From e0c6872cf40896c7be36b11dcc744620f10adf1d Mon Sep 17 00:00:00 2001 From: Norbert Preining Date: Mon, 2 Sep 2019 13:46:59 +0900 Subject: Initial commit --- fonts/greek/ibygrk/doc/generic/ibycus4/README | 361 +++++++++++++++++++++ .../greek/ibygrk/doc/generic/ibycus4/iby4text.tex | 47 +++ fonts/greek/ibygrk/doc/generic/ibycus4/ibycus3.RME | 231 +++++++++++++ fonts/greek/ibygrk/doc/generic/ibycus4/ibycus4.ltx | 40 +++ .../greek/ibygrk/doc/generic/ibycus4/psibycus.ltx | 41 +++ .../greek/ibygrk/doc/generic/ibycus4/psibycus.tex | 48 +++ 6 files changed, 768 insertions(+) create mode 100644 fonts/greek/ibygrk/doc/generic/ibycus4/README create mode 100644 fonts/greek/ibygrk/doc/generic/ibycus4/iby4text.tex create mode 100644 fonts/greek/ibygrk/doc/generic/ibycus4/ibycus3.RME create mode 100644 fonts/greek/ibygrk/doc/generic/ibycus4/ibycus4.ltx create mode 100644 fonts/greek/ibygrk/doc/generic/ibycus4/psibycus.ltx create mode 100644 fonts/greek/ibygrk/doc/generic/ibycus4/psibycus.tex (limited to 'fonts/greek/ibygrk/doc') diff --git a/fonts/greek/ibygrk/doc/generic/ibycus4/README b/fonts/greek/ibygrk/doc/generic/ibycus4/README new file mode 100644 index 0000000000..a6d7194649 --- /dev/null +++ b/fonts/greek/ibygrk/doc/generic/ibycus4/README @@ -0,0 +1,361 @@ +====================================================================== + Ibycus4, version 4.5 as of 2004-10-27 +====================================================================== + Pierre A. MacKay + Department of Classics + University of Washington + mackay@cs.washington.edu + + Walter Schmidt + w-a-schmidt@gmx.net + + +Overview +--------- + +Like its predecessors, Ibycus4 is based on Silvio Levy's +realization of a classic Didot cut of Greek type from around 1800. +Ibycus4 is as close as possible to Ibycus3 in all possible +respects, but there are some improved set widths and pair-kernings +which might clobber old carefully adjusted text spacings +such as Alexandrian shaped poetry. + + +Plain TeX usage +--------------- + + \input ibycus4 % to use MF fonts, at fixed sizes +or + \input ibycusps % to use scalable Type1 fonts + +then + \setgreek10/12 (or other reasonable combination + of pointsize and leading) +then + Latin text \GK{}a)rxai=a gra'mmata\RM{} Latin again. + +NOTE that the ) is a smooth breathing, not a parenthesis. + + + +LaTeX2e usage +------------ + + \usepackage{ibycus4} % to use MF fonts, at fixed sizes +or + \usepackage{psibycus} % to use scalable Type1 fonts +then + Latin text {\greek{}a)rxai=a gra'mmata} Latin again. + +Note the outer braces to keep the font change local. +Alternatively, use the text-generating command \textgreek, +which was introduced with version 4.5: + + Latin text \textgreek{a)rxai=a gra'mmata} Latin again. + +Greek text will honor size-changing commands as well as +switching to the bold font series (\bfseries, \textbf}. + + + +LaTeX2e usage with Babel +------------------------ +Alternatively, the Ibycus fonts can be used in LaTeX via the +Babel system. Beside the Babel core, which is part of any +LaTeX system, this requires the macros of the "Ibycus-Babel" +iterface; see + + . + +In contrast to the macros distributed with the fonts, this +newer approach supports proper hypehantion in Greek text +passages. + + + +The TeX macro files and the input conventions +--------------------------------------------- + +$TEXMF/tex/generic/ibycus4/ibycus4.tex + + The main package file for plain TeX + +$TEXMF/tex/generic/ibycus4/ibycusps.tex + + Ditto, using tne Type1 fonts + +$TEXMF/tex/generic/ibycus4/ibycus4.sty + + The main package file for LaTeX 2e + +$TEXMF/tex/generic/ibycus4/psibycus.sty + + Ditto, using the Type1 fonts + +$TEXMF/tex/generic/ibycus4/setiby4.tex + + Included by ibygrk.tex unless newnep format is running + +$TEXMF/tex/generic/ibycus4/pssetiby.tex + + ditto, using the Type1 fonts + +$TEXMF/tex/generic/ibycus4/tlgsqq.tex + + The name suggests the association with coding of the + Thesaurus Linguae Graecae. + + This file provides uniquely named macros for all combinations + of letter and accent, so that any invocation of the macro will + produce a sequence of characters corresponding with the + entries put into the TFM ligature table. These sequences may + always be used to generate accented characters. They are + based, with some slight modifications where David Packard's Ibycus + input coding seems too misleading, on the Ibycus adaptation of + TLG beta-code. + + For input coding, the parentheses, ) and ( are used for + breathings, ' (ASCII char '047--acute or single quote) and ` + (ASCII char '140--grave) are used for oxytone and barytone (to + avoid preemption of the usual TeX excape character) and = + (ASCII char '075) is used for perispomenon to avoid preemption + of the active tie character in plain.tex. + is used for + dieresis after u or i and for some other special characters. + | is used for iota subscript and ! (ASCII char '041--\bang) is + used to call out the "dot-under" convention for partially + preserved letters in manuscript or epigraphical texts. Order + is significant. Breathings or diereses come first, after the + affected letter, then accents, then iota subscript or \bang. + These codings represent the input coding convention, not the + mapping in the font itself. + + The digraphs, trigraphs etc. can be read from tlgsqq.tex + Postpositives fall into three order-dependent and + exclusive classes--only one from each class may be used + in any single accented cluster. + + 1 2 3 + nil nil nil + ( [asper] ' [oxytone] | [iota subscript] + ) [lenis] ` [barytone] ! [dot below letter] + + [other] = [perispomene] + + Some special digraphs are K+ Koppa, k+ koppa, C+ lunate Cigma, + c+ lunate cigma, s+ sampi (lowercase late form only) and s| which + forces a medial sigma. + << and >> give guillemets (not guillemots as Adobe + ornithologically supposes) and (( )) give single parentheses + though care must be taken that the first ( or ) is not + interpreted as a breathing. {((} and {))} are safe. + + %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% + NOTE: THE FOLLOWING CODINGS ARE NOT COMPATIBLE WITH IBYCUS3 + %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% + I have tried to keep incompatible codings to the minimum + but the ibycus3 versions of the following were extremely + undesirable. These are all simplifications of ibycus3 coding. + %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% + The mark of elision is ' or {'} (the form in braces may be + needed to prevent ' from being read as an accent). + Single quotes may be provided by ` {`} and ' {'}, (isolate them + in braces if necessary). Double quotes are `` {``} and + '' {''} (isolate in braces if necessary). < and > are the + angle brackets used for conjectural supplements. + %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% + +ibycus4.map + + This is {\em exactly} the same file as is used by METAFONT. + It is so structured that it can be read by either + TeX or Metafont. The mapping is very close to that of GreekKeys, + which is distributed for the Macintosh by the American + Philological Association. Other mappings can be created + in the same manner. + +$TEXMF/tex/generic/ibycus4/Uibycus4.fd + + Font definition file for LaTeX2e. + +$TEXMF/tex/generic/ibycus4/Uibycus.fd + + Ditto, using only those fonts that exist in type1 format + +$TEXMF/tex/generic/ibycus4/iby4extr.tex + + Access to some editorial symbols for classical editions. + + + +Example documents +----------------.. + +$TEXMF/doc/generic/ibycus4/ibycus4.ltx (for LaTeX 2e) +$TEXMF/doc/generic/ibycus4/psibycus.ltx (for LaTeX 2e) +$TEXMF/doc/generic/ibycus4/iby4text.tex (for Plain TeX) +$TEXMF/doc/generic/ibycus4/psibycus.tex (for Plain TeX) + + The exquisite little poem by Ibycus of Rhegium, until recently + almost the only thing known by him. (The Ibycus system + developed by David Packard is only indirectly named after + the poet. The direct inspiration was Packard's cat.) + +Note that the LaTeX2e exampls use the "traditional" Ibycus +macros, rather than the newer Ibycus-Babel interface. + + + +The METAFONT files +------------------ + +The METAFONT part of the package consists of a set of files which use +the original characters of Silvio Levy's greek fonts and combine them +in ways which reflect the increased capabilities of TeX and METAFONT +developed since Levy did the original greek for TeX. The Levy source +files can be got from one of the CTAN archives and placed in +$TEXMF/fonts/source/public/levy + where they will automatically become +accessible if you are using a TeX Directory Structure [TDS] layout of +files. If you are not using a file searching system like Karl Berry's +"kpathsea", see $TEXMF/fonts/source/public/ibycus4/ibycus4.mf for +hints on making the Levy source available. For directions on the +use and management of Karl Berry's path searching, consult "The TeX +Live Guide, version 2" by Sebastian Rahtz and Michael Goosens, in +{\it TUGboat}. Volume 18 (1997). Pages 81-112, especially pp. 87--9. +Web2c TeX for Unix systems, Thomas Esser's teTeX, and the Solaris package +referenced at http://smc.vnet.net/solaris_2.5.html all use Karl +Berry's path searching. + +Ibycus4 METAFONT files are in $TEXMF/fonts/source/public/ibycus4 + +The most significant changes are: + + 1. The large repertory of initial/medial sigma + letter pairs + is suppressed from the new fonts, and the new enhanced TFM + ligature scheme is used instead to provide for the automatic + differentiation between medial and final sigma. + + 2. The cells thus opened up in the font mapping are used for + a variety of additional characters: + + a. A full repertory of vowels with breathings and + barytone accents (many of these were absent from the + original). The various forms of long epsilon and + omicron with perispomene accent needed for early Attic + and similar local scripts are provided. + + b. Lunate sigma, digamma, koppa and sampi are + provided (the last in its lowercase late form + only, since earlier forms are rather problematic + and are virtually unused even in epigraphical texts). + + c. A simple iota subscript in a 0.5em character space + is provided at position '174 for use in unusual + groupings. For all normal usages three additional + occurences of the glyph are kerned (in the traditional + sense) far to the left so that they will fit under + alpha, eta and omega respectively. These characters + are called out automatically through the TeX TFM + ligature system, for which see below. The glyph under + eta is shortened slightly to give better clearance + under the left stem of lowercase eta. The iota + subscript glyph retains its simple form in 300dpi + renditions, and in any bitmap which drops below + 500dpi, but it thins out and develops a slight + rightward hook at 600dpi and above. + + d. The mechanism of drastic left kerning is also used + to set dots under letters which cannot be read + completely from the manuscript or stone. These dota + are likewise called out automatically through the TFM + ligature system. A final ! {\bang} after any letter + or letter with postpositive accents (except those + with iota subscripts) will produce the dotted form. + + e. Angle brackets, half brackets, double quotes, braces, + a dagger and a doubledagger are now provided (see + iby4extr.tex). + + 3. All characters have been named. The constructs + ASCII"A" and oct"000" appear only at lower levels + of programming. + + 4. Character spacing has been adjusted through kerning tables, + particularly around lowercase iota (file ibylig4.mf). + There is better separation between breathings and accents + (this has required a redesign of almost all accents) and + clearance between accent and base letter has been increased. + The perispomene has been restored to its traditional form with + a thick center and tapered ends, and the breathings have been + given shorter, tapered tails. The deep ink trap between the + bulb and tail of the breathings has been eliminated. Accents + over epsilon have been raised and slightly shortened to give + better clearance. The accents with diaeresis have been shifted + up and laterally to clear the dot they lean toward. + + 5. Font mapping is specified independently of other + parameters, in a distinct and separate file (file ibycus4.map). + In some cases it may be more effective to remap the font + than to struggle with TeX remapping. + + 6. A programming error which produced the wrong displacement + value with free-standing accents has been corrected. Accents + before uppercase vowels are kerned (in the traditional sense) + out left to a negative left side bearing of about one unit + (1/18em) unit so that their escapement does not leave + excessive space after the preceding word or at the start of a + line. They have also been properly pair-kerned with the + uppercase vowels. + +A new naming convention uses "ibycus4" wherever possible, and +the shorter string "iby4" where that would lead to ambiguity. +some of the individual METAFONT character files are simply +taged with the number 4. 8+3 filename compatibility is preserved. +(under protest and with difficulty). + +The names of PK and TFM files follow Karl Berry's font name convention +( 84 is the encoding for Ibycus 4). + +Foundry Facename Weights Variants Encoding_Variants DesignSize + +f ib [r], b r, o 84 [10], 9, 8 + +fibr84 fibo84 fibb84 + + with METAFONT design-size additions +fibr848 fibo848 fibb848 +fibr849 fibo849 fibb849 + +Driver files for the Bold Oblique variant can be provided but their use +is discouraged. These Didot-derived characters do not stand up well +to either boldfacing or obliqueing, and the combination is quite +unfortunate. The typewriter style originally offered with these +designs is quietly forgotten, although the code for it is still +embedded in Silvio Levy's source. + + +Type1 font files +---------------- + +Type1 font files reside in $TEXMF/fonts/type1/public/ibycus4: + +fibr84.pfb (corresponds to the MF font fibr84) +fibb84.pfb (corresponds to the MF font fibb84) + +There are no Type1 renditions of the 8pt and 9pt fonts yet. + + +License +------- + + Copyright (c) 1992--2004 Pierre A. MacKay + +See the file COPYING (GNU General Public License) for +license conditions. As a special exception, permission is +granted to include the font programs fibr84.pfb and +fibb84.pfb in a Postscript or PDF document that contains +text to be displayed or printed using these fonts, +regardless of the conditions or license applying to the +document itself. + + +== finis diff --git a/fonts/greek/ibygrk/doc/generic/ibycus4/iby4text.tex b/fonts/greek/ibygrk/doc/generic/ibycus4/iby4text.tex new file mode 100644 index 0000000000..00f38270ac --- /dev/null +++ b/fonts/greek/ibygrk/doc/generic/ibycus4/iby4text.tex @@ -0,0 +1,47 @@ +% iby4text.tex-- P.A. MacKay -- July 16, 1997 +% Pierre A. MacKay, Dept. of Classics, University of Washington +% mackay@cs.washington.edu +% ------------------------ +% An example of ibycus4 using plain TeX +% +% Text from D. L. Page, {\it Greek Melic Poets}, (Oxford, 1962), p. 148 +% accepting the emendations of Mehlhorn and Hermann. +% +\hsize 4in +\input ibycus4 +\setgreek11/14 +\let\!=\dagger + +\GK + +\centerline{IBUKOU TOU RHGINOU} + +\bigskip + +\leavevmode\llap{)=}Hri me`n ai(' te Kudw'niai + +mhli'des a)rdo'menai r(oa=n + +e)k pota'mwn i('na Parqe'nwn + +kh=pos a)kh'ratos, ai(' t' oi)nanqi'des + +au)co'menai skie'roisin u(f' e('rnesin + +oi)nare'ois qale'qoisin; e)moi` d' e)'ros + +ou)demi'an kata'koitos w('ran. + +q' u(po` steropa=s fle'gwn + +Qrhi+'kios Bore'as a)i's|- + +\quad swn para` Ku'pridos a)zale'ais mani'aisin e)remno`s a)qambh`s + +e)gkrate'ws pedo'qen \!fla'sen\! + +h(mete'ras fre'nas. + +\RM + +\end diff --git a/fonts/greek/ibygrk/doc/generic/ibycus4/ibycus3.RME b/fonts/greek/ibygrk/doc/generic/ibycus4/ibycus3.RME new file mode 100644 index 0000000000..7f7f567238 --- /dev/null +++ b/fonts/greek/ibygrk/doc/generic/ibycus4/ibycus3.RME @@ -0,0 +1,231 @@ +[This is ./doc/fonts/ibycus3/tex/README + May 1992, revised Apr. 1994, revised for LaTeX2e Sep-Oct. 1995 + Final notes on Ibycus 3, May 30, 1966 ] + + ( THIS IS A TDS-CONFORMANT PACKAGE ) + +BE SURE THAT ibycus3.map HAS BEEN COPIED AS DESCRIBED BELOW + +A sample input file is provided in iby3text.tex or ibycus3.ltx + +PLAIN TeX USAGE: \input iby3text + + then: \setgreek10/12 (or other reasonable combination + of pointsize and leading) + + then: Latin text \GK{}a)rxai=a gra'mmata\RM{} Latin again. + + NOTE that the ) is a smooth breathing, not a parenthesis. + +LaTeX2e USAGE: \usepackage{ibycus3} + + then: Latin text {\greek{a)rxai=a gra'mmata}} Latin again. + (Note the double braces, there is a font change here.) + + change font size with the \fontsize macro, thus: + + \fontsize{14}{17pt}\selectfont + + +The TeX files in $TEXMF/tex/generic/ibycus3 together with the +METAFONT files in $TEXMF/fonts/source/public/ibycus3 +{\em especially ibycus3.map} are intended to provide a +reasonable degree of compatibility between David Packard Jr.'s +Ibycus/TLG system, and the TeX and METAFONT environment. These TeX +files may have to be moved to an appropriate branch directory of +$TEXMF/tex/ if you are not using Karl Berry's path-searching +or its equivalent. + +The package consists of a set of METAFONT files which use the original +characters of Silvio Levy's greek fonts (these can be got from +one of the CTAN archives and placed in $TEXMF/fonts/source/public/levy +if you are using a TeX Directory Structure [TDS] layout of files) +and combine them in ways which reflect the increased capabilities of TeX +and METAFONT developed since Levy did the original greek for TeX. +If you are not using a file searching system like Karl Berry's +"kpathsea", see $TEXMF/fonts/source/public/ibycus3/ibycus3.mf for +hints on making the levy source available + +Ibycus3 METAFONT files are in $TEXMF/fonts/source/public/ibycus3 + +The most significant changes are: + + 1. The large repertory of initial/medial sigma + letter pairs + is suppressed from the new fonts, and the new enhanced TFM + ligature scheme is used instead to provide for the automatic + differentiation between medial and final sigma. + + 2. The cells thus opened up in the font mapping are used for + a variety of additional characters: + + a. A full repertory of vowels with breathings and + barytone accents (absent from the original). + + b. Digamma, koppa and sampi (the last in lowercase + late form only, since earlier forms are rather + problematic and are virtually unused even in + epigraphical texts). + NOTE: there is still room for things like acrophonic + numerals, and perhaps the two markers used to + distinguish numeric from alphabetic use of the letters + ought to be provided. Another possibility is + special symbols for text-edition, such as double + brackets. (Editor supplements can be done + using the characters defined in iby3extr.tex). + + Iota subscript retains its simple form in 300dpi + renditions, and in any bitmap which drops below + 500dpi, but it thins out and develops a slight + rightward hook at 600dpi and above. + + 3. All characters have been named. The constructs + ASCII"A" and oct"000" appear only at lower levels + of programming. + + 4. Character spacing has been adjusted through kerning tables, + particularly around lowercase iota (file ibylig.mf). + There is more that could and should be done. + Maybe it will yet happen. + + 5. Font mapping is specified independently of other + parameters, in a distinct and separate file (file ibycus3.map). + In some cases it may be more effective to remap the font + than to struggle with TeX remapping. + + 6. Accents have been redesigned in several cases, usually + in an attempt to reduce crowding among the elements of + accent clusters. The accents with diaeresis have been shifted + to clear the dot they lean toward. A programming error which + produced the wrong displacement value with free-standing accents + has been corrected. Accents before uppercase vowels are + pair-kerned with the vowels. Angle brackets, half brackets, + double quotes, braces and a dagger are now provided (see + ibyextra.tex). + +The associated TeX files are: + + 1. $TEXMF/tex/generic/ibycus3/ibycus3.tex + + The driver file for this package (in plain tex). + + 1a. $TEXMF/tex/generic/ibycus3/ibycus3.sty + + The driver file for this package (in LaTeX2e). + + 2. $TEXMF/tex/generic/ibycus3/set3grk.tex + + Included by ibygrk.tex unless newnep format is running + + 3. $TEXMF/tex/generic/ibycus3/tlgsqq.tex + + The name suggests the association with coding of the + Thesaurus Linguae Graecae. + + This file provides uniquely named macros for all combinations + of letter and accent, so that any invocation of the macro will + produce a sequence of characters corresponding with the + entries put into the TFM ligature table. These sequences may + always be used to generate accented characters. They are + based, with some slight modifications where David Packard's Ibycus + input coding seems too misleading, on the Ibycus adaptation of + TLG beta-code. ) and ( are used for breathings, ' and ` are + used for oxytone and barytone (to avoid preemption of the + usual TeX excape character) and = is used for perispomenon + to avoid preemption of the active tie character in plain.tex. + | is used for iota subscript. Order is significant. + Breathings or diereses come first, after the affected letter, then + accents, then iota subscript. + is dieresis, which should + only appear after u or i. '' is the mark of elision + Single quotes may be provided by `` and '', but isolate them + in braces whereever the first of either pair risks being + interpreted as an accent. + + The digraphs, trigraphs etc can be read from tlgsqq.tex + + Additional digraphs are K+ Koppa, k+ koppa, C+ lunate Cigma, + c+ lunate cigma, s+ sampi (lowercase late form only) and s| which + forces a medial sigma at word end. + << and >> give guillemets (not guillemots as Adobe + ornithologically supposes) and (( )) give single parentheses + though care must be taken that the first ( or ) is not + interpreted as a breathing. {((} and {))} are safe. + + 4. ibycus3.map + + This is {\em exactly} the same file as is used by METAFONT. + Copy $TEXMF/fonts/source/public/ibycus3/ibycus3.map + to the same directory as ibycus3.tex + or, even better, link it with a symbolic link. + It is so structured that it can be read by either + TeX or Metafont. The mapping is very close to that of GreekKeys, + which is distributed for the Macintosh by the American + Philological Association. Other mappings can be created + in the same manner. + + 5. $TEXMF/tex/generic/ibycus3/Uibycus3.fd + + Supporting fd file for LaTeX2e. + + 6. $TEXMF/tex/generic/ibycus3/iby3extr.tex + + Some editorial symbols for classical editions. + + 7. $TEXMF/tex/generic/ibygrk/ibycus3.ltx + $TEXMF/tex/generic/ibygrk/iby3text.tex + The exquisite little poem by Ibycus of Rhegium, until recently + almost the only thing known by him. (The Ibycus system + developed by David Packard is only indirectly named after + the poet. The direct inspiration was Packard's cat.) + +NOTE: Earlier users of this package may be dismayed by the new naming +system for the fonts, but it seems the only way to provide for +desirable results. It is necessary to keep this Ibycus package +clearly distinct from the new package announced below. Symbolic +links are provided to ease the transition. Ibycus4 (see below) will +be as close as possible to Ibycus3 in all external respects, but +there are some improved set widths which might clobber old carefully +adjusted text spacings. + +The new naming convention uses "ibycus3" wherever possible, and +the shorter string "iby3" where that would lead to ambiguity. +some of the individual METAFONT character files are simply +taged with the number 3. 8+3 filename compatibility is preserved. +(with difficulty). + +The names of PK and TFM files follow Karl Berry's font name convention +( 84 is the encoding for Ibycus 4, for which see below). + +Foundry Facename Weights Variants Encoding_Variants DesignSize + +f ib [r], b r, o 83, 84 [10], 9, 8 + +fibr83 fibo83 fibb83 + + with METAFONT design-size additions +fibr838 fibo838 fibb838 +fibr839 fibo839 fibb839 + + + +Still in the future. + + Ibycus4 will have the major epigraphical characters and conventions, + dotted letters, epsilon and omicron with perispomene accent + for pre-403 Attic orthography, uprighted italic h for aspirate and + a special set of TFM files for "stoichedon" inscriptions. + Maybe even a prime that really works for numbers. + The input coding for Ibycus4 is hardly changed at all from + Ibycus3 coding: The apostrophe and single quotes can be + given as ` {`} and ' {'} instead of having to be doubled + and <> give conjectural emendation angle brackets without + requiring an excursion into math mode. ! {\bang} gives + a dotted letter for all except iota-subscripted vowels. + Slight improvements in set widths, which is the chief reason + for keeping Ibycus3 and Ibycus4 clearly separate. + + Also in the works, a type1 version. + +Pierre A. MacKay +Department of Classics +University of Washington +mackay@cs.washington.edu diff --git a/fonts/greek/ibygrk/doc/generic/ibycus4/ibycus4.ltx b/fonts/greek/ibygrk/doc/generic/ibycus4/ibycus4.ltx new file mode 100644 index 0000000000..2800c5904b --- /dev/null +++ b/fonts/greek/ibygrk/doc/generic/ibycus4/ibycus4.ltx @@ -0,0 +1,40 @@ +% ibycus4.ltx-- P.A. MacKay -- July 13, 1997 +% Pierre A. MacKay, Dept. of Classics, University of Washington +% mackay@cs.washington.edu +% ------------------------ +% An example of ibycus4 using LaTeX2e +% +% Text from D. L. Page, {\it Greek Melic Poets}, (Oxford, 1962), p. 148 +% accepting the emendations of Mehlhorn and Hermann. +% +\documentclass[11pt]{article} +\usepackage{ibycus4} +\pagestyle{empty} + +\begin{document} +\begin{center} +\greek{\fontsize{20.74}{17pt}\selectfont +IBUKOU TOU RHGINOU} +\end{center} + +\vspace{.5in} + +\greek{ +\fontsize{14}{17pt}\selectfont +\begin{verse} +\leavevmode\llap{)=}Hri me`n ai(' te Kudw'niai\\ +mhli'des a)rdo'menai r(oa=n\\ +e)k pota'mwn i('na Parqe'nwn\\ +kh=pos a)kh'ratos, ai(' t' oi)nanqi'des\\ +au)co'menai skie'roisin u(f' e('rnesin\\ +oi)nare'ois qale'qoisin; e)moi` d' e)'ros\\ +ou)demi'an kata'koitos w('ran.\\ +q' u(po` steropa=s fle'gwn\\ +Qrhi+'kios Bore'as a)i's|-\\ +\quad swn para` Ku'pridos a)zale'ais mani'aisin e)remno`s a)qambh`s\\ +e)gkrate'ws pedo'qen \dagger fla'sen\dagger\\ +h(mete'ras fre'nas. +\end{verse}} +\end{document} + +\bye diff --git a/fonts/greek/ibygrk/doc/generic/ibycus4/psibycus.ltx b/fonts/greek/ibygrk/doc/generic/ibycus4/psibycus.ltx new file mode 100644 index 0000000000..64ad1099b3 --- /dev/null +++ b/fonts/greek/ibygrk/doc/generic/ibycus4/psibycus.ltx @@ -0,0 +1,41 @@ +% psibycus.ltx-- P.A. MacKay -- July 16, 1999 +% Pierre A. MacKay, Dept. of Classics, University of Washington +% mackay@cs.washington.edu +% ------------------------ +% An example of ibycus4 using LaTeX2e and calling on the type1 +% font IbycusHTG-Regular in place of fibr84 +% +% Text from D. L. Page, {\it Greek Melic Poets}, (Oxford, 1962), p. 148 +% accepting the emendations of Mehlhorn and Hermann. +% +\documentclass[11pt]{article} +\usepackage{psibycus} +\pagestyle{empty} + +\begin{document} +\begin{center} +\greek{\fontsize{20.74}{17pt}\selectfont +IBUKOU TOU RHGINOU} +\end{center} + +\vspace{.5in} + +\greek{ +\fontsize{14}{17pt}\selectfont +\begin{verse} +\leavevmode\llap{)=}Hri me`n ai(' te Kudw'niai\\ +mhli'des a)rdo'menai r(oa=n\\ +e)k pota'mwn i('na Parqe'nwn\\ +kh=pos a)kh'ratos, ai(' t' oi)nanqi'des\\ +au)co'menai skie'roisin u(f' e('rnesin\\ +oi)nare'ois qale'qoisin; e)moi` d' e)'ros\\ +ou)demi'an kata'koitos w('ran.\\ +q' u(po` steropa=s fle'gwn\\ +Qrhi+'kios Bore'as a)i's|-\\ +\quad swn para` Ku'pridos a)zale'ais mani'aisin e)remno`s a)qambh`s\\ +e)gkrate'ws pedo'qen \dagger fla'sen\dagger\\ +h(mete'ras fre'nas. +\end{verse}} +\end{document} + +\bye diff --git a/fonts/greek/ibygrk/doc/generic/ibycus4/psibycus.tex b/fonts/greek/ibygrk/doc/generic/ibycus4/psibycus.tex new file mode 100644 index 0000000000..10a7f37047 --- /dev/null +++ b/fonts/greek/ibygrk/doc/generic/ibycus4/psibycus.tex @@ -0,0 +1,48 @@ +% psibycus.tex-- P.A. MacKay -- July 16, 1999 +% Pierre A. MacKay, Dept. of Classics, University of Washington +% mackay@cs.washington.edu +% ------------------------ +% An example of ibycus4 using plain TeX and invoking the type1 font +% IbycusHTG-Regular +% +% Text from D. L. Page, {\it Greek Melic Poets}, (Oxford, 1962), p. 148 +% accepting the emendations of Mehlhorn and Hermann. +% +\hsize 4in +\input ibycusps +\setgreek11/14 +\let\!=\dagger + +\GK + +\centerline{IBUKOU TOU RHGINOU} + +\bigskip + +\leavevmode\llap{)=}Hri me`n ai(' te Kudw'niai + +mhli'des a)rdo'menai r(oa=n + +e)k pota'mwn i('na Parqe'nwn + +kh=pos a)kh'ratos, ai(' t' oi)nanqi'des + +au)co'menai skie'roisin u(f' e('rnesin + +oi)nare'ois qale'qoisin; e)moi` d' e)'ros + +ou)demi'an kata'koitos w('ran. + +q' u(po` steropa=s fle'gwn + +Qrhi+'kios Bore'as a)i's|- + +\quad swn para` Ku'pridos a)zale'ais mani'aisin e)remno`s a)qambh`s + +e)gkrate'ws pedo'qen \!fla'sen\! + +h(mete'ras fre'nas. + +\RM + +\end -- cgit v1.2.3