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+% magman.tex -- info about Malvern Greek.
+%{{{ Malvern Greek manual
+%{{{ preamble
+
+\errorcontextlines=1000
+\input pdccmlft
+\input magrmac
+
+\font\notegr=ma55g9
+\font\bodygr=ma55g11
+\font\biggr=ma55g24 % used in sample
+\font\gri=ma56g11 % used in sample
+
+\toksa=\expandafter{\STYbodyT}
+\edef\STYbodyT{\the\toksa\noexpand\f{gr}{ma55g}}
+
+\bodyfonts
+
+\everygreek{\gr \baselineskip=14pt}
+
+\grdelimiter\* % * is already an active char
++\defverbatim\_+ % | is often used in examples
+
+\majorheadline{Typesetting Greek using Malvern fonts}
+
+%{{{ font tables
+
+%% Code to typeset a font table -- lifted from my testfont.tex
+
+\newcount\tableN
+\newcount\hexcount
+\def\hexdigit#1{\ifcase#1\relax 0\or 1\or 2\or 3\or 4\or 5\or 6\or 7\or
+ 8\or 9\or A\or B\or C\or D\or E\or F\fi}
+
+\def\ntablecr
+{%
+ \cr
+ \noalign{\nointerlineskip}
+ \multispan2\hfill &\multispan{33}\hrulefill
+}
+\def\ntable
+{
+ \medskip
+ \begingroup \openup1\jot
+ \def\\{\char\tableN \global\advance\tableN 1}
+ \def\0##1{&\omit&\sevenrm##1}
+ \halign to \hsize
+ {%
+ \chartstrut\hss##\tabskip=0pt plus 10pt &
+ &\hss##\hss&##\vrule\cr
+ \lower 6.5pt\null
+ &\00\01\02\03\04\05\06\07\08\09\0A\0B\0C\0D\0E\0F
+ \ntablecr
+ \global\tableN=0
+ \ntablelines
+ \crcr
+ }
+ \medbreak
+ \endgroup
+}
+
+\def\ntablelines
+{%
+ \ifnum\tableN<256
+ \let\next\ntablecontinuation
+ \else
+ \let\next\relax
+ \fi
+ \next
+}
+
+\newcount\ntabtmp
+
+\def\ntablecontinuation
+{%
+ % Find out if none of this row are defined by making a horizontal
+ % list of all of them preceeded by a penalty of 1; if any of them
+ % are defined then \lastpenalty will be something other than 1:
+ \setbox0=\hbox{\penalty1
+ \def~{\char\tableN \advance\tableN 1}%
+ ~~~~~~~~~~~~~~~~\global\ntabtmp=\lastpenalty}%
+ % Now set the row in the table iff ntabtmp # 1:
+ \ifnum\ntabtmp=1
+ \global\advance\tableN 16 \let\next=\ntablelines
+ \else
+ \let\next=\ntablecontinuationcontinuation
+ \fi
+ \next
+}
+
+\def\ntablecontinuationcontinuation
+{%
+ \cr
+ \noalign{\nointerlineskip \penalty5000 }
+ & \hexcount=\tableN \divide\hexcount16 \sevenrm\hexdigit\hexcount
+ &&\\&&\\&&\\&&\\&&\\&&\\&&\\&&\\&&\\&&\\&&\\&&\\&&\\&&\\&&\\&&\\&
+ \ntablecr
+ \ntablelines
+}
+
+\def\chartstrut{\lower 0.25\baselineskip \vbox to \baselineskip{}}
+
+%}}} font tables
+%{{{ two-column quotations
+
+\def\twocolgr{
+ \smallskip
+ \beginthe{twocolgr}
+ \setbox0=\vbox\bgroup
+ \hsize=\bodywd \advance\hsize-\colsep \divide\hsize by 2
+ \begingreek \strut \ignorespaces
+}
+\def\endtwocolgr{%
+ \par\endgreek \egroup
+ \moveleft\leftmargin\vbox{
+ \hrule\smallskip
+ \hbox to \bodywd{\rigidbalance{0}{2}{\ht\strutbox}{\hfil}}
+ \smallskip\hrule
+ }
+ \smallbreak
+ \endthe{twocolgr}
+}
+%}}} two-column quotations
+%}}} preamble
+%{{{ bibliography
+
+\def\TB{{\it TUGboat}}
+
+\counta=0
+\newtoks\bibliography
+\newcount\bibcount
+
+\def\FAQnote
+{%
+ \par {\bf Note on FAQs}\quad An FAQ is an electronic document, posted
+ regularly to a USENET newsgroup, usually in the form of a list of
+ answers to frequently asked questions. Many FAQs are available on
+ the archive site |pit-manager.mit.edu| (alias |rtfm.mit.edu|)
+ [18.172.1.27] in the directory |pub/usenet/news.answers|. The
+ reference gives the name of the compiler, the title, the
+ last-modified date (in lieu of an edition or version number) and
+ name under which the FAQ is archived appears in parentheses.
+ \par
+}
+
+\def\bibdef#1#2%
+{
+ \expcs\edef{cite#1}%
+ {%
+ \noexpand\docite\noexpcs{cite#1}\noexpcs{refer#1}%
+ }
+ \toks0={#2}
+ \expcs\edef{refer#1}{\noexpand\bibitem{\expcs\noexpand{cite#1}}
+ \the\toks0}
+}
+\def\docite#1#2%
+{%
+ \global\advance\bibcount1
+ \global\bibliography=\expandafter
+ {\the\bibliography #2}%
+ \global\edef#1%
+ {[\the\bibcount]}#1%
+}
+
+\bibdef{Allen}
+{
+ W. Sidney Allen, {\it Vox Graeca: A Guide to Pronunciation of Classical
+ Greek}, 3rd Ed.\ (Cambridge University Press, 1987),
+ pp.\thinspace177--179.
+}
+
+\bibdef{KD}
+{
+ K.~J. Dryllerakis (|kd@doc.ic.ac.uk|), {\it Typesetting Greek Texts with
+ Greek\TeX}, Greek\TeX~3.1 (also known as KDGreek) (CTAN
+ |fonts/greek/kd|).
+}
+
+\bibdef{FAQ}
+{
+ Nikolaos Fotis (ed.), {\it soc.culture.greek} FAQ --
+ Linguistics ({\tt greek-\penalty\exhyphenpenalty faq\slash
+ linguistics}, 1993/03/06).
+}
+
+\bibdef{Yannis}
+{
+ Yannis Haralambous and Klaus Thull, Typesetting Modern Greek with 128
+ Character Codes, \TB\/ 10 (1989), pp.\thinspace354--359 (CTAN
+ |fonts/greek/yannis|).
+}
+
+\bibdef{Harts}
+{
+ Horace Hart, {\it Hart's Rules for Compositors and Readers at the
+ University Press, Oxford}, 39th Edition, revised (Oxford
+ University Press, 1989), pp.\thinspace111--116.
+}
+
+\bibdef{Levy}
+{
+ Silvio Levy, Using Greek Fonts with \TeX, \TB\/ 9 (1988),
+ pp.\thinspace20--24 (CTAN |fonts/greek/levy|).
+}
+
+\bibdef{COD}
+{
+ {\it The Concise Oxford Dictionary of Current English}, 8th Ed.
+ (Oxford University Press, 1990), p.\thinspace1453.
+}
+
+\def\bibitem#1%
+{%
+ \smallskip
+ \indent \llap{#1\hskip1pc}\ignorespaces
+}
+
+
+%}}} bibliography
+
+\twosidedtrue
+
+\noheadlinetrue
+\majorheadline{Typesetting Greek using Malvern fonts}
+\leftline{\headingfonts \the\majorheadline}
+\bigskip
+\leftline{P. Damian Cugley}
+\leftline{Oxford University Computing Laboratory}
+\leftline{(|Damian.Cugley@comlab.ox.ac.uk|)}
+\leftline{April 1993}
+\bigskip
+
+\noindent
+ Malvern is a sanserif font family, implemented in \MF. This
+ document describes Malvern encoding~G (the Greek alphabet).
+
+\section{Using Malvern G}
+
+ Because most latin-alphabet languages require additional composite
+ letter glyphs to be properly typeset by \TeX, most Malvern fonts
+ will be used as the raw material for composite fonts. In contrast,
+ the Malvern Greek font can be used directly to typeset Greek, both
+ with the old accent-and-breathing systems and the newer (post-1974)
+ one-accent system. It follows the conventions of Silvio Levy's
+ original |gr| family \citeLevy\ and K.~J. Dryllerakis's Greek\TeX\
+ (|kd| fonts) \citeKD. It is almost compatible with the reduced
+ Greek fonts (|rgr| and |mrgr| families) described by Yannis
+ Haralambous and Karl Thull \citeYannis.
+
+%{{{ typesetting
+
+\section{Macro file}
+
+ The file |magrmac.tex| has some macros for setting texts in plain
+ \TeX. A future production release may instead work as an option or
+ extension of Greek\TeX, with the objective of making it possible to
+ switch an existing document to Malvern without much editing.
+
+ Greek text is set within a \dfn{Greek mode}, delimited by macros
+ |\begingreek| and |\endgreek|. Each time Greek mode is entered, the
+ contents of the token register |\everygreek| is scanned first.
+ Since |magrmac| does {\it not} load a particular font by default, a
+ manuscript using |magrmac| will want to include an assignment like
+\display
+ |\everygreek={\greekfont}|\cr
+ |\catcode`\*=\active \grdelimiter\*|
+\enddisplay
+ where |\greekfont| has been bound to some Greek font or another such
+ as |ma55g12|. The macro |\grdelimiter| takes one parameter, an
+ active character (represented by a one-character control sequence),
+ and makes that character into a self-matching delimiter for Greek
+ mode (like |$|--|$| works for mathematics mode). Thus, `|*This is
+ Greek*|' produces `*This is Greek*'.
+
+\section{The alphabet}
+
+ The letters are transliterated as
+ follows:
+\table \hfil#\hfil&&\enspace\hfil#\hfil\cr
+ \gr a&\gr b&\gr g&\gr d&\gr e&\gr z&\gr h&\gr j&\gr i&\gr k&\gr
+ l&\gr m&\gr n&\gr x&\gr o&\gr p&\gr r&\gr ss&\gr c&\gr t&\gr
+ u&\gr f&\gr v& \gr q&\gr y&\gr w\cr
+ \tt a&\tt b&\tt g&\tt d&\tt e&\tt z&\tt h&\tt j&\tt i&\tt k&\tt
+ l&\tt m&\tt n&\tt x&\tt o&\tt p&\tt r&\tt s&\tt c&\tt t&\tt u&\tt
+ f&\tt v& \tt q&\tt y&\tt w\cr
+\noalign{\smallskip}%
+ \gr A&\gr B&\gr G&\gr D&\gr E&\gr Z&\gr H&\gr J&\gr I&\gr K&\gr
+ L&\gr M&\gr N&\gr X&\gr O&\gr P&\gr R&\gr S&\gr C&\gr T&\gr
+ U&\gr F&\gr V& \gr Q&\gr Y&\gr W\cr
+ \tt A&\tt B&\tt G&\tt D&\tt E&\tt Z&\tt H&\tt J&\tt I&\tt K&\tt
+ L&\tt M&\tt N&\tt X&\tt O&\tt P&\tt R&\tt S&\tt C&\tt T&\tt U&\tt
+ F&\tt V& \tt Q&\tt Y&\tt W\cr
+\endtable
+ The letter *C c* is \dfn{lunate sigma} (see below). The letter *V v*
+ is \dfn{digamma} (wau). I~put it next to *f* because I~don't know
+ where it belongs in the alphabet.
+
+ A lower case sigma `*s@*' at the end of a word (or followed by
+ punctuation) is automatically changed to the final form `*s*'
+ through \TeX's ligature mechanism.\note{Occasionally \TeX's notion
+ of word boundaries causes the wrong glyph to appear. There are two
+ special invisible glyphs that can be used to control this in obscure
+ circumstances. The so-called \dfn{compound word mark} (or cwm) acts
+ as a word-boundary in the middle of a word. It has code~32, so
+ `|as^^`a|' produces `*as^^`a*', for example. The \dfn{null glyph}
+ is invisible, but, because it is not a boundary character, it can be
+ used to prevent a ligature with a following word boundary. It has
+ code 64, so `|as@|' produces `*as@*'.}
+
+\section{Composite letters}
+
+ The marks that go above the letters are obtained with the
+ following characters, which go before the letter:
+\table \gr#\hfil&\quad#\hfil&\quad #\hfil& \quad *#*\hfil\cr
+\noalign{\hrule height 1pt \vskip1\jot}%
+ \omit Mark\hfil&\omit\quad Char\hfil&
+ Name&\omit\quad Name in \citeYannis\hfil\cr
+\noalign{\vskip\jot \hrule \vskip\jot}
+ <@& |<|& asper (rough, = h)& dase'ia\cr
+ >@& |>|& lenis (smooth)& yil'h\cr
+ "@& |"| (double quote)&
+ diaeresis& dialutik'a\cr
+ '@& |'| (quote)&
+ acute accent& >oxe'ia\cr
+ `@& |`|& grave accent& bare'ia\cr
+ \char126 @& |~|& circumflex& perispwm'enh\cr
+\noalign{\vskip1\jot \hrule height 1pt\smallskip}%
+\endtable
+ A breathing or diaeresis can be combined with an accent, thus
+ `|<~a|' for *<~a*, `|>'e|' for *>'e*.
+
+
+ The vowels *a*, *h* and *w* may have an iota beneath them, called
+ `subscript': *a|*, *h|*, *w|*. These are produced with a vertical
+ bar `_|_' after the letter in Greek mode: `_a|_' makes
+ *a|*, `_<a|_' makes `*<a|*', and so on.
+
+
+ As an example: `*>en >arq~h| >~hn <o l'ogos*' is generated with `_>en
+ >arq~h| >~hn <o l'ogos_'.
+
+% In old-style Greek, all vowels beginning a word require a breathing
+% -- but *u* may only have an asper (rough). In diphthongs (*ai*,
+% *ei*, *oi*, *ui*, *au*, *eu*, *hu*, *ou*, *wu*), breathings and
+% accents stand over the second letter: *a<i*, *o>u*. Double *rr*
+% used to be written *>r<r*.
+
+%\section{Apostrophe (sign of elision)}
+
+% The lenis is also used like an apostrophe, to mark the elision of
+% vowels at the end of a word when the next word starts with a vowel.
+% The Malvern-G fonts, like the Levy-derived fonts, also has a
+% separate apostrophe glyph, which can be set with `|''|' (two quote
+% characters) or `|'|' (one quote) at the end of a word. Thus you
+% have a choice of `|d>|' or `|d'|' (*d>* or *d'*).
+
+
+\section{Punctuation}
+
+ Here's a table of correspondences for punctuation:
+\table \hfil#\hfil&&\enspace\hfil#\hfil\cr
+ *.*&*,*&*;*&*:*&*!*&*?*&*''*&*((*&*))*\cr
+ |.|&|,|&|;|&|:|&|!|&|?|&|''|&|((|&|))|\cr
+\endtable
+ The apostrophe is also generated by a single single-quote at the end
+ of a word: `*d'*' can be generated by `|d'|'. There are also
+ digits, parentheses, brackets, hyphen, dashes, slash, per cent sign,
+ asterisk, plus and equals signs.
+
+\section{One-accent Greek}
+
+ The easiest way to write modern Greek is simply to use |'| for the
+ accent and otherwise to use |\begingreek|--|\endgreek| as before:
+ `*en arq'h hn o l'ogos*' is generated with `|en arq'h hn o l'ogos|'.
+
+ Malvern also has glyphs for a symmetrical accent (*\char3*) and
+ composite letters (such as *\char3 a*, *"\char3u*). The macro
+ |\monotoniko|\note{This macro is so named for compatibility with the
+ |rgr|/|mrgr| macros \citeYannis. It might usefully go in
+ |\everygreek|.} in Greek mode makes |'| an active character,
+ expanding to the symmetrical accent. Then `|En'w|' produces
+ `*En\char3w*'. In fact, the other accent characters |`| and |~| are
+ also made to substitute `*\char3*', and |<|, |>| and _|_ expand to
+ the null glyph, so that a text with all the breathings and accents
+ and be hacked into almost-correct one-accent Greek.\note{Again, for
+ compatibility with the |rgr|/|mrgr| macros. Because monosyllables
+ should not have accents at all in one-accent Greek, a complete
+ conversion from old-style to new-style requires changes to the
+ manuscript anyway, so the usefulness of this feature is debatable!}
+ For example, `_>En~w|_' becomes `*\monotoniko >En~w|*'.
+
+\section{Variant glyphs}
+
+ Sigma has a variant called lunate sigma, written *Cc*. These
+ letters can be obtained directly (produced by the character `|c|' in
+ the manuscript). So that a given text can be switched between the
+ two styles, there is also a macro |\grlunatesigma|, which redefines
+ `|s|' is as active character equivalent to `|c|'. Obviously this is
+ only useful when Greek mode is only used for plain texts, since it
+ prevents `|s|' from being used in control sequence names.
+
+ Similarly, there are two ways to write lower case phi: *f* and
+ *\char92 * (`|f|' and glyph~92). There is no difference in meaning
+ between *f* and *\char92 *; the choice of one or the other is only
+ made on aesthetic grounds. The macro |\grvarphi| redefines `|f|' as
+ an active character equivalent to `*\char92 *', in effect replacing
+ *f* with *\char92 *.
+
+ Normally these macros, if used, will go in |\everygreek|.
+
+%}}} typesetting
+\iffalse
+%{{{ background
+\section{Background}
+
+ This section is optional reading.
+
+\subsection{Development of the Levy-derived font families}
+
+ Silvio Levy's |gr| fonts \citeLevy\ used the \TeX~2 ligature system
+ to make *s* become *s@* when followed by a letter, and had glyphs
+ for almost all the composite letters.
+
+ Yannis Haralambous and Klaus Thull created a set of reduced
+ (128-glyph) fonts, for \TeX\ systems still unable to manage
+ 256-glyph fonts \citeYannis. These fonts (the |rgr| and |mrgr|
+ families) still used Levy's character programs. Because they could
+ not include glyphs for all the composite letters, many composite
+ letters had to be obtained with macros rather than ligatures. The
+ |mrgr| family is for new-style (one-accent) Greek.
+
+ Finally K.~J. Dryllerakis's Greek\TeX\ package (also called KDGreek)
+ \citeKD\ uses the Levy character programs again, but takes advantage
+ of the new ligature features of \TeX~3 to make *s@* become *s*
+ (without needing compound glyphs for every combination of *s@* with
+ a letter). The fonts are given names starting with |kd|.
+ Greek\TeX\ also includes format files for plain \TeX\ and \LaTeX,
+ transliteration programs and other useful things.
+
+\subsection{Designing Greek letters for Malvern}
+
+ My Malvern-G encoding is intended to be `ligature-compatible' with
+ Levy's and Dryllerakis's, meaning that `|<'a|||' will produce
+ `*<'a|*' in each of them, even though this is glyph~141 in
+ |grreg10|, 201 in |kdgr10| and some random number in |ma55g10|. The
+ punctuation characters have the same encoding.
+
+ Designing a sanserif Greek lower case alphabet (*alfabet*?) is tricky
+ because the lower case letters have a very cursive style, as if
+ hand-drawn with a brush by a scribe in a hurry -- which is pretty
+ much the opposite of most sanserif styles. I~made sketches (on
+ paper) of Greek letters forced into the same sorts of shapes as
+ other Malvern letters, and the results were uniformly horrid. The
+ original idea of Malvern was to make a humanist/geometric hybrid, so
+ I tried approaching it from the from the humanist end this time.
+
+%}}} background
+\fi
+%{{{ references
+
+\section{References}
+
+ Since I don't speak a word of Greek -- the only word I know is
+ *barbaroi* and I don't know how to spell it -- I have relied on
+ reading between the lines of the documentation for other systems for
+ typesetting Greek, including Hart's Rules \citeHarts.
+
+ CTAN is the Comprehensive \TeX\ Archive Network, a collection of FTP
+ sites (such as |ftp.tex.ac.uk|, under directory |tex-archive|).
+
+\beginthe{bib} \parskip=0pt \parindent=0pt
+ \the\bibliography
+ \par
+\endthe{bib}
+
+%}}} postamble
+
+%{{{ samples
+
+\section{Examples of text in Malvern 55 and 56}
+
+\iffalse
+ This quotation is used by Haralambous and Thull \citeYannis\ as an
+ example of the old-style accent-and-breathing system:
+%{{{ Popess Johanna
+
+\begin twocolgr
+ >En~w| <esp'eran tin`a >exantl'hsas t`a murol'ogi'a tou
+ >ekoim~ato <o Froum'entios >ep`i t~hs >'ammou t~hs paral'ias,
+ katab`as >ex o>uran~wn <o >ap'ostolos >eke~inos t~wn Sax'onwn
+ >'hnoixe di`a maqa'iras t`a st'hjh to~u koimwm'enou,
+ e>is'hgage to`us <iero`us dakt'ulous tou e>is t`hn >op`hn kai
+ >exag`wn t`hn kard`ian >eb'ujisen a>ut'hn e>is l'akkon pl'hrh
+ <'udatos, <'oper <hg'iasen prohgoum'enws. <H fl'egousa
+ >eke'inh kard'ia >'efrizen e>is t`o <'udwr <ws smap`is >ent`os
+ to~u thgan'iou, >afo~u d`e >ekr'uwsen, >'ejese p'alin a>ut`hn
+ <o <'agios e<is t`on t'opon ths ka`i kle'isas t`hn plhg`hn
+ >ep'estreyen e>is t`on >idik'on tou.
+
+ >'Etuq'e pote, >anagn~wst'a mou, n`a >apokoimhj~h|s m`e
+ >anup'oforon b~hqa, koim'wmenos n`a <idr'wsh|s ka`i >exupn'hsas
+ n`a e<urej~h|s >iatreum'enos? >Agn~wn <'oti e>~isai
+ kal`a >ano'igeis mhqanik~ws t`o st'oma, <'ina plhr'wsh|s e>is
+ t`on >epikat'araton b~hqa t`on sun'hjh f'oron. >All`a
+ p'oshn a>isj'anesai qar'an, m`h e<ur'iskwn e>is t`on l'arugga
+ t`o >oqlhp`on jhr'ion! O<'utw <'ama >'hnoixe ka`i <o
+ Froum'entios to`us >ofjalmo'us, <htoim'asjn n`a prosf'erh|
+ e>is t`hn >aq'ariston >Iw'annan t`hn sun'hjh dakr'uwn
+ spond'hn, >all`a par`a p~asan prosdok'ian o<i >ofjalmo'i
+ tou e<ur'ejhsan xhro`i ka'i n`a progeumat'ish| m~allon >`h
+ n`a kla'ush| >h|sj'aneto >'orexin met`a polu'hmeron nhste'ian
+ <o kal`os Benedekt~inos.
+\end twocolgr
+\rightline{\csc{Emmanouil Ro\"{\i}dis}, `The Popess Johanna (1896)'}
+\vskip 0pt plus \baselineskip
+
+%}}} Popess Johanna
+\fi
+
+ The following paragraph is set in 11-point Malvern~55 (11-point
+ Malvern has comprable x-height to 12-point Computer Modern). This
+ quotation is used as one of the examples in Levy's article
+ \citeLevy:
+\twocolgr
+ >All' >ako'usontai, >enper e>~u dok~h|s l'egein. t'ode d'e sou
+ >ene'ohsa <'ama l'egontos, ka`i pr`os >emaut`on skop~w; e>i <'oti
+ m'alist'a me E>uj'ufrwn did'axeien, <ws o<i jeo`i <'apantes t`on
+ toio~uton j'anaton <hgo~untai >'adikon e>~inai, t'i m~allon >eg`w
+ mem'ajhka par' E>uj'ufronos, t'i pot' >est`in t`o <'osi'on te ka`i
+ t`o >an'osion? jeomis`es m`en g`ar to~uto t`o >'epgon, <ws
+ >'eoiken, e>'in >'an; >all`a g`ar o>u to'utw| >ef'anh >'arti
+ <wrism'ena t`o <'osion ka`i m'h; t`o g`ar jeomis`es >`on ka`i
+ jeofil`es >ef'anh. <wste to'utou m`en >af'ihm'i se, >~w E>uj'ufron;
+ e>i bo'ulei, p'antes a>ut`o <hge'isjwn jeo`i >'adikon ka`i p'antes
+ miso'untwn. >all' >~ara to~uto n~un >epanorj'wmeja >en t~w| l'ogw|,
+ <ws <`o m`en p'antes o<i jeo`i mis~wsin, >an'osi'on >estin, <`o d'
+ >`an fil~wsin, <`osion; <`o d' >`an o<i m`en fil~wsin, o<i d`e
+ mis~wsin, o>ud'etera >`h amf'otera? >~ar' o<'utw bo'ulei <hm~in
+ <wr'isjai n~un per`i to~u <os'iou ka`i to~u >anos'iou?
+\endtwocolgr
+ \rightline{Plato, `Euthyphro'}
+\vskip 1\medskipamount plus \baselineskip
+
+
+ This quotation (similarly stolen) is in Malvern~56 and has
+ |\grvarphi| and |\grlunatesigma| in effect:
+
+\twocolgr \gri \grvarphi \grlunatesigma
+ T`h stigm`h to'uth ni'wjw p'oso bar'u ''nai t`o must'hrio t~hs
+ xomol'oghshs. <Ws t'wra, kane`is d`en x'erei p~ws p'erasa t`a du`o
+ qr'onia mou st`o <'Agion >'Oros. O<i f'iloi mou jarro~un p`ws p~hga
+ n`a d~w buzantin`a kon'ismata >`h >ap`o mustikop'ajeia n`a z'hsw
+ mi`a perasm'enh >epoq'h. Ka`i t'wra, n'a, ntr'epomai n`a mil'hsw.
+
+ P~ws n`a t`o p~w? Jumo~umai <'ena >anoixi'atiko deilin'o, po`u
+ kat'ebaina t`on Ta"'ugeto, mi`a xafnik`h j'uella m`e k'uklwse kont`a
+ sto'us Pentaulo'us. T'oso fober`os >anemos'ifounas, po`u >'epesa
+ katag~hs gi`a n`a m`hn gkremist~w. O<i >astrap`es m' >'exwsan
+ <olo~uje ki >'ekleisa t`a m'atia m`hn tuflwj~w, ka`i kat'aqama,
+ p'istoma, per'imena. <'Olo t`o pan'uyhlo boun`o >'etreme, ka`i du`o
+ >'elata d'ipla mou tsak'isthkan >ap' t`h m'esh ka`i br'onthxan
+ q'amou. >'Eniwja t`o jei'afi to~u kerauno~u st`on >a'era, ka`i
+ xafnik`a x'espase <h mp'ora, >'epesen <o >'anemos, ka`i qontr'es,
+ jerm'es st'ales broq`h qt'uphsan t`a dentr`a ka`i t`o q~wma. T`o
+ jum'ari, <h jro'umpa, t`o fask'omhlo, t`o flisko'uni, qtuphm'ena
+ >ap' t`o ner'o, t'inaxan t`is murwdi'es tous ki <'olh <h g~hs
+ m'urise.
+\endtwocolgr
+\rightline{\csc{Kazantzakis}, `Symposium'}
+\vskip 0pt plus \baselineskip
+
+%}}} samples
+\iffalse
+%{{{ table
+
+*\ntable*
+\smallskip \noindent
+ This is a working encoding, and will likely be different in future
+ versions.
+%}}} table
+\fi
+%{{{ 24-pt sample
+
+\bigbreak
+\moveleft\leftmargin \vbox{ \hsize=\bodywd
+\hrule height 1pt \bigskip
+\begingreek \biggr\baselineskip=30pt
+\centerline{((ABGDEZHJIKLMNXOPRSCTUFVQYW))}
+\centerline{](abgdezhjiklmnxoprss^^`ctuf\char92 vqyw)[}
+\centerline{=0123456789---\%\char42 +/--''!,:;?.-}
+\centerline{\char3 '@ `@ ~@ <@ <'@ <`@ <~@ >@ >'@ >`@ >~@ "@ "'@ "`@ "~@
+ "\char3 @}
+\endgreek
+\medskip\hrule height 1pt
+}
+%}}} 24-pt sample
+\bye
+%}}} Malvern Greek manual
+
+% Local variables:
+% fill-prefix: "\t"
+% fill-column: 76
+% fold-folded-p: t
+% End: