From e0c6872cf40896c7be36b11dcc744620f10adf1d Mon Sep 17 00:00:00 2001 From: Norbert Preining Date: Mon, 2 Sep 2019 13:46:59 +0900 Subject: Initial commit --- language/typingtex/ASCII-on-the-Mac.doc | 278 +++++ .../Active8MacProse.dir/Active8Mac-SP.tex | 105 ++ .../typingtex/Active8MacProse.dir/Active8MacCM.tex | 565 ++++++++++ .../Active8MacProse.dir/Test8LaTeXCsCM.tex | 117 ++ .../typingtex/Active8MacProse.dir/Test8MacCM.tex | 115 ++ .../Textures16xMacEncoding.dir/fr8hyph.mac | 162 +++ .../Textures16xMacEncoding.dir/fr8hyph.src | 1114 ++++++++++++++++++++ .../Convert-RaichleHacked.dir/cork2dek.tbl | 173 +++ .../typingtex/Convert-RaichleHacked.dir/cv.cfg | 31 + language/typingtex/Convert-RaichleHacked.dir/cv.in | 1 + .../typingtex/Convert-RaichleHacked.dir/cv.log | 24 + .../typingtex/Convert-RaichleHacked.dir/cv.out | 0 .../typingtex/Convert-RaichleHacked.dir/cv.tex | 482 +++++++++ .../Convert-RaichleHacked.dir/mac2dek.tbl | 80 ++ .../Convert-RaichleHacked.dir/mac2fr7d.tbl | 56 + .../Convert-RaichleHacked.dir/mac2fr7g.tbl | 57 + .../Convert-RaichleHacked.dir/mac2noac.tbl | 80 ++ .../typingtex/Convert-RaichleHacked.dir/pc2dek.tbl | 103 ++ .../Convert-RaichleHacked.dir/pc2fr7d.tbl | 65 ++ .../Convert-RaichleHacked.dir/pc2fr7g.tbl | 61 ++ .../Convert-RaichleHacked.dir/pc2noac.tbl | 103 ++ language/typingtex/CorkNormMacTyping-cpt.hqx | 579 ++++++++++ language/typingtex/Seroul-8bit-Textures-cpt.hqx | 548 ++++++++++ .../typingtex/ascii-on-the-macintosh_system7.doc | 153 +++ .../cortex-email.dir/CorTeX-lex-script-Mai93 | 203 ++++ .../cortex-email.dir/Email&CorTeXQuedMac.doc | 604 +++++++++++ .../cortex-email.dir/Email&CorTeXQuedMac.hqx | 327 ++++++ language/typingtex/email.dir/email-fix.pub | 148 +++ language/typingtex/email.dir/email-fr.dmp | 123 +++ language/typingtex/email.dir/email-fr.fix | 947 +++++++++++++++++ language/typingtex/email.dir/email-fr.sty | 560 ++++++++++ language/typingtex/email.dir/email-sp | 104 ++ language/typingtex/email.dir/email-sp.sty | 248 +++++ language/typingtex/lehyphen.tex | 170 +++ language/typingtex/multicategory.tex | 682 ++++++++++++ language/typingtex/tally.sty | 874 +++++++++++++++ 36 files changed, 10042 insertions(+) create mode 100644 language/typingtex/ASCII-on-the-Mac.doc create mode 100644 language/typingtex/Active8MacProse.dir/Active8Mac-SP.tex create mode 100644 language/typingtex/Active8MacProse.dir/Active8MacCM.tex create mode 100644 language/typingtex/Active8MacProse.dir/Test8LaTeXCsCM.tex create mode 100644 language/typingtex/Active8MacProse.dir/Test8MacCM.tex create mode 100644 language/typingtex/Active8MacProse.dir/Textures16xMacEncoding.dir/fr8hyph.mac create mode 100644 language/typingtex/Active8MacProse.dir/Textures16xMacEncoding.dir/fr8hyph.src create mode 100644 language/typingtex/Convert-RaichleHacked.dir/cork2dek.tbl create mode 100644 language/typingtex/Convert-RaichleHacked.dir/cv.cfg create mode 100644 language/typingtex/Convert-RaichleHacked.dir/cv.in create mode 100644 language/typingtex/Convert-RaichleHacked.dir/cv.log create mode 100644 language/typingtex/Convert-RaichleHacked.dir/cv.out create mode 100644 language/typingtex/Convert-RaichleHacked.dir/cv.tex create mode 100644 language/typingtex/Convert-RaichleHacked.dir/mac2dek.tbl create mode 100644 language/typingtex/Convert-RaichleHacked.dir/mac2fr7d.tbl create mode 100644 language/typingtex/Convert-RaichleHacked.dir/mac2fr7g.tbl create mode 100644 language/typingtex/Convert-RaichleHacked.dir/mac2noac.tbl create mode 100644 language/typingtex/Convert-RaichleHacked.dir/pc2dek.tbl create mode 100644 language/typingtex/Convert-RaichleHacked.dir/pc2fr7d.tbl create mode 100644 language/typingtex/Convert-RaichleHacked.dir/pc2fr7g.tbl create mode 100644 language/typingtex/Convert-RaichleHacked.dir/pc2noac.tbl create mode 100644 language/typingtex/CorkNormMacTyping-cpt.hqx create mode 100644 language/typingtex/Seroul-8bit-Textures-cpt.hqx create mode 100644 language/typingtex/ascii-on-the-macintosh_system7.doc create mode 100644 language/typingtex/cortex-email.dir/CorTeX-lex-script-Mai93 create mode 100644 language/typingtex/cortex-email.dir/Email&CorTeXQuedMac.doc create mode 100644 language/typingtex/cortex-email.dir/Email&CorTeXQuedMac.hqx create mode 100644 language/typingtex/email.dir/email-fix.pub create mode 100644 language/typingtex/email.dir/email-fr.dmp create mode 100644 language/typingtex/email.dir/email-fr.fix create mode 100644 language/typingtex/email.dir/email-fr.sty create mode 100644 language/typingtex/email.dir/email-sp create mode 100644 language/typingtex/email.dir/email-sp.sty create mode 100644 language/typingtex/lehyphen.tex create mode 100644 language/typingtex/multicategory.tex create mode 100644 language/typingtex/tally.sty (limited to 'language/typingtex') diff --git a/language/typingtex/ASCII-on-the-Mac.doc b/language/typingtex/ASCII-on-the-Mac.doc new file mode 100644 index 0000000000..ff568286e4 --- /dev/null +++ b/language/typingtex/ASCII-on-the-Mac.doc @@ -0,0 +1,278 @@ + + + *** ASCII-on-the-Mac.doc *** + + + When the Macintosh stoops to converse with the rest +of the world on the email (= electronic mail) network the +Macintosh user has to adapt to the old ASCII system +(=American Standard for Computer Information Interchange of 1963). +Since, on the Macintosh, ASCII is neither clearly delimited +nor optimally implemented, some learning and adaptation on +the part of the user is required. The following comments +may help. + + Leaving aside details of little interest, one can say +that under the ASCII regime the Mac user is simply required +to use only TEXT files and therein use only the characters + + 9 (tab), 13 (carriage return), 32 (space) + and 33 -- 126, which are : + !"#$%&'()*+,-./0123456789:;<=>?@ + ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_` + abcdefghijklmnopqrstuvwxyz{|}~ + +Roughly speaking, these are the common unaccented caracters +and diacritics of American typewriters the early 20th +century. Unfortunately there are problems: + + (A) The following common diacritics are not ASCII and +must not be used although they may be marked on the keyboard: + + section (= \S in TeX) + degree + dieresis + pound sign + yen + + + (B) The following ASCII characters are often somewhat +inaccessible (depending on your Mac model and software!) + + \ | @ # + +You do well to hunt them down and mark them somehow. + + (C) The following characters are marked but on +"dead-keys" (=keys that give bo result on first being struck) + ` ^ ~ and perhaps ' " + +On early Macs the dead keys were typed by double-striking +them. From the coming of the ADB (=Apple Desktop Bus) +keyboards in 1987(?), dead keys became spooky; the +double strike to obtain the dead-key character was +invalidated and replaced by the dead-key followed by +spacebar. For many users that takes twice as long as the +original double strike. + + In 1988 Fabien Samuel wrote at my request a low level +system patch (for the KeyTrans ROM routine) to restore the +original behavior of dead-keys. It comes in the form of an +INIT file called KeyTransPatchInit to be put in your system +folder. It is given immediately below in binhex coded +form. Put the binhex code and preamble in a TEXT file on +the Mac and decode with BinHeX or CompactPro or Stuffit +to obtain the INIT file. + +(This file must be converted with BinHex 4.0) +:(%YPH94bB@jc8'&dBfK*EQPd+'4PB@3YDf9jFbN!58j*9%CK8f%K!!!!!!!!!!2 +-%1d!!!!!!3!!!!-"!!!#!3!!!-[!!B!2i!'!(r!"J"ji!B!m2!'!1"`"J(!i!B" +`1!'!i"a,CAP8FQ&ZFe"KG'0S5@jTG#KNC@&N,@YPHA-T,3)!!!"*6NP84Q&6B5! +!rmF!!!!!!!!!!!!!!!!!!!!!!!!!!+,YU3d!!!!!!!!$c)!!!!+!!!!#J!!!!S+ +UUS+!!!!#L!!!)S!!!!+)!!!LJ!!!!SJ!!#+!!!!#L!!!)S!!!!+)!!!LJ!!!!SJ +!!#+!!!!#L!!!)S!!!!*rrrrm!!!!J!$rr`!"rrq!!rrr`!Iqrq!2r(r`(qaRq$r +%4rara%Iqrd4(rrj%4rrq4%IrrN3!!!")B!3!!!!!)&mLAc!I)Km[#%j@!!")ja! +J*%P#J`J!!!GQ!LB53UF[!6m!,`NJH[r86T!!,9m!##)$C`BN[!!!!!"-h`3)6Pj +1G3!!!!3!!!")!!!"!2rrrrq!!!!"[R2[4D+)L%@LL)Kp[[L)4D#)L%@JL)p&J!! +!!Irrrrq!!!!"QUUUUB!!!!'9999CJ!!!!CUUUUQ!!!!"KArr8B!!!!'!!!!"rrr +rri!!!!(rrrrrrrrrr`!rq!!!!i!!!!%!!!!!!!!!!!!!!!!!!!!!!!!!!!!!rrr +rrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrr +rrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrr!$r +i!!!$J!!!!3!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!F4Q&6B3!!!!&'8N9'!!! +!!!#!5801)`!!!!!!J!!!!!G*6NP8!!!!!!!!0M!i!9S-3!3!DbT#Tbmm5h43-8* +RUD!LAb!*CaJ[#DQ5-$`"`k&')P%M5!!#-$`"`b"*S%G1G3!!!%"#5f9j9(*KER0 +3BA4MD#"*EQPd)#dJ3fp`HA*TCfKd)%CKBQPPEL"6B@eeC@`J-6Ni1#!J)#!J)#! +J)#!J)#!J!!!"!!!!!`%!!!)"!!!!b`!+JB`6'J!!!"`!UJ!'5h43-3!!!$TcHA0 +k!!!!4NP$6L-!!!"53Nj%6!!!!&j'8N9'!!!!DNCK8f%!!!"f58j*9!!!!))!!!! +!8!!!!!!!!!!!!!!1)!!!6!!!!!!!J2rr*!!!9!!!!!!!J2rr)!!"@!!!!!!!J2r +r!!!"H!!!!!!!!2rr)!!"[3!+JA`!!!!@%!!"J`!!!!!05f9j9(*KER03BA4MD!G +,G("6DATP#NYdF%PZFh4KE'bcL`: + + + There is still a minor bug or two in the patch; perhaps +someone will take up the challenge to fix it? + + With the above patch, the Mac on its own types and +displays ASCII reasonably well with almost any Mac prose font. +But the situation may take a turn for the worse once the Mac +is connected to the net. The "terminal program" often fails to +establish full ASCII communication between the Macintosh +and the host computer on the net. + + +NCSATelnet + + One bad example still widely used is the NCSATelnet program +(non-TCP form); it allows the Mac to be a Telnet node on a local +network, usually ethernet or Apple's Local Talk. The most +freindly versions seem to be 2.2 and 2.3. About ten ASCII +characters become inaccessible and have to be replaced by +command keys on the numerical keypad: Command 0, ... Command 9. + + The following seems a suitable arrangement + + 7 ` 8 < 9 > + + 4 { 5 | 6 } + + 1 ~ 2 # 3 \ + + 0 @ + +To retain these from one session to the next one should +add to the configuration file the following lines: + +key0= "@" +key1= "~" +key2= "#" +key3= "\\" +key4= "{" +key5= "|" +key6= "}" +key7= "`" +key8= "<" +key9= ">" + + This is just one terminal program of recent times. Expect +similar problems with others. That being so, the Mac user is +well advised to collect means that let him survive with a +crippled keyboard. The device of copying from and pasting to the +terminal program window is one of the most powerful. It permits +one to do essentially all typing and editing in one's favorite +text editor. + + Another helpful item is the KeyFinder desk accessory +available from sumex.stanford.edu. It lets one type with the +mouse. + + This collection of "helpful hints" for Macs in the ASCII +world is highly subjective. Readers are most welcome to suggest +useful additions. + + Larry S + + + +Here is another approach to the dead-key problem +based on KCHR reprogramming. (Cf Fabien Samuel's INIT above). + +ASCII sur le Mac + +%%~t gut@ens.fr 8-94 + + *** ASCII sur le Mac, deux approches *** + + Je rencontre souvent des utilisateurs du Macintosh +qui disent: + + > Pour un certain nombre de raisons + > j'utilise moi-meme un clavier QWERTY. + + Un des motifs pour cela est qu'on ne voit pas +les caract`er ascii @~#\ grav'es sur le clavier. + +Mais on peut mettre de petites 'etiquettes sur le devant +des touches en question --- rem`ede satisfaisant. + + Un autre motif est la difficult'e d'acc`es `a +, et --- qui est due `a un +m'ecanisme de touches mortes servant `a acc'eder aux +caract`eres Mac pr'ecompos'es portant un de ces trois +"accents". + + --- pour obtenir + on doit taper Option n et ensuite + + --- pour obtenir ` (leftquote = l'accent grave) + on doit taper ` et ensuite + + --- pour obtenir ^ + on doit taper ^ et ensuite + + En somme la frappe `a 8 bits entrave s'erieusement la +frappe ASCII. Cela explique en partie le m'epris pour le +Macintosh parmi ceux qui le connaissent mal. Que faire +pour restaurer une bonne frappe ASCII sur le Mac? Il y a, +en effet, plusieurs solutions. + + (1) Am'eliorer m'ecanisme des touches mortes par un +INIT. Fabien Samuel a programm'e cette solution pour +moi. Par exemple, la frappe " et ensuite +" devient alors . C'est bon mais +pas optimal. Son grand avantage est de corriger +tous les claviers nationaux `a la fois. + + (2) Modifier la resource fran_caise KCHR. Il y a +beaucoup de fa_cons de faire cela avec ResEdit. J'ai +choisi de d'etourner compl`etement la touche BLOC +MAJUSCULES pour basculer entre un chavier ASCII et le +clavier 8 bits d'origine. La frappe de pour +est donc possible tant que BLOC MAJUSCULES est deprim'e +(et abc donne abc et pas ABC). Pour installer cette +solution on doit remplacer avec ResEdit la resource KCHR +no 1 par celle appele'e "France&ASCIIsurBLOC" et lui +donner le num'ero 1. + + Ces deux solutions (qu'on peut combiner) se trouvent +sur ftp matups.math.u-psud.fr dans + + pub/TeX/TypingTeX.dir/ASCII-on-the-Mac.doc + + + Laurent S + +Voici la resource: + +(This file must be converted with BinHex 4.0) +:&dY$5&*'FQ&ZBf8Q390$58PcGA*#6%p$!(*cFQ058d9%!3!!!!!!!!!*$Me%!!! +!!!%!!!!)bJ!!"mS!!!"%!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! +A5d0)8NCbB@jMC5C"8d0*5A0eFN*-6d-#!!!!FR0bB`!!FR0bBe*6483"!!#4!1X +!!$[1!!!!!!!!!!!!!!!!!!#UIG3,!!!!!!!!#3jb!LJY!"&3Eh"eF%ePER9$4%9 +',6%b1!9'6'PcG!!!!#-L3Qp[E@9bB@jR)(Ba,M-JU6%j1$NJ5'PbEb"CB@eKE@p +dE`!!"FKJ%J!!3d4&4J#!!!""8ddJ9M%Z-Nj@rqC)jaii+'i!$M`Z!!`k,J!5)%b +JD4e!rqDJ+5483Ui!&%)Z!!!(aJ!!!!!"!3J##3!$"J3%#J8,"!F("`F("`F("`F +("`F("`F"!!%)!3!"!!3%"!3%"!3%"`F("`F("`F("`F("`F("`-'"!3&"33%!`B +%"!8&"!3("`F("`F("`F("`F("`F("!3%"!3%"!3%"!3%"!3%"!F("`F("`F("`F +("`F("`F("`F("`F("`F("`F("`F("`F("`F("`F("`F("`F("`F("`F("`F("`F +("`F("`F("`F("`F("`F("`F("`F("`F("`F("`F("`F("`F("`F("`F("`F("`F +("`F("`F("`F("`F("`F("`F("`F("`F("`F("`F("`F("`F("`!-FA0NCQKRGhK +MGN"LBATPFRPd*SiL*k3S,Bf2+5')*'pe!'P`$@aUR@YY!$XpEL`k#5!m#!-E!!! 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+!!3!!!!M+!!!(bJ!!!%3!!"km"lJ!!!!F!$)!!%Y$5&)!!!!+!!S!!#!!!!!!"k, +i%8CbB@jMC5C"8d0*55p#6%p$hD-: + + diff --git a/language/typingtex/Active8MacProse.dir/Active8Mac-SP.tex b/language/typingtex/Active8MacProse.dir/Active8Mac-SP.tex new file mode 100644 index 0000000000..c7786d7640 --- /dev/null +++ b/language/typingtex/Active8MacProse.dir/Active8Mac-SP.tex @@ -0,0 +1,105 @@ + %%%% Active8Mac-SP.sty, april 1993 + %%%% by Laurent Siebenmann + %%%% Posting for updates ftp matups.matups.fr + %%%% This file is ASCII with 8-bit characters in ^^xy form. + + %%% Purpose: Allow direct typing of all Spanish accents for TeX + %% using any standard Macintosh prose font having them, AND + %% (a) Permit good Spanish hyphenation in words with + %% accents in case 7-bit Spanish hyphenation patterns are loaded + %% together with the 7bit accent administration package + %% HyAcc-CM.tex posted on ftp matups.matups.fr. + %% (b) Permit perfect Spanish hyphenation in words with + %% accents in case 8-bit Spanish hyphenation patterns are loaded + %% and any known 8bit accent administration package is present. + %% (CaesarCM.tex and CaesarCK.tex on ftp matups.matups.fr + %% are candidates for (extended) computer modern fonts and + %% and cork norm fonts respectively. + %% (c) Maintain the expected behavior of \uppercase and \lowercase. + + %%% Warnings: + %% Eight bit typing based on a file option.keys distributed + %% at one time with Textures and containing basically just some + %% active character definitions satisfies NONE of the conditions + %% (a) (b) (c) because the uccodes and lccodes are wrong. + %% Further it has been verified that there exists no + %% language-independent way to assign these codes for the Macintosh + %% unless the TeX implementation has so-called I/O filters to + %% harmonise Macintosh and Cork norm (TeX) character encodings. + %% In 1993 OzTeX and Textures do not have such filters. + %% When, some time in the future, you notice that your TeX does + %% have such I/O filters look for a simple language-independant + %% replacement for this file on ftp matups.matups.fr. + + %%% Compatibility: If option.keys is loaded BEFORE this file, + %% you do get the features (a) (b) (c) PLUS the active character + %% definitions in option.keys that are not revised by this file. + +\begingroup +\catcode`@=11 + + %%% Globally set high ASCII to 13 + %% + \count@="80 + \loop + \global\catcode\the\count@=\active + \ifnum\count@<"FF + \relax\advance\count@ by 1 + \repeat + + %%% Globally set their Cork default lc-uc codes + \newcount\Ct@ + \newcount\Ct@@ + \newcount\Ct@@@ + \toks0={% + \loop + \Ct@=\count@\advance\Ct@ by 32 + %% \count@ is Plain scratch counter \count255 + \global\uccode\the\count@=\the\count@ + \global\lccode\the\count@=\the\Ct@ + \global\uccode\the\Ct@=\the\count@ + \global\lccode\the\Ct@=\the\Ct@ + \ifnum\count@<\Ct@@ + \relax\advance\count@ by 1 + \repeat + } + + \count@="80 \Ct@@="9F \the\toks0 %% segment "80 to "BF + \count@="C0 \Ct@@="DF \the\toks0 %% segment "C0 to "FF + + + \def\Forbid@ #1{% + \global\catcode`#1=15 } + + \def\CheckPeriod#1{\if#1.\else + \errmessage{ !!! Error in character data}\fi} + + + \def\lc@uc@ADef#1#2#3#4#5{% + \CheckPeriod{#5}% + \global\def#1{#3}\global\def#2{#4}% + \global\lccode`#1=`#2\global\uccode`#1=`#1% + \global\lccode`#2=`#2\global\uccode`#2=`#1% + } + + \catcode`/=13 \let/\lc@uc@ADef + + %\catcode`*=13 \let*=\Forbid@ + \catcode`^=7 %% superscript + + %/^^a0^^87{\'A}{\'a}. *^^a0 %%cf Activ8MonacoCM.tex + /^^e7^^87{\'A}{\'a}. + /^^83^^8e{\'E}{\'e}. + %/^^b1^^92{\'I}{\'\i}.*^^b1 + /^^ea^^92{\'I}{\'\i}. + %/^^b8^^97{\'O}{\'o}.*^^b8 + /^^ee^^97{\'O}{\'o}. + %/^^b9^^9c{\'U}{\'u}.*^^b9 + /^^f2^^9c{\'U}{\'u}. + /^^84^^96{\~N}{\~n}. + + %^^e7^^87^^83^^8e^^ea^^92^^ee^^97^^f2^^9c^^84^^96 + + \endgroup + \endinput + diff --git a/language/typingtex/Active8MacProse.dir/Active8MacCM.tex b/language/typingtex/Active8MacProse.dir/Active8MacCM.tex new file mode 100644 index 0000000000..0fda92a4c8 --- /dev/null +++ b/language/typingtex/Active8MacProse.dir/Active8MacCM.tex @@ -0,0 +1,565 @@ + %%%%% Active8MacCM.tex + %%% November 1992, Mar 1994 + + %%%% NB: 7bit ascii file + + %%% Author: + %% Laurent Siebenmann, Orsay, France + %% lcs@matups.matups.fr <= bug reports here please! + + %%% Master Posting: + %% ftp matups.matups.fr in directory TypingTeX.dir + + %%% AIM: + %% Exploit TeX's active character mechanism + %% in conjunction with CaesarCM + %% to allow direct typing of prose for TeX + %% using all accented characters of Times or other + %% Macintosh fonts (Helvetica, Palatino etc.) + %% A fortiori, one can use the less rich but more readable + %% bitmapped fonts Monaco, Geneva etc. + + %%% INSTRUCTIONS: + %% You have merely to \input + %% this file on top of any format in which the + %% 7-bit typing system for accented characters + %% CaesarCM has been incorporated. + %% format-dumper-CM is a tool to create such + %% formats. Then direct typing + %% of accented characters is acceptable to TeX. + %% TeX will use a ready-made accented character + %% if these are available in the current font + %% and create a composite character otherwise. + %% LaTeX users must \input the file + %% --- AFTER LaTeX.tex and + %% --- BEFORE \documentstyle + + %%% CASE CHANGE RESTORED! + %% Such macros as these necessarily fail to + %% extend the action of the primitives + %% \uppercase and \lowercase + %% to directly typed accented characters. + %% To replace (or indeed redefine) these, consider + %% using \Uppercase and \Lowercase + %% Or \eUppercase and \eLowercase from caesarcm.tex. + %% See documentation following \endinput + + %%%% \Uppercase and \Lowercase to extend action of + %%% \uppercase and \lowercase to 128-255. Robust. + %%% Misbehave on \ss, \ae, \oe, \o and caps (leave them fixed) + %%% \eUppercase and \eLowercase of caesarcm.tex + %%% have perfect behavior --- but are fragile. + + \begingroup + \catcode`\@=11 + \catcode`\/=13 + + \global\let\primuppercase\uppercase + \global\let\primlowercase\lowercase + + %%\count@ is Plain scratch counter \count255 + %%% These counts exist globally global despite appearances + \ifx\undefined\Ct@\csname newcount\endcsname\Ct@\fi + \ifx\undefined\Ct@@\csname newcount\endcsname\Ct@@\fi + \ifx\undefined\Ct@@@\csname newcount\endcsname\Ct@@@\fi + + \count@=12\Ct@=128\Ct@@=255 + \loop + \catcode\Ct@=\count@ + \ifnum\Ct@<\Ct@@\relax + \advance\Ct@ by \@ne + \repeat + + %%%%% Casing alphabetic Mac Characters + %% + \def\Alphaholder@{% + /^^e7^^87./^^83^^8e./^^ea^^92./^^ee^^97./^^f2^^9c.% + /^^cb^^88./^^e9^^8f./^^ed^^93./^^f1^^98./^^f4^^9d.% + /^^e5^^89./^^e6^^90./^^eb^^94./^^ef^^99./^^f3^^9e.% + /^^80^^8a./^^e8^^91./^^ec^^95./^^85^^9a./^^86^^9f.% + /^^d9^^d8./^^cc^^8b./^^84^^96./^^cd^^9b./^^81^^8c.% + /^^82^^8d./^^ae^^be./^^ce^^cf./^^af^^bf.% + } + %\def\CheckPeriod#1{\if#1.\else % + % \errmessage{ !!! Error in character data}\fi} + \def\space{ } + +\def/#1#2.{\lccode\number`#1=\number`#2\lccode\number`#2=\number`#2} + + \xdef\LAlphaPrep@{\Alphaholder@}% + %\show\LAlphaPrep@ + + +\def/#1#2.{\uccode\number`#1=\number`#1\uccode\number`#2=\number`#1} + \xdef\UAlphaPrep@{\Alphaholder@}% + %\show\UAlphaPrep@ + + %%%%% Casing nonalphabetic Mac Characters + \def\Otherholder@{% + /^^a0./^^a1./^^a2./^^a3./^^a4./^^a5./^^a6./^^a7.% + /^^a8./^^a9./^^aa./^^ab./^^ac./^^ad.% + /^^b0./^^b1./^^b2./^^b3./^^b4./^^b5./^^b6./^^b7.% + /^^b8./^^b9./^^ba./^^bb./^^bc./^^bd.% + /^^c0./^^c1./^^c2./^^c3./^^c4./^^c5./^^c6./^^c7.% + /^^c8./^^c9./^^ca./^^d0./^^d1./^^d2./^^d3./^^d4.% + /^^d5./^^d6./^^d7./^^da./^^db./^^dc./^^dd./^^de.% + /^^df./^^e0./^^e1./^^e2./^^e3./^^e4./^^f0./^^f5.% + /^^f6./^^f7./^^f8./^^f9./^^fa./^^fb./^^fc./^^fd.% + /^^fe./^^ff.} + + \def/#1.{\uccode\number`#1\z@} + \xdef\UOtherPrep@{\Otherholder@} + %\show\UOtherPrep@ + + \def/#1.{\lccode\number`#1\z@} + \xdef\LOtherPrep@{\Otherholder@} + %\show\LOtherPrep@ + + \gdef\SetCorkULCodeSeg{% + \loop + \Ct@=\count@\advance\Ct@ by 32 + \uccode\count@=\count@ + \lccode\count@=\Ct@ + \uccode\Ct@=\count@ + \lccode\Ct@=\Ct@ + \ifnum\count@<\Ct@@ + \relax\advance\count@ by 1 + \repeat + } + + \gdef\SetCorkULCodes{% + %%% Impose Cork lc uc and sf codes + \count@=128 \Ct@@=158 \SetCorkULCodeSeg %% segment "80 to "BF + %%% Cork "9F is \S and "BF is pound sign lc/uc codes 0 + \count@=192 \Ct@@=223 \SetCorkULCodeSeg %% segment "C0 to "FF + } + + \gdef\Uppercase#1{\UAlphaPrep@\UOtherPrep@ + \primuppercase{#1}% + \SetCorkULCodes + } + + \gdef\Lowercase#1{\LAlphaPrep@\LOtherPrep@ + \primlowercase{#1}% + \SetCorkULCodes + } + + \endgroup + + \begingroup + \catcode`\@=11 + \global\let\EX@\expandafter + + %\show\CaesarCMLoaded + {\catcode`!=12 + \ifx\CaesarCMLoaded\undefined + \immediate\write16{}% + \immediate\write16{ !!! CaesarCM not loaded} + \gdef\temp{}\else \gdef\temp{} + \fi} + \temp %\endgroup\end + + { \catcode`!=11 + \ifx\ActiveEight\undefined + \gdef\temp{} + \else + \W@{}% + \W@{ !!! Stop! An Active8MacCM typing setup has already been +loaded. + \gdef\temp{\endgroup\end}\else \gdef\temp{} + \global\let\ActiveEight\relax + \fi} + \temp + + %%% Globally set high ASCII to 13 + %% + \count@="80\Ct@@="FF + \loop + \global\catcode\count@=\active + \ifnum\count@<\Ct@@\relax + \advance\count@ by \@ne + \repeat + + \def\CheckPeriod#1{\if#1.\else + \errmessage{ !!! Error in character data}\fi} + + %%% \lcucActAccDef ^^83^^8eEe\'. %%is example! + %% Presumably uc and lc codes already set +\def\lcucActAccDef#1#2#3#4#5#6{% + \CheckPeriod{#6}% + \global\catcode`#1=\active + \global\catcode`#2=\active + \gdef#1{#5#3}%% #3 and #4 ascii catcode 11; #5 is \' say + \gdef#2{#5#4}% + } + + %%% \CharAct@ ^^d4^^60. %% is example! + %% leaves uc lc unresolved + \def\CharAct@#1#2#3{% + \global\catcode`#1=\active + \CheckPeriod{#3}% + \global\let#1#2% + } + + %%% \QuoteAct@ ^^d4^^60. %% is example! + %% + \def\QuoteAct@#1.#2#3{% + \CheckPeriod{#3}% + \global\catcode`#1=\active + \xdef#1{\string#2}% + \global\uccode`#2=0\global\lccode`#2=0 + } + + %%% \Forbid@ + %% + \def\Forbid@ #1{% + \global\catcode`#1=15 } + + \catcode`/=13 + \let/\lcucActAccDef + + \catcode`\*=13 + \let*=\QuoteAct@ + + \catcode`\|=13 + \let|=\CharAct@ + + %%% / is \lcucActAccDef + /^^e7^^87Aa\'. + /^^83^^8eEe\'. + /^^ea^^92Ii\'. + /^^ee^^97Oo\'. + /^^f2^^9cUu\'. + /^^cb^^88Aa\`. + /^^e9^^8fEe\`. + /^^ed^^93Ii\`. + /^^f1^^98Oo\`. + /^^f4^^9dUu\`. + /^^e5^^89Aa\^. + /^^e6^^90Ee\^. + /^^eb^^94Ii\^. + /^^ef^^99Oo\^. + /^^f3^^9eUu\^. + /^^80^^8aAa\". + /^^e8^^91Ee\". + /^^ec^^95Ii\". + /^^85^^9aOo\". + /^^86^^9fUu\". + /^^d9^^d8Yy\". + /^^cc^^8bAa\~. + /^^84^^96Nn\~. + /^^cd^^9bOo\~. + /^^81^^8cAa\*.%\show^^81 + /^^82^^8dCc\c. + + %%% | is \CharAct@ + |^^ae\AE. + |^^be\ae. + |^^ce\OE. + |^^cf\oe. + |^^af\O. + |^^bf\o. + |^^a7\ss. + + %%% * is \QuoteAct@ + {\catcode"5C=12 *^^d2.^^5c.}%% backslash code!! + *^^d3.^^22.%% '' + *^^d4.^^60.%% ` + *^^d5.^^27.%% ' + + \gdef\Symb@@#1{% + \EX@ \ifx \csname #1@\endcsname\relax + ^^58%% Print X if nothing better + \else + \csname #1@\endcsname + \fi} + + \xdef\questiondown@{\string^^3e}% + \xdef\exclamdown@{\string^^3c}% + %\def\guillemotleft@{\DLG}%% in gllmts.tex + %\def\guillemotright@{\DRG}%% in gllmts.tex + \def\dagger@{$\m@th\dag$}% + \gdef\daggerdbl@{$\m@th\ddag$}% + \gdef\section@{$\m@th\S$} + \gdef\paragraph@{$\m@th\P$} + \gdef\pound@{{\ifdim\fontdimen\@ne\font >\z@ + \it\else \font\ft=cmu10\ft\fi\char`\$}}%% cheat + %\gdef\paragraph@{X}%% unavailable + + \gdef^^c0{\questiondown} + \gdef^^c1{\exclamdown} + \gdef^^c7{\guillemotleft} + \gdef^^c8{\guillemotright} + \gdef^^a4{\section} + \gdef^^a3{\pound} + \gdef^^a0{\dagger} + \gdef^^e0{\daggerdbl} + \gdef^^a6{\paragraph} + \gdef^^e4{\perthousand} + + %%% If Caesar not present \Symb@@=\Symb@ + \gdef\questiondown{\Symb@@{questiondown}} + \gdef\exclamdown{\Symb@@{exclamdown}} + \gdef\guillemotleft{\Symb@@{guillemotleft}} + \gdef\guillemotright{\Symb@@{guillemotright}} + \gdef\section{\Symb@@{section}} + \gdef\pound{\Symb@@{pound}} + \gdef\dagger{\Symb@@{dagger}} + \gdef\daggerdbl{\Symb@@{daggerdbl}} + \gdef\paragraph{\Symb@@{paragraph}} + \gdef\perthousand{\Symb@@{perthousand}} + + \ifx\CaesarCMLoaded\relax + \global\let\Symb@@=\Symb@ %% of Caesar + \fi + + \endgroup + + %%%%%% LaTeX material + + { \catcode`!=11 \catcode`\@=11 + \ifx\undefined\@@line %% \@@line unique to LPlain + \gdef\temp{\endinput} + \else + \gdef\temp{} + \fi} + \temp %% \endinput unless LaTeX + + { \catcode`!=11\catcode`\@=11 + \ifx\@@end\undefined %% \@@end unique to LaTeX + \W@{}% + \W@{ !!! LaTeX must be fully loaded }% + \W@{ !!! before Active8MacCM.tex}% + \gdef\temp{\end}% + \else + \gdef\temp{} + \fi} + \temp + + { \catcode`!=11\catcode`\@=11 + \ifx\subsubsection\undefined %% yes before \documentstyle + \gdef\temp{} + \else + \W@{}% + \W@{ !!! Active8MacCM.tex must be input}% + \W@{ !!! before \noexpand\documentstyle occurs.}% + \gdef\temp{\end{document}}% + \fi} + \temp + + %%%%%% end of LaTeX material + + \endinput + + %%%%%%%%%%%%%%%%%%%%%%%%% + %%%%%%%%%%%%%%%%%%%%%%%%% + %%%%%%%%%%%%%%%%%%%%%%%%% + Active8MacCM.doc + + + Documentation for Active8MacCM.tex + + Alpha version, November 1992 + Beta version, Mar 1994 + + ******************************************************** + NOTA BENE In this documentation please read CM for CX and cm for +cx. (The following serves also for the CK (Cork) font encoding +--- reading CK for CX etc.) + ******************************************************** + + Although Active8MacCX.tex can be used with most TeX formats, +it complements the accent administration package caesarcx.tex in a +well-planned way. When the two are to be used together, be sure +to obtain versions of Active8MacCX.tex and caesarcx.tex that are +in step. The master postings are currently on ftp +matups.matups.fr. Then on typing a given eight bit Macintosh +character, you will get the best rendition of that character that +is available in the current font. + + There is alarming misbehavior of + + --- \uppercase, \lowercase + +for characters in the range 128-255. Not only does +\uppercase{} give rather than , but +\uppercase{} gives . Good hyphenation with all +languages served by the Cork norm more or less dictates Cork +standard uc and lc code assignments. And the misbehavior just +noted is consequence of using them. The one reasonable way to +systematically eliminate the misbehavior is to use "I/O filters" +for TeX to align the code of characters typed to the Cork code. +But few TeX implementations have this desirable flexibility; on +the Macintosh only Direct TeX has it. + + A rather straightforeward remedy is provided by the substitute +macros \Uppercase and \Lowercase defined here. They coincide with +\uppercase and \lowercase on 7-bit (ascii) TeX input, but are +designed to behave correctly on directly typed Macintosh +characters in the range: 128-255. + + \Uppercase and \Lowercase are robust in the sense that they +are unlikely to cause their argument to blow up no matter how +complex it may be. In particular no \edef-type expansion is used. +Additionally they themselves can hopefully be subjected to +\edef-type expansion. These macros work by temporarily adjusting +many catcodes for the application of \uppercase and \lowercase. +Hence, like, \verbtim macros, they are somewhat slow. Further in +spite of their robustness, these macros may misbehave where +\edef-type expansion is used indescriminately (notably in LaTeX) +the reason is that after expansion the Cork uc and lc codes are +more appropriate, whereas these macros insist on using Macintosh +uc and lc codes. + + A second solution and more ambitions solution is provided +by macros + + \eUppercase, \eLowercase + +defined already in the accent administration package caesarcx.tex; +the performance edge is double: + + (i) these macros deal correctly with \ae,\oe,\o,\ss,\i and +capitalized versions, whereas all competeting macros leave them +invariant. + (ii) inlike \Uppercase, \Lowercase often give correct results +when applied to characters in the 128-255 range that have been +subjected to \edef-type expansion. + +These macros work by expanding (via the \edef mechanism) until +\uppercase and \lowercase produce the right effect; hence they are +fragile. The "e" in \eUppercase should recall "expansion" or +"\edef". No massive use uc and lc code changes is involved; these +macros are fairly fast. + + \eUppercase, \eLowercase should not be applied to any +material that is not known to be *safe* under \edef-type +expansion; all category 11 and 12 characters are safe; beginners +should regard *all* other material with suspicion, notably font +changes. + + It is tempting to hide the misbehavior of \lowercase and +\uppercase from the eye of the user by \let'ing the primitive +commands \lowercase and \uppercase equal to \relax. But this is +in fact dangerous, especially if macros are loaded thereafter, +because programmers use \lowercase and \uppercase as low level +tools for macro loading. THOU SHALT NOT GLOBALLY REDEFINE TEX +PRIMITIVES is a commandment deserving respect. + + It is tempting and often very effective to sort out all +case change problems at a blow by redefining via + + \let \uppercase\Uppercase \let \lowercase\Lowercase + +or + + \let \uppercase\eUppercase \let \lowercase\eLowercase + +although (as explained above) this is antisocial. Use it privately +so long as it gives good results, but never pass on such a +dangerous system to an unsuspecting third party. Everything within +a TeX group of moderate size can legitimately be considered +private! So this efficient device has reasonable scope in +practice. Incidentally, caesarcx.tex Active8MacCX.tex and +preserve intact versions \primuppercase, \primlowercase for +convenience and security. + + + ***** Occasional problems and their current remedies ***** + + If TeX issues mysterious complaints in response to the +(local!) redefinition above, try to pacify it by using standard +7-bit ascii typing there. Consider also using \ufcr +(=\UpdateFontClassRegister) command of Caesar before the +troublesome part, and selectively replacing the complex \uppercase +by the simple \primuppercase. As a last resort use \noCaesar to +locally to revert to composite characters. + + ----------------------------- + + Some special problems occur for LaTeX. By default a command + + \CaesarProtectLaTeX + +is in effect to avoid them. This makes Caesar use composite +accented characters in its headings. It does so by (re)defining +parameters \LHdShield, \RHdShield. Other remedies for other +problems are included. + + To undo this at a later point (to perfect the LaTeX +typography) use + + \CaesarDeprotectLaTeX + +Then LaTeX may get stuck or lose accented characters in headings +--- especially those involving special font changes and accented +characters. In this case try 7-bit ascii typing for the +troublesome headings. If that does not work or is too much +bother, revert locally to \CaesarProtectLaTeX. + + Beware that \uppercase is used by LaTeX behind the user's back +and mixed with \edef type expansions. + +NB. These difficulties with LaTeX are due to unnecessary use by +LaTeX of expansion of the sort done by \edef, (and \write, \mark, +etc.). Hopefully they will all dissappear without trace in +version 3 of LaTeX. Present versions af LaTeX are fragile, hence +provisional. + + + ***** Related tools ***** + + (A) Bernd Raichle , has +a patch for the TeX program offering improved versions of +\uppercase, \lowercase that do not incur any problems, since they +operate after macro expansion, at the horizontal list level. It +is not yet available. Raichle's patch and Active8MacCX.tex both +solve case change problems by *delaying* the case changes, but of +course to different degrees and in different ways. + + (B) I/O filters available in DirectTeX of W. Ricken let one adopt +the easy solution that uses the Cork code only within TeX. To +enjoy the flexibility of Caesar (use of ready-made accented +characters if they happen to be present), input characters do have +to be active. + + (C) The same is accomplished for any TeX on the Macintosh through +use of Cork-encoded screen fonts allied with a special Macintosh +KCHR resource. These have been provided by N. Jungers and are +available on ftp matups.matups.fr. + + + ***** Thanks and programmer notes ***** + + Comments of Daniel Taupin and Bernd Raichle in the GUT +TeX forum October 1992 brought into focus the multiple case change +problems stirred up by use of active characters. Taupin noticed +that automatically capitalised headlines in the LaTeX book style +caused difficulties for all then existing 8-bit typing systems +which used active characters to align input to norms for output +(see my Prague proceedings article 1992, where the case change +problem is mentioned). This stirred me to introduce the two +replacement pairs \Uppercase,\Lowercase and \eUppercase, +\eLowercase for \uppercase, \lowercase. From the programmer's +viewpoint these replacements are the net contribution of these +macros. + + The author's sincere thanks go to them. + + + ***** References ***** + + --- L. Siebenmann, *La mise en application d\'efinitive de +la norme de Cork*, pages 107 to 118 in EuroTeX92, Proceedings of +the 7th European TeX Conference, Prague, Sept 1992, Ed. J. Zlatu\v +ska , ISBN 80-210-0480-0, Published in +book form, by Czechoslovak TeX Users Group, Matematick\'y \'ustav +UK, Sokolovsk\'a 83, CS 18600, Praha, Mailorders: 30 DM hardcover +and 25 DM soft cover, preprint possibly also posted on ftp +matups.matups.fr. + + --- B. Jackowski and M. Ry\'cko, *Polishing \TeX*, ibid. pages +119-134. + + + diff --git a/language/typingtex/Active8MacProse.dir/Test8LaTeXCsCM.tex b/language/typingtex/Active8MacProse.dir/Test8LaTeXCsCM.tex new file mode 100644 index 0000000000..3814ca1485 --- /dev/null +++ b/language/typingtex/Active8MacProse.dir/Test8LaTeXCsCM.tex @@ -0,0 +1,117 @@ + + %%%%% + %%%%% Test8LaTeXCsCM.tex + + %%% Les Problemes \uppercase de Daniel Taupin, Octobre 1992. + %% Test pour CaesarCM avec Active8TimesCsCM + %% disponibles par ftp sur matups.matups.fr + %% Laurent S 11-92 + %% + %%% Fichier ascii avec plusieurs charact`eres + %% ^^xy de code hexadecimal "XY suivant la norme de Cork 1991. + %% + %% Daniel Taupin (forum GUT octobre 1992) a demande un bon + %% comportement de\uppercase et \lowercase + %% quand on saisit en 8bits. + %% + %% Ce test presente une solutions pour CaesarCM. + %% Il y a des solutions analogues pour EuroOzTeX. + %% En plus, il exist des solutions tres differentes + %% (voir documentation pour Active8MacTimesCM.tex). + +\input Active8MacCM.tex %% BEFORE \documentstyle + + \documentstyle{book} + + \font\tenrm=dmr10\tenrm + \font\tensl=dmsl10 + + %\CaesarProtectLaTeX %% par default + \CaesarDeprotectLaTeX %% pour une typographie parfaite + + %% trois lignes pour supprimer un pepin dans mon LateX + %% --- pas necessaire pour le votre? + \catcode`\@=11 + \let\reset@font\relax + \catcode`\@=12 + + \begin{document} + + \ShowCaesar %% signale lettres > 127 sous CaesarCM + %\HideCaesar %% default + + %\ufcr %% aplanit certaines difficult'es + + \chapter*{Poincar\'e et Painlev^^8e} + %%\bf : inserrer avant Poincar\'e ? + + \section{Painlev^^8e sans Poincar\'e } + %%\bf : inserrer? + + + \newpage\null + \raggedright + \parindent=0pt\parskip=10pt + \newpage\null + \newpage\null + +{\noindent \bf Hyacc-CM et \verb|\uppercase|, + \protect\verb|\lowercase|.} +\addcontentsline{toc}{subsection}{HyAcc-CM} + + Pour HyAcc-CM, (disponible sur ftp matups.matups.fr) les +primitifs \verb|\uppercase|, \verb|\lowercase| se comportent +correctement, m^^90me pour une saisie en huit bits ^^88 +caract^^8fres actifs. Il va de m^^90me pour les macros +``fragilisantes'' de sectionnement de \LaTeX: +\verb|\chapter{...}| et ses confr^^8fres (pages 23 et 157 du +manuel \LaTeX). + +\newpage + +{\noindent \bf CaesarCM et \verb|\uppercase|, + \verb|\lowercase|.} +\addcontentsline{toc}{subsection}{CaesarCM} + + En revanche, pour CaesarCM certaines +irregularit^^8es ont du ^^90tre +aplanies en octobre 1992, ^^88 la suite +d'avertissements de Daniel Taupin. Surtout, il faut +remplacer \verb|\uppercase|, \verb|\lowercase| par +\verb|\Uppercase|, \verb|\Lowercase|. Pour faire cela +au mieux, une lecture de la documentation dans +Acive8TimesCsCM.tex est vivement recommand^^8ee. + + D'ailleurs, les constructions fragiles de \LaTeX\ +comme \verb|\chapter| (qui utilisent l'expansion +``formelle'' ^^88 la \verb|\edef| peuvent se bloquer sur des +caracteres accentu^^8es. Des dispositifs particuliers ^^88 +\LaTeX, log^^8es dor^^8enavant dans CaesarCM.tex, r^^8fglent +provisoirement ces probl^^8fmes dans l'attente de la +nouvelle version de \LaTeX\ qui devrait les r^^8esoudre +d^^8efinitivement. + +\verb|\Uppercase{Poincar\'e}| donne POINCAR\'E (avec Eaccute) +et \verb|\Lowercase| marche en sens inverse. Attention, ces +deux nouvelles commandes de CaesarCM sont fragiles, car elles +sont bas^^8es sur \verb|\edef|; donc leurs arguments +n'ont pas le droit de contenir des macros compliqu^^8es. +Ainsi \verb|\let\uppercase\Uppercase| serait dangereux +car \verb|\uppercase| est utilis\'e aveugl\'ement par \LaTeX. + + +\verb|\uppercase {\uppercase{Poincar\'e et Painlev^^8e}|\hfill\break +donne: \uppercase{Poincar\'e et Painlev^^8e}. + +\verb|\Uppercase{Poincar\'e et Painlev^^8e}|\hfill\break +donne: \Uppercase{Poincar\'e et Painlev^^8e}. + +\verb|\Lowercase{\Uppercase{P}OINCAR\'E ET \Uppercase{P}AINLEV^^83}|\hfill\break +donne: \Lowercase{\Uppercase{P}OINCAR\'E ET \Uppercase{P}AINLEV^^83}. + + +\tableofcontents + + \end{document}. + + diff --git a/language/typingtex/Active8MacProse.dir/Test8MacCM.tex b/language/typingtex/Active8MacProse.dir/Test8MacCM.tex new file mode 100644 index 0000000000..d740dad8cc --- /dev/null +++ b/language/typingtex/Active8MacProse.dir/Test8MacCM.tex @@ -0,0 +1,115 @@ +%%% Test8.tex + %% for 8-bit typing + \input caesarcm.tex %% if not previously loaded + \input gllmts.tex + %%%%%\input ULcase.tex + \input gllmts_a.sty + \input Active8MacCM.tex + +%% MAKE YOUR FONT CHOICE HERE! + %%% xTimes, tmr10, dmr10, cmr10 + %%% dc not allowed as not CM compatible + \font\ft=dmr10 + \ft%\ufcr + \catcode`\@=11 + %\showthe\FontCls@ + + %\skewchar\font=\CaesarClassTM \ufcr + % would force font class of CaesarCM used + + %\let\uppercase\relax + %\let\lowercase\relax +%%% Select meaning of \my... + %\let\myUppercase\Uppercase %%% + %\let\myLowercase\Lowercase %%% + \let\myUppercase\eUppercase %%% + \let\myLowercase\eLowercase %%% + + %\HideCaesar %% the default + %\ShowCaesar + + \def\HR{\medskip\hrule\medskip} + % + %% Various hyphenation tests + %\hyphenation{^^9fmagn^^e9tiq^^9fuemagn^^e9tique} + %\showhyphens{\ft ^^9fmagn^^e9tiq^^9fuemagn^^e9tique} + %\showhyphens{\ft ^^a4magn^^8etiquemagn^^8etique} + %\showhyphens{\ft ^^a4 magn^^8etiquemagn^^8etique} + %\showhyphens{\ft MAGN\'ETIQUE} + %\showhyphens{\ft ^^a4magn^^8etique} + + +The extended ascii:\medskip + + ^^cb^^cc^^cd^^80^^81^^82^^83^^84^^85^^86^^87^^88^^89^^8a^^8b^^8c^^8d^^8e%^^81 + + \myLowercase{^^cb^^cc^^cd^^80^^81^^82^^83^^84^^85^^86^^87^^88^^89^^8a^^8b^^8c^ +^8d^^8e} + + \myUppercase{^^cb^^cc^^cd^^80^^81^^82^^83^^84^^85^^86^^87^^88^^89^^8a^^8b^^8c^ +^8d^^8e} + + \HR + + ^^8f^^90^^91^^92^^93^^94^^95^^96^^97^^98^^99^^9a^^9b^^9c^^9d^^9e^^9f + + \myLowercase{^^8f^^90^^91^^92^^93^^94^^95^^96^^97^^98^^99^^9a^^9b^^9c^^9d^^9e^ +^9f} + + \myUppercase{^^8f^^90^^91^^92^^93^^94^^95^^96^^97^^98^^99^^9a^^9b^^9c^^9d^^9e^ +^9f} + + \HR + + ^^ce^^cf^^ae^^af^^be^^bf^^a7 + + \myLowercase{^^ce^^cf^^ae^^af^^be^^bf^^a7} + + \myUppercase{^^ce^^cf^^ae^^af^^be^^bf^^a7} + + \HR + + ^^d8^^e5^^e6^^e7^^e8^^e9^^ea^^eb^^ec^^ed^^ee^^ef^^f1^^f2^^f3^^f4 + + \myLowercase{^^d8^^e5^^e6^^e7^^e8^^e9^^ea^^eb^^ec^^ed^^ee^^ef^^f1^^f2^^f3^^f4} + + \myUppercase{^^d8^^e5^^e6^^e7^^e8^^e9^^ea^^eb^^ec^^ed^^ee^^ef^^f1^^f2^^f3^^f4} + +\HR + + ^^d2^^d3^^d4^^d5^^a3^^a4^^c0^^c1^^c7^^c8^^a0^^e0^^e4^^a6 + + \myLowercase{^^d2^^d3^^d4^^d5^^a3^^a4^^c0^^c1^^c7^^c8^^a0^^e0^^e4^^a6} + + \myUppercase{^^d2^^d3^^d4^^d5^^a3^^a4^^c0^^c1^^c7^^c8^^a0^^e0^^e4^^a6} + +\bye + + +^^d2^^d3^^d4^^d5^^a3^^a4^^c0^^c1% +^^c7^^c8% +^^a0^^e0% +^^e4 +^^a6 + + \myLowercase{% +^^d2^^d3^^d4^^d5^^a3^^a4^^c0^^c1% +^^c7^^c8% +^^a0^^e0% +^^e4 +^^a6} + + \myUppercase{% +^^d2^^d3^^d4^^d5^^a3^^a4^^c0^^c1% +^^c7^^c8% +^^a0^^e0% +^^e4 +^^a6} + %\section@^^a4 +\end + +^^a7\myLowercase{^^a7} +\myUppercase{^^a7} +\myUppercase{\myLowercase{^^a7}} +\myLowercase{\myUppercase{^^a7}} +\end diff --git a/language/typingtex/Active8MacProse.dir/Textures16xMacEncoding.dir/fr8hyph.mac b/language/typingtex/Active8MacProse.dir/Textures16xMacEncoding.dir/fr8hyph.mac new file mode 100644 index 0000000000..9fd531387c --- /dev/null +++ b/language/typingtex/Active8MacProse.dir/Textures16xMacEncoding.dir/fr8hyph.mac @@ -0,0 +1,162 @@ + + %%% fr8hyph.mac + %% + %% Laurent Siebenmann, December 1993 + %% Master posting 1993-4: + %% ftp matups.matups.fr, directory TeX/TypingTeX.dir + %% This file is 7bit ascii. + %% This file is NOT autonomous, since it uses the + %% coding-independant hyphenation file + %% fr8hyph.src as source of the patterns. + %% + %% Sets up the universal 8bit French hyphenation patterns + %% of fr8hyph.src for use with (output) font systems + %% using the Mac font encoding in the range 128-255 + %% and the CM encoding in the range 0-127. + %% The only examples available in 1993 are the Textures + %% Adobe font series of Textures version 1.6x. + %% Characters of Mac the 128-255 range that appear in the + %% CM 0-127 range are omitted. + + %% HEALTH WARNING: This encoding is a curious new mixture. + %% There are alternatives offering + %% more fonts and more support, notably + %% the Cork-extended CM encoding (Cork encoding rather + %% than Mac in the range 128-255). And the full + %% Cork encoding. See "format-dumper" in versions -CM and -CK + %% The main advantage of this encoding over the alternatives + %% is its inclusion of various glyphs such as + %% daggerdbl paragraph cent Yen ... + + %% SIMPLEST USE (with Plain TeX). Put copies of plain.tex, + %% fr8hyph.mac and fr8hyph.src together in a Mac + %% directory. Rename fr8hyph.mac as hyphen.tex. + %% Compile plain.tex using the Textures virtex (initex) + %% and, when asked, type the command \dump. Save the + %% resulting format file in the directory "TeX formats". + %% If you quit and restart Textures (or use the "add format" + %% command) the new format will be available. + %% Under this format, the default hyphenation system will + %% be French and you can directly type eight-bit characters + %% (without inputing the file option.keys) --- provided you use + %% only the fonts of the Adobe series of Textures >=1.62. + + %% The grouping around the the body of the file + %% to follow assures that the net change induced + %% is to the hyphenation trie only. + %% (Neglecting a dozen or so abandoned hash table entries.) + + \begingroup + + \catcode`\<=0 + \catcode`\>=12 + \lccode`\'=`\' % + \def\set#1>#2{\edef\temp{\def\noexpand#1>{\string #2} + \catcode`#2=12\lccode`#2=`#2}\temp} + + + %%% Table setting up the Mac + %% encoding for French patterns + + %% for + \set^^88 %%^^e0 comment gives Cork encoding + %% is + \set^^8f %%^^e8 + + %% is + \set^^8e %%^^e9 + + %% is + \set^^89 %%^^e2 + %% is + \set^^90 %%^^ea + %% is + \set^^94 %%^^ee + %% is + \set^^99 %%^^f4 + %% is + \set^^9e %%^^fb + + %% is + \set^^95 %%^^ef + %% is + \set^^9a %%^^f6 + + %% is + \set^^8d %%^^e7 + + %% is + \set^^1b %%^^f7 NB. ^^1b is CM encoding + +%%% end of table + + + + \input fr8hyph.src + + \endgroup + + +\def\.#1#2.{\edef\temp{% + \global\lccode`#1=`#2 \global\uccode`#1=`#1 + \global\lccode`#2=`#2 \global\uccode`#2=`#1} + \temp} + + + %% Now the Mac uc and lc codes +\.^^e7^^87. +\.^^83^^8e. +\.^^ea^^92. +\.^^ee^^97. +\.^^f2^^9c. +\.^^cb^^88. +\.^^e9^^8f. +\.^^ed^^93. +\.^^f1^^98. +\.^^f4^^9d. +\.^^e5^^89. +\.^^e6^^90. +\.^^eb^^94. +\.^^ef^^99. +\.^^f3^^9e. +\.^^80^^8a. +\.^^e8^^91. +\.^^ec^^95. +\.^^85^^9a. +\.^^86^^9f. +\.^^d9^^d8. +\.^^cc^^8b. +\.^^84^^96. +\.^^cd^^9b. +\.^^81^^8c. +\.^^82^^8d. +\.^^ce^^cf. +\.^^1d^^1a.%%\AE\ae +\.^^1e^^1b.%%\OE\oe +\.^^1f^^1c.%%\O\o + + %\endinput %% comment out to enable test + +%%% Test for Textures 1.62 + + \font\ft=Times + \ft + + \showhyphens{\ft hŽberluŽ h\'eberlu\'e} + +\long\def\tst{\vskip5pt Test of French lc and uc pairs: +\par + ˈ ε‰ €Š ƒŽ ι ζ θ‘ + λ” μ• ο™ …š σž †Ÿ ‚\par + \OE\oe \AE\ae \O\o\ (These last refuse case change.) + \vskip5pt + } + + \let\e\expandafter + + \tst + \e\uppercase\e{\tst} + \e\lowercase\e{\tst } + +\end + diff --git a/language/typingtex/Active8MacProse.dir/Textures16xMacEncoding.dir/fr8hyph.src b/language/typingtex/Active8MacProse.dir/Textures16xMacEncoding.dir/fr8hyph.src new file mode 100644 index 0000000000..bbbc25306f --- /dev/null +++ b/language/typingtex/Active8MacProse.dir/Textures16xMacEncoding.dir/fr8hyph.src @@ -0,0 +1,1114 @@ + +% fr8hyph.src +% version june 2nd, 1992. (Daniel Flipo) +% Coding-independant version LS 6-92 +% NOT TO BE INPUT DIRECTLY +% SEE fr8hyph.ck or fr8hyph.mac for use. +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +%% This is *NOT* an official GUTenberg distribution %% +%% but my personal updated version of the 8bits %% +%% french hyphenation patterns. (Daniel Flipo) %% +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +% Hyphenation patterns for French +% from Jacques D'esarm'enien: how to run TeX in a French environment: +% hyphenation, fonts, typography. Tugboat, 5 (1984) 91-102. +% Modifications by Michael Ferguson (Tugboat, 10, 1989) (mjf), +% Norman Buckle (nb) and Justin Bur (jbb). +% Following modifications by Daniel Flipo (df): +% March 20, 92: addition of some missing uppercase codes +% June 1, 92 : add missing JD patterns (see TSI vol 5 No 4 1986) +% and check consistency with FRHYPH.TEX for MLTeX (Gould, Rennes) +% Patterns present in FRHYPH.TEX and not in original JD file are +% marked as `JD+'. + % + % Coding independant version LS 6-92 + % as requested by Michael Ferguson in his presentation + % of the Cork norm Tugboat 11 (Nov. 1990) pages 514--6. + % is + % is + % is + % is + % is + % is + % is + % is + % is + % is + % is + % is + % for example by + % + %% Here are the substitutions that were used + %% to derive this table from Flipo's Cork norm table + % Change "^^e0" to "" "a" + % Change "^^e8" to "" "a" + % + % Change "^^e9" to "" "a" + % + % Change "^^e2" to "" "a" + % Change "^^ea" to "" "a" + % Change "^^ee" to "" "a" + % Change "^^f4" to "" "a" + % Change "^^fb" to "" "a" + % + % Change "^^ef" to "" "a" + % Change "^^f6" to "" "a" + % + % Change "^^e7" to "" "a" + % + % Change "^^f7" to "" "a" + % + + \message{fr8hyph.tex french hyphenation patterns + of jun 2nd, 1992} + + +\patterns{ +%front mjf patterns deleted and replaced by orininal JD patterns, +%see at the end of phonetic patterns (df jun92). +% Phonetic patterns +1ba +1b +1be +1b +1b +1b +1bi +1b % mjf jun88 +1bo +1b +1bu +1b +1by +4be. % JD+ (df jun92) +4bes. +1b2l +4ble. +4bles. +1b2r +4bre. +4bres. +1ca +1a % df jun92 (c-cedilla) +1c +1ce +1c +1c +1c +1ci +1c % mjf jun88 +1co +1o % df jun92 (c-cedilla) +1c % df jun92 +%1ct % df jan92 +1cu +1u % df jun92 (c-cedilla) +1c +1cy +1c % mjf jun88 +4ce. % JD+ (df jun92) +4ces. +1c2h +4che. +4ches. +2chb +2chg +2chm +2chn +2chp +2chs +2cht +2chw % (instead of 2chv) df jun92 +.ch4 +4ch. % JD+ (df jun92) +ch2l +4chle. +4chles. +ch2r +4chre. +4chres. +% ck patterns missing (df jun92) +1c2k % JD+ +4cke. % JD+ +4ckes. % JD+ +4ck. % JD+ +2ckb % JD+ +2ckf % JD+ +2ckg % JD+ +2ck3h % JD+ c2k3h in JD's file +2ckp % JD+ +2cks % JD+ +2ckt % JD+ +1c2l +4cle. +4cles. +1c2r +4cre. +4cres. +1 +1da +1d +1de +1d +1d +1d +1di +1d % mjf jun88 +1do +1d +1du +1d +1dy +4de. % JD+ (df jun92) +4des. +d1d2h +1d2r +4dre. +4dres. +1fa +1f +1fe +1f +1f +1f +1fi +1f % mjf jun88 +1fo +1f +1fu +1f +1fy +4fe. % JD+ (df jun92) +4fes. +1f2l +4fle. +4fles. +1f2r +4fre. +4fres. +1ga +1g +1ge +1g +1g +1g +1gi +1g % mjf jun88 +1go +1g +1gu +1g +1gy +4ge. % JD+ (df jun92) +4ges. +4gue. +4gues. +1g2ha +1g2he +1g2hi +1g2ho +1g2hy +1g2l +4gle. +4gles. +1g2n +.sta2g3n % df jun92 +wa2g3n % df jun92 +4gne. +4gnes. +1g2r +4gre. +4gres. +1ha +1h +1he +1h +1h +1h +1hi +1h % mjf jun88 +1ho +1h +1hu +1h +1hy +4he. % JD+ (df jun92) +4hes. +1j +2jk +4je. % JD+ (df jun92) +4jes. +1ka +1k +1ke +1k +1k +1k +1ki +1k % mjf jun88 +1ko +1k +1ku +1k +1ky +4ke. % JD+ (df jun92) +4kes. +1k2h +%c2k3h % (df jun92) replaced by 2ck3h as on Gould +4kh. % JD+ (df jun92) +.kh4 +1k2r +1la +1l +1l % (instead of 1l) df jun92 +1le +.seu2le % jbb (df jun92) +1l +1l +1l +1li +1l % mjf jun88 +1lo +1l +1lu +1l +1ly +4le. % JD+ (df jun92) +4les. +% following patterns missing (df jun92) +il2l +l3lion +cil3l +ucil4l +rcil4l +vacil4l +gil3l +hil3l +lil3l +mil3l +mil4l +rmil4l +armil5l +mil4let +semil4l +vanil3lin +vanil3lis +capil3l +papil3la +papil3le +papil3li +papil3lom +pupil3l +cyril3l +ibril3l +piril3l +thril3l +pusil3l +boutil3l +distil3l +fritil3l +instil3l +.stil3l +vil3l +avil4l +uvil4l +uevil4l +chevil4l +xil3l +% end of missing +1ma +1m +1me +1m +1m +1m +1mi +1m % mjf jun88 +1mo +1m +1mu +1m +1my +1m % mjf jun88 +4me. % JD+ (df jun92) +4mes. +1na +1n +1ne +1n +1n +1n +1ni +1n % mjf jun88 +1no +1n +1nu +1n +1ny +n1x % JD+ (df jun92) +1n % mjf jun88 % JD+ (df jun92) +4ne. % JD+ (df jun92) +4nes. +1pa +1p +1pe +1p +1p +1p +1pi +1p % mjf jun88 +1po +1p +1pu +1p +1py +4pe. % JD+ (df jun92) +4pes. +4ph. % JD+ (df jun92) +1p2h +4phe. +4phes. +ph2l % JD+ (df jun92) +4phle. % JD+ (df jun92) +4phles. % JD+ (df jun92) +2phn +ph2r +4phre. +4phres. +2phs +2pht +.ph4 +1p2l +4ple. +4ples. +1p2r +4pre. +4pres. +1q +4que. +4ques. +1ra +1r +1re +1r +1r +1r +1ri +1r % mjf jun88 +1ro +1r +1ru +1r +1ry +4re. % JD+ (df jun92) +4res. +1r2h +4rhe. +4rhes. +1sa +1s +1se +1s +1s +1s +1si +1s % mjf jun88 +1so +1s +1su +1s +1sy +1s % mjf jun88 +4se. % JD+ (df jun92) +4ses. +1s2ch +4sch. +2schs +4sche. +4sches. +.sch4 +.sh4 +4sh. % JD+ (df jun92) +1s2h +2shm +2shr +2shs +4she. +4shes. +1ta +1t +1t % (instead of 1tO") df jun92 +1te +1t +1t +1t +1ti +1t % mjf jun88 +1to +1t +1tu +1t +1ty +4te. % JD+ (df jun92) +4tes. +1t2h +4th. +.th4 +4the. +4thes. +th2l % (2thl in JD'original file) (df june92) +2thm +2thn +th2r +4thre. % JD+ (df jun92) +4thres. % JD+ (df jun92) +2ths +1t2r +4tre. +4tres. +1va +1v +1ve +1v +1v +1v +1vi +1v % mjf jun88 +1vo +1v +1vu +1v +1vy +4ve. % JD+ (df jun92) +4ves. +1v2r +4vre. +4vres. +1wa +1we +1wi +1wo +1wu +4we. % JD+ (df jun92) +4wes. +1w2r +1za +1ze +1z +1z +1zi +1zo +1zu +1zy +4ze. % JD+ (df jun92) +4zes. +% following patterns missing (df jun92) +'a4 +'4 +'e4 +'4 +'4 +'4 +'i4 +'4 +'o4 +'4 +%'\"o2 % mjf what for??? df jun92 +'u4 +'4 +'y4 +2'2 +id' +% end of missing patterns +% Note: in FRHYPH following patterns are added, why? (\lefthyphenmin=2) +% .a4 .4 .e4 .4 .4 .4 .i4 .4 .o4 .4 .u4 .4 .y4 +d1s2 +f1s2 +g1s2 +tung2s3 % JD+ (df jun92) +l1s2t +m1s2 +e2s3ch +i2s3ch +i2s3chia +i2s3chio +% Etymological patterns +1alcool +i1algi +a2l1algi % JD+ (df jun92) +y1algi % JD+ (df jun92) +1a2nesthsi +i1arthr +y1asth % JD+ (df jun92) +a12dre +i12dre +o12dre % JD+ (df jun92) +12drie % JD+ (df jun92) +12drique +12lectr +12lment +12nerg +o1d2l % JD+ (df jun92) +2t3heur +2r3heur +3d2hal % JD+ (df jun92) +3d2houd +2s3hom +2r3hydr +1informat % df jun92 +o1ioni +1m2ns % JD+ (df jun92) +1m2nsi +1m2nmo +mon2t3ral % df jun92 +1octet % df jun92 +i1oxy +io1a2ct % JD+ (df jun92) +3ph2tal +3ph2tis +1p2neu +1p2n +1p2sych +1p2tr +1p2tr +1s2caph +1s2clr +1s2cop +e2s3cop +pi2s3cop +pi3s4cope +di2s3co % instead of di2s3cop (dis-convenance, dis-courir...) (df jun92) +1s2lav +1s2lov +1s2patia +1s2perm +1s2por +1s2phr +1s2phr +1s2piel +1s2piros +1s2tandard +o1s2tas +eu1s2tat % JD+ (df jun92) +o1s2tat +pro2s3tat +i1s2tat +1s2tein +o1s2tro +1s2tigm +o1s2tim +1s2tock +1s2tomos +o1s2tom +y1s2tom % JD+ (df jun92) +o1s2trad +o1s2tratu +o1s2triction +1s2troph +a2s3tro +apo2s3tr +u2s3tr +1s2tructu +1s2tyle +t1t2l % JD+ (df jun92) +.ab3ra % JD+ (df jun92) +.ae3s4ch % JD+ (df jun92) +.amino1a2c % JD+ (df jun92) +.ana3s4tr % JD+ (df jun92) +.anti1a2 +.anti1e2 +.anti2enne +.anti12 +.anti1s2 +.apo2s3ta % JD+ (df jun92) +.as2ta % JD+ (df jun92) +% following patterns missing (df jun92) +'ab3ra +'ae3s4ch +'amino1a2c +'ana3s4tr +'anti1a2 +'anti1e2 +'anti2enne +'anti12 +'anti1s2 +'apo2s3ta +'as2ta +% end of missing patterns +.bi1a2c +.bi1au +.bio1a2 +.bi1u2 +.bi2s1a2 +chlo2r3a2c % JD+ (df jun92) +chlo2r32t % JD+ (df jun92) +.ci2s1alp +co1acc +co1acq +co1a2d +co1ap +co1ar +co1assoc +co1assur +co1au +co1ax +co1ef % JD+ (df jun92) +co1en +co1ex +co12 +.con4 % df mar92 +.cons4 % df mar92 +.contre1s2c % JD+ (df jun92) +co2nurb % (instead of co2n1urb) df jun92 +.co1o2 % (instead of colo2) df mai92 +.co2o3lie +.cul4 % df jan92 +.dacryo1a2 % JD+ (df jun92) +.d1a2 +.d1io +.d1o2 +% Following patterns are not original JD's, who changed them? why? +.d2s1a2 +.d3s2a3cr +.d3s2astr +.d3s2a3tell +.d2s12 +.d3s23gr +.d2s1e2 +.d3s2ensib +.d3s2ert +.d3s2exu +.d2s3h +.d2s1i2 +.d3s2i3d +.d3s2i3gn +.d3s2i3li +.d3s2i3nen% instead of .d3s2i3non (df jun92) +.d3s2invo +.d3s2i3r +.d3s2ist +.d2s1o2 +.d3s2o3d +.d3s2o3l +.d3s2o3pil +.d3s2orm +.d3s2orp +.d3s2oufr +.d2s1 % mjf jun88 +.d1s2c +.d1s2p +.d1s2t +.d2s1u2n +% end of modifications +.di1a2c +.di1a2cid +dia2g3n +.di1ald +.di1a2mi +.di1a2tom % .di1a2tomi in JD's file df jun92 +.di1e2n +.di2s3h +.dy2s1a2 +.dy2s1i2 +.dy2s1o2 % df jun92 +.dy2s1u2 +.dy2s3 +.en1a2 +'en1a2 % df jun92 +en1i2vr +.en1o2 +'en1o2 % df jun92 +.eu2r1a2 +'eu2r1a2 % df jun92 +extra1 +extra2c % JD+ (df jun92) +extra2i % JD+ (df jun92) +hmi1 +hmo1p2t +hypera2 +hyper2 +hypere2 % df june 92 +hyper2 % JD+ (df jun92) +hyperi2 +hypero2 +hypers2 +hyperu2 +hype4r1 +hypo1a2 +hypo12 +hypo1e2 % df jun92 +hypo1i2 +hypo1o2 +hypo1u2 +hypo1s2 +.in1a2 +.in2a3nit +.in2augur +.in12 +.in23lucta % e -> df jun92 +.in23narra +.in1e2 +.in2effab % df jun92 +.in2ept +.in2er +.in2exora % df jun92 +.in1i2 +.in2i3miti +.in2i3q +.in2i3t +.in1o2 +.in2o3cul +.in2ond +.in1s2tab +.in1u2 +.in2uit +.in2u3l +% same patterns with ' missing (df jun92) +'in1a2 +'in2a3nit +'in2augur +'in12 +'in23lucta +'in23narra +'in1e2 +'in2effab +'in2ept +'in2er +'in2exora +'in1i2 +'in2i3miti +'in2i3q +'in2i3t +'in1o2 +'in2o3cul +'in2ond +'in1s2tab +'in1u2 +'in2uit +'in2u3l +.intera2 +.inter2 +.intere2 +.interi2 +.intero2 +.interu2 +.inters2 +.inte4r3 +% same patterns with ' missing (df jun92) +'intera2 +'inter2 +'intere2 +'interi2 +'intero2 +'interu2 +'inters2 +'inte4r3 +la2w3re % df jun92 +.ma2c3k % JD+ (df jun92) +.macro1s2c % JD+ (df jun92) +.ma2l1a2dres +.ma2l1a2dro +.ma2l1ais +.ma2l1ap +.ma2l1a2v +.ma2l1en +.ma2l1int +.ma2l1oc +.ma2l1o2d +.ma2r1x % JD+ (df jun92) +.m2g1oh +.m2sa % df jun92 +.m3san % df jun92 +.m2s1es % .m2ses in JD's file (df jun92) +.m2s1i % .m2si in JD's file (df jun92) +.m2s1u2s % .m2sus in JD's file (df jun92) +.mta1s2ta +.milli1am % JD+ (df jun92) +.mono1a2 +.mono12 +.mono1e2 +.mono1i2 +.mono12d % JD+ (df jun92) +.mono1o2 % momo -> mono df jun92 +.mono1u2 +.mono1s2 +.no2n1obs +n3s2at. % JD+ (df jun92) +n3s2ats. % JD+ (df jun92) +o2b3long % JD+ (df jun92) +ombud2s3 % JD+ (df jun92) +omni1s2 +.oua1ou % JD+ (df jun92) +'oua1ou % df jun92 +.ovi1s2c % JD+ (df jun92) +'ovi1s2c % df jun92 +oxy1a2 +palo12 +.pa2n1a2f +.pa2n1a2m +.pa2n1a2ra +.pa2n1is +.pa2n1o2ph +.pa2n1opt +.para1s2 +.pa2r1a2che +.pa2r1a2ch +.pa2r3h +.per1a2 +.per12 +.per1e2 +.per1i2 +.per1o2 +.per1u2 +per3h +.pe4r +p2n1ul +p2r12q % JD+ (df jun92) +.pri1os +.pri1s2 +.pri2s3s +.pri2s3ta +.pri1u2 +.phalan3s2t % JD+ (df jun92) +photo1s2 +.phyto3ph2 % JD+ (df jun92) +.pluri1a % JD+ (df jun92) +poly1a2 +poly12 +poly12 +poly1e2 +poly1i2 +poly1o2 +poly1u2 +poly1s2 +.pos2t3h % instead of .pos2t3hy (df jun92) +.pos2t1in % JD+ (df jun92) +.pos2t1o2 +.pos2t3r +.post1s2 +.pr1a2 +.pr2a3la % df jun92 +.pr2au +.pr12 +.pr1e2 +.pr1i2 +.pr1o2 +.pr1u2 +.pr1s2 +.pro12 +.prou3d2h % JD+ (df jun92) +.pro1s2c +.psycho1a2n % JD+ (df jun92) +.pud1d2l % JD+ (df jun92) +radio1a2 % df jun92 +.re1s2 +.re2s3cap +.re2s3cisi % df jun92 +.re2s3ciso % df jun92 +.re2s3cou +.re2s3cri +.re2s3pect +.re2s3pir +.re2s3plend +.re2s3pons +.re2s3quil +.re2s3s +.re2s3t +.re3s4tab +.re3s4tag +.re3s4tand +.re3s4tat +.re3s4tn +.re3s4tr +.re3s4tim +.re3s4tip +.re3s4toc +.re3s4top +.re3s4tr +.re4s5trein +.re4s5trict +.re4s5trin +.re3s4tu +.re3s4ty +.r1a2 +.r2a3le +.r2a3lis +.r2a3lit +.r2aux +.r12 +.r1e2 +.r2el +.r2er % JD+ (df jun92) +.r2r +.r1i2 +.r2i3fi +.r1o2 +.r1u2 +.r2uss +.rtro1a2 +sesqui1a2 +stro1s2 +.su2b1a2 +.su3b2alt +.su2b12 +.su3b23r +.su2b1in % JD+ (df jun92) +.su2b3limin +.su2b3lin +.su2b3lu +sub1s2 +.su2b1ur +supero2 +supers2 +supe4r1 +.su2r1a2 +su3r2ah +.su3r2a3t +.su2r1e2 +.su3r2eau +.su3r2ell % instead of .su3r2e1l (df jun92) +.su3r2et +.su2r12 +.su2r3h +.su2r1i2m +.su2r1inf +.su2r1int +.su2r1of +.su2r1ox +tachy1a2 % JD+ (df jun92) +tchin3t2 % JD+ (df jun92) +tl1e2 +tl1i2 +tl1o2b +tl1o2p +tl1s2 +thermo1s2 +tran2s1a2 +tran3s2act % should be tran2s3act ? (trans-action) +tran3s2ats +tran2s3h +tran2s1o2 +tran2s3p +tran2s1u2 +.tri1a2c +.tri1a2n +.tri1a2t +.tri1o2n % JD+ (df jun92) +archi12pis +moye2n12g +po1astre +uni1o2v % JD+ (df jun92) +uni1a2x % JD+ (df jun92) +vlo1s2ki +vol2t1amp +% last patterns put back in alphabetical order (df jun92) +} + +\endinput + +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +Chers coll\`egues, + + J'ai compar\'e les 3 fichiers suivants : + - FRHYPHEN pour MLTeX du Gould de Rennes, (GR) + - La liste de motifs de J. D\'esarm\'enien parue dans TSI, (JD) + - le fichier FR8HYPHEN de Yannis, (YH) +et je voudrais vous faire part des diff\'erences que j'ai observ\'ees et +des questions que je me pose. + + D'apr\`es Bernard, la r\'ef\'erence \`a prendre est le Gould, je comparerai +donc les 2 autres \`a cette r\'ef\'erence. + + 1) Le motif `th2l' figure \`a Rennes contre `2thl' chez JD, lequel est le +bon ? Pour ma part je ne sais pas comment il faut couper athl\'etisme, +triathlon ou biathl\`ete. Avec le motif `th2l' (Rennes) j'obtiens : +pen-ta-thlon mais tri-athlon, est-ce correct ? + + 2) M\^eme probl\`eme avec `2ck3h' \`a Rennes contre `c2k3h' chez JD... + + 3) Que vient faire le motif '\"o2 ajout\'e par mjf (ligne 471 du fichier GR) ? +Existe-t-il des mots fran\c cais commen\c cant par `o-tr\'ema' ? Ce motif est +absent des 2 autres fichiers. + + 4) Quelle est l'utilit\'e des motifs (lignes 448--460) +.a4 .\^a4 .e4 .\^e4 .\'e4 .\`e4 .i4 .\^\i4 .o4 .\^o4 .u4 .\^u4 .y4 ? +En fran\c cais \lefthyphenmin=2, il me semble donc inutile d'interdire +les c\'esures ci-dessus, en revanche les m\^emes motifs avec apostrophe +s'imposent ('a4 '\^a4 ... 'y4). + + 5) Dans le m\^eme ordre d'id\'ee, `on' a rajout\'e \`a Rennes un tas de motifs +de 2 lettres en fin de mot qui ne figuraient pas chez JD : +4be. 4ce. 4ch. 4ck. 4de. 4fe. 4ge. 4he. etc. +Ils ne servent \`a rien tant qu'on impose \righthyphenmin=3. +Faut-il les maintenir quand m\^eme ? + + 6) Les motifs suivants pr\'esents chez JD sont absents \`a Rennes : + - .re2s3cisi + - .re2s3ciso +(ils sont pr\'ec\'ed\'es d'un %) ne faut-il pas les remettre ? + + 7) Les motifs de JD concernant les d\'ebuts de mots en .d\'es (lignes 617--647) +ont \'et\'e assez profond\'ement retouch\'es sur la version de Rennes. +Est-ce par Norman Buckle ? Ces modifications ont-elles \'et\'e test\'ees ? + +Une chose me trouble : JD affirme dans TSI que ses motifs donnent +d\'esami-don-ner, or dans cet exemple s'appliquent les motifs `.d\'e2s' +et `1mi', je ne vois pas pourquoi la coupure entre le `a' et le `m' +serait emp\^ech\'ee... En revanche on a sur le Gould le motif `.d\'e2s1a2' +qui emp\^eche la coupure entre le `a' et le `m' mais pourquoi avoir mis +un `1' entre le `s' et le `a' alors qu'on ne veut s\^urement pas d\'es-ami ? + +Autre question : le Larousse des difficult\'es de la langue fran\c caise donne +pour bonne la division `d\'esa-bu-ser', pourquoi alors faut-il refuser +`d\'esa-mi-don-ner' ? + + 8) Pb de dis-convenance, dis-continuit\'e, dis-cours (cf. question de Bernard) : +je propose de changer `di2s3cop' (ligne 532) en `di2s3co', je ne connais +'ailleurs pas de mot en 'discop'. J'ai test\'e, \c ca marche \`a mon avis : j'obtiens +dis-con-ve-nance dis-con-ti-nuit\'e dis-co-bole dis-co-gra-phie +dis-con-ve-nir dis-co-phile dis-cor-dant dis-cou-rir dis-cour-tois. +Y a-t-il des objections ? + + 9) Ne faudrait-il pas ajouter des motifs pour le c-cedille ? +Je propose : `1\c ca' `1\c co' `1\c cu' si \c ca passe en MLTeX (?), +et en version 8-bits (fontes EC) : `1a' `1o' `1u' +(ex. : commen\c cant commer\c cant fa\c con ma\c connerie ger\c cure). + + 10) En essayant les mots dont la division est donn\'ee dans le Lexique +des r\`egles typographiques ou le Larousse des difficult\'es, +j'ai obtenu trois coupures apparemment incorrectes : + + ** tran-sac-tion au lieu de trans-ac-tion (selon le Lexique) +le motif `tran3s2act' pr\'esent \`a Rennes et chez JD est responsable, +`tran2s3act' me semble plus conforme \`a l'\'ethymologie. + + ** caout-chouc au lieu de caou-tchouc (selon le Lexique) +faut-il ajouter `caou3t2chou' ? + + ** post-hume au lieu de pos-thume (selon le Larousse) +l\`a c'est le motif `.pos2t3h' pr\'esent \`a Rennes et chez JD qui est responsable, +faut-il le changer ? Le Larousse affirme que dans ce cas c'est la coupure +phon\'etique qui s'impose, \c ca peut se discuter... +Qu'en pensent les sp\'ecialistes ? Question finale (fondamentale) : +existe-t-il un ouvrage de r\'ef\'erence qui tranche tous ces cas litigieux ? + +================================================================= + Je signale pour terminer qq lacunes (graves) du fichier 8-bits +de Yannis (outre les doubles points...) : + - il manque tous les motifs phon\'etiques concernant les mots en `ill' +(lignes 222--260 dans le fichier de Rennes) ; +Il n'est pas le seul \`a faire cet oubli puisque le fichier FEhyphen.tex +diffus\'e avec le format FEPlain par le labo de typographie de Strasbourg +(proche de JD ?) fait la m\^eme chose ! + - il manque tous les motifs concernant les mots en `ck' (lignes 75--85 sur +le Gould) ; + - il manque de tr\`es nombreux motifs commen\c cant par une apostrophe ; + - plus qq fautes de frappes et omissions diverses... + + J'ai compl\'et\'e et corrig\'e le fichier 8-bits de Yannis en prenant pour +mod\`ele celui de Rennes. Il s'agit pour l'instant d'une version d'essai +annot\'ee en ce qui concerne les ajouts, corrections et pbs en suspens. Si \c +ca int\'eresse quelqu'un il suffit de me la demander. + +Bien cordialement, +Daniel Flipo. diff --git a/language/typingtex/Convert-RaichleHacked.dir/cork2dek.tbl b/language/typingtex/Convert-RaichleHacked.dir/cork2dek.tbl new file mode 100644 index 0000000000..60a4cd8660 --- /dev/null +++ b/language/typingtex/Convert-RaichleHacked.dir/cork2dek.tbl @@ -0,0 +1,173 @@ +% This is `codepage.tbl'. +% It is used in `Convert' -- a character converter written in TeX +% +% Note: in column 1 the rest of the line is the replacement +% (most characters have catcode `letter' or `other' to avoid +% expansion) +% +% Example: Definitions for Cork Font Encoding Scheme of DC/EC-Fonts +% (only characters > 128 are defined in the current file) +% +% Note: to use some of the characters you need the following definitions: +% \font\minisan=cmss10 +% \font\san=cmss10 scaled \magstep1 +% \font\San=cmss10 scaled \magstep2 +% \def\eng{{\san r \hskip-6pt\j}} +% \def\Eng{{\San r \hskip-7pt\j}} +% \def\Thorn{{\San\lower4pt\hbox{l} \hskip-8.5pt\relax b}} +% \def\thorn{{\san\lower3pt\hbox{l} \hskip-7pt\relax b}} +% \def\eth{{\minisan \raise4pt\hbox{$\times$} \hskip-8.5pt\relax o}} +% \def\ogonek#1{\setbox0=\hbox{`}\ooalign{% +% \hidewidth\lower\ht0\copy0\hidewidth\crcr#1\crcr}} +% \font\tenu=cmu10 +% +% (taken from "Extended Font Encoding Scheme -- Latin" +% finished in Cork, September 12, 1990) +% +% + + +"80 \u{A} +"81 \ogonek{A} +"82 \'C +"83 \v{C} +"84 \v{D} +"85 \v{E} +"86 \ogonek{E} +"87 \u{G} + +"88 \'L +"89 L\kern-2pt' +"8A \unbrace{\L} +"8B \'N +"8C \v{N} +"8D \unbrace{\Eng} +"8E \H{O} +"8F \'R + +"90 \v{R} +"91 \'S +"92 \v{S} +"93 \c{S} +"94 \v{T} +"95 \c{T} +"96 \H{U} +"97 {\accent23 U} + +"98 \"Y +"99 \'Z +"9A \v{Z} +"9B \.Z +"9C IJ +"9D \.I +"9E d\llap{\raise.7ex\hbox{--}} +"9F \unbrace{\S} + +"A0 \u{a} +"A1 \ogonek{a} +"A2 \'c +"A3 \v{c} +"A4 {d\kern-1pt'} +"A5 \v{e} +"A6 \ogonek{e} +"A7 \u{g} + +"A8 \'l +"A9 {l\kern-1pt'} +"AA \unbrace{\l} +"AB \'n +"AC \v{n} +"AD \unbrace{\eng} +"AE \H{o} +"AF \'r + +"B0 \v{r} +"B1 \'s +"B2 \v{s} +"B3 \c{s} +"B4 t\kern-1pt' +"B5 \c{t} +"B6 \H{u} +"B7 \accent23 u + +"B8 \"y +"B9 \'z +"BA \v{z} +"BB \.z +"BC ij +"BD !` +"BE ?` +"BF {\it\$} + +"C0 \unbrace{\AA} +"C1 \'A +"C2 \^A +"C3 \~A +"C4 \"A +"C5 \unbrace{\AA} +"C6 \unbrace{\AE} +"C7 \c{C} + +"C8 \`E +"C9 \'E +"CA \^E +"CB \"E +"CC \`I +"CD \'I +"CE \^I +"CF \"I + +"D0 \rlap{\raise.3ex\hbox{--}}D % Eth +"D1 \~N +"D2 \`O +"D3 \'O +"D4 \^O +"D5 \~O +"D6 \"O +"D7 \unbrace{\OE} + +"D8 \unbrace{\O} +"D9 \`U +"DA \'U +"DB \^U +"DC \"U +"DD \'Y +"DE \unbrace{\Thorn} +"DF \unbrace{\SS} + +"E0 \`a +"E1 \'a +"E2 \^a +"E3 \~a +"E4 \"a +"E5 \a{a} +"E6 \a{e} +"E7 \c{c} + +"E8 \`e +"E9 \'e +"EA \^e +"EB \"e +"EC \`{\i} +"ED \'{\i} +"EE \^{\i} +"EF \"{\i} + +"F0 \unbrace{\eth} +"F1 \~n +"F2 \`o +"F3 \'o +"F4 \^o +"F5 \~o +"F6 \"o +"F7 \unbrace{\oe} + +"F8 \unbrace{\o} +"F9 \`u +"FA \'u +"FB \^u +"FC \"u +"FD \'y +"FE \unbrace{\thorn} +"FF \unbrace{\ss} + diff --git a/language/typingtex/Convert-RaichleHacked.dir/cv.cfg b/language/typingtex/Convert-RaichleHacked.dir/cv.cfg new file mode 100644 index 0000000000..4c37054f70 --- /dev/null +++ b/language/typingtex/Convert-RaichleHacked.dir/cv.cfg @@ -0,0 +1,31 @@ + +%%% Configuration file for cv.tex + %% Uncomment just one of the following configuration commands. + %% Headers of the *.tbl files describe the conversion determined. + + \def\configtables{} %% default translation to ^^xy form + + % \def\configtables{cork2dek.tbl} + + % \def\configtables{mac2dek.tbl} + % \def\configtables{mac2fr7d.tbl} + % \def\configtables{mac2fr7g.tbl} + \def\configtables{mac2noacc.tbl} + + % \def\configtables{pc2dek.tbl} + % \def\configtables{pc2fr7d.tbl} + % \def\configtables{pc2fr7g.tbl} + % \def\configtables{pc2noacc.tbl} + + + %%%%%% user alterations below this line only, please! + %%%%%% + + %\def\configtables{pc2dek.tbl pc2fr7g.tbl} + %% this uses two tables and the last has last word! + + %\def\configtables{my.tbl} + %% this is model for personally arranged table + + \endinput + diff --git a/language/typingtex/Convert-RaichleHacked.dir/cv.in b/language/typingtex/Convert-RaichleHacked.dir/cv.in new file mode 100644 index 0000000000..9395da8023 --- /dev/null +++ b/language/typingtex/Convert-RaichleHacked.dir/cv.in @@ -0,0 +1 @@ + Il reste que le sens de cette ordonnance musicale, comme celui des relations qu'elle entretient avec les autres modes d'expression artistique, n'est pas sans rapport avec le vŽcu le plus intime de l'auteur qui lui aussi se dŽroule dans le temps d'une histoire dont les commencements gardent toujours une importance privilŽgiŽe. Tout au long de cet entretien o Lorand Gaspar essaiera, ˆ travers sa propre expŽrience, de saisir ce qu'est le processus crŽateur en train de se faire, on est d'emblŽe frappŽ par la nŽcessitŽ vitale qu'est pour lui l'Žcriture poŽtique: Tout d'abord, il s'agit essentiellement d'un besoin, d'une nŽcessitŽ, de quelque chose de vraiment vital. J'ai le sentiment que si je ne peux pas trouver cette faon de dŽployer quelque chose qui est lˆ, il y aura comme un blocage Cela ressemble ˆ une boule, ˆ quelque chose d'informe, comme un neurone qui aurait des arborisations, dont il ignore les liaisons, les fonctions, ˆ un magma obscur, habitŽ d'un grouillement. Autrement dit, il s'agit de trouver quelque chose qui me permette de me sortir d'une situation parfois critique, en tout cas toujours difficile, o quelque chose est bouleversŽ et l'Žcriture est pour moi le moyen. Mais c'est sans doute parce que le moyen est au dŽpart sans reprŽsentation et sans mots pour le dire que la crŽation poŽtique lui appara”t comme la seule voie possible pour rŽsoudre le profond malaise qui ne peut encore s'exprimer que corporellement. Trouver les mots lˆ o il n'y en a pas parce qu'il est des profondeurs obscures de nous-mme o la rŽflexion n'a pas d'accs, o son pouvoir d'Žlaboration est inopŽrant ou, du moins, ne peut directement s'exercer. Telle est peut-tre pour Lorand Gaspar la fonction mŽdiatrice du pote et c'est en ce sens qu'il ajoute: La finalitŽ de la poŽsie est aussi sa nŽcessitŽ. C'est lˆ, me semble-t-il, la matrice archŽtypique de toute son oeuvre qui appara”t, au fur et ˆ mesure qu'on y pŽntre, comme la mise en images et en mots de ce magma originaire. Nombreux sont les textes d'EgŽe et de JudŽe o, derrire l'expression multiforme d'un monde qui l'engendre avant qu'il ne l'engendre, se profile, en arrire plan, l'essence et la fonction de la crŽation poŽtique. Lorand Gaspar va tenter, dans la suite de l'entretien, d'en exprimer le cheminement d'abord obscur et qui va peu ˆ peu s'Žlaborer. Au dŽpart, dit-il, c'est senti, c'est ŽprouvŽ comme une sorte d'activitŽ magmatique. C'est dans le corps. Dans ce mŽlange apparaissent rapidement des fragments de mŽmoire, de sentiments Mais on est dŽjˆ au-delˆ. A l'origine, c'est presque kinesthŽsique et cŽnesthŽsique, c'est comme si la totalitŽ du corps Žtait impliquŽe. Puis c'est une sorte d'urgence ˆ distinguer les choses Et c'est cela qui est inquiŽtant, c'est cela qui est douloureux et c'est lˆ qu'il faut essayer d'Žclaircir, de relier. C'est quand on voit l'ensemble et les relations entre les choses, quand on voit comment a bouge et comment a circule qu'on est envahi par une grande joie. Les termes qu'utilise ici Lorand Gaspar font penser que cette mise en ordre se dŽroule sur plusieurs plans ˆ la fois: celui de l'espace: voir l'ensemble et les relations entre les choses, et la poŽsie s'apparente ici aux arts de l'image (peinture, sculpture) mais aussi celui du temps: comment a bouge et comment a circule, ce qui rapproche la poŽsie de la musique et de la danse. C'est sans doute pourquoi les anciens considŽraient la poŽsie comme le plus grand des arts en ce qu'il rassemble en lui l'ensemble des autres. Lorsque je demande ˆ Lorand Gaspar si, dans ce cheminement Žlaboratif vers un ordre satisfaisant, quelque chose le guide et s'il a un projet prŽalable, il rŽpond que non et qu'en tout cas, ce n'est pas une idŽe, c'est rarement une image ou un mot, voire un son. Et mme lˆ c'est encore simplement un facteur dŽclanchant mais ce n'est pas ce autour de quoi je vais construire. J'ai, dit-il, le sentiment qu'il faut que je revienne toujours au point de dŽpart, ˆ cette urgence et lˆ, j'ai une activitŽ, une fermentation qui n'est pas claire. Alors il faut nommer, il faut mettre en ordre, comme si la forme devait tre trouvŽe ˆ partir d'une nŽcessitŽ, comme si, dans ce magma, il y avait dŽjˆ tous les ingrŽdients, non pas qu'il n'y ait qu'un seul ordre mais comme s'il n'existait qu'un nombre limitŽ d'ordonnances possibles. Et lˆ, il n'y a pas de modle, il n'y a, consciemment, aucune rŽfŽrence dans le monde extŽrieur. Mais comment le pote trouve-t-il la correspondance formelle qu'il recherche? Est-ce dans son patrimoine culturel? Lorand Gaspar pense que ce ne peut tre que secondaire. C'est donc ˆ l'intŽrieur de lui-mme qu'il doit trouver ce rŽfŽrend organisateur: Pour moi, dit-il, il a toujours ŽtŽ Žvident que c'est avec moi-mme que la communication devait tre Žtablie, que c'Žtait mon affaire, mon problme, que les autres pouvaient me donner une impulsion mais que c'est de moi-mme que je vais tirer cette Žlucidation. On voit que, mme ˆ l'intŽrieur de lui-mme, il ne s'agit pas de rŽfŽrence ˆ un modle une fois pour toute Žtabli, mais de la nŽcessitŽ de renouer constamment un dialogue entre les parties les plus profondes, les plus inconscientes et les plus ŽlaborŽes, y compris celles projetŽes, en avancŽe, dans un idŽal du moi. Mais cette rŽfŽrence primordiale ˆ lui-mme n'exclut pas pour autant le dŽsir de communication avec autrui, on pourrait dire plut™t qu'elle la fonde: Il est Žvident que dans un deuxime temps le dŽsir de communiquer existe mais c'est dans un deuxime temps. Je n'ai jamais eu le sentiment que c'Žtait d'emblŽe pour communiquer que j'Žcrivais. Mais une fois rŽsolue cette problŽmatique interne, je peux Žventuellement devenir capable de communiquer avec autrui. Il reste cependant que la poŽsie utilise un matŽriau qui lui est propre, ˆ savoir le langage. A la question que je lui pose quant ˆ l'importance qu'il donne ˆ chacun des deux versants du langage: le signifiant et le signifiŽ, ou, pour tre concret, le corps du mot et son sens, il rŽpond: qu'il y a d'abord un rapport sensoriel avec les mots, corporel est le bon terme. Il faut que les mots soient trs prs de ce qui est lˆ; il faut que les mots aient cette matŽrialitŽ, ce toucher. Je suis aussi sensible ˆ la sonoritŽ. Mais je ne fais pas non plus partie de ceux qui renoncent au sens. Je n'admets pas d'Žcrire uniquement pour la musique des mots. Le c™tŽ palper des mots est une premire phase, un premier temps. Comme si les ŽlŽments, la matire des mots, devaient tre d'abord trs concrets. Mais, pour Žtablir leurs rapports pour les lier, j'ai besoin qu'intervienne le sens. ˆ vrai dire je n'arrive pas ˆ sŽparer dans la pratique cette matŽralitŽ du mot de son sens. Dans ma mŽmoire, le sensible et le sens sont intimement liŽs dans la trace du mme vecu. Il peut arriver que la comprŽhension ne soit pas Žvidente pour un autre mais pour moi, elle l'est. Dans un deuxime temps, cependant, un travail peut tre fait pour approcher davantage de la communication et du partage. Mais c'est lˆ, aussi, qu'on sent un danger. Jusqu'o est-ce que je fais bien d'aller ?. Reste ˆ se demander de quoi est fait ce magma obscur habitŽ d'un grouillement qui semble le matŽriau premier d'o toute crŽation prend sa source et son origine. Lorand Gaspar ne rŽpond pas directement ˆ cette question mais il semble qu'une certaine rŽponse peut tre faite ˆ partir de ce qu'il dit des circonstances dans lesquelles il a commencŽ ˆ Žcrire. J'ai commencŽ ˆ Žcrire trs t™t, dit-il, dans mon adolescence et c'Žtait dŽjˆ un besoin. C'Žtait une faon, dŽjˆ, de mettre au clair quelque chose que je ne comprenais pas. Le point de dŽpart est toujours un moment difficile. Puis un peu plus tard, aprs mon arrivŽe en France, j'ai essayŽ d'Žcrire en franais; c'Žtait au moment d'une crise et c'est: Le quatrime Žtat de la matire qui est venu d'une seule coulŽe. Dans la situation difficile qui Žtait alors la mienne, ce fut la seule faon de m'en sortir. A d'autres moments, il y a pu y avoir des rencontres heureuses, mais le processus dŽclanchŽ reste douloureux au dŽbut. Quand je lui demande si son enfance elle-mme peut avoir jouŽ un r™le important comme source d'inspiration, il me rŽpond: Cela para”t Žvident. J'ai le sentiment que mon corps n'a rien oubliŽ. J'ai des souvenirs trs vivants qui se rŽveillent ˆ la moindre occasion et qui veulent tre dŽgagŽs, verbalisŽs. Mais ces rŽveils me renvoient toujours dans un premier temps ˆ l'obscuritŽ, et je ne peux retrouver la rencontre positive heureuse qu'aprs ce retour. On dit qu'ˆ travers son Žcriture le pote crŽe son monde. Mais n'est-ce pas aussi lui-mme qu'il crŽe, tel qu'il est ou tel qu'il voudrait tre? A la rŽflexion oui, rŽpond-il, mais quand on est dedans, dans cette nŽcessitŽ, on ne sait rien, on est pris par cela et il faut en sortir. Pourtant cet Žtat douloureux ne m'est jamais apparu comme dŽsespŽrŽ. On sent qu'on pourra toujours aller plus loin. On s'est peut-tre fourvoyŽ mais il y a toujours un autre chemin. Cette essence itinŽrante qui marqua sa vie, on la retrouve aussi dans son oeuvre. Quand je lui demande en fin d'entretien ce qui lui fait penser qu'un pome est terminŽ, il me dit: Je ne sais jamais si c'est fini mais ce que je sais, c'est que dans la situation donnŽe, je ne peux pas aller plus loin. Il arrive mme qu'aprs plusieurs annŽes, j'ai le mme sentiment. Mais je sais que je peux aller jusque lˆ pour, le moment. D'autres fois, ˆ la relecture il se fait comme une ouverture nouvelle. A la relecture de cet entretien avec Lorand Gaspar, j'ai le sentiment que, dans sa concision et dans sa densitŽ, il est le tŽmoignage Žmouvant de la raison d'tre et de la nŽcessitŽ de la crŽation artistique. A partir d'un travail poursuivi dans un sŽminaire que j'ai animŽ pendant une dizaine d'annŽes autour du thme: Art et Psychanalyse, il m'a semblŽ que les processus psychiques qui se dŽploient dans la crŽation artistique s'architecturaient selon des modalitŽs semblables ˆ celles que la clinique psychanalytique mettait en Žvidence dans son domaine propre, en particulier, au niveau des structures les plus anciennes et les plus profondes telles qu'on peut les observer chez l'enfant, mais aussi dans certains Žtats pathologiques (Žtats limites ou psychotiques) ou lors de mouvements rŽgressifs particulirement importants. De cette confrontation pouvait rŽsulter un Žclairage rŽciproque intŽressant, permettant ˆ la fois de mieux situer le r™le et la fonction de l'art, mais aussi de mieux comprendre certains modes de fonctionnement psychiques qui posent ˆ l'analyste des problmes thŽrapeutiques d'une grande difficultŽ. Il est bien Žvident que la fonction symbolisante occupe ici une place centrale et je ne peux qu'Žvoquer, d'entrŽe de jeu, le rŽcent travail d'Alain Gibeault, Congrs des psychanalystes de langue franaise des pays romans, mai. ne serait-ce que pour me situer par rapport ˆ lui. J'en ai apprŽciŽ l'Žclairage philosophique, la rigueur mŽtapsychologique et l'enracinement clinique. Il m'a semblŽ seulement, mais qui pourrait lui en faire grief, Žtant donnŽe l'ampleur de son sujet, que son exposŽ laissait dans l'ombre quelques questions. Ce sera donc dans ce champ laissŽ en friche que j'essaierai d'apporter ma propre contribution. Je crois, en effet, d'un grand intŽrt, pour entrer plus profondŽment dans la comprŽhension de cette fonction symbolisante, de s'attarder davantage sur les conditions de sa naissance, sur les modalitŽs de son apparition et sur les toutes premires Žtapes de son Žlaboration. Or, ce point de dŽpart me para”t profondŽment enracinŽ dans le corps, dans ce qu'il peut inscrire, ressentir et exprimer: souvenirs du corps, ŽprouvŽs sensori-moteurs, langages du corps seront donc ici les mots clŽs. Je crois aussi que l'art offre un champ d'investigation privilŽgiŽe dont on ne contestera pas l'importance en ce qui concerne la symbolisation mais qui nous intŽresse ici tout particulirement dans la mesure o son mode d'expression, son langage est justement langage du corps, comme j'aurai ample occasion de le montrer plus loin. Freud n'a-t-il pas d'ailleurs engagŽ d'emblŽe la recherche analytique dans ce registre en prenant d'abord l'hystŽrie comme objet d'Žtude. L'hystŽrie reprŽsente bien, en effet, l'organisation nŽvrotique o le corps est le plus prŽsent. Car s'il l'est au terme du processus, la conversion, il l'est aussi ˆ l'origine et il l'est encore ˆ chacune de ses Žtapes, inscrivant dans la fonction symbolisante elle-mme sa marque propre. Chez Dora, la zone corporelle Žrogne excitŽe exagŽrŽment peut expliquer ce qu'on a appelŽ la complaisance somatique. Mais, les dŽplacements symboliques ne sont possibles que si l'objet ou l'acte symbolique substituŽ donne la possibilitŽ d'un ŽprouvŽ psychique semblable et suffisamment satisfaisant. Si chez Dora la satisfaction masturbatoire a pu se dŽplacer sur d'autres objets, pourquoi n'aurait-elle pas elle-mme une origine antŽrieure. On rejoint lˆ, du reste, une remarque pertinente d'Alain Gibeault qui, se rŽfŽrant ˆ Ferencsi, montre la rŽversibilitŽ du processus symbolique. Si la dent, ou le mamelon, peut tre symbole du pŽnis, le pŽnis peut tre aussi symbole de la dent et peut-tre plus encore du mamelon. Freud l'avait d'ailleurs bien peru puisque, au bout du compte, c'est sans doute parce qu'il n'a pas suffisamment analysŽ ce puissant retour nostalgique vers le lien primitif et fusionnel avec la mre que l'analyse de Dora a, finalement, butŽ. Ainsi, la masturbation de Dora est aussi par l'utilisation, certes, d'un nouveau registre qui est celui de la sexualitŽ, recherche de retrouvailles avec un ŽprouvŽ semblable ˆ celui, dŽjˆ vŽcu, dans le contact oral et cutanŽ avec le sein de la mre. C'est aussi dire que la fonction symbolisante commence trs t™t, voire ds le dŽbut, mme si c'est sous une forme qu'on pourrait appeler prŽsymbolique pour souligner la distinction encore partielle des termes semblables. Mais il para”t justement important et intŽressant d'essayer de la saisir dans ses tout premiers commencements, ce qui nous permettra de mieux comprendre ses Žlaborations ultŽrieures plus complexes et les modalitŽs de leurs investissements successifs. Comment donc opre ce premier langage du corps et comment le situer dans son lieu et dans son devenir par rapport ˆ celui qui s'exprimera ensuite en images et en mots. Quand on s'interroge sur l'origine et les dŽbuts de cette fonction symbolisante, deux paramtres apparaissent essentiels: la pulsion et le corps sensori-moteur comme repre et comme rŽfrent. C'est la pulsion qui donne sens et il est intŽressant de remarquer que le mot sens indique ˆ la fois signification et mouvement vers, impulsion. Le premier dŽcoupage d'objet, le sein de la mre, par exemple, s'Žtaye sur la pulsion. C'est cette pulsion primaire qui va permettre, parce qu'elle en est le moteur, les Žquivalences substitutives et les dŽplacements symboliques ultŽrieurs. C'est parce que le pouce remplit une fonction semblable ˆ celle du sein, sur le plan de la satisfaction pulsionnelle, que le dŽplacement va se produire comme il se produira ensuite sur l'objet transitionnel puis, comme le dira Winnicott, sur le domaine culturel tout entier. Mais la pulsion ne permet pas, par elle-mme, le repŽrage de similitude des substitutions adŽquates. C'est le corps, dans sa sensorialitŽ comme dans son agir, sa gestualitŽ, qui en assurera la possibilitŽ. Le corps avant mme qu'il ne s'Žlabore en image du corps. Ferencsi disait bien que l'enfant apprend ˆ figurer, au moyen de son corps, toute la diversitŽ du monde extŽrieur. Mais je crois qu'avant mme que le corps soit figurŽ en image du corps, le repŽrage se fait dŽjˆ ˆ partir de l'ŽprouvŽ senti et agi, inscrivant, dans le corps, traces et frayages sensori-moteurs. Autrement dit, c'est parce qu'il s'est dŽjˆ Žtabli un lien entre un ensemble sensori-moteur et un affect correspondant ˆ la satisfaction ou ˆ la non satisfaction de la pulsion que va pouvoir s'Žlaborer secondairement le fantasme. (Fantasme qui gardera d'ailleurs les composantes de sa double appartenance, puisqu'il comporte ˆ la fois affect et reprŽsentation. Et si le visuel tend ˆ y occuper la premire place, c'est en raison de l'Žlaboration schŽmatisante qu'il permet). Je me rŽfŽrerai ici ˆ l'expŽrience que fait Proust lorsqu'il gožte la madeleine trempŽe dans une infusion. C'est un ŽprouvŽ du corps, un ŽprouvŽ sensori-moteur qui est le point de dŽpart de cette expŽrience, si intense qu'il la dŽcrit comme lui donnant une joie pareille ˆ une certitude et suffisante, sans autre preuve, ˆ lui rendre la mort indiffŽrente.Proust A la Recherche du Temps Perdu, t.(ADMIN), Žd. La PlŽiade, Gallimard, Paris, p. Cet ŽprouvŽ actuel va faire rŽsonner en lui un ŽprouvŽ plus ancien de par sa similitude sensorielle avec lui. Une image-souvenir peut s'y trouver associŽe (c'est le cas de l'expŽrience rapportŽe par Proust). Mais ce n'est pas nŽcessaire. Il nous est tous arrivŽ, ˆ propos d'un gožt, d'une odeur, d'une perception de sable chaud, d'avoir la certitude d'un revŽcu sans qu'une image s'y associe. Un rapport de similitude semble donc pouvoir s'Žtablir entre une perception actuelle et ce que j'appellerai un souvenir du corps, avant mme qu'une reprŽsentation soit ŽlaborŽe et puisse servir de terme de comparaison. Bien Žvidemment, la pulsion joue aussi son r™le car c'est elle, au point de dŽpart, qui fonde cette similitude. Mais Proust ne souponne sans doute pas qu'elle s'enracine beaucoup plus loin encore que dans ce souvenir d'enfance, chez sa tante, auquel il le rapporte (et qui fait donc figure de souvenir Žcran). Car on ne peut pas ne pas penser que cette madeleine en forme de sein, laissant sourdre le liquide dans lequel elle a ŽtŽ trempŽe, le geste de la main qui saisit et met ˆ la bouche, les mouvements mme de la langue et des lvres, ne renvoient pas aux expŽriences corporelles inaugurales et trs investies qui, dans leur double polaritŽ, active et passive, gestuelle et sensorielle, vont servir d'assises initiales ˆ toute l'organisation des cha”nes symboliques. Pulsions et repres corporels signifiants y sont donc lˆ, liŽs ds l'origine, et serviront de noyaux organisateurs aux systmes symboliques ultŽrieurs. Mais situer les choses de cette faon, c'est aussi introduire un troisime paramtre : celui, prŽcisŽment, de l'organisation et de l'Žlaboration psychique qui, de ce fait, se construit. Organisation qui va d'ailleurs pouvoir tre investie pour elle-mme, engageant la dimension narcissique. Tel est, rapidement tracŽ, le schŽma directeur qui conduit notre rŽflexion. Il me para”t plus intŽressant et plus fructueux de rŽaborder maintenant ce cheminement ˆ travers une analyse des processus ˆ l'oeuvre dans la crŽation artistique ce qui, nous l'espŽrons, apportera un Žclairage nouveau sur la faon dont s'originent et se dŽveloppent certains processus psychiques primaires que nous pouvons observer dans notre pratique analytique. \ No newline at end of file diff --git a/language/typingtex/Convert-RaichleHacked.dir/cv.log b/language/typingtex/Convert-RaichleHacked.dir/cv.log new file mode 100644 index 0000000000..d6746a5ab7 --- /dev/null +++ b/language/typingtex/Convert-RaichleHacked.dir/cv.log @@ -0,0 +1,24 @@ +This is MlTeX, C Version 3.141 (format=plain 92.6.12) 19 JAN 1994 05:44 +**cv +(cv.tex +TeX Utility `convert' version 1.0a <91/07/08> (br) +English documentation dated <91/07/08> (br) +Modified (ls) +(cv.cfg) + +******************************************************** + This program converts text-files with 8bit-characters + into text-files with TeX's ^^xx syntax or + into TeX macros you specify for these characters. + ---Input is taken from "cv.in". + ---Output goes to "cv.out". + ---Configuration in "cv.cfg" revises default translation. + Translation tables to be used this time are (in order): + pc2dek.tbl pc2fr7d.tbl +******************************************************** +Type to start; any letter first to abort. + +\order= +* Reading pc2dek.tbl * +* Reading pc2fr7d.tbl * +* Starting to convert "cv.in" line by line: * diff --git a/language/typingtex/Convert-RaichleHacked.dir/cv.out b/language/typingtex/Convert-RaichleHacked.dir/cv.out new file mode 100644 index 0000000000..e69de29bb2 diff --git a/language/typingtex/Convert-RaichleHacked.dir/cv.tex b/language/typingtex/Convert-RaichleHacked.dir/cv.tex new file mode 100644 index 0000000000..b495954215 --- /dev/null +++ b/language/typingtex/Convert-RaichleHacked.dir/cv.tex @@ -0,0 +1,482 @@ +%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +%% This is cv.tex a quick and provisional temporary hack of convert.tex +%% to add the following features: +%% +%% --- suppress register creation logging +%% +%% --- standardized I/O (cv.in ==> cv.out) to abreviate dialog +%% +%% --- reduce logging of linenumbers tenfold to conserve time and eyesight +%% +%% --- adjust interpretation of configuration file +%% so that a line of the form (note the left quote!) +%% `^^xy +%% (a) defines expansion of "ZW where Knuth's input filter +%% assigns external code "XY to internal code "ZW. +%% This allows use of the same line +%% `\^^88 \`a +%% to have an of a Macintosh convert to \`a in cv.out +%% *NO MATTER WHICH* Knuth input filter (xord) may be present. +%% (Direct TeX for the Mac has user adjustable filters.) +%% (b) to avoid \edef type expansion of +%% See "Sanitize" and "Readtable". +%% +%% --- add \unbrace to prevent damage to kerning etc as necessary. +%% +%% Thanks to Bernd for code that is clean enough to hack! +%% +%% L.Siebenmann 1-94 + +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +%% This is file `convert.tex' generated +%% on <1991/7/9> with the docstrip utility (v1.1l test). +%% +%% The original source file was `convert.doc'. +%% +%% +%% Copyright (C) 1991 by Bernd Raichle, all rights reserved. +%% +%% IMPORTANT NOTICE: +%% +%% You are not allowed to change this file. You may however copy this file +%% to a different name and then change this copy. +%% +%% You are NOT ALLOWED to take money for the distribution or use of this +%% file (or a changed version) except for some nominal charge for copying etc. +%% +%% Error Reports in case of UNCHANGED versions to +%% +%% Bernd Raichle +%% Stettener Str. 73 +%% D-7300 Esslingen +%% Federal Republic of Germany +%% Email: raichle@azu.informatik.uni-stuttgart.de +%% +\def\fileversion{1.0a} +\def\filedate{91/07/08} +\def\docdate{91/07/08} +\def\moddate{January, 1994} + +%% \CheckSum{556} +%% \CharacterTable +%% {Upper-case \A\B\C\D\E\F\G\H\I\J\K\L\M\N\O\P\Q\R\S\T\U\V\W\X\Y\Z +%% Lower-case \a\b\c\d\e\f\g\h\i\j\k\l\m\n\o\p\q\r\s\t\u\v\w\x\y\z +%% Digits \0\1\2\3\4\5\6\7\8\9 +%% Exclamation \! Double quote \" Hash (number) \# +%% Dollar \$ Percent \% Ampersand \& +%% Acute accent \' Left paren \( Right paren \) +%% Asterisk \* Plus \+ Comma \, +%% Minus \- Point \. Solidus \/ +%% Colon \: Semicolon \; Less than \< +%% Equals \= Greater than \> Question mark \? +%% Commercial at \@ Left bracket \[ Backslash \\ +%% Right bracket \] Circumflex \^ Underscore \_ +%% Grave accent \` Left brace \{ Vertical bar \| +%% Right brace \} Tilde \~} +%% +%% TeX utility `convert' to use with plainTeX or LaTeX v2.09 +%% Copyright (C) 1991 by Bernd Raichle, all rights reserved. +\catcode`@=11 + %% suppress Plain's logging of allocations + \def\wlog#1{\relax} %% revise for latex 3 + + %% some header definitions + + \let\EX@\expandafter + \def\IW@ne{\immediate\write\@ne} + + {\lccode`\$=`\% \lccode`\*=`\# \lccode`|=`\\ + \lowercase{% + \gdef\HeaderA{\IW@ne{}% + \IW@ne{|def|unbrace*1{*1} $$ serves to get rid of braces }% + \IW@ne{ $$ as in {|oe}, that might damage kerning.}% + \IW@ne{}}% + }} + + \EX@\let + \csname cork2dek.tbl\endcsname\HeaderA + \EX@\let + \csname mac2dek.tbl\endcsname\HeaderA + \EX@\let + \csname mac2fr7g.tbl\endcsname\HeaderA + + +\newwrite\@unused +\def\typeout#1{{\let\protect\string\immediate\write\@unused{#1}}} +\def\@strip#1#2 \@gobble{\def #1{#2}} +\def\@defpar{\par} +\def\@iden#1{#1} +\def\@gobble#1{} +\def\typein[#1]#2{\typeout{#2}\read\sixt@@n to#1% + \ifx #1\@defpar \def#1{}\else + \@iden{\expandafter\@strip\expandafter #1#1\@gobble\@gobble} \@gobble + \fi} +\typeout{TeX Utility `convert' version \fileversion\space <\filedate> (br)} +\typeout{English documentation dated <\docdate> (br)} +\typeout{Modified <\moddate> (ls)} +\def\endofjob{% + \typeout{******************************************} + \typeout{* Finished. See output in file cv.out. *} + \typeout{******************************************} + \csname @@end\endcsname \end + } +%\everypar{\errhelp{This TeX utility should not produce any dvi output.}% +% \errmessage{Internal Error 1. -- Please fix me!}} + %\nullfont +\def\sorry{% + \typeout{******************************************} + \typeout{* Sorry, you need TeX 3 for this Utility *} + \typeout{******************************************} + \endofjob} +\newif\iftexthree \texthreetrue +\ifx\undefined\inputlineno + \texthreefalse +\else + \count@=\inputlineno + \ifnum\inputlineno<\z@ + \texthreefalse + \else\ifnum\inputlineno=\count@ + \texthreefalse + \fi\fi + \fi + \iftexthree \else \expandafter\sorry\fi + \errorcontextlines=\m@ne + \input cv.cfg\relax + \catcode`^=12 + \typeout{} + \typeout{********************************************************} + \typeout{ This program converts text-files with 8bit-characters} + \typeout{ into text-files with TeX's ^^xx syntax or } + \typeout{ into TeX macros you specify for these characters.} + \typeout{ ---Input is taken from "cv.in".} + \typeout{ ---Output goes to "cv.out".} + \typeout{ ---Configuration in "cv.cfg" revises default translation.} + \typeout{ Extra translation tables for this run (in order):} + \typeout{ \space\space\configtables} + \typeout{********************************************************} + \typein[\order]{Type to start; any letter first to abort.} + \def\nibble#1#2\endnibble{\def\nibblet{#1}} + \expandafter\nibble\order\relax\endnibble + \expandafter + \ifcat\nibblet a + \expandafter\endofjob + \fi + \newcount\convtype + \convtype=2 + \def\getnumber{\afterassignment\gobblerest\count@=} + \def\gobblerest#1\lineend{% + %\showthe\count@\showthe\catcode`\^ + } + %\loop + % \typeout{ Should I convert 8bit characters to...}% + % \typeout{ \space 1) ^^x notation or}% + % \typein[\conversion]% + % { \space 2) macros calls (defined in `convert.tbl')}% + % \getnumber\conversion \space 0 \lineend + % \convtype=\count@ + % \fehlertrue + %\ifnum\convtype>\z@ \ifnum\convtype<\thr@@ \fehlerfalse \fi\fi + % \convtype=2 \fehlerfalse + % \iffehler + % \typeout{ !! Please type 1 or 2 !!}\typeout{}% + %\repeat + %\typeout{} + %\typein[\infilename]{First type the name of your input file:} + %\typeout{} + %\typein[\outfilename]{Now type the name of your output file:} + %\typeout{} + %\ifx\infilename\outfilename + % \typeout{} + % \typeout{!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!} + % \typeout{! Not possible to read from and write to the same file !} + % \typeout{!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!} + % \expandafter\endofjob + %\fi + \def\infilename{cv.in} + \def\outfilename{cv.out} +\newwrite\outstream + %\ifx\outfilename\empty + % \typeout{Output to \jobname.log and online.} + % \typeout{------------------------------------------------------------} + % \chardef\outstream=\sixt@@n + %\else + \immediate\openout\outstream \outfilename \relax + %\fi + + +% {\lccode`\$=`\%\lccode`\*=`\#\lccode`\I=`\I\lccode`\|=`\\ +% \lowercase +% {\global\toks0={|def|unbrace*1{} $$ auxiliary macro for {|oe} etc.} +% \global\toks2={$$ It erases cerain braces lest they damage kerning etc.} +% }} +%\showthe\toks2 + + %\endofjob + +\catcode`~=7 +\catcode`$=\active +\newtoks\currentline \currentline={} +\newcount\Lineno +\newcount\lineno +\ifx\outfilename\empty + \def\finish@line{\immediate\write\outstream{\the\currentline}% + \currentline{}\outputpos\z@} +\else + \def\finish@line{\immediate\write\outstream{\the\currentline}% + \currentline{}\outputpos\z@\linemessage} +\fi +\def\linemessage{\ifnum\lineno=0\relax\message{\the\Lineno}\fi} +\def\lastlinemessage{\ifnum\lineno=0\relax\else\message{\the\Lineno}\fi} +\newcount\outputpos \outputpos=\z@ +\begingroup\lccode`$=32 +\lowercase{\endgroup +\def\expand@tab{% + \count@\outputpos + \loop \ifnum\count@>7 \advance\count@ -8\repeat + \loop \ifnum\count@<8 \advance\count@\@ne $\repeat +} +} % end of lowercase +\begingroup \catcode`\~~@=\active +\gdef~~@{\currentline\expandafter{\the\currentline ^^@}% + \advance\outputpos\thr@@} +\endgroup +\def\defoutstring#1#2#3{\ifnum#1=\z@ \else + \begingroup \lccode`$=#1\relax + \lowercase{\endgroup\xdef$}% + {\currentline\noexpand\expandafter{\noexpand\the\currentline #2}% + \advance\outputpos\noexpand#3}% + \fi +} +\def\defout#1#2{\lccode`$=#1\relax + \lowercase{\gdef$}{#2}} +\def\letout#1#2{\lccode`$=#1\relax + \lowercase{\global\let$}#2} +\def\hexnum#1{\ifcase#1 0\or 1\or 2\or 3\or 4\or 5\or 6\or 7\or + 8\or 9\or a\or b\or c\or d\or e\or f\fi} +\catcode`*=12 +\count@=32 +\loop + \lccode`*=\count@ + \ifnum\count@<127 + \lowercase{\defoutstring\count@*{\@ne}} + \advance\count@\@ne +\repeat +\defoutstring{127}{^^?}\thr@@ +\count@=\@ne \count\thr@@=`A +\loop + \uccode`*=\count\thr@@ + \ifnum\count@<32 + \uppercase{\defoutstring\count@{^^*}}\thr@@ + \advance\count@\@ne \advance\count\thr@@\@ne +\repeat +\count@=128 +\count\@ne=8 \count\tw@=0 % hex-counter +\loop + \ifnum\count@<\@cclvi + \defoutstring\count@ + {^^\hexnum{\the\count\@ne}\hexnum{\the\count\tw@}}4 + \advance\count@\@ne + \ifnum\count\tw@>14 + \count\tw@\z@ \advance\count\@ne \@ne + \else + \advance\count\tw@ \@ne + \fi +\repeat +\newcount\length +\def\getlength{\afterassignment\lengthloop\let\next= } +\def\lengthloop{% + \ifx\next\empty%\showthe\length + \else + \advance\length\@ne + \expandafter\getlength + \fi +} + % + \def\@Cleanup#1>#2@{#2} + \def\@Meaning#1{\expandafter\@Cleanup\meaning#1@} + \def\@Sanitize#1{\def\@Sanholder{#1}% + \edef\@Sanholder{\@Meaning\@Sanholder} + } + % +\def\processline#1 #2\lineend{\length=\z@ + \@Sanitize{#2}% + \getlength#2\empty \getnumber#1\space -1 \lineend + \defoutstring\count@{\@Sanholder}\length +} +\newif\ifmore \moretrue + + \def\nibble#1#2\endnibble{\def\nibblet{#1}} + \def\unbrace#1{#1} + \def\Unbrace#1{\edef#1{\expandafter\unbrace#1}} + +\def\readtablehead{\begingroup + \loop + \endlinechar\m@ne + \read\@ne to \curline \relax%\show\curline + \endlinechar`~~M + \ifx\curline\empty % ignore empty lines + \else + \Unbrace\curline%%!!! + \curline\show\curline + \expandafter\nibble\curline\endnibble + \show\nibblet + \def\temp{`} + \ifx\nibblet\temp\show\gcurline + \morefalse \global\let\gcurline=\curline + \show\gcurline + \fi + \fi + \ifeof\@ne \morefalse \message{xxxxxxxx}\let\readtablebody=\relax \fi + \ifmore + \repeat +\endgroup} + +\def\readtablebody{\begingroup + %%% following is replaced by Sanitize + % \count@=128 %%%\z@ %%%127 %%\z@%!!!!! + % \loop + % \ifnum\count@<\@cclvi + % \ifnum\catcode\count@<9 + % \catcode\count@ 12 + % \else\ifnum\catcode\count@=\active + % \catcode\count@ 12 + % \fi\fi + % \advance\count@ \@ne + % \repeat + %%% start with one \curline in hand + %\let\curline=\gcurline + %\show\gcurline + %\expandafter\processline\curline\lineend + \loop + \endlinechar\m@ne + \read\@ne to \curline + \endlinechar`~~M + \ifx\curline\empty % ignore empty lines + \else + %%\show\curline%%!!! + \expandafter\processline\curline\lineend + \fi + \ifeof\@ne \morefalse \fi + \ifmore + \repeat +\endgroup} + + + %%% \SIN@0#1@#2@ : Is 1st exp of #1 in 1st exp of #2 ?? + %% Answer in \ifIN@ + %% Further if true, then \Initialtoks@ \Terminaltoks@ + %% contain the parts before and after. + %% while \Initialtoks@{#2}% + \newif\ifIN@ + \newtoks\Initialtoks@ \newtoks\Terminaltoks@ + \def\m@rker{\m@@rker}% + \long\def\DeleteMarker@ #1@@#2\m@rker{\Terminaltoks@{#1}}% + \def\SIN@{\expandafter\SINN@\expandafter}% + \long\def\SINN@0#1@#2@{% + \long\def\NI@##1#1##2##3\ENDNI@ + {\ifx\m@rker##2\IN@false\Initialtoks@\expandafter{#2}% + \else + \IN@true + \Initialtoks@{##1}\DeleteMarker@##2##3% + \fi}% + \expandafter\NI@#2@@#1\m@rker\ENDNI@} + + \def\getnexttable{% + \SIN@0 @\configtables @% + \ifIN@ + \edef\configtable{\the\Initialtoks@}% + \edef\configtables{\the\Terminaltoks@}% + \ifx\configtable\empty\expandafter\getnexttable\fi + \else + \let\configtable\configtables + \let\configtables\empty + \fi + } + + \def\Loop@#1\Repeat@{% + \def\Iterate@{#1\expandafter\Iterate@\fi}% + \Iterate@} + + + + %%%%%%%%%%%%%%%%%%%%%%%%%%%%% + %%%%% ACTION + %%%%%%%%%%%%%%%%%%%%%%%%%%%%% + +\ifnum\convtype=\tw@ + \Loop@ + \getnexttable + \ifx\empty\configtable + \else + \openin\@ne \configtable\relax + \typeout{* Reading \configtable\space *} + \ifeof\@ne + \typeout{I can't find file \configtable -- ignored.}% + \else + \catcode`\^=7 + %\showthe\catcode`\\% + \def\Readtable{% + %\readtablehead + \readtablebody\catcode`\\=0 }% + \afterassignment\Readtable + \catcode`\\=12 + %%%!!!\Readtable here + \catcode`\^=12 + \closein\@ne + \fi + \Repeat@ +\fi +\letout{9}\expand@tab +\defout{10}{% + \typeout{!!--> Found ^J in line \the\Lineno--I'll ignore all ^J.}% + \letout{10}\relax} +\defout{13}{% + \typeout{!!--> Found ^M in line \the\Lineno--I'll ignore all ^M.}% + \letout{13}\relax} +\def\readfile{% + \read\@ne to\next + \ifeof\@ne + \else + \advance\Lineno\@ne\advance\lineno\@ne + \ifnum\lineno=10\relax\lineno=\z@\fi + \next\relax + \finish@line + \expandafter\readfile + \fi + } +\def\makeactiveandinput{\begingroup + \count@=\z@ + \loop + \ifnum\count@<\@cclvi + \catcode\count@\active + \advance\count@\@ne + \repeat + \endlinechar=-1 + \openin\@ne \infilename\relax + \EX@\csname\configtable\endcsname + %\HeaderA + \ifeof\@ne + \typeout{No input file \infilename.}% + \else + \Lineno\z@\lineno\z@ + \typeout{* Starting to convert "cv.in" line by line: *} + \readfile + \lastlinemessage + \closein\@ne + \fi + \endlinechar=`~~M + \ifx\outfilename\empty + \typeout{------------------------------------------------------------} + \else + \immediate\closeout\outstream + \fi + \endgroup + \endofjob +} +\makeactiveandinput +\errhelp{This TeX utility should not reach this point.}% +\errmessage{Internal Error 2. -- Please fix me!} +\endinput +%% +%% End of file `convert.tex'. + diff --git a/language/typingtex/Convert-RaichleHacked.dir/mac2dek.tbl b/language/typingtex/Convert-RaichleHacked.dir/mac2dek.tbl new file mode 100644 index 0000000000..484c49cc79 --- /dev/null +++ b/language/typingtex/Convert-RaichleHacked.dir/mac2dek.tbl @@ -0,0 +1,80 @@ + + + +%%% mac2dek.tbl table for conversion + %% FROM: Mac eight bit TeX typing + %% TO: DE Knuth's syntax (normalized). + +%%% This file is selected and called by configuration file cv.cfg + %% for use by cv.tex (B. Raichle's convert.tex revised). + +%%% Input allows only Mac (accented) letters + %% in the eight-bit range 128-255 --- + %% as for Times (without misc characters). + %% If you want more, please + %% extend this table, and then give it a new name. + +%%% The first entry is the Hex code for the Mac + %% the second is an ascii substitution text. + + +`^^e7 \'A +`^^87 \'a +`^^83 \'E +`^^8e \'e +`^^ea \'I +`^^92 \'{\i} +`^^ee \'O +`^^97 \'o +`^^f2 \'U +`^^9c \'u +`^^cb \`A +`^^88 \`a +`^^e9 \`E +`^^8f \`e +`^^ed \`I +`^^93 \`{\i} +`^^f1 \`O +`^^98 \`o +`^^f4 \`U +`^^9d \`u +`^^e5 \^A +`^^89 \^a +`^^e6 \^E +`^^90 \^e +`^^eb \^I +`^^94 \^{\i} +`^^ef \^O +`^^99 \^o +`^^f3 \^U +`^^9e \^u +`^^80 \^A +`^^8a \^a +`^^e8 \^E +`^^91 \^e +`^^ec \^I +`^^95 \^{^i} +`^^85 \^O +`^^9a \^o +`^^86 \^U +`^^9f \^u +`^^d9 \^Y +`^^d8 \^y +`^^cc \~A +`^^8b \~a +`^^84 \~N +`^^96 \~n +`^^cd \~O +`^^9b \~o +`^^82 \c{C} +`^^8d \c{c} +`^^81 \unbrace{\AA} +`^^8c \unbrace{\aa} +`^^ae \unbrace{\AE} +`^^be \unbrace{\ae} +`^^ce \unbrace{\OE} +`^^cf \unbrace{\oe} +`^^af \unbrace{\O} +`^^bf \unbrace{\o} +`^^a7 \unbrace{\ss} + diff --git a/language/typingtex/Convert-RaichleHacked.dir/mac2fr7d.tbl b/language/typingtex/Convert-RaichleHacked.dir/mac2fr7d.tbl new file mode 100644 index 0000000000..212854c591 --- /dev/null +++ b/language/typingtex/Convert-RaichleHacked.dir/mac2fr7d.tbl @@ -0,0 +1,56 @@ + +%%% mac2fr7d.tbl table for conversion + %% FROM: Mac eight bit French TeX typing + %% TO: succinct French typing with accents on left. + +%%% This file is selected and called by cv.cfg + %% for use by cv.tex (B. Raichle's convert.tex revised). + +%%% INPUT Allows only Mac (accented) letters for French + %% in the eight bit range 128-255 --- + %% coded as for Mac Times. + %% If you want more, please + %% extend this table, or better load another table + %% before this one as indicated in cv.cfg. + +%% OUTPUT Succinct (and readable) +%% 7bit style with accents on right. +%% To get output for email that is directly +%% composable by TeX using email-fr.sty +%% use accents on left style instead. + +%%% The first entry is the Hex code for the Mac + %% the second is an asci substitution text. + + +`^^83 E' +`^^8e e' +`^^cb A` +`^^88 a` +`^^e9 E` +`^^8f e` +`^^f4 U` +`^^9d u` +`^^e5 A^ +`^^89 a^ +`^^e6 E^ +`^^90 e^ +`^^eb I^ +`^^94 i^ +`^^ef O^ +`^^99 o^ +`^^f3 U^ +`^^9e u^ +`^^80 A" +`^^8a a" +`^^e8 E" +`^^91 e" +`^^ec I" +`^^95 i" +`^^85 O" +`^^9a o" +`^^86 U" +`^^9f u" +`^^82 C/ +`^^8d c/ + diff --git a/language/typingtex/Convert-RaichleHacked.dir/mac2fr7g.tbl b/language/typingtex/Convert-RaichleHacked.dir/mac2fr7g.tbl new file mode 100644 index 0000000000..6cbce70e3c --- /dev/null +++ b/language/typingtex/Convert-RaichleHacked.dir/mac2fr7g.tbl @@ -0,0 +1,57 @@ + +%%% mac2fr7g.tbl table for conversion + %% FROM: Mac eight bit French TeX typing + %% TO: Succinct French typing with accents on left. + +%%% This file is selected and called by cv.cfg + %% for use by cv.tex (B. Raichle's convert.tex revised). + +%%% INPUT Allows only Mac (accented) letters for French + %% in the eight bit range 128-255 --- + %% coded as for Mac Times. + %% If you want more, please + %% extend this table, or better load another table + %% before this one as indicated in cv.cfg. + +%% OUTPUT Succinct (and readable) +%% 7bit style with accents on left. +%% Directly composable by TeX using email-fr.sty. + +%%% HEADER material will be added at opening of output file + %% \def\unbrace#1{#1} %% serves to get rid of braces before they + %% have a chance to damage kerning. Temporary measure. + +%%% The first entry is the Hex code for the Mac + %% the second is an asci substitution text. + +`^^83 'E +`^^8e 'e +`^^cb `A +`^^88 `a +`^^e9 `E +`^^8f `e +`^^f4 `U +`^^9d `u +`^^e5 ^A +`^^89 ^a +`^^e6 ^E +`^^90 ^e +`^^eb ^I +`^^94 ^i +`^^ef ^O +`^^99 ^o +`^^f3 ^U +`^^9e ^u +`^^80 \"A +`^^8a \"a +`^^e8 \"E +`^^91 \"e +`^^ec \"I +`^^95 \"i +`^^85 \"O +`^^9a \"o +`^^86 \"U +`^^9f \"u +`^^82 _C +`^^8d _c + diff --git a/language/typingtex/Convert-RaichleHacked.dir/mac2noac.tbl b/language/typingtex/Convert-RaichleHacked.dir/mac2noac.tbl new file mode 100644 index 0000000000..e2a783c0fc --- /dev/null +++ b/language/typingtex/Convert-RaichleHacked.dir/mac2noac.tbl @@ -0,0 +1,80 @@ +%%% mac2noacc.tbl table for conversion + %% FROM: Mac eight bit TeX typing + %% TO: ascii with no accents: ==> e ... + %% However \'e and all ascii <= 127 is unchanged. + +%%% This file is selected and called by configuration file cv.cfg + %% for use by cv.tex (B. Raichle's convert.tex revised). + +%%% Input allows only Mac (accented) letters + %% in the eight-bit range 128-255 --- + %% as for Times (without misc characters). + %% If you want more, please + %% extend this table, and then give it a new name. + +%%% The first entry is the Hex code for the Mac + %% the second is an ascii substitution text. + +%%% Perhaps the conversion of \O, \o, \AA, \aa could be improved. + + +`^^e7 A +`^^87 a +`^^83 E +`^^8e e +`^^ea I +`^^92 i +`^^ee O +`^^97 o +`^^f2 U +`^^9c u +`^^cb A +`^^88 a +`^^e9 E +`^^8f e +`^^ed I +`^^93 i +`^^f1 O +`^^98 o +`^^f4 U +`^^9d u +`^^e5 A +`^^89 a +`^^e6 E +`^^90 e +`^^eb I +`^^94 i +`^^ef O +`^^99 o +`^^f3 U +`^^9e u +`^^80 A +`^^8a a +`^^e8 E +`^^91 e +`^^ec I +`^^95 i +`^^85 O +`^^9a o +`^^86 U +`^^9f u +`^^d9 Y +`^^d8 y +`^^cc A +`^^8b a +`^^84 N +`^^96 n +`^^cd O +`^^9b o +`^^82 C +`^^8d c +`^^81 A +`^^8c a +`^^ae AE +`^^be ae +`^^ce OE +`^^cf oe +`^^af O +`^^bf o +`^^a7 ss + diff --git a/language/typingtex/Convert-RaichleHacked.dir/pc2dek.tbl b/language/typingtex/Convert-RaichleHacked.dir/pc2dek.tbl new file mode 100644 index 0000000000..bd96d08bd5 --- /dev/null +++ b/language/typingtex/Convert-RaichleHacked.dir/pc2dek.tbl @@ -0,0 +1,103 @@ + + + +%%% mac2dek.tbl table for conversion + %% FROM: PC eight bit TeX typing (really larger ISO850 character set) + %% TO: D.E. Knuth's syntax (normalized). + +%%% This file is selected and called by configuration file cv.cfg + %% for use by cv.tex (B. Raichle's convert.tex revised). + +%%% Input allows ISO850 character set + %% in the eight-bit range 128-255 --- + %% If you extend or modify this table, + %% please give it a new name. + +%%% The first entry is the Hex code for the PC + %% the second is an ascii substitution text. + + + + +`^^80 \c{C} +`^^81 \"u +`^^82 \'e +`^^83 \^a +`^^84 \"a +`^^85 \`a +`^^86 \a{a} %% \aa %% \a is small circle accent +`^^87 \c{c} +`^^88 \^e +`^^89 \"e +`^^8a \`e +`^^8b \"{\i} +`^^8c \^{\i} +`^^8d \`{\i} +`^^8e \"A +`^^8f \a{A} % \AA + +`^^90 \'E +`^^91 \a{e} %% +`^^92 \a{E} %% +`^^93 \^o +`^^94 \"o +`^^95 \`o +`^^96 \^u +`^^97 \`u +`^^98 \"y +`^^99 \"O +`^^9a \"U +`^^9b \unbrace{\o} %% +`^^9c \unbrace{\pounds} %% +`^^9d \unbrace{\O} %% + +`^^a0 \'a +`^^a1 \'{\i} +`^^a2 \'o +`^^a3 \'u +`^^a4 \~n +`^^a5 \~N +`^^a6 \b a %% +`^^a7 \b o +`^^a8 \unbrace{\questiondown}%%?` %% ?? +`^^ad \unbrace{\exclamdown}%%!` %% !! +`^^ae \unbrace{\guillemotleft} %% $\scriptstyle\ll$, \< +`^^af \unbrace{\guillemotright} %% $\scriptstyle\gg$, \> + +`^^b5 \'A +`^^b6 \^A +`^^b7 \`A +`^^b8 \unbrace{\copyright} +`^^bd \unbrace{\cent} %% \leavevmode\hbox{\rm\rlap/c} + +`^^c6 \~a +`^^c7 \'O + +`^^d0 \unbrace{\eth} %% Icelandic eth like $\partial$ crossed +`^^d1 \unbrace{\Eth} %%\rlap{\raise.3ex\hbox{--}}D %% Eth (Icelandic) + %%%% Croatian \Dj, but lowercase \dj (a crossed d) is absent from 850. +`^^d2 \^E +`^^d3 \"E +`^^d4 \`E +`^^d5 \unbrace{\i} +`^^d6 \'I +`^^d7 \^I +`^^d8 \"I +`^^de \`I + +`^^e0 \'O +`^^e1 \unbrace{\ss} +`^^e2 \^O +`^^e3 \`O +`^^e4 \~o +`^^e5 \~O +`^^e7 \unbrace{\thorn} %% thorn +`^^e8 \unbrace{\Thorn} %% Thorn +`^^e9 \'U +`^^ea \^U +`^^eb \`U +`^^ec \'y +`^^ed \'Y + +`^^f4 \unbrace{\paragraph} %% , \P +`^^f5 \unbrace{\S} %%
, \section diff --git a/language/typingtex/Convert-RaichleHacked.dir/pc2fr7d.tbl b/language/typingtex/Convert-RaichleHacked.dir/pc2fr7d.tbl new file mode 100644 index 0000000000..76b723a1dd --- /dev/null +++ b/language/typingtex/Convert-RaichleHacked.dir/pc2fr7d.tbl @@ -0,0 +1,65 @@ + +%%% pc2fr7d.tbl + %% table for conversion using cv.tex + %% (convert.tex version 1 of B. Raichle modified) + %% FROM: Eight bit French TeX typing on PC with "850" encoding + %% TO: Succinct French typing with accents on right. + +%%% This file is selected and called by cv.cfg + %% for use by cv.tex (B. Raichle's convert.tex revised). + +%%% INPUT Allows only Mac (accented) letters for French + %% in the eight bit range 128-255 --- + %% coded as for Mac Times. + %% If you want more, please + %% extend this table, or better load another table + %% before this one as indicated in cv.cfg. + +%%% OUTPUT Succinct (and readable) +%% 7bit style with accents on right. +%% To get output for email that is directly +%% composable by TeX using email-fr.sty +%% use accents on left style instead. + +%%% HEADER material will be added at opening of output file + %% \def\unbrace#1{#1} %% serves to get rid of braces before they + %% have a chance to damage kerning. Temporary measure. + +%%% The first entry is the Hex code for the Mac + %% the second is an asci substitution text. + + + +`^^80 C/ +`^^81 u" +`^^82 e' +`^^83 a^ +`^^84 a" +`^^85 a` +`^^87 c/ +`^^88 e^ +`^^89 e" +`^^8a e` +`^^8b i" +`^^8c i^ +`^^8e A" + +`^^90 E' +`^^93 o^ +`^^94 o" +`^^96 u^ +`^^97 u` +`^^99 O" +`^^9a U" + +`^^b6 A^ + +`^^d2 E^ +`^^d3 E" +`^^d4 E` +`^^d7 I^ +`^^d8 I" + +`^^e2 O^ +`^^ea U^ +`^^eb U` diff --git a/language/typingtex/Convert-RaichleHacked.dir/pc2fr7g.tbl b/language/typingtex/Convert-RaichleHacked.dir/pc2fr7g.tbl new file mode 100644 index 0000000000..7e79cb4fc2 --- /dev/null +++ b/language/typingtex/Convert-RaichleHacked.dir/pc2fr7g.tbl @@ -0,0 +1,61 @@ + +%%% pc2fr7g.tbl + %% table for conversion using cv.tex + %% (convert.tex version 1 of B. Raichle modified) + %% FROM: Eight bit French TeX typing on PC with "850" encoding + %% TO: Succinct French typing with accents on left. + +%%% This file is selected and called by cv.cfg + %% for use by cv.tex (B. Raichle's convert.tex revised). + +%%% INPUT Allows only Mac (accented) letters for French + %% in the eight bit range 128-255 --- + %% coded as for Mac Times. + %% If you want more, please + %% extend this table, or better load another table + %% before this one as indicated in cv.cfg. + +%% OUTPUT Succinct (and readable) +%% 7bit style with accents on left. +%% Directly composable by TeX using email-fr.sty. + +%%% HEADER material will be added at opening of output file + %% \def\unbrace#1{#1} %% serves to get rid of braces before they + %% have a chance to damage kerning. Temporary measure. + +%%% The first entry is the Hex code for the Mac + %% the second is an asci substitution text. + +`^^80 _C +`^^81 \"u +`^^82 'e +`^^83 ^a +`^^84 \"a +`^^85 `a +`^^87 _c +`^^88 ^e +`^^89 \"e +`^^8a `e +`^^8b \"i +`^^8c ^i +`^^8e \"A + +`^^90 'E +`^^93 ^o +`^^94 \"o +`^^96 ^u +`^^97 `u +`^^99 \"O +`^^9a \"U + +`^^b6 ^A + +`^^d2 ^E +`^^d3 \"E +`^^d4 `E +`^^d7 ^I +`^^d8 \"I + +`^^e2 ^O +`^^ea ^U +`^^eb `U diff --git a/language/typingtex/Convert-RaichleHacked.dir/pc2noac.tbl b/language/typingtex/Convert-RaichleHacked.dir/pc2noac.tbl new file mode 100644 index 0000000000..1d6d25129d --- /dev/null +++ b/language/typingtex/Convert-RaichleHacked.dir/pc2noac.tbl @@ -0,0 +1,103 @@ +%%% mac2dek.tbl table for conversion + %% FROM: PC eight bit TeX typing (really larger ISO850 character set) + %% TO: ascii with no accents: ==> e ... + %% However \'e and all ascii <= 127 is unchanged. + +%%% This file is selected and called by configuration file cv.cfg + %% for use by cv.tex (B. Raichle's convert.tex revised). + +%%% Input allows only Mac (accented) letters + %% in the eight-bit range 128-255 --- + %% as for Times (without misc characters). + %% If you want more, please + %% extend this table, and then give it a new name. + +%%% The first entry is the Hex code for the Mac + %% the second is an ascii substitution text. + +%%% Perhaps the conversion of \O, \o, \AA, \aa could be improved. + + + + +`^^80 C +`^^81 u +`^^82 e +`^^83 a +`^^84 a +`^^85 a +`^^86 a%% \aa %% \a is small circle accent +`^^87 c +`^^88 e +`^^89 e +`^^8a e +`^^8b i +`^^8c i +`^^8d i +`^^8e A +`^^8f A %% \AA + +`^^90 E +`^^91 e %% +`^^92 E %% +`^^93 o +`^^94 o +`^^95 o +`^^96 u +`^^97 u +`^^98 y +`^^99 O +`^^9a U +`^^9b o %% +`^^9c (pounds) %% +`^^9d O %% + +`^^a0 a +`^^a1 i +`^^a2 o +`^^a3 u +`^^a4 n +`^^a5 N +`^^a6 a +`^^a7 o +`^^a8 ? %%?` %% ?? +`^^ad ! %%?` %% !! +`^^ae << %% +`^^af >> %% +`^^b5 A +`^^b6 A +`^^b7 A +`^^b8 (copyright) +`^^bd (cent) + +`^^c6 a +`^^c7 O + +`^^d0 (eth) %% Icelandic eth like $\partial$ crossed +`^^d1 (Eth) %%\rlap{\raise.3ex\hbox{--}}D %% Eth (Icelandic) + %%%% Croatian \Dj, but lowercase \dj (a crossed d) is absent from 850. +`^^d2 E +`^^d3 E +`^^d4 E +`^^d5 i +`^^d6 I +`^^d7 I +`^^d8 I +`^^de I + +`^^e0 O +`^^e1 ss +`^^e2 O +`^^e3 O +`^^e4 o +`^^e5 O +`^^e7 (thorn) %% thorn +`^^e8 (Thorn) %% Thorn +`^^e9 U +`^^ea U +`^^eb U +`^^ec y +`^^ed Y + +`^^f4 (paragraph) %% , \P +`^^f5 (section) %%
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+!DFa1$3!#!!!"U!!!!%3!!!'Q!!!!4!GQD@adFQ8b!3!!++U-[DUS68a%)D3rRBb +N2jf-!3"!+9k-!!)!!!'6!!!!!!!!!AS!!!!!KfCTE(4bCA-!"`FZ)#dY2L!X!3! +!+L5-[DUS68a%)D"F4&qJA%4I!3!2aE29!!)!!!&k!!!!!!!!!9d!!!!!"d428bp +0B@-"!!!VJBbpUUK06%3KS%rU)D"2kL%"!,CUAH8!!J!!!DB!!!!!!!!"R!!!!!! ++CQPXG(*P)$-h-!%!!#dGM,fUU%e-4#'J-YEUS$,@kJ%!Bb(D"3!#!!!%2`!!!!! +!!!(5!!!!!"T*3NdJ,5dq)%jPG(GKH5!Y,6iJ9'&LE'9KG3%!!#l[M,fUU%e-4#' +JpIkZS2AqVJ%!*C%&EJ!#!!!%8`!!!!!!!!)-!!!!!"K*3NdJ,5dq)%jPG(GKH5! +Y,6iJ9'9iG'8"!!!`qibpUUK06%3KS2Am#k$er!X"!,crJZ%!!J!!!Ci!!!!!!!! +"DJ!!!!!(6@&M,d428`%!!$*PM,fUU%e-4#'J6qSbS%rU-J%!168033!#!!!"TJ! +!!!!!!!%h!!!!!"K8CAKdC5!Y,6iJ6Q9dGf&j)#dY2L"*3Nd"!!!cR)bpUUK06%3 +KS2B$)D$f!b%"!2@dE6i!!J!!!Ci!!!!!!!!"J`!!!!!06A9XG'NY3fpZGQ9bG!% +!!$8I39"36%e-4#'FLGX-T4+)Bb%%Hkf`j!!#!!"39J!!!!!!!#Pc!!!!!!e3CA* +YCA0cB@NZG'9i!3!!AT*849K8889%-D3rR9DN2je@!3!1GZLQ!!!!!!!!!!!!1`! +!!!!!!!!l#P4P@#jQD@adFQ8"!!"HcBbpUUK06%3KT$qF[U3rR,i"!*B@`"J!!J! +!!C-!!!!!!!!"H!!!!!!,T5"PFh0KD5jdCAJ"!!"J494&@&44483aT$qGqD3rRIN +"!!jfk+B!!!!!!!!!!!!l!!!!!!!!!$YeE#!h1L!J35"cC@0[EQ3JC'9`BA*dE@9 +ZG'&X)$)d-$!JBQ&eC#"YEf4PE5"SBA-JBQ9PEL"KC'4PC#"dEb"bD@9YB@jZ,L! +J9'KP$5!J)#!J)#!JG'9XCA"SEfjP)'jeE@*PFL"TFcSJ16Fi,6Fc1$!Z)#!S9'K +P)'pdD'9b)'e[C'9Y)'Pc)(0dD@aX)'&MBf9cFfPLE'8JBA30)#!J)#!J)#!j0cJ +Y-c3f-biT$3d0$8CbEfdk#80$8%j(9cSk)P""6%&*8d"#58j"5#j$3bj#8N&14%9 +*8bj&4&8L)#!j,8T96#da16Nb)$!j1M%c1M)i,M-`$94[1JPcD@9LC@jYB@jZ3%a +"6%0-8bjNC@0ZCA303d-k#3e6G@*U1JPZG(-0$94[1L!J3Q&bBQ&bB5"#C@9dEfi +J)#!J)%*13N"0394),N&08bj$6dd0)#!J)#"-BA*bH5"6D@9LC@jYB@jZ)#!JFfP +PBQ9ZE@&ZEN"-38a$6&-Z58ib8$-Z4P)0)#!J)#"8D@dJ6A9bF'KjV*d!!!: diff --git a/language/typingtex/ascii-on-the-macintosh_system7.doc b/language/typingtex/ascii-on-the-macintosh_system7.doc new file mode 100644 index 0000000000..0beaf1da2f --- /dev/null +++ b/language/typingtex/ascii-on-the-macintosh_system7.doc @@ -0,0 +1,153 @@ + + + *** ASCII-on-the-Mac.doc *** + + + When the Macintosh stoops to converse with the rest +of the world on the email (= electronic mail) network the +Macintosh user has to adapt to the old ASCII system +(=American Standard for Computer Information Interchange of 1963). +Since, on the Macintosh, ASCII is neither clearly delimited +nor optimally implemented, some learning and adaptation on +the part of the user is required. The following comments +may help. + + Leaving aside details of little interest, one can say +that under the ASCII regime the Mac user is simply required +to use only TEXT files and therein use only the characters + + 9 (tab), 13 (carriage return), 32 (space) + and 33 -- 126, which are : + !"#$%&'()*+,-./0123456789:;<=>?@ + ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_` + abcdefghijklmnopqrstuvwxyz{|}~ + +Roughly speaking, these are the common unaccented caracters +and diacritics of American typewriters the early 20th +century. Unfortunately there are problems: + + (A) The following common diacritics are not ASCII and +must not be used although they may be marked on the keyboard: + + section (= \S in TeX) + degree + dieresis + pound sign + yen + + + (B) The following ASCII characters are often somewhat +inaccessible (depending on your Mac model and software!) + + \ | @ # + +You do well to hunt them down and mark them somehow. + + (C) The following characters are marked but on +"dead-keys" (=keys that give bo result on first being struck) + ` ^ ~ and perhaps ' " + +On early Macs the dead keys were typed by double-striking +them. From the coming of the ADB (=Apple Desktop Bus) +keyboards in 1987(?), dead keys became spooky; the +double strike to obtain the dead-key character was +invalidated and replaced by the dead-key followed by +spacebar. For many users that takes twice as long as the +original double strike. + + In 1988 Fabien Samuel wrote at my request a low level +system patch (for the KeyTrans ROM routine) to restore the +original behavior of dead-keys. It comes in the form of an +INIT file called KeyTransPatchInit to be put in your system +folder. It is given immediately below in binhex coded +form. Put the binhex code and preamble in a TEXT file on +the Mac and decode with BinHeX or CompactPro or Stuffit +to obtain the INIT file. + +(This file must be converted with BinHex 4.0) +:(%YPH94bB@jc8'&dBfK*EQPd+'4PB@3YDf9jFbN!58j*9%CK8f%K!!!!!!!!!!2 +-%1d!!!!!!3!!!!-"!!!#!3!!!-[!!B!2i!'!(r!"J"ji!B!m2!'!1"`"J(!i!B" +`1!'!i"a,CAP8FQ&ZFe"KG'0S5@jTG#KNC@&N,@YPHA-T,3)!!!"*6NP84Q&6B5! +!rmF!!!!!!!!!!!!!!!!!!!!!!!!!!+,YU3d!!!!!!!!$c)!!!!+!!!!#J!!!!S+ +UUS+!!!!#L!!!)S!!!!+)!!!LJ!!!!SJ!!#+!!!!#L!!!)S!!!!+)!!!LJ!!!!SJ +!!#+!!!!#L!!!)S!!!!*rrrrm!!!!J!$rr`!"rrq!!rrr`!Iqrq!2r(r`(qaRq$r +%4rara%Iqrd4(rrj%4rrq4%IrrN3!!!")B!3!!!!!)&mLAc!I)Km[#%j@!!")ja! +J*%P#J`J!!!GQ!LB53UF[!6m!,`NJH[r86T!!,9m!##)$C`BN[!!!!!"-h`3)6Pj +1G3!!!!3!!!")!!!"!2rrrrq!!!!"[R2[4D+)L%@LL)Kp[[L)4D#)L%@JL)p&J!! +!!Irrrrq!!!!"QUUUUB!!!!'9999CJ!!!!CUUUUQ!!!!"KArr8B!!!!'!!!!"rrr +rri!!!!(rrrrrrrrrr`!rq!!!!i!!!!%!!!!!!!!!!!!!!!!!!!!!!!!!!!!!rrr +rrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrr +rrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrr!$r +i!!!$J!!!!3!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!F4Q&6B3!!!!&'8N9'!!! +!!!#!5801)`!!!!!!J!!!!!G*6NP8!!!!!!!!0M!i!9S-3!3!DbT#Tbmm5h43-8* +RUD!LAb!*CaJ[#DQ5-$`"`k&')P%M5!!#-$`"`b"*S%G1G3!!!%"#5f9j9(*KER0 +3BA4MD#"*EQPd)#dJ3fp`HA*TCfKd)%CKBQPPEL"6B@eeC@`J-6Ni1#!J)#!J)#! +J)#!J)#!J!!!"!!!!!`%!!!)"!!!!b`!+JB`6'J!!!"`!UJ!'5h43-3!!!$TcHA0 +k!!!!4NP$6L-!!!"53Nj%6!!!!&j'8N9'!!!!DNCK8f%!!!"f58j*9!!!!))!!!! +!8!!!!!!!!!!!!!!1)!!!6!!!!!!!J2rr*!!!9!!!!!!!J2rr)!!"@!!!!!!!J2r +r!!!"H!!!!!!!!2rr)!!"[3!+JA`!!!!@%!!"J`!!!!!05f9j9(*KER03BA4MD!G +,G("6DATP#NYdF%PZFh4KE'bcL`: + + + There is still a minor bug or two in the patch; perhaps +someone will take up the challenge to fix it? + + With the above patch, the Mac on its own types and +displays ASCII reasonably well with almost any Mac prose font. +But the situation may take a turn for the worse once the Mac +is connected to the net. The "terminal program" often fails to +establish full ASCII communication between the Macintosh +and the host computer on the net. + + +NCSATelnet + + One bad example still widely used is the NCSATelnet program +(non-TCP form); it allows the Mac to be a Telnet node on a local +network, usually ethernet or Apple's Local Talk. The most +freindly versions seem to be 2.2 and 2.3. About ten ASCII +characters become inaccessible and have to be replaced by +command keys on the numerical keypad: Command 0, ... Command 9. + + The following seems a suitable arrangement + + 7 ` 8 < 9 > + + 4 { 5 | 6 } + + 1 ~ 2 # 3 \ + + 0 @ + +To retain these from one session to the next one should +add to the configuration file the following lines: + +key0= "@" +key1= "~" +key2= "#" +key3= "\\" +key4= "{" +key5= "|" +key6= "}" +key7= "`" +key8= "<" +key9= ">" + + This is just one terminal program of recent times. Expect +similar problems with others. That being so, the Mac user is +well advised to collect means that let him survive with a +crippled keyboard. The device of copying from and pasting to the +terminal program window is one of the most powerful. It permits +one to do essentially all typing and editing in one's favorite +text editor. + + Another helpful item is the KeyFinder desk accessory +available from sumex.stanford.edu. It lets one type with the +mouse. + + This collection of "helpful hints" for Macs in the ASCII +world is highly subjective. Readers are most welcome to suggest +useful additions. + + Larry S + \ No newline at end of file diff --git a/language/typingtex/cortex-email.dir/CorTeX-lex-script-Mai93 b/language/typingtex/cortex-email.dir/CorTeX-lex-script-Mai93 new file mode 100644 index 0000000000..ab9dcf5eda --- /dev/null +++ b/language/typingtex/cortex-email.dir/CorTeX-lex-script-Mai93 @@ -0,0 +1,203 @@ + +Date: 21 May 93 09:13:32+0100 +From: Pascal AMSILI +Message-ID: <199305210813.AA00960@chm.irit.fr> +To: GUT Distribution List +Subject: Re: Une fac,on portable ? (Enfin) +Reply-To: GUT Distribution List +Received-Date: Fri, 21 May 1993 09:21:57 +0200 +Errors-To: listman@nef.ens.fr +X-Sequence: 6 +Status: R + + Merci a` Laurent S , je comprend maintenant +l'inte're^t du port a` gauche des accents, bien que mon sens +esthetique (et mes habitudes anciennes) soit choque'. Vivement la +ge'ne'ralisation de l'ISO-8859 pour simplifier tout c,a ! + + En attendant, voici un petit fichier lex qui peut constituer une +alternative a` email-fr.sty. Son auteur est H. Garavel (imag). + +Ses de'fauts : + - Il ne permet pas l'emploi de 8-bit (je pense que lex n'est pas + << 8-bit clean >>) + - Il ge`re aussi les ligatures oe et ae, de fac,on assez + intelligente, SAUF si on a des morceaux en anglais (does --> + d{\oe}s) + - Il fait a` tort la conversion dans \verb|...| + - Dans certains cas (mode mathe'matique, par exemple) il faut + e'viter soi-me^me des conversions abusives : $e'$ sera converti + en $\'{e}$, au grand dam de TeX (Please, use \mathaccent in + math-mode) + + Je donne un petit extrait du manuel, puis le fichier lex lui-me^me. +J'espe`re que ce sera utile. + +P Amsili (amsili@irit.fr) + +PS : J'ai re'cupe're' tout c,a (package CorTeX) il y a longtemps, a` +Grenoble, et je n'ai jamais re'ussi a` joindre l'auteur. J'ai beaucoup +transforme' et appauvri l'ensemble pour l'adapter a` notre site, mais +il y a des ide'es inte'ressantes qui me'riteraient d'e^tre reprises +(e.g., ge'ne'ration automatique d'un Makefile a` partir du fichier +tex...). + +------------ Cut Here --------------------------------------------------------- +Tabulations + Les tabulations sont remplacees par un nombre convenable + d'espaces, quelle que soient les options de CorTeX, y + compris (et surtout) dans les environnements "verbatim" et + "verbatim*" + +Ligatures + Les caracteres accentues suivants sont reconnus et + transformes en format TeX standard, sauf dans les environne- + ments "verbatim" et "verbatim*" qui restent inchanges. Dans + les environnements "tabbing", cette convention fonctionne + encore. + + a` a accent grave + a^ a accent circonflexe + a" a trema + e' e accent aigu + e` e accent grave + e^ e accent circonflexe + e" e trema + i^ i accent circonflexe + +Sun Release 4.1 Last change: IRIT Juin 92 2 + +CorTeX(LOCAL) MISC. REFERENCE MANUAL PAGES CorTeX(LOCAL) + + i" i trema + o^ o accent circonflexe + o" o trema + u` u accent grave + u^ u accent circonflexe + u" u trema + c, c cedille + + Les memes conventions s'appliquent aux lettres majuscules. + + Laisser un espace apres les virgules, quand elles ne denotent + pas la cedille. Les cas suivants sont correctement traites: + Franc,aise + Franc,oise + Gerc,ure + Donc, il semble + j'ai aime' + ``j'aime'' + ``j'ai aime''' + +Ligature OE + CorTeX essaie de reconnaitre automatiquement quelles sont + les situations ou "oe", "Oe" et "OE" doivent etre liees. Les + seules bogues constatees concernent les mots + + moelle (qui s'e'crit sans ligature) + oerstite (qui s'e'crit avec ligature) + OErsted (qui s'e'crit avec ligature) + + En revanche les exemples suivants sont correctement traites: Boer, + coefficient, coercitif, foehn, foetus, Noe"l, noeud, oecumenie, Oedipe, + OEdipe, oeil, oekume`ne, oenante, oestre, oeuf, oeuvre, poe^le, poecile + poe`te, poe'sie, soeur, voeu ... + + L'utilisateur peut toujours forcer la ligature en ecrivant: + {\oe} ou {\OE} + + Il peut egalement l'interdire en ecrivant: + {o}{e} ou {O}{E} + +Ligature AE + Les ligatures "ae", "Ae" et "AE" ne sont jamais faites + automatiquement. L'utilisateur doit les faire explicitement + a l'aide des notations + {\ae} et {\AE} + +Sun Release 4.1 Last change: IRIT Juin 92 3 + +CorTeX(LOCAL) MISC. REFERENCE MANUAL PAGES CorTeX(LOCAL) + +------------ Cut Here --------------------------------------------------------- +%START VERBATIM TABBING + +%% + +"\\begin{verbatim}" {ECHO; BEGIN VERBATIM;} +"\\begin{verbatim*}" {ECHO; BEGIN VERBATIM;} +"\\end{verbatim}" {ECHO; BEGIN INITIAL;} +"\\end{verbatim*}" {ECHO; BEGIN INITIAL;} + +"\\begin{tabbing}" {ECHO; BEGIN TABBING;} +"\\end{tabbing}" {ECHO; BEGIN TABBING;} + +"\\"[A-Za-z]+ ECHO; +"oe"/[BbCcDdIiKkLlNnSsTtUu] printf ("{\\oe}"); +"OE"/[BbCcDdIiKkLlNnSsTtUu] printf ("{\\OE}"); +"Oe"/[BbCcDdIiKkLlNnSsTtUu] printf ("{\\OE}"); + +"a`" printf ("\\`{a}"); +"A`" printf ("\\`{A}"); +"a`" printf ("\\a`{a}"); +"A`" printf ("\\a`{A}"); + +"a^" printf ("\\^{a}"); +"A^" printf ("\\^{A}"); + +"a\"" printf ("\\\"{a}"); +"A\"" printf ("\\\"{A}"); + +"e'''" printf ("\\'{e}''"); +"E'''" printf ("\\'{E}''"); +"e'''" printf ("\\a'{e}''"); +"E'''" printf ("\\a'{E}''"); + +"e''" printf ("e{''}"); +"E''" printf ("E{''}"); + +"e'" printf ("\\'{e}"); +"E'" printf ("\\'{E}"); +"e'" printf ("\\a'{e}"); +"E'" printf ("\\a'{E}"); + +"e`" printf ("\\`{e}"); +"E`" printf ("\\`{E}"); +"e`" printf ("\\a`{e}"); +"E`" printf ("\\a`{E}"); + +"e^" printf ("\\^{e}"); +"E^" printf ("\\^{E}"); + +"e\"" printf ("\\\"{e}"); +"E\"" printf ("\\\"{E}"); + +"i^" printf("\\^{\\i}") ; +"I^" printf("\\^{I}") ; + +"i\"" printf("\\\"{\\i}"); +"I\"" printf("\\\"{I}"); + +"o\"" printf ("\\\"{o}"); +"O\"" printf ("\\\"{O}"); + +"o^" printf ("\\^{o}"); +"O^" printf ("\\^{O}"); + +"u`" printf ("\\`{u}"); +"U`" printf ("\\`{U}"); +"u`" printf ("\\a`{u}"); +"U`" printf ("\\a`{U}"); + +"u^" printf ("\\^{u}"); +"U^" printf ("\\^{U}"); + +"u\"" printf ("\\\"{u}"); +"U\"" printf ("\\\"{U}"); + +"c,"/["aAoOuU"] printf ("\\c{c}") ; +"C,"/["aAoOuU"] printf ("\\c{C}"); + +"... " printf ("\\ldots\\ "); +"..." printf ("\\ldots "); +------------ Cut Here --------------------------------------------------------- diff --git a/language/typingtex/cortex-email.dir/Email&CorTeXQuedMac.doc b/language/typingtex/cortex-email.dir/Email&CorTeXQuedMac.doc new file mode 100644 index 0000000000..de59b45451 --- /dev/null +++ b/language/typingtex/cortex-email.dir/Email&CorTeXQuedMac.doc @@ -0,0 +1,604 @@ +Email&CorTeXQuedMac + May 1993 alpha version (not yet complete) + Master posting on ftp matups.matups.fr + in directory TeX/TypingTeX.dir + + ************************************************* + ****** + ****** Conversions: + ****** + ****** TeX <-- email-fr <--> CorTeX --> TeX + ****** + ****** on the Apple Macintosh. + ****** + ************************************************* + +Note aux francophones : + + Des renseignements assez d'etaill'es sur CorTeX et email-fr +apparaissent avril-juin 1993 dans les transactions de la liste +'electronique GUT, affich'ees sur le serveur ftp ftp.cicb.fr (login: +anonymous). Voir aussi un r'esume 'eventuel juxtant ce fichier +sur ftp matups.matups.fr. + +************************************************* + +***** INTRODUCTION ***** + +************************************************* + +--- email-fr is a scheme for efficient typing of French +accented characters in which one types ' for \' (accute +accent), ` for \` (grave accent), ^ for \^ (hat accent), and / +for for apostrophe (at least before before e and E). +The French abstract avove is in this style. + + --- CorTeX is a similar scheme which differs in that ' ^ ` +follow the vowel, and / is not used for apostrophe. It was +set up by by Hubert Garavel (imag) and modified somewhat +by Pascal Amsili . See a partial posting +by Amsili on ftp matups.matups.fr. Many users find CorTeX +conventions just a bit more natural, probably because +they are closer to handwriting. + + CorTeX also allows " for diaressis following a vowel. +But one one should avoid its use on terminal vowels: +type aigu\"e, Malm\"o, not aigue", Malmo" to avoid +confusion with " as closing double quotes (guillemets). + + In both systems of typing Knuth's more prolix syntax +for accents remains available. + + The email-fr typing is acceptable to TeX once a small macro +pakage email-fr.sty has been loaded; email-fr is thus +perfectly portable. + + CorTeX requires a preprocessor, which is given as a lex +script (lex is a unix utility). This script performs a couple +of extra services: + + (a) Conversion of tabs to spaces. This trivial feature is +neglected here since it can be done readily by a +wordprocessor at any time. + + (b) Conversion of oe to \oe when french typography +requires it. This non-trivial feature is retained here and +adopted for all conversions concerning email-fr since it manages +to do gracefully what many of us neglect. Please complain +if mistakes result! + + Because lex is not conveniently accessible on the Mac but +the editor QedM is, there was a need for a QedM version of +CorTeX. It is the macro: + + **post-acc2tex : CorTeX --> TeX + +For users of email-fr who want to have ".tex" file +blend most easily with Knuth's syntax (perhaps at +the cost of readibility) there is also: + + **pre-acc2tex : email-fr --> TeX + + For good measure converters between email-fr and CorTeX +are provided: + + **post-acc2pre-acc : email-fr <-- CorTeX + + **pre-acc2post-acc : email-fr --> CorTeX + +And also three converters from standard TeX typing to various +more readable formats: + + **tex2pre-acc : TeX to email-fr + --- useful for making a French language .tex file readable + without while leaving it portable ie ascii and typesettable + anywhere. Do not forget to add essential email-fr commands. + + **tex2mac : TeX to full Macintosh 8-bit encoding (Mac Times) + --- useful for spelling checks by Mac spelling checkers + for French or for freeding to non-TeX Mac formatters + such as Microsoft Word. + + **tex2swt : TeX to Sweet 8-bit encoding (Sweet-teX). + --- The font Sweet-teX is a 12 point bitmapped screen font +for Macintosh that combines essential accents, formatting +"roadsigns", and math symbols. It is part of the TeX +preprocessor Sweet-teX for math typeseting that is available +on ftp matups.matups.fr. + + All these macros are located in an appendix in ascii form +or as a binary Macintosh file of type QMAC and creator +QED1. + + +************************************************* + +***** USE OF THE MACROS ***** + +************************************************* + + (0) Only the macros whose names begin with stars **... +are intended to be used directly; the rest are +"subroutines". Choose a work folder by opening a file in +it. Run the macro ***initialize to be sure that a work +file "ctwk" exists in it. The action of a two-star macro +such as **post-acc2tex will be restricted to the active +window and further it will not change that window without +approval of the user; instead, auxiliary files are used. + + (1) To process a file open it and save a copy to the +folder work folder. The window of the fiel to process must +be selected a macor is run. Further, if some text is +SELECTED in the active window the macro ignores everything +but the selection. This is useful to make a quick trial +run on a critical part of the typescript. This may equally +be useful and necessary to avoid parts of a typescript +that are typed in distinct fashion. In such heterogeneous +typescripts, QuedM allows one to mark various chunks of +the typescript in such a way that they can be selected +instantly at any time. (Select the chunk and use the Set +Marker... option in the Search menu.) For example, one +might mark text from \beginemailFR to \endemailFR for +conversion to ordinary tex syntax. If one takes care to +use a *copy* of the original typescript, one can then +progressively paste in the converted chunks offered by the +macros. + + (2) Contrary to the original CorteX policy, the +character " following a terminal vowel is not interpreted +as a dieresis thereon, but as a double quote --- unless the +word in question is aigue" or Malmo" or oither exceptions to +be added. This allows Knuth's use of " for closing +double quotes to be maintained in practice. + + (3) A fundamental weakness of these macros is that they +do not distinguish math mode rigourously. In math mode ^, +_ or , ', (each without \ before it) have +meanings that may conflict with their meanings in prose. +Hence the inspection macros will be provided in a separate +macro file to warn of possible conflicts with the CorTeX +and email syntax. They give a report on possible +difficulties. It should suffice to arrange that the above +characters are separated by a space or at least something +that avoids possible interpretation as an accent. These +inspector macros will also warn of possible problems +outside of mathematics. + + + Laurent Siebenmann, May-June, 1993 + + + + +************************************************* + +***** USE OF THE MACROS ***** + +************************************************* + + (0) Only the macros whose names begin with stars **... +are intended to be used directly; the rest are +"subroutines". The action of a macro will be restricted to +the active window and further it will not change that +window without approval of the user; instead, auxiliary +files are used. + + (1) If some text is SELECTED in the active window the +macro ignores everything but the selection. This is useful +to make a quick trial run on a critical part of the +typescript. This may equally be useful and necessary to +avoid parts of a typescript that are typed in distinct +fashion. In such heterogeneous typescripts, QuedM allows +one to mark various chunks of the typescript in such a way +that they can be selected instantly at any time. (Select +the chunk and use the Set Marker... option in the Search +menu.) For example, one might mark text from \beginemailFR +to \endemailFR for conversion to ordinary tex syntax. If +one takes care to use a *copy* of the original typescript, +one can then progressively paste in the converted chunks +offered by the macros. + + (2) Contrary to the original CorteX policy, the +character " following a terminal vowel is not interpreted +as a dieresis thereon, but as a double quote --- unless the +word in question is aigue" or Malmo" or oither exceptions to +be added. This allows Knuth's use of " for closing +double quotes to be maintained in practice. + + (3) A fundamental weakness of these macros is that they +do not distinguish math mode rigourously. In math mode ^, +_ or , ', (each without \ before it) have +meanings that may conflict with their meanings in prose. +Hence the inspection macros will be provided in a separate +macro file to warn of possible conflicts with the CorTeX +and email syntax. They give a report on possible +difficulties. It should suffice to arrange that the above +characters are separated by a space or at least something +that avoids possible interpretation as an accent. These +inspector macros will also warn of possible problems +outside of mathematics. + + + Laurent Siebenmann, May-June, 1993 + + + + + %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% + +APPENDIX: TEXT FORM OF THE MACINTOSH QEDM MACROS + +NB. The working form is the resource file: + + **Post&PreAcc7BitTeX-QuedMac + +which is a Macintosh binary file. + + + +%%%%% ***documentation +%%%%% ***initialize +%%%%% **post-acc2tex +%%%%% **post-acc2pre-acc +%%%%% **pre-acc2post-acc +%%%%% **tex2mac +%%%%% **tex2pre-acc +%%%%% **tex2swt + + %%%%%% Auxiliary macros + %%% de-oemacros + %%% re-oemacros + %%% de-verbatim + %%% re-verbatim + %%% de-verbatim-loop + %%% re-verbatim-loop + %%% post-acc-pre-trans + %%% pre-acc-post-trans + %%% post-acc-tex-trans + %%% oe + %%% tex-mac-trans + %%% tex-pre-acc-trans + %%% tex-swt-trans + + + + +%%%%% ***documentation +