh0{ghi}\tqh0h\relax - &\Ibbbl0no3\qb0{nop}\tqb0o\relax - &\ql n\enotes -\Notes\qh1b\tqh1d\zql I\raise4\Internote\qs\ibbu0N0\qh0{Nd}\tqh0N\relax - |\dble\qu g\sk\cu{^f}\relax - &\dble\isluru0n\ql n\sk\tslur0m\cl{^m}\relax - &\dble\sk\soupir\enotes -% -\barre %34 -\notes\zql J\raise4\Internote\qs\sk\ibbu1M0\qh0N\relax - |\Ibbbu0ef3\qh0{e^fg}\tqh0f\relax - &\Ibbbl0lm3\qb0{l^mn}\tqb0m\relax - &\enotes -\Notes\qh1c\tqh1N\rlap{\dble\Ibl0JK1\qb0J\tqb0L}\Ibbu0aM3\qh0{cNb}\tqh0N\relax - |\dble\qu e\sk\cu d\relax - &\dble\isluru0l\ql l\sk\tslur0k\cl k\relax - &\dble\sk\pause\enotes -% -\barre %35 -\notes\zqlp L\Ibbbu0LM3\qh0{L=MN}\tqh0M\relax - |\Ibbbu0cd3\qh0{cde}\tqh0d\relax - &\Ibbbl0jk3\qb0{jkl}\tqb0k\relax - &\enotes -\Notes\ibbu0L0\qh0L\tqh0N\Ibbu0LK2\qh0{LN}\roff{\zcl K}\qh0K\tqh0N\relax - |\dble\qu c\sk\cu b\relax - &\dble\isluru0j\ql j\sk\tslur0i\cl i\relax - &\dble\sk\pause\enotes -% -\barre %36 -\Notes\zql J\Ibu0Lc3\qh0L\sk\nbbu0\qh0a\tqh0c|\dble\ibu0e0\qh0e\tqh0e\relax - &\Ibbu0gl3\qh0{^ghj}\tqh0l\enotes -\notes\zql K\ibl0f0\qb0d\sk\sk\tqb0d\relax - |\Ibbu0ig2\qhp0i\sk\tbbbu0\tqh0g\Ibbbu0if3\qh0{ihg}\tqh0{^f}\relax - &\islurd0k\Ibbu0ki2\qhp0k\sk\tbbbu0\tqh0i\Ibbbu0kh3\qh0{kji}\tslur0h\tqh0h\relax - &\sk\pause\enotes -% -\barre %37 -\Notes\zcl G\zq {Nb}\cu d\sk\ds|\cu g\sk\ds - &\cu g\sk\ds - &\qs\isluru0g\Ibbl0gk2\qb0{gi}\tqb0k\enotes -\notes\soupir|\soupir&\soupir - &\tslur0n\ibbbl0n0\qb0n\upz k\qb0k\upz l\qb0l\upz -m\tqb0{^m}\Ibbbl0nq3\upz n\qb0n\upz o\qb0o\upz p\qb0p\upz q\tqb0q\enotes -% -\barre %38 -\Notes\zq G\cu N\ds\zq D\cu K\ds|\zq {_bd}\cu g\ds\zq{ac}\rq d\cu{^f}\sk - &\cu g\ds\cu {^f}\ds&\itenu0r\hl r\enotes -% -\barre %39 -\Notes\Ibl1GN2\upz N\zq N\qb1G\upz c\zq c\qb1K\relax - |\Ibu2gi2\lpz b\zq{_bd}\qh2g\zq{d^f}\qh2h\relax - &\Ibu3gi2\lpz g\qh3g\lpz h\qh3h\relax - &\tten0\itenu0r\ql r\enotes -\notes\upz b\zq N\tqb1{_b}\sk\ds - |\lpz d\zq{dg}\tqh2{_i}\sk\ds - &\lpz i\tqh3{_i}\sk\ds - &\tten0\ibbl0r0\qb0{rrr}\tqb0r\enotes -% -\barre %40 -\notes\zql H\raise2\Interligne\qs\Ibbu0Ma1\qh0{^M}\zqlp a\tqh0a\relax - |\ds\sk\qs\itenl0c\ccu c\relax - &\relax - &\dble\dble\isluru1s\ql{_s}\enotes - \nspace -\notes - |\tten0\zq c\zql{_e}\Ibbu0ej3\qh0{e^fh}\tqh0j\relax - &\pause - &\tslur1m\ql{^m}\enotes -% -\barre %41 -\Notes\lpz I\Ibu0NL2\zq{_I}\qh0{_b}\lpz F\zq{^F}\qh0{^M}\lpz G\zq G\tqh0N\ds - |\lpz d\Ibu0ki2\zq{dg}\qh0k\lpz d\zq{dh}\qh0j\lpz d\zq{dg}\tqh0{_i}\ds - &\upz k\Ibl0ki2\qb0k\upz j\qb0j\upz i\tqb0{_i}\ds - &\Ibl0no1\qb0n\zcharnote q{\it tr}\upperfl s\qb0o\tqb0{_p}\ds - \enotes -% -\barre %42 -\notes\ql c|\ds&&\multnoteskip{0.8}\ibbbl0o0\qb0{_poq}\tqb0o\enotes -\Notes\sk\ql d|\Ibl0jh2\zq{_l}\qb0j\zq l\qb0{_i}\zq j\tqb0 h\relax - &\sk\pause - &\isluru0n\ql n\sk\tslur0m\cl{^m}\enotes -% -\barre %43 -\notes\dble\zql N\hu d\sk\ql{=M}\relax - |\Ibbu0ji3\zq{^f}\qh0j\zq g\qh0{_i}\zq g\qh0i\zq g\tqh0i\relax - \qs\ibbu0i0\zq g\qh0i\zq f\qh0h\zq g\tqh0i\relax - &\dble\sk\sk\pause - &\Ibbl0on2\qb0o\tbbl0\qb0n\tqb0n\sk\ds\sk\cl n\enotes -% -\barre %44 -\notes\dble\zq L\ql{^c}\sk\zq K\ql d\relax - |\qs\ibbu0i0\zq g\qh0{_i}\zq{^f}\qh0h\zq g\tqh0i\relax - \qs\ibbu0i0\zq g\qh0i\zq f\qh0h\zq g\tqh0i\relax - &\dble\sk\sk\pause - &\itenu1n\ql n\sk\sk\sk\tten1\ibbl0n0\qb0n\qb0n\qb0{^m}\tqb0n\enotes -% -\barre %45 -\notes\dble\qu{^J}\sk\qu K\relax - |\zql e\ibbu0h0\qh0{gh^g}\tqh0h\ibbu0h0\zq d\qh0{=f}\zq f\qh0h\zq -e\qh0{=g}\zq d\tqh0f\relax - &\dble\sk\sk\pause - &\Ibbl0po2\qb0{_p}\tbbl0\qb0o\itenu0o\tqb0o\sk - \tten0\Ibbl0oq3\qb0{or^q}\tqb0r\enotes -% -\barre %46 -\notes\zql E\raise2\Interligne\qs\Ibbu0JL1\qh0{^J}\zqlp L\tqh0L\relax - |\ds\sk\qs\itenl0N\ccu N\relax - &\relax - &\dble\dble\isluru1p\ql{_p}\enotes - \nspace -\notes - |\tten0\zq N\zql{_b}\Ibbu0bg3\qh0{b^ce}\tqh0g\relax - &\pause - &\tslur1j\ql{^j}\enotes -% -\barre %47 -\Notes\lpz F\Ibu0MK2\zq F\qh0M\lpz C\zq{^C}\qh0{^J}\lpz D\zq D\tqh0K\ds - |\lpz a\Ibu0hf2\zq{ad}\qh0h\lpz a\zq{ae}\qh0g\lpz a\zq{ad}\tqh0f\ds - &\lpz h\Ibu0hf2\qh0h\lpz g\qh0g\lpz f\tqh0f\ds - &\Ibl0kl1\qb0k\zcharnote n{\it tr}\qb0l\tqb0m\ds - \enotes -% -\barre %48 -\notes\ql N|\ds&&\multnoteskip{0.8}\ibbbl0l0\qb0{mln}\tqb0l\enotes -\Notes\sk\ql a|\Ibu0hf2\zq{_i}\qh0g\zq h\qh0f\zq g\tqh0 e\relax - &\pause - &\isluru0k\ql k\sk\tslur0j\cl{^j}\enotes -% -\barre %49 -\notes\dble\zq K\ql a\sk\zq{=I}\ql{=b}\relax - |\ibbu0g0\zq{^c}\qh0h\zq d\qh0f\lpz d\zq d\qh0f\lpz d\zq d\tqh0f\zq d\qh0{^g}\relax - &\dble\sk\sk\pause - &\Ibbl0lk2\qb0l\tbbl0\qb0k\tqb0k\sk\qs\ibbl0m0\qb0{mm}\tqb0m\enotes -% -\barre %50 -\notes\dble\zq J\ql c\sk\zq{^G}\ql{^N}\relax - |\qs\ibbu0i0\zq e\qh0h\zq e\qh0h\zq e\tqh0h\zq e\qh0{=i}\relax - &\dble\sk\pause - &\Ibbl0ml2\qb0m\tbbl0\qb0l\tqb0l\sk\qs\ibbl0k0\qb0{kk}\tqb0k\enotes -% -\barre %51 -\notes\dble\zq H\ql a\sk\zq F\qu M\relax - |\zcl e\Ibbu0ih1\qh0i\tqh0h\zq c\dble\qu h\relax - &\dble\sk\sk\pause - &\ibbl0k0\qb0k\tbbl0\qb0j\itenu0o\tqb0o\sk - \multnoteskip{0.6}\Ibbl0om3\tten0\qb0o\sk\nbbbl0\qb0n\tqb0m\enotes -\notes|\zq a\cu h&&\Ibbl0lk1\qb0l\tqb0{^k}\enotes -% -\barre %52 -\notes\zql E\raise2\Interligne\qs\ibbu0L0\qh0{LL}\tqh0L\dble\cu L\ds - |\Ibbu0hg3\zq c\qh0h\zq b\qh0{^g}\zq b\zq e\qh0g\zq b\zq e\tqh0g\dble\zq - {be}\cu g\ds - &\dble\dble\pause - &\Ibbl0kl2\qb0{^k}\tbbl0\qb0l\tqb0l\sk\qs\ibbl0l0\qb0{ll}\tqb0l\enotes -% -\barre %53 -\notes\qs\ibbl0K0\qb0{KK}\tqb0K\relax - |\qs\ibbu0i0\rq g\sh g\zq f\qh0i\rq g\zq f\qh0i\rq g\zq f\tqh0i\relax - &\qs\ibbu0i0\qh0{ii}\tqh0i\relax - &\Ibbl0nm2\qb0n\tbbl0\qb0m\tqb0m\enotes -\notes\multnoteskip{0.7}\cl K\sk\sk\sk\ds - |\multnoteskip{0.7}\zq f\rq g\cu i\sk\sk\sk\ds - &\multnoteskip{0.7}\cu i\sk\sk\sk\ds - &\multnoteskip{0.7}\hs\ibbbl0l0\qb0{ml}\tqb0m\ibbbl0l0\qb0{nml}\tqb0m\enotes -% -\barre %54 -\notes\zql G\raise3\Internote\qs\ibbl0N0\qb0{NN}\tqb0N\relax - |\qs\ibbu0i0\zq d\zq f\qh0i\zq d\zq f\qh0i\zq d\zq f\tqh0i\relax - &\qs\ibbu0i0\qh0{ii}\tqh0i\relax - &\Ibbl0qp2\qb0q\tbbl0\qb0p\tqb0p\enotes -\notes\multnoteskip{0.7}\cl N\sk\sk\sk\ds - |\multnoteskip{0.7}\zq f\rq g\cu i\sk\sk\sk\ds - &\multnoteskip{0.7}\cu i\sk\sk\sk\ds - &\multnoteskip{0.7}\hs\ibbbl0o0\qb0{po}\tqb0p\ibbbl0o0\qb0{qpo}\tqb0p\enotes -% -\barre %55 -\NOTes\zq J\ql N\zq G\ql N|\zq c\qu e\zq d\qu f&\ql j\ql i&\ql q\soupir\enotes -% -\barre %56 -\NOtes - \ibl0K0\upz a\zq N\qb0J\upz b\zq N\qb0 b\relax - |\Ibu1eg2\lpz c\zq c\qh1e\qh1g\relax - &\Ibl2jl2\qb2j\zcharnote n{\it tr}\multnoteskip{0.6}\qb2k\relax - {\multnoteskip{0.4}\tinynotesize\Ibbu3jk1\qh3j\tqh3k}\relax - &\soupir\enotes -\NOtes - \zq J\upz c\tqb0c|\tqh1g\relax - &\tqb2l&\ds\enotes -\notes\ds|\ds&\ds&\Ibbl0lm2\zcharnote n{\it tr}\qbp0l\sk\tbbbl0\tqb0m\enotes -% -\barre %57 -\notes\dble\zhu N\cl J\raise -\Interligne\ds\cl G\raise -\Interligne\ds - |\ibbu0e0\qh0c\zq c\qh0e\zq e\qh0g\zq e\tqh0c\zq e\ibbu0e0\qh0g\zq -c\qh0e\zq d\qh0f\zq b\tqh0d\relax - & \dble\dble\sk\pause - &\Ibbl0nl1\qb0n\tqb0l\dble\isluru0j\ql j\sk\tslur0k\cl k\enotes -% -\barre %58 -\notes\dble\zq C\cu J\ds\zq C\cu J\ds\relax - |\qs\ibbu0d0\zq b\qh0{^d}\zq c\qh0e\zq b\tqh0d\relax - \Ibbu0df3\zq c\qh0e\zq c\qh0e\zq {=d}\qh0f\zq e\tqh0g\relax - &\dble\dble\sk\pause - &\Ibl0kl2\qb0{^k}\sk\tqb0l\sk\qs\Ibbl0ln2\qb0{lm}\tqb0n\enotes -% -\barre %59 -\notes\dble\zq C\cu J\ds\cu J\ds - |\qs\ibbu0g0\zq f\qh0h\zq c\qh0f\zq f\tqh0h\Ibbu0ig3\zq h\qh0j\zq -h\qh0j\sk\zq g\qh0i\zq f\tqh0h\relax - &\dble\dble\sk\pause - &\ibbl0o0\qb0o\tbbl0\qb0m\itenu0q\tqb0q\sk - \ibbl0o0\tten0\qbp0q\relax - {\multnoteskip{0.66}\sk\nbbbl0\qb0r\tqb0q}\relax - \Ibbl0po1\qb0p\tqb0o\enotes -% -\barre %60 -\notes\dble\zq C\cu J\ds\cu J\ds - |\qs\Ibbu0fd2\zq f\qh0h\zq e\qh0g\zq{^d}\tqh0{^f}\relax - \ibbu0i0\zq e\qh0g\zq g\qh0j\zq c\qh0e\zq e\tqh0g\relax - &\dble\dble\sk\pause - &\dble\Ibl0on1\zcharnote q{\it tr}\qb0o\tqb0n\ds - \multnoteskip{0.33}\zcharnote p{\it tr}\ibbl0n0\qbp0n\sk\tbbbl0\tqb0n\enotes -% -\barre %61 -\notes\dble\zq H\ql a\sk\zq{_H}\ql{_a}\relax - |\qs\Ibbu0fj2\zq c\qh0f\zq f\qh0h\zq h\tqh0j\ds\Ibbu0fj2\zq c\qh0f\zq -f\qh0{_h}\zq h\tqh0j\relax - &\dble\dble\sk\pause - &\Ibbl0qo1\qb0q\tqb0o\dble\ql m\sk\cl m\enotes -% -\barre %62 -\Notes\zq G\ql N|\qs\Ibbu0di2\zq b\qh0d&\relax - &\multnoteskip{0.5}\Ibbbl1nk3\qb1{nml}\tqb1k\enotes -\notes|\zq d\qh0f\zq f\tqh0i&\sk\pause - &\ql k\sk\enotes -\notes\dble\Ibu0MJ1\zq G\qh0N\zq C\tqh0J\relax - |\qs\ibbu0i0\zq f\qh0i\zq e\qh0j\zq e\tqh0g\relax - &&\sk\sk\multnoteskip{0.7}\Ibbl0lj2\qbp0l\sk\tbbbl0\tqb0j\enotes -% -\barre %63 -\notes\dble\zq F\qu M\sk\zql G\ibu0L0\qh0N\tqh0N\relax - |\dble\zqp d\qup f\sk\sk\zq b\cu d\relax - &\dble\dble\sk\pause - &\ibbl0i0\isluru0i\qb0i\tslur0h\qb0h\isluru0m\qb0m\tslur0k\tqb0k\relax - \ibbl0j0\isluru0j\qb0j\tslur0i\qb0i\isluru0n\qb0n\tslur0m\tqb0m\enotes -% -\barre %64 -\notes\dble\zhu N\ql J\sk\Ibl0JI1\qb0J\tqb0I\relax - |\qs\Ibbu0bd2\qh0b\qh0c\tqh0{=d}\Ibbu0eg3\qh0{^de=d}\tqh0g\relax - &\qs\Ibbu0ef2\qh0{^de}\tqh0f\Ibbu0fi3\qh0{^fgh}\tqh0i\relax - &\dble\Ibl0kl1\qb0{^k}\tqb0l\ds - \zcharnote p{\it tr}\multnoteskip{0.4}\ibbl0n0\qbp0n\sk\tqb0n\enotes -% -\barre %65 -\notes\dble\zq H\ql a\sk\zq{_H}\ql{_a}\relax - |\qs\Ibbu0fj2\zq f\qh0c\zq f\qh0h\zq h\tqh0j\relax - \qs\Ibbu0fj2\zq c\qh0f\zq f\qh0{_h}\zq h\tqh0j\relax - &\dble\ql j\sk\ds\cl j\relax - &{\multnoteskip{0.667}\triolet q\Ibbl0qm2\qb0{qo}\tqb0m}\relax - \dble\ql m\sk\cl m\enotes -% -\barre %66 -\notes\dble\Ibu0LK1\lpz G\zq G\qh0N\lpz F\zq F\tqh0M\ds - |\dble\lpz d\zq d\Ibu0gd1\qh0g\lpz b\zq b\tqh0d\ds - &\dble\Ibu0ig2\lpz i\qh0i\lpz g\tqh0g\ds - &\ibbl0k0\qb0m\tbbl0\qb0p\tqb0p\sk\ds\enotes -\notes\cl L|\cu c&\cu g&\Ibbbl0qo3\qb0{qp_p}\tqb0o\enotes -% -\barre %67 -\notes\ql M|\dble\dble\Ibu0cd1\qh0c\tqh0d\relax - &\dble\dble\Ibu0fh1\qh0f\tqh0h\relax - &\ibbbl0n0\qb0{^no=p}\tqb0o\Ibbbl0nk3\qb0{=nml}\tqb0k\enotes -\Notes\dble\ibl0N0\qb0N\tqb0N\relax - |\ds\Ibbu0gd2\zq e\qh0g\zq c\qh0e\zq b\tqh0d\relax - &\sk\sk\soupir - &\ibbl0j0\roff{\tbbl0}\qh0{jl}\sk - \multnoteskip{0.6}\nbbbl0\qb0m\tqb0k\enotes -% -\barre %68 -\notes\zql J\Ibbu0JI2\qh0M\tbbu0\qh0L\tqh0L\sk\dble\ql N\relax - |\qs\Ibbu0cg2\zq c\qh0N\zq c\qh0e\zq e\tqh0g\qs - \Ibbu0ej2\zq c\qh0{e}\zq e\qh0g\zq g\tqh0j\relax - &\dble\dble\sk\pause - &\zcharnote n{\it tr}\Ibbl0kj2\qb0k\tbbl0\qb0 j\tqb0j\sk\ds\sk - \multnoteskip{0.67}\Ibbl0jj2\qbp0j\sk\tbbbl0\tqb0j\enotes -% -\barre %69 -\Notes\zhl J\qu a\relax - |\qs\Ibbu0fj2\zq c\qh0{^f}\zq f\qh0h\zq h\tqh0j\relax - &\relax - &\Ibbl0jn2\qb0{^j}\tbbl0\qb0k\itenu0r\tqb0r\enotes -\notes\ql{_b}|\dble\qs\Ibbu0gk2\zq d\qh0g\zq g\qh0{_i}\zq i\tqh0k\relax - &\pause - &\tten0\isluru0r\Ibbbl0ro3\qb0{r=q_p}\tqb0o\Ibbbl0nk3\qb0{nml}\tslur0k\tqb0k\enotes -% -\barre %70 -\Notes\zhl J\qu N\relax - |\qs\Ibbu0gk2\zq d\qh0g\zq g\qh0{_i}\zq i\tqh0k\relax - &\relax - &\zcharnote m{\it tr}\ibbl0j0\qb0k\tbbl0\qb0j\itenu0q\tqb0q\enotes -\notes\ql a|\dble\qs\Ibbu0fj2\zq c\qh0{=f}\zq f\qh0h\zq h\tqh0j\relax - &\pause - &\tten0\isluru0q\Ibbbl0qn3\qb0{q_po}\tqb0n\Ibbbl0mj3\qb0{mlk}\tslur0j\tqb0j\enotes -% -\barre %71 -\Notes\ql J\relax - |\qs\Ibbu0fj2\zq a\qh0d\zq d\qh0f\zq f\tqh0h\relax - &\relax - &\zcharnote m{\it tr}\ibbl0i0\qb0j\tbbl0\qb0{_i}\itenu0p\tqb0{_p}\enotes -\Notes\ql c\relax - |\ibbu0g0\zq e\qh0{g_ih}\tqh0g\relax - &\pause - &\tten0\ibbl0p0\qb0{prq}\tqb0p\enotes -% -\barre %72 -\notes\dble\ibl0N0\zq M\qb0c\zq N\qb0c\zq a\qb0c\zq N\tqb0c\relax - |\dble\ibu0g0\qh0{fef}\tqh0g\relax - &\dble\sk\pause - &\Ibbl0nl7\roff{\tbbl0}\qb0{^no}\sk\qb0{=n}\sk\qb0m\sk\tbbl0\tqb0l\enotes -% -\barre %73 -\notes\dble\dble\zhup a\ibl0M0\qb0{MMM}\zcu M\tqb0M\relax - |\dble\dble\ibu0h0\qh0{hhh}\zq f\tqh0h\relax - &\dble\dble\dble\pause - &\isluru0k\Ibbbl0jk3\qb0{^jkl}\tqb0k\Ibbbl0lm3\qb0{lmn}\tslur0m\tqb0m\relax - \isluru0n\Ibbbl0no3\qb0{^nop}\tqb0o\Ibbbl0nk3\qb0{=nml}\tslur0k\tqb0k\enotes -% -\barre %74 -\notes\dble\Ibu0LJ1\qh0N\tqh0G\relax - |\ibl0g0\zqu g\itenu0g\qbp0e\sk\multnoteskip{0.7}\sk\nbbbl0\qb0f\tqb0e\relax - &\sk\sk\sk\pause - &\ibl0j0\qbp0j\sk\multnoteskip{0.7}\sk\nbbbl0\qb0k\tqb0j\enotes -\Notes\cl N\ds|\tten0\zcl d\cu g\ds - &\relax - &\cl i\ds\enotes -% -\barre %75 -\NOtes\zq C\cu J\ds\zq G\qu N\ds|\zq e\cu g\ds\zq{eg}\cu i\ds - &\cl j\ds\cl k\ds - &\sk\sk\pause\enotes -% -\barre %76 -\Notes\lpz C\zq C\Ibu1JL2\qh1J\lpz D\zq D\qh1K\relax - |\upz j\zq j\ibu2i0\qh2g\upz i\zq g\qh2i\relax - &\upz l\Ibl3ln2\qb3l\upz m\qb3m\relax - &\soupir\enotes -\notes\lpz E\zq E\tqh1L\sk\ds - |\upz j\zq g\tqh2j\sk\ds - &\upz n\tqb3n\relax - &\qs\Ibbl0gl2\qb0{gj}\tqb0l\enotes -% -\barre %77 -\NOtes\zq N\lq M\ql d\zq{LN}\ql c|\qu g\qu g\relax - &\qu i\qu j\relax - &\itenu3n\hl n\enotes -% -\barre %78 -\Notes\Ibl1IK2\upz b\zq {Nb}\qb1I\upz c\zq{cN}\qb1J\relax - |\ibu2g0\qh2{gg}\relax - &\Ibl3km2\qb3k\zcharnote n{\it tr}\multnoteskip{0.33}\qb3l\tinynotesize\Ibbu0kl1\qh0k\tqh0l\relax - &\tten3\itenu3n\ql n\enotes -\notes\upz b\zq{Nb}\tqb1K\sk\ds - |\tqh2g\sk\ds - &\tqb3m\sk\ds - &\tten3\Ibbl0np3\qb0{n^no}\tqb0p\enotes -% -\barre %79 -\Notes\ql c|\qs\Ibbl1ij2\zq e\qb1j\relax - &&\multnoteskip{0.5}\ibbbl0q0\qb0{qrs}\tqb0r\enotes -\notes\dble\sk\ql e|\zq l\qb1n\zq j\tqb1l\ibbu0i0\zq j\qh0g\zq j\qh0g\zq j\qh0g\zq j\tqh0g\relax - &\sk\pause - &\dble\isluru0q\ql q\sk\tslur0p\cl p\enotes -% -\barre %80 -\Notes\ql f|\qs\Ibbl1hg0\zq h\qb1j\relax - &&\multnoteskip{0.5}\ibbbl0o0\qb0{opq}\tqb0p\enotes -\notes\dble\sk\ql c|\zq m\qb1j\zq j\tqb1h\ibbu0h0\zq f\qh0h\zq f\qh0h\zq e\qh0g\zq e\tqh0g\relax - &\sk\pause - &\dble\isluru0o\ql o\sk\tslur0n\cl n\enotes -% -\barre %81 -\notes\ql d|\qs\ibbu0i0\zq j\qh0h\zq j\qh0h\zq j\tqh0h\relax - &\sk\sk\sk\pause - &\ibl0m0\xTrille q{3\noteskip}\qbp0m\sk\sk\nbbbl0\multnoteskip{0.7}\qb0l\tqb0m\enotes -\notes\zq N\ql d|\ibbu0h0\zq g\qh0i\zq g\qh0i\zq g\qh0i\zq g\tqh0i\relax - &&\Ibl0nm2\isluru0n\qb0n\sk\tslur0m\tqb0m\enotes -% -\barre %82 -\NOtes\ds\Ibu1MK3\zqu a\qh1H\relax - |\ds\zql e\ibu2i0\qh2j\relax - &&\Ibl3kl1\isluru3k\qh3{^k}\tslur3l\tqb3l\enotes -\notes\dble\dble\zq G\qh1N\zq F\tqh1M\relax - |\dble\dble\rq j\qh2i\zcl f\zq h\tqh2j\relax - &\pause - &\hs\Ibbbl0jl2\qh0{j=k}\tqb0l\Ibbbl0mp3\qb0{mno}\tqb0p\enotes -% -\barre %83 -\Notes\zq E\cu L|\zqup j\raise -6\Internote\qs\ibbl1f0\zq e\qb1g\relax - &\soupir&\multnoteskip{0.5}\ibbbl0q0\qb0{qrs}\tqb0r\enotes -\notes\dble\ds\zq C\cu J\ds|\zq e\qb1g\zq e\tqb1g\ibbl0f0\zq e\qb0g\zq g\qb0{_i}\zq -f\qb0h\zq e\tqb0{^g}\relax - &\dble\sk\ds\cu j\relax - &\itenu0q\cl q\sk\tten0\Ibbl0qn3\qb0{q_po}\tqb0{^n}\enotes -% -\barre %84 -\notes\ibu1L0\zq F\qh1M\relax - |\ibu2i0\zq f\qh2h\relax - &\ibu3h0\qh3j\relax - &\Ibbl0no1\qb0{^n}\tqb0o\enotes -\Notes\dble\zq F\qh1M\zq F\qh1M\zq F\tqh1M\relax - |\dble\zq j\qh2f\zq h\qh2j\zq k\tqh2f\relax - &\dble\qh3h\qh3f\tqh3h\relax - &\multnoteskip{0.5}\qs\sk\Ibbbl0rq1\qb0r\tqb0q\relax - \qs\sk\Ibbbl0po1\qb0{=p}\tqb0o\relax - \qs\sk\Ibbbl0nm1\qb0{=n}\tqb0m\enotes -% -\barre %85 -\notes\dble\zq G\qu N\sk\zq G\qu N\relax - |\qs\advance\transpose 7\ibbl0d0\zq c\qh0e\zq e\qh0g\zq e\tqb0e\relax - \ibbl0d0\zq e\qh0g\zq{a^d}\qh0{^f}\zq{b=d}\qh0{=f}\zq c\tqb0e\relax - &\itenl0g\qu g\sk\sk\sk\tten0\Ibbu0ge3\qh0{g^f=f}\tqh0e\relax - &\Ibbl0ln2\qb0l\tbbl0\qb0n\itenu0n\tqb0n\sk\tten0\Ibbl0nl3\qb0{n^m=m}\tqb0l\enotes -% -\barre %86 -\Notes\zcl G\roff{\zq N\itenl1N}\itenl0M\qu M\sk\raise -4\Internote\ds - |\qs\advance\transpose 7\ibbl0e0\lq c\qh0d\lq c\qh0d\lq c\tqb0d\relax - &\itenl2d\qu d\relax - &\zhl k\xTrille q{8\noteskip}\enotes -\notes\dble\zcl G\tten0\roff{\tten1}\ibbu0L0\rq N\qh0M\rq N\qh0M\rq N\qh0M\rq N\tqh0M\relax - |\advance\transpose 7\Ibbbl0de3\qh0{bcd}\tqb0c\ibbbl0f0\qh0{def}\tqb0d\relax - &\tten2\Ibbbu0df3\qh0{def}\tqh0e\Ibbbu0fi3\qh0{fgh}\tqh0i\relax - &\dble\sk\sk\sk\multnoteskip{0.3}\tinynotesize\Ibbu0jk1\qh0j\tqh0k\enotes -% -\barre %87 -\Notes\zqu C\ibbu1N0\qh1L\zcharnote C{(p\'ed.)}\qh1N\relax - |\advance\transpose 7\multnoteskip{0.5}\ibbbl0j0\qb0{jkl}\tqb0k\relax - &\multnoteskip{0.5}\ibbbu0j0\qb0{jkl}\tqh0k\relax - &\ql j\enotes -\notes\qh1c\tqh1N\zql E\ibbu1N0\qh1{LNc}\tqh1N\relax - |\dble\advance\transpose 7\ql j\sk\cl i\relax - &\dble\islurd0j\qu j\sk\tslur0i\cu i\relax - &\dble\sk\soupir\enotes -% -\barre %88 -\Notes\zql F\ibbu1N0\qh1M\qh1a\relax - |\multnoteskip{0.5}\advance\transpose7\ibbbl0h0\qh0{hij}\tqb0i\relax - &\multnoteskip{0.5}\ibbbu0h0\qb0{hij}\tqh0i\relax - &\enotes -\notes\qh1c\tqh1N\zqu{^C}\ibbu1L0\qh1{^JLa}\tqh1L\relax - |\dble\advance\transpose 7\ql h\sk\cl g\relax - &\dble\islurd0h\qu h\sk\tslur0g\cu g\relax - &\dble\sk\pause\enotes -% -\barre %89 -\Notes\zql D\ibbu1a0\qh1K\qh1a\relax - |\multnoteskip{0.5}\advance\transpose7\ibbbl0h0\qh0{fgh}\tqb0g\relax - &\multnoteskip{0.5}\ibbbu0f0\qb0{fgh}\tqh0g\relax - &\enotes -\notes\qh1d\tqh1{_a}\zcl I\rlap{\sk\sk\zcl J}\ibbu1N0\qh1{NdN}\tqh1c\relax - |\dble\advance\transpose 7\ql f\sk\cl e\relax - &\dble\islurd0f\qu f\sk\tslur0e\cu e\relax - &\dble\sk\pause\enotes -% -\barre %90 -\Notes\zql F\multnoteskip{0.5}\ibbbu0M0\qh0{MNa}\tqh0N\relax - |\multnoteskip{0.5}\advance\transpose7\ibbbl0g0\qh0{def}\tqb0e\relax - &\multnoteskip{0.5}\ibbbu0d0\qb0{def}\tqh0e\relax - &\enotes -\notes\ibbl0N0\qb0M\tqb0c\ibbl0N0\qb0{Mc^M}\tqb0c\relax - |\dble\zq h\ql k\sk\zq h\cl{_l}\relax - &\dble\islurd0d\qu d\sk\tslur0e\cu{_e}\relax - &\sk\sk\pause\enotes -% -\barre %91 -\notes\zcl G\ibbu0N0\qh0{Nc_a}\tqh0c\ibbu0N0\qh0{Nc^M}\tqh0c\relax - |\dble\ibl0k0\zq j\qb0{=l}\zq j\qh0m\zq j\qh0n\zq j\tqb0o\relax - &\dble\ibu0e0\qh0{=efe}\tqh0{_e}\relax - &\dble\dble\sk\pause\enotes -% -\barre %92 -\notes\dble\pointdurgue F\zq G\qu N\sk\soupir - |\dble\pointdorgue n\zq{n}\ql j\sk\soupir - &\dble\pointdorgue m\qu{=e}\sk\soupir - &\Ibl0lj3\pointdorgue o\qbp0n\sk\sk\tbbl0\tqb0j\xTrille n{3\noteskip}\ibl0j0\qbp0k\sk\sk\multnoteskip{0.7}\nbbbl0\qb0j\tqb0k\enotes -% -\barre %93 -\NOtes\zq J\ql N\zq N\ql G|\zq e\qu c\zq f\qu d\relax - &\ql j\ql i&\ql j\soupir\enotes -% -\barre %94 -\NOtes - \ibl0K0\upz a\zq N\qb0J\upz b\zq N\qb0 b\relax - |\Ibu1eg2\lpz c\zq c\qh1e\qh1g\relax - &\Ibl2jl2\qb2j\zcharnote n{\it tr}\multnoteskip{0.6}\qb2k\relax - {\multnoteskip{0.4}\tinynotesize\Ibbu3jk1\qh3j\tqh3k}\relax - &\soupir\enotes -\NOtes - \zq J\upz c\tqb0c|\tqh1g\relax - &\tqb2l&\ds\enotes -\notes\ds|\ds&\ds&\Ibbl0lm2\zcharnote n{\it tr}\qbp0l\sk\tbbbl0\tqb0m\enotes -% -\barre %95 - %\check -\notes\dble\zhu N\cl J\raise -\Interligne\ds\cl G\raise -\Interligne\ds - |\ibbu0e0\qh0c\zq c\qh0e\zq e\qh0g\zq e\tqh0c\zq e\ibbu0e0\qh0g\zq -c\qh0e\zq d\qh0f\zq b\tqh0d\relax - & \dble\dble\sk\pause - &\Ibbl0nl1\qb0n\tqb0l\dble\isluru0j\ql j\sk\tslur0k\cl k\enotes -% -\barre %96 - %\check -\Notes\zhl J\Ibu1LN2\qh1N\sk\tqh1{_b}\relax - |\qs\Ibbu2dg2\zq b\qh2{^d}\zq c\qh2e\relax - &\relax - &\Ibl3kl3\qb3{^k}\sk\nbbl3\qb3l\enotes - %\check -\Notes\sk|\zq e\tqh2g\relax - &\relax - &\multnoteskip{0.6}\raise2\Interligne\hs\tbbbl3\tqb3l\enotes - %\check -\Notes\Ibu0MK2\qh0a\sk\tqh0M\relax - |\Ibbu0gc3\roff{\tbbu0}\zq f\qh0h\zq{=d}\qh0f\sk\tbbu0\zq{=b}\tqh0d\relax - &\pause - &\zcharnote o{\it tr}\multnoteskip{0.5}\ibbbl0n0\qb0{mlm}\tqb0n\relax - \zcharnote q{\it tr}\ibbbl0p0\qb0{ono}\tqb0p\enotes -% -\barre %97 - %\check -\notes\ibl1J0\zcu L\qb1J\relax - |\zq c\ibu2f0\qh2g\relax - &&\Ibbl3on2\qbp3q\sk\tbbbl3\tqb3n\enotes -\notes\zqb1M\Ibbu4MN3\qhp4M\sk\sk\tbbbu4\tqh4a\relax - |\nbbbu2\qh2{gfe}\tqh2d\relax - &\sk\pause - &\Ibbbl3pm3\isluru4p\qb3{pon}\tqb3m\enotes - %\check -\NOtes\qb1N\zq G\tqb1N\relax - |\cu c\zq{df}\cu i\relax - &\relax - &\Ibl0lk1\qb0l\tslur4k\tqb0k\enotes - %\check -% -\barre %98 -\NOTes\zqp J\qlp N\multnoteskip{0.7}\sk\ds|\isluru0i\zq d\zq f\qu i\tslur0j\multnoteskip{0.7}\zq c\zq e\cu j\ds - &\pause&\isluru0k\ql k\tslur0j\multnoteskip{0.7}\cl j\ds\enotes -% -\ifx\orgue\undefined - \ifx\flute\undefined - \ifx\oboe\undefined - \linegoal24\relax - \else\linegoal19\fi - \else\linegoal20\fi % flute -\else\linegoal20\fi % orgue -\finmorceau - -\rightline{\sl \today} -\eject - - -\bye diff --git a/macros/musixtex/doc/examples/kv315f.tex b/macros/musixtex/doc/examples/kv315f.tex deleted file mode 100644 index 5ea4c9b67c..0000000000 --- a/macros/musixtex/doc/examples/kv315f.tex +++ /dev/null @@ -1,2 +0,0 @@ -\def\flute{xxx} -\input kv315.tex diff --git a/macros/musixtex/doc/examples/kv315h.tex b/macros/musixtex/doc/examples/kv315h.tex deleted file mode 100644 index a502fc3a89..0000000000 --- a/macros/musixtex/doc/examples/kv315h.tex +++ /dev/null @@ -1,2 +0,0 @@ -\def\oboe{xxx} -\input kv315.tex diff --git a/macros/musixtex/doc/examples/kv315o.tex b/macros/musixtex/doc/examples/kv315o.tex deleted file mode 100644 index 4f71bd5536..0000000000 --- a/macros/musixtex/doc/examples/kv315o.tex +++ /dev/null @@ -1,2 +0,0 @@ -\def\orgue{xxx} -\input kv315.tex diff --git a/macros/musixtex/doc/examples/kv315org.tex b/macros/musixtex/doc/examples/kv315org.tex deleted file mode 100644 index ab58cef273..0000000000 --- a/macros/musixtex/doc/examples/kv315org.tex +++ /dev/null @@ -1,813 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi -\title{Andante KV 315}\subtitle{pour fl\^ute et orchestre} -\author{W. A. Mozart\\transcription pour orgue solo \`a 3 claviers\\(disposition -baroque avec G.O. entre R\'ecit et Positif)\\D. Taupin, 2001} -\shortauthor{W. A. Mozart / D. Taupin} - \othermention{R\'ecit : fl\^utes 8', 4', nazard {\it ad lib.} -\\G.O. : principaux 8', 4' -\\Positif : fonds 8', 4', 2' {\it ad lib.}, acc. G.O. -\\P\'edale : bourdon 16', tirasse positif -\csname HomeReg\endcsname} -\maketitle - -\parindent 2cm -\generalsignature{0} -\instrumentnumber{3} -\setname1{P\'edale 16'} -\setname2{Orgue} -\setname3{R\'ecit} -\setstaffs22 -\setclef1{6000} -\setclef2{6000} -\setclef3{0000} -\generalmeter{\meterfrac 24} -\def\dble{\multnoteskip 2} - -\def\FourStaff{\relax - \gdef\Nextstaff{\nextstaff}\relax - \setclef2{6000}\relax - \setstaffs22\relax} - -\def\ThreeStaff{\relax - \gdef\Nextstaff{\relax}\setstaffs21\relax - \setclef2{0000}\relax -} - - \FourStaff - -\systemnumbers -\def\freqbarno{9999} - - -\debutmorceau -\zbarre -\NOTes\qu J\qu G&\zmidtwotext{\llap{\bf G.O.}}\ql N\ql N|\zq c\zq e\qu j\zq d\zq f\qu i&\multnoteskip{0.7}\sk\pause\enotes -% -\barre %2 -\NOtes - \ibu0K0\lpz J\qh0J\lpz G\qh0G&\Ibl1Na2\upz c\zq c\qb1N\upz b\zq N\qb1b\relax - |\Ibl2fh2\upz j\zq e\qb2j\Pince n\multnoteskip{0.6}\zq g\qb2k\relax - {\multnoteskip{0.4}\tinynotesize\Ibbu3jk1\qh3j\tqh3k}\relax - &\soupir\enotes -\NOtes - \lpz J\tqh0J&\upz c\tqb1c\relax - |\zq g\tqb2l&\ds\enotes -\notes\ds&\zmidtwotext{\bf Pos.}\ds|\ds&\Ibbl0lm2\qbp0l\turn n\sk\tbbbl0\tqb0m\enotes -% -\barre %3 -\def\atnextline{\ThreeStaff}% -\notes\dble\cl J\ds\cl G\ds - &\Nextstaff\ibbu0e0\zcl N\qh0c\zq c\qh0e\zq e\qh0g\zq -e\tqh0c\zq e\ibbu0e0\qh0g\zq c\qh0e\zq d\qh0f\zq b\tqh0d\relax - &\Ibbl0nl1\qb0n\tqb0l\dble\isluru0j\ql j\sk\tslur0k\cl k\enotes -% -\barre %4 -\notes\dble\cu J\ds\cu C\ds\relax - &\Nextstaff\qs\ibbu0d0\zq b\qh0{^d}\zq c\qh0e\zq b\tqh0d\relax - \Ibbu0df3\zq c\qh0e\zq c\qh0e\zq {=d}\qh0f\zq e\tqh0g\relax - &\Ibl0kl2\qb0{^k}\sk\tqb0l\sk\qs\Ibbl0ln2\qb0{lm}\tqb0n\enotes -% -\barre %5 -\notes\dble\cu J\ds\cu J\ds - &\Nextstaff\qs\ibbu0g0\zq f\qh0h\zq c\qh0f\zq f\tqh0h\Ibbu0ig3\zq h\qh0j\zq -h\qh0j\sk\zq g\qh0i\zq f\tqh0h\relax - &\ibbl0o0\qb0o\tbbl0\qb0m\itenu0q\tqb0q\sk - \ibbl0o0\tten0\qbp0q\relax - {\multnoteskip{0.66}\sk\nbbbl0\qb0r\tqb0q}\relax - \Ibbl0po1\qb0p\tqb0o\enotes -% -\barre %6 -\notes\dble\cu J\ds\cu J\ds - &\Nextstaff\qs\Ibbu0fd2\zq f\qh0h\zq e\qh0g\zq{^d}\tqh0{^f}\relax - \ibbu0i0\zq e\qh0g\zq g\qh0j\zq c\qh0e\zq e\tqh0g\relax - &\dble\Ibl0on1\Pince q\qb0o\tqb0n\ds - \multnoteskip{0.33}\ibbl0n0\qbp0n\uppersh m\turn r\sk\tbbbl0\tqb0n\enotes -% -\barre %7 -\notes\dble \cu H\ds\qu{_H}\ds\relax - &\Nextstaff\qs\Ibbu0fj2\zq c\qh0f\zq f\qh0h\zq h\tqh0j\ds\Ibbu0fj2\zq c\qh0f\zq -f\qh0{_h}\zq h\tqh0j\relax - &\Ibbl0qo1\qb0q\tqb0o\dble\ql m\sk\cl m\enotes -% -\barre %8 -\Notes\cu G\relax - &\Nextstaff\qs\Ibbu0di2\zq b\qh0d\relax - &\multnoteskip{0.5}\Ibbbl1nk3\qb1{nml}\tqb1k\enotes -\notes\ds&\Nextstaff\zq d\qh0f\zq f\tqh0i\relax - &\ql k\sk\enotes -\notes\dble\cu J\sk\relax - &\Nextstaff\qs\ibbu0i0\zq f\qh0i\zq e\qh0j\zq e\tqh0g\relax - &\sk\sk\multnoteskip{0.7}\Ibbl0lj2\qbp0l\sk\tbbbl0\tqb0j\enotes -% -\barre %9 -\notes\dble\cu F\ds\cu G\ds - &\Nextstaff\dble\zql d\qup f\sk\Ibu0ad0\qh0N\zq{d}\tqh0b\relax - &\ibbl0i0\isluru0i\qb0i\tslur0h\qb0h\isluru0m\qb0m\tslur0k\tqb0k\relax - \ibbl0j0\isluru0j\qb0j\tslur0i\qb0i\isluru0n\qb0n\tslur0m\tqb0m\enotes -% -\barre %10 -\notes\dble\qu J\sk\Ibu0JI1\qh0J\tqh0I\relax - &\Nextstaff\zql N\ds\Ibbu0ef2\zq{^d}\qh0b\zq e\qh0c\zq -f\tqh0{=d}\Ibbu0eg3\zq{^f}\qh0{^d}\zq e\qh0{g}\zq{=d}\qh0h\zq i\tqh0g\relax - &\dble\Ibl0kl1\qb0{^k}\tqb0l\ds - \multnoteskip{0.4}\ibbl0n0\qbp0n\turn o\sk\tbbbl0\tqb0n\enotes -% -\barre %11 -\notes\dble\qu H\sk\qu{_H}\relax - &\Nextstaff\zcu j\raise -4\Internote\qs\Ibbu0fj2\zq f\qh0c\zq f\qh0h\zq h\tqh0j\relax - \qs\Ibbu0fj2\zq c\qh0f\zq f\qh0{_h}\zq h\tqh0j\relax - &{\multnoteskip{0.667}\triolet q\Ibbl0qm2\qb0{qo}\tqb0m}\relax - \dble\ql m\sk\cl m\enotes -% -\barre %12 -\notes\dble\Ibu0GF1\lpz G\qh0G\tqh0F\ds - &\Nextstaff\dble\lpz d\zq d\zq g\Ibu0ig1\qh0i\zq b\zq g\tqh0d\ds - &\ibbl0k0\qb0m\tbbl0\qb0p\tqb0p\sk\ds\enotes -\notes\cl L&\Nextstaff\zq c\cu g&\Ibbbl0qo3\qb0{qp_p}\tqb0o\enotes -% -\barre %13 -\notes\ql M\relax - &\Nextstaff\dble\dble\Ibu0fh1\zq c\qh0f\zq d\tqh0h\relax - &\ibbbl0n0\qb0{^no=p}\tqb0o\Ibbbl0nk3\qb0{=nml}\tqb0k\enotes -\Notes\dble\ql N\relax - &\Nextstaff\ds\Ibbu0gd2\zq e\qh0g\zq c\qh0e\zq b\tqh0d\relax - &\ibbl0j0\roff{\tbbl0}\qh0{jl}\sk - \multnoteskip{0.6}\nbbbl0\qb0m\tqb0k\enotes -% -\barre %14 -\notes\dble\qu J\sk\ql{_L}\relax - &\Nextstaff\Ibbu0bg3\qh0M\zq c\qh0N\zq c\qh0e\zq e\tqh0g\relax - \qs\Ibbu0ej2\zq c\qh0{_e}\zq e\qh0g\zq g\tqh0j\relax - &\pince n\Ibbl0kj2\qb0k\tbbl0\qb0 j\tqb0j\sk\ds\sk - \multnoteskip{0.67}\Ibbl0jn2\qbp0j\sk\tbbbl0\tqb0n\enotes -% -\barre %15 -\notes\hl K\relax - &\Nextstaff\dble\raise 4\Internote\rlap{\ds}\ibl1h0\qb1h\zqu k\qb1{^f}\relax - &\Ibbl0nm2\qb0n\tbbl0\qb0{^m}\itenu3m\tqb0m\enotes -\notes&\Nextstaff\multnoteskip{0.75}\dble\dble\qb1g\zcu j\tqb1h\relax - &\multnoteskip{0.75}\tten3\ibbbl0m0\qb0{mln}\tqb0m\Ibbbl0ol3\qb0{onm}\tqb0l\enotes -% -\barre %16 -\notes\hl K\relax - &\Nextstaff\dble\zql{^f}\raise 2\Internote\ds\Ibu0ji1\zq h\qh0j\raise -6\Internote\rlap{\ds}\relax - \zq g\tqh0i\zq g\cu i\relax - &\uppersh o\pince n\Ibbl0lk2\qb0l\tbbl0\qb0k\itenu3k\tqb0k\sk - \tten3\ibbl0k0\qb0k\tqb0p\multnoteskip{0.8}\Ibbbl0ol2\qb0{on^m}\tqb0l\enotes -% -\def\atnextline{\FourStaff}% -\barre %17 -\notes\hl K\relax - &\Nextstaff\dble\zql e\raise 2\Internote\ds\raise --6\Internote\rlap{\ds}\Ibu0ih1\roff{\zq h\itenu0h}\qb0g\zq -{^f}\tten0\itenu0h\tqh0h\zq d\tten0\itenl0d\zq h\cu {^f}\relax - &\ibbl3k0\qb3k\tbbl3\qb3j\itenu3q\tqb3q\sk - \tten3\Ibbl0qj2\qb0{qo^m}\tqb0j\enotes -% -\barre %18 -\notes\dble\ql N\sk\soupir - &\Nextstaff\tten0\zq d\zq i\qu g\sk\sk\sk\ds\ibbu0f0\qh0d\zcl b\qh0g\tqh0{=f}\relax - &\Ibbl0ip3\qb0{ikn}\tqb0p\itenu4r\ql r\enotes -% -\barre %19 -\notes\hl L\relax - &\Nextstaff\rlap{\ibbu0j0\roff{\tbbu0}\qh0g\qh0l\sk\qh0k\sk\qh0j\sk\tbbu0\tqh0i}\relax - \dble\Ibl0eg3\qb0{e^gh}\tqb0{=g}\relax - &\tten4\Ibbl0rn7\roff{\tbbl0}\qb0r\qb0q\sk\qb0p\sk\qb0o\sk\tbbl0\tqb0n\enotes -% -\barre %20 -\NOtes\dble\qup K\sk\multnoteskip{0.5}\sk\ds - &\Nextstaff \dble\ibu0h0\zq{^f}\qh0h\zq f\tqh0h\multnoteskip{0.5}\zq f\cu h\ds - &{\multnoteskip{0.5}\Ibbbl0nk3\qb0{n^ml}\tqb0k\Ibbbl0jk3\qb0{^jkl}\tqb0k}\relax - \cl k\ds\enotes -% -\barre %21 -\Notes\cu G\ds\cu D\ds - &\uptext{\rlap{\bf G.O.}}\relax - \cl N\ds\cl K\ds|\zq b\zq g\cu d\ds\zq h\zq c\rq d\cu{^f}\ds - &\sk\sk\pause\enotes -% -\barre %22 -\Notes\Ibu0GI2\lpz G\qh0G\lpz H\qh0H\relax - &\Ibl3Nb3\upz N\qb3N\upz a\qb3a\relax - |\Ibu1ik2\lpz d\zq i\zq d\qh1g\lpz d\zq j\zq d\qh1{^f}\relax - &\soupir\enotes -\notes\lpz I\tqh0I\sk\ds - &\upz b\tqb3b\sk\ds - |\lpz d\zq d\zq k\tqh1g\sk\ds - &\qs\Ibbl2kp2\qb2{kn}\tqb2p\enotes -% -\def\atnextline{\ThreeStaff}% -\barre %23 -\NOtes\ql a\ql N\relax - &\Nextstaff\lsh m\zq k\itenu2k\zhl k\islurd0j\lq j\isluru1m\ql{m}\tten2\zq k\tslur0i\zq i\tslur1n\ql n\relax - &\itenu5r\hl r\enotes -% -\barre %24 -\NOtes\upz M\Ibl0Ma2\qb0{^M}\upz N\qb0N\upz a\tqb0a\relax - &\Nextstaff\upz o\lq j\zq k\Ibl0jk2\qb0o\Pince r\relax - \rlap{\multnoteskip{0.25}\sk\sk\tinynotesize\Ibbu1op1\qh1o\tqh1p}\relax - \zq k\qb0p\zq{^m}\tqb0q\relax - &\tten5\itenu5r\ql r\sk - \tten5\multnoteskip{0.6}\ibbl0r0\qb0r\relax - \nbbbl0\multnoteskip{0.6}\qb0s\tqb0r\enotes -\notes\ds&\Nextstaff\ds&\multnoteskip{0.72}\Ibbbl0ro3\qb0{rqp}\tqb0o\enotes -% -\barre %25 -\Notes\ql N\relax - &\Nextstaff\zmidtwotext{\bf Pos.}\qs\ibbu1i0\zq b\qh1g\relax - &\multnoteskip{0.5}\ibbbl0n0\qb0{nop}\tqb0o\enotes -\notes\dble\sk\ql b\relax - &\Nextstaff\zq i\qh1k\zq g\tqh1i\ibbu0g0\zq d\qh0g\zq d\qh0g\zq d\qh0g\zq d\tqh0g\relax - &\dble\isluru0n\ql n\sk\tslur0m\cl{^m}\enotes -% -\barre %26 -\Notes\ql c\relax - &\Nextstaff\qs\ibbu1g0\zq e\qh1g\relax - &\multnoteskip{0.5}\ibbbl0l0\qb0{l^mn}\tqb0m\enotes -\notes\dble\sk\ql N\relax - &\Nextstaff\qh1e\zq g\tqh1e\ibbu0i0\zq j\qh0g\zq j\qh0g\zq i\qh0g\zq i\tqh0g\relax - &\dble\isluru0l\ql l\sk\tslur0k\cl{k}\enotes -% -\barre %27 -\notes\ql a\relax - &\Nextstaff\ds\ibbu0g0\zq e\qh0g\zq e\qh0g\zq e\tqh0g\relax - &\ibl0j0\xTrille n{3\noteskip}\qbp0j\sk\sk\nbbbl0\multnoteskip{0.7}\qb0i\tqb0j\enotes -\notes\ql K\relax - &\Nextstaff\ibbu0h0\zq{^f}\qh0h\zq f\qh0h\zq f\qh0h\zq f\tqh0h\relax - &\Ibl0kj2\isluru0k\qb0k\sk\tslur0j\tqb0j\enotes -% -\barre %28 -\NOtes\ds\Ibl1LJ3\qb1L\relax - &\Nextstaff\ds\zql b\zq g\ibu2g0\qu2g\relax - &\Ibu3hi1\islurd3h\qh3{^h}\tslur3i\tqh3i\enotes -\notes\dble\dble\qb1K\tqb1J\relax - &\Nextstaff\dble\dble\qh2{^f}\zcl e\tqh2g\relax - &\hs\Ibbbu0gi2\qh0{g=h}\tqh0i\Ibbbl0jm3\qb0{jkl}\tqb0{^m}\enotes -% -\barre %29 -\Notes\cu I\relax - &\Nextstaff\zqup g\raise -6\Internote\qs\ibbl1f0\zq b\qb1d\relax - &\multnoteskip{0.5}\ibbbl0n0\qb0{nop}\tqb0o\enotes -\notes\dble\ds\cu I\ds - &\Nextstaff\zq d\qb1b\zq d\tqb1b\Ibbl0ef3\zq b\qb0d\zq b\qb0d\zcu -{^g}\qb0g\zq d\tqb0f\relax - &\itenu0n\cl n\sk\tten0\ibbl0o0\qb0{nrq}\tqb0p\enotes -% -\def\atnextline{\FourStaff}% -\barre %30 -\notes\ibu1J0\qh1J\sk\qh1J\relax - &\Nextstaff\Ibbu0ih2\zq d\zq i\qh0f\zq c\zq h\tbbu0\qh0e\zq {hc}\tqh0e\relax - &\Ibbl0no1\qb0{^n}\tqb0o\qs\ccl s\enotes -\Notes\dble\qh1J\tqh1J\relax - &\Nextstaff\dble\Ibu0jl1\zq {je}\qh0h\zq {lh}\tqh0j\relax - &\multnoteskip{0.5}\qs\sk\Ibbbl0rq1\qb0r\tqb0q\qs\sk\Ibbbl0po1\qb0p\tqb0o\enotes -% -\barre %31 -\Notes\ql K\relax - &\Nextstaff\qs\Ibbu1ik2\zq g\qh1i\relax - &\multnoteskip{0.71}\ibbl3n0\qbp3p\sk\tbbbl3\tbbl3\qb3n\enotes -\Notes\dble\sk\ql K\relax - &\Nextstaff\zq k\qh1i\zq k\tqh1i\Ibbu0ki3\zq k\qh0i\lsh h\zq{^j}\zq e\qh0h\zq{=j}\lna -h\zq{^f}\qh0h\zq i\tqh0g\relax - &\itenu1r\tqb3r\sk\tten1\Ibbl0rp3\qb0{r^q=q}\tqb0p\enotes -% -\barre %32 -\Notes\ql K\relax - &\midtwotext{\bf G.O.}|\zqu h\itenu2h\raise -4\Internote\qs\ibbl0g0\qh0{gg}\tqb0g\relax - &\zhl o\xTrille q{8\noteskip}\enotes -\notes\dble\zcl K\sk\sk\ds - &\Nextstaff\zcl {^f}\tten2\Ibbbu0hi3\qh0{hij}\tqh0i\Ibbbu0jm3\qh0{jkl}\tqh0{^m}\relax - &\sk\sk\sk\sk\sk\sk\sk\multnoteskip{0.7}\tinynotesize\Ibbbu0lm1\qh0n\tqh0o\enotes -% -\barre %33 -\notes\qu G\relax - &\Nextstaff\Uptext{\bf m.g.}\Ibbbl0no3\qb0{nop}\tqb0o\relax - &\itenu3n\cl n\enotes - \nspace -\Notes\dble\sk\qu I\sk\relax - &\zcharnote f{\bf m.g.}\qs\ccl d\ibbl0N0\qb0{bNb}\tqb0N\relax - |\bracket m{22}\Uptext{\bf m.d.}\dble\isluru0n\ql n\sk\tslur0k\cl{^m}\relax - &\dble\tten3\cl n\ds\soupir\enotes -% -\barre %34 -\notes\qu J\relax - &\qs\sk\ibbl1M0\qh1N\relax - |\Ibbbl0lm3\qb0{l^mn}\tqb0m\relax - &\enotes -\Notes\dble\sk\Ibu0JK1\qh0J\tqh0K\relax - &\qb1c\tqb1N\Ibbl0aM3\qb0{cNb}\tqb0N\relax - |\dble\isluru0l\ql l\sk\tslur0k\cl k\relax - &\dble\sk\pause\enotes -% -\barre %35 -\notes\zqlp L\relax - &\Ibbbl0LM3\qb0{L=MN}\tqb0M\relax - |\Ibbbl0jk3\qb0{jkl}\tqb0k\relax - &\enotes -\Notes\dble\sk\sk\cl K\relax - &\ibbl0L0\qb0L\tqb0N\Ibbl0LK2\qb0{LN}\qb0K\tqb0N\relax - |\dble\isluru0j\ql j\sk\tslur0i\cl i\relax - &\dble\sk\pause\enotes -% -\barre %36 -\Notes\qu J\relax - &\Ibl0Lc3\qb0L\sk\nbbl0\qb0a\tqb0c\relax - |\rlap{\dble\ibl0g0\qb0e\tqb0e}\Ibbu0gl3\qh0{^ghj}\tqh0l\enotes -\notes\qu K\relax - &\ibl0d0\qb0d\sk\sk\tqb0d\relax - |\islurd0k\Ibbu0ki2\qhp0k\sk\tbbbu0\tqh0i\Ibbbu0kh3\qh0{kji}\tslur0h\tqh0h\relax - &\sk\pause\enotes -% -\barre %37 -\Notes\cu G\sk\ds - &\zq {Nb}\cl d\sk\ds|\cu g\sk\ds - &\qs\isluru0g\Ibbl0gk2\qb0{gi}\tqb0k\enotes -\notes\soupir&\soupir|\soupir - &\tslur0n\ibbbl0n0\qb0n\upz k\qb0k\upz l\qb0l\upz -m\tqb0{^m}\Ibbbl0nq3\upz n\qb0n\upz o\qb0o\upz p\qb0p\upz q\tqb0q\enotes -% -\barre %38 -\Notes\cu G\ds\cu D\ds\relax - &\Nextstaff\zq {_bd}\cu g\ds\zq{ac}\rq d\cu{^f}\sk - &\itenu0r\hl r\enotes -% -\barre %39 -\Notes\Ibl1GN2\upz G\qb1G\upz K\qb1K\relax - &\Nextstaff\Ibu2gi2\lpz b\zq{_bd}\qh2g\lpz d\zq{d^f}\qh2h\relax - &\tten0\itenu0r\ql r\enotes -\notes\upz N\tqb1N\sk\ds - &\Nextstaff\lpz d\zq{dg}\tqh2{_i}\sk\ds - &\tten0\ibbl0r0\qb0{rrr}\tqb0r\enotes -% -\barre %40 -\notes\hu H\relax - &\qs\Ibbu0Ma1\qh0{^Ma}\tqh0c\relax - &\dble\dble\isluru1s\ql{_s}\enotes -\notes - &\Nextstaff\Ibbu0ej3\qh0{_e^fh}\tqh0j\relax - &\tslur1m\ql{^m}\enotes -% -\barre %41 -\NOtes\lpz I\Ibu0IG2\qh0{_I}\lpz F\qh0{^F}\lpz G\tqh0G\ds - &\Nextstaff\lpz d\Ibu0ki2\zq{dg}\qh0k\lpz d\zq{dh}\qh0j\lpz d\zq{dg}\tqh0{_i}\ds - &\Ibl0no1\qb0n\turn q\upperfl r\qb0o\tqb0{_p}\ds - \enotes -% -\barre %42 -\notes\qu J&\zmidtwotext{\bf Pos.}|\ds&\multnoteskip{0.8}\ibbbl0o0\qb0{_poq}\tqb0o\enotes -\Notes\sk\qu K\relax - &\Nextstaff\Ibl0jh2\zq{_l}\qb0j\zq k\qb0{_i}\zq j\tqb0 h\relax - &\isluru0n\ql n\sk\tslur0m\cl{^m}\enotes -% -\barre %43 -\notes\dble\ql N\sk\ql{=M}\relax - &\Nextstaff\zhl d\Ibbu0ji3\zq{^f}\qh0j\zq g\qh0{_i}\zq g\qh0i\zq g\tqh0i\relax - \qs\ibbu0i0\zq g\qh0i\zq f\qh0h\zq g\tqh0i\relax - &\Ibbl0on2\qb0o\tbbl0\qb0n\tqb0n\sk\ds\sk\cl n\enotes -% -\barre %44 -\notes\dble\qu L\sk\qu K\relax - &\Nextstaff\zql{^c}\qs\ibbu0i0\zq g\qh0{_i}\zq{^f}\qh0h\zq g\tqh0i\relax - \zql d\qs\ibbu0i0\zq g\qh0i\zq f\qh0h\zq g\tqh0i\relax - &\itenu1n\ql n\sk\sk\sk\tten1\ibbl0n0\qb0n\qb0n\qb0{^m}\tqb0n\enotes -% -\barre %45 -\notes\dble\qu{^J}\sk\qu K\relax - &\Nextstaff\zql e\ibbu0h0\qh0{gh^g}\tqh0h\ibbu0h0\zq d\qh0{=f}\zq f\qh0h\zq -e\qh0{=g}\zq d\tqh0f\relax - &\Ibbl0po2\qb0{_p}\tbbl0\qb0o\itenu0o\tqb0o\sk - \tten0\Ibbl0oq3\qb0{or^q}\tqb0r\enotes -% -\barre %46 -\notes\qu E\relax - &\zmidtwotext{\bf G.O.}\qs\Ibbu0JN2\qh0{^JL}\tqh0N\relax - &\dble\dble\isluru1p\ql{_p}\enotes - \nspace -\notes\soupir - &\Nextstaff\Ibbu0bg3\qh0{_b^ce}\tqh0g\relax - &\tslur1j\ql{^j}\enotes -% -\barre %47 -\def\atnextline{\ThreeStaff}% -\NOtes\lpz F\Ibu0FK2\qh0F\lpz J\qh0{^J}\lpz K\tqh0K\ds - &\Nextstaff\lpz a\Ibu0hf2\zq{ad}\qh0h\lpz a\zq{ae}\qh0g\lpz a\zq{ad}\tqh0f\ds - &\Ibl0kl1\qb0k\turn n\qb0l\tqb0m\ds - \enotes -% -\barre %48 -\notes\ql N\relax - &\zmidtwotext{\bf Pos.}|\ds&\multnoteskip{0.8}\ibbbl0l0\qb0{mln}\tqb0l\enotes -\Notes\sk\ql a\relax - &\Nextstaff\Ibu0hf2\zq{_i}\qh0g\zq h\qh0f\zq g\tqh0 e\relax - &\isluru0k\ql k\sk\tslur0j\cl{^j}\enotes -% -\barre %49 -\notes\dble\qu K\sk\ql{=b}\relax - &\Nextstaff\ibbu0g0\zq{^c}\qh0h\zq d\qh0f\lpz d\zq d\qh0f\lpz d\zq d\tqh0f\zq d\qh0{^g}\relax - &\Ibbl0lk2\qb0l\tbbl0\qb0k\tqb0k\sk\qs\ibbl0m0\qb0{mm}\tqb0m\enotes -% -\barre %50 -\notes\dble\qu J\sk\ql{^N}\relax - &\Nextstaff\qs\ibbu0i0\zq e\qh0h\zq e\qh0h\zq e\tqh0h\zq e\qh0{=i}\relax - &\Ibbl0ml2\qb0m\tbbl0\qb0l\tqb0l\sk\qs\ibbl0k0\qb0{kk}\tqb0k\enotes -% -\barre %51 -\notes\dble\qu H\sk\qu F\relax - &\Nextstaff\zcl e\Ibbu0ih1\qh0i\tqh0h\zq c\dble\qu h\relax - &\ibbl0k0\qb0k\tbbl0\qb0j\itenu0o\tqb0o\sk - \multnoteskip{0.6}\Ibbl0om3\tten0\qb0o\sk\nbbbl0\qb0n\tqb0m\enotes -\notes&\Nextstaff\zq a\cu h&\Ibbl0lk1\qb0l\tqb0{^k}\enotes -% -\def\atnextline{\FourStaff}% -\barre %52 -\notes\dble\qu E\sk\cu L\ds - &\Nextstaff\Ibbu0hg3\zq c\qh0h\zq b\qh0{^g}\zq b\zq e\qh0g\zq b\zq e\tqh0g\dble\zq - {be}\cu g\ds - &\Ibbl0kl2\qb0{^k}\tbbl0\qb0l\tqb0l\sk\qs\ibbl0l0\qb0{ll}\tqb0l\enotes -% -\barre %53 -\notes\qs\ibbl0K0\qb0{KK}\tqb0K\relax - &\Nextstaff\qs\ibbu0i0\rq g\sh g\zq f\qh0i\rq g\zq f\qh0i\rq g\zq f\tqh0i\relax - &\Ibbl0nm2\qb0n\tbbl0\qb0m\tqb0m\enotes -\notes\multnoteskip{0.7}\cl K\sk\sk\sk\ds - &\Nextstaff\multnoteskip{0.7}\zq f\rq g\cu i\sk\sk\sk\ds - &\multnoteskip{0.7}\hs\ibbbl0l0\qb0{ml}\tqb0m\ibbbl0l0\qb0{nml}\tqb0m\enotes -% -\barre %54 -\notes\zql G\raise3\Internote\qs\ibbl0N0\qb0{NN}\tqb0N\relax - &\Nextstaff\zcharnote N{\bf G.O.}\relax - \qs\ibbu0i0\zq d\zq f\qh0i\zq d\zq f\qh0i\zq d\zq f\tqh0i\relax - &\Ibbl0qp2\qb0q\tbbl0\qb0p\tqb0p\enotes -\notes\multnoteskip{0.7}\cl N\sk\sk\sk\ds - &\Nextstaff\multnoteskip{0.7}\zq f\rq g\cu i\sk\sk\sk\ds - &\multnoteskip{0.7}\hs\ibbbl0o0\qb0{po}\tqb0p\ibbbl0o0\qb0{qpo}\tqb0p\enotes -% -\barre %55 -\NOTes\qu J\qu G\relax - &\sk\cl N|\zq c\zq j\qu e\zq d\zq g\qu i&\ql q\soupir\enotes -% -\barre %56 -\NOtes - \ibl0K0\upz J\qb0J\upz N\qb0 N\relax - &\ibl1b0\qb1{cb} - |\Ibl2fh2\zq {ce}\qb2j\zq g\Pince n\multnoteskip{0.6}\qb2k\relax - {\multnoteskip{0.4}\tinynotesize\Ibbu3jk1\qh3j\tqh3k}\relax - &\soupir\enotes -\NOtes - \upz J\tqb0J\relax - &\tqb1c|\zq g\tqb2l&\ds\enotes -\notes\ds&\zmidtwotext{\bf Pos.}\ds&\Ibbl0lm2\qbp0l\turn o\sk\tbbbl0\tqb0m\enotes -\def\atnextline{\ThreeStaff}% -% -\barre %57 -\notes\dble\cu J\ds\cu G\ds - &\Nextstaff\ibbu0e0\zq N\qh0c\zq c\qh0e\zq e\qh0g\zq e\tqh0c\zq e\ibbu0e0\qh0g\zq -c\qh0e\zq d\qh0f\zq b\tqh0d\relax - &\Ibbl0nl1\qb0n\tqb0l\dble\isluru0j\ql j\sk\tslur0k\cl k\enotes -% -\barre %58 -\notes\dble\cu J\ds\cu J\ds\relax - &\Nextstaff\qs\ibbu0d0\zq b\qh0{^d}\zq c\qh0e\zq b\tqh0d\relax - \Ibbu0df3\zq c\qh0e\zq c\qh0e\zq {=d}\qh0f\zq e\tqh0g\relax - &\Ibl0kl2\qb0{^k}\sk\tqb0l\sk\qs\Ibbl0ln2\qb0{lm}\tqb0n\enotes -% -\barre %59 -\notes\dble\cu J\ds\cu J\ds - &\Nextstaff\qs\ibbu0g0\zq f\qh0h\zq c\qh0f\zq f\tqh0h\Ibbu0ig3\zq h\qh0j\zq -h\qh0j\sk\zq g\qh0i\zq f\tqh0h\relax - &\ibbl0o0\qb0o\tbbl0\qb0m\itenu0q\tqb0q\sk - \ibbl0o0\tten0\qbp0q\relax - {\multnoteskip{0.66}\sk\nbbbl0\qb0r\tqb0q}\relax - \Ibbl0po1\qb0p\tqb0o\enotes -% -\barre %60 -\notes\dble\cu J\ds\cu J\ds - &\Nextstaff\qs\Ibbu0fd2\zq f\qh0h\zq e\qh0g\zq{^d}\tqh0{^f}\relax - \ibbu0i0\zq e\qh0g\zq g\qh0j\zq c\qh0e\zq e\tqh0g\relax - &\dble\Ibl0on1\Pince q\qb0o\tqb0n\ds - \multnoteskip{0.33}\ibbl0n0\qbp0n\turn p\sk\tbbbl0\tqb0n\enotes -% -\barre %61 -\notes\dble\qu H\sk\qu{_H}\relax - &\Nextstaff\qs\Ibbu0fj2\zq c\qh0f\zq f\qh0h\zq h\tqh0j\ds\Ibbu0fj2\zq c\qh0f\zq -f\qh0{_h}\zq h\tqh0j\relax - &\Ibbl0qo1\qb0q\tqb0o\dble\ql m\sk\cl m\enotes -% -\barre %62 -\Notes\qu G\relax - &\Nextstaff\qs\Ibbu2di2\zq b\qh2d\relax - &\multnoteskip{0.5}\Ibbbl3nk3\qb3{nml}\tqb3k\enotes -\notes&\Nextstaff\zq d\qh2f\zq f\tqh2i\relax - &\ql k\sk\enotes -\notes\dble\Ibu0GJ1\qh0G\tqh0J\relax - &\Nextstaff\qs\ibbu0i0\zq f\qh0i\zq e\qh0j\zq e\tqh0g\relax - &\sk\sk\multnoteskip{0.7}\Ibbl0lj2\qbp0l\sk\tbbbl0\tqb0j\enotes -% -\barre %63 -\notes\dble\qu F\sk\qu G\relax - &\Nextstaff\dble\zq d\qup f\sk\Ibu0bd1\qh0N\zq b\tqh0d\relax - &\ibbl0i0\isluru0i\qb0i\tslur0h\qb0h\isluru0m\qb0m\tslur0k\tqb0k\relax - \ibbl0j0\isluru0j\qb0j\tslur0i\qb0i\isluru0n\qb0n\tslur0m\tqb0m\enotes -% -\barre %64 -\notes\dble\qu J\sk\Ibu0JI1\qh0J\tqh0I\relax - &\Nextstaff\zcl N\qs\Ibbu0ef2\zq b\qh0{^d}\zq c\qh0e\zq{=d}\tqh0f\relax - \Ibbu0fi3\zq{^d}\qh0{^f}\zq e\qh0g\zq{=d}\qh0h\zq g\tqh0i\relax - &\dble\Ibl0kl1\qb0{^k}\tqb0l\ds - \turn p\multnoteskip{0.4}\ibbl0n0\qbp0n\sk\tqb0n\enotes -% -\barre %65 -\notes\dble\qu H\sk\qu{_H}\relax - &\Nextstaff\zcu j\raise -4\Internote\qs\Ibbu0fj2\zq f\qh0c\zq f\qh0h\zq h\tqh0j\relax - \qs\Ibbu0fj2\zq c\qh0f\zq f\qh0{_h}\zq h\tqh0j\relax - &{\multnoteskip{0.667}\triolet q\Ibbl0qm2\qb0{qo}\tqb0m}\relax - \dble\ql m\sk\cl m\enotes -% -\barre %66 -\notes\dble\Ibu0HM1\lpz G\qb0G\lpz M\tqh0M\ds - &\Nextstaff\dble\lpz d\zq d\Ibu0ig1\zq i\qh0g\lpz b\zq g\zq b\tqh0d\ds - &\ibbl0k0\qb0m\tbbl0\qb0p\tqb0p\sk\ds\enotes -\notes\cl L&\Nextstaff\zq c\cu g&\Ibbbl0qo3\qb0{qp_p}\tqb0o\enotes -% -\barre %67 -\notes\ql M\relax - &\Nextstaff\dble\dble\Ibu0fh1\zq f\qh0c\zq h\tqh0d\relax - &\ibbbl0n0\qb0{^no=p}\tqb0o\Ibbbl0nk3\qb0{=nml}\tqb0k\enotes -\Notes\dble\ql N\relax - &\Nextstaff\ds\Ibbu0gd2\zq e\qh0g\zq c\qh0e\zq b\tqh0d\relax - &\ibbl0j0\roff{\tbbl0}\qh0{jl}\sk - \multnoteskip{0.6}\nbbbl0\qb0m\tqb0k\enotes -% -\barre %68 -\notes\dble\qu J\sk\dble\ql N\relax - &\Nextstaff\Ibbu0bg3\qh0M\zq c\qh0N\zq c\qh0e\zq e\tqh0g\qs - \Ibbu0ej2\zq c\qh0{e}\zq e\qh0g\zq g\tqh0j\relax - &\pince n\Ibbl0kj2\qb0k\tbbl0\qb0 j\tqb0j\sk\ds\sk - \multnoteskip{0.67}\Ibbl0jj2\qbp0j\sk\tbbbl0\tqb0j\enotes -% -\barre %69 -\Notes\qu J\relax - &\Nextstaff\qs\Ibbu0fj2\zq c\qh0{^f}\zq f\qh0h\zq h\tqh0j\relax - &\Ibbl0jn2\qb0{^j}\tbbl0\qb0k\itenu0r\tqb0r\enotes -\notes\qu{_I}\relax - &\Nextstaff\dble\qs\Ibbu0gk2\zq d\qh0g\zq g\qh0{_i}\zq i\tqh0k\relax - &\tten0\isluru0r\Ibbbl0ro3\qb0{r=q_p}\tqb0o\Ibbbl0nk3\qb0{nml}\tslur0k\tqb0k\enotes -% -\barre %70 -\def\atnextline{\FourStaff}% -\Notes\qu J\relax - &\Nextstaff\qs\Ibbu0gk2\zq d\qh0g\zq g\qh0{_i}\zq i\tqh0k\relax - &\pince m\ibbl0j0\qb0k\tbbl0\qb0j\itenu0q\tqb0q\enotes -\notes\qu H\relax - &\Nextstaff\dble\qs\Ibbu0fj2\zq c\qh0{=f}\zq f\qh0h\zq h\tqh0j\relax - &\tten0\isluru0q\Ibbbl0qn3\qb0{q_po}\tqb0n\Ibbbl0mj3\qb0{mlk}\tslur0j\tqb0j\enotes -% -\barre %71 -\Notes\qu J\relax - &\Nextstaff\qs\Ibbu0fj2\zq N\qh0d\zq d\qh0f\zq f\tqh0h\relax - &\pince m\ibbl0i0\qb0j\tbbl0\qb0{_i}\itenu0p\tqb0{_p}\enotes -\Notes\qu J\relax - &\Nextstaff\ibbu0g0\zq e\qh0{g_ih}\tqh0g\relax - &\tten0\ibbl0p0\qb0{prq}\tqb0p\enotes -% -\barre %72 -\notes\dble\ibl0N0\qb0M\qb0N\qb0a\tqb0N\relax - &\Nextstaff\dble\ibu0g0\zq c\qh0f\zq c\qh0e\zq c\qh0f\zq c\tqh0g\relax - &\Ibbl0nl7\roff{\tbbl0}\qb0{^no}\sk\qb0{=n}\sk\qb0m\sk\tbbl0\tqb0l\enotes -% -\barre %73 -\notes\dble\dble\ibl0M0\qb0{MMM}\tqb0M\relax - &\Nextstaff\zhlp a\dble\dble\ibu0h0\qh0{hhh}\zcl f\tqh0h\relax - &\isluru0k\Ibbbl0jk3\qb0{^jkl}\tqb0k\Ibbbl0lm3\qb0{lmn}\tslur0m\tqb0m\relax - \isluru0n\Ibbbl0no3\qb0{^nop}\tqb0o\Ibbbl0nk3\qb0{=nml}\tslur0k\tqb0k\enotes -% -\barre %74 -\notes\dble\ql N\sk\relax - &\Nextstaff\ibl0e0\zqu g\itenu0g\qbp0e\sk\multnoteskip{0.7}\sk\nbbbl0\qb0f\tqb0e\relax - &\ibl0j0\qbp0j\sk\multnoteskip{0.7}\sk\nbbbl0\qb0k\tqb0j\enotes -\Notes\cu G\ds - &\Nextstaff\tten0\zcl d\cu g\ds - &\cl i\ds\enotes -% -\barre %75 -\NOtes\cu J\ds\cl N\ds\relax - &\zmidtwotext{\bf G.O.}\cl c\ds\cl b\ds\relax - |\zq g\zq e\cu j\ds\zq d\zq g\zq i\cu k\ds - &\sk\sk\pause\enotes -% -\barre %76 -\def\atnextline{\ThreeStaff}% -\Notes\lpz J\Ibu1JL1\qh1J\lpz K\qh1K\relax - &\Ibl2ce2\upz c\qb2c\upz d\qb2d\relax - |\upz l\Ibl3gi2\zq j\zq g\qb3l\upz m\zq g\zq i\qb3m\relax - &\soupir\enotes -\notes\lpz L\tqh1L\sk\ds - &\upz e\tqb2e\sk\ds - |\upz n\zq g\zq j\tqb3n\sk\ds - &\qs\Ibbl0gl2\qb0{gj}\tqb0l\enotes -% -\barre %77 -\NOtes\ql M\ql L\relax - &\Nextstaff\zq i\zq d\qu g\zq e\zq j\qu g\relax - &\itenu3n\hl n\enotes -% -\barre %78 -\NOtes\Ibu1IK2\lpz I\qh1I\lpz J\qh1J\relax - &\Nextstaff\Ibl3fh2\zq i\zq g\qb3k\Pince n\multnoteskip{0.33}\zq j\zq g\qb3l\sk\tinynotesize\Ibbu0kl1\qh0k\tqh0l\relax - &\tten3\itenu3n\ql n\enotes -\notes\lpz K\tqh1K\sk\ds - &\Nextstaff\Uptext{\hbox to 4\noteskip{\hss\bf R\'ec./G.O.}}\zq g\zq i\tqb3m\sk\ds - &\tten3\Ibbl0np3\qb0{n^no}\tqb0p\enotes -% -\barre %79 -\Notes\qu J\relax - &\zmidtwotext{\bf Pos.}\Nextstaff\qs\Ibbl1ij2\zq e\qb1j\relax - &\multnoteskip{0.5}\ibbbl0q0\qb0{qrs}\tqb0r\enotes -\notes\dble\sk\qu L\relax - &\Nextstaff\zq l\qb1n\zq j\tqb1l\ibbu0i0\zq j\qh0g\zq j\qh0g\zq j\qh0g\zq j\tqh0g\relax - &\dble\isluru0q\ql q\sk\tslur0p\cl p\enotes -% -\barre %80 -\Notes\ql M\relax - &\Nextstaff\qs\Ibbl1hg0\zq h\qb1j\relax - &\multnoteskip{0.5}\ibbbl0o0\qb0{opq}\tqb0p\enotes -\notes\dble\sk\qu J\relax - &\Nextstaff\zq m\qb1j\zq j\tqb1h\ibbu0h0\zq f\qh0h\zq f\qh0h\zq e\qh0g\zq e\tqh0g\relax - &\dble\isluru0o\ql o\sk\tslur0n\cl n\enotes -% -\barre %81 -\notes\qu K\relax - &\Nextstaff\qs\ibbu0i0\zq j\qh0h\zq j\qh0h\zq j\tqh0h\relax - &\ibl0m0\xTrille o{3\noteskip}\qbp0m\sk\sk\nbbbl0\multnoteskip{0.7}\qb0l\tqb0m\enotes -\notes\qu G\relax - &\Nextstaff\ibbu0h0\zq g\qh0i\zq g\qh0i\zq g\qh0i\zq g\tqh0i\relax - &\Ibl0nm2\isluru0n\qb0n\sk\tslur0m\tqb0m\enotes -% -\barre %82 -\NOtes\ds\Ibu1HF3\qh1H\relax - &\Nextstaff\ds\zql e\ibu2i0\qh2j\relax - &\Ibl3kl1\isluru3k\qh3{^k}\tslur3l\tqb3l\enotes -\notes\dble\dble\qh1G\tqh1F\relax - &\Nextstaff\dble\dble\rq j\qh2i\zcl f\zq h\tqh2j\relax - &\hs\Ibbbl0jl2\qh0{j=k}\tqb0l\Ibbbl0mp3\qb0{mno}\tqb0p\enotes -% -\barre %83 -\Notes\cu E\relax - &\Nextstaff\zqu j\raise -6\Internote\qs\ibbl1f0\zq e\qb1g\relax - &\multnoteskip{0.5}\ibbbl0q0\qb0{qrs}\tqb0r\enotes -\notes\dble\ds\cu J\ds - &\Nextstaff\raise 3\Internote\rlap{\ds}\zq e\qb1g\zq e\tqb1g\ibbl0f0\zq e\qb0g\zq -g\qb0{_i}\zcu j\zq f\qb0h\zq e\tqb0{^g}\relax - &\itenu0q\cl q\sk\tten0\Ibbl0qn3\qb0{q_po}\tqb0{^n}\enotes -% -\def\atnextline{\FourStaff}% -\barre %84 -\notes\ibu1M0\qh1M\relax - &\Nextstaff\ibu3j0\zq {fh}\qh3j\relax - &\Ibbl0no1\qb0{^n}\tqb0o\enotes -\Notes\dble\qh1M\qh1M\tqh1M\relax - &\Nextstaff\dble\zq j\qh3h\zq h\qh3f\zq k\tqh3h\relax - &\multnoteskip{0.5}\qs\sk\Ibbbl0rq1\qb0r\tqb0q\relax - \qs\sk\Ibbbl0po1\qb0{=p}\tqb0o\relax - \qs\sk\Ibbbl0nm1\qb0{=n}\tqb0m\enotes -% -\barre %85 -\notes\dble\ql N\sk\ql N\relax - &\Nextstaff\qs\ibbu0f0\zq c\qh0e\zq e\qh0g\zq e\tqh0e\relax - \Ibbu0ge3\zq e\qh0g\zq{a^d}\qh0{^f}\zq{b=d}\qh0{=f}\zq c\tqh0e\relax - &\Ibbl0ln2\qb0l\tbbl0\qb0n\itenu0n\tqb0n\sk\tten0\Ibbl0nl3\qb0{n^m=m}\tqb0l\enotes -% -\barre %86 -\Notes\cl G\sk\ds\relax % \roff{\zq N\itenl1N}\itenl0M\qu M\sk\raise -4\Internote\ds - &\Nextstaff\uptext{G.O.}\itenu2d\zq f\zqu d\raise -8\Internote\ds\ibbl0e0\qb0{cc}\tqb0c\relax - &\zhl k\xTrille q{8\noteskip}\enotes -\notes\dble\zcl G\raise 2\Internote\qs\ibbu0L0\qh0M\zqh0M\raise -4\Internote\ds\tqh0M\relax - &\Nextstaff\tten2\Ibbbu0df3\zcl b\qh0{def}\tqh0e\Ibbbu0fi3\qh0{fgh}\tqh0i\relax - &\dble\sk\sk\sk\multnoteskip{0.3}\tinynotesize\Ibbu0jk1\qh0j\tqh0k\enotes - \setclefs2{6000}\zchangeclefs -% -\barre %87 -\qspace -\Notes\qu C\relax - &\uptext{\bf m.g.}\ibbl1N0\qb1L\qb1N\relax - |\zcharnote b{\bf m.d.}\bracket h{22}\multnoteskip{0.5}\ibbbu0j0\qb0{jkl}\tqh0k\relax - &\ql j\enotes -\notes\dble\sk\qu E\relax - &\qh1c\tqb1N\ibbl1N0\qb1{LNc}\tqb1N\relax - |\dble\isluru0p\qu j\sk\tslur0p\cl p\relax - &\dble\sk\soupir\enotes -% -\barre %88 -\Notes\qu F\relax - &\ibbl1N0\qb1M\qb1a\relax - |\multnoteskip{0.5}\advance\transpose7\ibbbl0h0\qh0{hij}\tqb0i\relax - &\enotes -\notes\dble\sk\qu{^J}\relax - &\qh1c\tqb1N\ibbl1L0\qb1{^JLa}\tqb1L\relax - |\dble\advance\transpose 7\isluru0h\ql h\sk\tslur0g\cl g\relax - &\dble\sk\pause\enotes -% -\barre %89 -\Notes\qu K\relax - &\ibbu1a0\qh1K\qh1a\relax - |\multnoteskip{0.5}\advance\transpose7\ibbbl0h0\qh0{fgh}\tqb0g\relax - &\enotes -\notes\dble\sk\Ibu0IJ1\qh0I\tqh0J\relax - &\qh1d\tqh1{_a}\ibbu1N0\qh1{NdN}\tqh1c\relax - |\dble\advance\transpose 7\isluru0f\ql f\sk\tslur0e\cl e\relax - &\dble\sk\pause\enotes -% -\barre %90 -\Notes\qup F\relax - &\multnoteskip{0.5}\ibbbu0M0\qh0{MNa}\tqh0N\relax - |\multnoteskip{0.5}\advance\transpose7\ibbbl0g0\qh0{def}\tqb0e\relax - &\enotes -\notes\dble\sk\sk\cu{^F}\relax - &\ibbl0N0\qb0M\tqb0c\ibbl0N0\qb0{Mc^M}\tqb0c\relax - |\dble\zq h\isluru0k\ql k\sk\zq h\tslur0l\cl{_l}\relax - &\sk\sk\pause\enotes -% -\barre %91 -\notes\dble\ibu0G0\qh0{G_HG}\tqh0{^F}\relax - &\ibbu0N0\qh0{Nc_a}\tqh0c\ibbu0N0\qh0{Nc^M}\tqh0c\relax - |\dble\ibl0k0\zq j\upz l\qb0{=l}\zq j\upz m\qh0m\zq j\upz l\qh0l\lsh k\lq j\upz k\tqb0{k}\relax - &\dble\dble\sk\pause\enotes -% -\barre %92 -\notes\dble\pointdurgue F\qu G\sk\soupir - &\dble\pointdorgue b\qu N\sk\soupir - |\dble\pointdorgue o\zq{gj}\qu{=l}\sk\soupir - &\Ibl0lj3\pointdorgue o\qbp0n\Uptext{\it cadenza ad lib.}\sk\sk\tbbl0\tqb0j\xTrille n{3\noteskip}\ibl0j0\qbp0k\sk\sk\multnoteskip{0.7}\nbbbl0\qb0j\tqb0k\enotes -% -\barre %93 -\NOtes\qu J\qu G\relax - &\zmidtwotext{G.O.}\ql N\ql N|\zq e\zq j\qu c\zq f\zq i\qu d\relax - &\uptext{\vbox{\hbox{R\'ecit}\hbox{non acc.}}}\ql j\soupir\enotes -% -\barre %94 -\NOtes - \ibl0K0\upz J\qb0J\upz N\qb0N\relax - &\Ibu1Lc2\lpz J\qh1J\lpz N\qh1N\relax - |\Ibu2jl2\zq{ce}\qb2j\Pince n\multnoteskip{0.6}\zq g\qb2k\relax - {\multnoteskip{0.4}\tinynotesize\Ibbu3jk1\qh3j\tqh3k}\relax - &\soupir\enotes -\NOtes - \upz J\tqb0J\relax - &\tqh1c\relax - |\zq g\tqh2l&\ds\enotes -\notes\ds&\ds&\Ibbl0lm2\qbp0l\turn o\sk\tbbbl0\tqb0m\enotes -% -\def\atnextline{\ThreeStaff}% -\barre %95 - %\check -\notes\dble\cu J\ds\cu G\ds - &\Nextstaff\zhl N\ibbu0e0\qh0c\zq c\qh0e\zq e\qh0g\zq e\tqh0c\zq e\ibbu0e0\qh0g\zq -c\qh0e\zq d\qh0f\zq b\tqh0d\relax - &\Ibbl0nl1\qb0n\tqb0l\dble\isluru0j\ql j\sk\tslur0k\cl k\enotes -% -\barre %96 - %\check -\Notes\hu J\relax - &\Nextstaff\qs\Ibbu2dg2\zq b\qh2{^d}\zq c\qh2e\relax - &\Ibl3kl3\qb3{^k}\sk\nbbl3\qb3l\enotes - %\check -\Notes\sk - &\Nextstaff\zq e\tqh2g\relax - &\multnoteskip{0.6}\raise2\Interligne\hs\tbbbl3\tqb3l\enotes - %\check -\Notes\Ibl0aM2\qb0a\sk\tqb0M\relax - &\Nextstaff\Ibbu0gc3\roff{\tbbu0}\zq f\qh0h\zq{=d}\qh0f\sk\tbbu0\zq{=b}\tqh0d\relax - &\pince o\multnoteskip{0.5}\ibbbl0n0\qb0{mlm}\tqb0n\relax - \pince q\ibbbl0p0\qb0{ono}\tqb0p\enotes -% -\barre %97 - %\check -\notes\Ibl1LI{10}\qb1L\relax - &\Nextstaff\zq c\ibu2f0\qh2g\relax - &\Ibbl3on2\qbp3q\sk\tbbbl3\tqb3n\enotes -\notes\qb1M\relax - &\Nextstaff\nbbbu2\qh2{gfe}\tqh2d\relax - &\Ibbbl3pm3\isluru4p\qb3{pon}\tqb3m\enotes - %\check -\NOtes\qb1N\tqb1G\relax - &\Nextstaff\cu c\zq{df}\cu i\relax - &\Ibl0lk1\qb0l\tslur4k\tqb0k\enotes - %\check -% -\barre %98 -\NOTes\qu J\multnoteskip{0.7}\cu C\ds - &\Nextstaff\isluru0i\zq d\zq f\qu i\tslur0j\multnoteskip{0.7}\zq c\zq e\cu j\ds - &\Pince n\isluru0k\ql k\tslur0j\multnoteskip{0.7}\cl j\ds\enotes -% -\linegoal20 -\finmorceau - -\rightline{\today} -\eject - -\bye diff --git a/macros/musixtex/doc/examples/marcello.tex b/macros/musixtex/doc/examples/marcello.tex deleted file mode 100644 index 45dfe704dd..0000000000 --- a/macros/musixtex/doc/examples/marcello.tex +++ /dev/null @@ -1,319 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi -\title{Adagio (B. Marcello)} -\csname titremorceautoc\endcsname -\title{Adagio} -\fulltitle{Adagio} -\subtitle{(extrait du Concerto pour Hautbois)} -\othermention{R\'ecit: cornet ou cromorne\\G.O. - bourdon 8'\\P\'ed.: bourdon 16'+tirasse G.O.} -\author{Benedetto MARCELLO\\Transcription Daniel TAUPIN} -\shortauthor{B. Marcello, D. Taupin} -\maketitle -% -\parindent 13mm -% -\tracingstats=2\relax -% -\def\nbinstruments{3} -\def\interfacteur{9} -\global\cleftoksi={{6}{0}{0}{0}}% -\global\cleftoksii={{0}{0}{0}{0}}% -\global\cleftoksiii={{0}{0}{0}{0}}% -\nbporteesi=1\relax% -\nbporteesii=1\relax% -\nbporteesiii=1\relax% -\signaturegenerale{-3}\relax -%\check -\def\instrumenti{P\'ed}% -\def\instrumentii{G.O.}% -\def\instrumentiii{R\'ecit}% -%\check -\def\gluemaxskip{7pt}% -% -\def\doubler{\multiply\noteskip by 2\relax}% -% formes frequentes -\def\Pause{\sk\sk\qsk\pause}% -% -%\check -% -\generalmeter{\meterfrac 34}% -% -\debutmorceau -\linesinpage=0\relax -\autolines{19}35\relax -%\check -% -\hyphenpenalty -50\relax -\notes&&\zcharnote{w}{\kern -20mm\moyen Adagio -\bf(\metron{\cu}{84})}\enotes -% -%\check -% -% mesure 1 -\NOTes\Pause&\ibl0j0\qb0{jjjjj}\tqb0j&\Pause\enotes -\advance\linesinpage by 1 -% mesure 2 -\barre\NOTes\Pause -&\ibl0j0\lq j\qb0k\lq j\qb0k\lq j\qb0k\lq j\qb0k\lq j\qb0k\lq j\tqb0k&\Pause\enotes -% mesure 3 -\def\motif{\zq i\qh0k}% -\barre\NOTes\hup G&\rlap{\pt g\lh f\hlp g}\bigna i\ibu0k0\motif -\motif\motif\motif\motif\tbu0\motif&\Pause\enotes -% mesure 4 -\def\motif{\zq j\qh0 l}% -\barre\NOTes\Ibu2CJ1\qh2C\itenl0J\tqh2J\relax -&\ibu0l0\itenl1e\rlap{\zhp g\hlp e}\motif\motif\relax -&\Ibl1jl1\qb1j\tqb1l\enotes -\NOTes\tten0\hu J&\motif\motif&\Ibl1ln1\qb1l\tqb1n\enotes -\NOTes&\motif&\ibl1n0\qb1n\enotes -\NOtes&\tbu0\motif&\nbbl1\qb1o\tqb1n\enotes -% mesure 5 -\def\motif{\zq h\qh0j}% -\barre\NOTes\qsk\hup F&\qsk\tten1\zql e\relax -\ibu0j0\motif\motif&\qsk\mordant q\zhl o\enotes -\NOTes&\zql d\motif\motif\enotes -\NOTes&\zql c\motif\tbu0\motif&\soupir\enotes -% mesure 6 -\def\motif{\zq h\qh0k}% -\barre\temps\NOTes\hup I&\zhl f\ibu0k0\motif\motif&\Ibl1ik1\qb1i\tqb1k\enotes -\NOTes&\motif&\Ibl1kl2\qb1k\enotes -\NOtes&\motif&\nbbl1\qb1m\tqb1l\enotes -\NOtes&\itenl1d\zql d\motif\sk\tbu0\motif&\Ibbl1mn3\qb1{mno}\tqb1n\enotes -% mesure 7 -\def\motif{\zq g\qh0i}% -\barre\autolines{20}35\relax -\NOTes\qsk\hup E&\qsk\tten1\zql d\ibu0i0\motif -\motif&\qsk\mordant p\zhl n\enotes -\NOTes&\zql c\motif\motif\enotes -\NOTes&\zql b\motif\tbu0\motif&\soupir\enotes -% mesure 8 -\def\motif{\zq h\qh0j}% -\barre\NOtes\hup H&\ibu0j0\zhl e\motif\sk\motif -&\Ibbl1hi3\qb1{hij}\tqb1i\enotes -\NOtes&\motif\sk\motif -&\Ibbl1jk3\qb1{jkl}\tqb1k\enotes -\NOtes&\itenl1c\zql c\motif\sk\tbu0\motif -&\Ibbl1lm3\qb1{lmn}\tqb1m\enotes -% mesure 9 -\def\motif{\zq f\qh0h}% -\barre\NOTes\qsk\hup K&\qsk\tten1\zql c\ibu0h0\motif -\tbu0\motif&\qsk\mordant o\zhl m\enotes -\def\motif{\zq f\qh0i}% -\temps\NOTes&\zql b\ibu0i0\motif\motif\enotes -\NOTes&\zql a\motif\tbu0\motif&\soupir\enotes -% mesure 10 -\def\motif{\zq i\qh0k}% -\barre\autolines{28}25\relax -\Notes\Ibu2NG4\qh2N\sk\sk\sk\itenl0G\tqh2G&\bigna i\zhlp f\relax -\ibu0k0\motif\sk\sk\sk\motif&\Ibbbu1gk7\qh1{g^fgh=ihi}\tqh1j\enotes -\Notes\tten0\hu G&\motif\sk\sk\sk\motif&\Ibbbl1jj7\qb1{kijkn=ml}\tqb1k\enotes -\NOtes&\motif\sk\tbu0\motif&\Ibbl1kl3\qb1{klm}\tqb1l\enotes -% mesure 11 -%\check -\def\motif{\zq g\qh0 j}% -\barre\notes\Ibu2CJ5\qh2C&\zhlp e\ibu0j0\motif -&\ibbbbl1l0\qb1{lkl}\tbbbbl1\tbbbl1\tbbl1\qb1m\enotes -\NOtes&&\tbl1\qbp1l\enotes -\NOTes\itenl0J\tqh2J&\motif&\enotes -\NOtes\tten0\itenl0J\hu J&\motif\sk\motif&\qsoupir\Ibbl1ln2\qb1{lo}\tqb1n\enotes -\NOtes&\motif\sk\tbu0\motif&\Ibbl1ol3\qb1{omm}\tqb1l\enotes -% mesure 12 -%\check -\barre -\NOTes\tten0\qu J&\ibu0h0\zhl d\zq f\qh0h\zq f\tqh0h\relax -&\mordant q\ql k\sk\enotes -\NOtes\itenl2I\hu I&\ibu0i0\zq g\qh0i\sk\zq g\tqh0i&\qsoupir -\Ibbl1km2\qb1{kn}\tqb1m\enotes -\NOtes&\ibu0j0\zq g\qh0j\sk&\ibbl1k0\qb1n\qbp1l\enotes -\Notes&\zq g\tqh0j&\sk\nbbbl1\qb1{kj}\tqb1k\enotes -% mesure 13 -\barre -\notes\tten2\qu I&\zhl c\ibu0g0\zq e\qh0g&\ibbbbl1j0\qb1{j=ij}\relax -\tbbbbl1\tbbbl1\tbbl1\qb1k\enotes -\NOtes&&\tbl1\qbp1j\enotes -\NOTes&\zq e\tqh0g&\enotes -\temps\Notes\hu H&\ibu0h0\zq f\qh0h\sk\sk\sk\zq f\tqh0h\relax -&\qsoupir\sk\ibbbl1j0\qb1j\tbbl1\qb1l\nbbbl1\qb1{kjk}\tqb1l\enotes -\temps\Notes&\zql d\ibu0h0\zq f\qh0h\sk\sk\sk\zq f\tqh0h&\ibbbl1k0\qb1{mnlmkl}\relax -\triolet M\qb1{jk}\tqb1j\enotes -% mesure 14 -%\check -\def\motif{\zq g\qh0 i}% -\barre\autolines{21}35\relax -\NOTes\hup G&\rlap{\qsk\hlp d}\bigna b\ibu0i0\qh0b\rq -f\rlap{\qsk\itenl0f}\bigna i\motif -&\bigna i\hl i\enotes -\NOTes&\rlap{\qsk\tten0\hl f}\motif\motif\motif\tbu0\motif&\sk\sk\soupir\enotes -% mesure 15 -\barre\NOTes\hup J&\bigna e\zhlp c\Ibu0jg1\zq e\qh0j\tqh0g\relax -&\ibl1l0\bigna l\qb1l\qb1n\enotes -\NOTes&\ibu0g0\zq e\qh0g\zq e\tqh0g&\qb1n\tqb1l\enotes -\temps\NOtes&\ibu0j0\zq e\qh0j\sk\zq e\tqh0j&\fl i\ibbl1i0\qb1{inl}\tqb1i\enotes -% mesure 16 -\barre\NOTes\hlp M&\zql c\ibu0j0\zq g\qh0j&\ibu1k0\itenl1i\qh1i\enotes -\Notes&\zq g\tqh0j&\tten1\nbbbu1\qh1{ihj}\tqh1i\enotes -\temps\NOTes&\ibu0j0\zhl f\zq h\qh0j\zq h\relax -\qh0j\zq h\qh0j\zq h\tqh0j&\qu h\sk\soupir\enotes -% mesure 17 -\def\motif{\zq h\qh0 k}% -\barre\autolines{24}35\relax -\NOtes\hup K&\lsh f\zhlp f\na h\ibu0k0\motif\sk\motif -&\ibbl1m0\sh m\qb1{m=om}\tqb1n\enotes -\Notes&\motif\sk\sk\sk\motif\sk\sk\sk&\Ibbbl1oh7\qb1{onm=lkji}\tqb1{=h}\enotes -\Notes&\motif\sk\sk\sk\sk\tbu0\motif\sk\sk\sk -&\Ibbbu1dl9\qh1{d=e^fghij}\qhp1k\qsk\tbbbbu1\tqh1j\enotes -% mesure 18 -\barre -\NOTes\hup G&\zql d\zq g\ibu0k0\qh0k\zq g\tqh0k&\Ibl1ji1\qb1j\tqb1i\enotes -\temps\NOTes&\itenl0e\zhl e\zq g\ibu0i0\qh0i\zq g\qh0i\zq g\qh0i\zq g\tqh0i\relax -&\Ibl1lk1\bigfl l\qb1l\tqb1k\mordant n\itenu1l\ql l\enotes -% mesure 19 -\barre\NOTes\hl M&\tten0\zql e\zq{_h}\ibu0j0\qh0j\relax -&\tten1\ibl1l0\qb1l\enotes -\NOtes&\zq h\tqh0j&\nbbl1\qb1m\tqb1l\enotes -\temps\NOTes&\zhl d\zq f\ibu0h0\qh0h&\ibl1k0\qb1k\enotes -\NOtes&\zq f\qh0h&\nbbl1\qb1l\tqb1j\enotes -\NOTes\qu F&\zq f\qh0h\zq f\tqh0h&\itenu1k\mordant m\ql k\enotes -% mesure 20 -\barre\autolines{28}35\relax -\NOtes\hu E&\zql d\ibu0i0\zq g\qh0i\sk\zq g\tqh0 i\relax -&\tten1\ibbl1k0\qb1{knl}\tqb1k\enotes -\temps\NOtes&\zhl c\ibu0g0\zq e\qh0g\sk\zq e\qh0g&\ibbl1i0\qb1{jih}\tqb1i\enotes -\NOTes\ql L&\zq e\qh0g\zq e\tqh0g&\upperna j\mordant o\itenu1j\ql j\enotes -% mesure 21 -\barre -\NOtes\hup K&\zhl b\zq f\ibu0h0\qh0h\sk\zq f\tqh0h\relax -&\ibbl1j0\tten1\qb1j\qb1{_i}\qb1k\enotes -\Notes&&\nbbbl1\qb1m\tqb1l\enotes -\temps\Notes&\zq d\ibu0f0\qh0f\sk\sk\sk\zq d\qh0f\relax -&\ibbbl1i0\qb1{kjihijk}\tqb1l\enotes -\NOtes&\zql a\zq d\qh0f\sk\zq d\tqh0f&\Ibbl1mi3\qb1{mk}\relax -\pince l\qb1j\enotes -\NOtes&&\itenu0i\tqb1i\enotes -% mesure 22 -\barre\Notes\hup J&\zql N\ibu0g0\zq e\qh0g\sk\sk\sk\zq e\tqh0g\relax -&\tten0\ibbbl1i0\qb1{ijj}\tqb1i\Ibbbu1ig3\qh1{ihh}\tqh1g\enotes -\temps\Notes&\ibu0j0\zql e\zq g\qh0j\sk\sk\sk\zq g\tqh0j\relax -&\ibbbu1g0\qh1{ghh}\tqh1g\Ibbbu1ge3\qh1{gff}\tqh1e\enotes -\temps\NOtes&\zql e\rq f\ibu0h0\qh0h\sk\zq f\tqh0h\relax -&\ibbu1k0\qh1{flk}\tqh1j\enotes -% mesure 23 -\barre\autolines{21}35\relax -\Notes\hu I&\doubler -\zhl d\zq f\ibu0h0\qh0h\zq f\qh0h\zq f\qh0h\zq f\tqh0h\relax -&\itenu1k\ql k\sk\sk\sk\tten1\Ibl1ki3\qbp1k\sk\sk\tbbl1\tqb1i\enotes -\NOTes\qu J&\zql c\zq e\ibu0g0\qh0g\zq e\tqh0g&\itenu1l\ql l\enotes -% mesure 24 -\barre -\NOTes\qu{H}&\zqu j\ibl0e0\zq e\qb0h&\tten1\ibl1i0\itenu1l\qb1l\enotes -\Notes&\zq e\tqb0 h&\tten1\nbbbl1\qb1{ljk}\tqb1l\enotes -\temps\NOTes\hu I&\zhu i\ibl0d0\zq d\qb0f\zq d\qb0f\zq d\qb0f\zq e\tqb0g\relax -&\qlp m\sk\sk\cl l\enotes -% mesure 25 -\barre\NOTes\hlp M&\zhlp f\ibu0k0\qh0h\zq h\qh0{_k}&\bigfl k\qlp k\enotes -\NOtes&\zq h\qh0k\sk\zq h\qh0k\sk\zq h\qh0k\sk\zq h\tqh0k\sk -&\sk\sk\ibbl1m0\qb1{mnonm}\tqb1l\enotes -% mesure 26 -\barre\autolines{23}35\relax -\NOTes\hlp N&\zhlp e\ibu0i0\zq g\qh0i\zq g\qh0i&\itenu1k\ql{_k}\enotes -\NOtes&\zq i\qh0g\sk\zq i\qh0g\sk\zq i\qh0g\sk\zq i\tqh0g\sk -&\tten1\Ibbl1ko3\qb1{kln}\tqb1{o}\Ibbl1pk3\qb1{pnl}\tqb1k\enotes -% mesure 27 -\barre -\NOTes\hl a&\zhl e\zq h\ibu0j0\qh0j\relax -&\bigfl k\ibl1j0\itenu1k\qb1k\enotes -\Notes&\zq h\qh0j&\tten1\nbbbl1\qb1{kjl}\tqb1k\enotes -\NOtes&\zq h\qh0j\sk\zq h\tqh0j&\Ibbl1jn3\qb1{jlm}\tqb1n\enotes -\temps\NOtes\qu H&\zql f\ibu0j0\zq h\qh0j\sk\zq h\tqh0j\relax -&\Ibbl1ol3\qb1{onm}\tqb1l\enotes -% mesure 28 -\barre\NOTes\hu G&\rlap{\qsk\zhl f}\ibu0i0\bigna i\zq g\qh0i\zq g\qh0i\relax -&\itenu1m\ql m\enotes -\NOtes&\zq g\qh0i\sk\zq g\tqh0i&\tten1\ibbl1h0\qb1{mgh}\tqb1{=i}\enotes -\temps\NOtes\qu{H}&\itenl0f\zql f\zq h\itenu2h\itenu1j\qu j\relax -&\Ibbl1jk3\qb1{j=kl}\tqb1k\enotes -% mesure 29 -\barre\autolines{23}35\relax -\NOtes\qu F&\tten2\tten1\tten0\zq f\zql h\Ibu0jk2\qh0j\sk\tqh0k\relax -&\ibbl1l0\qb1{lom}\tqb1k\enotes -\temps\NOTes\hu G&\zqlp d\na i\Ibu0ij3\zq g\qh0i\zq g\qh0i\zq g\qh0i\zq g\tqh0j\relax -&\qlp{=i}\sk\sk\cl j\enotes -% mesure 30 -%\check -\barre -\NOTes\hup{H}&\zhlp c\ibu0h0\zq f\qh0h\zq f\qh0h\zq f\qh0h\zq f\qh0h\relax -&\itenl1f\hu f\enotes -\NOtes&\zq f\qh0h\sk\zq f\tqh0h&\tten1\Ibbu1fe3\qh1{fcd}\tqh1e\enotes -% mesure 31 -%\check -\barre -\NOtes\hu G&\zhl d\bigna i\zq g\qh0i\sk\zq g\qh0i\sk -&\Ibbu1fe3\qh1{fed}\tqh1e\enotes -\NOtes&\zq g\qh0i\sk\zq g\tqh0i&\Ibbu1fg3\qh1{fgh}\tqh1g\enotes -\temps\Notes\ql L&\ibu0j0\zql c\zq g\qh0j\sk\sk\sk\zq g\tqh0j\relax -&\Ibbbu1gi7\qh1{gfefghi}\tqh1{=i}\enotes -% mesure 32 -%\check -\barre\autolines{21}35\relax -\NOtes\bigaccid\zql{a}&\zql c\ibu0h0\zq f\qh0h\sk\zq f\tqh0h\relax -&\Ibl1jk3\qbp1j\sk\sk\tbbl1\tqb1k\enotes -\temps\NOTes\hl N&\ibl0d0\rlap{\qup{=i}}\zq d\qb0f\zq d\qb0f\zq d\qb0f\zcu j\zq e\tqb0g\relax -&\qlp k\sk\sk\cl j\enotes -% mesure 33 -%\check -\def\motif{\zq h\qh0 j}% -\barre\NOTes\hu K&\bigaccid\lsh f\na h\zhl f\ibu0j0\motif\motif -\motif\tbu0\motif -&\bigsh m\itenu1m\hl m\enotes -\temps\NOTes\qu G&\zql d\bigna i\zq g\ibu0i0\qh0i\zq g\tqh0i\relax -&\tten1\Ibl1nk1\qb1n\tqb1k\enotes -% mesure 34 -%\check -\barre\NOTes\Ibl2JG5\qb2J&\zql e\zq g\ibu0j0\qh0j&\Ibl1lj2\qb1l\enotes -\NOtes\qb2L&\zq g\tqh0j&\nbbl1\qb1k\tqb1j\enotes -\NOTes\qb2{NMN}\tqb2G&\zh d\zhl g\na i\qup i\sk\sk\cu j&\zcharnote -n{\Trille{2\noteskip}}\na i\qlp i\sk\sk\cl j\enotes -% mesure 35 -%\check -\barre\autolines{17}35\relax -\NOTes\hup J&\Ibu0je1\zq e\zq g\qh0j&\hlp j\enotes -\NOTes&\itenl0N\zq N\zq c\tqh0e\enotes -\temps\NOTes&\tten0\zhl N\ibu0e0\zq c\qh0e\zq c\qh0e\zq c\qh0e\zq c\tqh0e\enotes -% mesure 36 -%\check -\barre\NOTes\hup G&\ibu0e0\zhlp N\zq c\qh0e\rq d\qh0c\rq d\qh0c\rq d\qh0c\zq -{_b}\qh0d\zq b\tqh0d&\sk\sk\qsk\pause\enotes -% mesure 37 -%\check -\barre\NOTes\hup J&\na e\zhlp N\ibu0e0\relax -\zq b\qh0 e\zq b\qh0 e\zq b\qh0 e\zq b\qh0 e\zq b\qh0 e\zq b\tqh0 e\relax -&\sk\sk\qsk\pause\enotes -% mesure 38 -%\check -\barre\autolines{16}45\relax -\NOTes\hlp M&\rlap{\qsk\zql b}\ibu0f0\zq c\qh0f\zq c\qh0f\enotes -\NOTes&\itenl1a\zql a\zq c\qh0 f\zq c\tqh0f&\sk\pause\enotes -\temps\NOTes&\tten1\zq {ac}\rq f\qu e\enotes -% mesure 39 -%\check -\barre\NOTes\hl N&\rlap{\qup f}\na b\ibl0b0\zq b\qb0d\zq b\qb0d\zq b\qb0d\relax -\Ibu1gc2\zq b\rlap{\tqb0d}\qh1g\relax -&\sk\sk\qsk\pause\enotes -\NOTes\ql a&\zq c\qh1e\rq d\tqh1c\enotes -% mesure 40 -%\check -\barre\NOTes\ql M&\zq a\zql c\Ibu1ef1\qh1e\tqh1f\enotes -\temps\NOTes\ibu2N0\qh2{NMN}\tqh2G&\na b\zh b\hu d&\qsk\pause\enotes -% mesure 41 -%\check -\cleftoksii={{6}{0}{0}{0}}\changeclefs\barre -\NOTES\hlp J&\zhp{LN}\hup c&\sk\pause\enotes -\finmorceau -\rightline{\sl\aujourdhui}\eject - - -\bye diff --git a/macros/musixtex/doc/examples/marcon1.tex b/macros/musixtex/doc/examples/marcon1.tex deleted file mode 100644 index 47102c7ec7..0000000000 --- a/macros/musixtex/doc/examples/marcon1.tex +++ /dev/null @@ -1,729 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi - -% -\title{Concerto pour hautbois --- allegro} -\fulltitle{Concerto pour hautbois --- allegro} -\othermention{Transcription pour hautbois, fl\^{u}te et orgue\\{\bf - \ifFlute Partition fl\^{u}te\fi - \ifOboe Partition hautbois\fi - \ifOrgue Partition orgue\fi} -} -\shorttitle{Concerto pour hautbois --- allegro} -\author{Benedetto MARCELLO\\Transcription Daniel TAUPIN} -\shortauthor{B. Marcello, D. Taupin} -\maketitle -% -\parindent 13mm -\def\interfacteur{10} % was 9 -\def\OrgelManual{\ifOrgue - \global\cleftoksi={{6}{0}{0}{0}}% - \def\interinstrumentii{0pt}% - \def\interinstrumenti{0pt}% - \nbporteesi=2\relax% - \fi -} -\def\OrgelPedal{\ifOrgue - \global\cleftoksi={{6}{6}{0}{0}}% - \def\interinstrumentii{-\Interligne}% - \def\interinstrumenti{-\Interligne}% - \nbporteesi=3\relax% - \fi -} -\ifOrgue - \def\nbinstruments{3} - \global\cleftoksi={{6}{6}{0}{0}}% - \global\cleftoksii={{0}{0}{0}{0}}% - \global\cleftoksiii={{0}{0}{0}{0}}% - \nbporteesi=3\relax% - \nbporteesii=1\relax% - \nbporteesiii=1\relax% - \def\instrumenti{Orgue}% - \def\instrumentii{Fl\^{u}te}% - \def\instrumentiii{Hautbois}% - \def\staffspacingii{0.64}\def\staffspacingiii{0.64}% -\else - \def\nbinstruments{2} - \global\cleftoksi={{0}{0}{0}{0}}% - \global\cleftoksii={{0}{0}{0}{0}}% - \nbporteesi=1\relax% - \nbporteesii=1\relax% - \def\instrumenti{Fl\^{u}te}% - \def\instrumentii{Hautbois}% - \ifFlute\def\staffspacingi{1.0}\else\def\staffspacingi{0.64}\fi - \ifOboe\def\staffspacingii{1.0}\else\def\staffspacingii{0.64}\fi% - \def\everystaff{\vrule width 0pt depth 5mm\relax}% -\fi - -\ifOboe\def\interinstrumenti{2\Interligne}\fi -% -\signaturegenerale{-3}\relax -%\check -\def\doubler{\multiply\noteskip by 2\relax}% -% -% formes frequentes -% -\def\Pause{\sk\sk\sk\qsk\pause\sk\sk\sk}% -\def\PauseSoliste{\ifOrgue\Pause\else\sk\pause\sk\fi}% -\def\PauseSoliste{\Pause}% -% - \def\oct{\advance\transpose 7\relax}% -% -% -\def\clpz#1{\upz{#1}\cl{#1}} -\def\cupz#1{\lpz{#1}\cu{#1}} -\def\qlpz#1{\upz{#1}\ql{#1}} -\def\qupz#1{\lpz{#1}\qu{#1}} -% - \def\fourlll#1#2#3#4{\Ibbl0{#1}{#4}3% -\isluru0{#1}\qb0{#1}\tslur0{#2}\qb0{#2}\isluru0{#3}\qb0{#3}% -\tslur0{#4}\tqb0{#4}}% -% - \def\fourllu#1#2#3#4{\Ibbu0{#1}{#4}3% -\islurd0{#1}\qh0{#1}\tslur0{#2}\qh0{#2}\islurd0{#3}\qh0{#3}% -\tslur0{#4}\tqh0{#4}}% -% - \def\twobbu#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}} - \def\twobbl#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}} -% - \def\fourbu#1#2#3#4{\Ibu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}} - \def\fourbl#1#2#3#4{\Ibl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}} -% - \def\fourblu#1#2#3#4{\Ibu0{#1}{#4}3\islurd0{#1}\qh0{#1#2#3}\tslur0{#4}\tqh0{#4}} - \def\fourbll#1#2#3#4{\Ibl0{#1}{#4}3\isluru0{#1}\qb0{#1#2#3}\tslur0{#4}\tqb0{#4}} -% - \def\fourbbu#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}} - \def\fourbbl#1#2#3#4{\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}} -% - \def\fourbblu#1#2#3#4{\Ibbu0{#1}{#4}3{\advance\transpose-1\islurd0{#1}}\qh0{#1#2#3}{\advance\transpose-1\tslur0{#4}}\tqh0{#4}} - \def\fourbbll#1#2#3#4{\Ibbl0{#1}{#4}3{\advance\transpose 1\isluru0{#1}}\qb0{#1#2#3}{\advance\transpose 1\tslur0{#4}}\tqb0{#4}} -% - \def\twobu#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}} - \def\twobl#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}} - \def\twolbu#1#2{\Ibu0{#1}{#2}1\islurd0{#1}\qh0{#1}\tslur0{#2}\tqh0{#2}} - \def\twolbl#1#2{\Ibl0{#1}{#2}1\isluru0{#1}\qb0{#1}\tslur0{#2}\tqb0{#2}} - -\catcodesmusic -\def\org#1|#2&{\ifOrgue \ifnum\nbporteesi=3#1|\fi #2&\relax\fi} -\def\GO{\znotes\org|\zmidtwotext{\llap{\bf I}}&\enotes} -\def\Pos{\znotes\org|\zmidtwotext{\llap{\bf II}}&\enotes} -% -%\check -% -\generalmeter{\meterC}% -\sepbarrules -% -\OrgelPedal -\debutmorceau -\GO -\notes\org|\relax - &\ifFlute\zcharnote N{\sl (orgue solo)}\fi - &\ifOboe\zcharnote N{\sl (orgue solo)}\fi\zcharnote{w}{\kern -20mm\moyen Allegro moderato \bf(\metron{\cu}{112})}\enotes -% -%\check -% mesure 1 -\Notes\org \Ibu0cL1\qh0c\tqh0J\ds\cu J\ibu0L0\qh0{KGN}\tqh0K\relax - |\Pause - |\oct\Ibu0cL1\qh0c\tqh0J\ds\cu J\ibu0L0\qh0{KGN}\tqh0K\relax - &\ifFlute\tinynotesize\oct\Ibu0cL1\qh0c\tqh0J\ds\cu J\ibu0L0\qh0{KGN}\tqh0K\relax - \else\PauseSoliste\fi - &\ifOboe \tinynotesize\oct\Ibu0cL1\qh0c\tqh0J\ds\cu J\ibu0L0\qh0{KGN}\tqh0K\relax - \else\PauseSoliste\fi - \enotes - %\check - \barre % mesure 2 -\Notes\org \Ibu0LJ1\qh0L\tqh0J\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax - |\Pause - |\oct\Ibu0LJ1\qh0L\tqh0J\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax - &\ifFlute\tinynotesize\oct\Ibu0LJ1\qh0L\tqh0J\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax - \else\PauseSoliste\fi - &\ifOboe \tinynotesize\oct\Ibu0LJ1\qh0L\tqh0J\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax - \else\PauseSoliste\fi - \enotes - %\check - \barre % mesure 3 -\notes\org \qu G\sk\qs\sk\sk\soupir\sk\sk\sk\hpause - |\relax \soupir\sk\qs\Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax - |\oct\qu G\sk\qs \Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax - &\ifFlute\tinynotesize\oct\qu G\sk\qs \Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax - \else\multnoteskip{1.8}\PauseSoliste\fi - &\ifOboe\tinynotesize\oct\qu G\sk\qs \Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax - \else\multnoteskip{1.8}\PauseSoliste\fi - \enotes - %\check - \barre % mesure 4 - \Pos -\notes\org \doubler\Pause - |\doubler\ibl0K0\qb0{JKL}\tqb0J\qu{=I}\sk\ds\cu G\relax - |\doubler\zq N\zq c\qu e\sk\zql N\Ibu0ce1\qh0c\tqh0e\zq N\qu d\sk\ds\zq d\rq g\cu f\relax - &\ifFlute\zcharnote N{\sl fl\^{u}te}\fi - \ibu0g0\qh0g\sk\nbbu0\qh0g\tqh0f\doubler\qu g\sk\qu g\sk\ds\cu{=i}\relax - &\ifOboe\zcharnote N{\sl hautbois}\fi - \uptext{\p}\cl j\sk\sk\sk\qs\Ibbl0jl2\qb0j\qb0k\tqb0l\Ibl0kg2\qb0 k\sk\tqb0g\ibbl0m0\qb0{nmn}\tqb0k\enotes - %\check - \barre % mesure 5 -\Notes\org\soupir\sk|\ql J\sk|\zq{ce}\qu g&\ql j\sk&\Ibl0lj1\qb0l\tqb0j\enotes -\GO -\Notes\org \ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax - |\soupir\sk\sk\hpause - |\oct\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax - &\ifFlute\tinynotesize\oct\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax - \else\soupir\sk\sk\hpause\fi - &\ifOboe\tinynotesize\oct\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax - \else\soupir\sk\sk\hpause\fi - \enotes - %\check - \barre % mesure 6 - \ifOrgue\def\atnextline{\OrgelManual}\fi% -\notes\org \qu G\sk\qs\sk\sk\soupir\sk\sk\sk\hpause - |\relax \soupir\sk\qs\Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax - |\oct\qu G\sk\qs \Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax - &\ifFlute\tinynotesize\oct\qu G\sk\qs \Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax - \else\multnoteskip{1.8}\PauseSoliste\fi - &\ifOboe\tinynotesize\oct\qu G\sk\qs \Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax - \else\multnoteskip{1.8}\PauseSoliste\fi - \enotes - %\check - \barre % mesure 7 - \Pos -\notes\org \doubler\Pause - |\doubler\ibl0K0\qb0{JKL}\tqb0J\qu{=I}\sk\ds\cu G\relax - |\doubler\zq N\zq c\qu e\sk\zql N\Ibu0ce1\qh0c\tqh0e\zq N\qu d\sk\ds\zq d\rq g\cu f\relax - &\ibu0g0\qh0g\sk\nbbu0\qh0g\tqh0f\doubler\qu g\sk\qu g\sk\ds\cu{=i}\relax - &\uptext{\p}\cl j\sk\sk\sk\qs\Ibbl0jl2\qb0j\qb0k\tqb0l\Ibl0kg2\qb0 k\sk\tqb0g\ibbl0m0\qb0{nmn}\tqb0k\enotes - %\check - \barre % mesure 8 - \notes\org\doubler\Pause - |\doubler\ibl0L0\qb0{Jca}\tqb0M\ql b\sk\ds\cl N\relax - |\zq c\qu e\sk\sk\sk\zql c\ibu0f0\qh0e\sk\nbbu0\qh0h\tqh0g\zq d\qu f\sk\sk\sk\ds\sk\zcl d\Ibbu0gf1\qh0g\tqh0f\relax - &\ibu0j0\qh0j\sk\nbbu0\qh0j\tqh0{_i}\itenu0j\qu j\sk\sk\sk\tten0\Ibu0ji3\qh0j\sk\nbbu0\qh0j\tqh0i\itenu1i\qu i\relax - &\pince n\rlap{\Ibbl0lj2\multnoteskip{0.667}\qbp0l\sk\tbbbl0\qb0k\tqb0j}\sk\sk\sk\sk\qs\isluru0l\ibbl0l0\qb0{lm}\tslur0l\tqb0l\fourlll -lkkn\fourlll nknk\enotes - %\check - \barre % mesure 9 - \notes\org&\relax&\grcu l\enotes - \notes\org\doubler\Pause - |\doubler\ql a\sk\ds\cl M\Ibl0NK3\qb0{NNL}\tqb0J\relax - |\zq c\qu e\sk\sk\sk\ds\sk\zcl c\Ibbu0fe1\qh0f\tqh0e\doubler\Ibu0ec3\zq -c\qh0e\zq{=b}\qh0d\qh0c\zq N\tqh0c\relax - &\tten1\Ibu0ih3\qh0i\sk\nbbu0\qh0i\tqh0h\itenu0h\qu h\sk\sk\sk\tten0\Ibu0hg3\qh0h\sk\nbbu0\qh0h\tqh0g\Ibu0ge2\qh0g\sk\tqh0e\relax - &\fourlll kjjm\fourlll mjmj\pince m\Ibl0ji2\qb0j\sk\tqb0{=i}\sk\ds\sk\cu g\enotes - %\check - \barre % mesure 10 - \notes\org\doubler\Pause - |\doubler\ql M\sk\twobl LK\qu J\sk\twobu JI\relax - |{\doubler \Ibu0cd1\zq c\qh0a\zq d\tqh0{=b}\Ibu0ef1\zq c\qh0e\zq d\tqh0f\zq e\qu g\sk\rlap{\twobl d{=e}}}\fourllu hggh\relax - &\fourllu fggh\fourlll h{=i}ij\Ibbl0jg2\qb0j\tbbl0\qb0g\tqb0g\sk\doubler{\twobl jj}\relax - &\fourlll h{=i}ij\fourlll jkkl\fourlll ljjk\fourlll k{=l}lm\enotes - %\check - \barre % mesure 11 - \notes\org\doubler\Pause - |\doubler\ibu0K0\qh0{HaN}\tqh0{=I}\ibu0K0\qh0{JMN}\tqh0G\relax - |\rlap{\sk\sk\fourlll fggf}{\doubler\ibu0h0\zq f\qh0 h\qh0 j\qh0{=i}\rq -g\tqh0f\Ibu0gf1\zq e\qh0g\zq f\tqh0d}\Ibbu0fd2\zq d\qh0f\tbbu0\zq c\qh0e\zq{=b}\tqh0d\relax - &\fourlll jmml\Ibbu0lk2\qh0l\tbbu0\qh0k\tqh0k\sk\doubler\twobu jh\qu g\relax - &\mordent o{\doubler \isluru0m\qlp m\sk\sk\tslur0n\cl -n}\Ibl0lj3\qb0{_l}\sk\nbbl0\upz k\qb0k\upz j\tqb0j\Pince n\Ibl0ij3\isluru0i\qbp0{=i}\sk\sk\tbbl0\tslur0j\tqb0j\enotes - %\check - \barre % mesure 12 - \notes\org\doubler\Pause - |\doubler\ibu0J0\qh0{JKL}\tqh0J\qu M\sk\twobu LK\relax - |{\doubler\zq{Nc}\qu e\sk\Ibu0dg1\zq N\qh0c\zq e\tqh0g}\zql f\fourllu -h{=i}ij\rlap{\doubler\twobl gf}\fourllu jiij\relax - &\ibu0g0\qh0g\sk\nbbu0\qh0g\tqh0f{\doubler \twobu gj}\fourllu jkkl\fourllu lkkl\relax - &\doubler\ql j\sk\soupir\sk\hpause\enotes - %\check - \barre % mesure 13 - \notes\org\doubler\Pause - |\doubler\qu J\sk{\multnoteskip{1.2}\twobu JI}\twobu HH\twobu G{=I}\relax - |\rlap{\fourllu jjjk\multnoteskip{1.2}\fourllu k{=l}lm}{\doubler\twobl eg{\multnoteskip{1.2}\roff{\ibl0j0\qb0j}\tqb0j}\zql j\qu -m\sk}\ibu0g0\zq d\qh0g\sk\zq d\rq f\tqh0g\relax - &\fourlll lllm{\ifOrgue\multnoteskip{1.2}\fi\fourlll mnno\ql o}\sk\sk\sk\fourllu{=i}kgn\relax - &\doubler\Pause\enotes - %\check - \barre % musure 14 - \notes\org\doubler\Pause - |\doubler\ibu0L0\qh0{JMN}\tqh0G\qu J\sk\ql c\relax - |\Ibu1gh2\zq g\qh1e\sk\rlap{\twobbl fe}\tqh1h\sk{\doubler\zql d\twobu -gf}{\doubler\ibu0h0\zq c\qh0e\zq c\zq e\tqh0g}\ibu0g0\zq e\qh0g\sk\nbbu0\qb0e\tqh0g\relax - &\Ibl0lj3\qb0l\sk\nbbl0\qb0k\tqb0j\Ibl0ij3\qbp0{=i}\sk\sk\tbbl0\tqb0j\doubler\ibl0j0\qb0{jjj}\tqb0j\relax - &{\doubler\sk\hpause\sk\sk}\qs\ibbl0j0\qb0j\isluru0j\qb0j\tslur0l\tqb0l\fourlll - lnn{_i}\enotes - %\check - \barre % mesure 15 - \notes\org\doubler\Pause - |\doubler\qlpz M\sk\qlpz b\sk\qlpz L\sk\qlpz a\relax - |\zql c\ibu0h0\zq f\qh0h\sk\zq f\tqh0h\sk\ibu0f0\zq d\qh0f\sk\nbbu0\qh0d\tqh0f\relax - \roff{\zql d}\ibu0g0\zq e\qh0g\sk\zq e\tqh0g\sk\ibu0e0\zq c\qh0e\sk\nbbu0\qh0c\tqh0e\relax - &\doubler\ibu0j0\qh0{jj_i}\tqh0i\ibu0i0\qh0{iih}\tqh0h\relax - &\fourlll ihhk\fourlll kmmh\fourlll hggi\fourlll illg\enotes - \barre % mesure 16 - \notes\org\doubler\Pause - |\doubler\qlpz K\sk\qlpz N\sk\qlpz J\sk\qlpz M\relax - |\zql c\ibu0f0\qh0f\sk\tqh0f\sk\ibu0d0\zq b\qh0d\sk\nbbu0\qh0b\tqh0d\relax - \zql b\ibu0e0\qh0e\sk\tqh0e\sk\ibu0d0\zq a\qh0c\sk\nbbu0\qh0d\tqh0c\relax - &\doubler\ibu0h0\qh0{hhg}\tqh0g\ibu0g0\qh0{ggf}\tqh0f\relax - &\fourlll gffh\fourlll hkkf\fourlll feei\fourlll lnml\enotes - \barre % mesure 17 - \notes\org\doubler\Pause - |\doubler\Ibl0JL3\qb0{IbN}\tqb0L\ibl0a0\qb0{aNa}\tqb0N\relax - |\ibbu0d0\qh0{dfe}\tqh0d\ibbu0e0\qh0{egf}\tqh0e\ibbu0d0\qh0c\tbbu0\qh0e\tqh0b\sk\ibbu0d0\qh0c\tbbu0\qh0e\tqh0b\relax - &{\doubler\qu f\sk}\ibbu0g0\qh0{gih}\tqh0g\doubler\ibl0l0\qh0{ll}\ds\tqb0l\relax - &{\doubler\ql k\sk\ds\cl i}\fourlll jiij\fourlll jiij\enotes - %\check - \barre % mesure 18 - \notes\org\doubler\Pause - |\doubler\twobl aH\ds\cl a\ibl0a0\qb0{bab}\tqb0a\relax - |\ibbu0c0\qh0{cMa}\tqh0c\cu f\sk\cu c\sk\ibbu0e0\qh0d\tbbu0\qh0f\tqh0c\sk\ibbu0e0\qh0d\tbbu0\qh0f\tqh0c\relax - &\ql m\sk\sk\sk\Ibbl0hm3\qb0{jhj}\itenu0m\tqb0m\tten0\doubler\ibl0m0\qh0{mm}\ds\tqb0m\relax - &{\doubler\twobu jf\ds\cl j}\fourlll kjjk\fourlll kjjk\enotes - \ifOrgue\def\atnextline{\OrgelPedal}\fi% - %\check - \barre % mesure 19 - \notes\org\doubler\Pause - |\doubler\twobl bI\ds\cl{=b}\ibl0b0\qb0{cbc}\tqb0b\relax - |\ibbu0d0\qh0{dNb}\tqh0d\cu g\sk\cu d\sk\ibbu0f0\qh0e\tbbu0\qh0g\tqh0d\sk\ibbu0f0\qh0e\tbbu0\qh0g\tqh0d\relax - &\ql n\sk\sk\sk\Ibbl0in3\qb0{ikm}\itenu0n\tqb0n\tten0\doubler\ibl0n0\qh0{nn}\ds\tqb0n\relax - &{\doubler\twobu kg\ds\cl k}\fourlll lkkl\fourlll lkkl\enotes - %\check - \barre % mesure 20 - \notes\org\doubler\Pause - |\doubler\twobl cJ\ds\cu J\ibu0J0\qb0{KJK}\tqh0J\relax - |\ibbu0e0\qh0{eac}\tqh0e\cu h\sk\cu e\sk\doubler\zhl b\ibu0f0\qh0{fef}\tqh0d\relax - &\ql o\sk\sk\sk\ibbl0j0\qb0{hjl}\tqb0h\itenu0h\qu h\sk\sk\sk\tten0\ibu0h0\qhp0h\sk\sk\tbbu0\tqh0h\relax - &{\doubler\twobu lh\ds\cl l}\fourlll moom\fourlll mkki\enotes - %\check - \barre % mesure 21 - \notes\org\doubler\soupir\sk\soupir\sk\twobu LE\ds\cu L\relax - |\Ibl0La3\qb0L\sk\nbbl0\qb0N\tqb0a\doubler\zmidtwotext{\bf I}\twobl bI\twobu LL\soupir\relax - |\ibu0e0\zq b\qhp0e\sk\sk\tbbu0\zq c\tqh0e\Ibu0eg3\qh0d\sk\nbbu0\zq f\qh0h\zq e\tqh0g\doubler\zq e\twobu ge\ds\cu e\relax - &\Ibu0gj3\qhp0g\sk\sk\tbbu0\tqh0j\doubler\twobl ik\zmidtwotext{\f}\ql l\sk\soupir - \ifFlute\tinynotesize\cu e\fi - &\isluru0i\Ibbl0im3\qh0{ikl}\tslur0m\tqb0m\Pince -n\isluru0k\Ibl0kl3\qbp0k\sk\sk\tbbl0\tslur0l\tqb0l\doubler\ql l\sk\soupir - \ifOboe\tinynotesize\cu e\fi\enotes - %\check - \barre % mesure 22 - \def\orgel{\ibu0N0\qh0{MIb}\tqh0M\twobu NL\ds\cl c}% - \Notes\org\orgel|\Pause|\oct\orgel\relax - &\ifFlute\tinynotesize\oct\orgel - \else\PauseSoliste\fi - &\ifOboe\tinynotesize\oct\orgel - \else\PauseSoliste\fi\enotes - \barre % mesure 23 - \def\orgel{\ibu0N0\qh0{KbJ}\tqh0a\qu I\sk}% - \Notes\org\orgel|\sk\hpause\sk\sk\soupir|\oct\orgel\relax - &\ifFlute\tinynotesize\oct\orgel - \else\PauseSoliste\fi - &\ifOboe\tinynotesize\oct\orgel - \else\PauseSoliste\fi\enotes - \notes\org\sk\soupir|\qs\Ibbu0IK2\qh0{IJ}\tqh0K|\oct\qs\Ibbu0IK2\qh0{IJ}\tqh0K\relax - &\ifFlute\tinynotesize\oct\qs\Ibbu0IK2\qh0{IJ}\tqh0K\fi - &\ifOboe\tinynotesize\oct\qs\Ibbu0IK2\qh0{IJ}\tqh0K\fi\enotes - \ifOrgue\def\atnextline{\OrgelManual}\fi% - %\check - \barre % mesure 24 - \def\orgel{\Ibbu0La3\qh0{LMN}\tqh0a{\multnoteskip{1.42}\twobu bI}}% - \notes\org|\orgel|\oct\orgel - &\ifFlute\tinynotesize\oct\orgel - \else\doubler\sk\hpause\fi - &\ifOboe\tinynotesize\oct\orgel - \else\doubler\sk\hpause\fi\enotes - \nspace\Pos\nspace - \notes\org\pause - |\doubler\ibu0L0\qh0{LMN}\tqh0L|\doubler\zql b\itenl0e\qu e\sk\tten0\zql -b\twobu eg\relax - &\doubler\rlap{\sk\turn n}\twobl gh\ql i\relax - &\ql l\sk\sk\sk\qs\Ibbl0ln3\isluru0l\qb0{lm}\tslur0n\tqb0n\enotes - %\check - \barre % mesure 25 - \notes\org\doubler\Pause - |\doubler\qu K\sk\ds\cu I\ibu0L0\qh0{LKN}\tqh0L\relax - |\doubler\zq b\qu f\sk\ds\zq b\cu d\zq b\qu e\sk\Ibu0ei1\zq b\qh0e\zq g\tqh0i\relax - &{\doubler\qu i\sk\ds\cu -f}\Ibbu0gh3\islurd0g\qh0{gfg}\tslur0h\tqh0h\doubler\twobu il\relax - &{\doubler\twobl mi}\fourlll mhmh{\doubler\pince p\twolbu hg}\qs\ibbl0i0\qb0{il}\tqb0i\enotes - %\check - \barre % mesure 26 - \notes\org\doubler\Pause - |\doubler \ibl0M0\qb0{aaN}\tqb0L\twobl aH\ds\cl {=a}\relax - |\doubler \ibu0j0\qh0{jei}\tqh0g\twobu jh\twobu fj\relax - &{\doubler\ibl0l0\qb0{ljl}\tqb0i}\ibbl0j0\qb0{lhj}\tqb0l\ibbl0k0\qb0{mjl}\tqb0m\relax - &\ibbl0j0\isluru0j\qb0{jhj}\tslur0l\tqb0l\relax - \ibbl0i0\isluru0i\qb0{igi}\tslur0l\tqb0l\relax - \ql j\sk\sk\sk\qs\ibbl0j0\qb0{jm}\tqb0j\enotes - %\check - \barre % mesure 27 - \notes\org\doubler\Pause - |\doubler \ibl0N0\qh0{bb=a}\tqb0M\twobl bI\ds\cl {=b}\relax - |\doubler \ibu0k0\qh0{kfj}\tqh0{=h}\twobu ki\twobu gk\relax - &{\doubler\ibl0l0\qb0{mkm}\tqb0j}\ibbl0j0\qb0{mik}\tqb0m\ibbl0k0\qb0{nkm}\tqb0n\relax - &\ibbl0k0\isluru0k\qb0{kik}\tslur0m\tqb0m\relax - \ibbl0j0\isluru0i\qb0{j=hj}\tslur0m\tqb0m\relax - \ql k\sk\sk\sk\qs\ibbl0k0\qb0{kn}\tqb0k\enotes - %\check - \barre % mesure 28 - \notes\org\doubler\Pause - |\doubler \ibl0N0\qb0{cc=b}\tqb0N\twobl cJ\soupir\relax - |\doubler \ibu0l0\qh0{lgk}\tqh0{=i}\zq l\qu g\sk\soupir\relax - &\doubler\ibl0m0\qb0{nln}\tqb0k\ql n\sk\soupir\relax - &\ibbl0l0\isluru0l\qb0{ljl}\tslur0n\tqb0n\relax - \ibbl0j0\isluru0k\qb0{k=ik}\tslur0n\tqb0n\relax - \fourlll lnnl\fourlll ljj{=h}\enotes - %\check - \ifOrgue\def\atnextline{\OrgelPedal}\fi% - \barre % mesure 29 - \notes\org\doubler\Pause - |\doubler\doubler\ql M\soupir\ql L\soupir - |\doubler\doubler\zq e\qu c\qu d\zq d\qu g\qu c\relax - &\doubler\doubler\ql {=hkil}\relax - &\fourlll {=h}mmk\fourlll kiig\fourlll gllj\fourlll jhh{^f}\enotes - %\check - \barre % mesure 30 - \notes\org\doubler\Pause - |\doubler\doubler\qu K\soupir\qu G\soupir - |\doubler\doubler\lsh f\zq {df}\qu{=h}\soupir\zq {dg}\qu i\soupir\relax - &\doubler\doubler\ql {j^mkn}\relax - &\fourlll {^f}{=h}kh\fourlll fhkh\fourlll iknk\fourlll {=i}knk\enotes - %\check - \barre % mesure 31 - \notes\org\doubler\sk\sk\hpause - |\doubler\qu J\sk - |\doubler\zq{eg}\qu j\sk\soupir - &\doubler\doubler\ql l\soupir - &\fourlll lnnl\fourlll ljj{^m}\enotes - \GO - \notes\org\doubler\ibu0L0\qh0{K=L^M}\tqh0K\relax - |\hl d|\fourllu{^f}gg{=h}\doubler\twobu hf\relax - &\itenu0j\ql j\sk\sk\sk\tten0\ibl0j0\qbp0j\sk\sk\tbbl0\tqb0j\relax - &\ql m\sk\sk\sk\qs\Ibbl0km2\qb0{k=l}\tqb0m\enotes - %\check - \barre % mesure 32 - \notes\org\doubler\Ibu0LJ3\qh0{NJK}\tqh0D\qu G\relax - |\doubler\ibl0d0\qb0{ded}\tqb0d\ql N\relax - |\doubler\ibl0h0\qb0g\zq{gi}\qb0l\zq{=h}\qb0k\lq j\zq h\tqb0k\zq{gi}\ql k\relax - &{\doubler \twobl in}\ibl0n0\isluru0n\qbp0n\sk\sk\tslur0m\tbbl0\tqb0{^m}\ql n\relax - &\isluru0n\ibbl0k0\qb0{nki}\tslur0j\tqb0j\Pince n{\doubler\qu{=h}\sk\qu g}\qsk\enotes - \Notes\org\ds\cl e|\soupir|\ds\cl l\relax - &\soupir\ifFlute\tinynotesize\cl l\fi - &\soupir\ifOboe \tinynotesize\cl l\fi\enotes - %\check -\barre % mesure 33 - \Notes\org\ibl0M0\qb0{MdL}\tqb0c\qu K\relax - |\sk\sk\hpause\sk\soupir - |\ibu0h0\qh0{fke}\tqh0j\qu d\relax - &\ifFlute\tinynotesize\ibu0j0\qh0{fke}\tqh0j\qu d\relax - \else\rlap{\PauseSoliste}\fi - &\ifOboe \tinynotesize\ibu0j0\qh0{fke}\tqh0j\qu d\relax - \else\rlap{\PauseSoliste}\fi\enotes - %\check - \notes\org\sk\soupir - |\qs\Ibbl0KM2\qb0{K=L}\tqb0{^M}\relax - |\qs\Ibbu0df2\qb0{d=e}\tqh0{^f}\relax - &\ifFlute\tinynotesize\qs\Ibbu0df2\qb0{d=e}\tqh0{^f}\fi - &\ifOboe \tinynotesize\qs\Ibbu0df2\qb0{d=e}\tqh0{^f}\fi\enotes - %\check - \ifOrgue\def\atnextline{\OrgelManual}\fi% - \barre % mesure 34 - \notes\org - |\Ibbl0Nc3\qb0{N=a_b}\tqb0c\relax - |\Ibbu0gi3\qh0{g=h_i}\tqh0j\relax - &\ifFlute\tinynotesize\Ibbu0gi3\qh0{g=h_i}\tqh0j\relax - \else\rlap{\doubler\Pause}\fi - &\ifOboe \tinynotesize\Ibbu0gi3\qh0{g=h_i}\tqh0j\relax - \else\sk\sk\hpause\fi\enotes - \Notes\org - |\twobl dK\relax - |\twobu kd\relax - &\ifFlute\tinynotesize\twobu kd\fi - &\ifOboe \tinynotesize\twobu kd\fi\enotes - \notes\org\pause - |\doubler\ql N\sk\soupir - |\doubler\qu g\sk\soupir - &\ifFlute\tinynotesize\qu g\fi - &\ifOboe {\tinynotesize \zql g}\raise\Interligne\qs\else\qs\fi - \Ibbl0nk2\qb0n\isluru0n\qb0n\tslur0k\tqb0k\fourlll k{=i}ig\enotes - \Pos - %\check - \barre % mesure 35 - \notes\org\rlap{\doubler\Pause}\relax - |\doubler\zq G\qu N\sk\soupir - |\doubler\zq n\zq{=i}\ql k\sk\soupir - &\sk\sk\hpause - &\fourlll g{=i}ik\fourlll knn{=l}\enotes - %\check - \Notes\org - |\hu J\relax % fourbu JJJJ\relax - |\ibl0i0\lfl i\lq i\zq g\qb0j\lq i\zq g\qb0j\lq i\zq g\qb0j\lq i\zq g\tqb0j\relax - &\ibl0l0\na l\qb0{lll}\tqb0l\relax - &\doubler\ql l\soupir\enotes - %\check - \barre % mesure 36 - \notes\org\doubler\Pause - |\doubler\doubler\ql M\soupir\zq M\qu F\soupir - |\doubler\doubler\zq {f=h}\qu j\soupir\zq{=ac}\qu f\soupir - &\doubler\doubler\ql m\soupir\hpause - &\qs\Ibbl0mj2\qb0m\isluru0m\qh0m\tslur0j\tqb0j\relax - \fourllu j{=h}hf\fourllu fhhj\fourlll jmmk\enotes - \barre % mesure 37 - \nspace - \Notes\org - |\hu I\relax % \fourbu IIII\relax - |\ibl0j0\lfl h\lq h\zq i\qb0k\lq h\zq i\qb0k\lq h\zq i\qb0k\lq h\zq i\tqb0k\relax - &\ibl0m0\qb0{mmm}\tqb0m\relax - &\doubler\ql k\soupir\enotes - \notes\org\pause - |\doubler\ql L\sk\soupir - |\doubler\zq {il}\ql g\sk\soupir - &\doubler\ql n\sk\soupir - &\qs\Ibbl0li2\qb0l\isluru0l\qb0l\tslur0i\tqb0i\fourlll igge\enotes - %\check - \barre % mesure 38 - \notes\org\rlap{\doubler\Pause}\relax - |\doubler\zq E\qu L\sk\soupir - |\doubler\zq {Nbe}\qu g\sk\soupir - &\sk\sk\hpause - &\fourllu eggi\fourlll illj\enotes - %\check - \Notes\org - |\hu H\relax % \fourbu HHHH\relax - |\ibl0i0\zq h\qb0j\zq h\qb0j\zq h\qb0j\zq h\tqb0j\relax - &\fourbl llll\relax - &\doubler\ql j\soupir\enotes - %\check - \barre % mesure 39 - \notes\org\doubler\Pause - |\doubler\doubler\ql K\soupir\zq K\qu D\soupir - |\doubler\doubler\zq {fh}\qu k\soupir\zq{Mad}\qu f\soupir - &\doubler\doubler\ql m\soupir\hpause - &\qs\Ibbl0kh2\qb0k\isluru0k\qh0k\tslur0h\tqb0h\relax - \fourllu hffd\fourllu dffh\fourlll hkk{=i}\enotes - %\check - \barre % mesure 40 - \notes\org\doubler\Pause - |\doubler\hu G\sk\sk\sk\hu J\relax % \fourbu GGGG\fourbu JJJJ\relax - |\doubler\ibl0h0\zq{g=i}\qb0k\zq{gi}\qb0k\zq{gi}\qb0k\zq{gi}\tqb0k\relax - \lfl i\ibl0h0\lq i\zq g\qb0j\lq i\zq g\qb0j\lq i\zq g\qb0j\lq i\zq g\tqb0j\relax - &\doubler\fourbl mmmm\na l\fourbl llll\relax - &\fourbblu{=i}gik\fourbblu igik\rlap{\sk\islurd0c\sk\sk\tslur0g}\fourbbu{=l}c{=e}g\fourbblu eceg\enotes - %\check - \barre % mesure 41 - \notes\org\doubler\Pause -% |\doubler\fourbl MMMM\fourbl bbbb\relax - |\doubler\hl M\sk\sk\sk\hl b\relax - |\doubler\ibl0h0\zq{f=h}\qb0j\zq{fh}\qb0j\zq{fh}\qb0j\zq{fh}\tqb0j\relax - \ibu0h0\rq i\zq f\qh0{_h}\rq i\zq f\qh0h\rq i\zq f\qh0h\rq i\zq f\tqh0h\relax - &\doubler\fourbl {_l}lll\fourbl kkkk\relax - &\na h\fourbblu hfhj\fourbblu hfhj\fourbblu kikm\fourbblu kikm\enotes - \ifOrgue\def\atnextline{\OrgelPedal}\fi% - \barre % mesure 42 - \notes\org\doubler\Pause -% |\doubler\fourbl LLLL\fourbl aaaa\relax - |\doubler\hl L\sk\sk\sk\hl a\relax % fourbl LLLL\fourbl aaaa\relax - |\doubler\ibl0h0\zq{eg}\qb0i\zq{eg}\qb0i\zq{eg}\qb0i\zq{eg}\tqb0i\relax - \ibu0h0\zq e\qh0{_h}\zq e\qh0h\zq e\qh0h\zq e\tqh0h\relax - &\doubler\fourbl {_k}kkk\fourbl jjjj\relax - &\rlap{\sk\islurd0e\sk\sk\tslur0i}\fourbbu negi\fourbblu gegi\fourbbll jhjl\fourbbll jhjl\enotes - %\check - \barre % mesure 43 - \notes\org\doubler\Pause -% |\doubler\fourbl MMMM\fourbl MMMM\relax - |\doubler\hl M\sk\sk\sk\hl M\relax %MMM\fourbl MMMM\relax - |\doubler\ds\ibu0c0\zq a\qh0c\zq a\qh0c\zq a\tqh0c\relax - \ds\ibu0d0\zq a\qh0d\zq a\qh0d\zq a\tqh0d\relax - &\fourbblu jhjm\fourbblu jhjm\fourbblu hfhj\fourbblu hfhj\relax - &\itenu1m\wh m\enotes - \barre % mesure 44 - \notes\org\doubler\sk\sk\hpause\relax - |\doubler\ibu0L0\qh0{NJN}\tqh0G\relax - |\doubler\ibu0i0\zq d\qh0g\zq e\qh0g\zq d\qh0g\zq d\tqh0f\relax - &\doubler\ibu0i0\qh0{=i}\itenl0j\qh0j\tten0\qh0j\tqh0i\relax - &\tten1\ibl0m0\qb0m\sk\nbbl0\qb0l\tqb0m\Pince -n\ibl0k0\qhp0k\sk\sk\nbbl0\tqb0j\enotes - %\check - \Notes\org\soupir\sk\ds\cl a\relax - |\qu J\zmidtwotext{\bf I}\sk\soupir - |\zq e\qu c\sk\ds\cu h\relax - &\qu j\sk\soupir\ifFlute\tinynotesize\cu h\fi - &\ql j\sk\soupir\ifOboe \tinynotesize\cu h\fi\enotes - %\check - \barre % mesure 45 - \def\orgel{\ibu0L0\qh0{_INH}\tqh0M}% - \Notes\org\orgel|\sk\qsk\hpause|\oct\orgel - &\ifFlute\tinynotesize\oct\orgel - \else\rlap{\PauseSoliste}\fi - &\ifOboe \tinynotesize\oct\orgel - \else\rlap{\PauseSoliste}\fi - \enotes - %\check - \def\orgel{\qs\Ibbu0GI2\qh0{GH}\tqh0{=I}}% - \notes\org\qu G\sk\sk\soupir|\soupir\sk\orgel|\qu N\sk\oct\orgel\relax - &\ifFlute\tinynotesize\qu N\sk\oct\orgel\fi - &\ifOboe \tinynotesize\qu N\sk\oct\orgel\fi\enotes - \ifOrgue\def\atnextline{\OrgelManual}\fi% - %\check - \barre % mesure 46 - \notes\org|\fourbbu JKLM|\fourbbu cdef\relax - &\ifFlute\tinynotesize\fourbbu cdef\fi - &\ifOboe \tinynotesize\fourbbu cdef\relax - \else\sk\sk\sk\hpause\fi\enotes - \Notes\org\sk\pause|\twobu NG\qu J\zmidtwotext{\bf II}\sk\soupir|\twobu gN\qu -c\sk\ds\zq g\cu{_i}\relax - &\ifFlute\tinynotesize\twobu gN\qu c\relax - \else\sk\pause\fi - &\ifOboe \tinynotesize\twobu gN\qu c\relax - \else\sk\sk\soupir\sk\fi\normalnotesize\ds\cl{=l}\enotes - %\check - \barre % mesure 47 - \notes\org||\doubler\ibu0i0\zq h\qh0j\zq g\qh0 -i\zq h\qh0 j\zq g\tqh0i\relax - &&\fourlll m{=l}lm\fourlll mllm\enotes - \Notes\org\pause|\pause|\ibu0i0\zq h\qh0j\zq g\tqh0i\ds\zq{=h}\cl j\relax - &\pause&\twobl ml\ds\cl{^m}\enotes - %\check - \barre % mesure 48 - \notes\org\doubler\Pause - |\doubler\sk\hpause\sk\sk\ds\Ibl0bN2\qb0{=bc}\tqb0N\relax - |\doubler\ibl0i0\zq i\qb0k\zq h\qb0 j\zq i\qb0k\zq h\tqb0 j\relax - \ibu0h0\zq g\qh0i\tqh0{=i}\zq g\zq e\Ibu0jg1\qh0j\tqh0g\relax - &\doubler\Pause - &\fourlll n{^m}mn\fourlll nmmn\fourlll nkkl\fourlll l{=i}ij\enotes - %\check - \barre % mesure 49 - \notes\org\doubler\Pause - |\doubler\zqu c\twobl a{=L}\zqu a\twobl MJ\rlap{\qu N\sk\qu N}\fourbl KJ{=I}G\relax - |\doubler\zq f\twobu h{=e}\zq c\twobu fc\zq{=b}\ibu0e0\qh0f\zq c\qh0e\zq d\qh0f\zq b\tqh0d\relax - &\doubler\Pause - &\fourllu jggh\fourllu h{=e}ef\itenl0f\qu f\sk\sk\sk\sk\tten0\fourllu fhgf\enotes - %\check - \barre % mesure 50 - \Notes\org|\Ibl1JH3\qb1{JM}\relax - |\Ibu0eh1\zq{Nc}\qh0{_e}\zq{ac}\tqh0h\relax - &&\ibu2i0\qh2{_ej}\enotes - \notes\org\sk\sk\sk\pause|\qb1N\sk\tqb1G\relax - |\zql{=b}\fourbbu gfed\relax - &\hpause - &\doubler\qh2d\tqh2{=i}\enotes - \Notes\org|\rlap{\sk\sk\sk\cu c}\fourbl JKLJ\relax - |\zq{Nc}\qu e\sk\ds\cu g\relax - &\soupir\sk\ds\cl{=l}\relax - &\qup c\sk\sk\ds\enotes - %\check - \barre % mesure 51 - \notes\org\doubler\sk\sk\sk\pause - |\doubler\zqu c\ibl0K0\qb0{MJ}\raise6\internote\rlap{\ds}\qb0M\zcu c\tqb0J\relax - |\fourllu hggh\fourllu hggh\relax - &\fourlll m{=l}lm\fourlll mllm\relax - &\doubler\sk\sk\sk\pause\enotes - \Notes\org|\zqu c\twobl MJ\ds\zcl K\cu d\relax - |\twobu hg\ds\cu{=h}\relax - &\twobl ml\ds\cl{^m}&\enotes - %\check - \barre % mesure 52 - \notes\org\doubler\sk\sk\sk\pause - |\doubler\zqu d\ibl0L0\qb0{NK}\raise6\internote\rlap{\ds}\qb0N\zcu d\tqb0K\relax - |\fourllu i{=h}hi\fourllu ihhi\relax - &\fourlll n{^m}mn\fourlll nmmn\relax - &\doubler\sk\sk\sk\pause\enotes - %\check - \notes\org|\doubler\zqu d\ql N\sk - |\multnoteskip{1.2}\fourlll i{=i}ij\relax - &\ifOrgue\multnoteskip{1.2}\fi\fourlll nkkl&\enotes - %\check - \notes\org|\doubler\raise6\internote\rlap{\ds}\ql G\cu N\relax - |\fourlll jiij\relax - &\fourlll lkkl&\enotes - %\check - \barre % mesure 53 - \notes\org\doubler\sk\sk\sk\pause - |\doubler\zhl J\raise 2\internote\rlap{\ds}\hu c\ibu0N0\zq{=L}\qh0N\zq M\qh0a\tqh0N\relax - |\fourlll jgg{_h}\fourlll h{=l}lm\relax - &\fourlll l{=l}l{=m}\fourlll mnno\relax - &\doubler\sk\sk\sk\pause\enotes - \Notes\org|\zql M\cu c\qu d\multnoteskip{0.71}\doubler\rlap{\sk\cu N}\twobl NG\relax - |\ql m\sk\ql{=i}\relax - &\itenu0o\ql o\sk\multnoteskip{0.71}\tten0\fourbbl oonm\enotes - %\check - \barre % mesure 54 - \notes\org\doubler\sk\sk\sk\pause - |\rlap{\sk\sk\sk\sk\fourbbu NMLK}\doubler\zqu c\Ibl0JG3\qb0{JMN}\tqb0G\relax - |\fourbbl jlkj\ibl0i0\qbp0{=i}\sk\sk\tbbl0\tqb0j\relax - &\fourbbll lnml\isluru0k\ibl0j0\qbp0k\sk\sk\tbbl0\tslur0j\tqb0j\relax - &\doubler\sk\sk\hpause\enotes - \Notes\org|\zql J\fourbu JKLJ\relax - |\ql j\sk\ds\cu e\relax - &\ql j\sk\ds\cl j\relax - &\soupir\sk\ds\cl l\enotes - %\check - \barre % mesure 55 - \notes\org\doubler\Pause - |\itenu1N\wh N\relax - |\fourllu edde\fourllu fgfe\fourllu edde\fourllu fgfe\relax - &\fourlll j{=i}ij\fourlll klkj\fourlll jiij\fourlll klkj\relax - &\fourlll lkkl\fourbbll mnml\fourlll lkkl\fourbbll mnml\enotes - %\check - \barre % mesure 56 - \Notes\org|\tten1\fourbl NNLJ|\twobu ed\Ibu0ge1\zq g\qh0c\zq{Nc}\tqh0e\relax - &\twobl j{=i}\ql j\relax - &\twobl lk\ds\cu g\enotes - \notes\org\pause - |\doubler\zq a\ql M\sk\Ibl0LK1\zq c\qb0L\zq{=b}\tqb0K\relax - |\doubler\zq c\qu c\sk\twobu ef\relax - &\fourllu fggh\Ibbu0hg2\qh0h\tbbu0\qh0g\tqh0g\relax - &\fourlll h{=i}ij\fourlll jkkl\enotes - \ifOrgue\def\atnextline{\OrgelPedal}\fi% - %\check - \barre % mesure 57 - \notes\org\doubler\Pause - |\doubler\qu J\sk\twobu JI\ibu0M0\qh0{HaN}\tqh0{=I}\relax - |\zql c\zqu g\ibl0e0\qb0e\sk\nbbl0\qb0e\tqb0f\zql c\doubler\twobu f{=e}\zq -c\qu f\sk\zql d\multnoteskip{0.5}\ibu0g0\qhp0g\sk\sk\tbbu0\tqh0f\relax - &\qu g\sk\sk\sk\fourllu fggh\fourllu hjj{=i}\Ibbu0ik2\qh0i\tbbu0\qh0j\tqh0k\relax - &\fourlll ljjk\fourlll k{=l}lm\doubler\mordent o\isluru0m\qlp m\sk\sk\tslur0n\cl n\enotes - %\check - \barre % mesure 58 - \notes\org\doubler\sk\sk\hpause - |\doubler\ibu0M0\qh0{JMN}\tqh0G\relax - |{\doubler\ibu0f0\qh0{_e}\zq c\tqh0f}\zq {=b}\zql d\fourbblu gfed\relax - &{\doubler\twobu jh}\ibbu0k0\qh0{gml}\tqh0k\relax - &\Ibl0lj3\isluru0l\qb0 l\sk\nbbl0\qb0k\tslur0j\tqb0j\Pince n\isluru0i\Ibl0ij3\qbp0{=i}\sk\sk\tslur0j\tbbl0\tqb0j\enotes - \Notes\org\fourbu JKLJ\relax - |\qlp c\sk\sk\cl N\relax - |\fourbu efge\relax - &\fourbl lmnl\relax - &\ql j\sk\soupir\enotes - %\check - \barre % mesure 59 - \notes\org\doubler\ql M\sk\soupir\sk\sk\hpause - |\doubler\qu M\sk\twobu LK\qu J\sk \twobu JI\relax - |\fourllu a{=b}bc\fourllu cbbc\Ibbu0cd3\qh0{cc}\islurd0c\qh0c\tslur0d\tqh0d\fourllu d{=e}ef\relax - &\advance\transpose 7\fourlll cdde\fourlll edde\Ibbl0ef3\qb0{ee}\isluru0e\qb0e\tslur0f\tqb0f\fourlll fggh\relax - &\doubler\Pause\enotes - %\check - \barre % mesure 60 - \Notes\org\ibu0M0\qh0{HaN}\tqh0{=I}\relax - |\ql c\sk\twobl{=b}d\relax - |\zq f\ibu0h0\qh0h\itenu0f\qh0f\zq d\tten0\qh0f\tqh0g\relax - &\ibl0m0\qb0{omk}\tqb0n\enotes - \notes\org\ibu1M0\doubler\qh1{JM}\relax - |\zq c\ql N\relax - |\fourbbu fedc\relax - &\fourbbl mlkj&\pause\enotes - \Notes\org\qh1N\tqh1G\relax - |\twobl bN|\qu g\relax - &\twobl n{=i}\enotes - %\check - \barre % mesure 61 - \NOtes\org\pointdurgue B\wh C|\zw J\wh N|\zw c\wh e\relax - &\pointdorgue m\wh j&\pointdorgue m\pause\enotes -% \ifOrgue\advance\mulooseness 1\fi - \ifOrgue\linegoal 19\fi - \finmorceau - - - -\endinput - diff --git a/macros/musixtex/doc/examples/marcon2.tex b/macros/musixtex/doc/examples/marcon2.tex deleted file mode 100644 index 0632c642a2..0000000000 --- a/macros/musixtex/doc/examples/marcon2.tex +++ /dev/null @@ -1,723 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi - -% -\title{Concerto pour hautbois --- adagio} -\fulltitle{Concerto pour hautbois --- adagio} -\othermention{Transcription pour hautbois, fl\^{u}te et orgue\\{\bf - \ifFlute Partition fl\^{u}te\fi - \ifOboe Partition hautbois\fi - \ifOrgue Partition orgue\fi} -} -\shorttitle{Concerto pour hautbois --- adagio} -\author{Benedetto MARCELLO\\Transcription Daniel TAUPIN} -\shortauthor{B. Marcello, D. Taupin} -\maketitle -% -\parindent 13mm -\def\interfacteur{10} % was 9 -\def\OrgelManual{% - \global\cleftoksi={{6}{0}{0}{0}}% - \def\interinstrumentii{0pt}% - \def\interinstrumenti{0pt}% - \nbporteesi=2\relax% -} -\def\OrgelPedal{% - \global\cleftoksi={{6}{6}{0}{0}}% - \def\interinstrumentii{0pt}% - \def\interinstrumenti{0pt}% - \nbporteesi=3\relax% -} -\ifOrgue - \def\nbinstruments{3} - \global\cleftoksi={{6}{0}{0}{0}}% - \global\cleftoksii={{0}{0}{0}{0}}% - \global\cleftoksiii={{0}{0}{0}{0}}% - \nbporteesi=3\relax% - \nbporteesii=1\relax% - \nbporteesiii=1\relax% - \def\instrumenti{Orgue}% - \def\instrumentii{Fl\^{u}te}% - \def\instrumentiii{Hautbois}% - \def\staffspacingii{0.64}\def\staffspacingiii{0.64}% -\else - \def\nbinstruments{2} - \global\cleftoksi={{0}{0}{0}{0}}% - \global\cleftoksii={{0}{0}{0}{0}}% - \nbporteesi=1\relax% - \nbporteesii=1\relax% - \def\instrumenti{Fl\^{u}te}% - \def\instrumentii{Hautbois}% - \ifFlute\def\staffspacingi{1.0}\else\def\staffspacingi{0.64}\fi - \ifOboe\def\staffspacingiii{1.0}\else\def\staffspacingii{0.64}\fi% - \def\everystaff{\vrule width 0pt depth 8mm\relax}% -\fi - -\ifOboe\def\interinstrumenti{2\Interligne}\fi -% -\signaturegenerale{-3}\relax -%\check -\def\doubler{\multiply\noteskip by 2\relax}% -% -% formes frequentes -% -\def\Pause{\sk\sk\qsk\pause}% -% - \def\twobbu#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}} - \def\twobbl#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}} -% - \def\fourbbu#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}} - \def\fourbbl#1#2#3#4{\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}} -% - \def\fourlll#1#2#3#4{\Ibbl0{#1}{#4}3% -\isluru0{#1}\qb0{#1}\tslur0{#2}\qb0{#2}\isluru0{#3}\qb0{#3}% -\tslur0{#4}\tqb0{#4}}% -% - \def\fourllu#1#2#3#4{\Ibbu0{#1}{#4}3% -\islurd0{#1}\qh0{#1}\tslur0{#2}\qh0{#2}\islurd0{#3}\qh0{#3}% -\tslur0{#4}\tqh0{#4}}% -% - \def\twobu#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}} - \def\twobl#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}} -% - \def\sixbu#1#2#3#4#5#6{\Ibu0{#1}{#2}1\qh0{#1}\qh0{#2}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}} - \def\sixbl#1#2#3#4#5#6{\Ibl0{#1}{#2}1\qb0{#1}\qb0{#2}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}} -% - \def\twolbu#1#2{\Ibu0{#1}{#2}1\islurd0{#1}\qh0{#1}\tslur0{#2}\tqh0{#2}} - \def\twolbl#1#2{\Ibl0{#1}{#2}1\isluru0{#1}\qb0{#1}\tslur0{#2}\tqb0{#2}} - -% -%\check -% -\catcodesmusic -\def\org#1|#2&{\ifOrgue \ifnum\nbporteesi=3#1|\fi #2&\relax\fi} -% -\generalmeter{\meterfrac 34}% -\sepbarrules -% -\debutmorceau -%\check -% -\notes\org\relax - |&&\zcharnote{w}{\kern -20mm\moyen Adagio -\bf(\metron{\cu}{84})}\enotes -% -%\check -% -% mesure 1 -\NOTes\org\Pause\relax - |\Pause\relax - |\ibl0j0\qb0{jjjjj}\tqb0j\relax - &\ifFlute\zcharnote N{\sl (orgue solo)}\fi - \ifFlute\tinynotesize\ibl0j0\qb0{jjjjj}\tqb0j\relax - \else\Pause - \fi\relax - &\ifOboe\zcharnote N{\sl (orgue solo)}\fi - \ifOboe\tinynotesize\ibl0j0\qb0{jjjjj}\tqb0j\relax - \else\Pause\fi\enotes -% mesure 2 -\barre\NOTes\org\Pause - |\Pause\relax - |\ibl0j0\qb0j\qb0j\qb0j\qb0j\qb0j\tqb0j\relax - &\ifFlute\zcharnote N{\sl fl\^{u}te}\fi\ibl0k0\qb0k\qb0k\qb0k\qb0k\qb0k\tqb0k\relax - &\ifOboe\tinynotesize\ibl0j0\qb0j\qb0j\qb0j\qb0j\qb0j\tqb0j\relax - \else\Pause\fi\enotes -% mesure 3 -\barre\NOTes\org\hup G\relax - |\roff{\pt g}\rh g\hup f\relax - |\na i\ibl0i0\qb0{iiiii}\tqb0i\relax - &\ibl0k0\qb0{kkkkk}\tqb0k\relax - &\ifOboe\tinynotesize\na i\ibl0i0\qb0{iiiii}\tqb0i\relax - \else\Pause\fi\enotes -% mesure 4 -\def\motif{\zq j\qh0 l}% -\barre\NOTes\org\Ibu1CJ1\qh1C\itenl5J\tqh1J\relax - |\itenl1e\zhp c\zhp g\hlp e\relax - |\ibl3j0\qb3{jj}\relax - &\ibl4l0\qb4{ll}\relax - &\ifOboe\zcharnote N{\sl hautbois}\fi\twolbl jl\enotes -\NOTes\org\tten5\hu J\relax - |\relax - |\qb3{jj}\relax - &\qb4{ll}\relax - &\twolbl ln\enotes -\NOTes\org\relax - |\relax - |\qb3j\relax - &\qb4l\relax - &\isluru5n\ibl5n0\qb5n\enotes -\NOtes\org\relax - |\relax - |\tqb3j\relax - &\tqb4l\relax - &\nbbl5\qb5o\tslur5n\tqb5n\enotes -% mesure 5 -\barre\NOTes\org\hup F\relax - |\tten1\zql e\roff{\hup f}\sk\ql d\sk\ql c\relax - |\ibu3h0\qh3{hhhhh}\tqh3h\relax - &\ibl4j0\qb4{jjjjj}\tqb4j\relax - &\mordant q\hl o\sk\sk\sk\soupir\enotes -% mesure 6 -\barre\temps\NOTes\org\hup I\relax - |\zhl b\hup f\relax - |\ibu3h0\qh3{hh}\relax - &\ibl4k0\qh4{kk}\relax - &\twolbl ik\enotes -\NOTes\org\relax - |\relax - |\qh3{h}\relax - &\qh4k\relax - &\Ibl5kl2\isluru5k\qb5k\enotes -\NOtes\org\relax - |\relax - |\qh3h\relax - &\qb4k\relax - &\nbbl5\qb5m\tslur5l\tqb5l\enotes -\NOtes\org\relax - |\itenl2d\ql d\relax - |\qb3h\sk\tqh3h\relax - &\qb4k\sk\tqb4k\relax - &\Ibbl5mn3\isluru5m\qb5{mno}\tslur5n\tqb5n\enotes -% mesure 7 -\barre -\NOTes\org\hup E\relax - |\tten2\qu d\sk\qu c\sk\qu b\relax - |\sixbu gggggg\relax - &\sixbu iiiiii\relax - &\doubler\mordant p\hl n\sk\soupir\enotes -% mesure 8 -\def\motif{\zq h\qh0j}% -\barre\NOtes\org\hup H\relax - |\doubler\doubler\zhl a\hup e\sk\itenl2c\qu c\relax - |\doubler\sixbu hhhhhh\relax - &\doubler\sixbl jjjjjj\relax - &\isluru0h\fourbbl hiji\fourbbl jklk\rlap{\sk\sk\sk\tslur0m}\fourbbl lmnm\enotes -% mesure 9 -\def\motif{\zq f\qh0h}% -\def\motifa{\zq f\qh0i}% -\barre\NOTes\org\hup K\relax - |\doubler\tten2\qu c\qu b\qu a\relax - |\ibu0h0\motif\tbu0\motif\ibu0i0\motifa\motifa\motifa\tbu0\motifa\relax - &\sixbl kkkkkk\relax - &\doubler\mordant o\hl m\sk\soupir\enotes -% mesure 10 -\barre -\Notes\org\Ibu1NG4\qh1N\sk\sk\sk\itenl1G\tqh1G\relax - |\hup f\relax - |\doubler\doubler\bigna i\ibu3i0\qh3{ii}\relax - &\doubler\doubler\ibl4k0\qb4k\qb4k\relax - &\islurd5f\Ibbbu5gk7\qh5{g^fgh=ihi}\tslur5i\tqh5j\enotes -\Notes\org\tten1\hu G\relax - |\relax - |\doubler\doubler\qh3{ii}\relax - &\doubler\doubler\qb4{kk}\relax - &\isluru5l\Ibbbl0jj7\qb0{kijkn=ml}\tslur5l\tqb0k\enotes -\NOtes\org\relax - |\relax - |\doubler\qh3i\tqh3i\relax - &\doubler\qb4k\tqb4k\relax - &\isluru5l\Ibbl0kl3\qb0{klm}\tslur5m\tqb0l\enotes -% mesure 11 -%\check -\def\motif{\zq e\qh3 g}% -\barre\notes\org\Ibu1CJ5\qh1C\relax - |\hup c\relax - |\ibu3g0\motif\relax - &\ibl4j0\qb4j\relax - &\isluru5l\ibbbbl5l0\qb5{lkl}\tbbbbl5\tbbbl5\tbbl5\qb5m\enotes -\NOtes\org\relax - |\relax - |\relax - &\relax - &\tbl5\tslur5l\qbp5l\enotes -\NOTes\org\itenl1J\tqh1J\relax - |\relax - |\motif\relax - &\qb4j\relax - &\enotes -\NOtes\org\tten1\itenl1J\hu J\relax - |\relax - |\motif\sk\motif\relax - &\qb4j\sk\qb4j\relax - &\qsoupir\isluru5n\Ibbl5ln2\qb5{lo}\tslur5o\tqb5n\enotes -\NOtes\org\relax - |\relax - |\motif\sk\tbu3\motif\relax - &\qb4j\sk\tqb4j\relax -% &\Ibbl5ol3\qb5{omm}\tqb5l\enotes - &\fourlll omml\enotes -% mesure 12 -%\check -\barre -\NOTes\org\tten1\qu J\relax - |\roff{\zql c}\hu d\relax - |\ibu3f0\qh3f\tqh3f\relax - &\ibu4h0\qh4h\tqh4h\relax - &\mordant p\ql k\sk\enotes -\NOtes\org\itenl1I\hu I\relax - |\hl b\relax - |\ibu0g0\qh0g\sk\tqh0g\relax - &\ibu0i0\qh0i\sk\tqh0i\relax - &\qsoupir - \isluru5m\Ibbl5km2\qb5{kn}\tslur5m\tqb5m\enotes -\NOtes\org\relax - |\qu e\relax - |\ibu3g0\qh3g\sk\relax - &\ibu4j0\qh4j\sk\relax - &\isluru5n\ibbl5k0\qb5n\qbp5l\enotes -\Notes\org\relax - |\relax - |\tqh3g\relax - &\tqh4j\relax - &\sk\nbbbl5\qb5{kj}\tslur5k\tqb5k\enotes -% mesure 13 -\barre -\notes\org\tten1\qu I\relax - |\roff{\zql b}\hu c\relax - |\ibu3e0\qh3e\relax - &\ibu4g0\qh4g\relax - &\isluru5k\ibbbbl1j0\qb1{j=ij}\relax -\tbbbbl1\tbbbl1\tbbl1\qb1k\enotes -\NOtes\org\relax - |\relax - |\relax - &\relax - &\tslur5k\tbl1\qbp1j\enotes -\NOTes\org\relax - |\relax - |\tqh3e\relax - &\tqh4g\relax - &\enotes -\temps\Notes\org\hu H\relax - |\hl a\relax - |\ibu0f0\qh0f\sk\sk\sk\tqh0f\relax - &\ibu0h0\qh0h\sk\sk\sk\tqh0h\relax - &\qsoupir\sk\isluru5k\ibbbl1j0\qb1j\tbbl1\qb1l\nbbbl1\qb1{kjk}\tslur5l\tqb1l\enotes -\temps\Notes\org\relax - |\qu d\relax - |\ibu0f0\qh0f\sk\sk\sk\tqh0f\relax - &\ibu0h0\qh0h\sk\sk\sk\tqh0h\relax - &\isluru5n\ibbbl1k0\qb1{mnlmkl}\relax -\triolet n\qb1{jk}\tslur5k\tqb1j\enotes -% mesure 14 -%\check -\def\motif{\rq g\qh3f}% -\barre -\NOTes\org\hup G\relax - |\hup b\relax - |\zhlp d\ds\ibu3g0\motif\motif\motif\motif\tbu3\motif - &\ds\ibu0i0\qh0{=iiii}\tqh0i\relax - &\bigna i\hl i\sk\sk\sk\soupir\enotes -% mesure 15 -\barre\NOTes\org\hup J\relax - |\hup c\relax - |\bigna e\ibu0g0\zq e\qh0g\zq e\tqh0g\relax - &\twobu jg\relax - &\bigna l\twolbl ln\enotes -\NOTes\org\relax - |\relax - |\ibu0g0\zq e\qh0g\zq e\tqh0g\relax - &\twobu gg\relax - &\twolbl nl\enotes -\NOtes\org\relax - |\relax - |\doubler\twobu ee\relax - &\doubler\twobl jj\relax - &\fl i\isluru5m\ibbl1i0\qb1{inl}\tslur5m\tqb1i\enotes -% mesure 16 -\barre\NOTes\org\hlp M\relax - |\qu c\relax - |\ibu3g0\qh3g\relax - &\ibl4j0\qb4j\relax - &\ibu5k0\itenl5i\qh5i\enotes -\Notes\org\relax - |\relax - |\tqh3g\relax - &\tqb4j\relax - &\tten5\nbbbu5\islurd5i\qh5{ihj}\tslur5i\tqh5i\enotes -\temps\NOTes\org\relax - |\hu f\relax - |\ibu0h0\qh0{hhh}\tqh0h\relax - &\ibl0j0\qb0{jjj}\tqb0j\relax - &\qu h\sk\soupir\enotes -% mesure 17 -\def\motif{\zq h\qh0 k}% -\barre -\NOtes\org\hup K\relax - |\hup {^f}\relax - |\ibu3h0\na h\qh3h\sk\qh3h\relax - &\ibl4k0\qb0k\sk\qb0k\relax - &\ibbl1m0\sh m\qb1{m=om}\tqb1n\enotes -\Notes\org\relax - |\relax - |\qh3h\sk\sk\sk\qh3h\sk\sk\sk\relax - &\qb4k\sk\sk\sk\qb4k\sk\sk\sk\relax - &\Ibbbl1oh7\qb1{onm=lkji}\tqb1{=h}\enotes -\Notes\org\relax - |\relax - |\qh3h\sk\sk\sk\sk\tqh3h\sk\sk\sk\relax - &\qb4k\sk\sk\sk\sk\tqb4k\sk\sk\sk\relax - &\Ibbbu1dl9\qh1{d=e^fghij}\pointdurgue e\qhp1k\qsk\tbbbbu1\tqh1j\enotes -% mesure 18 - \barre -\NOTes\org\hup G\relax - |\qu d\relax - |\twobu gg\relax - &\twobl kk\relax - &\twolbl ji\enotes -\NOTes\org\relax - |\itenl2e\hu e\relax - |\ibu3g0\qh3{ggg}\tqh3g\relax - &\ibl4i0\qb4{iii}\tqb4i\relax - &\bigfl l\twobl lk\mordant n\itenu5l\ql l\enotes -% mesure 19 -\barre\NOTes\org\hl M\relax - |\tten2\qu e\relax - |\ibu3h0\qh3{_h}\relax - &\ibl4j0\qh4j\relax - &\tten5\isluru5m\ibl5l0\qb5l\enotes -\NOtes\org\relax - |\relax - |\tqh3h\relax - &\tqb4j\relax - &\nbbl5\qb5m\tqb5l\enotes -\NOTes\org\relax - |\hu d\relax - |\ibu3f0\qh3f\relax - &\ibu4h0\qh4h\relax - &\ibl5k0\qb5k\enotes -\NOtes\org\relax - |\relax - |\qh3f\relax - &\qh4h\relax - &\nbbl5\qb5l\tslur5k\tqb5j\enotes -\NOTes\org\qu F\relax - |\relax - |\qh3f\tqh3f\relax - &\qh4h\tqh4h\relax - &\itenu5k\mordant m\ql k\enotes -% mesure 20 -\barre -\NOtes\org\hu E\relax - |\qu d\relax - |\doubler\twobu gg\relax - &\doubler\twobu ii\relax - &\tten5\ibbl0k0\rlap{\sk\isluru5n}\qb0{knl}\tqb0k\enotes -\temps\NOtes\org\relax - |\hu c\relax - |\ibu3e0\qh3{e*e}\relax - &\ibu4g0\qh4{g*g}\relax - &\ibbl0i0\qb0{jih}\tslur5i\tqb0i\enotes -\NOTes\org\ql L\relax - |\relax - |\qh3e\sk\tqh3e\relax - &\qh4g\sk\tqh4g\relax - &\upperna j\mordant o\itenu5j\ql j\enotes -% mesure 21 -\barre -\NOtes\org\hup K\relax - |\hu b\relax - |\doubler\twobu ff\relax - &\doubler\twobu fh\relax - &\ibbl5j0\tten5\qb5j\isluru5k\qb5{_i}\qb5k\multnoteskip{0.71}\nbbbl5\qb5m\tqb5l\enotes -\Notes\org\relax - |\relax - |\ibu3d0\qh3d\sk\sk\sk\qh3d\relax - &\ibu4f0\qh4f\sk\sk\sk\qh4f\relax - &\ibbbl5i0\qb5{kjihijk}\tqb5l\enotes -\NOtes\org\relax - |\qu a\relax - |\qh3d\sk\tqh3d\relax - &\qh4f\sk\tqh4f\relax - &\Ibbl5mi3\qb5{mk}\relax -\pince l\qb5j\enotes -\NOtes\org\relax - |\relax - &\relax - &\tslur5k\itenu5i\tqb5i\enotes -% mesure 22 -\barre -\Notes\org\hup J\relax - |\qu N\relax - |\ibu3e0\qh3e\sk\sk\sk\tqh3e\relax - &\ibu4g0\qh4g\sk\sk\sk\tqh4g\relax - &\tten5\ibbbl1i0\rlap{\sk\isluru5m}\qb1{ijj}\tqb1i\Ibbbu1ig3\qh1{ihh}\tqh1g\enotes -\Notes\org\relax - |\qu e\relax - |\ibu3g0\qh3g\sk\sk\sk\tqh3g\relax - &\ibu4j0\qh4j\sk\sk\sk\tqh4j\relax - &\ibbbu1g0\qh1{ghh}\tqh1g\Ibbbu1ge3\qh1{gff}\tqh1e\enotes -\temps\NOtes\org\relax - |\qu e\relax - |\ibu3f0\qh3f\sk\tqh3f\relax - &\ibu4h0\qh4h\sk\zq f\tqh4h\relax - &\ibbu5k0\tslur5m\rlap{\sk\isluru5r}\qh5{flk}\tqh5j\enotes -% mesure 23 -\barre -\NOTes\org\hu I\relax - |\hu d\relax - |\ibu3f0\qh3{fff}\relax - &\ibu4h0\qh4{hhh}\relax - &\tslur5n\itenu5k\ql k\sk\tten5\Ibl5ki3\qbp5k\enotes -\NOtes\org - |\relax - |\tqh3f\relax - &\tqh4h\relax - &\sk\tbbl5\tqb5i\enotes -\NOTes\org\qu J\relax - |\qu c\relax - |\twobu ee\relax - &\twobu gg\relax - &\itenu5l\ql l\enotes -% mesure 24 -\barre -\NOTes\org\qu{H}\relax - |\relax - |\ibu3h0\zq e\qh3h\relax - &\ql j\relax - &\tten5\ibl5i0\itenu5l\qb5l\enotes -\Notes\org\relax - |\relax - |\zq e\tqh3h\relax - &\relax - &\tten5\rlap{\sk\isluru5m}\nbbbl5\qb5{ljk}\tqb5l\enotes -\NOTes\org\hu I\relax - |\hpause - |\ibu0f0\zq d\qh0f\zq d\qh0f\zq d\qh0f\zq e\tqh0g\relax - &\hl i\relax - &\ifOboe\rlap{\tinynotesize\ibl0d0\zq d\qb0f\zq d\qb0f\zq d\qb0f\loff{\zq e\tqb0g}\relax}\fi - \qlp m\sk\sk\tslur5m\cl l\enotes -% mesure 25 -\barre\NOTes\org\hlp M\relax - |\relax - |\zhlp f\ibu3h0\qh3{hhh}\relax - &\Ibl4hk6\qb4h\qb4{_kk}\relax - &\Uptext{\pp}\bigfl k\qlp k\enotes -\NOtes\org\relax - |\pause - |\doubler\qh3{hh}\tqh3h\relax - &\doubler\qb4{kk}\tqb4k\relax - &\ibbl5m0\isluru5n\qb5{mnonm}\tslur5m\tqb5l\enotes -% mesure 26 -\barre -\NOTes\org\hlp N\relax - |\relax - |\zhlp e\ibu3g0\qh3{gg}\relax - &\ibu4i0\qh4{ii}\relax - &\itenu5k\ql{_k}\enotes -\NOtes\org\relax - |\sk\pause - |\doubler\qh3{ggg}\tqh3g\relax - &\doubler\qh4{iii}\tqh4i\relax - &\tten5\isluru5m\Ibbl1ko3\qb1{kln}\tqb1{o}\Ibbl1pk3\qb1{pnl}\tslur5m\tqb1k\enotes -% mesure 27 -\barre -\NOTes\org\hl a\relax - |\hu e\relax - |\ibu3h0\qh3h\relax - &\ibl4j0\qb4j\relax - &\bigfl k\ibl1j0\isluru5l\itenu1k\qb1k\enotes -\Notes\org\relax - |\relax - |\qh3h\relax - &\qh4j\relax - &\tten1\nbbbl1\qb1{kjl}\tqb1k\enotes -\NOtes\org\relax - |\relax - |\qh3h\sk\tqh3h\relax - &\qb4j\sk\tqb4j\relax - &\Ibbl1jn3\qb1{jlm}\tqb1n\enotes -\NOtes\org\qu H\relax - |\itenl2f\qu f\relax - |\ibu3h0\qh3h\sk\tqh3h\relax - &\ibl4j0\qb4j\sk\tqb4j\relax - &\Ibbl1ol3\qb1{onm}\tslur5m\tqb1l\enotes -% mesure 28 -\barre\NOTes\org\hu G\relax - |\tten2\hu f\relax - |\ibu3g0\qh3{gg}\relax - &\ibl4i0\bigna i\qb4{ii}\relax - &\itenu5m\ql m\enotes -\NOtes\org\relax - |\relax - |\qh3g\sk\tqh3g\relax - &\qb4i\sk\tqb4i\relax - &\tten5\ibbl5h0\rlap{\sk\isluru5j}\qb1{mgh}\tqb5{=i}\enotes -\NOtes\org\qu{H}\relax - |\itenl2f\qu f\relax - |\itenu3h\qu h\relax - &\itenu4j\ql j\relax - &\Ibbl1jk3\qb1{j=kl}\tqb1k\enotes -% mesure 29 -\barre -\NOtes\org\qu F\relax - |\tten2\qu f\relax - |\doubler\tten3\twobu hh\relax - &\doubler\tten4\twobl jk\relax - &\ibbl5l0\qb5{lom}\tslur5m\tqb5k\enotes -\temps\NOTes\org\hu G\relax - |\qup d\sk\sk\cu e\relax - |\ibu0g0\qh0{ggg}\tqh0g\relax - &\qlp{=i}\sk\sk\cl j\relax - &\ifOboe\rlap{\tinynotesize\ibl0g0\qb0{ggg}\tqb0g\relax}\fi - \isluru5k\qlp{=i}\sk\sk\tslur5l\cu j\enotes -% mesure 30 -%\check -\barre -\NOTes\org\hup{H}\relax - |\hup c\relax - |\ibu3h0\zq f\qh3h\zq f\qh3h\zq f\qh3h\zq f\qh3h\relax - &\ibl4j0\qb4{jjjj}\relax - &\itenl5f\hu f\enotes -\NOtes\org\relax - |\relax - |\zq f\qh3h\sk\zq f\tqh3h\relax - &\qb4j\sk\tqb4j\relax - &\tten5\rlap{\sk\islurd5c}\Ibbu5fe3\qh5{fcd}\tqh5e\enotes -% mesure 31 -%\check -\barre -\NOtes\org\hu G\relax - |\hu d\sk - |\doubler\ibu3g0\qh3{gggg}\relax - &\doubler\bigna i\ibl4i0\qb4{iii}\tqb4i\relax - &\Ibbu5fe3\qh5{fed}\tslur5d\tqh5e\islurd5e\Ibbu5fg3\qh5{fgh}\tslur5f\tqh5g\enotes -\Notes\org\ql L\relax - |\qu c\relax - |\doubler\doubler\qh3g\tqh3g\relax - &\doubler\doubler\twobl jj\relax - &\islurd5f\Ibbbu1gi7\qh1{gfefghi}\tslur5g\tqh1{=i}\enotes -% mesure 32 -%\check -\barre -\NOtes\org\bigaccid\zql{a}\relax - |\qu c\relax - |\ibu0f0\qh0f\sk\tqh0f\relax - &\doubler\twobu hh\relax - &\Ibl5jk3\qbp5j\sk\sk\tbbl5\tqb5k\enotes -\NOTes\org\hl N\relax - |\qup d\sk\sk\cu e\relax - |\twobu ff\twobu gg\relax - &\qlp{=i}\sk\sk\cl j\relax - &\ifOboe\rlap{\tinynotesize\twobl ff\twobl gg\relax}\fi - \isluru5l\qlp k\sk\sk\tslur5l\cu j\enotes -% mesure 33 -%\check -\barre\NOTes\org\hu K\relax - |\zhu{^f}\hlp d\relax - |\na h\ibu3h0\qh3{hhh}\tqh3h\relax - &\ibl4j0\qb4{jjj}\tqb4j\relax - &\bigsh m\isluru5n\hl m\enotes -\NOTes\org\qu G\relax - |\raise 2\internote\soupir - |\twobu gg\relax - &\bigna i\twobu ii\relax - &\tslur5o\isluru5o\twobl nk\enotes -% mesure 34 -%\check -\barre\NOTes\org\Ibl1JG5\qb1J\relax - |\qu e\relax - |\ibu3g0\qh3g\relax - &\ibl4j0\qb4j\relax - &\tslur5m\Ibl5lj2\qb5l\enotes -\NOtes\org\qb1L\relax - |\relax - |\tqh3g\relax - &\tqb4j\relax - &\nbbl5\qb5k\tqb5j\enotes -\NOTes\org\qb1{NMN}\tqb1G\relax - |\hu d\relax - |\hu g\relax - &\na i\qup i\sk\sk\cu j\relax - &\zcharnote o{\Trille{1.8\noteskip}}\na i\ql i\sk\rlap{\isluru5j\sk\tslur5k}\twobl ij\enotes - \ifOrgue\cleftoksi={{6}{6}{0}{0}}\changeclefs\fi -% mesure 35 -%\check -\barre -\NOTes\org\hup J\relax - |\rlap{\sk\itenl2N}\twobl cN\relax - |\Ibu3ge1\zq e\qh3g\zq c\tqh3e\relax - &\Ibl4jl5\qh4{jl}\relax - &\hlp j\enotes -\NOTes\org\relax - |\tten2\hl N\relax - |\ibu3e0\zq c\qh3e\zq c\qh3e\zq c\qh3e\zq c\tqh3e\relax - &\qb4{lll}\tqb4l\enotes -% mesure 36 -%\check -\barre\NOTes\org\hup G\relax - |\hlp N\relax - |\ibu3e0\zq c\qh3e\rq d\qh3c\rq d\qh3c\rq d\qh3c\zq -{_b}\qh3d\zq b\tqh3d\relax - &\Ibl4lk5\qb4{lkkkk}\tqb4k\relax - &\sk\sk\qsk\pause\enotes -% mesure 37 -%\check -\barre\NOTes\org\hup J\relax - |\hlp N - |\na e\ibu3e0\relax -\zq b\qh3 e\zq b\qh3 e\zq b\qh3 e\zq b\qh3 e\zq b\qh3 e\zq b\tqh3 e\relax - &\na l\ibl4l0\qb4{lllll}\tqb4l\relax - &\sk\sk\qsk\pause\enotes -% mesure 38 -%\check -\barre -\NOTes\org\hlp M\relax - |\zql b\relax - |\ibu3f0\zq c\qh3f\zq c\qh3f\relax - &\ibl4m0\qb4m\qb4m\enotes -\NOTes\org\relax - |\itenu2a\ql a\relax - |\zq c\qh3f\zq c\tqh3f\relax - &\qb4m\tqb4m\relax - &\sk\pause\enotes -\temps\NOTes\org\relax - |\tten2\ql a\relax - |\zq {c}\rq f\qu e\relax - &\ql m\sk - &\enotes -% mesure 39 -%\check -\barre -\NOTes\org\hl N\relax - |\na b\ibl2b0\zq b\qb2d\zq b\qb2d\zq b\qb2d\zq b\tqb2d\relax - |\qup f\sk\sk\Ibu3gc2\qh3g\relax - &\qlp m\sk\sk\Ibl4nj2\qb4n\relax - &\sk\sk\qsk\pause\enotes -\NOTes\org\ql a\relax - |\ql c\relax - |\qh3e\tqh3d\relax - &\qb4l\tqb4k\enotes -% mesure 40 -%\check -\barre -\NOTes\org\ql M\relax - |\zq c\ql a\sk\relax - |\twobu ef\relax - &\twobl lm\enotes -\NOTes\org\ibu2N0\qh2{NMN}\tqh2G\relax - |\hl{=b}\relax - |\hu d\relax - &\hl k\sk\sk\relax - &\qsk\pause\enotes -% mesure 41 -%\check -%\ifOrgue\cleftoksi={{6}{6}{0}{0}}\changeclefs\fi -\barre -\NOTES\org\hup J\relax - |\zhp{LN}\hlp c\relax - |\sk\pause - &\hlp j\relax - &\sk\pause\enotes -\ifOrgue \linegoal 9\relax -\else \linegoal 12\relax -\fi -\finmorceau - -\endinput - - - diff --git a/macros/musixtex/doc/examples/marcon3.tex b/macros/musixtex/doc/examples/marcon3.tex deleted file mode 100644 index de25e96f87..0000000000 --- a/macros/musixtex/doc/examples/marcon3.tex +++ /dev/null @@ -1,1106 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi - -% -\title{Concerto pour hautbois --- finale} -\fulltitle{Concerto pour hautbois --- finale} -\othermention{Transcription pour hautbois, fl\^{u}te et orgue\\{\bf - \ifFlute Partition fl\^{u}te\fi - \ifOboe Partition hautbois\fi - \ifOrgue Partition orgue\fi} -} -\shorttitle{Concerto pour hautbois --- finale} -\author{Benedetto MARCELLO\\Transcription Daniel TAUPIN} -\shortauthor{B. Marcello, D. Taupin} -\maketitle -% -\parindent 13mm -\def\interfacteur{10} % was 9 -\ifOrgue - \def\nbinstruments{3} - \global\cleftoksi={{6}{6}{0}{0}}% - \global\cleftoksii={{0}{0}{0}{0}}% - \global\cleftoksiii={{0}{0}{0}{0}}% - \nbporteesi=3\relax% - \nbporteesii=1\relax% - \nbporteesiii=1\relax% - \def\instrumenti{Orgue}% - \def\instrumentii{Fl\^{u}e}% - \def\instrumentiii{Hautbois}% - \def\staffspacingii{0.64}\def\staffspacingiii{0.64}% -\else - \def\nbinstruments{2} - \global\cleftoksi={{0}{0}{0}{0}}% - \global\cleftoksii={{0}{0}{0}{0}}% - \nbporteesi=1\relax% - \nbporteesii=1\relax% - \def\instrumenti{Fl\^{u}te}% - \def\instrumentii{Hautbois}% - \ifFlute\def\staffspacingi{1.0}\else\def\staffspacingi{0.64}\fi - \ifOboe\def\staffspacingiii{1.0}\else\def\staffspacingii{0.64}\fi% - \def\everystaff{\vrule width 0pt depth 5mm\relax}% -\fi - -\ifOboe\def\interinstrumenti{2\Interligne}\fi -% -\signaturegenerale{-3}\relax -%\check -\def\doubler{\multiply\noteskip by 2\relax}% -% formes frequentes -\def\Pause{\sk\sk\qsk\pause}% -% -% -\def\sixlpl#1#2#3#4#5#6{\Ibbl0{#1}{#6}5% -\isluru0{#1}\qb0{#1}\tslur0{#2}\qb0{#2}\upz{#3}\qb0{#3}% -\upz{#4}\qb0{#4}\upz{#5}\qb0{#5}\upz{#6}\tqb0{#6}}% -% -\def\Sixlpl#1#2#3#4#5#6{{\advance \transpose -1\relax\Ibbl0{#1}{#6}5}% -\isluru0{#1}\qb0{#1}\tslur0{#2}\qb0{#2}\upz{#3}\qb0{#3}% -\upz{#4}\qb0{#4}\upz{#5}\qb0{#5}\upz{#6}\tqb0{#6}}% -% -\def\fiveplpl#1#2#3#4#5{\Ibbl0{#1}{#5}4% -\isluru0{#1}\qb0{#1}\qb0{#2}\qb0{#3}% -\tslur0{#4}\tbbl0\qb0{#4}\upz{#5}\tqb0{#5}}% -% -\def\fourplpl#1#2#3#4{\Ibl0{#1}{#4}4% -\upz{#1}\qb0{#1}\sk\isluru0{#2}\nbbl0\qb0{#2}\tbbl0\tslur0{#3}\qb0{#3}% -\upz{#4}\tqb0{#4}\sk}% -% -\def\threelpl#1#2#3{\Ibbl0{#1}{#3}2% -\isluru0{#1}\qb0{#1}% -\tslur0{#2}\tbbl0\qb0{#2}\upz{#3}\tqb0{#3}}% -% -\def\threell#1#2#3{\Ibbl0{#1}{#3}2% -\isluru0{#1}\qb0{#1}% -\tslur0{#2}\tbbl0\qb0{#2}\tqb0{#3}}% -% -\def\sixlpu#1#2#3#4#5#6{\Ibbu0{#1}{#6}5% -\islurd0{#1}\qh0{#1}\tslur0{#2}\qh0{#2}\lpz{#3}\qh0{#3}% -\lpz{#4}\qh0{#4}\lpz{#5}\qh0{#5}\lpz{#6}\tqh0{#6}}% -% -\def\Sixlpu#1#2#3#4#5#6{{\advance\transpose 1\relax\Ibbu0{#1}{#6}5}% -\islurd0{#1}\qh0{#1}\tslur0{#2}\qh0{#2}\lpz{#3}\qh0{#3}% -\lpz{#4}\qh0{#4}\lpz{#5}\qh0{#5}\lpz{#6}\tqh0{#6}}% -% -\def\fiveplpu#1#2#3#4#5{\Ibbu0{#1}{#5}4% -\islurd0{#1}\qh0{#1}\qh0{#2}\lpz{#3}\qh0{#3}% -\tslur0{#4}\tbbu0\qh0{#4}\lpz{#5}\tqh0{#5}}% -% -\def\fourplpu#1#2#3#4{\Ibu0{#1}{#4}4% -\lpz{#1}\qh0{#1}\sk\islurd0{#2}\nbbu0\qh0{#2}\tbbu0\tslur0{#3}\qh0{#3}% -\lpz{#4}\tqh0{#4}\sk}% -% -\def\threelpu#1#2#3{\Ibbu0{#1}{#3}2% -\islurd0{#1}\qh0{#1}% -\tslur0{#2}\tbbu0\qh0{#2}\lpz{#3}\tqh0{#3}}% -% -\def\threelu#1#2#3{\Ibbu0{#1}{#3}2% -\islurd0{#1}\qh0{#1}% -\tslur0{#2}\tbbu0\qh0{#2}\tqh0{#3}}% -% -\def\sixppl#1#2#3#4#5#6{\Ibbl0{#1}{#6}5% -\upz{#1}\qb0{#1}\upz{#2}\qb0{#2}\upz{#3}\qb0{#3}% -\upz{#4}\qb0{#4}\upz{#5}\qb0{#5}\upz{#6}\tqb0{#6}}% -% -\def\Sixppl#1#2#3#4#5#6{{\advance\transpose -1\relax\Ibbl0{#1}{#6}5}% -\upz{#1}\qb0{#1}\upz{#2}\qb0{#2}\upz{#3}\qb0{#3}% -\upz{#4}\qb0{#4}\upz{#5}\qb0{#5}\upz{#6}\tqb0{#6}}% -% -\def\threeppl#1#2#3{\Ibbl0{#1}{#3}2% -\upz{#1}\qb0{#1}\tbbl0\upz{#2}\qb0{#2}\tqb0{#3}}% -% -\def\sixppu#1#2#3#4#5#6{\Ibbu0{#1}{#6}5% -\lpz{#1}\qh0{#1}\lpz{#2}\qh0{#2}\lpz{#3}\qh0{#3}% -\lpz{#4}\qh0{#4}\lpz{#5}\qh0{#5}\lpz{#6}\tqh0{#6}}% -% -\def\threeppu#1#2#3{\Ibbu0{#1}{#3}2% -\lpz{#1}\qh0{#1}\tbbu0\lpz{#2}\qh0{#2}\tqh0{#3}}% -% -\def\triol#1#2#3{\doubler\Ibl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}}% -\def\triou#1#2#3{\doubler\Ibu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}}% -\def\triopl#1#2#3{\doubler\Ibl0{#1}{#3}2\upz{#1}\qb0{#1}\upz{#2}\qb0{#2}\upz{#3}\tqb0{#3}}% -\def\triopu#1#2#3{\doubler\Ibu0{#1}{#3}2\lpz{#1}\qh0{#1}\lpz{#2}\qh0{#2}\lpz{#3}\tqh0{#3}}% -% -\def\clpz#1{\upz{#1}\cl{#1}} -\def\cupz#1{\lpz{#1}\cu{#1}} -% Siciliano : O. oO -\def\sicu#1#2#3{\Ibu0{#1}{#3}4\qhp0{#1}\sk\sk\tbbu0\qh0{#2}\tqh0{#3}\sk} -\def\sicl#1#2#3{\Ibl0{#1}{#3}4\qbp0{#1}\sk\sk\tbbl0\qb0{#2}\tqb0{#3}\sk} - -\catcodesmusic -\def\org#1&{\ifOrgue #1\relax - &\relax\fi} -% -%\check -% -\generalmeter{\meterfrac 38}% -\sepbarrules -% -\debutmorceau -\notes\org\relax - &\relax - &\zcharnote{w}{\kern -20mm\moyen Allegro \bf(\metron{\cu}{160})}\enotes -% -%\check -% mesure 1 -\notes\org\Pause - |\zmidtwotext{\llap{\bf II}}\qlp c\relax - |\zqp e\qup g\relax - &\qlp j\relax - &\uptext{\p}\sixlpl jgjklj\enotes -%\check - \barre % mesure 2 -\notes\org\Pause - |\qlp{=b}\relax - |\zqp d\qup g\relax - &\qlp k\relax - &\sixlpl kgklmk\enotes -%\check - \barre % mesure 3 -\notes\org\Pause - |\doubler\cl c\ql a\relax - |\doubler\zq e\cu g\zq c\qu f\relax - &\doubler\Ibu0ii1\bupz0\qh0j\bupz0\qh0l\bupz0\tqh0j\relax - &\sixppl lkjklm\enotes -%\check - \barre % mesure 4 -\Notes\org\sk\pause - |\qlp N\relax - |\zqp d\qup g\relax - &\qup{=i}\relax - &\isluru0n\ql n\sk\tslur0g\cl g\enotes -%\check - \barre % mesure 5 -\notes\org\Pause - |\qup J\relax - |\sixppl lkj{_i}hg\relax - &\sixppl nmlkj{_i}\relax - &\Pause\enotes -%\check - \barre % mesure 6 -\notes\org\Pause - |\sixppl MNMLKJ\relax - |\qu f\sk\sk\sk\ds\relax - &\threeppl hjm\sk\ds\relax - &\Pause\enotes -%\check - \barre % mesure 7 -\notes\org\Pause - |\zqlp I\Ibbu0KN2\qh0K\tbbu0\qh0M\tqh0b\sk\ds\relax - |\sixppu kjihgf\relax - &\sixppl mlkjih\relax - &\Pause\enotes -%\check - \barre % mesure 8 -\notes\org\Pause - |\sixppl LMLKJI\relax - |\qu e\sk\sk\sk\ds\relax - &\threeppl gil\sk\ds\relax - &\Pause\enotes -%\check - \barre % mesure 9 -\notes\org\Pause - |\zqlp H\Ibbu0JM2\qh0J\tbbu0\qh0L\tqh0a\sk\ds\relax - |\sixppu jihgfe\relax - &\sixppl lkjihg\relax - &\Pause\enotes -%\check - \barre % mesure 10 -\notes\org\Pause - |\sixppl KLKJIH\relax - |\qu d\sk\sk\sk\ds\relax - &\threeppl fhk\sk\ds\relax - &\Pause\enotes -%\check - \barre % mesure 11 -\notes\org\Pause - |\zqlp G\Ibbu0IL2\qh0{=I}\tbbu0\qh0K\tqh0N\sk\ds\relax - |\sixppu {=i}hgfed\relax - &\relax - \ifx\Quer\undefined \sixppu kj{=i}onm\else\sixppu kj{=i}hgf\fi - \relax - &\Pause\enotes -%\check - \barre % mesure 12 -\notes\org\Pause - |\sicu JKL\relax - |\Ibbu0cg4\qh0{cde}\tbbu0\qh0f\tqh0g\sk\relax - &\relax - \ifx\Quer\undefined \Ibbu0li2\qh0l\tqh0k\itenl0j\qu j\sk - \else\Ibbu0ei2\qh0e\tqh0g\itenl0j\qu j\sk - \fi\relax - &\Pause\enotes -%\check - \barre % mesure 13 -\notes\org\Pause - |\doubler\Ibl0MI2\qb0M\qb0N\tqb0G\relax - |\doubler -\Ibu0fd2\zq f\qb0h\zq g\qh0d\zq f\tqh0d\relax - &\tten0\ibbu0j0\qh0j\tbbu0\qh0k\qhp0{=i}\sk\sk\tbbu0\tqh0j\enotes -%\check - \barre % mesure 14 -\notes\org\qup J\relax - |\zmidtwotext{\llap{\bf I}}\qlp c\relax - |\zqp e\qup g\relax - &\qlp j\relax - &\sixlpl jgjklj\enotes -%\check - \barre % mesure 15 -\notes\org\doubler\qup {=I}\relax - |\doubler\qlp{=b}\relax - |\zqp d\qup g\relax - &\qlp k\relax - &\sixlpl kgklmk\enotes -%\check - \barre % mesure 16 -\notes\org\doubler\cu J\qu H\relax - |\doubler\cl c\ql a\relax - |\doubler\zq e\cu g\zq c\qu f\relax - &\doubler\Ibl0ii1\upz j\qb0j\upz l\qb0l\upz j\tqb0j\relax - &\sixppl lkjklm\enotes -%\check - \barre % mesure 17 -\notes\org\qup G\relax - |\qlp N\relax - |\zqp d\qup g\relax - &\fourplpl{=i}kji\relax - &\doubler\isluru0n\ql n\sk\tslur0g\cl g\enotes -%\check - \barre % mesure 18 -\notes\org\doubler\qu J\sk\lpz H\cu H\relax - |\doubler\ql c\sk\upz a\cl a\relax - |\doubler\zq e\qu g\sk\ds\relax - &\fourplpl llkj\relax - &\sixlpl nljlom\enotes - %\check - \barre % mesure 19 -\notes\org\doubler\qu I\sk\lpz G\cu G\relax - |\doubler\ql b\sk\upz N\cl N\relax - |\qu d\sk\ds\relax - &\fiveplpl iklmn\relax - &\threelpl kmp\sk\ds\enotes -%\check - \barre % mesure 20 -\notes\org\doubler\qu H\sk\lpz F\cu F\relax - |\doubler\ql a\sk\upz M\cl M\relax - |\doubler\zq c\qu e\sk\ds\relax - &\fourplpl jjih\relax - &\sixlpl ljhjlj\enotes - %\check - \barre % mesure 21 -\notes\org\doubler\qu G\sk\ds\relax - |\doubler\ql N\sk\ds\relax - |\doubler\qu {=b}\sk\ds\relax - &\fiveplpl gh{=i}jk\relax - &\threelpl {=i}kn\sk\ds\enotes - %\check - \barre % mesure 22 -\notes\org\Pause - |\Pause - |\doubler\ibu0g0\zq e\qh0g\zq e\qh0g\zq e\tqh0g\relax - &\fourplpl jlkj\relax - &\sixlpl lkjklj\enotes - %\check - \barre % mesure 23 -\notes\org\Pause - |\Pause - |\doubler\ibu0h0\zq {df}\qh0h\zq {df}\qh0h\zq {df}\tqh0h\relax - &\fourplpl imlk\relax - &\sixlpl mlklmk\enotes - %\check - \barre % mesure 24 -\notes\org\Pause - |\Pause - |\doubler\ibu0g0\zq e\qh0g\zq e\qh0g\zq e\tqh0g\relax - &\fourplpl inml\relax - &\sixlpl nmlmnl\enotes - %\check - \barre % mesure 25 -\notes\org\Pause - |\Pause - |\doubler\ibu0h0\zq f\qh0h\zq f\qh0h\zq f\tqh0h\relax - &\fourplpl ionm\relax - &\sixlpl pnmlkj\enotes - %\check - \barre % mesure 26 -\notes\org \Pause - |\Pause - |\doubler\Ibl0hg2\zq g\qb0i\zq f\qb0 h\zq e\tqb0 g\relax - &\Ibbl0li5\qb0{lkkjj}\tqb0i\relax - &\rlap{\sk\sk\sk\sk\itenu0l}\sicl iil\enotes - %\check - \barre % mesure 27 -\notes\org\Pause - |\doubler\ql c\sk\cl b\relax - |\doubler\Ibu0hi2\zq f\qh0{hi}\rq i\zq h\tqh0f\relax - &\doubler\Ibl0jk2\qb0{jk}\tqb0k\relax - &\tten0\ibbl0l0\qb0l\tbbl0\qb0m\isluru0m\Pince o\qb0m\sk\sk\tslur0l\tbbl0\tqb0l\enotes - %\check - \barre % mesure 28 - \notes\org\doubler\ibl0L0\qb0{LN}\tqb0L\relax - |\doubler\zq g\ql b\sk\itenu1b\itenu2e\zq e\cl -b\relax - |\sixppu iilmnl\relax - &\sixppl lilmnl\relax - &\doubler\ql l\sl\ds\enotes - %\check - \barre % mesure 29 - \notes\org\doubler\ibl0J0\qb0{IK}\tqb0I\relax - |\tten1\tten2\doubler\zql b\cu e\qu -d\cl b\relax - |\sixppu miklmk\relax - &\sixppl mimnom\relax - &\relax\Pause\enotes - %\check - \barre % mesure 30 - \notes\org\doubler\ibl0M0\qb0{LN}\tqb0L\relax - |\doubler\ibl0c0\qb0{be}\tqb0b\relax - |\sixppl lkjklm\relax - &\sixppl nmlmno\relax - &\Pause\enotes - %\check - \barre % mesure 31 - \notes\org\qup I\relax - |\Ibbl0bM5\qb0{bcbaN}\tqb0M\relax - |\doubler\isluru0k\ql k\sk\tslur0i\cl i\relax - &\doubler\ql p\sk\ds\relax - &\Pause\enotes - %\check - \barre % mesure 32 - \notes\org\Pause - |\zmidtwotext{\llap{\bf II}}\doubler\ibl0L0\upz L\qb0L\upz N\qb0 N\upz -L\tqb0L\relax - |\doubler\zq g\qu i\sk\zq g\cu i\relax - &\doubler\ibl0j0\isluru0l\qb0l\tslur0i\qb0i\upz l\tqb0l\relax - &\uptext{\mf}\sixlpl lilmnl\enotes - %\check - \barre % mesure 33 - \notes\org\Pause - |\doubler\ibu0J0\lpz I\qb0I\lpz K\qb0 K\lpz I\tqh0I\relax - |\doubler -\zq f\qu i\sk\zq k\cu i\relax - &\doubler\ibl0j0\isluru0l\qb0l\tslur0k\qb0k\upz m\tqb0m\relax - &\Sixlpl mimnom\enotes - %\check - \barre % mesure 34 - \notes\org\Pause - |\doubler\ibl0L0\upz L\qb0L\upz N\qb0 N\upz -L\tqb0L\relax - |\doubler\zq i\ql l\sk\zq i\cl l\relax - &\doubler\ibl0l0\isluru0n\qb0n\tslur0i\qb0i\upz n\tqb0n\relax - &\sixlpl nmlmno\enotes - %\check - \barre % mesure 35 - \notes\org\Pause - |\doubler\ql b\sk\ds\relax - |\doubler\zql i\Ibu0lk1\qh0l\tqh0k\ds\relax - &\doubler\Ibl0nm1\isluru0n\qb0n\tslur0m\tqb0m\ds\relax - &\doubler\isluru0p\ql p\sk\tslur0i\cl i\ds\enotes - %\check - \barre % mesure 36 - \notes\org\Pause - |\doubler\ql L\sk\ds\relax - |\doubler\zq e\zq g\ql i\sk\ds\relax - &\doubler\ql l\sk\ds\relax - &\Sixlpl ligili\enotes - %\check - \barre % mesure 37 - \notes\org\Pause - |\doubler\ibl0a0\upz c\zq a\qb0c\upz c\zq a\qb0c\upz c\zq a\tqb0c\relax - |\Pause\relax - &\sixlpl ljhjlj\relax - &\threelpl jlo\sk\ds\enotes - %\check - \barre % mesure 38 - \notes\org\Pause - |\doubler\zq M\ql c\sk\ds\relax - |\doubler\qu{=h}\sk\ds\relax - &\threelpl {=h}jm\sk\ds\relax - &\Sixlpl mj{=h}jmj\enotes - %\check - \barre % mesure 39 - \notes\org\Pause - |\doubler\ibl0c0\zq b\upz d\qb0d\zq b\upz d\qb0d\zq b\upz d\tqb0d\relax - |\Pause\relax - &\sixlpl mkikmk\relax - &\threelpl kmp\sk\ds\enotes - %\check - \barre % mesure 40 - \notes\org\Pause - |\doubler\zq N\ql d\sk\ds\relax - |\doubler\qu{=i}\sk\ds\relax - &\threelpl {=i}kn\sk\ds\relax - &\Sixlpl nk{=i}knk\enotes - %\check - \barre % mesure 41 - \notes\org\doubler\qu J\sk\cupz F\relax - |\zmidtwotext{\llap{\bf I}}\doubler\ql c\sk\clpz M\relax - |\doubler\ds\Ibu0gh1\qh0g\tqh0{_h}\relax - &\doubler\isluru0l\ql l\sk\tslur0m\clpz m\relax - &\sixlpl lnlj{_o}m\enotes - %\check - \barre % mesure 42 - \notes\org\doubler\qu I\sk\cupz E\relax - |\doubler - \ql b\sk\clpz L\relax - |\doubler\Ibu0fg2\qh0f\qh0 i\tqh0g\relax - &\doubler\isluru0k\ql k\sk\tslur0j\clpz j\relax - &\sixlpl kmkinl\enotes - %\check - \barre % mesure 43 - \notes\org\doubler\qu H\sk\cupz D\relax - |\doubler - \ql a\sk\clpz K\relax - |\doubler\ds\Ibu0eh1\zq c\qh0e\zq f\tqh0h\relax - &\Ibl0ji5\isluru0j\qb0j\sk\qb0l\sk\nbbl0\qb0h\tslur0i\tqb0i\relax - &\sixlpl jljhmk\enotes - %\check - \barre % mesure 44 - \notes\org\doubler\qu G\sk\cupz C\relax - |\doubler\ql N\sk\clpz J\relax - |\doubler\Ibu0de2\qh0d\qh0g\tqh0e\relax - &\doubler\isluru0i\ql i\sk\tslur0h\cl h\relax - &\sixlpl ikiglj\enotes - %\check - \barre % mesure 45 - \notes\org\doubler\qu F\sk\cupz I\relax - |\doubler\ql M\sk\clpz b\relax - |\doubler\ds\Ibu0cd1\qh0c\tqh0d\relax - &\itenl0h\qu h\sk\sk\sk\Ibbu0hg1\tten0\qh0h\tqh0g\relax - &\sixlpu hjhfki\enotes - %\check - \barre % mesure 46 - \notes\org\doubler\qu E\sk\cupz C\relax - |\doubler\ql L\sk\clpz J\relax - |\doubler\Ibu0dd2\qh0e\qh0N\tqh0e\relax - &\doubler\islurd0g\qu g\sk\tslur0h\cu {=h}\relax - &\sixlpu gigej{=h}\enotes - %\check - \barre % mesure 47 - \notes\org\doubler\qu D\sk\ds\relax - |\doubler\ql K\sk\ds\relax - |\zq c\rq d\qu{^f}\sk\ds\relax - &\doubler\qu {=h}\sk\ds\relax - &\sixlpu {^f}df{=h}kh\enotes - %\check - \barre % mesure 48 - \notes\org\doubler\qu G\sk\ds\relax - |\ql N\sk\ds\doubler\relax - |\doubler\zq {bd}\qu g\sk\ds\relax - &\doubler\qu i\sk\ds\relax - &\sixlpl igiknk\enotes - %\check - \barre % mesure 49 - \notes\org\doubler\qu J\sk\ds\relax - |\doubler\ql c\sk\ds\relax - |\doubler\zq e\qu g\sk\ds\relax - &\doubler\ql j\sk\ds \relax - &\sixlpl ljlnqn\enotes - %\check - \barre % mesure 50 - \notes\org\doubler\qu K\sk\cupz L\relax - |\doubler\ql{=a}\sk\ds\relax - |\doubler\zq d\qu{^f}\sk\zq e\cu g\relax - &\Ibu0hk5\qh0{=h}\sk\nbbu0\bupz0\qh0h\bupz0\qh0i\bupz0\qh0j\bupz0\tqh0k\relax - &\rlap{\sk\sk\sk\sk\itenu0n}\sicl {^m}kn\enotes - %\check - \barre % mesure 51 - \notes\org\doubler\qu J\sk\cupz G\relax - |\doubler\ql c\sk\cupz N\relax - |\doubler - \ibu0g0\lpz g\qh0g\lpz f\qh0{^f}\lpz g\tqh0g\relax - &\doubler\Ibl0lj2\qb0l\qb0k\tqb0j\relax - &\tten0\ibbl0n0\qb0n\tbbl0\qb0{=o}\Pince o\isluru0m\qh0{^m}\sk\sk\tslur0n\tbbl0\tqb0n\enotes - %\check - \barre % mesure 52 - \notes\org\doubler\qu G\sk\ds\relax - |\doubler\ql N\sk\ds\relax - |\doubler\zq {bd}\qu g\sk\ds\relax - &\doubler\qu i\sk\ds\relax - &\sixlpl nknkik\enotes - %\check - \barre % mesure 53 - \notes\org\qup G\relax - |\qlp N\relax - |\sixppu i{=h}gfed\relax - &\advance\transpose 7\relax\sixppl kji{=h}gf\relax - &\doubler\qu g\sk\ds\enotes - %\check - \barre % mesure 54 - \notes\org\doubler\qu E\sk\ds\relax - |\sixppu JKJI{=H}G\relax - |\doubler\qu c\sk\ds\relax - &\advance\transpose 7\relax \threeppl egj\sk\ds\relax - &\Pause\enotes - %\check - \barre % mesure 55 - \notes\org\qup F\relax - |\threeppu {=H}JM\sk\ds\relax - |\sixppu {=h}gfedc\relax - &\advance\transpose 7\relax \sixppl ji{=h}gfe\relax - &\Pause\enotes - %\check - \barre % mesure 56 - \notes\org\doubler\qu D\sk\ds\relax - |\sixppu IJI{=H}GF\relax - |\doubler\qu b\sk\ds\relax - &\advance\transpose 7\relax \threeppl dfi\sk\ds\relax - &\pause\enotes - %\check - \barre % mesure 57 - \notes\org\qup E\relax - |\threeppu GIL\sk\ds\relax - |\sixppu gfedcb\relax - &\advance\transpose 7\relax \sixppl i{=h}gfed\relax - &\Pause\enotes - %\check - \barre % mesure 58 - \notes\org\doubler\qu C\sk\ds\relax - |\sixppu {=H}IHGF{=E}\relax - |\doubler\qu {=a}\sk\ds\relax - &\advance\transpose 7\relax \threeppl c{=e}{=h}\sk\ds\relax - &\Pause\enotes - %\check - \barre % mesure 59 - \notes\org\doubler\qu D\sk\ds\relax - |\threeppu{^F}{=H}K\sk\ds\relax - |\sixppu {^f}{_e}dcb{=a}\relax - &\advance\transpose 7\relax \sixppu{=h}g{^f}{_e}dc\relax - &\Pause\enotes - %\check - \barre % mesure 60 - \notes\org\sicu G{=H}I\relax - |\Ibbl0Nd4\qb0N\qb0{=a}\qb0b\tbbl0\qb0c\tqb0d\sk\relax - |\Ibbu0bd1\qh0b\tqh0d\itenu1g\qu g\relax - &\advance\transpose 7\relax \Ibbl0bd1\qb0b\tqb0d\itenu0g\ql g\relax - &\Pause\enotes - %\check - \barre % mesure 61 - \notes\org\doubler\Ibu0IG2\qh0J\qh0K\tqh0D\relax - |\doubler - \Ibl0eb2\qb0e\zq{=a}\qb0d\zq a\tqb0c\relax - |\tten1\ibbu0g0\qh0g\tbbu0\qh0{=h}\qhp0{^f}\sk\sk\tbbu0\tqh0g\relax - &\advance\transpose 7\relax \tten0\ibbl0g0\qb0g\tbbl0\qb0{=h}\isluru0f\qbp0{^f}\sk\sk\tbbl0\tslur0g\tqb0g\relax - &\Pause\enotes - %\check - \barre % mesure 62 - \notes\org\qup G\relax - |\zqp{=b}\qlp N\relax - |\doubler\qup g\relax - &\relax\advance\transpose 7\relax - \qlp g\relax - &\Pause\enotes - \ifOrgue - \setrightrepeat - \alapage % mesure 63 - \addspace{-\afterruleskip}% - \leftrepeatsymbol - \else - \setleftrightrepeat - \barre % mesure 63 - \fi - \notes\org\triou GIG\relax - |\zmidtwotext{\llap{\bf I}}\triol NbN\relax - |\doubler\zq d\qu g\sk\zq d\cu g\relax - &\fourplpl ikji\relax - &\sixlpl nknopn\enotes - %\check - \barre % mesure 64 - \notes\org\triou JIH\relax - |\triol cba\relax - |\doubler\zq c\zq {=e}\qu g\sk \itenl0c\zq c\cu h\relax - &\doubler\ql n\sk\itenu1 j\cl j\relax - &\Ibl0lh5\qbp0{=l}\sk\sk\nbbl0\qb0{jm}\tqb0h\enotes - %\check - \barre % mesure 65 - \notes\org\triou IJJ\relax - |\triol bcc\relax - |\doubler\tten0\ibu0g0\zq c\qh0g\rq g\qh0f\zq{=e}\tqh0g\relax - &\doubler\tten1\ql j\sk\cl j\relax - &\ibbl0i0\qb0{gmgmg}\tqb0{=l}\enotes - %\check - \barre % mesure 66 - \notes\org\qu F\sk\ds\relax - |\triol MaM\relax - |\doubler\qu h\sk\ds\relax - &\Sixlpl mjmnom\relax - &\doubler\ql m\sk\ds\enotes - %\check - \barre % mesure 67 - \notes\org\Pause - |\doubler\qu I\sk\cu J\relax - |\ibu0i0\zqp h\zqp f\qhp0f\sk\sk\nbbu0\qh0{ij}\tqh0g\relax - &\doubler\ql k\sk\clpz l\relax - &\Pause\enotes - %\check - \barre % mesure 68 - \notes\org\Pause - |\triou HII\relax - |\ibbl0h0\qb0{flflf}\tqb0k\relax - &\triopl mmm\relax - &\Pause\enotes - %\check - \barre % mesure 69 - \notes\org\Pause - |\triopl LNL\relax - |\doubler\ibu0i0\lpz g\zq g\qh0i\lpz g\zq g\qh0i\lpz g\zq g\tqh0i\relax - &\doubler\ql l\sk\clpz l\relax - &\sixlpl lilmnl\enotes - %\check - \barre % mesure 70 - \notes\org\Pause - |\triopl IKI\relax - |\doubler\ibu0i0\lpz d\zq d\zq f\qh0i\lpz d\zq d\zq f\qh0i\lpz -d\zq d\zq f\tqh0i\relax - &\doubler\ql l\sk\clpz m\relax - &\Sixlpl mimnom\enotes - %\check - \barre % mesure 71 - \notes\org\Pause - |\triopl LNL\relax - |\doubler\ibu0k0\lpz g\zq g\zq i\qh0l\lpz g\zq g\zq i\qh0l\lpz -g\zq g\zq i\tqh0l\relax - &\doubler\ql n\sk\clpz n\relax - &\sixlpl nmlmno\enotes - %\check - \barre % mesure 72 - \Notes\org\sl\qsk\pause - |\ql b\sk\ds\relax - |\zql i\Ibu0lk1\qh0l\tqh0k\ds\relax - &\Ibl0nm1\isluru0n\qh0n\tslur0m\tqb0m\ds\relax - &\isluru0p\ql p\sk\tslur0i\cl i\enotes - %\check - \barre % mesure 73 -% - \def\sixllpl#1#2#3#4#5#6{\Ibbl0{#1}{#6}5% -\isluru0{#1}\qb0{#1}\tslur0{#2}\qb0{#2}\isluru0{#3}\qb0{#3}% -\tslur0{#4}\qb0{#4}\upz{#5}\qb0{#5}\upz{#6}\tqb0{#6}}% -% - \def\sixllpu#1#2#3#4#5#6{\Ibbu0{#1}{#6}5% -\islurd0{#1}\qh0{#1}\tslur0{#2}\qh0{#2}\islurd0{#3}\qh0{#3}% -\tslur0{#4}\qh0{#4}\lpz{#5}\qh0{#5}\lpz{#6}\tqh0{#6}}% -% - \def\sixllll#1#2#3#4#5#6{\Ibbl0{#1}{#6}5% -\isluru0{#1}\qb0{#1}\tslur0{#2}\qb0{#2}\isluru0{#3}\qb0{#3}% -\tslur0{#4}\qb0{#4}\isluru0{#5}\qb0{#5}\tslur0{#6}\tqb0{#6}}% -% - \def\sixlllu#1#2#3#4#5#6{\Ibbu0{#1}{#6}5% -\islurd0{#1}\qh0{#1}\tslur0{#2}\qh0{#2}\islurd0{#3}\qh0{#3}% -\tslur0{#4}\qh0{#4}\islurd0{#5}\qh0{#5}\tslur0{#6}\tqh0{#6}}% -% - \notes\org\Pause - |\zmidtwotext{\bf II}\doubler\ql L\sk\ds\relax - |\doubler\zq e\zq g\ql i\sk\ds\relax - &\doubler\ql l\sk\ds\relax - &\uptext{\p}\sixllpl liij{_k}k\enotes - %\check - \barre % mesure 74 - \notes\org\Pause - |\doubler\ibl0a0\upz a\qb0a\upz a\qb0a\upz a\tqb0a\relax - |\doubler\soupir\ibu0e0\lpz c\qh0c\lpz c\zq c\tqh0e\relax - &\sixllpu ihhijj\relax - &\usf m\threell {_k}jj\enotes - %\check - \barre % mesure 75 - \notes\org\Pause - |\doubler\zq M\ql{=a}\sk\ds\relax - |\qu e\sk\ds\relax - &\doubler\ql j\sk\ds\relax - &\sixllpl mjj{=k}ll\enotes - %\check - \barre % mesure 76 - \notes\org\Pause - |\doubler\ibl0b0\upz b\qb0b\upz b\qb0b\upz b\tqb0b\relax - |\doubler\soupir\ibu0f0\lpz d\qh0d\lpz d\zq f\tqh0d\relax - &\sixllpl jiijkk\relax - &\usf m\threell lkk\enotes - %\check - \barre % mesure 77 - \notes\org\Pause - |\doubler\zq N\ql{=b}\sk\ds\relax - |\doubler\qu f\sk\ds\relax - &\doubler\ql k\sk\ds\relax - &\sixllpl nkklmm\enotes - %\check - \barre % mesure 78 - \notes\org\Pause - |\doubler\ibl0c0\upz c\qb0c\upz c\qb0c\upz c\tqb0c\relax - |\doubler\soupir\ibu0g0\lpz e\qh0e\lpz e\zq e\tqh0g\relax - &\sixllpl kjjkll\relax - &\usf n\threell mll\enotes - %\check - \barre % mesure 79 - \notes\org\Pause - |\doubler\zq a\ql c\sk\ds\relax - |\doubler\qu {_g}\sk\ds\relax - &\doubler\ql l\sk\ds\relax - &\sixllpl ollm{_n}n\enotes - %\check - \barre % mesure 80 - \notes\org\Pause - |\doubler\ibl0d0\upz d\qb0{_d}\upz d\qb0d\upz d\tqb0d\relax - |\doubler\soupir\ibu0h0\lpz f\qh0f\lpz f\zq h\tqh0f\relax - &\sixllpl l{_k}klmm\relax - &\sixlpl {_n}mm{=n}op\enotes - %\check - \barre % mesure 81 - \notes\org\doubler\soupir\sk\cu J\relax - |\doubler\ust e\ql e\sk\zmidtwotext{\bf I}\clpz c\relax - |\doubler\lst g\qu g\sk\zq h\upz l\ql l\relax - &\doubler\ql l\sk\clpz o\relax - &\ibbl0k0\isluru0k\qb0{_k}\qb0j\tslur0k\qb0k\upz m\qb0m\upz l\qh0l\upz k\tqb0k\enotes - %\check - \barre % mesure 82 - \notes\org\triopl {_K}LE\relax - |\triopl {_d}eL\relax - |\doubler\Ibu0ki2\zq f\qh0m\zq i\qh0l\zq i\tqh0{_k}\relax - &\triopl oon\relax - &\uptext{\f}% - \Ibbl0in1\isluru0j\qb0j\tslur0o\tqb0o\Ibl0ih3\Pince m\isluru0i\qbp0i\sk\sk\tslur0h\tbbl0\tqb0h\enotes - %\check - \barre % mesure 83 - \notes\org\triopu HJH\relax - |\triopl aca\relax - |\zq h\sixppu jehijh\relax - &\ifx\Quer\undefined \advance\transpose 7\fi\sixppl hehijh\relax - &\relax\doubler\qu h\sk\ds\enotes - %\check - \barre % mesure 84 - \notes\org\triopu EGE\relax - |\triopu LNL\relax - |%\rlap{\roff{\ql h}\sk\ql g}% - \sixppu ieij{_k}i\relax - &\ifx\Quer\undefined \advance\transpose 7\fi\Sixppl ieij{_k}i\relax - &\Pause\enotes - %\check - \barre % mesure 85 - \notes\org\doubler\qu H\sk\cupz H\relax - |\doubler\ql a\sk\clpz a\relax - |\sixppu hgfghi\relax - &\ifx\Quer\undefined \advance\transpose 7\fi\sixppl jihij{=k}\relax - &\Pause\enotes - %\check - \barre % mesure 86 - \Notes\org\qup E\relax - |\qlp L\relax - |\zq g\qu i\sk\cu e\relax - &\ifx\Quer\undefined \advance\transpose 7\fi\isluru0l\ql l\sk\tslur0e\cl e\relax - &\sk\qsk\pause\enotes - %\check - \barre % mesure 87 - \notes\org\qup J\relax - |\doubler\qlp c\sk\zmidtwotext{\bf II}\relax - |\zqp e\zqp h\qlp l\relax - &\ifx\Quer\undefined \advance\transpose 7\fi\qlp h\relax - &\sixlpl ljhjlh\enotes - %\check - \barre % mesure 88 - \notes\org\Pause - |\doubler\ibl0L0\zq {_K}\upz a\qb0a\zq K\upz a\qb0a\zq K\upz a\tqb0a\relax - |\Pause\relax - &\sixlpl om{_k}mom\relax - &\doubler\ql m\sk\ds\enotes - %\check - \barre % mesure 89 - \notes\org\Pause - |\doubler\zq I\ql a\sk\ds\relax - |\doubler\ql i\sk\ds\relax - &\doubler\ql{=k}\sk\ds\relax - &\sixlpl mkikmi\enotes - %\check - \barre % mesure 90 - \notes\org\Pause - |\doubler\ibl0L0\zq L\upz N\qb0N\zq L\upz N\qb0N\zq L\upz N\tqb0N\relax - |\Pause\relax - &\sixlpl pnlnpn\relax - &\doubler\ql n\sk\ds\enotes - %\check - \barre % mesure 91 - \notes\org\Pause - |\doubler\zq J\ql N\sk\ds\relax - |\doubler\ql j\sk\ds\relax - &\doubler\ql{=l}\sk\ds\relax - &\sixlpl n{=l}jlnj\enotes - %\check - \barre % mesure 92 - \notes\org\Pause - |\doubler\isluru0a\Ibbl0Ma2\zq M\qb0a\zq N\qb0 b\tslur0c\zq -a\tqb0c\relax - |\rlap{\triol f{=e}f}\Ibu0jg5\qhp0j\sk\sk\nbbu0\qh0i\qh0h\tqh0g\relax - &\ifx\Quer\undefined \advance\transpose 7\fi\Ibl0jg5\qbp0j\sk\sk\nbbl0\qb0i\qb0h\tqb0g\relax - &\Ibl0ol5\isluru0o\qbp0o\sk\sk\nbbl0\qb0n\qb0m\tslur0l\tqb0{=l}\enotes - %\check - \barre % mesure 93 - \notes\org\Pause - |\doubler\Ibl0bK2\lq b\qb0c\qb0c\zq b\tqb0J\relax - |\zcl f\Ibbu0hj4\qh0h\tbbu0\qh0i\zql{=e}\qh0g\sk\tqh0j\relax - &\Ibbl0oq4\qb0o\tbbl0\qb0p\qb0n\sk\tqb0q\relax - &\ibbl0m0\isluru0m\qb0m\tslur0n\tbbl0\qb0n\Pince n\isluru0l\qbp0{=l}\sk\sk\tbbl0\tslur0m\tqb0m\enotes - %\check - \barre % mesure 94 - \notes\org\triopu MFF\relax - |\zmidtwotext{\bf I}\triopl aMM\relax - |\sixlpu jhfhjf\relax - &\ifx\Quer\undefined \advance\transpose 7\fi\sixppl jhfhjf\relax - &\doubler\ql m\sk\ds\enotes - %\check - \barre % mesure 95 - \notes\org\qup I\relax - |\triopl bbb\relax - |\doubler\ql {_k}\sk\ds\relax - &\ifx\Quer\undefined \advance\transpose 7\fi\ql{_k}\sk\ds\relax - &\sixlpl m{_k}ikmi\enotes - %\check - \barre % mesure 96 - \notes\org\triopu EEE\relax - |\qup L\relax - |\sixlpu igegie\relax - &\ifx\Quer\undefined \advance\transpose 7\fi\sixppl igegie\relax - &\doubler\ql n\sk\ds\enotes - %\check - \barre % mesure 97 - \notes\org\qup H\relax - |\triopl aaa\relax - |\doubler\ql j\sk\ds\relax - &\ifx\Quer\undefined \advance\transpose 7\fi\ql j\sk\ds\relax - &\sixlpl ljhjlh\enotes - %\check - \barre % mesure 98 - \notes\org\triopu {_D}DD\relax - |\qup {_K}\relax - |\sixlpu hf{_d}fhd\relax - &\ifx\Quer\undefined \advance\transpose 7\fi\sixppl hf{_d}fhd\relax - &\doubler\ql m\sk\ds\enotes - %\check - \barre % mesure 99 - \notes\org\qup G\relax - |\triopl NNN\relax - |\doubler\ql i\sk\ds\relax - &\ifx\Quer\undefined \advance\transpose 7\fi\ql i\sk\ds\relax - &\sixlpl {_k}igikg\enotes - %\check - \barre % mesure 100 - \notes\org\triopu CCC\relax - |\qup J\relax - |\sixlpu g{=e}cegc\relax - &\ifx\Quer\undefined \advance\transpose 7\fi\sixppl g{=e}cegc\relax - &\doubler\ql n\sk\ds\enotes - %\check - \barre % mesure 101 - \notes\org\triopu FFF\relax - |\zqup c\triopl MMM\relax - |\islurd0h\Ibbu0he5\qh0{hihgf}\tslur0e\tqh0e\relax - &\ifx\Quer\undefined \advance\transpose 7\relax\isluru0h\Ibbl0he5\qb0{hihgf}\tslur0e\tqb0e\relax - \else\isluru0h\Ibbu0he5\qh0{hihgf}\tslur0e\tqh0e\fi - &\isluru0m\Ibbl0mj5\qb0{mnml=k}\tslur0j\tqb0j\enotes - %\check - \barre % mesure 102 - \notes\org\doubler\qu G\sk\ds\relax - |\doubler\zql -N\cu{=b}\sk\ds\relax - |\doubler\ibu0g0\qh0d\rq g\zq d\qh0f\rq g\zq d\tqh0f\relax - &\doubler\ifx\Quer\undefined \Ibu0ki2\qh0k\else\Ibu0gi2\qh0d\fi\qh0{=i}\tqh0i\relax - &\ibbu0h0\rlap{\sl\islurd0g}\qh0{=igigi}\tslur0g\tqh0g\enotes - %\check - \barre % mesure 103 - \notes\org\doubler\qu J\sk\cu{=I}\relax - |\doubler\ql c\sk\cl{=b}\relax - |\doubler\ibu0g0\zq -e\qh0g\zq e\qh0g\zq d\tqh0 g\relax - &\triopl jjk\relax - &\ibbl0i0\isluru0j\qb0{jgjgk}\tslur0j\tqb0g\enotes - %\check - \barre % mesure 104 - \notes\org\sicu J{_I}H\relax - |\sicl c{_b}a\relax - |\doubler\ibu0i0\zq e\zq j\qh0g\zq e\zq j\qh0g\zq -f\zq j\tqh0h\relax - &\triopl llm\relax - &\ibbl0i0\isluru0l\qb0{lglgm}\tslur0l\tqb0h\enotes - %\check - \barre % mesure 105 - \notes\org\doubler\qu G\sk\cupz J\relax - |\doubler\ql N\sk\clpz c\relax - |\doubler\ibl0h0\zq -g\zq{=i}\qb0m\zq{gi}\qb0k\zq h\tqb0j\relax - &\Ibl0nk4\isluru0n\qbp0n\sk\sk\nbbl0\qb0{ml}\tslur0k\tqb0k\relax - &\Ibl0nk4\isluru0n\qbp0n\sk\sk\nbbl0\qb0{ml}\tslur0k\tqb0k\enotes - %\check - \barre % mesure 106 - \notes\org\triopu MNG\relax - |\triopl ffN\relax - |\doubler\zq h\cl j\zql g\Ibu0ji1\qh0j\tqh0{=i}\relax - &\isluru0l\Ibbl0lm1\qb0l\tslur0m\tqb0m\ql k\relax - &\Ibbl0lj5\isluru0l\qb0l\tslur0m\tbbl0\qb0m\isluru0k\Pince n\qbp0k\sk\sk\tslur0j\tbbl0\tqb0j\enotes - %\check - \barre % mesure 107 - \notes\org\qup J\relax - |\triopl eec\relax - |\doubler\ql j\sk\ds\relax - &\sixppu jgjklj\relax - &\doubler\ql j\sk\ds\enotes - %\check - \barre % mesure 108 - \notes\org\qup G\relax - |\qlp N\relax - |\doubler\cl j\ql{=i}\relax - &\sixppu kgklmk\relax - &\Pause\enotes - %\check - \barre % mesure 109 - \notes\org\qup J\relax - |\doubler\Ibl0ec2\zq e\qb0g\zq d\qb0f\zq c\tqb0e\relax - |\sixppl j{=i}jklm\relax - &\sixppl lklmno\relax - &\Pause\enotes - %\check - \barre % mesure 110 - \notes\org\qup G\relax - |\sixppl NaNMLK\relax - |\doubler\zqlp d\qu {=i}\sk\cu g\relax - &\doubler\isluru0n\ql n\sk\tslur0h\cu g\relax - &\Pause\enotes - %\check - \barre % mesure 111 - \notes\org\doubler\qu J\sk\ds\relax - |\doubler\ql c\sk\ds\relax - |\doubler\ibl0h0\zq g\upz j\qb0j\upz -j\qb0j\upz g\tqb0g\relax - &\triopl ljn\relax - &\uptext{\mf}\sixppl nmlkji\enotes - %\check - \barre % mesure 112 - \notes\org\qup F\relax - |\sixppl MNMLKJ\relax - |\sixppu hihgfe\relax - &\sixppl oponml\relax - &\threell hjm\sk\ds\enotes - %\check - \barre % mesure 113 - \notes\org\doubler\qu I\sk\ds\relax - |\doubler\ql b\sk\ds\relax - |\threelu dfi\sk\ds\relax - &\threell kmp\sk\ds\relax - &\sixppl mlkjih\enotes - %\check - \barre % mesure 114 - \notes\org\qup E\relax - |\sixppl LMLKJI\relax - |\sixppu ghgfed\relax - &\sixppl nonmlk\relax - &\threell gil\sk\ds\enotes - %\check - \barre % mesure 115 - \notes\org\doubler\qu H\sk\ds\relax - |\doubler\ql a\sk\ds\relax - |\threelu ceh\sk\ds\relax - &\threell jlo\sk\ds\relax - &\sixppl lkjihg\enotes - %\check - \barre % mesure 116 - \notes\org\doubler\qup D\relax - |\sixppl KLKJIH\relax - |\sixppu fgfedc\relax - &\sixppl mnmlkj\relax - &\threell fhk\sk\ds\enotes - %\check - \barre % mesure 117 - \notes\org\doubler\qu G\sk\ds\relax - |\doubler\ql N\sk\ds\relax - |\threelu {=b}dg\sk\ds\relax - &\threell {=i}kn\sk\ds\relax - &\sixppl kj{=i}hgf\enotes - %\check - \barre % mesure 118 - \notes\org\sicu JKL\relax - |\doubler\zq N\cl c\soupir\relax - |\Ibbu0eg4\lpz e\qh0e\lpz -d\qh0d\lpz e\qh0 e\lpz f\tbbu0\qh0f\lpz g\tqh0g\relax - &\advance\transpose 7\relax\Ibbl0eg4\upz e\qb0e\upz -d\qb0d\upz e\qb0 e\upz f\tbbl0\qb0f\upz g\tqb0g\relax - &\islurd0e\Ibbu0eg1\qh0e\tslur0g\tqh0g\itenu0j\ql j\enotes - %\check - \barre % mesure 119 - \notes\org\triopu MNG\relax - |\triopl c{=b}N\relax - |\doubler\Ibu0hf2\lpz e\zq e\qh0h\lpz -d\zq d\qh0g\lpz d\zq d\tqh0f\relax - &\triopl onm\relax - &\tten0\ibbl0j0\isluru0j\qb0j\tslur0k\tbbl0\qb0k\Pince n\isluru0i\qlp{=i}\sk\sk\tbbl0\tslur0j\tqb0j\enotes - %\check - \barre % mesure 120 - \notes\org\doubler\qu J\sk\cupz I\relax - |\doubler\ql N\sk\ds\relax - |\doubler\zq c\qu e\sk\ds\relax - &\doubler\ql l\sk\ds\relax - &\sixllll joonnm\enotes - %\check - \barre % mesure 121 - \notes\org\doubler\qu H\sk\cupz F\relax - |\doubler\ql a\sk\clpz M\relax - |\triou cff\relax - &\sixlllu fjkjj{=i}\relax - &\Ibl0mk5\qb0{mm}\isluru0m\qb0m\tslur0l\qb0l\isluru0l\qh0l\tslur0k\tqb0k\enotes - %\check - \barre % mesure 122 - \notes\org\qup G\relax - |\doubler\ql N\sk\clpz N\relax - |\doubler\ibu0f0\zq d\qh0f\rq f\zq d\qh0g\rq f\zq d\tqh0g\relax - &\triopu {=i}ii\relax - &\Ibbl0ih5\qb0{kg=igi}\tqb0g\enotes - %\check - \barre % mesure 123 - \notes\org\doubler\qu J\sk\cupz{=I}\relax - |\doubler\ql c\sk\clpz {=b}\relax - |\doubler\ibu0f0\zq e\qh0g\zq e\qh0g\zq d\tqh0g\relax - &\triopl jjk\relax - &\Ibbl0hi5\qb0{jgjgk}\tqb0g\enotes - %\check - \barre % mesure 124 - \notes\org\sicu J{_I}H\relax - |\doubler\ql c\sk\clpz a\relax - |\doubler\ibu0h0\zq {eg}\qh0j\zq {eg}\qh0j\zq {fh}\tqh0j\relax - &\triopl llm\relax - &\Ibbl0hi5\qb0{lglgm}\tqb0h\enotes - %\check - \barre % mesure 125 - \notes\org\doubler\qu G\sk\cupz H\relax - |\doubler\cl N\sk\clpz c\relax - |\doubler\ibl0h0\zq{m=i}\qb0g\zq{ki}\qb0g\tqb0j\relax - &\Ibl0nk5\isluru0n\qbp0n\sk\sk\nbbl0\qb0{ml}\tslur0k\tqb0k\relax - &\Ibl0nk5\isluru0n\qbp0n\sk\sk\nbbl0\qb0{ml}\tslur0k\tqb0k\enotes - %\check - \barre % mesure 126 - \notes\org\triopu FGG\relax - |\doubler\ql a\qu d\zq N\cl N\relax - |\doubler\zq j\cl h\zql f\Ibu0ji1\qh0j\tqh0{=i}\relax - &\Ibbl0lm1\qb0l\tqb0m\ql k\relax - &\isluru0l\Ibbl0lj5\qb0l\tslur0q\tbbl0\qb0q\Pince n\isluru0k\qbp0k\sk\sk\tbbl0\tslur0j\tqb0j\enotes - \setvoltabox{1}%\check - \barre % mesure 127 - \Notes\org\qu J\sk\ds\relax - |\ql c\sk\ds\relax - |\zq e\zq g\qu j\sk\ds\relax - &\ql j\sk\ds\relax - &\ql j\sk\ds\enotes - \endvoltabox - \nspace -\setrightrepeat - \setvoltabox{2}\setrightrepeat%\check - \barre % mesure 128 - \NOtes\org\qup J\relax - |\qlp c\relax - |\zqp e\zqp g\qup j\relax - &\qlp j\relax - &\qlp j\enotes - \endvoltabox -\ifOrgue \advance\mulooseness -1\relax -\else \advance\mulooseness 1\relax -\fi -\finmorceau - -\bye - diff --git a/macros/musixtex/doc/examples/marconf.tex b/macros/musixtex/doc/examples/marconf.tex deleted file mode 100644 index 048ab60276..0000000000 --- a/macros/musixtex/doc/examples/marconf.tex +++ /dev/null @@ -1,21 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi -\newif\ifOrgue -\Orguefalse -\newif\ifFlute -\Flutetrue -\newif\ifOboe -\Oboefalse -%\def\Quer{z} % define Querfl\"ote -% -% -\input marcon1.tex -\eject -\input marcon2.tex -\eject -\input marcon3.tex -\bye - diff --git a/macros/musixtex/doc/examples/marconh.tex b/macros/musixtex/doc/examples/marconh.tex deleted file mode 100644 index fa7aa31533..0000000000 --- a/macros/musixtex/doc/examples/marconh.tex +++ /dev/null @@ -1,20 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi -\newif\ifOrgue -\Orguefalse -\newif\ifFlute -\Flutefalse -\newif\ifOboe -\Oboetrue -%\def\Quer{z} % define Querfl\"ote -% -\input marcon1.tex -\eject -\input marcon2.tex -\eject -\input marcon3.tex -\bye - diff --git a/macros/musixtex/doc/examples/marcono.tex b/macros/musixtex/doc/examples/marcono.tex deleted file mode 100644 index eb28d9a12e..0000000000 --- a/macros/musixtex/doc/examples/marcono.tex +++ /dev/null @@ -1,19 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi -\newif\ifOrgue -\Orguetrue -\newif\ifFlute -\Flutefalse -\newif\ifOboe -\Oboefalse -%\def\Quer{z} % define Querfl\"ote -% -\input marcon1.tex -\eject -\input marcon2.tex -\eject -\input marcon3.tex -\bye diff --git a/macros/musixtex/doc/examples/musixdbrexample.tex b/macros/musixtex/doc/examples/musixdbrexample.tex deleted file mode 100644 index 94bd968e56..0000000000 --- a/macros/musixtex/doc/examples/musixdbrexample.tex +++ /dev/null @@ -1,52 +0,0 @@ -\input musixtex -\input musixdbr - -\instrumentnumber4 \setstaffs23 \setstaffs32 \setlines14 -\setsize2\tinyvalue -\indivbarrules - -\startpiece - % normal barlines - \bar - % separate instrument 2 from 1 - \sepbarrule2\bar - % barlines on staves - \allbarrules\sepbarrule - \allbarrules\sepmultibarrule - \allbarrules\showbarrule - \bar - % barlines between staves - \allbarrules\conbarrule - \allbarrules\conmultibarrule - \allbarrules\hidebarrule - \bar - % dashed barlines on staves - \allbarrules\sepbarrule - \allbarrules\sepmultibarrule - \allbarrules\showdashbarrule - \bar - % dashed barlines between staves - \allbarrules\condashbarrule - \allbarrules\condashmultibarrule - \allbarrules\hidebarrule - \bar - % dotted barlines on staves - \allbarrules\sepbarrule - \allbarrules\sepmultibarrule - \allbarrules\showdotbarrule - \bar - % dotted barlines between staves - \allbarrules\condotbarrule - \allbarrules\condotmultibarrule - \allbarrules\hidebarrule - \bar - % a wild mixture of all - \showdotbarrule1\hidebarrule2\showdashbarrule3\showbarrule4% - \condashbarrule2\conbarrule3\condotbarrule4% - \condashmultibarrule2\sepmultibarrule3% - \bar - % conventional ending - \allbarrules\showbarrule - \allbarrules\conbarrule - \allbarrules\conmultibarrule -\Endpiece \bye diff --git a/macros/musixtex/doc/examples/onuitbri.tex b/macros/musixtex/doc/examples/onuitbri.tex deleted file mode 100644 index 55bc22b61c..0000000000 --- a/macros/musixtex/doc/examples/onuitbri.tex +++ /dev/null @@ -1,25 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi - -\advance\staffbotmarg by 2\Interligne -\barsinline=0\relax\linesinpage=0\relax -\def\Transpose{0}% -\def\Signature{3}\relax % trois diezes a la clef -\input onuitbrx -\barsinline=0\relax\linesinpage=0\relax -\def\Transpose{1}\relax -\def\Signature{-2}\relax % deux diezes a la clef -\input onuitbrx -\barsinline=0\relax\linesinpage=0\relax -\def\Transpose{2}\relax -\def\Signature{0}\relax % un bemol a la clef -\input onuitbrx -\barsinline=0\relax\linesinpage=0\relax -\def\Transpose{-1}\relax -\def\Signature{1}\relax % un bemol a la clef -\input onuitbrx -\bye - diff --git a/macros/musixtex/doc/examples/onuitbrr.tex b/macros/musixtex/doc/examples/onuitbrr.tex deleted file mode 100644 index 2a07b1c619..0000000000 --- a/macros/musixtex/doc/examples/onuitbrr.tex +++ /dev/null @@ -1,12 +0,0 @@ -% - -% -\def\Transpose{0}% -\def\Signature{3}\relax % trois diezes a la clef -\input onuitbrx -\signaturegenerale{1}\savesignature\barsinline=0\relax\linesinpage=0\relax -\def\Transpose{-1}\relax -\def\Signature{1}\relax % un dieze a la clef -\input onuitbrx -\bye - diff --git a/macros/musixtex/doc/examples/onuitbrx.tex b/macros/musixtex/doc/examples/onuitbrx.tex deleted file mode 100644 index b18ba5f25e..0000000000 --- a/macros/musixtex/doc/examples/onuitbrx.tex +++ /dev/null @@ -1,174 +0,0 @@ -\fulltitle{\^O nuit brillante} -\shorttitle{\^O nuit brillante} - \fullauthor{No\"el ancien\\Musique A. Sala\\Texte J. Bovet\\Transposition -Daniel Taupin} - \othermention{Paroisse de Gif-sur-Yvette\\Transposition \`a usage -priv\'e} - \shortauthor{Traditionnel -- A. Sala} - \maketitle - % -\tracingstats=1\relax -\relativeaccidentals -\sepbarrules - % -\parindent 15mm - % soufflets crescendo et decrescendo - % -\def\soufflcr#1{\zcharnote{#1}{\kern -0.5cm\cresc}}% -\def\Soufflcr#1{\zcharnote{#1}{\kern -0.5cm\CResc}}% - % -\def\souffldim#1{\zcharnote{#1}{\kern -0.5cm\dimin}}% -\def\Souffldim#1{\zcharnote{#1}{\kern -0.5cm\DImin}}% - % - %\check -\def\nbinstruments{2}\resetsignatures -\global\nbporteesi=1\relax -\global\nbporteesii=1\relax -\global\cleftoksi={{6}{0}{0}{0}}% -\global\cleftoksii={{0}{0}{0}{0}}% -\songbottom{1} % to be used to make heavy bars at staff left -\songtop{2} % to be used to make heavy bars at staff left - % -\signaturegenerale{\Signature}% -\generalmeter{\meterfrac68} - %\check -\def\interfacteur{18}% -\def\instrumenti{\vbox{\hsize=\parindent -\centerline{T\'enors}\centerline{basses}}}% -\def\instrumentii{\vbox{\hsize=\parindent -\centerline{Sopran.}\centerline{Altos}}}% - %\check - % -\def\eightpoint{\Tenpoint}% - %\check -\catcode`\@=13 -\catcodesmusic - % -\def\respire{\notes&\cbreath\enotes}% - % -\def\txt#1|#2&{{\vbox to 0pt{\Smalltype\baselineskip 9pt -\vss\hrule width 9pt height 0pt -\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote - #2\kern\internote}\smallskip -\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote - #1\kern\internote}\kern -6pt}}}% - % -\elemskip 20pt\relax -\debutmorceau - %\autolines 754\relax -\transpose=\Transpose -\znotes&\Uptext{\moyen Lent}\enotes - % -\znotes\zcharnote {-3}{\ppff p}&\zcharnote{10}{\ppff p}\enotes -\qspace -\NOtes\zqlp M\qup a&\hsong{\^O}\zqlp c\qup f\enotes -\notes\zql L\qu b\sk&\zsong{nuit }\zql e\Ibu0gf1\qh0g\tqh0f\enotes -\notes\zcl L\cu b&\hsong{bri-}\zcl e\cu g\enotes - % - \barre - \Notes\islurd0J\zql J\isluru1c\qu c&\hsong{lan-}\zqlp e\isluru2h\qu h\enotes - \notes\tslur0L\tslur1b\zcl L\cu b&\hsong{--}\tslur2g\cu g\enotes - \Notes\zql M\qu a&\hsong{te}\zql c\qu f\enotes - \notes\ds&\ds\enotes - % - \barre - \Notes\zql K\qu d&\hsong{Nuit }\zql f\qu h\enotes - \notes\zcl L\cu b&\hsong{de }\zcl e\cu g\enotes - \notes\zcl M\cu a&\hsong{vi-}\zcl c\cu f\enotes - \notes\zcl N\cu N&\hsong{ve }\zcl b\cu e\enotes - \hardlyrics{\kern -4pt splen-}\notes\zcl L\cu b&\hsong\thelyrics\zcl e\cu g\enotes - % - \barre - \NOtes\itenl0M\itenu1a\zqlp M\qup a&\hsong{deur.}\itenl2c\itenu3f\zqlp c\qup f\enotes - \Notes\tten0\tten1\zql M\qu a&\hsong{--}\tten2\tten3\zql c\qu f\enotes - \notes\ds&\ds\enotes - % - \barre - \Notes\zql M\qu a&\hsong{Ta }\zql c\qu f\enotes - \notes\zcl M\cu b&\Soufflcr q\hsong{lu-}\zcl e\cu g\enotes - \hardlyrics{\kern -4pt mi\`ere }\notes\zcl M\cu c&\hsong\thelyrics\zcl f\cu h\enotes - \notes\zcl M\cu d&\hsong{\'e-}\zcl g\cu i\enotes - \notes\zcl M\cu e&\hsong{cla-}\zcl h\cu j\enotes - % - \barre - \Notes\islurd0I\zql I\isluru1d\qu d&\roff{\Souffldim q}\hsong{tan-}\zqlp f\isluru2i\qu i\enotes - \notes\tslur0K\tslur1c\zcl I\cu c&\hsong{--}\tslur2g\cu h\enotes - \Notes\zql L\qu b&\hsong{te}\zql e\qu g\enotes - \notes\ds&\ds\enotes - % - \barre - \Notes\zql H\qu c&\hsong{Fait }\zql e\qu h\enotes - \notes\zcl L\cu b&\hsong{le }\zcl e\cu g\enotes - \hardlyrics{jour }\notes\zcl M\cu a&\hsong\thelyrics\zcl c\cu f\enotes - \hardlyrics{dans }\notes\zcl N\cu N&\hsong\thelyrics\zcl b\cu e\enotes - \notes\zcl L\cu b&\zsong{mon }\zcl e\cu g\enotes - % - \barre - \NOtes\itenl0M\itenu1a\zqlp M\qup a&\hsong{c\oe ur.}\itenl2c\itenu3f\zqlp c\qup f\enotes - \notes\tten0\tten1\zql M\qu a&\hsong{--}\tten2\tten3\zql c\qu f\enotes - \notes&\uptext{\sl FIN}\enotes - \setdoublebar - \barre - \znotes\zcharnote {-3}{\ppff f}&\zcharnote{10}{\ppff f}\enotes - \qspace - \notes\zcl a\cu e&\hsong{\txt Mer-|\'E-&}\zcl h\cu -j\enotes - % - \barre - \NOtes\zqlp a\zqup e&\hsong{\txt veil-|toi-&}\zqlp h\qup j\enotes - \notes\zql L\qu e&\hsong{\txt le !|les !&}\zql g\qu i\enotes - \respire - \notes\zcl L\cu e&\hsong{\txt Mer-|\'E-&}\zcl g\cu j\enotes - % - \barre - \Notes\zqlp M\qup c&\hsong{\txt veil-|toi-&}\zqlp f\isluru2i\qu i\enotes - \notes&\hsong{--}\tslur2h\cu h\enotes - \Notes\zql J\qu c&\hsong{\txt le !|les !&}\zql e\qu g\enotes - \notes\ds&\ds\enotes - % - \barre - \hardlyrics{\txt Gloire |res-&}\notes\zcl M\cu M&\hsong\thelyrics\zcl c\cu h\enotes - \notes\roff{\zcl M}\cu N&\hsong{\txt au |plen-&}\zcl c\cu g\enotes - \notes\zcl M\cu a&\hsong{\txt plus |dis-&}\zcl c\cu f\enotes - \Notes\zql K\qu a&\hsong{\txt Haut |sez &}\zql f\qu h\enotes - \notes\zcl K\cu a&\hsong{\txt des |sur &}\zcl f\cu i\enotes - \barre - \NOtes\itenl0H\itenu1a\zqlp H\qup a&\hsong{\txt cieux !|Lui -!&}\itenl2e\itenu3j\zqlp e\qup j\enotes - \Notes\tten0\tten1\zql H\qu a&\hsong{--}\tten2\tten3\zql e\qu j\enotes - \respire - \notes\zcl a\cu e&\hsong{\txt De-|Un &}\zcl h\cu j\enotes - % - \barre - \Notes\zqlp a\zqup e&\hsong{\txt bout, |Dieu &}\zqlp h\qup j\enotes - \hardlyrics{\txt qu'on |sous &}\notes\zcl a\cu e&\hsong\thelyrics\zcl h\cu -j\enotes - \hardlyrics{\txt se |d'hum-&}\notes\zql L\qu e&\hsong\thelyrics\zql g\qu -i\enotes - \notes\zcl L\cu d&\hsong{\txt r\'e-|bles &}\zcl g\cu j\enotes - % - \barre - \Notes\zqlp M\qup c&\hsong{\txt veil-|voi-&}\zqlp f\isluru2i\qu i\enotes - \notes&\hsong{--}\tslur2h\cu h\enotes - \Notes\zql J\qu c&\hsong{\txt le !|les !&}\zql e\qu g\enotes - \notes\ds&\ds\enotes - % - \barre - \Notes\zcharnote {-3}{\ppff p}\zql M\qu a&\zcharnote{10}{\ppff p}\hsong{\txt -Paix |Vient &}\zql c\qu h\enotes - \notes\zcl M\cu a&\Soufflcr q\hsong{\txt sur |\`a &}\zcl c\cu h\enotes - \notes\roff{\itenl0M\zqlp M}\cu N&\hsong{\kern -4pt\txt terre |nous &}\zcl d\cu i\enotes - \notes\cu a&\hsong{\txt en |cet-&}\zcl d\cu h\enotes - \notes\cu b&\hsong{\txt tous |te &}\zcl d\cu g\enotes - % - \barre - \notes\roff{\tten0\zcl M}\itenu1 N\qup N\cl L\cl K&\zsong{\txt - lieux.|nuit.&}\itenl2c\itenl3g\itenu4j\zqlp c\zqp g\qup j\Souffldim q\enotes - \Notes\zql J\tten1\zqu N&\hsong{---}\tten2\tten3\tten4\zql c\zq g\qu j\enotes - \NOtes\ds&\uptext{\kern -3\Internote\it au refrain}\ds\enotes - \finmorceau -\medskip\rightline{\it le \aujourdhui} -\absoluteaccidentals -\vfil\eject - -\endinput diff --git a/macros/musixtex/doc/examples/ossiaexa.tex b/macros/musixtex/doc/examples/ossiaexa.tex deleted file mode 100644 index 4a5da5b12b..0000000000 --- a/macros/musixtex/doc/examples/ossiaexa.tex +++ /dev/null @@ -1,30 +0,0 @@ -\input musixtex -\startmuflex -\hsize70mm -\def\xnum#1#2#3{\off{#1\elemskip}\zcharnote{#2}{\smalltype\it #3}% -\off{-#1\elemskip}}% -\newbox\ornamentbox -\setbox\ornamentbox=\hbox to 0pt{\kern-4pt\vbox{\hsize=2.6cm% -\nostartrule\smallmusicsize\setsize1{\smallvalue}\setclefsymbol1\empty% -\startpiece\addspace{2pt}% -\notes\ibbbl2{'c}0\qb2b\qb2c\qb2d\tbbbl2\qb2c\en% -\notes\xnum{1.15}{'e}3\qb2d\qb2c\tbl2\qb2d\en% -\notes\ibl2{'c}1\usf e\qb2c\en% -\notes\tbl2\qb2{'d}\en% -\zstoppiece% -}\hss} -\normalmusicsize\nopagenumbers -\def\nbinstruments{1}% -\setstaffs12\setclef1{60}% -\generalsignature{-2}\generalmeter{\meterfrac{3}{4}}% -\parindent 0pt% -\stafftopmarg0pt\staffbotmarg5\Interligne\interstaff{10}\relax -\startpiece\addspace\afterruleskip% -\notes\ibl1{'G}{-1}\qb1G\sk\bigna F\tbl1\qb1F|% -\ibbl2{'b}0\qb2b\qb2a\qb2b\tbl2\qb2c\en% -\notes\hl{'E}\bsk\raise6\internote\ds\ibu3{G}1\bigsh F% -\qb3F\qb3G\tbu3\qb3{'A}|\zcharnote{10}{\copy\ornamentbox}\qlp{'c}\sk\sk% -\cl d\en% -\endpiece -\vfill\eject\endmuflex -\bye diff --git a/macros/musixtex/doc/examples/ostinato.tex b/macros/musixtex/doc/examples/ostinato.tex deleted file mode 100644 index 46feebddc1..0000000000 --- a/macros/musixtex/doc/examples/ostinato.tex +++ /dev/null @@ -1,450 +0,0 @@ -\title{Adagio con basso ostinato} -\fulltitle{VIII. \titremorceau} -\csname titremorceautoc\endcsname -\subtitle{(pour orgue)} -\author{Daniel TAUPIN} -\shortauthor{D. Taupin} - -\othermention{Compos\'e en 1992\vrule width 0pt depth 3mm\\G.O.: fonds 8' ou -8'+4' doux\\R\'ec.: cornet ou cromorne\\P\'ed.: 16', tirasse G.O.}% - -\maketitle - -% formes frequentes -% deux croches hautes -\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}} -\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}} -\def\pzqu#1{\lpz{#1}\qu{#1}}% -\def\pzql#1{\upz{#1}\ql{#1}}% -% -\parindent 18mm -% -\tracingstats=2\relax -% -\nbporteesii=1\relax -\def\nbinstruments{3} -\global\cleftoksii={{0}{0}{0}{0}}% -\global\cleftoksi={{6}{0}{0}{0}}% -% -\signaturegenerale{-1}\relax % un bemol a la clef -\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% -\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% -%\check -\def\instrumenti{P\'edale 16'}% -\def\instrumentii{G.O. fonds}% -\def\instrumentiii{R\'ecit}% -%\check -\def\gluemaxskip{7pt}% -% -% -\troistemps -% -\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}% -\def\resp{\vnotes 0.2\elemskip&&\cbreath\enotes}% -\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbbH#1#2#3#4#5{{\advance\transpose by 1\relax - \ibbu0{#2}{#1}}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax -% -\debutmorceau -% -\autolines 765\relax -%\check -% -\notes&&\Uptext{\hbox{\kern -16mm\moyen Andante - \bf(\metron{\qu}{65})}}\enotes -\advance\linesinpage by 1\relax -% mesure 1 -\nspace\NOtes\pzql M&&\enotes -\temps \NOtes\pzql M&\pause&\pause\enotes -\temps \NOtes\pzql M&\enotes -%\check -% mesure 2 -\barre\NOtes\pzql M&\zhp c\itenl0f\itenu1h\zhp f\hup h&\hup f\enotes -\temps\NOtes\pzql M&&\enotes -\temps\NOtes\pzql L&&\enotes -%\check -% mesure 3 -\barre\NOtes\pzqu K&\zhlp d\tten0\tten1\itenl0d\itenl1f\zhp f\hup h\relax - &\hup h\enotes -\temps\NOtes\pzqu K&&\enotes -\temps\notes\pzqu J&&\enotes -%\check -% mesure 4 -\barre\NOtes\pzqu I&\tten0\tten1\zhp i\zhlp d\hup f\relax - &\itenl2i\mordant o\hu i\enotes -\temps\NOtes\pzqu I&&\enotes -\temps\notes\pzqu I&\itenu3g\qu g&\tten2\trioskip\Ibu0ij2\qhp0i\sk\tbbu0\tqh0j\enotes -\def\atnextline{\autolines765}% -% mesure 5 -\barre\NOtes\pzqu J&\tten3\zhp e\zhup j\hl g&\hu j\enotes -\temps\NOtes\pzqu J&&\enotes -\temps\NOtes\pzqu J&\itenu0h\ql h&\soupir\enotes -% mesure 6 -\barre\NOtes\pzqu K&\tten0\zh d\zhl{^f}\hup h&\qlp k\enotes -\temps\notes\pzqu K&&\bigaccid\sk\cl{_l}\enotes -\temps\notes\pzqu J&\bigaccid\zq c\ql{_e}&\Ibl0jk1\qb0j\tqb0k\enotes -%\check -% mesure 7 -\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\hl i\enotes -\temps\NOtes\pzqu G&&\enotes -\temps\NOtes\pzqu I&\itenl0e\ql {=e}&\ql j\enotes -%\check -% mesure 8 -\barre\NOtes\pzqu J&\tten0\zhlp c\itenl0c\zh e\hu h&\qlp j\enotes -\temps\notes\pzqu J&&\sk\cl{k}\enotes -\temps\notes\pzqu I&\zq g\qu d&\Ibl0ij1\qb0i\tqb0j\enotes -% mesure 9 -\barre\NOtes\pzqu H&\tten0\itenu1h\zhp f\zhp c\hup h&\hu h\enotes -\temps\NOtes\pzqu H&&\enotes -\temps\NOtes\pzqu H&&\soupir\enotes -% mesure 10 -\barre\NOtes\pzqu H&\tten1\zhl e\zhp{^c}\itenu0h\hup h&\qup h\enotes -\temps\notes\pzqu H&&\sk\bigsh j\cl j\enotes -\temps\notes\pzqu H&\ql g&\dqb kl\enotes -% mesure 11 -\barre\NOtes\pzqu K&\tten0\zhp d\zhp f\hup h&\hl m\enotes -\temps\NOtes\pzqu K&&\enotes -\temps\NOtes\pzqu J&&\itenu0m\ql m\enotes -% mesure 12 -\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\tten0\ql m\enotes -\temps\notes\pzqu I&&\dqb lk\enotes -\temps\notes\pzqu I&\itenl0e\ql e&\bigaccid\dqb{^j}k\enotes -% mesure 13 -\barre\NOtes\pzqu H&\tten0\zhp{^c}\zhlp e\hu h&\hl{^j}\enotes -\temps\NOtes\pzqu H&&\enotes -\temps\NOtes\pzqu H&\qu g&\soupir\enotes -% mesure 14 -\barre\NOtes\pzqu I&\itenl0b\itenl1d\zhp b\zhp d\hup f&\hlp k\enotes -\temps\NOtes\pzqu I&&\enotes -\temps\NOtes\pzqu H&&\enotes -% mesure 15 -\barre\NOtes\pzqu G&\tten0\tten1\zhp b\zhp d\itenu0g\hup g&\qlp i\enotes -\temps\notes\pzqu G&&\sk\cl j\enotes -\temps\notes\pzqu I&&\dqb hi\enotes -% mesure 16 -\barre\NOtes\pzqu J&\tten0\itenl0c\zhp c\zhup g\hl e&\qlp j\enotes -\temps\notes\pzqu J&&\sk\cl k\enotes -\temps\notes\pzqu I&\ql d&\dqb ij\enotes -% mesure 17 -\barre\NOtes\pzqu H&\tten0\zhl e\zhp c\hup h&\hu h\enotes -\temps\NOtes\pzqu H&&\enotes -\temps\NOtes\pzqu H&\ql f&\soupir\enotes -%\check -% mesure 18 -\barre\NOtes\pzqu G&\zql g\zhp d\hup i&\qlp i\enotes -\temps\notes\pzqu G&\ql f&\sk\cl j\enotes -\temps\notes\pzqu I&\ql e&\dqb hi\enotes -%\check -% mesure 19 -\barre\NOtes\pzqu J&\pt b\itenl0c\zh c\zhu g\qsk\ql d&\hu g\enotes -\temps\NOtes\pzqu J&\hl e&\enotes -\temps\NOtes\pzqu J&\qu i&\qu f\enotes -%\check -% mesure 20 -\barre\NOtes\pzqu F&\tten0\zh c\zhu h\qsk\zql d&\hu f\enotes -\temps\NOtes\pzql M&\ql e&\enotes -\temps\NOtes\pzql M&\itenl2f\zql f\raise \Interligne\soupir&\soupir\enotes -%\check -% mesure 21 -\barre\NOtes\pzql M&\tten2\zhp c\itenl0f\itenu1h\zhp f\hup h\relax - &\hup f\enotes -\temps\NOtes\pzql M&&\enotes -\temps\NOtes\pzql L&&\enotes -%\check -% mesure 22 -\barre\NOtes\pzqu K&\zhlp d\tten0\tten1\itenl0d\itenl1f\zhp f\hup h\relax - &\hup h\enotes -\temps\NOtes\pzqu K&&\enotes -\temps\notes\pzqu J&&\enotes -%\check -% mesure 23 -\barre\NOtes\pzqu I&\tten0\tten1\zhp i\zhlp d\hu f\relax - &\itenl2i\mordant o\hu i\enotes -\temps\NOtes\pzqu I&&\enotes -\temps\notes\pzqu I&\itenu3g\qu g&\tten2\trioskip\Ibu0ij2\qhp0i\sk\tbbu0\tqh0j\enotes -% mesure 24 -\barre\NOtes\pzqu J&\tten3\zhl e\zhp g\hup j&\hu j\enotes -\temps\NOtes\pzqu J&&\enotes -\temps\NOtes\pzqu J&\ql{_e}&\soupir\enotes -% mesure 25 -\barre\NOtes\pzqu J&\zql d\zhp{^f}\hup h&\hl{_l}\enotes -\temps\NOtes\pzqu H&\hl c&\enotes -\temps\NOtes\pzqu{^F}&&\ql k\enotes -% mesure 26 -\barre\NOtes\pzqu G&\zhl b\zh d\hu g&\hl i\enotes -\temps\NOtes\pzqu G&&\enotes -\temps\NOtes\pzqu I&\soupir&\soupir\enotes -% mesure 27 -\barre\NOtes\pzqu L&\zhl b\zhp e\hup g&\hl{_k}\enotes -\temps\NOtes\pzqu L&&\enotes -\temps\NOtes\pzqu J&\itenl0c\ql c&\ql j\enotes -% mesure 28 -\barre\NOtes\pzqu H&\tten0\itenu1h\zqu e\zhp c\hlp h&\hu h\enotes -\temps\NOtes\pzqu H&\hu f&\enotes -\temps\NOtes\pzqu F&&\soupir\enotes -% mesure 29 -\barre\NOtes\pzqu H&\tten1\zhl{^c}\zhp e\hup h&\qup h\enotes -\temps\notes\pzqu G&&\sk\cu i\enotes -\temps\notes\pzqu F&\bigaccid\ql{=c}&\dqh hg\enotes -%\check -% mesure 30 -\barre\NOtes\pzqu I&\itenl0b\itenl1d\zhu f\zhp b\hlp d&\qu f\enotes -\temps\NOtes\pzqu H&&\qu h\enotes -\temps\NOtes\pzqu H&\itenu2g\qu g&\qu k\enotes -% mesure 31 -\barre\NOtes\pzqu I&\tten1\tten2\tten0\itenu1g\zhu d\zhp b\hlp g&\qlp n\enotes -\temps\notes\pzqu H&&\sk\cl m\enotes -\temps\notes\pzqu G&\itenl0e\qu e&\dqb lk\enotes -%\check -% mesure 32 -\barre\NOtes\pzqu H&\tten0\tten1\itenl1c\zhu g\zhp{^c}\hlp e&\ql{^j}\enotes -\temps\NOtes\pzqu H&&\ql l\enotes -\temps\NOtes\pzqu I&\qu h&\ql h\enotes -%\check -% mesure 33 -\barre\notes\pzqu G&\tten1\itenu1g\zql c\zhup g\qsk\hu d&\dqh ih\enotes -\temps\notes\pzqu G&\hl b&\dqh gf\enotes -\temps\notes\pzqu I&\itenl0e\qu e&\dqh ed\enotes -%\check -% mesure 34 -\barre\NOtes\pzqu H&\tten0\tten1\zhp{^ce}\hup g&\qu{^c}\enotes -\temps\NOtes\pzqu G&&\qu e\enotes -\temps\NOtes\pzqu F&&\qu h\enotes -% mesure 35 -\barre\NOtes\pzqu G&\itenl0b\itenl1d\zhu f\zhp b\hlp d&\qup f\enotes -\temps\notes\pzqu I&&\sk\cu g\enotes -\temps\notes\pzqu H&\qu e&\dqh ef\enotes -% mesure 36 -\barre\NOtes\pzqu K&\tten0\tten1\zq b\zqu g\hlp d&\hu d\enotes -\temps\NOtes\pzqu K&\zh a\hu f&\enotes -\temps\NOtes\pzqu K&&\soupir\enotes -% mesure 37 -%\check -\barre\NOtes\pzqu K&\itenl0d\zhp {ad}\hup f&\hup f\enotes -\temps\NOtes\pzqu K&&\enotes -\temps\NOtes\pzqu J&&\enotes -% mesure 38 -%\check -\barre\NOtes\pzqu I&\tten0\zhp {bd}\hup g&\hup g\enotes -\temps\NOtes\pzqu H&&\enotes -\temps\NOtes\pzqu J&&\enotes -% mesure 39 -%\check -\barre\NOtes\pzqu G&\zhl b\zhp e\hup g&\hu i\enotes -\temps\NOtes\pzqu G\enotes -\temps\NOtes\pzqu I&\ql{^c}&\qu h\enotes -% mesure 40 -%\check -\barre\NOtes\pzqu H&\zh {df}\hu h&\hu h\enotes -\temps\NOtes\pzqu H\enotes -\temps\NOtes\pzqu H&\soupir&\soupir\enotes -% mesure 41 -%\check -\barre\NOtes\pzqu J&\zhl{^f}\zhp d\hup h&\qlp k\enotes -\temps\notes\pzqu J&&\sk\cna l\cl l\enotes -\temps\notes\pzqu J&\bigfl e\ql e&\dqb jk\enotes -%\check -% mesure 42 -\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\hl i\enotes -\temps\notes\pzqu G&&\sk\cl j\enotes -\temps\notes\pzqu I&\itenl0e\bigna e\ql e&\dqb hi\enotes -%\check -% mesure 43 -\barre\NOtes\pzqu J&\tten0\zhl c\zhp e\hup g&\qlp j\enotes -\temps\notes\pzqu J&&\sk\cl{k}\enotes -\temps\notes\pzqu I&\itenl0c\bigsh c\ql c&\Ibl0ij1\qb0i\tqb0j\enotes -% mesure 44 -\barre\NOtes\pzqu H&\tten0\sh c\zhp c\zhup h\qsk\zql g&\hu h\enotes -\temps\NOtes\pzqu H&\ql f&\enotes -\temps\NOtes\pzqu H&\ql e&\soupir\enotes -%\check -% mesure 45 -\barre\NOtes\pzqu G&\zql g\zhp d\hup i&\qlp i\enotes -\temps\notes\pzqu G&\ql f&\sk\cl j\enotes -\temps\notes\pzqu I&\ql e&\dqb hi\enotes -%\check -% mesure 46 -\barre\NOtes\pzqu J&\zhp c\zhu g\qsk\ql d&\hu g\enotes -\temps\NOtes\pzqu J&\itenl0e\hl e&\enotes -\temps\NOtes\pzqu J&\qu i&\qu h\enotes -% mesure 47 -\barre\NOtes\pzqu H&\tten0\zhl e\zhp c\hup h&\hu h\enotes -\temps\NOtes\pzqu H&&\enotes -\temps\NOtes\pzqu H&\ql f&\soupir\enotes -% mesure 48 -%\check -\barre\NOtes\pzqu J&\zhl{^f}\zhp d\hup h&\qlp k\enotes -\temps\notes\pzqu J&&\sk\cna l\cl l\enotes -\temps\notes\pzqu J&\bigfl e\ql e&\dqb jk\enotes -%\check -% mesure 49 -\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\hl i\enotes -\temps\notes\pzqu G&&\sk\cl j\enotes -\temps\notes\pzqu I&\itenl0e\bigna e\ql e&\dqb hi\enotes -%\check -% mesure 50 -\barre\NOtes\pzqu J&\tten0\zhl c\zhp e\hup g&\qlp j\enotes -\temps\notes\pzqu J&&\sk\cl{k}\enotes -\temps\notes\pzqu I&\itenl0c\bigsh c\ql c&\Ibl0ij1\qb0i\tqb0j\enotes -% mesure 51 -\barre\NOtes\pzqu H&\tten0\sh c\zhp c\zhup h\qsk\zql g&\hu h\enotes -\temps\NOtes\pzqu H&\ql f&\enotes -\temps\NOtes\pzqu H&\ql e&\soupir\enotes -%\check -% mesure 52 -\barre\NOtes\pzqu G&\zql g\zhp d\hup i&\qlp i\enotes -\temps\notes\pzqu G&\ql f&\sk\cl j\enotes -\temps\notes\pzqu I&\ql e&\dqb hi\enotes -%\check -% mesure 53 -\barre\NOtes\pzqu J&\zhp c\zhu g\qsk\ql d&\hu g\enotes -\temps\NOtes\pzqu J&\hl e&\enotes -\temps\NOtes\pzqu J&\qu i&\qu f\enotes -%\check -% mesure 54 -\barre\NOtes\pzqu F&\zh c\zhu h\qsk\zql d&\hu f\enotes -\temps\NOtes\pzql M&\ql e&\enotes -\temps\NOtes\pzql M&\raise\Interligne\rlap{\soupir}\ql f&\soupir\enotes -%\check -% mesure 55 -\barre\NOtes\pzqu M&\zql e\zhp{^c}\itenu0h\hup h&\qup h\enotes -\temps\notes\pzqu M&\ql f&\sk\bigsh j\cl j\enotes -\temps\notes\pzqu L&\ql g&\dqb kl\enotes -% mesure 56 -\barre\NOtes\pzqu K&\tten0\itenl2d\itenl1f\zhp d\zhp f\hup h&\hl m\enotes -\temps\NOtes\pzqu K&&\enotes -\temps\NOtes\pzqu J&&\itenu0m\ql m\enotes -% mesure 57 -\barre\NOtes\pzqu{=I}&\tten2\tten1\itenu1d\zhp d\zhp f\hup{_h}&\tten0\ql m\enotes -\temps\notes\pzqu I&&\dqb lk\enotes -\temps\notes\pzqu I&&\bigaccid\dqb nm\enotes -%\check -% mesure 58 -\barre\NOtes\pzqu H&\zh{^c}\zhu{=h}\qsk\tten1\zql d&\hl l\enotes -\temps\NOtes\pzqu H&\ql e&\enotes -\temps\NOtes\pzqu{_I}&\raise\Interligne\rlap{\soupir}\ql f&\soupir\enotes -%\check -% mesure 59 -\bigaccid -\barre\NOtes\pzqu{=I}&\itenl0d\zq d\zql f\hup{_h}&\qlp m\enotes -\temps\notes\pzqu I&\tten0\zql d\qsk\itenu0e\zhu e&\sk\cl n\enotes -\temps\notes\pzqu{=J}&\zql{=c}&\dqb lm\enotes -% mesure 60 -\barre\NOtes\pzqu{^J}&\tten0\itenl0c\zq{^c}\zql e\hup{=h}&\qlp n\enotes -\temps\notes\pzqu J&\tten0\itenu0f\zql c\hu f&\sk\cl o\enotes -\temps\notes\pzqu{=J}&\itenl1d\ql d&\dqb mn\enotes -%\check -% mesure 61 -\barre\NOtes\pzqu{=I}&\tten0\tten1\itenl1d\zhp d\zhlp f\hu{_h}&\qlp o\enotes -\temps\notes\pzqu I&&\sk\cl n\enotes -\temps\notes\pzqu I&\qu g&\dqb mn\enotes -%\check -% mesure 62 -\barre\NOtes\pzqu{_I}&\zhp e\zhup g\qsk\tten1\zhl d&\itenu0l\hl l\enotes -\temps\NOtes\pzqu I\enotes -\temps\notes\pzqu I&\bigaccid\ql{^c}&\tten0\dqb lm\enotes -%\check -% mesure 63 -\barre\NOtes\pzqu{=I}&\itenl0d\zhlp d\zhu{_h}\qsk\qu f&\hl k\enotes -\temps\NOtes\pzqu I&\qu e\enotes -\temps\NOtes\pzqu I&\zq f\qu{=h}&\soupir\enotes -% mesure 64 -\barre\NOtes\pzqu H&\tten0\zh f\zhl d\itenu1h\hup h&\qlp m\enotes -\temps\notes\pzqu H&&\sk\cl n\enotes -\temps\notes\pzqu H&\zq e\ql{^c}&\dqb lm\enotes -% mesure 65 -\barre\NOtes\pzqu K&\tten1\zhlp d\zhp f\hup h&\hl k\enotes -\temps\NOtes\pzqu K&&\enotes -\temps\NOtes\pzqu K&&\soupir\enotes -% mesure 66 -\barre\NOtes\pzqu K&\itenu1f\itenl0d\zhp f\zhlp d\hup h&\hup f\enotes -\temps\NOtes\pzqu K&&\enotes -\temps\NOtes\pzqu J&&\enotes -% mesure 67 -\barre\NOtes\pzqu I&\tten1\tten0\zhlp d\zhp f\zhu i&\hu h\enotes -\temps\NOtes\pzqu I&&\enotes -\temps\NOtes\pzqu H&&\qu i\enotes -%\check -% mesure 68 -\barre\NOtes\pzqu G&\zhlp b\zh d\itenu0g\hu g\relax - &\itenl2i\mordant o\hu i\enotes -\temps\NOtes\pzqu G&&\enotes -\temps\notes\pzqu I&\tten0\itenu1e\zq e\qu g&\tten2\trioskip - \Ibu0ij2\qhp0i\sk\tbbu0\tqh0j\enotes -%\check -% mesure 69 -\barre\NOtes\pzqu H&\tten1\itenu0h\zql e\zhp c\hup h&\qu j\enotes -\temps\NOtes\pzqu H&\ql e&\enotes -\temps\NOtes\pzqu H&\ql f&\soupir\enotes -% mesure 70 -\barre\NOtes\pzqu K&\tten0\zh d\zhl{^f}\hup h&\qlp k\enotes -\temps\notes\pzqu K&&\bigaccid\sk\cl{_l}\enotes -\temps\notes\pzqu J&\bigaccid\zq c\ql{_e}&\Ibl0jk1\qb0j\tqb0k\enotes -%\check -% mesure 71 -\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\hl i\enotes -\temps\NOtes\pzqu G&&\enotes -\temps\NOtes\pzqu I&\itenl0e\ql {=e}&\ql j\enotes -%\check -% mesure 72 -\barre\NOtes\pzqu H&\tten0\itenl0e\zhl c\zhu h\hlp e&\qlp j\enotes -\temps\notes\pzqu H&&\sk\cl{k}\enotes -\temps\notes\pzqu G&\zq b\qu g&\Ibl0ij1\qb0i\tqb0j\enotes -% mesure 73 -\barre\NOtes\pzqu F&\tten0\itenu1h\zhp c\zhlp h\hu e&\hu h\enotes -\temps\NOtes\pzqu F&&\enotes -\temps\NOtes\pzqu F&\qu f&\soupir\enotes -% mesure 74 -\barre\NOtes\pzqu H&\tten1\zhl e\zhp{^c}\hup h&\qup h\enotes -\temps\notes\pzqu H&&\sk\bigsh j\cl j\enotes -\temps\notes\pzqu H&\ql g&\dqb kl\enotes -% mesure 75 -\barre\NOtes\pzqu K&\zhp d\zhup{_h}\hl f&\hl m\enotes -\temps\NOtes\pzqu K&&\enotes -\temps\NOtes\pzqu J&\itenu1g\ql g&\itenu0m\ql m\enotes -% mesure 76 -\barre\NOtes\na I\pzqu I&\itenu2g\tten1\zh d\zhl{=b}\hup g&\tten0\ql m\enotes -\temps\notes\pzqu I&&\dqb lk\enotes -\temps\notes\fl I\pzqu I&\itenl0e\zq{_b}\ql e&\bigaccid\dqb{^j}k\enotes -% mesure 77 -\barre\NOtes\pzqu H&\tten0\tten2\zhp{^c}\zhlp e\qu g&\hl{^j}\enotes -\temps\NOtes\pzqu H&\qu h&\enotes -\temps\NOtes\pzqu H&\cfl i\qu i&\soupir\enotes -% mesure 78 -\barre\NOtes\pzqu I&\zhp{_h}\zhp d\hup f&\hlp k\enotes -\temps\NOtes\pzqu I&&\enotes -\temps\NOtes\pzqu H&&\enotes -% mesure 79 -\barre\NOtes\pzqu G&\zhp b\zhup g\itenu0g\hl e&\qlp i\enotes -\temps\notes\pzqu G&&\sk\cl j\enotes -\temps\notes\pzqu I&\ql{^f}&\dqb hi\enotes -% mesure 80 -\barre\NOtes\pzqu H&\tten0\itenl0c\zhp c\zhup g\hl e&\qlp j\enotes -\temps\notes\pzqu H&&\sk\cl k\enotes -\temps\notes\pzqu G&\ql d&\dqb ij\enotes -% mesure 81 -\barre\NOtes\pzqu F&\tten0\zhl e\zhp c\hup h&\hu h\enotes -\temps\NOtes\pzqu F&&\enotes -\temps\NOtes\pzqu F&\ql f&\soupir\enotes -%\check -% mesure 82 -\barre\NOtes\pzqu G&\zql g\zhp d\hup i&\qlp i\enotes -\temps\notes\pzqu G&\ql f&\sk\cl j\enotes -\temps\notes\pzqu I&\ql e&\dqb hi\enotes -%\check -% mesure 83 -\barre\NOtes\pzqu J&\itenl0c\zhp c\zhu g\qsk\ql d&\hu g\enotes -\temps\NOtes\pzqu J&\hl e&\enotes -\temps\NOtes\pzqu J&\qu i&\qu f\enotes -%\check -% mesure 84 -\barre\NOtes\pzqu F&\tten0\pt b\zh c\zhup h\qsk\zql d&\pointdorgue m\hup f\enotes -\temps\NOtes\pzqu F&\ql e&\enotes -\temps\NOtes\pointdurgue F\qu F&\pointdorgue m\zql f&\enotes -%\check -\finmorceau -% -\medskip\rightline{\it \aujourdhui} -\vfil -\eject diff --git a/macros/musixtex/doc/examples/pacifiqb.tex b/macros/musixtex/doc/examples/pacifiqb.tex deleted file mode 100644 index c40994059b..0000000000 --- a/macros/musixtex/doc/examples/pacifiqb.tex +++ /dev/null @@ -1,9 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi -\musicsize=16\relax -\def\NoPageCut{\relax} -\input c:/taupin/musixtex/scores/pacifiqn -\bye diff --git a/macros/musixtex/doc/examples/pacifiqn.tex b/macros/musixtex/doc/examples/pacifiqn.tex deleted file mode 100644 index 7839592745..0000000000 --- a/macros/musixtex/doc/examples/pacifiqn.tex +++ /dev/null @@ -1,1128 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi -% -\parindent 12mm -% -\title{Pacifique} -\shortauthor{D. Taupin} -\fullauthor{Daniel TAUPIN\\\`a Christiane} - \othermention{Compos\'e en 1972, \sl San Jose (Calif.)\\r\'ev. mai 1981, -janvier 1990} -\maketitle - -\tracingstats=2\relax -% -\nbporteesi=2\relax -\def\nbinstruments{1} -\global\cleftoksi={{6}{0}{0}{0}}% -\def\noteskipLARGE{\def\scalenoteskip{1.5}}% -\def\noteskipLarge{\def\scalenoteskip{1.2}}% -\def\noteskiplarge{\def\scalenoteskip{1.1}}% -\def\noteskipnormal{\def\scalenoteskip{1.0}}% -% -\signaturegenerale{-4}\relax % quatre bemols a la clef -\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% -\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% -%\check -\def\instrumenti{Piano} -%\check -\generalmeter{\allabreve} -\normal\noteskipLarge -\def\fff{{f}\kern -1pt{f}\kern -1pt{f}}% -\def\gluemaxskip{6pt}% -% -% formes frequentes -% -%au moins deux croches basses et hautes -\def\dqb#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% -\def\dqh#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% -%au moins quatre croches basses et hautes -\def\qqb#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2#3#4}\tbl0\qb0{#5}}% -\def\qqB#1#2#3#4#5{\ibl0{#3}{#1}\qb0{#2#3#4}\tbl0\qb0{#5}}% -\def\qqh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2#3#4}\tbu0\qh0{#5}}% -\def\qqH#1#2#3#4#5{\ibu0{#3}{#1}\qh0{#2#3#4}\tbu0\qh0{#5}}% -% octave basse en blanche -\def\bohl#1{{\advance\transpose by-7\relax\zh{#1}\relax}\hl{#1}}% -\def\bohu#1{{\advance\transpose by-7\relax\zh{#1}\relax}\hu{#1}}% -\def\sohl#1{\zh{#1}{\advance\transpose by 7\relax\hl{#1}}\sk}% -\def\sohu#1{\zh{#1}{\advance\transpose by 7\relax\hu{#1}}\sk}% -% -% octave sup. en croches u -\def\soqh#1{\zq{#1}\rlap{\advance\transpose by 7\qh0{#1}}\sk}% -\def\soqu#1{\zq{#1}\rlap{\advance\transpose by 7\qu{#1}}\sk}% -\def\soqb#1{\zq{#1}\rlap{\advance\transpose by 7\qb0{#1}}\sk}% -\def\soql#1{\zq{#1}\rlap{\advance\transpose by 7\ql{#1}}\sk}% -\def\dsoqh#1#2#3{{\advance\transpose by 7\ibu0{#2}{#1}}\soqh{#2}\tbu0\soqh{#3}}% -\def\dsoqb#1#2#3{\ibl0{#2}{#1}\soqb{#2}\tbl0\soqb{#3}}% -%\check -\def\qsoqh#1#2#3#4#5{{\advance\transpose by 7\relax\ibu0{#2}{#1}}\soqh{#2}\relax - \soqh{#3}\soqh{#4}\tbu0\soqh{#5}}% -\def\qsoqb#1#2#3#4#5{\ibl0{#2}{#1}\soqb{#2}\soqb{#3}\soqb{#4}\tbl0\soqb{#5}}% -%\check -\def\qsoqB#1#2#3#4#5{\ibl0{#3}{#1}\soqb{#2}\soqb{#3}\soqb{#4}\tbl0\soqb{#5}}% -%\check -% octave inf. en croches u -\def\boqh#1{{\advance\transpose by -7\relax\zq{#1}}\qh0{#1}}% -\def\boqb#1{{\advance\transpose by -7\relax\zq{#1}}\qb0{#1}}% -\def\dboqh#1#2#3{\ibu0{#2}{#1}\boqh{#2}\tbu0\boqh{#3}}% -\def\dboqb#1#2#3{{\advance\transpose by -7\relax\ibl0{#2}{#1}}\boqb{#2}\tbl0\boqb{#3}}% -%\check -\def\qboqb#1#2#3#4#5{{\advance\transpose by -7\relax\ibl0{#2}{#1}}\boqb{#2}\relax - \boqb{#3}\boqb{#4}\tbl0\boqb{#5}}% -\def\qboqh#1#2#3#4#5{\ibu0{#2}{#1}\boqh{#2}\boqh{#3}\boqh{#4}\tbu0\boqh{#5}}% -%\check -% -\def\arpg#1#2{\znotes\arpeggio{#1}{#2}\enotes} -\def\Arpg#1#2{\znotes\larpeggio{#1}{#2}\enotes} -\def\uarpg#1#2{\znotes\nextstaff\arpeggio{#1}{#2}\enotes} -\def\uArpg#1#2{\znotes\nextstaff\larpeggio{#1}{#2}\enotes} -% -% soufflets crescendo -% -\def\soufflcr{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\Cresc}}} -\def\Soufflcr{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\CREsc}}} -% -\def\interfacteur{11}% -\computewidths -\staffbotmarg=5\Interligne -% -% Changes for 16 pt musicsize -%\showthe\musicsize -\def\Zalapage{\ifx\NoPageCut\undefined\zalapage\else\zbarre\fi}% -\def\Zalaligne{\ifx\NoPageCut\undefined\zalaligne\else\zbarre\fi}% -\def\Alapage{\ifx\NoPageCut\undefined\alapage\else\barre\fi}% -\def\Alaligne{\ifx\NoPageCut\undefined\alaligne\else\barre\fi}% -\def\Eject{\ifx\NoPageCut\undefined\eject\else\par\fi}% -% -\debutmorceau -% -\noteskipLarge -\hyphenpenalty -50\relax -\notes|\Uptext{\moyen\kern -20pt Andante \rm(\metron{\qu}{70})}\enotes -\vnotes 0.2\elemskip\uptext{\kern -5mm\ppff p}|\uptext{\ppff mp}\enotes -\zglu\Notes\PED\zh{Ma}\hl c|\soupir\enotes -\zglu\notes\sk\DEP|\Ilegl0d\dqh3fg\enotes -\temps\notes\PED\zh{Ma}\hl c\sk\sk\DEP|\qqh0hfgh\enotes -% mesure 2 -\barre\notes\PED\zh{Mb}\hl d\sl\sk\DEP|\qqh0ighi\enotes -\temps\notes\PED\zh{Ma}\hl c\sk\sk\DEP|\qqh0jhij\enotes -% mesure 3 -\barre\notes\PED\zh{Mb}\hl d\sk\zcharnote{-5}{\it simile}|\Tleg0\qu k\sk\Ilegl0d\dqh4ik\enotes -\temps\notes\zh{Ma}\hl c|\qqh0jihj\enotes -% mesure 4 -\barre\notes\zh{Mb}\lh N\hl d|\qqh0ihgi\enotes -\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes -% mesure 5 -\alaligne\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes -\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes -\temps\notes|\raise -\internote\rlap{\Uptext{\it sempre \ppff mp}}\Ilegl0d\dqh3gh\enotes -% mesure 6 -\barre\notes\zh{LN}\hl b|\qqh0ighi\enotes -\temps\notes\zh{ac}\hl e|\qqh0jhij\enotes -% mesure 7 -\barre\notes\zh{N=b}\hl d|\qqh0{=k}{=i}jk\enotes -\temps\notes\zh{Nc}\hl{=e}|\qqh0{=l}jkl\enotes -% mesure 8 -\barre\notes\zh{Mc}\hl f|\qqh{-3}m{_l}{_k}j\enotes -\temps\notes\zh{M_b}\hl d|\qqh0k{_i}jk\enotes -% mesure 9 -\alaligne\notes\zh{LN}\hl b|\qqh{-3}lkji\enotes -\temps\notes\zh{ac}\hl e|\qqh0jhij\enotes -% mesure 10 -\barre\notes\zh{ad}\hl f|\qqh{-3}kjih\enotes -\temps\notes\lh b\zh c\hl{=e}|\qqh0ighi\enotes -% mesure 11 -\barre\notes\zh{Nb}\hl{=e}|\qqh{-3}jihg\enotes -\temps\notes\zh{Ma}\hl c|\Tleg0\qu h\sk\enotes -\temps\notes|\Ilegl0d\dqh3gh\enotes -% mesure 12 -\barre\notes\zh{Mb}\hl d|\qqh0ihgi\enotes -\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes -% mesure 13 -\Alaligne\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes -\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes -\temps\notes\rmidtwotext{\kern -3mm\it un poco}|\Ilegu0r\dqh3gh\enotes -% mesure 14 -\barre\notes\bohl e\rmidtwotext{\it pi\`u forte}\relax - |\zq g\qqh0ighi\enotes -\temps\notes\bohl a|\rlap{\hl e}\zq h\qqh0jhij\enotes -% mesure 15 -\barre\notes\bohu M|\rlap{\hl f}\zq h\qqh0kijk\enotes -\temps\notes\bohu L|\rlap{\hl g}\zq i\qqh{-3}lkji\enotes -% mesure 16 -\barre\notes\bohu a|\rlap{\hl e}\zq h\qqh0jijk\enotes -\temps\notes\bohu L|\rlap{\hl g}\zq i\qqh{-3}lkji\enotes -% mesure 17 -\Alaligne\Notes\bohu M|\zq f\tleg0\qu h\enotes -\temps\notes|\Ilegu0q\dqh3ij\enotes -\temps\notes\bohu K|\rlap{\hl f}\zq h\qqh{-3}kjih\enotes -% mesure 18 -\barre\notes\bohu J|\rlap{\hl c}\zq{=e}\qqh3ghik\enotes -\temps\notes\bohu{=L}|\rlap{\hl e}\zq g\qqh{-3}jihg\enotes -% mesure 19 -\barre\Notes\bohu M|\rlap{\ql f}\zq f\tleg0\qu h\enotes -\temps\notes|\Ilegu0p\dqh3gh\enotes -\temps\notes\bohu K|\rlap{\hl d}\zq f\qqh0ihgi\enotes -% mesure 20 -\barre\notes\bohu J|\rlap{\hl c}\zq f\qqh0hgfh\enotes -\temps\notes\bohu J|\rlap{\hl c}\zq{=e}\qqh0gfeg\enotes -% mesure 21 -\xbarre\Notes\zq F\ql M|\zq{ac}\tleg0\qu f\enotes -\Zalapage\notes\rlap{\zcharnote{-5}{\ppff mf}}\Ilegu0d\dqb3MN\relax - |\soupir\uptext{\ppff p}\enotes -\temps\notes\qqB0aMNa|\zh{fh}\hu j\enotes -% mesure 22 -\barre\notes\qqB0bNab|\zh{gi}\hu{=l}\enotes -\temps\notes\qqB0cabc|\zh{hj}\hu m\enotes -% mesure 23 -\barre\notes\Tleg0\ql d\sk|\zh{hk}\hu m\enotes -\temps\notes\Ilegu0d\dqb4bd|\enotes -\temps\notes\qqB0cbac|\zh{hj}\hu{_l}\enotes -% mesure 24 -\barre\notes\qqB0baNb|\zh i\rh j\hu{=l}\enotes -\temps\notes\qqB0aNMa|\zh{hj}\hu m\enotes -% mesure 25 -\Alaligne\notes\qqB0NM{=L}N|\zh{gj=l}\hl n\enotes -\temps\notes\Tleg0\ql M\zmidtwotext{\it crescendo}\sk|\zh{hjm}\hl o\enotes -\temps\notes\Ilegl0F\dqb3Na|\enotes -% mesure 26 -\barre\notes\zmidtwotext{\it\ poco\ \ a\ \ poco}\qqB0bNab\relax - |\zh{gi_l}\hu n\enotes -\temps\notes\qqB0cabc|\zh{fhj}\hu m\enotes -% mesure 27 -\barre\notes\qqB0{=d}bcd|\zh{fi=k}\hu m\enotes -\temps\notes\qqB0{=e}cde|\zh{gj}\rh i\hu{=l}\enotes -%\check -% mesure 28 -\barre\notes\qqb{-3}f{_e}{_d}c|\zh{f=hj}\hu m\enotes -\temps\notes\qqb{1}bcde|\zh{gil}\hu n\enotes -% mesure 29 -\Alaligne\notes\qqb0cbcd|\zh{_hjm}\hl o\enotes -\temps\notes\qqb0cbab|\zh{fhj}\hl m\enotes -% mesure 30 -\barre\notes\qqb{-3}cbaN|\zh{gj=l}\hl n\enotes -\temps\notes\qqb3MNac|\zh{hjm}\hl o\enotes -%\check -% mesure 31 -\barre\notes\qqb{-3}baNM|\zh{i_ln}\hl p\enotes -\temps\notes\qqb3LMNb|\zh{gil}\hu n\enotes -%\check -%mesure 32 -\barre\notes\Tleg0\ql a\sk|\zh{hjl}\hl o\enotes -\temps\notes\Ilegl0F\dqb3bc|\enotes -\temps\notes\qqb0dcde|\zh{iln}\hl p\enotes -% -% mesure 33 -% changement d'espacement -\def\atnextline{\def\interfacteur{12}}% -\Alaligne\noteskipLARGE\nspace\notes\qqb{-3}cbaN|\zh{j=ln}\hl q\enotes -\temps\notes\Tleg0\ql a\sk|\zh{hjm}\hl o\enotes -\temps\notes\Ilegl0F\dqb3bc|\enotes -% mesure 34 -\barre\notes\qqb{-3}dcba|\zh{ikm}\hl p\enotes -\temps\notes\qqb3Nabc|\zh{j=ln}\hl q\enotes -% mesure 35 -\barre\notes\qqb0dcde|\zh{kmp}\hl r\enotes -\temps\notes\soufflcr\qqb{-3}cbaN|\zh{=lnq}\hl{=s}\enotes -% mesure 36 -\barre\nspace\notes\zmidtwotext{\ppff f}\tleg0\ql M|\zq{m_oq}\ql t\cbreath\enotes -\Zalapage\noteskipLarge\notes\zmidtwotext{\ppff mf}\soupir|\Ilegu0s\dsoqb3fg\enotes -\temps\arpg K5\relax -\notes \zh{Mac}\hl f\uptext{\vbox{\offinterlineskip\hbox{\it arpeggi}\vskip 1mm\hbox{\it nervosi}}}\relax - |\qsoqb0hfgh\enotes -%\check -% mesure 37 -\barre\arpg K5\notes\zh{Mbd}\hl f|\qsoqb0ighi\enotes -\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0jhij\enotes -%\check -% mesure 38 -\barre\arpg K5\notes\zh{Mbd}\hl f|\qsoqb0kjik\enotes -\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0jihj\enotes -%\check -% mesure 39 -\barre\Arpg J5\notes\zh{=LNc}\lh b\hl{=e}|\qsoqb0ihgi\enotes -\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0hgfh\enotes -%\check -% mesure 40 -\Alaligne\Arpg J5\notes\zh{JNc}\lh b\hl{=e}|\qsoqb0gf{=e}g\enotes -\temps\arpg F6\notes\zq{FJMa}\ql c|\Tleg0\zq f\ql m\sk\enotes -\notes\soupir|\Ilegu0t\dsoqb3gh\enotes -%\check -% mesure 41 -\barre\Arpg L5\notes\zh{Lb_e}\hl g|\qsoqb0ighi\enotes -\temps\arpg a4\notes\zh{ace}\hl h|\qsoqb0jhij\enotes -%check -% mesure 42 -\barre\Arpg K5\notes\zh{Mb=d}\hl f|\qsoqb0{=k}ijk\enotes -\temps\Arpg J5\notes\zh{JNc}\hl{=e}|\qsoqb0{=l}jkl\enotes -%check -% mesure 43 -\barre\Arpg K5\notes\zh{Mcf}\hl{=h}|\qsoqb{-3}m{_l}{_k}j\enotes -\temps\Arpg I5\notes\zh{IMb}\hl{_d}\sk|\Tleg0\zq i\ql p\enotes -\temps\notes|\Ilegu0t\dsoqb3jk\enotes -%\check -% mesure 44 -\def\atnextline{\advancebottom{\Interligne}}\relax -\Alaligne\Arpg L5\notes\zh{Lb_e}\hl g|\qsoqb{-3}lkji\enotes -\temps\arpg K5\notes\zh{Mac}\hl f\sk|\Tleg0\zq h\ql o\enotes -\temps\notes|\Ilegu0r\dsoqb3gh\enotes -%\check -% mesure 45 -\barre\arpg I5\notes\zh{IMb}\hl d|\qsoqb0ihgi\enotes -\temps\arpg H5\notes\zh{JMa}\hl c|\qsoqb0hgfh\enotes -%check -% mesure 46 -\def\sfql#1{\usf{#1}\ql{#1}}% -\barre\Arpg J5\notes\soufflcr\zh{JNc}\hl{=e}|\qsoqb0gf{=e}g\enotes -\temps\arpg E5\notes\zq{FJM}\sfql a\sk|\Tleg0\zq f\sfql m\enotes -\temps\notes\zmidtwotext{\ppff f}\dsoqb{-3}F{=E}|\relax - \ifx\mxversion\undefined\Ilegu0s\relax - \else\Ilegu0q\relax - \fi - \dsoqb3fg\enotes -%\check -% mesure 47 -\barre\notes\zq F\ql M\sk\dsoqb3{_E}F|\zq{jm}\qsoqb0hfgh\enotes -\temps\notes\qsoqb0GEFG|\zq{_ln}\qsoqb0ighi\enotes -%\check -% mesure 48 -\Alaligne\noteskipLARGE\notes\zq H\ql a\sk\dsoqb{-3}FE|\zq{lo}\qsoqb0jhij\enotes -\temps\notes\zq D\ql K\sk\dsoqb3EF|\zq{mp}\qsoqb0kijk\enotes -%\check -% mesure 49 -\barre\notes\zq G\ql N\sk\zq E\ql L|\zq{np}\qsoqb{-3}lkji\enotes -\temps\notes\qsoqb0HGHI|\zq{mo}\qsoqb0jijk\enotes -%\check -% mesure 50 -\barre\notes\zq J\ql c\sk\zq J\ql c|\zq{=ln}\qsoqb{-3}jihg\enotes -\temps\notes\qboqb{-3}fe{=d}{_d}|\zq{jm}\qsoqb0hghi\enotes -%\check -% mesure 51 -\Alaligne\notes\zq J\ql c\sk\zq J\ql c|\zq{jm}\qsoqb{-3}hgf{=e}\enotes -\temps\arpg F5\notes\zq{FJM}\ql a\sk|\relax - \ifx\mxversion\undefined\Tleg0\relax - \else\tslur0o\relax - \fi - \zq{fhj}\ql m\enotes -\temps\notes\Ilegl0F\zmidtwotext{\it meno}\dqb3MN|\soupir\enotes -%\check -% mesure 52 -\barre\nspace\uarpg h4\notes\zmidtwotext{\it\ \ forte}\qqb0aNab|\zh{hjm}\hl o\enotes -\temps\uArpg h5\notes\qqb0cbcd|\zh{j_lo}\hl q\enotes -%\check -% mesure 53 -\barre\nspace\uarpg l4\notes\qqb0edef|\zh{lnp}\hl s\enotes -\temps\uarpg l4\notes\qqb{-3}edcb|\zh{lnp}\hl s\enotes -%\check -% mesure 54 -\barre\nspace\uarpg h5\notes\tleg0\ql a\sk|\zh{jlo}\hl q\enotes -\def\atnextline{\advancebottom{-\Interligne}\relax\def\interfacteur{10}}% -\Zalapage\noteskipLarge\notes\dsoqb3J{=K}|\enotes -\temps\uArpg h5\notes\qsoqb0{=L}KLM|\zh{j=ln}\hl q\enotes -% mesure 55 -\barre\noteskipLarge\nspace\uArpg h5\notes\qboqb0gfg{=h}|\zh{j=ln}\hl q\enotes -\temps\uArpg i4\notes\qboqb{-3}gf{=e}d|\zh{=ikn}\hl{=p}\enotes -%\check -%mesure 56 -\barre\nspace\uArpg h5\notes\zq J\ql c\sk\dboqb3{=d}{=e}|\zh{j=ln}\hl q\enotes -\temps\notes\zcharnote j{\kern -2\noteskip\it senza arpeggiare}\relax -\qboqb{-3}f{_e}{_d}c|\zq{m=oq}\ql t\sk\zq{moq}\ql t\enotes -%\check -% mesure 57 -\barre\notes\zmidtwotext{\ppff f}\zq I\ql b\sk|\zh{ikm}\hl p\enotes -\temps\notes\dsoqb3JK|\enotes -\temps\notes\Soufflcr\qsoqb{-3}LKJI|\zq{_lnp}\ql s\sk\zq{lnp}\ql s\enotes -%\check -% mesure 58 -\Alaligne\notes\zq H\ql a\sk|\zh{hjl}\hl o\enotes -\temps\notes\dsoqb3IJ|\enotes -\temps\notes\qsoqb0KJIK|\zq{ikm}\ql p\sk\zq{ikm}\ql p\enotes -%\check -% mesure 59 -\barre\notes\qsoqb0JIHJ|\zh{hjm}\hl o\enotes -\temps\notes\qsoqb0IHGI|\zq{i=ln}\ql p\sk\zq{i=ln}\ql p\sk\enotes -%\check -% mesure 60 -\barre\notes\soufflcr\zq H\ql a|\zh{jmo}\hl q\enotes -\temps\notes\dsoqb3GH|\enotes -\temps\notes\rlap{\sk\sk\zmidtwotext{\ppff ff}}\qsoqb0IHGI\relax - |\zq{kmp}\ql r\sk\zq{kmp}\ql r\sk\enotes -% mesure 61 -%\check -\barre\notes\qsoqb0HGFH|\zq{jmo}\ql q\sk\zq{jmo}\ql q\sk\enotes -\temps\notes\qsoqb0GF{=E}G|\zq{j=ln}\ql q\sk\zq{jln}\ql q\sk\enotes -%\check -%mesure 62 -\def\atnextline{\def\interfacteur{9}}% -\Alaligne\arpg F6\notes\zmidtwotext{\ppff \fff}\zq{FJMa}\ql c\relax - |\zq{moq}\ql t\cbreath\enotes -\temps\noteskipLarge\notes\zmidtwotext{\ppff mp \it subito}\soupir|\Ilegu0r\dqh3fg\enotes -\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0hfgh\enotes -%\check -% mesure 63 -\barre\arpg I4\notes\zh{IKM}\hl b|\qqh0ighi\enotes -\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0jhij\enotes -%\check -% mesure 64 -\barre\arpg I4\notes\zh{IKM}\hl b|\qqh0kjik\enotes -\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0jihj\enotes -%\check -% mesure 65 -% -\barre\Arpg H5\notes\zh{JN}\lh b\hl c|\qqh0ihgi\enotes -\temps\arpg H5\notes\zh{JMa}\hl c|\Tleg0\qu h\sk\enotes -\temps\notes|\Ilegu0q\dqh3gh\enotes -%\check -% mesure 66 -\Alaligne\arpg I4\notes\zh{KMb}\hl d|\qqh0ihgi\enotes -\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0hgfh\enotes -%\check -% mesure 67 -\barre\Arpg H5\notes\zh{J=LN}\hl c|\qqh0gf{=e}g\enotes -\temps\arpg M3\notes\zq{Ma}\ql c|\Tleg0\qu f\enotes -\cleftoksi={{6}{6}{0}{0}}% -\changeclefs\nspace -\notes\soupir|\zcharnote A{\ppff f}\ifx\mxversion\undefined\Ilegu0g\else - \Ilegu0d\fi - \dqb3MN\enotes -%\check -% mesure 68 -\def\bozh#1{{\advance\transpose by -7\zh{#1}}\zh{#1}}\relax -\def\bozq#1{{\advance\transpose by -7\zq{#1}}\zq{#1}}\relax -\barre\arpg{!`F}6\notes\uptext{\ppff f \it e nervoso}\bozh F\hu J\relax - |\qqB0aMNa\enotes -\temps\arpg{!`E}6\notes\bozh E\hu I|\qqB0bNab\enotes -% mesure 69 -%\check -\barre\arpg A6\notes\bozh H\hu L|\qqB0cabc\enotes -\temps\arpg B6\notes\bozh I\hu M|\qqB0{=d}bcd\enotes -%\check -% mesure 70 -\Alaligne\noteskipLARGE\Arpg A7\notes\bozh J\hu N|\qqB0{=e}c{=d}e\enotes -\temps\Arpg {!`E}8\notes\bozh F\zh{=H}\hu M|\qqb{-3}f{_e}{_d}c\enotes -%\check -% mesure 71 -\barre\arpg B6\notes\bozh I\hu M|\qqb3bcdf\enotes -\temps\arpg A8\notes\bozh E\zh I\hu N|\qqb{-3}edcb\enotes -%\check -% mesure 72 -\barre\arpg A6\notes\bozh H\hu L|\qqb3abce\enotes -\temps\arpg B6\notes\bozh I\hu M|\qqb{-3}dcba\enotes -%\check -% mesure 73 -\Alaligne\noteskipLARGE\arpg B5\notes\bozh J\hu{=L}|\qqb3Nabd\enotes -\temps\arpg B6\notes\bozh J\hu N|\qqb{-3}cbaN\enotes -% -% mesure 74 -\barre\arpg {!`D}6\notes\bozh F\hu J|\ifx\mxversion\undefined\Tleg0\relax - \else\tslur0b\fi - \ql a\sk\enotes -\temps\notes|\Ilegu0d\dqb3Na\enotes -\temps\arpg B5\notes\bozh I\hu K|\qqB0baNb\enotes -%\check -% mesure 75 -\barre\arpg C5\notes\bozh J\hu M|\qqB0aNMa\enotes -\temps\Arpg C5\notes\bozh J\hu {=L}\zmidtwotext{\ppff mf}|\qqB0NM{=L}N\enotes -%\check -% mesure 76 -\barre\noteskipLarge\arpg{-8}6\notes\bozq F\zq H\qu J\relax - |\Tleg0\ql M\enotes -\cleftoksi={{6}{0}{0}{0}}% -\changeclefs -\def\atnextline{\def\interfacteur{11}\advancebottom{\Interligne}}\relax -\Zalapage\nspace\notes\zmidtwotext{\it pi\`u dolce}\soupir|\Ilegu0r\dboqh3gh\enotes -\temps\arpg D5\notes\bozh L\hu N|\qboqh0ighi\enotes -% mesure 77 -%\check -\barre\arpg A6\notes\bozh H\hu L|\qboqh0jijk\enotes -\temps\arpg E5\notes\bozh L\hu N|\qboqh{-3}lkji\enotes -% mesure 78 -%\check -\barre\arpg F4\notes\zh{FJ}\hu M|\zq a\qu h\sk\enotes -\temps\notes|\dboqh3ij\enotes -\temps\arpg {!`G}7\notes\bozh I\hu M|\qboqh{-3}kjih\enotes -% mesure 79 -\barre\Arpg C5\Notes\bozh J\hu{=L}|\zq N\qu g\enotes -\temps\notes|\dboqh3hi\enotes -\temps\arpg C6\notes\bozh J\hu N|\qboqh{-3}jihg\enotes -%\check -% mesure 80 -\Alaligne\arpg {!`F}6\notes\bozh F\hu J|\zq a\qu h\sk\enotes -\temps\notes|\dboqh3gh\enotes -\temps\arpg B5\notes\bozh I\hu K|\qboqh0ihgi\enotes -% mesure 81 -\barre\arpg B6\notes\bozh J\hu M|\qboqh0hgfh\enotes -\temps\Arpg B5\notes\bozh J\hu{=L}|\qboqh0gfeg\enotes -%\check -%mesure 82 -\barre\arpg {!`F}6\notes\bozq F\qu J\zmidtwotext{\ppff f}|\Tleg0\zq{Ma}\qu f\sk\enotes -\temps\notes\dboqh3LM\zmidtwotext{\it sempre}|\dsoqb3gh\enotes -\temps\notes\qboqb0NLMN|\zq{ln}\qsoqh0ighi\enotes -% mesure 83 -\barre\notes\zmidtwotext{\it crescendo}\qboqb0aMNa|\zq{lo}\qsoqb0jhij\enotes -\temps\notes\zmidtwotext{\it\kern 1.5\noteskip e}\qboqb0bNab\relax - |\zq{mp}\qsoqb0kijk\enotes -% \check -% mesure 84 -\Alaligne\noteskipLARGE\notes\zmidtwotext{\it\ \ pi\`u}\qboqb{-3}cbaN|\zq{nq}\qsoqb{-3}lkji\enotes -\temps\notes\zmidtwotext{\it animato}\zh F\hl M|\zq{jm}\qsoqb2hijl\enotes -% \check -% mesure 85 -\def\boql#1{{\advance\transpose by -7\relax\zq{#1}}\ql{#1}}% -\def\boqu#1{{\advance\transpose by -7\relax\zq{#1}}\qu{#1}}% -\barre\notes\boql b\sk\boql b|\zq{mp}\qsoqb{-3}kjih\enotes -\temps\notes\bohu L|\zq{jl}\qsoqb2ghik\enotes -% mesure 86 -\barre\notes\boql a\sk\boql a|\zq{mo}\qsoqb{-3}jihg\enotes -\temps\notes\bohu K|\zq{ik}\qsoqb2fghj\enotes -% mesure 87 -\Alaligne\nspace\notes\boql N\sk\boql N|\zq{=ln}\qsoqh{-3}ihgf\enotes -\temps\notes\bohu J|\zq{gi}\qsoqh2{=e}fgi\enotes -% mesure 88 -\barre\notes\qboqh0M{=L}MN|\zq{jm}\qsoqb0hghi\enotes -\temps\notes\qboqb0aNab|\zq{mo}\qsoqb0jij{=k}\enotes -%\check -% mesure 89 -\barre\notes\zmidtwotext{\ppff \fff}\qboqb0c{=b}c{=d}|\relax - \ifx\mxversion\undefined\octsup v9\relax - \else \ioctfinup v\relax - \fi \zq{gj}\qsoqh0{=e}{=d}ef\enotes -\temps\notes\qboqb0{=e}def|\zq{j=l}\qsoqh0gfgh\enotes -%\check -% mesure 90 -\Alaligne\noteskipLarge\notes\qboqb{-2}gg{=e}{_d}|\relax - \ifx\mxversion\undefined\octfin v9\fi - \zq{=ln}\qsoqb{-2}iig{=e}\enotes -\temps\notes\qboqb{-2}cbN{=L}|\qsoqh{-2}{_d}dbN\relax - \ifx\mxversion\undefined\else\toctfin\fi - \enotes -% mesure 91 -%\check -\barre\notes\qboqh{-2}JIG{=E}|\qsoqh{-2}ddbN\enotes -\temps\notes\rlap{\qboqb0CGEC}\ibu0d{-2}\boqh d\qsk\boqh d\boqh b\tbu0\boqh N\enotes -%\check -% mesure 92 -\barre\notes\rlap{\qsk\ibu0A0\boqh C\tbu0\boqh C}\ibu0K0\boqh K\qsk\rq K\tbu0\qh0J|\enotes -\temps\notes\rlap{\qsk\dsoqb0CC}\ibu0d0\boqh d\qsk\rq d\tbu0\qh0c|\enotes -\temps\notes\dsoqb0JJ|\ibu0k0\boqh k\rq k\tbu0\qh0j\enotes -\temps\notes|\rlap{\qsk\dsoqb0cc}\ibu0q0\soqh k\qsk\rq r\tbu0\qh0q\enotes -\cleftoksi={{0}{0}{0}{0}}\zchangeclefs -%\check -% mesure 93 -\barre\noteskipLarge\def\scalenoteskip{1.05}\relax -\notes\dsoqb0jj\dsoqh0cc|\ifx\mxversion\undefined\octsup v6\else\ioctfinup t\fi - \ibl0l0\soqb k\lq q\soqb k\zq p\soqb k\lq p\tbl0\soqb j\enotes -\temps\notes\zq M\cu f|\zq m\cl t\zbreath\enotes -\cleftoksi={{6}{0}{0}{0}}\changeclefs -\def\atnextline{\staffbotmarg=3\Interligne\def\interfacteur{11}}% -\Zalapage\notes\midtwotext{\kern -6mm\it sempre - \ppff \fff}\enotes -\temps\notes\dsoupir\boql f|\ifx\mxversion\undefined\octline v\fi - \ibl0f1\soqb f\soqb g\tbl0\soqb h\enotes -% mesure 94 -\barre\notes\zmidtwotext{\it ed accelerando}\boql f\sk\boql f|\qsoqb0ighi\enotes -\temps\notes\boql f\sk\boql f|\qsoqb0jhij\enotes -%\check -% mesure 95 -\barre\notes\boql f\sk\boql f|\qsoqb0kjik\enotes -\temps\notes\boql f\sk\boql f|\qsoqb0jihj\enotes -%\check -% mesure 96 -\barre\notes\boql f\sk\boql f|\qsoqb0ihgi\enotes -\temps\notes\boql f\sk\boql f|\qsoqb0hgfh\enotes -%\check -% mesure 97 -\Alaligne\noteskipLarge -\notes\boql{=e}\sk\boql e|\ifx\mxversion\undefined\octline t\fi - \qsoqb0gf{=e}g\enotes -\temps\notes\boql f\sk\boql f|\qsoqb3ffgh\enotes -%\check -% mesure 98 -\barre\notes\boql d\sk\boql d|\qsoqb0ighi\enotes -\temps\notes\boql c\sk\boql c|\qsoqb0jhij\enotes -%\check -% mesure 99 -\barre\notes\boql b\sk\boql b|\qsoqb0kjik\enotes -\temps\notes\boql a\sk\boql a|\qsoqb0jihj\enotes -%\check -% mesure 100 -\barre\notes\boql N\sk\boql N|\qsoqb0ihgi\enotes -\temps\notes\boql M\sk\boql M|\soql h\sk\dsoqb3gh\enotes -%\check -% mesure 101 -\Alaligne\notes\boql K\sk\boql K|\ifx\mxversion\undefined\octfin u{17}\fi - \qsoqb0ihgi\enotes -\temps\notes\boql J\sk\boql J|\qsoqb0hgfh\enotes -%\check -% mesure 102 -\barre\notes\boql J\sk\boql J|\qsoqb0gf{=e}g\enotes -\temps\NOtes\pointdorgue d\bohu K|\pointdorgue o\zh{hk}\bohl m\relax - \ifx\mxversion\undefined\else\toctfin\fi \enotes -% mesure 103 -\barre\notes\zmidtwotext{\ppff mp \it dolce}\soupir|\Uptext{\moyen A tempo}\enotes -\temps\notes\islurd0G\dqb3Na|\hpause\enotes -\temps\notes\qqb2bcdf|\zh{fi}\hu k\enotes -%\check -% mesure 104 -\barre\notes\qqb{-3}edcb|\zh{gi}\lh k\hl l\enotes -\temps\notes\tslur0G\ql c\sk|\zh{hj}\hl l\enotes -\temps\notes\Ilegu0d\dqb3bc\enotes -%\check -% mesure 105 -\Alaligne\notes\qqB0dcbd|\zh{il}\hl n\enotes -\temps\notes\qqB0cbac|\zh{hj}\hl m\enotes -% mesure 106 -\barre\notes\qqB0baNb|\lh i\zh j\hl{=l}\enotes -\temps\notes\tleg0\ql a\sk|\zh{hj}\hl m\enotes -\temps\notes\Ilegu0c\dqb3Na|\enotes -%\check -% mesure 107 -\barre\notes\qqB0baNb|\zh{gik}\hl m\enotes -\temps\notes\qqB0aNMa|\zh{hj}\hl m\enotes -%\check -% mesure 108 -\barre\notes\qqB0NM{=L}N|\zh{gj}\lh i\hl{=l}\enotes -\temps\notes\Tleg0\ql M\sk|\zq{hj}\ql m\enotes -\temps\notes\soupir|\Ilegl0M\dqh3MN\enotes -% mesure 109 -\def\atnextline{\advancebottom{-2\Interligne}}% -%\check -\Alaligne\notes\uptext{\it senza arpeggiare}\zh{FJ}\hl M\relax - |\uptext{\it espressivo e delicato}\qqh3abcd\enotes -\temps\notes\rlap{\zh{EI}\hl L}\zh N|\qqh{-3}edcb\enotes -% mesure 110 -\barre\notes\zh H\hl L|\ifx\mxversion\undefined\Tleg0\else\tslur0a\fi - \qu a\sk\enotes -\temps\notes|\Ilegl0a\dqh3c{=d}\enotes -\temps\notes\zh{JN}\hl c|\qqh4{=e}fgh\enotes -%\check -% mesure 111 -\barre\notes\zh{JN}\hl b|\qqh{-6}ig{_d}c\enotes -\temps\notes\zh{FJ}\hl M|\Tleg0\qu c\sk\enotes -\temps\notes|\Ilegl0b\dqh3fg\enotes -% mesure 112 -\barre\notes\zh F\hl L|\rlap{\hl c}\qqh0{=h}ijh\enotes -\temps\notes\zh{IM}\hl b|\rlap{\hl d}\tleg0\qu f\sk\enotes -\temps\notes|\Ilegl0b\dqh3ij\enotes -% mesure 113 -\Alaligne\notes\zh{IM}\hl b|\rlap{\hl d}\qqh{-6}kigf\enotes -\temps\notes\zh{JN}\hl c|\qqH6{=e}gkj\enotes -% mesure 114 -\barre\notes\zh{FJ}\hu M|\ibu0j{-6}\qh0{j=h}\tbu0\tleg0\qh0f\enotes -\temps\notes\zmidtwotext{\it crescendo}|\Ilegu0q\cl{_n}\enotes -\Arpg F5\notes\zh{FJ}\hu{=a}|\qqB0mljl\enotes -% mesure 115 -\barre\arpg I5\notes\zh{IM}\hl d|\qqh{-5}lkif\enotes -\temps\notes\Soufflcr\zh{JN}\hl c|\rlap{\sk\sk\sk\tleg0}\qqH6{=e}gkj\enotes -%\check -% mesure 116 -\barre\notes\zmidtwotext{\ppff ff}\zq{J=L}\ql N|\dsoqh{-3}dc\enotes -\cleftoksi={{0}{0}{0}{0}}\zchangeclefs -\nspace\notes\zq{c=e}\qu g|\dsoqb{-3}kj\enotes -\temps\notes\zq{j=l}\ql n|\dsoqb{-3}rq\enotes -\temps\notes\zq{ce}\qu g|\dsoqb{-3}kj\enotes -\cleftoksi={{6}{0}{0}{0}}\zchangeclefs - %\check -% mesure 117 -\def\motif#1#2#3{\notes\ibu0F4\boqh F\relax - |\sk{\advance\transpose by 3\relax\ibu1{#3}6}\zq{#1}\zq{#2}\qh1{#3}\relax - \tbl0\zq{#1}\zq{#2}\qb0{#3}\tbu1{\advance\transpose by 7\relax - \zq{#1}\zq{#2}\qh1{#3}}\enotes}% -%\check -\staffbotmarg=5\Interligne -\Alapage\vnotes 0.2\elemskip\zmidtwotext{\ppff f}|\zcharnote v{\kern -10mm -\moyen pi\`u vivo \rm(\metron{\qu}{110})}\enotes -\motif acf\temps\motif bdg\relax -% mesure 118 -\barre\motif cfh\temps\motif acf\relax -% mesure 119 -\barre\motif bdg\temps\motif cfh\relax -% mesure 120 -\barre\motif dgi\temps\motif bdg\relax -% mesure 121 -\Alaligne\motif cfh\temps\motif dgi\relax -% mesure 122 -\xbarre\znotes\Soufflcr\enotes\motif {cf}hj\temps\motif cfh\relax -% mesure 123 -\xbarre\motif dfi\temps\motif fhj\relax -% mesure 124 -\barre\motif fik\temps\motif dfi\relax -\generalmeter{\meterfrac 54}\relax -\changecontext -\znotes\zmidtwotext{\kern -5mm\ppff ff}\enotes -% mesure 125 -%\check -\def\motif#1#2#3#4#5#6{\notes\ibu0a0\boqh C\ibu1e0{\advance\transpose by -14\relax -\zq{#1}\zq{#2}\qh1{#3}\zq{#4}\zq{#5}\qh0{#6}}\enotes -\notes{\advance\transpose by -7\relax -\zq{#1}\zq{#2}\qh1{#3}\zq{#4}\zq{#5}\qh0{#6}}\enotes -\notes|\zq{#1}\zq{#2}\qb1{#3}\zq{#4}\zq{#5}\qb0{#6}\enotes -\notes|{\advance\transpose by 7\relax -\zq{#1}\zq{#2}\qb1{#3}\tbl0\zq{#4}\zq{#5}\qb0{#6}}\enotes -\notes|{\advance\transpose by 14\relax -\tbl1\zq{#1}\zq{#2}\qb1{#3}}\enotes}% -%\check -\noteskipLarge\relax -\motif {=e}gjegj\relax -% mesure 126 -\barre\motif fhjfhj\relax -% mesure 127 -\barre\notes\ibu0a0\boqh C\ibu1e0{\advance\transpose by -14\relax -\zq g\rq i\qh1j\zq g\rq i\qh0j}\enotes -\notes{\advance\transpose by -7\relax -\zq g\rq i\qh1j\zq g\rq i\qh0j}\enotes -\notes|\zq g\lq i\qb1j\zq g\lq i\qb0j\enotes -\notes|{\advance\transpose by 7\relax -\zq g\lq i\qb1j\tbl0\zq g\lq i\qb0j}\enotes -\notes|{\advance\transpose by 14\relax -\tbl1\zq g\lq i\qb1j}\enotes -%\check -% mesure 128 -\Alaligne\motif fikfik\relax -% mesure 129 -\barre\motif gi{=l}gil\relax -% mesure 130 -\generalmeter{\allabreve}\changecontext -\noteskipnormal\NOtes|\octfin z1\rlap{\sforz I\zh{ce}\hl g}\relax -\sforz x\zh{j=ln}\hu q\enotes -\temps\NOtes\pointdorgue c\hpause|\pointdorgue o\hpause\enotes -% mesure 131 -\noteskipLarge\transpose=0\relax -\ifx\HalfPieceCut\undefined - \barre -\else - \advance\mulooseness -2\relax - \alapage - \advance\mulooseness 3\relax -\fi -\notes\rlap{\bohu F}\isluru0e\relax - \qqh3MNab|\zcharnote{-4}{\it dolce ed espressivo}\Uptext{\kern -3mm\moyen - tempo I$^{\bf o}$}\enotes -\temps\notes\qqb0cbcd% -\off{\beforeruleskip}\hloff{\Tslurbreak0h}\off{-\beforeruleskip}% -|\zh{hj}\hu m\uptext{\it m.s.}\enotes -% mesure 132 -\Alaligne -\notes -\off{-\afterruleskip}\hloff{\Islurdbreak0h}\off{\afterruleskip}% -\bohu L|\qqb0edef\enotes -\temps\notes|\rlap{\zh{il}\hu n}\qqb{-3}edcb\enotes -% mesure 133 -\barre\Notes\tslur0f\bohu H|\hl c\enotes -\temps\notes|\raise -5\Interligne\rlap{\soupir}\zh{lo}\hl q\enotes -\temps\notes|\Ilegl0K\ibl0c1\qb0{=b}\tqb0c\enotes -% mesure 134 -%\check -\barre\notes\bohu J|\qqb5{=e}gkj\enotes -\temps\notes|\rlap{\zh n\rh p\hu q}\qqB{-6}igdc\enotes -% mesure 135 -\barre\notes\bohl M|\ibl0e0\qb0{=h=ef}\tqb0g\enotes -\temps\notes|\rlap{\zh{m=o}\hu q}\qqb3hijk\enotes -%\check -% mesure 136 -\Alapage\noteskipLarge\Arpg D6\notes\zh{FJM}\hl{=a}|\rlap{\sk\sk\sk - \ifx\mxversion\undefined\tleg0\else\tslur0a\fi}\qqb{-6}lj{=h}f\enotes -\temps\arpg G6\notes\zh{IMb}\hl d|\qqb{-6}ki{_h}g\enotes -%\check -% mesure 137 -\barre\arpg I5\notes\zh{KMb}\hl d|\qqb{-6}ki{_h}g\enotes -\temps\Arpg H5\notes\zmidtwotext{\it crescendo}\zh{JN}\lh b\hl c|\qqh{-6}{=l}kig\enotes -% mesure 138 -%\check -\barre\Arpg H6\notes\zh{=Lb=e}\hl g\zmidtwotext{\it molto}|\qqh{-6}n{=l}ki\enotes -\temps\Arpg b{9}\notes\zh c|\rlap{\zh {=eg}\hl j}\qqh{-6}pnlk\enotes -%\check -% mesure 139 -\barre\Arpg H5\notes\zh{=LN}\bohl c|\qqb{-8}rpnj\enotes -\temps\notes\zmidtwotext{\ppff f}\boql c\sk\boql c|\qsoqb{-8}rpnj\enotes -%\check -% mesure 140 -\Alaligne\noteskiplarge\bigaccid -\notes\zmidtwotext{\vbox{\hbox{\ppff ff \it con fuoco}\smallskip - \hbox{\it e crescendo}}}\soupir|\soupir\enotes -%\check -\noteskipnormal\def\scalenoteskip{0.75}\relax -\notes\ibbl0F3\soqb F\qs\tbl0\soqb G\qs|\qs\ibbu0m3\soqh f\qs\tbu0\soqh g\enotes -%\check -\def\motif#1#2#3#4{\notes\ibbu0b0{\advance\transpose by -7\relax\boqh{#1}}\sk - |\qsk\sk\rlap{\soqb{#1}}\enotes -\notes{\advance\transpose by -7\relax\boqh{#2}}\sk|\rlap{\qsk\sk\soqb{#2}}\enotes -\notes{\advance\transpose by -7\relax\boqh{#3}}\sk|\rlap{\qsk\sk\soqb{#3}}\enotes -\notes{\advance\transpose by -7\relax\boqh{#4}}\sk\qsk|\rlap{\qsk\sk -\tbl0\soqb{#4}}\enotes -}% fin motif -%\check -\temps\motif hfgh\relax -%\check -% mesure 141 -\barre\motif ighi\temps\motif jhij\relax -% mesure 142 -\barre\motif kjik\temps\motif jihj\relax -% mesure 143 -\def\scalenoteskip{0.7}\Alaligne\motif ihgi\temps\motif hgfh\relax -%\check -% mesure 144 -\barre\motif gf{=e}g\temps\motif ffgh\relax -% mesure 145 -\barre\motif ighi\temps\motif jhij\relax -% mesure 146 -\Alaligne\motif {=k}ijk\temps\motif {=l}jkl\relax -% mesure 147 -\barre\motif m{_l}{_k}j\temps\motif iijk\relax -% mesure 148 -\barre\motif lkji\temps\motif hhij\relax -% mesure 149 -\Alaligne\motif kjik\relax -%\check -\def\motif#1#2#3#4#5#6#7#8{\notes\ibbu0b0{\advance\transpose by -7\relax -\boqh{#1}}\sk|\qsk\sk\rlap{\soqb{#5}}\enotes -\notes{\advance\transpose by -7\relax\boqh{#2}}\sk|\rlap{\qsk\sk\soqb{#6}}\enotes -\notes{\advance\transpose by -7\relax\boqh{#3}}\sk|\rlap{\qsk\sk\soqb{#7}}\enotes -\notes{\advance\transpose by -7\relax\boqh{#4}}\sk\qsk|\rlap{\qsk\sk -\tbl0\soqb{#8}}\enotes}% fin motif -%\check -\temps\motif j{^j}{=k}{^k}jjjj\relax -% mesure 150 -\barre\motif {=l}{_l}{=k}{_k}jjjj\relax -\temps\motif jihgjj{=k}{=l}\relax -% mesure 151 -\noteskipLarge\varaccid -\xbarre\Notes\pointdorgue a\zcharnote i{\ppff \fff}\bohl M\relax - |\pointdorgue u\zh{=oq}\sohl m\enotes -%\check -\NOtes\rlap{\pointdurgue F\soupir}\midtwotext{\it\vbox{\hsize 2\noteskip -\centerline{a piacere -}\centerline{% -quasi una}\centerline{cadenza}}}|\pointdorgue m\hpause\enotes -\Zalapage -\transpose=-7\relax -% -\staffbotmarg=3\Interligne -\Notes\charnote C{\ppff f}\dqh8FJ\enotes -% -% -% mesure 152 -% -\def\motif{}% -\def\motifb#1#2#3#4#5#6#7{\ibbl0{#2}{#1}\usf{#2}\qb0{#2}\tbbl0\qb0{#3}% -\nbbl0\qb0{#4}\tbbl0\qb0{#5}\nbbl0\qb0{#6}\tqb0{#7}}% -\def\motifh#1#2#3#4#5#6#7{\ibbu0{#2}{#1}\lsf{#2}\qh0{#2}\tbbu0\qh0{#3}% -\nbbu0\qh0{#4}\tbbu0\qh0{#5}\nbbu0\qh0{#6}\tqh0{#7}}% -\def\motifH#1#2#3#4#5#6#7{{\advance\transpose by 3\ibbu0{#2}{#1}}% -\lsf{#2}\qh0{#2}\tbbu0\qh0{#3}\nbbu0\qh0{#4}\tbbu0\qh0{#5}\nbbu0\qh0{#6}\tqh0{#7}}% -%\check -\noteskipnormal\def\scalenoteskip{1.11}\hyphenpenalty -20\relax -\transpose=0\relax -\barre\notes\motifh8FHJMac\enotes -\temps\notes|\motifb8fhjmoq\enotes -%\check -% mesure 153 -\barre\notes|\motifb{-6}t{=s}tqom\enotes -\zbarre\notes|\na l\motifb{-6}lmjhf{=e}\enotes -\zbarre\notes|\usf f\ibbl0d0\qb0f\tbbl0\qb0c\enotes -\notes\nbbu0\qh0a\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes -\zbarre\notes\motifh{-4}JHF{=E}FC\enotes -\transpose=-7\relax -\zbarre\notes\ibbu0I{-6}\qh0H\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes -%\check -% mesure 154 -\Alaligne -\transpose=-7\relax -\notes\motifh8FIKMbd\enotes -\zbarre\notes|\motifh8fikmpr\enotes -\transpose=7\relax -\notes|\usf f\ibbl0f4\qb0{fi}\tqb0k\enotes -%\check -% mesure 155 -\transpose=0\relax -\barre\notes|\motifb{-6}t{=s}trpm\enotes -\zbarre\notes|\na l\motifb{-6}lmkif{=e}\enotes -\zbarre\notes|\usf f\ibbl0e0\qb0f\tbbl0\qb0d\enotes -\notes\nbbu0\qh0b\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes -\zbarre\notes\motifh{-4}KIF{=E}FD\enotes -\transpose=-7\relax -\Zalaligne\notes\ibbu0I{-6}\qh0I\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes -%\check -% mesure 156 -\transpose=-7\relax -\barre\notes\motifH8FJ{_L}Mc{_e}\enotes -\zbarre\notes|\motifH8fj{_l}mq{_s}\enotes -\transpose=7\relax -\zbarre\notes|\sforz h\ibbl0g4\qb0{fj}\tqb0{_l}\enotes -%\check -% mesure 157 -\transpose=0\relax -\barre\notes|\motifb{-6}t{=s}t{_s}qm\enotes -\zbarre\notes|\na l\motifb{-6}lm{_l}jf{=e}\enotes -\zbarre\notes|\sforz h\ibbl0e0\qb0f\tbbl0\qb0{_e}\enotes -\notes\nbbu0\qh0c\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes -\Zalaligne\notes\motifh{-6}{_L}JF{=E}F{_E}\enotes -\transpose=-7\relax -\zbarre\notes\ibbu0I{-4}\qh0J\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes -%\check -% mesure 158 -\def\motif{}% -\def\motifb{}% -\def\motifh{}% -\noteskipnormal -\barre\notes\transpose=-7\relax\ibbu0H8\qh0{FIK}\tqh0M\enotes -\zbarre\notes\transpose=0\relax\ibbu0I8\qh0{IK}\tqh0M\enotes -\zbarre\notes|\transpose=7\relax\ibbu0I8\qh0{IK}\tqh0M\enotes -\zbarre\notes|\transpose=0\relax\lsf i\ibbu0i8\qh0{ik}\tqh0m\enotes -\zbarre\notes|\transpose=7\relax\lsf g\ibbu0g8\qh0{gik}\tqh0m\enotes -%\check -\def\souffldim{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\Dimin}}}% -% mesure 159 -\transpose=7\relax\def\motifa{\sforz u\ibbu0m0\qh0{nm}\tqh0n}\relax -\def\motifb{\ibbl0k{-8}\qb0{ki}\tqb0f}\relax -\barre\notes\souffldim|\motifa\enotes -\notes|\motifb\enotes -\transpose=0\relax -\zbarre\notes|\motifa\enotes -\notes|\motifb\enotes -\transpose=-7\relax -\zbarre\notes|\motifa\enotes -\notes\motifb\enotes -\transpose=-14\relax -\zbarre\notes\motifa\enotes -\notes\motifb\enotes -\transpose=-21\relax -\zbarre\notes\motifa\enotes -\notes\motifb\enotes -%\check -% mesure 160 -\barre\notes\transpose=-7\relax\ibbu0H8\qh0{FJM}\tqh0N\enotes -\zbarre\notes\transpose=0\relax\ibbu0H8\qh0{HJM}\tqh0N\enotes -\zbarre\notes\transpose=7\relax\ibbu0J0\qh0{HJ}\enotes -\notes|\transpose=7\qb0M\tqb0N\enotes -\zbarre\notes|\transpose=0\relax\ibbu0h8\qh0{hjm}\tqh0n\enotes -\zbarre\notes|\transpose=7\relax\ibbl0h8\qb0{hjm}\tqb0n\enotes -% -% mesure 161 -% sixte et quinte inferieures -\transpose=0\relax -\def\motifb{}\def\motifh{}\def\motifH{}% -\def\bsqh#1{{\advance\transpose by -5\relax\zq{#1}}\qh0{#1}}% -\def\bqqh#1{{\advance\transpose by -4\relax\zq{#1}}\qh0{#1}}% -\def\tbsqh{\tbu0\bsqh}\def\tbqqh{\tbu0\bqqh}% -\cleftoksi={{0}{0}{0}{0}}\changeclefs -\generalmeter{\meterfrac 44}\changecontext\staffbotmarg=5\Interligne -\def\serre{\def\scalenoteskip{0.8}}\serre -\def\motif{\ibbbl2n{-6}\qb2{onm}\tqb2j}% -\transpose=0\relax -\def\atnextline{\serre}\relax -\ifx\mxversion\undefined - \def\everystaff{\znotes\nextstaff\octline t\enotes}\relax -\fi -\Zalapage -\ifx\mxversion\undefined\else - \znotes|\ioctfinup t\enotes -\fi -\notes|\motif\enotes -\zbarre\notes\souffldim|\motif\enotes -\zbarre\notes\hpause|\motif\enotes -\zbarre\notes|\motif\enotes -% -% -\temps\notes\soupir|\motif\enotes -\zbarre\notes\zmidtwotext{\ppff p}|\motif\enotes -\zbarre\notes\ibu0f1\bsqh f|\motif\enotes -\notes\tbsqh g|\motif\enotes -% mesure 162 -\def\Motif#1#2#3#4{\Ibbbl2{#1}{#4}3\hb2{#1#2#3}\tbl2\hb2{#4}}% -\barre\NOtes\ibu0g0\bsqh h\bsqh f\bsqh g\tbsqh h\relax - |\Motif onmj\enotes -\temps\NOtes\ibu0h0\bsqh i\bsqh g\bsqh h\tbsqh i|\Motif ponk\enotes -% mesure 163 -%\check -\def\motif#1#2#3#4{\Ibbbl1{#1}{#4}3\qb1{#1#2#3}\tbl1\qb1{#4}}% -\barre\NOtes\ibu0g0\bsqh j\bsqh h\bsqh i\tbsqh j\relax - |\Motif qpom\enotes -\temps\notes\ibu0j{-6}\bsqh k|\motif rqpm\enotes -\notes\tbsqh i|\motif rqpm\enotes -\zbarre\notes\ibu0i{-6}\bsqh j|\motif qpom\enotes -\notes\tbsqh h|\motif qpom\enotes -%\check -% mesure 164 -\generalmeter{\meterfrac 34}\changecontext -\notes\ibu0h{-4}\zq d\qh0i|\motif pon{=l}\enotes -\notes\tbsqh g|\motif ponl\enotes -\temps\NOtes\zh b\zh{=e}\hu g|\Motif ponl\enotes -%\check -% mesure 165 -\generalmeter{\meterfrac 44}\changecontext\serre -\Notes\Ibu0hg3\bsqh i|\motif ponk\enotes -\Notes\tbsqh g|\motif ponk\enotes -\zbarre\Notes\Ibu0ge3\bsqh h|\motif onmj\enotes -\Notes\tbsqh f|\motif onmj\enotes -\zbarre\NOtes\zq a\qu f\sk\Ibu0gf1\bsqh h\tbsqh f|\Motif onmj\enotes -%\check -% mesure 166 -\barre\serre\notes\ibu0g1\bigna e\bsqh e\relax|\motif nm{=l}i\enotes -\notes\bsqh g|\motif nmli\enotes -\notes\bsqh f|\motif onmj\enotes -\notes\tbsqh h|\motif onmj\enotes -\notes\ibu0i1\bsqh g|\motif ponk\enotes -\notes\bsqh i|\motif ponk\enotes -\notes\bsqh h|\motif qpol\enotes -\notes\tbu0\bsqh j|\motif qpol\enotes -%\check -% mesure 167 -\generalmeter{\meterfrac 34}% -\changecontext\notes\ibu0j1\bigna h\bsqh h\relax -|\motif qp{=o}m\enotes -\notes\bsqh j|\motif qpom\enotes -\notes\bsqh i|\motif rqpm\enotes -\notes\tbsqh k|\motif rqpm\enotes -\notes\ibu0j1\bsqh j|\motif srqm\enotes -\notes\bigfl g\tbsqh l|\motif srqm\enotes -% -% mesure 168 -\generalmeter{\meterfrac 44}\changecontexte -\NOtes\zq f\qu k\sk\ibu0i2\bsqh i\tbsqh k|\Motif rqpm\enotes -\zbarre\NOtes\ibu0i0\bsqh j\bsqh i\fl h\bsqh h\tbsqh j|\Motif qpom\enotes -% -% mesure 169 -\barre\NOtes\ibu0h0\bsqh i\bsqh h\bsqh g\tbsqh i|\Motif ponk\enotes -\zbarre\Notes\ibu0g0\bsqh h\bsqh g\bsqh f\tbsqh h| -\Motif onmj\enotes -% mesure 170 -\barre\Notes\ibu0f0\bsqh g\bsqh f\na e\bsqh e\tbsqh g|\Motif nm{=l}i\enotes -\temps\Notes\zh a\hu f|\Motif onmj\enotes -%\check -% mesure 171 -\barre\Notes\ibu0f0\na a\zq c\bsqh f\zq c\bsqh f\zq c\bsqh f\zq c\tbsqh -f|\na o\Motif onmj\enotes -\temps\Notes\ibu0f0\zq d\bqqh f\zq d\bqqh f\zq d\bqqh f\zq d\tbqqh -f|\Motif p{_o}nk\enotes -%\check -% mesure 172 -\barre\Notes\ibu0g0\zq d\bsqh g\zq d\bsqh g\zq d\bsqh g\zq d\tbsqh -g|\Motif ponk\enotes -\temps\Notes\ibu0h0\zq f\bsqh h\zq f\bsqh h\zq f\bsqh h\zq f\tbsqh -h|\Motif qpom\enotes -% mesure 173 -\barre\Notes\ibu0g0\zmidtwotext{\it smorz.}\relax -\zq{c=e}\qh0i\zq{ce}\qh0i\zq{ce}\qh0i\zq{ce}\tqh0i|\Motif pon{=l}\enotes -\nspace\NOtes\pointdorgue l\hpause|\pointdorgue l\hpause\toctfin\enotes -\suspmorceau\def\everystaff{}\relax -\Eject -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% finale % -\transpose=0\relax\cleftoksi={{6}{0}{0}{0}}% - \Eject\staffbotmarg=3\Interligne\relax -\def\atnextline{\def\interfacteur{11}}% -\def\scalenoteskip{1.0}% -% mesure 200 -\barno=200\relax -\generalmeter{\allabreve}\reprmorceau -\savemeters\noteskipLarge\saveclefs -\notes\zmidtwotext{\ppff p}|\Uptext{\kern -7mm\moyen -a tempo primo, con molta delicatezza}\soupir\enotes -\temps\notes\hpause|\Ilegl0d\dqh3fg\enotes -\temps\notes\zh{Ma}\hl c|\qqh0hfgh\enotes -% mesure 201 -\xbarre\notes\zh{Mb}\hl d|\qqh0ighi\enotes -\temps\notes\zh{Ma}\hl c|\Tleg0\qu j\sk\enotes -\temps\notes|\Ilegl0d\dqh3ij\enotes -% mesure 202 -\xbarre\notes\zh{Mb}\hl d|\qqh0kjik\enotes -\temps\notes\zh{Ma}\hl c|\qqh0jihj\enotes -%\check -% mesure 203 -\xbarre\notes\zh M\lh N\hl b|\qqh0ihgi\enotes -\temps\notes\zh{Ma}\hl c|\Tleg0\qu h\enotes -\temps\notes|\Ilegl0d\dqh3gh\enotes -%\check -% mesure 204 -\Alaligne\notes\zh{Mb}\hl d|\qqh0ihgi\enotes -\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes -% mesure 205 -\barre\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes -\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes -\temps\notes|\Ilegu0r\dqh3gh\enotes -% mesure 206 -\barre\notes\zh{LN}\hl b|\rlap{\hl e}\qqh0ighi\enotes -\temps\notes\zh{La}\hl c|\rlap{\hl e}\qqh0jijk\enotes -% mesure 207 -\barre\notes\zh b\bohl e|\rlap{\hl g}\qqh{-3}lkji\enotes -\cleftoksi={{0}{0}{0}{0}}\changeclefs -\temps\notes\zh{ac}\hl e|\Tleg0\qu h\sk\enotes -\temps\notes|\Ilegu0t\dqh3jk\enotes -% mesure 208 -\Alaligne\notes\zh{Nc}\hu{=e}|\na l\qqb3lmno\enotes -\temps\notes\zh{ce}\hu i|\qqb{-6}pnkj\enotes -% mesure 209 -\barre\nspace\notes\zh{cf}\hu{=h}|\Uptext{\it sempre \ppff p}\relax - \ibl0m0\qb0{=o=lm}\tqb0n\enotes -\temps\notes\zh{c_e}\hu h|\qqb3opqr\enotes -%\check -% mesure 210 -\xbarre\notes\zh{=ac}\hu{_g}|\qqb{-7}sq{=o}m\enotes -\temps\notes\zh{bd}\hu f|\Tleg0\ql r\enotes -\temps\notes|\Ilegu0s\dqb4pr\enotes -% mesure 211 -\xbarre\notes\zh{ac}\hu f|\qqB0qpoq\enotes -\cleftoksi={{6}{0}{0}{0}}\changeclefs -\temps\notes\zh{Nb}\hl{=e}|\qqB0ponp\enotes -% mesure 212 -\generalmeter{\meterfrac 32}\changecontexte -\Notes\zh{Ma}\hl c|\Tleg0\ql o\enotes -\temps\notes|\Ilegu0r\dqb3no\enotes -\temps\notes\zh{KM}\hl b|\qqB0ponp\enotes -\temps\notes\zh{JM}\hl a|\qqB0onmo\enotes -%\check -% mesure 213 -\generalmeter{\allabreve}\changecontexte -\notes\zh{J=L}\hl N|\qqB0nm{=l}n\enotes -\temps\Notes\boqu M|\Tleg0\hl m\enotes -\temps\notes\zmidtwotext{\kern -1.5\noteskip\ppff pp}\Ilegu0e\dqb3MN\enotes -%\check -% mesure 214 -\xbarre\notes\qqb3abcd|\zh{fh}\hu j\enotes -\temps\notes\qqb{-3}cbaN|\zh{=eg}\hu j\enotes -%\check -% mesure 215 -\xbarre\Notes\tleg0\ql a|\zh{fh}\hu j\enotes -\temps\notes\Ilegu0d\dqb3Na\enotes -\temps\notes\qqb0baNb|\zh{fi}\hu k\enotes% mesure 216 -\Alaligne\notes\qqB0aNMa|\zh{fh}\hl j\enotes -\temps\notes\qqB0NM{=L}N|\zh{=eg}\hu j\enotes -% mesure 217 -\barre\notes\Tleg0\hl M|\zh{fh}\hu j\enotes -\cleftoksi={{6}{6}{0}{0}}\changeclefs -\notes|\Ilegl0E\dqh3Na\enotes -\temps\notes\bohu K|\rlap{\hl M}\qqh5bcdf\enotes -% mesure 218 -\barre\notes\bohu L|\rlap{\hl N}\qqh{-3}edcb\enotes -\temps\Notes\bohu H|\Tleg0\rlap{\ql a}\qu c\enotes -\temps\notes|\Ilegl0E\dqh3bc\enotes -%\check -% mesure 219 -\barre\notes\bohu I|\rlap{\hl M}\qqh0dcbd\enotes -\temps\notes\bohu J|\rlap{\hl M}\qqh0cbac\enotes -%\check -% mesure 220 -\Alaligne\notes\bohu J|\rlap{\hl{=L}}\qqh0baNb\enotes -\temps\notes\bohu F\sk|\Tleg0\rlap{\ql J}\qu a\enotes -\temps\notes|\Ilegl0F\dqh3Na\enotes -% mesure 221 -\barre\notes\Uptext{\it diminuendo,\ \ \ ma senza}\bohu D\relax - |\rlap{\hl K}\qqh0baNb\enotes -\temps\notes\bohu C|\rlap{\hl J}\qqh0aNMa\enotes -% mesure 222 -%\check -\barre\notes\Uptext{\it rallentare}\bohu C|\rlap{\hl J}\qqh0NMLN\enotes -\temps\NOtes\bohu F|\Tleg0\rlap{\hl J}\hu M\enotes -% mesure 223 -\barre\notes\bohu F|\itenu0f\itenl1M\roff{\zqp b\zqup d}\bohl f\sk\sk -\itenu2a\itenu3c\zq a\cu c\qsk\enotes -\NOtes\pointdorgue a\bohu F\relax - |\pointdurgue F\tten0\tten1\tten2\tten3\zh{ac}\bohl f\enotes -\finmorceau \rightline{\sl \aujourdhui} -\eject -\bye -\endinput diff --git a/macros/musixtex/doc/examples/pacifiqt.tex b/macros/musixtex/doc/examples/pacifiqt.tex deleted file mode 100644 index 2077a6b801..0000000000 --- a/macros/musixtex/doc/examples/pacifiqt.tex +++ /dev/null @@ -1,10 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi -\musicsize=20\relax -\def\NoPageCut{\relax} -\def\HalfPieceCut{\relax} -\input c:/taupin/musixtex/scores/pacifiqn -\bye diff --git a/macros/musixtex/doc/examples/parnasum.tex b/macros/musixtex/doc/examples/parnasum.tex deleted file mode 100644 index decd8797a8..0000000000 --- a/macros/musixtex/doc/examples/parnasum.tex +++ /dev/null @@ -1,132 +0,0 @@ -%format musix - -\input musixtex - -\catcode`@=11 -\def\Special{\def\n@bbl{\C@nb\c@z\c@x\m@ne\z@}% - \def\beamst@m{\getcurpos\advance\y@v-\b@x - \y@ii\b@p\y@v \divide\y@ii\tw@nty \advance\y@ii\b@z \stem@skip\z@ - \advance\y@ii\b@n\interbeam \advance\y@ii\tw@\interbeam \st@bot\y@ii\C@stem}% - \def\t@xbl{\C@txb\lthick{\f@ur\b@amthick}\interbeam\hlthick<}}% -\def\DS{\zchar4\ds} -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% TEX translation of MIDI File : -% o.MID -% -% Written by Hans Kuykens -% this translation of date : 1-9-1993 -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -\centerline{\BIGtype Doctor Gradus ad Parnassum}\bigskip\bigskip -\rightline{\medtype Claude Debussy}\medskip -\musicparskip -\parindent10mm - -\generalmeter{\meterfrac44} -\setstaffs1{2} -\interstaff{11} -\setclef1\bass -\startmuflex\startpiece\systemnumbers -%%% bar 1 -\scale\tinyvalue -\notes\zchar{11}{\p\lower.5ex\hbox{\it\ \'egal et sans s\'echeresse}}% - \itied0C\tinynotesize\stdstemfalse\grcu C% - |\Uptext{\medtype\bf Mod\'er\'ememt anim\'e}\en -\scale\normalvalue -\notes\tslur0H\isslurd0J\lst J\wh J% - |\qs\Ibbu0Nd2\isslurd1N\qb0{Nc}\tqh0d\en -\notes|\ibbu0d0\qb0{eNc}\tqh0e\ibbu0c0\qb0{dMc}\tqh0d\en -\notes|\ibbu0e0\qb0{fab}\tqh0f\en -%%% bar 2 -\bar -\notes\midslur{-4}\ttie0\itied0J\wh J|\ibbu0d0\qb0{eNc}\tqh0e\en -\notes|\ibbu0f0\qb0{gbc}\tqh0g\en -\notes|\ibbu0e0\qb0{fac}\tqh0f\en -\notes|\ibbu0g0\qb0{hbf}\tqh0h\curve{-2}15\tslur1d\midslur{-4}\en -%%% bar 3 -\bar -\notes\zchar4\qp\ttie0\ql J% - |\loffset{1.3}{\islurd1e}\ibbu0f0\qb0{gce}\tslur1f\tqh0g\en -\notes\roffset{1.1}{\zhu{.c}}\roffset{1.75}{\itieu1c}\ibslurd0c\ql c% - |\ibsluru2k\upz{11}\zcu j\ibbl0h0\qb0{je}\DS\qb0g\tqb0j\en -\notes\ql b|\upz{11}\zcu k\ibbl0h0\qb0{ke}\DS\qb0g\tqb0k\en -\notes\ql a|\upz{11}\zcu j\ibbl0h0\qb0{je}\DS\qb0g\tqb0j\en -%%% bar 4 -\bar -\notes\ttie1\zqu c\rql b% - |\upz{10}\zcu i\ibbl0h0\qb0{ie}\DS\qb0g\tqb0i\en -\notes\ql c|\upz9\zcu h\ibbl0h0\qb0{he}\DS\qb0g\tqb0h\en -\notes\ql b|\upz8\zcu g\ibbl0f0\qb0{gc}\DS\qb0e\tqb0g\en -\notes\midslur{-5}\tdbslur0a\ql a% - |\tdbslur2g\upz7\zcu f\ibbl0f0\qb0{fc}\DS\qb0e\tqb0f\en -%%% bar 5 -\bar -\notes\issluru0N\ql N|\ibsluru1f\zqu e\ibbl0d0\qb0{ebc}\tqb0e\en -\notes\ql M|\zqu d\ibbl0c0\qb0{dac}\tqb0d\en -\notes\icresc\ql L\sk\sk\roff{\zchar{12}\tcresc}% - |\zqu g\ibbl0e0\qb0{gbe}\tqb0g\en -\notes\icresc\curve200\tsslur0a\ql a\sk\sk\roff{\zchar{12}\tdecresc}% - |\zqu h\ibbl0e0\qb0{hce}\curve333\tslur1d\tqb0h\en -%%% bar 6 -\bar -\notes\uptext{\llap\p}\issluru0N\ql N% - |\ibsluru1e\zqu e\ibbl0c0\qb0{eac}\tqb0e\en -\notes\ql M|\zqu d\ibbl0c0\qb0{dac}\tqb0d\en -\setclef1{\bass\bass}\changeclefs -\notes\ql L|\zqu c\ibbl0a0\qb0{cNa}\tqb0c\en -\notes\curve236\tsslur0K\ql K% - |\zqu b\ibbl0N0\qb0{bMN}\curve974\tubslur1h\tqb0b\en -%%% bar 7 -\bar -\notes\roff{\lmidstaff\pp}\roffset{1.125}{\lst F\zw F}% - \ibbu0J5\qb0F\roff\icresc\qb0{JK}\tbbu0\qb0L|\ibsluru0{-10}\en -\notes|\Special\nbbl0\qb0{Mac}\tqb0d\en -\notes\ibbl0t{-5}\loff{\zqb0e\zchar{-2}\tcresc}\icresc - |\sk\qb0{dc}\tbbl0\qb0a\nbbl0\qb0M\en -\notes\qb0{LK}\roff{\zchar{-2}\tdecresc}\tqh0J% - |\sk\sk\curve{16}65\tubslur0{-10}\en -%%% bar 8 -\bar -\notes\roff{\lmidstaff{\pp\kern-2mm}}\roffset{1.125}{\lst F\zw F}% - \ibbu0J5\qb0F\roff\icresc\qb0{JK}\tbbu0\qb0L|\ibsluru0{-10}\en -\notes|\Special\nbbl0\qb0{Mac}\tqb0d\en -\notes\ibbl0t{-5}\loff{\zqb0e\zchar{-2}\tcresc}\icresc - |\sk\qb0{dc}\tbbl0\qb0b\nbbl0\qb0a\en -\notes\qb0{LK}\roff{\zchar{-2}\tdecresc}\tqh0J% - |\sk\sk\curve{16}65\tubslur0{-10}\en -%%% bar 9 -\bar -\notes\roff{\lmidstaff{\pp\kern-2mm}}\roffset{1.125}{\lst F\zw F}% - \ibbu0J5\qb0F\roff\icresc\qb0{JK}\tbbu0\qb0L|\ibsluru0{-10}\en -\notes|\Special\nbbl0\qb0{M_ac}\tqb0d\en -\notes\ibbl0t{-5}\loff{\zqb0e\zchar{-2}\tcresc}\icresc - |\sk\qb0{dc}\tbbl0\qb0a\nbbl0\qb0M\en -\notes\qb0{LK}\roff{\zchar{-2}\tdecresc}\tqh0J% - |\sk\sk\curve{16}65\tubslur0{-10}\en -%%% bar 10 -\bar -\notes\roff{\lmidstaff\pp}\roffset{1.125}{\lst F\zw F}% - \ibbu0J5\qb0F\roff\icresc\qb0{JK}\tbbu0\qb0L|\ibsluru0{-10}\en -\notes|\Special\nbbl0\qb0{M_ac}\tqb0d\en -\notes\ibbl0t{-5}\loff{\zqb0e\zchar{-2}\tcresc}\icresc - |\sk\qb0{dc}\tbbl0\qb0{_b}\nbbl0\qb0a\en -\notes\qb0{LK}\roff{\zchar{-2}\tdecresc}\tqh0J% - |\sk\sk\curve{16}66\tubslur0{-10}\en -%%% bar 11 -\bar -\notes\ibbu0K9\qb0{EI}|\ibsluru0{-13}\en -\notes|\qb0L\tqb0{^N}\en -\notes\ibbu0M9\qb0{IL}|\Uptext{\twelveit cresc. --~~~~--~~~~--~~~~--~~~~--}\en -\notes|\qb0N\tqb0b\en -\notes\ibbu0L3\qb0L\en -\znotes\qb0{^N}\en -\setclef1\bass\changeclefs -\notes|\qb0b\tqb0e\en -\notes\ibbu0N3\qb0{Nb}|\sk\sk\qb0e\tqb0{^g}\en -%%% bar 12 -\bar -\qspace -\NOTEs\lcharnote{17}{\twelveit s\kern-.25ex\f~}\isluru3e\wholeshift{% - \ust e\usfz f}\roffset2\icresc\wh e\zchar{19}\tdecresc - |\curve{16}33\tubslur0{-10}\en -\def\atnextbar{\znotes|\centerpause\en}\mulooseness1\stoppiece -\eject\endmuflex\end diff --git a/macros/musixtex/doc/examples/partitur.tex b/macros/musixtex/doc/examples/partitur.tex deleted file mode 100644 index bb2288e7a7..0000000000 --- a/macros/musixtex/doc/examples/partitur.tex +++ /dev/null @@ -1,433 +0,0 @@ -% partitur.tex to demonstrate MusiXTeX's capabilities for large scores -% (c) 1997, Werner Icking - -\ifx\mxversion\undefined - \input musixtex - \fi - -% A4-width, letter-length -\hoffset-15.4mm\voffset-15.4mm -\hsize210mm\advance\hsize-20mm -\vsize11in\advance\vsize-20mm\advance\vsize-20pt - -\def\myfootline#1{% -\def\crtextde{Nicht-kommerzielle Vervielf\"altigung erw\"unscht.}% -\def\crtexten{Non-commercial copying welcome.}% -\def\cryear{#1}\setfootline} - -\def\setfootline{\footline={\ifodd\pageno% -{\rlap{\sevenrm\copyright~\cryear, Werner Icking, D-53721 Siegburg, Farnweg 28}% - \hfill\folio\hfill - \llap{\sevenrm\crtextde}}% -\else -{\rlap{\sevenrm\copyright~\cryear, Werner.Icking@gmd.de}% - \hfill\folio\hfill - \llap{\sevenrm\crtexten}}% -\fi}} -\myfootline{1997} - -\input musixmad - -\startmuflex - -\arithmeticskipscale -\let\ni\nextinstrument -\let\ns\nextstaff - -%= Example 1 ============================================================ - -\centerline{\BIGtype C}\par\medskip - -\parindent 90pt - -\instrumentnumber{12} - -\generalmeter{\allabreve} -\generalsignature 0 - -\groupbottom11 -\setstaffs11\setclef1\bass \setname1{Contrabassi} -\setstaffs21\setclef2\bass \setname2{Violoncelli} -\setstaffs31\setclef3\alto \setname3{Viole} -\setstaffs42\setclef4{\treble\treble} \setname4{\vbox{\hbox{Violini I}% - \vskip 6\Interligne\hbox{Violini II}}} -\grouptop14 -\setstaffs52\setclef5{\treble\treble} \setname5{Celesta} -\groupbottom26 -\setstaffs61\setclef6\treble\setclefsymbol6\empty - \setlines61 \setname6{Batteria} -\setstaffs71\setclef7\treble \setname7{Silofono} -\setstaffs81\setclef8\treble \setname8{3 Timpani} -\grouptop28 - -\groupbottom39 -\setstaffs91\setclef9\bass \setname9{Tuba} -\setstaffs{10}1\setclef{10}\bass \setname{10}{3 Tromboni} -\setstaffs{11}1\setclef{11}\treble \setname{11}{3 Trombe in Do} -\setstaffs{12}2\setclef{12}{\treble\treble} - \setsign{12}{-1} \setname{12}{4 Corni in Fa} -\grouptop3{12} - -\systemnumbers\startpiece\addspace\afterruleskip -\Notes \qa{CDEF}&\qa{CDEF}&\qa{`cdef}&\qa{cdef}|\qa{cdef}\ni - \qa{cdef}|\qa{cdef}\ni - \ni\ni\ni - \qa{CDEF}&\qa{CDEF}&\qa{cdef}\ni - \transpose3\qa{cdef}|\transpose3\qa{cdef}\en -\def\atnextbar{% -\znotes&&&&&\lower2\internote\hbox{\centerpause}&\centerpause&\centerpause&\en}% -\generalmeter{\meterfrac34}\changecontext -\Notes \qa{G'AB}&\qa{G'AB}&\qa{`g'ab}&\qa{g'ab}|\qa{g'ab}\ni - \qa{g'ab}|\qa{g'ab}\ni - \ni\ni\ni - \qa{G'AB}&\qa{G'AB}&\qa{g'ab}\ni - \transpose3\qa{g'ab}|\transpose3\qa{g'ab}\en -\def\atnextbar{% -\znotes&&&&&\lower2\internote\hbox{\centerpause}&\centerpause&\centerpause&\en}% -\generalmeter{\meterfrac44}\changecontext -\NOTes \wh{'C}&\wh{'C}&\wh{c}&\wh{'c}|\wh{'c}\ni - \wh{'c}|\wh{'c}\ni - \ni\ni\ni - \wh{'C}&\wh{'C}&\wh{'c}\ni - \transpose3\wh{'c}|\transpose3\wh{'c}\en -\def\atnextbar{% -\znotes&&&&&\lower2\internote\hbox{\centerpause}&\centerpause&\centerpause&\en}% -\setdoubleBAR\stoppiece - -\vfill\eject - -%= Example 2 ============================================================ - -\def\namespace{14mm} % provide space for instrument names -\advance\hoffset\namespace\advance\hsize-\namespace - -\centerline{\BIGtype Sinfonie D-Dur} \par\medskip -\centerline{\BIgtype Haffner Sinfonie} \par\medskip -\centerline{\Bigtype K.V. 385} \par\medskip -\rightline{\medtype Wolfgang Amadeus Mozart (1756--1791)}\par\bigskip - -\instrumentnumber{10}\resetlayout - -\interinstrument 1\Interligne - -\generalmeter{\meterC} -\generalsignature 2 - -\parindent 60pt - -\groupbottom11 -\setstaffs11\setclef1\bass \setname1{\vbox{\hbox{Violoncelli e} - \hbox{Contrabassi}}} -\setstaffs21\setclef2\alto \setname2{Viole} -\setstaffs32\setclef3{\treble\treble} \setname3{\vbox{\hbox{Violini I} - \vskip 6\Interligne\hbox{Violini II}}} -\setinterinstrument3{3\Interligne} -\grouptop13 - -\setstaffs41\setclef4\bass\setsign40 \setname4{Timpani} -\setinterinstrument4{3\Interligne} - -\groupbottom25 -\setstaffs51\setclef5\treble\setsign50 \setname5{\vbox{\hbox{2 Trombe}\hbox{~~~in Re}}} -\setstaffs61\setclef6\treble\setsign60 \setname6{\vbox{\hbox{2 Corni}\hbox{~~~in Re}}} -\setinterinstrument6{3\Interligne} -\grouptop26 - -\groupbottom37 -\setstaffs71\setclef7\bass \setname7{2 Fagotti} -\setstaffs81\setclef8\treble\setsign8{-1}\setname8{\vbox{\hbox{2 Clarinetti}\hbox{~~~in La}}} -\setstaffs91\setclef9\treble \setname9{2 Oboi} -\setstaffs{10}1\setclef{10}\treble \setname{10}{2 Flauti} -\grouptop3{10} -\stafftopmarg 8\Interligne -\staffbotmarg 5\Interligne - -\def\dsp{\pt 5\ds} -\def\TR#1{\zcharnote{#1}{\it tr}} -\def\adue{\zcharnote9{\llap{a}2}} -\def\dyn#1#2{\lower4\internote\hbox{\zcharnote{-#1}{#2}}} -\def\sFp{\sF\ppff p}% - -\afterruleskip0.8\afterruleskip -\beforeruleskip0.2\afterruleskip - -\nobarnumbers\startpiece\addspace\afterruleskip\systemnumbers -\makeatletter -\def\everystaff{\kern-\clef@skip\kern-\namespace\znotes - \zcharnote0{\vbox{\hbox{Vlc. e}\hbox{Cb.}}}\ni - \zcharnote2{Vle.}\ni - \zcharnote2{Vl.II}|\zcharnote4{Vl.I}\ni - \zcharnote2{Timp.}\ni - \zcharnote0{\vbox{\hbox{2 Tr.}\hbox{(Re)}}}\ni - \zcharnote0{\vbox{\hbox{2 Cor.}\hbox{(Re)}}}\ni% - \zcharnote2{2 Fg.}\ni - \zcharnote0{\vbox{\hbox{2 Cl.}\hbox{(Fa)}}}\ni - \zcharnote2{2 Ob.}\ni - \zcharnote2{2 Fl.}% - \en\kern\clef@skip\kern\namespace}% -\makeatother -\NOTEs \dyn0\f\wh{'D}&\dyn0\f\wh d\ni - \dyn2\f\roffset{1.4}{\zwh d}\wh d|\dyn2\f\roffset{1.4}{\zwh d}\zwh d\ni - \dyn0\f\Trille9{1.6}\wh{'D}\ni - \dyn3\f\adue\transpose-1\wh d&\dyn3\f\adue\transpose-1\wh d\ni - \dyn0\f\adue\wh{'D}&\dyn0\f\adue\transpose2\wh d\ni - \dyn0\f\adue\wh{'d}\ni - \loffset{5}{\zcharnote{'''b}{\medtype\bf Allegro con spirito}}% - \dyn0\f\adue\wh{```'d}\en -\bar\addspace{-.5\afterruleskip}% -\notes \ni\ni - \multnoteskip{.7}\tinynotesize\ibbbu0{'b}3\islurd0{`d}\qb0d\tslur0{'a}\tbu0\qb0d\ns - \multnoteskip{.7}\tinynotesize\ibbbu1{'b}3\islurd0{`d}\qb1d\tslur0{'a}\tbu1\qb1d\en - \Notes \isluru0{''D}\ha D&\isluru1{'d}\ha d\ni - \isluru2{''d}\ha d|\isluru3{''d}\ha d\ni - \qa{'D}\ni - \transpose-1\isluru4{'d}\ha d&\transpose-1\isluru5{'d}\ha d\ni - \isluru6{''D}\ha D&\transpose2\isluru7{'d}\ha d\ni - \isluru8{''d}\ha d&\isluru9{''d}\ha d\en -\NOtes &&&\qp\en -\NOtes \tslur0{''D}\ppt D\qa D&\tslur1{'d}\ppt d\qa d\ni - \tslur2{''d}\ppt d\qa d|\tslur3{''d}\ppt d\qa d\ni - \hpause\ni - \transpose-1\tslur4{'d}\qa d&\transpose-1\tslur5{'d}\qa d\ni - \tslur6{''D}\ppt D\qa D&\transpose2\tslur7{'d}\ppt d\qa d\ni - \tslur8{''d}\ppt d\qa d&\tslur9{''d}\ppt d\qa d\en -\Notesp &&&&\qp&\qp\en -\notes \cca{'D}&\cca d&\cca d|\cca d\ni - \ni - \ni\ni - \cca{'D}&\transpose2\cca d&\cca{'d}&\cca{'d}\en -\bar -\NOtes \lpz{'C}\qu C\upz{'C}\qa C\qp&\upz c\ql c\upz{'c}\ql c\qp\ni - \lpz c\qu c\upz{''c}\ql c\qp|\lpz c\qu c\upz{''c}\ql c\qp\ni - \lpz{'A}\qu A\lpz A\qu A\hpause\ni - \transpose-1\lpz{'a}\qu a\lpz a\qu a\hpause\ni - \transpose-1\lpz{'a}\qu a\lpz a\qu a\hpause\ni - \lpz{'C}\qu C\upz{'C}\qa C\qp&\transpose2\lpz c\qu c\upz{'c}\ql c\qp\ni - \upz{'c}\ql c\upz{'c}\ql c\qp&\upz{'c}\ql c\upz{'c}\ql c\qp\en -\Notesp \dsp&\dsp&\dsp|\dsp\ni - \ni - \ni\ni - \dsp&\dsp&\dsp&\dsp\en -\notes \cca{'C}&\cca c&\cca c|\cca c\ni - \ni - \ni\ni - \cca{'C}&\transpose2\cca c&\cca{'c}&\cca{'c}\en -\bar -\NOtes \qa{'B}&\qa b&\qa b|\qa b\ni - \qa{'D}\ni - \transpose-1\zq d\qu{'d}&\transpose-1\zq d\qu{'d}\ni - \qa{'B}&\transpose2\qa b&\qa{'b}&\qa{'b}\en -\Notesp \ibu0{'B}0\qbp0B&\ibu1b0\qbp1b&\ibu2b0\qbp2b|\ibu3b0\qbp3b\ni - \ibl4{'D}0\qbp4D\ni - \transpose-1\zqp d\ibu5{'d}0\qbp5d\ni - \transpose-1\zqp d\ibu6{'d}0\qbp6d\ni - \ibu7{'B}0\qbp7B&\transpose2\ibu8b0\qbp8b\ni - \ibl9{'b}0\qbp9b&\ibl{10}{'b}0\qbp{10}b\en -\notes \tbbu0\tbu0\qb0{'B}&\tbbu1\tbu1\qb1b\ni - \tbbu2\tbu2\qb2b|\tbbu3\tbu3\qb3b\ni - \tbbl4\tbl4\qb4{'D}\ni - \transpose-1\zq d\tbbu5\tbu5\qb5{'d}\ni - \transpose-1\zq d\tbbu6\tbu6\qb6{'d}\ni - \tbbu7\tbu7\qb7{'B}&\transpose2\tbbu8\tbu8\qb8b\ni - \tbbl9\tbl9\qb9{'b}&\tbbl{10}\tbl{10}\qb{10}{'b}\en -\NOtes \TR{10}\islurd0{'B}\pt B\qa B&\TR{11}\islurd1b\pt b\qa b\ni - \TR9\islurd2b\pt b\qa b|\TR9\islurd3b\pt b\qa b\ni - \qa{'D}\ni - \transpose-1\zq d\qu{'d}&\transpose-1\zq d\qu{'d}\ni - \TR{10}\islurd7{'B}\pt B\qa B&\transpose2\TR9\islurd8b\pt b\qa b\ni - \TR9\isluru9{'b}\pt b\qa b&\TR9\isluru{10}{'b}\pt b\qa b\en -\Notes \ni\ni\ni - \qa{'D}\ni - \transpose-1\zq d\qu{'d}&\transpose-1\zq d\qu{'d}\en -\notes \ibbu0{'A}3\qb0A\tslur0B\tbu0\qb0B\ni - \ibbu1a3\qb1a\tslur1b\tbu1\qb1b\ni - \ibbu2a3\qb2a\tslur2b\tbu2\qb2b|\ibbu3a3\qb3a\tslur3b\tbu3\qb3b\ni - \ni - \ni\ni - \ibbu7{'A}3\qb7A\tslur7B\tbu7\qb7B\ni - \transpose2\ibbu8a3\qb8a\tslur8b\tbu8\qb8b\ni - \ibbu9{'a}3\qb9a\tslur9{'b}\tbu9\qb9{`b}\ni - \ibbu{10}{'a}3\qb{10}a\tslur{10}{'b}\tbu{10}\qb{10}{`b}\en -\def\atnextline{% - \setinterinstrument3{8\Interligne}% - \setinterinstrument4{8\Interligne}% - \setinterinstrument6{8\Interligne}% - \stafftopmarg 11\Interligne - \staffbotmarg 8\Interligne }% -\barno200\alaligne -\NOtes \ha{'D}&\ha d\ni - \loffset{1.8}{\isluru2{'d}}\tslur2d\pt d\qa d\ns - \loffset{1.8}{\isluru3{'d}}\tslur3d\pt d\qa d\ni - \qa{'D}\ni - \transpose-1\adue\ha d&\transpose-1\adue\ha d\ni - \adue\ha{'D}&\transpose2\zh{`d}\hu{'d}\ni - \adue\ha{'d}&\adue\ha{'d}\en -\Notes &&&\qp\en -\notes \ni\ni - \ibbl2{'d}2\isluru2d\qb2d\tbl2\qb2e\ns - \ibbl3{'d}2\isluru3d\qb3d\tbl3\qb3e\en -\Notes \qa{'F}&\qa f\ni - \ibl2{'d}2\tslur2f\qb2f|\ibl3{'d}2\tslur3f\qb3f\ni - \hpause\ni - \transpose-1\qa f&\transpose-1\qa f\ni - \qa{'F}&\transpose2\zq{`f}\qu{'f}\ni - \qa{'f}&\qa{'f}\en -\notes \ni\ni - \nbbl2\isluru2{'f}\qb2f\tbl2\qb2g\ns - \nbbl3\isluru3{'f}\qb3f\tbl3\qb3g\en -\Notes \qa{''A}&\qa{'a}\ni - \ibl2{'f}2\tslur2{'a}\qb2a|\ibl3{'f}2\tslur3{'a}\qb3a\ni - \ni - \transpose-1\qa{'a}&\transpose-1\qa{'a}\ni - \qa{''A}&\transpose2\zq a\qu{'a}\ni - \qa{''a}&\qa{''a}\en -\notes \ni\ni - \multnoteskip{.707}\nbbl2\triolet d\isluru2{''a}\qb2{ab}\tbl2\qb2c\ns - \multnoteskip{.707}\nbbl3\triolet d\isluru3{''a}\qb3{ab}\tbl3\qb3c\en -\bar -\NOtes \qa{''DDA`F}&\qa{'dda`f}\ni - \tslur2{''d}\qa d\zq{``d'a}\ql f\zq{`d'a}\ql f\zq{`d'a}\ql f\ns - \tslur3{''d}\qa d\zq{``d'd}\ql{'d}\zq{``d'd}\ql{'d}\zq{``d'd}\ql{'d}\ni - \qa{'DDDD}\ni - \transpose-1\qa{'d}\zq{`f}\qu{'a}\zq{`f}\qu{'a}\zq{`f}\qu{'a}\ni - \transpose-1\qa{'d}\zq{`d}\qu{'d}\zq{`d}\qu{'d}\zq{`d}\qu{'d}\ni - \qa{''DDA`F}&\transpose2\zq d\qa{'d}\zq{``f}\qu{'a}\zq{`f}\qu{'a}\zq{`f}\qu{'a}\ni - \qa{''d}\zq{`d}\ql f\zq d\ql f\zq d\ql f\ni - \qa{''d}\zq{`f}\ql{'d}\zq{`f}\ql{'d}\zq{`f}\ql{'d}\en -\bar -\NOTes \ha{'DD}&\ha{dd}\ni - \zq{d'a}\hl f\zq{`d'a}\hl f|\zq{d'd}\hl{'d}\zq{``d'd}\hl{'d}\ni - \ha{'DD}\ni - \transpose-1\zh f\hu{'a}\zh{`f}\hu{'a}\ni - \transpose-1\zh d\hu{'d}\zh{`d}\hu{'d}\ni - \ha{'DD}&\transpose2\zh{`f}\hu{'a}\zh{`f}\hu{'a}\ni - \zh{'d}\hl f\zh d\hl f&\zh{'f}\hl{'d}\zh{`f}\hl{'d}\en -\bar -\NOTes \ha{'D}\hpause&\ha{d}\hpause\ni - \zq{d'a}\hl f\hpause|\zq{d'd}\hl{'d}\hpause\ni - \ha{'D}\hpause\ni - \transpose-1\zh f\hu{'a}\hpause&\transpose-1\zh d\hu{'d}\hpause\ni - \ha{'D}\hpause&\transpose2\zh{`f}\ha{'a}\hpause\ni - \zh{'d}\ha f\hpause&\zh{'f}\ha{'d}\hpause\en -\Endpiece\def\everystaff{} -\vfill\eject - -\instrumentnumber{6}\resetlayout - -\interinstrument 1\Interligne - -\generalmeter{\meterfrac 2 4} -\generalsignature 1 - -\parindent 60pt - -\groupbottom11 -\setstaffs11\setclef1\bass \setname1{\vbox{\hbox{Violoncelli e} - \hbox{Contrabassi}}} -\setinterinstrument1{0\Interligne} -\setstaffs21\setclef2\alto \setname2{Viole} -\setinterinstrument2{1\Interligne} -\setstaffs32\setclef3{\treble\treble} \setname3{\vbox{\hbox{Violini I} - \vskip 6\Interligne\hbox{Violini II}}} -\setinterinstrument3{2\Interligne} -\grouptop13 - -\groupbottom24 -\setstaffs41\setclef4\treble\setsign60 \setname4{\vbox{\hbox{2 Corni}\hbox{~~~in Sol}}} -\setinterinstrument4{1\Interligne} -\grouptop24 - -\groupbottom35 -\setstaffs51\setclef5\bass \setname5{2 Fagotti} -\setinterinstrument5{1\Interligne} -\setstaffs61\setclef6\treble \setname6{2 Oboi} -\grouptop36 - -\nobarnumbers\startpiece\addspace\afterruleskip\systemnumbers -\makeatletter -\newif\ifstaffseparator\staffseparatortrue -\def\everystaff{\kern-\clef@skip\kern-\namespace\znotes - \zcharnote0{\vbox{\hbox{Vlc. e}\hbox{Cb.}}}\ni - \zcharnote2{Vle.}\ni - \zcharnote2{Vl.II}|\zcharnote4{Vl.I}\ni - \zcharnote0{\vbox{\hbox{2 Cor.}\hbox{(Sol)}}}\ni - \zcharnote2{2 Fg.}\ni - \zcharnote2{2 Ob.}% - \ifstaffseparator\zcharnote{20}{\vbox{\hbox to 8mm{\leaders\hrule height 3pt\hfill}% - \vskip-7pt\hbox to 8mm{\leaders\hrule height 3pt\hfill}}}% - \else\staffseparatortrue\fi - \en\kern\clef@skip\kern\namespace}% -\makeatother -\notes \dyn0\p\qa{'G}&\dyn0\p\qa g\ni - \loffset{1.5}{\dyn4\p}\ibbu2c0\lpz{`g}\qb2g\lpz{'b}\qb2b\lpz d\qb2d\tbu2\lpz b\qb2b\ns - \dyn0\p\roffset{0.5}{\isluru3g}\qa g\ni - \dyn2\p\transpose-4\zh g\hu{'g}\ni - \dyn0\p\zh{''B}\isluru5D\hl D\ni - \loffset{5}{\zcharnote{''b}{\medtype\bf Andante}}% - \roffset{0.3}{\dyn1\p}\zhl{``g}\hu g\en -\notes \qp&\qp\ni - \ibbu2c0\lpz{`g}\qb2g\lpz{'b}\qb2b\lpz d\qb2d\tbu2\lpz b\qb2b\ns - \ibl3{'b}2\tslur3b\qbp3{b**}\tbbl3\tbl3\upz d\qb3d\en -\bar -\notes \dyn1\sF\qa{'D}&\dyn0\sF\qa d\ni - \dyn6\sF\ibbu2d0\lpz a\qb2a\lpz c\qb2c\lpz f\qb2f\tbu2\lpz c\qb2c\ns - \dyn0\sF\pt{'d}\qa d\ni - \dyn6\sFp\transpose-4\zh d\hu{'d}\ni - \dyn0\sFp\loff{\zh{''C}}\tslur5D\hl D\ni - \dyn0\sFp\zh f\hu{'a}\en -\notes \qp&\qp\ni - \ibbu2d0\lpz a\qb2a\lpz c\qb2c\lpz f\qb2f\tbu2\lpz c\qb2c\ns - \sk\sk\dyn2\p\multnoteskip{.667}\ibbl3{'d}{-2}\triolet d\qb3{cb}\tbl3\qb3a\en -\bar -\notes \dyn0\p\ibl0{'G}{-1}\upz G\qb0{G*}\upz{'B}\qb0{B*}\upz D\qb0{D*}\tbl0\upz{`D}\qb0{D*}\ni - \dyn1\p\ibl1d0\upz d\qb1{d*}\upz d\qb1{d*}\upz d\qb1{d*}\tbl1\upz f\qb1{f*}\ni - \dyn4\p\ibbu2e0\lpz b\qb2b\lpz d\qb2d\lpz g\qb2g\tbu2\lpz d\qb2d% - \ibbu2c0\lpz b\qb2b\lpz d\qb2d\lpz c\qb2c\tbu2\lpz a\qb2a\ns - \ibu3g1\lpz g\qb3{g*}\lpz g\qb3{g*}\lpz g\qb3{g*}\tbu3\lpz{'a}\qb3{a*}\en -\def\atnextbar{\znotes&&&\centerpause&\centerpause&\centerpause\en}\alaligne -\notes \slur{'G}Bu4\qa{G***}\ca{`G*}\ds\ni - \slur fgu4\qa{f***}\ca{g*}\ds\ni - \ibbu2c0\lpz a\qb2a\lpz c\qb2c\lpz d\qb2d\tbu2\lpz c\qb2c% - \ibbu2b0\lpz{`g}\qb2g\lpz{'b}\qb2b\lpz d\qb2d\tbu2\lpz b\qb2b\ns - \ibu3{'a}0\slur aad3\qbp3{a**}\tbbu3\tbu3\qb3{^a}\ca{b*}\ds\en -\def\atnextbar{\znotes&&&\centerpause&\centerpause&\centerpause\en}\bar -\notes \ds\dyn3\f\ibbl0{'F}{-3}\qb0{GE}\tbl0\qb0C\qa{`G}\ni - \ds\dyn2\f\ibbl0f{-3}\qb0{ge}\tbl0\qb0c\qa{`g}\ni - \dyn5\f\ibbu2e0\lpz c\qb2c\lpz e\qb2e\lpz g\qb2g\tbu2\lpz e\qb2e% - \dyn5\p\ibbu2e0\lpz c\qb2c\lpz e\qb2e\lpz g\qb2g\tbu2\lpz e\qb2e\ns - \roffset{0.3}{\dyn1\f}\zq g\zq{'c}\ql{e***}\qs\multnoteskip{0.5}% - \tinynotesize\slur fgd1\grcu f\normalnotesize\dyn0\p\ibbl3g0\qb3g% - \tinynotesize\slur fgd1\grcu f\normalnotesize\qb3g% - \tinynotesize\slur fgd1\grcu f\normalnotesize\tbl3\qb3g\ni - \dyn4\sFp\transpose-4\islurd4g\zh g\roffset{0.5}{\isluru5{'g}}\hu g\ni - \dyn0\sFp\islurd6{''C}\zh C\isluru7E\hl E\ni - \dyn0\sFp\islurd8{'c}\zh c\isluru9e\hl e\en -\bar -\notes \ni\ni - \ibbu2e0\lpz c\qb2c\lpz e\qb2e\lpz g\qb2g\tbu2\lpz e\qb2e% - \ibbu2e0\lpz c\qb2c\lpz e\qb2e\lpz g\qb2g\tbu2\lpz e\qb2e\ns - \ibbl3{''b}{-3}\slur cau1\qb3c\tbl3\qb3{`g}\qs\TR{'b}\cca{`g}% - \ibbl3{'b}{-3}\slur cau1\qb3c\qb3{`g}\slur geu1\qb3g\tbl3\qb3e\ni - \transpose-4\tslur4g\islurd4g\zh g\tslur5{'g}\roffset{0.5}{\isluru5g}\hu g\ni - \loffset{0.5}{\tslur6{''C}}\zh C\loffset{0.5}{\tslur7E}\hl E\ni - \loffset{0.5}{\tslur8{'c}}\zh c\loffset{0.5}{\tslur9e}\hl e\en -\def\atnextbar{\znotes\centerpause&\centerpause\en}\bar -\notes \ds\dyn3\f\ibbl0{'F}{-3}\qb0{GD}\tbl0\qb0B\qa{`G}\ni - \ds\dyn2\f\ibbl0f{-3}\qb0{gd}\tbl0\qb0b\qa{`g}\ni - \dyn5\f\ibbu2e0\lpz b\qb2b\lpz d\qb2d\lpz g\qb2g\tbu2\lpz d\qb2d% - \dyn5\p\ibbu2e0\lpz b\qb2b\lpz d\qb2d\lpz g\qb2g\tbu2\lpz d\qb2d\ns - \dyn6\f\zq{`g}\zq{'d}\qu{'d***}\qs\multnoteskip{0.5}% - \tinynotesize\slur fgd1\grcu f\normalnotesize\dyn0\p\ibbl3g0\qb3g% - \tinynotesize\slur fgd1\grcu f\normalnotesize\qb3g% - \tinynotesize\slur fgd1\grcu f\normalnotesize\tbl3\qb3g\ni - \dyn4\sFp\transpose-4\tslur4g\islurd4g\zh g% - \tslur5{'g}\roffset{0.5}{\isluru5g}\hu{g*******}% - \tslur4{`g}\tslur5{'g}\ni - \dyn0\sFp\islurd6{''B}\zh B\isluru7D\hl{D*******}\tslur6B\tslur7D\ni - \dyn1\sFp\islurd8{'b}\zh b\isluru9d\hl{d*******}\tslur8b\tslur9d\en -\endpiece\def\everystaff{} - -\vfill\eject - -\endmuflex -\bye diff --git a/macros/musixtex/doc/examples/pedal.tex b/macros/musixtex/doc/examples/pedal.tex deleted file mode 100644 index e666733515..0000000000 --- a/macros/musixtex/doc/examples/pedal.tex +++ /dev/null @@ -1,24 +0,0 @@ -\input musixtex -%\largemusicsize -\setstaffs12 -\setclef1{\bass} -\def\raiseped{-8} -\nobarnumbers -\startpiece\addspace\afterruleskip% -\NOtes\qa H\qa I\pdld\qa J\qa K|\wh l\en -\NOtes\pdlu\qa L\qa M|\wh l\en -\bar% -\NOtes\pdld\qa J\qa K\pdlud\qa L\qa M\pdlu\qa N|\wh l\en -\bar% -\NOtes\pdld\qa J\qa K|\wh l\en -\NOtes\qa L\qa M|\wh l\en -\bar% -\NOtes\qa J\qa K\qa L\pdlu\qa M|\wh l\en -\NOtes\pdld\qa J\qa K\qa L\pdlu\qa M|\wh l\en -\bar% -\NOtes\qa J\qa K\qa L\qa M|\wh l\en -\NOtes\pdld\qa J\pdlud\qa K\pdlud\qa L\pdlu\qa M|\wh l\en -\bar% -\Notes\pdld\qa J\sk\qa K\sk\pdlud\qa L\sk\pdlu\qa M|\ibu1e2\qb1{efghij}\tqu1k\en -\stoppiece -\end diff --git a/macros/musixtex/doc/examples/prelfug.tex b/macros/musixtex/doc/examples/prelfug.tex deleted file mode 100644 index a1e6928ae7..0000000000 --- a/macros/musixtex/doc/examples/prelfug.tex +++ /dev/null @@ -1,4 +0,0 @@ -\input prelude.tex -\barsinline=0\relax\linesinpage=0\relax -\input fugue.tex -\bye diff --git a/macros/musixtex/doc/examples/prelude.tex b/macros/musixtex/doc/examples/prelude.tex deleted file mode 100644 index 160d9d5e7b..0000000000 --- a/macros/musixtex/doc/examples/prelude.tex +++ /dev/null @@ -1,715 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi -\title{Pr\'elude et fugue} -\fulltitle{\enorme VI. \titremorceau} -\subtitle{(pour orgue)} -\othermention{Compos\'e en 1990} -\author{Daniel TAUPIN} -\shortauthor{D. Taupin} -\csname titremorceautoc\endcsname -\maketitle - -\parindent 18mm -% -\bigskip -\centerline{\moyen PR\'ELUDE}\medskip -\tracingstats=2\relax -% -\nbporteesii=2\relax -\def\nbinstruments{2} -\global\cleftoksii={{6}{0}{0}{0}}% -\global\cleftoksi={{6}{0}{0}{0}}% -% -\signaturegenerale{-2}\relax % sol mineur -\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% -\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% -\def\deuxtemps{\generalmeter{\meterfrac{2}{4}}}% -\def\Mordant{\mordant{10}}% -%\check -\def\instrumenti{P\'edale 16'}% -\def\instrumentii{G.O.}% -%\check -\def\gluemaxskip{7pt}% -\medskip\noindent{\rm G.O.: Plein jeu, fonds 16' {\sl ad libitum.}}% -\par\noindent{\rm P\'ed.: fonds et anches 16', tirasse G.O.}% -\smallskip -% -\quatretemps% -% -\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}% -\def\doubler{\multiply\noteskip by 2\relax}% -\debutmorceau -% calcul de \elemskip en fonction de la largeur de page pour eviter les glues -% -\autolines {17}35\relax -\def\resp{\vnotes 0.2\elemskip&|\cbreath\enotes}% -%\check -% -\hyphenpenalty -50\relax -\notes&|\Uptext{\hbox{\kern -16mm\moyen Maestoso \bf(\metron{\qu}{50})}}\enotes -\advance\linesinpage by 1\relax -% -% formes frequentes -% deux croches hautes -\def\dql#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% -\def\dqu#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% -\def\dqh{\dqu}\def\dqb{\dql}% -% -% deux doubles croches hautes -\def\dqbbu#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% -\def\dqbbl#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% -\def\dqbbh{\dqbbu}\def\dqbbb{\dqbbl}% -% -% quatre doubles croches -\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbbH#1#2#3#4#5#6{\ibbu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax -\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}% -\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax -\def\qqbbL#1#2#3#4#5#6{\ibbl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax -%\check -% quatre croches -\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbH#1#2#3#4#5#6{\ibu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax -\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax -\def\qqbL#1#2#3#4#5#6{\ibl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax -%\check -% -% mesure 1 -\smallnotesize\varaccid -\notes&\zmidtwotext{\ppff ff\hskip 8mm}\qqbbH9KGKNa\enotes -\temps\notes\sk\sk\pause&\qqbbL{-4}abN{^M}N\enotes -\temps\notes&\qqbbl7KNbc\enotes -\temps\notes&\qqbbL{-4}cdbab\enotes -%\check -% mesure 2 -\barre\notes&|\qqbbH8bNbd{^f}\enotes -\temps\notes\sk\sk\pause&|\qqbbH{-4}ggdcd\enotes -\temps\notes&|\qqbbH7dbdfg\enotes -\temps\notes&|\qqbbu0ifgi\enotes -%\check -% mesure 3 -\barre\notes&|\qqbbL0ikgik\enotes -\normalnotesize -\temps\Notes\hpause&|\cl n\qsoupir\enotes -\temps\Notes\ccu G&\itenl1N\itenu2g\zq{Nbd}\ccl g|\itenu3n\zq{ik}\ccu n|\enotes -\temps -\NOtes\pointdorgue 8\qup G&\tten1\tten2\pointdurgue H\zqp{Nce}\qlp g\relax - |\tten3\pointdorgue o\zqp{jl}\qlp n\enotes -\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes -%\check -% mesure 4 -\autolines {16}35\relax -\smallnotesize\bigaccid -\barre\notes&\qqbbH7IGJLM\enotes -\temps\notes\sk\sk\pause&\qqbbL{-4}MNLKL\enotes -\temps\notes&\qqbbl7JLN{=b}\enotes -\temps\notes&\qqbbL{-4}acNMN\enotes -%\check -% mesure 5 -\barre\notes&\qqbbH7MLN{=b}c\enotes -\temps\notes\sk\sk\sk\pause&|\qqbbH0debce\enotes -\temps\notes&|\qqbbH7cNceg\enotes -\temps\notes&|\qqbbL0hjg{=i}j\enotes -%\check -% mesure 6 -\barre\notes&|\qqbbL0kljln\enotes -\normalnotesize -\temps\notes\hpause&|\cl q\qsoupir\sk\enotes -\temps\Notes\ccu E&\itenu1c\zq{LN}\ccl c|\itenu2j\zq{eg}\ccu j\enotes -\temps -\NOtes\pointdorgue 7\qup D&\tten1\pointdorgue{10}\zqp{K^Ma}\qlp c\relax - |\tten2\pointdorgue{10}\zqp{^fh}\qup j\enotes -\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes -%\check -% mesure 7 -\barre\autolines 775\relax -\smallnotesize -\notes&\qqbbH8FD{^F}HJ\enotes -\temps\notes\sk\sk\sk\pause&\qqbbH0KLKLJ\enotes -\zbarre\notes&\qqbbl3K{^M}Nb\enotes -\temps\notes&\qqbbL3aabcd\enotes -% mesure 8 -\barre\notes&|\qqbbH3dec{^f}g\enotes -\temps\notes\sk\sk\pause&|\qqbbl2hijk\enotes -\zbarre\notes&|\qqbbL{-2}jlj{=i}j\enotes -\temps\notes&|\bigaccid\qqbbl2{^m}non\enotes -% mesure 9 -\barre\notes\soupir&|\qqbbl{-3}{^m}lkj\enotes -\normalnotesize -\temps\NOtes\qu G&\zq{KN}\ql b|\zq{dg}\ql{_i}\enotes -\smallnotesize\varaccid -\zbarre\notes\sk\sk\sk\hpause&\qsoupir\ibbl0L4\qb0{KN}\tqb0{^M}\enotes -\temps\notes&\qqbbL3LNKba\enotes -% mesure 10 -\barre\notes&\qqbbL2abNdc\enotes -\temps\notes\sk\sk\sk\pause&|\qqbbH4fdbgh\enotes -\zbarre\notes&|\qqbbh{-3}ihg{=f}\enotes -\temps\notes&|\qqbbh{-3}gfed\enotes -%\check -% mesure 11 -\normalnotesize -\barre\NOtes\qu J&\zq {LN}\ql c|\qu e\enotes -\smallnotesize\varaccid -\temps\notes\sk\soupir&|\qsoupir\ibbu0d2\qh0{ce}\tqh0d\enotes -\zbarre\notes\sk\sk\hpause&|\qqbbH2fechg\enotes -\temps\notes&|\qqbbH2hh{^f}ji\enotes -% mesure 12 -\barre\varaccid\notes&|\qqbbH3jjhlk\enotes -\temps\notes\sk\sk\sk\pause&|\qqbbh{-4}lkji\enotes -\zbarre\notes&|\qqbbh{-4}hg{^f}e\enotes -\temps\notes&|\qqbbh{-4}dc{=b}a\enotes -% mesure 13 -\normalnotesize\bigaccid -\barre\NOtes\qu G&\zq {=IK}\lq M\ql N|\qu{=b}\enotes -\smallnotesize\varaccid -\temps\notes\soupir&|\qsoupir\ibbu0a2\qh0{N=b}\tqh0a\enotes -\zbarre\notes\sk\sk\hpause&|\qqbbH2cbNdc\enotes -\temps\notes&|\qqbbh3dbfe\enotes -%\check -% mesure 14 -\barre\notes&|\ifx\mxversion\undefined\off{-2\Interligne}\fi % was for musiCtex - \qqbbh3fd{_h}g\enotes -\temps\notes\sk\sk\sk\pause&|\qqbbl5hfml\enotes -\zbarre\notes&|\qqbbl{-3}kj{i}{_h}\enotes -\temps\notes&|\qqbbh{-3}gfed\enotes -% mesure 15 -\normalnotesize\bigaccid -\barre\NOtes\qu C&\zq {J=LN}\lq b\ql c|\qu{=e}\enotes -\smallnotesize\varaccid -\temps\notes\soupir&|\qsoupir\ibbu0d2\qh0{c=e}\tqh0d\enotes -\zbarre\notes\sk\sk\hpause&|\qqbbh3ecgf\enotes -\temps\notes&|\qqbbh3gei{_h}\enotes -%\check -% mesure 16 -\troistemps -\changecontext\notes&|\ifx\mxversion\undefined\off{-2.4\Interligne}\fi % was for musiCtex - \qqbbL5hig{=l}m\enotes -\temps\notes\sk\pause&\midtwotext{\it animando}|\qqbbl{-3}nmlk\enotes -\temps\notes&|\qqbbl{-3}j{i}{_h}g\enotes -% mesure 17 -\quatretemps\normalnotesize -\changecontext\Notes - \ifx\mxversion\undefined\off{-\Interligne}\fi % was for musiCtex -\qu F&\ifx\mxversion\undefined\off{-1.4\Interligne}\fi % was for musiCtex -\zq {M_ac}\ql f|\ifx\mxversion\indefined\off{-\Interligne}\fi % was for musiCtex - \qu{_h}\enotes -\smallnotesize\varaccid -\temps\notes\soupir&\zmidtwotext{\it poco a poco}|\qsoupir\ibbu0d6\qh0{cf}\tqh0g\enotes -\zbarre\notes\sk\sk\hpause&|\fl h\qqbbh{-3}hgfe\enotes -\temps\notes&|\qqbbh{-3}dc{=b}{=a}\enotes -%\check -% mesure 18 -\normalnotesize -\barre\autolines {16}35\relax\bigaccid -\NOtes\qu G&\zq {=IK}\ql N|\qu{=b}\enotes -\smallnotesize\varaccid -\temps\notes\soupir&|\qsoupir\ibbu0b7\qh0{Nb}\tqh0d\enotes -\temps\notes\sk\sk\hpause&|\qqbbu0gd{^f}g\enotes -\temps\notes&|\qqbbu3{=i}gik\enotes -%\check -% mesure 19 -\barre\notes&|\qqbbl{-2}m{_o}nm\enotes -\temps\notes\hpause&|\qqbbl{-3}lkj{=i}\enotes -\normalnotesize -\temps\notes\cu J&\bigaccid\zq{=LN}\lq b\ccl c|\bigna e\fl i\rq i\zq{eg}\ccu j\enotes -\smallnotesize -\temps\notes\sk\dsoupir&|\ibbu0f5\qh0{cg}\tqh0f\enotes -\temps\notes\sk\soupir&|\qqbbH3hgej{=i}\enotes -% mesure 20 -\normalnotesize\bigaccid -\barre\nspace\notes\cu I&\bigaccid\lfl b\zq{=LN}\lq b\ccl c|\fl i\rq i\zq{=eg}\ccu j\enotes -\smallnotesize\varaccid -\temps\notes\sk\dsoupir&|\ibbu0f5\qh0{cg}\tqh0f\enotes -\temps\notes\sk\soupir&|\qqbbH3hgej{=i}\enotes -\normalnotesize -\temps\notes\bigaccid\cu{_H}&\bigaccid\zq{M_a}\ccl c|\zq{f_h}\ccu j\enotes -\smallnotesize\varaccid -\temps\notes\sk\dsoupir&|\advance\noteskip by 1pt\ibbu0f5\qh0{ch}\tqh0g\enotes -\temps\notes\sk\soupir&|\qqbbH3ihfji\enotes -%\check -% mesure 21 -\normalnotesize\bigaccid -\barre\nspace\notes\cu G&\bigaccid\lfl b\zq{=LN}\lq b\ccl c|\fl i\rq i\zq{=eg}\ccu j\enotes -\smallnotesize\varaccid -\temps\notes\sk\dsoupir&|\ibbu0f5\qh0{cg}\tqh0f\enotes -\temps\notes\sk\soupir&|\qqbbH3hgej{=i}\enotes -\normalnotesize -\temps\notes\cu{F}&\bigaccid\zq{M_a}\ccl c|\zq{f_h}\ccu j\enotes -\smallnotesize\varaccid -\temps\notes\sk\dsoupir&|\advance\noteskip by 1pt\ibbu0f5\qh0{ch}\tqh0g\enotes -\temps\notes\sk\soupir&|\qqbbH3ihfji\enotes -%\check -% mesure 22 -\normalnotesize\bigaccid -\barre\notes\bigaccid\cu{^F}&\bigaccid\sh M\lna a\zq{JMa}\ccl c|\lna h\sh f\zq{fh}\ccu j\enotes -\smallnotesize\varaccid -\temps\notes\sk\dsoupir&|\advance\noteskip by 1pt\ibbu0f5\qh0{dh}\tqh0g\enotes -\temps\notes\sk\soupir&|\qqbbH3ihfj{=i}\enotes -\normalnotesize -\temps\notes\cu{K}&\zq{Ma}\ccl c|\zq{dfh}\ccu j\enotes -\smallnotesize\varaccid -\temps\notes\sk\dsoupir&|\ibbl0i5\qb0{ho}\tqb0n\enotes -\temps\notes\sk\soupir&|\qqbbL3mo{^m}q{=p}\enotes -% mesure 23 -\barre\notes&|\qqbbl3qosr\enotes -\temps\notes\sk\sk\sk\pause&|\qqbbl{-3}srq{_p}\enotes -\temps\notes&|\qqbbl{-3}qpon\enotes -\temps\notes&|\qqbbl{-3}{^m}lkj\enotes -%\check -% mesure 24 -\autolines {17}35\relax -\normalnotesize\varaccid -\barre\notes\qu G&\zq{Nb}\ql d|\Uptext{\hbox{\kern -6mm\moyen Allegro moderato - \bf(\metron{\qu}{65})}}\zqu i\qqbbL{-2}hig{^f}g\enotes -\temps\notes\soupir&\soupir|\zqu i\qqbbL{-2}higfg\enotes -\temps\notes\qu G&\lq a\zq{Nc}\ql e|\zqu j\qqbbL{-2}ijgfg\enotes -\temps\notes\soupir&\soupir|\zqu j\qqbbL{-2}ijgfg\enotes -% mesure 25 -%\check -\barre\notes\qu G&\zq{Nb}\ql d|\zqu k\qqbbL{-2}hig{^f}g\enotes -\temps\notes\soupir&\soupir|\zqu k\qqbbL{-2}higfg\enotes -\temps\notes\qu G&\lq a\zq{Nc}\ql e|\zqu l\qqbbL{-2}ijgfg\enotes -\temps\notes\soupir&\soupir|\zqu l\qqbbL{-2}ijgfg\enotes -%\check -% mesure 26 -\barre\notes\hu G&\zqu N\qqbbl2Ndbd|\doubler\rlap{\dql{-3}ig}\dqu{-3}ki\enotes -\temps\notes&\qqbbl{-2}bdNb|\ibu0i3\zql g\qh0i\sk\tqh0k\enotes -\temps\notes\hu J&\zqu L\qqbbl2LcNc|\rlap{\ibl1h{-4}\qb1j\sk\tqb1e}\relax - \ibu0l{-4}\qh0l\sk\tqh0g\enotes -\temps\notes&\qqbbl{-2}NcLN|\ibu0h6\zql e\qh0g\sk\tqh0l\enotes -%\check -% mesure 27 -\barre\notes\hu F&\zqu M\qqbbl3Mcac|\rlap{\ibl1h{-3}\qb1h\sk\tqb1f}\relax - \ibu0j{-3}\qh0j\sk\tqh0h\enotes -\temps\notes&\qqbbl{-3}acMa|\ibu0h3\zql f\qh0h\sk\tqh0j\enotes -\temps\notes\hu I&\zqu K\qqbbl3KbMb|\rlap{\ibl1g{-3}\qb1i\sk\tqb1d}\relax - \ibu0k{-4}\qh0k\sk\tqh0f\enotes -\temps\notes&\qqbbl{-2}MbKM|\ibu0h5\zql d\qh0f\sk\tqh0k\enotes -%\check -% mesure 28 -\barre\notes\hu E&\zqu L\qqbbl2LbNb|\rlap{\ibl1g{-3}\qb1g\sk\tqb1e}\relax - \ibu0i{-3}\qh0i\sk\tqh0g\enotes -\temps\notes&\qqbbl{-2}NbLN|\ibu0h2\zql e\qh0g\sk\tqh0i\enotes -\temps\notes\hu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-5}hc}\dqh{-5}je\enotes -\temps\notes&\qqbbl{-2}LaJL|\doubler\zql c\dqu7ej\enotes -% mesure 29 -\barre\notes\hu D&\zqu K\qqbbl2Ka{^M}a|\rlap{\ibl1f{-3}\qb1{^f}\sk\tqb1d}\relax - \ibu0h{-3}\qh0h\sk\tqh0f\enotes -\temps\notes&\qqbbl{-2}MaKM|\ibu0h2\zql d\qh0f\sk\tqh0h\enotes -\temps\notes\doubler\dqu2GH&\rlap{\doubler\cu N\cu a}\relax - \qqbbl2Ndad|\doubler\rlap{\dql2gh}\dqu2ij\enotes -\temps\notes\qu I&\rlap{\cu b}\qqbbl{-2}bdNb|\zql i\qu k\enotes -%\check -% mesure 30 -\barre\notes\bigaccid\hu{=I}&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes -\temps\notes&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0n\enotes -\temps\notes\hu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}ge}\dqu{-3}lj\enotes -\temps\notes&\qqbbl{-2}NcLN|\doubler\zql e\dqu4jl\enotes -%\check -% mesure 31 -\barre\notes\hu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes -\temps\notes&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes -\temps\notes\hu I&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\fl i\dql{-3}ih}\dqu{-4}kj\enotes -\temps\notes&\qqbbl{-2}MbKM|\ibu0i4\zql f\qh0i\sk\tqh0k\enotes -%\check -% mesure 32 -\barre\notes\hu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql{-3}gg}\dqu{-3}li\enotes -\temps\notes&\qqbbl{-2}NbLN|\ibu0j2\zql g\qh0i\sk\tqh0k\enotes -\temps\notes\hu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-3}ji\enotes -\temps\notes&\rlap{\qu b}\qqbbl{-2}LaJL|\ibu0h2\zql e\qh0h\sk\tqh0j\enotes -% mesure 33 -\barre\notes\hu D&\zqu K\qqbbl2Ka{^M}a|\doubler\rlap{\dql0{^f}f}\dqu{-4}kh\enotes -\temps\notes&\qqbbl{-2}MaKM|\ibu0h2\zql f\qh0h\sk\tqh0j\enotes -%\check -\temps\notes\doubler\dqu{-2}G{^F}&\rlap{\doubler\cu N\cu a}\qqbbl2Ndad\relax -|\doubler\rlap{\dql2gh}\dqu2ij\enotes -\temps\notes\qu G&\rlap{\cu b}\qqbbl{-2}bdNb|\zq i\qu k\enotes -%\check -% mesure 34 -\barre\notes\qup G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes -\temps\notes\bigaccid\sk\cu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0n\enotes -\temps\notes\doubler\dqu2JK&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes -\temps\notes\qu L&\qqbbl{-2}NcLN|\zql e\qu j\enotes -%\check -% mesure 35 -\barre\notes\qup F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes -\temps\notes\sk\cu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0m\enotes -\temps\notes\doubler\dqu2IJ&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes -\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\qu i\enotes -%\check -% mesure 36 -\barre\notes\qup E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql{-3}ge}\dqu{-3}lg\enotes -\temps\notes\sk\cu G&\qqbbl{-2}NbLN|\ibu0k2\zql e\qh0g\sk\tqh0l\enotes -\temps\notes\doubler\dqu2HI&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-5}he}\dqu{-3}jh\enotes -\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0h2\zql e\qh0h\sk\tqh0j\enotes -% mesure 37 -\barre\notes\qup D&\zqu K\qqbbl2Ka{^M}a|\doubler\rlap{\dql0{^f}f}\dqu{-4}kh\enotes -\temps\notes\sk\sh F\cu F&\qqbbl{-2}MaKM|\ibu0h2\zql f\qh0h\sk\tqh0k\enotes -\temps\notes\doubler\dqu2GH&\rlap{\doubler\cu N\cu a}\qqbbl2Ndad\relax -|\doubler\rlap{\dql{-2}gf}\dqu{-2}ih\enotes -\temps\notes\qu I&\rlap{\cu b}\qqbbl{-2}bdNb|\zql g\qu g\enotes -%\check -% mesure 38 -\barre\notes\qu G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes -\temps\notes\bigaccid\qu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0m\enotes -\temps\notes\qu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes -\temps\notes\qu L&\qqbbl{-2}NcLN|\doubler\zql g\dqu{-3}lj\enotes -%\check -% mesure 39 -\barre\notes\qu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes -\temps\notes\qu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes -\temps\notes\qu I&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes -\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\doubler\dqu{-3}ki\enotes -%\check -% mesure 40 -\barre\notes\qu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql0gg}\dqu{-3}li\enotes -\temps\notes\qu G&\qqbbl{-2}NbLN|\ibu0k2\zql g\qh0i\sk\tqh0k\enotes -\temps\notes\qu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-2}ji\enotes -\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0i{-2}\zql e\qh0j\sk\tqh0h\enotes -% mesure 41 -\generalmeter{\meterfrac 54}\changecontext -\NOTes\qu K&\zq{Nb}\ql K|\zq{gi}\ql k\enotes -\temps\NOTes\qu G&\zq{LN}\ql c|\zq{gj}\ql l\enotes -\temps\NOTes\qu H&\zq{La}\ql c|\zq{eh}\ql j\enotes -\temps\NOTEs\qup K&\zqp{^Ma}\qlp d|\zqp{^fh}\qlp k\enotes -\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes -%\check -% mesure 42 -\quatretemps\changecontext -\notes\qu G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes -\temps\notes\bigaccid\qu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0m\enotes -\temps\notes\qu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes -\temps\notes\qu L&\qqbbl{-2}NcLN|\doubler\zql g\dqu{-3}lj\enotes -%\check -% mesure 43 -\barre\notes\qu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes -\temps\notes\qu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes -\temps\notes\qu I&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes -\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\doubler\dqu{-3}ki\enotes -%\check -% mesure 44 -\barre\notes\qu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql0gg}\dqu{-3}li\enotes -\temps\notes\qu G&\qqbbl{-2}NbLN|\ibu0k2\zql g\qh0i\sk\tqh0k\enotes -\temps\notes\qu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-2}ji\enotes -\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0i{-2}\zql e\qh0j\sk\tqh0h\enotes -% mesure 45 -\barre\NOtes\qu K&\zq{Nb}\ql d|\zq{gi}\ql k\enotes -\temps\NOtes\soupir&\soupir|\soupir\enotes -\temps\NOtes\qu G&\zq{LN}\ql c|\zq{gj}\ql l\enotes -\temps\NOtes\soupir&\soupir|\soupir\enotes -% mesure 46 -\barre\NOtes\qu H&\zq{La}\ql c|\zq{eh}\ql j\enotes -\temps\NOtes\soupir&\soupir|\soupir\enotes -\temps\NOtes\qu K&\zq{^Ma}\ql d|\zq{^fh}\ql k\enotes -\temps\NOtes\soupir&\soupir|\soupir\enotes -%\check -% mesure 47 -\generalmeter{\meterfrac 32}\changecontext -\NOTEs\hu G&\zh I\zh K\hl N|\zh b\zh d\hu g\enotes -\smallnotesize\bigaccid -\notes&|\Uptext{\hbox{\kern -16mm\moyen Maestoso \bf(\metron{\qu}{50})}}\enotes -\notes&\qqbbH9KGKNa\enotes -\temps\notes\sk\sk\pause&\qqbbL{-4}abN{^M}N\enotes -\temps\notes&\qqbbl7KNbc\enotes -\temps\notes&\qqbbL{-4}cdbab\enotes -%\check -% mesure 48 -\quatretemps -\changecontext\notes&|\qqbbH8bNbd{^f}\enotes -\temps\notes\sk\sk\pause&|\qqbbH{-4}ggdcd\enotes -\temps\notes&|\qqbbH7dbdfg\enotes -\temps\notes&|\qqbbu0ifgi\enotes -%\check -% mesure 49 -\barre\notes&|\qqbbL0ikgik\enotes -\normalnotesize -\temps\notes\hpause&|\cl n\qsoupir\sk\enotes -\temps\Notes\ccu G&\itenl1N\itenu2g\zq{Nbd}\ccl g|\itenu3n\zq{ik}\ccu n|\enotes -\temps\NOtes\pointdorgue 8\qup G&\tten1\tten2\pointdurgue H\zqp{Nce}\qlp g\relax - |\tten3\pointdorgue o\zqp{jl}\qlp n\enotes -\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes -%\check -\autolines {16}35\relax -% mesure 50 -\smallnotesize\bigaccid -\barre\notes&\qqbbH7IGJLM\enotes -\temps\notes\sk\sk\pause&\qqbbL{-4}MNLKL\enotes -\temps\notes&\qqbbl7JLN{=b}\enotes -\temps\notes&\qqbbL{-4}acNMN\enotes -%\check -% mesure 51 -\barre\notes&\qqbbH7MLN{=b}c\enotes -\temps\notes\sk\sk\sk\pause&|\qqbbH0debce\enotes -\temps\notes&|\qqbbH7cNceg\enotes -\temps\notes&|\qqbbL0hjg{=i}j\enotes -%\check -% mesure 52 -\barre\notes&|\qqbbL0kljln\enotes -\normalnotesize -\temps\notes\hpause&|\cl q\qsoupir\sk\enotes -\temps\Notes\ccu E&\itenu1c\zq{LN}\ccl c|\itenu2j\zq{eg}\ccu j\enotes -\temps\NOtes\pointdorgue 7\qup F&\tten1\pointdorgue{10}\zqp{JM_a}\qlp c\relax - |\tten2\pointdorgue{10}\zqp{f_h}\qup j\enotes -\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes -%\check -% mesure 53 -\smallnotesize\bigaccid -\barre\notes&\qqbbH7KJM{_a}b\enotes -\temps\notes\sk\sk\pause&\qqbbL{-4}acaNa\enotes -\temps\notes&\qqbbl7Mac{=e}\enotes -\temps\notes&\qqbbL{-4}cfcbc\enotes -%\check -% mesure 54 -% \barre\notes&\qqbbH7c{_a}c{=e}f\enotes -\barre\notes&\ibbu0h7\qh0{_a}\qh0c|\sk\sk\qh0{=e}\tqh0f\enotes -\temps\notes\sk\sk\sk\pause&|\qqbbH0f{_h}fef\enotes -\temps\notes&|\qqbbH7ecfhi\enotes -\temps\notes&|\qqbbL0hjhgh\enotes -%\check -% mesure 55 -\troistemps\changecontext\notes&|\qqbbl6f{_h}j{=l}\enotes -\temps\notes\sk\sk\pause&|\qqbbl2mn{_o}n\enotes -\temps\notes&|\qqbbl{-3}m{_l}{_k}j\enotes -% mesure 56 -%\check -\normalnotesize -\quatretemps\changecontext\NOTes\qup I&\zqp M\zqp b\qlp{_d}|\zqp{fi}\qlp{_k}\enotes -\smallnotesize\bigaccid -\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes -\temps\notes\sk\sk\sk\hpause&\ibbu0h5\qh0M\qh0b|\sk\sk\qh0{_d}\tqh0e\enotes -\temps\notes&|\qqbbh{-2}fdcd\enotes -%\check -% mesure 57 -\barre\notes&|\qqbbH7bb{_d}fh\enotes -\temps\notes\sk\sk\sk\pause&|\qqbbL{-2}gifef\enotes -\temps\notes&|\qqbbH8e{_d}fi{_k}\enotes -\temps\notes&|\qqbbL{-2}kmkjk\enotes -% -% mesure 58 -\barre\notes&|\qqbbl5ikmo\enotes -\temps\notes\hpause&|\qqbbl{-3}p{_o}{_n}m\enotes -\normalnotesize -\temps\NOtes\qup E&\zqp{_Nb}|\zqp e\rlap{\qlp {_g}}\zqp{il}\qup{_n}\enotes -\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes -% mesure 59 -\smallnotesize\bigaccid -\barre\notes&\ibbl0L7\qb0L\qb0b\enotes -\notes&|\qb0e\tqb0f\enotes -\temps\notes\sk\sk\sk\pause&|\qqbbh{-2}{_g}e{_d}e\enotes -\temps\notes&|\qqbbH6dce{g}j\enotes -\temps\notes&|\qqbbL{-2}jljij\enotes -% mesure 60 -\barre\notes&|\qqbbl5{=h}jl{_n}\enotes -\temps\notes\sk\sk\sk\pause&|\qqbbl2opqp\enotes -\temps\notes&|\qqbbl{-3}o{=n}ml\enotes -\temps\notes&|\qqbbl{-3}{_k}jih\enotes -% mesure 61 -\normalnotesize -\barre\nspace\autolines{18}35\relax -\Notes\cu{_H}&\zmidtwotext{\it accelerando poco a poco}\relax -\zq K\lq a\lfl a\zq M\ccl b|\fl h\zq d\zq f\rq h\ccu i\enotes -\smallnotesize\varaccid -\temps\notes\dsoupir&|\ibbu0g3\qh0{fi}\tqh0h\enotes -\temps\notes\soupir&|\qqbbH3gidih\enotes -\normalnotesize -\temps\Notes\cu G&\zq L\zq N\ccl b|\zq e\zq g\ccu i\enotes -\smallnotesize\varaccid -\temps\notes\dsoupir&|\ibbu0f3\qh0{eg}\tqh0f\enotes -\temps\notes\soupir&|\qqbbH3fgeih\enotes -% mesure 62 -\barre\nspace -\normalnotesize -\Notes\cu F&\zq K\zq M\lfl a\lq a\ccl b|\fl h\zq d\zq f\rq h\ccu i\enotes -\smallnotesize\varaccid -\temps\notes\dsoupir&|\ibbu0f3\qh0{df}\tqh0e\enotes -\temps\notes\soupir&|\qqbbH3ffdih\enotes -\normalnotesize -\temps\Notes\cu E&\zq L\zq N\ccl b|\zq e\zq g\ccu i\enotes -\smallnotesize\varaccid -\temps\notes\dsoupir&|\ibbu0f3\qh0{eg}\tqh0f\enotes -\temps\notes\soupir&|\qqbbH3fgeih\enotes -% mesure 63 -\normalnotesize -\barre\Notes\cu D&\zq K\zq N\ccl{=b}|\zq d\zq g\ccu{=i}\enotes -\smallnotesize\varaccid -\temps\notes\dsoupir&|\ibbu0f3\qh0{dg}\tqh0f\enotes -\temps\notes\soupir&|\qqbbH3fgeji\enotes -\normalnotesize\nspace -\temps\Notes\cu C&\zq{=L}\zq N\lfl b\lq b\ccl c|\fl i\zq{=e}\zq g\rq i\ccu j\enotes -\smallnotesize\varaccid -\temps\notes\dsoupir&|\ibbu0f3\qh0{cg}\tqh0f\enotes -\temps\notes\soupir&|\qqbbH3fgej{=i}\enotes -% mesure 64 -\normalnotesize -\barre\Notes\cu I&\zq{=L}\zq N\lq b\ccl c|\fl i\zq{=e}\zq g\rq i\ccu j\enotes -\smallnotesize\varaccid -\temps\notes\dsoupir&|\ibbu0f3\qh0{cg}\tqh0f\enotes -\temps\notes\soupir&|\qqbbH3fgej{=i}\enotes -\normalnotesize\nspace -\temps\Notes\cu{_H}&\zq M\zq{_a}\ccl c|\zq f\zq{_h}\ccu j\enotes -\smallnotesize\varaccid -\temps\notes\dsoupir&|\ibbu0f3\qh0{c_h}\tqh0g\enotes -\temps\notes\soupir&|\qqbbH3fhfji\enotes -% mesure 65 -\normalnotesize -\barre\Notes\cu G&\zq{=L}\zq N\lq b\ccl c|\fl i\zq{=e}\zq g\rq i\ccu j\enotes -\smallnotesize\varaccid -\temps\notes\dsoupir&|\ibbu0f3\qh0{cg}\tqh0f\enotes -\temps\notes\soupir&|\qqbbH3fgej{=i}\enotes -\normalnotesize -\temps\Notes\cu F&\zq M\zq{=a}\ccl c|\zq f\zq{=h}\ccu j\enotes -\smallnotesize\varaccid -\temps\notes\dsoupir&|\ibbu0f3\qh0{fh}\tqh0g\enotes -\temps\notes\soupir&|\qqbbH3fhfj{=i}\enotes -% mesure 66 -\normalnotesize -\barre\Notes\cu{^F}&\zq{^M}\zq a\ccl c|\zq{^f}\zq h\ccu j\enotes -\smallnotesize\varaccid -\temps\notes\dsoupir&|\ibbu0f3\qh0{dh}\tqh0g\enotes -\temps\notes\soupir&|\qqbbH3fhf{_i}h\enotes -\normalnotesize -\temps\Notes\cu G&\zq K\zq N\ccl b|\zq d\zq g\ccu i\enotes -\smallnotesize\varaccid -\temps\notes\dsoupir&|\ibbu0f3\qh0{di}\tqh0h\enotes -\temps\notes\soupir&|\qqbbH5higik\enotes -\autolines {17}35\relax -%\check -% mesure 67 -\normalnotesize -\barre\notes\hu G&\zqu N\qqbbl2Ndbd|\raise 7\Interligne\rlap{\vbox to 2\Interligne -{\vss\hbox{\moyen Allegro \bf(\metron{\qu}{70})}}}\relax - \doubler\rlap{\dql{-3}ig}\dqu{-5}ni\enotes -\temps\notes&\qqbbl{-2}bdNb|\ibu0i3\zql g\qh0i\sk\tqh0k\enotes -\temps\notes\hu J&\zqu L\qqbbl2LcNc|\rlap{\ibl1h{-4}\qb1j\sk\tqb1e}\relax - \ibu0l{-4}\qh0l\sk\tqh0g\enotes -\temps\notes&\qqbbl{-2}NcLN|\ibu0h6\zql e\qh0g\sk\tqh0l\enotes -%\check -% mesure 68 -\barre\notes\hu F&\zqu M\qqbbl3Mcac|\rlap{\ibl1h{-3}\qb1h\sk\tqb1f}\relax - \ibu0j{-5}\qh0m\sk\tqh0h\enotes -\temps\notes&\qqbbl{-3}acMa|\ibu0h3\zql f\qh0h\sk\tqh0j\enotes -\temps\notes\hu I&\zqu K\qqbbl3KbMb|\rlap{\ibl1g{-3}\qb1i\sk\tqb1d}\relax - \ibu0k{-4}\qh0k\sk\tqh0f\enotes -\temps\notes&\qqbbl{-2}MbKM|\ibu0h5\zql d\qh0f\sk\tqh0i\enotes -%\check -% mesure 69 -\barre\notes\hu E&\zqu L\qqbbl2LbNb|\rlap{\ibl1g{-3}\qb1g\sk\tqb1e}\relax - \ibu0i{-5}\qh0l\sk\tqh0g\enotes -\temps\notes&\qqbbl{-2}NbLN|\ibu0h2\zql e\qh0g\sk\tqh0i\enotes -\temps\notes\hu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-5}hc}\dqh{-5}je\enotes -\temps\notes&\qqbbl{-2}LaJL|\doubler\zql c\dqu6eh\enotes -% mesure 70 -\barre\notes\hu D&\zqu K\qqbbl2Ka{^M}a|\rlap{\ibl1f{-3}\qb1{^f}\sk\tqb1d}\relax - \ibu0h{-5}\qh0k\sk\tqh0f\enotes -\temps\notes&\qqbbl{-2}MaKM|\ibu0h2\zql d\qh0f\sk\tqh0h\enotes -\temps\notes\doubler\dqu2GH&\rlap{\doubler\cu N\cu a}\relax - \qqbbl2Ndad|\doubler\rlap{\dql2gh}\dqu2ij\enotes -\temps\notes\qu I&\rlap{\cu b}\qqbbl{-2}bdNb|\zql i\qu k\enotes -%\check -% mesure 71 -\barre\notes\bigaccid\hu{=I}&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes -\temps\notes&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0n\enotes -\temps\notes\hu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}ge}\dqu{-3}lj\enotes -\temps\notes&\qqbbl{-2}NcLN|\doubler\zql e\dqu4jl\enotes -%\check -% mesure 72 -\barre\notes\hu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes -\temps\notes&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes -\temps\notes\bigaccid\hu{_I}&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\fl i\dql{-3}ih}\dqu{-4}kj\enotes -\temps\notes&\qqbbl{-2}MbKM|\ibu0i4\zql f\qh0i\sk\tqh0k\enotes -%\check -% mesure 73 -\barre\notes\hu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql{-3}gg}\dqu{-3}li\enotes -\temps\notes&\qqbbl{-2}NbLN|\ibu0j2\zql g\qh0i\sk\tqh0k\enotes -\temps\notes\hu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-3}ji\enotes -\temps\notes&\qqbbl{-2}LaJL|\ibu0h2\zql e\qh0h\sk\tqh0j\enotes -% mesure 74 -\barre\notes\hu D&\qqbbl2Ka{^M}a|\doubler\rlap{\dql0{^f}f}\dqu{-4}kh\enotes -\temps\notes&\qqbbl{-2}MaKM|\ibu0h2\zql f\qh0h\sk\tqh0j\enotes -%\check -\temps\notes\doubler\dqu{-2}G{^F}&\rlap{\doubler\cu N\cu a}\qqbbl2Ndad\relax -|\doubler\rlap{\dql2gh}\dqu2ij\enotes -\temps\notes\qu G&\rlap{\cu b}\qqbbl{-2}bdNb|\zq i\qu k\enotes -%\check -% mesure 75 -\barre\notes\qup G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes -\temps\notes\bigaccid\sk\cu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0n\enotes -\temps\notes\doubler\dqu2JK&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes -\temps\notes\qu L&\qqbbl{-2}NcLN|\zql e\qu j\enotes -%\check -% mesure 76 -\barre\notes\qup F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes -\temps\notes\sk\cu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0m\enotes -\temps\notes\doubler\dqu2IJ&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes -\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\qu i\enotes -%\check -% mesure 77 -\barre\notes\qup E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql{-3}ge}\dqu{-3}lg\enotes -\temps\notes\sk\cu G&\qqbbl{-2}NbLN|\ibu0k2\zql e\qh0g\sk\tqh0l\enotes -\temps\notes\doubler\dqu2HI&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-5}he}\dqu{-3}jh\enotes -\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0h2\zql e\qh0h\sk\tqh0j\enotes -% mesure 78 -\barre\notes\qup D&\zql K\qqbbl2Ka{^M}a|\doubler\rlap{\dql0{^f}f}\dqu{-4}kh\enotes -\temps\notes\doubler\sk\sh F\cu F&\qqbbl{-2}MaKM|\ibu0h2\zql f\qh0h\sk\tqh0k\enotes -\temps\notes\doubler\dqu2GH&\rlap{\doubler\cu N\cu a}\qqbbl2Ndad\relax -|\doubler\rlap{\dql{-2}gf}\dqu{-2}ih\enotes -\temps\notes\qu I&\rlap{\cu b}\qqbbl{-2}bdNb|\zql g\qu g\enotes -%\check -% mesure 79 -\barre\notes\qu G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes -\temps\notes\bigaccid\qu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0m\enotes -\temps\notes\qu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes -\temps\notes\qu L&\qqbbl{-2}NcLN|\zql g\doubler\dqu{-3}lj\enotes -%\check -% mesure 80 -\barre\notes\qu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes -\temps\notes\qu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes -\temps\notes\qu I&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes -\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\doubler\dqu{-3}ki\enotes -%\check -% mesure 81 -\barre\notes\qu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql0gg}\dqu{-3}li\enotes -\temps\notes\qu G&\qqbbl{-2}NbLN|\ibu0k2\zql g\qh0i\sk\tqh0k\enotes -\temps\notes\qu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-2}ji\enotes -\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0i{-2}\zql e\qh0j\sk\tqh0h\enotes -% mesure 82 -\barre\notes\qu K&\qqbbl2KbNb|\doubler\rlap{\dql{-2}ih}\dqu{-2}kj\enotes -\temps\notes\qu L&\qqbbl{-2}NbLN|\doubler\rlap{\dql2gh}\dqu2ij\enotes -\temps\notes\qup K&\qqbbl6KNbd|\rlap{\cl g\sk - \raise -3\internote\dsoupir}\zqp i\qup k\enotes -\notes\sk\sk\dsoupir&|\ql g\sk\raise 3\internote\dsoupir\enotes -% mesure 83 -\barre\notes\qu J&\qqbbl7JLNc|\zq{gj}\ql l\enotes -\temps\NOtes\soupir&\cl e\dsoupir|\soupir\enotes -\temps\notes\qu H&\qqbbl7HJLa|\zq{eh}\ql j\enotes -\temps\NOtes\soupir&\cl c\dsoupir|\soupir\enotes -% mesure 84 -\barre\notes\qu K&\qqbbl7K{^M}ad|\bigaccid\rlap{\cl{^f}\sk -\raise-3\interligne\dsoupir}\zq{h}\qu k\enotes -\temps\NOTEs\soupir&\soupir|\zql f\raise 3\interligne\soupir\enotes -\temps\NOTEs\hpause&\hpause|\hpause\enotes -% mesure 85 -\troistemps\changecontext\NOtes\cu G&\zq{KNb}\cl d|\zq{gik}\cl n\enotes -\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes -\temps\NOtes\cu E&\zq{JLN}\cl c|\zq{egj}\cl l\enotes -\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes -\temps\NOtes\cu C&\zq{JL}\cl a|\zq{ceh}\cl j\enotes -\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes -% mesure 86 -\barre\NOTEs\qu D&\zq{K^M}\ql a|\zq{d^fh}\ql k\enotes -\temps\NOTEs\soupir&\soupir|\soupir\enotes -\cleftoksii={{0}{0}{0}{0}}\changeclefs -\temps\NOtes\zq D\cu K&\cu d|\cu k\enotes -\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes -\advance\barsinline by -1\relax -% mesure 87 -\barre\NOTES\zh N\hl G&\hu g|\hu n\enotes -\temps\NOTES\soupir&\soupir|\soupir\enotes -% -\finmorceau -\rightline{\sl\aujourdhui}\vfil\eject -\endinput - diff --git a/macros/musixtex/doc/examples/pslurvgap.tex b/macros/musixtex/doc/examples/pslurvgap.tex deleted file mode 100644 index 216f3d183d..0000000000 --- a/macros/musixtex/doc/examples/pslurvgap.tex +++ /dev/null @@ -1,21 +0,0 @@ -\input musixtex -\input musixps - -\footline={} - \Nosluradjust \Notieadjust - -\startmuflex \nobarnumbers - -\startextract\NOTes\multnoteskip3\isluru0c\ql c\tslur0s\ql s\enotes - \bar\NOTes\multnoteskip3\isluru0c\ql c\tslur0z\ql z\enotes\endextract - - \instrumentnumber{1} \generalmeter{\meterfrac34} -\startextract -\NOTes\isluru0c\ql c\enotes\notes\tslur0j\ql j\enotes - \bar\NOTes\isluru0c\ql c\enotes\notes\tslur0n\ql n\enotes - \NOTes\isluru0c\ql c\enotes\notes\tslur0s\ql s\enotes - \bar\NOTes\isluru0c\ql c\enotes\notes\tslur0z\ql z\enotes - \endextract - -\endmuflex -\end diff --git a/macros/musixtex/doc/examples/quod.tex b/macros/musixtex/doc/examples/quod.tex deleted file mode 100644 index b73720fa6a..0000000000 --- a/macros/musixtex/doc/examples/quod.tex +++ /dev/null @@ -1,162 +0,0 @@ -\input musixtex.tex -\input musixsty.tex -\input musixps -\nohalfties -\def\pstiehgt{0.5} -\def\psslurhgt{0.5} -\vsize9.75in -\voffset-0.5in -\hsize7.0in -\hoffset-0.25in -\smallmusicsize -\bigaccid -\advance\parindent by 10pt -\def\raisebarno{7\internote}% -\nobarnumbers -\relativeaccid -\geometricskipscale - -\instrumentnumber4 -\setclef1\bass\setbassclefsymbol1\bassoct -\setclef4\treble\settrebleclefsymbol4\trebleoct -\generalsignature{+1} -\generalmeter\meterC -\setname1{B} -\setname2{T} -\setname3{A} -\setname4{S} -\songtop4 -\songbottom1 -\fulltitle{Quodlibet} -\subtitle{Variation 30 of the Goldberg Variations for Clavier} -\title{Quodlibet} -\author{J. S. Bach (1685--1750)} -\shortauthor{J. S. Bach} -\othermention{Arranged for Recorders by R. D. Tennent} -\maketitle -\startbarno=0 -\nobarnumbers -\stafftopmarg=3.0\Interligne% -\staffbotmarg=3.0\Interligne% -\startpiece\addspace\afterruleskip% -\systemnumbers% -\Notes\ds&\cu d&\ds&\ds\en -\bar%1 -\Notes\hl N&\ibu1g2\qb1{ghi}\tqh1j&&\hpause\en -\Notes\hl M&\ibl1k{-2}\qb1k&&\en -\notes&\nbbl1\qb1j\tqb1i&&\qp\en -\Notes&\ibu1h0\qb1h&&\ds\en -\notes&\nbbu1\qb1g\tqh1h&&\cu d\en -\def\atnextbar{\znotes&&\centerpause&\en}% -\bar%2 -\Notes\hl L&\ibu1i{-2}\qb1i\tqh1h&\ql n&\ibu3g2\qb3{gh}\en -\Notes&\itied1g\qu g&\ql n&\qb3i\tqh3j\en -\Notes\ql{.K}&\ttie1\qu g&\ql o&\ibl3k{-2}\qb3k\en -\notes&&&\nbbl3\qb3j\tqb3i\en -\Notes&\ibu1f0\shake{n}\qb1f&\cl o&\cu h\en -\notes\cu J&\nbbu1\qb1e\tqh1f&\ds&\ds\en -\bar%3 -\Notes\hu I&\qu g&\ibl2n{-1}\qb2{no}&\ql k\en -\Notes&\ds\cl k&\qb2{n}\tqb2{=m}&\ql k\en -\Notes\hu J&\ibu1j{-2}\qb1{ji}&\ibl2j{0}\qb2{lk}&\ql l\en -\Notes&\qb1h\tqh1g&\qb2j\tqb2p&\ql l\en -\bar%4 -\Notes\hl K&\itied1f\shake{n}\qu f&\ibl2o{-1}\qb2{on}&\ibl3k{-1}\qb3{kl}\en -\notes&\ttie1\ibbu1e{-2}\qb1f\tbbu1\qb1e&\qb2o&\qb3k\en -%\vnotes1.5\elemskip&\nbbbu1\qb1e\tbbu1\qb1f&&\en -\Notes&\itied1d\tqh1d&\tqb2m&\tqb3j\en -\Notes\qu G&\ttie1\qu d&\ibl2n{-2}\qb2n\tqb2m&\ibu3h{-1}\shake{p}\qb3i\tqh3h\en -\Notes\ds&\qp&\ibl2n{-5}\qb2n&\qu g\en -\notes\ibbl0b{-1}\qb0b\tqb0a&&\tqb2k&\en -\bar%5 -\Notes\ibl0M0\qb0N&\ql n&\ibl2n2\qb2n&\hpause\en -\notes\nbbl0\qb0M\tqb0N&&\qb2o&\en -\Notes\ibl0K0\qb0L&\ql n&\qb2p&\en -\notes\nbbl0\qb0K\tqb0L&&\tqb2q&\en -\Notes\ql{.M}&\ql o&\ibl2r{-2}\qb2r&\qp\en -\notes&&\nbbl2\qb2q\tqb2p&\en -\Notes\sk\cu I&\ql o&\ibl2o6\qb2o\itieu2r\tqb2r&\ds\cl k\en -\bar%6 -\Notes\ql{.L}&\ibl1n{-1}\qb1{no}&\ttie2\ibl2r{-2}\qb2r\tqb2q&\ibl3n{-2}\qb3{nm}\en -\Notes&\qb1n&\ql p&\qb3l\en -\notes\ibbl0M2\qb0M\tqb0N&\tqb1m&&\tqb3k\en -\Notes\itieu0a\ql a&\ibl1l{-2}\qb1l&\ql{.o}&\shake{n}\ibl3i0\qb3{^j}\en -\notes&\tqb1k&&\nbbl3\qb3i\tqb3j\en -\notes\ttie0\ibbl0a{-2}\qb0{aN}&\cl{^j}&&\cu h\en -\notes\qb0M\tqb0L&\ds&\ibbl2i2\qb2i\qsk\tqb2{^j}&\ds\en -\bar%7 -\Notes\ql M&\ibu1g0\qb1{fg}&\ibl2k0\qb2{kl}&\qu h\en -\Notes\ql K&\qb1h\tqh1f&\qb2m\tqb2k&\qu h\en -\Notes\ql N&\ibu1g{-2}\qb1{gf}&\ibl2i4\qb2{ik}&\ql i\en -\Notes\qu G&\qb1e\tqh1d&\qb2n\tqb2m&\ql i\en -\bar%8 -\Notes\qu{.H}&\ibu1c4\qb1{^cd}&\ibl2l{-1}\qb2{.l}\roff{\itieu2k\tbbl2\tqb2k}\qsk&\ibu3i{-1}\qb3{hi}\en -\notes&\qb1e&\ttie2\ibbl2j0\qb2k\hqsk\tbbl2\qb2{^j}&\qb3h\en -\Notes\cu{^J}&\itied1h\tqh1h&\itieu2l\tqb2l&\tqh3g\en -\notes\ql K&\ttie1\ibu1h{-2}\qb1h&\ttie2\ibbl2l{-1}\qb2{lk}&\ibu3f{-1}\qb3f\en -\notes&\tqh1g&\qb2l\tqb2j&\tqh3e\en -\Notes\cl K&\cu f&\cl k&\cu d\en -\advance\barno by -1% -\leftrightrepeat -\Notes\ds&\cl m&\ds&\cl o\en -\bar%9 -\Notes\ql d\sk\ql c&\ibl1k0\qb1{kmk}\tqb1{m}&\ql o\sk\ql o&\ibl3m0\qb3{mom}\tqb3o\en -\Notes\ql b&\ibl1k0\qb1n&\ql p&\ibl3k2\qb3k\en -\notes&\qb1k&&\nbbl3\qb3l\tqb3m\en -\Notes\ql N&\qb1k\tqb1n&\ql p&\ibl3n{-4}\qb3n\tqb3l\en -\bar%10 -\Notes\ibl0b{-1}\qb0{cbc}\tqb0a&\cl l\ds\qp&\ibl2o{-1}\qb2{opo}\tqb2n&\ibl3o{-2}\qb3{onm}\tqb3l\en -\Notes\ql{.b}&\ql m&\ibl2m{-2}\qb2m&\ibl3j0\shake n\qb3{^k}\en -\notes&&\tqb2l&\nbbl3\qb3{^j}\tqb3k\en -\Notes\sk\cl a&\ql m&\cl{^k}\ds&\ibl3i8\qb3i\tqb3{p}\en -\bar%11 -\Notes\ql{N}\sk\ql{N}&\ibl1l0\qb1{nln}\tqb1l&\ql p\sk\ql p&\ibl3m0\qb3{lpl}\tqb3{p}\en -\notes\ql{.a}&\ibl1m{-1}\qb1{m*n}&\ql q&\ibbl3k2\qb3{^klm}\tqb3n\en -\Notes&\qb1m&\ql q&\ibl3o{-2}\qb3o\en -\notes\cl{^a}&\tqb1l&&\nbbl3\qb3n\qsk\tqb3{m}\en -\bar%12 -\Notes\ql b&\ibl1k2\qb1{^k}&\ibl2o{-1}\qb2p&\ibl3n{-2}\qb3n\en -\notes&\nbbl1\qb1l\tqb1m&\qb2q&\nbbl3\qb3m\tqb3l\qsk\en -\notes\qu I&\itied1i\qu i&\qb2p&\ibbl3k0\qb3{^kl}\en -\notes&&\tqb2o&\qb3m\tqb3k\en -\Notes\ql{.L}&\ttie1\ibu1i0\qb1i&\ibl2n0\qb2n&\itieu3l\hl l\en -\notes&\nbbu1\qb1h\tqh1i&\nbbl2\qb2m\tqb2n&\en -\Notes&\ibu1g2\qb1g&\cl l&\en -\notes\cl{=K}&\nbbu1\qb1h\tqh1i&\ds&\en -\bar%13 -\notes\qu J&\ibl1j2\qb1j\sk\qb1k&\hpause&\ttie3\ibbl3k1\slur lku1\qb3l\qb3k\slur mlu1\qb3m\tqb3l\en -\notes\ql c&\qb1l\sk\tqb1m&&\ibbl3m1\isluru3n\qb3n\tbbl3\tslur3m\qb3m\tqb3o\en -\notes\ql{.b}&\ibl1n{-1}\qb1n\sk\nbbl1\qb1m\tqb1l&\ql n&\ql{.k}\en -\Notes&\cl k&\ibl2i{-5}\qb2n&\en -\notes\ibbu0J{-2}\qb0J\tqh0I&\ds&\tqb2g&\ibbl3j2\qb3j\tqb3k\en -\bar%14 -\Notes\qu{.H}&\ds&\ibl2j1\qb2{.j}&\ibl3l2\qb3l\en -\notes&\cu h&\sk\tbbl2\tqb2k&\nbbl3\qb3m\tqb3n\en -\Notes&\ibu1e0\qb1e&\ibl2j{-2}\qb2j&\ibl3o{-2}\qb3o\en -\notes\ibbu0I2\qb0I\tqh0J&\nbbu1\qb1d\tqh1e&\tqb2{i}&\tqb3n\en -\notes\ql{.K}&\ibu1g1\qb1f&\ibu2h1\qb2h&\ibbl3m{-2}\shake{o}\qb3m\en -\notes&&&\tbbl3\qb3l\en -\Notes&\itied1g\tqh1g&\tqh2i&\tqb3k\en -\Notes&\ttie1\ibu1g{-1}\qb1g&\ibl2j2\qb2j&\ibu3i{-6}\qb3j\en -\notes\ibbu0J2\qb0J\tqh0K&\tqh1f&\tqb2k&\tqh3d\en -\bar%15 -\Notes\ibu0I0\qb0G&\qu d&\ibu2i0\qb2i&\ibl3i0\qb3i\en -\notes\qb0H&&\nbbu2\qb2h\tqh2i&\qb3j\en -\Notes\qb0I&\qu d&\cu g&\qb3k\en -\Notes\tqh0G&&\ds&\tqb3i\en -\Notes\qu{.J}&\qu e&\ds&\ibu3j{-2}\qb3j\en -\notes&&\ibbl2l{-2}\qb2l\tqb2k&\qb3i\en -\Notes&\qu e&\ibl2j4\qb2j&\qb3h\en -\Notes\cu{^J}&&\tqb2l&\tqh3g\en -\bar%16 -\notes\ql K&\ibu1g{1}\qb1d&\ibbl2h1\qb2{hk}&\ibu3f2\qb3f\en -\notes&\qb1e&\qb2j\tqb2i&\tqh3g\en -\notes\ql K&\qb1d&\ibbl2j0\qb2j\tbbl2\qb2h&\ibu3h{-4}\qb3h\en -\Notes&\tqh1j&\itieu2k\tqb2k&\tqh3f\en -\Notes\ql N&\ibu1i{-2}\qb1i&\ttie2\ibl2j0\qb2k&\qu g\en -\notes&\tqh1h&\nbbl2\qb2j\tqb2k&\en -\Notes\cu G&\cu g&\cl i&\cu g\en -\setrightrepeat -\endpiece% -\eject -\end diff --git a/macros/musixtex/doc/examples/racine.tex b/macros/musixtex/doc/examples/racine.tex deleted file mode 100644 index 0354b45c26..0000000000 --- a/macros/musixtex/doc/examples/racine.tex +++ /dev/null @@ -1,596 +0,0 @@ - -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi - -\hsize 190mm \vsize 280mm -\hoffset -1.84cm - - -\fulltitle{Cantique de Jean Racine} -\shorttitle{Cantique de Jean Racine} -\shortauthor{G. Faur\'e} -\fullauthor{Gabriel Faur\'e\\Transcription Orgue Daniel Taupin} -\othermention{Gif~: 2.4/9.11.13/19.23/33.37.41/54/46.47.48.51} -\maketitle - -% -\parindent 14mm -\musicsize=20 - -\def\quatreinstruments{\def\nbinstruments{4}\relax -\nbporteesi=1\relax -\nbporteesii=2\relax -\nbporteesiii=1\relax -\nbporteesiv=1\relax -\cleftoksi{6000}\relax -\cleftoksii{6000}\relax -\cleftoksiii{6000}\relax -\cleftoksiv{0000}\relax -\def\staffspacingi{1.0}\def\interinstrumenti{0pt}\relax -\def\staffspacingii{1.0}\def\interinstrumentii{-2\Interligne}\relax -\def\staffspacingiii{0.64}\def\interinstrumentiii{0pt}\relax -\def\staffspacingiv{0.64}\def\interinstrumentiv{0pt}\relax -} - % -\def\sanspedale{\def\nbinstruments{3}\relax -\nbporteesi=2\relax -\nbporteesii=1\relax -\nbporteesiii=1\relax -\cleftoksi{6000}\relax -\cleftoksii{6000}\relax -\cleftoksiii{0000}\relax -\def\staffspacingi{1.0}\def\interinstrumenti{-2\Interligne}\relax -\def\staffspacingii{0.64}\def\interinstrumentii{0pt}\relax -\def\staffspacingiii{0.64}\def\interinstrumentiii{0pt}\relax -} - % - -\def\paroles{\eightrm} - -%\paroles -% \line{G.O. ({\bf I}) : 8'+4', acc. Positif/R\'ecit\hss Gabriel Faur\'e} -% \line{Positif ({\bf II}) : 8'+4'+1 1/3, acc. R\'ecit\hss Transcription Orgue Daniel -%Taupin } -% \line{R\'ecit ({\bf III}) : 8'+4'\hss... } -% \line{P\'edale : 16'+8', acc. Positif\hss } - -\quatreinstruments -\normal -\def\instrumenti{P\'edale} -\def\instrumentii{Manuel} -\def\instrumentiii{\vbox{\hbox{T\'enors}\hbox{Basses}}} -\def\instrumentiv{\vbox{\hbox{Sopran.}\hbox{Altos}}} -\generalmeter{\meterC}% -% -% -% formes frequentes -% deux croches hautes -\def\dqb#1#2{\bigaccid\Ibl0{#1}{#2}1\qb0{#1}\varaccid\tqb0{#2}} -\def\dqh#1#2{\bigaccid\Ibu0{#1}{#2}1\qh0{#1}\varaccid\tqh0{#2}} -\def\sdqh{\ds\dqh} -\def\lsdqb{\raise-3\Internote\ds\dqb} -\def\sdqb{\ds\dqb} -\def\Tqb#1#2#3{\Ibl0{#1}{#3}2\qb0{#1}\varaccid\qb0{#2}\tqb0{#3}} -\def\tQb#1#2#3{\ibl0{#2}0\qb0{#1}\varaccid\qb0{#2}\tqb0{#3}} -\def\Tqh#1#2#3{\Ibu0{#1}{#3}2\qh0{#1}\varaccid\qh0{#2}\tqh0{#3}} -\def\tQh#1#2#3{\ibu0{#2}0\qh0{#1}\varaccid\qh0{#2}\tqh0{#3}} -\def\Sqh#1#2#3{\bigaccid\Tqh{#1}{#2}{#3}\Tqh} -\def\Sqb#1#2#3{\bigaccid\Tqb{#1}{#2}{#3}\Tqb} -\def\Qqh#1#2{\sdqh{#1}{#2}\Tqh} -\def\Qqb#1#2{\sdqb{#1}{#2}\Tqb} -\def\dnu#1#2{\bigaccid\qu{#1}\sk\sk\qu{#2}}% -\def\Dnu#1#2{\bigaccid\zq{!#1}\qu{!`#1}\sk\sk\zq{!`#2}\qu{!#2}}% -\def\dnb#1#2{\bigaccid\ql{#1}\sk\sk\ql{#2}}% -\def\Dnb#1#2{\bigaccid\zq{!#1}\ql{!`#1}\sk\sk\zq{!`#2}\ql{!#2}}% -\def\dnl{\dnb}\def\Dnl{\Dnb} -\def\Hu#1{\bigaccid\zh{!`#1}\hu{!#1}} -\def\Hl#1{\bigaccid\zh{!`#1}\hl{!#1}} -\def\hlu#1#2{\bigaccid\zhl{#1}\hu{#2}} -\def\huu#1#2{\bigaccid\zh{#1}\hu{#2}} -\def\hll#1#2{\bigaccid\zh{#1}\hl{#2}} -\def\qlu#1#2{\bigaccid\zql{#1}\qu{#2}} -\def\quu#1#2{\bigaccid\zq{#1}\qu{#2}} -\def\qll#1#2{\bigaccid\zq{#1}\ql{#2}} -\def\Pause{\sk\sk\sk\sk\sk\pause} -\def\Hpause{\sk\sk\hpause} -% -\def\zmid#1{\zcharnote{12}{\paroles #1}} -% -\staffbotmarg\Interligne - -\generalsignature{-5} -\def\nbinstruments{2}% -\debutmorceau -\autolines{14}{4}{4}% -%Takt 1 -\notes\zcharnote b{$\wedge$}\wh K&\uptext{\kern -1.5\Interligne - \bf II}\sdqb cd\Tqb fcd|\uptext{\moyen Andante}\Hpause\enotes -\temps\notes&\Tqb acd\sdqb cd|\sk\sk\sk\qu f\enotes -%Takt 2 -\barre\notes\hu F&\Sqb acdfda|\hu h\enotes -\temps\notes\hu H&\Qqb {=b}ceca|\hu g\enotes -%Takt 3 -\autolines{13}{4}{4}% -\barre\notes\hu K&\Qqb acdaM|\hup f\enotes -\temps\notes\hu J&\Sqb acdfda|\sk\sk\sk\qu h\enotes -%Takt 4 -\def\atnextline{\autolines{13}44}% -\barre\notes\qu I&\sdqb{=e}f|\qu k\enotes -\temps\notes\qu H&\sdqb fc|\qu j\enotes -\temps\notes\qu G&\sdqb cd|\qu i\enotes -\temps\notes\qu F&\sdqb da|\qu h\enotes -%Takt 5 -\barre\notes\hu H&\sdqb{=b}c|\qu h\enotes -\temps\notes &\Tqb eca|\qu g\enotes -\temps\notes\qu K&\sdqb{=N}a|\qu f\enotes -\temps\notes\qu F&\Tqb daM|\qu f\enotes -%Takt 6 -\barre\notes\hu G&\Qqb{=a}bdbL|\hu e\enotes -\temps\notes\hu H&\Qqb {=b}cec{_a}|\hu g\enotes -%Takt 7 -\barre\notes\dnu KJ&\Qqb{=N}adaM|\hu f\enotes -\temps\notes\dnu IH&\sdqb cd\sdqb da|\soupir\sk\sk\qu f\enotes -%Takt 8 -\barre\notes\hup G&\Qqb {=a}bdbL|\hu e\enotes -\temps\notes\sk\sk\sk\ql N&\Qqb{=b}cedc|\hu i\enotes -%Takt 9 -\barre\notes\dnb ML&\Qqb{=b}cfc{=a}|\hu{=h}\enotes -\temps\notes\dnb KJ&\sdqb ae\sdqb ea|\sk\sk\sk\qu f\enotes -%Takt 10 -\barre\notes\dnu IH&\sdqb{=e}f\sdqb fc|\dnu kj\enotes -\temps\notes\dnu GF&\sdqb cd\Tqb fd{_a}|\dnu i{_h}\enotes -%Takt 11 -\barre\notes\hu H&\Qqb{=b}ceca|\dnu hg\enotes -\temps\notes\dnu DF&\Qqb{=N}adad|\dnu fh\enotes -%Takt 12 -\advance\linesinpage by -1\relax - % -\barre\notes\hu G&\Qqb{=a}bdb{_N}|\hu f\enotes -\temps\notes\hu H&\Qqb N{_a}caN|\hu e\enotes -\def\atnextline{\sanspedale\def\nbinstruments{2}\savemeters}% - % -%Takt 13 -\barre\notes\zcharnote B{\kern -2\Interligne\rm(P\'ed.)}\zhl K\relax - \raise 2\Interligne\sdqb Ma\sdqb aM|\cu d\sk\ds\itenl1d\qu d&\Hpause\enotes -\temps\notes\cl a\sk\ds|\tten1\Tqh dcd&\soupir\enotes -\temps\notes\zcharnote C{\bf I \rm(G.O.)}\soupir|\Tqh fda&\relax - \zmid{Verbe \'e-}\clp M\sk\ccl M\enotes -%Takt 14 -\barre\notes\hu F|\Qqh cdfda&\zmid{gal}\hl a\enotes -\temps\notes\hu H|\Qqh {=b}ceca&\zmid{au}\qlp N\sk\sk\sk\zmid{Tr\`es-}\sk\cl N\enotes -%Takt 15 -\barre\notes\hu K|\Qqh acdaM&\zmid{Haut}\hlp M\enotes -\temps\notes\hu J|\Sqh acdfda&\sk\sk\sk\zmid{notre}\qll Ma\enotes -%Takt 16 -\barre\notes\qu I|\sdqh{=e}f&\zmid{u-}\qll Md\enotes -\temps\notes\qu H|\sdqh fc&\zmid{ni-}\zq M\ql c\enotes -\temps\notes\qu G|\sdqh cd&\zmid{que es-}\zq K\ql b\enotes -\temps\notes\qu F|\sdqh da&\zmid{p\'e}\zq a\ql a\enotes - %\check -%Takt 17 -\def\atnextline{\sanspedale\def\nbinstruments{3}\savemeters}% -\barre\notes\hu H|\Qqh aceca&\zmid{ran-}\zql a\hu c\sk\sk\ql N&\Pause\enotes -\temps\notes\dnu DF|\Qqh acdaM&\zmid{ce}\zq M\ql d\sk\sk\zmid{Jour}\zq M\ql d\enotes - %\check -%Takt 18 -\barre\notes\hu G|\Qqh bdedb&\zmid{\'e-}\zh L\hl d&\Pause\enotes -\temps\notes\hu H|\Qqh NcecN&\zmid{ter-}\zh N\hl c\enotes - %\check -%Takt 19 -\barre\notes\wh I|\Qqh MbdbM&\zmid{nel}\zh M\hl d&\Hpause\enotes -\temps\notes|\Sqh bcdfdb&\zmid{de}\zq M\ql d\sk\sk - \zmid{la}\zq M\ql d&\soupir\sk\sk\zmid{De}\qu f\enotes - %\check -%Takt 20 -\barre\notes\wh H|\Qqh cdfda&\zmid{terre}\hll Md&\zmid{la}\qu h\sk\sk - \zmid{pai-}\qu h\enotes -\temps\notes|\Qqh NdedN&\zmid{et}\zq L\ql d\sk\sk - \zmid{des}\zq M\ql c&\zmid{si-}\qu g\sk\sk - \zmid{ble}\qu g\enotes - %\check -%Takt 21 -\barre\notes\hu K|\Qqh MadaM&\zmid{cieux,}\zh K\hlp d&\zmid{nuit,}\hup f\enotes -\temps\notes\hu J|\Sqh acdfda&\hl J\sk\sk\zmid{nous}\qu a&\sk\sk\sk - \zq f\qu h\enotes - %\check -%Takt 22 -\barre\notes\dnu IH|\sdqh{=e}f\sdqh fc&\zmid{rom-}\qll Ib\sk\sk - \zmid{pons}\qll Hd&\quu fk\sk\sk\quu fj\enotes -\temps\notes\dnu {=G}J|\sdqh bf\sdqh eb&\zmid{le}\qll {=G}d\sk\sk - \zmid{si-}\qll Jc&\quu fi\sk\sk\quu {=e}j\enotes - %\check -%Takt 23 -\barre\notes\hup F|\Qqh {=N}c{=e}cN&\zmid{len-}\hll Fc&\huu {=e}i\enotes -\temps\notes\sk\sk\sk\qu J|\Sqh acfh{_e}c&\zmid{ce,}\qll Mc\sk\sk - \zmid{Di-}\qll Je&\quu fh\sk\sk\quu hj\enotes - %\check -%Takt 24 -\barre\notes\hu K|\Qqh bfhfb&\zmid{vin}\hll Kf&\zhu i\qsk\hl h\enotes -\temps\notes\hu L|\Qqh bd{=g}db&\zmid{Sau-}\hll Lb&\zh{=g}\hu k\enotes - %\check -%Takt 25 -\barre\notes\Dnu a{=N}|\sdqh ce\ds\rq c\dqh b{=e}\relax - &\zmid{veur,}\qll aa\sk\sk\qll{=N}b&\zhup j\dnb e{=e}\enotes -\temps\notes\Dnu ML|\ds\zq a\dqh cf\ds\zq{=a}\dqh c{_g}&\relax -\qll Ma\sk\sk\zmid{jet-}\qll L{=a}&\ql f\sk\sk\quu{_g}j\enotes - %\check -%Takt 26 -\barre\notes\Hu K|\Qqh bdfdb&\zmid{te}\zh K\hlp b\sk\sk\zmid{sur}\relax - &\zhl f\qu i\sk\sk\qu i\enotes -\temps\notes\Hu L|\Qqh bd{=g}db&\hl L\sk\sk\qu b&\zhl{=g}\qu k\sk\sk\qu k\enotes - %\check -%Takt 27 -\barre\notes\Hu{=L}|\Qqh c{=g}igc&\zmid{yeux,}\hll {=L}b&\zhl{=g}\hup j\enotes -\temps\notes\zq F\dnu MH|\Qqh ch{_g}ca&\quu Ma\sk\sk\zmid{Di-}\qll ac\relax - &\ql h\sk\sk\lfl g\zqu h\qsk\ql g\enotes - %\check -%Takt 28 -\barre\notes\Dnu KM|\sdqh fk\zq{=h}\Tqh jfe&\zmid{vin}\qll Kd\sk\sk\quu M{=a}\relax - &\Ilegu1q\zhl f\qu m\sk\sk\qu j\sk\tleg1\enotes -\temps\notes\Dnu ba|\Qqh di{_j}f{=d}&\zmid{Sau-}\qll bb\sk\sk\quu a{=d}&\relax - \Ilegu1q\quu fk\sk\sk\quu {_j}m\sk\tleg1\enotes - %\check -%Takt 29 -\barre\notes\Dnu{=N}{=L}|\Qqh ei{=g}{_d}i&\zmid{veur}\qll {=N}e\sk\sk - \zmid{jet-}\qll {=L}b&\quu il\sk\sk\quu {=g}k\enotes -\temps\notes\Dnu{M}{=K}|\Qqh chfca&\zmid{te}\qll Ma\sk\sk - \zmid{sur}\qll {=K}a&\quu hj\sk\sk\quu fj\enotes - %\check -%Takt 30 -\barre\notes\zh E\hu L|\Qqh c{=g}ec{=N}&\zmid{nous}\hll L{=N}&\huu ej\enotes -\temps\notes\hu E|\Qqh dgedN&\zmid{les}\hll LN&\huu di\enotes - %\check -%Takt 31 -\barre\notes\hu H|\Qqh cehec&\zmid{yeux !}\hll Ha&\huu ch\enotes -\temps\notes\Hpause|\Tqh e{=g}h\zqu j\Tqb jgh&\Hpause - &\Hpause\enotes - %\check -%Takt 32 -\barre\notes\hu J|\zhu l\Qqb{=g}hjgh&\Pause&\Pause\enotes -\temps\notes\hu L|\zhu k\raise -\interligne\ds\dqb{^f}g\Tqb ifg\enotes -\def\atnextline{\sanspedale\def\nbinstruments{1}}% - %\check -%Takt 33 -\advance\linesinpage by -1\relax - % -\barre\notes\hl a|\zhup j\raise -\interligne\ds\dqb e{=g}\Tqb hec\enotes -\temps\notes\hl{=N}|\Tqb egh\zqu l\sdqb jh\enotes - %\check -%Takt 34 -\barre\notes\dnb ML|\bigaccid\zqu o\sdqb{=i}j\bigaccid\zqu{=n}\sdqb kj\enotes -\temps\notes\dnb KJ|\bigaccid\zqu m\sdqb{=g}h\zqu l\sdqb ih\enotes - %\check -%Takt 35 -\barre\notes\dnu IL|\zqu l\sdqb fh\zqu k\raise -\Interligne\ds\dqb e{=g}\enotes -\temps\notes\dnu HJ|\zqu j\raise -2\Interligne\ds\dqb eg\zqu j\Tqb heh\enotes - %\check -%Takt 36 -\barre\notes\hl K|\zhu i\raise -2\Interligne\ds\dqb fh\Tqb dfh\enotes -\temps\notes\hl L|\zhu k\raise -2\Interligne\ds\dqb e{=g}\Tqb ieg\enotes - %\check -\def\atnextline{\quatreinstruments\savemeters}% - %\check -%Takt 37 -\barre\notes&\hl{=L}|\zhu j\raise -2\Interligne\ds\dqb {=g}i\Tqb {=e}gi&\Pause - &\Pause\enotes -\temps\notes\soupir\sk\sk\qu J&\dnb Mc|\Sqh cfhjeh\enotes - %\check -%Takt 38 -\barre\notes\hl K&\hl b|\Qqh fhifh&\Pause&\Pause\enotes -\temps\notes\hl L&\hl d|\Qqh e{=g}ieg\enotes - %\check -%Takt 39 -\barre\notes\wh H&\hlp c|\Qqh e{=g}hec&\Hpause&\Hpause\enotes -\temps\notes&\uptext{\bf II}\sk\sk\sk\soupir|\Sqh eghjhe&\soupir\sk\sk - \zmid{R\'e-}\qll Ha&\soupir\sk\sk\quu ej\enotes - \ifx\mxversion\undefined\hskip -\Interligne\fi % only with MusiCTeX, not MusiX -\cleftoksii{0000}\changeclefs - %\check -%Takt 40 -\barre\notes\hu H&\Qqh eecee|\zh h\hu j&\zmid{pands}\hll Ha&\huu ej\enotes -\temps\notes\hu I&\Qqh ddbdd|\zh f\hu i&\zmid{sur}\hll IM&\huu di\enotes - %\check -%Takt 41 -\barre\notes\wh J&\Qqh cc{=N}cc|\lna e\zq e\qu{=g}\sk\sk\qu e&\relax - \zmid{nous}\qll J{=L}\sk\sk - \zmid{le}\qll Jc&\quu c{=g}\sk\sk\zq c\qu {=e}\enotes -\temps\notes&\Qqh ccbcc|\zq{=d}\qu f\sk\sk\zq e\qu g&\zmid{feu}\qll -Jb\sk\sk\zmid{de la}\zq J\cl b\sk\zq J\cl b&\zq {=d}\qu f\sk - \sk\zq{=e}\cu h\sk\zq e\cu h\enotes - %\check -%Takt 42 -\barre\notes\wh M&\sdqh cc\sdqh cc|\zq f\qu h\sk\sk\zq f\qu h&\zmid{gr\^a-}\zhl -M\qu a\sk\sk\ql f&\huu fh\enotes -\temps\notes&\Qqh ffeff|\zq{=g}\qu i\sk\sk\zq{=h}\qu j&\zmid{ce}\qll Mf\sk\sk - \zmid{puis-}\qll Me&\zq {=g}\qu i\sk\sk\zq {=h}\qu j\enotes - %\check -%Takt 43 -\barre\notes\wh I&\Qqh ffeff|\zh{=h}\hu j&\zmid{gr\^a}\hll Ie&\zh h\hu j\enotes -\temps\notes&\Qqh ffiff|\zq i\qu k\sk\sk\zcharnote{n}{\bf I\rm(G.O.)}\soupir - &\zmid{te,}\qll Id\sk\sk\zmid{que}\qll bf&\zq i\qu k\sk\sk\zq i\qu k\enotes - %\check -%Takt 44 -\barre\notes\hl b&\Qqh ffdff|\zh i\hu k&\zmid{tout}\hll bf&\huu ik\enotes -\temps\notes\hl L&\Qqh eecee|\zh{_g}\hu j&\zmid{l'en-}\hll Le&\zh{_g}\hu j\enotes - %\check -%Takt 45 -\barre\notes\wh M&\Qqh ccfcc|\zh f\hu{=h}&\zmid{fer,}\qll Mc\sk\sk - \zmid{que}\qll Mf&\quu f{=h}\sk\sk\quu fh\enotes -\temps\notes&\Qqh ffeff|\zq{=g}\qu i\sk\sk\zq h\qu j&\zmid{tout}\qll {=N}f\sk\sk - \zmid{l'en-}\qll {=a}e&\quu fi\sk\sk\quu fj\enotes - %\check -%Takt 46 -\barre\notes\wh b&\Qqh ffiff|\zh i\hl k&\zmid{fer}\qll bd\sk\sk - \zmid{fuie}\ql b&\quu fk\sk\sk\quu ik\enotes -\temps\notes&\Qqh iihii|\zq j\ql l\sk\sk\zq{=k}\ql m&\zmid{au}\lq c\ql b\sk\sk - \zmid{son}\qll b{=d}&\quu il\sk\sk\qll hm\enotes - %\check -%Takt 47 -\barre\notes\wh L&\Qqb iihii|\zh{=k}\hl m\zcharnote m{\bf II \rm(Pos.)}\relax - &\zmid{de}\zqp L\qlp{=d}\sk\sk\sk\zmid{ta}\relax - \zq L\cl d&\zhp h\hup m\sk\sk\sk\zq g\cu n\enotes -\temps\notes&\sdqb ig\Tqb ebe|\zq l\cl n\sk\ds\sk\soupir&\zmid{voix}\qll Le\sk - \sk\soupir&\quu gn\sk\sk\zmid{Dis-}\quu in\enotes -\cleftoksii{6000}\changeclefs - %\check -%Takt 48 -\barre\notes\itenl0F\wh F&\Hpause|\sdqh{c}f\zql g\Tqh geb&\soupir\sk\sk - \zmid{Dis-}\qll bg&\Ilegu1o\zmid{si}\quu {=h}m\sk\sk\quu ej\tleg1\enotes -\temps\notes&\soupir\sk\sk\ql N|\zql f\Tqh fc{=h}\zql i\Tqh iec&\relax - \zmid{si-}\qll{=a}f\sk\sk\zmid{pe}\qll{N}e&\zq e\hu j\sk\sk\qu i\enotes -\def\atnextline{\sanspedale\savemeters}% - %\check -%Takt 49 -\barre\notes\tten0\zhl F\zhlp M\qsk\zcharnote D{\it(Ped.)}\relax - |\zhu h\raise -3\Interligne\ds\dqb ce\tQb fce\relax - &\zmid{le}\qll Me\sk\sk\zmid{som-}\zql M\noteskip=1.5\noteskip\dqh dc\relax - &\zq j\zqu{=h}\noteskip=1.5\noteskip\sk\sk\zql h\dqh kl\enotes -\temps\notes\ql I\sk\sk\soupir|\Sqh idfifd&\zmid{meil}\qll Id\sk\sk\soupir - &\quu ik\sk\sk\zmid{d'une}\quu fk\enotes - %\check -%Takt 50 -\barre\notes\itenl1J\wh J\sk\sk\ql d|\sdqh{=e}{=g}\zql f\Tqh fgi&\soupir - \sk\sk\zmid{lan-}\qll Md&\zmid{\^a-}\quu{=e}j\sk\sk\zmid{me}\quu d{=g}\enotes -\temps\notes\ql c\sk\sk\itenu2b\ql b|\bigaccid\zql{=e}\Tqh egi\ds\zq d\dqh fg\relax - &\qll{=L}c\sk\sk\zmid{guis-}\qll{_K}b&\zmid{lan-}\quu bg\sk\sk\rq g\qu f\enotes - %\check -%Takt 51 -\barre\notes\tten1\zhl J\tten2\ql b\sk\sk\noteskip=1.5\noteskip\dqh{=a}{=N}\relax - |\ds\zq c\dqh{=e}{=g}\Tqh{=h}ei&\zmid{san-}\zhl J\ql b\sk\sk\noteskip - =1.5\noteskip\dqb {=a}{=N}&\zhl{=e}\qu{=g}\sk\sk\noteskip=1.5\noteskip - \dqh{=h}i\enotes -\temps\notes\zcl M\cu a\sk\ds\zq F\qu M|\Qqh cfhfc&\zmid{te,}\qll Fa\sk - \sk\zmid{qui}\ql M&\quu fh\sk\sk\soupir\enotes - %\check -%Takt 52 -\barre\notes\Hu b|\Qqh dfifd&\hl b\sk - \zmid{qui}\sk\qu b&\hpause\enotes -\temps\notes\Hu{_a}|\Qqh cfjfc&\zmid{la}\zhl a\ql f\sk - \sk\zmid{con-}\ql f&\soupir\sk\sk\qu f\enotes - %\check -%Takt 53 -\barre\notes\Hu N|\Qqh fiebe&\zmid{duit}\zhl N\ql f\sk\sk\ql e\relax - &\hlp i\sk\sk\qu i\enotes -\temps\notes\Dnu MK|\Qqh dfifb&\zmid{\`a}\qll Md\sk\sk\zmid{l'ou-}\qll Kf\relax - &\qu m\sk\sk\qlu ii\enotes - %\check -%Takt 54 -\barre\notes\Hu L|\Qqh cgigc&\zmid{bli}\hll Lb&\rq j\qu i\sk\sk\noteskip - =1.5\noteskip\rq j\cu i\rq j\cu i\enotes -\temps\notes\Hu M|\Qqh ce{=h}ec&\zmid{ de}\zql M\noteskip=1.5\noteskip - \dqh fe\zmid{tes}\dqh dc&\quu {=h}j\sk\sk\noteskip=1.5\noteskip - \zq h\cu k\zq h\cu l\enotes - %\check -%Takt 55 -\barre\notes\Hu N|\Qqh d{=h}igd&\zmid{lois,}\zhl N\ql c\sk\sk\ql b\relax - &\quu{=h}l\sk\sk\quu ik\enotes -\temps\notes\zmidtwotext{\kern -2\Interligne\bf I \rm(G.O.)}\Dnu ML|\relax - \Qqh df{=h}fc&\soupir\sk\sk\ql M&\Hpause\enotes - %\check -%Takt 56 -\barre\notes\Hu K\zcharnote I{(+P\'ed.)}|\sdqh bf\itenu1i\zqu i\Tqb ifb&\hl b\sk - \zmid{qui}\sk\qu b&\hpause\enotes -\temps\notes\Hu J\zcharnote I{(+P\'ed.)}|\tten1\zqu i\raise -2\Interligne\ds - \dqb bf\zqu {_h}\qsk - \Tqb ifb&\zmid{la}\qll bf\sk\sk\zmid{con-}\qll af&\soupir\sk\sk\qu f\enotes - \def\atnextline{\quatreinstruments}% - %\check -%Takt 57 -\barre\notes\wh I&\hu I|\zhu g\raise -5\Internote\ds\dqb bf\Tqb ifb\relax - &\zmid{duit}\zhl N\ql f\sk\sk\ql e&\hlp i\sk\sk\qu i\enotes -\temps\notes&\Hl b|\zqu f\raise -6\Internote\ds\dqb df\zqu i\Tqb ifd\relax - &\zmid{\`a}\qll Md\sk\sk\zmid{l'ou-}\qll bd&\qu m\sk\sk\quu fk\enotes - %\check -%Takt 58 -\barre\notes\hu H&\Hl a|\itenu1j\zh h\zhu j\raise -3\Interligne\ds - \dqb ce\Tqb ece&\zmid{bli}\hll ac&\quu hl\sk\sk\noteskip=1.5\noteskip - \zq h\cu l\zq h\cu l\enotes -\temps\notes\hu G&\Hl N|\tten1\rh i\zhu j\raise -3\Interligne\ds - \dqb ce\Tqb ece&\zmid{de}\qll Nb\sk\sk\zmid{tes}\qll Nb&\quu il\sk\sk - \noteskip=1.5\noteskip\zq i\cu k\zq i\cu l\enotes - %\check -%Takt 59 -\barre\notes\hu F&\zw F\wh M|\zq{=h}\zqu j\raise -3\Interligne\ds - \dqb c{=e}\Tqb fc{=a}&\zmid{lois !}\zhp M\hl c&\huu {=h}m\enotes -\temps\notes\Hpause&\zmidtwotext{\bf II \rm(Pos.)}|\Sqh cefhfc&\sk - \sk\sk\zmid{\^O}\ql M&\Hpause\enotes -\def\atnextline{\sanspedale}% - %\check -%Takt 60 -\barre\notes\Pause - &\hu F|\Qqh cdfd{_a}&\zmid{Christ sois}\dnb aa&\Pause\enotes -\temps\notes&\hu H|\Qqh {=b}c{_e}ca&\zmid{fa-\ \ \ \ vo-}\dnb NN\enotes - %\check -%Takt 61 -\barre\notes\hu K|\Qqh acdaM&\zmid{ra-}\hl M&\Pause\enotes -\temps\notes\hu J|\Sqh acdfda&\zmid{ble \`a}\ql M\sk\sk\zmid{\ ce}\zql M\cu -a\sk\cu a\enotes - %\check -%Takt 62 -\barre\notes\dnu IH|\sdqh{=e}f\sdqh fc&\zmid{peu-}\zhl M\qu d\sk - \sk\qu c&\Pause\enotes -\temps\notes\qu G|\sdqh cd&\zmid{ple}\qll Kb\enotes -\temps\notes\qu F|\sdqh da&\zmid{fi-}\qll aa\enotes - %\check -%Takt 63 -\barre\notes\hu H|\sdqh ac\Tqh eca&\relax - \Ilegl1F\zmid{d\`e-}\zql a\hu c\sk\sk\ql N\tleg1&\Pause\enotes -\temps\notes\qu D|\sdqh ac&\zmid{le}\qll Md&\enotes -\temps\notes\qu F|\Tqh daM&\zmid{pour}\qll Md\sk\sk\enotes - %\check -%Takt 64 -\barre\notes\hu G|\Qqb bdedb&\zmid{te}\hll Ld&\Pause\enotes -\temps\notes\hu H|\Qqb NcecN&\zmid{b\'e-}\hll Nc\enotes - %\check -%Takt 65 -\barre\notes\wh I|\Qqh MbdbM&\zmid{nir}\hll Md&\Hpause\enotes -\temps\notes|\Sqh bcdfdb&\zmid{main-}\qll Md\sk\sk\zmid{te-}\qll Md&\relax - \soupir\sk\sk\zmid{Re-}\qu f\enotes -%Takt 66 -\barre\notes\wh H|\zh f\zhu h\raise -4\Interligne\ds\dqb ac\Tqb dad&\relax - \zmid{nant}\hll Md&\zmid{\c cois}\ql h\sk\sk\zmid{\c les}\ql h\enotes -\temps\notes|\zh e\zhu g\raise -4\Interligne\ds\dqb ac\Tqb dad&\relax - \zmid{ras-}\qll Ld\sk\sk\zmid{sem-}\qll Lc&\zmid{chants}\ql g\sk\sk - \zmid{qu'il}\ql g\enotes - %\check -%Takt 67 -\barre\notes\zql D\sdqh ac\zql H\Tqh daM|\zh d\zhu f&\relax - \zmid{bl\'e,}\zw d\ql K\sk\sk\qu H&\zmid{of-}\hu f\enotes -\temps\notes\dnb KJ|\Sqh adfhfd&\ql K\sk\sk\ql J&\zmid{re}\hl f\sk - \sk\zmid{Re-}\qu h\enotes - %\check -%Takt 68 -\barre\notes\wh I|\sdqh ad\zqu h\Tqb fda&\zmid{chants}\zhl I\raise\Interligne - \soupir\sk\sk - \qu a&\zmid{\c cois}\zhlp f\qu k\sk\sk\zmid{les}\qu j\enotes -\temps\notes|\zqu k\Tqb fdf\zqu j\Tqb hfd&\zmid{qu'il}\zhl I\ql d\sk\sk\ql c&\relax - \zmid{chants}\qu i\sk\sk\zmid{qu'il}\quu fh\enotes - %\check -%Takt 69 -\barre\notes\qsk\dnu LI|\zhu i\qsk\tQb hbe\Tqb heb&\zmid{offre}\zql L\hu b\sk - \sk\zmid{\`a}\ql I&\zmid{of-}\zh e\hu h\enotes -\temps\notes\dnu LK|\zqu i\Sqb gbegeb&\zmid{ta}\zql L\hu b\sk\sk - \zmid{gloi-}\ql K&\zmid{fre,}\zq e\qu g\sk\sk\zmid{\`a}\qu i\enotes - %\check -%Takt 70 -\barre\notes\zmidtwotext{\kern -\Interligne\bf I \rm(G.O.)}\wh J|\sdqb be\zqu i\Tqb geb\relax - &\zmid{ta}\zhl J\raise\Interligne\soupir\sk\sk\zmid{gloire}\qu b\relax - &\zhlp g\qu l\sk\sk\qu k\enotes -\temps\notes|\zqu l\Tqb geg\zqu k\Tqb ige&\zmid{im-}\zhl J\ql e\sk\sk - \zmid{mor-}\ql d&\qu j\sk\sk\quu gi\enotes - %\check -%Takt 71 -\barre\notes\qsk\Dnl MJ|\zhu j\qsk\tQb icf\Tqb ifc&\zmid{tel-}\zql M\hl c\sk\sk - \ql J&\zh f\hu i\enotes -\temps\notes\Dnl ML|\zqu j\tQb hcf\itenu1h\zqu h\qsk\Tqb gca&\zmid{le,}\relax - \qll Mc\sk\sk\zmid{et}\qll Lc&\zq f\qu h\sk\sk\rq h\qu g\enotes - %\check -%Takt 72 -\barre\notes\Dnl KM|\tten1\zqu h\tQb fdf\zqu{=h}\tQb ece&\zmid{de}\qll Kd\sk\sk - \qll M{=a}&\zhl f\qu m\sk\sk\qu j\enotes -\temps\notes\Dnl ba|\zqu i\Tqb dfd\zqu{_j}\tQb f{=d}f&\zmid{tex}\ql b\sk\sk - \qll {_a}{=d}&\zq f\qu k\sk\sk\zq{j}\qu m\enotes - %\check -%Takt 73 -\barre\notes\Dnl{=N}{=L}|\zqu i\tQb ebe\zqu{=g}\tQb{_d}bd&\zmid{dons}\qll {=N}e\sk - \sk\qll{=L}b&\zq i\qu l\sk\sk\zq{=g}\qu k\enotes -\temps\notes\Dnl M{=K}|\zqu h\tQb cac\zq h\zqu j\tQb fcf&\zmid{qu'il}\qll Ma\sk - \sk\qll{=K}a&\quu hj\sk\sk\quu fj\enotes - %\check -%Takt 74 -\barre\notes\zh E\hu L|\zh{=g}\zhu j\tQb ece\tQb ece&\zmid{tour-}\hll L{=N}\relax - &\huu ej\enotes -\temps\notes\zh{_D}\hu{_K}|\zh g\zhu i\raise -3\Interligne\ds - \dqb be\Tqb ebe&\zmid{ne}\zqp{_K}\qlp N\sk\sk\sk\zmid{com-}\zq K\cl N&\zqp e\qup i\sk - \sk\sk\zq e\cu i\enotes - %\check -%Takt 75 -\barre\notes\Hu J|\zhu h\raise -3\Interligne\ds\dqb ae\tQb eae\relax - &\hll Ja&\zh e\hup h\enotes -\temps\notes|\zcharnote n{\bf II}\sk\enotes -\temps\notes\hu K|\zhu{_j}\tQb fdf\Tqb hfd&\zmid{Et}\hll K{_c}&\hu f\sk - \sk\ql h\enotes - %\check -%Takt 76 -\barre\notes\dnu GI|\zqu i\raise -3\Interligne\ds\dqb dg\zqu h\relax - \raise -3\Interligne\ds\dqb {=d}f&\zmid{de}\qll Gd\sk\sk\qll Ia&\zq d\qu i\sk - \sk\zq{=d}\qu f\enotes -\temps\notes\dnb L{_K}|\zqu{_g}\raise -3\Interligne\ds - \dqb be\zq{=g}\zqu i\tQb gb{=e}&\zmid{tes}\qll LN\sk\sk\qll K{=N}&\relax - \zq d\qu g\sk\sk\zq{=f}\qu i\enotes - %\check -%Takt 77 -\def\atnextline{\quatreinstruments\savemeters}% - % -\barre\notes\Pause&\dnu JG|\zqu h\raise -3\Interligne\ds - \dqb a{_e}\zqu j\tQb {=h}eh&\zmid{dons}\qll Ja\sk\sk\qll Nc&\quu eh\sk\sk - \dfl i\quu il\enotes -\temps\notes\Pause&\dnu F{=G}\relax - |\zqu k\tQb {_h}fh\raise 2\Interligne\rlap{\ds}\Tqh bdb&\zmid{qu'il}\relax - \qll Md\sk\sk\zmid{re-}\qll {=N}b&\zq h\qu k\sk\sk\zq d\qu f\enotes - %\check -%Takt 78 -\barre\notes&\wh H|\Qqh acfca&\zmid{tour-}\hll aa&\zh c\hu h\enotes -\temps\notes&|\Qqh NcecN&\zmid{ne}\zqp H\qlp{_N}\sk\sk\sk - \zmid{com-}\zq H\cl N&\zqp c\qup e\sk\sk\sk\cu d\enotes - %\check - %Takt 79 -\barre\notes\zcharnote b{$\wedge$}\hl K&\zmidtwotext{\bf III - \rm(r\'ecit)}\sdqb Ma\Tqb daM|\sk\hpause&\zmid{bl\'e !}\zhp K\hlp M\relax - &\hup d\enotes -\temps\notes\hpause&\Tqb acd\sdqb da|\soupir\sk\sk\qu f&\sk\sk\sk\soupir - &\sk\sk\sk\soupir \enotes - %\check - %Takt 80 -\barre\notes\hu F&\Qqb cdfda|\hu h&\Pause&\Pause\enotes -\temps\notes\hu G&\Qqb {=a}bdbN|\hu g\enotes - %\check - %Takt 81 -\barre\notes\itenl1H\wh H&\Qqb {=N}adaM|\hup f&\Hpause&\Hpause\enotes -\temps\notes&\Sqb acdfda|\sk\sk\sk\soupir&\soupir\sk\sk -\zmid{Et}\qll Ha&\soupir\sk\sk\zq d\qu f\enotes - %\check - %Takt 82 -\barre\notes\tten1\wh H&\Qqb NdedN|&\zmid{de}\zhl H\dnu NM&\zhu e\qsk\hl d\enotes -\temps\notes&\Qqb NcecN|&\zmid{tes}\hll HL&\huu cg\enotes - %\check - %Takt 83 -\barre\notes\wh K&\Qqb MadaM|&\zmid{dons}\zhp K\hlp M&\zhp d\hup f\enotes -\temps\notes&\Tqb acd\sdqb da|\soupir\sk\sk\qu f&\sk\sk\sk\soupir - &\sk\sk\sk\soupir\enotes - %\check - %Takt 84 -\barre\notes\hu{=H}&|\zqu k\Tqb efe\zqu j\Tqb fef&\Pause&\Pause\enotes -\temps\notes\dnu IJ&|\zqu i\Tqb dfd\zqu h\tQb fcf&\enotes - %\check - %Takt 85 -\barre\notes\dnu KL&|\zqu h\Tqb cfc\zqu g\tQb ebe&\Hpause&\Hpause\enotes -\temps\notes\dnu MF&\Sqb {=a}cMd{_a}M|\qu f\sk\sk\soupir - &\zmid{qu'il}\qll F{=a}\sk\sk - \zmid{re-}\qll F{_a}&\zq c\qu f\sk\sk\zq d\qu {_h}\enotes - %\check - %Takt 86 -\barre\notes\wh G&\Qqh MbdbM|&\zmid{tour-}\zw G\wh b&\zw d\wh f\enotes -\temps\notes&|\Tqh bdf\zq i\cu k\ds\enotes - %\check - %Takt 87 -\barre\notes\wh H&\sdqh Na|\sk\sk\sk\Tqh ceg&\zmid{ne}\relax - \zhlp H\hup N&\zhp c\hup e\enotes -\temps\notes&|\zq h\cu j\sk\ds\soupir&\sk\sk\zmid{com-}\qll HN\relax - &\sk\sk\quu dd\enotes - %\check - %Takt 88 -\barre\notes\itenl1K\wh K&|\Qqh acdaM&\relax - \zmid{bl\'e}\itenl0K\itenu3M\zw K\wh M&\itenl4d\wh d\enotes -\temps\notes&|\Tqb acd\itenu2f\zqu f\Tqb fda\enotes - \advance\barsinline by -1\relax % accepter une mesure de plus - %\check - %Takt 89 -\barre\notes\tten1\wh K&|\tten2\zw {Mad}\wh f\sk - &\tten0\tten3\zw K\wh M&\tten4\wh d\enotes -\finmorceau -\bye - diff --git a/macros/musixtex/doc/examples/recit.tex b/macros/musixtex/doc/examples/recit.tex deleted file mode 100644 index be717f9bc5..0000000000 --- a/macros/musixtex/doc/examples/recit.tex +++ /dev/null @@ -1,416 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi -\title{R\'ecit} -\fulltitle{II. R\'ecit} -\csname titremorceautoc\endcsname -\subtitle{\sl (pour orgue)} -\othermention{Compos\'e en 1990} -\fullauthor{Daniel TAUPIN\\organiste \`a Gif-sur-Yvette} -\maketitle - -\tracingstats=2\relax -% -\nbporteesii=2\relax -\def\nbinstruments{2} -\global\cleftoksii={{0}{0}{0}{0}}% -\global\cleftoksi={{6}{0}{0}{0}}% -% -\signaturegenerale{-2}\relax % deux bemols a la clef -\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% -\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% -%\check -\def\instrumenti{P\'edale 16'}% -\def\instrumentii{\vbox{\hsize=\parindent\centerline{R\'ecit}\vskip 33pt - \centerline{G.O.}}}% -%\check -\def\gluemaxskip{7pt}% -% -% formes frequentes -% deux croches hautes -\def\dqb#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% -\def\dqh#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% -% -\medskip\noindent{\rm G.O.: fonds 8' ou 8'+4' doux}% -\par\noindent{\rm R\'ec.: cornet ou cromorne}% -\par\noindent{\rm P\'ed.: 16', tirasse G.O.}% -\smallskip -% -\troistemps -% -\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}% -\debutmorceau -% -\autolines 855\relax -\def\resp{\vnotes 0.2\elemskip&|\cbreath\enotes}% -%\check -% -\hyphenpenalty -50\relax -\NOtes&|\Uptext{ \hbox{\kern -16mm\moyen Adagio \bf(\metron{\qu}{60})}}\enotes -% mesure 1 -\advance\linesinpage by 1\relax -% -\NOtes\hu I&\zh{bd}\hu g|\qu d\enotes -\temps\NOtes&|\qu g\enotes -\temps\NOtes\qu H&\zq{ac}\qu{^f}|\qu h\enotes -%\check -% mesure 2 -\barre\NOtes\hu G&\zhp b\zh d\itenu1g\hup g|\hu i\enotes -\temps\NOtes&|\enotes -\temps\NOtes\qu J&\itenu2e\qu e|\itenl0i\qu i\enotes -%\check -% mesure 3 -\barre\NOtes\hu H&\zhp c\zhp e\tten2\tten1\hup g|\tten0\qu i\enotes -\temps\notes&|\dqh{-2}hg\enotes -\temps\notes\qu J&|\dqh{-2}ji\enotes -%\check -% mesure 4 -\barre\NOtes\hu K&\zh a\zh d\hu{^f}|\hu h\enotes -\temps\NOtes&|\enotes -\temps\NOtes\qu J&\soupir|\soupir\enotes -% mesure 5 -\barre\NOtes\hu I&\itenu0d\zh b\zh d\hu g|\qu d\enotes -\temps\NOtes&|\qu g\enotes -\temps\NOtes\qu H&\tten0\itenu0d\zq a\zq d\qu{^f}|\qu i\enotes -% mesure 6 -\autolines 755\relax -\barre\NOtes\hu G&\tten0\itenu1d\zhp b\zhp d\hup g|\hu k\enotes -\temps\NOtes&|\enotes -\temps\NOtes\qu I&|\qu k\enotes -%\check -% mesure 7 -\barre\NOtes\qu{=I}&\tten1\itenl1N\zqu d\zhp{=b}\hlp N|\qup m\enotes -\temps\notes&\qu{=f}|\sk\cu l\enotes -\temps\notes\qu G&\qu d|\dqh{-5}mk\enotes -%\check -% mesure 8 -\barre\NOtes\hup J&\tten1\zhl N\zhp c\hup e|\qup l\enotes -\temps\notes&|\sk\cu k\enotes -\temps\NOtes&\ql a|\qu j\enotes -% mesure 9 -\barre\notes\hl K&\zhp d\zhp{^f}\hup h|\dqh3kl\enotes -\temps\notes&|\dqh{-3}kj\enotes -\temps\notes\ql J&|\dqh{-3}ih\enotes -% mesure 10 -\barre\NOtes\hu I&\itenu1g\zh b\zhl d\hup g|\qup k\enotes -\temps\notes&|\sk\cu i\enotes -\temps\NOtes\qu J&\zq c\ql e|\qu g\enotes -% mesure 11 -\barre\NOtes\hu K&\tten1\zhl d\zhp g\hup i|\soupir\enotes -\temps\notes&|\dsoupir\cu d\enotes -\temps\notes\qu J&\ql e|\dqh7gj\enotes -% mesure 12 -\barre\NOtes\hup K&\zhp a\zh d\hup{^f}|\hup h\enotes -\temps\NOtes&|\relax\enotes -\temps\NOtes&\ql c|\relax\enotes -% mesure 13 -\barre\NOTes\hu G&\zh g\zh b\hu d|\hu g\enotes -\temps\NOtes\soupir&\soupir|\soupir\enotes -% -% mesure 14 -\barre\NOtes\hu I&\zh b\zh d\hu g|\qu d\enotes -\temps\NOtes&|\qu g\enotes -\temps\NOtes\qu H&\zq a\zq c\qu{^f}|\qu h\enotes -%\check -% mesure 15 -\barre\NOtes\itenl1G\hlp G&\itenu0d\zhu g\zhp b\hlp d|\hu i\enotes -\temps\NOtes&|\relax\enotes -\temps\NOtes&\itenl2N\ql N|\qu i\enotes -%\check -% mesure 16 -\barre\NOtes\tten1\hlp G&\tten2\tten0\itenl1N\zhp{=b}\zqu d\hlp N|\xTrille q{2\noteskip}\hu{=i}\enotes -\temps\NOtes&\qu{=f}|\relax\enotes -\temps\notes&\qu d|\ibu0i0\qh0i\noteskip=0.6\elemskip\relax\nbbu0\qh0h\tqh0i\enotes -%\check -% mesure 17 -\barre\NOtes\hu J&\tten1\zhl N\zhp c\hup e|\qup j\enotes -\temps\notes&|\sk\cu k\enotes -\temps\NOtes\qu H&\ql a|\qu l\enotes -%\check -% mesure 18 -\barre\NOtes\hlp K&\itenu1f\itenu2h\zhp d\zhp {^f}\hup h|\itenl0k\hlp k\enotes -\temps\NOtes&|\relax\enotes -\temps\NOtes&|\relax\enotes -% mesure 19 -\barre\notes\hup J&\tten1\tten2\zhp c\zhp{^f}\hup h|\tten0\dqb5k{^m}\enotes -\temps\notes&|\dqb3no\enotes -\temps\notes&|\dqb{-5}pn\enotes -% mesure 20 -\barre\notes\hup I&\zhp b\zhp d\hup g|\dqb6kn\enotes -\temps\notes&|\dqb3op\enotes -\temps\notes&|\dqb{-5}qo\enotes -% mesure 21 -\barre\notes\hup H&\zhp a\zhp c\hup{^f}|\dqb9ko\enotes -\temps\notes&|\dqb3pq\enotes -\temps\notes&|\dqb{-5}rp\enotes -% mesure 22 -\barre\notes\hup G&\itenl1N\zqu d\zhp N\hlp{=b}|\dqb3n{_o}\enotes -\temps\notes&\qu{=f}|\dqb{-3}nm\enotes -\temps\notes&\qu d|\dqb{-3}lk\enotes -% mesure 23 -\barre\NOtes\qu J&\tten1\zhp N\zhp c\hup e|\qup j\enotes -\temps\notes\qu H&|\sk\cl k\enotes -\temps\notes\qu J&|\dqb{-5}lj\enotes -% mesure 24 -\barre\notes\hu K&\zhp a\zhp d\hup{^f}|\dqb3kl\enotes -\temps\notes&|\dqb{-3}kj\enotes -\temps\notes\qu{^F}&|\dqb{-3}ih\enotes -% mesure 25 -\barre\NOtes\qu G&\zql b\zhp e\hup g|\qup g\enotes -\temps\notes\hu E&\hl c|\sk\cu h\enotes -\temps\notes&|\dqh3ij\enotes -% -% mesure 26 -\barre\NOtes\hup D&\zhl d\zhp{^f}\hup h|\hu h\enotes -\temps\NOtes&|\relax\enotes -\temps\notes&\ql c|\trioskip\ibl0d5\qbp0d\sk\tbbl0\tqb0k\enotes -% mesure 27 -\barre\NOtes\qu G&\itenu1d\itenu2g\zhp b\zhp d\hup g|\qlp k\enotes -\temps\notes\hu I&|\sk\cl l\enotes -\temps\notes&|\dqb5m{_o}\enotes -% mesure 28 -\barre\notes\hup{=I}&\tten1\tten2\itenu1g\zhl{=b}\zhp d\hup g|\dqb{-3}nm\enotes -\temps\notes&|\dqb{-3}lk\enotes -\temps\notes&\ql N|\dqb{-3}j{=i}\enotes -% mesure 29 -\barre\NOtes\hu J&\tten1\zh c\zh e\hu g|\ql k\enotes -\temps\notes&|\ql j\enotes -\resp -\temps\notes\qu H&\soupir|\trioskip\ibl0f5\qbp0f\sk\tbbl0\tqb0m\enotes -% mesure 30 -\barre\notes\hup F&\zhp a\zhp c\itenl1f\hup f|\dqb3mn\enotes -\temps\notes&|\dqb{-3}ml\enotes -\temps\notes&|\dqb{-3}kj\enotes -%\check -% mesure 31 -\barre\NOtes\qup I&\itenl3b\tten1\zhu f\zhp b\hlp d|\hl k\enotes -\temps\notes\sk\cu H&|\relax\enotes -\temps\NOtes\qu G&\itenl2g\qu g|\itenl0g\qu g\enotes -% mesure 32 -\barre\NOtes\hu E&\tten3\tten2\zhl b\zhp e\hup g|\tten0\qup g\enotes -\temps\notes&|\sk\cu d\enotes -\temps\notes\qu J&\ql c|\dqh7gj\enotes -% mesure 33 -\barre\NOtes\hu K&\zh d\zh{^f}\hu a|\hu h\enotes -\temps\Notes&|\relax\enotes -\resp -\temps\notes\qu J&\soupir|\trioskip\ibl0g5\qbp0g\sk\tbbl0\tqb0n\enotes -% mesure 34 -\barre\notes\hup{=I}&\itenu1g\zhp{=b}\zhp d\hup g|\dqb3n{_o}\enotes -\temps\notes&|\dqb{-3}nm\enotes -\temps\notes&|\dqb{-3}lk\enotes -% mesure 35 -\barre\notes\hup J&\tten1\itenl1c\zhp c\zhp e\hup g|\dqb{-3}ml\enotes -\temps\notes&|\dqb{-3}kj\enotes -\temps\notes&|\dqb3kl\enotes -% mesure 36 -\barre\notes\hup H&\tten1\itenu1f\zhp a\zhp c\hup f|\dqb3mn\enotes -\temps\notes&|\dqb{-3}ml\enotes -\temps\notes&|\dqb{-3}kj\enotes -% mesure 37 -\barre\notes\hu I&\tten1\zhl b\zq f\hup d|\dqh{-5}kg\enotes -\temps\notes&\qu{^f}|\dqh3{^f}g\enotes -\temps\notes\qu{=I}&\zqu{_h}\ql{=b}|\dqh3{=i}k\enotes -%\check -% mesure 38 -\barre\NOtes\hu J&\zhu g\zhp c\hlp e|\qu k\enotes -\temps\NOtes&|\qu j\enotes -\resp -\temps\notes\qu H&\qu{=h}|\trioskip\ibl0f5\qbp0f\sk\tbbl0\tqb0m\enotes -% mesure 39 -\barre\notes\hup F&\zhp a\zhp c\itenl1f\hup f|\dqb3mn\enotes -\temps\notes&|\dqb{-3}ml\enotes -\temps\notes&|\dqb{-3}kj\enotes -%\check -% mesure 40 -\barre\notes\hup I&\tten1\zhp f\zhp b\hup d|\dqh{-5}kg\enotes -\temps\notes&|\dqh3{^f}g\enotes -\temps\notes&|\dqh3{_i}k\enotes -%\check -% mesure 41 -\barre\notes\hup J&\itenu1c\itenu2e\zhp N\zhp c\hup e|\dqb3lm\enotes -\temps\notes&|\dqb{-3}lk\enotes -\temps\notes&|\dqb{-3}ji\enotes -% mesure 42 -\barre\notes\hup H&\tten1\tten2\itenl1a\zhp a\zhp c\hup e|\dqh3hi\enotes -\temps\notes&|\dqh{-3}hg\enotes -\temps\notes&|\dqh5hj\enotes -% mesure 43 -\barre\notes\hu K&\tten1\zhp a\zhp d\hup{^f}|\dqb3kl\enotes -\temps\notes&|\dqb{-3}kj\enotes -\temps\notes\qu{^F}&|\dqb{-3}ih\enotes -% mesure 44 -\barre\NOtes\qu G&\zql b\zhp e\hup g|\qup g\enotes -\temps\notes\hu E&\hl c|\sk\cu{^f}\enotes -\temps\notes&|\dqh8gj\enotes -% -% mesure 45 -\barre\NOtes\hup D&\zhp d\zhp{^f}\hup h|\xTrille p{3\noteskip}\hu h\enotes -\temps\NOtes&|\relax\enotes -\temps\NOtes&|\relax\enotes -%\check -% mesure 46 -\barre\NOtes\hup G&\zh b\zh d\hu g|\hu g\enotes -\temps\Notes&|\relax\enotes -\resp -\temps\notes&\soupir|\fl i\trioskip\ibl0i5\qbp0i\sk\tbbl0\tqb0p\enotes -%\check -% mesure 47 -\barre\notes\hup{=L}&\lna e\zhp e\zhp g\hup{_b}|\dqb{-3}p{_o}\enotes -\temps\notes&|\dqb{-3}nm\enotes -\temps\notes&|\dqb{-3}{=l}k\enotes -%\check -% mesure 48 -\barre\NOtes\hup M&\itenl1f\itenl2h\zhp f\zhp{_h}\hup c|\hu j\enotes -\temps\NOtes&|\relax\enotes -\temps\notes&|\trioskip\ibl0h5\qbp0{_h}\sk\tbbl0\tqb0{_o}\enotes -%\check -% mesure 49 -\barre\nspace\notes\hup K&\tten1\tten2\zhp d\zhp f\hup{_h}|\dqb{-3}{_o}n\enotes -\temps\notes&|\dqb{-3}m{_l}\enotes -\temps\notes&|\dqb{-3}kj\enotes -% mesure 50 -\barre\NOtes\hup L&\itenu1e\itenu2g\zhp b\zhp e\hup g|\hu i\enotes -\temps\NOtes&|\relax\enotes -\temps\notes&|\trioskip\ibl0e5\qbp0e\sk\tbbl0\tqb0l\enotes -% mesure 51 -\barre\notes\hup J&\tten1\tten2\zhp c\zhp e\hup g|\dqb{-3}lk\enotes -\temps\notes&|\dqb3jk\enotes -\temps\notes&|\dqb{-5}lj\enotes -%\check -% mesure 52 -\barre\notes\hup K&\itenu1d\zhp{ad}\hup{^f}|\dqb3hi\enotes -\temps\notes&|\dqb{-3}hg\enotes -\temps\notes&|\dqb5hj\enotes -%\check -% mesure 53 -\barre\notes\hup I&\tten1\zhp{bd}\hup g|\dqb3kl\enotes -\temps\notes&|\dqb{-3}kj\enotes -\temps\notes&|\dqb{-5}ki\enotes -% mesure 54 -\barre\notes\hup L&\itenu1c\itenu2e\zh{Nc}\hup e|\dqh3gh\enotes -\temps\notes&|\dqh{-3}g{^f}\enotes -\temps\notes&|\dqh5gi\enotes -% mesure 55 -\barre\notes\hup H&\tten1\tten2\itenl1a\zhp{ac}\hup e|\dqb3jk\enotes -\temps\notes&|\dqb{-3}ji\enotes -\temps\notes&|\dqb{-5}jh\enotes -% mesure 56 -\barre\notes\hup K&\tten1\itenu1d\zhp{ad}\hup{^f}|\dqh{-5}{^f}d\enotes -\temps\notes&|\dqh3ef\enotes -\temps\notes&|\dqh3gh\enotes -% mesure 57 -\barre\notes\itenl0G\hup G&\tten1\itenu1g\zhp{bd}\hup g|\dqh{-5}ig\enotes -\temps\notes&|\dqh3{^f}g\enotes -\temps\notes&|\dqh3hi\enotes -% mesure 58 -\barre\notes\tten0\itenl0G\hup G&\tten1\itenu1g\zhp{ce}\hup g|\dqh{-7}jg\enotes -\temps\notes&|\dqh5{^f}g\enotes -\temps\notes&|\dqh3ij\enotes -% mesure 59 -\barre\notes\tten0\hup G&\tten1\itenu1g\itenl2b\zhp{bd}\hup g|\dqh3kl\enotes -\temps\notes&|\dqh{-3}kj\enotes -\temps\notes&|\dqh{-3}i{_h}\enotes -%\check -% mesure 60 -\generalmeter{\meterfrac 24}% -\advance\elemskip by 1.5pt -\changecontext\notes\qu L&\itenu3e\tten1\tten2\zql b\zh e\hu g|\Uptext{\moyen pi\`u lento}\dqb5gi\enotes -\temps\notes\qu J&\itenl1c\ql c|\dqb3jk\enotes -%\check -% mesure 61 -\barre\NOTes\itenl0H\hu H&\tten1\tten3\itenl1a\zh a\zh c\hu e|\qlpp l\enotes -\temps\notes&|\ccl n\enotes -%\check -% mesure 62 -\barre\NOtes\tten0\hu H&\tten1\itenl1a\lna e\zh a\zh{^c}\hu e|\xTrille q{2\noteskip}\qup{^j}\enotes -\temps\notes&|\trioskip\sk\ibbl0i3\qb0i\tqb0j\enotes -%\check -% mesure 63 -\barre\NOTEs\pointdurgue G\hu K&\tten1\pointdorgue m\zh{ad}\hu{^f}|\pointdorgue m\hl k\enotes -% mesure 64 -\troistemps -\advance\elemskip by -1.5pt -\changecontext\NOtes\hu I&\soupir|\soupir\enotes -\temps\notes&\zq b\zql d\hu g|\dqh7dg\enotes -\temps\notes\qu L&\zq c\ql e|\dqh{-3}ji\enotes -% mesure 65 -\barre\NOTEs\hup K&\itenl0d\zhu h\zhp d\hlp{^f}|\Uptext{\moyen tempo primo}\xTrille o{\noteskip}\hu h\enotes -\temps\notes&\qu j|\dqb{-3}hg\enotes -% mesure 66 -\barre\NOTes\hu G&\tten0\zh{dg}\hu i|\hu g\enotes -\temps\notes\soupir&\soupir|\soupir\enotes -% mesure 67 -\barre\NOtes\hu I&\zh{bd}\hu g|\qu d\enotes -\temps\NOtes&|\qu g\enotes -\temps\NOtes\qu H&\zq{ac}\qu{^f}|\qu h\enotes -% mesure 68 -\barre\NOtes\hu G&\itenu1g\zhp b\zh d\hup g|\hu i\enotes -\temps\NOtes&|\relax\enotes -\temps\NOtes\qu I&\itenl2e\qu e|\itenl0i\qu i\enotes -% mesure 69 -\barre\NOtes\hu J&\tten1\tten2\zhl c\zhp e\hup g|\tten0\qu i\enotes -\temps\notes&|\dqh{-3}hg\enotes -\temps\notes\qu L&\ql a|\dqh{-3}ji\enotes -% mesure 70 -\barre\NOtes\hu K&\zh d\zh{^f}\hu h|\hu h\enotes -\temps\NOtes&|\relax\enotes -\temps\NOtes\qu J&\soupir|\soupir\enotes -% mesure 71 -\barre\NOtes\hu I&\itenl1d\itenu2g\zhp b\zhp d\hup g|\qu d\enotes -\temps\NOtes&|\qu g\enotes -\temps\notes\qu H&|\dqh5ik\enotes -% -% mesure 72 -\barre\NOtes\hup G&\zhp{=b}\tten1\tten2\zhp d\hup g|\qlp m\enotes -\temps\notes&|\sk\cl m\enotes -\temps\notes\qu{=I}&|\dqb{-3}lk\enotes -% mesure 73 -\barre\NOtes\hup J&\zh e\zhu g\hlp c|\hl j\enotes -\temps\Notes&|\relax\enotes -\temps\NOtes&\zq{^f}\qu h|\ql k\enotes -\autolines {12}45\relax -% mesure 74 -\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbbH#1#2#3#4#5{\ibbu0{#3}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax -%\check -\barre\notes\hu I&\zhl b\zhp d\hup g|\qqbbl0klkj\enotes -\temps\notes&|\qqbbl{-3}kjih\enotes -\temps\notes\qu{=I}&\ql{=b}|\qqbbl{-3}gfed\enotes -% mesure 75 -\autolines{14}35\relax -\alaligne\notes\hu J&\zhu g\zhp c\hup e|\qqbbl0lmlk\enotes -\temps\notes&|\qqbbl{-3}lkji\enotes -\temps\notes\qu H&\qu a|\qqbbh{-3}hg{^f}{=e}\enotes -% mesure 76 -\barre\notes\hu K&\zhl d\zhp{^f}\hup h|\qqbbl0{^m}nm{=l}\enotes -\temps\notes&|\qqbbl{-4}mlkj\enotes -\temps\notes\qu J&\ql c|\qqbbl{-5}ihg{^f}\enotes -% mesure 77 -\barre\notes\qu I&\zq b\zq d\qu g|\qqbbh0g{=e}{^f}g\enotes -\temps\notes\qu H&\zq c\zql e\hu h|\qqbbl4hij{_l}\enotes -\temps\notes\qu K&\zq d\qu{^f}|\qqbbl0k{=l}{^m}k\enotes -\quatretemps -% mesure 78 -\autolines {10}35\relax -\changecontext\barsinline=0\relax -\NOTEs\hlp I&\zwh g\zhp b\hlp d|\hl n\enotes -\temps\NOtes&|\dsoupir\cl d\enotes -\temps\NOtes\qu J&\zq c\ql e|\dqb5gj\enotes -% mesure 79 -\barre\NOtes\hup K&\zw d\zw{^f}\wh h|\xTrille o{3\noteskip}\hlp h\enotes -\temps\NOtes&|\enotes -\temps\NOtes&|\enotes -\temps\notes\qu D&|\dqh{-3}hg\enotes -% mesure 80 -\barre\NOtes\wh G&\zw b\zw d\wh g|\mordant o\wh g\enotes -\temps\NOtes&|\enotes -\temps\NOtes&|\enotes -\temps\NOtes&|\enotes -\finmorceau -\medskip\rightline{\it \aujourdhui} -\eject -\bye diff --git a/macros/musixtex/doc/examples/recueil.tex b/macros/musixtex/doc/examples/recueil.tex deleted file mode 100644 index 9e540aa192..0000000000 --- a/macros/musixtex/doc/examples/recueil.tex +++ /dev/null @@ -1,156 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi -\hyphenation{re-gis-tra-tion} -\csname french\endcsname -\tracingstats=2\relax -\line{\ \hss} -\vskip 15mm - -\def\magstep#1{\ifcase#1 \@m\or 1200\or 1440\or 1728\or 2074\or - 2488\or 2986\or 3583\or 4300\or 5160\fi\relax} - -\message{Font name: \fontname\the\font} -\iflongDCfontnames - \font\geant=\fontid bx3583 - \font\assezgros=\fontid r2074 -\else\iflongECfontnames - \font\geant=\fontid bx3583 - \font\assezgros=\fontid rm2074 - \else - \font\geant=\fontid bx12 scaled \magstep 6 - \font\assezgros=\fontid r17 scaled \magstep 1 - \fi -\fi -\centerline{\assezgros Daniel TAUPIN} -\vfil -{\baselineskip 20mm -\centerline{\geant PETITES} -\centerline{\geant PI\`ECES}\centerline{\geant POUR} -\centerline{\geant PLAIRE} -} -\vskip 15mm -\centerline{\sl Petites pi\`eces pas trop difficiles pour orgue} -\smallskip -\centerline{\sl \`a deux claviers et p\'edalier} -\vfil -\centerline{Orsay, \aujourdhui} -\eject -%\check -\null -\vfil -\hbox to \hsize{\hss\vbox{\hsize 12cm -\centerline{\moyen PR\'EFACE ET AVERTISSEMENT} - \bigskip Pour pouvoir avoir l'outrecuidance de se pr\'etendre compositeur \`a -la fin du XX\raise 0.7ex \hbox{\eightrm e} si\`ecle, il est indispensable de -faire preuve d'audaces, de produire du jamais entendu, m\^eme si seule une -minorit\'e infime d'initi\'es, c'est-\`a-dire l'\'elite musicale et -musicologique, est capable d'appr\'ecier la d\'elicate saveur des -\'etranget\'es harmoniques qu'on lui propose. - \medskip Ou bien alors, si l'on veut produire de la musique tonale, il faut -se r\'esigner \`a \^etre catalogu\'e dans cette musique de vari\'et\'es, qui -est r\'eput\'ee \^etre \`a la vraie musique ce que le ``fast-food'' est \`a -la gastronomie. - \medskip En d\'efinitive, l'audace de l'auteur de ces <<~Petites Pi\`eces -Pour Plaire~>> est d'avoir os\'e \'ecrire de la musique qui n'est ni de la -musique <<~contemporaine~>>, ni de la musique de <<~vari\'et\'es~>>, et qui -aurait pu \^etre \'ecrite -- disons modestement~: comme exercices de style -- -par des \'el\`eves des compositeurs des deux ou trois si\`ecles pass\'es. Leur -simple objectif est de charmer les oreilles d'auditeurs de culture classique, -tout en restant compatibles avec le genre des lieux o\`u l'on trouve le plus -d'orgues classiques, \`a savoir les \'eglises. - \medskip -\centerline{\vrule height 0.4pt width 0.5\hsize} -\vskip 1mm - \medskip Comme il est \'ecrit dans le titre, ces pi\`eces n\'ecessitent -l'usage du p\'edalier, mais la partie de p\'edale est rarement difficile~; de -ce fait elles pourront servir de pi\`eces d'initiation \`a l'orgue pour des -pianistes d'un niveau moyen. - \medskip Bien que certaines pi\`eces (notamment le Choral Vari\'e et la -Romance sans Paroles) -mentionnent une registration \`a trois claviers, toutes ces pi\`eces peuvent -\^etre jou\'ees avec les instruments usuels \`a deux claviers et p\'edalier. - \vskip 15mm - \rightline{\vtop{\divide\hsize by 2\relax\centerline{\sl Daniel -TAUPIN}\smallskip \centerline{\sl \aujourdhui}}} - - \bigskip - \centerline{\rm Tous droits de reproduction commerciale r\'eserv\'es} - \centerline{\rm All rights of commercial distribution reserved} - \bigskip - \def\tocitem#1#2{\hbox to \hsize{\hskip 1cm #1\dotfill\ p. #2\hskip 1cm}} - \input recueil.toc -}\hss}\vfil -\eject - \def\titremorceautoc{\edef\zetitre{\titremorceau}% - \write\toc{\noexpand\tocitem{\zetitre}{\the\pageno}}} - \newwrite\toc - \immediate\openout\toc=recueil.toc -% -% -\def\misazero{\def\nbinstruments{2}\nbporteesi=1\relax -\nbporteesii=2\relax -\barsinline=0\relax -\linesinpage=0\relax -\signaturegenerale{0}\savesignature -\resetfacteurs -\computewidths}% -% -\misazero -\input adagio -% -\misazero -\input recit -% -\misazero -\input tierce -% -\misazero -\input choral -% -\misazero -\input reves -% -\misazero -\input prelude -% -\misazero -\input fugue -% -\misazero -\input aria -% -\misazero -\input ostinato -% -\misazero -\input romances -% -\misazero -\input magnific -% -\misazero -\input fantcmol -% -\misazero -\input fugcmoll -% -\misazero -\input chanson -% -\misazero -\input quietude -% -\misazero -\input marcello -% -\misazero -\input purcellx -% -\misazero -\input avemario -% -\closeout\toc -\bye diff --git a/macros/musixtex/doc/examples/rests.tex b/macros/musixtex/doc/examples/rests.tex deleted file mode 100644 index 075089d837..0000000000 --- a/macros/musixtex/doc/examples/rests.tex +++ /dev/null @@ -1,229 +0,0 @@ -% format plain musixTex musixtEx musIxtex musiCtex -% (c) 1996, Werner Icking -% Multibar rests section revised 2015 for T1.17 by Bob Tennent. -% -\ifx\mxversion\undefined - \input musixtex - \fi -\input musixlit -\hoffset-15.4mm\voffset-15.4mm -\hsize210mm\advance\hsize-20mm -\vsize11in\advance\vsize-20mm\advance\vsize-20pt -\footline{\smalltype Edited by Werner.Icking@gmd.de using {\it Herbert Chlapik, - Die Praxis des Notensetzers, Doblinger Wien 1987, ISBN 3-9000~035-96-2}.\hfil} -\parskip 12pt minus 12pt -\nobarnumbers -%\smallmusicsize -\geometricskipscale -\transpose7 -\settrebleclefsymbol1\empty -\settrebleclefsymbol2\empty -\setinterinstrument1{-2\Interligne} -\def\qpp{\pt 5\qp} -\newbox\xtrcti\newbox\xtrctii\newbox\xtrctiii -\def\xtrct#1{ - \def\writeextract{\extract#1\vskip-6pt} - \ifnum#1=3\def\extractline{\setbox\xtrctiii\hbox}\fi - \ifnum#1=2\def\extractline{\setbox\xtrctii\hbox}\fi - \ifnum#1=1\def\extractline{\setbox\xtrcti\hbox}\fi - \ifnum#1=0\def\extractline{\centerline}\def\writeextract{}\fi} -\def\extract#1{ - \ifnum#1=1\line{\hfil\unhbox\xtrcti\hfil}\fi - \ifnum#1=2\line{\xhfil\unhbox\xtrcti\hfil\unhbox\xtrctii\xhfil}\fi - \ifnum#1=3\line{\xhfil\unhbox\xtrcti\hfil\unhbox\xtrctii\hfil - \unhbox\xtrctiii\xhfil}\fi} -\def\centeron{\def\xhfil{\hfil}}\def\centeroff{\def\xhfil{}}\centeron -\def\wrong{\uPtext{wrong}} -\def\right{\uPtext{right}} -\def\better{\uPtext{better}} -\def\notrec{\uPtext{not recommended}} -\def\uPtext#1{\uptext{\kern-\afterruleskip\medtype\it #1}} -\def\Endextract{\setdoubleBAR\endextract} -\def\Startextract{\startextract\addspace{-0.5\afterruleskip}} - -\bigtype - -Whole rest as whole rest\par - -\xtrct1\generalmeter{\meterfrac21}\Startextract -\NOTes\wh c\pause\en\endextract -\xtrct2\generalmeter{\meterfrac42}\Startextract -\NOtes\wrong\ha c\en\NOTes\pause\en\NOtes\hpause\en\endextract -\xtrct3\generalmeter{\meterfrac42}\Startextract -\NOtes\right\ha c\hpause\en\NOTes\pause\en\setdoublebar\bar -\NOtes\better\ha c\hpause\hpause\hpause\en\endextract -\writeextract - -Whole rest as full bar rest {\medtype --- not used for e.g. 3/16}\par - -\def\CP{\def\atnextbar{\znotes\centerpause\en}} -\def\CPB{\def\atnextbar{\znotes\nextinstrument\centerpause\en}} - -\xtrct1\generalmeter{\meterfrac18}\Startextract\notesp\sk\en\CP -\generalmeter{\meterfrac28}\Changecontext\Notes\sk\en\CP -\generalmeter{\meterfrac38}\Changecontext\Notesp\sk\en\CP -\generalmeter{\meterfrac48}\Changecontext\NOtes\sk\en\CP -\generalmeter{\meterfrac14}\Changecontext\Notesp\sk\en\CP -\generalmeter{\meterfrac24}\Changecontext\NOtes\sk\en\CP -\generalmeter{\meterfrac34}\Changecontext\NOtesp\sk\en\CP -\generalmeter{\meterfrac44}\Changecontext\NOTes\sk\en\CP -\generalmeter{\meterfrac54}\Changecontext\NOTes\sk\en\CP -\generalmeter{\meterfrac64}\Changecontext\NOTes\sk\en\CP -\endextract\writeextract - -\xtrct1\generalmeter{\meterfrac12}\Startextract\Notesp\sk\en\CP -\generalmeter{\meterfrac22}\Changecontext\NOtes\sk\en\CP -\generalmeter{\meterfrac32}\Changecontext\NOtesp\sk\en\CP -\generalmeter{\meterfrac42}\Changecontext\NOTes\sk\en\CP -\generalmeter{\meterfrac62}\Changecontext\NOTes\sk\en\CP -\generalmeter{\meterfrac21}\Changecontext\NOTES\wrong\sk\en\CP -\generalmeter{\meterfrac21}\Changecontext\NOTes\right\pause\pause\en -\endextract\writeextract - -\instrumentnumber2 -\xtrct1\generalmeter{\meterfrac24}\Startextract -\Notes\ca c&\ds\en\bar -\NOtesp\pt c\qa c\en\Notes\ca c\en\CPB\bar -\Notes\ca c\en\NOtesp\pt c\qa c\en\CPB\bar -\NOtesp\pt c\qa c&\wrong\en\CPB\Endextract -\xtrct2\generalmeter{\meterfrac24}\Startextract -\Notes\ca c&\ds\en\bar -\NOtesp\pt c\qa c\en\Notes\ca c\en\CPB\bar -\Notes\ca c\en\NOtesp\pt c\qa c\en\CPB\bar -\NOtes\pt c\qa c&\right\qp\en\Notes&\ds\en\Endextract -\writeextract - -\xtrct1\generalmeter{\meterfrac68}\Startextract -\NOtesp\pt c\qa c&\qpp\en\bar -\NOtesp\pt c\qa c\en\Notes\ibl0c0\qb0{cc}\tbl0\qb0c\en\CPB\bar -\NOtesp\pt c\qa c&\wrong\en\CPB\Endextract -\xtrct2\generalmeter{\meterfrac68}\Startextract -\Notesp\pt c\qa c&\qpp\en\bar -\NOtesp\pt c\qa c\en\Notes\ibl0c0\qb0{cc}\tbl0\qb0c\en\CPB\bar -\NOtesp\pt c\qa c&\right\qpp\en\Endextract -\writeextract -\instrumentnumber1 - -Rests and rhythm\par - -\centeroff -\scale{0.9} -\xtrct1\generalmeter{\meterfrac38}\Startextract -\NOtes\wrong\qp\en\Notes\ca c\en\bar -\Notes\right\ds\ds\ca c\en\setdoublebar\bar -\Notes\wrong\ca c\en\NOtes\qp\en\bar -\Notes\right\ca c\ds\ds\en\endextract -\xtrct2\generalmeter{\meterfrac34}\Startextract -\NOTes\wrong\hpause\en\NOtes\qa c\en\bar -\NOtes\right\qp\qp\qa c\en\setdoublebar\bar -\NOtes\wrong\qa c\en\NOTes\hpause\en\bar -\NOtes\right\qa c\qp\qp\en\endextract -\writeextract - -\scale{0.75} -\xtrct1\generalmeter{\meterfrac68}\Startextract -\Notes\wrong\ca c\en\NOtes\qp\en\Notes\ca c\en\NOtes\qp\en\bar -\Notes\right\ca c\ds\ds\ca c\ds\ds\en\setdoublebar\bar -\Notes\wrong\ca c\ds\ds\ds\ds\ca c\en\bar -\Notes\right\ca c\ds\ds\en\NOtes\qp\en\Notes\ca c\en\endextract -\xtrct2\generalmeter{\meterfrac44}\Startextract -\NOtes\wrong\qa c\en\NOTes\hpause\en\NOtes\qa c\en\bar -\NOtes\right\qa c\qp\qp\qa c\en\endextract -\writeextract - -\scale{0.7} -\xtrct1\generalmeter{\meterfrac34}\Startextract -\NOtes\uPtext{3/4 versus 6/8}\qa c\qp\qp\en -\generalmeter{\meterfrac68}\changecontext -\NOtes\qa c\en\Notes\ds\en\NOtes\qp\en\Notes\ds\en\endextract -\xtrct2\generalmeter{\meterfrac34}\Startextract -\Notes\ca c\ds\en\NOtes\qp\en\Notes\ds\ca c\en -\generalmeter{\meterfrac68}\changecontext -\Notes\ca c\ds\ds\en\NOtes\qp\en\Notes\ca c\en\endextract -\xtrct3\generalmeter{\meterfrac34}\Startextract -\Notes\ca c\ds\en\NOtes\qp\en\Notes\ibl0c0\qb0c\tbl0\qb0c\en -\generalmeter{\meterfrac68}\changecontext -\Notes\ca c\ds\ds\ds\en\Notes\ibl0c0\qb0c\tbl0\qb0c\en\endextract -\writeextract - -\scale{0.7} -\xtrct1\generalmeter{\meterfrac34}\Startextract -\NOtes\qp\qp\en\Notes\ibl0c0\qb0c\tbl0\qb0c\en -\generalmeter{\meterfrac68}\changecontext -\NOtes\qp\en\Notes\ds\ds\en\Notes\ibl0c0\qb0c\tbl0\qb0c\en\endextract -\xtrct2\generalmeter{\meterfrac34}\Startextract -\NOtesp\pt c\qa c\en\Notes\ds\en\NOtes\qp\en -\generalmeter{\meterfrac68}\changecontext -\NOtesp\pt c\qa c\en\NOtes\qp\en\Notes\ds\en\endextract -\xtrct3\generalmeter{\meterfrac32}\Startextract -\NOTes\uPtext{3/2 versus 6/4}\ha c\hpause\hpause\en -\generalmeter{\meterfrac64}\changecontext -\NOTes\ha c\en\NOtes\qp\en\NOTes\hpause\en\NOtes\qp\en\endextract -\writeextract - -\scale{0.8} -\xtrct1\generalmeter{\meterfrac{12}8}\Startextract -\NOTesp\wrong\pt c\ha c\hpausep\en\endextract -\xtrct2\generalmeter{\meterfrac{12}8}\Startextract -\Notes\notrec\ca c\ds\ds\en\NOtes\qp\en\Notes\ds\en\NOtes\qp\en\Notes\ds\en -\NOtes\qp\en\Notes\ds\en\endextract -\xtrct3\generalmeter{\meterfrac{12}8}\Startextract -\NOTesp\right\pt c\ha c\en\NOtesp\qpp\qpp\en\bar -\NOTesp\right\pt c\ha c\en\NOtesp\qp\en\Notes\ds\en\NOtesp\qp\en\Notes\ds\en -\endextract -\writeextract - -\scale{0.6} -\xtrct1\generalmeter{\meterfrac{12}8}\Startextract -\Notes\right\ca c\ds\ds\en\NOtesp\qpp\en\NOTesp\hpausep\en\bar -\Notes\right\ca c\ds\ds\en\NOtes\qp\en\Notes\ds\en\NOTesp\hpausep\en\endextract -\xtrct2\generalmeter{\meterfrac{15}8}\Startextract -\Notes\wrong\ca c\ds\ds\en\NOtesp\qpp\qpp\qpp\qpp\en\bar -\Notes\notrec\ca c\ds\ds\en\Notesp\qp\en\Notes\ds\en -\Notesp\qp\en\Notes\ds\en\Notesp\qp\en\Notes\ds\en\Notesp\qp\en\Notes\ds\en\bar -\Notes\right\ca c\ds\ds\en\NOTes\hpausep\hpausep\en\endextract -\writeextract - -\scale{0.8} -\xtrct1\generalmeter{\meterfrac64}\Startextract -\NOTesp\notrec\hpausep\en\NOTes\hpause\en\NOtes\qa c\en\endextract -\xtrct2\generalmeter{\meterfrac64}\Startextract -\NOTes\right\hpause\en\NOtes\qp\en\NOTes\hpause\en\NOtes\qa c\en\bar -\NOTesp\right\hpausep\en\NOtes\qp\qp\qa c\en\endextract -\xtrct3\generalmeter{\meterfrac64}\Startextract -\NOTesp\right\pt c\ha c\en\NOTes\hpause\en\NOtes\qp\en\bar -\NOTesp\right\pt c\ha c\hpausep\en\endextract -\writeextract - -%\scale{0.8} -%\xtrct1\generalmeter{\meterfrac{3\meterplus 2}8}\Startextract -%\NOTesp\notrec\hpausep\en\NOTes\hpause\en\NOtes\qa c\en\endextract -%\xtrct2\generalmeter{\meterfrac64}\Startextract -%\NOTes\right\hpause\en\NOtes\qp\en\NOTes\hpause\en\NOtes\qa c\en\bar -%\NOTesp\right\hpausep\en\NOtes\qp\qp\qa c\en\endextract -%\xtrct3\generalmeter{\meterfrac64}\Startextract -%\NOTesp\right\pt c\ha c\en\NOTes\hpause\en\NOtes\qp\en\bar -%\NOTesp\right\pt c\ha c\hpausep\en\endextract -%\writeextract - -Multibar rests - -\scale{1.1} -\def\TPF{\off{2.5\elemskip}} -\def\CB#1{\centerbar{#1}} -\def\CN#1{\CB{\ccn{9}{\meterfont{#1}}}} -\xtrct1\generalmeter{}\Startextract -\NOtesp\sk\en\def\atnextbar{\znotes\CN2\CB{\cPAuse}\en}\bar -\NOTes \sk\en\def\atnextbar{\znotes\CN3\CB{\cPAuse\TPF\cpause}\en}\bar -\NOtesp\sk\en\def\atnextbar{\znotes\CN4\CB{\cPAUSe}\en}\bar -\NOTes \sk\en\def\atnextbar{\znotes\CN5\CB{\cPAUSe\TPF\cpause}\en}\bar -\NOTes \sk\en\def\atnextbar{\znotes\CN6\CB{\cPAUSe\TPF\cPAuse}\en}\bar -\NOTEs \sk\en\def\atnextbar{\znotes\CN7\CB{\cPAUSe\TPF\cPAuse\TPF\cpause}\en}\bar -\NOTes \sk\en\def\atnextbar{\znotes\CN8\CB{\cPAUSe\TPF\cPAUSe}\en}\bar -\NOTEs \sk\en\def\atnextbar{\znotes\CN9\CB{\cPAUSe\TPF\cPAUSe\TPF\cpause}\en}\bar -\NOTEs \Hpause4{0.83}\en\def\atnextbar{\znotes\CN{10}\en}\bar -\NOTEsp\Hpause4{0.83}\en\def\atnextbar{\znotes\CN{11}\en}\endextract -\writeextract -\vfill\eject - -\bye diff --git a/macros/musixtex/doc/examples/reves.tex b/macros/musixtex/doc/examples/reves.tex deleted file mode 100644 index 04702a1dd4..0000000000 --- a/macros/musixtex/doc/examples/reves.tex +++ /dev/null @@ -1,543 +0,0 @@ - -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi -\title{R\^eves} -\fulltitle{V. \titremorceau} -\subtitle{(pour orgue)} -\csname titremorceautoc\endcsname -\othermention{Compos\'e en 1990} -\author{Daniel TAUPIN} -\shortauthor{D. Taupin} -\maketitle -\parindent 18mm -% - -\tracingstats=2\relax -% -\nbporteesii=2\relax -\def\nbinstruments{2} -\global\cleftoksii={{0}{0}{0}{0}}% -\global\cleftoksi={{6}{0}{0}{0}}% -% -\signaturegenerale{0}\relax % pas d'armature -\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% -\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% -\def\deuxtemps{\generalmeter{\meterfrac{2}{4}}}% -\def\Mordant{\mordant{10}}% -%\check -\def\instrumenti{P\'edale 16'}% -\def\instrumentii{\vbox{\hsize=\parindent\centerline{R\'ecit}\vskip 33pt - \centerline{G.O.}}}% -%\check -\def\gluemaxskip{7pt}% -% -\def\doubler{\multnoteskip 2\relax}% -\def\tripler{\multnoteskip 3\relax}% -% formes frequentes -% deux croches hautes -\def\dql#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% -\def\dqu#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% -\def\dqh{\dqu}\def\dqb{\dql}% -% -% deux doubles croches hautes -\def\dqbbu#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% -\def\dqbbl#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% -% -% croche pointee et double croche meme hauteur -\def\cpdcl#1{\trioskip\ibl0{#1}0\qbp0{#1}\sk\tbbl0\tqb0{#1}}% -\def\cpdcu#1{\trioskip\ibu0{#1}0\qhp0{#1}\sk\tbbu0\tqh0{#1}}% -% -% croche et deux doubles croches (1ere = 3eme) -\def\cddcu#1#2{\ibu0{#1}0\qh0{#1}\trioskip - \nbbu0\qh0{#2}\tqh0{#1}}% -\def\cddcl#1#2{\ibl0{#1}0\qb0{#1}\trioskip - \nbbl0\qb0{#2}\tqb0{#1}}% -% -\medskip\noindent{\rm G.O.: bourdon 8', unda maris ou tremblant}% -\par\noindent{\rm R\'ec.: nasard, tremblant}% -\par\noindent{\rm P\'ed.: 16', tirasse G.O.}% -\smallskip -% -\generalmeter{\meterfrac 44\meterfrac 54}% -% -\def\trioskip{\doubler\relax\divide\noteskip by 3\relax}% -\debutmorceau -\autolines {10}45\relax -\footnote{}{\noteskip=18pt\altportee=0pt\resetstem -\tenpoint\bf* \rm Notation :\ \ \zwq 1\ \ \ = \itenl01\wh 1\tten0\qu 1\ \ .}% -\def\resp{\vnotes 0.2\elemskip&|\cbreath\enotes}% -%\check -% -\hyphenpenalty -50\relax -\notes&|\Uptext{\hbox{\kern -16mm\moyen Adagio molto \bf(\metron{\qu}{50})}}\enotes -\advance\linesinpage by 1\relax -% \advance\barsinline by 1\relax -% -\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbbH#1#2#3#4#5{\ibbu0{#3}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}% -\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax -\def\dqbbh#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tqh0{#3}}\relax -\def\dqbbu{\dqbbh}\def\dqbbb{\dqbbl}% -\def\dqbbl#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tqb0{#3}}\relax -%\check -\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbH#1#2#3#4#5{\ibu0{#3}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax -%\check -% -% mesure 1 -\Notes\itenu0J\zwq J\zcharnote 8 {\bf *}&\itenl1c\qu c\enotes -\Notes&\tten1\itenl1c\zw c\qsk\wh d\enotes -\Notes&\qu g|\pause\enotes -\Notes&\qu{_h}\enotes -\Notes&\qu{_i}\enotes -% mesure 2 -\barre\nspace\nspace - \notes\tten0\itenu0J\zwq J&\tten1\itenl1c\lh d\lfl d\zhl c\relax - \ibu0g0\qh0g\trioskip\nbbu0\qh0{=h}\tqh0g|\sk\hpause\enotes -\notes&\dqu3ef\enotes -\NOTEs&\tten1\itenl1c\itenl2e\itenu3g\relax - \zhp c\zhp e\hup g|\divide\noteskip by 2\relax\sk\hpause\enotes -\NOtes&|\qu c\enotes -% mesure 3 -\def\atnextline{\autolines {9}45}\relax -\barre\nspace -\Notes\tten0\wh J&\tten1\tten2\tten3\zw c\zw e\itenu1g\wh g|\qu{_d}\enotes -\Notes&|\qu g\enotes -\Notes&|\qu{_h}\enotes -\Notes&|\qu{_i}\enotes -% mesure 4 -\barre\nspace\notes\doubler\hu{=H}&\zw g\tten1\lfl d\fl e\kern 3pt\lh d\hl e\relax - |\ibu0g0\qh0g\trioskip\nbbu0\qh0{_h}\tqh0g\enotes -\notes&|\dqu3{_e}f\enotes -\NOTEs\itenu0J\hup J&\itenu1c\itenu2e\zhp c\hlp{=e}|\hu g\enotes -\NOtes&\qu{_h}|\qu j\enotes -% mesure 5 -%\barre -\alaligne -\notes\tten0\wh J&\tten1\tten2\itenu1c\itenu2e\zw{ceg}\relax - |\ibu0g0\qh0g\trioskip\nbbu0\qh0f\tqh0g\enotes -\notes&|\dqh3ef\enotes -\NOtes&|\qu g\enotes -\NOtes&|\qu{_h}\enotes -% mesure 6 -\barre\NOtes\wh{_H}&\tten1\tten2\itenu2e\zw{_ac}\wh e|\qu{_i}\enotes -\NOtes&|\qu j\enotes -\NOtes&|\qu k\enotes -\notes&|\dql3l{^m}\enotes -% mesure 7 -\barre\nspace\NOtes\zwq E&\tten2\itenu2e\zwq{be}\zwq{^g}|\ql{^n}\enotes -\NOtes&|\ql l\enotes -\notes&|\cddcu i{^j}\enotes -\notes&|\dqu3{^g}h\enotes -\NOtes&|\qu i\enotes -% mesure 8 -\barre\NOtes\zwq J&\tten2\itenl1c\zwq{ce}\zwq{=g}|\ql j\enotes -\NOtes&|\qu{=g}\enotes -\notes&|\cddcu e{^f}\enotes -\notes&|\dqu3cd\enotes -\NOtes&|\qu e\enotes -% mesure 9 -\barre\Notes\zw{^G}&\tten1\itenl1c\zw{ac_e}|\qu{^f}\enotes -\Notes&|\qu{^g}\enotes -\Notes&|\qu{^h}\enotes -\notes&|\dql3jk\enotes -%\check -% mesure 10 -\barre\NOtes\zwq J&\tten1\zwq{Nc=e}|\ql l\enotes -\NOtes&|\ql j\enotes -\notes&|\na g\cddcu g{=h}\enotes -\notes&|\dqu3e{=f}\enotes -\NOtes&|\qu g\enotes -% mesure 11 -\barre\NOtes\zwq F&\fl d\zwq{_af}\rlap{\qsk\hup d}|\qu{_h}\enotes -\NOtes&|\qu{_i}\enotes -\NOtes&|\ql j\enotes -\notes&\itenl0b\hu b|\dql3kl\enotes -\NOtes&|\ql{^m}\enotes -% mesure 12 -\barre\nspace\Notes\zwq E&\tten0\zw b\zwq{e^g}|\ql{^n}\enotes -\Notes&|\ql l\enotes -\notes&|\cddcu i{^j}\enotes -\notes&|\dqu3{^g}{^h}\enotes -\NOtes&\qu{^b}|\qu{^i}\enotes -\def\atnextline{\autolines {11}45}\relax -% mesure 13 -\barre\NOtes\zwq{^J}&\lsh f\zwq{^c^g}\qsk\hu f|\qsk\ql{^j}\enotes -\NOtes&|\qu{^g}\enotes -\notes&\hu d|\na e\cddcu e{^f}\enotes -\notes&|\dqu3{^c}d\enotes -\NOtes&\qu e|\qu e\enotes -% mesure 14 -\barre\NOtes\wh F&\rlap{\lna c\qsk\hup{c}}\zw{a=f}|\qu {=f}\enotes -\NOtes&|\qu{=c}\enotes -\notes&|\dqu3de\enotes -\NOtes&\qu{_d}|\qu f\enotes -% mesure 15 -\barre\nspace\NOtes\wh{_E}&\lfl e\rlap{\qsk\hup e}\zw{_b_g}|\qu{_g}\enotes -\NOtes&|\qu{_d}\enotes -\notes&|\bigfl e\dqu3{e}f\enotes -\NOtes&\qu{=d}|\qu g\enotes -% mesure 16 -\advance\barsinline by -1\relax -\barre\nspace\NOtes\wh{=E}&\lna e\rlap{\qsk\hup e}\zw{=b_h}|\qu{_h}\enotes -\NOtes&|\qu{=e}\enotes -\notes&|\bigfl g\dqu3{g}{_h}\enotes -\NOtes&\qu f|\qu{_i}\enotes -% mesure 17 -\barre\NOtes\zwq J&\zwq{ce}\zwq g|\ql j\enotes -\NOtes&|\qu{=g}\enotes -\notes&|\cddcu ef\enotes -\notes&|\dqu3cd\enotes -\NOtes&|\qu e\enotes -% mesure 18 -\barre\nspace\NOtes\wh{^F}&\zw a\zw{_e}\qsk\itenu1d\wh d|\qu{_e}\enotes -\notes&|\dqu{3}de\enotes -\notes&|\dqu{3}cd\enotes -\notes&|\dqu{3}ef\enotes -% mesure 19 -\barre\NOtes\wh G&\tten1\zw b\zw d\zw g|\qu g\enotes -\notes&|\cddcu d{_e}\enotes -\Notes&|\dqu3bc\enotes -\Notes&|\qu d\enotes -% mesure 20 -\advance\barsinline by -1\relax -\autolines {22}25\relax -\cleftoksii={{6}{0}{0}{0}}\changeclefs -\def\sxtu#1#2#3#4#5#6{{\advance\transpose by 4\ibbu0{#1}2}\qh0{#1}\relax - \qh0{#2}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}% -%\check -\def\sxtl#1#2#3#4#5#6{{\advance\transpose by 2\ibbl0{#1}2}\qb0{#1}\relax - \qb0{#2}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}% -%\check -% croche et deux doubles croches (1ere = 3eme) -\def\duoskip{\tripler\relax - \divide\noteskip by 2\relax}% -\def\cddcu#1#2{\duoskip\ibu0{#1}0\qh0{#1}\sk - \nbbu0\qh0{#2}\tqh0{#1}}% -\def\cddcl#1#2{\duoskip\ibl0{#1}0\qb0{#1}\sk - \nbbl0\qb0{#2}\tqb0{#1}}% -% -\barre\notes\doubler\wh{_G}&\fl N\sxtl N{_a}{_d}{_e}da|\bigaccid\qu{_e}\enotes -\notes&\sxtl{N}ad{e}da|\qu f\enotes -\notes&\sxtl{N}ad{e}da|\qu g\enotes -\notes&\sxtl{N}{a}{=d}{=e}da|\tripler\dqu2hi\enotes -% mesure 21 -\autolines {29}25\relax -\barre\notes\doubler\wh{^J}&\sxtl M{_a}d{_e}da|\bigsh j\cddcu jk\enotes -\notes&\sxtl M{a}d{e}da|\tripler\dqu{-2}{^g}{^f}\enotes -\notes&\sxtl M{a}d{e}da|\tripler\dqu{2}{^e}f\enotes -\notes&\sxtl M{a}d{e}da|\qu g\enotes -% mesure 22 -\barre\notes\zwq K&\sxtl KMbcbM|\qu h\enotes -\notes&\sxtl KMbcbM|\qu i\enotes -\notes&\sxtl KMbcbM|\tripler\dqu2jk\enotes -\notes&\sxtl KMbcbM|\ql l\enotes -\notes&\sxtl KMbcbM|\ql m\enotes -\autolines {27}25\relax -% mesure 23 -\cleftoksii={{0}{0}{0}{0}}\changeclefs -\barre\notes\itenu0J\zwq J&\sxtu Ncefec|\ql n\enotes -\notes&\sxtu Ncefec|\tripler\dql{-2}lj\enotes -\notes&\sxtu Ncefec|\cddcu gh\enotes -\notes&\sxtu Ncefec|\tripler\dqu2ef\enotes -\notes&\sxtu Ncefec|\qu g\enotes -% mesure 24 -\barre\notes\tten0\hup J&\sxtu Ncefec|\tripler\dqu2hi\enotes -\notes&\sxtu Ncefec|\tripler\dqu2jk\enotes -\notes&\sxtu Ncefec|\tripler\dql4ln\enotes -\notes\qu H&\multnoteskip{1.1}\sxtu ac{_e}{^f}ec|\bigsh m\ql{m}\enotes -% mesure 25 -\autolines {31}25\relax -\barre\notes\zwq G&\noteskip 1.2\noteskip\sxtu ac{=e}{^f}ec|\ql n\enotes -\notes&\sxtu acefec|\tripler\dql{-4}lj\enotes -\notes&\sxtu acefec|\cddcu gh\enotes -\notes&\sxtu acefec|\tripler\dqu2e{^f}\enotes -\notes&\sxtu acegec|\qu g\enotes -% mesure 26 -\barre\notes\doubler\zwq{_G}&\noteskip 1.3\noteskip -\lfl N\bigfl a\sxtu N{a}e{^f}ea|\doubler\qu{_h}\enotes -\notes&\sxtu Naefea|\tripler\dql2{_i}j\enotes -\notes&\sxtu Naefea|\tripler\dql2kl\enotes -\notes&\sxtu Naefea|\tripler\dql2{^m}{^n}\enotes -\notes&\sxtu Naefea|\tripler\ql{_p}\enotes -% mesure 27 -\autolines {28}25\relax\barre\notes\zwq J&\bigna N\sxtu Ncegec|\ql q\enotes -\notes&\sxtu Ncegec|\doubler\ql{=n}\enotes -\notes&\sxtu Ncegec|\bigaccid\cddcl l{=m}\enotes -\notes&\sxtu Ncegec|\tripler\dql2jk\enotes -\notes&\sxtu Ncegec|\ql l\enotes -%\check -% mesure 28 -\barre\notes\zwq H&\noteskip 1.2\noteskip\sxtu ac{_e}{_g}ec|\bigaccid\ql{^m}\enotes -\notes&\sxtu acegec|\tripler\dql{-2}{=l}k\enotes -\notes&\fl a\sxtu ac{=e}fec|\tripler\dql{-2}j{_i}\enotes -\notes&\sxtu acefec|\tripler\dqu{-2}{_h}{_g}\enotes -% mesure 29 -\autolines {24}25\relax -\barre\notes\wh J&\sxtu Ncegec|\cddcu ef\enotes -\notes&\sxtu Ncegec|\tripler\dqu3{=g}{=i}\enotes -\notes&\sxtu Ncegec|\tripler\dql2jk\enotes -\notes&\sxtu Ncegec|\tripler\dql4ln\enotes -%\check -% mesure 30 -\barre\notes\wh H&\sxtu ac{^f}{^g}fc|\ql q\enotes -\notes&\sxtu acfgfc|\tripler\dql{-2}{_p}{^n}\enotes -\notes&\sxtu acfgfc|\tripler\dql{-2}{^m}l\enotes -\notes&\sxtu acfgfc|\tripler\dql{-2}kj\enotes -%\check -\cleftoksii={{6}{0}{0}{0}}\changeclefs -% mesure 31 -\autolines {25}25\relax -\barre\notes\hup J&\sxtl Ncegec|\cddcu gh\enotes -\notes&\sxtl Nce{^f}ec|\tripler\dqu{-2}{^f}e\enotes -\notes&\sxtl Ncefec|\tripler\dqu{-2}dc\enotes -\notes\itenl0H\doubler\qu{_H}&\fl N\sxtl N{_a}d{_e}da|\doubler - \itenl1e\qu{_e}\enotes -%\check -% mesure 32 -\barre\notes\doubler\tten0\wh{_H}&\noteskip 1.1\noteskip\fl N\sxtl -N{_a}d{_e}da|\bigfl e\tten1\qu{e}\enotes -\notes&\noteskip 1.1\noteskip\sxtl Nad{=e}da|\bigaccid\hup{=e}\enotes -\notes&\sxtl Nadeda|\enotes -\notes&\sxtl Nadeda|\enotes -%\check -% mesure 33 -\barre\notes\doubler\wh{_K}&\sxtl M{_a}{_d}fda|\qu f\enotes -\notes&\sxtl Madfda|\tripler\dql2{_h}{_i}\enotes -\notes&\sxtl Madfda|\tripler\dql2j{_k}\enotes -\notes&\sxtl Madfda|\tripler\dql2{_l}m\enotes -%\check -% mesure 34 -\barre\nspace\notes\doubler\wh{_L}&\noteskip 1.2\noteskip - \sxtl M{_N}{_b}{_e}bN|\bigaccid\ql{_p}\enotes -\notes&\sxtl MNbebN|\tripler\dql{-2}{_o}{_n}\enotes -\notes&\sxtl MNbebN|\tripler\dql{-2}m{_l}\enotes -\notes&\sxtl MNbebN|\tripler\dql{-4}{_k}{_i}\enotes -%\check -% mesure 35 -\barre\notes\doubler\wh{_K}&\sxtl M{_a}{_d}fda|\bigfl h\cddcu h{_i}\enotes -\notes&\sxtl Madfda|\tripler\dqu{-2}f{_e}\enotes -\notes&\sxtl Madfda|\tripler\dqu2{_d}e\enotes -\notes&\sxtl Madfda|\qu f\enotes -%\check -% mesure 36 -\barre\notes\doubler\wh{_L}&\sxtl M{_N}{_b}ebN|\doubler\uptext{\it rit.}\qu{_g}\enotes -\notes&\sxtl MNbebN|\doubler\qu{_h}\enotes -\notes&\sxtl MNbebN|\doubler\qu{_i}\enotes -\notes&\sxtl MNbebN|\qu j\enotes -%\check -% mesure 37 -\autolines{30}25\relax -\barre\notes\doubler\itenl0L\wh{=K}&\noteskip 1.2\noteskip\sxtl M{=a}{=d}fda|\itenu2m\wh m\enotes -\notes&\sxtl M{_a}dfda|\enotes -\notes&\noteskip 1.15\noteskip\sxtl M{=N}{_d}{_e}dN|\enotes -\notes&\noteskip 1.15\noteskip\sxtl M{_N}{=d}edN|\enotes -%\check -\barre\autolines{15}35\relax -% mesure 38 -\notes\tten0\itenl0L\wh K&\rlap{\sk\zcharnote D{\sl 3}}\ibl0M5\qb0M\qb0{_N}\tqb0d|\tten2\hlp m\enotes -\notes&\rlap{\sk\zcharnote D{\sl 3}}\ibl0d{-5}\qb0{_e}\qb0d\tqb0N\enotes -\notes&\rlap{\sk\zcharnote D{\sl 3}}\ibl0M5\qb0M\qb0N\tqb0d\enotes -\notes&\rlap{\sk\zcharnote D{\sl 3}}\ibl0d{-5}\qb0e\qb0d\tqb0N|\sk\soupir\enotes -% mesure 39 -\barre\notes\tten0\hup K&\rlap{\sk\zcharnote D{\sl 3}}\ibl0M5\qb0M\qb0{_N}\tqb0d|\enotes -\notes&\rlap{\sk\zcharnote D{\sl 3}}\ibl0d{-5}\qb0{_e}\qb0d\tqb0N|\sk\sk\pause\enotes -\NOtes&\itenl3L\hl L\enotes -\NOtes\itenl2J\qu J&|\enotes -%\check -% mesure 40 -\barre\nspace\autolines{11}45\relax -\NOtes\tten2\zwq J&\tten3\zwq L\itenl1L|\uptext{\it a tempo}\qu c\enotes -\NOtes&\wh{=N}|\qu{_d}\enotes -\NOtes&\itenu2c\hup c|\qu g\enotes -\NOtes&|\qu{_h}\enotes -\NOtes&|\qu{_i}\enotes -% mesure 41 -% -% croche et deux doubles croches (1ere = 3eme) -\def\cddcu#1#2{\ibu0{#1}0\qh0{#1}\trioskip - \nbbu0\qh0{#2}\tqh0{#1}}% -\def\cddcl#1#2{\ibl0{#1}0\qb0{#1}\trioskip - \nbbl0\qb0{#2}\tqb0{#1}}% -% -\barre -\nspace\notes\doubler\hu{_H}&\doubler\tten1\itenl1L\relax -\tten2\itenu2c\zwq L\zwq c\hl{_a}|\cddcu g{_h}\enotes -\notes&|\dqu3{_e}f\enotes -\NOTEs\itenu0J\hup J&\hl{N}|\hu g\enotes -\NOtes&\ql{a}|\qu j\enotes -% mesure 42 -\barre\notes\tten0\wh J&\tten1\tten2\itenu1c\itenl2L\zw{LNc}\relax - |\cddcu gf\enotes -\notes&|\dqh3ef\enotes -\NOtes&|\qu g\enotes -\NOtes&|\qu{_h}\enotes -% mesure 43 -\barre\NOtes\wh{_H}&\tten1\tten2\itenl1N\zw{_ac}\wh L|\qu{_i}\enotes -\NOtes&|\qu j\enotes -\NOtes&|\qu k\enotes -\notes&|\dql3l{^m}\enotes -% mesure 44 -\barre\nspace\NOtes\zwq E&\tten1\itenu2e\zwq{be}\zwq{^N}|\ql{^n}\enotes -\NOtes&|\ql l\enotes -\notes&|\cddcu i{^j}\enotes -\notes&|\dqu3{^g}h\enotes -\NOtes&|\qu i\enotes -% mesure 45 -\barre\NOtes\zwq J&\tten2\itenu1c\zwq{ce}\zwq{=N}|\ql j\enotes -\NOtes&|\qu{=g}\enotes -\notes&|\cddcu e{^f}\enotes -\notes&|\dqu3cd\enotes -\NOtes&|\qu e\enotes -% mesure 46 -\barre\NOtes\zw{^G}&\tten1\itenu1c\zw{ac_e}|\qu{^f}\enotes -\NOtes&|\qu{^g}\enotes -\NOtes&|\qu{^h}\enotes -\notes&|\dql3jk\enotes -%\check -% mesure 47 -\barre\NOtes\zwq J&\tten1\zwq{Lc}\kern 3pt\qsk\zhl M|\ql l\enotes -\NOtes&|\ql j\enotes -\notes&\hl{_a}|\na g\cddcu g{=h}\enotes -\notes&|\dqu3e{=f}\enotes -\NOtes&\ql N|\qu g\enotes -% mesure 48 -\barre\nspace\NOtes\zwq{_G}&\lfl a\zwq{_Nc}\qsk\zwq a|\qu{_h}\enotes -\NOtes&|\qu{_i}\enotes -\NOtes&|\ql j\enotes -\notes&|\dql3kl\enotes -\NOtes&|\ql{^m}\enotes -\cleftoksii={{0}{0}{0}{0}}\changeclefs -% mesure 49 -\barre\NOtes\zwq E&\zw b\zwq{b^g}\zw d|\ql{^n}\enotes -\NOtes&|\ql l\enotes -\notes&|\cddcu i{^j}\enotes -\notes&|\dqu3{^g}{^h}\enotes -\NOtes&\qu{^d}|\qu{^i}\enotes -% mesure 50 -\barre\NOtes\zwq{^J}&\lsh f\zwq{^c^g}\qsk\hu f|\qsk\ql{^j}\enotes -\NOtes&|\qu{^g}\enotes -\notes&\hu d|\bigna e\cddcu e{^f}\enotes -\notes&|\dqu3{^c}d\enotes -\NOtes&\qu e|\qu e\enotes -% mesure 51 -\barre\NOtes\wh F&\lna c\rlap{\qsk\hup c}\zw{a=f}|\qu f\enotes -\NOtes&|\qu{=c}\enotes -\notes&|\dqu3de\enotes -\NOtes&\qu{_d}|\qu f\enotes -% mesure 52 -\barre\autolines{10}35\nspace -\NOtes\wh{_E}&\bigna d\lfl b\rlap{\qsk\hup d}\zw{b_g}|\qu{_g}\enotes -\NOtes&|\qu{_d}\enotes -\notes&|\bigfl e\dqu3{e}f\enotes -\NOtes&\qu{_e}|\qu g\enotes -% mesure 53 -\barre\nspace\NOtes\wh{=E}&\lna e\rlap{\qsk\hup e}\zw{=b_h}|\qu{_h}\enotes -\NOtes&|\qu{=e}\enotes -\notes&|\dqu3{_g}{_h}\enotes -\NOtes&\qu f|\qu{_i}\enotes -% mesure 54 -\barre\NOtes\zwq J&\zwq{cf}\qsk\zw g|\ql j\enotes -\notes&|\cddcu gf\enotes -\notes&|\dqu{-2}ed\enotes -\notes&|\dqu2cd\enotes -\NOtes&\qu{_h}|\qu e\enotes -% mesure 55 -\barre\nspace\NOtes\wh H&\lfl d\zw{c=f}\qsk\zw{dg}|\qu{^f}\enotes -\notes&|\dqu{-2}gf\enotes -\notes&|\dqu{-2}ih\enotes -\notes&|\noteskip 0.9\noteskip\ibu0g{-1}\qh0g\zcharnote n{\sl 3}\relax -\qh0{^f}\tqh0{=f}\enotes -\cleftoksii={{6}{0}{0}{0}}\changeclefs -% mesure 56 -\barre\nspace\NOtes\wh J&\fl a\fl e\zw{Nd}\qsk\zw{ae}|\qu{=e}\enotes -\notes&|\bigsh f\dqu{-2}{f}e\enotes -\notes&|\dqu3{^g}{^h}\enotes -\notes&|\dqu3jk\enotes -%\check -% mesure 57 -\barre\bigaccid -\NOtes\zwq C&\zwq{Nc=e}|\ql l\enotes -\NOtes&|\ql j\enotes -\notes&|\cddcu gh\enotes -\notes&|\dqu{-2}{^f}e\enotes -\notes&|\dqu{-2}dc\enotes -%\check -% mesure 58 -\barre\NOtes\wh{_H}&\zw{^M}\rw d\wh{_e}|\qu{_e}\enotes -\notes&|\trioskip\fl f\ibu0f0\qh0f\zcharnote l{\sl 3}\qh0e\tqh0f\enotes -\notes&|\dqu2ef\enotes -\notes&|\dqu2de\enotes -% mesure 59 -\barre\NOtes\wh J&\zw{Nb}\rw c\wh{=e}|\qu{=e}\enotes -\notes&|\dqu{-2}{=f}e\enotes -\notes&|\dqu4gi\enotes -\notes&|\dqu4jl\enotes -% mesure 60 -\barre\NOtes\wh{_G}&\fl N\zw M\rw N\rw d\wh c|\ql{^m}\enotes -\notes&|\trioskip\ibl0l0\qb0l\zcharnote c{\sl 3}\qb0m\tqb0l\enotes -\notes&|\dqb{-2}kj\enotes -\notes&|\dqu{-2}{_i}{_h}\enotes -% mesure 61 -\barre\NOtes\wh H&\sh M\zw M\zw a\wh d|\qu{=h}\enotes -\notes&|\trioskip\ibu0e0\qh0{^f}\zcharnote n{\sl 3}\qh0e\tqh0f\enotes -\notes&|\dqu2de\enotes -\notes&|\dqu6fi\enotes -% mesure 62 -\barre\NOTEs\hup E&\itenu0a\zwq a\qsk\zhp L\hup N|\hu h\enotes -\notes&|\trioskip\ibu0g{-1}\qhp0g\sk\tbbu0\tqh0{^f}\enotes -\NOTEs\hu D&\itenu1d\zh {^M}\hu d|\hu f\enotes -\resp -% mesure 63 -\barre\Notes\itenl3D\zwq D&\tten0\tten1\itenu1d\zwq{^fad}|\qu d\enotes -\Notes&|\qu{_e}\enotes -\Notes&|\qu h\enotes -\Notes&|\qu{_i}\enotes -\Notes&|\qu j\enotes -% mesure 64 -\barre\notes\tten3\itenl3D\zwq D&\tten1\itenu1d\zh L\zhl N\zwq d|\cddcu h{_i}\enotes -\notes&|\dqu2{^f}g\enotes -\NOTEs&\itenl0M\zhu a\hlp{^M}|\hu h\enotes -\NOtes&\qu{_b}|\ql k\enotes -%\check -% mesure 65 -\barre\notes\tten3\itenl3D\zwq D&\tten0\tten1\itenu1d\zhp{^M}\zwq d\hlp a|\cddcu h{_i}\enotes -\notes&|\dqu2{^f}g\enotes -\NOtes&|\qu h\enotes -\notes&\zh{LN}\hl{_b}|\dqu2gh\enotes -\notes&|\dqu2gh\enotes -% mesure 66 -\barre\notes\tten3\itenl3D\zw D&\tten1\itenu1d\zh{^M}\zw d\hl a|\sh f\cddcu fe\enotes -\NOtes&|\qu d\enotes -\notes&\zh{LN}\hl{_b}|\dqu2gh\enotes -\notes&|\dqu2gh\enotes -% mesure 67 -\barre\notes\tten3\itenl3D\zw D&\tten1\zh{^M}\zw d\hl a|\sh f\cddcu fe\enotes -\NOtes&|\qu d\enotes -\notes&\zh{LN}\itenu2b\hl{_b}|\dqu2gh\enotes -\notes&|\dqu2gh\enotes -% mesure 68 -\barre\nspace\NOTes\tten3\itenl3D\zw D&\tten2\lfl b\zw{_L_Nb_e}|\hl{_i}\enotes -\NOtes&|\ql j\enotes -\NOtes&|\sh j\ql j\enotes -% mesure 69 -\barre\NOTes\tten3\zwq D\pointdorgue 8&\na L\na N\zwq{Kd}\qsk\itenl2N\zh L\hu N|\pointdorgue m\zwq k\enotes -\NOTes&\tten2\zh N\hu {_b}\enotes -\NOtes&\zq{^M}\pointdorgue {11}\qu a\enotes -\finmorceau -\rightline{\sl\aujourdhui}\vfil\eject -\varaccid - -\ifx\toc\undefined - \let\finishpiece \end -\else - \let\finishpiece\relax -\fi -\finishpiece -\endinput - diff --git a/macros/musixtex/doc/examples/romances.tex b/macros/musixtex/doc/examples/romances.tex deleted file mode 100644 index c337b1192b..0000000000 --- a/macros/musixtex/doc/examples/romances.tex +++ /dev/null @@ -1,499 +0,0 @@ -\title{Romance sans paroles} -\fulltitle{IX. \titremorceau} -\subtitle{(pour orgue)} -\othermention{Compos\'e en 1992--93} -\author{Daniel TAUPIN} -\shortauthor{D. Taupin} -\maketitle - -\csname titremorceautoc\endcsname - -% -% formes frequentes -% deux croches hautes -\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}} -\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}} -\def\Tqb#1#2#3{\Ibl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}} -\def\Tqh#1#2#3{\Ibu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}} -\def\doubler{\noteskip=2\noteskip}% -\def\bassyn#1{\doubler\dsoupir\cu{#1}\dsoupir} -% -\parindent 18mm -% - -\tracingstats=2\relax -% -\nbporteesii=1\relax -\def\nbinstruments{3} -\global\cleftoksiii={{0}{0}{0}{0}}% -\global\cleftoksii={{0}{0}{0}{0}}% -\global\cleftoksi={{6}{0}{0}{0}}% -% -\signaturegenerale{-2}\relax % deux bemols a la clef -\def\quatretemps{\generalmeter{\meterfrac{12}{8}}}% -\def\troistemps{\generalmeter{\meterfrac{9}{8}}}% -\def\deuxtemps{\generalmeter{\meterfrac{6}{8}}}% -%\check -\def\instrumenti{P\'edale 16'}% -\def\instrumentii{Positif ({\bf II})}% -\def\instrumentiii{R\'ecit ({\bf III})}% -%\check -\def\gluemaxskip{7pt}% -% -\medskip\noindent{\rm G.O.: fonds 8'+4' ou 8'+4'+2' (acc. positif.)}% -\par\noindent{\rm Pos.: fonds 8'+4'+2' doux}% -\par\noindent{\rm R\'ec.: nasard, larigot ({\ppff f}, tremblant {\sl ad lib.})}% -\par\noindent{\rm P\'ed.: 16'+8',(+4' doux {\sl ad lib.})}% -\smallskip -% -\deuxtemps -% -\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}% -\def\resp{\vnotes 0.2\elemskip&&\cbreath\enotes}% -\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbbH#1#2#3#4#5{{\advance\transpose by 1\relax - \ibbu0{#2}{#1}}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax -\def\sqbbh#1#2#3#4#5#6#7{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\relax - \qh0{#4}\qh0{#5}\qh0{#6}\tqh0{#7}}\relax -\def\sqbbH#1#2.#3#4#5#6#7#8{\Ibbu0{#1}{#2}5\qh0{#3}\qh0{#4}\relax - \qh0{#5}\qh0{#6}\qh0{#7}\tqh0{#8}}\relax -\def\sqbbl#1#2#3#4#5#6#7{\ibbl0{#2}{#1}\qb0{#2}\qh0{#3}\qh0{#4}\relax - \qh0{#5}\qh0{#6}\tqb0{#7}}\relax -\def\sqbbL#1#2.#3#4#5#6#7#8{\Ibbl0{#1}{#2}5\qb0{#3}\qb0{#4}\relax - \qb0{#5}\qb0{#6}\qb0{#7}\tqb0{#8}}\relax -% -\debutmorceau -% -\ifnum\musicsize>16\def\barperline{6}\else\def\barperline{7}\fi -\autolines {6}{\barperline}5\relax -%\check -% -\ifnum\musicsize>16\relax\advance\linesinpage by 1\relax\fi -% mesure 1 -\ifx\mxversion\undefined\kern -\internote\fi -\notes&\sqbbH dd.bdgdbN&\Uptext{\hbox{\kern -16mm\moyen Andante con moto - \bf(\metron{\qup}{60})}}\enotes -\zbarre \notes\pause&\sqbbH dd.a{^c}g{^f}gc&\pause\enotes -%\check -% mesure 2 -\barre\ifx\mxversion\undefined\kern -\Interligne\fi -\notes&\sqbbH ff.d{^f}gigd&\sk\sk\qsk\pt i\soupir\enotes -\zbarre\notes\pause&\sqbbH cc.{=c}dfdca&\sk\soupir\sk\Ilegu3o\sk\cu d\enotes -%\check -% mesure 3 -\barre\ifx\mxversion\undefined\kern -\Interligne\fi -\notes\bassyn G&\sqbbH eg.bdgi{=e}{^f}&\doubler - \qu g\sk\cu h\enotes -\zbarre\notes\doubler\dsoupir\cu I\dsoupir&\sqbbH gg.dfgied&\doubler - \qu i\sk\cu k\enotes -%\check -% mesure 4 -\barre\notes\doubler\dsoupir\cu H\dsoupir&\bigsh c\sqbbH gh.c{=e}g{^j}ge&\doubler - \qup{^j}\enotes -\zbarre\notes\doubler\dsoupir\cu{^J}\dsoupir&\sqbbH ee.acegfe&\doubler - \qu h\tleg3\sk\dsoupir\enotes -%\check -% mesure 5 -\barre\notes\doubler\dsoupir\cu{=I}\dsoupir&\sqbbH fg.dfh{=i}hf&\doubler - \Ilegu3o\Tqh{=i}hg\enotes -\zbarre\notes\doubler\dsoupir\cu{^J}\dsoupir&\sqbbH gh.{=e}gh{^j}hg&\doubler - \Tqh{_i}hg\enotes -%\check -% mesure 6 -\barre\notes\doubler\dsoupir\cu K\dsoupir&\sqbbH gh.d{^f}h{=j}{=i}h&\doubler - \qu{^f}\sk\cu{=e}\enotes -\zbarre\notes\bassyn I&\sqbbH hh.{_i}fgigd&\qu d\tleg3\sk - \cbreath\sk\Ilegu3o\cu d\enotes -%\check -% mesure 7 -\barre\notes\bassyn G&\sqbbH dg.bd{^f}g{=e}f&\doubler - \qu g\sk\cu h\enotes -\zbarre\notes\doubler\dsoupir\cu I\dsoupir&\sqbbH gg.dfgied&\doubler - \qu i\sk\cu k\enotes -%\check -% mesure 8 -\barre\notes\bassyn{^J}&\sqbbH gg.{^c}{=e}g{^j}ge&\doubler - \qlp{=l}\enotes -\zbarre\notes\doubler\dsoupir\cna J\cu{J}\dsoupir&\sqbbH fd.{^f}dhfd{=c}&\relax - \ql k\tleg3\sk - \cbreath\sk\Ilegu3o\cna j\cl j\enotes -%\check -% mesure 9 -\barre\notes\bassyn I&\sqbbH df.dbgd{_e}g&\doubler - \ql i\sk\cl j\enotes -\zbarre\notes\bassyn D&\sqbbH ff.d{^f}jhdf&\doubler - \ql h\sk\cl i\enotes -%\check -% mesure 10 -\barre\notes\bassyn G&\sqbbH fd.igdgdb&\doubler\hu g\tleg3\sk\sk\enotes -\zbarre\notes\bassyn J&\sqbbH bd.Nbcdec&\doubler\sk\dsoupir - \Ilegu3o\cu d\enotes -%\check -% mesure 11 -\barre\notes\bassyn G&\sqbbH df.bdgi{=e}{^f}&\doubler - \qu g\sk\cu h\enotes -\zbarre\notes\doubler\dsoupir\cu I\dsoupir&\sqbbH gg.dfgied&\doubler - \qu i\sk\cu k\enotes -%\check -% mesure 12 -\barre\notes\bassyn H&\sqbbH eg.{^c}{=e}gied&\doubler\qlp n\enotes -\zbarre\notes\bassyn J&\sqbbH fg.{=c}{^f}hjhf&\doubler\ql {^m}\sk\cl{=l}\enotes -%\check -% mesure 13 -\barre\notes\bassyn K&\sqbbH gi.dgijig&\doubler\Tqb kji\enotes -\zbarre\notes\doubler\dsoupir\cu{^J}\dsoupir&\sqbbH gh.{=e}gh{^j}hg&\doubler - \Tqh{i}hg\enotes -%\check -% mesure 14 -\barre\notes\bassyn K&\sqbbH gg.hd{^f}{=j}hf&\doubler\qu h\tleg3\sk\dsoupir\enotes -\zbarre\notes\bassyn G&\sqbbH gi.gdgili&\doubler\Ilegu3o\qu i\sk\cu i\enotes -%\check -% mesure 15 -\barre\notes\bassyn H&\sqbbH hj.hehjlj&\doubler\qu j\sk\cu j\enotes -\zbarre\notes\bassyn I&\sqbbH hj.idgilk&\doubler\qu k\sk\cu k\enotes -%\check -% mesure 16 -\barre\notes\bassyn{^F}&\sqbbH ii.{^j}hdfh{=i}&\doubler\Tqh k{^j}{=j}\enotes -\zbarre\notes\bassyn G&\sqbbH fh.egh{=j}{_i}g&\doubler\Tqh {_i}hg\enotes -%\check -% mesure 17 -\barre\notes\bassyn K&\sqbbH gg.hd{^f}hjh&\qup h\enotes -\zbarre\notes\doubler\qup G&\Ibbu0ge3\qh0{gig}\tqh0d&\cu g\tleg3\sk\dsoupir - \Ilegu3p\enotes -\cleftoksii={6000}\changeclefs -\temps\notes&\zmidtwotext{\kern -\Interligne\bf I \rm(GO)}\Ibbl0bc1\qb0b\tqb0c&\doubler - \uptext{\kern -\Interligne\bf I \rm(GO)}\itenl0d\cu d\enotes -%\check -% mesure 18 -\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL bM.babNa{^M}&\doubler - \tten0\itenl0d\zqlp d\qu g\sk\zq {^f}\cu h\enotes -\zbarre\notes\doubler\qu G\sk\cu I&\sqbbL Nc.NabN{=e}d&\doubler - \tten0\zql d\zq g\qu i\sk\zcl g\cu g\enotes -%\check -% mesure 19 -\barre\notes\doubler\qu H\sk\dsoupir&\sqbbL ce.{^c}a{=b}cd{=e}&\doubler - \zq g\rq h\qu{^j}\tleg3\sk\dsoupir\enotes -\zbarre\notes\doubler\qu {^F}\sk\cu H&\sqbbL dM.d{=c}{_b}aN{^M}&\doubler - \Ilegu3o\zqp {^f}\zqlp h\qu k\sk\cu {=j}\enotes -%\check -% mesure 20 -\barre\notes\doubler\qup G&\sqbbL LN.{=L}{^M}NabN&\doubler - \zqlp d\zq g\Tqh ihg\enotes -\zbarre\notes\doubler\qup J&\sqbbL cL.cbaN{=M}{=L}&\doubler - \zqlp{=e}\zq g\Tqh ihg\enotes -%\check -% mesure 21 -\barre\notes\doubler\hu K&\sqbbL La.{^M}K{=L}MNa&\doubler - \zq d\zql{^f}\qup h\sk\raise -2.5\Interligne\soupir\enotes -\zbarre\notes\doubler\sk\sk\soupir&\sqbbL NN.bMNabc&\qu d\tleg3\sk - \doubler\cbreath\Ilegu3o\itenl0d\cu d\enotes -%\check -% mesure 22 -\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL bM.babNa{^M}&\doubler - \tten0\itenl0d\zqlp d\qu g\sk\zq{^f}\cu h\enotes -\zbarre\notes\doubler\qu G\sk\cu I&\sqbbL Nc.NabN{=e}d&\doubler - \tten0\zql d\itenl0g\zq g\itenu1i\qu i\sk - \tten0\tten1\itenl0g\zq g\zq i\cu k\enotes -%\check -% mesure 23 -\barre\notes\doubler\qup{^J}&\sqbbL cM.{^c}{=e}cbaN&\doubler - \tten0\pt f\zqp g\rlap{\qsk\itenu1h\zqp h}\qup{=l}\sk\sk\enotes -\zbarre\notes\doubler\qu K\sk\dsoupir&\sqbbL La.{^M}K{=L}MNa&\relax - \tten1\zq {^f}\zq h\qu k\tleg3\sk\doubler\sk\Ilegu3o\cna j\cl j\enotes -%\check -% mesure 24 -\barre\notes\qup G&\sqbbL aa.{_b}aN{=c}aN&\doubler - \itenl0d\zqp d\zqlp g\qu i\sk\cu j\enotes -\zbarre\notes\qup K&\sqbbL LL.{^M}{=L}MKLM&\doubler - \tten0\zql d\zqp {^f}\qu h\sk \zcu i\raise -3\Interligne\ds\enotes -%\check -% mesure 25 -\barre\notes\hu G&\sqbbL NI.N{^M}NKIK&\doubler\zh b\zh d\hu g\sk\sk\enotes -\zbarre\notes\sk\sk\soupir&\cu G\sk\dsoupir&\sk\tleg3\sk\dsoupir\enotes -\cleftoksii={0000}\changeclefs -\temps\notes&\uptext{(I)}\Ibbu0dc1\qh0d\tqh0c&\relax - \uptext{\bf III}\Ilegu3p\cu d\enotes -%\check -% mesure 26 -\barre\notes\doubler\qu G\sk\cu K&\rlap{\ql b\sk\sk\sk\cl a}\relax -\sqbbH df.bdgdce&\doubler\qu g\sk\cu h\enotes -\zbarre\notes\doubler\qu I\sk\cu H&\rlap{\ql b\sk\sk\sk\qsk\cl c}\relax -\sqbbH ff.dgigd{^f}&\doubler\qu i\sk\cu k\enotes -%\check -% mesure 27 -\barre\notes\doubler\qu G\sk\cu{=I}&\rlap{\ql{=b}\sk\sk\sk\cl d}\relax - \sqbbH fh.dg{=i}g{=f}g&\doubler\ql n\sk\cl m\enotes -\zbarre\notes\qup J&\zqlp c\sqbbH gi.egjghg&\doubler\Tqb lkj\enotes -%\check -% mesure 28 -\barre\notes\doubler\qup H&\rlap{\qsk\zql e}\sqbbH gi.{^f}hjijh&\doubler - \Tqb lkj\enotes -\zbarre\notes\doubler\qup{^J}&\zqlp e\sqbbH gh.{=e}gh{^j}hg&\doubler - \Tqh{_i}hg\enotes -%\check -% mesure 29 -\barre\notes\doubler\qup{=J}&\rlap{\ql d\sk\sk\sk\cna c\cl c}\relax - \sqbbH gg.hg{^f}{=j}hf&\doubler\qu h\sk\cu{^f}\enotes -\zbarre\notes\doubler\qu I\sk\soupir&\rlap{\ql d\sk\sk\sk\cl c}\relax - \sqbbH gg.gihg{^f}g&\qu d\tleg3\sk\cbreath\sk - \Ilegu3o\cu d\enotes -%\check -% mesure 30 -\barre\notes\doubler\qup I&\zqlp b\sqbbH gh.dgigdg&\doubler - \Tqh ghi\enotes -\zbarre\notes\doubler\qup H&\zqlp c\sqbbH gh.eghjhg&\doubler - \Tqb ijk\enotes -%\check -% mesure 31 -\barre\notes\doubler - \qup K&\zqlp c\sqbbH fh.c{=e}{^f}hjh&\doubler - \Tqb k{=l}{^m}\enotes -\zbarre\notes\doubler\qu I\sk\cu{=I}&\zqlp d\sqbbH ii.giki{=i}g&\doubler - \ql n\sk\cl {=m}\enotes -%\check -% mesure 32 -\barre\notes\doubler\qup J&\zqlp c\sqbbH gi.{_e}ghjhg&\doubler - \Tqb {_l}kj\enotes -\zbarre\notes\doubler\qup{^J}&\lsh c\zqlp c\sqbbH gh.{=e}gh{^j}hg&\doubler - \Tqh ihg\enotes -%\check -% mesure 33 -\barre\notes\doubler\qup{_I}&\lna c\zqlp c\sqbbH gh.{_e}gh{=j}hg&\doubler - \Tqh ihg\enotes -\zbarre\notes\doubler\qu K\sk\ds&\zql d\sqbbH ge.{^f}hjhfd&\doubler - \qu h\tleg3\sk\dsoupir\enotes -%\check -% mesure 34 -\barre\notes\doubler\qu G\sk\cu F&\rlap{\ql b\sk\sk\sk\cl d}\relax - \sqbbH ff.dgigdg&\doubler\Ilegu3o\Tqh gh{=i}\enotes -\zbarre\notes\doubler\qup E&\zqlp c\sqbbH gh.eghjhg&\doubler - \Tqb ijk\enotes -%\check -% mesure 35 -\barre\notes\doubler - \qup D&\zqlp c\sqbbH gg.{^f}hjhdf&\doubler - \Tqb k{=l}{^m}\enotes -\zbarre\notes\doubler - \qu{=E}\sk\cu{=I}&\rlap{\ql b\sk\sk\sk\cl{=b}}\sqbbH gg.{=e}g{=i}gdf&\doubler - \ql n\sk\cl m\enotes -% mesure 36 -\barre\notes\doubler\qup J&\lna e\rlap{\qsk\zql e}\sqbbH gi.{^f}hjkjh&\doubler - \Tqb {=l}kj\enotes -\zbarre\notes\doubler\qup H&\zqlp c\sqbbH gh.{_e}ghjhg&\doubler - \Tqb {_i}hg\enotes -% mesure 37 -\barre\notes\doubler\ql{I}\sk\ds&\rlap{\clp{^c}\sk\sk\pt{-5}\raise -4\Interligne\ds}\relax - \sqbbH cc.{^c}egeca&\doubler - \ql{^j}\tleg3\sk\ds\enotes -\cleftoksii={6000}\changeclefs -\zbarre\notes\doubler\qup K&\uptext{\kern -\Interligne(I)}\sqbbL La.{^M}K{=L}MNa&\relax - \uptext{\kern -2\Interligne\bf I}\doubler\Ilegu3o - \zqp {^f}\zqlp h\qu k\sk\cu{=j}\enotes -%\check -% mesure 38 -\barre\notes\qup G&\sqbbL aa.{_b}aNcaN&\doubler - \itenl0d\zqp d\zqlp g\qu i\sk\cu j\enotes -\zbarre\notes\qup K&\sqbbL LL.{^M}{=L}MKLM&\doubler - \tten0\zql d\zqp {^f}\qu h\sk \zcu i\raise -3\Interligne\ds\enotes -%\check -% mesure 39 -\barre\notes\hu G&\sqbbL NI.N{^M}NKIK&\doubler\zh b\zh d\hu g\sk\sk\enotes -\zbarre\notes\sk\sk\soupir - &\cu G\sk\ds&\sk\tleg3\sk\uptext{\rm (I)}\dsoupir\enotes -\cleftoksii={0000}\changeclefs -\temps\notes&\uptext{\bf III}\Ibbu0dc1\qh0d\tqh0c&\relax - \Ilegu3q\cu k\enotes -%\check -% mesure 40 -\barre\notes\doubler\qu G\sk\cu{^F}&\sqbbH bb.babNac&\doubler - \zq{ik}\ql n\sk\zq{j^m}\cl o\enotes -\zbarre\notes\doubler\qu G\sk\cu I&\sqbbH bd.babNdb&\doubler - \zq{kn}\ql p\sk\zq{=mp}\cl r\enotes -%\check -% mesure 41 -\barre\notes\qup H&\sqbbH ce.a{^c}{=e}gfe&\doubler\zq{=lo}\ql{^q}\sk\tleg3\enotes -\zbarre\notes\doubler\qu K\sk\cu{^F}&\sqbbH ff.{^f}dhfd{=c}&\doubler - \Ilegu3r\zqp{^m}\zqlp o\qu r\sk\cl{=q}\enotes -%\check -% mesure 42 -\barre\notes\doubler\qu G\sk\cu J&\sqbbH dd.bdgdec&\doubler - \itenu2n\zq{kn}\ql p\sk\tten2\zq{ln}\cl q\enotes -\zbarre\notes\doubler\qu K\sk\cu K&\sqbbH dd.ac{^f}dcd&\doubler - \zqp k\zqlp{^m}\qu o\sk\cu p\enotes -% mesure 43 -\barre\notes\doubler\hu G&\sqbbH cc.bdgdec&\doubler - \zq{ik}\ql n\tleg3\sk\ds\enotes -\zbarre\notes\doubler\sk\soupir&\sqbbH ff.bd{=e}{^f}gh&\doubler - \Ilegu3r\ql k\sk\itenl0k\cl k\enotes -%\check -% mesure 44 -\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL if.{!'b}abNa{^M}&\doubler - \tten0\itenl0k\zqlp k\ql n\sk\zq{^m}\cl o\enotes -\zbarre\notes\doubler\qu G\sk\cu I&\sqbbH gj.{'N}abN{=e}d&\doubler - \tten0\zq k\itenl0n\itenu1p\zq n\ql p\sk - \tten0\tten1\zq n\zq p\cl r\enotes -%\check -% mesure 45 -\barre\notes\doubler\qsk\qup H&\qsk\sqbbL jf.{!'^c}{=e}cbaN&\doubler\qsk - \lna s\zqp o\zqp {^q}\qlp{s}\sk\tleg3\sk\enotes -\zbarre\notes\doubler\qu {^F}\sk\cu H&\sqbbH he.hgfed{=c}&\doubler - \Ilegu3s\zqp {^m}\zqlp o\qu r\sk\cu {=q}\enotes -%\check -% mesure 46 -\barre\notes\doubler\qup G&\sqbbH ce.bcd{=e}{^f}g&\doubler - \zqlp k\zq n\Tqh pon\enotes -\zbarre\notes\doubler\qup J&\sqbbL ff.eihg{=f}{=e}&\doubler - \zqlp{=l}\zq n\Tqh pon\enotes -%\check -% mesure 47 -\barre\notes\doubler\qup K&\sqbbL eh.{!'^M}K{=L}MNa&\doubler - \zqp {k^m}\qlp o\enotes -\zbarre\notes\doubler\qu G\sk&\Ibbu0gc3\qh0{g_ed}\tqh0c&\cl n\tleg3\sk\dsoupir\enotes -\cleftoksii={6000}\changeclefs -\temps\notes\ds&\Ibbl0bc1\qb0b\tqb0c&\doubler - \Ilegu3r\itenl0k\cu k\enotes -%\check -% mesure 48 -\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL bM.babNa{^M}&\doubler - \tten0\itenl0k\zqlp k\qu n\sk\zq {^m}\cu o\enotes -\zbarre\notes\doubler\qu G\sk\cu I&\sqbbL Nc.NabN{=e}d&\doubler - \tten0\zq k\zq n\ql p\sk\cl n\enotes -%\check -% mesure 49 -\barre\notes\doubler\qu H\sk\dsoupir&\sqbbL ce.{^c}a{=b}cd{=e}&\doubler - \lq n\zq o\ql{^q}\tleg3\sk\dsoupir\enotes -\cleftoksii={0000}\changeclefs -\zbarre\notes\doubler\qup K&\sqbbH eh.{!'^M}K{=L}MNa&\doubler - \Ilegu3r\zq {^m}\zq o\ql r\sk\cna q\cl q\enotes -%\check -% mesure 50 -\barre\notes\qup G&\sqbbH hh.{!'_b}aNcaN&\doubler - \itenl0k\zqp k\zqlp n\qu p\sk\cu q\enotes -\zbarre\notes\qup K&\sqbbH ee.{!'^M}{=L}MKLM&\doubler - \tten0\itenl0k\zqp k\zqlp {^m}\qu o\sk \cu p\enotes -%\check -% mesure 51 -\barre\notes\hu G&\sqbbH gd.{!'N}{^M}NKIK&\doubler\tten0\zh i\zh k\hl n\sk\sk\enotes -\zbarre\notes\sk\sk\soupir&\cu N\zmidtwotext{\bf I \ppff ff}\sk\dsoupir - &\sk\tleg3\sk\dsoupir\enotes -\cleftoksii={6000}\changeclefs -\temps\notes&\cl c&\cu d\enotes -%\check -% mesure 52 -\barre\NOtes\qu G\sk\cu H&\Tqb bN{^M}&\zqlp d\zq g\qu i\sk\zq{^f}\cu h\enotes -\zbarre\NOtes\Tqh IHG&\Tqb KMN&\zqlp d\Ibu1gi2\zq b\qh1g\zq{^f}\qh1h\zq g\tqh1i\enotes -%\check -% mesure 53 -\barre\NOtes\qu H\sk\cu J&\Tqb aLN&\zqlp e\zq g\qu j\sk\zq{g}\cu i\enotes -\zbarre\NOtes\qup K&\Tqb {^M}KJ&\zqp d\zqlp{^f}\qu h\sk\cu h\enotes -%\check -% mesure 54 -\barre\NOtes\qup I&\Tqb IKN&\zql d\Ibu1ig2\zq g\qh1i\zq{^f}\qh1h\zcl e\zq g\tqh1i\enotes -\zbarre\NOtes\qup{^J}&\Tqh {=L}{^J}N&\zqp{=e}\zqlp g\qu{^j}\sk\cu j\enotes -% check -% mesure 55 -\barre\notes\qup K&\sqbbL aJ.aN{^M}{=L}KJ&\doubler - \zqp{^f}\zqlp h\qu k\sk\cu k\enotes -\zbarre\notes\doubler\qu G\sk\cu J&\sqbbL IK.IKNK{_L}J&\doubler - \zq d\zq g\itenu1g\qu i\sk\tten1\zq e\zq g\cu j\enotes -%\check -% mesure 56 -\barre\notes\qup K&\sqbbL KK.KJK{^M}aJ&\doubler\zqp d\zqlp {^f}\qu h\sk\cu i\enotes -\zbarre\notes\qup G&\sqbbL Ia.IK{=L}MNa&\doubler\zq{bd}\qu g\sk\ds\enotes -%\check -% mesure 57 -\barre\notes\qup I&\sqbbL aa.babNab&\doubler - \uptext{\it non legato}\zq{dg}\qu i\sk\zq{dg}\cu i\enotes -\zbarre\notes\qup H&\sqbbL bb.cbcabc&\doubler\zq{eh}\qu j\sk\zq{eh}\cu j\enotes -%\check -% mesure 58 -\barre\notes\qup I&\sqbbL aa.d{^c}dbNd&\doubler\zq g\zq i\qu k\sk\zq{eg}\cu k\enotes -\zbarre\notes\qup {^F}&\sqbbL NN.{=c}aKMac&\doubler\zqp{^f}\zqlp h\Tqh k{^j}{=j}\enotes -%\check -% mesure 59 -\barre\notes\qup G&\sqbbL aa.{=b}aNbaN&\doubler - \zq{dg}\qu {=i}\sk\zq{dg}\cu i\enotes -\zbarre\notes\qup E&\sqbbL Ma.{!`e}gh{=j}{_i}g&\doubler - \zq e\zql g\Tqh {_i}hg\enotes -%\check -% mesure 60 -\barre\notes\qup D&\sqbbL LL.aK{^M}aca&\itenl1d\zqp d\zqp {^f}\qup h\enotes -\zbarre\notes\doubler\qu G&\cl N\sk\ds&\tten1\zq d\cu g\sk\dsoupir - \enotes -\temps\notes\ds&\zmidtwotext{\kern -2\Interligne\fff}\Ibbl0bc1\qb0b\tqb0c&\doubler - \Ilegu3o\itenl0d\cu d\enotes -%\check -% mesure 61 -\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL bM.babNa{^M}&\doubler - \tten0\itenl0d\zqlp d\qu g\sk\zq {^f}\cu h\enotes -\zbarre\notes\doubler\qu G\sk\cu I&\sqbbL Nc.NabN{=e}d&\doubler - \tten0\zql d\zq g\qu i\sk\zcl g\cu g\enotes -%\check -% mesure 62 -\barre\notes\doubler\qu H\sk\dsoupir&\sqbbL ce.{^c}a{=b}cd{=e}&\doubler - \zq g\rq h\qu{^j}\tleg3\sk\dsoupir\enotes -\zbarre\notes\doubler\qu {^F}\sk\cu H&\sqbbL dM.d{=c}{_b}aN{^M}&\doubler - \lst f\zq {^f}\zq h\qu k\sk\lppz f\zq {fh}\cu {=j}\enotes -%\check -% mesure 63 -\barre\notes\doubler\qu I\sk\cu G&\sqbbL aa.NabNcb&\doubler - \lst d\zq d\zq g\qu i\sk\lppz e\zq{eg}\cu j\enotes -\zbarre\notes\doubler\qu K\sk\cu D&\sqbbL NN.aNa{^M}ba&\doubler - \lst d\zq{d^f}\qu h\sk\lppz d\zq{d^f}\qu i\enotes -%\check -% mesure 64 -\barre\notes\doubler\qu G\sk\ds&\sqbbL NH.NLKJIH&\doubler - \zhp {bd}\hup g\enotes -\ifnum\musicsize<17\relax\autolines695\relax\fi -\zbarre\NOtes\qu G\sk\ds&\cu G\ds\cl a&\relax - \sk\ds\uptext{\kern 3\Interligne\llap{\moyen maestoso}}\rq d\cu c\enotes -%\check -% mesure 65 -\barre\NOtes\qu G\sk\cu{^F}&\ust N\ql N\sk\uppz a\zq{^M}\cl a&\relax - \lst b\zq{bd}\qu g\sk\lppz d\zq{^fd}\cu h\enotes -\zbarre\NOtes\qu G\sk\cu{=F}&\ust b\zq N\ql b\sk\uppz d\zq{=Mb}\cl d&\relax - \lst d\zq{dg}\qu i\sk\lppz f\zq{=fi}\cu k\enotes -%\check -% mesure 66 -\barre\NOtes\qu{=E}\sk\cu G&\lsh c\zqp{=LNc}\qlp{=e}&\relax - \Ilegu3o\lsh j\zqp{gj=l}\qlp n\enotes -\zbarre\NOtes\qu{^F}\sk\ds&\zq{^Ma}\ql d\sk\ds&\tleg3\zq {^fh}\ql k\sk\ds\enotes -%\check -% mesure 67 -\barre\NOtes\qu H\sk\cu I&\ust c\zq{_La}\ql c\sk\uppz b\zq{KN}\cl b&\relax - \lst e\zq{_eh}\qu{=j}\sk\lppz d\zq{dg}\cu i\enotes -\zbarre\NOtes\qu J\sk\cu{^J}&\zql L\qup N\sk\cl{=L}&\relax - \rlap{\zq c\ql e\sk\lsh c\zq c\cl{=e}}\Tqh hgh\enotes -%\check -% mesure 68 -\barre\Notes\hu K&\zh{=J^M}\hl a&\hu d\sk\sk\sk\enotes -\zbarre\NOtes\soupir&\ds\zq{^M}\cl a&\ds\rq d\cu c\enotes -%\check -% mesure 69 -\advance\maxbarsinline by 1\relax -\barre\NOtes\qu G\sk\cu{^F}&\ust N\ql N\sk\uppz a\zq{^M}\cl a&\relax - \lst b\zq{bd}\qu g\sk\lppz d\zq{^fd}\cu h\enotes -\zbarre\NOtes\qu G\sk\cu{=F}&\ust b\zq N\ql b\sk\uppz d\zq{=Mb}\cl d&\relax - \lst d\zq{dg}\qu i\sk\lppz f\zq{=fi}\cu k\enotes -%\check -% mesure 70 -\barre\NOtes\qup C&\zq{J=LN}\ql c\sk\ds&\zq{=egj}\ql{=l}\sk\ds\enotes -\zbarre -\NOtes\qu D\sk\cu{^F}&\zqp{^Ma}\qlp d&\zqp{^f}\zqlp h\qu k\sk\cu j\enotes -%\check -% mesure 71 -\barre\notes\qup G&\doubler\zcl K\zqp N\qup b\ql J&\relax - \rlap{\zq d\cl g\sk\zq{_e}\ql g}\ibu0i0\qh0i\sk\nbbu0\qh0{ihj}\tqh0i\enotes -\zbarre\notes\qup D&\doubler\zcl K\zqp{^M}\qup a\ql J&\relax - \rlap{\zq d\cl{^f}\sk\zq{c}\ql f}\ibu0h0\qh0h\sk\nbbu0\qh0{hgi}\tqh0h\enotes -% mesure 72 -\barre\NOtes\hup G\sk\sk&\zql{J}\zqp{=L}\itenu0N\qup N\sk\cl H&\relax - \zqp{c}\zqlp{=e}\itenu1g\qup g\enotes -\zbarre\NOtes&\zqp{I}\zqlp K\tten0\qup N&\zqp{b}\zqlp{d}\tten1\qup g\enotes -%\check -\finmorceau -% -\medskip\rightline{\it \aujourdhui} -\vfil -\eject diff --git a/macros/musixtex/doc/examples/scale.tex b/macros/musixtex/doc/examples/scale.tex deleted file mode 100644 index ac0d005ce9..0000000000 --- a/macros/musixtex/doc/examples/scale.tex +++ /dev/null @@ -1,67 +0,0 @@ -\voffset-15.4mm\vsize=259mm -\hoffset-10.4mm\hsize=185mm -\nobarnumbers\nopagenumbers -\smallmusicsize\relativeaccid -\parindent45pt -\def\scale#1#2{\setname1{\vbox{\hbox{#1}\hbox{#2}}\hfill}% - \startpiece\addspace\afterruleskip - \notesp\qa{cdefg'abcba`gfedc}\en\setdoublebar\bar - \notesp\qa{abcde^f^g'a`=g=fedcba}\en\endpiece} -\def\german{\parindent45pt\def\Dur{Dur}\def\Moll{Moll} - \def\C{C}\def\Cis{Cis}\def\Des{Des}\def\D{D}\def\Es{Es}\def\E{E} - \def\F{F}\def\Fis{Fis}\def\Ges{Ges}\def\G{G}\def\As{As}\def\A{A} - \def\B{B}\def\H{H}\def\Ces{Ces} - \def\a{a}\def\ais{ais}\def\b{b}\def\h{h}\def\c{c}\def\cis{cis} - \def\d{d}\def\dis{dis}\def\es{es}\def\e{e}\def\f{f}\def\fis{fis} - \def\g{g}\def\gis{gis}\def\as{as}} - -\def\flat{\raise 0.5\Interligne\hbox{\musicsixteen 2}} -\def\sharp{\raise1.0\Interligne\hbox{\hskip1pt\musicsixteen 4}} -\def\english{\parindent45pt\def\Dur{major}\def\Moll{minor} - \def\C{C}\def\Cis{C\sharp}\def\Des{D\flat}\def\D{D}\def\Es{E\flat}\def\E{E} - \def\F{F}\def\Fis{F\sharp}\def\Ges{G\flat}\def\G{G}\def\As{A\flat}\def\A{A} - \def\B{B\flat}\def\H{B}\def\Ces{C\flat} - \def\a{a}\def\ais{a\sharp}\def\b{b\flat}\def\h{b}\def\c{c}\def\cis{c\sharp} - \def\d{d}\def\dis{d\sharp}\def\es{e\flat}\def\e{e}\def\f{f}\def\fis{f\sharp} - \def\g{g}\def\gis{g\sharp}\def\as{a\flat}} - -%--\german -\english - -\startmuflex -\transpose0 \generalsignature{-7} \scale{\Ces-\Dur}{\as-\Moll} -\vfil\hrule\vfil -\transpose4 \generalsignature{-6} \scale{\Ges-\Dur}{\es-\Moll} -\transpose1 \generalsignature{-5} \scale{\Des-\Dur}{\b-\Moll} -\transpose5 \generalsignature{-4} \scale{\As-\Dur}{\f-\Moll} -\transpose2 \generalsignature{-3} \scale{\Es-\Dur}{\c-\Moll} -\transpose6 \generalsignature{-2} \scale{\B-\Dur}{\g-\Moll} -\transpose3 \generalsignature{-1} \scale{\F-\Dur}{\d-\Moll} -\transpose0 \generalsignature0 \scale{\C-\Dur}{\a-\Moll} -\transpose4 \generalsignature1 \scale{\G-\Dur}{\e-\Moll} -\transpose1 \generalsignature2 \scale{\D-\Dur}{\h-\Moll} -\transpose5 \generalsignature3 \scale{\A-\Dur}{\fis-\Moll} -\transpose2 \generalsignature4 \scale{\E-\Dur}{\cis-\Moll} -\transpose6 \generalsignature5 \scale{\H-\Dur}{\gis-\Moll} -\transpose3 \generalsignature6 \scale{\Fis-\Dur}{\dis-\Moll} -\vfil\hrule\vfil -\transpose0 \generalsignature7 \scale{\Cis-\Dur}{\ais-\Moll} -\eject\musicparskip -\transpose0 \generalsignature0 \scale{\C-\Dur}{\a-\Moll} -\transpose0 \generalsignature7 \scale{\Cis-\Dur}{\ais-\Moll} -\transpose1 \generalsignature{-5} \scale{\Des-\Dur}{\b-\Moll} -\transpose1 \generalsignature2 \scale{\D-\Dur}{\h-\Moll} -\transpose2 \generalsignature{-3} \scale{\Es-\Dur}{\c-\Moll} -\transpose2 \generalsignature4 \scale{\E-\Dur}{\cis-\Moll} -\transpose3 \generalsignature{-1} \scale{\F-\Dur}{\d-\Moll} -\transpose3 \generalsignature6 \scale{\Fis-\Dur}{\dis-\Moll} -\transpose4 \generalsignature{-6} \scale{\Ges-\Dur}{\es-\Moll} -\transpose4 \generalsignature1 \scale{\G-\Dur}{\e-\Moll} -\transpose5 \generalsignature{-4} \scale{\As-\Dur}{\f-\Moll} -\transpose5 \generalsignature3 \scale{\A-\Dur}{\fis-\Moll} -\transpose6 \generalsignature{-2} \scale{\B-\Dur}{\g-\Moll} -\transpose6 \generalsignature5 \scale{\H-\Dur}{\gis-\Moll} -\transpose7 \generalsignature{-7} \scale{\Ces-\Dur}{\as-\Moll} -\transpose7 \generalsignature0 \scale{\C-\Dur}{\a-\Moll} -\endmuflex -\eject\bye diff --git a/macros/musixtex/doc/examples/souvenir.tex b/macros/musixtex/doc/examples/souvenir.tex deleted file mode 100644 index 9ab7f02a6a..0000000000 --- a/macros/musixtex/doc/examples/souvenir.tex +++ /dev/null @@ -1,31 +0,0 @@ -\input musixtex -\input musixsty -\input musixcpt -% -\def\Transpose{0}% -\def\Signature{-3}\relax % trois bemols a la clef -\generalsignature{\Signature}\savesignature -\barsinline=0\relax\linesinpage=0\relax -\input souvenix -% -\def\Transpose{-4}% -\def\Signature{-4}\relax % quatre bemols a la clef -\generalsignature{\Signature}\savesignature -\barsinline=0\relax\linesinpage=0\relax -\input souvenix -% -\bye - -\def\Transpose{-4}\relax -\def\Signature{3}\relax % trois diezes a la clef -\generalsignature{\Signature}\savesignature -\barsinline=0\relax\linesinpage=0\relax -\input souvenix -% -\def\Transpose{-3}\relax -\def\Signature{-2}\relax % deux bemols a la clef -\generalsignature{\Signature}\savesignature -\barsinline=0\relax\linesinpage=0\relax -\input souvenix -\bye - diff --git a/macros/musixtex/doc/examples/souvenix.tex b/macros/musixtex/doc/examples/souvenix.tex deleted file mode 100644 index a9ce439bf1..0000000000 --- a/macros/musixtex/doc/examples/souvenix.tex +++ /dev/null @@ -1,474 +0,0 @@ - -\fulltitle{Un souvenir...} -\shortauthor{Rossi/Capitani} -\title{Un souvenir} -\othermention{Paroles d'Oreste ROSSI} -\fullauthor{Musique de Fernand CAPITANI}% -\maketitle - -\ifx\Transpose\undefined\def\Transpose{0}\fi -\ifx\Signature\undefined\def\Signature{-3}\fi - -\tracingstats=1\relax -%\check -% -% -% soufflets crescendo et decrescendo -% -\def\soufflcr#1{\zcharnote{#1}{\kern -1cm\cresc}}% -\def\Soufflcr#1{\zcharnote{#1}{\kern -1cm\CResc}}% -% -\def\souffldim#1{\zcharnote{#1}{\kern -1cm\dimin}}% -\def\Souffldim#1{\zcharnote{#1}{\kern -1cm\DImin}}% -% -%\check -\def\nbinstruments{2} -\setstaffs12\relax -\setstaffs21\relax -\setclefs1{6000}% -\setclefs2{0000}% -% -\generalsignature{\Signature}% -\generalmeter{\meterfrac{4}{4}} -%\check -\def\interfacteur{10}% -\parindent 15mm -\def\instrumenti{Piano}% -\def\instrumentii{Chant}% -\setinterinstrument1{4\Interligne} -%\check -\def\respire{\notes\nextinstrument\cbreath\enotes}% -% -%\check -\catcode`\@=13 -% -\def\doct#1#2{\Ibl0{#1}{#2}1{\zq{'#1}}\qb0{#1}{\zq{'#2}}\tqb0{#2}}% -\def\doctu#1#2{{\advance\transpose by 7\relax -\Ibu0{#1}{#2}1\zq{#1}}\qh0{#1}{\zq{'#2}}\tqh0{#2}}% -% -\def\nbinstruments{1}\computewidths -\debutmorceau -\autolines {10}44\relax -\transpose=\Transpose -\notes|\Uptext{\raise 2\Interligne\hbox{\moyen Moderato}}\enotes -% -\def\rchone{\lq q\zq{lnp}\ql s}% -\def\Lchone{\lh c\zh{be}\hl g}% -\def\lchone{\lq c\zq{be}\ql g}% -\def\Lchtwo{\zh{bd}\hl g}% -\def\lchtwo{\zq{bd}\ql g}% -\def\octs#1{\zw{#1}\advance\transpose by 7\zw{#1}\raise 3\Interligne\soupir}% -\znotes\zmidtwotext{\kern -3mm\ppff p}\enotes -\temps\NOtes\octs E|\soupir\enotes -\temps\NOtes\Lchone|\rchone\enotes -\temps\NOtes|\rchone\enotes -\temps\NOtes\lchone|\rchone\enotes - %\check -% mesure 2 -\barre\NOtes\octs G|\itenl1k\itenl2n\itenu3p\itenu4r\zw{knpr}\enotes -\temps\NOtes\Lchtwo\enotes -\temps\NOtes\sk\enotes -\temps\NOtes\lchtwo\enotes - %\check -% mesure 3 -% -\def\lchthree{\lq f\zq{ce}\ql h}% -\def\Lchthree{\lh f\zh{ce}\hl h}% -\xbarre\NOtes\octs H|\tten1\tten2\tten3\tten4\zq{knp}\ql r\enotes -\temps\notes\Lchthree|\doct jk\enotes -\temps\NOtes|\zq{lnq}\ql s\enotes -\temps\notes\lchthree|\doct kj\enotes -% - %\check -% mesure 4 -\def\lchfour{\zq{be}\ql g}% -\def\Lchfour{\zh{be}\hl g}% -\xbarre\NOtes\octs G|\zw{inp}\qsk\zql m\enotes -\temps\NOtes\Lchfour|\ql l\enotes -\temps\NOtes|\ql k\enotes -\temps\NOtes\lchfour|\Fl k\ql k\enotes -% - %\check -% mesure 5 -% -\def\lchfive{\lq e\zq c\ql f}% -\def\Lchfive{\lh e\zh c\hl f}% -\def\uchfive{\lq m\zq{hl}\ql o}% -\barre\autolines 854\relax -\NOtes\octs F|\soupir\enotes -\temps\NOtes\lFl c\Lchfive|\uchfive\enotes -\temps\NOtes|\uchfive\enotes -\temps\notes\lchfive|\lq m\zq l\doct hh\enotes -% - %\check -% mesure 6 -% -\def\lchsix{\lq c\zq{Nb}\ql e}% -\def\Lchsix{\lNa c\lh c\zh{Nb}\hl e}% -\xbarre\NOtes\octs B|\itenl1g\itenu2n\zw{gn}\qsk\ql m\enotes -\temps\NOtes\Lchsix|\ql l\enotes -\temps\NOtes|\ql j\enotes -\temps\NOtes\lchsix|\ql i\enotes -% - %\check -% mesure 7 -\def\lchseven{\zq{Ma}\ql c}% -\def\Lchseven{\Fl c\zh{Mac}\hl e}% -\xbarre\NOtes\octs B|\tten1\tten2\zq g\qu n\enotes -\temps\notes\bigaccid\Lchseven|\doctu fg\enotes -\temps\NOtes|\Fl j\zh h\zhl j\kern 1pt\zq f\zqu m\enotes -\temps\Notes\lchseven|\doctu ef\enotes -% - %\check -% mesure 8 -\xbarre\NOTes\itenl1E\itenu2L\zw E\zw L\raise 3\Interligne\hpause - |\Na j\rh j\zh{egi}\hu l\enotes -\temps\NOTes\Fl c\Lchthree|\lh m\zh{il}\hl p\enotes -% - %\check -% mesure 9 -\xbarre\notes\qsk\enotes -\NOTEs\llap{\lNa c\kern 1pt}\tten1\tten2\zw{EL}\lw c\zw{be}\wh g\relax - |\lw p\zw{lnq}\wh s\enotes -\setdoublebar\suspmorceau -% - %\check -% mesure 10 -\def\nbinstruments{2}\generalmeter{}\savemeters - %\computewidths - %\advance\linesinpage by 1 - \lreprmorceau -\llap{\leftrepeatsymbol}% -\def\txt#1|#2&{\hsong{\vbox to 0pt{\Smalltype\baselineskip 10pt -\vss\hrule width \noteskip height 0pt -\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote - #2\kern\internote}\smallskip -\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote - #1\kern\internote}}}}% -\znotes\zmidtwotext{\kern -3mm\ppff p}&\enotes -% -\def\arpg#1#2{\vnotes 0.2\elemskip\larpeggio{#1}{#2}\enotes}% -\def\uarpg#1#2{\vnotes 0.2\elemskip|\larpeggio{#1}{#2}\enotes}% -% -\vnotes 0.2\elemskip\rlap{\larpeggio E6}\larpeggio c6\enotes -\notes\zw{EILNb}|\wh g&\ds\enotes -\temps\notes&\txt Se |De &\cu g\enotes -\temps\notes&\txt sou-|la &\cu g\enotes -\temps\notes&\txt ve-|mer-&\cu g\enotes -\temps\notes&\txt nir |veil-&\cu i\enotes -\temps\notes&\txt c'est |leuse &\cu i\enotes -\temps\notes&\txt croire |a-&\cu j\enotes -\temps\notes&\txt en |ven-&\cu j\enotes - %\check -% mesure 11 -\xbarre\vnotes 0.2\elemskip\larpeggio G5|\larpeggio d4\enotes -\NOtes\zh{GK}\hu b|\zh{dgi}\hu k&\txt co-|tu-&\hl k\enotes -\temps\vnotes 0.2\elemskip\larpeggio M8|\larpeggio i4\enotes -\NOtes\zh{Nd}|\zhl g\zh{knp}\hu r&\txt re |re &\hl k\enotes -% - %\check -% mesure 12 -\xbarre -\vnotes 0.2\elemskip\rlap{\larpeggio D8}\larpeggio b4\enotes -\notes\zw{EILNb}|\zw g\qsk\hl f&\ds\enotes -\temps\notes&\txt Que |Qui &\cu g\enotes -\temps\notes&\txt tout |un &\cu g\enotes -\temps\notes&\txt vient |jour &\cu g\enotes -\temps\notes|\hl e&\txt de |a &\cu i\enotes -\temps\notes&\txt re-|pu &\cu i\enotes -\temps\notes&\txt com-|nous &\cu j\enotes -\temps\notes&\txt men-|u-&\cu j\enotes - %\check -% mesure 13 -\xbarre\vnotes 0.12\elemskip\larpeggio E6\qsk|\larpeggio c4\enotes -\NOtes\zw{GKb}|\Sh h\zw{dik}\qsk\zhl h\sk&\txt cer |nir &\wh k\enotes -\temps\NOtes|\hl g\enotes -% - %\check -% mesure 14 -\alaligne -\notes\zh{JN}\hl c|\zh{eg}\hu l&\ds\enotes -\temps\notes&\txt\kern -\Interligne C'est |Je &\cl l\enotes -\temps\notes&\txt re-|gar- &\cl k\enotes -\temps\notes&\txt voir-|de &\cu j\enotes -\temps\notes\bigaccid\zh H\zh L\Na a\hl a|\zh{cj}\zhu e\qsk\zql i&\txt - l'\^e-|mal-&\cu i\enotes -\temps\notes&\txt tre |gr\'e &\cu i\enotes -\temps\notes|\bigaccid\Na h\ql h&\txt qu'on |mes &\cu j\enotes -\temps\notes&\txt a- |bles-&\cu j\enotes - %\check -% mesure 15 -\xbarre\NOTes\zh{F}\zhl J\zh{ac}|\zh{e}\hu g&\txt do-|su-&\hu g\enotes -\temps\NOTes\zh{M}\hl c|\zh{hjl}\hl n&\txt re |res &\hu g\enotes -% - %\check -% mesure 16 -\xbarre -\notes\bigaccid\Sh a\zw{FLac}|\zw e\wh g&\ds\enotes -\temps\notes&\txt Et |L'in-&\cu g\enotes -\temps\notes&\txt re-|ef-&\cu g\enotes -\temps\notes&\txt trou-|fa-&\cu g\enotes -\temps\notes&\txt ver |\c ca-&\cu f\enotes -\temps\notes&\txt tout |ble &\cu f\enotes -\temps\notes&\txt le |sou-&\cu g\enotes -\temps\notes&\txt pas-|ve-&\cu g\enotes - %\check -% mesure 17 -\xbarre\NOtes\Na a\zw{Ia}|\zh{g}\zhu i\qlp d&\txt s\'e... |nir... &\wh i\enotes -\temps\notes|\Ibbl0ef2\qb0e\Sh e\qb0e\tqb0f\enotes -\NOTes|\Sh f\Sh m\zhl f\zh{ikm}\hu p\enotes -% - %\check -% mesure 18 -\setdoublebar\alaligne -% -\autolines {10}44\relax -\znotes\zmidtwotext{\kern -3mm\ppff p}&\uptext{\rm REFRAIN}\soupir\enotes -\temps\NOtes\octs E|\soupir\enotes -\temps\NOtes\Lchone|\rchone&\hsong{Un }\ql l\enotes -\temps\NOtes|\rchone&\hsong{sou- }\ql l\enotes -\temps\NOtes\lchone|\rchone&\hsong{ve- }\ql l\enotes - %\check -% mesure 19 -\barre\NOtes\octs G|\itenl1k\itenl2n\itenu3p\itenu4r\zw{knpr}&\hsong{nir }\wh k\enotes -\temps\NOtes\Lchtwo\enotes -\temps\NOtes\sk\enotes -\temps\NOtes\lchtwo\enotes - %\check -% mesure 20 -% -\xbarre\NOtes\octs H|\tten1\tten2\tten3\tten4\zq{knp}\ql r&\soupir\enotes -\temps\Notes\Lchthree|\doct jk&\hsong{\kern -2\Interligne C'est l'i-}\cl j\cl k\enotes -\temps\NOtes|\zq{lnq}\ql s&\hsong{ma- }\ql l\enotes -\temps\Notes\lchthree|\doct kj&\hsong{ge d'un }\cl k\cl j\enotes -% - %\check -% mesure 21 -\xbarre\NOtes\octs G|\zh{inl}\hl p&\hsong{r\^e- }\hl i\enotes -\temps\NOtes\Lchfour|\enotes -\temps\NOtes|\zh{inl}\hl p&\hsong{be }\hl i\enotes -\temps\NOtes\lchfour|\enotes -% - %\check -% mesure 22 -% -\def\lchttwo{\zq a\zq c\ql e}% -\def\Lchttwo{\zh a\zh c\hl e}% -\def\uchttwo{\zq{hjl}\ql o}% -\barre\NOtes\octs F|\soupir&\soupir\enotes -\temps\NOtes\Lchttwo|\uchttwo&\hsong{\kern -\internote D'une }\qu h\enotes -\temps\NOtes|\uchttwo&\hsong{\kern -\internote heu- }\qu h\enotes -\temps\Notes\lchttwo|\zq j\zq l\doct hh&\hsong{\kern -\internote re trop }\cu h\cu h\enotes -% - %\check -% mesure 23 -% -\def\Lchtthree{\lh c\zh{Nb}\hl e}% -\def\lchtthree{\lq c\zq{Nb}\ql e}% -\barre\NOtes\octs B|\zh{gjl}\hl n&\hsong{br\`e-}\hu g\enotes -\temps\NOtes\Lchtthree|\enotes -\temps\NOtes|\itenl1g\itenl2j\itenu3l\itenu4n\zh{gjl}\hl n&\hsong{be }\hu g\enotes -\temps\NOtes\lchsix|\enotes -% - %\check -% mesure 24 -\def\Lchtfour{\zh{Mac}\hl e}% -\barre\NOtes\octs B|\tten1\tten2\tten3\tten4\zq{gjl}\qu n&\soupir\enotes -\temps\Notes\Lchtfour|\doctu fg&\hsong{Qui ne }\cu f\cu g\enotes -\temps\NOtes|\zq f\qu m&\hsong{beut }\qu f\enotes -\temps\Notes\lchseven|\doctu ef&\hsong{pas fi-}\cu e\cu f\enotes -% - %\check -% mesure 25 -\barre\NOtes\octs E|\zh{gil}\hu n&\hsong{nir }\hu g\enotes -\temps\NOtes\lchtthree\enotes -\temps\NOtes\soupir|\Sh m\zh{ikm}\hu p&\hsong{--}\hu i\enotes -\temps\NOtes\qu I\enotes -% - %\check -% mesure 26 -\barre\temps\NOtes\octs E|\soupir&\soupir\enotes -\temps\NOtes\Lchone|\rchone&\hsong{Un }\ql l\enotes -\temps\NOtes|\rchone&\hsong{sou-}\ql l\enotes -\temps\NOtes\lchone|\rchone&\hsong{ve-}\ql l\enotes -% - %\check -% mesure 27 -\barre\NOtes\octs G|\itenl1k\itenu3p\itenu4r\Sh o\zw{kpr}\qsk\zql o&\hsong{nir }\wh k\enotes -\temps\NOtes\Lchtwo|\ql n\enotes -\temps\NOtes\sk|\Sh m\ql m\enotes -\temps\NOtes\lchtwo|\ql n\enotes - %\check -% mesure 28 -% -\barre\NOtes\octs H|\tten1\tten3\tten4\zq{kp}\ql r&\soupir\enotes -\temps\Notes\Lchthree|\doct jk&\hsong{\kern -2\Interligne C'est tou-}\cl {jk}\enotes -\temps\NOtes|\zq{lnq}\ql s&\hsong{te }\ql l\enotes -\temps\Notes\lchthree|\doct kj&\hsong{la ten-}\cl{kj}\enotes -% - %\check -% mesure 29 -\barre\NOtes\octs G|\zh{in}\zhl p\qsk\zqu m&\hsong{dres-}\hu i\enotes -\temps\NOtes\Lchfour|\qu l\enotes -\temps\NOtes\sk|\zh{in}\zhl p\qsk\zqu k&\hsong{se }\hu i\enotes -\temps\NOtes\lchfour|\Fl k\qu k\enotes -% - %\check -% mesure 30 -% -\barre\NOtes\octs F|\soupir&\soupir\enotes -\temps\NOtes\lFl c\Lchfive|\uchfive&\hsong{Des }\qu h\enotes -\temps\NOtes|\uchfive&\hsong{beaux }\qu h\enotes -\temps\Notes\lchfive|\lq m\zq l\doct hh&\hsong{jours d'i-}\cu{hh}\enotes -% - %\check -% mesure 31 -% -\barre\NOtes\octs B|\zh{g}\zhl n\qsk\qu m&\hsong{bres-}\hu g\enotes -\temps\NOtes\Lchsix|\qu l\enotes -\temps\NOtes|\itenl1g\itenu2n\zh{g}\zhl n\qsk\qu j&\hsong{se }\hu g\enotes -\temps\NOtes\lchsix|\qu i\enotes -% - %\check -% mesure 32 -\barre\NOtes\octs B|\tten1\tten2\zq g\qu n&\soupir\enotes -\temps\Notes\Lchseven|\doctu fg&\hsong{Que l'on }\cu f\cu g\enotes -\temps\NOtes|\Fl j\zh h\zhl j\kern 1pt\zq f\zqu m&\txt voit |croit&\qu f\enotes -\temps\Notes\lchseven|\doctu ef&\txt re-ve-|re-te-&\cu e\cu f\enotes -% - %\check -% mesure 33 -\barre\NOtes\octs E|\Na j\rh j\zh{egi}\hu l&\txt nir|nir&\wh e\enotes -\temps\NOtes\qu N\enotes -\temps\NOtes\qu a\enotes -\temps\NOtes\Sh a\qu a\enotes -% - %\check -% mesure 34 -\barre\notes\zh G\zhl K|\zh b\hu d&\ds\enotes -\temps\notes&\hsong{Un }\Ibu0eh2\qh0d\enotes -\notes&\hsong{soir }\qh0g\enotes -\notes&\hsong{tu }\bigaccid\Sh h\tqh0h\enotes -\temps\notes\zh I\hu N|\zh k\hl g&\hsong{as }\ibu0j0\qh0i\enotes -\notes&\hsong{pu }\qh0k\enotes -\notes&\hsong{te }\qh0j\enotes -\notes&\hsong{re-}\tqh0i\enotes - %\check -% mesure 35 -\barre\NOTes\Sh H\zw H\wh N|\zw e\zw g\hu k&\hsong{pren-}\hl k\enotes -\temps\NOTes|\hu j&\hsong{dre }\hl j\enotes - %\check -% mesure 36 -\barre\notes\zw K\bigaccid\Sh a\wh a|\bigaccid\Sh f\zw f\wh j&\ds\enotes -\temps\notes&\hsong{\kern -\internote Tout }\ibu0j0\qh0j\enotes -\notes&\hsong{bri-}\qh0j\enotes -\notes&\hsong{ser, }\tqh0j\enotes -\notes&\hsong{tout }\Ibu0kh4\qh0k\enotes -\notes&\hsong{a-}\qh0k\enotes -\notes&\hsong{n\'e-}\bigaccid\Sh h\qh0h\enotes -\notes&\hsong{an-}\tqh0h\enotes - %\check -% mesure 37 -\barre\notes\Ibu0Ga3\qh0{GKN}\Sh a\tqh0a|\zw{g}\wh i&\hsong{tir }\wh i\enotes -\temps\notes|\Ibu0cf3\qh0{bdg}\Sh f\tqh0f\enotes - %\check -% mesure 38 -\barre\notes\zh I\hu M|\zh d\bigaccid\Na f\hu f&\ds\enotes -\temps\notes&\hsong{\kern -3\internote Mais }\Ibu0gj3\qh0f\enotes -\notes&\hsong{pour }\qh0i\enotes -\notes&\hsong{moi }\tqh0j\enotes -\temps\notes\zh K\hl b|\zh f\hl i&\hsong{qui }\Ibu0ki3\qh0k\enotes -\notes&\hsong{ne }\qh0k\enotes -\notes&\hsong{sais }\qh0j\enotes -\notes&\hsong{com-}\tqh0i\enotes - %\check -% mesure 39 -\barre\NOTes\zw J\wh b|\bigaccid\Fl g\zw e\wh g&\hsong{pren-}\hu k\enotes -\temps\NOTes&\hsong{dre }\hu j\enotes - %\check -% mesure 40 -\barre\NOtes\zmidtwotext{\it rit.}\zw F\wh M|\zw e\zw j\qsk\zhl i&\soupir\enotes -\temps\NOtes&\hsong{\kern -\internote Qu'on }\ql j\enotes -\temps\NOtes|\Sh h\hl h&\hsong{peut }\ql k\enotes -\temps\NOtes&\hsong{men-}\ql l\enotes - %\check -% mesure 41 -\barre\NOtes\zw I\qu b|\bigaccid\Na h\zw{hm}\qsk\qu k&\hsong{tir }\wh m\enotes -\temps\NOtes\qu c|\qu j\enotes -\temps\NOtes\Sh c\qu c|\Sh i\qu i\enotes -\temps\NOtes\qu d|\Na i\qu i\enotes - %\check -% mesure 42 -\barre\temps\NOtes\zmidtwotext{\it a tempo}\octs E|\soupir&\soupir\enotes -\temps\NOtes\Lchone|\rchone&\hsong{Un }\ql l\enotes -\temps\NOtes|\rchone&\hsong{sou-}\ql l\enotes -\temps\NOtes\lchone|\rchone&\hsong{ve-}\ql l\enotes - %\check -% mesure 43 -\barre\NOtes\octs G|\itenl1k\itenu3p\itenu4r\Sh o\zw{kpr}\qsk\zql o&\hsong{nir }\wh k\enotes -\temps\NOtes\Lchtwo|\ql n\enotes -\temps\NOtes\sk|\Sh m\ql m\enotes -\temps\NOtes\lchtwo|\ql n\enotes - %\check -% mesure 44 -% -\barre\NOtes\octs H|\tten1\tten3\tten4\zq{kp}\ql r&\soupir\enotes -\temps\Notes\Lchthree|\doct jk&\hsong{\kern -2\Interligne C'est l'i-}\cl {jk}\enotes -\temps\NOtes|\zq{lnq}\ql s&\hsong{ma-}\ql l\enotes -\temps\Notes\lchthree|\doct kj&\hsong{ge d'un}\cl{kj}\enotes -% - %\check -% mesure 45 -\barre\NOtes\octs G|\zh{in}\zhl p\qsk\zqu m&\hsong{r\^e-}\hu i\enotes -\temps\NOtes\Lchfour|\qu l\enotes -\temps\NOtes\sk|\zh{in}\zhl p\qsk\zqu k&\hsong{be }\hu i\enotes -\temps\NOtes\lchfour|\Fl k\qu k\enotes -% - %\check -% mesure 46 -% -\barre\autolines {9}54\relax -\NOtes\octs F|\soupir&\soupir\enotes -\temps\NOtes\lFl c\Lchfive|\uchfive&\hsong{\kern -\internote D'une }\qu h\enotes -\temps\NOtes|\uchfive&\hsong{\kern -\internote heu-}\qu h\enotes -\temps\Notes\lchfive|\lq m\zq l\doct hh&\hsong{\kern -\internote re trop}\cu{hh}\enotes -% - %\check -% mesure 47 -% -\xbarre\NOtes\octs B|\zh{g}\zhl n\qsk\qu m&\hsong{br\`e-}\hu g\enotes -\temps\NOtes\Lchsix|\qu l\enotes -\temps\NOtes|\itenl1g\itenu2n\zh{g}\zhl n\qsk\qu j&\hsong{be }\hu g\enotes -\temps\NOtes\lchsix|\qu i\enotes -% - %\check -% mesure 48 -\xbarre\NOtes\octs B|\tten1\tten2\zq g\qu n&\soupir\enotes -\temps\Notes\Lchseven|\doctu fg&\hsong{\kern -\internote Qui ne }\cu f\cu g\enotes -\temps\NOtes|\Fl j\zh h\zhl j\kern 1pt\zq f\zqu m&\hsong{\kern -\internote veut }\qu f\enotes -\temps\Notes\lchseven|\doctu ef&\hsong{\kern -\internote pas fi-}\cu e\cu f\enotes -% - %\check -% mesure 49 -\xbarre\NOTes\itenl1E\itenl2L\octs E\relax -|\Na j\rh j\zh{egi}\hu l&\hsong{nir...}\wh e\enotes -\temps\NOTes - \ifnum\transpose<-2\relax - \Fl c\qsk\lh e\zh c\zh f\hl h\else \sk\fi -|\ifnum\transpose<-2\else - \rlap{\Fl c\qsk\lh e\zh c\zh f\zhl h}\fi - \zh{il}\rh m\hu p\relax -\enotes - %\check -% mesure 50 -\xbarre\NOTes\Na c\qsk\tten1\tten2\zh E\zhl L\rh c\zh b\zh e\hu g|\qsk -\lh q\zh l\zh n\zh p\hl s\enotes -\temps\NOtes\qu E|\hpause&\pause\enotes -\temps\NOtes\soupir\enotes -\setrightrepeat\finpartition -\medskip\rightline{\it le \aujourdhui} -\eject - - - - diff --git a/macros/musixtex/doc/examples/tierce.tex b/macros/musixtex/doc/examples/tierce.tex deleted file mode 100644 index 1a17a982d6..0000000000 --- a/macros/musixtex/doc/examples/tierce.tex +++ /dev/null @@ -1,376 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi -\title{Tierce en taille} -\fulltitle{III. \titremorceau} -\csname titremorceautoc\endcsname -% -\parindent 18mm - -\subtitle{\sl (pour orgue)} -\othermention{Compos\'e en 1990} -\author{Daniel TAUPIN} -\maketitle - -\tracingstats=2\relax -% -\nbporteesii=2\relax -\def\nbinstruments{2} -\global\cleftoksii={{0}{3}{0}{0}}% -\global\cleftoksi={{6}{0}{0}{0}}% -% -\signaturegenerale{1}\relax % un dieze a la clef -\def\quatretemps{\generalmeter{\allabreve}}% -\def\troistemps{\generalmeter{\meterfrac{3}{2}}}% -\def\deuxtemps{\generalmeter{\meterfrac{2}{2}}}% -\def\Mordant{\mordant{10}}% -\def\tenPince{\pince{10}}% -%\check -\def\instrumenti{P\'edale 16'}% -\def\instrumentii{\vbox{\hsize=\parindent\centerline{R\'ecit}\vskip 33pt - \centerline{G.O.}}}% -%\check -\def\gluemaxskip{7pt}% -% -% formes frequentes -% -% deux croches hautes -\def\dql#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% -\def\dqu#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% -\def\dqh{\dqu}\def\dqb{\dql}% -% -% deux doubles croches hautes -\def\dqbbu#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% -\def\dqbbl#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% -% -% croche pointee et double croche meme hauteur -\def\cpdcl#1{\trioskip\ibl0{#1}0\qbp0{#1}\sk\tbbl0\tqb0{#1}}% -\def\cpdcu#1{\trioskip\ibu0{#1}0\qhp0{#1}\sk\tbbu0\tqh0{#1}}% -% -\medskip\noindent{\rm G.O.: fonds 8' ou 8'+4' doux}% -\par\noindent{\rm R\'ec.: cornet ou cromorne}% -\par\noindent{\rm P\'ed.: 16', tirasse G.O.}% -\smallskip -% -\quatretemps -% -\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}% -\debutmorceau -\noautolines -\advancebottom{4\internote}% -%\autolines {8}44\relax -\def\resp{\vnotes 0.2\elemskip&|\cbreath\enotes}% -%\check -% -\hyphenpenalty -50\relax -\notes&|\Uptext{ \hbox{\kern -16mm\moyen Adagio \bf(\metron{\qu}{60})}}\enotes -\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbbH#1#2#3#4#5{\ibbu0{#3}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}% -\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax -\def\dqbbh#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tqh0{#3}}\relax -\def\dqbbu{\dqbbh}\def\dqbbb{\dqbbl}% -\def\dqbbl#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tqb0{#3}}\relax -%\check -\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbH#1#2#3#4#5{\ibu0{#3}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax -%\check -% -% mesure 1 -\notes\hup G&\itenu1g\itenu2i\zw i\zw g\hlp d|\cpdcl g\enotes -\temps\NOTEs&|\hu d\enotes -\temps\notes\qu J&\ql e|\trioskip\tenPince\qqbbl{-5}edeb\enotes -% mesure 2 -\barre\NOTEs\hu I&\tten1\tten2\zh d\zhl g\hup i|\hu d\enotes -\temps\notes\qu L&\itenl1e\ql e|\cpdcu N\enotes -\temps\notes\qu H&\tten1\itenu0h\zq c\zql e\qu h|\dqu3ab\enotes -% mesure 3 -\barre\NOTes\hu K&\tten0\zw d\zh f\hu h|\xTrille i{1.0\noteskip}\qup a\enotes -\temps\notes&|\ibbu0N3\trioskip\qh0N\tqh0a\enotes -\temps\NOtes\hu G&\zh g\hu i|\itenl0b\qu b\enotes -\temps\notes&|\trioskip\tten0\qqbbh3bbcd\enotes -% mesure 4%\autolines{9}44\relax -\barre\NOTes\hu H&\zh f\zh h\hu j|\xTrille i{1.2\noteskip}\qup c\enotes -\temps\notes&|\sk\trioskip\ibbu0b3\qh0b\tqh0c\enotes -\temps\NOtes\hu I&\itenl1d\zh d\zh g\hu i|\itenl0d\qu d\enotes -\temps\notes&|\trioskip\tten0\qqbbh3defg\enotes -% mesure 5 -\barre\NOtes\hu K&\tten1\zql d\zh f\hu h|\tenPince\ql f\enotes -\temps\notes&\zql c|\dql{-2}ed\enotes -\temps\notes\hu I&\zh b\zh d\hu g|\dql6dg\enotes -\temps\notes&|\dql{-8}dN\enotes -% mesure 6 -\barre\NOTes\hu H&\zh c\zhl e\hup h|\qup c\enotes -\temps\notes&|\cu c\enotes -\temps\NOtes\hu D&\itenl1d\zh d\zhl f|\xTrille i{1.5\noteskip}\qup c\enotes -\temps\notes&\qu j|\sk\cu b\enotes -% mesure 7 -\barre\NOTEs\hup G&\tten1\zhp d\zhp g\hup i|\hup b\enotes -\resp -\temps\notes\soupir&\soupir|\cpdcu N\enotes -% mesure 8 -\barre\NOTes\hu H&\zh c\zhl e\wh h|\qup a\enotes -\temps\notes&|\cu b\enotes -\temps\NOTes\hu K&\itenl1d\zh d\hl f|\xTrille i{1.0\noteskip}\qup a\enotes -\temps\notes&|\trioskip\dqbbh3Na\enotes -% mesure 9 -\barre\NOtes\hu G&\tten1\zh d\zh g\hu i|\itenl1b\qu b\enotes -\temps\notes&|\tten1\qqbbh3bb{^c}d\enotes -\temps\NOTes\hu H&\itenu1h\zh{^ce}\hu h|\xTrille i{\noteskip}\qup{c}\enotes -\temps\notes&|\trioskip\ibbu1b3\qh1b\tqh1c\enotes -% mesure 10 -\barre\NOTes\hup K&\tten1\zhp {df}\hup h|\hup d\enotes -\resp -\temps\notes\soupir&\soupir|\cpdcu a\enotes -% mesure 11 -\barre\NOTes\wh H&\zh{=c}\zhl e\wh h|\qup{=c}\enotes -\temps\notes&|\cu c\enotes -\temps\notes\hu K&\itenl2d\zh d\zhl f|\ibu0c3\qh0c\trioskip\nbbu0\qh0d\tqh0e\enotes -\temps\notes&|\tenPince\dql{-3}dc\enotes -% mesure 12 -\troistemps -\changecontext\NOTes\hu G&\tten2\itenl2d\zh d\zh g\hu i|\xTrille i{\noteskip}\qup b\enotes -\temps\notes&|\cu a\enotes -\temps\NOTEs\wh K&\zw d\tten2\zw f\wh h|\Mordant \wh a\enotes -\resp -% mesure 13 -\deuxtemps\changecontext\notes\wh{=J}&\zw{=cf}\wh h|\cpdcl h\enotes -\temps\NOTes&|\hu f\enotes -\temps\notes&|\trioskip\pince j\qqbbl{-3}hghd\enotes -% mesure 14 -\barre\NOtes\hu I&\zh{bd}\hu g|\qu g\enotes -\temps\NOtes&|\qu N\enotes -\temps\NOtes\hu H&\itenu2h\zh{ce}\hu h|\itenl1a\qu a\enotes -\temps\notes&|\trioskip\tten1\qqbbu3aabc\enotes -% mesure 15 -\barre\NOtes\hu K&\tten2\itenl2d\zh{df}\hu h|\itenl1d\qu d\enotes -\temps\notes&|\trioskip\tten1\qqbbu3ddef\enotes -\temps\notes\qu I&\tten2\zq d\zq b\qu g|\ibu0e{-9}\qh0g\tqh0N\enotes -\temps\notes\qu J&\zq{ch}\qu e|\dql{-3}cb\enotes -%\check -% mesure 16 -\troistemps -\changecontext\temps\NOtes\qu K&\zql d\zh f\hu h|\xTrille i{1.5\noteskip}\qup a\enotes -\temps\notes\qu D&\zql c|\sk\cu N\enotes -\temps\NOTes\wh G&\zw{bd}\zw g|\wh N\enotes -\resp -% mesure 17 -\deuxtemps -\changecontext\notes\hup I&\zw{gi}\hlp d|\cpdcl g\enotes -\temps\NOTes&|\hl d\enotes -\temps\notes\qu J&\ql e|\trioskip\tenPince\qqbbl{-5}edeb\enotes -% mesure 18 -\barre\NOTEs\hup H&\itenl1e\itenu2h\zhp{^c}\zhp e\hup h|\hup{^c}\enotes -\temps\notes\qu {^J}&\tten1\tten2\zq e\rq g\qu h|\cpdcu a\enotes -% mesure 19 -\barre\NOtes\qu K&\zhl d\zq f\qu h|\ql h\enotes -\temps\notes\qu I&\zq g\qu i|\dql{-3}gf\enotes -\temps\NOtes\hu H&\zh{^c}\zhl e\qu h|\xTrille l{1.5\noteskip}\qlp e\enotes -\temps\notes&\qu g|\sk\cl d\enotes -% mesure 20 -\barre\NOTEs\hup D&\zhp d\zhp f\hup h|\hlp d\enotes -\resp -\temps\notes\qu J&\itenl1c\itenu2h\zq{=ce}\qu h|\cpdcu a\enotes -% mesure 21 -\barre\NOTes\hu H&\tten1\tten2\zw f\zw h\hl c|\hu c\enotes -\temps\notes&|\cu c\enotes -\temps\notes\hu K&|\ibl1c3\qb1c\trioskip\nbbl 1\qb1d\tqb1e\enotes -\temps\notes&\itenl1d\ql d|\tenPince\dql{-2}dc\enotes -% mesure 22 -\barre\NOtes\hu G&\tten1\zh g\zh i\hu d|\itenu1 b\qu b\enotes -\notes&|\tten1\trioskip\qqbbl3bbcd\enotes -\temps\notes\hu J&\zh c\zh e\hu g|\cpdcl e\enotes -\temps\notes&|\dql{-6}ea\enotes -% mesure 23 -\barre\NOtes\hu I&\zh d\zh g\hu i|\itenu0d\qu d\enotes -\temps\notes&|\tten0\trioskip\qqbbh{-1}dNab\enotes -\temps\NOTes\hu H&\itenu2h\zh e\zh h\hu c|\qup c\enotes -\temps\notes&|\cu c\enotes -% mesure 24 -\troistemps\changecontext\NOTes\hu F&\tten2\itenl2f\zh f\zh h\hu c|\xTrille i{1.2\noteskip}\qup c\enotes -\temps\notes&|\cu b\enotes -\temps\NOTEs\wh I&\tten2\zw{^d}\zw f\wh i|\Mordant \wh b\enotes -\resp -% mesure 25 -\barre\notes\wh H&\zw{^df}\hup i|\cpdcl f\enotes -\temps\NOTes&|\hu{^d}\enotes -\temps\notes&\qu h|\trioskip\tenPince\qqbbl{-3}fefb\enotes -% mesure 26 -\barre\notes\hu G&\zh b\zh e\hu g|\cpdcl e\enotes -\temps\NOtes&|\hu e\enotes -\temps\notes\hu H&\zh {cf}\hu h|\enotes -\temps\notes&|\trioskip\ibl0f3\qb0f\sk\nbbl0\qb0g\tqb0h\enotes -% mesure 27 -\barre\NOTes\hu I&\itenl1b\itenu2g\zh {bd}\hu g|\hu d\enotes -\temps\NOTes\hl L&\tten1\tten2\zh b\zh e\hu g|\hl g\enotes -% mesure 28 -\barre\temps\notes\hu H&\zh c\zh f\hu h|\qqbl{-2}fedc\enotes -\temps\NOTEs\hu I&\itenl1d\zh d\zh g\hu i|\hu b\enotes -% mesure 29 -\troistemps\changecontext\NOTes\hu K&\tten1\itenl1d\zh d\zh f\hu h|\xTrille i{\noteskip}\qup a\enotes -\temps\notes&|\cu N\enotes -\temps\NOTEs\hup G&\tten1\zhp d\zhp g\hup i|\hup N\enotes -\temps\Notes\soupir&\soupir|\soupir\enotes -%\check -% mesure 31 -\deuxtemps\changecontext\notes\hup G&\itenu1g\itenu2i\zw i\zw g\hlp d|\cpdcl g\enotes -\temps\NOTEs&|\hu d\enotes -\temps\notes\qu J&\ql e|\trioskip\tenPince\qqbbl{-5}edeb\enotes -% mesure 31 -\barre\NOTEs\hu I&\tten1\tten2\zhl d\zhp g\hup i|\hu d\enotes -\temps\notes\qu L&\itenl1e\zql e|\cpdcu N\enotes -\temps\notes\qu H&\tten1\itenu1h\zq c\zql e\qu h|\dqu3ab\enotes -% mesure 32 -\barre\NOTes\hu K&\tten1\zw d\zh f\hu h|\xTrille i{1.0\noteskip}\qup a\enotes -\temps\notes&|\ibbu0N3\trioskip\qh0N\tqh0a\enotes -\temps\NOtes\hu G&\zh g\hu i|\itenl0b\qu b\enotes -\temps\notes&|\trioskip\tten0\qqbbh3bbcd\enotes -% mesure 33 -\barre\NOtes\hu J&\zw g\zh c\hl e|\itenu0e\ql e\enotes -\temps\notes&|\trioskip\tten0\qqbbl3eefg\enotes -\temps\notes\hu I&\zh b\hl d|\dql6dg\enotes -\temps\notes&|\dql{-8}dN\enotes -% mesure 34 -\barre\NOtes\hu H&\zh c\zhl e\wh h|\itenl0a\qu a\enotes -\temps\notes&|\tten0\trioskip\qqbbh3aabc\enotes -\temps\NOtes\hu K&\zh d\hl f|\itenl0d\qu d\enotes -\temps\notes&|\tten0\trioskip\qqbbh3ddef\enotes -%\check -% mesure 35 -\cleftoksii={{0}{0}{0}{0}}\changeclefs -\barre\NOTes\hu I&\zhl d\zhp g\hup i|\qup g\enotes -\temps\notes&|\cu h\enotes -\temps\notes\qu L&\hl e|\dqu{-4}ge\enotes -\temps\notes\qu H&\zq h\qu j|\dqu{-3}ji\enotes -% mesure 36 -\troistemps\changecontext\NOtes\qu K&\zw d\zh f\hu h|\xTrille o{\noteskip}\qup h\enotes -\temps\notes\qu D&|\sk\cu g\enotes -\temps\NOtes\hup G&\zhp{dg}\hup i|\hup g\enotes -\resp -\temps\notes\soupir&\soupir|\cpdcu b\enotes -% mesure 37 -\deuxtemps\changecontext\notes\hu I&\zh{^d}\zhl f\wh i|\dqu3ij\enotes -\temps\notes&|\dqu{-3}ih\enotes -\temps\notes\hu L&\zh g\hl e|\pince o\dqu{-3}gf\enotes -\temps\notes&|\dqu{-5}ge\enotes -% mesure 38 -\barre\notes\hu{^J}&\zh{^c}\zhl e\wh h|\dqu3hi\enotes -\temps\notes&|\dqu{-3}hg\enotes -\temps\notes\hu K&\zh d\hl f|\pince o\dqu{-3}fe\enotes -\temps\NOtes&|\qu d\enotes -% mesure 39 -\barre\notes\hu I&\zh b\zhl d\wh g|\dqu3gh\enotes -\temps\notes&|\dqu{-8}gd\enotes -\temps\notes\hu J&\zh c\hl e|\dqu3ef\enotes -\temps\NOtes&|\pince o\qu e\enotes -% mesure 40 -\barre\notes\hu H&\zh{^c}\zhl e\wh h|\dqu3hi\enotes -\temps\notes&|\dqu{-8}he\enotes -\temps\notes\hu J&\zh d\hl f|\dqu3fg\enotes -\temps\NOtes&|\pince o\qu f\enotes -%\check -% mesure 41 -\barre\notes\hu G&\zhl d\zw g\wh i|\dqu3ij\enotes -\temps\notes&|\dqu{-3}ih\enotes -\temps\notes\hu L&\hl e|\dqu{-3}gf\enotes -\temps\notes&|\dqu{-5}ge\enotes -%\check -% mesure 42 -\barre\notes\hu H&\itenu1h\zh c\zhl e\wh h|\dqu3jk\enotes -\temps\notes&|\dqu{-3}ji\enotes -\temps\notes\hu{^J}&\hl{^c}|\dqu{-3}hg\enotes -\temps\notes&|\dqu{-3}fe\enotes -% mesure 43 -\barre\notes\qu K&\tten1\zql d\zh f\hu h|\dqu3fg\enotes -\temps\notes\qu{=J}&\ql{=c}|\pince o\dqu{-6}fd\enotes -\temps\NOTes\hu I&\zh{bd}\hu g|\qup g\enotes -\temps\notes&|\cu h\enotes -% mesure 44 -\troistemps\changecontext\NOtes\qu K&\itenl0d\zh d\zh f\hu h|\xTrille o{1.5\noteskip}\qup h\enotes -\temps\notes\qu D&|\sk\cu g\enotes -\temps\NOTEs\wh G&\tten0\zw b\zw d\wh g|\Mordant\wh g\enotes -\resp -% mesure 45 -\cleftoksii={{0}{3}{0}{0}}\changeclefs -\barre\notes\hup G&\itenu1g\itenu2i\zw i\zw g\hlp d|\cpdcl g\enotes -\temps\NOTEs&|\hu d\enotes -\temps\notes\qu J&\ql e|\trioskip\tenPince\qqbbl{-5}edeb\enotes -% mesure 46 -\barre\NOTEs\hu I&\tten1\tten2\zh d\zhl g\hup i|\hu d\enotes -\temps\notes\qu L&\itenl1e\ql e|\cpdcu N\enotes -\temps\notes\qu H&\tten1\itenu0h\zq c\zql e\qu h|\dqu3ab\enotes -% mesure 47 -\barre\NOTes\hu K&\tten0\zw d\zh f\hu h|\xTrille i{1.0\noteskip}\qup a\enotes -\temps\notes&|\ibbl0N3\trioskip\qb0N\tqb0a\enotes -\temps\NOtes\hu G&\zh g\hu i|\itenl0b\qu b\enotes -\temps\notes&|\trioskip\tten0\qqbbh3bbcd\enotes -% mesure 48 -\barre\NOTes\hu H&\zh f\zh h\hu j|\xTrille i{1.2\noteskip}\qup c\enotes -\temps\notes&|\sk\trioskip\ibbl0b3\qb0b\tqb0c\enotes -\temps\NOtes\hu I&\itenl1d\zh d\zh g\hu i|\itenl0d\qu d\enotes -\temps\notes&|\trioskip\tten0\qqbbh3defg\enotes -% mesure 49 -\barre\NOtes\hu K&\tten1\zql d\zh f\hu h|\tenPince\ql f\enotes -\temps\notes&\zql c|\dql{-2}ed\enotes -\temps\notes\hu I&\zh b\zh d\hu g|\dql6dg\enotes -\temps\notes&|\dql{-8}dN\enotes -% mesure 50 -\troistemps\changecontext\NOTes\hu H&\zh c\zhl e\hup h|\xTrille i{\noteskip}\qup a\enotes -\temps\notes&|\cu b\enotes -\temps\NOTEs\wh I&\zw{^d}\zw f\wh i|\Mordant\wh b\enotes -\resp -% mesure 51 -\deuxtemps\changecontext\notes\wh H&\zw{^df}\hup i|\cpdcl f\enotes -\temps\NOTes&|\hu{^d}\enotes -\temps\notes&\qu h|\trioskip\tenPince\qqbbl{-3}fefb\enotes -% mesure 52 -\barre\notes\hu G&\zh b\zh e\hu g|\cpdcl e\enotes -\temps\NOtes&|\hu e\enotes -\temps\notes\hu H&\zh {cf}\hu h|\enotes -\temps\notes&|\trioskip\ibl0f3\qb0f\sk\nbbl0\qb0g\tqb0h\enotes -% mesure 53 -\barre\NOTes\hu I&\itenl1b\itenu2g\zh {bd}\hu g|\hu d\enotes -\temps\NOTes\hl L&\tten1\tten2\zh b\zh e\hu g|\hl g\enotes -% mesure 54 -\barre\temps\notes\hu H&\zh c\zh f\hu h|\qqbl{-2}fedc\enotes -\temps\NOTes\hu I&\itenl1d\zw d\zh g\hu i|\xTrille i{1.5\noteskip}\qup b\enotes -\temps\notes&|\cu a\enotes -% mesure 55 -\barre\NOTes\wh K&\tten1\zw d\zw f\wh h|\Mordant \wh a\enotes -\resp -% mesure 56 -\barre\notes\wh{=J}&\zw{=cf}\wh h|\cpdcl h\enotes -\temps\NOTes&|\hu f\enotes -\temps\notes&|\trioskip\pince{11}\qqbbl{-3}hghd\enotes -% mesure 57 -\barre\NOtes\hu I&\zh{bd}\hu g|\qu g\enotes -\temps\NOtes&|\qu N\enotes -\temps\NOtes\hu H&\itenu2h\zh{ce}\hu h|\itenl1a\qu a\enotes -\temps\notes&|\trioskip\tten1\qqbbu3aabc\enotes -% mesure 58 -\barre\NOtes\hu K&\tten2\itenl2d\zh{df}\hu h|\itenl1d\qu d\enotes -\temps\notes&|\trioskip\tten1\qqbbu3ddef\enotes -\temps\notes\qu I&\tten2\zq d\zq b\qu g|\ibu0e{-9}\qh0g\tqh0N\enotes -\temps\notes\qu J&\zq{hc}\qu e|\dql{-3}cb\enotes -%\check -% mesure 59 -\barre\NOTes\hu K&\itenl1d\zw d\zh g\hu i|\hu b\enotes -\temps\NOTes\hu D&\zh f\hu h|\xTrille i{\noteskip}\qup a\enotes -\temps\notes&|\cu N\enotes -% mesure 60 -\barre\NOTEs\wh G&\tten1\zw{bd}\zw g|\wh N\enotes -\mulooseness 3\relax -\finmorceau -\rightline{\sl\aujourdhui}\vfil\eject - -\ifx\toc\undefined - \let\finishpiece \end -\else - \let\finishpiece\relax -\fi -\finishpiece -\endinput - diff --git a/macros/musixtex/doc/examples/traeumer.tex b/macros/musixtex/doc/examples/traeumer.tex deleted file mode 100644 index f97c8f8563..0000000000 --- a/macros/musixtex/doc/examples/traeumer.tex +++ /dev/null @@ -1,299 +0,0 @@ -%format musix - -\input musixtex - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% TEX translation of MIDI File : -% b.MID -% -% Written by Hans Kuykens -% this translation of date : 1-9-1993 -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - -\musicparskip - -\def\slopecresc#1#2#3#4{\rlap{\varline{#1}{#2\noteskip}{#3}}% - \rlap{\varline{#1}{#2\noteskip}{#4}}}% - -\def\liftqp#1{\raise#1\Interligne\rlap\qp} -\def\liftds#1{\raise#1\Interligne\rlap\ds} -\def\raiseped{-6} - -\nopagenumbers\parindent10mm - -\centerline{\BIGfont Tr\"aumerei}\bigskip -\rightline{\medtype Robert Schumann}\smallskip - -\generalsignature{-1} -\generalmeter\meterC -\setstaffs12 -\interstaff{12} -\setclef1\bass -\meterskip\Interligne -\relativeaccid -\startbarno0\startmuflex\startpiece\systemnumbers -%%% bar 0 -\nspace -\NOtes\zmidstaff\p\qp|\isluru2j\qu c\en -%%% bar 1 -\leftrepeat -\NOtes\sPED\zqu F\roff{\itied0F\zw F}|\liftqp{-4}\issluru1g\hu f\en -\qspace -\Notes\itieu3J\zhp J\issluru4b\hup a|\lpt c\lpt M\zh c\hl M\en -\Notes|\ttie1\ttie2\cu f\ibsluru5d% - \roff{\slopecresc{12}{4.3}8{11}}\ibu0d5\qb0e\en -\Notes|\qb0f\tqh0h\en -%%% bar 2 -\bar -\Notes\ttie0\zql F\ttie3\zq J\tslur4b\qu a|\liftqp{-2}\ibu1i5\qb1j\en -\znotes|\tubslur5j\tqh1m\en -\qspace -\notes\multnoteskip\smallvalue\sPED\tinynotesize\ibbu0J9\qb0I\islurd0N\tqh0M\en -\NOtes\ttie0\lpt M\zhl M\hu d|\islurd1f\zhlp f\hu m\en -\Notes\ibsluru0b\ibu0b{-1}\qb0c\tqh0b|\ibsluru2k\ibu2k{-2}\qb2l\tqh2k\en -%%% bar 3 -\bar -\Notes\zchar{-7}\Dep\tslur0J\zql J\qu a% - |\tsslur1f\zql f\ibu2j5\qb2j\tubslur2k\tqh2m\en -\Notes\ibsluru0a\zhl J\ibu0a{-2}\qb0b\tqh0a% - |\ibsluru1f\zhl e\ibu3f5\qb3g\tqh3h\en -\Notes\tubslur0M\qu N|\ibu3h5\qb3i\tubslur1i\tqh3k\en -\Notes\ibslurd0I\ibsluru1L\roffset{.5}{\slopecresc{-8}{2.6}48}% - \ibl0I5\qb0H\tbl0\zqb0J\bsk\ibu1L5\qb1M\tqh1N% - |\itied2c\ibsluru3e\zql{!c}\ibu4e5\qb4f\zq e\tqh4g\en -%%% bar 4 -\bar -\Notes\tdbslur0M\zql M\qu a% - |\ttie2\zql c\zq f\ibu2h5\qb2h\tqh2j\en -\Notes\tubslur1J\ibslurd0K\zhu N\ibl1K3\qb1J\tqb1K% - |\tubslur3g\zhl c\zh g\hu e\en -\Notes\ibl0J{-1}\qb0J\qb0I\en -\Notes\liftqp1\qb0G\tqb0H|\ibsluru2c\zql c\qu c\en -\def\atnextline{\Liftslur02\Liftslur23\def\interstaff{12}}% -%%% bar 5 -\bar -\NOtes\zchar{-7}\sPed\tsslur0M% - \roff{\isslurd0F\zw F}\qu F|\liftqp{-4}\issluru1g\hu f\en -\qspace -\Notes\issluru3J\zhp J\issluru4b\hup a|\lpt c\lpt M\zh c\hl M\en -\Notes|\ttie1\tubslur2f\cu f\ibsluru5d% - \roff{\slopecresc{12}{4.3}8{11}}\ibu0d5\qb0e\en -\Notes|\qb0f\tqh0h\en -%%% bar 6 -\bar -\Notes\tsslur0F\zq F\tsslur3J\zq J\tslur4b\qu a|\liftqp{-2}\ibu1k5\qb1j\en -\znotes|\tubslur5l\tqh1o\en -\qspace -\notes\multnoteskip\smallvalue\sPED\tinynotesize\ibbu0L9\qb0{^J}\islurd0b\tqh0O\en -\NOtes\ttie0\islurd0a\issluru1e\lpt a\zhl a\hup e% - |\islurd2g\lpt g\lh g\zhlp h\qup o\en -\Notes\sk\sk\DEP|\ibsluru3m\ibu2m{-3}\qb2n\qb2m\tqh2l\en -%%% bar 7 -\bar -\Notes\sPED\tsslur0a\tslur1e\lpt K\lpt a\zq K\zql a\qup d% - |\tsslur2h\zqlp h\ibu4l0\qb4m\en -\Notes|\qb4o\en -\Notes|\qb4k\en -\nspace -\Notes\DEP\islurd0M\isluru1c\zq M\cl c|\ibslurd4h\zcl{_h}\tqh4m\en -\Notes\sPED\tslur0N\ttie1\zqp N\qlp c|\ibl3g0\zqb3g\qup l\en -\Notes|\qb3j\en -\Notes|\qb3e\en -\nspace -\Notes\DEP\islurd0a\zcl a\ibsluru1b\cu c|\zcu{_l}\tqb3{^f}\en -%%% bar 8 -\bar -\nspace -\Notes\sPED\tsslur0a\zhl N\ibu1d0\qb1{^b}|\tdbslur4h\zqu k\zhl{=f}\en -\Notes\qb1g\en -\Notes\DEP\qb1a|\qu{=l}\en -\notes\tqh1b\en -\notes|\tinynotesize\grcu j\en -\Notes\tubslur1b\zcu c\ibslurd0K\ibl0K{-2}\qb0J% - |\curve105\tslur3g\zql e\hu j\en -\Notes\liftds3\qb0K\en -\nspace -\Notes\liftqp3\qb0{=I}|\liftds{-2}\en -\Notes\tqb0G|\isluru2j\cu c\en -%%% bar 9 -\rightrepeat -\NOtes\zchar{-7}\sPed\tdbslur0L\roff{\zw F}\qu F% - |\liftqp{-4}\issluru1g\hu f\en -\qspace -\Notes\zhp J\hup a|\lpt c\lpt M\zh c\hl M\en -\Notes|\ttie1\ttie2\cu f\ibsluru5d% - \roff{\slopecresc{12}{4.3}8{11}}\ibu0d5\qb0e\en -\Notes|\qb0f\tqh0h\tubslur5g\en -%%% bar 10 -\bar -\Notes\ds|\loffset{1.3}{\ibsluru5g}\ibl3j{-1}\zqb3j% - \rlap{\varline{14}{1.5\noteskip}8}% - \rlap{\varline{15}{1.5\noteskip}{11}}\ibu5i3\qb5j\en -\nspace -\Notes\zchar{-7}\Dep\islurd0G\ibsluru1M\zcu N\zcl J% - |\tubslur5j\loffset{.33}{\na i}\tbl3\zqb3i\tqh5{_l}\en -\nspace -\Notes\zchar{-7}\sPed\islurd2K\zhl K\ibu2L5\qb2{^M}|\zhl h\hu l\en -\Notes\tqh2a\en -\NOtes\ibu2d5\zqb2d\roffset{1.5}{\isluru3d}\rhl d\en -\Notes|\tqb2{^f}\en -\Notes\zchar{-7}\Dep\tsslur2L\invertslur1\curve300\tslur1e\ibl1L3\qb1K% - |\zql h\ibsluru4i\ibu5i{-3}\qb5k\en -\Notes\tqb1M|\tqh5j\en -%%% bar 11 -\bar -\Notes\tslur0H\ttie3\zqlp N\qup d|\lpt g\zql g\ibu3h0\qb3i\en -\Notes|\qb3k\en -\Notes|\qb3g\en -\nspace -\Notes\isluru0M\zq J\cl{^M}|\islurd3a\zcl{_e}\tqh3h\en -\Notes\tslur0N\zqp K\qlp N|\ibl2e0\zqb2d\qup i\en -\Notes|\tdbslur3M\qb2g&\en -\Notes|\ibslurd3e\qb2b\en -\Notes\islurd0L\cl{_L}|\zcu h\tqb2c\en -%%% bar 12 -\bar -\Notes\tsslur0K\lpt K\zql K\ibu0a0\qb0b|\qup g\en -\Notes\qb0d\en -\Notes\qb0N|\invertslur3\zchar{.5}{\curve{-1}00\tslur3c}\en -\Notes\islurd0G\islurd1K\issluru2a\zcl K\tqh0a% - |\roff{\islurd3c}\issluru5d\rcl c\cu d\en -\qspace -\Notes\tsslur1K\tsslur2a\ibl0K{-2}\zqb0K\ibu1N{-2}\qb1a% - |\tsslur3c\tsslur5d\tslur4d\zql b\qu d\en -\Notes\zqb0N\qb1N\en -\Notes\zqb0G\qb1G|\ds\en -\Notes\tbl0\zqb0H\tqh1H|\ibsluru3f\cu f\en -%%% bar 13 -\bar -\NOtes\zchar{-9.5}\sPed\curve{-5}30\tsslur0C\qu B% - |\liftqp{-3}\itieu2i\hu i\en -\Notes\zhp d\hlp M|\zhp f\hlp b\en -\Notes|\ttie3\ttie2\cu i\en -\Notes|\icresc\ibsluru2g\ibu0g5\qb0h\en -\Notes|\qb0i\en -\Notes|\tqh0k\en -%%% bar 14 -\bar -\Notes\ds|\zqu m\ibu4m{5}\qb4m\en -\Notes\DEP\islurd0J\ibsluru1c\zcl N\cu d% - |\roff{\zchar{-3}\tcresc}\tubslur2n\tqh4p\en -\nspace -\Notes\sPED\isslurd2a\zhl a\ibu2b3\qb2{^c}|\zhl l\hu p\en -\Notes\tqh2e\en -\NOtes\ibu2h5\zqb2h\roff{\isluru3h}\rhl h\en -\Notes|\tqb2{^j}\en -\Notes\DEP\tsslur2a\invertslur1\curve300\tslur1i\ibl1b3\qb1a% - |\zql l\ibsluru4n\ibu5n{-3}\qb5o\en -\Notes\tqb1c|\tqh5n\en -\def\atnextline{\Liftslur02\Liftslur4{-2}}% -%%% bar 15 -\bar -\Notes\ttie0\ttie3\zqlp d\qup h|\lpt k\zql k\ibu3l0\qb3m\en -\Notes|\qb3o\en -\Notes|\qb3k\en -\Notes\isluru0c\zq N\cl{^c}|\islurd3d\zcl i\tqh3l\en -\Notes\tslur0d\zqp a\qlp d|\ibl2h0\zqb2h\qup m\en -\Notes|\tdbslur3b\qb2k&\en -\Notes|\ibslurd3h\qb2f\en -\Notes\islurd0L\cl b|\zcu l\tqb2g\en -%%% bar 16 -\bar -\Notes\isslurd1a\zhl a|\ibl3f{-2}\zqb3f\qup k\en -\notes|\qb3h\en -\Notes\qb3d|\curve{-4}00\invertslur3\tslur3a\en -\nspace -\Notes\zq e\tqh3{^c}|\issluru2h\zcu h\rcl g\en -\qspace -\Notes\tsslur1a\ibl0b2\zqb0a\qu d% - |\zchar{12}{\twelveit ritard.}\tubslur4h\tsslur2h\zql f\qu h\en -\Notes\islurd2a\tqb0b\en -\nspace -\Notes\zchar{-7}\sPed\zcu{=c}\roff{\tsslur2a\ibl0N{-7}\qb0b}% - |\ibsluru2g\zql e\qu g\en -\qspace -\Notes\zchar{-7}\Dep\liftds2\tqb0J% - |\roff{\stdstemfalse\tinynotesize\grcu c}\en -%%% bar 17 -\bar -\NOtes\curve{-6}40\tsslur0G\zchar{-7}\sPed\zqu F\cchar{11}\p - \roff{\isslurd0F\zw F}% - |\zchar{12}{\twelveit a tempo}\liftqp{-4}\issluru1g\hu f\en -\qspace -\Notes\issluru3J\zhp J\issluru4b\hup a|\pt b\pt L\zh c\hl M\en -\Notes|\ttie1\tslur2e\cu f\ibsluru5d% - \roff{\slopecresc{12}{4.3}8{11}}\ibu0d5\qb0e\en -\Notes|\qb0f\tqh0h\en -%%% bar 18 -\bar -\Notes\tsslur0F\zq F\tsslur3J\zq J\tsslur4b\qu a|\liftqp{-2}\ibu1i5\qb1j\en -\znotes|\tubslur5j\tqh1m\en -\qspace -\notes\multnoteskip\tinyvalue\sPED\tinynotesize\ibbu0J9\qb0I\islurd0N\tqh0M\en -\NOtes\ttie0\lpt M\zhl M\hu d|\islurd1f\zhlp f\hu m\en -\Notes\ibsluru0b\ibu0b{-1}\qb0c\tqh0b|\ibsluru2k\ibu2k{-2}\qb2l\tqh2k\en -%%% bar 19 -\bar -\Notes\zchar{-7}\Dep\tslur0J\zql J\qu a% - |\tsslur1g\zql f\ibu2j5\qb2j\tubslur2k\tqh2m\en -\Notes\ibsluru0a\zhl J\ibu0a{-2}\qb0b\tqh0a% - |\ibsluru1f\zhl e\ibu3f5\qb3g\tqh3h\en -\Notes\tubslur0M\qu N|\ibu3h5\qb3i\tubslur1i\tqh3k\en -\Notes\ibslurd0I\ibsluru1L\roffset{.5}{\slopecresc{-8}{1.6}38}% - \ibl0I3\qb0H\tbl0\zqb0J\bsk\ibu1L3\qb1M\tqh1N% - |\isslurd2c\ibsluru3f\zql{!c}\ibu4f3\qb4f\zq e\tqh4g\en -%%% bar 20 -\def\atnextline{\Liftslur04}\bar -\Notes\tdbslur0M\zql M% - \rlap{\kern-2mm\varline{-6}{1.5\noteskip}3}% - \rlap{\kern-2mm\varline{-5.5}{1.5\noteskip}8}\qu a% - |\tsslur2c\zql c\zq f\ibu2h5\qb2h\tqh2j\en -\Notes\tubslur1K\ibslurd0K\zhu N\ibl1K3\qb1J\tqb1K% - |\tubslur3g\zhl c\zh g\hu e\en -\Notes\ibl0J{-1}\qb0J\qb0I\en -\Notes\liftqp1\qb0G\tqb0H|\ibsluru2c\zql c\qu c\en -%%% bar 21 -\bar -\NOtes\zchar{-7}\sPed\tdbslur0L\zqu F\roff{\isslurd0F\zw F}% - |\liftqp{-4}\issluru1g\hu f\en -\Notes\issluru3J\zhp J\issluru4b\hup a|\pt b\pt L\zh c\hl M\en -\Notes|\ttie1\tubslur2f\cu f\ibsluru5d% - \roff{\slopecresc{12}{4.3}8{11}}\ibu0d5\qb0e\en -\Notes|\qb0f\tqh0h\en -%%% bar 22 -\bar -\def\tx#1{\cchar{14}{\twelveit #1}}% -\def\rtx#1{\zchar{14}{\twelveit #1}}% -\def\ctx{\cchar{14}{\twelveit --}}% -\Notes\tsslur0F\zq F\tsslur3J\zq J\tslur4b\qu a|\liftqp{-2}\ibu1k5\qb1j\en -\Notes|\tubslur5l\tqh1o\en -\nspace -\NOtes\zchar{-8}{\kern1pt\sPed}\fermataup b\cchar{16}\pp - \isslurd0G\zhp{G^I}\hlp{^b}% - |\islurd2g\lpt g\lpt k\lh f\zhp g\zhl k\fermataup s\qup o\en -\Notes\tx{ri}\sk\sk\ctx|\ibsluru3m\ibu2m{-3}\qb2n\qb2m\tqh2k\en -%%% bar 23 -\bar -\Notes\rtx{tar}\zchar{-7}\Dep\tsslur0J\zq{Ja}\ql c% - |\tsslur2g\zql f\ibu2j5\qb2j\tubslur3k\tqh2m\en -\Notes\ctx\zhl J\zhu c\roff{\ibsluru0a\ibu0a{-2}\qb0b}% - |\ibsluru1f\zhl e\ibu3f5\qb3g\en -\qspace -\Notes\tqh0a|\tqh3h\en -\Notes\ctx\tubslur0L\qu N|\ibu3h5\qb3i\tubslur1i\tqh3k\en -\Notes\tx{dan}\isluru1N\ibl0I3\zq N\qb0I\rtx{\twelveit~--}% - |\isslurd2d\ibsluru3f\zql d\ibu4f3\qb4g\en -\nspace -\Notes\zq a\tqb0K|\zq{^f}\tqh4h\en -%%% bar 24 -\bar -\Notes\tslur1b\zq N\ql b|\tsslur2d\zql d\zq g\ibu1k3\qb1i\en -\Notes\ctx|\tubslur3k\tqh1k\en -\Notes\zchar{11}\p\ibslurd0G\issluru1J\zqu J\ibl0G{-3}\qb0J% - |\isluru2i\zql N\zq b\ibu1c2\qb1d\en -\Notes\tx{do}\tqb0C|\islurd3c\zq c\tqh1e\en -\NOTes\tslur0J\tsslur1J\fermatadown C\zh F\hu J% - |\zhl a\tsslur3d\zh c\tslur2h\fermataup m\hu f\en -%\mulooseness-2\relax -\mulooseness-1\relax -\Endpiece\eject\endmuflex\end diff --git a/macros/musixtex/doc/examples/widor.tex b/macros/musixtex/doc/examples/widor.tex deleted file mode 100644 index 5fc02a89f8..0000000000 --- a/macros/musixtex/doc/examples/widor.tex +++ /dev/null @@ -1,792 +0,0 @@ -\title{Toccata} -\shortauthor{Ch.-M. Widor} -\subtitle{(extraite de la cinqui\`eme symphonie pour orgue)} -\fullauthor{Charles-Marie WIDOR} -\maketitle -\parindent 13mm -% - -\tracingstats=2\relax -% -\nbporteesi=2\relax -\def\nbinstruments{1} -\global\cleftoksi={{0}{0}{0}{0}}% -% -\signaturegenerale{-1}\relax -\def\Mordant{\mordant{10}}% -%\check -\def\instrumenti{Manuel}% -%\check -\def\gluemaxskip{7pt}% -% -\def\bnotes{\barre\notes}\def\bnoteP{\bnotes\Pause} -\def\tnotes{\temps\notes} -\def\zbnotes{\zbarre\notes} -\def\doubler{\multiply\noteskip by 2\relax}% -\def\Pause{\sk\sk\sk\sk\sk\sk\sk\pause}% -% formes frequentes -% -\def\qbupz#1{\upz{#1}\qb0{#1}} -\def\qhlpz#1{\lpz{#1}\qh0{#1}} -%\check -\def\umotif#1#2#3#4#5#6#7#8#9{\varaccid -{\advance\transpose by 2\ibbl0{#9}0}\relax -\ilegu0{#1}\qb0{#1}\tleg0\qb0{#2#3}% -\qbupz{#1}\qbupz{#4#5}\qbupz{#6#7}\qbupz{#8#9}\qbupz{#7}\tbl0\qbupz{#5}}% -%\check -\def\mmotif#1#2#3#4#5#6#7#8#9{\varaccid -{\advance\transpose by -2\ibbu0{#1}0}\relax -\ilegl0{#3}\qh0{#1}\tleg0\qh0{#2#3}% -\qhlpz{#1}\qhlpz{#4#5}\qhlpz{#6#7}\qhlpz{#8#9}\qhlpz{#7}\tbu0\qhlpz{#5}}% -\def\Mmotif#1#2#3#4#5{\mmotif#1!#2!#3!#4!#5} -\def\Umotif#1#2#3#4#5{\umotif#1!#2!#3!#4!#5} -%\check -% -\def\culpz#1{\lpz{#1}\cu{#1}}% -\def\clupz#1{\upz{#1}\cl{#1}}% -% -%\check -% double accord de 4 + soupir -\def\dbuq#1#2#3#4{\lst{#4}\ibu0{#1}0\zq{#1#2#3}\qh0{#4}\sk -\lpz{#4}\zq{#1#2#3}\tqh0{#4}\sk\dsoupir\sk}% -\def\dblq#1#2#3#4{\ust{#1}\ibl0{#4}0\zq{#1#2#3}\qb0{#4}\sk -\upz{#1}\zq{#1#2#3}\tqb0{#4}\sk\dsoupir\sk}% -% -\def\dblql#1#2#3#4{\ust{#1}\ibl0{#4}0\zq{#1#3}\lq{#2}\qb0{#4}\sk -\upz{#1}\zq{#1#3}\lq{#2}\tqb0{#4}\sk\dsoupir\sk}% -\def\dbuqr#1#2#3#4{\lst{#4}\ibu0{#1}0\rq{#2}\zq{#1#3}\qh0{#4}\sk -\lpz{#4}\rq{#2}\zq{#1#3}\tqh0{#4}\sk\dsoupir\sk}% -% -%\check -% double accord de 3 + soupir -\def\dbut#1#2#3{\lst{#3}\ibu0{#1}0\zq{#1#2}\qh0{#3}\sk -\lpz{#3}\zq{#1#2}\tqh0{#3}\sk\dsoupir\sk}% -\def\Dbut#1#2#3{\ibu0{#1}0\zq{#1#2}\bupz0\qh0{#3}\sk -\zq{#1#2}\bupz0\tqh0{#3}\sk\dsoupir\sk}% -\def\dblt#1#2#3{\ust{#1}\ibl0{#3}0\zq{#1#2}\qb0{#3}\sk -\upz{#1}\zq{#1#2}\tqb0{#3}\sk\dsoupir\sk}% -% -\def\dbutr#1#2#3{\lst{#3}\ibu0{#1}0\zq{#1}\rq{#2}\qh0{#3}\sk -\lpz{#3}\rq{#2}\zq{#1}\tqh0{#3}\sk\dsoupir\sk}% -\def\Dbutr#1#2#3{\ibu0{#1}0\zq{#1}\rq{#2}\bupz0\qh0{#3}\sk -\rq{#2}\zq{#1}\bupz0\tqh0{#3}\sk\dsoupir\sk}% -\def\dbltl#1#2#3{\ust{#1}\ibl0{#3}0\zq{#1}\lq{#2}\qb0{#3}\sk -\upz{#1}\zq{#1}\lq{#2}\tqb0{#3}\sk\dsoupir\sk}% -% -%\check -% double accord de 2 + soupir -\def\dbud#1#2{\lst{#2}\ibu0{#1}0\zq{#1}\qh0{#2}\sk -\lpz{#2}\zq{#1}\tqh0{#2}\sk\dsoupir\sk}% -\def\Dbud#1#2{\ibu0{#1}0\zq{#1}\bupz0\qh0{#2}\sk -\zq{#1}\bupz0\tqh0{#2}\sk\dsoupir\sk}% -% -% double accord de 3 doubles croches -\def\ddbut#1#2#3{\lpz{#3}\ibbu0{#1}0\zq{#1#2}\qh0{#3}% -\lpz{#3}\zq{#1#2}\tqh0{#3}}% -\def\ddblt#1#2#3{\upz{#1}\ibbl0{#3}0\zq{#1#2}\qb0{#3}% -\upz{#1}\zq{#1#2}\tqb0{#3}}% -% -% double accord de 2 doubles croches -\def\ddbud#1#2{\lpz{#2}\ibbu0{#1}0\zq{#1}\qh0{#2}% -\lpz{#2}\zq{#1}\tqh0{#2}}% -\def\ddbld#1#2{\upz{#1}\ibbl0{#2}0\zq{#1}\qb0{#2}% -\upz{#1}\zq{#1}\tqb0{#2}}% -% -% double accord de 3 + soupir -\def\dbutmr#1#2#3{\lst{#3}\ibu0{#1}0\rq{#2}\zq{#1}\qh0{#3}\sk -\lpz{#3}\rq{#2}\zq{#1}\tqh0{#3}\sk\dsoupir\sk}% -% -% double accord de 2 + soupir -\def\dbudr#1#2{\lst{#2}\ibu0{#1}0\rq{#1}\qh0{#2}\sk -\lpz{#2}\rq{#1}\tqh0{#2}\sk\dsoupir\sk}% -% -% double accord de 3 doubles croches -\def\ddbutr#1#2#3{\lpz{#3}\ibbu0{#1}0\rq{#2}\zq{#1}\qh0{#3}% -\lpz{#3}\rq{#2}\zq{#1}\tqh0{#3}}% -\def\ddbltl#1#2#3{\upz{#1}\ibbl0{#3}0\lq{#2}\zq{#1}\qb0{#3}% -\upz{#1}\lq{#2}\zq{#1}\tqb0{#3}}% -% -% double accord de 2 doubles croches -\def\ddbudr#1#2{\lpz{#2}\ibbu0{#1}0\rq{#1}\qh0{#2}\relax -\lpz{#2}\rq{#1}\tqh0{#2}}% -% -% accord de 4, 3 doubles croches inf -\def\lmotbba#1#2#3#4{\dbuq{#1}{#2}{#3}{#4}% -\ddbut{#2}{#3}{#4}}% -%\check -% -% accord de 4, 2 doubles croches sup -\def\lmotbbb#1#2#3#4{\dbuq{#1}{#2}{#3}{#4}% -\ddbud{#1}{#2}}% -%\check -% -% accord de 4, 2 doubles croches med -\def\lmotbbc#1#2#3#4{\dbuq{#1}{#2}{#3}{#4}% -\ddbud{#2}{#3}}% -%\check -% -% accord de 2, 2 doubles croches med -\def\lmotbbd#1#2#3{\dbud{#1}{#2}% -\ddbud{#2}{#3}}% -%\check -% -\def\bld#1#2{\zq{#2}\clupz{#1}}% -\def\blt#1#2#3{\zq{#3#2}\clupz{#1}}% -\def\bltl#1#2#3{\zq{#3}\lq{#2}\clupz{#1}}% -\def\blq#1#2#3#4{\zq{#4#3#2}\clupz{#1}}% -\def\blql#1#2#3#4{\lq{#2}\zq{#3#4}\clupz{#1}}% -% -\def\bud#1#2{\zq{#1}\culpz{#2}}% -\def\budr#1#2{\rq{#1}\culpz{#2}}% -\def\but#1#2#3{\zq{#1#2}\culpz{#3}}% -\def\butr#1#2#3{\zq{#1}\rq{#2}\culpz{#3}}% -\def\buq#1#2#3#4{\zq{#1#3#2}\culpz{#4}}% -\def\buqr#1#2#3#4{\zq{#1#3}\rq{#2}\culpz{#4}}% -\def\tblq#1#2#3#4{\dblq{#1}{#2}{#3}{#4}\blq{#1}{#2}{#3}{#4}}% -\def\tblql#1#2#3#4{\dblql{#1}{#2}{#3}{#4}\blql{#1}{#2}{#3}{#4}}% -\def\tbuq#1#2#3#4{\dbuq{#1}{#2}{#3}{#4}\buq{#1}{#2}{#3}{#4}}% -\def\tblt#1#2#3{\dblt{#1}{#2}{#3}\blt{#1}{#2}{#3}}% -\def\tbltl#1#2#3{\dbltl{#1}{#2}{#3}\bltl{#1}{#2}{#3}}% -%\check -% -\def\tbuqr#1#2#3#4{\dbuqr{#1}{#2}{#3}{#4}\buqr{#1}{#2}{#3}{#4}}% -%\check -% -% accord de 3, final croche -\def\tbut#1#2#3{\dbut{#1}{#2}{#3}\but{#1}{#2}{#3}}% -\def\Tbut#1#2#3{\Dbut{#1}{#2}{#3}\but{#1}{#2}{#3}}% -%\check -% -\def\tbutr#1#2#3{\dbutr{#1}{#2}{#3}\butr{#1}{#2}{#3}}% -\def\Tbutr#1#2#3{\Dbutr{#1}{#2}{#3}\butr{#1}{#2}{#3}}% -%\check -% -% accord de 2, final croche -\def\tbud#1#2{\dbud{#1}{#2}\bud{#1}{#2}}% -\def\Tbud#1#2{\Dbud{#1}{#2}\bud{#1}{#2}}% -%\check -% -\def\register#1{\boxit{\hbox{\bf #1}}} -% -\generalmeter{\meterfrac 42}% -% -\ifnum\musicsize=16\def\bottomfacteur{7}\else\def\bottomfacteur{5}\fi -\debutmorceau -% -\ifnum\musicsize=16\relax - \autolines{19}47\else - \autolines{19}36\fi -\ifx\undefined\horizontalscore \else\autolines{19}54\fi -%\check -% -\bigaccid -\hyphenpenalty -50\relax -\notes\zmidtwotext{\fff}|\zcharnote{w}{\kern -20mm\moyen Allegro -\bf(\metron{\qu}{100})}\enotes -% -%\check -% -% mesure 1 -\tnotes\lmotbba mjhf|\umotif t!s!q!o!m\enotes -\tnotes\tbuq ljhf|\umotif s!r!q!o!m\enotes -\zbnotes\tbuqr kjhf|\umotif r!q!q!o!m\enotes -\tnotes\tbuq ljhf|\umotif s!r!q!o!m\enotes -% mesure 2 -\bnotes\lmotbba mjhf|\umotif t!s!q!o!m\enotes -\tnotes\tbuq ljhf|\umotif s!r!q!o!m\enotes -\ifnum\musicsize=16\relax - \autolines {17}47\else - \autolines {17}36\fi -\ifx\undefined\horizontalscore \else\autolines{17}54\fi -\zbnotes\tbuqr kjhf|\umotif r!q!q!o!m\enotes -\tnotes\na i\tbuq lige|\umotif s=p!p!n!m\enotes -% mesure 3 -\bnotes\lmotbba jgec|\umotif q=p!n!l!j\enotes -\nspace\tnotes\na i\tbuq igec|\na p\umotif p!o!n!l!j\enotes -\zbnotes\tbuqr hgec|\umotif o!n!n!l!j\enotes -\tnotes\tbuq igec|\umotif p!o!n!l!j\enotes -% mesure 4 -\bnotes\lmotbba jgec|\umotif q=p!n!l!j\enotes -\nspace\tnotes\na i\tbuq igec|\na p\umotif p!o!n!l!j\enotes -\zbnotes\tbuqr hgec|\umotif o!n!n!l!j\enotes -\tnotes\sh f\na i\tbut ifd|\na p\umotif p^m!m!k!j\enotes -% mesure 5 -\bnotes\na b\lmotbbc gdbN|\umotif n^m!k=i!g\enotes -\nspace\tnotes\sh c\tbut gec|\umotif o^n!l^j!h\enotes -\zbnotes\tbutr gfd|\umotif o=m!m!k!h\enotes -\tnotes\sh c\tbut gec|\umotif o^n!l^j!h\enotes -% mesure 6 -\bnotes\lmotbbb fd!N|\umotif o!m!m!k!h\enotes -\qspace -\tnotes\lsh d\sh f\tbut hfd|\na p\umotif p^o^m^k=i\enotes -\zbnotes\tbutr hge|\umotif p!n!n!l!i\enotes -\tnotes\tbut hfd|\umotif p!o!m!k!i\enotes -% mesure 7 -\bnotes\lmotbbb ge!N|\na p\umotif p!n!n!l=i\enotes -\nspace\tnotes\fl i\tbut ige|\umotif q!p!n!l!j\enotes -\zbnotes\tbut ifd|\umotif q!m!m!k!j\enotes -\tnotes\tbutr ihf|\umotif q!o!o!m!j\enotes -% mesure 8 -% increase the number of instruments at the next line change -\def\manuale{}% nothing until changed -\def\pedalepause{}% -\def\atnextline{\nbporteesii=2\relax - \nbporteesi=1\relax - \def\nbinstruments{2}\relax - \global\cleftoksii={{0}{0}{0}{0}}\global\cleftoksi={{6}{0}{0}{0}}\relax - \def\pedalepause{\Pause}\def\manuale{&}\relax - \signaturegenerale{-1}}\relax -% -\bnotes\pedalepause\manuale\tbut ige|\umotif q!n!n!l!j\enotes -\tnotes\manuale\sh j\fl e\tbuqr jige|\sh q\umotif q!n!n!l^j\enotes -% -\zbnotes\pedalepause\manuale\tbuq kigd|\umotif r^q!p!n!k\enotes -\tnotes\manuale\na c\na l\tbuq ligc\relax - |\ibbl0{p}0\ilegu0{s}\qb0{s}\tleg0\qb0{^r}% -\qbupz{s}\qbupz{=q}\qbupz{p}\qbupz{n}\qbupz{p}\tbl0\qbupz{q}\enotes -% mesure 9 -%\check -% modification de la liaison initiale en pizz. -\def\umotif#1#2#3#4#5#6#7#8#9{\varaccid -{\advance\transpose by 2\ibbl0{#9}0}\qbupz{#1}\qbupz{#2#3}% -\qbupz{#1}\qbupz{#4#5}\qbupz{#6#7}\qbupz{#8#9}\qbupz{#7}\tbl0\qbupz{#5}}% -%\check -\def\mmotif#1#2#3#4#5#6#7#8#9{\varaccid -{\advance\transpose by -2\ibbu0{#1}0}\qhlpz{#1}\qhlpz{#2#3}% -\qhlpz{#1}\qhlpz{#4#5}\qhlpz{#6#7}\qhlpz{#8#9}\qhlpz{#7}\tbu0\qhlpz{#5}}% -% -%\check -\bnotes\zcharnote{E}{\llap{\ff}}\relax -\doubler\qlp f\sk\sk\cu F&\lmotbba mjhf|\umotif t!s!q!o!m\enotes -\tnotes\doubler\qlp e\sk\sk\cu F&\tbuq ljhf|\umotif s!r!q!o!m\enotes -\zbnotes\doubler\qlp d\sk\sk\cu F&\tbuqr kjhf|\umotif r!q!q!o!m\enotes -\tnotes\doubler\qlp e\sk\sk\cu F&\tbuq ljhf|\umotif s!r!q!o!m\enotes -% mesure 10 -\bnotes\doubler\qlp f\sk\sk\cu F&\lmotbba mjhf|\umotif t!s!q!o!m\enotes -\tnotes\doubler\qlp e\sk\sk\cu F&\tbuq ljhf|\umotif s!r!q!o!m\enotes -\zbnotes\doubler\qlp d\sk\sk\cu F&\tbuqr kjhf|\umotif r!q!q!o!m\enotes -\tnotes\doubler\qlp e\sk\sk\cu G&\na i\tbut lig|\umotif s=p!p!n!m\enotes -% mesure 11 -\bnotes\itenu1c\wh c&\lmotbba jgec|\umotif q=p!n!l!j\enotes -\nspace\tnotes&\na i\tbuq igec|\na p\umotif p!o!n!l!j\enotes -\zbnotes\tten1\hl c&\tbuqr hgec|\umotif o!n!n!l!j\enotes -\tnotes\hpause&\na i\tbuq igec|\na p\umotif p!o!n!l!j\enotes -% mesure 12 -\bnotes\doubler\qlp c\sk\sk\cu C&\lmotbba jgec|\umotif q=p!n!l!j\enotes -\nspace\tnotes\doubler\qlp{=b}\sk\sk\cu C&\na i\tbuq igec|\na p\umotif p!o!n!l!j\enotes -\zbnotes\doubler\qlp a\sk\sk\cu C&\tbuqr hgec|\umotif o!n!n!l!j\enotes -\tnotes\doubler\qlp b\sk\sk\cu D&\sh f\na i\tbut ifd|\na p\umotif p^m!m!k!j\enotes -% mesure 13 -\bnotes\whp N&\na b\lmotbbc gdbN|\umotif n^m!k=i!g\enotes -\tnotes&\tbut gec|\umotif n!m!l!j!g\enotes -\zbnotes&\tbut gdb|\umotif n!m!k!i!g\enotes -\tnotes\hpause&\sh c\tbut gec|\umotif o^n!l^j!h\enotes -% mesure 14 -\bnotes\doubler\qlp N\sk\sk\cu G&\sh c\tbut hec|\umotif -o^n!l^j!h\enotes -\tnotes\doubler\qlp N\sk\sk\cu G&\tbut hec|\umotif o!n!l!j!h\enotes -\zbnotes\doubler\qlp M\sk\sk\cu F&\tbut hfd|\na p\umotif -p!m!m!k=i\enotes -\tnotes\doubler\qlp L\sk\sk\cu E&\tbutr hge|\sh q\umotif -q!o!o!n^j\enotes -% mesure 15 -\ifnum\musicsize=16\relax - \autolines{17}46\else - \autolines{17}35\relax -\fi -\ifx\undefined\horizontalscore \else\autolines{17}53\fi -\bnotes\itenu1K\wh K&\lmotbbd hfd|\umotif r^q!o!m!k\enotes -\tnotes&\tbud hf|\umotif r!q!o!m!k\enotes -\zbnotes\tten1\hl K&\na i\tbut ifd|\na p\umotif p!o!o!m!k\enotes -\tnotes\hpause&\tbut jfd|\na q\umotif q!p!o!m!k\enotes -% mesure 16 -\bnotes\doubler\qlp a\sk\sk\cu H&\sh d\lsh f\na i\tbut -ifd|\na p\umotif p^o^m^k=i\enotes -\tnotes\doubler\qlp a\sk\sk\cu H&\tbut ifd|\umotif p!o!m!k!i\enotes -\zbnotes\doubler\qlp N\sk\sk\cu G&\tbut ige|\sh q\umotif -q!n!n!l^j\enotes -\tnotes\doubler\qlp{^M}\sk\sk\cu{^F}&\na i\sh f\tbutr ihf|\sh r\umotif -r!p!p!o^k\enotes -%\check -% mesure 17 -\bnotes\itenu1L\wh L&\na i\dbud ig\ddbud ge|\umotif -s^r=p!n!l\enotes -\tnotes&\dbud ig\but ige|\umotif s!r!p!n!l\enotes -\zbnotes\tten1\hl L&\tbut jge|\umotif q=p!p!n!l\enotes -\tnotes\hpause&\tbut kge|\na r\umotif r=p!p!n!l\enotes -% mesure 18 -\bnotes\doubler\fl b\qlp b\sk\sk\cu I&\dbut jge\bud ge|\umotif q=p!n!l!j\enotes -\tnotes\doubler\qlp b\sk\sk\cu I&\dbut jge\bud ge|\umotif q!p!n!m!j\enotes -\zbnotes\doubler\qlp a\sk\sk\cu H&\dbuqr kjhf\but jhf|\umotif -r^q!o!m!k\enotes -\tnotes\doubler\qlp N\sk\sk\cu G&\fl i\tbuqr ljig\relax - |\varaccid\ibbl0{p}0\ilegu0{s}\qb0{s}\tleg0\qb0{^r}% -\qbupz{s}\qbupz{=q}\qbupz{_p}\qbupz{n}\qbupz{p}\tbl0\qbupz{s}\enotes -% mesure 19 -\bnotes\doubler\qlp M\sk\sk\cu F&\lmotbba mkhf|\umotif t!s!r!n!m\enotes -\nspace\tnotes\doubler\qlp N\sk\sk\cu G&\sh j\tbuqr lijg|\umotif s^r^q!p!n\enotes -\nspace\zbnotes\doubler\qlp M\sk\sk\cu F&\tbut khf|\sh q\umotif -r!q!o!m!l\enotes -\tnotes\doubler\qlp L\sk\sk\cu E&\na j\tbut jhe|\na q\umotif -q!o!o!l!j\enotes -% mesure 20 -\bnotes\doubler\qlp K\sk\sk\cu D&\fl i\tbutr ihd|\umotif p!o!o!m!i\enotes -\tnotes\doubler\qlp L\sk\sk\cu E&\tbut ige|\umotif p!n!n!l!i\enotes -\zbnotes\doubler\qlp{^J}\sk\sk\cu{^C}&\sh c\tbutr hgc|\umotif -o!n!n!l!h\enotes -\tnotes\doubler\qlp K\sk\sk\cu D&\tbut hfd|\umotif o!m!m!k!h\enotes -% mesure 21 -\bnotes\wh I&\mmotif h^f!f!d!b|\sh m\dblt omk\ddblt omk\enotes -\tnotes&\mmotif i!g!g!d!b|\tblq rpnk\enotes -\zbnotes\wh J&\mmotif g=f!f!d!c|\lna m\tbltl nmi\enotes -\tnotes&\mmotif g!e!e!d!c|\tblt nli\enotes -%\check -% mesure 22 -\bnotes\hu F&\dbut fca\ddbut fca|\umotif m!l!j!h!f\enotes -\tnotes\sk\hpause&\tbut eca|\umotif l!k!j!h!f\enotes -\zbnotes\Pause&\tbutr dca|\umotif k!j!j!h!f\enotes -\tnotes&\tbut eca|\umotif l!k!j!h!f\enotes -% mesure 23 -\global\cleftoksii={{6}{0}{0}{0}}\changeclefs -\bnotes\Pause&\umotif f!e!c!a!M|\dblt mjh\ddblt mjh\enotes -\tnotes&\umotif e!d!c!a!M|\tblt ljh\enotes -\zbnotes\hpause&\umotif d!c!c!a!M|\tbltl kjh\enotes -\tnotes\lpz F\qu F\sk\sk\sk\soupir&\umotif d=b!b!a!M|\na i\dblt -oki\na p\blt pki\enotes -% mesure 24 -\bnotes\qu E\sk\sk\sk\soupir&\lsh N\na b\tblt ebN|\mmotif l^k=i^g!e\enotes -\tnotes\sk\hpause&\sh d\tblt dbN|\mmotif k^j!i!g!e\enotes -\qspace -\zbnotes\Pause&\lsh c\tbltl cbN|\mmotif j!i!i!g!e\enotes -\tnotes&\tblt dbN|\mmotif k!i!i!g!e\enotes -% mesure 25 -\bnoteP&\umotif e^d=b^N!L|\lsh g\na i\dblt lig\ddblt lig\enotes -\nspace\tnotes&\umotif d^c!b!N!L|\sh k\tblt kig\enotes -\zbnotes\sk\hpause&\qsk\sh c\umotif c=b!b^N!L|\sh g\sh j\lna i\qsk\tbltl jig\enotes -\tnotes\lpz E\qu E\sk\sk\sk\soupir&\umotif c^a!a!N!L|\relax - \sh h\sh n\dblt njh\sh o\blt ojh\enotes -% mesure 26 -\bnotes\fl E\qu E\sk\sk\sk\soupir&\lfl b\na N\fl e\dblt -ebN\ddbld bN|\fl l\mmotif l!k!i!g_e\enotes -\tnotes\sk\hpause&\tblt dbN|\mmotif k!i!i!g!e\enotes -\qspace -\zbnotes\sk\hpause&\lsh c\tbltl cbN|\sh j\mmotif - j!i!i!g!e\enotes -\global\cleftoksii={{0}{0}{0}{0}}\changeclefs -\tnotes\ilegl1G\fl L\hl L&\sh c\dbutmr gcb\zq g\rq c\culpz b|\umotif - n^m^j!i!g\enotes -% mesure 27 -\bnotes\tleg1\hu G&\na b\dbut gdb\ddbud db|\umotif n^m!k=i!g\enotes -\nspace\tnotes\sk\hpause&\sh f\tbut fdb|\umotif m!k!k!i!g\enotes -\zbnotes\Pause&\sh e\tbutr edb|\bigsh l\umotif l!k!k!i!g\enotes -\tnotes\ilegl1I\hl N&\na i\tbutr ied|\bigna p\umotif p^o!l!k!i\enotes -% mesure 28 -%\check -\bnotes\na I\tleg1\hu I&\na i\lsh f\sh d\dbut ifd\ddbud fd|\na p\umotif - p^o^m^k=i\enotes -\nspace\tnotes\sk\hpause&\sh h\tbut hfd|\sh o\umotif o!m!m!k!i\enotes -\zbnotes\Pause&\na h\tbut hfd|\na o\umotif o!m!m!k!i\enotes -\tnotes\na b\ilegu1c\hl b&\sh k\dbut khf\zq{kh}\culpz f|\sh r\umotif - r!o!o!m!k\enotes -% mesure 29 -%\check -\bnotes\fl b\tleg1\hl b&\na f\lfl i\na k\dbut kif\ddbut ifd|\na r\umotif - r^q!p!m!k\enotes -\nspace\tnotes\doubler\soupir\sk\dsoupir\cu I\relax -&\fl g\fl l\dbutmr lhg\rq h\lpz g\cu g|\fl s\umotif s!o!o_n_l\enotes -\zbnotes\hl b&\dbut kif\ddbut ifd|\na r\umotif - r^q!o!m!k\enotes -\nspace\tnotes\doubler\soupir\sk\dsoupir\cu I\relax -&\fl g\fl l\dbutmr lhg\rq h\lpz g\zq l\cu g|\fl s\umotif - s!o!o_n_l\enotes -% mesure 30 -%\check -\bnotes\hl b&\dbut kif\ddbut ifd|\umotif r^q!p!m!k\enotes -\tnotes\sk\hpause -&\dbut kif\zq{if}\culpz d|\umotif r!q!p!m!k\enotes -\zbnotes&\dbut kif\zq{if}\culpz d|\umotif r!q!p!m!k\enotes -\tnotes\pause&\dbut kif\zq{if}\culpz d|\umotif r!q!p!m!k\enotes -% mesure 31 -%\check -\bnoteP&\zcharnote N{\llap{\register{II} }}% -\zmidtwotext{\llap{\mf}}\dbut khf\ddbut hfd|\zcharnote s{\llap{(I)}}% -\umotif r^q!o!m!k\enotes -\tnotes&\dbut khf\zq{hf}\culpz d|\umotif r!q!o!m!k\enotes -\zbnotes\Pause&\dbut khf\zq{hf}\culpz d|\umotif r!q!o!m!k\enotes -\tnotes&\dbut khf\zq{hf}\culpz d|\umotif r!q!o!m!k\enotes -% mesure 32 -%\check -\bnoteP&\qsk\zcharnote a{\llap{(II)}}% -\bigsh g\dbutr kgf\rq g\culpz f|\qsk\zcharnote r{\llap{\register{II} }}% -\umotif r^q^n!m!k\enotes -\tnotes&\dbutr kgf\rq g\culpz f|\umotif r!q!n!m!k\enotes -\zbnotes\Pause&\dbutr kgf\rq g\culpz f|\umotif r!q!n!m!k\enotes -\tnotes&\dbutr kgf\rq g\culpz f|\umotif r!q!n!m!k\enotes -% mesure 33 -%\check -\signaturegenerale{2}\Changecontext -\ifnum\musicsize=16\relax - \def\atnextline{\nbporteesi=2\relax - \def\nbinstruments{1}\relax - \global\cleftoksi={{0}{0}{0}{0}}\relax - \def\pedalepause{}\def\manuale{}}\fi -% -\znotes\manuale\zmidtwotext{\llap{\register{III} \pp}}\enotes -\notes\pedalepause\manuale\mmotif k!j!h!f!d|\dblt rom\ddblt rom\enotes -\tnotes\manuale\mmotif j!i!h!f!d|\tblq qomk\enotes -\zbnotes\pedalepause\manuale\mmotif i!h!h!f!d|\tblql pomk\enotes -\tnotes\manuale\mmotif j!h!h!f!d|\tblq qomk\enotes -% -% mesure 34 -\bnotes\pedalepause\manuale\mmotif k!j!h!f!d|\dblt rom\ddblt rom\enotes -\tnotes\manuale\mmotif j!i!h!f!d|\tblq qomk\enotes -\zbnotes\pedalepause\manuale\mmotif i!h!h!f!e|\tblql pomk\enotes -\tnotes\manuale\mmotif j^g!g!f!e|\tblql qlnk\enotes -% -%\check -% mesure 35 -\bnotes\pedalepause\manuale\dbut hec\ddbud ec|\umotif o^n!l!j!h\enotes -\nspace\tnotes\manuale\bigsh g\tbut gec|\umotif n!m!l!j!h\enotes -\zbnotes\pedalepause\manuale\tbutr fec|\umotif m!l!l!j!h\enotes -\tnotes\manuale\sh g\tbut gec|\bigsh n\umotif n!l!l!j!h\enotes -% -%\check -% mesure 36 -\ifnum\musicsize=16\advance\linesinpage by -1\relax\fi -% -\bnotes\pedalepause\manuale\mmotif h^g!e!c!a|\dblt olj\ddblt olj\enotes -\nspace\tnotes\manuale\mmotif g!f!e!c!a|\bigsh n\tblq nljh\enotes -\zbnotes\pedalepause\manuale\mmotif f!e!e!c!a|\tblql mljh\enotes -\tnotes\manuale\mmotif g^d!d!b!a|\bigsh k\tblql nhki\enotes -% -%\check -% mesure 37 -\bnotes\pedalepause\manuale\bigsh N\dbut ebN\bud bN|\umotif l^k!i^g!e\enotes -\qspace -\tnotes\manuale\mmotif e^c!c^a!L|\bigaccid\lsh h\sh j\tblq mjhf\enotes -\zbnotes\pedalepause\manuale\dbud db\bud db|\umotif m=k!k!i!f\enotes -\tnotes\manuale\mmotif e!c!c!a!L|\tblq mjhf\enotes -% -%\check -% mesure 38 -\bnotes\pedalepause\manuale\tbud db|\umotif m!k!k!i!f\enotes -\qspace -\tnotes\manuale\mmotif f^d!d^b!L|\bigaccid - \lsh n\lsh i\sh k\sh g\tblq nkig\enotes -\zbnotes\pedalepause\manuale\tbud ec|\sh n\umotif n!l!l!j^g\enotes -\qspace -\tnotes\manuale\mmotif f^d!d^b!L|\bigaccid\lsh i\sh k\tblq nkig\enotes -%\check -% mesure 39 -\bnotes\pedalepause\manuale\dbud ec\bud ec|\sh n\umotif n!l!l!j^g\enotes -\tnotes\manuale\bigna g\dbut gec\but gec|\umotif o!l!l!j!h\enotes -\zbnotes\pedalepause\manuale\dbut gdb\but gdb|\umotif o!k!k!i!h\enotes -\tnotes\manuale\tbutr gfd|\umotif o!m!m!k!h\enotes -% -%\check -% mesure 40 -\bnotes\pedalepause\manuale\tbut gec|\umotif o!l!l!j!h\enotes -\tnotes\manuale\tbut geb|\umotif p!n!n!l!i\enotes -\zbnotes\pedalepause\manuale\bigfl b\tbut geb|\bigna q\umotif q!n!n!l=j\enotes -\tnotes\manuale\tbut gea|\bigsh q\ibbl0{l}0\ilegu0{q}\qb0{q}\tleg0\qb0{n}% -\qbupz{q}\qbupz{n}\qbupz{l}\qbupz{^j}\qbupz{l}\tbl0\qbupz{j}\enotes -\ifnum\nbinstruments=1\relax - \global\cleftoksi={{6}{0}{0}{0}}\else - \global\cleftoksi={{6}{0}{0}{0}}\global\cleftoksii={{6}{0}{0}{0}}\fi -\changeclefs -%\check -% mesure 41 -\bnotes\pedalepause\manuale\qsk\zcharnote f{\llap{\pp}}\lsh N\tbltl cbN|\qsk - \mmotif j!i!i^g^e\enotes -\nspace\tnotes\manuale\tbltl cbM|\bigsh k\mmotif k!i!i!g^d\enotes -\qspace -\zbnotes\pedalepause\manuale\bigaccid\lsh a\tbltl cba|\bigna l\mmotif l!j!j!i=e\enotes -\qspace -\tnotes\manuale\bigaccid\lsh N\tbltl cbN|\bigsh l\mmotif l!j!j!i^e\enotes -\ifnum\nbinstruments=1\relax - \global\cleftoksi={{0}{0}{0}{0}}\else - \global\cleftoksi={{6}{0}{0}{0}}\global\cleftoksii={{0}{0}{0}{0}}\fi -\addspace{-2\afterruleskip}\changeclefs\notes\manuale \zcharnote N{\register{II}}\enotes -%\check -% mesure 42 -\bnotes\pedalepause\manuale -\zcharnote o{\it cresc.}\relax - \zwp{^a}\Dbud fc\ddbud fc|\zcharnote r{(III)}\umotif m!j!j^h!f\enotes -\nspace\tnotes\manuale\bigna f\Tbud fc|\bigna m\umotif m=l!j!h=f\enotes -\zbnotes\pedalepause\manuale\Tbud ec|\umotif l^k!j!h!e\enotes -\tnotes\manuale\zhl c\bigsh h\Tbud he|\bigsh o\umotif o!l!l!j!h\enotes -% -%\check -% mesure 43 -\bnotes\pedalepause\manuale\zwp d\bigna f\bigfl i\Dbud if\ddbud if|\bigfl p\umotif p=m!m!k_i\enotes -\tnotes\manuale\Tbud hf|\umotif o^n!m!k!h\enotes -\zbnotes\pedalepause\manuale\bigfl h\Tbud hf|\bigfl o\umotif o=n!m!k_h\enotes -\tnotes\manuale\zhl f\Tbud kh|\umotif r!o!o!m!k\enotes -% -% mesure 44 -\barre -\def\atnextline{\nbporteesii=2\relax - \nbporteesi=1\relax - \def\nbinstruments{2}\relax - \global\cleftoksii={{0}{0}{0}{0}}\global\cleftoksi={{6}{0}{0}{0}}\relax - \def\pedalepause{\Pause}\def\manuale{&}\relax - \signaturegenerale{2}}\relax -% -\notes\pedalepause\manuale\bigaccid\sh f\qsk\na h\zwp f\Dbud kh\ddbud kh|\qsk - \umotif r=o!o^m!k\enotes -\tnotes\manuale\Tbud jh|\umotif q^p!o!m!j\enotes -\zbnotes\manuale\bigna h\qsk\na j\Tbud jh|\qsk\bigna q\umotif q=p!o!m=j\enotes -\tnotes\manuale\zhl h\Tbud mj|\umotif t!q!q!o!m\enotes -% -%\check -% mesure 45 -\bnotes\pedalepause\manuale\bigsh j\qsk\zmidtwotext{\llap{\mf}}\zcharnote a{\llap{(II)}}\relax -\bigsh g\bigsh l\zhl g\Dbud lj\budr ji|\zcharnote r{\llap{\register{II}}}\qsk - \bigsh s\umotif s>r!q!p^l\enotes -\tnotes\manuale\zhl h\bigna j\Tbud mj|\umotif t=q!q!o!m\enotes -\zbnotes\pedalepause\manuale\zhl g\bigsh j\Dbud lj\loff{\ddbudr ji}|\umotif s!r^q!p!l\enotes -\tnotes\manuale\qsk\zhl h\bigna j\Tbud mj|\qsk\umotif t=q!q!o!m\enotes -% -%\check -% mesure 46 -\bnotes\doubler\pt 5\soupir\sk\sk\cl c\manuale\bigaccid -\lsh j\sh g\sh l\dblt ljg\bud jg|\bigsh s\umotif s>r!q!p^l\enotes -\tnotes\bigsh e\wh e\manuale\dbut ljg\ddbld jg|\umotif s!r!q!p!l\enotes -\zbnotes\manuale\tblt ljg|\umotif s!r!q!p!l\enotes -\tnotes\hpause\manuale\dblt ljg\bld jg|\umotif s!r!q!p!l\enotes -% -% mesure 47 -\generalsignature{-1}\Changecontext -\notes\doubler\pt 5\soupir\sk\sk - \cl c\manuale\bigfl h\dblt mjh\bud jh|\umotif t!s!q_o!m\enotes -\tnotes\wh f\manuale\dbut mjh\ddbud jh|\umotif t!s!q!o!m\enotes -\zbnotes\manuale\dblt mjh\bud jh|\umotif t!s!q_o!m\enotes -\tnotes\hpause\manuale\dblt mjh\bud jh|\umotif t!s!q!o!m\enotes -% -%\check -% mesure 48 -\bnotes\qsk\qsk\doubler\pt 5\soupir\sk\sk\bigna b\cl -b&\qsk\lfl h\na i\zcharnote N{\llap{\register{I}}}\qsk - \zmidtwotext{\llap{\ff}}\bigaccid -\dbltl mhi\budr ih|\qsk\qsk -\zcharnote r{\llap{(II)}}\umotif t!s_r_q!m\enotes -\tnotes\wh f&\dbltl mhi\ddbudr ih|\umotif t!s!r!q!m\enotes -\qspace\zbnotes&\dbltl mhi\budr ih|\umotif t!s!r!q!m\enotes -\tnotes\hpause&\dbltl mhi\budr ih|\umotif t!s!r!q!m\enotes -%\check -% -% mesure 49 -\bnotes\qsk\hpause&\zmidtwotext{\llap{\fff}}\relax - \zcharnote a{\llap{(I)}}\bigaccid -\lfl h\na i\qsk\dbltl mhi\budr ih|\zcharnote r{\llap{\register{I}}}\qsk - \umotif t!s_r_q!m\enotes -\tnotes\doubler\fl K\ql K\sk\soupir&\dbltl mhi\budr ih|\umotif t!s!r!q!m\enotes -\zbnotes\doubler\na b\ql b\sk\soupir&\dbltl mhi\budr ih|\umotif t!s!r!q!m\enotes -\tnotes\doubler\ql f\sk\soupir&\tbltl mhi|\umotif t!s!r!q!m\enotes -%\check -% -% mesure 50 -\bnotes\doubler\zh F\hu M&\zhl f\bigna h\Dbut mjh\ddbut mjh|\umotif t=s=q!o!m\enotes -\tnotes\doubler\zh E\hu L&\zhl e\Tbut ljh|\umotif s!r!q!o!m\enotes -\zbnotes\doubler\zh D\hu K&\zhl d\Tbutr kjh|\umotif r!q!q!o!m\enotes -\tnotes\doubler\zh E\hu L&\zhl e\Tbut ljh|\umotif s!r!q!o!m\enotes -% mesure 51 -\bnotes\doubler\zh F\hu M&\zhl f\Dbut mjh\ddbut mjh|\umotif t!s!q!o!m\enotes -\tnotes\doubler\zh E\hu L&\zhl e\Tbut ljh|\umotif s!r!q!o!m\enotes -\zbnotes\doubler\zh D\hu K&\zhl d\Tbutr kjh|\umotif r!q!q!o!m\enotes -\tnotes\doubler\zh E\hu L&\zhl e\na i\Tbut lig|\umotif s=p!p!n!m\enotes -% mesure 52 -\bnotes\zbv C\zbv J&\zbv c\Dbut jge\ddbut jge|\umotif q=p!n!l!j\enotes -\nspace\tnotes&\na i\Tbut ige|\umotif p!o!n!l!j\enotes -\zbnotes&\Tbutr hge|\umotif o!n!n!l!j\enotes -\tnotes&\Tbut ige|\umotif p!o!n!l!j\enotes -% mesure 53 -\bnotes\doubler\zh J\hl c&\dbut jge\ddbud ge|\umotif q=p!n!l!j\enotes -\nspace\tnotes\doubler\zh{=I}\hl{=b}&\na i\tbut ige|\umotif p!o!n!l!j\enotes -\zbnotes\doubler\zh H\hl a&\tbutr hge|\umotif o!n!n!l!j\enotes -\tnotes\doubler\zh I\hl b&\sh f\na i\tbuqr idfc|\umotif p^m!m!k!j\enotes -% mesure 54 -\bnotes\itenl2G\zw G\itenu1N\wh N&\na b\dbut gdb\ddbud db|\umotif n^m!k=i!g\enotes -\tnotes&\tbut gec|\umotif n!m!l!j!g\enotes -\zbnotes\tten1\tten2\zh G\hl N&\tbut gdb|\umotif n!m!k!i!g\enotes -\tnotes\hpause&\sh c\tbut gec|\umotif o^m!l^j!h\enotes -% mesure 55 -\bnotes\doubler\zh N\hl G&\sh c\tbut hec|\umotif -o^n!l^j!h\enotes -\tnotes\doubler\zh N\hl G&\tbut hec|\umotif o!n!l!j!h\enotes -\zbnotes\doubler\zh M\hu F&\tbut hfd|\na p\umotif -p!m!m!k=i\enotes -\tnotes\doubler\zh L\hu E&\tbutr hge|\sh q\umotif -q!o!o!n^j\enotes -% mesure 56 -\bnotes\itenl2D\zw D\itenu1K\wh K&\lmotbbd hfd|\umotif r^q!o!m!k\enotes -\tnotes&\dbud hf\but hfd|\umotif r!q!o!m!k\enotes -\zbnotes\tten1\tten2\zh D\hu K&\na i\tbut ifd|\na p\umotif p!o!o!m!k\enotes -\tnotes\hpause&\tbut jfd|\na q\umotif q!p!o!m!k\enotes -% mesure 57 -\bnotes\doubler\zh a\hl H&\sh d\lsh f\na i\tbut -ifd|\na p\umotif p^o^m^k=i\enotes -\tnotes\doubler\zh a\hl H&\tbut ifd|\umotif p!o!m!k!i\enotes -\zbnotes\doubler\zh N\hl G&\tbut ige|\sh q\umotif -q!n!n!l^j\enotes -\tnotes\doubler\zh{^M}\hl{^F}&\sh f\tbutr ihf|\sh r\umotif -r!p!p!o^k\enotes -%\check -% mesure 58 -\bnotes\itenl2E\itenu1L\zw E\wh L&\na i\dbud ig\ddbud ge|\umotif -s^r=p!n!l\enotes -\tnotes&\dbud ig\but ige|\umotif s!r!p!n!l\enotes -\zbnotes\tten2\tten1\zh E\hu L&\tbut jge|\umotif q=p!p!n!l\enotes -\tnotes\hpause&\tbut kge|\na r\umotif r!p!p!n!l\enotes -% mesure 59 -\bnotes\doubler\fl b\fl I\zh b\hu I&\dbut jge\bud ge|\umotif q=p!n!l!j\enotes -\tnotes\doubler\zh b\hu I&\dbut jge\bud ge|\umotif q!p!n!l!j\enotes -\zbnotes\doubler\zh a\hu H&\dbuqr kjhf\but jhf|\umotif -r^q!o!m!k\enotes -\tnotes\doubler\zh N\hu G&\tbuqr ljig\relax - |\varaccid\ibbl0{p}0\qbupz{s}\qbupz{^r}% -\qbupz{s}\qbupz{=q}\qbupz{_p}\qbupz{n}\qbupz{p}\tbl0\qbupz{s}\enotes -% mesure 60 -\bnotes\doubler\zh M\hu F&\lmotbba mkhf|\umotif t!s!r!n!m\enotes -\nspace\tnotes\doubler\zh N\hu G&\sh j\tbuqr lijg|\umotif s^r^q!p!n\enotes -\zbnotes\doubler\zh M\hu F&\tbut khf|\umotif -r^q!o!m!l\enotes -\tnotes\doubler\zh L\hu E&\na j\tbut jhe|\na q\umotif -q!o!o!l!j\enotes -% mesure 61 -\bnotes\doubler\zh K\hu D&\tbutr ihd|\umotif p!o!o!m!i\enotes -\tnotes\doubler\zh L\hu E&\tbut ige|\umotif p!n!n!l!i\enotes -\zbnotes\doubler\zh{^J}\hu{^C}&\sh c\tbutr hgc|\umotif -o!n!n!l!h\enotes -\tnotes\doubler\zh K\hu D&\tbut hfd|\umotif o!m!m!k!h\enotes -% mesure 62 -\bnotes\wh I&\mmotif h^f!f!d!b|\sh m\dblt omk\ddblt omk\enotes -\tnotes&\mmotif i!g!g!d!b|\tblq rpnk\enotes -\zbnotes\wh J&\mmotif g=f!f!d!c|\lna m\tbltl nmi\enotes -\tnotes&\mmotif g!e!e!d!c|\tblt nli\enotes -%\check -% mesure 63 -\bnotes\zbv F&\dblql mkjf\ddbutr kjf|\umotif t!r!r!q!m\enotes -\nspace\tnotes&\dblq mkif\but kif|\umotif t!r!r!p!m\enotes -\zbnotes&\dblql mijf\bltl jif|\umotif t!q!q!p!m\enotes -\tnotes&\dblq mjhf\bld jf|\umotif t!q!q!o!m\enotes -%\check -% mesure 64 -\bnoteP&\dbltl kjf\ddbld jf|\umotif r!q!q!m!k\enotes -\tnotes&\dblt kif\bld if|\umotif r!p!p!m!k\enotes -\zbnotes\pedalepause&\dbltl jif\bld if|\umotif q!p!p!m!j\enotes -\tnotes&\dblt jhf\bud fM|\umotif q!o!o!m!j\enotes -% -% mesure 65 -\bnoteP&\zcharnote N{\llap{\register{II}}}\qsk\zmidtwotext{\it diminuendo}\relax - \dblt ifd\ddbud fd|\qsk\zcharnote o{\llap{(I)}}\umotif p!o!o!m!i\enotes -\tnotes&\dbutr ied\budr ed|\umotif p!n!n!l!i\enotes -\zbnotes\pedalepause&\dbut hec\bud ec|\umotif o!n!n!l!h\enotes -\tnotes&\dbutr hdc\budr dc|\umotif o!m!m!k!h\enotes -% -% mesure 66 -\bnoteP&\dbut hdb\ddbud hf|\ibbl0m0\qbupz o\qbupz m\qbupz o\qbupz m\relax - \qbupz k\qbupz k\qbupz m\tbl0\qbupz o\enotes -\tnotes&\tblt kig|\umotif r!p!p!n!k\enotes -\zbnotes\sk\hpause&\dbutr gfc\bud fc|\umotif n!m!m!j!g\enotes -\tnotes\doubler\pt 5\soupir\sk\sk\cl M&\dbut gec\cl q|\umotif n!l!l!i!g\enotes -% -% mesure 67 -\bnotes\hl f&\Ioctfinup0p\dbltl mkj\ddbltl mkj|\mmotif m!k!k!j!f\enotes -\tnotes\hpause&\tblt mki|\mmotif m!k!k!i!f\enotes -\zbnotes\hpause&\tbltl mji|\mmotif m!j!j!i!f\enotes -\tnotes\doubler\pt 5\soupir\sk\sk\cl M&\tblt mjh|\mmotif m!j!j!h!f\enotes -% -% mesure 68 -\bnotes\hl f&\dbutr kjf\ddbltl kjf|\mmotif k!j!j!f!d\enotes -\tnotes\hpause&\tblt kif|\mmotif k!i!i!f!d\enotes -\zbnotes\hpause&\tbltl jif|\zcharnote L{\kern\noteskip\it sempre - diminuendo}\mmotif j!i!i!f!c\enotes -\tnotes\doubler\pt 5\soupir\sk\sk\cl M&\dblt jhf\bigfl e\rq f\cu e\relax - |\mmotif j!h!h!f!c\enotes -% -% mesure 69 -\bnotes\doubler\ql f\sk\soupir&\dbut ifd\ddblt ifd|\Mmotif ihhfd\enotes -\nspace\tnotes\doubler\pt 5\soupir\sk\sk\cl M&\bigna e\tblt ige|\Mmotif igged\enotes -\zbnotes\doubler\ql f\sk\soupir&\dbut hec\ddbut hec|\Mmotif hggec\enotes -\tnotes\doubler\pt 5\soupir\sk\sk\cu F&\tbut hfd|\Mmotif hffda\enotes -% -% mesure 70 -\bnotes\hl M&\dbut hdb\ddbld hf|\ibbu0g0\relax -\qhlpz h\qhlpz f\qhlpz h\qhlpz f\qhlpz d\qhlpz d\qhlpz f\tbu0\qhlpz h\enotes -\tnotes\hpause&\tblt kig|\Mmotif kiigd\enotes -\zbnotes\hpause&\tbutr gfc|\Mmotif gffcN\enotes -\tnotes\doubler\ql M\sk\soupir&\tbuqr gceb|\Mmotif geecN\enotes -% -% mesure 71 -\bnotes\doubler\lpz F\qu F\sk\soupir&\doubler - \zq{hfc}\lpz a\qu a\sk\soupir|\Mmotif fecaM\enotes -\tnotes\sk\hpause&\mmotif h^g!f!d!a|\doubler - \ibu0h0\zq{hf}\qhlpz a\tbu0\zq{hf}\qhlpz a\soupir\enotes -\zbnotes\doubler\upz M\ql M\sk\soupir&\doubler - \zq{hfc}\lpz a\qu a\sk\soupir|\Mmotif fecaM\enotes -\tnotes\sk\hpause&\Mmotif hgfda|\doubler - \ibu0h0\zq{hf}\qhlpz a\tbu0\zq{hf}\qhlpz a\soupir\enotes - \ifx\undefined\horizontalscore \else\autolines{17}43\fi -% -% mesure 72 -\bnotes\doubler\upz M\ql M\sk\soupir&\doubler - \zq{hfc}\lpz a\qu a\sk\soupir|\Mmotif fecaM\enotes -\tnotes\hpause&\dbut hfd\ddbut hfd|\mmotif h^g!f!d!a\enotes -\zbnotes\hpause&\tbut hfc|\Mmotif hgfca\enotes -\tnotes\doubler\ql M\sk\soupir&\tblt kif|\mmotif k^j!i!f!d\enotes -% -% mesure 73 -\bnotes\doubler\qsk\upz f\ql f\sk\soupir - &\qsk\tbutr jif|\qsk\bigna j\Mmotif jiifc\enotes -\tnotes\doubler\upz f\ql f\sk\soupir - &\tbutr jif|\zcharnote b{\it cresc.}\Mmotif jiifc\enotes -\zbnotes\hpause&\tblt jhf|\Mmotif jhhfc\enotes -\tnotes\doubler\upz f\ql f\sk\soupir&\tbutr jgf|\Mmotif jggfc\enotes -% -% mesure 74 -\def\Xmotif#1#2#3#4#5#6#7#8#9{{\advance\transpose by 8\relax -\advance\transpose by \interfacteur\ibbl0{#7}0}\sk\sk\sk\sk\sk\bigaccid -\qhlpz{#8#9}\varaccid\qhlpz{#7}\qhlpz{#5}\relax -|\qbupz{#1}\qbupz{#2#3}\qbupz{#1}\qbupz{#4#5}\qbupz{#6#7}\sk\sk\tbu0}% -%\check -\bnotes\doubler\upz f\ql f\sk\soupir&\ibu0i0\doubler - \zq{jh}\qhlpz f\tbu0\zq{jh}\qhlpz f\soupir\Toctfin0\relax - |\Mmotif jhhfc\enotes -\tnotes\sk\hpause&\zcharnote N{\register{I}}\zcharnote n{\llap{\it cresc. - }}\Xmotif j=i!h!f!c\enotes -\zbnotes\Pause&\Xmotif m!l!j!h!f\enotes -\tnotes&\Xmotif o^n!m!j!h\enotes -% -% mesure 75 -\bnotes&|\ibbl0j0\qbupz o\qbupz{^n}\qbupz o\qbupz m\qbupz j\enotes -\notes\sk\sk\pause&\qhlpz c\qhlpz f\tbu0\qhlpz h\enotes -\tnotes&\Xmotif m!l!j!h!f\enotes -\zbnotes\Pause&\Xmotif o!n!m!j!h\enotes -\tnotes&\Xmotif q=p!o!m!j\enotes -% -% mesure 76 -\ifnum\musicsize=16\relax - \elemskip=0.66\elemskip\advance\barsinline by -1\fi -\ifx\undefined\horizontalscore\else - \elemskip=0.66\elemskip\advance\barsinline by -1\fi -\barre\NOTes\pause&\pause|\zbv t\itenu1t\pause\sk\enotes -\tnotes\midtwotext{\fff}&\midtwotext{\fff}\enotes -\temps\NOTEs\wh F&\fl e\zw e\rw f\zw h\wh j|\zw m\zw o\wh q\sk\enotes -% -% mesure 77 -\barre\NOTEs\qsk\wh I&\qsk\fl e\zw e\rw f\zw h\wh j|\qsk - \zw m\zw o\tten1\zbv t\itenu1t\wh q\enotes -\temps\NOtes\wh I&\zw d\zw i\roff{\zq d\ql f}\zhp {=e}\hlp g\sk\sk -|\zw m\zw p\roff{\ql m\hlp n}\sk\enotes -% mesure 78 -\barre\ifnum\musicsize=16\NOTes\else\NOtes\fi - \tinynotesize\itenl2F\cu F&\tinynotesize - \zq c\zq f\cu h|\tinynotesize\tinynotesize\zq m\cl o\enotes -\NOTES\tten2\pointdurgue E\zbv F\zbv M&\relax - \zbv c\zbv f\zbv h\sk|\zbv m\zbv o\tten1\zbv t\pointdorgue t\enotes -\temps\temps\finmorceau -\rightline{\sl\aujourdhui}\vfil\eject -\varaccid - - diff --git a/macros/musixtex/doc/examples/widor_16.tex b/macros/musixtex/doc/examples/widor_16.tex deleted file mode 100644 index 24f3ba04a4..0000000000 --- a/macros/musixtex/doc/examples/widor_16.tex +++ /dev/null @@ -1,20 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi - -\musicsize=16\relax -\vsize 275mm -\tracingstats=2\relax - -\barsinline=0\relax -\linesinpage=0\relax -\staffbotmarg\Interligne -\resetfacteurs -\computewidths -\othermention{\'edition compacte aide-m\'emoire} -% -\input widor -\bye - diff --git a/macros/musixtex/doc/examples/widor_20.tex b/macros/musixtex/doc/examples/widor_20.tex deleted file mode 100644 index 9d318ff588..0000000000 --- a/macros/musixtex/doc/examples/widor_20.tex +++ /dev/null @@ -1,18 +0,0 @@ -\ifx\mxversion\undefined - \input musixtex - \input musixcpt - \input musixsty -\fi - -\musicsize=20\relax -\hyphenation{re-gis-tra-tion} -\csname french\endcsname -\tracingstats=2\relax -\barsinline=0\relax -\linesinpage=0\relax -\resetfacteurs -\computewidths -% -\input widor -\bye - diff --git a/macros/musixtex/doc/musixcrd/doc.pdf b/macros/musixtex/doc/musixcrd/doc.pdf deleted file mode 100644 index 51b187f487..0000000000 --- a/macros/musixtex/doc/musixcrd/doc.pdf +++ /dev/null @@ -1,2564 +0,0 @@ -%PDF-1.2 -7 0 obj -<< -/Type/Encoding -/Differences[0/Gamma/Delta/Theta/Lambda/Xi/Pi/Sigma/Upsilon/Phi/Psi/Omega/ff/fi/fl/ffi/ffl/dotlessi/dotlessj/grave/acute/caron/breve/macron/ring/cedilla/germandbls/ae/oe/oslash/AE/OE/Oslash/suppress/exclam/quotedblright/numbersign/dollar/percent/ampersand/quoteright/parenleft/parenright/asterisk/plus/comma/hyphen/period/slash/zero/one/two/three/four/five/six/seven/eight/nine/colon/semicolon/exclamdown/equal/questiondown/question/at/A/B/C/D/E/F/G/H/I/J/K/L/M/N/O/P/Q/R/S/T/U/V/W/X/Y/Z/bracketleft/quotedblleft/bracketright/circumflex/dotaccent/quoteleft/a/b/c/d/e/f/g/h/i/j/k/l/m/n/o/p/q/r/s/t/u/v/w/x/y/z/endash/emdash/hungarumlaut/tilde/dieresis/suppress -160/space/Gamma/Delta/Theta/Lambda/Xi/Pi/Sigma/Upsilon/Phi/Psi 173/Omega/ff/fi/fl/ffi/ffl/dotlessi/dotlessj/grave/acute/caron/breve/macron/ring/cedilla/germandbls/ae/oe/oslash/AE/OE/Oslash/suppress/dieresis] ->> -endobj -10 0 obj -<< -/Encoding 7 0 R -/Type/Font -/Subtype/Type1 -/Name/F1 -/FontDescriptor 9 0 R -/BaseFont/BPSKTG+CMBX12 -/FirstChar 33 -/LastChar 196 -/Widths[342.6 581 937.5 562.5 937.5 875 312.5 437.5 437.5 562.5 875 312.5 375 312.5 -562.5 562.5 562.5 562.5 562.5 562.5 562.5 562.5 562.5 562.5 562.5 312.5 312.5 342.6 -875 531.2 531.2 875 849.5 799.8 812.5 862.3 738.4 707.2 884.3 879.6 419 581 880.8 -675.9 1067.1 879.6 844.9 768.5 844.9 839.1 625 782.4 864.6 849.5 1162 849.5 849.5 -687.5 312.5 581 312.5 562.5 312.5 312.5 546.9 625 500 625 513.3 343.7 562.5 625 312.5 -343.7 593.7 312.5 937.5 625 562.5 625 593.7 459.5 443.8 437.5 625 593.7 812.5 593.7 -593.7 500 562.5 1125 562.5 562.5 562.5 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 -0 0 0 0 0 0 0 0 0 0 0 0 675.9 937.5 875 787 750 879.6 812.5 875 812.5 875 0 0 812.5 -656.2 625 625 937.5 937.5 312.5 343.7 562.5 562.5 562.5 562.5 562.5 849.5 500 574.1 -812.5 875 562.5 1018.5 1143.5 875 312.5 562.5] ->> -endobj -13 0 obj -<< -/Encoding 7 0 R -/Type/Font -/Subtype/Type1 -/Name/F2 -/FontDescriptor 12 0 R -/BaseFont/UPAGMA+CMR17 -/FirstChar 33 -/LastChar 196 -/Widths[249.6 458.6 772.1 458.6 772.1 719.8 249.6 354.1 354.1 458.6 719.8 249.6 301.9 -249.6 458.6 458.6 458.6 458.6 458.6 458.6 458.6 458.6 458.6 458.6 458.6 249.6 249.6 -249.6 719.8 432.5 432.5 719.8 693.3 654.3 667.6 706.6 628.2 602.1 726.3 693.3 327.6 -471.5 719.4 576 850 693.3 719.8 628.2 719.8 680.5 510.9 667.6 693.3 693.3 954.5 693.3 -693.3 563.1 249.6 458.6 249.6 458.6 249.6 249.6 458.6 510.9 406.4 510.9 406.4 275.8 -458.6 510.9 249.6 275.8 484.7 249.6 772.1 510.9 458.6 510.9 484.7 354.1 359.4 354.1 -510.9 484.7 667.6 484.7 484.7 406.4 458.6 917.2 458.6 458.6 458.6 0 0 0 0 0 0 0 0 -0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 576 772.1 719.8 641.1 615.3 693.3 -667.6 719.8 667.6 719.8 0 0 667.6 525.4 499.3 499.3 748.9 748.9 249.6 275.8 458.6 -458.6 458.6 458.6 458.6 693.3 406.4 458.6 667.6 719.8 458.6 837.2 941.7 719.8 249.6 -458.6] ->> -endobj -14 0 obj -<< -/Type/Encoding -/Differences[0/Gamma/Delta/Theta/Lambda/Xi/Pi/Sigma/Upsilon/Phi/Psi/Omega/alpha/beta/gamma/delta/epsilon1/zeta/eta/theta/iota/kappa/lambda/mu/nu/xi/pi/rho/sigma/tau/upsilon/phi/chi/psi/omega/epsilon/theta1/pi1/rho1/sigma1/phi1/arrowlefttophalf/arrowleftbothalf/arrowrighttophalf/arrowrightbothalf/arrowhookleft/arrowhookright/triangleright/triangleleft/zerooldstyle/oneoldstyle/twooldstyle/threeoldstyle/fouroldstyle/fiveoldstyle/sixoldstyle/sevenoldstyle/eightoldstyle/nineoldstyle/period/comma/less/slash/greater/star/partialdiff/A/B/C/D/E/F/G/H/I/J/K/L/M/N/O/P/Q/R/S/T/U/V/W/X/Y/Z/flat/natural/sharp/slurbelow/slurabove/lscript/a/b/c/d/e/f/g/h/i/j/k/l/m/n/o/p/q/r/s/t/u/v/w/x/y/z/dotlessi/dotlessj/weierstrass/vector/tie/psi -160/space/Gamma/Delta/Theta/Lambda/Xi/Pi/Sigma/Upsilon/Phi/Psi 173/Omega/alpha/beta/gamma/delta/epsilon1/zeta/eta/theta/iota/kappa/lambda/mu/nu/xi/pi/rho/sigma/tau/upsilon/phi/chi/psi/tie] ->> -endobj -17 0 obj -<< -/Encoding 14 0 R -/Type/Font -/Subtype/Type1 -/Name/F3 -/FontDescriptor 16 0 R -/BaseFont/PRUUJJ+CMMI12 -/FirstChar 33 -/LastChar 196 -/Widths[609.7 458.2 577.1 808.9 505 354.2 641.4 979.2 979.2 979.2 979.2 272 272 489.6 -489.6 489.6 489.6 489.6 489.6 489.6 489.6 489.6 489.6 489.6 489.6 272 272 761.6 489.6 -761.6 489.6 516.9 734 743.9 700.5 813 724.8 633.9 772.4 811.3 431.9 541.2 833 666.2 -947.3 784.1 748.3 631.1 775.5 745.3 602.2 573.9 665 570.8 924.4 812.6 568.1 670.2 -380.8 380.8 380.8 979.2 979.2 410.9 514 416.3 421.4 508.8 453.8 482.6 468.9 563.7 -334 405.1 509.3 291.7 856.5 584.5 470.7 491.4 434.1 441.3 461.2 353.6 557.3 473.4 -699.9 556.4 477.4 454.9 312.5 377.9 623.4 489.6 272 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 -0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 606.7 816 748.3 679.6 728.7 811.3 765.8 571.2 -652.8 598 0 0 757.6 622.8 552.8 507.9 433.7 395.4 427.7 483.1 456.3 346.1 563.7 571.2 -589.1 483.8 427.7 555.4 505 556.5 425.2 527.8 579.5 613.4 636.6 272] ->> -endobj -20 0 obj -<< -/Encoding 7 0 R -/Type/Font -/Subtype/Type1 -/Name/F4 -/FontDescriptor 19 0 R -/BaseFont/BHINDG+CMR12 -/FirstChar 33 -/LastChar 196 -/Widths[272 489.6 816 489.6 816 761.6 272 380.8 380.8 489.6 761.6 272 326.4 272 489.6 -489.6 489.6 489.6 489.6 489.6 489.6 489.6 489.6 489.6 489.6 272 272 272 761.6 462.4 -462.4 761.6 734 693.4 707.2 747.8 666.2 639 768.3 734 353.2 503 761.2 611.8 897.2 -734 761.6 666.2 761.6 720.6 544 707.2 734 734 1006 734 734 598.4 272 489.6 272 489.6 -272 272 489.6 544 435.2 544 435.2 299.2 489.6 544 272 299.2 516.8 272 816 544 489.6 -544 516.8 380.8 386.2 380.8 544 516.8 707.2 516.8 516.8 435.2 489.6 979.2 489.6 489.6 -489.6 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 611.8 816 -761.6 679.6 652.8 734 707.2 761.6 707.2 761.6 0 0 707.2 571.2 544 544 816 816 272 -299.2 489.6 489.6 489.6 489.6 489.6 734 435.2 489.6 707.2 761.6 489.6 883.8 992.6 -761.6 272 489.6] ->> -endobj -21 0 obj -<< -/Type/Encoding -/Differences[0/minus/periodcentered/multiply/asteriskmath/divide/diamondmath/plusminus/minusplus/circleplus/circleminus/circlemultiply/circledivide/circledot/circlecopyrt/openbullet/bullet/equivasymptotic/equivalence/reflexsubset/reflexsuperset/lessequal/greaterequal/precedesequal/followsequal/similar/approxequal/propersubset/propersuperset/lessmuch/greatermuch/precedes/follows/arrowleft/arrowright/arrowup/arrowdown/arrowboth/arrownortheast/arrowsoutheast/similarequal/arrowdblleft/arrowdblright/arrowdblup/arrowdbldown/arrowdblboth/arrownorthwest/arrowsouthwest/proportional/prime/infinity/element/owner/triangle/triangleinv/negationslash/mapsto/universal/existential/logicalnot/emptyset/Rfractur/Ifractur/latticetop/perpendicular/aleph/A/B/C/D/E/F/G/H/I/J/K/L/M/N/O/P/Q/R/S/T/U/V/W/X/Y/Z/union/intersection/unionmulti/logicaland/logicalor/turnstileleft/turnstileright/floorleft/floorright/ceilingleft/ceilingright/braceleft/braceright/angbracketleft/angbracketright/bar/bardbl/arrowbothv/arrowdblbothv/backslash/wreathproduct/radical/coproduct/nabla/integral/unionsq/intersectionsq/subsetsqequal/supersetsqequal/section/dagger/daggerdbl/paragraph/club/diamond/heart/spade/arrowleft -161/minus/periodcentered/multiply/asteriskmath/divide/diamondmath/plusminus/minusplus/circleplus/circleminus -173/circlemultiply/circledivide/circledot/circlecopyrt/openbullet/bullet/equivasymptotic/equivalence/reflexsubset/reflexsuperset/lessequal/greaterequal/precedesequal/followsequal/similar/approxequal/propersubset/propersuperset/lessmuch/greatermuch/precedes/follows/arrowleft/spade] ->> -endobj -24 0 obj -<< -/Encoding 21 0 R -/Type/Font -/Subtype/Type1 -/Name/F5 -/FontDescriptor 23 0 R -/BaseFont/PFITKK+CMSY8 -/FirstChar 33 -/LastChar 196 -/Widths[1062.5 531.3 531.3 1062.5 1062.5 1062.5 826.4 1062.5 1062.5 649.3 649.3 1062.5 -1062.5 1062.5 826.4 288.2 1062.5 708.3 708.3 944.5 944.5 0 0 590.3 590.3 708.3 531.3 -767.4 767.4 826.4 826.4 649.3 849.5 694.7 562.6 821.7 560.8 758.3 631 904.2 585.5 -720.1 807.4 730.7 1264.5 869.1 841.6 743.3 867.7 906.9 643.4 586.3 662.8 656.2 1054.6 -756.4 705.8 763.6 708.3 708.3 708.3 708.3 708.3 649.3 649.3 472.2 472.2 472.2 472.2 -531.3 531.3 413.2 413.2 295.1 531.3 531.3 649.3 531.3 295.1 885.4 795.8 885.4 443.6 -708.3 708.3 826.4 826.4 472.2 472.2 472.2 649.3 826.4 826.4 826.4 826.4 0 0 0 0 0 -0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 826.4 295.1 826.4 531.3 826.4 -531.3 826.4 826.4 826.4 826.4 0 0 826.4 826.4 826.4 1062.5 531.3 531.3 826.4 826.4 -826.4 826.4 826.4 826.4 826.4 826.4 826.4 826.4 826.4 826.4 1062.5 1062.5 826.4 826.4 -1062.5 826.4] ->> -endobj -27 0 obj -<< -/Encoding 7 0 R -/Type/Font -/Subtype/Type1 -/Name/F6 -/FontDescriptor 26 0 R -/BaseFont/KNCDYV+CMBX10 -/FirstChar 33 -/LastChar 196 -/Widths[350 602.8 958.3 575 958.3 894.4 319.4 447.2 447.2 575 894.4 319.4 383.3 319.4 -575 575 575 575 575 575 575 575 575 575 575 319.4 319.4 350 894.4 543.1 543.1 894.4 -869.4 818.1 830.6 881.9 755.6 723.6 904.2 900 436.1 594.4 901.4 691.7 1091.7 900 -863.9 786.1 863.9 862.5 638.9 800 884.7 869.4 1188.9 869.4 869.4 702.8 319.4 602.8 -319.4 575 319.4 319.4 559 638.9 511.1 638.9 527.1 351.4 575 638.9 319.4 351.4 606.9 -319.4 958.3 638.9 575 638.9 606.9 473.6 453.6 447.2 638.9 606.9 830.6 606.9 606.9 -511.1 575 1150 575 575 575 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 -0 0 0 0 0 0 691.7 958.3 894.4 805.6 766.7 900 830.6 894.4 830.6 894.4 0 0 830.6 670.8 -638.9 638.9 958.3 958.3 319.4 351.4 575 575 575 575 575 869.4 511.1 597.2 830.6 894.4 -575 1041.7 1169.4 894.4 319.4 575] ->> -endobj -30 0 obj -<< -/Encoding 7 0 R -/Type/Font -/Subtype/Type1 -/Name/F7 -/FontDescriptor 29 0 R -/BaseFont/LSMLBZ+CMR10 -/FirstChar 33 -/LastChar 196 -/Widths[277.8 500 833.3 500 833.3 777.8 277.8 388.9 388.9 500 777.8 277.8 333.3 277.8 -500 500 500 500 500 500 500 500 500 500 500 277.8 277.8 277.8 777.8 472.2 472.2 777.8 -750 708.3 722.2 763.9 680.6 652.8 784.7 750 361.1 513.9 777.8 625 916.7 750 777.8 -680.6 777.8 736.1 555.6 722.2 750 750 1027.8 750 750 611.1 277.8 500 277.8 500 277.8 -277.8 500 555.6 444.4 555.6 444.4 305.6 500 555.6 277.8 305.6 527.8 277.8 833.3 555.6 -500 555.6 527.8 391.7 394.4 388.9 555.6 527.8 722.2 527.8 527.8 444.4 500 1000 500 -500 500 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 625 833.3 -777.8 694.4 666.7 750 722.2 777.8 722.2 777.8 0 0 722.2 583.3 555.6 555.6 833.3 833.3 -277.8 305.6 500 500 500 500 500 750 444.4 500 722.2 777.8 500 902.8 1013.9 777.8 -277.8 500] ->> -endobj -33 0 obj -<< -/Encoding 21 0 R -/Type/Font -/Subtype/Type1 -/Name/F8 -/FontDescriptor 32 0 R -/BaseFont/NQSJMB+CMSY6 -/FirstChar 33 -/LastChar 196 -/Widths[1222.2 638.9 638.9 1222.2 1222.2 1222.2 963 1222.2 1222.2 768.5 768.5 1222.2 -1222.2 1222.2 963 365.7 1222.2 833.3 833.3 1092.6 1092.6 0 0 703.7 703.7 833.3 638.9 -898.1 898.1 963 963 768.5 989.9 813.3 678.4 961.2 671.3 879.9 746.7 1059.3 709.3 -846.3 938.8 854.5 1427.2 1005.7 973 878.4 1008.3 1061.4 762 711.3 774.4 785.2 1222.7 -883.7 823.9 884 833.3 833.3 833.3 833.3 833.3 768.5 768.5 574.1 574.1 574.1 574.1 -638.9 638.9 509.3 509.3 379.6 638.9 638.9 768.5 638.9 379.6 1000 924.1 1027.8 541.7 -833.3 833.3 963 963 574.1 574.1 574.1 768.5 963 963 963 963 0 0 0 0 0 0 0 0 0 0 0 -0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 963 379.6 963 638.9 963 638.9 963 963 -963 963 0 0 963 963 963 1222.2 638.9 638.9 963 963 963 963 963 963 963 963 963 963 -963 963 1222.2 1222.2 963 963 1222.2 963] ->> -endobj -36 0 obj -<< -/Encoding 7 0 R -/Type/Font -/Subtype/Type1 -/Name/F9 -/FontDescriptor 35 0 R -/BaseFont/SOKDDP+CMR8 -/FirstChar 33 -/LastChar 196 -/Widths[295.1 531.3 885.4 531.3 885.4 826.4 295.1 413.2 413.2 531.3 826.4 295.1 354.2 -295.1 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 295.1 295.1 -295.1 826.4 501.7 501.7 826.4 795.8 752.1 767.4 811.1 722.6 693.1 833.5 795.8 382.6 -545.5 825.4 663.6 972.9 795.8 826.4 722.6 826.4 781.6 590.3 767.4 795.8 795.8 1091 -795.8 795.8 649.3 295.1 531.3 295.1 531.3 295.1 295.1 531.3 590.3 472.2 590.3 472.2 -324.7 531.3 590.3 295.1 324.7 560.8 295.1 885.4 590.3 531.3 590.3 560.8 414.1 419.1 -413.2 590.3 560.8 767.4 560.8 560.8 472.2 531.3 1062.5 531.3 531.3 531.3 0 0 0 0 -0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 663.6 885.4 826.4 736.8 -708.3 795.8 767.4 826.4 767.4 826.4 0 0 767.4 619.8 590.3 590.3 885.4 885.4 295.1 -324.7 531.3 531.3 531.3 531.3 531.3 795.8 472.2 531.3 767.4 826.4 531.3 958.7 1076.8 -826.4 295.1 531.3] ->> -endobj -38 0 obj -<< -/Filter[/FlateDecode] -/Length 1213 ->> -stream -xÚÝXMsÛ6½÷WðHΔ> ²§¶nÜ´S'm­v2Óô@S”‰ %zH*²3ùñÝÅ‚”l¹õ¥žÄ¾ˆv‹}û°\ âŒóè2ò£ï/NE$,“"Z¬"É3VQ*¸aÆF‹þŠÏ¶ƒ»>é—Éß‹Ÿ_œÊ½n*g™‰R)X!½î§$U\Ä‹Dšøæ*IáQõ8ºÍ%Jd|Òt0“=¿Y£Ú…×êÚFwnlè ý¾] ×Hñ‚Yp¤-é¥ÍY®£ièí'?–Š\1]К„—ü™Ø<®ûÁuZ`œbQ‘-ããfJýž¤`ô ²ØySo¡÷ºÀ¬ÅÑ´B2-g¥»S(&§,­>³,³°-§utˆ…õ°™Å¯êÍÆ]ÒT&²¬°8“õÙÒL)oõNj}ä-d2 Ò2K˜½î˜úþÔküE_øBW6–_“KÉy˜ ˆ>ôœ|˜85Ó€ÓJJÄcMl²€ÊЄ,’´:þc(/kL‹G?;[€·Bƒ+ -­Ø .°g“€ÉX^'©†ÿ,I çŸÿ¡‹â‘=ˆœCN<_ømlä„M½. WÁ¶Ê”ýbày4@Ô]¶¥<ûâ$‰r?­¯ÚzHZŽ¾,H£3ëù'gþýâÜ‘JÇgeÕw³Èž1¾ú˜pr&ܯH¶J,–ùÂègM·QQ•é[¹šÀÁºú qÈ<R²â~¿­á+œKüŠ¹ªl—›Î«®wa4ã$·¢®A+õ¹â yÍæ`dæu7Ö->D¡âïªÊ-ë) -šGÿü±í¥Bl¬ým[¶î4º§$µ…~:„ÌïR‡ o,äÛØÔ”Æ]Óµ5…_a. cì—_q|ÄÚݳm;º«6Ä4YÌ|YT¥àÔjì)–•®_—጑[ûL»¾=ÿÖåPc­¨Ë9Ùc·vçÇàEþG‡CeNÍÎISn.ÃÑû R_Cƒ'",qò)‘éžžYÍ-L…#®© ¬Â Ë|ö\[‹z˜Sš8µH -8© "^âƒ+8¹ st6ˆ•Ä)ÂAOˆù¤w‡~t$ÌÉË¢q€¶Ô´K¾d½O TiÌîp¨ »ÞxÐôÆ Îãºjzólõ"4ò7öà&UºiTyü;ÜÌ'aK·¨¼êz{ávpUЮº¾Ø1±ÞlGt~ ˜Ç#6ѺÆçªóÂjëIfö¢plÊ‘†iëÁÐvðGsšnÛ.é½)Ã)>ƒÞ¦›,;zÒª+TiÂìAr ¹‰®Ú²B´Ž:!ZT<~ 4Ê´ŒÏa> ¬ê6A¶ÆSí\ÛÒà…7h@4Ë Ð8Ê Æò½¿’@ Š<$¨ìËjô}ª”Ó³¿Ü®ë[ÙÏu”“e=T½»˜c…bªÚ­o½oºPõá¡4¿\DœéhYɬˆÒL*¼[Gø/ô<ÐFçþr- +r$;Þ¿(”ã÷÷4Å|•£é&jRéýP­3küÝÏ·«¾¾iËk¶<ÚNÂŒ›(Õ˦ÝGkþêiDÉ -endstream -endobj -40 0 obj -<< -/F1 10 0 R -/F2 13 0 R -/F3 17 0 R -/F4 20 0 R -/F5 24 0 R -/F6 27 0 R -/F7 30 0 R -/F8 33 0 R -/F9 36 0 R ->> -endobj -6 0 obj -<< -/ProcSet[/PDF/Text/ImageC] -/Font 40 0 R ->> -endobj -45 0 obj -<< -/Encoding 7 0 R -/Type/Font -/Subtype/Type1 -/Name/F10 -/FontDescriptor 44 0 R -/BaseFont/LSVUNH+CMR7 -/FirstChar 33 -/LastChar 196 -/Widths[323.4 569.4 938.5 569.4 938.5 877 323.4 446.4 446.4 569.4 877 323.4 384.9 -323.4 569.4 569.4 569.4 569.4 569.4 569.4 569.4 569.4 569.4 569.4 569.4 323.4 323.4 -323.4 877 538.7 538.7 877 843.3 798.6 815.5 860.1 767.9 737.1 883.9 843.3 412.7 583.3 -874 706.4 1027.8 843.3 877 767.9 877 829.4 631 815.5 843.3 843.3 1150.8 843.3 843.3 -692.5 323.4 569.4 323.4 569.4 323.4 323.4 569.4 631 507.9 631 507.9 354.2 569.4 631 -323.4 354.2 600.2 323.4 938.5 631 569.4 631 600.2 446.4 452.6 446.4 631 600.2 815.5 -600.2 600.2 507.9 569.4 1138.9 569.4 569.4 569.4 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 -0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 706.4 938.5 877 781.8 754 843.3 815.5 877 815.5 -877 0 0 815.5 677.6 646.8 646.8 970.2 970.2 323.4 354.2 569.4 569.4 569.4 569.4 569.4 -843.3 507.9 569.4 815.5 877 569.4 1013.9 1136.9 877 323.4 569.4] ->> -endobj -46 0 obj -<< -/Type/Encoding -/Differences[0/Gamma/Delta/Theta/Lambda/Xi/Pi/Sigma/Upsilon/Phi/Psi/Omega/arrowup/arrowdown/quotesingle/exclamdown/questiondown/dotlessi/dotlessj/grave/acute/caron/breve/macron/ring/cedilla/germandbls/ae/oe/oslash/AE/OE/Oslash/visiblespace/exclam/quotedbl/numbersign/dollar/percent/ampersand/quoteright/parenleft/parenright/asterisk/plus/comma/hyphen/period/slash/zero/one/two/three/four/five/six/seven/eight/nine/colon/semicolon/less/equal/greater/question/at/A/B/C/D/E/F/G/H/I/J/K/L/M/N/O/P/Q/R/S/T/U/V/W/X/Y/Z/bracketleft/backslash/bracketright/asciicircum/underscore/quoteleft/a/b/c/d/e/f/g/h/i/j/k/l/m/n/o/p/q/r/s/t/u/v/w/x/y/z/braceleft/bar/braceright/asciitilde/dieresis/visiblespace -160/space/Gamma/Delta/Theta/Lambda/Xi/Pi/Sigma/Upsilon/Phi/Psi 173/Omega/arrowup/arrowdown/quotesingle/exclamdown/questiondown/dotlessi/dotlessj/grave/acute/caron/breve/macron/ring/cedilla/germandbls/ae/oe/oslash/AE/OE/Oslash/visiblespace/dieresis] ->> -endobj -49 0 obj -<< -/Encoding 46 0 R -/Type/Font -/Subtype/Type1 -/Name/F11 -/FontDescriptor 48 0 R -/BaseFont/GYVIDV+CMTT10 -/FirstChar 33 -/LastChar 196 -/Widths[525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 -525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 -525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 -525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 -525 525 525 525 525 525 525 525 525 525 525 525 525 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 -0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 525 525 525 525 525 525 525 525 525 525 0 0 525 -525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 -525 525] ->> -endobj -52 0 obj -<< -/Encoding 21 0 R -/Type/Font -/Subtype/Type1 -/Name/F12 -/FontDescriptor 51 0 R -/BaseFont/FOPSBQ+CMSY10 -/FirstChar 33 -/LastChar 196 -/Widths[1000 500 500 1000 1000 1000 777.8 1000 1000 611.1 611.1 1000 1000 1000 777.8 -275 1000 666.7 666.7 888.9 888.9 0 0 555.6 555.6 666.7 500 722.2 722.2 777.8 777.8 -611.1 798.5 656.8 526.5 771.4 527.8 718.7 594.9 844.5 544.5 677.8 762 689.7 1200.9 -820.5 796.1 695.6 816.7 847.5 605.6 544.6 625.8 612.8 987.8 713.3 668.3 724.7 666.7 -666.7 666.7 666.7 666.7 611.1 611.1 444.4 444.4 444.4 444.4 500 500 388.9 388.9 277.8 -500 500 611.1 500 277.8 833.3 750 833.3 416.7 666.7 666.7 777.8 777.8 444.4 444.4 -444.4 611.1 777.8 777.8 777.8 777.8 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 -0 0 0 0 0 0 0 0 0 0 777.8 277.8 777.8 500 777.8 500 777.8 777.8 777.8 777.8 0 0 777.8 -777.8 777.8 1000 500 500 777.8 777.8 777.8 777.8 777.8 777.8 777.8 777.8 777.8 777.8 -777.8 777.8 1000 1000 777.8 777.8 1000 777.8] ->> -endobj -53 0 obj -<< -/Type/Encoding -/Differences[0/Gamma/Delta/Theta/Lambda/Xi/Pi/Sigma/Upsilon/Phi/Psi/Omega/ff/fi/fl/ffi/ffl/dotlessi/dotlessj/grave/acute/caron/breve/macron/ring/cedilla/germandbls/ae/oe/oslash/AE/OE/Oslash/suppress/exclam/quotedblright/numbersign/sterling/percent/ampersand/quoteright/parenleft/parenright/asterisk/plus/comma/hyphen/period/slash/zero/one/two/three/four/five/six/seven/eight/nine/colon/semicolon/exclamdown/equal/questiondown/question/at/A/B/C/D/E/F/G/H/I/J/K/L/M/N/O/P/Q/R/S/T/U/V/W/X/Y/Z/bracketleft/quotedblleft/bracketright/circumflex/dotaccent/quoteleft/a/b/c/d/e/f/g/h/i/j/k/l/m/n/o/p/q/r/s/t/u/v/w/x/y/z/endash/emdash/hungarumlaut/tilde/dieresis/suppress -160/space/Gamma/Delta/Theta/Lambda/Xi/Pi/Sigma/Upsilon/Phi/Psi 173/Omega/ff/fi/fl/ffi/ffl/dotlessi/dotlessj/grave/acute/caron/breve/macron/ring/cedilla/germandbls/ae/oe/oslash/AE/OE/Oslash/suppress/dieresis] ->> -endobj -56 0 obj -<< -/Encoding 53 0 R -/Type/Font -/Subtype/Type1 -/Name/F13 -/FontDescriptor 55 0 R -/BaseFont/TPJNYV+CMTI10 -/FirstChar 33 -/LastChar 196 -/Widths[306.7 514.4 817.8 769.1 817.8 766.7 306.7 408.9 408.9 511.1 766.7 306.7 357.8 -306.7 511.1 511.1 511.1 511.1 511.1 511.1 511.1 511.1 511.1 511.1 511.1 306.7 306.7 -306.7 766.7 511.1 511.1 766.7 743.3 703.9 715.6 755 678.3 652.8 773.6 743.3 385.6 -525 768.9 627.2 896.7 743.3 766.7 678.3 766.7 729.4 562.2 715.6 743.3 743.3 998.9 -743.3 743.3 613.3 306.7 514.4 306.7 511.1 306.7 306.7 511.1 460 460 511.1 460 306.7 -460 511.1 306.7 306.7 460 255.6 817.8 562.2 511.1 511.1 460 421.7 408.9 332.2 536.7 -460 664.4 463.9 485.6 408.9 511.1 1022.2 511.1 511.1 511.1 0 0 0 0 0 0 0 0 0 0 0 -0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 627.2 817.8 766.7 692.2 664.4 743.3 715.6 -766.7 715.6 766.7 0 0 715.6 613.3 562.2 587.8 881.7 894.4 306.7 332.2 511.1 511.1 -511.1 511.1 511.1 831.3 460 536.7 715.6 715.6 511.1 882.8 985 766.7 255.6 511.1] ->> -endobj -59 0 obj -<< -/Encoding 46 0 R -/Type/Font -/Subtype/Type1 -/Name/F14 -/FontDescriptor 58 0 R -/BaseFont/QTLAYP+CMTT9 -/FirstChar 33 -/LastChar 196 -/Widths[525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 -525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 -525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 -525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 -525 525 525 525 525 525 525 525 525 525 525 525 525 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 -0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 525 525 525 525 525 525 525 525 525 525 0 0 525 -525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 525 -525 525] ->> -endobj -60 0 obj -<< -/Type/Encoding -/Differences[0/x0/x1/x2/x3/x4/x5/x6/x7/x8/x9/xa/xb/xc/xd/xe/xf/x10/x11/x12/x13/x14/x15/x16/x17/x18/x19/x1a/x1b/x1c/x1d/x1e/x1f/x20/x21/x22/x23/x24/x25/x26/x27/x28/x29/x2a/x2b/x2c/x2d/x2e/x2f/x30/x31/x32/x33/x34/x35/x36/x37/x38/x39/x3a/x3b/x3c/x3d/x3e/x3f/x40/x41/x42/x43/x44/x45/x46/x47/x48/x49/x4a/x4b/x4c/x4d/x4e/x4f/x50/x51/x52/x53/x54/x55/x56/x57/x58/x59/x5a/x5b/x5c/x5d/x5e/x5f/x60/x61/x62/x63/x64/x65/x66/x67/x68/x69/x6a/x6b/x6c/x6d/x6e/x6f/x70/x71/x72/x73/x74/x75/x76/x77/x78/x79/x7a/x7b/x7c/x7d/x7e/x7f/x80/x81/x82/x83/x84/x85/x86/x87/x88/x89/x8a/x8b/x8c/x8d/x8e/x8f/x90/x91/x92/x93/x94/x95/x96/x97/x98/x99/x9a/x9b/x9c/x9d/x9e/x9f/xa0/xa1/xa2/xa3/xa4/xa5/xa6/xa7/xa8/xa9/xaa/xab/xac/xad/xae/xaf/xb0/xb1/xb2/xb3/xb4/xb5/xb6/xb7/xb8/xb9/xba/xbb/xbc/xbd/xbe/xbf/xc0/xc1/xc2/xc3/xc4/xc5/xc6/xc7/xc8/xc9/xca/xcb/xcc/xcd/xce/xcf/xd0/xd1/xd2/xd3/xd4/xd5/xd6/xd7/xd8/xd9/xda/xdb/xdc/xdd/xde/xdf/xe0/xe1/xe2/xe3/xe4/xe5/xe6/xe7/xe8/xe9/xea/xeb/xec/xed/xee/xef/xf0/xf1/xf2/xf3/xf4/xf5/xf6/xf7/xf8/xf9/xfa/xfb/xfc/xfd/xfe/xff] ->> -endobj -64 0 obj -<< -/Encoding 7 0 R -/Type/Font -/Subtype/Type1 -/Name/F16 -/FontDescriptor 63 0 R -/BaseFont/PJJMFX+CMR9 -/FirstChar 33 -/LastChar 196 -/Widths[285.5 513.9 856.5 513.9 856.5 799.4 285.5 399.7 399.7 513.9 799.4 285.5 342.6 -285.5 513.9 513.9 513.9 513.9 513.9 513.9 513.9 513.9 513.9 513.9 513.9 285.5 285.5 -285.5 799.4 485.3 485.3 799.4 770.7 727.9 742.3 785 699.4 670.8 806.5 770.7 371 528.1 -799.2 642.3 942 770.7 799.4 699.4 799.4 756.5 571 742.3 770.7 770.7 1056.2 770.7 -770.7 628.1 285.5 513.9 285.5 513.9 285.5 285.5 513.9 571 456.8 571 457.2 314 513.9 -571 285.5 314 542.4 285.5 856.5 571 513.9 571 542.4 402 405.4 399.7 571 542.4 742.3 -542.4 542.4 456.8 513.9 1027.8 513.9 513.9 513.9 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 -0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 642.3 856.5 799.4 713.6 685.2 770.7 742.3 799.4 -742.3 799.4 0 0 742.3 599.5 571 571 856.5 856.5 285.5 314 513.9 513.9 513.9 513.9 -513.9 770.7 456.8 513.9 742.3 799.4 513.9 927.8 1042 799.4 285.5 513.9] ->> -endobj -69 0 obj -<< -/Encoding 7 0 R -/Type/Font -/Subtype/Type1 -/Name/F19 -/FontDescriptor 68 0 R -/BaseFont/WOXTYC+CMR6 -/FirstChar 33 -/LastChar 196 -/Widths[351.8 611.1 1000 611.1 1000 935.2 351.8 481.5 481.5 611.1 935.2 351.8 416.7 -351.8 611.1 611.1 611.1 611.1 611.1 611.1 611.1 611.1 611.1 611.1 611.1 351.8 351.8 -351.8 935.2 578.7 578.7 935.2 896.3 850.9 870.4 915.7 818.5 786.1 941.7 896.3 442.6 -624.1 928.7 753.7 1090.7 896.3 935.2 818.5 935.2 883.3 675.9 870.4 896.3 896.3 1220.4 -896.3 896.3 740.7 351.8 611.1 351.8 611.1 351.8 351.8 611.1 675.9 546.3 675.9 546.3 -384.3 611.1 675.9 351.8 384.3 643.5 351.8 1000 675.9 611.1 675.9 643.5 481.5 488 -481.5 675.9 643.5 870.4 643.5 643.5 546.3 611.1 1222.2 611.1 611.1 611.1 0 0 0 0 -0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 753.7 1000 935.2 831.5 -805.5 896.3 870.4 935.2 870.4 935.2 0 0 870.4 736.1 703.7 703.7 1055.5 1055.5 351.8 -384.3 611.1 611.1 611.1 611.1 611.1 896.3 546.3 611.1 870.4 935.2 611.1 1077.8 1207.4 -935.2 351.8 611.1] ->> -endobj -72 0 obj -<< -/Encoding 46 0 R -/Type/Font -/Subtype/Type1 -/Name/F20 -/FontDescriptor 71 0 R -/BaseFont/OESDYT+CMTT8 -/FirstChar 33 -/LastChar 196 -/Widths[531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 -531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 -531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 -531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 -531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 -531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 -531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 0 0 0 0 0 -0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 531.3 531.3 531.3 531.3 531.3 -531.3 531.3 531.3 531.3 531.3 0 0 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 -531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 531.3 -531.3 531.3] ->> -endobj -73 0 obj -<< -/Filter[/FlateDecode] -/Length 2442 ->> -stream -xÚÍ]oã¸ñ½¿Bo'£#~J\ {»IТ¹+pyX .pŠ%Ûº³¥Ô’wo{¾3$%Ñ–’ØÙ‹Ñ›Žæ›3C‘ALâ8Xæï6øþþê& 4Ñ*¸_iB” "ÅI"‚ûÿ -ï×õ~µž±4lg“"l×…4_«KÂ6ûÍ>×Ë.pz]ïr|äa^4‹]ùØ–uåæëý&·ïYSn¾Úñü¥¡£‘mÚbWä=e‡Ó¬Í»ÿ¾ÿ{QA´€?jT‘‘@‹z Dx¬ÂF_ÖYëžÚìaãf¾¬zÖØ#8ê}û¸wØËz·íÞ\d•ô"âC–g-ŠhhÔö¿¬òòs™ï³2¶òI#_UyCfQËðf–òp¿Ö»Y$Xl…ÀAU·E•m‹Æ>Þ‚ÑN;ûÐy4ÒÔM‘ÿ ‚¾Ž–?[V+ ÍìßvÆT¸oÊ–Å¢Ëú¥l× ç¾79_·°ÒÔ›Æ! qωÍëÊœŸSÃËótᆎ›rôDv¦"å½nÇYLxâ'°mQ¹„‹~-ÝÚê£L\Øܸ-« ³ÏÈVàO™¼‘±†ÀJÕVÌ̳cÕ Y?oýõ=Ô| RF*.5¡*Ø ,‘ò° ~‚êPIRŒLEIbW·º¹ \½¸¸ز$Eò_A!öÙß^ÀTÀDb÷ xÜÇC”yˆ=à“ -aYiPys)¬,` -Sa-ö1 `ŒÉb Á»Z]êûÔ à£§wˆàCtz’_áµÛ-m¦‚ƒ©Íc¬à 6hk -€P­qQLªÍ]/aQ¦=É\$žë;À¨¹Í³Åª+”ÐK04;:!£JIÌ9¶á©ê‡lWí·Å®éwq× Ïç°!ÛµÅo°[Y´þ¼Ëó~l‹û¦H2~¸Kf0 Ë|¾Þ[XÑÏ~Ü&v0L.çó¢šÏA†)æ?üxí__]¿¿êgoÔÕûïõ$ùiÙãˆ^'W·=‡•‡üêýòxúä0E¼¨rßl~_…m -4‹Dê¡má,ŵ7n[zÄpŒéí‚ô¸4†!þ2!±Ûs -Æ£L„?}­f<6_Ž—j˜`šy±m-¶í×ÑûÊÓ£nuèFaÑ»©wïþ -½»ÖáÏßHD<Á -;¢®Ý|VŽ¼\•ã®:Ù˜Ÿ#Çh ïîÐâg6!c&;ùËñ‹ÞÜK\ÔñôñÍ9²?’cúÇÎsüâŹÓ×Zµã(/ÎQ]œc2Á‘½i¬¦_ú,Žã©Iù'æ0,Î3IÃb7" ¾OC‰Œj/“z§û›ø[rèËÍWÇ‘ý(ÇýÚ Œ^ë²oÜ~„¢böɧ9äs±k˺$ÛDͺ\Ž™H³Ï>©Â¼Ú/'Ç…sŽù(5¦šÔ³Ê¶ý–’ð“-¶®wåëª}Ò^J …½äsöJO³õíÅŸ·—:Û^ ìxÄéK¾n‹È›5E„ c‹%ÃçÖ—–~$ãø‰&¦3ú‡‹†çx}qŽ7/~·/~ï/Îñû3Ë-¬Çøô잙̾(óóÕø‹»}qÿ†½Csqã-/Î1) Ûd¡Þ´—Ï—çñŒ¨döÛÈ z2/ sR÷F-YzFݪ¡êwÕ&>µÚ¼5é šÏ ^·@ñCÅÓ¦SkÏÜh˜GÿÙg›OG'zÅ Mÿ¸¼½xqÊ/^œÖÏ=wçøgyùl§.þ­$¹x´FzÊ®òm}©Ï¬",$ÿ¶D3}Пhüü¶ÊóªÊK{£Ó³hrNöÿ›x߯;œê »_ÄŸUYu²&ª6ÖDbù¿ñйŸb:W/­ìá$Ã"(p4‡ŸT˜2ëý¹ƒ:5AœO±Cð¾dÎg"†ç”8ÿ·%^€K‡‹wy±Ìö›Ö^‹ë®âÄr_-ðºUc§²{a1c:\gÕ -¯¡áŒ%…—ê23÷ëLj{ -îÚ£!±é®êá…6:‚öB"Ø ms·]ð8ï Y†ÃoA’ }r´«¼kMbü|iÌ+ˆðçœÁh渘âA§·Ýò-É5êçï;žV6„u‚p‰wåêª #ž‘ÀSÍHakæ}ÿÒO÷ks -â•LÙ+§/šíV{siJ›KS€ó/Peîë Ú˜¸nŠÊ¾ü€75Ãb‘¹-¤líÿ¦ÈòÆÍ}NøÏì_wx -ÍÜå;|µj [´cswY‘wîÈ9îõÂ+vx:ßûÞþ,ï—w8`ÁÈ ©ý_Ú¿•è¦pkN;aнðà0V£Å™ÂðŽƒÆß?mþÓÿåõTÿ -endstream -endobj -74 0 obj -<< -/F7 30 0 R -/F10 45 0 R -/F11 49 0 R -/F12 52 0 R -/F13 56 0 R -/F14 59 0 R -/F15 61 0 R -/F2 13 0 R -/F16 64 0 R -/F9 36 0 R -/F17 65 0 R -/F18 66 0 R -/F1 10 0 R -/F19 69 0 R -/F20 72 0 R ->> -endobj -42 0 obj -<< -/ProcSet[/PDF/Text/ImageC] -/Font 74 0 R ->> -endobj -77 0 obj -<< -/Filter[/FlateDecode] -/Length 1496 ->> -stream -xÚÍXKoã6¾÷Wè¶2qEJ¢¤=ô]h/MQM03+K^=²Í.úß;CRc9‰¼Ùz1Erøqf8óqh/$aèÝxºùÑûæâõ”y9ɹw±ñRFRê<"iì]|÷—¿]ý}ñ3ˆD£HD²Ô õäz[7«„ú…špXL’AJ™ÙtÚ„0;u~þÕl)ÍãvþÉÝïdÓ©5î/ʠݪM7ÃJ@ 6ªDQt’R˜`z_WÝ£ˆœ¹†yå9á)´TË<§vUw2¨ÄNΰcN"zŠ¶£ÿƒ·½(Õ%KRÙ¥jçz§9Iò½ãd±Ñ;y^ïkÜIâϪÝm 9s/%„ƧXò¿q -‹8ÉSlOÿãè1(}æø4*\Ù…tÊ_’ûŸ®K¦ x5?yæË—)®Oý›øØᧄòiBŒAL¬¬Üí»û9'YòбԳ‰´èကQ”’,ÓB”°d‹ýßäNT«(ô¼Úpù˜‘(ÿ ôwpŒ4Âì7“_·}Ûídµb™ß­§~½Áº[i>îV,õõ¦¢4"k¦»‡&óëVuª®Ì5µ Úɽ=ƒAû,E§ ¬AèjkCìeVM ×ˆÐ!¦./×MQÈèKÐKÝl»C³ò?RÓúG ˜]†ŒIp\?Î!OT²0³ïT·å@‘h±"YF²Am² -â˜ù®2æ×½Ùr'Ðð{Ó1žÕÕ§ÛªÖ¨2hm؉12×:ÔŒ| uß`ùíVÊŽX+BOÓšŽ ¤78| @gç„'£•°ýÜÔ4üwl ÝX‚v?¾§ß´ïOI‡.F&ºBLb@£C7íVŒû`‹Ú—²5Së³Ó†ýùv²”»öÚ*§$äã)Ï|ÂòQ´S²ç"t>¯U!Ñ1sVŒI/Ê粬ÑòwèÔ`¤Xk`íQ¶ÖQ<ÇàŒ!^D³?3£—Œ‡¢;3Œ[Ôýu)wÞ±#fsJÒdq(,½ü<È…Nò0‡ÚÄð žu˜ih3ø­›ÍX׈ªXK» ¯‡´ -÷éÕ8ØïÐ× ÉBüN;ëÓ'Ö§ ÖçO¬Ï¬ò§ÂÇ9,‘G§`¢ÆÙù‰Î¶¨G¼û«&jÆ‘^V <²•'|´÷öÖúLj ÿส -¹7t\é›ëâ•SS¼ºwªÅ¬{/lm -C2ÌÍK»omÚG¹ÒZ›ºþ52³)„Ñyð AúË‹uÝ—…¹Líía:b¿/•,ȱWÀBòúøWùåÃï-z„QëùW¯_á0ùým3fÔ¥ìj;‰’–Ç…³G-<š=j?²pžž¢*>Å›zÉü1u‚nÙ8yð©-Ý噽P¥Ãm|btèÒF¯‡µ—^³uß¡ñ f$^J/ù/Áž?ðñ•oâ_½ÂrBîE#4 àø¨tkúº ÃvßH¡…¸/m!‡—(Ë㱺À¹º² ®Eƒõ 8ÑÄ,ÌéòD“L’ῘŽÿ]ÿ{XÿŽî߉tzH> -endobj -76 0 obj -<< -/ProcSet[/PDF/Text/ImageC] -/Font 78 0 R ->> -endobj -81 0 obj -<< -/Filter[/FlateDecode] -/Length 1843 ->> -stream -xÚÍYYoã6~ï¯, 1+¥ÚE»E‹.°@ýV÷A±èDX[2$mùïáPmÙ9Ðt·y1E‡Ã™ùæ`‚ˆEQpØŸ_ƒ÷‹ï?ð€+&U°XZ0̓y"™†ïŸÿ -ÅlιPáoÛÝÆlM5“QØå]YW³¿¿Û½œe1,å´q·ó²ífs©ãðc¾jê–öé cYâ¶ñ”ÉÔnû0KeX7³¹âIØ]èp—7mY]ÑG½>X]Í„¯ë¦ ù´«¦ÜYíz[oå–°ã¼q“•1…)h|{]7bµÊ‹¢F©­¨ÜŠ ¢¶%ªn&eØv•Çõn6ih«¥–9=ñ½ k– Ëe¹\5ÅùngªÂQŠ2Ö,æ@„×nU« ëÔ-võgSµó|ÂA&,‰Q9‘8h·¸\võd7Y’=u¾Þ?ÿòØù?8_©[ 11Hp¨‰ÑGpKá+ÿ§jY‡Ç´&5KÄ[km”E3ž ¦*ÇOßZeúƒÞ±¢ a™¶êäpu‰?,#ôʉʽ›-—…YûZ?ãègâáÝ”µÝ7çQo5áÌAîÄó¦ÏmôÃriîvyUäëÎ4gü‘Äá‚x]ìDi‰õÀí¼jœsÞŽKãäΟ…ïÚŸÀo¢ìgy^9ø³çíÞìQ—;x†ƒ¯Þ<Í l}«(c2q~ºÍ?›¼Û˜Ð1(apsçÇ›‡º~tI æ6(~¼ówÄ“öæ¡jmª…DOÓ§y$ÓR I íÎIàæ{.Kø{wRòö6ß!ô–á?îš1Å÷…??Ž†«‘µ–Ý|ä·'DóàD¸\ Ô}U€Œì-›cê$Õš‰å|*ƒj3Á¨2Å´>Æpœ8 t¾„„Y칓›á¼ÉûãêGépwçô³ªÓÇƪ 'œÌ½é/é¹Ý–› [k³úÒá+~•k÷ÛM£g•ãc”Ò‘œ¦…[(™… [Ü>qûØ…¿]¿ä®ûW:Ý…'f’œqý’:íY3©ÓµZÔŸ0JÕÉ:J%½²>SÔA Êif1ÍiZ3)·“ñ(¥uÌün(þ¨b½¶®iµÄ(ôp{†Cƒ,cE/ ØowóA_âWöSC¤cIz´­H!œ“íýøkÆ”ñ¾ft Pàü¨VüEÄáHÛzÜþbÑdGèôHCϲ0Ñ7Óî%tËO©{”%m ßr@…Á‰¼}R¬Gϼ-¤¯¶÷ÌÁ¢ÁîyK2~Ä/MP<®ŸÂÁ¦®®¬‚ðÃ…™¶-Ñ*vŠÀ,„ß!~4WN[RÊøM\ ~ic8†Ò7Äo¸’ö†Ñ”"_)‘”6@ÙŠ©0tAFîÂø!BjGhc;üÅ@ôiKgXüû£<øÊ?©t!Tc˜H\àÐØL"=$×_êðª¼qÝï¡ò²˜É7'”?Wqâ’H´Â …ÿRÈ7“С3¬G&ˆBk %öB ´¤Š®ùâα٠T‘WSèJHøš¿ü [ðyŽã zÌ~q23vö9—Ðmqw[¶†‘k…ñw½[šŽ¯ÐPù}÷ ½ä± -endstream -endobj -82 0 obj -<< -/F1 10 0 R -/F7 30 0 R -/F11 49 0 R -/F12 52 0 R -/F13 56 0 R -/F14 59 0 R -/F10 45 0 R ->> -endobj -80 0 obj -<< -/ProcSet[/PDF/Text/ImageC] -/Font 82 0 R ->> -endobj -85 0 obj -<< -/Filter[/FlateDecode] -/Length 1475 ->> -stream -xÚ½XÛnã6}ïW(0Œµµ*R÷Û‹v ôµy« -,cÓ‰I4$:‰aøß;¼Z–dK]]—Í™Îåx®ç9OŽ|üæ|~øá òœÈMcçaëÄØ‘³Š|7œ‡_þ\ ¼üëáw œÄM#!ƒ<7ÂŽ'—³¬¢où6ËòíºÞü¼#uCKÂ×Ït3_®z ^ïérâp‘oÕSJ©¡–Õg;V -D<¨0Ä7dÍöÏ2kɆîø³°#Œ½â´®H¡€kú”70q9TÈœ¶5áˆ5ºm2CY¶eõ ç½pöB«FgH=AV Øz½¯iµÖ²LG0ç´l.§8y,´Ô O‰gÔóCNøÖƒË(~Ò–iûÁ=²/øå¾VŒÛÕ¼ÚU…ÐŽm‰[†õÍRíèôK]»Q2¼ÝÖÎfhnbÑBü^×…=?§½=ŠT¿ IÃö5´=~ÛF,t¦\üÖÛŒù}5øó)&‡ÂÚN9Ñ—ê€6ù“m ›ýzM›æ&¢v( Òà‰Þχ±R3¨¦Oº±nf¸¿è>ÿ¿iSoÊY;©^´çWè†HŠ|Y&þB´Á>ôî¤ÏxAßI¹m®G°S»Ýr…“kô &\ ¾-1H«—å4À/W3‚B -@-öZ¾"»©2DIçkí¶†â/.OÊJ“ø¾ðÝ²Ä -<.C´`ò§è)C±ëã³²¼•XƤ¥ Œ:hŒµ[V¬äýdå{J!³™[BxÞòê d}ñT“²$õ}Ïq·‰\_÷Édõ®9ƒR½vÿ Èæy‹¯Z:Ç“íÐUºØ¬}èG®gÈþw÷EX3Ønl¼«þwÄmº¯lÙM¿ÔÔ8@º˜žDmLç×HÌÀysìFP°‰<,ì‡.¨5…ó‡óùÁÁ'ÀaÖw#)+HW¦Z\êÄ‘¢‰U@úAê´•ZôD¢G"}Êóÿ‘‹ÛrBÂ-Áó„•3Sp -U"ñ” ¢Q š²f4þ²¥ ^È;ÍÇûå*!¹Ä‘”KÎræÓ€%»¡ÎjÑME(ÉaqlU\`´4DFð‚³K×ÁÛï ‰w$D‰ëE­½Ô*òGA -uv!„œ pûfôÈXq?'HÂЇŠ“÷UëÇ[®šm膠AP£¯âÍý5-å²I?ú'}Ř›Fê]_yhõdôÚ+ô_¶Qc/²¦^|ª1×&¿m@Ø5àpñ?Ý4²:ÊD¹-ÔP¥êãéâÃLM_©ý´¤Â¦Æwww7 cõõûJòB /(×ßÖñv3tTZ²Ü9–zÜû^¦,S«÷í2øwºÏàt¬¯F¯8ãÅŠ“ÁÞÁµß^¾‹…¾hlIŠ ³KÓ’díDWR3( -µ¤' ƒÎåB> -endobj -84 0 obj -<< -/ProcSet[/PDF/Text/ImageC] -/Font 86 0 R ->> -endobj -89 0 obj -<< -/Filter[/FlateDecode] -/Length 1362 ->> -stream -xÚ­YË’«6Ýç+ØÜ*¼@½a‘ªÌ;É"›¸²Éd©²Á=bÙÈ€aÛϼÈÀ!D‚îçç2K«SÙ>?§uöÓ«¶úåÊf`&ÁB†‰“áÝ Ã¦ŸÎò­±Yž›¼þ87¿Ï"ÎÜìgù±Ý}ﳸóOlçߎ*©É¶Íë¨)“C> Õ°23ß?†¯ÉþÇppÂýylÄlð<‹»\€ ™bC\b-À†N±¡.±‰`æØ0‡Øðp6|Š wˆ Ç °Sl„KlÈläé†.À&šb¹dŠ-À&žb»Äf -ÆÁÀEÿøjL¦ù¸( _Bé4êÂg EfÓ|˜K¾–Ðd>͇;ÄG,¡ÊbšpˆXB—å4-K(s4ÍÇE ÅÚOóéá¹Èèé(~}‰‚ˆ­4~«Ú¼*‚KŒ›4-²¼+10Ø•*‘6ðû»ê$ªó›“=cˆEÖ­_ÊUÀ8ñU”×Ф~[™g²ßW+"ý73¢­“²9®ùUS´EÕÍÜšá¥! Í7˜–›îS“[³;ÛH‹:ÝÛ¶™LügÂå¶Ý™ÛªÖî†h`ë8ŶÎuÞ(¯ ]K” ƒŒÔ\Ÿ5 ÀÇF¹¯X€ûú½M6 -Ôd÷¡À‚!*ûCºþ>e«²5ŽšÄˆu‹!­¬ñ¢„¼0n¼£Lú‡äxì™mëêpµªJÓy ©™ƒ€¯Ê6UñV+¬1MȘ~j” FŸŠr4ºK|„„ÀÓ&õë -wûÖDX jQG^‰ÊÍKѨ½qãˆÂ’¼òvì*çH`;¬°Ž©Å“ ]d -%Í‹W»¾¶÷B-ŒÓ¾E×áƱD!þ?Mà -aÒn -æT3k«_ÌߌÐ?L¿YÉ­yµ›š=ƒF—h«ôÌPV>·bî–ÝÇðežZ -WŒ›Áû Ú -0—Ü¿™ã—tż½Àä#ÌÛ9~F®˜w˜áónŽŸ±+æý&aÞÏÀ”¡+æÃ&a>̈­Ä®˜˜ƒë¼²ÊCÿqŽ£Äôé}ëXÉ:±gñ•Vã¬uM+É̪.ë$™õÎŒ€Ë€«Î¢¼}>Q‡¦ú^ÞvEº"ÂßZ^a^bVµ7 ©ï¦ _ɨ9Š®TôPeŸZ‰½«À© ws 5Ý1b‚Ò)½9žØ€Äà¸Æ;‹F$¶#/îúN¤îè?K#"†'€¤N«Eñø¾|Ÿ³ ™+D÷ çœ-Æ]7jµ'ÙkR¦ùð¬Ô‹~ó~¾à‡¡ßì’ú8ÇIáÊc;ÉcPi˜m¸Ý'íÒ9Ù$ÌF”U§MwZ›¥È9:Ó¬‚!-xYCu]Ž"óGÔöŠ)¸4u‡àQ¿—ihþÚ€ÎæýuÈFí.ìW¦îE«Z¦ÓŽ›­¹É«’ô >k,.©Ÿ—*€‡ªTâ¥ëkg¨,Yr4ÂH„g¬.Wæ†XCíý¥œ((})×-- 0¡Pø -Ï^@õÈÊ<ËsT`žf -ß{…“Váµ0U– ¤( Ù;…þü°þá_4í„Ð -endstream -endobj -90 0 obj -<< -/F1 10 0 R -/F6 27 0 R -/F10 45 0 R -/F14 59 0 R -/F7 30 0 R -/F11 49 0 R ->> -endobj -88 0 obj -<< -/ProcSet[/PDF/Text/ImageC] -/Font 90 0 R ->> -endobj -93 0 obj -<< -/Filter[/FlateDecode] -/Length 1730 ->> -stream -xÚ­YYÛ6~ï¯p° 1#º‚¢GšíK‹Àou´½*K®$gûßKrH‰²´–çI™ù†sJ ¹îâa¡oׯ?‹Eþb½]x±ò) -Øbýîo§à<å)Z®ŽœõŽ/WÄw}|8dżl«r£$«’\nñ"§ÜÂ܆xÁ¶ÙÁKS³(^Ä{^ÃëcÖìÊcã$ÉR^,‰ï4q.wx¡“éõAŠ¥UÊÔœÝeª¨$.é†1D1°tf×|®'µ6­\¯ :]íh]±³­G5kI-Êî^ÊdXÄ4©FP ËA¯ç‘sBWå1×Ë÷ÐôÈŒž4\/r9¨âBwGemV +ê˜Ó{ˆÅ¬è‘ ¦}“±Ñµ—ñœÖµrL¥œ<‡Q+|Iâ<9 -ÿåé+1ÁÂN®@Ë%w)àjƇÆÌ•+«áXÿE¯ë=@ù¼i_¢«8ÓþJï¶`(ÛQÝ‘^S@[¥Ð“(hHwƒrI÷[VƒAƒ+çºWLªŽFnlÕó÷±ê{þÕôÊŽî¹'P7@,ø>9èiP84ïqÂÕ¨­³‹ÜæÓÆÇ«ò\¯X7ee5Šv¡!êŠêá¸×¤ê‘®M88Æдén’O…Y #‰ÖàCi -Øž‚u–Âвõ‹ˆ‡E?i•]…x_¦cˆ›W8Á+N?ÇEÂ-Ê€åþ«š‚ÀXûÙl*žÇ_´a™EŒ^Á\}ˆclµV‹ú:÷⢴ú~¢šéÂéˆ(E Û -Àî°J…MÝǽ…ÿ§³oKvk£JK ëç‹Ü=Í}XÊ2‚B:¡&ô¿ - ë ÑCI&øÌ@É J¨v-ÄÏd«dMÉn $zŠe|®Ü”% öÇd7¼é2À‡qÌÇÈïjnå9@ðý§O~zó,שžü ð\¡xÐ.‰ ½Í^ÎL˜Ö£‹,,£1X ¥3âëÑ•¾þcÿ+­í겿›åéš7v¿ÙÓg9ºVÆW:ú⨟« óÝ“ovók¼Ó+½üÚw³îx–cö|\1½ìâ†÷­.®>NL{¸Ñ²½‡_â0b.Án$ -½´ÙöËð#íf#,æžÛµ”õÙ¶-pæx|tQm`æ'"˜¢¨át!åŒÉ±<+œL­)ŸòçY‚©‡UßE¿£þï¨Æøýú‡ÿRÄá0 -endstream -endobj -94 0 obj -<< -/F7 30 0 R -/F14 59 0 R -/F11 49 0 R -/F10 45 0 R -/F6 27 0 R -/F12 52 0 R -/F13 56 0 R ->> -endobj -92 0 obj -<< -/ProcSet[/PDF/Text/ImageC] -/Font 94 0 R ->> -endobj -97 0 obj -<< -/Filter[/FlateDecode] -/Length 1696 ->> -stream -xÚ¥X[oÛ6~߯0ÑYI]¬mÒ:`h€=Ì{`":Ö"Kª(5 ÿ÷CR7Kqdô‰"yxnüÎ…²\Çu­K Ÿ­·¿~"®8qhÝn­ rBÏZ ‡ÛëlBÝÕ¿·‘gEN cŽG,Wío6ÛôÊPôlÖšdM\uDñ!oð‰ØþL›Í½Ìù^ÀX%¿çE _y³¿•^ùÖ¤y Ôy¢éŽW«µO}[ŠZà‘³ -ùF!:Qˆzç­‚ý‘IlÂxŽ&G½Z±ÙôF"A‚ÛUÄìbµfAdó,+V4°Ÿô4I7ÔD%ò íc[ä;^í‹<½×sžð²N‹\Â4tíz×ÚM:‘$ŽÒ[…p9Ñ/¢¡†vÏï«B‹I¥˪XO ÉúK%Ç÷Á¤½…ïi"`Ϙý´z0v‡Sjx“Õzïnµ¦‘-v ¾§ESéu¥Œu¡ÇDb`—æÎ ðcMX{„zg/q³ENÍ:8¬›[#ÏzBÏÈÖ'èÁ½EIì°nžY_Uœõ~ Ôsh„hD BØ–¼’ ö˜7 c'ˆÌ=h õÜ;-"¥ì]7%HÞ“áyB{º~Þ¢¶Ô"¡C ªƒyhN¢™¨íÇkã5 æÄTå0 ÷ôÕšð°ñ•ï;‚ë›%ç xÜ|ú4eÂe )™¢ñ^aÒ|~?£sÜøEfX ÊßR#¨ñaS±ï0oxíz¡½¦nãÐapM„¼{þ(x‰º•bï3˜7ÂN þªƒFz·©w³áWs'Óí³Úû²~!“âÐçìú¥4‡Cþ˜W#vþ¬" -&ƒXTØHk´ mÆëßz™8åÝÀåà„š_½ê$Kó²©?“‘*³«LÞêæü Ù§w7@ñ ¶{¯·×7[À¯üü~û^~8Nnƒ—–©ß3£CÙ`î»…SJƒ'$ôüžÌB‹§ KR!ÅÜ´f£ˆN–à[Aúöbû㮨0sGžýWÃ3¬W¡¨äiÆG¿F‹Æ’ù½*wßW˜×+½Ä1y»ö]UðDV<¸ÛÅV/M+#œ”52{É„ÔómQijè -j̨ŠÅ=µèÛPmETQ&B¦¹^Le®l%¤ -2¡‡â¹¹Ä’ì¬ÖHû¤,V»fd’?¢òB/£e¸š(.²®8Öt½ÄóÄœH÷efN7’ߥYZ#‹Í‚ç- ]4 -kD«ã{ôYd×FÀ°€Bm×¥µ+ÇJ´ª©©¼o¤l×·M…è~B_ò*‘ÎÔ;_›Rû§¨rDlE­¾]üFÔ&z«7Ž /«IåN/°v½¿ò@ríÇ4O¤ÞWŒèèB¥˜Ø²Ø ½ùÐ -Q†>åC‚‰HÌbf7%ŽžqFìC›áÏÛ¦ w*¡? Mè4×ã]ÅU?ó¨ ^#"Pÿï(#4{Ýｯðœêe`lÚ¦‡ ¼#µÝžÉͪ;2éË zO?åž<­OCTS¬ßÂ.¦± iÛ™¨I%$€LAœ„8Õ‡È?1²1«ë˜IÃÎØbV']+Ü6VßEÊCòµ¬*3cò‹ã‘Mü¤U4-¥ ƒ.< ¥ˆdQßè/í[Õ3/ -}dô¨Î=K:¦YM(×µ³â S(>~úôúë¥}ÿ„‹5e/âúTPzNRkR´HÄ–Eüphoò/{‡áÙÀ¼Ätaú³À …·õZÐ{Ì–/:áðgœCžâwÙ¬1tŠd‚ÕÉÛ/v¼ÈP),*I…Ôa'‰À–c¾ÅéàY„Gp/ˤÞë4mã >y ¹¼¬Rèú^°ø8ÓÔ€dôŠÆ7ƒÊÌaž¹—`þÐ~Ÿ‘K˜'¢¬wz<ËÙ ÑK8ïM Žyb&rtlj5ú÷ÐÖE‰í/ˆ}šÕ"SÙ% -}™Sèž—iÍ*}™W‰ÿWTá"'½õÏ%”A¾Um¼Vpð£õß þËx¯põå/òÌù¬:öÄ»±É‹¬ ~ØÊ`jd°È´ðÓÌEý÷Â;¦6åq‘¼è‡M §¦& œçæ_Û2dÅ?`xx¹áÞEY*™“Ÿ¤û±ÜÖú¬‡ö’óý‹2ÚnN‘Ýkšìx¶×©¯9$`êÉGc'Òu.2ÌŸþRék -endstream -endobj -98 0 obj -<< -/F10 45 0 R -/F14 59 0 R -/F7 30 0 R -/F11 49 0 R -/F2 13 0 R -/F15 61 0 R -/F6 27 0 R ->> -endobj -96 0 obj -<< -/ProcSet[/PDF/Text/ImageC] -/Font 98 0 R ->> -endobj -102 0 obj -<< -/Filter[/FlateDecode] -/Length 1376 ->> -stream -xÚµXmo£FþÞ_tŠŠ•°awa'U§öZU:©R-õC©Tbð‚’\jå¿wfgy±ÚøÒ~HØ—Ùyö™™µå2×µ>[úó£õayû‘»–bQ`-×– -YàYŽ’øY~ÿ»Í=±øcù3yVÈ"…BÜc~d¹z>Ž³/MR¥ÉºË¶qœfë8^µU²Éà»M¿ûë!)#¤ª”†¯Ž/|Û‰ŒÚÛ!½w5Ž—'Áw„‘4 ¨7êas—m»ç&›ö×eÒE/qÜÕfIÙ½œÜ€o6à½ýõ1ûëyìýÿˆ}›'Ûæ5úÖKpÏz²BÁTèœ3é[KðˆyÞ0PZ¿jW ¬ÈìDy$‹ÈWm“lÛ¢ú¼¯\óý‰v+&Åžöa¡Þ†b¾Á¡ÏQÁ(‡ -¸˜Žƒä‡¥+ ƒR0Ò‰ÙƦ -˜„š‰D2éf˜ ™«%džo&?]ߘi1Xyôó±PÿH(²s²>óA? #-u; `èA@Fp œAh΂Àâ,’ZDéÌUÀ³ˆŽ4xLqdJ®åý‹‚A Š¯û‡ûäÓ¤Þ?&®L¢íÉx`¢e“ÜgIWf„‹ÖïN£ÍºP†¾ôŽïú˜Ÿ-ªæ¡Û½ã/Wz%D‚>ï!\ƈ+ª¢»zM}Y× ‰iŒ‰Þ8^×ÛQ­†àûÅzX¼IºUž¥q¼Íà´‡gÄÍ–Êú†ÍÍ~ñ‚V8ááÁÏÇàå÷Í? -ÔfA -endstream -endobj -103 0 obj -<< -/F10 45 0 R -/F14 59 0 R -/F7 30 0 R -/F16 64 0 R -/F12 52 0 R -/F9 36 0 R -/F21 101 0 R -/F6 27 0 R -/F11 49 0 R ->> -endobj -100 0 obj -<< -/ProcSet[/PDF/Text/ImageC] -/Font 103 0 R ->> -endobj -106 0 obj -<< -/Filter[/FlateDecode] -/Length 1484 ->> -stream -xÚXK¤6¾çW ­ViÛÁ6øqX)Ê$)Òž2·%ÜÓVh½3£Ñü÷”<º™4l-ü(¾z¸üUÑAŒâ8x ìãà×ûŸ¿à8`Hòà~0xì5ûß¾…˜ÇÑß÷‚P$™"IÛÍ,;ª>ËŠ¶ü¥;äíé³?ä]gçý«þÞÝáØYt¼ ½lÎGu­c¶zCSê5‘[š ä)o;U7½š4\Îò¢øf‡­ÊËh—’44nd„צkf웶Ê{eÙa¯x‘nÔªºT­®×u% ]8A©ôêÞÜ. ¤ß4ï20)ØŠDQ -.§”†_ÏÇ^ŸŽ*ÚQAÃ"¢8<4mÙ9>¢Ä€#àþ0„#B–‘/ÞÁâîE«¼h›h—Ä<ÔyŠðÜ©Òz»#ý¹˜•ªi•ß;¨ÚšÚ/áÖzí`æYäµCzˆv £Üaž"J7ÚÏ0g‚‡3‹÷gs’„‹PïÍSBâ¸gÑ´­êN01¦–æˆý>$–5Æîïì«Öa<´sÆM­‡Ëøa§sï†k8õ¬»BfOÊ.v/uó>^úΠ—٠-¿RuµðÜJZÏÝìs¸«Ë\H܆I3Hš³¢‘æøÑòà8F˜Á“"1\þôæMȲRí/õ¿Î'oïЋ{ÿ⺱%êù”×e¾ïU;hìê¼R—š?`]º×̓{|«{c¦¾nsIl"Ml z¹ Ë u y›eÀ…—ÁYçyq³^éý¨ÈìA•WqzÝ×™5øýŠl<‚ ƃA2ã Äãìüek0ŸÑcŠ¤¸BΧÊ\ø‰})ø«»ÔDGRÎT%˜!J.´6 cY,ApœÃÝ™ËLf‚ÓÂ(iì'®ÆÆ îR¹"pçƒe*pÁÂ(‚å¯ú v9 …Ë׊ùõë_—¯Ã9ï¾/gêJ]•ã û †»Õ»‡I“ :‹°_â1Ë ÉM½ØQhª°ÒÝÕò»ê¹ûúé®â %æ4(Ô?(¤Õ4'°½<œQnZ¸Œ¹TÌv Ë$„÷9$)•‘±Ã4…2¬k7‚ª -YØ·/nêë–v«f- áþšsÅÇHgû%Ëâ°Ò¿Ó"`Ac9d4ú&2 ¥ˆ /sð»tÜò6 ¸)QŠÃrw„z·ÀI0Š‡z®¦PyoÈhÅ(‰ðUƒb|šUe35ÍÛÂÛYY%p sw—e2F”Ï«©c­æÜ›ò~e³‰èÀZѵg'݃hâ–\³Ù›6Êó -s¼òN]e Üg[U$›ÊÎì’ýuV‡,¿¿~ÀosG®¨Ø÷§8ðnÏTºSL’ðK$Ièœ[ãÿêI#è_M¿ÈâÆöTOnjãb¦f€ÃfÎHÊT«†ô6RûÆͺ«·¡ÃÒM} 0Êö†Í_à»ÅÉÚÆöý½im/–çÂô6;á;3Ãñ¼‘Ôµîuùœ;UæôŒ*w¨KUf}è›ÊfÈ{•!ÞQJ\>‰0KWQš^}³Ô  4å‹´q 3oÆÝÚ­L°ÛÚ‘ܪýÍá*ýxèÛêsQµb½¡HT÷Zi±ÞA°m¨ú®ê^©Ú™‹ù:2߆¼oÎí 8Y„ØÜ?©ãwåaɺ½rl <æ@媩2ÞÝ -`l‰ª¾Vþó^ÆñªoÓö oêÂø–²Á5²éó‘׿œÔçE­»só/Šñr ûcÞ­·¹îP³zβÃCó Kÿ¨¶ÞÅ(©ª²¬:wº€¼¨ûòö¶nA²Ù÷Ðÿ°ƒÞ²cˆuºÙû/Ôd‚˜™0Sšlqžý óÛT§[üå›rËüå5Ë­‰H®Ë.N¡“7Ÿ2Ò4cVEìÝŸþêrM -endstream -endobj -107 0 obj -<< -/F10 45 0 R -/F14 59 0 R -/F6 27 0 R -/F7 30 0 R -/F11 49 0 R -/F2 13 0 R -/F16 64 0 R -/F12 52 0 R -/F13 56 0 R -/F1 10 0 R ->> -endobj -105 0 obj -<< -/ProcSet[/PDF/Text/ImageC] -/Font 107 0 R ->> -endobj -110 0 obj -<< -/Filter[/FlateDecode] -/Length 1474 ->> -stream -xÚ•XKoÛF¾÷Wð2­÷ÉGE6@·‡úVö@K+‹I9 ý÷Î>H.Eš¤¹³³óÍkg†ò0ÂØ{òôã«÷ÛÃí{>Šïáàù! -¸·õ™z<|ùwC¢ð濇?‰{!Š|ÅD¹‡õfïå!ŽwÕþ×Ǥ®YÒ¼Æq•¤µDB¾Äññ±|J~®Ó]¾4Rôr±{Ô-HܬÅkÌh5澚‡å¬—®BÖ8îcúÔ¢t°šmÙÚu%ç¸OsëH™>›´ù«´Ú}°¥†#~jÚ¬Ô«M îH•ß®H ²®ò¼©Îr|ɸÎŽDdA¬€À‹ì¦:ëSxp™Þðp”7[†ùæPVyҤœZŠMy0äÆìCäoh°9–Õ¾6imèû²°iÑ1Z‘˜„>¤³]káíZÉÀG›òdW•èfËoU›SRÕöµ’Û‘¶ŒEG«ÁBåSÒF­>g ˜F9ß$•4/uSVr¯Þ•ê©£6e–•Ê9ßµóIk]ÿ2öB@QÀŠÁ¯(y­–/ -ã« -ðuÔ’mÔ©O#""®’Ýn”4‚€ø®á -†9q6K­¼ù’îe¡¶¡Œ¡ fÈت¿MY`Ęcà(Vƒã ûŠ „1a rà,ðC¦`ÄõBge¨¬DãÈÔ §öQBgï sÑ»$L^?Ž›CƒÛ=ÛjáÈÖµú˜ XA‡ËëoéÉV0³ùl7Ó¢à+àãr÷^Æï¼k[ˆTu|Õn^&ŒœÉb,ŽŸßPÚÕê=n®œ¢ 8!Êp ´·QA‘ eæù4!Ë° d… ²ÒË ‚™Ÿš*¦m û¹-Þ8|W[7q|HçõiÝͺé²ÊA/øº(uâeÐÛMj>«95óâ­Ž”¬ %=“¢)ÛvêŒ5jŒà›û‹ÙÈÊËJ»èB:vÁjKÝ b«Rž²Yã^{ùÊÛuã I–•ße…#¹ýÊ"Ì·® sªí¤ûƹN—n3äh¯¹ÌtfR^ñý@ƒ5sÒT5†:ϬŒp¡ÎwCmWç?_×ý5UŸF 8FdÑ@>dR‹ô~ð0âÞw/¤È‡öÄCø†ô½Üƒ«ôvyÿè? ú6 ŽE,T àrãk£­ž¢ihU;ÙœÀY:Þ)j%`ÄàÀØ­‰9z>%€P‡±'\qB+DR\@£¦¡²+Ê‚–0Å S¤?àÔ„ Npå.§!Lq‚:àÔ„ N"\F½òÁAMg‘bl ½=ú_áÕ¡j¡BõÕfŠJÆu¦DH„žÐ+`Ðegµée …YQ¢åÂ'A· sæÎ -õ!IB“~Cmúå£ó°´#Y6D8¸>{?>‹•qf÷‹sÖ¦=E°ò‘ š!)†u»ùU¶ŠÑ@y+T^Þ@#6í`ÁëN軆Í'Üðp7nv=JC|¸Œ-ášÓÞXáS¥^«,¡S´¯Q ¦ç­9ò™­ O>šá»>Ÿ“æ\ÉW|鈹„ΫþþPÏC•ì8¿´yÑ×Õ£“Êþ…âî »_7IÕÈ—$4Sçÿú»‘5”'óÉ~—º»ÿô%ÌÚÌÙ¼Á0,ab¬)Yì]·°©âC¯ƒ˜u5Ågt¬‰šÒ1v„kNëxÅÈ„ãxK˜¨•îˆb"UIô¿œÄjùÓÿaõ´x -endstream -endobj -111 0 obj -<< -/F10 45 0 R -/F14 59 0 R -/F7 30 0 R -/F11 49 0 R -/F15 61 0 R -/F1 10 0 R -/F2 13 0 R -/F16 64 0 R ->> -endobj -109 0 obj -<< -/ProcSet[/PDF/Text/ImageC] -/Font 111 0 R ->> -endobj -116 0 obj -<< -/Encoding 14 0 R -/Type/Font -/Subtype/Type1 -/Name/F22 -/FontDescriptor 115 0 R -/BaseFont/WRKFEL+CMMI10 -/FirstChar 33 -/LastChar 196 -/Widths[622.5 466.3 591.4 828.1 517 362.8 654.2 1000 1000 1000 1000 277.8 277.8 500 -500 500 500 500 500 500 500 500 500 500 500 277.8 277.8 777.8 500 777.8 500 530.9 -750 758.5 714.7 827.9 738.2 643.1 786.2 831.3 439.6 554.5 849.3 680.6 970.1 803.5 -762.8 642 790.6 759.3 613.2 584.4 682.8 583.3 944.4 828.5 580.6 682.6 388.9 388.9 -388.9 1000 1000 416.7 528.6 429.2 432.8 520.5 465.6 489.6 477 576.2 344.5 411.8 520.6 -298.4 878 600.2 484.7 503.1 446.4 451.2 468.7 361.1 572.5 484.7 715.9 571.5 490.3 -465 322.5 384 636.5 500 277.8 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 -0 0 0 0 0 0 0 615.3 833.3 762.8 694.4 742.4 831.3 779.9 583.3 666.7 612.2 0 0 772.4 -639.7 565.6 517.7 444.4 405.9 437.5 496.5 469.4 353.9 576.2 583.3 602.5 494 437.5 -570 517 571.4 437.2 540.3 595.8 625.7 651.4 277.8] ->> -endobj -119 0 obj -<< -/Encoding 14 0 R -/Type/Font -/Subtype/Type1 -/Name/F23 -/FontDescriptor 118 0 R -/BaseFont/CWGOWE+CMMI7 -/FirstChar 33 -/LastChar 196 -/Widths[719.7 539.7 689.9 950 592.7 439.2 751.4 1138.9 1138.9 1138.9 1138.9 339.3 -339.3 585.3 585.3 585.3 585.3 585.3 585.3 585.3 585.3 585.3 585.3 585.3 585.3 339.3 -339.3 892.9 585.3 892.9 585.3 610.1 859.1 863.2 819.4 934.1 838.7 724.5 889.4 935.6 -506.3 632 959.9 783.7 1089.4 904.9 868.9 727.3 899.7 860.6 701.5 674.8 778.2 674.6 -1074.4 936.9 671.5 778.4 462.3 462.3 462.3 1138.9 1138.9 478.2 619.7 502.4 510.5 -594.7 542 557.1 557.3 668.8 404.2 472.7 607.3 361.3 1013.7 706.2 563.9 588.9 523.6 -530.4 539.2 431.6 675.4 571.4 826.4 647.8 579.4 545.8 398.6 442 730.1 585.3 339.3 -0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 693.8 954.4 868.9 -797.6 844.5 935.6 886.3 677.6 769.8 716.9 0 0 880 742.7 647.8 600.1 519.2 476.1 519.8 -588.6 544.1 422.8 668.8 677.6 694.6 572.8 519.8 668 592.7 662 526.8 632.9 686.9 713.8 -756 339.3] ->> -endobj -122 0 obj -<< -/Encoding 21 0 R -/Type/Font -/Subtype/Type1 -/Name/F24 -/FontDescriptor 121 0 R -/BaseFont/DNPOCX+CMSY7 -/FirstChar 33 -/LastChar 196 -/Widths[1138.9 585.3 585.3 1138.9 1138.9 1138.9 892.9 1138.9 1138.9 708.3 708.3 1138.9 -1138.9 1138.9 892.9 329.4 1138.9 769.8 769.8 1015.9 1015.9 0 0 646.8 646.8 769.8 -585.3 831.4 831.4 892.9 892.9 708.3 917.6 753.4 620.2 889.5 616.1 818.4 688.5 978.6 -646.5 782.1 871.7 791.7 1342.7 935.6 905.8 809.2 935.9 981 702.2 647.8 717.8 719.9 -1135.1 818.9 764.4 823.1 769.8 769.8 769.8 769.8 769.8 708.3 708.3 523.8 523.8 523.8 -523.8 585.3 585.3 462.3 462.3 339.3 585.3 585.3 708.3 585.3 339.3 938.5 859.1 954.4 -493.6 769.8 769.8 892.9 892.9 523.8 523.8 523.8 708.3 892.9 892.9 892.9 892.9 0 0 -0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 892.9 339.3 892.9 585.3 -892.9 585.3 892.9 892.9 892.9 892.9 0 0 892.9 892.9 892.9 1138.9 585.3 585.3 892.9 -892.9 892.9 892.9 892.9 892.9 892.9 892.9 892.9 892.9 892.9 892.9 1138.9 1138.9 892.9 -892.9 1138.9 892.9] ->> -endobj -123 0 obj -<< -/Filter[/FlateDecode] -/Length 1330 ->> -stream -xÚÍWßÜ4~篈TUd%âÆvb'Hˆ¥P¤BÜ‹Dºë½„曤w×ÓýïÌxœÄ»{…Š'ö%öøóøóÌç±7ˆY7ýü|{ýâµr–«àúdš©4ˆ”d: ®_ý^—fI)Ãnûi¤öajwcÕµÔó€­$gð¡;6Å8š=uw¡Ã²;îçËÍ|utNêbgØæ÷ëŸ^¼æI9>‘B*ˆ-—ívwÜ¿tDŠå‘iÆ40ç)ˉ¹ñ…;ž°4_¼íÍ\6ÓPÝýlý>ãÛmù¶»ƒÏ‡]Y, ÅT#ß›r|tM”Š4»íÖÔ¦ÞUýÃ3CÃð¿ †­ñ˜å©£Èÿ…bmF×_]ðuóqšLh•˜)DRÌ›ˆs‘„ßMÃØ5Շ¦ÎÎ[‘à,vÆ›Ã&yNùĆÛ>¤*ŽÃªéa»¦Å¤ŽäŒ@|³Ð Ôm;‡¦j4žC´µÆX1àp×Ì£Uïl#Pv¡Â[ìdh$5íÁM sÎçˆ. -\Cç-+ œù¾ê&+:ÞVuMÊE„ unª÷4-[¢K P˜4Ë2 -,ãsh‘NÕÞÀ|:Ð0w£iÐ@Ž”nž1I~~ùò<\1=«þÇÉÜcŒ1R|C»1ãr’h`¸oNûéjr,Äê¶"2çú•E5$¥rÍ„ -$SÜ®.¤ ÔSçCŸs×LƒÈ—É_Ÿo=⊳$/XHoß<Ðbì• LøHHý@ +ˆÌO^f«Yit 4¦¾'à‘^vìx] ãÐÌSÐ$™n7³c¢zTÊÈf˼‚'H²—¤ÌŒÅ™/νيT·ÕZ:«µºó5Ž’ÅÉIåûk*êó@¥1ªˆPcñ¶66”Á÷×Pß“à6à±f©Õ¦w4H€\ uð«½<‰ˆÒÌ!YÆ?M(â…²ÇõVb ä\Šbë´Ýr@®’D\xÈÕ° íf-qNçâƒáЊ©Äm–v¡0´MÁ §Xz²KµÔl¸£NOG¹gîƒÁhžÛ|$;¹`:óƒ@†™°?Á ‘„ãÃ…SGS¼3Å—ÅhŽÏ—ªÛ)§WjèŠî´—Eß›vï:»¢¯Æ¢ï{C÷ÚÕãv‹wNýãs²6ÅŸÝQûK¤':òÓväàUs¥©õü2˜U©R¦ü4K3ýTšäj8CÎñEdæÇ×æø®ÕI ôE€ÏÑýTgïLUg'9‘,‰_W8à¸_8P( OÿCõ–Läÿ\½%D^!‚dÃ¥½¼#û£qup~žÅFjW´'w÷ü®œÚýl‡j|Oq‡ç½{ÁüGù99xX^¢Ô(‹ú@#ûª©Z3”fÏÎ(r–@ÅND‚Q€Z *áéb µBÇŒK´êù/Ïk[lŸÑ‹£Yvž£uIe—Ì19gHXž?!ú¹äym“¹½h“T`õók›'9[Û°H‘^”ÓK6’KŒÕåvüÅG"¦2–¦þFÉðTýJÆ‘T¸ü¬4”O’4Vø4n<G^ÆhA®†3äL‘'r†™¸>=šËÒYÚ >[áÔ'2ñú‡ìÐiGƒZ…B£>ªþ0–„2w}]íª‘†¬®ÿXÁ¾ÿXÁ~׺ÕvÝTïÝsCú¯ Sa)öÿ€¹ŠkAº|’t‡³šåN>·èmÁþÏ’KH3\¸|}ö7$Ö‡B -endstream -endobj -124 0 obj -<< -/F7 30 0 R -/F14 59 0 R -/F10 45 0 R -/F1 10 0 R -/F6 27 0 R -/F22 116 0 R -/F23 119 0 R -/F11 49 0 R -/F2 13 0 R -/F16 64 0 R -/F24 122 0 R -/F12 52 0 R -/F9 36 0 R ->> -endobj -113 0 obj -<< -/ProcSet[/PDF/Text/ImageC] -/Font 124 0 R ->> -endobj -127 0 obj -<< -/Filter[/FlateDecode] -/Length 881 ->> -stream -xÚµUKÛ6¾÷Wð²€|#_R.I‹4}\Š ¾Õ=(½bÉ®-cùïáP²Öö½äDÍðã¼ç“(dQˆG_ð0âI(¨¤)Eî´´Ft´•Õ$ïÄŸâ§å«÷^T²rb¹` -úÊ“J‹å»¿²wÝv‘k­³×‹¿—¿¿z0µ’•Ã9”YÇU'+Oå%x¡¥Sæ“34lcFÝptº·t)~^¦ÜtQÉ.¹夆yn—8ʹ”7ÉZú9ŽÞ+¸à&yÂQ­ ¦¤bn‹kD^–TS®‡ïD™j¤@¢ä¤Mùçv‚`ôR ‹ñ¾{žâØ>UX©Ô,ǤƒRæâЉbŸ:®ëª«?…zØ…aÇ‡è¢ ñI4a³Z­ÍÛÎõn{ò/_ׇCè›$ôçîc8_a‘[°”Ü×ÕjØóíùðõõÛz·á¯¦íÚ¾=mC3÷`ŸE¹¶/¹f#q"éãá¶XÔWU:êG7SÀ6O°‹®¦&–¾ôR•óÒ³âvw”R·#œKpŠ9_䦪²ý‘VÈd]½Ÿ}!²¶'a8îqs|Öœ×AuÏûÖa­Ûþ‘…Íh‹Ã¤xÖ}Ã7ÛúÄšaÏçÓ±ÂkŒÀ`ÍÒàÝŽp@ã¨N2§‡J/‹ˆ²ÒúD~ô}‡*éÕŒü ”à¾%(ÜÕYNcÏfI=Ÿ€’ö³›)ôØÝçã2!/ -=Ÿƒ;¼¦”F}Wbg¤µóLYñ b¢«ÿË áó¬ÞàýH§¾îÂ…,lŽ¨¾aõÃlÍ%ÛÛM™KðÙùtM.7¤r'Η¨Ã^SGœÝo‡6Nšù_BEͼˆ yQ\!Ç&ÒÁ¬II15 ©#†ºhrgÁ±k ‹\)0Ùz¡ Üòþ‘Àä„ž4ÉÇMKH¹—Ró/éCZÒO9é]ÚŸ_÷DBOÌHÍž™ä7Þî5]þˆWFê!ÇD]o®çl:W¨€hÿÇ{Þ‘gÙû=Y´.q—õÌ]x®ØÎÀßÛ6]r¬=?ƒ8 ‘SwÉRV`}ßí¾çWOí°å»š§s;ÔwÉ:2kW3-Ê»ö q<ÊH~©;p¢a…ÏuwØ…˜n2Q§uãD*Æë‡ÿlPY -endstream -endobj -128 0 obj -<< -/F7 30 0 R -/F22 116 0 R -/F10 45 0 R -/F24 122 0 R -/F2 13 0 R -/F16 64 0 R -/F14 59 0 R -/F1 10 0 R -/F6 27 0 R ->> -endobj -126 0 obj -<< -/ProcSet[/PDF/Text/ImageC] -/Font 128 0 R ->> -endobj -133 0 obj -<< -/Encoding 7 0 R -/Type/Font -/Subtype/Type1 -/Name/F25 -/FontDescriptor 132 0 R -/BaseFont/NYLKRJ+CMSSBX10 -/FirstChar 33 -/LastChar 196 -/Widths[366.7 558.3 916.7 550 1029.1 830.6 305.6 427.8 427.8 550 855.6 305.6 366.7 -305.6 550 550 550 550 550 550 550 550 550 550 550 305.6 305.6 366.7 855.6 519.4 519.4 -733.3 733.3 733.3 702.8 794.4 641.7 611.1 733.3 794.4 330.6 519.4 763.9 580.6 977.8 -794.4 794.4 702.8 794.4 702.8 611.1 733.3 763.9 733.3 1038.9 733.3 733.3 672.2 343.1 -558.3 343.1 550 305.6 305.6 525 561.1 488.9 561.1 511.1 336.1 550 561.1 255.6 286.1 -530.6 255.6 866.7 561.1 550 561.1 561.1 372.2 421.7 404.2 561.1 500 744.4 500 500 -476.4 550 1100 550 550 550 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 -0 0 0 0 0 0 580.6 916.7 855.6 672.2 733.3 794.4 794.4 855.6 794.4 855.6 0 0 794.4 -641.7 586.1 586.1 891.7 891.7 255.6 286.1 550 550 550 550 550 733.3 488.9 565.3 794.4 -855.6 550 947.2 1069.5 855.6 255.6 550] ->> -endobj -134 0 obj -<< -/Filter[/FlateDecode] -/Length 972 ->> -stream -xÚ•WK£8¾ï¯ða[J4‹¡¥UïŒ4ÒÌ6§]ö@ˆ3A $²“V+ÿ}ÊÀ€»“>A•¿z}eùØ÷Ñw¤ŸáÁÐDüóya€9C%¢4ÆqØÉúý±¾ÿ!¥]ï Ž¬‡˜hýøï"[Òh±O«ïbé]ìÕ’†‹¶Yþ·þ‚þ\›@4p  q@í@CB‘Lh…# -¸^pdã¤=¡®—'8PBA1•uB1Á4èdøà6NÉsñÁA`Â…d„T -’PÌb©cäÊ C…4Š¡Ù/ÂŽQݱQ²eŸekî?Q>´•ã¸3À£ê]„c‚ k+¥‹”n…WÈëuµ#;\„Dp«õffà |UNcÙ²I aã„Lò -%û²^#A½¡»\¾Â<Ôpé-ñ‰?q¸ØÖ®ì-b‘ ]ðhS`wˆ ô&ë6·Qôy2àOó@(ÕcɲÊ4)Ó'‘¶…h[Qß©¤}Ù7e¢[±K’¬Þþ‡¬mÚçBl^î …Œh,7X ÑàJüÂCV6ÍæL|§kˆjЇV´ÏGñ02Ùði:ÒfW¤íK’ÔiÞzgûÍá ŠòÔäçlŸÖ±¹¼]•t³=œ6EçÌö=–nðÔ@Ìc—ôÁ™äÄ_Ï©ó7ò?/os»I›æ½ÜJWVN*ååz\gÉ7GžZ[Ú+„w²lGCõrm(×eÚÂÛ|(wX“©¬ÃpÐìó” -Q6OùÑÔ¥ÿ7‹yË=i¼Mš™ßfÃÔ[mh„4ËÜUÈõâàÜî*#àÜig%D&dîõttzÍwg½Ûê/í³¤¡«}ÉÂÂM––ðËgÝ -ínyóOcZÎ*MßÝ»—ñ¿Ÿ:è¤`oÞ~È5I^Ù[­g8Wáânü ðöÈèwåÃt—º<ë_C»å¤:lÒÚ L' iÓº…ó_§$ðí/¤W…Çè·»¯‘`ëœôÇË—­1¾ÿµõ÷Æ0壋AŒiäºtÈáj0Aö—@2n_J´Âqý.¸Ò%fýå'†XÙƒ -endstream -endobj -135 0 obj -<< -/F7 30 0 R -/F15 61 0 R -/F25 133 0 R -/F14 59 0 R ->> -endobj -130 0 obj -<< -/ProcSet[/PDF/Text/ImageC] -/Font 135 0 R ->> -endobj -138 0 obj -<< -/Filter[/FlateDecode] -/Length 480 ->> -stream -xÚmS¹rÜ0 íó,©B²HêØm3nܨKR0+î.g$r‡¢lïß ¨ØŽ]ÂÃñ𱺪kvbéy`߇›ûží«}dž#ëeÕ Vvªê6Üþä?¼+äŽÇ`ÿ¬Ñz·¥ÚÕüè’Ûù|!{þl݉0cãÙ$Xp°È8¬!‡q«@_KÄç:rûÿGóK¶½³Øœ<þH¯3/Åïá‘Õ¬"ñ¾Þ¤¨×Áñ‚ Ìtð³©0áæ^0ÑTªÁ!YÉj¯RrS@%Ùð¡ØKî!»æ£§”7‰ CŠj'SÆhv ׇ¸ê‰lÐd23NÛñ¨3ñNq‹Ìº–;)0=MWrúKQ‚ÐÆDƒÿ€ìÏÚH_€âÖÓºË) -Âg«j7¾×¥MD)©ÎjhÜé•ir'Æ…€Ñ.—I§5až«¢lTß\XÎ~F²ß†§Uc!GÐlÇqÊ4°^—ë…Ììl‰}‚ZŸ¦ÀSx5ÐIömšŒŽ{pwX½ÏE ë×_m#Ûb‰$7I ¬“ÅÍ`íÜ´Ý¡û1ò×+QGSòÝicZ9ȹ.´b…;±ùŠ?è”Η‰Î~ÒVÈíêE›»áÛ_†Í -endstream -endobj -139 0 obj -<< -/F7 30 0 R -/F1 10 0 R ->> -endobj -137 0 obj -<< -/ProcSet[/PDF/Text/ImageC] -/Font 139 0 R ->> -endobj -9 0 obj -<< -/Type/FontDescriptor -/CapHeight 850 -/Ascent 850 -/Descent -200 -/FontBBox[-53 -251 1139 750] -/FontName/BPSKTG+CMBX12 -/ItalicAngle 0 -/StemV 109 -/FontFile 8 0 R -/Flags 4 ->> -endobj -8 0 obj -<< -/Filter[/FlateDecode] -/Length1 716 -/Length2 5910 -/Length3 533 -/Length 6457 ->> -stream -xÚí”UT‹–†q Á“àoÜÁà Ý@CC# A‚»»»CðHp‚{€ÐA‚» „`arΕYsï¼Ìš·YSõR{ï¿þýÕ_µŠ•Q[G‚°†*#œ‘<@^ 8@ACÞ(òò°²*¸AÁHÂYŒ„Š€  çaàEÄ…Ä……X -o7˜=À®Àñ§J çuƒÙ€`¤=Ôé·‰ ÐCØÀ Ho^@èþy‹;@êuó„Bx €@fƒXCí`Î|B©:Û"¢kC<\þ1ò„º¹ÿæ°ÿæäü¦„ œáÞÔ–€Oñ{ô7Ëÿë¿¡úWse8\ìô§ý_AýÛìƒ{ÿ]prñ@BÝÔÍù_¥FпÁÉ#àÿ¶F †ÃläœíàPÿßZ0we˜¢ CÚØlÁpwè_}¨3ä_~ÇöŸ¼¶žšþs®¿¿Ò¿MµÁ0g¤¾·Ë?}ÿ”ÿUÿ³þÌ `ÊÏËÏü-ü}þãÊü_¶)9Û 0g;€ì »AþÙøw*yy„—/° €G@AQa~¿ÿ*4p†¹z@UÂüüü¢" ¿º6nnPgä_ŸÁï'þGm ûêµ!ÈÉ¥„¡[rÓq]Z}ïA1µM|Ñ&è,;ÎþQøäÓð7B86ïœCD˜£ö÷y¢›CíØŒŸì 2‘þ‰=?,ú¼½©k–žpÚŽu˜n\Š×ÆíòL“7›`ðuŸ@c[-Mßq -ûZ`/ŸC -‘.]gŒT-·¨!ÿ®H W×Èü»­èív4q”Ò+µd®<Ë 8Γ -ògÞ ä~NÁ‚a¿ .dy >7©8î&’N_v×™10öïâgõÔ\¶Ž>^g—0™¡‰¡¬e™ÏÌ .Ú”Ö—ÜÚìOÈßa˜”ŽÞçÿ™ˆNcƒg;iee¿°Ïœ~xIóî+@ ûN -Ö…z³H#¹ý×HÒw6•ñ‚•û•&} Œ»R\‚Iq„d.*LÏ%’ÓÒ^…ÚNæWö¹ì½ALv Nï]îsEN¶Ä÷Ø“€›Ò)“Oé®ßû‡¿GaÝD߯OÙò=K1*©ÄDóV i‘„–îj5Ø–}åãP-øã(rÜŽ†AP<+õ,A0Aθ÷$G$n¶UAÙ JŽlÑj-|•ÍäŸcŒ(àËa_gr¯´à^æâÇDz·8¾/MéãÕMø2qÇÚg ) ~>¾5°Ë[+ÉF— !óo4úé¤EfÖÙƒÒ/¨Rm}bÁ«%¿È•xóõè÷¯v´~i~–mâÁŽÃ0jæ¹+ß½OÒvI8øò–¨Üa%¥*šÚ-`¼œë R!¬ -çÛ|f\œgú*Ï:ÄšªL&U,r@v¿ÕO›Î‚Düå´ç¬pŸVöbhS?Í¥iÑël̶Ä`PbÂ.å¸ûºw½úH -±0Yç²wa<èâ®Ò¸ ZÁ) ù®¤EU›Êx®` ;l(R’XSc³øUi¬ÿ±c §ýgã²í%\ˆ@¾–ß­ ¹®Sá·Ë}"ÔWøôœÂùº Ó?JΔðz7;8lYw¦tÞóqÑJéóLŽuHüT”Ø$û;†Í´nЖ½p ‡¦ÚÚÇ—Óœf±/¥›*N½Ãªeżä4=)¯cÞ çi[¯{Ø>Š{¾câQH–…,œ4ú#š´]Ájq4Ù<¥¥g´¢H×ÍÜ,ël§6žG(Š‰ÀMï­Õ@2©) -5U{ßóxGAë6—I«g§–Ö(Hl>^¼[û ~¼á÷´ ÷¸45ý‘êµ}ì:E±X£žH6${Uçê¯&ú>•_uçf{jŒÜ~)á4¨gR¥srk½~Ÿzœï‰'ƒ+‡u5§4»O …ggé°»¹c+_jäØîo‚Þ)²J)€¸còï%s=p ó“ƒÖ#ö¿juœ“NU M÷³×> Sù<_´„Wè1Iï`¡±o¾w¨³™ñZd‰Krà‹A$LwØ¢Ûøk¶®Ry™t£žóGJx!a>clgd³—7½P¥)ºÏ™hóL¼ kHØ“+(÷VA­¼b¶y­|ä ¯Ê²\u†"þZ¾™ý)½z $÷þÃó<]þø—èô˲ªªüh•`CH\‚ÀHÇz×G[NÜgÀ½ÙJãu¡~o±fnœ_ñ¯U_ÙbXßFú½^…¶J‡a¦úàß4l԰˼£5)»4Ã%&zBwBˆU¼µ”ÐXßÉöq–ÁÉõbŒÍõí=¶ó‡_z×-O/<òûõqÑÅs‹+iYÊ4m6 Ú:@™x±òñòØÓ×Õ•”àûë#j¿j›mì+>‡Ë7Õ1júÑy…òÍš Þ(‘b¸Q˜Ró¿Ô„,°À¸\Wƒ&,i2ÑòèÞú¦º‘Ùà.«X<³2ˆÖkQo*ÌáÁ@V<Û‰{É)=çeΦg¨Ó¡ÿjó×Zg*Ö¡ÙthÅÏ€Õmwü_hÓ]$“]-G@UJĶ˜ãz)ÚÐ8™¤êŸú„ŠœcÕ<âÀ¤]êö=ÎêJ÷²LucÞ²wT1æ$ÎrÝ&ž_/ç+Fç¸,ŒR‡R’²½&è}ƒý“"à -G¤ôÓE2vd¿`œ6u]÷ j”ya Ùò*y8'ççÓ“)hƒ"‚rÍrÓ„Ô¤±­÷Ûò¹ƒÑÚþ«M¸m<+È·5b ‰~™UŠäbS Ó ®ó)'VÚ‡s±rMlyÁØA"ˆ혥8,RU-‹ÁOŸòvõ àû§dù%uÆ´;ÊHS‡ÔÊÌ°ZRä‰ yŒV|+­Œm.* “•§ëªÊÜGs qíÙí>ü^¾oÆmÒ™é6—0_¥P /™¼Âÿ&D¹òäÀ-¼¼\˜Â¹îƒwóò |hðöªê…ÂäC½ñ-ï!Ê€¹²¥Ápö, ?Eíýë»›µîpÂôÝ—Ú¯WÔ¡GŸ!‹È¦§³^ÔPé9LÖÌÕTk†µŒûT¬;HÚ-§Ð,å¾T¶;§:¤dºbX;¬Ù4–Z“O;ÑP,­Sð/ªCÒFgëß”|Ýé$@‚°².º_B e4³t¼ž6ݬžiì ¼â„1Ïû7¤‹¯5x|üˆKĬ3~ž…µ`cã ËΞÎBµˆ^ïŠ?®÷¾ÐÍm“ÁBRÍZ.ÇS~ÞR'7´K¬õú”¿•ÇZ\g1ÀejÅØ2.Ñq”¬Ú3Ë“‡ò‚©”«k¬ã©ƒ6tG¸ýœ–GX—º¬“”¢eâzªk&ÊÜÖ6¾ð)ö‘´~áZŸŒ B%.FØprÖ‚ÜöP —HRi° ydqREJ#üñ‰v§S†´L8¨Q*gàôÙhõ’=”e‰1‰ìšTâÊ}4W Q½î"¹ov,ÇסŽß…À»¼è -Œ@ûOXQ'ê$S¤ ¬+4Žáä2a(+^¼ôÀw€¤ò‘Ñ“Þ®´ GEnJ_Ã8j‹Ìeieî–å½XûT ÖŽª³£§S3R÷ÖÑ+[bC[›äÖ¡Ëtüc \åàX½°óUYÆU¬|Mt¨ -×g%–é@±ûÂÕ†’ÂáÝçmô/m^ñì£Æ’[KœIúL«æØÚtO(xZƒu©3Zcâ­e3vg¾®ÇB$¿Îõ ·nV°X™&ìÝô7=oœÜ»¶ƒâ{3 -È—pfÛB.¥ágî™äÚó{÷{ôõsØm&f¦ ¿ 5ÍÓБ%Õ×ÏKŠY`q)æ˞+íº§3ã†áä¤Ì“ $#âŸX~Õ5Ó_ù.ŸBTè2F§_Çã*r+o±A“èNª¿Fžì;nËk5èóš‚‘²Ë¤>“ÝFmfŸÑÞ¼:žœ,ìI«c«}©B-mTF©î›,jÓ£&Wn-B>`S)†– ò@²Di–põ¨Ñ¨ôºr’Œdmࢶ1M>#ñÐì‘š«üc­7ÈŸvâáñû"Ÿt ?XšX Ý>?úñâƒjÚQ)šY‰Ö›iišòï'€€¦zq-5ZÇ  -ø³«g¿¦=Ÿ‘À&OQºæ‹6’رœ¤¸$B -W¨PÔa»Ó† ™®&Ô`Lú”Q|[ܯ2b^méüǃ8‘ÌÐUr¦J -ñ>7×#Zæ ›’Uôý‚ -Ü•ŒÀ¢ðÔ'¢ -3heËMÞOEBËSðúË·º|_%ß1B’ ¨¬H±øRJ¦\FØÝô6ž<껬PÀYüN2“ÊÜ6Õ›#mÜÍ1oÒZÙ¬k3P]è?Ûm1É ­X•Áo|‘c)Ai]7ðûñ'MIàÛÛÜ£Ä{ÚÔo ªÅ-Š6 òÙ?K°'ØþÜ© ©˜åÑR)ÅÝõÙ”†îJ‡ÈÅiAÄ9ß C«¸×i½â0òô¨¹}ºÙ0µÜPldôÕŠYØkËbFŤ뜧$ -yÍVã¬X‹®±;þμÞb†\jŸ¥B$ÓëJý-‡UÒîî^2¯zmGÊ–eÁoÈmFº9匦ƾ+>£ØœíiNgÓ6°<ªVN/&︵Œ½Ù+_ô‡[Ùózÿ}gÄ[{W œ±‡‘ñS¨›•FL2¯—+ËùAH€ýBw å·àÂxâ+Ÿ¶’Õë(ŽágŠœI¹ÀÙ@n1{c² -n> k~Ô¹ŒÃ2M¼ÕDø“(^&ºéÃ6Ò„øÑFÄ"&•ë+l8gÀ\²ÙÄY3Ì(²/h˜Þ›ùr>cgõBúkˆ;½V,?Þ|L2™\@D¶ªµ—²«J;V¹B”Æ­3ž*«Yt¢á¾êêº0î¢aV?'KÐz@1TK’äÊ ÄíùI*©½ˆ¹†áæ¹èÖ}Ù¡XÛ.ÉâÏ )ó ìjþ½H½öÞ+=MºxÃQÌ‘£X‰n©0ÍAi¨4NìÉ`%G)¯Í*óúÛÀpA­Ó< ËžnóúJ(õ#¯|é]–è?5ãsÚõ·Ž— -tèxê]~xuå€÷Q°E‚‹"6lÒCýaÿe)~Fq®ˆW¼BQ|Â?¶má%Ulj^…ß²«½];š|aœ2Vpc_¾y¹¶À–ÈmEu’Ž€¼hm>•wâi‹äÃðR~KêÎïóÉ¿CÊëµkep&ÔGì5œˆOtu…+ð=¨Ecí…#Ùó±F ®Œeo»)ÁV”m5™oÞ$½ó+s?u{?ØÈnVÌ›M­ÑÔW°Û[2¦so”ÐtBhÔgñé”N3yC¨ï"÷„<­ºÒV{®™ŽÆ5©vi¶·#‡•6ly±¡$*p‹Zrë•gŽâÃqrøTÌŸT‹½V¶³¸4žª æB I®ŠÑÀ0õËp-NÕ7l«€å+ ã Ý&öso…uÏ–^Âç§gi)ækúØë…ý‰…PZl‡Ñ›vÖ|p¨›ŸŸ3àŒù8yF¹uYËÌT­bÀP×ÍÝö vv× N ’íPd`2±ˆTâÖeæpµßœÇâ_)PçöÔáŒSUäÓŽI›åz0ëýú2¤/»„ù'-ÊŒqºÍ¢ú)këܵ¤íBÅbNãwàKÚ c|9l™OÙ«³9Sð&Øž¿×Hfá ÓŒÀ€o®¨p Á2%si¦õ3êÙýÑ6äÊPMœ ‚AÆà575ï»r;œ÷zÍš³W°ÎOqÊÔÎÊ,îì+Ó»©¯B°9O½v›¾IQ’ÍÕå¤-«¿Ö£Q$m ‡ñÞk¾uqë‹ *§&,âa¬ˆ1äl¹Ï^f)î¤8 Ä*ºc+PãV´Áâ|"ñnøÛÍÒÛqy¥Ñpý’å´}àfGZ~\Ë4F,êÑ¢VÃ]©Y3 ÆcoWg³Äók{¼ÎÌC±VýB⎊ï\u}ʳJ—ÉÁ8=S³éøjÁ¸­D@ˆz¼GGn'À®^_‹*jå³ó"Ãݨ’…zÇ,ê׶‘61"Ǧqóߨ]™Â=WÕÚ²½¿^?Û`A65Æ$ ➊ò_3Yûì Ýø¬º> -endobj -11 0 obj -<< -/Filter[/FlateDecode] -/Length1 714 -/Length2 6179 -/Length3 533 -/Length 6734 ->> -stream -xÚí’UT\[·­q·àÁ‚Kp×…)¨ -)¬pw‚CáîÁÝÝBp`Á-8Ù{ßÿÜvÿs_N;o·Ý5_Öè£Ï>¿9Öb¢×Öå’;YB`p.>n>1€œ†Ÿ0€›‡‰I΂C`ò 8D À'*Êq·ðóø„Ä^‰ˆñ àà0䜜½]¡6¶p«Û_.a€Œ#Äj‚4@p[ˆãŸ+@×É - -{s2¿¶¸t nW˜‡†ZÁ–( ‡ç/&˜µ@øìîü¯–ÄÕí€õ'à%Ø æà C¬qx4þœùÃòßÆú¿Pý{¸¢»ƒƒ&Èñ¯ø¿æô_Ú G¨ƒ÷ÿ289:»Ã!® '0ÄöïVÈ?l0ÔÝñß»*pÔJfãðþ#AÝ¡^°6ne °9¸AþÖ!0ð¿Cü™Ûß<@m% Ž>é?Mm×óvþÏØ¿Ü×|ÿ»þ3W¨À„—›——ïñÏúכ鿦³rCa6]8¹‚ÿSø¯P²²N^¾\¯^¸øy¢‚aQÿÿÓ„A]Ü!*òA^^^aQÁ¿U+wWW þ÷_ðç¾ÿª­¡¦xA¬p22É Èæœ/8®,.» Z'µq: -S¯sȧ†Oqй¿ØE†Ûk_.áÿ:Ô~ŸrËJ'U !ß}mÖçíý¼b•œÝz¬ÝäÛ•Xeì× I£1 -O×OÈûÏæ&õ9‚¾fè„kçà¸sçÙ=UÓýÂP@çWp…1GçÈRýλïmHbV -žj óë ؤؘ„Ò»†ŸÄß1äUø#ðBš 8× l¿­ß›)vôñ„âjîYhíNôÙ/`ºõ§û5´ù›ýÔˆ¥1¿Q’ù²ÌCb¬j†ÝÌÉÓïh}iÎáÇ׸`¥áiš§5˜äJ™a4qD CqÒþ×øýjž·‚AÏq1#5Uû(Ђgù·´åùuGØcÐßHªÊè•">^³Ï¡zhš’—•Ö¡¶. -¨Qɪ¼r?OÌèIðq²¤gây— ŠÛåÖcêŽÄõÚ ‡zº3¶sÇòIÃ{Fè4éd”ç¾ ÎpQdí¦à.˜¢•¥#R®¥8ý;ˆ³zÅ o±Pœ õÈMÛ»Aß.ŸWc§°Eç•Zâ~l”²×Nˆ’s½º©U1õLdÉ8e -t “k8ˆèw4QŒE;Æü„+w4Ö—I Úü!‚,Èñ¨­ßæ&q¥ð<*á«9·ˆ‰·Ï+¯ŠO’_´CÎÏl9¶2ñNìN+sƒfI±ºÕý?7­T=bÿÀ.Áß(r$ú„ÿÚvTwÇ•îŠ)\JÝK‹“S,‡8]àëÒz{•´ðN÷ýêvj¶`²š:æ^°oÉã{²ÓîÃsæ©kŒ&6½ÓK®§÷ôªárkG&‘Lù_CkyÜ®aŽ‰ñèÁ÷3•áàÚÙŒ{…Bp ½+IàÏ›E´Í/[gn~É.™£Yjˆ‡á£´–ˆ\ãWJÉ[‹€©r³ƒÇ¯çÞ1â+ú«Ì·M§H‡SŒ4ÉiºÛcÈ]®]Hœ˜Vo’ò¢“ºëxl^Ì>¢ -ÀM±ÁöM(¾z¨ZÂöT2é ÷PÉ>pˆCËøp©x?å´Dh}’í§e|½ñ¸îgM{u¹ª4T#ä-yÍ¿@®sˆ‘÷(0ל\xóVèÜ'÷N­jÆðå+ÑÝR5‚«"©’ä㈲µÚ[”Oÿ®¸õ¾Ê`pÂâ±Éª4µÑHÿÈ8”0_pµ‹Ì¬’ ñs}H¹{e°Èýl7ç)†.1 UËçR£GºÓó› - CÖªhy—IÚL…ÙUcèG4¢eº‰¢åRf1Í 6ž2îÁÝqãËy+IÍ®Ëpš91ÚÿjëÛYËÚf܇âZmŒ~|­­/ŠÕݾ[h«2Êþ‚BžÝdmézXƒy“oCQè%ÿ«ºÄÓU6&N¿óSS¹ï8þÜo´vÚéìÆß¼áA‹¿¤ ú?±éã &ï5.®‹Kh¸Hö&9Ò>M&aÍÂåU{ggLˆKñ -vIgÿÓÏß ->çPV¤Ý‚©Ô4ÙØÄã‹÷“¤£ÔDØSŒÂ/Ñ´¥»ô‡ðC\®!ÆÝÝh­|äAª}0# £Þ˜ðÛ{NáG¬¦+ÑÄë0”&_“ÒÈÍ6[IÖ} Tyr_j2ôÅ”óØDY›ìñ ²à•–ºh`ÍcHIÆ7&šü%ÐáˆÄW^ˆ++E(Y¨¡a ¼Sâi^ù8|,TvYk@K”ë6æ'¿ ¬ˆ>'šÕ½åY á4·¼‚ãúIoêG¡9K›ÃŽ‹×s/.] -é†MÔ7jÚ™ß8„Òýüyàcf§™ 2xî(º!'ünh±À8,Ö„Ðt×Õ#ßÿãüêÐû‘‹Zb½­Žnax‹:.'‰°à†‡4…ÅTÏÀ#*û|ú¾?É`YÛÛ™9üW=öËúcñÎe LÐWŸ²×ŽÁ -¬ƒªÌ~,A7ºuÏ]T‡Á/PÂ!…ÚA0ٺǺbÙdÞÉÇVtòÃöûô»ZZ³TBÂÉ+/¹×§wÉÀ{yrGñä’ÌwY(X]ÏrCµRüââãzâº[A¦×r(Z£ÀÈ‚Ûµú;s+ŠA={ ñcÂ+sPÛ™¡í¬Ù‡B¤€oùúÞko³ æ•°ç`‰²èó7¾g²Åë§ < ã ¡M^‰öí¢ű‘‰{À}… Çkqã¾»Ua\Öêó’ Š³¾š<75ÿEÖ»$Çéztü&þÄg -œˆz°Ètæ銾Sâ··Ç%úÇœèù‹Ú4ÌÜñK8‚ü²w¯Ð=8õË0‚º¦9äw%ó±bâTʯÞ`Òsˆ -ôK“ùn= ¦nZo:Ï!È.¢¿ó˜UÒäA@°©Kí6¢¥šÉ¸)fÆæì`‘rYbBHC—öçè Îå>¿+xÖ/·JÂQ#^iDr›ÔôcÝŽ"é·¾ŸÚoŸEy‹ÛÃg.$†½Ú˜iÖŠAD÷WY$"D¶Ý¢¸œ8n¾~¸u#—Á/îûª‡ÚšJ—€!yà–’üõð]íZ‡1ZM ºì\¥l¿ÀÌÅ Ç ì÷Ô™Ôâó!£Ù{/œ×.ióè8½'Ñó«ó¸é±³v.wÒ—Wá榬y≴¶‘ç±äÕ/S‡ÎÞíl9Õd -Ï$WÞT3ædµ¨¢:{nâb,‡m¦‚wÈ{îÈü(…¢Ç.|ó67ôÑý×Ü/8¬Ÿñ™{?Ü\ź©±\,KÆäÌÐÐî5×,‚Jhñõv*LÖ°´8M$·„ŠÉ0é- J\µGeI‹ÜaÜoÑRÉCÐ1ÿŠ¨«{ˆ™Ë{V¥:ùt˜˜l nE§ÄîN«h°B’°‹¤Ÿ Ô¶ûÅZMªqkÊlÜÄ÷•ocÌ}]j_+„̲*yX`>ŒÄ¶’à|]MÉ‘ý‰ñä@5¦f²·ò¨¶Ü¿_ľì@G¿tþ"6ö¨.{‘§wª{PeÖlæ&Ñ7£uÁL'©9µ9Þ¤"y’i–fxLf\VxX%³ÿX»â¡mº¾C§;(­öáþ~™6§?u!«P”ô¬­™°GN´¹,§·vت3ÿåÀugõ¶/n-ÜfèÈŠ¢œù¶eÈnP”0=~$0®ªbÇeãsÊÅ«Iu, ½Oï~ -(Ï&qÇf,ßxÉîJÄ -ÛC3uãë”:GWÅok¹J¿¿- ŒyYFmWxÝèÖïÜmOÓÄÞñÄIЩ$àØšž”ü‰l;N„¹‡Î1‘ìÓ¹CóýI:Ktl~ÓµGÞ¨ócnHRÂÁaŸa(zFébü~‡LÍ>•4. 8,¤:4V‘uYžȹý]á-©Klðþ+}£!>vVˆ ”ôb”HûÝ÷¶‡^-|õ¬àx3ôî¤6l‹C©‚LTôN…Žº¨ß\àYûX?‘0IÍ©‰1”³¥I»ZHÎéz7/qP’Jx¤ƒÕ9ÆK¨ù%¼€ÕåeýUú÷ÜÕ<~œ–ÂÉ–LúCÊäøÅ„ûóôÇoí X'$гé7³³h’åªÂññ—óèõ}¥.Gaå·×¯¶RGp»Ma¬¨Û<®E‹Þöåeé7¬CF_/ŸÏ¦û‡°²D³´HP׳ب}~üv§YUVÈAK1ËÊ^sž½1—¾R6بáü~x|—‹øÀ±j<ÿã¯NÉÑêƒ%‚úBê„(,˜Ò›ÞÞ» ïnÊžüQ«‘{|Õ¸xO£Øœ¾h¹’áaèñS ]ÆDƒ\‹Øg«D,¿‹F†G§—^\¬<ž¡¹+ÞD=ùÆÀIÁ±aûCKúõe/²× å<½÷ÞVüÕb cÑ©zÕ˜ÏKà³ "jš°rPDk÷믧֬#·wV‰e/wÅG}Ü1åõŒ‡øã|t\Av¼ #ì.BFI6á7¬œ‘dÊí?NwLÓ°ù *¡«6 YHp*:©ˆ£øŒ­4ûäŠLU+¦>!jG¢Ž'I%®Ÿ.öк–iÃkÎ1{^>4s¨o§9Ldòäk’Š0ÎßR  P¹EŸ[ÌàE)-®g­7b¬FÔ‰¢î%B,6fí«¿h­ø4mùD~ß1ç5«N„Cw)ÄnïÍÆpv³2ü⥀ F[jwòi/Ür[`ˈjÏò¼ ÈâD»éÃ˾<’_Ó˜h*㎧f·Ï an²c[2YAYOeZ9|I–ºè¿åïö*2—ç2¡äm:±Ý"ïö‚Œ¡õHK?ÑË÷%‹;ªü$Ç›¢š´˜AqYÁ9C"t -´ Ï‘‘ uŠm¦aÄEð}¼£<,á\7Õ‚–FP -@;²F£Y`Ÿ´#™¸‹b]/ï6>²ÂÕÇÄK-D –õ¦×xÃ{XíÉßjä}èý0ºÝ(пp½Õë2¬¤+YØE.ÚÏA5C§´.ºY8-„úÎ=p§žN¤i.LÖ›§ê™¯rÅ3ÊwÏ9Iñ¹@X´6Ú_§¬•Øþ„‰7˜Tø°‹@ûBgƒôMwßíüö®ÿøì:À˜«/[û³n­{"rJD‡XXÕµ`»ò/ýÂß–ŽÇoÚkðŸÍab‚­o©ú™·<¢`8ûf“lÝ éhKàÞq—°?Z]•P(G_•Òoù§-ãiQÙŒ¤ `*‰äõ›žc3a,žÑ€™¼dŠSiêmXýv«^¾÷¤~lÒÙ%qÑûøûw=YÈÑdÖ:¸Q{ý 9ƒ²÷<½–é᧣V_?i’Ÿw…w‡Ûl‹ê1šœ¶€Ì£lœü}ǃHÌPã`iÌ&@É 7Í‚¼#ï¥tQŒôœTö(g±¤ßÝÌDý7¥GERÄ•³ßß ÈÑvÑæÁ76a†ÛQÓlG«}Cò<+Óï·y÷êo—Ñ6™§b 5ï“ÑL€¥ãøZÖ‰µ©Dw…_Õ´SÆ¥4ÔáDþ´K1ȪEɹµÑ ³×z:ߪ -5 ÏõÆï¤Î)Ó©þdÔ“~Ùƒƒm¥S“Kë/]fý`7€Øœ·s_¡epËk}Zú±Ù¦oÁðhîØ>»_:™=eþ¢ðpñº ß÷ÙýûAÖ‚p<ãœt9u>ANvüp»½wg¹DèÜþÌ+hNŸó&ëkt”e2u"Uõ½£—jù@Njò¥›ÀÆVê.µ-‚ÅÅÙ÷×ò¨_#®„³ùæ­•zx³=¤‘"•‘r–†êæ«š?·‘0Ö}ÏՓɨݺ5à³8Ï »Å>ù¬Ì…SD²¥Ó`Z9»>‰_gn xqNÿõî²~/rq¶{(—X½&«·`tg]¥Ï%iQçŒ\^VXeÿcŠµ¤YOŒQeé]üÚ |Oè¿!ïnm§B(]òâ¹%ðÄCŽ‡…"göbIÔe¶çÆ-òxzû+¯*ôüOA–1 ”ùž¼vätu6·”çƒÈjƒý-QV¦„÷¹J¸t4SÖ%©Æ¼ŒÔÝ7„aϦ¥Ä×°‰Ñ6Óq4’„Äã)4™¢Ñlds|z¢E¿åø£MÉ -WÌÓ¼¼­› QĪ[¼›{k—‚Þ)%|”ø¶Cu ®+’+å{7v¢æì:©þ0û½HØ“¦ó㩦JKŠâä ­–,;/“ôp\§UÍn)/vÎœjä%ë¦ïý‘K`Sóç²0™‹7˜ %ìè0“T.u3É‘xÚ}Óe:<h&V;ÎÂ:™Ý‹¼eW³h%„]à/W½(x€ŠY¼nøólZ«ø¶jt7.T4R°¹–H© 2ÏÙ–àú£hë\ Ü|Dòy`t&JaæHÙ˜ÁÜñlgZlº—¸äS ‡þöoB:'Žfmn<¦H’ÔØŽåqÜØm==ü #ËЮ¯Í«hÁ8ÏÙ`k¶åÑ;³Û OZÐg6Fö#ÙH·ŸwÑ—t6ÞÀÎ 3VÌvF–txÿKt°áΫ3‚ƒ¼>߃7”Ì~S«ÙªºÕ7ÛBgyêto¹ÏC¹Z=º?îÁ -ÁYÂ_…ÿ8-0jôGp`Ñ'M,Ø%ì/R‘z¹sçÝÆÐã0W»ãþºfÖõ?býzy’x¨²Í?oj$å+oŠ4âÒ"à-§ïr1b~o±àšýØ+‰àg¬baBËNkaúieïJÀóœqE“;¥¢JaÇûÓ”¹¯­E¶]òFÇ~åÍQêùü|`•¨~Þ¼û+º¬n:_~+ÓJ[£ëï5^œòלH@÷ôu¢YÅ>UkñºÐ9xʨŸ==+ŠOw,îøÏAqí?Gó)[Zl~zì³Ð|(^(ìón.ODúÜi Wm‡ØKÞÐGy²²¿m§ãÀÿ¼”jsǶ¢QP¼ú½\6pân}{68Æ üfPÑú’À9§µÑ ò‡¦£:ýIî žMPÙ£@CÅE³Û®xe†yàŒ^§vkÙ>ÀcÃÊWaJ¾`…ƒ•ÌeÁêΧHâOÉÑàw¯ßíðRß„Ú7N•Ôr_èÎ*[I#ÖøBD)#»Ôý‘î³ÄìFUÓ‘TmåÕhHïz‘ÇËÒí Lø´¤Bí¿f¡³ °ì9™æ¯=tY³ß»ÉNn{rüÒÎÍš¬ÑƤ fÜ'é_[_ÈZªáÎs[Jü¥ˆ^Ò!öUtg·ÄÇí×|F›â¹±”nÃD(fUÑ©*¹Ãc¸¯L^ÊË{]&{@íòÙOgz¥ðƒ·ä'9n›?&ŒòL$HIMŒ±éYkÜѵ|Jl?eÚ“I´¢w0)%G^ -ÓîÞµB(ÙÌükåðÙ ·R– ¡~ã¥o -ž"÷$ºüŸD“?°A©ð:2¸]!UD¦>ËëV‹²±À&”øê`Id-mè€wÔe¿ôGWÂ-ÎÕ5@Jüi¶+F™gö«è¤ ÎŽ.À©ŠoÞû†\›DÕ²XCê/çè6½·hê“F–¨ò©³Á¥žÛÚ£m…\ã뿯d‡]5÷·gº/ȤæÖÅòà[D9þ¸(ï—Ü«î~&ˆ©Uù‹§¾—táœJt~Ê™N -@s'w?ÝGy}Ÿüm-7L¢Qiϯ M0?…M › -çþ°#0è'íûÌ3ïqÅ_5Vꃎö)uõº—Í 2œó9À'r‚F‹ý½øÒýú³ô/W¨ K ÊCéŠÏžó‘HåA¨!O‡–³ó–e<,5ÞÿáƒóÿþŸ°r€€\áNŽ W{œÿ‹NH -endstream -endobj -16 0 obj -<< -/Type/FontDescriptor -/CapHeight 850 -/Ascent 850 -/Descent -200 -/FontBBox[-30 -250 1026 750] -/FontName/PRUUJJ+CMMI12 -/ItalicAngle -14.04 -/StemV 65 -/FontFile 15 0 R -/Flags 68 ->> -endobj -15 0 obj -<< -/Filter[/FlateDecode] -/Length1 727 -/Length2 3394 -/Length3 533 -/Length 3952 ->> -stream -xÚí’y<”mÛdz &Kö$²³XfÆ}×XÆÚBÆÌ`ÌbŒÁ "d«%¢B$E²e¥,¡”${²TD ¯»û¹ßçóÜÏóÏûyÿ{?ïuýs¿ãwýÎïyœ—‚¬ƒš!ÞÏ“`æGe¨ÁÀ0ȶ„©ƒöÖP(PAÁ˜NÀ2ˆ~T,ƒ€Á´µá «@2H‚"QZ”–¨2ö£…ЉÞ> ²±Ê.ÈB qX*eø({!8,äà‡#!`ÈLaþø$„!èA<„Á@x"Žò$x©@ÈX–T/?âOHû«D ìq”“ª€ö8ñ~TrOðBlüöö#ìÑüÁþ×ßÃÍÉd,åøßÃú·>–B$‡üÃáG¡2tÚO Sÿnu!ü ‡&à‰”¿w-X2gHõ&@j0M0TóO`FdðvDÎä…%~ë*þï${óûͱÃ89YYÿÇíþٵé Çý§ýw ûg½7%:‘ :C¡°=ãÞû×Êío»™Rq~x"ÕäÀÀRñX:þ¿…§22òc†©i@AjêZP ª!´ áÿjt¢ý –& -(¡„ÿVqt:Êøý?ìø¯Ú‹¸7$IÀ#5C.>Ð6†~ óó[À¤éîÑü‡ƒ¶òÁÂÔ¬Ü,FkÒê59&MiÍ„ö.FQÎ71>wq@¹°Ä7 OX¿jQÎ6GÃívDÙ°UûV;X¯ý‹Ø»jVØ1d²Ü+lÖÊœOÓíž*êô½1¥n1ùX¤ÍúzZÔîˆñ×>¾äG‰¡•lg‚Ñü¥Ûݳ‚—ÍÄD}«•šG„¬ó˜e'˜œ¢itÙ$h൳“’¡_±Ð_ýSWQ¾”ʱ­‡:fs” 0ö+Êñ•ÄCék -#ƒÕ³?zñs -„ÒžˆfDF„uñÖlRò/É]5â½?Í]|¿Ó£‚Û3»Ôªéè -ûž s'R@P[ÛKH/ÕZTádšW™<£LC¸ž§äíš< `,Ö1÷haµ^2òŠ&QlíÆMîçö§Ÿ\ô¢ÎŸÀM9U~¡¥•àEnJ(_ ßÍ“Šh°ŽC:54C¸ëÅ<¾Gï{DÙQR<)Ëxg–ŧ՘WÌxúÎ)ÂO¡¸ t'ŸnVöÜùÜiØÎa]XN‹æü -ƒižÚbm]æÈ´ªúª†Ïè5ˆ{gõËïQj´{kæ¨7u‰?»ZÃÓP’• *‚s>ýè±­t¦È]ðMnôäñg ùß $z G¼é«eÿ;0éQ‰:ËÀ’˜æÁŸfª´Šq¯£^(é_*ôRßN5,aç¶m÷˜@kr‚OÑäFk‚§øó•›‚…¨ÍK¯[kK|VÁ¾¥û‹)B‹G5[ÖTyùÂgAwÕmâÖð¢\üñûlmîÀóìÄ_Ö:ßÂé‡]Un{e>r>sð]>§b!½b Óƒ{ð£Î n³Á´±÷±ƒw{àX³p|ý˜96ÂqÉŒë²Véî8=È3§¸ÿX kC¡zZÝ÷õ»\¼–žjýróègnK®ÂÓ2‡}¸#ž«6OóFp?€’¤¿..Ëð¾[êàpò*¨0KXí/*kpvÍ ½{p¿:óëÓº®ãˆ;® ãq‘¨Ù3GË弄ëQÔÕ3H®'Hý5GÂ=£ùêþƇp½O=gÎÎëx'²É_‡—.Š’nž¬—²¸hÿ@rŸbÊñ‘¯Ì±ªªÁ%›SA+\/fwþ '{gÕåžÀG1ñÜ6 @ÞOãø›Ñ6‘’òn„—l.‡5…¸oqµNË—Ä>>U«‰T;°ñêòð÷EÒ|6Ú–µXÙ °þît*ñÐz·C|^¤ZŒºæi—%Up†%X×Hl`íN–`âàûÖqŸ6 .•!}±(/J?—d?·+dÎ׺­¯SáÄG~ì)T%í~ý6”•ñæ®(¯éì¨Lž[÷p!ùf9Y³Â«f]«Öé]¶®† ‹¤©7°î’ŸfîÓÚ,>¾õ˜Ö•¦åÝ#¥ëmZ3k¸pÝ"kU‡IòíêP÷e©xœ\Þy°0ñµ'w(SGˆÓ¸¡Î=ÁD+4µñíEtÉ:B qD¢9÷µ·›!xsî„ -û³ÝsW…•gm%1ê‹w{=S -˜x7fálJŽ<9ïnl‚'n«/«óËO¥’ŒåøiÙ„|™°‘)Ê“6;ÈÓ"— q|뵞taÁ¾BÅJ!ImÆ^0…çs šÉ3¸‡>.¿ä‹(zÑýRöcʽº~åævWU­¾»³oyÓ5Iî­æçÕøÏ\÷н¬y”vç³ûÈë”Î’¯Ÿ:)PððâÛQ¡ñ秃{vÒžß÷2*yIÕ\ZñßöX;¢ÇmÃÈ8Þ4ãÊA­O³QôÍF´$6cªsO_?ÃçfM©m‡î?XÞÀ3Ôë¯#2øͦ×WÒË긱ö¨ãa°ÈöÇQ-›˜¼Ýo×φ$.ÁX hÎT¼ÿGµ³Ò>> bøÂ圮²„ëù7°è 1»ú•ö4̾X¯t¨•` -†××°Œòßæ<¨Qñ9tôðV™ -½ÑŽÒ ~Ô$'[¢d_~=ývˆñV¹CÍ5[BeBIÌF虎¾ìhÃ;‘”´Æ-þŠ›ŒôM+º½éè6ÊY±Ô\Ï“€s¾æ}¹úÂëqeygïO,ºªç°ôÎ:^2õ¾~q‡£ê])Nå Àø•[jì2Bpãã½BÏDpŠW ¡½Pn6©¾Èç9ÙÙR± usŽ äºþž©aPž³”XPžžïÀ¡ˆf›"ðãT ¼Þ*Ò~cóå嬴7Ýјg¾|š+4”±Îj¤Õ+ñgÛþ<\É)®ë„ø¶Þq å¡–ÊÉÑ:¦ •h/(­ÆCV,Mˆÿ .¦eø%‹;±ë‡‘žOuë t¯Åßþ…xmú=ê$P¡Í2öÛr™Oíhã•™ -ÌõmØyšÜ7ÙŸ„ÁLdm’RfýËVI𧾟‰‡x¾{¯´Ð9² €Ö‹I'6›+:’²µG…j'Ï™úG¨0~|jùÅs«t4>³pbn.çÚõÑ9,¿/¹»ûì%uGGuY5_ô>\úŽÚWµ´2*§(ó­døðÙ+äªüÀO®k¶ãÓàEÃIËÍî7x†‰š‡nZ-rÝŠ53ÌàMO·B÷!ñl*o`4lû-M¹Ì£MSè‹jÊåÕ{uížfúg®ñF,Þ8|6ü -X«”¿GìÿÆ…¨œ49xd5´îÒËãn õãÖ9=mÏdÏí¦œW8­€sSq–õD f؇οw.ÕíwÚÒ“-¯EŸ¸Ÿ7÷µàöéòuR¯÷–lÉ;‰ƒ‘Èäcì_Y¬Và9ÏDà-–ϵ&ùÌ(6ŽçzÝÐ`͇ÓÇBÔ5Š|ÀÒ/œ y23@²å”—,§gÞ:ÓÀÒ‹A["ò¡GHãz•N›Ê+¾œãïõ7[ åð­Q—] -1¸Çq)a¶Ú4k -B”ÕÓa·TuŽXN2Í?ð(b Ðx߯æû¹™?ç€Pj¨!`ÌAÅ^òy-»çsL¢a™^Ê<0fz!%BêL&ýðwi™’;ªî¶?QqôWâ|©ÏH8*úÙNàBî?Ç -©ŒÌƒ.!œe‘fáV?-–ÛÙ^I‡‘"‚0‚’Dèꇡ.qÖçTÆòƒ‰7ZNÎÌIñ—jDõ(H·¶ºVHö©þ’;ÑS<Ú´‰·\b) ëøæð5¥Ymm`dKÔø*Šä•sÞlvµ*þ¢#MMdç—Fó ^r¹sã›,õ2×·è×Ý–…»ÑñÊþoiÍ‚¾ÎMÚ˵´‚,þ÷Âäk±댿¯²žþ†LúgBxëx¨’§Ø£îKŸ¾¢­ÑÏq¡÷A*3V,û·ÕÐÈ1îÉ<]Ïè6y2®ªL_X!©·JÚìræÍ.äkÅ;P@¾ae[“‰j–š|ÌY¯ùÞê5ßC¥®nž ö÷GnÝÂN>~)'ù©>iFT¦ƒ´EÔ8! 4*&q©¢W\Û¬³ì÷ˆ…¹å‘ùGlXÅ·Ÿ¸Å£\RÒQæç‚ÉRCÇXÏæÖ¾Ÿ-v,[ä…Ba¡™ ÖF­ çH|}=.õóNÔ¦ÿãç o°‚°c*I¬n$ h«ÑP›ò|ÊãÛ¼ô±’¹0““ÓOé†U?¥ëzgTGnYÎs˜Hcˆ|Òcîû®­cløg!Ÿ:Z¾K³àò–zirçÝî] ¢LÚžù<Ï̹?,Eíì¼.dÚ ?0:yn9ï€Ï~ñ´)nÙXnà†Ñ<êvPøIG`\2×`TWzöãóÇŸ—Ípo‡VÝ-XXcéó‘ÓåºóâM3ÓDZ?›_߈©o»9âwÉ ý_>Àÿø?€#°t†K'ÿöÒ¿B -endstream -endobj -19 0 obj -<< -/Type/FontDescriptor -/CapHeight 850 -/Ascent 850 -/Descent -200 -/FontBBox[-34 -251 988 750] -/FontName/BHINDG+CMR12 -/ItalicAngle 0 -/StemV 65 -/FontFile 18 0 R -/Flags 4 ->> -endobj -18 0 obj -<< -/Filter[/FlateDecode] -/Length1 714 -/Length2 4169 -/Length3 533 -/Length 4719 ->> -stream -xÚí’g8œk»†µƒˆ^ŒÞBô6jFb53ƒa Æ(£EïBôh™(! ¢=ˆ>‰¨Q"Ñ{Hø²ÖÚß·½¾ýgûß>öûüyï뾞ë9Ÿû}ù¹MÅ4`ŽpmFLR\R 64‘”JŠKøùÁh¸áÒtÀÀ•€’ŠŠ’@ g ”PRNIZAIBà‚=<±h„³ (þÃ%Ôp‡£PÐÐãwÿu@M= 8+j ‘@“?¶xMàÞp´/&HJa(èwF ·ÿ`ÒC9yåÿ’a>žÿlùÂÑÞ¿¹€B¿9…¿)a($ƒ;nyü> þ›åŒõßPý=\Û‰4rpÿ#þ9ý[ÛÁÄþ‡ÁÃÝÓG =`p4êïV ø_l†pÂÇýï]=ŒÕ@9#á@‰¿$„·6Â3F` .@'¤7üOŽ‚ýâ÷ÜþD¸}GWÏHSGô¯OúWÓؘa=ÿû‡ûÏZò?ëßãA#ü6â’¿¿×?ßlÿv˜ -êC œ¦Ì û—ðïPwîxøŠIËŤd%Š - -@yY‰àÿê»BxùÀõ4²òŠ2ªP4ŽÂüùü¾ï?k'ÄïéÀáþp( 7 Al‹Côèáa×$ÅëÑ)c@{ÉV¶ì1ŽùÝÀ.òŠø´kL”›ñá ÍÙwãĬS!.µØšCPJ×±]ËŽŸgqn³ùr¤T™´&6ÆÐ`Mr»sžØboS'Š“ ´»B»°Ãa<;öú¸ÙÏ'ûC:>ÂðÖ¢ƒ3u_ãWZ‰” “Z~©¢ùöǯÈQ0ÌšûJŠ!Ø=\:êâþºØýGãõº.–µÅ ¸ñ‡_ŠqkººÊ w¶_ƒúJ™AxÏÒ"›Ø0o=ùƒ°pLZ¢ÛV%] }ó$e dÑ -¡1jꛫÿ -2¼²lW¢ëQ¬r-ëj PáþìHͳ”¥P (È7€ÝrK²k†*Q×T?ƒ dYD¼™~i!úØâûº/»9“œò0…¹ªS×]yáÊõ“Ú´ÿqÌeSI0ybï㫨y±bd>EŒ -/€™9µ^D«Õ¶\¿5£¸ðÐÅÚª¼øÙÛ3_*EòTdÈd°ˆ°?SŸù4¿=.ù©C“bÈæîïO„ŸÓ´i°½>ü†7ð²Â§˜û˜]‡r{•˜OŠÈ,æEV^Å/Ÿ¡âÐCº—) îJâ!y),>‚G(RFÍ(]l¿ÙŠ‡‡ÐbWã{´ØÝj²ó b8§©y?&ÝýYÿû›¤_N÷i:ø]7/ÐJg{íè„è®Æâá¶"óSªˆ ëád»…«["®”ø{©”ˆ¿ œÄà/é'jJ,_†,´åج^¦ÂÚî.´mì2åÔ¯ù¸gþô2l48˜S›Hýq¶5˜ç6êÒí®#ÂSÑÒ#”Ô;{Ïm}›ºÍžðÁq‰s¶Î‡x}„(µöÜ.(ït{Èï8ð+\ Ÿ•ã]åëÍPÐL¸ù=¯Ú¾cümKøi–´tðA5&/ÔÁf†£÷|×Ø4öÈ 2x€zDd"ºLò“¯ÙÈd,4©R¦ƒÿ–5¤[¨ÅxäcöšZqërrñûòËô?·ùsÄõ”«|Û× -5ï|¬§œ¡³œSñ—qïê†Ûud-EoéI!Å Œð.,m‡Ó_Ì·%®Ív°âèÒ‚@¸LK{š ¤ÚÔ†I {ÿ1˜,ÞÅÚ¦*ô)˦|sLŒ‡®j³Žï>´YY=ZMB¼SÅÏ-$bõâ<Ú„õZ®OÑP©]"CÇÛš‡á õ;Û:ÃÈ1¯miÈê³´]É¿)œh)û„°Šâ½CÙèGÕš;ç I·«[ý]Õ\/…H5îJH†x­Nmå·¸áÖX}z&‹´•ãL²ÿ¼ -P‰£_&€Î× "ºXÇ5%¦fj-jéRûYlæÒ°±¥ãˆ¥­fŽ ¨F¬TÙE§“鉹3âwZMD“fÞ°Z ‹Z1“,óñÖ–ÑÌHÊë̳Ãð;}uŠÜ Ð’™µð3al)~ùùüºš¶PõmwY«>$:ö{à¦^›Ý’baܪo‚L~ Ð>=õšªæK®ÊφêÞu²ÀËÒ©¸ôI•MýÛŠ’Á— %ž¤<¶À*Wiö¤IRtVk«j)U¥4U"ýÜ›Wć Ú¬1Ø“jý•ÀúUæÜà6¼}~‰²ðµ‚0=X"ªîDÓ(ü--d†0ðdC÷ÖÄ E1³ñ)Æ©¤ÙpÕƒ0/Ã8ÎáËYÆFê-‡rp¯À-t­ž¢óÒòBËáÈ-/2ŽÐ*Æ-s‚Å?‡þí -¯OC\Kl/¬%1¡RÏn ù‰ØUd©—Ùpp'àÓ`у ;^Áÿ‚¾éA ?ÝÖZZpÜk®ZâJ+ßs¶æËüŸãÚ²gÂûZHÁNHn<»¼IìÜÖHKZMD1X´0š{¯ [Œ¯6lWe«pi-‘ý+”wyfXcÌ•5úÖ·“ô<Šƒú§W4©¢ïQ:]cÂd%¨,æV'¶æ×ØŠyf—ªèºzäÐ{ïú&W_]…d[ã‡?‰Ýš¶ªÛ]C¿ï²šwÑ|(!)“܉ù ŸažSã¼Jñ|cÃôTMñþ›ëµÓçœ\ëßêq³V\¦}V€Xi&ÍØòü>>Ô¸é“g˜þ#uZ¢™œœŒh€D‡‘r~Xshƒú¢Y\íEnDÓ‚óO!N‰¦t ®TyAê` šIW`7¥á|2rmª<£j/.72NŸ±Ÿ~_¿#ßmâþ°*¢ròÇ”Õã<³âÀ£‡ý1ÉN ö,ßžÚ"E‘Â*ý¶£pdƒFòGmQ'>\l'ç@’ÑM^iËMpáñ8è„ùsºÉ¨3~Îk•$Ô‡ù2Ë湊rßTª+áð­Ãsi–ê”iÁå²:öµF‹R\Fè2gêé™_Þü›=«zžïôw2‘cÆ•ù¥„k -¯˜Ùrm KXûæÀ9©A¹…«LïÎ¥Ñe£uÇ?a‹ðÑT¯{*–-ØÎöi¯l@šÓ£º¿Ôe)¢U\Û »*›®@þA"¯ÿ€†>ÒV"^hØeÑM"$èWhEÞ<‰–¤°ÔãlþÆŸI¢03u8LœÓGðrôtì÷éÜ•æ.žâØØï)8¾!$?ÍSÁ5C¯Á?š)gVÛ¬"Épî Æ*v+þÛƒº-Ä*:ó¼*+š‰ST·ãƒ È‹?ÔßZLÈ (uqÄÞƒâßÈÉN£'ÉE>æMµ%BÈݯDi±VÞ•5áØGîsn1Yý ’<¢.·5~kr­’©ÀžAzË “ö¶Ê¤š‚'ZÎÌ ‰âòpÊ„z ¡§C;ÛÈš{K໨!{ÈS-\ß~¶él˜2õxêü+¢ÝèMžÍâ´T¦ƒ˜|õŒ\>÷ÝÈ'?ß5ŒsïÙ?N ÍãZ -ö}šYðÝÚ€¤Pw*1Ƴu¤ -_rrm}GA7fl”3ã5É´oÑ .¤!}[\–¹…Œ—)­Ø(טyüùHY‰VÒ/Û•+M–L—z³Y)—z°¶ÌQpáµccŸŒ"„03<êW^iUè-Ó X¹®ëÿðJ¥ %éîNû€þ …J³’ôÝÍéFJê.UkOAbHCe°v¡£ÖhÈJçËÇŠe&=Å*¥$…¥1I5úÙ‹¿N‡ŸÃŽkô¬éuÆóuç_½÷ïY%¨ìc_=í7Áué~µI",Ç=óÁÖüúÞý¿x ¹ÄŒÕÞòݽ2ca’²†‡¨PÔðõ¨ru˜¾_È·Ê™ 6åbÌÓê,¤àrŸ7ÜOþÑ –Å}‹¿'w~¬»‰bL{)dOêV•SÍŸ{YlÇ Öu¬8©A<°(”íù.&6›f“K ÈõÎyá1aC¾†bh­óq -|ôΟÎéjÆ8Zpwü’¶ø -sÇ»Þ!YGBÂ:ZÀ<Ýžðì¶ÂÅÊ«RpÓ˯ân¹Rᬚ›z*‰— E[£nöÚ¥Ý^¥>¡QÕúÂ?¤ŠœT:ŸÈ - xÜAÜwœ:¦4iUß ³¤ Ú¦¬8$áªó, ¥ÚYßZ?"|¤®É²,=S¥£ -ÿ¶j¢)¥ˆœÓì::cnÚ¼Ù™÷b’ʯ)k¥Egß=ddéÑ>®óªÕ]ÆÞ‹éó[¦Gç±&e<úøå{ïq¦ƒ]ò'Jïßµ:?ÿ$c.Ö¦HD)“ŽëfI.*¥%•ç}Xû®’ÈZ¼×PÔÀãÞýIgK_€•›J£ÄF³¤ÄNâ´>{«¸Îç× Ô;“;€ÂpŠSAg›ëo8ui"ê“¥qœO ôâ*w¹B—õã ÜÁ;“ß”¹®82h—æ 7jrˆÚ°aHF=æ‘>ÍcÒjBO1_è+QóœRIîþ/8ü4ãyüU_Ä ¦¯BZ߉8èÜd»+ÆÊìUvgµÉ“šŠtI([.çkyO-Ðï!`M½º(;Uðæv EƒpB]nÓž“÷ý® #‰U°†gãÀþ¾ 'yäeôÆ&iLußá-ê7–ÿ ä“ì-Çæ ,¥ûõ€ì=PéRqfÂdo®É®°k/õÛ(Ã_*cëÇÃ+WHI…½&Øåޣ㴣ø™Jì ¸4„”îí*GŽR¿ëô±ÂMµ,!^€õ2Ð4¸Äqlû•UÁ=¾þu?JÆÛr+ü×t–-}Œö¢ûk#µˆÀoPÎvó}Ðö0 -ŠÝ‹æÖaŠ+žQ-aÑ瞦OxI@ݯbC=ëj/o–hÍœš‘é4d(ßn#â¦šÜ ¸\ÔŽÐ\ü^Þð4NäÉ©´qè׃Xí¬FdSrqg¦M£l^ìdï-,ɳn¹v:¸°m~]’ËÞuJî’Eó~AU]ê­Š<ùëå\£/fLÝÁbäžE¼;0Öß2·7Ÿû†II»’Á'õît4Øì÷ hj¼· 8ÏÖg#4ZkwdjðØלŒž¿Ló\`T¿ Sã|‘®›ñÄ°ú†å–¼œ³hÄ–úîtš^œÛ×UQÄà|ºx“·ÜáÀImã²­œö`Öé„Q¢\Òa¢Ú»Ñ£WuúSÓ–›úßšÀ&#Î\XhÄ™ãò' ¯›4ãûxyKn>­[òf~sß‚¡ãkÊüÖ¬®ïÀ§ÂèŒÇåUF‹! 䎇^³øAðç¨%¸éôôö ÎY'!E/èÞø6†ÀOÃM~ Bd¿!ó¡ÕsX’UN™™Ô<Ïl; œE¿XjMK:Í7•Ù¿¶Z6ª¦9gy—úÝ<å!åñŽôø¹©¦hÄ{/bú悵\ÜàNÊ=‚5|U*õ¸i“Q[Îä‰Fÿкuù·EÕ;ˆæpŒN’=šÄ~F]ÂÀv#ñP'z>‘g å=*¶e‹É¹Ì³I?0ŸÓKÁó|ñÛqH.oì,^YäÍ$JsÒ×6óÎäY 扊º>èäï¬jrìó%1ì4G -7œ7þ´óÚ7áôÄ^é¯J zQM!Ã∰£=P‚颧–Ä— {[Mg£n;»ñîÛœ I„­1‰AEê¬báÿËðÿÿ' H¸ãáî€vþ¯Õi -endstream -endobj -23 0 obj -<< -/Type/FontDescriptor -/CapHeight 850 -/Ascent 850 -/Descent -200 -/FontBBox[-30 -955 1185 779] -/FontName/PFITKK+CMSY8 -/ItalicAngle -14.035 -/StemV 89 -/FontFile 22 0 R -/Flags 68 ->> -endobj -22 0 obj -<< -/Filter[/FlateDecode] -/Length1 721 -/Length2 731 -/Length3 533 -/Length 1248 ->> -stream -xÚSU ÖuLÉOJuËÏ+Ñ5Ô3´Rpö Ž´P0Ô3àRUu.JM,ÉÌÏsI,IµR0´´4Tp,MW04U00·22²24àâRUpÎ/¨,ÊLÏ(QÐpÖ©2WpÌM-ÊLNÌSðM,ÉHÍ’œ˜£œŸœ™ZR©§ à˜“£ÒR¬”ZœZT–š¢ÇÅeh¨’™\¢”šž™Ç¥r“g^Z¾‚9D8¥´&U–ZT t—‚К -@W¦äçåT*¤¤¦qéûåmKº…dgaqºán¥99~‰¹ ãAá„!˜›™S UŸ[PZ’Z¤à›Ÿ’Z”‡®4<â6ßÔ”ÌÒ\tYÏ’ÄœÌdǼôœT]C=cSˆDf±[fEjJ@fIr†BZbNq*X<5/Ý)ÀÐ;D?ÀÍ3ÄÛ[±É€Ä̼’Ê‚T„j0ßÁRQf…B´ž!P!ÂX±h–¹æ%ç§dæ¥+—$æ¥$¥À0åä”_Q­kl  kijª`hhaª`nnY‹ª04/³°4ÕÓEÁÔÀÀÀÂÐ,š\ZT”šWN @Ãøi™À@JM­HMæš=G4“1^GVûk—W•Âw8wsÃ,õ¨M†’~ç›&±6åûM=wÎç…3ÏÜ“¿izan£5gα6÷ý•w.ãÝ"?³l±QòIŽ;ïÏîõiazË°8¯¤=Ù—cþ•¨/‹»Â–8êXs¯ÿõº°úýù¿«Zö»G¥Kl8n.èzAmjQY0«Á¢ßïøÉáXñuuäCé´°œ¥»œ6N”Š­—þìÌ÷æeÇö•Öçxª– »\éz;gÒ‰Ì^ïš™'jìUD6Ï1ÿyé)ßÓOŸžfª-Ÿ·²â£µ|k°«¤ìõ˲ýM‡›ØTEL¹}ÇSGC)Ãäýé¡‹³ŽžqæãZÆ2MΤ£ë~Ž¼eÈéCž}J±Sm¾fD‰)»})‰Ò*h¿z}­GîÃ\cÞ©=J—^¼÷ø͘'»·—|åHŠ›ÖõNý­Û3ëó[Wy”þñÑÚàÌ™wŇO}yÎ;ãÙ[}'ÝÝžû+¦56O”‹4]ùïÚÔêv¿í™À!°ËùžÏì-\¢+lŸ½,Ûîi·ÖéÇ®E¿Ÿm>ß?ûÃË]q«¥±Ýïìtóç†Ì Ì~ Ò:/O16ËÊÓŸ_Ùôó¼Í$ڢ›.Â-ÁJ2=û¹¥W4¿˜|/Éúásß«<ì‡ W¯_vyRl‰ŠÙ©ß/ükeŸ^yëQØë—Ý·¼øÜ_ò ýoàîõ)ºr(B•s†èöå|Z++6*>*qíŒ>tdEaÿÖ/×Û (\£ ’sR‹Jòs‹²¹¸Ã?¸þ -endstream -endobj -26 0 obj -<< -/Type/FontDescriptor -/CapHeight 850 -/Ascent 850 -/Descent -200 -/FontBBox[-301 -250 1164 946] -/FontName/KNCDYV+CMBX10 -/ItalicAngle 0 -/StemV 114 -/FontFile 25 0 R -/Flags 4 ->> -endobj -25 0 obj -<< -/Filter[/FlateDecode] -/Length1 721 -/Length2 9761 -/Length3 533 -/Length 10318 ->> -stream -xÚí–UTѶ¦àî. ÎÆÝÝ]ƒnظ³qw îî ¸»w÷A‚[Î9çÞÛ£Ïí—ýÖ£«êaÍ9ÿúçW³Öâ¥TÓd·peœ!,ì¬ìIe =v €”@¦¥•t›Alœ¥Ì `;??@ ú»øûps y‘i’NÎÞ®6VÖ½$Ã?T¼q°«¹™#@Ù b vøkbnfÐt2·C¼Yq{{€Æ?^qh€ÝÀ®` Vddvv€…9[Ù8"³ýKÞÑÒ Àû¯´…»ó–<À®n¹ôÿ$eüå´pr´÷X€-‘ÙTœþöÿ¥ù?ûßpý»¹Œ»½½Š™Ã?ìÿ9¬ÿV7s°±÷þ…“ƒ³;ì -Pv²»:þ»Tü/8 'ûÿÖFbfoc.îheÿ•²q“±ñ[¨Ù@Ì­–fönàæÁŽÿŽðwpÿ`ST‘”Ò×aúßú¯ªš™#DËÛù¿|ÿ!ÿgÌþ?ã¿ãqµñ|þ/û_áßû?WFÿÖMÚÑÜÉÂÆÑ -  1s´0sµø¯Ä§’pòòeáükÄÂÁýwŸ±ópø¹xüÿW¥¶£‹;X^ -À yyøþ™5wwu;Bþ¹þ~òÆ–6{Í‘ƒ4Õ•éÏè×ðø&Utô!ó/eQÁ!BÚ¼oöÂkq‡­i»~uïFD×›ìýh_¸±›LŽoªÿ¼ÿTàc Éø?ï/ôK~­k<)ÌçRELå‹«îf5ƒë%EÅ€Õ6ݪÓ/š/dÀÖþ¨çO¡ ‰ÌæPQi jQ¥ÁS[#oKX¸)ûf®ž.A:Þ×<)å°>±Š·žõ¦â¥d÷À—þaU•ÒÝÚ ^†YGXýì§ÓìPBɳZŠß}…{®ª¾µôµ*×S>hJ÷gP½Éï^OQ»áë²tꫬխGã”ì-§íf&JNÞån -—;RdÀ•YŠ¹~ä0Õ9ÔöÒ ží¿Š„q)Z‚+¾Dú -(ÑîZ·Íri«ÚêáxÌ-•W#Á”ìœG\Éâˆ"‰1ìË žŽ’¾þ̘¶0.DCf²PûÑÿ4¡ œš§ˆì=ÉÉÐ(¶=}G¯•,æ$<ó%H)b›ˆ\—šÍ‰"tÛx»#Z"ÎDŽ³"d:Äh3V¬OT*úæZ!_›‚0<¡ý+h;ÖÆáσ½%?Ìr@tA°ÝGz¬àêšûO'[&ßÙàìG6ý:Ý,+š¢¹~ÛIº g•¿d=`Ü„1Rf£Ë¯‘Nù/µ>¬«£Ä`!Ußö/ytuáWíFß(d™i²¶xJ{¤OíèòýªbáçBøÓ€×>È9›ë–ұ¼á §ü£q„JåH\`¢YðX`£{½¹¨àÁyúItmŸ­Ö?ÐÚ:j]þù¹~#Ìõ¨ùæ)©ÀÌU@ 6ÂÀO‚#Ø”ü"ñFƒj°Œ‚‹—ÿ -æT×@öày ËÒQ K!A_Í,n‚dƒá ñ{v…Ãäg+ny$z–b]ÔaøI¢¼v˜&ﾬÀÐI-ÍÀޥƒ>šánÁb¨r$ˆbÿN’ l|º0nVV‡¶…\&æmüYrv8…í s©0°y£}½nmYê#®•Q·ú{h<«ìéñ¤ÔÕ¯áÚOö§(ß>ÜÍG;=q¤WšsðcÁÛ'~})§1/ÚuÆâB—_d+اjän|¸¾ÍÜ¡°eϳž_ŽèW<Æ$'M3ˆ?5Z>Hb…ÚÏ­®5H6&ÿ ¸zKáÂãD¨4‘Õ‡ˆ ~Khë‡ÈòjP•:²n’¼J’ ¡äJYÿ–Mà)D…>(¹ÌÛßa®r¯¸CÚÀÃ9pßÈäšk -&aAL V û·‹Ì÷7™ïÔ:me!øçEî䢖Ϋµ‘ì,¸±ÌÀßP;ßUU7jÕ–‡¸CðÎÁ³»[ÆIáˆwF[—ãùJ½gÀžt÷uõÜýz¿ÞÝvo¿1˜á¢!@üŽ‰]%öŠË³÷!Õ‰6@ˆ9{È«Ýs©WÏŒìO7î»f_Œ<0Eeˆ±9jÖÿ,ñä÷DÂ~ñùîí¦gA|hËÐNž6š9JR]å•ÞkÑa:"[QÁNëkÊÓËCaLvÞȳuÿB| çŸå(å¦ÍIL‡ÈD‚~¿08¡ÈNßzmÞ;”$5c§[â‚×~òñãðŠ?žóûÚA!{Ý: ‚.ñ€5)rij„zpåôýcœÙ,œýˆôöü) -ט¸‹Õ~¨ÖÊ¿2®[êÔ/šW„®½¿Rû­©GýzÓUIwN»å|ÿ̈Ñ3M[%T-¦ƒÎS“C_¡A¤OtPºW"ÎßvÕ/ß:ßH–üxÎqÍ$w‰¹`îñ^sR6<—MÞqEÓ>#Gre¬¦ÒI 1¥h`™¶J½6æ@ÌýÎê+L]Õ¼¾EÎë"›¬ï“uU;nÑR2øL×a‘ꀗÔqG/\Ð^=žÝÉæ……  ¦¼?@”ÓD:Ä3ò¢)Ò¸Ë9˜J°àê\ ,åÜ9©Z~~PÿõÞM·Va÷¬0p>xb—U_*Þ'pÇ -,ïô³ÅÕ‡„$+Lƒ vè+<íÚL™\Á*Ç8ÙŽj‘! Ac%V7L’<Ø ™Gø…s@ÕÙcÚaóÿþ–ä6M»Ê2ZoCÔlÿsë«ð“õúÒ ž\è.=`)pßI;ùž€XBn86ð°h–ãŃU\t"ËÌ߀fä'¬‹è…«zÙg(~m_³«ÎuQ…ôl}ßÓÀ§s§”f0‰éœO³”åµ]8Àuþ#Tî¨c1ÿÌ#xc7{ÿŽê•v/ò§…Þ -š@çp!-´¨‘bƒBÖu1)>™ý‡¾ìÞ7XAÒ~ÓË÷ĸ¢,)|^DŽä§Ði8C5ßÚ$®]XñZ/Ÿƒ'Tt¸<0©2Š“¿NçM¹öš)Ñbo.$¨‚Sº“vS¨y±D -a Êë¥Ï)ïy·†Â<’Èðš^èîeâÛMó{ŠßŸ~NG¾ˆùÉ¿"h,WZ_Šäs«ßß°Ó)²~Z•«hclM®E{ð½qh§€“»¿-¯ñ·Õ|QH¾¬,?˜äJ7ÄA“mÖßßv»ú¦†!Ûeõã yçþmm¤êÂuŠèO)š³^Åe Çêdw ´¦‚}Op´ jÑ|}]$´^¯Ð©]ûhQ7™Ĉˆ½d »ÃÅOòäñ%ȬÑpÞ‰6\¸¸‘E-ÞÇÆTª± zâ.¶]ͼ„cd¾NhwÜ)d*uKŽ¬à-ÊdêõzOKÞ<Ó QçÑx}ýÀv-°IW¥-Æ~K«'-÷ET]|½˜4ÃQdŽh€ÊØna¿.ˆ;‡Drbím[@„h¿²š`Îá ¿ƒewÛŸ,~%©ƒìöe3Yªé†AAkªŠÒa×W£Oó Ø -)Ž8Ÿ‰¡+áõd+p†øYÏ»¡QÖ¸Âr» G&ËI*òoÛOµš_]¬üœkçûügžðx ’¡N´A|ç¨ÊSšê[«K=OôD5xû¥{-‰Oœ°¸šx¥RŽj˜#ªDŽÐäªE@q.Ÿ›žøóøwIËIìÔÚknÑgÐQØÄãz®‡âù{#çôU——ÔUYPKn-ºFVg¨XL‡Ýj¹œˆïmX2É3Ûs±…Ø_=KT1iÐ>Ú£i§Â—Ë®·Zâ·°¼I´½XÔ"nasÀdßø[{Ê2¯Áu£ßt܇0ã«¥ÐHŽ¹ —6ÑÁšÈ‘ëèYh9W ËÂNV¤["Q49ñÅ™èWÞ.Ñ*]ŽÇ†9wê xAþànðª"KÊËÉÁª£—¬uAVËàꃅ¤¢0$ù}ÿ;A …G¹áë ¾¿Ž|³SP -+ 03þÁÔù‾qÊSˆé-R—×Ç}8Iê +I!ÏÛ!c …m@Ϋo}Ì]D%—¼Zÿ5ÆÍŸ¸GÈʘÔ–Z"”=ÒÎas‘Zé½`ç ‡“ Na}è刳‹}Fè¦tI1Š[¾ya‚UŽ!ÛDº˜Í=„yØKd×÷Hzó¡mË¡8ykÇ**þ’eT Ññöa~woáߎ>(òÙšsÏ‘Ùø•‘”µï®„ÍŸæ<Ä*„Ö§{fÍ™\­•)Ådµ&´A•üxÿÙÒƒP?”[ ¬kdu Qª³%.ßü¡Á{t®ô2^‹>›+yº÷l”n¸H¯p•õžZIï’ ºÙ‚Uù¡Ö÷m²ã­§¾=öCY³W[-I1gDj’¸ûP.“kR°UfVpØ[d‹Ì»öq`ÂÝÇ=¹5Þ&q•²¡ÍçönÌ5ûVãGÂqÖqª(šº|_2éü”õcÁ—<¶c†ÌF». £Gtl¶ŽSìSÊ{,Ü/[Ü&ö0ÏVÎÌÞ^wȼ‰Ø3k÷‘ÞkL2Žq—œ'Ñ¥œ½F æO:»·… Õz©µz-¥„¤#èµê¢è‹Ã*]'±­“TäØæ^’âãqn̬х ˆÀP‰c)ÝIÑKñÙCk‚É“m=GŽú€ÏÞif•@wÄÆ“ É^´2¼â< -ï³4þu\¶åseVð¸?ZÎvëúqdœ4^Â+ëÉüÅ7?uþ@ó²<~d ÇÎSÄL½{X6qõ'@Âõ­bøÆ$òïmÔȘëªf%”ö¤°žÂ˜VjêfŒ _²næ}ÐõÂ}ã0ëU]~ƶDûNqÿÉ©Ÿ.çÝüÅ¡²—÷ùA…õgèÉ¥)EôD 㛺)SjÎw$éb…H£BH:÷Б¼¼# Je,GÌ!·¸ ª %#Ö;ñ_Øâ Øæ#Ë绊‹è¤‡q?Ãuâ8 «N²Nªªm‰˜Ó§±Ð"€z˜|FÈß·¬/@¥—ûÂv ÕQŒÁy$Z7TìË0a$´™Ÿ§b§@Ka/Ê÷®°†T†4¨x÷yÆ$2¡þ/éÑe„v¯wF\27O&¸Ë pyOŸŽ¥ïR湂æ¤"’à÷º¡H¡Î‚XEeDÒ(Áu*0_’çÏ/›Aª²7/¥,ú “Â6ÃPÚ¤–ë\3¬TzûÜûÅoŠ{“'¾Ž ?hVRiDM4×ý#ÝA4¼#gL|äî±ëbÛo±Ü"ïRõ5&ujš<ö`‰Vëg¶˜o·Ô3Ì3ûïp5d’÷v™ýêf—£jlÌÕ„Œ!ß-Hnd°vßt8,  a¨£§2 F&[ZôäÐ BØ+ÿÍQ"bS¾D”SBÛ³ª -z‘DWÞ5<ÅåŒÎÞ&F868]ŒT‰»É#}Ò›Sâí\o58E9Hȇ–á÷l©6¢ÁápË!¢/TL¡yS½îéËç|‘Sñî\V«# ?ºhy|‹ýÁ?cùð\•Ô­…ÜÇ\ûvºÙ˜¶dÑÂÍWC²÷|Ê ®¬æú²]Ü»dh‰ý‹K¤üÈiÙ2ìÕí<ýˆâ¾AÞ¥“G—ø6¬S±å›'#ÁµáMÌÂ[\¥¬ìÞ”,!—ÿE©1ˆ"” ·!ÄÁ/7~½N‘àÒ $`3‚'ˆQ˜ÔU8´.Ö<…À[Åî¢Å„†ä<9›‚''Ç™!ë…IùIðEQŽ­o³°ì\%ê’öÛ$"’hASk!kRUÝ ÏéSû¡,QK`iñÛüTÝTÑá±I1æ™í-ÒTUøM†Ft]&å[kŠ‡6ZÑVßÀ"V¤§P¸8Þ Á"*Z%÷ÂiTú\Þܳр(o{>FE©@yÞ,XÙO`+ff³C%"¼±_G"´CÀ®–^µï„*K4¼Gɇâ* <—q& SìŽÜ¡üð·]vV¼”±õ+˜ö¦<çò¾êCªî>ܱÍQ¼8‘(ï˜ÜdÚ|‡/íspÄ×ìZÝ”ÒB…³¶Z*¨+ÀBüµ¶©£ø…J €]NLCwr¢ÖB¿ó=Åþ‚æ󎡯 ˆµø2m°40?_lB㬷J}¡Ü»vv3-¯IÞ-/²Ç·êÊz¯Þ4NôQ˜1S’φÎÖÌjÞ^zþ˜§$6·©ɵ/:™'Ö"uMÎq=xãK¾¿&ù¿Ä/–…({µ/bŒè`SÕÁm[Ø—ÑLvË6ÀÇ -á ÞÉ5´Tåm† l?þÈ.3PÜòWßóúE´þl9¬‡½m‚lõ{¨R"3C§½¶’ªeßnfˆôú¦‹éçbO¸¼b-âÈš0³bs1ý m¬ó%Åb=üßÒýë!k1$¨- ³Pðð.Æuìi‡·Ø½!uWî¡C5œó³ ƒÐ“sÁ­ks—â’~Øl·<3ö¾e„|ÖÆ{iðÑSƒJ‰tÛiÅO^Q†¡­ºw™*SÍDøœ§Ñ7*Ã@Û´Zx |ä7Ït|(‡W¡uE°ã€)¬„ýB\#£ÿÈó"kó0å£ÿo¼î_ãtàv&¯hW!Êq³ <]蔆 üz‡Sò£m•y³—N_…Ò‚ê/‹~~d±+¥o¼„ÌÚv-G•£ÚFŽøMôõö7ÁB`½µð±“Š‹€[WËkŒu3â°B5ù^c)£Ûi!ô5ÂeǺ7ƒ>Š/s>wÅŠt -Òt”»PLä… !-WÜÄþš‹¢Š:€¢ÂX$’{š”%Ù<+:2,òsb½ª•qYI ¥º…´tÍ>$ÄŒåØ°|3g&–PFuFuÝIןÈjKäOxQ¤d™71• jô <=‚d­5§«e·ÇOLœÃµÙ &ç•å²‹šâ÷Wÿy°ùí;•‡ËÍÈøÞí¡n¿£=Pئíqíf3¬ýÇ’ ¬-ne­ì–§Rùdûxª‹¶ù§q´sS·¾üÅ1à,ï1¦H*Ñø¤Î/Ô‘Dä Däj7}E©›®¡ƒ¿£N°-x‰óéå(gï´C‰0W™È#ï[rqÏè½bˆ§’'Í’_›/§!á¯P9óód£Óù¦ùÂè{ilÙÑßk5gðs¬VeN¡è\#Aìûñ5éƒNð¸³ö"Cp.×Ù”ÀTiÌ…üí¦ )½;4ÙˆÓË»4CÙÊZé6…o°‰Ý¥‘à `rnÀ½“Ûϳ¸ÖE†H’Oêp85ØQ‹¹Y3"µi÷{‡ ~Úý˜œGñ²çð0z‘UÍîP\Å÷øÞnzj“ÏuøU˜X&!Æ#CÓ[a@³µxsKêmk9NÃ!ì¾Àg…Á(û!ŒsZyL„ʈìMŠ%gÊ“¬ïi¤ö'cý›}aXçBƒý§WßèácýdF 7…1F7ò¬·Âvá—¯d;a7íX%|ž_ „b°õ}.í“/`—ýüܤDçRðm=Ž¯1ê 904ÿÀh{­ -Ý-·Ÿ÷33ô« úJÉ”÷'c¾ŠåªÑ×b`^­ KcdL¹ñãÒ¨»Ä*¶¶ÏH¦º°Â<§–ªç©f¢¯XC”‹™†³ÁåÃ\ú¥º}Ø@ËgÚ!ñ¶â»B¡hÀ?› G}îlqnÁ%KÞó<´áKì‰ -Ïp8=?q§Ð¤Eï>N8¹d—ý!#üötÑ¿I¤] šõF!4™îR´T¬=‘µëhàŠm. ^~ÑÚåóWQPŸÓ™ßë’·a-ãm¨ô¼4°9ÖîývçywôÌ@ëp]vÖZxÒ®ö˜²«.BÙ«ÂJH¶Ž­…bl” ’ÉI’HÏ¥lâÛq$x¬Wš y K¦2„@›œhõ?z†”f¢Û±ËŒA³ç|DAÒ/ôã[£­ÊÏ5)¨<J Ñ/Àg&)&©Øû¼:(eDæík¾Uæ7Ôtµ<\æü~‰¬ \ùÄ.w)!Qt½§Þ(åCTg‡RªWüiÿõDyX× ÖT;•Ó­jf”¥Øq£Q±pÙ)Ÿ¨”Šò3a ‹©æcn¢EYâŒA£ï9m­FͬãÓéÏöò¸w-ߥ‘µ•×™­~? ¥x.UOD¼=÷˜‹ñuø¤ðÑÏò3»m^Rw?/3¸6y¼° ÚÊ %Ó"â†óã“”‹Hëi.*ôÎ3ë^‘#YãÊ_%~ Ï è%¸ 9%\˜8¯Ü¡P -ú#Ì·ÐÓˆDžPnáTÒþâxZ™¸·é ‡ÚÞô¦Ç“m^›ë—φúZ<Æ&k™õÆ^øØqÊà÷²I×ò"Â*„zÔüQ†‘ðØ÷¤Þþùq¿õÃËí- ´!Z'ŒèØH<„¹ßE8µ@ÕHÀØ{ž uŠ15—¡ê£"ÄŽa‘Ñ"»pIQþ¦}[ٲߘRV kÞôãÇ}ƒ%jÍnÞÅâTôBÁîVe¦õéOíÍ¡‘Þ)PdÎ2‘}·~»sx¾tO½7*¬&9ÇåÜßI{?)ùø¯˜¡ÞÈÓPÉSŒŸá<â8l=6ú)c]!/Eòõ}“9¡Óæ3 x™²R–Y5q:5³‡©LöSg®9øêO‡ËMóŸ$jøCJ4ô:_Bʃî1Aª˜¯ðµ5¢LËŽÔÙÚËXô3e®'Mæ+2ŠŽ¹‰° wݵWwäp}™ØäÇÍÑ,*êâ¤Û>AWm”X²éû}S%€éK]?ÿÜ™ÿص‡ñ$ÎÇUx Íl¿U8‘ ¬˜4o@„ó°tN³y“}³&ÊýuyÜ4æ¡”ZE½•@EÌAM¸Oô3>D-B°}{Ïá¾S0³¤ÂC •wß%ÔI%“…g†ƒ}hN-Mz§ ãøu$ô)‹«¢c¶gÏ©[uÛ ™Õ’§}"lH°Dù(˜~>£±ç3·Å¾_’±úw½nð<#‚B{k L «°ñQ2V…)a~ÁÛè:+öËÊÃï#X¿jçrã³r°ÎŒmû©ÇYóì.|‰yÒ²Ÿî"cBüδ•ÈÕÅÐÝ­,'ªÂ`‹=²0ër™ü‘ÈY©»S²º-J9ûí{ô"M-½ bfª"·š²³H³ê¢\™|^¥¡vÑ-ˆÀ¨Þ‘ñ~ÕnØÌ×~S.†V«ÞJÌFgQn°~'ÎÓuBÈjZÄuºØÊp3ÿ3¹C’RGj1dò}ìpw‘!:RcìeY°ò6H+úGF„9¨ªÀ_+Œ‚ã)úVB͉FYÓ ²rõkI÷DZ3:öÈC^¹¤”P”<¥2é¹¥K¶4åƲ‚ÏB\¦C«DNÖ÷ üj¨ô'jK—Äc¤…¥EiHÑšI®hÏ,'›ižSû›ˆC¿š,ÔAw¸Ž®;?Ž>¢MR@ß,2(ðÁÁ‚êNœ[3ZZ¾T]tfô•ÿày‡("•hmŸ8¦´bÏùñ2IÄëã0âPÖâ@znríÕ–ïHL73…ßîÓÏ+ö¢ŸrKÑËKøz]ÇÁºKr!™ÎÍ:UK‚Q_šú%jü¸'Ö¨*гg%ö#2A¦Äv{~_gh•² ¹sVjÊæi¾¶&Ð L="Âœì9jÉD}œì-·¬ -ÈR|ä«à{Ú´ÉŽJÂCfßô‡¼S©ê‹ üÔw8 wêÙq*¸€Æí=ÝÏÌ3ü> »åOwd_”Ãðå´4`ýû+쾿¯mA?—É©Z¦þ oZt‡ï¶«þé,Þ/†°Èi{\{ÄÛD®…•Aïz¨:Ìâ+Ž9ÕaC„Ä@mËÙù¾bÕCËÓ·:Уõ*cÓªI 0‚Þy%ûL“Ñû(HhŠ±ï½±þð¥rçÜ,H°OŒPJì+¡ ¾-ÅP.J8–ÿj'ïÛ,ÜsÍ™ÊLÕ†ÉìÀ¿â§Ã¼|ˆ£9>S1öãú­`Í)?a©ó´Bm–@%„ùƒµá" Ìæ­&Öèéš KѹQÝcÕîæWÏm3Ñum™V„®‚ѸNCýª=47Ö†å0tTöÇ2™˜ý´i—øÛÞ<ÙîL_ëåõu7¿‚jkíϱ–£y»á_$Þ®7¿Qt{ª^Ä(0žvšÞq¢´Ê)E„帄d~tGêäRêJÛI¬ÕZsP’œþQQËêDýÕ?Ý00tÿµªHhQ—Æ®á˶˥ѓ‡¿òL”çÈM‹•D®Ü -þ×Êö ‹½™Ê„ššþî'D'9]Õ‚?D'E%B]ÖÙn´ !Àñ9óÀã0hÒd‚%º÷TÙ3jÁ |úã÷IõB,ìù@ê®uû­´„è˜Ý*X3nLß-M/›,õ €¸ tåZlm…lYºMÓ'¤t‘¶C8Ö¾åûÎÓ»rü[!ªø€cëtUfvØG9¶ -hÁbòÁ«ÁÒE¢}Ù•ÀE©ø=:÷¼ºÛ´L¿áÏoÃRû ®*œ÷%ŠfèÚ8¯QŸÎ ZÙÓTS?aPO¥} ¶àʇߨ/L˜ÊÙÚŒ ûˆô3cÊó„è _q§ð›iîÝ8ØÉ|½‰O1’:ÌØ!Ú -O"› Wml‡ïdñaîxÁIwC/5=Z{Írƒ³ã3{L‡@ktÍ­vöùÞVœ"ê£ßBEÕ»¼bÎVgna ß6Üšg€=¤FœŸN5î#WÂÖ _Ú€nUWŸzµå=ŹUN€ÜC4j0Þ({ïEâú8ßXâçP»ý#€HøÁú&l´ú9_õ<é@‘ì)â¹'ú€Œ%œ£ƒq¦¹>xn°™†|ê4b•'*Ùkî”Æ Åg›L!Êw‚#ðÅÒ­õz‚/#‘ôýaËïªß²µ?Y$ò¿Y·~I¶|ÐÃê£Úg“›ÃÊ HqKö’ŸM<ñMUdðÍ2EÖp.¤ƒ(æW÷5|xb’I -Nõ¼gŒù':¡WôB÷BÅÙÐÖ>þ_?žêð&Ðá4@j3ÓÓ>’ꊚZ¨B&,fŒ ï“*½zç&šÛPE¡Ø§y¥ÓóNvÎyFlç ò†ázÇh$‹Fd¥¤~§_d<“¹(_yX—o%ÅŠ‚4 iªl‡˜¯Ç|´ ¨mófÃC?}¹!ã‘O;Ý›.é&Ϫ—u—-j]3%•ƒfuoÑ¥ZAÕgöv󗆌âk¢W²:hú«fîª OµÜá345áȱPÀm0nOƒu=˜~•íþñÄ—)¼>û­œIFù@sÁ"öÂ-®%™ÄËö÷t™‹,tn8ã²Î˜¾e·Ð.ã÷&–°Ye#a(í&ó…Å?C'qø¡c½lÚA¤R½ÞÓpîìQó}ãC±Âõ1_ºl_>2ÑX< 1ﱪŘõ ŒvóK,{oG%z#|ú'êcHÉ`<ÝÎD– ž÷VÃè¾dÎS›=Ër—»æR-sÌy·=ãí¥ Þì:+lŽ›³á¯-u]v¤“5þ9ƒ”´pþó¤ÌÊÚ*]’çuð‘Ç"õ•'ÐÝ¢¬c΃…ëóíÎI–ÇÄž;ýù«$ÍéüUç®ä¾Í+Á÷ 툙VI6CàJ|íN;ÕðTÒ>­ 'h„‡²ªH'Çq>þÀ ÷ ,C—TÅØGµ"-,R/Òoµ‰³ðˆaùJõ’-²BV¦_‘’Øû^Ö6|#LRçlœãýÞ^@îS6:è|,¢Ç‘W‘ñ˜‰—½iÓÉk…r$ïrg\ifîíȃˆp^ÉVbÎU±™ Jrýbƒ`QY43…í®Çöa2ýùá\¢ƒ”ôªEîõÊjèp`[P¿ˆžì”àœpù5e*ü<„Ø‚ßf.8n¾'«µYÉGJÏ÷‹³J—F+gcþ+õǺdã5ecIàÿå…üÿ þŸ00·›¹BœÌ\í‘ÿ´¡¤ -endstream -endobj -29 0 obj -<< -/Type/FontDescriptor -/CapHeight 850 -/Ascent 850 -/Descent -200 -/FontBBox[-251 -250 1009 969] -/FontName/LSMLBZ+CMR10 -/ItalicAngle 0 -/StemV 69 -/FontFile 28 0 R -/Flags 4 ->> -endobj -28 0 obj -<< -/Filter[/FlateDecode] -/Length1 720 -/Length2 13882 -/Length3 533 -/Length 14438 ->> -stream -xÚíµc.ÝÖ®Y¶mÛ¶mÛzʶ]«lÛö*Û®U¶«VÙ6λ÷îïtôwúωó¯£332æãÎ{^9æÌHrb%Uza3€„ƒ½+=33‘¨¼ -33“ 9¹¨3ÀØÕÊÁ^ÌØÀCÄÌÍÍB$0ùgðÏÅÃÎÆÃÎCN$êàèåleaéJD%Jý/'‘°ÀÙÊÔØžHÞØÕ`÷‰©±-‘ªƒ©ÀÕ‹ˆHØÖ–Hå_¸©\Îî3ff"3+SW"€…•= 㿨¤í͈8ÿ“6ssü¯’;ÀÙå."ª“RýÃiæ`oëEd0‡aTpøg>À?4ÿÛ`ÿ/\ÿÝ\ÂÍÖVÁØî_öÿêÕÿR6¶³²õú¿vŽn®g"y3€³ý—jþÃ&0³r³ûïUiWc[+Sa{ [ÓRV.Vž3%+WSK"sc[À¿ó{³ÿñOçþÀ(§*/'¢CûŸeýOQÉØÊÞUÍËñÚþKýï˜ùÿŽÿi³•'‘.Ó?ýeþGøÏù_#ýÿ6™¸½©ƒ™•½‘ª«±½™±³ÙÿLü¯P""ž>ô,ìÌDÿÜþÙgLLÜDÜÜ~ÿO¥º½•“@ZŒˆ‰‰‰“›õßYS7gg€½ë¿wÂ?oü_±¹Õ?ý<¦0ªÊòT—TL†ÕTÁ‹ŸåAÁ|êœß¶üqGíéû¾ ”Oc‚›-60¾äŸì(-†§5?Ó2\ôÁ™Óñ‹~|çÒ=“I¡Þ·°B -/Èl ë™lŸ¹° -FDȳ탂©ñ|:Œ½¯Z~„š®á9, -ÊŸ¿©"ÚÉЕV…:–ÊëM•3DHB&ZÿˆÙmN­£ofÿD„*xÊÙ¼pe€®‹Ã»Y»@ˆûú› ,X=@ô°˜ï|òøEÅ2êÞ~Ûm ͹$î*ÖÊamdÑÆ[ÑR߃ðø"˜ïÄ­é¡Ý½J[°(—ŸÊ¬3 ^ËÍtÇÑ3ø´8‰€r'¿õÇ0ëtîÄv˸0„î‹,ö¡k&" ü‰*öÏ2° P±zJð¬.î•.ÄŽ…5Ñ !oŠë“Ë3¸J·ÖPZÏ FVËÎ)”S˜Ðt$I-ÎJ¾I~ÆÊl?‡hH8=>äØ«|'Ñ´dªæDÔnÍÙ~ý‘¯yÏQë].®(m¤þNë5¥íhíNlE×ÂÉÐo±!ž4º¶šLšÕƒ -¾Ç¬¥N8gÞG··;­¶–*Gõ)r{Hü.:Ø Ö¨]y› ä,ñ_²y‹2àCï‘™ZŽÆûñ#X«n¨Ñli)„QNõIV½jÛ8ªÿJ,±KŽß+d5•¿%½»¶c¦9Çn +UaVWÕ Û¢è\$€A R»/d ŸÁ‰ ™÷ñ4™”¨]'ïϨ #% æåºÃX‡ -É®ïð\#&ጄ¿AjÒ†¨•aœûGÓ–üe $fy1jÆI€³ŠkZp‰>‡©÷®K+Õº6®[Ñ¥ŠìòÉ „û¹Ö-Ìš@œAõÙßþ¼í.µ€UãM+Ç §˜Òéép°‡{™¬bNö­@ÇFÇ£ƒ{%pò…Hlåq?û­J=CAÞ†<åó–KzIÛruÓ>PÜLRkìÃ_²”ö%6M\øm€.ŒÁÓ´¯-¼Â矈ï!!)ê1“üŠö  ó±¼ùí¡ù <Ñ»ÃÊ4Ãßþ“^0ó]ã²ÎŒD3CE# a:áðÆÎÁi>,Ø‘HÍã€8ŠS¯‚O“V0N9hþ—èÌXBn謻“kSÿø¥UAþn7âØUú¥Åšç¹üÆød)É×h2ý q;Î+gµF‹ä’W’03¼yRbül”V–çŠiT­o³}¸ë¥Ë|($ uBV&˜õÛý:£Ã›b -þ—Vî ÝIÂò±v‡*kŒKè”å¦ -Œe_l& (j†‡5Còì×q•TEžÝÎÃû~aƒgoz8ˆ£ºuÚ³NÌ]­Ä‡Jr$ °ZÝ(¢š¿ô;—ñ“¬Dq(z³}¯ò0cõyx)kÞ ­%¤4V¬K?—ùMV]eÚ{RµÔGT(üE§å™Ü ßÀsZ4"Ÿ¼bÿÈäÜK1ËÉ›:•÷,Y˜jŽ€Ñ›zý°n&„çêÀfi̸‡Ý˜"¿jôK@øóFL{O”)_k‡¤“´ì%w_¥bC,:†[ZÔ’þœAºÎä2a£‘]ó¦_ +ÒCžÛ³xUyšMñÐàY£î3&:@Côuó -Ê´Ã,Rѵ߫a&Ô})bD­wþgYvîÀÐ&wí}˜PœwÚÓcÿ¸¦ž³3¹÷jÅ ýaù:– Ö÷¬Qq¶~ŒØb‹ŠòÑXKØþ·bôª±}×w²§SÙ´½2ªa¼T^–zÁ«QTf1Cí!9!åϯËù‰¶UT¦ûK\»äÕÍÄ4å=A¦ŠàûÝÍEÈ;eUšUS°2¾ÂRÈOëGHfŠ^`Ê5+×fŠÇÈ“R>ì__`Q«fjK´ûÖFFH(Ü\]¦á€aûˆ—×mfRÎ^¨%.çÏ›׶ߗÐÑ¢¦-ëJâd^Ú»5Õ÷hÚë"½êQèŒYy®æ,AÙ)NâŒÂ´‰ »û©£,í°¨P¼¬ÕŽ¡Ó³ãñ­IBžc*FÈñ¦úY¬‹¸.Fä~¼Ü¡á/f¶‘â]9·Ë 5óá'ðÐ4· ý²>7)Î ·SË øUûáE¼h‚uöšI—ý©lá¤.˜0Ágª!…ø$žDÖë‰:{jËÜeÅÖG -Ž5_ý á{OŒð¥\C1ï0½ô’X¬ûý%__Ö³ZÿU;"&NæÞ²p}w!‰ëEkˆ1-õJ*(9MŒ¨Ž°ò?0‰'BÇ{SÉKtÔÞO&)Z¤†¸1©OÝbôMò¥ °ÈgæF3yzóY¡Uj´Hã¾¾`à SÝd™J‹åCª+‰«>ÌãBã<$pŸ®9å(·M| \ݸMŽÒS¤íÔë&¾¤Î¿~çGuÇ&&Ó/7.6@eoøœ±÷Ò- ˆÁ™Œt½Wrïôeæå[ ËuAºVþ:f3ýexÓQ¯æ&>ëaºa––aêÑ~3©—·Kr‰:_å Å'³ýÍm¢*ïsDe`Mä§ZQityÖCY?ÕSÄKŸá^±6;M™°L¼ç>¾Œ¦ åÄiK¬”zŽ>ýéìFˆ¶ÕÆ€Œ•|ËÑ}5wÿz~ëBÑ—>äìª}ùŠ‚—VbÀß8Ê/ cWút"ÍuƒW‚›ˆH^ÁHéúwòì.!·—ø:H€²]N´)ÿ@²}?•Ë,žÌŽEU³H‚C7›uËòÏê¡|æš­9 ñ“ÓŽAHê··¯Xk&6¸<ÏDNד¹Î‰ò'n ¢‹¸ìXJ£(ƒ-VWûÔ ›>³çø¾ E_€”Žï¢Ý!wÛGõ–9Ë…×ç䞸@XSïÚÐ’ MÑFÜ:SÂYû™ÙpâPÝ¡®6ƒB##ur‡ãÜü7~¡3ÝEn”ÎM€ŒHÝ°ÌV^"pj£'?œ$¿y½¨T^Ƶy¨;L#WB½9 ¾ -xõa­®P»«“·Kc~ؤHÆf,çú‚­{Ä%haƒÑÌ_&bWà$`vÒí‚!Õm?˜ðv÷2[ÅíÁ)å%‘?¡'Ž{‹ÖXt¬zH‘RÕ¡Âz›A|äéDã‘SSÔ°×€4y>ƒ*ªšáüÔ‚„xŸ·ŒûO.4xSyÚºÞù>ðÁ<É[ý¡·«Üpˆ.” …wÛ] ‘ä±Ì-%£Yèo'i°|¦™€’öUŸÒ™±lÔÄ·™ _(Y3“ãå%/z|؇¤u₶œiº6§`¡f§¥þ†öY1)X˜\݇z¯Èa‹›ö½ÇÊô¸„7 ˆ¶s`÷4^·¿ t©L÷.†Fbü’;—¦Y½­SêKÁˆ>”ÒYÏÃÏ!0rvÀ!†\g9ãÖ‚ì¾ £6¿Uˆ/Ò˜ÚQ¹ XwžÖÛ»WM©@’ÚËÒy<Ó;NÕ¸ÏUÔri}¾ @£žAv߈ù[\*ògŒ|nÕ;ˆ7‹ >KJbL·f£¨P¾W²Ù´jÜ‘û•w¥;ײóy±~}ðèò"B˜Óª¡uS¢MË6#Äà#h'ò–í±¾‘lrç;fÊ)£¬"~´¨G’_W=rý”'¯?Gö¦ÿÎÄÉiQò½\1®!õ—68 ÄnÜÙ§ò ‡:ìµeÝ$ýóA‹hÜ€ùÅëUŒ™¨OéKQˆ‡øËP‹””àsÝTTª.ŒxOuŽ]´Ký‰l÷ãml¶sy/ti×-ùý5’ %×*݃þ:í-ZÙÉèXÃÞ±yB$Ê¿w S£“w%IþcbwC‚Eö«~RÞ}fýL$qÂùNÙÇråiêa´`äΞ˜¼j°TÃö»G¢ÍzÄ mÚ ‹ñäüV6c…yvn¶¡¬4°ýµA~ øK…µÏ¶BûO›bãC„ÔŸü o´ùÒ ã~Ž;rük×([?Ö0>ìÅþç§PßÆ°É>^-2„&nÃΦÌÒÓ4Æá.5Bò4Öþ–?]NÜ–LÐOö; - §’W‚7'ŽpÐw&èÇÎJ4oˆ‘¹GÐà/²À‚KdyšúÐÛŠ/%ïn!«a9 8+…Ë‹ÃââŠÀÑ°Äè1Î*2“!ÌpЧÊ4åg¢ÁßëËù‚Ÿµ“ÂØ5\³,%!cåᨙPPóóeI±WnÑ"IÝ@i¤ÌxÎKÎÏBÚ ˆƒ[¯¶/Q•é%‹K ·\à$áƒlJçx22ôD7O›ý£þ0dÝ.CÐÂ)Íbè"‡­Œñãp¥°Ì“è3ef-#wï§O/Î`–­²½j.oi»j©&Z‰„ŠyŠY˜]‚–@¶ÄŸ®%œ„uLâýæ`˜í!ÐÙœ§þUO ëáZ/=:³f¢¸ŠiàÛü±ˆ«amo}á:ƒý8µ4ŽœçðÓù7ld1dqÇHø$9‹è†?º¡š^ât¡A›¿&û¨G‚ûBÌ”zpl-7„ùºÆ#¸5ÙîŽbPõ餅›ò|‚œœ  L -Pž£ö-6ÖΦ=h=âfî-•¿a¡ó ëå†;<+ÇNÈØ„§+ªTfE×ôL›æÒ¥$Î,PšQ’¤Ó’ÝÌâaÁ¡Ž ÎŽ5-Q4Iâ‹¡7dÅjÂ6ÆÃÿ¦­Ó(Z^°> «B¨¾j_UìOÉûŸïRŠìÏ·ìècçwŽ…屬ø(”EC$4ÛlóÑíCNð(O쪛“·ñu#fEPû`ÕûÏ»C^åAêM%V¾}‰ºÆ»”Ûðζ¦ g® °”BN?±™ ·ú¡å'¬‚5``Õ?>Ï:×€1õ;Sz*»Ú…ç™Ð9ÑL¢c yKÖ3þäûÌ»èÙN’h3«YèÈÉó[ÔIPu -JXHtTÍÅ(­—­[qst{þ>AÑÃ7XÎÉ‚$e Ôôú.wwrŒX/ÐìõûÍ'%¬ƒiSèë9+´yœ–WB®Q%ò“¥˜ô¬ŸÙ‰‰ò@œ()’F$º5Í´Oö,NïRÖâ–Ü픣r½lp΄AJÐc] ù¾³DVn§ò>(Rï®,Ä™"²x'^˜"oµJ8s¢ŽRð‘Òú‘#¡[$IÑJ! ï¼o¸°Üzòt—-IƒÝ ÙÊ yõ{ñ»–"ç;öé¥ï°~o!Ä?cdyÎO`¦â0ŒËæ2–ùfKú†™O"c%&ëBÚÁ­m¸"ö¥G@óžý»¡V‘>E}XÔËÛ›²tÚÃEš‹?²xqbúy¼‚ÙfJÅé6~“—µöúÁ.žª÷Üî¶NûÓ£õ²¼fƒÜ óÌÒiÍH­¤"• UŒ#2ã@™Â¬ðÉ¢QŠ$Ëùð/(;L½ÕAªþ7¶^bCÌÅÏ×ò¤êj6ÕbÚDÁöóÂsç•acíL3bÙ]+3¯{£¹"äS¤²:^G¿öcJ1÷ŒªH‚G2%á‚ñÁÒ€x[鎾¨×„(DÉK|\QÈÏÕ)”"su’õ˜¸ÈŽ@jÖÅ}Têá«z4N 5l–*vO VeV>͵¡ê€*ÅÅøºÒk‚\DFrºÜî‡â‡JsêXôth]8X ‡!Þý$“ uGz•.¼R%ÿÏnï2ñL`ð¹†Ôu&‰ûÚÌøUˆü4ÎmÛ»£Ñ'HN^äH«Gxw]ø£¨[T˜þ_:*Z͆gAÝœ¸2™Å|sVÞ?E £÷‘Pe86_ ¦ öÆüÍ_Ç…BŸïFÞVºF0]o¿S‚P¾˜/m’Eëæg›ëÀ±ëÊØà–æ½Æ4]‡Dº–ÖW¿ Xç$$ÓìòP|ô›ŽÎ«ˆ\L÷dïW_Z›ehA¨¡úx1K{ÞÇ?'¦÷Ù>6Š€û~Ù òÅÉf¡ ا "r+ný2ÐT¦Ž;ãê_£YÚ8:÷•†æó•Ê¬-æX¨¤` ‰ñ_íb€æs°Ä½Õ6aGdÙiÎÎ'1Ù±qB £ÚnÈÖå(bòо†vÂæêÝJ_¾yòñb -AiA´U‹{ŽOA)(þ±4j¿1ò÷}¸qÂ?oXÉïè¼WÇ®1‰æÌ`'¬Ò]H2#$x †ÀF?Ÿ¨uvΖútí2ñ|¤(7é’{}V‘þ0öMXË“ ÅTNõq¤Èœ|JBKùÔ´UL ïS¤ú)’…UçE -Ù_N«gEÌÈË¥ö1¬R©q§dl ÙdÛ wÕäôœ™¼ÛKn¨qŸ²-ý=6€ÿ„ìœtvÁvЊ ´EÁªÄø–I™ù]Ò$'2¼/¼Y\¡©ÊÀØžÀ*:t&4È@Bå\7ån{¡yÔ@-J#1é¯X‡Z¤q†Ä¸Ÿ~ßgg™êÛ‘3dÒfS‰Î\Âö‚ªjõ©ß­™CQ—QdAØÅf\9à-k˸ª‚ï©Å#çCCjb»4XÜ-ใmwϹ—Ñæú_‚På/¶pu|¥¤»µ9ƒ›ülZLªN·C¨ªïi&2ÿvøÛBø±ÀêÁ«þ”¿ƒFŠÜ!AB²¥¸ÚCi{dÕ^é't>%Øo5šlE:ŒÑòÂÔbBaî?°Íc©§¤´ö·ŸŠæàæWJä -»À2acðÆþ€)Eukg×4¸œIϘŽ(˜#È'—Jm,úpŒ¼HŸ{‘XˆJ”‹ŽÆã !¼ËŠ-Ç{׺N¯Ù8_M©¸XhBÒ/éÖ¹”ÊÓ¤šS7Üt§q8áÔÑ5è8~å“ÖqÇ*ãcœ®å$¼<;Ï+å¥Ö\J±ÌY· —ܯÛçZÊ¢M$ڔŮKó,³Ý&¾¨w4ÿ4F>vÁ±íÛ}ÿÄæƜՂ€{µ–.¹»ÆäØÔFv\Ü.o0¬ç¥Ê”ÍÈ0eör«³Ðd\¡ZgâAÞ\½M†“nç&,Ÿýk¬úÉüÂGJÖq>Ù€œìåì¹Ñ¤-ÕIsSbúó¶;½W0SEtÕB|zk´ëqÿøãªÉÖ5@MMˆ+”ð¤VCl–jžÊ§U—ù¾dmF«ô;_z"A8fàתøO7ªm1’5Hn’ã è­½ƒþ[eë}ÄTcè -çoè -†¼0‚¨¤Á,OJçù¦÷ °›ö~DŒ>å–…R›Í“³|¤wÄõxwmXiÌcC}:>»¨ÜàÕWú³ÝT® -(uD/KsˆhqXª¹mNs‰Mæ}`BLŽøjP|/ðSgCl.˜v#2 8ÚÜxC¢Ø )”ÞÌ–®IêR£{£Oƒ¸?Eñ¨1ˆ2Xœyâ ßç-s¼#>jþOœÄÌ,·|TVØa~ª‹*X2öQI]³ÇÀJÇÚ•hô:Û'v/ÙUé.1¥=­`È>æ€úq’?QÌ…ÅËsÀc”¹I_–²}º}}É­b! Isz æÙšŠÒ´X„³†öxæj½UC·âãK\(w&ü'UŸ§þ:\ƒ=„ÍÊ¡IÁ¦U?Db=“z]šQö Ž³’º[›—ZƒÑx×RÐüâØ~`š‹!KŸ~(¶ÉXA>äðßÀ|!±1^06shaÔ¹KAQù‰/Ðy<‰Gð×+~o®‘àlNçÉÛ‘ Õ'e̼$á Ž”&ǤÇÒR!딊i랤ýÕ¨pá`¿OtjÕ<ȃ6ÁFŠw¾»#ñ¤o$0ñL,2 $,wý“ühYÙ¶’ g8h°? ܵ7 ĪäfË‹ùš{L «IžÂŠ;÷®ÀÄ (ïhþT´°Î§Êƒ„¥ê®âe¬D((¥Ú…8àTxoçÔ¸kzBŽª…äÂýÙÚœ¾ÁÅ–š(³†oÂЮ,FM÷3¯N2kU°À ­Å=\Ð`6¸ªQ1ß:)ÏEÞ]a4l«Æܶ[’¢xu5e½¿é8#ݶÎþìŽ3› èÚÎÏb;ÌØö7:•ø6 ]}kØâo|Ãá…7L‹­³ôº†¡µ?×¹Ö ìn ñ]OÑÈÙA¿µ´—[(KãKÕýÝ}|­\õéPÚ¼SÚVfùqžŠr¯s<Ъ,Ú§¢„_Õ‡@ØbÇAÖÎ9™ž-™ïe¾ÅÀ§z¸Ù~¿þìMçHhQjgñn3ò·ÎÖ…©£4LÆ¿hûvø¢¢5º9hÕ/,[åŽÅž0ÙåüÍßý Ò”©‡}ΡÍúÙôyOÍXõhÃ8Ï;çFIa†XÛ&·¬}Ò&R„§Eÿvç‰â>aûpâ­Ã€Ê·X–°-H‚t&4LƒÍj èENÿ‘*j k¾ Ô­èÆB-±ßwWqb­ö„+0‰9øÔ¶&Å& Q•;‰ñ¦ÚåHÞ>>E(ž2ÀzϤ–š™=ÎBƒ@>¦7V^Pÿhå4]¡A'¬nêì´hæ $ÆæãéqѲ E÷qSc”º ¥ç9"ïoRÆ)­ãii<¼Z›Kõ×ʲÁ/7¯“<+Ï”„÷r³÷§ÐÐtœzmÝ -Ö•Ž‹ååî× ”ÌQy,¾înažÒN0*—GòsB(g¢l"ÍÄéÆ= H("I@§òÝÍÅ‘Jf›‘y«Åã +éÙ±Ÿ›Ë‚{#Ó{Ð>~Ã…Ëáœ:3r©[.èn†8 GeJyø6.ˆ1;VôâÑÍ ã]n‚š…!`ÛëOû#¼'–®²2°|êŸxÁŽQ˜Ûêór|ÖAÀ‰Žg쬂¤ïi29d|stÉTGÙYÆû”³¨±4 ¦×ºŒF!ÞÑnEóêá6Uà#£;Þßøžî,Xá~»/r‘AÍNÒ%¢8¯ºüªZ÷R䟚܂黒̠©OZŽ¸ê²ÊB?ZQ÷ý˜K˜ÙwíµÅ®XÚ>®ø…Úv‚S'l¸ -+9RJà¾Ój±ÌÉѸ´œ:ïéð9ÆOÊUIG¤ç«§þ÷E>·|¼œ¬xk{¡í ûw=ù©áùy,NgP®Ç+‡¤Š£²öÓPÈÇçH”àŒß·Ä[R­ˆ_4ká©t.3ï·ðô±¹^—9+üƆE3Åšº`ieÚÔʽ(·ŽÎ¡ÉXðNôüŸÞÈ«ÏÍ¿’l0]¹&6žÎ™ˆ˜4™ëae”æ-D>|š'™_Ùª¸’[AF]“‹q-vü -8(3ãäãj >¹!4íróøô^tÝ¥Hý¼€<Ÿ~VØöÖp`Í2FŠ $9*3Ä4ØÃËQT\Ez2­„µÀr@Äé™[¨§JV›cljÑåå^/§}Œ^wÎ¥+ô¢¬0Ç£Åe¹øäÂLšÎÜ䥉Ì)-š<2À‰âÔ–ž9o/é6]ÒJ Jï–ÑbŽ‘»^ªæn9½š>õDaós$”Dv-²Põœîœ®ÀW~d=7:VLû7—•A.P‚S}WS!zyO—*‘ø€Ä„UV™¬“ÙÛªáDȱ\/s‰éæÌ}H §¡…óíÕápóy…¯R¾gvIv_Þ6.V7ß_´V¡]¸ºmž”àfķܘ°Àn©Ñ(þµß,œmÖ€úXÒduR¿-Ô™†nÊ¡"sÅæ±f¶·"ã>>§õ'VöqzÇÍFÝæYùj!î‡6LÈÐr Ï4ïwZþ³%È!£¾HÈä¥=1p~½ëݪá} ë¹Qy¨¾‹‚¶Ä3m]üå—ÈD |¦úçgôj ßì—@jˆ Æh¹ÍMÆ-»:ÙÍÿž½šwÅ1ádU}Ñ;»”º8B¶c=C%wàÑ9¬õƒ1Ì…’üqjÝÃ-ooa[!™pÕ2ÄM‡½ÔoMoŠæ¬— -¸%¥åò»xâ€ܲY -À+û™Êƒy2”3ûvìødiòX«ÚO²­~9Îòú®¤^Hã{ïÊé›ýœDv2¥v˜Ð8{ŠÇ~²ÑÅ;RÃtÒ7¢ nBO|L\¸©³?„MšòhßLB|Ú1m“•îíý)ci[’7\³wÝàD\k”9Ÿ’ Äöb^0ÈÑi2È64ÃT°q’q—Á•ezëôcÌööž¬"àuÞ1°ïìW2çrrÂáƇÂÁÔslx#†;l¦÷ í’o|¡ºrÉšŒª”Ïüø|¯Í­>|ùª'fwg»¥¬òDÑ_èêŽ=w[e3à§#V,ÞÇñ)T3óøÜ´J7ê6Hn¤Î>%Κ„q‘3nBg$  £YYxòO›ä°¿÷HYs”œA±EÙË„TϦàÐkQWá Ŧ_Gf°Ùm\šÐ|“u»kúÒû¶ú…hWŽ’ÚŸ®ýp JXZÀ|!†öý¾7?é4áÉ¿u@–@<ú’$JPòΈû2Á’S,ò’»«©"îŸÒïcâ‘Mçž{”¬%P^GI)Ð&ß -ô/_”ûÛì* »K £yô~q‹óH8n㓇f™ü`ÓgÊù•ÍRãüòç¬héT$_—ÏFÅJpâÉ;h!Ûr*Ô±`Î_²ræj€0!3<Ñ/k°ÕÇ á¡Jö€D­—ÔT?¶(?I@{¨£d2x)Æ´Éëž«¬ã¢* Œ×eTY a?O†ÊåÜÛ„Þº~©Ñ¤*1,¯«]‡gÝk'B…Bb>°LH›æ©µ—>‰7¡¥ÖÍ  ò×9Ô²•Égà '¬þºû¸}^ø)]*/p4dRã’hT+ì:-¤¯‘Šéºê)pUi N1W(#%T*˜+=ß µóiLU ¿Míùâ1^ÿÕ®Wº1ovW6&ßÃxêÎݨU~—·ç¡âf +A‡“…L{'9,¸v¡Ù» ¸[ŸãaÅ–‘uØ|dâ'æùo;Ÿ¡Æ^úU˜ºDã ôcüéTÇE’a†hl2\‡ÑvS¢ °‹ìsŽ )#.¸ÙÞÅ……¥:‰ÉfèýK“1#Ìr©Z¦šaTw"¬÷òý8‹ 7š ÷¿»Åf¹,¦Wä»c?9[¢ˆcKVòÁäø!à5£’œT:-Iúiiš´*9 ªñ÷|œâXä47!9[)§r£ÏÜšPó‹çn3˜ãÇãÎQÑåÚ°ÍÇG ÃJêÏ‘OɈ,Ô±Áò‹Ï ë^–ki•ÒÌôÏ+öŒÞŒ½eĆëUðn^r°Ø¼õgÁ¹"WÚ2[ra/“¤•îG.Œì©L>9'>Æë¾¢ÄTÜÏåJ®1ø]Å-°êôây8P‘@OsËcm#Ò†Z$ (],(Áçû€tzË š%-ø}Ár!²É.ædÓGõ¿áøÊuheA¥c8*D£RÄÇZ§ S_z2_5üX·.cyÐj[R"x†c+;˜d2b­­m|j|ÙZ:ÒÆssÑš«½çäªûfºÖ5x¼üªoêëT¶ÙT¿%SˆäŠäñJ;Õˆ><€&`¯hSZv!}ß *51ÁßÄ -ªyx^•7œ0”j(>cRÖF9Úeç—¸ åcysÛX¥\^¢ »PÍeYŸ=;>ØV姠/eˆûö..>Á=º¹ÏZ­&>' -Å…+{}žºÂ] ;¼¿¯’Fjš‹âjDªßÓËQrí9ˆ`ØQöG°›Ÿ¹ˆªg'vìoÑèÍž0½Mïî·Jˆ* -R轫Ȉ2ڲ˅&Ý#-Iý‹{=]TH«!T§š…>îÐw!áÞ|?£^bv¹ä}Å#ÈZ1[ÿ$iÜãJT¯Qdò®\wà.­}É«!ëYMÙ Ã…·ã[‡ô+ÐRÜäߪNjÍÿd-ÜZ±k²Ãð4DÖ²ÑqLoʵ:ü‰¯=ûˆr¡#~¥/èç<{É´ç}ÿf(+O`Ò -¿´@™¦ÝÍPC ‰.Sb !„@Ա͖ۖ*øûÛ‰Ù‰ëvÒòÀv/nZwÞT€èãtx ôþ„® T`µ]Î ¢}eênÝðÙqgÑYD»GѶ® ¢u™d¸XIfÒ9ùm˜mÑüQºDõ±ˆí+øžInpø²ÃËq€çÙE‘aÁÚûhG»5—07Ø®Æ~Ù #HËñ0E”G )ííÔ’”C5ËÔ¼´ÛC#YW³Ù/WÍò­·Ü¦´õJá·¡[¤"Êòt¡¬£N§¯5m[ÙaèÎI«4è€ U·K›_Y¨] ýNëæ=GDXáÄ<(x¬ÁÛÕ°®¬ =2yq˜®ËΙ±µ;)fÚ—;‰O° -¶¬c¦Šx„WÈwƒÂùœl®ù se"ÁÄ4JßWâH‘EØ\êáÅ|¡È©âé³Ñò"½GØ¥IM•eîeXúâQ€7°Šƒ<€+×°4¨ê-hk]ô$WÍœöf‘p|êWé´üºè„D)GsÛé„Þ,ŸÌº†ªq á±±V²ÃÎ4hWârr/Ð7‚Ü4cZìÁк¿s‰: bJê˜M1Î^„S­pü ´CÛ6vx¯IÏ0BÙâie_-xÈØ×:K™OY:Ê…9¹;µêÁeÜÛÜ°~>^ŽMæp¼ã|Ù©Kyþ -W߃>úŸPNñS«Æšª:v+öVlõùöá!ÚŸ¾±[ï`@}uVÿ|Ä `ZÃÕ.ov°L\pp¯Åò×ÐÞÿ"a“Ø‚úˆEaI$À˘&m)¸•#´Ð·j-¾_’FÉÜ¢ÊKmc0ABZ8-™°ªî÷?w»ç6…š!JT3€÷Óñ• ß ÿ¥i”"9Ý+o9–¼R¥îY‰,ÓÈ€áÓlV9W€~=rš˜05ßÝò¥Êth“Ñ(¿)M×",x¨ À¥0|í\9ÍWÅ>°½?eÝuc¡ -iòÁs½¤X¦:Þh¼ÜZpbYúö?r*}t˜÷;¯+V|˜¶²s:ÄÑrît›RH¬¹º{·ÃOä×ÈC$õÚÚ"·Œåv7"Ž„ü‰ ßÉ€qµ ÈZÀñÂÑ·Ià«ïSncП[ÚgïôŒPND¼ƒÅK“Í2˜ü\3µ¦/Ã=:TZ>Õ°În!½GA·+F›Ayþ¨'íÕÿ|Œ§^5˜·‚¬¿ÌêféIÏ%o˜ŠÇú!ïÉÜátÇ„±íG;ô¿¢¸P6}²ÿ.;“…¢Ã´XH%_/€+Ò½ÙC]9·Â²;×ú°ðJœ_³N&…æ6•AÓXç=arƒßaìZU7n_gÃBI‡Rö–é³e÷ÄXñ£==„k¼X#—K#“êì– -5›¦·/,­iYQª|÷¯Ðc ý+—óš,=›WN[s˜Î;æ¨îµ÷óäDá×”C䮾µcÑ]2pTõ²Š#ö©*kEÖ%’¯Vò—žž˜•ñWz£p­Sb¸© †©ä·?éú°,“}Y9xŸKmúº‡ðOâw+Važ²3ë—‚¦ûcö¸ÛØÚPѺ9‘ºÍ}gð Tv´“§Ë9O{&ü²8ƒØŒÖ®;Aôwèé éåGzŒ£íR¦ÇÇ{?”!©0d,%Ô"Û¹Õû.¤U(¯0"€ÎŽõOªw¦’Û@ݧO9zÛ•šoÄBÓ{" n]û¶ÂeÒ’¶—©kBµæâÏÔmËÜaŒûfbWÌj†û!k!ôn[:QUäšï[žñÛ³›f›ÜºƒLšçš],šgœ­#¾J|¬5ð -ZЮbÕŸÈ»^¬“y<4WïèìmG$Œ×eéì÷qòI=!s;/ •BêvÊco|PCèXƒ'ê|/çyAô’_K!Áä,–”Ê°×ó;ÂuS<ç1†k>‰º™T=»t¾5&DH˜IïaÖʉ‡ð{í2oð§s¦ -×¢õþÊ‘WkôŒ³?¸ß5ÑÖðf - 숭I˜‰J꾪áÃdâÈ´ù0ø'Š4¯óƒž:3ÒmHKh’®ÒÁM1Ç1)Öí'ÓùÅ£†‚LÜÀ­Ô¶ÕF•Ld@Û¿d̲ô*°ã¸ùk³íÄñ$l7[äÀLXs y¯çÁúœó‡tƤZd|µ*KZ³ÞèÒ‰4ÅäçQÅkÏU™·ÆkEå &G©óxð£€Ù˜l–ü¦¤Ûç3•‹reš§SŽi¸ÜŸÊ*M^4îbœ+3ÙA؈ʦKæÜ×t8ð‡G;¼Á³.B* ƒ"Ñ”ÿ#º¢…V'F@X3|r<žþlª ú1=¤ÒâÄ‚¹?Wïí±ÍT¿lrMVIÖ÷g½ñ’*e“÷uÐã*µ*9?¼D~®œGx¬YX2Ó3U}¸ö¯Å†nœæh;vÙž§‹šG"jÃé(ðkÿ÷ÜŸCjé^¼ÖL•á‘ÒR\(Ü÷ Y²€U •\–‘ –‰ÌgK¨"õÍ!Ȳ,1e¿vý>C[)_asºÈ2X)½}¾e~Ü)Â~ž5Ñ`[õôž{:—Læ¯É&}ëóC¼Ø5[xÏEˆÅ‡J絤mŠlmkÑ<öy~’t}ž¬‰2ðáÓ”’do:Jp50Yu&·]ºé‡QØÑJ|ÒV)U…}1þ©0u–žÕL—ZÁÞˆÃâ`‚ïxGpÁâM:챕ª¶¸9庅(2^#ÝâX—ÃAZî}ø —Omÿ­RWS²inþRÁÐäh |™1¦Ü£ó•NAø5ÎÀ…Ëç ½ˆé½híÍ0UÊ? Œ‘­g­±;®Þ˜Xè„ç?ˆIëåçEì9†ËÉd.¯<$åByà 9¤Râí=G¤õ9æ-™ÎHùر›?ÕM5ზ ky?MI'Ÿ¿Ý@½*>v - ”Ï¡ì9žpŸ¾¾i'¬‰'3­"9x; ¿ß/õ¹& ¤þqÖ{…nU=õ¹ØA}í²ÊÒH:øS\¹¤—v¦'Üg7Ò8ejW5m4m“?­±t¸p$ðm1@Ngùqò— ø±­Úð~a~hµÕz6|ø§ _Œâ@¨Ô³äDiåWÁÔ¡1Pí·JaçswGpo£Ê£ÓN„Ä~7Z„Ñ@‰ÆÙ!Ü£If%F^;ý¨{3–‘ÊîËc`æfþÀÇ_N'é)qÅFקàØg}w켊×IxëN}E ;è4Wl•OX ‡]© ›¼×)CcHôóçÍÞž~©÷â-÷g½e -Ʀ)¿X죵ð -—z×&t*nLœAþÁe€6Å®›ëø5ĺí)Khp¢’¿r›FöÿKMc»æ_.E¥¶©š¢7g£S~ úú$ÄDq²2è;—øé<ÓÏáÙ¿@‘º±£šù‹m™¬1úú -rqçX‘\¬–ÔEZíA‚d÷U™‹c>:ñŽ¤\;)çü@ä²8Œ -·e‹ ²QÊ5í ËÖž>?Ê=õö÷$¨>söð/Yµš‡ãœX¬ÌÎŽÜ{—XËÐ@!½=§×ä]ž5f?®æM\Že€¡´n}ý0ØzÙC›Ù"¢`ImhFÉ]°—©AŒï²µï¨@Çût¶È:É9Yã E¬™‘=Œ7÷"‘Ú…ôt;·vÔ%É@bÑ(-Y¨ªQ­¨þ’Ù zΞAðy0—å’ƒ>÷/ª1]¡ yÐÀ',tÎA{•õ¸‹8|ãåÔxÉ‚eõ8ðQE–³û9#é—àoqZ‹-×$Âc@”p…èÛWoØËûW0“fúÄyet´@‚™SÛGP…š½ÃCï–èú†AöË· oÉv̘u¡ÛÖ¯å< ™*Ý€ ×…Ì™Ä?óÜ_‚Ú•çUÉ+>o1eáÎ2ÖQĪ%*º6E§´¥ ãB7BØþÌ!¯%1è8ØЯ"ŸÁÔA:\d .âKþJfÜ®™ÿ®ˆÓ=saÐ ;ZìÄ"°Bü9ÑØöÅåûä(‹®>ŠWÚ¿”~‹päDÀBÑZ\é›3¦š°pŠÈƒ1¿´ '“é¿„œ¾Œ -»¹Ä¥?3_Î⿶F¿Hßr#–ö™þ˜ÿßàÿ¦¶cgW;cg˜ÿÿ-F£ -endstream -endobj -32 0 obj -<< -/Type/FontDescriptor -/CapHeight 850 -/Ascent 850 -/Descent -200 -/FontBBox[-4 -948 1329 786] -/FontName/NQSJMB+CMSY6 -/ItalicAngle -14.035 -/StemV 93 -/FontFile 31 0 R -/Flags 68 ->> -endobj -31 0 obj -<< -/Filter[/FlateDecode] -/Length1 720 -/Length2 751 -/Length3 533 -/Length 1267 ->> -stream -xÚSU ÖuLÉOJuËÏ+Ñ5Ô3´Rpö Ž4S0Ô3àRUu.JM,ÉÌÏsI,IµR0´´4Tp,MW04U00·22´26áâRUpÎ/¨,ÊLÏ(QÐpÖ©2WpÌM-ÊLNÌSðM,ÉHÍ’œ˜£œŸœ™ZR©§ à˜“£ÒR¬”ZœZT–š¢ÇÅeh¨’™\¢”šž™Ç¥r“g^Z¾‚9D8¥´&U–ZT t—‚К -@W¦äçåT*¤¤¦qéûåmKº…dgaqºán¥99~‰¹ ãAá„!˜›™S UŸ[PZ’Z¤à›Ÿ’Z”‡®4<â6ßÔ”ÌÒ\tYÏ’ÄœÌdǼôœT]C=cSˆDf±[fEjJ@fIr†BZbNq*X<5/Ý)ÀÐ;Dß/0ØË×I±É€Ä̼’Ê‚T„j0ßÁRQf…B´ž!P!ÂX±h–¹æ%ç§dæ¥+—$æ¥$¥À0åä”_Q­k¢ kib¡`hld©`naV‹ª.4/³°4ÕÓEÁÔÀÀÀÂÐ ,š\ZT”šWN @ÿÂøi™À0JM­HMæš=G4“1^GVûk—W•Âw8wsÃ,õ¨M†’~ç›&±6åûM=wÎç…3ÏÜ“¿izan£5gα6÷ý•w.ãÝ"?³l±QòIŽ;ïÏîõiazË°8¯¤=Ù—cþ•¨/‹»Â–8êXs¯ÿõº°úýù¿«Zö»G¥Kl8n.èzAmjQY0«Á¢ßïøÉáXñuuäCé,‰éóU»{ò.ŸY¿GqÍ…“'ì^™KÝQx`±åúŽ5,V)ij:”9‰1ëßUz¦8wÅÇlSBA¾¯«O±Û}½,F@+®õ¯Ç³ Igšß…s•—DÖExìÀý\wƒ`¼ÍFÝí<š‹4 -ÎÞ_û®0^àãŸõ -òmBÖ?=¥Üj¹ÿÑÖi‚yÍ_Íå?ö/e°muVÊùë ús -sêæI+".Õ³÷ZíùÿdaÈóž²Ikÿ4V“òAZ¥¢ÿ‡Ql¢Hœ®—Çü›m¿Ë-žm - Ò)?¥>})ËÊsneËëvfÊ;5åîÓI:“óû&±ÓœV¸æ‹×jÎÖÐ_ËJ¿Mw±ÿv¦¹éÐR‡§jͯÔhýPÜá¯)Û[¶Ú'M:gÞ_›í·Öîê7óÓ1Š[¹GðgIôý –‰Ë',åŠÒË*ÅÅ7+ˆëy}Ûõ¬ºÛi+šŠxÜ­8?WŠ)yýZ/ÇÙÁ ãÖ‰†MÑ*lLÌ9žµ¿ò@×:ý¯¤o‰øþä¨8#xÊüÆdÎIm_÷Ä9u'‡~ÝÙÙ8ïÁÎMó8Œ¹X1Ô_ù&·j“oÆ´ ®æ–'vH7sµò8é’û6þ™Ù¶ §[ßz±z7²…,QSJþ>]ñÏ£ìo‹žO> -endobj -34 0 obj -<< -/Filter[/FlateDecode] -/Length1 712 -/Length2 6263 -/Length3 533 -/Length 6815 ->> -stream -xÚí’UT\[·­ Á'Há…{€Â!8'EáU…® ÁÝ-Á \ƒ{°àÜ‚$HГ½÷ýÏm÷?÷å´óvÛ]ëeÑûìó[cNfz-]nY+„%TGróñð‰äÔuD|<@ff9(i‡€Ëƒ‘PqŸ˜@ÖÍÀð ‹ ˆ‰ qp˜r'/;[$€MŽý/—@u±ƒ€áu0Ò -û;t;(Ò‹utèüµÄ u…º¸C­xppøøVv$ÀjcÇáý InˆüÓ¶rsú—äuqýÃ`ûÃÉøCi…€;z¬ Ö8¼ˆ?»Aÿ°ü·±þ/Tÿ®èæ訆ýÿgLÿEÃì½þ—Ž€9¹!¡.u„ÔþïVè?hêP+;7Ø¿«*H°£DnãÿiÙ¹*ÚyB­´ì[€5ØÑúw -·úwˆ?cûWWSM^^‹óïýGÓÛÁ‘z^Nÿ™ú—ùïšï׆ãbç 0ò|ŒÞ}™ýÛ^ -pÂÊnÐE‚áV`«ÿlüW&áéÃ- àæús€"@€ˆÐïÿ4êÃíœÝ *ò! ("öÄÍÅ -Gþ} þüï¿jk»?ÓB=¡œÌ¤v¨o¸h8/,~uÎ04Ìjá´¥ ]æ œà:bðÌÙ‡;hýšÇ¿9ЊJ½f£“«öW—ˆë¼4ïñò¢*["ã°n5Ù¸/Þáž ®7Fãí8†F5½1©åÌò1Ç X>³ÊA:µŸöÑS6ÜÎôû·/X•s¶Î×nEl· ˆCf<Ô8?¾¹¬Â„ÊYSxUñûÁÞ ?èŸËpëLÕ)ÛÖÔç|ãyñk£ gGYYRbÌlË·G<Å·Ì©(ß$¬^Ž”’±ÓÔ[Ž=41Êá¨\Â¥Ò 7+øãk´Ô°dÏ…½wMKÚ˜^G N5]c¿A~ô2ö’Ô. -¢'2^{®oœYæ -ËäÀÈ·46Co V%<ØÈ¡Ôdms,~b…ÎÎnÜm?Ä»2ëjѨ÷ÌëlÄp±+Ô³¦çÐ?!å.ÌFÉËRº.Ö·s£Ú{°ÝŇCFæFˆE©v4”UÌûot0Äæ"¢‡%ßYº)fÚ¢„Ú+øûÑšìÚôW+·CrDeâ,È)sž”ãÉ4Øå0J” × qsñ³¿îâ6¡B©9ãæhHÇ+_áÎUS!¿Ò6·j•JéðÐ1¼ó«Ð 6|Y>T Ä‹(˜3WÚ¦Y3}b`fÿîFqáì.àõ,©…ñ Ï´/2Ô\eT¨ yE¥k)Xg}g ‰9™éFb Aíá$:áïD=Ó€ryi5ô½Å€~”¡ÍÁ,š¬ªæ;±öŒ’ÕÞ|–škZ–µ‹†ò;ˆDâϺ/׆•ÞZ¯è£5ÄÀ»öÁ„ü˜cÔ”/Ðä˜Ôø÷E¿°åÐZVIŒ)Ùów R~ɹá–H$9/õ@—‰µ&g²Ì14ÌÔÜïkIutß$a ©nÍÞÄç¦`Ö-Û0+‘ìé5ˆ™„>˜yšÊŽí‘:ºâFòì1îÑ×”Ìïà—3að?í‰0û½:£p›.aIY\³ R¹ %~N‡Uô¦).Dõ%ź†ÿÕd\$wA]¼«cªUÒ¼¯]q„ô y"ó-[ßTq–CI,`…š‘{ó;Á·€¢8•¤/ƒßÓxm7‹LØ,‚?êTÚDý᪕vúŽ¡ö)c1M¹ßEÑéªlůÓlìË}&ϳá»×ù G&V'hbpˆ¡­R?°Ž=›úõy&%]C¢ˆwÙ¡|ó0³Á L #ÝþR¥™HëëZ=ùÏÛ¢›Ò-©ÅÚ!K;t D-hœI¬akIÛ‘>ôÂ/ü)”´Ì’žú]žÇUšc—D¦ËéÁàµ>ß • ëæýò\ê<»Ö؈ò#”˜JîÈIi‚/ïжªP'Gås#[ë·°–ìî˜ñ¸° nÑ4ï÷ügC -˜£µ£X¼rXñÕ=wYa&ìBŽ>qMkôÞY -¢¬[²Ð(êÌ„=(l’Iìi)ȦÔ³åä #¦Òé>Ý’­p|P;ß -–îîmrDýÚ' ° ˆRÙ0+„›!1’Æ(qê\Ï…+m._8×/÷I¡‡gŒÕ¯ 4&ð;_0Üì¨NÆíí'…êHój¦× – ˆüñ£À»éú/Æ™^šcqðõuœÕöáÆ´l.OÆž¯–À3 Ãvc®T¤#$ù÷†¾l³y3e»X?e;ÙIr¬wW•ï/½ ð=ÝM1K¯¥³þ>B4øsï½û¸HKï7¿Y\«>E«p&}=ëà.ÿ<úá83Î0AÜ;ëw0B¢¹ìÁ[ãC&½øû‡·#Å\?O·ñ´É‡*žÖ''G-ðØG7 šë=þ$mØcÞCQ¡R“¸©5,ž —R\…ÜñÙ<_‡¶ -&Ž×¿ùðˆHüð #ð@<1mÁ -¹ÈûB—ŒÛâ©È/t•:úÎ)SdÝ´±¢'íjÆšÒ5ꃈhå:®Ó[C%Vä! -`-Þ1ܤ¡hò98L­—¹:©˜¬\T¹ §ŽË"‘’~¾µ*¶8dyvø;ÊF§ æm´?ž¸ÅMŠPΊͽmŸƒî‰(M‚ºCïwd6F{F=9;yfÞ4l[çT¨Š§;KbúrËÜ‘w3ÿõÌS•ñ­á÷Es¥g½Ç'{'){r¿oøÙ2+îMsŠ³i÷$Qj!ƒ§½ß±À‰& ¾àê_< ë=©ë|6!ÂÛ?u¿ÄÉëbôÖö”ocìLÅîÎ …ÃKÖ`!,:¾¦ÚïãÂlè }_;û Å©Ä›dœž„÷®2D$öØ\‰¡µ™Oؘù?µ3áÙ¹_Õô­ýÃljtâLÂ;§&üØ6cüò=ͱJÉÙ*‹dß™ïî‰SîÍ¥ÅÝzLã›!é¼U¦G¶˜S ¯\³Èàh•ñÃp†c¤.x¶À“dTÔãœ@½q‰(^Y´eg³Š?7Á”i äòE5„ÏÐ䤎‚cq`9^»ý9n‰ÚÜ …nwØi®©Ž -,ß!ôsU K‚ïÞ«`RîÑ—ü‹IsÔšý0¸M’ù=œ×LèöLvi=u_bq…}|—©9=›ç4¿ôðs$‡$Ñsiö.Büm!¶—Èz²ÎëùU¨”ê>á~;ÁŒ>úºÚ“!£¼Gãñ¨ ÄlÑ­rÞ€°_Í~ȶÍ𚘳\Z]\jä ‚ì¼&)[ÅÄ4þlÓŸÆ°ª§ 4<Ûé;N) Oö¦Ng[ öÈ;\Ž}ò-¾Økâ dßÇ•óéIƬV+U4ª´pPë|„T&BÇQ€ª9~R•&Ç)hb‚ËcœÉï»V>òŽ¥ïš½?y±ŸW´~êz1.|ùäÑ´y"ؼ™šõŽ¶6ÞÔå;Ç-ü28?ÖéãžÖBÆia‡" Ël÷pQ Ezþ+äë]f4åO1 ;͌ѧòõü+¤¸úB`—ˆ;®ØBêbÛ§Ÿp6¯¢O¨Îʶ‹X¼·.Ké|¼ð$°›Xkœ /–³"AÙ;“„Ó—nŠI¤©Å½äÒžH‘° 3´6™c~¯`1¬K]³=²IX£„ºls1xµÿÛ /§ä+ø4­*¯,pþî'ç\ËÙ«ðEjèDzßrQá•[M5ŠDgíªÑÓk¥µ\Ú)=š£•°…Uˆt/OqªÄS ÅËÏâ&dΩ2Q%+Vf0¢¹´Kú‰=êõ™Í¨>e‚ÉÜvì#âÉ@o A…§dGª (ákð2#Ó£ùÙOªb -žwkjwáˆ]v¹Üxþz‰@ §.O’Äe¾€¨ÉsÅ!žØ´Dtl¤Šûñx÷Љa|nµBÉcÄH €”‡iÉÇç–X`ÒÖpü-«Ä›’™«?0fZ¶‘mñYÖÏšÅ(l6÷Õ~©);ÝÐÙ8>Ç4x8þq2ü]Éj¸ò›rgæfÐUí`¸‹æÇ$9£´T(>ÐM¨£1,£H.â-¡3:©Ó¼ø#\ÃEëŽeÎßO|SäYÏXMÿd•áíÃë§X¬ÒwvaÆvYg° +~™µnPý9døÀ¨jDó*:„3 EEY¼‘{îjaXì<ÐÐþ†Œ«’O4ŠÙó½N¬5€¸á¬[­n@ÞM¦Åˆ£i˜Í¡å*é8ÝTI¶ã"ýÑ#R `aëÅ™@gbl¯E´ûã{f!‘øçR4meç¨+”×òåEoÖ Ý™Íh­ñvì_—!„I÷9i`ê÷øýË36ûŒtz¡a€>Rùê9õñ5ÞžÃ7e·ö7‚©7Ó|Åw<6Æó~/Þ>†ùl­½XOÈ-¥ât°TüÙ•%Ž²K¸”ù$üÓÈDáó2r+±JqÍu)ˆ®[sÔhú[[ÕÞefã2ph¥äÊpúÏrYCƒSôÊ{7LX¸H'4E/6ÀÃs7 ¦)ÃϹñâ¥Z3«ëA¯ü}­±v™mãÂö8è—E Q¸Xâ…5¤¼ÚœóI™9ÿËnËA¡7³Ï¾Ç"œx¤=Ôšpol‡µ ‘‡ëƲ1˜‘‘ FáÂToïEsÃ= ¹‡¼öÒK] µ©â¼>.\2ïfJ¯Zž©œï¦yr/ºšiïRý˜»P Xv“ãå궥’K œ Ë?ú:ú·ç´O~KÆX®üõ˜F»Iž‰uÅÂ|LÝ‹¤³•æÁ$bNÆ}ÆMp@ð£€cö~›jYY³ [âÒØO{Ù?"H´ôK²g…O›cçÇûÐÔ»Þ(;ñÔ?)‰ÌÔÒtœoß…œÙhMnⱟ “½èýeÁ!= øœë>U‹ì×6~œœÈÈ*c0r²Äâºûòaš“;êhe’p!à#ýMÓqÔqºFGm)é¶$9g»Z¸Áà7~–‰sÏ}«‚Y¦R”Êž˜™ì¥õEr¦>ë\Bs´v“ýimÐðj=»5íE°ØœMƒgÞKéíã¼Y2WOÂe -Kn¨èÙwøä(uÙ¥ÞéM¶¨+Á¤üHkëæ -Þ~ìOèçý¦w%À¯ØéD1¢Gø³í›”|Y‡Ê -ÚF­äGö¤VÈ¢Iç´”s.†Ëv‡æ`Ü0w£@•Ò‚(€Í!ÙåC4®‘ûKZñiÉ®ïwôëÇlú4ÿ“Úo |‚X„Lqæ쪖_ÍÈnÊä—ô˜úÆCÛzJ¿†VYíÌ%ËÇ,¥¬ö@Sžé¬œTÿýïÂ\;ŽãV› £u¦L,µTW@4Ïü¶À¸g”-)°ùíkÕk…1†cvô¡Šáv´w>5¾o Î´†¤¦6š¾uI²YÒxçO°?4äó¹xf}n)ÃT©ôi9ú°ê]pTÞ],žcb\ÚHnvð¹Àßâ»çŽÛl¡W c.Š‹â³†PhÎıZX.#c£VñïïªÕg<@x|šº–¬auSÂSbÅùAÝÆ€p֧̌þþö_ÛYÝ,Õª^‰× 1¨N¥;KÎW\OË}>=¡¥Ë²_ž)|Ø@-Ž'YlŽW × ôÁG¡Ix~ÂW_L½!š¼Ac‚ÛNpi᮹ÄHa‘í€UÖŸü®–Îi`.©t«[¸æ -9Ã%ܽ2óÚ»ã=˜|øsQ+ÚF˜ùËz”L¤nÆS¾™ÓÀW{ƒ¿ÍÆ¿K.NWê¾JE”¸nHnùÄÎQßuÈ£<¾¼0£DnUñÑêþÀV;£hl½"©C“`÷Ai“ ¤à rqß`0æ#]DyÚ€D’Ü— -ú˜ÜÐܾim²ØѧWÇ0¦SÅÞꌄ]¯'|é驺¡ wˆÅl[בܸ…Pcn´c1†]«¨ÎÇù·Ì1§­êŠ·fb'O˜Ü)¶.þBÕYÌP÷É2µÏþ¥Òf[è%KWý|)¼Hö!‹qe•;¬»/ÕXPg»»^åoX´W U’AôËEÓ®ÉU8‹2â!¬&çôÕ™Rö½$2°ìÅßðvgó‘Æ•ÙW¡c³èä‚Ñ¡¾¶yß5^♹…ºøÔnÊÓ†b¨5yjŽqXfÜçVj’ß`cò7 'úêd=>”ÎÓÓìhGÏ£ò>xÐøä%Ø ŠAƒØð;‹l“`û(J±Bdð!¦Ñ ²ežÓ‹ÃDO@ÍÆŒXIy…2yÑZLê®66y_ï^eyžX5¦qvÛO«% N“Ûǥߔû·nóT÷j+a•CûC$Ú±¬Õ H`üjÌÕ) -wzXøH›ØÿuÝ gàfφ¬ÌŒY}ÑeGËŽÕîh"b´)h]¾ä<À÷ëÔìðÓû¡h^“EïSAÏ-Çù~½óXâp.Àfþc–‰%>aä;FÊnþA2!Àò|q¼" -ž²M”¢øúÊJ!½Bãy÷N;sd*=7}~J1FZÁçˆ`Qq‰0æðÃs•kT}ß%GnÄP×¹¥ ¥\‰XëÕéqôˆ„Ò|U«5Rb;r'NO·úÀz õ…xÿ$Þ#‰ßÆ#ej¤º £ëiØ”.šÍ*O'¸W¦ôýËëve4ÉC掼‘†o–cdÀóÄx›3Tj„«2{;ÏjŒ°EŸ}¬Kù6$±Ø²ˆT½ºªT–çW"°áŠ tó“þ`Ûöšî‹CABµ”sÁÌ÷ø)PÙùA'm#*L NÞOn ŸÙ–G»½¶zÝ0mR"Ê£¥©Ôês—Œ´¸ISOWžzþWRäŽÁ`.‘ 9úNÕhʨQ™&rõæœ.eIÿ‹éŠ¬ïMIt(ýž€ùÖf¦çeöúÞÈÝ×DŽÕäxCg8΃;ÊÉï<&cIik«“–rE¦ž/pe«:-Ö?ÁçÑ*c½¯ÿ´ÎJs­G„oy±ÑI+¥j- ÆÒO7¨Ž«Yâ}_`>Én´µ¢|Mé--¦µ—–¡@rŠE³õ7Íîô£ÂDúÂäÍÝÐ8lPýw -Ò¬‹_™±f¨›h™7oüt˜dÒ°0ðÜÖM¶œ}ytÁ¨§ |+êNß÷îï:xt®ûp,öCs#{úÛT†l¬òæ†åö@PúÜ3·´éÉp™†‰‰pÁ£šokÜ/Å“Ð8I>5,Yµ9æðY]ÎÚ¿±¡T+ÕÇÕÊFî*‘8:ÑEj÷5¤›¸ 8²œZÜ6ƒÝIDŽr?ŽK’óñb×ÝS¿“Å߹ኊ^[Ef?S{«f¯úÖÖׯ{‹)ü’äH]o8ÉxúRß…z¨±¹«q¸¡ºÈJtm0@m j¼Dèš»êÄ Ö -xXú¬ ‚ |Eªõ™Tk]{½©m®Ë"=…˜Ëw}Æ´ªê\|%禨_Ö€‚ß„ÛN„‰Ø£/^2"Q’±É¿V°üæ4™‹œîùõ´ïu^•*‚^øí1u¤ à¸áty‚Œ/}1b™%6#î¬W‡ 2¾«@ë›X¯NGÛ¯4ì>â!°Mïõ5ækíÍÓ臛WHˆÁçKûs6ôÑWŹՙTFøúž—e¯ô…Té.:KÊ–þüYI)C—ì[èjE=Øæ:x0^ݵ}âYÚd]Fh/NÆJ 67Õ ´'ÿM¾´fÙR+w ¨dz†û‹ò¥ŸVI;šzŽŠ•ÀüGXø¥úØ·!rvxz¡¨ªSb—ý'1MBIÅM&Q±œ6æ<›;5z_éWA([nv®§Ÿ£Ò>ĵUcnb(£ýñ£Ç¨^ä>’ŠIšvÄ•U-yü0g>éB7™à"1Aèd±_BÉßÁ}ùD×0¥øÕ1‹©’ï¸ø›;cÍL3r¿]¿‡1’/Ÿ¡4çàsÓÝXÒƒQW–G¼íy²‰ßwKb“S²š¢"§ÚKGÛm¡ÆSÂÌéÙI­n{ž ‘¼@Ï<™ë“h -.#±½C^1Í¿ÓýÒ“ST¾ßäÚ{ö+㵯&gmS[Qñ~5î °ìÄQ1D!GåXˆxrtÂÛÚGÄŒÔyGfÁ Å þœÿðÿDÄ -vA"``œÿœIuT -endstream -endobj -44 0 obj -<< -/Type/FontDescriptor -/CapHeight 850 -/Ascent 850 -/Descent -200 -/FontBBox[-27 -250 1122 750] -/FontName/LSVUNH+CMR7 -/ItalicAngle 0 -/StemV 79 -/FontFile 43 0 R -/Flags 4 ->> -endobj -43 0 obj -<< -/Filter[/FlateDecode] -/Length1 712 -/Length2 2716 -/Length3 533 -/Length 3253 ->> -stream -xÚí’yî9ÿœ÷ûõ:¯Ïó¼Ï[JÜÒ¦‹%y€†$"†„#5=sk5 G@¤¤ôÈ š‚#õÑP@jh Ý@/@  U5•54•ˆ Gò£’q^Þ@VïÄO— KÉ8 š˜£)Þ á ƒÆ6$ ¤Pá ‹ÇÖ?_ ¬Á|ÄÂ!$Àâ0ÀôÂ!Š?‘Lˆž$@íwè÷·t$p²œ'€J,‰ˆ§XТhA:8 <`ùcý7T†âñhÂÏøƒ1ý›Š&àðÔÿÐI¿@ -HÌIXLüÓjþF3±¸@Ÿª Çat‰^x@üná qÁ ÖGÁxžh|ø«±BŒí‚âY»óÆò¿~èoÍ#Rl©~ÿJýiþU#ÿ³> 8!àòÀxpÿýäòÇYD ‹#z64‹&cÿÕøw&Š| ¦¤À”T©¤¨© Âþ«ñ<çšè*BMã7%&L‰”_Kpð½מ¸ƒé€`0ˆäßàÃÑ»)ˆÊ¯¹o„Ú?4/樬ò÷?_fÆûÄÇúZ~DZýÙòZö¦ìñ3 ÂÍO¥¶®»¶S©Â•ãürž½Oœ¦×4«’æ`¯xê/0(>]¯5º9Õʪ\r=Ìõ~[Hñkùö—¸PÃÎ`Wx˶ò‚|K÷»ÚWfšè41ƒAféò7ÝÖ«™ˆ/õ°x©ÕJ·ÿªœõNDß k;“áû@¾žx}Z:âh”Jguk)S¶¨=Iþaë9+`õcäeÛ[-X’$Î.«š­ç‹„œÚc÷©Ï¿œ]*#mÃÿ9Æ:±F*–-½‚óýAß_wm ˸ÈâÒè&'¤¿Ò8Þ‘AË¡6‡\Ï0ihû–"Ïrº«CÍél¨fÝ Qt/Àߡο3¼þ℘¬{í2l&—ob•îèv*Þ˜Åäj=Û+„·ÁÐ?Ð+K) õ”›ÒUg‰Ë]&Ó•WKq©œk‚ëb¥Ò‡–oãí%F¯?$$g¹§çM6Ufˆ|Ìð‡_ìu/rÞö¶ïwª÷¡yòÂèÉC"î=oÇê®hŽNv)\dw¡îMª¿ïó‘>"é¦ø­Ô«3R/†±mkÚÔr=ÜvªÉ´9YGõë1Ž7)sò¦U•Zº] -ç™iÂåSYnÆÞR&3ÓÄÔµá¬sÇ&}c<àJö\w¿µœlö}ÔE¢œPó5TÉs[œ{pNv¹ý’Õ¹3¦qlâ9{ -u^–rëžÚQcFÄŠ_¹ÈQp6¯|ì-Ñö@­²ÍAøLË;釶ha/½zgWw[vG’òyK£ŽoØD(—Nº{ìò±ÑÑƇbQ·Œo³a3†èdf½©¥Ž µE}ÖKÝ^J§™ÎH¥½u¦¬òƒ8ÜÍ–}X aÛx,roò˜Ï‚*[|RRÙ¢ðS¾éi.^-›ŠÇ#¦ÞfÎ;/u…›ñÞ_ZàUtžb*¡µòÇwsyõܬ"|< }á³8rW´ |AË~#Seîv…cÕÅ€+ëÐ!n•ïqév‰¤](æäp™À©çA#„k%rí²ß±¢w—NñÇqA)“¹â|ñ³²ê*w#GKï)þñ ÏÞwh ‘6£“ó7tDË{ýù8Œ[§Å™;Öø“(=:Ê1¢ÄÓö -ævQ¬1Môd¾ó…O;©&¯’zg ÂxÿHßw"l0J&aN{$-Ngë‡÷ºbÏØ͆ÛyœëQUÊHéLúKÉ 6÷¢G·_v/ÊlÚãÿjýÔë¡úÊWd<ë”2áêÄ„PÚÞ Åµî]õóøŒßøGA¸ßæžk®Rõ™î†ÇFæc,l§²Õ& ý[ý¡_/oª9[¼—Î-åY¿c¡(::¬U%771;8´G ­÷¶vunóP.áC¡§ùºö ç4EÉ{± -ævhh3Ìpa9ÐUËn ó–SÎDßqäKée+X÷“%îÂZ¸à”‡º­?Œ;È2Oš·ËÆ»`îsXŸËv™kxËx.²Ÿå[Ågu ÖÒóiÒ‰®Gƒa‹~3t¬Wg„Ew¤{cëé½Ô÷Ê’U [ 9ý»,š•ð˜®L`æêÙì[ã Œ¡(b43´õŽecœ0âyAþ?àÿD¢ÉMö…@þ À|* -endstream -endobj -48 0 obj -<< -/Type/FontDescriptor -/CapHeight 850 -/Ascent 850 -/Descent -200 -/FontBBox[-4 -235 731 800] -/FontName/GYVIDV+CMTT10 -/ItalicAngle 0 -/StemV 69 -/FontFile 47 0 R -/Flags 4 ->> -endobj -47 0 obj -<< -/Filter[/FlateDecode] -/Length1 719 -/Length2 8938 -/Length3 533 -/Length 9493 ->> -stream -xÚí—UTñ¶æ‚»7îN°‚'8Á­ Ú@ãîînÁÝÁ`Aƒ» î:9çÜ{g͹ó2kÞfMU=ÔÞû«ïÿ«¯ê¡ŠŽê“«„™ DÆêÄÊÉÆ)+©«sr9Ù88$ÑèèÀ0ˆ±“¥TÊØ "ääJØÀ\|@N!®¿lgï³übáÿ¡âJØB`–¦ÆP ’±“Äö¯‰©± PÍÎÔâäÎJØØUÿq‰#Pâ¹@ÌØÐÐ89f–¦N@ÈK(û?°ä æv@þµÍœíÿsä9þå‚þIÊüËifµqšAÌÑØ•íþ®ùKó ö¿áúwsgecÛØÿ3¬ÿ67¶µ´qÿ…­½³T²3ƒÀ ÿ.Õ‚ü N bfélûïS9'cKS èã_-KGK7ˆÙ'K'S  ÌòÏ6jöï “û'û‡ÏšrRšÌÿñ\ÿ5ýdl uRw·ÿ/ÛÈÿYsþÏúo>0K7 .Ç߀9ÿ -ÿîÿy¦ÿo«ICMíÌ,¡_€jNÆP3c˜Ù5þ;•¤¤›'+•‹›ÈÏÍ ààðþ_ePKgˆœ—ƒƒC€›ëŸ]Sg uúç{ð÷~ÿ³6·üâ1EóSSQƒ–ˆ8ˆ +èA3O%aþ"ü/6ï—bv¿¥nzÕ2\‰-7Y£yÑ=ñâ5þ¾¬||ó•` H‹ñ9”[êø‘äq¦‰.®|‹ËS{¹˜Îó”…®lÄmü¦Ù+–+¢ÃÞ‰u§íM©åú•KYå©Öò‘–ðÓ/ñw­q³—%5¦*i’Ô?zšÇ¥l—G —3_”Ý­oÒ‹ÒèTÎVðŽÈ2,šïUŽOËÇߤr³0r(¤Ð9³ØQøK‡dãaÆ£ÓK…yúpÔiº”Ññ÷f •böÁT”)ˆ§£<¾ õñ3Àˆ’½y—öԭ›¤¼³€¢Ü37¦âQ}¬+Zྠ-ÿîHZñ¸BhZJ$ÌK›!Æ«é¸ ¨y$=y7Pl›í\ÛÐD¼/èõ4¥ …(4“‹ßåµJ½Ùo0Õ>#ú@Wªë.Ùdc%¦Ì½•×þýÜ£ÊqŸÖ0*ÞšÙ¶pœ°»]‡›†WÙ·û[Á»°…7¯d¬ûTAÌ[ÚÕ0þü?Œ}Fµ_Nxæ~ßD·Ð+%Z]ý¯f™=ñ‹ªˆ(Å2V= ÞÇÉrn“»¥e~‹” ñ¦eCzá-ÂnZ}ÔðGB±F ŠÇ‚ð‡€¢!)g©àý)Ëï#‘w°ŸîP’,p ^2wä†U3 -zVb'W—³\i!9\þD%º<·¨t¹¿ŽÙÃÍÞFñôÈКÎç]yõ·0åý™ g¦Ë«°}΢…ü3öe¸°:HÐGcrGùå1 —åZÉïö| û>~Ø­ëBûê•1EküØ+Á¯æZýÓ>Yô¥¼ÜÓ‹KçšÆuv?‘Ï -^‰·ä…5!o7H¹^Î3_Ø3=–-çctì•Þ¾×]P嬳L¼1xäÏ-¥9Sg¢Ïu\!Û)åñÍâ°(ë-0DbÖùeGÜ›+²¤eæ…ŠÀ%É5ƒ‚—”NpG¬ÚÙ±–YnœÊç+ßÞ›¿öù„É®ýAâ…4Üt|뽸qãºKÌà’b+úˆÿ §dú)?DAÒ#ž¾¬× -@Šú¢ödú CìYÍ&Cúë€ º¶ t[ú|ñ»ø WLÒÏþˆoBG „m®#iámãÒYL‡äðn»¥&õÓñ,œ²­â LM±È$þÕ=l¼U6#]Ìœ+¼yUŽ6}U Ÿ†s—hŸ±¼UÃ૶3ѧd£5w±A„Ä„Ø‹V=é_“Ãm&‚]œ¡[j6çHãP¹OÅ„%®¬E‰Ý …ÎØ[|íW_™fç€oÝ<œZi#gÝ»4ÐXC±»¹ß{ŠËÌóÉçŸÚ›Eñ—©ÝÛUÏÓCGÔŽúâ:»ÇZúHú9•r ê Š~2¥c>G{t]ŸsÅÔ‘E§€A„F£‰TXy‡5<U“”iªŽ–Ñ&µ$öÎÂÜ©fŸñÝðb»ý¢…Ð/Ls†Z¿m7§Þ¡µ_ÒqXÒø qLx\=±ƒñ)\k¯…MÌyÌ|ÉAT@Ñk>ÖoÑí±l²E¹³ëúÐÈ„M—ÇšxÈØsg›™¦ß¿K’”4ÝíaÏy/AY(%gü®ÌMøXÂýÊä–0eFh3Ë¢=öíÄüVQ5ÇÉZšLU)‘¢{&QYªûÓhŽ”zû?Ño­Æ†¸5,ó| -“w”¹€³·ÛR/¹T†t®#,V?}Ùeœr±w˜(wËHlDH5›x_)æŠÔ”V»ÉÕçúŸãpž4Ö™øóp;f°Œ(f^èL•ì¿‚²UåÍ×ûD–Ì0a–Ù£YX¿å½=˼¨ó¬-!-s¿ÜÑ8xÞŠú¥©9e -à ã?éQm-b€ÛôYŽ½…SY¹Êß&2;cÚ ó:>¶¦²}Aø1ð³i_oƒê>)q‚±:®=wÔ)²¶Ðûaoø§3¢ð³cx|oî7ôÍÀ_Åw9GýULdX‡aAG¡þ>Ô½ÔÄÍ?W›$@ÊDâp “|gZËZîi¸ªtÏý©µNüI7áM|˜-œÍNÓö¥êC=ŸS–(¬›;ÝÂè²_qÍ}†ƒ~AÛë>£¢â²>gÃ¥ûÞCôýôN’»©ä„žNëNÉù#Àß+Uzynås£õï oÊÎU{÷¬~VxÙ Š­;¢»¤ª¹#,²óUˆ;¥ÝæÄÌ;‚5—ÏxNŸçµÒj¡S\•Ø$d[¸&Ê©w¨6hÔ{õD(nqYpe$è`½¨Ð)€¨x“õGBgVˆnÒ@Äåì··¨ù‡|‰•zHµÎv¯\'sܬ§êß»à°X˜Ú|@Äêýüª~'$¹°¾+–‚çÑðy¹¥ýO -ê8n,-l*ôû¬ÃT“H³ C¢µ5Z¨Êt‰æ<×éåê?Ë!ìKšØ°5îÛ¸ÕWY¥ð³bU¸ 9õxºw8GÏ-¢ëè ø¥ç°jO‘ùÜÛ{ƽNäFÓG~_‘̬Cïå[P ,‘ -iý%úÓx:¬y_¼ú§6VßΣù÷œú † ‚ÓÒ:V¯ðõì57wtÌÈ8z¿ƒJÒ ÊÌÆxi­K“Ï‹Ç-â9ìÞâVløhµOZâ‚-ÆCù `Ôl ¡²¹”i-–Ê%³3Û vqð¬Zæu˜û’]{rv¾Dü¾õ½Èzùº[Ÿõæ.ŤcÐ{¤ÄÌK¤ *38Ÿ’Êq`¨0Ôþº"¢RqÕ¥÷…ØŠX‹ÔøÍ9ÉÜ#VNÖ£ -ÍçòOB· $‹D}¾ŒO»ZLN¼ºdˆÚ¬„ A“„lné©YEXJÇÚQtÍÊ!‡¼/6³¿È¸çßj¶ýóëü"Á7×*ôÁ®ó^ÁÒ­”š·biWÌl.óxr5Ý/„;<]q(¡Ät5œDQnW7¨¢Eüs†QoSmµœôZ»‘>me)vî´ÒÏ5$ód„ -3^£±ªÝ®’ÆeÖ£Sõ,_Ü#ЈõvÂm†„¿Ì™†ùõWŠ)*@cxÉ•4¼ ÊÈ.Þ“Vmàn0×Î8ɽ‰•<å?Ö!öã8­Æ´3ý–“m[ <þ͈UÓF¢.’Ä«ÔÑ‹1¡‚[³›‡òNY"Ox|‡)x=ÙÚ7ž~Mj œÓ&¨Gl~†Êé~üqƒ¡Ÿ”¬ŽK¯;³Îœnâ\$^²Ârãß±f2Œkh¤V9°qÛm¹ÂËïUŒñ~¸¼]óè€BÑï൧í&ûý+O÷ΪêN‚ -uQ½l¡5SÌ}Žnh"åÀ½Ó¹Ö[2Œíþð!VÄ⮇aé`Ð`«OCsnu„^ÐÜt“étKˆTäð;•ú|ê´žmßò•‹Ô©Ü>}sýsÞ°ÄÓ‡_•ˆ‚Ÿ–Òúd6¬8Z|yãÇ5N+‘‰$,‹ -ŠMZ‡å å³ mi`ïMS‹Þèî”&;-ùüHÝ,ú X[âËâ`²†þ¦/’E²ºò±,+$óÑ»‡B©o]øÕ”¨ã€Æ/e錬oáìVýA˜žË´Z—Ì.Ù•¹Õ&q~ÿ½Ü)7-2Pí´æªí9Aé9@8¸²Æ;ºô»ç=[Ä’­ìø"†çøó¯5 ¯`ν2Žåó’RN¹NŒä׎™wCç2¢5;Ot#ÿ°ƒHÜPåën_êÀ«K䊎³!„U©øËå`ÜŽ±ôI6ü=p {tOná|¨«v”sçAðg—>¸b*Y6IŒ·¦Á‚HÜÔáü–‚tf_¨ÍQ ùN<”Q mâhL¤×äEVXilb˜Æ9Ÿ†—"ÖŠÝÝõé׶9~k¿ê¾„H/à±´àJÖ§78¾†yŽÍá¹å–^Qì~ô‡: õ´ô?<Š\.úgHáq¤I×Ô}U JÞMOÙ§ ÄðøƒvÑ3´G$C¿¤œLlq¾‘´£Œ‰;0¥i S'ßL¿@g裆}ÚàÈOjД¿)I!ðaÙ}òìaÒÌU'Xôêh"ŧw—bA:Ýû^rï0dÃp7°K½=Ñž¨IúªœC {2ñŒº”:! sQfnŸ„Z»={7/“v# ð˜!»¤‰¡œÙv(VN´…N"Og!_myÔš…Èè ;k‡ïÖFË-Åqä>Ч›'ðS´ì¹|¥ EÌ‘7ÀR*EÏ ê«7–ƒ`]\½Ê‡ã§!ÆþTyÞI“EæÙ%p¡õS¡xü5—mňˆÄ…ºDK)>š—OšòÃ~µw7¼ùãª;Ðå[Ù»¾ñ=>5Fú‹ÊÆ(ñDNDñÆ„MoŒÏ,6|iÌgU1Þ³o8X‚ø•sFÍ Iögâg¿±¨ðv¸'™«4È|{Ó6vz„+ò]µ -3ÐB#•öl7Å»­W›ùÑ6¢t¤] œ~± µ˜ ö{ão\13#ŒrªLþ@åuŽƒðË|:LŒÓjRŸ¸ƒ¡ÇîtZ÷¢­4ö}ƒô…žó×WnCxìey•]øËï9›ÏÔ‘j€À| TØTþýñ3gÂyÀ ïð`×[xÚÜ€¢>닽*GlÝ”¯ðJ>,”$ðât½m…Ñu-z~±¼ëG`±¤üæC¼»uAü‹SÑÀe?ÎnTx"DG½Û Àñ]ÿ¥ÚD¡}†€ß®Sw›ë:2a¾‡|”¢KÇŸ Z¯îì=ùP™À<ÌÍYt§çŒMïԕי̻ù!·jSŠú=î‚”~8ͼÌ}Á@OŒè©½Q³|«Ðœmõ‡2Ð’Nì‡7‹0ƒY%2xŠFC›[W§ ëøIž:Û‡®®¬ß½ò -O~øEŒ¤ã?Î ƒú•AÌSC¿¤ò›¥²Eí\ÉD>‚½(–ƒÁ„g,•„É­<ë'ruº„ñ -Çöƒ˜S¦È­ïÆúÝŽ‡2Ñݨùb!ÄS^£O)(å´ÇÛzhá½sþa’ -ëë‹‘J[ -A÷Á·/¹ -àòe¡µ$qq,Çq}õ<â‘^Ó'´½Óg™nÚÉ?qᤕ!½­ìööž4‹¢÷àŸ ;»­þe£Ÿ/ø]ÙÌšÊÉ܈,eý<"Š³[pìÅ«×w²ø³ö”Áà#Üæ¡=ƒŠðüG¾9û2å -/nXÐr»lÁ°á礲³)8~ ïfñ¨z^‰Áu>³#SXÓ.÷-R#;F[£AH!˜ä«™]ã'XÔgxÏ=Ð8 BJú¥´n„þQ½›Ïþ­8™óíàƒM|à&Ù|uw6·+‰ž HùÝR ~8nX°? üãAC¡°,TŒ4õFX…÷$"¥ýq›h[_˲á¥Uj¾~X¥Ø¿†•ëb_O‚¢ Aêoé¼Ú ó‰7p3¨/öAí펎ØdM"9Þï·yªå|:ÉtPQ"sVü Ù¯¢Œ¿³§zf¬À½OÅ;»xÓÞ£uù.¿’"Ë÷%Šx›¹°peuF…»6`ÚçñÍQbmXžç ™ny ggx0ôF`º@²aãTdµnN:£ü·H™ ì&„‰“€v'=—oO¢|³VµçÛòEæ#?ÚŽ¡g-¿±§­—þ*2t#â&±HRÒ°’œ ¦yŠÕïâBÕÕaØ×üùIÅsÁV¯=)á[ &FSdŒÄRÜ{ã~Ì ‚ HQ²ªâ`A¾^Ô¹·R’@¾ËÊ¥RñǦføW~y`þ2]ùÊe\®QêR2²=0fÖöP¼X„¿¥’6¨ª3’Ï×hI ¿L³ -Ôªé¬2“òSêøD‹o¿a%ŸCÉ«~ãÊãO}={ÑpóRáiÉö -¼PIà†ÚÿòÛ9ø}TŸ“4:àVà¸Ñns»!4¦A9Ë­Ï|¤š>,%Á9u¶iYÑFÃNòÀ¨moËB0/ ‰öT¯?9†ÃìÕ^ñÀ–N>%¿89¯OXÕ¶I<­0ßo©2ãÍ1IˆFOØÚ¿³è(º•e}Ô{tÆ Õ} R;çQÆ÷g±ó<—ˆj ß ×Ÿ±ãéT°ÇÖ ?OhVé/T:>>¿ ›Ó¨æ[°®îw7ÓÖ"Š—;=áê )гC%â›Ú£ü=f¢Ò(Ÿ9ÏéCLk+m?&C·ý\@ëuŸ©›%ý÷ߙԞ ¯·«-¢CÓ åâÀÐ¥‰{L›rÝFÑ©½4V£¢dVø#.~Á| z@Ͼcij´\Ëçêùð¢ÛÁw‘)NE ëm³½<¸‘óZ‘¤Ô(„Àˆô–Ik ‚Ã?;™%#ˆÒ³â .µ?ÊmÛô/¥š]C7é¬ •í1~LSШùÕ­îYxùÞR•TÆtGºÜj»­ÏH€uMK˜áwwí{«'I®Þ¤îXÄt¨èÆÎçVa]ÀH œnZø1ªJfuó)«Ï’àŒwß ãp -<(ƒmÅÞ4|— 7Ä:Ð"ÿ•å4 ì›¨œ¢[r7ühe?¬|OÔÍ[b™½ú>\ô4üc칦’ C®‘ŒÍñ•3ˆ¡y·ñ$k˜èÀPÙU½³Ö|ºâ6˜€´KƒŽ‹ü6CñÑLo2å÷{áÐ›ç‹ GåÑôÖ—o -]·³°àlP_;ÖÒ{ñ¿÷ÓwÈT´1ÇWu¿ãAñ :.ðkZ"¯5~ Ë$£™ ‰CÚ,—2,>òlušM˜½¼Àîû>ÿ"N*UŒ2C$ªî¸Ê§Ò¬“>¡Û¸|І>&ÒŽø*:à²ê/ª7!¬:^ß+ñ˜xÒ— ÷teïï£aJø!ü´*Ðñ¶ýªuþ9_°|ËÝVäþ,ÿü``\A÷:`I#+ì¦aî2mþØ!ïcïªx"H1#º1Að’Ý+D÷“G ’¯ZÛZô5,êçõ±ƒOD®W‰PX_ÆPÀ7¹{ðY¨ˆ]˜ñR*N…v8ðk‰œq‹ïÊèîçOXQ¸ŽÐ‹’ø+JjÙìˆË¡DlcZ$W­„‚¼v•1,>?t™‹cQßQñÝÂøåa&œ`âYæ£ö¸ÑésbÔmEˆsÝë7F`S»‡AÆM) |Ì1þ»¾bþFŠ¸ˆBZ-0P&•mR3ú½¾\­a.µ“N²GOØNÚEÎaóD».G\ü×S4r YíΉ*V0=»Ñr›øãöƧëb&ˆ sd=ŽÇäÚ:J»«öä$å‚}æÃçlÜÜo,–ˆ5Q-?¶gá?§À9æøãÎ8åˉ%€`‚O.ªÂü¼Vk]ùqãÕmãŸè^Ë |ä Å|Ìd\qì¬ûSÕ´ú ¥}äh -‚Š– oüÊfŒåëÄ©VÜTÕ ?ÈGÂK'{#ÅkëÛÒ>£u §ð–ºË2Bd®IdtjÇi_k‚÷½—ÏÛ«ô¼r[T]’flÆ¢ yóÚ~p¡Å%O?=TøFÌkºJ#¼f$ãgß¡Ðøa»W»,(òÔþl‹Ò€”_W[Á¢@B^в™HíS²ŠZßÜÈ&ѧéc/Ü°äOBin¦±>½?H‡žOE²¢V~ È—µ!€\$NÛr«›ÕÒÉ”ûrÊ-Ø/Fv—¯þ\[†çˆóüÁJ¨1@Ÿ—RìßU‰òã×L2ܧ§@¯-ãåÉ*%ãíºÇþ é‰ñÌ™ëu/’c÷Sµ -wÖûWÚr—‹`–Ð ¨ÙZŸ^µ¹ÀB—Š¯G9Ú"¬ÔƒÜ'ÈýQ@ü÷±›Ú‹Fžyposó5öÑcÞ¸t!‚Žï&n ’@Ñ…oJ'X÷ +ŠFxÛC2žASë.½—RQrŠ«Ýt®ô¶*D—*Øßg'¹ÈÁàȉnîù–ƺäßU ç/½3¼Àš½|çUÑ?£¶HõFC\ÑŽ’ËßPìP‘½/,‹~'m ¹u¼¡žˆ/³âý–tåwÉÞ˜s^{³ö Î:x´PÝ]8™¶j¿ÖþðÏù™h€]E4 Œß^. ò;NªÀ±’‰EÍ€‹þÁKè͹ñõ|ˉs ‚¸üõRÅ^ú5ÐÙ³‘™.’9üå…i0Z¤ŒhW_袋c›.×iÐãl/ªsߌ³ü5´µ{4rÚ==àáÄ›u©éÆÙæípojÝÿÚStP_³hÐ`\H’üfHj³ùctŸÿ›º«{×!Íïyáæ†hê-òNßw¯OøÄö£EdÁv‰´Dƒlª-æƒkÀÊ{ƒ+µ¾W†{úÌiÄ¡ÝÁ‚–rÄ[Ýw¬à‰ƒÍ&î>⹿™ Ÿ ÈmuEN\­²¹á[´"Ýï–F[6¦N§“ÛZãòöuêú’‚ЙµÙ†R=Qv”µ@d™ö&5Òõ7Ï(¢¡éÑébÚ<‘X5di:Š°ß…<üLê“œ®ÍŸ{¬ð¸Ñ7S(¼€ìÏç_22»F ¯æ‹©-Ö#"b*{§ç&w¸mˆ„aåþ€˜†˜‹ëðÂQAW9èÀ=µXåQJÚìÕ–d¸Tí.*ꢯ y°¡¹æûkí7FCä±%™gË%_YpU«0Ÿ h&ž¹‚¥£ T*~lÊ’Uÿ¦ûp3¼,”°`o@}ý;O7fU¾ö‘?ê‹X’KŠO`£B*Ï5ØD­º°1*r†):þd¨\Þ(ô¹·)6‰’Ê<ý l3OûªV—twwpx·…&”š›³='‹g>vçª]ôØuë@bøëºÎCí6¹ê|ŸÉEêmmøX¨¨ÖâÁë!Š+Dð8ó`ûúÈ«›À`Z.DDi¥žvÕoÙäõöJŒ}µ¬xñÀU6M¹`ùvTúªú†3Î?¤tð>uo…þQÚ´ŸágŠ\¬ÿªRÇÜu&Å -âBèG¥'y@D_ý€F ¦~‹_»ó2<ÎIʄÈ -a~â}ê‚^Ïn º]FôËÆÒ7×´E×^£”“U+ç⎠-M™l Öâý¡¯~õ²b§Kéèa¥]îQLpˆ¿“ø@É_ÿšhIù\´2Õ–:]Á‚¡à±hç–nc7éɨ-8`aŠ îªR0¾Ã§t8‡7Ǭ8Ý1 9ê•Op[N/*üdsM"I­º!±ä.%MïK¸‘.¾#®Ýã úVÖˆZÑv Ï*¯ãº‰>ÌßðÕÕabSµò*ÞŒŠÏR}õá¥(õü×9ºdóŠå -YÍqäé‚ïêcûªýrzKGÝ¥Ó;¿[òå†4W‹šNÄSÏ“€gjãcœö¿¬Mé¤^GÓ¿Ga s3h”k"äëîSË,9¾PyO¯/Ô¢œçx¼¸˜ ïÖøàgýò§Ó©ÈO)“æîY…ÜËŸë¿Ð#9£;†&On€ÑcÒ˜Ó Ž¨Z­ CÏ4žþdÜ2ýè)üÃMu[qØ0q)!n×|0ùB  -E XG™íÒS˜ˆPµRë÷å›™9èà@q÷òN#¸ø»8E’X‰x?ô”¬H2]L­£h·;Ô˾jÛçBöÕ°¦B¯±ìÒU=ÆUŸÞb6!~Ã8Øü}ɨˆŠhÆ5ªÅ’¶Pwô*¿`ÅÙØâ==¢Õà«r|¯ÓZ:j„îQ|Ò¤=6†&!QÖI~iÂs&ªZ„€€íô¾$‘î{‘@“4Ê7^&1¯¹„•ú(^“Í¿yä¸PE 4â2î{¶·eæ¹eo ß-|vžyABDÔßÖÖ‰?`]¹Ë›„'mŸÕÄÍŒ„#C½˜)Rôå¯mleSâJßȀƄ¯þŒ]EðÏx“ÿyh=°Ö”â #ü}VHð¡¢PÚô–b¼’Û[Y"ï¥à+sÒ?•puó£©n.[Ô;y.3à‡,n/„Á¯ß“·õ ⓶ÂD¿óséÿýb³ê‡‡ïOgV* i-Âí—™t8±•rvæÖwç¾e¦iËD«˜ãMå3æpÊolf\À˜ñ-3vÏ$©ÓÇëÝ1„Dÿ„Ãñ‡é+´ŠôÅoœS%(AÙ.Ù˜hX‚E~Ã}74ÜcUÉ8<ÔG9ú¨bˆª¦‚˜)®s­›#Ü…»jÙG5'Áá€l©Pvx_ÑݵsHÏŽ ~•ð¼ÅÏâ1I7Á›anòÝð¡ÒÌçÙfÐÞÀDüiáËä¢NkQ¨×»/¢ù¡ÃH"§‚Ÿ: ’äíf¦èñzôû±ÁŽìNß¼ä¨eØËœmózn©M¦1¿w0Õ—Tàtîõ&ù•;î®…y ÉìW)/Qc9Se -ÏÓ?'Üï-¬Íštº¹QkØ+Oùº#FŽEæÚâB÷nDp=©>..ªÿZŽ[æ‚Ó­©ãçˆ$dëÖ9äÆ#Ï<ÌŠf¤­±Ê>ÒþîŠ9Q¨½¸k½wÓi_;'þ¤â±£}x çú D`©šRÕЯŒÌ@Ã+÷0g—à ›pµºœžBð~ÏWd*ýÄ÷`ÕèÕ ž–®tËnÁ¶÷q»67,MÙ& 駠âh¼nÕ‹ÐäÚãÿrCûÿÿO˜Ú@ŒaNv¶Æ0k4´ÿ#ܪZ -endstream -endobj -51 0 obj -<< -/Type/FontDescriptor -/CapHeight 850 -/Ascent 850 -/Descent -200 -/FontBBox[-29 -960 1116 775] -/FontName/FOPSBQ+CMSY10 -/ItalicAngle -14.035 -/StemV 85 -/FontFile 50 0 R -/Flags 68 ->> -endobj -50 0 obj -<< -/Filter[/FlateDecode] -/Length1 724 -/Length2 953 -/Length3 533 -/Length 1480 ->> -stream -xÚí’{8TiÇ¥UR¶›jËI¹„s0¦$ã¶rŒ]sŽé0sŽÎœÑ Û#åšØgC¹$Ê]Òå)KR4…äÒÍƶ¥6vÛR‘¢hµƒÚžÕþ³Ïþ·ÏžóÏùý¾ßó}?ïï}uWxð¨¶0„8âIi °sãméH£Stuí"Q³‡H„ €,ØJÈèL¶)Í`R(º€&#PÁ60°[=îb¶"„@ù¸Aä6D¤áCB€‡óQ„”ÑÀV(¼Æ^ˆ!˜F¡€ £|B(F1‡rÆ‚q€9Ù†%a¥p„+¸çj@A ã˜PÀH0ÅÄW¬†(Xþ1ÖßPM w”…îh<~bPŸéÊ>8pQ˜„DÀ ‡›jõE&áÜ•ˆ¦ªÎ$$Dù¶˜@ˆTÐœF7cL -¨Ø•"°Jò·ÁPŒLô žŠ¢ßˆ‰#׃Çñ4úp´“ª„b¤·, èŸì5ø©VŒ‰@¥@F§ƒ -£âýøµyÊj‡QLðHƒ!þ³ñ9‡ƒK#©¦,€Ê²P\5´˜LÆο7`èv âl0ètúÓIJ¾„ Œœ¸Š¬ƒQÅ”DŠð)Ù‡ Ó¶/3zøª®CÇ÷\S[×É,}ÿÓàb÷öÝ©^*»q÷ƒ›ÛÚŒ$d¶Ü×îb\ω¶œ%l¨²ê殬.š}F;3¼ÜÌ”Uõ§­µ®1ÊÏ”ò12žï¦š{ÛÿUþ^Ÿ[cKµ#O·Gößψ ¼èä/Ð:Ùhå«ép]/ç©ÐŽ¾hh -󒦦×léI7‹WkÖÖdw2=:Vq:»„Ë#úÖ÷L ×ghoÓj?,/cùœ,[.]_ÑðîAr…zø9”µç|«÷™uýÖ/ïŸÓj’}”=˜øK÷{÷1ù}•ô…¡=‹Â¬zU™Qº4^=Ûs&{Z•x°ˆÕ¦4裓 ïÈ‹NµyaY¥a”ó¾xxƒàÔˆ›8{‡I²ÀÝGbÞp¥f â€S1Äp™ß…}+DµÝÑ-”¸ÊNp_Ñ·?ï°ô¾ã‹÷4ûG¼UÚRØâ~WVw,8…ÛçåølO]BktJ ÷©Ëº¾¤›K_š’•®v3Z5­báò%â¾’Ä[y+=gQ±·â4ÚNŽó@¦«übäæÆ·Çu  -bcr¡…¯ì¢õØ,Íi˜C >QnYµšíÍx~ªçüëåû»© päµ}3äö ‹uÔB—¦{75—÷ :uZ;¹™®awv¨S7(Kös°µŒ+ß°¶¯-a^£(±6ð‚”:¾ @¤ôùPþøOð…D¸"B)”?‰d) -endstream -endobj -55 0 obj -<< -/Type/FontDescriptor -/CapHeight 850 -/Ascent 850 -/Descent -200 -/FontBBox[-163 -250 1146 969] -/FontName/TPJNYV+CMTI10 -/ItalicAngle -14.04 -/StemV 68 -/FontFile 54 0 R -/Flags 68 ->> -endobj -54 0 obj -<< -/Filter[/FlateDecode] -/Length1 728 -/Length2 6777 -/Length3 533 -/Length 7340 ->> -stream -xÚí“eT\Ͷ®¡qw‚Ó¸·à®Á]ƒt7ÐH7Ò8 $@Hp‡ Á,¸»[Ðàî!X°“ýí½Ïç;çÏ÷ßw­õ£æ;ß5ë©YU, :úÜr`¸-DCpóóð‹4 Ôøù€ü<||òØ,, -îS´A@Äübb@eˆíŸÁŸO\XDœ_›¨wõu‡Ú; €ì -ÿp‰å\ îP ¨iƒp€¸ü)²qêÃAP—”svêýã Äâîó`cóóÁPh ±‡Â°yÿ¥³ƒEÿ)ƒ=]ÿò‚¸{üá²ÿEÊüà †Ãœ}`ˆ6¯üÏ|?4ÿÇ`ÿ ×ß‹+{:;kÙ¸ü£ü_Íúy¨³ï¿pWOĨ CÜa·Cþ § C=]þžUCØ8CAr0{g›_ˆ‡OèŸ:ÔCêë@  ³ä/ÿäOÿþâà5ÐQ×25âú×îþ3«c…! |]!@¾ÿ²ÿóÿWü§KîP 9ߟ6óÿ1þyÿ=²üÛlJ0 …Ùõ60°;ø?…ÿI%/÷ñçær ÿ9nüB"@1±Àÿî4„AÝ>¾/þRAžîîâ¯ñgÉÿŽí ºø@@ØÁúºšìGì‹ä|äVe¬ì¡ÓOS(¬ü !à }éºýÍ’èÈÇT_Š¢È8¬W*sk1çš©Ò“3%CtÜ% á·Š<ßÈ/ëÑSÊ×7%~YOklY‘óG¦ £ž¿{ñVãW9Ù‹CJU¢)íÍ6ÿƒÂüUþGÓ¹…1e"'ÛLÿüÛ1éáü_¶Ÿr½‡¨ÙC 9ƺ5˜[‚ÖZÞYê{¹¼+´¯Èlúå¿Càë¢$3I¶6å˜À2èb^\s½ YãÊCF2MÀ„ ô=KÁH"Ϧ4._“y«»Šß3¯‹é¢ÐYöbr*aõ$ŽYMÓRíÚ¤št­ÊÝ’>!%øZ?0v^¢±ÜïIóÂ^÷×9çç.wëŽtÖýÈAT$i ¦À–ž’­=‹i–Ùé¡K ÄófÙ -¼T `á9c‘ŒíóßP;†·cš˜ÀS WÇÖu!Õr¤³3¯RÚØ>y “ie„æ®R,†¿ª£ŽO£½Äá ³¥˜axM¿EJqƒ»ÙVr ¨öv¢;š=ÒÖáš/s_ȸ±µ2ÌïÚsgù7B ÛO+Zßµ†0²€»É®r9ï×$†. 5íÈ’¯~f?ÃD4cÁK zô‹ÅâS¡[ðÿ1I‡ ‘Ø$rœo8>ítñâ¾0 ˆÝ|}Ëண2ˬUÒþÞËËûA”,9²Ì”@ø›ò'ÅÄbÌ÷еó;ÕŽšÐã¯ÏhZuÑ! PÄRt`)¯¶Âr“4„Ô%bJ„$÷k\–MâRβû~è0M/þ ^è"µhõ¾lPT~±M\,Ì>×øÂ’¢ƒ¦Û{ âù[º€û¸…Ó(ÛÑè€ÇûÒ‡+‰Z@8ó^ÿ4IBÐhÌlž}ƒY3ƒTïßòKÞ¥sçÔDG}º²A'svÍQÉF¤¬Ùe Vx`0ßN¸g^$-% S5\‚ä|ji$Ð¥JßB=ϨõVïGs€Rr¾è¶ŽY§–ѽµô‘ëhm4FB óî®Ï†rRÇZvØå;#ÔK«—§OÓ>^m¶Œ$€ÐLÙ?@ûK]Z£¾=k’Y©•¼ /€»B?Í<.¡Ê•˜$òÛPÖ•¸¸û|õ˜¡æâÈ5ÐÞà*;û¬ Œõø¶óé^*8¤ÑN8´1)‘+ ÀhÛSŠi™÷ÔBü47ãZ»u9íè¾Gパr^Fôý“sjëÀkG_¤Ûà$àCEKÊSšqLpšÀ’†£#»a[á éG²Æ÷­û²ËÞaœqK)Â"e!]^ê•LÅgX_cçg©v‹ô‘Æ×b„} ÃT9ï–n^V ¤]ýbrs뚎+µÇØXüyÆR2‹KÉi‹Ôﶚí{:Ž²ÿ¿nÇ1o:·Š^Ö'+{€E^ýԤвvµA^+°ß^a$'~*Þ“ <Þ;MÕõ×ÑÿÑ1 ÷ -ËéÕ!¶qnMu®™‘—†½(µÓ).7Íò\QÕ ÙìÕËLeËþš«!†ߎVÅòTç ?àa[ž¿.¦Ž%´ß”IwâaƸ Ö½F hX¯·SJuéô€»ú“E®©ÇÌ„¼-LSºóÖã¥Òüù ìû •‡ðr[PJhšò- Tl'çɽ$h“^6šÛ4ÿÐù=©´m ì í!=fL°’“üíqËA;Ñrôщ€ìžã·¿Nnû&zN„BΔ’²^…” ä°±Ä->ÅÕž6³áxs¹¿:g¾3Í¿œˆÝ½ÂÞ被‘³—…ʾ’B±Êˆóý‰íÂ`ƒï$+J/¬³à؉Nw¹\ßÎ 3¢( uUxþã QX‚„¡3Àø7© -ÎM^É^™ÕŒ#d}bᲫ–9JM®ø=€ª\ê|²ìCCªµí«e/¿B®‰AÕÿ‘"÷©:|F}/gb¬ÁÁŸf0ÅŠi7œ’)™©?•—:M]ë‘IWU¹KÃqbÞKG,W·‚´û‰§}k“~3ÁòŽëÒ©f†¸9·EQˆúÖó­E¹Ö}¥ye…~g¶„L\í6†d,É; -–z§Q“ßÓkL -´žXWž z% 4–]w -™Õ+µ=zÖỦå2mZ[ôÌyö¯èíÁÔ¯VGãäû«ó™+yfèè7pc1RV…fãª×ö÷ ‡TY÷åym¬´JÆÛ—§í·S4o tö1•LåSZšþ‘ù¾“Üžç1û{ê$=W f³ç.Ø“[eêzg­Çg1³vÊû:‘vxáwñÏ^dÌÓKá1‹eS‰îïTõîÏÂYž%t•”c2žâ‡°g=v2³ýšHK«ãäçLÚƒ#¸‹]ÒAZ‰M£EX—x¤&\F -K|ÝrŒz8Ji¼÷“Û Ìù D&©kØÍ«ÔÉCí±Áé^ß…&«ÌF?›¶°vöª¶5¾¥7ÀÉ`dP€„a¥Šâv„¥)UÏ&ÄáéÂ`‚å²BëªU1M„_wBtï§Â¥]ŽX5Z5´¸!³:üÓ³'Ÿ©^¼/rK0^u+–Šw•Œ8Jõ6Ú·1[éýõH¦*aÐ{ÑêÔ"(ºq‚|^ßéoÃú³þÅ ¬ïÚ¤ÆTëÖBUÒ,Óâ¹ÂpÃ|LQJÃs©âög¾¶AÁ=Õ£v<›©4—ó*/Í£‘åIÃLkQ<”˜¡ÑÀˆ^¥ÀŠ¬ï‡U/¥17}ؼýn›¾GåªyéÍ» -”ד±;Œ,®bVã½hÌM¿ÎËZÿ$j‡æ]¡§¤Ù¹ì,îö»˜A:²8•uŸE=ŒümË£¾]ìRç¿›«(;þnE*ˆs/¶‚<1B©â•‚bkÉ©º§\•'pyË3‡Tˆ­#žªÒx¹ˆÇ9Á}¡meý•˜sˆž€Ý›´Âƒ™ÒzǺ(Jº >Êb’H­~ÝQÉúQ™îHÜüA¬Î§Fi—ª8ééÐ/J(sc´ôü挭ù¬ÃP {È´Öùç@–lݽ#ßç”ù¶˜U݇nXLŸªÐZˆ+b5U˜Í”ÔKGÏPÿÖ’ŽíÌfèAÅÙý%ˆ@Ñ?Ñ&ùM<¯—´´áL^l=Ã[)&]]Óéc#¡A³<ÊyÅ&îøíDIT#dT£sGMAá!¯'"šK®4ÞÀˆ"âO98•Ö ‘™0ãìJbo_r2n]vý9¯š8“—¤&%AƦm_\•‚¥! iR6zægÊݬòEJB˜ˆ¢¶edòúÂÔÛ´Æo%-ŸT'§Þiøô2ÐôÍÑ[Q%©ÌÓèV°'ÒEëqý°% F Þ I)P[˜-è:Á-kpÛÚó8ÑkÌ®•'<-œÎŽ=‘ŸdPb…„lDOÉ/—Bw ÛGCnCw¡ç" _­I{øÆ6výi…©†šìÈ$ßàüÊ“±ÅKF”­;ÕÆÞ>axŠ_-ïCóÖŠg(ÛKu…›ŸŸ)á9[L5ѽ©•æhpÊÇ;×iŸQ|Êø-€Í\hÂœªè1ÏsâIš-Î"‚/oüç"%:˜LgM½œ¡/"­úÔz~I+:pÔXŽžlÁ^?7£*6Úϧ__m²ä{!(ÂØg>~ÌBS 9ºÿA0'¶ æJÊ®¬ƒ›§Ò•_2¬C­BïžÃ°ç×GR"íà?gÉÚ7ÇÁ?s¦?~½!’ñû‹ž½û÷%Šl‘㆛³œ¦ ‡ùqE)±ZHÏœïž0Aë+ݳò]—ÞNË£†×·Ý³wµŠ,é3u1îA™Ì¸ã¦ûÚ®‡Ü^½*o’TU_Ël)sº:¤\¶Ø}$£B'Ë|î~ÊQ§jæURlf²É0—…çU6ÑwgN|ýQgø}ýÖÎÕíìýŽÇY‰œzOi5½+r^”9ê¼æ¥œ³Ò%õ‡Ìj…c_8:4Z«lthU³ÚÆqÿ:ß< -š‹>K³ŒJÄ¢k5ìuÙ½¸÷þˆàs#ºÂ\$¡l8” |,’5Ôïþ!ªk8¨¬¸°ùRà+ߢ1‰Q<£X|ûÊq ö¯¾£xú‹íÕ- À{+«hñP0A1 -ƒý÷jÊ÷bJ9¼ ß'ǧã4‰Ï¦n¼´]€›J$wX½ìÙ+/xÞ¢eÏ÷”2³2Ïu™ 7±Ë rŠ!5ƒnMóæΧdÌ¿fË|§S‡WGΰ9`(Óþ-¦Ÿ%Zß›Šã±d“ã^ÌLé]¶ ¶©S0-©ƒâ¦˜ü~uHÜ•$—Þ¡éÚ“'ViQ ¯suQפO.úÒ÷…Œ -ý²RÖoe«ªgxJ­ýÑ>Kmcª—ÜÁ:à>\Íóaqà0zfOŒà"Öd§²!VÃÓO»ãUÝÙå•'aûÓ§ùá ŸuøŠMaë—YÅÒ!¢—3ëÜѧ‡«€À'ßû­Æéï‘W‘rÔ’rÀjÌ[$nÁƒ -–sg5˜‚äÈןb¯n)MÈ0üuë#$4#&—#×-íQÅtVR×ñ•‡È,TO7õ'ó]i8~¿âý*Áñ|E‘èy !ªš¿¦%áÑïSD¾g‘Ÿîöê"¡“Põ×'D)e»ÆžPLŠè §éíÃ~À43X4˹aÀKÒëñ˜>?n …:ƒâõºba5ò°ÑP„†!9Œ“ƒõ÷ªD]—èÉTwÎ|…ý'DðööA<¿ihñZ(/þí£^ @ñŠ’ðˆTTÕAfÒToŽ'ºýýqúé,B}@:ɉgÉy§~ª4Ë›ICî~ôôõò%O˜æ +‡•jk“ª8¢d뤛ç&g™ôø£vööÛÀš%P¿‰úGÒ3­\HòN™×Ÿß‹’yK^a>jPàŽ®·¿žç ~Ç6ÎëZŒ ÆŸ*Œ xàÜ(\F¦ãàâáÒ½ø$ba±â}@G³ž;À­pGKXÝjvtÌi-‹=‚]]Ž;é&‰>GIÑ8i'g(÷¯áv ¦ q;Ða±žáÛ~¿*XìV>6\î¬djêxS›4EÞÛèw5ÊÒA©ÝƒÁ÷àzîP`‘yÁ.˜ÓNŠ}‰kâç×ÉÈ]`Q"î~ñh@Ëèo9ø•y¨_Ÿ‚ -yõnli{F²}v‚K{ Y,eèÕ—Ž%…äWg¡]þÎòî¡àÓÄÇš÷(žŠ€•¬€!ÿŠ~ʺΧÝtGkõò€¬>öL̶êÞ®ñûÛ×@ÇÌ<“Aî¼I>¶ð½¡ =ìñ¹{³,àûÂœV))!“|›d„w™ø£ì+æÖÜÄÌáCO‹Å¿­X¥;"DËÚwÈ5ëKcb~ðtp¶„‰(V vBuÐ]…6I ¤N%©@=R¿Æb¡šªxz÷åápÏ¤Þ 2ùûw÷6÷wxÅÒe«ÊW^¶Õ5]†ÃLl¥!´c´ wÓ’ŠBà‰¶ð“š$š†#Ç)6¢ÉeÊû ñRµÃƒbÎ<í&AÈÍ>D¼gYúƒÖ,—"{Ö8:‹×´_.ŠÍÕ?C””–_ÿÀ7çúòÙV™>l½¨PE‚lˆ‡ezL8‰0ôy^ÌQsí·á‡Þaå¥ïcÏh&<Ü-‹ŒÙ'‹m[Që÷<¶â³IÎf*Ï=~IjG±Œ]óVØÙ%YÜóº§ø@=l©°eGUWÔ0\DvOáeµ™}n.Óþ]ýÐB^¢•(2¼¨áÝ;`œO #ÎѺþsxèâüOìÇO g:àÓÍ4²'Ľo3giÖ¥PÝfÁ˜x«:ñÙëéÆþ$Ì*Øl3ùí°õh©±¢ŽK΃1G LŠüÝ-CmBIégè‰z´\Ð °‡ÑÜÊ7h¾.·¬„µYy’xŽöòASÞ 8íJ ç…è‚ô}]Ô ûöÓ˲ƒ¥ã$ -Õl1Ù„;²ƒqëûRé$BQ#9Wñæ\r­FÐÏ<ºVG#/•û‹&ÿCÖáC3ÚBÎú´îcCÝÏ"4ö»«é–Éøli$aNa]3Ó,Ƈdå<2·õÕ˜Ô ©ž²oL‰_¶ö/t&˜•cøx+i¦µV§èØâáyòÃXåtT ž÷ÒIËIºJ9=ÝñÝÁ0wF`z+ô¬ŒÁ7nïÀ‹ž•—èy,)ŒÑÚUáB&ÒYÙ×.h#ßð>Æ'L»Ÿ}Òë^ô, iJUû&õ|Õ¹ñs³¸¦;ÕËŠX“êñ;Æ+mxáƒôàYFêí…TšŒ;€bàâf•ªîõ.Ã/x²­]Ãyég@—/‹ÿ}|ÖZ͹>Ï®ú¶XÏY'0ÿ#²+pqt׬é‡Kö«x` Ùi-y ŒcnÿF,+`;âÒÛf„¼äµtõ|óÀ7RyþM±÷⋲O‚­ØÍ_„Êä‡ÐÍÇ=žhÝößG«—ãs"Žýe¹¥BÏ1ìüÎ<ò>Tm¶¾}ßz›Ê¬z+ðß.–L¿:©ÃÃm¯Ê£™"˜”d|”·ÿ0±…D2ÒRÑã ¾gˆN¿ú¾¨N«àQ`ê–miÒÀoŠÑƒq›¬Ûd­œlcêyÍ“„[Á½¦j5È8¦Ž&¬6²VªêŒÕrb®ß‹6¼¹»°éÁµ­á4DîÝÚè3ÆSÒnUVŒ%ÖKJ/ØA ÿZþr]Èð± -“ -•<îešÐ7ßžhuÃ3+ê²-²RQ8‡UTËËØ7œ![ÞyQ´£en=—z(º-Îe¹ÈºQ2â²r«?¤/(ÖX;ŽÉª:&Ó·' á[È›ˆ¬T£èwLøôùü>ˆ}¬œ®3 ­‹\³Îa á4¦¥UìˆÉÝî*'§s;à*h1tñçPú®”Rha]Ú‘èJU¾gN™·Ì‰¶E%c¦Êõzé,$™pqoZI×–¬O¥§«Ó¤ *A7 y»›ehWtcâH?ÒäU^ºuÝqoš)‡ Ê#$ŽNÈÿžå2Í¿zµ—7~ò9˜N†j££/NƳô¤,¿ ­:ºN©;ç£E¿žôf2»bœ‘"Híï³^hsú¯ÂËðÈ)æBëƺ·ö^OÄ{ê93«¦pì hÕgÅ!þÜÐG¦ßçJR¹Þ’0êÏêtk`¹¥?›A·6¼Xûµm”Ý_Xy*wô† §6d¸búì0á°Y$¢½º¤Þ1+àk3•Ä¡TídÀòvߥå4„ëÝϘ®b²D'i½=GFXaþûUdÁ—暴Eg/™vúgݵ í½iL#eº3à¯"hµS1ãíxÈÊz?¼ÏmWDVXàlïbÏÀc}<;ú  YN÷2ÖÂ{ñÚ`µŸ›¸MœˆbÝêŶ^"l¹ŽDÚÌÒ‡ÊåÀt UêëHÏ÷ˆC¯l‘Å¡K~Üo4Ý¡Æ‘ãÝ7Ú­Û^‡*dKÊtD”—Büéç0ÍI]$(û«­î6ÆX‹¹5ìÛ0¿±‚·äܯ!El²Œ¡´»Ý…}”Q}Øñ´)ëlÄ(íõ> =YÏF±^Ü‚ùþ/ìÿ_àÿ‰ gˆ;îbãî„ýÛ'† -endstream -endobj -58 0 obj -<< -/Type/FontDescriptor -/CapHeight 850 -/Ascent 850 -/Descent -200 -/FontBBox[-6 -233 542 698] -/FontName/QTLAYP+CMTT9 -/ItalicAngle 0 -/StemV 74 -/FontFile 57 0 R -/Flags 4 ->> -endobj -57 0 obj -<< -/Filter[/FlateDecode] -/Length1 712 -/Length2 11182 -/Length3 533 -/Length 11738 ->> -stream -xÚí¶UPeÍÖ®‰»Ká°ÐÂÝÝÝ -‡,Ü -ww+¬pwwwww¨ -_hÁùö¿û?½Oßœ8wó&Çï|ó™cfD&5¹ª“˜…£PÚÑÁ‰™ ¡¤©É`cfE¢¦–pšº$MÝ€ü6>>6€˜»€ÀÆÍÏÉÍÏΉ„D ptòvYY»h%èþ¥âˆÙ]@æ¦%S7k ý?&æ¦v GsÐÍ›³³¨ÿëW€:Ðèâ´`FBbcX€ÌÝf@+Ë¿˜ä,<ÿN[¸;ýwÉèâú€öN:À?”ŽvÞ  %‹²ã?«ÿaùßÆú¡úOsiw;;eSûÙÿ«OÿKÙÔdçý íÜÝ€.%G  ‹ÃJu€ÿfSZ€Üíÿ³*çfj2s°²Xÿ¹Jƒ¼€ª 7sk€›‹;ð¿Ò@‹ÿdø§mÿEÀ¢¦©(¦§Êðï?ú)ÈÁMÓÛéºþKý_1ÛÿÿÓà+3++Û?žÿžþÇbRæŽ +€†›©ƒ…©‹ÅÿLü¯PââŽ^¾LÜ&v';€›×ÿÿ)Ór9»å$\¬¬¬¼ÿf2wwq:¸ý×øçsÿ;¶ýÓ Ð hŽ”“‹ ‚4f$ax4yè_¡ÐéœYUEê)¹Êä|™¿A¶ƒe^³‰³U}XG}½PÍx¦%‰lPHì y{Vo¡·œêþvøÈ_wÆ´€Ý¢ÅÒ÷Ûaü­‰¡€Ë×}ç΢ÀÍ©÷v„œ õme, wâZŸ¡wb½é8ú¤ ‚ß|EÊS!™á‡1¸ÎaVÂBß»žÛß>˜#ìCë^”IëûR³¬í10-3òÉþ)X[ÿ{SððêÞ¹vë½”ú¤ì ‚ÎN¨ìë Îð†HÅyÂ’mVãÚšöRKìkLèœ3¯/eE«^dû«¹—Cfìµ….uûiô±ßwäçZ§ÿ&¸Ž¸Pâqî›äZIüÁ„Dz#sûÉÁe,ë˜ôÏÆ œ0\¸ôÚÓzch)´PÛôd©²‚)¿ê3r"ãôKÐNÓqºˆœrùБℋØá`Êø -¸Á2°\CW±+Y…ÀLAU~V »fhxuìv/+[i~šöZ¢í 3—u=\rÃ÷PkøêQ®Õ¿CÛÿvÔºëzbŽ6Íú¶*ä SÖ¾£²ïêQ\›€ו:*:„”Öd(;W·zq´z¶‹…[!,j*#Zæ'iëÍ•ª-)o¨Õ™öâ?³ÒÎ&/P_@Ð'µ 2]ª†ú:îJuu¢›Ãw² îÍŠ8¥paEP¬4Od*s$a»ÕŒ;+D÷³aoŒaCüyŠÃ£ù€ñS£,eƒ‹Óî‚þ“v&{Ôù’“š‘`—W;+»Î ¯R5ló§Ñ¶ÆßÁ±uáÁÝͪ†öœ¬ã)õ`Üܾf}ZÇ8ÛûªÝí©í‹:PjÃw¢}Œ”N™»7°ºI- rK·`WO[w×U.;%wÑÝñ‹f¡¬÷Ò†Ç!dhôvX›ùæ9d@1aVæ` àI¡5šw’ÔÍ­zB~ú„½Ê¾Ë÷™#úDý|ºÏàE·ãÝþNÄìëA€Xy“O&‚4’Y¿´\a@=‚¤N¹Š_ÊùàüÄÓENª³Úî7·RÆ ×Ó\Y»~_öêiW rùA¦ÑÐ szÜp¦q.8oÑz© ÌûcÊvjv´ç€/„l…Y ×L#ž#©N¸tw$RÂ)\ ®Ô.T»ï™„ëHŸ0$ˆ3yÒGWîuøhM| -äæ¡Ó˜æ…í×Ù¾ÕdÙº˜›¹·©t ï³oΪçE P}ûÅw·¿¨„,#GB"ãÃdð€ö,mç57SN‡Õ‰gª@b³ýêWD¢yí Œ&°o§ãRÀˇÜë¶÷Þ1y‰5 eMép; þΡ–QzŠfÅ–ŸÍV¹§%d£_ÁEŸO ü !p”˜];EHGV‘ÌÿžUCa^7ƒxÃÝîòÑŽŽž î$DOþ `œ\_—R.èî4¹ÙÓ–3aâk;–V°ϱLÙØvÖJ3‚—E%δJvSx€V’Ê‚xmz*‚pÚl¥§|¾_¶²`Mü†ÅÚ»Yü^d·__ì­çNógÍ zF“¶6ÜÒ"Š~ʻ٫5!WrÑâóˆýå×ÎÀ®ï“^)Ú§ŸžA+:KtÎîÔÖwŠÍ­%͆fÙ¸°|þ÷†­AUœ]«°Â‘›užœl ƒ:¼‘N‹°Þ¥¦lÆï¥ô/qG*’+·_)#2½¦–*-fÀ›à¸óÏ›º>f¾œ-ªk!³ˆê’Þr::sSSúe¹ã›ÜŽ/>_085#~„A*³à¸Aªá¯'Ö D$–bÚSÒ;­{¯×ñäO°“Ô䨔>/5Sê/n9»Ö‘s3%' Zžª¨Õ|΃š_–žËß}=E Pv9„Èÿ¼Üd‡L<‡ޥΜ(ŒÂ»×žJ^ù&˜îåÎéûö­æ” -®¨è³qoIBÍîü@ê‰izýD5’Ó£ï øz#Êd—{Ä­”ÿ ¶]Xv¼<þæìÜìužÓü^l¤’ìlÍ—B‹Ag ®bÜç/ÙÒ¥X‘ÑE¹îyMà¤=!WÐqbcd×-˜~[8ÖNy‰9Q†E9(d•U‘ø˜oº=Â1`}*ˆš®°ÄƒøJc£¯¼YǸ+&=ìÁ<ÖóØl…åé(ÈÖ<\Av=¯½>’n°osªgÙï›gÏ…ç†éÿÄN“ým÷}0«Í1ŠÀï¼~“×…N®:ŸvØñ›øÖ6ù¸'&2d)V_Êlcq‰¦=%Þ¨\U³£˜ ø­“11Î_ ÄøjÓ06žæ[Ç-H¦W0i™£¡lìXX Ó¶JÐœ† _É@`lí×™ùµ¾È©X—Y/KÑÓ^`üKüy«¦®dîå@rœ#Á×F&p( *ÓÄÃEæ/£öömv”<±ð?· ¶%$ ÁTÖ%ÃW‹Œ§)G×X “ü{ßƆsÚ…lcp…Ô¼ÒOþv-2Äö'B&Öñ£©ÖŸ@yc¡.È\ô¹Û"fË\—wd|ÙY]Þê'²öB.¼%Ò‰ Ø×é(˜O-þ ¨^šYæ‘à¾ÍBtÀ Ò²-ÒÎò{„GžÀ¿âÏ#–à3vÕÀȵ_n4^W¹?ŠÝ!Ó¡¾Ý(Â}-n3%à8eò™€£©Ô¸köÑ3Ëû ¢JµnßÁ¥Cرu}…V­²!” î(ÿ\_r{íWl×…j”ÙÕnqõî"rÔþHíùCõ$͇ÑÉ Cç8IÃGfÃt«,:èTŒ×äNßÔ¤–4êÑVg¶”@V åüBTº{ŽT\„~@N\ÒÈ\;b·xÖ‰Õ¼äažÝ?ÝÆbhÛØAç; Ä©lí¾D” DÙìÀ¸ÀG'&¢ÞwŸÖ’Õ–»À¶Dô§út\Q^wçöÛÿªÜú³°çAd‘Ȧ\þ‚Z¬Ì -¶x„Â…m­ß[©2™µ/,Ç$BžËxüæ{cªWå>Ø•ucñ’Sj;ø)Ð};²3iü(Šˆ$“B&b@üªÉ{Ç÷ÞÆ–>XŒA*hÂ[©Ò‹Ù´+}Rª­ôÆZÕ¿Zus¶gmüX 4²šÛ¸Õ%æFŸôOÕçNÞÿŒìm¾1V.(A;§™Y÷KK’F!îu|·D/–l0/”÷%Éaôƒÿ1{`ýív Ü¥U¤å²J1†€o)7Ní*;«ïÊb‚Iü!ºGšU ó÷¼[ò1È7Ö×Ë8 &>ª¶© Ÿ‡{QY—¬6&) ¥ãeïEXúy îá ÷œç4èUù5ÂhþfKÄXŠÇ%…_æCóaLê¶Ø"‘ø—·ïÞ_ݾ!\äçIHmTMDÚpvH°¥WRwW•,ÅJªz³'²Ïw -ÿ”ÍXï.I©Â ±Ó âÎi±,üæOä^Ö§jÁDƒÕ¤ìÎg?Z€÷oÝèó›òü‡Ö—6 -E=\ÍXÔ8¥…þvAÕËþ£tÙi -k‘¸@—üz¾ga€ƒ]1Õ‰TR ;DVÆu£ž«½pïV1“p«lRm€¬(Ö¸:!­räYöZì¡3¨šI*]qÔñ/æÛ]Ár1ûÇ–q¿¡)øª›2fÙ–²ÔUVüð©ƒuÐUNÏ–ä ”$:1¤ê_.:ˆåŸË(ý–Ðãô*¹£õH%bÀað†äýšb]¹›¿MlvÕ½ýôÙ•º¢‘]þ ø.ÝñèÃ’Âl……ˆ¥ìÒIø9H£yÞ@‚—˜r8[­ŠÒ)Á0ÊüµÚ°¿´éÕHfF¿ü0‘®, Ô‡¸YÖzäf#üÅS8„xIÑT®åkV¢ì`Ž`ˆ{‡ÛØÉÃùÛc »aÿþƒv© ûæ(ÕàD‘ƒt8¸8óXvÏVœúvØ[¶¦Qª¦L˜æ¸ÒOÚ˜ˆ8f¸DÚŠïÒµàš~„˜XܼV9T+öÇÁf´Sl ye'-<0û܇K‹¾²0ðL¹YJ¦Òì×-¡xQ-iÒ7W”¬.Fv^u™¨Ž¡®åõdÄÙÄ•â -3ƽ7K°/µ&æ\D¬žµ‰®A¸°TfSÚ“ÄÅ<9“$f2¬PáC2N§ž^õŸøFÊ×ph­« ¡ q‚ËÊh\K^ûQ´+†šf춠² ®½i²ðéxW duÓ—ß¹K™–‘eøÐGø-‘g¡ÈÒ&}pÛÛO#˳ÓËë1U2‡ÒEáÄIŽöl´’L¦á…ÊAù×wdmvM?ËøÔƒÂ(–˜ûØ€r–ªÚÿì1*1oš]ù¥xÊ ‚¾ô}ì$YÃZ‰©ÄÊ&¶ÿ@í]Ï…VzÁ¸ãQ¡†¢°7$Åx‘“ä£æÛkúÊGECÑxƒ¦é÷¹¢:Äd_TY‰ÚÃé -·"%•Kœk|ðǯۗÖùjÐafhA—HÅhàßR²ÅŸü -8Q ž/¶EW3KÅ›"©lÛr Ї¯^¢”Q&#ó¢g•0O&?¦²·¸_NdÉ'2eõÇRN;:dwýƯ~GBW±5M‘{•…ÅØÏ^>ŒÈ©tž›ï '¢¡”1è[t§,rÞG±dÏÝñXq9ï©&rZû’]L x6ŽÅüæ¼(™„춇&$í†úsºÝ_RF†õ8æ2$[ ÌÂmï§Ê‰â ƘF?"{=G} 0À’žÏ¥+ƒd$ïo`ê"¤ Ç¡ åz´FÕÓC÷y½“Þum“Ä\‡Ç©Ë@°ŸX{ri<¬-YF]O›ÍØ<5W=w6:ߟa²ñš‡sÐÓ…^ÌeúNò2s»¢[ð݇ÚáÌ8ö¼â-2±"=(+x[ZNÒr¥QPYEGKF?•‚ìµ2¢«N¤ü#u#ÆäXÔÇwmÊ|“ÕýžyV}Š#{¬ãŽ=¹‚¦ÓöZtõÜ-þ =­€V÷>dµa\yõÎ{¥`:\!~;;pók‰%S(xò'©‘Ìâï§S’ÓûÒ²`„Ï>ˆ‰£fT¿Þ&ˆÖvZPñwÇÆ,,¦B¼èÞ™ÑËq)Ä‘ø™¬Å-ì½”Ée ßü”Ö\éÇ .)Q6|¨Ñhº%•`ÕX›– ýò!´¾Ëî]ù(‘Ÿ3êTf£_ÒÕˆÌG%š†Ó¥ÿКLýe-·Òáß[ýÒ™Âj²ÉïÈ93ü´Êýö»CºïØ&ÂDåa+š·Õ•GÝŒn€™yêú˹Kœƒ] ö+SÉAt·³ Ü4²?§¦°+¢Çá„‚öJ­ã á(xöšôòšX$|S¾»ÏRÍò¼'»o)ºkeçì’ºVU›Œ:JÃL÷ bBÉÀ½ûyÇ׈¥mTæÖk3òÑoÐåÁ:DóD¥1žO»ø¾] “Eq‘ãæio| ‚‘ Ò>âJ4}ïÿª?:§\æIÀÆÎÁ€ˆ¿<‚ÿ¸`ÿiê”Ѫp^;ªÄ…ïÑÖY³ÝÎ#y¬¥!i ÇPÚþ]<ðÄ öŽ9µ®îP²g¡‡"é6¿æx[Ÿ#GÐóœKþX±uwæ1¾&M v¶Ì-…A!± N‹jÙ”(ì0Y€™:Z}PçTªÐG82R2žº&ÞöâuFO¡^˜½¸!ö´!Ie+Ñò-Ÿ›aoÁƒVi)Ä´å¯í tÍùh÷³:ø¯§L¸Cö\вb:¼¢røFÓ»—9{8•ƒ^–™«;Å æ=Âa Ôf•=…¶Ü•²‚»:+œÝ5¹Sš|ù¾'iRšÚw"'Ì5OCê’ïL{P®•A˜-7©WÕîàpi«zÿû¾"÷zAãë( -]ÂSØ®òÁGƒ[eþßy•Áí†ÈšÜ¢ÝÞº?Æù všD“Õ²¸Æâ$ÐCìezòAêñ—¨–Yê‰Ïš6†½gãaŸ–¦·å¬5ŸQ°Ì˜þ??Lô§};^¢&áH©0‹­Eoê]ïœË…ÁèT\j×þíš~¨š =z˜bkg½®T“®ˆûTZ>“äaŒµHb–˜ kŒ3˜ÆÝ]4l¾`…‰à®8,nö†Ø—@Óˆ›YÅNòŸWëËSDqn,œþ¡92XûLp‰á®˜þ~£î™; iÇJ…E« -I©‰&ºÊäyšGp`µ¨c÷ CïñaÏ)J±œÍ,ƒS¢Å®®z ÕI÷±Šý]Ç°¹^éÍ1ÓE­‰rd÷€$¿P.‹¼]ÕD‚ý%éÝ*b6ØQ"ëUŽ´¥ë!ÉÔhž°¼9ݾі%ú£[SÚ/½j¸íôÑçffœ³î°i¶«}ì òù,+õò¶É®öë»j–ÚÙ&5s_½ýø~L—NÐnGóZqƒ]óÕñþii2•¼¾O®Ný4ßl_ýŒ2Õƒ úæç÷]—X+ƒ?ª˜ »—•†,üdB —¿uó15Îo°™ËÖ,¼ûˆŠoo‡õ±³q»ŽWë´ J‡gV䣡K¾¤—5t°û®;V“œÁýñL¬ÕAnÉA #ÞVÒXˆ…O$~Fþ™IÒIº6Ä™™­b£5ˆïeásÞdª±dš¨s é Ó²¢ÅØÓmÙ8¾Ö/Š!Ÿ©" ìK[n\°¯rú%«çÕˆÆt Œµâû• "· óaÑD§Bt4®¨dåîó¨f½ZA{MdO®üyüP#ƒÈíñÅ/%£õ«P2¡µ"U¨~VäFÊ¢ãN…yû6vÐ i ßžößì™”ß÷=lÂœ+ýc3é-Š›ý‘dÃeX þC¿vñŸß ¤BHï=£ÄmTŸ\2#J±-)ß]Æò>¡ê’~ÃŒ÷\)s?}‰¶4Oåö¼ƒlftüÝ)©vª}K]fíÜÀç²ÉqÝÍ~)ø˜z¦Ç©Š‹9/úñëjMÈõŸèi -|'ÛnÒ'¡zVH¦–*÷°BL’»g¸B)E4¨ïߣ dæ+ëû‘¨h¨ÆåÀÉ‚Ò*'cYÅ®SLÆwï°ˆd}dÿÇùRäð‹ˆjT§’–lŒl§Kõx]ƒ6vQÏaòbWY q2ÕA—OôPœG¨)·r02€yÍDG•³û¯›5gé¬Ðb¾âmìѾ sÞÿÕWê@'ë춃Z¯¶Õ ªR·Ë£ýQ¹eFsz&~îb¦ôð@Z5Âõ[¹…)‰á-dSDñaô~@ú#AÇyk®¬Êi:e䡇#-wm¢ÇB6RðüåzjŠQ·™Bsá¯ò×jp;µ7SûÅõ9èpíÀ¾n } äù‰4µ5DŸîTF+‡"s}J0ÒhhÄhÉÇ›†ru}<—y©KËÎÕ¯Ž/n6ì;t<–ã ¢vzîÓmYMÁ©f‘Ý4eû-WR[ ÄD`ç öH-}ÊBW¢Ÿ:ïÆëU®ÇÄ›X,ï;MÎz‹˜ÉtK2|LË éZNŒGÓõ®ÇeQpëÍ»³á÷%Nrr…Ý1À™Ž]ÃáŒ>wR3#{ ³—>†żü*ˆN?!1¿Êt{†kÉ]ý¥tà"£‚97üü#Ͳ&ÊÆüÒv­>‘-iTaø‘ÃR½|,‚bšTˆðyv_ö{jqel‘D¬‚¡OØuB}¢,Âÿ–cÀ­¸Û‡ãª‡£|—´RkdM³O¯jÄô_Í9¤-êê¦íûÊ;¨v×æ%†ÐSÕ}–äSu{?+È @Aþèè)K®Ô‰}' -ÝëRÖ0ªvBKvíqmª»Ñy„Øœ&'bì=06•D£ï!‚±^l‡†UK¨o>Å@ÏKÝ4QöÝw§quU—$4Ã…¦Ðøw«UÜ3´IÅ •ð:J_¨ng8y­°´#uØrSs?J1{¨˜Š"¾¿YÁÀ‘ôÏ}¥q‰±R#_¡Nì: à[¬PÑÔ¥²¯fàK£PAÃÆ5·y:«¿Hü+ïÜÇ\C!4íÚhUò çª:^M*+›…,8ÜVDÎˆí¼£ºô¡Q³ N¯hš¾êCýåâÜ·KiRiâ¿3÷Ó¸ù~‰"ÕUeU±ªÛMç‰ä.f¯ƒÒL$Õ² îÕøÄë,ë+ÞoL#\G[¦¾ÉfV_02¶ÍÇÎ^T~ ²jjËî^Ƙ:=í²ñ¸0Åš}¾ »jT«qJãç¿=œ¼+Âó”X(Ø‘ úÚ¬þø B@²6 ñ¸ŒÓ Ø•{±yn½±k/þ½úêáL«µ,J¼ÂƒC“ -­ÿnÀèñ'ßÚ•ìăL9”]+y)‹-èåm8®¡µœô‰Qj -•ÂTë~ÃY÷Û)ç+–ô -£(j m¹*ûrh‡‰!sçZx¬ƒDèà }Ž+^Z4hàù‘rWvÒj¬æ}\ôätLdo·'mëáë·#uÞT¢Œ=]¼b}³³a@-g˽â´yúR²útŠ«Žw€n\„ájXq©B—¥éàE}a«¢„ÖË“ÝúÆj ç†ÿhÑM v‹ìʇÝæmî„QÇM‰¶›`RX:;+u®Ý¹©Ç;¨yáÞk¿›72¯|D³°ãùòªÜïîÏ=‰BÃE¾ÔÀý9Q>§¾Dç†Àé ûÄØXAk!}ø ´ƒÃ™Õ×cýþ°éä‚£»¸ïåî+qßöžQè¼ð)CÏÏ‹pæÌëÆôé ÁSô91õx¦¥‰Ù‹§àO “&¯ûlüËÀ éÖìùŠûz¾°4A º¯nfÖEÎ*ùôý†^ŠI¸ŠŒ>_iþT¥†Ñì$ÇNTM™ÌL™þ(÷ùÙ-2Iù k•ß3JÏÃqšÔíl†BkžVI`0΃ñØõ7Ò&vÃÅÎïOø-i·ïcÍù’¦¬ -œPðq]ÝÔúàE^oÇy= ³™¼U—ýÅ~hƧþà>Û´ærçl„-jݦ»X”Òõ¶eåÇoÂqÂÛ[Óê+O>3ª“³0ó`HVrz3ýК‡†n/&ÈÌW©OÉìó lcˆ1FªFíÚˆØë”™[ͧ£ ¾?)‚%¿‚¡„ó -õïïk°3‹¥€¼Ù7öS«Ù²@¦‹G:φn þOßÄ=j\v;ßú=K;ÛÕ~ïÌ?ûÖ>Yu2x6‚ÿ†A (†–¬Z"®}N4Y¯K×ó6–8z{aÚ<¸f@.*2vëÿúÖyèPû%¸MÆú·˜&y–V·è`øÉë½ì ölVÝû\&sg~ù:šóMfÙnص1©áQ³1tðqÉ¢Ffxš‚Œ×¿Kæuæ·ùù3á>¢FPC?Üx^u•4QÆÏíägJ ýž=%ÄÅ«uÞ·äÛa¯7î<¸YR¾»…m„¿Xú"ÙÓªÐñºÚ.ºº¦bá(×›H¸ž³Æ”<$ÖuÍmñšU"g&Ûö¡FU câãaªDusÿ.kYöà’ÿêl‰B<®Ûh}‚îeÙ¦¢Î‡”õîV Wlá,KÝXn •aFÊhÓ£Tëù³é² çÎlh™…‘4ßkÔ%ƒÁÿ_éUu¸è¶dÝg«†QõwÖç–tæLß}-þNÌ[«XaÌf‡h†°·ÒïÃù4÷»è—Æ\v%©´ïã¨Æ`YÛxÞ‡-¿êÉ ²’=éÇk¼ÅEH¯ SF\Z©¾®¡Í@}­Q°I‘h²•Œò#»'貌‚jÇ|7^ÒŸ“´Wc¨ºA±ð&M¡Û¼çéOÖ¯?µ§EšŒX½µ0âc`8JÊF£`@‰C’èòìÒÿÆ«É!ÂuP•ó‚–>æƒ+H „–§§GÔëD<ÎÙˆ/ANœp#æ$’x‚',n?:JÖjMÝ»©ƒOƒ~­Èê±gÉøn(=®7âä’{ÔBóÉÛèf«ìÎô²ME ð0ü1@å½*ºÎ_ õUT ^^u‰Ì¬¨*Y3¾òv˜·øž¡öeûêAºr­Ó¡ß§Z£0ª“x³4Y0qÇ£À3cJÖóLJ.=p0¸EÇÚ)°ö!¤èÍcÖõŒíú¡œC:¾$ P$à†³ÙPðÙ—› -Ëáœæö ènQ“·OéX¤ÏX„ðñXˆ#yvæam ê€HŠöøFo­O-:—*‡FÓ§¯Ü÷"ypˆ¤ìgFdA?û¤è1Í -ø|œ(˜“+¾aKâZÉÌù¿¤²»‡ãÛƒÐ:lÙí‹ÅÅ2è¬iõ]𶽌@¦|6®žH29Ûæü*áO?Xõ;##¼Á÷#ª‰ô:y1 4ƒe?YùVeEbŸç"{Èõ¹NÞü¡üó^” ÌФå“ëMcB•(úË*’9|1qxÙ3Úü;L8O§VýLHn[ݳ® $‰W)"eS«.Woè8@ˆgÅ"ð8‹ö­†Üˆš?ú(Ú’ J”§Jv6´èÛuqcæ…J“˜šð‚Þíºî‡Dºª6H)^ñ..öÃöTBmúî­©€ Ä|[÷=ú[ü^¤àÌpzÎY¬R—tÐѬ_b•IZqxà·Å«Y½ÅýòMz3¦,ÁOC…´ `êFݲÝ3-ñxÿFHçY%±©f*Î6?6̳¬º@ÉØú¶äU‰Úr·•z²BEDdœ=Çói¼;Ì’æÛDZyH¤wf>D^çüþèýSíê–­O«iÉ‹K“^döŸ=[63º¹×Xh¬b‘öÃ4Ø€mÄÈôí’Ó¼½ -åØÜ:åif Yâ¯ÍíMlªäz—AŠ_ÏùRêæžœÆÁ#åQI¾ ôÏ1š¾¾±Ì³º+Ó|ý¡O¿_júP hë„ÂKÎ o4-|œ3W3_(Y|]ÃvW^zN›"„¼zMBM”ײV`tjÓ2ü…ìºbÐ"0e­ËGC~soÿÇ‘M˜ÅÖ˜ÚÔ‡‡K$Õ›–d碵G‰¬í*}DåI dÿ®AYļÅ‚ýÊöñÌ6M”ùñ]´ady G‘ÃìñTÊÀ‰+Ê&â~d°Ä7Ô¬8îƒñ_WKŸÙ} -;Ix #ÙÆ‹²Üö¯tÄ7þI‰ãŸªú¼L•|Úå¿ÓÚmk‡ŠŸù&„àë5p‚•SŠøœÏ@ÖBm\»RôùÝ2ï¼ÒÚ‘HËB¿N'Š>„x™‰°ªÛS =oðß+ ]¯ž¬úeöŒPÔ°ݱŒkþ[}|*ï F6(ó¬¸×"›‘r“IŽ*D‰5Œ8”¡Ó4ínoµƒÐ ¨¾\Áצ—צR„ÛDü4¾ZŽVùüBÍïBxê`ñG|„ÈȺttYo³Z„gæ"fcñ&%BZImX3@o -Óèl²F¹_ÐĽû¥À¤èÛÅÕ©G¼Å´ ºz²ýIEËKöÈlmïÏív6w$f:ñö -"³>‰œ4€9Ùr¨„øì`gGåÆéVµG-ŽÒd¸IJñ\–H®i›Ò<“eAm¾s•›®ˆœp¬¤X¢³ß—߇ÑJ!þÊC3[2SÕbJ’„M¸@ÒAv”üâbKÙb™|aÞ¼C«¼Ùò(,"šFX·ØE- =¼ô+ý4Y—¡)TÉkoÔƒº™ÍÒŽ|Ê¥¤\ï䣊Ê6ˆÇŸ\ß6˜Õ<áY!(óÖR|뎰ïÞª¥È¶Û¤Û²b€3à -WÈ¡ÊòLSŠë,èÄZЩ öîÀßõ¯ÅVcòó±¥_åö¼yxÆ´’[Ð[¡ÏK|çð€â7Ÿú*|ór-Òÿi w«˜™øó¬t!½:oö•l­¡ÄætþKŠ]wÙ²êzOèóíÊk['Cª÷´´jⸯC’&‹zص3*znÄ4k7{’‚0Pä ÁEr0$ÑHnø®à–]†ÊoŽdqÖ¿NsÈ‘ö\©t -««Ù#«A­!µÿ#÷òl;y°Èኔ+T¢PÛf!ü,@pe[Jî_R©üËk¬ça½âéó'YÀ!‰UÌØ+“ˆŒ‚ÉÖ™43 aª^ Êð|_db©D91œB™ŒMÚ=ÓeBòû]Ö9NKr<Çí÷–Ç@Ö¾ÈÙò^ñßï¡I‰Ê,q–t¹ø_M¸cBÞ²ðO“)’ÌmÒ¯Ç7®¿, ° 4ÓùלÀË*v“[ì¸??ëtÛ²´.;é•úÝ›ã-ž¸liÖ±.„`8©–YÿÒÿoðÿ s; ©‹›£½©‹-Òÿ;±"¶ -endstream -endobj -63 0 obj -<< -/Type/FontDescriptor -/CapHeight 850 -/Ascent 850 -/Descent -200 -/FontBBox[-39 -250 1036 750] -/FontName/PJJMFX+CMR9 -/ItalicAngle 0 -/StemV 74 -/FontFile 62 0 R -/Flags 4 ->> -endobj -62 0 obj -<< -/Filter[/FlateDecode] -/Length1 712 -/Length2 2589 -/Length3 533 -/Length 3133 ->> -stream -xÚí’y<”}¿Ç‘%#Ù—¸é"²…1 fÆÖàÆdŒj,cÌ\Ì0 cÈr+”$"bʮЊ„Bv-¶BJ!”lwÉ6–G”uŸû9¯Ósþ9¯óßyëúçú~>ßëó{ÿ¾¿Ÿº -«‹"3}A;&ƒ­k g€¬\€¢®n͉l*“aCdƒHÀ0P¡þ -# H8Q¬™A,ª?… hZkýè2PtE%€‘MéÛ!$" À2IT¡( pýñKà -†€¬0¬d*‰ ø‚þTDÿ’=à ˜ü%“Cƒþ¶Â@VÈ6 ¹Í©lS’™ Z@ý úÎÌíÕÀm–ÿ1ÖCõk¸](æL¤ÿˆßÓ¿¹D:•ñ>“ÊY€“ ²¿¶ÿBsÉÔPú¯®=›H£’P @ÿ’¨!vÔpŒ¡²IÀH ê ƒü+ÄöØ~"ècœìŽéü<п< ‘Ê`»Eý+õGóÏÚà?ëíá°¨á€T -5ØnÜ~ÿþòúe-[‰I¦2ü,›È Yä ÿÎdeÅ Ò5Dº0øö‚&phômÄ1¨Á¡ ½ ‡B¡&ØO•Êb öÏK°½ß¿k?êöt@0$Arre¨¼„J:«>+-ªG>4–Ì]¯Êöv,ŠÐôÞ$ÄbVE7f1É—×5÷Zœ»wÒÉìbËš÷£ˆ…ÒYm¿î«È² 3º/¤îãùô›çÁä:‚G•N!<Ê[@l”K.d5-=QÙó`s ýdÓ¹¯ÓÔ9X5y~ªžI°=ᘮ“GX«dôX“ñRò0©hzœaünÙRwêe5šâ1 -Ì - Ì´IaÈã7ä…GV¼øæ¯Fúqß[ÖS›AC²8Av¥o÷¥tîÀ³0tŽìÄÆyŸŒ—<¦ŒgsרÜOu/²³Ú¿ ¾¸¥4¼mä ¸ÇfÂJ_q!v)·Í#`ëüšiƒÞŽòbÝÝдþ˜ÝnÑgzrË(Ôû·ë›¯ì¢D\¹Ô¯æš9>ox›?éäPRqLOWÚòìúBüV6"ì"gþI†(öK…ªÌ ƒÍé¨kÞ/<{D1.J†ð¸‹Y‡š›€ehÚ³n‰ÞWd¯ë¢œ]"—–*z£ÄqÖ-5b‰w½ö;ÒøÈi»Ò%ÛL>¾Ï!š*Ó¼½:Ï?˜˜[{»ï9ÖJl?Nå°.ûŠ÷E†Ó×7;Ñ^•Ÿu¿…«W^/9t"î^cZåÕ5í0”:º Û2ŠRrØÙ²ÜÖ&O*«Á۩ĘwŸi«ßçá+&ž©|ÿ˜tRS¢!U”Ÿ–¿Û΋¯j3{«®u4 ßXOOê㜽½Ãrs×½t'g! +¶îÇ,S„'®Šø¸ú«è"ÁÙVÞì”ÏÙBˆB¾ˆÃ -¼ãO90Y|‡X9ŒËþÖÑqÂQÔMðÑ™«/‚(#mG=ÝõGð*a>9eÙÔ½­¬Õ‹¿B±íUúðÔwÞÆH ª†>úͼé÷ús½µ‹·ÎŠßŒð¾Å>ŸÞaÛ€Q徬x}<ÙáƒÄDî€Á.ñ­¼/Ÿ~Ûê*ÙzÿURÐ"Í¥âVc -RóšCeÚç›Ak“sí“ÍmDÆ ]JpÏxr$.{*5„¦¹KX<Àª$Cž^ª:x: -'ô‘^#}Ö*ÜhÕà‘-×ðΤ ²+ôüiãæêÑs ‹qÉO‡T!㺖fÁñFZû%–¶f$¯WLÎ^øž_¼|n"/ “ÒµóÁ·F˜J‹¸Ê+\6‚nõ»ôCÙLÞ&õ… •ýÀÍæ|ú9–œÐÅâ4ÎÆÁð(^fÀ?çy®©R¢ëÒy6Bz&ʺñÑ/7g!†G»üTZ5"æî€^#å’È–4‹:ÖShÛ ÇZÉ©o™ü|~õ„"âáô©Cª r*x4ô•@†{µèíl™ª$nV¿èA#߬ýwË™P§ô£p-þë&™—Ïnò˜µÏçÉÑq¤nf/WfÙù»Û=ß>¥󬞀7•­&ŸLo«žT7ê_-L|§Äçéü'ô -ÇHy ÑcgÆ¥\gÓ§ü‚û>;%B8Ø çº(¼qÒ‚X@mžH,ç:ÞE(úáFôÙwmoÎ ­Uêc£M5²m´^›|¸¥õ\2B°tìÚ”àô¿ºß÷xûÍÓù§Š”]¢ac|£û‰h,ï®ÐžûB¤}_¨s²×ª/¡4y½`…HÓÌÎÔªâËKQSXZ¨TA÷ÁL$ÝÛ¥M*ûxãM1Þ&é–¬gS IåÝN[2i†Y{ê7~…=6ùO|ß‹8.Ä.Ý\#ˆÖI¼_àÍàywRwëí þÍÃCñÊéÆ7`!)¥¯m^½H—¾(vп+†Ð=EÚéànyUêIãOÛû^Cãt¾°’ê<#~…ÒèIrjguíñkÅ&]4ûØ? f?]~Ú›zâÕt`ê™þ8^¹½cC[×ü‚‡Tæõ»kîìq;Åw^YV½ÿD…ÛÛt™@ËJ¬ ²³jÊÛ[Ä£5ôɶÅæð%ò‹/â½uzÉ -ž{q£’9åèýæ26±í/q’q™ši xŒgKhX­l¥qWŽÄfAÜúªØÁæî-t…euþØÞc–#~OÌ>z?…¾–ÂhŒh»Ž«ä¤Æ ”]ð& -àË&šÁœÖƒJ­úÉ­ÕŠ/ Z®„E¹ß®ž±l7—®wU0Ù]¶×'KYaÎ2w†éçqc*Y~nTíeø$¤!çšrÀ³ ß-Z´p•ƒê—ž¿_Ø µ’Ð 0ì$ꔡEÏs‚—ß:~cÊ;~M‹PvÒŽ±ôŒP¤™§§WÊn+hèÞý2ÆÊŸ{{@ÞŽÒþÀ4Ý¥ÔxÐyýaÎ÷ãÜ´‡¥wwQ±µf£h;¯Õ¼9­@îJœô|w ¥Ó¶£à^‘³S®¢…yZUle˜ìU Š[¿YÁ"ùG™1¡ÊÖ}ÕšŸYPiO°¨¢Ü­%L9WÖ7?Ãc16¼&¿;ÀðXÃØ}>'µÈ‰å+‡5âhpF{öa©.@,?)ŽÒÈËÓ¸.5¨›+]"5­­Z­–j3jÔ=õ0'+“î?úU¶9¸¹Ç·RWKhòòЧã//ŠNCÊ?> )£ìåçå'/¼Ô!ÌD ¸>Jñº@–žªDÝÙš˜…Í=Á­%?ÿ(ñŠ“òýꌶt@mîé躘 nA=Œ=tìÅq9u÷“,£ÁŒ;wJ ?¢ - &Wûö‚á8Ù?æk’×_F*fÝë–°0YÔèõwOhgÊN‰;¿´¡ˆy(¤ª8–ÁÕ‘ ¹1ølÜNxÒ SZÚ¾»°t0–±êjª§„«Í=¤_®­&îƒÞ<î †òõ1ÍÑ%„ÞSu=ê‡ *¿§ höq<—ÏÕTßñBi?/×¾R¾Åû€Mz³»¨­Žã2lš†~*¥¬ôP1ÞŒú† -~´i¦ždÚJ‘ØLN¸¥sXàR»_¢ŸšKízœ}“Cà:[ªùºÄÓµ[z³´ƒ¿èDâQ»I c3å“»Á¦Ï0øÇN•Ë…E7ÍÂGàdÓÒ YÒó6&ƒG> -endobj -67 0 obj -<< -/Filter[/FlateDecode] -/Length1 712 -/Length2 1484 -/Length3 533 -/Length 2016 ->> -stream -xÚí’}«œ­rZ9§WÂ3ènN•h’i%ÁƒóàÐ{Â`úL1Œ$ùÈ0ëg²"=µ.ªˆÃàWó¼‘Äp=èÐðZœÐày$ÿá’™øÈ7­OôùÈv}wZÀù”ƒAi.Ðñ@ÃáÎƾÃüS£{;t“„WÆ:o÷k6F÷ R¶¿Õ28˜>3œÚßPPÃXˆý»}µÛãŽéo²‹iKö>Â._»Ï<á¹k3i -ÓM4¬3U‹h˜AÝÁžF ¼YÛ>ùÖêW˜ÔïŽ)iýôÚĘ÷ÞÚW±yüC¥@ŽÛê^½ xœ@Káf¥Œ¡\ë×Å1E·Vh©eåÓ¼naWº-kuV}º6?ØyÛ.ÞÅ «ºúyëiAëÙÓ…¢ëŠ=»r¾Y¡[Ѿ†n_/‚›š_©‡7ú´±òÁͲffQr\ß;•Aèê.½Aµûg -m]÷kÛóöÁ·Þ7†3äÔûÏ»ÖMi¼ÕûèàG×5ž˜ˆ›åNX[6ÜÏÅY¾EÑÕ‘GÕµøìw¼tJŽjŽ«49¦‚]RÝoh\”dé=´ËE}2-=LC;koŠZKÏÐp}C©ý9GÉ]2c¦£Æð•´Ñøà@–÷±ÃÇë0˜:϶Ez¹±fߌþeJ}‘§Ÿ¢" ,ZšÇüò1íxÎk'Á¯ZÃøÇlUy¨FiJ>5CÕÊè5ö‹Cì %zLûŽWFjGi‡™šnÎKöP |^CE%JùZW¤ù‹/æŒ$f9\È.Ãs¤&ȺFªG']Þ'9²é^™ˆiSeÐu4Iïyâ(¨%B|/‘ü?–KúÌc˪k+µM.{ŸpØ¡ v`A×ÍõNCÛmC'¼~gSúKUñ½ÕÌÅÙÄU/eó‹\à•2í¶Ô•DíÒà"Ìû©âþüA©¬ŒSù¶ÚÔšˆ‰åLÔ¤ó4o]þȵ–@iFDÜ”ôpȤ´åÔ4S“]˜¬½_^r²/êÓ7ì÷ŠÍ‘m' ˆ«ÕÀD|èúèÕZ™yzËO´gy1+Õêâ~Z§¯þl÷XfJ¸3…É芟¦K<~—¨œvnJ±¸mœ¦vþ·Š«½ÜØ_Ö@y´G;dÔG!ìcùœÅUónw1Ü À>ö€¼+Ê®îÄ3÷_ƒƒ?´l:jG:fáxs(MÛaM¨P§—u'qÿ»è€cµô¦ãÛ CY½'ˆÿå…þÀÿD› ±ŸÇBBÑè?©®3Æ -endstream -endobj -71 0 obj -<< -/Type/FontDescriptor -/CapHeight 850 -/Ascent 850 -/Descent -200 -/FontBBox[-5 -232 545 699] -/FontName/OESDYT+CMTT8 -/ItalicAngle 0 -/StemV 76 -/FontFile 70 0 R -/Flags 4 ->> -endobj -70 0 obj -<< -/Filter[/FlateDecode] -/Length1 712 -/Length2 3060 -/Length3 533 -/Length 3598 ->> -stream -xÚí’y<ÔÝÛÇQ¶A)QF²e›±}ß·²›Œfùb03Œ1ˆ¬7~ˆ$²Ëž-ûVv² ¡)[ŠÜÈ‘‘üt÷Ü¿çõô{þy^ÏÏë9çŸs]×ç|Îû\ç XZIja(@Ÿ€'IB¥ Ê`3kk%0T -Ò!H–€×E’e0ƒ‚µ|]Á20TAYNA" u^D¬« ,ª#öS¥ÖÂD,‰›!InîØô[ÐX€ kyz‚¯ÿÜâ¾øD2€‘ P0‹&Q€+’þÉd„w!€¥1¾^—ÈÑç˜ ,zÌ)>¦Äðž` à’6'Ÿ³ü±þªßÍõ}==Í‘¸Ÿö?ûôoe$ëðÎË—Áf @Äÿ.µ~±™¬/î÷ª é‰Eká]=0äW -ë£õ0–XÚ L"ú¥<æw†ã¶ýE m¡g¥ë`-þëE-‘X<É:Àë_®?ÕÅÐÿŒ»CÄúƒá)z,<ž¯œ~;L&`°xW° ‰Ç ‰˜%þJ[›à()–”‘•ËËɃ`°ÛÿUfƒÇzûFº`y¢$û‹íK$xÒ_àøºÇ.ØãÞ€?€efÅÒ:K\ÿzs§sü²ÝÓá KP[ÑZšün.÷èÀ&‹'½Ô÷èHËI6êªåÔo¢üÿ¨ 6SIìÜEô\¨˜æ¾ê2Ô -ÿðUùqü’äKÎG:éŽuàÎgxx®| ‚ž}æ &—äÕ¾Õ+ÀÓx0ÞÜþSá(ÞN™¬[ˆ]l¡QFëù™$‰g;ïV3àGt0Žœçªe8oãÂe#ØlkJÚ„¼ª7ôX”oW6Rß¡8'8yšã¥›!W;õÙ(+ã `F0xq5.¹]ªã­ÚŠ®ñ<úcí%ZÑåÊݵlö=æ~©óáN¶¬g%Àü_=¡ÅŠ`)T ‘6ô‘¬‚åzUØÛk>©Ösg¾`È`ºU%º-4±È åÓÞ(~Ñs¤ý¾ftÏ°ë»QCÚÊÌûîPÉñ{½&¡Ò‡W†n‘abvœãæè® -}"¥÷œv%˜k3°¹ÖIpC§”mDQ²C2Ri’ºlš¼fÕCG6Ç5ÌvÜ+>wsËtö‘?| ¬¡Í‡å¹®¾ºåqÇ4\Z"±ÉaúÄpÛŸ[r_¯ n¨a”±K¢Ófñî'Ië¼lþµ“RŸyk*é»­qC‡}²ùé|n1ºÍ÷&bº±e—ëW’¨ÏîÆ?ó•snúÖ0S­Œ/µ¯W³”Öîä_„)÷ù³áUÃ|Z6^¨§Qhæàá'»3s{÷ªCÕJwCÄÇV»‚ôÊK’}¿L<5Ѫg?|Ë¿ööV•âÎæùUÆ&.+&ÖA­Í±Ý©ÉáAµ;\Õ›jEP©kɶa‹ :š£¹õÏd¾È,.oq^^ò }Ø3hÏLköù[¸Òã~yšW4“ôF=–fÙÀÒìȳÛ$¸b/Cmjµl5¤a_Y]c[áõú¹|ÔÞG¦ÅY“ÁÖ):PÉJzØ'̧E¢=xL¹Rn·Wï.äà÷1yPG[£Šf^¯qÚHß57DŽÔv¦Ãÿºêž¬-L¢¥óØ”R‹¼ø"^) šªjÅÐZié^°µ3;H ÝVÜ÷ûRƒÒÿ ™~ÿúª¼Œ¿^9ø Ý'Y‰sÄç“Áò.ò…µî «’<Ÿ -~—pâ ØÛsèNfF—ËÎ@·Ž@î€GÏéÒÓå!ß:r €ÙR2úá8üÝó*:Ýyxà@¸åB zž)cîÇ…m7Z¾úb§'*rS/e/>llè’èr”¨út?ñ[™Ý9\:½d>»•ÎIˆlÏ@¦g3š¹D©;|JPŽ×ä“C”Çkwõ¿‡fÅŒ£P¥&±™ÚQAöcÔö@¯ŠrA,¦o -ÃOó`†øS®¦PÝ+OZÅ„Ü`E*çZ½‰cÒ1f¶¯ƒýü²¸©ëú弇˜œ!¶Ó²‘"™ÑDŽÌl2ŽžMà¦IÇ™–‹ sáeÅéöÈ°Ö" -æÒij?«›ÂS›ôW#a÷—?~ Îïçøä)´U¼K¸2ç^ÉÈ¢ó}ñQhä%âÍL÷Sqd{½NBÇõrw÷œ×²cÒ§+{#]=ÄÞy˜z˜Þ1×ÌIËÍèŸxÉÁ¾—$p -É^¸Ù!®g16(¢ˆ»¿ÆF}Q#ivO³ð¸Õ?¢[×öÉáÒFãÔ¤‰üóHòUUPÇõ¶A­û\aj–qù³jB'ÃYYÂ̬_wìçéÖ#ÏÍcئ¤(ËB -}Ï\Óæf¨°Ä †û“7Î_ËÓõ6?zÑTó¥À…NW„Nýé‰}îö¥Sƒ^ øGXÞ÷ÄOÎÖ‚nqâñjqÃg¢*v²©_†Îô^¨ðÑ°ô_; öÕ¡—ñ7ûÍ—×Û´ÒikU­GuÌ+zNîT£jÕ²4úé©Õi» 3éú; q|~äcåSક\È ˜xÂG¨åQʳnTcæÇé$¨qê*£N5wëFN4£ä€ÐÖ¾IÊIV:žµo$ªâ¡ûü‹ áa® ì(ÛKQÈr¸ÀŠ­ˆ¢ÛLk3#eZV^ÑÙ¶ùkô´BtÀDŸqgD†ÂnîÙd_¹8"çÊÈK›zÓ€g¿o²^ßÖPѲ|¯° !7×úàe 9õ9+h¡ÅLÁd!"+z]r6c‘¬•÷(?l¥7‡ -æ¹æ©¿{4dL/‘±~¤vj ; j¶Ð•T»ŒÑ]9;Q¬J®‹| úðüwCÞ¾êíôd¡u–hgã<_.&=,Á‚y5Îë%Õse`›§ÃF»`Áfìð´±=ôSM=SJëÇD}´mFªkâ,»{çôk¾Í0MËâìçûÜJ7•WýFµa9æ'X|¨‘}e™û?è¡K‰Ug_îÈFY=xˆ^9zŸÇ\P؃óÐ7vÖ{]ù†½8•"h\Ö¯eÏû'kÝöÑÇr.ñü*®ºãçÈuöU¶íë•D¡€÷¶^q“²·œ_}ú6 ÀE;<ÂWÒj­L -þæ¨%—ÖÌWõ¢¿Íñ—¢›š¥(/,?}ÆÖÜß~‚lçÝŠKHÝk‰8’d€œ Lîz\Â7©Õ¨tM5æ§9…h÷ž“(CâX¾óDž0´]>Æûí ÓŒ™ÿǘûuúýqšjËŠTÏEœ“!Ù¸ÕëZWDëa¬í’Hï×pÆ1¹JÈáQÌeŽ|é1Ÿ´å³bþ…¢wôhÕ‘ÊE!“âÞT¼üí!Ì¡o»åÚ|ËñÍ;%Ö‰ÛG9¥›‘I3cºïjÑûŠKDî€f0Ïó?n˜0¿`Fœ„â-e·~,Ö{z¢q£“‡ÈνÄÕ¾åÍSÏ»:Øo%mÒéÿcí‹ñ¢-I0¥ Ð|fÞFó&ß Eß÷š@u‡í!äô˜/nFR²ôhoß~~h»±âŠm+æ‡]2¥É»Íf".çåHÖ,Gß½ÄU½Ç5Ê©4Rt–~×S¾ê^ žQÜïáÖ=(\ÙÝ·ÕoÂ’ ?ˆÂ„ºù§#‚¿ÚÛ‹_·£Ë|tKÊ·bÏ‹8:oÞ•û#3ÌÎ'ò¿ ÿ7ø?a€öD‡$z€@ÿ•¿M± -endstream -endobj -115 0 obj -<< -/Type/FontDescriptor -/CapHeight 850 -/Ascent 850 -/Descent -200 -/FontBBox[-32 -250 1048 750] -/FontName/WRKFEL+CMMI10 -/ItalicAngle -14.04 -/StemV 72 -/FontFile 114 0 R -/Flags 68 ->> -endobj -114 0 obj -<< -/Filter[/FlateDecode] -/Length1 727 -/Length2 1499 -/Length3 533 -/Length 2042 ->> -stream -xÚí’iTY†£b ­€€,£%@…„„‘ÍÈÒ,0ˆ¸„¤H -“ -&d‘–%*@"KCõ ²(¢ ØìÇ…A'è„FAAÅÆV–‰ØvŸ±çÏœù7gªþÜïýÞûÞ§¾ºæké87¶ ¤ `GÄ©€‡ŸŸ7‘¨ÖÚÜÜC2H{2 -í1°% -ÕŽDµ£ Ñ怇 :Nq¸°Îcý'pãƒBˆÅ„?&Âùª“Ð,DâðàÆãAŸ¶ˆ€ P -c@6&6ÄB€Áh›OXÞp¤ |–Ùâè/­P(RqëH×*N¶æÅl0mã/Pªhþc°Ãõu8MÌãù3ùŸâ†õ§>“ñâ~søÑb~6(„¿¶2ÀÏp~ ó¿îz#LÄrƒ9<ÀÉxù³‰hP,È„ˆdòDà‚Âì¯ITó[à°aùÒ6kõÛßýÜ dB0 „?ì 5ñZ5%! ì à ¢Ê¨z¿¬v~uÚf˜%`C0 #L˜Í²þLåî.ˆMÀ‘lœ­ê¶ÈÅŽø¯ÆÚ'½=;‚…ä`· ²ÄB!# ÷AõÅ_êHH5$ŒYè$r\J¥£{/a:‹Áxÿ"Ü•Š1ùx -¯ëçËó‘«—-Dzf±Ñ–žÑÝ k{í‡ö :•Ñh0Eðjmœ©§‚(‰z°Ûlå|¯OÇÇ. ¼KÇ[ýîÚÆ„ƒúÇÌÌü7ÃÜæâÛ5žðPY¿å½N}ì!ÿ÷ïeÉó<Æ»´UKOÇ_Rß±ßï"æÜl'é—å†4}úʨZËæûté¾'cÏoŒE­”aJ¦ïJ[f7÷é®xåZÔ“—í GÇÑ||‰Z¡ä _wGÇ´¹‰ìð_%îÔ à\ùØ/´õ9Nw2êåö*Mu/‰å×ubü q2n¼»♹;ùTÄöGÊÇ&:Eôç•KË4~ÀPqá -SnL—|׉ùú .Ódµê,í¥G¨Û>$¬¾Øà¾Ç£ZûæΖ~X×ØT3)^–P¼nukòÜõd³—“<ŸTÉ‘çøU°ÚjWù¢75´‚ºZT§¢/çJsàn¦tÅÄßÍ 2Gzß½^±|imAÉ·Ùz…‘òkº €6øÕ_Å-’j °(×7·*¥û8^œd93îl>ª®6~`xü›¹ )VuµKõ¾ù‚¤>³öŠ¦~éÚ“†Ð7ôkw±59ã5ñM§œÚOOàS|ê‡ö-1Ü‹á_â|¬Ï9‡˜‡âÆŸö‡&sË¥îÍ !Ö^ÓwB›Ö’~þ)¬õ”ë»M”öwSééÖàWÖDŒlOá¼u‘»° -X²°Ž:°týÙàáÈÓõmš(ù.äRâv ëýŅ׮Ȣ/6EÈÓÒkÌëÝSîÑÏ`J4ü•C$KcÛÊ ÃnS–•Ûb—Îݱ¦ªÎÞ–²P ØP3fkâTCŨKy0Qv»yË£+Á‹ï´jû«DÆG-›á½O3 Ò/L럛±½m/BZ‹{3ÐÏL}’^ßpCjSö”ò¨Qé1öi¬1ÚÀqEæõ½RÔKeLD}ãüÆ9we1ù §íÞ¢þÌôÌbî œ¶Ñh¤äð˜ÞÓa¨fK.O¥Üo£´½mz^†bè8uæm WÃÓö4£l÷ cE#Vìr«Ñj™·¹Ú ùÈ0Þ¤Ó7}?o*¢ ûHו¾é‚%Äžì°í !ÕÑYó:Ja 4[}`·¶ÑÉñò2hR·èGÏ´¹¦ø FI}Æ›÷í“,/&¼\údÍ”âD¬x× ÏÊü{&×/,¿ “óÞ\)°+HòÃÊ#|Ô¨ìÄ&z6cÍpÜ»³R¶`""~Ûó¨ËFÎYÒôžàÊVC> -endobj -117 0 obj -<< -/Filter[/FlateDecode] -/Length1 722 -/Length2 1296 -/Length3 533 -/Length 1831 ->> -stream -xÚí’{8TûÇi#f§›R¶Z&cÆ–±ÆÝ„í–Kr9 FnµšYÌÊÌZšC¥dï-»ÐM®¹UR)w»p:õÚIh#…"šˆ™ì9ƒÓÙϱÏ?ç9ÿ笵þø½ß÷»¾¿Ïz× ïG3qbb{a7 å›PÈ*àâííi È— ˆ#\¸0ÄG0ÔâÃT€bkkl°3s´¦ZšËŽ¸`Ñ".Éâ$£—5àĹBoˆÏ‚9òÄhù"28±ÙÀÎ…WxÀN˜s…0“ŒÃQ(að½p$‚âL¨<Ñ °^’™‚èÏ-!ÌåɹÒ"© çdb([0ᜩ&ß–ÓüÇ`ÿ†ky¸›€Íö8 ñ ³úCâ lÑ? 'ZÀ‡¹€7Æ„¹èr+^b󆙈€³¼ëɇØà dÀ Å‚ Z,éÏ ‰…™~ŸÁ" 6^Ôa”¹œD>¾ESº»/}›ñÒ¿]júAÊ÷EÃø»{±¦ü^ËgÄEb ‚¹Q~^…-ÛlÊÀ˜ ÐøÊ„¸Ì -„rvÆbãAÀÄÌ(k -`m üW[ŠìÀž®€%hcmnc¶¨2\.ŒòÏ‚üs?׈|B0 3p‡-D‰Wm»Á—H‰ººE~Týk¡´¬éfæfòïÖ?œ¢ãc£‰S®ÑI†[¬Võ÷ö[ÑiTzýÚÐãvý§:*¬”¤èï4ßb]Ö½½EÚ¾‚ìÐ2¡ÝQ]Ÿ m“†eŠß°ó[«\ÑÁË¿;k|gã3=}úˆ¬Çe²}UZyJQ\¥bHŒw…úµùÇæÃkÖwÓ¦ií«&6>ïѤyÄ–ÙÇ*i^£ØxeØ3KE©˜Z:*ûKˆÿ±¡æ²¼œ—ºªxU³{__iòX[³µA5n°V¿½ÚKÿzø· ƒ½å¡‘Á·_+k¼,iá×Ó+eCú—~ïŸ×i>B¸ýs°Z\™•^·÷¦µ‚MͼQÍÕq‡,ô|l E ÷ùªBƒ»{®©M1¤ØÕ¤&z$Ù˜´ª¶7}Šús«¦â}+/¾ rÓmÆÖ ÙTø(ãÃmî•DûԣϛŽ ¶$^Ü! oDòF^è€DSéäTû‘ öê:‘˜™y– ÞYþ$GÖ:ãyYyhŽÅçnOQ« +ÜWçÖ+ŽLŒÍ:¦yÚ'ʸ9W6ªZ¼‹Ãì<T¬ -×KozÝ"åœn­2ÊËXS—a6·‰C«níó­;þ¬ÚiÂ`ßkJX­ƒ Ü ú©Î­±”k¹}:œxQügÒòá¦=ÅED.nP¢– 'Ðà;ýµ@zóýƒk%_Üü!°®?®Y<×\då•l|ö1‘Íõn†Fî=ëTY—XE·(Û »òÌžò€]å–ÍöQÉ¿'õ­6‘ V$c'‡ð] -åeŽ£C ,¥ôß.—ÎNÇnpÑŽôÜu쮑ùÞþÆ/ÃÒ/n.©Ë{éÅçKòó''g -™áQèúÜä—ª%ý›Ò’m…Ù®U§ŒuŒ÷™HSkÃT…–µ+ÄÁ…VBˆ…¿æxæPP‡çG<ä"~š<«ñBseBh}WgÛ{ÜS±ac{Îݶiq°©âOç;™›¥ó~íÆôl0d…<$uüºymKC%K[ê`‘Sò=X6Î+ k2Bsý:ÌCÜÔú”ÎtWÞl–¯MÀ,ÉöÍQ!àOC‰zZ½Q,Ñm_l³O” ¿ÌîaÝ°Ê“æ»E -Jø˜þ˜4yÖNwGÉ'x&ÛUËG£³½í©4|]ÝÅvú¼wÌ_Îé†Ýñ0 dmš}ÁEß)”xœ7È:ïwùzLÜõзõxÛj/Iy÷o›7žÝØt²º¡R’»CBª¬äM¾å4‹ÊÅù¶„ë•ÐÔ bÍÚðMøÀn¿ÚÎ'Óès/:ÁŠ2ž9Þ¦rö½cýì`Õ‰j¨¢v[MaÓî·G'º»¨ 6¤×7¦¿¹!8üîÄH”–;ÚS09¤ESxsëÇ9Ì!ÉÈ7/Åbš6å×ñI¸¿êj¤!·5{ŠU=qéÂp7Nv |4ÞÐSºsZ_¢h¯Îã×IiN«=yÌô1óUü‰åèîöU? ÆTkŸ«8¯èj‡¶(~yߨu*² :ãkH|W2 Øo«Úþ—îÿÿ 6 qùâFápoòÜp -endstream -endobj -121 0 obj -<< -/Type/FontDescriptor -/CapHeight 850 -/Ascent 850 -/Descent -200 -/FontBBox[-15 -951 1252 782] -/FontName/DNPOCX+CMSY7 -/ItalicAngle -14.035 -/StemV 93 -/FontFile 120 0 R -/Flags 68 ->> -endobj -120 0 obj -<< -/Filter[/FlateDecode] -/Length1 721 -/Length2 599 -/Length3 533 -/Length 1109 ->> -stream -xÚSU ÖuLÉOJuËÏ+Ñ5Ô3´Rpö Ž4W0Ô3àRUu.JM,ÉÌÏsI,IµR0´´4Tp,MW04U00·22´25ââRUpÎ/¨,ÊLÏ(QÐpÖ©2WpÌM-ÊLNÌSðM,ÉHÍ’œ˜£œŸœ™ZR©§ à˜“£ÒR¬”ZœZT–š¢ÇÅeh¨’™\¢”šž™Ç¥r“g^Z¾‚9D8¥´&U–ZT t—‚К -@W¦äçåT*¤¤¦qéûåmKº…dgaqºán¥99~‰¹ ãAá„!˜›™S UŸ[PZ’Z¤à›Ÿ’Z”‡®4<â6ßÔ”ÌÒ\tYÏ’ÄœÌdǼôœT]C=cSˆDf±[fEjJ@fIr†BZbNq*X<5/Ý)ÀÐ;DßÅ/Àß9B±É€Ä̼’Ê‚T„j0ßÁRQf…B´ž!P!ÂX±h–¹æ%ç§dæ¥+—$æ¥$¥À0åä”_Q­ LCº–¦† -†F¦F -æFµ¨ -Có2 KS=]L , ÍÁ¢É¥EE©y%àÄô0ŒŸ– ¤ÔÔŠÔd®ÙsD3ãudµ¿&|9pU)|׉s77ÌRÚd(éw¾irkS¾ßôØsçŽkë|^Ø1óÌ=ù›¦æ6ZsæÛasß_yç2Þ-ò3ËÖ%Ÿä¸óþì^Ÿ¦· ‹óJÚ“}9æ_‰ú²¸+l‰£Ž5÷ú_¯ «?Ü›ÿ»ª%a¿{TºÄ†ã6á‚®Ô¦•³,úýþ؉ïv³3kï0–™2<²ñç[±èRéZîleÎz¦_ 6òn?×üã ªq–ܸs)_»Ç´3ËÄÿÙ©F&´d–<•±s§Á’ØXþÃÙ¦:&ΫóË'oîÕ©ßy„sueë«qóû³›3t\ü•[¯$r«Sã ÷4c¯KE·Þž+º´rSVïÅŠ'_¿a¾2öuïK½+vpÏx7çn—MøÚÚ¼í+ô_-{Ä÷~¹^)ßoÏø‚Ý‹TIè½1ÿ¸ðè>…éì¢Læ·–íg¾2£)½üÝëD^ÿc]Q,'å$ó'ÐÖýZñ㛾 ñ±lÿ¥>˜¦³uy”×ä›;ŠMwÖ¸®±hlõÕ4Í9Ÿ"KŸ]9hÑéÖ\8ùŽï?Lj#®ÑìoY×~8ûq¦Ü¾o—{ž jVf4HæO¸c™_sÚÉ&z·‚Þíò²«îÛ½;¶|]ž}û’¤ï—xNezžesáCÚÌ÷&ê¦[Ö­»fôS!áñEëâSùÂ:×ç¦Z­KŠ¿¨÷ò8sJ€€hïO¥Ýá‡O›ÊþÿÖv÷»2+ìÃóRZþ‡Þ–ñ(y¹»ÉnYâÚÒ‡¾3 -ÿ=mù^unë‹)[úT£¾ÿÑÏòZb¢Ÿöeö®Q†…É9©‰E%ù¹‰EÙ\\^ -wì -endstream -endobj -132 0 obj -<< -/Type/FontDescriptor -/CapHeight 850 -/Ascent 850 -/Descent -200 -/FontBBox[-71 -250 1099 780] -/FontName/NYLKRJ+CMSSBX10 -/ItalicAngle 0 -/StemV 136 -/FontFile 131 0 R -/Flags 4 ->> -endobj -131 0 obj -<< -/Filter[/FlateDecode] -/Length1 722 -/Length2 1555 -/Length3 533 -/Length 2087 ->> -stream -xÚí’iX“WÇA6 ) ""ðj Èš1!Š $C4Ô a'$/ÈFT‚eÇYSEDÅR¬²:E+µDm°<ŠÈR%²ÈâNÔê<£óežù6ϼ÷Ë{ÎùßÿùÝs/býnª‹ù<‘Ú½ P¨T<Ðö(A‚ ›ÏsgˆÀ­‡Cnñ‘€ƒ²ŽÙê¸y+ - _ dGF‰€M«w*,àÆ…l&ƒP¢(«4a28•Ïdƒ¢{pãpïw[âo0îYö °ØLF²yä;,O^À~H³âK{@aœ’ ؤä´””,>“°ÀÒ‹¯ì*Yþc¬Cõ¹91žÃñbpßÙÿ5ª/ .›“ð—†ÏÄ‹@!@á³@!ïs) ü€‡çs¾hä)bpØL7^$PRì8"[ ²v³EÌ( ‚Á‰ßçAësåàÞ ½üwíô&Û|ºÖõÝ 6Oä“ øäünÃûýÏX9"![ ¢ìQ(´R¨\ÿ‚?ëçÁcòYl^$@1x,†õ)ñ%Ïï·Ã¢;‡-Êg„Âá¬*ñ_…¾:l×Ì%5µSd–óÖC‰õOlæ]‘7X̨<»}%è ‡Œyî°jôê c§ÕZ²19q63{& t~Ê<î®Óš»ÙÙ||¦ÕéÚ×1ía7­Z£O;³î-^²&ÚеçÖKC‹NÌÐÜÙœ‹_gêÈFõ¢÷¾ýgiŸ5”3ƵӮŒö´ï¨=G—ã HÇx¯–»³‡‹Z» ßÔnõk,qµFØêý:9(ÔÅI°²¸Ê .O¿ÙÃù˜gL -?ñbŽ—ví¦m/Êé -\Ÿ§!%‰'Íš+òd”f§t5&Ÿ¶&VsáÎ -‹c‰‘^w¿éˆ{hMX’:‚‡JŠû¡Äã?bÁÇc¯ð“Ë{XU’]Ûª&&úƒ&UÈá¶í* a%÷+úÁ£Ò*LyTÆŒm^qƒ`rų£ª›ârÑòrh”nj¥=5ä‚ÿ…Ù ü"û¦ ÿAß­æ£-S÷Y±Zoô­6Õi[wîàÆZc×Ù:}‰@Nò¬¾ræßuRöóIïÐŒ”`P?ó"j¤†w{âÈ”Z¡vKZ_’æ ­o]“mW‡6²¶å…4’Æ%©ik Ës…ðž•Wê¶åÖüªö†Si¹ô¹ÈÔI Ýï”3ÿçw«±3Ã>’‹‹ÕXتåŸ%Õã×û -–ìMÆzOÏZ¼æ ÌêÈ“»µ½¤SI½–ç§9A>tdï} ÇxoáÓd¡çjwd½9S8rʸM%`Ò#`Cˈ€âWáð÷¬Ò3è€C¯‘­‘ã]ƒáÎ2MX´oîŽßŸ¦'ýä{tdœïµsУ(Ö™»~å!¯Ð;M£µžH’< ^ k碵åaé1î™NK÷b»°£Ç7»j÷Gó´Øø82#è¥ÜûtFw¤ÉoçMÂå·'›>ëi¼iÐ9-ÊÓu·eí%àü’#iV›Ê\ävÖö.±;/JW§¶¬õ¦þm@íͽ¦¶â~ÉÁàÓß{È GÛu»]ËçN5Ù”¿:bò¤ð‡3Ü!¶lzÞaú‹U®õtU(—‚L"2g'Çž¸ÉªI„={*5-I÷œüör=zâÔOž¢W+ímL@¥á–¬bàj…&‡¤mm¨`ªº¼‰3„TDhX»¸Ú6T§¹tÍUE†Qû6´Ö_-Ò]ÕfWæÎj´§ÑCÈ~8æõäEEA¤ÉmH¶¡õáqQE~åIy«é¥:ô-’õ#Ha)H„¾Úq†@~‹ñ‰\žµ< Ÿ]nõ¼Ñ +QÔtªj¾½ÈZ`®Ô’îÛ<I*.õ§ Æê¥jîÊCЗ›ùŽÆÿP%t$ïúõ_~ÿüO09 C(âsÂäáí6£ -endstream -endobj -140 0 obj -<< -/Filter[/FlateDecode] -/Length 282 ->> -stream -xÚ]нNÃ@ pW"Ý’¼Aý½Üå«tŠT@"x`D -æ#¯T‰×oà1CTcç6ÿt–cåogC§eÓZWâÆW¶)±r[ëôekë->z|ÁÊWÖoQƱlk»ÛýûäáÙì{SÜcSšâëÚý-¾½¾?™bw‰^ÞñÙ_!3‡Œ‰y‚•r8 -°&ž…”˜„„xVÄAÒ €á,å82˜òä&€ŽgG²ŠÏ9A¦ŒÒcÎGéÉÞSY/„. ZÏD–Á92å™B‘1Ü,Ì0|éD$}ê í­è[{ ýj¤”Æ£ÄÌHsIÌIéHÓ&ÒKDzNÐëèy‚ü7™ëÞþN4Ëö -endstream -endobj -141 0 obj -<< -/Filter[/FlateDecode] -/Length 257 ->> -stream -xÚÝÏOJÃ@ðo¨2çBÞœLþšB!PÌBЕP—.ÝÒ£å^!7°Ë.†Žï¥Å… à,~0ð¾™ïÎYçh¢*mîè<»(m]QÞÖÕT4•-KzÊè•ò¼±MEVÌ> -stream -xÚ½ÑAjÂ@€á\f#=ïL2±¡+!Vh»êl—.”º6KWæ^%GÉ LVZ§ï!oªuãÊ„÷ /0ðC¬1ÚøãÑ>¥Ú¦'F?°ý¾¶>#˜ñ'zÓ8Öé¿“©Êr~@bTø -QŒGþßóÅ— -³ñ"ÜOkþι×^±%Êû°'jB QrHCÈZ sÄ{¢çO@ô‡#‰b†tZ¤K,‰¢ËH - -ˆÁmá^pxÃáG^qøÊ×ûðú"¼ã×.9\úð‡¾Þ‡÷Êûý·á®Øà¨Q®ÞÑ]§É -endstream -endobj -143 0 obj -<< -/Filter[/FlateDecode] -/Length 215 ->> -stream -xÚÅαnÂ@ `£ˆN^Ùâàrw$ä²B+5L<@Û±$&£ñ¼oÐŽW“Ò¥<Ãgɲ­ßÞÆZ²×âsc+¸¡7…%WSæäCel wGKrenFÉ:åÞ™¢üwòö©ÇµÎä+½RiuVOi½Ú|èl<›“þ·­Ÿé+F> -|¤}Ã=@N@1\maAEèwã>ÁÖîý͠ߺ@[<#w¿ã i›¹§"?aä$ |%º·_RÑýRëù¥ ÄK -endstream -endobj -144 0 obj -<< -/Filter[/FlateDecode] -/Length 982 ->> -stream -xÚÕ×½ŽÛFð%XÐP³­;ò¬“tŠîXÀI€\ ©ü¶K ’.«PéW¢á"¯Á /@w[,ÈìÌ»R¤Ï"WœîwwZÍ~Ììð~·ÛîvÛïÛãmñìôÕŽ^íÝÿíía{¸-^ï‹Ÿ‹Óá´½=þ Åþîþ°=æïzõvóâasó²Ø›ï‹ÃקÍÍÃů¿üöfsóâÇoŠ½·ðáÛ¢—¯O=|Õˆª(îNåv -Ñ"•­ FT*]š"ЦPç¬G‘Öe :k ÌÀr—ǘPv:¢ïuœ‡¦ZûÙ\2@åqÐÿ‰—a´UÊUôkHÖÐþ‘~9Æ ê²Ï¡K¿nv‚ Ю¢AÔz "ù9:„ 93‡E´á$z4ñXNòQ -¨püÓá e¦°si‹h iÓQA¢§ -ðNAq˜ ‚,»æy²ŠõraÒkÌó rLúŠÄÙ`hÔ«qª)RŒ&ŲåÐ,¢ÅКYh£™,¡Y†t«p3<1Ú“B{º ÚsÄï9ÄáCs–0BM‘†"êãÌÜ :€6´Ë–À»»Þ]@,ɼÕi@ /¼3nõOá9СÊ)ü0A«†  r†P‚R`x²­4(ƒ6i(NºÍè•Ñ!•÷Ó5¡bäráòÏ~8B'ÈzÊw' “ËÈ46AFöcW~D²A‡”)+t­î ŸGÅ°òg -©J,¿1gd´´ÒÎðš1øž%¤Ôw*•1J‚™ƒî ~šŠªkßE$ŒÖCÓýÐñ¢%–áï‡+¸½À_²VP2ÞÝ+ä3\fðªpáš|¼F«yšZΘJZ Y`'ð!¾ïû¿(¶ÄI×ÁH Ž ëöïZƒŒîëOPù¿ÐÒJW9¢à[¨¾AH«Õ–ÔOñr\£ö§Hª„-ùÞ“$'$ý°*´&¶ì¸×ǹşjô§ü©Ö´\si}zg®…<¶3•”Ù„1Ü4 ÷|(í~#z·J;-j¸h:INz¹xƒ4CΆ4Ö|…ýh«¦1ô×}÷o ±Åÿßàò¤õ»„<¢æõ¿Œk«¤Fp²—q?’€VjðÙ¨Ç0ÔíÿF 1êe$áPX^ƒá¸X^á!GšgFJ™qKÎ9A*y0¨ÄçÇWÂ3A-}“@¯NÍpï÷ êIŽ(|š«±ãjgý<·Öãm¾{Øüôž< -endstream -endobj -145 0 obj -<< -/x8 140 0 R -/x32 141 0 R -/x34 142 0 R -/x5a 143 0 R -/x47 144 0 R ->> -endobj -61 0 obj -<< -/Type/Font -/Name/F15 -/Subtype/Type3 -/FirstChar 0 -/LastChar 251 -/Widths[0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 -0 0 0 0 0 0 0 0 0 0 0 0 0 300 510 300 300 300 0 0 500 150 150 375 375 0 0 0 0 0 0 -0 300 0 800 700 800 700 800 700 800 0 0 0 0 500 500 1000 0 0 0 0 0 225 371.25 225 -225 225 0 0 0 800 0 0 0 0 800 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 800 500 0 0 0 0 -100 200 400 800 1600 3200 100 200 400 800 1600 3200 100 200 400 800 1600 3200 100 -200 400 800 1600 3200 100 200 400 800 1600 3200 100 200 400 800 1600 3200 100 200 -400 800 1600 3200 100 200 400 800 1600 3200 100 200 400 800 1600 3200 100 200 400 -800 1600 3200 0 0 0 0 100 200 400 800 1600 3200 100 200 400 800 1600 3200 100 200 -400 800 1600 3200 100 200 400 800 1600 3200 100 200 400 800 1600 3200 100 200 400 -800 1600 3200 100 200 400 800 1600 3200 100 200 400 800 1600 3200 100 200 400 800 -1600 3200 100 200 400 800 1600 3200] -/FontBBox[-320 -1175 3520 1587.5] -/FontMatrix[0.001 0 0 0.001 0 0] -/Encoding 60 0 R -/CharProcs 145 0 R ->> -endobj -146 0 obj -<< -/Filter[/FlateDecode] -/Length 332 ->> -stream -xÚ}ÒAJÄ0à”. -ÙÔ40Mm§é¬ -£‚]ºòêÒ…¢»<À\©àÂkæ]%1¯1Bé „ïAB ïçÙ†æa”1’ç´(ÉyE󒔜ÓMN8» eNž2òJÊ¢ Œ¦ÏÝn_ð®Áéá§7¤Úà´¹%ïoÏ8ÝÝ]’L÷¦m®ˆÒ%þ¶±]ÓP¯©OÖÔÅk:‹V$«ÐÓTV{_b¬¤¯Q¢Öè¤|ª­:OߪK¬zOÕÇVƒ§D‘#©ÕJ¸š´£VM®„2Ò—\ tÒº:‚j«ÎÑ7(õH—£ƒ0ÿY0È!ÁÀÇ¥ä¬4‡e©iV‚ MK‰Y™KŒÚ_©¥ŽFµU§õå*êS™¨ -ÅBVðÅp.äB¿„ šóü#|ÝàûòEËA -endstream -endobj -147 0 obj -<< -/Filter[/FlateDecode] -/Length 248 ->> -stream -xÚÒ=nÂ0àT H^Úð.PÇ)ÄqV -*ÁÄ(c¥‚`S¯×Hoà1C”‡ixÔ¸¢ØËçŸ÷,ÛOöO{ ¸ ¥ð¬xW‚ŒÌ¼™$<îÂ{ ˆ¥âI -Ât©bž^Ì>X?cáÔ¬±pê……Ù¬–ë9 ûãWˆÌ¸fšÖÒ.0xD¬È;ˆX/±¿Ô7ãËö 5¡" Ì ú`÷œEÙ<6ó_§ßx‹Ü<ÃÓ?P»¿QùQ:ÐôqaKÈ Á •ÁOAjƒ¦D*Úk`ÃŒMÅÞ4¥ -endstream -endobj -148 0 obj -<< -/Filter[/FlateDecode] -/Length 364 ->> -stream -xÚÍÓ¿JÄ0ð'‚Ø//`šžýc §‚|utPt¶ƒp>Vî5º¹vÌúó—¦IÉq‚£íÐO ù%M¾É“‚‹˜ .K v¼L¹(XV$|™ÙÏCÌžY–$\äLà›Ç?Iý÷OtUÑèŽå9®ØiF£êš½¾¼=ÒhusÎbl›fuÁŸ:ø–IÀF«!¤4" Â¥fsP]ð5¨]`«×ªßqø™–€þÕÏtñ}”šk}¢ôPì¬j5(]K¡šR«CérFdÔ‚Q¦0¨@ªIÀk‘Û•ši}µ¡Ñz§šI‹mmdý'¬K+ò4­jX©"øü*<­™ýóvn…'3îPçvÒW`ÕíÐx2žÆ³ôÔp9?~J¦ä˜4u.a­K]ë’ظt~ØÄÂÞb,ÓØd«#›ö®ÔRرî+Ù›ºÛƒÃ¥ ¸nÓËŠÞþ¯²Í -endstream -endobj -149 0 obj -<< -/Filter[/FlateDecode] -/Length 270 ->> -stream -xÚ]ËAJ…PàÀp'¾x6Ðõú¼æs$¼ -rÔè- 5qmIwâîÐhzÎà¿t~øà‡ÿØ"×¥%£¡Üè´¤ëc^êÌMOú˜Qa­¶9½¦ôIÙÍI›m¼%5&ÓEþïçå]k•\ÈZ•> -endobj -65 0 obj -<< -/Type/Font -/Name/F17 -/Subtype/Type3 -/FirstChar 0 -/LastChar 127 -/Widths[595.64 795.78 742.47 662.03 635.86 715.34 689.16 742.47 689.16 742.47 689.16 -552.08 525.43 525.43 788.14 788.14 262.71 289.37 475.94 475.94 475.94 475.94 475.94 -715.34 422.63 475.94 689.16 742.47 475.94 862.17 968.78 742.47 262.71 262.71 475.94 -795.78 475.94 795.78 742.47 262.71 369.33 369.33 475.94 742.47 262.71 316.02 262.71 -475.94 475.94 475.94 475.94 475.94 475.94 475.94 475.94 475.94 475.94 475.94 262.71 -262.71 262.71 742.47 449.29 449.29 742.47 715.34 675.6 689.16 728.9 648.94 622.29 -749.01 715.34 342.19 489.03 741.99 595.64 875.26 715.34 742.47 648.94 742.47 702.25 -529.25 689.16 715.34 715.34 981.87 715.34 715.34 582.55 262.71 475.94 262.71 475.94 -262.71 262.71 475.94 529.25 422.63 529.25 422.63 289.37 475.94 529.25 262.71 289.37 -502.59 262.71 795.78 529.25 475.94 529.25 502.59 369.33 374.66 369.33 529.25 502.59 -689.16 502.59 502.59 422.63 475.94 951.88 475.94 475.94 475.94] -/FontBBox[-98.2 -450 1080.2 850] -/FontMatrix[0.001 0 0 0.001 0 0] -/Encoding 60 0 R -/CharProcs 150 0 R ->> -endobj -151 0 obj -<< -/Filter[/FlateDecode] -/Length 229 ->> -stream -xÚÍÎAJÃPà )…tÙEèÌ|yÉËãE(Õ‚YíÊØ.»PtWLnâUz{—.Ç©ºàâø™f¼sÖ9ú*¡¶ÑÑY½­Õ±µ¡!ßz{îiSÑ=Õu°mC:N!DëÚ_+w;³èLyKÞ™òšbcÊ¶¦\¬.©Òü»+zá…ÿÁpÁ3Èx - Oö0‡g(RÆ™F¹B9ÂßN½“a¬ -(ðæj Œï ã[Êx̨·zFž¥ÂE&> -endobj -66 0 obj -<< -/Type/Font -/Name/F18 -/Subtype/Type3 -/FirstChar 0 -/LastChar 251 -/Widths[0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 -0 0 0 0 0 0 0 0 0 0 0 0 0 300 510 300 300 300 0 0 500 150 150 375 375 0 0 0 0 0 0 -0 300 0 800 700 800 700 800 700 800 0 0 0 0 500 500 1000 0 0 0 0 0 225 371.25 225 -225 225 0 0 0 800 0 0 0 0 800 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 800 500 0 0 0 0 -125 250 500 1000 2000 4000 125 250 500 1000 2000 4000 125 250 500 1000 2000 4000 -125 250 500 1000 2000 4000 125 250 500 1000 2000 4000 125 250 500 1000 2000 4000 -125 250 500 1000 2000 4000 125 250 500 1000 2000 4000 125 250 500 1000 2000 4000 -125 250 500 1000 2000 4000 0 0 0 0 125 250 500 1000 2000 4000 125 250 500 1000 2000 -4000 125 250 500 1000 2000 4000 125 250 500 1000 2000 4000 125 250 500 1000 2000 -4000 125 250 500 1000 2000 4000 125 250 500 1000 2000 4000 125 250 500 1000 2000 -4000 125 250 500 1000 2000 4000 125 250 500 1000 2000 4000] -/FontBBox[-400 -1175 4400 1587.5] -/FontMatrix[0.001 0 0 0.001 0 0] -/Encoding 60 0 R -/CharProcs 152 0 R ->> -endobj -153 0 obj -<< -/Filter[/FlateDecode] -/Length 175 ->> -stream -xÚ¥‹1 -Â0…+„,=BŸ0MÒ´MA T3:¹ÔÑAѹÞÌå?Boƒ‚«ðñx¼— Á…À; -ÃÄTV%×Ê(ž äÆpYá(qR9×5ÂE©y).‡3kËö5ËÖІenƒÛõ~bY³]@ÿ¨[âéÉþI1EÅ}j:ÀÑ -ÀöÖ>ÈŽhÓ,!“’èhâiì)ñ”zê<±•c»Ÿnmx -endstream -endobj -154 0 obj -<< -/Filter[/FlateDecode] -/Length 190 ->> -stream -xÚ…Ž= -Â@F?K [Áb.àf³1š€•?` -A+ –‚Š‚EŽ–£äSfq1ºm2<¾aÞ0RR)ú¶^0ȾO:¥)µŒ"ÚútüŒ^‹4Ô±Ôñ¯±Ù‹q"¼5i%¼9 ´ð’O—ðÆË ù¯\ÅdJåƒKë05äƦÆÂ0LŠ` CU—ZŒÃrÃrçßÍœXÀd0pn¤Nl¿Ï0ºŒ››–¯µŸ”Ž{Éb–ˆÕ¥ -endstream -endobj -155 0 obj -<< -/x32 153 0 R -/x34 154 0 R ->> -endobj -101 0 obj -<< -/Type/Font -/Name/F21 -/Subtype/Type3 -/FirstChar 0 -/LastChar 251 -/Widths[0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 -0 0 0 0 0 0 0 0 0 0 0 0 0 300 510 300 300 300 0 0 500 150 150 375 375 0 0 0 0 0 0 -0 300 0 800 700 800 700 800 700 800 0 0 0 0 500 500 1000 0 0 0 0 0 225 371.25 225 -225 225 0 0 0 800 0 0 0 0 800 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 800 500 0 0 0 0 -195.31 390.62 781.25 1562.5 3125 6250 195.31 390.62 781.25 1562.5 3125 6250 195.31 -390.62 781.25 1562.5 3125 6250 195.31 390.62 781.25 1562.5 3125 6250 195.31 390.62 -781.25 1562.5 3125 6250 195.31 390.62 781.25 1562.5 3125 6250 195.31 390.62 781.25 -1562.5 3125 6250 195.31 390.62 781.25 1562.5 3125 6250 195.31 390.62 781.25 1562.5 -3125 6250 195.31 390.62 781.25 1562.5 3125 6250 0 0 0 0 195.31 390.62 781.25 1562.5 -3125 6250 195.31 390.62 781.25 1562.5 3125 6250 195.31 390.62 781.25 1562.5 3125 -6250 195.31 390.62 781.25 1562.5 3125 6250 195.31 390.62 781.25 1562.5 3125 6250 -195.31 390.62 781.25 1562.5 3125 6250 195.31 390.62 781.25 1562.5 3125 6250 195.31 -390.62 781.25 1562.5 3125 6250 195.31 390.62 781.25 1562.5 3125 6250 195.31 390.62 -781.25 1562.5 3125 6250] -/FontBBox[-625 -1175 6875 1587.5] -/FontMatrix[0.001 0 0 0.001 0 0] -/Encoding 60 0 R -/CharProcs 155 0 R ->> -endobj -1 0 obj -<< -/Creator( TeX output 2004.11.02:1414) -/Producer(dvipdfm 0.13.2c, Copyright \251 1998, by Mark A. Wicks) -/CreationDate(D:20041102141424+01'00') ->> -endobj -5 0 obj -<< -/Type/Page -/Resources 6 0 R -/Contents[37 0 R 4 0 R 38 0 R 39 0 R] -/Parent 156 0 R ->> -endobj -41 0 obj -<< -/Type/Page -/Resources 42 0 R -/Contents[37 0 R 4 0 R 73 0 R 39 0 R] -/Parent 156 0 R ->> -endobj -75 0 obj -<< -/Type/Page -/Resources 76 0 R -/Contents[37 0 R 4 0 R 77 0 R 39 0 R] -/Parent 156 0 R ->> -endobj -156 0 obj -<< -/Type/Pages -/Count 3 -/Kids[5 0 R 41 0 R 75 0 R] -/Parent 3 0 R ->> -endobj -79 0 obj -<< -/Type/Page -/Resources 80 0 R -/Contents[37 0 R 4 0 R 81 0 R 39 0 R] -/Parent 157 0 R ->> -endobj -83 0 obj -<< -/Type/Page -/Resources 84 0 R -/Contents[37 0 R 4 0 R 85 0 R 39 0 R] -/Parent 157 0 R ->> -endobj -87 0 obj -<< -/Type/Page -/Resources 88 0 R -/Contents[37 0 R 4 0 R 89 0 R 39 0 R] -/Parent 157 0 R ->> -endobj -91 0 obj -<< -/Type/Page -/Resources 92 0 R -/Contents[37 0 R 4 0 R 93 0 R 39 0 R] -/Parent 157 0 R ->> -endobj -157 0 obj -<< -/Type/Pages -/Count 4 -/Kids[79 0 R 83 0 R 87 0 R 91 0 R] -/Parent 3 0 R ->> -endobj -95 0 obj -<< -/Type/Page -/Resources 96 0 R -/Contents[37 0 R 4 0 R 97 0 R 39 0 R] -/Parent 158 0 R ->> -endobj -99 0 obj -<< -/Type/Page -/Resources 100 0 R -/Contents[37 0 R 4 0 R 102 0 R 39 0 R] -/Parent 158 0 R ->> -endobj -104 0 obj -<< -/Type/Page -/Resources 105 0 R -/Contents[37 0 R 4 0 R 106 0 R 39 0 R] -/Parent 158 0 R ->> -endobj -108 0 obj -<< -/Type/Page -/Resources 109 0 R -/Contents[37 0 R 4 0 R 110 0 R 39 0 R] -/Parent 158 0 R ->> -endobj -158 0 obj -<< -/Type/Pages -/Count 4 -/Kids[95 0 R 99 0 R 104 0 R 108 0 R] -/Parent 3 0 R ->> -endobj -112 0 obj -<< -/Type/Page -/Resources 113 0 R -/Contents[37 0 R 4 0 R 123 0 R 39 0 R] -/Parent 159 0 R ->> -endobj -125 0 obj -<< -/Type/Page -/Resources 126 0 R -/Contents[37 0 R 4 0 R 127 0 R 39 0 R] -/Parent 159 0 R ->> -endobj -129 0 obj -<< -/Type/Page -/Resources 130 0 R -/Contents[37 0 R 4 0 R 134 0 R 39 0 R] -/Parent 159 0 R ->> -endobj -136 0 obj -<< -/Type/Page -/Resources 137 0 R -/Contents[37 0 R 4 0 R 138 0 R 39 0 R] -/Parent 159 0 R ->> -endobj -159 0 obj -<< -/Type/Pages -/Count 4 -/Kids[112 0 R 125 0 R 129 0 R 136 0 R] -/Parent 3 0 R ->> -endobj -3 0 obj -<< -/Type/Pages -/Count 15 -/Kids[156 0 R 157 0 R 158 0 R 159 0 R] -/MediaBox[0 0 595 842] ->> -endobj -37 0 obj -<< -/Length 1 ->> -stream - -endstream -endobj -39 0 obj -<< -/Length 1 ->> -stream - -endstream -endobj -4 0 obj -<< -/Length 33 ->> -stream -1.00028 0 0 1.00028 72 769.82 cm -endstream -endobj -160 0 obj -<< ->> -endobj -161 0 obj -null -endobj -162 0 obj -<< ->> -endobj -2 0 obj -<< -/Type/Catalog -/Pages 3 0 R -/Outlines 160 0 R -/Threads 161 0 R -/Names 162 0 R ->> -endobj -xref -0 163 -0000000000 65535 f -0000172228 00000 n -0000174710 00000 n -0000174355 00000 n -0000174560 00000 n -0000172392 00000 n -0000013516 00000 n -0000000009 00000 n -0000051550 00000 n -0000051363 00000 n -0000000913 00000 n -0000058306 00000 n -0000058120 00000 n -0000001858 00000 n -0000002852 00000 n -0000065348 00000 n -0000065154 00000 n -0000003806 00000 n -0000069600 00000 n -0000069414 00000 n -0000004776 00000 n -0000005693 00000 n -0000074627 00000 n -0000074433 00000 n -0000007309 00000 n -0000076178 00000 n -0000075988 00000 n -0000008316 00000 n -0000086799 00000 n -0000086611 00000 n -0000009252 00000 n -0000101546 00000 n -0000101353 00000 n -0000010169 00000 n -0000103112 00000 n -0000102926 00000 n -0000011108 00000 n -0000174460 00000 n -0000012108 00000 n -0000174510 00000 n -0000013395 00000 n -0000172495 00000 n -0000026596 00000 n -0000110227 00000 n -0000110041 00000 n -0000013577 00000 n -0000014542 00000 n -0000113780 00000 n -0000113594 00000 n -0000015519 00000 n -0000123582 00000 n -0000123387 00000 n -0000016264 00000 n -0000017216 00000 n -0000125370 00000 n -0000125175 00000 n -0000018123 00000 n -0000133009 00000 n -0000132824 00000 n -0000019105 00000 n -0000019849 00000 n -0000165256 00000 n -0000145049 00000 n -0000144863 00000 n -0000020910 00000 n -0000167886 00000 n -0000169315 00000 n -0000148482 00000 n -0000148296 00000 n -0000021879 00000 n -0000150797 00000 n -0000150612 00000 n -0000022880 00000 n -0000023882 00000 n -0000026398 00000 n -0000172600 00000 n -0000028343 00000 n -0000026658 00000 n -0000028228 00000 n -0000172790 00000 n -0000030426 00000 n -0000028405 00000 n -0000030322 00000 n -0000172895 00000 n -0000032130 00000 n -0000030488 00000 n -0000032037 00000 n -0000173000 00000 n -0000033719 00000 n -0000032192 00000 n -0000033628 00000 n -0000173105 00000 n -0000035689 00000 n -0000033781 00000 n -0000035585 00000 n -0000173303 00000 n -0000037624 00000 n -0000035751 00000 n -0000037521 00000 n -0000173408 00000 n -0000039266 00000 n -0000170942 00000 n -0000037686 00000 n -0000039137 00000 n -0000173515 00000 n -0000041028 00000 n -0000039330 00000 n -0000040889 00000 n -0000173623 00000 n -0000042757 00000 n -0000041092 00000 n -0000042641 00000 n -0000173826 00000 n -0000047361 00000 n -0000154705 00000 n -0000154509 00000 n -0000042821 00000 n -0000157055 00000 n -0000156862 00000 n -0000043770 00000 n -0000159197 00000 n -0000159001 00000 n -0000044767 00000 n -0000045779 00000 n -0000047184 00000 n -0000173934 00000 n -0000048509 00000 n -0000047425 00000 n -0000048380 00000 n -0000174042 00000 n -0000050636 00000 n -0000160613 00000 n -0000160420 00000 n -0000048573 00000 n -0000049519 00000 n -0000050565 00000 n -0000174150 00000 n -0000051299 00000 n -0000050700 00000 n -0000051254 00000 n -0000162815 00000 n -0000163171 00000 n -0000163502 00000 n -0000163824 00000 n -0000164113 00000 n -0000165169 00000 n -0000166301 00000 n -0000166707 00000 n -0000167029 00000 n -0000167467 00000 n -0000167811 00000 n -0000168976 00000 n -0000169279 00000 n -0000170380 00000 n -0000170629 00000 n -0000170893 00000 n -0000172705 00000 n -0000173210 00000 n -0000173731 00000 n -0000174258 00000 n -0000174642 00000 n -0000174665 00000 n -0000174687 00000 n -trailer -<< -/Size 163 -/Root 2 0 R -/Info 1 0 R ->> -startxref -174808 -%%EOF diff --git a/macros/musixtex/doc/musixdoc.pdf b/macros/musixtex/doc/musixdoc.pdf deleted file mode 100644 index c01420e9c0..0000000000 Binary files a/macros/musixtex/doc/musixdoc.pdf and /dev/null differ diff --git a/macros/musixtex/doc/musixdoc/accidentals.tex b/macros/musixtex/doc/musixdoc/accidentals.tex deleted file mode 100644 index de374139be..0000000000 --- a/macros/musixtex/doc/musixdoc/accidentals.tex +++ /dev/null @@ -1,77 +0,0 @@ -\chapter{Accidentals} -\vspace*{-4ex} -\enlargethispage*{2ex} -Accidentals can be introduced in two ways. - The first way, using explicit macros, consists for -example in coding \keyindex{fl}\pitchp~to put a \ital{flat} at the -pitch $p$, presumably right before a note at the same pitch. This is a -non-spacing command and will automatically place the accidental an -appropriate distance to the left of the anticipated note head. -Naturals, sharps, double flats and double sharps are coded \keyindex{na}\pitchp, -\keyindex{sh}\pitchp, \keyindex{dfl}\pitchp~and \keyindex{dsh}\pitchp~respectively. -Thinner accidentals are available using the definitions enabled by extension library \keyindex{musixthacc} -described in Section~\ref{musixthacc}. - -The alternate macros \keyindex{lfl}, \keyindex{lna}, \keyindex{lsh}, -\keyindex{ldfl} and \keyindex{ldsh} -place the same accidentals, but shifted one note head width -to the left. These can be used if a note head has been shifted to the left, or -to avoid collision with other accidentals -in a chord. If you want to shift an accidental by some other amount for -more precise positioning, you could use \keyindex{loffset} with the normal -accidental macro as the second parameter. - - The second way of coding accidentals is to modify the parameter of a -note command. Just put the symbol -\verb|^| for a sharp, \verb|_| for a flat, \verb|=|~for a natural, -\verb|>| for a double sharp, or \verb|<| for a double -flat, right before the letter or number representing the pitch. -For example, \verb|\qb{^g}| yields a -$G\sharp$. This may be used effectively in collective coding, e.g. -\verb|\qu{ac^d}|. - - There are two sizes of accidentals. By default they will be large unless there -is not enough space between notes, in which case they will be made small. Either -size can be forced locally by coding \keyindex{bigfl}, \keyindex{bigsh}, etc., or -\keyindex{smallfl}, \keyindex{smallsh}, etc. If you want all accidentals to -be large, then declare \keyindex{bigaccid} near the top of the input file. For -exclusively small ones use \keyindex{smallaccid}; \keyindex{varaccid} will restore -variable sizes. - - For editorial purposes, small accidentals can be placed \ital{above} note -heads. This is done using \keyindex{uppersh}\pitchp, \keyindex{upperna}\pitchp, or -\keyindex{upperfl}\pitchp: - -\begin{music}\nostartrule -\startextract -\NOtes\uppersh l\qa l\en -\NOtes\upperna m\qa m\en -\NOtes\upperfl l\qa l\en -\zendextract -\end{music} - -\vspace*{-2ex} -It also possible to introduce \ital{\ixem{cautionary accidental}s}, -i.e.,~small accidentals enclosed in parentheses. This is done by preceding -the name of the accidental keyword with ``\verb|c|''\label{cautionary}. -Available cautionary accidentals are \keyindex{csh}, \keyindex{cfl}, -\keyindex{cna}, -\keyindex{cdfl} and \keyindex{cdsh}, which give - -\begin{music}\nostartrule -\startextract -\NOtes\csh g\qa g\en -\NOtes\cfl h\qa h\en -\NOtes\cna i\qa i\en -\NOtes\cdfl j\qa j\en -\NOtes\cdsh k\qa k\en -\zendextract -\end{music} - -\vspace*{-2ex} -\noindent The distance between notes and accidentals is controlled by -\keyindex{accshift}\verb|=|\ital{any \TeX\ dimension}, where -positive values shift to the left and negative to right, with a -default of~\verb|0pt|. -For ``big'' cautionary accidentals, use, for example, -\verb|{|\keyindex{largenotesize}\verb|\csh|\pitchp\verb|}| or see Section~\ref{brapar}. diff --git a/macros/musixtex/doc/musixdoc/barlines.tex b/macros/musixtex/doc/musixdoc/barlines.tex deleted file mode 100644 index 6d39c30985..0000000000 --- a/macros/musixtex/doc/musixdoc/barlines.tex +++ /dev/null @@ -1,316 +0,0 @@ -\chapter{Bar Lines} - \section{Single, double, and invisible bar lines}\label{doublebars} -The usual macro to typeset a single bar line is \keyindex{bar}. -There is a possibility of -confusion with a command in \TeX's math mode that has exactly the same name. -However, there will generally be no problem, because inside -\verb|\startpiece...\endpiece|, -\verb|\bar| will take the musical meaning, while outside, it will have the -mathematical one. -If for some reason you need the math \verb|\bar| inside, you can use -\verb|\endcatcodesmusic...\bar...\catcodesmusic|. - -To typeset a double bar line with two thin rules, use \keyindex{doublebar}. You could -also issue \keyindex{setdoublebar} to cause the next \verb|\bar| (or -\keyindex{stoppiece}, \keyindex{alaligne}, or \keyindex{alapage}) to be replaced -by a double bar. -There is no specific command to print a thin-thick double bar line, but -\keyindex{setdoubleBAR} will cause one in the same cases where -\verb|\setdoublebar| would cause a thin-thin double bar line. -To typeset a double-bar line in the middle of a bar, use \keyindex{zdoublebar}; -use \keyindex{zzdoublebar} to force the mid-bar double-bar line to the end -of a system. - -To make the next bar line invisible, use \keyindex{setemptybar} before -\verb|\bar|. - -You can suppress the beginning vertical rule with saying \keyindex{nostartrule} -and restore the default with \keyindex{startrule} after that. Note that -it is conventional practice to omit beginning rules for single-staff music. - -\section{Simple discontinuous bar lines} -Normally, bars (as well as double bars, final bars and repeat bars) are -drawn continuously from the bottom of the lowest staff of the -lowest instrument to the top of the highest staff of the uppermost -instrument. However, if desired, they can be made discontinuous between -instruments by saying \keyindex{sepbarrules}. An example of this is given in -%avrb -%{\tt ANGESCAO} (or {\tt ANGESCAM}) example; it has also been used in the -%avre -\texttt{avemaria.tex} in Section~\ref{avemaria}\label{avemaria2}. - -Continuous bar lines can be restored with \keyindex{stdbarrules}. In -the extension library are some more types of bar rules, mainly for very old -music, see Section~\ref{otherbars}. - -% DAS. Andre, are there some other kinds of bars in an addon? - -\section{Elementary asynchronous bar lines} - - Situations may arise where the bar lines in different instruments are not -aligned with one another. To set this up, first say \verb|\sepbarrules|. -Then use a combination of the following five commands: - -\begin{itemize}\setlength{\itemsep}{0ex} -\item\keyindex{hidebarrule}\onen~hides the bar rule for instrument $n$, until -this is changed by \verb|\showbarrule|\onen. -\item\keyindex{showbarrule}\onen~stops hiding the bar rule for instrument $n$, -until this is changed by \verb|\hidebarrule|\onen. -\item\keyindex{Hidebarrule}\onen~hides the bar rule for instrument $n$, only -for the next bar. -\item\keyindex{Showbarrule}\onen~shows the bar rule for instrument -$n$ once only, -and then resets it. -% -% DAS ??? -% and then resets it to \verb|hidebarrule|. -% -\item\keyindex{showallbarrules} resets all defined instruments to -\verb|\showbarrule|\onen. This command is automatically inserted with double -bars, final bars and repeats. -\end{itemize} - -Thus, this example - -\begin{music} -\instrumentnumber3 -\setmeter3{{\meterfrac{3}{4}}} -\setmeter2{{\meterfrac{2}{4}}} -\setmeter1{{\meterfrac{3}{8}}} -\nobarnumbers -\sepbarrules - -\startextract -\NOtes\pt f\qa f&\qa f&\qa f\en -\hidebarrule2\hidebarrule3\bar -\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en -\showbarrule2\bar -\NOtes\pt f\qa f&\qa f&\qa f\en -\hidebarrule2\showbarrule3\bar -\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en -\showbarrule2\hidebarrule3\bar -\NOtes\pt f\qa f&\qa f&\qa f\en -\hidebarrule2\bar -\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en -\setdoublebar -\bar\hidebarrule3 -\NOtes\pt f\qa f&\qa f&\qa f\en -\Hidebarrule2\bar -\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en -\bar -\NOtes\pt f\qa f&\qa f&\qa f\en -\message{Showbarrule3 coming}% -\Hidebarrule2\Showbarrule3\bar -\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en -\bar -\NOtes\pt f\qa f&\qa f&\qa f\en -\Hidebarrule2\bar -\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en -\setrightrepeat -\endextract -\end{music} - -\noindent was obtained with the following coding: -\begin{quote}\begin{verbatim} -\instrumentnumber3 -\setmeter3{{\meterfrac{3}{4}}} -\setmeter2{{\meterfrac{2}{4}}} -\setmeter1{{\meterfrac{3}{8}}} -\nobarnumbers -\sepbarrules - -\startextract -\NOtes\pt f\qa f&\qa f&\qa f\en -\hidebarrule2\hidebarrule3\bar -\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en -\showbarrule2\bar -\NOtes\pt f\qa f&\qa f&\qa f\en -\hidebarrule2\showbarrule3\bar -\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en -\showbarrule2\hidebarrule3\bar -\NOtes\pt f\qa f&\qa f&\qa f\en -\hidebarrule2\bar -\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en -\setdoublebar -\bar\hidebarrule3 -\NOtes\pt f\qa f&\qa f&\qa f\en -\Hidebarrule2\bar -\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en -\bar -\NOtes\pt f\qa f&\qa f&\qa f\en -\message{Showbarrule3 coming}% -\Hidebarrule2\Showbarrule3\bar -\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en -\bar -\NOtes\pt f\qa f&\qa f&\qa f\en -\Hidebarrule2\bar -\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en -\setrightrepeat -\zendextract -\end{verbatim}\end{quote} - -\section{Dotted, dashed, asynchronous and discontinuous bar lines}\label{musixdbr} - -The extension -package \href{http://icking-music-archive.org/software/musixtex/add-ons/musixdbr.tex} -{\underline{\ttxem{musixdbr.tex}}} by Rainer {\sc Dunker} provides commands for -dashed, dotted, and arbitrarily discontinuous bar lines. It supports -individual bar line settings for each instrument, multi-staff instruments, -different sizes of staves, and even different numbers of lines per staff, - -To use the package, you must \verb|\input musixdbr| after \verb|musixtex|, and -execute the macro \keyindex{indivbarrules} which activates individual bar line -processing. Then the following commands are available: - -\begin{itemize}\setlength{\itemsep}{0ex} - -\item \keyindex{sepbarrule}\onen~separates bar lines of instrument $n$ from those of instrument $n-1$ - -\item \keyindex{condashbarrule}\onen~connects bar lines of instrument $n$ to those of instrument $n-1$ - with a dashed line - -\item \keyindex{condotbarrule}\onen~connects bar lines of instrument $n$ to those of instrument $n-1$ - with a dotted line - -\item \keyindex{conbarrule}\onen~connects bar lines of instrument $n$ to those of instrument $n-1$ - -\item \keyindex{hidebarrule}\onen~hides bar lines of instrument $n$ - -\item \keyindex{showdashbarrule}\onen~dashes bar lines of instrument $n$ - -\item \keyindex{showdotbarrule}\onen~dots bar lines of instrument $n$ - -\item \keyindex{showbarrule}\onen~shows bar lines of instrument $n$ - -\item \keyindex{sepmultibarrule}\onen~separates bar lines within multistaff instrument $n$ - -\item \keyindex{condashmultibarrule}\onen~dashes bar lines between staves of multistaff instrument $n$ - -\item \keyindex{condotmultibarrule}\onen~dots bar lines between staves of multistaff instrument $n$ - -\item \keyindex{conmultibarrule}\onen~ shows bar lines between staves of multistaff instrument $n$ - -\item \keyindex{allbarrules}[\ital{any of the above commands, without numerical parameter}] sets bar -line style for all instruments together. - -\end{itemize} - -Dashing and dotting style may be changed by redefining the macros -\verb|\barlinedash| or \verb|\barlinedots| respectively (see original definitions in \verb|musixdbr.tex|). - -Here is an example of the use of these macros: - -\begin{music} -\input musixdbr - -\instrumentnumber4 \setstaffs23 \setstaffs32 \setlines14\setsize2\tinyvalue -\indivbarrules -\parindent0pt\startextract -%\startpiece -%\scale{2} - % normal barlines - \bar - % separate instrument 2 from 1 - \sepbarrule2 - \notes\en\bar - % barlines on staves - \allbarrules\sepbarrule - \allbarrules\sepmultibarrule - \allbarrules\showbarrule - \NOTes\en\bar - % barlines between staves - \allbarrules\conbarrule - \allbarrules\conmultibarrule - \allbarrules\hidebarrule - \NOTes\en\bar - % dashed barlines on staves - \allbarrules\sepbarrule - \allbarrules\sepmultibarrule - \allbarrules\showdashbarrule - \NOTes\en\bar - % dashed barlines between staves - \allbarrules\condashbarrule - \allbarrules\condashmultibarrule - \allbarrules\hidebarrule - \NOTes\en\bar - % dotted barlines on staves - \allbarrules\sepbarrule - \allbarrules\sepmultibarrule - \allbarrules\showdotbarrule - \NOTes\en\bar - % dotted barlines between staves - \allbarrules\condotbarrule - \allbarrules\condotmultibarrule - \allbarrules\hidebarrule - \NOTes\en\bar - % a wild mixture of all - \showdotbarrule1\hidebarrule2\showdashbarrule3\showbarrule4% - \condashbarrule2\conbarrule3\condotbarrule4% - \condashmultibarrule2\sepmultibarrule3% - \NOTes\en\bar - % conventional ending - \allbarrules\showbarrule - \allbarrules\conbarrule - \allbarrules\conmultibarrule - \NOTes\en\setdoubleBAR\endextract -\end{music} - -This is the code: - -\begin{quote}\begin{verbatim} -\input musixdbr -\instrumentnumber4\setstaffs23\setstaffs32\setlines14\setsize2\tinyvalue -\indivbarrules\parindent0pt\startextract - % normal barlines - \bar - % separate instrument 2 from 1 - \sepbarrule2 - \notes\en\bar - % barlines on staves - \allbarrules\sepbarrule - \allbarrules\sepmultibarrule - \allbarrules\showbarrule - \NOTes\en\bar - % barlines between staves - \allbarrules\conbarrule - \allbarrules\conmultibarrule - \allbarrules\hidebarrule - \NOTes\en\bar - % dashed barlines on staves - \allbarrules\sepbarrule - \allbarrules\sepmultibarrule - \allbarrules\showdashbarrule - \NOTes\en\bar - % dashed barlines between staves - \allbarrules\condashbarrule - \allbarrules\condashmultibarrule - \allbarrules\hidebarrule - \NOTes\en\bar - % dotted barlines on staves - \allbarrules\sepbarrule - \allbarrules\sepmultibarrule - \allbarrules\showdotbarrule - \NOTes\en\bar - % dotted barlines between staves - \allbarrules\condotbarrule - \allbarrules\condotmultibarrule - \allbarrules\hidebarrule - \NOTes\en\bar - % a wild mixture of all - \showdotbarrule1\hidebarrule2\showdashbarrule3\showbarrule4% - \condashbarrule2\conbarrule3\condotbarrule4% - \condashmultibarrule2\sepmultibarrule3% - \NOTes\en\bar - % conventional ending - \allbarrules\showbarrule - \allbarrules\conbarrule - \allbarrules\conmultibarrule - \NOTes\en\setdoubleBAR\zendextract -\end{verbatim}\end{quote} - -\section{Ledger Lines} - -Ledger lines are the short horizontal lines above or below the staff for high or low notes. -As of version 1.36, these have been thickened. To restore the thickness used in -previous versions, add \verb|\def\hlthick{0.2pt}| to the preamble after inputting -\verb|musixtex.tex|. diff --git a/macros/musixtex/doc/musixdoc/barnumbering.tex b/macros/musixtex/doc/musixdoc/barnumbering.tex deleted file mode 100644 index 9ad9d5c79c..0000000000 --- a/macros/musixtex/doc/musixdoc/barnumbering.tex +++ /dev/null @@ -1,127 +0,0 @@ -\chapter{Bar Numbering} -The current bar number is stored in a count register call \keyindex{barno}. -When \verb|\startpiece| is encountered, \verb|\barno| is set equal to -another count register called \verb|\startbarno|, whose default value is one. -Therefore, if you want the first bar to have a number $n$ different from~$1$, you -may either say \verb|\startbarno=|$n$ before \verb|\startpiece|, or say -\verb|\barno=|$n$ afterwards, but before the first bar line. You may also alter the bar -number at any time, either by explicitly resetting \verb|\barno|, or by -incrementing it with a command like \verb|\advance\barno-1|. - -\musixtex\ supports two distinct modes for printing bar numbers. In \ital{periodic} -bar numbering, the bar number is -placed above the top staff with a user-selectable frequency. In -\ital{system} bar numbering, the -number will appear at the beginning of each system. - -\section{Periodic bar numbering} -In a normal piece, periodic bar number printing is turned on by default, with a frequency -of one. In an extract, the default is to not print bar numbers. -To turn off bar numbering say \keyindex{nobarnumbers}. To reinstate periodic -bar numbering, or to initiate it in an extract, say \keyindex{barnumbers}. -To change to a -different frequency $n$, say \verb|\def|\keyindex{freqbarno}\verb|{|$n$\verb|}|. - -The appearance and positioning of the bar number is controlled by the -token \keyindex{writethebarno}, which by default is defined as\\ -\verb|\def\writethebarno{\fontbarno\the\barno\kernm\qn@width}| -where the font is defined as \verb|\def\fontbarno{\it}|. You can change -either of these as desired, for example - - \medskip -\begin{music}\barnumbers -\parindent0pt\startpiece -\Notes\Dqbu gh\Dqbl jh\en -\notes\Dqbbu fg\Dqbbl hk\en\bar -\Notes\Tqbu ghi\Tqbl mmj\en -\def\fontbarno{\bf}% -\notes\Tqbbu fgj\Tqbbl njh\en\bar -\Notes\Qqbu ghjh\Qqbl jifh\en\bar -\notes\Qqbbu fgge\Qqbbl jhgi\en\endpiece -\end{music} -\noindent which was coded as -\begin{quote}\begin{verbatim}\barnumbers -\Notes\Dqbu gh\Dqbl jh\en -\notes\Dqbbu fg\Dqbbl hk\en\bar -\Notes\Tqbu ghi\Tqbl mmj\en -\def\fontbarno{\bf}% -\notes\Tqbbu fgj\Tqbbl njh\en\bar -\Notes\Qqbu ghjh\Qqbl jifh\en\bar -\notes\Qqbbu fgge\Qqbbl jhgi\en -\end{verbatim}\end{quote} - -\section{System bar numbering} -To have a bar number printed just above the beginning of each system, use -\keyindex{systemnumbers}. The distance above the staff is controlled -by \verb|\raisebarno|, which by default is \verb|4\internote| (to fit -above a treble clef). This can be redefined with the command -\begin{quote} -\verb|\def|\keyindex{raisebarno}\verb|{|\ital{any \TeX~dimension}\verb|}| -\end{quote} -Similarly, the horizontal position is defined by \keyindex{shiftbarno} -which by default is \verb|0pt|. - -The number normally is enclosed in a -box. If you don't like that, you may redefine the macro \verb|\writebarno| -which by default is defined as -\begin{quote} -\verb|\def|\keyindex{writebarno}\verb|{\boxit{\eightbf\the\barno\barnoadd}}| -\end{quote} -This uses the utility \musixtex\ macro \keyindex{boxit} which will enclose -any text string in a box. - -Here are some possible alternate formats for system bar numbers: - -\medskip -\begin{music}\nostartrule -\def\fontbarno{\it}% -\let\extractline\hbox -\startbarno=36 -\hbox to \hsize{% -\hss - \raise20pt\hbox{(a) }% - \systemnumbers\startextract - \Notes\wh g\en - \zendextract -\hss - \def\writebarno{\tenrm\the\barno\barnoadd}% - \def\raisebarno{2\internote}% - \def\shiftbarno{2.5\Interligne}% - \raise20pt\hbox{(b) }% - \systemnumbers\startextract - \Notes\wh g\en - \zendextract -\hss - \def\writebarno{\llap{\tenbf\the\barno\barnoadd}}% - \def\raisebarno{2\internote}% - \def\shiftbarno{1.3\Interligne}% - \raise20pt\hbox{(c) }% - \systemnumbers\startextract - \Notes\wh g\en - \zendextract -\hss} -\end{music} -\noindent These were coded as -\begin{itemize}\setlength{\itemsep}{0ex} - \item[(a)] (default) - \item[(b)] - \begin{verbatim} -\def\writebarno{\tenrm\the\barno\barnoadd}% -\def\raisebarno{2\internote}% -\def\shiftbarno{2.5\Interligne}% - \end{verbatim} - \item[(c)] - \begin{verbatim} -\def\writebarno{\llap{\tenbf\the\barno\barnoadd}}% -\def\raisebarno{2\internote}% -\def\shiftbarno{1.3\Interligne}% - \end{verbatim} -\end{itemize} - -If the previous line does not stop with a bar rule, then the next -printed system bar number will immediately be followed by the contents -of the token \keyindex{writezbarno}, whose -default setting is the lower case character `\verb|a|'. You might want to -change this to `\verb|+|', in which case you should say -\verb|\def\writezbarno{+}|. - diff --git a/macros/musixtex/doc/musixdoc/beams.tex b/macros/musixtex/doc/musixdoc/beams.tex deleted file mode 100644 index dbf57e2eb4..0000000000 --- a/macros/musixtex/doc/musixdoc/beams.tex +++ /dev/null @@ -1,627 +0,0 @@ -\chapter{Beams} -\section{Starting a beam} - -Each beam must be declared with a macro issued before the first spacing -note under the beam is coded. Two distinct kinds of macros are provided -for this. The first kind initiates a ``fixed-slope'' beam, with an arbitrary -slope and starting height chosen by the user, while the second kind, a -``semi-automatic'' beam, -\ital{computes}~the slope and, in addition, adjusts the starting height in some -cases. - -\def\nps{{\tt\char123}$n${\tt\char125}\pitchp{\tt\char123}$s${\tt\char125}} - -The basic form of the macros for starting fixed-slope beams is exemplified -by the one for a single upper beam, \keyindex{ibu}\nps. Here -$n$ is the reference number of the beam, $p$ the starting ``pitch'', and -$s$ the slope. - -The reference number is assigned by the user. -It is needed because more than one beam may be open at -a time, and it tells \musixtex\ to which beam subsequent beamed notes and -other beam specification commands are assigned. -By default, the reference number must be in the range [$0,5$], -but the range for 8th to 128th beams will be expanded to [$0,8$] or [$0,11$] -if \verb|musixadd| or \verb|musixmad| respectively has been \verb|\input|. - -Alternatively, you can specify the number of $8$th to $64$th beams -directly\footnote{$8$th to $64$th beams are so basic that the maximum -number of these beams is related to the maximum number of instruments -by this command. -Using $m>12$ may require e-\TeX.} -with \keyindex{setmaxinstruments}\verb|{|$m$\verb|}| -within the range $7|, - \verb|<|, \verb&|&, \verb|&|, \verb|!|, \verb|*|, \verb|.|, and \verb|:|\ .\\ -The symbols are given their special meanings by executing the macro -\keyindex{catcodesmusic}, and are restored to their plain \TeX\ meanings with -\keyindex{endcatcodesmusic}. When setting either a self-contained score or -a musical extract, you normally need not worry -about this at all, because \verb|\startpiece| or \verb|\startextract| executes -\verb|\catcodesmusic| and \verb|\endpiece| or \verb|\endextract| executes -\verb|\endcatcodesmusic|. But there are some special situations where you -might need to use these catcode-modifying macros explicitly. One is if you -were to define a personalized macro outside -\verb|\startpiece ... \endpiece|, but which incorporated any of the -symbols with their \musixtex\ meanings. Another would be if you wished to have -access to facilities enabled by alternate style files such as -{\tt\ixem{french.sty}} which change \keyindex{catcode}s themselves. In -such cases, provided you have input \verb|musixtex.tex|, you can always -invoke \keyindex{catcodesmusic} to set the \keyindex{catcode}s at their -\musixtex\ values, and \keyindex{endcatcodesmusic} to restore them to their -prior values. diff --git a/macros/musixtex/doc/musixdoc/examples.tex b/macros/musixtex/doc/musixdoc/examples.tex deleted file mode 100644 index 6ca863122c..0000000000 --- a/macros/musixtex/doc/musixdoc/examples.tex +++ /dev/null @@ -1,125 +0,0 @@ -\chapter{\musixtex\ Examples} - -The file \verb|musixdoc.tex|, the source for this manual, contains many useful -examples. In the manual, many examples are accompanied by a display of the code -that produced them, while for a few only an image of the extract is included and you'll -have to look in the \verb|musixdoc| source files to see the coding. - -Other useful examples cannot be embedded in the source, either because they are -meant to be in \TeX, not \LaTeX, or because they are simply too large. For -these the source files also are provided separately. - -When compiling or viewing any of the examples, you should keep in mind that -most DVI previewers and laser printers have -their origin one inch below and one inch to the right of the upper right corner -of the paper, while the musical examples have their upper left -corner just one centimeter to the right and below the top left corner of the page. -Therefore, special parameters may have to be given to the DVI transcription -programs unless special \keyindex{hoffset} and \keyindex{voffset} \TeX\ -commands have been included within the \TeX\ source. - -\section{Small examples} - -\begin{itemize}\setlength{\itemsep}{0ex} - -\item{\tt ossiaexa.tex}~: This is a stand-alone example of the use of ossia, -provided by Olivier Vogel (Section~\ref{ossia} on page \pageref{ossia}). - -\item{\tt 8bitchar.tex}~: Using 8bit characters. - -\end{itemize} - -\section{Full examples} -The small examples above and the longer ones mentioned below are included in -the documentation folder of the \musixtex\ package. -Some of them require -\verb|musixcpt.tex| which makes examples created in -Music\TeX\ compatible with \musixtex. Here we mention a few of -special interest. - -\subsection{Examples mentioned in the manual} - -\begin{itemize}\setlength{\itemsep}{0ex} - \item{\tt avemaria.tex}~: the ``M\'editation'' (alias ``Ave Maria'') by -Charles {\sc Gounod} for organ and violin or voice.\index{Gounod, C.@{\sc Gounod, C.}} -To run this five-page example you'll also need \texttt{avemariax.tex}. -It demonstrates the use of separated bar rules (Section~\ref{avemaria2}) -and the use of staves of different sizes (Section~\ref{avemaria}). -Also, an additional instrument is created for lyrics. This was a common -practice before the \texttt{musixlyr} package was created by Rainer Dunker. - - \item{\tt glorias.tex}~: a local melody for the French version of -\ital{Gloria in excelsis Deo}, a three-page piece demonstrating the use of the hardlyrics -commands (Section~\ref{glorias}). {\tt gloriab.tex} is the same piece, but with organ accompaniment. - -\end{itemize} - -\subsection{Other examples, provided by the authors of \musixtex } - -\begin{itemize}\setlength{\itemsep}{0ex} - - \item{\tt traeumer.tex}~: the famous ``Tr\"aumerei'' by -Robert {\sc Schumann}\index{Schumann, R.@{\sc Schumann, R.}} for piano, in genuine -\musixtex\ but with some -additions to perform ascending bitmapped \itxem{crescendos}. -There are also S-shaped slurs between 2 staves. - - \item{\tt parnasum.tex}~: the first page of ``Doctor gradus ad -Parnassum'' by Claude {\sc Debussy}\index{Debussy, -C.@{\sc Debussy, C.}} for piano. -It contains a rather complex example of a new command \verb+\Special+ -to create staff-jumping doubly beamed notes. -\end{itemize} - -\subsection{Additional documentation} - -\begin{itemize}\setlength{\itemsep}{0ex} - - \item{\tt sottieng}~: Notation mistakes, provided by Jean-Pierre Coulon. - -\end{itemize} - -\section{Compiling \texttt{musixdoc.ltx}} - -This manual is an excellent example of a primarily text document with embedded -musical excerpts. For this reason, it is a \LaTeX\ document and must be compiled -with \verb|latex| rather than \verb|etex|. Those wishing to combine text and -musical excerpts should carefully study how it is done here. - -Before compiling or recompiling \verb|musixdoc.ltx|, you should remove all the auxiliary -files {\tt musixdoc.[mx1\|\allowbreak mx2\|\allowbreak aux\|\allowbreak toc\|\allowbreak ind\|\allowbreak idx\|\allowbreak ilg\|\allowbreak out]} -if they are present. Then the following command sequence will produce \verb|musixdoc.ps|: -\begin{quote}\begin{verbatim} -latex musixdoc -musixflx musixdoc -latex musixdoc -makeindex musixdoc -latex musixdoc -latex musixdoc -dvips -e0 musixdoc -\end{verbatim}\end{quote} -The initial three steps \verb|latex|\allowbreak$\to$\allowbreak\verb|musixflx|\allowbreak$\to$\allowbreak\verb|latex| build up the basic appearance of the document including musical examples. -The \verb|makeindex| step produces the database for the index. -After that, \verb|latex| must be run at least twice to complete cross referencing. -Finally, \verb|dvips| converts the \verb|.dvi| file into \verb|.ps|; -the \texttt{-e0} option prevents \texttt{dvips} from making pixel adjustments -intended for letters in words. -To produce \verb|musixdoc.pdf|, use \verb|ps2pdf| or the Distiller component of Adobe Acrobat, or open \verb|musixdoc.ps| in \texttt{GSview}, go to -{\tt File\|Convert}, select \verb|pdfwrite| at 600 dpi resolution, and click -\verb|OK|. - -Alternatively, if you have the \verb|musixtex| script, just run -\verb|musixtex -x musixdoc| -(where -the \verb|-x| option is only needed to create a new index database). - -%If you use an older version of \LaTeX\ which doesn't automatically -%invoke $\varepsilon$\hbox{-}\nobreak\TeX, you will encounter the -%error ``{\tt !~No room for new \string\count}''. -%This is because \verb|musixdoc.tex| invokes \verb|musixtex.tex|, which together with \LaTeX\ -%requires more storage registers than available in \TeX. -%You may be able get around this by using the command -%\verb|elatex| instead of \verb|latex|; -%however, it is strongly recommended to upgrade your \TeX\ system to a more recent -%version in which \verb|latex| automatically invokes $\varepsilon$\hbox{-}\nobreak\TeX. - diff --git a/macros/musixtex/doc/musixdoc/extensions.tex b/macros/musixtex/doc/musixdoc/extensions.tex deleted file mode 100644 index c11c389efa..0000000000 --- a/macros/musixtex/doc/musixdoc/extensions.tex +++ /dev/null @@ -1,2510 +0,0 @@ -\chapter{Extension Library} -All of the following files are invoked by saying \keyindex{input} \ital{filename}. -In some cases, -\verb\musixtex\ must be input \emph{before} the extension, -but most of them are fully compatible with \verb\musixtex.tex\ in that they do not redefine -any existing macros and just provide additional functionality. -In future -versions of \musixtex\ we may very well incorporate many of them directly into -\verb|musixtex.tex|, but for now we leave them separate. - - \section{musixadd}\ixtt{musixadd.tex} -Increases the number of instruments, slurs and beams from six to nine. - - \section{musixadf} -\input musixadf -This file and the associated fonts (by Hiroaki \textsc{Morimoto}) -define some additional and alternative musical accents, as follows. -\begin{description} -\item[small swells, larger sforzatos:] -\ \\\begin{music} -\nostartrule -\startextract -\NOTes - \ccharnote{-8}{\Bslash ulsw}\ulsw l\ql l% - \ccharnote{13}{\Bslash llsw}\llsw f\qu f% -\en\bar -\NOtes - \ccharnote{-8}{\Bslash uSfz}\uSfz l\ql l% - \ccharnote{13}{\Bslash lSfz}\lSfz f\qu f\qsk% -\en -\endextract -\end{music} -\item[breaths:] -\ \\ -\begin{music} -\nostartrule -\startextract -\NOTes - \zcharnote{-8}{\Bslash cuBreath}\cuBreath \qu f% - \zcharnote{13}{\Bslash clBreath}\clBreath \qu f% -\en\bar -\NOtes - \ccharnote{-8}{\Bslash zuBreath}\zuBreath \qu f% - \ccharnote{13}{\Bslash zlBreath}\zlBreath \qu f% -\en -\endextract -\end{music} -\item[coda with serifs, upright segno:] -\ \\ -\begin{music} -\nostartrule -\startextract -\NOTes - \sk - \ccharnote{-4}{\Bslash scoda}\scoda n\sk\sk% - \ccharnote{-4}{\Bslash upsegno}\upsegno n\sk% -\en -\endextract -\end{music} -\end{description} -The following commands will replace the default specified accents by the new ones -defined in \texttt{musixadf.tex}: - \verb|\replacesforzato|, - \verb|\replacecoda|, - \verb|\replacesegno|. - - \section{musixbm} -This file does nothing; it is retained only for compatibility with -\musixtex{} version 1.10 or earlier. -Since version 1.11, \verb|musixtex.tex| itself contains all the functions -of the older \texttt{musixbm}, namely -commands for 128th notes, either with flags or with beams: -\keyindex{ibbbbbu}, -\keyindex{ibbbbbl}, -\keyindex{nbbbbbu}, -\keyindex{nbbbbbl}, -\keyindex{tbbbbbu}, -\keyindex{tbbbbbl}, -\keyindex{Ibbbbbu}, -\keyindex{Ibbbbbl}, -\keyindex{cccccu}, -\keyindex{cccccl}, -\keyindex{ccccca}, -\keyindex{zcccccu} and -\keyindex{zcccccl}. - - - \section{musixbbm}\label{musixbbm} - Provides $256$th notes, but only for use within beams, via the commands -\keyindex{ibbbbbbu}, -\keyindex{ibbbbbbl}, -\keyindex{nbbbbbbu}, -\keyindex{nbbbbbbl}, -\keyindex{tbbbbbbu}, -\keyindex{tbbbbbbl}, -\keyindex{Ibbbbbbu} and -\keyindex{Ibbbbbbl}. - -By default \texttt{musixbbm} provides six $256$th beams with -reference number $0$ to $5$. -You can specify a larger maximum number -directly with \keyindex{setmaxcclvibeams}\verb|{|$m$\verb|}| within the -range\footnote{This may require e-\TeX.} $7\leq m\leq 100$. - -\section{musixcho}\label{song} - Enables certain macros intended for choral music\footnote{Remember -that we now recommend using \texttt{musixlyr} for any except the -simplest lyrics. The extension \texttt{musixcho} is only for those -diehards who choose to ignore this advice}. Provides the following commands: -\keyindex{biglbrace}, \keyindex{bigrbrace}, \keyindex{braceheight}, -\keyindex{Dtx} and \keyindex{Drtx} for two-line text, \keyindex{Ttx} and -\keyindex{Trtx} for three-line text, \keyindex{Qtx} and \keyindex{Qrtx} for -four-line text. To eliminate zigzagging lyrics lines, all multiple line texts -are automatically vertically justified with the macro \keyindex{ChroirStrut}, -defined as \verb|\vphantom{\^Wgjpqy}|. - -The macros \keyindex{tx}\verb|{|$text$\verb|}|, -\keyindex{rtx}\verb|{|$text$\verb|}| cause song text to be left-justified -on the insertion point rather then centered. - \keyindex{hf}\verb|{|$m$\verb|}| sets a text -continuation rule of length $m$ \verb|\noteskip|. - -Consult the source file {\tt musixdoc.tex} to see the coding of the following -example: - -\begin{music} -\ninerm -\parindent9mm -\braceheight5.4\Interligne\relax -%\rightline{Arr.: H.~W.~Eichholz} -\instrumentnumber2 -\generalsignature{-2} -\generalmeter{\meterfrac22} -\setclef1\bass -\relativeaccid -\setinterinstrument1{11\Interligne} -\songtop2 -\songbottom1 -\setname2{\vbox{\hsize\parindent\centerline{Sop}\centerline{Alt}}} -\setname1{\vbox{\hsize\parindent\centerline{Ten}\centerline{Bass}}} -\sepbarrules\nobarnumbers -\beforeruleskip-2pt -\startpiece -%% bar 1 -\znotes&\rlap{\kernm2em\Qrtx 1.|2.|3.|4.*}\en -\NOTes\sslur ILd1\sslur bNu1\zhl I\hu b% - &\Qtx\ixhf{Oh}|No|No|There'll*\issluru0f\sslur dad1\zhup f\hl d\en -\Notes\zhl L\hu N&\Qtx ~|more|more|~be*\hl{^c}\en -\NOtes&\tsslur0g\qu g\en -%%% bar 2 -\bar -\NOtes\zql I\qu b&\Qrtx\thf freedom,|weepin',|moanin',|singin',*\zqu i\ql d\en -\NOTesp\lpt I\zhl I\hup b&\zhup i\hlp d\en -%%% bar 3 -\bar -\nspace -\NOTes\sslur JMd1\sslur bau1\zhl J\hu b% - &\Qtx\ixhf{oh}|no|no|there'll*\issluru0j\sslur edd1\zhup j\hl{^e}\en -\Notes\zhl M\hu a&\Qtx~|more|more|~be*\hl{=e}\en -\NOtes&\tsslur0k\qu k\en -%%% bar 4 -\bar -\NOtes\zql I\qu b&\Qrtx\thf freedom,|weepin',|moanin',|singin',*\zqu j\ql d\en -\NOTesp\lpt I\zhl I\hup b&\zhup i\hlp d\en -%%% bar 5 -\bar -\NOTesp\sslur IJd1\sslur bau1\lpt I\zhl I\hup b% - &\Qtx\ixhf{oh}|no|no|~there'll*\isslurd0f\issluru1j\zhup k\hlp f\en -\NOtes\zql J\qu a&\Qtx~|more|more|~be*\tsslur1f\zqu f\roff{\tsslur0e\ql e}\en -%%% bar 6 -\bar -\NOtes\zql K\qu b&\Qrtx\thf freedom,|weepin',|moanin',|singin',*\zqu i\ql f\en -\NOtes\zql J\qu b&\zqu i\ql e\en -\NOtes\zql I\qu b&\rlap{\kernm1\Internote\bigrbrace}\rtx~~~~over*\zqu i\ql d\en -\NOtes\zql G\qu b&\zqu k\ql f\en -%%% bar 7 -\bar -\nspace -\NOTes\zhl J\hu b\caesura&\tx ~me,*\zhu j\hl{^e}\caesura\en -\Notes\zcl J\cu b&\rtx ~over*\zcu j\cl e\en -\NOtesp\zqlp J\qup b&\zqup k\lpt e\ql e\en -\endpiece -\end{music} - -\section{musixcpt} - -Empowers \musixtex\ to run files created under -Musi\textbf{c}TeX, the predecessor of \musixtex, such as some of the examples -provided by Daniel {\sc Taupin}. It is not needed for any files created -under \musixtex, and is included mainly for historical completeness. - -\section{musixdat} -Enables the command \keyindex{today}, which sets the current date in one of -several possible languages. The language is selected by an optional - preparatory command \verb|\date...|. -The default is \keyindex{dateUSenglish}, but this can changed, either at the -end of \ttxem{musixdat.tex} for a permanant change, or right before issuing -\verb|\today|. Available choices and sample results are summarized below: -\smallskip -\begin{quote}\begin{tabular}{ll}\hline -\verb|\dateUSenglish|&\dateUSenglish\today\\ -\verb|\dateaustrian|&\dateaustrian\today\\ -\verb|\dateenglish|&\dateenglish\today\\ -\verb|\datefrench|&\datefrench\today\\ -\verb|\dategerman|&\dategerman\today\\\hline -\end{tabular}\end{quote} - -\section{musixdbr} -Enables dashed and dotted bar lines (see Section~\ref{musixdbr}). - -\section{musixdia}\label{diam} -Enables notes with diamond-shaped heads as follows: -\begin{itemize}\setlength{\itemsep}{0ex} - \item Solid note heads (\raise.5ex\hbox to .6em{\musixchar37}) are obtained -using the macros - \keyindex{yqu}, \keyindex{yqup}, -\keyindex{yqupp}, \keyindex{yql}, \keyindex{yqlp}, \keyindex{yqlpp}, -\keyindex{yzq}, \keyindex{yzqp}, \keyindex{yzqpp}, \keyindex{yqb}, -\keyindex{ycu}, \keyindex{yccu}, \keyindex{ycccu}, \keyindex{yccccu}, -\keyindex{ycl}, \keyindex{yccl}, \keyindex{ycccl}, \keyindex{yccccl}, -\keyindex{ycup}, \keyindex{ycupp}, \keyindex{yclp}, \keyindex{yclpp}. -(Think of d{\it y}\kern.5pt amond). A solid diamond with no stem is obtained -with \keyindex{ynq} (spacing) or \keyindex{yznq} (non-spacing). - \item Open note heads (\raise.5ex\hbox to .6em{\musixchar38}) are obtained -using the macros -\keyindex{dqu}, \keyindex{dqup}, -\keyindex{dqupp}, \keyindex{dql}, \keyindex{dqlp}, \keyindex{dqlpp}, -\keyindex{dzq}, \keyindex{dzqp}, \keyindex{dzqpp}, \keyindex{dqb}, -\keyindex{dcu}, \keyindex{dccu}, \keyindex{dcccu}, \keyindex{dccccu}, -\keyindex{dcl}, \keyindex{dccl}, \keyindex{dcccl}, \keyindex{dccccl}, -\keyindex{dcup}, \keyindex{dcupp}, \keyindex{dclp}, \keyindex{dclpp}. -(Think of {\it d}\kern.5pt iamond). -An open diamond with no stem is obtained -with \keyindex{dnq} (spacing) or \keyindex{dznq} (non-spacing). - \end{itemize} - -One use of these note heads is for a string part with \itxem{harmonic notes}. -%(see \ref{othernotes}) -% DAS removed description which was misplaced in the samll=notes section 2.18 4/30/06 -For example, - -\begin{music} -\parindent0pt -\generalsignature{-2} -\generalmeter\allabreve -\startextract -\NOTes\dzq o\zh d\hu h\en -\Notes\ibu0k0\zq g\yqb0k\qb0j\zq e\yqb0i\tbu0\qb0j\en -\bar -\NOTes\dzq g\hu k\en -\NOTes\hpause\en -\bar -\NOTes\dzq o\zh d\hl h\en -\Notes\ibl0e0\zq g\yqb0k\qb0j\zq e\yqb0i\tbl0\qb0j\en -\bar -\NOTes\dzq g\hu k\en -\NOTes\hpause\en -\endextract -\end{music} -\noindent was coded as follows: -\begin{quote}\begin{verbatim} -\generalsignature{-2} -\generalmeter\allabreve -\startextract -\NOTes\dzq o\zh d\hu h\en -\Notes\ibu0k0\zq g\yqb0k\qb0j\zq e\yqb0i\tbu0\qb0j\en -\bar -\NOTes\dzq g\hu k\en -\NOTes\hpause\en -\bar -\NOTes\dzq o\zh d\hl h\en -\Notes\ibl0e0\zq g\yqb0k\qb0j\zq e\yqb0i\tbl0\qb0j\en -\bar -\NOTes\dzq g\hu k\en -\NOTes\hpause\en -\endextract -\end{verbatim}\end{quote} - -Another use is for percussion parts. In fact the file \verb|musixdia.tex| -is automatically loaded if you input {\tt musixper.tex} (see Section~\ref{perc}). - -\section{musixec}\label{ecfonts} - This package will replace the \texttt{OT1}-encoded Computer Modern fonts -by \texttt{T1}-encoded EC versions. -Use as follows: -\begin{quote}\begin{verbatim} -\input musixtex -\input musixec -[\input musixsty] -... -\end{verbatim}\end{quote} -For example, - -\begin{music} -\input musixec -é è â ç ü ñ\\ -\end{music} - \noindent may be coded as -\begin{quote} -\begin{verbatim} -\input musixec -é è â ç ü ñ\\ -\end{verbatim} -\end{quote} - - - \section{musixeng} - This package is provided for music typesetters who are allergic to the default -rest names, which are -taken from French, German or Italian. It does not provide new features, only -new command names: -\medskip - \begin{quote}\begin{tabular}{ll}\hline -\ital{original}&\ital{alternate}\\\hline -\keyindex{PAUSe}&\keyindex{Qwr}\\ -\keyindex{PAuse}&\keyindex{Dwr}\\ -\keyindex{liftpause}&\keyindex{liftwr}\\ -\keyindex{pausep}&\keyindex{wrp}\\ -\keyindex{pause}&\keyindex{wr}\\ -\keyindex{lifthpause}&\keyindex{lifthr}\\ -\keyindex{hpausep}&\keyindex{hrp}\\ -\keyindex{hpause}&\keyindex{hr}\\ -\keyindex{qp}&\keyindex{qr}\\ -\keyindex{ds}&\keyindex{er}\\ -\keyindex{qs}&\keyindex{eer}\\ -\keyindex{hs}&\keyindex{eeer}\\ -\keyindex{qqs}&\keyindex{eeeer}\\\hline -\end{tabular}\end{quote} - -\section{musixext} - -This file does nothing; it is retained only for compatibility with -\musixtex{} version 1.17 or earlier. -Since version 1.18, \verb|musixtex.tex| itself contains all the functions -of the older \texttt{musixext}, namely -definitions of -\begin{itemize} -\item -\keyindex{raggedstoppiece}~, which inhibits right-justification of the last -line of a score. -\item -\keyindex{slide}\itbrace{p}\itbrace{x}\itbrace{s}~, which provides a glissando -starting at pitch {\it p} and extending for {\it x} \verb|\internote|s with -slope {\it s} (ranging from $-8$ to $8$). -\end{itemize} - - \section{musixf{}l{}l} - \input musixfll - Enables modification of \ixem{ledger lines}. Ledger lines normally exceed the -width of a note head by $25$ percent in each direction. If the space between -notes is insufficient, the ledger lines of -consecutive notes may meet, creating visual ambiguities. Therefore, -\musixtex{} shortens the -ledger lines if notes are set so close together that the ledger lines may -meet. But because \musixtex{} does not know whether consecutive notes need -ledger lines, this automatic shortening may be superfluous. The extension -file \ttxem{musixfll.tex} allows this feature to be switched off and on. -Upon inputting \verb|musixfll.tex|, the automatic shortening of ledger lines -is switched off. From then on, it may be switched on again using -\keyindex{autoledgerlines} and switched off again using -\keyindex{longledgerlines}. Both macros have global effect. - - The following example shows that narrowly set scales look better with -\keyindex{autoledgerlines} (the default behavior), whereas single notes -requiring ledger lines look better with \keyindex{longledgerlines}. - -\medskip -\begin{music} -\nostartrule -\startextract -\notes\multnoteskip{0.7}\Uptext{autoledgerlines}\autoledgerlines - \ibbbu0b0\qb0{cba`gfg'a}\tbu0\qb0b% - \ibbbl0{''b}0\qb0{abcdedc}\tbl0\qb0b% - \ibbbu0{``b}0\qb0{dad}\tbu0\qb0a% - \ibbbl0{''b}0\qb0{`g'c`g}\tbl0\qb0{'c}\en -\endextract -\medskip -\startextract -\notes\multnoteskip{0.7}\Uptext{longledgerlines}\longledgerlines - \ibbbu0b0\qb0{cba`gfg'a}\tbu0\qb0b% - \ibbbl0{''b}0\qb0{abcdedc}\tbl0\qb0b% - \ibbbu0{``b}0\qb0{dad}\tbu0\qb0a% - \ibbbl0{''b}0\qb0{`g'c`g}\tbl0\qb0{'c}\en -\endextract -\autoledgerlines -\end{music} - - \section{musixftab}\label{frenchtab}\index{tablature}\index{musixftab@{\tt musixftab.tex}} -This extension replaces the default (Helvetica) numerals of the tablature commands -of Section~\ref{tablature} with the traditional script letters of French tablature. -These glyphs are generated in \keyindex{tabfnt} by arguments \texttt{0}--\texttt{9} -or by (capital) Latin letters \texttt{A}--\texttt{R} (excluding \texttt{J}). -\clearpage - -The example of Section~\ref{tablature} with \texttt{musixftab.tex} is as follows: -\medskip - -\begin{music} -\input musixftab -\input musixps -%\tabstylespacetrue -\largemusicsize -\def\psslurhgt{0.5} -\instrumentnumber{1} -\generalmeter{\meterfrac34} -\generalsignature{-1} -\setlines16\setclefsymbol1\tabclef\setsize1{1.2}\setsign10 -\nobarnumbers -\parindent=2ex -\setname1{\tabstringfnt\baselineskip=1.2\internote% -\vbox{\hbox{F}\hbox{D}\hbox{A}\hbox{F}\hbox{D}\hbox{A}}} -\nostartrule -\startextract -\scale{0.6} -\NOtes\tzqu\qa{*}\en -\NOtesp\zltab50\zltab40\tzqup\ltab30\en -\Notes\tzcu\ltab30\en -\bar% -\NOtes\zltab50\zltab42\zltab31\tzqu\ltab22\en -\NOtesp\zltab64\zltab35\zltab30\tzqup\ltab22\en -\Notes\tzcu\ltab22\en -\bar% -\NOtes\zltab50\zltab30\zltab20\tzqu\ltab10\en -\NOtes\zltab61\zltab40\tzqup\ltab20\en -\Notes\tzcu\ltab33\en -\bar% -\NOtes\zltab70\zltab55\tzqu\ltab45\en -\NOtes\zltab60\zltab53\ltab44\en -\notesp\zltab64\tzccu\ltab42\ilsluru03\ltab53\ltab52\tlslur03\ltab53\en -\bar% -\notesp\ztab{10}0\tzccu\ltab42\ilsluru03\ltab52\ltab53\tlslur03\ltab50\en -\NOtesp\zltab50\zltab40\tzqup\ltab30\en -\Notes\tzcu\ltab30\en -\bar% -\zendextract -\end{music} -\medskip - - \section{musixgre}\label{gregnotes}\index{gregorian chant} - -% \section{Gregorian chant: staffs and clefs} -Gregorian chant is often coded using four line staffs -(see -%sections \ref{gregorian} and -Section~\ref{stafflinenumber}) and using special notes called -\itxem{neumes} (which are described later in this section). It also requires -special clefs. One way to substitute them for the modern ones is for example -with commands like - -\keyindex{setaltoclefsymbol}\verb|3\gregorianCclef| - -\noindent or - -\keyindex{setbassclefsymbol}\verb|3\gregorianFclef| , - -\noindent which will cause instrument number~$3$ to display the selected gregorian -clef. The standard clefs can be restored for every instrument with -\keyindex{resetclefsymbols}. Note that when using this method you must -specify whether to substitute for the bass or alto clef -symbol (there is no treble clef in gregorian -chant). The reason is that \musixtex\ selects and -raises the F and C clefs differently, according to the arguments of the -\keyindex{setclef} command. Therefore, if one had substituted any F clef -symbol while saying \verb|\setclef1{1000}|, then an F clef would duly appear -on the staff, but it would be set at the position of an alto clef, thus -seriously misleading the musician. - -Another method of clef substitution employs \keyindex{setclefsymbol} (see -Section~ \ref{treblelowoct}), which substitutes the clef given by -the second argument \ital{for all clef symbols} of the instrument given by the first, -regardless of the actual musical meaning of the new clef symbol. This method is -generally appropriate only if you want to change the clef symbol(s) of -an instrument for the whole of the score. - - As an example, the same gregorian scale has been written with a gregorian C -clef on all four lines of the staff: - - \begin{music}\nostartrule - \parindent 19mm - \instrumentnumber{4} - \setname1{1st line} \setname2{2nd line} - \setname3{3rd line} \setname4{4th line} - \setlines1{4}\setlines2{4}\setlines3{4}\setlines4{4} - \sepbarrules - \generalmeter{\empty} - \setclef1{1000} \setclef2{2000} \setclef3{3000} \setclef4{4000} - \setaltoclefsymbol1\gregorianCclef - \setaltoclefsymbol2\gregorianCclef - \setaltoclefsymbol3\gregorianCclef - \setaltoclefsymbol4\gregorianCclef -\startextract -\Notes\squ{abcdefghi}&\squ{abcdefghi}&\squ{abcdefghi}&\squ{abcdefghi}&\en -\zendextract -\end{music} - - The coding was: - \begin{verbatim} - \instrumentnumber{4} - \setname1{1st line} \setname2{2nd line} - \setname3{3rd line} \setname4{4th line} - \setlines1{4}\setlines2{4}\setlines3{4}\setlines4{4} - \sepbarrules - \generalmeter{\empty} - \setclef1{1000} \setclef2{2000} \setclef3{3000} \setclef4{4000} - \setaltoclefsymbol1\gregorianCclef - \setaltoclefsymbol2\gregorianCclef - \setaltoclefsymbol3\gregorianCclef - \setaltoclefsymbol4\gregorianCclef -\startextract -\Notes\squ{abcdefghi}&\squ{abcdefghi}&\squ{abcdefghi}&\squ{abcdefghi}&\en -\zendextract - \end{verbatim} - -All of the special gregorian symbols available in \musixtex\ are described -in the following subsections. - -\subsection{Clefs} - -\begin{itemize}\setlength{\itemsep}{0ex} - \item Gregorian C clef: \raise 2.5pt\hbox to 1cm{\gregorianCclef\hfil}~= - \keyindex{gregorianCclef}, normally activated for instrument $n$ with the -command - \keyindex{setaltoclefsymbol}\itbrace{n}\keyindex{gregorianCclef} -\item Gregorian F clef: \raise 2.5pt\hbox to 1cm{\gregorianFclef\hfil}~= -\keyindex{gregorianFclef}, normally activated with the command -\keyindex{setbassclefsymbol}\itbrace{n}\keyindex{gregorianFclef} - \end{itemize} - - \subsection{Elementary symbols} - - - \begin{itemize}\setlength{\itemsep}{0ex} - - \item Diamond shaped \itxem{punctum} (This has a different shape compared to the -percussion diamond): \raise 2.5pt\hbox{\xgregchar1}~ = -\keyindex{diapunc}\pitchp\ . - \item Square \itxem{punctum}: \raise 2.5pt\hbox{\xgregchar5}~ = -\keyindex{squ}\pitchp\ or \keyindex{punctum}\pitchp\ . - \item Left stemmed \itxem{virga} (not in the 1905 gregorian standard): \raise -2.5pt\hbox{\xgregchar6}~ = \keyindex{lsqu}\pitchp\ . - \item Right stemmed \itxem{virga}: \raise 2.5pt\hbox{\xgregchar7}~ = -\keyindex{rsqu}\pitchp\ or \keyindex{virga}\pitchp\ . - \item \ital{Apostropha}\index{apostropha}: \raise 2.5pt\hbox{\xgregchar3}~ = -\keyindex{apostropha}\pitchp\ . - \item \ital{Oriscus}\index{oriscus}: \raise 2.5pt\hbox{\xgregchar10}~ = -\keyindex{oriscus}\pitchp\ . - - \item \ital{Quilisma}\index{quilisma}: \raise 2.5pt\hbox{\xgregchar125}~ = -\keyindex{quilisma}\pitchp\ . - \item \ital{Punctum auctum} (up)\index{punctum auctum}: \raise -2.5pt\hbox{\xgregchar9}~ = -\keyindex{punctumauctup}\pitchp\ . - \item \ital{Punctum auctum} (down)\index{punctum auctum}: \raise -2.5pt\hbox{\xgregchar8}~ = -\keyindex{punctumauctdown}\pitchp\ . - \item Diamond shaped \ital{punctum auctum} (down)\index{punctum auctum}: -\raise 2.5pt\hbox{\xgregchar2}~ = \keyindex{diapunctumauctdown}\pitchp\ . - \item \ital{Punctum deminutum}\index{punctum deminutum}: \raise -2.5pt\hbox{\xgregchar4}~ = \keyindex{punctumdeminutum}\pitchp\ . - \item \ital{Apostropha aucta}\index{apostropha aucta}: \raise -2.5pt\hbox{\xgregchar11}~ = \keyindex{apostropha aucta}\pitchp\ . - -\end{itemize} - All non-\ital{liquescens} symbols have non-spacing variants, namely -\keyindex{zdiapunc}, \keyindex{zsqu}, \keyindex{zlsqu}, \keyindex{zrsqu}, -\keyindex{zapostropha} and \keyindex{zoriscus}. - -\subsection{Plain complex neumes} -Other \itxem{neumes} can be obtained by combining two or more of these -symbols. Since \itxem{neumes} have a special note head width, an additional -shifting macro is provided, namely \keyindex{groff}. It is similar to -\verb|\roff|, but the offset is smaller. For use with comples neumes, another -shifting macro is provided, namely \keyindex{dgroff}, which causes an -offset twice the offset of \verb|\groff|. - - Since most of these symbols depend on relative pitches of their components, -we cannot provide all possible compact combinations as single symbols. The ones -that are available in \verb|musixgre| are described below. In the following, -$p_1$, $p_2$, $p_3$, and $p_4$ represent pitches specified as usual. Please refer to -the source file \verb|musixtex.tex| if you wish to see the coding of those -examples for which it is not quoted here. - -\def\twop{\itbrace{p_1}\itbrace{p_2}} -\def\threep{\twop\itbrace{p_3}} -\def\fourp{\threep\itbrace{p_4}} - -\begin{description}\setlength{\itemsep}{0ex} - \item[\keyindex{bivirga}\twop], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \setsize1{\Largevalue} - \instrumentnumber 1 - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \bivirga ab\en - \notes \bivirga cc\en - \zendextract - \end{music} - - This example was coded as: - \begin{quote}\begin{verbatim} - \instrumentnumber 1 - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \bivirga ab\en - \notes \bivirga cc\en - \zendextract - \end{verbatim}\end{quote} - - \item[\keyindex{trivirga}\threep], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \setsize1{\Largevalue} - \instrumentnumber 1 - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \Notes \trivirga abc\en - \Notes \trivirga cca\en - \zendextract - \end{music} - - \item[\keyindex{bistropha}\twop], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \setsize1{\Largevalue} - \instrumentnumber 1 - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \bistropha ab\en - \notes \bistropha cc\en - \zendextract - \end{music} - - \item[\keyindex{tristropha}\threep], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \setsize1{\Largevalue} - \instrumentnumber 1 - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \Notes \tristropha abc\en - \Notes \tristropha cca\en - \zendextract - \end{music} - - \item[\keyindex{clivis}\twop], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \setsize1{\Largevalue} - \instrumentnumber 1 - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \clivis ba\en - \notes \clivis ca\en - \zendextract - \end{music} - - \item[\keyindex{lclivis}\twop], for example: - - \begin{music}\nostartrule - \setsize1{\Largevalue} - \elemskip 10pt - \instrumentnumber 1 - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \lclivis ba\en - \notes \lclivis ca\en - \zendextract - \end{music} - - \item[\keyindex{podatus}\twop], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \podatus ab\en - \notes \podatus ac\en - \notes \podatus cf\en - \zendextract - \end{music} - - \item[\keyindex{podatusinitiodebilis}\twop], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \podatusinitiodebilis ab\en - \notes \podatusinitiodebilis ac\en - \notes \podatusinitiodebilis cf\en - \zendextract - \end{music} - - \item[\keyindex{lpodatus}\twop], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \setsize1{\Largevalue} - \instrumentnumber 1 - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \lpodatus ab\en - \notes \lpodatus ce\en - \zendextract - \end{music} - - \item[\keyindex{pesquassus}\twop], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \pesquassus ab\en - \notes \pesquassus ae\en - \zendextract - \end{music} - - \item[\keyindex{quilismapes}\twop], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \quilismapes ab\en - \notes \quilismapes ae\en - \zendextract - \end{music} - - \item[\keyindex{torculus}\threep], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \torculus aba\en - \notes \torculus cfd\en - \notes \torculus afc\en - \zendextract - \end{music} - - \item[\keyindex{torculusinitiodebilis}\threep], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \torculusinitiodebilis aba\en - \notes \torculusinitiodebilis cfd\en - \notes \torculusinitiodebilis afc\en - \zendextract - \end{music} - - \item[\keyindex{Porrectus}\threep], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \Porrectus bab\en - \notes \Porrectus bac\en - \notes \Porrectus bNd\en - \notes \Porrectus bMe\en - \notes \Porrectus bLe\en - \zendextract - \end{music} -\noindent coded: - \begin{quote}\begin{verbatim} - \notes \Porrectus bab\en - \notes \Porrectus bac\en - \notes \Porrectus bNd\en - \notes \Porrectus bMe\en - \notes \Porrectus bLe\en - \end{verbatim}\end{quote} - - \verb|\Porrectus| exists in four different shapes, depending on the -difference between first and second argument. The constraint is that - $$ p_1-4 \leq p_2 \leq p_1-1 $$ otherwise a diagnostic occurs. Note also that -\keyindex{bporrectus} provides the first curved part of the \verb|porrectus| -command, if you should need it. It has two arguments, the starting pitch and the lower -pitch. - - \item[\keyindex{Porrectusflexus}\fourp], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \Porrectusflexus bacN\en - \notes \Porrectusflexus bNdb\en - \notes \Porrectusflexus bMeb\en - \notes \Porrectusflexus bLea\en - \zendextract - \end{music} -\noindent coded: - \begin{quote}\begin{verbatim} - \notes \Porrectusflexus bacN\en - \notes \Porrectusflexus bNdb\en - \notes \Porrectusflexus bMeb\en - \notes \Porrectusflexus bLea\en - \end{verbatim}\end{quote} - - - \item[\keyindex{climacus}\threep], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \Notes \climacus cbN\en - \Notes \climacus cba\en - \Notes \climacus dbN\en - \zendextract - \end{music} - - \item[\keyindex{climacusresupinus}\fourp], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \Notes \climacusresupinus cbNa\en - \Notes \climacusresupinus cbab\en - \Notes \climacusresupinus dbNb\en - \zendextract - \end{music} - - \item[\keyindex{lclimacus}\threep], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \setsize1{\Largevalue} -\instrumentnumber 1 - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \lclimacus cbN\en - \notes \lclimacus cfd\en - \notes \lclimacus afc\en - \zendextract - \end{music} - - \item[\keyindex{scandicus}\threep], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \scandicus abe\en - \notes \scandicus ceg\en - \zendextract - \end{music} - - \item[\keyindex{salicus}\threep], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \Notes \salicus abe\en - \Notes \salicus ceg\en - \zendextract - \end{music} - - \item[\keyindex{salicusflexus}\fourp], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \Notes \salicusflexus abec\en - \Notes \salicusflexus cegd\en - \zendextract - \end{music} - - \item[\keyindex{trigonus}\threep], -%DAS ???????????? -%for example\footnote{The second example is in principle irrelevant, -%but it shows the possibilities, in case of.}: -for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \Notes \trigonus aaN\en - \Notes \trigonus cef\en - \zendextract - \end{music} - -\end{description} - -\subsection{Liquescens complex neumes}\index{liquescens neumes} -\begin{description}\setlength{\itemsep}{0ex} - \item[\keyindex{clivisauctup}\twop], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \setsize1{\Largevalue} - \instrumentnumber 1 - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \clivisauctup ba\en - \notes \clivisauctup ca\en - \zendextract - \end{music} - \item[\keyindex{clivisauctdown}\twop], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \setsize1{\Largevalue} - \instrumentnumber 1 - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \clivisauctdown ba\en - \notes \clivisauctdown ca\en - \zendextract - \end{music} - \item[\keyindex{podatusauctup}\twop], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \podatusauctup ab\en - \notes \podatusauctup ac\en - \notes \podatusauctup cf\en - \zendextract - \end{music} - \item[\keyindex{podatusauctdown}\twop], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \podatusauctdown ab\en - \notes \podatusauctdown ac\en - \notes \podatusauctdown cf\en - \zendextract - \end{music} - - \item[\keyindex{pesquassusauctdown}\twop], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \pesquassusauctdown ab\en - \notes \pesquassusauctdown ae\en - \zendextract - \end{music} - - \item[\keyindex{quilismapesauctdown}\twop], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \quilismapesauctdown ab\en - \notes \quilismapesauctdown ae\en - \zendextract - \end{music} - - \item[\keyindex{torculusauctdown}\threep], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \torculusauctdown aba\en - \notes \torculusauctdown cfd\en - \notes \torculusauctdown afc\en - \zendextract - \end{music} - - \item[\keyindex{Porrectusauctdown}\threep], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \Porrectusauctdown bac\en - \notes \Porrectusauctdown bNd\en - \notes \Porrectusauctdown bMe\en - \notes \Porrectusauctdown bLe\en - \zendextract - \end{music} - - \item[\keyindex{climacusauctdown}\threep], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \Notes \climacusauctdown cbN\en - \Notes \climacusauctdown caM\en - \Notes \climacusauctdown aNM\en - \zendextract - \end{music} - - \item[\keyindex{scandicusauctdown}\threep], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \scandicusauctdown abe\en - \notes \scandicusauctdown ceg\en - \zendextract - \end{music} - - \item[\keyindex{salicusauctdown}\threep], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \Notes \salicusauctdown abe\en - \Notes \salicusauctdown ceg\en - \zendextract - \end{music} - - \item[\keyindex{clivisdeminut}\twop], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \setsize1{\Largevalue} - \instrumentnumber 1 - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \clivisdeminut ba\en - \notes \clivisdeminut ca\en - \zendextract - \end{music} - - \item[\keyindex{podatusdeminut}\twop], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \podatusdeminut ab\en - \notes \podatusdeminut ac\en - \notes \podatusdeminut cf\en - \zendextract - \end{music} - - \item[\keyindex{torculusdeminut}\threep], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \torculusdeminut aba\en - \notes \torculusdeminut cfd\en - \notes \torculusdeminut afc\en - \zendextract - \end{music} - - \item[\keyindex{torculusdebilis}\threep], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \torculusdebilis aba\en - \notes \torculusdebilis cfd\en - \notes \torculusdebilis afc\en - \zendextract - \end{music} - - \item[\keyindex{Porrectusdeminut}\threep], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \Porrectusdeminut bac\en - \notes \Porrectusdeminut bNd\en - \notes \Porrectusdeminut bMe\en - \notes \Porrectusdeminut bLe\en - \zendextract - \end{music} - - \item[\keyindex{climacusdeminut}\threep], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \Notes \climacusdeminut cbN\en - \Notes \climacusdeminut caM\en - \Notes \climacusdeminut aML\en - \zendextract - \end{music} - - \item[\keyindex{scandicusdeminut}\threep], for example: - - \begin{music}\nostartrule - \elemskip 10pt - \instrumentnumber 1 - \setsize1{\Largevalue} - \setstaffs 1 1 - \setlines 1 4 - \setclef 1{3000} - \setaltoclefsymbol 1 \gregorianCclef - \startextract - \notes \scandicusdeminut abe\en - \notes \scandicusdeminut ceg\en - \zendextract - \end{music} -\end{description} - -\section{musixgui}\ixtt{musixgui.tex} Provides macros for -typesetting modern style \itxem{guitar chords}. For example: - -\begin{music} -\hsize130mm -\tenrm -\parindent0pt -\generalmeter{\meterfrac34} -\generalsignature1 -\startbarno0 -\def\txh{-6.5} -\def\tx#1*{\zchar\txh{\lrlap{\kern3\Internote#1}}} -\def\rtx#1*{\zchar\txh{\kern-3\Internote#1}} -\stafftopmarg10\Interligne -\raiseguitar{20} -\nostartrule -\startpiece -\addspace{.5\afterruleskip}% -\NOtes\tx We*\qa d\en -\bar -\NOtes\guitar G{}o-----\gbarre3\gdot25\gdot35\gdot44\tx wish*\qa g\en -\Notes\tx you*\ca g\en -\Notes\tx a*\ca h\en -\Notes\zchar\txh{merry}\ca g\en -\Notes\ca f\en -\bar -\NOtes\guitar C5o-----\gbarre4\gdot26\gdot36\gdot45\rtx christmas,*\qa e\en -\NOtes\qa e\en -\NOtes\guitar {e/H}5o-----\gbarre3\gdot35\gdot45\gdot54\tx we*\qa e\en -\bar -\NOtes\guitar {A$\!^7$}5o-----\gbarre1\gdot23\gdot42\tx wish*\qa h\en -\Notes\tx you*\ca h\en -\Notes\tx a*\ca i\en -\Notes\zchar\txh{merry}\ca h\en -\Notes\ca g\en -\bar -\NOtes\guitar D{}xxo---\gdot42\gdot53\gdot62\rtx christmas,*\qa f\en -\NOtes\qa d\en -\zbar -\NOtes\guitar{D/c}{}xo----\gdot23\gdot42\gdot53\gdot62\tx we*\qa d\en -\bar -\NOtes\guitar{B$^7$}{}xo----\gdot22\gdot31\gdot42\gdot62\tx wish*\qa i\en -\Notes\tx you*\ca i\en -\Notes\tx a*\ca j\en -\Notes\tx ~mer-*\ca i\en -\Notes\tx ry*\ca h\en -\bar -\NOtes\guitar e{}xxo---\gdot32\tx ~christ-*\qa g\en -\NOtes\tx mas*\qa e\en -\Notes\guitar {G/d}{}xxo---\gdot63\tx and*\ca d\en -\Notes\tx a*\ca d\en -\bar -\NOtes\guitar{C$^6$}{}xo----\gdot23\gdot32\gdot42\gdot51\tx ~~hap~-*\qa e\en -\NOtes\tx py*\qa h\en -\NOtes\guitar{D$^7$}{}xo---x\gdot25\gdot34\gdot45\gdot45\gdot53\tx new*\qa f\en -\bar -\NOTes\guitar G{}o-----\gbarre3\gdot25\gdot35\gdot44\tx ~year.*\ha g\en -\setdoublebar\endpiece -\end{music} - -\medskip -The macro \keyindex{guitar} sets the grid, chord name, barre type, -and on-off indicators for the strings. For example, the first -chord in above example was coded as - -\verb|\guitar G{}o-----\gbarre3\gdot25\gdot35\gdot44| - -\noindent where the first argument is the text to be placed above the grid, the -second is empty (relative barre), and the next six characters indicate if the string -is played or not with either \verb|x|, \verb|o| or \verb|-|. The dots are set with -\keyindex{gdot}~$sb$ where the $s$ is the string and $b$ is the barre. The -rule is set with \keyindex{gbarre}~$b$ where $b$ indicates the position of the barre. - -The whole symbol may be vertically shifted with -\keyindex{raiseguitar}\onen, where $n$ is a number -in units of \keyindex{internote}. When using guitar chords, it might be -useful to reserve additional -space above the chord by advancing \keyindex{stafftopmarg} to -something like \verb|stafftopmarg=10\Interligne|. - -For frequently used chords, it might be useful to define your own -macros, e.g. - -\verb|\def\Dmajor{\guitar D{}x-----\gdot42\gdot53\gdot62}%| - -\section{musixhv}\label{helvetica} - - -Replaces the default Computer Modern text fonts by Helvetica (sans serif) fonts; -see Section~\ref{UserFonts}. -Use as follows: -\begin{quote}\begin{verbatim} -\input musixtex -\input musixhv -... -\end{verbatim}\end{quote} - -The usual ``small'' type commands are supported: -\begin{quote} -\begin{tabular}{lr} -\keyindex{tinytype} & 7pt \\ -\keyindex{smalltype} & 8pt \\ -\keyindex{Smalltype} & 9pt \\ -\keyindex{normtype}& 10pt \\ -\keyindex{medtype} & 12pt \\ -\end{tabular} -\end{quote} -For all of these, the following variants are supported: -\begin{quote} -\begin{tabular}{ll} -\verb|\rm| & ``Roman'' (sans serif) \\ -\verb|\bf| & bold \\ -\verb|\it| & ``italic'' (actually oblique) \\ -\verb|\bi| & ``bold-italic'' (actually bold-oblique) \\ -\verb|\sc| & small capitals\\ -\end{tabular} -\end{quote} -The ``big'' type commands are as follows: -\begin{quote} -\begin{tabular}{lr} -\keyindex{bigtype} & 14pt\\ -\keyindex{Bigtype} & 17pt\\ -\keyindex{BIgtype}& 20pt\\ -\keyindex{BIGtype} & 25pt\\ -\end{tabular} -\end{quote} -The default variant for all of these is small-caps; -however, \keyindex{font} commands are defined -for all the usual variants at all of these sizes. -To letter-space a title, use the \verb|\so| -command in the \verb\soul\ package. - - -The following bold-oblique fonts for dynamic marks are defined: -\begin{quote}\begin{tabular}{lr} -\keyindex{ppfftwelve} & 8pt \\ -\keyindex{ppffsixteen} & 10pt\\ -\keyindex{ppfftwenty} & 12pt \\ -\keyindex{ppfftwentyfour} & 14pt \\ -\keyindex{ppfftwentynine} & 17pt \\ -\end{tabular}\end{quote} - - \section{musixjt}\label{JazzText}\index{musixjt@{\tt musixjt.tex}} - - Jazz scores often use a ``handwriting'' font \texttt{JazzText} originally designed by -Richard Sigler and now bundled with Finale. This font is -widely available and is said to be ``free for personal use'' but this -is not sufficiently ``free'' for packaging into TeXLive. A similar -font \texttt{MuseJazzText} is bundled with MuseScore and because it is OFL-licensed, -it can be distributed with \musixtex. -This font will be used for all textual elements of your \musixtex\ score if you input \texttt{musixjt.tex} -after \texttt{musixtex.tex}. Here is an example: - -\smallskip -\begin{music} -\input musixjt -\begin{center} -\Bigtype Q\,U\,O\,D\,L\,I\,B\,E\,T\\[1ex] -\medtype Variation 30 of the Goldberg Variations for Clavier -\end{center} -\def\pstiehgt{0.5} -\def\psslurhgt{0.5} -\smallmusicsize -\bigaccid -\parindent=10pt -\def\raisebarno{7\internote}% -\nobarnumbers -\relativeaccid -\geometricskipscale -\instrumentnumber4 -\setclef1\bass\setbassclefsymbol1\bassoct -\setclef4\treble\settrebleclefsymbol4\trebleoct -\generalsignature{+1} -\generalmeter\meterC -\setname1{B} -\setname2{T} -\setname3{A} -\setname4{S} -\songtop4 -\songbottom1 -\startbarno=0 -\nobarnumbers -\startextract -\scale{0.76} -\znotes&&&\ccn{16}{\rm\kern-1ex Arranged for Recorders}\en -\Notes\ds&\cu d&\ds&\ds\en -\bar%1 -\Notes\hl N&\ibu1g2\qb1{ghi}\tqh1j&&\hpause\en -\Notes\hl M&\ibl1k{-2}\qb1k&&\en -\notes&\nbbl1\qb1 j\tqb1i&&\qp\en -\Notes&\ibu1h0\qb1h&&\ds\en -\notes&\nbbu1\qb1g\tqh1h&&\cu d\en -\def\atnextbar{\znotes&&\centerpause&\en}% -\bar%2 -\Notes\hl L&\ibu1i{-2}\qb1i\tqh1h&\ql n&\ibu3g2\qb3{gh}\en -\Notes&\itied1g\qu g&\ql n&\qb3i\tqh3j\en -\Notes\ql{.K}&\ttie1\qu g&\ql o&\ibl3k{-2}\qb3k\en -\notes&&&\nbbl3\qb3j\tqb3i\en -\Notes&\ibu1f0\shake{n}\qb1f&\cl o&\cu h\en -\notes\cu J&\nbbu1\qb1e\tqh1f&\ds&\ds\en -\bar%3 -\Notes\hu I&\qu g&\ibl2n{-1}\qb2{no}&\ql k\en -\Notes&\ds\cl k&\qb2{n}\tqb2{=m}&\ql k\en -\Notes\hu J&\ibu1j{-2}\qb1{ji}&\ibl2j{0}\qb2{lk}&\ql l\en -\Notes&\qb1h\tqh1g&\qb2j\tqb2p&\ql l\en -\bar%4 -\Notes\hl K&\itied1f\shake{n}\qu f&\ibl2o{-1}\qb2{on}&\ibl3k{-1}\qb3{kl}\en -\notes&\ttie1\ibbu1e{-2}\qb1f\tbbu1\qb1e&\qb2o&\qb3k\en -%\vnotes1.5\elemskip&\nbbbu1\qb1e\tbbu1\qb1f&&\en -\Notes&\itied1d\tqh1d&\tqb2m&\tqb3j\en -\Notes\qu G&\ttie1\qu d&\ibl2n{-2}\qb2n\tqb2m&\ibu3h{-1}\shake{p}\qb3i\tqh3h\en -\Notes\ds&\qp&\ibl2n{-5}\qb2n&\qu g\en -\notes\ibbl0b{-1}\qb0b\tqb0a&&\tqb2k&\en -\znotes&&&\lcn{16}{\rm J.S. Bach (1685-1750)}\en -\zendextract -\end{music} - -\clearpage - - \section{musixlit}\label{litu}\label{otherbars} - Provides a notation style intermediate between gregorian and baroque, for -example - -\makeatletter -\catcodesmusic -%\def\vnotes#1\elemskip{\noteskip#1\@l@mskip \multnoteskip\scal@noteskip -% \not@s} - -%\def\not@s{\def|{\nextstaff}\def&{\nextinstrument}\normaltranspose\transpose -% \check@nopen\notes@open\@ne -% \kern\n@skip\advance\x@skip\n@skip \locx@skip\x@skip -% \n@skip\noteskip \noinstrum@nt\z@ \begininstrument} - -%\def\en{\@ndstaff\notes@open\z@ -% \ifx\@ne\V@sw \widthtyp@\z@\t@rmskip \let\V@sw\empty \fi} - -\def\double#1{\roffset{1.2}{\advancefalse#1}#1} -\makeatother - - % Don't know if this example correct ??? But looks nice... -\begin{music} -\ninerm -\parindent0pt -\instrumentnumber{2} -\interstaff{11} -\generalsignature2 -\setclefsymbol2\oldGclef -\setstaffs1{2} -\setclef1\bass -\setinterinstrument1{-\Interligne} -\startpiece -\shortbarrules -\addspace\afterruleskip -\hardlyrics{Il nous a sign\'es de son - }\notes\zw d\wh K|\zw f\wh h&\rtx\thelyrics*\Hpause h1\en -\qspace\qspace -\NOTes\zhl N\hu d|\zhl g\hu i&\tx sang*\double{\cnql i}\en -\bar -\hardlyrics{Et nous avons \'e- - }\notes\zw d\wh K|\zw f\wh h&\rtx\thelyrics~-*\Hpause h1\en -\qspace\qspace -\NOTes\zhl M\hu c|\zhl f\hu h&\rtx t\'e*\double{\cnql i}\en -\NOtes\zql L\qu e|\zql b\qu g&\tx ~pro-*\cnqu g\en -\NOtes\zql b\qu d|\zql d\qu f&\tx ~t\'e-*\cnqu f\en -\NOTes\zhl a\hu c|\zhl e\hu h&\tx g\'es.*\double{\cnqu h}\en -\bar -\NOtes\zql M\qu d|\zql d\qu h&\tx ~~Al~-*\cnqu h\en -\NOtes\zql K\qu a|\zql f\qu k&\tx ~~le~-*\cnql k\en -\NOTes\zhl H\hu a|\zhl e\hu j&\tx ~~lu~-*\double{\cnql j}\en -\bar -\NOTEs\zhl K\hu a|\zhl f\hu k&\tx ~~ia !*\cnhl k\en -\sepbarrules -\endpiece - -\startpiece -\interbarrules -\addspace\afterruleskip -\hardlyrics{Il nous a sign\'es de son - }\notes\zw d\wh K|\zw f\wh h&\rtx \thelyrics*\Hlonga h1\en -\qspace\qspace -\NOTes\zhl N\hu d|\zhl g\hu i&\tx sang*\chl i\en -\bar -\hardlyrics{Et nous avons \'e - }\notes\zw d\wh K|\zw f\wh h&\rtx \thelyrics~-*\Hlonga h1\en -\qspace\qspace -\NOTes\zhl M\hu c|\zhl f\hu h&\rtx t\'e*\chl i\en -\NOtes\zql L\qu e|\zql b\qu g&\tx ~pro-*\cqu g\en -\NOtes\zql b\qu d|\zql d\qu f&\tx ~t\'e-*\cqu f\en -\NOTes\zhl a\hu c|\zhl e\hu h&\tx g\'es.*\chu h\en -\bar -\NOtes\zql M\qu d|\zql d\qu h&\tx ~~Al~-*\cqu h\en -\NOtes\zql K\qu a|\zql f\qu k&\tx ~~le~-*\cql k\en -\NOTes\zhl H\hu a|\zhl e\hu j&\tx ~~lu~-*\chl j\en -\bar -\NOTEs\zbreve K\breve a|\zbreve f\breve k&\tx ~~ia !*\zbreve k\en -\sepbarrules -\endpiece -\end{music} -\endcatcodesmusic - - This package provides: - \begin{itemize}\setlength{\itemsep}{0ex} - \item\keyindex{oldGclef} which replaces the ordinary G clef with an old one, -using (for instrument 2 as an example): - \verb|\settrebleclefsymbol2\oldGclef| - - \item\keyindex{cqu} $p$ provides a square-headed quarter note with stem up at -pitch $p$. - - \item\keyindex{cql} $p$ provides a square-headed quarter note with stem down at -pitch $p$. - - \item\keyindex{chu} $p$ provides a square-headed half note with stem up at -pitch $p$. - - \item\keyindex{chl} $p$ provides a square-headed half note with stem down at -pitch $p$. - - \item\keyindex{cqb} $n$ $p$ provides a square-headed beam note for beam $n$ at pitch $p$. - - \item\keyindex{zcqb} $n$ $p$ provides a non-spacing square-headed beam note for beam $n$ at pitch $p$. - - \item\keyindex{cnqu} $p$ and \keyindex{cnql} $p$ provide a stemless square -headed -quarter note at pitch $p$. - - \item\keyindex{cnhu} $p$ and \keyindex{cnhl} $p$ provide a stemless square -headed half note at pitch $p$. - -%\item\keyindex{Hpause} $p$ $n$ provides an arbitrary length pause at pitch -%$p$ and of length $n$ \keyindex{noteskip}. However, in the first of the above -%example, this feature has been used to denote an arbitrary length note rather -%than a rest! - - \item\keyindex{Hlonga} $p$ $n$ provides an arbitrary length note at pitch -$p$ and of length $n$ \keyindex{noteskip}. -This feature has been used to denote an arbitrary length note in the second of -the above examples; -in the first example, \keyindex{Hpause} -was used to denote an arbitrary length note rather -than a rest. - - \item\keyindex{shortbarrules} has been used to provide bar rules shorter than -the staff vertical width. - - \item\keyindex{interbarrules} has been used to provide bars between the -staffs, rather that over them. This is an arbitrary question of taste\ldots - \end{itemize} - - \section{musixlyr} \ixtt{musixlyr.tex} - Enables the recommended method for adding lyrics to a score (see Section~\ref{musixlyr}). - - \section{musixmad} \ixtt{musixmad.tex} Increases the number of -instruments, slurs and beams up to twelve. When using this extension, it is -not necessary to explicitly input \verb|musixadd.tex|. -If you need greater numbers of these elements, see Sections~\ref{musixmad_setmaxgroups}, -\ref{musixmad_setmaxinstruments_ccxviiibeams}, -\ref{musixmad_setmaxoctlines}, -\ref{musixmad_setmaxslurs} and -\ref{musixmad_setmaxtrills}. - - \section{musixmkm} \ixtt{musixmkm.tex} - The following special accidentals used in Turkish classical music (makam\index{makam}) -are supported: -\smallskip -\begin{music} -\input musixmkm -\normalmusicsize -\startextract -\Notes\shtanini i\en -\Notes\shbuyukmucenneb i\en -\Notes\shkucuk i\en -\Notes\shbakiye i\en -\Notes\shkoma i\en -\Notes\flkoma i\en -\Notes\flbakiye i\en -\Notes\flkucuk i\en -\Notes\flbuyukmucenneb i\en -\Notes\fltanini i\en -\endextract% -\end{music}% -These are generated by, respectively, -\begin{list}{}{} -\item{} -\begin{tabular}{l} -\keyindex{shtanini} $p$\\ -\keyindex{shbuyukmucenneb} $p$\\ -\keyindex{shkucuk} $p$\\ -\keyindex{shbakiye} $p$\\ -\keyindex{shkoma} $p$\\ -\keyindex{flkoma} $p$\\ -\keyindex{flbakiye} $p$\\ -\keyindex{flkucuk} $p$\\ -\keyindex{flbuyukmucenneb} $p$\\ -\keyindex{fltanini} $p$\\ -\end{tabular} -\end{list} - - \section{musixmtab}\index{tablature}\index{musixmtab@{\tt musixmtab.tex}}\label{mtab} - -Modern instrumentalists of string instruments (guitar, banjo, mandolin, etc.) -use a hybrid form of tablature in which notes have (downward) stems and beams attached.% -\footnote{It seems this ``modern'' form of tablature was introduced by Pete Seeger in his 5-string banjo -instruction book, first published in 1948.} -The \verb\musixmtab\\index{musixmtab} package combines traditional Gelten-style tablature notation -already in \musixtex\ with the stems and beams of standard music notation. -It is assumed that there is at most one beam (beam number $0$) and that all stems are downward. - -In the following commands, -\{$s$\} is a string number (counting from the top) and \{$n$\} is a numerical note (i.e., fret number). - -\begin{center} -\begin{tabular}{ll} -\keyindex{uh}\{$s$\}\{$n$\} & a half note (boxed, to differentiate from a quarter note)\\ -\keyindex{zuh}\{$s$\}\{$n$\} & a non-spacing stemless half note\\ -\keyindex{uq}\{$s$\}\{$n$\} & a quarter note (with a centered stem)\\ -\keyindex{uc}\{$s$\}\{$n$\} & an eighth note (with a flag)\\ -\keyindex{ucc}\{$s$\}\{$n$\} & a sixteenth note (with a double flag)\\ -\keyindex{zu}\{$s$\}\{$n$\} & a non-spacing stemless quarter, eighth or sixteenth note\\ -\keyindex{uib}\{$s$\}\{$l$\} & initiate a single beam; $s$ is the starting string and $l$ is the slope\\ -\keyindex{uibb}\{$s$\}\{$l$\} & initiate a double beam; $s$ is the starting string and $l$ is the slope\\ -\keyindex{ub}\{$s$\}\{$n$\} & a beamed note\\ -\keyindex{unbb} & increase the beam multiplicity to 2\\ -\keyindex{utbb} & decrease the beam mutiplicity to 1 after the following note\\ -\keyindex{utb} & terminate the beam after the following note\\ -\keyindex{utq}\{$s$\}\{$n$\} & terminate the beam after this note\\ - -\end{tabular} -\end{center} -Conventional \musixtex\ commands such as \verb|pt| and \verb|arpeggio| may be used but arguments must reference \musixtex\ note -designations rather than string numbers. - -Here is an example, {\it Cripple Creek}, for 5-string banjo in standard G tuning, clawhammer style: - -\begin{music} -\parindent=2ex -\input musixmtab -\setclefsymbol1\tabclef\setsize1{\largevalue}\setsign10 -\setname1{\tabstringfnt\baselineskip=1.2\internote% -\vbox{\hbox{D}\hbox{B}\hbox{G}\hbox{D}\hbox{\ g}}} -\generalmeter{\meterfrac24} -\startbarno1 -\nobarnumbers -\nostartrule -\startpiece\addspace\afterruleskip -\notes\uibb40\ub12\lcn{10}{\it SL}\ub15\zu15\zu20\ub30\utq50\en -\notes\uibb40\ub10\ccn{10}{\it T}\ub20\ub10\utq50\en -\bar%2 -\Notes\uib24\ub21\utq12\en -\Notes\uib40\ub10\en -\notes\unbb\zu10\zu20\ub30\utq50\en -\bar%3 -\notes\uibb40\ub12\lcn{10}{\it SL}\ub15\zu15\zu20\ub30\utq50\en -\notes\uibb40\ub10\ccn{10}{\it T}\ub20\ub10\utq50\en -\bar%4 -\notes\uibb2{-2}\ub21\utbb\ccn9{\it P}\ub20\en -\Notes\utq32\en -\Notes\uib40\ub30\en -\notes\unbb\zu10\zu20\ub30\utq50\en -\setrightrepeat -\alaligne -\zleftrepeat -\notes\uibb40\ub32\lcn{9}{\it SL}\ub34\zu10\zu20\ub34\utq50\en -\notes\uibb3{-1}\ub32\utbb\ccn9{\it P}\ub30\utq42\en -\bar -\notes\uibb40\ub32\lcn9{\it SL}\ub34\zu10\zu20\ub34\utq50\en -\Notes\uib40\ub40\en -\notes\unbb\zu10\zu20\ub30\utq50\en -\bar -\notes\uibb40\ub32\lcn9{\it SL}\ub34\zu10\zu20\ub34\utq50\en -\notes\uibb4{-1}\ub32\ccn9{\it P}\ub30\ub42\ccn9{\it P}\utq40\en -\bar -\notes\uibb40\ub40\ccn9{\it H}\ub42\zu10\zu20\ub30\utq50\en -\Notes\uib40\ub30\en -\Notes\unbb\zu10\zu20\ub30\utq50\en -\zrightrepeat -\qspace -\NOtes\arpeggio05\zuh10\zuh20\zuh30\zuh40\uh50\en -\Endpiece - -\end{music} - - - \section{musixper}\label{perc} - -Provides special symbols intended for percussion parts. Included are a -\ital{drum clef}---comprising two vertical parallel lines---and notes with -various specially shaped heads. The note symbols that are available are as -follows: - - \begin{itemize}\setlength{\itemsep}{0ex} - \item The \raise.5ex\hbox{\musixchar113}~{}~symbol which is obtained using the -\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceded by a -``\verb|dc|'' (think of {\it d}iagonal {\it c}ross). -Available are -\keyindex{dcqu}, -\keyindex{dcql}, -\keyindex{dcqb}, -\keyindex{dczq}, -\keyindex{dccu}, -\keyindex{dcccu}, -\keyindex{dccl} and -\keyindex{dcccl}. - - \item The \raise.5ex\hbox{\musixchar112}~{}~symbol which is obtained using the -\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceded by a -``\verb|dh|'' -(think of {\it d}iagonal cross {\it h}alf open). -Available are -\keyindex{dhqu}, -\keyindex{dhql}, -\keyindex{dhqb}, -\keyindex{dhzq}, -\keyindex{dhcu}, -\keyindex{dhccu}, -\keyindex{dhcl} and -\keyindex{dhccl}. - - \item The \raise.5ex\hbox{\musixchar111}~{}~symbol which is obtained using the -\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceded by a -``\verb|do|'' -(think of {\it d}iagonal cross {\it o}pen). -Available are -\keyindex{doqu}, -\keyindex{doql}, -\keyindex{doqb}, -\keyindex{dozq}, -\keyindex{docu}, -\keyindex{doccu}, -\keyindex{docl} and -\keyindex{doccl}. - - \item The \raise.5ex\hbox{\musixchar114}~{}~symbol which is obtained using the -\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceeded by -``\verb|x|'' (e.g.\ for spoken text of songs). -Available are -\keyindex{xqu}, -\keyindex{xql}, -\keyindex{xqb}, -\keyindex{xzq}, -\keyindex{xcu}, -\keyindex{xccu}, -\keyindex{xcl} and -\keyindex{xccl}. - - \item The \raise.5ex\hbox{\musixchar115}~{}~symbol which is obtained using the -\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceeded by -``\verb|ox|'' . -Available are -\keyindex{oxqu}, -\keyindex{oxql}, -\keyindex{oxqb}, -\keyindex{oxzq}, -\keyindex{oxcu}, -\keyindex{oxccu}, -\keyindex{oxcl} and -\keyindex{oxccl}. - - \item The \raise.5ex\hbox{\musixchar118}~{}~symbol which is obtained using the -\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceeded by -``\verb|ro|'' (think of {\it r}h{\it o}mbus). -Available are -\keyindex{roqu}, -\keyindex{roql}, -\keyindex{roqb}, -\keyindex{rozq}, -\keyindex{rocu}, -\keyindex{roccu}, -\keyindex{rocl} and -\keyindex{roccl}. - - \item The \raise.5ex\hbox{\musixchar116}~{}~symbol which is obtained using the -\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceeded by -``\verb|tg|'' (think of {\it t}rian{\it g}le). -Available are -\keyindex{tgqu}, -\keyindex{tgql}, -\keyindex{tgqb}, -\keyindex{tgzq}, -\keyindex{tgcu}, -\keyindex{tgccu}, -\keyindex{tgcl} and -\keyindex{tgccl}. - - \item The \raise.5ex\hbox to 1em{\musixchar117\hfil}~{}~symbol which is obtained -using the -\verb|\qu|, \verb|\qb|, \verb|\cu|, etc.~macros preceeded by -``\verb|k|'' . -Available are -\keyindex{kqu}, -\keyindex{kql}, -\keyindex{kqb}, -\keyindex{kzq}, -\keyindex{kcu}, -\keyindex{kccu}, -\keyindex{kcl} and -\keyindex{kccl}. - \end{itemize} - -The diamond shaped noteheads described in Section~\ref{diam} are also -available, because \verb|musixper.tex| inputs \verb|musixdia.tex|. - -If any of the foregoing notes need to be dotted, you must use the explicit -dotting macros \verb|\pt|, \verb|\ppt|, or \verb|\pppt| as described in -Section~\ref{dots}. - -Since the usage of these note symbols is -not standardized, it would be wise to include in the score a explanation -of which symbol corresponds to which specific percussion instrument. - -A special \itxem{drum clef}---comprising two heavy vertical bars---can -be made to replace the normal clef for the $n$-th intrument by saying -\keyindex{setclefsymbol}\onen\keyindex{drumclef} . -To cause this to appear at the right vertical position, the instrument should -previously have been assigned a treble clef (or not explicitly assigned any -clef, thereby giving it a treble clef by default). - -Percussion music might be written on a staff with either one or five lines. -If there are several different percussions instruments it may be useful to -use a five-line staff with a drum clef, and differentiate the instruments -by the type of the note heads and the apparent -pitch of the note on the staff. Here is an example of the -latter\footnote{provided by Agusti {\sc Mart\'in Domingo}}: - -\medskip -\begin{music} -\generalmeter{\meterfrac44} -\setclefsymbol1\drumclef -\parindent0pt\startpiece -\leftrepeat -\Notes\zql f\rlap\qp\ibu0m0\xqb0{nn}\en -\Notes\kzq d\zql f\zq j\xqb0n\tbu0\xqb0n\en -\Notes\zql f\rlap\qp\ibu0m0\xqb0{nn}\en -\Notes\kzq d\zql f\zq j\xqb0n\tbu0\xqb0n\en -\bar -\Notes\zql f\rlap\qp\ibu0m0\kqb0{nn}\en -\Notes\xzq d\zql f\zq j\kqb0n\tbu0\kqb0n\en -\Notes\zql f\rlap\qp\ibu0m0\kqb0{nn}\en -\Notes\xzq d\zql f\zq j\kqb0n\tbu0\kqb0n\en -\bar -\Notes\zql f\rlap\qp\ibu0m0\oxqb0{nn}\en -\Notes\oxzq d\zql f\zq j\kqb0n\tbu0\oxqb0n\en -\Notes\zql f\rlap\qp\ibu0m0\oxqb0{nn}\en -\Notes\oxzq d\zql f\zq j\kqb0n\tbu0\oxqb0n\en -\setrightrepeat\endpiece -\end{music} -\noindent Its coding is - \begin{quote}\begin{verbatim} -\begin{music} -\instrumentnumber{1} -\generalmeter{\meterfrac44} -\setclefsymbol1\drumclef -\parindent0pt\startpiece -\leftrepeat -\Notes\zql f\rlap\qp\ibu0m0\xqb0{nn}\en -\Notes\kzq d\zql f\zq j\xqb0n\tbu0\xqb0n\en -\Notes\zql f\rlap\qp\ibu0m0\xqb0{nn}\en -\Notes\kzq d\zql f\zq j\xqb0n\tbu0\xqb0n\en -\bar -\Notes\zql f\rlap\qp\ibu0m0\kqb0{nn}\en -\Notes\xzq d\zql f\zq j\kqb0n\tbu0\kqb0n\en -\Notes\zql f\rlap\qp\ibu0m0\kqb0{nn}\en -\Notes\xzq d\zql f\zq j\kqb0n\tbu0\kqb0n\en -\bar -\Notes\zql f\rlap\qp\ibu0m0\oxqb0{nn}\en -\Notes\oxzq d\zql f\zq j\kqb0n\tbu0\oxqb0n\en -\Notes\zql f\rlap\qp\ibu0m0\oxqb0{nn}\en -\Notes\oxzq d\zql f\zq j\kqb0n\tbu0\oxqb0n\en -\setrightrepeat\endpiece -\end{music} - \end{verbatim}\end{quote} - -Here is an example of a single-line percussion staff using -diamond-shaped note heads: - -\begin{music} -\parindent 19mm -\instrumentnumber{3} -\setname1{keyboard} \setname2{drum} \setname3{monks} -\setlines2{1} -\setlines3{4} -\setinterinstrument1{-2\Interligne}% less vertical space above -\setinterinstrument2{-2\Interligne}% and below the percussion -\sepbarrules -\setsign1{-1} % one flat at keyboard -\generalmeter{\meterfrac24} -\setmeter3\empty -\setclef3\alto -\setclef1\bass -\setstaffs12 % 2 staffs at keyboard -\setclefsymbol3\gregorianCclef % gregorian C clef at instrument 3 -\setclefsymbol2\drumclef % cancel G clef at instrument 2 -\startextract -\Notes\hu F|\zh c\hu h&\dnq4&\squ{acd}\en\bar -\NOtes\qu I|\zq N\qu d&\qp&\diapunc f\en -\NOtes\qu J|\zq a\qu e&\ynq4&\diapunc e\en\bar -\notes\hu G|\zh b\hu d&\dnq4&\zsqu d\rsqu g\squ{hgh}\en -\endextract -\end{music} -\noindent which is coded as follows: - -\begin{verbatim} -\parindent 19mm -\instrumentnumber{3} -\setname1{keyboard} \setname2{drum} \setname3{monks} -\setlines2{1} -\setlines3{4} -\setinterinstrument1{-2\Interligne}% less vertical space above -\setinterinstrument2{-2\Interligne}% and below the percussion -\sepbarrules -\setsign1{-1} % one flat at keyboard -\generalmeter{\meterfrac24} -\setmeter3{\empty} -\setclef3{\alto} -\setclef1{\bass} -\setstaffs1{2} % 2 staffs at keyboard -\setclefsymbol3{\gregorianCclef} % gregorian C clef at instrument 3 -\setclefsymbol2{\drumclef} % cancel G clef at instrument 2 -\startextract -\end{verbatim} - -% (DAS) Sorry, guys, I couldn't figure out how to get the |'s to work in this -% verbatim. -% -\vskip-11pt -\def\Vert{{\tt\char'174}} -\noindent\verb|\Notes\hu F|\Vert\verb|\zh c\hu h&\dnq4&\squ{acd}\en\bar|\\ -\verb|\NOtes\qu I|\Vert\verb|\zq N\qu d&\qp&\diapunc f\en|\\ -\verb|\NOtes\qu J|\Vert\verb|\zq a\qu e&\ynq4&\diapunc f\en\bar|\\ -\verb|\notes\hu G|\Vert\verb|\zh b\hu d&\dnq4&\zsqu d\rsqu g\squ{hgh}\en|\\ -\verb|\endextract| - - \section{musixplt}\index{musixplt@{\tt musixplt.tex}}\label{palatino} -Replaces the default Computer Modern text fonts by Palatino fonts; -see Section~\ref{UserFonts}. -Use as follows: -\begin{quote}\begin{verbatim} -\input musixtex -\input musixplt -... -\end{verbatim}\end{quote} -You may need to install additional packages: \texttt{psnfss}, \texttt{palatino} and \texttt{fpl}. - -The usual ``small'' type commands are supported: -\begin{quote} -\begin{tabular}{lr} -\keyindex{tinytype} & 7pt \\ -\keyindex{smalltype} & 8pt \\ -\keyindex{Smalltype} & 9pt \\ -\keyindex{normtype}& 10pt \\ -\keyindex{medtype} & 12pt \\ -\end{tabular} -\end{quote} -For all of these, the following variants are supported: -\begin{quote} -\begin{tabular}{ll} -\verb|\rm| & Roman \\ -\verb|\bf| & bold \\ -\verb|\it| & italic \\ -\verb|\bi| & bold italic \\ -\verb|\sc| & small capitals (and old-style figures)\\ -\end{tabular} -\end{quote} -The ``big'' type commands are as follows: -\begin{quote} -\begin{tabular}{lr} -\keyindex{bigtype} & 14pt\\ -\keyindex{Bigtype} & 17pt\\ -\keyindex{BIgtype}& 20pt\\ -\keyindex{BIGtype} & 25pt\\ -\end{tabular} -\end{quote} -The default variant for the ``small'' types is Roman and for -the ``big'' ones, small-caps; -however, \keyindex{font} commands are defined -for all the usual variants at all of these sizes. -To letter-space a title, use the \verb|\so| -command in the \verb\soul\ package. - - -The following bold-italic fonts for dynamic marks are defined: -\begin{quote}\begin{tabular}{lr} -\keyindex{ppfftwelve} & 8pt \\ -\keyindex{ppffsixteen} & 10pt\\ -\keyindex{ppfftwenty} & 12pt \\ -\keyindex{ppfftwentyfour} & 14pt \\ -\keyindex{ppfftwentynine} & 17pt \\ -\end{tabular}\end{quote} - - \section{musixpoi} - Adds definitions of less common singly and doubly dotted notes. -Available are -\keyindex{ccup}, -\keyindex{zccup}, -\keyindex{cclp}, -\keyindex{zcclp}, -\keyindex{ccupp}, -\keyindex{zccupp}, -\keyindex{cclpp}, -\keyindex{zcclpp}, -\keyindex{cccup}, -\keyindex{zcccup}, -\keyindex{ccclp}, -\keyindex{zccclp}, -\keyindex{cccupp}, -\keyindex{zcccupp}, -\keyindex{ccclpp}, -\keyindex{zccclpp}, -\keyindex{ccccup}, -\keyindex{zccccup}, -\keyindex{cccclp}, -\keyindex{zcccclp}, -\keyindex{ccccupp}, -\keyindex{zccccupp}, -\keyindex{cccclpp} and -\keyindex{zcccclpp}. - - \section{musixppff}\label{musixppff}\index{musixppff@{\tt musixppff.tex}} - -This replaces the default definitions used for dynamic marks to use a ``mini-font'' -\verb\xppff10\ designed by Hiroaki \textsc{Morimoto}. It is used as follows: - -\begin{quote}\begin{verbatim} -\input musixtex -\input musixppff -... -\end{verbatim}\end{quote} -\noindent The new dynamic marks are as follows: -\font\xppff=xppff10 -\begin{quote} -\xppff -pppp\ ppp\ pp\ p\ mp\ mf\ f\ fp\ sf\ ff\ fff\ ffff\ sfz\ sfzp -\end{quote} -Note that the \verb|xppff10| font has defined glyphs only for the following five characters: f, m, p, s and~z; -use \keyindex{ppff} etc.\@ -for other bold-italic text in music. - - \section{musixps}\label{musixps}\index{musixps@{\tt musixps.tex}} - Activates type K Postscript slurs, ties, and hairpins; see Chapter~\ref{PostscriptSlurs}. -Use as follows: -\begin{quote}\begin{verbatim} -\input musixtex -\input musixps -... -\end{verbatim}\end{quote} - - \section{musixstr}\label{musixstr}\index{musixstr@{\tt musixstr.tex}} - Provides bowing and other symbols for \itxem{string instruments}\footnote{provided -by Werner {\sc Icking}}. The symbol can be posted at the desired position using - \verb|\zcharnote|\pitchp\verb|{|$command$\verb|}|. The available symbols and -their meanings are as follows: - -{\input musixstr -\begin{quote}\begin{description}\setlength{\itemsep}{0ex} - - \item[\hbox to 1em{\AB}~: \keyindex{AB} or \keyindex{downbow}] down-bow - - \item[\hbox to 1em{\AUF}~: \keyindex{AUF} or \keyindex{upbow}] up-bow - - \item[\hbox to 1em{\SP}~: \keyindex{SP}] at the top of bow - - \item[\hbox to 1em{\FR}~: \keyindex{FR}] at the nut of bow - - \item[\GB\ or \Gb~: \keyindex{GB} or \keyindex{Gb}] whole bow - - \item[\UH\ or \Uh~: \keyindex{UH} or \keyindex{Uh}] lower half of bow - - \item[\OH\ or \Oh~: \keyindex{OH} or \keyindex{Oh}] upper half of bow - - \item[\MI\ or \Mi~: \keyindex{MI} or \keyindex{Mi}] middle of bow - - \item[\UD\ or \Ud~: \keyindex{UD} or \keyindex{Ud}] lower third of bow - - \item[\OD\ or \Od~: \keyindex{OD} or \keyindex{Od}] upper third of bow - - \item[\Pizz~: \keyindex{Pizz}] left hand pizzicato or trill - - \end{description}\end{quote} - } - - - %\check - \section{musixsty}\index{musixsty@{\tt musixsty.tex}}\label{musixsty} - - Provides certain text-handling facilities for titles, footnotes, and other -items not related to lyrics. It should not be used with \LaTeX. It includes - \begin{itemize}\setlength{\itemsep}{0ex} - \item definitions of \keyindex{hsize}, \keyindex{vsize}, -\keyindex{hoffset}, \keyindex{voffset} suitable for A$4$ paper; those using -other sizes may wish to modify it once and for all; - \item a \keyindex{rectoverso}\verb|{|\emph{dimension}\verb|}| command to set up even/odd-page - asymmetric margins; - \item a set of text size commands: - - \begin{description}\setlength{\itemsep}{0ex} - \item[\keyindex{eightpoint}] which sets the usual \keyindex{rm}, -\keyindex{bf}, \keyindex{sl}, \keyindex{it} commands to $8$ point font size; - \item[\keyindex{tenpoint}] which sets the usual \keyindex{rm}, -\keyindex{bf}, \keyindex{sl}, \keyindex{it} commands to $10$ point font size; - \item[\keyindex{twlpoint}] (or \keyindex{twelvepoint}) to get $12$ point font size; - \item[\keyindex{frtpoint}] to get $14.4$ point font size; - \item[\keyindex{svtpoint}] to get $17.28$ point font size; - \item[\keyindex{twtypoint}] to get $20.74$ point font size; - \item[\keyindex{twfvpoint}] to get $24.88$ point font size; - \end{description} - \item commands for creating title-page headings: - \begin{itemize}\setlength{\itemsep}{0ex} \item \keyindex{author} or -\keyindex{fullauthor} to be put at the right of the first page, below the -title of the piece; the calling sequence is, for example - - \verb| \author{Daniel TAUPIN\\organiste \`a Gif-sur-Yvette}| - - \noindent where the \verb|\\| causes the author's name to be displayed on -two lines; - - \item \keyindex{shortauthor} to be put at the bottom of each page; - \item \keyindex{fulltitle} which is the main title of the piece; - \item \keyindex{subtitle} is displayed below the main title of the piece; - \item \keyindex{shorttitle} or \keyindex{title} - which is the title repeated at the bottom of each page; - \item \keyindex{othermention} which is displayed on the left of the page, -vertically aligned with author's name. It may contain \verb|\\| to display it on -several lines; - \item \keyindex{headline} which displays the argument at the top of the title page (use - \verb|\hss| after or before the argument text or both to left-align or - right-align or center the text); - \item \keyindex{maketitle} which displays all the previous stuff; - \end{itemize} - - \item commands for making \itxem{footnotes}: - \begin{itemize}\setlength{\itemsep}{0ex} - \item The normal Plain-\TeX\ \keyindex{footnote} command, which has two -arguments---not just one as in \LaTeX\protect\index{LATEX@\LaTeX}---namely -the label of the footnote, which can be any sequence of characters, and -the text of the footnote. This command does not work inside -boxes, so it cannot be issued within music; - - \item The \keyindex{Footnote} command, which counts the footnotes and uses a -number as the label of the footnote (equivalent to \LaTeX's \verb|\footnote| -command). The same restriction as with \verb|\footnote| applies concerning -its use within the music coding; - - \item The \keyindex{vfootnote} command, taken from the Plain-\TeX, which -places a footnote at the bottom of the current page, but does not put -the footnote label at the place the command is entered in the main text. This -also may not be used within music, but if a footnote is needed whose reference -lies inside the music, it can be entered in two steps: - \begin{enumerate} - \item manually insert the reference inside the music, using e.g., \verb|zcharnote|; - \item post the footnote itself with \verb|\vfootnote| outside the music, -either before \keyindex{startpiece} or between \keyindex{stoppiece} and -\keyindex{contpiece} or equivalent commands. - \end{enumerate} - - \end{itemize} - - \end{itemize} - - \section{musixthacc}\index{musixthacc@{\tt musixthacc.tex}}\label{musixthacc} -Provides ``thin'' accidentals -\keyindex{thna}~$p$, \keyindex{thsh}~$p$, \keyindex{thfl}~$p$, \keyindex{thdsh}~$p$ -and \keyindex{thdfl}~$p$: -\smallskip -\begin{music} -\input musixthacc -\normalmusicsize -\startextract -\Notes\thna i\en -\Notes\thsh i\en -\Notes\thfl i\en -\Notes\thdsh i\en -\Notes\thdfl i\en -\endextract% -\end{music}% -Any necessary adjustment of horizontal position and spacing is up to -the user and \keyindex{relativeaccid} adjustment is not effective. - - \section{musixtmr}\index{musixtmr@{\tt musixtmr.tex}}\label{times} - Replaces the default Computer Modern text fonts by Times fonts; - see Section~\ref{UserFonts}. -Use as follows: -\begin{quote}\begin{verbatim} -\input musixtex -\input musixtmr -... -\end{verbatim}\end{quote} - -The usual ``small'' type commands are supported: -\begin{quote} -\begin{tabular}{lr} -\keyindex{tinytype} & $7$pt \\ -\keyindex{smalltype} & $8$pt \\ -\keyindex{Smalltype} & $9$pt \\ -\keyindex{normtype}& $10$pt \\ -\keyindex{medtype} & $12$pt \\ -\end{tabular} -\end{quote} -For all of these, the following variants are supported: -\begin{quote} -\begin{tabular}{ll} -\verb|\rm| & Roman \\ -\verb|\bf| & bold \\ -\verb|\it| & italic \\ -\verb|\bi| & bold italic \\ -\verb|\sc| & small capitals \\ -\end{tabular} -\end{quote} -The ``big'' type commands are as follows: -\begin{quote} -\begin{tabular}{lr} -\keyindex{bigtype} & $14$pt\\ -\keyindex{Bigtype} & $17$pt\\ -\keyindex{BIgtype}& $20$pt\\ -\keyindex{BIGtype} & $25$pt\\ -\end{tabular} -\end{quote} -The default variant for all of them is Roman; -however, \keyindex{font} commands are defined -for all the usual variants at all of these sizes. -To letter-space a title, use the \verb|\so| -command in the \verb\soul\ package. - - -The following bold-italic fonts for dynamic marks are defined: -\begin{quote}\begin{tabular}{lr} -\keyindex{ppfftwelve} & 8pt \\ -\keyindex{ppffsixteen} & 10pt\\ -\keyindex{ppfftwenty} & 12pt \\ -\keyindex{ppfftwentyfour} & 14pt \\ -\keyindex{ppfftwentynine} & 17pt \\ -\end{tabular}\end{quote} - -\section{musixtnt}\label{musixtnt} -This package (tnt = Transform Notes) provides a macro \keyindex{TransformNotes} which makes -possible several ``transformations'' of the effect of notes commands such as \keyindex{notes}. -The \verb\musixtnt\ package is distributed separately from \verb\musixtex\. - -In general the effect of \verb|\TransformNotes{|\textit{input}\verb|}{|\textit{output}\verb|}| -is that subsequent notes commands in the source will expect their arguments -to match the \textit{input} pattern but -the notes will be typeset according to the \textit{output} pattern. - -For example, -\begin{verbatim} - \TransformNotes{#2}{#2} -\end{verbatim} -would be appropriate for a four-instrument score (arguments \verb|#2|, \verb|#3|, \verb|#4|, and \verb|#5|, separated by three -\verb\&\s, but the third instrument (\verb|#4|) will be discarded. - -The instrument/staff numbers in the first argument must start at $2$ and increase -consecutively, using \verb|&| (or \| for multi-staff instruments) as a separator. -The reason that the segment identifiers start at $2$ is that the first argument for \keyindex{vnotes} -is a spacing parameter. - -It is -essential that every \verb|\znotes|, \verb|\notes|, \verb|\Notes|, \verb|\NOtes|, etc.\@ command in -the score match the pattern of the first argument to \keyindex{TransformNotes} exactly; for example, -too few (or too many) -note segments will result in unintentionally discarded material and possibly compilation failure. -Similarly, it is not possible to use \keyindex{nextinstrument}, \keyindex{nextstaff}, \keyindex{selectinstrument} or \keyindex{selectstaff}, or to hide the \verb|&| (or \|) tokens inside -a user-defined macro. -An auxiliary program \verb|msxlint| distributed in the \verb\musixtnt\ package can be used to detect such incompatibilities. - -\keyindex{TransformNotes} may be used anywhere between \keyindex{startpiece} -and the command that ends the piece. - -\subsection{Extracting single-instrument parts from multi-instrument scores}\index{extracting parts} - -To extract -a single-instrument part from a (copy of a) multi-instrument \musixtex\ score: -\begin{itemize} -\item Set \verb|\nbinstrument| to 1; for example, with command \verb|\instrumentnumber1|. -\item Use \keyindex{TransformNotes} to discard all but one of the note segments in notes -commands. -For example, the following line placed after -\verb|\startpiece| (but before any note commands) would be appropriate for a -four-instrument score and will result in a single-instrument part for the second of -these: -\begin{verbatim} - \TransformNotes{#2}{#3}% -\end{verbatim} -\end{itemize} -Caveats: -\begin{itemize} -\item -Some additional revisions to the source for the part might be necessary: -\begin{itemize} -\item adjusting \verb|\setname|, \verb|\setclef|, \verb|\setsign|, -\verb|\setmeter| and \verb|\setstaffs| commands, as necessary; see -Section~\ref{CodingRules} for coding techniques that will make this easier. - -\item ensuring that tempo and roadmap markings (\textbf{D.C.}, \textbf{Fine}, etc.) are in - the appropriate instrument segment; -\end{itemize} -\item -When the extracted part score is compiled and viewed, it may be seen -that horizontal-spacing commands designed for \emph{multiple} instruments can produce bad -spacing when used for a \emph{single} instrument. Bad spacing can be corrected manually but -this is very tedious; an auxiliary program called \verb\autosp\ -can be used to automate this process; see Section~\ref{autosp}. -\end{itemize} - -\subsection{Other applications} - -The \keyindex{TransformNotes} macro may be used for other purposes. Here are some examples: -\begin{list}{}{}\item - \verb|\TransformNotes{#2}{#2&\transpose+7#3}%| -\end{list} -will begin transposing\index{transpose@{\Bslash transpose}} just the second instrument (argument \verb|#3|). -\begin{list}{}{}\item - \verb|\TransformNotes{#2|\|\verb|#3}{#2|\|\verb|#3&\tinynotesize#4}%| -\end{list} -will begin typesetting the notes of the second instrument (\verb|#4|) in tiny size. -\begin{list}{}{}\item - \verb|\TransformNotes{#2}{#3}%| -\end{list} -will switch the order of the two instruments. -\begin{list}{}{}\item - \verb|\TransformNotes{#2}{#2}%| -\end{list} -will restore normal two-instrument processing. - - -The \texttt{musixtnt} implementation of \keyindex{TransformNotes} is not compatible with the -\texttt{musixlyr} extension -package for lyrics described in Section~\ref{musixlyr}. For extracting or omitting parts -in scores with lyrics, one may either use the -\texttt{autosp}\index{autosp@{\tt autosp}} preprocessor discussed in Section~\ref{autosp}, which provides -an alternative implementation of \keyindex{TransformNotes}, -or the techniques described in Chapter~\ref{parts}. - - \section{musixtri}\index{musixtri@{\tt musixtri.tex}} -Provides triply dotted note symbols. -Available are: -\keyindex{lpppt}, -\keyindex{whppp}, -\keyindex{zwppp}, -\keyindex{huppp}, -\keyindex{hlppp}, -\keyindex{zhppp}, -\keyindex{zhuppp}, -\keyindex{zhlppp}, -\keyindex{quppp}, -\keyindex{qlppp}, -\keyindex{zquppp}, -\keyindex{zqlppp}, -\keyindex{zqppp}, -\keyindex{cuppp}, -\keyindex{zcuppp}, -\keyindex{clppp}, -\keyindex{zclppp}, -\keyindex{qbppp} and -\keyindex{zqbppp}. - - \section{musixvbm}\ixtt{musixvbm.tex} -\label{musixvbm} -By default, \texttt{musixtex} produces beams using special fonts. Unfortunately, long beams may have -unsightly minor discontinuities (gaps or bumps). The \texttt{musixvbm} add-on -by Hiroaki \textsc{Morimoto} produces smooth vectorized beams; simply input -\texttt{musixvbm} in the preamble of your score (after inputting \texttt{musixtex}). -For example, compare - -\medskip -\begin{music} -\let\extractline\hbox -\vectorizedbeamfalse % disable vectorized beams -\nostartrule -\setclef1{\bass} -\hbox to \hsize{% -\hss -\startextract -\nnotes\ibbl0G1\qb0{GJKLMLMLMLMLMLMK}\tqb0L\en -\zendextract -\hss -\raise20pt\hbox{ and } -\hss -\vectorizedbeamtrue % re-enable vectorized beams -\startextract -\nnotes\ibbl0G1\qb0{GJKLMLMLMLMLMLMK}\tqb0L\en -\zendextract -\hss} -\end{music} -\medskip -\noindent -with various magnifications. The output on the left shows a font-based beam; the one -on the right -shows the same beam with -\texttt{musixvbm} activated. -All the other beams in this report are vectorized. - - -The only known disadvantage with use of \texttt{musixvbm} is that many \texttt{dvi} viewers -(including \texttt{xdvi} and \texttt{yap}) do not support the ``\texttt{tpic} specials'' -that implement vectorized beams in \texttt{dvi} output, so that no beams are shown\footnote{% -The \texttt{dviout} program for Windows supports \texttt{tpic} specials; -it is available from CTAN and in the Win32 distribution of TeXLive.}; -however, Postscript and PDF -output generated using \texttt{dvips} and \texttt{ps2pdf} (or using -\texttt{dvipdfm}, -or by processing the score using \texttt{pdfetex}) should be satisfactory. - -If Postscript hairpins -(as described in Section~\ref{PostscriptSlurs}) are not being used, -the \texttt{musixvbm} add-on also vectorizes crescendos and -decrescendos. - -\section{tuplet} - -This file does nothing; it is provided for compatibility with -\musixtex{} version 1.20 or earlier and legacy scores. -Since version 1.21, \verb|musixtex.tex| itself contains all the functions -of the older \texttt{tuplet.tex}, namely -definitions of -\keyindex{tuplettxt}, -\keyindex{uptuplet} and -\keyindex{downtuplet}. -See Section~\ref{tuplet}. diff --git a/macros/musixtex/doc/musixdoc/extracting.tex b/macros/musixtex/doc/musixdoc/extracting.tex deleted file mode 100644 index 2039733fd0..0000000000 --- a/macros/musixtex/doc/musixdoc/extracting.tex +++ /dev/null @@ -1,101 +0,0 @@ -\chapter{Extracting Parts from a Multi-Instrument Score}\label{parts} -From the typesetting viewpoint, the major characteristic of orchestral and -chamber music is that the scores not only have several instruments, but -variants of the same basic score are needed in which one of the instruments is -highlighted while some others are typeset in smaller notes or are -omitted. -Of course, it must be possible to permute the highlighted instruments and -the small-type instruments or -omitted instruments, depending on the instrument to which the -version of the score is dedicated. - -The following is the most general approach to part extraction when -using \musixtex\ without \textbf{PMX} or \textbf{M-Tx} pre-processors. A -simpler approach which will work for most purposes is described in Section~\ref{musixtnt}. - -\section{Coding rules}\label{CodingRules} - To make a ``selectable'' orchestral score you must prepare the master score -(i.e., the score with all instruments typed) as follows: - - \begin{enumerate} - \item Avoid referring to instrument numbers with roman -numerals. For example use \verb|\setclefs|~$n$ instead of -\verb|\cleftoksiii=| . - \item Introduce symbolic names for the instruments; for example, define: - \begin{verbatim} - \def\Piano{1}% - \def\Flute{2}% - \def\Oboe{3}% - \def\Soprano{4}% - \end{verbatim} -and code, for example - \smallskip - - \verb|\setstaffs\Piano2| rather than \verb|\setstaffs12|. - - \item If, initially, the Piano is the instrument number 1, replace all -\verb|\notes|, \verb|\Notes|, \verb|\NOtes|, etc., with -\verb|\notes\selectinstrument\Piano|, \verb|\Notes\selectinstrument\Piano|, -\verb|\NOtes\selectinstrument\Piano|, etc. - - \item Instead of using \verb|&| or \verb|\nextinstrument| to move to -instrument $n+1$, use \verb|\selectinstrument\Flute| and similar instead. - \end{enumerate} -For example, -\begin{verbatim} - \Notes\selectinstrument\Piano ... | ... - \selectinstrument\Flute ... - \selectinstrument\Oboe ... - \selectinstrument\Soprano ... \en -\end{verbatim} -With this coding, difficult things such as putting the Flute above the Oboe -are done easily: just say \verb|\def\Flute{3}| and \verb|\def\Oboe{2}|. - - \section{Selecting, hiding or putting instruments in the background} - - To put, for example, the Flute and the Oboe in the background, i.e., typesetting -them in small notes, state at the beginning: - \begin{quote} - \verb|\setsize\Flute\tinyvalue\setsize\Oboe\tinyvalue| - \end{quote} -where the value \keyindex{tinyvalue} for \keyindex{setsize} corresponds to notes and staffs -of size \keyindex{tinynotesize}. - If, instead of putting an instrument in the background, one wants to omit it, -this is done by: - \begin{quote} - \verb|\setstaffs\Flute{0}\setstaffs\Oboe{0}| - \end{quote} -since nothing is typeset for -instruments having \emph{zero} staffs (not to be confused with one-line staffs such -as percussions). - - \section{Recommendations} - \begin{itemize} - \item When hiding instruments, reduce -\keyindex{instrumentnumber} by the number of hidden instruments; otherwise -bars and leading braces will enclose the position of these dummy arguments, -which would be ugly. - - \item Exchange the actual instrument numbers so that hidden instruments have -numbers \emph{greater} than the value of \verb|\instrumentnumber|. - Hidden instruments with numbers -less than \verb|\instrumentnumber| will cause an excess of vertical -space at their phantom positions; this is not -recommended. - - \item In hidden instruments, rests no longer behave like \verb|\hbox{...}| and -\verb|raise|-ing them will result in an error. - - \item In hidden instruments, explicit \verb|\hbox|es will remain as empty -boxes, thus causing abnormal vertical spacings between instruments. Therefore, -anything suspect should be made conditional with: - -\begin{quote} -\keyindex{ifactiveinstrument}\ \textit{code to be omitted if instrument is hidden}\ \verb|\fi| -\end{quote} -Most \musixtex{} commands become properly hidden if requested. But -problematic -parts of code can nonetheless be protected with \verb|\ifactiveinstrument|. - - \end{itemize} - diff --git a/macros/musixtex/doc/musixdoc/fonts.tex b/macros/musixtex/doc/musixdoc/fonts.tex deleted file mode 100644 index 2326b86c95..0000000000 --- a/macros/musixtex/doc/musixdoc/fonts.tex +++ /dev/null @@ -1,231 +0,0 @@ -\chapter{Font Selection and Text Placement} - -\section{Predefined text fonts} -While any font with support for \TeX\ can be used by \musixtex, certain styles and -sizes can be selected using shortcut commands. -For ordinary text, the shortcuts cover fonts of nine different -sizes and six styles. The sizes in points are $7$, $8$, $9$, $10$, $12$, $14$, $17$, $20$, and $25$; -the styles are from the standard Computer Modern family: Roman, bold, italic, bold italic -and small capitals. -The size selection macros from smallest to biggest are -\keyindex{tinytype}, -\keyindex{smalltype}, -\keyindex{Smalltype}, -\keyindex{normtype}, \keyindex{medtype}, \keyindex{bigtype}, -\keyindex{Bigtype}, -\keyindex{BIgtype} and \keyindex{BIGtype}. -The style may be selected or changed using \keyindex{rm} (Roman), \keyindex{bf} -(bold), \keyindex{it} (italic), \keyindex{bi} (bold italic) or -\keyindex{sc} (small-capitals). If no style is explicitly selected, Roman style -will be used for the sizes \verb|\medtype| or smaller; for the larger sizes, -bold style is the default. Thus, for example, -eight point italic is selected with \verb|\smalltype\it|, while -twelve point Roman is selected using \verb|\medtype\rm| or simply -\verb|\medtype|. To change between styles while maintaining the same size, -code \verb|\rm|, \verb|\it|, \verb|\bf|, \verb|\bi| or \verb|\sc|, as in Plain \TeX. -When \musixtex\ is started, the default font for ordinary text is -ten point Roman, equivalent to \verb|\normtype\rm|. - -Another group of fonts, in bold extended italic style, is predefined in point sizes -$8$, $10$, $12$, $14$, and $17$ for dynamic markings. The appropriate font for the current -staff size may be selected simply by using \keyindex{ppff} as a -font specification. Macros \keyindex{tinydyn}, \keyindex{smalldyn}, \keyindex{normdyn}, or \keyindex{meddyn} may be -used to redefine \verb|\ppff| to represent one of the smallest four. - - -A selection of predefined fonts is summarized in Table~\ref{predefinedfonts}. The second column gives an -explicit control sequence that can alternatively be used locally as a font specification. -\font\ctinytype=cmr7 -\font\ctinytypebf=cmbx7 -\font\ctinytypeit=cmti7 -\font\csmalltype=cmr8 -\font\csmalltypebf=cmbx8 -\font\csmalltypeit=cmti8 -\font\cSmalltype=cmr9 -\font\cSmalltypebf=cmbx9 -\font\cSmalltypeit=cmti9 -\font\cnormtype=cmr10 -\font\cnormtypebf=cmbx10 -\font\cnormtypeit=cmti10 -\font\cnormtypebi=cmbxti10 -\font\cnormtypesc=cmcsc10 -\font\cmedtype=cmr12 -\font\cmedtypebf=cmbx12 -\font\cmedtypeit=cmti12 -\font\cmedtypebi=cmbxti10 scaled \magstep1 -\font\cmedtypesc=cmcsc10 scaled \magstep1 -\font\cbigtype=cmbx12 scaled \magstep1 -\font\cBigtype=cmbx12 scaled \magstep2 -\font\cBIgtype=cmbx12 scaled \magstep3 -\font\cBIGtype=cmbx12 scaled \magstep4 -\font\cppfftwelve=cmbxti10 at 8pt -\font\cppffsixteen=cmbxti10 -\font\cppfftwenty=cmbxti10 scaled \magstep1 -\font\cppfftwentyfour=cmbxti10 scaled \magstep2 -\font\cppfftwentynine=cmbxti10 scaled \magstep3 -\font\cbigtype=cmbx12 scaled \magstep1 -\font\cBigtype=cmbx12 scaled \magstep2 -\font\cBIgtype=cmbx12 scaled \magstep3 -\font\cBIGfont=cmbx12 scaled \magstep4 -\begin{table} -\begin{center} -\renewcommand{\arraystretch}{1.15} - \begin{tabular}{lll} - \hline - Size and style & Font specification & Example \\ - \hline - \verb|\tinytype| & \verb|\sevenrm| & {\ctinytype tiny Roman} \\ - \verb|\tinytype\bf| & \verb|\sevenbf| & {\ctinytypebf tiny bold} \\ - \verb|\tinytype\it| & \verb|\sevenit| & {\ctinytypeit tiny italic} \\ - \verb|\smalltype| & \verb|\eightrm| & {\csmalltype small Roman} \\ - \verb|\smalltype\bf| & \verb|\eightbf| & {\csmalltypebf small bold} \\ - \verb|\smalltype\it| & \verb|\eightit| & {\csmalltypeit small italic} \\ - \verb|\Smalltype| & \verb|\ninerm| & {\cSmalltype Small Roman} \\ - \verb|\Smalltype\bf| & \verb|\ninebf| & {\cSmalltypebf Small bold} \\ - \verb|\Smalltype\it| & \verb|\nineit| & {\cSmalltypeit Small italic} \\ - \verb|\normtype| & \verb|\tenrm| & {\cnormtype normal Roman} \\ - \verb|\normtype\bf| & \verb|\tenbf| & {\cnormtypebf normal bold} \\ - \verb|\normtype\it| & \verb|\tenit| & {\cnormtypeit normal italic}\\ - \verb|\normtype\bi| & \verb|\tenbi| & {\cnormtypebi normal bold italic}\\ - \verb|\normtype\sc| & \verb|\tensc| & {\cnormtypesc normal small capitals}\\ - \verb|\medtype| & \verb|\twelverm| & {\cmedtype medium Roman} \\ - \verb|\medtype\bf| & \verb|\twelvebf| & {\cmedtypebf medium bold} \\ - \verb|\medtype\it| & \verb|\twelveit| & {\cmedtypeit medium italic}\\ - \verb|\medtype\bi| & \verb|\twelvebi| & {\cmedtypebi medium bold italic}\\ - \verb|\medtype\sc| & \verb|\twelvesc| & {\cmedtypesc medium small capitals}\\ - \verb|\bigtype| & \verb|\frtbf| & {\cbigtype big bold} \\[.4ex] - \verb|\Bigtype| & \verb|\svtbf| & {\cBigtype Big bold} \\[.4ex] - \verb|\BIgtype| & \verb|\twtybf| & {\cBIgtype BIg bold} \\[.4ex] - \verb|\BIGtype| & \verb|\twfvbf| & {\cBIGtype BIG bold} \\ - ~ & \verb|\ppfftwelve| & {\cppfftwelve pp ff diminuendo}\\ - ~ & \verb|\ppffsixteen| & {\cppffsixteen pp ff diminuendo}\\ - ~ & \verb|\ppfftwenty| & {\cppfftwenty pp ff diminuendo}\\ - ~ & \verb|\ppfftwentyfour| & {\cppfftwentyfour pp ff diminuendo}\\[.4ex] - ~ & \verb|\ppfftwentynine| & {\cppfftwentynine pp ff diminuendo}\\[.4ex] - \hline - \end{tabular} -\end{center} -\caption{Various predefined fonts} -\label{predefinedfonts} -\end{table} - -\section{User-defined text fonts} - -Since \musixtex\ is a superset of \TeX, you are free to use the standard \TeX\ -machinery for defining and using any special font you desire. You must first -of course ensure that (a)~all the necessary font files (e.g., \verb|bla10.tfm|, -\verb|bla10.pfb|, or equivalents) are installed in the right places in your system, (b)~all -configuration files (e.g., \verb|config.ps| or equivalent) have been updated, and -(c)~the \TeX\ file-name database has been updated, as required by your \TeX\ system. Then you can use the font just as -in any \TeX\ document, e.g., by coding \verb|\font blafont=bla10| and then -\verb|\zchar{10}{\blafont Text in user-defined font}|. - -You might also wish to replace once and for all the typefaces invoked by the -commands described in the previous section. Again, before doing this, you must -follow steps (a-c) of the previous paragraph for all fonts in question. -\label{UserFonts} -You can use bitmapped fonts, which are converted to -Postscript by e.g.,~\verb|dvips|, but you also may replace them -by native Postscript fonts. - -The extension library -\verb|musixtmr.tex|\footnote{by Hiroaki {\sc Morimoto}} -replaces the default Computer Modern text fonts by -the Times series of fonts; see Section~\ref{times}. -Other extension libraries, \verb|musixplt.tex| and \verb|musixhv.tex|, replace the default text fonts by -Palatino and Helvetica fonts, respectively; see Sections~\ref{palatino} and \ref{helvetica}. -\font\tnormtype=ptmr7t -\font\tnormtypebf=ptmb7t -\font\tnormtypeit=ptmri7t -\font\tbigtype=ptmr7t scaled \magstep2 -\font\tBigtype=ptmr7t scaled \magstep3 -\font\pnormtype=pplr8r -\font\pnormtypebf=pplb8r -\font\pnormtypeit=pplri8r -\font\pbigtype=pplrc8r at 14pt -\font\pBigtype=pplrc8r at 17pt -\font\hnormtype=phvr8r at 10pt -\font\hnormtypebf=phvb8r at 10pt -\font\hnormtypeit=phvro8r at 10pt -\font\hbigtype=phvr8r at 14pt -\font\hBigtype=phvr8r at 17pt -Here is a comparison of some Times, -Palatino and Helvetica fonts: -\begin{center} - \begin{tabular}{lll} - \hline - {\tnormtype normal Times Roman} & {\pnormtype normal Palatino Roman} &{\hnormtype normal Helvetica Roman} \\ - {\tnormtypebf normal Times bold} & {\pnormtypebf normal Palatino bold}& {\hnormtypebf normal Helvetica bold} \\ - {\tnormtypeit normal Times italic} & {\pnormtypeit normal Palatino italic } & {\hnormtypeit normal Helvetica italic }\\[.4ex] - {\tbigtype Times big} & {\pbigtype Palatino big } & {\hbigtype Helvetica big } \\[.4ex] - {\tBigtype Times Big } & {\pBigtype Palatino Big } & {\hBigtype Helvetica Big } \\ - \hline - \end{tabular} -\end{center} - -For users who prefer to stick with the default Computer Modern -family but want to use the T$1$-encoded EC variants, the extension library -\verb|musixec.tex| is available; see Section~\ref{ecfonts}\@. - -\section{Text placement}\label{textplacement} -Special macros are provided to allow precise placement of any \TeX\ text, vertically -relative to the staff, and horizontally relative to any note in -the staff. - -The macros in the first group will vertically position the text with the -baseline at any specified pitch or staff line. They must be used -inside \verb|\notes...\en|. They will not insert any additional -horizontal space. They have the forms -\keyindex{zcharnote}\pitchp\verb|{|\ital{text}\verb|}|, \keyindex{lcharnote}\pitchp\verb|{|\ital{text}\verb|}|, -and \keyindex{ccharnote}\pitchp\verb|{|\ital{text}\verb|}|, -where \ital{p} is the pitch. With the first one, text will spill to the right -from the current insertion point, with the second it will spill to the left, and with the -third it will be centered horizontally. -The following abbreviations are available: -\begin{quote} -\begin{tabular}{lcl} -\keyindex{zcn}& for&\verb|\zcharnote| \\ -\keyindex{lcn}& for&\verb|\lcharnote| \\ -\keyindex{ccn}& for&\verb|\ccharnote| \\ -\end{tabular} -\end{quote} - -There are similar macros \keyindex{zchar}\pitchp\verb|{|\ital{text}\verb|}|, -\keyindex{lchar}\pitchp\verb|{|\ital{text}\verb|}|, and \keyindex{cchar}\pitchp\verb|{|\ital{text}\verb|}|, -which differ from the previous three in that the pitch \ital{must} be given with -a number (representing the number of staff positions up from the lowest line), -and that the number need not be an integer. - -To vertically position any text midway between two consecutive staves, use -\keyindex{zmidstaff}\verb|{|{\it text}\verb|}|, \keyindex{lmidstaff}\verb|{|{\it text}\verb|}|, -or \keyindex{cmidstaff}\verb|{|{\it text}\verb|}| at the appropriate point in the lower staff. - -The macros \keyindex{uptext}\verb|{|\ital{text}\verb|}| and -\keyindex{Uptext}\verb|{|\ital{text}\verb|}| -are simply shorthands for -\verb|\zchar{10}{|\ital{text}\verb|}| and -\verb|\zchar{14}{|\ital{text}\verb|}|, -respectively. - -The text items handled by all of the above macros can include any appropriate -string of \TeX\ -control sequences, including font definitions, \verb|\hbox|'es, etc. - -Material posted with any of the macros described in this section will not -create any additional horizontal or vertical space within the current system, -and will overwrite anything in the current system that gets in the way. It is -the typesetter's responsibility to ensure there is adequate white space -within the current system to accommodate any text placed with -these macros. On the other hand, if text is placed far above or below a -system, \musixtex\ will usually insert additional vertical space if needed. - -\section{Rehearsal marks} - -Rehearsal marks are usually -boxed or circled uppercase letters or digits. They can be defined using the macros -\keyindex{boxit}\verb|{|\ital{text}\verb|}| or -\keyindex{circleit}\verb|{|\ital{text}\verb|}|. For boxed text, -the margin between the text and box is controlled by the dimension -register \keyindex{boxitsep}, which can be reset to any \TeX\ dimension if the -default value of \verb|3pt| is unsatisfactory. To place the mark, use \verb|\Uptext| or -any of the other macros defined in the previous section. diff --git a/macros/musixtex/doc/musixdoc/frontmatter.tex b/macros/musixtex/doc/musixdoc/frontmatter.tex deleted file mode 100644 index e62408b2ac..0000000000 --- a/macros/musixtex/doc/musixdoc/frontmatter.tex +++ /dev/null @@ -1,143 +0,0 @@ -\title{\Huge\bfseries\musixtex\\[\bigskipamount] -\LARGE\bfseries Using \TeX{} to write polyphonic\\or -instrumental music\\\Large\itshape Version 1.37} -\author{} - - -%\author{\Large\rm Daniel \sc Taupin\\\large\sl -% Laboratoire de Physique des Solides\\\normalsize\sl -% (associ\'e au CNRS)\\\normalsize\sl -% b\^atiment 510, Centre Universitaire, F-91405 ORSAY Cedex\\\medskip -% \\\Large\rm Ross \sc Mitchell\\\large\sl -% CSIRO Division of Atmospheric Research,\\\normalsize\sl -% Private Bag No.1, Mordialloc, Victoria 3195,\\ Australia \\\medskip -% \\\Large\rm Andreas \sc Egler\\\large\sl -% (Ruhr--Uni--Bochum)\\ Ursulastr. 32\\ D-44793 Bochum} -\date{Revised \today} -\maketitle -\vfill -\thispagestyle{empty} -\begin{flushright}\it -If you are not familiar with \TeX{} at all, I would recommend\\ -to find another software package to do musical typesetting.\\ -Setting up \TeX{} and \musixtex\ on your machine and mastering it is\\ -an awesome job which gobbles up a lot of your time and disk space.\\[\medskipamount] -But, once you master it\ldots\\[\smallskipamount] -Hans {\sc Kuykens} (ca.~1995) - -\vspace*{4ex} -In my humble opinion, that whole statement is obsolete.\\[\smallskipamount] -Christof\/ {\sc Biebricher} (2006) -\end{flushright} - -\clearpage - -\pagenumbering{roman}\setcounter{page}{2} - - -\vspace*{20ex} -\begin{quote} -\musixtex{} may be freely copied, duplicated and used in conformance to -the GNU General Public License (Version 2, 1991, see included file {\tt -copying})\footnote{Thanks to the Free Software Foundation for advice. See -\href{http://www.gnu.org}{\underline{\tt http://www.gnu.org}}}. - -You may take it or parts of it to include in other packages, but no packages -called \musixtex{} without specific suffix may be distributed under the name -\musixtex{} if different from the original distribution (except obvious bug -corrections). - - Adaptations for specific implementations (e.g., fonts) should be provided as -separate additional \TeX\ or \LaTeX\ files which override original definitions. - \end{quote} - -\clearpage - -\chapter*{Preface} -\addcontentsline{toc}{chapter}{Preface} -\musixtex\ was developed by Daniel Taupin, Ross Mitchell and Andreas -Egler, -building -on earlier work by Andrea Steinbach and Angelika Schofer. -Unfortunately, Daniel Taupin, the main developer, died all too early in a 2003 -climbing accident. The \musixtex\ community was shocked by this tragic and unexpected -event. You may read tributes to Daniel Taupin that are archived at the -\href{http://icking-music-archive.org}{\underline{Werner Icking Music Archive}} (WIMA\index{WIMA}). - -Since then, the only significant update to \musixtex\ has been in version 1.15 (April 2011) which -takes advantage of the greater capacity of the e\TeX\ version of \TeX. -This manual -is the definitive reference to all features of -\musixtex\ version~1.36. - -Novice users need not start here. -Most -music typesetting tasks can be accomplished entirely by using the \textbf{PMX} -(for instrumental music) or \mbox{\textbf{M-Tx}} (for vocal music) -preprocessors to generate the \musixtex\ input file, relieving the user of -learning any of the commands or syntax of \musixtex\ itself. It is only -for out-of-the-ordinary constructions that one must learn these details in order -to insert the necessary \musixtex\ commands into the preprocessor's input file -as so-called inline \TeX. - -Advanced users might -want to use \verb|autosp|, another preprocessor. It simplifies -the production of \musixtex\ scores by automating the choice of -note-spacing commands; see Section~\ref{autosp}. - -It is possible to create inputs for \musixtex, \textbf{PMX}, \mbox{\textbf{M-Tx}} or -\texttt{autosp} using any text editor, such as \verb|notepad| or \verb|vi| or -\verb|emacs|. Currently there is no graphical user interface for -generating input files, other than \TeX-oriented integrated -graphical development environments such as \TeX Works. - -The \href{http://icking-music-archive.org/software/indexmt6.html} -{\underline{Werner Icking Music Archive}} contains excellent and detailed -instructions for installing \TeX, \musixtex{} and the strongly recommended -preprocessors \textbf{PMX} -and \mbox{\textbf{M-Tx}} on -\href{http://icking-music-archive.org/software/htdocs/Getting_Started_Four_Scenar.html#SECTION00022000000000000000} -{\underline{Linux/\unix}}, -\href{http://icking-music-archive.org/software/htdocs/Getting_Started_Four_Scenar.html#SECTION00021000000000000000} -{\underline{Windows}} and -\href{http://icking-music-archive.org/software/htdocs/Getting_Started_Four_Scenar.html#SECTION00023000000000000000} -{\underline{Mac OS}}. -See -\href{http://icking-music-archive.org/software/htdocs/Introduction.html#SECTION00012000000000000000} -{\underline{this}} -page at WIMA for documentation of -\textbf{PMX} and \mbox{\textbf{M-Tx}}. - -\begin{flushright} -Oliver Vogel\\ Don Simons\\ Andre van Ryckeghem\\ Cornelius Noack\\ -Hiroaki Morimoto\\ -Bob Tennent\\ \today -\end{flushright} - -\clearpage - -\makeatletter -\renewcommand\tableofcontents{% - \if@twocolumn - \@restonecoltrue\onecolumn - \else - \@restonecolfalse - \fi - \chapter*{\contentsname - \@mkboth{% - \contentsname}{\contentsname}}% - \addcontentsline{toc}{chapter}{Contents} % added by RDT - \@starttoc{toc}% - \if@restonecol\twocolumn\fi - } -\makeatother - - -%\begin{small} -\tableofcontents -%\end{small} - -\clearpage -\setcounter{page}{1} -\pagenumbering{arabic} -\renewcommand{\thepage}{\arabic{page}} diff --git a/macros/musixtex/doc/musixdoc/index.tex b/macros/musixtex/doc/musixdoc/index.tex deleted file mode 100644 index c56508b6d8..0000000000 --- a/macros/musixtex/doc/musixdoc/index.tex +++ /dev/null @@ -1,10 +0,0 @@ -\makeatletter -\renewenvironment{theindex} - {\pagestyle{plain}\parindent\z@ - \parskip\z@ \@plus .3\p@\relax - \let\item\@idxitem} - {\thispagestyle{plain}} -\makeatother -\begin{multicols}{3}[\chapter*{Index}\addcontentsline{toc}{chapter}{Index}] - \printindex -\end{multicols} diff --git a/macros/musixtex/doc/musixdoc/introduction.tex b/macros/musixtex/doc/musixdoc/introduction.tex deleted file mode 100644 index cb6d87fb0f..0000000000 --- a/macros/musixtex/doc/musixdoc/introduction.tex +++ /dev/null @@ -1,822 +0,0 @@ -\chapter{Introduction to \musixtex} - -This chapter is not a tutorial on the use of \musixtex, but instead serves as -an overview of some of its capabilities, quirks, and history. - -\musixtex\ is a set of macros and fonts which enables music typesetting -within the \TeX\ system. It requires as a prerequisite a working -installation of \TeX. -\musixtex\ might be regarded as the digital equivalent of a box of type. It -contains symbols for staves, notes, chords, beams, slurs and ornaments, -ready to be arranged to form a sheet of music. But it must be told how to position -those symbols on the page. This could be done by the typesetter -himself, if he or she elects to proceed by entering \musixtex\ commands manually -into an input file. However most users will find it far less taxing to let -such decisions be made largely by the preprocessor -\href{http://icking-music-archive.org/software/indexmt6.html#pmx} -{\underline{\textbf{PMX}}}, which in addition uses a much simpler input -language than \musixtex. - -Lyrics can also be handled by \musixtex. There is a set of primitive -commands for this which are described later. But there is also a far -more adaptable set of macros contained in the extension file -\verb|musixlyr.tex|, and there is the preprocessor -\href{http://icking-music-archive.org/software/indexmt6.html#mtx} -{\underline{\mbox{\textbf{M-Tx}}}}\ which provides easy, transparent access to -these macros. - -Most users of \TeX\ are familiar with \LaTeX, a set of \TeX\ macros -which eases document layout. In fact many may only use \LaTeX. -Until recently, \LaTeX\ and \musixtex\ coexisted only grudgingly, owing -primarily to the limited availabily of storage registers. But with modern -versions of \TeX\ and with the use of e\LaTeX, only a modest increase in -complexity is incurred with the addition of musical excerpts to a \LaTeX\ -document. Still, fortunately, for typesetting a musical score there is -rarely if ever any advantage to using \LaTeX. Only if one wanted to create a -text document with embedded musical examples would there be much use for it. -Even in that case there is a perfectly fine way to avoid using \musixtex\ -directly in the document file, namely, by using \musixtex\ to create -\verb|pdf| or \verb|eps| files for -each of the examples, and then embedding references to those in the file for -the larger document. But for anyone who still wants to use both together, there is -no better example than this manual, as generated with the files -\verb|musixdoc.tex| and \verb|musixdoc.sty|. A few further details about such -nonstandard applications are given in Section~\ref{excerpts}. - -\section{Primary features of \musixtex} - \subsection{Music typesetting is two-dimensional} Written music is not -usually a linear sequence of symbols like a literary text. Rather, -except for unaccompanied single-note instruments like clarinets, -trumpets and human voices, it has the form of a two-dimensional matrix. - Thus, a logical way of coding music consists -in horizontally accumulating a set of \ital{vertical combs} with -\ital{horizontal teeth} as depicted in Table~\ref{readtable}. -%\def\hboxit#1{\boxit{\rlap{#1}\hphantom{note sequence three}}} - \begin{table} - \begin{center} - \small - \renewcommand{\arraystretch}{1.4} - \setlength{\arrayrulewidth}{1.5pt} - \setlength{\tabcolsep}{2ex} - \begin{tabular}{|ll|ll|}\fbox{note sequence one} - &\fbox{note seq.\ four} - &\fbox{note seq.\ seven} - &\fbox{note seq.\ ten}\\\fbox{note sequence two} - &\fbox{note seq.\ five} - &\fbox{note seq.\ eight} - &\fbox{note seq.\ eleven}\\\fbox{note sequence three} - &\fbox{note seq.\ six} - &\fbox{note seq.\ nine} - &\fbox{note seq.\ twelve}\\ - \end{tabular} - \end{center} - \caption{A logical way of coding music}\label{readtable} - \end{table} -Accordingly, in \musixtex\ the fundamental macro used to represent -one of those vertical combs (or one of the columns in Table~\ref{readtable}) -is of the form -\begin{center} -\verb|\notes ... & ... & ... \en|\footnote{The command -\keyindex{en} is an abbreviation for the command \keyindex{enotes}, which may also be used.} -\end{center}\index{"&@{\tt\char'046}} -\noindent where the character \verb|&| is used to separate the notes to be -typeset on respective staves of the various instruments, starting from the -bottom. - -In the case of an instrument whose score has to be written with -several staves, they are separated by the -character \|\index{\tt\char'174@{\tt\char'174}}. - -Thus, a score written for a keyboard instrument and -a single-line instrument (e.g., piano and violin) -will be coded as follows: -\begin{center} -\verb=\notes ... | ... & ...\en= -\end{center} -\noindent for each column of simultaneous \ital{groups of notes}. -Each of those groups, represented by a single box in Table~\ref{readtable}\ -and by a sequence of three dots in the the two example macros above, may contain -not only chord notes to be played simultaneously, but short sequences of -consecutive -notes or chords. As we'll soon see, this implies the need for two fundamentally different -kinds of basic macros in \musixtex: those whose tokens are automatically followed -by some amount of space (called \ital{spacing} macros), and those that are not. -The former type, for example, -would be used to produce the notes and rests in a single-line score; -the latter would be used, for example, for chord notes and ornaments. - -\subsection{Horizontal spacing} -Deciding upon the proper horizontal spacing of notes is a very complicated matter -that we will not address in any detail here. Obviously short-duration notes -should be closer together than longer ones. Almost as obviously, the spacing -cannot be linearly proportional to the duration; otherwise for example a whole -note would occupy 32 times as much horizontal space as a thirty-second note. And -in polyphonic scores the spacing in one staff is often influenced by the notes -in another. This is a decision that the typesetter or preprocessor -must make. Once the decision is made, \musixtex\ can provide the desired spacing. -The main mechanism is through a set of macros described in -Section~\ref{newspacings}. At this point we shall only mention that to control -spacing, one of those -macros will be selected to replace the symbol \verb|\notes| in the two examples -above, and it will imply that whenever a spacing macro in encountered within -a group of notes, a -certain specific amount of horizontal space will be inserted. - - \subsection{Music tokens} -The tokens provided by \musixtex\ include -\begin{itemize}\setlength{\itemsep}{0ex} - \item note symbols without stems; - \item note symbols with stems, and flags for eighth notes and -shorter; - \item beam beginnings and endings; - \item beginnings and endings of ties and slurs; - \item accidentals; - \item ornaments: arpeggios, trills, mordents, turns, staccatos, -pizzicatos, fermatas, etc.; - \item bar lines; - \item meters, key signatures, clefs. -\end{itemize} -For example, \verb|\wh a| produces a whole note at nominal frequency 222.5~Hz, -\verb|\wh h| produces one an octave higher, \verb|\qu c| -produces an up-stemmed quarter note C (250~Hz), and \verb|\cl J| produces a down-stemmed C -eighth note an octave lower. - - To generate chords with solid note heads, the non-spacing macro \keyindex{zq} -can be used. It produces a solid note head at the specified pitch, -the vertical position of which -is memorized and recalled whenever the next stemmed note (possibly with a flag) is -coded. The stem length is automatically adjusted to link all simultaneous notes. Thus, the -\mbox{C-major} chord - -\begin{music}\nostartrule -\startextract\NOtes\zq{ceg}\qu j\en\zendextract -\end{music} - \noindent is coded \verb|\zq c\zq e\zq g\qu j| or more concisely, -\verb|\zq{ceg}\qu j|; the \verb|u| in the spacing note macro -\verb|\qu| is what generates the upstem. - - \subsection{Beams} -Each beam \index{beams} is generated by a pair of macros. The first defines -the beginning horizontal position (implicitly the current position), altitude, -direction (upper or lower), multiplicity (number of lateral bars), slope and -reference number. This latter feature is needed so independent beams -can overlap. The second macro of the pair specifies the termination -location (again implicitly) and the reference number. - - \subsection{Setting anything on the score} -A general macro (\keyindex{zcharnote}) provides a means of -putting any sequence of symbols (possibly contained in an \verb|\hbox{...}|) at any -pitch of any staff of any instrument. This allows any symbol defined in a font -(letters, math symbols, etc.) to be placed in the score at a position keyed -to the music both in time (horizontally) and pitch (vertically) on the staff, -\section{A simple example} - Before going into more detail, we give below an example of the two first -bars of the sonata in \mbox{C-major} KV545 by {\sc Mozart}\index{Mozart, W.A.@{\sc -Mozart, W.A.}}: - -\begin{music} -\parindent11mm -\setname1{Piano} -\setstaffs12 -\generalmeter{\meterfrac44} -\startextract -\Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\hl j\en -\Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\ql l\sk\ql n\en -\bar -\Notes\ibu0f0\qb0{dgf}|\qlp i\en -\notes\tbu0\qb0g|\ibbl1j3\qb1j\tbl1\qb1k\en -\Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\hl j\en -\zendextract -\end{music} - The coding is as follows: -\begin{quote}\begin{verbatim} -\begin{music} - \parindent10mm - \instrumentnumber{1} % a single instrument - \setname1{Piano} % whose name is Piano - \setstaffs1{2} % with two staffs - \generalmeter{\meterfrac44} % 4/4 meter chosen - \startextract % starting real score - \Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\hl j\en - \Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\ql l\sk\ql n\en - \bar - \Notes\ibu0f0\qb0{dgf}|\qlp i\en - \notes\tbu0\qb0g|\ibbl1j3\qb1j\tbl1\qb1k\en - \Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\hl j\en - \zendextract % terminate excerpt -\end{music} - \end{verbatim}\end{quote} -\begin{itemize}\setlength{\itemsep}{0ex} - \item \verb|\ibu0f0| begins an upper beam, aligned on the -\ital{f}, reference number 0, slope 0 - \item \verb|\tbu0| terminates this beam before writing -the second \ital{g} by means of \verb|\qb0g| - \item \verb|\qb..| indicates a note belonging to a beam. - \item \verb|\sk| sets a space between the two quarters in the right -hand, so that the second one is aligned with the third eighth in the left hand. - \item\verb|\qlp| is a dotted quarter note. - \item\verb|\ibbl1j3| begins a double beam, aligned on the \ital{C} -(\verb|j| at this pitch) with slope 15\%. -\end{itemize} - -\section{The three pass system}\label{threepass} -\subsection{Introduction} -\TeX's line-breaking procedure implicitly assumes -that a normal line of text will contain many words, so that inter-word -glue need not stretch or shrink too much to justify the line. -One might at first consider extending this to music, treating each bar like a -word with no stretchable internal space. But typically this would lead to unsightly -gaps before each bar rule, simply because the number of bars per line -is normally many fewer than the number of words in a line of text. -\musixtex\ needs a more sophisticated horizontal spacing algorithm -than is used in \TeX. - -To understand how \musixtex\ solves this problem, we have to -recognize two different kinds of horizontal space, \ital{hard}\ and -\ital{scalable}. Hard space is fixed and always represents the same -physical distance. -Examples of hard space are the widths of bar rules, clefs, -and key signatures. Scalable space can be stretched as needed. It -is what is normally used for the space after notes or rests. At the -outset it is only defined in a relative sense. In other words, -scalable spaces are defined as multiples of \verb|\elemskip|, an -initially undefined basic spacing unit. For example, in \textbf{PMX}\ -all sixteenth notes -are typically assigned a scalable width of \verb|1.41\elemskip|. -One main job of \musixtex\ is to compute the physical value of -\verb|\elemskip|, often expressed in points (72nds of an inch). -The correct value is that which makes all the scalable space on -a line just fill up what's not occupied by hard space. Obviously -it may vary from line to line. - -To this end a three pass system was developed. To start the -first pass on the file \verb|jobname.tex|, you would enter\footnote{ -In many cases it will suffice to run {\tt tex}, but with \musixtex~1.15, -it is possible to create a file requiring the enhanced capacity of -{\tt etex}. Since {\tt etex} can handle any file {\tt tex} can, it's best -always to use {\tt etex}.} -\verb|etex jobname|. -Information about each bar is written to -an external file named \verb|jobname.mx1|. -This file begins with a header containing parameters -such as line width and paragraph indentation. Then the hard and -scalable space is listed for each bar. -\index{scalable width}\index{hard width} - -The second pass, which is started with \verb|musixflx jobname|, -determines optimal values of the basic spacing unit \verb|\elemskip| -for each line, so as to properly fill each line, and to spread -the piece nicely over an integral number of full lines. This routine was originally written -in \textsc{fortran} rather than \TeX, the main reason -being the lack of an array handling capability in \TeX; the current version -of \verb|musixflx| is a \textsc{lua} script, which may be executed without -compilation in any standard \TeX\ system. - -\verb|musixflx| reads in the file \verb|jobname.mx1|, and writes its -output to \verb|jobname.mx2|. The latter file contains a single entry for -each line of music in the reformatted output. The key piece of information -is the revised value of \keyindex{elemskip} for each line. - -Next, the file is \TeX-ed again, by entering \verb|etex jobname|. On this third pass, -the \verb|jobname.mx2| file is read in, and the information -is used to physically define the final score and embed the -page descriptions into a \verb|dvi|\ file. - -You may wonder how the same command can -cause something different to happen the second time it is issued. The explanation -is that \musixtex\ checks for the presence of \verb|jobname.mx2|. If it's -not present, the first pass is executed; if it is, the third pass. Obviously if -you've made some corrections that affect any horizontal spacing, you must remember -to delete the old \verb|jobname.mx2| and then rerun all three passes, or -build or use a script that does so. - -\subsection{An example} - -Here's an example. Here, no value for \verb|\elemskip| is explicitly specified, -so \musixtex\ assigns a single, default value. After the first pass you might get -the following output: - -\begin{music} -\hsize=100mm -\generalmeter{\meterfrac24}% -\parindent 0pt -\setsign1{-3} -\nostartrule -\startpiece\bigaccid -\NOtes\qu{ce}\en -\bar -\NOtes\qu{gh}\en -\bar -\NOtes\qu{=b}\en -\Notes\ds\cu g\en -\bar -\NOtes\qu{^f=f}\en -\raggedstoppiece\contpiece% this is cheated, the problem was to get -% pass 1 and pass 3 at the same time -\NOtes\qu{=e}\itied0e\qu{_e}\en -\bar -\Notes\ttie0\Qqbu ed{_d}c\en -\bar -\Notes\ibu0b{-2}\qb0{=b}\en -\notes\nbbu0\qb0{=a}\tqh0N\en -\Notes\Dqbu cf\en -\raggedstoppiece\contpiece -\NOtes\uptext{\it tr}\qu e\uptext{\it tr}\qu d\en -\bar -\NOtes\qu c\qp\en -\setdoubleBAR\raggedstoppiece -\end{music} - -\noindent Note that the space after every quarter note is the same, and -that lines are not justified. -After running \verb|musixflx| and \TeX-ing the second time you'll -get: - -\begin{music} -\hsize=100mm -\generalmeter{\meterfrac24}% -\parindent 0pt -\generalsignature{-3} -\nostartrule -\startpiece\bigaccid -\NOtes\qu{ce}\en -\bar -\NOtes\qu{gh}\en -\bar -\NOtes\qu{=b}\en -\Notes\ds\cu g\en -\bar -\NOtes\qu{^f=f}\en -\bar -\NOtes\qu{=e}\itied0e\qu{_e}\en -\bar -\Notes\ttie0\Qqbu ed{_d}c\en -\bar -\Notes\ibu0b{-2}\qb0{=b}\en -\notes\nbbu0\qb0{=a}\tqh0N\en -\Notes\Dqbu cf\en -\bar -\NOtes\uptext{\it tr}\qu e\uptext{\it tr}\qu d\en -\bar -\NOtes\qu c\qp\en -\Endpiece -\end{music} - -\noindent Now \musixtex\ has determined a number of lines -(which is different from the original number), the lines are justified, -and if you look carefully you -can see that the space after quarters in the first line -is smaller than in the second. This example was coded as: -\begin{verbatim} -\hsize=100mm -\generalmeter{\meterfrac24}% -\parindent 0pt -\generalsignature{-3} -\nostartrule -\startpiece\bigaccid -\NOtes\qu{ce}\en\bar -\NOtes\qu{gh}\en\bar -\NOtes\qu{=b}\en -\Notes\ds\cu g\en\bar -\NOtes\qu{^f=f}\en\bar -\NOtes\qu{=e}\itied0e\qu{_e}\en\bar -\Notes\ttie0\Qqbu ed{_d}c\en\bar -\Notes\ibu0b{-2}\qb0{=b}\en -\notes\nbbu0\qb0{=a}\tqh0N\en -\Notes\Dqbu cf\en\bar -\NOtes\uptext{\it tr}\qu e\uptext{\it tr}\qu d\en\bar -\NOtes\qu c\qp\en\Endpiece -\end{verbatim} - -\subsection{Adjusting the layout} - -One benefit of the 3-pass system is the quick and easy -alteration to the layout which can be achieved -by changing only one parameter, namely \keyindex{mulooseness}. This value -acts analogously to \TeX's \verb|\looseness| command. For non-\TeX-perts: if you -state \verb|\looseness=-1| somewhere inside any paragraph, then -\TeX\ will try to make the paragraph one line shorter than it normally would. -With \verb|\mulooseness|, \musixtex\ does the same, but for \ital{systems} -and \ital{sections} rather than lines and paragraphs. A system is just a group of -staves treated as a unit, and in this discussion is analogous to a line of text. -What is a \ital{section}? It's any chunk of coding not containing a -forced system break, System breaks can be forced with -\keyindex{stoppiece}, \keyindex{endpiece}, \keyindex{zstoppiece}, -\keyindex{Stoppiece}, \keyindex{Endpiece}, \keyindex{alaligne} -\keyindex{zalaligne}, \keyindex{alapage} or \keyindex{zalapage}. If none -of these is present, the section comprises the whole piece. -Somewhere\footnote{Advisably, at the beginning or -at the end of the section, for the sake of clarity.} -before the end of the section, you can change the value of -\keyindex{mulooseness} to something different from the default of $0$, and -\musixtex\ will typeset that section with a different number of systems. - -To give an easy example, changing the last line in the previous example to: -\begin{verbatim} -\NOtes\qu c\qp\en\mulooseness=1\Endpiece -\end{verbatim} -yields: - -\begin{music} -\hsize=100mm -\generalmeter{\meterfrac24}% -\parindent 0pt -\generalsignature{-3} -\nostartrule -\startpiece\bigaccid -\NOtes\qu{ce}\en -\bar -\NOtes\qu{gh}\en -\bar -\NOtes\qu{=b}\en -\Notes\ds\cu g\en -\bar -\NOtes\qu{^f=f}\en -\bar -\NOtes\qu{=e}\itied0e\qu{_e}\en -\bar -\Notes\ttie0\Qqbu ed{_d}c\en -\bar -\Notes\ibu0b{-2}\qb0{=b}\en -\notes\nbbu0\qb0{=a}\tqh0N\en -\Notes\Dqbu cf\en -\bar -\NOtes\uptext{\it tr}\qu e\uptext{\it tr}\qu d\en -\bar -\NOtes\qu c\qp\en -\mulooseness1\Endpiece -\end{music} - -\noindent On the other hand, -\begin{verbatim} -\NOtes\qu c\qp\en\mulooseness=-1\Endpiece -\end{verbatim} -yields - -\begin{music} -\hsize=100mm -\generalmeter{\meterfrac24}% -\parindent 0pt -\generalsignature{-3} -\nostartrule -\startpiece\bigaccid -\NOtes\qu{ce}\en -\bar -\NOtes\qu{gh}\en -\bar -\NOtes\qu{=b}\en -\Notes\ds\cu g\en -\bar -\NOtes\qu{^f=f}\en -\bar -\NOtes\qu{=e}\itied0e\qu{_e}\en -\bar -\Notes\ttie0\Qqbu ed{_d}c\en -\bar -\Notes\ibu0b{-2}\qb0{=b}\en -\notes\nbbu0\qb0{=a}\tqh0N\en -\Notes\Dqbu cf\en -\bar -\NOtes\uptext{\it tr}\qu e\uptext{\it tr}\qu d\en -\bar -\NOtes\qu c\qp\en -\mulooseness-1\Endpiece -\end{music} - -\noindent which is tighter than you would ever want, but serves to further -demonstrate the use of \keyindex{mulooseness}. - -If you want to build up a \musixtex\ input file -manually (which in fact very few users will ever need to do, considering the -availability of \textbf{PMX}), here is a roadmap for one way to proceed: -\begin{enumerate} - \item Enter the data one \verb|\notes| group at a time, taking care to select the -relative horizontal spacing for each group (via the macros discussed in Section~\ref{newspacings}) -so as to maintain a consistent relationship between scalable space and note durations. -This will be discussed in a great deal more detail in Chapter~\ref{preparing}. - \item \TeX~$\Longrightarrow$ {\tt musixflx} $\Longrightarrow$ \TeX. - \item Look at the output and decide if you want to have more or fewer -systems, e.g.,~to fill the page or to get an even number of -pages.\index{musixflx@{\tt musixflx}} - \item If you want to change the number of systems in a section, adjust -\keyindex{mulooseness} accordingly. Keep in mind that each section cannot have fewer -systems than bars. -\item Delete \verb|jobname.mx2| and repeat the process\\ -\TeX~$\Longrightarrow$ \verb|musixflx| $\Longrightarrow$ \TeX. - -\end{enumerate} - -There is an alternate way to proceed if you know at the outset -how many systems -you want in a section. You can specify it directly by assigning a -positive number to \keyindex{linegoal} somewhere within the -section (\verb|\linegoal| requires -version 0.83 or later of \verb|musixflx|). -\keyindex{mulooseness} must be zero -for \keyindex{linegoal} to work. Both are automatically reset to -zero after processing the end of a section e.g., as defined by -\keyindex{stoppiece}. - -Finally, for large scores (more than 4 pages or so), having -only one section and an overall value of \verb|\mulooseness| becomes -impractical since one wants not only to have nicely spaced systems, but also -completely filled pages without empty top and -bottom margins on the last page. It is then wise to force the total number of -pages and possibly the line breaks in each page, which can be done using -\keyindex{alapage} and/or \keyindex{alaligne}\footnote{This is the technique -always used by \textbf{PMX} in constructing a \musixtex\ input file.}. -%avrb -%, or more automatically by -%means of the \keyindex{autolines} command borrowed from \musictex\ and -%implemented in the additional {\ttxem{musixcpt.tex}} file -%avre - -There is another advantage to \musixtex's way of using scalable space and -the three pass system. In -\TeX nical terms it eliminates the need for \ital{glue}, and enables -every horizontal position in a line to be computed. This in turn enables certain -variable length symbols such as slurs to be specified by macros entered at -their beginning and ending points, rather than having to estimate the -length of the symbol and enter it at the starting point. - - \subsection{Using \texttt{musixflx}} - -On most systems, \verb|musixflx| can be invoked by typing the name of the program -and the name of the file to be acted upon; i.e., -\begin{quote} -\verb|musixflx jobname.mx1| -\end{quote} -Optionally, you can add a letter to indicate one of the debug modes, which are: -\begin{quote} -\verb|d | for debug information to screen\\ -\verb|f | for debug information to file \verb|jobname.mxl|\\ -\verb|s | to get the computed lines immediately on screen -\end{quote} -To allow for ease of use with scripts, \verb|musixflx| can be fed -with either \verb|jobname.mx1|, \verb|jobname.tex| or only -\verb|jobname|, any one of which will open \verb|jobname.mx1|. - - \subsection{Unrecorded spaces: the novice's bugaboo} - -Because of the way \musixtex\ accounts for hard and scalable space and avoids -using glue, it is absolutely essential that every horizontal space be -properly entered into the input file. The most common error in this regard -is including a blank space in the midst \ital{or at the end} of an input line. -Such a blank space, or for that matter any stray character not entered with -an appropriate \musixtex\ macro, will not be properly -recognized and recorded by \musixtex, but it will still be treated like -ordinary text by \TeX. The symptoms of such a transgression will be an -{\bf Overfull hbox} warning during the third pass, and the appearance of -either excessive blank horizontal space or thick black vertical lines in -the page image. - -\medskip -\centerline{\fbox{Considerable discipline is needed to avoid this problem!}} -\smallskip - -The best technique for avoiding such unpleasantness is to avoid entering -any nonessential blanks within input lines, and to end every -input line with either \verb|%|\index{%@{\tt\char37}} or -\keyindex{relax}, unless it already ends with a control sequence -ending in a letter. - -There are other ways to enter unrecorded space which should be -avoided. Between \verb|\startpiece| and \verb|\stoppiece| or -\verb|\endpiece|, never use \verb|\hskip| or \verb|\kern| except -within \ital{zero}-boxes like \verb|\rlap|, \verb|\llap|, -\verb|\zcharnote|, \verb|\uptext|, etc., and never assign hard -values to scalable dimensions like \verb|\noteskip|, -\verb|\elemskip|, \verb|\afterruleskip| and \verb|\beforeruleskip|\footnote{Note that {\Bslash hardspace} does not fall in this -category; it is specifically designed to enter hard space in a way -that \musixtex\ can properly record it}. - -Here is a checklist of tips related to spacing issues. Because the -foregoing several paragraphs are so important, some of their content -is repeated in the list. - -\begin{enumerate} - \item -Between \verb|\startpiece| and \verb|\stoppiece| or \verb|\endpiece|, -end every input line with a either \verb|%| or a command with no arguments -(including \verb|\relax| and \verb|\en|). - \item \verb|\off| must only be used with scalable values, e.g., -\verb|\noteskip|, \verb|\elemskip|, \verb|\afterruleskip|, and - \verb|\beforeruleskip|. - \item Remember that \verb|\qqsk|, \verb|\qsk| and \verb|\hqsk| are scalable, i.e., \verb|\qsk| - doesn't necessarily mean exactly one note head width (it depends on \verb|\elemskip|). - \item Lyrics and any other non-\musixtex\ text must be put in zero-width boxes -such as - \verb|\zcharnote|, \verb|\zchar|, \verb|\rlap|, \verb|\lrlap|, \verb|\llap|, -\verb|\uptext|, or \verb|\zsong|. Additional specific capabilities for entering -lyrics are provided by - \verb|\hardlyrics|, \verb|\hsong|, and---most significantly---the -text-placement macros defined in \verb|musixlyr.tex| (see Chapter~\ref{lyrics}, -p.~\pageref{lyrics}). - \item -Between \verb|\startpiece| and \verb|\stoppiece| or \verb|\endpiece|, -don't assign hard values to \verb|\noteskip|, \verb|\beforeruleskip|, -or \verb|\afterruleskip|. -\end{enumerate} - - -\section{Further highlights} - %\check - \subsection{Key signatures} -\begin{sloppypar} -A single key signature can be assigned~to~all~instruments,~for~example~by -\keyindex{generalsignature}\verb|{-2}| -which sets two flats on each staff. \keyindex{generalsignature} -can be overridden for selected instruments, for example by -\keyindex{setsign}\verb|2{1}| which puts one sharp on each staff -of instrument number 2. Of course, the current signature as well -as meters and clefs may change at any time.\end{sloppypar} -\subsection{Transposition} -With some extra attention, a score can be input in such a way that it is -fairly easily transposed. There is an internal register -called \keyindex{transpose}, the default value of which is zero, but which may be -set to any reasonable positive or negative value. It defines a number of pitch -steps (lines or spaces on a staff) by which all pitched symbols with be offset, provided -they have been entered with letter values to represent their pitch. -However, -it will neither change the local accidentals nor the key signature. - -For -example, suppose a piece were originally input in F major, and it contained a -B natural, and you wanted to transpose it to G. If you simply set -\verb|\transpose| to 1 with no other special considerations, then -the key signature would not change, and -the B~natural would appear as a C~natural, whereas it should be a C~sharp. -So first you must explicitly change the key signature. Then, to -solve the problem with accidentals, you should declare -\verb|\relativeaccid|, which will cause the actual appearance of any -accidental to depend on the pitch of -the accidental as well as the current key signature. But the use of this -facility requires the typesetter to have entered the original set of accidentals -according to a nonstandard convention wherein an accidental does not -specifically refer to the black or white keys on a piano, but to the -amount by which the pitch is altered up or down from what it would naturally -have been, taking the key signature into account.\index{relative accidentals} This -is discussed in more detail in Section~\ref{transposeaccids}. Now, finally, you -can enter \verb|\transpose=1| with more or less the desired effect. - -More or less, because there is also an issue with stem -and beam directions. Normally a typesetter would want full control over them, -and would exercise that control by entering them with macros that explicitly -assign the direction. Naturally the assigned directions would persist -even after changing \verb|\transpose|. With respect to stems of unbeamed notes, -this matter can also be addressed at -the input level, by using special macros for notes that leave the -decision about stem directions up to \musixtex. These macros do the right -thing in the face of transposition. They are discussed in -Chapter~\ref{autostemdirections}. Unfortunately there is no corresponding -such facility for beams, so the typesetter will have to edit the transposed -score to adjust beam directions as required\footnote{\textbf{PMX} -will automatically adjust both stem and beam directions when transposing, which -is yet another reason to use it. However -if a piece is to be transposed, the typesetter must still explicitly activate relative accidentals -and enter accidentals according to the relative-accidental convention.}. - - %\check - \subsection{Extracting parts from a score} -It is possible to extract separate scores for -each individual instrument of a multi-instrument score. -If you use \textbf{PMX}, it is very easy; -see the documentation for \textbf{PMX}. -If you use \musixtex\ without a preprocessor, -see Chapter~\ref{parts}. - -%After assigning symbolic numbers to instruments, -%there are macros (see \ref{instrum-inhibit}) that permit -% \begin{itemize}\setlength{\itemsep}{0ex} -% \item choosing which instrument the following source code is attached to, -% \item choosing which staff of an instrument the following source code is -%attached to, -% \item hiding one or several instruments by zeroing out their staff sizes and staff -%numbers. -% \end{itemize} - - %\check - \subsection{Staff and note sizes} - Although the standard staff size is 20pt, \musixtex\ allows scores with -sizes of 16, 24, or 29pt. Furthermore, any instrument may be assigned its own special staff -size (usually smaller than the overall staff size), and there are special macros -(e.g., \verb|\smallnotesize|, \verb|\tinynotesize|) that cause notes, beams, and -accidentals all to take a different size. - -\subsection{Add-in macro libraries} -During the early stages of \musixtex's development, common versions of \TeX\ itself were -very limited in capacity, especially in terms of the numbers of registers that could -be defined for use in macros. For this historical reason, many important enhancements -to \musixtex\ are available only via add-in libraries. The user can thus pick and choose -which to include for any particular compilation. Most of these are included in -a \musixtex\ distribution, and their uses are discussed in this manual. The -libraries have names like \verb|blabla.tex|, and are activated by including a line -like \verb|\input blabla|\ within the the input file. The most common such files -are \ttxem{musixadd.tex} and \ttxem{musixmad.tex} which respectively increase the -number of instruments from the default 6 to 9 or 12 as well as increasing available numbers -of other features; \verb|musixps.tex| which enables Type~K Postscript slurs; and -\verb|musixlyr.tex| which greatly eases typesetting lyrics. In fact the latter two, -while now included in \musixtex\ distributions, are not documented in this manual but -in separate files, namely \verb|musixps.tex| itself and -\verb|mxlyrdoc.pdf| respectively. - - -\section{Installing and Using \musixtex}\label{using} - -As stated in the preface, -the \href{http://icking-music-archive.org/software/indexmt6.html} -{\underline{Werner Icking Music Archive}}\ (WIMA) contains excellent and detailed -instructions for installing \TeX, \musixtex{} and the strongly recommended -preprocessors \textbf{PMX} -(for instrumental music) and \mbox{\textbf{M-Tx}} (for vocal music) under -\href{http://icking-music-archive.org/software/htdocs/Getting_Started_Four_Scenar.html#SECTION00022000000000000000} -{\underline{Linux/\unix}}, -\href{http://icking-music-archive.org/software/htdocs/Getting_Started_Four_Scenar.html#SECTION00021000000000000000} -{\underline{Windows}} and -\href{http://icking-music-archive.org/software/htdocs/Getting_Started_Four_Scenar.html#SECTION00023000000000000000} -{\underline{Mac OS}}. - -As stated in Section~\ref{threepass}, to compile a \musixtex-formatted score, you must run -in sequence \verb|etex|, \verb|musixflx|, -and \verb|etex| again. This will produce a \verb|.dvi| file. From this point -forward, this file can be processed like the device-independent output file -for any \TeX\ document. The most common approach and the only one to -be discussed here is to next generate a Postscript file. This is accomplished -by running \verb|dvips|, which is included in every \TeX\ system; to prevent -inappropriate adjustments that \verb|dvips| makes by default, it is recommended to -add the option \verb|-e0|. To view the -Postscript, most users run {\tt GSview} or {\tt gv}, a front-end to {\tt ghostscript}, which must -be separately downloaded and installed. Finally, you may produce a PDF file -using \verb|ps2pdf| or GSview, and view that with any PDF viewer, such as -the Adobe Reader or {\tt GSview}. - -You also can view the \verb|.dvi| file directly using a DVI viewer such as Yap or \verb|xdvi|, -but, if you are using type K Postscript slurs or vectorized beams, some DVI viewers will not display them. - -Rather than executing all the foregoing programs separately, most users will -find it more convenient to use the \verb|musixtex| script that comes in most -distributions of \musixtex. For example, \verb|musixtex jobname| -will by default run the three passes described in Section~\ref{threepass}, -convert the result to PDF and delete intermediate files. -There are many options available to -change the behavior; run - -\verb|musixtex -h| - -\noindent to get a summary. - - -\section{Where to get help using \musixtex} - -The home base for all matters related to \musixtex\ is the -Werner Icking Music Archive, at -\href{http://icking-music-archive.org}{\underline{http://icking-music-archive.org}}. -There is a -\href{http://tug.org/mailman/listinfo/tex-music}{\underline{mailing list}}, -hosted by TUG, the \TeX\ Users Group, where you will always find -someone willing to answer questions and help solve problems. - - \section{A very brief history of \musixtex} -The idea of using \TeX\ to typeset music appears to have originated -around 1987 with the master's thesis of Andrea -{\sc Steinbach} and Angelika {\sc Schofer}\footnote{Steinbach A. \& Schofer -A., \ital{Automatisierter Notensatz mit \TeX}, master's thesis, -Rheinische Friedrich-Wilhelms Universit\"at, -Bonn, Germany, 1987}. They called their package -\mutex\index{mutex@\protect\mutex}. It was limited to a single staff. -It introduced two key concepts: (1) using -a large number of font characters to construct beams and slurs, and (2) using -\TeX\ glue to help control horizontal spacing and justification. - -The next major step came around 1991 when Daniel {\sc Taupin} created \musictex. -Its major enhancement was to allow multiple staves. But this came at a -price: some flexibility was lost in controlling horizontal spacing and -a great deal of trial and error became necessary to avoid excessive or -insufficient gaps before and after bar lines. - -\musictex\ was a single-pass system. To remedy its shortcomings it became clear -that a multi-pass system would be required. Around 1997 Dr.~Taupin along with Ross {\sc Mitchell} -and Andreas {\sc Egler} created the first version of \musixtex. At last a fully -automatic procedure was coded so as to provide pleasing horizontal spacing in -multi-staff scores. - -Significant enhancements to \musixtex, which have already been mentioned, have been provided -by Stanislav {\sc Kneifl} (Type~K Postscript slurs) and -Rainer {\sc Dunker} (Lyrics handling via \verb|musixlyr.tex|). - -Since Dr.~Taupin passed away in 2003, \musixtex\ has been maintained by a -varying cast including Olivier {\sc Vogel}, Hiroaki {\sc Morimoto}, -Bob {\sc Tennent}, Andre {\sc Van Ryckeghem}, -Cornelius {\sc Noack}, and Don {\sc Simons}. - -No discussion of the history of \musixtex\ would be complete without mentioning -the contributions of Werner {\sc Icking}. From the early days of \mutex\ until -his untimely death in 2001, he served this line of software as its most prominent -proponent, beta tester, web site and mailing list editor, consultant, -problem solver, and inspiration for -many third-party enhancements including \textbf{PMX}. In fact he founded the -mailing list and the archive that now is named in his honor. The web site is -currently edited by Christian {\sc Mondrup}, the software page by Bob {\sc Tennent}, -and the mailing list by Maurizio {\sc Codogno}. - - diff --git a/macros/musixtex/doc/musixdoc/layout.tex b/macros/musixtex/doc/musixdoc/layout.tex deleted file mode 100644 index a22a88255c..0000000000 --- a/macros/musixtex/doc/musixdoc/layout.tex +++ /dev/null @@ -1,185 +0,0 @@ -\chapter{Managing the Layout of your Score} -\section{Line and page breaking}\label{linebreak} -If every bar ends with \verb|\bar| and no other line- or page-breaking commands -are used, then the external program \verb|musixflx| will decide where to insert -line and page breaks. Line breaks will only come at bar lines. The total -number of lines will depend on the initial value of \verb|\elemskip|, which by -default is \verb|6pt| in \verb|\normalmusicsize|. - -You can force a line or page break by replacing \keyindex{bar} with -\keyindex{alaligne} or \keyindex{alapage} respectively. On the other hand, -to forbid line-breaking at a particular bar, replace \verb|\bar| -with \keyindex{xbar}. To force a line or page break where there is -no bar line, use \keyindex{zalaligne} or \keyindex{zalapage}. To mark any -mid-bar location as an optional line-breaking point, use \keyindex{zbar}; -to force the mid-bar bar line to the end of a system, use \keyindex{zzbar}. - -The heavy final double bar of a piece is one of the consequences of -\keyindex{Endpiece} or \keyindex{Stoppiece}. If you just want to terminate -the text with a simple bar, say \keyindex{stoppiece} or \keyindex{endpiece}. -To terminate it with no bar line at all, code \keyindex{zstoppiece}. -If you want to suppress right-justification of the last line of a score, -use \keyindex{raggedstoppiece}; the bar line can be suppressed by -using \keyindex{zendpiece} (or \keyindex{setemptybar}). - -Once you have stopped the score by any of these means, you may want to restart -it, and there are several ways to do so. If you don't need to change the key -signature, meter, or clef, -you can use \keyindex{contpiece} for no indentation, or \keyindex{Contpiece} -to indent by \keyindex{parindent}. If you do want to change some score -attribute that takes up space, for example -with \keyindex{generalsignature} after \verb|\stoppiece|, then to restart you -must use \keyindex{startpiece}. However, if you don't want \verb|\barno| reset -to 1, you must save its new starting value to \verb|\startbarno|. You may also -wish to modify instrument names or \verb|\parindent| before restarting. - -Recall that thin-thin or thin-thick double bars or blank bar lines can be -inserted without stopping by using the commands described in Section~\ref{doublebars}. -Those commands can also be used before \verb|\stoppiece|, -\verb|\alaligne|, or \verb|\alapage| - -\section{Page layout} -Blank space above and below each staff is controlled by the dimension -registers \keyindex{stafftopmarg} and \keyindex{staffbotmarg}. For more -info see Chapter~\ref{LayoutParameters}. - -The macro \keyindex{raggedbottom} will remove all vertical glue and -compact everything toward the top of page. -In contrast, the macro \keyindex{normalbottom} will restore default -behavior, in which vertical space between the systems is distributed -so that the first staff -on the page is all the way at the top and the last staff all the way at -the bottom. -The macro \keyindex{musicparskip} will allow the existing space between -systems to increase by up to \verb|5\Interligne|. - -The following values of page-layout parameters will allow as much material -as possible -on a page, provided the printer supports these dimensions which -imply approximately half-inch margins: - -\begin{center} -\begin{tabular}{|l|l|}\hline -\multicolumn{1}{|c|}{A$4$}&\multicolumn{1}{|c|}{letter}\\\hline -\verb+\hsize=190mm+&\verb+\hsize=7.5in+\\\hline -\verb+\vsize=270mm+&\verb+\vsize=10in+\\\hline -\end{tabular} -\end{center} -\zkeyindex{parindent}\zkeyindex{hoffset}\zkeyindex{voffset} -\zkeyindex{hsize}\zkeyindex{vsize} -You may have to be more conservative if you have headlines or footlines -or want -even/odd-page asymmetry, such as with the \keyindex{rectoverso} -command in \verb|musixsty.tex| (Section~\ref{musixsty}). -If a score is going to be ``published'' at a public repository (such as -\mbox{\textsc{imslp}}), you may want to allow for \emph{either} -A$4$ \emph{or} letter paper, for example by setting the \verb|\hsize| to~190~mm -and the \verb|\vsize| to~10~in. - -To generate a score in ``landscape''\index{landscape mode} mode, adjust the -text-size parameters above accordingly (e.g., \verb+\hsize=10in+ and \verb+\vsize=7.5in+) -and add a suitable \verb\papersize\ ``special'' to the \TeX\ output, as in -\verb+\special{papersize=11in,8.5in}+. - - -For \emph{any} values of -\verb|\hsize| and \verb|\vsize|, -material will normally be centered on the page by using -command sequences such as the following, which simply split the difference between the page size and the text size, -and then subtract one inch because of \TeX\ conventions: -\begin{enumerate} -\item[For A$4$ paper, portrait mode (210~mm $\times$ 297~mm):]\quad\\[-2ex] -\begin{verbatim} -\hoffset=210mm\advance\hoffset-\hsize\divide\hoffset2 -\advance\hoffset-1.0in -\voffset=297mm\advance\voffset-\vsize\divide\voffset2 -\advance\voffset-1.0in -\end{verbatim} -\item[For letter-size paper, portrait mode (8.5~in $\times$ 11~in):] \quad\\[-2ex] -\begin{verbatim} -\hoffset=8.5in\advance\hoffset-\hsize\divide\hoffset2 -\advance\hoffset-1.0in -\voffset=11in\advance\voffset-\vsize\divide\voffset2 -\advance\voffset-1.0in -\end{verbatim} -\end{enumerate} - -To determine the maximal dimensions that \emph{your} printer is capable of, -process the standard file \verb|testpage.tex| with \LaTeX\ and -print the result. The ``rulers'' on four sides will indicate -how much of the one-inch ``margin'' material outside the frame can actually be printed. -Your \verb|\hsize| and \verb|\vsize| parameters can be increased, or, if necessary, decreased -accordingly. If your score is going to be printed by a publisher or a colleague, you can send -\verb|testpage.pdf| to them to determine what margins are necessary for their -printer. - -However, if the margins on the \verb|testpage| output are \emph{not} -symmetric, -the printer is mis-aligned. -If this can't be corrected, the margin offsets will -have to be adjusted. Ideally, this should be done in the \TeX\ configuration -so all \TeX\ output will be corrected, but offsets can be adjusted -for just \verb|musixtex| output using -\verb|\advance\hoffset ...| and/or -\verb|\advance\voffset ...| -after the ``normal'' settings given above. - - - - -\section{Page numbering, headers and footers}\index{page -number}\index{footnote} - -There are no special page numbering facilities in \musixtex; you must rely on -macros from plain \TeX. There is a count register in \TeX\ called -\verb|\pageno|. It is always initialized to $1$ and incremented by one -at every page break. By saying \keyindex{pageno}\verb|=|$n$, it can be reset to any -value at any time, and will continue to be incremented from the new value. - -By default, \TeX\ will place a page number on -every page, centered at the bottom. Unfortunately, this is not the preferred -location according to any standard practice. To suppress this default -behavior, say \keyindex{nopagenumbers}. - -One way to initiate page numbering in a more acceptable location is to take -advantage of the facts that (a) \TeX\ prints the contents of the control sequences -\keyindex{headline} and \keyindex{footline} at the top and bottom -respectively of every page, and (b) the value of \verb|\pageno| can be printed by -saying \keyindex{folio}. Therefore, for example, the following sequence of -commands, issued anywhere before the end of the first page, will cause page -numbers and any desired text to be printed at the top of every page, -alternating between placement of the number at the left and right margins, and -alternating between the two different text strings (the capitalized text in -the example): - -\begin{quote}\begin{verbatim} -\nopagenumbers -\headline={\ifodd\pageno\rightheadline\else\leftheadline\fi}% -\def\rightheadline{\tenrm\hfil RIGHT RUNNING HEAD\hfil\folio}% -\def\leftheadline{\tenrm\folio\hfil LEFT RUNNING HEAD\hfil}% -\voffset=2\baselineskip -\end{verbatim}\end{quote} - -\section{Controlling the total number of systems and pages}\index{page/line layout} - -Once all the notes are entered into a \musixtex\ score, it would be convenient -if there were a simple sequence of commands to -cause a specified number of systems to be uniformly distributed over a -specified number of pages. Unfortunately that's not directly -possible\footnote{It \textit{is} possible in \textbf{PMX}.}. -Rather, some trial and error will usually be required to achieve the desired final -layout. To this end, some combination of the following strategies may be used: - - \begin{enumerate}\setlength{\itemsep}{0ex} - \item Assign a value to the count register \keyindex{linegoal} representing -the total number of systems. The count register \keyindex{mulooseness} must be $0$ if using -\verb|\linegoal|. - \item Explicitly force line and page breaking as desired, using -the macros \verb|\alaligne|, \verb|\alapage|, \verb|\zalaligne| -or \verb|\zalapage|. - \item Adjust both \keyindex{mulooseness} and the initial value of -\keyindex{elemskip}: increasing \verb|\mulooseness| from its default of 0 will -increase the total number of systems, while changing the initial value of -\verb|\elemskip| (use \verb|\showthe\elemskip| to find its default value) may change the -total number of systems accordingly. - \end{enumerate} diff --git a/macros/musixtex/doc/musixdoc/lyrics.tex b/macros/musixtex/doc/musixdoc/lyrics.tex deleted file mode 100644 index 41d52fa221..0000000000 --- a/macros/musixtex/doc/musixdoc/lyrics.tex +++ /dev/null @@ -1,407 +0,0 @@ -\chapter{Lyrics}\index{lyrics}\label{lyrics} -\musixtex{} itself doesn't manage lyrics very well. You should use -\verb+musixlyr+ instead, a \musixtex\ extension package for lyrics handling by Rainer Dunker. -The \TeX~source and -\href{http://icking-music-archive.org/software/musixtex/add-ons/mxlyrdoc.pdf} -{\underline{documentation}}~are included in the \musixtex~distribution. - -But first we recall briefly the older methods, which may still be useful when -only a small number of words are involved. - -\section{Native lyrics method: placing single words} -\subsection{Native \musixtex\ commands for lyrics} - \begin{enumerate}\setlength{\itemsep}{0ex} - \item An obvious solution is to use the commands -\keyindex{zcharnote} (expanded to the right), -\keyindex{lcharnote} (expanded to the left), -\keyindex{ccharnote} (centered), to post the text at any position (computed in -\verb|\internote|s) with respect to the lower line of the current staff. -The pitch should be usually negative, to have the text below the staff. - -Example:\quad -\raisebox{0ex}[4ex][3ex]{\musicintextnoclefn{\notes\sk\zcharnote{N}{Word}\wh g\sk\en}} -\quad is coded by \quad -\verb|\zcharnote{N}{Word}\wh g|~. - -\item The vertical position can also be given with a number in the commands -\keyindex{zchar} (expanded to the right), -\keyindex{lchar} (expanded to the left), -\keyindex{cchar} (centered). The number is internally multiplied by \verb|\internote|~. - -Example:\quad -\raisebox{0ex}[4ex][3ex]{\musicintextnoclefn{\notes\sk\cchar{-4}{Word}\wh g\sk\en}} -\quad is coded by \quad -\verb|\cchar{-5}{Word}\wh g|~. - -\item Of easier use are the commands \keyindex{zsong} (right of the note), -\keyindex{lsong} (left) and \keyindex{csong} (centered) which post the lyrics -at the lower staff line \ital{minus} the previous -\keyindex{interinstrument}~$n$ or the \keyindex{staffbotmarg} quantity. These -commands only have one argument, namely the lyrics text: -%\begin{center} -\keyindex{zsong}\verb|{|\ital{text}\verb|}|\quad -\keyindex{lsong}\verb|{|\ital{text}\verb|}|\quad -\keyindex{csong}\verb|{|\ital{text}\verb|}| -%\end{center} - Depending on the values of the inter-instrument spacings and margins, the -resulting vertical position might be inappropriate. Then it can be changed for -any specific $n$-th instrument until further change using -\begin{quote} -\keyindex{setsongraise}~$n$\verb|{|\ital{any \TeX-dimension}\verb|}| -\end{quote} -As an example, the following French song\\ - \begin{music} - \generalsignature{1} - \startextract - \geometricskipscale - \NOtes\zsong{Au }\qu g\en - \NOtes\zsong{clair }\qu g\en - \NOtes\zsong{de }\qu g\en - \NOtes\zsong{la }\qu h\en - \bar - \NOTes\zsong{lu- }\hu i\en - \NOTes\zsong{ne, }\hu h\en - \bar - \NOtes\zsong{mon }\qu g\en - \NOtes\zsong{a- }\qu i\en - \NOtes\zsong{mi }\qu h\en - \NOtes\zsong{Pier- }\qu h\en - \bar - \NOTes\zsong{rot, }\wh g\sk\en - \endextract - \end{music} - -\noindent was coded as: -\begin{quote}\begin{verbatim} - \generalsignature{1} - \startextract - \geometricskipscale - \NOtes\zsong{Au }\qu g\zsong{clair }\qu g\en - \NOtes\zsong{de }\qu g\zsong{la }\qu h\en\bar - \NOTes\zsong{lu- }\hu i\zsong{ne, }\hu h\en\bar - \NOtes\zsong{mon }\qu g\zsong{a- }\qu i\en - \NOtes\zsong{mi }\qu h\zsong{Pier- }\qu h\en\bar - \NOTes\zsong{rot, }\wh g\sk\en - \zendextract -\end{verbatim}\end{quote} -\end{enumerate} - -\subsection{Adapting note spacing for lyrics} - -The command \keyindex{hardlyrics}\verb|{longword}| provides a spacing that is equal to the length -of the text argument \verb|{longword}|. In the same time the argument \verb|{longword}| -is saved in \keyindex{thelyrics} - -As an example \quad -\raisebox{0ex}[5ex][4ex]% -{\musicintextnoclefn{\staffbotmarg2\Interligne% -\hardlyrics{clair}\notes\hsong{\thelyrics}\wh g\en\notes\wh{gg}\en}} -\quad is coded by: -\begin{tabular}{l} -\verb|\hardlyrics{clair}%|\\ -\verb|\notes\hsong{\thelyrics}\wh g\en|\\ -\verb|\notes\wh{gg}\en|\\ -\end{tabular} - -All notes with long lyrics need such a treatment. The commands only carry out on -\verb|\notes| (not on \verb|\Notes|, \verb|\NOtes|...). - -If you want to go back to the normal placing on an easy way, you simply can replace -'\verb|\hardlyrics|' by '\verb|\softlyrics|'. - - A complete score is given in example {\tt glorias.tex}\label{glorias} and in -{\tt gloriab.tex}, the latter exhibiting not only the song tune but also the -organ accompaniment. - -Alternate versions of \verb|\hsong| are \keyindex{dhsong} which has a fixed -length of \verb|2\noteskip| and \keyindex{thsong} whose fixed length is -\verb|3\noteskip|. These are useful when the text is set below (or above) a -collective coding of two or three notes. - -\section{Musixlyr}\label{musixlyr} - -Lyrics are best handled by the \texttt{musixlyr}\index{musixlyr} package by Rainer Dunker. -The package can be used by inserting a line in your source code: -\begin{quote}\begin{verbatim} -\input musixtex -\input musixlyr -... -\end{verbatim}\end{quote} - -The manual, the input file and a few examples are in \musixtex\ distributions, or they -may be downloaded -\href{http://icking-music-archive.org/software/musixtex/add-ons/musixlyr21c.zip} -{\underline{for Windows}} or \href{http://icking-music-archive.org/software/musixtex/add-ons/musixlyr21c.tgz} -{\underline{for \unix}}. Look at the manual for a detailed description. Here is an overview -of the commands and an example of use.\pagebreak - -\def\keyexample#1{\keyindex{#1}} - -\noindent\begin{small}\begin{tabbing} -\verb|\NOtes|\keyexample{assignlyricshere}\verb|{alto}\qa c\en|\quad\= assigning without staff number\kill -Example\> Explanation -\end{tabbing} -\vspace{-1ex} -\hrule -\vspace{-2ex} -\begin{tabbing} -\verb|\NOtes|\keyexample{assignlyricshere}\verb|{alto}\qa c\en|\quad\= assigning without staff number\kill -\keyexample{setlyrics}\verb|{sopr}{the ly_-ric words_}|\> defining the lyrics text\\ -\keyexample{copylyrics}\verb|{sopr}{alto}|\> alto has same lyrics as soprano\\ -\keyexample{appendlyrics}\verb|{alto}{more words}|\> alto lyrics is longer\\ -\keyexample{assignlyrics}\verb|2{sopr,alto}|\>soprano and alto lyrics at staff $2$\\ -\keyexample{assignlyricsmulti}\verb|{1}{2}{alto}|\>assign alto lyrics to staff $2$ of instrument $1$\\ -\verb|\NOtes|\keyexample{assignlyricshere}\verb|{alto}\qa c\en|\>assigning without staff number\\ -\keyexample{auxlyr}\verb|\assignlyrics{2}{sopr}|\> assign soprano above staff $2$\\[.8ex] -\keyexample{lyrrule}\verb|\qu c|...\keyexample{lyrruleend}\verb|\qu c|\>make a melisma by hand\\ -\keyexample{beginmel}\verb|\qu c|...\keyexample{endmel}\verb|\qu c|\>melisma, same as word extension underline\\[.8ex] -\keyexample{lyr}\verb|\qu c|\>force a syllable from lyrics text at this note or rest\\ -\keyexample{lyric}\verb|{word}\qu c|\>insert syllable 'word' at this note\\ -\verb|\loffset{2}{|\keyexample{lyric*}\verb|{1.}}\qu c|\>combine \verb|1.| with regular syllable\\ -\keyexample{lyrich}\verb|{syl}\qu c|\>same as \verb|\lyric|, but with hyphenation\\ -\keyexample{lyrich*}\verb|{}\qu c|\>same as \verb|\lyric*|, but with hyphenation\\ -\keyexample{lyricsoff}...\keyexample{lyricson}\>stop lyrics, then start again\\ -\keyexample{nolyr}\verb|\qu c|\>no syllable at this note\\[.8ex] -\keyexample{llabel}\verb|{labelname}name|\>labelling a ``go to'' target in text\\ -\keyexample{golyr}\verb|{labelname}\qu c|\>perform a jump, in music code\\[.8ex] -\keyexample{lyrpt}\verb|,\qu c|\>add a comma to the syllable under this note\\ -\keyexample{lyrnop}\verb|\qu c|\>remove last character in syllable\\ -\keyexample{lclyr}\verb|\qu c|\>make first character lower case\\ -\keyexample{llyr}\verb|\qu c|\>left justified syllable\\ -\keyexample{leftlyrtrue}\verb|\qu c|...\keyexample{leftlyrfalse}\verb|\qu c|\>start and stop left justification as the default\\ -\keyexample{lyroffset}\verb|{-4}\qu c|\>shift syllable $1$ notehead to the left\\[.8ex] -\keyexample{minlyrspace}\verb|{3pt}\qu c|\>define minimum space between the words\\ -\keyexample{forcelyrhyphenstrue}\verb|\qu c|\>always use a hyphen from now on\\ -\keyexample{forcelyrhyphensfalse}\verb|\qu c|\>remove hyphen and make one word if necessary \\ -\keyexample{showlyrshifttrue}\verb|\qu c|\>show the lyric shift\\[.8ex] -\keyexample{lyrraise}\verb|{1}{a 2\Interligne}|\>raise lyrics below staff $1$ by \verb|2\Interligne|\\ -\keyexample{lyrraisemulti}\verb|{1}{2}{a 2\Interligne}|\>raise alto lyrics above staff $2$ of instrument $1$\\ -\keyexample{lyrraisehere}\verb|{b 2\Interligne}\qu c|\>raise lyrics below this staff by \verb|2\Interligne|\\[.8ex] -\keyexample{minlyrrulelength}\verb|{2mm}|\>melismas shorter than $2$mm are not shown \\ -\keyexample{minmulthyphens}\verb|{15mm}|\>distance between hyphens in 'hyphen melisma'\\ -\verb|\def|\keyexample{lyrhyphenchar}\verb|{-}|\>chose a hyphen character\\ -\verb|\setlyrics{|\keyexample{lyrlayout}\verb|{\it}..}|\>apply italics to all lyrics lines\\ -\keyexample{verses}\verb|{,\beginmel}\qu c|\>initiate melisma at second verse\\[.8ex] -\verb|\small|\keyexample{setlyrstrut}\>adapt the vertical distance between lyrics lines\\ -\keyexample{lyrstrutbox}\verb|{10pt}|\> (re)define the distance between the lyrics lines\\[.8ex] -\keyexample{lyrmodealter}\verb|2|\>attach lyrics of staff $2$ to the upper voice\\ -\keyexample{lyrmodealtermulti}\verb|{1}{2}|\>attach lyrics of instr.\ $1$ staff $2$ to the upper voice\\ -\keyexample{lyrmodealterhere}\verb|\qu c|\>attach lyrics of this staff to the upper voice\\ -\keyexample{lyrmodenormal}\verb|2|\>restore the default behaviour\\ -\keyexample{lyrmodenormalmulti}\verb|{1}{2}|\>restore the default behaviour at staff $2$ of instr.\ $1$\\ -\keyexample{lyrmodenormalhere}\verb|\qu c|\>restore the default behaviour of this staff\\[.8ex] -\keyexample{lyrlink}\>linking two words with a '$_{_\smile}$'\\ -\keyexample{lowlyrlink}\>same as \verb|\lyrlink| but a little bit lower\\[.8ex] -\keyexample{resetlyrics}\>set word pointer to the first word in all lyrics lines\\[.8ex] -\keyexample{enableauxlyrics}\>don't use this anymore\\ -\keyexample{setsongraise}\verb|{1}{2\Interligne}|\>same as \verb|{\lyrraise}{1}{b 2\Interligne}|\\ -\keyexample{auxsetsongraise}\verb|{1}{2\Interligne}|\>same as \verb|{\lyrraisemulti}{1}{b 2\Interligne}|\\ -\keyexample{oldlyrlinestart}\>don't let the lyrics extend to the left margin\\ -\end{tabbing}\end{small} - -As a further illustration of the use of the commands, have a look at the following -example\footnote{The example is taken from the \texttt{musixlyr} manual.}: - -\medskip\medskip -%\oneversespace -\begin{music} -\input musixlyr - \resetlyrics \small -\lyrmodealter0 - \setlyrics{soprano}{bring her die Gans,} \auxlyr{\assignlyrics1{soprano}} - \copylyrics{soprano}{alto} \assignlyrics1{alto} - - \generalsignature{-2} - \advance\stafftopmarg1\Interligne - \advance\staffbotmarg2\Interligne - - \startextract\addspace\afterruleskip - \NOtes\zqu g\ql e\en - \bar - \Notes\zqu i\beginmel\ibslurd0f\ibl0f{-1}\qb0{fe}\en - \Notes\auxlyr\beginmel\ibsluru1i\zqup i\qb0d\en - \Notes\tqb0e\en - \Notes\endmel\tbslurd0e\ql c\en - \notes\ibbu0h{-1}\qb0h\tqh0g\en - \NOtes\auxlyr\endmel\tbsluru1h\zqu h\ql c\en - \bar - \NOTEs\auxlyr\lyr\zwh i% The lyrics of the whole notes - \lyr\wh b\en % must be given manually. - \endextract - \lyrmodenormal0 -\end{music} -\medskip - -%\oneversespace - -which was coded as: -\begin{quote} -\begin{verbatim} -% define lyrics above the staff -\setlyrics{soprano}{bring her die Gans,} -% lyric beneath the staff are the same -\copylyrics{soprano}{alto} -% assign alto lyrics below staff 1 on the notes with stem down -\assignlyrics1{alto} -% assign soprano lyrics above staff 1 on the notes with stem up -\auxlyr{\assignlyrics1{soprano}} -% attach both lyrics to the upper voice -\lyrmodealter0 -\generalsignature{-2} -% make place for the lyrics -\advance\stafftopmarg1\Interligne\advance\staffbotmarg2\Interligne -\startextract\addspace\afterruleskip -\NOtes\zqu g\ql e\en\bar -% start melisma in lower lyrics -\Notes\zqu i\beginmel\ibslurd0f\ibl0f{-1}\qb0{fe}\en -% start melisma in upper lyrics -\Notes\auxlyr\beginmel\ibsluru1i\zqup i\qb0d\tqb0e\en -% end melisma in lower lyrics -\Notes\endmel\tbslurd0e\ql c\en -\notes\ibbu0h{-1}\qb0h\tqh0g\en -% start melisma in upper lyrics -\NOtes\auxlyr\endmel\tbsluru1h\zqu h\ql c\en\bar -% The lyrics of the whole notes (without stem) must be given manually. -\NOTEs\auxlyr\lyr\zwh i\lyr\wh b\en -\endextract -\lyrmodenormal0 -\end{verbatim}\end{quote} - - \section{Getting enough vertical space for lyrics} - Since songs are -usually equivalent to a one-staff instrument (possibly with several voices) -the recommended solution consists in adjusting the distance between -instruments using either \keyindex{interinstrument}\verb|=|\ital{any -\TeX-dimension} to give more place below all instruments or using -\keyindex{setinterinstrument} to make more space above. Note that {\Bslash -setinterinstrument} defines spacing above and not below an instrument. Since -lyrics are usually set below the staff, the first argument of a -\verb|\setinterinstrument| should be the song instrument number \ital{minus -one}. - - In the case of a single staff tune, or if the song instrument is the lowest -one, then additional place can be provided using \keyindex{staffbotmarg}. - -\section{Fine tuning the placement of the lyrics} - When not using \verb|\hardlyrics|, on short notes, sometimes - the lyrics are shifted away from the notes or they collide with other words. - This are a few approaches to get around this: -\begin{enumerate}\setlength{\itemsep}{0ex} -\item Making more music lines for the notes to go further apart. This could be done with -\verb|\mulooseness|. -\item Stretch a bar with short notes in it by i.e.,~replacing \verb|\notes| by \verb|\NOTes|. -\item Insert space between the notes by using \verb|\sk|, \verb|\hsk|, \verb|\qsk|, \verb|\qqsk|, ... -\item Stretch a bar with short notes in it by using the command \keyindex{scale}: -\begin{verbatim} -\scale{1.6}\notes..\en\scale{1}% -\end{verbatim} -This method can be used in \textbf{PMX} but only with care, because it changes horizontal spacing -in a way that \textbf{PMX} will not be aware of. It will not move bars to the next line, but -will shorten the other bars on the line. - -As an example, the lyrics of this music line are better placed by using \verb|\scale| in -the first bar and moving to the left the word 'mon'. Note that the hyphen is removed -when there is no place for it: - - \begin{music} - \input musixlyr - \resetlyrics - \setlyrics{v1}{Au clair de la lu-ne, mon a-mi Pier-rot,}% - \assignlyrics1{}\assignlyrics1{v1}% - \staffbotmarg2\Interligne\generalsignature{1}% - \startextract - \geometricskipscale - \notes\qu{gggh}\en\bar - \Notes\hu{ih}\en\bar - \notes\qu{gihh}\en\bar - \Notes\wh g\en - \endextract -% \end{music} -%%%%% combined for saving registers %%%%% -% \begin{music}\nostartrule -% \input musixlyr - \resetlyrics - \setlyrics{v1}{Au clair de la lu-ne, \kernm1exmon a-mi Pier-rot,}% - \assignlyrics1{}\assignlyrics1{v1}% - \staffbotmarg2\Interligne\generalsignature{1}% - \startextract \geometricskipscale - \scale{1.4}\notes\qu{gggh}\en\bar\scale{1}% - \Notes\hu{ih}\en\bar - \notes\qu{gihh}\en\bar - \Notes\wh g\en - \endextract - \end{music} - -\medskip -The code of the second music line is (\verb|\assignlyrics1{}| is only needed because -lyrics are assigned before this in this manual): -\begin{quote}\begin{verbatim} - \begin{music} - \input musixlyr - \resetlyrics - \setlyrics{v1}{Au clair de la lu-ne, \kernm1exmon a-mi Pier-rot,}% - \assignlyrics1{}\assignlyrics1{v1}% - \staffbotmarg2\Interligne\generalsignature{1}% - \startextract \geometricskipscale - \scale{1.4}\notes\qu{gggh}\en\bar\scale{1}% - \Notes\hu{ih}\en\bar - \notes\qu{gihh}\en\bar - \Notes\wh g\en - \endextract - \end{music} -\end{verbatim}\end{quote} - -\item Moving a word in any direction - -\begin{small} -\noindent\begin{tabular}{ll} -\multicolumn{2}{l}{\Bslash setlyrics\{alto\}\{\Bslash kernm3ex1.$\sim\sim$firstsyllable...\}}\\ -& left-move verse number\\ -\verb|\setlyrics{alto}{...\kern1exword...}| &right-move a single word\\ -\verb|\setlyrics{alto}{...\lower2pt\hbox{word}...}|& lower a single word\\ -\verb|\setlyrics{alto}{...\raise2pt\hbox{word}...}|& raise a single word\\ -\multicolumn{2}{l}{\Bslash def\Bslash strut\{\Bslash vbox to 2\Bslash Interligne\{\}\}% -\Bslash setlyrics\{alto\}\{\Bslash lyrlayout\{\Bslash strut\}...\}} \\ -& control distance between verses\\ -\verb|\lyrlayout{\vphantom{Mp(\lowlyrlink}|& minimum distance between verses\\ -\multicolumn{2}{l}{\Bslash setbox\Bslash lyrstrutbox=\Bslash hbox\{\Bslash vphantom\{yM\Bslash lyrlink\}\}}\\ -& redefine default lyrstrut -\end{tabular} -\end{small} - -\item Placing of accents can be made easier as shows this example: -\begin{center} -\begin{minipage}{50mm} -\begin{music}\nostartrule -\input musixlyr -\catcode`\ä\active \defä{\"a} -\catcode`\ö\active \defö{\"o} -\catcode`\å\active \letå\aa -\setlyrics1{å ä ö} -\assignlyrics1{}\assignlyrics11 -\startextract - \setsongraise1{1ex}\NOtes\qa{ggg}\en -\zendextract -\end{music} -\end{minipage}% -\begin{minipage}{80mm} -\verb|\catcode`\|\"a\verb|\active \def|\"a\verb|{\"a}|\\ -\verb|\catcode`\|\"o\verb|\active \def|\"o\verb|{\"o}|\\ -\verb|\catcode`\|\aa\verb|\active \let|\aa\verb|\aa|\\ -\verb|\setlyrics1{|\aa\ \"a\ \"o\verb|} \assignlyrics1{}|\\ -\verb|\assignlyrics11|\\ -\verb|\startextract|\\ -\verb|\NOtes\qa{ggg}\en|\\ -\verb|\zendextract|\\ -\end{minipage} -\end{center} -\item Using an 8-bit encoded characterset.\label{8bit} -If you use default (Computer Modern) fonts, you will want to switch to -the EC variants -by putting -%\verb+\input plainenc\relax\inputencoding{cp850}+ % doesn't work! -\verb+\input musixec+ -after \verb+\input musixtex+ in your source file. - -\end{enumerate} - diff --git a/macros/musixtex/doc/musixdoc/miscellaneous.tex b/macros/musixtex/doc/musixdoc/miscellaneous.tex deleted file mode 100644 index 6b1cbf4fe5..0000000000 --- a/macros/musixtex/doc/musixdoc/miscellaneous.tex +++ /dev/null @@ -1,1097 +0,0 @@ -\chapter{Miscellaneous Other Notations} -%avre - \section{Metronomic indications} -%Metronomic indication deserves a special macro. The mention: -% -%\medskip -%\centerline{\def\nbinstruments{0}\metron{\hup}{60}} -% -%\smallskip\noindent -%is coded by \keyindex{metron}\verb|{\hup}{60}| (normally embedded in -%\keyindex{Uptext} which is in turn embedded within \verb|\notes...\en|). -% -% On the other hand, music writers sometimes want to specify that the duration -%of a previous note is equal to a distinct furthernote. Thus -% -% \smallskip -%\centerline{\def\nbinstruments{0}\metronequiv{\qup}{\qu}} -% -%\smallskip\noindent -%is coded by \keyindex{metronequiv}\verb|{\qup}{\qu}|. - -By way of example, the notations -\begin{quote} -\def\nbinstruments{0} -\metron{\qu}{60} -\quad and\quad -\def\nbinstruments{0}\metronequiv{\qup}{\qu} -\end{quote} -are -respectively coded as -\keyindex{metron}\verb|{\qu}{60}| and \keyindex{metronequiv}\verb|{\qup}{\qu}|, -which are normally placed using \keyindex{Uptext}. -Also, you can set a smaller metronomic indication like -\begin{quote} - \def\nbinstruments{0}\metron{\smallnotesize\lqu}{ca.~72} -\quad or \quad -\def\nbinstruments{0}\metron{\tinynotesize\lqu}{ca.~72} -\end{quote} -by writing -\begin{quote} -\verb|\metron{\smallnotesize\lqu}{ca.~72}| -\end{quote} -or -\begin{quote} -\verb|\metron{\tinynotesize\lqu}{ca.~72}| -\end{quote} - - \section{Accents} - -You may use\footnote{Note from the editor: the reason the names of some of -these macros don't seem to suggest the terms used in the -descriptions is that apparently Daniel Taupin had in mind other terms, -such as \emph{pizzicato}.} -\begin{itemize}\setlength{\itemsep}{0ex} - \item \keyindex{upz}\pitchp~(upper \itxem{staccato}) to put a dot above a note -head at pitch $p$, - \item \keyindex{lpz}\pitchp~(lower \ital{staccato}) to put a dot below a note -head at pitch $p$, - \item \keyindex{usf}\pitchp~(upper \itxem{sforzando}) to put a $>$ accent above -a note head at pitch $p$, - \item \keyindex{lsf}\pitchp~(lower \itxem{sforzando}) to put a $>$ accent below -a note head at pitch $p$, - \item \keyindex{ust}\pitchp~(upper \itxem{tenuto}) to put a -hyphen above a note head at pitch $p$, - \item \keyindex{lst}\pitchp~(lower \ital{tenuto}) to put a -hyphen below a note head at pitch $p$, - \item \keyindex{uppz}\pitchp~(upper \itxem{staccatissimo}) to put a solid vertical -wedge above a note head at pitch $p$, - \item \keyindex{lppz}\pitchp~(lower \ital{staccatissimo}) to put an inverted -solid vertical wedge below a note head at pitch $p$, - \item \keyindex{usfz}\pitchp~(upper \itxem{forzato}) to put a -``dunce cap'' above a note head at pitch $p$, - \item \keyindex{lsfz}\pitchp~(lower \ital{forzato}) to put an inverted -``dunce cap'' below a note head at pitch $p$, - \item \keyindex{upzst}\pitchp~(upper \itxem{mezzo-staccato/portato}) to put a -dot and a hyphen above a note head at pitch $p$, - \item \keyindex{lpzst}\pitchp~(lower \ital{mezzo-staccato/portato}) to put a -dot and a hyphen below a note head at pitch $p$, - \item \keyindex{flageolett}\pitchp~to put a -small circle above a note head at pitch $p$. -\end{itemize} -These marks are horizontally centered relative to solid note heads. -To -compensate for the fact that whole notes are wider, you may use -\begin{quote} -\keyindex{wholeshift}\verb|{|\ital{Any nonspacing macro}\verb|}| -\end{quote} -to center accents -(and other items) above or below a whole note. For example, -\keyindex{Fermataup}\pitchp~(described in Section~{\ref{ornaments}}) is -\emph{defined} as \keyindex{wholeshift}\verb|{|\keyindex{fermataup}\pitchp\verb|}|. - -There are also variants of the most common accents\footnote{Thanks to Klaus -{\sc Bechert}'s corrections.} which will be automatically positioned -above or below a beam. They are spelled like the corresponding normal -accent, but preceded with the letter \verb|b|, and their argument, instead of -the pitch, is the beam reference number . Thus - -\medskip -\begin{music}\nostartrule -\startextract -\Notes\ibu0f3\busfz0\qb0f\bupz0\qb0g\bust0\qb0h% - \buppz0\qb0i\busf0\qb0j\butext0\tqh0k\en -\Notes\Ibl0lg5\blsfz0\qb0l\blpz0\qb0k\blst0\qb0j% - \blppz0\qb0i\blsf0\qb0h\bltext0\tqb0g\en -\zendextract -\end{music} -\noindent was coded as -\begin{quote}\begin{verbatim} \startextract -\Notes\ibu0f3\busfz0\qb0f\bupz0\qb0g\bust0\qb0h% - \buppz0\qb0i\busf0\qb0j\butext0\tqh0k\en -\Notes\Ibl0lg5\blsfz0\qb0l\blpz0\qb0k\blst0\qb0j% - \blppz0\qb0i\blsf0\qb0h\bltext0\tqb0g\en -\zendextract -\end{verbatim}\end{quote} -\zkeyindex{busfz} -\zkeyindex{bupz} -\zkeyindex{bust} -\zkeyindex{buppz} -\zkeyindex{busf} -\zkeyindex{butext} -\zkeyindex{blsfz} -\zkeyindex{blpz} -\zkeyindex{blst} -\zkeyindex{blppz} -\zkeyindex{blsf} -\zkeyindex{bltext} - -The macros \verb|\bltext| and \verb|\butext| are detailed in the next section, -where the mystery of why they produce the number~$3$ is resolved. - - -\section{Numbers and brackets for xtuplets}\label{tuplet} - -The following table lists all the special macros that place a number indicating -an xtuplet. Some also place a bracket above or below the notes, and are -intended for use with unbeamed notes. -In the table, $p$ is a pitch, $k$ is a number, $n$ is a beam number, -$w$ is a bracket width in \verb|\internote|s, and $s$ is the bracket slope as -a multiple of $1.125$~degrees. The macro \verb|\txt| contains a default number -which will be placed by the first and third through sixth macros, -and is initially defined as \verb|\def\txt{3}|. -The macro -\verb|\tuplettxt| serves the same role for the last two macros. -The font used is defined by -\verb|\txtfont| and is, by default, \verb|\eightit| (in normal music size) but may be re-defined. -\zkeyindex{txtfont} - -The first four commands in the table -are normally used with beamed xtuplets. As indicated in the -last column, the last four produce a sloping bracket and may be used with -unbeamed xtuplets. - - -\begin{center} - \begin{tabular}{lclcc} - \hline - ~ & Number & ~ & Needs & ~ \\ - Macro and arguments & printed & Where invoked & Bracket \\ - \hline - \verb|\triolet|\pitchp & \verb|\txt| & before beam & none \\ - \verb|\xtuplet|\itbrace{k}\pitchp & $k$ & before beam & none \\ - \verb|\butext|\itbrace{n} & \verb|\txt| & before note at number & none \\ - \verb|\bltext|\itbrace{n} & \verb|\txt| & before note at number & none \\ - \verb|\uptrio|\pitchp\itbrace{w}\itbrace{s} & \verb|\txt| & before first note & solid \\ - \verb|\downtrio|\pitchp\itbrace{w}\itbrace{s} & \verb|\txt| & before first note & solid \\ - \verb|\uptuplet|\pitchp\itbrace{w}\itbrace{s} & \verb|\tuplettxt| & before first note & with gap \\ - \verb|\downtuplet|\pitchp\itbrace{w}\itbrace{s} & \verb|\tuplettxt| & before first note & with gap \\ - \hline - \end{tabular} -\end{center} -\medskip - -Here are some examples of the first six macros in the table:\\ -\vskip-3pt -\begin{music} -\parindent0mm -\generalmeter{\meterfrac24} -\nostartrule -\startpiece -\addspace\afterruleskip -\notesp\xtuplet6n\isluru0l\ibl0l0\qb0{lllll}\tslur0l\tqb0l\en\bar -\notesp\triolet n\isluru0l\Ibl0ln2\qb0{lm}\tslur0n\tqb0n\en -\notesp\ibslurd0k\Ibl0km2\qb0k\bltext0\qb0l\tdbslur0m\tqb0m\en\bar -\Notesp\triolet o\isluru0l\ql{lm}\tslur0n\ql n\en\bar -\Notesp\uptrio o16\ql l\en\notesp\cl n\en -%avrb -\Notesp\downtrio O16\qu e\en\notesp\cu g\en -%avre -\endpiece -\end{music} -whose coding is -\begin{quote}\begin{verbatim} -\notesp\xtuplet6n\isluru0l\ibl0l0\qb0{lllll}\tslur0l\tqb0l\en\bar -\notesp\triolet n\isluru0l\Ibl0ln2\qb0{lm}\tslur0n\tqb0n\en -\notesp\ibslurd0k\Ibl0km2\qb0k\bltext0\qb0l\tdbslur0m\tqb0m\en\bar -\Notesp\triolet o\isluru0l\ql{lm}\tslur0n\ql n\en\bar -\Notesp\uptrio o16\ql l\en\notesp\cl n\en -\Notesp\downtrio O16\qu e\en\notesp\cu g\en -\end{verbatim}\end{quote} -\zkeyindex{xtuplet}\zkeyindex{triolet} - -\medskip -Next are examples using \keyindex{uptuplet} and \keyindex{downtuplet}. -A re-definition of \verb|\tuplettxt| inside a notes group only applies -inside that group and leaves the default definition intact. -To get the -number properly centered in the gap, you must include some extra space after -the number in the definition of \verb|\tuplettxt|. As you can see in -the last bar, if the span becomes too small, the macros still won't provide -enough room for the number in the gap; in this case it would be better to -use the macros without gaps. - -% Examples: -% -% Draw a triplet bracket over the notes, starting at pitch "p", -% 1.25\noteskip wide, with a slope up of 3-3/8 degrees: -% -% \uptuplet p{1.25}3 -% -% Draw a sextuplet bracket under the notes, starting at pitch "a", -% 2.5\noteskip wide, with a slope down of 4-1/2 degrees: -% -% \def\tuplettxt{\smallppff 6\/\/} -% \downtuplet{a}{2.5}{-4} - -\begin{music} -%\input tuplet -\parindent0mm -\generalmeter{\meterfrac24} -%\startpiece -\nostartrule -\startextract -\addspace\afterruleskip -\notesp\triolet o\Ibl0ln2\qb0{lm}\tqb0n\en -\notesp\Ibl0km2\qb0k\bltext0\qb0l\tqb0m\en\bar -\notesp\def\tuplettxt{5\/\/}\uptuplet o{4.1}2\cl{jklmn}\en\bar -\Notesp\uptuplet o16\ql l\en\notesp\cl n\en -\Notesp\downtuplet O16\qu e\en\notesp\cu g\en\bar -\notesp\uptuplet o16\ccl l\en\notesp\cccl n\en -\notesp\downtuplet O16\ccu e\en\notesp\cccu g\en -%\endpiece -\endextract -\end{music} - -\noindent with coding - -\begin{quote}\begin{verbatim} -\parindent0mm -\generalmeter{\meterfrac24} -\startextract -\addspace\afterruleskip -\notesp\triolet o\Ibl0ln2\qb0{lm}\tqb0n\en -\notesp\Ibl0km2\qb0k\bltext0\qb0l\tqb0m\en\bar -\notesp\def\tuplettxt{5\/\/}\uptuplet o{4.1}2\cl{jklmn}\en\bar -\Notesp\uptuplet o16\ql l\en\notesp\cl n\en -\Notesp\downtuplet O16\qu e\en\notesp\cu g\en\bar -\notesp\uptuplet o16\ccl l\en\notesp\cccl n\en -\notesp\downtuplet O16\ccu e\en\notesp\cccu g\en -\end{verbatim}\end{quote} - -A modern notation uses a \emph{ratio} such as $5$:$6$ to specify the intended duration -of an x-tuplet. This is supported in \musixtex\ by the command -\keyindex{xxtuplet}, as in - -\begin{music} -\nostartrule -\startextract\addspace\afterruleskip -\notes\xxtuplet5:6o\ibl0j3\qb0{jklm}\tql0n\en -\endextract -\end{music} - -\noindent with coding \verb|\xxtuplet5:6o\ibl0j3\qb0{jklm}\tql0n|. For the -other x-tuplet commands (apart from \verb|\triolet|, which is defined in terms of \verb|\xtuplet|), -it is possible to define \verb|\txt| or -\verb|\tupletxt| as a ratio, as in -\begin{quote}\begin{verbatim} -\def\txt{5:6} -\end{verbatim}\end{quote} - - \section{Ornaments} -\label{ornaments} - - - \subsection{Simple ornaments}\index{ornaments} - -The argument $p$ in the following macros for ordinary ornaments is the -pitch at which the ornament itself appears. They are all nonspacing macros. -You may use -\begin{itemize}\setlength{\itemsep}{0ex} - \item \keyindex{mordent}\pitchp\ for \hbox to .75em{\mordent 0\hss} - \item \keyindex{Mordent}\pitchp\ for \hbox to 1.5em{\kern 0.6em\Mordent 0\hss} - \item \keyindex{shake}\pitchp\ for \hbox to .75em{\shake 0\hss} - \item \keyindex{Shake}\pitchp\ for \hbox to 1.5em{\kern 0.6em\Shake 0\hss} - \item \keyindex{Shakel}\pitchp\ for \hbox to 1.5em{\kern 0.6em\Shakel 0\hss} - \item \keyindex{Shakesw}\pitchp\ for \hbox to 1.5em{\kern 0.6em\Shakesw 0\hss} - \item \keyindex{Shakene}\pitchp\ for \hbox to 1.5em{\kern 0.6em\Shakene 0\hss} - \item \keyindex{Shakenw}\pitchp\ for \hbox to 1.5em{\kern 0.6em\Shakenw 0\hss} - \item \keyindex{turn}\pitchp\ for \hbox to 1.5em{\kern 0.6em\turn 0\hss} - \item \keyindex{backturn}\pitchp\ for \hbox to 1.5em{\kern 0.6em\backturn 0\hss} - \item \keyindex{tr}\pitchp\ for \hbox to 1.5em{\kern 0.6em\tr 0\hss} - \item \keyindex{trt}\pitchp\ for \hbox to 1.5em{\kern 0.6em\trt 0\hss}\quad (J. S.~Bach's \textit{trillo und mordant}) - \item \keyindex{xtr}\pitchp\ for \hbox to 1.5em{\kern 0.5em\xtr 0\hss} - \item \keyindex{ptr}\pitchp\ for \hbox to 1.5em{\kern 0.5em\ptr 0\hss} - \end{itemize} -To -compensate for the fact that whole notes are wider, you may use -\begin{quote} -\keyindex{wholeshift}\verb|{|\mbox{\ital{Any nonspacing macro}}\verb|}| -\end{quote} -to center any of these ornaments -above (or below) a whole note. - - -In the following macros for fermatas, the argument $p$ is the pitch of the -notehead on which the fermata rests, assuming no additional vertical -adjustments are needed for stems or intervening staff lines. They are all -nonspacing macros. You may use -\begin{itemize}\setlength{\itemsep}{0ex} - \item \keyindex{fermataup}\pitchp\ for -\raisebox{0ex}[0ex][0ex]{\notesintext{\notes\fermataup1\en}}, -\end{itemize} -\begin{itemize}\setlength{\itemsep}{3ex} - \item \keyindex{fermatadown}\pitchp\ for -\raisebox{0ex}[0ex][0ex]{\notesintext{\notes\fermatadown2\en}}, - \item \keyindex{Fermataup}\pitchp\ for -\raisebox{-1ex}[-1ex][0ex]{\musicintextnoclef{\notes\Fermataup 7\zwh{'c}\en}}~, -centered over a whole note, - \item \keyindex{Fermatadown}\pitchp\ for -\raisebox{-1ex}[0ex][0ex]{\musicintextnoclef{\notes\Fermatadown1\zwh{'c}\en}}~, -centered under a whole note. - \end{itemize} -\bigskip - -A \itxem{breath} mark -\raisebox{-5ex}[0ex][0ex]{\notesintext{\notes\zbreath\en}} -can be put just above the staff with \keyindex{zbreath}. This is a nonspacing -macro. On the other hand, \keyindex{cbreath} will cause a space of one -\verb|\noteskip| and place the comma midway through the space. - -The \keyindex{caesura} command inserts a slash \verb|0.5\noteskip| before -the place it is entered, while adding no space: - -\begin{music}\nostartrule -\startextract -\NOTes\zhu j\hl{^e}\caesura\en -\Notes\zcu j\cl e\en -\zendextract -\end{music} - - - \subsection{Arpeggios}\index{arpeggios} -\ital{Arpeggios} (i.e.~~~\arpeggio{-2}3) can be coded with the macro -\keyindex{arpeggio}\pitchp\itbrace{m} -where $p$ is the pitch of -the base of the arpeggio symbol and $m$ is its height in units of -\verb|\interligne|, the distance from one staff line to the next. It should be -issued before the affected chord. It is -automatically positioned to the left of the chord, but inserts no spacing. -Its variant \keyindex{larpeggio} sets the arpeggio symbol roughly -one note head width to the left of the default position, and is intended to -avoid collision with single accidentals on chord notes. - - \subsection{Arbitrary length trills}\index{arbitrary length trills} - There are two styles of arbitrary length trills\index{trills}, each with two -variants. -For a trill with preassigned length, use \keyindex{trille}\pitchp\itbrace{l} -for \hbox to 1cm{\noteskip1cm\trille11\hss} or -\keyindex{Trille}\pitchp\itbrace{l} for~~\hbox to -2cm{\noteskip1cm\Trille12\hss}, where $p$ is the pitch and $l$ the length in -current \verb|\noteskips|. - -To let \musixtex\ compute the length of the trill, or if it extends across a -system break, you can use \keyindex{Itrille}$n$\pitchp\ to start a plain -trill, where $n$ is a trill reference number between 0 and 5; then -\keyindex{Ttrille}$n$ to terminate it. To get the {\it tr} at the -beginning, use \keyindex{ITrille}$n$\pitchp\ to start the trill and -\verb|\Ttrille|$n$ to close it. - -\begin{sloppypar} -As with other elements, you can specify the maximum number -directly with \keyindex{setmaxtrills}\verb|{|$m$\verb|}|, where $70$ is the number of \itxem{sharps} in the -signature and $s<0$ the number of \itxem{flats}\footnote{We once saw a -score in G-minor where the signature consisted of two flats (B and E) plus -one sharp (F). This is not directly supported by \musixtex.}. To override -the common key signature for instrument $n$, use -\keyindex{setsign}\verb|{|$n$\verb|}{|$s$\verb|}|. Note that differing -key signatures cannot be assigned to different staves of the same instrument. - -\subsection{Meters}\index{meters} - -A common \itxem{meter} for all staves can be specified by - \keyindex{generalmeter}\verb|{|$m$\verb|}|,\label{generalmeter} -where $m$ describes the appearance of the meter indication, and can take several -different forms. If the meter is a \ital{fraction} (e.g.,~$3/4$) the command is - \verb|\generalmeter{|\keyindex{meterfrac}\verb|{3}{4}}|. -Other possible tokens~$m$ are \keyindex{meterC}, -\keyindex{allabreve}, \keyindex{reverseC}, \keyindex{reverseallabreve}, \keyindex{meterN} and -\keyindex{meterplus}. -To insert extra space before the meter is -written, use \keyindex{meterskip}$d$ where $d$ is any hard \TeX\ -%dimension\footnote{{\Bslash\tt meterskip} is not a macro but a -dimension\footnote{{\tt\Bslash meterskip} is not a macro but a -dimension register. Whatever follows it -must be a \TeX\ dimension and {\it it must not be enclosed in braces}.}. -The assignment must occur outside \verb|\startpiece...\endpiece| and will be -reset to zero after first meter is posted. - -These are illustrated in the following example: - - %\check -\begin{music} -\generalmeter\meterC -\nostartrule -\parindent0pt\startpiece -\NOtes\qa{cegj}\en -\generalmeter\allabreve\changecontext -\NOTes\ha{ce}\en -\generalmeter\reverseC\changecontext -\NOTEs\zbreve g\en -\generalmeter\reverseallabreve\changecontext -\NOTEs\zwq g\en -\generalmeter{\meterfrac{3\meterplus2\meterplus3}8}\changecontext -\notesp\Tqbu ceg\Dqbl jg\Tqbu gec\en -\generalmeter{\meterN3}\meterskip4pt\changecontext -\Notes\qa{ceg}\en\setemptybar -\endpiece -\end{music} -\noindent which was coded as: -\begin{quote}\begin{verbatim} -\generalmeter\meterC -\nostartrule -\parindent0pt\startpiece -\NOtes\qa{cegj}\en -\generalmeter\allabreve\changecontext -\NOTes\ha{ce}\en -\generalmeter\reverseC\changecontext -\NOTEs\zbreve g\en -\generalmeter\reverseallabreve\changecontext -\NOTEs\zwq g\en -\generalmeter{\meterfrac{3\meterplus2\meterplus3}8}\changecontext -\notesp\Tqbu ceg\Dqbl jg\Tqbu gec\en -\generalmeter{\meterN3}\meterskip4pt\changecontext -\Notes\qa{ceg}\en\setemptybar -\endpiece -\end{verbatim}\end{quote} - -To override the common meter for any staff, use -\keyindex{setmeter}\verb|{|$n$\verb|}{{|$m_1$\verb|}{|$m_2$\verb|}{|$m_3$\verb|}{|$m_4$\verb|}}|.\linebreak -This works just like \verb|\setclef|. For example, -\verb|setmeter3{{\meterfrac{12}8}\allabreve}| -sets the meter to 12/8 for the first staff of the third instrument, and -\ital{alla breve} for the second staff. - - -\subsection{Instrument names}\index{instrument names} - -To set an \itxem{instrument name}, use -\keyindex{setname}\verb|{|$n$\verb|}{|\ital{name of the instrument}\verb|}|. -This will place the name in the space to the left of the -first staff or group of staves for instrument $n$. To specify the amount of space -available, use \verb|\parindent|$d$ where $d$ is any hard \TeX\ dimension. -For multi-line instrument names, use \TeX\ commands as in the following: -\begin{verbatim} - \setname1{\vbox{% - \hbox to\parindent{\hss Bass\hss}% - \hbox to\parindent{\hss Recorder\hss}}} -\end{verbatim} - - \section{Groupings of instruments}\label{curlybrackets} -By default, all staves in a system will be joined -at the left by a thin, vertical rule. In addition, if an instrument has more than -one staff, they will be joined by a big, curly brace. Now we introduce a way -to delineate groups of instruments or choirs with a square brace containing two parallel -vertical rules, the left one thick and the right one thin. This is commonly used -to group together the voices in a choir. - -If there is only one choir, this can be done with - \begin{quote} -\keyindex{songtop}\onen\\ -\keyindex{songbottom}\verb|{|$m$\verb|}| -\end{quote} -\noindent where $m$ and $n$ are the instrument numbers of the first -and last voices. An example is shown in Section~\ref{song}. - -If there is more than one choir to be set off with -square braces, each one can be specified with - \begin{quote} -\keyindex{grouptop}\verb|{|$g$\verb|}{|$n$\verb|}|\\ -\keyindex{groupbottom}\verb|{|$g$\verb|}{|$m$\verb|}| -\end{quote} -\noindent where $m$ and $n$ are the instrument numbers of the first -and last voices of group number~$g$. \musixtex{} allows up to three -groups, numbered from $1$ to $3$. The command \verb|\songtop| is equivalent -to \verb|\grouptop 1|; \verb|\songbottom| is equivalent to -\verb|\groupbottom 1|. - -With \ttxem{musixadd.tex} or \ttxem{musixmad.tex}, the allowable number of -groups is increased to four. -Alternatively, you can specify the allowable number of groups to $m$ by -\keyindex{setmaxgroups}\verb|{|$m$\verb|}|% -\footnote{Using $m>4$ may require e-\TeX.}. -\label{musixmad_setmaxgroups} - -If any of the instruments grouped this way has more than one staff, the -heavy curly brace will be shifted to the left of the square brace. - -Previously defined square braces can be removed by declaring -\verb|\songtop| less than \verb|\songbottom|. The same applies to -\verb|\grouptop| and \verb|\groupbottom| for the same group number. - - An alternate command allows you to specify all choirs at once: -\begin{quote} - \keyindex{akkoladen}\verb|{{|{\it lower\_1\/}\verb|}{|{\it upper\_1\/}% - \verb|}{|{\it lower\_2\/}\verb|}{|{\it upper\_2\/}\verb|}{|% - {\it lower\_3\/}\verb|}{|{\it upper\_3\/}\verb|}}| -\end{quote} -\noindent where {\it lower\_n\/} and {\it upper\_n\/} are instrument -numbers that denote the span of bracket number $n$. For -setting fewer than three brackets, just omit all unneeded -\verb|{|{\it lower\_n\/}\verb|}{|{\it upper\_n\/}\verb|}|~pairs. - -For example, - \verb|\instrumentnumber{5}\akkoladen{{1}{2}{3}{5}}| -\noindent yields the first example below, with five single-staff instruments -divided into two groups. -The second example has two instruments, the first (lower) with two staves and the -second with three. Each instrument is set off by default with a curly bracket. - -If for some reason you want more than one \ital{instrument}\ grouped -within a curly -bracket, then you can use the -command - - \keyindex{curlybrackets}\verb|{{|{\it lower\_1\/}\verb|}{|{\it upper\_1\/}% - \verb|}{|{\it lower\_2\/}\verb|}{|{\it upper\_2\/}\verb|}...| - -\noindent to be used as illustrated in the third example below.\\ -\begin{small} -\begin{minipage}[t]{29ex} -\begin{music} - % just to avoid wasting space ... - \sepbarrules - \smallmusicsize - \instrumentnumber{5} \akkoladen{{1}{2}{3}{5}} - \startextract\notes\en\bar\notes\en\zendextract -\end{music} -\begin{quote}is coded as: -\begin{verbatim} - \sepbarrules - \smallmusicsize - \instrumentnumber{5} - \akkoladen{{1}{2}{3}{5}} - \startextract - \notes\en\bar\notes\en - \zendextract -\end{verbatim}\end{quote} -\end{minipage} -\begin{minipage}[t]{27ex} -\begin{music} - \sepbarrules - \smallmusicsize - \instrumentnumber2 \setstaffs12\setstaffs23 - \startextract \notes\en\bar\notes\en\zendextract -\end{music} -\begin{quote}is coded as: -\begin{verbatim} - \sepbarrules - \smallmusicsize - \instrumentnumber2 - \setstaffs12 - \setstaffs23 - \startextract - \notes\en\bar\notes\en - \zendextract -\end{verbatim}\end{quote} -\end{minipage} -\begin{minipage}[t]{27ex} -\begin{music} - \sepbarrules - \smallmusicsize - \instrumentnumber5 %\setstaffs12\setstaffs23 - \curlybrackets{1235} - \startextract \notes\en\bar\notes\en\zendextract -\end{music} -\begin{quote}is coded as: -\begin{verbatim} - \sepbarrules - \instrumentnumber5 - \smallmusicsize - \curlybrackets{1235} - \startextract - \notes\en\bar\notes\en - \zendextract -\end{verbatim}\end{quote} -\end{minipage} -\end{small} - - - - diff --git a/macros/musixtex/doc/musixdoc/slurstiesTypeK.tex b/macros/musixtex/doc/musixdoc/slurstiesTypeK.tex deleted file mode 100644 index c387eb2b68..0000000000 --- a/macros/musixtex/doc/musixdoc/slurstiesTypeK.tex +++ /dev/null @@ -1,382 +0,0 @@ - \chapter{Postscript Slurs, Ties and Hairpins}\label{PostscriptSlurs} - -\input musixps - - -All of the aforementioned limitations of font-based slurs can be circumvented -by using type~K Postscript slurs\footnote{``K'' stands for Stanislav Kneifl, -the developer of the type~K Postscript slur package.}. As well as slurs, the package includes -ties and crescendos. -Its use is very similar to font-based slurs, and in fact identical if only -the elementary slur and tie initiation and termination macros are used. - -In order to use type~K Postscript slurs, ties and hairpins, you must first place \texttt{musixps.tex} -anywhere \TeX\ can find it. You must also place \texttt{psslurs.pro} -somewhere that \texttt{dvips} can find it. - -The \index{mxsk font}\texttt{mxsk} font is required for ``half ties,'' which -are special symbols that are used by default for the second portion of a tie -that crosses a line break. If you like -this treatment you must install the font in your \TeX\ system. However, perfectly -acceptable line-breaking ties will appear if you invoke \keyindex{nohalfties}, -and then you will not have to install this font. - -Once the software mentioned in the prior two paragraphs is installed and the -\TeX\ filename database is refreshed, the type~K package can be -invoked by including the command \verb|\input musixps| -near the beginning of your source file (but after loading \verb\musixtex.tex\). -The resulting dvi file should then be converted into Postscript using \textbf{dvips}. -If desired, a PDF file can then be generated with \textbf{ps2pdf}, \textbf{ghostscript}, -or \textbf{Adobe Acrobat} (see Section~\ref{using} for more information on this). - -Two minor inconveniences with type~K Postscript slurs are that (1) they won't appear -in many dvi previewers, and (2) they won't appear in PDF files generated with -\textbf{pdftex} or \textbf{dvipdfm}. The former limitation can be circumvented by using a Postscript -viewer such as \textbf{GSview}. The latter simply requires that you create an intermediate -Postscript file with \textbf{dvips}, then make the PDF with any of the software -mentioned above. - - -\section{Initiating and terminating type K Postscript slurs} - -Basic usage of type K slurs is the same as for font-based slurs. To initiate one, -use for example \verb|\isluru0g| to start an upper slur with ID 0 above a virtual note -at pitch level {\tt g}. To terminate one, use a command like -\verb|\tslur0i| which terminates the slur with ID 0 on a -virtual note at pitch level {\tt i}. -Both types of commands are non-spacing and must precede the first or last -note under the slur. - -Termination macros are not restricted to being used -with their initiation counterpart. For example, a slur -beginning as a ``beam'' slur may be terminated as a -normal slur, or \emph{vice versa}. These would be achieved by using macro pairs -\verb|\ibslur...\tslur...| or \verb|\islur...\tbslur...|, respectively. -Unlike font-based slurs, adjusting the vertical positioning of the slur termination should not be necessary. - -You can shift the starting or ending point slightly to the left -or right by substituting one of the commands \keyindex{ilsluru}, -\keyindex{ilslurd}, \keyindex{irsluru}, -\keyindex{irslurd}, \keyindex{trslur} or \keyindex{tlslur}. -For shifts farther to the left, use -\keyindex{iLsluru}, -\keyindex{iLslurd} -or \keyindex{tLslur}; -for shifts farther to the right, use -\keyindex{iRsluru}, -\keyindex{iRslurd} -or \keyindex{tRslur}. - - -You can control the shape of type~K slurs with variants of -the termination command. To make the slur a bit flatter than default use -\keyindex{tfslur}0f; a bit higher, \keyindex{thslur}0f; higher still, -\keyindex{tHslur}0f; or -even higher, \keyindex{tHHslur}0f. These commands have an effect like -\keyindex{midslur} does for font-based slurs. - -All combinations of the shifting and curvature variants are allowed, -e.g.\ \verb|\trHHslur|. - - -The following examples demonstrate how much better the type K slurs perform -in the extreme situations of the prior two typeset examples. The coding is -exactly the same as above except that \verb|\input musixps| has been added: -\begin{quote}\begin{verbatim} -\begin{music}\nostartrule -\input musixps -\startextract\NOTes\multnoteskip3\isluru0c\ql c\tslur0s\ql s\en -.... -\end{verbatim}\end{quote} - -\begin{music}\nostartrule -\instrumentnumber{1} -\generalmeter{\meterfrac34} -\startextract\NOTes\multnoteskip3\isluru0c\ql c\tslur0j\ql j\en - \bar\NOTes\multnoteskip3\isluru0c\ql c\tslur0n\ql n\en\zendextract -\startextract\NOTes\multnoteskip3\isluru0c\ql c\tslur0s\ql s\en - \bar\NOTes\multnoteskip3\isluru0c\ql c\tslur0z\ql z\en\zendextract - -\startextract -\NOTes\isluru0c\ql c\en\notes\tslur0j\ql j\en\bar -\NOTes\isluru0c\ql c\en\notes\tslur0n\ql n\en -\NOTes\isluru0c\ql c\en\notes\tslur0s\ql s\en\bar -\NOTes\isluru0c\ql c\en\notes\tslur0z\ql z\en -\zendextract -\end{music} - - - - -For maximal control over type K slurs, you can use one of the commands -\keyindex{iSlur}~$npvh$ and -\keyindex{tSlur}~$npvhca$, where the characters in -$npvhca$ respectively stand for ID number, height, vertical offset, horizontal offset, -curvature, and angularity. -All offsets are in \verb|internote|, and the slur direction is determined -by the sign of the vertical offset. See the comments in \verb|musixps.tex| -for precise definitions of the other parameters. Examples of permissible forms for -these commands are -\verb|iSlur0c11| and \verb|tSlur0{!d}11{.2}0|. - -The next example shows how you can use \verb|iSlur| in difficult -circumstances: - - -\begin{music}\nostartrule -\nobarnumbers -\generalsignature1% -\generalmeter{\meterfrac{2}{4}}% -\nostartrule -\startextract -\NOtes\zchar{-8}{\Bslash irslur...\Bslash tlslur}\irslurd0{'b}\zhl b\sk\zq{!e}\qu{'c}\en\bar -\NOtes\zh{'d}\zhu{`f}\off{7.2pt}\tlslur0{'b}\ql b\ql b\en\bar -% -\NOtes\zchar{-8}{\Bslash irslur...\Bslash tlfslur}\irslurd0{'b}\zhl b\sk\zq{!e}\qu{'c}\en\bar -\NOtes\zh{'d}\zhu{`f}\off{7.2pt}\tlfslur0{'b}\ql b\ql b\en\bar -% -\NOtes\zchar{-8}{\Bslash iSlur...\Bslash tSlur}\iSlur0{'b}{-.5}3\zhl b\sk\zq{!e}\qu{'c}\en\bar -\NOtes\zh{'d}\zhu{`f}\off{7.2pt}\tSlur0{'b}{.5}{-1}{.3}0\ql b\ql b\en -\zendextract -\end{music} -\noindent with this coding: - -\begin{quote}\begin{verbatim} -\NOtes\irslurd0{'b}\zhl b\sk\zq{!e}\qu{'c}\en\bar -\NOtes\zh{'d}\zhu{`f}\off{7.2pt}\tlslur0{'b}\ql b\ql b\en\bar -% -\NOtes\irslurd0{'b}\zhl b\sk\zq{!e}\qu{'c}\en\bar -\NOtes\zh{'d}\zhu{`f}\off{7.2pt}\tlfslur0{'b}\ql b\ql b\en\bar -% -\NOtes\iSlur0{'b}{-.5}3\zhl b\sk\zq{!e}\qu{'c}\en\bar -\NOtes\zh{'d}\zhu{`f}\off{7.2pt}\tSlur0{'b}{.5}{-1}{.3}0\ql b\ql b\en -\end{verbatim}\end{quote} - - -The ID number for a slur, tie or crescendo should -normally range from $0$ to $9$. If it is bigger -than nine but less than $15$, -the object can cross a line break but not a page break. If bigger than -14 but less than $2^{31}$, it can't be broken at all, - nor can a slur termination be positioned at a beam with - e.g., \verb|\tbsluru{17684}{16}|; however \verb|\ibsluru{152867}{16}| is okay. - -It's also okay to have opened simultaneously a slur, tie and crescendo all -with the same ID, or a slur, tie and decrescendo, but not a crescendo and -decrescendo. - -\def\emen{{\tt\char123}$n${\tt\char125\char123}$m${\tt\char125}} - -` -\section{Type~K Postscript beam slurs} -Type~K beam slurs are defined differently than the font-based ones: -They require as parameters both a slur ID number $n$ and a beam ID number $m$, -but that's all. The commands are -\keyindex{iBsluru}\emen, \keyindex{iBslurd}\emen, and -\keyindex{tBslur}\emen. -They must be placed \ital{after} the beam initiation or termination command. -Type~K slurs may start on one beam and end on another. -For example, - -\begin{quote}\begin{verbatim} -\Notes\ibu0i0\iBsluru00\qb0{eh}\tbu0\qb0i\ibu0j0\qb0{jl}\tbu0% - \slurtext{6}\tBslur00\qb0e\en -\end{verbatim}\end{quote} - -\noindent produces -%\begin{center} -%\includegraphics[scale=1]{./mxdexamples/psbeamslur.eps} -%\end{center} - -\begin{music}\nostartrule\startextract -\Notes\ibu0g2\iBsluru00\qb0{eh}\tbu0\qb0i\ibu0j0\qb0{jl}\tbu0% - \slurtext{6}\tBslur00\qb0e\en -\zendextract -\end{music} - -This example also illustrates the use of the macro -\keyindex{slurtext}. It has just one parameter---some text to be -printed---and it centers it just above or below the midpoint of -the next slur that is closed. -This works only for non-breaking slurs; if the slur is broken, -the text -disappears\footnote{If you insist on viewing files with a dvi viewer that -doesn't display -type~K slurs, you may also find that -figures placed with \keyindex{slurtext} will appear at the end of the -slur rather than the middle.}. -%The placing of the slur text is done with a very dirty Postscript -%hack, so I am not really sure that everything you want to typeset -%will be placed at the correct position (if you are interested, see -%the end of psslurs.pro for details). If you find something that won't -%work, let me know. - -% DAS: why do we need this ??? -%\paragraph{General coding for Postscript slurs and ties of type K.} -%This can be done by: -%\begin{quote}\begin{verbatim} -%\i[h.shift]slur[u|d]{slur ID}{note height} -%\t[h.shift][slur height]slur{slur ID}{note height} -%\iBslur[u|d]{slur ID}{beam ID} -%\tB[slur.height]slur{slur ID}{beam ID} -%\end{verbatim}\end{quote} -%\noindent where h.shift can be 'l', 'r' or nothing -%and slur.height can be 'f', nothing, 'h', 'H' or 'HH' -% -%Example: \keyindex{tlfslur} means 'terminate left flat slur'. -% -% -%There are also simple slurs with same invocation and parameters as the -%original ones. - -\section{Type~K Postscript ties} -All of the foregoing Type~K slur commands -except the shape-changing ones -have counterparts for ties. Simply -replace ``\verb|slur|'' with ``\verb|tie|'', and for terminations omit -the pitch parameter. Type~K ties not only are positioned differently by -default, but they also have different shapes than slurs. If you want to change -the shape of a tie, redefine \verb|\pstiehgt| from its default of $0.7$. - -\section{Dotted type K slurs and ties.}%please check the capital D(otted) -A slur or tie can be made dotted simply by entering \keyindex{dotted} anywhere before -the beginning of the slur or tie. Only the first slur or tie following this -command will be affected. On the other hand, if you enter \keyindex{Dotted}, then \emph{all} -slurs and ties from this point forward will be dotted until you say -\keyindex{Solid}. Furthermore, inside \verb|\Dotted...\Solid| you can make any individual -slur or tie solid saying \verb|\solid| before its beginning. - -\section{Avoiding collisions with staff lines.} -In Postscript it is possible to do computations that would be very hard -to implement directly in TeX. Type~K slurs can use this facility to check whether -the curve of a slur or tie is anywhere nearly tangent to any staff line, and if -so, to adjust -the altitude of the curve to avoid the collision. By default this feature is turned -on. -You can disable it either -globally (\keyindex{Nosluradjust}, \keyindex{Notieadjust}) or locally -(\keyindex{nosluradjust}, \keyindex{notieadjust}), and you can also turn it -back on globally (\keyindex{Sluradjust}, -\keyindex{Tieadjust}) or locally (\keyindex{sluradjust}, \keyindex{tieadjust}). -Here ``locally'' -means that the command will only affect the next slur or tie to be opened. - -\section{Type K Postscript hairpins}\label{kcresc} - -There are two different types. The first type is normally initiated with either -\keyindex{icresc}\onen~or \keyindex{idecresc}\onen, and terminated with -\keyindex{tcresc}\onen, where $n$ is a hairpin index, -which is virtually unlimited but certain restrictions apply if it exceeds $14$. -The altitude is set by the value of \keyindex{setcrescheight}, which by default -is $-5$ and which must be expressed numerically. Note that -\keyindex{tcresc}~is the same as \keyindex{tdecresc}. - -You can shift the starting or ending point horizontally by replacing the -foregoing macros with -\keyindex{ilcresc}, \keyindex{ildecresc}, -\keyindex{ircresc}, \keyindex{irdecresc}, -\keyindex{tlcresc}, \keyindex{tldecresc}, -\keyindex{trcresc}, \keyindex{trdecresc}, -for example to make space for an alphabetic dynamic mark. - -The second form of Postscript hairpin macros allows individual and arbitrary -specification of the altitude and horizontal offset. The syntax is -\keyindex{Icresc}\itbrace{n}\itbrace{h}\itbrace{s}, where $h$ is the -altitude---which must be numerical---and $s$ is the horizontal offset -in \verb|\internote|. Similar syntax obtains for \keyindex{Idecresc}\ -and \keyindex{Tcresc}. - -These hairpins may span several lines. If one of them spans three systems -then the height of the middle section can be adjusted with -\keyindex{liftcresc}\itbrace{n}\itbrace{h}. The height of the first and last -parts of a broken crescendo will be defined by the height parameter in -\keyindex{Icresc}~or \keyindex{Tcresc}. - -There are numerous other nuances and shorthand macros that are described -in the comments in \verb|musixps.tex|. - -As an example of a Postscript hairpin, - -\begin{music}\nostartrule -\generalmeter{\meterfrac{12}8} -\startextract -\Notes\ccharnote{-8}{\ppp}\Icresc0{-7}6\ca{bdegh'bde}\en -\Notes\Tcresc0{-4}{-2}\zcharnote{-5}{\fff}\ca{'f}\en -\zendextract -\end{music} - -\noindent was coded as -\begin{quote}\begin{verbatim} -\input musixps -\generalmeter{\meterfrac{12}8} -\startextract -\Notes\ccharnote{-8}{\ppp}\Icresc0{-7}6\ca{bdegh'bde}\en -\Notes\Tcresc0{-4}{-2}\zcharnote{-5}{\fff}\ca{'f}\en -\zendextract -\end{verbatim}\end{quote} - - -\section{Line-breaking slurs, ties and hairpins} -Tyle K slurs, ties and crescendos going across line breaks are handled -automatically. In fact they can go over more lines than two (this is -true also for ties, though it would be somewhat strange). - -There is a switch \verb|\ifslopebrkslurs| that controls the default -height of the end point -of the first segment of all broken slurs. By default the height will be -the same as the beginning. To have it raised by \verb|3\internote|, simply -issue the command \keyindex{slopebrkslurstrue}. To revert to the default, -use \keyindex{slopebrkslursfalse}. - -To locally override the default height of the end of the first segment, -use the command \keyindex{breakslur}\enpee, -which sets the height for slur number $n$ to pitch $p$, just like with -font-based slurs. - -You can raise or lower the starting point of the second segment of a broken slur -with the command \keyindex{liftslur}\verb|{|$n$\verb|}{|$h$\verb|}|, with -parameters slur ID and relative offset in -\verb|\internote|s measured from the slur beginning. Its effect is -the same as \keyindex{Liftslur} for font-based slurs, except it is not -necessary to code -it within \verb|\atnextstaff{}|, just anywhere inside the slur. - -As already mentioned, anything with $\mathrm{ID}<10$ is broken fully automatically, but -you should be careful about slurs, ties and crescendos with $10\le\mathrm{ID}<15$. -These cannot cross page breaks, although they can cross line breaks. - -If the second segment of a broken tie is less than 15pt long, then by -default it will have a special shape which begins horizontally. These shapes are -called \ital{half ties} and are contained in the font \index{mxsk font}\verb|mxsk|. -Of course if they are to be used, the font files must be integrated into the -\TeX\ installation. Their use can be turned off with \keyindex{nohalfties} -and back on with \keyindex{halfties}. - -%\paragraph{Backwards compatibility.} -%There are several ``aliases'' which allow to use the old, bitmapped slur -%commands for PS slurs without any change. There are however a few differences: -%the \keyindex{invertslur} is not implemented yet and -%the \keyindex{curve} and \keyindex{midslur} macros have no effect. - -%\paragraph{Memory requirements.} -\enlargethispage*{4ex} -\section{A few final technical details} -Each \verb|\i...| and \verb|\t...| -produces a \verb|\special| command, which must be stored in TeX's main memory. -Therefore, if too many slurs occur in one page, some memory problems could -occur. The only solution is to use font-based slurs. -%The only solutions are to use Big\TeX\ -%BigTex? it is apparently the mascot for the Texas State Fair - -Type~K slurs need the Postscript header file -\index{psslurs.pro}\texttt{psslurs.pro} to be included in the -output Postscript file. This is made to happen by the \TeX\ command -\verb|\special{header=psslurs.pro}|, which is automatically -included when you \verb|\input musixps|. So normally this is not -of concern. However if you wish to extract a subset of pages from -the master \verb|dvi| file using \index{dvidvi}\texttt{dvidvi}, then -you have three options: (1)~include the first page in the subset, -(2)~manually issue the -\verb|\special| command in the \TeX\ source for the first page of the subset, or -(3)~use the option \texttt{-h psslurs.pro} when you run \texttt{dvips}. - diff --git a/macros/musixtex/doc/musixdoc/slurstiesfont.tex b/macros/musixtex/doc/musixdoc/slurstiesfont.tex deleted file mode 100644 index 8674dc02e9..0000000000 --- a/macros/musixtex/doc/musixdoc/slurstiesfont.tex +++ /dev/null @@ -1,598 +0,0 @@ -\chapter{Font-based Slurs, Ties and Hairpins} -Two fundamentally different implementations of slurs, ties, and hairpins are -available. First, there are the -original \ital{font-based} versions. These are constructed with traditional -\TeX\ font characters that were created with \MF\ and stored in \TeX\ font files. -Second, it is now possible -to generate these shapes directly with Postscript, dispensing altogether with -the font characters\footnote{Please do not be confused by the availability of -Postscript versions of the font-based slur fonts (along with all other \musixtex\ fonts). -Once installed in a \TeX\ system, -their function and use are 100\% transparently identical with bitmapped versions -of the slur fonts. On the other -hand, Postscript slurs are functionally distinct from font-based slurs, and only - share some of the same syntax.}. We shall first describe the font-based versions, -then Type~K Postscript slurs, which are one of two available Postscript slur -options\footnote{An -alternate approach to Postscript slurs, called {\it Type~M} after its developer -Hiroaki {\sc Morimoto}, is available from the -\href{http://icking-music-archive.org/software/indexmt6.html} -{\underline{Icking Music Archive}}.}. If you plan to use Type~K Postscript slurs, -you may skip directly to Chapter~\ref{PostscriptSlurs}. - -Font-based slurs and ties provided by \musixtex\ can be divided into two categories: -\label{simpleslur} -\begin{itemize}\setlength{\itemsep}{0ex} - \item Those where the complete slur symbol is composed of a single - character from one of the slur fonts, and - \item those where the slur symbol is composed of three distinct - characters, to form the beginning, middle and end of the slur. -\end{itemize} -The former are called \ital{simple slurs} and the latter, -\ital{compound slurs}. In many cases the distinction between the two is -invisible to the user, in that many of the macros described below will -automatically select between the two types. However, there are other macros -that allow simple slurs to be forced. - -The next few sections describe the usual method of slur coding, where the -choice between simple or compound slurs is made automatically. -In this case, slurs are initiated and terminated by separate macros, -similar to beams. - - \section{Font-based slur initiation} -A slur must be initiated \ital{before} -the spacing note on which the slur begins, and terminated \ital{before} the -note on which it ends. - -The basic slur initiation macro is -\keyindex{isluru}\enpee, which initiates an upper slur, with reference -number $n$, beginning on a note at pitch $p$. The starting point of the slur is -centered above a virtual quarter note head at pitch~$p$\footnote{The slur will start in the same place regardless of whether there is -{\it actually} a note at pitch $p$.}. -Similarly, \keyindex{islurd}\enpee\ initiates a lower slur. -These slurs are terminated by coding -\keyindex{tslur}\enpee\ where $n$ is the reference number and $p$ is the -termination pitch. - -As with beams, the reference number $n$ by default can take values from $0$ to $5$, or -up to $8$ or $11$ respectively if \ttxem{musixadd.tex} or \ttxem{musixmad.tex} is included. -You can also specify the maximum number -directly with \keyindex{setmaxslurs}\verb|{|$m$\verb|}| where -$7\hu{>f}% - \zchar{12}{\bs hl}\loff{\zchar{-4}{\bs cdsh}}\cdsh l\hl l% - \zchar{12}{\bs qu}\zchar{-4}\^\qu{^f}% - \zchar{12}{\bs ql}\loff{\zchar{-4}{\bs csh}}\csh l\ql l% - \zchar{12}{\bs cu}\zchar{-4}=\cu{=f}% - \zchar{12}{\bs cl}\loff{\zchar{-4}{\bs cna}}\cna l\cl l% - \zchar{12}{\bs ccu}\zchar{-4}\_\ccu{_f}% - \zchar{12}{\bs ccl}\loff{\zchar{-4}{\bs cfl}}\cfl l\ccl l% - \zchar{12}{\bs cccu}\zchar{-4}<\cccu{9$, -but it can also be a letter. -{\Bslash Ioctfindown}~$np$ starts a lower octave transposition line at pitch $p$ -(usually $p<-1$). Both extend until terminated with {\Bslash Toctfin}. The -difference between {\Bslash Ioctfinup}~$n$ and {\Bslash Ioctfindown}~$n$ is -the relative position of the figure ``8'' with respect to the dashed line, and -the sense of the terminating hook As shorthand, \keyindex{ioctfinup} is equivalent to -\verb|\Ioctfinup 0| and \keyindex{ioctfindown} is equivalent to -\verb|\Ioctfindown 0|. - -For example, - -\medskip - \begin{music}\nostartrule -\instrumentnumber{1} -\setstaffs12 -\setclef1{6000} -% -\startextract -\notes\wh{CDEFGH}|\wh{cde}\Ioctfinup 1p\wh{fgh}\en -\bar -\notes\Ioctfindown 2A\wh{IJKLMN}|\wh{ijklmn}\en -\bar -\Notes\wh{NMLKJI}|\wh{nmlkji}\Toctfin1\en -\bar -\Notes\wh{HGFED}\Toctfin2\wh C|\wh{hgfedc}\en -\zendextract -\end{music} -\noindent is coded as -\begin{quote}\begin{verbatim} -\begin{music}\nostartrule -\instrumentnumber{1} -\setstaffs12 -\setclef1{6000} -% -\startextract -\notes\wh{CDEFGH}|\wh{cde}\Ioctfinup 1p\wh{fgh}\en -\bar -\notes\Ioctfindown 2A\wh{IJKLMN}|\wh{ijklmn}\en -\bar -\Notes\wh{NMLKJI}|\wh{nmlkji}\Toctfin1\en -\bar -\Notes\wh{HGFED}\Toctfin2\wh C|\wh{hgfedc}\en -\zendextract -\end{music} -\end{verbatim}\end{quote} - %\check - - The elevation of octaviation lines may be changed in midstream using -\keyindex{Liftoctline}~$n$$p$, where $n$ is the reference number of the - octave line, and $p$ a (possibly negative) number of -\keyindex{internote}s (staff pitch positions) by which elevation of the dashed line should be changed. -This may be useful when octaviation lines extend over several systems and the -elevation needs to be changed in systems after the one where it was initiated. - diff --git a/macros/musixtex/doc/musixdoc/writingnotes.tex b/macros/musixtex/doc/musixdoc/writingnotes.tex deleted file mode 100644 index bc8b3cd4d7..0000000000 --- a/macros/musixtex/doc/musixdoc/writingnotes.tex +++ /dev/null @@ -1,294 +0,0 @@ - \chapter{Writing Notes}\label{autostemdirections} -There are two major kinds of note macros, those that include a space (of -length \keyindex{noteskip}) after -the printed symbol, and those that don't cause any space. A single-line melody would be -written using the first type. All notes of a chord except the last would -use the second. - -Another distinction concerns stemmed notes. Some macros explicitly set the -stem direction with either ``\verb|u|'' or ``\verb|l|'' contained in the name of -the macro. On the other hand, an ``\verb|a|'' in the macro's name usually signifies -\ital{automatic} stem direction selection. In this case notes below the middle -staff line will get up stems, otherwise down. - -Note pitches can be specified either by letters or numbers. If no transposition -or octaviation is in effect, letters ranging -from \verb|a| to \verb|z| represent notes starting with the A below -middle C. Upper case letters from \verb|A| to \verb|N| represent pitches -two octaves lower than their lower case counterparts. Any letter can be used in -any clef, but some users may -prefer to use the lower case letters in treble clef, and the upper case ones -in bass clef. - -Alternatively, a one- or two-digit, positive or negative integer can always be used. -The number represents -the vertical position on the staff, with \verb|0| for the lowest line and -\verb|1| for the space right above, \ital{regardless of the clef}. -Unlike with letters, the -associated pitch will depend on the clef, and notes entered this way are -immune to transposition and octaviation. - -Notes lower than \verb|A| and higher than \verb|z| can be entered, with -either numbers as just described, or with octaviation as will be explained in -Chapter~\ref{octaviation}. - - \section{Normal (unbeamed) spacing notes}\label{NormalNotes} -In the following, \verb|{|$p$\verb|}| signifies a pitch specification as -described above. However it -is understood that if the pitch is a single character, the brackets are -not necessary, provided that if it is a letter, a space separates the -macro from the letter. - - -\begin{quote}\begin{description}\setlength{\itemsep}{0ex} - \item[\keyindex{breve}{\tt\char123}$p${\tt\char125} :]breve (\hbox to 8pt{\zbreve1\hss}) . - \item[\keyindex{longa}{\tt\char123}$p${\tt\char125} :]longa (\hbox to8pt{\zlonga1\hss}) . - \item[\keyindex{longaa}{\tt\char123}$p${\tt\char125} :]longa with automatic stem direction\footnote{Editor's note: Evidently there is no explicit up-stemmed longa} . - \item[\keyindex{maxima}{\tt\char123}$p${\tt\char125} :]maxima (\hbox to16pt{\zmaxima1\hss}) . - \item[\keyindex{wq}{\tt\char123}$p${\tt\char125} :]arbitrary duration note (\hbox to8pt{\zwq1\hss}) -(also used as alternate representation of a \ital{breve}). - \item[\keyindex{wqq}{\tt\char123}$p${\tt\char125} :]long arbitrary duration note -(\hbox to8pt{\zwqq1\hss}) (also used as alternate -representation of a \ital{longa}). - \item[\keyindex{wh}{\tt\char123}$p${\tt\char125} :]whole note. - \item[\keyindex{hu}{\tt\char123}$p${\tt\char125} :]half note with stem up. - \item[\keyindex{hl}{\tt\char123}$p${\tt\char125} :]half note with stem down. - \item[\keyindex{ha}{\tt\char123}$p${\tt\char125} :]half note with automatic stem direction - \item[\keyindex{qu}{\tt\char123}$p${\tt\char125} :]quarter note with stem up. - \item[\keyindex{ql}{\tt\char123}$p${\tt\char125} :]quarter note with stem down. - \item[\keyindex{qa}{\tt\char123}$p${\tt\char125} :]quarter note with automatic stem direction. - \item[\keyindex{cu}{\tt\char123}$p${\tt\char125} :]eighth note\footnote{The ``{\tt c}'' -within this macro name stands for the equivalent British term ``crotchet''} with stem up. - \item[\keyindex{cl}{\tt\char123}$p${\tt\char125} :]eighth note with stem down. - \item[\keyindex{ca}{\tt\char123}$p${\tt\char125} :]eighth note with automatic stem direction. - \item[\keyindex{ccu}{\tt\char123}$p${\tt\char125} :]sixteenth note with stem up. - \item[\keyindex{ccl}{\tt\char123}$p${\tt\char125} :]sixteenth note with stem down. - \item[\keyindex{cca}{\tt\char123}$p${\tt\char125} :]sixteenth note with automatic stem direction. - \item[\keyindex{cccu}{\tt\char123}$p${\tt\char125} :]$32$nd note with stem up. - \item[\keyindex{cccl}{\tt\char123}$p${\tt\char125} :]$32$nd note with stem down. - \item[\keyindex{ccca}{\tt\char123}$p${\tt\char125} :]$32$nd note with automatic stem direction. - \item[\keyindex{ccccu}{\tt\char123}$p${\tt\char125} :]$64$th note with stem up. - \item[\keyindex{ccccl}{\tt\char123}$p${\tt\char125} :]$64$th note with stem down. - \item[\keyindex{cccca}{\tt\char123}$p${\tt\char125} :]$64$th note with automatic stem direction. - \item[\keyindex{cccccu}{\tt\char123}$p${\tt\char125} :]$128$th note with stem up. - \item[\keyindex{cccccl}{\tt\char123}$p${\tt\char125} :]$128$th note with stem down. - \item[\keyindex{ccccca}{\tt\char123}$p${\tt\char125} :]$128$th note with automatic stem direction. -\end{description}\end{quote} - As an example, the sequence - - %\check -\begin{music}\nostartrule -\startextract -\Notes\cu c\cl j\en\bar -\Notes\ccu c\ccl j\en\bar -\Notes\cccu c\cccl j\en\bar -\Notes\ccccu c\ccccl j\en\bar -\Notes\cccccu c\cccccl j\en -\zendextract -\end{music} - \noindent was coded as -\begin{quote}\begin{verbatim} -\Notes\cu c\cl j\en\bar -\Notes\ccu c\ccl j\en\bar -\Notes\cccu c\cccl j\en\bar -\Notes\ccccu c\ccccl j\en\bar -\Notes\cccccu c\cccccl j\en -\end{verbatim}\end{quote} - - - -For \keyindex{breve} there is a possibility of -confusion with a command in \TeX's math mode that has exactly the same name. -However, there will generally be no problem, because inside -\verb|\startpiece...\endpiece|, -\verb|\breve| will take the musical meaning, while outside, it will have the -mathematical one. -If for some reason you need the math \verb|\breve| inside, you can use -\verb|\endcatcodesmusic...\breve...\catcodesmusic|. - - \section{Non-spacing note heads} -These macros are used to create chords. Any number of them can be entered -in sequence, followed by a spacing note. All of the note heads will be -joined to the spacing note and the stem length will automatically be adjusted -as needed. - -\begin{quote}\begin{description}\setlength{\itemsep}{0ex} - \item[\keyindex{zq}{\tt\char123}$p${\tt\char125} :]quarter (or shorter) note head. - \item[\keyindex{zh}{\tt\char123}$p${\tt\char125} :]half note head. -\end{description}\end{quote} -%das ??? -% \begin{remark} Notes of duration longer than whole notes are -%always non-spacing. This saves one useless definition, since these notes are -%always longer than other simultaneous ones. If needed they can be followed by -%\keyindex{sk} to force spacing. -%\end{remark} - - \section{Shifted non-spacing note heads} -These symbols are used mainly -in chords containing an interval of a \ital{second}. They provide note -heads shifted either to the left or right of the default position by -the width of one note head. - -\begin{quote}\begin{description}\setlength{\itemsep}{0ex} -\item[\keyindex{rw}{\tt\char123}$p${\tt\char125} :]whole note head shifted right. -\item[\keyindex{lw}{\tt\char123}$p${\tt\char125} :]whole note head shifted left. -\item[\keyindex{rh}{\tt\char123}$p${\tt\char125} :]half note head shifted right\footnote{Some may not -have realized that half and whole note heads have different shapes}. -\item[\keyindex{lh}{\tt\char123}$p${\tt\char125} :]half note head shifted left. -\item[\keyindex{rq}{\tt\char123}$p${\tt\char125} :]quarter note head shifted right. -\item[\keyindex{lq}{\tt\char123}$p${\tt\char125} :]quarter note head shifted left. -\end{description}\end{quote} - - \section{Non-spacing notes} -These macros provide normal notes, with stems if applicable, but without any -following space. -\begin{quote}\begin{description}\setlength{\itemsep}{0ex} - \item[\keyindex{zhu}\pitchp~:]half note with stem up but no spacing. It acts like -\verb|\hu| for chord building, i.e., it will join together any immediately -preceding non-spacing note heads. - \item[\keyindex{zhl}\pitchp~:]half note with stem down but no spacing. It acts like -\keyindex{hl} for chord building. - \item[\keyindex{zqu}\pitchp~:]quarter note with stem up but no spacing. It acts like -\verb|\qu| for chord building. - \item[\keyindex{zql}\pitchp~:]quarter note with stem down but no spacing. It acts -like \verb|\ql| for chord building. - \item[\keyindex{zcu}\pitchp, \keyindex{zccu}, \keyindex{zcccu}, - \keyindex{zccccu}, \keyindex{zcccccu} -:]eighth, ..., note with stem up but no spacing. They act like -\verb|\cu| for chord building. - \item[\keyindex{zcl}\pitchp, \keyindex{zccl}, \keyindex{zcccl}, - \keyindex{zccccl}, \keyindex{zcccccl} -:]eighth, ..., note with stem down but no spacing. They act -like \verb|\cl| for chord building. - \item[\keyindex{rhu}\pitchp, \keyindex{rhl}, \keyindex{rqu}, \keyindex{rql}, - \keyindex{rcu}, \keyindex{rcl} :] \verb|\rhu| acts like \verb|\zhu|, - but the note is shifted one note width to the right; others analogous. - \item[\keyindex{lhu}\pitchp, \keyindex{lhl}, \keyindex{lqu}, \keyindex{lql}, - \keyindex{lcu}, \keyindex{lcl} :]same - as above, but the note is shifted one note width to the left. - \item[\keyindex{zw}\pitchp~:]whole note with no following space. - \item[\keyindex{zwq}\pitchp~:]arbitrary duration note - (\hbox to8pt{\zwq1\hss}) with no following space. - \item[\keyindex{zbreve}\pitchp~:]breve - (\hbox to8pt{\zbreve1\hss}) with no following space. - \item[\keyindex{zlonga}\pitchp~:]longa - (\hbox to8pt{\zlonga1\hss}) with no following space. - \item[\keyindex{zmaxima}\pitchp~:]maxima - (\hbox to16pt{\zmaxima1\hss}) with no following space. -\end{description}\end{quote} - %\check - -\section{Spacing note heads} - -Although not needed in normal music scores, these may be useful in -very special cases. - -\begin{quote}\begin{description}\setlength{\itemsep}{0ex} -\item[\keyindex{nh}{\tt\char123}$p${\tt\char125} :]spacing half note head. -\item[\keyindex{nq}{\tt\char123}$p${\tt\char125} :]spacing quarter note head. -\end{description}\end{quote} - -\noindent As an example, the sequence - -\begin{music}\nostartrule - \startextract -\notes\nq c\nq j\en\barre -\Notes\nh c\nh j\en\barre -\notes\nq {cdef}\en -\zendextract -\end{music} - -\noindent was coded as - -\begin{quote}\begin{verbatim} -\notes\nq c\nq j\en\barre -\Notes\nh c\nh j\en\barre -\notes\nq {cdef}\en -\end{verbatim}\end{quote} - -Non spacing variants are also provided, namely -\keyindex{znh} and \keyindex{znq}. -% DAS: why??? - - \section{Dotted notes}\label{dots} - -By appending one or two \verb|p|'s (for ``pointed'') to the name, many of the -macros just introduced provide one or two dots after the notehead: -\keyindex{whp}, \keyindex{whpp}, -\keyindex{zwp}, \keyindex{zwpp}, -\keyindex{hup}, \keyindex{hupp}, -\keyindex{hlp}, \keyindex{hlpp}, -\keyindex{hap}, \keyindex{happ}, -\keyindex{zhp}, \keyindex{zhpp}, -\keyindex{qup}, \keyindex{qupp}, -\keyindex{qlp}, \keyindex{qlpp}, -\keyindex{qap}, \keyindex{qapp}, -\keyindex{zqp}, \keyindex{zqpp}, -\keyindex{cup}, \keyindex{cupp}, -\keyindex{clp}, \keyindex{clpp}, -\keyindex{qbp} and \keyindex{qbpp}, all followed by a pitch argument. -The ones that start with ``\verb|z|'' are used in chords. -The dot(s) will be raised if the note is on a line. - -A more explicit way uses one of the macros -\keyindex{pt}{\tt\char123}$p${\tt\char125}, -\keyindex{ppt}{\tt\char123}$p${\tt\char125}, or -\keyindex{pppt}{\tt\char123}$p${\tt\char125} right -before any note macro to place one to three dots after the normal note -head at pitch $p$. Again they will be raised if on a line. In fact this is the only -way to get a triple-dotted note. -For example a -quarter note with one dot could be coded \verb|\pt h\qu h|, with two dots -as \keyindex{ppt}\verb| h\qu h| and with three as -\keyindex{pppt}\verb| h\qu h|. -As a matter of style, if two voices share one staff, the dots in -the lower voice should be \emph{lowered} if the note is on a line. For -this you can use \keyindex{lpt}, -\keyindex{lppt} and \keyindex{lpppt}. - -Yet another method for posting a dot is to insert a \ital{period} before -the letter representing the pitch. Thus \verb|\qu{.a}| is equivalent to -either \verb|\pt a\qu a| or \verb|\qup a| . This may be useful when -using \ital{collective coding}, which will be discussed in the next -section. - -Non-spacing dotted notes can be produced using -\keyindex{zhup}, \keyindex{zhlp}, \keyindex{zqup}, \keyindex{zqlp}, -\keyindex{zcup}, \keyindex{zclp}, \keyindex{zqbp}, followed by a pitch, -and similarly with two \verb|p|'s for -double-dotted notes. -The following provide dotted chord notes shifted left or right: -\keyindex{lhp}, -\keyindex{rhp}, -\keyindex{lqp}, -\keyindex{rqp}, -and similarly with two \verb|p|'s for -double-dotted notes. - - -\section{Sequences of equally spaced notes; collective coding} -\label{CollectiveCoding} - -It isn't necessary to write a separate macro -sequence \verb|\notes...\en| for every individual column of notes. -Rather, a single such macro can contain all the notes in all staves -over an extended horizontal range, as long as all spacings are equal or -multiples of a unique value of \keyindex{noteskip}. -The notes in each staff could be entered one after another as normal -spacing notes as already described in Section~\ref{NormalNotes}. Then -each spacing note will cause the insertion point to advance horizontally by the -operative value of \verb|\noteskip| defined by the choice of -\verb|\notes|, \verb|\Notes|, \verb|\NOtes|, etc. Of course in such sequences -non-spacing chord notes can be entered right before their associated -spacing note. If you need to skip forward by one \verb|\noteskip|, for -example after a quarter note when there are two eighth notes in -another staff, you can use \keyindex{sk}. - -If there are only spacing notes in such a sequence, a further -simplification is available, called \ital{collective coding}. For instance -\verb|\qu{cdefghij}| writes the C major scale in quarters with -up stems. Similarly \verb|\cl{abcdef^gh}| writes the -\ital{A-minor} scale in non-beamed eighths. (Here ``\verb|^|'' represents -a sharp). If necessary a void can be inserted in a collective coding sequence -by using~\verb|*|\index{*}. Not all note-generating macros can be -used to perform collective coding, but most of them can. diff --git a/macros/musixtex/doc/musixftab/frenchtab-samples.pdf b/macros/musixtex/doc/musixftab/frenchtab-samples.pdf deleted file mode 100644 index a035265ce6..0000000000 Binary files a/macros/musixtex/doc/musixftab/frenchtab-samples.pdf and /dev/null differ diff --git a/macros/musixtex/doc/musixftab/frenchtab-samples.tex b/macros/musixtex/doc/musixftab/frenchtab-samples.tex deleted file mode 100644 index 8ee4f077ce..0000000000 --- a/macros/musixtex/doc/musixftab/frenchtab-samples.tex +++ /dev/null @@ -1,9 +0,0 @@ -\font\tabfnt=frenchtab at 11pt - -{\tabfnt 0 1 2 3 4 5 6 7 8 9} - -{\tabfnt A B C D E F G H I K L M N O P Q R} - -{\tabfnt V W X Y Z} - -\end diff --git a/macros/musixtex/doc/musixlyr/README.musixlyr b/macros/musixtex/doc/musixlyr/README.musixlyr deleted file mode 100644 index bbf9abd9be..0000000000 --- a/macros/musixtex/doc/musixlyr/README.musixlyr +++ /dev/null @@ -1,74 +0,0 @@ - - musixlyr -- a MusiXTeX Extension Package for Lyrics Handling - Version 2.1c - - (C) Rainer Dunker 1996-2003 - - -musixlyr is a set of TeX macros to be used with Taupin MusiXTeX -(version T.52 or later) for typesetting vocal music. Its purpose is -to compensate two drawbacks of MusiXTeX's lyrics handling: - - o Typesetting lyrics with the ``native'' MusiXTeX commands \zcharnote, - \zsong etc. tends to be quite inefficient, particularly if the - lyrics have to be changed or corrected. The idea underlying - musixlyr is to separate lyrics coding from music coding and let TeX - weave them together with as little manual interference as - possible. As a result you can enter and edit lyrics (nearly) as - easily as normal text. - - o MusiXTeX has no built-in mechanism for centering hyphens between - syllables and for handling hyphenation at long melismas. This is - implemented in musixlyr following the example of engraved music. - - -New in version 2.1: - - o \appendlyrics: Appends additional lyrics to existing lyrics line - without discarding the remainder of the current lyrics - - o A couple of bugs fixed - - -New in version 2.0: - - o Support for lyrics on multi-staff instruments - - o Melisma declaration as part of the lyrics definition, - i.e. within \setlyrics - - o Improved scheme for vertical lyrics positioning - - o Using PMX: Automatic detection of upper/lower voice context in - a two-voice staff; explicitly addressing lyrics commands to - auxiliary lyrics with \auxlyr is no longer required - - o Context-dependent lyrics settings that do not need to be - adressed to absolute instrument/staff numbers, making lyrics - assignment robust against PMX part extraction - - o No more TeX register allocations per verse - (i.e. musixlyr uses only a small, fixed number of registers) - - o Facility for posting "extra" lyrics anywhere on a staff, - even where no notes are present at all - - o Slightly more robust processing of undefined verses - - -See the included file mxlyrdoc.dvi about how to make use of musixlyr. -This DVI file has been created using MusiXTeX T.103. If you have -another version installed, the music examples of the manual may be -corrupted due to font incompatibilities. Nevertheless, the rest of -the manual will remain readable so that you will be able to install -musixlyr and recompile the mxlyrdoc.tex file in order to get -everything right. - -All kinds of comments, suggestions, and bug reports are welcome! - -Author: Rainer Dunker - Wachtelweg 31 - 85591 Vaterstetten - Germany - - E-mail: rainer.dunker@web.de diff --git a/macros/musixtex/doc/musixlyr/examples/nonmoriar.pdf b/macros/musixtex/doc/musixlyr/examples/nonmoriar.pdf deleted file mode 100644 index d23648bb6a..0000000000 Binary files a/macros/musixtex/doc/musixlyr/examples/nonmoriar.pdf and /dev/null differ diff --git a/macros/musixtex/doc/musixlyr/examples/nonmoriar.tex b/macros/musixtex/doc/musixlyr/examples/nonmoriar.tex deleted file mode 100644 index 4f0c45a12f..0000000000 --- a/macros/musixtex/doc/musixlyr/examples/nonmoriar.tex +++ /dev/null @@ -1,23 +0,0 @@ -\input musixtex -\input musixlyr - -\generalmeter\allabreve -\generalsignature2 -\nobarnumbers -\scale{0.9} -\setlyrics{latin} {Non mo-ri-ar sed} -\setlyrics{german}{Ich wer-de nicht ster-ben, son-dern} -\assignlyrics1{latin,german} -\setsongraise1{-1.5mm} -\startextract - \znotes\verses{,\lyrlayout{\it}}\en - \NOTEs\wh{'a}\en\bar - \NOTes\verses{\beginmel}\ha{'b}\verses{\endmel}\ha a\en\bar - \NOtesp\beginmel\qup{'a}\en - \Notes\ca{'b}\en - \NOtes\verses{,\endmel}\qa{'c}\verses{,\beginmel}\itieu0d\qa d\en\bar - \NOtes\ttie0\qa{'d}\endmel\qa c\en - \NOtes\verses{\beginmel}\ha{'d}\en\bar - \NOTes\verses{\endmel}\ha{'ee}\en -\endextract -\bye diff --git a/macros/musixtex/doc/musixlyr/mxlyrdoc.pdf b/macros/musixtex/doc/musixlyr/mxlyrdoc.pdf deleted file mode 100644 index be0b5bbf89..0000000000 Binary files a/macros/musixtex/doc/musixlyr/mxlyrdoc.pdf and /dev/null differ diff --git a/macros/musixtex/doc/musixlyr/mxlyrdoc.tex b/macros/musixtex/doc/musixlyr/mxlyrdoc.tex deleted file mode 100644 index e5b897cc88..0000000000 --- a/macros/musixtex/doc/musixlyr/mxlyrdoc.tex +++ /dev/null @@ -1,1876 +0,0 @@ -%% -%% mxlyrdoc.tex: Manual for the MusiXTeX lyrics package musixlyr -%% -%% Copyright (C) 1996-2003 Rainer Dunker -%% -%% This document is free software; you can redistribute it and/or modify -%% it under the terms of the GNU General Public License as published by -%% the Free Software Foundation; either version 2 of the License, or -%% any later version. -%% -%% This document is distributed in the hope that it will be useful, -%% but WITHOUT ANY WARRANTY; without even the implied warranty of -%% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -%% GNU General Public License for more details. -%% -%% You should have received a copy of the GNU General Public License -%% along with this document; if not, write to the Free Software -%% Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA. -%% -%% Author: -%% Rainer Dunker -%% Wachtelweg 31 -%% 85591 Vaterstetten -%% Germany -%% -%% E-mail: rainer.dunker@web.de -%% -\documentclass[twoside]{article} -\usepackage{musixtex,multicol,makeidx} - -\input musixlyr - -\textwidth210mm \advance\textwidth-2in % These format settings -\textheight297mm \advance\textheight-2in % can be freely changed! -\advance\textheight-\headheight \advance\textheight-\headsep -\footskip0pt \topmargin0pt \evensidemargin0pt \oddsidemargin0pt - -\pagestyle{headings} -\parskip0.5ex plus 0.25ex minus 0.25ex -\parindent0pt -\sloppy - -\nobarnumbers -\smallmusicsize - -% -% command index -% -\makeatletter -\renewenvironment{theindex} - {\let\item\@idxitem - \begin{multicols}{2} - \parskip0pt} - {\end{multicols}} -\def\printcmd#1{{\tt\char92 #1}} -\def\ci#1{\printcmd{#1}\bci{#1}} -\def\bci#1{\index{#1@\printcmd{#1}}} % "blind" command index entry -\makeindex - -\let\myqnwidth\qn@width -\makeatother - -\def\musixlyr{{\tt musixlyr}} -\def\PMX{{\bf PMX}} -\def\var#1{\hbox{$\langle$#1$\rangle$}} -\def\oneversespace{\par\vspace*{2mm}} -\def\twoversesspace{\par\vspace*{7mm}} - - - - -\begin{document} - - -\title{\musixlyr\ --- a \musixtex\ Extension Package for Lyrics Handling - (Version 2.1c)} -\author{\copyright\ Rainer Dunker 1996--2003\\ - {\tt rainer.dunker@web.de}} -\maketitle -\thispagestyle{empty} - - -{\small\sl (The page layout of this document is tailored to A4 paper - format, but the text width and height can be freely changed in order - to meet other paper sizes; no part of the layout relies on a - particlular size.)\/} - -{\parskip0pt\tableofcontents} - - - -\section{Introduction} - - -\subsection{Basic concepts} - -\musixlyr\ is a set of \TeX\ macros to be used with Taupin \musixtex\ -(version T.52 or later) for typesetting vocal music. Its purpose is -to compensate two drawbacks of \musixtex's lyrics handling: -\begin{itemize} - \item Typesetting lyrics with the ``native'' \musixtex\ commands - \verb|\zcharnote|, \verb|\zsong| etc.\ tends to be quite - inefficient, particularly if the lyrics have to be changed or - corrected. The idea underlying \musixlyr\ is to separate lyrics - coding from music coding and let \TeX\ weave them together with as - little manual interference as possible. As a result you can enter - and edit lyrics (nearly) as easily as normal text. - \item \musixtex\ has no built-in mechanism for centering hyphens between - syllables and for handling hyphenation at long melismas. This is - implemented in \musixlyr\ following the example of engraved music. -\end{itemize} - - - -\subsection{New since version~2.0} - -\musixlyr~2.0 provides the following major enhancements: -\begin{itemize} - \item Support for lyrics on multi-staff instruments - $\longrightarrow$~section~\ref{multi-staff-instruments} - % - \item Melisma declaration as part of the lyrics definition, - i.\,e.~within \ci{setlyrics} - $\longrightarrow$~section~\ref{melismas} - % - \item Improved scheme for vertical lyrics positioning - $\longrightarrow$~section~\ref{vertical-positioning} - % - \item Facility for posting lyrics anywhere on a staff, even where no - notes are present at all - $\longrightarrow$~section~\ref{lyric*-verse-numbers} -\end{itemize} - -These new features are especially interesting when \musixlyr\ is used in -conjunction with \PMX: -\begin{itemize} - \item Automatic detection of upper/lower voice context in - a two-voice staff; explicitly addressing lyrics commands to - auxiliary lyrics with \ci{auxlyr} is no longer required - $\longrightarrow$~section~\ref{auxlyr-attachment} - % - \item Context-dependent lyrics settings that do not need to be - adressed to absolute instrument/staff numbers, making lyrics - assignment robust against part extraction - $\longrightarrow$~section~\ref{assignment-by-context} -\end{itemize} - -Finally, a few improvements have been made that do not bear explicit -new features but work rather behind the scenes: -\begin{itemize} - \item No more \TeX\ register allocations for each verse name newly - defined by \ci{setlyrics} or \ci{copylyrics}; the use - of those registers has been replaced by macros. - % - \item Due to the abandoned per-verse register allocations, the - \ci{enableauxlyrics} command is obsolete. It is retained for the - sake of backward compatibility, but it has no effect. - % - \item Slightly more robust processing of undefined verses. An error - is raised immediately when an undefined verse is assigned to a - staff/instrument, and the undefined verse name is implicitly - defined as having empty lyrics. This avoids obscure errors in later - stages of \TeX\ processing. -\end{itemize} - -The current version~2.1c is mainly a bugfix version of~2.0, with a few -functional additions: -\begin{itemize} - \item Possibility to add additional lyrics to an existing lyrics - definition without discarding the remainder of the current lyrics - line contents; useful if lyrics are defined in several portions - spread over the score (see~\ref{appendlyrics}). - \item The \musixlyr\ version is identified by the predefined macro - \verb|\musixlyrversion|, enabling other \TeX\ code to check for - version compatibility (according to a suggestion by Dirk Laurie). -\end{itemize} - -Suggestions for other useful things are welcome. - - - -\subsection{Backward incompatibility issues} - -The following properties make \musixlyr\ versions~2.$x$ incompatible -to earlier versions: -\begin{itemize} - \item - It is no longer possible to represent ``empty syllables'' by - empty \TeX\ environments `\verb|{}|' within \ci{setlyrics}; see - also section~\ref{empty-syllable}. - % - \item - Within \ci{setlyrics}, the underscore character has got a - special meaning and thus can no longer be used as usual; see - section~\ref{melismas-by-underscores}. - % - \item - By default, auxiliary lyrics are now placed vertically {\em - above\/} (no longer below) the staff they are assigned to; see - section~\ref{auxlyr-vertical-position-default}. -\end{itemize} - - -The following bugfix of \musixlyr~2.1b also implies a slight backward -incompatibility: -\begin{itemize} - \item - At the beginning of a music line (system), lyrics have often been - right-shifted because \musixlyr\ has assumed MusiXTeX's horizontal - ``zero'' position as the left boundary for lyrics positioning. Now, - lyrics are allowed to extend into the left margin as far as - required for centered placement under/above the note. - - Although this is a more ``natural'' behaviour, it may lead to - collisions between lyrics and other stuff (like dynamic marks) that - have not occurred using older \musixlyr\ versions. In such a case, - there are two ways to solve the problem: - % - \begin{itemize} - \item Restore the former \musixlyr\ behaviour globally by saying - \begin{quote} - \ci{oldlyrlinestart} - \end{quote} - near the top of your score source. - % - \item Right-shift the colliding lyrics where necessary using - \ci{lyroffset} (see~\ref{lyroffset}). - \end{itemize} - \end{itemize} - - - -\subsection{Restrictions} - -\begin{itemize} - \item \musixlyr\ does not influence the \musixtex/{\tt musixflx} - spacing algorithm in order to make the notes spacing dependent on - the space requirements of the lyrics. See section~\ref{horizpos} - about how spacing problems are handled. - % - \item \musixlyr\ seems to work correctly in my preferred working - environment, but I cannot exclude problems in situations I have - not undergone (especially concerning the use of \musixtex\ - preprocessors, the \musixtex\ extension library, and past or - future \musixtex\ releases). Thus it is important that you point out - encountered bugs and incompatibilities to me; there is little - chance that I notice them on my own. - - Please do also bother me if you find this manual --- or parts of - it --- incomprehensible or incomplete. -\end{itemize} - - - -\section{Installation} - -Put the {\tt musixlyr.tex} file into a directory that is included in -your \verb|TEXINPUTS| search path --- that's all. (Refer to your local \TeX\ -documentation for details on this.) - - - -\section{Usage} - -Before using \musixlyr\ macros, state -\begin{quote}\verb|\input musixlyr|\end{quote} -near the beginning of your source file but {\bf after} the -\verb|\input musixtex| (\LaTeX: \verb|\usepackage{musixtex}|) -command. - - - -\subsection{Entering lyrics} - - -\subsubsection{Lyrics as lines of words} - -As opposed to the ``vertical'' music construction of -\musixtex, \musixlyr\ treats lyrics ``horizontally'' as {\em lyrics -lines.\/} Each separate ``thread'' of words is a separate lyrics -line; thus, in the following example\footnote{Excerpt from -``Tourdion'' by {\sc Pierre Attaignant} ({\sl ars -musica\/} vol.\,4, M\"oseler Verlag Wolfenb\"uttel/Z\"urich)}, - -\begin{music} - \setlyrics{soprano} - {Quand je bois du vin clai-ret, a-mi tout} - \setlyrics{alto}{Le bon vin nous} - \setlyrics{tenor}{Bu-vons bien, bu-vons mes a-mis,} - \copylyrics{tenor}{bass} - \assignlyrics4{soprano} - \assignlyrics3{alto} - \assignlyrics2{tenor} - \assignlyrics1{bass} - \setsongraise3{-1.5mm} - \small - \instrumentnumber4 - \generalsignature2 - \generalmeter{\meterfrac32} - \setclef1\bass - \songtop4 - \songbottom1 - \sepbarrules - \startextract - \NOtes\wh{`e}\sk\sk\sk\ha e&% - \wh g\sk\sk\sk\ha e&% - \wh b\sk\sk\sk\ha b&% - \qa{efg'a!gf}\en\bar - \NOTesp\wh{`e}&\wh{'b}&\wh e&\hup e\en - \NOtes\sk\ha{`e}&\sk\ha{'b}&\sk\ha e&\qa{fg'a}\en - % force hyphens of incomplete words: - \def\atnextbar{\znotes\lyric{}&\lyric{}\en}% - \endextract -\end{music} -\oneversespace - -there are four lyrics lines notwithstanding that two of them consist -of the same words. - -Note that the number of lyrics lines does not depend on the number -of staves: Any number of lyrics lines (including none) can be attached -to each staff (more about multiple lyrics lines per staff in -section~\ref{multilyrlines}). - - -\subsubsection{Setting up a lyrics line} - -A lyrics line is set up using the command -\begin{quote} - \ci{setlyrics}\verb|{|\var{name}\verb|}{|\var{words}\/\verb|}| -\end{quote} -where \var{name} is a name\footnote{This name must not contain -backslashes or commas. Most other characters do not cause problems; -however, it is safer to use only letters and digits.} for the lyrics -line (e.\,g.\ the name of the voice singing these lyrics) and -\var{words} is the complete text where multi-syllable words must be -given {\bf hyphenated.} For example, the soprano lyrics of the above -example are set as follows: -\begin{quote} - \bci{setlyrics} - \begin{verbatim} -\setlyrics{soprano}{Quand je bois du vin clai-ret, a-mi tout}\end{verbatim} -\end{quote} - -Important notes on using \ci{setlyrics}: -\begin{itemize} - \item - Within the lyrics definition, spaces and hyphens are used to - split the whole text into words or syllables. If you want a space - or hyphen appear {\em within\/} a word/syllable, use the command - \verb|\space| or \ci{lyrhyphenchar}, respectively, instead. - \item - \label{empty-syllable}% - If you want the lyrics attachment to skip over a note, - i.\,e.~a certain note shall not receive a syllable, you may - achieve this by inserting an empty syllable in the \var{words} - text. However, neither a ``really empty'' syllable (i.\,e.~two - consecutive separating spaces) nor an empty environment \verb|{}| - will work, but you may use either \verb|{\empty}| or - \verb|\empty{}| for this. - - Normally, the \ci{nolyr} command (discussed later in this - manual) should be used for this purpose, but an empty syllable may - be more handy if it occurs in only one of multiple assigned - verses; see also sections~\ref{melismas-by-underscores} - and~\ref{multilyrlines}. - \item - Note that, since lyrics lines are cut into pieces which are - processed separately, you cannot apply things like temporary font - changes in the usual manner (i.\,e.~using \TeX\ - environments). See section~\ref{layoutpar} about how to accomplish - layout changes. - \item - Applying \ci{setlyrics} to an already defined \var{name} - redefines the lyrics line. This may be useful at very long pieces - because setting up and applying lyrics in smaller portions - (e.\,g.\ movement by movement) saves both time and memory. - \item - It is possible to specify melismas --- that shall occur later when - a verse is attached to the music --- already within - \ci{setlyrics}; see section~\ref{melismas-by-underscores} for - details. - -\end{itemize} - -There are two variants of the \verb|\setlyrics| command available: -\begin{itemize} - \item - If several voices have the same lyrics, you do not have to copy - and paste the lyrics for each further voice; just say - \begin{quote}\ci{copylyrics}\verb|{|\var{from name}% - \verb|}{|\var{to name}\verb|}|\end{quote} - to set up a lyrics line named \var{to name} with the same contents - as \var{from name}. - \item - Applying \ci{setlyrics} to an already defined \var{name} - has the effect of discarding all previous contents of \var{name}, - even if part of the lyrics is still pending for being - processed. If you want to {\em append\/} further lyrics to an already - existing lyrics line instead --- without interrupting the - processing of the current lyrics contents ---, use the command - \label{appendlyrics} - \begin{quote} - \ci{appendlyrics}\verb|{|\var{name}\verb|}{|\var{words}\/\verb|}| - \end{quote} - instead of \verb|\setlyrics|. - % A warning about performance loss due to \appendlyrics's material - % accumulation may be added here; it should occur only if \golyr - % jumps to or near to the lyrics beginning are performed. -\end{itemize} - - -\subsubsection{Assigning lyrics lines to staves} - -{\bf Note:} During the following discussion, the term {\em staff\/} is -used wherever \musixtex\ would precisely use the term {\em -instrument\/} instead, assuming that lyrics are posted to single-staff -instruments only. However, everything also applies to the assignment -of lyrics to staves of multi-staff instruments; see -section~\ref{multi-staff-instruments} about how to use lyrics in a -multi-staff instrument context. - -To assign a lyrics line to a staff, say -\begin{quote}\ci{assignlyrics}\verb|{|\var i% - \verb|}{|\var{name}\verb|}|\end{quote} -where \var i is the instrument number (counted as usual from bottom to -top) and \var{name} the name of the lyrics line. - -The resulting assignment can be redefined everywhere. This is useful -if the arrangement of voices on staves changes within the score; when -a voice is continued on a different staff at the next system, use -\ci{assignlyrics} (preferrably enclosed in \verb|\atnextline{...}|) to -make the respective lyrics line follow this change without -interrupting the flow of words. - -If a lyrics line is assigned to instrument \var i and you want it to be -continued on a different instrument while assigning no other lyrics line -to instrument \var i, you must explicitly cancel the former assignment by -saying \ci{assignlyrics}\verb|{|\var i\verb|}{}|. - -{\bf Caution:} Never assign a lyrics line to more than one -staff simultaneously; if the same lyrics are needed at -several staves in parallel, use \ci{copylyrics} (see above). - -As a summary of this section, here is the complete ``lyrics -definition section'' of the above example: -\begin{quote} - \bci{setlyrics} - \bci{copylyrics} - \bci{assignlyrics} - \begin{verbatim} -\setlyrics {soprano}{Quand je bois du vin clai-ret, a-mi tout} -\setlyrics {alto} {Le bon vin nous} -\setlyrics {tenor} {Bu-vons bien, bu} -\copylyrics{tenor} {bass} -\assignlyrics4{soprano} -\assignlyrics3{alto} -\assignlyrics2{tenor} -\assignlyrics1{bass}\end{verbatim} -\end{quote} - -See also section~\ref{assignment-by-context} about an alternative way -to assign lyrics to staves. - - - -\subsection{Managing the attachment of lyrics to notes} -\label{manipulation} - - -\subsubsection{Automatic lyrics attachment} -\label{auto-attachment} - -By default, the syllables of a lyrics line are consecutively attached to -all {\em spacing\/} notes of the assigned staff. Chords thus receive only -one syllable since they usually contain exactly one spacing note. -However, this may be different if you are using auxiliary lyrics; -see section~\ref{auxlyrics} for details. - -``Spacing'' in this context means: generated by one of the commands -\verb|\qu|, \verb|\hu|, \verb|\wh|, etc.\ and not by \verb|\zqu|, -\verb|\zhu|, \verb|\zq|, etc. Spacing or not does {\em not\/} depend on -whether the note-generating command is enclosed in \verb|\znotes| or -any other \verb|\notes| command. So if any note seems to have been -left out by the attachment automatism, first make sure that this -note is generated using a command not beginning with \verb|\z|. - -If the number of words of a lyrics line gets exhausted before all -notes of the respective staff are processed, ``???'' is posted at all -remaining notes. - - -\subsubsection{Addressing manipulations to lyrics} - -In the ``ideal'' case, the attachment automatism perfectly distributes the -lyrics over the music. In practice, however, situations in which the -automatism must be ``helped'' manually are frequent. Such -manipulations must be posted within the music code. Here are the -basic rules: -\begin{enumerate} - \item All lyrics manipulations must be stated inside - \verb|\notes...\enotes|. - (Exception: melisma specifications within \verb|\setlyrics|, see - section~\ref{melismas-by-underscores}). - \item Lyrics manipulations solely refer to the lyrics line(s) - attached to the current staff (``current'' with respect to the - enclosing `\verb|&|' characters). - \item Similar to many other \musixtex\ commands (e.\,g.\ for beams - and slurs), lyrics manipulations must be issued before the - corresponding note commands. -\end{enumerate} -Examples in the following sections will illustrate the application. - - -\subsubsection{Melismas} -\label{melismas} - -Regarding lyrics and music separately, melismas are no property of -either one; instead, they characterize the relation between both and -play a role only where music and lyrics occur together. Using -\musixlyr, however, lyrics coding and music coding are basically -unrelated, but melismas do have to be specified somewhere. You have to -decide yourself whether you regard melismas as an attribute rather of -the lyrics or rather of the music (this may vary according to the type -of score you are preparing, or may even differ within a score); -\musixlyr\ provides two corresponding styles of melisma specification -which are discussed in the following paragraphs. - -\begin{description} - \item[Melismas as a music property.] - Within the music code, a melisma is initiated and terminated by the - command pair - \begin{quote} - \hspace*{\fill}\ci{beginmel}\hfill\ci{endmel}\hspace*{\fill} - \end{quote} - issued before the first and last note, respectively, of the melisma. - This left-justifies the current word/syllable, suspends lyrics until - after the melisma, and sets up a ``word extension - underline''\footnote{I am not sure whether this is the appropriate - term; it is taken from the {\sl Finale\/} reference manual.} unless - the current word is continued afterwards and thus has to be - hyphenated. For example, - - \begin{music} - \resetlyrics - \instrumentnumber1 - \small\scale{0.6} - \setlyrics{melismatic}{a me-lis-ma} - \assignlyrics1{melismatic} - \startextract - \NOtes\beginmel\qa{def}\endmel\qa e\en\bar - \NOtes\beginmel\qa{def}\endmel\qa g\en\bar - \NOtes\beginmel\qa{'a!gf}\endmel\qa e\en\bar - \NOtes\beginmel\qa{defe}\en\bar - \NOTEs\endmel\wh d\en - \endextract - \end{music} - \oneversespace - - has been coded as: - \begin{quote} - \bci{beginmel} - \bci{endmel} - \begin{verbatim} -... -\NOtes\beginmel\qa{def}\endmel\qa e\en\bar -\NOtes\beginmel\qa{def}\endmel\qa g\en\bar -\NOtes\beginmel\qa{'a!gf}\endmel\qa e\en\bar -\NOtes\beginmel\qa{defe}\en\bar -\NOTEs\endmel\wh d\en -...\end{verbatim} - \end{quote} - If a system break occurs within the melisma, hyphenation or underline - is continued at the next system, thus automatic line breaking is - applicable. - - \item[Melismas as a lyrics property.] - \label{melismas-by-underscores} - To specify a melisma within a lyrics definition (i.\,e.~within - \ci{setlyrics} or \ci{appendlyrics}), simply append an underscore - character to a syllable to make it span over an additional note, - two underscores to span over two additional notes, and so - on. Alternatively, you may append to a syllable a single underscore - followed by a number which denotes the number of {\em additional\/} - melisma notes: \verb|abc_| is equivalent to \verb|abc_1|, - \verb|abc__| to \verb|abc_2|, and so on. - - No matter which of the two underscore appendix styles you use: If a - melismatic syllable is hyphenated to the following one, the melisma - denotation must {\bf precede} the hyphen --- for example: - \verb|abc__-def| ({\bf not:} \verb|abc-__def|). - - All melisma properties mentioned above (lyrics suspension, left - justification of syllable, word extension underline, system break - support) also apply to melismas specified this way. For reference, - here is the lyrics definition section of the example above, this time - utilizing the underscore melisma technique (note that, in this case, - all \ci{beginmel} and \ci{endmel} commands must be omitted in the - music section): - - \begin{quote} - \ci{setlyrics}\verb|{melismatic}{a___ me_3-lis___-ma_4}| - \end{quote} - - \item[Comparing both points of view.] - The music-oriented melisma view (using \ci{beginmel}/\ci{endmel}) is - advantageous for music with a rather loose binding to certain lyrics, - e.\,g.~folk songs that are to be printed with various verse compilations - or in different languages. You may then enter each verse without - taking care of melismas because they are coded just once as part of - the music. - - On the other hand, the lyrics-focused melisma style (using - underscores) is best suited to pieces with a fixed lyrics-to-music - binding; it is easier to type and to read, but less flexible as - regards combining the same lyrics with different music. It is - especially advantageous for multiple verses (see - section~\ref{multilyrlines}) with different syllables-to-notes - distribution (see verse~3 of the ``Drunken sailor'' example in - section~\ref{versenumbers}); it is much easier to code each verse's - melismas individually than tracking all melismas in parallel using - the \ci{verses} command (see again section~\ref{multilyrlines}). - - \item[Note.] - You may use both styles within the same score but you should avoid - activating both melisma types simultaneously at the same lyrics line; - the result of such an occurrence is undefined. -\end{description} - - -\subsubsection{Turning automatic lyrics attachment on/off} - -If the attachment automatism is unsuitable for some -situation --- e.\,g.\ at complex polyphonic voicings or wherever you -want to place all syllables manually --- you can turn it off using -\begin{quote}\ci{lyricsoff}\end{quote} -after the last note that shall get a syllable. (If your piece begins -with a lyrics-less section, state \ci{lyricsoff} before the first -note of a staff.) To re-enable automatic lyrics attachment, use -\begin{quote}\ci{lyricson}\end{quote} -before the first note that shall get a syllable. - -If automatic lyrics attachment shall skip over certain single notes -only, the \ci{nolyr} command is more suitable (see -section~\ref{nolyr-command}). - - -\subsubsection{Lyrics repetition and skipping} - -As in the following example of a polyphonic piece, - -\begin{music} - \resetlyrics - \instrumentnumber2 - \setclef1\bass - \songtop2 - \songbottom1 - \small - \setlyrics{amen1} - {\llabel{amenlabel}A-men!} \assignlyrics1{amen1} - \copylyrics{amen1}{amen2} \assignlyrics2{amen2} - \startextract - \NOtes% lower staff: - \itenu0K\beginmel\wh K\sk\sk\sk - \midslur2\tten0\endmel\hlp K&% - % upper staff: - \qa f\lyrnop\lyrpt,\qa g% - \golyr{amenlabel}\lclyr\qa h\lyrnop\lyrpt,\qa{_i}% - \golyr{amenlabel}\lclyr\beginmel\islurd1h\qa{hg}% - \tslur1f\endmel\qa f\en - \NOTEs\wh N&\wh g\en - \endextract -\end{music} -\oneversespace - -it often happens that some lyrics phrases are repeated by some but -not all voices, or that each voice has its individual arrangement of -lyrics repetitions. Nevertheless, you do not have to enter -these repetitions directly within \ci{setlyrics}; instead, you -enter the lyrics as if they were performed in an unbroken -sequence. Repetitions and skips are then handled using a ``go to'' -technique involving the following steps: -\begin{description} - \item[Labelling ``go to'' targets.] A syllable which has to be jumped at - must be preceded (without spaces in between) by - \begin{quote}\ci{llabel}\verb|{|\var{label name}\verb|}|\end{quote} - within \ci{setlyrics}. - \item[Performing jumps.] Within the music code, say - \begin{quote}\ci{golyr}\verb|{|\var{label name}\verb|}|\end{quote} - before the note at which the jump has to be performed. - - {\bf Caution:} If you try to jump to an undefined lyrics label, no - meaningful error message is produced. However, if \TeX\ reports an - error at a \ci{golyr} command, you should check conformity of - defined and used labels. -\end{description} -The following actions must be taken in special cases: -\begin{description} - \item[Adding punctuation marks.] Usually a comma or period is - appended to the word preceding a jump; this is done by the command - \begin{quote}\ci{lyrpt}\var{punctuation char}\end{quote} - where \var{punctuation char} can be any single punctuation - character. - \item[Removing punctuation marks.] Before adding a punctuation mark - to a word as said above, an already existing punctuation mark - should be removed by the command: - \begin{quote}\ci{lyrnop}\end{quote} - \item[Lower case letters.] Words at jump targets often begin with a - capital letter which should appear lower case after a jump; - this can be forced by the command: - \begin{quote}\ci{lclyr}\end{quote} -\end{description} -Here is a code excerpt from the above example, summarizing the use of -all mentioned commands: -\begin{quote}\small - \bci{llabel} - \bci{copylyrics} - \bci{setlyrics} - \bci{lyrnop} - \bci{lyrpt} - \bci{golyr} - \bci{lclyr} - \bci{beginmel} - \bci{endmel} - \begin{verbatim} -\setlyrics{amen1} - {\llabel{amenlabel}A-men!} \assignlyrics1{amen1} -\copylyrics{amen1}{amen2} \assignlyrics2{amen2} -\startextract - \NOtes% lower staff: - \itenu0K\beginmel\wh K\sk\sk\sk - \midslur2\tten0\endmel\hlp K&% - % upper staff: - \qa f\lyrnop\lyrpt,\qa g% - \golyr{amenlabel}\lclyr\qa h\lyrnop\lyrpt,\qa{_i}% - \golyr{amenlabel}\lclyr\beginmel\islurd1h\qa{hg}% - \tslur1f\endmel\qa f\en - \NOTEs\wh N&\wh g\en -\endextract\end{verbatim} -\end{quote} -Note that the ``go to'' technique is recommendable mainly if different -voices perform different repetitions or skips on the same lyrics; if -all voices perform the same sequence of repetitions, however, it is -easier to hard-code them within \ci{setlyrics}. - - -\subsubsection{Miscellaneous} -\label{miscmanip} - -\begin{description} - \item[Excluding single notes.] - \label{nolyr-command}% - In the following situation, - - \begin{music} - \resetlyrics - \instrumentnumber1 - \setlyrics1{ca-den-za} - \assignlyrics11 - \startextract - \NOtes\zqlp{'c}\qu e\en - \Notes\qu{'d}\nolyr\cl b\en - \bar - \NOTes\zhl{'c}\hu c\en - \endextract - \end{music} - \oneversespace - - the eighth note must be excluded from receiving a syllable. This - can be accomplished saying - \begin{quote}\ci{nolyr}\end{quote} - before the command generating this note. - \item[Manual lyrics posting.] When automatic lyrics attaching is - switched off, a word or syllable can be placed manually saying - \begin{quote}\ci{lyr}\end{quote} - before the command generating the note that shall get this - word/syllable. - - This command also works independently from a following note command; - you can issue it before a rest, a \verb|\sk| or even alone for - itself in order to place a word/syllable wherever you want (no - matter whether the attachment automatism is on or off). - - Manipulations to the posted word/syllable have to be placed {\em - before\/} the \ci{lyr} command. - \item[Left justification.] Say - \begin{quote}\ci{llyr}\end{quote} - in order to have the next word/syllable left-justified to the - notehead instead of centered. - - If you prefer to have left justification as the default, say - \begin{quote}\ci{leftlyrtrue}\end{quote} - before your piece begins (\ci{leftlyrfalse} to restore centered - lyrics). - \item[Word extension underlines.] The melisma commands (see - \ref{melismas}) automatically manage word extension underlines; - however, they can be set manually: Say - \begin{quote}\ci{lyrrule}\end{quote} - before the respective note command to initiate an underline {\em - after\/} the word, and - \begin{quote}\ci{lyrruleend}\end{quote} - before the note where the underline shall be terminated. - - Note that no underline will be drawn if the word is continued - afterwards so that the underline would interfere with the - hyphenation. - \item[Horizontal offset.]\label{lyroffset}% - To shift a word/syllable out of its default - horizontal position, say - \begin{quote}\ci{lyroffset}\verb|{|\var n\verb|}|\end{quote} - which --- similar to \verb|\roffset| --- moves the next word/syllable - \var n quarter note head widths to the right (left if \var n - is negative). - - Note that the effect of \ci{lyroffset} may be overridden by - automatic lyrics shifting. If you want to gain complete manual - control over the positioning, you have to disable the shifting - automatism; see section \ref{horizpos} for details. - \item[Extra lyrics.] If, as in the following - example\footnote{Excerpt from ``In the town where I was born'' - ({\sl Eine kleine Melodie,\/} Strube, M\"unchen 1989)}, - - \begin{music} - \resetlyrics - \instrumentnumber2 - \generalsignature1 - \setclef1\bass - \songtop2 - \songbottom1 - \interinstrument=6mm - \setsongraise2{-0.5mm} - \scale{1.5} - \forcelyrhyphenstrue - \small - \setlyrics{lower}{yel-low sub-ma-rine,} \assignlyrics1{lower} - \copylyrics{lower}{upper} \assignlyrics2{upper} - \startextract - \Notes\ibl0N0\zqbp0N\ibu1N0\qbp1b&% - \ibl2f0\zqbp2d\ibu3g0\qbp3g\en - \notes\tbbl0\tbl0\zqb0N\tbbu1\tbu1\qb1b&% - \tbbl2\tbl2\zqb2d\tbbu3\tbu3\qb3g\en - \Notes\ibl0M0\zqbp0M\ibu1N0\qbp1b&% - \ibl2f0\zqbp2d\ibu3g0\qbp3g\en - \notes\tbbl0\tbl0\zqb0M\tbbu1\tbu1\qb1b&% - \tbbl2\tbl2\zqb2d\tbbu3\tbu3\qb3g\en - \Notes\ibl0L{-1}\zqbp0L\hu b&\zhl d\hu g\en - \notes\tbbl0\tbl0\lyric{ya,}\qb0K\en - \Notes\ibl0L1\lyric{ya,}\qbp0L\en - \notes\tbbl0\tbl0\lyric{ya,}\qb0M\en - \endextract - \end{music} - \oneversespace - - a voice has ``extra'' lyrics (such as ``hmm'', ``ah'', ``ya'', etc.) - in addition to the ``main'' lyrics, you need not enter them within - \ci{setlyrics} (which would inhibit using \ci{copylyrics}); - instead, you can enter them directly within the music code using - the command - \begin{quote}\ci{lyric}\verb|{|\var{extra syllable}\verb|}|\end{quote} - before the note where they shall appear. (Note that the effect is - different from using \verb|\csong| which would not apply automatic - hyphenation, horizontal positioning control, and \musixlyr's - vertical positioning scheme.) Automatic lyrics attaching --- if - active --- is suspended at that note. All manipulations can be - applied; they must be given before the \ci{lyric} command. - - If you want the syllable linked to the following one by a hyphen, - use \ci{lyrich} instead of \ci{lyric}. - - It may sometimes be necessary to post lyrics where no note is - present at all, i.\,e.~in the empty space between notes. This is, - however, possible with \verb|\lyric|, but is is unsuitable because - automatic lyrics attachment shall {\em not\/} be suspended at the - next note. In this case one of the commands \ci{lyric*} or --- for - hyphenated syllables --- \ci{lyrich*} should rather be used; they - have no effect on the ``regular'' flow of lyrics. - \label{lyric*-verse-numbers}% - One application for this are vertically aligned verse numbers. For - example, - - \begin{quote} - \bci{lyric*} - \bci{verses} - \begin{verbatim} -\setlyrics1{Spring time} -\setlyrics2{Au-tumn} -\assignlyrics1{1,2} -... -\znotes\loffset{2.2}{\verses{\lyric*{1.},\lyric*{2.}}}\en -\hardspace{4mm}% -\NOTes\hu{ee}\en -...\end{verbatim} - \end{quote} - - yields: - - \begin{music} - \resetlyrics - \setlyrics1{Spring time} - \setlyrics2{Au-tumn} - \assignlyrics1{1,2} - \lyrraise1{b -1.5mm} - \scale{1.2} - \startextract - \znotes\loffset{2.2}{\verses{\lyric*{1.},\lyric*{2.}}}\en - \hardspace{4mm}% - \NOTes\hu{ee}\en - \endextract - \twoversesspace - \end{music} - - (See section~\ref{multilyrlines} about attaching multiple verses - to a single staff, a feature that has not been introduced so far.) - - You may even obtain verse numbers that are repeated at the - beginning of each system by enclosing the \verb|\znotes...| command - for setting the numbers in \verb|\def\everystaff{...}|. - - Another possible application --- combined with empty syllables --- - is coping with unusual lyrics situations at voltas; for example, - - \begin{music} - \twoversesspace - \setlyrics1{first pass} - \setlyrics2{se-cond pass} - \assignlyrics1{1,2} - \resetlyrics - \scale{2} - \startextract - \NOTEs\wh g\en - \Setvolta1\def\atnextbar{\znotes\verses{,\lyric{}}\en}\bar - \NOTEs\wh g\en - \znotes\verses{,\lyrich*{}}\en \Setvolta2\setendvoltabox\rightrepeat - \NOTEs\verses\lyricsoff\pause\en\bar - \NOTEs\ha{gg}\en\setendvolta - \endextract - \twoversesspace - \end{music} - - is accomplished by: - - \begin{quote} - \bci{verses} - \bci{lyric} - \bci{lyrich*} - \begin{verbatim} -\setlyrics1{first pass} -\setlyrics2{se-cond pass} -\assignlyrics1{1,2} -\startextract - \NOTEs\wh g\en - \Setvolta1\def\atnextbar{\znotes\verses{,\lyric{}}\en}\bar - \NOTEs\wh g\en - \znotes\verses{,\lyrich*{}}\en - \Setvolta2\setendvoltabox\rightrepeat - \NOTEs\verses\lyricsoff\pause\en\bar - \NOTEs\ha{gg}\en\setendvolta -\endextract\end{verbatim} - \end{quote} - - The trick used here is to inject empty syllables into the second - verse at the barlines around the first volta; they serve as anchors - for the hyphenation suspended under this volta. - - Note that the \ci{lyric}, \ci{lyric*}, \ci{lyrich}, and - \ci{lyrich*} commands cannot be used at staves without assigned - lyrics lines. -\end{description} - - - -\subsection{Horizontal positioning} -\label{horizpos} - -\musixlyr\ takes care of blank space between words. If a word --- at -its default position --- would come too close to or overlap the -previous word, it is shifted right in order to ensure a minimum of -blank space. This minimal interword space can be set by -\begin{quote}\ci{minlyrspace}\verb|=|\var{any \TeX\ dimension}\end{quote} -and is initially set to~3\,pt. - -%The situation is different if two syllables belong to the same -%word. Such syllables are allowed to close up; only overlapping is -%inhibited by shifting. If the space between such syllables is -%narrower than a hyphen, the hyphen is omitted unless you force -%hyphens in every spatial situation saying -%\begin{quote}\verb|\forcelyrhyphenstrue|\end{quote} -%(to restore the default behaviour: \verb|\forcelyrhyphensfalse|). In -%this case, enough room is made for the hyphen by shifting the right -%syllable if necessary. - -\leavevmode\label{nicerhyphens}% -The situation is different if two syllables belong to the same -word. Such syllables are allowed to close up; only overlapping is -inhibited by shifting. If the ``natural'' space between such syllables is -narrower than a hyphen, the hyphen is omitted and the two syllables -close up completely (eventually by left-shifting the second syllable -to prevent a small gap). You may though force -hyphens in every spatial situation saying -\begin{quote}\ci{forcelyrhyphenstrue}\end{quote} -(to restore the default behaviour: \ci{forcelyrhyphensfalse}). In -this case, enough room is made for the hyphen by right-shifting the -second syllable if necessary. - -If the note spacing is quite narrow, lyrics shifting may get -accumulated within a system. In order to prevent shifting words too -far out of their original position, a wider note spacing should be -considered. The command -\begin{quote}\ci{showlyrshifttrue}\end{quote} -marks each lyric shift with a black rectangle of the respective -width, thus making it easy to detect questionable positionings. - -If you prefer to completely disable lyrics shifting, set -\ci{minlyrspace} to a large negative value (e.\,g.~$-10$\,cm). - - - -\subsection{Vertical positioning} -\label{vertical-positioning} - -By default, \musixlyr\ places lyrics vertically centered between the -two adjacent staves. Lyrics below the lowest or above the topmost -staff of a system are centered around the system's bottom or top -margin line.% -\footnote{This is not necessarily the most reasonable way, but it is - compatible to \musixtex's \printcmd{csong} behaviour.} - -In most scores, you will have to deviate from this standard and -manually adjust the lyrics' vertical position. This can be done per -staff with the command -\begin{quote} - \ci{lyrraise}\verb|{|\var n\verb|}|\verb|{|\var{pos}\var{raise}\verb|}| -\end{quote} -which applies the following setting to the lyrics attached to staff -number~\var n: \var{pos} is one of the letters \verb|a| -and~\verb|b|. \verb|a| sets the lyrics above the staff, \verb|b| below -the staff. \var{raise} is a dimension value by which the lyrics are -lifted above (or lowered under, if it is negative) the default -position as mentioned above. \ci{lyrraise}\verb|{|\var n\verb|}{b0pt}| -is the initial setting for all staves. - -It is possible to apply changes to the vertical position at any place -within the score, but in most cases it is most reasonable to do so -within \verb|\atnextline{...}| which ensures consistent, even spacing -within each system. - -For the sake of backward compatibility, applying \musixtex's command -\ci{setsongraise}\verb|{|\var n\verb|}{|\var{raise}\verb|}| -implicitly performs a -\ci{lyrraise}\verb|{|\var n\verb|}|\verb|{b|\var{raise}\verb|}|, -but not vice versa --- i.\,e.~\ci{lyrraise} has no effect on lyrics -set with \musixtex's lyrics commands \verb|\csong|, -\verb|\zsong|,~etc. Likewise, the obsolete \musixlyr\ command -\ci{auxsetsongraise} implies \verb|\auxlyr{\lyrraise...{b...}}|, but -not vice versa (see section~\ref{auxlyrics} to learn about the meaning -of \verb|\auxlyr|). - - - -\subsection{Setting lyrics layout parameters} -\label{layoutpar} - - -\subsubsection{Available parameters} - -\begin{description} - \item[Font:] There is no special font command; the current font is - used for lyrics. It can be changed using the usual \TeX/\LaTeX\ - commands. - \item[Minimum length of word extension underlines:] A word extension - underline is omitted if it would become too short. The minimum - length can be set by - \begin{quote}\ci{minlyrrulelength}\verb|=|\var{any \TeX\ dimension} - \end{quote} - and is initially set to~2\,mm. If you prefer to completely inhibit - the underlines, set this parameter to an unsurpassably high value - (e.\,g.~the width of your paper). - \item[Minimum inter-syllable distance for multiple hyphens:] If the - space between two hyphenated syllables (or between one of the - syllables and the respective system margin) is wider than this - distance, it is filled with a line of hyphens instead of a single - hyphen. The minimum distance to be filled with more than one - hyphen can be set by - \begin{quote}\ci{minmulthyphens}\verb|=|\var{any \TeX\ dimension}\end{quote} - and is initially set to~15\,mm. If you prefer to completely inhibit - filling with multiple hyphens, set this parameter to an - unsurpassably high value. - \item[Hyphen character:] This can be redefined by: - \begin{quote}\verb|\def|\ci{lyrhyphenchar}\verb|{|\dots\verb|}|\end{quote} -\end{description} -Further layout parameters discussed elsewhere are: vertical -positioning (section \ref{vertical-positioning}), word justification -(section \ref{miscmanip}), minimum interword distance, and forcing -hyphens (section \ref{horizpos}). - -{\bf Note:} In order to change the mentioned parameters globally, the -respective commands must be issued {\em outside\/} -\verb|\notes...\enotes|. - -\subsubsection{Individual settings per staff} -\label{indivlayout} - -All layout parameters can be set either globally (applying to all -lyrics lines) or individually, i.\,e.\ valid for a single specified staff. -An individual change is accomplished by enclosing the proper command -in -\begin{quote}\ci{lyrlayout}\verb|{|\dots\verb|}|\end{quote} -and issuing this within \verb|\notes...\enotes| in the section of the -referred-to staff. For example, -\begin{quote} - \verb|\notes...&|\ci{lyrlayout}\verb|{\it\leftlyrtrue}...&...\en| -\end{quote} -applies italic font and left justification to the lyrics line(s) -assigned to the second staff. - -Applying \ci{lyrlayout} to the same staff again overrides -{\em all\/} previous individual settings for this staff; -pay attention to this if you have made several individual settings and -want to reset some but retain others. Saying \ci{lyrlayout}\verb|{}| -restores the global settings for a staff. - -The \ci{lyrlayout} command can also be used within -\ci{setlyrics}; this is useful if an individual setting -(especially a font change) should apply to a particular -portion of lyrics rather than to a portion of music. For example, -\begin{quote} - \ci{setlyrics}\verb|{x}{An |\ci{lyrlayout}% - \verb|{\it}em-pha-sized\lyrlayout{} phrase}| -\end{quote} -causes the word ``emphasized'' to appear italic wherever it is posted -within the music. (Be sure to attach \ci{lyrlayout} commands to -the corresponding lyrics portions {\em without\/} blank spaces in -between.) - -{\bf As an exception,} the {\bf vertical positioning of lyrics} cannot be -changed within \ci{lyrlayout}; instead, it is handled staff-wise -using the special commands discussed in -section~\ref{vertical-positioning}. - - - -\subsection{Multiple verses per staff} -\label{multilyrlines} - -An arbitrary number of verses can be assigned to a staff -straightforwardly by saying -\begin{quote}\ci{assignlyrics}\verb|{|\var n\verb|}{|% - \var{names}\verb|}|\end{quote} -where \var{names} is a {\bf comma-separated list} of the desired -lyrics line names, listed from top to bottom. In the following -example\footnote{Excerpt from: ``Non moriar sed vivam'', motet by -{\sc Martin Luther}}, - -\begin{music} - \resetlyrics - \generalmeter\allabreve - \generalsignature2 - \scale{0.9} - \setlyrics{latin} {Non mo-ri-ar sed} - \setlyrics{german}{Ich wer-de nicht ster-ben, son-dern} - \assignlyrics1{latin,german} - \small - \setsongraise1{-1.5mm} - \startextract - \znotes\verses{,\lyrlayout{\footnotesize\it}}\en - \NOTEs\wh{'a}\en\bar - \NOTes\verses{\beginmel}\ha{'b}\verses{\endmel}\ha a\en\bar - \NOtesp\beginmel\qup{'a}\en - \Notes\ca{'b}\en - \NOtes\verses{,\endmel}\qa{'c}\verses{,\beginmel}\itieu0d\qa d\en\bar - \NOtes\ttie0\qa{'d}\endmel\qa c\en - \NOtes\verses{\beginmel}\ha{'d}\en\bar - \NOTes\verses{\endmel}\ha{'ee}\en - \endextract -\end{music} -\twoversesspace - -the lyrics lines have been set up as follows: -\begin{quote} - \bci{assignlyrics} - \begin{verbatim} -\setlyrics{latin} {Non mo-ri-ar sed} -\setlyrics{german}{Ich wer-de nicht ster-ben, son-dern} -\assignlyrics1{latin,german}\end{verbatim} -\end{quote} - - -\subsubsection{Handling verses individually} - -If you code lyrics attachment manipulations the way -described in section~\ref{manipulation}, these manipulations apply -{\em to all lyrics lines\/} of the referred staff {\em -simultaneously.\/} In order to address each lyrics line separately, -use the command -\begin{quote} - \ci{verses}\verb|{|\var{man1}\verb|,|\var{man2}\verb|,|\dots\verb|}| -\end{quote} -where \var{man1} is a sequence of commands to manipulate the upper -lyrics line, \var{man2} to manipulate the second lyrics line from -above, and so on. These command sequences may be empty. Delimiting -commas after the last non-empty list entry can be omitted. For example, -\begin{quote} - \ci{verses}\verb|{,,\beginmel,\golyr{abc}}| -\end{quote} -leaves the upper two lyrics lines unaltered, initiates a melisma at -the third, performs a jump to label {\tt abc} at the fourth, and -leaves all further ones (whatever their number may be) unaltered. As -another example, the font change for the german lyrics of the above -excerpt is accomplished by -\begin{quote} - \verb|\znotes|\ci{verses}\verb|{,\lyrlayout{\footnotesize\it}}\en| -\end{quote} -before the first note is coded. - - -\subsubsection{Vertical positioning} -\label{multiple-vert-pos} - -A block of multiple lyrics lines is vertically centered around the position -which a single lyrics line would have taken; thus you can do things -like - -{\small\setlyrstrut - \resetlyrics - \setlyrics{Winter1}{Win-ter a-de\rlap{,} a-ber dein Schei-den macht\rlap{,}} - \setlyrics{Winter2}{schei-den tut weh\rlap,} - \assignlyrics1{Winter1,Winter2} - \generalmeter{\meterfrac34} - \generalsignature2 - \setsongraise1{-2mm} - \startextract - \NOtes\qa{ffe}\en\bar - \NOTesp\hup d\en\rightrepeat - \assignlyrics1{Winter1}% - \NOtes\qa{fgh}\en\bar - \NOtes\qa h\en - \Notes\beginmel\Ibu0gf1\qb0g\endmel\tqh0f\en - \NOtes\qa g\en - \endextract} -\twoversesspace - -without having to adjust the vertical position within the -piece. (See the source of this manual for the coding of this -example.) - -\leavevmode\label{lyrstrut}% -The vertical distance between the baselines of multiple verses is -appropriate for the default 10~points font size of plain \TeX. -However, the size-switching commands \verb|\smalltype|, -\verb|\medtype|~etc.\ do not implicitly adjust the vertical distance -to the chosen font size. Since the vertical distance of lyrics is -controlled by the concept of a {\em lyrics strut\/}\footnote{In -analogy to \TeX's {\tt\char92 strut}; see {\sl The \TeX book\/} by -{\sc D.~E.~Knuth.}}, you should perform this adjustment explicitly with -the command -\begin{quote}\ci{setlyrstrut}\end{quote} -directly after each ``global'' font size change (i.\,e.~after each size -change not issued within \verb|\lyrlayout{...}|; -see~\ref{indivlayout}) unless you do not want the spacing to be -adjusted. (\TeX perts only: If you like to define your own vertical -spacing, you may redefine the \ci{lyrstrutbox} yourself.) - - - -\subsection{Auxiliary lyrics} -\label{auxlyrics} - -If you have typeset two voices of a polyphonic arrangement within one -staff, you normally want to give each voice its own lyrics lines. -Usually, the two voices are distinguished by means of the notes' stem -direction; the lyrics of the up-stemmed voice are typeset above, -those of the down-stemmed voice below the staff. \musixlyr\ -provides the facility to maintain such two lyrics ``streams'' per -staff; one of them --- which is handled exactly as described so -far --- will be called {\em main lyrics,\/} the second one {\em -auxiliary lyrics.\/} - - -\subsubsection{Addressing auxiliary lyrics} - -Only two rules are to be obeyed for directing commands to auxiliary lyrics: -\begin{enumerate} - \item Enclose everything concerning auxiliary lyrics in: - \begin{quote}\ci{auxlyr}\verb|{...}|\end{quote} - For example, assign lyrics line~{\tt verse1} to staff~2 as - auxiliary lyrics by: - \begin{quote}\ci{auxlyr}\verb|{\assignlyrics{2}{verse1}}|\end{quote} - For example, begin a melisma at the next note of the ``auxiliary'' voice by: - \begin{quote}\ci{auxlyr}\verb|{\beginmel}|\end{quote} - (For \TeX perts: If the argument of \ci{auxlyr} consists of - only one token, the braces can be omitted, so that - \verb|\auxlyr\beginmel| does the same.) - \item There are exactly two exceptions to the first rule. The first - one are the \ci{setlyrics}, \ci{appendlyrics}, and \ci{copylyrics} - commands which need not be enclosed in \ci{auxlyr}\verb|{...}|; - their function is independent of the later use of the defined - lyrics lines as either main or auxiliary lyrics. - - The second exception concerns lyrics commands issued as type-1 - \TeX\ strings in a \PMX\ source; see below for details. -\end{enumerate} - -\label{auxlyr-vertical-position-default}% -Auxiliary lyrics are lifted above the staff by default, i.\,e.~they have -the same vertical position as main lyrics belonging to the staff above -the current staff. If this causes collisions with the main lyrics of -the upper staff, you have to shift the lyrics away from each other -using the vertical spacing commands discussed in -section~\ref{vertical-positioning}. - - -\subsubsection{Automatic attachment of auxiliary lyrics} -\label{auxlyr-attachment} - -While it is easy to attach only one lyrics ``stream'' to a single -voice within a system automatically, the attachment of both main and -auxiliary lyrics involves the task of determining which note belongs -to which voice. Unfortunately, \musixtex\ does not explicitly state a -note's membership of a particular voice; therefore, a heuristic -method has to be used to gather this information. However, -the situation is completely different if you prepare your scores with -the \PMX% -\footnote{If you don't know what \PMX\ is, have a look at: - {\tt http://icking-music-archive.sunsite.dk/musixtex/software/pmx/}} -preprocessor. The following paragraphs explain managing the lyrics -attachment automatism for both cases --- \PMX\ and -non-\PMX\ --- separately. - - -\paragraph{Using \PMX.} -\label{pmx-autodetection} - -(This paragraph requires some \PMX\ knowledge.) For \PMX-prepared -scores (which \musixlyr\ detects automagically\footnote{% - This automatic \PMX\ detection may cause problems for processing - \PMX\ scores prepared with the \PMX-unaware \musixlyr\ - version~1.0. See section~\ref{no-pmx-autodetection} about how to - solve this backward-incompatibility issue. -}), the distinction -between the two voices of a staff works fully automatic. This applies -to both the automatic lyrics attachment as well as explicit lyrics -manipulations --- i.\,e.,~you do not have to use \ci{auxlyr}\verb|{...}| for -manipulating auxiliary lyrics. (This only applies to manipulations -that appear in a voice's context, i.\,e.~within a type-1 \TeX\ string.) -For reference, see the following example\footnote{Excerpt from -``Waldesnacht, du wunderk\"uhle'' by {\sc Johannes Brahms} ({\sl Eine -kleine Melodie,\/} Strube, M\"unchen 1989)}, - -\oneversespace -\begin{music} - \resetlyrics\small - \setlyrics{soprano}{all der ir-ren Qua-len los.} - \auxlyr{\assignlyrics1{soprano}} - \copylyrics{soprano}{alto} - \assignlyrics1{alto} - - \auxlyr{\lyrraise1{a -3\internote}} - \staffbotmarg5.5\Interligne - \stafftopmarg5\Interligne - \generalsignature2 - \lyrmodealter0 - - \startextract\addspace\afterruleskip - \scale{1.2}% - \NOtes\zhu{=j}\lower6\internote\qp\lifthpause{-3}\sk\qu h\en - \bar - \NOtes\auxlyr\beginmel\roffset{.8}{\isluru2j}\zhup f\lower8\internote\qp\en - \NOTes\hl{^d}\en - \NOTes\zql e\itieu0e\qu e\en - \bar - \NOtes\beginmel\islurd1c\zql c\ttie0\tslur2h\auxlyr\endmel\qu e% - \roff{\endmel\tsslur1d\zhl d}\qu{=d}% - \auxlyr\beginmel\itieu0d\hu d% - \ql d\en - \bar - \NOTes\zhl d\ttie0\auxlyr\endmel\hu d% - \zhl a\hu c\en - \bar - \NOTes\zhl a\fermataup l\hu d\hpause\en - \setdoubleBAR\endextract -\end{music} -\oneversespace - -which can be obtained by the following \PMX\ code (processed with -\PMX\ version~2.3): -\begin{quote} -\bci{auxlyr} -\begin{verbatim} ---- -\input musixtex % These commands are necessary -\input pmx % because pmx.tex MUST be \input -\input musixlyr % before musixlyr.tex! - -\setlyrics{soprano} % \setlyrics and \copylyrics - {all der ir-ren Qua-len los.} % need not be enclosed in -\copylyrics{soprano}{alto} % \auxlyr{...}. - -\assignlyrics1{alto} -\auxlyr{\assignlyrics1{soprano} - \lyrraise1{a 3\Interligne}} - -\let\BM\beginmel % For brevity within the subsequent -\let\EM\endmel % music coding recommended. ---- -1 1 4 4 0 0 3 2 0 5 20 0 - -t -./ - -% 1st and 2nd bar: -r4-6 r2-6 | r4-8 d24s e4 // -c25n a4 | \BM\ f2d s+4 \isu0e{.8}\ e4 / -% 3rd bar: -\BM\ c s \EM\ d2r s d4 // -\ts0e0\EM\ e s+3 dn \BM\ d2 s / -% 4th bar: - d2 a // % Note that \BM and \EM -\EM\ d s c / % apply either to main -% 5th bar: % or to auxiliary lyrics, -a r+0 // % depending on which voice -d of rb / % they appear in.\end{verbatim} -\end{quote} - -By default, main lyrics are attached to the lower voice (whose -lines end with \verb|//| in the \PMX\ source), auxiliary lyrics to the -upper voice; due to \PMX\ internals, this ensures that if only one -voice is present, main lyrics are attached to it. However, situations -exist in which it is desirable to have main lyrics attached to the -upper voice, e.\,g.~when you have only main lyrics and want to -synchronize them with the soprano voice instead of the alto voice -(both of them set on the same staff). In this case, you can toggle the -attachment of lyrics to voices with the command -\begin{quote}\ci{lyrmodealter}\verb|{|\var n\verb|}|\end{quote} for -staff number \var n; the command -\begin{quote}\ci{lyrmodenormal}\verb|{|\var n\verb|}|\end{quote} -restores the default behaviour. If $\hbox{\var n}=0$ then the change -affects all staves. - - -\paragraph{Using ``plain'' \musixtex\ without \PMX.} - -In this context, there are two basically different modes for lyrics -attachment: -\begin{enumerate} - \item In {\em normal mode\/} (which is active by default) only main - lyrics are provided automatically as described in - section~\ref{auto-attachment}. All auxiliary lyrics must be issued - manually by saying \ci{auxlyr}\ci{lyr} before the respective note. - This mode is useful when you do not have auxiliary lyrics at all - or when auxiliary lyrics occur only occasionally within the piece. - \item In {\em alternative mode\/}, both main and auxiliary lyrics - are provided automatically. The two voices of a staff are - distinguished by means of their notes' stem direction; the lower - voice gets main lyrics, the upper one auxiliary lyrics. This - implies that the automatism fails at stemless - notes\footnote{Ancient notes, namely breve, longa, and maxima, are - also treated as stemless notes by \musixtex's internals.}, thus you - have to provide lyrics manually by saying \ci{lyr} or - \ci{auxlyr}\ci{lyr}, respectively, before such notes. This mode is - meant for staves which continuously contain two polyphonic voices - with separate lyrics. -\end{enumerate} - -The appropriate mode can be chosen staff-wise: The command -\begin{quote}\ci{lyrmodealter}\verb|{|\var n\verb|}|\end{quote} -enables alternative mode for staff number \var n; the command -\begin{quote}\ci{lyrmodenormal}\verb|{|\var n\verb|}|\end{quote} -restores normal mode. As stated above, $\hbox{\var n}=0$ performs the -choice affecting all staves. - -For illustration, have a look at the following -example\footnote{Excerpt from ``Audite nova'' by {\sc Orlando di -Lasso} ({\sl ars musica\/} vol.\,4, M\"oseler Verlag -Wolfenb\"uttel/Z\"urich)}: - -\oneversespace -\begin{music} - \resetlyrics \small - \lyrmodealter0 - \setlyrics{soprano}{bring her die Gans,} \auxlyr{\assignlyrics1{soprano}} - \copylyrics{soprano}{alto} \assignlyrics1{alto} - - \generalsignature{-2} - \advance\stafftopmarg3\Interligne - \advance\staffbotmarg2\Interligne - - \startextract\addspace\afterruleskip - \NOtes\zqu g\ql e\en - \bar - \Notes\zqu i\beginmel\ibslurd0f\ibl0f{-1}\qb0f\en - \Notes\qb0e\en - \Notes\auxlyr\beginmel\ibsluru1i\zqup i\qb0d\en - \Notes\tqb0e\en - \Notes\endmel\tbslurd0e\ql c\en - \notes\ibbu0h{-1}\qb0h\en - \notes\tqh0g\en - \NOtes\auxlyr\endmel\tbsluru1h\zqu h\ql c\en - \bar - \NOTEs\auxlyr\lyr\zwh i% The lyrics of the whole notes - \lyr\wh b\en % must be given manually. - \endextract - \lyrmodenormal0 -\end{music} -\oneversespace - -The lyrics were defined as follows: -\begin{quote} - \bci{auxlyr} - \bci{assignlyrics} - \begin{verbatim} -\setlyrics{soprano}{bring her die Gans,} -\copylyrics{soprano}{alto} - -\assignlyrics1{alto} -\auxlyr{\assignlyrics1{soprano}} - -\lyrmodealter0 % provide main + aux. lyrics automatically\end{verbatim} -\end{quote} - -This is the complete notes section: -\begin{quote} - \bci{auxlyr} - \begin{verbatim} -\NOtes\zqu g\ql e\en -\bar -\Notes\zqu i\beginmel\ibslurd0f\ibl0f{-1}\qb0f\en -\Notes\qb0e\en -\Notes\auxlyr\beginmel\ibsluru1i\zqup i\qb0d\en -\Notes\tqb0e\en -\Notes\endmel\tbslurd0e\ql c\en -\notes\ibbu0h{-1}\qb0h\en -\notes\tqh0g\en -\NOtes\auxlyr\endmel\tbsluru1h\zqu h\ql c\en -\bar -\NOTEs\auxlyr\lyr\zwh i% The lyrics of the whole notes - \lyr\wh b\en % must be given manually.\end{verbatim} -\end{quote} - -Note that, as opposed to using \PMX, there is no special provision -for attaching main lyrics to the upper voice. If you desire a single -lyrics ``thread'' synchronized with the upper voice, please use -auxiliary lyrics instead and position them below the staff (see -section~\ref{vertical-positioning}). -Alternatively, you may use main lyrics in normal lyrics mode and code -the lower voice completely non-spacing (in the sense explained -in~\ref{auto-attachment}), the upper voice completely spacing; this -should not be too complicated for mainly homophonic pieces. - - - -\subsection{Lyrics at multi-staff instruments} -\label{multi-staff-instruments} - -So far in this manual, the term {\em staff\/} has always been used for -what \musixtex\ precisely calls an {\em instrument\/}. This section, -however, correctly adopts the \musixtex\ terminology. - -Lyrics can be assigned to staves of a multi-staff instrument. To do -so, use -\begin{quote} - \ci{assignlyricsmulti}\verb|{|\var i\verb|}{|\var s\verb|}{...}| -\end{quote} -instead of \verb|\assignlyrics...|; here, \var s~addresses the desired -staff number (counted from bottom to top) of instrument~\var i. - -Nevertheless, -\ci{assignlyrics}\verb|{|\var i\verb|}{...}| -can be used as well if instrument~\var i has multiple staves; in this -case, it is equivalent to -\verb|\assignlyricsmulti{|\var i\verb|}{1}{...}|, -i.\,e.~it affects only the first staff (and not all staves, as may be -presumed). - -In the same spirit, the following ``multi'' commands replace the -standard ones within a multi-staff instrument context: -\begin{quote} - \ci{lyrraisemulti}\\ - \ci{lyrmodenormalmulti}\\ - \ci{lyrmodealtermulti} -\end{quote} - -All other \musixlyr\ commands or features can be used the same way as -within a single-staff instrument context. - -Using lyrics at multi-staff instruments can be useful, for example, -for typesetting songs with piano accompaniment:% -\footnote{Example taken from songbook {\sl Am Brunnen vor dem Tore\/}, -Delphin Verlag M\"unchen/Z\"urich 1981} - -\begin{music} - \resetlyrics - \setlyrics{verse}{Gu-ter Mond, du gehst_ so_ stil_-le} - \assignlyricsmulti11{} - \assignlyricsmulti12{verse} - \lyrraisemulti12{b 2\internote} - \setstaffs12 - \generalsignature{-1} - \generalmeter\meterC - \setclef1\bass - \interstaff{13} - \scale{1.3} - \startextract - \Notes\qp|\ibl0j{-2}\qb0j\tqb0i\en - \bar\hardspace{1.7\myqnwidth}% - \NOtes\isluru1d\lq c\zq M\ql d|\qa h\en - \NOtes\zq c\zq M\ql e|\qa h\en - \Notes\lq c\zq M\ql d|\islurd0h\ibu0h2\qb0h\tslur0i\tqh0i\en - \Notes\tslur1e\zq c\zq M\ql e|\isluru0j\ibl0j2\qb0j\tslur0k\tqb0k\en - \bar\hardspace\myqnwidth - \Notes\isluru1d\lq c\zq M\ql d|\isluru0j\ibl0j{-2}\qb0j\tslur0i\tqb0i\en - \NOtes\zq c\zq M\ql e|\qa g\en - \NOtes\lq c\zq M\ql d|\qp\en - \znotes\midslur2\tsslur1d\en - \zendextract -\end{music} - -The lyrics of this example are defined as follows: -\begin{quote} - \bci{assignlyricsmulti} - \bci{lyrraisemulti} - \begin{verbatim} -\setlyrics{verse}{Gu-ter Mond, du gehst_ so_ stil_-le} -\assignlyricsmulti{1}{2}{verse} -\lyrraisemulti {1}{2}{b \internote}\end{verbatim} -\end{quote} - - - -\subsection{Managing lyrics assignment according to current context} -\label{assignment-by-context} - -Managing the properties of lyrics lines assignment to instruments by -absolute instrument numbers --- as it is done with the -\ci{assignlyrics}, \ci{lyrraise}, and \ci{lyrmodealter} -commands --- may cause difficulties whenever the score's number and -order of instruments shall be rearranged; in this case instrument -numbers change, thus the instrument number parameters of the -mentioned lyrics-related commands have to be adjusted. - -This is especially unpleasant where such a rearrangement is done -automatically, e.\,g.~by \PMX's part extraction facility {\em -scor2prt\/}; this is intended to work without any manual editing -of the generated part files. - -To address this issue, \musixlyr\ provides {\em context-dependent\/} -variants of the commands mentioned above. For example: Instead of -\verb|\assignlyrics{2}{soprano}|, you may say something like: -\begin{quote} - \verb|\notes...&|\ci{assignlyricshere}\verb|{soprano}...\en| -\end{quote} -\ci{assignlyricshere}\verb|{|\var{name(s)}\verb|}| assigns the given verse -\var{name(s)} to the instrument/staff whose context it occurs in within the -\verb|\notes...\en| construct; no absolute instrument/staff number needs to -be specified. - -For example, the following two code fragments are equivalent: - -\begin{quote} - \footnotesize - \hfill - \def\arraystretch{1}% - \begin{tabular}{l@{\qquad}|@{\qquad}l} - \begin{tabular}[t]{@{}l@{}} - \ci{assignlyrics}\verb| {1} {acct}%|\\ - \ci{assignlyricsmulti}\verb|{2}{2}{verse}%|\\ - \verb.\NOtes\qa c&\qa e|\qa g\en. - \end{tabular} - & - \begin{tabular}[t]{@{}l@{}} - \verb|\NOtes|\ci{assignlyricshere}\verb|{acct}\qa c%|\\ - \verb| &\qa e%|\\ - \verb. |.\ci{assignlyricshere}\verb|{verse}\qa g\en| - \end{tabular} - \end{tabular} - \hfill\strut -\end{quote} - -Using \PMX, the context-dependent commands must be given as type-1 -inline \TeX\ strings. Here is the same example, coded as \PMX input: - -\begin{quote} - \footnotesize - \hfill - \def\arraystretch{1}% - \begin{tabular}{l@{\qquad}|@{\qquad}l} - \begin{tabular}[t]{@{}l@{}} - \ci{assignlyrics}\verb| {1} {acct}\|\\ - \ci{assignlyricsmulti}\verb|{2}{2}{verse}\|\\ - \verb|c44 /|\\ - \verb|e44 /|\\ - \verb|g44 /|\\ - \end{tabular} - & - \begin{tabular}[t]{@{}l@{}} - \hphantom{\tt .NOtes.assignlyricshere.acct..qa cg.en}\\ - \\ - \ci{assignlyricshere}\verb|{acct}\ c44 /|\\ - \verb| e44 /|\\ - \ci{assignlyricshere}\verb|{verse}\ g44 /|\\ - \end{tabular} - \end{tabular} - \hfill\strut -\end{quote} - -The first one (left) results in wrong lyrics assignments in {\em -scor2prt\/} output; the second one (right) is robust against part -extraction. - -This is the complete set of ``here'' commands that can be applied the -same way: -\begin{quote} - \ci{assignlyricshere}\\ - \ci{lyrraisehere}\\ - \ci{lyrmodenormalhere}\\ - \ci{lyrmodealterhere} -\end{quote} - -All other \musixlyr\ commands are context-driven anyway, i.\,e.~using -the mentioned ``here'' commands you can completely omit any absolute -instrument/staff number assignment. - - - -\subsection{Miscellaneous} - -\subsubsection{Avoiding problems after {\tt\char92 - endpiece...\char92 startpiece}} - -Sometimes, after having suspended the music with \verb|\endpiece| and -restarted it with \verb|\startpiece| (or the respective -\verb|\...extract| commands), the lyrics lines are totally misaligned -because the internal lyrics positioning parameters are not reset -properly. Saying -\begin{quote}\ci{resetlyrics}\end{quote} -before the beginning of the new music section should solve this -problem. - - -\subsubsection{Improved centering of words with punctuation marks} - -Centered words with an attached punctuation mark often seem a bit -left-shifted since the punctuation mark also counts for the -centering. To have a word centered solely with respect to its -letters, enclose the punctuation mark in \verb|\rlap{...}| as it is -done in the example of section~\ref{multiple-vert-pos}. Unfortunately, -this circumvents the lyrics shifting automatism, and is incompatible -with the use of \ci{lyrnop}. - - -\subsubsection{Verse numbers} -\label{versenumbers} - -There is no special command for this topic. See the following example: - -\begin{music} - \resetlyrics - \generalmeter{\meterfrac24} - \scale{1.8} - \setlyrics{sailor1} - {\llap{1.} What shall we do with a drun-ken sail-or\rlap{?}} - \setlyrics{sailor2} - {\llap{2.} Take him and shake him and try to\lyrlink a-wake him,} - \setlyrics{sailor3}{\llap{3.} Give him a dose of_ salt and wa-ter,} - \setlyrics{sailor4}{\llap{4.} Give him a dash with a bo-som's rub-ber,} - \assignlyrics1{sailor1,sailor2,sailor3,sailor4} - \small\setlyrstrut - \setsongraise1{-6mm} - \startextract - \znotes\llyr\lyroffset{-2}% make the numbers stand off to the left - \lyr% post the numbers - \en - \Notes\ibu0h0\qb0h\en - \notes\nbbu0\qb0h\tqh0h\en - \Notes\ibu0h0\qb0h\en - \notes\nbbu0\qb0h\tqh0h\en\bar - \Notes\Dqbu hd\Dqbu fh\en - \endextract -\end{music} -\oneversespace -\twoversesspace - -To see how this is accomplished, look for the example's coding within -{\tt mxlyrdoc.tex}. - -Section~\ref{lyric*-verse-numbers} explains an alternative method for -setting vertically aligned verse numbers. - - -\subsubsection{``Lyrics slurs''} - -If two consecutive syllables of a lyrics line share the same note (as -in the second verse of the above example), you may want to link them -together with a small slur under them \mbox{like\lyrlink this.} To do -this, use the command \ci{lyrlink} instead of the respective blank -space within the \verb|\setlyrics| definition. - -If any of the adjacent characters extend under their \TeX\ baseline -(like `g', `j', `p', etc.), use \ci{lowlyrlink} which lowers the -slur accordingly (e.\,g.: \mbox{sing\lowlyrlink gladly}). - - -\subsubsection{Restoring the \PMX-unaware behaviour of \musixlyr~1.0} -\label{no-pmx-autodetection} - -As stated in section~\ref{pmx-autodetection}, \musixlyr\ distinguishes -between main and auxiliary lyrics context in a special way when it -detects that the score has been set up using \PMX. However, this -automatic \PMX\ detection may cause problems for processing \PMX\ -scores prepared with the \PMX-unaware \musixlyr\ version~1.0. To solve -this, you can force the old \musixlyr\ behaviour by an explicit macro -redefinition as follows: - -Within {\tt musixlyr.tex}, find the code fragment -\begin{quote}\begin{verbatim} -\ifx\nextvoice\undefined - \def\decide@lyrmode{% - \call@lyrmode - ... - \fi\fi\fi\fi\fi\fi\fi} -\else\end{verbatim}\end{quote} -(which is about 25 lines long). Copy it, exluding the first and the -last line, to your score source and surround it by the -\verb|\makeatletter...\makeatother| command pair. This -should then look like this: -\begin{quote}\begin{verbatim} -\makeatletter - \def\decide@lyrmode{% - \call@lyrmode - ... - \fi\fi\fi\fi\fi\fi\fi} -\makeatother\end{verbatim}\end{quote} - -To restore the \PMX-aware \musixlyr\ behaviour of version~1.1 and -newer, copy the {\em second\/} \verb|\decide@lyrmode| definition -from {\tt musixlyr.tex} to the desired place in your score and -surround it with \verb|\makeatletter...\makeatother|. - -To do these redefinitions within a \PMX\ input file, it is probably -always best to wrap them in macro definitions within the \PMX\ file -preamble. This way, you can switch between the ``old'' and ``new'' -\musixlyr\ behaviour by simply calling these macros in \PMX's -inline-\TeX\ style. - -\pagebreak[4] -\section{Command index} -\printindex - - - -\section{Software license} - -\musixlyr\ (including this manual) is free software; you can -redistribute it and/or modify it under the terms of the GNU General -Public License as published by the Free Software Foundation; either -version~2 of the License, or any later version. - -\musixlyr\ is distributed in the hope that it will be useful, -but WITHOUT ANY WARRANTY; without even the implied warranty of -MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -GNU General Public License for more details. - -You should have received a copy of the GNU General Public License -along with \musixlyr; if not, write to the Free Software -Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA. - -\medskip -Author: -\begin{tabular}[t]{l} - Rainer Dunker\\ - Wachtelweg 31\\ - 85\,591 Vaterstetten\\[0.5ex] - Germany\\[1ex] - E-mail: \tt rainer.dunker@web.de -\end{tabular} - -\end{document} diff --git a/macros/musixtex/doc/musixtex-install.pdf b/macros/musixtex/doc/musixtex-install.pdf deleted file mode 100644 index 763ba6964a..0000000000 Binary files a/macros/musixtex/doc/musixtex-install.pdf and /dev/null differ diff --git a/macros/musixtex/doc/musixtex-install.tex b/macros/musixtex/doc/musixtex-install.tex deleted file mode 100644 index b3e78f4328..0000000000 --- a/macros/musixtex/doc/musixtex-install.tex +++ /dev/null @@ -1,158 +0,0 @@ -\documentclass[11pt]{article} -\usepackage[textwidth=6.5in,textheight=8.5in]{geometry} -\usepackage[osf]{mathpazo} -\usepackage{textcomp} -\PassOptionsToPackage{urlcolor=black,colorlinks}{hyperref} -\RequirePackage{hyperref} -\usepackage{xcolor} -\newcommand{\myurl}[1]{\textcolor{blue}{\underline{\textcolor{black}{\url{#1}}}}} -\newcommand{\musixflxVersion}{0.83.3} -\begin{document} -\title{Installation of MusiXTeX} -\author{Bob Tennent\\ -\small\url{rdt@cs.queensu.ca}} -\date{\today} -\maketitle -\thispagestyle{empty} - -\section{Introduction} -Before trying to install from CTAN, check whether your TeX distribution -provides packages for MusiXTeX; this will be easier than doing it yourself. -But if your TeX distribution -doesn't have MusiXTeX (or doesn't have the most recent version), this distribution -of MusiXTeX is very easy to install, though -you may need to read the material on -installation of (La)TeX files in the -TeX FAQ\footnote{% -\myurl{http://www.tex.ac.uk/cgi-bin/texfaq2html}}, -particularly -the pages on -which tree to use\footnote{% -\myurl{http://www.tex.ac.uk/cgi-bin/texfaq2html?label=what-TDS}} -and installing files\footnote{% -\myurl{http://www.tex.ac.uk/cgi-bin/texfaq2html?label=inst-wlcf}}. - -\section{Installing \texttt{musixtex.tds.zip}} - -In this distribution of MusiXTeX, most of the files to be installed -(including macros, scripts, and documentation) are in a zipped TEXMF hierarchy -\begin{list}{}{}\item -\myurl{http://mirror.ctan.org/install/macros/musixtex.tds.zip} -\end{list} -at CTAN. Simply download and unzip this archive in the root folder/directory of whichever TEXMF tree -you decide is most appropriate, likely a ``local'' or ``personal'' one. -This should work with any TDS\footnote{% -\myurl{http://www.tex.ac.uk/cgi-bin/texfaq2html?label=tds}} -compliant TeX distribution, including MikTeX, TeXlive and teTeX. - -After unzipping the archive, update the filename database as necessary, -for example, by executing \verb\texhash ~/texmf\ or -clicking the button labelled ``Refresh FNDB" in the MikTeX settings program. - -MusiXTeX requires a large set of specialized fonts. If necessary, install the -\texttt{musixtex-fonts} package. - -You should now be able to process files that use the MusiXTeX macros using -\verb\etex\ or \verb\pdfetex\; -documentation for MusiXTeX is installed under \verb\.../doc/generic/musixtex...\ -in the TEXMF tree. But the music will be ``squeezed'' to the left; to produce -proper spacing, go on. - -\section{Installing \texttt{musixflx}} - -The next step in the installation is to install -the one crucial file that can't be installed in a TEXMF tree: a \texttt{musixflx} executable, which calls -the script that implements -the second pass of the three-pass MusiXTeX typesetting system described in Section~1.3 of the -MusiXTeX manual (\verb\musixdoc.pdf\). In this MusiXTeX package, the -calculations are done by a Lua script -\begin{list}{}{} -\item \verb|.../scripts/musixtex/musixflx.lua| -\end{list} -On a Unix-like system (with \texttt{luatex} installed), you can put a -symbolic link to \texttt{musixflx.lua} in any directory on the executable PATH as follows: -\begin{list}{}{} -\item \verb\ln -s musixflx\ -\end{list} -On Windows, you can \emph{either} -copy the batch file -\begin{list}{}{} -\item \verb|Windows\musixflx.bat| -\end{list} -to a folder -on the executable PATH \emph{or} add the folder -\verb|Windows| to the executable PATH -as follows: -in ``My Computer'' -click on -\begin{center} -View System Information\quad$\rightarrow$\quad Advanced\quad$\rightarrow$\quad Environment Variables -\end{center} -scroll -down to ``path'', select it, click edit, and add the path to \verb|Windows| after a semi-colon. -Documentation for \verb\musixflx\ is in the \verb\doc/generic/musixtex/scripts\ directory. - -\section{Installing \texttt{musixtex}} - -The Lua script \verb\.../scripts/musixtex/musixtex.lua\ -is simply a convenient wrapper that, by default, -runs the following processes in order (and then deletes intermediate files): -\begin{itemize}\topsep=0pt\itemsep=0pt -\item pre-processors \verb|prepmx|, \verb|pmxab| or \verb|autosp|, -as necessary -\item \verb\etex\ (1st pass) -\item \verb\musixflx\ (2nd pass) -\item \verb\etex\ (3rd pass) -\item \verb\dvips\ (to convert \verb\dvi\ output to Postscript) -\item \verb\ps2pdf\ (to convert \verb\ps\ output to Portable Document Format) -\end{itemize}% -To install, follow the instructions given in the preceding section; i.e., -on Unix-like systems, -install a symbolic link \verb\musixtex\; on Windows, -ensure that the corresponding batch file -is in a folder on the executable PATH. Documentation is in the -\verb\doc/generic/musixtex/scripts\ directory. - -If the \verb\musixps.tex\ package is not used to produce slurs, it is possible to use \verb\pdfetex\ -rather than \verb\etex\, in which case a PDF file will be produced directly, -without the use of \verb\dvips\ and \verb\ps2pdf\; use the \verb\-p\ option in the call to \verb\musixtex\. -The \verb\-d\ option will replace \verb\dvips\ and \verb\ps2pdf\ by \verb\dvipdfm\; again, -this option is usable only if Postscript slurs are \emph{not} used. Use the \verb\-s\ option -to stop processing after the third pass; i.e., at the \verb\dvi\ file. -Use the \verb\-l\ option for \verb\LaTeX\ processing and the \verb\-f\ option to restore the defaults for subsequent files. - -The cross-platform TeXWorks editing environment can -be configured -to use the relevant \verb\musixtex\ script as a typesetting process as follows: -\begin{center} -Edit\quad$\rightarrow$\quad Preferences\quad$\rightarrow$\quad Typesetting -\end{center} -then click on + to add a new processing tool as follows: -\begin{description}\itemsep=0pt -\item[Name:] \verb\musixtex\ -\item[Program:] \verb\musixtex\ -\item[Arguments:] \verb\$basename\ -\end{description} -If necessary, add the path to the directory/folder containing the \verb\musixtex\ -script to the list of Paths for TeX and related programs. - -\section{Discussion} -Many users, especially beginners, will find it easier to use the PMX and -M-Tx pre-processors, which accept a simpler input language than MusiXTeX -itself. -Advanced users may want to use the \texttt{autosp} pre-processor -which simplifies the creation of \texttt{musixtex} scores by automating -the choice of note-spacing commands. -These pre-processor packages may be found at CTAN under \verb\support\. - -Additional documentation, additional -add-on packages, and many examples of MusiXTeX typesetting may be found -at the Werner Icking Music Archive\footnote{% -\myurl{http://icking-music-archive.org}}. -Support for users of MusiXTeX and related software may be obtained via -the MusiXTeX mail list\footnote{% -\myurl{http://tug.org/mailman/listinfo/tex-music}}. -MusiXTeX may be freely copied, modified and used in conformance to the -GNU General Public License (Version~2 or, at your option, any later version; see included file \verb\gpl.txt\). - -\end{document} diff --git a/macros/musixtex/doc/notationMistakes/coulhack.tex b/macros/musixtex/doc/notationMistakes/coulhack.tex deleted file mode 100644 index 1f797876cd..0000000000 --- a/macros/musixtex/doc/notationMistakes/coulhack.tex +++ /dev/null @@ -1,70 +0,0 @@ -% thicker ledger lines -\def\myhlthick{1.5\lthick} -\makeatletter -\def\h@linei{% - \y@ii\n@v\internote - \y@iii\y@ii - \advance\y@ii\myhlthick - \advance\y@iii-\myhlthick - \y@vi\noteskip % noteskip -%-\ifnum\y@vi=\z@ \y@vi\maxdimen\fi % (or maxdimen if noteskip = 0) - \advance\y@vi-\y@v % - notewidth - \y@vi0.7\y@vi % this may be eaten =: additional length - \y@iv\h@lf\qn@width\ifnum\y@vi>\y@iv \y@vi\y@iv\fi % not more than 0.5 qn@width - \y@iv0.2\qn@width \ifnum\y@vi<\y@iv \y@vi\y@iv\fi % not less than 0.2 qn@width - \y@iv\y@v % notewidth - \advance\y@iv\y@vi % + additional length =: total length - \kernm\h@lf\y@vi % center the ledger line -%-\message{noteskip = \the\noteskip, length = \the\y@iv, notewidth = \the\y@v}% - \vrule\@height\y@ii\@depth-\y@iii\@width\y@iv - \kernm\y@iv\kern\h@lf\y@vi} - -% same adapted from MUSIXFLL.TEX - -\ifx\undefined\longledgerlines \else \endinput \fi - -\immediate\write10{MusiXFormerLedgerLines T.74\space<06 April 1997>}% - -%\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 - -\let\h@lineick\h@linei -\def\h@lineidt{% - \y@ii\n@v\internote - \y@iii\y@ii - \advance\y@ii\myhlthick - \advance\y@iii-\myhlthick - \y@iv\y@v - \advance\y@iv\h@lf\qn@width - \kernm.25\qn@width - \vrule\@height\y@ii\@depth-\y@iii\@width\y@iv - \kernm\y@iv\kern.25\qn@width} -\def\longledgerlines{\global\let\h@linei\h@lineidt} -\def\autoledgerlines{\global\let\h@linei\h@lineick} -\longledgerlines -%\catcode`\@=\catcodeat - -% space between signatures and first note at each system: - -\def\contpiece{\noindent \piece@conta \writ@staffs \piece@beginc -% \Writ@meters \wbarno@x \hardspace{10pt}\addspace\afterruleskip - \Writ@meters \wbarno@x \hardspace{.3\elemskip}\addspace\afterruleskip} -% ^^^^^^^^^^^^^^^^^^^^^^^ - -% missing pixels at some beam ends: -\def\beamst@m{% queue de note vers une poutre - \getcurpos \advance\y@v-\b@x - \y@ii\b@p\y@v \divide\y@ii\tw@nty \advance\y@ii\b@z - \ifdim\y@ii>\st@top % la poutre est au-dessus - \stem@skip\qd@skip \comp@slope\stem@skip \advance\y@ii\s@lope - \advance\y@ii .25\interbeam% hack - \ifnum\b@n>\z@ \advance\y@ii\b@n\interbeam \advance\y@ii-\interbeam \fi - \st@top\y@ii % a mettre a jour avec la pente ulterieurement - \else - \advance\y@ii-.25\interbeam% hack - \stem@skip\z@ - \ifdim\y@ii<\st@bot - \ifnum\b@n<\z@ \advance\y@ii\b@n\interbeam \advance\y@ii\interbeam \fi - \st@bot\y@ii \fi \fi - \C@stem} - -\makeatother diff --git a/macros/musixtex/doc/notationMistakes/sottieng.pdf b/macros/musixtex/doc/notationMistakes/sottieng.pdf deleted file mode 100644 index ab29004645..0000000000 Binary files a/macros/musixtex/doc/notationMistakes/sottieng.pdf and /dev/null differ diff --git a/macros/musixtex/doc/notationMistakes/sottieng.tex b/macros/musixtex/doc/notationMistakes/sottieng.tex deleted file mode 100644 index 1ce95adb9a..0000000000 --- a/macros/musixtex/doc/notationMistakes/sottieng.tex +++ /dev/null @@ -1,1075 +0,0 @@ -\documentclass[12pt,twoside]{article} -\usepackage{a4} -\usepackage{musixtex} -\usepackage[english]{babel} -\usepackage{randtext} -\input coulhack -\raggedbottom -\setlength{\textwidth}{18cm} \setlength{\textheight}{26cm} -\setlength{\oddsidemargin}{0pt}\setlength{\evensidemargin}{0pt} -\setlength{\parindent}{0cm}\setlength{\parskip}{.5cm} -\setlength{\marginparwidth}{1in} \setlength{\marginparsep}{0pt} -\setlength{\hoffset}{-1cm} -\setlength{\voffset}{-2.5cm} -%\setlength{\headsep}{2cm} -\setlength{\itemsep}{0cm} - -\newcommand{\milieu}[1]{\begin{center}{#1}\end{center}} -\newcommand{\pruneau}{$\bullet$~} -\newcommand{\subsec}{\vspace{-1cm}\subsection{~}\vspace{-.5cm}} -% \today should work the same in theory -\def\mytoday{\ifcase\month\or - January\or February\or March\or April\or May\or June\or - July\or August\or September\or October\or November\or December\fi - \space\number\day, \number\year} - -\def\notess{\vnotes2.4\elemskip} -\def\notesss{\vnotes1.7\elemskip} -\def\notesm{\vnotes1.5\elemskip} -\def\appog{\multnoteskip\tinyvalue\tinynotesize} -\newcommand{\zcn}[2]{\zcharnote{#1}{#2}} -\newcommand{\lcn}[2]{\lcharnote{#1}{#2}} -\newcommand{\ccn}[2]{\ccharnote{#1}{#2}} -\newcommand{\nxst}{\nextstaff} -\def\hhqsk{\off{.7\elemskip}} - -\newcommand{\twoextr}[2] -%{\begin{music}\let\extractline\hbox -{\let\extractline\hbox -\hbox to \hsize{ -\hfill -\startextract #1 -\zendextract\hfill -\startextract #2 -\zendextract -\hfill} - -%\let\extractline\centerline\end{music}} -\let\extractline\centerline} - -\accshift=0mm -\geometricskipscale -\nostartrule -\nobarmessages\nobarnumbers -\let\extractline\centerline - -\begin{document} -\milieu{\ppfftwentynine Repository of music-notation mistakes} -\milieu{\medtype or} -\milieu{\ppfftwentyfour Essay on the true art of music engraving} -\milieu{\Huge Jean-Pierre Coulon} -%\centerline{\tt -%\kern3.5em{obs-nice}\kern-4.5em{@}\kern-3.5em{coulon}\kern4.5em{.fr}} - -\centerline{\tt \randomize{coulon@obs-nice.fr}} - - -\milieu{\mytoday} -%\milieu{\today} - -\milieu{\large intended for:} -\begin{itemize} -\item users of music-typesetting software packages, -\item developers of such packages, -\item traditional music-engravers, -\item sheet-music collectors, -\item those keen on problems of \textit{semantics}, \textit{semiology}, -\textit{philology} , etc. -\end{itemize} - -{\footnotesize NB: These examples are certainly musically worthless: -do not read them with your instrument :-)\\ -To limit myself to the essential, and lacking sufficient expertise, -I do not deal with any of these neighboring, exciting topics: - -\pruneau music theory, harmony, composition, etc.\\ -\pruneau comparative test of various typesetting packages,\\ -\pruneau how to interpret the quoted symbols according to epochs,\\ -\pruneau copyright issues,\\ -\pruneau percussion notation, and plucked-string instrument tablatures,\\ -\pruneau very-early-music notation, and avant-garde music -notation.\\ -\textit{ I apologize to readers of some countries for having adhered -to the U.S. terminology} - -} - - -\section{General issues} -\subsec -When simultaneous notes are present on the same staff, two notations -are posssible: chord notation, or multiple-voice, a.k.a. \textit{polyphonic} -notation. - -\twoextr -{\NOtes\qu c\zq c\qu e\en -\Notes\ibu0e2\zq c\qb0e\zq d\tqh0f\en} -{\NOtes\zql c\qp\zql c\qu e\en -\Notes\ibl0c2\ibu1e2\zqb0c\qb1e\tbl0\zqb0d\tqh1f\en} - -Of course, if parts have distinct rythms, the polyphonic notation is -required. - -\eject\milieu{\ppfftwenty from here:} -{\ppfftwentyfour This side: incorrect. \hfill This side: correct. } - -\subsec -Do your best to place \textit{page-turns} at places -acceptable for the musician, otherwise he will either -require a ``page-turner'', or labor to arrange -chunks of photocopies. Since modern musical scores are smaller -than before, this demands more efforts from the music engraver. - -{\footnotesize The actual print size, i.e. omitting margins, -of most scores from former epochs, almost matched the usual format -of most of modern scores including the margins. - -} - -An easy solution consists in using a small engraving size. -It is better to use a bigger size, at the price of more effort -to manage the spacing rationally. -These two excerpts require the same horizontal space, but that on the -right is easier to read: - -\bigaccid -\begin{music}\let\extractline\hbox -\hbox to \hsize{ -\hfill -\smallmusicsize -\setclef1{\treble} -\startextract% -\notess\ibbu0c1\qb0c\qb0{^c}\qb0d\tqh0{^d}\en -\notess\ibbu0f{-1}\qb0{g}\qb0{_g}\qb0f\tqh0e\en -\bar% -\notess\ibbu0c0\qb0{^cc}\qb0{=c}\tqh0c\en -\zendextract\hfill -\normalmusicsize -\startextract% -\notesss\ibbu0c1\qb0c\hqsk\qb0{^c}\qb0d\hqsk\tqh0{^d}\en -\notesss\ibbu0f{-1}\qb0{g}\hqsk\qb0{_g}\qb0f\tqh0e\en -\bar% -\notesss\ibbu0c0\qb0{^cc}\hqsk\qb0{=c}\tqh0c\en -\zendextract -\hfill} -\let\extractline\centerline\end{music} - -Moreover, you also have to vary the distances between the staves -of systems, to avoid wasting some vertical space -(see my edition of Dussek's piano Sonata op.35-3). - - - - -\subsec -Choose horizontal spacings that increase according to note durations, -but not proportional to these durations. Personally I am happy with a -spacing ratio -of \hbox{$\sqrt{2}\approx 1.414$} to represent a duration-ratio of 2, -but this is not an absolute rule, especially if thirty-second or -sixty-fourth notes are present, because this would bring them -too close to each other. -Do not change the spacing of a specific duration within a line without -a good reason. - -\nostartrule -\setclef1\treble -\hsize82.1mm -\startpiece -\NOTEs\hu c\sk\en -\NOTEs\qu c\en -\NOtes\cu c\en -\notes\ibbu0c0\qb0c\en -\notes\qb0{cc}\tqh0c\en -\setemptybar -\endpiece - -\hsize18cm - -\setclef1\treble -\twoextr -{\notes\hu c\en -\NOtes\qu c\en -\NOTes\cu c\en -\notes\ibbu0c0\qb0c\en -\Notes\qb0{cc}\tqh0c\en} -{\NOTes\hu c\en -\NOtes\qu c\en -\Notes\cu c\en -\notes\ibbu0c0\qb0{cc}\en -\notes\qb0c\tqh0c\en} - -{\footnotesize If a system has several staves, the part -with the \textbf{shortest} durations governs the overall spacing. -Lyrics, if any, may demand still wider spacings. - -} - -\subsec -Here is a good reason to modify tight note spacing: avoiding clashes: - -\twoextr -{\notesss\ccu c\ibbl0k2\qb0{jklm}\tqb0{^n}\en} -{\notesss\ccu c\hqsk\ibbl0k2\qb0{jklm}\hqsk\tqb0{^n}\en}k - -\subsec -If no other simultaneous part prevents it, note stems should also be -taken into account for the spacing: - -\largemusicsize -\twoextr -{\notes\ibbu0d0\qb0{ded}\tqh0e\ibbl0k0\qb0{jkj}\tqb0k\en} -{\notes\ibbu0d0\qb0{ded}\tqh0e\hqsk\ibbl0k0\qb0{jkj}\tqb0k\en} - - -\subsec -Never displace the vertical alignment to accommodate accidentals: - -\setstaffs1{2}\setclef1\bass\startrule\bigaccid -\twoextr{ -\notesm\ibbu0I2\qb0{IJK}\tqh0L\nxst\ibbu0d2\qb0{de}\hhqsk\qb0{^f}\tqh0g\en -\bar% -\NOtes\ql M\nxst\hhqsk\qu{^h}\en} -{\notesm\ibbu0I2\qb0{IJ}\hhqsk\qb0K\tqh0L\nxst\ibbu0d2\qb0{de}\hhqsk\qb0{^f}\tqh0g\en -\bar% -\NOtes\hqsk\ql M\nxst\hqsk\qu{^h}\en} - -\nostartrule - - - -\subsec -Write an interval of a \textit{second} in a chord with the lower note -\textbf{left}. On the other hand, in polyphonic writing, -it should be put \textbf{right}. - -\largemusicsize\setstaffs1{1}\setclef1{\treble} -\twoextr -{\NOtes\rq b\zq{ce}\qu g\en -\NOtes\rq b\zq{^ce}\qu g\en -\NOtes\rq c\rq e\rq g\qu b\en -\doublebar% -\NOtes\zql b\roffset{.9}{\qu c}\en -\notes\ibbu0c0\loff{\ibl1b{-1}\zqb1b}\qb0{cd}\en -\notes\tbl1\zqb1a\qb0c\tqh0d\en} -{\NOtes\rq c\zq{be}\qu g\en -\NOtes\sh c\rq c\zq{be}\qu g\en -\NOtes\rq c\zq{be}\qu g\en -\doublebar% -\NOtes\zqu c\roffset{.9}{\ql b}\en -\notes\ibbu0c0\roff{\ibl1b{-1}\zqb1b}\qb0c\hqsk\qb0d\en -\notes\tbl1\zqb1a\qb0c\tqh0d\en} - -{\footnotesize -I omit cases of voice crossing. -Do not be perturbed by an accidental associated with the -upper note. Do not perturb notes aside this second. - -} - - -\subsec -In polyphonic writing, notes should be shifted just enough to -distinguish them, anyway less than the spacing for a second: - -\Largemusicsize\generalmeter{\empty}\setstaffs1{1}\setclef1\treble -\twoextr -{\NOtes\zql c\roff{\zqu e}\qu g\en -\NOtes\zql c\zqu e\qu g\en -\NOtes\zql c\roffset{.2}{\zqu f}\qu g\en -\NOtes\zqlp c\roff{\zqup f}\qup h\en} -{\NOtes\zql c\loffset{.2}{\zqu g}\qu e\en -\NOtes\zql c\loffset{.2}{\zqu g}\qu e\en -\NOtes\zql c\roff{\zqu f}\qu g\en -\NOtes\loffset{.2}{\zqu h}\pt c\pt f\pt h\zql c\qu f\en} - -{\footnotesize Note the case of dotted notes: the augmentation dots -must be aligned vertically.} - -\subsec -Sometimes augmentations dots must be placed so as to avoid any -ambiguity: - -\twoextr -{\NOtes\ibu0h0\roffset{.9}{\zql g\pt h}\qb0h\en -\notes\tbbu0\tqh0h\en -\NOtes\zqlp g\qu i\en -\Notes\qu j\cl f\en -\Notes\zql e\qu k\en} -{\Notesp\loffset{.3}{\ibu0h0\zqb0h}% -\loffset{.5}{\raise.15\Interligne\hbox{\pt h}}\roffset{.8}{\zql g}\sk\en -%\NOtes\ibu0h0\loffset{.2}{\pt h}\roffset{1.4}{\zql g}\qb0h\en -\notes\tbbu0\tqh0h\en -\NOtes\pt f\zql g\qu i\en -\Notes\qu j\cl f\en -\Notes\zql e\qu k\en} - - - - -\subsec -In a two-part polyphonic notation, upper-part note stems should be -upwards, even if the other part has a rest: - -\normalmusicsize\setclef1{\bass} -\twoextr -{\NOTesp\zw H\hup a\en -\Notes\qu N\hroff{\liftpause{-2}}\ql{MKLM}\en} -{\NOTesp\zw H\hup a\en -\Notes\qu N\liftpause{-2}\qu{MKLM}\en} - -{\footnotesize(same for the lower part.)} - - -\subsec -Some linkings of notes or rests may be correct -according to music theory, -but impede sight reading: - -\normalmusicsize -\generalmeter{\meterfrac44}\setclef1\treble -\twoextr -{\notes\cu c\en -\bar% -\notes\cu d\en -\Notes\qp\en -\notes\ibu0f2\qb0{efgh}\tqh0i\en -\bar -\znotes\en} -%\notes\cl j\en} -{\notes\cu c\en -\bar% -\notes\cu d\ds\ds\cu e\en -\notes\ibu0g2\qb0{fgh}\tqh0i\en -\bar -\znotes\en} - -In other words, rests should not act as syncopated notes. In a ternary -beat, separate a rest that affects the second and third time values. -Beams do not demand so much care. - -{\footnotesize Some will argue that in early music, flag/beam notation -expresses some degree of articulation. But the rule above almost always -coincides with some \textit{reasonable} articulation. - -} - - -\section{Beaming} -\subsec -Beams should have an appropriate slope. In the past, one would avoid -too weak a slope, because the printing ink would maliciously attempt -to fill the tiny angle between these beams and the staff lines. -For a scale or an arpeggio, this slope cannot be steeper than that -formed by the notes, nor horizontal. A compromise must be found. -Here is an example, with its solution, by two distinguished publishers: - -\generalmeter{\empty} -\setstaffs1{1}\setclef1{\treble} -\twoextr{ -\notes\ibbu0a6\qb0{cdefg}\tqh0h\en -\notes\ibbu0g0\qb0{cdefg}\tqh0h\en} -{\notes\zcn q{\smalltype Peters end 19$^{th}$C.}\ibbu0a4\qb0{cdefg}\tqh0h\en -\notes\zcn q{\smalltype Henle end 20$^{th}$C.}\ibbu0e1\qb0{cdefg}\tqh0h\en -\notes\zcn q{recommended}\ibbu0d2\qb0{cdefg}\tqh0h\en} - -\footnotesize{If you want to imitate some French publishers :} - -\startextract% -\notes\ibu0d2\ibbu1d2\qb1c\qb0{defg}\tbu0\tqh1h\en -\notesss\ibu0i0\ibbbu1i0\qb1j\qb0{eg}\tbu0\tqh1j\en -\zendextract - -\subsec -Beam placement should be adapted to the context. This placement varies -depending on whether this group of notes is isolated or in a series: - -\startextract -\NOTes\hu c\hu d\en -\bar -\NOtes\qu f\en -\notes\ibbu0f4\qb0{ceg}\tqh0j\en -\NOtes\qu{cd}\en -\bar% -\NOtes\qp\en -\NOTes\hu f\en -\zendextract - -\twoextr -{\notes\ibbu0f4\qb0{ceg}\tqh0j\en -\notes\ibbu0f4\qb0{ceg}\tqh0j\en -\notes\ibbu0f4\qb0{ceg}\tqh0j\en -\notes\ibbu0f4\qb0{ceg}\tqh0j\en} -{\notes\ibbu0h1\qb0{ceg}\tqh0j\en -\notes\ibbu0h1\qb0{ceg}\tqh0j\en -\notes\ibbu0h1\qb0{ceg}\tqh0j\en -\notes\ibbu0h1\qb0{ceg}\tqh0j\en} - -\subsec -Avoid Z-like beams, as found in former editions: - -\normalmusicsize -\setclef1\bass -\twoextr -{\Notes\ibu0E{-4}\qb0G\zq{Nc}\qb0e\en -\Notes\zq{Nc}\qb0e\zq{Nc}\tqb0e\en} -{\Notes\ibl0H2\qb0G\en -\Notes\zq{Nc}\qb0e\zq{Nc}\qb0e\zq{Nc}\tqb0e\en -\doublebar% -\Notes\cu G\en -\Notes\ibl0a0\zq{Nc}\qb0e\zq{Nc}\qb0e\zq{Nc}\tqb0e\en} - - -\subsec -Beams should never cross ledger lines: - -\setclef1{\treble} -\twoextr -{\notes\ibbl0q3\qb0{qrstuvw}\tqb0x\en} -{\notes\ibbl0o1\qb0{qrstuvw}\tqb0x\en} - -\subsec -Do not affect beam placement to place rests at their usual height. -Rather move the rests: - -\twoextr -{\Notes\ibl0k1\qb0n\ds\tqb0o\en -\Notes\ibl0l0\qb0o\ds\tqb0o\en} -{\Notes\ibl0n1\qb0n\raise2\Interligne\ds\tqb0o\en -\Notes\ibl0o0\qb0o\raise2\Interligne\ds\tqb0o\en} - - -\section{Ties and slurs} -\subsec -When \textbf{slurred} notes are intended, the slur takes off and lands -above or below the \textbf{centers} of note heads. But for \textbf{tied} -notes, -the same sign takes off and lands vertically aligned with the boundary -of the note head, and not higher than this head. -One breaks from the first rule to -avoid colliding the note stems. - - -\largemusicsize -\twoextr -{\NOtes\isslurd0c\isluru1c\qu c\tsslur1 d\qu d\tsslur0e\qu e\islurd0f\qu f\en -\bar% -\NOtesp\tslur0f\roff{\itied0f}\qup f\en -\NOtes\ttie0\qu f\en} -{\NOtes\islurd0c\hroff{\isluru1c}\qu c\tslur1d\qu d\tslur0e\qu e\itied0f\qu f\en -\bar% -\NOtesp\ttie0\itied0f\qup f\en -\NOtes\ttie0\qu f\en} - -{\footnotesize Note that the tie becomes ``quieter''.} - - -\subsec -Meanwhile avoid ``acrobatics'' to strictly abide these rules: - -\largemusicsize -\twoextr -{\NOtes\islurd0c\qu c\tsslur0j\ql j\en -\NOtes\isluru0j\ql j\ql o\midslur5\tslur0k\ql k\en} -{\NOtes\isslurd0c\qu c\tsslur0j\ql j\en -\NOtes\isluru0l\ql j\ql o\tslur0m\ql k\en} - - -\subsec -During some epochs a single tie was supposed to refer to \textbf{all} -notes of a particular chord. Particular cases have become so frequent, -that it is better to note all ties explicitly. - -\largemusicsize -\twoextr -{\NOtes\itieu0g\zq{ce}\qu g\en -\bar% -\NOtes\ttie0\zq{ce}\qu g\en} -{\NOtes\itied0c\itenl1e\itieu2g\zq{ce}\qu g\en -\bar% -\NOtes\ttie0\tten1\ttie2\zq{ce}\qu g\en} - -\subsec -Associations of ties and slurs with dots and ornaments: - -\twoextr -{\NOtes\isluru0j\upz k\ql j\tslur0k\upz l\ql k\en -\NOtes\isluru0n\ql n\shake o\tslur0o\ql m\en} -{\NOtes\isluru0l\upz j\ql j\tslur0m\upz k\ql k\en -\NOtes\isluru0n\ql n\shake q\tslur0m\ql m\en} - -\newpage -\subsec -Associations of ties and slurs: - -\twoextr -{\NOtes\itied0d\qu d\en -\bar -\NOtes\ttie0\islurd1d\qu d\tslur1c\qu c\en -\NOtes\islurd1e\qu e\tslur1f\itied0f\qu f\en -\bar -\NOtes\ttie0\qu f\en} -{\NOtes\islurd1d\itied0d\qu d\en -\bar -\NOtes\ttie0\qu d\tslur1c\qu c\en -\NOtes\islurd1e\qu e\itied0f\qu f\en -\bar -\NOtes\tslur1f\ttie0\qu f\en} - -{\footnotesize Bowed-instruments players will find this obvious.} - - - -\subsec -The dotted slur is the best way to emphasize an \textit{editorial slur}: - -\setclef1{\treble} -\twoextr -{\NOtes\islurd0c\qu c\tslur0d\qu d\en -\NOtes\zcn a{\smalltype\bf (}\islurd0d\qu e% -\zcn b{\smalltype\bf ~)}\tslur0e\qu f\en -\NOtes\islurd0g\zqu g\hsk\zcn c{\bf /}\hsk\tslur0h\qu h\en} -{\NOtes\islurd0c\qu c\tslur0d\qu d\en -\NOtes\dotted\islurd0e\qu e\tslur0f\qu f\en -\NOtes\dotted\islurd0g\qu g\tslur0h\qu h\en} - - -\section{Accidentals} -\subsec -When a note with an accidental expands over several measure, -do not repeat the accidental on the next measures, except if there is -a line-break or a page-break: - -\twoextr -{\NOTEs\itied0b\itieu1j\zwh{^c}\wh{_i}\en -\bar% -\NOTes\ttie0\ttie1\zwh{^c}\hu{_i}\hu i\en} -{\NOTEs\itied0c\itieu1i\zwh{^c}\wh{_i}\en -\bar% -\NOTes\ttie0\ttie1\zwh c\hu i\hu{_i}\en} - -\subsec - -When an accidental affects \textit{small notes}, and is desired -to also affect subsequent notes, it must be repeated. - -\twoextr -{\notes\appog\ibbu0c2\qb0{^c}\tqh0d\en -\NOTes\wh c\en} -{\notes\appog\ibbu0c2\qb0{^c}\tqh0d\en -\NOTes\qsk\wh{^c}\en} - -\subsec -When a note with a single sharp comes after the same note with a -double sharp, you no longer put a natural sign before the single -sharp, unless you want to mimic 19th engraving style. Same for flats: - -\twoextr -{\NOtes\qu{>c}\lna c\qu{^c}\qu{c}\qu{^c}\qu{c}\lna c\qu{^c}\qu{c}\qu{^c}\qu{>, soit de faire de laborieux montages -de morceaux de photocopies. Compte tenu du fait que les partitions -des temps modernes sont plus petites qu'autrefois, ceci impose un -effort suppl\'ementaire de la part du graveur. - -{\footnotesize La zone effectivement imprim\'ee, c'est-\`a-dire sans tenir -compte des marges, de la plupart des -partitions anciennes, correspondait presque au -format habituel des partitions de notre temps, marges comprises. - -} - -Un solution de facilit\'e consiste \`a utiliser une petite taille de gravure. -Il vaut mieux utiliser une gravure de taille sup\'erieure, au prix -d'un effort plus important pour g\'erer les espacements rationnellement. -Ces deux extraits prennent le m\^eme espace horizontal, mais celui de -droite est plus lisible : - -\bigaccid -\begin{music}\let\extractline\hbox -\hbox to \hsize{ -\hfill -\smallmusicsize -\setclef1\treble -\startextract% -\notess\ibbu0c1\qb0c\qb0{^c}\qb0d\tqh0{^d}\en -\notess\ibbu0f{-1}\qb0{g}\qb0{_g}\qb0f\tqh0e\en -\bar% -\notess\ibbu0c0\qb0{^cc}\qb0{=c}\tqh0c\en -\zendextract\hfill -\normalmusicsize -\startextract% -\notesss\ibbu0c1\qb0c\hqsk\qb0{^c}\qb0d\hqsk\tqh0{^d}\en -\notesss\ibbu0f{-1}\qb0{g}\hqsk\qb0{_g}\qb0f\tqh0e\en -\bar% -\notesss\ibbu0c0\qb0{^cc}\hqsk\qb0{=c}\tqh0c\en -\zendextract -\hfill} -\let\extractline\centerline\end{music} - -De plus, il faut parfois varier \'egalement la distance entre les -port\'ees d'un m\^eme syst\`eme, afin de ne pas gaspiller d'espace vertical -(voir mon \'edition de la Sonate op.35-3 de Dussek). - -\subsec -Choisir des espacements horizontaux croissants en fonction des valeurs -de notes, mais cependant pas proportionnels \`a ces valeurs. Personnellement, -je suis satisfait avec le rapport \hbox{$\sqrt{2}\approx 1.414$} -correspondant aux valeurs de notes de rapport 2, mais ce n'est pas une -r\`egle absolue, surtout s'il y a des triples ou quadruples croches, qui -peuvent alors \^etre trop serr\'ees. -Ne pas changer d'espacement au cours d'une ligne sans -raison valable. - -\nostartrule -\setclef1\treble -\hsize82.1mm -\startpiece -\NOTEs\hu c\sk\en -\NOTEs\qu c\en -\NOtes\cu c\en -\notes\ibbu0c0\qb0c\en -\notes\qb0{cc}\tqh0c\en -\setemptybar -\endpiece - -\hsize18cm -\twoextr -{\notes\hu c\en -\NOtes\qu c\en -\NOTes\cu c\en -\notes\ibbu0c0\qb0c\en -\Notes\qb0{cc}\tqh0c\en} -{\NOTes\hu c\en -\NOtes\qu c\en -\Notes\cu c\en -\notes\ibbu0c0\qb0{cc}\en -\notes\qb0c\tqh0c\en} - -{\footnotesize S'il y a plusieurs port\'ees par syst\`eme, c'est la -partie comportant les notes les plus \textbf{br\`eves} -qui impose l'espacement de l'ensemble. S'il y a des paroles, elles -peuvent imposer un espacement encore plus grand. - -} - -\subsec -Voici une raison valable de changer d'espacement pour les notes -serr\'ees : \'eviter les collisions : - -\twoextr -{\notesss\ccu c\ibbl0k2\qb0{jklm}\tqb0{^n}\en} -{\notesss\ccu c\hqsk\ibbl0k2\qb0j\qb0{klm}\hqsk\tqb0{^n}\en} - -\newpage - -\subsec -Si aucune autre partie simultan\'ee ne l'interdit, il faut aussi -tenir compte des queues de notes pour les espacements : - -\largemusicsize -\twoextr -{\notes\ibbu0d0\qb0{ded}\tqh0e\ibbl0k0\qb0{jkj}\tqb0k\en} -{\notes\ibbu0d0\qb0{ded}\tqh0e\hqsk\ibbl0k0\qb0{jkj}\tqb0k\en} - -\subsec -Ne jamais compromettre l'aplomb entre parties sous pr\'etexte de loger -les alt\'erations : - -\setstaffs1{2}\setclef1\bass\startrule\bigaccid -\twoextr{ -\notesm\ibbu0I2\qb0{IJK}\tqh0L\nxst\ibbu0d2\qb0{de}\hhqsk\qb0{^f}\tqh0g\en -\bar% -\NOtes\ql M\nxst\hhqsk\qu{^h}\en} -{\notesm\ibbu0I2\qb0{IJ}\hhqsk\qb0K\tqh0L\nxst\ibbu0d2\qb0{de}\hhqsk\qb0{^f}\tqh0g\en -\bar% -\NOtes\hqsk\ql M\nxst\hqsk\qu{^h}\en} -\nostartrule - - -\subsec -Pour noter un intervalle de seconde dans un accord, on met la note -inf\'erieure \`a gauche. Par contre, dans une \'ecriture polyphonique, -elle se met \`a droite. - -\largemusicsize\setstaffs1{1}\setclef1\treble -\twoextr -{\NOtes\rq b\zq{ce}\qu g\en -\NOtes\rq b\zq{^ce}\qu g\en -\NOtes\rq c\rq e\rq g\qu b\en -\doublebar% -\NOtes\zql b\roffset{.9}{\qu c}\en -\notes\ibbu0c0\loff{\ibl1b{-1}\zqb1b}\qb0{cd}\en -\notes\tbl1\zqb1a\qb0c\tqh0d\en} -{\NOtes\rq c\zq{be}\qu g\en -\NOtes\sh c\rq c\zq{be}\qu g\en -\NOtes\rq c\zq{be}\qu g\en -\doublebar% -\NOtes\zqu c\roffset{.9}{\ql b}\en -\notes\ibbu0c0\roff{\ibl1b{-1}\zqb1b}\qb0c\hqsk\qb0d\en -\notes\tbl1\zqb1a\qb0c\tqh0d\en} - -{\footnotesize -Je fais l'impasse sur les cas de \textit{croisements de voix}. -Ne pas se laisser influencer par une alt\'eration concernant -la note sup\'erieure. -Ne pas perturber les notes \'etrang\`eres -\`a cette seconde. - -} - -\subsec -Pour les \'ecritures polyphoniques, on d\'ecale les notes juste ce qu'il -faut pour pouvoir les distinguer, en tout cas moins que pour un intervalle -de seconde : - -\Largemusicsize\generalmeter{\empty}\setstaffs1{1}\setclef1\treble -\twoextr -{\NOtes\zql c\roff{\zqu e}\qu g\en -\NOtes\zql c\zqu e\qu g\en -\NOtes\zql c\roffset{.2}{\zqu f}\qu g\en -\NOtes\zqlp c\roff{\zqup f}\qup h\en} -{\NOtes\zql c\loffset{.2}{\zqu g}\qu e\en -\NOtes\zql c\loffset{.2}{\zqu g}\qu e\en -\NOtes\zql c\roff{\zqu f}\qu g\en -\NOtes\loffset{.2}{\zqu h}\pt c\pt f\pt h\zql c\qu f\en} - -{\footnotesize Noter le cas des notes point\'ees.} - -\subsec -Il faut parfois adapter la place du point pour \'eviter les ambigu\"it\'es : - -\twoextr -{\NOtes\ibu0h0\roffset{.9}{\zql g\pt h}\qb0h\en -\notes\tbbu0\tqh0h\en -\NOtes\zqlp g\qu i\en -\Notes\qu j\cl f\en -\Notes\zql e\qu k\en} -{\Notesp\loffset{.3}{\ibu0h0\zqb0h}% -\loffset{.5}{\raise.15\Interligne\hbox{\pt h}}\roffset{.8}{\zql g}\sk\en -%\NOtes\ibu0h0\loffset{.2}{\pt h}\roffset{1.4}{\zql g}\qb0h\en -\notes\tbbu0\tqh0h\en -\NOtes\pt f\zql g\qu i\en -\Notes\qu j\cl f\en -\Notes\zql e\qu k\en} - - -\newpage - -\subsec -Dans une notation polyphonique \`a deux parties, on met les queues -des notes de la partie sup\'erieure vers le haut, m\^eme si l'autre partie -comporte un silence : - -\normalmusicsize\setclef1{\bass} -\twoextr -{\NOTesp\zw H\hup a\en -\Notes\qu N\hroff{\liftpause{-2}}\ql{MKLM}\en} -{\NOTesp\zw H\hup a\en -\Notes\qu N\liftpause{-2}\qu{MKLM}\en} - -{\footnotesize(et inversement pour la partie du bas.)} - - -\subsec -Certains regroupements de notes ou de silences peuvent \^etre -\textit{solf\'egiquement corrects}, mais rendent le d\'echiffrage difficile : - -\normalmusicsize\setclef1\treble -\generalmeter{\meterfrac44} -\twoextr -{\notes\cu c\en -\bar% -\notes\cu d\en -\Notes\qp\en -\notes\ibu0f2\qb0{efgh}\tqh0i\en -\bar -\znotes\en} -%\notes\cl j\en} -{\notes\cu c\en -\bar% -\notes\cu d\ds\ds\cu e\en -\notes\ibu0g2\qb0{fgh}\tqh0i\en -\bar -\znotes\en} - - -Autrement dit, ne pas faire jouer le r\^ole de syncopes \`a des silences. -Dans une mesure ternaire, s\'eparer un silence qui concerne les deuxi\`eme -et troisi\`eme unit\'es de valeur. -Pour les barres des croches, on peut \^etre un peu plus souple. - -{\footnotesize Certains objecteront qu'en musique ancienne, la notation -des croches en crochets ou en barre exprime un degr\'e d'articulation -souhait\'e. Mais la r\`egle ci-dessus recoupe presque toujours une -articulation << raisonnable >>. - -} - - -\section{Croches en barres} -\subsec -Il faut donner aux << barres >> ou << ligatures >> -des croches une pente appropri\'ee. Autrefois, -on \'evitait de trop faibles pentes, parce que l'encre d'imprimerie -avait une f\^acheuse tendance \`a combler un angle trop petit entre ces -barres et les lignes de la port\'ee. Pour une gamme ou un arp\`ege, cette -pente ne peut pas \^etre sup\'erieure \`a celle form\'ee par les notes, ni -horizontale. Il faut t\^acher de trouver un compromis. Voici un exemple, -avec sa r\'eponse, par deux illustres \'editeurs : - -\generalmeter{\empty} -\setstaffs1{1}\setclef1\treble -\twoextr{ -\notes\ibbu0a6\qb0{cdefg}\tqh0h\en -\notes\ibbu0g0\qb0{cdefg}\tqh0h\en} -{\notes\zcn q{Peters \smalltype fin XIX$^e$}\ibbu0a4\qb0{cdefg}\tqh0h\en -\notes\zcn q{Henle \smalltype fin XX$^e$}\ibbu0e1\qb0{cdefg}\tqh0h\en -\notes\zcn q{conseill\'e}\ibbu0d2\qb0{cdefg}\tqh0h\en} - -\footnotesize{Si vous voulez imiter certains \'editeurs fran\c{c}ais :} - -\startextract% -\notes\ibu0d2\ibbu1d2\qb1c\qb0{defg}\tbu0\tqh1h\en -\notesss\ibu0i0\ibbbu1i0\qb1j\qb0{eg}\tbu0\tqh1j\en -\zendextract - -\newpage - -\subsec -Le placement des barres doit \^etre adapt\'e au contexte. Ce -placement est diff\'erent selon qu'on a un groupe de croches isol\'ees ou -un passage de croches semblables : - -\startextract -\NOTes\hu c\hu d\en -\bar -\NOtes\qu f\en -\notes\ibbu0f4\qb0{ceg}\tqh0j\en -\NOtes\qu{cd}\en -\bar% -\NOtes\qp\en -\NOTes\hu f\en -\zendextract - -\twoextr -{\notes\ibbu0f4\qb0{ceg}\tqh0j\en -\notes\ibbu0f4\qb0{ceg}\tqh0j\en -\notes\ibbu0f4\qb0{ceg}\tqh0j\en -\notes\ibbu0f4\qb0{ceg}\tqh0j\en} -{\notes\ibbu0h1\qb0{ceg}\tqh0j\en -\notes\ibbu0h1\qb0{ceg}\tqh0j\en -\notes\ibbu0h1\qb0{ceg}\tqh0j\en -\notes\ibbu0h1\qb0{ceg}\tqh0j\en} - - - - -\subsec -\'Eviter les barres de croches en forme de Z, qu'on trouve dans les -\'editions d'autrefois : - -\normalmusicsize -\setclef1\bass -\twoextr -{\Notes\ibu0E{-4}\qb0G\zq{Nc}\qb0e\en -\Notes\zq{Nc}\qb0e\zq{Nc}\tqb0e\en} -{\Notes\ibl0H2\qb0G\en -\Notes\zq{Nc}\qb0e\zq{Nc}\qb0e\zq{Nc}\tqb0e\en -\doublebar% -\Notes\cu G\en -\Notes\ibl0a0\zq{Nc}\qb0e\zq{Nc}\qb0e\zq{Nc}\tqb0e\en} - - -\subsec -On ne fait jamais interf\'erer les barres de croches avec les lignes -suppl\'ementaires : - -\setclef1\treble -\twoextr -{\notes\ibbl0q3\qb0{qrstuvw}\tqb0x\en} -{\notes\ibbl0o1\qb0{qrstuvw}\tqb0x\en} - -\subsec -Ne pas affecter le placement des barres pour placer les silences -\`a leur hauteur normale. Au contraire, d\'eplacer les silences : - -\twoextr -{\Notes\ibl0k1\qb0n\ds\tqb0o\en -\Notes\ibl0l0\qb0o\ds\tqb0o\en} -{\Notes\ibl0n1\qb0n\raise2\Interligne\ds\tqb0o\en -\Notes\ibl0o0\qb0o\raise2\Interligne\ds\tqb0o\en} - - - -\section{Tenues et liaisons} -\subsec -Quand on veut exprimer des notes \textbf{li\'ees}, le signe de liaison -d\'emarre et atterrit au dessus du \textbf{centre} des notes. Par contre, -pour exprimer des notes \textbf{tenues}, ce m\^eme signe d\'emarre et -atterrit \`a la verticale de la limite de la t\^ete de la note, et pas -plus haut que celle-ci. On d\'eroge -\`a la premi\`ere r\`egle pour \'eviter des collisions avec les queues des -notes : - - -\largemusicsize -\twoextr -{\NOtes\isslurd0c\isluru1c\qu c\tsslur1 d\qu d\tsslur0e\qu e\islurd0f\qu f\en -\bar% -\NOtesp\tslur0f\roff{\itied0f}\qup f\en -\NOtes\ttie0\qu f\en} -{\NOtes\islurd0c\hroff{\isluru1c}\qu c\tslur1d\qu d\tslur0e\qu e\itied0f\qu f\en -\bar% -\NOtesp\ttie0\itied0f\qup f\en -\NOtes\ttie0\qu f\en} -{\footnotesize A noter que la tenue en devient plus discr\`ete.} - -\subsec -Ne pas faire quand m\^eme trop d' << acrobaties >> pour suivre ces r\`egles -\`a la lettre : - -\twoextr -{\NOtes\islurd0c\qu c\tsslur0j\ql j\en -\NOtes\isluru0j\ql j\ql o\midslur5\tslur0k\ql k\en} -{\NOtes\isslurd0c\qu c\tsslur0j\ql j\en -\NOtes\isluru0l\ql j\ql o\tslur0m\ql k\en} - - -\subsec -A certaines \'epoques, on estimait qu'une seule tenue concernait -\textbf{toutes} les notes d'un m\^eme accord. Les cas particuliers sont -devenus si nombreux, qu'il vaut mieux noter explicitement toutes -les tenues : - -\largemusicsize -\twoextr -{\NOtes\itieu0g\zq{ce}\qu g\en -\bar% -\NOtes\ttie0\zq{ce}\qu g\en} -{\NOtes\itied0c\itenl1e\itieu2g\zq{ce}\qu g\en -\bar% -\NOtes\ttie0\tten1\ttie2\zq{ce}\qu g\en} - -\subsec -Cohabitation de liaisons et tenues avec des notes piqu\'ees et des -ornements : - -\twoextr -{\NOtes\isluru0j\upz k\ql j\tslur0k\upz l\ql k\en -\NOtes\isluru0n\ql n\shake o\tslur0o\ql m\en} -{\NOtes\isluru0l\upz j\ql j\tslur0m\upz k\ql k\en -\NOtes\isluru0n\ql n\shake q\tslur0m\ql m\en} - -\subsec -Cohabitation entre liaisons et tenues : - -\twoextr -{\NOtes\itied0d\qu d\en -\bar -\NOtes\ttie0\islurd1d\qu d\tslur1c\qu c\en -\NOtes\islurd1e\qu e\tslur1f\itied0f\qu f\en -\bar -\NOtes\ttie0\qu f\en} -{\NOtes\islurd1d\itied0d\qu d\en -\bar -\NOtes\ttie0\qu d\tslur1c\qu c\en -\NOtes\islurd1e\qu e\itied0f\qu f\en -\bar -\NOtes\tslur1f\ttie0\qu f\en} - -{\footnotesize Les instrumentistes \`a archet trouveront ceci \'evident.} - -\subsec -Lorsqu'on veut ajouter une liaison en temps qu'\'editeur, le pointill\'e -est la meilleure mani\`ere de signaler cette intervention : - -\setclef1\treble -\twoextr -{\NOtes\islurd0c\qu c\tslur0d\qu d\en -\NOtes\zcn a{\smalltype\bf (}\islurd0d\qu e% -\zcn b{\smalltype\bf ~)}\tslur0e\qu f\en -\NOtes\islurd0g\zqu g\hsk\zcn c{\bf /}\hsk\tslur0h\qu h\en} -{\NOtes\islurd0c\qu c\tslur0d\qu d\en -\NOtes\dotted\islurd0e\qu e\tslur0f\qu f\en -\NOtes\dotted\islurd0g\qu g\tslur0h\qu h\en} - - - -\section{Alt\'erations} -\subsec -Quand une note tenue alt\'er\'ee s'\'etend sur plusieurs mesures, on -ne r\'ep\`ete pas les alt\'erations aux mesures suivantes, sauf en cas de -saut de ligne ou de page. - -\twoextr -{\NOTEs\itied0b\itieu1j\zwh{^c}\wh{_i}\en -\bar% -\NOTes\ttie0\ttie1\zwh{^c}\hu{_i}\hu i\en} -{\NOTEs\itied0c\itieu1i\zwh{^c}\wh{_i}\en -\bar% -\NOTes\ttie0\ttie1\zwh c\hu i\hu{_i}\en} - - -\subsec -Quand une alt\'eration concerne de \textit{petites notes}, et qu'on -estime qu'elle doit s'appliquer aux notes normales qui suivent, il -faut r\'ep\'eter cette alt\'eration. - -\twoextr -{\notes\appog\ibbu0c2\qb0{^c}\tqh0d\en -\NOTes\wh c\en} -{\notes\appog\ibbu0c2\qb0{^c}\tqh0d\en -\NOTes\qsk\wh{^c}\en} - -\newpage - -\subsec -Quand une note affect\'ee d'un simple di\`ese succ\`ede \`a la m\^eme note -affect\'ee d'un double di\`ese dans la m\^eme mesure, on ne met plus de b\'ecarre -avant le simple di\`ese, -\`a moins de vouloir imiter le style de gravure du 19$^e$ si\`ecle. De m\^eme pour les -b\'emols : - -\twoextr -{\NOtes\qu{>c}\lna c\qu{^c}\qu{c}\qu{^c}\qu{> \textbf(c). -\end{itemize} - -On met une alt\'eration \'editoriale quand on estime que la source -avec laquelle on travaille est erron\'ee. On la note par une alt\'eration -de petite taille, plac\'ee au dessus de la note si la place le permet, -sinon au dessous. Si la note -est au milieu d'un accord, on la place \`a gauche de la note. - -{\footnotesize Le chiffrage de la \textit{basse continue} fait aussi -usage de petites alt\'erations au dessus des notes. Mais en g\'en\'eral, la -confusion est peu vraisemblable. - -} - -On met une alt\'eration de pr\'ecaution quand les r\`egles du solf\`ege voudraient -qu'elle s'applique, mais on craint qu'elle n'\'echappe au musicien, comme -par exemple, \`a la fin d'une mesure tr\`es riche en notes. Elle se note -entre parenth\`eses. - -Une alt\'eration << cadeau de la maison >> est une alt\'eration superflue -au regard du solf\`ege, et qui confirme l'effet de la barre de -mesure sur les alt\'erations pr\'ec\'edentes. L'habitude est de la noter -normalement : - -\twoextr -{\NOtes\qu{^c}\qu d\cfl e\qu e\qu{^c}\en -\bar% -\NOtes\cna c\qu c\en} -{\NOtes\qu{^c}\qu d\ccn q{(e)}\upperfl L\qu e\ccn q{(p)}\csh c\qu c\en -\bar% -\NOtes\ccn q{(c)}\qu{=c}\en} - - -{\footnotesize Pour certaines \oe uvres contemporaines complexes, il -est pr\'ef\'erable de noter \textbf{toutes} les alt\'erations.} - -\subsec Autrefois, pour certains copistes, il allait de soi que quand la -premi\`ere note d'une mesure est la m\^eme que celle alt\'er\'ee de la -mesure pr\'ec\'edente, l'alt\'eration continue \`a s'appliquer : - -\setstaffs12\setclef1{\bass\treble} -\startrule -\interstaff{11} - -\startextract -\NOtesp\zhl K\hu a|\zh{^f}\zhl d\qup j\en -\notesp|\triolet r\ibbu3i{-1}\qb3j\en -\notes|\qb3{_i}\tqh3h\en -\NOtesp\pt F\zql G\qu N|\zqp g\zqlp d\qup i\en -\notes\ibbl0H1\triolet C\zcu N\qb0G|\zq g\zcl d\cu i\en -\notesp\qb0H\en -\notes\tqb0{_I}\en -\bar -\NOtes\zhl J\qu N|\pt b\zql c\loffset{.25}{\zql e}\qu i\en -\Notes\qu M|\zhl f\ibu3h{-1}\qbp3h\en -\notes|\cl c\en -\notes|\tbbu3\tqh3g\en -\NOtes\zhl C\qu N|\pt b\zql c\qu g\en -\zendextract - -La correction est donc \'evidente, et ne justifie donc pas une alt\'eration -\'editoriale : - -\smallmusicsize -\twoextr -{\NOtesp\zhl K\hu a\nextstaff\zh{^f}\zhl d\qup j\en -\notesp\nextstaff\triolet r\ibbu3i{-1}\qb3j\en -\notes\nextstaff\qb3{_i}\tqh3h\en -\NOtesp\pt F\zql G\qu N\nextstaff\zqp g\zqlp d\qup i\en -\notes\ibbl0H1\triolet C\zcu N\qb0G\nextstaff\zq g\zcl d\cu i\en -\notesp\qb0H\en -\notes\tqb0{_I}\en -\bar% -\NOtes\zhl J\qu N\nextstaff\pt b\zql c\loffset{.25}{\zql e}\upperfl n\qu i\en -\Notes\qu M\nextstaff\zhl f\ibu3h{-1}\qbp3h\en -\notes\nextstaff\cl c\en -\notes\nextstaff\tbbu3\tqh3g\en -\NOtes\zhl C\qu N\nextstaff\pt b\zql c\qu g\en} -{\NOtesp\zhl K\hu a\nextstaff\zh{^f}\zhl d\qup j\en -\notesp\nextstaff\triolet r\ibbu3i{-1}\qb3j\en -\notes\nextstaff\qb3{_i}\tqh3h\en -\NOtesp\pt F\zql G\qu N\nextstaff\zqp g\zqlp d\qup i\en -\notes\ibbl0H1\triolet C\zcu N\qb0G\nextstaff\zq g\zcl d\cu i\en -\notesp\qb0H\en -\notes\tqb0{_I}\en -\bar% -\nspace% -\NOtes\zhl J\qu N\nextstaff\pt b\zql c\loffset{.25}{\zql e}\qu{_i}\en -\Notes\qu M\nextstaff\zhl f\ibu3h{-1}\qbp3h\en -\notes\nextstaff\cl c\en -\notes\nextstaff\tbbu3\tqh3g\en -\NOtes\zhl C\qu N\nextstaff\pt b\zql c\qu g\en} - -{\footnotesize (\`a plus forte raison une alt\`eration de -pr\'ecaution. Vos comp\'etances de musicologue sont d\'ej\`a -reconnues \`a ce stade !)} - -\subsec -Dans une \'edition ancienne, certaines alt\'erations peuvent sembler superflues -selon nos r\`egles modernes, comme le \textit{do} di\`ese \`a la fin de -cette mesure : - -\nostartrule -\setstaffs11 -\largemusicsize -\setclef1{\bass} -\startextract -\bar% -\NOtes\zw N\zq b\qu d\lsh a\zq a\qu{^c}\en -\NOtes\zq b\qu d\zq{^c}\qu e\en -\bar% -\zendextract - - Le raisonnement suivant est donc \`a proscrire : -<<\textit{si cette alt\'eration est pr\'esente, c'est qu'il -y a une bonne raison, mais il se trouve que cette alt\'eration est erron\'ee. -En effet, si le compositeur avait voulu un} do \textit{di\`ese -\`a la fin de la mesure, il n'aurait rien mis. -Je me charge donc de faire la correction qui s'impose.}>> - - -\twoextr{ -\bar% -\NOtes\zw N\zq b\qu d\lsh a\zq a\qu{^c}\en -\NOtes\zq b\qu d\zq{=c}\qu e\en -\bar% -} -{\bar% -\NOtes\zw N\zq b\qu d\lsh a\zq a\qu{^c}\en -\NOtes\zq b\qu d\zq c\qu e\en -\bar% -} - -{\footnotesize Si ces noires en tierces avaient \'et\'e not\'ees de mani\`ere -polyphonique, tout s'expliquerait. Je pourrais citer d'autres malentendus -semblables, \`a propos du cas des alt\'erations \`a l'octave, -que nous avons vu plus haut. - -} - - -\section{Num\'eros de mesures} - -\subsec -On ne note jamais les silences initiaux communs \`a toutes les -parties, surtout s'il y a une reprise partant de la premi\`ere note : - -\normalmusicsize\nostartrule\setclef1\treble -\generalmeter{\meterfrac34} - -\twoextr -{\NOtes\hpause\en -\Notes\qu c\en -\bar% -\Notes\qu{def}\en -\bar% -\Notes\qu{hi}\en -\rightrepeat -\Notes\ql j\en -\bar -\Notes\ql k\en} -{\Notes\qu c\en -\bar% -\Notes\qu{def}\en -\bar% -\Notes\qu{hi}\en -\rightrepeat -\Notes\ql j\en -\bar -\Notes\ql k\en} - - -\subsec -On n'indique jamais le num\'ero de la toute premi\`ere mesure -d'un morceau. Si cette premi\`ere mesure est en \textit{lev\'ee}, le -num\'ero de cette mesure est \textbf{z\'ero}. - -\normalmusicsize\nostartrule\setclef1\treble -\generalmeter{\meterfrac34} - -\twoextr -{\Notes\loffset{8}{\zcharnote o{\eightbf 1}}\qu c\en -\bar% -\Notes\loffset{2}{\zcharnote o{\eightbf 2}}\qu{def}\en -\bar% -\Notes\loffset{2}{\zcharnote o{\eightbf 3}}\qu{hi}\ql j\en} -{\Notes\qu c\en -\bar% -\Notes\loffset{2}{\zcharnote o{\eightbf 1}}\qu{def}\en -\bar% -\Notes\loffset{2}{\zcharnote o{\eightbf 2}}\qu{hi}\ql j\en} - -{\footnotesize En pratique, des num\'eros pour la premi\`ere mesure -de chaque syst\`eme sont suffisants. - -} - -\subsec -Quand il y a une double barre de reprise au cours d'une mesure, cette double barre -ne compte pas pour la num\'erotation des mesures. - -\twoextr -{\Notes\qu{cde}\en -\bar% -\Notes\loffset{2}{\zcharnote o{\eightbf 2}}\qu{de}\en -\leftrightrepeat% -\Notes\qu f\en -\bar% -\Notes\loffset{2}{\zcharnote o{\eightbf 4}}\qu{hi}\ql j\en -\bar} -{\Notes\qu{cde}\en -\bar% -\Notes\loffset{2}{\zcharnote o{\eightbf 2}}\qu{de}\en -\leftrightrepeat% -\Notes\qu f\en -\bar% -\Notes\loffset{2}{\zcharnote o{\eightbf 3}}\qu{hi}\ql j\en -\bar} - - -\subsec -Quand il y a des mesures \textit{premi\`ere fois-deuxi\`eme fois}, seuls les -num\'eros de mesure de la \textit{premi\`ere fois} comptent. Si n\'ecessaire, -on distingue les mesures de m\^emes num\'eros par les indices \textit{a} -et \textit{b}. - -\generalmeter{\null}\setclef1\treble\normalmusicsize -\twoextr{ -\Notes\loffset{5}{\zcharnote o{\eightbf 30}}\hu c\en\bar -\Notes\loffset{2}{\zcharnote o{\eightbf 31}}\hu d\en -\Setvolta1\bar -\Notes\hu e\en -\bar -\Notes\loffset{2}{\zcharnote o{\eightbf 33}}\hu f\en -\setvolta2\endvoltabox\rightrepeat -\Notes\hu g\en -\bar% -\Notes\loffset{2}{\zcharnote o{\eightbf 35}}\hu h\en -\bar% -\Notes\hu i\en -\bar% -\Notes\loffset{2}{\zcharnote o{\eightbf 37}}\hl j\en} -{\Notes\loffset{5}{\zcharnote o{\eightbf 30}}\hu c\en -\bar -\Notes\loffset{2}{\zcharnote o{\eightbf 31}}\hu d\en -\Setvolta1\bar% -\Notes\hu e\en -\bar% -\Notes\loffset{2}{\zcharnote o{\eightbf 33a}}\hu f\en -\setvolta2\endvoltabox\rightrepeat -\Notes\hu g\en -\bar% -\Notes\loffset{2}{\zcharnote o{\eightbf 33b}}\hu h\en -\bar% -\Notes\hu i\en -\bar% -\Notes\loffset{2}{\zcharnote o{\eightbf 35}}\hl j\en} - - -{\footnotesize En effet, de nombreux mouvements rapides, comportent -des barres de reprise au cours d'une mesure (comme l'Allegretto de la -sonate \textit{Clair de lune}). On aurait aussi bien pu noter cette -reprise sous la forme \textit{premi\`ere fois-deuxi\`eme fois} pour -cette mesure. Il faut donc -que ces deux formulations conduisent \`a la m\^eme num\'erotation des -mesures. - -} - -\section{Questions diverses} - -\subsec -Quand on note la partie d'un instrument n'exigeant qu'une port\'ee, on ne -met pas de barres verticales en d\'ebut de port\'ees, contrairement \`a -une partition de << conducteur >>. - -\setclef1\alto -\startrule\largemusicsize -\begin{music}\let\extractline\hbox -\hbox to \hsize{ -\hfill -\startextract -\NOtes\qu{abc}\en -\zendextract\hfill\nostartrule -\startextract -\NOtes\qu{abc}\en -\zendextract -\hfill} - -\let\extractline\centerline\end{music} - - -\subsec -Autrefois, certaines notes piqu\'ees \'etaient not\'ees avec un petit triangle -au lieu du point moderne. Si dans une \oe uvre, ces \textbf{deux} notations -se pr\'esentent, elles repr\'esentent \'egalement deux degr\'es dans le caract\`ere -piqu\'e. Il faut donc respecter la notation originale. Si par contre, seuls -les petits triangles existent, il faut les restituer par de simples -points : - -\largemusicsize\setstaffs1{1}\setclef1\treble\nostartrule -\twoextr{ -\Notes\ibu0d1\lppz c\qb0c\lppz d\qb0d\lppz e\qb0e\lppz f\tqh0f\en} -{\Notes\ibu0d1\lpz c\qb0c\lpz d\qb0d\lpz e\qb0e\lpz f\tqh0f\en} - -\subsec -De tels signes se placent toujours \`a la verticale des t\^etes de notes, -et non pas \`a la verticale des hampes, m\^eme si la polyphonie exige -un placement cot\'e hampes : - -\twoextr -{\NOtes\zhl c\hroff{\upz l}\qu e\hroff{\uppz k}\qu f\en -\Notes\zql b\ibu0g0\hroff{\upz m}\qb0g\hroff{\upz m}\tqh0g\en} -{\NOtes\zhl c\upz l\qu e\uppz k\qu f\en -\Notes\zql b\ibu0g0\upz m\qb0g\upz m\tqh0g\en} - - -\subsec -Les appoggiatures, ou \textit{petites notes}, se notent \textbf{apr\`es} -la barre de mesure. Ceci quelle que soit leur interpr\'etation rythmique -suppos\'ee : - -\twoextr -{\NOtes\qu N\en -\notes\multnoteskip\tinyvalue\tinynotesize\ibbu0e4\qb0c\tqh0e\en -\bar -\NOtes\hu g\en} -{\NOtes\qu N\en -\bar -\notes\multnoteskip\tinyvalue\tinynotesize\ibbu0e4\qb0c\tqh0e\en -\NOtes\hu g\en} - -\subsec -On \'ecrit l'indication g\'en\'erale de mouvement en caract\`eres normaux, -et les indications interm\'ediaires en italique : - -\setclef1\treble -\twoextr -{\NOtes\zcn o{\medtype\it allegro}\qu{de}\zcn N{Cres}\qu{fg}\en} -{\NOtes\zcn o{\medtype Allegro}\qu{de}\zcn N{\medtype\it cresc.}\qu{fg}\en} - -{\footnotesize Notez aussi l'usage de majuscules, et le point d'abbr\'eviation.} - - -\subsec -Autrefois on indiquait \textbf{loco} (du latin : \textit{au lieu} - pour attirer l'attention sur -la fin d'un signe d'octaviation (\textit{8}\raisebox{2mm}{- - - - -}). -Maintenant que ces octaviations sont -devenues habituelles, ce \textbf{loco} est bien inutile. - -\section{Quelques conseils moraux, quand vous gravez une partition} - -\subsec -Quand vous faites un certain choix dans une mani\`ere de noter, -conservez-le d'un bout \`a l'autre du morceau, au lieu d'alterner -\`a votre guise avec une autre mani\`ere, m\^eme si cette premi\`ere -mani\`ere est contestable d'apr\`es ce que nous avons vu. - -\subsec -En typographie musicale, -les erreurs de hauteur d'une tierce sont beaucoup plus fr\'equentes -que les erreurs d'une seconde, pour des raisons \'evidentes de -perception visuelle. Soyez donc compr\'ehensif envers les auteurs de votre -source. - -\subsec -Que faire, quand vous pensez en avoir termin\'e avec votre \'edition, -apr\`es tous ces conseils ? -Bien s–r, vous vous pr\'ecipitez sur votre instrument, et vous jouez -le morceau avec cette \'edition. - -Mais comme ce morceau vous est familier, vous risquez fort, -emport\'e par votre enthousiasme, -de laisser \'echapper un certain nombre d'erreurs. -Abandonnez donc l'instrument, -posez votre \'edition et sa source sur une table, et prenez un crayon. -Comparez-les mesure par mesure, et s'il y a plusieurs port\'ees, une -seule port\'ee \`a la fois. Terminez par les indications diverses (tempo, -interpr\'etation, p\'edale pour le piano, etc.) qui sont communes \`a -ces plusieurs port\'ees. - -Ceci n'est pas encore suffisant. En effet, un bon musicien, tel que vous, -poss\`ede la capacit\'e de corriger certaines erreurs (notamment d'alt\'erations) -en jouant, sans s'en rendre compte. Le test pr\'ec\'edent ne mettra donc -pas ces erreurs \`a jour, les deux versions comportant la m\^eme erreur. - -Si votre logiciel est apte \`a traduire votre morceau au format MIDI, -le fichier produit pourra vous aider. Sinon, il faudra soumettre votre -\'edition \`a un musicien moins exp\'eriment\'e que vous, qui n'aurait pas encore -pris ces habitudes de corrections spontan\'ees. - -\subsec -\textbf{N'oubliez jamais ceci : faire une \'edition correcte est aussi -difficile que jouer correctement un instrument.} -\end{document} - diff --git a/macros/musixtex/doc/psslurs/README.psslurs b/macros/musixtex/doc/psslurs/README.psslurs deleted file mode 100644 index adf4569bd1..0000000000 --- a/macros/musixtex/doc/psslurs/README.psslurs +++ /dev/null @@ -1,42 +0,0 @@ -This package adds the PostScript slurs, ties and crescendos into -MusiXTeX. It is possible to use it in almost the same way as the -original bitmapped slur simply saying "\input musixps" at the beginning -of your source file. The resulting dvi file should be then converted -into PostScript by dvips (and then to PDF using ps2pdf, ghostscript or -Adobe Distiller, if necessary). - -Please note that the slurs won't appear in any other dvi previewer, nor when -you use pdftex to produce the PDF file directly. - -The mxsk font is used for "half ties" - short breaked ties at the -beginning of the line. If you use \nohalfties, you do not need to -install this font. The musixps.tex should be placed anywhere TeX can -find it, prefferably into the musixtex directory. Do not include it into -your TeX format file! The psslurs.pro should be placed somewhere dvips -can find it. - -musixps.tex is free software; you can redistribute it and/or modify it -under the terms of the GNU General Public License as published by the -Free Software Foundation; either version 2 of the License, or (at your -option) any later version. - -Stanislav Kneifl, -stanislav.kneifl@hieronymus.cz - - -HISTORY -~~~~~~~ - - 2010-11-05 - - Relicensed to the GPL by Bob Tennent as instructed by an e-mail - from the author. - -0.92 (12.5.2002) - added: \nosluradjust, \sluradjust, \notieadjust, \tieadjust - added: \slopebrkslurtrue, \slopebrkslurfalse - fixed: shaded slurs now do not break up to separate curves - at high resolutions - -0.91 (10.1.2002) - First public release, adopted from OpusTeX version. diff --git a/macros/musixtex/doc/psslurs/slurs.pdf b/macros/musixtex/doc/psslurs/slurs.pdf deleted file mode 100644 index d2bc50629f..0000000000 Binary files a/macros/musixtex/doc/psslurs/slurs.pdf and /dev/null differ diff --git a/macros/musixtex/doc/psslurs/slurs.tex b/macros/musixtex/doc/psslurs/slurs.tex deleted file mode 100644 index 037233fc7e..0000000000 --- a/macros/musixtex/doc/psslurs/slurs.tex +++ /dev/null @@ -1,77 +0,0 @@ -\input musixtex -\input musixps - -\Nosluradjust -\Notieadjust - -\startmuflex - -\startpiece -\NOtes\qu{cdef}\isluru0k\qu{ghij}\en\bar -\NOtes\idecresc0\qu{cdefghij}\en -\alaligne -\NOtes\qu{cdefghij}\tcresc0\en\bar -\NOtes\tslur0h\qu{cdefghij}\en -\endpiece - -\startextract -\NOtes\islurd0g\qu g\tslur0{'c}\qu c\en -\Notes\isluru0{'e}\ibl0e{-2}\qb0{edc}\tslur0b\tqb0b\en -\bar -\NOtes\islurd0{'a}\qu a\tslur0{`f}\qu f\en -\NOTes\hu g\en -\endextract - -\startextract -\NOTes\isluru0g\hl g\tslur0h\hl h\en -\NOTes\islurd0c\issluru1g\zh{ce}\hu g\tslur0d\tsslur1h\zh{df}\hu h\en -\NOTes\ibsluru0g\islurd1g\hu g\tubslur0h\hu h\en -\NOTes\itieu0k\hl k\ttie0\tdbslur1k\hl k\en -\endextract - -\startextract -\NOTes\itenl0c\itenl1e\itenu2g\itenu3j\zh{ceg}\hu j\enotes -\bar -\NOTes\tten0\tten1\tten2\tten3\zh{ceg}\hu j\enotes -\endextract - -\generalmeter{\meterfrac34} -\startextract\NOTes\multnoteskip3\isluru0c\ql c\tslur0j\ql j\enotes - \bar\NOTes\multnoteskip3\isluru0c\ql c\tslur0n\ql n\enotes\endextract - -\startextract\NOTes\multnoteskip3\isluru0c\ql c\tslur0s\ql s\enotes - \bar\NOTes\multnoteskip3\isluru0c\ql c\tslur0z\ql z\enotes\endextract - -\instrumentnumber{1} -\generalmeter{\meterfrac34} -\startextract\NOTes\isluru0c\ql c\enotes\notes\tslur0j\ql j\enotes - \bar\NOTes\isluru0c\ql c\enotes\notes\tslur0n\ql n\enotes - \NOTes\isluru0c\ql c\enotes\notes\tslur0s\ql s\enotes - \bar\NOTes\isluru0c\ql c\enotes\notes\tslur0z\ql z\enotes - \endextract - -\startextract -\NOtes\dotted\islurd0g\qu g\tslur0{'c}\qu c\en -\Notes\dotted\isluru0{'e}\ibl0e{-2}\qb0{edc}\tslur0b\tqb0b\en\bar -\NOtes\dotted\slur hmd1\qu{hm}\en -\NOTes\hu g\en -\endextract - -\startextract -\NOtes\slur ced1\qu{ce}\en -\NOtes\slur dfd1\qu{df}\en -\NOtes\slur egd1\qu{eg}\en -\NOtes\slur{'e}cu1\ql{ec}\en -\NOtes\slur{'d}bu1\ql{db}\en -\NOtes\slur{'c}au1\ql{ca}\en -\endextract - -\startextract -\NOtes\ibu0g1\iBsluru00\qb0g\en -\NOtes\tBslur00\tbu0\qb0h\en -\NOtes\ibl0k1\iBslurd00\qb0k\en -\NOtes\tBslur00\tbl0\qb0l\en -\endextract - -\endmuflex -\end diff --git a/macros/musixtex/doc/reference/musixre1.pdf b/macros/musixtex/doc/reference/musixre1.pdf deleted file mode 100644 index 551dda083c..0000000000 Binary files a/macros/musixtex/doc/reference/musixre1.pdf and /dev/null differ diff --git a/macros/musixtex/doc/scripts/musixflx.1 b/macros/musixtex/doc/scripts/musixflx.1 deleted file mode 100644 index 4ef7c35870..0000000000 --- a/macros/musixtex/doc/scripts/musixflx.1 +++ /dev/null @@ -1,46 +0,0 @@ -.\" This manpage is licensed under the GNU Public License -.TH MUSIXFLX 1 2018-06-15 "musixflx-0.83.3lua7" "" - -.SH NAME -musixflx \- process mx1 files (the second pass of 3-pass MusiXTeX typesetting) - -.SH SYNOPSIS -[ texlua ] -.B musixflx[.lua] -.I jobname -[ .mx1 | .tex ] -[ -.I debugmode -] - -where -.I debugmode -can be -.br - d output debugging information to the screen -.br - m output line numbers to the screen -.br - f output debugging information to jobname.mxl (not mx1) -.br - s output computed lines to the screen - -.SH DESCRIPTION -Musixflx processes mx1 files (the second pass of 3-pass MusiXTeX typesetting) - -To allow for ease of use with a batch file, \fB musixflx.lua\fR -can be fed with either \fI jobname.mx1\fP, \fI jobname.tex\fP, -or just \fI jobname\fP, any of which open \fI jobname.mx1\fP -and create \fI jobname.mx2\fP. - -.SH SEE ALSO -.BR musixtex (1) -.br -musixdoc.pdf - -.SH AUTHOR -This manual page was written by Andreas Tille - for the Debian GNU/Linux system (but may be used -by others). Corrections to the synopsis were pointed out by Peter -Breitenlohner and implemented by Bob Tennent -. diff --git a/macros/musixtex/doc/scripts/musixflx.pdf b/macros/musixtex/doc/scripts/musixflx.pdf deleted file mode 100644 index 0d6b152bc7..0000000000 Binary files a/macros/musixtex/doc/scripts/musixflx.pdf and /dev/null differ diff --git a/macros/musixtex/doc/scripts/musixtex.1 b/macros/musixtex/doc/scripts/musixtex.1 deleted file mode 100644 index 59b6c8874e..0000000000 --- a/macros/musixtex/doc/scripts/musixtex.1 +++ /dev/null @@ -1,204 +0,0 @@ -.\" This manpage is licensed under the GNU Public License -.TH MUSIXTEX 1 2020-05-21 "musixtex version 0.23" "" - -.SH NAME -musixtex \- processes MusiXTeX files, using pre-processors prepmx, xml2pmx, pmxab and autosp -as necessary, and then deletes intermediate and log files (unless -.B -i -is used) -.SH SYNOPSIS -[ texlua ] -.B musixtex[.lua] -{ -.I option -| -.I jobname -[ .xml | .mtx | .pmx | .aspc | .tex | .ltx ] } ... -.SH DESCRIPTION -.TP -If a jobname argument has a .tex extension, the default effect is to process the file using -.TP 12 -.BR etex (1) -(first pass) -.TP -.BR musixflx (1) -(second pass) -.TP -.BR etex (1) -(third pass) -.TP -.BR dvips (1) -(dvi to Postscript) -.TP -.BR ps2pdf (1) -(Postscript to Portable Document Format) -.TP -normally followed by removal of intermediate and log files. A log musixtex.log is generated, even if other log files are removed. -.P -If a jobname argument has a .pmx extension, the file is first preprocessed using -.BR pmxab (1) -and the resulting .tex file is processed as above. -.P -If a jobname argument has a .xml extension, the file is first preprocessed using -.BR xml2pmx (1) -and the resulting .pmx file is processed as above. -.P -If a jobname argument has a .mtx extension, the file is first preprocessed using -.BR prepmx (1) -and the resulting .pmx file is processed as above. -.P -If a jobname argument has a .ltx extension, the file is processed using -.BR latex (1) -(or -.BR pdflatex (1)) -in place of -.BR etex . -.P -If a jobname argument has a .aspc extension, the file is first preprocessed using -.BR autosp (1) -and the resulting .tex or .ltx file is processed as above. -.P -If a jobname argument has none of these extensions, the script will look for a file -.IR jobname .xml -or -.IR jobname .mtx -or -.IR jobname .pmx -or -.IR jobname .aspc -or -.IR jobname .tex -or -.IR jobname .ltx , -in that order, and process it as above. -.SH OPTIONS -.TP 10 -.B -v, -version, --version -output program name and version number, and quit -.TP -.B -h, -help, --help -output usage summary and quit -.TP -.B -l -assume LaTeX source; -implied if the file has .ltx extension -.TP -.B -p -change the TeX processor to -.BR pdfetex (1) -or -.BR pdflatex (1) -(and doesn't run a dvi processor) -.TP -.B -c -preprocess pmx file using -.BR pmxchords (1) -.TP -.B -d -don't generate a .ps file and change the dvi processor to -.BR dvipdfm (1) -.TP -.B -D dvix -use -.B dvix -as the dvi processor; e.g., -D "dvipdfm -m 0.9". -Use -d -.I before --D to suppress .ps generation. -.TP -.B -P ps2pdf -use -.B ps2pdf -as the Postscript processor; e.g., -P "ps2pdf -sPAPERSIZE=a4" -.TP -.B -F fmt -use -.B fmt -as the TeX processor; e.g., -F "luatex --output-format=dvi" -.TP -.B -m -stop processing at the pmx file -.TP -.B -M mtxx -use -.B mtxx -as the mtx preprocessor; e.g., -M "prepmx -i". -.TP -.B -X pmxx -use -.B pmxx -as the pmx preprocessor; e.g., -X "./pmxab", -.TP -.B -A aspcx -use -.B aspcx -as the aspc preprocessor; e.g., -A "autosp -l". -.TP -.B -L xmlx -use -.B xmlx -as the xml preprocessor; e.g., -L "./XML2PMX". -.TP -.B -t -stop processing at the tex/mid files -.TP -.B -s -stop processing at the dvi file -.TP -.B -g -stop processing at the ps file -.TP -.B -i -retain intermediate and log files -.TP -.B -1 -one-pass [pdf][la]tex processing; i.e., without calling -.B musixflx -.TP -.B -x -call -.BR makeindex (1) -to update index database -.TP -.B -f -restore default processing -.TP -.B -q -quiet mode (only musixtex's own messages); other messages are diverted to a temporary file. -If an error occurs at the TeX stage, processing halts immediately and the tail of the log file is sent to stderr. -Version information is copied from the temporary file to the log file. - -.TP 0 -Options affect processing of all succeeding MusiXTeX files unless changed by another option. Option flags cannot be combined; e.g., use \fB -l -x \fP rather than \fB -lx\fP. - -Note that four TeX engines are available via the -l and -p options: -.TP - etex default - latex -l - pdfetex -p - pdflatex -l -p -.TP 0 -If the -F option is used, options -l and -p need to be set if the engine name does not contain "latex" and "pdf" respectively. For example, the above four engines can be replaced by: - -F "luatex --output-format=dvi" - -F "lualatex --output-format=dvi" - -F "luatex" -p - -F "lualatex" -p - -.SH SEE ALSO -.BR autosp (1), -.BR etex (1), -.BR latex (1), -.BR pdfetex (1), -.BR pdflatex (1), -.BR makeindex (1), -.BR musixflx (1), -.BR dvipdfm (1), -.BR dvips (1), -.BR pmxab (1), -.BR pmxchords (1), -.BR prepmx (1), -.BR ps2pdf (1), -.BR xml2pmx (1) -and musixdoc.pdf. -.SH AUTHOR -This manual page was written by Bob Tennent . diff --git a/macros/musixtex/doc/scripts/musixtex.pdf b/macros/musixtex/doc/scripts/musixtex.pdf deleted file mode 100644 index 8df9e182dc..0000000000 Binary files a/macros/musixtex/doc/scripts/musixtex.pdf and /dev/null differ diff --git a/macros/musixtex/dvips/psslurs.pro b/macros/musixtex/dvips/psslurs.pro deleted file mode 100644 index b18ba9bd3a..0000000000 --- a/macros/musixtex/dvips/psslurs.pro +++ /dev/null @@ -1,282 +0,0 @@ -% This file can be used instead of psslurs.pro, it is only commented -% and indented. -% -% VERSION: 1.01 -% -% WARNING! This is a heavy magic! If you want something more understandable, -% you will have to write it yourself (if it is possible in a stack-oriented -% language that PostScript is). There are some constants you can -% change and see what happens, but I think the slurs should be almost -% always satisfiable. When not, let me know at: -% stanislav@kneifl.net -% Also any bug reports and comments are welcomed. -% -% Stanislav Kneifl. - -/slur@Dict 200 dict def - -% this dictionary is for \setslurtext, overriding some dvips's definitions -/temp@xx@dict 4 dict def temp@xx@dict begin - /a { moveto ax1 ay1 rmoveto } def - /V {gsave newpath transform round exch round exch itransform - exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg - rlineto rulex neg 0 rlineto fill grestore} def -end - -TeXDict begin -% get dimen from TeX's string ("125pt" -> 125 PS points) -/psxGD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def -% get dimen adjusted to Resolution -/psxGDAR { dup length 2 sub 0 exch getinterval cvr 4 psxAR mul 1.045 mul} def -% Adjust to Resolution -/psxAR { Resolution mul 300 div } def -% the distances in dvips's PostScript are resolution dependant! -end - -slur@Dict begin -/CP /currentpoint load def -/ED { exch def } bind def -/psxAR { Resolution mul 300 div } def % stands for Adjust to Resolution, -/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def -/y { 3 2 roll ax1 ay1 rmoveto show moveto } def -/M { mul } def -/A { add } def -/SB { sub } def -/P { pop } def -/DP { dup } def -/R { roll } def - -/drawseg { 0 0 moveto - ax1 ay1 - ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add - ax1 ax2 add 2 div ay1 ay2 add 2 div curveto - ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add - ax2 ay2 - x2 0 curveto } def - -/DS { - psxAR /maxe ED - /ifadjust ED - /ifdash ED - psxAR /m ED % max height of the slur - /e ED % "angularity" of the slur; 0.1 = very angular, - % 0.3 = very round - /aa exch neg def % what to multiply the height with - % AFTER the max height checking - /y2 ED % y coordinate of the end of the slur - /x2 ED % x coordinate of the end of the slur - /y1 ED % y coordinate of the beginning of the slur - /x1 ED % x coordinate of the beginning of the slur - /yr2 ED - /yr1 ED - /internote ED - /x2 x2 x1 sub def % x2=x2-x1 - /y2 y2 y1 sub def % y2=y2-y1 - /sx y2 x2 div def - /b x2 300 mul Resolution div abs sqrt psxAR 2 mul def % b=2*sqrt(x2) - b 3 psxAR lt {/b 3 psxAR def} if % b=max(b,3) - b m gt {/b m def} if % b=min(b,m) - /aa b aa mul def % aa=aa*b - /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur - /aa aa s cos div def % aa=aa/cos(s) height of the slur - /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) - % is the length of the slur - e x2 mul maxe gt { /e maxe x2 div def } if - /beta e x2 mul aa neg atan def - beta 90 gt {/beta 180 beta sub def} if - /ax1 e x2 mul def % control points - /ay1 aa def - /ax2 1 e sub x2 mul def - /ay2 aa def - -% check if the starting and endin vector stay in desired quadrants -% => beta < abs(s) - beta s abs lt { - /b aa abs s abs 2 add sin mul s abs 2 add cos div def - s aa mul 0 lt { - s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ -% (values to play with) - /ax2 x2 b sub def - } - { - /ax1 b def - s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ - } ifelse - } if - -% align the slur to the staff lines - - gsave - x1 y1 translate - s rotate -% [1 0 sx 1 0 0] concat - drawseg - gsave - initmatrix - flattenpath - pathbbox - exch pop - sub - /slh ED % in slh we have the height of the whole slur - pop - grestore - - /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def - /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def -% check if the slur gets too close to staff line - /shift 0 def - slh 4.45 lt slh -0.5 gt and { - /slh slh dup truncate sub def - slh 0 lt { /slh 1 slh add def } if - aa 0 gt { /slh 1 slh sub def } if - - % slh now contains the position ot the slur top/bottom in the space - % between the nearest staff lines (from <0,1>), regardless direction - - % slur is too low: - slh 0.45 lt { /shift 0.45 slh sub def } if - % slur is too high, but we can be shift it down: - slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if - % slur is too high, must be shifted up: - slh 0.85 ge { /shift 1.45 slh sub def } if - } if - - aa 0 gt { /shift shift neg def } if - - ifadjust 0 eq { - /shift 0 def - } if - - -% and finally draw it... - - grestore - gsave - /linew internote 0.06 mul psxAR def - linew 4 mul setlinewidth - 1 setlinecap - 0 setlinejoin - ifdash 1 eq - { [internote 8 mul psxAR internote 5 mul psxAR] 0 setdash } if - x1 y1 shift neg 2 mul internote mul 4 psxAR mul add translate - s rotate -% [1 sx 0 1 0 0] concat - -% uncomment this to see the control points -% 5 psxAR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke -% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth - - drawseg - 1 VS - drawseg - -2 VS - drawseg - x2 20 psxAR gt { - 3 VS - drawseg - } if - x2 50 psxAR gt { - -4 VS - drawseg - } if - x2 80 psxAR gt { - 5 VS - drawseg - } if - stroke - - grestore - - % now some \slurtext code... - - /x1 ax1 ax2 add 2 div def % middle of the slur - /y1 ay1 ay2 add 2 div def - x1 s cos mul y1 s sin mul add neg - y1 s cos mul x1 s sin mul sub - aa 0 lt {1} {0} ifelse - end - - % this is a hack to place the slurtext in the middle of the slur. - % From unknown reasons simple 'ax1 ay1 translate' did not work, - % so we have to overlay some definitions with our own, namely - % 'a', which is originally 'moveto' and 'V' for drawing rules. - % maybe there are some other operations that should be redefined, - % but for almost all cases this will be sufficient. If you find - % anything that won't be typeset at the correct position, let me know... - - temp@xx@dict begin - /dir exch def - /ay1 exch def - /ax1 exch def -} def - -% crescendos -/DC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 2.5 psxAR ceiling setlinewidth % line thickness: this results - 1 setlinecap % to exactly 2.5 pixels in 300 dpi - 1 setlinejoin - x2 y2 10 psxAR add moveto % the 10's specify wideness of the - x1 y1 lineto % open end of the crescendo, - x2 y2 10 psxAR sub lineto % similarly the 11's below - stroke - grestore -} def - -% half crescendos -/DHC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 2.5 psxAR ceiling setlinewidth - 1 setlinecap - 1 setlinejoin - x2 y2 11 psxAR add moveto - x1 y1 4 psxAR add lineto stroke - x1 y1 4 psxAR sub moveto - x2 y2 11 psxAR sub lineto - stroke - grestore -} def - -% differenced line - -/DLN { - gsave - psxGDAR ceiling setlinewidth - psxGDAR exch psxGDAR neg rlineto - stroke - grestore -} def - -% sloped line - -/DSLN { - gsave - psxGDAR ceiling setlinewidth - psxGDAR exch 1.125 mul neg rotate 0 rlineto - stroke - grestore -} def - -% free line (init & terminate) - -/DFLN { - gsave - psxGDAR ceiling setlinewidth - CP moveto - lineto - stroke - grestore -} def - -end - diff --git a/macros/musixtex/latex/musixcpt.sty b/macros/musixtex/latex/musixcpt.sty deleted file mode 100644 index 54c2ca8dd6..0000000000 --- a/macros/musixtex/latex/musixcpt.sty +++ /dev/null @@ -1,3 +0,0 @@ -\input musixcpt -\endinput - diff --git a/macros/musixtex/latex/musixcrd.sty b/macros/musixtex/latex/musixcrd.sty deleted file mode 100644 index b185b3ca60..0000000000 --- a/macros/musixtex/latex/musixcrd.sty +++ /dev/null @@ -1,11 +0,0 @@ -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -%% musixcrd - typsetting chord symbols with %% -%% musixtex %% -%% musixcrd stylefile for documentation generation %% -%% $Id$ %% -%% copyright 2004 , Robert Hennig %% -%% this code is licensed in terms of the %% -%% GNU Public License %% -%% %% -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -\input musixcrd.dtx \ No newline at end of file diff --git a/macros/musixtex/latex/musixfll.sty b/macros/musixtex/latex/musixfll.sty deleted file mode 100644 index 08569182b4..0000000000 --- a/macros/musixtex/latex/musixfll.sty +++ /dev/null @@ -1,2 +0,0 @@ -\input musixfll.tex -\endinput diff --git a/macros/musixtex/latex/musixltx.tex b/macros/musixtex/latex/musixltx.tex deleted file mode 100644 index 54b0af9865..0000000000 --- a/macros/musixtex/latex/musixltx.tex +++ /dev/null @@ -1,33 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -\ifx\undefined\music \else \endinput \fi - -\immediate\write16{MusiXLaTeX T.125\space<8 April 2017>}% - -\newenvironment{music}{\@afterindenttrue\parskip0pt\catcodesmusic - \resetlayout}{}% - -\ifx\musix@begindocument\undefined - \let\musix@begindocument\document - \def\document{\musix@begindocument - \ifstartmuflex@done\else\startmuflex\fi\ignorespaces}% - % 1.25: added \ignorespaces RDT -\fi - -\endinput diff --git a/macros/musixtex/latex/musixtex.sty b/macros/musixtex/latex/musixtex.sty deleted file mode 100644 index c8127f51d0..0000000000 --- a/macros/musixtex/latex/musixtex.sty +++ /dev/null @@ -1,3 +0,0 @@ -\input musixtex -\input musixltx -\endinput diff --git a/macros/musixtex/scripts/musixflx.bat b/macros/musixtex/scripts/musixflx.bat deleted file mode 100644 index 684441ebb3..0000000000 --- a/macros/musixtex/scripts/musixflx.bat +++ /dev/null @@ -1,6 +0,0 @@ -:: wrapper script to call musixflx.lua -:: Usage: musixflx basename[.mx1 | .tex] [debug mode] -:: Suggested by Tomasz Luczak (Tomek) t34www@googlemail.com - -@for /f "delims=" %%I in ('kpsewhich --format=texmfscripts %~n0.lua') do texlua "%%I" %* -:end diff --git a/macros/musixtex/scripts/musixflx.lua b/macros/musixtex/scripts/musixflx.lua deleted file mode 100644 index 0a267f4815..0000000000 --- a/macros/musixtex/scripts/musixflx.lua +++ /dev/null @@ -1,1071 +0,0 @@ -#!/usr/bin/env texlua - --- The MUSIXFLXVERSION below is the one checked against. - -MUSIXFLXVERSION = "0.83" -VERSION = "0.83.3.lua7" - ---[[ - -Line breaking program for MusiXTeX. - - (c) Copyright Ross Mitchell 1992-1997 ross.mitchell@csiro.au - (c) Copyright J. Hunsberger 1997 jhunsberger@i2k.co - (c) Copyright 2009, 2010 Peter Breitenlohner - (c) Copyright 2011 Nikhil Helferty 6nh14@queensu.ca - (c) Copyright 2011 Bob Tennent rdt@cs.queensu.ca - -This program is free software; you can redistribute it and/or modify it -under the terms of the GNU General Public License as published by the -Free Software Foundation; either version 2 of the License, or (at your -option) any later version. - -This program is distributed in the hope that it will be useful, -but WITHOUT ANY WARRANTY; without even the implied warranty of -MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU General -Public License for more details. - -You should have received a copy of the GNU General Public License along -with this program; if not, write to the Free Software Foundation, Inc., -51 Franklin Street, Fifth Floor, Boston, MA 02110-1301, USA. - ---]] - ---[[ - -Conversion to Lua by Nikhil Helferty, 2011. -Minor corrections by Bob Tennent rdt@cs.queensu.ca. - -NH: Comments marked NH (such as this one) are comments new to the Lua -version. Most have to do with explaining any additions or changes made -necessary due to differences between Lua and C. Comments not so marked -are retained from C version. - -Almost all comments from the C version have been put in this version as -well. Note that Lua variables are dynamically typed, and Lua has only -one data structure called "tables" which, though more flexible than -arrays, are essentially just used as arrays here. - ---]] - ---[[ - - ChangeLog: - - lua7 2011/04/21 RDT - Decode option argument for debugging. - Revert to accepting .mx1 or .tex filenames. - Rationalize file-name variables. - - lua6 2011/04/18 RDT - Revert to stand-alone use. - - lua5 2011/04/13 RDT - Allow .mx1 file to have a version number only. - - lua4 2011/04/12 RDT - Adaptation to being called from musixtex.tex - - lua3 2011/04/11 RDT - Replaced body of eightfivefloat by string.format("%8.5f", ... ) - - lua2 2011/04/11 RDT - Change PRINT to print for dbug output. - - lua1 2011/04/08 RDT - Strip off pt for L line. - ---]] - --- max sizes --- NH: these aren't needed for array sizes in Lua (tables grow dynamically) --- but I am keeping the checks in case the maximums are necessary for --- TeX processing - -MAX_SIGNS = 128; MAX_SECTIONS = 128; MAX_BARS = 2048 - -function GETLINE() - linebuf = infile:read() - return linebuf -end - --- NH: declare tables - --- NH: the following tables were all arrays of type int in C --- the following tables were size MAX_BARS in C (2048) -zbar = {}; lr_repeat = {}; raggedline = {} -l_repeat = {}; barno = {} - --- NH: the following tables were size MAX_SECTIONS in C (128) -autolines = {}; bars = {}; mulooseness = {} - --- NH: the following was of size MAX_SIGNS in C (128) -signchange = {} - --- NH: the following were counters declared for xbar sign change detection --- xbar of size MAX_BARS, linegoal MAX_SECTIONS --- xbar_count, xbar_flag, softspace_count were integers declared here --- as they aren't tables they'll be declared upon use -xbar = {}; linegoal = {} - --- NH: the following tables were all arrays of type double in C --- the following were size MAX_BARS -hardbarlength = {}; softbarlength = {} -width_leftrightrepeat = {}; width_leftrepeat = {} - --- NH: the following were size MAX_SECTIONS -eff_hardlength = {}; eff_softlength = {} - --- NH: the following were size MAX_SIGNS -oldsignskip = {}; signskip = {}; futuresignskip = {} - - --- NH: (no need to add last \n as print does this) -function error_exit (error_number) - -- NH: the following if/elseif/else construction mirrors case structure - - if error_number == 0 then - print("\nFile error.") - elseif error_number == 1 then - print("\nUsage: [texlua] musixflx.lua basename[.tex | .mx1] [ d | m | f | s ]") - elseif error_number == 2 then - print("\nThis shouldn't happen ! Too few bars or \\mulooseness too large ?") - elseif error_number == 3 then - print("\nThis shouldn't happen ! Too few bars in section !") - elseif error_number == 4 then - print("\nMissing endmark ! Forgotten \\stop[end]piece ?") - elseif error_number == 5 then - print("\nDivision by zero ! Ask a wizard !") - elseif error_number == 6 then - print("\nVersion mis-match:") - print("MusiXTeX version " .. linebuf) - print("musixflx expected version " .. MUSIXFLXVERSION) - elseif error_number == 7 then - print("\nFile not found: " .. infilename) - elseif error_number == 8 then - print("\nCorrupted " .. infilename) - elseif error_number == 9 then - print("\nToo many sections, maximum number of sections: " .. MAX_SECTIONS) - elseif error_number == 10 then - print("\nError in " .. infilename .. " at line " .. currentline) - elseif error_number == 11 then - print("\nToo many bars, maximum number of bars: " .. MAX_BARS) - else - print("!!! Can't go on !!!") - end - os.exit(3) - -end --- end error_exit - --- NH: there is really no analogue to the strrchr function in C, which is frequently used --- to locate the location of a last occurrence of a string --- so I coded a similar function for Lua --- takes two strings (str and pat), and returns everything after the last occurence of pat --- in str - if no occurrences of pat, then returns nil -function strrchr(str, pat) - notfound = true - currentIndex = 0 - lastIndex = 0 - while notfound do - currentIndex = string.find(str, pat, lastIndex+1, true) - if (not currentIndex) then -- NH: returned nil - no occurence past lastIndex - notfound = false - else -- NH: got a hit for an occurence - store this value as lastIndex - lastIndex = currentIndex - end - end - if lastIndex == 0 then return nil end -- NH: no occurence found - return string.sub(str, lastIndex+1) -end - - --- NH: start "main chunk" - -io.write(string.format("Musixflx-%s", VERSION)) - --- initialize variables -junk = -9999 -dbug = false -dbug_lines = false -dbug_logfile = false -showresult = false -detectraggedline = false -currentline = 1 -samechapter = true -line_number = 0 -chapterno = 1 - -lthick = .4 - -if dbug then - print("\n ... decoding command line") -end - -filename = arg[1] -if not filename then - error_exit(1) -end - -extension = string.sub(filename, -4, -1) -if extension == ".tex" or extension == ".mx1" then - basename = string.sub(filename, 1, -5) -else - basename = filename -end - ---[[ - -debugging options: - d output debugging information to the screen - m output line numbers to the screen - f output debugging information to file basename.mxl (not mx1) - s output computed lines to the screen - - --]] - -if (#arg == 2) then - if (arg[2] == "d") then - dbug = true - elseif (arg[2] == "m") then - dbug_lines = true - elseif (arg[2] == "f") then - dbug = true - dbug_logfile = true - dbug_lines = true - elseif (arg[2] == "s") then - showresult = true - else - error_exit(1) - end -end - -infilename = basename .. ".mx1" - --- open the .mx1 file containing bar length information - -if dbug then - print(" ... opening " .. infilename .. " for input") --- NH: io.open analagous to fopen C function --- will return nil value if not successful --- nil is taken as false in if statements -end -infile = io.open(infilename, "r") -if (not infile) then - error_exit(7) -end -io.write(string.format(" (%s", infilename)) -if showresult then - print("") -end - -currentline = currentline + 1 -if GETLINE() and (linebuf ~= MUSIXFLXVERSION) then - error_exit(6) -end - - --- Open the output file -outfilename = basename .. ".mx2" -if dbug then - print(" ... opening " .. outfilename .. " for output") -end -outfile = io.open(outfilename, "w") -if (not outfile) then - print("\nCan't create: " .. outfilename) - os.exit(3) -end - --- Open the logfile -if dbug_logfile then - logfilename = basename .. ".mxl" - print(" ... open " .. logfilename .. " for debugging") - logfile = io.open(logfilename, "w") - if (not logfile) then - print("\nCan't create: " .. logfilename) - os.exit(3) - end - logfile:write("Version ", VERSION, "\n") -end - --- skip startindicator - -if GETLINE() and (linebuf ~= "S") then - error_exit(8) -end - ---[[ -do...while loop for - moretimes call of \startpiece - >>>>>>>>>>>>>>>>>>>>>>>>>>> - - Do while equivalent is repeat...until - --]] - - GETLINE() - - repeat - --- reset all arrays - -if dbug then print("\n------- Chapter " .. chapterno .. " -------\n"); end -if dbug_logfile then logfile:write("\n------- Chapter ", chapterno, " -------\n\n"); end --- NH: copying C method of loops but this means will be initializing the max spaces every time --- ... not taking advantage of dynamic sizes of tables in Lua --- however necessary to initialize since the starting values are used in operations --- note upper bounds for these loops are the max-1, as for syntax in lua will include the upper (<= instead of <) - -for i = 0, MAX_SIGNS-1 do - signchange[i] = junk - oldsignskip[i] = 0 - futuresignskip[i] = 0 -- jh-1 - signskip[i] = 0 -end - -for i = 0, MAX_BARS-1 do - hardbarlength[i] = 0 - softbarlength[i] = 0 - width_leftrightrepeat[i] = 0 - lr_repeat[i] = false - width_leftrepeat[i] = 0 - xbar[i] = 0 -- jh-1 - l_repeat[i] = false - zbar[i] = false - raggedline[i] = false - barno[i] = 0 -end - -for i = 0, MAX_SECTIONS-1 do - eff_hardlength[i] = 0 - eff_softlength[i] = 0 - bars[i] = 0 - autolines[i] = false - linegoal[i] = 0 - mulooseness[i] = 0 -end - ---[[ - - Read and decode header items: - - 1. Linewidth; - 2. Parindent; - 3. Beforeruleskip; - 4. Afterruleskip; - 5. Elemskip; - 6. Clefskip; - 7. Signskip; - --]] - - -- NH: for those curious why it is necessary to take a substring of the line, it is to strip the "pt" off of the string - -- to make them valid strings for coercion to numbers later on (something that the atof does automatically) - -- RDT: linebuf tests are to avoid taking a substring of an empty string -if linebuf then linewidth = string.sub(linebuf, 1, -3); currentline=currentline+1 end -GETLINE(); if linebuf then parindent = string.sub(linebuf, 1, -3); currentline=currentline+1 end -GETLINE(); if linebuf then beforerule = string.sub(linebuf, 1, -3); currentline=currentline+1 end -GETLINE(); if linebuf then afterrule = string.sub(linebuf, 1, -3); currentline=currentline+1 end -GETLINE(); if linebuf then elemskip = string.sub(linebuf, 1, -3); currentline=currentline+1 end -GETLINE(); if linebuf then clefskip = string.sub(linebuf, 1, -3); currentline=currentline+1 end -GETLINE(); if linebuf then signskip[0] = string.sub(linebuf, 1, -3); currentline=currentline+1 end - -futuresignskip[0] = signskip[0] -- Initialize for xbar signs, jh-1 - ---[[ - Read the records specifying contributions to bar length. - Lengths are of two types: - (a) Hard or unscaleable, eg barlines, clef or meter changes (typ=0). - (b) Soft or scaleable, eg noteboxes which scale with \elemskip (typ=1). - Note that \afterruleskip and \beforerulskip are considered soft. - --]] - -jbar = junk -i = 0 -sign = 0 -xbar_count = 0 -- Used to detect presence of xbars jh-1 -xbar_flag = false -- True allows check for xbar jh-1 -hardsign = 0 -- Accumulator for hard skip from sign change jh-1 -softspace_count = 0 -- Watch for softspace after bars are posted jh-1 - -all_section = 0 - -if dbug then - print(" ... reading") -end - -while (samechapter and GETLINE()) do - - currentline = currentline + 1 - local firstChar = string.sub(linebuf, 1, 1) - - -- NH: use if/elseif/else to mirror switch/case statements - ---[[ -'\startpiece' - stop reading, - compute, - write - and start again - --]] - - if (firstChar == "S") then - samechapter = false - ---[[ - End of section. Action: - Right justify the material ending at the previous bar. - Read the number following the *, which is the 'looseness' - parameter of the section just ended. - Reset the bar test integer to JUNK in case the bar number - was reset between sections. - --]] - - elseif (firstChar == "*") then - local firstSpace = string.find(linebuf, " ") - local secondSpace = string.find(linebuf, " ", firstSpace+1) - if not secondSpace then -- NH: possibility that there is no second number in line - mulooseness[all_section] = string.sub(linebuf, firstSpace+1) - else - mulooseness[all_section] = string.sub(linebuf, firstSpace+1, secondSpace-1) - end - -- NH: above firstSpace/secondSpace mathematics were to mimic function of atol use in original C function - linegoal[all_section] = 0 -- jh-2 + WS-1 - if secondSpace then - linegoal[all_section] = string.sub(linebuf, secondSpace+1) -- NH: this my interpretation of an sscanf line signed jh-2 + WS-1 in C - end - linegoal[all_section] = linegoal[all_section] + 0 -- NH: this is a fairly silly trick to force coercion for valid comparison to numbers, could also use tonumber function - mulooseness[all_section] = mulooseness[all_section] + 0 - if ((mulooseness[all_section] ~= 0) and (linegoal[all_section] > 0)) then - print("\\linegoal{" .. linegoal[all_section] .. "} ignored because \\mulooseness not equal to zero") - print(" for section " .. all_section+1 .. " in chapter " .. chapterno) - linegoal[all_section] = 0 -- Reset to ignore it. jh-2 + WS-1 - end - all_section = all_section + 1 - if all_section > (MAX_SECTIONS - 1) then - error_exit(9) - end - jbar=junk - ---[[ - Right justify the material ending at the previous bar. - Set flag. - Reset the bar test integer to JUNK in case the bar number - was reset between sections. - ]] - - - elseif (firstChar == "a") then - autolines[all_section] = true - all_section = all_section + 1 - if (all_section > (MAX_SECTIONS - 1)) then - error_exit(9) - end - jbar=junk - ---[[ - found a raggedline, let's set a flag - I think, I'll hardly get a Nobel-Award for coding this - What a pity! :-( - but perhaps a Pulitzer-Award for my comments. :-) ---]] - - elseif (firstChar == "r") then - raggedline[i+1] = true - - - -- found \zbar, set flag and store barno - elseif (firstChar == "z") then - zbar[i] = true - barno[i] = strrchr(linebuf, " ") - xbar_count = xbar_count + 1 -- Help detect xbars, track zbar offsets. jh-1 - hardsign = 0 -- reset any sign change skip accumulated. jh-1 - softspace_count = 0 -- Reset for next bar. jh-1 - - ---[[ - found a leftrightrepeat - set a flag and store the different widths - ]] - - elseif (firstChar == "l") then - -- NH: there are some commented out printf lines in C code in this case - -- I'm assuming they were used at one point for debugging purposes and - -- am not translating them, but if should be reinstated they exist at lines - -- 380-387 in C program - lr_repeat[i] = true - local firstSpace = string.find(linebuf, " ") - local secondSpace = string.find(linebuf, " ", firstSpace + 1) - width_leftrightrepeat[i] = string.sub(linebuf, firstSpace+1, secondSpace-3) -- NH: secondspace-3 as secondspace-1 will include the "pt" - width_leftrepeat[i] = string.sub(linebuf, secondSpace+1, -3) -- NH: again, -3 to chop off the "pt" - - ---[[ - found a leftrepeat - set a flag and store width - ]] - - elseif (firstChar == "L") then - l_repeat[i] = true - local firstSpace = string.find(linebuf, " ") - width_leftrepeat[i] = string.sub(linebuf, firstSpace+1, -3) -- RDT: again, -3 to chop off the "pt" - - - -- store barno - elseif (firstChar == "b") then - barno[i] = strrchr(linebuf, " ") - xbar_count = xbar_count+1 -- Track possible xbars. jh-1 - xbar_flag = true -- Allow check of next line to detect xbar. jh-1 - hardsign = 0 -- Reset accumulated hard sign skip. jh-1 - softspace_count = 0 -- Reset for next bar. jh-1 - ---[[ - enabling the use of 'hard' offsets - advance current hardwith - reduce current softwidth ---]] - - elseif (firstChar == "h") then - x = string.sub(strrchr(linebuf, " "), 1, -3) -- -3 is to chop off "pt" in string to allow x to be valid for arithmetic - softbarlength[i] = softbarlength[i] - x - hardbarlength[i] = hardbarlength[i] + x - eff_softlength[all_section] = eff_softlength[all_section] - x - eff_hardlength[all_section] = eff_hardlength[all_section] + x - - ---[[ - This record began with 's' and specifies a key signature change - store the signskip, s.b. - ]] - - elseif (firstChar == "s") then -- Changes to detect xbar and signchange interaction, jh-1 - - local firstSpace = string.find(linebuf, " ") - local secondSpace = string.find(linebuf, " ", firstSpace+1) - if not secondSpace then - tempholdskip = string.sub(linebuf, firstSpace+1, -3) - else - tempholdskip = string.sub(linebuf, firstSpace+1, secondSpace-3) - end - -- NH: all of above to mimic atof statement - -- wasn't sure if statements with s would have a second space and more info - -- so accounted for either possibility - - -- We might be in the middle of an xbar setup, and we only want to increment - -- the sign pointer if this is the first sign change. jh-1 - if (not (signchange[sign] == i)) then -- first time for this bar set jh-1 - sign = sign + 1 - signchange[sign] = i - signskip[sign] = tempholdskip - oldsignskip[sign] = hardsign -- Capture accumulated hard space. jh-1 - xbar[i] = xbar[i] + 1 -- Increment to detect xbars with sign changes. jh-1 - --[[ - Housekeeping is done... Now, one more condition to check. If there - has been any soft space since the bar was declared, then musixtex - will NOT publish a sign change notice at the end of the line for - this sign change when there is a line break in this bar. - In that case, signal that this should be treated as an xbar, which - will effectively suppress the transfer of hardspace for the sign - change notice. jh-1 - --]] - if softspace_count > 0 then xbar[i] = 2 end-- Suppress space move jh-1 - end - -- Always update the futuresignskip value in case this is the last - futuresignskip[sign] = tempholdskip - - -- comment, do nothing - elseif (firstChar == "%") then - - -- This is an 'ordinary' line, listing a contribution to the barlength. - else - if (not (tonumber(firstChar))) then - error_exit(10) - end - local firstSpace = string.find(linebuf, " ") - local secondSpace = string.find(linebuf, " ", firstSpace + 1) - bar = string.sub(linebuf, 1, firstSpace-1) - typ = string.sub(linebuf, firstSpace+1, secondSpace-1) - x = string.sub(linebuf, secondSpace+1, -3) -- the -3 is to strip the "pt" off of the x - if (typ ~= "0") then eff_softlength[all_section] = eff_softlength[all_section] + x - else eff_hardlength[all_section] = eff_hardlength[all_section] + x - end - ---[[ - Increment bar number if the bar number - read from the file has changed. - Accumulate current bar length. - --]] - bar = bar + 0 -- NH: forcing coercion to number type from string - if tonumber(bar) > jbar then - i = i + 1 - bars[all_section] = bars[all_section] + 1 - if i > MAX_BARS then - error_exit(11) - end - end - - -- At this point, can check if this is an xbar...Only check once. jh-1 - if xbar_flag then - if ((xbar_count - bar - 1) == 0) then -- find an xbar. jh-1 - xbar_count = xbar_count-1 -- adjust offset to stay on track - - --[[ - To handle the special conditions caused by possible xbars and - sign changes, the xbar logic state has to be examined and changed - only if this is the first xbar, and not for subsequent ones. jh-1 - --]] - if (xbar[i] == 0) then -- then this is the first xbar in the setup - -- or there has already been a sign change - xbar[i] = 1 -- jh-1 - end - end - end - - xbar_flag = false -- Reset to prevent checks until next bar. jh-1 - - if (typ ~= "0") then - softbarlength[i] = softbarlength[i] + x - -- Count softspace entries to help in sign/linebreak decisions jh-1 - softspace_count = softspace_count+1 - hardsign = 0 -- Safety - just be sure in case line break jh-1 - else -- jh-1 - hardbarlength[i] = hardbarlength[i] + x - hardsign = hardsign + x -- accumulate hardspace, there may be a sign change - end - - jbar = bar - - end -- end if statements - -end -- end while loop - ---[[ -Decrement the number of sections if the final section is void. - This will be the usual case where the input file ends with - an end of section record. - If this record has been omitted, stop going on to avoid - 'You can't use \raise....'. - ]] - -if dbug then - print(" ... compute") -end - -if (bars[all_section] == 0) then - all_section = all_section - 1 -else - error_exit(4) -end - --- Summarize sectioning information - -if dbug then - print("\nNumber of sections : " .. (all_section+1) .."\n") - - for section = 0, all_section do - if (autolines[section]) then - print("---- autoline section ----") - end - print("Section : " .. (section+1)) - print("Number of bars in section : " .. bars[section]) - print("Length(hard) of section " .. (section+1) .. " : " .. eff_hardlength[section]) - print("Length(soft) of section " .. (section+1) .. " : " .. eff_softlength[section]) - if (linegoal[section] ~= 0) then -- linegoal applies, signed jh-2 in C - print("Section line goal was determined by \\linegoal value...") - print("Line Goal for section : " .. linegoal[section]) - else -- mulooseness applies, signed jh-2 in C - print("Looseness of section : " .. mulooseness[section]) - end - - io.read() -- NH: mimics getchar() - end -- end for - -end -- end if - -if dbug_logfile then - logfile:write("\nNumber of sections : ", all_section+1, "\n\n") - - for section = 0, all_section do - if (autolines[section]) then - logfile:write("---- autoline section ----\n") - end - logfile:write("Section : ", section+1, "\n") - logfile:write("Number of bars in section : ", bars[section], "\n") - logfile:write("Length(hard) of section ", section+1, " : ", eff_hardlength[section], "\n") - logfile:write("Length(soft) of section ", section+1, " : ", eff_softlength[section], "\n") - if (linegoal[section] ~= 0) then -- line goal applies. signed jh-2 in C - logfile:write("Section line goal was determined by \\linegoal value...\n") - logfile:write("Line goal for section : ", linegoal[section], "\n") - else -- mulooseness applies, signed jh-2 in C - logfile:write("Looseness of section : ", mulooseness[section], "\n") - end - end -end - ---[[ -C Comments: -Loop over the sections defined in the input file. - Each section must be right justified. - LAST is the absolute number of the last bar - in the current section. ---]] - -sign = 0 -mark = 0 -lastbarnumber = 0 - - -for section = 0, all_section do - line_in_section = 1 - lastbarnumber = lastbarnumber + bars[section] - - -- Find number of lines to work towards - lines = math.floor(((eff_hardlength[section] + eff_softlength[section] + parindent)/ - (linewidth-(clefskip+signskip[sign]))) + .5) -- need to use floor function as lua has no "integer" type, just numbers - if (lines == 0) then lines = 1 end -- safety - - natural_lines = lines -- Keep this for debug report. Signed jh-2 in C - lines = lines + mulooseness[section] - if ((mulooseness[section] ~= 0) and (linegoal[section] > 0)) then -- signed jh-2 in C - print("Unexpected line goal reset occured for section " .. section+1) - linegoal[section] = 0 -- Zero it, Safety, should not happen, signed jh-2 in C - end - if (linegoal[section] > 0) then lines = linegoal[section] end -- Signed jh-2 in C - if lines < 1 then - lines = 1 - print("Don't stress \\mulooseness too much !!!") - end - ---[[ -C comments: - autolinesflag set in current section ? - iftrue force number of lines to 1 - --]] - - if (autolines[section]) then lines = 1 end - - if dbug then - print("Section number : " .. section+1) - print("Last bar in this section : " .. lastbarnumber) - print("Number of bars : " .. bars[section]) - print("Natural number of lines : " .. natural_lines) -- signed jh-2 in C - print("Chosen number of lines : " .. lines .. "\n") - end - - if dbug_logfile then - logfile:write("Section number : ", section+1, "\n") - logfile:write("Last bar in this section : ", lastbarnumber, "\n") - logfile:write("Number of bars : ", bars[section], "\n") - logfile:write("Natural number of lines : ", natural_lines, "\n") -- signed jh-2 in C - logfile:write("Chosen number of lines : ", lines, "\n\n") - end - - if (bars[section]<1) then error_exit(3) end - ---[[ -C comments: - fill_length is the length of 'bar' material (ie excluding - signature space) required to fill the remainder - of the piece. This value will not be exact if there are - sign changes within the section. However, - fill_length is used only to keep track of the mean scale factor - for the remainder of the piece, as opposed to individual lines. - - Loop over lines, working out number of bars - and revised \elemskip for each line. - added correct computing of fill_length - --]] - - - for j = 1, lines do - line_number = line_number + 1 - fill_length = (lines-j+1) * (linewidth - (clefskip + signskip[sign])) - - ---[[ -C comments: - Work out mean element skip over remaining bars - in the current section. - EFFWID is the effective line width once - key signature have been written. - Set parindent to zero after it has been used for the - first line of the first section. - --]] - - if (eff_softlength[section] == 0) then error_exit(5) end - spc_factor = (fill_length - eff_hardlength[section])/eff_softlength[section] - if ((xbar[mark+1] > 1) and (mark>0)) then - -- The bar is an bar+xbar with a sign change. Signed jh-1 in C - eff_linewidth = linewidth - (clefskip+signskip[sign-1]) - parindent - else -- This is a normal bar. Signed jh-1 in C - eff_linewidth = linewidth - (clefskip+signskip[sign]) - parindent - end -- Signed jh-1 in C - - signskip[sign] = futuresignskip[sign] -- Supports xbar signs. Signed jh-1 in C - - parindent = 0 - - -- Fill the current line by adding bars until overflow. - - i = mark - firstbarno = barno[mark+1] - hardlength = 0 - softlength = 0 - x = 0 - lastbar = 0 - detect_end = false - - while (x < eff_linewidth) do - if detect_end then break end - i = i + 1 - -- Check for raggedline - - if raggedline[i] then detectraggedline = true end - - -- Check for key signature change at this bar. - - if (i == signchange[sign+1]) then sign = sign + 1 end - - lastbar = hardbarlength[i] + spc_factor*softbarlength[i] - x = x + lastbar - - -- Enforce termination at last bar and last line - - if (i==lastbarnumber) then detect_end = true - elseif (line_in_section == lines) then - detect_end = false - x = 0 - end - - hardlength = hardlength + hardbarlength[i] - softlength = softlength + softbarlength[i] - - end - ---[[ -C comments: - If the overhang is less than half the barlength, - include the latest bar in the line, - and shrink the line accordingly. ---]] - - if ((x-eff_linewidth) < (lastbar/2)) then - barsinline = i - mark - mark = i - lastbarno = barno[mark] - ---[[ -C comments: - last bar in line a zbar? - if true -> add to the first bar in next line - the amount of afterruleskip ---]] - - if zbar[mark] then - softbarlength[i+1] = softbarlength[i+1] + afterrule - eff_softlength[section] = eff_softlength[section] + afterrule - end - ---[[ -C comments: - last bar in line a leftrightrepeat? - if true -> reduce hardwidth of current line - advance the hardwidth of next bar - advance the softwidth of next bar ---]] - - if lr_repeat[mark] then - -- NH: there are some commented lines of code out here (printf statements) that I have not preserved - -- if they should be reinstated then they are located at lines 744-746 of the original program - hardlength = hardlength - (width_leftrightrepeat[i] - width_leftrepeat[i]) - eff_hardlength[section] = eff_hardlength[section] + (width_leftrightrepeat[i] - width_leftrepeat[i]) - hardbarlength[i+1] = hardbarlength[i+1] + width_leftrepeat[i] - softbarlength[i+1] = softbarlength[i+1] + (afterrule/2) - eff_softlength[section] = eff_softlength[section] + (afterrule/2) - end - ---[[ -C comments: - last bar in line a leftrepeat? - if true -> reduce hardwidth of current line - advance the hardwidth of next bar - advance the softwidth of next bar ---]] - - if l_repeat[mark] then - hardlength = hardlength - (width_leftrepeat[i] - lthick) - hardbarlength[i+1] = hardbarlength[i+1] + width_leftrepeat[i] - softbarlength[i+1] = softbarlength[i+1] + (afterrule/2) - eff_softlength[section] = eff_softlength[section] + (afterrule/2) - end - - if (signchange[sign+1] == mark+1) then -- signed s.b. in C - sign = sign + 1 ---[[ -C comments: - Because the bar is staying here in the line, we look ahead - to see if the upcoming bar is a sign change, and adjust space - to account for the complimentary sign change notice that will - be posted at the end of this line. However, if the upcoming - sign change bar is really a bar+xbar set, where the sign change - is buried in the xbar, then we don't do the move because the - change notice really won't be posted in this line. - - Signed jh-1 in C. - ---]] - if (xbar[mark+1] < 2) then -- okay to do the move. signed jh-1 in C - hardlength = hardlength + oldsignskip[sign] - hardbarlength[mark+1] = hardbarlength[mark+1] - oldsignskip[sign] - end - end - - -- Exclude the latest bar, and stretch the line. - - else - barsinline=i-1-mark - if (barsinline < 1) then error_exit(2) end - mark = i - 1 - lastbarno = barno[mark] - hardlength = hardlength - hardbarlength[i] - softlength = softlength - softbarlength[i] - - if zbar[mark] then softbarlength[i] = softbarlength[i] + afterrule end - - if lr_repeat[mark] then - hardlength = hardlength - (width_leftrightrepeat[i-1]-width_leftrepeat[i-1]) - eff_hardlength[section] = eff_hardlength[section] + (width_leftrightrepeat[i-1] - width_leftrepeat[i-1]) - hardbarlength[i] = hardbarlength[i] + width_leftrepeat[i-1] - softbarlength[i] = softbarlength[i] + (afterrule/2) - eff_softlength[section] = eff_softlength[section] + (afterrule/2) - end - - if l_repeat[mark] then - hardlength = hardlength - (width_leftrepeat[i-1] - lthick) - hardbarlength[i] = hardbarlength[i] + width_leftrepeat[i-1] - softbarlength[i] = softbarlength[i] + (afterrule/2) - eff_softlength[section] = eff_softlength[section] + (afterrule/2) - end - ---[[ -C comments: - Error (o/u-hbox) occurs only when signature change start in next line - -> look for signature change in next line - if true then advance the hardwidth of current line - reduce next hard barlength by signature change ---]] - - if (signchange[sign] == (mark+1)) then ---[[ -C comments: -However, if the next bar is a bar+xbar set where the -sign change comes from the xbar, then don't do this -move, because the extra skip is not really there! - -Signed jh-1 in C. ---]] - if(xbar[mark+1] < 2) then -- alright, do the move. signed jh-1 in C - hardlength = hardlength + oldsignskip[sign] - hardbarlength[mark+1] = hardbarlength[mark+1] - oldsignskip[sign] - end - - end - - end - ---[[ -C comments: - Define a flex factor for this line as the ratio - of soft part of the specified line width, - to soft width in the approximate line. - --]] - - if (softlength == 0) then error_exit(5) end - flexit = (eff_linewidth - hardlength) / softlength - if detectraggedline then - flexit = 1 - detectraggedline = false - end - cor_elemskip = elemskip * flexit - cor_afterrule = afterrule * flexit - cor_beforerule = beforerule * flexit - - if dbug then - print("Line number : " .. line_number) - print("Fill length : " .. fill_length) - print("Effective length : " .. eff_softlength[section] + eff_hardlength[section]) - print("Mean space factor : " .. spc_factor) - print("Bars in line : " .. barsinline) - print("Effective linewidth : " .. eff_linewidth) - print("Uncorrected hard length : " .. hardlength) - print("Uncorrected soft length : " .. softlength) - print("fLex factor (soft) : " .. flexit) - print("Corrected elemskip : " .. cor_elemskip) - print("Corrected afterrule : " .. cor_afterrule) - print("Corrected beforerule : " .. cor_beforerule) - - io.read() -- NH: mimics getchar() - end - - if dbug_logfile then - logfile:write("Line number : ", line_number, "\n") - logfile:write("Fill length : ", fill_length, "\n") - logfile:write("Effective length : ", eff_softlength[section] + eff_hardlength[section], "\n") - logfile:write("Mean space factor : ", spc_factor, "\n") - logfile:write("Bars in line : ", barsinline, "\n") - logfile:write("Effective linewidth : ", eff_linewidth, "\n") - logfile:write("Uncorrected hard length : ", hardlength, "\n") - logfile:write("Uncorrected soft length : ", softlength, "\n") - logfile:write("Flex factor (soft) : ", flexit, "\n") - logfile:write("Corrected elemskip : ", cor_elemskip, "\n") - logfile:write("Corrected afterrule : ", cor_afterrule, "\n") - logfile:write("Corrected beforerule : ", cor_beforerule, "\n\n") - end - - eff_hardlength[section] = eff_hardlength[section] - hardlength - eff_softlength[section] = eff_softlength[section] - softlength - fill_length = fill_length - eff_linewidth - - -- Write a record to the output file - - outfile:write( - string.format("\\lineset{%3d}{%2d}{%8.5fpt}{%8.5fpt}{%8.5fpt}%% %d - %d\n", - line_number, barsinline, cor_elemskip, cor_afterrule, - cor_beforerule, - firstbarno, lastbarno)) - - - - if showresult then - print( - string.format("\\lineset{%3d}{%2d}{%8.5fpt}{%8.5fpt}{%8.5fpt}%% %d - %d", - line_number, barsinline, cor_elemskip, cor_afterrule, - cor_beforerule, - firstbarno, lastbarno)) - end - - if dbug_lines then print(" ... writing line : " .. line_number) end - line_in_section = line_in_section + 1 -- NH: need to do this in loop, lua syntax doesn't allow for it in for loop spec - end -- end lines for -end -- end sections for - -if dbug_lines then print("") end - - -samechapter = true -chapterno = chapterno + 1 -until (not GETLINE()) -- end repeat loop - --- closing files -infile:close() -io.write(")") -if dbug_logfile then - logfile:close() - if (not logfile) then error_exit(0) end -end -outfile:close() -if (not outfile) then error_exit(0) end - -if dbug then - print(" ... that's all, bye") -end -print("") --- NH: end main chunk and program! diff --git a/macros/musixtex/scripts/musixtex.bat b/macros/musixtex/scripts/musixtex.bat deleted file mode 100644 index 249ae595c4..0000000000 --- a/macros/musixtex/scripts/musixtex.bat +++ /dev/null @@ -1,6 +0,0 @@ -:: wrapper script to call musixtex.lua -:: Usage: musixtex [options] basename[.tex|.ltx|.mtx|.pmx|.aspc] -:: Suggested by Tomasz Luczak (Tomek) t34www@googlemail.com - -@for /f "delims=" %%I in ('kpsewhich --format=texmfscripts %~n0.lua') do texlua "%%I" %* -:end diff --git a/macros/musixtex/scripts/musixtex.lua b/macros/musixtex/scripts/musixtex.lua deleted file mode 100755 index b568bb8903..0000000000 --- a/macros/musixtex/scripts/musixtex.lua +++ /dev/null @@ -1,648 +0,0 @@ -#!/usr/bin/env texlua - -VERSION = "0.23b" - ---[[ - musixtex.lua: processes MusiXTeX files using xml2pmx and/or prepmx and/or pmxab - and/or autosp as pre-processors (and deletes intermediate files) - - (c) Copyright 2011-2021 Bob Tennent rdt@cs.queensu.ca - and Dirk Laurie dirk.laurie@gmail.com - - This program is free software; you can redistribute it and/or modify it - under the terms of the GNU General Public License as published by the - Free Software Foundation; either version 2 of the License, or (at your - option) any later version. - - This program is distributed in the hope that it will be useful, - but WITHOUT ANY WARRANTY; without even the implied warranty of - MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU General - Public License for more details. - - You should have received a copy of the GNU General Public License along - with this program; if not, write to the Free Software Foundation, Inc., - 51 Franklin Street, Fifth Floor, Boston, MA 02110-1301, USA. - ---]] - ---[[ - - ChangeLog: - - version 0.23b 2020-05-27 RDT - improve the -h output - - version 0.23a 2020-08-14 RDT - pmxprep files now deleted by xml2pmx - - version 0.23 2020-05-21 RDT - added support for xml2pmx pre-preprocessing - - version 0.22 2020-03-20 RDT - add -X option - add -version, --version, -help, --help options - - version 0.21 2018-07-27 RDT - add -P option. - - version 0.20 2018-06-11 RDT - remove .mx1 file before tex processing - - version 0.19 2017-12-10 RDT - Allow non-standard extensions. - Add -M and -A options. - - version 0.18 2017-06-13 RDT - Allow autosp to generate .ltx files - - version 0.17a 2017-01-08 RDT - Added -D option. - Avoid writing or concatenating a nil value. - - version 0.16e 2016-03-02 DL - missing version information (caused by batchmode in 0.16c) fixed - - version 0.16d 2016-03-02 RDT - filename argument in autosp failure message fixed - - version 0.16c 2016-02-24 RDT - -interaction batchmode for -q - report_error reports only the first error - - version 0.16b 2016-02-20 DL - Improved help message as suggested by Bob Tennent. - - version 0.16a 2015-12-30 DL - Corrects bug in -g option reported by Christian Mondrup. - - version 0.16 2015-12-24 DL - Versions read from tempfile and written to musixtex.log. - - version 0.15 2015-12-03 DL - Option -q added, which redirects most screen output into - a temporary file. If an error occurs at the TeX stage, processing - halts immediately and the tail of the log file is sent to stderr. - - version 0.14 2015-12-01 DL - Writes `musixtex.log` and deletes other logfiles (except with -i) - Hierarchy of extensions emphasized in usage() and consistently - used elsewhere. - Unknown option-like arguments reported and ignored, not treated - as filenames - Warnings and error messages generated by musixtex.lua start with - respctively `!` and `!!`. - - version 0.13 2015-11-30 RDT - Process .mtx and .pmx files (suggested by Dirk Laurie) - exit_code is now an error count - Use pmxab exit code to distinguish between errors and warnings - - version 0.12 2015-11-28 RDT - Process .ltx files, with -l implied - - version 0.11 2015-07-16 RDT - Automatic autosp preprocessing. - - version 0.10 2015-04-23 RDT - Add -a option to preprocess using autosp - - version 0.9 2015-02-13 RDT - Add an additional latex pass to resolve cross-references. - Add -e0 option to dvips as given in musixdoc.tex - Add -x option to call makeindex - - version 0.8 2014-05-18 RDT - Add -g option - - version 0.7 2013-12-11 RDT - Add -F fmt option - - version 0.6 2012-09-14 RDT - Add -1 (one-pass [pdf][la]tex processing) option. - - version 0.5 2011-11-28 RDT - Add -i (retain intermediate files) option. - - version 0.4 2011-04-30 RDT - Allow multiple filenames (and options). - Add -f (default) and -l (latex) options. - - version 0.3 2011-04-25 RDT - Add -d (dvipdfm) and -s (stop at dvi) options. - - version 0.2 2011-04-21 RDT - Allow basename.tex as filename. - Add -p option for pdfetex processing. - Add standard -v -h options. ---]] -local orig_print = print - -function usage() - orig_print -[[ -Usage: [texlua] musixtex.lua { option | basename[ .xml | .mtx | .pmx | .aspc | .tex | .ltx] } ... - When no extension is given, extensions are tried in the above order - until a source file is found. Preprocessing goes - .xml - .pmx - .tex - .mtx - .pmx - .tex - .pmx - .tex - .aspc - .tex - with the entry point determined by the filename extension. - The normal route after preprocessing goes .tex - .dvi - .ps - .pdf, - but shorter routes are also available; see the options. - The default 3-pass processing route for .tex files is - etex - musixflx - etex. - .ltx files, possibly after autosp preprocessing, are treated as latex - source and processed by latex (or pdflatex) rather than etex. -Options: -v, --version version - -h, --help help - -l latex source; implied by .ltx extension - -p direct tex-pdf (pdftex etc) - -F fmt use fmt as the TeX processor - -d tex-dvi-pdf (using dvipdfm if -D not used) - -D dvixx use dvixx as the dvi processor - -P ps2pdfxx use ps2pdfxx as the Postscript processor - -c preprocess pmx file using pmxchords - -m stop at pmx - -M prepmxx use prepmxx as the mtx preprocessor - -A autospx use autospx as the aspc preprocessor - -X pmxabx use pmxabx as the pmx preprocessor - -L xmlx use xmlx as the xml preprocessor - -t stop at tex/mid - -s stop at dvi - -g stop at ps - -i retain intermediate and log files - -q quiet mode (redirect screen logs, write summary on musixtex.log) - -1 one-pass [pdf][la]tex processing - -x run makeindex - -f restore default processing -Four TeX engines are available via the -l and -p options. - etex default - latex -l - pdfetex -p - pdflatex -l -p -If the -F option is used, options -l and -p need to be set if the engine -name does not contain "latex" and "pdf" respectively. For example, the -above four engines can be replaced by: - -F "luatex --output-format=dvi" - -F "lualatex --output-format=dvi" - -F "luatex" -p - -F "lualatex" -p -]] -end - -function whoami () - print("This is musixtex.lua version ".. VERSION .. ".") -end - -function exists (filename, nolog) - local f = io.open(filename, "r") - if f then - f:close() - if not nolog then musixlog:write("Processing " .. filename,'\n' ) end - return true - else - return false - end -end - --- System commands for the various programs are mostly --- set to nil if the step is to be omitted, which can be --- tested by a simple "if" statement. --- Exceptions: --- 'tex' is the command for processing a TeX file, but it is important --- to know whether the user has explicitly specified an option that --- affects this choice, in which case the automatic selection of the --- command is restricted or disabled. --- force_engine "use the command provided" --- override records when 'l' and/or 'p' options are in effect --- 'dvi' is the command for processing a DVI file, but there are two --- reasons for not needing it and it is important for the automatic --- selection of a TeX engine to know which is in effect. This is --- possible by exploiting the the fact that Lua has two false values. --- dvi == nil "do not produce a DVI file" (but maybe PDF) --- dvi == false "do not process the DVI file" (but stop after TeX) - -local dvips = "dvips -e0" --- option -e0 suppresses dvips "feature" of adjusting location to align --- characters in words of text - -function defaults() - xml2pmx = "xml2pmx" - prepmx = "prepmx" - pmx = "pmxab" - autosp = "autosp" - tex = "etex" - musixflx = "musixflx" - dvi = dvips - ps2pdf = "ps2pdf" - cleanup = true -- clean up intermediate and log files - index = false - latex = false - force_engine = false -- indicates whether -F is specified - override = "" - passes = 2 - quiet = "" -- set by "-q" -end - ------------------------------------------------------------------------- - -if #arg == 0 then - whoami() - usage() - os.exit(0) -end - --- Logging on `musixtex.log` everything that is printed, all os calls, --- and warnings from other log files. - -musixlog = io.open("musixtex.log","w") -if not musixlog then - print"!! Can't open files for writing in current directory, aborting" - os.exit(1) -end - ------------------------------------------------------------------------- - -print = function(...) - orig_print(...) - musixlog:write(...,"\n") -- only the first argument gets written! -end - -local orig_remove = os.remove -remove = function(filename) - if exists(filename,"nolog") then - musixlog:write(" removing ",filename,"\n") - return orig_remove(filename) - end -end - -local orig_execute = os.execute -execute = function(command) - musixlog:write(" ",command,"\n") - return orig_execute(command .. quiet) -end - -function report_warnings(filename,pattern) - local log = io.open(filename) - if not log then - print("! No file "..filename) - return - end - for line in log:lines() do - if line:match(pattern) then - musixlog:write("! "..line,"\n") - end - end -end - -function report_error(filename) - local log = io.open(filename) - if not log then - print("! No file "..filename) - return - end - local trigger = false - for line in log:lines() do - if trigger and line:match"^!" then - -- report just the first error - break - end - trigger = trigger or line:match"^!" - if trigger then - io.stderr:write("! "..line,"\n") - end - end -end - -function process_option(this_arg) - if this_arg == "-v" or this_arg == "-version" or this_arg == "--version" then - os.exit(0) - elseif this_arg == "-h" or this_arg == "-help" or this_arg == "--help" then - usage() - os.exit(0) - elseif this_arg == "-l" then - latex = true - override = override .. 'l' - elseif this_arg == "-p" then - dvi = nil - override = override .. 'p' - elseif this_arg == "-d" then - dvi = "dvipdfm"; ps2pdf = nil - elseif this_arg == "-D" then - narg = narg+1 - dvi = arg[narg] - elseif this_arg == "-c" then - pmx = "pmxchords" - elseif this_arg == "-F" then - narg = narg+1 - tex = arg[narg] - force_engine = true - elseif this_arg == "-s" then - dvi = false; ps2pdf = nil; protect.dvi = true - elseif this_arg == "-g" then - dvi = dvips; ps2pdf = nil; protect.ps = true - elseif this_arg == "-i" then - cleanup = false - elseif this_arg == "-x" then - index = true - elseif this_arg == "-1" then - passes = 1 - elseif this_arg == "-f" then - defaults() - elseif this_arg == "-t" then - tex, dvi, ps2pdf = nil,nil,nil - protect.tex = true - elseif this_arg == "-m" then - pmx, tex, dvi, ps2pdf = nil,nil,nil,nil - protect.pmx = true - elseif this_arg == "-M" then - narg = narg+1 - prepmx = arg[narg] - elseif this_arg == "-A" then - narg = narg+1 - autosp = arg[narg] - elseif this_arg == "-L" then - narg = narg+1 - xml2pmx = arg[narg] - elseif this_arg == "-q" then - if not tempname then - tempname = tempname or os.tmpname() - print("Redirecting screen output to "..tempname) - end - if dvi == dvips then dvi = dvi .. " -q" end - quiet = " >> " .. tempname - elseif this_arg == "-P" then - narg = narg+1 - ps2pdf = arg[narg] - elseif this_arg == "-X" then - narg = narg+1 - pmx = arg[narg] - else - print("! Unknown option "..this_arg.." ignored") - end -end - -function find_file(this_arg) - basename, extension = this_arg:match"(.*)%.(.*)" - extensions = {["xml"] = true, ["mtx"] = true, ["pmx"] = true, ["aspc"] = true, ["tex"] = true, ["ltx"] = true} - if extensions[extension] then - return basename, extension - end - basename, extension = this_arg, null - for ext in ("xml,mtx,pmx,aspc,tex,ltx"):gmatch"[^,]+" do - if exists (basename .. "." .. ext) then - extension = ext - break - end - end - if extension == null then - print("!! No file " .. basename .. ".[xml|mtx|pmx|aspc|tex|ltx]") - exit_code = exit_code+1 - return - end - return basename, extension -end - -function preprocess(basename,extension) - if not (basename and extension) then return end - if extension == "xml" then - if execute(xml2pmx .. " " .. basename .. ".xml" .. " " .. basename .. ".pmx" ) == 0 then - extension = "pmx" - else - print ("!! xml2pmx preprocessing of " .. basename .. ".xml fails.") - return - end - elseif extension == "mtx" then - if execute(prepmx .. " " .. basename ) == 0 then - extension = "pmx" - else - print ("!! prepmx preprocessing of " .. basename .. ".mtx fails.") - return - end - end - if extension == "pmx" then - local OK = true - if pmx then - local code = execute(pmx .. " " .. basename) - local pmxaerr = io.open("pmxaerr.dat", "r") - if (not pmxaerr) then - OK = false - print("!! No pmx log file.") - else - extension = "tex" - local linebuf = pmxaerr:read() - local err = tonumber(linebuf) - if (code == 0) then - if err ~=0 then - print ("! pmx produced a warning on line "..err.. - " of "..basename..".pmx") - end - else - OK = false - print ("!! pmx processing of " .. basename .. ".pmx fails.") - end - pmxaerr:close() - end - end - if not OK then - exit_code = exit_code+1 - return - end - end - if extension == "aspc" then - if execute (autosp .. " " .. basename .. ".aspc" ) == 0 then - if exists ( basename .. ".ltx") - then extension = "ltx" - else extension = "tex" - end - else - print ("!! autosp preprocessing of " .. basename .. ".aspc fails.") - exit_code = exit_code+1 - return - end - end - return extension -end - -function tex_process(tex,basename,extension) - if not (extension == "tex" or extension == "ltx") or not tex then return end - remove(basename .. ".mx1") - remove(basename .. ".mx2") - local filename = basename .. "." ..extension --- .ltx extension re-selects engine only for the current file, and only --- if default processing is plain TeX - local latex = latex - if extension == "ltx" then - if not force_engine and not latex then - if dvi then tex = "latex" else tex = "pdflatex" end - end - latex = true - end - if quiet ~= "" then - tex = tex .. " -interaction batchmode" - end - local OK = (execute(tex .. " " .. filename) == 0) - if passes ~= 1 then - OK = OK and (execute(musixflx .. " " .. basename) == 0) - and (execute(tex .. " " .. filename) == 0) - if latex and index then - OK = OK and (execute("makeindex -q " .. basename) == 0) - and (execute(tex .. " " .. filename) == 0) - if exists (basename .. ".toc","nolog") then - -- an extra line for the index will have been added - OK = OK and (execute(tex .. " " .. filename) == 0) - -- there is a tiny possibility that the extra line for the index - -- has changed the pagination. If you feel this should not be - -- ignored, here are the possibilities: - -- a. Do an extra TeX pass regardless. - -- b. Provide a user option -4 to force the extra pass. - -- c. Compare aux files to find out. - end - end - end - if (quiet ~= "") and not OK then - report_error(basename..".log") - end - if OK and latex then - report_warnings(basename..".log","LaTeX.*Warning") - end - if dvi then OK = OK and (execute(dvi .. " " .. basename) == 0) end - if dvi and ps2pdf then - OK = OK and (execute(ps2pdf .. " " .. basename .. ".ps") == 0) - if OK then - print(basename .. ".pdf generated by " .. ps2pdf .. ".") - end - end - if not OK then - print("!! Processing of " .. filename .. " fails.\n") - exit_code = exit_code+1 - end -end - ----- Report version information on musixtex.log - --- File names and message signatures to be looked for in a TeX log file. -logtargets = { -mtxtex = {"mtx%.tex","mtxTeX"}, -mtxlatex = {"mtxlatex%.sty","mtxLaTeX"}, -pmxtex = {"pmx%.tex","PMX"}, -musixtex = {"musixtex%.tex","MusiXTeX"}, -musixltx = {"musixltx%.tex","MusiXLaTeX"}, -musixlyr = {"musixlyr%.tex","MusiXLYR"} -} - --- Signatures of messages displayed on standard output by programs -capturetargets = { -MTx = "This is (M%-Tx.->)", -PMX = "This is (PMX[^\n]+)", -pdftex = "This is (pdfTeX[^\n]+)", -musixflx = "Musixflx%S+", -autosp = "This is autosp.*$", -index = "autosp,MTx,PMX,musixflx,pdftex" -} - -function report_texfiles(logname) - local log = logname and io.open(logname) - if not log then return end - local lines = - {"--- TeX files actually included according to "..logname.." ---"} - log = log:read"*a" --- The following pattern matches filenames input by TeX, even if --- interrupted by a line break. It may include the first word of --- an \immediate\write10 message emitted by the file. - for pos,filename in log:gmatch"%(()(%.?[/]%a[%-/%.%w\n]+)" do - local hit - repeat - local oldfilename = filename - filename = oldfilename:match"[^\n]+" -- up to next line break - hit = io.open(filename) -- success if the file exists - if hit then break end - filename = oldfilename:gsub("\n","",1) -- remove line break - until filename==oldfilename - if hit then - for target,sig in pairs(logtargets) do - if filename:match(sig[1]) then - local i,j = log:find(sig[2].."[^\n]+",pos) - if j then lines[#lines+1] = filename.."\n "..log:sub(i,j) end - end - end - end - end - return table.concat(lines,'\n').."\n" -end - -function report_versions(tempname) - if not tempname then return end -- only available with -q - local logs = io.open(tempname) - if not logs then - musixlog:write ("No version information: could not open "..tempname) - return - end - local versions = {} - musixlog:write("--- Programs actually executed according to "..tempname.." ---\n") - for line in logs:lines() do - for target in capturetargets.index:gmatch"[^,]+" do - if not versions[target] then - local found = line:match(capturetargets[target]) - if found then - versions[target] = found - musixlog:write(found,"\n") - end - end - end - end - logs:close() - return -end - ------------------------------------------------------------------------- - -whoami() - -defaults() - -exit_code = 0 -narg = 1 -protect = {} -- extensions not to be deleted, even if cleanup requested - -repeat - this_arg = arg[narg] - if this_arg:match"^%-" then process_option(this_arg) - else - basename, extension = find_file(this_arg) -- nil,nil if not found - if tex then -- tex output enabled, now select engine - if tex:match"pdf" then dvi = nil end - if not dvi then ps2pdf = nil end - -- .ltx extension will be taken into account later, in `process` - -- deduce tex/latex from current engine name if -l is not specified - if not override:match"l" then latex = tex:match"latex" end - if not force_engine then -- select appropriate default engine - if latex then - if dvi==nil then tex = "pdflatex" else tex = "latex" end - else - if dvi==nil then tex = "pdfetex" else tex = "etex" end - end - end - end - extension = preprocess(basename, extension) - tex_process(tex,basename,extension) - if basename and io.open(basename..".log") then -- to be printed later - versions = report_texfiles(basename..".log") - end - if basename and cleanup then - remove("pmxaerr.dat") - for ext in ("mx1,mx2,dvi,ps,idx,log,ilg,pml"):gmatch"[^,]+" do - if not protect[ext] then remove(basename.."."..ext) - end - end - end - protect = {} - end - narg = narg+1 -until narg > #arg - -if versions then musixlog:write(versions) end -report_versions(tempname) -musixlog:close() -os.exit( exit_code ) diff --git a/macros/musixtex/source/doc.tex b/macros/musixtex/source/doc.tex deleted file mode 100644 index b919dcbc4d..0000000000 --- a/macros/musixtex/source/doc.tex +++ /dev/null @@ -1,24 +0,0 @@ -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -%% musixcrd - typsetting chord symbols with %% -%% musixtex %% -%% doc.tex documentation generation %% -%% $Id$ %% -%% copyright 2004 , Robert Hennig %% -%% this code is licensed in terms of the %% -%% GNU Public License %% -%% %% -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -\documentclass{ltxdoc} -\usepackage{musixtex,musixcrd,syntax,sverb} -\EnableCrossrefs -\PageIndex -\CodelineIndex -\setlength\hfuzz{15pt} -\begin{document} - \DocInput{musixcrd.dtx} -\end{document} - -%%% Local Variables: -%%% mode: plain-tex -%%% TeX-master: t -%%% End: diff --git a/macros/musixtex/source/makefile b/macros/musixtex/source/makefile deleted file mode 100644 index 68202db902..0000000000 --- a/macros/musixtex/source/makefile +++ /dev/null @@ -1,45 +0,0 @@ -#%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -#%% musixcrd - typsetting chord symbols with %% -#%% musixtex %% -#%% makefile %% -#%% $Id$ %% -#%% copyright 2004 , Robert Hennig %% -#%% this code is licensed in terms of the %% -#%% GNU Public License %% -#%% %% -#%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - -SOURCES = readme musixcrd.dtx makefile musixcrd.sty doc.tex strip.tex -TARGETS = readme musixcrd.tex doc.pdf - -doc: doc.dvi - -strip: musixcrd.tex - -srcdist: musixcrdsrc.tgz - -dist: musixcrd.tgz - -all: strip doc srcdist dist - -musixcrd.tex: strip.tex musixcrd.dtx - tex strip.tex - -doc.toc: doc.tex musixcrd.dtx - latex doc.tex - latex doc.tex - -doc.dvi: doc.tex musixcrd.dtx doc.toc - latex doc.tex - -doc.ps: doc.dvi - dvips -o doc.ps doc.dvi - -doc.pdf: doc.dvi - dvipdfm -o doc.pdf doc.dvi - -musixcrdsrc.tgz: $(SOURCES) - tar czvf musixcrdsrc.tgz $(SOURCES) - -musixcrd.tgz: makefile $(TARGETS) - tar czvf musixcrd.tgz $(TARGETS) \ No newline at end of file diff --git a/macros/musixtex/source/musixcrd.dtx b/macros/musixtex/source/musixcrd.dtx deleted file mode 100644 index 3caf93ff06..0000000000 --- a/macros/musixtex/source/musixcrd.dtx +++ /dev/null @@ -1,811 +0,0 @@ -%\iffalse -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -%% musixcrd - typsetting chord symbols with %% -%% musixtex %% -%% main source file contains code, doc, and examples %% -%% $Id$ %% -%% copyright 2004 , Robert Hennig %% -%% this code is licensed in terms of the %% -%% GNU Public License %% -%% %% -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -%\fi -\ifx\makeatletter\undefined\def\makeatletter{\catcode`\@=11\relax}\fi -\ifx\makeatother\undefined\def\makeatother{\catcode`\@=12\relax}\fi - -\makeatletter% ^^A allows to use @ as ordinary letter -% -% \def\backslash{\tt\char'134} -% \def\musixtex{MusiX\TeX} -% \def\musixcrd{MusixCrd} -% \def\crdexample#1{{\tt\backslash c #1 }$\rightarrow$ \c #1 \medskip} -% \def\pmx{PMX} -% \title{ -% {\bf \musixcrd} \\ -% --- Typesetting Chord Symbols with \musixtex --- \\ -% Version 1.1 \\ -% {\large $Revision$}} -% -% \author{Robert Hennig\thanks{robert.hennig@freylax.de}} -% \maketitle -% \tableofcontents -% -% \section{Usage} -% This package was written to ease the typesetting of chord symbols -% for music scores. -% One point of focus was that the user should have not to much to type -% if placing the cord. So one macro will be used which takes characters -% as argument which describe the chord to type. \par -% Thought the syntax of the chord description could easily be altered they -% should become somewhat stable whereas the output format can be adapted to -% individual needs. -% Further the notenames can be transposed, so transposing a music piece -% with chord symbols can be done easily. \par -% The package can be used with \musixtex\ and \pmx\ -% -- which also gave the idea for the usage of an short chord--description -% `language'. -% \footnote{If the default output functions are changed the package could -% also be used with \TeX{} and \LaTeX{} alone.} -% \par -% -% \DescribeMacro{\c} -% The main macro which the package defines is -% \verb*|\c |\synt{chord-list}\verb*| |. The argument is an space -% terminated \synt{chord-list} -% \footnote{This form of argument was choosen because it leads to a -% short notation inside \pmx\ e.g.: \\ -% {\tt \backslash c AfM \backslash\ e8 f g4 \backslash c Gm7 \backslash\ b4 g} -% }. -% \begin{demo}[w]{\musixtex} -% \nobarnumbers -% \startextract -% \NOtes\c CM7 \hu e\c Dm7 \hu f\en\bar -% \NOTEs\c Ch/E \hu g\c F6/A \hu h\en\bar -% \NOtes\c 0-1E7/G \hl i\c Fd/Af \hl j\en -% \endextract -% \end{demo} -% -% \subsection{Syntax} -% \begin{grammar} -% ::= `' -% -% ::= `0' | `1' | `2' | `3' | `4' | `5' | `6' | `7' | `8' | `9' -% -% ::= | `-' -% -% ::= | -% -% ::= | -% -% ::= `C' | `D' | `E' | `F' | `G' | `A' | `B' -% -% ::= `s' | `f' | `ds' | `df' -% -% ::= | -% | -% -% ::= -% `m' | `d' | `h' | `M' | `4' | `+5' | `-5' | `6' | `7' | `-9' | `+9' -% -% ::= -% | -% -% ::= | `/' -% -% ::= \\ -% \\ -% -% -% ::= `,' | | -% \end{grammar} -% -% -% \subsection{Semantics} -% \paragraph{\synt{vertical-shift}} -% \DescribeMacro{\crddefaultheight} -% Adjustment of the vertical chord position in internotes, -% relative to the default value defined with -% \verb*|\crddefaultheight|. You may change this default within -% your sheet. -% \begin{macrocode} -\def\crddefaultheight{10} -% \end{macrocode} -% \paragraph{\synt{horizontal-shift}} -% Horizontal adjustment in multiples of \verb*|\elemskip|. -% -% \paragraph{\synt{accidental}} -% Allowed accidentals are: sharp, flat, double-sharp, double-flat. -% -% \paragraph{\synt{note-name}} -% \DescribeMacro{\crdtranspose} -% The given note names are transposed by the number of quint steps -% given in \verb*|\crdtranspose|. You may change this value within -% your sheet. -% \begin{macrocode} -\def\crdtranspose{0} -% \end{macrocode} -% \paragraph{\synt{chord-qualifier}} -% Currently known qualifiers are: -% \begin{description} -% \item[m] minor -% \item[d] diminished -% \item[h] half-diminished -% \item[M] major -% \item[4] suspended fourth -% \item[+5] augmented fifth -% \item[-5] diminished fifth -% \item[6] 6th -% \item[7] 7th -% \item[9] 9th -% \item[-9] diminished 9th -% \item[+9] augmented 9th -% \end{description} -% Note that the syntax is independent of the visualization -% of the qualifier so different chord styles could be applied. -% -% \paragraph{\synt{begin-bass-note}} -% Use the `/' symbol to skip the \synt{note-name} and -% \synt{chord-qualifier-list} to allow the notation of -% bass-notes without chord-notes. -% -% \paragraph{\synt{chord-list}} -% With `,' separated chords are spread evenly -% within one bar. Use this notation if the horizontal positions -% of the chords do not line up with the notes. -% -% -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% \section{Implementation} -% \subsection{Input Guard} -% To prevent repeated defenition of the main macros -% we end the inclusion of this file if we already now -% about our macros. -% \begin{macrocode} -\ifx\crd@parser\undefined\else\makeatother\endinput\fi% -% \end{macrocode} -% \subsection{List Macros} -% For the parsing of the chord description some macros are needed which -% can do simple string operations. \medskip \\ -% \DescribeMacro{\crd@append} -% \syntax{"\\crd@append""\\to"}\\ -% Append \synt{tokens-a} to \synt{tokens-b}. -% \begin{macrocode} -\def\crd@append#1\to#2{% - \toks0=\expandafter{#1}\toks2=\expandafter{#2}% - \edef#2{\the\toks2 \the\toks0}} -% \end{macrocode} -% \DescribeMacro{\crd@prepend} -% \syntax{"\\crd@prepend""\\by"}\\ -% Prepend \synt{tokens-a} by \synt{tokens-b}. -% \begin{macrocode} -\def\crd@prepend#1\by#2{% - \toks0=\expandafter{#1}\toks2=\expandafter{#2}% - \edef#1{\the\toks2 \the\toks0}} -% \end{macrocode} -% \DescribeMacro{\crd@movetoken} -% \syntax{"\\crd@movetoken""\\to"}\\ -% Move the first token of \synt{tokens-a} to the front of -% \synt{tokens-b}. -% \begin{macrocode} -\def\crd@movetoken#1\to#2{% - \ifx#1\empty\else\expandafter\crd@moveoff#1\crd@moveoff#1#2\fi}% -\def\crd@moveoff#1#2\crd@moveoff#3#4{\def#3{#2}\crd@prepend#4\by#1} -% \end{macrocode} -% \begin{demo}[w]{test} -% \makeatletter -% \def\l{oo} (\l) % -% \crd@append{ns}\to\l append:(\l) % -% \crd@prepend\l\by{sp} prepend:(\l)\\% -% \def\swap#1#2{(#1,#2) % -% \ifx#1\empty\else\crd@movetoken#1\to#2\swap#1#2\fi} -% \def\r{} movetoken:\\ \swap\l\r -% \makeatother -% \end{demo} -% -% \subsection{Parsing} -% To describe the syntatic items which exists for a distinct semantic -% a \synt{syntax-table} is used. -% For each item exists a coresponding macro which will be executed -% if it name matches. The name of the item consists of the -% \synt{syntax-table} name and the \emph{reverse} syntax of this item. \par -% -% \DescribeMacro{\crd@parse} -% The \syntax{"\\crd@parse""\\for"} macro is used -% to test if the first part of \synt{tokens} has matches for the longest -% possible item described in \synt{syntax-table}. -% If an item matched its macro will be expanded and -% and the tokens of the item are cut of from the given \synt{tokens}. -% \DescribeMacro{\crd@parsematched} -% The conditional \verb|\crd@parsematched| is true if an item matched and -% false otherwise. -% -% \begin{macrocode} -\newif\ifcrd@parsematched% true if parse matched -\newcount\crd@parsedepth% internal register - -\def\crd@parse#1\for#2{% parse tokens #1 for occurence of items of table #2 - \crd@parsedepth=1 % default if not defined - \expandafter\ifx\csname#2depth\endcsname\relax\else% - \crd@parsedepth=\csname#2depth\endcsname% - \fi% - \def\stack{}%\def\crd@parseresult{} - \crd@parsematchedfalse% initialisation - \crd@parser#1\for#2% call the recursive part -} -\def\crd@parser#1\for#2{% recursive part of parser - \ifx#1\empty\else% is list filled ? - \ifnum\crd@parsedepth>0 % and do we have to read more chars into stack - \advance\crd@parsedepth by-1 % - \crd@movetoken#1\to\stack% - \crd@parser#1\for#2% recursive call - \ifcrd@parsematched\else% if still not matched - \expandafter\ifx\csname#2\stack\endcsname\relax% does item match - \crd@movetoken\stack\to#1% no match, put char back to source - \else% match - \csname#2\stack\endcsname% - \crd@parsematchedtrue% signal success - \fi% - \fi% - \fi% - \fi% -} -% \end{macrocode} -% For an example suppose that we want to express the -% semantic \synt{bool} by the following grammar: -% \begin{grammar} -% ::= `y' | `n' | `yes' | `no' -% \end{grammar} -% -% \begin{demo}[w]{bool} -% \def\bool{bool} % syntax-table with name `bool' -% \def\booldepth{3} % max length of text to looking for is 3 -% \def\booly{true} -% \def\booln{false} -% \def\boolsey{true*} % reverse syntax !!! -% \def\boolon{false*} % reverse syntax !!! -% \makeatletter -% \def\p#1{ (#1) \crd@parse#1\for\bool : (#1)\\} -% \makeatother -% \def\l{nonyyestest} \p\l\p\l\p\l\p\l\p\l -% \end{demo} -% -% -% \subsection{Chord parsing} -% \subsubsection{Vertical and Horizontal shifting} -% \begin{macrocode} -\newcount\crd@vshift% -\newcount\crd@hshift% -\def\crd@number{crd@number}% -\def\crd@numberdepth{2}% -\expandafter\def\csname\crd@number0\endcsname{\crd@numberval=0 }% -\expandafter\def\csname\crd@number1\endcsname{\crd@numberval=1 }% -\expandafter\def\csname\crd@number2\endcsname{\crd@numberval=2 }% -\expandafter\def\csname\crd@number3\endcsname{\crd@numberval=3 }% -\expandafter\def\csname\crd@number4\endcsname{\crd@numberval=4 }% -\expandafter\def\csname\crd@number5\endcsname{\crd@numberval=5 }% -\expandafter\def\csname\crd@number6\endcsname{\crd@numberval=6 }% -\expandafter\def\csname\crd@number7\endcsname{\crd@numberval=7 }% -\expandafter\def\csname\crd@number8\endcsname{\crd@numberval=8 }% -\expandafter\def\csname\crd@number9\endcsname{\crd@numberval=9 }% -\expandafter\def\csname\crd@number1-\endcsname{\crd@numberval=-1 }% -\expandafter\def\csname\crd@number2-\endcsname{\crd@numberval=-2 }% -\expandafter\def\csname\crd@number3-\endcsname{\crd@numberval=-3 }% -\expandafter\def\csname\crd@number4-\endcsname{\crd@numberval=-4 }% -\expandafter\def\csname\crd@number5-\endcsname{\crd@numberval=-5 }% -\expandafter\def\csname\crd@number6-\endcsname{\crd@numberval=-6 }% -\expandafter\def\csname\crd@number7-\endcsname{\crd@numberval=-7 }% -\expandafter\def\csname\crd@number8-\endcsname{\crd@numberval=-8 }% -\expandafter\def\csname\crd@number9-\endcsname{\crd@numberval=-9 }% - -\def\crd@bracketinit{% - \def\crd@bracketopen{}% - \def\crd@bracketclose{}% -} -\def\crd@bracket{crd@bracket}% -\def\crd@bracketdepth{1}% -\expandafter\def\csname\crd@bracket(\endcsname{% - \crd@append(\to\crd@bracketopen}% -\expandafter\def\csname\crd@bracket)\endcsname{% - \crd@append)\to\crd@bracketclose}% - -% \end{macrocode} -% \subsubsection{Notes and Accidentals} -% \paragraph{Syntax} -% In order to allow transposition of notes we use the circle of fifth -% for representing notes. -% \DescribeMacro{\crd@quintval} -% The syntax table \verb|\crd@quintval| contains the mapping from note -% names to the note position in the circle of fifth. \\ -% \DescribeMacro{\crd@quint} -% The count register \verb|\crd@quint| is used to receive the result. -% \begin{macrocode} -\newcount\crd@quint% register used to represent notes in the circle of -\def\crd@quintval{crd@quintval}% -\def\crd@quintvalA{\crd@quint=3 }% A -\def\crd@quintvalB{\crd@quint=5 }% B -\def\crd@quintvalC{\crd@quint=0 }% C -\def\crd@quintvalD{\crd@quint=2 }% D -\def\crd@quintvalE{\crd@quint=4 }% E -\def\crd@quintvalF{\crd@quint=-1 }% F -\def\crd@quintvalG{\crd@quint=1 }% G -% \end{macrocode} -% \DescribeMacro{\crd@quintmod} -% The modification of the note position in the circle of fifth -% which is caused by the accidentals is coded in the -% \verb|\crd@quintmod| syntax table. -% \begin{macrocode} -\def\crd@quintmod{crd@quintmod} -\def\crd@quintmoddepth{2} -\def\crd@quintmods{\advance\crd@quint by7 }% sharp -\def\crd@quintmodf{\advance\crd@quint by-7 }% flat -\def\crd@quintmodsd{\advance\crd@quint by14 }% double sharp -\def\crd@quintmodfd{\advance\crd@quint by-14 }% double flat -% \end{macrocode} -% \paragraph{Notenames and accidental symbols} -% After transpositon and enharmonic adaption an reverse mapping -% from the circle of fifth to notenames and accidentals is needed. -% \DescribeMacro{\crd@note} -% The mapping from circle of fifth to notenames without accidentals -% is specified in the \verb|\crd@note| table. -% \DescribeMacro{\crd@notelow}\DescribeMacro{\crd@notehigh} -% In addition we need to now where the notes without accidentals -% start and end which is defined in \verb|\crd@notelow| and -% \verb|crd@notehigh|. -% \begin{macrocode} -\def\crd@note{crd@note} -\expandafter\def\csname\crd@note3\endcsname{A} -\expandafter\def\csname\crd@note5\endcsname{B} -\expandafter\def\csname\crd@note0\endcsname{C} -\expandafter\def\csname\crd@note2\endcsname{D} -\expandafter\def\csname\crd@note4\endcsname{E} -\expandafter\def\csname\crd@note-1\endcsname{F} -\expandafter\def\csname\crd@note1\endcsname{G} -\def\crd@notelow{-1} % lowest quint without accidental -\def\crd@notehigh{5} % highest quint without accidental -% \end{macrocode} -% -% \DescribeMacro{\crd@sharp}\DescribeMacro{\crd@flat} -% \DescribeMacro{\crd@doublesharp}\DescribeMacro{\crd@doubleflat} -% The following macros define the representation of the -% (default) accidentals. -% \begin{macrocode} -\def\crd@sharp{\sharp} -\def\crd@flat{\flat} -\def\crd@doublesharp{\sharp\sharp} -\def\crd@doubleflat{\flat\flat} -% \end{macrocode} -% \paragraph{Parsing} -% \DescribeMacro{\crd@input} -% The following functions read their input from \verb|\crd@input|.\\ -% \DescribeMacro{\crd@parsenote} -% The \syntax{"\\crd@parsenote"} -% macro parses the input \verb|\crd@input| and if note and -% accidental could be detected the transposed note position -% in the circle of fifth will be calculated, transposed and -% adapted using the \verb|\crd@enharmonic| macro. -% Then the position in the circle of fifth is calculated back -% to the \synt{note} and \synt{accidental} representation which -% is stored in the arguments. -% \begin{macrocode} -\def\crd@parsenote#1#2{% parse input results: #1 - \def#1{}\def#2{}% - \crd@parse\crd@input\for\crd@quintval% - \ifcrd@parsematched% we got an valid note - \crd@parse\crd@input\for\crd@quintmod% - \advance\crd@quint by\crdtranspose \relax% transposition, space is needed! - \crd@enharmonic% - \ifnum\crd@quint>\crd@notehigh % sharps ? - \advance\crd@quint by-7 % - \ifnum\crd@quint>\crd@notehigh % double sharp ? - \advance\crd@quint by-7 % - \ifnum\crd@quint>\crd@notehigh % too much sharps ! - \relax ERROR:too much sharps% - \else\edef#2{\crd@doublesharp}\fi% - \else\edef#2{\crd@sharp}\fi% - \fi% - \ifnum\crd@quint<\crd@notelow % flats ? - \advance\crd@quint by7 % - \ifnum\crd@quint<\crd@notelow % double flat ? - \advance\crd@quint by7 % - \ifnum\crd@quint<\crd@notelow % too much flats ! - \relax ERROR:too much flats% - \else\edef#2{\crd@doubleflat}\fi% - \else\edef#2{\crd@flat}\fi% - \fi% - \expandafter\ifx\csname\crd@note\number\crd@quint\endcsname\relax% - ERROR:notename for (\number\crd@quint) is not defined. - \fi% - \edef#1{\csname\crd@note\number\crd@quint\endcsname}% set note - \fi% -} -% \end{macrocode} -% -% -% \DescribeMacro{\crd@enharmonic} -% To allow different enharmonic adaptions the \verb|\crd@enharmonic| -% macro is provided which default behaviour is to do nothing. -% \begin{macrocode} -\def\crd@enharmonic{}% -% \end{macrocode} -% -% \begin{demo}[w]{noteparsing} -% \makeatletter -% \def\parsenoter{\crd@parsenote\n\a% -% \ifx\n\empty\else{\crd@notetype\n\a}\parsenoter\fi}% -% \def\parsenotes#1{% -% \let\crd@flat=\crd@noteflat% -% \let\crd@sharp=\crd@notesharp% -% \def\crd@input{#1}\parsenoter} -% \makeatother -% -% \parsenotes{CDfDEfEFFsGAfAsB} -% \end{demo} -% -% -% \subsubsection{Chord Qualifiers} -% To cover a broad range of different styles for setting chord qualifiers -% the design is open for extensions. For the sake of demonstration and -% simple usability an default implementation is provided and discussed -% furtherwards. \\ -% Suppose we want to distinguish 3 different kinds of qualifiers, -% some go down, some go up and alterations are put in brackets. -% \DescribeMacro{\crd@qualinit} -% We choose to use 3 lists (macros) to hold the parsing results. -% For initialisation of these lists the \verb|\crd@qualinit| macro -% has to be implemented. -% \begin{macrocode} -\def\crd@qualinit{% - \def\crd@lo{}% lower extensions - \def\crd@up{}% upper extensioins - \def\crd@alt{}% alterations -} -% \end{macrocode} -% \DescribeMacro{\crd@qual} -% Now the syntax table \verb|\crd@qual| has to be defined which fills -% the lists appropriatly. -% \begin{macrocode} -\def\crd@qual{crd@qual}% -\def\crd@qualdepth{2} -\def\crd@qualm{\crd@append{\crd@smalltype m}\to\crd@lo}% minor -\def\crd@qualM{\crd@append{\crd@capitaltype M}\to\crd@up}% major7 -\expandafter\def\csname\crd@qual4\endcsname% 4 -{\crd@append{\crd@numbertype4}\to\crd@lo} -\expandafter\def\csname\crd@qual5+\endcsname% aug. 5 -{\crd@append{\crd@numbertype\crd@numbersharp5}\to\crd@alt} -\expandafter\def\csname\crd@qual5-\endcsname% dim. 5 -{\crd@append{\crd@numbertype\crd@numberflat5}\to\crd@alt} -\expandafter\def\csname\crd@qual6\endcsname% 6 -{\crd@append{\crd@numbertype6}\to\crd@up} -\expandafter\def\csname\crd@qual7\endcsname% dominant 7 -{\crd@append{\crd@numbertype7}\to\crd@up} -\def\crd@quald{\crd@append{\crd@dim}\to\crd@up}% diminished -\def\crd@qualh{\crd@append{\crd@hdim}\to\crd@up}% half diminished -\expandafter\def\csname\crd@qual9-\endcsname% -9 -{\crd@append{\crd@numbertype\crd@numberflat9}\to\crd@alt} -\expandafter\def\csname\crd@qual9+\endcsname% +9 -{\crd@append{\crd@numbertype\crd@numbersharp9}\to\crd@alt} -% \end{macrocode} -% -% \begin{demo}[w]{qualparsing} -% \makeatletter -% \def\parsequal#1{\def\crd@input{#1}% -% \crd@qualinit% -% \loop\crd@parse\crd@input\for\crd@qual% -% \ifcrd@parsematched\repeat% -% (\crd@lo,\crd@up,\crd@alt)% -% }% -% \makeatother -% -% \parsequal{mMdh4+5-567-9+9} -% \end{demo} -% -% \subsubsection{Parsing the whole chord} -% We are now ready to parse the whole chord, consisting -% of chordnote, qualifiers and bassnote. However -% if one likes to set only a bassnote one needs to tell -% that there is no chord note to set. For this purpose -% the \DescribeMacro{\crd@skipcrdnote} \verb|\crd@skipcrdnote| -% syntax table defines the `/' item which does this skip. -% \begin{macrocode} -\def\crd@skipcrdnote{crd@skipcrdnote} -\expandafter\def\csname\crd@skipcrdnote/\endcsname{} -% \end{macrocode} -% \DescribeMacro{\crd@parsecrd} -% -% \begin{macrocode} -\def\crd@parsecrd{% - \crd@vshift=0 % - \let\crd@numberval=\crd@vshift% - \crd@parse\crd@input\for\crd@number% - \crd@hshift=0 % - \let\crd@numberval=\crd@hshift% - \crd@parse\crd@input\for\crd@number% - \crd@bracketinit% - \crd@parse\crd@input\for\crd@bracket% - \def\crd@crdnote{}% chord note - \def\crd@crdacc{}% chord note accidental - \def\crd@bassnote{}% bass note - \def\crd@bassacc{}% bass note accidental - \crd@qualinit% initialize qualifiers - \let\crd@flat=\crd@noteflat% - \let\crd@doubleflat=\crd@notedoubleflat% - \let\crd@sharp=\crd@notesharp% - \let\crd@doublesharp=\crd@notedoublesharp% - \crd@parsenote\crd@crdnote\crd@crdacc% read chord note - \loop\crd@parse\crd@input\for\crd@qual% read qualifiers - \ifcrd@parsematched\repeat% - \crd@parse\crd@input\for\crd@skipcrdnote% skip eventually - \let\crd@flat=\crd@bassflat% - \let\crd@doubleflat=\crd@bassdoubleflat% - \let\crd@sharp=\crd@basssharp% - \let\crd@doublesharp=\crd@bassdoublesharp% - \crd@parsenote\crd@bassnote\crd@bassacc% read bass note - \crd@parse\crd@input\for\crd@bracket% - \crd@formatcrd\hfil% call rendering -} -% \end{macrocode} -% \subsubsection{ Multiple chords} -% \DescribeMacro{\crd@parsecrds} -% The \verb|\crd@parsecrds| macro is used to read more then one -% chord. This can be usefull if no corresponding note over which -% one can put the note exist. -% \DescribeMacro{\crd@crddelim} -% The syntax table \verb|\crd@crddelim| is used. -% \begin{macrocode} -\def\crd@crddelim{crd@crddelim}% -\expandafter\def\csname\crd@crddelim,\endcsname{}% -\def\crd@parsecrds{% - \crd@parsecrd% - \crd@parse\crd@input\for\crd@crddelim% - \ifcrd@parsematched\crd@parsecrds\fi% -} -% \end{macrocode} -% \begin{demo}[w]{multiple chords} -% \c (Cm),2CM,Cm7 -% \end{demo} -% \DescribeMacro{\c} -% The main entry point for the user is the -% \verb*|\c |\synt{chord-list}\verb*| | macro which calls the -% \verb|\crd@output| routine with the formatted chords. -% \begin{macrocode} -\def\crd#1 {\def\crd@input{#1}\crd@output\crd@parsecrds} -\let\cedilla=\c -\let\c=\crd -% \end{macrocode} -% -% \subsection{Formatting} -% To allow the use of different fonts the -% notion of fontstyles is introduced. -% The initialisation of fontstyles is done in different macros. -% \DescribeMacro{\crd@fontstylea} -% \begin{macrocode} -\def\crd@fontstylea{% - \font\crd@eightrm=cmr8 - \font\crd@eightit=cmmi8 - \font\crd@seventeenrm=cmr17 - \font\crd@fourteenrm=cmr14 - \font\crd@twelverm=cmr12 - \font\crd@ninerm=cmr9 - \font\crd@smallninerm=cmr9 scaled 900 - \font\crd@bigninerm=cmr9 scaled 1100 - \let\crd@notetype=\crd@seventeenrm - \def\crd@noteflat{\raise0.6ex\hbox{\kern-0.085em\musictwenty2}} - \def\crd@notedoubleflat{\raise0.6ex\hbox{\kern-0.085em\musictwenty3}} - \def\crd@notesharp{\raise0.8ex\hbox{\musictwenty4}} - \def\crd@notedoublesharp{\raise0.8ex\hbox{\musictwenty5}} - \let\crd@basstype=\crd@fourteenrm - \def\crd@bassflat{\raise.5ex\hbox{\musicsixteen2}} - \def\crd@bassdoubleflat{\raise0.6ex\hbox{\kern-0.085em\musicsixteen3}} - \def\crd@basssharp{\raise1ex\hbox{\musicsixteen4}} - \def\crd@bassdoublesharp{\raise0.8ex\hbox{\musicsixteen5}} - \let\crd@numbertype=\crd@ninerm - \def\crd@numberflat{\raise.5ex\hbox{\musiceleven2}} - \def\crd@numbersharp{\raise1ex\hbox{\musiceleven4}} - \def\crd@numberminus{\crd@ninerm-} - \def\crd@numberplus{\crd@ninerm+} - \let\crd@capitaltype=\crd@smallninerm % capitals - \let\crd@smalltype=\crd@bigninerm % small - \def\crd@hdim{\crd@eightit$\circ$\kern-4.4pt\raise.9pt\hbox{\crd@eightrm/}} - \def\crd@dim{\crd@eightit$\circ$} -} -% \end{macrocode} -% The formating of the chords is done in the -% \DescribeMacro{\crd@formatcrd} -% \verb|\crd@formatcrd| macro. The parse results are -% stored in the following macros: -% \verb|\crd@crdnote| -- chord note, -% \verb|\crd@crdacc| -- chord note accidental, -% \verb|\crd@bassnote| -- bass note and -% \verb|\crd@bassacc| -- bass note accidental. -% -% -%\iffalse % dont include this, just experimental code -%<*gobble> -\def\mymatrix#1{\null\,\vcenter{\normalbaselines\m@th - \ialign{\hfil$##$\hfil&&\quad\hfil$##$\hfil\crcr - \mathstrut\crcr\noalign{\kern-\baselineskip} - #1\crcr\mathstrut\crcr\noalign{\kern-\baselineskip}}}\,} -\def\crd@formatcrdb{% - ${\rm \crd@crdnote}\crd@crdacc% - ^{\crd@up}_{\raise0pt\hbox{{\rm \crd@lo}}} - \ifx\crd@alt\empty\else\left(\mymatrix\crd@alt\right)\fi% - \ifx\crd@bassnote\empty\else% do we have an bass note set ? - /{\rm \crd@bassnote}\crd@bassacc% - \fi$% -} -% -%\fi -% \begin{macrocode} -\def\crd@formatcrda{% - \hbox{\kern\crd@hshift\elemskip\raise\crd@vshift\internote\hbox{% - {\crd@notetype\crd@bracketopen}% - {\crd@notetype\crd@crdnote\crd@crdacc}% - \vbox{% - \hbox{% - \crd@up% - \ifx\crd@alt\empty\else\crd@numbertype(\crd@alt\crd@numbertype)\fi% - }% - \nointerlineskip\vskip1pt% - \hbox{\vphantom{\crd@capitaltype M}\crd@lo}}% - \ifx\crd@bassnote\empty\else% - {\crd@basstype/% - \lower0.5ex\hbox{\kern-0.17em \crd@bassnote\crd@bassacc}}% - \fi%\ - {\crd@notetype\crd@bracketclose}% - }} -} -% \end{macrocode} -% \begin{macrocode} -\let\crd@formatcrd=\crd@formatcrda -\crd@fontstylea -% \end{macrocode} -% -% \begin{demo}[w]{formatting} -% \generalsignature{0}\generalmeter{\meterfrac44} -% \nobarnumbers -% \startextract -% \NOtes\c Cm,CM,Dm7 \hu f\en\bar -% \endextract -% \end{demo} -% -% -% \DescribeMacro{\crd@output} -% The output function puts the formatted chords on their place. -% -% \begin{macrocode} -\def\crd@musixOutput#1{\hbox{\zchar{\crddefaultheight}{\hbox to\elemskip{#1\hss}}}} -\let\crd@output=\crd@musixOutput -% \end{macrocode} -% -% -\makeatother -% -% \section{Customization} -% If the default implementation does not suite the needs -% some tips of how to change the default behaviour will be -% given. -% \subsection{Changing the extensions} -% \begin{description} -% \item[Q:] How do I get the symbol $Dm^{M7}$ ? -% \item[A:] The M has to be put to the upper extensions list, so we -% have to change the definition in the \verb|\crd@qual| table: -% \def\crddefaultheight{0} -% \begin{demo}[w]{$Dm^{M7}$} -% \makeatletter% -% \def\crd@qualM{\crd@append{\crd@capitaltype M}\to\crd@up}% major7 -% \makeatother% -% \c DmM7 % -% \end{demo} -% \item[Q:] How do I get the symbol $Dm^{7-5}$ ? -% \item[A:] -% \begin{itemize} -% \renewcommand{\labelitemi}{-} -% \item -% The predefined symbol can be found by using `h' -- for -% half dimineshed. -% \begin{demo}[w]{h} -% \c Dh % -% \end{demo} -% \item -% to ge the diminished fifth explicit to the upper extensions one could -% either change the definition of the `h' to: -% \begin{demo}[w]{Dmh : $Dm^{7-5}$} -% \makeatletter% -% \def\crd@qualh% -% {\crd@append{\crd@numbertype 7-5}\to\crd@up}% half diminished -% \makeatother% -% \c Dmh % -% \end{demo} -% \item -% or may introduce an mapping for the -5 and has to write: D7-5 -% \begin{demo}[w]{Dm7-5 : $Dm^{7-5}$} -% \makeatletter% -% \expandafter\def\csname\crd@qual5-\endcsname% dimin. 5 -% {\crd@append{\crd@numberminus\crd@numbertype5}\to\crd@up}% -% \makeatother% -% \c Dm7-5 % -% \end{demo} -% \end{itemize} -% \end{description} -% -% \subsection{change fonts} -% \begin{description} -% \item[Q:] How do I change the font? -% \item[A:] One has to create his own fontstyle definition -% with a suitable formatting like for example: -% \begin{demo}[w]{change fonts} -% \makeatletter% -% \def\crd@fontstyleb{% -% \font\crd@newfont=cmssbx10% -% \let\crd@notetype=\crd@newfont% -% \def\crd@noteflat{\raise2pt\hbox{\musixchar90}}% -% \def\crd@notedoubleflat{\crd@noteflat\crd@noteflat}% -% \def\crd@notesharp{\raise3.5pt\hbox{\musixchar92}}% -% \def\crd@notedoublesharp{\crd@notesharp\crd@notesharp}% -% \let\crd@basstype=\crd@newfont% -% \def\crd@bassflat{\crd@noteflat}% -% \def\crd@bassdoubleflat{\crd@notedoubleflat}% -% \def\crd@basssharp{\crd@notesharp}% -% \def\crd@bassdoublesharp{\crd@notedoublesharp}% -% \let\crd@numbertype=\crd@newfont% -% \def\crd@numberflat{\crd@noteflat}% -% \def\crd@numbersharp{\crd@notesharp}% -% \def\crd@numberminus{\crd@newfont-}% -% \def\crd@numberplus{\crd@newfont+}% -% \let\crd@capitaltype=\crd@newfont % capitals in extension -% \let\crd@smalltype=\crd@newfont % small letters in extension -% \def\crd@hdim% -% {\crd@newfont$\circ$\kern-4.4pt\raise.9pt\hbox{\crd@newfont/}}% -% \def\crd@dim{\crd@newfont$\circ$}% -% }% -% \def\crd@formatcrdb{% -% \hbox{\kern\crd@hshift\elemskip\raise\crd@vshift\internote\hbox{% -% {\crd@notetype\crd@crdnote\crd@crdacc}% -% \crd@lo% -% \raise4pt% -% \hbox{% -% \crd@up% -% \ifx\crd@alt\empty\else\crd@numbertype(\crd@alt\crd@numbertype)\fi% -% }% -% \ifx\crd@bassnote\empty\else% -% {\crd@basstype/\crd@bassnote\crd@bassacc}% -% \fi%\ -% }} -% } -% \crd@fontstyleb% -% \let\crd@formatcrd=\crd@formatcrdb -% \makeatother% -% \nobarnumbers% -% \startextract\NOtes\c D7,AfM7 \hu f\en\bar\endextract% -% \end{demo} -% \end{description} -% Contributions for improving either the current fontstyle -% or the definition of new ones are welcome. -% -% \section{Todo} -% -% The actual implementation is not really open for changing -% the input format and the way the chords are displayed. -% One should implement an middle layer which is fixed and -% offer various implementations either for the input format -% and the output format which are written using this layer. -% -% \section{Change Log} -% -% \begin{description} -% \item[Version 1.0] (2.11.2004) \par Initial version. -% \item[Version 1.1] (1.7.2005) \par -% Added input guard and resetting of parameters -% if file is included more than once. -% \end{description} -% -% \Finale \PrintIndex -% -%\iffalse -%<*gobble> -%%% Local Variables: -%%% mode: plain-tex -%%% TeX-master: t -%%% End: -% -%\fi \ No newline at end of file diff --git a/macros/musixtex/source/readme b/macros/musixtex/source/readme deleted file mode 100644 index d1baf7ea57..0000000000 --- a/macros/musixtex/source/readme +++ /dev/null @@ -1,54 +0,0 @@ -#%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -#%% musixcrd - typsetting chord symbols with %% -#%% musixtex %% -#%% readme %% -#%% $Id$ %% -#%% copyright 2004 , Robert Hennig %% -#%% this code is licensed in terms of the %% -#%% GNU Public License %% -#%% %% -#%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - -Chord setting for musixtex or pmx. - -There exist two distributions, the sources and the compiled on. -The sources are only necessary for development. Normal usage -requires only the compiled version. - - -compiled distribution ---------------------- - The archive musixcrd.tgz contains the following files: - - o readme this file - o musixcrd.tex tex macros - o doc.pdf documentation - - Put the musixcrd.tex file or an link to it into your - musixtex/pmx working directory. For pmx use the lines - - --- - \input musixtex % These commands are necessary - \input pmx % because pmx.tex MUST be \input - \input musixcrd - --- - - as preamble in your pmx source file to include musixcrd.tex. - Look at doc.ps for further instructions of how to use musixcrd. - - -source distribution -------------------- - The archive musixcrdsrc.tgz contains the following files: - - o readme this file - o musixcrd.dtx tex macros and documentation - o makefile makefile - o musixcrd.sty latex stylefile is a link to musixcrd.dtx - o doc.tex latex macros for documentation generation - using musixcrd.dtx - o strip.tex tex file for strip documentation from musixcrd.dtx - - Extract the file into an directory. Use make with the arguments - doc, strip, srcdist and dist to generate the targets. - diff --git a/macros/musixtex/source/strip.tex b/macros/musixtex/source/strip.tex deleted file mode 100644 index 21ff28fafb..0000000000 --- a/macros/musixtex/source/strip.tex +++ /dev/null @@ -1,20 +0,0 @@ -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -%% musixcrd - typsetting chord symbols with %% -%% musixtex %% -%% docstrip batchfile %% -%% $Id$ %% -%% copyright 2004 , Robert Hennig %% -%% this code is licensed in terms of the %% -%% GNU Public License %% -%% %% -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -\def\batchfile{strip.tex} -\input docstrip -\askforoverwritefalse -\generate{\file{musixcrd.tex}{\from{musixcrd.dtx}{}}} -\endbatchfile - -%%% Local Variables: -%%% mode: plain-tex -%%% TeX-master: t -%%% End: diff --git a/macros/musixtex/tex/musixadd.tex b/macros/musixtex/tex/musixadd.tex deleted file mode 100644 index 9e3b716071..0000000000 --- a/macros/musixtex/tex/musixadd.tex +++ /dev/null @@ -1,30 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -% -% musixadd.tex : allocate registers for additional instruments -% -\immediate\write16{MusiXADDitional instruments T.115 <19 Nov 2010>}% -% -% -% setup the maximum element numbers -\setmaxinstruments{9}% -\setmaxgroups{4}% -\setmaxslurs\maxinstruments -% -\endinput diff --git a/macros/musixtex/tex/musixadf.tex b/macros/musixtex/tex/musixadf.tex deleted file mode 100644 index 33c93ddca8..0000000000 --- a/macros/musixtex/tex/musixadf.tex +++ /dev/null @@ -1,138 +0,0 @@ -% -% musixadf.tex - some additional accents for MusiXTeX -% -%% Author: -%% Hiroaki MORIMOTO -%% Tokyo, Japan -%% URL: http://homepage1.nifty.com/kuuku/pub/musixtex/index-e.html -% -\immediate\write16{MusiXTeX Additional Accents <2015-02-15> )}% -% -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 -% -\font\musixadfeleven=xadf11 -\font\musixadfthirteen=xadf13 -\font\musixadfsixteen=xadf16 -\font\musixadftwenty=xadf20 -\font\musixadftwentyfour=xadf24 -\font\musixadftwentynine=xadf29 -% -\let\comput@fonts@org=\comput@fonts\relax -\def\comput@fonts{% - \comput@fonts@org - \ifnum\musicsize=\sixt@@n - \let\musixadfLargefont\musixadftwentyfour - \let\musixadflargefont\musixadftwenty - \let\musixadfnorfont\musixadfsixteen - \let\musixadfsmallfont\musixadfthirteen - \let\musixadftinyfont\musixadfeleven - \else\ifnum\musicsize=\@xxiv - \let\musixadfLargefont\musixadftwentynine - \let\musixadflargefont\musixadftwentynine - \let\musixadfnorfont\musixadftwentyfour - \let\musixadfsmallfont\musixadftwenty - \let\musixadftinyfont\musixadfsixteen - \else\ifnum\musicsize=\@xxix - \let\musixadfLargefont\musixadftwentynine - \let\musixadflargefont\musixadftwentynine - \let\musixadfnorfont\musixadftwentynine - \let\musixadfsmallfont\musixadftwentyfour - \let\musixadftinyfont\musixadftwenty - \else - \musicsize\tw@nty - \let\musixadfLargefont\musixadftwentynine - \let\musixadflargefont\musixadftwentyfour - \let\musixadfnorfont\musixadftwenty - \let\musixadfsmallfont\musixadfsixteen - \let\musixadftinyfont\musixadfthirteen - \fi\fi\fi -}% -% -\let\set@Largenotesize@org=\set@Largenotesize\relax -\let\set@largenotesize@org=\set@largenotesize\relax -\let\set@normalnotesize@org=\set@normalnotesize\relax -\let\set@smallnotesize@org=\set@smallnotesize\relax -\let\set@tinynotesize@org=\set@tinynotesize\relax -% -\def\set@Largenotesize{% - \set@Largenotesize@org\let\musixadfont\musixadfLargefont}% -\def\set@largenotesize{% - \set@largenotesize@org\let\musixadfont\musixadflargefont}% -\def\set@normalnotesize{% - \set@normalnotesize@org\let\musixadfont\musixadfnorfont}% -\def\set@smallnotesize{% - \set@smallnotesize@org\let\musixadfont\musixadfsmallfont}% -\def\set@tinynotesize{% - \set@tinynotesize@org\let\musixadfont\musixadftinyfont}% -% -\def\musixadfchar{\musixadfont\char}% -% -\def\uacc@Char@adf#1{\check@staff - \inhgetn@i#1\relax \relax - \ifnum\n@i<\@ight \ifodd\n@i \else\advance\n@i\@ne \fi \fi - \zchar\n@i\C@ChaR@adf - \fi}% -% -\def\lacc@Char@adf#1{\check@staff - \inhgetn@i#1\relax \relax - \ifnum\n@i>\@ne \ifodd\n@i \else\advance\n@i\m@ne \fi \fi - \zchar\n@i\C@ChaR@adf - \fi}% -\def\C@ChaR@adf{\musixadfont\char\n@iv}% -% -\def\@Char@adf#1{\zcharnote{#1}\C@ChaR@adf}% -% -% coda sign with serif -% -% ___ -% | -% /~|~\ -% |-+--+--+-| -% \_|_/ -% | -% ~~~ -% -%\def\scoda{\musixadfchar85\relax}% -\def\adfC@coda#1{\llap{\@Char@adf{#1}\kern\afterruleskip}}% -\def\scoda{\n@iv85\adfC@coda}% -\def\replacecoda{\let\coda=\scoda}% -% -% -% -% upright segno -% -%\def\upsegno{\musixadfchar86\relax}% -\def\upsegno{\n@iv86\@Char@adf}% -\def\replacesegno{\let\segno=\upsegno}% -% -% -% little swell ...something like <> -% -% lower -\def\llsw{\n@iv31\lacc@Char@adf} -% upper -\def\ulsw{\n@iv30\uacc@Char@adf}% -% -% -% a little larger sforzato -% -\def\uSfz{\n@iv\tw@nty \uacc@Char@adf} -\def\lSfz{\n@iv21\lacc@Char@adf} -\def\dSfz{\lSfz} -\def\replacesforzato{% - \let\usfz=\uSfz\relax - \let\lsfz=\lSfz\relax -}% -% -% -% v-breath -% -\def\zuBreath{\check@staff\raise\@ight\internote\rlap{\n@iv33\C@ChaR@adf}\fi}% -\def\cuBreath{\check@staff\adv@box{\raise\@ight\internote - \hbox\@to\noteskip{\hss\n@iv33\C@ChaR@adf\hss}}\fi}% -\def\zlBreath{\check@staff\raise0\internote\rlap{\n@iv34\C@ChaR@adf}\fi}% -\def\clBreath{\check@staff\adv@box{\raise0\internote - \hbox\@to\noteskip{\hss\n@iv34\C@ChaR@adf\hss}}\fi}% -% -\catcode`\@=\catcodeat -\endinput diff --git a/macros/musixtex/tex/musixbar.tex b/macros/musixtex/tex/musixbar.tex deleted file mode 100644 index 5e748aae6d..0000000000 --- a/macros/musixtex/tex/musixbar.tex +++ /dev/null @@ -1,148 +0,0 @@ -%%%%%%%%%% Hiding/printing bar lines individually %%%%%%%%%%%%%%%%%%%%%%%%%%% -% -% Here comes a bunch of rather general macros which enable printing or -% hiding barlines for each staff and inter-staff space individually: -% -% Mthimkhulu Molekwa - -\ifx\indivbarrules\undefined\else\endinput\fi - -\immediate\write16{MusiXBAR printing or hiding seperate bar lines 1.01\space<23 Februar 2000>}% - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 - -%\makeatletter - -\newdimen\barline@depth - -\def\rul@indiv#1{% - \n@loop - \Comp@High - \expandafter\ifx\csname s@b\romannumeral\noinstrum@nt\endcsname\relax - \multiply\barline@depth -1\relax - \advance\barline@depth\altitude - \else - \barline@depth=0pt\relax - \fi - {\expandafter\ifx\csname h@bl\romannumeral\noinstrum@nt\endcsname 1% - \y@v=0pt\relax - \fi - \raise\altitude\rlap{\vrule\@depth\barline@depth\@width#1\@height\y@v}}% - \barline@depth\altitude - \advance\barline@depth\y@v - \repeat - \addspace#1} - -\def\rul@indiv@#1{\n@loop{\prul@indiv@#1}\repeat\addspace#1} - -\def\prul@indiv@#1{% - \y@v\interportee \C@Inter\advance\y@v-\stem@skip - \expandafter\ifx\csname s@b\romannumeral\noinstrum@nt\endcsname\relax - \multiply\barline@depth -1\relax - \advance\barline@depth\altitude - \else - \barline@depth=0pt\relax - \fi - {\expandafter\ifx\csname h@bl\romannumeral\noinstrum@nt\endcsname 1% - \y@v=0pt\relax - \fi - \p@loop - \raise\altportee\rlap{% - \vrule\@depth\barline@depth\@width#1\@height\y@v}% - \count@portee - \repeat}% - \barline@depth\altitude - \advance\barline@depth\y@v} - -%== Required to use the following macros -\def\indivbarrules{% - \let\writ@rule\rul@indiv - \sepbarrule 1} - -\def\Indivbarrules{% - \let\writ@rule\rul@indiv@ - \sepbarrule 1} - -%== separates bar line of specified instrument from one of previous instrument -\def\sepbarrule#1{\expandafter\let\csname s@b\romannumeral#1\endcsname 1} - -%== connects bar line of specified instrument to one of previous instrument -\def\conbarrule#1{% - \if 1#1\else\expandafter\let\csname s@b\romannumeral#1\endcsname\relax\fi} - -%== hides bar line for specified instrument -\def\hidebarrule#1{\expandafter\let\csname h@bl\romannumeral#1\endcsname 1} - -%== shows bar line for specified instrument -\def\showbarrule#1{\expandafter\let\csname h@bl\romannumeral#1\endcsname\relax} - -%== separates barlines in multistaff instruments -\def\rul@sep@#1{\n@loop{\prul@sep#1}\repeat\addspace#1} - -\def\prul@sep#1{% - \y@v\interportee \C@Inter\advance\y@v-\stem@skip - \p@loop - \hbox{\raise\altportee\rlap{% - \vrule\@depth\hlthick\@width#1\@height\y@v}}% - \count@portee\repeat} - -\def\Sepbarrules{\let\writ@rule\rul@sep@ } - -%-\makeatother - -\catcode`\@=\catcodeat -\endinput - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - -% Here comes an example of how to use these macros - -%%%%% Pre-amble -\input musixtex -\input musixbar - -\instrumentnumber3 -\setmeter3{{\meterfrac{3}{4}}} -\setmeter2{{\meterfrac{2}{4}}} -\setmeter1{{\meterfrac{3}{8}}} -\nobarnumbers -\indivbarrules -\sepbarrule2 -\sepbarrule3 - -%%%%% Spacing -\beforeruleskip=0.5\afterruleskip -\interinstrument=4\Interligne - -%%%%% Macros -\let\ni\nextinstrument - -%%%%% Music -\linegoal2 -\startpiece\addspace\afterruleskip -\NOtes\pt f\qa f\ni\qa f\ni\qa f\en -\hidebarrule2\hidebarrule3\bar -\NOtes\multnoteskip{.333}\Tqbu fff\ni\qa f\ni\qa f\en -\showbarrule2\bar -\NOtes\pt f\qa f\ni\qa f\ni\qa f\en -\hidebarrule2\showbarrule3\bar -\NOtes\multnoteskip{.333}\Tqbu fff\ni\qa f\ni\qa f\en -\showbarrule2\hidebarrule3\bar -\NOtes\pt f\qa f\ni\qa f\ni\qa f\en -\hidebarrule2\bar -\NOtes\multnoteskip{.333}\Tqbu fff\ni\qa f\ni\qa f\en -\showbarrule2\showbarrule3\bar -\NOtes\pt f\qa f\ni\qa f\ni\qa f\en -\hidebarrule2\hidebarrule3\bar -\NOtes\multnoteskip{.333}\Tqbu fff\ni\qa f\ni\qa f\en -\showbarrule2\bar -\NOtes\pt f\qa f\ni\qa f\ni\qa f\en -\hidebarrule2\showbarrule3\bar -\NOtes\multnoteskip{.333}\Tqbu fff\ni\qa f\ni\qa f\en -\showbarrule2\hidebarrule3\bar -\NOtes\pt f\qa f\ni\qa f\ni\qa f\en -\hidebarrule2\bar -\NOtes\multnoteskip{.333}\Tqbu fff\ni\qa f\ni\qa f\en -\showbarrule2\showbarrule3\stoppiece -\bye - diff --git a/macros/musixtex/tex/musixbbm.tex b/macros/musixtex/tex/musixbbm.tex deleted file mode 100644 index c3c2333002..0000000000 --- a/macros/musixtex/tex/musixbbm.tex +++ /dev/null @@ -1,69 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -% -% musixbbm.tex : allocate registers and define macros for 256th beam -% -\immediate\write16{MusiXBBeaM T.115 <19 Nov 2010>}% -% -\ifx\undefined\ibbbbbbu \else \endinput \fi -% -% setup the maximum element numbers -\setmaxcclvibeams{6}% -% -% -% definitions for 256th beams -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 -% -\def\s@l@ctg{\edef\g@x{\csname g@x\romannumeral\n@i\endcsname}% - \edef\g@z{\csname g@z\romannumeral\n@i\endcsname}\s@l@ctf} - -\def\ibbbbbbu#1{\s@l@ctbeam#1\relax \s@l@ctg \i@bbbbbbu} -\def\ibbbbbbl#1{\s@l@ctbeam#1\relax \s@l@ctg \i@bbbbbbl} - -\def\i@bbbbbbu#1#2{% - \ifnum\b@n=\z@ \i@bbbbbu{#1}{#2}\C@ba\b@z\@ne \C@ba\c@z\@ne - \C@ba\d@z\@ne \C@ba\e@z\@ne \C@ba\f@z\@ne \fi \n@bbbbbbu} -\def\i@bbbbbbl#1#2{% - \ifnum\b@n=\z@ \i@bbbbbl{#1}{#2}\C@ba\b@z\m@ne \C@ba\c@z\m@ne - \C@ba\d@z\m@ne \C@ba\e@z\m@ne \C@ba\f@z\m@ne \fi \n@bbbbbbl} - -\def\nbbbbbbu#1{\s@l@ctbeam#1\relax \s@l@ctg \Dec@b\@ne\n@bbu - \Dec@b\tw@\n@bbbu \Dec@b\thr@@\n@bbbbu \Dec@b\f@ur\n@bbbbbu - \Dec@b\fiv@\n@bbbbbbu} -\def\nbbbbbbl#1{\s@l@ctbeam#1\relax \s@l@ctg \Dec@b\@ne\n@bbl - \Dec@b\tw@\n@bbbl \Dec@b\thr@@\n@bbbbl \Dec@b\f@ur\n@bbbbbl - \Dec@b\fiv@\n@bbbbbbl} - -\def\n@bbbbbbu{\C@nb\g@z\g@x\fiv@\qd@skip} -\def\n@bbbbbbl{\C@nb\g@z\g@x\fiv@\z@} - -\def\tbbbbbbu#1{\s@l@ctbeam#1\relax \s@l@ctg \t@bbbbbbu} -\def\tbbbbbbl#1{\s@l@ctbeam#1\relax \s@l@ctg \t@bbbbbbl} - -\def\t@bbbbbu{\n@v\fiv@ \C@b\t@bbbbbbu\n@bbbbbu\y@i\f@z \beam@pos\f@x \t@xbu} -\def\t@bbbbbl{\n@v\fiv@ \C@b\t@bbbbbbl\n@bbbbbl\y@i\f@z \beam@pos\f@x \t@xbl} - -\def\t@bbbbbbu{\n@v\si@ \C@b\empty\n@bbbbbu\y@i\g@z \beam@pos\g@x \t@xbu} -\def\t@bbbbbbl{\n@v\si@ \C@b\empty\n@bbbbbl\y@i\g@z \beam@pos\g@x \t@xbl} - -\def\Ibbbbbbu#1{\s@l@ctbeam#1\relax \s@l@ctg \I@bu\i@bbbbbbu} -\def\Ibbbbbbl#1{\s@l@ctbeam#1\relax \s@l@ctg \I@bl\i@bbbbbbl} - -\catcode`\@=\catcodeat -\endinput diff --git a/macros/musixtex/tex/musixblx.tex b/macros/musixtex/tex/musixblx.tex deleted file mode 100644 index d40de4cb68..0000000000 --- a/macros/musixtex/tex/musixblx.tex +++ /dev/null @@ -1,44 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -% (Nicolas Brouard) - -\immediate\write16{MusiXBigLateX 0.36\space<1 March 1995>}% - -\ifx\undefined\largevaugment \else \endinput \fi - -\newenvironment{music}{\catcodesmusic\parskip0pt\resetlayout}{}% - -\newdimen\largevaugment \newdimen\largehaugment - -\newenvironment{largemusic}{\vfill\eject\catcodesmusic\parskip0pt - \resetlayout - \edef\theoldtextwidth{\the\textwidth}% - \edef\theoldtextheight{\the\textheight}% - \def\Fullwidth{185mm}\def\Fullheight{260mm}% - \largevaugment\Fullheight \advance\largevaugment-\theoldtextheight - \largehaugment\Fullwidth \advance\largehaugment-\theoldtextwidth - \divide\largevaugment2 \divide\largehaugment2 - \advance\voffset\largevaugment \advance\hoffset-\largehaugment - \xdef\thelargehoffset{\the\hoffset}% - \hsize\Fullwidth \textwidth\Fullwidth - - \bgroup\textwidth\Fullwidth\hsize\Fullwidth\vsize\Fullheight}% - {\egroup\advance\voffset.5\largevaugment - \clearpage\advance\voffset-.5\largevaugment} -\endinput diff --git a/macros/musixtex/tex/musixbm.tex b/macros/musixtex/tex/musixbm.tex deleted file mode 100644 index 29147d8707..0000000000 --- a/macros/musixtex/tex/musixbm.tex +++ /dev/null @@ -1,25 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -% -\immediate\write16{MusiXEXTra \space<7 June 2015>}% -% -% -% (nothing to do. - T.118 or later provide \slide and \raggedstoppiece by default.) -% -\endinput diff --git a/macros/musixtex/tex/musixcho.tex b/macros/musixtex/tex/musixcho.tex deleted file mode 100644 index 55b5e482eb..0000000000 --- a/macros/musixtex/tex/musixcho.tex +++ /dev/null @@ -1,68 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -\immediate\write16{MusiXCHOir T.89\space<24 March 1998>}% - -\ifx\undefined\braceheight \else \endinput \fi - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 -\catcodesmusic - -% big parentheses for e.g. multiline text - -\newskip\braceheight \braceheight=4\Interligne\relax -\def\ChoirStrut{\vphantom{\^Wgjpqy}} - -\def\biglbrace{\let\@Ti\llap \let\@Tii\{\relax \C@br} -\def\bigrbrace{\let\@Ti\rlap \let\@Tii\}\relax \C@br} -\def\C@br{\C@tx{\@Ti{$\left\@Tii\vbox\@to\braceheight{}\right.\n@space$}\vss}} - -% multiline text - -\def\@kti{\kern\thr@@\Internote\strut} -\def\@kmi{\kernm\Internote\strut} - -\def\Dtx#1|#2*{\C@tx{\lrlap{\@kti#1\ChoirStrut}\lrlap{\@kti#2\ChoirStrut}\vss}} -\def\Drtx#1|#2*{\C@tx{\rlap{\@kmi#1\ChoirStrut}\rlap{\@kmi#2\ChoirStrut}\vss}} - -\def\Ttx#1|#2|#3*{\C@tx{\lrlap{\@kti#1\ChoirStrut}\lrlap{\@kti#2\ChoirStrut}\lrlap{\@kti#3\ChoirStrut}\vss}} -\def\Trtx#1|#2|#3*{\C@tx{\rlap{\@kmi#1\ChoirStrut}\rlap{\@kmi#2\ChoirStrut}\rlap{\@kmi#3\ChoirStrut}\vss}} - -\def\Qtx#1|#2|#3|#4*{\C@tx{\lrlap{\@kti#1\ChoirStrut}\lrlap{\@kti#2\ChoirStrut}% - \lrlap{\@kti#3\ChoirStrut}\lrlap{\@kti#4\ChoirStrut}\vss}} -\def\Qrtx#1|#2|#3|#4*{\C@tx{\rlap{\@kmi#1\ChoirStrut}\rlap{\@kmi#2\ChoirStrut}\rlap{\@kmi#3\ChoirStrut}% - \rlap{\@kmi#4\ChoirStrut}\vss}} - -\def\tx#1*{\C@tx{\lrlap{\@kti#1\ChoirStrut}\vss}} -\def\rtx#1*{\C@tx{\rlap{\@kmi#1\ChoirStrut}\vss}} - -% longation rule - -\newskip\@ihf -\def\thf{\getcurpos\advance\y@v-\@ihf \advance\y@v-\tw@\Interligne - \llap{\vrule\@width\y@v\@height\lthick\kern\Interligne}}% - -\def\ixhf#1{\setbox\ch@box\hbox{#1}\getcurpos \advance\y@v\h@lf\wd\ch@box - \advance\y@v\Interligne \global\@ihf\y@v \box\ch@box} - -\def\ihf#1{\setbox\ch@box\hbox{#1}\getcurpos \advance\y@v\wd\ch@box - \global\@ihf\y@v \box\ch@box} - -\endcatcodesmusic -\catcode`\@=\catcodeat -\endinput diff --git a/macros/musixtex/tex/musixcpt.tex b/macros/musixtex/tex/musixcpt.tex deleted file mode 100644 index 90d9066465..0000000000 --- a/macros/musixtex/tex/musixcpt.tex +++ /dev/null @@ -1,826 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -%%% for those who want compatibility, input it !after! musixtex and all -%%% other \input files, means: at very last - -\ifx\undefined\DIMin \else \endinput \fi - -\immediate\write16{MusiXComPaTible T.109\space<8 May 2018>}% - -\ifx\undefined\mxversion \errmessage{MusiXcpt input before MusiXTeX !}\fi - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 -\catcodesmusic - -\voffset=-15.4mm -\parindent=10mm - -\def\z@suspend@autoflag{\ifx\auto@flag\empty - \fil@autolines\fi \let\auto@flag\empty} - - -\let\fil@autolines\empty -\let\auto@flag\empty - -\def\updatecontext{% - \T@bil \writ@newclefs\wbarno@x\Writ@newsigns - \Writ@meters\addspace\afterruleskip - \else\fil@autolines\let\auto@flag\@ne - \writ@newclefs\Writ@newsigns\z@suspend\@NewPage\fi} - -\def\changecontext{\n@wbar\updatecontext} -\def\zchangecontext{\advance\n@skip\beforeruleskip \widthtyp@\@ne \t@rmskip - \zn@wbar\updatecontext} - -\def\@breakpassInoauto{\def\T@bil{\getcurpos \ifdim\y@v<\h@lf\line@width}} -\def\ori@passIzbarre{\zn@wbar\fil@{z \the\barno}} - -\def\ori@passIendsection{\fil@{*\space\the\mulooseness}\mulooseness\z@} - -\def\@breakpassIauto{\advance\barsinlin@\@ne \ifnum\barsinlin@<\maxbarsinline}% - -\def\@xbarrepassIauto{\T@bil \else\advance\barsinlin@\m@ne \fi\@bar} -\let\@xbarrepassIIauto\barre - -\def\@zbarpassIauto{\T@bil \zn@wbar\else\zstoppiec@\@NewPage\fi} - -%!!! Attention: If you use \autolines, take care for the number of lines. -% If they exceed 127, trouble will be ahead. (adjust MAX_SECTIONS in -% musixflx.c or insert a \suspmorceau..\debutmorceau) !!! - -\def\autolines#1#2#3{% #1 nombre d'elemskip par mesure, -% #2 nombre de mesures par ligne, -% #3 nb lignes par page - \ifstartmuflex@done\else\startmuflex\fi - \global\maxbarsinline=#2\relax - \global\maxlinesinpage=#3\relax - \let\count@lines\count@lines@auto - \ifx\ragg@d\empty % ---> pass 1 - \message{/autolines pass I }% - \let\xbar=\@xbarrepassIauto - \let\zbar=\@zbarpassIauto - \let\@nds@ction=\empty - \def\fil@autolines{\fil@{a}}% - \let\barsinline=\barsinlin@ - \let\T@bil=\@breakpassIauto - \else %---> pass 2 - \message{/autolines pass II }% - \let\xbar=\@xbarrepassIIauto - \let\@nds@ction=\empty - \fi} - -\def\noautolines{\let\fil@autolines\empty - \ifstartmuflex@done\else\startmuflex\fi - \let\xbar\ori@xbarre % original X handling - \let\count@lines\count@lines@empty - \ifx\ragg@d\empty %---> pass 1 - \message{/noautolines pass I }% - \let\zbar\ori@zbarre % original X handling - \let\barsinline=\barsinline@ori - \let\T@bil\ori@T@bil - \let\@nds@ction=\ori@passIendsection - \else - \message{/noautolines pass II }% - \let\@nds@ction=\empty - \fi} - % - -\def\count@lines@auto{\global\advance\linesinpage\@ne - \ifnum\linesinpage<\maxlinesinpage - \else \eject \global\linesinpage\z@ \fi} -\def\count@lines@empty{\global\advance\linesinpage\@ne} -\let\count@lines\count@lines@empty - -\def\@NewPage{\count@lines \contpiece} -\def\@LeftRp{\stoppiec@\@NewPage\addspace{\h@lf\afterruleskip}% - \kernm\afterruleskip\l@eftrepeat\kern\afterruleskip} - -\def\T@bil{\advance\barsinlin@\@ne \ifnum\barsinlin@<\maxbarsinlin@} -\def\ori@T@bil{\advance\barsinlin@\@ne \ifnum\barsinlin@<\maxbarsinlin@} - -\def\barre{\T@bil \@bar\else\stoppiec@\@NewPage\fi} - -\def\xbar{\@bar\global\advance\barsinpi@c@\m@ne } -\def\ori@xbarre{\@bar\global\advance\barsinpi@c@\m@ne } - -\def\zbar{\T@bil \zn@wbar\else\zstoppiece\@NewPage\fi} -\def\ori@zbarre{\T@bil \zn@wbar\else\zstoppiece\@NewPage\fi} - -\def\alaligne{\stoppiece\@NewPage} -\def\Suspmorceau{\Stoppiece\count@lines} -\def\suspmorceau{\stoppiece\count@lines} -\def\zalaligne{\zstoppiece\@NewPage} -\def\leftrepeat{\leftrepeat@II} -\def\leftrepeat@II{\T@bil \setleftrepeat\@bar\else\@LeftRp\fi} -\def\leftrightrepeat{\leftrightrepeat@II} -\def\leftrightrepeat@II{\T@bil \setleftrightrepeat\@bar - \else\setrightrepeat\@LeftRp\fi} - -\def\finrightrepeat{\setrightrepeat\stoppiec@} - - -\let\nbporteesi\n@pi -\let\nbporteesii\n@pii -\let\nbporteesiii\n@piii -\let\nbporteesiv\n@piv -\let\nbporteesv\n@pv -\let\nbporteesvi\n@pvi -\def\nbporteesvii{\n@pvii}% -\def\nbporteesviii{\n@pviii}% -\def\nbporteesix{\n@pvix}% - -\def\nbstaffsi{\n@pi}% -\def\nbstaffsii{\n@pii}% -\def\nbstaffsiii{\n@piii}% -\def\nbstaffsiv{\n@piv}% -\def\nbstaffsv{\n@pv}% -\def\nbstaffsvi{\n@pvi}% -\def\nbstaffsvii{\n@pvii}% -\def\nbstaffsviii{\n@pviii}% -\def\nbstaffsix{\n@pvix}% - -\def\resetlayout{\nullthick\f@ur\Interligne \let\interfacteur\nin@ - \stafftopmarg\thr@@\Interligne \staffbotmarg\thr@@\Interligne - \let\stafflinesnbi\fiv@ \let\stafflinesnbii\fiv@ \let\stafflinesnbiii\fiv@ - \let\stafflinesnbiv\fiv@ \let\stafflinesnbv\fiv@ \let\stafflinesnbvi\fiv@ - \let\clefdesoli\trebleclef \let\clefdesolii\trebleclef - \let\clefdesoliii\trebleclef \let\clefdesoliv\trebleclef - \let\clefdesolv\trebleclef \let\clefdesolvi\trebleclef - \let\clefduti\altoclef \let\clefdutii\altoclef - \let\clefdutiii\altoclef \let\clefdutiv\altoclef - \let\clefdutv\altoclef \let\clefdutvi\altoclef - \let\clefdefai\bassclef \let\clefdefaii\bassclef - \let\clefdefaiii\bassclef \let\clefdefaiv\bassclef - \let\clefdefav\bassclef \let\clefdefavi\bassclef - \elemskip\f@ur\Internote} - -% These definition depends on the assumption, that \elemskip is equal 10pt - -\def\hqsk{\off{.3\@l@mskip}} -\def\qsk{\hqsk\hqsk} - -% ============================ -% will change - -\chardef\@li=51 -\chardef\@liii=53 -\newif\ifcautionacc - -\def\@acc#1{\check@staff - \inhgetn@i#1\relax\@BigAcc - \fi} -\def\@BigAcc{\pl@base\raise\y@i\llap{\musixchar\n@v\kern\accshift}} - -\def\bigfl{\n@v\@l \@acc} -\def\bigdfl{\n@v\@li \@acc} -\def\bigsh{\n@v\@lii \@acc} -\def\bigdsh{\n@v\@liii \@acc} -\def\bigna{\n@v\@liv \@acc} - -\def\@smallacc#1{\check@staff - \inhgetn@i#1\relax\n@iv\fiv@ \@SmallACC - \fi} -\def\@SmallACC{\check@staff - \pl@base\raise\y@i\llap{\@SmallAcc\kern\accshift}\fi} -\def\@SmallAcc{\check@staff - \ifcautionacc\C@ChaR \fi \musixchar\n@v - \ifcautionacc\kern.3\qn@width \fi - \fi\global\cautionaccfalse} - -\def\smallna{\n@v94\@smallacc} -\def\smallfl{\n@v90\@smallacc} -\def\smallsh{\n@v92\@smallacc} -\def\smalldsh{\n@v93\@smallacc} -\def\smalldfl#1{\check@staff - \n@v91\inhgetn@i#1\relax\n@iv\si@ \@SmallACC - \fi} - -\def\csh{\cautionacctrue\smallsh} -\def\cdsh{\cautionacctrue\smalldsh} -\def\cna{\cautionacctrue\smallna} -\def\cfl{\cautionacctrue\smallfl} -\def\cdfl{\cautionacctrue\smalldfl} - -\def\@UpperAcc#1{\inhgetn@i#1\relax\@UpAcc} -\def\@UpAcc{\advance\n@i\thr@@ \zchar\n@i{\kern\qu@rt\qn@width\@SmallAcc}} - -\def\upperna{\n@v94\@UpperAcc} -\def\upperfl{\n@v90\@UpperAcc} -\def\uppersh{\n@v92\@UpperAcc} - -% analysis of accidentals within collective note coding - -\def\absoluteaccidentals{% - \let\Xna\na \let\Xsh\sh \let\Xfl\fl \let\Xdsh\dsh \let\Xdfl\dfl} -\absoluteaccidentals - -\def\Na#1{\small@test\bigNa{#1}\else\smallNa{#1}\fi} -\def\Fl#1{\small@test\bigFl{#1}\else\smallFl{#1}\fi} -\def\Sh#1{\small@test\bigSh{#1}\else\smallSh{#1}\fi} -\def\dFl#1{\small@test\bigdFl{#1}\else\smalldFl{#1}\fi} -\def\dSh#1{\small@test\bigdSh{#1}\else\smalldSh{#1}\fi} - -\def\cNa{\cautionacctrue\smallNa} -\def\cFl{\cautionacctrue\smallFl} -\def\cSh{\cautionacctrue\smallSh} -\def\cdFl{\cautionacctrue\smalldFl} -\def\cdSh{\cautionacctrue\smalldSh} - -\def\lNa#1{\shiftaccwidth{\Na{#1}}} -\def\lFl#1{\shiftaccwidth{\Fl{#1}}} -\def\lSh#1{\shiftaccwidth{\Sh{#1}}} -\def\ldFl#1{\shiftaccwidth{\dFl{#1}}} -\def\ldSh#1{\shiftaccwidth{\dSh{#1}}} -\def\shiftaccwidth{\loffset\smallvalue} - -\def\sign@diff#1\relax{\getn@i#1\relax\n@iii\n@i - \advance\n@iii-\ut@ref \advance\n@iii-\ut@ref - \loop\ifnum\n@iii>\si@ \advance\n@iii-\s@v@n \repeat - \loop\ifnum\n@iii<\z@ \advance\n@iii\s@v@n \repeat - \ifcase\n@iii - \n@ii\si@ % mi - \or\n@ii\@ne % fa - \or\n@ii\thr@@ % sol - \or\n@ii\fiv@ % la - \or\n@ii\s@v@n % si - \or\n@ii\tw@ % do - \or\n@ii\f@ur % re - \fi -% \n@ii positive signature limit, \n@ii-8 negative signature limit - \advance\n@ii-\a@s \advance\n@ii\si@ \divide\n@ii\s@v@n \n@iv\fiv@} - -\def\C@aacc{\check@staff - \advance\n@v\n@vi \@Ti - \fi } - -\def\@Flat#1{\sign@diff#1\relax - \ifcase\n@ii \n@v\@liv \or\n@v\@l \or\n@v\@li \fi \C@aacc} - -\def\set@bigaccid{\n@vi\z@ \let\@Ti\@BigAcc} -\def\set@smallaccid{\n@vi\@xl \let\@Ti\@SmallACC} -\def\set@UpAcc{\n@vi\@xl \let\@Ti\@UpAcc} - -\def\bigFl{\set@bigaccid\@Flat} -\def\smallFl{\set@smallaccid\@Flat} -\def\upperFl{\set@UpAcc\@Flat} - -\def\@Natural#1{\sign@diff#1\relax - \ifcase\n@ii \n@v\@lii \or\n@v\@liv \or\n@v\@l \fi \C@aacc} - -\def\bigNa{\set@bigaccid\@Natural} -\def\smallNa{\set@smallaccid\@Natural} -\def\upperNa{\set@UpAcc\@Natural} - -\def\@Sharp#1{\sign@diff#1\relax - \ifcase\n@ii \n@v\@liii \or\n@v\@lii \or\n@v\@liv \fi \C@aacc} - -\def\bigSh{\set@bigaccid\@Sharp} -\def\smallSh{\set@smallaccid\@Sharp} -\def\upperSh{\set@UpAcc\@Sharp} - -\def\@nod{Can't double } - -\def\@dSharp#1{\sign@diff#1\relax - \ifcase\n@ii \message{\@nod sharpen !\noexpand\dSh #1}% - \or\n@v\@liii \C@aacc\or\n@v\@lii \C@aacc \fi} - -\def\bigdSh{\set@bigaccid\@dSharp} -\def\smalldSh{\set@smallaccid\@dSharp} -%\def\upperdSh{\set@UpAcc\@dSharp} - -\def\@dFlat#1{\sign@diff#1\relax - \ifcase\n@ii \n@v\@l \C@aacc\or\n@v\@li \C@aacc - \or\message{\@nod flatten !\noexpand\dFl #1}\fi} - -\def\bigdFl{\set@bigaccid\@dFlat} -\def\smalldFl{\n@vi\@xl \n@iv\si@ \let\@Ti\@SmallACC \@dFlat} -%\def\upperdFl{\set@UpAcc\@dFlat} - -\def\relativeaccidentals{% - \let\Xna\Na \let\Xsh\Sh \let\Xfl\Fl \let\Xdsh\dSh \let\Xdfl\dFl} - -%\def\writ@names{\n@loop -% \setbox\n@otebox\llap{\vbox{\hbox\@to\parindent{% -% \hss\csname instrument\romannumeral\noinstrum@nt\endcsname\hss}}~~}% -% \altportee\altitude \Comp@High\advance\y@v-\ht\n@otebox -% \advance\altportee\h@lf\y@v \raise\altportee\box\n@otebox \repeat} -%\let\Writ@names\writ@names - -%\let\instrumenti\empty \let\instrumentii\empty \let\instrumentiii\empty -%\let\instrumentiv\empty \let\instrumentv\empty \let\instrumentvi\empty - -% ============================ - -\def\dimin{\decrescendo{4\qn@width}} -\def\Dimin{\decrescendo{8\qn@width}} -\def\DImin{\decrescendo{12\qn@width}} -\def\DIMin{\decrescendo{16\qn@width}} -\def\DIMIn{\decrescendo{24\qn@width}} -\def\DIMIN{\decrescendo{36\qn@width}} -\def\cresc{\crescendo{4\qn@width}} -\def\Cresc{\crescendo{8\qn@width}} -\def\CResc{\crescendo{12\qn@width}} -\def\CREsc{\crescendo{16\qn@width}} -\def\CRESc{\crescendo{24\qn@width}} -\def\CRESC{\crescendo{36\qn@width}} - -\let\interligne\Interligne -\def\debutmorceau{\ifstartmuflex@done\else\startmuflex\fi -\startpiece -\let\debutmorceau\startpiece} -\let\finmorceau\Stoppiece -\let\zfinmorceau\zstoppiece -\let\finpartition\stoppiece -\let\debutextrait\startextract -\let\finextrait\endextract -\let\zfinextrait\zendextract -\let\reprmorceau\contpiece -\let\lreprmorceau\contpiece -\def\preprmorceau{\eject \global\linesinpage\z@ \contpiece} -\def\resetsignatures{\generalsignature0\savesignature} -\def\alapage{\stoppiece\eject \global\linesinpage\z@ \contpiece} -\def\zalapage{\zstoppiece\eject \global\linesinpage\z@ \contpiece} -\def\pchangecontext{\n@wbar\writ@newclefs\writ@newsigns - \z@suspend \eject \global\linesinpage\z@ \contpiece} -\def\lchangecontext{\n@wbar\writ@newclefs\writ@newsigns - \z@suspend \count@lines \contpiece} -\let\xbeambarre\bar -\def\xbarre{\xbar} -\def\zbarre{\zbar} -\let\temps\empty -\let\zglue\empty -\let\zglu\empty -\let\doublebarre\doublebar - -\def\leftrightrepeatsymbol{\C@rep\l@eftrightrepeat} -\def\leftrepeatsymbol{\C@rep\l@eftrepeat} -\def\rightrepeatsymbol{\C@rep\r@ightrepeat} -\def\C@rep#1{\advance\n@skip\beforeruleskip \widthtyp@\@ne \t@rmskip - #1\widthtyp@\z@ \t@rmskip\addspace\afterruleskip} - -%\let\suspmorceau\stoppiece -%\let\Suspmorceau\Stoppiece -\let\computewidths\empty -\let\computespecifics\empty -\let\zsuspmorceau\zstoppiece -\let\signaturegenerale\generalsignature -\let\pointdorgue\fermataup -\let\pointdurgue\fermatadown -\let\zbv\zbreve -\let\zsb\zmaxima -\let\ha\hu -\let\resetfacteurs\resetlayout -\let\savesignature\empty -\let\savemeter\empty -\let\savemeters\empty -\let\saveclefs\empty -%%%%%%%%%%%%%%%%%%%%%%%%%% -\let\ITenu\istieu -\let\ITenl\istied -%%%%%%%%%%%%%%%%%% -\let\ilegu\isluru -\let\ilegl\islurd -\let\Ilegu\isluru -\let\Ilegl\islurd -%\let\tleg\tslur -%\def\Tleg#1{\roff{\ttie#1}} -\let\Invertslur\invertslur -\let\qh\qb -\let\qhp\qbp -\let\qhpp\qbpp -\let\zqh\zqb -\let\zqhp\zqbp -\let\zqhpp\zqbpp -\let\hh\hb -\let\soupir\qp -\let\dsoupir\ds -\let\demisoupir\ds -\let\qsoupir\qs -\let\quartsoupir\qs -\let\hsoupir\hs -\let\huitsoupir\hs -\let\seizsoupir\qqs -\let\Pince\Shake -\let\pince\shake -\let\Lpince\Shakel -\let\Pincesw\Shakesw -\let\Pincene\Shakene -\let\Pincenw\Shakenw -\let\mordant\mordent -\let\nblines\z@ -\let\wd@skip\wn@width -\let\musicnfont\musixfont - -\let\clefdesolsymbol\trebleclef -\let\clefdefasymbol\altoclef -\let\clefdutsymbol\bassclef -\let\gclefdut\gregorianCclef -\let\drumclefsymbol\drumclef -\let\smallclefdesol\smalltrebleclef -\let\smallclefdefa\smallaltoclef -\let\smallclefdut\smallbassclef - -\let\cmbxmicro\sevenbf -\let\cmbxtiny\eightbf -\let\cmbxsmall\tenbf -\let\cmbx\twelvebf -\let\cmbxbig\bigfont -\let\moyen\bigfont -\let\gros\Bigfont -\let\enorme\BIGfont - -\def\setprimavolta{\setvolta1} -\def\setsecondavolta{\setvolta2} - -\def\advancebottom#1{} -\newif\ifraggedlines -\newcount\linesinpage -\newcount\barsinline@ori -\let\barsinline\barsinline@ori -\newcount\maxbarsinline -\newcount\maxlinesinpage \maxlinesinpage\maxdimen -\newskip\zglueskip -\newskip\tempsskip - -%%% definitions for holding up compatibility, not supported in musixtex - -\let\endinstrument\@ndstaff -\def\huslur#1#2{\errmessage{No more need for \noexpand\huslur!}} -\def\hdslur#1#2{\errmessage{No more need for \noexpand\hdslur!}} -\def\liftslur#1#2{\errmessage{\noexpand\liftslur is not supported in MusiXTeX}} - -\def\expause#1{\charnote{#1}{\musicnorfont\char 11\hss}} -\def\zexpause#1{\zcharnote{#1}{\musicnorfont\char 11\hss}} -\def\exhpause#1{\charnote{#1}{\musicnorfont\char 10\hss}} -\def\zexhpause#1{\zcharnote{#1}{\musicnorfont\char 10\hss}} - -\def\vdlthick{\vrule depth \hlthick} -\let\resettens\empty -\let\resetstem\resetst@m -\let\setstem\setst@m -\let\resetlegs\empty -\let\savepenalties\empty -\let\currenthyphenpenalty\empty -\let\setnohyphenpenalty\empty -\let\sethyphenpenalty\empty -\let\setnormalhyphen\empty -\let\glueaftersymbol\empty -\def\zgluearule{\addspace\afterruleskip}% -\let\gluearule\zgluearule -\let\ygluearule\zgluearule -\let\Writesignatures\writ@signs -\let\changecontexte\changecontext -\let\Changecontexte\Changecontext -\let\Changeclefs\changeclefs -\let\Changeclef\Changeclefs -\def\shortstems{\stemlength4}% -\def\normalstems{\stemlength{4.66}}% -\normalstems - -\def\phpause{\hbox to \noteskip{\vrule width - 1.2\qn@width height \internote\hss}}% -%\def\pause{\hbox{\raise 5\internote\phpause}}% -%\def\hpause{\hbox{\raise 4\internote\phpause}}% -\let\zha\zhu -\def\minternote{-\internote}% -\def\ffff{{\ppff {f}\kern -0.1ex{f}\kern -0.1ex{f}\kern -0.1ex{f}}} -\def\testseq{}% - -\def\rtenl#1#2{\roff{\islurd{#1}{#2}}} -\def\rtenu#1#2{\roff{\isluru{#1}{#2}}} - -\def\diamg{\ynq} -\def\diamw{\dnq} - -\def\zdiamg{\yznq} -\def\zdiamw{\dznq} - -\def\carrg{\squ} -\def\zcarrg{\zsqu} -\def\carpg{\lsqu} -\def\zcarpg{\zlsqu} -\def\carqg{\rsqu} -\def\zcarqg{\zrsqu} - -\def\yu{\yqu} -\def\yup{\yqup} -\def\yupp{\yqupp} -\def\yuppp{\yquppp} -\def\yl{\yql} -\def\ylp{\yqlp} -\def\ylpp{\yqlpp} -\def\ylppp{\yqlppp} - -\def\yh{\yqb} -\def\yb{\yqb} - -\def\zy{\yzq} -\def\zyp{\yzqp} -\def\zypp{\yzqpp} -\def\zyppp{\yzqppp} - -\def\du{\dqu} -\def\dup{\dqup} -\def\dupp{\dqupp} -\def\duppp{\dquppp} - -\def\dl{\dql} -\def\dlp{\dqlp} -\def\dlpp{\dqlpp} -\def\dlppp{\dqlppp} - -\def\dh{\dqb} -\def\db{\dqb} - -\def\zd{\dzq} -\def\zdp{\dzqp} -\def\zdpp{\dzqpp} -\def\zdppp{\dzqppp} - -\def\xu{\xqu} -\def\xup{\x@symbol\@qup} -\def\xupp{\x@symbol\@qupp} -\def\xl{\xql} -\def\xlp{\x@symbol\@qlp} -\def\xlpp{\x@symbol\@qlpp} - -\let\xb\xqb -\let\xh\xqb - -\def\zx{\xzq} -\def\zxp{\x@symbol\@zqp} -\def\zxpp{\x@symbol\@zqpp} - -\def\xcccu{\x@symbol\@cccu} -\def\xccccu{\x@symbol\@ccccu} -\def\xcccl{\x@symbol\@cccl} -\def\xccccl{\x@symbol\@ccccl} - -\def\xclp{\x@symbol\@clp} -\def\xcup{\x@symbol\@cup} -\def\xclpp{\x@symbol\@clpp} -\def\xcupp{\x@symbol\@cupp} - -\def\oxu{\oxqu} -\def\oxup{\ox@symbol\@qup} -\def\oxupp{\ox@symbol\@qupp} -\def\oxl{\oxql} -\def\oxlp{\ox@symbol\@qlp} -\def\oxlpp{\ox@symbol\@qlpp} - -\def\oxb\oxqb -\let\oxh\oxqb - -\def\ozx{\oxzq} -\def\ozxp{\ox@symbol\@zqp} -\def\ozxpp{\ox@symbol\@zqpp} - -\def\oxcccu{\ox@symbol\@cccu} -\def\oxccccu{\ox@symbol\@ccccu} -\def\oxcccl{\ox@symbol\@cccl} -\def\oxccccl{\ox@symbol\@ccccl} - -\def\oxclp{\ox@symbol\@clp} -\def\oxcup{\ox@symbol\@cup} -\def\oxclpp{\ox@symbol\@clpp} -\def\oxcupp{\ox@symbol\@cupp} - -\def\ku{\kqu} -\def\kup{\k@symbol\@qup} -\def\kupp{\k@symbol\@qupp} -\def\kl{\kql} -\def\klp{\k@symbol\@qlp} -\def\klpp{\k@symbol\@qlpp} - -\let\kb\kqb -\let\kh\kqb - -\def\zk{\kzq} -\def\zkp{\k@symbol\@zqp} -\def\zkpp{\k@symbol\@zqpp} - -\def\kcccu{\k@symbol\@cccu} -\def\kccccu{\k@symbol\@ccccu} -\def\kcccl{\k@symbol\@cccl} -\def\kccccl{\k@symbol\@ccccl} - -\def\kclp{\k@symbol\@clp} -\def\kcup{\k@symbol\@cup} -\def\kclpp{\k@symbol\@clpp} -\def\kcupp{\k@symbol\@cupp} - -%%% text, lyrics - -\def\midtwotext{\let\@Ti\hss \let\@Tii\hss \C@midcpt} -\def\rmidtwotext{\let\@Ti\empty \let\@Tii\hss \C@midcpt} -\def\zmidtwotext{\zmidstaff} -\def\lmidtwotext{\let\@Ti\hss \let\@Tii\empty \C@midcpt} - -\def\C@midcpt#1{\check@staff - \y@v\interportee \advance\y@v\f@ur\Interligne \divide\y@v\tw@ - \raise\y@v\uplap{\hbox\@to\noteskip{\@Ti\strut#1\@Tii}\vss}% - \advance\locx@skip\noteskip - \fi} - -% for what ? - -\def\sforz#1{{\advance\transpose by -2\usf{#1}}} -\def\pz#1{{\advance\transpose by -2\upz{#1}}} -\def\ppz{\uppz} -\def\st#1{{\advance\transpose by -2\ust{#1}}} - -% octlines - -\def\barfill{\leaders\hbox{ --}\hfill}% -\def\octnvrule{\vrule width \z@ height 3\p@ depth 3\p@}% -\def\octvrule{\vrule width \lthick height 3\p@ depth 3\p@}% -\def\octsup#1#2{\zcharnote{#1}{\hbox to #2\noteskip -{\llap{\rm 8}\barfill\octnvrule}}}% -\def\Octsup#1#2{\zcharnote{#1}{\hbox to #2{\rm 8\barfill\octnvrule}}}% - %\check - %\def\octfin#1#2{\zcharnote{#1}{\hbox to #2\noteskip{\llap{\rm 8}\barfill - %--\octvrule}}}% - \let\octfin\octfinup -\def\Octfin#1#2{\zcharnote{#1}{\hbox to #2{\rm 8\barfill ---\octvrule}}}% -\def\octline#1{\zcharnote{#1}{\hbox to \line@width{\llap{\rm 8}\barfill -\octnvrule\hskip 12\Internote}}}% -\def\Octline#1{\zcharnote{#1}{\hbox to \line@width{\rm 8\barfill -\octnvrule\hskip 8\Internote}}}% - %\check - -\def\octlineup{\n@v\@xxiii\C@ol} -\def\octlinedown{\n@v\@xxv \C@ol} -\def\C@ol#1{\zcharnote{#1}{\getcurpos\y@eol\advance\y@-\y@v - \hbox\@to\y@{\octnumber\mxsps\xleaders\hbox{\char\n@v}\hfill}}} - -% now different meaning !!! - -\def\trilleC#1{\hbox to #1{\leaders\hbox{\musixchar69}\hfill}}% -\let\trille\trilleC -\def\TrilleC#1{\hbox to #1{\it tr\leaders\hbox{\musixchar69}\hfill}}% -\let\Trille\TrilleC - -\def\ntrille#1#2{\zcharnote{#1}{\trille{#2\elemskip}}}% -\def\nTrille#1#2{\zcharnote{#1}{\Trille{#2\elemskip}}}% -\def\xtrille#1#2{\zcharnote{#1}{\trille{#2}}}% -\def\xTrille#1#2{\zcharnote{#1}{\Trille{#2}}}% - -% finding which class of fonts is normally used (cmxxx, dmxxx, dcxxx,...) - -\def\@wsa#1#2+{#1} -\def\@wsb#1#2#3+{#2} -\rm -\edef\fonthdg{\expandafter\@wsa\fontname\the\font+} -\edef\fonthdge{\expandafter\@wsb\fontname\the\font+} - -% new coda is centered above a barrule - -\def\coda{\n@iv85\@Char} - -% special wish - -\let\octline\octlineup - -% old spacings - -\def\normal{\elemskip=4\Internote \def\scalenoteskip{1.00}% - \def\notes{\vnotes1.0\elemskip}% double croches - \def\notesp{\vnotes1.18\elemskip}% double croches - \def\Notes{\vnotes1.4\elemskip}% croches - \def\Notesp{\vnotes1.66\elemskip}% croches - \def\NOtes{\vnotes2.0\elemskip}% croches pointees - \def\NOtesp{\vnotes2.36\elemskip}% croches pointees - \def\NOTes{\vnotes2.8\elemskip}% noires - \def\NOTesp{\vnotes3.32\elemskip}% noires - \def\NOTEs{\vnotes4.0\elemskip}% - \def\NOTEsp{\vnotes4.72\elemskip}% - \def\NOTES{\vnotes5.6\elemskip}} - -% \large could cause trouble, if user changes \scalenoteskip on his own, -% but this is *HIS* problem - -\ifx\large\undefined \def\large{\normal\def\scalenoteskip{1.2}}\fi - -\def\etroit{\normal - \def\Notes{\vnotes1.3\elemskip}% - \def\NOtes{\vnotes1.8\elemskip}% - \def\NOTes{\vnotes2.6\elemskip}% - \def\NOTEs{\vnotes3.6\elemskip}% - \def\NOTES{\vnotes5.2\elemskip}} - -% correct the shifting of arpeggio to musictex's appearance, -% a little bit tricky, but works - -\let\arpeggio@X\arpeggio -\def\arpeggio#1#2{\roffset{.2}{\arpeggio@X{#1}{#2}}} -\def\larpeggio#1#2{\loffset{.6}{\arpeggio@X{#1}{#2}}} % .6=\smallvalue - 0.2 - -% correct (nearly) the distance between note and accidental - -\accshift=-.1\qn@width - -% 'translate' old metertoks (works only if they are used as -% \metertoksi={...}, not for \metertoksi{...} - -\def\metertoksi#1#2{\if =#1\else\C@warn \fi - \let\Writ@meters\writ@meters \m@ti={#2}} -\def\metertoksii#1#2{\if =#1\else\C@warn \fi - \let\Writ@meters\writ@meters \m@tii={#2}} -\def\metertoksiii#1#2{\if =#1\else\C@warn \fi - \let\Writ@meters\writ@meters \m@tiii={#2}} -\def\metertoksiv#1#2{\if =#1\else\C@warn \fi - \let\Writ@meters\writ@meters \m@tiv={#2}} -\def\metertoksv#1#2{\if =#1\else\C@warn \fi - \let\Writ@meters\writ@meters \m@tv={#2}} -\def\metertoksvi#1#2{\if =#1\else\C@warn \fi - \let\Writ@meters\writ@meters \m@tvi={#2}} - -\def\C@warn{\errmessage{You MUST use '=' behind \noexpand\metertoks}\end} - -\let\signi\a@si -\let\signii\a@sii -\let\signiii\a@siii -\let\signiv\a@siv -\let\signv\a@sv -\let\signvi\a@svi - -\let\cleftoksi\a@ci -\let\cleftoksii\a@cii -\let\cleftoksiii\a@ciii -\let\cleftoksiv\a@civ -\let\cleftoksv\a@cv -\let\cleftoksvi\a@cvi - -% to be used to make heavy bars at staff left - -\newskip\nullthick -\let\lowersonginstrum\maxdimen -\let\uppersonginstrum\z@ -\newdimen\Interportee % distance between staffs of the same instrument (excl) - -\def\xgetn@i#1\relax{\n@viii\z@ \n@i\maxdimen % par defaut - \edef\t@ruc{\f@tok #1\relax\af@tok}% - \edef\s@uite{\s@tok #1\empty\af@tok}% -%% pas lettre - \ifcat a\t@ruc \n@i\expandafter`\t@ruc\relax -%% ramener au E (position zero en clef de sol, ut@ref=0) - \ifnum\n@i>96\advance\n@i-101% - \else\advance\n@i-\@lxxxiii % ramener au S= E + 14 - \fi - \advance\n@i\ut@ref \advance\n@i\ut@ref \advance\n@i\transpose - \edef\ss@uite{\noexpand\n@fon{\s@uite}}% -%% cas active character dont chiffre - \else - \let\ss@uite\empty - \let\alt@suite\empty - \ifcat 1\t@ruc - \if =\t@ruc \let\@TI\Xna \C@GET \fi - \if *\t@ruc \sk \C@Get \fi - \if .\t@ruc \let\@TI\pt \C@GET \fi - \if >\t@ruc \let\@TI\Xdsh \C@GET \fi - \if <\t@ruc \let\@TI\Xdfl \C@GET \fi - \if !\t@ruc \transpose\normaltranspose \C@Get \fi - \if '\t@ruc \advance\transpose\s@v@n \C@Get \fi - \if `\t@ruc \advance\transpose-\s@v@n \C@Get \fi - \ifnum\n@viii<\maxdimen \n@i#1\fi - \else - \if ^\t@ruc \let\@TI\Xsh \C@GET \fi - \if _\t@ruc \let\@TI\Xfl \C@GET \fi - \fi\alt@suite - \fi} - -% MusicTeX's settings - -\afterruleskip=10pt % plus glue -\beforeruleskip=2pt % plus glue -\nostemcut - -\let\nbinstruments\maxinstruments -\normalnotesize -\normal % to get \notes correctly defined -\resetlayout -\let\nbinstruments\@ne - -\def\breath{\errmessage{\noexpand\breath\space not implemented in MusiXTeX, - use \noexpand\zbreath\space or \noexpand\cbreath!}} - -\endcatcodesmusic -\catcode`\@=\catcodeat -\endinput diff --git a/macros/musixtex/tex/musixcrd.tex b/macros/musixtex/tex/musixcrd.tex deleted file mode 100644 index 2701d104ee..0000000000 --- a/macros/musixtex/tex/musixcrd.tex +++ /dev/null @@ -1,272 +0,0 @@ -%% -%% This is file `musixcrd.tex', -%% generated with the docstrip utility. -%% -%% The original source files were: -%% -%% musixcrd.dtx -%% -%% IMPORTANT NOTICE: -%% -%% For the copyright see the source file. -%% -%% Any modified versions of this file must be renamed -%% with new filenames distinct from musixcrd.tex. -%% -%% For distribution of the original source see the terms -%% for copying and modification in the file musixcrd.dtx. -%% -%% This generated file may be distributed as long as the -%% original source files, as listed above, are part of the -%% same distribution. (The sources need not necessarily be -%% in the same archive or directory.) -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -%% musixcrd - typsetting chord symbols with %% -%% musixtex %% -%% main source file contains code, doc, and examples %% -%% $Id: musixcrd.dtx,v 1.7 2004/11/02 13:13:41 hennig Exp $ %% -%% copyright 2004 , Robert Hennig %% -%% this code is licensed in terms of the %% -%% GNU Public License %% -%% %% -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -\ifx\makeatletter\undefined\def\makeatletter{\catcode`\@=11\relax}\fi -\ifx\makeatother\undefined\def\makeatother{\catcode`\@=12\relax}\fi - -\makeatletter% ^^A allows to use @ as ordinary letter -\def\crddefaultheight{10} -\def\crdtranspose{0} -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -\def\crd@append#1\to#2{% - \toks0=\expandafter{#1}\toks2=\expandafter{#2}% - \edef#2{\the\toks2 \the\toks0}} -\def\crd@prepend#1\by#2{% - \toks0=\expandafter{#1}\toks2=\expandafter{#2}% - \edef#1{\the\toks2 \the\toks0}} -\def\crd@movetoken#1\to#2{% - \ifx#1\empty\else\expandafter\crd@moveoff#1\crd@moveoff#1#2\fi}% -\def\crd@moveoff#1#2\crd@moveoff#3#4{\def#3{#2}\crd@prepend#4\by#1} -\newif\ifcrd@parsematched% true if parse matched -\newcount\crd@parsedepth% internal register - -\def\crd@parse#1\for#2{% parse tokens #1 for occurence of items of table #2 - \crd@parsedepth=1 % default if not defined - \expandafter\ifx\csname#2depth\endcsname\relax\else% - \crd@parsedepth=\csname#2depth\endcsname% - \fi% - \def\stack{}%\def\crd@parseresult{} - \crd@parsematchedfalse% initialisation - \crd@parser#1\for#2% call the recursive part -} -\def\crd@parser#1\for#2{% recursive part of parser - \ifx#1\empty\else% is list filled ? - \ifnum\crd@parsedepth>0 % and do we have to read more chars into stack - \advance\crd@parsedepth by-1 % - \crd@movetoken#1\to\stack% - \crd@parser#1\for#2% recursive call - \ifcrd@parsematched\else% if still not matched - \expandafter\ifx\csname#2\stack\endcsname\relax% does item match - \crd@movetoken\stack\to#1% no match, put char back to source - \else% match - \csname#2\stack\endcsname% - \crd@parsematchedtrue% signal success - \fi% - \fi% - \fi% - \fi% -} -\newcount\crd@vshift% -\newcount\crd@hshift% -\def\crd@number{crd@number}% -\def\crd@numberdepth{2}% -\expandafter\def\csname\crd@number0\endcsname{\crd@numberval=0 }% -\expandafter\def\csname\crd@number1\endcsname{\crd@numberval=1 }% -\expandafter\def\csname\crd@number2\endcsname{\crd@numberval=2 }% -\expandafter\def\csname\crd@number3\endcsname{\crd@numberval=3 }% -\expandafter\def\csname\crd@number4\endcsname{\crd@numberval=4 }% -\expandafter\def\csname\crd@number5\endcsname{\crd@numberval=5 }% -\expandafter\def\csname\crd@number6\endcsname{\crd@numberval=6 }% -\expandafter\def\csname\crd@number7\endcsname{\crd@numberval=7 }% -\expandafter\def\csname\crd@number8\endcsname{\crd@numberval=8 }% -\expandafter\def\csname\crd@number9\endcsname{\crd@numberval=9 }% -\expandafter\def\csname\crd@number1-\endcsname{\crd@numberval=-1 }% -\expandafter\def\csname\crd@number2-\endcsname{\crd@numberval=-2 }% -\expandafter\def\csname\crd@number3-\endcsname{\crd@numberval=-3 }% -\expandafter\def\csname\crd@number4-\endcsname{\crd@numberval=-4 }% -\expandafter\def\csname\crd@number5-\endcsname{\crd@numberval=-5 }% -\expandafter\def\csname\crd@number6-\endcsname{\crd@numberval=-6 }% -\expandafter\def\csname\crd@number7-\endcsname{\crd@numberval=-7 }% -\expandafter\def\csname\crd@number8-\endcsname{\crd@numberval=-8 }% -\expandafter\def\csname\crd@number9-\endcsname{\crd@numberval=-9 }% -\newcount\crd@quint% register used to represent notes in the circle of -\def\crd@quintval{crd@quintval}% -\def\crd@quintvalA{\crd@quint=3 }% A -\def\crd@quintvalB{\crd@quint=5 }% B -\def\crd@quintvalC{\crd@quint=0 }% C -\def\crd@quintvalD{\crd@quint=2 }% D -\def\crd@quintvalE{\crd@quint=4 }% E -\def\crd@quintvalF{\crd@quint=-1 }% F -\def\crd@quintvalG{\crd@quint=1 }% G -\def\crd@quintmod{crd@quintmod} -\def\crd@quintmoddepth{2} -\def\crd@quintmods{\advance\crd@quint by7 }% sharp -\def\crd@quintmodf{\advance\crd@quint by-7 }% flat -\def\crd@quintmodsd{\advance\crd@quint by14 }% double sharp -\def\crd@quintmodfd{\advance\crd@quint by-14 }% double flat -\def\crd@note{crd@note} -\expandafter\def\csname\crd@note3\endcsname{A} -\expandafter\def\csname\crd@note5\endcsname{B} -\expandafter\def\csname\crd@note0\endcsname{C} -\expandafter\def\csname\crd@note2\endcsname{D} -\expandafter\def\csname\crd@note4\endcsname{E} -\expandafter\def\csname\crd@note-1\endcsname{F} -\expandafter\def\csname\crd@note1\endcsname{G} -\def\crd@notelow{-1} % lowest quint without accidental -\def\crd@notehigh{5} % highest quint without accidental -\def\crd@sharp{\sharp} -\def\crd@flat{\flat} -\def\crd@doublesharp{\sharp\sharp} -\def\crd@doubleflat{\flat\flat} -\def\crd@parsenote#1#2{% parse input results: #1 - \def#1{}\def#2{}% - \crd@parse\crd@input\for\crd@quintval% - \ifcrd@parsematched% we got an valid note - \crd@parse\crd@input\for\crd@quintmod% - \advance\crd@quint by\crdtranspose \relax% transposition, space is needed! - \crd@enharmonic% - \ifnum\crd@quint>\crd@notehigh % sharps ? - \advance\crd@quint by-7 % - \ifnum\crd@quint>\crd@notehigh % double sharp ? - \advance\crd@quint by-7 % - \ifnum\crd@quint>\crd@notehigh % too much sharps ! - \relax ERROR:too much sharps% - \else\edef#2{\crd@doublesharp}\fi% - \else\edef#2{\crd@sharp}\fi% - \fi% - \ifnum\crd@quint<\crd@notelow % flats ? - \advance\crd@quint by7 % - \ifnum\crd@quint<\crd@notelow % double flat ? - \advance\crd@quint by7 % - \ifnum\crd@quint<\crd@notelow % too much flats ! - \relax ERROR:too much flats% - \else\edef#2{\crd@doubleflat}\fi% - \else\edef#2{\crd@flat}\fi% - \fi% - \expandafter\ifx\csname\crd@note\number\crd@quint\endcsname\relax% - ERROR:notename for (\number\crd@quint) is not defined. - \fi% - \edef#1{\csname\crd@note\number\crd@quint\endcsname}% set note - \fi% -} -\def\crd@enharmonic{}% -\def\crd@qualinit{% - \def\crd@lo{}% lower extensions - \def\crd@up{}% upper extensioins - \def\crd@alt{}% alterations -} -\def\crd@qual{crd@qual}% -\def\crd@qualdepth{2} -\def\crd@qualm{\crd@append{\crd@smalltype m}\to\crd@lo}% minor -\def\crd@qualM{\crd@append{\crd@capitaltype M}\to\crd@lo}% major7 -\expandafter\def\csname\crd@qual5+\endcsname% aug. 5 -{\crd@append{+}\to\crd@lo} -\expandafter\def\csname\crd@qual6\endcsname% 6 -{\crd@append{\crd@numbertype6}\to\crd@up} -\expandafter\def\csname\crd@qual7\endcsname% dominant 7 -{\crd@append{\crd@numbertype7}\to\crd@up} -\def\crd@quald{\crd@append{\crd@dim}\to\crd@up}% diminished -\def\crd@qualh{\crd@append{\crd@hdim}\to\crd@up}% half diminished -\expandafter\def\csname\crd@qual9-\endcsname% -9 -{\crd@append{\crd@numbertype\crd@numberflat9}\to\crd@alt} -\expandafter\def\csname\crd@qual9+\endcsname% +9 -{\crd@append{\crd@numbertype\crd@numbersharp9}\to\crd@alt} -\def\crd@skipcrdnote{crd@skipcrdnote} -\expandafter\def\csname\crd@skipcrdnote/\endcsname{} -\def\crd@parsecrd{% - \crd@vshift=0 % - \let\crd@numberval=\crd@vshift% - \crd@parse\crd@input\for\crd@number% - \crd@hshift=0 % - \let\crd@numberval=\crd@hshift% - \crd@parse\crd@input\for\crd@number% - \def\crd@crdnote{}% chord note - \def\crd@crdacc{}% chord note accidental - \def\crd@bassnote{}% bass note - \def\crd@bassacc{}% bass note accidental - \crd@qualinit% initialize qualifiers - \let\crd@flat=\crd@noteflat% - \let\crd@doubleflat=\crd@notedoubleflat% - \let\crd@sharp=\crd@notesharp% - \let\crd@doublesharp=\crd@notedoublesharp% - \crd@parsenote\crd@crdnote\crd@crdacc% read chord note - \loop\crd@parse\crd@input\for\crd@qual% read qualifiers - \ifcrd@parsematched\repeat% - \crd@parse\crd@input\for\crd@skipcrdnote% skip eventually - \let\crd@flat=\crd@bassflat% - \let\crd@doubleflat=\crd@bassdoubleflat% - \let\crd@sharp=\crd@basssharp% - \let\crd@doublesharp=\crd@bassdoublesharp% - \crd@parsenote\crd@bassnote\crd@bassacc% read bass note - \crd@formatcrd\hfil% call rendering -} -\def\crd@crddelim{crd@crddelim}% -\expandafter\def\csname\crd@crddelim,\endcsname{}% -\def\crd@parsecrds{% - \crd@parsecrd% - \crd@parse\crd@input\for\crd@crddelim% - \ifcrd@parsematched\crd@parsecrds\fi% -} -\def\c#1 {\def\crd@input{#1}\crd@output\crd@parsecrds} -\def\crd@fontstylea{% - \font\crd@eightrm=cmr8 - \font\crd@eightit=cmmi8 - \font\crd@seventeenrm=cmr17 - \font\crd@fourteenrm=cmr14 - \font\crd@twelverm=cmr12 - \font\crd@ninerm=cmr9 - \font\crd@smallninerm=cmr9 scaled 900 - \font\crd@bigninerm=cmr9 scaled 1100 - \let\crd@notetype=\crd@seventeenrm - \def\crd@noteflat{\raise0.6ex\hbox{\kern-0.085em\musictwenty2}} - \def\crd@notedoubleflat{\raise0.6ex\hbox{\kern-0.085em\musictwenty3}} - \def\crd@notesharp{\raise0.8ex\hbox{\musictwenty4}} - \def\crd@notedoublesharp{\raise0.8ex\hbox{\musictwenty5}} - \let\crd@basstype=\crd@fourteenrm - \def\crd@bassflat{\raise.5ex\hbox{\musicsixteen2}} - \def\crd@bassdoubleflat{\raise0.6ex\hbox{\kern-0.085em\musicsixteen3}} - \def\crd@basssharp{\raise1ex\hbox{\musicsixteen4}} - \def\crd@bassdoublesharp{\raise0.8ex\hbox{\musicsixteen5}} - \let\crd@numbertype=\crd@ninerm - \def\crd@numberflat{\raise.5ex\hbox{\musiceleven2}} - \def\crd@numbersharp{\raise1ex\hbox{\musiceleven4}} - \def\crd@numberminus{\crd@ninerm-} - \def\crd@numberplus{\crd@ninerm+} - \let\crd@capitaltype=\crd@smallninerm % capitals - \let\crd@smalltype=\crd@bigninerm % small - \def\crd@hdim{\crd@eightit$\circ$\kern-4.4pt\raise.9pt\hbox{\crd@eightrm/}} - \def\crd@dim{\crd@eightit$\circ$} -} -\def\crd@formatcrda{% - \hbox{\kern\crd@hshift\elemskip\raise\crd@vshift\internote\hbox{% - {\crd@notetype\crd@crdnote\crd@crdacc}% - \vbox{% - \hbox{% - \crd@up% - \ifx\crd@alt\empty\else\crd@numbertype(\crd@alt\crd@numbertype)\fi% - }% - \nointerlineskip\vskip1pt% - \hbox{\vphantom{\crd@capitaltype M}\crd@lo}}% - \ifx\crd@bassnote\empty\else% - {\crd@basstype/% - \lower0.5ex\hbox{\kern-0.17em \crd@bassnote\crd@bassacc}}% - \fi%\ - }} -} -\let\crd@formatcrd=\crd@formatcrda -\crd@fontstylea -\def\crd@musixOutput#1{\hbox{\zchar{\crddefaultheight}{\hbox to\elemskip{#1\hss}}}} -\let\crd@output=\crd@musixOutput -\makeatother -\endinput -%% -%% End of file `musixcrd.tex'. diff --git a/macros/musixtex/tex/musixdat.tex b/macros/musixtex/tex/musixdat.tex deleted file mode 100644 index 16541a6e5c..0000000000 --- a/macros/musixtex/tex/musixdat.tex +++ /dev/null @@ -1,59 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -\immediate\write16{MusiXDATes 0.36\space<1 March 1995>}% - -\ifx\undefined\dategerman \else \endinput \fi - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 - -%% This is 'stolen' from GERMAN.TEX or GERMAN.STY, Vers. 2.4a, 12 Apr 1991 - -% Dates -% ----- - -\def\month@german{\ifcase\month \or - Januar\or Februar\or M\"arz\or April\or Mai\or Juni\or - Juli\or August\or September\or Oktober\or November\or Dezember\fi} -\def\dategerman{\def\today{\number\day.~\month@german - \space\number\year}} -\def\dateaustrian{\def\today{\number\day.~\ifnum 1=\month - J\"anner\else \month@german\fi \space\number\year}} -\def\month@english{\ifcase\month \or - January\or February\or March\or April\or May\or June\or - July\or August\or September\or October\or November\or December\fi} -\def\dateUSenglish{\def\today{\month@english - \space\number\day, \number\year}} -\def\dateenglish{\def\today{\number\day \ifcase\day \or - st\or nd\or rd\or th\or th\or th\or th\or th\or th\or th\or % 1..10 - th\or th\or th\or th\or th\or th\or th\or th\or th\or th\or % 11..20 - st\or nd\or rd\or th\or th\or th\or th\or th\or th\or th\or % 21..30 - st\fi - ~\month@english \space\number\year}} -\def\datefrench{\def\today{\number\day \ifnum1=\day \/$^{\rm er}$\fi - \space\ifcase\month \or - janvier\or f\'evrier\or mars\or avril\or mai\or juin\or - juillet\or ao\^ut\or septembre\or octobre\or novembre\or d\'ecembre\fi - \space\number\year}} - -\def\aujourdhui{\datefrench\today} - -\dateUSenglish% or whatever you prefer - -\catcode`\@=\catcodeat -\endinput diff --git a/macros/musixtex/tex/musixdbr.tex b/macros/musixtex/tex/musixdbr.tex deleted file mode 100644 index 2ad82ca662..0000000000 --- a/macros/musixtex/tex/musixdbr.tex +++ /dev/null @@ -1,250 +0,0 @@ -\ifx\indivbarrules\undefined\else\endinput\fi - -\immediate\write10{MusiXDashed and Dotted BaRlines 1.0\space<23 February 2002>}% -% by Rainer Dunker -% Ideas and code based on musixbar.tex -% by Mthimkhulu Molekwa - -\makeatletter - -\newdimen\barline@depth - -\def\barlinedash#1{\vskip.5\Internote - \hrule\@width#1\@height\Internote - \vskip.5\Internote} -\def\barlinedots#1{\vskip.5\Internote - \hbox to #1{\hss\tenrm.\hss} - \vskip.5\Internote} - -\def\rul@indiv#1{% - \n@loop - \Comp@High - \multiply\barline@depth -1\relax - \advance\barline@depth\altitude - \expandafter\ifx\csname s@b\romannumeral\noinstrum@nt\endcsname\relax - % normal barline below instrument - \raise\altitude\rlap{\vrule\@depth\barline@depth\@width#1\@height0pt }% - \else - \expandafter\ifx\csname s@b\romannumeral\noinstrum@nt\endcsname 2% - % dashed barline below instrument - \raise\altitude\hbox{% - \lower\barline@depth\rlap{% - \vbox to \barline@depth{% - \xleaders\vbox{\barlinedash{#1}}\vfill}}}% - \else - \expandafter\ifx\csname s@b\romannumeral\noinstrum@nt\endcsname 3% - % dotted barline below instrument - \raise\altitude\hbox{% - \lower\barline@depth\rlap{% - \vbox to \barline@depth{% - \xleaders\vbox{\barlinedots{#1}}\vfill}}}% - \fi - \fi - \fi - \ifnum\st@ffs>1 % multi-staff instrument - \multi@instrum@bars{#1}% - \else % single-staff instrument - \expandafter\ifx\csname h@bl\romannumeral\noinstrum@nt\endcsname\relax - % normal barline through instrument - \raise\altitude\rlap{\vrule\@depth0pt \@width#1\@height\y@v}% - \else - \expandafter\ifx\csname h@bl\romannumeral\noinstrum@nt\endcsname 2% - % dashed barline through instrument - \raise\altitude\rlap{% - \vbox to \y@v{% - \cleaders\vbox to 2\internote{\vss - \hrule\@width#1\@height\internote - \vss}% - \vfill}}% - \else - \expandafter\ifx\csname h@bl\romannumeral\noinstrum@nt\endcsname 3% - % dotted barline through instrument - \raise\altitude\rlap{% - \vbox to \y@v{% - \cleaders\vbox to 2\internote{\vss - \hbox to #1{\hss\tenrm.\hss}% - \vss}% - \vfill}}% - \fi - \fi - \fi - \fi - \barline@depth\altitude - \advance\barline@depth\y@v - \repeat - \addspace#1} - -\def\multi@instrum@bars#1{% - \begingroup - % retrieve staff height - \count@=\nblines \advance\count@ -1 \multiply\count@ 2 - \dimen@=\count@\internote - \p@loop - % barline within staff - \expandafter\ifx\csname h@bl\romannumeral\noinstrum@nt\endcsname\relax - % normal barline through staff - \raise\altportee\rlap{\vrule\@depth0pt \@width#1\@height\dimen@}% - \else - \expandafter\ifx\csname h@bl\romannumeral\noinstrum@nt\endcsname 2% - % dashed barline through staff - \raise\altportee\rlap{% - \vbox to \dimen@{% - \cleaders\vbox to 2\internote{\vss - \hrule\@width#1\@height\internote - \vss}% - \vfill}}% - \else - \expandafter\ifx\csname h@bl\romannumeral\noinstrum@nt\endcsname 3% - % dotted barline through staff - \raise\altportee\rlap{% - \vbox to \dimen@{% - \cleaders\vbox to 2\internote{\vss - \hbox to #1{\hss\tenrm.\hss}% - \vss}% - \vfill}}% - \fi - \fi - \fi - \count@portee - % barline above staff - \ifnum\noport@@<\st@ffs % not for topmost staff - \barline@depth\interportee - \advance\barline@depth -\dimen@ - \raise\altportee\hbox{\raise\dimen@\rlap{% - \expandafter\ifx\csname s@mb\romannumeral\noinstrum@nt\endcsname - \relax - % normal barline - \vrule\@height\barline@depth\@width#1\relax - \else - \expandafter\ifx\csname s@mb\romannumeral\noinstrum@nt\endcsname 2% - % dashed barline - \vbox to \barline@depth{% - \xleaders\vbox{\barlinedash{#1}}\vfill}% - \else - \expandafter\ifx\csname s@mb\romannumeral\noinstrum@nt\endcsname - 3% dotted barline - \vbox to \barline@depth{% - \xleaders\vbox{\barlinedots{#1}}\vfill}% - \fi - \fi - \fi}}% - \fi - \repeat - \endgroup} - - -% Activate individual barline processing -\def\indivbarrules{% - \let\writ@rule\rul@indiv - \sepbarrule 1} - -%== separates bar line of specified instrument from one of previous instrument -\def\sepbarrule#1{\expandafter\let\csname s@b\romannumeral#1\endcsname 1} - -%== connects bar line of specified instrument to one of previous instrument -% with dashed line -\def\condashbarrule#1{% - \ifnum#1>1 \expandafter\let\csname s@b\romannumeral#1\endcsname 2\fi} - -%== connects bar line of specified instrument to one of previous instrument -% with dotted line -\def\condotbarrule#1{% - \ifnum#1>1 \expandafter\let\csname s@b\romannumeral#1\endcsname 3\fi} - -%== connects bar line of specified instrument to one of previous instrument -\def\conbarrule#1{% - \ifnum#1>1 \expandafter\let\csname s@b\romannumeral#1\endcsname\relax\fi} - -%== hides bar line for specified instrument -\def\hidebarrule#1{\expandafter\let\csname h@bl\romannumeral#1\endcsname 1} - -%== dashes bar line for specified instrument -\def\showdashbarrule#1{\expandafter\let\csname h@bl\romannumeral#1\endcsname 2} - -%== dots bar line for specified instrument -\def\showdotbarrule#1{\expandafter\let\csname h@bl\romannumeral#1\endcsname 3} - -%== shows bar line for specified instrument -\def\showbarrule#1{\expandafter\let\csname h@bl\romannumeral#1\endcsname\relax} - -%== separates bar line within multistaff instrument -\def\sepmultibarrule#1{\expandafter\let\csname s@mb\romannumeral#1\endcsname 1} - -%== dashes bar line between staves of multistaff instrument -\def\condashmultibarrule#1{% - \expandafter\let\csname s@mb\romannumeral#1\endcsname 2} - -%== dots bar line between staves of multistaff instrument -\def\condotmultibarrule#1{% - \expandafter\let\csname s@mb\romannumeral#1\endcsname 3} - -%== shows bar line between staves of multistaff instrument -\def\conmultibarrule#1{% - \expandafter\let\csname s@mb\romannumeral#1\endcsname\relax} - -% set barlines for all instruments together -\def\allbarrules#1{\n@loop#1\noinstrum@nt\repeat} - - -\makeatother -\endinput - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - -% Here comes an example of how to use these macros - -\input musixtex -\input musixdbr - -\instrumentnumber4 -\setstaffs23 -\setstaffs32 -\setlines14 -\setsize2\tinyvalue - -\indivbarrules - -\startpiece - % normal barlines - \bar - % barlines on staves - \allbarrules\sepbarrule - \allbarrules\sepmultibarrule - \allbarrules\showbarrule - \bar - % barlines between staves - \allbarrules\conbarrule - \allbarrules\conmultibarrule - \allbarrules\hidebarrule - \bar - % dashed barlines on staves - \allbarrules\sepbarrule - \allbarrules\sepmultibarrule - \allbarrules\showdashbarrule - \bar - % dashed barlines between staves - \allbarrules\condashbarrule - \allbarrules\condashmultibarrule - \allbarrules\hidebarrule - \bar - % dotted barlines on staves - \allbarrules\sepbarrule - \allbarrules\sepmultibarrule - \allbarrules\showdotbarrule - \bar - % dotted barlines between staves - \allbarrules\condotbarrule - \allbarrules\condotmultibarrule - \allbarrules\hidebarrule - \bar - % a wild mixture of all - \showdotbarrule1\hidebarrule2\showdashbarrule3\showbarrule4% - \condashbarrule2\conbarrule3\condotbarrule4% - \condashmultibarrule2\sepmultibarrule3% - \bar - % conventional ending - \allbarrules\showbarrule - \allbarrules\conbarrule - \allbarrules\conmultibarrule -\Endpiece -\bye diff --git a/macros/musixtex/tex/musixdia.tex b/macros/musixtex/tex/musixdia.tex deleted file mode 100644 index 05839eea01..0000000000 --- a/macros/musixtex/tex/musixdia.tex +++ /dev/null @@ -1,110 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% - -\immediate\write16{MusiXDIAmond T.40\space<12 September 1995>}% - -\ifx\undefined\dqu \else \endinput \fi - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 - -%%% notes with a unfilled diamond head, for gregorian and flagolet notes ... - -\def\d@symbol{\def\q@u{\musixfont\&}} - -\def\dnq{\d@symbol\@nq} -\def\dznq{\advancefalse\dnq} - -\def\dqu{\d@symbol\@qu} -\def\dqup{\d@symbol\@qup} -\def\dqupp{\d@symbol\@qupp} -%\def\dquppp{\d@symbol\@quppp} - -\def\dql{\d@symbol\@ql} -\def\dqlp{\d@symbol\@qlp} -\def\dqlpp{\d@symbol\@qlpp} -%\def\dqlppp{\d@symbol\@qlppp} - -\def\dqb{\d@symbol\@qb} - -\def\dzq{\d@symbol\@zq} -\def\dzqp{\d@symbol\@zqp} -\def\dzqpp{\d@symbol\@zqpp} -%\def\dzqppp{\d@symbol\@zqppp} - -\def\dcu{\d@symbol\@cu} -\def\dccu{\d@symbol\@ccu} -\def\dcccu{\d@symbol\@cccu} -\def\dccccu{\d@symbol\@ccccu} -\def\dcl{\d@symbol\@cl} -\def\dccl{\d@symbol\@ccl} -\def\dcccl{\d@symbol\@cccl} -\def\dccccl{\d@symbol\@ccccl} - -\def\dcup{\d@symbol\@cup} -\def\dcupp{\d@symbol\@cupp} -%\def\dcuppp{\d@symbol\@cuppp} - -\def\dclp{\d@symbol\@clp} -\def\dclpp{\d@symbol\@clpp} -%\def\dclppp{\d@symbol\@clppp} - -%%% notes with a filled diamond head, for gregorian notes ... - -\def\y@symbol{\def\q@u{\musixfont\%}} - -\def\ynq{\y@symbol\@nq} -\def\yznq{\advancefalse\ynq} -\def\zynq{\advancefalse\ynq} - -\def\yqu{\y@symbol\@qu} -\def\yqup{\y@symbol\@qup} -\def\yqupp{\y@symbol\@qupp} -%\def\yquppp{\y@symbol\@quppp} - -\def\yql{\y@symbol\@ql} -\def\yqlp{\y@symbol\@qlp} -\def\yqlpp{\y@symbol\@qlpp} -%\def\yqlppp{\y@symbol\@qlppp} - -\def\yqb{\y@symbol\@qb} - -\def\yzq{\y@symbol\@zq} -\def\yzqp{\y@symbol\@zqp} -\def\yzqpp{\y@symbol\@zqpp} -%\def\yzqppp{\y@symbol\@zqppp} - -\def\ycu{\y@symbol\@cu} -\def\yccu{\y@symbol\@ccu} -\def\ycccu{\y@symbol\@cccu} -\def\yccccu{\y@symbol\@ccccu} -\def\ycl{\y@symbol\@cl} -\def\yccl{\y@symbol\@ccl} -\def\ycccl{\y@symbol\@cccl} -\def\yccccl{\y@symbol\@ccccl} - -\def\ycup{\y@symbol\@cup} -\def\ycupp{\y@symbol\@cupp} -%\def\ycuppp{\y@symbol\@cuppp} - -\def\yclp{\y@symbol\@clp} -\def\yclpp{\y@symbol\@clpp} -%\def\yclppp{\y@symbol\@clppp} - -\catcode`\@=\catcodeat -\endinput diff --git a/macros/musixtex/tex/musixec.tex b/macros/musixtex/tex/musixec.tex deleted file mode 100644 index e213f30fb1..0000000000 --- a/macros/musixtex/tex/musixec.tex +++ /dev/null @@ -1,169 +0,0 @@ -% musixec.tex : EC font definitions for MusiXTeX -% -% usage: -% -% \input musixtex -% \input musixec -% ... -% -% MusiXec.tex is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXppl.tex is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -% Copyright 2015-2017 Bob Tennent rdt@cs.queensu.ca -% -\ifx\undefined\startpiece\errmessage{Input musixtex.tex before musixec.tex}\fi -\immediate\write16{MusiXec\space<2017/02/10>} -% - -\longECfontnamestrue -\def\fontid{ec} - -% 7pt -\font\sevenrm=ecrm0700 -\font\sevenbf=ecbx0700 -\font\sevenit=ecti0800 at 7pt -\font\sevenbi=ecbi0700 -\font\sevensc=ecsc0700 -% -% 8pt -\font\eightrm=ecrm0800 -\font\eightbf=ecbx0800 -\font\eightit=ecti0800 -\font\eightbi=ecbi0800 -\font\eightsc=ecsc0800 -% -% 9pt -\font\ninerm=ecrm0900 -\font\ninebf=ecbx0900 -\font\nineit=ecti0900 -\font\ninebi=ecbi0900 -\font\ninesc=ecsc0900 -% -% 10pt -\font\tenrm=ecrm1000 -\font\tenbf=ecbx1000 -\font\tenit=ecti1000 -\font\tenbi=ecbi1000 -\font\tensc=ecsc1000 -% -% 11pt -\font\elevenrm=ecrm1095 -\font\elevenbf=ecbx1095 -\font\elevenit=ecti1095 -\font\elevenbi=ecbi1095 -\font\elevensc=ecsc1095 -% -% 12pt -\font\twelverm=ecrm1200 -\font\twelvebf=ecbx1200 -\font\twelveit=ecti1200 -\font\twelvebi=ecbi1200 -\font\twelvesc=ecsc1200 -% -% 14pt -\font\frtrm=ecrm1440 -\font\frtbf=ecbx1440 -\font\frtit=ecti1440 -\font\frtbi=ecbi1440 -\font\frtsc=ecsc1440 -% -% 17pt -\font\svtrm=ecrm1728 -\font\svtbf=ecbx1728 -\font\svtit=ecti1728 -\font\svtbi=ecbi1728 -\font\svtsc=ecsc1728 -% -% 20pt -\font\twtyrm=ecrm2074 -\font\twtybf=ecbx2074 -\font\twtyit=ecti2074 -\font\twtybi=ecbi2074 -\font\twtysc=ecsc2074 -% -% 25pt -\font\twfvrm=ecrm2488 -\font\twfvbf=ecbx2488 -\font\twfvit=ecti2488 -\font\twfvbi=ecbi2488 -\font\twfvsc=ecsc2488 -% -% -% -\font\ppfftwelve=ecbi0800 -\font\ppffsixteen=ecbi1000 -\font\ppfftwenty=ecbi1200 -\font\ppfftwentyfour=ecbi1440 -\font\ppfftwentynine=ecbi1728 -% -% -% tt fonts needed by musixsty -% -\font\eighttt=ectt0800 -\font\ninett=ectt0900 -\font\tentt=ectt1000 -\font\twelvett=ectt1200 -\font\frttt=ectt1440 -\font\svttt=ectt1728 -\font\twtytt=ectt2074 -\font\twfvtt=ectt2488 -% -% sl fonts needed by musixsty -% -\font\eightsl=ecsl0800 -\font\ninesl=ecsl0900 -\font\tensl=ecsl1000 -\font\twelvesl=ecsl1200 -\font\frtsl=ecsl1440 -\font\svtsl=ecsl1728 -\font\twtysl=ecsl2074 -\font\twfvsl=ecsl2488 - -% -% Redefine accented characters for 8-bit font -% - -\ifx\documentclass\undefined -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 -\def\ProvidesFile#1[#2]{} -\def\DeclareFontEncoding#1#2#3{} -\def\DeclareTextAccent#1#2#3{% -\def#1##1{% -\expandafter\ifx\csname T1\string#1-\string##1\endcsname\relax -{\accent#1 ##1}% -\else -\csname T1\string#1-\string##1\expandafter\endcsname -\fi}} -\def\DeclareTextCommand#1#2{\xdtcmd}%not today -\def\xdtcmd#1#{\xxdtcmd}%not today -\def\xxdtcmd#1{}%not today -\def\DeclareTextCompositeCommand#1#2#3#4{}%not today -\def\DeclareTextSymbol#1#2#3{% -\def#1{\char#3\relax}} -\def\DeclareTextComposite#1#2#3#4{% -\expandafter\def\csname T1\string#1-\string#3\endcsname{\char#4\relax}} - -\input t1enc.def - -% \c requires special treatment -\def\c#1{\leavevmode\ifx c#1\char231 \else\setbox\z@\hbox{#1}\ifdim\ht\z@=1ex\accent11 #1% - \else{\ooalign{\unhbox\z@\crcr - \hidewidth\char11\hidewidth}}\fi\fi} -\catcode`\@=\catcodeat -\fi - - -\normtype -\endinput diff --git a/macros/musixtex/tex/musixeng.tex b/macros/musixtex/tex/musixeng.tex deleted file mode 100644 index e9e3d0d8b9..0000000000 --- a/macros/musixtex/tex/musixeng.tex +++ /dev/null @@ -1,42 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% - -% suggested by Ross Mitchell - -\immediate\write16{MusiX ENGlish rests T.404\space<08 May 2018>}% - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 - -\let\Qwr\PAUSe -\let\Dwr\PAuse -\let\liftwr\liftpause -\let\wrp\pausep -\let\wr@\pause -\let\lifthr\lifthpause -\let\hrp\hpausep -\let\hr\hpause -\let\qr\qp -\let\er\ds % \ds\oup no longer available -\let\eer\qs -\let\eeer\hs -\let\eeeer\qqs -\def\wr{\pause} - -\catcode`\@=\catcodeat -\endinput diff --git a/macros/musixtex/tex/musixesf.tex b/macros/musixtex/tex/musixesf.tex deleted file mode 100644 index 0fa6fd0829..0000000000 --- a/macros/musixtex/tex/musixesf.tex +++ /dev/null @@ -1,79 +0,0 @@ -%% -%% musixesf.tex : efont-serif series fonts definition for MusiXTeX -%% -%% usage: -%% \input musixtex -%% \input musixesf -%% ... -%% -%% This file is public domain. -%% -%% Author: -%% Hiroaki MORIMOTO -%% Tokyo, Japan -%% URL(en): http://homepage1.nifty.com/kuuku/pub/musixtex/index-e.html -%% (jp): http://homepage1.nifty.com/kuuku/pub/musixtex/index.html -%% -%% reference: musixtex.tex (T.99) 268-508 -%% MusiXTeX: (c) Daniel Taupin, et al. -%% -%% efont-serif: -%% (c) /efont/ -%% The Electronic Font Open Laboratory -%% http://openlab.ring.gr.jp/efont/dist/serif/efont-serif-tex-20010312-p3.tar.gz -%% http://openlab.ring.gr.jp/efont/serif/index.html.en -%% http://openlab.ring.gr.jp/efont/index.html.en -%% -%% History: see trailer. -% -\immediate\write16{MusiXTeX efont-serif\space<2009/10/15>} -% -% 8pt roman, bold, and italic -\font\eightrm=esfr7t at 8pt -\font\eightbf=esfb7t at 8pt -\font\eightit=esfri7t at 8pt -% -% 9pt -\font\ninerm=esfr7t at 9pt -\font\ninebf=esfb7t at 9pt -\font\nineit=esfri7t at 9pt -% -% 10pt -\font\tenrm=esfr7t -\font\tenbf=esfb7t -\font\tenit=esfri7t -% -% 12pt -\font\twelverm=esfr7t scaled \magstep 1 -\font\twelvebf=esfb7t scaled \magstep 1 -\font\twelveit=esfri7t scaled \magstep 1 -% -% Large fonts for titles -% (If you prefer efont-serif-bold, use esfb7t instead of esfr7t) -\font\bigfont=esfr7t scaled \magstep2 % 14pt -\font\Bigfont=esfr7t scaled \magstep3 % 17pt -\font\BIgfont=esfr7t scaled \magstep4 % 20pt -\font\BIGfont=esfr7t scaled \magstep5 % 25pt -% -% PMX changes font assignment in pmx.tex -% \BIGfont=\fontid bx10 scaled\magstep4 -% \Bigfont=\fontid bx10 scaled\magstep2 -\ifx\pmxversion\undefined\relax\else - \font\Bigfont=esfr7t scaled \magstep2 % 14pt - \font\BIGfont=esfr7t scaled \magstep4 % 20pt -\fi -% -\normtype -\endinput -%% -%% History -%% -%% 2006/05/13 -%% first publish -%% 2007/06/11 -%% no functional change. (email protection, real address change, URL change) -%% 2008/08/01 -%% Font assignment change on PMX. -%% 2009/10/15 -%% small update for MusiXTeX T.114 final release. -%% diff --git a/macros/musixtex/tex/musixevo.tex b/macros/musixtex/tex/musixevo.tex deleted file mode 100644 index dd6c1e5ffc..0000000000 --- a/macros/musixtex/tex/musixevo.tex +++ /dev/null @@ -1,19 +0,0 @@ -\immediate\write16{MusiXEVenOdd T.53\space<1 April 1996>}% - -% enables - -\makeatletter -\def\outmorceau{\shipout\hbox{\null\ifodd\pageno\kern 2.5mm - \else\kern -2.5mm - \fi - \vbox{\vbox to \vsize{\vss\pagecontents\vss}\line{% -\ifodd\pageno\sl \titremorceau\ (\s@hortauthor) -\ifcopyright\rm$\copyright$\fi\hss \number\pageno -\else\rm\number\pageno\hss\sl \titremorceau\ (\s@hortauthor) -\ifcopyright\rm$\copyright$\fi\fi}}}% - \global\advance\count0 by 1\relax - \ifnum\outputpenalty>-20000 \else\dosupereject\fi}% - -\output{\outmorceau} -\makeatother -\endinput diff --git a/macros/musixtex/tex/musixext.tex b/macros/musixtex/tex/musixext.tex deleted file mode 100644 index d6ac3b9c4b..0000000000 --- a/macros/musixtex/tex/musixext.tex +++ /dev/null @@ -1,26 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -% -% musixext.tex -% -\immediate\write16{MusiXext T.118 <2015-07-25>}% -% -% (nothing to do. - T.118 or later provides \slide and \raggedstoppiece -% -\endinput diff --git a/macros/musixtex/tex/musixfll.tex b/macros/musixtex/tex/musixfll.tex deleted file mode 100644 index 7cb9e44fae..0000000000 --- a/macros/musixtex/tex/musixfll.tex +++ /dev/null @@ -1,44 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% - -\ifx\undefined\longledgerlines \else \endinput \fi - -\immediate\write16{MusiXFormerLedgerLines T.74\space<06 April 1997>}% - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 - -\let\h@lineick\h@linei -\def\h@lineidt{% - \y@ii\n@v\internote - \y@iii\y@ii - \advance\y@ii\hlthick - \advance\y@iii-\hlthick - \y@iv\y@v - \advance\y@iv\h@lf\qn@width - \kernm.25\qn@width - \vrule\@height\y@ii\@depth-\y@iii\@width\y@iv - \kernm\y@iv\kern.25\qn@width} -\def\longledgerlines{\global\let\h@linei\h@lineidt} -\def\autoledgerlines{\global\let\h@linei\h@lineick} -\longledgerlines - -\catcode`\@=\catcodeat - -\endinput - diff --git a/macros/musixtex/tex/musixftab.tex b/macros/musixtex/tex/musixftab.tex deleted file mode 100644 index 82e679ad9f..0000000000 --- a/macros/musixtex/tex/musixftab.tex +++ /dev/null @@ -1,148 +0,0 @@ - -% musixftab.tex : french tablature definitions for MusiXTeX -% -% usage: -% -% \input musixtex -% \input musixftab -% ... -% -% musixftab.tex is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% musixftab.tex is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -% Copyright 2021 Bob Tennent rdt@cs.queensu.ca -% -\immediate\write16{musixftab\space<2017/02/10>} -\ifx\undefined\startpiece\errmessage{Input musixtex.tex before musixftab.tex}\fi - -\font\tabfntthirteen=frenchtab at 4pt -\font\tabfntsixteen=frenchtab at 5pt -\font\tabfnttwenty=frenchtab at 6pt -\font\tabfnttwentyfour=frenchtab at 7pt -\font\tabfnttwentynine=frenchtab at 9pt - -\makeatletter - -% need to raise note boxes 0.25ex for frenchtab.pfb - -\def\tabbox#1#2{% - \setbox0=\hbox{\tabfnt #2}% - \stringraise\nblines - \advance\stringraise by -#1 - \multiply\stringraise by 2 - \advancefalse\def\q@u{}\loffset{0.45}{\@nq{\the\stringraise}}% - \iftabstylespace\else\advance\stringraise-1\fi - \special{ps: 1 setgray}% - \ccharnote{\the\stringraise}{\vrule height \ht0 width \wd0 depth \dp0}% - \special{ps: 0 setgray}% - \ccharnote{\the\stringraise}{\raise 0.25ex\box0}% -} -% \ltabbox does the same as \tabbox, except that it produces -% left-outlined symbols -\def\ltabbox#1#2{\setbox0=\hbox{\tabfnt #2}% - \stringraise\nblines - \advance\stringraise by -#1 - \multiply\stringraise by 2 - \advancefalse\def\q@u{}\loffset{0.2}{\@nq{\the\stringraise}}% - \iftabstylespace\else\advance\stringraise-1\fi - \special{ps: 1 setgray}% - \zcharnote{\the\stringraise}{\vrule height \ht0 width \wd0 depth \dp0}% - \special{ps: 0 setgray}% - \zcharnote{\the\stringraise}{\raise 0.25ex\box0}% -} -% \rtabbox does the same as \tabbox, except that it produces -% right-outlined symbols -\def\rtabbox#1#2{\setbox0=\hbox{\tabfnt #2}% - \stringraise\nblines - \advance\stringraise by -#1 - \multiply\stringraise by 2 - \advancefalse\def\q@u{}\loffset{0.75}{\@nq{\the\stringraise}}% - \iftabstylespace\else\advance\stringraise-1\fi - \special{ps: 1 setgray}% - \lcharnote{\the\stringraise}{\vrule height \ht0 width \wd0 depth \dp0}% - \special{ps: 0 setgray}% - \lcharnote{\the\stringraise}{\raise 0.25ex\box0}% -} - -\makeatother - - -\def\tab#1#2{% -\stringnum=#1 -\ifnum\stringnum>\nblines -\nslashes=\stringnum -\advance\nslashes by -\nblines -\iftabstylespace\advance\nslashes by -1\fi -\def\numslashes{\the\nslashes} -\ifcase\numslashes\tabbox{#1}{#2}\or\zcn{-3}{\tabfnt V0}\or\zcn{-3}{\tabfnt W0}\or\zcn{-3}{\tabfnt X0}\or\zcn{-3}{\tabstringfnt\bf 4}\or\zcn{-3}{\tabstringfnt\bf 5}\or\zcn{-3}{\tabstringfnt\bf 6}\or\zcn{-3}{\tabstringfnt\bf 7}\fi% -\else\tabbox{#1}{#2}\fi\sk} - -% left spilling \tab -\def\ltab#1#2{% -\stringnum=#1 -\ifnum\stringnum>\nblines -\nslashes=\stringnum -\advance\nslashes by -\nblines -\iftabstylespace\advance\nslashes by -1\fi -\def\numslashes{\the\nslashes} -\ifcase\numslashes\ltabbox{#1}{#2}\or\zcn{-3}{\tabfnt V0}\or\zcn{-3}{\tabfnt W0}\or\zcn{-3}{\tabfnt X0}\or\zcn{-3}{\tabstringfnt\bf 4}\or\zcn{-3}{\tabstringfnt\bf 5}\or\zcn{-3}{\tabstringfnt\bf 6}\or\zcn{-3}{\tabstringfnt\bf 7}\fi% -\else\ltabbox{#1}{#2}\fi\sk} - -% right spilling \tab -\def\rtab#1#2{% -\stringnum=#1 -\ifnum\stringnum>\nblines -\nslashes=\stringnum -\advance\nslashes by -\nblines -\iftabstylespace\advance\nslashes by -1\fi -\def\numslashes{\the\nslashes} -\ifcase\numslashes\rtabbox{#1}{#2}\or\zcn{-3}{\tabfnt V0}\or\zcn{-3}{\tabfnt W0}\or\zcn{-3}{\tabfnt X0}\or\zcn{-3}{\tabstringfnt\bf 4}\or\zcn{-3}{\tabstringfnt\bf 5}\or\zcn{-3}{\tabstringfnt\bf 6}\or\zcn{-3}{\tabstringfnt\bf 7}\fi% -\else\rtabbox{#1}{#2}\fi\sk} - -% \chord-tab symbol. Same as \tab, but no \sk is given, so multiple -% symbols can be placed above one another -\def\ztab#1#2{% -\stringnum=#1 -\ifnum\stringnum>\nblines -\nslashes=\stringnum -\advance\nslashes by -\nblines -\iftabstylespace\advance\nslashes by -1\fi -\def\numslashes{\the\nslashes} -\ifcase\numslashes\tabbox{#1}{#2}\or\zcn{-3}{\tabfnt V0}\or\zcn{-3}{\tabfnt W0}\or\zcn{-3}{\tabfnt X0}\or\zcn{-3}{\tabstringfnt\bf 4}\or\zcn{-3}{\tabstringfnt\bf 5}\or\zcn{-3}{\tabstringfnt\bf 6}\or\zcn{-3}{\tabstringfnt\bf 7}\fi% -\else\tabbox{#1}{#2}\fi} - -% left spilling \ztab -\def\zltab#1#2{% -\stringnum=#1 -\ifnum\stringnum>\nblines -\nslashes=\stringnum -\advance\nslashes by -\nblines -\iftabstylespace\advance\nslashes by -1\fi -\def\numslashes{\the\nslashes} -\ifcase\numslashes\ltabbox{#1}{#2}\or\zcn{-3}{\tabfnt V0}\or\zcn{-3}{\tabfnt W0}\or\zcn{-3}{\tabfnt X0}\or\zcn{-3}{\tabstringfnt\bf 4}\or\zcn{-3}{\tabstringfnt\bf 5}\or\zcn{-3}{\tabstringfnt\bf 6}\or\zcn{-3}{\tabstringfnt\bf 7}\fi% -\else\ltabbox{#1}{#2}\fi} - -% right spilling \ztab -\def\zrtab#1#2{% -\stringnum=#1 -\ifnum\stringnum>\nblines -\nslashes=\stringnum -\advance\nslashes by -\nblines -\iftabstylespace\advance\nslashes by -1\fi -\def\numslashes{\the\nslashes} -\ifcase\numslashes\rtabbox{#1}{#2}\or\zcn{-3}{\tabfnt V0}\or\zcn{-3}{\tabfnt W0}\or\zcn{-3}{\tabfnt X0}\or\zcn{-3}{\tabstringfnt\bf 4}\or\zcn{-3}{\tabstringfnt\bf 5}\or\zcn{-3}{\tabstringfnt\bf 6}\or\zcn{-3}{\tabstringfnt\bf 7}\fi% -\else\rtabbox{#1}{#2}\fi} - -\endinput diff --git a/macros/musixtex/tex/musixgre.tex b/macros/musixtex/tex/musixgre.tex deleted file mode 100644 index a7272fb30c..0000000000 --- a/macros/musixtex/tex/musixgre.tex +++ /dev/null @@ -1,351 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -\immediate\write16{MusiXGREgorian T.67\space<3 January 1997>}% - -\ifx\undefined\gregorianCclef \else \endinput \fi - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 -\catcodesmusic - -\font\xgregeleven=xgreg11 -\font\xgregthirteen=xgreg13 -\font\xgregsixteen=xgreg16 -\font\xgregtwenty=xgreg20 -\font\xgregtwentyfour=xgreg24 -\font\xgregtwentynine=xgreg29 - -\let\xgregnorfont\xgregtwenty - -\def\xgregkeyfont{% - \ifdim\internote<\p@seven6\Internote \xgregtinyfont - \else - \ifdim\internote<.95\Internote \xgregsmallfont - \else - \ifdim\internote<1.19\Internote \xgregnorfont - \else - \ifdim\internote<1.43\Internote \xgreglargefont - \else - \xgregLargefont - \fi - \fi - \fi - \fi} - -\def\xgregchar{\xgregfont\char} -\def\xgregkeychar{\xgregkeyfont\char} - - -% \[z]carrg=\[z]squ, \[z]carpg=\[z]lsqu, \[z]carqg=\[z]rsqu - -\def\gregorianCclef{\xgregkeychar98} -\def\gregorianFclef{\xgregkeychar122} - -\def\squ#1{\getn@i#1\relax\let\n@fon\squ \def\n@sym{\xgregchar5}\g@diamg} -\def\r@small@squ#1{\getn@i#1\relax\let\n@fon\r@small@squ - \def\n@sym{\xgregchar0\llap{\xgregchar12\xgregchar18}}\g@diamg} -\def\punctumauctup#1{\getn@i#1\relax\let\n@fon\squ - \def\n@sym{\xgregchar9}\g@diamg} -\def\punctumauctdown#1{\getn@i#1\relax\let\n@fon\squ - \def\n@sym{\xgregchar8}\g@diamg} -\def\punctumdeminutum#1{\getn@i#1\relax\let\n@fon\squ - \def\n@sym{\xgregchar4}\g@diamg} -\def\shavedsqu#1{\getn@i#1\relax\let\n@fon\squ - \def\n@sym{\xgregchar17}\g@diamg} -\let\punctum\squ -\def\diapunc#1{\getn@i#1\relax\let\n@fon\squ - \def\n@sym{\xgregchar1}\g@diamg} -\def\diapuncauctdown#1{\getn@i#1\relax\let\n@fon\squ - \def\n@sym{\xgregchar2}\g@diamg} -\def\apostropha#1{\getn@i#1\relax\let\n@fon\squ - \def\n@sym{\xgregchar3}\g@diamg} -\def\apostrophaaucta#1{\getn@i#1\relax\let\n@fon\squ - \def\n@sym{\xgregchar11}\g@diamg} -\def\oriscus#1{\getn@i#1\relax\let\n@fon\squ - \def\n@sym{\xgregchar10}\g@diamg} -\def\usqu#1{\getn@i#1\relax\let\n@fon\squ - \def\n@sym{\xgregchar13}\g@diamg} -\def\lsqu#1{\getn@i#1\relax\let\n@fon\lsqu - \def\n@sym{\xgregchar6}\g@diamg} -\def\rsqu#1{\getn@i#1\relax\let\n@fon\rsqu - \def\n@sym{\xgregchar7}\g@diamg} -\let\virga\rsqu -\def\quilisma#1{\getn@i#1\relax\let\n@fon\quilisma - \def\n@sym{\xgregchar125}\g@diamg} -\def\shavedquilisma#1{\getn@i#1\relax\let\n@fon\shavedquilisma - \def\n@sym{\xgregchar126}\g@diamg} - - - -\def\zsqu{\advancefalse\squ} -\let\zpunctum\zsqu -\def\zusqu{\advancefalse\usqu} -\def\zlsqu{\advancefalse\lsqu} -\def\zrsqu{\advancefalse\rsqu} -\let\zvirga\zrsqu -\def\zoriscus{\advancefalse\oriscus} -\def\zdiapunc{\advancefalse\diapunc} -\def\zapostropha{\advancefalse\apostropha} -\def\zquilisma{\advancefalse\quilisma} -\def\zshavedquilisma{\advancefalse\shavedquilisma} - -\def\g@diamg{\y@v.71\qn@width \let\st@m\resetst@m \writ@note} - -\def\groff{\roffset{.71}} -\def\dgroff{\roffset{1.42}} - -\def\getthen@one@two#1#2{\getn@i{#1}\relax\edef\then@one{\the\n@i}% - \getn@i{#2}\relax\edef\then@two{\the\n@i}% - \n@ii=\then@one\relax - \advance\n@i -\n@ii\relax - \edef\the@two@minus@one{\the\n@i}% - \n@i=-\n@i - \edef\the@one@minus@two{\the\n@i}% -}% -\def\getthen@one@three#1#2#3{\getthen@one@two{#1}{#2}\relax - \getn@i{#3}\relax\edef\then@three{\the\n@i}% - \n@ii=\then@two\relax - \advance\n@i -\n@ii\relax - \edef\the@three@minus@two{\the\n@i}% - \n@i=-\n@i - \edef\the@two@minus@three{\the\n@i}% -}% - -\def\bivirga#1#2{\zrsqu{#1}\roff{\rsqu{#2}}} - -\def\trivirga#1#2#3{\zrsqu{#1}\roff{\zrsqu{#2}}\roffset2{\rsqu{#3}}} - -\def\bistropha#1#2{\zsqu{#1}\roff{\squ{#2}}} - -\def\tristropha#1#2#3{\zsqu{#1}\roff{\zsqu{#2}}\roffset2{\squ{#3}}} - -\def\trigonus#1#2#3{\zdiapunc{#1}\groff{\zdiapunc{#2}}\dgroff{\diapunc{#3}}} - -\def\clivis#1#2{\getthen@one@two{#1}{#2}\relax -\zlsqu{#1}{\xgregchar0}\zcharnote{#2}{\vrule\@depth\z@ \@height \the@one@minus@two\internote}\squ{#2}} - -\def\clivisdeminut#1#2{\getthen@one@two{#1}{#2}\relax -\zlsqu{#1}\zcharnote{#2}{\xgregchar0\vrule\@depth\z@ \@height -\the@one@minus@two\internote}\r@small@squ{#2}} - -\def\clivisauctup#1#2{\getthen@one@two{#1}{#2}\relax -\zlsqu{#1}{\xgregchar0}\zcharnote{#2}{\vrule\@depth\z@ \@height \the@one@minus@two\internote}\punctumauctup{#2}} - -\def\clivisauctdown#1#2{\getthen@one@two{#1}{#2}\relax -\zlsqu{#1}{\xgregchar0}\zcharnote{#2}{\vrule\@depth\z@ \@height \the@one@minus@two\internote}\punctumauctdown{#2}} - -\def\lclivis#1#2{\zsqu{#1}\groff{\lsqu{#2}}} - -\def\podatus#1#2{\getthen@one@two{#1}{#2}\relax - \zcharnote{#1}{\ifnum\the@two@minus@one<2\relax - \xgregchar16% - \else - \xgregchar15% - \fi - \vrule\@depth\z@ \@height\the@two@minus@one\internote}% -\ifnum\the@two@minus@one<2\relax - \shavedsqu{#2}% - \else - \squ{#2}% - \fi -} - -\def\podatusdeminut#1#2{\getthen@one@two{#1}{#2}\relax - \zcharnote{#1}{\ifnum\the@two@minus@one<2\relax - \xgregchar16% - \else - \xgregchar15% - \fi - \vrule\@depth\z@ \@height\the@two@minus@one\internote}% - \r@small@squ{#2}% -} - -\def\lpodatus#1#2{\zusqu{#1}\groff{\rsqu{#2}}} - -\def\podatusinitiodebilis#1#2{\getthen@one@two{#1}{#2}\relax - \zcharnote{#1}{\xgregchar12\xgregchar18% - \vrule\@depth\z@ \@height\the@two@minus@one\internote}% - {\xgregchar18}\squ{#2}% -} - -\def\podatusauctup#1#2{\getthen@one@two{#1}{#2}\relax - \zcharnote{#1}{\xgregchar5\xgregchar0% - \vrule\@depth\z@ \@height\the@two@minus@one\internote}% - {\xgregchar0}\punctumauctup{#2}% -} - -\def\podatusauctdown#1#2{\getthen@one@two{#1}{#2}\relax - \zcharnote{#1}{\xgregchar5\xgregchar0% - \vrule\@depth\z@ \@height\the@two@minus@one\internote}% - {\xgregchar0}\punctumauctdown{#2}% -} - -\def\scandicus#1#2#3{\getthen@one@three{#1}{#2}{#3}\relax - \advancefalse\podatus{#1}{#2}{\xgregchar0}% -% \zcharnote{#2}{\vrule\@depth\z@ \@height\the@three@minus@two\internote}% - \rsqu{#3}} - -\def\scandicusdeminut#1#2#3{\getthen@one@two{#1}{#2}% - \zsqu{#1}{\xgregchar0}% -% \zcharnote{#1}{\vrule\@depth\z@ \@height\the@two@minus@one\internote}% - \podatusdeminut{#2}{#3}} - -\def\scandicusauctdown#1#2#3{\getthen@one@three{#1}{#2}{#3}\relax - \zsqu{#1}{\xgregchar0}% - \zcharnote{#1}{\vrule\@depth\z@ \@height\the@two@minus@one\internote}% - \zsqu{#2}{\xgregchar0}% - \zcharnote{#2}{\vrule\@depth\z@ \@height\the@three@minus@two\internote}% - \punctumauctdown{#3}} - -\def\torculus#1#2#3{\getthen@one@three{#1}{#2}{#3}\zsqu{#1}{\xgregchar0}% - \zcharnote{#1}{\vrule\@depth\z@ \@height\the@two@minus@one\internote}% - \zsqu{#2}{\xgregchar0}% - \zcharnote{#3}{\vrule\@depth\z@ \@height\the@two@minus@three\internote}% - \squ{#3}} - -\def\torculusdeminut#1#2#3{\getthen@one@three{#1}{#2}{#3}\zsqu{#1}{\xgregchar0}% - \zcharnote{#1}{\vrule\@depth\z@ \@height\the@two@minus@one\internote}% - \zsqu{#2}% - \zcharnote{#3}{\xgregchar0\vrule\@depth\z@ \@height\the@two@minus@three\internote}% - \r@small@squ{#3}} - -\def\torculusauctdown#1#2#3{\getthen@one@three{#1}{#2}{#3}\zsqu{#1}{\xgregchar0}% - \zcharnote{#1}{\vrule\@depth\z@ \@height\the@two@minus@one\internote}% - \zsqu{#2}{\xgregchar0}% - \zcharnote{#3}{\vrule\@depth\z@ \@height\the@two@minus@three\internote}% - \punctumauctdown{#3}} - -\def\torculusinitiodebilis#1#2#3{\getthen@one@three{#1}{#2}{#3}% - \zcharnote{#1}{\xgregchar12\xgregchar18\vrule\@depth\z@ \@height\the@two@minus@one\internote}% - {\xgregchar18}\zsqu{#2}{\xgregchar0}% - \zcharnote{#3}{\vrule\@depth\z@ \@height\the@two@minus@three\internote}% - \squ{#3}} - -\def\torculusdebilis#1#2#3{\getthen@one@three{#1}{#2}{#3}% - \zcharnote{#1}{\xgregchar12\xgregchar18\vrule\@depth\z@ \@height\the@two@minus@one\internote}% - {\xgregchar18}\zsqu{#2}% - \zcharnote{#3}{\xgregchar0\vrule\@depth\z@ \@height\the@two@minus@three\internote}% - \r@small@squ{#3}} - -\def\climacus#1#2#3{\zrsqu{#1}\groff{\zdiapunc{#2}{\xgregchar0}\diapunc{#3}}} - -\def\climacusresupinus#1#2#3#4{\zrsqu{#1}\groff{\zdiapunc{#2}{\xgregchar0}\zdiapunc{#3}{\xgregchar0}\squ{#4}}} - -\def\climacusdeminut#1#2#3{\zrsqu{#1}\groff{\zdiapunc{#2}{\xgregchar0}\punctumdeminutum{#3}}} - -\def\climacusauctdown#1#2#3{\zrsqu{#1}\groff{\zdiapunc{#2}{\xgregchar0}\diapuncauctdown{#3}}} - -\def\lclimacus#1#2#3{\zlsqu{#1}\groff{\zdiapunc{#2}{\xgregchar0}\diapunc{#3}}} - -\def\pesquassus#1#2{\getthen@one@two{#1}{#2}\relax - \zoriscus{#1}{\xgregchar0}\zcharnote{#1}{\vrule\@depth\z@ \@height \the@two@minus@one\internote}\rsqu{#2}} - -\def\pesquassusauctdown#1#2{\getthen@one@two{#1}{#2}\relax - \zoriscus{#1}{\xgregchar0}\zcharnote{#1}{\vrule\@depth\z@ \@height \the@two@minus@one\internote}\punctumauctdown{#2}} - -\def\quilismapes#1#2{\getthen@one@two{#1}{#2}\relax - \ifnum\the@two@minus@one<2\relax - \zshavedquilisma{#1}% \message{ zshavedqui OK}% - \else - \zquilisma{#1}% \message{ zquilisma OK}% - \fi %\message{zqui OK}% - \zcharnote{#1}{\xgregchar0\vrule\@depth\z@ \@height \the@two@minus@one\internote}% - \ifnum\the@two@minus@one<2\relax - \shavedsqu{#2}% - \else - \squ{#2}% - \fi -} -\def\quilismapesauctdown#1#2{\getthen@one@two{#1}{#2}\relax - \zquilisma{#1}% \message{ zquilisma OK}% - \zcharnote{#1}{\xgregchar0\vrule\@depth\z@ \@height \the@two@minus@one\internote}% - {\xgregchar0}\punctumauctdown{#2}% -} - - %\check -\def\hporrectus#1{\errmessage{\noexpand\hporrectus\space does not exist -anymore, use \bporrectus with two args}} - -\def\porrectus#1#2{\errmessage{\noexpand\porrectus does not exist anymore, use - \noexpand\Porrectus}} - -\def\porrectusflexus#1#2{\errmessage{\noexpand\porrectusflexus does not exist anymore, use - \noexpand\Porrectusflexus}} - - %\check -\def\bporrectus#1#2{\getthen@one@two{#1}{#2}\relax - \ifnum\the@one@minus@two=1\relax - \def\n@sym{\xgregchar121}\relax - \else\ifnum\the@one@minus@two=2\relax - \def\n@sym{\xgregchar120}\relax - \else\ifnum\the@one@minus@two=3\relax - \def\n@sym{\xgregchar119}\relax - \else\ifnum\the@one@minus@two=4\relax - \def\n@sym{\xgregchar118}\relax - \else\errmessage{Porrectus 2nd arg must be 1st minus 1 to 4}\relax - \fi - \fi - \fi - \fi - \getn@i#1\relax\let\n@fon\squ \g@diamg -} - -%\check - -\def\Porrectusflexus#1#2#3#4{% - \advancefalse\bporrectus{#1}{#2}{\xgregchar0\xgregchar0\xgregchar0}% - \getthen@one@three{#2}{#3}{#4}% - \zcharnote{#2}{\vrule \@height\the@two@minus@one\internote\@depth\z@}% - \zsqu{#3}% - {\xgregchar0}\zcharnote{#4}{\vrule\@depth\z@ \@height \the@two@minus@three\internote}\squ{#4}} - -%\check - -\def\Porrectus#1#2#3{\getthen@one@three{#1}{#2}{#3}\relax - \advancefalse\bporrectus{#1}{#2}{\xgregchar0\xgregchar0}% - \zcharnote{#2}{\xgregchar0\vrule\@height\the@three@minus@two\internote\@depth\z@}% - \ifnum\the@three@minus@two<2\relax - \shavedsqu{#3}% - \else - \squ{#3}% - \fi -} - -\def\Porrectusdeminut#1#2#3{\getthen@one@three{#1}{#2}{#3}\relax - \advancefalse\bporrectus{#1}{#2}{\xgregchar0\xgregchar0}% - \zcharnote{#2}{\xgregchar0\vrule\@height\the@three@minus@two\internote\@depth\z@}\r@small@squ{#3}% -} - -\def\Porrectusauctdown#1#2#3{\getthen@one@three{#1}{#2}{#3}\relax - \advancefalse\bporrectus{#1}{#2}{\xgregchar0\xgregchar0\xgregchar0}% - \zcharnote{#2}{\vrule\@height\the@three@minus@two\internote\@depth\z@}\punctumauctdown{#3}% -} - -\def\salicus#1#2#3{\zsqu{#1}\groff{\pesquassus{#2}{#3}}} -%\check - -\def\salicusflexus#1#2#3#4{\zsqu{#1}{\xgregchar0}\torculus{#2}{#3}{#4}} - -\def\salicusauctdown#1#2#3{\zsqu{#1}\groff{\pesquassusauctdown{#2}{#3}}} -%\check - -\let\xgregfont\xgregnorfont - -\endcatcodesmusic -\catcode`\@=\catcodeat -\endinput diff --git a/macros/musixtex/tex/musixgui.tex b/macros/musixtex/tex/musixgui.tex deleted file mode 100644 index 103360b269..0000000000 --- a/macros/musixtex/tex/musixgui.tex +++ /dev/null @@ -1,41 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -\immediate\write16{MusiXGUItar 0.36\space<1 March 1995>}% - -\ifx\undefined\guitar \else \endinput \fi - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 - -\newskip\guitar@dim \guitar@dim=-.6\qn@width\relax - -% to raise the chords (steps of internote) -\def\raiseguitar#1{\edef\r@gu{#1}} -\let\r@gu\z@ - -\def\d@c#1{\if x#1\tw@nty \else\if o#1\char19\else\char28\fi\fi} -\def\guitar#1#2#3#4#5#6#7#8{\zchar\r@gu{\raise\Interligne\lrlap{#1}% - \mxsps\lrlap\sixt@@n\lrlap{\d@c#3\d@c#4\d@c#5\d@c#6\d@c#7\d@c#8}% - \lower\Internote\lrlap{\eightbf#2\kern\s@v@n\guitar@dim}}} -\def\gbarre#1{\zchar\r@gu{\n@v#1\advance\n@v\m@ne - \raise\n@v\guitar@dim\lrlap{\mxsps\char18}}} -\def\gdot#1#2{\zchar\r@gu{\n@v#2\advance\n@v\m@ne\kern\si@\guitar@dim - \kernm#1\guitar@dim\raise\n@v\guitar@dim\rlap{\mxsps\char17}}} - -\catcode`\@=\catcodeat -\endinput diff --git a/macros/musixtex/tex/musixhor.tex b/macros/musixtex/tex/musixhor.tex deleted file mode 100644 index fbc73393e1..0000000000 --- a/macros/musixtex/tex/musixhor.tex +++ /dev/null @@ -1,41 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% - -\ifx\undefined\Tenpoint - \input musixsty.tex -\fi - -\immediate\write16{MusiXtextSTYle-horizontal T.98\space<21 October 1999>}% - -\vsize=185mm -\hsize=275mm -\hoffset=297mm -\advance\hoffset -\hsize -\divide\hoffset 2\relax -\advance\hoffset -2.54cm -\voffset -3mm -\tenpoint -\def\horizontalscore{\relax} -%%%%%%%%%%%%%%%%%%%%%%%%% local adjust to be tuned %%%%%%%%%%%%%%%%%%%%%%%%%% -\advance\voffset -5mm -\hoffset=-1.54cm -%%%%%%%%%%%%%%%%%%%%%%%%% local adjust to be tuned %%%%%%%%%%%%%%%%%%%%%%%%%% - -\endinput - diff --git a/macros/musixtex/tex/musixhou.tex b/macros/musixtex/tex/musixhou.tex deleted file mode 100644 index d0eb65d23b..0000000000 --- a/macros/musixtex/tex/musixhou.tex +++ /dev/null @@ -1,58 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% - -\immediate\write16{MusiXHOUsestyles T.64\space<8 October 1996>}% - -\ifx\undefined\Metron \else \endinput \fi - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 - -% match the mid of lower chars (only for \tenrm) - -\def\writ@names{\n@loop - \setbox\toks@box\llap{\vbox{\hbox\@to\parindent{% - \hss\csname instrument\romannumeral\noinstrum@nt\endcsname - \hss}\kern\h@lf ex}~~}% - \altportee\altitude \Comp@High\advance\y@v-\ht\toks@box - \advance\altportee\h@lf\y@v \writ@box \repeat} - -% smaller metron - -\def\Metron#1{{\tinynotesize\stemlength\thr@@\eightrm (\zqu 0~~~= #1)}} - -%%% dynamics -\iflongDCfontnames - \font\frtnbxit=\fontid bi1440 -\else\iflongECfontnames - \font\frtnbxit=\fontid bi1440 - \else - \font\frtnbxit=\fontid bxti10 scaled \magstep2 - \fi -\fi -\def\f{\frtnbxit f} -\def\ff{\f\f@kern f} -\def\fff{\ff\f@kern f} -\def\mf{\twelveit m\p@kern\f@kern\f} -\def\mp@{\twelveit m\p@kern\p} -\def\p{\frtnbxit p} -\def\pp{\p\p@kern p} -\def\ppp{\pp\p@kern p} - -\catcode`\@=\catcodeat -\endinput diff --git a/macros/musixtex/tex/musixhv.tex b/macros/musixtex/tex/musixhv.tex deleted file mode 100644 index 9c24763330..0000000000 --- a/macros/musixtex/tex/musixhv.tex +++ /dev/null @@ -1,180 +0,0 @@ -% musixhv.tex : Helvetica font definitions for MusiXTeX -% -% usage: -% -% \input musixtex -% \input musixhv -% ... -% -% MusiXhv.tex is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXhv.tex is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -% Copyright 2015-2017 Bob Tennent rdt@cs.queensu.ca -% -\immediate\write16{MusiXhv\space<2017/02/10>} -\ifx\undefined\startpiece\errmessage{Input musixtex.tex before musixhv.tex}\fi -% -% 7pt "Roman" (sans serif), bold, "italic" (oblique), "bold-italic" (bold-oblique), and small-cap -\font\sevenrm=phvr8t at 7pt -\font\sevenbf=phvb8t at 7pt -\font\sevenit=phvro8t at 7pt -\font\sevenbi=phvbo8t at 7pt -\font\sevensc=phvrc8t at 7pt -% -% 8pt -\font\eightrm=phvr8t at 8pt -\font\eightbf=phvb8t at 8pt -\font\eightbi=phvbo8t at 8pt -\font\eightsc=phvrc8t at 8pt -\font\eightit=phvro8t at 8pt -% -% 9pt -\font\ninerm=phvr8t at 9pt -\font\ninebf=phvb8t at 9pt -\font\nineit=phvro8t at 9pt -\font\ninebi=phvbo8t at 9pt -\font\ninesc=phvrc8t at 9pt -% -% 10pt -\font\tenrm=phvr8t at 10pt -\font\tenbf=phvb8t at 10pt -\font\tenit=phvro8t at 10pt -\font\tenbi=phvbo8t at 10pt -\font\tensc=phvrc8t at 10pt -% -% 11pt -\font\elevenrm=phvr8t at 11pt -\font\elevenbf=phvb8t at 11pt -\font\elevenit=phvro8t at 11pt -\font\elevenbi=phvbo8t at 11pt -\font\elevensc=phvrc8t at 11pt -% -% 12pt -\font\twelverm=phvr8t scaled \magstep1 -\font\twelvebf=phvb8t scaled \magstep1 -\font\twelveit=phvro8t scaled \magstep1 -\font\twelvebi=phvbo8t scaled \magstep1 -\font\twelvesc=phvrc8t scaled \magstep1 -% -% 14pt -\font\frtrm=phvr8t scaled \magstep2 -\font\frtbf=phvb8t scaled \magstep2 -\font\frtit=phvro8t scaled \magstep2 -\font\frtbi=phvbo8t scaled \magstep2 -\font\frtsc=phvrc8t scaled \magstep2 -% -% 17pt -\font\svtrm=phvr8t scaled \magstep3 -\font\svtbf=phvb8t scaled \magstep3 -\font\svtit=phvro8t scaled \magstep3 -\font\svtbi=phvbo8t scaled \magstep3 -\font\svtsc=phvrc8t scaled \magstep3 -% -% 20pt -\font\twtyrm=phvr8t scaled \magstep4 -\font\twtybf=phvb8t scaled \magstep4 -\font\twtyit=phvro8t scaled \magstep4 -\font\twtybi=phvbo8t scaled \magstep4 -\font\twtysc=phvrc8t scaled \magstep4 -% -% 25pt -\font\twfvrm=phvr8t scaled \magstep5 -\font\twfvbf=phvb8t scaled \magstep5 -\font\twfvit=phvro8t scaled \magstep5 -\font\twfvbi=phvbo8t scaled \magstep5 -\font\twfvsc=phvrc8t scaled \magstep5 -% -% large fonts for titles -% (If you prefer bold, use \bf) -% -\def\bigtype{\bigfont\rm} -\def\Bigtype{\Bigfont\rm} -\def\BIgtype{\BIgfont\rm} -\def\BIGtype{\BIGfont\rm} -% -% -\font\ppfftwelve=phvbo8t at 8pt -\font\ppffsixteen=phvbo8t at 10pt -\font\ppfftwenty=phvbo8t at 12pt -\font\ppfftwentyfour=phvbo8t at 14pt -\font\ppfftwentynine=phvbo8t at 17pt -% -\def\f{{\ppff f}} -\def\ff{{\ppff ff}} -\def\fp{{\ppff fp}} -\def\fff{{\ppff fff}} -\def\ffff{{\ppff ffff}} -\def\mf{{\ppff mf}} -\def\p{{\ppff p}} -\def\pp{{\ppff pp}} -\def\ppp{{\ppff ppp}} -\def\pppp{{\ppff pppp}} - -% sl fonts needed by musixsty -% -\font\eightsl=phvro8t at 8pt -\font\ninesl=phvro8t at 9pt -\font\tensl=phvro8t at 10pt -\font\twelvesl=phvro8t scaled \magstep1 -\font\frtsl=phvro8t scaled \magstep2 -\font\svtsl=phvro8t scaled \magstep3 -\font\twtysl=phvro8t scaled \magstep4 -\font\twfvsl=phvro8t scaled \magstep5 -% -% -\edef\catcodeat{\the\catcode`\@} -\catcode`\@=11 -% -\def\sF{{\ppff s\p@kern f}} -\def\sfz{{\ppff s\p@kern f\f@kern z}} -\def\sfzp{{\ppff s\p@kern f\f@kern z\p@kern p}} - -\def\mp@{{\ppff mp}} -\let\mezzopiano\mp@ -\catcode`\@=\catcodeat - -% -% Redefine accented characters for etex, suggested by David Carlisle: -% -\ifx\documentclass\undefined -\catcode`\@=11 -\def\ProvidesFile#1[#2]{} -\def\DeclareFontEncoding#1#2#3{} -\def\DeclareTextAccent#1#2#3{% -\def#1##1{% -\expandafter\ifx\csname T1\string#1-\string##1\endcsname\relax -{\accent#1 ##1}% -\else -\csname T1\string#1-\string##1\expandafter\endcsname -\fi}} -\def\DeclareTextCommand#1#2{\xdtcmd}%not today -\def\xdtcmd#1#{\xxdtcmd}%not today -\def\xxdtcmd#1{}%not today -\def\DeclareTextCompositeCommand#1#2#3#4{}%not today -\def\DeclareTextSymbol#1#2#3{% -\def#1{\char#3\relax}} -\def\DeclareTextComposite#1#2#3#4{% -\expandafter\def\csname T1\string#1-\string#3\endcsname{\char#4\relax}} - -\input t1enc.def - -\def\c#1{\leavevmode\ifx c#1\char231 \else\setbox\z@\hbox{#1}\ifdim\ht\z@=1ex\accent11 #1% - \else{\ooalign{\unhbox\z@\crcr - \hidewidth\char11\hidewidth}}\fi\fi} -\catcode`\@=\catcodeat -\fi - -\normtype -\endinput diff --git a/macros/musixtex/tex/musixinv.tex b/macros/musixtex/tex/musixinv.tex deleted file mode 100644 index 4a8d6ae864..0000000000 --- a/macros/musixtex/tex/musixinv.tex +++ /dev/null @@ -1,2 +0,0 @@ -% still a dummy -\endinput diff --git a/macros/musixtex/tex/musixlit.tex b/macros/musixtex/tex/musixlit.tex deleted file mode 100644 index f55fb8f826..0000000000 --- a/macros/musixtex/tex/musixlit.tex +++ /dev/null @@ -1,87 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% - -\immediate\write16{MusiXLITurgical 0.38\space<17 Dec 2016>}% - -\ifx\undefined\oldGclef \else \endinput \fi - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 - -\def\oldGclef{\keychar103} - -\def\cqu{\def\q@u{\musixchar99}\@qu} -\def\cql{\def\q@u{\musixfont\@c}\@ql} -\def\chu{\def\q@u{\musixchar101}\@qu} -\def\chl{\def\q@u{\musixchar102}\@ql} - -\def\cnqu{\def\q@u{\musixchar99}\@nq} -\def\cnql{\def\q@u{\musixfont\@c}\@nq} -\def\cnhu{\def\q@u{\musixchar101}\@nq} -\def\cnhl{\def\q@u{\musixchar102}\@nq} -\def\cqb{\def\q@u{\musixchar99}\@qb} % RDT 2016-12-17 -\def\zcqb{\advancefalse\cqb} % RDT 2016-12-17 - - -% Moved to musixtex.tex. RDT 2015-12-23 -%\def\Hpause#1#2{\zcharnote{#1}{\def\s@r{% -% \vrule\@width.6\p@\@height1\h@lf\internote\@depth1\h@lf\internote}% -% \s@r -% \vrule\@width#2\noteskip\@height\h@lf\internote\@depth\h@lf\internote -% \s@r}} - -\def\Hlonga#1#2{\zcharnote{#1}{\def\s@r{% - \vrule\@width.6\p@\@height1\h@lf\internote\@depth1\h@lf\internote}% - \s@r - \raise\h@lf\internote\rlap{\vrule\@width#2\noteskip - \@height 0.3pt\@depth 0.3pt}% - \raise-\h@lf\internote\hbox{\vrule\@width#2\noteskip - \@height 0.3pt\@depth 0.3pt}% - \s@r}} - -% separated short vrules over every staff (fits only for 1,2,3,5 Lines) - -\def\rul@SEP#1{\n@loop\short@rule\repeat\addspace#1} -\def\short@rule{{\p@loop\y@\altportee\advance\y@\tw@\internote\raise\y@% - \rlap{\vrule\@width\lthick\@height\f@ur\internote}\count@portee\repeat}} -\def\shortbarrules{\let\writ@rule\rul@SEP } - -% separated short vrules between every staff (fits only for 1,2,3,5 Lines) - -\def\rul@int#1{\n@loop\inter@rule\repeat\addspace#1} -\def\inter@rule{{% - \y@iv\altitude \y@v\y@iv - \ifnum\st@ffs>\@ne \@ri \Comp@High\advance\y@v\altitude - \else \ifnum\st@ffs>\z@ \advance\y@v\@ight\internote \fi\fi - \advance\noinstrum@nt\@ne \s@l@ctinstr - \ifnum\st@ffs=\z@ \advance\noinstrum@nt\@ne\s@l@ctinstr \fi - \ifnum\nbinstruments<\noinstrum@nt - \y@iii\y@iv \y@ii\y@iii \advance\y@ii-\y@v \Put@inter@rule - \else - \y@iii\altitude \y@ii\y@iii \advance\y@ii-\y@v \Put@inter@rule - \fi}} -\def\@ri{\n@ii\st@ffs \advance\st@ffs\m@ne - \C@Inter \y@ii\stem@skip - \p@loop \y@iii\altportee \advance\y@iii\interportee - \Put@inter@rule \advance\noport@@\@ne \repeat - \st@ffs\n@ii} -\def\Put@inter@rule{\raise\y@iii\rlap{\vrule\@width\lthick\@depth\y@ii}} -\def\interbarrules{\let\writ@rule\rul@int } - -\catcode`\@=\catcodeat -\endinput diff --git a/macros/musixtex/tex/musixlyr.tex b/macros/musixtex/tex/musixlyr.tex deleted file mode 100644 index fc9aaaf9b1..0000000000 --- a/macros/musixtex/tex/musixlyr.tex +++ /dev/null @@ -1,1162 +0,0 @@ -%% -%% musixlyr.tex: Convenient lyrics handling for MusiXTeX T.52 or later -%% -%% Copyright (C) 1996-2003 Rainer Dunker -%% -%% This program is free software; you can redistribute it and/or modify -%% it under the terms of the GNU General Public License as published by -%% the Free Software Foundation; either version 2 of the License, or -%% any later version. -%% -%% This program is distributed in the hope that it will be useful, -%% but WITHOUT ANY WARRANTY; without even the implied warranty of -%% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -%% GNU General Public License for more details. -%% -%% You should have received a copy of the GNU General Public License -%% along with this program; if not, write to the Free Software -%% Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA. -%% -%% Author: -%% Rainer Dunker -%% Wachtelweg 31 -%% 85591 Vaterstetten -%% Germany -%% -%% E-mail: rainer.dunker@web.de -%% -\ifx\undefined\lyr\else\endinput\fi -\immediate\write16{MusiXLYRics 2.1c\space} -\def\musixlyrversion{2.12} - -\makeatletter - -%%%%%%%%%% -% -% register allocation -% -%%%%%%%%%% -\newtoks\alle@texte - -% internal parameters for setting text -\let\evtl@klein\empty -\let\evtl@komma\empty -\let\evtl@punktweg\empty -\let\evtl@offset\empty -\let\evtl@next@lyr\empty -\newif\if@strich -\newif\iflyr@processing -\newif\if@pmx@nextvoice -\newif\if@lyrmode -\newif\if@hyphen -\newif\ifaux@active -\newif\if@single@token -\newdimen\lyr@shift -\newbox\lyr@box -\newbox\lyr@hyphen@box -\newbox\lyr@linkbox -\newbox\lyr@linkdepthbox -\def\ma@sw{lyr@m} % "main/aux switch" - -% helpers for shuffling data around -\newtoks\@rohtext -\newtoks\@textvar - -\let\text@name\empty - -% public parameters -\newif\ifleftlyr -\newif\ifforcelyrhyphens -\newif\ifshowlyrshift -\newdimen\minlyrrulelength \minlyrrulelength=2mm -\newdimen\minmulthyphens \minmulthyphens=1.5cm -\newdimen\minlyrspace \minlyrspace=3pt -\def\lyrhyphenchar{-} -\newbox\lyrstrutbox -\def\lyrlinestartpos{-10cm } -\def\oldlyrlinestart{\def\lyrlinestartpos{0pt }} % to restore 2.1 behaviour - -\def\lyrlog#1{\immediate\write16{#1}} % just for debugging convenience - -% for testing token lists for emptyness with \ifx -\def\emp@tst{\empty@test@errmsg} -\def\empty@test@errmsg{% - \errmessage{This shouldn't happen; you have found a musixlyr bug}} - -%%%%%%%%%% -% -% lyrics definition -% -%%%%%%%%%% -% set up text completely -\def\setlyrics#1#2{% iterative variant - % Parameter: - % #1 - lyrics line name - % #2 - text - \@rohtext={#2 -}% - \@textvar={}% - %\lyrlog{setlyrics{#1}, raw text: \the\@rohtext}% - \loop - \expandafter\ifx\expandafter\emp@tst\the\@rohtext\emp@tst % no more text - \let\@weiter n\else \let\@weiter j% - \fi - \ifx\@weiter j% - \expandafter\split@lyr@by@hyphens\the\@rohtext\@end - \repeat - \expandafter\xdef\csname dertext@#1\endcsname{\the\@textvar}% - \expandafter\xdef\csname nochtext@#1\endcsname{\the\@textvar}% - %\lyrlog{setlyrics{#1}: \the\@textvar}% - \initialize@verse{#1}} - -\def\appendlyrics#1#2{% iterative variant - % Parameter: - % #1 - lyrics line name - % #2 - text - % test whether lyrics line name already defined - \expandafter\ifx\csname stp@#1\endcsname\relax - % if not: set it up newly - \setlyrics{#1}{#2}% - \else - % if yes: preprocess new material, then append it to existing stuff - \@rohtext={#2 -}% - \@textvar={}% - %\lyrlog{appendlyrics{#1}, raw text: \the\@rohtext}% - \loop - \expandafter\ifx\expandafter\emp@tst\the\@rohtext\emp@tst % no more text - \let\@weiter n\else \let\@weiter j% - \fi - \ifx\@weiter j% - \expandafter\split@lyr@by@hyphens\the\@rohtext\@end - \repeat - % - % properly append new material to \dertext@#1 - \toks@=\expandafter\expandafter\expandafter{\csname dertext@#1\endcsname}% - \expandafter\test@final@hyphen@i\the\toks@\@end - \expandafter\xdef\csname dertext@#1\endcsname{\the\toks@\the\@textvar}% - % - % properly append new material to \nochtext@#1 - \toks@=\expandafter\expandafter\expandafter{\csname nochtext@#1\endcsname}% - \expandafter\ifx\expandafter\emp@tst\the\toks@\emp@tst - % pending text empty - don't call \test@final@hyphen - \else - \expandafter\test@final@hyphen@i\the\toks@\@end - \fi - \expandafter\xdef\csname nochtext@#1\endcsname{\the\toks@\the\@textvar}% - %\lyrlog{appendlyrics{#1}: \the\@textvar}% - \fi} - -% separate hyphens from syllables -\def\split@lyr@by@hyphens#1-#2\@end{% - % #1: text before first hyphen - % #2: text after first hyphen; may be empty - \ifx\emp@tst#2\emp@tst % -> no hyphen present - \@textvar=\expandafter{\the\@textvar#1}% - \else % -> hyphen present - \@textvar=\expandafter{\the\@textvar#1 @}% - \fi - \@rohtext={#2}% - %\lyrlog{splitlyrics 1: \the\@textvar}% - %\lyrlog{splitlyrics 2: \the\@rohtext}% - } - -% helper macros for \appendlyrics, handling the case that pre-existing -% lyrics material ends with an open hyphen -\def\test@final@hyphen@i#1 \@end{% - % truncate trailing space, then proceed with detecting a trailing @ - \test@final@hyphen@ii#1@@\@end} -\def\test@final@hyphen@ii#1@@#2\@end{% - \ifx\emp@tst#2\emp@tst - % no trailing, open hyphen - %\lyrlog{No trailing hyphen: #1}% - \else - % reset \toks@ so that trailing @ is not longer followed by a space - \toks@={#1@}% - %\lyrlog{Trailing hyphen: #1}% - \fi} - -% copy whole text under different name -\def\copylyrics#1#2{% - % #1 - existing text name - % #2 - new text name - % text still undefined? - \expandafter\ifx\csname dertext@#1\endcsname\relax - \errmessage{Trying to copy undefined verse "#1" to "#2"}% - \setlyrics{#2}{UNDEFINED}% - \else - \expandafter\let\expandafter\text@copy\csname dertext@#1\endcsname - \global\expandafter\let\csname dertext@#2\endcsname\text@copy - \global\expandafter\let\csname nochtext@#2\endcsname\text@copy - \initialize@verse{#2}% - \fi} - -% at 1st definition of a text name -\def\initialize@verse#1{% - % test whether lyrics line name already defined - \expandafter\ifx\csname stp@#1\endcsname\relax - \expandafter\xdef\csname stp@#1\endcsname{\lyrlinestartpos}% tracks horizontal progress - \global\expandafter\let\csname cont@#1\endcsname\relax% context stuff - \expandafter\gdef\csname zwr@#1\endcsname{0}% flag for hyphen/rule status - % for layout definitions - \global\expandafter\let\csname llay@#1\endcsname\relax - % switch on auto-text - {\def\text@name{#1}\lyricson}% - % insert in list of all defined text names - \global\alle@texte=\expandafter{\the\alle@texte#1,}% - \fi} - -% just for more elegance ... -\def\if@multistaff{\ifnum\st@ffs>1 } - -\def\set@texte#1#2{% - % assign assigned lyrics lines to \@texte - % or \empty in case they are empty - % #1: instrument number - % #2: staff number of instrument - \expandafter\let\expandafter\@texte\csname\ma@sw#1-#2\endcsname - \ifx\@texte\relax\let\@texte\empty\fi} - -\def\set@texte@current#1{% - % apply \set@texte to current context - % using PMX, automatically switch to aux lyrics where required - \switch@pmx@aux{% - % get the verses - \ifnum\st@ffs>1 % multi-staff instrument - \set@texte{\the\noinstrum@nt}{\the\noport@@}% - \else - \set@texte{\the\noinstrum@nt}{1}% - \fi - % perform given action - #1}} - -\def\loop@texte#1\@repeat{% - % assumption: \@texte is already set properly, may be empty - % #1: action to be executed - \ifx\@texte\empty\else - \expandafter\loop@texte@step\@texte\@end{#1}% - \fi} - -\def\loop@texte@step#1,#2\@end#3{% - % assumption: text list is not empty, #1 contains list head - % #1: text list head - % #2: text list tail - % #3: action to be executed - % - % perform action on first text - \def\text@name{#1}% - #3\relax - % - % prepare iteration - \ifx\emp@tst#2\emp@tst % list tail empty - \let\@iterate \empty % stop looping - \let\text@name\empty % reset working environment - \else - \def\@iterate{\loop@texte@step#2\@end{#3}}% - \fi - \@iterate} - -% assign text name to staff -\def\assignlyrics#1{% for single-staff instruments - % #1: instrument number - \assignlyricsmulti{#1}1} - -\def\assignlyricshere#1{% assign lyrics to current instrument/staff context - % #1: comma-separated list of text names - \switch@pmx@aux{% - \ifnum\st@ffs>1 % multi-staff instrument - \assignlyricsmulti{\the\noinstrum@nt}{\the\noport@@}{#1}% - \else - \assignlyrics{\the\noinstrum@nt}{#1}% - \fi}} - -\def\assignlyricsmulti#1#2#3{% - % #1: instrument number - % #2: staff number of instrument - % #3: comma-separated list of text names - % gather farthest right current position - % of currently assigned lyrics lines - \y@v=\lyrlinestartpos - \set@texte{#1}{#2}% - \loop@texte - % starting position greater than retrieved so far? - \ifdim\csname stp@\text@name\endcsname > \y@v - \y@v=\csname stp@\text@name\endcsname % advance maximum - \fi - \@repeat - % - % new text names list non-empty -> append comma - \ifx\emp@tst#3\emp@tst - \expandafter\global\expandafter\let\csname\ma@sw#1-#2\endcsname\relax - \else - \expandafter\gdef\csname\ma@sw#1-#2\endcsname{#3,}% - \fi - % set parameters according to newly assigned lyrics lines - \set@texte{#1}{#2}% - \loop@texte - % check for existence - \expandafter\ifx\csname stp@\text@name\endcsname\relax - \errmessage{Trying to assign undefined verse "\text@name"}% - \expandafter\setlyrics\expandafter{\text@name}{EMPTY}% - \fi - \reset@params - \@repeat} - - -\def\reset@params{% - \expandafter\xdef\csname stp@\text@name\endcsname{\the\y@v}% - \expandafter\gdef\csname zwr@\text@name\endcsname{0}} - - -% -% reset horizontal positioning parameters of all lyrics lines -% -\def\resetlyrics{% - \edef\@texte{\the\alle@texte}% - \y@v=\lyrlinestartpos - \loop@texte \reset@params \@repeat} - - -%%%%%%%%%% -% -% process lyrics verse-wise -% -%%%%%%%%%% -% same action for all assigned verses -\def\forall@verses#1{% - % #1: action to be executed - \ifx\text@name\empty - % perform action for all assigned verses - \set@texte@current{% - \ifx\@texte\empty\else - \vplace@lyrics{\loop@texte \hbox{\lyr@strut #1}\@repeat}% - \fi}% - \else - % text name already selected -> perform action for this one only - #1% - \fi} - - -% specify separate actions per verse -\def\verses#1{% - % #1: comma-separated list of actions (from top to bottom) - \set@texte@current{% - \def\@param{#1}% running variable for per-text actions - \vplace@lyrics{% - \loop@texte \expandafter\one@verse\@param,\@end \@repeat}}} - -\def\one@verse#1,#2\@end{% - % #1: action list head = action for current verse - % #2: action list tail = actions for remaining verses - \def\@param{#2}% - % perfrom action - \hbox{\lyr@strut #1}} - - -%%%%%%%%%% -% -% line spacing for multiple verses -% -%%%%%%%%%% -\def\lyr@strut{\copy\lyrstrutbox} -\def\setlyrstrut{% set up strut according to currently active font - \setbox0=\hbox{()}% - \setbox\lyrstrutbox=\hbox{\vrule height 1.1\ht0 depth 1.1\dp0 width\z@}} -\setlyrstrut % initialize - - -%%%%%%%%%% -% -% retrieve text by syllable -% -%%%%%%%%%% -\def\next@lyr{% - \expandafter\let\expandafter\@nochtext\csname nochtext@\text@name\endcsname - %\show\@nochtext - \ifx\@nochtext\empty - % no more text - \@hyphenfalse\@lyric{???}% - \else - \@textvar=\expandafter{\@nochtext}% - \expandafter\next@syllable\the\@textvar\relax\relax - \fi} - -\def\next@syllable#1 #2#3\relax{% - % #1 - first syllable - % #2 - either hyphenation symbol @ - % or \relax (if text ends after #2) - % or 1st char/group of rest text - % #3 - rest text, may be empty - \parse@melisma{#2}{#3}#1_\@end} - -\def\test@single@token#1#2\@end{% - % #2 is empty if argument consists of a single token - \ifx\emp@tst#2\emp@tst - \@single@tokentrue - \else - \@single@tokenfalse - \fi} - -\def\parse@melisma#1#2#3_#4\@end{% parse trailing underscores - % #1: either hyphenation indicator @ - % or \relax (if text ends after #1), - % or 1st char/group of rest text - % #2: rest text, may be empty - % #3: current syllable; may be empty if melisma pending - % #4: trailing underscores, if any, or - % melisma notes number followed by single underscore, or - % empty if no melisma - % - % evaluate hyphenation sign - \ifx @#1% - \@hyphentrue - \@textvar={#2}% may be empty - \else - \@hyphenfalse - % decide rest text (#1 was no hyphen sign) - \ifx\relax#1% current syllable is final syllable - \@textvar={}% - \else - \test@single@token#1\@end % #1 may have been grouped - \if@single@token - \@textvar={#1#2}% - \else - \@textvar={{#1}#2}% - \fi - \fi - \fi - % - % melisma pending? - \ifx\emp@tst#4\emp@tst % no melisma - \let\melisma@spec\empty - \@lyric{\evtl@klein{\evtl@punktweg{#3}}\evtl@komma}% - \else % melisma - \ifx\emp@tst#3\emp@tst % syllable empty, d.i. in mid-melisma - \parse@melisma@tail#4\@end - \ifx\melisma@spec\empty % final melisma note - \lyrruleend - \fi - \else % syllable non-empty, d.i. at melisma start - \leftlyrtrue\@strichtrue - \parse@melisma@start#4\@end - \@lyric{\evtl@klein{\evtl@punktweg{#3}}\evtl@komma}% - \fi % at melisma start - \fi % in melisma - % - % set remaining text - \expandafter\xdef - \csname nochtext@\text@name\endcsname{\melisma@spec\the\@textvar}} - -\def\parse@melisma@start#1_\@end{% - % Cut trailing underscore and attach it at argument head. - % For underscore sequences, the effect is void. - % For numbers, it converts "num_" to "_num". - % Moreover, append a single space. - \def\melisma@spec{_#1 }} - -\def\parse@melisma@tail#1_\@end{% - % #1: either trailing underscores minus one - % or melisma notes number - % or empty - \ifx\emp@tst#1\emp@tst % no more underscores - \let\melisma@spec\empty - \else - \parse@melisma@tail@ii#1\@end - \fi} - -\def\parse@melisma@tail@ii#1#2\@end{% helper for deciding melisma spec type - % #1#2: either trailing underscores minus one - % or melisma notes number - \if#1_% % underscore sequence given - \def\melisma@spec{#1#2 }% - \else % number given - \ifnum#1#2>1 % more melisma notes pending - \count@=#1#2 - \advance\count@\m@ne - \edef\melisma@spec{_\the\count@\space}% - \else % no more melisma notes - \let\melisma@spec\empty - \fi - \fi} - -\def\@lyric#1{% - % #1: Text - \evtl@offset - % Alles Folgende ist Argument fuer obiges \evtl@offset: - {\csname llay@\text@name\endcsname% Layoutkontext abrufen - \lyr@processingtrue - \setbox\lyr@box=\hbox{#1}% - \setbox\lyr@hyphen@box=\hbox{\lyrhyphenchar}% - % Zwischenraum zu voriger Silbe ermitteln: - \get@lyrspace - \ifleftlyr\else - % Silbe zentriert -> Zwischenraum entspr. kleiner: - \advance\y@v -0.5\wd\lyr@box - \advance\y@v 0.5\qn@width % halbe Notenkopfbreite dazu - \fi - % Bindestrich von voriger Silbe anhaengig? - \expandafter\ifnum\csname zwr@\text@name\endcsname=2 - % Minimalzwischenraum entsprechend aendern: - \ifforcelyrhyphens - % Min. Zw.-R. mindestens so breit wie Bindestrich: - \ifdim\minlyrspace < \wd\lyr@hyphen@box - \minlyrspace=\wd\lyr@hyphen@box - \fi - \else - \minlyrspace=0pt % % kein Zwischenraum noetig - \fi - \fi - \ifdim\y@v < \minlyrspace % Zwischenraum zu klein? - \lyr@shift=\minlyrspace % Silbe um Differenz nach rechts verschieben - \advance\lyr@shift -\y@v - \y@v=\minlyrspace % Zwischenraumbreite = geg. Minimum - \else - \expandafter\ifnum\csname zwr@\text@name\endcsname=2 % Bindestrich anhaengig? - \ifforcelyrhyphens\else % Bindestrich nicht erzwungen? - \ifdim\y@v < \wd\lyr@hyphen@box % Zwischenraum zu schmal? - \advance\lyr@shift -\y@v % => Zw.raum ganz wegnehmen - % Dank an Sebastian Clauss fuer diese Verbesserung - \fi - \fi - \fi - \fi - \rlap{% - \hskip\lyr@shift - {\ifleftlyr - \aftergroup\rlap % linksbuendig - \else - \aftergroup\qlrlap % zentriert - \fi}% - % Alles Folgende ist Argument fuer obiges \qlrlap bzw. \rlap: - {% Ist von voriger Silbe noch ein Bindestrich anhaengig? - \expandafter\ifnum\csname zwr@\text@name\endcsname=2 - % limit hyphens at line beginning to zero position - \ifdim\csname stp@\text@name\endcsname < \z@ - \advance\y@v \csname stp@\text@name\endcsname \fi - % Bindestrich nur setzen, wenn Platz genug vorhanden: - \ifdim\y@v < \wd\lyr@hyphen@box\else - \print@hyphen - \fi - \fi - \ifshowlyrshift - % Mit Rechteck Wortverschiebung zeigen: - \llap{\vrule width \lyr@shift height \ht\strutbox}% - \fi - \unhcopy\lyr@box % Wort setzen - % Startposition des nachfolgenden Zwischenraums festhalten: - \getcurpos - \advance\y@v by \lyr@shift - \ifleftlyr - \advance\y@v \wd\lyr@box - \else - \advance\y@v 0.5\wd\lyr@box - \advance\y@v 0.5\qn@width % halbe Notenkopfbreite dazu - \fi - \expandafter\xdef\csname stp@\text@name\endcsname{\the\y@v}% Startposition setzen - \if@hyphen % Bindestrich gefordert? - \expandafter\gdef\csname zwr@\text@name\endcsname{2}% - \else - \if@strich % Verlaengerungs-Strich gefordert? - \expandafter\gdef\csname zwr@\text@name\endcsname{1}% - \else % nichts gefordert - \expandafter\gdef\csname zwr@\text@name\endcsname{0}% - \fi - \fi}}}} - -\def\print@hyphen{% - \llap{\hbox to \y@v{% - % Zwischenraum mit "Strich-Kette" ausfuellen: - \loop - \hfil\lyrhyphenchar\hss% rechter Raum darf am Systemende negativ werden - \advance\y@v by -\minmulthyphens - \ifdim\y@v > 0pt% - \repeat}}} - -\def\get@lyrspace{% - \getcurpos - \advance\y@v by -\csname stp@\text@name\endcsname - \relax} - -% set lyrpos to zero if less than that -\def\limit@lyrpos{% - \ifdim\csname stp@\text@name\endcsname < \z@ - \expandafter\xdef\csname stp@\text@name\endcsname{\the\z@}\fi} - -% Verlaengerungs-Striche abschliessen: -\def\lyrruleend{\forall@verses\lyrrule@end} - -\def\lyrrule@end{% - \expandafter\ifcase\csname zwr@\text@name\endcsname - % 0 -> kommt nicht vor - \or - % 1 -> Strich anhaengig: - \roff{% Zum rechten Notenkopf-Rand - \limit@lyrpos\get@lyrspace \print@lyr@rule - % Zwischenraum-Startposition festhalten, wenn Wort nicht nach - % rechts darueber hinausragt: - \getcurpos - \ifdim\csname stp@\text@name\endcsname < \y@v - \expandafter\xdef\csname stp@\text@name\endcsname{\the\y@v}% - \fi}% - % Einstellung zuruecksetzen: - \expandafter\gdef\csname zwr@\text@name\endcsname{0}% - \or - % 2 -> Bindestrich anhaengig -> nichts tun - \or - % 3 -> fortgesetzter Bindestrich anhaengig - % -> Einstellung fuer Bindestrich-Einfuegen an nächster Note setzen - \expandafter\gdef\csname zwr@\text@name\endcsname{2}% - \fi} - -\def\print@lyr@rule{% - % Kleiner Zwischenraum zur vorherigen Silbe: - \advance\y@v -2pt - \ifdim \y@v > \minlyrrulelength - \llap{\vrule\@width\y@v\@height\lthick\@depth0pt}% - \fi} - - -%%%%%%%%%% -% -% Textstellen per Label anspringen -% -%%%%%%%%%% -\def\llabel#1{}% Damit Kennzeichnung bei der Ausgabe ohne Effekt bleibt - -\def\golyr#1{\forall@verses{\@golyr{#1}}} - -\def\@golyr#1{{% - \expandafter\let\expandafter\@nochtext\csname dertext@\text@name\endcsname - \def\query@label{#1}% - \loop - \expandafter\find@llabel\@nochtext\ende - \ifx\query@label\cur@label\let\@weiter n\else \let\@weiter j\fi - \if\@weiter j\repeat - \expandafter\global\expandafter\let - \csname nochtext@\text@name\endcsname\@nochtext}} - -\def\find@llabel#1\llabel#2#3\ende{% - % #1 - Text vor erstem \llabel - % #2 - naechstfolgender \llabel-Name - % #3 - Resttext - \def\cur@label{#2}% - \def\@nochtext{#3}} - - -%%%%%%%%%% -% -% Offene Silbentrennungen und -verlaengerungen am Systemende abschliessen -% -%%%%%%%%%% -\let\@orig@z@suspend\z@suspend -\def\z@suspend{% - \znotes\sysend@lyrics\empty\en - \znotes\sysend@lyrics\auxlyr\en - \@orig@z@suspend} - -\def\sysend@verse{% - % Flag auswerten: - \ifnum\csname zwr@\text@name\endcsname = 1 % Verlaengerungs-Strich anhaengig - % Platz zum rechten Systemrand, damit Strich nicht in Taktstrich ragt - \loffset{0.3}{\limit@lyrpos\get@lyrspace\print@lyr@rule}% - \else\ifnum\csname zwr@\text@name\endcsname > 1 % Bindestrich anhaengig: - \csname llay@\text@name\endcsname% Layoutkontext abrufen - \limit@lyrpos\get@lyrspace\print@hyphen - % als forgesetzten Bindestrich fortfuehren - \expandafter\gdef\csname zwr@\text@name\endcsname{3}% - \fi\fi - % Startposition fuer naechstes System zuruecksetzen: - \expandafter\xdef\csname stp@\text@name\endcsname{\lyrlinestartpos}} - -\def\sysend@lyrics#1{% - % #1: \auxlyr or \empty - #1{\let\switch@pmx@aux\empty \forall@verses\sysend@verse}% - \if@multistaff - % loop over staves of instrument - \ifnum \noport@@ < \st@ffs - \def\@next{\nextstaff\sysend@lyrics#1}% - \else % staves of instrument finished; continue with next instrument - \sysend@lyrics@instrum@loop#1% - \fi - \else % single-staff instrument - \sysend@lyrics@instrum@loop#1% - \fi - % iterate - \@next} - -\def\sysend@lyrics@instrum@loop#1{% - % prepare instruments loop - \ifnum \noinstrum@nt < \nbinstruments - \def\@next{\nextinstrument\sysend@lyrics#1}% - \else % \noinstrum@nt >= \nbinstruments - \let\@next\empty - \fi} - - -%%%%%%%%%% -% -% Zeilenspezifisches Layout festlegen -% -%%%%%%%%%% -\def\lyrlayout#1{% - \forall@verses{% - \expandafter\gdef\csname llay@\text@name\endcsname{#1}% - % Wenn gerade Text verarbeitet wird, Kontext sofort abrufen: - \iflyr@processing #1\fi}} - -% -% Kontextbehandlung fuer Textnamen: -% -% Aktion zu Kontext hinzufuegen: -\def\add@context#1{% - \toks@=\expandafter\expandafter\expandafter - {\csname cont@\text@name\endcsname #1}% - \expandafter\xdef\csname cont@\text@name\endcsname{\the\toks@}} - -% Kontext abrufen: -\def\@context{% - \expandafter\let\expandafter\der@kontext\csname cont@\text@name\endcsname - \clear@context - \der@kontext} - -% Kontext loeschen: -\def\clear@context{% - \global\expandafter\let\csname cont@\text@name\endcsname\empty} - - -%%%%%%%%%% -% -% Zusaetzliche Textzeilen oberhalb der Notenzeile (auxiliary lyrics) -% -%%%%%%%%%% -\let\enableauxlyrics\empty % just for backward compatibility - -% Befehle auf auxlyrics beziehen: -\def\auxlyr#1{{% - \def\ma@sw{lyr@a}% - \aux@activetrue - #1}} - - -%%%%%%%%%% -% -% vertical lyrics positioning -% -%%%%%%%%%% -\def\lyrraise#1{% - % #1: instrument number - \lyrraisemulti{#1}1} - -\def\lyrraisehere#1{% - % #1: position/offset - \switch@pmx@aux{% - \ifnum\st@ffs>1 % multi-staff instrument - \lyrraisemulti{\the\noinstrum@nt}{\the\noport@@}{#1}% - \else - \lyrraise{\the\noinstrum@nt}{#1}% - \fi}} - -\def\lyrraisemulti#1#2#3{% - % #1: instrument number - % #2: staff of instrument - % #3: position/offset - \toks@=\expandafter{\csname l@raise#1-#2\endcsname}% - \expandafter\ifx\the\toks@\relax - % raise parameter still unset - \expandafter\lyrraise@init\the\toks@ - \fi - % now set raise parameter - \expandafter\expandafter\expandafter - \lyr@raise@multii\the\toks@\@end{#1}{#2}{#3}% - %\lyrlog{raise #1-#2: \expandafter\empty\the\toks@}% -} - -\def\lyr@raise@multii#1@#2\@end#3#4#5{% - % #1: current main position/offset - % #2: current aux position/offset - % #3: instrument number - % #4: staff of instrument - % #5: new position/offset - \expandafter\xdef\csname l@raise#3-#4\endcsname{% - \ifaux@active #1@#5\else #5@#2\fi}} - -% be backward compatible -\let\setsongraise@orig\setsongraise -\def\setsongraise#1#2{\setsongraise@orig{#1}{#2}\lyrraise{#1}{b#2}} -\def\auxsetsongraise#1#2{\auxlyr{\lyrraise{#1}{b#2}}} - - -\def\lyrraise@init#1{% - % #1: control sequence to be set to default value - \gdef#1{b0pt@a0pt}} - - -% vertically place lyrics columns -% replaces MusiXTeX's \C@tx -\def\vplace@lyrics#1{% - % find out applicable positioning settings - \edef\placelyr@staff{\ifnum\st@ffs>1 \the\noport@@ \else 1\fi}% - \toks@=\expandafter - {\csname l@raise\the\noinstrum@nt-\placelyr@staff\endcsname}% - % eventually initialize lyrraise setting first - \expandafter\ifx\the\toks@\relax % lyrraise still unset - \expandafter\lyrraise@init\the\toks@ - \fi - \expandafter\expandafter\expandafter\vplace@lyricsii\the\toks@\@end{#1}} - -\def\vplace@lyricsii#1#2@#3#4\@end#5{% - % #1: main lyrics positioning switch (a/b) - % #2: main lyrics raise value - % #3: aux lyrics positioning switch (a/b) - % #4: aux lyrics raise value - % #5: lyrics material to be issued - % - % decice main/aux context - % - \ifaux@active \let\lyr@ab#3\toks@={#4}% - \else \let\lyr@ab#1\toks@={#2}% - \fi - % - % decide placement situation: above/below/in-mid of system or instrument - % - \if\lyr@ab a% above staff - \ifnum\placelyr@staff<\st@ffs % non-highest staff of multiple staves - \vplaceLyricsAboveMultistaff{#5}% - \else % single or highest staff of instrument - \ifnum\noinstrum@nt<\nbinstruments % lyrics go above instrument - \vplaceLyricsAboveInstrument{#5}% - \else % lyrics go into top margin - \vplaceLyricsTopMargin{#5}% - \fi - \fi - \else % below staff - \ifnum\placelyr@staff>1 % non-lowest staff of multiple staves - \vplaceLyricsBelowMultistaff{#5}% - \else % single or lowest staff of instrument - \ifnum\noinstrum@nt>1 % lyrics go below instrument - \vplaceLyricsBelowInstrument{#5}% - \else % lyrics go into bottom margin - \vplaceLyricsBottomMargin{#5}% - \fi - \fi - \fi} - -% -% user-supersedable placement calculations -% -\def\vplaceLyricsBelowMultistaff#1{% - % #1: lyrics material - % reduced \C@Tx algorithm - \y@iv=\the\toks@\relax - \C@Inter % compute \stem@skip (?) - \advance\y@iv -0.5\stem@skip - \raise\y@iv\vbox\@to\z@{\vss\offinterlineskip#1\vss}} - -\def\vplaceLyricsAboveMultistaff#1{% - % #1: lyrics material - % reduced \C@Tx algorithm - \y@iv=\the\toks@\relax - \C@Inter % compute \stem@skip (?) - \advance\y@iv -0.5\stem@skip - % add height difference to base line of upper staff - \advance\y@iv \interportee - \raise\y@iv\vbox\@to\z@{\vss\offinterlineskip#1\vss}} - -\def\vplaceLyricsBottomMargin#1{% - % #1: lyrics material - % based on \C@tx - \y@iv=\the\toks@\relax - \advance\y@iv -\staffbotmarg - \raise\y@iv\vbox\@to\z@{\vss\offinterlineskip#1\vss}} - -\def\vplaceLyricsTopMargin#1{% - % #1: lyrics material - % based on \C@tx, "mirrored" bottom margin situation - \begingroup % seems to be necessary to make \Comp@High local; - % problem occurred with helper lines for low/high notes - \y@iv=\the\toks@\relax - \advance\y@iv \stafftopmarg - \Comp@High \advance\y@iv\y@v % \y@v = total height of instrument - \advance\y@iv \altitude % for multi-staff: - \advance\y@iv-\altportee % reduce by base height of current staff - \raise\y@iv\vbox\@to\z@{\vss\offinterlineskip#1\vss}% - \endgroup} - -\def\vplaceLyricsBelowInstrument#1{% - % #1: lyrics material - % assumption: \noinstrum@nt > 1 - % based on \C@tx - \y@iv=\the\toks@\relax - \multiply\y@iv 2 % balance division by 2 below - \advance\noinstrum@nt\m@ne - \advance\y@iv -\csname interinstrument\romannumeral\noinstrum@nt\endcsname - \C@Inter % compute \stem@skip (?) - \advance\y@iv -\stem@skip - \divide\y@iv\tw@ - \advance\noinstrum@nt\@ne - \raise\y@iv\vbox\@to\z@{\vss\offinterlineskip#1\vss}} - -\def\vplaceLyricsAboveInstrument#1{% - % #1: lyrics material - % assumption: \noinstrum@nt < \nbinstruments - % analogous to \C@tx, but refers to upper instrument instead - \y@iv=\the\toks@\relax - \multiply\y@iv 2 % balance division by 2 below - \advance\y@iv -\csname interinstrument\romannumeral\noinstrum@nt\endcsname - \C@Inter % compute \stem@skip (?) - \advance\y@iv -\stem@skip - \divide\y@iv\tw@ - % add height difference to base line of upper instrument - \begingroup - \advance\y@iv-\altportee \advance\noinstrum@nt\@ne \s@l@ctinstr - \advance\y@iv \altitude - \raise\y@iv\vbox\@to\z@{\vss\offinterlineskip#1\vss}% - \endgroup} - - -%\def\C@tx{% -% \ifnum\noinstrum@nt=\@ne -% \y@iv\staffbotmarg -% \else -% \advance\noinstrum@nt\m@ne -% \y@iv\csname interinstrument\romannumeral\noinstrum@nt\endcsname -% \C@Inter % compute \stem@skip -% \advance\y@iv\stem@skip -% \divide\y@iv\tw@ -% \advance\noinstrum@nt\@ne -% \fi -% \advance\y@iv-\csname T@R\romannumeral\noinstrum@nt\endcsname -% \lower\y@iv\uplap} -%\def\uplap#1{\vbox\@to\z@{\vss#1}} - - -%%%%%%%%%% -% -% Textsatz-Automatik -% -%%%%%%%%%% -% Text automatisch unter alle "spacing"-Noten eines Systems: -\let\orig@writ@note\writ@note -\def\writ@note{% - \ifnum\n@i<\@c % Bedingung fuer's Notenschreiben in \writ@note (warum?) -% \ifx\st@m\beamst@m -% \uptext{\csname s@bl\balken@nr\endcsname}% -% \else - \decide@lyrmode - \main@aux@or@not{\forall@verses{\@context\evtl@next@lyr}}% -% \fi - \fi - \orig@writ@note} - -\def\lyrmode@no {\def\main@aux@or@not##1{}} -\def\lyrmode@main{\def\main@aux@or@not##1{##1}} -\def\lyrmode@aux {\let\main@aux@or@not\auxlyr} -\let\pmx@auxmode\lyrmode@aux - -% Feststellen, ob Haupt- oder Nebentext oder gar nichts gesetzt werden soll: -\ifx\nextvoice\undefined % ohne PMX - \def\decide@lyrmode{% - \call@lyrmode - \if@lyrmode \decide@stem@direction % Notenhals-Automatik - \else % manuell, nur "spacing"-Noten - \ifadvance \lyrmode@main - \else \lyrmode@no - \fi - \fi} - \def\decide@stem@direction{% - \ifx\st@m\upst@m \lyrmode@aux \else - \ifx\st@m\up@flag \lyrmode@aux \else - \ifx\st@m\downst@m \lyrmode@main\else - \ifx\st@m\down@flag\lyrmode@main\else - \ifx\st@m\setst@m \lyrmode@no \else % kein Hals - \ifx\st@m\resetst@m\lyrmode@no \else - \ifx\st@m\beamst@m - \expandafter\ifx\csname s@bl\balken@nr\endcsname o\lyrmode@aux - \else\lyrmode@main - \fi - \else\errmessage{invalid \string\st@m\space setting}% - \fi\fi\fi\fi\fi\fi\fi} -\else % mit PMX - \def\decide@lyrmode{% - \ifadvance % nur "spacing"-Noten - \call@lyrmode - \if@pmx@nextvoice % Oberstimme - \if@lyrmode\lyrmode@main \else\pmx@auxmode \fi - \else % Unterstimme - \if@lyrmode\pmx@auxmode \else\lyrmode@main \fi - \fi - \else - \lyrmode@no % non-spacing Note - \fi} - \let\orig@nextvoice\nextvoice % \nextvoice erweitern - \def\nextvoice{\orig@nextvoice\@pmx@nextvoicetrue} -\fi - -\def\call@lyrmode{% activate lyrmode setting of current staff/instrument - \ifnum\st@ffs>1 % multi-staff instrument - \csname zlm@\the\noinstrum@nt-\the\noport@@\endcsname - \else % single-staff instrument - \csname zlm@\the\noinstrum@nt-1\endcsname - \fi} - -\def\switch@pmx@aux#1{% - % using PMX, automatically activate auxlyr context for #1 after \nextvoice - \ifx\nextvoice\undefined % not using PMX - #1% - \else % using PMX - \call@lyrmode - \if@pmx@nextvoice % upper PMX voice - \if@lyrmode\lyrmode@main \else\pmx@auxmode \fi - \else % lower PMX voice - \if@lyrmode\pmx@auxmode \else\lyrmode@main \fi - \fi - \main@aux@or@not{#1}% - \fi} - - - -% lyrmode umschalten: -\def\switch@lyrmode#1#2#3{% - % #1: instrument number - % #2: staff-of-instrument number - % #3: lyrmode setting - \ifnum#1=0 % % alle Zeilen einbeziehen - \switch@lyrmode@all@instrum#3% - \else % nur 1 Zeile - \global\expandafter\let\csname zlm@#1-#2\endcsname=#3% - \fi} - -% loop over all possible instruments -\def\switch@lyrmode@all@instrum#1{% - \m@loop \switch@lyrmode@all@staves#1\repeat} - -% loop over 4 possible staves of instrument -\def\switch@lyrmode@all@staves#1{% - \begingroup - \count@=0 - \loop - \advance\count@ 1 - \switch@lyrmode{\the\noinstrum@nt}{\the\count@}#1% - \ifnum\count@<4 \repeat - \endgroup} -% ... nicht wahnsinnig effizient, zugegeben ... - - -\def\lyrmodenormal#1{\lyrmodenormalmulti{#1}1} -\def\lyrmodealter #1{\lyrmodealtermulti {#1}1} - -\def\lyrmodenormalmulti#1#2{\switch@lyrmode{#1}{#2}\@lyrmodefalse} -\def\lyrmodealtermulti #1#2{\switch@lyrmode{#1}{#2}\@lyrmodetrue } - -\def\lyrmodenormalhere{\lyrmode@here\@lyrmodefalse} -\def\lyrmodealterhere {\lyrmode@here\@lyrmodetrue } - -\def\lyrmode@here#1{% apply lyrmode to current instrument/staff context - % #1: lyrmode switch - \if@multistaff - \switch@lyrmode{\the\noinstrum@nt}{\the\noport@@}#1% - \else - \switch@lyrmode{\the\noinstrum@nt}1#1% - \fi} - -\lyrmodenormal0 % auf "normal" initialisieren - -% fuer Halsrichtungs-Automatik: Balkenlage in \s@bl vermerken -\def\balk@nlage#1{\global\expandafter\let - \csname s@bl\balken@nr\endcsname #1\relax} -\let\orig@i@bu\i@bu \def\i@bu{\balk@nlage o\orig@i@bu}% ben -\let\orig@i@bl\i@bl \def\i@bl{\balk@nlage u\orig@i@bl}% nten - -\let\orig@s@l@ctbeam\s@l@ctbeam -\def\s@l@ctbeam#1\relax{\orig@s@l@ctbeam#1\relax \xdef\balken@nr{\number\n@i}} - - -% Auto-Text ein- und ausschalten (innerhalb \notes...\enotes): -\def\lyricson{\forall@verses{\add@context\verse@on@context}} -\def\verse@on@context{% - \let\evtl@next@lyr\next@lyr - \add@context\verse@on@context} - -\def\lyricsoff{\forall@verses\clear@context} - -\def\lyric {\let\evtl@hyph\@hyphenfalse\futurelet\ast@risk\lyric@i} -\def\lyrich{\let\evtl@hyph\@hyphentrue \futurelet\ast@risk\lyric@i} - -\def\lyric@i{% - \ifx\ast@risk*% - \let\evtl@nolyr\relax \let\@next\lyric@ii - \else - \let\evtl@nolyr\nolyr \def\@next{\nolyr\lyric@ii*}% - \fi - \@next} - -% Silben abseits vom Haupttext ausgeben: -\def\lyric@ii*#1{\forall@verses{\@context\evtl@hyph\@lyric{#1}}\evtl@nolyr} - -% Manipulationen einzelner Haupttext-Silben: -\def\forall@context#1{\forall@verses{\add@context{#1}}} - -% 1 Silbe ausgeben: -\def\lyr{\forall@verses{\@context\next@lyr}} - -% Linksbuendig: -\def\llyr{\forall@context{\leftlyrtrue}} - -% Verlaengerungs-Strich: -\def\lyrrule{\forall@context{\@strichtrue}} - -% Horizontale Verschiebung (analog \roffset): -\def\lyroffset#1{\forall@context{\def\evtl@offset{\roffset{#1}}}} - -% Kein automatischer Text: -\def\nolyr{\forall@context{\let\evtl@next@lyr\empty}} - -% Kleinbuchstaben: -\def\lclyr{\forall@context{\let\evtl@klein\@klein}} -\def\@klein#1{\lowercase\expandafter{#1}} - -% Satzzeichen anhaengen: -\def\lyrpt#1{\forall@context{\def\evtl@komma{#1}}} - -% Punkt vom Ende abschneiden: -\def\lyrnop{\forall@context{\let\evtl@punktweg\@punktweg}} -\def\@punktweg#1{{\punktweg@rek#1\ende}} -\def\punktweg@rek#1#2\ende{% - \def\par@ii{#2}% - \ifx\par@ii\empty\else - \aftergroup#1% - \expandafter\punktweg@rek\par@ii\ende - \fi} - -% Melisma beginnen und abschliessen: -\def\beginmel{\forall@verses{\llyr\lyrrule\add@context\lyricsoff}} -\def\endmel{\forall@verses{\lyrruleend\add@context\lyricson}} - -% -% Bindebogen unter zwei Silben derselben Note: -% -\def\lyrlink {\lyr@link0} -\def\lowlyrlink{\lyr@link1} - -\def\lyr@link#1{% - % Bogen erstellen: - \setbox\lyr@linkbox=\hbox{$\smile$}% - % In Box der Breite eines Wortzwischenraums einsetzen: - \setbox\lyr@linkbox=\hbox to\the\fontdimen2\the\font{% - \hss - % Unter die Grundlinie druecken: - \lower\ht\lyr@linkbox\hbox{% - % Zusaetzlicher vertikaler Abstand zur Wortunterseite: - \lower1pt\hbox{% - \if#10\relax - \hbox{$\smile$}% - \else - % Buchstabe mit Unterlaenge -> auch darunter druecken: - \setbox\lyr@linkdepthbox=\hbox{y}% - \lower\dp\lyr@linkdepthbox\hbox{$\smile$}% - \fi}}% - \hss}% - % Keine zusaetzliche Tiefe fuer Bogen anrechnen: - \dp\lyr@linkbox=0pt - % Bogen setzen: - \box\lyr@linkbox} - -\makeatother diff --git a/macros/musixtex/tex/musixmad.tex b/macros/musixtex/tex/musixmad.tex deleted file mode 100644 index 6d29d3cd84..0000000000 --- a/macros/musixtex/tex/musixmad.tex +++ /dev/null @@ -1,30 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -% -% musixmad.tex : allocate registers for more additional instruments -% -\immediate\write16{MusiXMore ADditional instruments T.115 <19 Nov 2010>}% -% -% -% setup the maximum element numbers -\setmaxinstruments{12}% -\setmaxgroups{4}% -\setmaxslurs\maxinstruments -% -\endinput diff --git a/macros/musixtex/tex/musixmkm.tex b/macros/musixtex/tex/musixmkm.tex deleted file mode 100644 index 1aca900845..0000000000 --- a/macros/musixtex/tex/musixmkm.tex +++ /dev/null @@ -1,54 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -\immediate\write16{MusiXMaKaM v.001\space<2022-12-25>}% - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 -\catcodesmusic - - -\font\fetaeleven=feta20 scaled \magstephalf -\font\fetathirteen=feta20 scaled \magstep1 -\font\fetasixteen=feta20 scaled \magstep2 -\font\fetatwenty=feta20 scaled \magstep3 -\font\fetatwentyfour=feta20 scaled \magstep4 -\font\fetatwentynine=feta20 scaled \magstep5 - -\let\fetanorfont\fetatwenty -\def\fetachar{\fetafont\char} - - -\def\writ@ka{\pl@base\raise\y@i\llap{\fetachar\n@v\kern\accshift}} -\def\set@ka{\let\@Ti=\writ@ka} - -\def\shtanini#1{\set@ka \n@v30 \check@staff \inhgetn@i#1\relax\expandafter\@Ti\fi} -\def\shbuyukmucenneb#1{\set@ka \n@v26 \check@staff \inhgetn@i#1\relax\expandafter\@Ti\fi} -\def\shkucuk#1{\set@ka \n@v27 \check@staff \inhgetn@i#1\relax\expandafter\@Ti\fi} -\def\shbakiye#1{\set@ka \n@v20 \check@staff \inhgetn@i#1\relax\expandafter\@Ti\fi} -\def\shkoma#1{\set@ka \n@v25 \check@staff \inhgetn@i#1\relax\expandafter\@Ti\fi} -\def\flkoma#1{\set@ka \n@v45 \check@staff \inhgetn@i#1\relax\expandafter\@Ti\fi} -\def\flbakiye#1{\set@ka \n@v42 \check@staff \inhgetn@i#1\relax\expandafter\@Ti\fi} -\def\flkucuk#1{\set@ka \n@v37 \check@staff \inhgetn@i#1\relax\expandafter\@Ti\fi} -\def\flbuyukmucenneb#1{\set@ka \n@v43 \check@staff \inhgetn@i#1\relax\expandafter\@Ti\fi} -\def\fltanini#1{\set@ka \n@v47 \check@staff \inhgetn@i#1\relax\expandafter\@Ti\fi} - -\let\fetafont\fetanorfont - -\endcatcodesmusic -\catcode`\@=\catcodeat -\endinput diff --git a/macros/musixtex/tex/musixmtab.tex b/macros/musixtex/tex/musixmtab.tex deleted file mode 100644 index 087395a2a9..0000000000 --- a/macros/musixtex/tex/musixmtab.tex +++ /dev/null @@ -1,166 +0,0 @@ -% musixmtab.tex : modern tablature definitions for MusiXTeX -% -% usage: -% -% \input musixtex -% \input musixmtab -% ... -% -% musixmtab.tex is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% musixmtab.tex is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -% Copyright 2023 Bob Tennent rdtennent@gmail.com -% - -\immediate\write16{musixmtab\space<2023/07/21>} -\ifx\undefined\startpiece\errmessage{Input musixtex.tex before musixmtab.tex}\fi - -\makeatletter - - -% Assumption: there is at most one beam and it is a lower beam - -% like \downst@m but with quarter skip; used in \uq -\def\midst@m{\stem@skip\qd@skip - \divide\stem@skip by 4 - \advance\st@bot-\stemfactor\interbeam - \advance\st@bot-\altportee - \ifx\st@mcut\empty - \ifdim\st@bot<-\thr@@\internote - \cutst@l\thr@@\cutst@l\f@ur\cutst@l\fiv@ - \cutst@l\si@\cutst@l\s@v@n\cutst@l\@ight \fi \fi - \minst@bot\advance\st@bot\altportee - \C@stem} - - -% a half note (boxed) -% argument 1 is the string number -% argument 2 is the note number -\def\uh#1#2{% - \boxitsep=1pt% - \setbox0=\hbox{\raise-0.25\internote\hbox{\boxit{\tabsmallfnt #2}}}% - \stringraise\nblines% - \advance\stringraise by -#1% - \multiply\stringraise by 2% - \advance\stringraise-1% - \advancefalse\def\q@u{}\loffset{0.2}{\@nq{\the\stringraise}}% - \special{ps: 1 setgray}% - \zchar{\the\stringraise}{\vrule height \ht0 width \wd0 depth \dp0}% - \special{ps: 0 setgray}% - \zchar{\the\stringraise}{\box0}% - \n@i\stringraise% - \def\q@u{}\let\st@m\downst@m\let\n@sym\q@u% - \y@v\qn@width\writ@note% -} - -% a non-spacing stemless half note -% argument 1 is the string number -% argument 2 is the note number -\def\zuh#1#2{% - \boxitsep=1pt% - \setbox0=\hbox{\raise-0.25\internote\hbox{\boxit{\tabsmallfnt #2}}}% - \stringraise\nblines% - \advance\stringraise by -#1% - \multiply\stringraise by 2% - \advance\stringraise-1% - \advancefalse\def\q@u{}\loffset{0.2}{\@nq{\the\stringraise}}% - \special{ps: 1 setgray}% - \zchar{\the\stringraise}{\vrule height \ht0 width \wd0 depth \dp0}% - \special{ps: 0 setgray}% - \zchar{\the\stringraise}{\box0}% -} - -% a quarter note (with a centered stem) -% argument 1 is the string number -% argument 2 is the note number -\def\uq#1#2{% - \zltab{#1}{#2}% - \stringraise\nblines% - \advance\stringraise by -#1% - \multiply\stringraise by 2% - \advance\stringraise-1% - \n@i\stringraise% - \def\q@u{}\let\st@m\midst@m\let\n@sym\q@u% - \y@v\qn@width\writ@note% -} - -% an eighth note (with a flag) -% argument 1 is the string number -% argument 2 is the note number -\def\uc#1#2{% - \zltab{#1}{#2}% - \stringraise\nblines% - \advance\stringraise by -#1% - \multiply\stringraise by 2% - \n@i\stringraise% - \def\q@u{}\n@vii\@xlv\let\st@m\down@flag% - \let\n@sym\q@u\y@v\qn@width\writ@note% -} - -% a non-spacing stemless quarter or eighth note -% argument 1 is the string number -% argument 2 is the note number -\def\zu#1#2{\zltab{#1}{#2}}% - -% initiate a beam -% argument 1 is a string number -% argument 2 is the slope -\def\uib#1#2{% - \stringraise\nblines% - \advance\stringraise by -#1% - \multiply\stringraise by 2% - \ibl0{\the\stringraise}{#2}% -} - -% initiate a double beam -% argument 1 is a string number -% argument 2 is the slope -\def\uibb#1#2{% - \stringraise\nblines% - \advance\stringraise by -#1% - \multiply\stringraise by 2% - \ibbl0{\the\stringraise}{#2}% -} - -% a beam note -% argument 1 is the string number -% argument 2 is the note number -\def\ub#1#2{% - \zltab{#1}{#2}% - \s@l@ctbeam{0}\relax% - \stringraise\nblines% - \advance\stringraise by -#1% - \multiply\stringraise by 2% - \n@i\stringraise% - \def\q@u{}\let\st@m\beamst@m% - \let\n@fon\g@q\let\n@sym\q@u\y@v\qn@width\writ@note% -} - -% increase the beam multiplicity to 2 -\def\unbb{\nbbl0} - -% decrease the beam multiplicity to one after the following note -\def\utbb{\tbbl0} - -% terminate the beam after the following note -\def\utb{\tbl0} - -% terminate the beam at this note -% argument 1 is the string number -% argument 2 is the note number -\def\utq#1#2{\utb\ub{#1}{#2}} - -\makeatother -\endinput diff --git a/macros/musixtex/tex/musixper.tex b/macros/musixtex/tex/musixper.tex deleted file mode 100644 index 47ad54e644..0000000000 --- a/macros/musixtex/tex/musixper.tex +++ /dev/null @@ -1,195 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -\ifx\undefined\drumclef \else \endinput \fi - -\immediate\write16{MusiXPERcussion T.60\space<27 September 2010>}% - -\ifx\undefined\dqb - \input musixdia -\fi - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 - -% if you need pointed percussion notes, say '\p[p][p]t n\xqu n' or '\xqu{.n}' -% if you need them more often define them by your one - -\def\drumclef{\raise2\internote\hbox{\keychar77}} - -%%% notes with a circled diagonal cross head, for closed hihat ... - -\def\dc@symbol{\def\q@u{\musixchar113}} - -\def\dcqu{\dc@symbol\@qu} -\def\dcql{\dc@symbol\@ql} - -\def\dcqb{\dc@symbol\@qb} - -\def\dczq{\dc@symbol\@zq} - -\def\dccu{\dc@symbol\@cu} -\def\dcccu{\dc@symbol\@ccu} -%\def\dccccu{\dc@symbol\@cccu} -%\def\dcccccu{\dc@symbol\@ccccu} -\def\dccl{\dc@symbol\@cl} -\def\dcccl{\dc@symbol\@ccl} -%\def\dccccl{\dc@symbol\@cccl} -%\def\dcccccl{\dc@symbol\@ccccl} - -%%% notes with a diagonal cross half circle head, for half open hihat ... - -\def\dh@symbol{\def\q@u{\musixchar112}} - -\def\dhqu{\dh@symbol\@qu} -\def\dhql{\dh@symbol\@ql} - -\def\dhqb{\dh@symbol\@qb} - -\def\dhzq{\dh@symbol\@zq} - -\def\dhcu{\dh@symbol\@cu} -\def\dhccu{\dh@symbol\@ccu} -%\def\dhcccu{\dh@symbol\@cccu} -%\def\dhccccu{\dh@symbol\@ccccu} -\def\dhcl{\dh@symbol\@cl} -\def\dhccl{\dh@symbol\@ccl} -%\def\dhcccl{\dh@symbol\@cccl} -%\def\dhccccl{\dh@symbol\@ccccl} - -%%% notes with a diagonal cross head, for open hihat ... - -\def\do@symbol{\def\q@u{\musixchar111}} - -\def\doqu{\do@symbol\@qu} -\def\doql{\do@symbol\@ql} - -\def\doqb{\do@symbol\@qb} - -\def\dozq{\do@symbol\@zq} - -\def\docu{\do@symbol\@cu} -\def\doccu{\do@symbol\@ccu} -%\def\docccu{\do@symbol\@cccu} -%\def\doccccu{\do@symbol\@ccccu} -\def\docl{\do@symbol\@cl} -\def\doccl{\do@symbol\@ccl} -%\def\docccl{\do@symbol\@cccl} -%\def\doccccl{\do@symbol\@ccccl} - -%%% notes with a doublesharp-head - -\def\x@symbol{\def\q@u{\musixchar114}} - -\def\xqu{\x@symbol\@qu} -\def\xql{\x@symbol\@ql} - -\def\xqb{\x@symbol\@qb} - -\def\xzq{\x@symbol\@zq} - -\def\xcu{\x@symbol\@cu} -\def\xccu{\x@symbol\@ccu} -%\def\xcccu{\x@symbol\@cccu} -%\def\xccccu{\x@symbol\@ccccu} -\def\xcl{\x@symbol\@cl} -\def\xccl{\x@symbol\@ccl} -%\def\xcccl{\x@symbol\@cccl} -%\def\xccccl{\x@symbol\@ccccl} - -%%% notes with a circled doublesharp-head - -\def\ox@symbol{\def\q@u{\musixfont\@cxv}} - -\def\oxqu{\ox@symbol\@qu} -\def\oxql{\ox@symbol\@ql} - -\def\oxqb{\ox@symbol\@qb} - -\def\oxzq{\ox@symbol\@zq} - -\def\oxcu{\ox@symbol\@cu} -\def\oxccu{\ox@symbol\@ccu} -%\def\oxcccu{\ox@symbol\@cccu} -%\def\oxccccu{\ox@symbol\@ccccu} -\def\oxcl{\ox@symbol\@cl} -\def\oxccl{\ox@symbol\@ccl} -%\def\oxcccl{\ox@symbol\@cccl} -%\def\oxccccl{\ox@symbol\@ccccl} - -%%% notes with a RhOmbus head, for shaker ... - -\def\r@symbol{\def\q@u{\musixchar118}} - -\def\roqu{\r@symbol\@qu} -\def\roql{\r@symbol\@ql} - -\def\roqb{\r@symbol\@qb} - -\def\rozq{\r@symbol\@zq} - -\def\rocu{\r@symbol\@cu} -\def\roccu{\r@symbol\@ccu} -%\def\rocccu{\r@symbol\@cccu} -%\def\roccccu{\r@symbol\@ccccu} -\def\rocl{\r@symbol\@cl} -\def\roccl{\r@symbol\@ccl} -%\def\rocccl{\r@symbol\@cccl} -%\def\roccccl{\r@symbol\@ccccl} - -%%% notes with a TrianGle head, for rattle ... - -\def\t@symbol{\def\q@u{\musixchar116}} - -\def\tgqu{\t@symbol\@qu} -\def\tgql{\t@symbol\@ql} - -\def\tgqb{\t@symbol\@qb} - -\def\tgzq{\t@symbol\@zq} - -\def\tgcu{\t@symbol\@cu} -\def\tgccu{\t@symbol\@ccu} -%\def\tgcccu{\t@symbol\@cccu} -%\def\tgccccu{\t@symbol\@ccccu} -\def\tgcl{\t@symbol\@cl} -\def\tgccl{\t@symbol\@ccl} -%\def\tgcccl{\t@symbol\@cccl} -%\def\tgccccl{\t@symbol\@ccccl} - -%%% notes with a + head, for bongos ... - -\def\k@symbol{\def\q@u{\musixchar117}} - -\def\kqu{\k@symbol\@qu} -\def\kql{\k@symbol\@ql} - -\def\kqb{\k@symbol\@qb} - -\def\kzq{\k@symbol\@zq} - -\def\kcu{\k@symbol\@cu} -\def\kccu{\k@symbol\@ccu} -%\def\kcccu{\k@symbol\@cccu} -%\def\kccccu{\k@symbol\@ccccu} -\def\kcl{\k@symbol\@cl} -\def\kccl{\k@symbol\@ccl} -%\def\kcccl{\k@symbol\@cccl} -%\def\kccccl{\k@symbol\@ccccl} - -\catcode`\@=\catcodeat -\endinput diff --git a/macros/musixtex/tex/musixplt.tex b/macros/musixtex/tex/musixplt.tex deleted file mode 100644 index 3e0b36aae1..0000000000 --- a/macros/musixtex/tex/musixplt.tex +++ /dev/null @@ -1,184 +0,0 @@ -% musixplt.tex : Palatino font definitions for MusiXTeX -% -% usage: -% -% \input musixtex -% \input musixplt -% ... -% -% MusiXplt.tex is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXplt.tex is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -% Copyright 2015-2017 Bob Tennent rdt@cs.queensu.ca -% -\immediate\write16{MusiXplt\space<2017/02/10>} -\ifx\undefined\startpiece\errmessage{Input musixtex.tex before musixplt.tex}\fi -% -% 7pt roman, bold, italic, bold italic, slanted and small-cap -\font\sevenrm=pplr8t at 7pt -\font\sevenbf=pplb8t at 7pt -\font\sevenit=pplri8t at 7pt -\font\sevenbi=pplbi8t at 7pt -\font\sevensc=pplrc9d at 7pt -% -% 8pt roman, bold, italic, bold italic, slanted and small-cap -\font\eightrm=pplr8t at 8pt -\font\eightbf=pplb8t at 8pt -\font\eightit=pplri8t at 8pt -\font\eightbi=pplbi8t at 8pt -\font\eightsc=pplrc9d at 8pt -% -% 9pt -\font\ninerm=pplr8t at 9pt -\font\ninebf=pplb8t at 9pt -\font\nineit=pplri8t at 9pt -\font\ninebi=pplbi8t at 9pt -\font\ninesc=pplrc9d at 9pt -% -% 10pt -\font\tenrm=pplr8t at 10pt -\font\tenbf=pplb8t at 10pt -\font\tenit=pplri8t at 10pt -\font\tenbi=pplbi8t at 10pt -\font\tensc=pplrc9d at 10pt -% -% 11pt -\font\elevenrm=pplr8t scaled \magstephalf -\font\elevenbf=pplb8t scaled \magstephalf -\font\elevenit=pplri8t scaled \magstephalf -\font\elevenbi=pplbi8t scaled \magstephalf -\font\elevensc=pplrc9d scaled \magstephalf -% -% 12pt -\font\twelverm=pplr8t scaled \magstep1 -\font\twelvebf=pplb8t scaled \magstep1 -\font\twelveit=pplri8t scaled \magstep1 -\font\twelvebi=pplbi8t scaled \magstep1 -\font\twelvesc=pplrc9d scaled \magstep1 -% -% 14pt -\font\frtrm=pplr8t scaled \magstep2 -\font\frtbf=pplb8t scaled \magstep2 -\font\frtit=pplri8t scaled \magstep2 -\font\frtbi=pplbi8t scaled \magstep2 -\font\frtsc=pplrc9d scaled \magstep2 -% -% 17pt -\font\svtrm=pplr8t scaled \magstep3 -\font\svtbf=pplb8t scaled \magstep3 -\font\svtit=pplri8t scaled \magstep3 -\font\svtbi=pplbi8t scaled \magstep3 -\font\svtsc=pplrc9d scaled \magstep3 -% -% 20pt -\font\twtyrm=pplr8t scaled \magstep4 -\font\twtybf=pplb8t scaled \magstep4 -\font\twtyit=pplri8t scaled \magstep4 -\font\twtybi=pplbi8t scaled \magstep4 -\font\twtysc=pplrc9d scaled \magstep4 -% -% 25pt -\font\twfvrm=pplr8t scaled \magstep5 -\font\twfvbf=pplb8t scaled \magstep5 -\font\twfvit=pplri8t scaled \magstep5 -\font\twfvbi=pplbi8t scaled \magstep5 -\font\twfvsc=pplrc9d scaled \magstep5 -% -% -% large fonts for titles -% (If you prefer bold, use \bf) -% (If you prefer roman, use \rm) -% -\def\bigtype{\bigfont\sc} -\def\Bigtype{\Bigfont\sc} -\def\BIgtype{\BIgfont\sc} -\def\BIGtype{\BIGfont\sc} -% -\font\ppfftwelve=pplbi8t at 8pt -\font\ppffsixteen=pplbi8t at 10pt -\font\ppfftwenty=pplbi8t at 12pt -\font\ppfftwentyfour=pplbi8t at 14pt -\font\ppfftwentynine=pplbi8t at 17pt -% -\def\f{{\ppff f}} -\def\ff{{\ppff ff}} -\def\fp{{\ppff fp}} -\def\fff{{\ppff fff}} -\def\ffff{{\ppff ffff}} -\def\mf{{\ppff mf}} -\def\p{{\ppff p}} -\def\pp{{\ppff pp}} -\def\ppp{{\ppff ppp}} -\def\pppp{{\ppff pppp}} -% -% -% sl fonts needed by musixsty -% -\font\eightsl=pplro8t at 8pt -\font\ninesl=pplro8t at 9pt -\font\tensl=pplro8t at 10pt -\font\twelvesl=pplro8t scaled \magstep1 -\font\frtsl=pplro8t scaled \magstep2 -\font\svtsl=pplro8t scaled \magstep3 -\font\twtysl=pplro8t scaled \magstep4 -\font\twfvsl=pplro8t scaled \magstep5 -% -% -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 -% -\def\sF{{\ppff s\p@kern f}} -\def\sfz{{\ppff s\p@kern f\f@kern z}} -\def\sfzp{{\ppff s\p@kern f\f@kern z\p@kern p}} - -\def\mp@{{\ppff mp}} -\let\mezzopiano\mp@ - -\catcode`\@=\catcodeat - -% -% Redefine accented characters for 8-bit font, suggested by David Carlisle: -% - -\ifx\documentclass\undefined -\catcode`\@=11 -\def\ProvidesFile#1[#2]{} -\def\DeclareFontEncoding#1#2#3{} -\def\DeclareTextAccent#1#2#3{% -\def#1##1{% -\expandafter\ifx\csname T1\string#1-\string##1\endcsname\relax -{\accent#1 ##1}% -\else -\csname T1\string#1-\string##1\expandafter\endcsname -\fi}} -\def\DeclareTextCommand#1#2{\xdtcmd}%not today -\def\xdtcmd#1#{\xxdtcmd}%not today -\def\xxdtcmd#1{}%not today -\def\DeclareTextCompositeCommand#1#2#3#4{}%not today -\def\DeclareTextSymbol#1#2#3{% -\def#1{\char#3\relax}} -\def\DeclareTextComposite#1#2#3#4{% -\expandafter\def\csname T1\string#1-\string#3\endcsname{\char#4\relax}} - -\input t1enc.def - -% \c needs special treatment -\def\c#1{\leavevmode\ifx c#1\char231 \else\setbox\z@\hbox{#1}\ifdim\ht\z@=1ex\accent11 #1% - \else{\ooalign{\unhbox\z@\crcr - \hidewidth\char11\hidewidth}}\fi\fi} -\catcode`\@=\catcodeat -\fi - -\normtype -\endinput diff --git a/macros/musixtex/tex/musixpoi.tex b/macros/musixtex/tex/musixpoi.tex deleted file mode 100644 index dcf33f4f95..0000000000 --- a/macros/musixtex/tex/musixpoi.tex +++ /dev/null @@ -1,67 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% - -%\immediate\write16{MusiXPOInted shorties 0.36\space<1 March 1995>} -\immediate\write16{MusiXPOInted shorties T.114\space<16 June 2008>} - -%\ifx\undefined\ccup \else \endinput \fi % conflicts since musixtex.tex T.111 defines \ccup -\ifx\undefined\zcccclpp \else \endinput \fi - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 - -%\def\@ccup{\n@vii\@xli \let\st@m\up@flag \g@qp}% moved into musixtex.tex since T.111 -\def\@cccup{\n@vii42\let\st@m\up@flag \g@qp} -\def\@ccccup{\n@vii43\let\st@m\up@flag \g@qp} -%\def\@cclp{\n@vii46\let\st@m\down@flag \g@qp}% moved into musixtex.tex at T.114 -\def\@ccclp{\n@vii47\let\st@m\down@flag \g@qp} -\def\@cccclp{\n@vii48\let\st@m\down@flag \g@qp} -\def\@ccupp{\n@vii\@xli \let\st@m\up@flag \g@qpp} -\def\@cccupp{\n@vii42\let\st@m\up@flag \g@qpp} -\def\@ccccupp{\n@vii43\let\st@m\up@flag \g@qpp} -\def\@cclpp{\n@vii46\let\st@m\down@flag \g@qpp} -\def\@ccclpp{\n@vii47\let\st@m\down@flag \g@qpp} -\def\@cccclpp{\n@vii48\let\st@m\down@flag \g@qpp} -%\def\ccup{\q@symbol\@ccup}% moved into musixtex.tex since T.111 -%\def\zccup{\advancefalse\ccup}% moved into musixtex.tex at T.114 -%\def\cclp{\q@symbol\@cclp}% moved into musixtex.tex since T.111 -%\def\zcclp{\advancefalse\cclp}% moved into musixtex.tex at T.114 -\def\ccupp{\q@symbol\@ccupp} -\def\zccupp{\advancefalse\ccupp} -\def\cclpp{\q@symbol\@cclpp} -\def\zcclpp{\advancefalse\cclpp} -\def\cccup{\q@symbol\@cccup} -\def\zcccup{\advancefalse\cccup} -\def\ccclp{\q@symbol\@ccclp} -\def\zccclp{\advancefalse\ccclp} -\def\cccupp{\q@symbol\@cccupp} -\def\zcccupp{\advancefalse\cccupp} -\def\ccclpp{\q@symbol\@ccclpp} -\def\zccclpp{\advancefalse\ccclpp} -\def\ccccup{\q@symbol\@ccccup} -\def\zccccup{\advancefalse\ccccup} -\def\cccclp{\q@symbol\@cccclp} -\def\zcccclp{\advancefalse\cccclp} -\def\ccccupp{\q@symbol\@ccccupp} -\def\zccccupp{\advancefalse\ccccupp} -\def\cccclpp{\q@symbol\@cccclpp} -\def\zcccclpp{\advancefalse\cccclpp} - -\catcode`\@=\catcodeat -\endinput - diff --git a/macros/musixtex/tex/musixppff.tex b/macros/musixtex/tex/musixppff.tex deleted file mode 100644 index 6d06e70b42..0000000000 --- a/macros/musixtex/tex/musixppff.tex +++ /dev/null @@ -1,169 +0,0 @@ -%% musippff.tex This is an extension library for Musix\Tex which -%% replaces the macros used for dynamic marks to use a mini-font xppff10 -%% -%% Author: -%% Hiroaki MORIMOTO -%% Tokyo, Japan -%% URL: http://homepage1.nifty.com/kuuku/pub/musixtex/index-e.html -%% -%% usage: -%% \input musixtex -%% \input musixppff -%% ... -%% -%% -\immediate\write16{MusiXppff \noexpand\ppff font replacement <2017/02/10>}% -\ifx\undefined\startpiece\errmessage{Input musixtex.tex before musixppff.tex}\fi - -\font\xppfftwelve=xppff10 at 8pt -\font\xppffsixteen=xppff10 -\font\xppfftwenty=xppff10 scaled \magstep1 -\font\xppfftwentyfour=xppff10 scaled \magstep2 -\font\xppfftwentynine=xppff10 scaled \magstep3 -\font\tinyxppff=xppff10 at 8pt -\font\smallxppff=xppff10 -\font\normxppff=xppff10 scaled \magstep1 -\font\medxppff=xppff10 scaled \magstep2 - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 - -\def\xppff{% -\ifdim\internote<\p@seven6\Internote \tinyxppff -\else\ifdim\internote<.95\Internote \smallxppff -\else\ifdim\internote<1.19\Internote \normxppff -\else\medxppff\fi\fi\fi} - - -\def\f{{\xppff f}}% -\def\ff{{\xppff ff}}% -\def\fp{{\xppff fp}}% -\def\sF{{\xppff sf}}% -\def\fff{{\xppff fff}}% -\def\ffff{{\xppff ffff}}% -\def\mf{{\xppff mf}}% -\def\p{{\xppff p}}% -\def\pp{{\xppff pp}}% -\def\ppp{{\xppff ppp}}% -\def\pppp{{\xppff pppp}}% -\def\sfz{{\xppff sfz}}% -\def\sfzp{{\xppff sfzp}}% -\def\mp@{{\xppff mp}}% -\let\mezzopiano\mp@ - -% -\def\tinydyn{\let\ppff\tinyppff\let\xppff\tinyxppff}% -\def\smalldyn{\let\ppff\smallppff\let\xppff\smallxppff}% -\def\normdyn{\let\ppff\normppff\let\xppff\normxppff}% -\def\meddyn{\let\ppff\medppff\let\xppff\medxppff}% - -\def\comput@fonts{% - \ifnum\musicsize=\sixt@@n - \let\musicLargefont\musictwentyfour - \let\musiclargefont\musictwenty - \let\musicnorfont\musicsixteen - \let\musicsmallfont\musicthirteen - \let\musictinyfont\musiceleven - \let\xgregLargefont\xgregtwentyfour - \let\xgreglargefont\xgregtwenty - \let\xgregnorfont\xgregsixteen - \let\xgregsmallfont\xgregthirteen - \let\xgregtinyfont\xgregeleven - \let\slurd\slurdsixteen \let\sluru\slurusixteen - \let\hslurd\hslurdsixteen \let\hsluru\hslurusixteen - \let\meternorfont\tenbf \let\metersmallfont\eightbf % version 1.16 RDT - \let\meterbigfont\twelvebf \let\meterlargefont\frtbf - \let\meterLargefont\svtbf - \let\tinyppff\ppfftwelve % version 1.17 RDT - \let\smallppff\ppfftwelve - \let\normppff\ppffsixteen - \let\medppff\ppfftwenty - \let\tinyxppff\xppfftwelve % version 1.17 RDT - \let\smallxppff\xppfftwelve - \let\normxppff\xppffsixteen - \let\medxppff\xppfftwenty - \else\ifnum\musicsize=\@xxiv - \let\musicLargefont\musictwentynine - \let\musiclargefont\musictwentynine - \let\musicnorfont\musictwentyfour - \let\musicsmallfont\musictwenty - \let\musictinyfont\musicsixteen - \let\xgregLargefont\xgregtwentynine - \let\xgreglargefont\xgregtwentynine - \let\xgregnorfont\xgregtwentyfour - \let\xgregsmallfont\xgregtwenty - \let\xgregtinyfont\xgregsixteen - \let\sluru\slurutwenty \let\slurd\slurdtwenty - \let\hsluru\hslurutwenty \let\hslurd\hslurdtwenty - \let\meternorfont\frtbf \let\metersmallfont\twelvebf % version 1.18 RDT - \let\meterbigfont\svtbf \let\meterlargefont\twtybf - \let\meterlargefont\twfvbf - \let\tinyppff\ppffsixteen - \let\smallppff\ppfftwenty - \let\normppff\ppfftwentyfour - \let\medppff\ppfftwentynine - \let\tinyxppff\xppffsixteen - \let\smallxppff\xppfftwenty - \let\normxppff\xppfftwentyfour - \let\medxppff\xppfftwentynine - \else\ifnum\musicsize=\@xxix - \let\musicLargefont\musictwentynine - \let\musiclargefont\musictwentynine - \let\musicnorfont\musictwentynine - \let\musicsmallfont\musictwentyfour - \let\musictinyfont\musictwenty - \let\xgregLargefont\xgregtwentynine - \let\xgreglargefont\xgregtwentynine - \let\xgregnorfont\xgregtwentynine - \let\xgregsmallfont\xgregtwentyfour - \let\xgregtinyfont\xgregtwenty - \let\sluru\slurutwenty \let\slurd\slurdtwenty - \let\hsluru\hslurutwenty \let\hslurd\hslurdtwenty - \let\slurud\slurutwentyd \let\slurdd\slurdtwentyd % +ickd - \let\hslurud\hslurutwentyd \let\hslurdd\hslurdtwentyd %+ickd - \let\meternorfont\svtbf \let\metersmallfont\frtbf % version 1.18 RDT - \let\meterbigfont\twtybf \let\meterlargefont\twfvbf - \let\meterLargefont\twfvbf - \let\tinyppff\ppfftwenty - \let\smallppff\ppfftwentyfour - \let\normppff\ppfftwentynine - \let\medppff\ppfftwentynine - \let\tinyxppff\xppfftwenty - \let\smallxppff\xppfftwentyfour - \let\normxppff\xppfftwentynine - \let\medxppff\xppfftwentynine -\else - \ifnum\musicsize=\tw@nty - \else\ifnum\musicsize=\z@ - \else\errmessage{\noexpand\musicsize=\the\musicsize\space not supported, - set to default of 20}% - \fi - \fi\musicsize\tw@nty - \let\musicLargefont\musictwentynine - \let\musiclargefont\musictwentyfour - \let\musicnorfont\musictwenty - \let\musicsmallfont\musicsixteen - \let\musictinyfont\musicthirteen - \let\xgreglargefont\xgregtwentyfour - \let\xgregLargefont\xgregtwentynine - \let\xgregnorfont\xgregtwenty - \let\xgregsmallfont\xgregsixteen - \let\xgregtinyfont\xgregthirteen - \let\sluru\slurutwenty \let\slurd\slurdtwenty - \let\hsluru\hslurutwenty \let\hslurd\hslurdtwenty - \let\meternorfont\twelvebf \let\metersmallfont\tenbf % version 1.18 RDT - \let\meterbigfont\frtbf \let\meterlargefont\svtbf - \let\meterLargefont\twtybf - \let\tinyppff\ppfftwelve - \let\smallppff\ppffsixteen - \let\normppff\ppfftwenty - \let\medppff\ppfftwentyfour - \let\tinyxppff\xppfftwelve - \let\smallxppff\xppffsixteen - \let\normxppff\xppfftwenty - \let\medxppff\xppfftwentyfour -\fi\fi\fi}% - -\catcode`\@=\catcodeat - -\endinput - diff --git a/macros/musixtex/tex/musixps.tex b/macros/musixtex/tex/musixps.tex deleted file mode 100644 index 7bff890330..0000000000 --- a/macros/musixtex/tex/musixps.tex +++ /dev/null @@ -1,976 +0,0 @@ -%% PostScript slurs, ties and crescendos -% Coded by Stanislav Kneifl -% RDT added \psRslurskip \iRslur \tRslur \psRtieskip \tRtie \psLtieskip \tLtie 2019/06/17 -% RDT added \iRtieu \iRtied 2020/09/07 -% RDT modified /DC to produce thicker hairpins 2022/12/29 - -\ifx\undefined\startpiece\errmessage{Input musixtex.tex before musixps.tex}\fi -\ifx\undefined\liftcresc\else\endinput\fi - -\immediate\write16{MusiXPS PostScript slurs, ties and crescendos 0.94 (07.09.2020)}% - -\catcode`\@=11 - - -%%%% remove the next line if you include this file into a format (see endnotes!). - -\special{header=psslurs.pro}% - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - -\font\mxsk=mxsk - -% you can change these values if you want... -% Offsets are in \internotes measured vertically from the center and -% horizontally from the left edge of the notehead. -% see the doc at the end for (short) explanation - -\def\psslurraise{1.6} % vertical offset of the slur beginnings/endings -\def\psbslurraise{2} % vert. offset for slurs on beams - -\def\psLslurskip{-0.2} % horiz. offset of slurs shifted more to the left -\def\psRslurskip{4} % horiz. offset of slurs shifted more to the right -\def\pslslurskip{0.4} % horiz. offset of slurs shifted to the left -\def\psislurskip{1.4} % horiz. offset of the slur beginnings -\def\pstslurskip{1.2} % horiz. offset of the slur endings -\def\psrslurskip{2.8} % horiz. offset of slurs shifted to the right - -\def\psfslurhgt{0.7} % height coeficient of the 'f'lat slurs -\def\psslurhgt{1} % height coeficient of normal slurs -\def\pshslurhgt{1.6} % height coeficient of 'h'igh slurs -\def\psHslurhgt{2.2} % height coeficient of 'H'igh slurs -\def\psHHslurhgt{2.8} % height coeficient of 'HH'igh slurs -\def\psslurmaxhgt{40} % maximal height of the slur - % (before multiplication by \...slurhgt !!) - -\def\psslurangul{0.17} % angularity of normal, flat and high slurs -\def\psHslurangul{0.15} % angularity of High slurs -\def\psHHslurangul{0.13} % angularity of HHigh slurs - -\def\pstieraise{1.3} % vertical offset of the ties -\def\psitieskip{2.6} % horiz. offset of the tie beginnings -\def\psttieskip{0.3} % horiz. offset of the tie endings -\def\psltieskip{-0.2} % horiz. offset of ties shifted to the left -\def\psrtieskip{3} % horiz. offset of ties shifted to the right -\def\psLtieskip{-0.4} % horiz. offset of ties shifted more to the left -\def\psRtieskip{4} % horiz. offset of ties shifted more to the right - -\def\pstiehgt{0.7} % height coeficient of the ties -\def\pstiemaxhgt{30} % maximal height if the ties -\def\pstieflathgt{20} % maximal height if the ties between staff lines -\def\pstieangul{0.14} % angularity of the ties - -%%%% - -\def\d@nh{-5} % default altitude of the crescendos in \internote -\def\setcrescheight{\def@it\d@nh} - -\def\sl@space{-3pt} % neg. space before continued slurs, ties and crescs. -\def\h@tielim{15pt} % limit for drawing half continued ties - -\def\nohalfties{\def\h@tielim{\z@}} -\def\halfties{\def\h@tielim{15pt}} -\newif\ifslopebrkslurs -\slopebrkslursfalse - -\def\dotted{\def\d@sh{1}} % the '1' is important! -\def\solid{\def\d@sh{0}} -\def\Dotted{\def\D@sh{1}} -\def\Solid{\def\D@sh{0}} -\Solid\solid - -\def\nosluradjust{\gdef\s@adj{0}} -\def\sluradjust{\gdef\s@adj{1}} -\def\Nosluradjust{\gdef\S@adj{0}\gdef\s@adj{0}} -\def\Sluradjust{\gdef\S@adj{1}\gdef\s@adj{1}} -\Sluradjust - -\def\notieadjust{\gdef\t@adj{0}} -\def\tieadjust{\gdef\t@adj{1}} -\def\Notieadjust{\gdef\T@adj{0}\gdef\t@adj{0}} -\def\Tieadjust{\gdef\T@adj{1}\gdef\t@adj{1}} -\Notieadjust - -\newif\ifdangermessages\dangermessagestrue - -\def\@clr#1{\let#1\empty} -\def\def@it#1#2{\def#1{#2}} -\def\slurtext{\def@it\s@tx} -\let\s@tx\empty -\def\lr@lap#1{\rlap{\hss#1}} - -% how many slurs will be stored into the TeX's registers? -% => how many slurs can go across the page break? -% determines also the needed amount of the following registers. -\let\max@slurs\t@n - -\let\slur@alt=\s@xi \let\slur@hgt=\s@Yv \let\slur@lift=\s@yi -\let\slur@alti=\s@xii \let\slur@hgti=\s@Yvi \let\slur@lifti=\s@yii -\let\slur@altii=\s@xiii \newdimen\slur@hgtii \let\slur@liftii=\s@yiii -\let\slur@altiii=\s@xiv \newdimen\slur@hgtiii \let\slur@liftiii=\s@yiv -\let\slur@altiv=\s@xv \newdimen\slur@hgtiv \let\slur@liftiv=\s@yv -\let\slur@altv=\s@Y \newdimen\slur@hgtv \let\slur@liftv=\s@yvi -\let\slur@altvi=\s@Yi \newdimen\slur@hgtvi \let\slur@liftvi=\s@Ni -\let\slur@altvii=\s@Yii \newdimen\slur@hgtvii \let\slur@liftvii=\s@Nii -\let\slur@altviii=\s@Yiii \newdimen\slur@hgtviii \let\slur@liftviii=\s@Niii -\let\slur@altix=\s@Yiv \newdimen\slur@hgtix \let\slur@liftix=\s@Niv - -% in the 'lift' register is coded the altitude of the ending point of the slur -% at the end of a line (y1) and the relative alt. of the starting point at the -% beginning of a line (y2): y1=(reg div 65536)-16384, y2=(reg mod 65536)-16384 - -\newdimen\tie@alt \newdimen\tie@hgt -\newdimen\tie@alti \newdimen\tie@hgti -\newdimen\tie@altii \newdimen\tie@hgtii -\newdimen\tie@altiii \newdimen\tie@hgtiii -\newdimen\tie@altiv \newdimen\tie@hgtiv -\newdimen\tie@altv \newdimen\tie@hgtv -\newdimen\tie@altvi \newdimen\tie@hgtvi -\newdimen\tie@altvii \newdimen\tie@hgtvii -\newdimen\tie@altviii \newdimen\tie@hgtviii -\newdimen\tie@altix \newdimen\tie@hgtix - -\newdimen\cresc@alt -\newdimen\cresc@alti -\newdimen\cresc@altii -\newdimen\cresc@altiii -\newdimen\cresc@altiv -\newdimen\cresc@altv -\newdimen\cresc@altvi -\newdimen\cresc@altvii -\newdimen\cresc@altviii -\newdimen\cresc@altix - -\newcount\pss@rega \pss@rega=\z@ % PS slurs -\newcount\pss@regb \pss@regb=\z@ -\newcount\pst@rega \pss@rega=\z@ % PS ties -\newcount\pst@regb \pss@regb=\z@ -\newcount\psc@rega \pss@rega=\z@ % PS [de]crescendos -\newcount\psc@regb \pss@regb=\z@ - -\newif\if@up -\newif\if@dash - -% information in these registers is binary coded: -% a: lower bit is set ( 2^2i ): there is a pending slur number i -% upper bit is set ( 2^(2i+1) ): slur number i already went across line break -% b: lower bit is set: slur/tie is dotted -% upper bit is set: slur/tie is lower / decrescendo - -% everything else is stored in PostScript variables. If you run out -% of the PostScript dictionary used for slurs, you can increase its size -% by changing the number 200 in the first line of psslurs.pro to anything -% reasonable. (The number says how many tokens can be defined.) - -%%%%%%% - -% input is i for 2^i and register to extract the bits from -% in reg. n@i will be only the bits 2^2i and 2^(2i+1) -% in n@vi will be these bits shifted to 2^0 and 2^1, -% n@ii will be set to 2^2i -\def\get@bits#1#2{\n@i=#1\relax\n@ii\@ne - \loop\ifnum\n@i>\z@\multiply\n@ii\f@ur\advance\n@i\m@ne\repeat - \n@i=\n@ii\multiply\n@i\f@ur\n@iii #2\relax - \divide\n@iii\n@i\multiply\n@iii\n@i\n@i=#2\relax - \advance\n@i-\n@iii\divide\n@i\n@ii\n@vi\n@i\multiply\n@i\n@ii\relax} - -\def\s@l@slur#1{\xdef\th@salt{\csname slur@alt\romannumeral#1\endcsname}% - \xdef\th@shgt{\csname slur@hgt\romannumeral#1\endcsname}% - \xdef\th@slift{\csname slur@lift\romannumeral#1\endcsname}} - -\def\s@l@tie#1{\xdef\th@salt{\csname tie@alt\romannumeral#1\endcsname}% - \xdef\th@shgt{\csname tie@hgt\romannumeral#1\endcsname}} - -\def\s@l@cresc#1{\xdef\th@salt{\csname cresc@alt\romannumeral#1\endcsname}} - -\def\gt@pssb#1#2{\s@l@ctbeam#1\relax\getcurpos\advance\y@v#2\relax % \y@v = hpos - \advance\y@v-\b@x - \y@ii\b@p\y@v \divide\y@ii\tw@nty \advance\y@ii\b@z - \advance\y@ii-\altportee\n@ii=\internote \divide\n@ii6553 - \n@i=\y@ii\divide\n@i\n@ii\divide\n@i6554\relax} - -\def\t@bslur#1#2#3#4{\n@vii\n@i\ifnum#3<\fiv@t@@n\get@bits{#3}\pss@regb\n@i\n@vii - \ifnum\n@vi>\@ne\gt@pssb{#4}\z@\T@slur{#3}{\psbslurraise}{0}{#1}{#2}% - \else\gt@pssb{#4}{\tw@\qn@width}\T@slur{#3}{\psbslurraise}{2.4}{#1}{#2}\fi - \else\gt@pssb{#4}\z@\T@slur{#3}{1.7}{0}{#1}{#2}\fi} - - -%%%%%% slurs %%%%%%%%%%%%%%%%%%% - -% ID, pitch, voffset, hoffset -% all offsets are in \internote, the slur direction is determined -% by the sign of the vertical offset. - -\def\iSlur#1#2{\inhgetn@i#2\relax\I@slur{#1}} - -% ID, voffset, hoffset; \n@i = pitch -\def\I@slur#1#2#3{\y@i=\n@i\internote - \ifdim#2\internote<\z@\@upfalse\else\@uptrue\fi - \advance\y@i#2\internote\raise\y@i\rlap{\hskip #3\internote - \special{ps: slur@Dict begin CP /S#1y1 ED /S#1x1 ED - /S#1hgt (\the\y@i) psxGD N /S#1brk S#1hgt (\the\internote) psxGD - \ifslopebrkslurs 3 \else 1 \fi\if@up 1 \else -1 \fi M M A N /S#1lift 0 N - /S#1alt (\the\altportee) psxGDAR N /S#1dir \if@up1\else-1\fi\space N - /S#1dash \d@sh\space N /S#1adj \s@adj\space N end}}% - \ifnum#1>\fourt@@n - \ifnum#1=99\relax\else - \ifdangermessages\message{Danger! Slur with ID >14.}\fi\fi - \else\n@iv\n@i\get@bits{#1}\pss@rega - \ifcase\n@i\else\message{Slur #1 was re-opened.}% - \advance\pss@rega-\n@i\fi % clear the bits - \global\advance\pss@rega\n@ii % and set the lower bit - \get@bits{#1}\pss@regb\global\advance\pss@regb-\n@i % clear the bits - \ifnum\d@sh=1\relax\global\advance\pss@regb\n@ii\fi - \if@up\else\multiply\n@ii\tw@\global\advance\pss@regb\n@ii\fi - \ifnum#1<\max@slurs\s@l@slur{#1}% - \global\th@salt\altportee\global\th@shgt\y@i\th@slift\n@iv - \if@up\advance\th@slift\fiv@\else\advance\th@slift-\fiv@\fi - \advance\th@slift 16384\relax\multiply\th@slift65536\relax - \global\advance\th@slift16384\relax - \fi\fi\gdef\d@sh{\D@sh}\gdef\s@adj{\S@adj}} - -% ID, height, voffset, hoffset, curvature, angularity -\def\tSlur#1#2{\inhgetn@i#2\relax\T@slur{#1}} - -\def\T@slur#1#2#3#4#5{\n@vii\n@i\n@ii\@ne - \ifnum#1<\fiv@t@@n - \get@bits{#1}\pss@rega - \global\advance\pss@rega-\n@i - \ifcase\n@i\message{Not opened slur #1 was closed.}\n@ii\z@ - \else - \ifnum\n@vi>\@ne % the slur was breaked - \get@bits{#1}\pss@regb % it's not necessary to clear this register - \ifnum\n@vi>\@ne\@upfalse\else\@uptrue\fi - \ifodd\n@vi\@dashtrue\else\@dashfalse\fi - \y@ii=\lin@pos\advance\y@ii\locx@skip\advance\y@ii#3\internote - \advance\y@ii\sl@space - \y@i=\n@vii\internote\advance\y@i\if@up\else-\fi#2\internote - \ifnum#1<\max@slurs - \s@l@slur{#1}\n@ii\th@slift\divide\n@ii65536\relax - \multiply\n@ii65536\relax\n@iii\th@slift\advance\n@iii-\n@ii - \advance\n@iii-16384\y@iii=\n@iii\internote\advance\y@iii\th@shgt - \raise\y@i\rlap{\hskip #3\internote\special{ps: slur@Dict begin - CP S (\the\y@ii) psxGDAR SB /S#1x1 ED - (\the\y@i) psxGD (\the\y@iii) psxGD SB 4 psxAR M A /S#1y1 ED - (\the\internote) psxGD (\the\th@shgt) psxGD (\the\y@i) psxGD - S#1x1 S#1y1 CP #4 \if@up\else neg \fi #5 30 - \if@dash1\else0\fi\space \s@adj\space 90 DS end}}% - \else - \raise\y@i\rlap{\hskip #3\internote\special{ps: slur@Dict begin - CP S (\the\y@ii) psxGDAR SB /S#1x1 ED - S#1hgt S#1lift (\the\internote) psxGD M A 4 psxAR M - (\the\y@i) psxGDAR SB SB /S#1y1 ED - (\the\internote) psxGD S#1hgt (\the\y@i) psxGD - S#1x1 S#1y1 CP #4 \if@up\else neg \fi #5 30 - S#1dash \s@adj\space 90 DS end}}% - \fi\n@ii\z@ - \fi - \fi - \fi - \ifcase\n@ii\else\y@ii=#2\internote\setbox\z@=\hbox{\s@tx}% - \y@i=\n@vii\internote\raise\y@i\rlap{\hskip #3\internote - \special{ps: slur@Dict begin (\the\internote) psxGD S#1hgt (\the\y@i) psxGD - #2 (\the\internote) psxGD M S#1dir M A - S#1x1 S#1y1 CP (\the\y@ii) psxGDAR S#1dir M SB - #4 S#1dir M #5 \psslurmaxhgt\space S#1dash S#1adj 90 DS - /ay1 ay1 (\the\ht\z@) psxGDAR -10 psxAR add dir mul add def}% - \lr@lap{\box\z@}\special{ps: end}}% - \fi\@clr\s@tx} - -\def\liftslur#1#2{\special{ps: slur@Dict begin /S#1lift #2 N end}% - \ifnum#1<\t@n\s@l@slur{#1}\divide\th@slift65536\relax - \multiply\th@slift65536 \advance\th@slift16384\relax - \advance\th@slift#2\relax\fi} - -\def\breakslur#1#2{\inhgetn@i#2\relax\y@i=\n@i\internote\special - {ps: slur@Dict begin /S#1brk (\the\y@i) psxGD N end}% - \ifnum#1<\t@n\s@l@slur{#1}\n@ii\th@slift\divide\n@ii65536\relax - \multiply\n@ii65536 \advance\th@slift-\n@ii\advance\n@i16384\relax - \multiply\n@i65536 \global\advance\th@slift\n@i\fi} - -%%%%% [de]crescendos %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - -% ID, height, hoffset - -\def\Icresc{\i@cresc0} -\def\Idecresc{\i@cresc2} - -\def\i@cresc#1#2#3#4{\y@i=#3\internote\raise\y@i\rlap - {\hskip#4\internote\advance\y@i\altportee\special{ps: slur@Dict begin - CP /C#2y1 ED /C#2x1 ED /C#2alt (\the\y@i) psxGD N - /C#2dir #1 N end}}% - \ifnum#2>\fourt@@n - \ifdangermessages\message{Danger! [De]crescendo with ID >14.}\fi - \else\get@bits{#2}\psc@rega - \ifcase\n@i\else\message{[De]crescendo #2 was re-opened.}% - \advance\psc@rega-\n@i\fi - \global\advance\psc@rega\n@ii - \get@bits{#2}\psc@regb\advance\psc@regb-\n@i - \multiply\n@ii#1\relax - \global\advance\psc@regb\n@ii\relax - \ifnum#2<\max@slurs\s@l@cresc{#2}% - \advance\y@i\altportee\global\th@salt\y@i\fi\fi} - -\def\Tcresc#1#2#3{\n@ii\@ne\n@i=#1\relax - \ifnum\n@i<\fiv@t@@n - \get@bits{#1}\psc@rega\global\advance\psc@rega-\n@i - \ifcase\n@i\message{Not opened crescendo #1 was closed.}\n@ii\z@ - \else - \ifnum\n@vi>\@ne % the crescendo was breaked - \get@bits{#1}\psc@regb % it's not necessary to clear this register - \y@ii=\lin@pos\advance\y@ii\locx@skip\advance\y@ii#3\internote - \advance\y@ii\sl@space - \zchar{#2}{\hskip #3\internote\special{ps: slur@Dict begin - CP S (\the\y@ii) psxGDAR SB S CP 4 \the\n@vi\space R - \the\n@vi\space 0 eq { DHC } { DC } ifelse end}}% - \global\n@ii\z@\fi - \fi\fi - \ifcase\n@ii\else\zchar{#2}{\hskip#3\internote\special{ps: slur@Dict begin - C#1x1 C#1y1 CP 4 C#1dir R DC end}}\fi} - -\def\liftcresc#1#2{\y@i=#2\internote\ifnum#1<\max@slurs\s@l@cresc{#1}% - \global\advance\th@salt\y@i\else\special{ps: slur@Dict begin - /C#1alt (\the\y@i) psxGDAR C#1alt A N end}\fi} - - -%%%% ties %%%%%%%%%%%%%%%%%%%%%% - -\def\iTieu{\i@tie{1}} -\def\iTied{\i@tie{-1}} - -% 1/-1, ID, height, hoffset -\def\i@tie#1#2#3#4{\inhgetn@i#3\relax\y@i=\pstieraise\internote - \multiply\y@i#1\relax\advance\y@i\n@i\internote\raise\y@i\rlap - {\hskip #4\internote\special{ps: slur@Dict begin - /S#1alt (\the\altportee) psxGDAR N - CP /T#2y1 ED /T#2x1 ED /T#2hgt (\the\y@i) psxGD N - /T#2dir #1 N /T#2dash \d@sh\space N - /T#2adj \t@adj\space N end}}% - \ifnum #2>\fourt@@n - \ifnum#2=99\relax\else - \ifdangermessages\message{Danger! Tie with ID >14.}\fi\fi - \else\get@bits{#2}\pst@rega - \ifcase\n@i\else\message{Tie #2 was re-opened.}% - \global\advance\pst@rega-\n@i\fi - \global\advance\pst@rega\n@ii - \get@bits{#2}\pst@regb\global\advance\pst@regb-\n@i % clear the bits - \ifnum\d@sh=1\relax\global\advance\pst@regb\n@ii\fi - \ifnum#1=1\relax\else\multiply\n@ii\tw@\global\advance\pst@regb\n@ii\fi - \ifnum#2<\max@slurs\s@l@tie{#2}% - \global\th@salt\altportee\global\th@shgt\y@i\fi - \fi\gdef\d@sh{\D@sh}\gdef\t@adj{\T@adj}} - -% ID, hoffset -\def\tTie#1#2{\n@ii\@ne - \ifnum#1<\fiv@t@@n - \get@bits{#1}\pst@rega - \global\advance\pst@rega-\n@i - \ifcase\n@i\message{Not opened tie #1 was closed.}\n@ii\z@ - \else - \ifnum\n@vi>\@ne % the tie was breaked - \get@bits{#1}\pst@regb % it's not necessary to clear this register - \ifnum\n@vi>\@ne\@upfalse\else\@uptrue\fi - \ifodd\n@vi\@dashtrue\else\@dashfalse\fi - \y@ii=\lin@pos\advance\y@ii\locx@skip\advance\y@ii#2\internote - \advance\y@ii\sl@space - \ifnum#1<\max@slurs\s@l@tie{#1}% - \ifdim\y@ii<\h@tielim - \raise\th@shgt\rlap{\hskip-0.3\internote - \ifdim\internote>.9\Internote\n@i=\z@\else - \ifdim\internote<.7\Internote \n@i=\@cxxviii - \else\n@i=64\fi\fi\if@up\else\advance\n@i\@ne\fi - \mxsk\char\n@i}% - \else - \rlap{\hskip #2\internote\special{ps: slur@Dict begin - (\the\internote) psxGD (\the\th@shgt) psxGD DP - CP S (\the\y@ii) psxGDAR SB S (\the\th@shgt) - psxGDAR SB DP CP P S \if@up \pstiehgt\space - \else -\pstiehgt\space \fi \pstieangul\space \pstiemaxhgt\space - \if@dash 1 \else 0 \fi \t@adj\space 40 DS end}}% - \fi - \else - \rlap{\hskip #2\internote\special{ps: slur@Dict begin - (\the\internote) psxGD T#1hgt psxGD DP - CP S (\the\y@ii) psxGDAR SB S T#1hgt psxGDAR SB DP CP P S - \if@up -\pstiehgt\space \else \pstiehgt\space \fi - \pstieangul\space \pstiemaxhgt\space \if@dash 1 \else 0 \fi - \t@adj\space 40 DS end}}% - \fi - \global\n@ii=\z@ - \fi - \fi - \fi - \ifcase\n@ii\else - \rlap{\hskip#2\internote - \special{ps: slur@Dict begin (\the\internote) psxGD T#1hgt DP - T#1x1 T#1y1 CP P T#1y1 - \pstiehgt\space T#1dir M \pstieangul\space \pstiemaxhgt\space T#1dash T#1adj 40 DS end}}% - \fi} - - -%%%%%%% simple slurs %%%%%%%%%%%%%%%%% - -% #1 start pitch #2 final pitch #3 sense(u,d) #4 length[noteskip] - -% \s@Y = vert. offset, \y@ii = horiz. offset at the end, \y@iii add to length -% \y@v = length - -\def\C@sl#1#2#3#4{\inhgetn@i#1\relax \n@ii\n@i\inhgetn@i#2\relax - \if d#3 \s@vy-\s@vy \ifx\@ne\nxt \y@ii\z@\fi \fi - \y@v#4\noteskip\advance\y@v\y@iii\advance\y@ii-\y@iii - \rlap{\hskip\y@ii\y@i=\n@ii\internote\advance\y@i\s@vy - \y@ii=\n@i\internote\advance\y@ii\s@vy\setbox\z@=\hbox{\s@tx}% - \ifx\s@tx\empty\def\tx@sp{1}\else\ifdim\y@v<\tw@nty\internote\def\tx@sp{1.5}% - \else\ifdim\y@v<\@l\internote\def\tx@sp{1.2}\else\def\tx@sp{1}\fi\fi\fi - \special{ps: slur@Dict begin (\the\internote) psxGD - (\the\y@i) psxGD (\the\y@ii) psxGD CP (\the\y@i) psxGDAR swub - CP exch (\the\y@v) psxGDAR add exch (\the\y@ii) psxGDAR sub - \if d#3 -1 \else 1 \fi \tx@sp\space mul \psslurangul\space - \psslurmaxhgt\space \d@sh\space \s@adj\space 90 DS - /ax1 ax1 (\the\y@v) psxGDAR add def /ay1 ay1 (\the\y@ii) psxGDAR sub - (\the\ht\z@) psxGDAR dir mul add def}\lr@lap{\unhbox\z@}\special{ps: end}}% - \@clr\s@tx\gdef\d@sh{\D@sh}\gdef\s@adj{\S@adj}} - - -%%%%%%% breaking the line %%%%%%%%%%%%%%%%% - -\def\br@slur{\divide\n@v\tw@ - \ifodd\n@v % the slur was breaked again - \y@i=\lin@pos\advance\y@i\x@skip\advance\y@i-\tw@\p@ - \advance\y@i\sl@space - \ifnum\n@iv<\max@slurs\s@l@slur\n@iv\n@i\th@slift\divide\n@i65536% - \n@ii\n@i\advance\n@ii-16384\y@iii=\n@ii\internote - \multiply\n@i65536 \n@ii\th@slift\advance\n@ii-\n@i - \advance\n@ii-16384\y@ii=\n@ii\internote\advance\y@ii\th@shgt - \ifnum\n@vi>\@ne\@upfalse\else\@uptrue\fi - \raise\th@salt\rlap{\hskip -2pt\special - {ps: slur@Dict begin /in (\the\internote) psxGD N - in (\the\y@ii) psxGD (\the\y@iii) psxGD CP S (\the\y@i) psxGD - 4 psxAR M SB S (\the\y@ii) psxGDAR SB - CP (\the\y@iii) psxGDAR SB \if@up1\else-1\fi\space - 0.13 30 \ifodd\n@vi 1 \else 0 \fi \s@adj\space 90 DS end}}% - \else - \rlap{\hskip -2pt\special{ps: slur@Dict begin - /in (\the\internote) psxGD N in S\the\n@iv hgt - S\the\n@iv lift in M A S\the\n@iv brk - CP S (\the\y@i) psxGDAR SB in 10 psxAR M A S - S\the\n@iv hgt S\the\n@iv lift in M A 4 psxAR M SB - S\the\n@iv alt 4 psxAR M SB CP S\the\n@iv brk - S\the\n@iv alt A 4 psxAR M SB S\the\n@iv dir - 0.13 30 S\the\n@iv dash S\the\n@iv adj 90 DS end}}% - \fi - \else % the slur was breaked the first time - \rlap{\hskip-2pt\special{ps: slur@Dict begin (\the\internote) psxGD - S\the\n@iv hgt S\the\n@iv brk S\the\n@iv x1 S\the\n@iv y1 CP P - S\the\n@iv y1 S\the\n@iv hgt S\the\n@iv brk SB 4 psxAR M A - S\the\n@iv dir 0.17 \psslurmaxhgt\space S\the\n@iv dash S\the\n@iv adj 90 DS end}}% - \get@bits\n@iv\pss@rega - \multiply\n@ii\tw@\global\advance\pss@rega\n@ii\fi} - - -\def\br@cresc{\divide\n@v\tw@ - \ifodd\n@v % the crescendo was breaked again - \y@i=\lin@pos\advance\y@i\x@skip\advance\y@i-\tw@\p@ - \advance\y@i\sl@space - \ifnum\n@iv<\max@slurs\s@l@cresc\n@iv - \rlap{\hskip-2pt\divide\n@vi\tw@\special{ps: slur@Dict begin CP S - (\the\y@i) psxGDAR SB S (\the\th@salt) psxGDAR SB DP CP P S - 4 \ifodd\n@vi 2 \else 0 \fi R DHC end}}% - \else - \rlap{\hskip-2pt\divide\n@vi\tw@\special{ps: slur@Dict begin CP S - (\the\y@i) psxGDAR SB (\the\internote) psxGD 10 psxAR M A S - C\the\n@iv alt psxGDAR SB DP CP P S - 4 C\the\n@iv dir R DHC end}}\fi - \else % the crescendo was breaked the first time - \rlap{\hskip-2pt\special{ps: slur@Dict begin - C\the\n@iv x1 C\the\n@iv y1 DP CP P S - 4 C\the\n@iv dir R C\the\n@iv dir 0 eq - { DC } { DHC } ifelse end}}% - \get@bits\n@iv\psc@rega - \multiply\n@ii\tw@\global\advance\psc@rega\n@ii\fi} - - -\def\br@tie{\divide\n@v\tw@ - \ifodd\n@v % the tie was breaked again - \y@i=\lin@pos\advance\y@i\x@skip\advance\y@i-\tw@\p@ - \advance\y@i\sl@space - \ifnum\n@iv<\max@slurs\s@l@tie\n@iv - \ifnum\n@vi>\@ne\@upfalse\else\@uptrue\fi - \y@ii\th@salt\advance\y@ii\th@shgt - \raise\y@ii\rlap{\hskip-2pt\special{ps: slur@Dict begin - (\the\internote) psxGD (\the\th@shgt) psxGD DP CP S (\the\y@i) psxGDAR SB S - CP \if@up \pstiehgt\space \else -\pstiehgt\space \fi \pstieangul\space - \pstiemaxhgt\space \ifodd\n@vi 1 \else 0 \fi \t@adj\space 40 DS end}}% - \else - \rlap{\hskip-2pt\special{ps: slur@Dict begin - (\the\internote) psxGD T\the\n@iv hgt DP CP S (\the\y@i) - psxGDAR SB (\the\internote) psxGD 10 psxAR M A S - T\the\n@iv alt T\the\n@iv hgt A 4 psxAR M SB DP - CP P S \pstiehgt\space T\the\n@iv dir M - \pstieangul\space \pstiemaxhgt\space T\the\n@iv dash T\the\n@iv adj 40 DS end}}\fi - \else % the tie was breaked the first time - \rlap{\hskip-2pt\special{ps: slur@Dict begin - (\the\internote) psxGD T\the\n@iv hgt DP - T\the\n@iv x1 T\the\n@iv y1 DP CP P S - \pstiehgt\space T\the\n@iv dir M \pstieangul\space \pstiemaxhgt\space - T\the\n@iv dash 40 T\the\n@iv adj DS end}}% - \get@bits\n@iv\pst@rega - \multiply\n@ii\tw@\global\advance\pst@rega\n@ii\fi} - -\let\mxps@oldsuspend=\z@suspend - -\def\z@suspend{% -% cut PostScript slurs - {\n@iv\z@\n@v\pss@rega\n@vi\pss@regb - \loop\ifnum\n@v>\z@ - \ifodd\n@v{\br@slur}\fi\divide\n@v\f@ur - \advance\n@iv\@ne\divide\n@vi\f@ur - \repeat}% -% cut PostScript [de]crescendos - {\n@iv=\z@\n@v=\psc@rega\n@vi\psc@regb - \loop\ifnum\n@v>\z@ - \ifodd\n@v{\br@cresc}\fi\divide\n@v\f@ur - \advance\n@iv\@ne\divide\n@vi\f@ur - \repeat}% -% cut PostScript ties - {\n@iv=\z@\n@v=\pst@rega\n@vi\pst@regb - \loop\ifnum\n@v>\z@ - \ifodd\n@v{\br@tie}\fi\divide\n@v\f@ur - \advance\n@iv\@ne\divide\n@vi\f@ur - \repeat}% - \special{ps: slur@Dict begin /pss@rega \the\pss@rega\space N - /psc@rega \the\psc@rega\space N /pst@rega \the\pst@rega\space N end }% -% do all other mxtex stuff - \mxps@oldsuspend} - -% checking for lost slurs - -\def\checkslurs{ - \ifcase\pss@rega\else\message{Warning! Opened slur(s) at checkpoint!}\fi - \ifcase\psc@rega\else\message{Warning! Opened crescendo(s) at checkpoint!}\fi - \ifcase\pst@rega\else\message{Warning! Opened tie(s) at checkpoint!}\fi} - - -%%%%%% common abbreviations %%%%%%%%%%%%%%%%%%%% - -\def\isluru#1#2{\iSlur{#1}{#2}{\psslurraise}{\psislurskip}} -\def\islurd#1#2{\iSlur{#1}{#2}{-\psslurraise}{\psislurskip}} -\def\irsluru#1#2{\iSlur{#1}{#2}{\psslurraise}{\psrslurskip}} -\def\irslurd#1#2{\iSlur{#1}{#2}{-\psslurraise}{\psrslurskip}} -\def\ilsluru#1#2{\iSlur{#1}{#2}{\psslurraise}{\pslslurskip}} -\def\ilslurd#1#2{\iSlur{#1}{#2}{-\psslurraise}{\pslslurskip}} -\def\iLsluru#1#2{\iSlur{#1}{#2}{\psslurraise}{\psLslurskip}} -\def\iLsluru#1#2{\iSlur{#1}{#2}{\psslurraise}{\psLslurskip}} -\def\iRslurd#1#2{\iSlur{#1}{#2}{-\psslurraise}{\psRslurskip}} -\def\iRslurd#1#2{\iSlur{#1}{#2}{-\psslurraise}{\psRslurskip}} - -\def\tfslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\pstslurskip}{\psfslurhgt}{\psslurangul}} -\def\tslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\pstslurskip}{\psslurhgt}{\psslurangul}} -\def\thslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\pstslurskip}{\pshslurhgt}{\psslurangul}} -\def\tHslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\pstslurskip}{\psHslurhgt}{\psHslurangul}} -\def\tHHslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\pstslurskip}{\psHHslurhgt}{\psHHslurangul}} - -\def\trfslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\psrslurskip}{\psfslurhgt}{\psslurangul}} -\def\trslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\psrslurskip}{\psslurhgt}{\psslurangul}} -\def\trhslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\psrslurskip}{\pshslurhgt}{\psslurangul}} -\def\trHslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\psrslurskip}{\psHslurhgt}{\psHslurangul}} -\def\trHHslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\psrslurskip}{\psHHslurhgt}{\psHHslurangul}} - -\def\tlfslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\pslslurskip}{\psfslurhgt}{\psslurangul}} -\def\tlslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\pslslurskip}{\psslurhgt}{\psslurangul}} -\def\tlhslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\pslslurskip}{\pshslurhgt}{\psslurangul}} -\def\tlHslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\pslslurskip}{\psHslurhgt}{\psHslurangul}} -\def\tlHHslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\pslslurskip}{\psHHslurhgt}{\psHHslurangul}} - -\def\tLfslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\psLslurskip}{\psfslurhgt}{\psslurangul}} -\def\tLslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\psLslurskip}{\psslurhgt}{\psslurangul}} -\def\tRslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\psRslurskip}{\psslurhgt}{\psslurangul}} -\def\tLhslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\psLslurskip}{\pshslurhgt}{\psslurangul}} -\def\tLHslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\psLslurskip}{\psHslurhgt}{\psHslurangul}} -\def\tLHHslur#1#2{\tSlur{#1}{#2}{\psslurraise}{\psLslurskip}{\psHHslurhgt}{\psHHslurangul}} - -% slur ID, beam ID -\def\iBsluru#1#2{\gt@pssb{#2}{\tw@\qn@width}\I@slur{#1}{\psbslurraise}{2.4}} -\def\iBslurd#1#2{\gt@pssb{#2}\z@\I@slur{#1}{-\psbslurraise}0} -\def\tBfslur{\t@bslur\psfslurhgt\psslurangul} -\def\tBslur{\t@bslur\psslurhgt\psslurangul} -\def\tBhslur{\t@bslur\pshslurhgt\psslurangul} -\def\tBHslur{\t@bslur\psHslurhgt\psHslurangul} -\def\tBhHslur{\t@bslur\psHHslurhgt\psHHslurangul} - - -\def\itieu#1#2{\iTieu{#1}{#2}{\psitieskip}} -\def\itied#1#2{\iTied{#1}{#2}{\psitieskip}} -\def\iltieu#1#2{\iTieu{#1}{#2}{\pslslurskip}} -\def\iltied#1#2{\iTied{#1}{#2}{\pslslurskip}} -\def\irtieu#1#2{\iTieu{#1}{#2}{\psrslurskip}} -\def\irtied#1#2{\iTied{#1}{#2}{\psrslurskip}} -\def\iRtieu#1#2{\iTieu{#1}{#2}{\psRslurskip}} -\def\iRtied#1#2{\iTied{#1}{#2}{\psRslurskip}} -\def\ttie#1{\tTie{#1}{\psttieskip}} -\def\tltie#1{\tTie{#1}{\psltieskip}} -\def\trtie#1{\tTie{#1}{\psrtieskip}} -\def\tLtie#1{\tTie{#1}{\psLtieskip}} -\def\tRtie#1{\tTie{#1}{\psRtieskip}} - -\def\icresc#1{\Icresc{#1}{\d@nh}{0}} -\def\idecresc#1{\Idecresc{#1}{\d@nh}{0}} -\def\tcresc#1{\Tcresc{#1}{\d@nh}{2}} -\let\tdecresc\tcresc - -\def\ilcresc#1{\Icresc{#1}{\d@nh}{-4}} -\def\ildecresc#1{\Idecresc{#1}{\d@nh}{-4}} -\def\tlcresc#1{\Tcresc{#1}{\d@nh}{-2}} -\let\tldecresc\tlcresc - -\def\ircresc#1{\Icresc{#1}{\d@nh}{4}} -\def\irdecresc#1{\Idecresc{#1}{\d@nh}{4}} -\def\trcresc#1{\Tcresc{#1}{\d@nh}{-6}} -\let\trdecresc\trcresc - -% for compatibility with old MusiXTeX slurs ... -\let\Tslur\tslur -\let\Ttie\ttie -\let\issluru\irsluru -\let\isslurd\irslurd -\let\tsslur\tLslur -\def\ibsluru#1#2{\iSlur{#1}{#2}8{\psrslurskip}} -\def\ibslurd#1#2{\iSlur{#1}{#2}{-8}{\psrslurskip}} -\def\tubslur#1#2{\tSlur{#1}{#2}8{\psrslurskip}{\psslurhgt}{\psslurangul}} -\def\tdbslur#1#2{\tSlur{#1}{#2}8{\pslslurskip}{\psslurhgt}{\psslurangul}} -\let\tbsluru=\tubslur -\let\tbslurd=\tdbslur -\let\istieu\irtieu -\let\istied\irtied -\let\itenu\irtieu -\let\itenl\irtied -\let\tstie\tltie -\let\tten\tltie -\let\Itenu\istieu -\let\Itenl\istied -\let\Liftslur\liftslur -% p1 p2 sense len -\def\slur#1#2#3#4{\csname islur#3\endcsname{99}{#1}% - \rlap{\hskip#4\noteskip\tslur{99}{#2}}} -\def\tie#1#2#3{\csname itie#2\endcsname{99}{#1}% - \rlap{\hskip#3\noteskip\ttie{99}}} - -\catcode`\@=\catcodeat - -\endinput - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - - -USAGE: -~~~~~~ -Basic usage is: - -\isluru0g - starts upper slur with ID 0 above the note 'g' -\tslur0i - terminates slur with ID 0. It will end above or below - the note 'i' with respect to the slur direction - -You can shift the starting or ending point slightly to the left -or right using \ilsluru, \ilslurd, \irsluru, \irslurd, \trslur and \tlslur. - -And finally you can make the slur a bit more flat than default -( \tfslur0f ), higher ( \thslur0f ), more higher ( \tHslur0f ) or -even more higher ( \tHHslur0f ). All combinations with shifting are -allowed (see the abbreviations above). These commands act like -\midslur for standard slurs. - -If this is not sufficient, you can use the \iSlur and \tSlur and adjust the -parameter as you want (see comments above their definitions) or even change -the default parameters. - -NOTE 1: The identification parameter should be a number greater - or equal to 0 and lower than 10. You can use even higher - numbers, but slurs, ties and crescendos with ID >10 - can not go over page break but can go across line break. - Slurs, ties and crescendos with ID >14 can't be breaked at all - (these slurs also can not be exactly positioned at a beam, so - don't use for example \tbslur{16}0; \ibslur{16}0 is safe). - If you know that a line break can not occur inside the slur - (probably inside a bar) you can happily use numbers - up to 2^31-1, which is also the maximal number of - simultaneously opened slurs :-). Such slurs will be also - a bit faster... - -NOTE 2: You can start a slur, tie and crescendo with the same ID, - the ID's are independent. This is not true for crescendos - and decrescendos. That means you can say \isluru0f\icresc0, - but not \icresc0\idecresc0, in which case you'll get a warning - message and the first crescendo will be forgotten. - -There are also macros for slurs begining or ending at a beam: - -\iBsluru{slur ID}{beam ID} -\iBslurd{slur ID}{beam ID} -\tBslur{slur ID}{beam ID} - -They are NOT THE SAME as for the original slurs, but a bit smarter... - -for example: - -\Notes\ibu0i0\iBsluru00\qb0{eh}\tbu0\qb0i\ibu0j0\qb0{jl}\tbu0% - \setslurtext{6}\tBslur00\qb0e\en - -The \slurtext works for PostScript slurs exactly the same way as -for the bitmapped ones. When you say '\slurtext3', a number '3' will -be typeset in the middle of the next closed slur. -The position of the reference point of the box with text will be -exactly in the middle horizontally and adjusted according to the -height of the box in case of upper slur. - -This works only for non-breaked slurs, if the slur is breaked, -the text disappears. - -The placing of the slur text is done with a very dirty PostScript -hack, so I am not really sure that everything you want to typeset -will be placed at the correct position (if you are interested, see -the end of psslurs.pro for details). If you find something that won't -work, let me know. - -There is also an unpleasant side-effect: when you look at the -DVI-file with some standard (non-PostScript) driver, the figure will -be placed at the end of the slur instead of the middle. From obvious -reasons this can't be fixed --- TeX can't know where the middle is, -as the slur shape is defined by a PostScript program. - - -General coding is very simple: - -\i[h.shift]slur[u|d]{slur ID}{note height} -\t[h.shift][slur height]slur{slur ID}{note height} - -\iBslur[u|d]{slur ID}{beam ID} -\tB[slur height]slur{slur ID}{beam ID} - -where h. shift can be 'l', 'r' or nothing -and slur height can be 'f', nothing, 'h', 'H' or 'HH' - -Mnemonics: \tlfslur means 'terminate left flat slur'. - - -There are also simple slurs with same invocation and parameters as the -original ones. - - -Similarly the ties: -~~~~~~~~~~~~~~~~~~~ -\itieu0e -\ttie0 - -\i[h.shift]tie[u|d]{ID}{note height} -\t[h.shift]tie{ID} - - -And crescendos: -~~~~~~~~~~~~~~~ -\icresc0 -\tcresc0 draws a crescendo at a default position (defined with - \setcrescheight) - -NOTE 1: \tcresc is the same as \tdecresc. - -NOTE 2: The coding of crescendos is incompatible with original crescendos. - The difference (as you notices) is in defining the type - (crescendo/decrescendo) at the beginning instead of the end. - This can't be fixed, because the TeX must know this at the end - of the line when the crescendo is breaked. - - -You can shift the starting and ending point horizontally with - -\ilcresc \ildecresc -\ircresc \irdecresc -\tlcresc \tldecresc -\trcresc \trdecresc - -to get some space for \mf, \ff etc. - - -Furthermore, you can say: - -\Icresc0{-6}0 -\Tcresc0{-8}2 - -and you will get crescendo with ending point lower than the begining -one. (The '0' and '2' at the end is horizontal offset in \internote -from the current point.) Due to some implemenational reasons, you must -use numbered height when specifying the altitude of the crescendos. - - - -Dotted slurs and ties -~~~~~~~~~~~~~~~~~~~~~ -The slurs and ties can be dotted, when you say \dotted anywhere before -the begining of the slur or tie. The first slur or tie following this -command will then be drawed with dotted line. - -[dangerous bend] When you say \Dotted, then ALL slurs and ties - from this point will be dotted until you say -\Solid. Furthermore, inside the \Dotted...\Solid you can make single slur or -tie solid saying \solid before its begining. - -NOTE: These macros are taken into account only at the begining - of the slur or tie. - - -Collisions of slurs/ties and staff lines -~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ -In PostScript it is possible to do some computations, which are very hard -to implement in TeX. One of neat features of the PS slurs and ties is a -check, whether the curve passes close the staff line and if so, adjustment -of the altitude of the curve to avoid collision ("black triangles" or narrow -white space). You can turn this feature on globally (\Sluradjust, -\Tieadjust) or locally (\sluradjust, \tieadjust), or disable it either -globally (\Nosluradjust, \Notieadjust) or locally (\nosluradjust, -\notieadjust). Default is \Sluradjust and \Notieadjust. "Locally" -means before the next opening command of the slur or tie. - - -Line breaking: -~~~~~~~~~~~~~~ -The slurs, ties and crescendos going across the line breaks are handled -automatically. Of course they can go over more lines than two (this is -true also for ties, though it would be somewhat strange). - -There is the classic \breakslur implemented, which sets the height of the -ending point slur at the end of a line to given number of \internotes. - -There is also a switch, \ifslopebrkslurs, indicating whether the ending point -of the first segment of the breaked slur (at the end of the line) should -be automatically raised by 3 \internote. You can turn this feature on by -the \slopebrkslurstrue and off by \slopebrkslursfalse commands, default -is false. - -You can raise or lower the starting point of the slur at the begining of -the next line with the command \liftslur with ID and the relative offset in -\internotes measured from the slur beginning height. Its usage and behavior -is the same as of the original \liftslur, only it is not necessary to code -it in \atnextstaff{}, just anywhere inside the slur. - -Similar is \liftcresc, but it works only for the middle part of crescendos -broken into three parts. The height of the last part of a broken crescendo -is defined with the height parameter of \Tcresc. - -As said before, anything with ID <10 is breaked fully automatically, but -you should be careful about the slurs, ties and crescendos with 10 <= ID < 15. -These can not go acress PAGE break, otherwise you'll get a PostScript error -like 's11hgt undefined'. Of course the LINE breaking works for them -automatically too. - -When a tie is continuead after breaking at the very beginning of a line, -only a half of the tie is drawn (the 'very beginning' means that the tie -would be less than 15pt long). To forbid this feature, say \nohalfties -(default is \halfties). A font called mxsk is necessary for \halfties. - - -Backwards compatibility -~~~~~~~~~~~~~~~~~~~~~~~ - -There are several "aliases" which allow to use the old, bitmapped slur -commands for PS slurs without any change. There are however a few differences: -- the \invertslur is not implemented yet -- the \curve and \midslur macros have no effect - - - - -Memory requrements -~~~~~~~~~~~~~~~~~~ - -I have tried to make the macros as small and fast as possible. The problem -about them is not in their size, but in their output. Each \i... and \t... -produces a \special command, which must be stored into the TeX's main memory. -Therefore, if too many slur occurs in one page, some memory troubles could -occur. In that case either use BigTeX (but I suppose you already do), or -use the bitmapped slurs. - - - -About the PS header: -~~~~~~~~~~~~~~~~~~~~ -The slurs need the PS header file psslurs.pro to be included into the -output PostScript file. You have to say this to dvips with command - -\special{header=psslurs.pro} - -placed anywhere inside the piece. As default, this is done when \inputting -the MusiXpss, but if you include the MusiXpss.tex into a format, the first -page of your document will be always empty. If you want the macros included -in your format file, comment the line 13 of this file and don't forget -to copy it into your source file. - -Warning to dvidvi users: If you select a set of pages from your document, -don't forget to include the page in which the \special command was used -(default is first page). Otherwise the dvips won't find this command and -won't include the header file, putting the PostScript device into a serious -problems. You can also use the "-h psslurs.pro" option to tell dvips to add -the header file manually. - - -About the slur shape: -~~~~~~~~~~~~~~~~~~~~~ -The shape is defined via trapezium: - - c - <----> b - <-----------------------------------------> - _ _ _________________________________ _ _ - | /^1 _____/ ^2 ^3 ^4\_____ 5^\ | ^ - / __/ \___ \ | - | /_/ \ \_\ | | - // this is the 'slur' \\ | a - |/ \\| | - |_________________________________________| v - 0 6 - -Points 0 and 6 are the starting and ending points. When the slope is not -zero, the trapezium is simply rotated, NOT slanted. - -'a' is computed as sqrt(b)*2, bounded with <3,\psslurmaxhgt> and multiplied -by the given height coeficient (see \tSlur and \t..slur, defaults to 1) -The units are not equal to anything common, the values were found -after a lot of testing. - -'c' is computed as angularity*b. Default angularity is 0.17, reasonable -values should lie in <0.1, 0.3>. - -Then the shape is corrected when the slur is so steep that its extreme -in horizontal direction lies inside the slur and shifted up or down -if it's top would be too close to nearest staff line (!!!!!!!!). - -The slur then consists of two bezier curves: -from 0 to 3 with control points 1 and 2 and -from 3 to 6 with control points 4 and 5. - -The shading is made according to its length and current \internote. - - - -If you are interested, see a slightly commented PS code in psslurs.pro. - -Bug reports and complainments are welcomed at: - - Stanislav Kneifl, - - standa@hiero.cz - - - -HISTORY -~~~~~~~ - -0.93 (17.2.2015) - changed definitions of AR, GDAR and GD to avoid collisions in certain PS files - -0.92 (12.5.2002) - added: \nosluradjust, \sluradjust, \notieadjust, \tieadjust - added: \slopebrkslurtrue, \slopebrkslurfalse - fixed: shaded slurs now do not break up to separate curves - at high resolutions - -0.91 (10.1.2002) - First public release, adopted from OpusTeX version. diff --git a/macros/musixtex/tex/musixref.tex b/macros/musixtex/tex/musixref.tex deleted file mode 100644 index dd7c9b92d8..0000000000 --- a/macros/musixtex/tex/musixref.tex +++ /dev/null @@ -1,305 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% - -%format musix - -% version compatible with T103 12 Aug. 2001 D. Taupin - -%II 59.9 - -\input musixtex -%\input musixcpt -\input musixhou -\input musixper -\input musixlit -\input musixgre -\input musixext - -\parindent 0mm -\nopagenumbers\nobarnumbers - -\ifx\MusiXTeX\indefined\def\MusiXTeX{MusiX\TeX}\fi -%\centerline{\cmbxbig\MusiXTeX---Reference}\medskip -\centerline{\Bigfont\MusiXTeX---Reference}\medskip -\centerline{\bigfont Pitches}\medskip -\tt -\def\bs{\char92} -\setclef1{6000} -\afterruleskip2pt -\startmuflex\startpiece -% -% Pitches -% -\addspace\afterruleskip -\notes\wh{`ABCDEFG!ABCDEFGHIJKLMNabcde}\off{-26\noteskip}% - \zchar{14}{\llap`A}\sk - \zchar{14}{\llap`B}\sk - \zchar{14}{\llap`C}\sk - \zchar{14}{\llap`D}\sk - \zchar{14}{\llap`E}\sk - \zchar{14}{\llap`F}\sk - \zchar{14}{\llap`G}\sk - \zchar{14}A\sk - \zchar{14}B\sk - \zchar{14}C\sk - \zchar{14}D\sk - \zchar{14}E\sk - \zchar{14}F\sk - \zchar{14}G\sk - \zchar{-5}{\llap'A}\zchar{14}H\sk - \zchar{-5}{\llap'B}\zchar{14}I\sk - \zchar{-5}{\llap'C}\zchar{14}J\sk - \zchar{-5}{\llap'D}\zchar{14}K\sk - \zchar{-5}{\llap'E}\zchar{14}L\sk - \zchar{-5}{\llap'F}\zchar{14}M\sk - \zchar{-5}{\llap'G}\zchar{14}N\sk - \zchar{14}a\sk - \zchar{14}b\sk - \zchar{14}c\sk - \zchar{14}d\sk - \zchar{14}e\sk\en -\stoppiece\vskip-3\Interligne\setclef1{0000}\contpiece -\notes\wh{abcdefghijklmnopqrstuvwxyz}\off{-26\noteskip}% - \zchar{-8}a\sk - \zchar{-8}b\sk - \zchar{-8}c\sk - \zchar{-8}d\sk - \zchar{-8}e\sk - \zchar{-8}f\sk - \zchar{-8}g\sk - \zchar{-8}h\zchar{-4}{\llap'a}\sk - \zchar{-8}i\zchar{-4}{\llap'b}\sk - \zchar{-8}j\zchar{-4}{\llap'c}\sk - \zchar{-8}k\zchar{-4}{\llap'd}\sk - \zchar{-8}l\zchar{-4}{\llap'e}\sk - \zchar{-8}m\zchar{-4}{\llap'f}\sk - \zchar{-8}n\zchar{-4}{\llap'g}\sk - \zchar{-8}o\zchar{-4}{\llap{'\kern-2pt'}a}\sk - \zchar{-8}p\zchar{-4}{\llap{'\kern-2pt'}b}\sk - \zchar{-8}q\zchar{-4}{\llap{'\kern-2pt'}c}\sk - \zchar{-8}r\zchar{-4}{\llap{'\kern-2pt'}d}\sk - \zchar{-8}s\zchar{-4}{\llap{'\kern-2pt'}e}\sk - \zchar{-8}t\zchar{-4}{\llap{'\kern-2pt'}f}\sk - \zchar{-8}u\zchar{-4}{\llap{'\kern-2pt'}g}\sk - \zchar{-8}v\zchar{-4}{\llap{'\kern-2pt'\kern-2pt'}a}\sk - \zchar{-8}w\zchar{-4}{\llap{'\kern-2pt'\kern-2pt'}b}\sk - \zchar{-8}x\zchar{-4}{\llap{'\kern-2pt'\kern-2pt'}c}\sk - \zchar{-8}y\zchar{-4}{\llap{'\kern-2pt'\kern-2pt'}d}\sk - \zchar{-8}z\zchar{-4}{\llap{'\kern-2pt'\kern-2pt'}e}\sk\en -\stoppiece -\medskip\centerline{\bigfont Notes, Accidentals, Accents, Clefs and Rests} -\medskip -% -% Notes& Accidentals -% -\contpiece -\Notes - \zchar{-4}{Accidentals:}% - \zchar9{\bs zmaxima}\zmaxima i\sk - \zchar{12}{\bs zlonga}\zlonga i\sk - \zchar9{\bs zbreve}\zbreve i\sk - \zchar{12}{\bs zwq}\zwq i\sk - \zchar{12}{\bs wh}\wh i% - \zchar{12}{\bs hu}\zchar{-4}>\hu{>f}% - \zchar{12}{\bs hl}\loff{\zchar{-4}{\bs cdsh}}\cdsh l\hl l% - \zchar{12}{\bs qu}\zchar{-4}\^\qu{^f}% - \zchar{12}{\bs ql}\loff{\zchar{-4}{\bs csh}}\csh l\ql l% - \zchar{12}{\bs cu}\zchar{-4}=\cu{=f}% - \zchar{12}{\bs cl}\loff{\zchar{-4}{\bs cna}}\cna l\cl l% - \zchar{12}{\bs ccu}\zchar{-4}\_\ccu{_f}% - \zchar{12}{\bs ccl}\loff{\zchar{-4}{\bs cfl}}\cfl l\ccl l% - \zchar{12}{\bs cccu}\zchar{-4}<\cccu{0 \def\bslstr##1{$\backslash$##1} \else\def\bslstr##1{} \fi -$$\vbox{ -\halign{ ## \quad & ## & ## \hfill & ## \hfill & ## \hfill & ## \hfill \cr -\ifnum #1=1 & & Explication des signes & Explanation of the signs & Zeichenerkl\"arung & Jelek magyar\'azata \cr \fi -\ifnum #1=0 & & {\bf Explication des signes} & {\bf Explanation of the signs} & {\bf Zeichenerkl\"arung} & {\bf Jelek magyar\'azata} \cr \fi -\cr - \AB & \bslstr{AB} & Tirez l'archet & down-bow & Abstrich & Lefel\'e \cr -\ifnum #1>0 \downbow & \bslstr{downbow} & Tirez l'archet & down-bow & Abstrich & Lefel\'e \cr \fi - \AUF & \bslstr{AUF} & Poussez l'archet & up-bow & Aufstrich & F\"olfel\'e \cr -\ifnum #1>0 \upbow & \bslstr{upbow} & Poussez l'archet & up-bow & Aufstrich & F\"olfel\'e \cr \fi -\cr - \SP & \bslstr{SP} & A la pointe & at the top & An der Spitze & Cs\'ucsn\'al \cr - \FR & \bslstr{FR} & Au talon & at the nut & Am Frosch & K\'ap\'an\'al \cr -\cr - \GB & \bslstr{GB} & Tout l'archet & whole bow & Ganzer Bogen & Eg\'esz von\'oval \cr -\ifnum #1>0 \Gb & \bslstr{Gb} & Tout l'archet & whole bow & Ganzer Bogen & Eg\'esz von\'oval \cr \fi - \UH & \bslstr{UH} & La moiti\'e inf\'erieure ... & lower half & Untere H\"alfte & A von\'o als\'o fele \cr -\ifnum #1>0 \Uh & \bslstr{Uh} & La moiti\'e inf\'erieure ... & lower half & Untere H\"alfte & A von\'o als\'o fele \cr \fi - \OH & \bslstr{OH} & La moiti\'e sup\'erieure ... & upper half & Obere H\"alfte & A von\'o fels\H{o} fele \cr -\ifnum #1>0 \Oh & \bslstr{Oh} & La moiti\'e sup\'erieure ... & upper half & Obere H\"alfte & A von\'o fels\H{o} fele \cr \fi - \MI & \bslstr{MI} & Au milieu ... & middle & In der Mitte & K\"oz\'epen \cr -\ifnum #1>0 \Mi & \bslstr{Mi} & Au milieu ... & middle & In der Mitte & K\"oz\'epen \cr \fi - \UD & \bslstr{UD} & Le premier tiers ... & lower third & Unteres Drittel & A von\'o als\'o harmada \cr -\ifnum #1>0 \Ud & \bslstr{Ud} & Le premier tiers ... & lower third & Unteres Drittel & A von\'o als\'o harmada \cr \fi - \OD & \bslstr{OD} & Le troisi\`eme tiers ... & upper third & Oberes Drittel & A von\'o fels\H{o} harmada \cr -\ifnum #1>0 \Od & \bslstr{Od} & Le troisi\`eme tiers ... & upper third & Oberes Drittel & A von\'o fels\H{o} harmada \cr \fi - & & \hfill ... de l'archet \cr -\cr - \Pizz & \bslstr{Pizz} & Pincez avec la main & left hand pizzicato & Pizzicato der linken & piccikat\'o bal k\'ezzel \cr - & & gauche & & Hand \cr - \Tr & \bslstr{Tr} & (ou trille) & (or trille) & (oder Triller) & (vagy trilla) \cr -}}$$} - diff --git a/macros/musixtex/tex/musixstf.tex b/macros/musixtex/tex/musixstf.tex deleted file mode 100644 index a73cf021ff..0000000000 --- a/macros/musixtex/tex/musixstf.tex +++ /dev/null @@ -1,28 +0,0 @@ -% musixstr.ref - -\input musixstr -\input musixste - -\parindent0pt\nopagenumbers - -\def\T#1{\zcharnote g{#1}\qa d} -\def\Sk#1{\off{0.#1\noteskip}} - -\centerline{\bigfont MusiXSTRings}\smallskip - -\nostartrule\def\nbinstruments{1}\generalsignature{0} -\startmuflex\startpiece\transpose=7% -\NOtes\Sk5% - \T{\downbow}\T{\AB}\T{\upbow}\T{\AUF}% - \T{\SP}\T{\FR}\T{\GB}\T{\Gb}\T{\UH}\T{\Uh}\T{\OH}% - \T{\Oh}\T{\MI}\T{\Mi}\T{\UD}\T{\Ud}\T{\OD}\T{\Od}% - \T{\Pizz}\T{\Tr}\en -\stoppiece\endmuflex - -\bigskip{\bf$\backslash$explainstr1}\smallskip\explainstr1 -\bigskip{\bf$\backslash$explainstr0}\smallskip\explainstr0 - -\vfill\eject - -\bye - diff --git a/macros/musixtex/tex/musixstr.tex b/macros/musixtex/tex/musixstr.tex deleted file mode 100644 index ac23af18f4..0000000000 --- a/macros/musixtex/tex/musixstr.tex +++ /dev/null @@ -1,47 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -\immediate\write16{MUsiXSTRingaccents T.57\space<6 September 1996>}% - -% accents for strings by Werner Icking (Werner.Icking@gmd.de) - -\let\AB\downbow -\let\AUF\upbow -\def\SP{$\mathrel\triangleleft\joinrel\mid$} -\def\FR{$\mapstochar\mathrel=\joinrel\mid$} -\def\GB{$\longleftrightarrow$} -\def\Gb{$\leftrightarrow$} -\def\UH{$\longleftarrow$} -\def\Uh{$\leftarrow$} -\def\OH{$\longrightarrow$} -\def\Oh{$\rightarrow$} -\def\MI{$\mapstochar\relbar\joinrel\relbar\joinrel\mapstochar$} -\def\Mi{$\mapstochar\relbar\joinrel\mapstochar$} -\def\UD{$\longleftarrow\joinrel\mapstochar$} -\def\Ud{$\leftarrow\joinrel\mapstochar$} -\def\OD{$\mapstochar\longrightarrow$} -\def\Od{$\mapstochar\rightarrow$} - - - - -\def\Pizz{\kern-.3pt{\sevenrm+}} -\let\Tr\Pizz - -\endinput - diff --git a/macros/musixtex/tex/musixsty.tex b/macros/musixtex/tex/musixsty.tex deleted file mode 100644 index 794a7ce336..0000000000 --- a/macros/musixtex/tex/musixsty.tex +++ /dev/null @@ -1,388 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -\ifx\undefined\Tenpoint \else \endinput\fi - -\immediate\write16{MusiXtextSTYle T.123\space<04 March 2016>}% - -% modified by RDT to be independent of Computer Modern (other than Math fonts) -% RDT: added \headline{..} in \maketitle - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 -\edef\catcode@gt{\the\catcode`\>}\catcode`\>=12 -\edef\catcode@lt{\the\catcode`\<}\catcode`\<=12 - -% non musical procedures used in typesetting the non-musical -% texts together with musictex - -% eight point math fonts - -\font\eighti=cmmi8 \skewchar\eighti='177 -\font\eightsy=cmsy8 \skewchar\eightsy='60 -% -% nine point math fonts -% -\font\ninei=cmmi9 \skewchar\ninei='177 -\font\ninesy=cmsy9 \skewchar\ninesy='60 -% -% eleven point math fonts (RDT: not used?) -% -\font\eleveni=cmmi10 scaled \magstephalf \skewchar\eleveni='177 -\font\elevensy=cmsy10 scaled \magstephalf \skewchar\elevensy='60 -% -% twelve point math fonts -% -\font\twelvei=cmmi12 \skewchar\twelvei='177 -\font\twelvesy=cmsy10 scaled \magstep1 \skewchar\twelvesy='60 -% -% fourteen point math fonts -% -\font\frti=cmmi12 scaled \magstep1 \skewchar\frti='177 -\font\frtsy=cmsy10 scaled \magstep2 \skewchar\frtsy='60 -% -% seventeen point math fonts -% -\font\svti=cmmi12 scaled \magstep2 \skewchar\svti='177 -\font\svtsy=cmsy10 scaled \magstep3 \skewchar\svtsy='60 -% -% twenty point math fonts -% -\font\twtyi=cmmi12 scaled \magstep3 \skewchar\twtyi='177 -\font\twtysy=cmsy10 scaled \magstep4\skewchar\twtysy='60 -% -% twenty five point math fonts -% -\font\twfvi=cmmi12 scaled \magstep4 \skewchar\twfvi='177 -\font\twfvsy=cmsy10 scaled \magstep5 \skewchar\twfvsy='60 -% -% -% SEVERAL DIFFERENT POINT SIZES -% -\def\Twfvpoint{\normalbaselineskip=30pt - \def\rm{\fam0\twfvrm}% - \def\it{\fam\itfam\twfvit}% - \def\sl{\fam\slfam\twfvsl}% - \def\bf{\fam\bffam\twfvbf}% - \def\smc{\twfvrm}% - \def\mit{\fam 1}% - \def\cal{\fam 2}% - \textfont0=\twfvrm \scriptfont0=\twtyrm \scriptscriptfont0=\svtrm - \textfont1=\twfvi \scriptfont1=\twtyi \scriptscriptfont1=\svti - \textfont2=\twfvsy \scriptfont2=\twtysy \scriptscriptfont2=\svtsy - \textfont3=\tenex \scriptfont3=\tenex \scriptscriptfont3=\tenex - \textfont\itfam=\twfvit \scriptfont\itfam=\twtyit - \textfont\slfam=\twfvsl \scriptfont\slfam=\twtysl - \textfont\bffam=\twfvbf \scriptfont\bffam=\twtybf - \scriptscriptfont\bffam=\twtybf - \setbox\strutbox=\hbox{\vrule height 22pt depth 8pt width 0pt}% - \def\tt{\twfvtt}\normalbaselines\rm -} -\def\twfvpoint{\Twfvpoint} -% -\def\Twtypoint{\normalbaselineskip=25pt - \def\rm{\fam0\twtyrm}% - \def\it{\fam\itfam\twtyit}% - \def\sl{\fam\slfam\twtysl}% - \def\bf{\fam\bffam\twtybf}% - \def\smc{\twtyrm}% - \def\mit{\fam 1}% - \def\cal{\fam 2}% - \textfont0=\twtyrm \scriptfont0=\svtrm \scriptscriptfont0=\frtrm - \textfont1=\twtyi \scriptfont1=\svti \scriptscriptfont1=\frti - \textfont2=\twtysy \scriptfont2=\svtsy \scriptscriptfont2=\frtsy - \textfont3=\tenex \scriptfont3=\tenex \scriptscriptfont3=\tenex - \textfont\itfam=\twtyit \scriptfont\itfam=\svtit - \textfont\slfam=\twtysl \scriptfont\slfam=\svtsl - \textfont\bffam=\twtybf \scriptfont\bffam=\svtbf - \scriptscriptfont\bffam=\svtbf - \setbox\strutbox=\hbox{\vrule height 18pt depth 7pt width 0pt}% - \def\tt{\twtytt}\normalbaselines\rm} -\def\twtypoint{\Twtypoint} -% -\def\Svtpoint{\normalbaselineskip=21pt - \def\rm{\fam0\svtrm}% - \def\it{\fam\itfam\svtit}% - \def\sl{\fam\slfam\svtsl}% - \def\bf{\fam\bffam\svtbf}% - \def\smc{\svtrm}% - \def\mit{\fam 1}% - \def\cal{\fam 2}% - \textfont0=\svtrm \scriptfont0=\frtrm \scriptscriptfont0=\twelverm - \textfont1=\svti \scriptfont1=\frti \scriptscriptfont1=\twelvei - \textfont2=\svtsy \scriptfont2=\frtsy \scriptscriptfont2=\twelvesy - \textfont3=\tenex \scriptfont3=\tenex \scriptscriptfont3=\tenex - \textfont\itfam=\svtit \scriptfont\itfam=\frtit - \textfont\slfam=\svtsl \scriptfont\slfam=\frtsl - \textfont\bffam=\svtbf \scriptfont\bffam=\frtbf - \scriptscriptfont\bffam=\frtbf - \setbox\strutbox=\hbox{\vrule height 14.5pt depth 6.5pt width 0pt}% - \def\tt{\svttt}\normalbaselines\rm} -\def\svtpoint{\Svtpoint} -% -\def\Frtpoint{\normalbaselineskip=17pt - \def\rm{\fam0\frtrm}% - \def\it{\fam\itfam\frtit}% - \def\sl{\fam\slfam\frtsl}% - \def\bf{\fam\bffam\frtbf}% - \def\smc{\frtrm}% - \def\mit{\fam 1}% - \def\cal{\fam 2}% - \textfont0=\frtrm \scriptfont0=\twelverm \scriptscriptfont0=\eightrm - \textfont1=\frti \scriptfont1=\twelvei \scriptscriptfont1=\eighti - \textfont2=\frtsy \scriptfont2=\twelvesy \scriptscriptfont2=\eightsy - \textfont3=\tenex \scriptfont3=\tenex \scriptscriptfont3=\tenex - \textfont\itfam=\frtit \scriptfont\itfam=\twelveit - \textfont\slfam=\frtsl \scriptfont\slfam=\twelvesl - \textfont\bffam=\frtbf \scriptfont\bffam=\twelvebf - \scriptscriptfont\bffam=\twelvebf - \setbox\strutbox=\hbox{\vrule height 12pt depth 5pt width 0pt}% - \def\tt{\frttt}\normalbaselines\rm} -\def\frtpoint{\Frtpoint} -% -\def\Twlpoint{\normalbaselineskip=14pt - \def\rm{\fam0\twelverm}% - \def\it{\fam\itfam\twelveit}% - \def\sl{\fam\slfam\twelvesl}% - \def\bf{\fam\bffam\twelvebf}% - \def\smc{\twelverm}% - \def\mit{\fam 1}% - \def\cal{\fam 2}% - \textfont0=\twelverm \scriptfont0=\tenrm \scriptscriptfont0=\eightrm - \textfont1=\twelvei \scriptfont1=\teni \scriptscriptfont1=\eighti - \textfont2=\twelvesy \scriptfont2=\tensy \scriptscriptfont2=\eightsy - \textfont3=\tenex \scriptfont3=\tenex \scriptscriptfont3=\tenex - \textfont\itfam=\twelveit \scriptfont\itfam=\tenit - \textfont\slfam=\twelvesl \scriptfont\slfam=\tensl - \textfont\bffam=\twelvebf \scriptfont\bffam=\tenbf - \scriptscriptfont\bffam=\tenbf - \setbox\strutbox=\hbox{\vrule height 10pt depth 4pt width 0pt}% - \def\tt{\twelvett}\normalbaselines\rm} -\def\twlpoint{\Twlpoint} -\def\twelvepoint{\Twlpoint} -% -\def\Tenpoint{\normalbaselineskip\tw@lv@\p@ - \def\rm{\fam\z@\tenrm}% - \def\it{\fam\itfam\tenit}% - \def\sl{\fam\slfam\tensl}% - \def\bf{\fam\bffam\tenbf}% - \let\smc\tenrm - \def\mit{\fam\@ne}% - \def\cal{\fam\tw@}% - \textfont0\tenrm \scriptfont0\eightrm \scriptscriptfont0\eightrm - \textfont1\teni \scriptfont1\eighti \scriptscriptfont1\eighti - \textfont2\tensy \scriptfont2\eightsy \scriptscriptfont2\eightsy - \textfont3\tenex \scriptfont3\tenex \scriptscriptfont3\tenex - \textfont\itfam\tenit \scriptfont\itfam=\eightit - \textfont\slfam\tensl \scriptfont\slfam=\eightsl - \textfont\bffam\tenbf \scriptfont\bffam\eightbf - \scriptscriptfont\bffam\eightbf - \setbox\strutbox\hbox{\vrule\@height8\h@lf\p@\@depth3\h@lf\p@\@width\z@}% - \let\tt\tentt \normalbaselines\rm} -\let\tenpoint\Tenpoint - -\def\Eightpoint{\normalbaselineskip\t@n\p@ - \def\rm{\fam\z@\eightrm}% - \def\it{\fam\itfam\eightit}% - \def\sl{\fam\slfam\eightsl}% - \def\bf{\fam\bffam\eightbf}% - \def\tt{\eighttt} - \def\mit{\fam\@ne}% - \def\cal{\fam\tw@}% - \textfont0\eightrm \scriptfont0\eightrm \scriptscriptfont0\eightrm - \textfont1\eighti \scriptfont1\eighti \scriptscriptfont1\eighti - \textfont2\eightsy \scriptfont2\eightsy \scriptscriptfont2\eightsy - \textfont3\tenex \scriptfont3\tenex \scriptscriptfont3\tenex - \textfont\itfam\eightit - \textfont\slfam\eightsl - \textfont\bffam\eightbf \scriptfont\bffam\eightbf - \scriptscriptfont\bffam\eightbf - \setbox\strutbox\hbox{\vrule\@height\s@v@n\p@\@depth\thr@@\p@\@width\z@}% - \normalbaselines\rm} -\def\eightpoint{\Eightpoint} -% -\def\Ninepoint{\normalbaselineskip=10pt - \def\rm{\fam0\ninerm}% - \def\it{\fam\itfam\nineit}% - \def\sl{\fam\slfam\ninesl}% - \def\bf{\fam\bffam\ninebf}% - \def\mit{\fam 1}% - \def\cal{\fam 2}% - \textfont0=\ninerm \scriptfont0=\ninerm \scriptscriptfont0=\ninerm - \textfont1=\ninei \scriptfont1=\ninei \scriptscriptfont1=\ninei - \textfont2=\ninesy \scriptfont2=\ninesy \scriptscriptfont2=\ninesy - \textfont3=\tenex \scriptfont3=\tenex \scriptscriptfont3=\tenex - \textfont\itfam=\nineit \scriptfont\itfam=\nineit - \textfont\slfam=\ninesl \scriptfont\slfam=\ninesl - \textfont\bffam=\ninebf \scriptfont\bffam=\ninebf - \scriptscriptfont\bffam=\ninebf - \setbox\strutbox=\hbox{\vrule height 7pt depth 3pt width 0pt}% - \def\tt{\ninettt}\normalbaselines\rm} -\def\ninepoint{\Ninepoint} - -% GENERAL FOOTNOTES - -\newcount\footmarkcount - -\def\resetfootnote{\global\footmarkcount\z@ } -\def\footmarknumber{\raise\smallvalue ex\hbox{% - \eightpoint\rm\the\footmarkcount}} - -\def\Footnote#1{\global\advance\footmarkcount\@ne - \footnote{\footmarknumber}{#1}} - -% \TeX book footnote -% En cas de panique: couper en deux (une seule note autorisee) - -\def\markfootnote{{\advance\footmarkcount\@ne \footmarknumber}} - -\def\realfootnote#1{\global\advance\footmarkcount\@ne - \vfootnote{{\footmarknumber}#1}} - -% to enable inserting different \hsize (two columns case) -\let\footnotehsize\empty - -\def\vfootnote#1{\insert\footins\bgroup\parskip\z@\eightpoint - \interlinepenalty\interfootnotelinepenalty - \splittopskip\ht\strutbox \advance\splittopskip\p@ - \splitmaxdepth\dp\strutbox \floatingpenalty20000 - \leftskip\z@ \rightskip\z@ - \spaceskip\z@ \xspaceskip\z@ - \eightpoint\footnotehsize\noindent{#1}\footstrut\futurelet\next\fo@t} - -\def\footnoterule{\vskip-\thr@@\p@\hrule\@width2truein \vskip 2.6\p@} - -\def\aujourdhui{\space\number\day\space% - \ifcase\month\or janvier\or f\'evrier\or mars\or avril\or mai\or juin\or - juillet\or ao\^ut\or septembre\or octobre\or novembre\or d\'ecembre\fi - \space\number\year} -\def\today{\space% - \ifcase\month\or January\or February\or March\or April\or May\or June\or - July\or August\or September\or October\or November\or December\fi - \space\number\day,\space\number\year} -\def\cenboxit#1{\centerline{\boxit{#1}}} -\def\Item{\medskip\item} - -\newdimen\theslant -\def\fup#1{\raise 0.8ex\hbox{\theslant=\fontdimen1\the\font\kernm.03em\kern \theslant\the\scriptfont\fam #1}} - -\def\umero{\fup{o}} -\def\ieme{\fup{e}} -\def\ier{\fup{er}} -\let\titremorceau\empty -\def\title#1{\def\titremorceau{#1}} -\def\shorttitle{\title} -\def\subtitle#1{\def\subt@itremorceau{#1}} -\let\headt@itremorceau\undefined -\def\headtitle#1{\def\headt@itremorceau{#1}} -\def\fulltitle{\headtitle} -\let\othert@itremorceau\empty -\def\othermention#1{\def\othert@itremorceau{#1}} - -\let\headl@ne\undefined -\def\headline#1{\def\headl@ne{#1}} - -\let\s@hortauthor\empty -\def\shortauthor#1{\def\s@hortauthor{(#1)}} - -\def\fullauthor#1{\def\f@ullauthor{#1}} -\def\author{\fullauthor} - -\newif\ifcopyright - -\def\outmorceau{\shipout\vbox{\vbox to \vsize{\vss\pagecontents\vss}\line{% -\ifodd\pageno\sl \titremorceau\ \s@hortauthor -\ifcopyright\rm$\copyright$\fi\hss \number\pageno -\else\rm\number\pageno\hss\sl \titremorceau\ \s@hortauthor -\ifcopyright\rm$\copyright$\fi\fi}}% - \global\advance\count0 by 1\relax - \ifnum\outputpenalty>-20000 \else\dosupereject\fi}% - -\output{\outmorceau} - -\def\maketitle{% -\ifx\headl@ne\undefined\else\line{\headl@ne}\bigskip\fi% for version 123 RDT -\centerline{\BIGfont \ifx\headt@itremorceau\undefined - \titremorceau\else\headt@itremorceau\fi} -\medskip -\ifx\subt@itremorceau\undefined\else - \centerline{\sl \subt@itremorceau} -\medskip -\fi - - -\hbox to \hsize{\vtop{\def\\{\hss\egroup\hbox to 0.5\hsize\bgroup\relax}\relax - \hbox to 0.5\hsize - \bgroup\othert@itremorceau\hss - \egroup - }\hss - \vtop{\def\\{\egroup\hbox to 0.5\hsize\bgroup\relax\hss}\relax - \hbox to 0.5\hsize - \bgroup\hss\f@ullauthor - \egroup - }} -\bigskip -} - - -\def\rectoverso#1{% -\def\outmorceau{\shipout\hbox{\null\ifodd\pageno\kern #1\relax - \else\kern -#1\relax - \fi - \vbox{\vbox to \vsize{\vss\pagecontents\vss}\line{% -\ifodd\pageno\sl \titremorceau\ \s@hortauthor -\ifcopyright\rm$\copyright$\fi\hss \number\pageno -\else\rm\number\pageno\hss\sl \titremorceau\ \s@hortauthor -\ifcopyright\rm$\copyright$\fi\fi}}}% - \global\advance\count0 by 1\relax - \ifnum\outputpenalty>-20000 \else\dosupereject\fi}% - -\output{\outmorceau}} - - - -\catcode`\>=\catcode@gt -\catcode`\<=\catcode@lt -\catcode`\@=\catcodeat - -%%% A4 (210mm x 297mm): -\hsize=190mm %%% adjust to increase/decrease printer margins -\vsize=270mm %%% adjust to increase/decrease printer margins -\hoffset=210mm\advance\hoffset-\hsize\divide\hoffset2 -\advance\hoffset-1.0in % TeX convention -\voffset=297mm\advance\voffset-\vsize\divide\voffset2 -\advance\voffset-1.0in % TeX convention - -%%% letter-size (8.5in x 11.0in): -%\hsize=7.5in %%% adjust to increase/decrease printer margins -%\vsize=10.0in %%% adjust to increase/decrease printer margins -%\hoffset=8.5in\advance\hoffset-\hsize\divide\hoffset2 -%\advance\hoffset-1.0in % TeX convention -%\voffset=11.0in\advance\voffset-\vsize\divide\voffset2 -%\advance\voffset-1.0in % TeX convention - -%%% To determine the *minimal* margins supported by your -%%% printer and check for printer mis-alignment, process -%%% testpage.tex with LaTeX and print the result. - -\tenpoint - -%%%%%%% adjust here for a non-centering printer %%%%%%%% -%\advance\hoffset 0mm -%\advance\voffset 0mm - -\endinput diff --git a/macros/musixtex/tex/musixtex.tex b/macros/musixtex/tex/musixtex.tex deleted file mode 100644 index a46abeec61..0000000000 --- a/macros/musixtex/tex/musixtex.tex +++ /dev/null @@ -1,5970 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -% -\ifx\undefined\startpiece \else \endinput \fi -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 - -\ifx\makeatletter\undefined\def\makeatletter{\catcode`\@=11\relax}\fi -\ifx\makeatother\undefined\def\makeatother{\catcode`\@=12\relax}\fi - -\def\mufl@x{0.83}% -\def\mxmajorvernumber{1} -\def\mxminorvernumber{37} -\def\mxvernumber{\mxmajorvernumber\mxminorvernumber}% make it possible to compare with \ifnum -\def\mxversuffix{}% -\edef\mxversion{\mxmajorvernumber.\mxminorvernumber\mxversuffix} -\def\mxdate{2023-10-07} - -\immediate\write16{MusiXTeX(c) \mxversion\space<\mxdate>}% -\everyjob{\immediate\write16{MusiXTeX(c) \mxversion\space<\mxdate>}}% - -% version 1.37 -% -% added small ss fonts -% -% version 1.36 -% -% Support for Turkish classical music accidentalsi; see musixmkm.tex. -% Re-define \hlthick to produce thicker ledger lines. -% Provide thinner accidentals; see musixthacc.tex. -% Thicker Postscript hairpins. - -% version 1.35 -% -% This release includes a handwriting font from MuseScore and an extension -% library musixjt.tex to support it. - -% version 1.34 -% -% redefine \tabfnt... commands to allow re-definition in musixftab.tex -% decrement the number of slashes if tabstylespace is true -% - -% version 1.33a -% -% improved implementations of the tablature commands: -% + 4-7 slashes are replaced by numbers 4-7 -% + notehead-less stems are replaced by tiny notes (without ledger lines) - -% version 1.33 -% -% \tabfnt etc. now uses (Helvetica) bold -% replace ledger lines by slashes (/) for tablature notes below the staff -% new commands \tzqu, \tzcup, etc. for stems without noteheads, for use in tablature - -% version 1.32 - -% commented out spurious \let\doublebar\doublebar@II -% forbid line-breaking at \zdoublebar - -% version 1.31 -% -% defined \zzdoublebar, \zzbar, \zendpiece - -% version 1.30 -% -% defined \zdoublebar for use within a bar -% defined \hbp and \hbpp - -% version 1.29 -% -% defined \tabfnt, \tabcleffnt, \tabstringfnt, \tab etc. to support tablature - -% version 1.28 -% -% defined -% \z[left|right|leftright]repeat, for use *within* a bar -% \zz...repeat, to force to the end of a system -% corrected definition of \C@Inter for \nblines < 4 - -% version 1.27 -% -% introduced \meterN -% eliminated \ds@oup -% introduced \nqqb \nqqh \nqqqb \nqqqh abbreviations and -% synonyms \nqql \nqqu \nqqql \nqqqu -% introduced \hap, \happ analogous to \qap, \qapp -% introduced \hbsk analogous to \hsk -% introduced \bqsk, \bhsk, \btsk analogous to \qsk, \hqsk, \tqsk -% introduced \xxtuplet - -% version 1.26 -% -% deleted spurious definition in \resetlayout and -% spurious space in definition of \interfacteur... - -% version 1.25 -% -% included a "dummy" tuplet.tex in the distribution -% added \ignorespaces in musixltx.tex -% defined \qap, \qapp, \tqsk - -% version 1.24 -% -% preserve changes to \transpose in an hboxed tremolo command -% test that musixtex.tex has already been loaded in some extensions: -% musixps, musixec, musixhv, musixplt, musixtmr, musixppff -% changed from \it to \ppff in several places -% support new command \setinterstaff{n}{m} -% define \largenotesize, \Largenotesize -% correct typos \twtybf[g] \svtbf[g] - -% version 1.23 -% -% added \xtr and \ptr ornaments -% adjusted spacing of \tr -% corrected definition of \C@Inter for \nblines > 6 - -% version 1.22 -% -% bi and sc font definitions added; sl and tt definitions for musixsty moved -% explicit font choices for \txtfont replaced by generic commands \smalltype\it etc. -% \pdlud \halfwidthbigwedge and \raise-height font-dependent -% \cbreath and \zbreath use \BIGtype rather than \BIGfont - - -% version 1.21 -% -% RDT adjusted the offsets and/or vertical positions for some tremolos -% RDT moved \lastbarpos\lin@pos after calls to \Writ@meters -% to correct \centerbar positioning -% RDT copied the definition of \Hpause from musixlit.tex -% RDT introduced \Changeclefs, \cHpause and \centerHpause -% RDT replaced \smalltype\it by \txtfont in octave clef commands -% RDT moved definitions of \txtfont into \comput@fonts -% RDT added support for piano-pedal bracket notation - -% version 1.20 -% -% RDT re-defined tremolo commands to allow for numerical pitches; -% use of \raise and \hbox suggested by Jean-Pierre Colon - -% version 1.19: -% -% RDT corrected typos in the definition of \comput@fonts -% affecting ppff fonts for \Largemusicsize -% RDT introduced definitions for tremolo commands \trml, \trmu, etc. -% RDT turned off lyrics for \metron and \metronequiv notes - -% version 1.18: -% -% RDT added definitions of \raggedstoppiece and \slide from musixext.tex -% RDT increased the length of beam stems (adapted from J.-P. Coulon) - -% version 1.17: -% -% RDT re-defined \txtfont for non-normal staff sizes -% RDT defined \tinyppff and \ppfftwelve, and re-defined \ppff to be staffsize dependent -% RDT introduced \tqqb \tqqh \tqqqb \tqqqh abbreviations -% and synonyms \tqql \tqqu \tqqql \tqqqu -% RDT introduced ornaments \tr, \trt -% RDT re-defined \triolet to be consistent with musixdoc (prints \txt, not nec. 3) -% RDT introduced \cpause etc. and corrected definitions of \centerpause etc. -% RDT introduced double-dotted rests \qppp, \dspp, \qspp, etc. - -% version 1.16: -% -% RDT corrected the definitions of \nnotes and \nnnotes - -% HM corrected the definitions for cautionary small accidentals - -% RDT added \check@staff ... \fi to \@qa h, \@mca, \hs, \qqs -% so that \qa, \ca, \ha, etc. can be "hidden" using \setstaffs{n}{0} - -% RDT incorporated tuplet.tex (approved by George Sicherman) -% and introduced \txtfont to allow changing size or style - -% RDT introduced -% \qqsk, a one-quarter notehead skip -% \tqu and \tql, synonyms for \tqh and \tqb -% \ztqu and \ztql, synonyms for \ztqh and \ztqb -% \hpp, \qpp, \dsp, \qsp, \hsp, \qqsp for pointed rests -% \nnotes, \nnnotes: 1.6 and 1.28 \elemskip spacing -% \zcn, \ccn, \lcn, synomyms for \zcharnote etc. - -% RDT incorporated curly.tex (approved by Mthimkhulu Molekwa) - -% RDT modernized the treatment of text fonts -% meterfonts must be bf, even if titling fonts are rm or sc -% added dynamic-mark macros \sfz \sfzp - -% version 1.15: -% -% moved out: -% - 1/128th beams -> musixbm -% - triple pointed notes -> musixtri - -% and shrinked the memory consumption - -%++ickd 19Sep1997: with help of William P. Houser introduced dotted slurs. -% Changes marked with +ickd for added single lines, -ickd for replaced -%++ickd single lines, ++ickd...++ickd for added blocks - -%++simick 04Dec2000: Don Simons and Werner Icking made some improvements -% to volta-processing and centerbar processing the changes are -% marked with +simick for added single lines, -simick for -%++simick replaced lines and ++simick...++simick for added blocks - -% Hiroaki, May2010, T.115: change register allocation codes into new ones -% which enables >12 elements. Search the string "version 1.15" for details. -% - -% TeXperts may want to change the next - -% PARAMETER DIFFERENT THAN PLAIN - -\showboxdepth=0 -\showboxbreadth=0 - -\ifx\undefined\documentstyle % -> []plain.tex - \parindent0pt - \hoffset-15.4mm - \voffset-10mm - \hsize190mm - \vsize260mm -\fi - -%%% from LaTeX -% The following definitions save token space. E.g., using \@height -% instead of height saves 5 tokens at the cost in time of one macro -% expansion. - -\def\@height{height} -\def\@depth{depth} -\def\@width{width} - -%%% also removed 'by', '=' - -\def\@to{to} -\def\p@ne{.1} -\def\qu@rt{.25} -\def\h@lf{.5} -\def\p@seven{.7} - -%%%from plain -% To make the macros more efficient in time and space, -% several constant values are declared here as control sequences -% If they were changed, anything could happen; so they are private symbols - -%\chardef\active=13 -%\chardef\&=`\& -> 38 -%\chardef\#=`\# -> 35 -%\chardef\$=`\$ -> 36 -% Nomenclature: '@' means most times 'e' or seperator, sometimes 'o','a' - -\chardef\f@ur=4 -\chardef\fiv@=5 -\chardef\si@=6 -\chardef\s@v@n=7 -\chardef\@ight=8 -\chardef\nin@=9 -\chardef\t@n=10 -\chardef\@l@v@n=11 -\chardef\tw@lv@=12 -\chardef\fourt@@n=14 -\chardef\fiv@t@@n=15 -\chardef\tw@nty=20 -\chardef\@xxiii=23 -\chardef\@xxv=25 -\chardef\@xxiv=24 -\chardef\@xxvi=26 -\chardef\@xxvii=27 -\chardef\@xxix=29 -\chardef\@xxxii=32 -\chardef\@xl=40 -\chardef\@xli=41 -\chardef\@xlv=45 -\chardef\@l=50 -\chardef\@lii=52 -\chardef\@liv=54 -\chardef\@lxxxiii=83 -\chardef\@c=100 -\chardef\@cxv=115 -\chardef\@cxxviii=128 - -\newif\ifcatcodesmusic - -\def\catcodesmusic{\ifcatcodesmusic\relax - \else - \edef\catcode@gt{\the\catcode`\>}\catcode`\>\tw@lv@ - \edef\catcode@lt{\the\catcode`\<}\catcode`\<\tw@lv@ - \edef\catcode@vert{\the\catcode`\|}\catcode`\|\active - \edef\catcode@and{\the\catcode`\&}\catcode`\&\active - \edef\catcode@excl{\the\catcode`\!}\catcode`\!\tw@lv@ - \edef\catcode@star{\the\catcode`\*}\catcode`\*\tw@lv@ - \edef\catcode@pt{\the\catcode`\.}\catcode`\.\tw@lv@ - \edef\catcode@sc{\the\catcode`\:}\catcode`\:\tw@lv@ - \let\@@bar\bar - \def\bar{\barre}% - \fi\catcodesmusictrue} - -\catcodesmusic - -% MusicTeX + MuFlex -> MusiXTeX -\def\musixtex{MusiX\TeX} - -\def\kernm{\kern-} - -%...\let\@wloG=\wlog -%...\def\wlog#1{} - -%%% account registers - -% \let\maxinstruments\si@ % [version 1.15] here disabled to avoid conflict - -% temporary registers - -\newcount\n@i -\newcount\n@ii -\newcount\n@iii -\newcount\n@iv -\newcount\n@v -\newcount\n@vi -\newcount\n@vii -\newcount\n@viii -\newcount\count@ - -\newbox\toks@box -\newbox\w@rkbox -\newbox\n@otebox - -\newdimen\y@ -\newdimen\y@i -\newdimen\y@ii -\newdimen\y@iii -\newdimen\y@iv -\newdimen\y@v - -% [version 1.15] moved out to the new register allocation code -- start from here -- -% altitude -% \newskip\k@ii -% InterNote -% \newdimen\i@ni -\def\i@n{\z@} % safety in case of.... -% positions x et z de debut des poutres -% \newdimen\b@xi \newdimen\b@zi -% \newdimen\c@xi \newskip\c@zi -% \newdimen\d@xi \newskip\d@zi -% \newdimen\e@xi \newskip\e@zi -% \newdimen\f@xi \newskip\f@zi -% pentes des poutres ( entier de -9 a +9 ) -% multiplicite des poutres ( de -5 a +5 . 0= inactive ) -% \newcount\b@pi \newcount\b@ni -% Number of Portees -% \newcount\n@pi \n@pi\@ne -% Actual Signs Old Signs -% \newcount\a@si \newcount\o@si -% ActualCleftoks -% \newtoks\a@ci \a@ci={{\z@}{\z@}{\z@}{\z@}} -% OldCleftoks -% \newtoks\o@ci -% MeterToks -% \newtoks\m@ti -% Altitude of choir groups -% \newskip\g@bi -% Height of choir groups -% \newskip\g@hi - -% [version 1.15] moved out to the new register allocation code -- until here -- -% \let\maxgroups\thr@@ % maximum three groups of instruments or choirs [version 1.15] moved to later, using \setmaxgroups -\newcount\group@no - -%%% [version 1.15] new register allocation code -- start from here -- -% -% register allocation for use inside \loop...\if...\repeat -% (only for plain, but no harm even in case of LaTeX) -\edef\noexpand@newcount{\noexpand\newcount}% -\edef\noexpand@newdimen{\noexpand\newdimen}% -\edef\noexpand@newskip{\noexpand\newskip}% -%\edef\noexpand@newmuskip{\noexpand\newmuskip}% not used -%\edef\noexpand@newbox{\noexpand\newbox}% not used -\edef\noexpand@newtoks{\noexpand\newtoks}% -%\edef\noexpand@newmarks{\noexpand\newmarks}% not used -% -% a shortcut for register allocation routines -\def\roman@c@{\romannumeral\count@}% -% -% some registers (i@n, b@x, b@z, c@x, d@x, e@x, s@x, s@Y) -% should be allocated by \newdimen (for id 0...5) and \newskip (for id 6...11) -% because T.114 and earlier did so and for the compatibility to Stanislav -% Kneifl's musixps.tex 0.92a. -% And again \newdimen (for id>11), because both \dimen and \skip are -% applicable but \dimen uses less memory in case of >255 on e-TeX. -\def\noexpand@newdimsk{% - \ifnum\count@<7 \let\@@newdimsk=\noexpand@newdimen - \else\ifnum\count@<13 \let\@@newdimsk=\noexpand@newskip - \else\let\@@newdimsk=\noexpand@newdimen - \fi\fi \@@newdimsk}% -% -% and some other registers (c@z, d@z, e@z, f@z, g@z) -% should be allocated by \newskip (for id 0...11) and \newdimen (for id>11) -% for the same reason of above. -\def\noexpand@newskdim{% - \ifnum\count@<13 \let\@@newskdim=\noexpand@newskip - \else \let\@@newskdim=\noexpand@newdimen - \fi \@@newskdim}% -% -% registers for instrument -\newdimen\interinstrument % moved from "distance between instruments" to here -\def\setmaxinstruments#1{% - \ifnum#1>\@oldmaxinstruments - \chardef\maxinstruments=#1\relax - \ifnum#1>\@c - \errmessage{The maximum reference number of elements is limited to \the\@c} - \chardef\maxinstruments=\@c - \fi - \count@\@oldmaxinstruments\loop - \advance\count@ by\@ne - % - \expandafter \let \csname interinstrument\roman@c@\endcsname \interinstrument - \expandafter\def\csname interfacteur\roman@c@\endcsname{\interfacteur}% RDT 1.26 - % - % altitude - \expandafter \noexpand@newskip \csname k@i\roman@c@\endcsname - % - % InterNote - \expandafter \noexpand@newdimsk \csname i@n\roman@c@\endcsname - % - % beam horizontal positions: x=start, z=end, 8th-64th beams - \expandafter \noexpand@newdimsk \csname b@x\roman@c@\endcsname - \expandafter \noexpand@newdimsk \csname b@z\roman@c@\endcsname - \expandafter \noexpand@newdimsk \csname c@x\roman@c@\endcsname - \expandafter \noexpand@newskdim \csname c@z\roman@c@\endcsname - \expandafter \noexpand@newdimsk \csname d@x\roman@c@\endcsname - \expandafter \noexpand@newskdim \csname d@z\roman@c@\endcsname - \expandafter \noexpand@newdimsk \csname e@x\roman@c@\endcsname - \expandafter \noexpand@newskdim \csname e@z\roman@c@\endcsname - % - % pentes des poutres ( entier de -9 a +9 ) (slopes of the beams) - % multiplicite des poutres ( de -5 a +5 . 0= inactive ) (multiplicity of the beams) - \expandafter \noexpand@newcount \csname b@p\roman@c@\endcsname - \expandafter \noexpand@newcount \csname b@n\roman@c@\endcsname - % - % Number of Portees - \expandafter \noexpand@newcount \csname n@p\roman@c@\endcsname - \csname n@p\roman@c@\endcsname\@ne - % - % Actual Signs - \expandafter \noexpand@newcount \csname a@s\roman@c@\endcsname - % - % Old Signs - \expandafter \noexpand@newcount \csname o@s\roman@c@\endcsname - % - % ActualCleftoks - \expandafter \noexpand@newtoks \csname a@c\roman@c@\endcsname - \csname a@c\roman@c@\endcsname={{\z@}{\z@}{\z@}{\z@}}% - % - % OldCleftoks - \expandafter \noexpand@newtoks \csname o@c\roman@c@\endcsname - % - % MeterToks - \expandafter \noexpand@newtoks \csname m@t\roman@c@\endcsname - % - % staffsize - \expandafter \let \csname staffspacing\roman@c@\endcsname \@ne - % - % text, lyrics, free positioning of chars - \expandafter \let \csname T@R\roman@c@\endcsname \z@ - % - % preset clef symbols - \expandafter \let \csname treblec@s\roman@c@\endcsname \z@ - \expandafter \let \csname altoc@s\roman@c@\endcsname \z@ - \expandafter \let \csname bassc@s\roman@c@\endcsname \z@ - % - % preset default staff lines as 5 - \expandafter \let \csname n@l\roman@c@\endcsname \fiv@ - % - \ifnum\count@<\maxinstruments\repeat - \expandafter\message\expandafter{maxinstruments=\the\maxinstruments}% - \chardef\@oldmaxinstruments=\maxinstruments\relax% - \normalnotesize\resetlayout - \fi -}% -% -% registers for 128th beam -\def\setmaxcxxviiibeams#1{% - \ifnum#1>\maxinstruments - \errmessage{The number of 128th beam must not exceed maxinstruments}% - \else - \ifnum#1>\@oldmaxcxxviiibeams - \chardef\maxcxxviiibeams=#1\relax - \ifnum#1>\@c - \errmessage{The maximum reference number of elements is limited to \the\@c} - \chardef\maxcxxviiibeams=\@c - \fi - \count@\@oldmaxcxxviiibeams \loop - \advance\count@ by\@ne - \expandafter \noexpand@newdimen \csname f@x\roman@c@\endcsname - \expandafter \noexpand@newskdim \csname f@z\roman@c@\endcsname - \ifnum\count@<\maxcxxviiibeams\repeat - \expandafter\message\expandafter{max128beams=\the\maxcxxviiibeams}% - \chardef\@oldmaxcxxviiibeams=\maxcxxviiibeams\relax% - \fi - \fi -}% -% -% registers for 256th beam -\def\setmaxcclvibeams#1{% - \ifnum#1>\maxcxxviiibeams - \errmessage{The number of 256th beam must not exceed the number of 128th beam}% - \else - \ifnum#1>\@oldmaxcclvibeams - \chardef\maxcclvibeams=#1\relax - \ifnum#1>\@c - \errmessage{The maximum reference number of elements is limited to \the\@c} - \chardef\maxcclvibeams=\@c - \fi - \count@\@oldmaxcclvibeams \loop - \advance\count@ by\@ne - \expandafter \noexpand@newdimen \csname g@x\roman@c@\endcsname - \expandafter \noexpand@newskdim \csname g@z\roman@c@\endcsname - \ifnum\count@<\maxcclvibeams\repeat - \expandafter\message\expandafter{max256beams=\the\maxcclvibeams}% - \chardef\@oldmaxcclvibeams=\maxcclvibeams\relax% - \fi - \fi -}% -% -% registers for choir group -\def\setmaxgroups#1{% - \ifnum#1>\@oldmaxgroups - \chardef\maxgroups=#1\relax - \ifnum#1>\@c - \errmessage{The maximum reference number of elements is limited to \the\@c} - \chardef\maxgroups=\@c - \fi - \count@\@oldmaxgroups \loop - \advance\count@ by\@ne - % Altitude - \expandafter \noexpand@newskip \csname g@b\roman@c@\endcsname - % Height - \expandafter \noexpand@newskip \csname g@h\roman@c@\endcsname - % - \expandafter \let \csname lowersonginstrum\roman@c@\endcsname \maxdimen - \expandafter \let \csname uppersonginstrum\roman@c@\endcsname \z@ - \ifnum\count@<\maxgroups\repeat - \expandafter\message\expandafter{maxgroups=\the\maxgroups}% - \chardef\@oldmaxgroups=\maxgroups\relax% - \fi -}% -% -% registers for slur -\def\setmaxslurs#1{% - \ifnum#1>\@oldmaxslurs - \chardef\maxslurs=#1\relax - \ifnum#1>\@c - \errmessage{The maximum reference number of elements is limited to \the\@c} - \chardef\maxslurs=\@c - \fi - \count@\@oldmaxslurs \loop - \advance\count@ by\@ne - % - % horizontal start position of slur - \expandafter \noexpand@newdimsk \csname s@x\roman@c@\endcsname - % - % sense u,d and x (flag) for pending slurs - \expandafter \noexpand@newtoks \csname s@s\roman@c@\endcsname - \csname s@s\roman@c@\endcsname={x}% - % - % vertical offset of slur - \expandafter \noexpand@newdimsk \csname s@Y\roman@c@\endcsname - % - % altportee of slur - \expandafter \noexpand@newskip \csname s@a\roman@c@\endcsname - % - % vertical start position of slur [steps of internote] - \expandafter \noexpand@newcount \csname s@y\roman@c@\endcsname - % - % instrument number of that slur (to retrieve internote) - \expandafter \noexpand@newcount \csname s@N\roman@c@\endcsname - % - % vertical end position of slur [steps of internote], used from - % \breakslur. the value \maxdimen is used to decide, if - % \breakslur is used or not (flag) - \expandafter \noexpand@newcount \csname s@z\roman@c@\endcsname - \csname s@z\roman@c@\endcsname\maxdimen - % - %++ickd: dotted indicator for pending slurs - \expandafter \noexpand@newtoks \csname s@d\roman@c@\endcsname - % - \ifnum\count@<\maxslurs\repeat - \expandafter\message\expandafter{maxslurs=\the\maxslurs}% - \chardef\@oldmaxslurs=\maxslurs\relax% - \fi -}% -% -% registers for trill (MusiXTeX-type trill only. Legacy \trillC and -% \TrillC are out of the scope.) -\def\setmaxtrills#1{% - \ifnum#1>\@oldmaxtrills - \chardef\maxtrills=#1\relax - \ifnum#1>\@c - \errmessage{The maximum reference number of elements is limited to \the\@c} - \chardef\maxtrills=\@c - \fi - \count@\@oldmaxtrills \loop - \advance\count@ by\@ne - % starting horizontal pos - \expandafter \noexpand@newskip \csname tr@x\roman@c@\endcsname - \csname tr@x\roman@c@\endcsname\maxdimen\relax - % heading of trill - \expandafter \noexpand@newtoks \csname tr@sw\roman@c@\endcsname - % height of trill - \expandafter \noexpand@newskip \csname tr@y\roman@c@\endcsname - \ifnum\count@<\maxtrills\repeat - \expandafter\message\expandafter{maxtrills=\the\maxtrills}% - \chardef\@oldmaxtrills=\maxtrills\relax% - \fi -}% -% -% registers for octave line -\def\setmaxoctlines#1{% - \ifnum#1>\@oldmaxoctlines - \chardef\maxoctlines=#1\relax - \ifnum#1>\@c - \errmessage{The maximum reference number of elements is limited to \the\@c} - \chardef\maxoctlines=\@c - \fi - \count@\@oldmaxoctlines \loop - \advance\count@ by\@ne - % starting horizontal pos - \expandafter \noexpand@newskip \csname o@x\roman@c@\endcsname - \csname o@x\roman@c@\endcsname\maxdimen\relax - % height of octline - \expandafter \noexpand@newskip \csname o@y\roman@c@\endcsname - % sense of octline - \expandafter \noexpand@newtoks \csname o@sw\roman@c@\endcsname - \ifnum\count@<\maxoctlines\repeat - \expandafter\message\expandafter{maxoctlines=\the\maxoctlines}% - \chardef\@oldmaxoctlines=\maxoctlines\relax% - \fi -}% -% -\chardef\@oldmaxinstruments=\z@ -\chardef\@oldmaxcxxviiibeams=\z@ -\chardef\@oldmaxcclvibeams=\z@ -\chardef\@oldmaxgroups=\z@ -\chardef\@oldmaxslurs=\z@ -\chardef\@oldmaxtrills=\z@ -\chardef\@oldmaxoctlines=\z@ -% -% actual setup (=register allocation) of the maximum element numbers -% should be done after fonts definition. -% -%%% [version 1.15] new register allocation code -- until here -- - - -%%% fonts - -\newif\iflongDCfontnames -\newif\iflongECfontnames -\longDCfontnamesfalse % obsolete -\longECfontnamesfalse % to use EC fonts, \input musixec -\def\fontid{cm} % deprecated but used in pmx.tex - -%% -% Small bold sans serif fonts % version 1.33 RDT -%% - -\font\threedc=phvb8t at 3pt -\font\fourdc=phvb8t at 4pt -\font\fivedc=phvb8t at 5pt -\font\sixdc=phvb8t at 6pt - -%% -% small ss fonts % version 1.37 RDT -%% -\font\fourss=phvr8t at 4pt -\font\fivess=phvr8t at 5pt -\font\sixss=phvr8t at 6pt - -%% -% Seven point fonts -%% - -\font\sevenrm=cmr7 -\font\sevenbf=cmbx7 -\font\sevenit=cmti7 -\font\sevenbi=cmbxti10 at 7pt % version 1.22 RDT -\font\sevensc=cmcsc10 at 7pt -\font\sevenss=phvr8t at 7pt % version 1.29 RDT -\font\sevendc=phvb8t at 7pt - - -%% -% Eight point fonts -%% - -\font\eightrm=cmr8 -\font\eightbf=cmbx8 -\font\eightit=cmti8 -\font\eightbi=cmbxti10 at 8pt % version 1.22 RDT -\font\eightsc=cmcsc10 at 8pt -\font\eightss=phvr8t at 8pt % version 1.29 RDT -\font\eightdc=phvb8t at 8pt - -%% -% Nine point fonts -%% - -\font\ninerm=cmr9 -\font\ninebf=cmbx9 -\font\nineit=cmti9 -\font\ninebi=cmbxti10 at 9pt % version 1.22 RDT -\font\ninesc=cmcsc10 at 9pt -\font\niness=phvr8t at 9pt % version 1.29 RDT -\font\ninedc=phvb8t at 9pt - -%% -% Ten point fonts -%% - -\font\tenrm=cmr10 -\font\tenbf=cmbx10 -\font\tenit=cmti10 -\font\tenbi=cmbxti10 % version 1.22 RDT -\font\tensc=cmcsc10 -\font\tenss=phvr8t % version 1.29 RDT -\font\tendc=phvb8t - -%% -% Eleven point fonts -%% -\font\elevenrm=cmr9 scaled \magstephalf -\font\elevenbf=cmbx9 scaled \magstephalf -\font\elevenit=cmti9 scaled \magstephalf -\font\elevenbi=cmbxti10 at 11pt % version 1.22 RDT -\font\elevensc=cmcsc10 at 11pt -\font\elevenss=phvr8t at 11pt % version 1.29 RDT -\font\elevendc=phvb8t at 11pt - -%% -% Twelve point fonts -%% -\font\twelverm=cmr12 -\font\twelvebf=cmbx12 -\font\twelveit=cmti12 -\font\twelvebi=cmbxti10 scaled \magstep1 % version 1.22 RDT -\font\twelvesc=cmcsc10 scaled \magstep1 -\font\twelvess=phvr8t scaled \magstep1 % version 1.29 RDT -\font\twelvedc=phvb8t scaled \magstep1 - -% 14pt fonts -\font\frtrm=cmr12 scaled \magstep1 -\font\frtbf=cmbx12 scaled \magstep1 -\font\frtit=cmti12 scaled \magstep1 -\font\frtsc=cmcsc10 scaled \magstep2 -\font\frtbi=cmbxti10 scaled \magstep2 % version 1.22 RDT -\font\frtss=phvr8t scaled \magstep2 % version 1.29 RDT -\font\frtdc=phvb8t scaled \magstep2 -% -% 17pt -\font\svtrm=cmr12 scaled \magstep2 -\font\svtbf=cmbx12 scaled \magstep2 -\font\svtit=cmti12 scaled \magstep2 -\font\svtsc=cmcsc10 scaled \magstep3 -\font\svtbi=cmbxti10 scaled \magstep3 -\font\svtdc=phvb8t scaled \magstep3 -% -% 20pt -\font\twtyrm=cmr12 scaled \magstep3 -\font\twtybf=cmbx12 scaled \magstep3 -\font\twtyit=cmti12 scaled \magstep3 -\font\twtysc=cmcsc10 scaled \magstep4 -\font\twtybi=cmbxti10 scaled \magstep4 % version 1.22 RDT -\font\twtydc=phvb8t scaled \magstep4 -% -% 25pt -\font\twfvrm=cmr12 scaled \magstep4 -\font\twfvbf=cmbx12 scaled \magstep4 -\font\twfvit=cmti12 scaled \magstep4 -\font\twfvsc=cmcsc10 scaled \magstep5 -\font\twfvbi=cmbxti10 scaled \magstep5 % version 1.22 RDT -% -%% -%% -% Define five font families -%% -\def\tinytype{% - \let\rm\sevenrm - \let\bf\sevenbf - \let\it\sevenit - \let\bi\sevenbi - \let\sc\sevensc - \rm} -\def\smalltype{% - \let\rm\eightrm - \let\bf\eightbf - \let\it\eightit - \let\bi\eightbi - \let\sc\eightsc - \rm} -\def\Smalltype{% - \let\rm\ninerm - \let\bf\ninebf - \let\it\nineit - \let\bi\ninebi - \let\sc\ninesc - \rm} -\def\normtype{% - \let\rm\tenrm - \let\bf\tenbf - \let\it\tenit - \let\bi\tenbi - \let\sc\tensc - \rm} -\def\medtype{% - \let\rm\twelverm - \let\bf\twelvebf - \let\it\twelveit - \let\bi\twelvebi - \let\sc\twelvesc - \rm} -% -% four font families at big/Big/BIg/BIG sizes -% default is \bf here and in musixec, but \sc in musixplt, \rm in musixtmr -% -\def\bigfont{% - \let\rm\frtrm - \let\bf\frtbf - \let\it\frtit - \let\sc\frtsc - \let\bi\frtbi - \bf} -\def\Bigfont{% - \let\rm\svtrm - \let\bf\svtbf - \let\it\svtit - \let\sc\svtsc - \let\bi\svtbi - \bf} -\def\BIgfont{% - \let\rm\twtyrm - \let\bf\twtybf - \let\it\twtyit - \let\sc\twtysc - \let\bi\twtybi - \bf} -\def\BIGfont{% - \let\rm\twfvrm - \let\bf\twfvbf - \let\it\twfvit - \let\sc\twfvsc - \let\bi\twfvbi - \bf} -%% -% large fonts for titles -% (If you prefer Roman, use \rm) -% (If you prefer small-caps, use \sc) -% -\def\bigtype{\bigfont\bf} % default for "big" fonts is \bf -\def\Bigtype{\Bigfont\bf} -\def\BIgtype{\BIgfont\bf} -\def\BIGtype{\BIGfont\bf} -% -% -% Bold italic fonts for dynamic markings. -%% - -\font\ppfftwelve=cmbxti10 at 8pt % version 1.17 RDT -\font\ppffsixteen=cmbxti10 -\font\ppfftwenty=cmbxti10 scaled \magstep1 -\font\ppfftwentyfour=cmbxti10 scaled \magstep2 -\font\ppfftwentynine=cmbxti10 scaled \magstep3 - -\def\ppff{\ifdim\internote<\p@seven6\Internote\tinyppff% version 1.17 RDT -\else\ifdim\internote<.95\Internote\smallppff% -\else\ifdim\internote<1.19\Internote\normppff% -\else\medppff\fi\fi\fi}% - - -\def\tinydyn{\let\ppff\ppfftwelve} % version 1.18 RDT -\def\smalldyn{\let\ppff\ppffsixteen} -\def\normdyn{\let\ppff\ppfftwenty} -\def\meddyn{\let\ppff\ppfftwentyfour} - -\font\tabfntthirteen=phvb8t at 5pt % version 1.37 RDT -\font\tabfntsixteen=phvb8t at 6pt -\font\tabfnttwenty=phvb8t at 7pt -\font\tabfnttwentyfour=phvb8t at 9pt -\font\tabfnttwentynine=phvb8t at 11pt - -\font\musiceleven=musix11 -\font\musicthirteen=musix13 -\font\musicsixteen=musix16 -\font\musictwenty=musix20 -\font\musictwentyfour=musix24 -\font\musictwentynine=musix29 - - -% -% tt fonts needed by musixsty % version 1.22 RDT -% -\font\eighttt=cmtt8 -\font\ninett=cmtt9 -\font\tentt=cmtt10 -\font\twelvett=cmtt12 -\font\frttt=cmtt12 scaled \magstep1 -\font\svttt=cmtt12 scaled \magstep2 -\font\twtytt=cmtt12 scaled \magstep3 -\font\twfvtt=cmtt12 scaled \magstep4 -% -% -% sl fonts needed by musixsty % version 1.22 RDT -% -\font\eightsl=cmsl8 -\font\ninesl=cmsl9 -\font\tensl=cmsl10 -\font\twelvesl=cmsl12 -\font\frtsl=cmsl12 scaled \magstep1 -\font\svtsl=cmsl12 scaled \magstep2 -\font\twtysl=cmsl12 scaled \magstep3 -\font\twfvsl=cmsl12 scaled \magstep4 - -% piano brackets, slides, guitar chords, lines, (de)crescendi, circles - -\font\mxsps=musixspx - - -%%% -% -% Slur macro package for MusicTeX -% -% Ross Mitchell, February 20 1993 -% -%%% -%% -% Load the font set -% -% Nomenclature: slur[p][size] -% [p] : sign of slur gradient; u=positive, d=negative, z=zero -%% - -\font\slurz=xslz20 -\font\slurzd=xslz20d %+ickd - -\font\slurueleven=xslu11 % slur up eleven points -\font\sluruthirteen=xslu13 -\font\slurusixteen=xslu16 -\font\slurutwenty=xslu20 -\font\slurutwentyfour=xslu24 -\font\slurutwentynine=xslu29 - -\font\slurdeleven=xsld11 % slur down eleven points -\font\slurdthirteen=xsld13 -\font\slurdsixteen=xsld16 -\font\slurdtwenty=xsld20 -\font\slurdtwentyfour=xsld24 -\font\slurdtwentynine=xsld29 - -%++ickd same for dotted slurs -\font\sluruelevend=xslu11d % slur up eleven points -\font\sluruthirteend=xslu13d -\font\slurusixteend=xslu16d -\font\slurutwentyd=xslu20d -\font\slurutwentyfourd=xslu24d -\font\slurutwentynined=xslu29d - -\font\slurdelevend=xsld11d % slur down eleven points -\font\slurdthirteend=xsld13d -\font\slurdsixteend=xsld16d -\font\slurdtwentyd=xsld20d -\font\slurdtwentyfourd=xsld24d -\font\slurdtwentynined=xsld29d -%++ickd - -%!these fonts can't be used with highres printers (>~800dpi) -% for these printers comes a interface to PS using DVIPS (PS-Tricks) -% and \special{}-commands next time (patience is a virtue ...) - -\font\xtie=xslhz20 -\font\xtied=xslhz20d %+ickd - -\font\hslurdeleven=xslhd11 % slur half down eleven points -\font\hslurdthirteen=xslhd13 -\font\hslurdsixteen=xslhd16 % slur half down sixteen points -\font\hslurdtwenty=xslhd20 -\font\hslurdtwentyfour=xslhd24 -\font\hslurdtwentynine=xslhd29 - -\font\hslurueleven=xslhu11 -\font\hsluruthirteen=xslhu13 -\font\hslurusixteen=xslhu16 -\font\hslurutwenty=xslhu20 -\font\hslurutwentyfour=xslhu24 -\font\hslurutwentynine=xslhu29 - -%++ickd same for dotted slurs -\font\hslurdelevend=xslhd11d % slur half down eleven points -\font\hslurdthirteend=xslhd13d -\font\hslurdsixteend=xslhd16d % slur half down sixteen points -\font\hslurdtwentyd=xslhd20d -\font\hslurdtwentyfourd=xslhd24d -\font\hslurdtwentynined=xslhd29d - -\font\hsluruelevend=xslhu11d -\font\hsluruthirteend=xslhu13d -\font\hslurusixteend=xslhu16d -\font\hslurutwentyd=xslhu20d -\font\hslurutwentyfourd=xslhu24d -\font\hslurutwentynined=xslhu29d -%++ickd - -% number of pending slurs - -\newcount\N@s - -% [version 1.15] moved out to the new register allocation code (except for \s@Y) -% horizontal start position of slur -% \newdimen\s@xi -% sense u,d and x (flag) for pending slurs -% \newtoks\s@si \s@si={x} -% vertical offset of slur -\newdimen\s@Y % this register is for common use -% \newdimen\s@Yi -% altportee of slur -% \newskip\s@ai -% vertical start position of slur [steps of internote] -% \newcount\s@yi -% instrument number of that slur (to retrieve internote) -% \newcount\s@Ni -% vertical end position of slur [steps of internote], used from \breakslur -% the value \maxdimen is used to decide, if \breakslur is used or not (flag) -% \newcount\s@zi \s@zi\maxdimen -%++ickd: dotted indicator for pending slurs -% \newtoks\s@di % moved out to the new register allocation code -%++ickd - -\def\roman@n@i{\romannumeral\n@i\endcsname} - -% -% [version 1.15] make slurs independent from \maxinstruments -\def\test@slurnum{% - \ifnum\n@i<\z@ \n@i\@c \fi - \ifnum\n@i<\maxslurs \else - \count@\maxslurs \advance\count@\m@ne - \errmessage{Wrong slur reference number \the\n@i! (valid: 0 to \the\count@)}% [version 1.15] - \n@i\z@% [version 1.15] - \fi - \advance\n@i\@ne}% -% -\def\s@l@ctslur#1\relax{% - \n@i#1\relax\test@slurnum% [version 1.15] make it independent from beams - \edef\s@a{\csname s@a\roman@n@i}% dimen (altportee) - \edef\s@x{\csname s@x\roman@n@i}% dimen (hor start pos) - \edef\s@y{\csname s@y\roman@n@i}% count (startnote [internote]) - \edef\s@N{\csname s@N\roman@n@i}% count (instrument number) - \edef\s@z{\csname s@z\roman@n@i}% count (endnote [internote]) - \edef\s@Y{\csname s@Y\roman@n@i}% dimen (voffset) - \edef\s@d{\csname s@d\roman@n@i}% token (dotted) +ickd - \edef\s@s{\csname s@s\roman@n@i}}% token (sense) - -% get current position (returns the dimen in \y@v) -% (\lin@pos starts behind signatures!) - -\newdimen\lin@pos -\def\getcurpos{\y@v\lin@pos \advance\y@v\locx@skip} - -% \n@i vertical offset of first note (number); temporary -% \n@ii vertical offset of second note (number); temporary -% \n@iii meet note -% \n@iv first note -% \n@v temp. character -% \n@vi last note -% \n@vii right halfslur length -% \n@viii don't touch -% \y@ complete length of slur - allowed overlap (4pt), temp. length -% \y@i abs. height of slur -% \y@ii complete length of slur -% \y@iii old maxslurwidth -% \y@iv don't touch -% \y@v don't touch - -% \@sense{u,d} -% -% if \curve (\midslur) is used -% \@meet{} -% \l@length{} -% \r@length{} - -% #1 start pitch #2 end pitch #3 length #4 right hoffset - -\newcount \meet@minus@n@iv -\def\writ@slur#1#2#3#4{\check@staff % modified: sld... into slurd... 12.04.95 ick - \let\slz\slurz% inserted - \let\slzd\slurzd% inserted for dotted slurs +ickd - \ifx\s@N\undefined \relax % \let\internote\Internote - \else - \edef\internote{\csname i@n\romannumeral\s@N\endcsname}% - \fi -% \immediate\write16{\noexpand\writ@slur internote:\the\internote}% - \n@iv#1% - \n@vi#2% -%% -% Get note vertical offsets -% \n@iv= vertical offset of first note(n@i temp); -% \n@vi= vertical offset of second note(n@ii temp); -% \y@i = reference height of first note (pt); -% -% Define adequate fonts for this slur, according to the value of \internote -% - \ifdim\internote>3.5pt - \let\sld\slurdtwentynine \let\slu\slurutwentynine - \let\hslurd\hslurdtwentynine \let\hsluru\hslurutwentynine - \let\sldd\slurdtwentynined \let\slud\slurutwentynined % +ickd - \let\hslurdd\hslurdtwentynined \let\hslurud\hslurutwentynined %+ickd - \def\@stepwidth{3.6pt}% - \else \ifdim\internote>2.9pt - \let\sld\slurdtwentyfour \let\slu\slurutwentyfour - \let\hslurd\hslurdtwentyfour \let\hsluru\hslurutwentyfour - \let\sldd\slurdtwentyfourd \let\slud\slurutwentyfourd % +ickd - \let\hslurdd\hslurdtwentyfourd \let\hslurud\hslurutwentyfourd %+ickd - \def\@stepwidth{3.0pt}% - \else \ifdim\internote>2.3pt - \let\sld\slurdtwenty \let\slu\slurutwenty - \let\hslurd\hslurdtwenty \let\hsluru\hslurutwenty - \let\sldd\slurdtwentyd \let\slud\slurutwentyd % +ickd - \let\hslurdd\hslurdtwentyd \let\hslurud\hslurutwentyd %+ickd - \def\@stepwidth{2.5pt}% - \else \ifdim\internote>1.8pt - \let\sld\slurdsixteen \let\slu\slurusixteen - \let\hslurd\hslurdsixteen \let\hsluru\hslurusixteen - \let\sldd\slurdsixteend \let\slud\slurusixteend % +ickd - \let\hslurdd\hslurdsixteend \let\hslurud\hslurusixteend %+ickd - \def\@stepwidth{2pt}% - \else \ifdim\internote>1.4pt - \let\sld\slurdthirteen \let\slu\sluruthirteen - \let\hslurd\hslurdthirteen \let\hsluru\hsluruthirteen - \let\sldd\slurdthirteend \let\slud\sluruthirteend % +ickd - \let\hslurdd\hslurdthirteend \let\hslurud\hsluruthirteend %+ickd - \def\@stepwidth{1.6pt}% - \else - \let\sld\slurdeleven \let\slu\slurueleven - \let\hslurd\hslurdeleven \let\hsluru\hslurueleven - \let\sldd\slurdelevend \let\slud\sluruelevend % +ickd - \let\hslurdd\hslurdelevend \let\hslurud\hsluruelevend %+ickd - \def\@stepwidth{1.28pt}% - \fi\fi\fi\fi\fi -% -% End choice of font -% - \n@i\n@iv \pl@base % \y@i = initial height - \n@ii\n@vi -% -% Select appropriate font -% Set \n@i to the vertical difference index -% setup \n@iii(meetnote) -% - \ifnum\n@ii=\n@i % Slope is zero - \n@iii\n@i - \if u\@sense \advance\n@iii\thr@@ \else \advance\n@iii-\thr@@ \fi - \def\@slope{z}\n@i\z@ - \else - \ifnum\n@ii<\n@i % Slope is negative - \C@csl\n@i\n@ii\def\@slope{d}% % compute @meet height for slurs - \else % Slope is positive - \C@csl\n@ii\n@i\def\@slope{u}\n@i\n@ii % compute @meet height for slurs - \fi - \fi -%% -% Select the required font and load the width parameters -% -% Font specific parameters -% \y@iii is the horizontal width of the longest slur in the fonts -% This parameter is loaded from the tfm \fontdimen parameter 5 -% respectively -%% - \y@iii\fontdimen\fiv@\csname sl\@slope\endcsname - \y@ii#3% -% -% \n@i contains slope (difference between start and end note) -% -% force longslurs if (!!! no check, be careful !!!) -% long slurs are at least 20[16] pt long) !!! Perhaps will change again !!! -% - difference between first note and last note > 8 -% - if \curve or \midslur is def'd -% - if \invertslur is used -% - \ifnum\n@i>\@ight \y@iii\z@ \fi % RMslurs limit 8 steps - \ifx\@meet\empty \else\y@iii\z@ \fi - \ifx\@invert\@ne \y@iii\z@ \fi - \ifdim\y@ii>\y@iii % start of longslurs -% -% setup meet height of slur -% - \ifx\empty\@meet -% \immediate\write16{\noexpand\@meet was empty.}% - \else - \n@iii\n@iv - \advance\n@iii\@meet - \fi - \edef\@meet{\the\n@iii}% -% \immediate\write16{\noexpand\@meet = \@meet.}% -% -% allow a little bit overlap (2*2pt) for nicer outlook (as longer as nicer) -% clip to extremities -% compute the max length in fontunits (\count@) -% - \y@\y@ii \advance\y@\f@ur\p@ \n@v\y@ - \sp@pt\t@n % 10pt steps - \advance\n@v-\f@ur % first brace is 20pt wide (perhaps 10pt is better ??) - \min@n@v\z@ - \max@n@v\fourt@@n % largest braces are 2*((90pt-20pt)/10pt) - \count@\n@v % max length -% -% compute the length of the starting and ending halfslurs -% in case, that curve is not def'd -% - \ifx\empty\l@length - \divide\n@v\tw@ % 2 halfslurs - \n@vii\n@v - \n@ii\n@v - \def@lr -% -% first try to reach nicer long slurs without using \curve -% - \if z\@slope % leave ties untouched - \else - \ifnum\count@>\z@ % only for long slurs - \multiply\n@v\tw@ - \if\@slope\@sense % uu,dd advance l@length ud,du advance r@length - \s@adjust\n@vii\n@ii - \else - \s@adjust\n@ii\n@vii - \fi - \def@lr - \fi - \fi -% -% adjust \curve parameters, if neccesary -% - \else - \n@vii\l@length - \n@ii\r@length - \loop - \count@\n@vii - \advance\count@\n@ii - \ifnum\count@>\n@v - \advance\n@vii\m@ne \ifnum\n@vii<\z@ \n@vii\z@ \fi - \advance\n@ii\m@ne \ifnum\n@ii<\z@ \n@ii\z@ \fi - \repeat - \def@lr - \fi -% -% clip to extremity heights (max slur height= 16\internote) -% - \C@csm\n@iv - \C@csm\n@vi -% -% change sense and offset behind linebreak and reset flag -% - \ifx\@invert\@ne \ifdim\s@x=\z@ - \@invsl \let\@invert\empty \s@Y-\s@Y - \fi \fi -% -% compute final height and put the box -% -% \immediate\write16{ before @meet:\noexpand\y@i=\the\y@i}% -% \message{ was \noexpand\n@iv\the\n@iv}% -% \message{ was \noexpand\n@vi\the\n@vi}% -% - \meet@minus@n@iv=\@meet - \advance\meet@minus@n@iv-\n@iv -% \immediate\write16{\noexpand\meet@minus@n@iv=\the\meet@minus@n@iv}% -% \y@i\@meet\internote % \y@i final height -% change from DT for staffspacing not standard - \y@i \@stepwidth % part proportional to slur font size - \multiply \y@i \meet@minus@n@iv - \advance\y@i \n@iv\internote % was done by \pl@base... -% - \C@sof % add the voffsets - \llap{\raise\y@i\hbox\@to\y@ii{% -% -% compute the beginning and ending halfslur chars -% n@i firstslur -% n@ii lastslur -% n@v character -% - \C@cc\n@iv\n@i\n@ii - \C@cc\n@vi -% - \n@v\l@length - \multiply\n@v\sixt@@n % 16 different heigths - \advance\n@v\n@i % offset to length - \advance\n@v\@cxxviii % offset to starthalfslur - \@boX \box\ch@box\hss% put starthalfslur - \n@v\r@length - \multiply\n@v\sixt@@n - \advance\n@v\n@ii -% -% put ending halfslur in box -% - \ifx\@invert\@ne \@invsl \fi - \@boX -% -% put the middle extension (could be replaced by []rule) -% - \ifdim\y@ii>\p@ne\p@ - \n@v\y@ii - \sp@pt\f@ur % 4pt steps - \ifx\@invert\@ne - \divide\n@v\tw@ - \if u\@sense \advance\n@v\@cxxviii \fi - \mid@box\hss\hss% don't ask me why - \if u\@sense \advance\n@v-\@cxxviii \else \advance\n@v\@cxxviii \fi - \mid@box% - \else - \if d\@sense \advance\n@v\@cxxviii \fi - \mid@box \fi \fi -% -% place the end of slur and kern right horizontal offset -% - \hss\box\ch@box}\kern#4}% -% -% reset slurcurve -% - \global\let\@meet\empty - \let\l@length\empty - \let\@invert\empty -% -%>>>>>> start of RM slurs -% Set \n@v to the width index in the slur font table -% - \else - \ifdim\y@ii<\@ight\p@ \y@ii\@ight\p@ \fi % Clip to extremities - \y@\y@ii - \advance\y@-\si@\p@ - \n@v\y@ - \sp@pt\f@ur -% -% Find decimal character count into font table -% (a) Zero height slurs: charnum= width index -% (b) Others: charnum= 16*(height index - 1) + width index -% Place the character count in \n@v -% - \if z\@slope - \if d\@sense \advance\n@v\@liv \fi % \@liv(=54) offset to slurchars - \else - \advance\n@i\m@ne % height index - 1 - \multiply\n@i\sixt@@n % 16*(height index - 1) - \advance\n@v\n@i % 16*(height index - 1) + width index - \if d\@sense \advance\n@v\@cxxviii \fi - \fi -% -% Place the slur character -% - \C@sof - \ifnum\n@v>255 % to avoid diags in case of... - \n@v=255\relax - \fi - \ifnum\n@v<0 % to avoid diags in case of... - \n@v=0\relax - \fi -% - \llap{\raise\y@i\hbox\@to\y@ii{% -%-ickd \hss\csname sl\@slope\endcsname\char\n@v\hss}\kern#4}% - \hss\csname sl\@slope\@dotted\endcsname\char\n@v\hss}\kern#4}% - \fi -\fi} % end writ@slur - - -\def\sp@pt#1{\divide\n@v65536\divide\n@v#1} -\def\max@n@v#1{\ifnum\n@v>#1\n@v#1\fi} -\def\min@n@v#1{\ifnum\n@v<#1\n@v#1\fi} - -%-ickd \def\mid@box{\hbox{\xtie\char\n@v}} -\def\mid@box{% - \ifnum\n@v>255 % to avoid diags in case of... - \n@v=255\relax - \fi - \ifnum\n@v<0 % to avoid diags in case of... - \n@v=0\relax - \fi -% - \hbox{\csname xtie\@dotted\endcsname\char\n@v}} -%-ickd \def\@boX{\setbox\ch@box\hbox{\csname hslur\@sense\endcsname\char\n@v}% -\def\@boX{% - \ifnum\n@v>255 % to avoid diags in case of... - \n@v=255\relax - \fi - \ifnum\n@v<0 % to avoid diags in case of... - \n@v=0\relax - \fi -% - \setbox\ch@box\hbox{\csname hslur\@sense\@dotted\endcsname\char\n@v}% - \advance\y@ii-\wd\ch@box} - -\def\def@lr{\edef\l@length{\the\n@vii}\edef\r@length{\the\n@ii}} - -\def\s@adjust#1#2{% - \ifnum\n@v<\count@ \advance#1\@ne \fi - \ifnum\n@v>\z@ \advance#1\@ne \advance#2\m@ne - \ifnum#1>\s@v@n #1\s@v@n \fi \fi} - -\def\C@csl#1#2{% compute meet height for slurs - \if u\@sense \n@iii#1\advance\n@iii\tw@ - \else \n@iii#2\advance\n@iii-\tw@ \fi - \ifx\@invert\@ne - \n@iii#1\advance\n@iii-#2\divide\n@iii\tw@ \advance\n@iii#2\fi - \advance#1-#2} - -\def\C@cc#1{% slur = abs(meet-note) - 1 - \n@ii\@meet - \advance\n@ii-#1% - \ifnum\n@ii<\z@ \n@ii-\n@ii \fi - \advance\n@ii\m@ne - } -% \ifnum\n@ii<\z@\immediate\write16{Warning: \noexpand\C@cc->\noexpand\n@ii=\the\n@ii}\fi -% \n@ii\z@} % modeif DT 20-12-97 - -\def\C@csm#1{% clip to extremity heights (max slur height= 16\internote) - \n@i\n@iii - \advance\n@i-#1% - \ifnum\n@i>\sixt@@n - \ifnum\n@iii>#1% - #1\n@iii \advance#1-\sixt@@n - \else - #1\n@iii \advance#1\sixt@@n - \fi - \fi} - -\def\C@sof{\advance\y@i\s@Y % abs. voffset - \ifx\@Ti\@ne \advance\y@i\s@a \let\@Ti\empty \fi}% call from cutslur - -% manual influation on the curve for long slurs -% must be coded in front of \tslur -% #1 final height [number, steps of internote, relativ to beginning! note] -% #2 (length)slope left #3 (length)slope right - -\def\curve#1#2#3{\getcurpos % ignore \curve behind a linebreak - \ifdim\y@v>\@xxxii\p@ \xdef\@meet{#1}\edef\l@length{#2}\edef\r@length{#3}\relax - \else -% \message{\noexpand\curve #1#2#3 not expanded}% - \fi} - -% raise (or lower) only the mid of slur -% #1 final height [number, steps of internote, relativ to beginning! note] -%! #1 can still be changed to work relativ from default height ??? - -\def\midslur#1{\getcurpos - \ifdim\y@v>\@xxxii\p@ \xdef\@meet{#1}\relax - \else -% \message{\noexpand\midslur #1 not expanded}% - \fi} - -\let\@meet\empty -\let\l@length\empty -\let\r@length\empty - -% Liftslur #1 refnumber #2 lift[steps of internote] - -\def\Liftslur#1#2{\n@i#1\advance\n@i\@ne \advance\csname s@y\roman@n@i#2} - -% breakslur #1 refnumber #2 endheight during linebreak[steps of internote] - -\def\breakslur#1#2{\inhgetn@i#2\relax\n@ii\n@i - \n@i#1\advance\n@i\@ne \global\csname s@z\roman@n@i\n@ii} - -% invertslur #1 refnumber - -\def\@invsl{\if u\the\s@s \s@s{d}\else \s@s{u}\fi} - -\def\invertslur#1{\s@l@ctslur#1\relax - \if u\the\s@s \global\s@s{D}% change sense and set flag for invertslur - \else \global\s@s{U}\fi} - -% initiate slur #1 reference number #2 start note - -\def\isluru{\i@slur\h@lf{1\p@seven\internote}u}% 'normal' -\def\issluru{\i@slur{1\p@ne}{\p@seven\internote}u}% shorter for accords -% for beam(ib[l]u) or stem, doesn't work with \stemcut (yet?) -\def\ibsluru{\y@i\stemfactor\interbeam - \advance\y@i\h@lf\internote \i@slur1\y@i u} -\def\islurd{\i@slur\h@lf{-1\p@seven\internote}d} -\def\isslurd{\i@slur{1\p@ne}{-\p@seven\internote}d} -\def\ibslurd{\y@i\stemfactor\interbeam - \advance\y@i\h@lf\internote \y@i-\y@i \i@slur0\y@i d} - -% initiate slur at half note width but NO vertical offset (for linkings) - -\def\ihsluru{\i@slur\h@lf\z@ u}% -\def\ihslurd{\i@slur\h@lf\z@ d}% - -\let\itieu\issluru -\let\itied\isslurd -\def\istieu{\i@slur{1\p@ne}{\qu@rt\internote}u}% shorter for accords -\def\istied{\i@slur{1\p@ne}{-\qu@rt\internote}d}% -\let\itenu\istieu -\let\itenl\istied -\let\Itenu\istieu -\let\Itenl\istied - -\def\dotted{\let\dott@d\@ne}\let\dott@d\empty %+ickd - -\def\@mis{missing } - -% #1 hoffset #2 voffset #3 sense (u,d) #4 reference number #5 start note - -\def\i@slur#1#2#3#4#5{% - \check@staff - \global\advance\N@s\@ne % update slurcounter - \s@l@ctslur#4\relax -% test for already invoked \islur - \if x\the\s@s \else\errmessage{\@mis\noexpand\tslur#4}\fi - \global\s@Y#2% store voffset (abs. dim. to rel. height) - \global\s@s{#3}% store sense (u,d) - \ifx\dott@d\empty \global\s@d{}\else\global\s@d{d}\fi %+ickd - \let\dott@d\empty % set dotted indicator +ickd - \global\s@N\noinstrum@nt % store instrument number - \inhgetn@i#5\relax - \global\s@y\n@i % start vpos (steps of internote) - \global\s@a\altportee % store altportee of current slur - \getcurpos - \advance\y@v#1\qn@width - \global\s@x\y@v - \fi}% start hpos (current pos including hoffset) - -% terminate slur #1 reference number #2 end note -% the various types only influence the horizontal offset, if you want to -% terminate a \ibslur with a \tslur it becomes a little bit tricky -%% -%% RDT: the "trick", whatever it is, doesn't seem to be working !!!!! -%% e.g. \Notes\ibsluru1g\qa g\ha l\sk\zq g\zq i\tslur1k\qu k\en - -\def\tslur{\t@slur\h@lf} -\def\tsslur{\t@slur{-\p@ne}} -\def\tubslur{\t@slur1} -\def\tdbslur{\t@slur0} -\def\tbsluru{\t@slur1} -\def\tbslurd{\t@slur0} - -% \def\ttie#1{\let\T@i\@c \t@slur{-\p@ne}#1\@ne} -% \def\tleg#1{\let\T@i\@c \tslur #1\@ne} -% #1 should be braced... by David Alsop on January 11, 2009 -\def\ttie#1{\let\T@i\@c \t@slur{-\p@ne}{#1}\@ne} -\def\tleg#1{\let\T@i\@c \tslur{#1}\@ne} -\let\tten\ttie -\let\Tten\ttie -\let\Tleg\tleg - -% y@i linewidth -% y@iv right hoffset -% y@v endpos, complete length - -% #1 hoffset #2 reference number #3 end note - -\def\t@slur#1#2#3{% - \check@staff - \s@l@ctslur#2\relax - \y@iv#1\qn@width - \def\@sense{\the\s@s}% - \edef\@dotted{\the\s@d}%+ickd -% test for missing \islur - \if x\@sense \errmessage{\@mis\noexpand\islur#2}\fi -% test for \invertslur - \if D\@sense \s@s{u}% - \let\@invert\@ne - \fi - \if U\@sense \s@s{d}% - \let\@invert\@ne - \fi -% compute length - \getcurpos - \advance\y@v\y@iv -% eoline - \y@eol\advance\y@-\beforeruleskip -% clip slur at eoline - \ifdim\y@v>\y@ \y@v\y@ \advance\y@v\beforeruleskip \y@iv\beforeruleskip \fi - \advance\y@v-\s@x - \ifx\T@i\@c \n@i\s@y \else \inhgetn@i#3\relax \fi - \writ@slur\s@y\n@i\y@v{-\y@iv}% -% reset sense of slur - \global\s@s{x}\let\T@i\empty - \global\advance\N@s\m@ne - \fi}% update slur counter - - % this command is made to terminate the slur #1 exactly on the note pitch #2 -\def\Tslurbreak#1#2{\s@l@ctslur#1\relax - \def\@sense{\the\s@s}% - {\if d\@sense \advance\transpose 2\raise0.2\Interligne\hbox{\tslur{#1}{#2}}\relax - \else \advance\transpose -2\raise-0.2\Interligne\hbox{\tslur{#1}{#2}}\relax - \fi - }% -\global\let\@meet\empty -\let\l@length\empty -\let\r@length\empty -\let\@invert\empty -} - -\def\Islurubreak#1#2{{\advance\transpose -1\isluru{#1}{#2}}} -\def\Islurdbreak#1#2{{\advance\transpose 1\islurd{#1}{#2}}} - -\def\TslurbreakNextBar#1#2{\off{\beforeruleskip}\hloff{\Tslurbreak{#1}{#2}}\off{-\beforeruleskip}} -\def\IslurubreakPrevBar#1#2{\off{-\afterruleskip}\hloff{\Islurubreak{#1}{#2}}\off{\afterruleskip}} -\def\IslurdbreakPrevBar#1#2{\off{-\afterruleskip}\hloff{\Islurdbreak{#1}{#2}}\off{\afterruleskip}} - -\def\y@eol{\y@\line@width \advance\y@-\sign@skip - \advance\y@-\clef@skip \advance\y@-\s@indent} - -% hold up the RM-slur calling, because faster coding, -% if the slurs are inside a bar (and you use one kind of \notes) -% and ... there is no limitation in the number of slurs -% if you want to call a short slur, extending to the left use \slur[][][]0 - -% #1 start pitch #2 final pitch #3 sense(u,d) #4 length[noteskip] - -\def\C@slur#1#2#3#4{\check@staff - \inhgetn@i#1\relax \n@ii\n@i - \inhgetn@i#2\relax \relax - \ifx\dott@d\empty \gdef\@dotted{}\else\gdef\@dotted{d}\fi %+ickd - \let\dott@d\empty % set dotted indicator +ickd - \def\@sense{#3}% - \if d\@sense \s@Y-\s@Y \fi - \y@v#4\noteskip - \y@iv\y@v - \advance\y@iv\y@ii - \advance\y@v\y@iii - \kern\y@iv - \writ@slur\n@ii\n@i\y@v\z@ - \kernm\y@iv - \fi} - -\def\sslur{% - \let\s@N\undefined % do not store instrument number - \s@Y\p@seven\internote - \y@iii-1.2\qn@width % offset to length 1.1behind+.1before - \y@ii-\p@ne\qn@width - \C@slur} -\def\slur{% - \let\s@N\undefined % do not store instrument number - \s@Y1\p@seven\internote - \y@iii\z@ - \y@ii\h@lf\qn@width - \C@slur} -\def\stie#1{\sslur{#1}{#1}} -\def\tie#1{\slur{#1}{#1}} - -%%% setup fontsizes - -\newdimen\interbeam % distance entre poutres -\newdimen\b@amthick % half beamthickness -\newdimen\Interligne% de la base d'une ligne a l'autre -\newdimen\Internote % la moitie de \Interligne - -\let\internote\Internote -\def\musixchar{\musixfont\char} -\def\keychar{\musickeyfont\char} - -\let\musicnorfont\musictwenty - -\def\set@Largenotesize{\let\musixfont\musicLargefont - \let\xgregfont\xgregLargefont - \let\fetafont\fetaLargefont % RDT 1.36 - \b@amthick.3456\Interligne \interbeam1.08\Interligne } - -\def\set@largenotesize{\let\musixfont\musiclargefont - \let\xgregfont\xgreglargefont - \let\fetafont\fetalargefont % RDT 1.36 - \b@amthick.288\Interligne \interbeam.9\Interligne } - -\def\set@normalnotesize{\let\musixfont\musicnorfont - \let\xgregfont\xgregnorfont - \let\fetafont\fetanorfont % RDT 1.36 - \b@amthick.24\Interligne \interbeam\p@seven5\Interligne } - -\def\set@smallnotesize{\let\musixfont\musicsmallfont - \let\xgregfont\xgregsmallfont - \let\fetafont\fetasmallfont % RDT 1.36 - \b@amthick\p@ne92\Interligne \interbeam.6\Interligne } - -\def\set@tinynotesize{\let\musixfont\musictinyfont - \let\xgregfont\xgregtinyfont - \let\fetafont\fetatinyfont % RDT 1.36 - \b@amthick\p@ne536\Interligne \interbeam.48\Interligne } - -\def\normalnotesize{\set@normalnotesize\comput@specifics - \let\curr@ntsiz@\normalnotesize} -\def\smallnotesize{\set@smallnotesize\comput@specifics - \let\curr@ntsiz@\smallnotesize} -\def\tinynotesize{\set@tinynotesize\comput@specifics - \let\curr@ntsiz@\tinynotesize} -\def\largenotesize{\set@largenotesize\comput@specifics % v.124 RDT - \let\curr@ntsiz@\largenotesize} -\def\Largenotesize{\set@Largenotesize\comput@specifics % v.124 RDT - \let\curr@ntsiz@\Largenotesize} - -\def\musickeyfont{% - \ifdim\internote<\p@seven6\Internote \musictinyfont - \else - \ifdim\internote<.95\Internote \musicsmallfont - \else - \ifdim\internote<1.19\Internote \musicnorfont - \else - \ifdim\internote<1.43\Internote \musiclargefont - \else - \musicLargefont - \fi - \fi - \fi - \fi} - -\def\meterfont{% - \ifdim\internote<\p@seven6\Internote \metersmallfont - \else - \ifdim\internote<.95\Internote \meternorfont - \else - \ifdim\internote<1.19\Internote \meterbigfont - \else - \ifdim\internote<1.43\Internote \meterlargefont - \else \meterLargefont - \fi - \fi - \fi - \fi} - -\def\tabcleffnt{% 1.29 RDT - \ifdim\internote<.95\Internote \tabsmallcleffnt - \else - \ifdim\internote<1.19\Internote \tabnorcleffnt - \else - \ifdim\internote<1.43\Internote \tablargecleffnt - \else \tabLargecleffnt - \fi - \fi - \fi} - -\def\tabfnt{% 1.29 RDT - \ifdim\internote<.95\Internote \tabsmallfnt - \else - \ifdim\internote<1.19\Internote \tabnorfnt - \else - \ifdim\internote<1.43\Internote \tablargefnt - \else \tabLargefnt - \fi - \fi - \fi} - -\newbox\ch@box -\newcount\musicsize -\newdimen\qd@skip -\newdimen\qn@width -\newdimen\wn@width - -\newskip\txt@ff -\newskip\s@indent % store parindent -\newskip\big@spc - -\newdimen\lthick \lthick=.4pt -% \def\hlthick{\h@lf\lthick} -\def\hlthick{0.4pt} % 1.36 RDT - -%%% - -\def\normalmusicsize{\musicsize\tw@nty \comput@specifics - \afterruleskip\@ight\p@ \elemskip\fontdimen\si@\musicnorfont \clef@skip\z@} -\def\smallmusicsize{\musicsize\sixt@@n \comput@specifics - \afterruleskip\si@\p@ \elemskip\fontdimen\si@\musicnorfont \clef@skip\z@} -\def\largemusicsize{\musicsize\@xxiv \comput@specifics - \afterruleskip\t@n\p@ \elemskip\fontdimen\si@\musicnorfont \clef@skip\z@} -\def\Largemusicsize{\musicsize\@xxix \comput@specifics - \afterruleskip\t@n\p@ \elemskip\fontdimen\si@\musicnorfont \clef@skip\z@} - -\def\comput@fonts{% - \ifnum\musicsize=\sixt@@n - \let\musicLargefont\musictwentyfour - \let\musiclargefont\musictwenty - \let\musicnorfont\musicsixteen - \let\musicsmallfont\musicthirteen - \let\musictinyfont\musiceleven - \let\xgregLargefont\xgregtwentyfour - \let\xgreglargefont\xgregtwenty - \let\xgregnorfont\xgregsixteen - \let\xgregsmallfont\xgregthirteen - \let\xgregtinyfont\xgregeleven - \let\fetaLargefont\fetatwentyfour % 1.36 RDT - \let\fetalargefont\fetatwenty - \let\fetanorfont\fetasixteen - \let\fetasmallfont\fetathirteen - \let\fetatinyfont\fetaeleven - \let\slurd\slurdsixteen \let\sluru\slurusixteen - \let\hslurd\hslurdsixteen \let\hsluru\hslurusixteen - \let\meternorfont\tenbf \let\metersmallfont\eightbf % version 1.16 RDT - \let\meterbigfont\twelvebf \let\meterlargefont\frtbf - \let\meterLargefont\svtbf - \let\tinyppff\ppfftwelve % version 1.17 RDT - \let\smallppff\ppfftwelve - \let\normppff\ppffsixteen - \let\medppff\ppfftwenty - \def\txtfont{\ifdim\internote<.95\Internote \tinytype\it % version 1.22 RDT - \else\ifdim\internote<1.19\Internote \smalltype\it - \else\ifdim\internote<1.43\Internote \Smalltype\it - \else\normtype\it\fi\fi\fi}% - \let\tabnorfnt\tabfntsixteen \let\tablargefnt\tabfnttwenty % 1.34 RDT - \let\tabLargefnt\tabfnttwentyfour \let\tabsmallfnt\tabfntthirteen - \let\tabnorcleffnt\eightdc \let\tablargecleffnt\tendc - \let\tabLargecleffnt\twelvedc \let\tabsmallcleffnt\sixdc - \def\tabstringfnt{\ifdim\internote<.95\Internote \fourss % 1.29 RDT - \else\ifdim\internote<1.19\Internote \fivess - \else\ifdim\internote<1.43\Internote \sevenss - \else\eightss\fi\fi\fi}% - \else\ifnum\musicsize=\@xxiv - \let\musicLargefont\musictwentynine - \let\musiclargefont\musictwentynine - \let\musicnorfont\musictwentyfour - \let\musicsmallfont\musictwenty - \let\musictinyfont\musicsixteen - \let\xgregLargefont\xgregtwentynine - \let\xgreglargefont\xgregtwentynine - \let\xgregnorfont\xgregtwentyfour - \let\xgregsmallfont\xgregtwenty - \let\xgregtinyfont\xgregsixteen - \let\fetaLargefont\fetatwentynine % 1.36 RDT - \let\fetalargefont\fetatwentynine - \let\fetanorfont\fetatwentyfour - \let\fetasmallfont\fetatwenty - \let\fetatinyfont\fetasixteen - \let\sluru\slurutwenty \let\slurd\slurdtwenty - \let\hsluru\hslurutwenty \let\hslurd\hslurdtwenty - \let\meternorfont\frtbf \let\metersmallfont\twelvebf % version 1.18 RDT - \let\meterbigfont\svtbf \let\meterlargefont\twtybf - \let\meterlargefont\twfvbf - \let\tinyppff\ppffsixteen - \let\smallppff\ppfftwenty - \let\normppff\ppfftwentyfour - \let\medppff\ppfftwentynine - \def\txtfont{\ifdim\internote<.95\Internote \smalltype\it % version 1.22 RDT - \else\ifdim\internote<1.19\Internote \Smalltype\it - \else\ifdim\internote<1.43\Internote \normtype\it - \else\medtype\it\fi\fi\fi}% - \let\tabnorfnt\tabfnttwentyfour \let\tablargefnt\tabfnttwentynine % 1.34 RDT - \let\tabLargefnt\tabfnttwentynine \let\tabsmallfnt\tabfnttwenty - \let\tabnorcleffnt\twelvedc \let\tablargecleffnt\frtdc - \let\tabLargecleffnt\svtdc \let\tabsmallcleffnt\tendc - \def\tabstringfnt{\ifdim\internote<.95\Internote \sixss % 1.29 RDT - \else\ifdim\internote<1.19\Internote \sevenss - \else\ifdim\internote<1.43\Internote \eightss - \else\twelvess\fi\fi\fi}% - \else\ifnum\musicsize=\@xxix - \let\musicLargefont\musictwentynine - \let\musiclargefont\musictwentynine - \let\musicnorfont\musictwentynine - \let\musicsmallfont\musictwentyfour - \let\musictinyfont\musictwenty - \let\xgregLargefont\xgregtwentynine - \let\xgreglargefont\xgregtwentynine - \let\xgregnorfont\xgregtwentynine - \let\xgregsmallfont\xgregtwentyfour - \let\xgregtinyfont\xgregtwenty - \let\fetaLargefont\fetatwentynine % 1.36 RDT - \let\fetalargefont\fetatwentynine - \let\fetanorfont\fetatwentynine - \let\fetasmallfont\fetatwentyfour - \let\fetatinyfont\fetatwenty - \let\sluru\slurutwenty \let\slurd\slurdtwenty - \let\hsluru\hslurutwenty \let\hslurd\hslurdtwenty - \let\slurud\slurutwentyd \let\slurdd\slurdtwentyd % +ickd - \let\hslurud\hslurutwentyd \let\hslurdd\hslurdtwentyd %+ickd - \let\meternorfont\svtbf \let\metersmallfont\frtbf % version 1.18 RDT - \let\meterbigfont\twtybf \let\meterlargefont\twfvbf % version 1.24 typos corrected - \let\meterLargefont\twfvbf - \let\tinyppff\ppfftwenty - \let\smallppff\ppfftwentyfour - \let\normppff\ppfftwentynine - \let\medppff\ppfftwentynine - \def\txtfont{\ifdim\internote<.95\Internote \normtype\it % version 1.22 RDT - \else\ifdim\internote<1.19\Internote \medtype\it - \else\ifdim\internote<1.43\Internote \bigfont\it - \else\Bigfont\it\fi\fi\fi}% - \let\tabnorfnt\tabfnttwentynine \let\tablargefnt\tabfnttwentynine % 1.34 RDT - \let\tabLargefnt\tabfnttwentynine \let\tabsmallfnt\tabfnttwentyfour - \let\tabnorcleffnt\frtdc \let\tablargecleffnt\svtdc - \let\tabLargecleffnt\twtydc \let\tabsmallcleffnt\twelvedc - \def\tabstringfnt{\ifdim\internote<.95\Internote \eightss % 1.29 RDT - \else\ifdim\internote<1.19\Internote \niness - \else\ifdim\internote<1.43\Internote \twelvess - \else\frtss\fi\fi\fi}% -\else - \ifnum\musicsize=\tw@nty - \else\ifnum\musicsize=\z@ - \else\errmessage{\noexpand\musicsize=\the\musicsize\space not supported, - set to default of 20}% - \fi - \fi\musicsize\tw@nty - \let\musicLargefont\musictwentynine - \let\musiclargefont\musictwentyfour - \let\musicnorfont\musictwenty - \let\musicsmallfont\musicsixteen - \let\musictinyfont\musicthirteen - \let\xgreglargefont\xgregtwentyfour - \let\xgregLargefont\xgregtwentynine - \let\xgregnorfont\xgregtwenty - \let\xgregsmallfont\xgregsixteen - \let\xgregtinyfont\xgregthirteen - \let\fetalargefont\fetatwentyfour % 1.36 RDT - \let\fetaLargefont\fetatwentynine - \let\fetanorfont\fetatwenty - \let\fetasmallfont\fetasixteen - \let\fetatinyfont\fetathirteen - \let\sluru\slurutwenty \let\slurd\slurdtwenty - \let\hsluru\hslurutwenty \let\hslurd\hslurdtwenty - \let\meternorfont\twelvebf \let\metersmallfont\tenbf % version 1.18 RDT - \let\meterbigfont\frtbf \let\meterlargefont\svtbf - \let\meterLargefont\twtybf - \let\tinyppff\ppfftwelve - \let\smallppff\ppffsixteen - \let\normppff\ppfftwenty - \let\medppff\ppfftwentyfour - \def\txtfont{\ifdim\internote<.95\Internote \smalltype\it - \else\ifdim\internote<1.19\Internote \Smalltype\it - \else\ifdim\internote<1.43\Internote \normtype\it - \else\medtype\it\fi\fi\fi}% - \let\tabnorfnt\tabfnttwenty \let\tablargefnt\tabfnttwentyfour % 1.34 RDT - \let\tabLargefnt\tabfntwentynine \let\tabsmallfnt\tabfntsixteen - \let\tabnorcleffnt\tendc \let\tablargecleffnt\twelvedc - \let\tabLargecleffnt\frtdc \let\tabsmallcleffnt\eightdc - \def\tabstringfnt{\ifdim\internote<.95\Internote \fivess % 1.29 RDT - \else\ifdim\internote<1.19\Internote \sevenss % 1.37 RDT - \else\ifdim\internote<1.43\Internote \eightss - \else\niness\fi\fi\fi}% -\fi\fi\fi}% - -\def\comput@specifics{\comput@fonts\comput@sizes} - -\def\comput@sizes{% - \Interligne\fontdimen\fiv@\musicnorfont - \Internote\h@lf\Interligne \big@spc.6\Interligne - \qn@width\fontdimen\si@\musixfont - \wn@width1\qu@rt\qn@width - \txt@ff\h@lf\qn@width - \qd@skip\qn@width\advance\qd@skip-\hlthick} - -%\newdimen\afterruleskip -\newskip\afterruleskip -\newdimen\staffbotmarg % marge au-dessous des portees -\newdimen\stafftopmarg % au-dessus des portees -\newdimen\line@width - -\def\normalvalue{1} -\def\largevalue{1.2} -\def\Largevalue{1.44} -\def\smallvalue{.8} -\def\tinyvalue{.64} - -\def\instrumentnumber#1{\n@v#1\relax - \min@n@v\@ne - \max@n@v\maxinstruments - \edef\nbinstruments{\the\n@v}} - -% staffsize - -\def\setsize#1#2{\n@v#1\relax % select instrument - \expandafter\edef\csname staffspacing\romannumeral\n@v\endcsname{#2}} - -% [version 1.15] moved out to the new register allocation code -% \let\staffspacingi\@ne - -% number of staffs - -\def\setstaffs#1#2{\n@v#1\relax \csname n@p\romannumeral\n@v\endcsname#2} - -% staff lines - -\def\setlines#1#2{\n@v#1\relax % select instrument - \expandafter\def\csname n@l\romannumeral\n@v\endcsname{#2}} - -\newdimen\interportee % distance between staffs of the same instrument (incl) -\newcount\noport@@ -\newcount\noinstrum@nt -\newdimen\altportee - -\def\interstaff#1{\def\interfacteur{#1}} - -\def\s@l@ctinstr{% - \ifnum\noinstrum@nt>\maxinstruments % [version 1.15] -- from here -- - \errmessage{Wrong instrument reference number \the\noinstrum@nt, maxinstruments=\the\maxinstruments} - \fi % [version 1.15] -- until here -- - \edef\altitude{\csname k@i\romannumeral\noinstrum@nt\endcsname}% - \edef\st@ffs{\csname n@p\romannumeral\noinstrum@nt\endcsname}% - \edef\nblines{\csname n@l\romannumeral\noinstrum@nt\endcsname}% - \edef\internote{\csname i@n\romannumeral\noinstrum@nt\endcsname}% - \edef\int@rf{\csname interfacteur\romannumeral\noinstrum@nt\endcsname}% RDT 1.24 - \interportee\int@rf\internote \interportee\tw@\interportee}% RDT 1.26 - -\def\C@Inter{% RDT: corrected to work if \nblines > 6 (version 1.23) - % RDT: corrected for \nblines < 4 (version 1.28) - \stem@skip\interportee - \ifnum\nblines<\f@ur - \advance\stem@skip-\@ight\internote - \else - \advance\stem@skip-\nblines\internote - \advance\stem@skip-\nblines\internote - \advance\stem@skip\tw@\internote - \fi} - -%%% loop over instruments and staffs - -\def\count@portee{\advance\noport@@\@ne} - -\def\n@loop{\noinstrum@nt\z@ \loop\ifnum\noinstrum@nt<\nbinstruments - \advance\noinstrum@nt\@ne \s@l@ctinstr} - -\def\m@loop{\noinstrum@nt\z@ \loop\ifnum\noinstrum@nt<\maxinstruments - \advance\noinstrum@nt\@ne} - -\def\p@loop{\noport@@\z@ \loop\ifnum\noport@@<\st@ffs - \altportee\altitude \advance\altportee\noport@@\interportee} - -\def\Comp@High{\y@v\st@ffs\interportee \C@Inter\advance\y@v-\stem@skip} - -% to be used to make heavy bars at staff left -% modified according to Werner Icking - - -\def\groupbottom#1#2{\group@no#1\relax - \advance\group@no\m@ne\test@grnum % testgr@num advances group@no by 1... - \expandafter\def\csname lowersonginstrum\romannumeral\group@no\endcsname{#2}} - -\def\grouptop#1#2{\group@no#1\relax - \advance\group@no\m@ne\test@grnum % testgr@num advances group@no by 1... - \expandafter\def\csname uppersonginstrum\romannumeral\group@no\endcsname{#2}} - -\def\songbottom{\groupbottom1} -\def\songtop{\grouptop1} - -% [version 1.15] moved out to the new register allocation code -% \let\lowersonginstrumi\maxdimen -% \let\uppersonginstrumi\z@ - -\def\g@loop{\group@no\z@ \loop\ifnum\group@no<\maxgroups - \s@l@ctgroup} -\def\s@l@ctgroup{% - \relax\test@grnum - \edef\g@b{\csname g@b\romannumeral\group@no\endcsname}% dimen (group bottom) - \edef\g@h{\csname g@h\romannumeral\group@no\endcsname}% dimen (group top) - \edef\lowersonginstrum{\csname lowersonginstrum\romannumeral\group@no\endcsname}% dimen (group top) - \edef\uppersonginstrum{\csname uppersonginstrum\romannumeral\group@no\endcsname}% dimen (group top) - }% -\def\test@grnum{% - \ifnum\group@no<\z@ \group@no\@c \fi - \ifnum\group@no<\maxgroups \else - \count@\maxgroups \advance\count@\m@ne - \errmessage{Wrong group reference number \the\group@no! (valid: 0 to \the\count@)}% [version 1.15] - \group@no\z@% [version 1.15] - \fi - \advance\group@no\@ne} - -% \nobarmessages prevents bar messages - -\def\nobarmessages{\let\no@b\@ne} -\let\no@b\empty - -% \nolinemessages prevents line messages in phase three -\def\nolinemessages{\let\no@l\@ne} -\let\no@l\empty - -% \nobarnumbers prevents bar numbering (Ian Collier) -% \barnumbers restores bar numbering - -\def\nobarnumbers{\let\lin@bar\empty \let\freqbarno\maxdimen} -\def\barnumbers{\let\freqbarno\normalvalue} -\barnumbers - -% show barnumbers only at the beginning system - -\def\raisebarno{\f@ur\internote} -\let\shiftbarno\z@ - -\def\writebarno{\boxit{\eightbf\the\barno\barnoadd}} -\def\systemnumbers{\nobarnumbers\let\lin@bar\@ne} - -% add 'a' behind the systembarnumber, if the previous line ended without -% a bar rule - -\let\z@sw\empty -\def\writezbarno{a} -\def\barnoadd{\ifx\z@sw\@ne \writezbarno \fi} - -% suppress the beginning vertical rule for single-staff scores - -\def\startrule{\let\b@rule\empty} -\def\nostartrule{\let\b@rule\z@} -\startrule - -%%% distance between instruments (added to \interportee) - -% [version 1.15] moved out to the above of the new register allocation code -% \newdimen\interinstrument -% [version 1.15] moved out to the new register allocation code -% \let\interinstrumenti\interinstrument - -\def\setinterinstrument#1#2{\n@v#1\relax % select instrument - \expandafter\def\csname interinstrument\romannumeral\n@v\endcsname{#2}}% - -\def\setinterstaff#1#2{\n@v#1\relax % select instrument RDT 1.24 - \expandafter\def\csname interfacteur\romannumeral\n@v\endcsname{#2}}% - -%%% portees - -\newdimen\systemheight -\newdimen\altplancher - -% New version by Werner Icking - -\def\writ@staffs{% - \y@\staffbotmarg \global\altplancher\staffbotmarg - \rlap{\n@loop\w@st\repeat -% beginning vertical rule - \systemheight\y@ - \advance\systemheight-\altplancher - \C@Inter \global\advance\systemheight-\stem@skip - \ifx\empty\b@rule \raise\altplancher\rlap{% - \vrule\@depth\hlthick\@height\systemheight\@width\lthick}\fi -% 'Akkoladenklammer' don't know the english word - \g@loop - \ifnum\uppersonginstrum<\lowersonginstrum - \else - \noinstrum@nt\uppersonginstrum\s@l@ctinstr\C@Inter - \global\advance\g@h-\stem@skip \global\advance\g@h-\g@b - \global\advance\g@h\Interligne \global\advance\g@b-\Internote - \raise\g@b\llap{\uplap{\offinterlineskip - \set@normalnotesize\hbox{\musixfont\fourt@@n}\hbox{\vrule\@height\g@h - \@width\internote}\hbox{\musixfont\fiv@t@@n}}\kern\internote}% - \fi - \repeat -% systembarnumbers - \ifx\lin@bar\@ne \y@\altplancher \advance\y@\systemheight - \advance\y@\raisebarno \raise\y@\rlap{\kern\shiftbarno\writebarno}\fi -% strut - \advance\stafftopmarg\staffbotmarg - \raise\stafftopmarg\hbox{\vrule\@height\systemheight\@width\z@}}} - -\def\uplap#1{\vbox\@to\z@{\vss#1}} - -% new version of \w@st by Werner Icking - -\newskip\instrum@in@group -\def\w@st{% - \global\noport@@\z@ \global\altitude\y@ - \global\instrum@in@group=\z@ - {\g@loop - \ifnum\noinstrum@nt=\lowersonginstrum - \global\g@b\altitude - \fi - \ifnum\uppersonginstrum>\lowersonginstrum\relax - \ifnum\noinstrum@nt<\lowersonginstrum\relax - \else - \ifnum\noinstrum@nt>\uppersonginstrum\relax - \else -% \message{\the\noinstrum@nt\space in-group!}% - \global\instrum@in@group=2\internote - \fi - \fi - \fi - \repeat}% -% nullportee - \ifnum\st@ffs=\z@ - \advance\y@\f@ur\Interligne - \else -% multportee - \ifnum\st@ffs>\@ne \Comp@High\n@v\y@v \sp@pt\tw@ - \advance\n@v\@cxxviii \divide\y@v\tw@ -%==== the parenthesis should be shifted to the left if within -%==== songbottom -- songtop - \advance\y@v\y@ - \raise\y@v\hbox{\kern -\instrum@in@group\mxsps\char\n@v\kern\instrum@in@group}% - \fi -% normal staff - {\loop \staff@lines\ifnum\noport@@<\st@ffs \repeat}% - \fi % fin du \else pour 0 portees=chant - {\g@loop - \ifnum\noinstrum@nt=\uppersonginstrum \global\g@h\y@ \fi - \repeat}% - \ifnum\noinstrum@nt<\nbinstruments - \advance\y@\csname interinstrument\romannumeral\noinstrum@nt\endcsname \fi} - -\def\staff@lines{\raise\y@\rlap{\uplap{% - \ifcase\nblines - \or \Lin@\zLin@\zLin@ - \or \Lin@\zLin@\Lin@\zLin@ - \or \Lin@\zLin@\Lin@\zLin@\Lin@ - \or \Lin@\Lin@\Lin@\Lin@ - \or \Lin@\Lin@\Lin@\Lin@\Lin@ - \or \Lin@\Lin@\Lin@\Lin@\Lin@\Lin@ - \or \Lin@\Lin@\Lin@\Lin@\Lin@\Lin@\Lin@ - \or \Lin@\Lin@\Lin@\Lin@\Lin@\Lin@\Lin@\Lin@ - \or \Lin@\Lin@\Lin@\Lin@\Lin@\Lin@\Lin@\Lin@\Lin@ - \fi\kernm\hlthick}}% - \global\advance\y@\interportee \count@portee} - -\def\zLin@{\kern\tw@\internote} -\def\Lin@{\zLin@\kernm\lthick\hrule\@width\line@width} - -\newskip\boxitsep \boxitsep\thr@@\p@\relax - -\def\boxit#1{\vbox{\hrule\hbox{\vrule\kern\boxitsep\vbox{% - \kern\boxitsep\hbox{#1}\kern\boxitsep}\kern\boxitsep\vrule}\hrule}} -\def\circleit#1{\setbox\ch@box\hbox{#1}\y@v\ht\ch@box - \y@v1.41\ht\ch@box % => sqrt(2) - \n@v\y@v \sp@pt\tw@ \advance\n@v69\rlap{#1}% - \raise\h@lf\ht\ch@box\rlap{\kern\h@lf\wd\ch@box\mxsps\char\n@v}} - -\def\thinrul@{\writ@rule\lthick} -\def\thickrul@{\writ@rule\big@spc} - -%%% start normal score - -%% -% Define a counter to keep track of total number of bars in piece -% which are terminated by a barline. This is not necessarily -% the same as \barno, in view of (eg) a bar containing -% multiple bars rest. -%% -% !!! \barsinpi@c@ now used for \zbar and \xbar too, if you use them -% the value of \barsinpi@c@ says nothing !!! -% - -\newcount\barsinpi@c@ -\newcount\barno -\newcount\startbarno \startbarno\@ne -\newdimen\sign@skip -\newdimen\maxsign@skip - - -\def\piece@begina{\catcodesmusic \barno\startbarno \@l@mskip\elemskip - \barsinlin@\z@ \let\z@sw\empty \frenchspacing -% \let\barrul@\thinrul@ \comp@internote} %-simick - \b@rrul@\comp@internote} %+simick - -\def\comp@internote{\comput@specifics - \n@loop - \internote\csname staffspacing\romannumeral\noinstrum@nt\endcsname\Internote - \repeat - \line@width\hsize} - -\def\piece@beginb{\advance\line@width-\parindent \s@indent\parindent - \writ@staffs \writ@names \advance\line@width\parindent} - -\def\piece@beginc{% -% write clefs - \n@loop{\writ@clefi}\repeat \kern\clef@skip -% everystaff stuff - \everyst@ff -% write signatures - \sign@skip\z@ \n@loop{\s@l@ctsigns \let\@Ti\writ@sign \C@wsi}\repeat - \kern\sign@skip \m@loop \s@l@ctsigns \o@s\a@s \s@l@ctclefs \o@c\a@c \repeat - \let\Writ@newsigns\empty \hskip\z@ plus\p@ minus\p@ \lastbarpos\z@} - -\let\fil@begin\empty -\let\Writ@meters\empty - -\def\startpiece{\ifstartmuflex@done\relax - \else\startmuflex - \immediate\write16{\noexpand\startmuflex launched by - \noexpand\startpiece }% - \fi - \barsinpi@c@\z@ \piece@begina \leavevmode \piece@beginb - \piece@beginc \fil@begin \Writ@meters\lastbarpos\lin@pos %%% 1.21: added \lastbarpos setting - \let\volta@set\empty % tells the kind of volta setting at next bar - \let\volta@cut\empty % flag to tell that a volta has been cut at line end - \let\volta@type\empty % the current volta setting (same defs as \volta@set) - \let\endvolta@set\empty % tells the kind of volta closing at next bar - \let\pdl@cut\empty % flag to signal a pedal rule has been cut at the end of a line % 1.21 RDT -} - -\let\everystaff\empty -\def\everyst@ff{\everystaff}% --> MuFlex Pass II - -%%% continue score - -\let\atnextline\empty - -\def\piece@conta{\catcodesmusic \atnextline \let\atnextline\empty - \comp@internote \leavevmode \barsinlin@\z@ } - -\def\contpiece{\noindent \piece@conta \writ@staffs \piece@beginc - \Writ@meters\wbarno@x\lastbarpos\lin@pos\addspace\afterruleskip %%% 1.21: added \lastbarpos setting -} - -% like contpiece but with indentation (parindent) and instrument names -% it's for changing the number of instrument in one piece - -\let\fil@indent\empty -\def\Contpiece{\piece@conta \piece@beginb \fil@indent \piece@beginc - \Writ@meters\lastbarpos\lin@pos} %%% 1.21: added \lastbarpos setting - - -%%% end score - -\let\ragg@d\empty -\let\z@suspend@autoflag\empty % used in musixcpt only - -\def\z@suspend{% - \z@suspend@autoflag % used in musixcpt only -% cut pedal rule 1.21 RDT - \ifdim\pdl@pos=\z@\else% - \noport@@\z@ - \znotes\selectinstrument{\pdl@instr}\selectstaff{\pdl@staff}\pdlc@\en% - \global\def\pdl@cut{\@one}% - \fi -% cutvolta - \write@volta@hrule - \ifx\volta@type\tw@\let\volta@set\tw@ \let\volta@type\empty - \let\volta@cut\tw@\fi % restart volta at next line if continuous - \ifx\volta@type\thr@@\let\volta@set\thr@@ \let\volta@type\empty - \let\volta@cut\thr@@ \fi % restart volta at next line if continuous -% cutoctline - \o@loop - \ifdim\o@x<\maxdimen \let\T@ii\n@ii \C@TO \o@x\z@ \fi - \repeat -% cut trill - \tr@loop - \ifdim\tr@x<\maxdimen \let\T@ii\n@ii \C@TR \tr@x\z@ \fi - \repeat -% cutslur - \ifnum\N@s>\z@% % any pending slurs ? - \n@viii\maxslurs % test all possible slur numbers [version 1.15] (Hiroaki) - \advance\n@viii\m@ne - \loop\ifnum\n@viii>\m@ne - \s@l@ctslur\n@viii\relax - \edef\@sense{\the\s@s}% - \if x\@sense% % sense flag - \else% % found slur - \edef\@dotted{\the\s@d}% +ickd - \y@v\lin@pos % get current position - \advance\y@v-\s@x % slurlength = currentpos - startpos - \let\@Ti\@ne % set flag for \writ@slur (\staffbotmarg) - \ifnum\s@z=\maxdimen \s@z\s@y \fi % flag (\breakslur not used -> tie) - \writ@slur\s@y\s@z\y@v\p@% avoid touching the bar rule - \s@x\z@% reset startpos for next line - \s@z\maxdimen% reset breakslur - \fi - \advance\n@viii\m@ne \repeat - \fi\s@indent\z@ -% - \ragg@d\par\lin@pos\z@ \endcatcodesmusic} - -\def\stoppiec@{\check@nopen\n@wbar\z@suspend} -%\def\stoppiece{\stoppiec@\@nds@ction} %-simick -\def\stoppiece{\T@bil\fi\stoppiec@\@nds@ction} %+simick -\let\endpiece\stoppiece - -\def\zstoppiec@{\check@nopen\zn@wbar\z@suspend} -%\def\zstoppiece{\zstoppiec@\@nds@ction} %-simick -\def\zstoppiece{\T@bil\fi\zstoppiec@\@nds@ction}%+simick -% if you need a line which appears ragged -\def\raggedstoppiece{\ifx\ragg@d\empty \fil@{r}\fi % version 1.18 RDT (from musixext) - \check@nopen\n@wbar\hfill\z@suspend\@nds@ction} -\def\zendpiece{\setemptybar\raggedstoppiece} % RDT version 1.31 - -\def\Stoppiece{\setdoubleBAR\stoppiece} -\let\Endpiece\Stoppiece - -%%% short excerpts - -\def\startextract{\lastbarno\z@ \barno\startbarno - \piece@begina\setbox\w@rkbox\hbox{\writ@staffs}% to compute heights - \setbox\w@rkbox\hbox\bgroup% !! all changes are local !! - \line@width\maxdimen - \maxbarsinlin@\maxdimen %+simick - \let\T@bil\iftrue \let\everyst@ff\everystaff \let\fil@spc\empty - \let\fil@termskip\empty \let\fil@signs\empty \let\fil@barno\empty - \let\leftrepeat\leftrepeat@II \let\leftrightrepeat\leftrightrepeat@II -% \let\doublebar\doublebar@II % commented out by RDT version 1.32 - \piece@beginc\Writ@meters\lastbarpos\lin@pos\let\pdl@cut\empty\addspace\afterruleskip} - %%% 1.21: added \lastbarpos and \pdl@cut settings - -% enable left and right extracts (e.g. for footnotes) - -\let\extractline\centerline - -\def\endextract{\let\z@suspend\write@volta@hrule - \stoppiec@\egroup\line@width\wd\w@rkbox - \extractline{\writ@names\writ@staffs\unhbox\w@rkbox}% - \endcatcodesmusic} -\def\zendextract{\let\stoppiec@\zstoppiec@ \endextract} - -%% -% Redefine \t@rmskip to include a macro for writing a record to a file, -% and define the macro -%% - -\newdimen\x@skip -\newdimen\n@skip - -\let\fil@termskip\empty -\def\t@rmskip{\kern\n@skip\advance\x@skip\n@skip - \advance\lin@pos\x@skip - % case of \hardnotes - \ifnum\V@sw>0\relax - \y@v\n@skip \fil@spc - \fi - % end case \hardnotes - \fil@termskip\global\n@skip\z@ \global\x@skip\z@ \let\V@sw\z@} - -%% -% Define the amount of space before each barline, -%% - -%\newdimen\beforeruleskip -\newskip\beforeruleskip - -%% -% We must distinguish between scalable ('soft'=1) material in the bar -% (eg noteboxes) and absolute ('hard'=0) widths such as those from -% barlines and clef symbols -% Hence introduce a switch defining this attribute -%% - -\newcount\widthtyp@ \widthtyp@\@ne - -%%% bar numbers - -\newcount\lastbarno - -\def\writethebarno{\fontbarno\the\barno\kernm\qn@width} -\def\fontbarno{\it} - -\def\wbarno@x{%%%% version 1.21: RDT moved \lastbarpos\lin@pos after calls to \Writ@meters - \ifx\volta@set\empty - \n@iii\barno \divide\n@iii\freqbarno\relax - \ifnum\n@iii=\lastbarno - \else \y@\altplancher \advance\y@\systemheight \advance\y@\tw@\internote - \raise\y@\llap{\writethebarno}\fi - \else - \ifx\volta@cut\empty - \else % volta was cut, there is nothing colliding with bar number. - \n@iii\barno \divide\n@iii\freqbarno\relax - \ifnum\n@iii=\lastbarno - \else \y@\altplancher \advance\y@\systemheight \advance\y@\tw@\internote - \raise\y@\llap{\writethebarno}\fi - \fi - \write@volta - \fi - \ifx\pdl@cut\empty % 1.21 RDT - \else% pedal rule was cut at the end of the previous line - \global\pdl@pos\lin@pos\let\pdl@cut\empty % reset \ped@pos - \fi - \b@rrul@ %+simick - \n@iii\barno \divide\n@iii\freqbarno\relax \lastbarno\n@iii } - -%%% pass selective scoring - -\newskip\cut@v % contains width of bar rule -\newskip\init@volta@pos % start position of volta -\newskip\volta@startcor %+simick volta start correction in case of leftrepeats -\newskip\volta@endcor %+simick volta end correction in case of rightrepeats - -\def\raisevolta{\f@ur\internote} - -\newbox\writ@volta@box - -\def\voltadot{.}% -\def\write@volta{% writes the requested |n. and moves the things for further use - \ifx\volta@type\empty\else\errmessage{/setvolta collision!}\fi - \y@\altplancher \advance\y@\systemheight - \advance\y@\raisevolta -% \setbox\writ@volta@box\rlap{\vrule % \musixfont\sixt@@n %-simick -% \rm\ \vphantom{\^{\volta@text}\strut gq}\volta@text\voltadot}% %-simick - \setbox\writ@volta@box\rlap{\vrule\rm\strut\ \volta@text\voltadot}% %+simick - \xdef\thevolta@boxheight{\the\ht\writ@volta@box}% - \xdef\thevolta@boxdepth{\the\dp\writ@volta@box}% - \ifx\volta@cut\empty \else\setbox\writ@volta@box\null - \fi % if continuation, make writ@volta@box null -% \raise\y@\llap{\box\writ@volta@box}% %-simick - \kernm\volta@startcor\raise\y@\llap{\box\writ@volta@box}\kern\volta@startcor %+simick - \let\volta@type\volta@set - \let\volta@set\empty - \let\volta@cut\empty -% \init@volta@pos\lin@pos\relax %-simick - \init@volta@pos\lin@pos \advance\init@volta@pos-\volta@startcor %+simick -}% - -\def\write@volta@hrule{% write the hrule of volta bar at its end - \ifx\volta@type\empty - \else - \y@v\lin@pos \advance\y@v-\init@volta@pos -% \global\advance\cut@v\lthick \advance\y@v-\cut@v %-simick -% \global\advance\cut@v\lthick %-simick - \ifnum\barsinlin@=\maxbarsinlin@ %+simick - \y@i\z@ %+simick - \else %+simick - \y@i\cut@v \advance\y@i-\volta@endcor %+simick - \fi %+simick - \advance\y@v-\y@i %+simick - \y@\altplancher \advance\y@\systemheight - \advance\y@\raisevolta - \raise\y@\llap{% - \raise\thevolta@boxheight -% \hbox{\vrule\@height\z@\@depth\lthick\@width\y@v}}% %-simick - \hbox{\vrule\@height\z@\@depth\lthick\@width\y@v}\kern\y@i}% %+simick -% check whether termination has been required - \ifx\endvolta@set\thr@@ \let\volta@type\thr@@\fi % \endvoltabox forces type \thr@@ - \ifx\endvolta@set\empty \else \write@volta@endbox\fi - % now set volta@type \@ne to \empty - \ifx\volta@type\@ne \let\volta@type\empty\fi - \fi -}% - -\def\write@volta@endbox{% write the hrule of volta bar at its end - \ifx\volta@type\empty - \else -% \y@v\lin@pos \advance\y@v-\init@volta@pos %-simick -% \global\advance\cut@v\lthick \advance\y@v-\cut@v %-simick -% \global\advance\cut@v\lthick %-simick - \y@\altplancher \advance\y@\systemheight - \advance\y@\raisevolta - \ifx\volta@type\thr@@ -% \raise\y@\llap{\raise\thevolta@boxheight\hbox{\true@endvoltabox}}% %-simick - \raise\y@\llap{\raise\thevolta@boxheight\hbox{\true@endvoltabox}\kern\y@i}%+simick - \fi -% now force volta@type to \empty - \let\volta@type\empty - \let\endvolta@set\empty - \let\volta@cut\empty - \fi -}% - -%\check - -\let\writ@volta\empty % provisional for testing % - -\let\volta@set\empty % tells the kind of volta setting at next bar - % \@ne = single \setvolta, \tw@ = \Setvolta - % \thr@@ = setvoltabox - -\let\volta@type\empty % the current volta setting (same defs as \volta@set) -\let\volta@cut\empty - -\let\endvolta@set\empty % tells the kind of volta closingg at next bar - % \@ne = not used, \tw@ = terminate \Setvolta[box] - % \thr@@ = terminate \Setvolta[box] with an ending hook - -\def\setvolta{\let\volta@set\@ne \gen@setvolta} -\def\Setvolta{\let\volta@set\tw@ \gen@setvolta} -\def\setvoltabox{\let\volta@set\thr@@ \gen@setvolta} - -\def\gen@setvolta#1{\def\volta@text{#1}} - -\def\setendvolta{% - \ifx\volta@type\empty\volta@err - \else\let\endvolta@set\tw@ - \fi} - -\def\setendvoltabox{% - \ifx\volta@type\empty\volta@err - \else\let\endvolta@set\thr@@ - \fi} - -\let\endvolta\setendvolta -\let\endvoltabox\setendvoltabox - -\def\true@endvoltabox{\raise-\thevolta@boxheight - \llap{\vrule\@height\thevolta@boxheight \@depth\thevolta@boxdepth}} - -\def\volta@err{\immediate\write16{% - type=\ifx\volta@type\empty 0\else \number\volta@type\fi, - set=\ifx\volta@set\empty 0\else \number\volta@set\fi}% -\errmessage{\noexpand\endvolta, %\noexpand\contvolta, -\noexpand\endvoltabox\space does not match opening \noexpand\S[s]volta...}} - - -%%% line breaking stuff - -\let\@nds@ction\empty - -\newcount\barsinlin@ -\newcount\maxbarsinlin@ - -%\def\@LeftRp{\stoppiec@\contpiece\addspace{\h@lf\afterruleskip}% %-simick -% \kernm\afterruleskip\l@eftrepeat\kern\afterruleskip} %-simick -\def\@LeftRp{\stoppiec@\l@@ftrepeat\advance\volta@startcor-\afterruleskip %+simick - \contpiece\addspace{\h@lf\afterruleskip}% %+simick - \kernm\afterruleskip\l@eftrepeat\kern\afterruleskip %+simick - \advance\lastbarpos\afterruleskip \b@rrul@} %+simick - -\def\@LeftRpCont{\stoppiec@\l@@ftrepeat\advance\volta@startcor-\afterruleskip % RDT 1.28 - \let\z@sw\@ne % turn on continuation bar number - \contpiece\addspace{\h@lf\afterruleskip}% - \kernm\afterruleskip\l@eftrepeat\kern\afterruleskip% - \advance\lastbarpos\afterruleskip \b@rrul@} - -\def\T@bil{\advance\barsinlin@\@ne \ifnum\barsinlin@<\maxbarsinlin@} - -\def\barre{\T@bil \@bar\else\stoppiec@\contpiece \fi} -\def\xbar{\@bar\advance\barsinpi@c@\m@ne} -\def\zbar{\T@bil \zn@wbar\else\zstoppiec@\contpiece \fi} -\def\alaligne{\stoppiece\contpiece} -\def\zalaligne{\zstoppiece\contpiece} - -% ...@II means used in the *second* tex pass - -\def\leftrepeat@II{% -\T@bil - \setleftrepeat\@bar -\else - \@LeftRp % -\fi} - -\def\zleftrepeat@II{% % RDT 1.28 -\advance\barno\m@ne% -\T@bil - \setleftrepeat\@bar% -\else - \@LeftRpCont% % RDT 1.28 -\fi} - - -\let\leftrepeat\leftrepeat@II -\let\zleftrepeat\zleftrepeat@II % RDT 1.28 - -\def\zzleftrepeat{% % RDT 1.28 -\advance\barno\m@ne% -\stoppiece% -\let\z@sw\@ne% -\contpiece% -\advance\barno\m@ne% -\leftrepeat% -} - -\def\leftrightrepeat@II{% -\T@bil - \setleftrightrepeat\@bar -\else - \setrightrepeat\@LeftRp -\fi} - -\def\zzrightrepeat{% % RDT 1.28 - \advance\barno\m@ne% - \setrightrepeat\stoppiece - \let\z@sw\@ne - \contpiece -} - -\def\zrightrepeat{% % RDT 1.28 -\advance\barno\m@ne -\setrightrepeat -\T@bil - \@bar -\else - \stoppiec@ - \let\z@sw\@ne - \contpiece -\fi} - -\def\zzleftrightrepeat{% % RDT 1.28 -\advance\barno\m@ne% -\setrightrepeat% -\stoppiece% -\let\z@sw\@ne% -\contpiece% -\advance\barno\m@ne% -\leftrepeat% % RDT revised 1.30 -} - -\def\zleftrightrepeat@II{% % RDT 1.28 -\advance\barno\m@ne -\T@bil - \setleftrightrepeat\@bar -\else - \stoppiec@ - \let\z@sw\@ne - \contpiece -\fi} - -\let\leftrightrepeat\leftrightrepeat@II -\let\zleftrightrepeat\zleftrightrepeat@II % RDT 1.28 - - -\def\zdoublebar{\advance\barno\m@ne\setdoublebar\xbar} % RDT revised 1.32 - -\def\zzdoublebar{% % RDT 1.31 -\advance\barno\m@ne% -\setdoublebar% -\stoppiece% -\let\z@sw\@ne% -\contpiece% -} - -\def\zzbar{% % RDT 1.31 -\advance\barno\m@ne% -\stoppiece% -\let\z@sw\@ne% -\contpiece% -} - -\def\alapage{\stoppiece\eject\contpiece} -\def\zalapage{\zstoppiece\eject\contpiece} - -% minuscule: une seule barre -% majuscule: double barre - -\let\Writ@newsigns\empty - -\def\updat@context{\writ@newclefs - \T@bil \wbarno@x\Writ@newsigns\Writ@meters\addspace\afterruleskip -%%% 1.21: added \lastbarno setting - \else\Writ@newsigns\z@suspend\contpiece \fi} - - - - - - -\def\changecontext{\showallbarrules\n@wbar\updat@context} -\def\Changecontext{\showallbarrules\setdoublebar\changecontext} -\def\zchangecontext{\advance\n@skip\beforeruleskip \widthtyp@\@ne \t@rmskip - \zn@wbar\updat@context} - -\def\pchangecontext{\showallbarrules\n@wbar - \writ@newclefs\Writ@newsigns\z@suspend\eject\contpiece} -\def\pChangecontext{\setdoublebar\pchangecontext} - -%%% bars, repeatbars, ... - -%% -% Change ... to add skip \beforeruleskip to the preceeding notebox, -% and to set the 'soft' switch for the output record -%% -%% -% Redefine \n@wbar to write the bar line thickness to file, -% then reset \n@skip and \x@skip -%% - -\newskip\lastbarpos -\let\fil@barno\empty -\let\atnextbar\empty - -\def\n@wbar{% - \t@rmskip % essai DT - \advance\n@skip\beforeruleskip \widthtyp@\@ne \t@rmskip -% \ifdim\cut@v>\z@ \else\ifx\barrul@\thinrul@ \else\global\cut@v.9\Interligne \fi\fi %-simick -% \barrul@\widthtyp@\z@ \fil@termskip\let\barrul@\thinrul@ %-simick - \barrul@\widthtyp@\z@ \fil@termskip %+simick - \advance\barsinpi@c@\@ne \fil@barno - \ifx\no@b\empty \message{bar \the\barno}\fi - \advance\barno\@ne \advance\lin@pos\x@skip \atnextbar \let\atnextbar\empty - \write@volta@hrule %+simick -% \global\cut@v\z@ % <===================================== inserted %-simick - \global\n@skip\z@ \global\x@skip\z@ \let\z@sw\empty -% \write@volta@hrule %-simick -}% - -\def\@bar{\n@wbar\wbarno@x\lastbarpos\lin@pos\addspace\afterruleskip} - -\def\zn@wbar{\t@rmskip\advance\barsinpi@c@\@ne \let\z@sw\@ne} - -\def\small@spc{\addspace{\h@lf\big@spc}} - -\def\b@rrul@{\let\barrul@\thinrul@ %+simick - \global\cut@v\lthick \global\volta@endcor-\thr@@\lthick \global\volta@startcor\z@} %+simick -\def\r@ightrepeat{% - \hbox{\writ@colons\addspace\big@spc\thinrul@\small@spc\thickrul@}} -\def\r@@ghtrepeat{% %+simick - \global\cut@v\big@spc \global\advance\cut@v\lthick \global\advance\cut@v\h@lf\big@spc %+simick - \global\volta@endcor\cut@v \global\advance\cut@v\big@spc \global\volta@startcor\z@} %+simick -\def\l@eftrepeat{% - \hbox{\thickrul@\small@spc\thinrul@\addspace\big@spc\writ@colons}} -\def\l@@ftrepeat{% %+simick - \global\cut@v\big@spc \global\advance\cut@v\h@lf\big@spc \global\advance\cut@v\lthick %+simick - \global\advance\cut@v\big@spc \global\volta@endcor\z@ \global\volta@startcor\big@spc %+simick - \global\advance\volta@startcor\lthick \global\advance\volta@startcor\h@lf\big@spc} %+simick -\def\l@eftrightrepeat{\hbox{\writ@colons\addspace\big@spc\thickrul@ - \small@spc\thickrul@\addspace\big@spc\writ@colons}} -\def\l@@ftrightrepeat{% %+simick - \global\cut@v\big@spc \global\advance\cut@v\big@spc \global\volta@endcor\cut@v %+simick - \global\advance\cut@v\h@lf\big@spc %+simick - \global\volta@startcor\big@spc \global\advance\volta@startcor\big@spc %+simick - \global\advance\cut@v\volta@endcor \global\advance\volta@startcor-\lthick} %+simick - -\def\doublebar{\showallbarrules\setdoublebar\barre}% double barre de mesure -%\def\setdoubleBAR{\showallbarrules\def\barrul@{\thinrul@\small@spc\thickrul@}} %-simick -\def\setdoubleBAR{\showallbarrules\def\barrul@{\thinrul@\small@spc\thickrul@}% %+simick - \global\cut@v\lthick \global\advance\cut@v\h@lf\big@spc \global\volta@endcor\cut@v %+simick - \global\advance\cut@v\big@spc \global\volta@startcor\z@} %+simick -%\def\setemptybar{\def\barrul@{\relax}} %-simick -\def\setemptybar{\def\barrul@{\relax}% %+simick - \global\cut@v\z@ \global\volta@endcor-\f@ur\lthick \global\volta@startcor\z@} %+simick -\def\setdoublebar{\showallbarrules\global\cut@v.4\Interligne - \global\advance\cut@v\tw@\lthick \global\volta@endcor\z@ \global\volta@startcor\z@ %+simick - \def\barrul@{\thinrul@\addspace{.4\Interligne}\thinrul@}} - -\def\rightrepeat{\setrightrepeat\barre} - -%\def\setrightrepeat{\showallbarrules\let\barrul@\r@ightrepeat} %-simick -\def\setrightrepeat{\showallbarrules\let\barrul@\r@ightrepeat \r@@ghtrepeat} %+simick -%\def\setleftrepeat{\showallbarrules\let\barrul@\l@eftrepeat} %-simick -\def\setleftrepeat{\showallbarrules\let\barrul@\l@eftrepeat \l@@ftrepeat} %+simick -%\def\setleftrightrepeat{\showallbarrules\let\barrul@\l@eftrightrepeat} %-simick -\def\setleftrightrepeat{\showallbarrules\let\barrul@\l@eftrightrepeat \l@@ftrightrepeat}%+simick - -% write colons on all staffs (a part of [left][right]repeat symbols - -%\def\writ@colons{\n@loop{\w@coli}\repeat} - - - -\def\writ@colons{\n@loop{\w@coli}\repeat} -\def\w@coli{\p@loop - {\ifnum\nblines=6\tabc@lsix% - \else\ifnum\nblines=4\tabc@lfour% - \else\raise\altportee\hbox{\raise4\internote\hbox{\keychar55}}\fi\fi}\count@portee\repeat} - -%%%% 1.29 RDT -\def\tabc@lsix{\raise\altportee\hbox{% - %\raise7\internote\rlap{\kernm1.2\internote\hbox{\keychar24}}% uncomment if wanted - \raise5\internote\rlap{\kernm1.2\internote\hbox{\keychar24}}% - \raise3\internote\rlap{\kernm1.2\internote\hbox{\keychar24}}% comment out if unwanted - \raise1\internote\rlap{\kernm1.2\internote\hbox{\keychar24}}% - %\raise-1\internote\rlap{\kernm1.2\internote\hbox{\keychar24}}% uncomment if wanted -}} - -%%%% 1.29 RDT -\def\tabc@lfour{\raise\altportee\hbox{% - \raise3\internote\rlap{\kernm1.2\internote\hbox{\keychar24}}% - \raise1\internote\rlap{\kernm1.2\internote\hbox{\keychar24}}% comment out if unwanted - \raise-1\internote\rlap{\kernm1.2\internote\hbox{\keychar24}}% -}} -%%% seperated and full barlines - -%\def\rul@full#1{\raise\altplancher\rlap{\vrule\@depth\hlthick -% \@height\systemheight\@width#1}\addspace#1} - -\def\rul@full#1{\hbox{\raise\altplancher\rlap{\vrule\@depth\hlthick - \@height\systemheight\@width#1}}\addspace#1} - -\def\rul@sep#1{\noport@@\z@\n@loop - \edef\rul@hidden{\csname h@bl\romannumeral\noinstrum@nt\endcsname}% - \Comp@High\hbox{\raise\altitude\rlap{% -% \message{(tw@=\meaning\tw@\space thr@@=\meaning\thr@@\space \number\noinstrum@nt->}\expandafter\show\rul@hidden - \expandafter - \ifx\rul@hidden\relax % if \relax = never hidden - \vrule\@depth\hlthick\@width#1\@height\y@v - \else - \expandafter - \ifx\rul@hidden\thr@@ % if \thr@@ = not hidden one time, - \vrule\@depth\hlthick\@width#1\@height\y@v - \global\expandafter\let\rul@hidden\tw@ % reset to perm. hidden - \else - \expandafter - \ifx\rul@hidden\tw@ % if \tw@ = always hidden - \relax - \else - \expandafter - \ifx\rul@hidden\@ne % if \@ne = hidden only one time - \global\expandafter\let\rul@hidden\relax - \fi - \fi - \fi - \fi}}\repeat\addspace#1} - -%== hides (only) next bar line for specified instrument -\def\Hidebarrule#1{\global\expandafter\let\csname h@bl\romannumeral#1\endcsname\@ne} - -%== hides all next bar lines for specified instrument -\def\hidebarrule#1{\global\expandafter\let\csname h@bl\romannumeral#1\endcsname\tw@} - -%== force showing all bar lines for specified instrument -\def\showbarrule#1{\global\expandafter\let\csname h@bl\romannumeral#1\endcsname\relax} - -%== force showing all bar lines for all instruments -\def\showallbarrules{% - %\ifx\writ@rule\rul@sep\relax - \n@loop - \global\expandafter\let\csname h@bl\romannumeral\noinstrum@nt\endcsname\relax - \repeat - %\fi -} - -%== force showing (only) next bar line for specified instrument -\def\Showbarrule#1{\global\expandafter\let\csname h@bl\romannumeral#1\endcsname\thr@@} - -% standard vrules over all instruments -\def\stdbarrules{\let\writ@rule\rul@full } - -% separated vrules par instrum -\def\sepbarrules{\let\writ@rule\rul@sep } -\stdbarrules - -%%% signs - -\def\s@l@ctsigns{\edef\a@s{\csname a@s\romannumeral\noinstrum@nt\endcsname}% - \edef\o@s{\csname o@s\romannumeral\noinstrum@nt\endcsname}}% - -\def\setsign#1#2{\noinstrum@nt#1\relax - \let\Writ@newsigns\writ@newsigns % only write them, when they are touched - \s@l@ctsigns % select instrument - \a@s#2\relax % -} - -\def\generalsignature#1{\let\Writ@newsigns\writ@newsigns - \m@loop \s@l@ctsigns \a@s#1\repeat} - -% Inhibits writing erasing naturals at next change of context -\def\ignorenats{\m@loop \s@l@ctsigns \o@s\z@ \repeat} - -\def\changesignature{\t@rmskip\Writ@newsigns} - -\def\writ@sign{\ifnum\a@s=\z@ \else - \n@v\@lii - \ifnum\a@s>\z@ \C@sig\t@n - \C@sh\@ne\s@v@n - \C@sh\tw@\@l@v@n - \C@sh\thr@@\@ight - \C@sh\f@ur\fiv@ - \C@sh\fiv@\nin@ - \C@sh\si@\si@\fi - \n@v\@l - \ifnum\a@s<\z@ \C@sig\si@ - \C@fl\@ne\nin@ - \C@fl\tw@\fiv@ - \C@fl\thr@@\@ight - \C@fl\f@ur\f@ur - \C@fl\fiv@\s@v@n - \C@fl\si@\thr@@\fi - \fi} - -\def\C@sh#1#2{\ifnum\a@s>#1\C@sig#2\fi} -\def\C@fl#1#2{\ifnum\a@s<-#1\C@sig#2\fi} - -%% -% Augment \writ@newsigns so that -% (1) the space taken by the mid-line sign change is written to the file; -% (2) the new value of \sign@skip is written to the file -% Note that this is not necessarily the same value -% as the mid-line value, which includes cancellation naturals when -% the key signature changes from N flats to M sharps (or vice-versa) -%% - -\let\fil@signs\empty - -\def\writ@newsigns{\sign@skip\z@ - \n@loop{\s@l@ctsigns \let\@Ti\writ@newsign \C@wsi}\repeat - \n@skip\sign@skip \widthtyp@\z@ \t@rmskip - \m@loop \s@l@ctsigns \o@s\a@s \repeat - \let\Writ@newsigns\empty \fil@signs } - -\def\upd@width#1{\ifdim#1<\wd\toks@box \global#1\wd\toks@box \fi} -\def\writ@box{\leavevmode\raise\altportee\rlap{\box\toks@box}} - -\newcount\ut@ref - -\def\get@refs#1#2#3#4{% #1-#4: cle correspondante 0=sol, 5-6=fa, 1-4=ut - \ifcase\noport@@ \ut@ref\z@ \or \ut@ref#1\or \ut@ref#2\or - \ut@ref#3\or \ut@ref#4\fi - \relax \ifnum \ut@ref=9\relax \ut@ref-1\relax\fi - \global\ut@ref\ut@ref } - - %\def\writ@newsign{\ifnum\a@s=\z@ \else\kern.4\Internote \fi - % \ifnum\o@s<\z@ \w@flats\w@sharps\else\w@sharps\w@flats \fi} - -\def\writ@newsign{\ifnum\a@s=\z@ \else\kern.4\Internote \fi - \ifnum\o@s<\z@ \w@cancelflats\w@flats\w@sharps - \else\w@cancelsharps\w@sharps\w@flats \fi} - -\def\w@flats{\W@Fl\z@\si@ \W@Fl\@ne\nin@ \W@Fl\tw@\fiv@ \W@Fl\thr@@\@ight - \W@Fl\f@ur\f@ur \W@Fl\fiv@\s@v@n \W@Fl\si@\thr@@} - -\def\w@cancelflats{\W@canFl\z@\si@ \W@canFl\@ne\nin@ \W@canFl\tw@\fiv@ - \W@canFl\thr@@\@ight \W@canFl\f@ur\f@ur \W@canFl\fiv@\s@v@n \W@canFl\si@\thr@@} - - %\def\W@Fl#1#2{% - % \ifnum\a@s<-#1\n@v\@l \C@sig#2\else \ifnum\o@s<-#1\n@v\@liv \C@sig#2\fi \fi} - -\def\W@Fl#1#2{% - \ifnum\a@s<-#1\n@v\@l \C@sig#2\else \ifnum\o@s<-#1\relax\fi \fi} - -\def\W@canFl#1#2{% - \ifnum\a@s<-#1\relax\else \ifnum\o@s<-#1\n@v\@liv \C@sig#2\fi \fi} - -\def\w@sharps{\W@Sh\z@\t@n \W@Sh\@ne\s@v@n \W@Sh\tw@\@l@v@n - \W@Sh\thr@@\@ight \W@Sh\f@ur\fiv@ \W@Sh\fiv@\nin@ \W@Sh\si@\si@} - -\def\w@cancelsharps{\W@canSh\z@\t@n \W@canSh\@ne\s@v@n \W@canSh\tw@\@l@v@n - \W@canSh\thr@@\@ight \W@canSh\f@ur\fiv@ \W@canSh\fiv@\nin@ \W@canSh\si@\si@} - - %\def\W@Sh#1#2{% - % \ifnum\a@s>#1\n@v\@lii \C@sig#2\else\ifnum\o@s>#1\n@v\@liv \C@sig#2\fi \fi} - -\def\W@Sh#1#2{% - \ifnum\a@s>#1\n@v\@lii \C@sig#2\else\ifnum\o@s>#1\relax\fi \fi} - -\def\W@canSh#1#2{% - \ifnum\a@s>#1\relax\else\ifnum\o@s>#1\n@v\@liv \C@sig#2\fi \fi} - -\def\C@wsi{\s@l@ctclefs \p@loop \count@portee \expandafter\get@refs\the\a@c - \setbox\toks@box\hbox{\kern.4\Internote \@Ti \kern.4\Internote}% - \upd@width\sign@skip \writ@box \repeat} - - %\def\C@sig#1{\n@iii#1% - % \ifnum\ut@ref>\z@ - % \advance\n@iii\ut@ref \advance\n@iii\ut@ref - % \ifnum\ut@ref=\si@ \advance\n@iii-\s@v@n \fi - % \ifnum\ut@ref>\thr@@ \advance\n@iii-\s@v@n \fi - % \ifnum\n@iii>\@l@v@n \advance\n@iii-\s@v@n \fi - %\fi - %\advance\n@iii-\tw@ \raise\n@iii\internote - %\hbox\@to\tw@\internote{\hss\keychar\n@v\hss}} - -\def\C@sig#1{\n@iii#1% Correction by W. Icking - \advance\n@iii\ut@ref \advance\n@iii\ut@ref - \ifnum\ut@ref=\si@ \advance\n@iii-\fourt@@n% - \else \ifnum\ut@ref>\z@ \advance\n@iii-\s@v@n \fi\fi - \ifnum\n@iii<\@ne \global\advance\n@iii\s@v@n \fi - \ifnum\n@iii<\@ne \global\advance\n@iii\s@v@n \fi - \ifnum\n@iii>\@l@v@n \advance\n@iii-\s@v@n \fi - \ifnum\n@iii>\@l@v@n \advance\n@iii-\s@v@n \fi - \advance\n@iii-\tw@ \raise\n@iii\internote - \hbox\@to\tw@\internote{\hss\keychar\n@v\hss}} - -%%% meterindicators - -\def\s@l@ctm@t{\edef\m@t{\csname m@t\romannumeral\noinstrum@nt\endcsname}} - -\def\setmeter#1#2{\noinstrum@nt#1\relax % select instrument - \let\Writ@meters\writ@meters % only write them, when they are touched - \s@l@ctm@t \m@t{#2\empty\empty\empty}} - -\def\generalmeter#1{\let\Writ@meters\writ@meters - \m@loop \s@l@ctm@t \m@t{{#1}{#1}{#1}{#1}}\repeat} - -%% -% Redefine \writ@meters to set the 'hard' switch for -% \t@rmskip, indicating that this length is unscaleable -%% - -% \meterskip influence the space before !first! writemeters -\newskip\meterskip - -\def\writ@meters{\addspace\meterskip \meterskip\z@ \global\n@skip\z@ - \n@loop{\writ@meteri}\repeat - \ifdim\n@skip>\z@ \advance\n@skip\big@spc - \widthtyp@\z@ \t@rmskip \fi \let\Writ@meters\empty} - -\def\writ@meteri{\s@l@ctm@t \p@loop \setbox\toks@box - \hbox{\expandafter\writ@meterp\the\m@t{}{}{}{}}\upd@width\n@skip - \writ@box \count@portee\repeat} - -\def\writ@meterp#1#2#3#4{% - \ifcase\noport@@\hbox{#1}\or \hbox{#2}\or \hbox{#3}\or \hbox{#4}\fi} - -\def\meterfrac#1#2{% - \ifnum\nblines=6% - \setbox\toks@box\vbox{\hbox{~\meterfont#1}% - \hbox{~\meterfont #2}}\raise\internote% - \vbox\@to\@ight\internote{\offinterlineskip% - \vss\hbox\@to\wd\toks@box{\hss\meterfont#1\hss}\vskip1.5\internote% - \vss\hbox\@to\wd\toks@box{\hss\meterfont#2\hss}\vss}% - \else\ifnum\nblines=4% - \setbox\toks@box\vbox{\hbox{\ \meterfont#1}% - \hbox{\ \meterfont #2}}\raise-1\internote\vbox\@to\@ight\internote{\offinterlineskip - \vss\hbox\@to\wd\toks@box{\hss\meterfont#1\hss}\vss - \vss\hbox\@to\wd\toks@box{\hss\meterfont#2\hss}\vss} - \else - \setbox\toks@box\vbox{\hbox{\ \meterfont#1}% - \hbox{\ \meterfont #2}}\vbox\@to\@ight\internote{\offinterlineskip - \vss\hbox\@to\wd\toks@box{\hss\meterfont#1\hss}\vss - \vss\hbox\@to\wd\toks@box{\hss\meterfont#2\hss}\vss} - \fi\fi -} -\def\allabreve{% -> 2/2 - \ifnum\nblines=6\raise5\internote\hbox{\keychar82}% - \else\ifnum\nblines=4\raise3\internote\hbox{\keychar82}% - \else\raise4\internote\hbox{\keychar82}\fi\fi} -\def\reverseallabreve{% - \ifnum\nblines=6\raise5\internote\hbox{\keychar123}% - \else\ifnum\nblines=4\raise3\internote\hbox{\keychar123} - \else\raise4\internote\hbox{\keychar123}\fi\fi} -\def\meterC{% -> 4/4 - \ifnum\nblines=6\raise5\internote\hbox{\musickeyfont\@lxxxiii}% - \else\ifnum\nblines=4\raise3\internote\hbox{\musickeyfont\@lxxxiii}% - \else\raise4\internote\hbox{\musickeyfont\@lxxxiii}\fi\fi} -\def\reverseC{% -> 4/2 - \ifnum\nblines=6\raise5\internote\hbox{\keychar84}% - \else\ifnum\nblines=4\raise3\internote\hbox{\keychar84}% - \else\raise4\internote\hbox{\keychar84}\fi\fi} -\def\meterN#1{% - \ifnum\nblines=6\raise3\internote\hbox{\meterfont#1}% - \else\ifnum\nblines=4\raise1\internote\hbox{\meterfont#1}% - \else\raise2\internote\hbox{\meterfont#1}\fi\fi} -\def\meterplus{{\keychar57}} - -%%% clefs - -\def\s@l@ctclefs{\edef\a@c{\csname a@c\romannumeral\noinstrum@nt\endcsname}% - \edef\o@c{\csname o@c\romannumeral\noinstrum@nt\endcsname}} - -% why simple, when it can be done complicated ? - -\newtoks\t@c -\def\@fourtoks#1#2#3#4#5+{#1#2#3#4} - -\def\setclef#1#2{\noinstrum@nt#1\relax - \ifnum#1<1\errmessage{Instrument number not positive}\fi - \s@l@ctclefs \t@c{#2000}% - \a@c\expandafter\expandafter\expandafter{\expandafter\@fourtoks\the\t@c+}} - \let\setclefs\setclef - -\let\bass\si@ -\let\alto\thr@@ -\let\treble\z@ - -\def\setclefsymbol#1#2{\n@v#1\relax % select instrument - \expandafter\def\csname bassc@s\romannumeral\n@v\endcsname{#2}% - \expandafter\def\csname altoc@s\romannumeral\n@v\endcsname{#2}% - \expandafter\def\csname treblec@s\romannumeral\n@v\endcsname{#2}% -}% - -\def\setbassclefsymbol#1#2{\n@v#1\relax % select instrument - \expandafter\def\csname bassc@s\romannumeral\n@v\endcsname{#2}% -}% - -\def\setaltoclefsymbol#1#2{\n@v#1\relax % select instrument - \expandafter\def\csname altoc@s\romannumeral\n@v\endcsname{#2}% -}% - -\def\settrebleclefsymbol#1#2{\n@v#1\relax % select instrument - \expandafter\def\csname treblec@s\romannumeral\n@v\endcsname{#2}% -}% - -\def\trebleclef{\keychar71} -\def\bassclef{\keychar73} -\def\altoclef{\keychar75} - -\def\smalltrebleclef{\keychar72} -\def\smallbassclef{\keychar74} -\def\smallaltoclef{\keychar76} - -%% version 1.21: replaced \smalltype\it by \txtfont (size-dependent) -%% and adjusted the kerns RDT -%% - -\def\trebleoct{\trebleclef\raise 9\internote\hbox\@to\z@{\txtfont{\kern -3.6\internote 8}\hss}} -\def\bassoct{\bassclef\raise 2\internote\hbox\@to\z@{\txtfont{\kern -4.6\internote 8}\hss}} -\def\treblelowoct{\trebleclef\raise -7.5\internote\hbox\@to\z@{\txtfont{\kern -4.6\internote 8}\hss}} -\def\basslowoct{\bassclef\raise -6\internote\hbox\@to\z@{\txtfont{\kern -5.0\internote 8}\hss}} - -% [version 1.15] reqest from Hermann Hinsch -\def\smalltrebleoct{\smalltrebleclef\raise 7.2\internote\hbox\@to\z@{\txtfont{\kern -3.6\internote 8}\hss}} -\def\smalltreblelowoct{\smalltrebleclef\raise-6.8\internote\hbox\@to\z@{\txtfont{\kern -4.2\internote 8}\hss}} -\def\smallbassoct{\smallbassclef\raise 2\internote\hbox\@to\z@{\txtfont{\kern -4.0\internote 8}\hss}} -\def\smallbasslowoct{\smallbassclef\raise-6.5\internote\hbox\@to\z@{\txtfont{\kern -4.4\internote 8}\hss}} -% [version 1.15] reqest from Hermann Hinsch: end - - -\newskip\clef@skip - -\def\changeclefs{\t@rmskip\writ@newclefs} -\def\zchangeclefs{\t@rmskip\zwrit@newclefs} - -%%% version 1.21: new command to call and reset \atnextbar before outputting new clefs RDT -\def\Changeclefs{\t@rmskip\atnextbar\let\atnextbar\empty\writ@newclefs} - -% since the characters are shifted by default(Metafont) they looked -% a little bit strange when you mix several staffstaffsizes (flushleft) -% I've introduced a hack(kern kernm), that they are (nearly) centered -% (aehmm, really not the best way, because now they look strange -% if you use music footnotes) - -\def\writ@clefi{\s@l@ctclefs - \p@loop - \setbox\toks@box\hbox{\expandafter\writ@clefp\the\a@c}% - \upd@width\clef@skip\raise\altportee\rlap{% - \ifdim\internote<\Internote \kern\thr@@\Internote\kernm\thr@@\internote \fi - \box\toks@box}\count@portee\repeat} - -\def\writ@clefp#1#2#3#4{% - \ifcase\noport@@\singl@clef#1% - \or \singl@clef#2\or \singl@clef#3\or \singl@clef#4\fi} - -\def\singl@clef#1{\n@iii#1\relax - \ifcase\n@iii - \C@Clef\@ne\trebleclef@var\or - \C@Clef\z@\altoclef@var\or - \C@Clef\@ne\altoclef@var\or - \C@Clef\tw@\altoclef@var\or - \C@Clef\thr@@\altoclef@var\or - \C@Clef\tw@\bassclef@var\or - \C@Clef\thr@@\bassclef@var\or - \C@Clef\f@ur\bassclef@var\or % 7 = subbass - \or - \C@Clef\z@\trebleclef@var % 9 = french violin-clef - \fi -} - -\def\C@Clef#1#2{\n@iii#1\relax\multiply\n@iii\tw@ - \raise\n@iii\internote\hbox{#2}} - -\def\bassclef@var{\expandafter - \ifx\csname bassc@s\romannumeral\noinstrum@nt\endcsname\z@ - \bassclef\else \csname bassc@s\romannumeral\noinstrum@nt\endcsname \fi} -\def\trebleclef@var{\expandafter - \ifx\csname treblec@s\romannumeral\noinstrum@nt\endcsname\z@ - \trebleclef\else \csname treblec@s\romannumeral\noinstrum@nt\endcsname \fi} -\def\altoclef@var{\expandafter - \ifx\csname altoc@s\romannumeral\noinstrum@nt\endcsname\z@ - \altoclef\else \csname altoc@s\romannumeral\noinstrum@nt\endcsname \fi} - -\def\smallbassclef@var{\expandafter - \ifx\csname bassc@s\romannumeral\noinstrum@nt\endcsname\z@ - \smallbassclef\else \csname bassc@s\romannumeral\noinstrum@nt\endcsname \fi} -\def\smalltrebleclef@var{\expandafter - \ifx\csname treblec@s\romannumeral\noinstrum@nt\endcsname\z@ - \smalltrebleclef\else \csname treblec@s\romannumeral\noinstrum@nt\endcsname \fi} -\def\smallaltoclef@var{\expandafter - \ifx\csname altoc@s\romannumeral\noinstrum@nt\endcsname\z@ - \smallaltoclef\else \csname altoc@s\romannumeral\noinstrum@nt\endcsname \fi} - - -%% -% Redefine \writ@newclefs similarly -% -% Note that \clef@skip does not change for the different clef -% symbols (always 3.2\Interligne for normal sized clefs) -% Hence there is no need to communicate clef changes to the -% formatting program -%% - -\def\writ@newclefs{\clef@skip\z@ \n@loop{\writ@newclefi}\repeat - \n@skip\clef@skip \widthtyp@\z@ \t@rmskip - \m@loop \s@l@ctclefs \o@c\a@c \repeat} - -% the same as \writ@newclefs, but no spacing - -\def\zwrit@newclefs{\clef@skip\z@ - \setbox\writ@volta@box \hbox{\n@loop{\writ@newclefi}\repeat}% - \kern -\clef@skip \box\writ@volta@box - \kern \clef@skip - \clef@skip\z@ % test - \n@skip\clef@skip - \widthtyp@\z@ - \t@rmskip - \m@loop \s@l@ctclefs \o@c\a@c \repeat} - -% Thanks to Helmut Kopka for helping me out -\def\writ@newclefi{\s@l@ctclefs\p@loop - \setbox\toks@box\hbox{\expandafter\expandafter\expandafter\writ@newclefp - \the\expandafter\a@c\the\o@c}% - \upd@width\clef@skip \writ@box \count@portee\repeat} - -\def\writ@newclefp#1#2#3#4#5#6#7#8{% - \ifcase\noport@@\newsingl@clef#1#5\or \newsingl@clef#2#6\or - \newsingl@clef#3#7\or \newsingl@clef#4#8\fi} - -\def\newsingl@clef#1#2{\n@iii#1\relax \n@ii#2\relax - \ifnum\n@ii=\n@iii - \else - \ifcase\n@iii - \C@Clef\@ne\smalltrebleclef@var\or - \C@Clef\z@\smallaltoclef@var\or - \C@Clef\@ne\smallaltoclef@var\or - \C@Clef\tw@\smallaltoclef@var\or - \C@Clef\thr@@\smallaltoclef@var\or - \C@Clef\tw@\smallbassclef@var \or - \C@Clef\thr@@\smallbassclef@var\or - \C@Clef\f@ur\smallbassclef@var\or % 7 = subbass - \or - \C@Clef\z@\smalltrebleclef@var % 9 = french violin-clef - \fi - \fi} - -%%% instrumentnames - -%\let\Writ@names\empty - -\def\setname#1#2{\n@v#1\relax % select instrument -% \let\Writ@names\writ@names - \expandafter\def\csname instrument\romannumeral\n@v\endcsname{#2}}% [version 1.15] changed from \edef to \def (Hiroaki) - -\def\writ@names{\n@loop - \setbox\toks@box\null\relax - \ifnum\st@ffs>0\relax - \setbox\toks@box\llap{\vbox{\hbox\@to\parindent{% - \hss\csname instrument\romannumeral\noinstrum@nt\endcsname\hss}}\ \ }% - \fi - \altportee\altitude \Comp@High \advance\y@v-\ht\toks@box - \advance\altportee\h@lf\y@v - \writ@box - \repeat} - -%%% - -% les notes proprement dites - -\newdimen\noteskip -\newcount\transpose -\newcount\normaltranspose -\newdimen\locx@skip -\newdimen\elemskip -\newdimen\@l@mskip - -\def\check@staff{% - \ifnum\noport@@>\st@ffs\relax - \ifx\Post@Elims\undefined\else - \immediate\write16{check@staff\space inst=\the\noinstrum@nt\space - staff=\the\noport@@\space st@ffs=\the\st@ffs\space Elim.}\relax - \fi - \ifnum\st@ffs>0\relax - \errmessage{Staff number (\the\noport@@) out of specified range (\the\st@ffs)!}\fi - \else\relax} -%\def\check@staff{\iftrue\relax} - -\let\ifactiveinstrument\check@staff - -\def\nextstaff{\@ndstaff\beginstaff} -\def\nextinstrument{\@ndstaff\begininstrument} -\def\prevstaff{\@ndstaff\advance\noport@@-2\relax\beginstaff} -\def\selectstaff#1{\@ndstaff\noport@@#1\relax - \advance\noport@@ -1\relax\beginstaff} -\def\selectinstrument#1{\@ndstaff\noinstrum@nt#1\relax - \advance\noinstrum@nt -1\relax\begininstrument} - -\def\begininstrument{\advance\noinstrum@nt\@ne \s@l@ctinstr - \ifdim\internote<\p@seven6\Internote \set@tinynotesize \comput@sizes - \else - \ifdim\internote<.95\Internote \set@smallnotesize \comput@sizes - \else - \ifdim\internote<1.19\Internote \set@normalnotesize \comput@sizes - \else - \ifdim\internote<1.43\Internote \set@largenotesize \comput@sizes - \else - \set@Largenotesize \comput@sizes - \fi - \fi - \fi - \fi - \noport@@\z@ \beginstaff} - -\def\beginstaff{\leavevmode - \altportee\altitude \advance\altportee\noport@@\interportee - \count@portee \s@l@ctclefs \expandafter\get@refs\the\a@c - \setbox\n@otebox\hbox\bgroup - \let\rq\rq@ \let\lq\lq@ \let\mp\mp@ % \let\ds\ds@oup RDT 1.27 - \locx@skip\x@skip} - -\def\@ndstaff{\egroup % this where \transpose gets reset - \ifdim\n@skip<\wd\n@otebox \n@skip\wd\n@otebox \fi - \raise\altportee\rlap{\unhbox\n@otebox}} - -%%% shifting - -\def\offs@t#1{\off{-\s@o@}#1\off\s@o@} -\def\loffset#1{\edef\s@o@{#1\qn@width}\offs@t} -\def\roffset#1{\edef\s@o@{-#1\qn@width}\offs@t} -\def\roff{\roffset\@ne} -\def\loff{\loffset\@ne} -\def\hroff{\roffset\h@lf} -\def\hloff{\loffset\h@lf} - -%%% decode collective coding - -% les symboles de notes ou assimiles - -\newcount\inh@alt -\def\getn@i{\inh@alt\z@ \xgetn@i} -\def\inhgetn@i{\inh@alt\@ne \xgetn@i} - -\def\f@tok#1#2\af@tok{#1} -\def\s@tok#1#2\af@tok{#2} - -% \n@viii used as flag: \n@viii=\maxdimen -> argument is no number - -\def\C@Get{\n@viii\maxdimen \edef\alt@suite{\noexpand\getn@i\s@uite\relax}} -\def\C@GET{\n@viii\maxdimen \edef\alt@suite{% - \ifnum\inh@alt=\z@ \noexpand\@TI{\s@uite}\fi \noexpand\getn@i\s@uite\relax}} - -\def\xgetn@i#1\relax{\n@viii\z@ \n@i\maxdimen % par defaut -%% \edef\t@ruc{\f@tok #1\relax\af@tok}% - \edef\t@ruc{\expandafter\f@tok #1\relax\af@tok}% - \edef\s@uite{\s@tok #1\empty\af@tok}% -%% pas lettre - \ifcat a\t@ruc \n@i\expandafter`\t@ruc\relax -%% ramener au E (position zero en clef de sol, ut@ref=0) - \ifnum\n@i>96\advance\n@i-101% - \else\advance\n@i-\@lxxxiii % ramener au S= E + 14 - \fi - \advance\n@i\ut@ref \advance\n@i\ut@ref \advance\n@i\transpose - \edef\ss@uite{\noexpand\n@fon{\s@uite}}% -%% cas active character dont chiffre - \else - \let\ss@uite\empty - \let\alt@suite\empty - \ifcat 1\t@ruc - \if =\t@ruc \let\@TI\na \C@GET \fi - \if *\t@ruc \sk \C@Get \fi - \if .\t@ruc \let\@TI\pt \C@GET \fi - \if >\t@ruc \let\@TI\dsh \C@GET \fi - \if <\t@ruc \let\@TI\dfl \C@GET \fi - \if !\t@ruc \transpose\normaltranspose \C@Get \fi - \if '\t@ruc \advance\transpose\s@v@n \C@Get \fi - \if `\t@ruc \advance\transpose-\s@v@n \C@Get \fi - \ifnum\n@viii<\maxdimen \n@i#1\fi - \else - \if ^\t@ruc \let\@TI\sh \C@GET \fi - \if _\t@ruc \let\@TI\fl \C@GET \fi - \fi\alt@suite - \fi} - -%%% setting stems and flags - -\newdimen\st@bot % note stem bottom -\newdimen\st@top % note stem top -\newdimen\stem@skip - -\def\stdstemfalse{\let\stdst@m\@ne} - -\def\setst@m{% - \advance\y@i\altportee - \ifdim\st@bot>\y@i \global\st@bot\y@i \fi - \ifdim\st@top<\y@i \global\st@top\y@i \fi - \advance\y@i-\altportee} - -\def\resetst@m{% - \global\st@bot\maxdimen \global\st@top-\maxdimen \let\stdst@m\empty} -\resetst@m - -\def\minst@bot{\ifdim\st@bot>\f@ur\internote - \ifx\stdst@m\empty \st@bot\f@ur\internote \fi \fi} - -\def\maxst@top{\ifdim\st@top<\f@ur\internote - \ifx\stdst@m\empty \st@top\f@ur\internote \fi \fi} - -\def\stem@rule{% - \vrule\@height\st@top\@depth-\st@bot\@width\lthick\kernm\lthick} - -\def\comp@stem{\advance\st@bot-\altportee \advance\st@top-\altportee} - -\def\C@stem{\ifdim\st@top>\st@bot - \comp@stem\kern\stem@skip\stem@rule - \kernm\stem@skip - \fi\resetst@m} - -\def\stemlength#1{\def\stemfactor{#1}} -\def\DefaultStemlength{4.66} -\stemlength{\DefaultStemlength} - -% cut stems in extrem positions for multiple voices in one staff - -\def\stemcut{\let\st@mcut\empty} -\def\nostemcut{\let\st@mcut\@ne} -\stemcut - -\def\Box@Flag{\setbox\ch@box\hbox{\musixfont\char\n@vii}\y@v\ht\ch@box } - -\def\down@flag{\Box@Flag\advance\st@bot-\y@v - \advance\st@bot-\stemfactor\interbeam - \advance\st@bot\DefaultStemlength\interbeam - \ifdim\st@top>\st@bot \comp@stem\minst@bot - \stem@rule\raise\st@bot\box\ch@box \fi\resetst@m} - -\def\up@flag{\Box@Flag\advance\st@top\y@v - \advance\st@top\stemfactor\interbeam - \advance\st@top-\DefaultStemlength\interbeam - \ifdim\st@top>\st@bot \comp@stem\maxst@top - \kern\qd@skip\stem@rule\advance\st@top-\y@v \raise\st@top\box\ch@box% - \kernm\qd@skip \fi\resetst@m} - -\def\cutst@l#1{% - \ifdim\st@bot<-#1\internote \advance\st@bot\qu@rt\interbeam \fi} - -\def\downst@m{\stem@skip\z@ - \advance\st@bot-\stemfactor\interbeam - \advance\st@bot-\altportee - \ifx\st@mcut\empty - \ifdim\st@bot<-\thr@@\internote - \cutst@l\thr@@\cutst@l\f@ur\cutst@l\fiv@ - \cutst@l\si@\cutst@l\s@v@n\cutst@l\@ight \fi \fi - \minst@bot\advance\st@bot\altportee - \C@stem} - -\def\cutst@u#1{% - \ifdim\st@top>#1\internote \advance\st@top-\qu@rt\interbeam \fi} - -\def\upst@m{\stem@skip\qd@skip - \advance\st@top\stemfactor\interbeam - \advance\st@top-\altportee - \ifx\st@mcut\empty - \ifdim\st@top>\@l@v@n\internote - \cutst@u\@l@v@n\cutst@u\tw@lv@\cutst@u\active - \cutst@u\fourt@@n\cutst@u\fiv@t@@n\cutst@u\sixt@@n \fi \fi - \maxst@top\advance\st@top\altportee - \C@stem} - -\newdimen\s@lope - -\def\comp@slope#1{\s@lope\b@p#1\divide\s@lope\tw@nty} - -\def\beamst@m{% queue de note vers une poutre - \getcurpos \advance\y@v-\b@x - \y@ii\b@p\y@v \divide\y@ii\tw@nty \advance\y@ii\b@z - \ifdim\y@ii>\st@top % la poutre est au-dessus - \stem@skip\qd@skip \comp@slope\stem@skip \advance\y@ii\s@lope - \advance\y@ii .285\interbeam% version 1.18 RDT - \ifnum\b@n>\z@ \advance\y@ii\b@n\interbeam \advance\y@ii-\interbeam \fi - \st@top\y@ii % a mettre a jour avec la pente ulterieurement - \else - \advance\y@ii-.285\interbeam% version 1.18 RDT - \stem@skip\z@ - \ifdim\y@ii<\st@bot - \ifnum\b@n<\z@ \advance\y@ii\b@n\interbeam \advance\y@ii\interbeam \fi - \st@bot\y@ii \fi \fi - \C@stem} - -%%% writing notes inclusive lines (subsidiary lines ?) (german: Hilfslinien) - -\newif\ifadvance\advancetrue - -% Modification by Werner Icking -% ledger lines exceed the note by: y@vi := 0.35 (noteskip - notewidth) -% and: 0.5 qn@width > y@vi > 0.2 qn@width -\newdimen\y@vi -\def\h@linei{% - \y@ii\n@v\internote - \y@iii\y@ii - \advance\y@ii\hlthick - \advance\y@iii-\hlthick - \y@vi\noteskip % noteskip -%-\ifnum\y@vi=\z@ \y@vi\maxdimen\fi % (or maxdimen if noteskip = 0) - \advance\y@vi-\y@v % - notewidth - \y@vi0.7\y@vi % this may be eaten =: additional length - \y@iv\h@lf\qn@width\ifnum\y@vi>\y@iv \y@vi\y@iv\fi % not more than 0.5 qn@width - \y@iv0.2\qn@width \ifnum\y@vi<\y@iv \y@vi\y@iv\fi % not less than 0.2 qn@width - \y@iv\y@v % notewidth - \advance\y@iv\y@vi % + additional length =: total length - \kernm\h@lf\y@vi % center the ledger line -%-\message{noteskip = \the\noteskip, length = \the\y@iv, notewidth = \the\y@v}% - \vrule\@height\y@ii\@depth-\y@iii\@width\y@iv - \kernm\y@iv\kern\h@lf\y@vi} - -% end Werner Icking's modification of ledger lines. -% old behaviour can be restored with musixfll.tex (or musixfll.sty) - -\def\writ@note{% - \ifnum\n@i<\@c -% help lines \n@i (position) - \ifnum\nblines>\thr@@ % no help lines for percussion instruments - \n@v\z@ - \ifnum\n@i<\m@ne % waste memory, but saves time - \loop \advance\n@v\m@ne \ifnum\n@i<\n@v - \advance\n@v\m@ne \h@linei - \repeat - \else - \n@v\nblines \advance\n@v\m@ne \multiply\n@v\tw@ - \ifnum\n@i>\n@v - \loop \advance\n@v\@ne \ifnum\n@i>\n@v - \advance\n@v\@ne \h@linei - \repeat - \fi - \fi - \fi -% - \pl@base\setst@m\st@m - \ifadvance \raise\y@i\adv@box\n@sym \else \raise\y@i\hbox{\n@sym}\fi - \ss@uite \advancetrue - \fi} - -\def\adv@box#1{\hbox\@to\noteskip{#1\hss}\advance\locx@skip\noteskip} - -%%% breve, longa, maxima, arbitrary notes, non spacing - -\def\zmaxima{\def\w@h{\musixchar36}\y@v\tw@\wn@width \advancefalse \g@w} -\def\zlonga{\def\w@h{\musixchar39}\y@v\wn@width \advancefalse \g@w} -\def\zbreve{\def\w@h{\musixfont\@xxxii}\y@v\wn@width \advancefalse \g@w} -\def\zwq{\def\w@h{\musixchar56}\y@v\wn@width \advancefalse \g@w} -\def\zwqq{\def\w@h{\musixchar127}\y@v\wn@width \advancefalse \g@w} - -\def\g@w#1{\let\st@m\resetst@m - \check@staff - \getn@i#1\relax\let\n@fon\g@w \let\n@sym\w@h \writ@note - \fi} - -\def\maxima{\def\w@h{\musixchar36}\y@v\tw@\wn@width \g@w} -\def\longa{\def\w@h{\musixchar39}\y@v\wn@width \g@w} -\def\breve{\def\w@h{\musixfont\@xxxii}\y@v\wn@width \g@w} -\def\wq{\def\w@h{\musixchar56}\y@v\wn@width \g@w} -\def\wqq{\def\w@h{\musixchar127}\y@v\wn@width \g@w} - -%%% alternate longa (with up stem) by Ingo Struck -%%% struck@student.uni-siegen.de - -\def\lngdnst@m{\stem@skip1.25\qd@skip - \advance\st@bot-\stemfactor\interbeam - \advance\st@bot-\altportee - \ifx\st@mcut\empty - \ifdim\st@bot<-\thr@@\internote - \cutst@l\thr@@\cutst@l\f@ur\cutst@l\fiv@ - \cutst@l\si@\cutst@l\s@v@n\cutst@l\@ight \fi \fi - \minst@bot\advance\st@bot\altportee - \C@stem} - -\def\lngupst@m{\stem@skip1.25\qd@skip - \advance\st@top\stemfactor\interbeam - \advance\st@top-\altportee - \ifx\st@mcut\empty - \ifdim\st@top>\@l@v@n\internote - \cutst@u\@l@v@n\cutst@u\tw@lv@\cutst@u\active - \cutst@u\fourt@@n\cutst@u\fiv@t@@n\cutst@u\sixt@@n \fi \fi - \maxst@top\advance\st@top\altportee - \C@stem} - -\def\@longa#1{\getn@i#1\relax - \ifnum\n@i>\thr@@ - \let\st@m\lngdnst@m - \else - \let\st@m\lngupst@m - \fi - \let\n@fon\@longa \let\n@sym\q@u \y@v\qn@width \writ@note} - -\def\l@ngasymbol{\def\q@u{\musixfont\@xxxii}} - -\def\longaa{\l@ngasymbol\@longa} - -%%% whole notes - -\def\C@Point#1#2{\ifodd\n@i \else#2\internote \fi\hbox{\musixchar#1}} - -\def\wh{\def\w@h{\musixfont\nin@}\y@v\wn@width \g@w} -\def\whp{\def\w@h{\musixfont\nin@\roffset\qu@rt{\C@Point\z@\raise}}% - \y@v\wn@width \g@w} -\def\whpp{\def\w@h{\musixfont\nin@\roffset\qu@rt{\C@Point\@ne\raise}}% - \y@v\wn@width \g@w} - -%%% whole noteheads, no advance - -\def\zw{\advancefalse\wh} -\def\zwp{\advancefalse\whp} -\def\zwpp{\advancefalse\whpp} -\let\zwh\zw - -\def\lw#1{\kernm\wn@width\zw{#1}\kern\wn@width} -\def\rw#1{\kern\wn@width\zw{#1}\kernm\wn@width} -\def\lwp#1{\kernm\wn@width\zwp{#1}\kern\wn@width} -\def\rwp#1{\kern\wn@width\zwp{#1}\kernm\wn@width} -\def\lwpp#1{\kernm\wn@width\zwpp{#1}\kern\wn@width} -\def\rwpp#1{\kern\wn@width\zwpp{#1}\kernm\wn@width} - -%%% common routines for noteheads with the same width as a quarter note - -\def\@qa#1{\getn@i#1\relax - \ifnum\n@i>\thr@@ - \let\st@m\downst@m - \else - \let\st@m\upst@m - \fi - \check@staff % version 1.16 - \let\n@fon\@qa \let\n@sym\q@u \y@v\qn@width \writ@note - \fi} - -\def\@qu{\let\st@m\upst@m \g@q} -\def\@ql{\let\st@m\downst@m \g@q} -\def\@zq{\let\st@m\setst@m \advancefalse\g@q} -\def\@nq{\let\st@m\resetst@m \g@q} - -\def\g@q#1{\check@staff - \getn@i#1\relax\let\n@fon\g@q \let\n@sym\q@u - \y@v\qn@width \writ@note\fi} - -\def\@qup{\let\st@m\upst@m \g@qp} -\def\@qlp{\let\st@m\downst@m \g@qp} -\def\@zqp{\let\st@m\setst@m \advancefalse\g@qp} -\def\@nqp{\let\st@m\resetst@m \g@qp} - -\def\q@up{\q@u\C@Point\z@\raise} -\def\g@qp#1{\check@staff - \getn@i#1\relax\let\n@fon\g@qp \let\n@sym\q@up - \y@v\qn@width \writ@note\fi} - -\def\@qupp{\let\st@m\upst@m \g@qpp} -\def\@qlpp{\let\st@m\downst@m \g@qpp} -\def\@zqpp{\let\st@m\setst@m \advancefalse\g@qpp} -\def\@nqpp{\let\st@m\resetst@m \g@qpp} - -\def\q@upp{\q@u\C@Point\@ne\raise} -\def\g@qpp#1{\check@staff - \getn@i#1\relax\let\n@fon\g@qpp \let\n@sym\q@upp - \y@v\qn@width \writ@note\fi} - -\def\@lqu#1{\kernm\qn@width\advancefalse\@qu{#1}\kern\qn@width} -\def\@rqu#1{\kern\qn@width\advancefalse\@qu{#1}\kernm\qn@width} - -\def\@lql#1{\kernm\qn@width\advancefalse\@ql{#1}\kern\qn@width} -\def\@rql#1{\kern\qn@width\advancefalse\@ql{#1}\kernm\qn@width} - -\def\@lq#1{\kernm\qn@width\@zq{#1}\kern\qn@width} -\def\@rq#1{\kern\qn@width\@zq{#1}\kernm\qn@width} - -\def\@qb#1{\s@l@ctbeam#1\relax \let\st@m\beamst@m \g@q} -\def\@tqb#1{\s@l@ctbeam#1\relax \C@tb\t@bbl\lthick \let\st@m\beamst@m \g@q} -\def\@tqh#1{\s@l@ctbeam#1\relax \C@tb\t@bbu\qn@width \let\st@m\beamst@m \g@q} -\def\@qbp#1{\s@l@ctbeam#1\relax \let\st@m\beamst@m \g@qp} -\def\@qbpp#1{\s@l@ctbeam#1\relax \let\st@m\beamst@m \g@qpp} - -\def\@ca{\n@iv\@xlv \@mca} -\def\@cca{\n@iv46 \@mca} -\def\@ccca{\n@iv47 \@mca} -\def\@cccca{\n@iv48 \@mca} -\def\@ccccca{\n@iv49 \@mca} - -\def\@mca#1{\getn@i#1\relax \n@vii\n@iv - \ifnum\n@i>\thr@@ - \let\st@m\down@flag - \else - \let\st@m\up@flag \advance\n@vii -\fiv@\relax - \fi - \check@staff % version 1.16 - \let\n@fon\@mca \let\n@sym\q@u \y@v\qn@width \writ@note - \fi} - -\def\@cu{\n@vii\@xl \let\st@m\up@flag \g@q} -\def\@ccu{\n@vii\@xli \let\st@m\up@flag \g@q} -\def\@cccu{\n@vii42\let\st@m\up@flag \g@q} -\def\@ccccu{\n@vii43\let\st@m\up@flag \g@q} -\def\@cccccu{\n@vii44\let\st@m\up@flag \g@q} - -\def\@cl{\n@vii\@xlv \let\st@m\down@flag \g@q} -\def\@ccl{\n@vii46\let\st@m\down@flag \g@q} -\def\@cccl{\n@vii47\let\st@m\down@flag \g@q} -\def\@ccccl{\n@vii48\let\st@m\down@flag \g@q} -\def\@cccccl{\n@vii49\let\st@m\down@flag \g@q} - -\def\@cup{\n@vii\@xl \let\st@m\up@flag \g@qp} -\def\@ccup{\n@vii\@xli \let\st@m\up@flag \g@qp} -\def\@clp{\n@vii\@xlv \let\st@m\down@flag \g@qp} -\def\@cclp{\n@vii46\let\st@m\down@flag \g@qp} - - -\def\@cupp{\n@vii\@xl \let\st@m\up@flag \g@qpp} -\def\@clpp{\n@vii\@xlv \let\st@m\down@flag \g@qpp} - -%%% half notes - -\def\h@symbol{\def\q@u{\musixfont\@ight}} - -\def\ha{\h@symbol\@qa} -\def\hap#1{\pt{#1}\ha{#1}} % 1.27 RDT -\def\happ#1{\ppt{#1}\ha{#1}} % 1.27 RDT -\def\hu{\h@symbol\@qu} -\def\hup{\h@symbol\@qup} -\def\hupp{\h@symbol\@qupp} - -\def\hl{\h@symbol\@ql} -\def\hlp{\h@symbol\@qlp} -\def\hlpp{\h@symbol\@qlpp} - -\def\hb{\h@symbol\@qb} -\def\hbp{\h@symbol\@qbp} -\def\hbpp{\h@symbol\@qbpp} - -\def\zh{\h@symbol\@zq} -\def\zhp{\h@symbol\@zqp} -\def\zhpp{\h@symbol\@zqpp} - -\def\lh{\h@symbol\@lq} -\def\rh{\h@symbol\@rq} - -\def\zhu{\advancefalse\hu} -\def\zhup{\advancefalse\hup} -\def\zhupp{\advancefalse\hupp} - -\def\lhu{\h@symbol\@lqu} -\def\rhu{\h@symbol\@rqu} - -\def\zhl{\advancefalse\hl} -\def\zhlp{\advancefalse\hlp} -\def\zhlpp{\advancefalse\hlpp} - -\def\lhl{\h@symbol\@lql} -\def\rhl{\h@symbol\@rql} - -\def\lhp#1{\loff{\zhp{#1}}} -\def\rhp#1{\roff{\zhp{#1}}} -\def\lhpp#1{\loff{\zhpp{#1}}} -\def\rhpp#1{\roff{\zhpp{#1}}} - -%%% quarter notes, stem up - -\def\q@symbol{\def\q@u{\musixfont\s@v@n}} - -\def\qa{\q@symbol\@qa} - -\def\qap#1{\pt{#1}\qa{#1}} % 1.25 RDT -\def\qapp#1{\ppt{#1}\qa{#1}} % 1.25 RDT - -\def\qu{\q@symbol\@qu} -\def\qup{\q@symbol\@qup} -\def\qupp{\q@symbol\@qupp} - -%%% quarter notes, stem down - -\def\ql{\q@symbol\@ql} -\def\qlp{\q@symbol\@qlp} -\def\qlpp{\q@symbol\@qlpp} - -%%% quarter notes, stem up, no advance - -\def\zqu{\advancefalse\qu} -\def\zqup{\advancefalse\qup} -\def\zqupp{\advancefalse\qupp} - -\def\lqu{\q@symbol\@lqu} -\def\rqu{\q@symbol\@rqu} - -%%% quarter notes, stem down, no advance - -\def\zql{\advancefalse\ql} -\def\zqlp{\advancefalse\qlp} -\def\zqlpp{\advancefalse\qlpp} - -\def\lql{\q@symbol\@lql} -\def\rql{\q@symbol\@rql} - -%%% quarter noteheads, no advance - -\def\zq{\q@symbol\@zq} -\def\zqp{\q@symbol\@zqp} -\def\zqpp{\q@symbol\@zqpp} - -\def\lqp#1{\loff{\zqp{#1}}}% -\def\lqpp#1{\loff{\zqpp{#1}}}% -\def\rqp#1{\roff{\zqp{#1}}}% -\def\rqpp#1{\roff{\zqpp{#1}}}% - -\def\lq@{\q@symbol\@lq} -\def\rq@{\q@symbol\@rq} - -% -% note heads without stems -\def\nh{\h@symbol\@nq} -\def\nq{\q@symbol\@nq} -\def\znh{\advancefalse\nh} -\def\znq{\advancefalse\nq} - -%%% 8th, 16th, 32th, 64th, (128th) notes - -\def\ca{\q@symbol\@ca} -\def\cca{\q@symbol\@cca} -\def\ccca{\q@symbol\@ccca} -\def\cccca{\q@symbol\@cccca} -\def\ccccca{\q@symbol\@ccccca} - -\def\cu{\q@symbol\@cu} -\def\ccu{\q@symbol\@ccu} -\def\cccu{\q@symbol\@cccu} -\def\ccccu{\q@symbol\@ccccu} -\def\cccccu{\q@symbol\@cccccu} - -\def\cup{\q@symbol\@cup} -\def\ccup{\q@symbol\@ccup} -\def\cupp{\q@symbol\@cupp} - -\def\zcu{\advancefalse\cu} -\def\zccu{\advancefalse\ccu} -\def\zcccu{\advancefalse\cccu} -\def\zccccu{\advancefalse\ccccu} -\def\zcccccu{\advancefalse\cccccu} - -\def\lcu#1{\kernm\qn@width\zcu{#1}\kern\qn@width} -\def\rcu#1{\kern\qn@width\zcu{#1}\kernm\qn@width} - -\def\zcup{\advancefalse\cup} -\def\zccup{\advancefalse\ccup} -\def\zcupp{\advancefalse\cupp} - -\def\cl{\q@symbol\@cl} -\def\ccl{\q@symbol\@ccl} -\def\cccl{\q@symbol\@cccl} -\def\ccccl{\q@symbol\@ccccl} -\def\cccccl{\q@symbol\@cccccl} - -\def\clp{\q@symbol\@clp} -\def\cclp{\q@symbol\@cclp} -\def\clpp{\q@symbol\@clpp} - -\def\zcl{\advancefalse\cl} -\def\zccl{\advancefalse\ccl} -\def\zcccl{\advancefalse\cccl} -\def\zccccl{\advancefalse\ccccl} -\def\zcccccl{\advancefalse\cccccl} - -\def\zclp{\advancefalse\clp} -\def\zcclp{\advancefalse\cclp} -\def\zclpp{\advancefalse\clpp} - -\def\lcl#1{\kernm\qn@width\zcl{#1}\kern\qn@width} -\def\rcl#1{\kern\qn@width\zcl{#1}\kernm\qn@width} - -%%% beam notes - -\def\qb{\q@symbol\@qb} -\def\qbp{\q@symbol\@qbp} -\def\qbpp{\q@symbol\@qbpp} - -\def\zqb{\advancefalse\qb} -\def\zqbp{\advancefalse\qbp} -\def\zqbpp{\advancefalse\qbpp} - -\def\tqh{\q@symbol\@tqh} -\def\tqu{\q@symbol\@tqh} % version 1.16 RDT -\def\tqb{\q@symbol\@tqb} -\def\tql{\q@symbol\@tqb} % version 1.16 RDT - -\def\tqqh#1#2{\tbbu{#1}\tqh{#1}{#2}} % version 1.17 RDT -\def\tqqu{\tqqh} % version 1.17 RDT -\def\tqqb#1#2{\tbbl{#1}\tqb{#1}{#2}} % version 1.17 RDT -\def\tqql{\tqqb} % version 1.17 RDT -\def\tqqqh#1#2{\tbbbu{#1}\tqqh{#1}{#2}} % version 1.17 RDT -\def\tqqqu{\tqqqh} % version 1.17 RDT -\def\tqqqb#1#2{\tbbbl{#1}\tqqb{#1}{#2}} % version 1.17 RDT -\def\tqqql{\tqqqb} % version 1.17 RDT - -\def\nqqh#1#2{\tbbu{#1}\qb{#1}{#2}} % version 1.27 RDT -\def\nqqb#1#2{\tbbl{#1}\qb{#1}{#2}} % version 1.27 RDT -\def\nqqqh#1#2{\tbbbu{#1}\qb{#1}{#2}} % version 1.27 RDT -\def\nqqqb#1#2{\tbbbl{#1}\qb{#1}{#2}} % version 1.27 RDT -\def\nqqu{\nqqh} % version 1.27 RDT -\def\nqql{\nqqb} % version 1.27 RDT -\def\nqqqu{\nqqqh} % version 1.27 RDT -\def\nqqql{\nqqqb} % version 1.27 RDT - -\def\ztqh{\advancefalse\q@symbol\@tqh} -\def\ztqu{\advancefalse\q@symbol\@tqh} % version 1.16 RDT -\def\ztqb{\advancefalse\q@symbol\@tqb} -\def\ztql{\advancefalse\q@symbol\@tqb} % version 1.16 RDT - -%%% grace notes - -\def\grcu{\q@symbol\@grcu} -\def\grcl{\q@symbol\@grcl} - -\def\@grcu{\n@vii\tw@lv@ \let\st@m\up@flag \g@q} -\def\@grcl{\n@vii\active \let\st@m\down@flag \g@q} - -%%% starting beams - -% \ibu{0<=numero<10}{altitude~note}{pente de -9 a +9} -% \ibl{0<=numero<10}{altitude~note}{pente de -9 a +9} - -% \b@p slope (-9) - (9) -% \b@n number of pending beamlines (-4) - (4) - -\def\test@beamnum{% [version 1.15] new macro to make it independent from slur - \ifnum\n@i<\z@ \n@i\@c \fi - \ifnum\n@i<\maxinstruments \else - \count@\maxinstruments \advance\count@\m@ne - \errmessage{Wrong beam reference number \the\n@i! (valid: 0 to \the\count@)} - \n@i\z@ - \fi - \advance\n@i\@ne}% - -\def\s@l@ctbeam#1\relax{% - \n@i#1\relax\test@beamnum % [version 1.15] make it independent from slur - \edef\b@x{\csname b@x\romannumeral\n@i\endcsname}% - \edef\b@z{\csname b@z\romannumeral\n@i\endcsname}% - \edef\b@n{\csname b@n\romannumeral\n@i\endcsname}% - \edef\b@p{\csname b@p\romannumeral\n@i\endcsname}} - -\def\s@l@ctc{\edef\c@x{\csname c@x\romannumeral\n@i\endcsname}% - \edef\c@z{\csname c@z\romannumeral\n@i\endcsname}} - -\def\s@l@ctd{\edef\d@x{\csname d@x\romannumeral\n@i\endcsname}% - \edef\d@z{\csname d@z\romannumeral\n@i\endcsname}\s@l@ctc} - -\def\s@l@cte{\edef\e@x{\csname e@x\romannumeral\n@i\endcsname}% - \edef\e@z{\csname e@z\romannumeral\n@i\endcsname}\s@l@ctd} - -\def\s@l@ctf{\edef\f@x{\csname f@x\romannumeral\n@i\endcsname}% - \edef\f@z{\csname f@z\romannumeral\n@i\endcsname}\s@l@cte} - -\def\s@l@ctg{\edef\g@x{\csname g@x\romannumeral\n@i\endcsname}% - \edef\g@z{\csname g@z\romannumeral\n@i\endcsname}\s@l@ctf} - -\def\ibu#1{\s@l@ctbeam#1\relax \i@bu} -\def\ibbu#1{\s@l@ctbeam#1\relax \s@l@ctc \i@bbu} -\def\ibbbu#1{\s@l@ctbeam#1\relax \s@l@ctd \i@bbbu} -\def\ibbbbu#1{\s@l@ctbeam#1\relax \s@l@cte \i@bbbbu} -\def\ibbbbbu#1{\s@l@ctbeam#1\relax \s@l@ctf \i@bbbbbu} - -\def\ibl#1{\s@l@ctbeam#1\relax \i@bl} -\def\ibbl#1{\s@l@ctbeam#1\relax \s@l@ctc \i@bbl} -\def\ibbbl#1{\s@l@ctbeam#1\relax \s@l@ctd \i@bbbl} -\def\ibbbbl#1{\s@l@ctbeam#1\relax \s@l@cte \i@bbbbl} -\def\ibbbbbl#1{\s@l@ctbeam#1\relax \s@l@ctf \i@bbbbbl} - -\def\i@bu#1#2{%\check@staff - \ifnum\b@n=\z@ \else \C@tb\t@bbu\qn@width \fi \global\b@n\m@ne - \inhgetn@i#1\relax \n@v#2 \C@ib+\global\advance\b@x\qd@skip} - -\def\i@bl#1#2{%\check@staff - \ifnum\b@n=\z@ \else \C@tb\t@bbl\lthick \fi \global\b@n\@ne - \inhgetn@i#1\relax \n@v#2 \C@ib-} - -\def\C@ib#1{\max@n@v\nin@\min@n@v{-\nin@}\global\b@p\n@v % clip slope number - \getcurpos \global\b@x\y@v \b@z#14.333\interbeam \advance\b@z\altportee - \pl@base \global\advance\b@z\y@i} - -\def\C@ba#1#2{\global\advance#1#2\interbeam} - -\def\i@bbu#1#2{\ifnum\b@n=\z@ \i@bu{#1}{#2}\C@ba\b@z\@ne \fi\n@bbu} -\def\i@bbl#1#2{\ifnum\b@n=\z@ \i@bl{#1}{#2}\C@ba\b@z\m@ne \fi\n@bbl} - -\def\i@bbbu#1#2{\ifnum\b@n=\z@ - \i@bbu{#1}{#2}\C@ba\b@z\@ne \C@ba\c@z\@ne \fi\n@bbbu} -\def\i@bbbl#1#2{\ifnum\b@n=\z@ - \i@bbl{#1}{#2}\C@ba\b@z\m@ne \C@ba\c@z\m@ne \fi\n@bbbl} - -\def\i@bbbbu#1#2{\ifnum\b@n=\z@ - \i@bbbu{#1}{#2}\C@ba\b@z\@ne \C@ba\c@z\@ne \C@ba\d@z\@ne \fi\n@bbbbu} -\def\i@bbbbl#1#2{\ifnum\b@n=\z@ - \i@bbbl{#1}{#2}\C@ba\b@z\m@ne \C@ba\c@z\m@ne \C@ba\d@z\m@ne \fi\n@bbbbl} - -\def\i@bbbbbu#1#2{\ifnum\b@n=\z@ - \i@bbbbu{#1}{#2}\C@ba\b@z\@ne \C@ba\c@z\@ne \C@ba\d@z\@ne \C@ba\e@z\@ne \fi\n@bbbbbu} -\def\i@bbbbbl#1#2{\ifnum\b@n=\z@ - \i@bbbbl{#1}{#2}\C@ba\b@z\m@ne \C@ba\c@z\m@ne \C@ba\d@z\m@ne \C@ba\e@z\m@ne \fi\n@bbbbbl} - -%%% changing beams - -\def\Dec@b#1#2{\ifnum\b@n=#1#2\fi\ifnum\b@n=-#1#2\fi} - -%!\def\nbbu#1{\s@l@ctbeam#1\relax \s@l@ctc \ifnum\b@n>-\tw@ \ifnum\b@n<\tw@ \n@bbu \fi \fi } -%!\def\nbbl#1{\s@l@ctbeam#1\relax \s@l@ctc \ifnum\b@n>-\tw@ \ifnum\b@n<\tw@ \n@bbl \fi \fi } - -\def\nbbu#1{\s@l@ctbeam#1\relax \s@l@ctc \n@bbu} -\def\nbbl#1{\s@l@ctbeam#1\relax \s@l@ctc \n@bbl} - -\def\nbbbu#1{\s@l@ctbeam#1\relax \s@l@ctd \Dec@b\@ne\n@bbu \Dec@b\tw@\n@bbbu} -\def\nbbbl#1{\s@l@ctbeam#1\relax \s@l@ctd \Dec@b\@ne\n@bbl \Dec@b\tw@\n@bbbl} - -\def\nbbbbu#1{\s@l@ctbeam#1\relax \s@l@cte - \Dec@b\@ne\n@bbu \Dec@b\tw@\n@bbbu \Dec@b\thr@@\n@bbbbu} -\def\nbbbbl#1{\s@l@ctbeam#1\relax \s@l@cte - \Dec@b\@ne\n@bbl \Dec@b\tw@\n@bbbl \Dec@b\thr@@\n@bbbbl} - -\def\nbbbbbu#1{\s@l@ctbeam#1\relax \s@l@ctf - \Dec@b\@ne\n@bbu \Dec@b\tw@\n@bbbu \Dec@b\thr@@\n@bbbbu \Dec@b\f@ur\n@bbbbbu} -\def\nbbbbbl#1{\s@l@ctbeam#1\relax \s@l@ctf - \Dec@b\@ne\n@bbl \Dec@b\tw@\n@bbbl \Dec@b\thr@@\n@bbbbl \Dec@b\f@ur\n@bbbbbl} - -\def\n@bbu{\C@nb\c@z\c@x\@ne\qd@skip} -\def\n@bbl{\C@nb\c@z\c@x\@ne\z@} -\def\n@bbbu{\C@nb\d@z\d@x\tw@\qd@skip} -\def\n@bbbl{\C@nb\d@z\d@x\tw@\z@} -\def\n@bbbbu{\C@nb\e@z\e@x\thr@@\qd@skip} -\def\n@bbbbl{\C@nb\e@z\e@x\thr@@\z@} -\def\n@bbbbbu{\C@nb\f@z\f@x\f@ur\qd@skip} -\def\n@bbbbbl{\C@nb\f@z\f@x\f@ur\z@} - -\def\C@nb#1#2#3#4{% - \global#1\b@z - \ifnum\b@n<\z@ \global\advance\b@n\m@ne \global\advance#1-#3\interbeam \fi - \ifnum\b@n>\z@ \global\advance\b@n\@ne \C@ba#1#3\fi - {\advance\locx@skip#4\getcurpos \global#2\y@v - \advance\y@v-\b@x \comp@slope\y@v \global\advance#1\s@lope}} - -%%% beam termination - -\def\b@adjust{\ifdim\y@ii>\tw@\y@ \advance\y@\y@ \advance\n@vi\@ne \fi} - -\def\@beam{% \y@ii : longueur, \b@p : pente, \y@i : altitude - \ifnum\b@p=\z@ -% slope zero - \y@iii\y@i\y@iv\y@i - \advance\y@iii-\b@amthick \advance\y@iv\b@amthick - \vrule\@height\y@iv\@depth-\y@iii\@width\y@ii - \else\n@vi\z@ -% slope offset - \ifnum\b@p>\z@ \n@vi\b@p \multiply\n@vi\si@ \advance\n@vi-\si@ \fi - \ifnum\b@p<\z@ \n@vi-\b@p \multiply\n@vi\si@ \advance\n@vi58\fi -% find longest possible character to avoid patchwork - \y@\tw@\p@ - \b@adjust \b@adjust \b@adjust \b@adjust \b@adjust - \advance\n@vi\@cxxviii - \chardef\b@alk\n@vi\musixfont -% -% \curwidth=0pt \curheight=\y@i \curxpos=\completewidth -% \loop\ifdim\curwidth<\completewidth -% \advance\curxpos by -\beamwidth -% \ifdim\curxpos<0pt -% \comp@slope\curxpos -% \advance\curheight by \s@lope \kern\curxpos \fi -% \raise\curheight\hbox{\b@alk}% -% \advance\curwidth by \beamwidth -% \comp@slope\beamwidth -% \advance\curheight by \s@lope -% \repeat \fi -% - \y@iv\z@ \y@iii\y@i \y@v\y@ii - \loop\ifdim\y@iv<\y@ii - \advance\y@v-\y@ - \ifdim\y@v<\z@ \comp@slope\y@v \advance\y@iii\s@lope \kern\y@v \fi - \raise\y@iii\hbox{\b@alk}% - \advance\y@iv\y@ \comp@slope\y@ \advance\y@iii\s@lope - \repeat \fi} - -\def\s@l@ctcde{\s@l@ctc \s@l@ctd \s@l@cte \s@l@ctf } - -\def\tbu#1{\s@l@ctbeam#1\relax \C@tb\t@bbu\qn@width } -\def\tbbu#1{\s@l@ctbeam#1\relax \s@l@ctcde \t@bbu} -\def\tbbbu#1{\s@l@ctbeam#1\relax \s@l@ctcde \t@bbbu} -\def\tbbbbu#1{\s@l@ctbeam#1\relax \s@l@ctcde \t@bbbbu} -\def\tbbbbbu#1{\s@l@ctbeam#1\relax \s@l@ctcde \t@bbbbbu} - -\def\tbl#1{\s@l@ctbeam#1\relax \C@tb\t@bbl\lthick } -\def\tbbl#1{\s@l@ctbeam#1\relax \s@l@ctcde \t@bbl} -\def\tbbbl#1{\s@l@ctbeam#1\relax \s@l@ctcde \t@bbbl} -\def\tbbbbl#1{\s@l@ctbeam#1\relax \s@l@ctcde \t@bbbbl} -\def\tbbbbbl#1{\s@l@ctbeam#1\relax \s@l@ctcde \t@bbbbbl} - -\def\beam@pos#1{\getcurpos\y@ii\y@v\advance\y@ii-#1} - -\def\C@tb#1#2{% - \n@ii\b@n \ifnum\n@ii<\z@ \n@ii-\n@ii \fi - \ifcase\n@ii \or \or \s@l@ctc \or \s@l@ctd \or \s@l@cte \or \s@l@ctf \or \s@l@ctg\fi - \ifnum\b@n<\m@ne #1\fi - \ifnum\b@n>\@ne #1\fi - \y@i\b@z \advance\y@i-\altportee \beam@pos\b@x - \advance\y@ii#2\relax - \check@staff - \llap{\@beam\kernm#2}\relax - \fi\global\b@n\z@} - -\def\t@bbu{\n@v\tw@ \C@b\t@bbbu\n@bbu\y@i\c@z \beam@pos\c@x \t@xbu} -\def\t@bbl{\n@v\tw@ \C@b\t@bbbl\n@bbl\y@i\c@z \beam@pos\c@x \t@xbl} - -\def\t@bbbu{\n@v\thr@@ \C@b\t@bbbbu\n@bbbu\y@i\d@z \beam@pos\d@x \t@xbu} -\def\t@bbbl{\n@v\thr@@ \C@b\t@bbbbl\n@bbbl\y@i\d@z \beam@pos\d@x \t@xbl} - -\def\t@bbbbu{\n@v\f@ur \C@b\t@bbbbbu\n@bbbbu\y@i\e@z \beam@pos\e@x \t@xbu} -\def\t@bbbbl{\n@v\f@ur \C@b\t@bbbbbl\n@bbbbl\y@i\e@z \beam@pos\e@x \t@xbl} - -\def\t@bbbbbu{\n@v\fiv@ \C@b\empty\n@bbbbbu\y@i\f@z \beam@pos\f@x \t@xbu} -\def\t@bbbbbl{\n@v\fiv@ \C@b\empty\n@bbbbbl\y@i\f@z \beam@pos\f@x \t@xbl} - -\def\C@b#1#2{% - \n@ii\b@n \ifnum\n@ii<\z@ \n@ii-\n@ii \fi - \ifnum\n@ii>\n@v #1\fi - \loop - \advance\n@v\m@ne - \ifnum\n@ii=\n@v {\advance\locx@skip-\qn@width#2}\fi - \ifnum\n@v>\@ne \repeat} - -\def\t@xbu{\C@txb\qn@width\interbeam\b@amthick\qd@skip>} -\def\t@xbl{\C@txb\lthick\b@amthick\interbeam\hlthick<} - -\def\C@txb#1#2#3#4#5{\advance\y@i-\altportee - \advance\y@ii#1\relax - \check@staff - \llap{\@beam\kernm#1}% - \ifnum\b@n#5\z@ \comp@slope\y@ii \advance\y@i\s@lope - \raise\y@i\rlap{\kern#4\vrule\@height#3\@depth#2\@width\lthick}\relax - \fi - \fi - \ifnum\b@n<\z@ \global\advance\b@n\@ne \fi - \ifnum\b@n>\z@ \global\advance\b@n\m@ne \fi} - -%%% semiautomatic beams - -% adjustable beam slopes -% #1: beam number -% #2: starting pitch -% #3: ending pitch, -% #4: extension (number of \noteskip's) - -\def\Ibu#1{\s@l@ctbeam#1\relax\I@bu\i@bu} -\def\Ibl#1{\s@l@ctbeam#1\relax\I@bl\i@bl} -\def\Ibbu#1{\s@l@ctbeam#1\relax \s@l@ctc \I@bu\i@bbu} -\def\Ibbl#1{\s@l@ctbeam#1\relax \s@l@ctc \I@bl\i@bbl} -\def\Ibbbu#1{\s@l@ctbeam#1\relax \s@l@ctd \I@bu\i@bbbu} -\def\Ibbbl#1{\s@l@ctbeam#1\relax \s@l@ctd \I@bl\i@bbbl} -\def\Ibbbbu#1{\s@l@ctbeam#1\relax \s@l@cte \I@bu\i@bbbbu} -\def\Ibbbbl#1{\s@l@ctbeam#1\relax \s@l@cte \I@bl\i@bbbbl} -\def\Ibbbbbu#1{\s@l@ctbeam#1\relax \s@l@cte \I@bu\i@bbbbbu} -\def\Ibbbbbl#1{\s@l@ctbeam#1\relax \s@l@cte \I@bl\i@bbbbbl} - -% compute altitude difference of tried beam in \y@iv -% and compare with notes altitude difference - -\def\@@chk{\y@iv.05\y@v \multiply\y@iv\n@viii} - -\def\I@buuchk{\@@chk - \ifdim\y@iv>\n@ii\internote \advance\n@viii\m@ne \I@buuchk \fi - \ifnum\n@viii>\nin@ \advance\n@i\@ne \advance\n@ii\m@ne \I@buuchk \fi} - -\def\I@bldchk{\@@chk - \ifdim\y@iv<\n@ii\internote \advance\n@viii\@ne \I@bldchk \fi - \ifnum\n@viii<-\nin@ \advance\n@i\m@ne \advance\n@ii\@ne \I@bldchk \fi} - -\def\I@budchk{\@@chk - \ifdim\y@iv<\n@ii\internote \advance\n@viii\@ne \I@budchk \fi} - -\def\I@bluchk{\@@chk - \ifdim\y@iv>\n@ii\internote \advance\n@viii\m@ne \I@bluchk \fi} - -\def\I@bu{\let\@Ti\I@buuchk \let\@Tii\I@budchk \C@Ib} -\def\I@bl{\let\@Ti\I@bluchk \let\@Tii\I@bldchk \C@Ib} - -\def\C@Ib#1#2#3#4{{\n@v#4\relax \min@n@v\@ne - \inhgetn@i#3\relax\n@ii\n@i - \inhgetn@i#2\relax\advance\n@ii-\n@i - \y@v\noteskip \multiply\y@v\n@v - \ifnum\n@ii=\z@ #1{#2}0% - \else - \ifnum\n@ii>\z@ \n@viii\t@n \@Ti\else\n@viii-\t@n \@Tii \fi - \edef\I@boper{\noexpand#1{\the\n@i}{\the\n@viii}\relax}\I@boper - \fi}} - -% sets of double notes with computed slopes - -\def\B@h{\let\B@ii\tqh} -\def\B@b{\let\B@ii\tqb} - -\def\Dqbu{\let\B@i\Ibu \B@h\C@Dq} -\def\Dqbl{\let\B@i\Ibl \B@b\C@Dq} -\def\Dqbbu{\let\B@i\Ibbu \B@h\C@Dq} -\def\Dqbbl{\let\B@i\Ibbl \B@b\C@Dq} - -\def\C@Dq#1#2{\B@i0{#1}{#2}1\qb0{#1}\B@ii0{#2}} - -% sets of triple notes with computed slopes - -\def\Tqbu{\let\B@i\Ibu \B@h\C@Tq} -\def\Tqbl{\let\B@i\Ibl \B@b\C@Tq} -\def\Tqbbu{\let\B@i\Ibbu \B@h\C@Tq} -\def\Tqbbl{\let\B@i\Ibbl \B@b\C@Tq} - -\def\C@Tq#1#2#3{\B@i0{#1}{#3}2\qb0{#1#2}\B@ii0{#3}} - -% sets of quadruple notes with computed slopes - -\def\Qqbu{\let\B@i\Ibu \B@h\C@Qq} -\def\Qqbl{\let\B@i\Ibl \B@b\C@Qq} -\def\Qqbbu{\let\B@i\Ibbu \B@h\C@Qq} -\def\Qqbbl{\let\B@i\Ibbl \B@b\C@Qq} - -\def\C@Qq#1#2#3#4{\B@i0{#1}{#4}3\qb0{#1#2#3}\B@ii0{#4}} - -%%% duration points - -\def\pt{\g@pt\@ne\z@} -\def\ppt{\g@pt\@ne\@ne} -\def\pppt{\g@pt\@ne\tw@} - -\def\lpt{\g@pt\m@ne\z@} -\def\lppt{\g@pt\m@ne\@ne} -\def\lpppt{\g@pt\m@ne\tw@} - - -% Shifted, pointed chord notes -% -\def\lhp#1{\loff{\zhp{#1}}} -\def\rhp#1{\roff{\zhp{#1}}} -\def\lqp#1{\loff{\zqp{#1}}} -\def\rqp#1{\roff{\zqp{#1}}} -\def\rhpp#1{\roff{\zhpp{#1}}} -\def\lhpp#1{\loff{\zhpp{#1}}} -\def\rqpp#1{\roff{\zqpp{#1}}} -\def\lqpp#1{\loff{\zqpp{#1}}} - -\def\g@pt#1#2#3{\check@staff - \inhgetn@i#3\relax \relax % two \relax since the first one - \ifnum\n@i<\@c % in swallowed by \inhgetn@i - \ifodd\n@i \else\advance\n@i#1\fi - \pl@base \raise\y@i\hbox{\musixchar#2}\fi\fi} - -%%% rests - -\def\wholeshift#1{\roffset{\p@ne25}{#1}} - -\def\centerbar#1{\y@ii\lin@pos \advance\y@ii-\lastbarpos \advance\y@ii\cut@v - \kern-\h@lf\y@ii\lrlap{#1}\kern\h@lf\y@ii}% - - -\def\cpause{\hbox{\ccn{6}{\musixchar61}}} -\def\chpause{\hbox{\ccn{4}{\musixchar60}}} -\def\cPAuse{\hbox{\ccn{0}{\musixchar58}}} -\def\cPAUSe{\hbox{\ccn{0}{\musixchar59}}} - -\def\cHpause#1{% 1.21 RDT -\y@ii\lin@pos \advance\y@ii-\lastbarpos% -\def\v@rtpart{\hbox{\vrule width.6pt height1.5\internote depth1.5\internote}}% -\def\h@rizpart{\hbox{\vrule width0.35\y@ii height.5\internote depth.5\internote}}% -\raise4\internote\hbox{\v@rtpart\h@rizpart\ccn5{\meterfont{#1}}\h@rizpart\v@rtpart}}% - -\def\centerpause{\centerbar{\cpause}} -\def\centerhpause{\centerbar{\chpause}} -\def\centerPAuse{\centerbar{\cPAuse}} -\def\centerPAUSe{\centerbar{\cPAUSe}} -\def\centerHpause#1{\centerbar{\cHpause{#1}}} - -\def\C@ps#1#2#3{\n@viii#3\multiply\n@viii\tw@ - \advance\n@viii#2\raise\n@viii\internote \hbox{\musixchar#1}} -\def\C@pspt#1#2#3{\n@viii#3\multiply\n@viii\tw@ - \advance\n@viii#2\raise\n@viii\internote \hbox{\musixchar#1\relax - \ifnum #1=\t@n\relax \raise 0.7\internote\hbox{\kern 0.2\qn@width\musixchar0}% - \else \raise -0.7\internote\hbox{\kern 0.2\qn@width\musixchar0}% - \fi}% - } - -\def\PAUSe{\adv@box{\musixchar59}} -\def\PAuse{\adv@box{\musixchar58}} - -\def\pause{\check@staff - \adv@box{\raise\si@\internote\hbox{\musixchar61}}\fi} -\def\pausep{\wholeshift{\pt5}\pause} -\def\liftpause{\C@ps\@l@v@n\si@} -\def\liftpausep{\C@pspt\@l@v@n\si@} - -\def\hpause{\check@staff - \adv@box{\raise\f@ur\internote\hbox{\musixchar60}}\fi} -\let\hp\hpause -\def\hpausep{\wholeshift{\pt5}\hpause} -\let\hpp\hpausep -\def\lifthpause{\C@ps\t@n\f@ur} -\def\lifthpausep{\C@pspt\t@n\f@ur} - -\newdimen\lift@rest -\def\adv@restbox#1{\hbox{\lift@rest 5\internote - \advance\lift@rest -2.5\fontdimen\fiv@\musixfont - \raise\lift@rest\hbox\@to\noteskip{#1\hss}}\advance\locx@skip\noteskip} - -\def\qp{\adv@restbox{\check@staff\musixchar62\fi}} -\let\soupir\qp - -%\def\ds@oup{\adv@restbox{\check@staff\musixchar63\fi}} % why? RDT 1.27 -\def\ds{\adv@restbox{\check@staff\musixchar63\fi}} -\def\qs{\adv@restbox{\check@staff\musixchar64\fi}} -\def\hs{\adv@restbox{\check@staff\musixchar65\fi}} -\def\qqs{\adv@restbox{\check@staff\musixchar66\fi}} - -% pointed rests version 1.16 RDT -\def\qpp{\adv@restbox{\check@staff\pt5\musixchar62\fi}} -\def\dsp{\adv@restbox{\check@staff\pt5\musixchar63\fi}} -\def\qsp{\adv@restbox{\check@staff\pt5\musixchar64\fi}} -\def\hsp{\adv@restbox{\check@staff\pt5\musixchar65\fi}} -\def\qqsp{\adv@restbox{\check@staff\pt5\musixchar66\fi}} - -% double-dotted rests version 1.17 RDT - -\def\pausepp{\wholeshift{\ppt5}\pause} -\def\hpausepp{\wholeshift{\ppt5}\hpause} -\let\hppp\hpausepp -\def\qppp{\adv@restbox{\check@staff\ppt5\musixchar62\fi}} -\def\dspp{\adv@restbox{\check@staff\ppt5\musixchar63\fi}} -\def\qspp{\adv@restbox{\check@staff\ppt5\musixchar64\fi}} -\def\hspp{\adv@restbox{\check@staff\ppt5\musixchar65\fi}} -\def\qqspp{\adv@restbox{\check@staff\ppt5\musixchar66\fi}} - -% copied from musixlit.tex: version 1.21 RDT - -\def\Hpause#1#2{\zcharnote{#1}{\def\s@r{% -\vrule\@width.6\p@\@height1\h@lf\internote\@depth1\h@lf\internote}\s@r% -\vrule\@width#2\noteskip\@height\h@lf\internote\@depth\h@lf\internote\s@r}} - -%%% accidentals - -\newskip\accshift - -\def\bigaccid{\let\small@test\iftrue} -\def\smallaccid{\let\small@test\iffalse} -\def\varaccid{\def\small@test{\ifdim\noteskip>1\p@seven\qn@width}} - -\varaccid % accidents de taille variable - -\def\na#1{\small@test\bigna{#1}\else\smallna{#1}\fi} -\def\fl#1{\small@test\bigfl{#1}\else\smallfl{#1}\fi} -\def\sh#1{\small@test\bigsh{#1}\else\smallsh{#1}\fi} -\def\dfl#1{\small@test\bigdfl{#1}\else\smalldfl{#1}\fi} -\def\dsh#1{\small@test\bigdsh{#1}\else\smalldsh{#1}\fi} - -% n@vi char pos of cautionpar (normal=5, doubleflat=6) -% n@v offset to char pos (flat=0, dflat=1, sharp=2, dsharp=3, natural=4) -% n@vi offset to char pos (big=0, small=60) -% n@vii =maxdimen -> cautionacctrue - -\def\writ@ba{\pl@base\raise\y@i\llap{\musixchar\n@v\kern\accshift}} -\def\set@ba{\let\@Ti\writ@ba \n@vi\z@} - -\def\bigna{\set@ba \let\@Tii\@Na \n@v\f@ur \C@acc} -\def\bigfl{\set@ba \let\@Tii\@Fl \n@v\z@ \C@acc} -\def\bigsh{\set@ba \let\@Tii\@Sh \n@v\tw@ \C@acc} -\def\bigdfl{\set@ba \let\@Tii\@dFl \n@v\@ne \C@acc} -\def\bigdsh{\set@ba \let\@Tii\@dSh \n@v\thr@@ \C@acc} - -\def\@sa{\ifnum\n@vii=\maxdimen \C@ChaR \musixchar\n@v \kern.3\qn@width - \else \musixchar\n@v \fi \n@vii\z@} - -\def\smallna{\set@sa \let\@Tii\@Na \n@v\f@ur \C@acc} -\def\smallfl{\set@sa \let\@Tii\@Fl \n@v\z@ \C@acc} -\def\smallsh{\set@sa \let\@Tii\@Sh \n@v\tw@ \C@acc} -\def\smalldfl{\set@sa \n@iv\si@ \let\@Tii\@dFl \n@v\@ne \C@acc} -\def\smalldsh{\set@sa \let\@Tii\@dSh \n@v\thr@@ \C@acc} - -\def\cna{\set@ca \let\@Tii\@Na \n@v\f@ur \C@acc} % version 1.16 HM -\def\cfl{\set@ca \let\@Tii\@Fl \n@v\z@ \C@acc} -\def\csh{\set@ca \let\@Tii\@Sh \n@v\tw@ \C@acc} -\def\cdfl{\set@ca \n@iv\si@ \let\@Tii\@dFl \n@v\@ne \C@acc} -\def\cdsh{\set@ca \let\@Tii\@dSh \n@v\thr@@ \C@acc} -% -\def\writ@sa{\pl@base\raise\y@i\llap{\musixchar\n@v\kern\accshift}} -\def\set@sa{\let\@Ti\writ@sa \n@iv\fiv@ \n@vi\@xl } -\def\writ@ca{\pl@base\raise\y@i\llap{\C@ChaR \musixchar\n@v\kern.3\qn@width\kern\accshift}} -\def\set@ca{\let\@Ti\writ@ca \n@iv\fiv@ \n@vi\@xl } - -\def\writ@ua{\advance\n@i\thr@@ \zchar\n@i{\kern\qu@rt\qn@width\@sa}} -\def\set@upper{\let\@Ti\writ@ua \n@iv\fiv@ \n@vi\@xl } - -\def\upperna{\set@upper \let\@Tii\@Na \n@v\f@ur \C@acc} -\def\upperfl{\set@upper \let\@Tii\@Fl \n@v\z@ \C@acc} -\def\uppersh{\set@upper \let\@Tii\@Sh \n@v\tw@ \C@acc} - -\def\@Na{\ifcase\n@ii \n@v\tw@ \or \n@v\f@ur \or \n@v\z@ \fi} -\def\@Fl{\ifcase\n@ii \n@v\f@ur \or \n@v\z@ \or \n@v\@ne \fi} -\def\@Sh{\ifcase\n@ii \n@v\thr@@ \or \n@v\tw@ \or \n@v\f@ur \fi} -\def\@dFl{\ifcase\n@ii \n@v\z@ \or \n@v\@ne \or - \message{\@nod flatten \noexpand\dfl \t@ruc}\let\@Ti\empty \fi} -\def\@dSh{\ifcase\n@ii - \message{\@nod sharpen \noexpand\dsh \t@ruc}\let\@Ti\empty - \or \n@v\thr@@ \or \n@v\tw@ \fi} - -\def\C@acc#1{% - \check@staff - \inhgetn@i#1\relax - \ifx\rel@sw\@ne - \s@l@ctsigns \n@iii\n@i - \advance\n@iii-\ut@ref \advance\n@iii-\ut@ref - \loop\ifnum\n@iii>\si@ \advance\n@iii-\s@v@n \repeat - \loop\ifnum\n@iii<\z@ \advance\n@iii\s@v@n \repeat - \ifcase\n@iii - \n@ii\si@ % mi - \or\n@ii\@ne % fa - \or\n@ii\thr@@ % sol - \or\n@ii\fiv@ % la - \or\n@ii\s@v@n % si - \or\n@ii\tw@ % do - \or\n@ii\f@ur % re - \fi -% \n@ii positive signature limit, \n@ii-8 negative signature limit - \advance\n@ii-\a@s \advance\n@ii\si@ \divide\n@ii\s@v@n - \@Tii - \fi \advance\n@v\@l \advance\n@v\n@vi \expandafter\@Ti % [version 1.15] (Hiroaki) - \fi} - -\def\@nod{Can't double } - -\def\relativeaccid{\let\rel@sw\@ne } -\def\absoluteaccid{\let\rel@sw\empty } -\absoluteaccid - -\def\lna#1{\loffset\smallvalue{\na{#1}}} -\def\lfl#1{\loffset\smallvalue{\fl{#1}}} -\def\lsh#1{\loffset\smallvalue{\sh{#1}}} -\def\ldfl#1{\loffset\smallvalue{\dfl{#1}}} -\def\ldsh#1{\loffset\smallvalue{\dsh{#1}}} - -%%% arpeggio - -\def\arpeggio#1#2{\zcharnote{#1}{% - \uplap{\leaders\hbox{\musixchar70}\vskip#2\Interligne}}} -\def\larpeggio#1#2{\loffset\smallvalue{\arpeggio{#1}{#2}}} - -%%% ornaments, special signs - -\def\@Char#1{\zcharnote{#1}\C@ChaR} - -\def\backturn{\n@iv67\@Char} -\def\turn{\n@iv68\@Char} -\def\duevolte{{\keychar78}} -\def\caesura{\llap{\musixchar79\kern\h@lf\noteskip}} -\def\coda{\n@iv85\C@coda} -\def\Coda{\n@iv105\C@coda} -\def\C@coda#1{\llap{\@Char{#1}\kern\afterruleskip}} -\def\segno{\n@iv86\@Char} -\def\Segno{{\keychar110}} -\def\shake{\n@iv87\@Char} -\def\Shake{\n@iv88\@Char} -\def\Shakel{\n@iv106\@Char} -\def\Shakenw{\n@iv107\@Char} -\def\Shakesw{\n@iv108\@Char} -\def\Shakene{\n@iv109\@Char} -\def\mordent{\n@iv89\@Char} -\def\Mordent{\n@iv119\@Char} -\def\doublethumb{\n@iv121\@Char} -\def\trt#1{\loffset{0.65}{\shake{#1}}\roffset{0.65}{\mordent{#1}}} - - -\def\tr#1{\loffset{0.15}{\zcn{#1}{\ppff tr}}} % \loffset added version 1.23 RDT -\def\xtr#1{\raise1.25\internote\hbox{\n@iv111\zcn{#1}\C@ChaR}} % added version 1.23 RDT -\def\ptr#1{\raise1.25\internote\hbox{\n@iv117\zcn{#1}\C@ChaR}} % added version 1.23 RDT -%\def\Xtr#1{\wholeshift{\xtr{#1}}} % unnecessary? - -%%% accents - -\def\upbow{{\musixfont\@xxiii}} -\def\downbow{{\musixchar22}} - -\def\flageolett{\n@iv120\uacc@Char} -\def\usfz{\n@iv\tw@nty \uacc@Char} -\def\lsfz{\n@iv21\lacc@Char} -\def\dsfz{\lsfz} -\def\upz{\n@iv\@xxiv \uacc@Char} -\def\lpz{\n@iv\@xxv \lacc@Char} -\def\dpz{\lpz} -\def\ust{\n@iv\@xxvi \uacc@Char} -\def\lst{\n@iv\@xxvii \lacc@Char} -\def\dst{\lst} -\def\uppz{\n@iv28\uacc@Char} -\def\lppz{\n@iv\@xxix \lacc@Char} -\def\dppz{\lppz} -\def\usf{\n@iv30\uacc@Char} -\def\lsf{\n@iv31\lacc@Char} -\def\dsf{\lsf} -\def\upzst{\n@iv18\uacc@Char} -\def\lpzst{\n@iv19\lacc@Char} -\def\dpzst{\lpzst} - -\def\uacc@Char#1{\check@staff - \inhgetn@i#1\relax \relax - \ifnum\n@i<\@ight \ifodd\n@i \else\advance\n@i\@ne \fi \fi - \zchar\n@i\C@ChaR - \fi} - -\def\lacc@Char#1{\check@staff - \inhgetn@i#1\relax \relax - \ifnum\n@i>\@ne \ifodd\n@i \else\advance\n@i\m@ne \fi \fi - \zchar\n@i\C@ChaR - \fi} - -\def\C@ChaR{\musixfont\char\n@iv} - - %%% accents on beams (correction proposed by Klaus Bechert) - -\def\acc@ubalk{\acc@balk>\@ne} -\def\acc@lbalk{\acc@balk<\m@ne} -\def\acc@balk#1#2#3{\s@l@ctbeam#3\relax \getcurpos \advance\y@v\txt@ff - \advance\y@v-\b@x \y@ii\b@p\y@v \divide\y@ii\tw@nty \advance\y@ii\b@z - \ifnum\b@n#1#2\relax \advance\y@ii\b@n\interbeam - \advance\y@ii-#2\interbeam \fi - \advance\y@ii-\altportee \raise\y@ii\rlap\balk@accent} -\let\balk@accent\C@ChaR - -%\def\bflageolett{\n@iv120\acc@ubalk} -\def\busfz{\n@iv\tw@nty \acc@ubalk} -\def\blsfz{\n@iv21\acc@lbalk} -%\def\bdownbow{\n@iv22\acc@ubalk} -%\def\bupbow{\n@iv\@xxiii \acc@lbalk} -\def\bupz{\n@iv\@xxiv \acc@ubalk} -\def\blpz{\n@iv\@xxv \acc@lbalk} -\def\bust{\n@iv\@xxvi \acc@ubalk} -\def\blst{\n@iv\@xxvii \acc@lbalk} -\def\buppz{\n@iv28\acc@ubalk} -\def\blppz{\n@iv\@xxix \acc@lbalk} -\def\busf{\n@iv30\acc@ubalk} -\def\blsf{\n@iv31\acc@lbalk} -%\def\bupzst{\n@iv18\acc@ubalk} -%\def\blpzst{\n@iv19\acc@lbalk} - -% The next macros puts triplets (and others def'd with \txt) on beams - -\def\butext#1{\txt@ff\qn@width - \def\balk@accent{\uplap{\lrlap{\kern\tw@\txt@ff\txtfont\txt}\kern\internote}}% - \acc@ubalk{#1}\txt@ff\h@lf\qn@width \let\balk@accent\C@ChaR} - -\def\bltext#1{\txt@ff\z@ - \def\balk@accent{\vbox\@to\z@{\kern\internote\txtfont\lrlap\txt\vss}}% - \acc@lbalk{#1}\txt@ff\h@lf\qn@width \let\balk@accent\C@ChaR} - -%%% end of accents on beams (correction proposed by Klaus Bechert) - -%%% crescendo, decrescendo - -% These macros puts variable size (de)crescendo marks. -% \(de)crescendo{#1} #1=length (any TeX dimension, max 192pt(\simeq 68mm)) - -\def\C@cresc#1{\y@iv#1\n@v\y@iv - \sp@pt\@ne \advance\n@v\thr@@ % sp->pt round up - \divide\n@v\si@ % the next is 6pt(notehead) wider - \max@n@v\@xxxii - \min@n@v\@ne % clip to extremities - \advance\n@v\n@ii % first character position (-1) - \mxsps\char\n@v} - -\def\crescendo{\n@ii\@lxxxiii \C@cresc} -\def\decrescendo{\n@ii\@cxv \C@cresc} - -\newskip\@icresc -\def\icresc{\getcurpos\global\@icresc\y@v } -\def\tcresc{\n@ii\@lxxxiii \C@cre} -\def\tdecresc{\n@ii\@cxv \C@cre} -\def\C@cre{\getcurpos\advance\y@v-\@icresc \kernm\y@v\C@cresc\y@v\kern\y@v} - -%%% pedal signs - -\def\raiseped{-5} - -\def\sPed{\musixchar34} -\def\sPED{% -\zchar\raiseped\sPed% -\getcurpos\advance\y@v1.6ex\global\pdl@pos\y@v% -\xdef\pdl@instr{\the\noinstrum@nt}\xdef\pdl@staff{\the\noport@@}% save current instrument and staff -} - -\def\Ped{\musixchar35} -\def\PED{% -\zchar\raiseped\Ped% -\getcurpos\advance\y@v2.8ex\global\pdl@pos\y@v% -\xdef\pdl@instr{\the\noinstrum@nt}\xdef\pdl@staff{\the\noport@@}% save current instrument and staff -} -\def\Dep{\musixchar33} -\def\DEP{% -\zchar\raiseped\Dep% -\global\pdl@pos\z@% -} -\def\sDep{\musixchar104} -\def\sDEP{% -\zchar\raiseped\sDep% -\global\pdl@pos\z@% -} - -%%% pedal brackets version 1.21 RDT -%% -%% \pdld pedal down -%% \pdlu pedal up -%% \pdlud pedal up and immediately down - -\newdimen\pdl@pos % cursor position for pedal down -\global\pdl@pos\z@ - -\def\pdld{\hbox{\hroff{% -\raise\raiseped\internote\hbox{\vrule height2ex depth0.5pt width0.5pt}% -\getcurpos\global\pdl@pos\y@v% -% save current instrument and staff -\xdef\pdl@instr{\the\noinstrum@nt}\xdef\pdl@staff{\the\noport@@}% -}}}% - -\def\pdlu{\hbox{\hroff{\getcurpos\advance\y@v-\pdl@pos%% compute length of horizontal rule -\kern-\y@v% -\raise\raiseped\internote\hbox{% -\vrule height-0.5pt depth1pt width\y@v% -\vrule height2ex depth0.5pt width0.5pt %% pedal up -}}}% -\global\pdl@pos\z@}% - -\newbox\bigwedgebox % 1.22 RDT -\def\pdlud{\hbox{\hroff{\getcurpos\advance\y@v-\pdl@pos%% compute length of horizontal rule -\kern-\y@v% -\thinmuskip=2mu% -\setbox\bigwedgebox=\hbox{$\!\bigwedge\!$}% -\def\halfwidthbigwedge{0.5\wd\bigwedgebox}% -\advance\y@v-\halfwidthbigwedge% -\raise\raiseped\internote% -\hbox{% -\vrule height-0.5pt depth1pt width\y@v% draw horizontal rule -\kern\halfwidthbigwedge% -\raise0.33ex\lrlap{$\bigwedge$}% pedal up and down -}% -\getcurpos\advance\y@v\halfwidthbigwedge\global\pdl@pos\y@v% -}}}% - -%% cut pedal rule at line end -%% -% compute length of horizontal rule -\def\pdlc@{\getcurpos\advance\y@v-\pdl@pos% -\kern-\y@v\raise\raiseped\internote\hbox{% -\vrule height-0.5pt depth1pt width\y@v %% draw horizontal rule -}}% - -%%% fermata - -\def\fermataup{\n@iv80\@Char} -\def\fermatadown{\n@iv81\@Char} -% center on whole note -\def\Fermataup#1{\wholeshift{\fermataup{#1}}} -\def\Fermatadown#1{\wholeshift{\fermatadown{#1}}} - -%%% trills - -\def\trilleX{\let\T@i\empty \C@trille} -\let\trille\trilleX -\def\TrilleX{\def\T@i{\ppff tr }\C@trille} % 1.24 changed from \it RDT -\let\Trille\TrilleX -\def\C@trille#1#2{\zcharnote{#1}{\y@v#2\noteskip \trill@}} - -\let\maxtrilles\si@ -% \maxtrilles and \@itrille[i] are only for obsolete Legacy \trillC -% and \TrillC; not related with new register allocation code. Leave -% it as-is. [version 1.15] - -\newskip\@itrillei -\newskip\@itrilleii -\newskip\@itrilleiii -\newskip\@itrilleiv -\newskip\@itrillev -\newskip\@itrillevi - - %\def\s@l@cttrille#1\relax{% - % \n@i#1\relax \ifnum\n@i<\z@ \n@i\@c \fi - % \ifnum\n@i<\maxtrilles \else - % \n@i\z@ \errmessage{Wrong trill number!}\fi - % \advance\n@i\@ne - % \edef\@itrille{\csname @itrille\roman@n@i}% dimen (altportee) - % }% select trill - - -\def\itrille{\itrill@old{0}} -\def\ttrille{\ttrill@old{0}} -\def\tTrille{\tTrill@old{0}} - -\def\itrill@old#1{\s@l@cttrill#1\relax - \ifdim\tr@x < \maxdimen\errmessage{\@mis \noexpand\Ttrille \number #1}\fi - \getcurpos\global\tr@y\y@v} -\def\ttrill@old#1{\s@l@cttrill#1\relax - \message{\noexpand\tr@x=\the\tr@x, No. #1}% - \ifdim\tr@x < \maxdimen\else\errmessage{\@mis \noexpand\Itrille \number #1}\fi - \let\T@i\empty \C@tri} -\def\tTrill@old#1{\s@l@cttrill#1\relax - \message{\noexpand\tr@x=\the\tr@x, No. #1}% - \ifdim\tr@x < \maxdimen\else\errmessage{\@mis \noexpand\Itrille \number #1}\fi - \def\T@i{\ppff tr }\C@tri} % 1.24 changed from \it RDT - -\def\C@tri#1{\getcurpos\advance\y@v-\tr@y \kernm\y@v - \zcharnote{#1}\trill@\kern\y@v\let\T@i\empty\let\@itrille\undefined} -\def\trill@{\hbox\@to\y@v{\T@i\leaders\hbox{\musixchar69}\hfill}} - -%%%%%% - -% \let\maxtrills\si@ % here disabled to avoid conflict with new register allocation code -% [version 1.15] moved out to the new register allocation code -% \newskip\tr@xi \tr@xi\maxdimen\relax % starting horizontal pos -% \newtoks\tr@swi % heading of trill -% \newskip\tr@yi % height of trill - -\newcount\tr@number - -\def\tr@loop{\tr@number\z@ \loop\ifnum\tr@number<\maxtrills - \s@l@cttrill\tr@number\relax - \advance\tr@number\@ne } - -\def\s@l@cttrill#1\relax{% - \n@i#1\relax \ifnum\n@i<\z@ \n@i\@c \fi - \ifnum\n@i<\maxtrills \else - \count@\maxtrills \advance\count@\m@ne - \errmessage{Wrong trill reference number \the\n@i! (valid: 0 to \the\count@)}% [version 1.15] - \n@i\z@ % [version 1.15] - \fi - \advance\n@i\@ne - \xdef\tr@x{\csname tr@x\roman@n@i}% - \xdef\tr@y{\csname tr@y\roman@n@i}% - \xdef\tr@sw{\csname tr@sw\roman@n@i}% - }% select octiaviation line - -%\newskip\tr@x \tr@x\maxdimen\relax % starting horizontal pos -%\newskip\tr@y % height of trill - -\def\Itrille#1{\s@l@cttrill#1\relax - \ifdim\tr@x < \maxdimen\errmessage{\@mis \noexpand\Ttrille \number #1}\fi - \global\tr@sw={\relax}% - \C@T} -\def\ITrille#1{\s@l@cttrill#1\relax - \ifdim\tr@x < \maxdimen\errmessage{\@mis \noexpand\Ttrille \number #1}\fi - \global\tr@sw={{\ppff tr }}% 1.24 changed from \it RDT - \C@T} - -\def\C@T#1{% - \getcurpos\global\tr@x\y@v % store horizontal pos - \inhgetn@i#1\relax\pl@base\advance\y@i\altportee % get absolute height - \global\tr@y\y@i } - -\def\Ttrille#1{\s@l@cttrill#1\relax - \ifdim\tr@x < \maxdimen\else\errmessage{\@mis \noexpand\Itrille \number #1}\fi - \advance\tr@y-\altportee \let\T@ii\char \C@TR \global\tr@x\maxdimen } - \let\TTrille\Ttrille - -\def\C@TR{% - \ifx\T@ii\n@ii \y@v\lin@pos \else \getcurpos \fi - \advance\y@v-\tr@x \kernm\y@v \raise\tr@y\hbox\@to\y@v{% -% \the\tr@sw\xleaders\hbox{\musixchar69}\hfill\T@ii\n@ii}}% -% Correction by Julian Gilbey - \the\tr@sw\xleaders\hbox{\musixchar69}\hfill}}% - -%%% tremolos version 1.19 RDT -%%% based on code by Werner Icking and Andre van Ryckeghem -%%% version 1.20 RDT re-defined using \raise, suggested by JPC -%%% version 1.21 -%%% RDT changed beam numbers to 5, suggested by JPC -%%% RDT adjusted the vertical positions for 16th and 32nd tremolos -%%% version 1.24 -%%% RDT use new counter \tr@nspose to preserve changes to \transpose in an \hbox - -\newcount\tr@nspose % used to restore value of \transpose after closing an \hbox -\def\trml#1{\raise2\internote\hbox{\loffset{0.5}{\ibl5{#1}9}\roffset{0.5}{\tbl5}\global\tr@nspose\transpose}\transpose\tr@nspose}% -\def\trmu#1{\raise-3\internote\hbox{\loffset{0.5}{\ibu5{#1}9}\roffset{0.5}{\tbu5}\global\tr@nspose\transpose}\transpose\tr@nspose}% -\def\trrml#1{\raise3\internote\hbox{\loffset{0.5}{\ibbl5{#1}9}\roffset{0.5}{\tbl5}\global\tr@nspose\transpose}\transpose\tr@nspose}% -\def\trrmu#1{\raise-4\internote\hbox{\loffset{0.5}{\ibbu5{#1}9}\roffset{0.5}{\tbu5}\global\tr@nspose\transpose}\transpose\tr@nspose}% -\def\trrrml#1{\raise3\internote\hbox{\loffset{0.5}{\ibbbl5{#1}9}\roffset{0.5}{\tbl5}\global\tr@nspose\transpose}\transpose\tr@nspose}% -\def\trrrmu#1{\raise-4\internote\hbox{\loffset{0.5}{\ibbbu5{#1}9}\roffset{0.5}{\tbu5}\global\tr@nspose\transpose}\transpose\tr@nspose}% - -% whole notes are wider than quarter/half notes: -% version 1.21 RDT adjusted the offsets and vertical positions - -\def\Trml#1{\raise3\internote\hbox{\ibl5{#1}9\roffset{1.25}{\tbl5}\global\tr@nspose\transpose}\transpose\tr@nspose}% -\def\Trmu#1{\raise-4\internote\hbox{\loffset{1.1}{\ibu5{#1}9}\roffset{0.15}{\tbu5}\global\tr@nspose\transpose}\transpose\tr@nspose}% -\def\Trrml#1{\raise3\internote\hbox{\ibbl5{#1}9\roffset{1.25}{\tbl5}\global\tr@nspose\transpose}\transpose\tr@nspose}% -\def\Trrmu#1{\raise-4\internote\hbox{\loffset{1.1}{\ibbu5{#1}9}\roffset{0.15}{\tbu5}\global\tr@nspose\transpose}\transpose\tr@nspose}% -\def\Trrrml#1{\raise3\internote\hbox{\ibbbl5{#1}9\roffset{1.25}{\tbl5}\global\tr@nspose\transpose}\transpose\tr@nspose}% -\def\Trrrmu#1{\raise-4\internote\hbox{\loffset{1.1}{\ibbbu5{#1}9}\roffset{0.15}{\tbu5}\global\tr@nspose\transpose}\transpose\tr@nspose}% - -%%% octave lines - -\def\octnumberup{\octnumberdefault\vrule width 0pt height2ex} -\def\octnumberdefault{\smallppff8} % version 1.17 RDT -\def\octnumberdown{\octnumberdefault$^a$\txtfont\kern 0.3em bassa\vrule width 0pt depth \Internote} - -\def\octfinup{\check@staff - \n@v\@xxiii\n@ii\@xxiv\global\o@swz={\@ne}\fi - \C@of} -\def\octfindown{\check@staff - \n@v\@xxv \n@ii\@xxvi\global\o@swz={\z@}\fi - \C@of} -\def\C@of#1#2{\check@staff - \y@v#2\noteskip\zcharnote{#1}{\hbox\@to\y@v{% - \xdef\o@sw{\csname o@swz\endcsname}\relax - \octnumber\mxsps\xleaders\hbox{\char\n@v}\hfill\char\n@ii}}% - \fi} - -%%%%%% -% selecting \octnumber??? according to \o@sw -\def\octnumber{% \show\o@sw - \setbox\w@rkbox\hbox{% - \ifnum \@ne=\the\o@sw\relax \octnumberup - \else \octnumberdown - \fi}% - \ifdim \wd\w@rkbox>\y@v\setbox\w@rkbox\hbox{\octnumberdefault}\fi - \box\w@rkbox -} - - -%%%%%% - -% \let\maxoctlines\si@ % here disabled to avoid conflict with new register allocation code, except for \o@swz -% [version 1.15] moved out to the new register allocation code -% \newskip\o@xi \o@xi\maxdimen\relax % starting horizontal pos -% \newskip\o@yi % height of octline -\newtoks\o@swz % sense of octline for \octfin[up][down] without number -% \newtoks\o@swz % sense of octline for \octfin[up][down] without number - -\newcount\o@number - -\def\o@loop{\o@number\z@ \loop\ifnum\o@number<\maxoctlines - \s@l@ctoctline\o@number\relax - \advance\o@number\@ne } - -\def\s@l@ctoctline#1\relax{% - \n@i#1\relax \ifnum\n@i<\z@ \n@i\@c \fi - \ifnum\n@i<\maxoctlines \else - \count@\maxoctlines \advance\count@\m@ne - \errmessage{Wrong octaviation line reference number \the\n@i! (valid: 0 to \the\count@)}% [version 1.15] - \n@i\z@% [version 1.15] - \fi - \advance\n@i\@ne - \xdef\o@x{\csname o@x\roman@n@i}% - \xdef\o@y{\csname o@y\roman@n@i}% - \xdef\o@sw{\csname o@sw\roman@n@i}% - }% select octiaviation line - -%\newskip\o@x \o@x\maxdimen\relax % starting horizontal pos -%\newskip\o@y % height of octline - -\def\ioctfinup{\Ioctfinup0} -\def\ioctfindown{\Ioctfindown0} -\def\Ioctfinup#1{\check@staff - \s@l@ctoctline#1\relax - \ifdim\o@x < \maxdimen\errmessage{\@mis \noexpand\Toctfin \number #1}\fi - \global\o@sw={\@ne}\fi - \C@O} -\def\Ioctfindown#1{\check@staff - \s@l@ctoctline#1\relax - \ifdim\o@x < \maxdimen\errmessage{\@mis \noexpand\Toctfin \number #1}\fi - \global\o@sw={\z@}\fi - \C@O} - -\def\C@O#1{\check@staff - \getcurpos\global\o@x\y@v % store horizontal pos - \inhgetn@i#1\relax\pl@base\advance\y@i\altportee % get absolute height - \global\o@y\y@i - \fi} % clise check@staff in Ioctfinup/down - -\def\toctfin{\Toctfin0} -\def\Toctfin#1{\check@staff - \s@l@ctoctline#1\relax - \advance\o@y-\altportee \let\T@ii\char \C@TO \global\o@x\maxdimen - \fi} - -\def\C@TO{\check@staff - \ifnum \@ne=\the\o@sw - \n@v\@xxiii \n@ii\@xxiv \else \n@v\@xxv \n@ii\@xxvi \fi - \ifx\T@ii\n@ii \y@v\lin@pos \else \getcurpos \fi - \advance\y@v-\o@x \kernm\y@v \raise\o@y\hbox\@to\y@v{% - \octnumber\mxsps\xleaders\hbox{\char\n@v}\hfill\T@ii\n@ii}\relax - \fi}% - -% Liftoctline #1 refnumber #2 lift[steps of internote] - -\def\Liftoctline#1#2{\n@i#1\advance\n@i\@ne - \advance\csname o@y\roman@n@i#2\internote} - -%%% some specials - -% \def\metron#1#2{{\stemlength\f@ur\noteskip\t@n\p@ #1 1\ = #2}} -% version 1.19 RDT: -\let\lyricson\relax -\let\lyricsoff\relax -\def\metron#1#2{{\lyricsoff\stemlength\f@ur\noteskip\t@n\p@ #1 1\ = #2\lyricson}} -\def\metronequiv#1#2{{\lyricsoff\stemlength\f@ur\noteskip\t@n\p@ #1 1\ = #2 1\lyricson}} - - -\def\txt{3} -\def\xtuplet#1#2{\n@iv#1\advance\n@iv\m@ne {\sign@skip=\n@iv\noteskip - \sign@skip=0.5\sign@skip \xdef\half@sign@skip{\the\sign@skip}}% - \zcharnote{#2}{\kern\h@lf\qn@width\kern \half@sign@skip\lrlap{\txtfont#1\/\/}}} -\def\triolet{\xtuplet\txt} % version 1.17 RDT -\def\xxtuplet#1:#2#3{\n@iv#1\advance\n@iv\m@ne {\sign@skip=\n@iv\noteskip - \sign@skip=0.5\sign@skip \xdef\half@sign@skip{\the\sign@skip}}% - \zcharnote{#3}{\kern\h@lf\qn@width\kern \half@sign@skip\lrlap{\txtfont{#1:#2\/\/}}}} - -% -% Following definitions based on tuplet.tex - conventional tuplet brackets for MusiXTeX. -% Col. G. L. Sicherman. Last revised 2003-05-17. -% -% Added to musixtex.tex version 1.16 by RDT. -% -% Standard MusiXTeX uses \uptrio and \downtrio to print tuplet brackets. -% We define \uptuplet and \downtuplet, with the same arguments: -% -% #1 : starting pitch -% #2 : width of bracket, in (\noteskip)s -% #3 : slope of bracket, in multiples of 1-1/8 degrees -% -% The user defines the text to appear in the opening as \tuplettxt. -% This is to avoid conflicting with the \txt in standard MusiXTeX. -% -% Examples: -% -% Draw a triplet bracket over the notes, starting at pitch "p", -% 1.25\noteskip wide, with a slope up of 3-3/8 degrees: -% -% \uptuplet p{1.25}3 -% -% Draw a sextuplet bracket under the notes, starting at pitch "a", -% 2.5\noteskip wide, with a slope down of 4-1/2 degrees: -% -% \def\tuplettxt{6\/\/} -% \downtuplet{a}{2.5}{-4} -% -% Send comments, complaints, and bouquets to the Colonel at -% . -% - -% Standard MusiXTeX prints a small "3" (or other number) within -% the bracket. Here we print the "3" in an opening in the bracket, -% so we need not use a small font. -% -% The double italic correction compensates for centering the number -% on the bracket line. - -\def\tuplettxt{3\/\/} - -%%% The rest is adapted from standard MusixTeX. - -\newdimen\y@vii % x of right end of left part of bracket. -\newdimen\y@viii % x of left end of right part of bracket. -\newdimen\y@ix -\newbox\tuptxtb@x - -% v@rline #1=height[dimen] #2=length[dimen] #3=slope (1\eqiv 1.125degree) -% (comments and ideas from Ian Collier) (from -20 upto 20 ) -% This macro is used by some of the others which follow, -% using it directly it must be set in zero box - -\def\v@rline#1#2#3{\n@v#3\y@i#2% - \setbox\tuptxtb@x\hbox{\hskip1pt\txtfont\tuplettxt\hskip1pt}% - \y@vii=\h@lf\y@i\advance\y@vii-\h@lf\wd\tuptxtb@x% - \n@ii-\tw@nty \min@n@v\n@ii - \max@n@v\tw@nty \n@iii\n@v - \ifnum\n@v<\z@ \n@v-\n@v \advance\n@v\tw@nty \fi % offset to lower linechars - \advance\n@v\@xxix - \setbox\ch@box\hbox{\mxsps\char\n@v}% - \ifdim\y@vii<\wd\ch@box \y@vii\wd\ch@box\fi% At least one whole segment! - \y@viii=\y@i\advance\y@viii-\y@vii% - \y@iv\wd\ch@box \y@ii\qu@rt\p@ \y@ii\n@iii\y@ii \y@iii\z@ - \raise#1\internote\hbox{\mxsps\char\n@iv -% -% Build bracket with slanted line segments of width 10pt. -% Left part of bracket: -% - \loop\ifdim\y@iv<\y@vii\raise\y@iii\copy\ch@box - \advance\y@iv\wd\ch@box \advance\y@iii\y@ii \repeat -% -% last element -% -% \finalheight=2.5\completewidth -% \finalheight=\n@iii\finalheight -% \divide\finalheight by 100 -% \advance\overlapwidth by -\completewidth -% \stepheight=-2.5\overlapwidth -% \stepheight=\n@iii\stepheight -% \divide\stepheight by 100 -% \advance\curheight by \stepheight -% \kern -\overlapwidth \raise\curheight \box\ch@box -% - \y@ix=\y@vii\advance\y@ix-\y@iv\hbox to\y@ix{\hss}% - \y@ix\y@vii\advance\y@ix-\wd\ch@box% - \y@iii\n@iii\y@ix\y@iii2\h@lf\y@iii\divide\y@iii\@c\raise\y@iii\copy\ch@box% -% -% Text: -% - \y@v2\h@lf\y@i \y@v\n@iii\y@v \divide\y@v\@c% - \y@ix=-\y@vii \advance\y@ix\h@lf\y@i \advance\y@ix-\h@lf\wd\tuptxtb@x% - \hbox to\y@ix{\hss}% - \y@iii\h@lf\y@v \raise\y@iii\vbox to\z@{% - \vss{\copy\tuptxtb@x}\vss} - \y@ix=\y@viii \advance\y@ix-\h@lf\y@i \advance\y@ix-\h@lf\wd\tuptxtb@x - \hbox to\y@ix{\hss}% To start of right part. No-op unless bracket is short. -% -% Right part of bracket: -% - \y@iii2\h@lf\y@viii \y@iii\n@iii\y@iii \divide\y@iii\@c% - \y@iv=\y@viii \advance\y@iv\wd\ch@box% - \loop\ifdim\y@iv<\y@i\raise\y@iii\copy\ch@box% - \advance\y@iv\wd\ch@box \advance\y@iii\y@ii \repeat -% -% Finish off the right part: -% - \y@iii\y@i\advance\y@iii-\wd\ch@box\y@iii2\h@lf\y@iii\y@iii\n@iii\y@iii% - \y@ix=\y@i\advance\y@ix-\y@iv\hbox to\y@ix{\hss}% - \divide\y@iii\@c% - \raise\y@iii\copy\ch@box% -% - \raise\y@v\hbox{\mxsps\char\n@iv}}} -% -% y@i =complete length -% y@ii =height of linechar -% y@iii =current height -% y@iv =current width -% y@v =height of ending line -% y@vii =width of left segment of bracket -% y@viii=y@vii + width of opening -% y@ix =adjustment register -% -% n@iii=slope -% n@iv =(number of char for hooks) -% n@v =slope (number of linechar) - -\def\X@bkt#1#2#3{\y@v#2\noteskip \advance\y@v\wn@width - \inhgetn@i#1\relax \rlap{\kernm\p@ne\qn@width\v@rline\n@i\y@v{#3}}} - -\def\uptuplet{\n@iv22\X@bkt} -\def\downtuplet{\n@iv21\X@bkt} - -%\check - -\def\zbreath{\check@staff\raise\si@\internote\rlap{\BIGtype'}\fi} -\def\cbreath{\check@staff\adv@box{\raise\si@\internote - \hbox\@to\noteskip{\hss\BIGtype'\hss}}\fi} - -% The following macros can be used to surround a note by parentheses -% \l[r]par p produces a left[right] parenthesis at pitch p (Ian Collier) - -\def\lpar{\n@iv\thr@@ \@Char} -\def\rpar{\n@iv\f@ur \@Char} - -% \bracket pn draws a square bracket [ to bracket an interval -% of an n-th whose lowest note is p (Ian Collier) - -\def\bracket#1#2{\y@iv#2\internote \advance\y@iv\tw@\internote - \inhgetn@i#1\relax\pl@base \advance\y@i-1\h@lf\internote - \raise\y@i\llap{\uplap{\offinterlineskip\hbox{\mxsps\@xxvii}% - \hbox{\vrule\@height\y@iv}\hbox{\mxsps\@xxvii}}}} - -%%% dynamics - -\def\f@kern{\kernm\p@ne ex} -\def\p@kern{\kernm\p@ne5ex} - -\def\f{{\ppff f}} -\def\ff{{\ppff f\f@kern f}} -\def\fp{{\ppff f\f@kern p}} -\def\sF{{\ppff s\ppff \p@kern f}} % changed \it to \ppff 1.24 RDT -\def\fff{{\ppff f\f@kern f\f@kern f}} -\def\ffff{{\ppff f\f@kern f\f@kern f\f@kern f}} -\def\mf{{\ppff m\p@kern\f@kern f}} -\def\mp@{{\ppff m\p@kern p}} -\let\mezzopiano\mp@ -\def\p{{\ppff p}} -\def\pp{{\ppff p\p@kern p}} -\def\ppp{{\ppff p\p@kern p\p@kern p}} -\def\pppp{{\ppff p\p@kern p\p@kern p\p@kern p}} -\def\sfz{{\ppff s\p@kern f\f@kern z}} % version 1.16 -\def\sfzp{{\ppff s\p@kern f\f@kern z\p@kern p}} % version 1.16 - -%%% spacings - -% if you want to reduce the space behind e.g. \changecontext, use -% \addspace{dim} ! Only scaleable values are allowed ! - -\def\addspace#1{\kern#1\global\advance\x@skip#1} - -% \hardspace inserts (reduces) outside of \notes..\en unscaleable space - -\let\fil@spc\empty -\def\hardspace#1{\check@nopen\t@rmskip\y@v#1\addspace\y@v\fil@spc} - -\def\off#1{\advance\locx@skip#1\kern#1} -\def\sk{\off\noteskip} -\def\hsk{\off{\h@lf\noteskip}} -\def\bsk{\off{-\noteskip}} -\def\hbsk{\off{-\h@lf\noteskip}} % version 1.27 RDT - -%% -% Redefine \qsk to be scaleable softwidth rather than a fixed kern -% Otherwise, over/underfull boxes will occur on rescaled (pass 2) material -%% - -\def\qqsk{\off{\qu@rt\@l@mskip}} % version 1.16 RDT -\def\hqsk{\off{\h@lf\@l@mskip}} -\def\tqsk{\off{\p@seven\@l@mskip}} % version 1.25 RDT -\def\qsk{\off\@l@mskip} -\def\bhsk{\off{-\h@lf\@l@mskip}} % version 1.27 RDT -\def\btsk{\off{-\p@seven\@l@mskip}} % version 1.27 RDT -\def\bqsk{\off-\@l@mskip} % version 1.27 RDT - -\def\nspace{\hardspace{\h@lf\qn@width}} -\def\qspace{\hardspace\qn@width} - -%%% notes spacing - -\def\arithmeticskipscale{% - \def\znotes{\vnotes0\elemskip} - \def\notes{\vnotes2\elemskip}% 16th - \def\notesp{\vnotes2\h@lf\elemskip}% 16th point=8 trio - \def\Notes{\vnotes3\elemskip}% 8th - \def\Notesp{\vnotes3\h@lf\elemskip}% 8th point=4 trio - \def\NOtes{\vnotes4\elemskip}% 4th - \def\NOtesp{\vnotes4\h@lf\elemskip}% 4th point - \def\NOTes{\vnotes5\elemskip}% 2th - \def\NOTesp{\vnotes5\h@lf\elemskip}% 2th point - \def\NOTEs{\vnotes6\elemskip}% 1th - \def\NOTEsp{\undefined}% - \def\NOTES{\undefined}% -}% - -\def\geometricskipscale{% - \def\znotes{\vnotes0\elemskip} - \def\notes{\vnotes2\elemskip}% 16th - \def\notesp{\vnotes2.38\elemskip}% 16th point=8 trio - \def\Notes{\vnotes2.83\elemskip}% 8th - \def\Notesp{\vnotes3.36\elemskip}% 8th point=4 trio - \def\NOtes{\vnotes4\elemskip}% 4th - \def\NOtesp{\vnotes4.76\elemskip}% 4th point - \def\NOTes{\vnotes5.66\elemskip}% 2th - \def\NOTesp{\vnotes6.72\elemskip}% 2th point - \def\NOTEs{\vnotes8\elemskip}% 1th - \def\NOTEsp{\vnotes9.52\elemskip}% 1th - \def\NOTES{\vnotes11.32\elemskip}% 1th -}% - -\def\nnotes{\vnotes1.6\elemskip} % version 1.16 RDT (corrected 2015-03-31) -\def\nnnotes{\vnotes1.28\elemskip} % version 1.16 RDT (corrected 2015-03-31) - -\arithmeticskipscale - -\def\scale#1{\def\scalenoteskip{#1}} -\let\scalenoteskip\normalvalue - -\def\multnoteskip#1{\noteskip#1\noteskip} - -\def\vnotes#1\elemskip{\noteskip#1\@l@mskip \@vnotes} - -\let\V@sw\z@ -%\def\varnotes#1{\t@rmskip \let\V@sw\@ne -% \setbox\ch@box\hbox{#1}\noteskip\wd\ch@box \@vnotes} - -\def\hardnotes#1\notes{\t@rmskip \let\V@sw\@ne - \noteskip#1\relax \@vnotes} - -\let\thelyrics\empty -%\def\hardlyrics#1\notes{\t@rmskip \let\V@sw\@ne \def\thelyrics{\hbox{#1}}% -% \setbox\ch@box\thelyrics \noteskip\wd\ch@box \@vnotes} -\def\softlyrics#1{\def\thelyrics{\hbox{#1}}}% -\def\hardlyrics#1\notes{\t@rmskip \let\V@sw\@ne - \let\save@noteskip\noteskip - \def\noteskip{\z@\relax\errmessage{You cannot use \noexpand\noteskip - in \noexpand\hardlyrics's 1st argument!}}% - \def\thelyrics{\hbox{#1}}% - \setbox\ch@box\thelyrics \let\noteskip\save@noteskip - \noteskip\wd\ch@box \@vnotes} - - -\def\@vnotes{\multnoteskip\scalenoteskip - \def|{\nextstaff}\def&{\nextinstrument}\normaltranspose\transpose - \check@nopen\notes@open\@ne - \kern\n@skip\advance\x@skip\n@skip \locx@skip\x@skip - \n@skip\noteskip \noinstrum@nt\z@ \begininstrument} - -\def\en{\@ndstaff\notes@open\z@ - \ifnum\V@sw>0\t@rmskip - \fi - \let\thelyrics\empty} -\let\enotes\en - -\newcount\notes@open - -\def\check@nopen{% - \ifnum\notes@open>\z@ \en\errmessage{\@mis\noexpand\enotes ->}\fi} - -%%% text, lyrics, free positioning of chars - -\def\pl@base{\y@i\n@i\internote} -\def\lrlap#1{\rlap{\hss#1}} -\def\hard@box#1{\rlap{\hbox\@to\noteskip{#1\hfil}}} -\def\dhard@box#1{\rlap{\hbox\@to\tw@\noteskip{#1\hfil}}} -\def\thard@box#1{\rlap{\hbox\@to\thr@@\noteskip{#1\hfil}}} - -\def\zcharnote{\let\@Ti\rlap \C@ch} -\def\lcharnote{\let\@Ti\llap \C@ch} -\def\ccharnote{\let\@Ti\lrlap \C@ch} -\def\hcharnote{\let\@Ti\hard@box \C@ch} -\def\charnote#1#2{\zcharnote{#1}{#2}\sk} - -\def\zcn{\zcharnote} % version 1.16 -\def\ccn{\ccharnote} -\def\lcn{\lcharnote} - -\def\C@ch#1#2{\check@staff\inhgetn@i#1\relax\pl@base\raise\y@i\@Ti{#2}\fi} - -\def\zmidstaff{\let\@Ti\rlap \C@mid} -\def\lmidstaff{\let\@Ti\llap \C@mid} -\def\cmidstaff{\let\@Ti\lrlap \C@mid} - -\def\C@mid#1{\check@staff\y@v\interportee \advance\y@v\f@ur\Interligne \divide\y@v\tw@ - \raise\y@v\uplap{\@Ti{\strut#1}\vss}\fi} - -\def\zchar#1#2{\check@staff\raise#1\internote\rlap{#2}\fi} -\def\lchar#1#2{\check@staff\raise#1\internote\llap{#2}\fi} -\def\cchar#1#2{\check@staff\raise#1\internote\lrlap{#2}\fi} -\def\hchar#1#2{\check@staff\raise#1\internote\hard@box{#2}\fi} - -\def\uptext#1{\check@staff\zchar\t@n{#1}\fi} -\def\Uptext#1{\check@staff\zchar\fourt@@n{#1}\fi} - -\def\setsongraise#1#2{\n@v#1\relax % select instrument - \expandafter\def\csname T@R\romannumeral\n@v\endcsname{#2}} - -% [version 1.15] moved out to the new register allocation code -% \let\T@Ri\z@ - -\def\qlrlap#1{\rlap{\hbox to \qn@width{\hss#1\hss}}} -\def\zsong{\let\@Ti\rlap \C@t} -\def\lsong{\let\@Ti\llap \C@t} -\def\csong{\let\@Ti\qlrlap \C@t} -\def\hsong{\let\@Ti\hard@box \C@t} -\def\dhsong{\let\@Ti\dhard@box \C@t} -\def\thsong{\let\@Ti\thard@box \C@t} - -\def\C@t#1{\C@tx{\@Ti{\strut#1}\vss}} - -\def\C@tx{% - \ifnum\noinstrum@nt=\@ne \y@iv\staffbotmarg \else - \advance\noinstrum@nt\m@ne - \y@iv\csname interinstrument\romannumeral\noinstrum@nt\endcsname - \C@Inter \advance\y@iv\stem@skip \divide\y@iv\tw@ - \advance\noinstrum@nt\@ne \fi - \advance\y@iv-\csname T@R\romannumeral\noinstrum@nt\endcsname -%% \advance\noinstrum@nt\@ne \fi - \lower\y@iv\uplap} - -%%% slope lines and brackets - -% varline #1=height[dimen] #2=length[dimen] #3=slope (1\eqiv 1.125degree) -% (comments and ideas from Ian Collier) (from -20 upto 20 ) -% This macro is used by some of the others which follow, -% using it directly it must be set in zero box - -\def\varline#1#2#3{\n@v#3\y@i#2% - \n@ii-\tw@nty \min@n@v\n@ii - \max@n@v\tw@nty \n@iii\n@v - \ifnum\n@v<\z@ \n@v-\n@v \advance\n@v\tw@nty \fi % offset to lower linechars - \advance\n@v\@xxix - \setbox\ch@box\hbox{\mxsps\char\n@v}% - \y@iv\wd\ch@box \y@ii\qu@rt\p@ \y@ii\n@iii\y@ii \y@iii\z@ - \raise#1\internote\hbox{\ifx\@hook\@ne \mxsps\char\n@iv \fi -% main loop - \loop\ifdim\y@iv<\y@i - \raise\y@iii\copy\ch@box\advance\y@iv\wd\ch@box \advance\y@iii\y@ii \repeat -% last element -% -% \finalheight=2.5\completewidth -% \finalheight=\n@iii\finalheight -% \divide\finalheight by 100 -% \advance\overlapwidth by -\completewidth -% \stepheight=-2.5\overlapwidth -% \stepheight=\n@iii\stepheight -% \divide\stepheight by 100 -% \advance\curheight by \stepheight -% \kern -\overlapwidth \raise\curheight \box\ch@box -% - \y@v2\h@lf\y@i \y@v\n@iii\y@v \divide\y@v\@c \advance\y@iv-\y@i - \y@ii-2\h@lf\y@iv \y@ii\n@iii\y@ii \divide\y@ii\@c \advance\y@iii\y@ii - \kernm\y@iv\raise\y@iii\box\ch@box% - \ifx\@hook\@ne \raise\y@v\hbox{\mxsps\char\n@iv}\fi -% text in the middle - \ifx\@text\@ne \ifnum\n@vi=\@ne \y@iii\p@ \else\y@iii-\p@ \fi - \advance\y@iii\h@lf\y@v \kernm\h@lf\y@i\raise\y@iii\vbox\@to\z@{% - \ifnum\n@vi=\@ne \vss \fi\lrlap{\txtfont\txt}\ifnum\n@vi=\@ne \else\vss \fi}\fi}% - \let\@hook\empty \let\@text\empty} -% -% y@i =complete length -% y@ii =height of linechar -% y@iii=current height -% y@iv =current width -% y@v =height of ending line -% -% n@iii=slope -% n@iv =(number of char for hooks) -% n@v =slope (number of linechar) -% n@vi =1 -> text above -% @hook=\@ne -> draws hookrules at begin and end of line -% @text=\@ne -> puts text at the middle of the line (def'd with \txt) - -% \ov[un]bkt{p}{n}{s} draws a bracket over the music starting at the -% current position at pitch p, width n\noteskip and slope s, causing no space -% #1=height (note), #2=length (noteskips) #3=slope (1\eqiv 1.125[degree]) - -\def\ovbkt{\n@iv22\C@bkt} -\def\unbkt{\n@iv21\C@bkt} - -\def\C@bkt#1#2#3{\y@v#2\noteskip \advance\y@v\wn@width \let\@hook\@ne - \inhgetn@i#1\relax \rlap{\kernm\p@ne\qn@width\varline\n@i\y@v{#3}}} - -% \up[down]trio{p}{n}{s} same as above, -% draws \txt (default \eightit 3) above[below] in the middle -% #1=height (note), #2=length (noteskips) #3=slope (1\eqiv 1.125[degree]) - -\def\uptrio{\n@vi\z@ \let\@text\@ne \ovbkt} -\def\downtrio{\n@vi\@ne \let\@text\@ne \unbkt} - -% -% slide #1=height #2=number of elements #3=slope(-8 to 8 [step 10degree]) -% -\def\slide#1#2#3{\n@ii#3\relax\inhgetn@i#1\relax% - \ifnum\n@ii>\m@ne \advance\n@ii\m@ne\let\@Ti\raise - \else \n@ii-\n@ii \advance\n@ii\s@v@n\let\@Ti\lower \fi - \setbox\toks@box\hbox{\mxsps\char\n@ii}\n@iii\z@ - \raise\n@i\internote\rlap{\hbox{\loop\ifnum\n@iii<#2% - \@Ti\n@iii\ht\toks@box\copy\toks@box\advance\n@iii\@ne\repeat}}} - -%%% standard settings -% [115] make them compatible to >12 instruments -\def\resetlayout{\def\interfacteur{9}% - \stafftopmarg\thr@@\Interligne \staffbotmarg\thr@@\Interligne - \count@\z@ \loop - \advance\count@ by\@ne - \expandafter \let\csname n@l\roman@c@\endcsname \fiv@ -% \expandafter\def\csname interfacteur\roman@c@\endcsname{\interfacteur} % RDT deleted 1.26 - \ifnum\count@<\maxinstruments\repeat - \resetclefsymbols} - -\def\resetclefsymbols{% - \count@\z@ \loop - \advance\count@ by\@ne - \expandafter \let\csname treblec@s\roman@c@\endcsname \z@ - \expandafter \let\csname altoc@s\roman@c@\endcsname \z@ - \expandafter \let\csname bassc@s\roman@c@\endcsname \z@ - \ifnum\count@<\maxinstruments\repeat -} - -% [version 1.15] setup the default maximum element numbers to the same values of T.114 -\setmaxinstruments\si@ -\setmaxcxxviiibeams\si@ % 128th beam -\setmaxcclvibeams\z@ % 256th beam -\setmaxgroups\thr@@ % groups of inst's or choirs -\setmaxslurs\maxinstruments -\setmaxtrills\maxinstruments -\setmaxoctlines\maxinstruments -% - -% [version 1.15] new register allocation code requires some changes -%\resetlayout % no need -%\let\nbinstruments\maxinstruments % no need -%\normalnotesize % already executed in \setmaxinstruments -\normalmusicsize -\normalnotesize % important: execute it again after the first execute of \normalmusicsize --- to initialize \metron stem length. but why? -%\resetlayout % no need -\def\nbinstruments{1} -\noinstrum@nt1\s@l@ctinstr\internote\Internote -\def\tabstringfnt{\ifdim\internote<.95\Internote \fivess % 1.29 RDT -\else\ifdim\internote<1.19\Internote \sevenss % 1.37 RDT -\else\ifdim\internote<1.43\Internote \eightss -\else\niness\fi\fi\fi}% - -%%% -% -% This is muflex.tex version 1.00 , January 1993 -% -% Macro library for MusicTeX `flexiline' operations: MuFlex. -% The idea is to set up a two pass system. -% On the first pass, information about each bar is written to the file -% jobname.mx1. -% After the first pass, an external (non TeX) routine is run to -% determine optimal values of the elemental spacing (\elemskip) -% for each line, so as to properly fill each line, and to lead to -% the piece filling an integral number of lines. -% The relevant parameters are written onto the file -% jobname.mx2. -% On the second pass, the .mx2 file is read in, and the information -% used as described above. -% -% Ross Mitchell, January 1993. -% -%%% - -\newwrite\outmux -\def\fil@{\immediate\write\outmux} - -%% -% \mulooseness is the MuFlex analog of TeX's \looseness parameter: -% the increment to the natural number of lines in the section just -% ended. -%% - -\newcount\mulooseness -% Alternative \linegoal -\newcount\linegoal - -%% -% Invoke \startmuflex before \startpiece to find out the pass number -% and generally get things going. -%% -% !!! If you want (have) to override the .mx1, delete the .mx2 before !!! -% !! You have to change the mx1, if you change the spacing inbetween !! - -\newif\ifstartmuflex@done -\def\startmuflex{% - \ifstartmuflex@done - \immediate\write16{Warning: \noexpand\startmuflex\space - already done, ignored.}% - \else - \startmuflex@donetrue -% \global\let\ifstartmuflex@done\iftrue - \openin\inmux\jobname.mx2\relax - \ifeof\inmux - \immediate\openout\outmux\jobname.mx1\relax - \fil@{\mufl@x}% - \pass@I - \else - \message{(\jobname.mx2)}\pass@II - \fi - \fi} - -\let\endmuflex\empty - -\newbox\l@eftrightbox - -\def\leftrightrepeat@I{% - % \setbox\toks@box\l@eftrightrepeat\y@v\wd\toks@box - % \setbox\toks@box\l@eftrepeat\y@iv\wd\toks@box - % \advance\y@v\y@iv \global\advance\x@skip-\y@v - % - \setleftrightrepeat\@bar - \edef\thex@skip{\the\x@skip}% - \setbox\l@eftrightbox\l@eftrightrepeat - \edef\they@v{\the\wd\l@eftrightbox}% - \setbox\l@eftrightbox\l@eftrepeat - \edef\they@iv{\the\wd\l@eftrightbox}% - \global\x@skip\thex@skip - \fil@{l \they@v\space\they@iv}} - -\def\leftrepeat@I{% -% \setbox\toks@box\l@eftrepeat\y@iv\wd\toks@box -% \global\advance\x@skip-\y@iv - \setleftrepeat\@bar - \edef\thex@skip{\the\x@skip}% - \setbox\l@eftrightbox\l@eftrepeat - \edef\they@iv{\the\wd\l@eftrightbox}% - \global\x@skip\thex@skip - \fil@{L \they@iv}} - -% \akkoladen from: "Rainer Dunker" - - -\def\akkoladen#1{% - \def\akk@count{0}% avoid occupying yet another count register - \ifx\empty#1\else\@akkoladen#1\@nd\fi - % deactivate all remaining \grouptop...bottom items - \loop - \ifnum\akk@count<\maxgroups - \incr@akk@count - \expandafter\groupbottom\expandafter{\akk@count}\maxdimen - \expandafter\grouptop\expandafter{\akk@count}\z@ - \repeat} -\def\@akkoladen#1#2#3\@nd{% - \incr@akk@count - \expandafter\groupbottom\expandafter{\akk@count}{#1}% - \expandafter\grouptop\expandafter{\akk@count}{#2}% - \ifx\empty#3\else\@akkoladen#3\@nd\fi} -\def\incr@akk@count{% - \count@\akk@count\relax \advance\count@\@ne \edef\akk@count{\the\count@}} - - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% This is MusiXTex code for multiple left curly brackets % -% % -% submitted by Mthimkhulu Molekwa % -% to the mutex list on 19 May 1999 % -% % -% % -% usage: % -% \curlybrackets{ % -% % -% ... % -% % -% } % -% % -% % -% % -% This version corrected 07/23/2007 by Rainer Dunker to make it % -% insensitive to changes in \interstaff by PMX % -% % -% Added to musixtex.tex version 1.16 by RDT % -% % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - - - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% Macros for Tablature. They put numbers on or above the staff lines. % -% Based on tabdefs.tex by R.J. Gelten % -% % -% 1.33 RDT % -% replace ledger lines by slashes (/) for string numbers > number of staff lines % -% % -% 1.33a RDT % -% replace 4-7 slashes by numbers 4-7 % -% decrement number of slashes if tabstylespace is true % -% % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - -\newcount\stringraise -\newif\iftabstylespace\tabstylespacefalse - -% \tabbox ensures a white background for the tab number in the ps-file -% so the stafflines don't overwrite the number. Symbols are centered. -\def\tabbox#1#2{% - \setbox0=\hbox{\tabfnt #2}% - \stringraise\nblines - \advance\stringraise by -#1 - \multiply\stringraise by 2 - \advancefalse\def\q@u{}\loffset{0.45}{\@nq{\the\stringraise}}% - \iftabstylespace\else\advance\stringraise-1\fi - \special{ps: 1 setgray}% - \ccharnote{\the\stringraise}{\vrule height \ht0 width \wd0 depth \dp0}% - \special{ps: 0 setgray}% - \ccharnote{\the\stringraise}{\box0}% -} -% \ltabbox does the same as \tabbox, except that it produces -% left-outlined symbols -\def\ltabbox#1#2{\setbox0=\hbox{\tabfnt #2}% - \stringraise\nblines - \advance\stringraise by -#1 - \multiply\stringraise by 2 - \advancefalse\def\q@u{}\loffset{0.2}{\@nq{\the\stringraise}}% - \iftabstylespace\else\advance\stringraise-1\fi - \special{ps: 1 setgray}% - \zcharnote{\the\stringraise}{\vrule height \ht0 width \wd0 depth \dp0}% - \special{ps: 0 setgray}% - \zcharnote{\the\stringraise}{\box0}% -} -% \rtabbox does the same as \tabbox, except that it produces -% right-outlined symbols -\def\rtabbox#1#2{\setbox0=\hbox{\tabfnt #2}% - \stringraise\nblines - \advance\stringraise by -#1 - \multiply\stringraise by 2 - \advancefalse\def\q@u{}\loffset{0.75}{\@nq{\the\stringraise}}% - \iftabstylespace\else\advance\stringraise-1\fi - \special{ps: 1 setgray}% - \lcharnote{\the\stringraise}{\vrule height \ht0 width \wd0 depth \dp0}% - \special{ps: 0 setgray}% - \lcharnote{\the\stringraise}{\box0}% -} - -\newcount\stringnum -\newcount\nslashes - -% \tab takes two arguments. -% #1 is the string number -% #2 is the symbol to be put on the string -% the symbols are horizontally centered and a \sk is put behind it, -% to jump to the position of the next symbol. -% if the string number > \nblines, ledger lines are replaced by slashes (/) -\def\tab#1#2{% -\stringnum=#1 -\ifnum\stringnum>\nblines -\nslashes=\stringnum -\advance\nslashes by -\nblines -\iftabstylespace\advance\nslashes by -1\fi -\def\numslashes{\the\nslashes} -\ifcase\numslashes\tabbox{#1}{#2}\or\zcn{-3}{\tabfnt/#2}\or\zcn{-3}{\tabfnt//#2}\or\zcn{-3}{\tabfnt///#2}\or\zcn{-3}{\tabfnt 4}\or\zcn{-3}{\tabfnt 5}\or\zcn{-3}{\tabfnt 6}\or\zcn{-3}{\tabfnt 7}\fi% -\else\tabbox{#1}{#2}\fi\sk} - -% left spilling \tab -\def\ltab#1#2{% -\stringnum=#1 -\ifnum\stringnum>\nblines -\nslashes=\stringnum -\advance\nslashes by -\nblines -\iftabstylespace\advance\nslashes by -1\fi -\def\numslashes{\the\nslashes} -\ifcase\numslashes\ltabbox{#1}{#2}\or\zcn{-3}{\tabfnt/#2}\or\zcn{-3}{\tabfnt//#2}\or\zcn{-3}{\tabfnt///#2}\or\zcn{-3}{\tabfnt 4}\or\zcn{-3}{\tabfnt 5}\or\zcn{-3}{\tabfnt 6}\or\zcn{-3}{\tabfnt 7}\fi% -\else\ltabbox{#1}{#2}\fi\sk} - -% right spilling \tab -\def\rtab#1#2{% -\stringnum=#1 -\ifnum\stringnum>\nblines -\nslashes=\stringnum -\advance\nslashes by -\nblines -\iftabstylespace\advance\nslashes by -1\fi -\def\numslashes{\the\nslashes} -\ifcase\numslashes\rtabbox{#1}{#2}\or\zcn{-3}{\tabfnt/#2}\or\zcn{-3}{\tabfnt//#2}\or\zcn{-3}{\tabfnt///#2}\or\zcn{-3}{\tabfnt 4}\or\zcn{-3}{\tabfnt 5}\or\zcn{-3}{\tabfnt 6}\or\zcn{-3}{\tabfnt 7}\fi% -\else\rtabbox{#1}{#2}\fi\sk} - -% \chord-tab symbol. Same as \tab, but no \sk is given, so multiple -% symbols can be placed above one another -\def\ztab#1#2{% -\stringnum=#1 -\ifnum\stringnum>\nblines -\nslashes=\stringnum -\advance\nslashes by -\nblines -\iftabstylespace\advance\nslashes by -1\fi -\def\numslashes{\the\nslashes} -\ifcase\numslashes\tabbox{#1}{#2}\or\zcn{-3}{\tabfnt/#2}\or\zcn{-3}{\tabfnt//#2}\or\zcn{-3}{\tabfnt///#2}\or\zcn{-3}{\tabfnt 4}\or\zcn{-3}{\tabfnt 5}\or\zcn{-3}{\tabfnt 6}\or\zcn{-3}{\tabfnt 7}\fi% -\else\tabbox{#1}{#2}\fi} - -% left spilling \ztab -\def\zltab#1#2{% -\stringnum=#1 -\ifnum\stringnum>\nblines -\nslashes=\stringnum -\advance\nslashes by -\nblines -\iftabstylespace\advance\nslashes by -1\fi -\def\numslashes{\the\nslashes} -\ifcase\numslashes\ltabbox{#1}{#2}\or\zcn{-3}{\tabfnt/#2}\or\zcn{-3}{\tabfnt//#2}\or\zcn{-3}{\tabfnt///#2}\or\zcn{-3}{\tabfnt 4}\or\zcn{-3}{\tabfnt 5}\or\zcn{-3}{\tabfnt 6}\or\zcn{-3}{\tabfnt 7}\fi% -\else\ltabbox{#1}{#2}\fi} - -% right spilling \ztab -\def\zrtab#1#2{% -\stringnum=#1 -\ifnum\stringnum>\nblines -\nslashes=\stringnum -\advance\nslashes by -\nblines -\iftabstylespace\advance\nslashes by -1\fi -\def\numslashes{\the\nslashes} -\ifcase\numslashes\rtabbox{#1}{#2}\or\zcn{-3}{\tabfnt/#2}\or\zcn{-3}{\tabfnt//#2}\or\zcn{-3}{\tabfnt///#2}\or\zcn{-3}{\tabfnt 4}\or\zcn{-3}{\tabfnt 5}\or\zcn{-3}{\tabfnt 6}\or\zcn{-3}{\tabfnt 7}\fi% -\else\rtabbox{#1}{#2}\fi} - -% - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% define a new clefsymbol \tabclef for tablature % -% 1.29 RDT -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - -\def\tabclef{% - \setbox0=\hbox{\tabcleffnt T} - \setbox1=\vbox{\baselineskip=0.5\baselineskip - \hbox to 2\wd0{{\tabcleffnt T}\hfil} - \hbox to 2\wd0{{\tabcleffnt A}\hfil} - \hbox to 2\wd0{{\tabcleffnt B}\hfil} - } - \ifnum\nblines=6\lower1.5\internote\box1 - \else\ifnum\nblines=4\lower3.5\internote\box1\else\lower2.5\internote\box1\fi\fi} - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% tiny duration notes placed above tablature staff % -% 1.33a RDT % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - -\newcount\tiny@hgt % = 2 * \nblines + 1 - -% need to suppress ledger lines and prevent raising dots in dotted notes - -\def\settiny@hgt{\tiny@hgt=\nblines\multiply\tiny@hgt by 2\advance\tiny@hgt by1} - -\def\tzwh{% -\settiny@hgt -\tinynotesize\advancefalse\def\w@h{\musixfont\nin@}\y@v\wn@width -\check@staff\getn@i{\the\tiny@hgt}\relax\let\n@fon\g@w \let\n@sym\w@h -\pl@base\setst@m\resetst@m\raise\y@i\hbox{\n@sym}\advancetrue\fi} - -\def\tzwhp{% -\settiny@hgt -\tinynotesize\advancefalse\def\w@h{\musixfont\nin@}\y@v\wn@width -\check@staff\getn@i{\the\tiny@hgt}\relax\let\n@fon\g@w \let\n@sym\w@h -\pl@base\setst@m\resetst@m\raise\y@i\hbox{\n@sym\musixchar\z@}\advancetrue\fi} - -\def\tzhu{% -\settiny@hgt -\tinynotesize\advancefalse -\check@staff\getn@i{\the\tiny@hgt}\relax\y@v\qn@width -\pl@base\setst@m\upst@m\raise\y@i\hbox{\musixfont\@ight}\advancetrue\fi} - -\def\tzhup{% -\settiny@hgt -\tinynotesize\advancefalse -\check@staff\getn@i{\the\tiny@hgt}\relax\y@v\qn@width -\pl@base\setst@m\upst@m\raise\y@i\hbox{\musixfont{\@ight}\musixchar\z@}\advancetrue\fi} - -\def\tzqu{% -\settiny@hgt -\tinynotesize\advancefalse -\check@staff\getn@i{\the\tiny@hgt}\relax\y@v\qn@width -\pl@base\setst@m\upst@m\raise\y@i\hbox{\musixfont\s@v@n}\advancetrue\fi} - -\def\tzqup{% -\settiny@hgt -\tinynotesize\advancefalse -\check@staff\getn@i{\the\tiny@hgt}\relax\y@v\qn@width -\pl@base\setst@m\upst@m\raise\y@i\hbox{\musixfont{\s@v@n}\musixchar\z@}\advancetrue\fi} - -\def\tzcu{% -\settiny@hgt -\tinynotesize\advancefalse\q@symbol\n@vii\@xl -\check@staff\getn@i{\the\tiny@hgt}\relax\let\n@fon\g@q \let\n@sym\q@u\y@v\qn@width -\pl@base\setst@m\up@flag\raise\y@i\hbox{\n@sym}\advancetrue\fi} - -\def\tzcup{% -\settiny@hgt -\tinynotesize\advancefalse\q@symbol\n@vii\@xl -\check@staff\getn@i{\the\tiny@hgt}\relax\let\n@fon\g@qp \let\n@sym\q@up\y@v\qn@width -\pl@base\setst@m\up@flag\raise\y@i\hbox{\n@sym}\advancetrue\fi} - -\def\tzccu{% -\settiny@hgt -\tinynotesize\advancefalse\q@symbol\n@vii\@xli -\check@staff\getn@i{\the\tiny@hgt}\relax\let\n@fon\g@q \let\n@sym\q@u\y@v\qn@width -\pl@base\setst@m\up@flag\raise\y@i\hbox{\n@sym}\advancetrue\fi} - -\def\tzccup{% -\settiny@hgt -\tinynotesize\advancefalse\q@symbol\n@vii\@xli -\check@staff\getn@i{\the\tiny@hgt}\relax\let\n@fon\g@qp \let\n@sym\q@up\y@v\qn@width -\pl@base\setst@m\up@flag\raise\y@i\hbox{\n@sym}\advancetrue\fi} - -\def\tzcccu{% -\settiny@hgt -\tinynotesize\advancefalse\q@symbol\n@vii42 -\check@staff\getn@i{\the\tiny@hgt}\relax\let\n@fon\g@q \let\n@sym\q@u\y@v\qn@width -\pl@base\setst@m\up@flag\raise\y@i\hbox{\n@sym}\advancetrue\fi} - -\def\tzcccup{% -\settiny@hgt -\tinynotesize\advancefalse\q@symbol\n@vii42 -\check@staff\getn@i{\the\tiny@hgt}\relax\let\n@fon\g@qp \let\n@sym\q@up\y@v\qn@width -\pl@base\setst@m\up@flag\raise\y@i\hbox{\n@sym}\advancetrue\fi} - - -%%%%%%%% end of tablature support %%%%%%%%%%%% - -\let\origin@lwrit@staffs\writ@staffs -\def\writ@staffs{% - \origin@lwrit@staffs - \ifx\br@cks\empty\else\expandafter\@bracks\br@cks\ende\fi} - -\let\br@cks\empty -\def\curlybrackets#1{\def\br@cks{#1}} - -\def\@bracks#1#2#3\ende{% - \ifnum #1<#2 %=========================== inserted by D.S.(?) - \noinstrum@nt=#1\s@l@ctinstr\b@zi\altitude - \noinstrum@nt=#2\s@l@ctinstr\b@zii\altitude - \advance\b@zii-\b@zi - \C@Inter - \advance\b@zii\nblines\internote - \advance\b@zii\nblines\internote - \advance\b@zii-2\internote - \n@v\b@zii \sp@pt\tw@ \advance\n@v\@cxxviii - \divide\b@zii\tw@ - \advance\b@zi\b@zii - \raise\b@zi\rlap{\mxsps\char\n@v\kern\instrum@in@group}% - \fi %==================================== inserted by D.S.(?) - \ifx\empty#3\else\@bracks#3\ende\fi} - - -%% -% Define \pass@I to perform the following functions: -% -% (a) set line and page breaking for the first pass by setting -% rigid values for \elemskip (#1), -% \maxbarsinlin@ (#2) -% -% (b) Redefine \t@rmskip so that it writes to the .mx1 file; -% -% (c) Redefine part of \debutmorceau to open the output (.mx1) file -% and write the following parameters to the .mx1 file: -% \line@width -% \parindent -% \beforeruleskip -% \afterruleskip -% \elemskip -% \clef@skip -% \sign@skip; -% -% (d) redefine various other macros so that length measures will be -% written to the .mx1 file -%% - -\def\pass@I{\def\@nds@ction{\fil@{*\space\the\mulooseness\space\the\linegoal}% - \mulooseness\z@\relax \linegoal\z@}% - -%\def\pass@I{\def\@nds@ction{\fil@{*\space\the\mulooseness}\mulooseness\z@}% -%% -% Redefine \t@rmskip to include a macro for writing a record to a file, -% and define the macro -%% - \def\fil@termskip{% - \fil@{\the\barsinpi@c@\space\the\widthtyp@\space\the\x@skip}% - \widthtyp@\@ne}% -%% -% Redefine part of debutmorceau to write header information to file -%% - \def\fil@begin{% - \fil@{S}% Startindicator - \fil@{\the\line@width}% - \fil@{\the\parindent}% - \fil@{\the\beforeruleskip}% - \fil@{\the\afterruleskip}% - \fil@{\the\@l@mskip}% - \fil@{\the\clef@skip}% - \fil@{\the\sign@skip}}% -% -% -> \writ@newsigns -% - \def\fil@signs{% - \maxsign@skip\z@ - \n@loop \s@l@ctsigns - \sign@skip\tw@\Internote - \sign@skip\a@s\sign@skip - \ifdim\sign@skip<\z@ \sign@skip-\sign@skip \fi - \global\advance\sign@skip\smallvalue\Internote - \ifdim\maxsign@skip<\sign@skip \global\maxsign@skip\sign@skip - \fi - \repeat - \global\sign@skip\maxsign@skip - \fil@{s\space\the\sign@skip}}% -% -% -> \Contpiece -% - \def\fil@indent{\fil@{\the\barsinpi@c@\space0 \the\parindent}}% -% -% when a line is stopped with a zbar, to the next bar is added the amount -% of afterruleskip -% -> no line break during Pass 1 and indicate musixflx a zbar -% - \def\zbar{\zn@wbar\fil@{z \the\barno}}% -% -% \leftrightrepeat behaves different in mid of line and end of line -% -> no line break during Pass 1, get the widths and -% indicate musixflx a leftrightrepeat -% - \let\leftrightrepeat\leftrightrepeat@I - \let\zleftrightrepeat\leftrightrepeat@I % RDT 1.28 -% -% s.a. -% - \let\leftrepeat\leftrepeat@I - \let\zleftrepeat\leftrepeat@I % RDT 1.28 -% -% -> \hardspace -% - \def\fil@spc{\fil@{h \the\y@v}}% -% -% makes the .mx2 more transparent -% - \def\fil@barno{\fil@{b \the\barno}}% -% -% break line if value of \lin@pos (exclusive parindent, signs and clefs) -% is larger than 0.5\hsize -% - \def\T@bil{\getcurpos \ifdim\y@v<\h@lf\line@width}% -% -% close the file -% - \def\endmuflex{\immediate\closeout\outmux}}% - -%% -% Macros to set up the second pass -%% - -\newread\inmux - -%% -% Main macro: \pass@II -% Function: %%%(a) Open the .mx2 file -% %%%(b) Set the number of lines per page to #1 -% (c) Set the \everystaff macro to read and decode line -% parameter settings -% %%%(d) Define end of bar, end of line and repeat macros -% %%% according to \autolines -%% - -\def\pass@II{\def\ragg@d{\hfilneg\ }% -% \def\everyst@ff{\everystaff\read\inmux\@to\inline \inline}} % ancient - \def\everyst@ff{\read\inmux\@to\inline \inline\relax \everystaff}} - -%% -% \inline expands to \lineset#1#2#3#4#5, so define the latter -%% - -\def\lineset#1#2#3#4#5{\ifx\no@l\empty \message{<#1>}\fi - \maxbarsinlin@#2% - \@l@mskip#3% - \elemskip\@l@mskip - \afterruleskip#4% - \beforeruleskip#5} - -\def\musicparskip{\parskip\z@ plus\fiv@\Interligne minus\Interligne} - -\def\endcatcodesmusic{% - \catcode`\&\catcode@and - \catcode`\|\catcode@vert - \catcode`\>\catcode@gt - \catcode`\<\catcode@lt - \catcode`\!\catcode@excl - \catcode`\*\catcode@star - \catcode`\:\catcode@sc - \catcode`\.\catcode@pt - \let\bar\@@bar - \catcodesmusicfalse} - -\endcatcodesmusic - -%...\let\wlog=\@wloG - -\catcode`\@=\catcodeat -\endinput - diff --git a/macros/musixtex/tex/musixthacc.tex b/macros/musixtex/tex/musixthacc.tex deleted file mode 100644 index b20ed567cb..0000000000 --- a/macros/musixtex/tex/musixthacc.tex +++ /dev/null @@ -1,49 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -\immediate\write16{MusiXTHinACCidentals v.001\space<2022-12-29>}% - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 -\catcodesmusic - - -\font\fetaeleven=feta20 scaled \magstephalf -\font\fetathirteen=feta20 scaled \magstep1 -\font\fetasixteen=feta20 scaled \magstep2 -\font\fetatwenty=feta20 scaled \magstep3 -\font\fetatwentyfour=feta20 scaled \magstep4 -\font\fetatwentynine=feta20 scaled \magstep5 - -\let\fetanorfont\fetatwenty -\def\fetachar{\fetafont\char} - - -\def\writ@ka{\pl@base\raise\y@i\llap{\fetachar\n@v\kern\accshift}} -\def\set@ka{\let\@Ti=\writ@ka} - -\def\thdsh#1{\set@ka \n@v30 \check@staff \inhgetn@i#1\relax\expandafter\@Ti\fi} -\def\thsh#1{\set@ka \n@v20 \check@staff \inhgetn@i#1\relax\expandafter\@Ti\fi} -\def\thna#1{\set@ka \n@v32 \check@staff \inhgetn@i#1\relax\expandafter\@Ti\fi} -\def\thfl#1{\set@ka \n@v37 \check@staff \inhgetn@i#1\relax\expandafter\@Ti\fi} -\def\thdfl#1{\set@ka \n@v47 \check@staff \inhgetn@i#1\relax\expandafter\@Ti\fi} - -\let\fetafont\fetanorfont - -\endcatcodesmusic -\catcode`\@=\catcodeat -\endinput diff --git a/macros/musixtex/tex/musixtmr.tex b/macros/musixtex/tex/musixtmr.tex deleted file mode 100644 index 16f48a67e3..0000000000 --- a/macros/musixtex/tex/musixtmr.tex +++ /dev/null @@ -1,201 +0,0 @@ -%% -%% musixtmr.tex : Times-series fonts definition for MusiXTeX -%% -%% usage: -%% \input musixtex -%% \input musixtmr -%% ... -%% -%% This file is public domain. -%% -%% Author: -%% Hiroaki MORIMOTO -%% Tokyo, Japan -%% URL(en): http://homepage1.nifty.com/kuuku/pub/musixtex/index-e.html -%% (jp): http://homepage1.nifty.com/kuuku/pub/musixtex/index.html -%% Extensions: Bob Tennent (rdt@cs.queensu.ca) 2016-02-22 -%% -%% reference: musixtex.tex (0.99) 268-508 -%% MusiXTeX: (c) Daniel Taupin, et al. -%% -%% History: see trailer. -% -\immediate\write16{MusiXTimesFonts\space<2017/02/10>} -\ifx\undefined\startpiece\errmessage{Input musixtex.tex before musixtmr.tex}\fi -% -% 7pt roman, bold, italic, bold italic, slanted and small-cap -\font\sevenrm=ptmr8t at 7pt -\font\sevenbf=ptmb8t at 7pt -\font\sevenit=ptmri8t at 7pt -\font\sevenbi=ptmbi8t at 7pt -\font\sevensc=ptmrc8t at 7pt % artificial small-caps -% -% 8pt roman, bold, italic, bold italic, slanted and small-cap -\font\eightrm=ptmr8t at 8pt -\font\eightbf=ptmb8t at 8pt -\font\eightit=ptmri8t at 8pt -\font\eightbi=ptmbi8t at 8pt -\font\eightsc=ptmrc8t at 8pt % artificial small-caps -% -% 9pt -\font\ninerm=ptmr8t at 9pt -\font\ninebf=ptmb8t at 9pt -\font\nineit=ptmri8t at 9pt -\font\ninebi=ptmbi8t at 9pt -\font\ninesc=ptmrc8t at 9pt -% -% 10pt -\font\tenrm=ptmr8t at 10pt -\font\tenbf=ptmb8t at 10pt -\font\tenit=ptmri8t at 10pt -\font\tenbi=ptmbi8t at 10pt -\font\tensc=ptmrc8t at 10pt -% -% -% 11pt -\font\elevenrm=ptmr8t scaled \magstephalf -\font\elevenbf=ptmb8t scaled \magstephalf -\font\elevenit=ptmri8t scaled \magstephalf -\font\elevenbi=ptmbi8t scaled \magstephalf -\font\elevensc=ptmrc8t scaled \magstephalf -% -% 12pt -\font\twelverm=ptmr8t scaled \magstep 1 -\font\twelvebf=ptmb8t scaled \magstep 1 -\font\twelveit=ptmri8t scaled \magstep 1 -\font\twelvebi=ptmbi8t scaled \magstep 1 -\font\twelvesc=ptmrc8t scaled \magstep 1 -% -% 14pt -\font\frtrm=ptmr8t scaled \magstep2 -\font\frtbf=ptmb8t scaled \magstep2 -\font\frtit=ptmri8t scaled \magstep2 -\font\frtbi=ptmbi8t scaled \magstep2 -\font\frtsc=ptmrc8t scaled \magstep2 -% -% 17pt -\font\svtrm=ptmr8t scaled \magstep3 -\font\svtbf=ptmb8t scaled \magstep3 -\font\svtit=ptmri8t scaled \magstep3 -\font\svtbi=ptmbi8t scaled \magstep3 -\font\svtsc=ptmrc8t scaled \magstep3 -% -% 20pt -\font\twtyrm=ptmr8t scaled \magstep4 -\font\twtybf=ptmb8t scaled \magstep4 -\font\twtyit=ptmri8t scaled \magstep4 -\font\twtybi=ptmbi8t scaled \magstep4 -\font\twtysc=ptmrc8t scaled \magstep4 -% -% 25pt -\font\twfvrm=ptmr8t scaled \magstep5 -\font\twfvbf=ptmb8t scaled \magstep5 -\font\twfvit=ptmri8t scaled \magstep5 -\font\twfvbi=ptmbi8t scaled \magstep5 -\font\twfvsc=ptmrc8t scaled \magstep5 -% -% large fonts for titles -% (If you prefer Times-bold, use \bf) -% (If you prefer small-caps, use \sc) -% -\def\bigtype{\bigfont\rm} -\def\Bigtype{\Bigfont\rm} -\def\BIgtype{\BIgfont\rm} -\def\BIGtype{\BIGfont\rm} -% -% -\font\ppfftwelve=ptmbi8t at 8pt -\font\ppffsixteen=ptmbi8t at 10pt -\font\ppfftwenty=ptmbi8t scaled \magstep 1 -\font\ppfftwentyfour=ptmbi8t scaled \magstep2 -\font\ppfftwentynine=ptmbi8t scaled \magstep3 -% -% -\def\f{{\ppff f}} -\def\ff{{\ppff ff}} -\def\fp{{\ppff fp}} -\def\fff{{\ppff fff}} -\def\ffff{{\ppff ffff}} -\def\mf{{\ppff mf}} -\def\p{{\ppff p}} -\def\pp{{\ppff pp}} -\def\ppp{{\ppff ppp}} -\def\pppp{{\ppff pppp}} - - -% -% sl fonts needed by musixsty -% -\font\eightsl=ptmro8t at 8pt -\font\ninesl=ptmro8t at 9pt -\font\tensl=ptmro8t at 10pt -\font\twelvesl=ptmro8t scaled \magstep1 -\font\frtsl=ptmro8t scaled \magstep2 -\font\svtsl=ptmro8t scaled \magstep3 -\font\twtysl=ptmro8t scaled \magstep4 -\font\twfvsl=ptmro8t scaled \magstep5 -% -% - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 -% -\def\sF{{\ppff s\p@kern f}} -\def\sfz{{\ppff s\p@kern f\f@kern z}} -\def\sfzp{{\ppff s\p@kern f\f@kern z\p@kern p}} - -\def\mp@{{\ppff mp}} -\let\mezzopiano\mp@ - -% -% Redefine accented characters for 8-bit font, suggested by David Carlisle: -% -\ifx\documentclass\undefined -\def\ProvidesFile#1[#2]{} -\def\DeclareFontEncoding#1#2#3{} -\def\DeclareTextAccent#1#2#3{% -\def#1##1{% -\expandafter\ifx\csname T1\string#1-\string##1\endcsname\relax -{\accent#1 ##1}% -\else -\csname T1\string#1-\string##1\expandafter\endcsname -\fi}} -\def\DeclareTextCommand#1#2{\xdtcmd}%not today -\def\xdtcmd#1#{\xxdtcmd}%not today -\def\xxdtcmd#1{}%not today -\def\DeclareTextCompositeCommand#1#2#3#4{}%not today -\def\DeclareTextSymbol#1#2#3{% -\def#1{\char#3\relax}} -\def\DeclareTextComposite#1#2#3#4{% -\expandafter\def\csname T1\string#1-\string#3\endcsname{\char#4\relax}} -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 - -\input t1enc.def - -% \c needs special treatment -\def\c#1{\leavevmode\ifx c#1\char231 \else\setbox\z@\hbox{#1}\ifdim\ht\z@=1ex\accent11 #1% - \else{\ooalign{\unhbox\z@\crcr - \hidewidth\char11\hidewidth}}\fi\fi} -\catcode`\@=\catcodeat -\fi - -\normtype -\endinput -%% -%% History -%% -%% 2001/08/21 -%% first publish -%% 2004/12/24 -%% no functional change. (email & real address change) -%% 2007/06/11 -%% no functional change. (email protection, real address change, URL change) -%% 2008/08/01 -%% Font assignment change on PMX. -%% 2009/10/15 -%% small update for MusiXTeX 1.14 final release. -%% 2015/02/06 -%% 8-bit encoding and extensions, similar to musixplt.tex -%% 2015-07-25 -%% change to ptmr8t fonts and use t1enc.def to re-defined accented characters -%% 2016-07-11 RDT -%% \catcode`\@=11 before inputting t1enc.def diff --git a/macros/musixtex/tex/musixtri.tex b/macros/musixtex/tex/musixtri.tex deleted file mode 100644 index 52375e170d..0000000000 --- a/macros/musixtex/tex/musixtri.tex +++ /dev/null @@ -1,64 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% - -\immediate\write16{MusiXTRIplepoint 1.05\space<30 April 2002>} - -\ifx\undefined\hlppp \else \endinput \fi - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 - -\def\lppt{\g@pt\m@ne\tw@} - -\def\whppp{\def\w@h{\musixfont\nin@\roffset\qu@rt{\C@Point\tw@\raise}}% - \y@v\wn@width \g@w} -\def\zwppp{\advancefalse\whppp} - -\def\@quppp{\let\st@m\upst@m \g@qppp} -\def\@qlppp{\let\st@m\downst@m \g@qppp} -\def\@zqppp{\let\st@m\setst@m \advancefalse\g@qppp} -\def\@nqppp{\let\st@m\resetst@m \g@qppp} - -\def\q@uppp{\q@u\C@Point\tw@\raise} -\def\g@qppp#1{\getn@i#1\relax \let\n@fon\g@qppp \let\n@sym\q@uppp - \y@v\qn@width \writ@note} - -\def\@qbppp#1{\s@l@ctbeam#1\relax \let\st@m\beamst@m \g@qppp} - -\def\@cuppp{\n@vii\@xl \let\st@m\up@flag \g@qppp} -\def\@clppp{\n@vii45\let\st@m\down@flag \g@qppp} - -\def\huppp{\h@symbol\@quppp} -\def\hlppp{\h@symbol\@qlppp} -\def\zhppp{\h@symbol\@zqppp} -\def\zhuppp{\advancefalse\huppp} -\def\zhlppp{\advancefalse\hlppp} -\def\quppp{\q@symbol\@quppp} -\def\qlppp{\q@symbol\@qlppp} -\def\zquppp{\advancefalse\quppp} -\def\zqlppp{\advancefalse\qlppp} -\def\zqppp{\q@symbol\@zqppp} -\def\cuppp{\q@symbol\@cuppp} -\def\zcuppp{\advancefalse\cuppp} -\def\clppp{\q@symbol\@clppp} -\def\zclppp{\advancefalse\clppp} -\def\qbppp{\q@symbol\@qbppp} -\def\zqbppp{\advancefalse\qbppp} - -\catcode`\@=\catcodeat -\endinput diff --git a/macros/musixtex/tex/musixvbm.tex b/macros/musixtex/tex/musixvbm.tex deleted file mode 100644 index 9a2898c935..0000000000 --- a/macros/musixtex/tex/musixvbm.tex +++ /dev/null @@ -1,212 +0,0 @@ -%% -%% musixvbm.tex - MusiXTeX Extension, Vectorized Beams (& crescendos) -%% by tpic specials / pdfTeX raw literal -%% -%% Copyright (C) 2000-2007 Hiroaki MORIMOTO (Kuuku) -%% 2021-05-17: RDT added comments on the tpic \specials -%% -%% This program is free software; you can redistribute it and/or -%% modify it under the terms of the GNU General Public License -%% as published by the Free Software Foundation; either version 2 -%% of the License, or any later version. -%% -%% This program is distributed in the hope that it will be useful, -%% but WITHOUT ANY WARRANTY; without even the implied warranty of -%% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -%% GNU General Public License for more details. -%% -%% You should have received a copy of the GNU General Public License -%% along with this program; if not, write to the Free Software -%% Foundation, Inc., 59 Temple Place - Suite 330, Boston, MA 02111-1307, USA. -%% -%% \def\domain{nifty.com} -%% Author: -%% Hiroaki MORIMOTO -%% Tokyo, Japan -%% URL: http://kuuku.no.coocan.jp/pub/musixtex/index-e.html -%% -%% based on musixtex.tex T.104, line 3255-3290. -%% MusiXTeX : (C) Daniel Taupin et al. -%% -%% January 1, 2007 version 1.20-beta6 -%% This is a successor of `musixtpb.tex' ver.1.10. -%% -\ifx\ifvectorizedbeam\undefined\else\endinput\fi -\immediate\write16{MusiXTeX Extension, Vectorized Beams and crescendos <2007/01/01>}% -% -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 -% -% Allocation of registers -% No register is required except for scratch (\dimen@, \count@) -% -% Modes definition (default: true) -\newif\ifvectorizedbeam \vectorizedbeamtrue -% -% Operation mode automatic selection (v1.20) -% -\let\@beammodesel\relax% -\ifx\pdftexversion\undefined\else% - \ifnum\pdfoutput>0\relax - \immediate\write16{musixvbm: uses pdfTeX raw literal}% - \edef\@beammodesel{pdftex}% - \fi -\fi -\ifx\@beammodesel\relax - \immediate\write16{musixvbm: uses tpic specials}% - \edef\@beammodesel{tpic}% -\fi -% -% Overriding beam termination code (v1.20) -% -\let\@beam@font=\@beam\relax -\def\@beam{% - \ifvectorizedbeam - \csname @beam@\@beammodesel\endcsname - \else - \@beam@font - \fi -}% -% -% Main routine for tpic-version beam -% \y@ii : length, \b@p : slope, \y@i : altitude -% -\def\@beam@tpic{% - % X of end - \@dimentomil{\y@ii}{\@Xend}% - % Y of start - \y@iii\y@i - \advance\y@iii -\b@amthick - \@dimentomil{-\y@iii}{\@Ystart@l}% - \advance\y@iii \tw@\b@amthick - \@dimentomil{-\y@iii}{\@Ystart@u}% - % Y of end - \y@iv\y@i - \dimen@=\b@p\y@ii \divide\dimen@ \tw@nty% \tw@nty=20 def'd in musixtex.tex - \advance\y@iv \dimen@ - \advance\y@iv -\b@amthick - \@dimentomil{-\y@iv}{\@Yend@l}% - \advance\y@iv \tw@\b@amthick - \@dimentomil{-\y@iv}{\@Yend@u}% -% \special{pn 1}% - \special{sh 1}% RDT: set beam shading to black - \@addbeampath{0}{\@Ystart@l}% RDT: add points to define the beam perimeter - \@addbeampath{\@Xend}{\@Yend@l}% - \@addbeampath{\@Xend}{\@Yend@u}% - \@addbeampath{0}{\@Ystart@u}% - \@addbeampath{0}{\@Ystart@l}% RDT: close the perimeter - \special{ip}% RDT: draw the beam (without the outline) - \kern\y@ii -}% -% -% -% Subroutines for tpic-version beam -% -\def\@dimentomil#1#2{{% - % 1m-in = 0.07227pt, 1pt = 13.837m-in - % \count@=\count255 \dimen@=\dimen0 def'd in plain - \dimen@=#1\relax\dimen@=13.837\dimen@\relax - \count@\dimen@ - \ifnum\count@>0 - \advance\count@ by 32768 - \else - \advance\count@ by -32768 - \fi - \divide\count@ by 65536 - \xdef#2{\the\count@}}}% -% -\def\@addbeampath#1#2{\special{pa #1 #2}}% -% -% -% Main routine for pdfTeX -% -\def\@beam@pdftex{% - % X of end - \edef\@Xend{\strip@pt\y@ii}% - % Y of start - \y@iii\y@i - \advance\y@iii -\b@amthick - \edef\@Ystart@l{\strip@pt\y@iii}% - \advance\y@iii \tw@\b@amthick - \edef\@Ystart@u{\strip@pt\y@iii}% - % Y of end - \y@iv\y@i - \dimen@=\b@p\y@ii \divide\dimen@ \tw@nty% \tw@nty=20 def'd in musixtex.tex - \advance\y@iv \dimen@ - \advance\y@iv -\b@amthick - \edef\@Yend@l{\strip@pt\y@iv}% - \advance\y@iv \tw@\b@amthick - \edef\@Yend@u{\strip@pt\y@iv}% - \pdfliteral{q 0 g 0 \@Ystart@l\space m \@Xend\space\@Yend@l\space l \@Xend\space\@Yend@u\space l 0 \@Ystart@u\space l 0 \@Ystart@l\space l f Q}% - \kern\y@ii -}% -% -% Subroutines for pdfTeX -% (taken from latex.ltx 2003/12/01) -\begingroup - \catcode`P=12 - \catcode`T=12 - \lowercase{% - \def\x{\def\rem@pt##1.##2PT{##1\ifnum##2>\z@.##2\fi}}}% - \expandafter\endgroup\x -\def\strip@pt{\expandafter\rem@pt\the}% -% -% -% vectorized version of crescendo, decrescendo (under construction) -% -\let\C@cresc@font=\C@cresc\relax -% -% for tpic-version crescendo -% #1=length (any TeX dimension, no limit)) -\def\C@cresc@tpic#1{% - \y@iv#1\relax -% \rlap{\vrule width\y@iv height1pt}% - \@dimentomil{\y@iv}{\@Xend}% - \dimen@=2.5pt \advance\dimen@ by.00125\y@iv\relax% see musixspx.mf - \@dimentomil{\dimen@}{\@Yend@l}% - \special{pn 6}% 0.4pt=5.5348mil see musixspx.mf - \ifnum\n@ii=\@cxv% decrescendo see musixtex.tex T.112 line 3870 - \@addbeampath{0}{\@Yend@l}% - \@addbeampath{\@Xend}{0}% - \special{fp}% - \@addbeampath{0}{-\@Yend@l}% - \@addbeampath{\@Xend}{0}% - \special{fp}% - \else - \@addbeampath{\@Xend}{\@Yend@l}% - \@addbeampath{0}{0}% - \special{fp}% - \@addbeampath{\@Xend}{-\@Yend@l}% - \@addbeampath{0}{0}% - \special{fp}% - \fi -% \C@cresc@font#1% -}% -% -% for pdfTeX-version crescendo -% #1=length (any TeX dimension, no limit)) -\def\C@cresc@pdftex#1{% - \y@iv#1\relax -% \rlap{\vrule width\y@iv height1pt}% - \edef\@Xend{\strip@pt\y@iv}% - \dimen@=2.5pt \advance\dimen@ by.00125\y@iv\relax% see musixspx.mf - \edef\@Yend@l{\strip@pt\dimen@}% - \ifnum\n@ii=\@cxv% decrescendo see musixtex.tex T.112 line 3870 - \pdfliteral{.4 w q 0 g 0 \@Yend@l\space m \@Xend\space 0 l S Q q 0 g 0 -\@Yend@l\space m \@Xend\space 0 l S Q}% - \else - \pdfliteral{.4 w q 0 g \@Xend\space \@Yend@l\space m 0 0 l S Q q 0 g \@Xend\space -\@Yend@l\space m 0 0 l S Q}% - \fi -% \C@cresc@font#1% -}% -% -% Overriding crescendo (v1.20) -% -\def\C@cresc#1{% - \ifvectorizedbeam - \csname C@cresc@\@beammodesel\endcsname#1 - \else - \C@cresc@font#1 - \fi -}% -% -\catcode`\@=\catcodeat -\endinput diff --git a/macros/musixtex/tex/tuplet.tex b/macros/musixtex/tex/tuplet.tex deleted file mode 100644 index 8ea0dfc030..0000000000 --- a/macros/musixtex/tex/tuplet.tex +++ /dev/null @@ -1,27 +0,0 @@ -% -% This file is part of MusiXTeX -% -% MusiXTeX is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXTeX is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXTeX; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -% -% tuplet.tex -% -\immediate\write16{tuplet.tex <2017-03-16>}% -% -% (nothing to do. - T.116 or later provide the definitions -% by Col. Sicherman formerly in tuplet.tex) -% -\endinput diff --git a/macros/musixtnt/README b/macros/musixtnt/README deleted file mode 100644 index 78adcc1c8a..0000000000 --- a/macros/musixtnt/README +++ /dev/null @@ -1,49 +0,0 @@ -This archive contains a MusiXTeX extension library -musixtnt.tex and C source code, binaries for Windows (32 -bit and 64 bit) and MacOSX, and documentation for a program -msxlint. - -musixtnt.tex provides a macro \TransformNotes that -enables transformations of the effect of notes -commands such as \notes. In general, the effect of -\TransformNotes{input}{output} is that notes commands in -the source will expect their arguments to match the input -pattern, but the notes will be typeset according to the -output pattern. An example is extracting single-instrument -parts from a multi-instrument score. - -msxlint detects incorrectly formatted notes lines in a -MusiXTeX source file. This should be used before using -\TransformNotes. - -To install: - -Create texmf/tex/generic/musixtnt in a local or personal -texmf tree and move musixtnt.tex into it. - -Create texmf/doc/generic/musixtnt and move there the files -in the doc directory. - -Update the file-name database as required by your TeX -installation. - -If your platform is UNIX-like, process the -musixtnt-.tar.gz file as usual (tar zxvf ..., -./configure, make, make install). - -If your platform is Windows, move the executable msxlint.exe -from either the 32bit or the 64bit folder to a folder on the -executable PATH. - -If your platform is Mac OS-X, install the executable from -the macosx directory. - -musixtnt.tex, utils.c and msxlint.c are licensed under the -GPL version 2 or (at your option) any later version. - -Please report bugs and experience (good or bad) using these -programs to me. - -Bob Tennent -rdt(at)cs(dot)queensu(dot)ca -2016-01-30 diff --git a/macros/musixtnt/doc/TransformNotes.3 b/macros/musixtnt/doc/TransformNotes.3 deleted file mode 100644 index 752aa02985..0000000000 --- a/macros/musixtnt/doc/TransformNotes.3 +++ /dev/null @@ -1,98 +0,0 @@ -.TH TransformNotes 3 2016-01-30 "" "" - -.SH NAME -TransformNotes \- macro to transform notes command arguments in MusiXTeX - -.SH SYNOPSIS -.nf - - \\input musixtnt - - \\TransformNotes{input}{output}% - -.fi - -.SH USAGE - -musixtnt.tex is an extension library for MusiXTeX. It is available -at CTAN and at WIMA in the software archive. - -\\TransformNotes makes possible transformations of the effect of notes commands such as -\\notes. In general, the effect of \\TransformNotes{input}{output} -is that notes commands in the source will expect their arguments to match the input pattern, -but the notes will be typeset according to the output pattern. - -For example, \\TransformNotes{#2}{#2}% -would be appropriate for a four-instrument score (arguments #2, #3, #4, and #5, separated by three -&s), but the notes for the usual third argument (#4) will be discarded in the typeset output. - -The instrument/staff numbers in the first argument must start at 2 and increase -consecutively, using & (or | for multi-staff instruments) as a separator. -The reason that the segment identifiers start at 2 is that argument #1 for the -basic \\vnotes macro -is a spacing parameter. -It is -essential that every \\znotes, \\notes, \\Notes, \\NOtes, etc. command in -the score match the pattern of the first argument to \\TransformNotes exactly; too few (or too many) -note segments will result in unintentionally discarded material and possibly compilation failure. -An auxiliary program -.BR msxlint (1) -can be used to detect such inconsistencies. -Notes commands are assumed to be terminated by \\en, not \\enotes. - -\\TransformNotes may be used anywhere between \\startpiece -and the command that ends the piece. - -To extract -a single-instrument part from a (copy of a) multi-instrument musixtex score: -set \\nbinstrument to 1 (for example, with command \\instrumentnumber1), -and use \\TransformNotes to discard all but one of the note segments in notes -commands. -For example, the following line placed after -\\startpiece (but before any note commands) would be appropriate for a -four-instrument score and will result in a single-instrument part for the second of -these: \\TransformNotes{#2}{#3}% . - -Some additional revisions to the source for the part might be necessary: - - + adjusting \\setname1, \\setclef1, \\setsign1, -\\setmeter1 and \\setstaffs1 commands, as necessary; - - + ensuring that tempo and roadmap markings (D.C., Fine, etc.) are in -the appropriate instrument segment; - -When the extracted part score is compiled and viewed, it may be seen -that horizontal-spacing commands designed for multiple instruments can produce bad -spacing when used for a single instrument. Bad spacing can be corrected manually but -this is very tedious; an auxiliary program called -.BR autosp (1) -automates this process; it is available at WIMA -in the software archive. - -The \\TransformNotes macro may be used for other purposes. Here are some examples: - -\\TransformNotes{#2}{#2&\\transpose+7#3}% -will transpose just the second instrument (argument #3). - -\\TransformNotes{#2|#3}{#2|#3&\\tinynotesize#4}% -will begin typesetting the notes of the second instrument (#4) in tiny size. - -\\TransformNotes{#2}{#3}% -will switch the order of the two instruments. - -\\TransformNotes{#2}{#2}% -will restore normal two-instrument processing. - -.SH LIMITATIONS -The \\TransformNotes macro is currently incompatible with the musixlyr extension -package for lyrics. - -.SH SEE ALSO -.BR msxlint (1), -.BR autosp (1) -.PP -musixdoc.pdf - -.SH AUTHOR -This manual page was written by Bob Tennent . - diff --git a/macros/musixtnt/doc/TransformNotes.pdf b/macros/musixtnt/doc/TransformNotes.pdf deleted file mode 100644 index 2cd529e031..0000000000 Binary files a/macros/musixtnt/doc/TransformNotes.pdf and /dev/null differ diff --git a/macros/musixtnt/doc/msxlint.1 b/macros/musixtnt/doc/msxlint.1 deleted file mode 100644 index d0a3f695ae..0000000000 --- a/macros/musixtnt/doc/msxlint.1 +++ /dev/null @@ -1,36 +0,0 @@ -.\" This manpage is licensed under the GNU Public License -.TH MSXLINT 1 2015-02-05 "" "" - -.SH NAME -msxlint \- detects incorrectly formatted notes lines in a MusiXTeX source file. - -.SH SYNOPSIS -.B msxlint -.RB [ \-v\ |\ \-\-version\ |\ \-h\ |\ \-\-help ] - -.B msxlint -.RB [ \-d\ | \ \-\-debug ]... -.RI [ infile [ \fB.tex\fP ]...] - -If no -.IR infiles -are specifed, standard input is used. - -.SH USAGE - -The format that notes commands are expected to match is -determined by \\instrumentnumber and \\setstaffs commands, or -uses of the \\TransformNotes macro defined in musixtnt.tex (see musixdoc.pdf), or re-definitions of the \\vnotes macro. -Output consists of messages about format errors, -with listings of the ill-formatted lines. - -.SH LIMITATIONS -User-defined macros are not processed or expanded. Notes commands (\\notes, \\Notes, etc.) -can have line breaks, but other commands must fit on one line. -.SH SEE ALSO -.BR fixmsxpart (1) -.PP -musixdoc.pdf - -.SH AUTHOR -This program and manual page were written by Bob Tennent . diff --git a/macros/musixtnt/doc/msxlint.pdf b/macros/musixtnt/doc/msxlint.pdf deleted file mode 100644 index a0a3ecd26a..0000000000 Binary files a/macros/musixtnt/doc/msxlint.pdf and /dev/null differ diff --git a/macros/musixtnt/macosx/msxlint b/macros/musixtnt/macosx/msxlint deleted file mode 100755 index 3adb0ec571..0000000000 Binary files a/macros/musixtnt/macosx/msxlint and /dev/null differ diff --git a/macros/musixtnt/tex/musixtnt.tex b/macros/musixtnt/tex/musixtnt.tex deleted file mode 100644 index 421168907a..0000000000 --- a/macros/musixtnt/tex/musixtnt.tex +++ /dev/null @@ -1,30 +0,0 @@ -% -% MusiXtnt.tex is free software; you can redistribute it and/or modify -% it under the terms of the GNU General Public License as published by -% the Free Software Foundation; either version 2, or (at your option) -% any later version. -% -% MusiXtnt.tex is distributed in the hope that it will be useful, -% but WITHOUT ANY WARRANTY; without even the implied warranty of -% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the -% GNU General Public License for more details. -% -% You should have received a copy of the GNU General Public License -% along with MusiXtnt; see the file COPYING. If not, write to -% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, -% Boston, MA 02111-1307, USA. -% -% Copyright 2015 Bob Tennent rdt@cs.queensu.ca -% -\immediate\write16{MusiXtnt\space<18 February 2015>}% - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 - -\ifx\setlyrics\undefined% -\gdef\TransformNotes#1#2{\def\vnotes##1\elemskip#1\en{\noteskip##1\@l@mskip\@vnotes#2\en}}% -\else\errmessage{Musixtnt is incompatible with musixlyr}% -\fi - -\catcode`\@=\catcodeat -% -\endinput -- cgit v1.2.3