diff options
author | Norbert Preining <norbert@preining.info> | 2019-09-02 13:46:59 +0900 |
---|---|---|
committer | Norbert Preining <norbert@preining.info> | 2019-09-02 13:46:59 +0900 |
commit | e0c6872cf40896c7be36b11dcc744620f10adf1d (patch) | |
tree | 60335e10d2f4354b0674ec22d7b53f0f8abee672 /info/latex-samples |
Initial commit
Diffstat (limited to 'info/latex-samples')
-rw-r--r-- | info/latex-samples/MemoirChapStyles/MemoirChapStyles.pdf | bin | 0 -> 1838805 bytes | |||
-rw-r--r-- | info/latex-samples/MemoirChapStyles/MemoirChapStyles.tex | 1407 | ||||
-rw-r--r-- | info/latex-samples/MemoirChapStyles/README | 102 | ||||
-rw-r--r-- | info/latex-samples/TitlePages/README | 20 | ||||
-rw-r--r-- | info/latex-samples/TitlePages/titlepages.pdf | bin | 0 -> 1001597 bytes | |||
-rw-r--r-- | info/latex-samples/TitlePages/titlepages.tex | 3357 |
6 files changed, 4886 insertions, 0 deletions
diff --git a/info/latex-samples/MemoirChapStyles/MemoirChapStyles.pdf b/info/latex-samples/MemoirChapStyles/MemoirChapStyles.pdf Binary files differnew file mode 100644 index 0000000000..e96fde6212 --- /dev/null +++ b/info/latex-samples/MemoirChapStyles/MemoirChapStyles.pdf diff --git a/info/latex-samples/MemoirChapStyles/MemoirChapStyles.tex b/info/latex-samples/MemoirChapStyles/MemoirChapStyles.tex new file mode 100644 index 0000000000..304c557b31 --- /dev/null +++ b/info/latex-samples/MemoirChapStyles/MemoirChapStyles.tex @@ -0,0 +1,1407 @@ +%% +%% This file can be distributed and/or modified under the +%% conditions of the LaTeX Project Public License, either version 1.3 +%% of this license or (at your option) any later version. +%% The latest version of this license is in +%% http://www.latex-project.org/lppl.txt +%% and version 1.3 or later is part of all distributions of LaTeX +%% version 2003/12/01 or later. +%% +%% This work has the LPPL maintenance status "maintained". +%% +%% The Current Maintainer of this work is Lars Madsen (daleif@imf.au.dk). +%% +%% $LastChangedDate: 2012-04-11 14:02:16 +0200 (Wed, 11 Apr 2012) $ +%% $LastChangedRevision: 1483 $ +%% +\begin{filecontents}{chapterexample.tex} +\let\clearforchapter\par % cheating, but saves some space +\chapter{A chapter title} +Nam dui ligula, fringilla a, euismod sodales, sollicitudin vel, +wisi. Morbi auctor lorem non justo. Nam lacus libero, pretium at, +lobortis vitae, ultricies et, tellus. Donec aliquet, tortor sed +accumsan bibendum, erat ligula aliquet magna, vitae ornare odio metus +a mi. +\par\fancybreak{$***$}\par +\chapter*{A non-numbered chapter title} +Nam dui ligula, fringilla a, euismod sodales, sollicitudin vel, +wisi. Morbi auctor lorem non justo. Nam lacus libero, pretium at, +lobortis vitae, ultricies et, tellus. Donec aliquet, tortor sed +accumsan bibendum, erat ligula aliquet magna, vitae ornare odio metus +a mi. \thispagestyle{empty} +\end{filecontents} +\begin{filecontents*}{process.pl} +#!/usr/bin/perl +# licensed under the GPL, by Lars Madsen, 2008/03/25 +use Getopt::Long; +my $f = ''; +my $k = ''; +my $p = ''; +my $tmppdf = 'tmp.pdf'; +my $postfix = '-style'; +GetOptions('f:s' => \$f,'k:s' => \$k,'p:s' => \$p); +my @styles = (); +my %pages = (); +print <<END if ! $f; +Usage: + + $0 -f MemoirChapStyles.styles + +END +exit if ! $f; + +if ( $k ) { compile_file("$k$postfix"); exit ;} +open my $file ,'<', $f or die "Cannot open '$f': $!"; +for my $l (<$file>) { + chomp $l; + next if $l =~ /^\s*$/; + if ( $l =~ / page/ ) { + ($Page) = ( $l =~ / page (.*)/ ) ; + $l =~ s/ page.*//; + $pages{$l} = $Page; + } + push @styles,$l; +} +close $file; +for my $style ( @styles ) { + compile_file($style); +} +print "done\n\n"; +sub compile_file { + my $style = shift; + my @tmp = (); + system("pdflatex", "$style.tex") == 0 or warn "$!"; + system("pdfcrop", "$style.pdf","$tmppdf") == 0 or warn "$!"; + system("mv", "$tmppdf","$style.pdf") == 0 or warn "$!"; + if ( $pages{$style} || $p ) { + @tmp = split /\,/, $pages{$style} ? $pages{$style} : $p ; + for my $p ( @tmp ) { + system("pdftops", "-eps","-f","$p","-l","$p", "$style.pdf", "$style-$p.eps" ) == 0 or warn "$!"; + warn "Created $style-$p.eps\n"; + } + } + else { + system("pdftops", "-eps", "$style.pdf") == 0 or warn "$!"; + } + print "Done converting $style.pdf\n"; + return; +} +\end{filecontents*} +%$ +\documentclass[a4paper,11pt,openany]{memoir} +\def\MyFileVersion{Version 1.7e, 2012/04/11} +\setlrmarginsandblock{2.5cm}{*}{1} +\setulmarginsandblock{2.5cm}{2.5cm}{*} +\setmarginnotes{2.5mm}{2cm}{1em} +\checkandfixthelayout +\usepackage[latin1]{inputenc} +\usepackage[english]{babel} +\usepackage[T1]{fontenc} +\usepackage{ + calc, + graphicx, + url, + fancyvrb, + multicol, + kvsetkeys +} +\usepackage[svgnames,dvipsnames]{xcolor} +\definecolor{felinesrcbgcolor}{rgb}{1,1,0.85} +\definecolor{felinesrcbgcolor}{rgb}{0.94,0.97,1} +\definecolor{felineframe}{rgb}{0.79,0.88,1} +\definecolor{myorange}{rgb}{1,0.375,0} + +\usepackage[draft]{fixme} +\usepackage{fourier} +\usepackage[scaled]{luximono} +\newcommand\starbreak{\fancybreak{\decosix\quad\decosix\quad\decosix}} + +%\newcommand\starbreak{\fancybreak{$*\quad*\quad*$}} + +\usepackage[scaled]{berasans} + +\chapterstyle{ell} +\renewcommand\tocheadstart{} +\renewcommand\printtoctitle[1]{} + +\raggedbottom +\fvset{frame=lines, + framesep=3mm, + framerule=3pt, + fontsize=\small, + rulecolor=\color{myorange}, + formatcom=\color{DarkGreen}, +} +\newoutputstream{StyleList} + \newoutputstream{OutputStyle}% + \openoutputfile{\jobname.styles}{StyleList} +\def\OutputStylePostfix{-style} +\def\CurrentChapterStyle{} +\makeatletter +\kv@set@family@handler{MCS}{% + \xdef\CurrentChapterStyle{#1}% +} +\define@key{MCS}{pages}{%\typeout{xxx: #1} + \global\@namedef{MCS@pages@\CurrentChapterStyle}{#1}% +} +\define@key{MCS}{trim}{%\typeout{xxx: #1} + \global\@namedef{MCS@trim@\CurrentChapterStyle}{#1}% +} +\def\defaulttrim{0 0 0 0} +\newif\ifSCS@full +\newcounter{MCS} +\newenvironment{@showchapterstyle}[1]{% + \kvsetkeys{MCS}{#1}% + \ifSCS@full% + \edef\hest{\CurrentChapterStyle\OutputStylePostfix\space page \@nameuse{MCS@pages@\CurrentChapterStyle}} + \addtostream{StyleList}{\hest}% + \else% + \addtostream{StyleList}{\CurrentChapterStyle\OutputStylePostfix}% + \fi% + \openoutputfile{\CurrentChapterStyle\OutputStylePostfix.tex}{OutputStyle}% + \ifSCS@full% + \addtostream{OutputStyle}{% + \protect\let\protect\STARTCODE\relax^^J% + \protect\let\protect\STOPCODE\relax^^J% + \protect\STARTCODE% + }% + \else% + \addtostream{OutputStyle}{% + \protect\documentclass{memoir}^^J% + \protect\let\protect\STARTCODE\relax^^J% + \protect\let\protect\STOPCODE\relax^^J% + \protect\STARTCODE% + }% + \fi% + \writeverbatim{OutputStyle}% +}{% + \endwriteverbatim\relax% + \ifSCS@full% + \addtostream{OutputStyle}{% + \protect\STOPCODE% + } + \else% + \addtostream{OutputStyle}{% + \protect\chapterstyle{\CurrentChapterStyle}^^J% + \protect\STOPCODE^^J% + \protect\setlength\afterchapskip{\onelineskip}^^J% + \protect\setlength\beforechapskip{\onelineskip}^^J% + \protect\usepackage{lipsum}^^J% + \protect\begin{document}^^J% + \protect\input{chapterexample.tex}^^J% + \protect\end{document}% + }% + \fi% + \closeoutputstream{OutputStyle}% + \edef\FancyVerbStartString{\string\STARTCODE}% + \edef\FancyVerbStopString{\string\STOPCODE}% + \vskip\z@\@plus\bottomsectionskip + \penalty\z@ + \vskip\z@\@plus -\bottomsectionskip + \phantomsection + \addcontentsline{toc}{section}{\CurrentChapterStyle} + \VerbatimInput[label={\small Source for the \textsf{\CurrentChapterStyle} style}]{\CurrentChapterStyle-style.tex}%% + \par\noindent% + \IfFileExists{\CurrentChapterStyle\OutputStylePostfix.pdf}{% + \fboxsep=4pt% + \begin{adjustwidth}{-\fboxsep-\fboxrule}{-\fboxsep-\fboxrule}% +% \begin{framed}% + \@ifundefined{MCS@pages@\CurrentChapterStyle}{% + \fcolorbox{felineframe}{felinesrcbgcolor}{% + \includegraphics[width=\textwidth,clip]{% + \CurrentChapterStyle\OutputStylePostfix}}% + }{% + \edef\nisse{\@nameuse{MCS@pages@\CurrentChapterStyle}} + \@for\ITEM:=\nisse\do{ + \ifpdf% + \fcolorbox{felineframe}{felinesrcbgcolor}{\includegraphics% + [width=\textwidth,page=\ITEM,clip]% + {\CurrentChapterStyle\OutputStylePostfix}}% + \else% + \fcolorbox{felineframe}{felinesrcbgcolor}{\includegraphics% + [width=\textwidth,clip]% + {\CurrentChapterStyle\OutputStylePostfix-\ITEM}}% + \fi% + \bigskip% + \fancybreak{$***$}% + \bigskip + }% + }% +% \end{framed}% + \end{adjustwidth} + }{\fbox{File \CurrentChapterStyle-style.* does not exist}} + \vskip1em plus 1em minus -.5em\noindent% +} +% the two actual environments, the stared one will let you add entire +% documents, while the unstared one will only display sniplets +\newenvironment{showchapterstyle}[1]{% +\SCS@fullfalse\@showchapterstyle{#1}}{\end@showchapterstyle} +\newenvironment{showchapterstyle*}[1]{% +\SCS@fulltrue\@showchapterstyle{#1}}{\end@showchapterstyle\SCS@fullfalse} +\newcommand\@Arg[1]{\textnormal{$\langle$\textit{#1}$\rangle$}} +\newcommand\@Args[1]{\texttt{\{\textnormal{$\langle$\textit{#1}$\rangle$}\}}} +\newcommand\Arg{\@ifstar{\@Args}{\@Arg}} +\renewcommand\cs[1]{\texttt{\textbackslash #1}} +\makeatother +\newenvironment{syntax}{% + \vskip.5\onelineskip% + \begin{adjustwidth}{0pt}{0pt} + \parindent=0pt% + \obeylines% + \let\\=\relax% + }{% + \end{adjustwidth}% + \vskip.5\onelineskip% +} +\newenvironment{syntax*}{% + \vskip.5\onelineskip% + \begin{adjustwidth}{0pt}{0pt} + \parindent=0pt% + }{% + \end{adjustwidth}% + \vskip.5\onelineskip% +} + +\newtheorem{remark}{Remark} + +\AtEndDocument{\closeoutputstream{StyleList}} +\pagestyle{plain} + +\ifpdf +\usepackage[colorlinks]{hyperref} +\fi + + + +\begin{document} + +\title{Various chapter styles for the memoir class\thanks{\MyFileVersion}} +\author{Lars Madsen\thanks{Email: \protect\url{daleif@imf.au.dk}}} +\maketitle + +The main idea behind this document is to demonstrate various either +contributed or inspired chapter styles for the memoir class. + +If you have style you would like to contribute a style/implementation, +please send it with a minimal example to \url{daleif+memoir@imf.au.dk} +and I will include it into this document. + +\bigskip +\starbreak + +\bigskip + + +\noindent The visual examples you will find later in this document +have all been made using external documents and included as images +(eps or pdf). As such, all images are scaled to have the same width as +the text in this document, therefore some images are scaled down. + +Also, please do not trust the spacing between the chapter title and +the start of the following text. This \verb+\afterchapskip+-spacing is +silently reduced (to \verb+\onelineskip+) in order to save space, the +same goes for \verb+\beforechapskip+. + +\starbreak + +In any good chapter style design one should have given a thought at +both the normal numbered style as well as the unnumbered +style. Therefore the example text features both a numbered chapter and +an unnumbered. (I have relaxed \verb+\clearforchapter+ in order to +have both on the same side.) + +The sample text used is +\VerbatimInput[ +label={chapterexample.tex}, +fontsize=\small +]{chapterexample.tex} + +\starbreak + +If you want to use one of the styles presented in this document, +then there is no need to start retyping it all your self. Simply +download the source for this document (\texttt{\jobname.tex}) from +\url{http://mirror.ctan.org/info/MemoirChapStyles/}. Run it +once through \LaTeX, then you will +get a file called \Arg{Name of style}\texttt{-style.tex}, which is the +source code for example displaying that particular style. Then just +copy the code from there. + +Please note that in the code you will find stuff like +\begin{Verbatim} +\let\STARTCODE\relax +\let\STOPCODE\relax +\STARTCODE +... +\STOPCODE +\end{Verbatim} +This code can just be removed, it is used by this document as an easy +manner to include certain parts of a given source code. + +\section*{Acknowledgement} + +Acknowledgement goes (of course) to Peter Wilson for creating the +memoir class in the first place. But also to the people who +contributed with styles or comments: Danie Els, David Chadd, Pluton +(name used on \textsc{ctt}), Erik Quaeghebeur, Donald Arseneau plus +the those who posted memoir chapter styles on news groups, I hope it +is okay that I include them here. + + + + +\section*{TODO} +\label{sec:todo} + +Have a look at the chapter styles offered by \texttt{fncychap} and +\texttt{titlesec}. + + +\newpage + +\chapter*{\contentsname} + + +\setlength\columnsep{8mm} +\begin{multicols}{2} + \tableofcontents* +\end{multicols} + +\newpage + +\chapter{A little background} +\label{cha:little-background} + +As you might already know the memoir class includes a feature to +switch the look and feel of a chapter title on a chapter to chapter +basis. This is achieved by using \verb+\chapterstyle+\Arg*{style}. The +most extreme use of this is seen in \emph{The Memoir class For + Configurable Typesetting -- User Guide} by Peter Wilson, also know +as the \emph{Memoir manual}, \cite{memman}. + + +In general, \LaTeX\ classes use \verb+\@makechapterhead+ to print a +chapter title specified my \verb|chapter|, and +\verb+\@makeschapterhead+ for \verb+\chapter*+. In memoir Peter Wilson +made these two macros a bit more flexible than usual. The idea is +that for numbered chapters (i.e. \verb+\chapter+ and +$\texttt{secnumdepth}\geq\nobreak 0$) one should think of the chapter title as +build by: +\begin{Verbatim} +\chapterheadstart +\printchaptername \chapternamenum \printchapternum +\afterchapternum +\printchaptertitle{The title} +\afterchaptertitle +\end{Verbatim} +For unnumbered (i.e. \verb+\chapter*+ and \verb+\chapter+ width +$\texttt{secnumdepth}<0$): +\begin{Verbatim} +\chapterheadstart +\printchapternonum +\printchaptertitle{The title} +\afterchaptertitle +\end{Verbatim} +Note that \verb+\printchaptertitle+ is the only macro that takes an +argument. At the start of every memoir chapter style these macros are +initialised to +\begin{Verbatim} +\renewcommand\chapterheadstart{\vspace*{\beforechapskip}} +\renewcommand\printchaptername{\chapnamefont \@chapapp} +\renewcommand\chapternamenum{\space} +\renewcommand\printchapternum{\chapnumfont \thechapter} +\renewcommand\afterchapternum{\par\nobreak\vskip \midchapskip} +\renewcommand\printchapternonum{} +\renewcommand\printchaptertitle[1]{\chaptitlefont #1} +\renewcommand\afterchaptertitle{\par\nobreak\vskip \afterchapskip} +\end{Verbatim} +In the design og these styles it is also worth noting that the +contents of \verb|\afterchapternum| is not included within +\verb|\printchapternonum|, which become important when designing the +non-numbered part of the style. If one does not remember to add say +\verb|\par\nobreak\vskip \midchapskip| or similar to +\verb|\printchapternonum| the title part may be placed differently +when there is no number. + +One might ask what \verb+\printchapternonum+ is good for when it is +always initialised to nothing. Well if a design need to one could use +it to insert a phantom width as wide as the chapter name plus number +would have been. If on the other hand one is creating a style where +the chapter name and number is actually typeset using +\verb+\printchaptertitle+ (like a framed one) then one could first +define a new if construction, say, \verb+\ifNoChapNum+ and then let +\verb+\printchapternonum+ set this to true and so on. + + +So one just have to change the ones one need. There are a few other +macros that are nice to know the meaning of. Remember that these are +\emph{not} reset at the start of a new chapter style. +\begingroup +\renewcommand\descriptionlabel[1]{\hspace\labelsep\cs{#1}} +\begin{description}\firmlist +\item[beforechapskip] length, self explanatory,usually set using + \verb+\chapterheadstart+, default 50pt +\item[midchapskip] length, distance between the chapter name / number and the +title, usually set using \verb+\afterchapternum+, default 20pt +\item[afterchapskip] length, distance between the chapter title and + the following text, usually set using \verb+\afterchaptertitle+, + default 40pt +\item[chapnamefont] the font setting used for \emph{Chapter} or + similar, default \verb+\normalfont\huge\bfseries+ +\item[chapnumfont] same for the chapter number, default + \verb+\normalfont\huge\bfseries+ +\item[chaptitlefont] same for the chapter title, default + \verb+\normalfont\Huge\bfseries+ +\end{description} +\endgroup + +In memoir a new chapter style is defined as +\begin{syntax} +\cs{makechapterstyle}\Arg*{name}\texttt{\{} +\Arg{code} +\texttt{\}} +\end{syntax} +Where \Arg{code} is redefinitions of the macros mentioned +above. (Remember that if you redefine\linebreak \verb+\printchaptertitle+ then +you have to use \texttt{\#\#1} to represent the title.) +Activating a given style is done by simply issuing +\begin{syntax} + \cs{chapterstyle}\Arg*{name} +\end{syntax} +By the way, if you happen to like a given style but wanted to, say, +add color to the chapter title, you could just refine +\verb+\chaptitlefont+ after you have issued \verb+\chapterstyle+. (Even +simpler to just use \verb+\addtodef\chaptitlefont{}{\color{nicered}}+.) + +As a simple example, here is the code for the \texttt{section} chapter +style +\begin{Verbatim}[label={Source code for the \textsf{section} chapter style}] +\makechapterstyle{section}{% + \renewcommand{\printchaptername}{} + \renewcommand{\chapternamenum}{} + \renewcommand{\chapnumfont}{\normalfont\Huge\bfseries} + \renewcommand{\printchapternum}{\chapnumfont \thechapter\space} + \renewcommand{\afterchapternum}{} +} +\end{Verbatim} + + + +\clearpage + +\chapter{Styles included in memoir} +\label{cha:defa-styl-incl} + +First we have the six default chapterstyles in the memoir class. The +source code for these can be found in \texttt{memoir.cls}. + + +\begin{showchapterstyle}{default} +\end{showchapterstyle} + +\newpage + +\begin{showchapterstyle}{section} +\end{showchapterstyle} +\begin{showchapterstyle}{article} +\end{showchapterstyle} + +\newpage + +\begin{showchapterstyle}{reparticle} +\end{showchapterstyle} +\begin{showchapterstyle}{hangnum} +\end{showchapterstyle} + +\newpage + +\begin{showchapterstyle}{companion} +\end{showchapterstyle} +\begin{showchapterstyle}{demo} +\end{showchapterstyle} +If you want to use this in a different lanugage, then that a look at +the implementation in the memoir source. You will need your own +version of \cs{numtoName} + +\begin{showchapterstyle}{bianchi} +\end{showchapterstyle} + + +\begin{showchapterstyle}{bringhurst} +\end{showchapterstyle} +\begin{showchapterstyle}{brotherton} +\end{showchapterstyle} +As with \texttt{demo}, you will need to define your own suitable +version of \cs{numtoName} + + +\newpage + +\begin{showchapterstyle}{chappell} +\end{showchapterstyle} +\begin{showchapterstyle}{culver} +\end{showchapterstyle} +\begin{showchapterstyle}{dash} +\end{showchapterstyle} + +\newpage + +\begin{showchapterstyle}{demo2} +\end{showchapterstyle} + +\newpage + +\begin{showchapterstyle}{demo3} +\end{showchapterstyle} + +\newpage + +\begin{showchapterstyle}{ell} +\end{showchapterstyle} + +\newpage + +\begin{showchapterstyle}{ger} +\end{showchapterstyle} + +\newpage + +\begin{showchapterstyle}{lyhne} +\usepackage{graphicx} +\end{showchapterstyle} + +\newpage + +\begin{showchapterstyle}{madsen} +\usepackage{graphicx} +\end{showchapterstyle} + +\newpage + +\begin{showchapterstyle}{pedersen} +\usepackage{color,graphicx} +\definecolor{ared}{rgb}{.647,.129,.149} +\renewcommand\colorchapnum{\color{ared}} +\renewcommand\colorchaptitle{\color{ared}} +\end{showchapterstyle} + +\newpage + +\begin{showchapterstyle}{southall} +\end{showchapterstyle} +\begin{showchapterstyle}{thatcher} +\end{showchapterstyle} +\begin{showchapterstyle}{veelo} +\usepackage{graphicx} +\end{showchapterstyle} + +The idea behind \emph{veelo} is that the black marker is printed to +the edge of the page and one is then able to see the star of the +chapter by just looking at the edge of the book. + +\begin{showchapterstyle}{verville} +\end{showchapterstyle} + +\newpage + +\begin{showchapterstyle}{crosshead} +\end{showchapterstyle} +\begin{showchapterstyle}{dowding} +\end{showchapterstyle} +\begin{showchapterstyle}{komalike} +\end{showchapterstyle} +\begin{showchapterstyle}{ntglike} +\end{showchapterstyle} + +\newpage + +\begin{showchapterstyle}{tandh} +\end{showchapterstyle} +\begin{showchapterstyle}{wilsondob} +\end{showchapterstyle} + + + + + + +\chapter{Found or contributed styles} + +Please note that most of the styles that were mentioned here in +earlier versions of this document, are now a part of memoir and +therefore removed. + + +% +By Alexander Grebenkov 2004/11/25, found via Google Groups on fido.ru.tex. +\begin{showchapterstyle}{AlexanderGrebenkov} + \makechapterstyle{AlexanderGrebenkov}{% + \renewcommand{\chapterheadstart}{\vspace*{\beforechapskip}\hrule\medskip} + \renewcommand{\chapnamefont}{\normalfont\large\scshape} + \renewcommand{\chapnumfont}{\normalfont\large\scshape} + \renewcommand{\chaptitlefont}{\normalfont\large\scshape} + \renewcommand{\printchaptername}{\S} + \renewcommand{\chapternamenum}{ } + \renewcommand{\printchapternum}{\chapnumfont \thechapter} + \renewcommand{\afterchapternum}{. } + \renewcommand{\afterchaptertitle}{\par\nobreak\medskip\hrule\vskip +\afterchapskip} +} +\end{showchapterstyle} + +\clearpage + + +\begin{showchapterstyle}{daleif1} +\usepackage{color,calc,graphicx,soul,fourier} +\definecolor{nicered}{rgb}{.647,.129,.149} +\makeatletter +\newlength\dlf@normtxtw +\setlength\dlf@normtxtw{\textwidth} +\def\myhelvetfont{\def\sfdefault{mdput}} +\newsavebox{\feline@chapter} +\newcommand\feline@chapter@marker[1][4cm]{% + \sbox\feline@chapter{% + \resizebox{!}{#1}{\fboxsep=1pt% + \colorbox{nicered}{\color{white}\bfseries\sffamily\thechapter}% + }}% + \rotatebox{90}{% + \resizebox{% + \heightof{\usebox{\feline@chapter}}+\depthof{\usebox{\feline@chapter}}}% + {!}{\scshape\so\@chapapp}}\quad% + \raisebox{\depthof{\usebox{\feline@chapter}}}{\usebox{\feline@chapter}}% +} +\newcommand\feline@chm[1][4cm]{% + \sbox\feline@chapter{\feline@chapter@marker[#1]}% + \makebox[0pt][l]{% aka \rlap + \makebox[1cm][r]{\usebox\feline@chapter}% + }} +\makechapterstyle{daleif1}{ + \renewcommand\chapnamefont{\normalfont\Large\scshape\raggedleft\so} + \renewcommand\chaptitlefont{\normalfont\huge\bfseries\scshape\color{nicered}} + \renewcommand\chapternamenum{} + \renewcommand\printchaptername{} + \renewcommand\printchapternum{\null\hfill\feline@chm[2.5cm]\par} + \renewcommand\afterchapternum{\par\vskip\midchapskip} + \renewcommand\printchaptertitle[1]{\chaptitlefont\raggedleft ##1\par} +} +\makeatother +\end{showchapterstyle} + +% +Style build upon \texttt{VZ15b}, see later. +\begin{showchapterstyle}{{daleif3}} +\usepackage{fourier} +\makeatletter +\newif\iffelinenonum +\newcommand\MyNumToName[1]{% + \ifcase#1\relax % case 0 + \or First\or Second\or Third% + \else Not implemented\fi} +\makechapterstyle{daleif3}{ + \renewcommand\chapternamenum{} + \renewcommand\printchaptername{} + \renewcommand\chapnamefont{\small\itshape\centering} + \setlength\midchapskip{7pt} + \renewcommand\printchapternum{% + \par\chapnamefont\decofourleft\enspace% + \ifanappendix + \appendixname\space\thechapter% + \else% + \MyNumToName{\thechapter}\space\chaptername% + \fi% + \/\enspace\decofourright} + \renewcommand\printchapternonum{\par\felinenonumtrue} + \renewcommand\chaptitlefont{\huge\itshape\centering} + \renewcommand\afterchapternum{% + \par\nobreak\vskip-5pt% + } + \renewcommand\afterchaptertitle{% + \par\vskip-2\midchapskip% + \rule\textwidth\normalrulethickness + \felinenonumfalse + \nobreak\vskip\afterchapskip% + } +} +\makeatother +\end{showchapterstyle} + + + + +Danie Els contributed the following style along with the BlueBox style +on page \pageref{BlueBox}. +\begin{showchapterstyle}{GreyNum} +\usepackage{fix-cm} +\usepackage{fourier}%................... Roman+math - Utopia +\usepackage[scaled=.92]{helvet}%........ Sans serif - Helvetica +\usepackage[T1]{fontenc} +\usepackage{color} +\definecolor{ChapGrey}{rgb}{0.6,0.6,0.6} +\newcommand{\LargeFont}{% Needs a 'stretchable' font + \usefont{\encodingdefault}{\rmdefault}{b}{n}% + \fontsize{60}{80}\selectfont\color{ChapGrey}} +\makeatletter +\makechapterstyle{GreyNum}{% + \renewcommand{\chapnamefont}{\large\sffamily\bfseries\itshape} + \renewcommand{\chapnumfont}{\LargeFont} + \renewcommand{\chaptitlefont}{\Huge\sffamily\bfseries\itshape} + \setlength{\beforechapskip}{0pt} + \setlength{\midchapskip}{40pt} + \setlength{\afterchapskip}{60pt} + \renewcommand\chapterheadstart{\vspace*{\beforechapskip}} + \renewcommand\printchaptername{% + \begin{tabular}{@{}c@{}} + \chapnamefont \@chapapp\\} + \renewcommand\chapternamenum{\noalign{\vskip 2ex}} + \renewcommand\printchapternum{\chapnumfont\thechapter\par} + \renewcommand\afterchapternum{% + \end{tabular} + \par\nobreak\vskip\midchapskip} + \renewcommand\printchapternonum{} + \renewcommand\printchaptertitle[1]{% + {\chaptitlefont{##1}\par}} + \renewcommand\afterchaptertitle{\par\nobreak\vskip \afterchapskip} +} +\makeatother +\end{showchapterstyle} +Danie notes: +\begin{adjustwidth}{1em}{0pt} + \itshape + This looks a lot better with real italics sans-serif + fonts such as Lucida Sans\\ + \verb|\usepackage[expert,vargreek]{lucidabr}%.. Lucida Bright + Expert (commercial)| + \\ + or Myrad\\ + \verb|\usepackage{charter}%........... Roman - Charter|\\ + \verb|\renewcommand{\sfdefault}{fmy}%. Sans serif - Myrad (Springer bundle)| +\end{adjustwidth} + +\starbreak + +\newpage + +This next style is inspired by a mail I recieved from Erik +Quaeghebeur. It took me a little while to actually get this working as +I wanted it to, partly because apparently there is a small issue +regarding \cs{thispagestyle} and \cs{pagestyle} as to which +\cs{chaptermark} gets used (I got around this by using the +\texttt{afterpage} package). This style is designed to be used with +\texttt{openleft} (i.e. chapters starting on even pages). And since +the design uses pagestyles, we need to show several seperate pages. + + +\begin{showchapterstyle*}{EQ,pages={2,4,6}} +\documentclass[openleft]{memoir} +\usepackage{calc} +\usepackage{afterpage} +\copypagestyle{EQ-pagestyle}{companion} +\setlength{\headwidth}{\textwidth} +\addtolength{\headwidth}{.382\foremargin} +\makerunningwidth{EQ-pagestyle}{\headwidth} +\makeheadposition{EQ-pagestyle}{flushright}{flushleft}{}{} +\makeevenhead{EQ-pagestyle}{\normalfont\bfseries\thepage}{}{\normalfont\bfseries\leftmark} +\makeoddhead{EQ-pagestyle}{\normalfont\bfseries\rightmark}{}{\normalfont\bfseries\thepage} +\newif\ifNoChapNum +\makeatletter +% chapterpage layout +\copypagestyle{EQ-chapterstyle}{EQ-pagestyle} +\makeheadposition{EQ-chapterstyle}{flushright}{flushleft}{}{} +\makeevenhead{EQ-chapterstyle}{% + \normalfont\bfseries\thepage}{}{% + \ifnum \c@secnumdepth>\m@ne% + \ifNoChapNum% + \raisebox{-4.5pt}[0pt][0pt]{\chapnamefont \rightmark}% + \else% + \raisebox{-4.5pt}[0pt][0pt]{\chapnamefont\@chapapp\ \thechapter}% + \fi% + \else% + \raisebox{-4.5pt}[0pt][0pt]{\chapnamefont\rightmark}% + \fi% + } +\makeoddhead{EQ-chapterstyle}{\rightmark}{}{\normalfont\bfseries\thepage} +% build in the shorter headline +\@namedef{EQ-chapterstyleheadrule}{% + \ifnum \c@secnumdepth>\m@ne% + \ifNoChapNum% + \settowidth\@tempdimc{\quad\chapnamefont\rightmark}% + \else% + \settowidth\@tempdimc{\quad\chapnamefont\@chapapp\ \thechapter}% + \fi% + \else% + \settowidth\@tempdimc{\quad\chapnamefont\rightmark}% + \fi% + \setlength\@tempdimc{\headwidth-\@tempdimc}% + \hrule\@width \@tempdimc\@height \normalrulethickness \vskip-\normalrulethickness% +} +\aliaspagestyle{chapter}{EQ-chapterstyle} +\pagestyle{EQ-pagestyle} +\makechapterstyle{EQ}{ + \renewcommand{\chapnamefont}{\raggedleft\bfseries\huge} + \renewcommand{\chapternamenum}{} + \renewcommand\printchaptername{} + \renewcommand\printchapternum{} + \renewcommand\printchaptertitle[1]{% + \ifnum \c@secnumdepth>\m@ne% + \ifNoChapNum\else\chaptitlefont ##1\fi% + \fi% + \ifNoChapNum% + \markboth{##1}{##1}% + \fi% + \afterpage{\global\NoChapNumfalse}% + } + \renewcommand\afterchapternum{} + \renewcommand\afterchaptertitle{% + \ifnum \c@secnumdepth>\m@ne% + \ifNoChapNum\else\par\nobreak\vskip\afterchapskip\fi% + \fi} + \setlength\beforechapskip{15pt} + \renewcommand\printchapternonum{\global\NoChapNumtrue} + \renewcommand{\chaptitlefont}{\raggedleft\normalfont\Huge\bfseries} +} +\makeatother +\chapterstyle{EQ} +\begin{document} +\frontmatter +\chapter{Preface} + +Some text at the beginning of a chapter. And we add a lot of text to +make sure that it spans more than one line. + +\mainmatter + +\chapter{A chapter title} +Some text at the beginning of a chapter. And we add a lot of text to +make sure that it spans more than one line. + +\chapter*{A non-numbered chapter title} +Some text at the beginning of a chapter. And we add a lot of text to +make sure that it spans more than one line. + +\end{document} +\end{showchapterstyle*} +Remember that the line you see is actually the header. + +\newpage + +\noindent +This next style is a modified version of a style requested on a danish +forum. + +\begin{showchapterstyle}{jenor} +\usepackage{xcolor,fix-cm} +\definecolor{numbercolor}{gray}{0.7} +\newif\ifchapternonum +\makechapterstyle{jenor}{ + \renewcommand\printchaptername{} + \renewcommand\printchapternum{} + \renewcommand\printchapternonum{\chapternonumtrue} + \renewcommand\chaptitlefont{\fontfamily{pbk}\fontseries{db}% + \fontshape{n}\fontsize{25}{35}\selectfont\raggedleft} + \renewcommand\chapnumfont{\fontfamily{pbk}\fontseries{m}\fontshape{n}% + \fontsize{1in}{0in}\selectfont\color{numbercolor}} + \renewcommand\printchaptertitle[1]{% + \noindent% + \ifchapternonum% + \begin{tabularx}{\textwidth}{X}% + {\parbox[b]{\linewidth}{\chaptitlefont ##1}% + \vphantom{\raisebox{-15pt}{\chapnumfont 1}}} + \end{tabularx}% + \else + \begin{tabularx}{\textwidth}{Xl} + {\parbox[b]{\linewidth}{\chaptitlefont ##1}} + & \raisebox{-15pt}{\chapnumfont \thechapter}% + \end{tabularx}% + \fi + \par\vskip2mm\hrule + } +} +\end{showchapterstyle} + + +This next style originates from +\url{http://texblog.net/latex-archive/layout/fancy-chapter-tikz/} and +thus makes this interesting style available for memoir users. +\begin{showchapterstyle*}{texblogtikz,pages={1,3}} +\documentclass{memoir} +\usepackage[svgnames]{xcolor} +\usepackage{tikz} +% helper macros +\newcommand{\ChapWithNumber}[1]{ +\begin{tikzpicture}[remember picture,overlay] + \node[yshift=-3cm] at (current page.north west) + {\begin{tikzpicture}[remember picture, overlay] + \draw[fill=LightSkyBlue] (0,0) rectangle + (\stockwidth,3cm); + \node[anchor=east,xshift=.9\stockwidth,rectangle, + rounded corners=20pt,inner sep=11pt, + fill=MidnightBlue] + {\color{white}\chapnamefont\thechapter\space #1}; + \end{tikzpicture} + }; + \end{tikzpicture} +} +\newcommand{\ChapWithoutNumber}[1]{ + \begin{tikzpicture}[remember picture,overlay] + \node[yshift=-3cm] at (current page.north west) + {\begin{tikzpicture}[remember picture, overlay] + \draw[fill=LightSkyBlue] (0,0) rectangle + (\stockwidth,3cm); + \node[anchor=east,xshift=.9\stockwidth,rectangle, + rounded corners=20pt,inner sep=11pt, + fill=MidnightBlue] + {\color{white}\chapnamefont#1}; + \end{tikzpicture} + }; + \end{tikzpicture} +} +\newif\ifnumberedchap +\numberedchaptrue +\makechapterstyle{texblogtikz}{ + \renewcommand\chapnamefont{\normalfont\sffamily\Huge\bfseries} + \renewcommand\chapnumfont{\normalfont\sffamily\Huge\bfseries} + \renewcommand\chaptitlefont{\normalfont\sffamily\Huge\bfseries} + \renewcommand\chapternamenum{} + \renewcommand{\afterchapternum}{} + \renewcommand\printchaptername{} + \renewcommand\printchapternum{} + \renewcommand\printchapternonum{\global\numberedchapfalse} + \renewcommand\printchaptertitle[1]{% + \ifnumberedchap + \ChapWithNumber{##1} + \else + \ChapWithoutNumber{##1} + \fi + \global\numberedchaptrue + } +} +\chapterstyle{texblogtikz} +\aliaspagestyle{chapter}{empty} % just to save some space +\begin{document} +\chapter{A chapter title} +Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Ut purus +elit, vestibulum ut, placerat ac, adipiscing vitae, felis. Curabitur +dictum gravida mauris. Nam arcu libero, nonummy eget, consectetuer id, +vulputate a, magna. + + +\chapter*{A non-numbered chapter title} +Nam dui ligula, fringilla a, euismod sodales, sollicitudin vel, +wisi. Morbi auctor lorem non justo. Nam lacus libero, pretium at, +lobortis vitae, ultricies et, tellus. Donec aliquet, tortor sed +accumsan bibendum, erat ligula aliquet magna, vitae ornare odio metus +a mi. + +\end{document} +\end{showchapterstyle*} + +In reality, the blue box, covers the with of the paper, but do not +extend to the top op the paper, leaving a white ribbon. + + +\starbreak + +Here is a variation over the \texttt{texblogtikz} style, provided by +Verliya Gadis. Note that the text is being cut off on the right due to +the process used to create the sample images.. + +\begingroup + +\setkeys{Gin}{trim=0 16cm 0 0} + +\begin{showchapterstyle*}{verly,pages={1,3}} +\documentclass{memoir} +\setlrmarginsandblock{6cm}{3cm}{*} +\checkandfixthelayout +\usepackage[svgnames]{xcolor} +\usepackage{tikz} +% helper macros +\newcommand{\ChapWithNumber}[1]{ + \begin{tikzpicture}[remember picture,overlay] + \node[yshift=-3cm] at (current page.north west) + {\begin{tikzpicture}[remember picture, overlay] + \draw[fill=gray!30!white] (0,-26) rectangle (5,5) + (\stockwidth,3cm); + \node[anchor=north,xshift=6cm,rectangle, + rounded corners=20pt,inner sep=11pt, + fill=gray] + {\color{white}\chapnamefont\thechapter\space #1}; + \end{tikzpicture}}; + \end{tikzpicture}} +\newcommand{\ChapWithoutNumber}[1]{ + \begin{tikzpicture}[remember picture,overlay] + \node[yshift=-3cm] at (current page.north west) + {\begin{tikzpicture}[remember picture, overlay] + \draw[fill=gray!30!white] (0,-26) rectangle (5,5) + (\stockwidth,3cm); + \node[anchor=north,xshift=6cm,rectangle, + rounded corners=20pt,inner sep=11pt, + fill=gray]{\color{white}\chapnamefont#1}; + \end{tikzpicture}}; + \end{tikzpicture}} +\newif\ifnumberedchap +\numberedchaptrue +\makechapterstyle{verly}{ + \renewcommand\chapnamefont{\normalfont\sffamily\Huge\bfseries} + \renewcommand\chapnumfont{\normalfont\sffamily\Huge\bfseries} + \renewcommand\chaptitlefont{\normalfont\sffamily\Huge\bfseries} + \renewcommand\chapternamenum{} + \renewcommand{\afterchapternum}{} + \renewcommand\printchaptername{} + \renewcommand\printchapternum{} + \renewcommand\printchapternonum{\global\numberedchapfalse} + \renewcommand\printchaptertitle[1]{% + \ifnumberedchap\ChapWithNumber{##1}\else\ChapWithoutNumber{##1}\fi + \global\numberedchaptrue + } +} +\chapterstyle{verly} +\aliaspagestyle{chapter}{empty} % just to save some space +\begin{document} +\chapter{A chapter title} +Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Ut purus +elit, vestibulum ut, placerat ac, adipiscing vitae, felis. Curabitur +dictum gravida mauris. Nam arcu libero, nonummy eget, consectetuer id, +vulputate a, magna. + + +\chapter*{A non-numbered chapter title} +Nam dui ligula, fringilla a, euismod sodales, sollicitudin vel, +wisi. Morbi auctor lorem non justo. Nam lacus libero, pretium at, +lobortis vitae, ultricies et, tellus. Donec aliquet, tortor sed +accumsan bibendum, erat ligula aliquet magna, vitae ornare odio metus +a mi. + +\end{document} +\end{showchapterstyle*} + +\endgroup + + +\starbreak + +I made this next style for a book project to be published in Aarhus +University Press. The author requested a style without the word +\emph{Chapter}, and I'd like to do something slightly different, +something that might be useful for Bachelors projects and other +similar student projects. In this particular book, chapter titles are +at most two lines. So the design is made such that if it is two lines +then the second line stand on the same baseline as the number. + +As it is for a book project the specific design depends on the font +used, the font size, and the line spread. + +Since this is a style without the word \emph{Chapter}, it is of course +a good idea to remove this from the headers. Here is an easy example +showing how to do this with the default page style: +\begin{verbatim} +\addtopsmarks{heading}{}{% + \createmark{chapter}{both}{shownumber}{}{. \ } +} +\pagestyle{headings} +\end{verbatim} + + +\begin{showchapterstyle*}{hansen} +\documentclass[12pt]{memoir} +\usepackage[T1]{fontenc} +\usepackage{kpfonts} +\setSingleSpace{1.1} +\SingleSpacing +\usepackage{xcolor,calc} + +\definecolor{chaptercolor}{gray}{0.8} +% helper macros +\newcommand\numlifter[1]{\raisebox{-2cm}[0pt][0pt]{\smash{#1}}} +\newcommand\numindent{\kern37pt} +\newlength\chaptertitleboxheight + +\makechapterstyle{hansen}{ + \renewcommand\printchaptername{\raggedleft} + \renewcommand\printchapternum{% + \begingroup% + \leavevmode% + \chapnumfont% + \strut% + \numlifter{\thechapter}% + \numindent% + \endgroup% + } + \renewcommand*{\printchapternonum}{% + \vphantom{\begingroup% + \leavevmode% + \chapnumfont% + \numlifter{\vphantom{9}}% + \numindent% + \endgroup} + \afterchapternum} + \setlength\midchapskip{0pt} + \setlength\beforechapskip{0.5\baselineskip} + \setlength{\afterchapskip}{3\baselineskip} + \renewcommand\chapnumfont{% + \fontsize{4cm}{0cm}% + \bfseries% + \sffamily% + \color{chaptercolor}% + } + \renewcommand\chaptitlefont{% + \normalfont% + \huge% + \bfseries% + \raggedleft% + }% + \settototalheight\chaptertitleboxheight{% + \parbox{\textwidth}{\chaptitlefont \strut bg\\bg\strut}} + \renewcommand\printchaptertitle[1]{% + \parbox[t][\chaptertitleboxheight][t]{\textwidth}{% + %\microtypesetup{protrusion=false}% add this if you use microtype + \chaptitlefont\strut ##1\strut}% + } +} +\chapterstyle{hansen} +\aliaspagestyle{chapter}{empty} % just to save some space +\begin{document} +\let\clearforchapter\par % cheating, but saves some space +\chapter{A chapter title} +Nam dui ligula, fringilla a, euismod sodales, sollicitudin vel, +wisi. Morbi auctor lorem non justo. Nam lacus libero, pretium at, +lobortis vitae, ultricies et, tellus. Donec aliquet, tortor sed +accumsan bibendum, erat ligula aliquet magna, vitae ornare odio metus +a mi. +\par\fancybreak{$***$}\par +\chapter*{A non-numbered chapter title} +Nam dui ligula, fringilla a, euismod sodales, sollicitudin vel, +wisi. Morbi auctor lorem non justo. Nam lacus libero, pretium at, +lobortis vitae, ultricies et, tellus. Donec aliquet, tortor sed +accumsan bibendum, erat ligula aliquet magna, vitae ornare odio metus +a mi. +\end{document} +\end{showchapterstyle*} + + + + + + +\chapter{Vincent Zoonekynd} +\label{sec:vincent-zoonekynd} + +Some time ago Vincent Zoonekynd published a long list of general +chapter styles for \LaTeX, see +\url{http://zoonek.free.fr/LaTeX/LaTeX_samples_chapter/0.html}. +In this section we implement several of these styles. Special thanks +to Danie Els for the BlueBox style (aka VZ39). + +The styles are named after Vincent Zoonekynd (VZ) and the number on +the mentioned page. +\begin{showchapterstyle}{VZ14} +\makeatletter +\newcommand\thickhrulefill{\leavevmode \leaders \hrule height 1ex \hfill \kern \z@} +\setlength\midchapskip{10pt} +\makechapterstyle{VZ14}{ + \renewcommand\chapternamenum{} + \renewcommand\printchaptername{} + \renewcommand\chapnamefont{\Large\scshape} + \renewcommand\printchapternum{% + \chapnamefont\null\thickhrulefill\quad + \@chapapp\space\thechapter\quad\thickhrulefill} + \renewcommand\printchapternonum{% + \par\thickhrulefill\par\vskip\midchapskip + \hrule\vskip\midchapskip + } + \renewcommand\chaptitlefont{\Huge\scshape\centering} + \renewcommand\afterchapternum{% + \par\nobreak\vskip\midchapskip\hrule\vskip\midchapskip} + \renewcommand\afterchaptertitle{% + \par\vskip\midchapskip\hrule\nobreak\vskip\afterchapskip} +} +\makeatother +\end{showchapterstyle} +Variation over VZ15. +\begin{showchapterstyle}{VZ15b} +\usepackage{pifont,graphicx} +\newcommand\mylleaf{\ding{'247}} +\newcommand\myrleaf{\reflectbox{\mylleaf}} +\newcommand\MyNumToName[1]{% + \ifcase#1\relax % case 0 + \or First\or Second\or Third% + \else Not implemented\fi} +\makeatletter +\setlength\midchapskip{10pt} +\makechapterstyle{VZ15b}{ + \renewcommand\chapternamenum{} + \renewcommand\printchaptername{} + \renewcommand\chapnamefont{\Large\scshape} + \renewcommand\printchapternum{% + \chapnamefont\null\hfill\mylleaf\quad + \MyNumToName{\thechapter}\space\@chapapp\quad\myrleaf\hfill\null} + \renewcommand\printchapternonum{% + \par\hrule\vskip\midchapskip} + \renewcommand\chaptitlefont{\Huge\scshape\centering} + \renewcommand\afterchapternum{% + \par\nobreak\vskip\midchapskip\hrule\vskip\midchapskip} + \renewcommand\afterchaptertitle{% + \par\vskip\midchapskip\hrule\nobreak\vskip\afterchapskip} +} +\makeatother +\end{showchapterstyle} +Though I believe this style would look better without the lines. + +Variation over VZ21. Note the use of two different tabulars depending +upon the length of the title. Also note that we use the build-in +booktabs rules, and note that the thickness of these rules can be +individually adjusted. +\begin{showchapterstyle}{VZ21} +\usepackage{calc,fourier} +\usepackage[T1]{fontenc} +\makeatletter +\setlength\midchapskip{7pt} +\makechapterstyle{VZ21}{ + \renewcommand\chapnamefont{\Large\scshape} + \renewcommand\chapnumfont{\Large\scshape\centering} + \renewcommand\chaptitlefont{\huge\bfseries\centering} + \renewcommand\printchaptertitle[1]{% + \setlength\tabcolsep{7pt}% used as indentation on both sides + \settowidth\@tempdimc{\chaptitlefont ##1}% + \setlength\@tempdimc{\textwidth-\@tempdimc-2\tabcolsep}% + \chaptitlefont + \ifdim\@tempdimc > 0pt\relax% one line + \begin{tabular}{c} + \toprule ##1\\ \bottomrule + \end{tabular} + \else% two+ lines + \begin{tabular}{% + >{\chaptitlefont\arraybackslash}p{\textwidth-2\tabcolsep}} + \toprule ##1\\ \bottomrule + \end{tabular} + \fi + } +} +\makeatother +\end{showchapterstyle} +Next up is VZ23. +\begin{showchapterstyle}{VZ23} +\setlength\midchapskip{10pt} +\makechapterstyle{VZ23}{ + \renewcommand\chapternamenum{} + \renewcommand\printchaptername{} + \renewcommand\chapnumfont{\Huge\bfseries\centering} + \renewcommand\chaptitlefont{\Huge\scshape\centering} + \renewcommand\afterchapternum{% + \par\nobreak\vskip\midchapskip\hrule\vskip\midchapskip} + \renewcommand\printchapternonum{% + \vphantom{\chapnumfont \thechapter} + \par\nobreak\vskip\midchapskip\hrule\vskip\midchapskip} +} +\end{showchapterstyle} +A variation over VZ34 (in the original the first cell in the tabular +adjusts to the width of the chapter number, here it does not). +\begin{showchapterstyle}{VZ34} +\usepackage{calc} +\newif\ifNoChapNumber +\makeatletter +\makechapterstyle{VZ34}{ + \renewcommand\chapternamenum{} + \renewcommand\printchaptername{} + \renewcommand\printchapternum{} + \renewcommand\chapnumfont{\Huge\bfseries} + \renewcommand\chaptitlefont{\Huge\bfseries\raggedright} + \renewcommand\printchaptertitle[1]{% + \begin{tabular}{@{}p{1cm}|!{\quad}p{\textwidth-1cm-2em-4\tabcolsep }} + \ifNoChapNumber\relax\else\chapnumfont \thechapter\fi + & \chaptitlefont ##1 + \end{tabular} + \NoChapNumberfalse + } + \renewcommand\printchapternonum{\NoChapNumbertrue} +} +\end{showchapterstyle} +Variation over VZ39, contributed by Danie Els.\label{BlueBox} +\begin{showchapterstyle}{BlueBox} +\usepackage{fourier} % or what ever +\usepackage[scaled=.92]{helvet}%. Sans serif - Helvetica +\usepackage{color,calc} +\newsavebox{\ChpNumBox} +\definecolor{ChapBlue}{rgb}{0.00,0.65,0.65} +\makeatletter +\newcommand*{\thickhrulefill}{% + \leavevmode\leaders\hrule height 1\p@ \hfill \kern \z@} +\newcommand*\BuildChpNum[2]{% + \begin{tabular}[t]{@{}c@{}} + \makebox[0pt][c]{#1\strut} \\[.5ex] + \colorbox{ChapBlue}{% + \rule[-10em]{0pt}{0pt}% + \rule{1ex}{0pt}\color{black}#2\strut + \rule{1ex}{0pt}}% + \end{tabular}} +\makechapterstyle{BlueBox}{% + \renewcommand{\chapnamefont}{\large\scshape} + \renewcommand{\chapnumfont}{\Huge\bfseries} + \renewcommand{\chaptitlefont}{\raggedright\Huge\bfseries} + \setlength{\beforechapskip}{20pt} + \setlength{\midchapskip}{26pt} + \setlength{\afterchapskip}{40pt} + \renewcommand{\printchaptername}{} + \renewcommand{\chapternamenum}{} + \renewcommand{\printchapternum}{% + \sbox{\ChpNumBox}{% + \BuildChpNum{\chapnamefont\@chapapp}% + {\chapnumfont\thechapter}}} + \renewcommand{\printchapternonum}{% + \sbox{\ChpNumBox}{% + \BuildChpNum{\chapnamefont\vphantom{\@chapapp}}% + {\chapnumfont\hphantom{\thechapter}}}} + \renewcommand{\afterchapternum}{} + \renewcommand{\printchaptertitle}[1]{% + \usebox{\ChpNumBox}\hfill + \parbox[t]{\hsize-\wd\ChpNumBox-1em}{% + \vspace{\midchapskip}% + \thickhrulefill\par + \chaptitlefont ##1\par}}% +} +\end{showchapterstyle} +Style inspired by VZ43 +\begin{showchapterstyle}{VZ43} +\usepackage{calc,color} +\newif\ifNoChapNumber +\newcommand\Vlines{% + \def\VL{\rule[-2cm]{1pt}{5cm}\hspace{1mm}\relax} + \VL\VL\VL\VL\VL\VL\VL} +\makeatletter +\setlength\midchapskip{0pt} +\makechapterstyle{VZ43}{ + \renewcommand\chapternamenum{} + \renewcommand\printchaptername{} + \renewcommand\printchapternum{} + \renewcommand\chapnumfont{\Huge\bfseries\centering} + \renewcommand\chaptitlefont{\Huge\bfseries\raggedright} + \renewcommand\printchaptertitle[1]{% + \Vlines\hspace*{-2em}% + \begin{tabular}{@{}p{1cm} p{\textwidth-3cm}}% + \ifNoChapNumber\relax\else% + \colorbox{black}{\color{white}% + \makebox[.8cm]{\chapnumfont\strut \thechapter}} + \fi + & \chaptitlefont ##1 + \end{tabular} + \NoChapNumberfalse + } + \renewcommand\printchapternonum{\NoChapNumbertrue} +} +\makeatother +\end{showchapterstyle} + +\begin{thebibliography}{9} +\bibitem{memman} Peter Wilson, \emph{The Memoir Class for Configurable + Typesetting -- User Guide}, 2010. +\bibitem{VZ} Vincent Zoonekynd. On-line list of different chapter + styles for \LaTeX. Available at + \url{http://zoonek.free.fr/LaTeX/LaTeX_samples_chapter/0.html}. +\end{thebibliography} + +\end{document} + +%%% Local Variables: +%%% mode: latex +%%% TeX-master: t +%%% End: diff --git a/info/latex-samples/MemoirChapStyles/README b/info/latex-samples/MemoirChapStyles/README new file mode 100644 index 0000000000..da425577ef --- /dev/null +++ b/info/latex-samples/MemoirChapStyles/README @@ -0,0 +1,102 @@ +% (C) Lars Madsen, daleif@imf.au.dk, 2012/04/11 +% This material is subject to the LaTeX Project Public License. +% See http://www.ctan.org/tex-archive/help/Catalogue/licenses.lppl.html +% for the details of that license. + + +The main idea behind this document is to demonstrate various either +contributed or inspired chapter styles for the memoir class. + +If you have style you would like to contribute a style/implementation, +please send it with a minimal example to daleif+memoir@imf.au.dk +and I will include it into this document. + + + +Memoir Chapter style Showcase -- README +---------------------------------------- + +The showcase source consists of one single file that includes +everything needed to compile the document. + + +Files +------ + +MemoirChapStyles.tex -- source code +MemoirChapStyles.pdf -- compiled showcase +README -- this document + + +Versions +--------- + +1.7e Added two new chapter styles, verly and hansen +1.7b An automatec build seems to have cropped a bit too much in + the TiKz example, fixed +1.7 Back in sync with the current memoir. Also added a TiKz based + style found online. +1.6 Added the jenor style, and prepared for a CTAN release. +1.5 A new mempatch version has been released including several new + chapter styles, this document has been changed acordingly. + You can use this as a preview for these styles. +1.4c: Added demo2 from the comming new version of Memoir Addendum, and + also added the the daleif3 style +1.4b: Sample text bugfix, a missing \par after \fancybreak affects + the spacing after \chapter* +1.4: Added the EQ style inspired by a mail from Erik Quaeghebeur +1.3: Added the reparticle, southall and chappell styles from the + memoir addendum. Thanks to David Chadd for reminding me. + + + +How to compile this showcase document: +-------------------------------------- + +Requirements: + +A fairly new LaTeX installation + +pdfcrop (comes at least with TeX Live 2009) +pdftops (available through TeX Live 2009) +perl (see later) + + +To compile: + +Run the document once through latex or pdflatex. +This will create + + process.pl + chapterexample.tex + +and a lot of + + *-style.tex + +files + +Now run (you might need to change the permissions on process.pl) + + ./process.pl -f MemoirChapStyles.styles + +This will process all of the *-style files mentioned in MemoirChapStyles.styles. +It will run + + pdflatex XXX-style.tex + pdfcrop XXX-style.pdf tmp.pdf + mv tmp.pdf XXX-style.pdf + pdftops -eps XXX-style.pdf + + +(plus a little extra for the EQ style) + +The reason for going over pdflatex, pdfcrop, pdftops is that dvips is +not good at creating correct bounding boxes for files that contain +postscript effects, pdfcrop does a much better job. + +Then run latex or pdflatex on MemoirChapStyles.tex a few times to get all +references up to date. + + +/daleif diff --git a/info/latex-samples/TitlePages/README b/info/latex-samples/TitlePages/README new file mode 100644 index 0000000000..80a7fabcc2 --- /dev/null +++ b/info/latex-samples/TitlePages/README @@ -0,0 +1,20 @@ + titlepages.pdf displays some 40 different designs of title pages +taken from a selection of books and theses. The code for the examples +is included. A variety of colors and fonts are used in the examples. + + If you wish to process the source file titlepages.tex, by either +pdflatex or xelatex, consider saving titlepages.pdf under another name +before doing so in case not all the fonts are available on your system. +In any case, read the advice at the beginning of the file titlepages.tex. + + The work is distributed under the LaTeX Project Public Licence. + +Peter Wilson +2010/07/13 + + + + + + + diff --git a/info/latex-samples/TitlePages/titlepages.pdf b/info/latex-samples/TitlePages/titlepages.pdf Binary files differnew file mode 100644 index 0000000000..96626d7344 --- /dev/null +++ b/info/latex-samples/TitlePages/titlepages.pdf diff --git a/info/latex-samples/TitlePages/titlepages.tex b/info/latex-samples/TitlePages/titlepages.tex new file mode 100644 index 0000000000..f704ca02fb --- /dev/null +++ b/info/latex-samples/TitlePages/titlepages.tex @@ -0,0 +1,3357 @@ +% titlepages.tex titlepage styles +% Author Peter Wilson, distributed under the LPPL +% +% To process this file as intended you need the FontSite 500 CD collection +% of fonts from http://www.fontsite.com/, and Christopher League's `TeX +% support for the FontSite 500 CD' http://contrapunctus.net/fs500tex/. +% If you do not have these, then uncomment the \renewcommand*{\FSfont}[1]{} +% line below. +% +% You will also need the Galapagos Design Group's free Web-O-Mints font +% http://www.galapagosdesign.com/original/webomints.htm and their (La)TeX +% support CTAN/fonts/webomints +% +% If you use xelatex to process the file then you will also need the +% free IM Fell font from http://iginomarini.com/fell/the-revival-fonts. +% +% Of course, you need the memoir class, which should be on your system. +\documentclass{memoir} +\usepackage[T1]{fontenc} +\usepackage{lmodern} +\usepackage{url} +\usepackage{comment} +\usepackage[svgnames]{xcolor} +\ifpdf + \usepackage{pdfcolmk} +\fi +\usepackage{graphicx} +\usepackage{hyperref} +%\usepackage[outline]{contour} +\usepackage{tikz} +\usepackage{pifont} +\ifxetex + \usepackage{fontspec} +\fi + +%\usepackage{pst-text} + +%%%% Additional font macros +\makeatletter +%%%% light series +%% e.g., s:12 +\DeclareRobustCommand\ltseries + {\not@math@alphabet\ltseries\relax + \fontseries\ltdefault\selectfont} +%% e.g., t:32 +\newcommand{\ltdefault}{l} +%% e.g., v:19 +\DeclareTextFontCommand{\textlt}{\ltseries} + +% heavy(bold) series +\DeclareRobustCommand\hbseries + {\not@math@alphabet\hbseries\relax + \fontseries\hbdefault\selectfont} +%% e.g., t:32 +\newcommand{\hbdefault}{hb} +%% e.g., v:19 +\DeclareTextFontCommand{\texthb}{\hbseries} +\makeatother + +\newcommand*{\isbn}{{\small\textsc{ISBN}}} + +%%% for the Web-O-Mints fonts +\newcommand*{\wb}[2]{\fontsize{#1}{#2}\usefont{U}{webo}{xl}{n}} +%\renewcommand*{\wb}[2]{}% probably kills Web-O-Mints (and some layouts?) +%%% for the Fontsite 500 fonts +\newcommand*{\FSfont}[1]{% + \fontencoding{T1}\fontfamily{#1}\selectfont} +%\renewcommand*{\FSfont}[1]{}% kills special font selections + +\newcommand*{\labelit}[1]{\phantomsection\label{#1}} +\newcommand*{\refit}[1]{(graphic on page~\pageref{#1})} + +\chapterstyle{dash}\renewcommand*{\chaptitlefont}{\normalfont\itshape\LARGE} +\setlength{\beforechapskip}{2\onelineskip} +\setsecheadstyle{\normalfont\Large\raggedright} +\makeindex +\renewcommand*{\indexname}{Index of Designers} +\makeatletter +\newcommand*{\boxminipage}{% + \@ifnextchar [%] + \@ibxminipage + {\@iiibxminipage c\relax[s]}} +\def\@ibxminipage[#1]{% + \@ifnextchar [%] + {\@iibxminipage{#1}}% + {\@iiibxminipage{#1}\relax[s]}} +\def\@iibxminipage#1[#2]{% + \@ifnextchar [%] + {\@iiibxminipage{#1}{#2}}% + {\@iiibxminipage{#1}{#2}[#1]}} +\let\@bxminto\@empty +\def\@iiibxminipage#1#2[#3]#4{% + \ifx\relax#2\else + \setlength\@tempdimb{#2}% + \def\@bxminto{to\@tempdimb}% + \fi + \leavevmode + \@pboxswfalse + \if #1b\vbox + \else + \if #1t\vtop + \else + \ifmmode \vcenter + \else \@pboxswtrue $\vcenter + \fi + \fi + \fi +% \@bxminto + \bgroup% outermost vbox + \hsize #4 + \hrule\@height\fboxrule + \hbox\bgroup% inner hbox + \vrule\@width\fboxrule \hskip\fboxsep + \vbox \@bxminto + \bgroup% innermost vbox + \vskip\fboxsep + \advance\hsize -2\fboxrule \advance\hsize -2\fboxsep + \textwidth\hsize \columnwidth\hsize + \@parboxrestore + \def\@mpfn{mpfootnote}\def\thempfn{\thempfootnote}\c@mpfootnote\z@ + \let\@footnotetext\@mpfootnotetext + \let\@listdepth\@mplistdepth \@mplistdepth\z@ + \@minipagerestore\@minipagetrue + \everypar{\global\@minipagefalse\everypar{}}} + +\def\endboxminipage{% + \par\vskip-\lastskip + \ifvoid\@mpfootins\else + \vskip\skip\@mpfootins\footnoterule\unvbox\@mpfootins\fi + \vskip\fboxsep + \egroup% end innermost vbox + \hskip\fboxsep \vrule\@width\fboxrule + \egroup% end hbox + \hrule\@height\fboxrule + \egroup% end outermost vbox + \if@pboxsw $\fi} +\makeatother + +\DeclareRobustCommand{\cs}[1]{\texttt{\char`\\#1}} +\newlength{\tpheight}\setlength{\tpheight}{0.9\textheight} +\newlength{\txtheight}\setlength{\txtheight}{0.9\tpheight} +\newlength{\tpwidth}\setlength{\tpwidth}{0.9\textwidth} +\newlength{\txtwidth}\setlength{\txtwidth}{0.9\tpwidth} +\newlength{\drop} + +\newenvironment{showtitle}{% + \begin{boxminipage}[c][\tpheight]{\tpwidth} + \centering\begin{vplace}\begin{minipage}[c][\txtheight]{\txtwidth}}% +{\end{minipage}\end{vplace}\end{boxminipage}} + +\definecolor{Dark}{gray}{.2} +\definecolor{MedDark}{gray}{.4} +\definecolor{Medium}{gray}{.6} +\definecolor{Light}{gray}{.8} + +\newcommand*{\titleJT}{\begingroup% Jan Tschichold: typographer +\FSfont{5gm}% Garamond +\drop = 0.08\txtheight +\vspace*{\drop} +\hspace*{0.3\txtwidth} +{\Large The Author}\\[2\drop] +\hspace*{0.3\txtwidth}{\Huge\itshape The Big Book of}\par +{\raggedleft\Huge\itshape Conundrums\par} +\vfill +\hspace*{0.3\txtwidth}{\Large \plogo} \\[0.5\baselineskip] +\hspace*{0.3\txtwidth}{\Large The Publisher} +\vspace*{\drop} +\endgroup} + +\newcommand*{\titleTH}{\begingroup% T&H Typography +\raggedleft +\vspace*{\baselineskip} +{\Large The Author}\\[0.167\txtheight] +{\bfseries The Big Book of}\\[\baselineskip] +{\textcolor{Red}{\Huge CONUNDRUMS}}\\[\baselineskip] +{\small With 123 illustrations}\par +\vfill +{\Large The Publisher \plogo}\par +\vspace*{3\baselineskip} +\endgroup} + +\newcommand*{\titleM}{\begingroup% Misericords, T&H p 153 +\drop = 0.08\txtheight +\centering +\vspace*{\drop} +{\Huge\bfseries Conundrums}\\[\baselineskip] +{\scshape puzzles for the mind}\\[\baselineskip] +{\scshape by}\\[\baselineskip] +{\large\scshape the author}\par +\vfill +{\plogo}\\[0.5\baselineskip] +{\scshape the publisher}\par +\vspace*{2\drop}\endgroup} + +\newcommand*{\titleS}{\begingroup% Scripts, T&H p 151 +\drop = 0.1\txtheight +\centering +\vspace*{\drop} +{\Huge Conundrums}\\[\baselineskip] +{\large\itshape by The Author}\\[\baselineskip] +\vfill +\rule{0.4\txtwidth}{0.4pt}\\[\baselineskip] +{\large\itshape The Publisher}\par +\vspace*{\drop} +\endgroup} + +\newcommand*{\titleHGP}{\begingroup% Handy Guide to Papermaking +\drop=0.1\txtheight +\begin{minipage}[t]{0.05\txtwidth} + \color{Red} + \rule{6pt}{\txtheight} +\end{minipage} +\hspace{0.05\txtwidth} +\begin{minipage}[t]{0.6\txtwidth} + \vspace*{\drop} + {\Large THE AUTHOR} \\ + \rule{0.9\txtwidth}{1pt} \par + \vspace{3\baselineskip} + {\noindent\Huge\bfseries CONUNDRUMS} \par + \vspace{2\baselineskip} + {\Large\itshape A Handy Guide to Puzzles and Enigmas} \par + \vspace{6.5\baselineskip} + {\scshape after the foreign edition of year \\ + translated by} \par +\vspace{0.1\baselineskip} + {\Large THE TRANSLATOR} \par + \vspace{\baselineskip} + \rule{0.9\txtwidth}{1pt} \par + \vspace{\baselineskip} + {\Large THE PUBLISHER} +\end{minipage} +\hfill +\begin{minipage}[t]{0.15\txtwidth} + {\color{Red} + \FSfont{5fh}% FontSite Fette Gotisch + \HUGE + \vspace{3.3\baselineskip} + H \\[1.15\baselineskip] + G \\[1.15\baselineskip] + P \\[1.15\baselineskip] + E +}\par + \vspace{4\baselineskip} + {\Large YEAR} +\end{minipage} +\endgroup} + + +\begin{comment} +\vfill + \hbox{% + \hspace*{0.1\txtwidth}% + \textcolor{Red}{\rule{6pt}{\txtheight}} + \hspace*{0.05\txtwidth}% +%\fbox{% +\parbox[b]{0.75\txtwidth}{ + \vbox{% + \vspace{\drop} + {\noindent\Large THE AUTHOR} \\ + \rule{0.8\txtwidth}{2pt} \\ + {\noindent\Huge\bfseries CONUNDRUMS\\} + {\Large\itshape A Handy Guide to Puzzles and Enigmas\\} + {\Large THE AUTHOR}\par + \vspace{0.5\txtheight} + {\noindent The Publisher}\\[\baselineskip] + }% end of vbox +}% end of parbox +%}% end of fbox + }% end of hbox +\vfill +\null +\endgroup} +\end{comment} + + +\newcommand*{\titleRF}{\begingroup% Robert Frost, T&H p 149 +\FSfont{5bo}% Bembo/Bergamo +\drop = 0.2\txtheight +\centering +\vfill +{\Huge The Big Book of}\\[\baselineskip] +{\Huge CONUNDRUMS}\\[\baselineskip] +{\large Edited by The Editor}\\[0.5\drop] +{\Large \plogo}\\[0.5\baselineskip] +{\Large The Publisher}\par +{\large\scshape year}\par +\vfill\null +\endgroup} + +\newcommand*{\titleDB}{\begingroup% Design of Books, by Adrian Wilson +\FSfont{5pl}% Palatino/Palladio +\drop = 0.14\txtheight +\centering +\vspace*{\drop} +{\Large THE}\\[\baselineskip] +{\Huge BIG BOOK}\\[\baselineskip] +{\Huge OF}\\[\baselineskip] +{\Huge CONUNDRUMS}\\[1.5\baselineskip] +{\LARGE BY}\\[\baselineskip] +{\LARGE THE AUTHOR}\par +%\begin{vplace} +\vfill +{FOREWORD BY AN OTHER}\\[8\baselineskip] +%\end{vplace} +\vfill +{\small\sffamily THE PUBLISHER}\par +\endgroup} + +\newcommand*{\titleAM}{\begingroup% Ancient Mariner, AW fig 11-20, p. 151 +\FSfont{5bo}% Bembo/Bergamo +\drop = 0.12\txtheight +\centering +\vspace*{\drop} +{\large The Author}\\[\baselineskip] +{\Huge THE BIG BOOK}\\[\baselineskip] +{\Large OF}\\[\baselineskip] +{\Huge CONUNDRUMS}\\[\baselineskip] +{\scshape with ten engravings}\\ +{\scshape and with a foreword by}\\ +{\large\scshape an other}\\[\drop] +{\plogo}\\[0.5\baselineskip] +{\small\scshape the publisher}\par +{\small\scshape year}\par +\vfill\null +\endgroup} + +\newcommand*{\titleP}{\begingroup% The Pyramids, AW fig 6-15, p. 81 +\FSfont{5bo}% Bembo/Bergamo +\drop = 0.12\txtheight +\vspace*{\drop} +\hspace*{0.3\txtwidth} +{\Huge SOME}\\[\baselineskip] +\hspace*{0.3\txtwidth} +{\Huge CONUNDRUMS}\par +\vspace*{3\drop} +{\large By THE AUTHOR} +\vfill +{\scshape the publisher} +\vspace*{0.5\drop} +\endgroup} + +\newcommand*{\titleHL}{\begingroup% Horizontal Line +\drop = 0.4\txtheight +\vspace*{\drop} +\hfill{\large The Author} \\ +\rule{\txtwidth}{0.4pt} + +\vspace*{\baselineskip} +{\Huge CONUNDRUMS}\par +\vfill +{\centering The Publisher\par} +\vspace*{\baselineskip} +\endgroup} + +\newcommand*{\titleVL}{\begingroup% Vertical Line +\drop = 0.1\txtheight +\vspace*{\drop} + \hbox{% + \hspace*{0.2\txtwidth}% + \vrule depth 0.6\txtheight% + \hspace*{2em}% + \vbox{% + \vspace{\drop} + {\noindent\large The Author}\\[3\baselineskip] + {\Huge Conundrums}\par + \vfil + }% end of vbox + }% end of hbox +\begin{center} +The Publisher +\end{center} +\null +\endgroup} + +\newcommand*{\titleGM}{\begingroup% Gentle Madness +\drop = 0.1\txtheight +\vspace*{\baselineskip} +\vfill + \hbox{% + \hspace*{0.2\txtwidth}% + \rule{1pt}{\txtheight} + \hspace*{0.05\txtwidth}% +%\fbox{% +\parbox[b]{0.75\txtwidth}{ + \vbox{% + \vspace{\drop} + {\noindent\HUGE\bfseries Some\\[0.5\baselineskip] Conundrums}\\[2\baselineskip] + {\Large\itshape Puzzles for the Mind}\\[4\baselineskip] + {\Large THE AUTHOR}\par + \vspace{0.5\txtheight} + {\noindent The Publisher}\\[\baselineskip] + }% end of vbox +}% end of parbox +%}% end of fbox + }% end of hbox +\vfill +\null +\endgroup} + +\newcommand*{\titlePM}{\begingroup% Gentle Madness with Printers' Ornaments +\drop = 0.1\txtheight +\vspace*{\baselineskip} +\vfill + \hbox{% + \hspace*{0.1\txtwidth}% + {\wb{18pt}{18pt} + \begin{picture}(0,0) + \multiput(0,0)(0,20){22}{\textcolor{Medium}{Q}} + \end{picture} + } +% \rule{1pt}{\txtheight} + \hspace*{0.15\txtwidth}% +\parbox[b]{0.75\txtwidth}{ + \vbox{% + \vspace{\drop} + {\noindent\HUGE\bfseries Some\\[0.5\baselineskip] Conundrums}\\[2\baselineskip] + {\Large\itshape Puzzles for the Mind}\\[4\baselineskip] + {\Large THE AUTHOR}\par + \vspace{0.5\txtheight} + {\noindent The Publisher}\\[\baselineskip] + }% end of vbox +}% end of parbox + }% end of hbox +\vfill +\null +\endgroup} + +\newcommand*{\titleAT}{\begingroup% Anatomy of a Typeface +%\FSfont{5gr}% Galliard/Gareth +\FSfont{5bo}% Bergamo/Bembo +\drop=0.1\txtheight +\vspace*{\drop} +\rule{\txtwidth}{1pt}\par +\vspace{2pt}\vspace{-\baselineskip} +\rule{\txtwidth}{0.4pt}\par +\vspace{0.5\drop} +\centering +\textcolor{Red}{%\FSfont{5cz}% Chisel +{\FSfont{5ml}\Huge THE BOOK}\\[0.5\baselineskip] +{\FSfont{5ml}\Large OF}\\[0.75\baselineskip]% Delphian (5dp) +{\FSfont{5ml}\Huge CONUNDRUMS}}% Mona Lisa +\par +\vspace{0.25\drop} +\rule{0.3\txtwidth}{0.4pt}\par +\vspace{\drop} +{\Large \scshape The Author}\par +\vfill +{\large \textcolor{Red}{\plogo}}\\[0.5\baselineskip] +{\large\scshape the publisher}\par +\vspace*{\drop} +\endgroup} + +\newcommand*{\titleLL}{\begingroup% Lost Languages +\drop=0.1\txtheight +\fboxsep 0.5\baselineskip +\sffamily +\vspace*{\drop} +\centering +{\textcolor{SkyBlue}{\HUGE CONUNDRUMS}}\par +\vspace{0.5\drop} +\colorbox{Dark}{\textcolor{white}{\normalfont\itshape\Large Puzzles for the Mind}}\par +\vspace{\drop} +{\Large The Author}\par +\vfill +{\footnotesize THE PUBLISHER}\par +\vspace*{\drop} +\endgroup} + +\newcommand*{\titleCC}{\begingroup% City of Cambridge +\drop=0.1\txtheight +\vspace*{\drop} +\centering +{\Large\itshape THE BIG BOOK OF}\\[0.5\drop] +{\textcolor{Red}{\HUGE\bfseries CONUNDRUMS}}\par +\vspace{\drop} +{\LARGE\itshape VOLUME 1: SOCIAL AND MORAL}\par +\vfill +{\Large THE AUTHOR}\par +\vfill +{\plogo}\\[0.5\baselineskip] +{\itshape THE PUBLISHER}\par +{\scshape year}\par +%\vfill +\vspace*{\drop} +\endgroup} + + +\newcommand*{\titleDS}{\begingroup% DS Thesis +\drop=0.1\txtheight +%\vspace*{\drop} +\centering +{\Large\bfseries CONUNDRUMS CONSIDERED AS PUZZLES FOR THE MIND}\par +\vspace{0.6\baselineskip} +{By}\\[0.6\baselineskip] +{The Candidate\\[0.6\baselineskip] +A Thesis Submitted to the Graduate\\[0.5\baselineskip] +Faculty of The University\\[0.5\baselineskip] +in Partial Fulfillment of the\\[0.5\baselineskip] +Requirements for the Degree of\\[0.5\baselineskip] +DEGREE\\[0.5\baselineskip] +Major Subject: Logic}\par + +\flushleft +{Approved by the \\ + Examining Committee:}\par +\vspace{1.5\baselineskip} +\rule{15em}{0.4pt}\\ +A Professor, Thesis Advisor \\[1\baselineskip] +\rule{15em}{0.4pt}\\ +Another Professor, Thesis Advisor \\[1\baselineskip] +\rule{15em}{0.4pt}\\ +A Faculty, Member \\[1\baselineskip] +\rule{15em}{0.4pt}\\ +Another Faculty, Member \\[1\baselineskip] +\rule{15em}{0.4pt}\\ +A Third Faculty, Member\par +\centering +\vspace{1\baselineskip} +The University \\ +The Address \\[\baselineskip] +The Date\par +\vfill +\endgroup} + +\newcommand*{\titleMS}{\begingroup% MS Thesis +\drop=0.1\txtheight +\vspace*{\drop} +\centering +{\LARGE THE UNIVERSITY}\\[2\baselineskip] +{\LARGE\sffamily Conundrums: \\ puzzles for the mind\par} +\vfill +{\LARGE THESIS}\par +\vspace{\drop} +{\large some remarks concerning the supervisor \\ + and the time and place of the examination \\ + and other administrative details\par} +\vfill +{\large\bfseries The Candidate}\par +\vspace*{\drop} +\endgroup} + +\newcommand*{\titlePW}{\begingroup% PW Thesis +\ttfamily +\drop=0.1\txtheight +\vspace*{\drop} +\centering +{\Large%\bfseries + SOME REMARKS \\ ON CONUNDRUMS \\ AS PUZZLES FOR THE MIND\par} +\vspace*{\drop} +{\large by}\par +\vspace*{\drop} +{\Large THE CANDIDATE}\par +\vfill +\raggedright +{\Large + Thesis submitted to The University for the degree of + DEGREE, Month year.\par} +\vfill +\null +\endgroup} + +\newcommand*{\titleUL}{\begingroup% University of Liege +\drop=0.1\txtheight +\vspace*{\drop} +\begin{center} +{\LARGE\textsc{THE UNIVERSITY}}\\[\drop] +% University logo +{\LARGE \plogo}\\[\drop] + +\rule{\txtwidth}{1pt}\par +\vspace{0.5\baselineskip} +{\huge\bfseries Conundrums: An Investigation of Mind Puzzles\\ + \large --- in N pages, with T tables ---}\\[0.5\baselineskip] +\rule{\txtwidth}{1pt}\par + +\vfill + +% fake a footnote reference here +{\Large\textsc{The\textsuperscript{1} Candidate}} + +\vfill + +City, Country + +\vfill + +{\large The Date} +\end{center} + +% faked footnote +\vspace{-0.5\baselineskip} +\noindent\rule{0.4\txtwidth}{0.4pt} \\ +\textsuperscript{1} \url{email.address} +\endgroup} + + +\newcommand*{\titleASU}{% +\begingroup +\FSfont{ptm}% Times +\begin{center} +CONTINUING CONONDRUMS IN THE TYPOGRAPHIC REQUIREMENTS FOR THESIS \\ +by \\ +Im A. Student + +\vfill + +A Polemic Presented in Partial Fulfillment \\ +of the Requirements for the Degree \\ +Name of Degree + +\vfill + +THE UNIVERSITY + +The Date +\end{center} +\endgroup} + +\newcommand*{\titleSW}{\begingroup% Story of Writing +\raggedleft +\vspace*{\baselineskip} +{\Huge\itshape The Book \\ of Conundrums}\\[\baselineskip] +{\large\itshape With over 120 illustrations, 50 in color}\\[0.2\textheight] +{\Large The Author}\par +\vfill +{\Large \plogo{} \sffamily The Publisher} +\vspace*{\baselineskip} +\endgroup} + +\newcommand*{\titleTMB}{\begingroup% Three Men in a Boat +\drop=0.1\txtheight +\centering +\settowidth{\unitlength}{\LARGE THE BOOK OF CONUNDRUMS} +\vspace*{\baselineskip} +{\large\scshape the author}\\[\baselineskip] +\rule{\unitlength}{1.6pt}\vspace*{-\baselineskip}\vspace*{2pt} +\rule{\unitlength}{0.4pt}\\[\baselineskip] +{\LARGE THE BOOK OF CONUNDRUMS}\\[\baselineskip] +{\itshape puzzles for the mind}\\[0.2\baselineskip] +\rule{\unitlength}{0.4pt}\vspace*{-\baselineskip}\vspace{3.2pt} +\rule{\unitlength}{1.6pt}\\[\baselineskip] +{\large\scshape drawings by the artist}\par +\vfill +{\large\scshape the publisher}\\[\baselineskip] +{\small\scshape year}\par +\vspace*{\drop} +\endgroup} + +\newcommand*{\titleFT}{\begingroup% John Fell Types +\ifxetex + \fontspec[Alternate=0]{IM_FELL_Double_Pica_PRO_Roman} +\else + \FSfont{fxlj}% Libertine +\fi +\begin{center} +\vfill +{\HUGE \textcolor{Red}{JOHN FELL} \\} +\vfill +{\Huge THE UNIVERSITY PRESS AND +THE `FELL TYPES' \\} +\vfill +{\Large THE PUNCHES AND MATRICES DESIGNED FOR PRINTING + IN THE GREEK, LATIN, ENGLISH, AND ORIENTAL LANGUAGES + BEQUETHED IN 1686 TO \\} +\vfill +{\LARGE THE UNIVERSITY OF OXFORD + BY JOHN FELL, D.D.\\} +\vfill +{DELEGATE OF THE PRESS, DEAN OF CHRISTCHURCH + VICE-CHANCELLOR OF THE UNIVERSITY +AND BISHOP OF OXFORD \\} +\vfill +{\Large BY\\} +{\LARGE STANLEY MORISON \\} +{WITH THE ASSISTANCE OF\\} +{\large HARRY CARTER\\} +\vfill +\plogo +\vfill +{\LARGE THE PUBLISHER \\} +{\large YEAR} +\vfill +\end{center} +\endgroup} + +\renewcommand*{\titleFT}{\begingroup% John Fell Types +\ifxetex + \fontspec[Alternate=0]{IM_FELL_Double_Pica_PRO_Roman} +\else + \FSfont{fxlj}% Libertine +\fi +\begin{center} +\vfill +{\HUGE \textcolor{Red}{THE DONOR} \\} +\vfill +{\Huge THE UNIVERSITY AND +THE `DONOR' CONUNDRUMS \\} +\vfill +{\Large THE PUZZLES \& ENIGMAS \\ PRESENTED IN 1768 TO \\} +%\vfill +{\LARGE THE UNIVERSITY OF CITY \\ + BY THE DONOR\\} +%\vfill +{\footnotesize WHO HAS ACHIEVED A VARIETY OF ACADEMIC \\ + AND OTHER DISTINCTIONS \\} +\vfill +{\large BY\\} +{\LARGE THE AUTHOR \\} +{\footnotesize WITH THE ASSISTANCE OF\\} +{\large THE ASSISTANT\\} +\vfill +\plogo +\vfill +{\LARGE THE PUBLISHER \\} +{\large YEAR} +\vfill +\end{center} +\endgroup} + +\newcommand*{\titleJE}{\begingroup% Jane Eyre +%\FSfont{5cd}% Clarendon +\FSfont{5cu}% Century Old Style +\vspace*{2\baselineskip} +{\Large\bfseries The Author}\\[2\baselineskip] +\begin{center} +{\Huge\bfseries CONUNDRUMS} +\end{center} +\vspace*{4\baselineskip} +{\Large\bfseries Illustrations by The Artist}\par +\vfill +\begin{center} +{\Large{\bfseries The Publisher $\bullet$} \scshape year} +\end{center} +\vspace*{2\baselineskip} +\endgroup} + +\newcommand*{\cdiam}{\prec\kern-2pt\succ} +\newcommand*{\titleZD}{\begingroup% Zuleika Dobson +\vspace*{2\baselineskip} +\centering +\begin{picture}(240,0) + \multiput(0,0)(24,0){10}{{\wb{10}{12}4}} + \multiput(-5,-21)(0,-24){15}{\rotatebox{90}{{\wb{10}{12}4}}} + \multiput(0,-360)(24,0){10}{{\wb{10}{12}4}} + \multiput(235,-21)(0,-24){15}{\rotatebox{90}{{\wb{10}{12}4}}} + \put(0,0){\begin{minipage}[t]{240pt} + \centering + \vspace*{2\baselineskip} + {\Huge Selected Conundrums}\\ + {\large\itshape --- puzzles for the mind ---} \\[0.5\baselineskip] + {\large WITH ILLUSTRATIONS BY} \\[0.5\baselineskip] + {\large THE AUTHOR } \\[0.5\baselineskip] + {\LARGE T. H. E. AUTHOR} \par + \vspace*{5\baselineskip} + $\cdiam$\\[0.25\baselineskip] + $\cdiam\cdiam\cdiam$\\[0.25\baselineskip] + $\cdiam\cdiam\cdiam\cdiam\cdiam$\\[0.25\baselineskip] + $\cdiam\cdiam\cdiam$\\[0.25\baselineskip] + $\cdiam$\par + \vspace*{5\baselineskip} + {\Large THE PUBLISHER}\\ + {\Large\scshape year}\par + \vspace*{2\baselineskip} + \end{minipage}} +\end{picture} +\vfill +\null +\endgroup} + +\newcommand*{\titleWH}{\begingroup% Words in their Hands +\drop = 2\baselineskip +\centering +\vspace*{\drop} +{\Huge SOME CONUNDRUMS}\\[\drop] +\scalebox{8}[1]{{\wb{10}{12}4}}\\[\drop] +{\Large\itshape A Collection of Puzzles by}\\[\baselineskip] +{\Large THE AUTHOR}\\[\baselineskip] +{\wb{10}{12}4}\\[\baselineskip] +{\Large\itshape with a Commentary by}\\[\baselineskip] +{\Large A N OTHER}\par +\vfill +\scalebox{8}[1]{{\wb{10}{12}4}}\\[\drop] +{\Large THE PUBLISHER}\\ +{\scshape year}\par +\vspace*{\drop} +\endgroup} + +\newcommand*{\titleBWF}{\begingroup% Beowulf +\drop = 0.1\txtheight +\parindent=0pt +\vspace*{\drop} +{\Huge\bfseries Conundrums}\\[\baselineskip] +{\Large {\itshape Translated by} {\scshape the translator}}\par +\vfill +\plogo\\[0.2\baselineskip] +{\Large\itshape The Publisher} +\vspace*{\drop} +\endgroup} + + +\newcommand*{\titleSI}{\begingroup% Sagas +\drop = 0.13\txtheight +\centering +\vspace*{\drop} +{\Huge CONUNDRUMS FOR}\\[\baselineskip] +{\Huge THE MIND}\\[\baselineskip] +{\Huge\itshape A Selection}\\[3\baselineskip] +{\Large \textit{Preface by} \textsc{famous person}}\\ +{\Large \textit{Introduction by} \textsc{an other}}\par +\vfill +{\Large THE PUBLISHER}\par +\vspace*{\drop} +\endgroup} + + + +\newcommand*{\titleGP}{\begingroup% Geometric Modeling +\drop=0.1\txtheight +\centering +\vspace*{\baselineskip} +\rule{\txtwidth}{1.6pt}\vspace*{-\baselineskip}\vspace*{2pt} +\rule{\txtwidth}{0.4pt}\\[\baselineskip] +{\LARGE CONUNDRUMS\\ AND \\[0.3\baselineskip] PUZZLES}\\[0.2\baselineskip] +\rule{\txtwidth}{0.4pt}\vspace*{-\baselineskip}\vspace{3.2pt} +\rule{\txtwidth}{1.6pt}\\[\baselineskip] +\scshape +Selected and Expanded Papers from the Organisation Working Conference +on \\ Enigmas \\ +Location, date from--to\par +\vspace*{2\baselineskip} +Edited by \\[\baselineskip] +{\Large FIRST EDITOR \\ SECOND EDITOR \\ THIRD EDITOR\par} +{\itshape Organisation \\ Address\par} +\vfill +\plogo\\ +{\scshape year} \\ +{\large THE PUBLISHER}\par +\endgroup} + +\newcommand*{\rotrt}[1]{\rotatebox{90}{#1}} +\newcommand*{\rotlft}[1]{\rotatebox{-90}{#1}} +\newcommand*{\topb}{% + \resizebox*{\unitlength}{\baselineskip}{\rotrt{$\}$}}} +\newcommand*{\botb}{% + \resizebox*{\unitlength}{\baselineskip}{\rotlft{$\}$}}} +\newcommand*{\titleBC}{\begingroup% Bookbinding & Conservation +\FSfont{5jr}% Jenson Recut (Centaur) +\begin{center} +\def\CP{\textit{\HUGE Conundrums \& Puzzles}} +\settowidth{\unitlength}{\CP} +%{\color{LightGoldenrod}\( \overbrace{\hspace{\unitlength}} \)} \\[\baselineskip] +{\color{LightGoldenrod}\topb} \\[\baselineskip] +\textcolor{Sienna}{\CP} \\[\baselineskip] +{\color{RosyBrown}\LARGE A SIXTY-YEAR STUDY} \\ +%{\color{LightGoldenrod}\( \underbrace{\hspace{\unitlength}} \)} +{\color{LightGoldenrod}\botb} +\end{center} +\vfill +\begin{center} +{\LARGE\textbf{The Author}}\\ +\vfill +\plogo\\[0.5\baselineskip] +YEAR +\end{center} +\endgroup} + +\newcommand*{\titleHC}{\begingroup% Harry Carter +\FSfont{fxlj}% Libertine +\setlength{\drop}{0.1\txtheight} +\vspace*{\drop} +\begin{flushleft} +{\FSfont{5eb}% Erbar Deco +\HUGE +{C\,O\,N\,U\,N\,D\,R\,U\,M\,S\,,}\\ +{P\,U\,Z\,Z\,L\,E\,S\,, \&} \\ +{E\,N\,I\,G\,M\,A\,S}\\ +} +\vfill +\Large +A. N. AUTHOR \\ +A. N. OTHER \\ +Y. E. TANOTHER +\vfill +THE PUBLISHER {\normalsize YEAR} +\end{flushleft} +\endgroup} + +%%%%%%%%%%%%%%%% + +%% draw an oval using tikz +\newcommand*{\anoval}[2]{% +\begin{tikzpicture} +\draw[very thick] (0,0) ellipse (#1 and #2); +\end{tikzpicture}} + +%% a zero-sized picture of an oval +\newcommand*{\putoval}{\begingroup +\setlength{\unitlength}{1in} +\begin{picture}(0,0) + \put(-1.25,0){\anoval{1.25in}{1.75in}} +\end{picture} +\endgroup} + +%% rectangular frame +\newcommand*{\fframe}{\begingroup + \wb{10pt}{10pt} + \setlength{\unitlength}{1pt} + \begin{picture}(0,0) +\multiput(11,0)(24,0){11}{e}% bottom +\multiput(23,0)(24,0){10}{f}% bottom +\multiput(11,384)(24,0){11}{e}% top +\multiput(23,384)(24,0){10}{f}% top +\put(0,0){O}% bl +\put(0,382){R}% tl +\put(262,0){M}% br +\put(262,382){P}% tr +\multiput(0,11)(0,24){16}{i}% left +\multiput(0,23)(0,24){15}{j}% left +\multiput(264,11)(0,24){16}{i}% right +\multiput(264,23)(0,24){15}{j}% right + \end{picture} +\endgroup} + +\newcommand*{\titleRMMH}{\begingroup +\FSfont{5ve}% Vendome +\Large +\begin{center} +The \\ +Puzzle \\ +of \\ +Conundrums\\[2\baselineskip] +by \\ +The Authoress\\[3\baselineskip] +\plogo\\[2\baselineskip] +\putoval + +\vspace{2\baselineskip} +The Publisher \\ +{\normalsize YEAR} +\end{center} +\vspace{\baselineskip} +\fframe +\endgroup} + +%%%%%%%%%%%%%%%%%%%%%% + +\newcommand*{\leaf}{{\wb{8pt}{8pt}K}} +\newcommand*{\titleWM}{\begingroup% William Morris +\FSfont{5bo}% Bergamo (Bembo) +\huge +\scshape +\noindent +{\color{Red} +conundrum \leaf\ +essays on puzzles, enigmas and the mind by the author \leaf\ +edited by the editor +} +\vfill +\begin{center} +{\normalfont\fontsize{256pt}{256pt}\selectfont ?} +\end{center} +\vfill +\noindent +the publisher \\ +\hspace*{1pt}% +\leaf\ year +\vspace*{3\baselineskip} +\endgroup} + + +\newcommand*{\titleEI}{\begingroup% Editions & Impressions +\FSfont{5gl}% Glytus (Glypha) +\drop = 0.3\txtheight +\vspace*{\drop} +\raggedright +{\LARGE {\huge C}ONUNDRUMS \textit{and} \\ +\hspace*{30pt} {\huge E}NIGMAS\par} +\vspace{2\baselineskip} +{\large\ltseries\hspace*{15pt} {\LARGE T}WENTY {\LARGE Y}EARS \\[.1\baselineskip] + \hspace*{15pt} OF {\LARGE P}UZZLEMENTS}\par +\vspace{2\baselineskip} +\hspace*{15pt}{\ltseries \textit{\large {\footnotesize BY} The Author}}\par +\vfill +The Publisher {\footnotesize YEAR} +\endgroup} + + +\newcommand*{\titleJA}{\begingroup% Jost Amman +\FSfont{5bl}% FontSite Belwe +\begin{center} +\drop=0.2\txtheight +\vspace*{0.5\drop} +\Large THE AUTHOR'S \\[\baselineskip] +{\FSfont{5at}% FontSite Abbot Old Style +\huge\textcolor{Red}{Some Conundrums}}\\[2\baselineskip] +\large \textit{with an intruction by} \\ + SOMEONE ELSE\par +\vfill +YEAR \\ +{\color{Red} \rule{\txtwidth}{0.4pt}\vspace*{-\baselineskip}\vspace{3pt} + \rule{\txtwidth}{0.4pt}} \\[\baselineskip] +\Large THE PUBLISHER +\end{center} +\vspace*{\drop} +\mbox{} +\endgroup} + +\newcommand*{\titlePP}{\begingroup% Printing Poetry +\FSfont{5jr}% FontSite Jenson Recut (Centaur) +\drop=0.1\txtheight +\vspace*{\drop} +\begin{raggedleft} +%{\HUGE\color{Navy} PUZZLING}\\[\baselineskip] +{\HUGE\color{MidnightBlue} PUZZLING}\\[\baselineskip] +{A WORKBOOK FOR RESOLUTIONS}\\[1.1\baselineskip] +{\HUGE\color{MidnightBlue} CONUNDRUMS} \\[\baselineskip] +{\Large BY THE AUTHOR}\par +\end{raggedleft} +\vfill +\begin{center} +{\large THE PUBLISHER YEAR} +\end{center} +\vspace*{\drop} +%\mbox{} +\endgroup} + + +\newcommand*{\titleGWP}{\begingroup% Gawain Poet +\FSfont{5gm}% FontSite Garamond +\drop=0.1\txtheight +\vspace*{\drop} +\begin{center} +\FSfont{5ci}% FontSite Cipollini +\Huge\color{Red} +THE COMPLETE WORKS OF THE CONUNDRUM POSER +\end{center} +\vfill +\begin{center} +{\normalfont\fontsize{256pt}{256pt}\selectfont ?} +\end{center} +\vfill +\begin{center} +\large +{\itshape In a Readable Version with a Critical Introduction \\ +by The Critic \\ +\normalsize +Woodcuts by The Artist} \\ +{\color{Red} \rule{\txtwidth}{0.4pt}} +THE PUBLISHER +\end{center} +\vspace*{0.5\drop} + +\endgroup} + +\newcommand*{\lqm}[1]{{\HUGE\fontsize{#1}{#1}\selectfont ?}} +\newcommand*{\titleCM}{\begingroup% Christopher Marlowe +\FSfont{5ci}% FontSite Cipollini +\drop=0.05\txtheight +\vspace*{\drop} +\begin{center} +{\color{Red}\HUGE T\, H\, E\ \ \ O\, R\, I\, G\, I\, N\, A\, L \\ + A\, U\, T\, H\, O\, R\par} +\vspace{2\baselineskip} +{\huge FOUR CONUNDRUMS\par} +\vspace{\baselineskip} +\FSfont{5lb}% FontSite Lanston Bell +\Large +{\itshape Edited with an Introduction by The Editor \\ + Engravings by The Engraver} +\vfill +\setlength{\unitlength}{3pt} +\begin{picture}(0,40) + \thicklines + {\color{Red} + \put(-20,0){\framebox(40,40){}} + \put(0,0){\line(0,1){40}} + \put(-20,20){\line(1,0){40}}} + \put(-10,10){\makebox(0,0){\lqm{60pt}}} + \put(-10,30){\makebox(0,0){\lqm{60pt}}} + \put(10,10){\makebox(0,0){\lqm{60pt}}} + \put(10,30){\makebox(0,0){\lqm{60pt}}} +\end{picture} +\vfill +THE PUBLISHER +\end{center} +\vspace*{\drop} +\endgroup} + + +\newcommand*{\titleIP}{\begingroup% Into Print +\FSfont{5pl}% FontSite Palladio (Palatino) +\drop=0.1\txtheight +\vspace*{0.5\drop} +\begin{center} +{\Huge CONUNDRUMS}\\[\baselineskip] +\Large +\dingline{49} +\vspace{\baselineskip} +{\itshape Selected writings on Puzzles, \\ Enigmas, and Other Attempts at \\ Bafflement} + +\vspace{\baselineskip} + +THE AUTHOR + +\vfill +\plogo \\[\baselineskip] + +\large +THE PUBLISHER +\end{center} +\vspace*{0.5\drop} +\endgroup} + + +\newcommand*{\titleAAT}{\begingroup% An Approach to Type +\FSfont{5bd}% FontSite Bodoni +\drop=0.1\txtwidth +\vspace*{0.5\drop} +{\huge THE AUTHOR} + +\begin{vplace}[2] +\begin{raggedleft} +\LARGE AN APPROACH TO\\[0.2\baselineskip] +{\FSfont{5cd}\HUGE\texthb{Conundrums}}\par +\end{raggedleft} +\end{vplace} + +\large{THE PUBLISHER} +\vspace*{0.5\drop} +\endgroup} + + +\newcommand*{\titleXX}{\begingroup% +\FSfont{5pl}% FontSite +\begin{center} +\end{center} +\endgroup} + + + + + +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +%% The Family Receipt Book +\makeatletter +\newlength{\rbtextwidth}\setlength{\rbtextwidth}{289pt} +\newlength{\rbtextheight}\setlength{\rbtextheight}{490pt} + +\newcommand*{\covertext}{% +{\normalsize THE NEW\par} +{\huge FAMILY RECEIPT BOOK\par} +{\tiny CONTAINING A LARGE COLLECTION OF\par} +{\footnotesize HIGHLY ESTIMATED RECEIPTS IN A VARIETY \par} +{\footnotesize OF BRANCHES, NAMELY:\par} +{\huge BREWING,\par} +{\Large MAKING AND PRESERVING BRITISH WINES,\par} +{\huge DYING,\par} +{\large RURAL AND DOMESTIC ECONOMY,\par} +{\footnotesize SELECTED FROM EXPERIENCED \& APPROVED RECEIPTS,\par} +{\normalsize\textsf{FOR THE USE OF PUBLICANS}\par} +{\footnotesize AND HOUSEKEEPERS IN GENERAL,\par} +{\tiny A GREAT MANY OF WHICH WERE NEVER BEFORE PUBLISHED.\par} +\rule{0.15\rbtextwidth}{0.4pt}\par +{\Large BY G.~MILLSWOOD.\par} +\rule{0.75\rbtextwidth}{0.4pt}\par +{\footnotesize \textsf{PRICE ONE SHILLING}\par} +\rule{0.5\rbtextwidth}{0.4pt}\par +{\footnotesize DERBY: PRINTED AND SOLD BY G.~WILKINS AND SON,\par} +{\footnotesize QUEEN STREET.\par}} + +\newlength{\sepframe} +\newlength{\framex} +\newlength{\framey} +\setlength{\sepframe}{2.4pt} +\setlength{\framex}{\rbtextwidth} +\addtolength{\framex}{2\sepframe} +\setlength{\framey}{\rbtextheight} +\addtolength{\framey}{2\sepframe} +\newcommand*{\titleRB}{% +\FSfont{5cu}% Century Old Style + \begin{picture}(\strip@pt\rbtextwidth,\strip@pt\rbtextheight)% + \thinlines + \put(0,0){\framebox(\strip@pt\rbtextwidth,\strip@pt\rbtextheight){% +\begin{minipage}{\rbtextwidth} +\centering +\setlength{\parskip}{0.67\baselineskip} +\covertext +\end{minipage} +}}% + \put(-\strip@pt\sepframe,-\strip@pt\sepframe)% + {\framebox(\strip@pt\framex,\strip@pt\framey){}}% + \end{picture}} + +\makeatother +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% + + + + +\newcommand*{\thistitle}{\begingroup% based on titleJT +\parindent=0pt +\drop = 0.08\textheight +\vspace*{\drop} +\hspace*{0.3\textwidth}% +{\LARGE Peter Wilson}\\[2\drop] +\hspace*{0.3\textwidth}{\HUGE\itshape Some Examples of}\par +{\raggedleft\HUGE\itshape Title Pages\par} +\vfill +\settowidth{\bibindent}{\Large The Herries Press}% +\settowidth{\unitlength}{\Large 2006}% +\addtolength{\bibindent}{-\unitlength}% +\hspace*{0.3\textwidth}{\Large The Herries Press}\\[0.5\baselineskip] +\hspace*{0.3\textwidth}% +%\hspace*{0.5\bibindent}% +{\Large 2010} +\vspace*{\drop} +\endgroup} + +\newcommand*{\plogo}{\fbox{$\mathcal{PL}$}} + +\begin{document} +\raggedbottom + +\frontmatter +\pagestyle{empty} +\thistitle +\clearpage + +%% copyrightpage +\begingroup +\footnotesize +\parindent 0pt +\parskip \baselineskip +\textcopyright{} 2007, 2009, 2010 Peter R. Wilson \\ +All rights reserved. + + This work may be distributed and/or modified under the conditions +of the LaTeX Project Public License, either version~1.3 of this license +or (at your option) any later version. The latest version is in \\ +\hspace*{2em} \url{http://www.latex-project.org/lppl.txt} \\ +and version~1.3 or later is part of all distributions of LaTeX +version 2005/12/01 or later. + + This work has the LPPL maintenance status `maintained'. + + The Current Maintainer of this work is Peter Wilson. + + The work consists of the file \texttt{titlepages.tex} and the +derived file \texttt{titlepages.pdf}. + +\begin{comment} +%%% Until 2009 this work was under the Open Publication License as: +This material may be distributed only subject to the terms and conditions +set forth in the Open Publication License v1.0 or later (the latest +version is presently available at \url{http://www.opencontent.org/openpub/}). +Distribution of substantively modified versions of this document is +prohibited without the explicit permission of the copyright holder. +Distribution of the work or derivative of the work in any standard +(paper) book form is prohibited unless prior permission is obtained +from the copyright holder. + + +The procedures and applications presented in this work have been +included for their instructional value. They have been tested +with care but are not guaranteed for any particular purpose. +The publisher does not offer any warranties or representations, +nor does it accept any liabilities with respect to the +programs or applications. +\end{comment} + +The paper used in this publication may meet the minimum +requirements of the American National Standard for +Information Sciences --- Permanence of Paper for Printed +Library Materials, ANSI Z39.48--1984. + +\begin{center} + 12 11 10 09 08 07\hspace{2em}8 7 6 5 4 3 %2 +\end{center} + +\begin{center} +\begin{tabular}{ll} +First edition: & January 2007 \\ +Second impression, with minor extensions & January 2009 \\ +Third impression, with minor extensions & July 2010 +\end{tabular} +\end{center} + +\vfill + +Wilson, Peter.\\ +\hspace*{2em} Some Examples of Title Pages / Peter Wilson. -- \\ +\hspace*{1em} 1st Herries Press ed. \\ +\hspace*{2em} p. \hspace*{2em} cm. \\ +\hspace*{2em} Includes illustrations, bibliographical references and index. \\ +\hspace*{2em} ISBN \\ +\hspace*{2em} 1. Book design \hspace*{2em} I. Title + + +\vfill + +Printed in the World + +The Herries Press, \\ +Normandy Park, WA \\ +\texttt{herries dot press (at) earthlink dot net} + +%%%%{\LARGE\plogo} +\vspace*{2\baselineskip} + + +\endgroup +\clearpage +\pagestyle{plain} + +\tableofcontents +\cleardoublepage +\mainmatter + +\chapter{Introduction} + + This document presents various styles of designs for +title pages. +If you have a style you would like to contribute, please send it to +me\footnote{I am currently at \texttt{herries dot press (at) earthlink dot net}}, +with code, and I will include it in the next version with due acknowledgements. + + \LaTeX{} provides the \cs{author}, \cs{title} and \cs{date} commands +for specifying the author, title, and date of a work. The \cs{maketitle} +command is then used to print these. If the document is more like a book +or a report than an article there is a temptation to use a \texttt{titlepage} +environment and \cs{maketitle} to print the title page. However, there are +many designs for title pages other than that provided by \cs{maketitle}, and +it may be advantageous to define your own rather than relying on the default +which, I think, is more suited for an article than any substantive work. + +Quoting from Ruari McLean~\cite{MCLEAN80} in reference to the title page, he says: +\begin{quote} +From the designer's point of view, it is the most important page in the book: +it sets the style. It is the page which opens communication with the reader. +\ldots If illustrations play a large part in the book, the title page opening +should, or may, express this visually. If any form of decoration is used inside +the book, e.g., for chapter openings, one would expect this to be repeated +or echoed on the title page. Whatever the style of the book, the title page +should give a foretaste of it. If the book consists of plain text, the title +page should at least be in harmony with it. +\end{quote} + +This short document provides some forty or so examples of title page designs. +I claim no credit for any of these as I found them in books in my +library and all I did was create \LaTeX{} code to demonstrate their +general appearance. A list of the sources is given in the Bibliography. +In the real world many different fonts were used +and I have used some here, although I have set most pages with +Knuth's Computer Modern Roman family. + + The title page for this document is based on one of the examples. + + The designs are shown following this introduction and the code for +each is +given at the end. There is no particular ordering to the examples, not +even the order in which I found them. The designs are meant as possible +starting points for exercising your creativity. + + While on the subject of introductory pages, the copyright page of a book +like the title page, is an individual +design and I cannot think that a generic \LaTeX{} command or environment +for the contents of a copyright page would be of any use. The example +copyright page of this work was laid out by hand; fortunately there is +no requirement for typographical perfection --- it is more a question of +printing the required information than anything else. + +\chapter{Example title pages} + + Each example is shown in a frame which represents the textblock, +although it is shrunk slightly here in order to get the illustrations +on to the pages without \LaTeX{} complaining about `\texttt{overfull} +this or that'. The frame is designed to fit this document --- the title +pages used as exemplars had textblocks that were wider or narrower and/or +longer or shorter than here. At the bottom of each frame is the name of +the command +used to generate the title page material (the code for these is given +later). + + The same general title, not, I hope, a real one, has been used throughout +but the surrounding details may differ from one example to another. + + The fonts used in the originals were many and varied. Most used black +but in some cases the main title was set in color --- typically red. +Printers' ornaments were used in some of the originals and I have +included some here to indicate the flavour of the originals. +In some cases the publisher's +logo was put on the title page. Here I have used \plogo{} to represent +the logos. In some cases the year of publication was included on the title page +and I have indicated where this was placed by {\scshape year}. + + In brief, the examples given here are merely sketches of the real +title pages but hopefully convey the spirit, if not the elegance, +of the originals. + + The exception to all the above is the last example, which is a real title +page shown in all its glory and at its true typeblock size --- the (double) +frame in this case being +an integral part of the design. It is from an old book, probably +dating to the late 18th or early 19th century, that I reset using +\LaTeX. + + +\begin{showtitle} +\titleJT +\end{showtitle}\labelit{JT} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleJT?} + + +\begin{showtitle} +\titleTH +\end{showtitle}\labelit{TH} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleTH?} + +\begin{showtitle} +\titleM +\end{showtitle}\labelit{M} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleM?} + +\begin{showtitle} +\titleS +\end{showtitle}\labelit{S} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleS?} + +\begin{showtitle} +\titleHGP +\end{showtitle}\labelit{HGP} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleHGP?} + +\begin{showtitle} +\titleRF +\end{showtitle}\labelit{RF} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleRF?} + +\begin{showtitle} +\titleAT +\end{showtitle}\labelit{AT} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleAT?} + +\begin{showtitle} +\titleDB +\end{showtitle}\labelit{DB} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleDB?} + +\begin{showtitle} +\titleAM +\end{showtitle}\labelit{AM} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleAM?} + +\begin{showtitle} +\titleP +\end{showtitle}\labelit{P} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleP?} + +\begin{showtitle} +\titleLL +\end{showtitle}\labelit{LL} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleLL?} + +\begin{showtitle} +\titleGM +\end{showtitle}\labelit{GM} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleGM?} + +\begin{showtitle} +\titlePM +\end{showtitle}\labelit{PM} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titlePM?} + +\begin{showtitle} +\titleCC +\end{showtitle}\labelit{CC} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleCC?} + +\begin{showtitle} +\titleDS +\end{showtitle}\labelit{DS} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleDS?} + +\begin{showtitle} +\titleMS +\end{showtitle}\labelit{MS} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleMS?} + +\begin{showtitle} +\titlePW +\end{showtitle}\labelit{PW} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titlePW?} + +\begin{showtitle} +\titleUL +\end{showtitle}\labelit{UL} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleUL?} + +\begin{showtitle} +\titleASU +\end{showtitle}\labelit{ASU} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleASU?} + +\begin{showtitle} +\titleBC +\end{showtitle}\labelit{BC} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleBC?} + +\begin{showtitle} +\titleSW +\end{showtitle}\labelit{SW} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleSW?} + +\begin{showtitle} +\titleTMB +\end{showtitle}\labelit{TMB} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleTMB?} + + +\begin{showtitle} +\titleFT +\end{showtitle}\labelit{FT} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleFT?} + + +\begin{showtitle} +\titleJE +\end{showtitle}\labelit{JE} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleJE?} + +\begin{showtitle} +\titleZD +\end{showtitle}\labelit{ZD} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleZD?} + + +\begin{showtitle} +\titleWM +\end{showtitle}\labelit{WM} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleWM?} + +\begin{showtitle} +\titleWH +\end{showtitle}\labelit{WH} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleWH?} + + +\begin{showtitle} +\titleBWF +\end{showtitle}\labelit{BWF} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleBWF?} + + +\begin{showtitle} +\titleSI +\end{showtitle}\labelit{SI} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleSI?} + + +\begin{showtitle} +\titleJA +\end{showtitle}\labelit{JA} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleJA?} + +\begin{showtitle} +\titleGP +\end{showtitle}\labelit{GP} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleGP?} + +\begin{showtitle} +\titleHC +\end{showtitle}\labelit{HC} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleHC?} + +\begin{showtitle} +\titlePP +\end{showtitle}\labelit{PP} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titlePP?} + +\begin{showtitle} +\titleRMMH +\end{showtitle}\labelit{RMMH} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleRMMH?} + + +\begin{showtitle} +\titleEI +\end{showtitle}\labelit{EI} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleEI?} + +\begin{showtitle} +\titleGWP +\end{showtitle}\labelit{GWP} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleGWP?} + +\begin{showtitle} +\titleIP +\end{showtitle}\labelit{IP} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleIP?} + +\begin{showtitle} +\titleAAT +\end{showtitle}\labelit{AAT} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleAAT?} + +\begin{showtitle} +\titleCM +\end{showtitle}\labelit{CM} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleCM?} + +%\begin{showtitle} +%\titleXX +%\end{showtitle}\labelit{} +%{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleXX?} + + +%%\noindent +\titleRB\labelit{RB} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleRB?} + + + +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +\appendix +\chapter{The code} + + The code for each of the designs is given below. I have created +a new length, called \cs{drop}, which I have used in some of the code just to +make life a little easier for myself. The \texttt{memoir} class defines the +\cs{HUGE} fontsize which I've used in the examples; change it to +\cs{Huge} if you are not using \texttt{memoir}. Apart +from those there is nothing untoward about any of the examples. You can use +any of them, after changing the words and spacing to suit, +along the lines of: +\begin{verbatim} +\usepackage[T1]{fontenc} +\usepackage{lmodern} +\usepackage{url} +\usepackage[svgnames]{xcolor} +\ifpdf + \usepackage{pdfcolmk} +\fi +%% check if using xelatex rather than pdflatex +\ifxetex + \usepackage{fontspec} +\fi +\usepackage{graphicx} +%%\usepackage{hyperref} +%% drawing package +\usepackage{tikz} +%% for dingbats +\usepackage{pifont} + +\providecommand{\HUGE}{\Huge}% if not using memoir +\newlength{\drop}% for my convenience +%% specify the Webomints family +\newcommand*{\wb}[1]{\fontsize{#1}{#2}\usefont{U}{webo}{xl}{n}} +%% select a (FontSite) font by its font family ID +\newcommand*{\FSfont}[1]{\fontencoding{T1}\fontfamily{#1}\selectfont} +%% if you don't have the FontSite fonts either \renewcommand*{\FSfont}[1]{} +%% or use your own choice of family. +%% select a (TeX Font) font by its font family ID +\newcommand*{\TXfont}[1]{\fontencoding{T1}\fontfamily{#1}\selectfont} +%% Generic publisher's logo +\newcommand*{\plogo}{\fbox{$\mathcal{PL}$}} +%% Some shades +\defincolor{Dark}{gray}{0.2} +\defincolor{MedDark}{gray}{0.4} +\defincolor{Medium}{gray}{0.6} +\defincolor{Light}{gray}{0.8} + +%%%% Additional font series macros +\makeatletter +%%%% light series +%% e.g., kernel doc, section s: line 12 or thereabouts +\DeclareRobustCommand\ltseries + {\not@math@alphabet\ltseries\relax + \fontseries\ltdefault\selectfont} +%% e.g., kernel doc, section t: line 32 or thereabouts +\newcommand{\ltdefault}{l} +%% e.g., kernel doc, section v: line 19 or thereabouts +\DeclareTextFontCommand{\textlt}{\ltseries} + +% heavy(bold) series +\DeclareRobustCommand\hbseries + {\not@math@alphabet\hbseries\relax + \fontseries\hbdefault\selectfont} +\newcommand{\hbdefault}{hb} +\DeclareTextFontCommand{\texthb}{\hbseries} +\makeatother + +\begin{document} +\pagestyle{empty} +\titleX +\clearpage +... +\end{verbatim} + + Some of the original title pages used color. In such cases I have tried +to match the colors using palette provided by the \texttt{svgnames} option +to the \texttt{xcolor} package. + +In other cases I have used the \texttt{graphicx} package to scale or +rotate elements of the design. + + You may, of course, want to add or subtract material from the examples, +such as including a publication date or removing the publisher, or use +a different font (or fonts). The design is in your hands. + + I used slightly different coding than given below to display the graphic +examples in order to produce slightly smaller displays than the following +macros will provide. If you are interested look in the preamble of +the source file \texttt{titlepages.tex}. + + +\section{titleJT \refit{JT}} + +This is based on the title page of +\emph{Jan Tschichold: Typographer}~\cite{MCLEAN75}. The book was designed +by Herbert\index{Spencer, Herbert} Spencer and +Christine\index{Charlton, Christine} Charlton. The text type is +12/14 Monotype Garamond 156 with chapter headings in +24 point Sabon Semi-bold. Page size is 57pc by 57pc. + + I used Garamond for the printed example. + +\begin{verbatim} +\newcommand*{\titleJT}{\begingroup% Jan Tschichold: typographer +\FSfont{5gm} % FontSite Garamond +\drop = 0.08\textheight +\vspace*{\drop} +\hspace*{0.3\textwidth} +{\Large The Author}\\[2\drop] +\hspace*{0.3\textwidth}{\Huge\itshape The Big Book of}\par +{\raggedleft\Huge\itshape Conundrums\par} +\vfill +\hspace*{0.3\textwidth}{\Large \plogo}\\[0.5\baselineskip] +\hspace*{0.3\textwidth}{\Large The Publisher} +\vspace*{\drop} +\endgroup} +\end{verbatim} + +\section{titleTH \refit{TH}} + +This is based on the title page of Thames and Hudson's \emph{Manual of +Typography} by Ruari McLean~\cite{MCLEAN80}. The main element of the +title was set using a red font with everything else in normal black. If you +use this you need the \texttt{xcolor} package. The page size is 38 by 57pc. + +\begin{verbatim} +\newcommand*{\titleTH}{\begingroup% T&H Typography +\raggedleft +\vspace*{\baselineskip} +{\Large The Author}\\[0.167\textheight] +{\bfseries The Big Book of}\\[\baselineskip] +{\textcolor{Red}{\Huge CONUNDRUMS}}\\[\baselineskip] +{\small With 123 illustrations}\par +\vfill +{\Large The Publisher \plogo}\par +\vspace*{3\baselineskip} +\endgroup} +\end{verbatim} + +\section{titleM \refit{M}} + +This is based on a title page designed by Jan\index{Tschichold, Jan} +Tschichold in 1954 for a King Penguin book on Misericords and +shown in~\cite{MCLEAN80}. + +\begin{verbatim} +\newcommand*{\titleM}{\begingroup% Misericords, T&H p 153 +\drop = 0.08\textheight +\centering +\vspace*{\drop} +{\Huge\bfseries Conundrums}\\[\baselineskip] +{\scshape puzzles for the mind}\\[\baselineskip] +{\scshape by}\\[\baselineskip] +{\large\scshape the author}\par +\vfill +{\plogo}\\[0.5\baselineskip] +{\scshape the publisher}\par +\vspace*{2\drop} +\endgroup} +\end{verbatim} + +\section{titleS \refit{S}} + +This is based on a title page designed by Jan\index{Tschichold, Jan} +Tschichold in 1949 for a King Penguin book on Scripts and +shown in~\cite{MCLEAN80}. + +\begin{verbatim} +\newcommand*{\titleS}{\begingroup% Scripts, T&H p 151 +\drop = 0.1\textheight +\centering +\vspace*{\drop} +{\Huge Conundrums}\\[\baselineskip] +{\large\itshape by The Author}\\[\baselineskip] +\vfill +\rule{0.4\textwidth}{0.4pt}\\[\baselineskip] +{\large\itshape The Publisher}\par +\vspace*{\drop} +\endgroup} +\end{verbatim} + +\section{titleHGP \refit{HGP}} + + This example is based on the title page of the English translation of +an 18th Century Japanese book on papermaking~\cite{HAMILTON48}. In the +original the Japanese title is given using Latin characters, +\emph{Kamisuki Ch\={o}h\={o}ki}, in a large +font followed by the English title in italics. The Japanese title +in Kanji is in red vertically at the right side of the page. + + In my version I used Fette Gotisch instead of Kanji. The original +page size is 36 by 54pc. Interestingly the page size of a Japanese +edition that I have, published around 1943, is almost the same at +33 by 55pc. + + +\begin{verbatim} +\newcommand*{\titleHGP}{\begingroup% Handy Guide to Papermaking +\drop=0.1\txtheight +\begin{minipage}[t]{0.05\txtwidth} + \color{Red} + \rule{6pt}{\txtheight} +\end{minipage} +\hspace{0.05\txtwidth} +\begin{minipage}[t]{0.6\txtwidth} + \vspace*{\drop} + {\Large THE AUTHOR} \\ + \rule{0.9\txtwidth}{1pt} \par + \vspace{3\baselineskip} + {\noindent\Huge\bfseries CONUNDRUMS} \par + \vspace{2\baselineskip} + {\Large\itshape A Handy Guide to Puzzles and Enigmas} \par + \vspace{6.5\baselineskip} + {\scshape after the foreign edition of year \\ + translated by} \par +\vspace{0.1\baselineskip} + {\Large THE TRANSLATOR} \par + \vspace{\baselineskip} + \rule{0.9\txtwidth}{1pt} \par + \vspace{\baselineskip} + {\Large THE PUBLISHER} +\end{minipage} +\hfill +\begin{minipage}[t]{0.15\txtwidth} + {\color{Red} + \FSfont{5fh}% FontSite Fette Gotisch + \HUGE + \vspace{3.3\baselineskip} + H \\[1.15\baselineskip] + G \\[1.15\baselineskip] + P \\[1.15\baselineskip] + E +}\par + \vspace{4\baselineskip} + {\Large YEAR} +\end{minipage} +\endgroup} +\end{verbatim} + +\section{titleRF \refit{RF}} + +This is based on a title page designed by Rudolph\index{Ruzicka, Rudolph} +Ruzicka in 1971 for an Imprint Society's book of Robert Frost's poetry and +shown in~\cite{MCLEAN80}. The text is set with Ruzicka's Linotype Fairfield +with the display lines in Monotype Bembo. + + I used Bergamo (Bembo) for the printed example. + +\begin{verbatim} +\newcommand*{\titleRF}{\begingroup% Robert Frost, T&H p 149 +\FSfont{5bp} % FontSite Bergamo (Bembo) +\drop = 0.2\textheight +\centering +\vfill +{\Huge The Big Book of}\\[\baselineskip] +{\Huge CONUNDRUMS}\\[\baselineskip] +{\large Edited by The Editor}\\[0.5\drop] +{\Large \plogo}\\[0.5\baselineskip] +{\Large The Publisher}\par +{\large\scshape year}\par +\vfill\null +\endgroup} +\end{verbatim} + +\section{titleAT \refit{AT}} + +This is based on the title page from \emph{Anatomy of a Typeface}~\cite{LAWSON90}. +In the original both the title, in a decorative font, and the +publisher's logo were in red. +You will need the \texttt{xcolor} package for this style. The text was +set in Galliard, designed by Matthew Carter. The page size is 36 by 54pc. + + I used Mona Lisa for the main title and Bergamo (Bembo) for the +remainder in the printed example. + +\begin{verbatim} +\newcommand*{\titleAT}{\begingroup% Anatomy of a Typeface +\FSfont{5bp} % FontSite Bergamo (Bembo) +\drop=0.1\textheight +\vspace*{\drop} +\rule{\textwidth}{1pt}\par +\vspace{2pt}\vspace{-\baselineskip} +\rule{\textwidth}{0.4pt}\par +\vspace{0.5\drop} +\centering +\textcolor{Red}{ +{\FSfont{5ml} % FontSite Mona Lisa + \Huge THE BOOK}\\[0.5\baselineskip] +{\FSfont{5ml} + \Large OF}\\[0.75\baselineskip] +{\FSfont{5ml} + \Huge CONUNDRUMS}}\par +\vspace{0.25\drop} +\rule{0.3\textwidth}{0.4pt}\par +\vspace{\drop} +{\Large \scshape The Author}\par +\vfill +{\large \textcolor{Red}{\plogo}}\\[0.5\baselineskip] +{\large\scshape the publisher}\par +\vspace*{\drop} +\endgroup} +\end{verbatim} + +\section{titleDB \refit{DB}} + + This is based on the title page of \emph{The Design of Books}~\cite{WILSON93}, +designed by Adrian\index{Wilson, Adrian} Wilson. The types used in the book +are handset Palatino and Linotype Aldus, designed by Hermann Zapf. The +page size is 51 by 66pc. + + I used URW Palladio (Palatino) for the printed example. + +\begin{verbatim} +\newcommand*{\titleDB}{\begingroup% AW, Design of Books +\FSfont{5pl} % FontSite URW Palladio (Palatino) +\drop = 0.14\textheight +\centering +\vspace*{\drop} +{\Large THE}\\[\baselineskip] +{\Huge BIG BOOK}\\[\baselineskip] +{\Huge OF}\\[\baselineskip] +{\Huge CONUNDRUMS}\\[1.5\baselineskip] +{\LARGE BY}\\[\baselineskip] +{\LARGE THE AUTHOR}\par +\vfill +{FOREWORD BY AN OTHER}\\[8\baselineskip] +\vfill +{\small\sffamily THE PUBLISHER}\par +\endgroup} +\end{verbatim} + +\section{titleAM \refit{AM}} + + This is based on a title page designed by Will\index{Carter, Will} +Carter for a limited edition of Samual Taylor Coleridge's \emph{The Rime of the +Ancient Mariner} from \emph{The Design of Books}~\cite{WILSON93}. The book +was typeset using Bembo. + + I used Bergamo (Bembo) for the printed example. + +\begin{verbatim} +\newcommand*{\titleAM}{\begingroup% Ancient Mariner, AW p. 151 +\FSfont{5bo} % FontSite Bergamo (Bembo) +\drop = 0.12\textheight +\centering +\vspace*{\drop} +{\large The Author}\\[\baselineskip] +{\Huge THE BIG BOOK}\\[\baselineskip] +{\Large OF}\\[\baselineskip] +{\Huge CONUNDRUMS}\\[\baselineskip] +{\scshape with ten engravings}\\ +{\scshape and with a foreword by}\\ +{\large\scshape an other}\\[\drop] +{\plogo}\\[0.5\baselineskip] +{\small\scshape the publisher}\par +{\small\scshape year}\par +\vfill\null +\endgroup} +\end{verbatim} + +\section{titleP \refit{P}} + + This is based on a title page designed by Adrian\index{Wilson, Adrian} +Wilson in 1961 for a book about the Pyramids and shown in +\emph{The Design of Books}~\cite{WILSON93}. The text type is 11/13 Monotype +Bembo. + + I used Bergamo (Bembo) for the printed example. + +\begin{verbatim} +\newcommand*{\titleP}{\begingroup% The Pyramids, AW p. 81 +\FSfont{5bo} % FontSite Bergamo (Bembo) +\drop = 0.12\textheight +\vspace*{\drop} +\hspace*{0.3\textwidth} +{\Huge SOME}\\[\baselineskip] +\hspace*{0.3\textwidth} +{\Huge CONUNDRUMS}\par +\vspace*{3\drop} +{\large By THE AUTHOR} +\vfill +{\scshape the publisher} +\vspace*{0.5\drop} +\endgroup} +\end{verbatim} + +\section{titleLL \refit{LL}} + + This is based on the title page of \emph{Lost Languages}~\cite{ROBINSON02}. +The book was designed by Cathleen\index{Bennett, Cathleen} Bennett and the +The page size is 43 by 55pc. In the original the main element of the title +was set in a light blue font. The \texttt{xcolor} package is +needed for this style. + +\begin{verbatim} +\newcommand*{\titleLL}{\begingroup% Lost Languages +\drop=0.1\textheight +\fboxsep 0.5\baselineskip +\sffamily +\vspace*{\drop} +\centering +{\textcolor{SkyBlue}{\HUGE CONUNDRUMS}}\par +\vspace{0.5\drop} +\colorbox{Dark}{\textcolor{white}{\normalfont\itshape\Large + Puzzles for the Mind}}\par +\vspace{\drop} +{\Large The Author}\par +\vfill +{\footnotesize THE PUBLISHER}\par +\vspace*{\drop} +\endgroup} +\end{verbatim} + +\section{titleGM \refit{GM}} + + The original for this is the title page for \emph{Gentle Madness} by +Nicholas Basbanes~\cite{BASBANES95}, except that the vertical rule was made up +of printers' ornaments in the original. The book was designed by +Paula\index{Szafranski, Paula R} R.~Szafranski, and the page size is 36 by 54pc. + +\begin{verbatim} +\newcommand*{\titleGM}{\begingroup% Gentle Madness +\drop = 0.1\textheight +\vspace*{\baselineskip} +\vfill + \hbox{% + \hspace*{0.2\textwidth}% + \rule{1pt}{\textheight} + \hspace*{0.05\textwidth}% + \parbox[b]{0.75\textwidth}{ + \vbox{% + \vspace{\drop} + {\noindent\HUGE\bfseries Some\\[0.5\baselineskip] + Conundrums}\\[2\baselineskip] + {\Large\itshape Puzzles for the Mind}\\[4\baselineskip] + {\Large THE AUTHOR}\par + \vspace{0.5\textheight} + {\noindent The Publisher}\\[\baselineskip] + }% end of vbox + }% end of parbox + }% end of hbox +\vfill +\null +\endgroup} +\end{verbatim} + +\section{titlePM \refit{PM}} + + This is a version of \cs{titleGM} which is closer to the original as I +have used ornaments from the Web-O-Mints font~\cite{WEBOMINTS} instead of the +vertical rule. These should be available on your system (but you may have to +install the \texttt{webo.map} file). I obtained the various numbers used +in the setting of the ornaments through trial and error as it is a once-off +layout, but it would be possible to calculate them. Note the use of a gray +shade for the printers' ornaments. + + The book consists of several parts and the title page ornaments +are repeated on each \cs{part} page, thus stylistically tying them +together with the title page. + +\begin{verbatim} +\newcommand*{\titlePM}{\begingroup% \titleGM with Ornaments +\drop = 0.1\textheight +\vspace*{\baselineskip} +\vfill + \hbox{% + \hspace*{0.1\textwidth}% + {\wb{18pt}{18pt} + \begin{picture}(0,0) + \multiput(0,0)(0,20){22}{\textcolor{Medium}{Q}} + \end{picture} + } +% \rule{1pt}{\textheight} + \hspace*{0.15\textwidth}% +\parbox[b]{0.75\textwidth}{ + \vbox{% + \vspace{\drop} + {\noindent\HUGE\bfseries Some\\[0.5\baselineskip] + Conundrums}\\[2\baselineskip] + {\Large\itshape Puzzles for the Mind}\\[4\baselineskip] + {\Large THE AUTHOR}\par + \vspace{0.5\textheight} + {\noindent The Publisher}\\[\baselineskip] + }}}% ends of vbox/parbox/hbox +\vfill +\null +\endgroup} +\end{verbatim} + + +\section{titleCC \refit{CC}} + + A title page for a work that consists of two or more volumes. It is based +on a Survey of Cambridge~\cite{CAMBRIDGE59} which was published in 2 Parts, +plus a set of maps. The page size is 50 by 63.5pc. +The main element of the title was set using a red font, +everything else was as normal. If you try this you need to use the +\texttt{xcolor} package. + +\begin{verbatim} +\newcommand*{\titleCC}{\begingroup% City of Cambridge +\drop=0.1\textheight +\vspace*{\drop} +\centering +{\Large\itshape THE BIG BOOK OF}\\[0.5\drop] +{\textcolor{Red}{\HUGE\bfseries CONUNDRUMS}}\par +\vspace{\drop} +{\LARGE\itshape VOLUME 1: SOCIAL AND MORAL}\par +\vfill +{\Large THE AUTHOR}\par +\vfill +{\plogo}\\[0.5\baselineskip] +{\itshape THE PUBLISHER}\par +{\scshape year}\par +%\vfill +\vspace*{\drop} +\endgroup} +\end{verbatim} + +\section{titleDS \refit{DS}} + +A student of mine, Donald\index{Sanderson, Donald} Sanderson, +used \LaTeX{} to typeset his +thesis~\cite{SANDERSON94}. This is the title page style mandated by +Rensselaer Polytechnic Institute as of 1994. The page size is letterpaper, +51.5 by 66pc. + +\begin{verbatim} +\newcommand*{\titleDS}{\begingroup% DS Thesis +\drop=0.1\textheight +%\vspace*{\drop} +\centering +{\Large\bfseries CONUNDRUMS CONSIDERED AS PUZZLES FOR + THE MIND}\par +\vspace{0.6\baselineskip} +{By}\\[0.6\baselineskip] +{The Candidate\\[0.6\baselineskip] +A Thesis Submitted to the Graduate\\[0.5\baselineskip] +Faculty of The University\\[0.5\baselineskip] +in Partial Fulfillment of the\\[0.5\baselineskip] +Requirements for the Degree of\\[0.5\baselineskip] +DEGREE\\[0.5\baselineskip] +Major Subject: Logic}\par + +\flushleft +{Approved by the \\ + Examining Committee:}\par +\vspace{1.5\baselineskip} +\rule{15em}{0.4pt}\\ +A Professor, Thesis Advisor \\[1\baselineskip] +\rule{15em}{0.4pt}\\ +Another Professor, Thesis Advisor \\[1\baselineskip] +\rule{15em}{0.4pt}\\ +A Faculty, Member \\[1\baselineskip] +\rule{15em}{0.4pt}\\ +Another Faculty, Member \\[1\baselineskip] +\rule{15em}{0.4pt}\\ +A Third Faculty, Member\par +\centering +\vspace{1\baselineskip} +The University \\ +The Address \\[\baselineskip] +The Date\par +\vfill +\endgroup} +\end{verbatim} + +\section{titleMS \refit{MS}} + + Maarten\index{Sneep, Maarten} Sneep used the \LaTeX{} \texttt{memoir} +class to typeset his +thesis~\cite{SNEEP04}. This style is based on his title page, size 40 by 57pc. + +\begin{verbatim} +\newcommand*{\titleMS}{\begingroup% MS Thesis +\drop=0.1\textheight +\vspace*{\drop} +\centering +{\LARGE THE UNIVERSITY}\\[2\baselineskip] +{\LARGE\sffamily Conundrums: \\ puzzles for the mind}\par +\vfill +{\LARGE THESIS}\par +\vspace{\drop} +{\large some remarks concerning the supervisor \\ + and the time and place of the examination \\ + and other administrative details}\par +\vfill +{\large\bfseries The Candidate}\par +\vspace*{\drop} +\endgroup} +\end{verbatim} + +\section{titlePW \refit{PW}} + + This is a typeset version of the title page from my\index{Wilson, Peter} +thesis~\cite{WILSON71}. +submitted to the University of Nottingham in 1971. The original was +typewritten with the mathematics inserted by hand with pen and ink +on a sheet size of 46 by 59.5pc. +The example uses a typwriter font. + +\begin{verbatim} +\newcommand*{\titlePW}{\begingroup% PW Thesis +\ttfamily +\drop=0.1\textheight +\vspace*{\drop} +\centering +{\Large%\bfseries + SOME REMARKS \\ ON CONUNDRUMS \\ + AS PUZZLES FOR THE MIND\par} +\vspace*{\drop} +{\large by}\par +\vspace*{\drop} +{\Large THE CANDIDATE\par} +\vfill +\raggedright +{\Large + Thesis submitted to The University for the degree of + Degree, Month year.\par} +\vfill +\null +\endgroup} +\end{verbatim} + +\section{titleUL \refit{UL}} + + This was supplied by Luca\index{Merciadri, Luca} Merciadri +as an example of the title page for a dissertation for the Universit\'{e} +de Li\`{e}ge.\footnote{Personal email, 2010/06/28.} Luca also noted +that he used a similarly styled titlepage for many other publications. +I have exercised editorial privilege to modify the coding to match that +of the other examples. + +\begin{verbatim} +\newcommand*{\titleUL}{\begingroup% University of Liege +\drop=0.1\textheight +\vspace*{\drop} +\begin{center} +{\LARGE\textsc{THE UNIVERSITY}}\\[\drop] +% University logo +{\LARGE \plogo}\\[\drop] + +\rule{\textwidth}{1pt}\par +\vspace{0.5\baselineskip} +{\huge\bfseries Conundrums: An Investigation of Mind Puzzles\\ + \large --- in N pages, with T tables ---}\\[0.5\baselineskip] +\rule{\textwidth}{1pt}\par +\vfill +{\Large\textsc{The\footnote{\texttt{email address}} Candidate}} +\vfill +City, Country +\vfill +{\large The Date} +\end{center} +\endgroup} +\end{verbatim} + +\section{titleASU \refit{ASU}} + + A thesis titlepage that I\index{Wilson, Peter} designed, based on +the requirements of at least one of the +schools of Arizona State University, as specified in 2009. The page size is +letterpaper, 51.5 by 66pc. The permitted fonts +were Arial, Century, Garamond, Lucida Bright, Tahoma, Times, or Verdana. +The same font and size had to be used throughout the thesis. I used Times +for the example. + +\begin{verbatim} +\newcommand*{\titleASU}{\begingroup +\TXfont{ptm}% Times +\begin{center} +CONTINUING CONONDRUMS IN THE TYPOGRAPHIC REQUIREMENTS FOR THESIS \\ +by \\ +Im A. Student\par +\vfill +A Polemic Presented in Partial Fulfillment \\ +of the Requirements for the Degree \\ +Name of Degree\par +\vfill + +THE UNIVERSITY + +The Date +\end{center} +\endgroup} +\end{verbatim} + +\section{titleBC \refit{BC}} + + This is based on the title page of \textit{Bookbinding \& Conservation} +by Don Etherington\cite{ETHERINGTON10}, a well known book conservator +and binder. The book was designed and typeset +by Maria Mann\index{Mann, Maria}. The page size is 50.5 by 66.5pc. + Four colours were used for the original +titlepage. The horizontal braces were set in a kind of gold, the main title +in a sort of sepia brown with the subtitle in a lighter shade, and the +remainder in black. The horizontal braces carried over into the main +work where they were used above and below the chapter titles. + + My example is set with Jenson Recut (Centaur) which is not too dissimilar +from the original. I used rotated braces above and below the title. + +\begin{verbatim} +\newcommand*{\rotrt}{\rotatebox{90}{#1}} +\newcommand*{\rotlft}{\rotatebox{-90}{#1}} +\newcommand*{\topb}{% + \resizebox*{\unitlength}{\baselineskip}{\rotrt{$\}$}}} +\newcommand*{\botb}{% + \resizebox*{\unitlength}{\baselineskip}{\rotlft{$\}$}}} +\newcommand*{\titleBC}{\begingroup +\FSfont{5jr}% Fontsite Jenson Recut (Centaur) +\begin{center} +\def\CP{\textit{\HUGE Conundrums \& Puzzles}} +\settowidth{\unitlength}{\CP} +{\color{LightGoldenrod}\topb} \\[\baselineskip] +\textcolor{Sienna}{\CP} \\[\baselineskip] +{\color{RosyBrown}\LARGE A DECADES-LONG STUDY} \\ +{\color{LightGoldenrod}\botb} +\end{center} +\vfill +\begin{center} +{\LARGE\textbf{The Author}}\\ +\vfill +\plogo\\[0.5\baselineskip] +YEAR +\end{center} +\endgroup} +\end{verbatim} + + +\section{titleSW \refit{SW}} + + This is based on the title page of +\emph{The Story of Writing}~\cite{ROBINSON95} published by Thames \& Hudson. +The page size is 45.5 by 60.5pc. +\begin{verbatim} +\newcommand*{\titleSW}{\begingroup% Story of Writing +\raggedleft +\vspace*{\baselineskip} +{\Huge\itshape The Book \\ of Conundrums}\\[\baselineskip] +{\large\itshape With over 120 illustrations, + 50 in color}\\[0.2\textheight] +{\Large The Author}\par +\vfill +{\Large \plogo{} \sffamily The Publisher} +\vspace*{\baselineskip} +\endgroup} +\end{verbatim} + +\section{titleTMB \refit{TMB}} + + A somewhat old fashioned title page style which, however, suits the +period of the book --- \emph{Three Men in a Boat}~\cite{JEROME64}, first +published in 1889. The edition that I have has a page size of 31 by 51pc. + + I had to do a lot of hand adjustments to the spacing to get a +reasonable look for the example. + +\begin{verbatim} +\newcommand*{\titleTMB}{\begingroup% Three Men in a Boat +\drop=0.1\textheight +\centering +\settowidth{\unitlength}{\LARGE THE BOOK OF CONUNDRUMS} +\vspace*{\baselineskip} +{\large\scshape the author}\\[\baselineskip] +\rule{\unitlength}{1.6pt}\vspace*{-\baselineskip}\vspace*{2pt} +\rule{\unitlength}{0.4pt}\\[\baselineskip] +{\LARGE THE BOOK OF CONUNDRUMS}\\[\baselineskip] +{\itshape puzzles for the mind}\\[0.2\baselineskip] +\rule{\unitlength}{0.4pt}\vspace*{-\baselineskip}\vspace{3.2pt} +\rule{\unitlength}{1.6pt}\\[\baselineskip] +{\large\scshape drawings by the artist}\par +\vfill +{\large\scshape the publisher}\\[\baselineskip] +{\small\scshape year}\par +\vspace*{\drop} +\endgroup} +\end{verbatim} + +\section{titleFT \refit{FT}} + + This is modeled after the title page of Stanley\index{Morison, Stanley} + Morison's magnificent +\emph{John Fell, the University Press and the `Fell' types}~\cite{MORISON67} +published by Oxford University Press on 12 October 1967 --- the day after +Morison died. It is a large book --- double crown quarto pages of handmade +rag paper --- printed with handset lead type cast from the matrices +bequeathed to the Press by John Fell in 1686. For more details +about the book and type see \cite{OULD00,OULD03,THOMAS05}. + + I have used the IM Fell type in the example, the original page size +being 60 by 90pc. + +\begin{verbatim} +\newcommand*{\titleFT}{\begingroup% John Fell Types +\ifxetex + \fontspec[Alternate=0]{IM_FELL_Double_Pica_PRO_Roman} +\else + \FSfont{fxlj}% Libertine +\fi +\begin{center} +\vfill +{\HUGE \textcolor{Red}{THE DONOR} \\} +\vfill +{\Huge THE UNIVERSITY AND +THE `DONOR' CONUNDRUMS \\} +\vfill +{\Large THE PUZZLES \& ENIGMAS \\ PRESENTED IN 1768 TO \\} +%\vfill +{\LARGE THE UNIVERSITY OF CITY \\ + BY THE DONOR\\} +%\vfill +{\footnotesize WHO HAS ACHIEVED A VARIETY OF ACADEMIC \\ + AND OTHER DISTINCTIONS \\} +\vfill +{\large BY\\} +{\LARGE THE AUTHOR \\} +{\footnotesize WITH THE ASSISTANCE OF\\} +{\large THE ASSISTANT\\} +\vfill +\plogo +\vfill +{\LARGE THE PUBLISHER \\} +{\large YEAR} +\vfill +\end{center} +\endgroup} +\end{verbatim} + +\section{titleJE \refit{JE}} + + This is modeled after the title page of \emph{Jane Eyre} from an edition +published by the Folio Society~\cite{BRONTE65}. The book was originally +published in 1847. The Folio Society edition is set in 10 point Scotch Roman +leaded 1~1/2 points and the page size is 33 by 52.5pc. + + My example is set with Century Old Style + +\begin{verbatim} +\newcommand*{\titleJE}{\begingroup% Jane Eyre +\FSfont{5cu}% FontSite Century Old Style +\vspace*{2\baselineskip} +{\Large\bfseries The Author}\\[2\baselineskip] +\begin{center} +{\Huge\bfseries CONUNDRUMS} +\end{center} +\vspace*{4\baselineskip} +{\Large\bfseries Illustrations by The Artist}\par +\vfill +\begin{center} +{\Large{\bfseries The Publisher $\bullet$} \scshape year} +\end{center} +\vspace*{2\baselineskip} +\endgroup} +\end{verbatim} + +\section{titleZD \refit{ZD}} + + This is an elaborate style using printers' ornaments and based on +the title page of the Folio Society's edition of \emph{Zuleika Dobson} +by Max Beerbohm~\cite{BEERBOHM66}. The text was set with 11/12 Monotype +Ehrhardt on a page size of 32 by 51pc. +The book was originally published in 1911. + +I have used one of the ornaments from the Web-O-Mints font~\cite{WEBOMINTS}, +which in this case matches the one used in the original, and rotating it via +the \texttt{graphicx} package. I also made +an ornament by combining the two math symbols $\prec$ and $\succ$. + +\begin{verbatim} +\newcommand*{\cdiam}{\prec\kern-2pt\succ} +\newcommand*{\titleZD}{\begingroup% Zuleika Dobson +\vspace*{2\baselineskip} +\centering +\begin{picture}(240,0) + \multiput(0,0)(24,0){10}{{\wb{10}{12}4}} + \multiput(-5,-21)(0,-24){15}{\rotatebox{90}{{\wb{10}{12}4}}} + \multiput(0,-360)(24,0){10}{{\wb{10}{12}4}} + \multiput(235,-21)(0,-24){15}{\rotatebox{90}{{\wb{10}{12}4}}} + \put(0,0){% + \begin{minipage}[t]{240pt} + \centering + \vspace*{2\baselineskip} + {\Huge Selected Conundrums}\\ + {\large\itshape --- puzzles for the mind ---}% + \\[0.5\baselineskip] + {\large WITH ILLUSTRATIONS BY} \\[0.5\baselineskip] + {\large THE AUTHOR } \\[0.5\baselineskip] + {\LARGE T. H. E. AUTHOR} \par + \vspace*{5\baselineskip} + $\cdiam$\\[0.25\baselineskip] + $\cdiam\cdiam\cdiam$\\[0.25\baselineskip] + $\cdiam\cdiam\cdiam\cdiam\cdiam$\\[0.25\baselineskip] + $\cdiam\cdiam\cdiam$\\[0.25\baselineskip] + $\cdiam$\par + \vspace*{5\baselineskip} + {\Large THE PUBLISHER}\\ + {\Large\scshape year}\par + \vspace*{2\baselineskip} + \end{minipage}} +\end{picture} +\vfill +\null +\endgroup} +\end{verbatim} + +\section{titleWM \refit{WM}} + + This is a representation of the kind of titlepage represented +by \textit{The Ideal Book}~\cite{PETERSON82} designed by William +S.~Peterson\index{Peterson, William S}. The text was set in Bembo +and the titles were set in William Morris's Golden type. The page +size is 45 by 65pc. + + In the original the text at the top of the titlepage was printed +with a red ink while the rest of the page was in regular black. +Between the title and the publisher +was a 16th Century woodcut of a printers workshop. I have used Bergamo (Bembo) +in the graphic examplar and a large `?' instead of a woodcut. + +\begin{verbatim} +\newcommand*{\leaf}{{\wb{8pt}{8pt}K}} +\newcommand*{\titleWM}{\begingroup% William Morris +\FSfont{5bo}% FontSite Bergamo (Bembo) +\huge +\scshape +\noindent +{\color{Red} +conundrum \leaf\ +essays on puzzles, enigmas and the mind by the author \leaf\ +edited by the editor +} +\vfill +\begin{center} +{\normalfont\fontsize{256pt}{256pt}\selectfont ?} +\end{center} +\vfill +\noindent +the publisher \\ +\hspace*{1pt}% +\leaf\ year +\vspace*{3\baselineskip} +\endgroup} +\end{verbatim} + + +\section{titleWH \refit{WH}} + + The inspiration for this style came from one of the Cambridge University +Printer's Christmas books --- \emph{Words in Their Hands} by Walter +Nurnberg~\cite{NURNBERG64}. I assume that Brooke\index{Crutchley, Brooke} +Crutchley, the Printer, was also the designer as, unlike in some other books +in the series, no designer was mentioned. The page size is 43 by 52pc. + + I used one of the ornaments from the Web-O-Mints font~\cite{WEBOMINTS} +for the page, in +two instances stretching it via the \texttt{graphicx} package. + +\begin{verbatim} +\newcommand*{\titleWH}{\begingroup% Words in their Hands +\drop = 2\baselineskip +\centering +\vspace*{\drop} +{\Huge SOME CONUNDRUMS}\\[\drop] +\scalebox{8}[1]{{\wb{10}{12}4}}\\[\drop] +{\Large\itshape A Collection of Puzzles by}\\[\baselineskip] +{\Large THE AUTHOR}\\[\baselineskip] +{\wb{10}{12}4}\\[\baselineskip] +{\Large\itshape with a Commentary by}\\[\baselineskip] +{\Large A N OTHER}\par +\vfill +\scalebox{8}[1]{{\wb{10}{12}4}}\\[\drop] +{\Large THE PUBLISHER}\\ +{\scshape year}\par +\vspace*{\drop} +\endgroup} +\end{verbatim} + +\section{titleBWF \refit{BWF}} + + This example page is based on the title page from Seamus Heaney's +wonderful translation of \emph{Beowulf}~\cite{HEANEY99}. The original +page size is 30.5 by 47pc. + +\begin{verbatim} +\newcommand*{\titleBWF}{\begingroup% Beowulf +\drop = 0.1\textheight +\parindent=0pt +\vspace*{\drop} +{\Huge\bfseries Conundrums}\\[\baselineskip] +{\Large {\itshape Translated by} {\scshape the translator}}\par +\vfill +\plogo\\[0.2\baselineskip] +{\Large\itshape The Publisher} +\vspace*{\drop} +\endgroup} +\end{verbatim} + +\section{titleSI \refit{SI}} + + This page doesn't look much out of the ordinary --- it is +based on the title page of +\emph{The Sagas of the Icelanders}~\cite{THORSSON00}, page size 36 by 55.5pc. +However, this is one in a series of books called \emph{World of the Sagas}, +the whole being produced by an editor and several translators. These, together +with the names of the editorial advisory board, are listed on the +recto page facing the title page, thus making up a double spread. + +\begin{verbatim} +\newcommand*{\titleSI}{\begingroup% Sagas +\drop = 0.13\textheight +\centering +\vspace*{\drop} +{\Huge CONUNDRUMS FOR}\\[\baselineskip] +{\Huge THE MIND}\\[\baselineskip] +{\Huge\itshape A Selection}\\[3\baselineskip] +{\Large \textit{Preface by} \textsc{famous person}}\\ +{\Large \textit{Introduction by} \textsc{an other}}\par +\vfill +{\Large THE PUBLISHER}\par +\vspace*{\drop} +\endgroup} +\end{verbatim} + +\section{titleJA \refit{JA}} + +This example is based on the title page of +\emph{Jost Amman's Cuts of Craft-Workers} \cite{AMMAN08} published by the +Incline Press.\footnote{A more affordable version is published by Dover in +1976 with the title \emph{The Book of Trades} (\isbn\ 0-486-22886-X).} +The cuts --- wood cuts of 16th Century craftsmen --- were +introduced by Veronica\index{Speedwell, Veronica} Speedwell who, I believe, +also designed the book. The page size is 30 by 47pc. + + I used Abbot Old Style for the main title and Belwe for the remainder. + +\begin{verbatim} +\newcommand*{\titleJA}{\begingroup% Jost Amman +\FSfont{5bl}% FontSite Belwe +\begin{center} +\drop=0.2\textheight +\vspace*{0.5\drop} +\Large THE AUTHOR'S \\[\baselineskip] +{\FSfont{5at}% FontSite Abbot Old Style +\huge\textcolor{Red}{Some Conundrums}}\\[2\baselineskip] +\large \textit{with an intruction by} \\ + SOMEONE ELSE\par +\vfill +YEAR \\ +{\color{Red} \rule{\txtwidth}{0.4pt}\vspace*{-\baselineskip}\vspace{3pt} + \rule{\txtwidth}{0.4pt}} \\[\baselineskip] +\Large THE PUBLISHER +\end{center} +\vspace*{\drop} +\mbox{} +\endgroup} +\end{verbatim} + +\section{titleGP \refit{GP}} + + This is a title page based on one~\cite{WILSON92} of a series of books +reporting on various annual workshops organised by the International +Federation for Information Processing. This particular workshop was +held in a retreat in the +foothills of the Catskill Mountains in New York and well away from any +distractions (unless you liked hiking). + + Camera-ready copy for the publisher was created via \LaTeX. The final +page size was 35.5 by 53.5. + +\begin{verbatim} +\newcommand*{\titleGP}{\begingroup% Geometric Modeling +\drop=0.1\textheight +\centering +\vspace*{\baselineskip} +\rule{\textwidth}{1.6pt}\vspace*{-\baselineskip}\vspace*{2pt} +\rule{\textwidth}{0.4pt}\\[\baselineskip] +{\LARGE CONUNDRUMS\\ AND \\[0.3\baselineskip] + PUZZLES}\\[0.2\baselineskip] +\rule{\textwidth}{0.4pt}\vspace*{-\baselineskip}\vspace{3.2pt} +\rule{\textwidth}{1.6pt}\\[\baselineskip] +\scshape +Selected and Expanded Papers from the Organisation Working +Conference on \\ Enigmas \\ +Location, date from--to\par +\vspace*{2\baselineskip} +Edited by \\[\baselineskip] +{\Large FIRST EDITOR \\ SECOND EDITOR \\ THIRD EDITOR\par}\\ +{\itshape Organisation \\ Address\par} +\vfill +\plogo\\ +{\scshape year} \\ +{\large THE PUBLISHER}\par +\endgroup} +\end{verbatim} + +\section{titleHC \refit{HC}} + + This is based on the title page of +\textit{Harry Carter Typographer}~\cite{THOMAS05}. The original is set with +Jan van Krimpen's Romulus at 12/15pt on a page size of 51 by 66pc. The main +title was set with outline (hollow) type. It was +printed on a Western proof press at the Old School Press. + + For the example, not having a simple outline font, I have used Erbar +Deco for the main title and Libertine instead of Romulus for the remainder. + + +\begin{verbatim} +\newcommand*{\titleHC}{\begingroup% Harry Carter +\FSfont{fxlj}% Libertine +\setlength{\drop}{0.1\txtheight} +\vspace*{\drop} +\begin{flushleft} +{\FSfont{5eb}% Erbar Deco +\HUGE +{C\,O\,N\,U\,N\,D\,R\,U\,M\,S\,,}\\ +{P\,U\,Z\,Z\,L\,E\,S\,, \&} \\ +{E\,N\,I\,G\,M\,A\,S}\\ +} +\vfill +\Large +A. N. AUTHOR \\ +A. N. OTHER \\ +Y. E. TANOTHER +\vfill +THE PUBLISHER {\normalsize YEAR} +\end{flushleft} +\endgroup} +\end{verbatim} + +\section{titlePP \refit{PP}} + + This example is based on the title page of +\emph{Printing Poetry}~\cite{BURKE80} written and designed by +Clifford\index{Burke, Clifford} and printed letterpress. +The page size is 41 by 64.5pc. + + The original was composed in Monotype Italian Old Style but not +having that I have used Jenson Recut (Centaur) instead + +\begin{verbatim} +\newcommand*{\titlePP}{\begingroup% Printing Poetry +\FSfont{5jr}% FontSite Jenson Recut (Centaur) +\drop=0.1\textheight +\vspace*{\drop} +\begin{raggedleft} +{\HUGE PUZZLING}\\[\baselineskip] +{A WORKBOOK FOR RESOLUTIONS}\\[1.1\baselineskip] +{\HUGE CONUNDRUMS} \\[\baselineskip] +{\Large BY THE AUTHOR}\par +\end{raggedleft} +\vfill +\begin{center} +{\large THE PUBLISHER YEAR} +\end{center} +\vspace*{\drop} +%\mbox{} +\endgroup} +\end{verbatim} + +\section{titleRMMH \refit{RMMH}} + + This style is based on the titlepage of \textit{The Bookbinding +Career of Rachel McMasters Miller Hunt}~\cite{TITCOMBE74}. The Hunt +Institute for Botanical Documentation and its Hunt Botanical Library +were founded in 1960 by Roy Arthur Hunt and his wife Rachel McMasters +Miller Hunt (1882--1963). Rachel Miller as she was then started designer +bookbinding as a `hobby' in 1904 and cotinued after her marriage until 1920 +creating over 120 elegant works in that time. + + The frontispiece of the book in question is an oval photograph of a +very attractive young Edwardian lady. The same size oval ring on the titlepage +encloses the title together with a rectangular frame of printers ornaments, +which are also used to frame the chapter titles. The book was designed by +Thomas C. Pears III~\index{Pears, Thoms C. III} and set in Monotype Spectrum +with Hunt Roman, designed by Hermann Zapf for the Hunt Botanical Library. +The page size is 44 by 62pc. + + In the printed example I have used Vendome as I have neither +Spectrum nor Hunt. As you might infer from the code below there is a lot +of trial and error involved in getting all the elements positioned well +with each other. + +\begin{verbatim} +%% draw an oval using tikz +\newcommand*{\anoval}[2]{% +\begin{tikzpicture} +\draw[very thick] (0,0) ellipse (#1 and #2); +\end{tikzpicture}} + +%% a zero-sized picture of an oval +\newcommand*{\putoval}{\begingroup +\setlength{\unitlength}{1in} +\begin{picture}(0,0) + \put(-1.25,0){\anoval{1.25in}{1.75in}} +\end{picture} +\endgroup} + +%% rectangular ornamental frame +\newcommand*{\fframe}{\begingroup + \wb{10pt}{10pt} + \setlength{\unitlength}{1pt} + \begin{picture}(0,0) +\multiput(11,0)(24,0){11}{e}% bottom +\multiput(23,0)(24,0){10}{f}% bottom +\multiput(11,384)(24,0){11}{e}% top +\multiput(23,384)(24,0){10}{f}% top +\put(0,0){O}% bl +\put(0,382){R}% tl +\put(262,0){M}% br +\put(262,382){P}% tr +\multiput(0,11)(0,24){16}{i}% left +\multiput(0,23)(0,24){15}{j}% left +\multiput(264,11)(0,24){16}{i}% right +\multiput(264,23)(0,24){15}{j}% right + \end{picture} +\endgroup} + +\newcommand*{\titleRMMH}{\begingroup +\FSfont{5ve}% FontSite Vendome +\Large +\vspace*{0.1\textheight} +\begin{center} +The \\ +Puzzle \\ +of \\ +Conundrums\\[2\baselineskip] +by \\ +The Authoress\\[3\baselineskip] + +\plogo\\[2\baselineskip] +\putoval + +\vspace{2\baselineskip} + +The Publisher \\ +{\normalsize YEAR} +\end{center} +\vspace{\baselineskip} +{\centering\begin{picture}(0,0) + \put(-140,0){\fframe} + \end{picture} + \par} +\endgroup} +\end{verbatim} + +\section{titleEI \refit{EI}} + + A titlepage based on that in +\emph{Editions and Impressions}~\cite{BASBANES07}, designed by +Roni\index{Moc{\'a}n, Roni} Moc{\'a}n and +Jessica\index{Lagunas, Jessica} Lagunas. The page size is 36 by 54pc. + + I used Glytus (Glypha) for the example in normal and light weights, which +looked not too dissimilar from the original fonts. + +\begin{verbatim} +\newcommand*{\titleEI}{\begingroup% Editions & Impressions +\FSfont{5gl}% Glytus (Glypha) +\drop = 0.3\textheight +\vspace*{\drop} +\raggedright +{\LARGE {\huge C}ONUNDRUMS \textit{and} \\ +\hspace*{30pt} {\huge E}NIGMAS\par} +\vspace{2\baselineskip} +{\large\ltseries\hspace*{15pt} {\LARGE T}WENTY {\LARGE Y}EARS \\[.1\baselineskip] + \hspace*{15pt} OF {\LARGE P}UZZLEMENTS}\par +\vspace{2\baselineskip} +\hspace*{15pt}{\ltseries \textit{\large {\footnotesize BY} The Author}}\par +\vfill +The Publisher {\footnotesize YEAR} +\endgroup} +\end{verbatim} + +\section{titleGWP \refit{GWP}} + + An example based on +\emph{The Complete Works of the Gawain-Poet}~\cite{GAWAIN65}, designed by +Adrian\index{Wilson, Adrian} for the University of Chicago Press. The +page size is 40 by 57pc. + + I used Cipollini for the main title and Garamond for the remainder. In +the center of the original titlepage there is a woodcut of a knight on +horseback; I have used a large `?' instead. + +\begin{verbatim} +\newcommand*{\titleGWP}{\begingroup% Gawain Poet +\FSfont{5gm}% FontSite Garamond +\drop=0.1\textheight +\vspace*{\drop} +\begin{center} +\FSfont{5ci}% FontSite Cipollini +\Huge\color{Red} +THE COMPLETE WORKS OF THE CONUNDRUM POSER +\end{center} +\vfill +\begin{center} +{\normalfont\fontsize{256pt}{256pt}\selectfont ?} +\end{center} +\vfill +\begin{center} +\large +{\itshape In a Readable Version with a Critical Introduction \\ +by The Critic \\ +\normalsize +Woodcuts by The Artist} \\ +{\color{Red} \rule{\txtwidth}{0.4pt}} +THE PUBLISHER +\end{center} +\vspace*{0.5\drop} +\endgroup} +\end{verbatim} + +\section{titleIP \refit{IP}} + + The titlepage of \emph{Into Print}~\cite{DREYFUS95} is the basis for +this example. The book was designed by John\index{Trevitt, John} Trevitt +and printed at the Stamperia Valdonega under the supervision of Martino +Mardersteig using Dante VAL, a special version of Monotype Dante. +The page size is 36 by 54pc. + + The original used a Greek key motif below the main title, and also +below each chapter head. + + I used Palladio (Palatino) in my example and a row of dingbats +instead of the key motif. + +\begin{verbatim} +\newcommand*{\titleIP}{\begingroup% Into Print +\FSfont{5pl}% FontSite Palladio (Palatino) +\drop=0.1\textheight +\vspace*{0.5\drop} +\begin{center} +{\Huge CONUNDRUMS}\\[\baselineskip] +\Large +\dingline{49} +\vspace{\baselineskip} +{\itshape Selected writings on Puzzles, \\ Enigmas, and Other Attempts at \\ Bafflement} + +\vspace{\baselineskip} + +THE AUTHOR + +\vfill +\plogo \\[\baselineskip] + +\large +THE PUBLISHER +\end{center} +\vspace*{0.5\drop} +\endgroup} +\end{verbatim} + +\section{titleAAT \refit{AAT}} + + \emph{An Approach to Type}~\cite{BIGGS62} provides an introduction to +type and its history and use. This is followed by extended examples of +some 20 or so types that have proved useful over the decades and centuries. +The page size is 44 by 58.5pc. + + Although it was not stated, I think that Bodoni was used as the main type +in the original titlepage, and I have used the same. I don't know +what was the display type for the main title word but I have used +a heavy-bold Clarendon. + +\begin{verbatim} +\newcommand*{\titleAAT}{\begingroup% An Approach to Type +\FSfont{5bd}% FontSite Bodoni +\drop=0.1\textwidth +\vspace*{0.5\drop} +{\huge THE AUTHOR} + +\begin{vplace}[2] +\begin{raggedleft} +\LARGE AN APPROACH TO\\[0.2\baselineskip] +{\FSfont{5cd}% FontSite Clarendon + \HUGE\texthb{Conundrums}}\par +\end{raggedleft} +\end{vplace} + +\large{THE PUBLISHER} +\vspace*{0.5\drop} +\end{verbatim} + + +\section{titleCM \refit{CM}} + + \emph{Christopher Marlowe}~\cite{MARLOWE66} is another work designed +by Adrian\index{Wilson, Adrian}, this time for the Limited Editions Club. + + The title was set in the striking Carolus type by Karl-Erik Forsberg, +and the remainder in Bembo. In the center of the titlepage is a partitioned +box containing the devices for the four plays developed by the designer. +The page size is 56 by 73.5pc. + + In my rendition I have used Cipollini for the main title and Lanston Bell +for the remainder. In my case the `devices' are simply `?'. + + +\begin{verbatim} +\newcommand*{\lqm}[1]{{\HUGE\fontsize{#1}{#1}\selectfont ?}} +\newcommand*{\titleCM}{\begingroup% Christopher Marlowe +\FSfont{5ci}% FontSite Cipollini +\drop=0.05\textheight +\vspace*{\drop} +\begin{center} +{\color{Red}\HUGE T\, H\, E\ \ \ O\, R\, I\, G\, I\, N\, A\, L \\ + A\, U\, T\, H\, O\, R\par} +\vspace{2\baselineskip} +{\huge FOUR CONUNDRUMS\par} +\vspace{\baselineskip} +\FSfont{5lb}% FontSite Lanston Bell +\Large +{\itshape Edited with an Introduction by The Editor \\ + Engravings by The Engraver} +\vfill +\setlength{\unitlength}{3pt} +\begin{picture}(0,40) + \thicklines + {\color{Red} + \put(-20,0){\framebox(40,40){}} + \put(0,0){\line(0,1){40}} + \put(-20,20){\line(1,0){40}}} + \put(-10,10){\makebox(0,0){\lqm{60pt}}} + \put(-10,30){\makebox(0,0){\lqm{60pt}}} + \put(10,10){\makebox(0,0){\lqm{60pt}}} + \put(10,30){\makebox(0,0){\lqm{60pt}}} +\end{picture} +\vfill +THE PUBLISHER +\end{center} +\vspace*{\drop} +\endgroup} +\end{verbatim} + + +\section{titleRB \refit{RB}} + + This is the title page of an old book that I reset using \LaTeX. The +style is definitely Victorian and it looks as though the printer used every +font that he had in his shop. He was most likely the designer as well. + The page size is 28 by 45pc. + + The two lengths \cs{rbtextwidth} and \cs{rbtextheight} are the true +dimensions of the original textblock (in the original code \cs{textwidth} +and \cs{textheight} were used). + + The command \cs{strip@pt}\cs{alength} is from the \LaTeX{} kernel and +strips the two characters `pt' from the value of \cs{alength}. In this case +I have used it as a means of using length values instead of plain integers +in the \texttt{picture} environment (the default unit of measurement in +the environment is 1pt). + + I used Century Old Style for setting the title page and text and +Algerian for the cover. These are both part of the FontSite 500 +fonts~\cite{LEAGUE02} (the FontSite CD is commercial but all the \LaTeX{} +setup has been done for you by Christopher League). + + I used Century Old Style for the printed example. + + +\begin{verbatim} +%%% textblock dimensions +\newlength{\rbtextwidth}\setlength{\rbtextwidth}{289pt} +\newlength{\rbtextheight}\setlength{\rbtextheight}{490pt} + +%%% title page text --- one line per `paragraph' +\newcommand*{\covertext}{% +{\normalsize THE NEW\par} +{\huge FAMILY RECEIPT BOOK\par} +{\tiny CONTAINING A LARGE COLLECTION OF\par} +{\footnotesize HIGHLY ESTIMATED RECEIPTS IN A VARIETY \par} +{\footnotesize OF BRANCHES, NAMELY:\par} +{\huge BREWING,\par} +{\Large MAKING AND PRESERVING BRITISH WINES,\par} +{\huge DYING,\par} +{\large RURAL AND DOMESTIC ECONOMY,\par} +{\footnotesize SELECTED FROM EXPERIENCED \& + APPROVED RECEIPTS,\par} +{\normalsize\textsf{FOR THE USE OF PUBLICANS}\par} +{\footnotesize AND HOUSEKEEPERS IN GENERAL,\par} +{\tiny A GREAT MANY OF WHICH WERE NEVER BEFORE PUBLISHED.\par} +\rule{0.15\rbtextwidth}{0.4pt}\par +{\Large BY G.~MILLSWOOD.\par} +\rule{0.75\rbtextwidth}{0.4pt}\par +{\footnotesize \textsf{PRICE ONE SHILLING}\par} +\rule{0.5\rbtextwidth}{0.4pt}\par +{\footnotesize DERBY: PRINTED AND SOLD BY G.~WILKINS + AND SON,\par} +{\footnotesize QUEEN STREET.\par}} + +%% set up for the double frame +\newlength{\sepframe} +\newlength{\framex} +\newlength{\framey} +\setlength{\sepframe}{2.4pt} +\setlength{\framex}{\rbtextwidth} +\addtolength{\framex}{2\sepframe} +\setlength{\framey}{\rbtextheight} +\addtolength{\framey}{2\sepframe} + +%% use a picture for the framed text +\makeatletter +\newcommand*{\titleRB}{% + \begin{picture}(\strip@pt\rbtextwidth,\strip@pt\rbtextheight)% + \thinlines + \put(0,0){\framebox(\strip@pt\rbtextwidth,% + \strip@pt\rbtextheight){% + \begin{minipage}{\rbtextwidth} + \centering + \setlength{\parskip}{0.67\baselineskip} + \covertext + \end{minipage} + }}% + \put(-\strip@pt\sepframe,-\strip@pt\sepframe)% + {\framebox(\strip@pt\framex,\strip@pt\framey){}}% + \end{picture}} +\makeatother +\end{verbatim} + +\providecommand{\biblistextra}{% + \setlength{\leftmargin}{0pt} + \setlength{\itemindent}{\labelwidth} + \addtolength{\itemindent}{\labelsep} +} + +\renewcommand{\prebibhook}{Not every book listed here has an \isbn\ +number, usually either because they were limited editions, for example +the one from Incline Press, or they were published before the advent +of the \isbn\ designation in 1970.} + +\bibliographystyle{alpha} +\begin{thebibliography}{RCHM99} + +\bibitem[Amm08]{AMMAN08} + Jost Amman. +\newblock \emph{Cuts of Craft-Workers}, + with an Introduction by Veronica Speedwell, +\newblock Incline Press, Oldham, England, 2008. +\newblock (First published as the \emph{Standbuch} in 1568). + +\bibitem[Bas95]{BASBANES95} + Nicholas A. Basbanes. +\newblock \emph{A Gentle Madness: Bibliophiles, Bibliomanes, and the Eternal + Passion for Books}, +\newblock Henry Holt, 1995. (\isbn\ 0-8050-3653-9) + +\bibitem[Bas07]{BASBANES07} + Nicholas A. Basbanes. +\newblock \emph{Editions and Impressions: Twenty Years on the Book Beat}, +\newblock Fine Books Press, 2007. (\isbn\ 978-0-9799491-1-1) + +\bibitem[Bee65]{BEERBOHM66} + Max Beerbohm. +\newblock \emph{Zuleika Dobson}, +\newblock The Folio Society, 1966. +\newblock (First published in 1911). + +\bibitem[Big62]{BIGGS62} + John R. Biggs. +\newblock \emph{A Approach to Type}, +\newblock Pitman Publishing Corporation, 1962. + + +\bibitem[Bro65]{BRONTE65} + Charlotte Bront\"{e}. +\newblock \emph{Jane Eyre}, +\newblock The Folio Society, 1965. +\newblock (First published in 1847). + +\bibitem[Bur80]{BURKE80} + Clifford Burke. +\newblock \emph{Printing Poetry: A Workbook in Typographic Reification}, +\newblock Scarab Press, San Francisco, 1980. (\isbn\ 0-912962-01-1) + +\bibitem[Dre95]{DREYFUS95} + John Dreyfus. +\newblock \emph{Into Print: Selected Writings on Printing History, Typography + and Book Production}, +\newblock David R. Godine, 1995. (\isbn\ 1-56792-045-4) + +\bibitem[Eth10]{ETHERINGTON10} + Don Etherington. +\newblock \emph{Bookbinding \& Conservation --- A Sixty-year Odyssey + of Art and Craft}, +\newblock Oak Knoll Press, 2010. (\isbn\ 978-1-58456-277-1) + +\bibitem[Gaw65]{GAWAIN65} + Gawain. +\newblock \emph{The Complete Works of the Gawain-Poet}, +\newblock University of Chicago Press, 1965. +\newblock(In a Modern English Version with a Critical Introduction + by John Gardner). + +\bibitem[Ham48]{HAMILTON48} + Charles E. Hamilton (translator). +\newblock \emph{Kamisuki Ch\={o}h\={o}ki A Handy Guide to Papermaking}, +\newblock University of California, 1948. + +\bibitem[Hea99]{HEANEY99} + Seamus Heaney. +\newblock \emph{Beowulf}, +\newblock Faber and Faber, 1999. (\isbn\ 0-571-203760-0) + +\bibitem[Jer64]{JEROME64} + Jerome K. Jerome. +\newblock \emph{Three Men in a Boat}, +\newblock The Folio Society, 1964. +\newblock (First published in 1889). + +\bibitem[Law90]{LAWSON90} + Alexander Lawson. +\newblock \emph{Anatomy of a Typeface}, +\newblock David R. Godine, 1990. (\isbn\ 0-87923-333-8) + +\bibitem[Lea02]{LEAGUE02} + Christopher League. + \newblock \emph{\TeX{} support for the FontSite 500 CD}, 2002. +\newblock (Available from \url{http://contrapunctus.net/fs500tex}). + + +\bibitem[Lor02]{WEBOMINTS} + Maurizio Loreti. +\newblock \emph{Web-O-Mints}, September, 2002. +\newblock (Available from CTAN in \url{/fonts/webomints}). + +\bibitem[Mar66]{MARLOWE66} + Christopher Marlowe. +\newblock \emph{Four Plays}, +\newblock The Limited Editions Club, 1966. +\newblock (First published late 16th Century). + +\bibitem[McL75]{MCLEAN75} + Ruari McLean. +\newblock \emph{Jan Tschichold: Typographer}, +\newblock David R. Godine, 1975. (\isbn\ 0-87923-841-0) + +\bibitem[McL80]{MCLEAN80} + Ruari McLean. +\newblock \emph{The Thames and Hudson Manual of Typography}, +\newblock Thames and Hudson, 1980. (\isbn\ 0-500-68022-1) + +\bibitem[Mor67]{MORISON67} + Stanley Morison (assisted by Harry Carter). +\newblock \emph{John Fell the University Press and the `Fell' types}, +\newblock Oxford University Press, 1967. + +\bibitem[Nur64]{NURNBERG64} + Walter Nurnberg. +\newblock \emph{Words in their Hands}, +\newblock Privately printed at the University Printing House, Cambridge, 1964. + +\bibitem[OT00]{OULD00} + Martyn Ould and Martyn Thomas. +\newblock \emph{The Fell Revival}, +\newblock The Old School Press, 2000. + +\bibitem[Oul03]{OULD03} + Martyn Ould. +\newblock \emph{Stanley Morison \& `John Fell'}, +\newblock The Old School Press, 2003. + +\bibitem[Pet82]{PETERSON82} + William S. Peterson (editor). +\newblock \emph{The Ideal Book: Essays and Lectures on the Arts of the Book + by William Morris}, +\newblock University of California Press, 1982. (\isbn\ 0-520-04563-7) + +\bibitem[RCHM59]{CAMBRIDGE59} + Royal Commission on Historical Monuments. +\newblock \emph{City of Cambridge}, 2 Parts, +\newblock Her Majesty's Stationery Office, 1959. + +\bibitem[Rob95]{ROBINSON95} + Andrew Robinson. +\newblock \emph{The Story of Writing}, +\newblock Thames \& Hudson, 1995. (\isbn\ 0-500-281564-4) + +\bibitem[Rob02]{ROBINSON02} + Andrew Robinson. +\newblock \emph{Lost Languages: The Enigma of the World's Undeciphered Scripts}, +\newblock McGraw-Hill, 2002. (\isbn 0-07-135743-2) + +\bibitem[San94]{SANDERSON94} + Donald B. Sanderson. +\newblock \emph{Loss of Data Semantics in Syntax Directed Translation}, +\newblock Doctoral Thesis, Rensselaer Polytechnic Institute, 1994. + +\bibitem[Sne04]{SNEEP04} + Maarten Sneep. +\newblock \emph{The atmosphere in the laboratory: cavity ring-down measurements + on scattering and absorption}, +\newblock Thesis, Vrije Universitet, 2004. + +\bibitem[TLR05]{THOMAS05} + Martyn Thomas, John A. Lane and Anne Rogers. +\newblock \emph{Harry Carter Typographer}, +\newblock The Old School Press, 2005. (\isbn\ 1-899933-11-5) + +\bibitem[Tho00]{THORSSON00} + \"{O}rn\'{o}lfur Thorsson (editor). +\newblock \emph{The Sagas of the Icelanders}, +\newblock Viking, 2000. (\isbn\ 0-670-88990-3) + +\bibitem[Tit74]{TITCOMBE74} + Marianne Fletcher Titcombe. +\newblock \emph{The Bookbinding Career of Rachel McMasters Miller Hunt}, +\newblock Hunt Botanical Library, Pittsburgh, Pennsylvania, 1974. (\isbn 0-913196-16-9) + +\bibitem[Wil93]{WILSON93} + Adrian Wilson. +\newblock \emph{The Design of Books}, +\newblock Chronicle Books, 1993. (\isbn\ 0-8118-0304-X) + +\bibitem[Wil71]{WILSON71} + P. R. Wilson. +\newblock \emph{Some Observations on Planar Diffused Junctions in Silicon}, +\newblock Doctoral Thesis, University of Nottingham, October 1971. + +\bibitem[Wil92]{WILSON92} + P. R. Wilson, M. J. Wozny and M. J. Pratt (editors). +\newblock \emph{Geometric Modeling for Product Realization}, +\newblock IFIP Transactions, B-8, North-Holland, 1992. (\isbn\ 0-444-81662-3) + + +\end{thebibliography} + +\printindex + +\end{document} + + |